# Rolling Stone Philippines > Music, Culture, Social Issues > Generated by All in One SEO Pro v5.0.3, this is an llms-full.txt file, used by LLMs to index the site. ## Posts ### [For Jun Sabayton, There is Art in Everything](https://rollingstonephilippines.com/culture/art/jun-sabayton-profile/) **Published:** November 12, 2024 **Author:** Marv Recinto **Excerpt:** The artist’s indelible mark in the local art scene transcends genres and spans decades and yet Sabayton’s genius is in making his ubiquity feel innate **Content:** I walked up and down the arrivals terminal of Berlin Brandenburg Airport looking for Jun Sabayton. He arrived from Manila a few hours ahead of my flight from San Francisco but offered to wait for me. When I finally spotted him, surrounded by a trolley filled with suitcases and a giant cardboard box (which held an artwork he hand-carried all the way over), he greeted me with a huge grin and warm hug. For various creative communities in the Philippines, Sabayton is ubiquitous. He won the prestigious Gawad Urian Award for his production design work on Lav Diaz’s monumental 2004 film *Ebolusyon ng Isang Pamilyang Pilipino*. He has acted in, hosted, and directed various television shows ranging from comedy to political commentary to reality TV, including *Wasak*, *Word of the Lourd*, *Tanods*, and *Kontrabando*. He also appeared in films like Quark Henares’s *Rakenrol,* a coming-of-age story where Sabayton plays a caricature of himself as a struggling multimedia artist, and *Blue Bustamante*, a story of an OFW working as a stunt man in a Sentai show, directed by Miko Livelo. Sabayton’s wide-ranging work in film and TV, he says, stems from his need to survive. He took any job he could get to earn money, working in front of the camera, behind it, and everywhere in between. Sabayton and I were the first of a large delegation of participating artists and cultural workers to travel to Berlin for what felt like to me, as an art historian, an exciting moment for Philippine art. ![Jun Sabayton photo courtesy of RA Rivera Dix Perez handcam](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/11/Jun-Sabayton-RA-Rivera-Dix-Perez-handcam.jpeg) Photo courtesy of RA Rivera and Dix Peres Earlier this year, the artist-run organization Green Papaya Art Projects invited writer-curator-artist Erwin Romulo and Sabayton to organize an exhibition in the Deutscher Akademischer Austauschdienst (DAAD) space as part of DAAD’s Artists-in-Berlin fellowship program. The longtime friends staged the fifth iteration of *Jumpcut*, an ongoing exhibition series initiated by Sabayton in 1999. At various points over the last 25 years, Jumpcut surveyed moving images and new media works in the Philippines. *Jumpcut 5: Videoke Philippinen* was thus envisioned as a broad introduction to Philippine experimental film. I was later brought onto the team to curate the public program and write the exhibition text that would accompany the show. ## Punk proclivities Sabayton’s work typically employs satire to critique social injustices — an interest that, he says, began when his family moved to Manila from Cebu in 1987. He recalls his Filipino language teacher organizing rallies to advocate for better pay and working conditions for the faculty. At Manuel L. Quezon University and the University of the Philippines, he attended meetings hosted by the League of Filipino Students, a student-led national democratic group that formed during the Martial Law era, which left an indelible impression on him. Sabayton also turned to [punk music](https://rollingstonephilippines.com/music/punk/) for its anarchic, do-it-yourself ethos, discovering experimental films through zines like *Herald-X*. Bands like The Clash, Face to Face, and Wuds amplified his frustration towards sociopolitical injustices. In a [2014 interview with *Esquire Philippines*](https://www.esquiremag.ph/long-reads/esqa/jun-sabayton-a1520-20170307-lfrm?s=7fd699jtkv9oid84aa5umucqrk)*,* he recalled how Wuds’ lyrics in “At Kalimutan Ang Diyos” fervently influenced him: “Malaking bahay, magarang kotse, maraming pera / Magandang asawa, may mga anak, magandang damit / Masarap na pagkain, sikat na sikat kasi may pangalan / Pero nakalimutan ang diyos.” (Big house, a classy car, lots of money / good-looking spouse, children, lots of clothes / delicious food, popular because it has a name / but has forgotten God.) “Parang gano’n ang lyrics ng punk,” he explains. “Hindi lang siya music.” (That’s what the lyrics of punk are like. It’s not just about the music.) ![Jun Sabayton youth set RA Rivera and Dix Perez](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/11/Jun-Sabayton-youth-set-RA-Rivera-and-Dix-Perez.jpeg) Sabayton on set. Photo courtesy of RA Rivera and Dix Peres The late ‘90s fundamentally influenced Sabayton’s life trajectory. Initially a student at Centro Escolar University, he later moved to Mowelfund Film Institute where he learned the practical trade of filmmaking under the likes of Rox Lee and Raymond Red. Artist-run spaces like Big Sky Mind, Third Space, and Surrounded by Water fostered collaboration with young students and other like-minded individuals, shaping Sabayton’s enduring and interdisciplinary curiosity. This was also the period Sabayton joined the newly formed Furball Inc., an art collective-turned-production house founded by Lyle Sacris, Karlo Estrada, and Mark Laccay. The group formed to support one another’s avant-garde artistic projects; its dark humor and unorthodox approach challenged the conventions of Manila’s creative scenes at the time. For example, “Reincarnation” is the Philippines’ first eight-channel artwork — a tower of eight stacked TVs with synchronized video from 2004. To fund their activities, like acquiring a physical space, the group took on commercial projects that were widely lauded — like Radioactive Sago Project’s “Astro,” which won *MTV Philippines*’ award for Best Video and Best Director in 2005, and Kyla’s “[Hanggang Ngayon](https://www.youtube.com/watch?v=wJOmOSG4u1w),” which required Sabayton to climb down a sewer to retrieve cockroaches for a one-second b-roll despite his pathological fear of insects. While their physical space closed in 2008 and even as they embarked on separate careers, the group remained close friends. Prompted by the death of Edsel Abesames, a former group member, Furball staged an exhibition in Modeka Art Space in early 2024, which initiated the momentum for the Berlin exhibition. The first *Jumpcut* exhibition emerged while Sabayton was drinking at Ringo Bunoan and Katya Guerrero’s Big Sky Mind bar and cafe in 1999. He spoke animatedly about how filmmakers are artists too, referencing the way German director Christoph Janetzko scratched, colored, and physically manipulated celluloid film. At Bunoan and Guerrero’s encouragement, Sabayton organized an exhibition and invited sixteen filmmakers to contribute to the show in a crossover of disciplines. In an interview with *The Manila Times* in 1999, Sabayton succinctly summarises the impetus for his exhibition: “It all boils down to the same thing — making images.” ![jun sabayton marv recinto erwin romulo jumpcut 5 berlin](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/11/jun-sabayton-erwin-romulo-jumpcut-5-Credit-Marv-Recinto.jpeg) The author with Sabayton and Romulo in Berlin. Photo courtesy of author So it was fitting that, for the Berlin show of Jumpcut 5, Furball came together to create Videoke Philippinen — a bespoke and operational videoke machine that pays homage to the collective’s heritage in music videos through sixteen video works. For example, Ricardo “Dix” Buhay’s *Juan Direction* from 2023 begins with clips of caged pigs on the back of trucks being transported across Manila while Frank Sinatra croons the opening lyrics of “My Way”: “And now the end is near.” Quark Henares’ 2005 work, *63 Seconds of People Screaming at Objects*, is exactly as it sounds: people screeching at video equipment and innocuous items. Sabayton’s practice will, at times, take on loud pronouncements of advocacy. But it’s also in his small and personal gestures of sharing knowledge that make the most meaningful change. In Sabayton’s *Markang Demonyo*, a budots remix of “My Way” — a genre of dance music originating from the Bisaya-speaking region — is set over visceral news clips of former President Rodrigo Duterte’s war on drugs, juxtaposed with clips of Duterte attempting the undulating moves of the budots dance. The contrast of kitschy, fast-paced drum kicks over devastating images of mangled bodies emphasizes the vulgarity of Philippine politics that Sabayton calls attention to. Romulo, who helped organize Jumpcut 5, says that punk music and rage against sociopolitical inequality initially fuelled Sabayton’s activism. But over time, the artist learned that his activism may be best expressed through art. Sabayton’s famous ongoing performance project known as “BAYAW for President” references the Filipino brother-in-law archetype, using satire to stress and criticize politicians. BAYAW — which stands for Bagong Alyansang Ayaw sa Walanghiya, or New Alliance Against Assholes — began in 2013 as a [sketch](https://www.youtube.com/watch?v=CA15Nqom-XU) called “Make Your Own Campaign Vid” in *The Word of the Lourd*, which later caught the attention of future President [Ferdinand “Bongbong” Marcos Jr.](https://www.youtube.com/watch?v=Yl31B2uC8jg&t=23s), who urged Sabayton to stop imitating “serious” politicians like himself. ## Art’s pervading possibility However, Sabayton’s art activism extends beyond art as an isolated activity. He sincerely and infectiously believes in art’s pervading possibility to change the world. Like his BAYAW character, Sabayton’s practice will, at times, take on loud pronouncements of advocacy. But it’s also in his small and personal gestures of sharing knowledge that make the most meaningful change. ![Jun Sabayton Berlin Jumpcut 5 Credit Dix Peres](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/11/Jun-Sabayton-Credit-Dix-Peres-1.jpg) Photo courtesy of Dix Peres Early in our Berlin trip, before the other artists arrived, Sabayton and I set out to a vintage flea market in the Schönberg neighborhood. We weren’t looking for anything in particular but tried our luck in finding film equipment. As we strolled the tables of endless knickknacks, he stopped us in front of a camera vendor, pointing out the different models and explaining what type of film each used. He perused through their offerings while I wandered off on my own and sat down on some steps to wait for him. Ten minutes later, Sabayton excitedly hurried over with a huge grin on his face and a large box in his hands. “It’s a Super8 projector!” he gushed in Tagalog. “I think it works!” He arduously carried this forty-pound projector across street blocks and train stops. Once we returned to the artist’s residency apartment we were staying in, Sabayton eagerly took the projector out of its case and set it on a low console unit in the living room. “Come here,” he gestured to me as I squatted next to him while he fiddled with the machine’s buttons, reels, and drums. “Wait, I brought film,” he said, jumping out of his squat and hurried into the room. Sabayton returned with a bag full of seventy-year-old film which, he explained, is part of his “Malalim Ang Gabi: Filipino Home Movies A Decade After The War” performance piece that screens the home movies of his wife’s family. As he threaded the reel, he softly explained how the machine works. When the celluloid flickered to light, he ardently exclaimed, “‘Yan!” (That’s it!) At that moment, I began to really understand Sabayton. At times, he presents himself as a jokester: Satirical and pointed, of course, but always with a cheekily devious grin. But as an artist who is within various creative communities, he innately recognizes that art is everywhere and is in everything — whether in a dusty projector or on the peeling layers of posters of a city’s street corners. Sabayton makes art, yes. But more than that, he is passionately serious about art making, which can be found in his generosity of time and the care he gives to others. **Categories:** Art, Culture **Tags:** Furball Inc. --- ### [The Philippines Faces a Longer Road in its Fight Against HIV](https://rollingstonephilippines.com/state-of-affairs/power/philippines-hiv-epidemic-issues/) **Published:** June 24, 2025 **Author:** Dominic Gutoman **Excerpt:** The surge in HIV cases in the country is a combination of different factors, from a lack of comprehensive sex education, self-sufficient funding, to lapses in government policy, coupled with latent stigma **Content:** The Philippines — together with the rest of the world — has been fighting the [human immunodeficiency virus](https://rollingstonephilippines.com/tag/hiv/ "HIV") (HIV) for an excruciatingly long time. It has made significant progress, yet the public health emergency deepens. Surge in HIV cases among youth first sounded the alarm. Then, shortly after, the [United States paused its international funding](https://rollingstonephilippines.com/state-of-affairs/power/ph-trans-hiv-health-service-risk-us-foreign-aid-freeze/), casting a shadow of uncertainty earlier this year. Coinciding with this is the show of power and influence of conservatives to hinder comprehensive sex education (CSE) in the country. These consecutive blows reveal one thing: the Philippines must confront these elephants in the room and take a decisive turn at this critical crossroads. Anthony Louie David has been living with HIV for eleven years. His journey is a testament that HIV is no longer a death sentence and that individuals like him can lead full, ordinary lives. While his life is an inspiration to many, he knew very well how the global epidemic can be cruel. His familiarity with the effects of the virus stems from a deeply personal story after losing his beloved partner a decade ago to Acquired Immunodeficiency Syndrome (AIDS), the advanced stage of HIV. “Mayroon po talagang progreso based on my experience, simula noong nagka-HIV ako. Mas napapalawak din ang tamang kaalaman. Pero nandiyan pa rin ‘yong takot,” David said in an interview with *Rolling Stone Philippines*. He even remembered a time before pre-exposure prophylaxis (PrEP), a pill taken orally to prevent HIV sexual transmission, was made available in the country in 2017. “It’s just that habang tumatagal, mas dumadami at pabata nang pabata ang nagkakaroon ng HIV.” In June, the Department of Health (DOH) released the first quarter data for the year 2025. By the health bureau’s estimate, at the end of 2025, there will be [252,800 people living with HIV](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/hiv-philippines-doh-health-emergency/ "Rising HIV Cases in the PH Possibly a Public Health Emergency — DOH") (PLHIV) in the country. Of the 139,610 PLHIV, who have been diagnosed or laboratory-confirmed, and are currently living or not reported to have died, the highest proportion is among individuals aged 25 to 34 years old at 47 percent. However, when compared to the data from the past five years, the most significant increase was observed in those below 15 years old, with a 126 percent rise, followed by the 15 to 24 age group, which saw a 98 percent increase. ![HIV Table](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/06/Photo_In-content.webp) “In 2013, we had at least an average of 13 cases per day… Nakita natin na sobrang dumadami ‘yong kaso at pabata nang pabata. It is really a public health concern that needs urgent intervention,” Joselito Feliciano, Executive Director of the Philippine National AIDS Council (PNAC), told *Rolling Stone Philippines*. Pushed by the urgency of the situation, David has dedicated himself to HIV advocacy. Since 2014, he has maintained an undetectable viral load, meaning the virus is no longer transmissible. Despite this, he continues working in the frontline as a case manager at the San Juan Social Hygiene Clinic. After his working hours, he even volunteers at MyHubCares in Ortigas. Both facilities offer services for HIV treatment and care. “Kaya pinapalawak namin as advocates ‘yong pagbibigay ng impormasyon sa community na nasasakupan kung saan kami nag-wo-work,” said David. “At the same time, talagang dinagdagan namin ‘yong pagbibigay ng testimonial para alam nilang mayroong PLHIV na nabubuhay sa mundo. Hindi kami parang sabi-sabi lang.” (According to DOH’s latest data, 66 percent of the diagnosed PLHIVs are currently on life-saving antiretroviral therapy (ART), a combination of drugs, or regimen that reduce the viral load to an undetectable level.) ## **Government and Civil Society Efforts** “Currently, we have a better and more harmonized response. We have a move in the PNAC to push for \[a\] whole of government approach. Ibig-sabihin, lahat-lahat tayo will have a role in the HIV response, especially in intensifying knowledge about basic HIV, prevention, and access,” said Feliciano. The increasing cases of PLHIV among the youth are attributed not only to risky sexual behaviors but also to the recent changes brought by the Philippine HIV and AIDS Policy Act of 2019. This law allows minors aged 15 to 17 years old to be tested for HIV even without parental or guardian consent, repealing the Philippine AIDS Prevention and Control Act of 1998, which previously mandated parental or guardian consent as a requirement for individuals aged 18 and below. Minors have always been affected by the virus, but they have only recently gained easier access to screening, previously constrained by the need for guardians’ consent. Hence, the new law becomes an enabling environment for these minors to finally know their status more openly. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/IMG_5951.JPG) Members of LoveYourself at a booth in Metro Manila Pride 2022, where they handed out free HIV testing kits, June 25, 2022. Photo by Bryan Galvez/LoveYourself PNAC comprises 14 national government agencies and eight civil society organizations as members of its council, with the DOH at the helm. Feliciano noted that the ongoing fight against HIV has engaged more government agencies. Given the alarming rise in cases among the youth, PNAC has been coordinating with the Sangguniang Kabataan to intensify information dissemination in the youth sector at the barangay level, with the support of their member-agency Department of Interior and Local Government. “Ang HIV po is not just a problem of the health sector,” Feliciano added. “Problema ito ng buong bayan. Lahat po tayo, we have to give our contribution to the HIV and AIDS response.” Many of the Philippines’ leading civil society organizations receive support from the Global Fund, an international financing organization that mobilizes and invests resources to fight HIV/AIDS, tuberculosis, and malaria. Its principal recipient for the grant cycle 2024–2026 is the Pilipinas Shell Foundation, Inc. The grant is distributed among three key sub-recipients, each focusing on a critical aspect: LoveYourself for key populations, IDEALS for human rights, and Sustainable Health Initiatives of the Philippines (SHIP) for field operations and service delivery. Mark Angelo de Castro, SHIP’s strategy manager, explained that their primary role is to collaborate with local government units to strengthen their social hygiene clinics, dedicated healthcare facilities that primarily focus on preventing and treating sexually transmitted infections (STIs). In addition, they conduct community outreach programs in partnership with local leaders, school administrators, workplaces, malls, and even events such as festivals and pageants. “We call it providing ‘differentiated care’ to our clients. Back in the day, ‘yong mga naunang program ay limited ‘yong types of services being offered. Right now, our field staff and units go out to the community to look for their needs and challenges. It is tailor-fit sa kanila. We design activities relevant to their interest, while also looking at what is mandated by our job description,” said de Castro. “Ang HIV po is not just a problem of the health sector. Problema ito ng buong bayan. Lahat po tayo, we have to give our contribution to the HIV and AIDS response.” Joselito Feliciano, Executive Director of the Philippine National AIDS Council There are more than 70 hospitals and medical centers that provide outpatient and inpatient HIV treatment care, and 47 primary HIV care facilities nationwide. The [list](https://loveyourself.ph/list-of-hiv-treatment-hubs-in-the-philippines/#1628613888123-6e583b01-e305) from LoveYourself provides both the government and civil society with facilities. The harmonization between government and civil society is essential. Feliciano emphasized that the national government cannot operate in isolation, as civil society brings both expertise and deep community engagement. However, despite their collaboration, a significant challenge looms over both sectors: the reliance on international development funding, and the pressing need to achieve self-sufficiency. ## **Building Self-sufficiency Amid Consecutive Blows** The U.S. government under President Donald Trump has dealt successive blows to the global fight against HIV. Just this May, the administration moved to [terminate](https://www.nytimes.com/2025/05/30/health/trump-hiv-cuts.html) $258 million in funding for HIV vaccine research. It also [withdrew](https://healthpolicy-watch.news/unaids-and-hiv-sector-struggle-amid-funding-cuts/) financial support for the Joint United Nations Programme on HIV/AIDS (UNAIDS), which accounted for [40 percent](https://www.devex.com/news/unaids-faces-dicey-future-as-us-slashes-40-of-its-budget-109707) of the program’s total revenue. The blows started at the onset of this year when Trump issued an executive order on January 20, halting the distribution of funds for foreign development assistance programs. This directive affects initiatives such as the President’s Emergency Plan for AIDS Relief (PEPFAR), a $7.5 billion program managed by the State Department. More than 20 million PLHIV around the world are directly receiving support from PEPFAR and will be affected by Trump’s decision. However, the US Secretary of State approved an [“emergency humanitarian waiver”](https://www.state.gov/emergency-humanitarian-waiver-to-foreign-assistance-pause/) allowing continuous access to HIV treatment funded by the U.S. across 55 countries worldwide. However, the waiver has not been fully implemented in most countries. The PEPFAR funding freeze extended beyond 30 days, with no significant announcement from the Trump administration on whether the funding will resume or not. DOH [reassured](https://www.gmanetwork.com/news/topstories/nation/934600/doh-delivery-of-health-services-unimpeded-amid-us-aid-freeze/story/) the Filipino public that health services would remain unaffected despite reports of a temporary suspension from the U.S. Similarly, LoveYourself initially assured the public that essential services — including testing, treatment, PrEP, and self-testing kits — would remain available and fully operational for free. ![ted herbosa mpox department of health doh](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/ted-herbosa.webp) Department of Health Secretary Teodoro Herbosa. Photo from Radyo Pilipinas/Official Website However, this issue is just the tip of the iceberg. Even before the U.S. freeze order came into play, discussions between the government and the development sector had long been underway. Moreover, while a waiver has been issued, the U.S. withdrawal from the World Health Organization (WHO) — another Trump move — could further threaten funding for HIV programs. “Ito ‘yong pinag-uusapan dati pa: ‘yong transition plan. Dapat malinaw sa atin ‘yong mga pangangailangan natin, magkano at saan natin kukunin ‘yong mga kapalit. Ginagawan natin ng paraan how can we sustain the human resource and initiatives of our HIV and AIDS response,” said Feliciano. UNAIDS Philippines pushes the Philippine government to step in to shoulder the funding for HIV mitigation efforts. Its country director, Louie Ocampo, [said](https://www.gmanetwork.com/news/topstories/nation/935470/us-aid-freeze-to-disrupt-hiv-prevention-efforts-in-ph-says-group/story/) that DOH developed an HIV co-financing plan for 2024 to 2026 with a required budget of P45.6 billion for health-related plans. However, UNAIDS identified a funding gap of P22.4 billion. Their agency also has to suspend six ongoing projects with the government and other partners due to Trump’s executive order, as the scope of the waiver only includes HIV treatment programs, which are classified as “life-saving humanitarian assistance programs.” The suspended projects of UNAIDS aim to craft a national strategic plan and other initiatives on HIV. Global Fund has allocated $25 million for the HIV program of the Philippines for 2023 to 2025. In the first year, $11 million was disbursed, while $7 million was utilized in 2024. The remaining $7 million is to be used for the current year. The 7th AIDS Medium Term Plan, the main blueprint of the Philippine government to fight HIV, states that 94 percent of the HIV financing is expected to come from domestic sources and only a mere six percent from external sources. However, based on their assessment, a 60 percent funding gap remains at the national level. “We do not talk about sex in our homes and schools. It is a taboo topic. Ang laking issue ng comprehensive sexual education. If you cannot talk about sex, how can you talk about HIV? That is why it is a big number. We do not arm the Filipino people with the knowledge, we do not give the people the opportunity to protect themselves.” Deano Reyes, Sexual health and HIV primary care doctor While the consecutive Trump moves did not affect the Global Fund and other external funding, it puts HIV frontliners like David in a constant state of fear and dilemma. “Hindi namin alam kung hanggang kailan kami… Pakiramdam namin at risk kami. May worry kung ma-re-renew ba kami.” De Castro said that the Philippines is not yet ready in the event that the majority of the external funding is revoked. He added that it could paralyze the operations of some organizations funded by international development partners. “In our case alone, we have four facilities located in Calamba, Cavite, Makati, and Caloocan that are operational through the funding of the U.S.” The push to be self-sufficient in the fight against HIV is possible if it becomes a priority for the public, Feliciano said. Most of these foreign aids were initially granted on the condition that they would only act as transitional assistance to support beneficiaries on their way to self-sufficiency. Feliciano cited as an example the introduction of ART, which the 2018 law specifically sought to provide. “Before, this was being donated by the development funders, Global Fund, but ngayon, tayo na. It is the Philippine government that buys and distributes these free antiretrovirals. Ganoon ‘yong mga plano na mayroon tayo.” PNAC has a budget of P50 million for 2025, according to the General Appropriations Act (GAA). It is six million higher than the 2024 budget, but P2 million short of the proposed budget of the Department of Budget Management. “\[Building self-sufficiency\] is not a matter of whether we can do it or not. We have no other choice,” Deano Reyes, a sexual health and HIV primary care doctor, told *Rolling Stone Philippines*. “We have to reallocate funds to the HIV program. We have to be more proactive in HIV prevention rather than reactive.” ## **Barriers and Contradictions** Aside from the institutional challenges from the service providers, Reyes said that the major barrier in the collective approach to HIV is the sex-averse and conservative culture in the country. This notion is also indicated in the medium-term plan, citing cultural and religious taboos as the first historical, cultural, and institutional barrier in the country’s HIV and AIDS response. “We do not talk about sex in our homes and schools. It is a taboo topic. Ang laking issue ng comprehensive sexual education. If you cannot talk about sex, how can you talk about HIV? That is why it is a big number,” said Reyes. “We do not arm the Filipino people with the knowledge, we do not give the people the opportunity to protect themselves.” He emphasized that while the government is doing a good job in making sure that services are accessible through the facilities and treatment packages, there still needs to be stronger intervention, political will, and implementation of sex education. “It starts in education. It is teaching kids that HIV is only a disease, some people get it, at hindi siya dapat pandirian. There are people who are just sick. Unfortunately, hindi ganito ang sitwasyon. The stigma pervades,” Deano added. “It starts in education. It is teaching kids that HIV is only a disease, some people get it, at hindi siya dapat pandirian. There are people who are just sick. Unfortunately, hindi ganito ang sitwasyon. The stigma pervades.” Deano Reyes, Sexual health and HIV primary care doctor Sex education has been the center of the ire of conservative and religious groups recently, as it is a component of the proposed [Anti-Teenage Pregnancy Bill](https://rollingstonephilippines.com/state-of-affairs/politics/what-is-so-shocking-about-the-ph-anti-teen-pregnancy-bill/). Conservative groups under Project Dalisay, an initiative by the National Coalition for the Family and Constitution, expressed their concerns over “international guidelines” and what they believed to be teaching of “early masturbation.” This backslash caused senators to withdraw their support for the bill. In response, Senate Deputy Minority Leader [Risa Hontiveros](https://rollingstonephilippines.com/tag/risa-hontiveros/), the principal author of the bill, filed a substitute bill to remove the provision stating “guided by international standards.” Sex education will also be limited to children aged 10 years old and above in the updated bill. “Ang totoong pangbubudol ay ‘yong ginawa ng mga nag-fake news laban sa bill… nagkalat ng disinformation at nanakot sa ating sambayanan sa pamamagitan ng kanilang social media operations,” said Hontiveros in a press conference last January. Hontiveros argued that the Supreme Court already ruled in favor of the constitutionality of CSE under the Reproductive Parenthood and Reproductive Health Law. Since 2018, DepEd has also been offering CSE through the schools of their jurisdiction. The CSE in the proposed bill seeks to extend the coverage to out-of-school youth, parents, and teachers. HIV, AIDS, and other sexually-transmitted infections (STIs) are among the key topics included in the CSE, together with human sexuality, informed consent, effective contraceptive use, sexual abuse and exploitation, gender equality and equity, and gender-based violence, among others. “Sexual education is not a live demo of sex. What sexual education is about is consent, knowing your body changes, feelings, and teaching them how to properly process these things and respond in a healthy way,” said Reyes. “You would be surprised by how many professionals I get in my clinic — lawyers, engineers, politicians, and fellow doctors — who do not have any idea about HIV, or STIs.” The Philippines faces both internal and external challenges in its HIV response, from funding constraints to cultural resistance. The community stakeholders and frontliners, both as subject matter experts, have also enumerated problems in manpower, access to services for people in geographically isolated and disadvantaged areas, and the prioritization of local governments, among others. But in the end, they emphasize the need for a multi-sectoral approach, stronger political commitment, and public awareness to address this public health crisis effectively. Related Stories - [PH Trans and HIV Health Services At Risk with US Foreign Aid Freeze](https://rollingstonephilippines.com/state-of-affairs/power/ph-trans-hiv-health-service-risk-us-foreign-aid-freeze/ "PH Trans and HIV Health Services At Risk with US Foreign Aid Freeze") - [Rising HIV Cases in the PH Possibly a Public Health Emergency — DOH](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/hiv-philippines-doh-health-emergency/ "Rising HIV Cases in the PH Possibly a Public Health Emergency — DOH") - [Advocates Push for Universal Healthcare to Protect Young Filipinos](https://rollingstonephilippines.com/state-of-affairs/politics/advocates-push-for-universal-healthcare-to-protect-young-filipinos/ "Advocates Push for Universal Healthcare to Protect Young Filipinos") **Categories:** Power, State of Affairs **Tags:** HIV-AIDS, This Is Not A Phase --- ### [Could Legarda Be the First Female Senate President? Here’s What We Know](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/loren-legarda-senate-president-rumors/) **Published:** February 10, 2026 **Author:** Pie Gonzaga **Excerpt:** With Sen. Loren Legarda being touted as the next Senate president, we take a look at the rumors and the senator’s track record **Content:** Senator [Loren Legarda](https://rollingstonephilippines.com/tag/loren-legarda/ "Loren Legarda") is reportedly in talks to become the next Senate president, but the lawmaker told reporters on Thursday, February 5, that she had “no idea” about supposed changes in the Senate leadership. Talk of a shakeup in the upper chamber started when Senate President Pro Tempore [Panfilo “Ping” Lacson](https://rollingstonephilippines.com/tag/ping-lacson/ "Ping Lacson") said on X that an unidentified group of legislators “dangled” the Senate presidency to Legarda, before “floating the falsehood that it was Sen. Loren who volunteered to recruit warm bodies to pave the way for a new Senate majority.” *[Inquirer](https://newsinfo.inquirer.net/2176826/senate-presidency-dangled-to-legarda-say-lacson-sotto)* reports that Senate President [Vicente “Tito” Sotto III](https://rollingstonephilippines.com/tag/tito-sotto/ "Tito Sotto") said it was the minority bloc behind the failed coup, and that Legarda, a member of the majority bloc, refused their offer. On Wednesday, February 4, Legarda took over as presiding officer during a Senate session, with Senate Majority Leader [Juan Miguel “Migz” Zubiri](https://rollingstonephilippines.com/tag/miguel-zubiri/ "Miguel Zubiri") calling her “Madam President.” “It’s not official, but the understanding was in the latter part of \[Sotto’s\] term as Senate president of the 20th Congress, we will elect the first woman Senate president in the history of Congress,” Zubiri told reporters on Thursday. During his term as Senate president, from July 2022 to May 2024, Legarda served as Senate president pro tempore. ## Track Record ![loren legarda](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/loren-legarda-intext.webp) The senator has passed 152 bills into law throughout her political career. Photo from Loren Legarda/Facebook Legarda is currently the country’s longest-serving female senator, having served one six-year term every decade since 1998. From 2019 to 2022, she served as Antique’s at-large representative, a post now held by her brother, Congressman Antonio Legarda Jr. Her son, Cong. [Leandro Leviste](https://rollingstonephilippines.com/tag/leandro-leviste/ "Leandro Leviste"), also currently serves as the representative of Batangas’ first district. The senator’s website touts her as an advocate for the environment, education, and cultural preservation. She co-sponsored and authored the Universal Access to Quality Tertiary Education Act, which was passed in 2017 and institutionalized free tuition for state and local universities and colleges, as well as the Reproductive Health Law, and the Climate Change Act of 2009. Since the 19th Congress, she has also served as the chairperson of the Senate Committee on Culture and the Arts. Legarda won a fourth Senate term in 2022 under the UniTeam slate, allying with [now-foes](https://rollingstonephilippines.com/editors-picks/opinion/opposition-vs-marcos-and-duterte/ "What the Opposition Can Learn from Marcos-Duterte Narratives") President [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") and Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte"). In previous years, she ran under the conservative Lakas-CMD Party, the Genuine Opposition coalition against former President Gloria Macapagal Arroyo, the center-right Nacionalista Party, and the Nationalist People’s Coalition, which is chaired by Sotto. If the rumors are true, and Legarda does pursue the Senate leadership soon, it would make the second change in the presidency in less than a year, after Sotto [replaced](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/escudero-ousted-senate-flood-control/ "The Senate Just Out-Crazied Itself with Bombshell Revelations and Escudero’s Ouster") former Senate President [Francis “Chiz” Escudero](https://rollingstonephilippines.com/tag/chiz-escudero/ "Chiz Escudero") in September 2025. It would also make her the first female Senate president in the country’s history. ## Frequently Asked Questions ### Is Loren Legarda becoming the next Senate president? It’s unconfirmed. Legarda told reporters she had “no idea” about reported changes in Senate leadership. Senate Majority Leader Migz Zubiri said the understanding was for the chamber to elect its first female Senate president later in Sotto’s term, though nothing is official yet. ### What did Ping Lacson say about the Senate presidency rumors? Lacson said an unidentified group of legislators “dangled” the Senate presidency to Legarda, then falsely claimed she volunteered to recruit votes for a new Senate majority. Sotto said the minority bloc was behind the effort and that Legarda, part of the majority, declined. ### Would Loren Legarda be the first female Senate president if elected? Yes. If Legarda assumes the Senate presidency, she would become the first woman to hold the position in the chamber’s history, according to the article. She is currently the country’s longest-serving female senator. ### What is Loren Legarda’s legislative track record? Legarda co-authored the Universal Access to Quality Tertiary Education Act, the Reproductive Health Law, and the Climate Change Act of 2009. She has chaired the Senate Committee on Culture and the Arts since the 19th Congress and previously served as Senate president pro tempore. ### Has the Senate presidency changed hands recently? Yes. Vicente “Tito” Sotto III replaced Francis “Chiz” Escudero as Senate president in September 2025. If Legarda were to take over next, it would mark the second change in Senate leadership in less than a year. Related Stories - [The Senate Just Out-Crazied Itself with Bombshell Revelations and Escudero’s Ouster](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/escudero-ousted-senate-flood-control/ "The Senate Just Out-Crazied Itself with Bombshell Revelations and Escudero’s Ouster") - [What We Know So Far About the Impeachment Case vs PBBM](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/marcos-impeachment-what-we-know/ "What We Know So Far About the Impeachment Case vs PBBM") - [3 Questions We’re Asking as Marcos Pushes for the Anti-Dynasty Bill](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/anti-dynasty-bill-marcos-questions/ "3 Questions We’re Asking as Marcos Pushes for the Anti-Dynasty Bill") **Categories:** Philippine Politics, State of Affairs **Tags:** Leandro Leviste, Loren Legarda, Philippine Senate --- ### [A Sharper and Sportier Hyundai CRETA Is Ready to Take on The City](https://rollingstonephilippines.com/radar/rs-recommends/hyundai-creta-2025/) **Published:** December 4, 2025 **Author:** Rolling Stone Philippines **Excerpt:** Hyundai’s subcompact SUV now comes with a refreshed design for the modern driver looking for a versatile ride with advanced tech features — and in a sportier N Line for the first time **Content:** The Hyundai CRETA has a new sleek design made to stand out on the road while still delivering on performance and practicality required of modern city journeys and beyond. First introduced in the Philippines in 2022, the subcompact SUV became known as an entry point to Hyundai’s SUV range with its dimensions and features that strike the right balance between a roomy SUV and the practicality of a sedan. 2025 sees the introduction of a new and improved version of the Hyundai CRETA. The new Hyundai CRETA imposes itself on the road with a striking exterior design featuring a Black Chrome Parametric Radiator Grille, and Daytime Running Lights (DRL). It comes in Slate Blue Pearl, Magnetic Silver, Midnight Black Pearl, and Creamy White Pearl finishes. ![hyundai creta 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/RSPH_HYUNDAI_2.webp) There’s even more exterior duo tone colors to choose from for the sportier Hyundai CRETA N Line: Shadow Gray + Midnight Black Pearl Roof, Dragon Red Pearl + Midnight Black Pearl Roof, and Creamy White Pearl + Midnight Black Pearl Roof. ## Turbocharged and Unstoppable Innovations don’t stop on the outside for this SUV. Inside, Hyundai has dialed up its functionalities to make it an even more efficient ride that can withstand everyday city drives with occasional long drives. The new Hyundai CRETA is powered by a 1.5 turbocharged engine with a 7-speed DCT and Drive Mode that adjusts to your driving style. Eco mode adjusts the engine and transmission to maximize fuel efficiency. Normal/Comfort mode, meanwhile, is for those looking for a balanced and smooth driving experience. Finally, Sport mode comes with sharper throttle response and faster gear shifts for an engaging drive. The Hyundai CRETA comes in four iterations: 1.5L gasoline engine with Intelligent Variable Transmission (IVT), 1.5 GLS IVT, 1.5 Premium IVT, and 1.5L Turbo N Line with seven-speed Dual-Clutch Transmission. ## One for the Road The Hyundai CRETA has always been synonymous with uncompromising style and functionality that fuels spirited individuals driven to accomplish more. This vehicle is your all-around partner in navigating the city with all-new features to make your driving experience a breeze: fully digital instrument cluster, a 10.25-inch infotainment high-definition screen, wireless Apple CarPlay, wireless Android Auto, and built-in Waze Navigation system. ![hyundai creta 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/RSPH_HYUNDAI_1.webp) Its advanced driver‑assistance system, Hyundai SmartSense suite, has also been upgraded to aid in safety. Features such as smart cruise control, forward collision avoidance, lane keeping assist, blind spot monitoring, and a surround view monitor ensure ease of maneuvering in tight spaces and packed roads. This is on top of standard safety features in all Hyundai models, which include front airbags, Electronic Stability Control, Hill-Start Assist, Tire Pressure Monitoring System, rear sensors, and rearview camera. ![hyundai creta 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/RSPH_HYUNDAI_4.webp) ![hyundai creta 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/RSPH_HYUNDAI_5.webp) The vehicle’s interiors have also been refined to further make any distance a pleasurable journey when driving the Hyundai CRETA. Plush black leatherette upholstery covers the cabin with seats padded with another layer to keep passengers cool. Its comfort is made to match the unstoppable performance of a revamped future classic. With its upgraded features and future-proof capabilities, the Hyundai CRETA solidifies its footing as a solid option for those looking for a reliable ride to bring them wherever their goals might take them. And with the addition of a first-ever N Line, the series adds another option to turbocharge every journey. Related Stories - [Formula 1, and What it Will take for the Philippines to Host a Race](https://rollingstonephilippines.com/culture/sports/formula-1-what-it-will-take-for-the-philippines-to-host-a-race/ "Formula 1, and What it Will take for the Philippines to Host a Race") - [5 Drivers to Watch Out For at the F1 Singapore Grand Prix](https://rollingstonephilippines.com/culture/sports/f1-drivers-to-watch-singapore-gp/ "5 Drivers to Watch Out For at the F1 Singapore Grand Prix") - [4 Iconic Watches That Left a Lasting Mark in Cinema](https://rollingstonephilippines.com/radar/rs-recommends/4-iconic-watches-in-cinema/ "4 Iconic Watches That Left a Lasting Mark in Cinema") **Categories:** Radar, RS Recommends **Tags:** Hyundai --- ### [PPFA to Screen Filipino and Palestinian Documentaries at UP Film Institute](https://rollingstonephilippines.com/radar/events/ppfa-filipino-palestinian-documentaries/) **Published:** October 27, 2025 **Author:** Pie Gonzaga **Excerpt:** The Philippine-Palestine Friendship Association’s “Lens of Liberation” showcases stories of struggle and solidarity from the Philippines and Palestine, followed by a post-screening forum at the UP Film Institute **Content:** In its advocacy to free [Palestine](https://rollingstonephilippines.com/tag/palestine/ "Palestine"), the [Philippine-Palestine Friendship Association](https://www.facebook.com/philippinespalestine) (PPFA) will present two documentaries in “Lens of Liberation: Films of Struggle from the Philippines to Palestine” on Tuesday, October 28, at the UP Film Institute in the University of the Philippines Diliman, Quezon City. The screening starts at 4:30 p.m., followed by a forum. The program features two documentaries. Brazilian filmmaker Julia Bacha’s *Naila and the Uprising* follows Palestinian feminist Naila Ayesh and her journey through the First Intifada, the first nonviolent mobilization in Palestinian history during the late 1980s. ![philippine palestine friendship association lens of liberation filipino palestinian documentaries](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/10/lens-of-liberation-poster.webp) “Lens of Liberation” happens on October 28 at UPFI. Photo courtesy of Philippine-Palestine Friendship Association Filipino filmmaker Lot-lot Hermosura’s *The River Flows in Different Places* is a 20-minute documentary that tells the story of two Filipino-Palestinian mothers who return to the Philippines after the [October 7 attacks](https://rollingstonephilippines.com/state-of-affairs/gaza-genocide-israel-october-7/ "Two Years On, What’s Left of Gaza to Save?") in 2023, as they attempt to rebuild a sense of home in a land both familiar and foreign. Following the screenings, the PPFA will hold a forum featuring the filmmakers, co-organizers, and Filipino-Gazan participants from *The River Flows in Different Places*, and representatives from various Palestine solidarity organizations. Seats can be reserved through a pay-what-you-can scheme [here](https://tinyurl.com/LensOfLib1028). Related Stories - [6 Filipino Documentaries That Confronted Censorship](https://rollingstonephilippines.com/culture/film-tv/6-filipino-documentaries-that-confronted-censorship/ "6 Filipino Documentaries That Confronted Censorship") - [Two Years On, What’s Left of Gaza to Save?](https://rollingstonephilippines.com/state-of-affairs/gaza-genocide-israel-october-7/ "Two Years On, What’s Left of Gaza to Save?") - [How Gaza’s Crawl Towards Famine Changed Western Media Coverage](https://rollingstonephilippines.com/state-of-affairs/politics/gaza-famine-western-media-coverage/ "How Gaza’s Crawl Towards Famine Changed Western Media Coverage") **Categories:** Events, Radar, State of Affairs **Tags:** Palestine --- ### [The Director of this AI-Enhanced Movie Wants You To Watch It](https://rollingstonephilippines.com/culture/film/ai-enhanced-movie-director-interview/) **Published:** September 11, 2025 **Author:** Mel Wang **Excerpt:** As the AI-generated action thriller John Shaw: Nuclear Winter continues to capture the Filipino cinematic imagination, director Danni Ugali sat down with Rolling Stone Philippines to break down what the movie is all about **Content:** *[John Shaw: Nuclear Winter](https://rollingstonephilippines.com/tag/john-shaw-nuclear-winter/ "John Shaw: Nuclear Winter")* has unexpectedly become *the* movie the Philippine side of the Internet can’t stop talking about. While the film runs at a compact 48 minutes, a lot is going on in the world of *John Shaw: Nuclear Winter*. The action thriller stars [Ron Chan](https://rollingstonephilippines.com/tag/ron-chan/ "Ron Chan"), a Filipino-Chinese business mogul turned aspiring actor, as John Shaw, the only man who seems capable of saving the world from a terrorist group and impending nuclear war. Acting alongside Chan is a cast of other first-time actors, including international model Anatasiia Dymchenko. The film also features an extensive amount of AI, with the trailer alone showing AI-generated scenes of explosions, car crashes, and even characters animated using AI. “We want to claim that this is the first Filipino-made AI film,” says *John Shaw* director [Danni Ugali](https://rollingstonephilippines.com/tag/danni-ugali/ "Danni Ugali"). Although Ugali has worked in the Philippine entertainment industry in the past — he directed the [Andi Eigenmann](https://rollingstonephilippines.com/tag/andi-eigenmann/ "Andi Eigenmann")-led drama *The Maid in London* in 2018 — *John Shaw: Nuclear Winter* marks Ugali’s return to film and his international debut as a filmmaker. However, the film has not been without its speed bumps. On September 8, the film was meant to hold its Philippine premiere at Gateway 2 in Cubao. After a red carpet event that featured the main cast members, all of whom gave speeches to open the premiere, as well as a screening of the movie’s [trailer](https://rollingstonephilippines.com/culture/reviews/john-shaws-nuclear-winter-trailer-review/ "‘John Shaw: Nuclear Winter’ Might Be the Most Bizarre Film of the Year") a total of three times, audience members were informed that the movie’s team had not been able to secure a Movie and Television Review and Classification Board (MTRCB) permit in time, and so would not be able to screen the movie. But fear not, for the movie was able to secure a permit to screen the film in Cebu. *John Shaw: Nuclear Winter* made its Cebu premiere on September 9, this time without a hitch. As local cinephiles continue to grow increasingly fascinated by Ugali’s movie, *Rolling Stone Philippines* tapped the returning director to discuss the movie’s origin story, his extensive use of AI, and what the future of the *John Shaw: Nuclear Winter* universe looks like. Because yes, there are more movies like *John Shaw: Nuclear Winter* in the works. *This interview has been edited for brevity and clarity.* ![john shaw nuclear winter](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/nucelar-winter-in-body-1.webp) Filipino-Chinese actor and producer Ron Chan plays the film’s protagonist, John Shaw, alongside Elnora Rose Celis. Screenshot from Rich Talent Vision/YouTube **How did you first become attached to this project?** My boss, Ron Chan, is really the start of it. He’s the director, producer, and writer. He grew up in Cebu, tapos, nung nagtrabaho na siya, dun lang siya napunta sa UAE \[United Arab Emirates\]. I think he’s been based in the UAE for about 25 years now, but ever since, gusto niya palagang mapunta to this kind of industry. Kaya lang, parang wala siyang knowledge on how to start it. Before I became attached last year, maybe two years ago, na pinagplanan nilang gawin, pero hindi nila masimulan. They were still looking for the right person na magkatulong sa kanila para masimulan ‘yong project. I went to Dubai last year just to visit my sister. Nung nasa Dubai na ako, I learned that I have a lot of friends pala who still work in production \[and knew Chan\]. In-introduce niya ako. He interviewed me about my experience in filmmaking. Hindi ko in-expect na makukuha niya ako. The day before na bumalik na ako sa Manila, tumawag sila. Sabi nila, gusto na raw nila ng mag-start na ako. So, ‘yon. I was given a contract, too. I was offered a contract of four pictures for two years. **Does that mean that *John Shaw: Nuclear Winter* won’t be the last movie?** No! Actually, ‘yong four pictures na ito, may mga titles na sila. The next one is *The Enchanted World*, parang *Encantadia*-type na movie, pero mas enhanced lang. We also have *The Three Musketeers* and *Save Valentine’s Day*, which we intend to show on Valentine’s Day. Hopefully next year. ![john shaw: nuclear winter](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/nuclear_winter_b.webp) “We want to claim that this is the first Filipino-made AI film,” said Ugali. Photo from Rich Talent Vision/YouTube **Will those three upcoming films also use AI?** Yes. Pero ‘yong next one, parang we’re thinking of shooting it sa Cebu. We need a place na may mga forest, ganon and malaki ang location dito na pwede dito sa Cebu. **What was the reason behind using AI?** Unang-una, si Ron Chan kasi… medyo may talent siya in this type of enhancement with AI. Very experienced siya sa mga computer. Ang second reason is medyo mahirap mag-shoot sa UAE for on-location shoots. It takes time talaga. Medyo mahirap mag-shoot sa mga places doon kasi may mga rule that you have to follow na hindi mo pwede ipakita si ganyan, hindi ka pwede magpakita ng mga babae na mga naka-costume siya, ‘yong nakasuot na \[revealing\]. It takes time din to get the permit to shoot kasi may maraming madadaanan. Aside from the government, meron din isang agency na dadaanan mo pa para mag-aapprove kung pwede ba mag-shoot sa UAE. Tapos, mahal pa rin siya talaga ‘yong mga locations, kung i-compare mo sa locations sa Manila. But si Ron, he also owns a school, ‘yong Richmindale College. So, isa doon sa mga parang nire-rent namin na building, we turned \[the school\] into a studio. The next one is *The Enchanted World*, parang *Encantadia*-type na movie, pero mas enhanced lang. We also have *The Three Musketeers* and *Save Valentine’s Day*, which we intend to show on Valentine’s Day. Danni Ugali on the upcoming movies **What was the experience like working with Chan? And with the other first-time actors?** Na-surprise ako sa kanya kasi sa UAE \[nakapag nag-organize\] ako ng mga acting workshop doon, hindi siya sumali sa workshop namin so \[naisip\] ko, “Ah, confident siguro siya sa acting ability niya.” It turned out naman na okay pala siya. Siguro dahil ang passion niya ang mapunta sa filmmaking. ![john shaw: nuclear winter](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/nuclear_winter_3.webp) A lot is going on in the world of *John Shaw: Nuclear Winter.* Photo from Rich Talent Vision/YouTube **Can we talk about the Manila premiere?** ‘Yong Manila premiere, medyo hindi maganda. I mean, accepted naman namin ‘yong nangyayari doon. Kasi hindi umabot ‘yong \[permit\] before the premiere. We need to abide by the rules of the cinemas and the MTRCB. Kaya natapos ‘yong film, kung walang permit na may pakita sa cinema, hindi siya pwedeng i-play talaga. Otherwise, mag-penalty kami. We decided na rin to move our premiere to October. Our target is October 15. Pero, we’re still waiting for the confirmation from the booking office. **What’s next for *Nuclear Winter*?** After Manila, may other negotiations na rin. Magpapalabas kami sa may ibang region like Milan, Australia, Canada, and \[the United States\]. Wala pa kaming pag-usapan if we’re planning to join any festivals na international. Pero, napag-usapan lang namin kung pwede namin siyang i-Netflix or Amazon. Related Stories - [‘John Shaw: Nuclear Winter’ Might Be the Most Bizarre Film of the Year](https://rollingstonephilippines.com/culture/reviews/john-shaws-nuclear-winter-trailer-review/ "‘John Shaw: Nuclear Winter’ Might Be the Most Bizarre Film of the Year") - [What ‘Magellan’ Will Face in the Long Road to an Oscar Campaign](https://rollingstonephilippines.com/culture/film-tv/lav-diaz-magellan-oscar-campaign/ "What ‘Magellan’ Will Face in the Long Road to an Oscar Campaign") - [‘Magellan’ is an Epic that Requires the Audience to Suspend Disbelief](https://rollingstonephilippines.com/culture/reviews/magellan-diaz-historical-accuracy/ "‘Magellan’ is an Epic that Requires the Audience to Suspend Disbelief") **Categories:** Culture, Film **Tags:** Artificial Intelligence, Danni Ugali, John Shaw: Nuclear Winter, Ron Chan --- ### [Manny Pacquiao’s Comeback Ends in Draw, Raising Questions Among Boxing Analysts](https://rollingstonephilippines.com/culture/sports/manny-pacquiao-mario-barrios-draw/) **Published:** July 21, 2025 **Author:** Mel Wang **Excerpt:** After a hard-fought 12-round battle at the MGM Grand, Manny Pacquiao’s comeback fell short against Mario Barrios: but sports experts felt that Pacquiao had done enough to deserve the win **Content:** “I thought I won the fight,” said [Manny Pacquiao](https://rollingstonephilippines.com/tag/manny-pacquiao/ "Manny Pacquiao") in a [press conference](https://www.youtube.com/watch?v=wJb7CmuTnRU) following his defeat to reigning welterweight champion [Mario Barrios](https://rollingstonephilippines.com/tag/mario-barrios/ "Mario Barrios"). On July 19 at the MGM Grand Arena in Las Vegas, 46-year-old Pacquiao returned to the ring for the first time in four years to face 30-year-old Barrios. For 12 rounds, Pacquiao and Barrios traded blows in a fast-paced, tactical bout that had Pacquiao’s fans believing he was sure to win. Early on, the former champion landed clean shots and used his speed to outmaneuver the bigger, younger Barrios. However, the fight also saw the American boxer holding back his punches. “Barrio was tentative and let Pacquiao get off first in exchanges… to try to impress the judges,” Vic Tafur of [*The Athletic*](https://www.nytimes.com/athletic/6504370/2025/07/20/manny-pacquiao-mario-barrios-draw-welterweight-title/) wrote. “It wasn’t until Round 10 that he started applying some real pressure.” > [View this post on Instagram](https://www.instagram.com/p/DMVYHmERQzH/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Mario Barrios (@boxer\_barrios)](https://www.instagram.com/p/DMVYHmERQzH/?utm_source=ig_embed&utm_campaign=loading) In the end, Barrios finished strong, and the judging panel scored the fight 115-113 (in favor of Barrios), 114-114, and 114-114, ruling it a majority draw. This allowed Barrios to hold onto the World Boxing Council (WBC) welterweight title. If Pacquiao was stunned by the fight’s outcome, he wasn’t alone. Sports analysts closely following the game were just as baffled, many believing that he had done enough to edge out the win. “I had it 115-113 on my scorecard,” sports analyst Ed Tolentino said in an interview with [DZMM Teleradyo](https://www.youtube.com/watch?v=hTY2dZt1y8I). “I thought Barrios respected \[Pacquiao\] too much and was hesitant because he was getting hit.” “Pacquiao was impressive for a 46-year-old,” continued Tolentino. “For a 46-year-old to go twelve hard rounds with a fighter who is only 30 years old, to me, it is already mission accomplished. It hurts to think that he did not get the decision.” ![Manny Pacquiao](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/pacquiao_b1.webp) Pacquiao has made it clear that this is only the start of his return to boxing. Photo from Manny Pacquiao Facebook Other boxing industry experts have echoed this sentiment, calling out the judges for their decision to give Barrios the win. “When you have — I’m just going to say it — incompetent judges that don’t truly understand everything that they see… you’re taking a chance on working through another camp… putting your heart on the line, your life on the line, and then this is the kind of result you get,” former welterweight world champion and sports commentator Shawn Porter said during main event coverage. Despite falling short, Pacquiao has made it clear that this isn’t the last time he’ll be stepping into the ring. “Of course I’d like a rematch,” he said at the post-fight press conference. “I want to leave a legacy and make the Filipino people proud.” Barrios, for his part, has been a gracious winner. “It was an honor to share the ring with him,” said Barrios at the same press conference. “This is by far the biggest event I’ve had to date, and we came in here and left everything in the ring. I have nothing but respect for Manny.” “It wasn’t necessarily about respect,” added Barrios. “It was just… he still has a lotta crack. For his age, he was very explosive, tricky, and I just wasn’t trying to make a mistake by overcommitting on a shot that I wasn’t sure of.” Related Stories - [Manny Pacquiao Wants Mark Wahlberg To Be In Charge of His Biopic](https://rollingstonephilippines.com/culture/news-culture/manny-pacquiao-mark-wahlberg/ "Manny Pacquiao Wants Mark Wahlberg To Be In Charge of His Biopic") - [Manny Pacquiao Heads to Las Vegas for His Boxing Comeback, and First Fight Since 2021](https://rollingstonephilippines.com/culture/news-culture/manny-pacquiao-mario-barrios-vegas/ "Manny Pacquiao Heads to Las Vegas for His Boxing Comeback, and First Fight Since 2021") - [8 Fights That Built Manny Pacquiao’s Multi-Division Legacy](https://rollingstonephilippines.com/culture/sports/fights-that-defined-manny-pacquiao/ "8 Fights That Built Manny Pacquiao’s Multi-Division Legacy") **Categories:** Culture, Sports **Tags:** Manny Pacquiao, Mario Barrios --- ### [Celebrate David Lynch’s Life at This Tribute Event in Makati](https://rollingstonephilippines.com/radar/events/why-not-manila-david-lynch-gathering/) **Published:** January 22, 2025 **Author:** Mel Wang **Excerpt:** On January 24 at WHYNoT Manila, sip on blue martinis and enjoy interview screenings celebrating the legacy of the acclaimed filmmaker **Content:** On January 24, the transdisciplinary cultural hub [WHYNoT Manila](https://www.instagram.com/p/DFFaxx5zocp/) will host an dall-day screening of short clips and interviews to honor the life and legacy of [David Lynch,](https://rollingstonephilippines.com/tag/david-lynch/ "David Lynch") one of cinema’s most groundbreaking surrealist filmmakers. This special tribute event comes a week after Lynch’s [passing](https://rollingstonephilippines.com/culture/david-lynch-dies-at-78/) on January 17 at age 78. > [View this post on Instagram](https://www.instagram.com/reel/DFFaxx5zocp/?utm_source=ig_embed&utm_campaign=loading)[A post shared by WHYNoT (@whynot.mnl)](https://www.instagram.com/reel/DFFaxx5zocp/?utm_source=ig_embed&utm_campaign=loading) The event will celebrate Lynch’s extraordinary career, which includes cinematic masterpieces such as *Mulholland Drive*, *Eraserhead*, and *Twin Peaks*, among others. From 11 a.m. to 7 p.m., WHYNoT Manila at Karrivin Studios in Makati will do round-the-clock screenings of video interviews with Lynch, plus a selection of shorts. To round out the experience, blue martinis — possibly alluding to Lynch’s 1986 neo-noir film *Blue Velvet* — will be served from 5 p.m. to 7 p.m., offering the perfect drink to toast to the enigmatic artist. ![whynot manila](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/whynot.jpg) The interior of WHYNoT Manila. Photo from WHYNoT Manila/Instagram Lynch’s work pushed the boundaries of conventional filmmaking, offering a distinct and often bizarre perspective that became his trademark. Other film projects such as *Wild At Heart, Dune,* and *The Elephant Man* saw the director honing his signature blend of the ordinary and strange. In 2024, Lynch shared he was diagnosed with emphysema, which reportedly worsened as a result of the recent [Los Angeles wildfires](https://rollingstonephilippines.com/culture/film-tv/oscars-nominations-announcement-delayed/). WHYNoT Manila is located on the 4th floor of Karrivin Studios, 2316 Chino Roces Ave Ext. Makati. The culture hub is open Tuesdays to Saturdays, from 11 a.m. to 7 p.m. **Categories:** Events, Radar **Tags:** David Lynch, Whynot Manila --- ### [Milo Rivera’s Multiple-Track Mind Drives PH Motorsports Forward](https://rollingstonephilippines.com/culture/sports/milo-rivera-ph-motorsports/) **Published:** October 20, 2026 **Author:** Reyza Ferranco **Content:** Filipino racer Milo Rivera once had dreams of joining Formula One. He has long been fascinated by cars, but only started liking the thrill of being on the race track later. He was, after all, a bigger basketball fan than a racing enthusiast, he admitted. Rivera’s love for the racing track started when he was only 12. When asked what it was about racing that drew him in, Rivera tells *Rolling Stone Philippines* that it was both the intimacy of being behind the wheel and the visceral rush of speed. “And I guess at some point when I grew up a little bit more, translating my love for cars to actually operating them in extreme conditions was subconsciously planted in me,” he says. This almost instinctive drive developed a mindset that is deeply instilled in him. Now, 31 years old and two decades into the sport, Rivera has come to understand that racing is as much a mental game as a physical one. Settling oneself down and trying to find the right groove in order to perform well are somehow prerequisites he learned through racing, and that now also apply to life outside of sports. ![milo rivera 2025 mazda](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/milo-car.webp) Twenty years into racing, Milo Rivera knows that the hardest thing to master is oneself behind the wheel. Photo from Milo Rivera/Instagram Rivera knows that there is no fixed formula for getting into the zone. There’s a relative sweet spot that ultimately depends on the driver’s mind and the specific moment. “Sometimes, you perform better when you’re really tense. Sometimes, you perform better when you’re really calm or sluggish.” He adds that finding the right headspace in a sport so stimulating is vital. “Sometimes, the winner or the guy who finishes ahead of everybody else is not the guy who’s actually better than everybody; it’s the guy who’s actually in the zone or 100 percent calm when it matters most,” he says. It’s a definite lesson that Rivera has carried far beyond the driver’s seat. He’s also a coach and team manager. Having come close to his Formula One ambitions before, he made it his goal to help new drivers chase their dreams. ## **RIVERA IN THE PADDOCKS** But taking on these new roles does not simply mean passing on the things you know, especially when the sport requires more than just technical knowledge. It’s harder than it looks, as driving is not a one-size-fits-all sport, as he describes it — because people have different personalities, as well as approaches. Still, Rivera remains determined to find that sweet spot and push the drivers toward it. “At the end of the day, I can say so much, I can teach so much, but when they’re behind the wheel, it’s them na talaga. So I just try to squeeze whatever I can squeeze out of them,” he says. Rivera admits that his role as a team manager was the most challenging out of all motorsport-related roles he has donned, having been a coach, a racer, and even a motoring editor. People will see the driver on a race day, but what really gets him to the finish line is also the team behind him. “Being able to manage these people in order to achieve the goal is a challenge for me that’s, yes, quite new, but it was something I was so excited to tackle.” ![milo rivera](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/2-1.webp) Having seen many great talents, Rivera calls for more opportunities and support in Philippine motorsports to push racers to greater tracks. Photo by Kieran Punay Rivera has been dedicating most of his time to mentoring racers now, only occasionally entering the race tracks himself. One of his recent major victories came at the 2025 Petron Makabayan Cup after Team MSCC Mazda swept all three legs of the tournament, which he said was a new chapter for him after getting used to racing by himself. If the cup proved anything to Rivera, it’s that Filipino drivers have the talent to compete at the highest level. He’s very confident that Filipinos have the talent for the sport ever since. What’s been missing, he says, is the opportunity to put that talent on display. “It’s nice to see that we’ve got Filipinos making it big in Europe and the world of racing more than before. And our goal is to obviously grow that Filipino community out there even more, send more Filipinos out, and give them the right opportunities. But yeah, skill level-wise, we can match for the best of them.” Many would say that the Philippine motorsports industry has been gaining momentum, and Rivera agrees. However, he says more support is needed for it to go even further; whether from the private sector or the government, more lucrative opportunities, programs, and better infrastructure are crucial. At the very least, he hopes that the country hones our Filipino drivers and gives them proper support. “If Filipinos can appreciate Formula One and the rest of what happens around global motorsports, then of course it goes without saying that they can support local motorsports.” ## **SEEKING OPPORTUNITIES FOR THE SPORT** Growing support for the community requires not only the people within the industry, but also those outside of it. Rivera has dedicated most of his time to the community, even becoming a motoring editor to obtain another avenue to show his dedication to the sport. He believes that the media can do more to make motorsports more accessible to the people who don’t already follow the sport, adding that there are races far more accessible than the big ones in Clark, Batangas, and Tarlac. “Like slalom races, autocross races, which are held in enclosed public areas or mall parking lots. That’s also another way to start before heading to the big racetracks themselves. And yeah, it’s really just giving more information to everybody,” he says. “Let the word out that motorsports in the Philippines is bigger than what people actually see.” Milo Rivera ![milo rivera](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/3-1.webp) Rivera has learned to live in the moment and slow down in an industry fueled by speed. Photo by Kieran Punay ## **LIVING IN THE MOMENT** Both in life and on the track, Rivera believes that it’s important to not get ahead of oneself despite the speed. The process of getting there is as vital as the goal of winning. “I’ve since learned to take everything one step at a time: one turn, one sector, one lap, and one race at a time, letting each step naturally lead to the next. While we anticipate the road ahead to aid our decision-making, none of it matters if we don’t get the “now” right,” he says. “For me, living in the moment as a competitor is no different from maximizing the moment.” Milo Rivera Although he no longer has as many driving opportunities as he did when he was younger, his hunger for the race remains. “I stay prepared for the next opening. Although those moments are never guaranteed, I focus on capitalizing on the present. That way, when the ‘opportunity’ does come, I’m more than ready to rock and roll.” Rivera applies this same philosophy to mentorship. Talent and skills matter, but so does being completely present and having the guts to seize an opportunity. To him, that’s what gets one to the breakthrough. Ultimately, having been involved in the sport through various roles, Rivera has found that his place in motorsports is no longer defined by just a single role. Whether he’s Milo Rivera the racer, or the coach, or the manager, or the editor, all of these positions retain his connection to the sport he dearly loves. And perhaps, that is the most fitting way for him to give back to the sport that, as he said, has given him so much. According to Rivera, it is his utmost pleasure to contribute to someone’s success even from behind the scenes. “I hope that today’s and tomorrow’s athletes appreciate every moment they’re in and translate that appreciation into performance.” ## FREQUENTLY ASKED QUESTIONS ### Who’s Milo Rivera? Milo Rivera is an award-winning Filipino racer. Beyond being on track, he is actively involved in the automotive scene as a coach, team manager, and motoring editor. ### When did Milo Rivera start racing? Milo Rivera started racing when he was only 12 years old. He has spent almost two decades in the sport. ### What is Milo Rivera’s recent race victory? One of his recent victories came at the 2025 Petron Makabayan Cup after his team, Team MSCC Mazda, swept all three legs of the tournament. Rivera said it was a new chapter for him after getting used to racing by himself. ### What types of car racing are easily accessible to new racers and fans? Filipino racer Milo Rivera said there are local slalom races, autocross races, which are held in enclosed public areas or mall parking lots, that people can go to. ### What does the Philippine motorsports industry need? According to Milo Rivera, more lucrative opportunities, programs, and better infrastructure are needed to push the industry forward. At the very least, he hopes that the country hones our Filipino drivers and gives them proper support. **Categories:** Sports **Tags:** Milo Rivera, Philippine Motorsports, Racing, ZYN --- ### [PH Motorsports Stays in the Moment at the Rolling Stone Philippines Social Club](https://rollingstonephilippines.com/radar/events/ph-motorsports-social-club-zyn-2/) **Published:** October 20, 2026 **Author:** Maria Althea Javier **Excerpt:** Motorsport figures, car enthusiasts, and the local automotive community came together at Antonio’s Manila at PGA Cars for an evening of conversation, good food, and a shared passion **Content:** On the racetrack, only one thing matters. But beyond the checkered flag, it’s the many conversations that keep the sport going. This is exactly how the latest *Rolling Stone Philippines* Social Club with ZYN went on August 24. The evening, held at Antonio’s at PGA Cars, brought together key figures from different corners of the local motorsports and automotive communities. Graced by guest of honor Milo Rivera, the dinner celebrated the multihyphenate motorsports driver and his perspectives not only as a racer, but also as a mentor and motoring journalist. *Rolling Stone Philippines* Chief of Editorial Content Jonty Cruz opened the evening by reflecting on what it means to be truly present in a world that rarely slows down. “In a world of constant noise, being truly present has become a luxury, something people yearn for but aren’t able to always have,” he said. That idea also shaped the message from ZYN Brand Manager Anton Rodriguez, who spoke about the increasingly divided nature of everyday life where attention is constantly pulled between different responsibilities, distractions, and demands. ![ZYN Brand Manager Anton Rodriguez. Photo by Kieran Punay](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/RS-ZYN-ARTICLE-4.webp) ZYN Brand Manager Anton Rodriguez. Photo by Kieran Punay Aside from a limited edition can of ZYN set for an October release, he also left the room with another event everyone can look forward to. “ZYN has an official global partnership with a brand you know well,” he said. Rivera then shifted the conversation to what lies at the heart of racing: the preparation, mindset, and discipline behind performance. “We often think it’s the cars that make the race, but it really does go way beyond the machine,” said Rivera, whose work has gone past the tracks. As a coach and mentor to the next generation, Rivera sees to it that mental preparation is on par with physical preparation, helping them understand that performance begins with having a clear and composed mind. That clarity allows competitors to trust their instincts when it matters most. “In crucial moments, be it on or off the track, a clear mind can make all the difference. Being in the moment and taking yourself to that flow state allows us to make the right calls when they matter most,” he added. For a room filled with people who spend their time chasing tenths of a second, perfecting a build, or simply finding the next road worth driving on, the idea of staying in the moment felt particularly fitting. ### FUEL FOR THE NIGHT AHEAD The pace of the evening shifted from the track to the table, where conversations continued over a thoughtfully crafted menu, a reflection of the quality long associated with Antonio’s. ![Antonio’s set the scene for an evening that brought conversations from the track to the table. Photo by Kieran Punay](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/1-2-1.webp) Antonio’s set the scene for an evening that brought conversations from the track to the table. Photo by Kieran Punay The evening began with skewered wagyu tongue served alongside a duo of mussel escabeche and squid ink beef tartare with ponzu and kombu, complemented by Chenin Blanc Chardonnay. A richer second course followed with legris oyster and lobster in dashi cream topped with caviar and chicken skin. The succeeding crisp greens of Antonio’s smoked duck breast salad offered a lighter contrast. ![A duo of mussel escabeche and squid ink beef tartare. Photo by Kieran Punay](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/7-2.webp) A duo of mussel escabeche and squid ink beef tartare. Photo by Kieran Punay ![Tajima Wagyu served with oxtail croquette and burnt onion. Photo by Kieran Punay](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/7-1-1-1.webp) Tajima Wagyu served with oxtail croquette and burnt onion. Photo by Kieran Punay The main courses soon followed, starting with Chilean sea bass served with an Avruga Caviar scallop sauce and Terre di Valter Greco di Tufo 2024. This was followed by tender Tajima wagyu, served alongside an umami-rich shredded oxtail croquette and a crisp, burnt onion, accompanied by the full-bodied Bodegas Piqueras VS 2018. Two fruit-forward desserts closed the dinner: yuzu granita balanced by tarragon espuma and honeycomb, followed by strawberry and lychee mousse paired with calamansi-infused mascarpone. ### MOMENTS UNINTERRUPTED In motorsports, complete focus and a clear mindset are key. For one night, these people used to taking control took the backseat; it was a moment to step away from the track and simply be present with the people and converse about their shared passion. With ZYN, the night created a space for the community beyond the thrill of racing. ![Built around the idea of moments uninterrupted, ZYN offers adult users a smoke-free and tobacco-free way to enjoy nicotine. Photo by Kieran Punay](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/RS-ZYN-ARTICLE-2-2.webp) Built around the idea of moments uninterrupted, ZYN offers adult users a smoke-free and tobacco-free way to enjoy nicotine. Photo by Kieran Punay The track may be where the clock matters the most, but the culture and passion surrounding Philippine motorsports have never been measured in lap times alone. Its identity lives in the people, the stories shared, and the communities that continue to show up. For one evening at Antonio’s at PGA, the race could wait, because all that mattered was staying in the moment. ![Racers, enthusiasts, and key figures of the Philippine motorsports community gathered for the shared passion and culture driving the industry forward. Photo by Kieran Punay](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/RS-ZYN-ARTICLE-1.webp) Racers, enthusiasts, and key figures of the Philippine motorsports community gathered for the shared passion and culture driving the industry forward. Photo by Kieran Punay ***GOVERNMENT WARNING**: This product is harmful and contains nicotine which is a highly addictive substance. This is for use only by adults and is not recommended for use by non-smokers.* **Categories:** Events **Tags:** Milo Rivera, RSPH Social Club, ZYN --- ### [Essential Nathan Fielder Shows to Watch: ‘The Rehearsal’ and More](https://rollingstonephilippines.com/culture/tv/nathan-fielder-essential-shows-to-watch/) **Published:** October 20, 2026 **Author:** Pie Gonzaga **Excerpt:** Before you see You Can See Everything, here are the shows you need to watch to get to know the comedian **Content:** Days after its theatrical release in the United States, the [Elizabeth Holmes](https://rollingstonephilippines.com/tag/elizabeth-holmes/) documentary *[You Can See Everything](https://rollingstonephilippines.com/tag/you-can-see-everything/)* now boasts a Rotten Tomatoes score of 98 percent and stands as the highest-rated film on Letterboxd with an average of 4.7 stars. Critics and audiences alike are raving about [Nathan Fielder](https://rollingstonephilippines.com/tag/nathan-fielder/) and [Lance Oppenheim](https://rollingstonephilippines.com/tag/lance-oppenheim/)’s co-directed project, but with Sony only recently [acquiring worldwide distribution rights](https://rollingstonephilippines.com/culture/film/you-can-see-everything-sony-southeast-asia/), it looks like Filipino fans can’t see the film just yet. The documentary trails Holmes in her last month of freedom before going to prison in 2023 for wire fraud, which brought down her health tech company, Theranos. The documentary also follows her partner, businessman Billy Evans, with whom she has two children. Holmes occupies a place in pop culture as a fraudster who fooled investors into shelling out millions of dollars for her company, making her an intriguing subject for Fielder and Oppenheim. In their own works, the two filmmakers have tackled reality and the ways it can be constructed and distorted. For example, Oppenheim’s *Primetime* dramatizes the production of Chris Hansen’s controversial sting program, *To Catch a Predator.* Fielder, meanwhile, is known for writing and directing satirical shows like *Nathan For You*, *The Rehearsal*, and *The Curse*. While our fingers remain crossed for an official announcement for local screenings of *You Can See Everything*, we get acquainted with Fielder’s work and his brand of surreal comedy. ## ‘Nathan For You’ In this Comedy Central series, which ran from 2013 to 2017, Fielder plays a fictionalized version of himself and takes on the role of a consultant offering outlandish advice to struggling business owners. One of the first season’s most memorable episodes is “The Claw of Shame,” where he tries to prove himself a bullish risk-taker by attempting to free himself from a pair of handcuffs before a robotic claw undoes his pants in front of a group of children, which would make him a registered sex offender. The second season of *Nathan For You* is also full of gems, like the line “I hope you’re hungry… for nothing” (which has been turned into a TikTok audio), and the “Dumb Starbucks” stunt that many had speculated was British street artist Banksy’s work. ## ‘The Rehearsal’ *The Rehearsal* extends Fielder’s work as a pseudo-business consultant to the more personal and intimate. In this HBO series, Fielder helps people rehearse for difficult conversations using elaborate sets and hired actors, at one point even building a replica of Houston’s George Bush Intercontinental Airport on a soundstage for the second season. Fielder spends much of Season 1, released in 2022, helping a woman named Angela prepare for motherhood by pretending to co-parent a child, Adam, who ends up confusing reality with his work as an actor and calling Fielder “daddy.” In Season 2, released in 2025, Fielder reaches new heights by focusing on improving pilot communication. Throughout the season, he inadvertently becomes an advocate for aviation safety and pilots’ mental health. Could his work have led to the U.S. Senate’s approval of the John A. Hauser Mental Health in Aviation Act in September? Maybe. ## ‘The Curse’ [Emma Stone](https://rollingstonephilippines.com/tag/emma-stone/) and [Benny Safdie](https://rollingstonephilippines.com/tag/benny-safdie/) join Fielder in this Showtime series about a couple (Stone and Fielder) trying to have a baby while they run their fictional HGTV show *Fliplanthropy*. As the couple faces accusations of gentrifying the city of Española, New Mexico, a young girl curses the couple, driving them to paranoia. Safdie, who co-wrote the show, also stars as their producer. As expected, Fielder puts his own character, Asher, in the wackiest and most bizarre situations, like making penis jokes in a comedy class and coming across strips of raw chicken in the bathroom of a fire station (he also believes that chicken is part of the curse). ## Frequently Asked Questions ### Who is Nathan Fielder? Nathan Fielder is a Canadian comedian, writer, actor, and filmmaker known for creating unconventional comedy that blurs the line between reality and fiction. He rose to prominence with *Nathan for You*, a Comedy Central series in which he offers absurd business advice, and later created HBO’s *The Rehearsal* and Showtime’s *The Curse*. In 2026, he co-directed the documentary *You Can See Everything* with Lance Oppenheim. ### What is Nathan Fielder known for? Nathan Fielder is best known for his deadpan humor, elaborate social experiments, and comedy projects that blur the boundaries between performance and reality. His best-known works include *Nathan for You* (2013–2017), *The Rehearsal* (2022–2025), and *The Curse* (2023–2024), which he co-created and starred in alongside Emma Stone and Benny Safdie. ### Has Nathan Fielder directed any movies? Yes. Nathan Fielder has directed short films and television projects, but *You Can See Everything* (2026), which he co-directed with Lance Oppenheim, marks his feature-length directorial debut. ### What is *You Can See Everything* about? *You Can See Everything* is a 2026 documentary co-directed by Nathan Fielder and Lance Oppenheim. The film follows Elizabeth Holmes, the disgraced founder of blood-testing company Theranos, during the 34 days before she began serving her prison sentence in 2023. The film was released in U.S. theaters on October 16, 2026. ### Will there be a third season of *The Rehearsal*? As of October 2026, HBO has not officially renewed *The Rehearsal* for a third season. HBO chief executive Casey Bloys said in early 2026 that Fielder was discussing ideas with HBO’s comedy team, leaving the possibility of another season open. However, no release date or production schedule has been announced. Related Stories - [Can Filipinos Finally See ‘You Can See Everything’?](https://rollingstonephilippines.com/culture/film/you-can-see-everything-sony-southeast-asia/ "Can Filipinos Finally See ‘You Can See Everything’?") - [Nathan Fielder’s Next Documentary Has Elizabeth Holmes Staring Into the Abyss](https://rollingstonephilippines.com/culture/film/nathan-fielder-next-documentary-elizabeth-holmes/ "Nathan Fielder’s Next Documentary Has Elizabeth Holmes Staring Into the Abyss") - [‘Artificial’ and ‘You Can See Everything’ Try to Demystify Egomania](https://rollingstonephilippines.com/culture/film/artificial-you-can-see-everything-egomania/ "‘Artificial’ and ‘You Can See Everything’ Try to Demystify Egomania") **Categories:** Culture, Film, TV **Tags:** Nathan Fielder --- ### [Filipino Photographer Gab Mejia Details the Overlooked Stories In The France Protests](https://rollingstonephilippines.com/state-of-affairs/gab-mejia-france-protests-interview/) **Published:** October 20, 2026 **Author:** Reyza Ferranco **Content:** Photographer [Gab Mejia](https://rollingstonephilippines.com/tag/gab-mejia/) was returning from a sustainability fellowship in the South of France when he witnessed the mass demonstrations in Monaco, Nice, and Marseilles on a train ride. Getting back into Paris and seeing the magnitude of the protests there was a different experience altogether. “You could really feel the sacred rage that’s happening right now,” Mejia told *Rolling Stone Philippines,* describing what it felt like to be on the scene with the youth, activists, and his co-fellows. “\[They’re\] all enraged by the state of the western world and how the leadership and competencies are bursting in cracks of the city that was built on stone and mortar,” he added. The protests in France began in early September, with high school students at the forefront, voicing their frustrations with the poor school conditions and rising cost of living. The demonstrations escalated on Saturday, October 17, as hundreds of thousands of students and protesters arrived on the streets. *Reuters* [reported](https://www.reuters.com/world/students-trade-unions-yellow-vests-set-protest-across-france-2026-10-17/) that over 550,000 people mobilized all over France, with more than 100,000 marching in the capital. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/place-de-la-republique-vandalized-1.webp) The Place de la République. Photo by Gab Mejia ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/paris-protest-fire.webp) The Arc de Port Saint-Martin. Photo by Gab Mejia With that scale of a protest, Mejia said that looters took advantage of the situation, resulting in the ransacking and riots. He detailed how fires became a barricade between the protesters and the police, and hazes of tear gas lingered as explosions continued. There were also burnt bikes and shattered glass that marked several areas. Even Mejia experienced being tear-gassed himself. *Al Jazeera* [noted](https://www.aljazeera.com/news/2026/10/18/paris-left-reeling-as-student-led-protests-turn-chaotic) that there were groups of black-clad, masked men who smashed windows and stole goods from shops. According to their[ latest report](https://www.aljazeera.com/news/liveblog/2026/10/19/france-protests-live-macron-admits-failures-after-days-of-violent-unrest), more than 2,500 people across the country have been taken into custody. Much of the media reported on the riot that arose, which inevitably led to immediate judgments from outside the movement and has affected the perceptions of people all the way back to the Philippines. In an X post, French Prime Minister Sebastian Lecornu blamed the “ultra-left” and criminals, which further shaped the public’s reaction. Yet Mejia was wary of allowing the chaos to define the protests as a whole. ![paris protest revolution](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/paris-protest-revolution.webp) Photo by Gab Mejia “I don’t want to focus on the violence, actually, because that’s what \[this\] narrative wants,” the photographer said. For him, the mainstream media has politicized the violence, with others using the looters as a “scapegoat” to divert from the main issue of systemic failure: the weak education system and the rights of the people who only demand a “better future and a more livable planet.” What the media did not fully capture, though, was the layers or the complexity of the mass movement. “Things that you don’t see in mainstream media during the protests are activists dancing and singing, creating music in \[Place de la\] Republique, in this grand historic plaza,” he said. He added that there were even protesters who were helping the hopeless get food. Mejia described the demonstrations as an “archipelago” and a “cacophony” of various movements, which coalesced from calls for better education, to Free Palestine, to climate action, as well as the “Bismillah” slogans: “A mix of all these multiple diverse voices really asking for change and really trying, wanting to bring true accountability to the western world of the atrocities that they have faced and have indicted in a lot of our societies.” ![paris c les tenebres](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/paris-c-les-tenebres.webp) One of the main slogans in the protest was “Bismillah, c’est les ténèbres,” which roughly translates to “In the name of God, it’s the darkness.” Photo by Gab Mejia When asked about the differences between the French movement and the Philippines, Mejia said, “We are not angry enough, or we are angry, but we are not mobilizing well. And I think that’s what amazes me here is how the protests are being mobilized well.” He added that Telegram groups were created within just two days and already had channels to direct protesters to specific places to be in, where to get water and food during the day, and essentially, an overall “sense of solidarity.” Mejia wished Filipinos would be able to “alchemize” all the rage, anger, and injustice, and bring it directly to Malacañang. For the photographer, it’s about time that people march towards the Palace instead of mobilizing in just Luneta and EDSA: “We need to be mobilizing stronger. We need these systems where we can really put down all our egos, our classes, and really move together, \[away\] from this feudal politics that is the circus that’s running the show in our country right now,” he said. ## FREQUENTLY ASKED QUESTIONS ### Who is Gab Mejia? Gab Mejia is a Filipino photographer and a National Geographic Explorer who joined a sustainability fellowship in the South of France. He encountered the mass demonstrations in Monaco, Nice, and Marseille, and the larger movement in Paris alongside fellow activists and youth organizers. ### What sparked the 2026 protests in France? The protests began in early September, led initially by high school students frustrated with poor school conditions and the rising cost of living. They escalated on October 17, when *Reuters* reported over 550,000 people mobilized nationwide, including more than 100,000 marching in Paris. ### Why does Gab Mejia push back against media coverage focused on the riots? Mejia argues that fixating on looting and violence distracts from the protest’s core demand: systemic reform of education and living conditions. He said that blaming the protesters shaped public reaction and that looters were used as a scapegoat for deeper state failures. ### What overlooked moments did Gab Mejia witness during the France protests? Mejia described activists singing and creating music in Republique and protesters distributing food to those in need — scenes he said mainstream media largely ignored in favor of footage of fires, tear gas, and property damage during the demonstrations. ### How does Gab Mejia compare France’s protest movement to mobilization in the Philippines? Mejia said Filipinos are angry but poorly mobilized compared to France, where Telegram groups organized logistics within two days. He hopes Filipinos can channel similar solidarity toward Malacañang rather than confining demonstrations to Luneta and EDSA. Related Stories - [Photographer Gab Mejia Shot the World. Now, He Envisions a New One](https://rollingstonephilippines.com/culture/gab-mejia-photographer-profile/ "Photographer Gab Mejia Shot the World. Now, He Envisions a New One") - [Inside the ‘Baha sa Luneta’ Protest as Filipinos Took to the Streets Against Corruption](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/baha-sa-luneta-september-21-rally/ "Inside the ‘Baha sa Luneta’ Protest as Filipinos Took to the Streets Against Corruption") - [Exclusive: Rage From the Mendiola Protests, According to Photojournalists](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/mendiola-protests-photojournalists/ "Exclusive: Rage From the Mendiola Protests, According to Photojournalists") **Categories:** State of Affairs **Tags:** France Protests, Gab Mejia, Paris --- ### [Olivia Rodrigo’s ‘Expectations’ Video Gets AI Accusations. Its Art Team Has Receipts](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-expectations-video-ai-accusations/) **Published:** October 20, 2026 **Author:** Elijah Pareño **Excerpt:** After viewers flagged strange-looking fingers, the graphic artist and official fan account shared hand-drawn animations and behind-the-scenes proof **Content:** [Olivia Rodrigo](https://rollingstonephilippines.com/tag/olivia-rodrigo/)’s music video for the “Expectations” remix, featuring [Chappell Roan](https://rollingstonephilippines.com/tag/chappell-roan/) and starring Talking Heads frontman David Byrne, has been accused of using AI. The video, which came out on October 16, is at the center of an ongoing debate over a scene around the three-minute mark in which several logos and animations appear over footage of Rodrigo and Roan. Viewers pointed to the artists’ odd-looking fingers as a sign of possible AI use. However, graphic artist Jack Harrison, a member of the video’s art team, and Rodrigo’s official fan account quickly debunked the claims. They shared 2D and 3D hand-drawn animations, evidence of an analog treatment on the scenes and the process of making the designs on a Windows Vista PC. > [View this post on Instagram](https://www.instagram.com/reel/Dem3_JRJOM6/?utm_source=ig_embed&utm_campaign=loading)[A post shared by livies hq (@livieshq)](https://www.instagram.com/reel/Dem3_JRJOM6/?utm_source=ig_embed&utm_campaign=loading) Ten days before the video’s release, Rodrigo told *The Hollywood Reporter* on October 6 that she would “never” use AI in her music in reaction to the countless AI music uploaded on music streaming services. “Absolutely no. Hard line on that,” Rodrigo says. “The closest I’d ever got is that once, me and \[producer\] Dan \[Nigro\] were like, ‘God, I wonder what ideas ChatGPT would have for an Olivia Rodrigo title,’ and they’re all fucking awful.” ## Frequently Asked Questions ### Who is in Olivia Rodrigo’s “Expectations” remix music video? Olivia Rodrigo’s “Expectations” remix music video features Chappell Roan and stars Talking Heads frontman David Byrne. ### Who worked with Olivia Rodrigo in the “Expectations” remix music video? Olivia Rodrigo’s “Expectations” remix music video was designed by Jack Harrison, a graphic designer of the video’s art team. He shared 2D and 3D hand-drawn animations and the process of making the designs on a Windows Vista PC. ### Why was the “Expectations” remix music video accused of using AI? Viewers pointed to the artists’ odd-looking fingers in a scene around the three-minute mark, where several logos and animations appear over footage of Rodrigo and Roan. ### When did the “Expectations” remix music video come out? Olivia Rodrigo’s “Expectations” remix music video came out on October 16. ### What has Olivia Rodrigo said about using AI in music? In an interview with *The Hollywood Reporter* on October 6, Rodrigo said she would “never” use AI in her music in reaction to the countless AI music uploaded on music streaming services. Related Stories - [All of Olivia Rodrigo’s Songs So Far, Ranked](https://rollingstonephilippines.com/music/olivia-rodrigo-songs-ranked/ "All of Olivia Rodrigo’s Songs So Far, Ranked") - [Olivia Rodrigo Takes Notes From Chappell Roan for Her ‘Expectations’ Remix](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-chappell-roan-expectations-remix/ "Olivia Rodrigo Takes Notes From Chappell Roan for Her ‘Expectations’ Remix") - [How Olivia Rodrigo’s Daisy Chain Festival Made History](https://rollingstonephilippines.com/music/olivia-rodrigo-daisy-chain-sarah-mclachlan-doechii-chappell/ "How Olivia Rodrigo’s Daisy Chain Festival Made History") **Categories:** Music, Pop **Tags:** AI, Chappell Roan, Olivia Rodrigo --- ### [Kehlani Set to Take the SM MOA Arena Stage in February 2027](https://rollingstonephilippines.com/music/hiphop-rnb/kehlani-manila-concert-february-2027-moa-arena/) **Published:** October 20, 2026 **Author:** Elijah Pareño **Excerpt:** After two previous Manila appearances, the R&B singer is set to return to Pasay City for another night of hits **Content:** R&B artist [Kehlani](https://rollingstonephilippines.com/tag/kehlani/) has announced a Manila stop on her ongoing world tour, happening on February 15 at the SM Mall of Asia Arena in Pasay City. The singer is known for hits such as “Folded,” “After Hours,” “Gangsta,” and “Nights Like This,” the last with Ty Dolla $ign. > [View this post on Instagram](https://www.instagram.com/p/Desve8NGzeR/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Kehlani (@kehlani)](https://www.instagram.com/p/Desve8NGzeR/?utm_source=ig_embed&utm_campaign=loading) In an interview with *Rolling Stone Philippines* in June 2025, Kehlani [argued](https://rollingstonephilippines.com/music/kehlani-folded-single/) that artists shouldn’t have to stick to one style of music to maintain their artistic integrity. “I think all the artists I know listen to so much music. We’re just an amalgamation of all these incredible things we listen to,” Kehlani says. “Why should we be restricted from making things we love just because we’re stuck in \[one\] lane?” Kehlani has visited Manila twice in her career. The first was in 2018 for her SweetSexySavage Tour at The Island at the Palace in Bonifacio Global City, Taguig. The second was at the PLUS63 Festival at Aseana Grounds in Pasay City, where she co-headlined alongside R&B artists such as RINI, Raveena, and Jenevieve. ## Frequently Asked Questions ### When is Kehlani’s Manila concert? Kehlani’s Manila stop on her ongoing world tour is on February 15, 2027 at the SM Mall of Asia Arena in Pasay City. ### What are Kehlani’s biggest hits? Kehlani is known for “Folded,” “After Hours,” “Gangsta,” and “Nights Like This,” with Ty Dolla $ign. ### How many times has Kehlani performed in Manila? Kehlani has visited Manila twice. The first was in 2018 and the second was in 2025. ### Who did Kehlani co-headline with at PLUS63 Festival? Kehlani co-headlined alongside R&B artists such as RINI, Raveena, and Jenevieve. ### What was Kehlani’s first Manila tour? Kehlani’s first Manila visit was for the SweetSexySavage Tour in 2018 at The Island at the Palace in Bonifacio Global City, Taguig. Related Stories - [Kehlani Wants You to Make a ‘Rock&B’ Album](https://rollingstonephilippines.com/music/kehlani-folded-single/ "Kehlani Wants You to Make a ‘Rock&B’ Album") - [Mitski in Manila: All the Feelings and Highlights](https://rollingstonephilippines.com/music/rock/mitski-first-manila-show-recap/ "Mitski in Manila: All the Feelings and Highlights") - [5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades](https://rollingstonephilippines.com/music/5-filipino-hip-hop-subgenres/ "5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades") **Categories:** Hip-hop/R&B, Music **Tags:** Kehlani --- ### [Can Filipinos Finally See ‘You Can See Everything’?](https://rollingstonephilippines.com/culture/film/you-can-see-everything-sony-southeast-asia/) **Published:** October 20, 2026 **Author:** Pie Gonzaga **Excerpt:** As the Elizabeth Holmes documentary generates more hype in the U.S. and Canada, Sony secures the rights to distribute it worldwide, including Southeast Asia **Content:** Filipino audiences may finally be able to see [Nathan Fielder](https://rollingstonephilippines.com/tag/nathan-fielder/) and [Lance Oppenheim](https://rollingstonephilippines.com/tag/lance-oppenheim/)’s documentary *[You Can See Everything](https://rollingstonephilippines.com/tag/you-can-see-everything/)*. [*Deadline*](https://deadline.com/2026/10/sony-wins-rights-to-a24s-you-can-see-everything-primetime-1237167448/) reports that Sony Pictures Worldwide Acquisitions has acquired the rights to bring the film and Oppenheim’s *Primetime* to international markets, such as Germany & Austria, Latin America, Scandinavia, Greece, the Middle East, India, South Africa, South Korea, and Southeast Asia. While *Primetime* was released in the Philippines through Mockingbird Pictures Philippines in September, no local release has been announced for *You Can See Everything*. As of its theatrical release date, October 16, the documentary about disgraced Theranos founder [Elizabeth Holmes](https://rollingstonephilippines.com/tag/elizabeth-holmes/) has only been released in the United States and Canada. Its confirmed theatrical releases in the coming months are also limited to the U.K., Ireland, Europe, Australia, and New Zealand, according to Letterboxd. Sony’s most recent releases in the Philippines are *[The Social Reckoning](https://rollingstonephilippines.com/tag/the-social-reckoning/)* and *[Resident Evil](https://rollingstonephilippines.com/tag/resident-evil/)*, which are distributed through its subsidiary Columbia Pictures. *You Can See Everything* has garnered wide acclaim since its release. It currently boasts a Rotten Tomatoes score of 98 percent based on 135 critics’ reviews, and is the highest-rated film on Letterboxd with an average of 4.7 stars. ## Frequently Asked Questions ### Who directed *You Can See Everything*? *You Can See Everything* was co-directed by comedian Nathan Fielder and filmmaker Lance Oppenheim, who also recently released the film *Primetime*. ### What is *You Can See Everything* about? The film follows disgraced businesswoman Elizabeth Holmes in her last month of freedom before being imprisoned in 2023 for wire fraud related to the now-defunct health tech company Theranos. ### When will *You Can See Everything* be released in the Philippines? There is no confirmed release date for *You Can See Everything* in the Philippines as of this writing, and Sony has not mentioned plans to distribute in the Philippines specifically, though it has acquired rights to distribute in Southeast Asia. ### Is *You Can See Everything* a documentary? Yes, *You Can See Everything* is a documentary and Nathan Fielder’s feature-length debut. ### Is *You Can See Everything* a good movie? *You Can See Everything* has garnered acclaim from critics and audiences alike, with a current Rotten Tomatoes score of 98 percent (based on critics’ reviews) and an average of 4.7 stars on Letterboxd, the platform’s highest-ever rating. Related Stories - [Nathan Fielder’s Next Documentary Has Elizabeth Holmes Staring Into the Abyss](https://rollingstonephilippines.com/culture/film/nathan-fielder-next-documentary-elizabeth-holmes/ "Nathan Fielder’s Next Documentary Has Elizabeth Holmes Staring Into the Abyss") - [‘Artificial’ and ‘You Can See Everything’ Try to Demystify Egomania](https://rollingstonephilippines.com/culture/film/artificial-you-can-see-everything-egomania/ "‘Artificial’ and ‘You Can See Everything’ Try to Demystify Egomania") - [‘The Social Reckoning’ Doesn’t Go Big Enough for the Facebook Controversy It’s About](https://rollingstonephilippines.com/culture/reviews/the-social-reckoning-review-facebook-files/ "‘The Social Reckoning’ Doesn’t Go Big Enough for the Facebook Controversy It’s About") **Categories:** Culture, Film **Tags:** Elizabeth Holmes, Lance Oppenheim, Nathan Fielder, You Can See Everything --- ### [What to Know About the Philippines’ Persona Non Grata Calls Against Chinese Ambassador](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/persona-non-grata-china-ambassador-senate/) **Published:** October 19, 2026 **Author:** Reyza Ferranco **Content:** The Philippines faces another flash point with China after Chinese Ambassador to the Philippines Jing Quan said Beijing could “easily win” if it chose to use force in the West Philippine Sea, flexing its military advantage — in response to Department of National Defense Secretary [Gilberto Teodoro Jr.](https://rollingstonephilippines.com/state-of-affairs/notable-times-gibo-teodoro-took-aim-at-china/) labeling China a “troublemaker.” “If we want to use force, we may easily win. But no, we’ll not use force. We love peace,” Jing said in a press briefing in Quezon City on Thursday, October 14. The Department of Foreign Affairs (DFA) immediately countered Jing’s remarks, describing them as a “thinly veiled threat of the use of force.” The DFA added that it is “hardly helpful” in the context of the bilateral ties between the two countries. President [Ferdinand Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/) also said that the remarks sound very much to him “like a threat,” and is not a “very diplomatic statement to make.” On Monday, October 19, the DFA released a [statement](https://www.facebook.com/share/p/1A1z4LB8Ur/?mibextid=wwXIfr) after DFA Secretary Tess Lazaro summoned Jing, saying that the department condemned his remarks as “provocative and unacceptable.” ![tess lazaro jing quan](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/dfa-theresa-lazaro-jing-quan-call.webp) The Department of Foreign Affairs summoned Jing Quan and directly conveyed their serious concern and strong objections to his recent statements. Photo from the Department of Foreign Affairs/Facebook ## **PERSONA NON GRATA** In an X post on Friday, October 16, the Chinese Embassy in Manila challenged the lawmakers who were calling for the ambassador’s expulsion to “stop bluffing,” and asked if it was a threat or coercion. > Some senators and house representatives are talking about declaring the Chinese ambassador persona non grata. Is this threat or coercion? But anyway, just do it. Otherwise, STOP BLUFFING. > > — ChineseEmbassyManila (@Chinaembmanila) [October 16, 2026](https://x.com/Chinaembmanila/status/2111097635511878029?ref_src=twsrc%5Etfw) On Saturday, Senator [JV Ejercito](https://rollingstonephilippines.com/tag/jv-ejercito/) issued a video on his social media pages telling the ambassador in Mandarin to “go home,” and reiterated the Philippines’ position on the seas. He further said on Sunday that the Senate is already mulling a resolution to declare the Chinese envoy persona non grata, or an unwelcome person, in the Philippines following his threats. This was also backed up by other senators like Tito Sotto, who said that it is within the rights of the legislative body to act against threats to national sovereignty. Ejercito further clarified that the Philippines does not want war, recognizing China as “super powerful,” but that they have to respect the Philippines’ sovereignty. In another recent[ post](https://x.com/chinaembmanila/status/2111731401787879519?s=46), the embassy mentioned how “anti-China” politicians have been threatening them for over three decades now with “old and low tricks.” They added that they will likewise no longer welcome Philippine officials to China. “While diplomacy is based on reciprocity, we will not welcome them to China,” they said. ## **STILL FLOATING ON DIPLOMATIC TIES?** While a number of senators criticized the remarks, Senator [Jinggoy Estrada](https://rollingstonephilippines.com/tag/jinggoy-estrada/) reminded the lawmakers to be cautious of their actions in order to not close “the doors of dialogue.” The embassy also shared Foreign Ministry Spokesperson Mao Ning’s comment, who said that “China’s position on improving and growing its ties with the Philippines is clear.” Before the escalated rhetoric, the Palace previously said on October 14 that the Philippines has no plans to sever ties with Beijing as both countries benefit from each other commercially, especially when it comes to trade and investment. A day later, Jing called the Philippines “a close neighbor and friend with deep historical and cultural ties.” The DFA further stressed in its recent statement that it will “keep open lines of communication” with China and work for bilateral and diplomatic relations, while “firmly upholding” the country’s position on the [West Philippine Sea](https://rollingstonephilippines.com/tag/west-philippine-sea/). ## FREQUENTLY ASKED QUESTIONS ### What does it mean to declare an ambassador “persona non grata”? Persona non grata is a diplomatic designation declaring a foreign official unwelcome in a host country, usually leading to expulsion. ### Why are Philippine senators pushing to declare China’s ambassador persona non grata? Lawmakers say Ambassador Jing Quan’s military or force threat in the West Philippine Sea threatened Philippine sovereignty. ### What did Ambassador Jing Quan say that sparked the backlash? Jing Quan said China could “easily win” if it used force in the West Philippine Sea. The DFA called it a “thinly veiled threat.” ### How has the Chinese Embassy responded to the persona non grata calls? The Chinese Embassy told lawmakers calling for persona non grata to “stop bluffing” and said it will no longer welcome Philippine officials to China. ### Are the Philippines and China still pursuing closer diplomatic ties despite the dispute? Yes. The Palace says it has no plans to sever ties with Beijing, and China’s envoy has signaled openness to improving relations. Related Stories - [Sec. Gibo Teodoro Isn’t Backing Down Against China](https://rollingstonephilippines.com/state-of-affairs/notable-times-gibo-teodoro-took-aim-at-china/ "Sec. Gibo Teodoro Isn’t Backing Down Against China") - [Gen Z TikTok is in ‘A Very Chinese Time,’ But It’s Different for PH Politics](https://rollingstonephilippines.com/culture/internet-culture/philippines-chinese-time-embassy/ "Gen Z TikTok is in ‘A Very Chinese Time,’ But It’s Different for PH Politics") - [PH and China Are in a Verbal Spat Over West Philippine Sea, POGOs](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/ph-and-china-verbal-spat-over-west-philippine-sea-pogos/ "PH and China Are in a Verbal Spat Over West Philippine Sea, POGOs") **Categories:** Philippine Politics, State of Affairs **Tags:** Jing Quan, Persona Non Grata, West Philippine Sea --- ### [KATSEYE, Tate McRae, and Megan Thee Stallion Bring the Music to the Victoria’s Secret Runway](https://rollingstonephilippines.com/music/pop/victorias-secret-fashion-show-2026-performers/) **Published:** October 19, 2026 **Author:** Elijah Pareño **Excerpt:** The night brought country hits, pop performances, and a high-energy rap finale to the runway in Los Angeles **Content:** The 2026 [Victoria’s Secret](https://rollingstonephilippines.com/tag/victorias-secret-2/) Fashion Show featured a star-studded lineup of live musical performances. Held at Sony Pictures Studios in Los Angeles, California, the show featured a wide variety of pop stars, including country singer [Megan Moroney](https://rollingstonephilippines.com/tag/megan-moroney/), pop star [Tate McRae](https://rollingstonephilippines.com/tag/tate-mcrae/), girl group [KATSEYE](https://rollingstonephilippines.com/tag/katseye/), and rapper [Megan Thee Stallion](https://rollingstonephilippines.com/tag/megan-thee-stallion/). Moroney started the program with fluffy pink wings and sang the country hits “6 Months Later” and “Wish I Didn’t.” Pop star Tate McRae dazzled the runway with her latest single “Housewife.” She later danced alongside models wearing red lingerie and red heels, performing “Dear God” and “Sports Car.” > [View this post on Instagram](https://www.instagram.com/reel/DeqVx-6ioi_/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Victoria's Secret (@victoriassecret)](https://www.instagram.com/reel/DeqVx-6ioi_/?utm_source=ig_embed&utm_campaign=loading) Halfway through the fashion show, KATSEYE took over the runway as a four-piece, wearing corsets and matching black and pink skirts. The members performed “Pinky Up” and “Animal” with plenty of hype. According to *E!*, earlier that night, the group mentioned that two of its members, Sophia Laforteza and Manon Bannerman, would be making their return soon. > [View this post on Instagram](https://www.instagram.com/p/DeqTVGBG4_p/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Megan Thee Stallion (@theestallion)](https://www.instagram.com/p/DeqTVGBG4_p/?utm_source=ig_embed&utm_campaign=loading) Rapper Megan Thee Stallion closed out the show, performing “Tina Tuesday Freestyle,” “Her,” and “Body” while wearing metallic angel wings. She mentioned after the show that walking the Victoria’s Secret runway had fulfilled her lifelong dream. > [View this post on Instagram](https://www.instagram.com/reel/DeqHQFvEu2W/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Victoria's Secret (@victoriassecret)](https://www.instagram.com/reel/DeqHQFvEu2W/?utm_source=ig_embed&utm_campaign=loading) This year’s fashion show featured longtime Angels such as Bella Hadid and [Alex Consani](https://rollingstonephilippines.com/tag/alex-consani/). Kylie Jenner also stepped onto the runway as a surprise Angel. The Victoria’s Secret Fashion Show debuted in 1995 and has featured models, also known as Angels, over the years. The show is known for its theatrical production and for promoting the brand’s signature jewel-encrusted bras worn by its models. ## Frequently Asked Questions ### When did the Victoria’s Secret Fashion Show first debut? The Victoria’s Secret Fashion Show debuted in 1995 and has featured models, also known as “Angels,” over the years. ### Who were the performers for this year’s Victoria’s Secret Fashion Show? The 2026 Victoria’s Secret Fashion Show featured country singer Megan Moroney, pop star Tate McRae, girl group KATSEYE, and rapper Megan Thee Stallion. ### Which songs did Tate McRae perform at the 2026 Victoria’s Secret Fashion Show? Tate McRae performed “Housewife,” “Dear God,” and “Sports Car.” ### Where was the 2026 Victoria’s Secret Fashion Show held? The 2026 Victoria’s Secret Fashion Show was held at the Sony Pictures Studios in Los Angeles, California. ### Who were the models who featured in the Victoria’s Secret Fashion Show on the runway? The 2026 Victoria’s Secret Fashion Show featured longtime Angels such as Bella Hadid and Alex Consani. Media personality Kylie Jenner also stepped onto the runway as a surprise “Angel.” Related Stories - [Is Victoria’s Secret Trying to Make Its Fashion Show Cool Again?](https://rollingstonephilippines.com/culture/victorias-secret-fashion-show-2025/ "Is Victoria’s Secret Trying to Make Its Fashion Show Cool Again?") - [KATSEYE’s ‘Beautiful Chaos’ Lives Up to its Name](https://rollingstonephilippines.com/music/music-reviews/katseyes-beautiful-chaos-review/ "KATSEYE’s ‘Beautiful Chaos’ Lives Up to its Name") - [Filipino Artists and Activists Show Up for Palestine in Viva Palestina Concert](https://rollingstonephilippines.com/state-of-affairs/viva-palestina-ph-artists-palestine/ "Filipino Artists and Activists Show Up for Palestine in Viva Palestina Concert") **Categories:** Music, Pop **Tags:** Katseye, Megan Moroney, Megan Thee Stallion, Tate McRae, Victoria’s Secret --- ### [The Religion of Regine](https://rollingstonephilippines.com/culture/regine-velasquez-finale-concert-recap/) **Published:** October 19, 2026 **Author:** Christian San Jose **Excerpt:** In a final bid to reclaim the songs that once defined her career, the Songbird buoys through ups and downs to arrive at something divine **Content:** FINALE, the [Regine Velasquez-Alcasid](https://rollingstonephilippines.com/tag/regine-velasquez/) final concert series, is the closest I’ve had to a religious experience in a while. On a Sunday night, legions of fans witnessed the divine miracle of Regine, who celebrates her 40-year career first with a confession before the faithful Reginians at the SM Mall of Asia Arena: “Unfortunately, I can no longer give justice to these songs… so I am retiring them.” She is, after all, human, and despite the greatness she’s sustained since we first heard her voice in the ‘80s, she admits with much humility, “My voice has changed.” And so FINALE becomes her final bid to reclaim songs that once defined her career. “Narito Ako,” “You’ve Made Me Stronger,” “Araw-Gabi,” among other hits sung with a voice that has evolved with age. And through sometimes turbulent attempts — especially in a nervous but nonetheless transcendent start — the fans, as they always have, stood by her, unjudging, grateful to stand in proximity to greatness. Regine, meanwhile, is at peace, ever as confident even with the changing capacity of her instrument. In “Narito Ako,” a fitting opening as if to say she’s still here, she makes up for a rocky start — with a little help from the audience who takes the steering wheel for a second — with the spectacle of staging: Regine, decked in a winged white frock, standing in what is literally a stage designed to look like an altar with interior flourishes in the vein of South Korean artist Do Ho Suh’s intricate sculptural exoskeletons, and a floor of a revolving astrological clock, from where she emerges. ![regine velasquez finale concert white dress](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/regine-velasquez-finale-concert-white-dress.webp) Regine Velasquez appeared before an audience of thousands in a feathered white dress during the second night of FINALE. Photo from Regine Velasquez-Alcasid/Facebook “You’ve Made Me Stronger,” her 1995 song about moving on from a heartbreak, takes on a subsequent life in her opening. The lyrics “But time has been such a friend/ Brought me to my senses again/ And I have you to thank for setting me free” in particular felt like a real-life realization for her. This is not the same Regine who can belt without much strain, *but* it is still Regine. “Don’t feel so sorry for me, my friend.” After trying to invoke and maybe even find her new range within the scratchy, sultry sounds of Debbie Harry in “Call Me,” Regine, in an ecumenical manner, calls for a prayer. In it, she asks God, knowing she is fallible and human, to “Please be my voice. Sing for me. Sustain me.” Next, she takes on “Araw-Gabi,” to the faithful’s ecstasy — but not without a disclaimer: “I have been singing this song forever, so I shall try to sing this song again tonight.” With half the range, and with a more forgiving arrangement, it’s enough to send those who believe in a transitory state that’s neither here nor there. Relief comes later. She sits, her flock of a dress buttressing her on the edge of the clock. In her career, she’s sung and made others’ masterpieces her own through covers, including the Michael Johnson soft rock ballad “Bluer Than Blue.” She reminds us, “Yes, I have original songs. Unfortunately, I don’t get to sing all of them live,” and thus begins “Kung Kailan Pa” — with a comedic act that fans have come to love her for. Regine, sat, tries to start, but realizes she’s uncomfortable. Resettles. Then tries again. And again. The arena bursts into laughter. Just when we think this night has gone back to the solemn rituals of a typical Regine concert, she caps off the song with another punchline. The crowd stifles a laugh mid-tears. ![regine velasquez jose mari chan finale concert](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/regine-velasquez-jose-mari-chan-finale-concert.webp) Jose Mari Chan sings “Please Be Careful with My Heart” with Regine. Photo from Regine Velasquez-Alcasid/Facebook ![donna cruz regine velasquez mikee cojuangco finale concert](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/donna-cruz-regine-velasquez-mikee-cojuangco-finale-concert.webp) Regine reunites with her *Do Re Mi* co-stars Donna Cruz and Mikee Cojuangco. Photo from Regine Velasquez-Alcasid/Facebook The second night, the Songbird says, is dedicated to those who keep showing up despite her shortcomings e.g. that time she lost her voice in her 2012 concert, Silver. True enough, the fans, however far they are, some in the nosebleeds, cheer on their “Ate” as she pulls miracle after miracle, defying the limits of her vocal chords that has seen her through four decades of her OPM reign. > [View this post on Instagram](https://www.instagram.com/reel/DejfsCZCHmF/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rolling Stone Philippines (@rollingstoneph)](https://www.instagram.com/reel/DejfsCZCHmF/?utm_source=ig_embed&utm_campaign=loading) For the sheer might to try and try again, even as she says these songs that used to be hers, now “scare” her, Regine should be lauded and rightfully so. As [superfan Xtina Superstar](https://rollingstonephilippines.com/music/20-best-regine-velasquez-songs-dj-xtina-superstar/) said in an interview weeks before the FINALE concert, “Wala na syang kailangang patunayan.” And Regine is the first one to admit this. “I’m not doing this to prove to you guys that I can still perform or that I have *the* voice,” she tells everyone at the SM MOA Arena that night. “I’m not here to prove anything. I’m here because of you. I show up because you keep showing up. I don’t understand why you keep showing up kahit garalgal ang boses ko. Your adoration has never changed.” And so the faithfuls are rewarded with two more hours of their idol and some surprise appearances that included — as my seatmate in the “premium” boxes said matter of factly, her first duet ever — Jose Mari Chan (a living legend who just might have a tip or two for Regine on how to adapt to an ageing voice), who reprised their 1989 duet, “Please Be Careful With My Heart.” There too were every grown up millennial Regine fan’s dream featured artists, Donna Cruz and Mikee Cojuangco, who she co-starred with in the 1996 movie *Do Re Mi*, and who themselves proved to be reliable even after all these years. ![regine velasquez ogie alcasid finale concert](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/regine-velasquez-ogie-alcasid-finale-concert.webp) Regine with her husband Ogie Alcasid during FINALE concert. Photo from Regine Velasquez-Alcasid/Facebook From the opening clip from the newly-announced documentary *Songbird*, which will be out in theaters next year, we already got tipped off that — as always — Regine is keeping this a family affair. Enlisting the help of her sister Cacai Velasquez and her husband, musical director Raul Mitra, she set out on this “finale.” Towards the end, she sings “Leader of the Band,” a tribute to her late father, Mang Gerry, who would have turned 89 this month. Meanwhile her son and his cousins, known collectively as the band Meet Me at the Elevator, performed a track off her new album *Golden Hours* called “The Easy Kind.” ![regine velasquez finale procession](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/regine-velasquez-finale-procession.webp) Regine takes a final lap around the SM Mall of Asia Arena to the delight of fans. Photo from Regine Velasquez-Alcasid/Facebook Her husband, the singer-songwriter Ogie Alcasid, dashing in a tux, injects even more comedic lightness into the night after sharing the soulful “Hanggang Ngayon” with his wife, whom he jokingly calls, “the greatest singer” at home, before sincerely saying “in the entire Philippines,” which makes Regine tear up. Regine was never one to toot one’s horn, although she had to literally lift her own chair that night after a solo performance of her 2001 duet with Martin Nievera (“Walang Regine-Regine dito. Kanya-kanya ‘to,” she jokes). “I wouldn’t say things like, ‘I have a good voice,’ ‘My career was good.’ I wouldn’t say those things even though I worked so hard… Kasi mahihiya ako na \[sabihing,\] ‘Ang galing ko.’ But you know what? I think it’s okay to say that. I think magaling ako. And I think I did a great job.” And even in her golden hour, with half the vocal artillery she used to have, God, did she. Related Stories - [The 20 Best Regine Velasquez Songs, According to Superfan DJ Xtina Superstar](https://rollingstonephilippines.com/music/20-best-regine-velasquez-songs-dj-xtina-superstar/ "The 20 Best Regine Velasquez Songs, According to Superfan DJ Xtina Superstar") - [The Winners of Filipino Music Awards 2026](https://rollingstonephilippines.com/radar/events/filipino-music-awards-2026-winners/ "The Winners of Filipino Music Awards 2026") - [25 Best Filipino Love Songs Across Generations](https://rollingstonephilippines.com/music/25-filipino-love-songs-for-the-emotionally-compromised/ "25 Best Filipino Love Songs Across Generations") ## Frequently Asked Questions (FAQs) ### When was Regine Velasquez’s last live concert? FINALE the concert series is said to be Regine Velasquez’s final concert, where she reportedly said she is retiring some of her hits as her vocal range has changed with age. ### Where was Regine Velasquez’s FINALE concert series held? Regine Velasquez’ FINALE concert series took place at the SM Mall of Asia Arena for three days from October 17 to 19. ### What were some of the songs Regine Velasquez performed during her FINALE concert? Regine Velasquez performed her hits “Narito Ako,” “On the Wings of Love,” “Araw-Gabi,” “Shine,” “What Kind of Fool Am I?” and more during her FINALE concert. ### Who were some of the guest performers in Regine Velasquez’s FINALE concert? Regine Velasquez brought out Jose Mari Chan, Donna Cruz, Mikee Cojuangco, and Ogie Alcasid during her FINALE concert. ### What were some of Regine Velasquez’s revelations during the FINALE concert? Regine Velasquez announced that she will be retiring some of her hits, while also promoting her new album *Golden Hours* as well as an upcoming documentary called *Songbird*, which premieres in 2027. **Categories:** Culture, Live Reviews, Music **Tags:** FINALE Concert, Regine Velasquez --- ### [UP Pride Is Bringing Drag, Music, and Queer Voices to Diliman for Free](https://rollingstonephilippines.com/radar/events/up-pride-2026-up-diliman/) **Published:** October 19, 2026 **Author:** Elijah Pareño **Excerpt:** The event welcomes UP students and non-UP students alike, with performances from local drag artists and musicians alongside discussions on queer stories and inclusion **Content:** LGBTQIA+ organization UP Babaylan has announced UP Pride, an event happening on Friday, October 23, at Quezon Hall at the University of the Philippines Diliman. [UP Pride](https://rollingstonephilippines.com/tag/up-pride/) is free to attend, and the program will start at 6:00 p.m. The event is open to UP students and non-UP students alike. UP Pride will feature drag artists, musicians, and speakers from across the country. It will be headlined by drag artists [M1ss Jade So](https://rollingstonephilippines.com/tag/m1ss-jade-so/), Popstar Bench, Zumba Ding, [Pura Luka Vega](https://rollingstonephilippines.com/tag/pura-luka-vega/), and Nokturna Ngina, along with musicians including R&B artist [Illest Morena](https://rollingstonephilippines.com/tag/illest-morena/), rapper [SHNTI](https://rollingstonephilippines.com/tag/shnti/), and Kumare Harvey, among others. > [View this post on Instagram](https://www.instagram.com/p/DeooH-6JePD/?utm_source=ig_embed&utm_campaign=loading)[A post shared by UP Pride (@upprideofficial)](https://www.instagram.com/p/DeooH-6JePD/?utm_source=ig_embed&utm_campaign=loading) Last June 2025, drag artist Pura Luka Vega spoke to *Rolling Stone Philippines* about the continued rise of [drag culture](https://rollingstonephilippines.com/state-of-affairs/power/pura-luka-vega-drag-queer-faith/) in the mainstream beyond Pride Month. They said government support should include everyone, and that programs should genuinely involve queer individuals. “Drag started in the underground scene. Not a lot of people knew about it. Now, it’s becoming more mainstream and it has already shifted into the digital space,” Vega said. “We can, first and foremost, change the thinking that Pride is just a month, because it’s not. It’s an everyday thing. If you just really listen to queer stories, that’s a step closer to being more inclusive.” In January 2026, M1ss Jade So spoke to *Rolling Stone Philippines* about the single [“Esoterica”](https://rollingstonephilippines.com/music/dance-electronic/m1ss-jade-so-esoterica/) and the advocacy behind it. “Kailangan ng more spaces and more visibility for trans women,” Jade says. “‘Yung \[‘Esoterica’\] is about my life, and it’s an advocacy song for trans women and non-binary individuals. Gusto ko rin talagang dalhin ang mga trans women with me to be up there. Isa ‘yan sa mga mission ko, even noong *Drag Race Philippines*: doll domination.” ## Frequently Asked Questions ### What is UP Pride? UP Pride is an event announced by LGBTQIA+ organization UP Babaylan. It features drag artists, musicians, and speakers from across the country. ### When and where is UP Pride happening? UP Pride takes place on Friday, October 23, at Quezon Hall, UP Diliman. ### Who can attend UP Pride? The event is open to both UP students and non-UP students. ### Who is performing at UP Pride? Performing in UP Pride are drag artists M1ss Jade So, Popstar Bench, Zumba Ding, Pura Luka Vega, and Nokturna Ngina. The musicians include R&B artist Illest Morena, rapper SHNTI, and Kumare Harvey, among others. ### What is UP Babaylan? UP Babaylan is an LGBTQIA+ organization based in UP Diliman, Quezon City. 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Produced by CueCraft Entertainment, the adaptation is scheduled for August 2027. For the Manila adaptation, West End Filipina actress [Joanna Ampil](https://rollingstonephilippines.com/tag/joanna-ampil/) will star as iconic anti-hero Norma Desmond. Ampil, her first time staging a show in Manila since 2018 for her role in *Waitress*, is excited to come back home as one of the most iconic characters in theater. > [View this post on Instagram](https://www.instagram.com/p/DeY-GhrEYFb/?utm_source=ig_embed&utm_campaign=loading)[A post shared by CueCraft Entertainment (@cuecraftentertainment)](https://www.instagram.com/p/DeY-GhrEYFb/?utm_source=ig_embed&utm_campaign=loading) “I hope the audience will be captivated by \[Norma Desmond’s\] presence and the grandeur of the show — because it will look lavish and beautiful — but will also leave the theatre feeling for her, knowing that all she wants is to be loved, valued, and remembered,” Ampil says. *Sunset Boulevard* is set in 1940s Hollywood and tells the story of struggling screenwriter Joe Gillis, who meets silent-film has-been Norma Desmond. She then lures him into the dangerous world of showbusiness. In the recent Broadway and West End revival, Filipino-American actress and singer Nicole Scherzinger received the 2024 Laurence Olivier Award for Best Actress in a Musical and the 2025 Tony Award for Best Performance by an Actress in a Leading Role in a Musical for her portrayal of Norma Desmond. ## Frequently Asked Questions ### When is the Manila production of *Sunset Boulevard*? The Manila production of Andrew Lloyd Webber’s *Sunset Boulevard* is scheduled for August 2027. ### Who is producing *Sunset Boulevard* in Manila? CueCraft Entertainment is producing the Manila adaptation of *Sunset Boulevard*. ### What is *Sunset Boulevard* about? *Sunset Boulevard* is set in 1940s Hollywood and tells the story of struggling screenwriter Joe Gillis, who meets silent-film has-been Norma Desmond. ### What awards did Nicole Scherzinger win for *Sunset Boulevard*? For her portrayal of Norma Desmond in the Broadway and West End revival, Filipino-American actress and singer Nicole Scherzinger received the 2024 Laurence Olivier Award for Best Actress in a Musical and the 2025 Tony Award for Best Performance by an Actress in a Leading Role in a Musical. ### Where was *Sunset Boulevard* shown in 2023 until 2025? *Sunset Boulevard* was both shown in London’s West End Theater and New York’s Broadway respectively. Related Stories - [‘Bongga Ka, ‘Day!’ Proves that There’s Nothing Quite Like Live Theater](https://rollingstonephilippines.com/radar/bongga-ka-day-newport-performing-arts-theater/ "‘Bongga Ka, ‘Day!’ Proves that There’s Nothing Quite Like Live Theater") - [‘Delia D.’ Is A Kitschy, Feel-Good Fever Dream](https://rollingstonephilippines.com/culture/delia-d-musical-review/ "‘Delia D.’ Is A Kitschy, Feel-Good Fever Dream") - [‘Final Destination: Bloodlines’ is a Campy, Gory Good Time](https://rollingstonephilippines.com/culture/final-destination-bloodlines-review/ "‘Final Destination: Bloodlines’ is a Campy, Gory Good Time") **Categories:** Culture, Theater **Tags:** Joanna Ampil, Sunset Boulevard --- ### [The 20 Best Regine Velasquez Songs, According to Superfan DJ Xtina Superstar](https://rollingstonephilippines.com/music/20-best-regine-velasquez-songs-dj-xtina-superstar/) **Published:** October 16, 2026 **Author:** Christian San Jose **Excerpt:** Regine superfan and CHURCHLOVESU co-founder Xtina Superstar ranks 20 of the best Songbird songs, from hits to covers and deep cuts that deserve a second listen **Content:** [Regine Velasquez](https://rollingstonephilippines.com/tag/regine-velasquez/), over the course of her decades-long reign as a Filipina prima diva, has become many things. She’s Asia’s Songbird (“Sino bang nag-decide? Sino ba si ‘Asia’?” she once said jokingly), a moniker whose origin traces back to her Grand Prize-winning stint on the Asia-Pacific Singing Contest in Hong Kong in 1989.) And as certified by the Philippine Association of the Record Industry (PARI) multiple times over, one of — if not the top — best-selling Filipino artists of *all time,* with hundreds of thousands of copies sold for records like *Retro* (1996), *R2K* (1999), and *Kailangan Ko’y Ikaw* (2000). This weekend, Velasquez hits the concert stage one last time with her final major solo concert series, Finale at the SM Mall of Asia Arena, where thousands of fans are expecting to hear her sing her hits, and then some, live. This includes DJ and [CHURCHLOVESU](https://rollingstonephilippines.com/music/dance-electronic/churchlovesu-queer-nightlife-metro-manila-interview/) co-founder Xtina Superstar, who first discovered Regine on a school bus in the ‘90s. “They played ‘Bluer Than Blue’ by Regine, and I remember, sabi ko, ‘My god, who is this girl?’ And at that time, I didn’t know that ‘Bluer Than Blue’ was a cover, so I thought it was really her song,” she recalls. While the rest of her classmates were listening to The Spice Girls, \*NSYNC, and Backstreet Boys, lone young Xtina, smitten by Regine, was researching who she was, which eventually led her to the album *Retro*. “I remember nagpabili ako sa lolo ko ng cassette tape nung song because I was so obsessed with the song.” ![DJ Xtina Superstar](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/Xtina-Superstar.webp) Xtina Superstar. Photo by Joseph Pascual To Xtina, Regine was unlike any artist at the time. She was, to her, a chameleon whose artistry evolved along with each different persona that came with every album. “She was such a visionary during the ‘90s with ‘yung mga paaandar niya sa mga albums niya. Parang she was the only one who actually had the perfect definition of what an era is — and she had so many eras. If you think about it, like she was so ahead of everyone else, in my opinion.” She cites her 1999 album *R2K* as her magnum opus, which perfectly encapsulated the Y2K era before it was diluted to a trend. And all these eras and the moments in between, Xtina knows by heart as a Regine superfan. “I can literally talk about her for three hours straight, and lahat ng performances niya, alam ko.” If anything, she adds, Regine has largely influenced her as an artist. On her sets, she sometimes sneaks in Regine songs like “You’ve Made Me Stronger,” or even “Dadalhin,” “para may basag.” “I would play like a fun set, and then by the end of it I would play like one Regine song. Pambasag lang. And you know what? Surprisingly, people love it, and they sing to it. Because who doesn’t know her songs?” Here, Xtina — with the help of her fellow Regine fans — ranks 20 of the best Regine songs from the ‘90s up until the mid-2010s, mostly deep cuts. “She has so many good songs na ‘di alam ng most ng mga tao. And ang ganda nung mga songs na ‘di masyadong sikat, kumbaga.” 20 Promdi (1989) ![regine velasquez nineteen 90 album cover](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/regine-velasquez-nineteen-90-album-cover-1600x1600.webp) Vicor Music Corporation This song has such a nice feeling to it. Tumatak din sa akin kasi during CHURCH pinatugtog ‘to ni Congruum. He’s from Baguio. I was surprised that in the middle of a techno set, nasingit niya ‘yung “Promdi.” It was such a good moment. I remember I heard it while I was in the VIP room, and then I went, “Oh my god, someone is playing ‘Promdi’ by Ate Reg.” This song, I feel like, encapsulates her as an artist because she’s a promdi. She came from the probinsya. I think if there’s one thing charming about Regine — even if it’s very cliché — it’s that she’s a rags-to-riches girl, and I’m the type of person who loves seeing someone win sa life. ‘Yung bala nya lang literally was her voice and her talent, and that’s what catapulted her into the big star she is now. This song to me is a perfect introduction to her life. 19 Bluer Than Blue ![regine retro album cover](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/regine-retro-album-cover-1600x1600.webp) PolyGram Records This was my introduction to Regine. Whenever I listen to it, it reminds me na this was the song that introduced me to her. So to me, it was an important part as a fan. It made me a Reginian. 18 Kailangan Ko’y Ikaw (2000) ![regine velasquez kailangan koy ikaw original sountrack](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/regine-velasquez-kailangan-koy-ikaw-original-sountrack-1600x1600.webp) Viva Records I know this is a very important song for her because this was gifted to her by Ogie Alcasid. I was lucky enough to be invited to one of her Christmas parties way back, and I remember seeing a framed paper — handwriting yata ni Ogie ng “Kailangan Ko’y Ikaw,” and it was framed in her sala. Ito rin ‘yung movie nya with Robin Padilla na sobrang patok nung time na ‘yun. This is the time when she was also reigning, not just as a singer but also as an actress. I remember she got so many awards for this one. So, parang that’s how I view her din, na okay rin siya as a rom-com actress. 17 Reason Enough (1993) ![reason enough regine velasquez](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/reason-enough-regine-velasquez-1600x1600.webp) PolyEast Records So this was written by Trina Belamide. I was also lucky enough to meet her through Kate Torralba a couple of years back, and I remember telling her, “Alam mo, lahat ng favorite ko na songs ni Ate was written by you.” Medyo konti lang ‘yung may alam nito, I think. It’s not like it’s her most popular. But I feel like it’s such an underrated song from her catalog. 16 Love Me Again (1986/1992) ![regine velasquez total recall album cover](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/regine-velasquez-total-recall-album-cover-1600x1600.webp) PolyEast Records So, if you know the story of the song, this was originally sung by Jamie Rivera. And then I know the history ng kanta na ‘to is it was given to her, and then ‘yun nga, it’s one of those songs nga na \[like “Bluer Than Blue”\] na parang if she sings it, she makes it her own. Parang this was one of her first singles \[as Chona Velasquez\]. 15 Ako’y Iyong-iyo (2004) ![regine velasquez covers album cover](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/regine-velasquez-covers-album-cover-1600x1600.webp) Viva This was also written by Ogie Alcasid from the album *Covers*. I like this because it’s kind of an upbeat song and medyo rare ‘yun for a Regine Velasquez catalog. So I really love this song. It’s just a feel-good song for me. I also play this sometimes in my sets. 14 In Your Eyes (1999) ![regine velasquez r2k album cover](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/regine-velasquez-r2k-album-cover-1600x1600.webp) Viva This was a song that I had to put from the *R2K* era. I chose this song because I know this is also a special song for her kasi this is a song that she would sing sa competitions. This was the song that she sang sa *Ang Bagong Kampeon,* and then she won. She redid the song again during the *R2K* era, and it’s actually one of my favorite songs from the album. I remember sobrang gusto ko ‘yung video nito. Directed by Louis Ignacio. 13 Shine (Reigning Mix) (2005) ![shine regine velasquez album cover](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/shine-regine-velasquez-album-cover-1600x1600.webp) Viva This was remixed by my friend DJ Brian Cua. I always play this at my sets too because kumbaga ito ‘yung version niya ng “Dream Lover” (David Morales remix). That’s how I view the song, kasi it’s a power ballad, but it was remixed to sound like it’s a club anthem. I would usually love an upbeat song, and with Regine, she’s known for ballads talaga. So for me, this is a really good song from her because it encapsulates the nightlife scene na parang it’s something that I can play and the gays would love. 12 Araw-Gabi (2004) ![regine velasquez covers album cover](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/regine-velasquez-covers-album-cover-1600x1600.webp) Viva I had to put this song because I love Ryan Cayabyab. He’s obviously a national artist, and I think this is one of the songs ni Ryan na sobrang ganda, and it was perfectly sung by Regine. Actually, I was deciding between “Araw-Gabi” or “Tuwing Umuulan” because it was also written by Maestro Ryan Cayabyab. But I ended up picking “Araw-Gabi” more just because I just like how it’s produced and parang mas favorite ko ‘yung rendition niyan nito. For me, mas may punch ‘yung “Araw-Gabi” whenever I listen to it. Probably because mas mataas din kasi ‘yung pagkanta nya nito versus “Tuwing Umuulan.” 11 Written in the Sand (2000) This song is such an iconic moment for her because this was a Y2K song that she sang on top of the Peninsula Hotel wearing a Rajo Laurel gown. This was really a moment for her, in my opinion. Parang one of the top moments of her career because who would have done something \[like this\]? Si Regine lang talaga. They literally had to close Makati Ave. at the time because there were so many extras na nilagay nila dun. I asked Rajo and he told me na while she was on top of it, si Rajo parang inaalalayan ‘yung train ng gown. Wala daw harness ‘yun. Talagang matapang lang daw si girl na tumayo dun. 10 Muli with Gary V. (1993) ![gary v hataw na album cover](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/gary-v-hataw-na-album-cover-1600x1600.webp) Universal Records Madami siyang duets, ‘di ba? But for me, ito ‘yung pinaka-favorite ko sa kanya. Also, I think it’s a very underrated song. She has so many duets na kanta na mas sikat dito, but I think “Muli” with Gary V is a top-tier duet song from her. There’s just like so much emotion when I listen to the song, so I just have to put it here because I really love “Muli” with Gary V. There’s just something very ‘90s about the production of the song. Like when you listen to it, it sounds like an old song, and it gives me such nostalgia whenever I hear this song. 9 Hugot (2017) ![regine velasquez r30 album cover](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/regine-velasquez-r30-album-cover-1600x1600.webp) Viva Records Corporation This is one of her recent songs from her *R3K* album. This is an original, actually. I feel like this song deserves so much more love because sobrang ganda ng lyrics. I think it was written very well, produced very well. Even the climax of the song. I feel like it should have been a hit actually, because if you think about it, it’s a love song, and Filipinos love love songs. I remember I watched *R3K*, kinanta nya ‘to live. It was also the time na iba na ‘yung tono ng bosses niya. But in my opinion, sobrang bumagay ‘yung arrangement ng song with her new tone. 8 Bukas Sana (2001) ![reigne regine velasquez](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/reigne-regine-velasquez-album-cover-1600x1600.webp) Viva Records Corporation This is also one of my favorites from the *Reigne* album. Maganda talaga ‘yung kanta. Also underrated din siya. It’s one of those songs na hindi masyadong popular from her catalog. This wasn’t even a single from the album. But it was written and produced well, in my opinion. 7 Dadalhin (2001) ![reigne regine velasquez](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/reigne-regine-velasquez-album-cover-1600x1600.webp) Viva Records Corporation This is a fan favorite. This was written and composed by Tats Faustino. Obviously, this was like a big hit for her, so I had to put it on this list because when she sings it, everyone knows it. And when I play this, every gay guy or girl during my sets, they know every word to it talaga. So I would say this is one of her signature songs. 6 To Reach You (2001) ![reigne regine velasquez](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/reigne-regine-velasquez-album-cover-1600x1600.webp) Viva Records Corporation Sabi ko sa ‘yo, favorite ko talaga ‘yung *Reigne.* Ang ganda kasi ng video na ‘to, honestly. It’s one of those videos na puro umiiyak shots, nasa tuktok lang siya ng parang tower or something. And then may scene pa na parang nasa kulungan ba siya or a very empty room, and then she was like crying. So for me, one of her most underrated songs too, because this was like the first single sa *Reigne*, if I’m not mistaken. I mean, it wasn’t as much of a big of a hit like “Dadalhin,” because “Dadalhin” was really the biggest hit from *Reigne*, but “To Reach You” to me, was like an introduction to this new era. Sobrang gusto ko ‘to nung lumabas kasi nga paandar si sis as usual. 5 I’d Rather Leave While I’m In Love (2008) ![low key regine velasquez album cover](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/low-key-regine-velasquez-album-cover-1600x1600.webp) UR Philippines So this is also a rendition from her album *Low Key*, which I also think is a very, very, very underrated album. She called this *Low Key* because she was literally singing in low key during this era. Actually, masakit na talaga lyrics niya, tsaka ‘yung song if you listen to it, but there’s something about her rendition of this that makes the song so much sadder and more heartbreaking in my opinion because hindi siya bumirit sa album na ‘to. So she has so much restraint when it comes to singing the song, but she put so much emotion nung kinanta nya ‘tong kanta na ‘to. Whenever I listen to it, it’s so sad, and the way Regine sings it with so much emotion na she would really make you feel every word from this song. It’s such a heartbreaking song. Ito hindi niya original ‘to pero, for me, one of her best renditions na kinanta nya. 4 Narito Ako (1990) ![regine velasquez nineteen 90 album cover](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/regine-velasquez-nineteen-90-album-cover-1600x1600.webp) Vicor Music Corporation I feel like this was the song that really introduced her as an artist. This is also not an original. If I’m not mistaken, this was Marycris Bermont yata. So sobrang iba ‘yung rendition ni Regine from the original. And if I’m not mistaken, this was a winner of the first Metro Pop Song Festival. Third prize. This is one of her songs that she really made her own as well. And key moment din ‘to for me because it’s such a classic Regine song. Whenever she sings this, parang this is how I would envision her na parang she was first introduced as a singer, cause there’s something very — how do I say it? — nostalgic and parang iba ang dating ng kanta na ‘to for me. Ito ‘yung “Vision of Love” nya for me. You know when Mariah has to always put “Vision of Love” in her set list every time because it’s her l first song na nag-reintroduce sa kanya as a diva, as a singer. I feel like ito ‘yung kay Ate Reg. 3 Linlangin Mo (1998) ![drawn regine velasquez album cover](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/drawn-regine-velasquez-album-cover-1600x1600.webp) Viva So this is from the *Drawn* album. Written by Cacai Velazquez and Raul Mitra. Talagang there’s just so much emotion to this song, and it was a very well-written song, in my opinion. ‘Yung mga live version nya nito sobrang iba. One of my favorite live performances niya ‘tong “Linlangin Mo.” 2 Babalikang Muli ![reason enough regine velasquez](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/reason-enough-regine-velasquez-1600x1600.webp) PolyEast Records Also from the *Reason Enough* album. It was a Japanese song. Trinanslate lang nila and nirendition nila into a Tagalog song. Very underrated in my opinion, but one of her most beautiful songs ever. Andami ko actually na favorite songs from that album. It’s one of her most cohesive albums for me, thinking about it now. 1 You’ve Made Me Stronger (1995) ![regine velasquez my love emotion album cover](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/regine-velasquez-my-love-emotion-album-cover-1600x1600.webp) PolyEast Records I met Trina Belamide a couple of years back. I really told her, sabi ko, “Alam mo, ang pinaka-favorite ko na song ni ate is gawa mo.” Like iba talaga e. When Regine sings a song about heartbreak, she really gives so much emotion to it na ma-fi-feel mo talaga ‘yung sakit nung kanta, and I think ito talaga, whenever I listen to it, it’s such an emotional song. To me, this is really my most favorite Regine song na I also play sa ibang sets ko, and surprisingly alam nung mga bakla. Even the melody of the song, the way Trina produced it, parang there’s such an emptiness and heartbreak to the tone nung kanta. ## Frequently Asked Questions ### Why is Regine Velasquez called “Asia’s Songbird”? Regine Velasquez’s monike traces back to her Grand Prize-winning stint on the Asia-Pacific Singing Contest in Hong Kong in 1989. ### When is Regine Velasquez’s Finale Concert Series? Regine Velasquez’s final major solo concert series, Finale, is a three-day concert from October 17 to 19, 2026 at the SM Mall of Asia Arena. ### Who is Xtina Superstar? Xtina Superstar is a DJ, CHURCHLOVESU co-founder, and Regine Velasquez superfan, who ranks 20 of the best Songbird songs for Rolling Stone Philippines. ### For which records was Regine Velasquez recognized as a best-selling Filipino artist of all time by the Philippine Association of the Record Industry (PARI)? Certified by the Philippine Association of the Record Industry (PARI) multiple times over, Regine Velasquez is considered one of — if not the top — best-selling Filipino artists of *all time,* with hundreds of thousands of copies sold for records like *Retro* (1996), *R2K* (1999), and *Kailangan Ko’y Ikaw* (2000). ### What is Xtina Superstar’s No. 1 Regine Velasquez song? In this Rolling Stone Philippines ranking, Xtina Superstar places “You’ve Made Me Stronger” as the best Regine Velasquez song. **Categories:** Music, Pop **Tags:** Regine Velasquez, Xtina Superstar --- ### [Why are Filipinos Left to Fend for Themselves Bracing for El Niño with Balde?](https://rollingstonephilippines.com/state-of-affairs/el-nino-water-crisis-baldes-dswd-filtration-kits/) **Published:** October 16, 2026 **Author:** Reyza Ferranco **Content:** As Filipinos brace for the [Super El Niño](https://rollingstonephilippines.com/state-of-affairs/environment/super-el-nino-philippines-water-heat-2026/) and water systems continue to falter, the government has advised households to use baldes (per the wise words of President [Ferdinand Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/)) and collect rainwater, with the Department of Social Welfare and Development (DSWD) preparing to distribute portable filtration kits to make rainwater potable. In a Palace press briefing on October 14, DSWD Secretary Rex Gatchalian demonstrated how the filtration works through a bucket filled with water mixed with soil, before drinking the filtered water with Palace Communications Officer [Claire Castro](https://rollingstonephilippines.com/tag/claire-castro/). The department secretary described it as “safe for everybody” and “potable for human consumption.” He added that the rollout of kits is expected next week, with cities under a state of calamity to be prioritized. It is ironic that we have reportedly had over a hundred billion pesos stolen from [flood control](https://rollingstonephilippines.com/tag/flood-control-probe/) and other public infrastructure projects, but with the country facing another climate crisis, ordinary Filipinos are once again expected to shoulder the burden and demonstrate resilience, now through a seemingly school-scale science project. ![dswd rex gatchalian](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/dswd.webp) DSWD Secretary Rex Gatchalian demonstrates how to filter water. Photo by Darryl John Esguerra/PNA National water security remains a responsibility of the Philippine government. For 2026, there was a proposed budget of P54.79 billion for the National Irrigation Administration, while P39.83 billion is allocated for the 2026 National Disaster Risk Reduction and Management Fund (NDRRMF). The House had also recently approved the 2027 “El Niño-ready” national budget of P7.2 trillion. Yet, as [reported](https://www.philstar.com/headlines/2026/10/15/2563402/el-nio-damage-agriculture-hits-p68-billion) by [*Philstar.com*](http://philstar.com), who cited the Office of Civil Defense (OCD), the agricultural damage linked to Super El Niño has reached P6.8 billion this year. Meanwhile, the [National Disaster Risk Reduction and Management Council](https://rollingstonephilippines.com/tag/ndrrmc/) (NDRRMC) has reported that there are already over 450,000 Filipinos affected by the dry spells across the country. While rainwater filtering has been done before and can offer an alternative source, it still has its limits, particularly when El Niño intensifies and, with it, the prolonged drought and dwindling supply. Whether the funds allocated to government projects translate into reliable water access and functioning irrigation systems, and whether they could actually help with the expected drought, remains to be seen. Filipinos can stock up their pails, but resiliency should complement government and public services of water infrastructure, not wholly substitute for them. ## FREQUENTLY ASKED QUESTIONS ### Why did the Philippine government tell households to use baldes during El Niño? President Marcos Jr. urged Filipinos to collect rainwater in baldes as water systems falter under Super El Niño, with DSWD pairing this with portable filtration kits. ### What are the DSWD’s rainwater filtration kits and how do they work? DSWD Secretary Rex Gatchalian demonstrated filtering soil-mixed water at an October 14 briefing, calling it “potable for human consumption.” Rollout to calamity-declared cities begins the following week. ### How much government funding is allocated for water security and disaster response in the Philippines? The 2026 budget proposes P54.79 billion for irrigation and P39.83 billion for disaster risk reduction, alongside a P7.2-trillion “El Niño-ready” national budget approved for 2027. ### How many Filipinos have been affected by the Super El Niño dry spell? Over 450,000 Filipinos have been affected by dry spells nationwide, per NDRRMC, with P6.8 billion in agricultural damage recorded by the Office of Civil Defense. ### What is the criticism behind the government’s balde and rainwater-filtration response to El Niño? Critics argue households bear the burden while billions in water infrastructure funds remain unaccounted for, especially amid reports of stolen flood-control money. Related Stories - [EXPLAINER: What the ‘Super El Niño’ Means for the Philippines](https://rollingstonephilippines.com/state-of-affairs/environment/super-el-nino-philippines-water-heat-2026/ "EXPLAINER: What the ‘Super El Niño’ Means for the Philippines") - [How to Stay Cool in the Philippine Heat Without Killing the Planet](https://rollingstonephilippines.com/state-of-affairs/power/how-to-stay-cool-in-the-philippine-heat-sustainable/ "How to Stay Cool in the Philippine Heat Without Killing the Planet") - [Environmentalists Dig Into Climate Defense in Rolling Stone PH Roundtable](https://rollingstonephilippines.com/state-of-affairs/environment/philippines-deadliest-environmental-defenders/ "Environmentalists Dig Into Climate Defense in Rolling Stone PH Roundtable") **Categories:** State of Affairs **Tags:** DSWD, Super El Niño --- ### [‘Street Fighter’ is Bad, Campy Fun](https://rollingstonephilippines.com/culture/reviews/street-fighter-movie-review-campy-fun/) **Published:** October 16, 2026 **Author:** Pie Gonzaga **Excerpt:** Kitao Sakurai’s testosterone-charged take on the iconic video game franchise is enjoyable regardless of underwritten characters and a convoluted plot **Content:** Before watching [Kitao Sakurai](https://rollingstonephilippines.com/tag/kitao-sakurai/)’s *[Street Fighter](https://rollingstonephilippines.com/tag/street-fighter/)*, my engagement with the video game franchise was limited to Nicki Minaj’s hit “Chun-Li” and Kylie Minogue’s four minutes as Cammy in the 1994 film adaptation. But you don’t need to know your Hadouken (an energy projectile attack from the video games) from your Shoryuken (a powerful uppercut with a dragon) to have a good time with this new adaptation. It’s badly written and ridiculous, but it has laughs, entertaining fight scenes, and a few 2D animated sequences that make the whole thing feel like a fever dream. The film follows best friends Ryu ([Andrew Koji](https://rollingstonephilippines.com/tag/andrew-koji/)) and Ken Masters ([Noah Centineo](https://rollingstonephilippines.com/tag/noah-centineo/)), whose paths diverge after Ryu taps into a dark power to win the first World Warrior tournament in 1987. This awakens Akuma (Joe “Roman Reigns” Anoa’i), who kills their mentor, Gouken (Don Lee). Ryu retreats from fighting to keep Akuma at bay, while Ken becomes a famous street fighter before falling into obscurity. In 1993, M. Bison (David Dastmalchian), leader of the paramilitary organization Shadaloo, organizes another tournament to lure Ryu out of hiding and absorb his power. He enlists Chun-Li ([Callina Liang](https://rollingstonephilippines.com/tag/callina-liang/)) to recruit Ryu and Ken, unaware that she’s an Interpol agent tasked with bringing him down. Ken sees the tournament as a chance to reclaim his former glory, while Ryu hopes to protect its winner from Akuma, who has vowed to kill the next World Warrior. With the prologue being rendered in ‘90s anime, one wonders why they didn’t make the whole film animated instead. It certainly worked to hook me in, but I suppose animation would take away the fun of seeing Cody Rhodes and 50 Cent in outrageous hairstyles. The live-action treatment also gives the movie the opportunity to make its several fight scenes feel more visceral, and they do — at the beginning, at least. But as the film progresses, the fights become a little more muddied by CGI and less impactful. I’m more moved by Ryu and sumo wrestler E. Honda (Hirooki Goto) duking it out in a sauna than by Ryu finally conjuring his Hadouken. But the movie’s greatest weakness is its writing. ## Committed Performers Save Bad Writing One might argue that you watch *Street Fighter* for the action and the video game references — and not for the story or cinematography — but the movie could have still benefited from a less convoluted plot and more thought given to character writing. Its leads tend to get tropey: Chun-Li, as the strong female character, spends most of her screen time looking annoyed while annihilating everyone around her; Bison is comically evil, with no purpose to his villainy other than a craving for power; and Ryu is a stoic battling inner demons. The cast’s performances save their own characters from becoming one-note. Between all of Chun-Li’s ass-kicking, Liang manages to squeeze a little fear and anger into her performance to further hint at the character’s motivations. Koji, who [deeply cares about Ryu](https://rollingstonephilippines.com/culture/film/andrew-koji-ryu-street-fighter-interview/), imbues his character with softness and compassion. Dastmalchian plays Bison with an unexpected but unflinching eroticism, as if he was getting off on absorbing the powers of Ryu and other fighters. And Centineo sells Ken as a himbo with a grudge and emotional depth. ![david dastmalchian in street fighter](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/m-bison.webp) David Dastmalchian plays the power-hungry (or power-*horny*) M. Bison. Photo courtesy of Paramount Pictures But the film doesn’t know what to do with its female characters. We’re introduced to Chun Li backside-first in a bodycon dress, the camera trailing her as she struts into Ken’s trashed villa. Apart from her, we have Mel Jarnson’s Cammy, whose only purpose in the film seems to be sexily threatening the emcee Don Sauvage (Eric André) or Chun-Li, or sexily holding up a bazooka. *Street Fighter* attempts to poke some fun at the male gaze, but because so much of the movie is already fan service, it eventually falls back into oversexualizing its women. Early on, we follow Chun-Li into an incredibly steamy shower, but just when you think we’re zooming into her bare chest, the scene transitions to a sauna, where we get a view of E. Honda’s torso instead. In a couple of other scenes, a fellow Interpol agent (Kyle Mooney) is shown to have a *hard* crush on Chun-Li — which makes him an awful coworker *and* a mockery of horny fanboys. ![andrew schulz, callina liang, andrew koji, noah centineo in street fighter](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/dan-chunli-ryu-ken.webp) Dan Hibiki (Andrew Schulz), Chun-Li (Callina Liang), Ryu (Koji), and Ken Masters (Centineo). Photo courtesy of Paramount Pictures On the flip side, the movie also has so much testosterone, it tiptoes on the edge of drag. And that is the only way I can watch this: like it’s a well-produced *[RuPaul’s Drag Race](https://rollingstonephilippines.com/tag/rupauls-drag-race/)* acting challenge, with the exaggerated performance of gender, the cartoonish costumes, the jokes, and the surprisingly queer bits of will-they-won’t-they tenderness between some of the male characters. In particular, Ken’s new best friend Dan Hibiki (Andrew Schulz) seems prone to gay panic, while Cody Rhodes’ Guile gives off down-low energy. *Street Fighter* is, as some might say, camp. But Sakurai knows not to take things too seriously and instead plays into the strengths of the video game. Here, he offers fans of the games an action-packed spectacle, delivering one dopamine hit after another, even if that’s all there is to it. Street Fighter *is out in Philippine cinemas starting October 14.* ## Frequently Asked Questions ### Is the new *Street Fighter* movie worth watching? Kitao Sakurai’s *Street Fighter* is badly written and narratively convoluted, but it delivers real entertainment through committed performances, visceral fight choreography, and 2D animated sequences. ### Who plays Ryu, Ken Masters, and Chun-Li in *Street Fighter* (2026)? Andrew Koji plays Ryu, Noah Centineo plays Ken Masters, and Callina Liang plays Chun-Li. David Dastmalchian plays M. Bison, Don Lee lends his voice to mentor Gouken, and Roman Reigns appears as Akuma. ### What is M. Bison’s plan in the new *Street Fighter* film? M. Bison, leader of the paramilitary organization Shadaloo, organizes a 1993 World Warrior tournament specifically to lure Ryu out of hiding so he can absorb his power. He is unaware that Chun-Li, his envoy, is secretly an Interpol agent working to bring him down. ### When does *Street Fighter* open in Philippine cinemas? *Street Fighter,* directed by Kitao Sakurai and starring Andrew Koji, Noah Centineo, Callina Liang, and David Dastmalchian, opened in Philippine cinemas on October 14, 2026, bringing Capcom’s video game franchise to the big screen for local audiences. ### Which company distributes *Street Fighter* (2026)? Kitao Sakurai’s *Street Fighter* is produced under Legendary Pictures and is distributed by Paramount Pictures. Related Stories - [Andrew Koji is Ready to Make His Mark in ‘Street Fighter’](https://rollingstonephilippines.com/culture/film/andrew-koji-ryu-street-fighter-interview/ "Andrew Koji is Ready to Make His Mark in ‘Street Fighter’") - [‘Street Fighter’ Teaser Reveals an Absurdly Loaded Cast Built for Peak Bro Energy](https://rollingstonephilippines.com/culture/film/street-fighter-first-look-bro-energy/ "‘Street Fighter’ Teaser Reveals an Absurdly Loaded Cast Built for Peak Bro Energy") - [‘Mortal Kombat II’ Goes Harder, Bloodier, and More Savage Than The First](https://rollingstonephilippines.com/culture/reviews/mortal-kombat-2-movie-review/ "‘Mortal Kombat II’ Goes Harder, Bloodier, and More Savage Than The First") **Categories:** Culture, Film, Reviews, Video Games **Tags:** Andrew Koji, Callina Liang, Kitao Sakurai, Noah Centineo, Street Fighter --- ### [Coke Studio Philippines Season 10 Celebrates the Voices of Communities Behind OPM](https://rollingstonephilippines.com/radar/events/coke-studio-philippines-season-10/) **Published:** October 16, 2026 **Author:** Maria Althea Javier **Excerpt:** Ten seasons of collaboration have brought Filipino artists together. Now, Coke Studio recognizes the fans and creators helping their music travel further, louder, and beyond the stage **Content:** On its 10th season, Coke Studio Philippines expands the spotlight beyond the artists to the voices of fans, creators, and communities helping Filipino music find a wider audience and a platform. Launched in the Philippines in 2017, Coke Studio was built around bringing Filipino artists together for unexpected collaborations and new musical possibilities. Season 10 “Dinig Ang Pinas” now brings Filipino voices together, gives them a platform, and helps make them heard. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/Al-James.webp) After his first appearance in Season 3, Al James returns to Coke Studio for Season 10, bringing his signature sound back to the lineup. Photo courtesy of Coke Studio Philippines In Season 6, its Fan Fusion concept invited listeners to take part in the creative process, including [BINI](https://rollingstonephilippines.com/tag/bini/)’s “Love Yourself” and [KZ Tandingan’](https://rollingstonephilippines.com/tag/kz-tandingan/)s call for fans to express a message of perseverance in their own styles and languages. Season 8’s Ultimate Fandom Concert brought together artists from different scenes, including [ALAMAT](https://rollingstonephilippines.com/tag/alamat/), [Zack Tabudlo](https://rollingstonephilippines.com/tag/zack-tabudlo/), and international K-Pop act [NewJeans,](https://rollingstonephilippines.com/tag/newjeans/) placing fandom at the center of the experience. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/KZ-tandingan-1.webp) KZ Tandingan, who has previously performed in Coke Studio Philippines Seasons 2 and 6, returns for Season 10. Photo courtesy of Coke Studio Philippines These fan-driven connections in past seasons echo back in the 10th season of Coke Studio Philippines, where BINI, KZ Tandingan, Ben&Ben, and Al James are set to perform. But the story of OPM goes beyond an artist’s performance. A song can move from a streaming playlist to a fan-made edit, spark a conversation online, and eventually become part of a crowd’s collective memory. At the Coke Studio Season 10 concert, happening on November 7 at the SM Mall of Asia Arena, that relationship between music and its audience will come into focus. The people who stream a track, add it to a playlist, share a video, or recommend an artist to their friends all contribute to how far that music can go. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/Coke-Studio-2.webp) Photo courtesy of Coke Studio Philippines Coke Studio has long brought Filipino artists and audiences together through music. Season 10 shows that the connection doesn’t end when the stage lights go down, and that the people listening have a hand in voicing out where the music goes next. So keep it going: stream your favorite track from this year’s artists, share it with someone who hasn’t heard it yet, and tag #DinigAngPinas so more Filipinos can hear it too. *Catch BINI, KZ Tandingan, Ben&Ben, and Al James live on November 7, 2026, at the SM Mall of Asia Arena. Tickets are available through Coca-Cola Philippines’ promo, where fans can enter for a chance to win tickets for Season 10. Visit [coca-cola.com/ph/en/offerings/coke-studio](https://www.coca-cola.com/ph/en/offerings/coke-studio) to learn more.* **Categories:** Events **Tags:** Al James, Ben&Ben, BINI, Coke Studio, KZ Tandingan --- ### [Dove Wants You to Get to the Root of the Problem in New Studio](https://rollingstonephilippines.com/radar/dove-damage-expert-studio/) **Published:** October 16, 2026 **Author:** Elijah Pareño **Excerpt:** Following its public launch at SM Megamall in August, the platform brings its expert-led hair care content and on-ground experience to another major mall **Content:** [Dove](https://rollingstonephilippines.com/tag/dove/) has announced the opening of its Dove Damage Expert Studio at the SM Mall of Asia Department Store in Pasay City. The studio is built to help consumers who have been experiencing hair and scalp problems. ![Dove](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/Dove-Store.webp) The Dove Damage Expert Studio helps consumers better understand their unique hair and scalp concerns. Photo courtesy of Dove Dove designed the platform to make hair care open to a wider audience. Many consumers deal with hair and scalp concerns but struggle to identify what type of damage they have, what’s causing it, and which solution is right for them. The studio aims to close that gap with expert-led, science-based content. ![Dove](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/Dove-Store-2.webp) Dove Hair Care helps cover the consumer’s needs from damaged and dull hair to hair fall and dry, itchy scalp. Photo courtesy of Dove The studio follows a launch event at SM Megamall on August 8 and 9 that was open to the public. As an always-on platform, it pairs that content with on-ground experiences, including before-and-after results, demo videos, and explainers on how the products work. Solutions are grouped by concern: dull, lifeless hair, damaged hair, dry, itchy scalp, and hair fall. *Visit the Dove Damage Expert Studio at SM Mall of Asia Department Store to better understand your hair and scalp concerns and discover the Dove Hair Care solutions that are right for you.* ## Frequently Asked Questions ### What is the Dove Damage Expert Studio? The Dove Damage Expert Studio is an always-on platform that helps consumers with hair and scalp problems. ### Where is the Dove Damage Expert Studio? Dove Damage Expert Studio is at the SM Mall of Asia Department Store in Pasay City. ### What can you find at the Dove Damage Expert Studio? Visitors to the Dove Damage Expert Studio can see before-and-after results, demo videos, and explainers on how the products work. ### What hair and scalp concerns does the Dove Damage Expert Studio cover? The Dove Damage Expert Studio’s solutions are grouped by concern: dull, lifeless hair, damaged hair, dry, itchy scalp, and hair fall. ### Why did Dove create the Damage Expert Studio? Dove Damage Expert Studio can help consumers identify and deal with hair and scalp concerns but struggle to distinguish what type of damage they have, what’s causing it, and which solution is right for them. Related Stories - [Baken Hosts a Baconized Filipino Dinner at Toyo Eatery](https://rollingstonephilippines.com/radar/baken-110-toyo-eatery/ "Baken Hosts a Baconized Filipino Dinner at Toyo Eatery") - [How to Travel to 193 Countries on a Philippine Passport](https://rollingstonephilippines.com/culture/how-to-visit-193-countries-on-a-ph-passport/ "How to Travel to 193 Countries on a Philippine Passport") - [Coachella’s 2026 Lineup Feels Surprisingly Different From Past Years. Here’s Why](https://rollingstonephilippines.com/music/live-reviews/why-coachella-2026-is-different/ "Coachella’s 2026 Lineup Feels Surprisingly Different From Past Years. Here’s Why") **Categories:** Radar **Tags:** Dove --- ### [What Are The Different Laws Protecting PWDs?](https://rollingstonephilippines.com/state-of-affairs/different-laws-protecting-pwds-philippines/) **Published:** October 16, 2026 **Author:** Reyza Ferranco **Content:** Recent years saw the rise of video podcasts, with creators discussing everything from pop culture, sports, social issues, and literally anything that comes into the sun. Comedic podcasts are also one of the most famous types, thriving with the goal of making audiences laugh. However, many “comedians” seem to forget that there is a strict line between comedy and blatant mockery, and even worse, ableism. A podcast called Machong Chismisan recently received backlash after their now deleted October 5 episode contained ableist comments directed towards Kris Aquino’s son, Joshua, who is on the autism spectrum. Several celebrities like television host [Boy Abunda](https://rollingstonephilippines.com/tag/boy-abunda/), civil groups, and advocates condemned the remarks, with Aquino herself speaking up in an [Instagram post](https://www.instagram.com/p/DeiQiECE6It/?xtok=MTJqbG1ydmpyYzJlNg==). Senators [Risa Hontiveros](https://rollingstonephilippines.com/tag/risa-hontiveros/) and [Erwin Tulfo](https://rollingstonephilippines.com/tag/erwin-tulfo/) also brought to light the protection of persons with disabilities (PWDs). ![machong chismisan](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/pwd-podcast.webp) The National Bureau of Investigation (NBI) has reportedly issued subpoenas to the Machong Chismisan podcast hosts on October 16. Screengrab from X Many Filipinos may be aware of the 20 percent discount and the Value Added Tax (VAT) exemption accompanying the PWD identification card, but these benefits are only among the larger set of legal protections (including pending bills) meant to uphold the rights and dignity of the PWDs. ## **The Magna Carta for Persons with Disability** The primary law for PWD protection is the [Magna Carta for Disabled Persons or Republic Act](https://ncda.gov.ph/disability-laws/republic-acts/republic-act-7277/) (RA) 7277, enacted in 1992, which saw various amendments over the years. The act was focused on adopting policies that ensure the “rehabilitation, self-development and self-reliance of disabled persons,” as well as their full participation in society by prohibiting disability-based discrimination in employment, schools, transportation, and other public accommodations. This law was later amended by [RA 9442](https://ncda.gov.ph/disability-laws/implementing-rules-and-regulations-irr/implementing-rules-and-regulations-of-republic-act-no-9442/) in 2007, which updated its title to The Magna Carta for Persons with Disability, and granted PWDs at least a 20 percent discount in all basic services. ![pwd form](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/pwd-form.webp) The updated PWD Philippine registry form. Screengrab from the Department of Health Website It also specifically introduced provisions against public ridicule and vilification of persons with disabilities, recognizing that such acts can be done in writing, through speech or words, or via physical actions and gestures, anywhere. It also imposes a fine ranging from P50,000 to P200,000, and imprisonment of six months to two years. [RA 10524](https://ncda.gov.ph/disability-laws/republic-acts/republic-act-no-10524-an-act-expanding-the-positions-reserved-for-persons-with-disability-amending-for-the-purpose-republic-act-no-7277-as-amended-otherwise-known-as-the-magna-carta-for-persons/) in 2012, meanwhile, amended Section 5 of RA 7277, which strengthened the opportunities of PWDs in employment. It states that at least one percent of all positions in government agencies, offices, or corporations “shall be reserved for persons with disabilities.” In 2016, [RA 10754](https://ncda.gov.ph/disability-laws/implementing-rules-and-regulations-irr/irr-of-ra-10754-an-act-expanding-the-benefits-and-privileges-of-persons-with-disability-pwd/) amended Section 32 of the original law, expanding the privileges, commercial benefits, and tax exemptions of Filipino PWDs to match those of senior citizens, including VAT exemption on qualified medical and health-related purchases. By 2019, [RA 11228](https://ncda.gov.ph/disability-laws/republic-acts/republic-act-no-11228/) added new amendments to the Magna Carta, providing mandatory [PhilHealth](https://rollingstonephilippines.com/tag/philhealth/) coverage for PWDs and automatically enrolling them under its National Health Insurance Program (NHIP). ## **Some Pending Bills** ### **National Disability Support Act** This year, Senator [Bam Aquino ](https://rollingstonephilippines.com/tag/bam-aquino/)filed Senate Bill (SB) No. 2386, which proposes a monthly support of P2,000 for qualified PWDs through the National Disability Support Allowance Program. In its first phase of implementation, its priority beneficiaries will include children and adults with significant disabilities. It seeks to expand its reach to adults with moderate disabilities after the first three years. ### **The National Autism Care, Support, and Inclusion Act** Senate Bill No. 1822, which Senator Risa Hontiveros sponsored and has now passed the third reading in March, seeks to establish a national policy for the government’s “response and care” for those with autism spectrum disorder (ASD). This includes enhancing early screening protocols and expanding the network of developmental pediatricians, specialists, and trained doctors, strengthening inclusive education, and providing structured assistance from childhood to adulthood. It also aims to address “stigma, bullying, and discrimination” against persons with ASD. ### **Senate Bill 1405** Filed last year by Senator Erwin Tulfo, SB 1405 aims to amend RA 7277 by granting PWD identification cards a lifetime validity and making them free of charge. This would replace the initial law’s existing guidelines requiring PWD IDs to be renewed every five years. ## FREQUENTLY ASKED QUESTIONS ### What is the Magna Carta for Persons with Disability in the Philippines? The Magna Carta for Persons with Disability, originally Republic Act 7277, is the primary Philippine law protecting PWDs. It promotes rehabilitation, self-reliance, and full social participation, and prohibits disability-based discrimination in employment, schools, transportation, and public accommodations. Amendments, including RA 9442, expanded its protections and benefits. ### Is mocking a person with disability illegal in the Philippines? Yes. RA 9442, which amended the Magna Carta in 2007, prohibits public ridicule and vilification of persons with disabilities, whether through writing, speech, or physical gestures. Violators face fines of P50,000 to P200,000 and imprisonment of six months to two years. ### What benefits are Filipino PWDs entitled to by law? PWDs are entitled to at least a 20 percent discount on basic services and VAT exemption under RA 9442 and RA 10754, which aligned their privileges with senior citizens’. RA 11228 also provides mandatory PhilHealth coverage, and RA 10524 reserves one percent of government positions. ### What is the National Autism Care, Support, and Inclusion Act? Senate Bill 1822, sponsored by Senator Risa Hontiveros, is a proposed national policy for government response and care for people with autism spectrum disorder. It covers early screening, developmental pediatricians, inclusive education, support from childhood to adulthood, and addresses stigma, bullying, and discrimination. It passed third reading in March. ### What pending bills would expand support for PWDs in the Philippines? Senate Bill 2386, filed by Senator Bam Aquino, proposes a P2,000 monthly allowance for qualified PWDs. Senate Bill 1405, filed by Senator Erwin Tulfo, would make PWD IDs free and valid for life, replacing the current five-year renewal requirement. Both remain pending. Related Stories - [When a Disability Isn’t “Real” Enough For a PWD Discount](https://rollingstonephilippines.com/editors-picks/commentary/pwd-id-restaurant-discount-debate/ "When a Disability Isn’t “Real” Enough For a PWD Discount") - [10 Pending Philippine Bills That Demand Legislative Action](https://rollingstonephilippines.com/state-of-affairs/politics/10-pending-philippine-bills-that-demand-legislative-action/ "10 Pending Philippine Bills That Demand Legislative Action") - [Advocates Push for Universal Healthcare to Protect Young Filipinos](https://rollingstonephilippines.com/state-of-affairs/politics/advocates-push-for-universal-healthcare-to-protect-young-filipinos/ "Advocates Push for Universal Healthcare to Protect Young Filipinos") **Categories:** State of Affairs **Tags:** Josh Aquino, Machong Chismisan, Persons with Disabilities, PWDs --- ### [Olivia Rodrigo Takes Notes From Chappell Roan for Her ‘Expectations’ Remix](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-chappell-roan-expectations-remix/) **Published:** October 16, 2026 **Author:** Elijah Pareño **Excerpt:** Inspired by the singer-songwriter’s swagger, the new version reworks a song originally conceived as a nightly mantra **Content:** [Olivia Rodrigo](https://rollingstonephilippines.com/tag/olivia-rodrigo/) has brought in pop singer [Chappell Roan](https://rollingstonephilippines.com/tag/chappell-roan/) for a remix of “Expectations,” originally from her hit album *[you seem pretty sad for a girl so in love](https://rollingstonephilippines.com/tag/you-seem-pretty-sad-for-a-girl-so-in-love/)*. The music video came out on Rodrigo’s YouTube channel on October 16 (Philippine time). The video stars Talking Heads frontman [David Byrne](https://rollingstonephilippines.com/tag/david-byrne/) as game show host Johnny Johnson, with multiple versions of Rodrigo playing different contestants. In an interview with Zane Lowe, Rodrigo said she was inspired by Roan’s songwriting style and wanted to make a different kind of “mantra” song with the remix. “When I wrote ‘Expectations’ initially, it was a challenge to myself by writing a mantra song. I wanted to sing this song every night and it’s like a Kendrick Lamar ‘sit down, be humble’ type \[mantra\],” Rodrigo says. “I was inspired by Chappell with the attitude and the swagger that she had.” Rodrigo and Roan have been highly supportive of each other’s music. Roan opened for Rodrigo on the SOUR Tour in 2022 and the GUTS Tour in 2023, and provided vocals on several tracks on Rodrigo’s sophomore album, *GUTS*. ## Frequently Asked Questions ### Who is featured on Olivia Rodrigo’s “Expectations” remix? The remix of Olivia Rodrigo’s “Expectations” features pop singer Chappell Roan. ### When did the “Expectations” remix music video come out? The music video came out on Rodrigo’s YouTube channel on October 16. ### Who stars in the “Expectations” remix music video? Talking Heads frontman David Byrne stars as game show host Johnny Johnson. ### When did Chappell Roan work with Olivia Rodrigo? Roan opened for Rodrigo on the SOUR Tour in 2022 and the GUTS Tour in 2023. She also provided vocals on several tracks on Rodrigo’s sophomore album, *GUTS*. ### What album is “Expectations” from? Olivia Rodrigo’s “Expectations” is from Rodrigo’s album *you seem pretty sad for a girl so in love*. Related Stories - [All of Olivia Rodrigo’s Songs So Far, Ranked](https://rollingstonephilippines.com/music/olivia-rodrigo-songs-ranked/ "All of Olivia Rodrigo’s Songs So Far, Ranked") - [How Olivia Rodrigo’s Daisy Chain Festival Made History](https://rollingstonephilippines.com/music/olivia-rodrigo-daisy-chain-sarah-mclachlan-doechii-chappell/ "How Olivia Rodrigo’s Daisy Chain Festival Made History") - [How Chappell Roan is Shaping Queer Discourse in the Philippines](https://rollingstonephilippines.com/music/chappell-roan-is-shaping-queer-discourse-in-the-philippines/ "How Chappell Roan is Shaping Queer Discourse in the Philippines") **Categories:** Music, Pop **Tags:** Chappell Roan, David Byrne, Olivia Rodrigo --- ### [Lady Gaga, Ariana Grande, and Sabrina Carpenter Dominate the 2025 MTV Video Music Awards](https://rollingstonephilippines.com/music/vmas-2025-biggest-winners/) **Published:** September 8, 2025 **Author:** Elijah Pareño **Excerpt:** The 2025 MTV Video Music Awards crowned new icons, delivered surprise wins, and reminded fans why the show still matters **Content:** The [MTV Video Music Awards](https://rollingstonephilippines.com/tag/mtv-video-music-awards/ "MTV Video Music Awards") has long been one of pop culture’s biggest stages, where artists cement their legacy and chaos often steals the spotlight. Since its earliest years, the show has delivered both crowning achievements and unpredictable moments, from Britney Spears’ iconic live performances throughout the 2000s to [Kanye West](https://rollingstonephilippines.com/tag/kanye-west/ "Kanye West")’s interruption of [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/ "Taylor Swift") in 2009. On Sunday, September 7, the 2025 VMAs returned to Long Island’s UBS Arena, continuing the tradition of spectacle, surprise, and star power. > [View this post on Instagram](https://www.instagram.com/reel/DOUxnIIgLaD/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Video Music Awards (@vmas)](https://www.instagram.com/reel/DOUxnIIgLaD/?utm_source=ig_embed&utm_campaign=loading) [Lady Gaga](https://rollingstonephilippines.com/tag/lady-gaga/ "Lady Gaga") entered the night as the most-nominated artist, with 12 nods, and walked away with four Moon Person trophies, including the Artist of the Year award. It was enough to secure her spot as the night’s biggest winner, though she was edged out of the coveted Video of the Year award by [Ariana Grande](https://rollingstonephilippines.com/tag/ariana-grande/ "Ariana Grande")’s “Brighter Days Ahead.” Grande picked up two other wins, while [Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter") took home three, including Best Pop Artist — a milestone many fans felt was overdue, given her steady climb in the industry over the past several years. The show also spotlighted newer artists who rose through TikTok and other social platforms. Alex Warren won Best New Artist, outpacing fellow nominees sombr, Lola Young, and Spanish outfit The Marías. [Doechii](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/3.webp "Doechii") scored the Best Hip-Hop award with “Anxiety,” which samples Gotye’s 2011 hit “Somebody That I Used to Know.” The track’s win felt like a breakthrough moment, overtaking higher-profile contenders [Drake](https://rollingstonephilippines.com/music/rapper-kendrick-lamar-halftime-show-bigger-than-super-bowl/ "Kendrick Lamar’s Halftime Show is Bigger Than the Super Bowl") and [Kendrick Lamar](https://rollingstonephilippines.com/tag/kendrick-lamar/ "Kendrick Lamar"), whose beef-fueled singles have already begun to go past their shelflife. In the K-pop category, [BLACKPINK](https://rollingstonephilippines.com/tag/blackpink/ "Blackpink")’s [Lisa](https://rollingstonephilippines.com/tag/lisa/ "Lisa") claimed Best K-pop with “Born Again,” her collaboration with [Doja Cat](https://rollingstonephilippines.com/tag/doja-cat/ "Doja Cat") and Raye. The win meant edging out her fellow BLACKPINK sisters, such as Rosé, Jisoo, and Jennie, as well as Aespa, in one of the evening’s tightest races. LL Cool J served as the host for this year’s VMAs, and performances from Doja Cat, Ricky Martin, and Gaga energized the crowd. The night also honored [Mariah Carey](https://rollingstonephilippines.com/tag/mariah-carey/ "Mariah Carey") with the Video Vanguard Award, celebrating her decades-long career as one of the most enduring figures in pop music. More than three decades after its first shockwave moments in the early ‘90s, the VMAs remain a space where the culture converges. The show continues to crown pop’s reigning icons, introduce the next wave, and remind audiences why its stage still matters. ## Frequently Asked Questions ### Who were the biggest winners at the 2025 MTV VMAs? Lady Gaga, the night’s biggest winner, won four Moon Person trophies, including Artist of the Year, from 12 nominations. Sabrina Carpenter took three awards, and Ariana Grande also won three. ### Who won Video of the Year at the 2025 MTV VMAs? Ariana Grande took home the coveted Video of the Year award for “Brighter Days Ahead,” edging out Lady Gaga, who entered the night as the most-nominated artist with 12 nominations. ### Who won Best New Artist at the 2025 MTV VMAs? Alex Warren won the Best New Artist award, outpacing fellow nominees sombr, Lola Young, and The Marías. The show spotlighted newer artists who rose through TikTok and other social platforms. ### Who won Best Hip-Hop and Best K-pop at the 2025 VMAs? Doechii won Best Hip-Hop for “Anxiety,” which samples Gotye’s 2011 “Somebody That I Used to Know,” beating rivals Drake and Kendrick Lamar. BLACKPINK’s Lisa won Best K-pop for “Born Again.” ### Who hosted the 2025 MTV VMAs and who received the Video Vanguard Award? LL Cool J hosted the 2025 VMAs at Long Island’s UBS Arena on September 7. Mariah Carey received the Video Vanguard Award, and Doja Cat, Ricky Martin, and Gaga performed. Related Stories - [Filipino Rappers React to Kendrick Lamar Win at the Grammys](https://rollingstonephilippines.com/music/news/filipino-rappers-waiian-kiyoreact-kendrick-lamar-not-like-us-2025-grammy-win/ "Filipino Rappers React to Kendrick Lamar Win at the Grammys") - [Doja Cat to Perform in Manila in December, Drops New Single ‘Jealous Type’](https://rollingstonephilippines.com/radar/doja-cat-live-in-manila-announcement/ "Doja Cat to Perform in Manila in December, Drops New Single ‘Jealous Type’") - [Taylor Swift Announces 12th Album, and First Since Reclaiming Music Catalog](https://rollingstonephilippines.com/music/taylor-swift-12th-album/ "Taylor Swift Announces 12th Album, and First Since Reclaiming Music Catalog") **Categories:** Hip-hop/R&B, Music, News, Pop **Tags:** MTV Video Music Awards --- ### [What to Watch Right Now: 5 Culture Picks From the Rolling Stone Philippines Staff](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/house-of-dynamite-welcome-to-derry/) **Published:** October 30, 2025 **Author:** Rolling Stone Philippines **Excerpt:** Your weekly guide to some of the most bizarre, essential, and interesting things to add to your watchlist, courtesy of the Rolling Stone Philippines writers and editors **Content:** Welcome to [What to Watch Right Now](https://rollingstonephilippines.com/tag/what-to-watch-right-now/ "What to Watch Right Now"), our weekly rundown of the best things to watch right now. The constant stream of shows, videos, and films to watch online can become a sludge to wade through, so here are a few things you can watch courtesy of the *Rolling Stone Philippines* team. Whether it’s a new film, a video essay, or even a home video release you should own (physical media is now available!), we hope it can ease the burden of choosing which streaming platform to use or of discovering a new cinematic odyssey. This week, the incendiary new film from Kathryn Bigelow had us at the edge of our seats. We’re also thanking the Halloween gods for giving us the prequel series to Andy Muschietti’s *It* adaptation, which drops its second episode on November 1. *The Perfect Neighbor* is a different kind of scary: one rooted in racism and social conventions. Spooky season is also the perfect time to revisit the [Dolly de Leon](https://rollingstonephilippines.com/culture/dolly-de-leon-profile/ "Dolly de Leon is a Perfect Stranger")-led episode of HBO Asia’s *Folklore*, “Seven Days in Hell.” Lastly, if you’re not up to the season’s spirit (pun not intended), we’re summoning the ghost of Christmas past with *The Holdovers*. ## ‘A House of Dynamite’ ***A pulse-pounding nuclear war scenario with questionable undertones*** “Give me a shout out if the world’s going to end,” Jason Clarke’s character says to Rebecca Ferguson’s White House situation room officer in *A House of Dynamite*. Little did he know he would face an actual situation minutes later. In this new [Netflix](https://rollingstonephilippines.com/tag/netflix/ "Netflix") film, Academy Award winning director Kathryn Bigelow (*Zero Dark Thirty*, *The Hurt Locker*) gives us a pulse-pounding scenario on what would happen if a nuclear war begins. *A House of Dynamite* locates this question in the U.S. — of course, the center of the universe (\*eyeroll emoji\*). We witness this unfold in a three-part act brought to life by some of the best actors working right now: Clarke, Ferguson, Tracy Letts, Idris Elba, Anthony Ramos, Greta Lee, and Jared Harris, to name a few. A harrowing score by Volker Bertelmann (though a bit close to his *Conclave* score) propels a script by Bigelow and Noah Oppenheim (*Zero Day*, *Jackie*). Expect no character development or narrative arcs — just a straightforward depiction of a missile heading to the United States, and what their government can or cannot do about it. —*[Don Jaucian](https://rollingstonephilippines.com/author/don-jaucian/ "Don Jaucian")* ## ‘It: Welcome to Derry’ ***Uncovering the evil at the heart of Derry, one episode at a time*** *It: Welcome to Derry* is insane. What seems to be a replacement for *Stranger Things* rips that pretense right out of the gate in just the first 10 minutes. Directed and co-developed by Andy Muschietti, who helmed the 2017 and 2019 adaptations of Stephen King’s novel, the show serves as a prequel to the films. *It: Welcome to Derry* is set in 1962, where the disappearances in the seemingly sleepy town begin with the (literal) birth of a mutant baby demon that terrorizes the town’s children. Fans of the Stephen King universe will also enjoy the easter eggs baked into the story. But if you’re ticked off by the children, don’t worry, they’ll, uh… well, it’s better to see for yourself. —*Don Jaucian* ## ‘The Perfect Neighbor’ ***One community’s nightmare caught in police bodycams and surveillance footage*** “Are you hurt?” “No, but my heart is broken” is probably one of the most heartwrenching exchanges in film this year. This happens in the wake of 35-year-old Ajike Owens’ murder, which is the central plot of the documentary *The Perfect Stranger*. In the film, one of her neighbors checks on her son, who hasn’t even gotten the news that her mother has died. Owens’ family receives the news minutes later, and it’s all shown in the dim footage from a policeman’s bodycam. Director Geeta Gandbhir pieces these together with 911 calls, courtroom recordings, and interrogation room footage to capture how Owens’s cold-blooded murder was carried out by her racist neighbor, Susan Lorincz, who has been in dispute with their community because she doesn’t want children playing around her supposed property. The novelty of “a film mostly comprised of bodycam footage” wears off early in the film as soon as you realize that this isn’t just some found footage documentary. *The Perfect Neighbor* is a demonstration of a documentary film’s raw power, one that removes stirring music and talking heads (though the film uses voice-overs) to appeal to the viewer’s emotions. *—Don Jaucian* ## ‘Folklore: Seven Days of Hell’ ***A harrowing descent into madness starring Dolly de Leon*** Halloween is the perfect time to revisit Erik Matti’s contribution to the second season of [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max")’s Asian horror anthology series *Folklore*, “Seven Days of Hell.” Lourdes, played by Dolly de Leon in her first lead role, is besieged by dark forces threatening her son, who has committed a crime. Lourdes is a by-the-book police officer who demonstrates her purist beliefs in the first scene. Throughout the episode, we will see her break, all because she wants to protect her son, Eugene (Roshson Barman), who is suffering from kulam as revenge for what he has done. Folk beliefs and the terrors of modern life commingle in this episode, expertly done by one of the Philippines’ masters of horror. *—Don Jaucian* ## ‘The Holdovers’ ***A holiday movie for those who desperately need comfort*** When you’re done with the horror flicks and ready to get into the Christmas spirit, but you don’t want something overly jolly and cloying, *The Holdovers* should be your next watch. Set in 1970, the comedy drama follows classics teacher Paul Hunham, troubled student Angus Tully, and grieving cafeteria manager Mary Lamb as they navigate the winter break at their all-male boarding school, each abandoned by or distancing themselves from loved ones. The 2023 film, recently made available on Netflix, features an Oscar-winning performance from Da’Vine Joy Randolph as Mary; Paul Giamatti as the strict, stubborn, but fatherly Mr. Hunham; and Dominic Sessa in an excellent acting debut as Tully. —*[Pie Gonzaga](https://rollingstonephilippines.com/author/sophia-gonzaga/)* ## Frequently Asked Questions ### What is A House of Dynamite about? A House of Dynamite is a Netflix film directed by Kathryn Bigelow that depicts a missile heading toward the United States and how the government responds, told in three acts. ### What is It: Welcome to Derry about? It: Welcome to Derry is a prequel series to the It films, set in 1962, where disappearances begin after a mutant baby demon is born and terrorizes the town’s children. ### What is the documentary The Perfect Neighbor about? The Perfect Neighbor is a documentary by Geeta Gandbhir about Ajike Owens’ murder by neighbor Susan Lorincz, assembled from police bodycam footage, 911 calls, courtroom recordings, and interrogation room footage. ### What is Folklore: Seven Days of Hell about? Erik Matti’s Seven Days of Hell stars Dolly de Leon in her first lead role as a police officer protecting her son, who suffers kulam as revenge for his crime. ### Is The Holdovers a good Christmas movie to watch? The Holdovers is a 2023 comedy drama on Netflix set in 1970 that follows three people staying at a boarding school over winter break, offering comfort without overly jolly sentiment. Related Stories - [Dolly de Leon is a Perfect Stranger](https://rollingstonephilippines.com/culture/dolly-de-leon-profile/ "Dolly de Leon is a Perfect Stranger") - [‘Isang Himala’ and ‘Flower Girl’ to Stream on Netflix This November](https://rollingstonephilippines.com/radar/releases/isang-himala-flower-girl-netflix/ "‘Isang Himala’ and ‘Flower Girl’ to Stream on Netflix This November") - [‘The Last of Us’ Returns to HBO Max With New Characters](https://rollingstonephilippines.com/radar/the-last-of-us-season-2/ "‘The Last of Us’ Returns to HBO Max With New Characters") **Categories:** Culture, Editor's Picks, Film, TV, What To Watch Right Now **Tags:** Dolly de Leon, HBO Max, Netflix, Staff Picks, What to Watch Right Now --- ### [The 2025 Emmy Awards Was a Historic Night of Multiple Record-Breaking Wins](https://rollingstonephilippines.com/culture/tv/2025-emmy-awards-record-breakers/) **Published:** September 15, 2025 **Author:** Mel Wang **Excerpt:** From 'The Studio' dominating the awards show to several actors making Emmy history, here are some of the groundbreaking moments at this year’s Emmy Awards **Content:** It was a very good year for American television. On September 14 (Pacific Standard Time), the [2025 Emmy Awards ](https://rollingstonephilippines.com/tag/2025-emmy-awards/ "2025 Emmy Awards")saw multiple stars, shows, and studios make historical wins and set new, groundbreaking records. Tramell Tillman, who received his first-ever Emmy nomination this year for his role as the sinister Mr. Milchick in *Severance*, made history as the first Black man to win the Emmy for Best Supporting Actor in a Drama Series. Amidst the uproar of applause from the star-studded audience, Tillman dedicated his acceptance speech to his mother. “My first acting coach was tough, y’all,” said Tillman, “but all great mothers are. Mama, you were there for me when no one else was and no one else would show up. Your loving kindness stays with me, and this is for you. Thank you to the Academy. I am full. I am humbled. I am honored. And as my mama would say,‘Look at God!’” ![Tramell Tillman](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/tillman.webp) Tramell Tillman accepting his Emmy. Photo from the Emmys/Television Academy / Facebook *Severance*, the [Apple TV+](https://rollingstonephilippines.com/tag/apple-tv/ "Apple TV") sci-fi series that follows a group of office workers whose memories have been surgically split between their personal and work lives, received 27 Emmy nominations this year, earning it the title of the most-nominated series. It ended the night with eight wins under its belt. Newcomer Owen Cooper also made history by becoming the youngest male Emmy winner at 15. Cooper, who starred in the [Netflix](https://rollingstonephilippines.com/tag/netflix/ "Netflix") mini-series *Adolescence* as the alleged teenage murderer Jamie, took home the Emmy for Best Supporting Actor in a Limited Series. ![owen cooper](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/adolescence.webp) Owen Cooper taking the stage. Photo from the Emmys/Television Academy / Facebook While not necessarily a record-breaker, Jeff Hiller winning his first Emmy marks a major career milestone for the *Somebody Somewhere* actor. Hiller gave an emotional acceptance speech as he accepted the Emmy for Outstanding Supporting Actor in a Comedy Series. “I feel like I’m going to cry,” said Hiller. “For the past 25 years, I’ve been like, ‘World, I wanna be an actor,’ and the world was like, ‘Maybe computers.’” > [View this post on Instagram](https://www.instagram.com/reel/DOm2VJ4jvq0/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Emmys / Television Academy (@televisionacad)](https://www.instagram.com/reel/DOm2VJ4jvq0/?utm_source=ig_embed&utm_campaign=loading) But the big winner of the night was truly *[The Studio](https://rollingstonephilippines.com/tag/the-studio/ "The Studio")*, the Apple TV+ series that broke the record for the most Emmy-winning comedy ever in one year. The show, which stars Seth Rogen as Hollywood suit Matt Remick, earned a total of 13 wins this Emmy season, including the Emmy for Outstanding Comedy Series. Rogen took home the award for Outstanding Lead Actor in a Comedy Series. “I’m legitimately embarrassed by how happy this makes me,” the actor-comedian said onstage. *The Studio* fans were quick to point out that Rogen failed to thank Sal Saperstein in his speech. ## Frequently Asked Questions ### Which record did The Studio break at the 2025 Emmy Awards? Apple TV+’s The Studio broke the record for most Emmy wins by a comedy in one year, earning 13, including Outstanding Comedy Series and Seth Rogen’s Outstanding Lead Actor award. ### What Emmy history did Tramell Tillman make for Severance? Tramell Tillman plays the sinister Mr. Milchick in Severance. On his first nomination, he became the first Black man to win the Emmy for Supporting Actor in a Drama Series. ### How many Emmy nominations and wins did Severance get in 2025? Severance, the Apple TV+ sci-fi series about office workers with surgically split memories, earned 27 nominations, the most of any series this year, and finished the night with eight wins. ### Who became the youngest male Emmy winner at the 2025 Emmy Awards? Owen Cooper became the youngest male Emmy winner at 15. He won Best Supporting Actor in a Limited Series for playing alleged teenage murderer Jamie in the Netflix mini-series Adolescence. ### What did Jeff Hiller win at the 2025 Emmy Awards? Jeff Hiller won his first Emmy for Outstanding Supporting Actor in a Comedy Series for Somebody Somewhere. It marks a major career milestone after 25 years of chasing acting work. Related Stories - [‘The Studio’ Will Trick You Into Rooting For The Hollywood Suits](https://rollingstonephilippines.com/culture/film-tv/the-studio-season-one-review/ "‘The Studio’ Will Trick You Into Rooting For The Hollywood Suits") - [4 of the Biggest Surprises and Snubs at the 2025 Emmy Nominations](https://rollingstonephilippines.com/culture/film-tv/2025-emmy-nominations-surprises-snubs/ "4 of the Biggest Surprises and Snubs at the 2025 Emmy Nominations") - [‘The Pitt’ Star Amielynn Abellera on Pinay Nurses, Stress, and Chismis](https://rollingstonephilippines.com/culture/film-tv/the-pitt-star-amielynn-abellera-interview/ "‘The Pitt’ Star Amielynn Abellera on Pinay Nurses, Stress, and Chismis") **Categories:** Culture, TV **Tags:** 2025 Emmy Awards, Apple TV, Netflix, The Studio --- ### [Gab Cabangon Returns With Questions About Music, AI, and the OPM Industry](https://rollingstonephilippines.com/music/folk/gab-cabangon-music-burnout-ai-future-opm/) **Published:** October 16, 2026 **Author:** Elijah Pareño **Excerpt:** After creative burnout pushed him to put down the guitar, the solo musician found his way back and now has some pointed thoughts on OPM and AI **Content:** [Gab Cabangon](https://rollingstonephilippines.com/tag/gab-cabangon/) is learning to love music again. A decade after his last release with his previous band KE, Cabangon is set to release his debut solo EP, *Learning to Love Again*. The title reflects his journey as a solo musician, from playing alongside his father, folk musician [Noel Cabangon](https://rollingstonephilippines.com/tag/noel-cabangon/), to deciding to put the guitar down and quit music, at least for the time being. Rediscovering music wasn’t easy. Cabangon had to battle doubts about whether it was worth all the hard work. He mentions how becoming a regular at Conspiracy Garden, a now-defunct music venue, made him fall in love with folk music. But creeping doubts pushed him to have honest conversations with himself. > [View this post on Instagram](https://www.instagram.com/p/Debjn-dE1Mq/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Gab Cabangon – Music (@gabcabangon)](https://www.instagram.com/p/Debjn-dE1Mq/?utm_source=ig_embed&utm_campaign=loading) “Sometimes I ask myself na ‘Binigay ko na ba ang lahat para sa industry na ito? Binigay ko na ba ang lahat para sa music journey ko?’ And I realized na di ko pa pala nabibigay,” Cabangon tells *Rolling Stone Philippines*. “Was I even good enough? I was making tons of excuses and why I shouldn’t or I shouldn’t do it.” According to Cabangon, the EP doesn’t house your typical love songs. One track, “ngayon at kailanman,” follows the formula of a love song, but Cabangon chose to bring the theme of literally loving again after a massive creative burnout to the forefront in his latest project. “Sometimes \[‘Learning to Love Again’\] means stepping away, you know. I’m not gonna do anything music-related because I just needed the space to miss music. I just needed to rediscover why I was doing music.” ## Gab Cabangon on Supporting Filipino Talent and Resisting AI in OPM As executive director of Organisasyon ng Pilipinong Mang-aawit (OPM), Cabangon accepted the Music Foundation of the Year Award at the Filipino Music Awards on October 6 at the SM Mall of Asia Arena in Pasay City. In his speech, he said there is “a lot of work that needs to be done” after receiving the award, and he expanded on that point. “There’s an oversupply of talent in the Philippines, but we never seem to be able to take advantage of all the opportunities available,” he says. “You realize now we don’t need the validation of foreign countries to know that we’re good. We are good.” Cabangon has also noticed AI spreading through the creative industries, music included, and how it could affect solo artists like him who are trying to make music as authentically as possible. “Artists should have the integrity to do music from their own hard work and passion and love for music, and not take shortcuts, like, let’s say, using artificial intelligence,” he says. “Because once you start creating, you start prompting music, and you lose the value of why you’re creating art in the first place. \[Artists should\] retain that integrity and that desire to embrace the struggle of creating art and continue creating and learning.” ## Frequently Asked Questions ### Who is Gab Cabangon? Gab Cabangon is a Filipino musician and the executive director of Organisasyon ng Pilipinong Mang-aawit (OPM). ### What is Gab Cabangon’s debut solo EP? Gab Cabangon’s solo EP is *Learning to Love Again*. It includes the track “ngayon at kailanman.” ### What band was Gab Cabangon part of before going solo? Gab Cabangon was part of the band KE. The EP arrives a decade after his last release with them. ### Who is Gab Cabangon’s father? Gab Cabangon’s father is folk musician Noel Cabangon, whom Gab played alongside early in his music journey. ### What award did Gab Cabangon receive at the Filipino Music Awards? As executive director of OPM, Gab Cabangon accepted the Music Foundation of the Year Award at the Filipino Music Awards on October 6 at the SM Mall of Asia Arena in Pasay City. Related Stories - [Noel Cabangon & Lourd de Veyra](https://rollingstonephilippines.com/music/musicians-on-musicians-noel-cabangon-lourd-de-veyra/ "Noel Cabangon & Lourd de Veyra") - [4 Days in the West Philippine Sea: An Eyewitness Account](https://rollingstonephilippines.com/state-of-affairs/four-days-west-philippine-sea/ "4 Days in the West Philippine Sea: An Eyewitness Account") - [Filipino Artists and Activists Show Up for Palestine in Viva Palestina Concert](https://rollingstonephilippines.com/state-of-affairs/viva-palestina-ph-artists-palestine/ "Filipino Artists and Activists Show Up for Palestine in Viva Palestina Concert") **Categories:** Folk, Music **Tags:** Gab Cabangon --- ### [Will the NBA All-Star Game Get a Major Shake-Up With its New Format?](https://rollingstonephilippines.com/culture/sports/2025-nba-all-star-game-weekend-new-format-mini-tournament/) **Published:** February 14, 2025 **Author:** Mykee Alvero **Excerpt:** The NBA All-Star Game sees a mini tournament will replace the East vs. West game, but will more matches boost player competitiveness? **Content:** The [NBA](https://rollingstonephilippines.com/tag/nba/ "NBA") All-Star Weekend is happening this weekend, February 14 to 16, and there’s a lot at stake. Towards the end of last year, the league announced a drastic change in format for the All-Star Game, the crown jewel of the weekend’s festivities. Instead of the traditional game of basketball between the best in the East and West, a mini tournament will take place between four teams. This season’s 24 All-Star selections will be divided into teams of three. Former players turned commentators Charles Barkley, Shaquille O’Neal, and Kenny Smith will each draft and manage a team. A fourth team will be composed of the winners of the Rising Stars Game, the annual showcase of top NBA rookies, sophomores, and NBA G League standouts. They will be managed by WNBA legend Candace Parker. Each game is a race to 40 points. Two teams will meet in one semifinal. The remaining two will play in another. The winners of each heat will then play in a final game for all the glory. On paper, the prospect of more games between the league’s best players might sound entertaining. But the NBA’s All-Star Game has been less than stellar in recent years due to players not taking the competition seriously. With the NBA’s announcement to replace the All-Star Game with a mini tournament between four teams, could it be the change that ignites the competitive fire in the league’s best players? ## Make-or-Break Last year, the East beat the West by a staggering score of 211 to 186. Surely, such high scores for both teams would make for a thrilling game, right? Not when you’re getting points from wide open threes and uncontested dunks. Despite both teams combining for 174 points in the paint, both teams also combined for a total of three blocked shots and three personal fouls. That basically turned the game into a shootaround and layup line that just so happened to be scored. It’s more exciting watching NBA players posting their off-season routines on YouTube where they get their friends, call up players from around the league, rent out a gym, and play pickup basketball. Nothing’s on the line in those runs except for bragging rights. No team standings affected, no playoff implications for winning and losing, just fast-paced, competitive basketball. Somehow, it seems like the league’s trying to capture that energy. But at this point, it feels like an office that’s trying to inject some fun into a team-building weekend no one really wanted. Kevin Durant absolutely hates the new format. Anthony Edwards sees All-Star Games as a break and doesn’t think anybody comes into one to really compete. Online reactions have been mixed. Some welcome the change, others don’t, while a few see it as the NBA trying to throw stuff at a wall in the hopes of something sticking. If it’s seen as a break for some players, maybe it’s time to treat it like a break. Scrap the game altogether. Name the standout players of the season and give teams a week off; use that time to recalibrate schedules and eliminate back-to-back games. The regular season should always be the priority anyway. Given how much revenue an NBA All-Star Weekend makes, it’ll never happen. ## Pay-For-Play Era So, what can be done? Do you focus on spicing up the skills competitions? The Stephen Curry versus Sabrina Ionescu three-point shooting contest was fun to watch. That might be a good place to start. Do you bring in dunkers from all over to take on the NBA’s best high flyers? Surely, no NBA player is going to want to get shown up by someone who’s not in the league. Or maybe, should All-Stars be paid more? Much like the in-season tournament where players of the winning teams get $500,000 each, should the winning All-Star team selections get paid a certain amount as well? Certain cash prizes could also be given out to top defensive players and the All-Star MVP. Going by the precedent set by the in-season tournament — which by itself was already a desperate attempt to make the regular season more watchable — maybe players want to be compensated more to give some semblance of effort in an exhibition game. Perhaps we’ve truly entered the NBA’s pay-for-play era. Whatever the format, whether it’s one-on-one, three-on-three, or a round-robin mini tournament, if a game between the NBA’s biggest stars keeps turning out to be a snoozefest, no one wins. Not the East, not the West, and certainly not the fans. ## Frequently Asked Questions ### What is the new NBA All-Star Game format for 2025? The NBA All-Star Game replaces the traditional East versus West game with a four-team mini tournament. Two semifinals lead to a single final, and each game races to 40 points. ### Who manages the teams in the 2025 NBA All-Star mini tournament? Charles Barkley, Shaquille O’Neal, and Kenny Smith each draft and manage a team of three All-Stars. WNBA legend Candace Parker manages the fourth team, made up of Rising Stars winners. ### Why did the NBA change the All-Star Game format? The NBA All-Star format changed amid criticism that players don’t compete seriously. Last year’s 211-186 East win featured only three blocked shots and three personal fouls, resembling a casual shootaround. ### How did NBA players react to the new All-Star format? Reactions were mixed. Kevin Durant absolutely hates the new format, Anthony Edwards sees All-Star Games as a break, and online fans are split between welcoming the change and doubting it. ### Should NBA All-Stars be paid more to compete harder? Cash incentives could help, the article argues. The in-season tournament pays winners $500,000 each, so similar prizes for the winning All-Star team or MVP might motivate effort in an exhibition. **Categories:** Culture, Sports **Tags:** NBA --- ### [Fontaines D.C.’s ‘Dopamine Chamber’ Offers an Alluring Soundtrack for the End Times](https://rollingstonephilippines.com/music/music-reviews/fontaines-dc-dopamine-chamber-album-review/) **Published:** October 16, 2026 **Author:** Pie Gonzaga **Excerpt:** The Irish band returns to stadium-sized rock with a body of work that easily ranks among this year’s most remarkable albums **Content:** Fontaines D.C. have a knack for making the end of the world sound irresistible. On their fifth album, *Dopamine Chamber*, the Irish band takes the expansive rock and electronic textures of 2024’s *Romance* and plunges them into an even bleaker landscape. Synthesizers shimmer like neon against a polluted sky, guitars seem to emerge from the depths of a fever dream, and vocalist Grian Chatten’s voice could probably convince you to follow him into the apocalypse, as he does in lead single “Marianne.” The band cranks up its cynicism to the max here, with Chatten saying, “I felt it would be more powerful to leave the hope out and reflect the ugliness honestly.” Across 11 tracks, the band contemplates technological dependence, environmental collapse, and our increasingly desperate attempts to escape reality. Even the lovesick dream pop of “Japan” is not exempt from the doom and gloom: “Why’d you go and make it real?” The album’s title comes from a lyric in “One Man”: “Dopamine chamber just trying to kill the pain.” It’s an apt description of a phone, that bottomless portal through which the world’s horrors are sandwiched between memes and celebrity gossip. Fontaines D.C. understands that our collective doomscrolling has made it difficult to feel the full weight of anything, and its response is to create a record begging to be consumed in one sitting. There’s something funny about making an album that critiques the dopamine economy while delivering one hit after another. Fontaines D.C.’s concern for the state of the world doesn’t come out of left field. The band has repeatedly spoken out in support of Palestine, including displaying the message “Israel is committing genocide — use your voice” during a performance at Primavera Sound in 2025. They have also contributed a cover of Sinéad O’Connor’s “Black Boys on Mopeds” to *HELP(2)*, a charity album raising funds for War Child’s work supporting children affected by war. Their outspokenness offers real-world context for the anxieties running through *Dopamine Chamber*. ![fontaines dc dopamine chamber promo photo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/fontaines-dc-by-ewen-spencer.webp) Fontaines D.C. members Tom Coll, Conor Curley, Carlos O’Connell, Grian Chatten, and Conor “Deego” Deegan. Photo by Ewen Spencer, courtesy of XL Recordings The opening track, “Six Shot Morning,” announces itself with a synthesizer before a heavy bassline ushers in Chatten’s cool, commanding delivery. Elsewhere, Fontaines D.C. continues to find new ways to make their influences feel fresh. “Mimesis” ventures into ‘80s dance-pop, its bassline, synths, and guitars recalling New Order. “Happy For You” gets much of its character from a gloriously wet flanger effect on the guitar, while “Demolition” is an absolute rush, its drum machine giving the track a mechanical pulse. “Tongue,” another banger of a single, features a slinky bassline and pianos. The album’s electronic flourishes feel like a natural progression from *Romance*, which delivered the band beyond the scruffier post-punk sensibilities of their earlier records and into arena-ready territory. A progression like this can invite accusations of selling out, but with Fontaines D.C., the expansion is earned. Their willingness to experiment has been central to their development since their 2019 debut, *Dogrel*, and they continue to push their sound into unfamiliar territory rather than settle into a winning formula. Chatten’s voice remains one of the band’s greatest assets. His baritone has a gravitational pull, and he makes the most of its hypnotic qualities here, moving between a Liam Gallagher-esque swagger and the languid, dreamlike delivery of Lana Del Rey. That range helps make “Where Is Gone?,” a duet with Rosalía, such a compelling pairing. The track is an expansive and melodic orchestral ballad, with Rosalía making particularly effective use of her lower register. Chatten is equally impressive, delivering one of his strongest vocal performances on the record. As the first feature on a Fontaines D.C. album, Rosalía is certainly an inspired choice for a collaborator. There are other highlights worth lingering over. “You Miss Me” boasts a smoky guitar hook and “Intimate” is a headbanger of an album closer propelled by drummer Tom Coll’s hi-hats. *Romance* remains Fontaines D.C.’s most fully realized record, but *Dopamine Chamber* comes impressively close. The band has built on the 2024 album’s grand scale while stripping away its occasional moments of light. This new record cements their place among the defining rock bands of this decade — and one that deserves to be in the conversation for another Grammy nomination for Best Rock Album. *Dopamine Chamber* comes out on October 16. ## Frequently Asked Questions ### Who is Fontaines D.C.? Fontaines D.C. is an Irish rock band formed in Dublin in 2014. The five-piece consists of vocalist Grian Chatten, guitarists Carlos O’Connell and Conor Curley, bassist Conor “Deego” Deegan, and drummer Tom Coll. Known for their post-punk roots and evolving, synth-driven rock sound, the band released albums including *Dogrel*, *A Hero’s Death*, *Skinty Fia*, *Romance*, and *Dopamine Chamber*. ### How many albums does Fontaines D.C. have? Fontaines D.C. has released five studio albums, from their 2019 debut *Dogrel* to *Dopamine Chamber*, released on October 16, 2026. Their previous studio albums include *A Hero’s Death* (2020), *Skinty Fia* (2022), and *Romance* (2024). ### How many tracks does *Dopamine Chamber* have? Fontaines D.C.’s *Dopamine Chamber* has 11 tracks, including “Six Shot Morning,” “Marianne,” “Mimesis,” “Tongue,” “Where Is Gone?” featuring Rosalía, and “Intimate.” ### What songs is Fontaines D.C. known for? Fontaines D.C. is known for songs such as “I Love You,” “Starburster,” “Favourite,” “Jackie Down the Line,” and “Boys in the Better Land.” The Irish rock band’s best-known tracks span its evolution from raw, post-punk songs on its debut album *Dogrel* to the more expansive rock sound of *Romance*. ### Which producer does Fontaines D.C. work with on *Dopamine Chamber*? Fontaines D.C. worked with British producer James Ford on *Dopamine Chamber*. Ford also produced the band’s previous album, *Romance*, and helped shape the new record’s expansive rock sound and electronic textures. **Categories:** Music, Music Reviews, Rock **Tags:** Dopamine Chamber, Fontaines D.C. --- ### [Cate Blanchett Says #MeToo ‘Got Killed Very Quickly’ in Hollywood](https://rollingstonephilippines.com/culture/news-culture/cate-blanchett-metoo-hollywood/) **Published:** May 19, 2026 **Author:** Emily Zemler **Excerpt:** “What it revealed is a systemic layer of abuse, not only in this industry, but in all industries, and if you don’t identify a problem, you can’t solve the problem” **Content:** [Cate Blanchett](https://rollingstonephilippines.com/tag/cate-blanchett/ "Cate Blanchett") reflected on the #MeToo movement in Hollywood during an interview event at the [Cannes](https://rollingstonephilippines.com/tag/cannes-film-festival/ "Cannes Film Festival") Film Festival on Sunday, noting that it didn’t last as long as was hoped. “It got killed very quickly, which I think is interesting,” Blanchett said. “There are a lot of people with platforms who are able to speak up with relative safety and say this has happened to me. And the so-called average woman on the street, person on the street, is saying me too. Why does that get shut down? What it revealed is a systemic layer of abuse, not only in this industry, but in all industries, and if you don’t identify a problem, you can’t solve the problem. If you shut that conversation down, you can’t move on.” She said the imbalance of power continues to exist on film sets when she’s working. “I’m still on film sets and I do the headcount every day, and it is still, you know—there’s 10 women and there’s 75 men every morning,” she said. “I love men, but what happens is the jokes become the same. You just have to brace yourself slightly, and I’m used to that, but it just gets boring for everybody when you walk into a homogeneous workplace. I think it has an effect on the work.” > Cate Blanchett asks why the [\#MeToo](https://twitter.com/hashtag/MeToo?src=hash&ref_src=twsrc%5Etfw) movement got shut down and says it was "killed very quickly." > > “What \[the movement\] revealed is a systemic layer of abuse, not only in this industry but in all industries, and if you don’t identify a problem, you can’t solve the problem.”… [pic.twitter.com/sZuul8UbEa](https://t.co/sZuul8UbEa) > > — Variety (@Variety) [May 17, 2026](https://twitter.com/Variety/status/2056004713816965275?ref_src=twsrc%5Etfw) During the broad-ranging conversation, Blanchett also spoke about the importance of Hollywood as a place for political discussions, including the ongoing conflict between Israeli and Palestine. “It’s a sad state of affairs when film festivals suddenly become the only places where one can talk about wars, conflicts, genocides as if they’re going to be solved here,” Blanchett said. “It’s very important to keep those things on the public radar. I just wish that the question times in various parliaments around the world were much more honest and working towards solutions, because it’s appalling and enraging what’s going on in the world.” > Cate Blanchett was thanked at [\#Cannes](https://twitter.com/hashtag/Cannes?src=hash&ref_src=twsrc%5Etfw) for speaking out about Palestine, to which she said: > > "It's a sad state of affairs that film festivals suddenly become the only place where one can talk about wars, conflicts, genocides, as if they're gonna be solved here."… [pic.twitter.com/RxpMzufaPr](https://t.co/RxpMzufaPr) > > — Variety (@Variety) [May 17, 2026](https://twitter.com/Variety/status/2056012740817228255?ref_src=twsrc%5Etfw) Blanchett shared her thoughts on AI as well, noting that her main concern is one of “consent.” “Human consent has to be placed front and centre, so that innovation can sit side by side with the human hand,” she explained. “There is now an inevitability with AI, and it’s a very powerful tool. Like any powerful tool, it needs to be handled with respect and with caution.” She added, “I find the notion of homogeneity incredibly dull and very uninspiring. I mean, that’s an interesting toy to play with, and it might be useful in some arenas. I think it’s when it becomes more chromatic, and you realize perhaps what is really behind that is the fact that they think it’s cheaper.” *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/tv-movies/tv-movie-news/cate-blanchett-me-too-killed-very-quickly-hollywood-cannes-1235564316/ "rollingstone.com").* ## Frequently Asked Questions ### What did Cate Blanchett say about the #MeToo movement in Hollywood? At the Cannes Film Festival in May 2026, Cate Blanchett said the #MeToo movement “got killed very quickly” in Hollywood. She argued it exposed a systemic layer of abuse across all industries and criticized how quickly the wider conversation was shut down. ### Why does Cate Blanchett believe the #MeToo movement was shut down? Blanchett believes #MeToo was silenced because confronting abuse forces industries to acknowledge systemic problems. She noted that people with platforms could speak up safely while the “average woman on the street” was shut down, arguing that suppressing the conversation prevents any real solution. ### What did Cate Blanchett say about gender imbalance on film sets? Blanchett said gender imbalance persists on film sets, describing a daily headcount of roughly 10 women to 75 men. She argued that homogeneous, male-dominated workplaces grow creatively dull and repetitive, and that this imbalance ultimately affects the quality of the work. ### What did Cate Blanchett say about Palestine and politics at Cannes? Blanchett called it “a sad state of affairs” that film festivals have become among the few places to discuss wars, conflicts, and genocides, including Israel and Palestine. She said keeping such issues on the public radar matters and criticized parliaments for avoiding honest solutions. ### What are Cate Blanchett’s views on AI in filmmaking? Blanchett’s central concern with AI is consent, insisting human consent stay “front and centre” so innovation sits alongside the human hand. She described AI as a powerful tool requiring caution and criticized homogeneity, suggesting cost-cutting drives much of its industry adoption. Related Stories - [A New Cinephile Has Entered the Papacy: Pope Leo XIV Names His Top Four Films](https://rollingstonephilippines.com/culture/film/pope-leo-xiv-favorite-movies/ "A New Cinephile Has Entered the Papacy: Pope Leo XIV Names His Top Four Films") - [Harvey Weinstein Rape Case Ends in Mistrial After Jury Deadlock](https://rollingstonephilippines.com/culture/news-culture/harvey-weinstein-second-retrial/ "Harvey Weinstein Rape Case Ends in Mistrial After Jury Deadlock") - [Here’s What Korean Women Think of the 4B Movement Spreading to the U.S.](https://rollingstonephilippines.com/state-of-affairs/power/4b-korean-women-movement-u-s/ "Here’s What Korean Women Think of the 4B Movement Spreading to the U.S.") **Categories:** Culture, Film, News **Tags:** #MeToo, Cannes Film Festival, Cate Blanchett --- ### [Chicken Wings and Egg Sandwiches Get the Caviar Upgrade at Fine Dining Collaboration](https://rollingstonephilippines.com/culture/food/chicken-wings-and-egg-sandwiches-caviar-upgrade/) **Published:** March 18, 2026 **Author:** Rolling Stone Philippines **Excerpt:** Antonio’s at PGA Cars and Nomad Caviar Introduce Their Audacious New Menu **Content:** The Antonio’s brand has been at the pinnacle of the country’s fine dining scene for decades. But being on top hasn’t stopped them from pushing the limits of innovation in the industry. At Antonio’s PGA Cars, their latest collaboration with Nomad Caviar is no exception and just might be their most audacious menu yet. ![Wagyu Flat Iron](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/Wagyu-Flat-Iron-2.webp) Wagyu Flat Iron. Photo from Antonio’s/PGACars Combining the technique and experience that Antonio’s has been known for with the delicate and unique taste of caviar, familiar dishes like chicken wings are elevated to become an epicurean’s dream. “The goal was simply to let the ingredient bring depth to familiar flavors,’ said Chef AC Agra, Corporate Executive Sous Chef of the Antonio’s Group of Restaurants. Overseen by Antonio’s founder, Tonyboy Escalante, the two reassert caviar’s place in the dining scene through dishes that evoke excitement while also educating a new way of rethinking the often misunderstood ingredient. ![Nomad Caviar Sandwich](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/Nomad-Caviar-Sandwich-1.webp) Nomad Caviar Sandwich. Photo from Antonio’s/PGA Cars “We were drawn to Nomad because of the way the caviar is sustainably farmed and sourced, yet it remains offered at a price that makes the experience more approachable,” noted Escalante in a statement. From pintxo-like dishes such as the Wagyu Flat Iron to the absolutely craveable Nomad Caviar Sandwich with egg yolk jam and beef consommé, to the truly unique Cremeux that combines caviar with caramelized white chocolate, the menu celebrates small bites that pack big, bold flavors. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/Cremeux.webp) Cremeux. Photo from Antonio’s/PGA Cars For Nomad Caviar Philippines founder Jason Cohen, this unique collaboration was a “no brainer” for them, given the high standards and reputation of Antonio’s. “We can’t wait to create amazing experiences and share something really special with everyone,” Cohen said in a statement. *The Antonio’s PGA Cars and Nomad Caviar collaboration series happens every second Wednesday of the month at 202 Epifanio de los Santos Ave, Mandaluyong City.* ## Frequently Asked Questions ### What is the Antonio’s PGA Cars and Nomad Caviar collaboration? Antonio’s PGA Cars and Nomad Caviar are collaborating on a monthly tasting menu that applies caviar to familiar dishes like chicken wings, egg sandwiches, and pintxo-style bites, led by Chef AC Agra and overseen by Antonio’s founder Tonyboy Escalante. ### What dishes are featured on the Antonio’s and Nomad Caviar menu? The menu includes a Wagyu Flat Iron pintxo, a Nomad Caviar Sandwich with egg yolk jam and beef consommé, and a Cremeux dish that pairs caviar with caramelized white chocolate, alongside other caviar-topped small bites. ### Why did Antonio’s choose to partner with Nomad Caviar specifically? Antonio’s founder Tonyboy Escalante said the brand was drawn to Nomad Caviar for its sustainable farming and sourcing practices, as well as pricing that makes the caviar experience more approachable than typical luxury offerings. ### When and where does the Antonio’s and Nomad Caviar menu take place? The Antonio’s PGA Cars and Nomad Caviar collaboration series is held every second Wednesday of the month at 202 Epifanio de los Santos Avenue in Mandaluyong City. ### Who is behind the Antonio’s PGA Cars and Nomad Caviar menu? The menu is developed by Chef AC Agra, Corporate Executive Sous Chef of the Antonio’s Group of Restaurants, alongside Antonio’s founder Tonyboy Escalante and Nomad Caviar Philippines founder Jason Cohen. **Categories:** Culture, Food **Tags:** Antonio's PGA Cars, Nomad Caviar --- ### [ONE OR EIGHT on What It Takes to Be A Global Boy Group](https://rollingstonephilippines.com/music/pop/one-or-eight-global-boy-group-interview/) **Published:** October 15, 2026 **Author:** Pie Gonzaga **Excerpt:** As Asian pop continues to conquer the global music industry, the Japan-based group gets ready to “take on the world” **Content:** Asia has come to be a superpower in global music over the past decade, exporting not only an endless volume of infectious pop hits but systems and infrastructure that have shaken the foundations of an industry previously dominated by the West. With the rise of groups like South Korea’s [BTS](https://rollingstonephilippines.com/tag/bts/) or the Philippines’ very own [SB19](https://rollingstonephilippines.com/tag/sb19/) and [BINI](https://rollingstonephilippines.com/tag/bini/), there has never been a better time to spotlight regional talent. And Japan’s [ONE OR EIGHT](https://rollingstonephilippines.com/music/hiphop-rnb/one-or-eight-gather/) is poised to become the next big thing. The eight-piece, formed under Avex Entertainment’s WARPs DIG Battle Audition series in 2023, consists of members MIZUKI, NEO, REIA, RYOTA, SOUMA, TAKERU, TSUBASA, and YUGA. The group debuted in 2024 with the single “Don’t Tell Nobody.” But before then, they had dropped their pre-debut track “KAWASAKI,” which has since been released in versions featuring American rapper Big Sean, Korean-American rapper pH-1, Vietnamese-American singer thủy, and the Philippines’ very own Felip (a.k.a. SB19’s Ken). Proudly Japanese but global-facing, the group’s songs are mostly written in English. And while that might be a point of contention for some listeners, the boys of ONE OR EIGHT are unabashedly ambitious and hungry to reach a wider audience. It reflects in the expansion of their sound in *[EN-GÏNE](https://rollingstonephilippines.com/tag/en-gine/)*, their newest EP, and in their latest interview with *Rolling Stone Philippines*, where they talk repeatedly about “taking on the world.” “We want to take on the world, so the challenge is ‘How do we communicate the appeal of Japan to the global audience?’” says SOUMA, a rapper and the youngest of the eight. So far, 2026 has been a busy year for [ONE OR EIGHT](https://rollingstonephilippines.com/tag/one-or-eight/). Earlier this year, they released their debut mini-album *GATHER*, which features their popular tracks like “TOKYO DRIFT” (which samples the Pharrell Williams-produced “Tokyo Drift (Fast & Furious)”) and “DSTM” (which samples Rihanna’s 2007 hit “Don’t Stop The Music”). They also performed at shows in Japan before heading out to North America, Brazil, and Argentina as part of their GATHER tour. When I met the group at Avex’s studio in Tokyo in late September, ONE OR EIGHT was getting ready for its performance at “a-nation,” the label’s annual concert series held in early October. At that time, the group was also gearing up for a shorter Asian tour, which includes stops in Singapore, Manila, and Bangkok from October 21 to October 25. But despite the grind of artist life, the boys manage to keep a cheerful and at times goofy demeanor. They exchange laughs during rehearsals and talk enthusiastically about plans and goals, which include a dream collaboration with SB19 and a concert at New York’s Madison Square Garden. “We want to stay true to our beginnings and how we started, \[but also\] keep evolving as a group,” says NEO, another one of the group’s rappers. “We really don’t have a ceiling on what we’re aiming for.” Ahead of ONE OR EIGHT’s show at SM Aura’s Samsung Hall on October 23, the boys talk to *Rolling Stone Philippines* about what it means for them to represent Japanese culture and talent, working with other Asian artists, and what they bring to the table as a global group. **You’ve been touring around the world this year, and you’ll also be coming to the Philippines in October. What does it mean for the group to be able to showcase Japanese talent on the global stage?** **NEO:** We feel like Japanese culture has a lot more to offer internationally, and we feel like the world’s becoming more and more intertwined, like we’re all connected both offline and online. Through music, especially, we could connect and showcase the great sides of Japan and also the niche sides of Japan. For example, “YANKEE SQUAT,” we’re kind of showcasing what Yankees are in Japan and what they represent: the outsiders of Japan. \[We want to show\] how they’re not only just \[outsiders\]; they actually have strength inside them. ![neo one or eight](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/NEO_OOE_TRANSLATE_MAIN_light.webp) NEO of ONE OR EIGHT. Photo courtesy of Avex Music Creative Inc. **What challenges or pressures do you face in representing Japan in a diverse global music industry?** **SOUMA:** We’re a group of eight boys, and we want to take on the world, so the challenge is “How do we communicate the appeal of Japan to the global audience?” If you take, for example, a song like “YANKEE SQUAT,” there are diverse ways to portray Japan. It’s not just about the flashy side of Japan that we need to communicate, but also what it is to be Japanese. We want to communicate that so we can create a really positive impact on the global audience. ![souma one or eight](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/SOUMA_OOE_TRANSLATE_MAIN_light.webp) SOUMA of ONE OR EIGHT. Photo courtesy of Avex Music Creative Inc. **What does it take to be a global boy group?** **TSUBASA:** We’re still in the middle of the journey, and obviously there are a lot of boy groups around the world. Since we’re aiming for the global audience, we think that we need to have a certain strength. And we do have strength as a group, but what’s so special about us is that we’re very unique in our own ways, so it’s very diverse. Each of us carries our own characteristics, and we’re kind of supplementing and complementing each other. I think that’s the forte of ONE OR EIGHT. We really want to cherish that and value that as we take on the world. ![tsubasa one or eight](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/TSUBASA_OOE_TRANSLATE_MAIN_light.webp) TSUBASA of ONE OR EIGHT. Photo courtesy of Avex Music Creative Inc. **Do you think your fans here and your fans in other countries respond to your music differently?** **REIA:** Both Japanese and global fans really like our music, and they really get excited. There’s not much of a big difference, but if I were to name one. I guess Japanese fans do like our music. But whether it be our performance, our facial expressions, the cuteness and whatnot, they kind of just soak it in inside. It’s kind of more like an internal kind of indulgence. Global fans, when they like our songs, they like to share that with fellow fans. ![reia one or eight](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/REIA_OOE_TRANSLATE_MAIN_light.webp) REIA of ONE OR EIGHT. Photo courtesy of Avex Music Creative Inc. **What do you guys enjoy the most about touring?** **TAKERU:** The opportunity to meet \[our fanbase\], the 1DERZ. I’m really, really happy that I can meet the 1DERZ throughout the tour. There are people that we meet for the first time, and we think it’s great because we can really interact and communicate with them. ![takeru one or eight](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/TAKERU_OOE_TRANSLATE_MAIN_light.webp) TAKERU of ONE OR EIGHT. Photo courtesy of Avex Music Creative Inc. **Can you tell me some of the highlights from touring?** **RYOTA:** The hype, the enthusiasm that you can feel and experience from the 1DERZ is a highlight. Of course you can get that from the Japanese fans, but the overseas fans would dance with us and sing really loud, and we can see that from the stage. That kind of vibe is very unique, and we do our best to respond to that. Sometimes we don’t necessarily succeed, but we definitely want to kind of exceed that for the coming performances, and hopefully we can spread that vibe around the world. ![ryota one or eight](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/RYOTA_OOE_TRANSLATE_MAIN_light.webp) RYOTA of ONE OR EIGHT. Photo courtesy of Avex Music Creative Inc. **Let’s talk about your new EP,** ***EN-GÏNE*. How is it different from** ***GATHER*, and how is it the same?** **TSUBASA:** I guess the commonality between *EN-GÏNE* and *GATHER* would be the concept of challenging something. But for *EN-GÏNE*, what’s so unique is that each track is very different in its own way. For “YANKEE SQUAT,” it’s kind of reggaeton. And then with “TRANSLATE,” you can witness the dirty side of ONE OR EIGHT, if you know what we mean. “I<3 IT” is a headbanger, but it actually talks about the crises that we face. “MONSTERS” is actually the song for a certain commercial. And “INVINCIBLE” was made for 1DERZ. **I’m glad you guys mentioned “INVINCIBLE.” I think it’s a refreshing change of pace from the grittier hip-hop sound you guys do. Do you see yourselves exploring other kinds of music down the line?** **YUGA:** We definitely want to take on other \[kinds of\] pop music. And through that, hopefully, we can communicate who we are and have more people listen to our songs. ![yuga one or eight](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/YUGA_OOE_TRANSLATE_MAIN_light.webp) YUGA of ONE OR EIGHT. Photo courtesy of Avex Music Creative Inc. **How do you see Asian pop evolving in the next few years? And do you see yourselves ever collaborating with other Asian artists?** **MIZUKI:** Recently, we’ve seen a lot of Japanese groups, Japanese artists that now aim for the global audience. We see that trend throughout Asia, and we’re going to see it increase. We want to become pioneers of that movement in a way, and be front and center of that. We’d love to collaborate with \[anyone\], whether it be groups or individuals. If you look at “KAWASAKI,” we collaborated on that with Felip, thủy, and pH-1. It was a great collaboration, and hopefully we can create more synergy. That goes both ways: artists, like SB19, working on our songs, or the other way around. ![mizuki one or eight](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/MIZUKI_OOE_TRANSLATE_MAIN_light.webp) MIZUKI of ONE OR EIGHT. Photo courtesy of Avex Music Creative Inc. **You guys are doing big things right now even though you’re still just getting started. How will you know you’ve made it? And what is the biggest thing you want to achieve as a group?** **NEO:** We want to keep expanding our goals. We don’t want to designate a certain level \[of success\] as a goal, because that’s going to stop us, and we want to keep challenging our limits. That’s what we’re doing right now. We want to stay true to our beginnings and how we started, \[but also\] keep evolving as a group. We really don’t have a ceiling on what we’re aiming for. We’re always trying to look for the next new thing. But as of now, as a group, we’re aiming for Madison Square Garden in New York. That \[would be\] one of our milestones, and that’s what keeps us going. *Learn more about ONE OR EIGHT on their* [*official website*](https://oneoreight.lnk.to/betonyourself) *and “ONE OR EIGHT Special SHOW CASE 2026 in ASIA -V8-”* [*here*](https://oneoreight.sozolive.asia)*.* ## Frequently Asked Questions ### Who is ONE OR EIGHT? ONE OR EIGHT is an eight-piece Japanese boy group formed through Avex Entertainment’s WARPs DIG Battle Audition series in 2023. Its members are MIZUKI, NEO, REIA, RYOTA, SOUMA, TAKERU, TSUBASA, and YUGA. They debuted in 2024 with “Don’t Tell Nobody” and write mostly in English. ### When is ONE OR EIGHT performing in Manila? ONE OR EIGHT performs at Samsung Hall, SM Aura, on October 23 as part of a shorter Asian tour. The tour runs October 21 to 25 with stops in Singapore, Manila, and Bangkok, following the group’s earlier GATHER tour of Japan, North America, Brazil, and Argentina. ### What is ONE OR EIGHT’s EP *EN-GÏNE* about? *EN-GÏNE* is ONE OR EIGHT’s newest EP, where each track takes a different direction: “YANKEE SQUAT” leans reggaeton, “TRANSLATE” shows a grittier side, “I<3 IT” is a headbanger about crises, “MONSTERS” was made for a commercial, and “INVINCIBLE” was written for fans, the 1DERZ. ### Who collaborated with ONE OR EIGHT on “KAWASAKI”? “KAWASAKI” is ONE OR EIGHT’s pre-debut track, later released in versions featuring American rapper Big Sean, Korean-American rapper pH-1, Vietnamese-American singer thủy, and Felip, the Filipino artist also known as SB19’s Ken. ### What are ONE OR EIGHT’s goals as a global boy group? ONE OR EIGHT says it has no ceiling on its ambitions, refusing to set a fixed definition of success. Their stated milestone is a concert at New York’s Madison Square Garden, alongside a dream collaboration with SB19 and a goal of becoming pioneers of Asia’s global-facing pop movement. Related Stories - [ONE OR EIGHT is on a Fast and Furious Rise](https://rollingstonephilippines.com/music/hiphop-rnb/one-or-eight-gather/ "ONE OR EIGHT is on a Fast and Furious Rise") - [The World Is Watching BE:FIRST. Now What?](https://rollingstonephilippines.com/music/pop/be-first-rolling-stone-interview/ "The World Is Watching BE:FIRST. Now What?") - [XG Comes Fully Realized in Second Manila Show](https://rollingstonephilippines.com/music/pop/xg-the-core-manila-concert-recap/ "XG Comes Fully Realized in Second Manila Show") **Categories:** Music, Pop **Tags:** EN-GÏNE, ONE OR EIGHT --- ### [5 Exciting Things to Do in Manila This Weekend](https://rollingstonephilippines.com/radar/events/things-to-do-manila-this-weekend/) **Published:** October 15, 2026 **Author:** Rolling Stone Philippines **Excerpt:** From gigs to exhibitions, here’s your itinerary of things to do in Metro Manila this weekend **Content:** The [*Rolling Stone Philippines Weekend Guide*](https://rollingstonephilippines.com/radar/weekend-guide/) offers anything from your favorite international films being screened at your local cinema to your dimly lit music venues showcasing some headbanging and moshpit-starting rock music. ## Alingawngaw Para Kay Echo 123Block, Mandala Park, Mandaluyong City October 16 6:00 p.m. P1,000 > [View this post on Instagram](https://www.instagram.com/p/DeMGCy6iR2k/?utm_source=ig_embed&utm_campaign=loading)[A post shared by The Itchyworms (@theitchyworms)](https://www.instagram.com/p/DeMGCy6iR2k/?utm_source=ig_embed&utm_campaign=loading) Alingawngaw Para Kay Echo is a benefit show for Boldstar guitarist and music production host Echo Singson, who suffered a stroke during a show last September. The show will raise funds for his hospital bills and recovery. Bands and fellow musicians are lining up to perform in his support, including The Itchyworms, Ebe Dancel, Urbandub, Revisors, and more. ## Wilabaliw at 12 Monkeys 12 Monkeys, Estancia Mall, , Pasig City October 17 6:00 p.m. P1,000 > [View this post on Instagram](https://www.instagram.com/p/DeJZVJgD7rH/?utm_source=ig_embed&utm_campaign=loading)[A post shared by 12 Monkeys Music Hall & Pub (@12monkeysph)](https://www.instagram.com/p/DeJZVJgD7rH/?utm_source=ig_embed&utm_campaign=loading) Nu-metal band Wilabaliw will take over 12 Monkeys for one night only. Band frontman Ian Tayao has spent decades pushing nu-metal into odd, extreme corners, and a longer set gives the band room to dig further into its catalog. Rock bands Chicosci and One Click Straight will open the night. ## Loading Dreamscape Mow’s Bar, Kowloon House, Quezon City October 18 6:00 p.m. P300 > [View this post on Instagram](https://www.instagram.com/p/DdbFj1xhx9D/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Queers Night Productions (@queersnightprod)](https://www.instagram.com/p/DdbFj1xhx9D/?utm_source=ig_embed&utm_campaign=loading) Organized by female and queer individuals, Loading Dreamscape is a bill of all-female and queer-fronted bands with a DJ set to close out the night. Live performers include rap artist SHNTI, experimental musician Jadefake, pop-punk band Cherry Society, indie rock band Asian Panganay, and more. ## Undertale: The Determination Symphony The Proscenium at Rockwell, Guadalupe Viejo, Rockwell Center, Makati City October 17-18 3:00 p.m. P1,999 > [View this post on Instagram](https://www.instagram.com/p/DbUoZveoPyc/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Film Concerts Philippines (@filmconcerts.ph)](https://www.instagram.com/p/DbUoZveoPyc/?utm_source=ig_embed&utm_campaign=loading) The soundtrack of revolutionary indie game *Undertale* will be performed live at the Proscenium Theater by the Filharmonika orchestra. Composed by developer and producer Toby Fox, the soundtrack blends masterful storytelling with 16-bit video game music, all in one concert experience. The orchestra will perform its popular pieces and cuts straight from the video game. ## Komiket: All Original SM Megamall Trade Hall,, Mandaluyong City October 18-19 11:00 a.m. P100 > [View this post on Instagram](https://www.instagram.com/p/DegH8PPgRjZ/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Komiket (@komiketph)](https://www.instagram.com/p/DegH8PPgRjZ/?utm_source=ig_embed&utm_campaign=loading) The much-awaited Komiket: All Original event is a market for original art and Filipino komiks, with talks from authors and independent publications like Shonenbat Collective and Apothecary Studios. Related Stories - [26 Filipino Musicians to Watch in 2026](https://rollingstonephilippines.com/music/26-filipino-musicians-to-watch-2026/ "26 Filipino Musicians to Watch in 2026") - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") - [Kidlat Tahimik Renounces National Artist Status in Protest of CHED’s Gen Ed Overhaul](https://rollingstonephilippines.com/culture/art/kidlat-tahimik-protests-ched-general-education-overhaul/ "Kidlat Tahimik Renounces National Artist Status in Protest of CHED’s Gen Ed Overhaul") **Categories:** Events, Radar **Tags:** RSPH Weekend Guide --- ### [On ‘She’s the Best,’ Troye Sivan Taps Into His Softer Side](https://rollingstonephilippines.com/music/music-reviews/troye-sivan-shes-the-best-review/) **Published:** October 15, 2026 **Author:** Gabriel Saulog **Excerpt:** On his fourth studio album, the Aussie pop star expands upon his sonic proclivities while unearthing long-buried emotions and reflections in the process **Content:** [Troye Sivan](https://rollingstonephilippines.com/tag/troye-sivan/) is no stranger to a party. But on his latest album, *She’s the Best*, the Australian pop star delves into something different, if reflective, this time around. For Sivan the dance floor has long served as a playground for desire, becoming a place where inhibitions dissolve under strobe lights, and fleeting encounters take on a life of their own. Throughout his career, he has embraced the rituals of nightlife and transformed them into a language of his own, with foundations built upon the fleeting thrill of intimacy, the exhilaration of being wanted, and the freedom that comes with surrendering to the moment. Much of this sensibility came to define his last record, *Something to Give Each Other*, a euphoric celebration of queer desire and human connection that found beauty in the fleeting, messy, and often unpredictable nature of intimacy. There was a certain liberation in the way Sivan approached the subject, allowing himself to revel in the pleasures of the present without necessarily concerning himself with what came after. Yet parties, like all good things, must eventually come to an end. On *She’s the Best*, rather than focusing on the escapism that comes from such a communal setting, the 31-year-old artist unpacks the loneliness and sense of yearning that follow after. For all the euphoria that nightlife promises, there is an undeniable emptiness in its aftermath — the realization that perhaps the intimacy found in a crowded room can feel all the more elusive once you’re left alone with your thoughts. ### **Into the Deep End** Despite the more introspective themes present in the album’s 12 tracks, much of the musical backbone of this record is very much high-spirited, upbeat, and welcome at the club. Though that doesn’t mean that all of this necessarily sounds the same. The production from Sivan’s star-studded set of collaborators like [Jack Antonoff](https://rollingstonephilippines.com/tag/jack-antonoff/), Cirkut, The 1975’s George Daniels, OzGo, as well as himself, gives each song a different sonic profile that evokes a unique expression of their own. Within varying layers, Sivan gets to navigate familiar territories such as electronic pop, dance, and whatnot, while simultaneously dabbling with new sounds like folktronica, downtempo, and even his own spin at alternative rock (though not to be confused with the original song he released for FX’s *The Shards*.) It’s a given that he knows how to liven up a crowd with material such as the cool club rhythms of “Canada Dry”, the garage influence of “I Do This For You,” the drum & bass touch of “Troye Meets World,” or even the infectious hooks of “Party,” which makes stellar use of Madonna’s “Music” as a sample. However, a major strength of *She’s The Best* is that it doesn’t necessarily revel in the highs of those songs, as the majority of the record highlights a softer, more sincere side to the Aussie pop figure. Given the predominant theme of limerence, Sivan spends a lot of his time fantasizing about a hypothetical lover, aching for someone to call his own. His sincerity is often backed by guitar-laden, piano-driven, or sweeping melodies paired with confessional lyricism that elaborate on his dreams of settling down, unpacking an unspoken desire that many queer individuals tend to bottle up. If *Something to Give Each Other* was the euphoric main event, then *She’s the Best* is the afterparty where all of Sivan’s quieter ruminations finally come to light. Though “Embarrassingly” delves a bit deeper into Sivan’s personal lore, “Cowboy,” “Sex Star,” “Lost Time” with Lily Rose Depp, and the notable highlight “Le Boy” all speak of fictional scenarios to build up what Sivan is envisioning for himself, but the emotional intensity of “FF” is what becomes the emotional crux of the record. Sure, it may be a melancholic love song on its own, yet there lies an underlying heaviness (with credit to the crashing drums and his impassioned vocal delivery) to it that represents that void in Sivan’s heart. For even with the lack of specificity, the track underscores the loneliness that comes with the queer experience, despite one’s manifestations of a sense of normalcy. If anything, much of it feels like a gradual evolution of what he was able to achieve on his earlier records, particularly the fan-favorite *Blue Neighbourhood* or often overlooked *Bloom*, albeit executed with a more mature and jaded perspective. However, the album loses a bit of its identity and intention in a surprising position, specifically with its title track. Despite kicking off the album with an anthem that’s meant to honor the women who have been instrumental in the pop star’s life, it’s an odd choice to name the entire record after such a thematic outlier. Sivan’s ode to the women in his life is indeed earnest and admirable, yet his monotonous speak-sing delivery does little to entice listeners to stay tuned all throughout. To the album’s benefit, it was merely a one-off effort. ### **COMING OFF THE HIGH** If *Something to Give Each Other* was the euphoric main event, then *She’s the Best* is the afterparty where all of Sivan’s quieter ruminations finally come to light. It’s a shift in perspective that feels less like an outright departure from the world he has built than a natural progression within it, trading the immediacy of physical connection for the more complicated business of emotional intimacy. The party anthems are still very much present, and longtime fans will find no shortage of bops to add to their playlist rotations, but beneath the record’s glossy exterior lies a surprising abundance of vulnerability, with Sivan offering candid confessions about the messier realities of desire, attachment, and the search for something lasting. But in turning his attention to what happens when he finds himself alone, he delivers a more introspective portrait of queer longing, one that recognizes how the pursuit of love can be just as exhilarating as it is exhausting. Not every fantasy finds a satisfying resolution, and the album occasionally struggles to reconcile its more disparate ideas, with highs that don’t always hit with the same unbridled abandon as their predecessor. But there’s something undeniably admirable about the sincerity with which Sivan allows these contradictions to coexist, as it gives him the necessary space to sit with his own vulnerability. Related Articles - [Carly Rae Jepsen’s ‘Day and Night’ Makes You Feel Alive](https://rollingstonephilippines.com/music/music-reviews/carly-rae-jepsen-day-and-night-album-review/ "Carly Rae Jepsen’s ‘Day and Night’ Makes You Feel Alive") - [Phoebe Bridgers’ ‘Lost Weekend’ is Lush, Honest, and Her Best Album Yet](https://rollingstonephilippines.com/music/music-reviews/phoebe-bridgers-lost-weekend-album-review/ "Phoebe Bridgers’ ‘Lost Weekend’ is Lush, Honest, and Her Best Album Yet") - [There’s No Ariana Grande Like Pissed-Off Ariana Grande. Her New Album Proves It](https://rollingstonephilippines.com/music/music-reviews/ariana-grande-petal-album-review/ "There’s No Ariana Grande Like Pissed-Off Ariana Grande. Her New Album Proves It") ## Frequently Asked Questions ### What is Troye Sivan’s latest album called? Troye Sivan’s latest album is called *She’s The Best*, which was named after a track on the album that honors the presence of the women in his life. ### When was Troye Sivan’s *She’s the Best* released? Troye Sivan’s *She’s the Best* was released on October 9, 2026. The album was released across numerous platforms, including a variety of vinyl and CD formats, as well as multiple streaming and digital services. ### Who did Troye Sivan work with on *She’s the Best* ? Troye Sivan primarily worked an esteemed set of producers on *She’s the Best*, such as Jack Antonoff, Cirkut, George Daniel, Oscar Görres (also known as OzGo), Jasper Harris, Tyde Levi, Rob LFO, Styalz Fuego, and Sivan himself. He also collaborated with famed actress-musician Lily-Rose Depp on the album’s closing track, “Lost Time.” ### How does *She’s the Best* compare to previous albums from Troye Sivan? *She’s the Best* is a worthy follow-up to Troye Sivan’s last album *Something To Give Each Other*. Even if it doesn’t lose the club-friendly, electronic-pop nature of the latter, it brings forth a more sensitive side to the artist that runs along the veins of his earlier albums, *Blue Neighbourhood* and *Bloom*. ### What are the standout tracks from *She’s the Best*? Standout tracks from *She’s the Best* include “FF”, “Le Boy”, “Party”, “Embarrassingly”, “Canada Dry”, and “Troye Meets World”, among others. **Categories:** Music, Music Reviews, Pop **Tags:** Troye Sivan --- ### [‘If You Lose the Storytelling, You Lose the Fans’: Brian Windhorst, Tim MacMahon, and the State of Sports Media](https://rollingstonephilippines.com/culture/espn-brian-windhorst-tim-macmahon-the-hoop-collective/) **Published:** October 15, 2026 **Author:** Jonty Cruz **Excerpt:** The hosts of ‘The Hoop Collective’ talk LeBron, the Lakers, and what makes their podcast work **Content:** No matter how crazy the world has gotten, it’s still surreal to me to see sports journalists treated like the biggest rockstars in the world, but that’s exactly what happened when ESPN reporters and the hosts of *[The Hoop Collective](https://rollingstonephilippines.com/tag/the-hoop-collective/)*, [Brian Windhorst](https://rollingstonephilippines.com/tag/brian-windhorst/) and [Tim MacMahon](https://rollingstonephilippines.com/tag/tim-macmahon/) visited Manila this month. Last October 5, they turned Shoot 360 Galleria into their own welcome party as fans cheered them on from the benches. They were here for The Hoop Collective World Tour 2026, which took them to Manila, Melbourne, and Macao ahead of the upcoming [NBA](https://rollingstonephilippines.com/tag/nba/) season. Known for their sharp analysis and industry knowledge on all things NBA, the two hosted a live recording of their podcast here in Manila with special guest PBA legend and former Sacramento Kings player development coach Jimmy Alapag. This wasn’t Windhorst’s first time visiting the Philippines, having been to the country in 2023 to cover the FIBA World Cup. Despite what he called a “filtered environment,” he saw firsthand Filipinos’ love of all things basketball, including those who report on it. So much so that in a span of 100 feet in the hallways of the SM Mall of Asia Arena, Windhorst would go through 30 to 50 selfies. The “Windy Shuffle,” as MacMahon describes it. Windhorst calls the Philippines a cultural hub for basketball. “Not only do the Filipinos love the game, they love the stories about the game,” he tells *Rolling Stone Philippines*. “They truly are so invested in it, and I just loved it. Initially, I thought I was gonna go to Abu Dhabi first and then come to Macau, but as soon as I saw a window, I had to come to Manila. I want to come back more and more and more. I want to spend more time here and see more of it.” This time around, Windhorst brought his co-host with him. “I got my hands holding on real tight to Windy’s coattails,” quips MacMahon. “Windy is immensely popular with basketball fans. I think it speaks to his talent as a storyteller, as a straight shooter, as somebody who has earned the respect of the basketball world and the basketball fans throughout the world.” “\[B\]asketball, is a global phenomenon, a global economy. It’s that way because of the stories. If you take out the storytellers… you lose the fans. And we’re losing the storytelling.” Brian Windhorst Still, despite the popularity, Windhorst admits he initially had to be dragged kicking and screaming to do live podcast shows, but these live shows are just par for the course when you’re one of the best podcasts out there. The two recall that years ago, as ESPN pushed for more podcasts in their programming, there were a handful of basketball shows in their slate fighting for audiences’ attention. In the beginning, Windhorst recalls ESPN having five different basketball podcasts a week, *The Hoop Collective* being one of them. And as time went on, five went down to three, and three went down to one, with *The Hoop Collective* being the last pod standing. “We’ve had several different partners over the years, but there’s something about us that sort of grew together, and it didn’t get created in the laboratory. It got created with repetition,” Windhorst says of his work with MacMahon on the podcast. “I mean, we have 10,000 hours of doing it. We’ve done it in the middle of the night, we’ve done it in hotel rooms, we’ve done it in NBA arenas. We’ve done it in closets. We’ve done it in basements.” In this exclusive interview with *Rolling Stone Philippines*, the two discuss what makes their podcast special, what’s in store for the NBA, and dissect the tenuous state of sports media today. *The following has been edited for brevity.* **What do you think makes a great podcast work?** **Tim MacMahon:** I think what makes us unique among NBA podcasts is our balance of enjoying it — joking around, and having a good time — with the intel. What makes us different than the vast majority of NBA podcasters is we are talking to people in the league on not just a daily basis, but usually, on an hourly basis. This is what we do. I guarantee you, of all the NBA podcasts out there, you won’t find one that talks to more people, that has more conversations, that spends more time learning behind-the-scenes information about the NBA. Some of that information, we’re able to just straight up deliver. I would say 90 percent of that information, we kind of use as context to shape our discussions or opinions. I don’t think we’re that much of a hot take podcast. Windy’s definitely not a hot take guy. I don’t think we say a lot of outrageous things. I mean, most of the craziest things I say, I’m kidding, and I hope that’s clear to people. But again, I think it’s the work that we do to learn the NBA and to know what we’re talking about behind the scenes that allows us to deliver a podcast product that’s different than anybody else. **Brian Windhorst:** At the start of every podcast, it sounds basic, but I do it for a reason, I say we talk about the NBA. It sounds like a real corny thing, but that’s what we do. We talk about the league. Now, sometimes, we meander, but you’re going to listen to us for 20 minutes or 45 or an hour and 10 minutes, and you’re going to hear about the NBA. We’re not going to mess around. We’re going to tell you about it. That’s number one. Number two, I want people to know we’re out there, we’re out in the field. Like, our people are on the ground, and we have these conversations, and we dig into it. The thing about it is, for better or worse, our podcast is very highly listened to within the teams themselves. So when we talk about a team, we know they’re going to hear us. **MacMahon:** Which keeps us honest. **Windhorst:** That’s right, and they definitely hold us accountable. Granted, that’s a small part of our overall audience, but we, very often, are a conduit where teams are almost talking to each other, either purposefully or unpurposefully. And that’s not something that I thought was going to develop. It’s not something that always is comfortable because it makes the job harder. **MacMahon:** He said it makes a job harder that these people that we’re talking about are listening, in a lot of ways, it’s made my job easier, and I’ll tell you why. I know a lot more people in the NBA because I do this podcast. I can’t tell you how many times I’ve had an executive, an agent, an assistant coach introduce themselves to me. I know a lot more people around the NBA, and maybe on teams I don’t necessarily see that often, because they recognize me from the podcast. So this podcast has actually opened up a lot of doors for me as a reporter, just because it is listened to by people throughout the league. **Is a successful podcast, in some ways, the real measure of success now for sports journalists? What are you being measured today? Because before it would be for your writing or an award-winning cover story.** **Windhorst:** It’s a good question. I don’t have a clean answer. I think your audience either believes that you’re credible and know what you’re talking about, or they don’t. And the thing about it is, I believe it’s all writing. \[In\] television, when you give an analysis on something, that’s writing, you didn’t actually write it down, necessarily, but you’re writing it. Podcasts, when we prepare and have something we’re going to say, that’s writing, and obviously writing is writing. It’s all writing. It’s the same process. You report, you research, you compose, you deliver. At the end of the day, the fundamentals that we used when we were newspaper reporters, back when newspapers were the lifeblood, are the same thing we do here. It’s just a different delivery. So we’ve had to learn different deliveries, but it’s the same fundamentals. But I will say that it is a constantly changing environment, and we’re constantly reassessing. **MacMahon:** And there’s value in versatility. I’ll be honest with you. I am just now, these last few years, starting to carve out a significant role on the television side. I’m not like Windy, where every time you walk by a TV at an airport or whatever, you look up and you see Windy. I’ve carved that out. This podcast is part of the versatility. Obviously, both of us are writers at our core, came up as writers, and so in the modern-day media, the more you can do, the better chance you have of surviving. “\[T\]here will always, always, always be value in real reporting and a need for real reporting.” Tim MacMahon **Speaking of writing, Brian, as someone who wrote the book on [LeBron James](https://rollingstonephilippines.com/tag/lebron-james/), how would you describe this era of his career and the decisions he’s making?** **Windhorst:** This summer, he went on this reunion retreat with his \[Cleveland Cavaliers\] teammates, and it was a really important moment, not just to celebrate that championship, but he really — it took him a long time to develop close relationships with teammates. He would be close with them when they were on his team, but not necessarily after… And obviously, at the end of the day, you’d rather have the ring than the friendship. Jordan made that clear, but there’s something to be said for doing something in a way that is enriching with a friendship, and Jordan didn’t really have that in the end, and for a long time, I don’t think LeBron did either. To see him back there with the gray in his beard, and the wine, and the golf clubs and the cigar, and just appreciating that, like that to me, was someone who was content. I mean, he’s still not content. He’s still playing hard and whatever, but like, if I showed LeBron that picture when he was 25 years old, he would not have believed it. But if I said you were at a place in your, at age 41, that you could have this sort of day with your teammates, celebrate a championship for Cleveland, I think he would have loved that to be the story of his career. So that was really a telling seminal moment that sort of showed where he’s at at this spot in his life. It’s now sort of come to light, and it’s my understanding, that he really wanted to go to New York. And the crazy thing is, the Knicks wanted him for decades. It’s such a strange thing to say that because you don’t have a career that long, but they literally wanted him for decades. It reminds me so much of this movie, *Swingers*, which I shouldn’t reference because it’s like from the ‘90s and people don’t know it, but this movie is about this guy who pines away for his ex-girlfriend and whines and whines and whines. And the moment that he starts going out with a new girl, she calls. He begged for her to call for weeks on end. She finally calls, and he goes, “I got to go,” and hangs up on her because that’s life, you know? The Knicks waited for LeBron to call for decades, and in the one year, in the last 25, that LeBron wants to be a Knick, they’re not interested. They’re like, “We got to go to the parade. We’re good. Bye.” **MacMahon:** He didn’t feel like he could hop on to a team that just won a championship. **Windhorst:** And they weren’t going to take him anyway. So, it’s actually a fascinating story. And so he picked the Sixers. They do have a really good team. It’s not just a total black-and-white thing, but he wanted to live in New York, and he picked the Sixers, at least in part, so he could live in New York. **MacMahon:** Just like he picked the Lakers primarily because he wanted to live in L.A. **Windhorst:** Right. I didn’t understand that when he announced it, but it now is very clear to me, because on his first practice as a 76er, at training camp, where there’s bonding with your teammates and everything, he immediately gets in the helicopter to go back to New York. ![brian-windhorst-rolling-stone-ph-intext](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/brian-windhorst-rolling-stone-ph-intext.webp) Brian Windhorst **And Tim, with [Luka Dončić](https://rollingstonephilippines.com/tag/luka-doncic/), just a few years ago, he seemed like he was going to be the face of basketball for decades, but his current stint with the Lakers, hasn’t really played out well. As someone who covered Dončić a lot when he was still with Dallas, what are your biggest concerns for Luka this season and beyond?** **MacMahon:** Honestly, I think the biggest concern is just how the Lakers are going to be able to put a championship-caliber supporting cast around him. If you look at the betting lines in Las Vegas, this is a roster that is projected to win 46-47 games. That’s it. And it’s a long way from 46 to 47 wins to San Antonio and Oklahoma City at the top of the West. So I just don’t know how the Lakers are going to be able to bridge that gap. With Luka, he’s gotten himself into maybe the best shape of his career. Certainly, I think the best shape since his rookie year. There’s no question he’s one of the most gifted offensive players that we’ve ever seen, much less in the league today. He’s a perennial MVP candidate. This is year nine for him. He’s got a Finals appearance. He doesn’t have a championship, and there’s a certain point in a guy’s career — LeBron got to this point before he went to Miami, and especially after his first season in Miami — where when you are that good, but you don’t have a championship, there’s a burden that comes along with that, and he’s carrying that burden right now. “The concept that players are feeling the pressure to take less money to help deliver their teams winning, it’s a new world.” Brian Windhorst **The NBA has been defined by the player empowerment era for years, starting with LeBron. As the league moves away from that, how would you describe the next era of the NBA?** **Windhorst:** There’s this pressure that’s building to take less money. **MacMahon:** Yup. **Windhorst:** Because the aprons are forcing decisions. Right now, with Karl Anthony Towns, the debate is how much less money should Karl Anthony take? I mean, it’s kind of preposterous, right? The concept that players are feeling the pressure to take less money to help deliver their teams winning, it’s a new world. **MacMahon:** There is this pressure — and these guys are all rich — on the millionaires to sacrifice financially, and the billionaires benefit from it. We can talk about the second apron, but go back and listen or read what Sam Presti said in his preseason press conference this year. I’ll kind of summarize it, but he laid it out very clearly: There’s nothing in the second apron that prevents you from keeping a championship-caliber team together. All the limits in the second apron, they’re limits to roster building. The thing that threatens keeping a championship team together is the financial component of it. It’s the luxury tax payments, which, you know, the deeper you get into the second apron, the more you pay. That’s what the Thunders are looking at in a year. How much of a financial pain threshold does Clay Bennett, their owner, have to keep together a core of Shai Gilgeous-Alexander, Chet Holmgren, Jalen Williams, and the supporting cast around them. The San Antonio Spurs aren’t too far away from that. Jim Dolan, I mean, you could still smell the champagne and the cigar smoke, I don’t even think the championship parade had even happened, and he puts up this concrete wall and says, “We cannot go through this to get on the other side of the second apron.” Why not? You’ve built a championship team in the biggest market in the NBA. Why can’t you go on to the second apron? Who cares if a pick is frozen or if it’s harder to make trades? You’ve got a championship team. It’s built. You don’t have to keep building. It’s built. Why can’t you keep this core together? That is what we’re looking at. And it’s funny. I’ve had people tell me that they’re actually happy with Nico Harrison for trading Luka Dončić. This are people not with the Lakers, with other teams, because they felt like that was the death knell in the player empowerment era. I would push back on saying the player empowerment era is completely buried. Kawhi Leonard just got to pick his destination and got a $115 million, two-year extension, while leaving a flaming wreck behind him. He was pretty empowered in that situation. **How do you think that will affect the integrity of the game? If now, players are being forced to take less money or else.** **Windhorst:** I don’t think it will affect the integrity of the game. But I do think it’ll affect the star players’ relationship with their fan bases. As a star player, you’re expected to deliver in the clutch. Now, if you’re expected to deliver in the clutch, and also, you know, write your checks to your own teammates, that’s a different level of demand. So, honestly, I don’t think it can stand. I think that is a powder keg, where someone’s going to lash out, and there’s going to be some collateral damage, some wreckage. I just don’t know what it’s going to be. **MacMahon:** And the players’ union has already started pushing back strongly on that. And again, I don’t think it’s fair to the players. These guys are the faces of the franchise. They’re on TV 82 — if they’re lucky — 100 or 105 times a year. They’re talking to the media. Fans hear from them. Where the billionaires get to kind of sit in their luxury suites and, you know, don’t do press conferences. I think there’s got to be, if anything, shared sacrifice. Or the guy with the bigger net worth should do more of the sacrificing. ![portrait-tim-macmahon-intext](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/portrait-tim-macmahon-intext.webp) Tim MacMahon “\[C\]ontent creators, while vital, are not always responsible, either to journalism processes or worried about relationships with the teams and the players.” Brian Windhorst **How do you think sports media will be in the next couple of years?** **Windhorst:** So we’re moving more and more every single day to media being driven by content creators. But content creators, while vital, are not always responsible, either to journalism processes or worried about relationships with the teams and the players. Ultimately, there is a level of accountability that exists between the established media and the teams in the league because they hold each other accountable. I am a big consumer of content creators, not necessarily in basketball, but other things I have interest in. So I absolutely recognize their value — and it doesn’t matter what I think, they’re going to be there, anyway — but the media and the leagues worked in a system where they benefited from each other. While they were often angry at each other and fighting with each other, they benefited from each other. The content creation model is not necessarily set up that way. In theory, it is, but there’s no accountability, or very little, and so the fact is this: the coverage of the teams is dwindling, the storytelling is dwindling. There’s a reason why the NBA puts in the players’ contracts that they have to talk to the media. It’s not because they like the media and they want to be good guys. It is a lifeblood of the structure of the leagues and the players don’t have a healthy relationship with the media, and it’s deteriorating in some regard every year. So, it is something that I am moderately worried about. I am not one of these people who are like “Back in my day…” but I see numerous NBA teams that have next to nobody telling their stories, and that is bad for business. It is bad for the players’ business. It is bad for the league’s business. It is bad for our business. So it’s something I’m worried about. **MacMahon:** Yeah, and as far as the direction of the media, like what’s next, I have no idea. I mean, social media is such a big part of our daily lives. When Windy and I started in media, it didn’t exist. We’re here on this tour for this podcast, I didn’t know what a podcast was until like 2015 or ‘16. So like, what’s next? I don’t know. We’ll find out. But there will always, always, always be value in real reporting and a need for real reporting. And honestly, there’s teams that don’t have a beat writer now. It’s crazy, but unfortunately, the newspaper industry, it’s tough, and there have been layoffs, and there have been major metro papers that have decided, basically, we don’t need a beat writer on. For example, the Sacramento Kings don’t have a beat writer right now. The Los Angeles Clippers don’t have a full-time traveling beat writer right now. That’s not only bad for their fans, but it’s bad for the national media. If something goes down with the Los Angeles Clippers in a road game, there might not be any press. **What is lost when beat writers are gone?** **MacMahon:** Just the day-to-day chronicling. You lose the record, right? You lose the context of a team’s season. You lose the context of this chapter in a franchise’s history. That’s when things are going well, that’s when things are going poorly. And honestly, it’s not good for that franchise. It’s not good for the league. It’s not good for our industry. Unfortunately, I don’t think it’s something that a franchise can fix. Now, there are several teams that employ traveling reporters, but it’s a different deal if you are a reporter employed by that team. There are questions you’re not going to ask. There are storylines you’re not going to report on or investigate. There are stories you’re not looking to uncover. And so, I don’t know the answer. It’s an economical question as much as anything, but it’s definitely a concern for the industry. **Windhorst:** It’s not just throwing a round ball through a round ring. The reason people are passionate about it is because they’re passionate about the people that put the round ball through the round ring. And yes, life is probably overall better when the players have direct access to their fans, which they didn’t 20 years ago, and they do now, but if you lose the story, if you lose the storytellers, you’re going to lose everything. You know, the phenomenon of basketball, it’s a global phenomenon, a global economy, it’s that way because of the stories, the stories of the games, the stories of the players, the drama. If you take out the storytellers, yes, some of the people’s lives will be better. I’m sure many players would love to never do any interviews again. But if you lose the storytelling, you lose the fans. And we’re losing the storytelling. And the beat writers are the bedrock principle of the storytelling. And you know, people think that storytelling means big long stories. No, you can tell a story in 10 seconds. You can tell a story in 10 hours, in 10 chapters. This is what I say till I’m blue in the face: the league needs storytelling. Ask Disney, the company that I work for. You can’t have the ride at Disneyland, you can’t have the merchandise, you can’t have the sequel, you can’t have the movie, you can’t have the movie star until you have the story. The entire company is built on story. Now, in basketball, the operation is built on the talent of the guys throwing the ball through the ring. But if you want to do more than just the competition, and they all do, you’ve got to have the stories. That’s the essence of what matters. And so, I just see it under threat. *Catch the latest season of the NBA on Disney+ beginning October 22*. Related Stories - [Tony Parker on the Evolution of the NBA](https://rollingstonephilippines.com/culture/sports/tony-parker-evolution-of-the-nba/ "Tony Parker on the Evolution of the NBA") - [How Filipino-American Journalist Pablo Torre Broke the Biggest NBA Scandal in Years](https://rollingstonephilippines.com/culture/sports/filipino-american-journalist-pablo-torre-nba-scandal/ "How Filipino-American Journalist Pablo Torre Broke the Biggest NBA Scandal in Years") - [LA Tenorio Keeps Beating the Odds](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/la-tenorio/ "LA Tenorio Keeps Beating the Odds") **Categories:** Culture, Sports **Tags:** Brian Windhorst, NBA, The Hoop Collective, Tim MacMahon --- ### [What Can Theatre Do in the Age of AI? JC Santos Answers with ‘A Number’](https://rollingstonephilippines.com/culture/theater/jc-santos-a-number-theatre-ai-interview/) **Published:** October 14, 2026 **Author:** Pie Gonzaga **Excerpt:** Despite minimalistic production, the actor’s directorial debut delivers provocative performances and pressing questions about how technology affects human relationships **Content:** It’s been 24 years since British playwright Caryl Churchill’s *A Number* was first staged, and 13 years since [JC Santos](https://rollingstonephilippines.com/tag/jc-santos/) first read the play in a script analysis class at New York’s Circle in the Square Theatre School. But for the actor, there has never been a better time to stage it than now. The play follows a man named Salter, who becomes wracked with guilt as he converses with three versions of his son, Bernard, whom he has cloned. The play was written at the height of debate surrounding the ethics of human cloning in the early aughts, a few years after associates of the Roslin Institute had successfully cloned a female sheep, Dolly, from an adult somatic cell. *A Number* finds new context now, as tech giants like Anthropic, OpenAI, and Meta push for the development of generative artificial intelligence (AI), which, at this point, could only riff off existing data and attempt to perfect (to varying results) what’s already been made by humans. “I think there’s something very human about wanting a second chance and believing we can get it right this time,” Santos says of Salter, played in this production by seasoned thespian and [The Necessary Theatre](https://rollingstonephilippines.com/tag/the-necessary-theatre/) founder [Bart Guingona](https://rollingstonephilippines.com/tag/bart-guingona/). But *A Number* emphasizes that there are drastic consequences for this sort of perfectionism. Each version of Bernard that Salter encounters carries a different kind of pain, no matter how the father tries to raise him. B2, the first clone we meet, is bewildered by the revelation that he isn’t the first version of himself; B1, the original Bernard, is angrier, shoulders tense with age and a deep-seated grudge against his father; and Michael Black, an unauthorized clone, lives happier, never having been raised by Salter. > [View this post on Instagram](https://www.instagram.com/reel/DdtWP6WzwfO/?utm_source=ig_embed&utm_campaign=loading)[A post shared by WHYNoT (@whynot.mnl)](https://www.instagram.com/reel/DdtWP6WzwfO/?utm_source=ig_embed&utm_campaign=loading) Santos, who leads *A Number* as his directorial debut, switches between these versions of Bernard with a terrifying ease. His and Guingona’s performances are the highlight of a production characterized by an immersive but minimalistic stage and sound design, to which artists Miguel Uy and Frankie Lalunio contribute. *A Number* also serves as arts hub [WHYNoT](https://rollingstonephilippines.com/tag/whynot-manila/)’s second dive into theatre production after Guingona’s *Via Dolorosa* in 2025, with a section of the gallery space serving as an impromptu black box. Though he’s had his time in film and television, most notably in Jason Paul Laxamana’s *100 Tula Para Kay Stella* and the ABS-CBN TV series *Till I Met You*, Santos always returns to theatre, which he calls his home. He’s even found more value in it amid the rise of AI. “Dito lumalabas ‘yung value ng teatro, ngayong puro screen na halos ang kaharap natin,” Santos tells *Rolling Stone Philippines*. “Actors and audiences sharing the same space in real time? Sarap!” Here, the actor and first-time theatre director talks to *Rolling Stone Philippines* about why he loves theatre, finding a mentor in Guingona, and what makes *A Number* and theatre so relevant in the age of AI. ![jc santos bart guingona](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/jc-and-bart-a-number.webp) JC Santos and Bart Guingona in *A Number*. Photo courtesy of WHYNoT **How did you first come across Caryl Churchill’s play?** I first encountered this play when I was studying at Circle in the Square Theatre School in New York in 2013. It was the material for our script analysis class. I remember struggling with that class because the script had very few stage directions and minimal punctuation. I had a difficult time contributing to the discussions, so I just enjoyed listening to my classmates interpret the play. But even then, the play stayed with me. I kept a copy of it. I think na-curious ako sa lalim ng play kahit ang bare ng pagkasulat. Looking back, I guess I just needed more time to understand it. And here I am, 13 years later, directing it. **What compelled you to stage it here and now?** I always knew I wanted to play the three versions of the son, but I just didn’t have the right opportunity or the right person to do it with. I wanted to work on this play now because I feel that it speaks directly to what’s happening in the world, especially with the rapid development of technology. AI is making so much noise today, in a way that reminds me of Dolly the sheep back in the ‘90s, when the possibility of cloning suddenly became a very real and public conversation. And now, with AI, deepfakes, and digital life, how do we protect our identities? What happens when something can copy, imitate, or even create a version of us that other people might believe is real? For me, *A Number* is not a play about cloning. It’s about identity, ownership, and what makes us who we are. I think those questions are worth asking now more than ever. **What exactly does** ***A Number*** **have to say about artificial intelligence? What does theater offer in the age of AI?** Technology can imitate voices, reproduce images, and create versions of us that are possibly difficult to distinguish from the real thing. But it can never fully capture what makes us human: our memories, relationships, experiences, and choices. Dito lumalabas ‘yung value ng teatro, ngayong puro screen na halos ang kaharap natin. Naghahanap na ang mga tao ng organic feeling, at sa live performance mo lang iyon makikita at mararamdaman, hindi sa screen. Actors and audiences sharing the same space in real time? Sarap! Ang daming puwedeng mangyaring unexpected kapag live. Iba-iba ‘yan kada palabas at kailangan namin ang immediate response ng audience para makapag-perform. Yes, technology can reproduce an image of a person, but theatre allows us to encounter people in the present. Reminder na ‘yun of what technology cannot do: our ability to feel, connect, empathize, and recognize one another as human beings. **You’ve been directed by Bart Guingona before. What’s it like directing him now? What do you like about working with him?** This is only our second time working together, and so far, it’s been a wonderful experience. We share the same passion for the stage. We simply love reading plays, talking about them, and finding ways to bring them to life. I’ve come to see Bart as a mentor. We often invite people to read plays with us, and that’s how we eventually landed on *A Number*. We can spend an entire night discussing the circumstances of the characters, their motivations, and all the possibilities within a script. What’s interesting about working with him now is that I get to experience him from a different perspective. I’ve been directed by him, and now I’m the one directing him. It’s a different kind of relationship, but there’s a lot of trust and respect between us. As a director, I know how much I can learn from him. And as an actor, I know how much I can discover by working with someone who is just as curious and passionate about the play as I am. ![bart guingona a number](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/bart-guingona-a-number.webp) Guingona’s Salter faces Santos’ Michael Black. Photo courtesy of WHYNoT ***A Number*** **is about a man facing the consequences of attempting to recreate his son and reset his fatherhood. Do you think the story’s themes or philosophy also apply to making art, or in this case, directing a play?** Absolutely. I think there’s something very human about wanting a second chance and believing we can get it right this time. As a director, I have my own interpretation of *A Number*, but theatre is collaborative. The actors, designers, and the play itself all bring something unexpected. I respect and love the rehearsal process, I love putting drama on words, I love discovering new skill sets from working with different artists. Ang saya. Directing this play has taught me that you can guide the work, but you can’t control everything. You have to listen and allow something new to emerge. You can try to recreate something, but you can never completely control what it becomes. **In the past few shows you’ve done, do you find yourself wishing you’d done something differently?** Not really in the sense of regret. With every film or theatre project I’ve done, I feel like I’ve learned something and leveled up in some way. Syempre, when I look back at a performance, there are always things \[like\],“Sana ganito ‘yung ginawa ko,” or “I could’ve made it more convincing.” That’s part of being an actor. You keep discovering new things about a character, even after the show is over. Pero those moments, hindi regrets e. I look at them as opportunities to learn more about myself, to become a better person, and to grow as a storyteller. I think that’s what I love about this profession. You never really arrive at a point where you know everything. Hirap din e. Every project gives you another opportunity to discover something new. So gawa lang ng gawa. **You have a rich background in theatre, on top of the work you do for film and TV. What do you like about being onstage?** Theatre is my home. A huge part of who I am as an artist was shaped onstage. It has taught me to appreciate life and understand people better. Through the characters I’ve played and the plays I’ve read, I’ve had the chance to inhabit different lives and explore human behavior in ways I might never experience myself. I’ve been fortunate to work on plays by writers like Anton Chekhov, Bertolt Brecht, Shakespeare, and David Mamet. Each playwright offers a different way of seeing the world, and every character teaches me something about being human. That’s what keeps me coming back. Theatre continues to teach and challenge me, and reminds me why I fell in love with acting. A Number *runs a few more shows from October 16 to October 18 at WHYNoT, Karrivin Studios, Makati*. *Ticket details are available through WHYNoT’s social media channels*. ## Frequently Asked Questions ### What is Caryl Churchill’s play *A Number* about? *A Number* is Caryl Churchill’s play about Salter, a man who confronts three clones of his son, Bernard, and the guilt of trying to reset his fatherhood. Written in the early 2000s amid cloning debates, it explores identity, ownership, and second chances. ### Who directs and stars in The Necessary Theatre’s production of *A Number*? JC Santos makes his directorial debut with *A Number*, also playing all three versions of Bernard opposite Bart Guingona as Salter. The production is arts hub WHYNoT’s second theatre project, running October 9 to 11 and October 16 to 18 at Karrivin Studios in Makati. ### How does *A Number* relate to artificial intelligence? Though written about human cloning, *A Number* speaks to AI, deepfakes, and digital life by asking how identities are protected when something can copy or imitate them. Santos says the play is not about cloning but about identity, ownership, and what makes us who we are. ### Why does JC Santos say live theatre matters in the age of AI? Santos argues technology can imitate voices and images but cannot capture memories, relationships, experiences, and choices. Live theatre puts actors and audiences in the same space in real time, offering an organic, unrepeatable exchange that screens cannot provide, and a reminder of human empathy and connection. ### Who is Bart Guingona and what is his role in *A Number*? Bart Guingona is a veteran theatre actor and the founder of The Necessary Theatre. He plays Salter, the father in *A Number*, under Santos’s direction. Santos describes him as a mentor, having previously been directed by him, and says the two share a passion for reading plays. Related Stories - [Dulaang UP Reexamines Its Legacy Ahead of Its 50th Season](https://rollingstonephilippines.com/culture/theater/dulaang-up-50th-anniversary/ "Dulaang UP Reexamines Its Legacy Ahead of Its 50th Season") - [In ‘Para Kay Tony,’ Dulaang UP Celebrates a National Artist’s Legacy](https://rollingstonephilippines.com/radar/events/dulaang-up-para-kay-tony/ "In ‘Para Kay Tony,’ Dulaang UP Celebrates a National Artist’s Legacy") - [‘Bongga Ka, ‘Day!’ Proves that There’s Nothing Quite Like Live Theater](https://rollingstonephilippines.com/radar/bongga-ka-day-newport-performing-arts-theater/ "‘Bongga Ka, ‘Day!’ Proves that There’s Nothing Quite Like Live Theater") **Categories:** Culture, Theater **Tags:** Bart Guingona, JC Santos, The Necessary Theatre, Whynot Manila --- ### [Jennie and Kevin Parker Know That Releasing Music Can Feel Like Torture](https://rollingstonephilippines.com/music/pop/jennie-kevin-parker-releasing-music-feel-like-torture/) **Published:** October 14, 2026 **Author:** Elijah Pareño **Excerpt:** The BLACKPINK member and the Tame Impala frontman compare creative routines, solo careers, and the nerves that come with letting the world hear their work **Content:** Pop artist [Jennie](https://rollingstonephilippines.com/tag/jennie/) and producer and writer [Kevin Parker](https://rollingstonephilippines.com/tag/kevin-parker/) are both drawn to mood and creative intuition. Jennie, a member of K-pop group [BLACKPINK](https://rollingstonephilippines.com/tag/blackpink/) and an actress in the series *The Idol*, and Parker, frontman and producer of rock band [Tame Impala](https://rollingstonephilippines.com/tag/tame-impala/), reflected on how they stay locked in as solo artists for Rolling Stone’s *Musicians on Musicians*. On the day of the interview, Parker told Jennie what to expect at that evening’s concert at TD Garden in Boston, Massachusetts. Jennie asked if his shows are usually chaotic, and Parker replied, “It’s very crazy.” The two recently collaborated on a remix of “Dracula,” originally from Tame Impala’s album *Deadbeat*. The remix single has racked up half a billion streams since its release in February. Parker said he couldn’t wrap his head around Jennie learning to act on top of becoming a stellar live performer. He told her she’s a “singer and an artist and everything, and then you just go and act. I’m like, ‘That’s not fair. You’re not supposed to be able to just do that.’” “It’s still a challenge that I feel like I’m headed towards, but I enjoy being the performer and the other side at the same time,” Jennie responds. “I’m trying to be more focused on one project at a time now that I have more time as a solo \[act\]. I’m still figuring it out, though.” ## Pop Collaborations Parker has worked with some of the biggest pop acts himself, co-writing and co-producing [Dua Lipa](https://rollingstonephilippines.com/tag/dua-lipa/)’s 2024 album *Radical Optimism* and remixing [Rihanna](https://rollingstonephilippines.com/tag/rihanna/)’s “New Person, Same Old Mistakes” from her 2016 album *Anti*. He compared Jennie to Dua Lipa, saying both can’t sit still and do everything at once. “\[Dua’s\] a lot like you. She’s always doing stuff. She’s got a book podcast, she’s got a music career. And like you, she does it quite effortlessly,” Parker says. “If I did half of the things that she does in one day, I would need to sleep for four days. I do one thing a day, I’m like, ‘Well, that’s me.’ She’ll duck out from a recording session to interview Monica Lewinsky for a podcast or something, and then she’ll come back and finish the session.” But the excitement of working as a solo artist comes with a fear of the whole world hearing your work, which Parker called “torture.” Jennie said it’s tough not to feel perceived whenever she releases an album. “I wish for the day where I wake up in the morning being like, ‘Ah, release day, the happiest day of my life!’” Jennie says. “Not that I’m not happy, but there’s a lot of overwhelming things that come with it.” ## Frequently Asked Questions ### Who is Jennie? Jennie is a pop artist, a member of the K-pop group BLACKPINK, and an actress in the series *The Idol*. ### Who is Kevin Parker? Kevin Parker is a producer and writer, and the frontman and producer of rock band Tame Impala. ### What is the “Dracula” remix by Jennie and Kevin Parker? It’s a remix of “Dracula,” originally from Tame Impala’s album *Deadbeat*. The remix single has racked up half a billion streams since its release in February. ### What pop artists has Kevin Parker worked with? Parker co-wrote and co-produced Dua Lipa’s 2024 album *Radical Optimism*. He also remixed Rihanna’s “New Person, Same Old Mistakes” from her 2016 album *Anti*. ### What are Jennie’s greatest hits? Jennie’s greatest hits include “Like JENNIE,” “Less than a lover,” “FALLEN ANGEL,” to name a few. Related Stories - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") - [At Lollapalooza, Jennie Comes Fully Realized as a Solo Artist](https://rollingstonephilippines.com/music/pop/jennie-lollapalooza-headlining-performance-recap/ "At Lollapalooza, Jennie Comes Fully Realized as a Solo Artist") - [The ‘2016 Trend’ Reveals Where Culture Stalled and Shifted](https://rollingstonephilippines.com/editors-picks/commentary/2016-trend-shifted-music-culture/ "The ‘2016 Trend’ Reveals Where Culture Stalled and Shifted") **Categories:** Music, Pop **Tags:** Blackpink, Jennie, Kevin Parker --- ### [‘Narnia: The Magician’s Nephew’ Is Taking Us Back Before the Wardrobe in First Trailer](https://rollingstonephilippines.com/culture/film/narnia-magicians-nephew-trailer-before-the-wardrobe/) **Published:** October 14, 2026 **Author:** Elijah Pareño **Excerpt:** The first trailer introduces Digory and Polly’s journey into otherworldly realms, with a magic ring and the White Witch waiting in the wings **Content:** On October 14 (Philippine Standard Time), *[Narnia](https://rollingstonephilippines.com/tag/narnia/): The Magician’s Nephew* unveiled its first trailer ahead of its February 12, 2027 release. Based on C.S. Lewis’s classic children’s series *The Chronicles of Narnia*, the film is directed by *Lady Bird* and *Barbie* director Greta Gerwig. Produced by *[Netflix](https://rollingstonephilippines.com/tag/netflix/)*, the film stars Daniel Craig as Uncle Andrew Ketterley, David McKenna as Digory, Beatrice Campbell as Polly, and Emma Mackey as the White Witch. The film follows children, Digory and Polly, as they discover the otherworldly Narnia. Uncle Andrew becomes their guide, giving them a magic ring that transports them to different fantastical worlds. At the film’s live press launch on October 13, comedian and TV host [Stephen Colbert](https://rollingstonephilippines.com/tag/stephen-colbert/) asked Gerwig about the making of the movie. Gerwig said she doesn’t remember a time when she “didn’t know the books,” because the stories of Narnia influenced her so deeply. *The Magician’s Nephew* book was first published in 1955 and it serves as the official prequel to *The Lion, the Witch and the Wardrobe,* which was published in 1950. The series later received a live-action film adaptation with *Narnia: The Lion, the Witch and the Wardrobe* in 2005, followed by the sequels *Prince Caspian* in 2008 and *The Voyage of the Dawn Treader* in 2010. ## Frequently Asked Questions ### When is *Narnia: The Magician’s Nephew* coming out? *Narnia: The Magician’s Nephew* is set for release on February 12, 2027. Its first trailer was unveiled on October 14. ### Who directed *Narnia: The Magician’s Nephew*? Greta Gerwig directed the film. She is also the director of *Lady Bird* and *Barbie*. ### Who stars in *Narnia: The Magician’s Nephew*? *Narnia: The Magician’s Nephew* stars Daniel Craig as Uncle Andrew Ketterley, David McKenna as Digory, Beatrice Campbell as Polly, and Emma Mackey as the White Witch. ### What is *Narnia: The Magician’s Nephew* about? *Narnia: The Magician’s Nephew* follows two children, Digory and Polly, as they discover the otherworldly Narnia. Uncle Andrew becomes their guide, giving them a magic ring that transports them to different fantastical worlds. ### Where does The Magician’s Nephew fit in The Chronicles of Narnia? It is the official prequel to *The Lion, the Witch and the Wardrobe*. *Narnia: The Magician’s Nephew* was first published in 1955, and the series later received film adaptations. Related Stories - [‘Ray Gunn’ Brings Brad Bird’s Upcoming Animation Into a Grittier Noir World](https://rollingstonephilippines.com/culture/film/ray-gunn-brad-bird-gritty-noir-animation/ "‘Ray Gunn’ Brings Brad Bird’s Upcoming Animation Into a Grittier Noir World") - [Do We Really Need A ‘Harry Potter’ Series?](https://rollingstonephilippines.com/culture/tv/harry-potter-philosophers-stone-series-trailer/ "Do We Really Need A ‘Harry Potter’ Series?") - [5 Video Game Soundtracks from the 2000s That Made Gaming Feel Like Cinema](https://rollingstonephilippines.com/editors-picks/lists/5-video-game-soundtracks-2000s/ "5 Video Game Soundtracks from the 2000s That Made Gaming Feel Like Cinema") **Categories:** Culture, Film **Tags:** Narnia --- ### [The Discourse On Leni Robredo’s Courtesy Call with Israeli Envoy Has Strayed Far](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/leni-robredo-courtesy-call-israel-discourse/) **Published:** October 14, 2026 **Author:** Reyza Ferranco **Content:** Former vice president and Naga City Mayor [Leni Robredo](https://rollingstonephilippines.com/tag/leni-robredo/) has recently been the subject of scrutiny after photos of her [diplomatic meeting](https://www.facebook.com/share/p/1M85iRVsGQ/) with Israeli Ambassador to the Philippines Dana Kursh, dated October 5, sparked debate on whether the encounter amounted to “fence-sitting” or tacit support for Israel amid the ongoing humanitarian crisis and military operations in [Palestine](https://rollingstonephilippines.com/tag/palestine/). The Philippine News Agency previously reported that Kursh visited the Bicol region to explore bilateral cooperation and meet local leaders. Now, a courtesy call does not automatically mean endorsement; that much is clear. A courtesy call varies by politician, but as the Philippine media usually reports, it involves a short, formal meeting that acknowledges leadership and builds rapport between the leaders present. But given Robredo’s big platform and public profile, it is not necessarily politically meaningless, either. In fact, it opened Pandora’s box, and has led to the topic of political purity and how criticism of an opposition is now seen as political sabotage in the country. Online, the issue drew a range of responses, including from Senator [Kiko Pangilinan](https://rollingstonephilippines.com/tag/kiko-pangilinan/), activist and former lawmaker Teddy Casiño, and labor rights activist Leody de Guzman. ## **Between Purists and Pragmatists** Robredo has long been a symbol of hope for some, viewed as the face of the opposition, admired for her transparent leadership, “radical love,” and her wide set of advocacies for the poor and vulnerable. Many Filipinos see her as their unblemished savior, which carries with it a lot of loaded expectations, so it’s considerably valid to be disappointed or baffled by the meeting with a representative of a state involved in oppressing another — contrary to what she is known to advocate for. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/naga-city-tourism-post.webp) Photo from Naga City Tourism/Facebook Since the hosting, some users online have started branding her a “zionist,” and calling her the “lesser evil” compared to President [Ferdinand Marcos Jr](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/). and Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/). Netizens further pointed out that the Naga City Tourism Office publicized the visit on October 7, coinciding with Israel marking the third anniversary of the Hamas-led attacks and the start of the genocide in Palestine, and that the reception could be Israel’s way of “cleaning” their image in the Philippines. The [Philippines-Palestine Friendship Association](https://www.facebook.com/share/p/1Dmq2VdecU/) (PPFA) issued an open call to Robredo, telling her to “not be complicit in the genocide.” According to the organization, “such official diplomatic visits cannot simply be treated as ‘business as usual’ when Palestinians continue to face a grave and unprecedented humanitarian crisis.” [Kabataan Partylist Bicol](https://www.facebook.com/share/p/19tj4FHrkW/) also posted a statement, saying that they call on regional leaders to “account for their engagement with a state responsible for continuing genocide and occupation in Palestine.” Labor rights activist and former presidential aspirant Leody de Guzman weighed in, seemingly mocking the situation by satirizing Robredo’s campaign slogan of “Kulay Rosas ang Bukas” and posting “Kulay Rosas ang Tel Aviv” on Facebook. He later [defended](https://www.facebook.com/share/p/18s1wzd8vf/?mibextid=wwXIfr) himself after receiving backlash from her supporters: “Kapag nagbigay ng puna kay Leni, DDS na agad? Kengkoy niyo rin e. Mas malala pa kayo sa DDS. Malinaw ang aking bias. Lagi kong sinisikap na pumanig sa mga manggagawa’t maralita.” This brought out Robredo’s supporters, who showed that they were against criticizing the mayor, saying that “unjust character assassination” only risks the opportunity to establish a competent and good government in 2028, defending her as the best bet for the presidency in [2028](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-president-survey-win/) against the Dutertes. This was despite Robredo’s repeated [claims](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/leni-robredo-president-2028/) that she no longer intends to run for the presidential seat. For those in defense of Robredo, too much criticism is “performative” and equates to unrealistic wokeness. The term “purity politics” or “moral absolutist” was also heavily used to accuse those criticizing the politician, a mindset that demands strict adherence to a specific or rigid set of political and moral values. But framing the controversy as a question of political purity misses the point, as the opposing side claims. Under this view, invoking pragmatism to discredit criticism risks normalizing political compromises that ultimately protect the same ruling elites the opposition claims to challenge. Photos of other Filipino officials in national and local government who accepted Israeli envoys resurfaced on social media in defense of Robredo’s diplomatic meeting. Some questioned why “online activists” condemning Robredo’s actions had no say over the other leaders who engaged in similar courteous encounters. ![ph politicians who met with israel envoys](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/ph-politicians-israel.webp) Other Filipino politicians who welcomed Israeli envoys. Photo from iMPACT Leadership/Facebook Activist and former lawmaker Teddy Casino, meanwhile, [justified](https://www.facebook.com/share/p/1Mz1jMaGda/) the criticism. According to him, attributing malice or accusing “those who pointed out the lapse as being DDS, Marcos loyalists, or Leftists simply out to discredit her, or a conspiracy of all these groups, is unfair and just plain lazy thinking.” He pointed out that people held Robredo in high regard; thus, higher expectations were set for her. ## **What gets lost in This discourse?** Politics is not simply all-or-nothing. But questioning and criticizing Robredo on this big of an issue is warranted, and it only really suggests that democracy is working. After all, Filipinos should be able to hold even the leaders they find most regarded and well respected accountable. But social media tends to highlight the extremes and it makes everyone stray far from the issue at hand. The battle between the two extremes is already resulting in name-calling from both sides, further fragmenting the opposition, instead of elevating the discourse. The Liberal Party urged the Filipinos to fairly assess the situation, claiming that there’s a difference between diplomatic union and supporting a state’s actions. “Walang naipakitang ebidensiya na sa pagtanggap sa embahador ay nagpahayag si Mayor Robredo ng pagsang-ayon sa mga operasyong militar ng Israel sa Gaza. Magkaiba ang pakikipag-ugnayang diplomatiko at pagsuporta sa mga patakaran ng isang pamahalaan,” they said. Senator Kiko Pangilinan, who was Robredo’s running mate in the 2022 elections, acknowledged the criticisms but also [defended](https://www.facebook.com/share/p/1EUFSWjLEc/) the mayor. “Ang pagharap ng mayor sa isang opisyal ng ibang bansa na bumisita sa kanyang nasasakupan ay hindi pag-endorso ng mga gawain ng nasabing bansa at lalong hindi pag-endorso sa genocide,” he said. As of this writing, Robredo has yet to address the issue surrounding her recent diplomatic meeting, as well as provide a clear stance on the genocide that has killed over [74,000](https://rollingstonephilippines.com/state-of-affairs/politics/gaza-google-maps-satellite-images-rubble/) Palestinians. ## frequently asked questions ### Why is Leni Robredo’s meeting with the Israeli ambassador controversial? Robredo’s October 5 courtesy call with Israeli Ambassador Dana Kursh drew criticism because it came amid Israel’s military operations in Gaza and clashed with her image as an advocate for the vulnerable. Critics see a diplomatic gesture with symbolic weight; defenders say a courtesy call is not an endorsement. ### Does a courtesy call with an ambassador mean endorsement of that country’s policies? No, a courtesy call is a short, formal meeting that acknowledges leadership and builds rapport, and it does not automatically signal endorsement. The Liberal Party and Senator Kiko Pangilinan stressed this distinction, though netizens argue that a high-profile figure’s public engagement still carries political meaning. ### Who criticized Leni Robredo over her meeting with Israeli Ambassador Dana Kursh? Critics include the Philippines-Palestine Friendship Association, Kabataan Partylist Bicol, former lawmaker Teddy Casiño, and labor leader Leody de Guzman. Netizens also argue that the visit cannot be treated as business as usual during the humanitarian crisis in Palestine and that Robredo’s public stature raises expectations of accountability. ### What is purity politics? Purity politics asserts that politicians must strictly adhere to a specific or rigid set of political and moral values. ### Has Leni Robredo responded to the criticism over the Israeli envoy meeting? As of the article’s publication, Robredo has not addressed the controversy or stated a clear position on the war in Gaza. The Liberal Party and Senator Kiko Pangilinan have defended the meeting, saying that receiving an ambassador is diplomatic engagement and not an endorsement of military operations or genocide. Related Stories - [New Google Maps Satellite Images Show Gaza Turn to More Rubble](https://rollingstonephilippines.com/state-of-affairs/politics/gaza-google-maps-satellite-images-rubble/ "New Google Maps Satellite Images Show Gaza Turn to More Rubble") - [Can Leni Robredo Still Be Convinced to Run for President in 2028?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/leni-robredo-president-2028/ "Can Leni Robredo Still Be Convinced to Run for President in 2028?") - [How Gaza’s Crawl Towards Famine Changed Western Media Coverage](https://rollingstonephilippines.com/state-of-affairs/politics/gaza-famine-western-media-coverage/ "How Gaza’s Crawl Towards Famine Changed Western Media Coverage") **Categories:** Philippine Politics, State of Affairs **Tags:** Dana Kursh, Israel, Leni Robredo, Palestine --- ### [Lena Dunham Says Her ‘Girls’ Are No Longer Girls in 2027 Revival](https://rollingstonephilippines.com/culture/tv/lena-dunham-girls-revival-2027/) **Published:** October 14, 2026 **Author:** Pie Gonzaga **Excerpt:** HBO has greenlit a limited series that will see the charming but dysfunctional foursome of Hannah, Marnie, Jessa, and Shoshanna reunite **Content:** [Lena Dunham](https://rollingstonephilippines.com/tag/lena-dunham/)’s *[Girls](https://rollingstonephilippines.com/tag/girls/)* is getting the *And Just Like That…* treatment. 10 years after the HBO dramedy ended in 2017, Dunham, Allison Williams, Jemima Kirke, and [Zosia Mamet](https://rollingstonephilippines.com/tag/zosia-mamet/) are reuniting as the un-fab four in a five-episode revival of the show. It is currently unconfirmed whether [Adam Driver](https://rollingstonephilippines.com/tag/adam-driver/) will reprise his role as Adam, Hannah Horvath’s (Dunham) on-again, off-again boyfriend, but Andrew Rannells will return as Elijah, her ex-boyfriend-turned-gay friend. Judd Apatow is also returning as executive producer. “I’m in, but only because you trash cans need constant supervision,” Rannells quipped in an Instagram video announcing the revival. *Girls*, which ran from 2012 to 2017, follows four women, Hannah, Marnie Michaels (Williams), Jessa Johansson (Kirke), and Shoshanna Shapiro (Mamet), as they navigate their chaotic 20s in New York City. The revival will see the characters where they are years later, Dunham suggests in a [Substack post](https://goodthinggoing.substack.com/p/so-girls-is-coming-back-for-5-fresh). “There was a long period in which it was impossible to imagine reconvening *Girls* — it felt so recent and so big, like a glacier we were sailing away from,” the actress and showrunner wrote. “Then, I turned forty. I thought about the distance I felt — having not yet had a child, having come ‘later’ to marriage, having gone very fast in certain ways and still having some challenges with the washing machine.” She adds, “We are not, strictly speaking, girls anymore. We couldn’t be called precocious, coquettish, or fawn-like. We are older than notorious literary spinsters Bridget Jones, Miss Havisham, and Blanche DuBois. And I couldn’t stop thinking about where our *Girls* would be, and how they’d meet this milestone.” According to [*Variety*](https://variety.com/2026/tv/news/girls-revival-lena-dunham-allison-williams-zosia-mamet-hbo-1236909362/), production for the new *Girls* episodes is set to start in 2027. ## Frequently Asked Questions ### Which *Girls* cast members are returning for the revival? *Girls* showrunner Lena Dunham will return as Hannah Horvath, while Allison Williams, Jemima Kirke, Zosia Mamet, and Andrew Rannells will reprise their roles as Marnie Michaels, Jessa Johansson, Shoshanna Shapiro, and Elijah Krantz, respectively. It is unknown whether other prominent cast members, like Adam Driver, Christopher Abbott, Alex Karpovsky, and Evan Moss-Bachrach, will make appearances on the show. ### Where will the *Girls* revival be available to watch? The five new episodes of *Girls*, expected to come out in 2027, will be available to stream on HBO Max. ### What will the *Girls* revival be about? While Lena Dunham hasn’t shared specific plot details, she has said, “We are older than notorious literary spinsters Bridget Jones, Miss Havisham, and Blanche DuBois. And I couldn’t stop thinking about where our Girls would be, and how they’d meet this milestone.” ### How many seasons of *Girls* are there? There are currently six seasons of *Girls*, which originally aired from 2012 to 2017. ### Why is *Girls* so popular? *Girls* is popular for its authentic and nuanced portrayal of women, as well as its iconic soundtrack and funny, incisive writing. Related Stories - [Lena Dunham’s ‘Too Much’ is No ‘Girls,’ and That’s the Point ](https://rollingstonephilippines.com/culture/film-tv/lena-dunham-too-much-tv-review/ "Lena Dunham’s ‘Too Much’ is No ‘Girls,’ and That’s the Point ") - [Lena Dunham Claims Adam Driver Screamed, Spat, and Threw Chair While Filming ‘Girls’](https://rollingstonephilippines.com/culture/books/lena-dunham-revelations-famesick-memoir/ "Lena Dunham Claims Adam Driver Screamed, Spat, and Threw Chair While Filming ‘Girls’") - [Is ‘Industry’ Season 5 Going for Goop? Its New Stars Clue Us In](https://rollingstonephilippines.com/culture/tv/industry-season-5-cast-dianna-agron/ "Is ‘Industry’ Season 5 Going for Goop? Its New Stars Clue Us In") **Categories:** Culture, TV **Tags:** Girls, HBO Max, LENA DUNHAM --- ### [Robyn and Zara Larsson on Why Pop Needs Women and Queer Songwriters](https://rollingstonephilippines.com/music/pop/robyn-zara-larsson-women-queer-pop-songwriters/) **Published:** October 13, 2026 **Author:** Elijah Pareño **Excerpt:** The Swedish pop stars discuss social issues, industry culture shocks, and the value of working with collaborators who share their experiences **Content:** Swedish pop stars[ Zara Larsson](https://rollingstonephilippines.com/tag/zara-larsson/) and [Robyn](https://rollingstonephilippines.com/tag/robyn/) have crossed paths in the pop world several times. Despite the many collaborations and differences in eras within Sweden’s lineup of pop legends, both artists kept gushing over the fact that they were sharing a room. For [Rolling Stone](https://rollingstonephilippines.com/tag/rolling-stone/)’s *Musicians on Musicians*, Larsson and Robyn spoke to each other about working with queer and female producers, the culture shock of the music industry in America, and making a name for themselves in their home country. Robyn is known for hits like “Show Me Love,” produced with Max Martin, and 2010’s “Dancing on My Own,” which came out more than a decade later. Larsson, on the other hand, found her footing by joining the industry at a young age with hits like 2015’s “Lush Life” and “Never Forget You,” and 2025’s “Midnight Sun.” Larsson showed her appreciation by calling Robyn the “mother of pop music,” but Robyn clarified that getting to where she is now wasn’t easy, especially in the pop industry in the United States, far from her home in Stockholm. “It was really hard to navigate it, actually, because no one else was doing it. So it felt very lonely,” Robyn says. “There was a total culture shock for me coming to America at that time, not having anyone else to look at from where I came from. Because the cultures are different, it was definitely lost in translation.” ## Social Issues and Pop Music Larsson found echoes of her own career in Robyn’s story, from joining the industry young to making a name for herself outside Sweden, even with decades between them. She said she grew up learning about the world online, starting with a blog she kept at 13. Reading about social issues there taught her how people behave and built her empathy and compassion for those affected. That background is why speaking up on these issues comes naturally to her. “In my world, to speak about abortions, immigrants, human rights, that doesn’t feel like a big thing,” Larsson says. “But then you say it and you see the backlash, and you’re like, ‘Oh, whoops!’ If I wasn’t a singer, I think I would still be out there just letting people know how I feel.” Having a platform today also means being responsible with it. With their fans backing the causes they speak up for, Robyn asks Larsson about writing alongside women and queer songwriters. “With women, or with queer people, or with people that have the same references, the same life experiences, you don’t have to explain yourself that much. You’re just understood,” Larsson says. “That can obviously happen with anyone, but I think it’s a shortcut to get the straight men out of there.” ## Frequently Asked Questions ### What are Robyn’s greatest hits? Robyn’s greatest hits include “Show Me Love” and “Dancing on My Own.” ### What are Zara Larsson’s greatest hits? Zara Larsson’s greatest hits include “Lush Life,” “Never Forget You,” “Midnight Sun,” to name a few. ### How old was Zara Larsson when she had a blog? Zara Larsson was only 13 years old when she kept a blog online to interact with the world. ### Who was Robyn’s most frequent collaborator? Robyn’s frequent collaborator is Swedish producer Max Martin. ### What is the title of Zara Larsson’s latest album? Zara Larsson’s latest album is 2025’s *Midnight Sun*. Related Stories - [Robyn Takes a Confident, Physical Turn Ahead of ‘Sexistential’ Album](https://rollingstonephilippines.com/music/music-reviews/robyns-talk-to-me-sexistential-review/ "Robyn Takes a Confident, Physical Turn Ahead of ‘Sexistential’ Album") - [6 of the Best ‘Chicken Shop Date’ Guests, from Andrew Garfield to Cher](https://rollingstonephilippines.com/culture/internet-culture/best-guests-amelia-dimoldenberg-chicken-shop-date/ "6 of the Best ‘Chicken Shop Date’ Guests, from Andrew Garfield to Cher") - [25 Backstreet Boys Songs That Redefined the Boy Band Blueprint](https://rollingstonephilippines.com/editors-picks/lists/25-backstreet-boys-songs-that-redefined-the-boy-band-blueprint/ "25 Backstreet Boys Songs That Redefined the Boy Band Blueprint") **Categories:** Music, Pop **Tags:** Robyn, Zara Larsson --- ### [The Philippines Sits Among Top Scam Hotspots in ASEAN ](https://rollingstonephilippines.com/state-of-affairs/philippines-asean-scam-hotspot-gasa-2026/) **Published:** October 13, 2026 **Author:** Reyza Ferranco **Content:** Last year, the Philippines ranked 27th in technological advancement among 197 countries. But as we learn to navigate better in our digital systems, unfortunately, so do the fraudulent mechanisms. The Global Anti-Scam Alliance (GASA)’s State of Scams Philippines 2026 [study](https://gasa.org/knowledge-base/reports/state-of-scams-in-the-philippines-2026) revealed that 84 percent of Filipino adults have encountered a scam attempt in 2025, with a total loss amounting approximately P121.8 billion in the last year, mainly through digital wallet transfers. This was based on a survey with 1,160 Filipino adults. The Philippines joins Cambodia, Myanmar, and Timor-Leste as the top hotspots for digital fraud in the Association of Southeast Asian Nations ([ASEAN](https://rollingstonephilippines.com/tag/asean/)) countries. “It has not only happened in Cambodia anymore. We see some activities in the borders of Myanmar, in the Philippines, and in Timor-Leste as well,” ASEAN Foundation Executive Director Piti Srisangnam said in a media briefing, citing the study. ## **Anti-Scam Programs and Games** Consequently, the ASEAN Foundation kicked off its “Scam Ready ASEAN Program” in the Philippines on October 12, aiming to equip three million people across Southeast Asia with skills to recognize, avoid, and prevent online frauds by developing two thousand “Master Trainers” to be cascaded in different regions and communities. In the Philippines alone, around 100 master trainers will be deployed. ![scam check ph](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/scam-check-ph.webp) On the site, users can also learn about the common types of scams and learn how to report fraudulent incidents. Screenshot from Scamcheck.ph Website Within the program is an anti-scam game called “Scam Ready,” in collaboration with Google, which is an interactive tool that was developed to help users be more wary of fraudulent schemes online. Meanwhile, the [Scamcheck.ph](https://scamcheck.ph/#checker) website was also launched as another way to verify messages, texts, or emails for potential fraud. The AI-powered site is backed by the [Bangko Sentral ng Pilipinas ](https://rollingstonephilippines.com/tag/bangko-sentral-ng-pilipinas/)(BSP) and the Bank Marketing Association of the Philippines (BMAP). Aside from these interactive programs, the Philippines has Republic Act No. 12010, or the Anti-Financial Account Scamming Act (AFASA), passed in July 2024, which strengthens investigations into online financial fraud and requires banks to detect and flag potential scams in real time. In a [report](https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.gmanetwork.com%2Fnews%2Fmoney%2Feconomy%2F995881%2Fover-500-cases-filed-against-scammers-bsp-warns-banks-may-have-to-reimburse-victims%2Fstory%2F&h=AUADgAxdsT-hSImzN76JnS98b2SL1sW8E-peoA97taovBesK3OXJ7XdtCzNkSsOJQfRYKcwvumOmWN2X546z6GvL43jGxAgK1ZRjuxasjdxoBWcy5MpR-khy9230kxu_TnqmHAy46Ci9BEX9kk88IFEIuxhAVkKPFckT0Q&__tn__=-UK-R&c%5B0%5D=AUDGMbYZX269QuaZ8bnUyUW2JeiLWmruKf7_4oLku6ZwzIkv1OlVdXSdFy4Xkv5O7qe__HzCalxj_Jvgz0xLFOjE7RgRRPCK_feyzJjOThGFep0rljaange0JRRwKh38BJNQYOsoy2FFx2UBHcULixY5ypbiwtLW65P11YDMn1CpGNO-vLF7aaPSyxZGj8I) by *GMA News* last July, there have been more than 500 cases filed against scammers under AFASA. ## FREQUENTLY ASKED QUESTIONS ### What is the State of Scams Philippines 2026 study? GASA’s State of Scams Philippines 2026 study surveyed 1,160 Filipino adults. It found that 84 percent encountered a scam attempt in 2025, causing losses of P121.8 billion, mostly via digital wallets. ### Which countries are scam hotspots in ASEAN? Cambodia, Myanmar, Timor-Leste, and the Philippines are ASEAN’s top scam hotspots. ASEAN Foundation Executive Director Piti Srisangnam said the activity is no longer limited to Cambodia, with cases also seen near Myanmar’s borders. ### What is the Scam Ready ASEAN Program? Scam Ready ASEAN, launched in the Philippines on October 12, is an ASEAN Foundation program aiming to train three million people across Southeast Asia to spot and prevent online fraud. ### How can Filipinos check if a message or email is a scam? Filipinos can check messages, texts, or emails on [Scamcheck.ph](https://scamcheck.ph/#checker), an AI-powered site backed by the Bangko Sentral ng Pilipinas. The “Scam Ready” game, made with Google, trains users to spot fraud. ### What is the Anti-Financial Account Scamming Act (AFASA)? Republic Act No. 12010, enacted in July 2024, strengthens online fraud investigations and requires banks to flag potential scams in real time. GMA News reported over 500 cases filed under it as of July 2026. Related Stories - [Cash-lite, Not Cashless: PH Central Bank’s Goal by 2028](https://rollingstonephilippines.com/state-of-affairs/power/cash-lite-not-cashless-ph-central-banks-goal-2028/ "Cash-lite, Not Cashless: PH Central Bank’s Goal by 2028") - [Plan Ahead, Metro Manila Has a 5-Day Long Weekend in November](https://rollingstonephilippines.com/state-of-affairs/metro-manila-november-long-weekend-asean-summit/ "Plan Ahead, Metro Manila Has a 5-Day Long Weekend in November") - [Pope Leo XIV Has More to Say (And Warn) About AI](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/pope-leo-xiv-disarm-ai-human-dignity/ "Pope Leo XIV Has More to Say (And Warn) About AI") **Categories:** State of Affairs **Tags:** ASEAN, Online Scam, Philippines --- ### [Daine Flexed Her Filipino Roots at Niteharts Music Festival](https://rollingstonephilippines.com/music/dance-electronic/daine-flexes-filipino-roots-niteharts-music-festival/) **Published:** October 13, 2026 **Author:** Elijah Pareño **Excerpt:** The Filipino-Australian electronic pop singer joined the producer for a remix of Ninajirachi’s ‘it’s u,’ following her own Main Stage appearance **Content:** Filipino-Australian pop artist [Daine](https://rollingstonephilippines.com/tag/daine/) performed at electronic music festival Niteharts on October 10. The electronic pop singer took over the Main Stage, sharing the bill with DJs and producers including [Porter Robinson](https://rollingstonephilippines.com/tag/porter-robinson/), RL Grime, Jane Remover, KIMJ, ISOxo, and 2hollis. > [View this post on Instagram](https://www.instagram.com/p/Deap2ogFM25/?utm_source=ig_embed&utm_campaign=loading)[A post shared by daine (@d4ine)](https://www.instagram.com/p/Deap2ogFM25/?utm_source=ig_embed&utm_campaign=loading) The next day, October 11, fellow rising Filipino producer [underscores](https://rollingstonephilippines.com/tag/underscores/) invited Daine on as a surprise guest during her set. Daine performed the remix of [Ninajirachi](https://rollingstonephilippines.com/tag/ninajirachi/)’s “it’s u,” which features her, while waving the Philippine flag. She later shared photos of herself with the flag on social media. Daine released her breakthrough single “PQC” in June. Her rise continues with her cover of Martin Solveig and Dragonette’s dance-pop single “Hello” for Australian radio station triple j’s Like A Version program. Daine is scheduled to release her debut album, *In Endless Awe & Agony*, on November 6. ## Frequently Asked Questions ### Who is Daine? Daine is an Filipino-Australian pop artist. Her breakthrough single is “PQC,” released in June. ### Who did Daine perform with at Niteharts? Daine performed on the Main Stage on October 10, sharing the bill with DJs and producers including Porter Robinson, RL Grime, Jane Remover, KIMJ, ISOxo, and 2hollis. ### What did Daine perform with underscores? Dained performed the remix of Ninajirachi’s “it’s u” alongside underscores. ### What song did Daine cover for Like A Version? Daine covered Martin Solveig and Dragonette’s dance-pop single “Hello” for Australian radio station triple j’s Like A Version program. ### When is Daine’s debut album coming out? Daine’s debut album, *In Endless Awe & Agony*, is scheduled for release on November 6. Related Stories - [Producer obese.dogma777 on ‘Post-Budots’ and Filipino Electronic Music](https://rollingstonephilippines.com/music/producer-obese-dogma777-post-budots-filipino-electronic-music/ "Producer obese.dogma777 on ‘Post-Budots’ and Filipino Electronic Music") - [For Peach, the Joy of Dance Music is Found in Intimacy](https://rollingstonephilippines.com/editors-picks/features/peach-dj-producer-dance-music/ "For Peach, the Joy of Dance Music is Found in Intimacy") - [Why You Should Listen to More Experimental Music, According to RamonPang](https://rollingstonephilippines.com/editors-picks/features/ramon-pang-experimental-music-interview/ "Why You Should Listen to More Experimental Music, According to RamonPang") **Categories:** Dance/Electronic, Music **Tags:** daine --- ### [Kuya Kim Atienza Is More Than Just A Trivia Guy](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/kuya-kim-atienza-mental-health-grief-interview/) **Published:** October 13, 2026 **Author:** Reyza Ferranco **Content:** October marks Mental Health Awareness Month in the Philippines, observed under [Proclamation No. 452](https://ncda.gov.ph/disability-laws/proclamations/proclamation-no-452/). For television host and former politician Kim Atienza, better known as Kuya Kim, the occasion carries a deeply personal meaning after the passing of his daughter, Emman. “People say that the kids nowadays are weak. No, they’re not. They’re just different because the factors that affect their mind are different from the factors that affected our minds,” Atienza tells *Rolling Stone Philippines*. He explains that if “boomers” were the kids now, they would understand the circumstances (like social media) that shape the mental health of young people, which differ from the past. Since the passing of his daughter, Atienza has become more vocal about mental health, recognizing how conversations around it have grown more open and frequent. He believes her passing has encouraged parents to listen more closely to their children and young people to speak more openly about what they are going through. For him, “Emman’s death saves lives.” “So, a little kindness, especially coming from a public person like me, can save a lot of lives. I don’t know how many kids got saved, but hopefully at least one,” he adds. He explains that through his platform, he gets to speak with thousands of young people who want to open up about their worries. He reasoned out that this is why he describes himself as “apolitical” despite coming from a political family to avoid alienating young people across political spectrums who need help. ![kim atienza](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/kim-atienza.webp) Kuya Kim was known for his science and wildlife trivia. Photo by Kim Santos “If I say that I’m pink, then all the DDS kids will stop. If I say I’m DDS, all the Pinklawan kids, it’s going to be awkward for them. It’s easy for me to analyze \[politics\] because I was 12 years a politician and very political as well. But social media, for me, especially Threads, is not the place to be \[divisive\] because of the role that’s given to me, which is to be a safe space for everyone, regardless of political color,” he explains. Atienza has also understood grief in a new way after Emman’s passing, having previously believed it would pass over time. Now, he’s learned it’s not linear, but comes in waves. “My grieving for Emman will never go away because I love Emman. And grief is love that is not realized because she’s gone.” As he continues to honor her life, he finds purpose in grief, saying that fulfilling his daughter’s purpose removes the pain that goes with her death. Ultimately, Atienza does not only want to be remembered for the iconic catchphrase, “Ang buhay ay weather-weather lang!”, his signature hat, or his numerous trivia, but also for the life lessons he taught people: how he taught them to be a little kind, to be a safe space for their colleagues, and the real values of life. “I became a little kinder because of Kuya Kim,” he says, describing the legacy he hopes to leave behind. Besides mental health, he also discussed his past experience in the seminary, his spirituality, and his background in politics. You can watch the full *Rolling Stone Philippine*s Interview on [YouTube](https://youtu.be/UeFlhsbqTRY?si=uRiMBIWvkDHoKFSt). ## frequently asked questions ### Who is Kuya Kim? Kim Atienza, also known as “Kuya Kim,” is a Television presenter, famous for his trivia and the catchphrase “Ang buhay ay weather-weather lang!” He is also a former politician. ### When is Mental Health Awareness Month in the Philippines? Mental Health Awareness Month is observed every October in the Philippines under Proclamation No. 452. ### Why does Kuya Kim describe himself as apolitical? Kim Atienza calls himself apolitical, despite coming from a political family and serving 12 years as a politician, so young people across political lines can approach him for help. He says his role on social media, especially Threads, is to be a safe space regardless of political color. ### How does Kim Atienza describe grief after losing his daughter, Emman? Atienza describes grief as non-linear, arriving in waves rather than passing over time as he once believed. He says his grieving for Emman will never go away because he loves her, calling grief love that is not realized because she is gone. ### Why is Kim Atienza vocal about mental health? Kim Atienza became more vocal about mental health after the death of his daughter, Emman. He says her passing has encouraged parents to listen more closely to their children and young people to speak openly about what they are going through. 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BINI made their Coachella debut in April, and SB19 made their Lollapalooza debut in July. > [View this post on Instagram](https://www.instagram.com/reel/DeahEnLTuto/?utm_source=ig_embed&utm_campaign=loading)[A post shared by SB19 Official (@officialsb19)](https://www.instagram.com/reel/DeahEnLTuto/?utm_source=ig_embed&utm_campaign=loading) It has not been publicly confirmed which other artists submitted music in those Grammy Awards categories. Last July, groups like [BTS](https://rollingstonephilippines.com/tag/bts/) announced they would not submit music for consideration, posting on each member’s Instagram story, “We hope music can be heard and embraced for what it is, beyond region or language.” [Stray Kids](https://rollingstonephilippines.com/tag/stray-kids/) have also joined BTS in not submitting, as confirmed by their management, JYP Entertainment. According to the *Korea Herald*, member Seungmin said the group would rather focus on making music than “chasing” awards. The 69th Grammy Awards is scheduled to air live at the [Crypto.com](http://crypto.com) Arena in Los Angeles, California on February 7, Sunday. ## Frequently Asked Questions ### Which categories did BINI submit for at the 69th Grammy Awards? BINI submitted in three categories: Best New Artist, Best Song Written for Visual Media for “A Parallel World” from the *Forgotten Island* soundtrack, and Best Asian Pop Music Performance for “Unang Kilig.” ### Which categories did SB19 submit for at the 69th Grammy Awards? SB19 submitted in two categories: Best Asian Pop Music Performance for “VISA” and Best Pop Duo/Group Performance for “Lawless.” ### What were BINI and SB19’s milestones abroad? BINI debuted at Coachella last April while SB19 debuted at Lollapalooza last July. ### When did BTS not submit music for the 69th Grammy Awards? BTS announced last July that they would not submit music for consideration, posting on each member’s Instagram story, “We hope music can be heard and embraced for what it is, beyond region or language.” ### When did Stray Kids announce they’re skipping the 69th Grammy Awards? Stray Kids joined BTS in not submitting, as confirmed by their management, JYP Entertainment. 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The films were announced on October 12 at Shangri-La Plaza in Mandaluyong City: *Los Salvajes Bravos*, *Little Hope*, *Seeds of Peace: The Life of Father Rhoel D. Gallardo, CMF*, and *A Perfect Marriage*. *Los Salvajes Bravos* is a historical drama directed by Paolo Dy and starring Ruru Madrid and [Romnick Sarmiento](https://rollingstonephilippines.com/culture/theater/romnick-sarmenta/). *Little Hope* is a family drama written and directed by Benedict Mique, starring Yassi Pressman and Pepe Herrera. *Seeds of Peace: The Life of Father Rhoel D. Gallardo, CMF* is a documentary film directed by Rommel Galapia Ruiz and starring Zaijan Jaranilla and Ping Medina. Rounding up the films is *A Perfect Marriage*, directed by Dan Villegas, top-billed by Kim Chiu and Paulo Avelino. The four other previously announced films back in July were *Second Miracle in Cell No. 7*, *Amir*, *Haunted Carnival*, and *The Greatest Showdown*. The 2026 Metro Manila Film Festival will run in Philippine cinemas from December 25, 2026 until January 7, 2027. ## Frequently Asked Questions ### When does the 2026 Metro Manila Film Festival run? The festival runs in Philippine cinemas from December 25, 2026, to January 7, 2027. ### What are the final four films announced for the 2026 MMFF? The final four films are *Los Salvajes Bravos*, *Little Hope*, *Seeds of Peace: The Life of Father Rhoel D. Gallardo, CMF*, and *A Perfect Marriage*. They were announced on October 12 at Shangri-La Plaza in Mandaluyong City. ### What are the first four films announced for the 2026 MMFF? The other four films were announced in July: *Second Miracle in Cell No. 7*, *Amir*, *Haunted Carnival*, and *The Greatest Showdown*. ### Who stars in the newly announced 2026 MMFF films? Ruru Madrid and Romnick Sarmiento stars in *Los Salvajes Bravos*, Yassi Pressman and Pepe Herrera in *Little Hope*, Zaijan Jaranilla and Ping Medina in *Seeds of Peace*, and Kim Chiu and Paulo Avelino in *A Perfect Marriage*. ### Who directed the newly announced 2026 MMFF films? Paolo Dy directed *Los Salvajes Bravos*, Benedict Mique wrote and directed *Little Hope*, Rommel Galapia Ruiz directed *Seeds of Peace*, and Dan Villegas directed *A Perfect Marriage*. Related Stories - [‘Dreamboi’ Director Rodina Singh on the Realities of Being a Trans Woman in Film](https://rollingstonephilippines.com/culture/philippine-cinema/dreamboi-director-rodina-singh-interview/ "‘Dreamboi’ Director Rodina Singh on the Realities of Being a Trans Woman in Film") - [‘Bar Boys’ Director Kip Oebanda on Making a Hopeful Sequel](https://rollingstonephilippines.com/culture/film/bar-boys-after-school-kip-oepanda-interview/ "‘Bar Boys’ Director Kip Oebanda on Making a Hopeful Sequel") - [Best Films of 2026 So Far: ‘Forgotten Island,’ ‘The Odyssey,’ and More](https://rollingstonephilippines.com/culture/film/best-films-of-2026-so-far-forgotten-island-the-odyssey-and-more/ "Best Films of 2026 So Far: ‘Forgotten Island,’ ‘The Odyssey,’ and More") **Categories:** Culture, Film **Tags:** Metro Manila Film Festival --- ### [Thom Yorke and Harry Styles Get Real About the Cost of Being a Musician](https://rollingstonephilippines.com/music/rock/thom-yorke-harry-styles-musicians-on-musicians/) **Published:** October 12, 2026 **Author:** Elijah Pareño **Excerpt:** Despite their different musical backgrounds, the two artists find familiar ground in the pressures of performing and the uncertainty that comes with creating **Content:** Radiohead frontman [Thom Yorke](https://rollingstonephilippines.com/tag/thom-yorke/) and pop singer [Harry Styles](https://rollingstonephilippines.com/tag/harry-styles/) have found common ground despite their opposite musical backgrounds. The two linked up for *Rolling Stone*’s Musicians on Musicians video published on October 8. Prior to the conversation, they first met in the summer of 2024, when Styles was walking through Rome and caught sight of Yorke. Styles was in the city to see Yorke’s side project, The Smile, perform that same night. “ I think for me through that \[moment of meeting you\] and then the show, it’d always been, you know, you to me had always been that person I was kind of scared of meeting,” Styles tells Yorke. In May, Styles gave a personal tribute to Yorke when he received the Fellowship of The Ivors Academy at the 71st Ivor Novello Awards. During the speech, Styles admitted that he “lost his virginity” to the intro of “Talk Show Host,” a 1996 B-side from Radiohead’s *The Bends*. ## Impostor Syndrome The conversation also turned to the strain of touring. By the time *OK Computer* was released, Yorke said he was sick of the album after recording the songs over and over, and the band wanted to move on from it. Their manager, however, wanted them to play it on tour. Yorke begged them to stop, but the tour went ahead anyway, and it kept going for over two years. “Two years later, we were still going, you know, and that was just really fucked up because the moving on thing is like, yeah, that’s not a luxury. That’s entirely essential,” Yorke says. “I think everybody sort of has their different ways of dealing with this. Like personally, I rely on the sort of thing of not doing it for too long. I wish I could do it for a long time. I can’t.” When Yorke received the Fellowship of The Ivors Academy, he brought up how fans love a song like “Pyramid Song,” which has only three chords, and said he still couldn’t see why people admire his music. Styles then admitted to Yorke that he has struggled with impostor syndrome. “I’ve always wondered if \[a song like ‘Pyramid Song’\] is part of why the impostor syndrome that can come with that commercial success exists,” Styles says. “If you write in that way, it almost feels like you’re not responsible for it. So then if people are like, ‘Oh, you’ve made this thing and that means that you’re this,’ there’s something in there that feels like, ‘Oh, I can’t take credit for it. It just happened to me.’” Yorke told him that impostor syndrome feels like you have nothing to show for yourself are part of the creative process, and that the way through is to keep showing up. When Styles said he sometimes worries his shows feel too easy onstage, Yorke assured him that was normal. “Sometimes it’s fun, but sometimes you’re doing it because you feel you should do it, because you need to stay ahead of the game,” Yorke says. “Or you need to keep proving that you are who you say you are, or other people say you are.” ## Frequently Asked Questions ### Why did Harry Styles say he struggles with Impostor Syndrome? Harry Styles comments about his imposter syndrome, saying “If people are like, “Oh, you’ve made this thing and that means that you’re this,” there’s something in there that feels like, “Oh, I can’t take credit for it. It just happened to me.”” ### What did Thom Yorke say about *OK Computer*? Thom Yorke says that he is “sick” of playing *OK Computer* prior to its release due to repeated performances of the songs during recording. ### What was the first Radiohead song Harry Styles fell in love with? Harry Styles had specifically listened to “Talk Show Host,” a B-side from Radiohead’s 1996 album *The Bends*. ### When did Thom Yorke and Harry Styles first meet? They first met in the summer of 2024, when Styles was walking through Rome and caught sight of Yorke. ### What happened at the Ivor Novello Awards? In May, Harry Styles gave a tribute to Thom Yorke at the 71st Ivor Novello Awards. 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For decades, it was synonymous with high-end Chinese cuisine that brought both familiar and exciting flavors to the local dining scene. Almost three years in since it reopened after halting its operations during the COVID-19 pandemic, Shang Palace has steadily welcomed new and old customers alike back. And now, with a slew of new chefs and a revamped menu, the restaurant looks to re-cement itself as one of the top Chinese restaurants in the country. “This is a thoughtful reset of Shang Palace, one that builds on the restaurant’s longstanding reputation while elevating the overall dining experience,” the hotel says. “We wanted to reaffirm what guests have always loved about Shang Palace while introducing fresh elements that reflect today’s evolving dining expectations.” Leading this reset are Chinese Executive Chef [Damon Ge](https://rollingstonephilippines.com/tag/damon-ge/) and Dim Sum Master [Mark Zhao](https://rollingstonephilippines.com/tag/mark-zhao/), who developed the newly curated menu of Shang Palace. With decades of experience and skill between both of them, Ge and Zhao lend their culinary vision to an inspired menu that highlights authentic Cantonese and Huaiyang cuisines. Beyond that, their dim sum selection also gets an update as guests can treat themselves to handcrafted dim sum and signature specialties, all prepared with an emphasis on authenticity, craftsmanship, and premium ingredients. Beyond the new menu, Shang Palace also gets a subtle makeover with tasteful refurbishments that bring a much warmer and contemporary aesthetic that honors the restaurant’s legacy. The hotel says that it’s “about honouring our heritage while ensuring Shang Palace continues to be one of Manila’s most distinguished destinations for exceptional Chinese dining.” ![xiao long bao shang palace](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/Premium-Xiao-Long-Bao-2.webp) The premium xiao long bao. Photo courtesy of Shang Palace ## Chef Mark Zhao on the Art of Dimsum **In the Philippines, and I would assume other parts of the world, we have a very general understanding of dim sum, but how is it different in China? Are there regions that specialise in different kinds of dimsum?** **Chef Mark Zhao:** Most people only have a vague idea of dim sum, simply grouping cakes, buns, and bread under this term. In reality, dim sum in China has rich, categorized varieties, just like the Eight Great Regional Cuisines and modern fusion dishes. Every region boasts its signature dim sum with unique heritage and characteristics. We have Cantonese dim sum, Huaiyang dim sum, Suzhou boat pastries, the classic Eight Beijing Pastries and countless regional snacks from across the country. Each style embodies its local food culture. I hope diners can savor these delicious treats while gaining deeper insight into the diverse culinary heritage of China. **The menu really celebrates the techniques and the many forms dimsum can take. Can you share more about the art of dim sum that most casual diners may not know?** Most guests judge dim sum merely by its appearance, taste and visual presentation, yet its production process is extremely intricate. Every single step matters greatly, from raw material selection and preliminary ingredient processing, filling and wrapper preparation, precise heat control during cooking, all the way to final plating for guests. Take our King Prawn Har Gow as an example. Most diners assume the translucent wrappers are rolled out with a rolling pin, which is incorrect. Har Gow wrappers are made via a unique craft: chefs tap the dough gently slice by slice with a cleaver, then wrap seasoned whole prawns to shape the dumplings. This cleaver-tapping wrapper technique is a lesser-known artistic craft unknown to most regular customers. **The fillings had very clean flavors that didn’t overwhelm the wrapper. Can you share more about the importance and intricacies of each component?** The precise, well-calibrated ratio between fillings and wrappers creates a perfectly balanced dim sum. Our Shanghai Soup Dumplings are a prime illustration: the wrappers are soft, resilient and crystal clear, encasing aromatic pork meat and abundant savory broth. The dough retains natural wheat fragrance while effectively locking in the juicy soup inside. This delicate craft carries generations of culinary wisdom and fully showcases the master’s refined skill. ![mapo tofu lobster shang palace](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/Mapo-Tofu-Lobster-2.webp) The mapo tofu lobster. Photo courtesy of Shang Palace ## Chef Damon Go on His Culinary Vision and Debunking Misconceptions **Beyond continuing the legacy of Shang Palace, what did you want to celebrate or focus on with this new menu?** **Chef Damon Ge:** While staying true to Shang Palace’s rich Cantonese heritage, our refreshed menu celebrates the authenticity and craftsmanship of both Cantonese and Huaiyang culinary traditions, thoughtfully presented with a contemporary perspective. What sets us apart is our commitment to preserving time-honoured techniques and authentic flavours while embracing refined, modern interpretations that resonate with today’s discerning diners. It is a careful balance of tradition and innovation, offering guests a dining experience that is both rooted in heritage and relevant to the present. **How do you balance catering to the demands of the diner with your own culinary vision?** Guest preferences lay the foundation for every dish we craft — food must resonate with those who dine with us. Meanwhile, my culinary philosophy is the soul of each creation. I build every recipe around Filipino guests’ authentic taste preferences and dining expectations, while staying true to preserving natural ingredient flavours and the core spirit of traditional Chinese cooking. I strike a harmonious balance between broad customer appeal and my personal culinary expression, so diners can enjoy satisfying meals while tasting my unique cooking style. **What are some misconceptions when it comes to Chinese cuisine that you want to address as head chef?** There are many one-sided misunderstandings about Chinese food overseas that I hope to clarify. One, many believe all Chinese food is heavy in oil and salt. In fact, traditional Chinese cuisine prioritises clean, natural flavors, featuring abundant light cooking techniques such as steaming, slow simmering and blanching. Lots of international guests think Chinese food only offers sweet-and-sour flavours, with Sweet and Sour Pork being their sole reference. The Eight Great Cuisines feature vastly distinct flavor profiles, including savory umami, rich sauce aroma, numbing-spicy, and mellow aged tastes, all fully represented in our menu through varied cooking methods. And lastly, Chinese cooking is far more complex than many imagine. It follows strict standards for knife skills, heat timing, and seasoning. Rooted in thousands of years of food culture, it honours seasonal produce, dining etiquette and subtle flavours worthy of thoughtful appreciation. **Are there any personal stories or inspirations behind the menu?** This menu draws inspiration from my childhood memories and the core traditions of Chinese cuisine. Many dishes recreate the comforting homemade Chinese flavours I grew up eating, which form the unshakable foundation of my culinary identity. *Shang Palace is located on the second floor of Makati Shangri-La. You may call (*[*02) 8813*](https://www.google.com/search?q=shang+palace+location&oq=shang+palace+location&gs_lcrp=EgZjaHJvbWUyBggAEEUYOTINCAEQABiSAxiABBiKBTINCAIQABiGAxiABBiKBTINCAMQABiGAxiABBiKBTINCAQQABiGAxiABBiKBTINCAUQABiGAxiABBiKBTIHCAYQABjvBTIHCAcQABjvBTIHCAgQABjvBTIKCAkQABiiBBiJBdIBCDYxMTlqMGo3qAIAsAIA&sourceid=chrome&ie=UTF-8&safe=active&ssui=on&zx=1787886299661#) *8888 for more details.* Related Stories - [Meet the Tough Guy Running Brontë, Makati’s Newest Steakhouse](https://rollingstonephilippines.com/culture/food/wade-watson-bronte-makati-steakhouse/ "Meet the Tough Guy Running Brontë, Makati’s Newest Steakhouse") - [For Cafe Mediterranean, Food Is a Platform for Palestine](https://rollingstonephilippines.com/state-of-affairs/power/cafe-mediterranean-food-platform-palestine/ "For Cafe Mediterranean, Food Is a Platform for Palestine") - [What’s In Uma Nota’s Newest Brazilian Japanese Tasting Menu?](https://rollingstonephilippines.com/culture/food/uma-nota-brazilian-japanese-tasting-menu/ "What’s In Uma Nota’s Newest Brazilian Japanese Tasting Menu?") **Categories:** Culture, Food **Tags:** Damon Ge, Mark Zhao, Shang Palace --- ### [EZ Mil Recruits Eminem for a ‘Naruto’-Inspired Track ‘Madara’](https://rollingstonephilippines.com/music/hiphop-rnb/ez-mil-eminem-madara-naruto-inspired-track/) **Published:** October 12, 2026 **Author:** Elijah Pareño **Excerpt:** The anime-inspired track also features Japanese rapper Hideyoshi on the chorus and Neil Kaplan, the English dub voice behind the Uchiha clan’s notorious villain **Content:** Filipino rapper [EZ Mil](https://rollingstonephilippines.com/tag/ez-mil/) has released “Madara,” a collaborative single featuring rap icon [Eminem](https://rollingstonephilippines.com/tag/eminem/). The track is part of his follow-up EP, *3RD WRLD VOL. 2*, and is based on the famous *Naruto* villain Madara Uchiha. > [View this post on Instagram](https://www.instagram.com/reel/DeYD3ECA-8E/?utm_source=ig_embed&utm_campaign=loading)[A post shared by EZ MIL (@ezekielmiller)](https://www.instagram.com/reel/DeYD3ECA-8E/?utm_source=ig_embed&utm_campaign=loading) The single also features Japanese rapper Hideyoshi on the chorus and Neil Kaplan, the English dub voice actor behind Madara Uchiha. EZ Mil and Eminem trade verses throughout the song. EZ Mil learned Japanese to pay homage to the anime, while Eminem fires back at his critics and credits producer Dr. Dre for believing in him from the very beginning. This isn’t the first time EZ Mil has worked with Eminem. They first collaborated on EZ Mil’s album *DU4LI7Y: REDUX* in 2023, then on Eminem’s *The Death of Slim Shady (Coup de Grace)* in 2024. EZ Mil then became the first Filipino to sign with Eminem’s *Slim Shady Records* and Dr. Dre’s *Aftermath Entertainment*. ## Frequently Asked Questions ### What is EZ Mil’s “Madara” about? “Madara” is a collaborative single by EZ Mil featuring Eminem, based on the *Naruto* villain Madara Uchiha. ### Who is featured on EZ Mil’s “Madara”? The single features rap icon Eminem, Japanese rapper Hideyoshi on the chorus, and Neil Kaplan, the English dub voice actor behind Madara Uchiha. ### What EP is “Madara” from? “Madara” is part of EZ Mil’s follow-up EP, *3RD WRLD VOL. 2*. ### What is Eminem’s frequent collaborator? Eminem frequently collaborates with producer Dr. Dre. ### What are EZ Mil and Eminem’s collaborations? EZ Mil and Eminem first collaborated on EZ Mil’s album *DU4LI7Y: REDUX* in 2023, and again on Eminem’s *The Death of Slim Shady (Coup de Grace)* in 2024. 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The Pope, who announced on October 11 that he would undergo surgery to remove a lung nodule discovered during a recent medical examination, has increasingly emphasized the need to ensure that technological advancement does not come at the expense of humanity. In his first encyclical titled “[Magnifica Humanitas,](https://rollingstonephilippines.com/state-of-affairs/pope-leo-xiv-ai-encyclical-magnifica-humanitas/)” published on May 25, he defined “disarming technology” as preventing it from dominating humanity instead of completely rejecting it. The Pope brought up the issue again in various international symposiums and during his visit to the UNESCO headquarters on September 25, before reiterating the concerns in a series of X posts and sermons this October. ## **Efficiency as a criterion** Efficiency is one of the reasons why people turn to AI, as others argue. Technology has been manufactured to process information faster and provide whatever is needed with a mere click, something that humans would take longer to achieve. But having this criterion ingrained in society only leverages the technology and devalues the distinctly human intelligence and capabilities of critical thinking and judgment. ![unesco pope visit](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/unesco-pope-ai.webp) The Pope brought a message of “peace, human dignity, and dialogue” during his UNESCO visit on September 25. Photo from UNESCO During his UNESCO visit, the Supreme Pontiff explained that the paradox of dehumanization has become “increasingly evident” as we continue to attribute intelligence to computation systems. According to him, people now struggle to recognize the “inalienable dignity of human persons,” and so he warned against a society in which people are judged according to efficiency and, when considered no longer productive, are “rejected and discarded.” ## **‘Algorithms lack the spark’** In an X post last October 2, he argued that human creativity must be distinguished from machine-generated work, saying that there is an “ontological difference, even before an aesthetic one.” He called on artists and cultural institutions to renew an alliance with the Church to “safeguard our humanity,” as algorithms lack the spark that gives art meaning. “The Church needs you,” he told artists on the same day in the [Vatican](https://www.vatican.va/content/leo-xiv/en/speeches/2026/october/documents/20261002-artisti-dce.html). > In this era of artificial intelligence, it is becoming urgent to distinguish human art from what machines produce. There is an ontological difference, even before an aesthetic one, between art and what a machine can generate through statistical calculation based on millions of images created by others. Algorithms lack the spark of humanity. For this reason, the Church wishes to renew an alliance with artists and cultural institutions to safeguard our humanity. > > — Pope Leo XIV (@Pontifex) [October 2, 2026](https://x.com/Pontifex/status/2105983638147891490?ref_src=twsrc%5Etfw) He also said in a separate post on [October 9](https://x.com/pontifex/status/2108248557891584140?s=46) that intelligence must be grounded in memory. What separates human intelligence from that of artificial is that humans “recall lived experiences, which contain depths of meaning that only the human soul can recognize, and connect more deeply with the goodness of these experiences.” While algorithms can process information faster than humans, he said, they cannot recognize the depths of meaning people draw from their experiences in the same way the human soul can. He described the soul and experience as carrying “a breath, dynamism, and a sense of communion,” which is engraved on a human’s heart. ## **What does the tech industry say?** The Pope’s position has long drawn criticism from the industry since the release of his first encyclical, which includes his criticisms of the influence of technological systems. In a recent talk, tech billionaire and PayPal co-founder Peter Thiel, for one, slammed the Pope’s concerns, saying that he is exploiting public fear to “boost their own popularity.” In a [*Politiko*](https://www.politico.com/news/2026/10/08/peter-thiel-ai-obama-pope-leo-01112122) report, Thiel said that AI is the “threat über alles of late modernity.” He further added that it was the reason why the Pope wrote his first encyclical: “he needed something politically popular to distract from the church’s child sex abuse scandals, and he found it in AI.” ## FREQUENCY ASKED QUESTIONS ### What does Pope Leo XIV mean by “disarming” technology? Pope Leo XIV uses “disarming” technology to mean preventing it from dominating humanity, not rejecting it outright. He introduced the idea in his first encyclical, “Magnifica Humanitas,” published last May, and has since repeated that human dignity must stay at the forefront of technological progress. ### Why does Pope Leo XIV say efficiency is a problem in how society uses AI? Pope Leo XIV warns that treating efficiency as the main criterion devalues distinctly human capacities like critical thinking and judgment. At UNESCO on September 25, he cautioned against a society where people judged unproductive are “rejected and discarded,” calling the dehumanization paradox increasingly evident. ### How does Pope Leo XIV say human intelligence differs from artificial intelligence? Pope Leo XIV says human intelligence is grounded in memory: people recall lived experiences carrying depths of meaning that only the human soul can recognize. In an October 9 post on X, he said algorithms process information faster but cannot grasp that meaning the way humans do. ### What did Pope Leo XIV say about AI-generated art and creativity? On October 2, Pope Leo XIV wrote on X that there is an ontological difference, even before an aesthetic one, between human creativity and machine-generated work. He urged artists and cultural institutions to renew their alliance with the Church, arguing algorithms lack the spark that gives art meaning. ### How has Peter Thiel responded to Pope Leo XIV’s AI warnings? Peter Thiel has criticized the Pope’s concerns, saying he is exploiting public fear to boost his own popularity. Per Politiko, he also said AI is the “threat über alles of late modernity” and claimed the encyclical was a politically popular distraction from church scandals. 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Put her in laced corsets, old houses, and a world where everyone speaks as though they have never heard of any internet slang, and I am seated. But playing an evil, menacing, and manipulative woman set in the 19th century? Oh, I was on the edge of my seat (and a bit terrified). Netflix’s *East of Eden* opens with a badly beaten and bloodied Cathy Ames (Florence Pugh), crawling in an empty field with just enough strength to reach the house of the two Trask brothers, Adam (Christopher Abbott) and Charles (Mike Faist). After they let her into their house, we get taken back to the brothers’ childhood, where the generational trauma and the wrestle between good and evil start to unfold. Before we even know her, Cathy tells us in the show’s monologue that there are monsters born to human parents. John Steinbeck’s *East of Eden* tells the story of two families — the Trasks and the Hamiltons — in a retelling of the biblical story of Cain and Abel in Genesis. In this adaptation, they zoomed in on the Trask brothers, Adam and Charles, and we get to know them long before Cathy enters the picture. The narrowing comes at a cost, as we weren’t able to see much of the Hamiltons, who play a crucial role in the story’s central theme of good and evil. We later see Cathy give birth to Cal (Joseph Zada) and Aron (Joe Anders), bringing the story’s conflict to the next generation. ![adam and charles trask](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/adam-and-charles.webp) The Trask brothers. Photo from Netflix Unlike other Netflix shows, *East of Eden* is not something you can watch absentmindedly. Just like the 600-page book written by John Steinbeck, the show demands the same patience. Others may deem the story boring, but its deliberate pacing is part of what makes it compelling, or, at very least, what gives it room to be. ## **Cathy as the Central Character** Many debate over how Cathy was characterized. Readers of Steinbeck’s book could say that she was just inherently evil, with no trauma to justify why she grew up the way she is. But I personally appreciated show creator Zoe Kazan’s choice of giving Cathy a more developed psychological background rather than simply framing her as someone born a “psychic monster” with a “malformed soul,” like how Steinbeck might suggest. Instead of making Cathy less evil, or worse, redeemable, Kazan makes her even more complex. Cathy remains cunning and manipulative, and although she has the moral agency to be good, she openly chooses not to. If anything, the show applies the very same concept of “thou mayest” to Cathy, who, unbothered by the consequences, still chose evil. ![florence pugh as cathy ames](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/cathy.webp) Florence Pugh as Cathy Ames. Photo from Netflix In the book, she was an allegory for Satan, plain and simple. Separate from the human characters she revolved around. If *East of Eden* is ultimately interested in whether people are born good or evil or whether they have the capacity to choose what they become, then the show makes it clear that Cathy cannot simply exist outside the question. ## **The Show Tries Its Best** I was fresh from finishing the book, and so I was highly invested and had great expectations for the Netflix adaptation. It’s safe to say that the series tried its best to remain faithful to the 1952 novel, but while running over seven hours, it still felt lacking and frustratingly incomplete. The cast, however, was brilliant. Though I would give more praise to Florence as Cathy, Hoon Lee as Lee, and Joseph Zada (the standout, in my opinion) as the beloved Cal. I truly rooted for Lee, who was the moral and emotional anchor of the Trasks, and Cal, the son who desperately wished to be good unlike his mother. Mike Faist played Charles Trask well, but I am still conflicted about his reappearance in the latter parts despite his death in the earlier episodes, and how they seemingly made Cathy in love with him. ![joseph zada as cal trask](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/cal-trask.webp) Joseph Zada as Cal Trask. Photo from Netflix I only wish we saw more of the Hamiltons, especially Samuel (Ciarán Hinds), as they play a crucial role in the exploration of morality. Two episodes with limited scenes of them could barely capture the wisdom and spirit of Sam. Now, good and evil are such familiar concepts that it can almost feel embarrassingly simple, yet rarely does it ever get dissected sufficiently. The book *East of Eden* never really made that distinction so easy, but instead, it introduces ‘timshel,’ or having a choice, and spends time asking whether sin is inherited or whether anyone can escape the nature they were seemingly handed at birth. This tension was crucial to the story, and this is why the “thou mayest” or ‘timshel’ conversations felt wanting, failing to be explored more directly through Sam, the Trasks, and Lee. ![lee and sam hamilton](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/lee-and-sam.webp) Hoon Lee as Lee and Ciarán Hinds as Samuel Hamilton. Photo from Netflix As stacked as *East of Eden*’s production was, it could not escape the so-called “Netflix lighting.” The cinematography was bold, but there were scenes so dark you could barely see what was happening. Atmospheric lighting is understandable, but not so when the audience struggles to decipher what’s going on even with maximum screen brightness. But despite the shortcomings and frustrating incompleteness of the show, Kazan’s adaptation was a riveting and brilliant watch and made sufficient use of the time it had. I only wish it had a bit more. The miniseries is now showing on Netflix. ## FREQUENTLY ASKED QUESTIONS ### Who plays Cathy Ames in Netflix’s *East of Eden*? Florence Pugh plays Cathy Ames in Netflix’s East of Eden, created by Zoe Kazan from John Steinbeck’s novel. Cathy is the cunning, manipulative woman whose arrival fractures the Trask family, and Pugh’s performance is one of the adaptation’s strongest elements. ### How does Netflix’s *East of Eden* differ from Steinbeck’s novel in its portrayal of Cathy? The series gives Cathy Ames a developed psychological background, where Steinbeck’s novel treats her as an inherently evil figure, an allegory for Satan. Zoe Kazan’s version keeps Cathy cunning and manipulative, but frames her being evil as a choice. ### What does timshel mean in *East of Eden*? Timshel, often rendered as “thou mayest,” is the novel’s central idea that people have the capacity to choose between good and evil rather than being fated by inheritance. It frames the story’s question of whether sin is inherited, and the Netflix series explores it less fully than the book. ### Why does the Netflix adaptation of *East of Eden* feel incomplete? The series runs over seven hours yet focuses on the Trask family, and the narrowing leaves the Hamilton’s wisdom lessened, the novel’s morality themes, especially the “timshel” conversations, underdeveloped, and dark “Netflix lighting” further obscures several scenes. ### Who are the main cast members of Netflix’s *East of Eden*? The cast includes Florence Pugh as Cathy Ames, Christopher Abbott as Adam Trask, Mike Faist as Charles Trask, Joseph Zada as Cal, Hoon Lee as Lee, and Ciarán Hinds as Samuel Hamilton. 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As the exclusive show of his tour in Southeast Asia, the Indonesian capital will host more than 77,000 concertgoers in the Gelora Bung Karno stadium, the third-largest stadium in the region. [Raw Vision Collective](https://rollingstonephilippines.com/tag/raw-vision-collective/), the show’s organizers, told *Rolling Stone Philippines* about the unprecedented level of international interest for the upcoming show, attracting fans from across the region, as well as countries like Australia and India. “So far, from the data, this is the highest percentage of international tourists flying in to watch a concert in Indonesia,” says Karen Tjahja, Chief Marketing Officer of Raw Vision Collective. “This is the first time in the history of concerts in Indonesia where it exceeds more than 5 to 9 percent of concertgoers from the international market.” Tjahja notes that while other live music events in Indonesia — like [Blackpink](https://rollingstonephilippines.com/tag/blackpink/)’s *<DEADLINE> World Tour*, Java Jazz Festival, or Djakarta Warehouse Project — have attracted high numbers of attendees, the international interest for a single show stop in Southeast Asia has made this concert unprecedented. “We are currently in talks with airlines to increase the flight numbers to supply the demand that is present currently. We’ve been in calls with an airline from the Philippines because currently we only have two flights coming into \[Jakarta\] per day, but the demand has exceeded that from the Philippines.” In recent years, Southeast Asia’s live music industry for international artists has experienced a boom. In 2023, Singapore’s six shows of [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/)’s *Eras Tour* sold out, which was estimated to generate up to US$500 million in tourism-related revenue. Analysts estimated that Coldplay’s six-show *Music of the Sphere World Tour* in 2024, which also sold out, contributed S$96 million to the city-state, assuming that overseas fans stayed an average of three days and spent S$1,600 on purchases related to the concert. Thailand is pursuing a similar strategy, with the government set to invest more than 2 billion baht, around US$61.5 million, to host the Belgian electronic music festival [Tomorrowland ](https://rollingstonephilippines.com/tag/tomorrowland/)for five years starting 2026. With the international interest for Ye’s upcoming show, it’s safe to say Indonesia is catching wind of this big business. ## What it Takes to Mount a Ye Concert ![raw vision collective official press conference with jakarta government](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/press-Conference-ye-in-jakarta-govt.webp) In September 2026, Raw Vision Collective held a press conference alongside government representatives to address the major economic and logistical operations for Ye’s upcoming concert. Photo from Raw Vision Collective When asked about mounting a concert of this scale, Tjahja detailed the high-level of coordination with the local government, including Indonesia’ Ministry of Tourism. “When we locked this concert, the first thing we did was meet with the government of Jakarta to make sure they approve of this. They’re very supportive,” Tjahja says, describing how Raw Vision Collective presented an economic impact assessment modelled on the first 24 hours of sales, which provided support for public transportation subsidies of Jakarta’s modern rapid transit system (MRT), the country’s first subway system completed in 2019. “The MRT has a certain fee, and we’ve been proposing a cheaper price for ticket holders.” Tjahja also described the meticulous liaison with Ye’s production team. After one of the collective’s partners got an offer to host Ye in Indonesia, they flew to Los Angeles to meet with his team. “We were there during the shooting of his music video for ‘FATHER,’ and we really grew close with his management.” Tjahja described how Ye could’ve left much of the liaison to his team, yet he was so detailed, she says, to the point that, during the listening party for his album *Bully* in Jakarta last April, Ye went out of his way to ensure all the lights were according to his technical rider. “He is very particular with the production, which is really amazing,” Tjahja stresses, “He is bringing the globe that he uses \[in his world tour\], and it will be fully operated by his production team. He wants to make sure that everything is according to the specs that he wants.” Tjahja says that Raw Vision Collective are wary of calling themselves a promoter in the traditional sense. “We started off being a collective of friends from different backgrounds. Some are from energy and minerals, food and beverage, even music too. But we are all united for the love of music.” After bringing genre heavyweights like techno music pioneer [Jeff Mills](https://rollingstonephilippines.com/tag/jeff-mills/) and Detroit producer Moodymann, the task of hosting one of hip-hop’s most influential artists is something they want to do in their own way: by having a more personal relationship with artists, rather than just mounting a one-off concert. “Right now, a lot of promoters book concerts from agents, a lot of them are Live Nation and AEG. We don’t want to compete against them. We want to complete the ecosystem and bring all these artists that are not in their pipeline, \[including\] independent musicians and DJs,” Tjahja says, pointing out how, despite his stature in the industry, Ye is fully independent and managed by his team. “\[We\] just have a different appetite. We see that gap, and we do have all kinds of music talents around the world that we can learn from, such as Jeff Mills and Moodymann. I think there’s that idealism within the group that we want Indonesians to know more about these artists.” ## Frequently Asked Questions ### **What is Ye Live in Concert?** *Ye Live in Concert* is the 2026 world tour of rap artist Ye, formerly known as Kanye West. ### **When is Ye performing in Jakarta?** Ye is bringing his world tour show to Jakarta on October 24. ### **Is Ye performing in other countries in Southeast Asia?** No, Ye’s only stop in Southeast Asia is Jakarta. ### **Are many foreigners attending Ye’s concert in Jakarta?** Yes. Raw Vision Collective, the show’s organizers, told *Rolling Stone Philippines* about the unprecedented level of international interest for the upcoming show, starting that it is the first time in the history of concerts in Indonesia where it exceeds more than 5 to 9 percent of concertgoers from the international market. ### **What is Raw Vision Collective?** Raw Vision Collective is a Jakarta-based music collective and events promoter that has brought artists like Moodymann, Jeff Mills, and Ye. 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After teasers of each track were posted on October 5, fans have noticed that one of its latter tracks, “You’re Under Arrest,” sounds a lot like [Budots](https://rollingstonephilippines.com/tag/budots/), the Filipino electronic dance music genre. In the visuals for “You’re Under Arrest,” which was uploaded on the group’s YouTube channel, members Wonhee, Iroha, Minju, and Yunah dance at a party while a whistle plays over a techno beat. Filipino ILLIT fans online were quick to speculate that the song was inspired by the sound of Budots. Neither ILLIT nor their management, BELIFT LAB, has commented on or confirmed any similarities between Budots and “You’re Under Arrest.” The song was produced by Korean producers “hitman” Bang, Slow Rabbit, and Argentinian electronic music duo EQ. Budots is a grassroots electronic dance music genre pioneered in the early 2000s by Davao-based DJ and producer Sherwin Tuna, better known as [DJ Love](https://rollingstonephilippines.com/tag/dj-love/). ## Frequently Asked Questions ### Who is in ILLIT? Currently the active members of ILLIT are Wonhee, Iroha, Minju, and Yunah. ### What is the title of ILLIT’s latest mini-album? The title of ILLIT’s latest mini-album is called *BREAK EVEN*. ### What ILLIT track is rumored to have a Budots inspiration? The ILLIT track “You’re Under Arrest” is speculated to take notes from the Filipino dance music genre Budots. ### What is ILLIT’s talent management at the moment? ILLIT’s current talent management is BELIFT LAB*.* ### Who pioneered the Budots dance genre? Sherwin Tuna, better known as DJ Love, pioneered the electronic dance music genre in the early 2000s. 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But in a way, it may have been destined from the very beginning. “I was born the exact same year the first *Street Fighter* game came out, 1987,” he says in an interview exclusive to *Rolling Stone Philippines*. Set in 1993, *Street Fighter* follows Ryu (Koji) and his friend and rival Ken Masters ([Noah Centineo](https://rollingstonephilippines.com/tag/noah-centineo/)) as they are pulled into the World Warrior Tournament by the mysterious Chun-Li (Callina Liang). The cast is an [eclectic mix](https://rollingstonephilippines.com/culture/film/street-fighter-first-look-bro-energy/) that includes WWE stars Roman Reigns and Cody Rhodes alongside David Dastmalchian, Eric André, [50 Cent](https://rollingstonephilippines.com/tag/50-cent/), Jason Momoa, Orville Peck, Vidyut Jammwal, and more. At the film’s helm is [Kitao Sakurai](https://rollingstonephilippines.com/tag/kitao-sakurai/), best known for directing *The Eric André Show*. Koji has spent well over a decade working as an actor on film, TV, and theater. In 2013, he did stunt work for *Fast & Furious 6*, and in 2022, he played the Yakuza member Yuichi/The Father in David Leitch’s 2022 film *Bullet Train*. With *Street Fighter*, he finally takes on a lead role that could make him a household name. But for him, playing a beloved video game character is more than that. “The pitfall of a character like Ryu is that he could become an archetype — the stoic, serious martial artist,” he says. “The question was, ‘How do you make that interesting, three-dimensional, layered and human?’” Here, Koji talks about his competitive and supportive dynamic with Centineo, training for *Street Fighter*’s fight scenes, and why he hopes his version of Ryu will resonate with the next generation of Asian fans. **Apparently, on set, you and Noah Centineo, who plays Ryu’s friend and rival, Ken, were extremely competitive all the time. Is that true?** Yeah, we fought everywhere. We fought in the gym, in the sauna, at barbecues, on set, off set. Even last night we had a verbal spar, texting each other. I give him a lot of shit, which is just as it should be, given the characters we’re playing! **You seem to know Ryu inside and out. Did you play the original** ***Street Fighter*** **video game a lot as a kid?** Oh yes. In fact, I was born the exact same year the first *Street Fighter* game came out, 1987. So, I didn’t play the original, but I did play the second. I was a gamer. I am a gamer. I just have less time for it these days. I wasn’t very good at *Street Fighter,* but I always played as Ryu because he was Japanese and \[as a kid\] he looked how I’d like to have looked. Ryu looked badass, essentially. And he was one of the few Asian characters that we had to play as, growing up. Ironically, I was probably more of a *Tekken* guy as a kid because I found it easier than *Street Fighter*! Although I’ve gotten a bit better at it now. **So, as a Ryu fan yourself, what was it like, walking out onto set as him?** Honestly, initially I had quite a lot of doubt that I could pull it off. Ryu is iconic. There is a lot of pressure playing a character who has lived so long in the minds of fans, mine included. But I did a lot of bulking, which meant that eventually the gi \[the traditional, loose-fitting white karate outfit worn during practice and competitions\] and bandana felt like they fit right. ![noah centineo and andrew koji as ken masters and ryu in street fighter](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/noah-centineo-andrew-koji.webp) Centineo and Koji in *Street Fighter*. Photo courtesy of Paramount Pictures The first time I maybe had real confidence in it was the first time that Noah and I did the camera test. We saw that back and we thought, “Okay… we can do this.” At first, this character and film felt like a hard tone to find. Because the tone for *Street Fighter* is kind of a balancing act. There are serious sides to it, but it’s also very fun and almost cartoonishly comical sometimes. But when we did that camera test, all of us felt like we had the tone down. More importantly, it felt like that first image had the energy of *Street Fighter*. And that was critical. That balancing act naturally led us there as filming went on. **Kitao Sakurai, the director of** ***Street Fighter*, has said he wanted to dive into the psychology of these characters. How would you describe Ryu’s psychology?** There is a lot going on with Ryu. He is struggling with a lot. And I really did go quite deep with him, to unpack him and then communicate all that in a really concise way. He’s kind of like Mas Oyama, who was a real guy, a legend who founded Kyokushin Karate. He was basically who I based Ryu on, because Mas Oyama wandered. He was a wanderer. Also, Miyamoto Musashi, who was the wandering swordsman with the two swords. I read a lot of his work, like *The Book of Five Rings* \[the 1645 classic text on martial arts, strategy and philosophy\]. I’d also been talking to Cale Boyter \[producer\] about the movie for about a year, six months before I was cast, so I was soft-prepping in the background. Because I really wanted the role, I wanted to make sure I understood Ryu on the deepest level. And actually, I do understand Ryu on a deep level. Back then, I didn’t have much of a social life because I was working so much and dealing with \[my own\] stuff. So, my life was quite like his. There were a lot of crossovers because my life became training and work. Ryu is also dealing with the Satsui no Hado, which translates as the darkness within. He is someone struggling with a darkness inside him; that could be rage, anger, depression, all these things. But he’s also someone who, through discipline, essentially aims for a goal of self-mastery. That’s the driving force in his life. These fights for him are not about fame. You look at what he did after he won the first *Street Fighter* tournament in the first game — he walked away. He wasn’t happy with it. That was a failure to him. So, he is the exact opposite of Ken. He contrasts so much with him. Ken is almost like the modern-day man, the influencer, the guy who’s super focused on his image – although, deep within, he is someone else. But Ryu is not about the fame. He’s not about the attention \[or\] the money. Ryu is just about trying to better himself through martial arts and combat. ![callina liang as chun li in street fighter](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/callina-liang-street-fighter.webp) Callina Liang plays Chun Li in *Street Fighter*. Photo courtesy of Paramount Pictures **So, in some ways, was playing Ryu almost therapeutic for you?** You know what, it’s weird. I’m not Method at all. But you do carry around the thoughts of a character quite a lot. The pitfall of a character like Ryu is that he could become an archetype — the stoic, serious martial artist. The question was, “How do you make that interesting, three-dimensional, layered and human?” Because fans know he is. And hopefully together we’ve made him really nuanced and deep. That’s important because there’s probably some Asian or half-Asian kid out there looking at this character, and I want him to work for them. **As a trained martial artist yourself, what were your favorite classic Ryu moves to pull off on screen?** Obviously, there was the Hadoken \[Ryu’s ‘ki blast’ move, often referred to as a blue fireball\] which was great to be a part of. We actually trained in a bunch of different karate styles, from Shotokan to Goju-ryu, and played around with all different kinds of movements. On set, to be honest, I just thought they were going to put \[special effects\] in between my hands, but I in fact had to hold a wire lighting reference! I had to hold what was, essentially, a makeshift light bulb. It wasn’t fun at the time, but it looks amazing in the film! Portraying Ryu allowed me to blend my craft of being an actor alongside the training I’ve done in martial arts. **What made Kitao Sakurai the perfect director to bring the** ***Street Fighter*** **world to life? As a fan of the game, are you happy with the results?** I’ve been working in the industry for 20 years and this was one of the best teams I’ve ever worked with. What makes Kitao so good is that he is so openly collaborative. With him, \[the\] best idea always wins. There is no ego with him. Because of that, he gets the respect of everyone. Also, he genuinely loves the *Street Fighter* world and tries always to challenge it and to go deeper with it. ![eric andre as don sauvage in street fighter](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/eric-andre-street-fighter.webp) Eric André, who frequently collaborates with director Kitao Sakurai, plays ring announcer Don Sauvage. Photo courtesy of Paramount Pictures **When it came to you and Noah, presumably your training regimes got competitive. With that in mind, who can bench press more?** You know what? Our dynamic was so funny. There are three aspects to the training. There’s the muscle, aesthetic part. Then there’s the proper martial arts part. And then there’s the choreography, the action-storytelling part. Obviously, I’ve got more experience with the martial arts genre than Noah. But Noah is so humble and so cool. I’ve been on sets before where the guy \[you’re doing a fight scene with\] thinks they know everything. They’ve hardly done two months of training their entire life. But Noah is Noah. We would egg each other on in terms of the strength and muscle stuff, because obviously we were trying to get as big as possible. That was so funny because it was really like a Ryu and Ken dynamic. But with the other training, I would support him and try to share as much as I know about the art of action for the camera. I would be messaging Noah, going, “Come on, dude, let’s go train with this master, let’s go train with that master,” and Noah, like Ken, would just be like \[sighs\], “Oh man, I don’t want to! Do we have to? Why are we doing this?” He would come along and do it, even though he didn’t want to. But then he’d get there and charm his way through, because he’d charm his way through anything. He cracked me up. *Street Fighter* opens in Philippine cinemas on October 14. ## Frequently Asked Questions ### Who plays Ryu in the new *Street Fighter* movie? Andrew Koji plays Ryu in the 2026 *Street Fighter* movie. Koji is a British-Japanese actor and martial artist who has also appeared in *Bullet Train* and *Warrior*. ### When does the new *Street Fighter* movie come out? *Street Fighter* opens in Philippine cinemas on October 14, 2026. The film’s official U.S. release date is October 16, 2026. ### What is the new *Street Fighter* movie about? Set in 1993, the film follows Ryu and Ken Masters as they reunite for the World Warrior Tournament after Chun-Li recruits them. The tournament is tied to a conspiracy that forces the two rivals to confront each other and their pasts. ### Who is in the cast of the new *Street Fighter* movie? The cast includes Andrew Koji as Ryu, Noah Centineo as Ken Masters, Callina Liang as Chun-Li, Jason Momoa as Blanka, 50 Cent as Balrog, Roman Reigns as Akuma, David Dastmalchian as M. Bison, Cody Rhodes as Guile, and Vidyut Jammwal as Dhalsim, among others. ### Is Andrew Koji a martial artist? Yes, Koji is an actor trained in martial arts with experience in action and stunt work. He has performed stunt work and action roles, including in *Fast & Furious 6* and *Bullet Train*, and drew on his martial-arts background while playing Ryu. 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Explaining the concept, QCinema Artistic Director Ed Lejano said, “Genre gives filmmakers a framework, while the auteur brings a personal voice to that framework. With Genre’teurs, we want to look at films where these two elements come together as a pervading theme that cuts across the festival program.” The Genre’teur films will be screened across different sections of the festival, which runs from November 16 to 22. These sections include Screen International, the festival’s selection of notable international films; Asian Next Wave, the festival’s main competition section; RainbowQC, its LGBTQIA+ competition section; New Horizons, its competition for emerging filmmakers; Before Midnight, its genre-focused section; QCSelects, its curated selection of notable films; Rediscovery, which revisits significant films from different periods and places; Dokyu Days, its documentary section; and QCShorts International, which showcases short films from the Philippines and abroad. “\[Genre’teur films\] are films that may belong to a familiar genre, but the way the filmmaker approaches the material makes the film distinctly their own,” said Lejano. Examples are [Lav Diaz](https://rollingstonephilippines.com/tag/lav-diaz/)’s 2001 crime drama *Batang West Side*, his latest historical drama *Makikiraan Po*, Phuttiphong Aroonpheng’s science fiction drama *The Burning Giants*, Rami Kodeih’s heist thriller *Furies* (which will make its Asian premiere in QCinema), and the Eugene Kotlyarenko-directed rom-com *Vintage Violence*. Also getting the spotlight in this year’s festival is the 2000 psychological thriller *Amores Perros*, directed by Alejandro González Iñárritu, whose Tom Cruise-starrer *[Digger](https://rollingstonephilippines.com/tag/digger/)* has also just been released in Philippine cinemas. The full lineup for QCinema 2026 will be announced in the third week of October. Screenings will be held at Gateway Cineplex 18, Robinsons Movieworld Galleria, Ayala Malls Cinemas TriNoma, Fisher Box Office, and SM Cinema in SM City Fairview. ## Frequently Asked Questions ### What is Genre’teurs at QCinema 2026? Genre’teurs is a QCinema 2026 curatorial concept exploring where genre films and auteur cinema intersect, with genre as the framework and the auteur’s personal voice running through it. ### When and where will QCinema 2026 be held? QCinema 2026 runs November 16 to 22 at Gateway Cineplex 18, Robinsons Movieworld Galleria, Ayala Malls Cinemas TriNoma, Fisher Box Office, and SM Cinema in SM City Fairview. ### Which films are in the QCinema 2026 Genre’teurs lineup? Genre’teur films include Lav Diaz’s *Batang West Side* and *Makikiraan Po*, plus *Amores Perros*, *The Burning Giants*, *Furies*, and *Vintage Violence*. *Furies* makes its Asian premiere at QCinema. ### Is *Amores Perros* part of QCinema 2026? Alejandro González Iñárritu’s 2000 psychological thriller *Amores Perros* is also in the spotlight at QCinema 2026, as his latest film *Digger* was just released in Philippine cinemas. ### Which QCinema 2026 sections will screen Genre’teur films? Genre’teur films screen across Screen International, Asian Next Wave, RainbowQC, New Horizons, Before Midnight, QCSelects, Rediscovery, Dokyu Days, and QCShorts International. **Categories:** Culture, Film, Philippine Cinema **Tags:** Lav Diaz, QCinema --- ### [5 Releases to Keep on Your Radar This October: LISA, ILLIT, Anderson .Paak & More](https://rollingstonephilippines.com/radar/releases/october-2026-album-releases-lisa-illit-anderson-paak/) **Published:** October 9, 2026 **Author:** Elijah Pareño **Excerpt:** The new records span catchy electro-pop, soulful rap, eerie post-punk, solo pop ambitions, and a more experimental take on shoegaze **Content:** The month of October is stacked with new music from pop stars, indie veterans, and rock bands moving over the big stage. [Anderson .Paak](https://rollingstonephilippines.com/tag/anderson-paak/) teams up with rapper [Cordae](https://rollingstonephilippines.com/tag/cordae/) for the joint album *Heavy Is the Crown*, while Irish band [Fontaines D.C.](https://rollingstonephilippines.com/tag/fontaines-d-c/) follow up *Romance* with *Dopamine Chamber*. Alongside the two, BLACKPINK’s [LISA](https://rollingstonephilippines.com/tag/lisa/) starts the next chapter of her solo career with *Press Play*, [ILLIT](https://rollingstonephilippines.com/tag/illit/) swaps wide-eyed pining for a bigger sound on *BREAK EVEN*, and [DIIV](https://rollingstonephilippines.com/tag/diiv/) goes weirder with A.G. Cook producing *ZIRP!*. Here are the releases worth keeping on your radar this October. ## ILLIT, BREAK EVEN > [View this post on Instagram](https://www.instagram.com/p/DeJu9SemmIY/?utm_source=ig_embed&utm_campaign=loading)[A post shared by ILLIT 아일릿 (@illit\_official)](https://www.instagram.com/p/DeJu9SemmIY/?utm_source=ig_embed&utm_campaign=loading) Following their sudden ascent to global pop world in 2024, ILLIT has spent the past year mastering the art of the hyper-catchy Gen Z earworm. On their fifth mini-album, *BREAK EVEN*, the quintet shifts gears, trading the wide-eyed pining of their earlier work for a catchy, more assertive conceptual framework. Inspired by the economic principle of zero net profit, the album serves as a glossy electro-pop rejection of unreciprocated effort, anchored by the addictive, whistle-laced title track “You’re Under Arrest.” ## Anderson .Paak & Cordae, HEAVY IS THE CROWN > [View this post on Instagram](https://www.instagram.com/p/DcOwt3cRV4L/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Cordae' (@cordae)](https://www.instagram.com/p/DcOwt3cRV4L/?utm_source=ig_embed&utm_campaign=loading) Over the past five years, Anderson .Paak has leaned hard into collaboration, from Silk Sonic with Bruno Mars to a second NxWorries album, *Why Lawd?*, in 2024. *Heavy Is the Crown*, his joint album with Cordae, is the next step. On paper it’s an unusual pairing: .Paak’s raspy, soulful singing next to a rapper known for his bars and swagger, all over soul and funk samples. That contrast could work for both of them. .Paak gets a witty lyrical partner to bounce off, and Cordae gets a warmer, groovier setting than most rappers rhyme over. ## Fontaines D.C., Dopamine Chamber > [View this post on Instagram](https://www.instagram.com/p/DcLIavyozWN/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Fontaines D.C. (@fontainesband)](https://www.instagram.com/p/DcLIavyozWN/?utm_source=ig_embed&utm_campaign=loading) Fontaines D.C. are gunning for the bigger stage on *Dopamine Chamber*, the follow-up to *Romance*. Lead single “Marianne” leans on synths and a slow, eerie sway, and the Irish band also teams up with Rosalía on “Where Is Gone?” Whatever style they try next, the punk attitude is still there, and that’s what makes each new direction worth looking forward to. ## LISA, Press Play > [View this post on Instagram](https://www.instagram.com/p/DcbC6iGzk4A/?utm_source=ig_embed&utm_campaign=loading)[A post shared by LLOUD (@wearelloud)](https://www.instagram.com/p/DcbC6iGzk4A/?utm_source=ig_embed&utm_campaign=loading) With the release of LISA’s “SaWaDiKa,” the K-pop community around the world got a taste of what the BLACKPINK star can offer when she has the power of her homeland behind her. *Press Play* is the next chapter of her solo career. With her rap skills getting sharper and catchier by the day, LISA is bound to fight for the crown in the pop landscape soon. ## DIIV, ZIRP! > [View this post on Instagram](https://www.instagram.com/p/DbtHBV5lLD5/?utm_source=ig_embed&utm_campaign=loading)[A post shared by DIIV (@diiv)](https://www.instagram.com/p/DbtHBV5lLD5/?utm_source=ig_embed&utm_campaign=loading) After more than a decade as trailblazers in the shoegaze scene, DIIV has become more experimental on their upcoming album *ZIRP!*. With an unexpected collaboration like PC Music co-founder A.G. Cook sitting in the producer’s seat for the entire album, frontman and lead guitarist Zachary Cole Smith chooses to explore weirder territory in their latest album. ## Frequently Asked Questions ### What is Anderson .Paak and Cordae’s *Heavy Is the Crown*? *Heavy Is the Crown* is a joint album by Anderson .Paak and rapper Cordae. ### What is Fontaines D.C.’s *Dopamine Chamber*? *Dopamine Chamber* is the Fontaines D.C.’s follow-up to *Romance*. ### What is LISA’s *Press Play*? *Press Play* is the next chapter of LISA’s solo career, following the release of her single “SaWaDiKa.” ### What is ILLIT’s *BREAK EVEN* about? *BREAK EVEN* is the group’s fifth mini-album, inspired by the economic principle of zero net profit. ### Who is producing DIIV’s *ZIRP!*? PC Music co-founder A.G. Cook is producing DIIV’s latest album *ZIRP!*. Related Stories - [Lisa’s New Single ‘SaWaDiKa’ Proves She Can Rap With The Best](https://rollingstonephilippines.com/music/hiphop-rnb/lisa-sawadika-single-rap-best/ "Lisa’s New Single ‘SaWaDiKa’ Proves She Can Rap With The Best") - [KATSEYE’s Sophia Is Taking a Break. Maybe the Industry Should, Too](https://rollingstonephilippines.com/music/katseye-sophia-taking-a-break-music-industry/ "KATSEYE’s Sophia Is Taking a Break. Maybe the Industry Should, Too") - [Ebe Dancel Traverses 25 Years of Music, Lessons, and Realizations](https://rollingstonephilippines.com/music/folk/ebe-dancel-25-year-music-career/ "Ebe Dancel Traverses 25 Years of Music, Lessons, and Realizations") **Categories:** Radar, Releases **Tags:** Anderson .Paak, Cordae, DIIV, Fontaines D.C., ILLIT, Lisa --- ### [IQOS Brings Curiosity in Motion to Its Revamped SM Mall of Asia Store](https://rollingstonephilippines.com/radar/events/iqos-brings-curiosity-in-motion-to-its-revamped-sm-mall-of-asia-store/) **Published:** October 8, 2026 **Author:** Maria Althea Javier **Excerpt:** Filipino artist Leeroy New’s Curious Waves, alongside personalization and device repurposing spaces, bring art, creativity, and discovery into the IQOS retail experience **Content:** On September 30, IQOS unveiled its revamped store at SM Mall of Asia, bringing its Curiosity in Motion concept to life through art, technology, and a more interactive retail experience. It begins at the center of the store, where Filipino artist Leeroy New’s Curious Waves installation made from repurposed IQOS devices. Inspired by the movement of Manila Bay, the sculpture turned the devices into something fluid and kinetic – an expression of curiosity as a force that keeps things moving. “It’s a privilege to be an artist because we’re trained to be curious by default as a profession and curious on command, to be inspired by the most basic things,” he says. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/8.webp) Repurposed IQOS devices make up Curious Waves, which is inspired by the waters of Manila Bay. Photo by Jordan Costanilla ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/11-1.webp) For Leeroy New, curiosity begins with looking at familiar things differently. Photo by Jordan Costanilla That sense of discovery extends to the way New approaches materials, with movement also central to his approach. “I like to see movement in my work. I like to see how I can make the viewer imagine things beyond what they see,” he says. “I like transforming common, basic things into something strange and fantastical.” With Curious Waves, he hopes viewers look closer, recognize what the sculpture is made from, and begin to wonder how those familiar shapes were transformed into something more complex. “Upon closer inspection, I hope the audience, the people, the public will see the work and recognize what they’re made of.” For IQOS, the sculpture is part of a broader effort to rethink how consumers encounter the brand, as emphasized by PMFTC president Zhenya Ivanov. “It’s a critical milestone for the company towards a smoke-free future. Today we innovate also with the brand’s retail space, and consumer experience.” PMFTC director of smoke-free products Vickna Tharmalingam adds, “We want every adult consumer, going into this store, to explore and immerse themselves into the world of IQOS.” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/5-2.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/2-1.webp) Beyond the artwork, the revamped store puts personalization at the center of the experience, with a dedicated area where adult consumers can customize their IQOS devices to reflect their individual style. The space also introduced a sustainability area, where users can surrender their used IQOS devices for collection and repurposing, giving the devices another life beyond their original use. At its core, IQOS offers adult smokers an alternative to conventional cigarettes through a smoke-free, heated tobacco experience as part of a broader range of smoke-free alternatives. Its all-new presence in MOA with its personalization and sustainability spaces gives visitors more ways to interact with the brand while reflecting the store’s broader focus on curiosity, creativity, and movement. Visit the revamped IQOS store on Level 1 of South Entertainment Mall at SM Mall of Asia in Pasay City. *GOVERNMENT WARNING: This product is harmful and contains nicotine which is a highly addictive substance. This is for use only by adults and is not recommended for use by non-smokers.* **Categories:** Events **Tags:** IQOS, Leeroy New --- ### [‘Bongga Ka, ‘Day!’ Proves that There’s Nothing Quite Like Live Theater](https://rollingstonephilippines.com/radar/bongga-ka-day-newport-performing-arts-theater/) **Published:** October 8, 2026 **Author:** Maria Althea Javier **Excerpt:** Bongga Ka, ‘Day! turns Hotdog's familiar songs into living stories, giving audiences at Newport Performing Arts Theater a new way to experience music shaped by memory and nostalgia **Content:** On September 25, *Bongga Ka, ‘Day!: The Annie Batungbakal Musical* opened its gala night at the Newport Performing Arts Theater, as Liza Magtoto’s writing and Chris Millado’s staging brought classic Hotdog tracks like “Bongga Ka, Day,” “Manila,” “Ikaw ang Miss Universe ng Buhay Ko,” and “Annie Batungbakal” into one cohesive story. It takes audiences back to 1979, where Annie Batungbakal, played by Atasha Muhlach, dreams of becoming more than just a sales clerk. Her aspirations are made known to the audience against the backdrop of her work in the boutique House of Pasion. She designs clothing with fellow sales clerk Toots (Gerhard Krysstopher) in the hopes of entering the affluent world of disco bar Coco Banana. Yet, she discovers that entering this world means stepping somewhere far removed from the one she knows. Her ventures charm Romer Pasion (Sam Concepcion), whose return from abroad opens the doors to the glamorous life Annie has long dreamed of. Annie Batungbakal is a fictional character in Hotdog’s 1979 hit “Annie Batungbakal,” written and performed by the iconic Filipino band led by brothers Rene and Dennis Garcia. Annie is a symbol of working-class Filipinos whose aspirations extend beyond their usual toil. Set against the 1970s disco era and the rise of Manila Sound, the song follows her as she steps out of her day job into the glittering world of Manila’s nightlife. For Millado, the setting carries a sense of familiarity for those who lived through Manila’s nightlife in the 1970s. “I can feel the strong presence of the original ‘70s kids who widely populated Coco Banana and all the dance clubs in the ‘70s,” he says. “Thank you for not only being audiences tonight, but partying with us.” On top of the nostalgia, the musical further taps into something near and dear to Filipinos with its passion versus practicality storyline. Annie’s desire to pursue her dreams often clashes with the realities around her, forcing her to reckon with how much she is willing to sacrifice for the life she imagines. ### When Entertainment Demands Presence *Annie Batungbakal* comes at an opportune time between the post-pandemic live events boom and a demand for human-made productions amid a dystopian AI race. Its cast, led by Muhlach, comes from a generation with afflicted attention spans thanks to the rise of short-form videos, but are nonetheless trying to reclaim their sense of urgency, at least in terms of media consumption. “I think this is the pandemic generation. When they experienced live theater production, or any theater production for that matter, they went crazy,” says John Lapus, who plays the roles of Tito Tambay and Coco Banana owner Tarurit. It’s not an entirely different turf for these actors, though their experiences vary. Atasha Muhlach first stepped onto the Newport stage in 2011 with Sound of Music, and returned 15 years later to play her first lead role. But, Concepcion, who has been appearing more in musicals than on screen recently, emphasized how different live performances can be. “It’s something that you would have to be there for. You’d have to be there to see it and experience it,” he says. KD Estrada, who plays Annie’s first love Burn, in his second musical, believes that “there’s a demand for live performances, something that you really can’t replicate.” “There’s so many things trying to catch our attention these days, whether it’s TikTok or music that you can have on demand through your different platforms. But I think there’s something about coming together for an event and watching it and seeing it live,” he adds. Muhlach makes it a point to recognize how much more visceral connections can be when all the boundaries between the audience and the performers are stripped away. “What you see is really what you get. And you get to live off the energy of the audience and experience it in real time,” says Muhlach. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/Coco-Banana.webp) The vibrant nightlife of Coco Banana comes to life in the theater with John Lapus playing club owner Tarurit. Photo courtesy of Newport World Resorts ### Why Filipinos Make Good Theater Audience “The audience is part of that performance. It’s different every time because they kind of contribute to that exchange,” says Concepcion. Many might deem Annie as gaudy, but her identity embodies a dreamer, held back by the practicality. Jackie Lou Blanco, who plays boutique owner Aurora Pasion, believes that these kinds of stories best reflect Filipinos. “We as Filipinos, I believe we create very relatable stories.” Annie attempts to exist outside of her mundane reality, aspiring to become a fashion designer despite the circumstances that keep pulling her towards a more practical path. Certain people in the audience may find themselves in a similar dilemma, where their aspirations do not always align with what their circumstances can afford. Many are forced or conditioned to take on “practical” jobs that ensure stability in income, even when those choices mean putting their own aspirations on hold. ### A Space for Stories to Come Alive Turning Hotdog’s classic songs into live, tangible stories of their own meant uncovering layers to what many of us passively listen to, and the many relatable stories attached to them. Platforms like Newport Performing Arts Theater make this connection all the more attainable for audiences. “A strong live entertainment industry is built one production at a time, creating momentum, developing audiences, and giving Filipino talent the platform it deserves. *Bongga Ka, ‘Day* is part of that journey,” says Newport World Resorts President and CEO Nilo Thaddeus Rodriguez. ![newport performing arts theater bongga ka day](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/DSC07349.webp) The Newport Performing Arts Theater comes alive with *Bongga Ka, ‘Day,* which turns Hotdog’s classics into a shared experience. Photo courtesy of Newport World Resorts Newport Performing Arts Theater has witnessed numerous productions, from plays and musicals to concerts and other live performances. With a capacity of more than 1,700, the theater has become one of the spaces where Filipino audiences can experience entertainment in its most immediate form: together, in the same room, responding to the same moment. Theater makes interaction more reachable for both the audience and the performers, something that can not be easily attained with other forms of entertainment. That sense of scale and shared experience is part of what makes a production like *Bongga Ka, ‘Day!* work. The theater gave Hotdog’s songs room to move beyond the recordings themselves, allowing familiar melodies to be inhabited by characters, performers, and an audience experiencing them together. In a space built for live entertainment, songs that may have once existed as personal nostalgia become something communal again. *Bongga Ka, ‘Day!: The Annie Batungbakal Musical* runs until October 31, 2026 at the Newport Performing Arts Theater. Tickets are available online, at all TicketWorld outlets, and at the Newport World Resorts Box Office. **Categories:** Events, Radar, RS Spotlight **Tags:** Annie Batungbakal, Atasha Muhlach, Bongga Ka ‘Day, KD Estrada, Newport World Resorts, Sam Concepcion --- ### [FIFTH WALL Fest Turns ‘GIGIL’ Into a Four-Day Dance Party](https://rollingstonephilippines.com/culture/art/fifth-wall-fest-gigil-mandaluyong/) **Published:** October 8, 2026 **Author:** Elijah Pareño **Excerpt:** The dance platform brings seven artists together for four days of performances, installations, and conversations built around Filipino expressions of ‘GIGIL’ **Content:** Dance platform [FIFTH WALL](https://rollingstonephilippines.com/tag/fifth-wall/) will present its seventh festival edition, “GIGIL,” from October 22 to 25, 2026, at NBS Park, Mandaluyong City. The four-day event brings together live performances, multimedia installations, and talks. The “GIGIL” theme is founded with three Filipino expressions: pigil (restraint), ipon (buildup), and sabog (release). Seven artists will present their own takes on the theme: Al Garcia, [Bunny Cadag](https://rollingstonephilippines.com/music/dance-electronic/kaput-9-rave-play/), Ea Torrado, James Clar, [Tarzeer Pictures](https://rollingstonephilippines.com/tag/tarzeer-pictures/), Timothy Axibal, and Japan’s Tohru Dance. > [View this post on Instagram](https://www.instagram.com/reel/DeOD2DVyb-8/?utm_source=ig_embed&utm_campaign=loading)[A post shared by 𝐅𝐈𝐅𝐓𝐇 𝐖𝐀𝐋𝐋 (@fifthwall.ph)](https://www.instagram.com/reel/DeOD2DVyb-8/?utm_source=ig_embed&utm_campaign=loading) Featured works include James Clar’s *Manila After Dark*, a FIFTH WALL co-production inspired by Ishmael Bernal’s *Manila by Night* and choreographed by Madge Reyes, and Bunny Cadag’s *The Singer*, which gets its Philippine premiere. Ea Torrado’s *Brown Madonna*, Al Garcia’s *Lore*, and video installations from Tarzeer Pictures and Timothy Axibal round out the program. In partnership with the Japan Foundation, Manila, Tohru Dance will also lead Club “GIGIL,” a free artist talk and community jam. Founded by dance artist Madge Reyes in 2020, FIFTH WALL began as a virtual platform. This will be the dance platform’s first time holding the festival at NBS Park. Individual festival experiences will be ticketed online and onsite through HelixPay, while walk-ins are also welcome throughout the festival period. ## Frequently Asked Questions ### What is FIFTH WALL’s “GIGIL” festival? “GIGIL” is the seventh festival edition of dance platform FIFTH WALL. It brings together live performances, multimedia installations, and talks over four days. ### When and where is FIFTH WALL’s “GIGIL” happening? The festival runs from October 22 to 25, 2026, at NBS Park in Mandaluyong City. ### What is the theme of “GIGIL”? The theme is founded on three Filipino expressions: pigil (restraint), ipon (buildup), and sabog (release). ### Who are the artists in FIFTH WALL’s “GIGIL”? Seven artists will present their own takes on the theme: Al Garcia, Bunny Cadag, Ea Torrado, James Clar, Tarzeer Pictures, Timothy Axibal, and Japan’s Tohru Dance. ### Who founded FIFTH WALL? Dance artist Madge Reyes founded FIFTH WALL in 2020. Related Stories - [Madge Reyes on Fifth Wall and What it Takes to Create a Dance Movement](https://rollingstonephilippines.com/culture/art/madge-reyes-fifth-wall-vi/ "Madge Reyes on Fifth Wall and What it Takes to Create a Dance Movement") - [25 Filipino Love Song Covers That Defined Romance Across Decades](https://rollingstonephilippines.com/editors-picks/lists/25-filipino-love-song-covers/ "25 Filipino Love Song Covers That Defined Romance Across Decades") - [BINI ‘Besties’ Dancer on Performing For Historic Coachella Debut](https://rollingstonephilippines.com/music/pop/bini-besties-dancer-coachella-2026/ "BINI ‘Besties’ Dancer on Performing For Historic Coachella Debut") **Categories:** Art, Culture **Tags:** Fifth Wall --- ### [‘The Social Reckoning’ Doesn’t Go Big Enough for the Facebook Controversy It’s About](https://rollingstonephilippines.com/culture/reviews/the-social-reckoning-review-facebook-files/) **Published:** October 8, 2026 **Author:** Pie Gonzaga **Excerpt:** Aaron Sorkin’s long-awaited follow-up to The Social Network delivers a compelling investigative drama, but it also quivers under the weight of its subject matter **Content:** *This review contains spoilers for* [The Social Reckoning](https://rollingstonephilippines.com/tag/the-social-reckoning/)*.* I rarely ever leave a screening feeling emotionally or existentially impacted these days. Sure, *[Forgotten Island](https://rollingstonephilippines.com/culture/reviews/forgotten-island-review-liza-soberano/)* made me sob (embarrassingly, in front of children), and *[Resident Evil](https://rollingstonephilippines.com/culture/reviews/resident-evil-cregger-abrams-review/)* was a good time. But after watching [Aaron Sorkin](https://rollingstonephilippines.com/tag/aaron-sorkin/)’s *The Social Reckoning*, I found myself dealing with a visceral and unshakeable dread. For a couple of days, I had to think about whether that dread can be attributed to effective storytelling or just the real-world fact that Facebook has become an inevitable evil. As of this writing, I lean towards the latter. “We’re post-government,” comms head Teddy (Billy Magnussen) tells investigative journalist Jeff Horwitz ([Jeremy Allen White](https://rollingstonephilippines.com/tag/jeremy-allen-white/)) following the publication of *The Wall Street Journal*’s series of reports on [Facebook](https://rollingstonephilippines.com/tag/facebook/). Published in 2021, *WSJ*’s aptly-called “[Facebook Files](https://www.wsj.com/articles/the-facebook-files-11631713039)” found that Facebook exempted several high-profile users from platform rules, downplayed reports of Instagram worsening teen girls’ body image issues, and amplified ragebait and extremist posts to drive user engagement, among many other troubling findings. *The Social Reckoning* dramatizes the events leading up to publication, with Horwitz and former Facebook employee Frances Haugen ([Mikey Madison](https://rollingstonephilippines.com/tag/mikey-madison/)) at the center of the story. ## Plot Summary We enter the film’s world, specifically Silicon Valley, through Horwitz, a political reporter who’s so green with tech, he doesn’t know how to use a GPS. When he meets Haugen for the first time, he asks her to explain all the words she’s throwing around. But he also gets the hang of the tech jargon as the investigation progresses, in the process, becoming more familiar with the ways social media shapes politics in the real world. Haugen, on the other hand, works in Facebook’s civic integrity team, a unit that tackles the platform’s issues with political disinformation and inciting violence. The team’s job is to flag such issues and file reports for Facebook to address. Despite the platform’s myriad issues, Haugen believes Facebook is still capable of doing good. So when she contacts Horwitz through an encrypted email, it’s to [“fix” the company](https://www.wsj.com/tech/facebook-whistleblower-frances-haugen-says-she-wants-to-fix-the-company-not-harm-it-11633304122?mod=article_inline), not destroy it. At first, she’s hesitant to disclose her identity and give the *WSJ*’s stories credibility, opting instead to break non-disclosure and provide internal documents under a pseudonym. But she becomes disillusioned and, in the end, faces the U.S. Senate’s Sub-Committee on Consumer Protection, Product Safety, and Data Security in a hearing, which was held in October 2021 in response to the *WSJ* reports. The film goes on to show how a declining user base leads Facebook to develop an algorithm where alt-right conspiracy theorists’ posts go unchecked because they drive engagement. In the name of free speech, the platform welcomes sentiment that the 2020 U.S. elections were rigged against Donald Trump, the spread of which culminates in the January 6 Capitol attack in 2021. *The Social Reckoning* ends with an intense back-and-forth between Haugen’s October hearing and a scene in the Facebook headquarters several months before, where Mark Zuckerberg ([Jeremy Strong](https://rollingstonephilippines.com/tag/jeremy-strong/)) and his staff watch the riot unfold through posts and live videos on the website. ## A Strong Cast, But Not So Strong Writing ![jeremy allen white mikey madison the social reckoning](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/jeremy-allen-white-mikey-madison-social-reckoning.webp) Jeremy Allen White and Mikey Madison as Jeff Horwitz and Frances Haugen. Photo courtesy of Columbia Pictures *The Social Reckoning* makes a good case for casting actors in biographical dramas even if they don’t look like their real-life counterparts. While White is a convincing enough Horwitz, Madison and Strong don’t quite resemble Haugen and Zuckerberg, but the two also give the film’s strongest performances. You can rely on White to deliver a dramatic performance with a few comedic beats, but his Horwitz, though accessible and easy to empathize with, isn’t as compelling as past performances, such as in *Shameless* and *The Bear*. Madison, meanwhile, plays Haugen with a restraint previously unseen in *Scream* and *Anora* (for which she won the Oscar for Best Actress in 2024). I’d forgotten what Haugen looked like when I watched the film, but Madison managed to completely disappear into the role anyway, intelligent but antsy, always tugging on her arm warmers that help her deal with the side effects of celiac disease (“I thought it was a style choice,” White’s Horwitz says). Strong doesn’t let the supporting role status deter him from embodying Zuckerberg. The actor nails the tech billionaire’s robotic cadence and stiffness, and even imbues that stiffness with a sort of duality: it’s what makes him awkward, but also impenetrable. It’s unfortunate that the film didn’t explore Zuckerberg’s character more, especially since he’s no longer the tech startup founder he was in *The Social Network*, which Sorkin also wrote. On one hand, the case can be made that Zuckerberg’s billionaire status and greed have rendered him incapable of humanity, and therefore should not be humanized (in one of the film’s funnier parts, he’s coached on how to act more human by his legal counsel, Wunmi Mosaku’s Raya). On the other hand, the lack of material leads to a performance that is at once jaw-dropping and one-note. But I still think an award is in the pipeline for Strong. ![jeremy strong bill burr the social reckoning](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/jeremy-strong-bill-burr-social-reckoning.webp) Zuckerberg argues with his more defiant and honest lawyer, Charlie (Bill Burr). Photo courtesy of Columbia Pictures Sorkin’s decision to center the story on Horwitz and Haugen is a great way to ground such a large controversy in the experiences of ordinary, well-meaning citizens, and highlight the realities of exposing Facebook’s systemic disregard of ethics. *The Social Reckoning*’s ending promises that we can hold our culture’s Goliaths to account. But the film is frozen in a time when Trump hasn’t returned to power. Even as *The Social Reckoning* ends on a hopeful note, I cannot help but think of Magnussen’s line as a foretelling of where Meta stands today. The tech giant emerged from the [Cambridge Analytica scandal](https://rollingstonephilippines.com/state-of-affairs/power/exclusive-maria-ressa-on-this-critical-year-for-journalism/) and the “Facebook Files” largely unscathed, even though a lot of people have come to hate Zuckerberg. Instead of tightening its policies on misinformation in political ads, Meta [dropped fact-checking](https://rollingstonephilippines.com/state-of-affairs/power/meta-community-notes-impact-on-fact-checking-2025-ph-elections/) altogether. The film is eclipsed by the real-life aftermath of the events it portrays. *The Social Reckoning* is a must-watch anyway. It doesn’t reveal anything new about Facebook or Zuckerberg, but it’s a good reminder of how social media platforms have ditched the promise of “connecting” people and instead fueled hatred and division. Maybe the reckoning here doesn’t really happen to Zuckerberg, whose fictional counterpart (at the very least) seems incapable of remorse. The title suggests that there is a larger reckoning happening on a societal level, and maybe it’s us coming face to face with all the evidence that Big Tech has willingly destroyed us and will continue to do so. *The Social Reckoning* opens in Philippine cinemas on October 7. ## Frequently Asked Questions ### What is *The Social Reckoning* about? *The Social Reckoning* is about the 2021 Facebook leak by former employee Frances Haugen, as reported in *The Wall Street Journal* by investigative journalist Jeff Horwitz. ### Who wrote and directed *The Social Reckoning*? Aaron Sorkin wrote and directed *The Social Reckoning*, which came as the result of an earlier script about Facebook’s connection to the January 6 Capitol riot. ### Is *The Social Reckoning* a sequel to *The Social Network*? Yes, *The Social Reckoning* is a sequel to 2010’s *The Social Network*. While Sorkin wrote both films, David Fincher did not return to direct the second film. ### Who stars in *The Social Reckoning*? Included in the cast of *The Social Reckoning* are Mikey Madison, Jeremy Allen White, Jeremy Strong, Bill Burr, Wunmi Mosaku, Billy Magnussen, and Betty Gilpin. ### When will *The Social Reckoning* be released? *The Social Reckoning* begins its theatrical release in the Philippines on October 7, two days ahead of the United States release on October 9. Related Stories - [Jeremy Strong Nails Mark Zuckerberg’s Arrogance in ‘The Social Reckoning’ Trailer](https://rollingstonephilippines.com/culture/film/social-reckoning-trailer-jeremy-strong-mark-zuckerberg/ "Jeremy Strong Nails Mark Zuckerberg’s Arrogance in ‘The Social Reckoning’ Trailer") - [How Meta’s Community Notes May Impact PH Election Fact-Checking](https://rollingstonephilippines.com/state-of-affairs/power/meta-community-notes-impact-on-fact-checking-2025-ph-elections/ "How Meta’s Community Notes May Impact PH Election Fact-Checking") - [‘Artificial’ and ‘You Can See Everything’ Try to Demystify Egomania](https://rollingstonephilippines.com/culture/film/artificial-you-can-see-everything-egomania/ "‘Artificial’ and ‘You Can See Everything’ Try to Demystify Egomania") **Categories:** Culture, Film, Reviews **Tags:** Aaron Sorkin, Jeremy Allen White, Jeremy Strong, Mikey Madison, The Social Reckoning --- ### [Behind the Scenes of H.E.R. and Liza Soberano’s ‘BRB’ Music Video](https://rollingstonephilippines.com/culture/film/her-liza-soberano-brb-music-video-bianca-catbagan/) **Published:** October 7, 2026 **Author:** Pie Gonzaga **Excerpt:** The music video, filmed with a Super 8 and a camcorder, delivers all the nostalgia of H.E.R. and Liza Soberano’s song for Forgotten Island **Content:** Ahead of the *[Forgotten Island](https://rollingstonephilippines.com/tag/forgotten-island/)*’s worldwide theatrical release, [H.E.R.](https://rollingstonephilippines.com/tag/h-e-r/) and [Liza Soberano](https://rollingstonephilippines.com/tag/liza-soberano/) dropped their original song “BRB” (a play on a recurring motif in the film) with a music video, in which the two roam Manila streets to buy lakatan, play basketball, and sing karaoke. “The intention was to make a video that feels like a memory rather than a postcard,” music video director [Bianca Catbagan](https://rollingstonephilippines.com/tag/bianca-catbagan/) tells *Rolling Stone Philippines*. Catbagan, born and raised in the Philippines, has worked as a photographer and filmmaker in the U.S. for over a decade now, and was selected in March for the 2027 cohort of the American Film Institute (AFI) Directing Workshop for Women+ (DWW+). The year-long program supports emerging filmmakers with hands-on instruction throughout the production of their own short films. Maya Angelou, Ellen Burstyn, and *CODA* director Siân Heder are only some of the notable DWW+ alums. While working on her short film *Royal Blood* — a queer reimagining of Jose Rizal’s Maria Clara — for the workshop, Catbagan was also enlisted to co-direct the “BRB” music video, the production of which she described as a “whirlwind.” “I spent the days working with H.E.R. and the Music team at Universal Pictures in order to figure out what we need and the nights working with my production team in Manila, Digitank Studios, to clarify the plan,” she says. “My favorite thing about the whole process was that I was able to shoot back home again.” Catbagan also says that being an immigrant filmmaker in the U.S. is difficult, but finding supportive Filipino communities overseas has made it easier. “Being Filipino has opened doors for me because my fellow Filipinos hold them open.” Here, Catbagan takes *Rolling Stone Philippines* behind the scenes of the “BRB” music video and talks about what working with other Filipinos in the American film industry means for her. **How did you get involved in this project for** ***Forgotten Island*?** I have been taking photos for H.E.R. the last few months and she knows I am both a photographer and director, but we haven’t worked together in film production. So it came as a surprise when she told me about this music video. She wanted to shoot in the Philippines and time it with the *Forgotten Island* press tour, and she asked if I could co-direct this music video with her. I was floored. She knew I grew up in Manila, but she really trusted me with this video only having known each other for a few months. She was so open during the production process. She was going to be walking around Manila under the sun, and there were threats of heavy rain too, but she was so down. And it was all fun for her, making it fun for the rest of the production team, too. It’s great when your artist emanates openness and collaboration; it trickles down to every person on the crew. The directors, Joel Crawford and Januel Mercado, also came to our shoot and brought their families from the States. It was a really special time. They had been working on this film for six years and are the kindest directors. I loved being a small part of this historic film. ![her, liza soberano, januel mercado, and joel crawford](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/her-liza-soberano-januel-mercado-joel-crawford.webp) From top-left clockwise: H.E.R., Liza Soberano, Januel Mercado, and Joel Crawford. Photo by Miko de Jesus **I’ve seen Filipinos on social media praise the music video for its more nostalgic, lived-in representation of the country, rather than an exoticized one. What did you and H.E.R., as your co-director, want the music video to look and feel like?** H.E.R. really wanted to shoot this video in the Philippines, and the intention was to make a video that feels like a memory rather than a postcard. *Forgotten Island* is a film about memory and remembering after all, and if you ask me what home is, it’s Manila streets. The drive, the food, the faces of people, the fun nights out, and the warm family reunions at home. It’s in the small details rather than picturesque locations: titas playing mahjong, a dinner spread, lolo and lola, busy telephone wires, a photo of Jesus. Of course, a lot of these are also mirrored scenes from *Forgotten Island*, and she and Liza Soberano are best friends in the film. So both of them were walking around Manila, as if they were also saying goodbye to the city. We captured that bittersweet sentiment through mixed media using Super 8, a camcorder, and cinema cameras. It brought a collage-like feeling to the video. The moments we cut into the video also weren’t so picture-perfect; they’re in-between moments, and it feels more real and lived-in that way. **Can you tell me more about the work that went into making the video?** There was a lot of coordination that went into it. I worked in film and commercial production in Manila before I left for the States, so I am lucky that my friends really came through for me on such a short timeline. Producing a music video in Manila when you’re in LA is a real feat. I spent the days working with H.E.R. and the Music team at Universal Pictures in order to figure out what we need and the nights working with my production team in Manila, Digitank Studios, to clarify the plan. The days leading up to the shoot were a whirlwind! We flew out on Thursday morning and arrived in Manila late Friday night, so we lost a day flying in. The next morning, we met H.E.R. for a location check and really hit the ground running. We had two shoot days, one with H.E.R. and Liza, another with the family having brunch at home. I rushed back to LA to get the video edited, and my post-production team really showed up. My favorite thing about the whole process was that I was able to shoot back home again, bringing Filipino and Filipino-American artists together. The team on *Forgotten Island* has made a great effort to bring artists from the Philippines — like Liza, Lea Salonga, Dolly de Leon, BINI — into the film, and I really felt that in the process of making the music video. There’s a warmth and a joy that I witnessed, and it was really rewarding to have been a part of all of it. ![h.e.r. and bianca catbagan](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/her-and-bianca-catbagan.webp) H.E.R. (left) and Catbagan (right) on set. Photo by Miko de Jesus **Aside from the “BRB” music video, you’re currently working on a short film,** ***Royal Blood*, as part of the AFI Directing Workshop for Women+. What have you learned about the differences between working independently and working with a company as big as Universal Pictures?** I found that working with Universal Pictures was easy. I attribute this to the excitement everyone had about a Filipino film, and the openness of producers to say that they are not the “experts.” They really trusted me and H.E.R. to fulfill the vision and guided us with a light hand. That said, there are many people who need to look at a music video with a studio before it can be released to the world. I am also in post-production for my short film, *Royal Blood*, and I am fully in charge of that schedule. At the end of the day, I am the only person who needs to “approve” the short, and I can hone my instincts in that process. When you’re working with more people, there’s a chance that too many cooks in the kitchen can dilute the vision. It takes real focus and discernment in the process, so that the vision stays clear. **What are the challenges of being an immigrant filmmaker? What do projects as big as “BRB” and** ***Forgotten Island*** **mean to you?** I’ve been living in the States for more than a decade now and I think that it’s never easy to move to a different country to work. We all have family abroad, and the hustle and struggle are no joke. But to be Filipino means we have family wherever we go. I got to work with H.E.R. *because* I am Filipino. That’s the connection we had, and being Filipino has opened doors for me because my fellow Filipinos hold them open. I am floored that I got to be a part of a historic film like *Forgotten Island*. I got to go home and work with an Oscar- and Grammy-winning artist on a music video that feels like home to her. I feel so lucky and grateful to have been part of it. ## Frequently Asked Questions ### Who directed the “BRB” music video by H.E.R. and Liza Soberano? The “BRB” music video was co-directed by H.E.R. and Filipino filmmaker Bianca Catbagan, who grew up in Manila and has worked as a photographer and filmmaker in the U.S. for over a decade. She had photographed H.E.R. for several months beforehand. ### What is the “BRB” music video about? “BRB” is an original song by H.E.R. and Liza Soberano released ahead of Forgotten Island’s worldwide theatrical release. The video follows the two around Manila buying lakatan, playing basketball, and singing karaoke, framed as a memory of home rather than a tourist postcard. ### What cameras and formats were used to film the “BRB” music video? The “BRB” video combines Super 8 film, a camcorder, and cinema cameras to create a collage-like look. Co-director Bianca Catbagan says the mixed-media approach, along with in-between moments rather than picture-perfect shots, was meant to make the video feel more real and lived-in. ### What is *Forgotten Island* and who is involved? Forgotten Island is a film about memory and remembering, directed by Joel Crawford and Januel Mercado, who spent six years on it. Filipino artists involved include Liza Soberano, Lea Salonga, Dolly de Leon, and BINI; H.E.R. and Soberano are best friends in the film. ### What is Bianca Catbagan’s short film *Royal Blood* and the AFI DWW+ program? *Royal Blood* is Catbagan’s short film, a queer reimagining of Jose Rizal’s Maria Clara, made through the AFI Directing Workshop for Women+. The year-long program gives emerging filmmakers hands-on instruction, and notable alums include Maya Angelou, Ellen Burstyn, and *CODA* director Siân Heder. Related Stories - [‘Forgotten Island’ is One of the Decade’s Best Animated Films So Far](https://rollingstonephilippines.com/culture/reviews/forgotten-island-review-liza-soberano/ "‘Forgotten Island’ is One of the Decade’s Best Animated Films So Far") - [Best Films of 2026 So Far: ‘Forgotten Island,’ ‘The Odyssey,’ and More](https://rollingstonephilippines.com/culture/film/best-films-of-2026-so-far-forgotten-island-the-odyssey-and-more/ "Best Films of 2026 So Far: ‘Forgotten Island,’ ‘The Odyssey,’ and More") - [Giancarlo Abrahan Wanted ‘Mag-iina’ to Be An ‘Un-Cinemalaya’ Film](https://rollingstonephilippines.com/culture/philippine-cinema/giancarlo-abrahan-mag-iina-cinemalaya-interview/ "Giancarlo Abrahan Wanted ‘Mag-iina’ to Be An ‘Un-Cinemalaya’ Film") **Categories:** Culture, Film, Music, Pop **Tags:** Bianca Catbagan, Forgotten Island, H.E.R., Liza Soberano --- ### [Beabadobee’s Stage Gets Bigger for Her 2027 Return to Manila](https://rollingstonephilippines.com/music/rock/beabadoobee-manila-concert-sm-moa-arena-2027/) **Published:** October 8, 2026 **Author:** Elijah Pareño **Excerpt:** The Filipino-British alternative rock artist returns for her third Philippine show, this time making her SM Mall of Asia Arena debut **Content:** Filipino-British alternative rock artist [Beabadoobee](https://rollingstonephilippines.com/tag/beabadoobee/) will be making her return to the Philippines on April 13, 2027, at the SM Mall of Asia Arena in Pasay City, promoting her latest album, *Pylon*. *Pylon* was released last September 18. The album features Beabadoobee’s most personal songwriting yet, with much of the lyrics touching on her homesickness while on tour. It also contains high-profile collaborations with artists such as singer-songwriter [Hayley Williams](https://rollingstonephilippines.com/tag/hayley-williams/), [Turnstile](https://rollingstonephilippines.com/tag/turnstile/) vocalist Brendan Yates, guitar work from Title Fight guitarist Shane Moran, and [Deftones](https://rollingstonephilippines.com/tag/deftones/) frontman Chino Moreno. > [View this post on Instagram](https://www.instagram.com/p/DeLV90bDPew/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Live Nation PH (@livenationph)](https://www.instagram.com/p/DeLV90bDPew/?utm_source=ig_embed&utm_campaign=loading) This will be Beabadoobee’s first time performing at the SM Mall of Asia Arena. Her two previous visits to the country were held at the New Frontier Theater in Cubao, Quezon City, in 2022 and 2025, promoting her albums *Beatopia* and *This Is How Tomorrow Moves*, respectively. General on-sale of tickets will begin on October 15 via the Ticketmaster website. ## Frequently Asked Questions ### When is Beabadoobee’s upcoming Philippine concert? Beabadoobee will perform on April 13, 2027, at the SM Mall of Asia Arena in Pasay City. ### When did Beabadoobee’s album Pylon come out? Beabadoobee’s latest album, *Pylon*, was released on September 18. ### Who collaborated on Beabadoobee’s Pylon album? *Pylon* features high-profile collaborations with singer-songwriter Hayley Williams, Turnstile vocalist Brendan Yates, guitar work from Title Fight guitarist Shane Moran, and Deftones frontman Chino Moreno. ### Has Beabadoobee performed in the Philippines before? Beabadoobee’s previous visits were held at the New Frontier Theater in Cubao, Quezon City, in 2022 and 2025. ### When do tickets go on sale for Beabadoobee’s 2027 Philippine concert? Beabadoobee Live in Manila general on-sale of tickets will begin on October 15 via the Ticketmaster website. Related Stories - [Beabadoobee Finds Her Stride in Triumphant Manila Comeback Concert](https://rollingstonephilippines.com/music/beabadoobee-concert-review/ "Beabadoobee Finds Her Stride in Triumphant Manila Comeback Concert") - [Mitski in Manila: All the Feelings and Highlights](https://rollingstonephilippines.com/music/rock/mitski-first-manila-show-recap/ "Mitski in Manila: All the Feelings and Highlights") - [XG Comes Fully Realized in Second Manila Show](https://rollingstonephilippines.com/music/pop/xg-the-core-manila-concert-recap/ "XG Comes Fully Realized in Second Manila Show") **Categories:** Music, Rock **Tags:** Beabadoobee --- ### [The Filipino Music Awards Performance Highlights: Gary V, Kamikazee, Flow G, & More](https://rollingstonephilippines.com/music/live-reviews/filipino-music-awards-2026-performance-highlights/) **Published:** October 7, 2026 **Author:** Elijah Pareño **Excerpt:** The night brought together P-pop groups, veteran performers, rock bands, and rappers for a celebration that kept the MOA Arena loud **Content:** The second edition of the [Filipino Music Awards](https://rollingstonephilippines.com/tag/filipino-music-awards/) (FMAs) was an evening loaded with heavyweights from all over the music industry. On October 6, the SM Mall of Asia Arena in Pasay City became the site of non-stop entertainment. The night had the biggest wins, star-studded presenters, and loudest reactions from the crowd, but the awards ceremony wouldn’t have been a true celebration of Filipino music without its biggest performances of the night. > [View this post on Instagram](https://www.instagram.com/p/DeJ7iyxE2lO/?utm_source=ig_embed&utm_campaign=loading)[A post shared by The Filipino Music Awards (@thefilipinomusicawards)](https://www.instagram.com/p/DeJ7iyxE2lO/?utm_source=ig_embed&utm_campaign=loading) The FMAs opened its doors with hosts Joey Mead King, KC Montero, and Billy Crawford welcoming the crowd, followed by opening performances from singer-songwriter [Maki](https://rollingstonephilippines.com/tag/maki/), who performed his biggest hits “Namumula” and “Dilaw” with a full band. Rock outfit [Kamikazee](https://rollingstonephilippines.com/tag/kamikazee/) soon followed, serenading the crowd with their memorable anthems “Narda” and “Huling Sayaw” with a surprise performance from pop singer Janine Berdin. ## P-Pop and OPM Pop Performances The night also featured a medley of performances from P-pop’s most sought-after groups. Opening the segment was [BGYO](https://rollingstonephilippines.com/tag/bgyo/) with an explosive joint performance of their singles “Fresh” and “Forever Tonight.” [KAIA](https://rollingstonephilippines.com/tag/kaia/) was up next with a mesmerizing vocal and dance performance of “Hulog” followed by [VXON](https://rollingstonephilippines.com/tag/vxon/) with “Sikretong Malupit.” P-pop trio [G22](https://rollingstonephilippines.com/tag/g22/)’s powerful and empowering version of “Filipina Queen” became one of the many highlights of the night, and [ALAMAT](https://rollingstonephilippines.com/tag/alamat/) closed out the segment with “Sinigang,” which won R&B Song of the Year, tied with Denise Julia’s “LOVE AGAIN.” > [View this post on Instagram](https://www.instagram.com/p/DeKCW0wk4_1/?utm_source=ig_embed&utm_campaign=loading)[A post shared by The Filipino Music Awards (@thefilipinomusicawards)](https://www.instagram.com/p/DeKCW0wk4_1/?utm_source=ig_embed&utm_campaign=loading) Shortly after the P-pop set, talent agency Cornerstone Entertainment showcased its roster with performances from Inigo Pascual, Kyle Echarri, and Zephanie, as [Erik Santos](https://rollingstonephilippines.com/tag/erik-santos/) and [Kyla](https://rollingstonephilippines.com/tag/kyla/) capped it off with a powerhouse duet of “Pagbigyang Muli.” ## Pure Energy and Big Collabs Never one to be outdone, [Gary V](https://rollingstonephilippines.com/tag/gary-v/) delivered his own standalone set complete with choreography, a backing band, dancers, and his timeless energy, performing classics like “Di Bale Na Lang,” “Shout For Joy,” “Eto Na Naman,” “Sa Yaweh,” and “Hataw Na.” Beyond his dance moves, Mr. Pure Energy also showed off his scat singing and played the traditional Filipino instrument kulintang onstage. > [View this post on Instagram](https://www.instagram.com/p/DeKRNFeE10l/?utm_source=ig_embed&utm_campaign=loading)[A post shared by The Filipino Music Awards (@thefilipinomusicawards)](https://www.instagram.com/p/DeKRNFeE10l/?utm_source=ig_embed&utm_campaign=loading) The Filipino Music Awards closed out with the biggest and most iconic acts of OPM. [Flow G](https://rollingstonephilippines.com/tag/flow-g/) opened with “FEED X CORTEX,” followed by [Skusta Clee](https://rollingstonephilippines.com/tag/skusta-clee/) performing “Lason.” [Parokya ni Edgar](https://rollingstonephilippines.com/tag/parokya-ni-edgar/) then came up starting with their back-to-back hits“Inuman Na” and “Halaga” and ended with their [Gloc-9](https://rollingstonephilippines.com/tag/gloc-9/) and [Francis Magalona](https://rollingstonephilippines.com/tag/francis-magalona/) 2005 collaboration classic “Bagsakan,” performed alongside Flow G and Elmo Magalona. Just like last year’s inaugural show, the 2026 Filipino Music Awards didn’t miss with its performances and once again underscored itself to be an unforgettable celebration of local music. ## Frequently Asked Questions ### Who hosted the 2026 Filipino Music Awards? The FMAs were hosted by Joey Mead King, KC Montero, and Billy Crawford. ### Who opened the Filipino Music Awards ceremony? Pop artist Maki and rock outfit Kamikazee opened the ceremony. ### Which P-pop groups performed at the Filipino Music Awards? P-pop performers included BGYO, KAIA, VXON, G22, and ALAMAT. ### Who performed as part of Cornerstone Entertainment’s segment? Cornerstone Entertainment’s roster performed, including actors Inigo Pascual, Kyle Echarri, and Zephanie, along with singers Erik Santos and Kyla. ### Who closed out the Filipino Music Awards ceremony? The ceremony was closed by rock band Parokya ni Edgar and rappers Flow G and Skusta Clee. Related Stories - [Maki, Kamikazee Perform their Biggest Hits to Open Filipino Music Awards](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/maki-kamikazee-open-filipino-music-awards/ "Maki, Kamikazee Perform their Biggest Hits to Open Filipino Music Awards") - [Parokya ni Edgar, Flow G, and Skusta Clee Close Out FMAs with a Banger of a Finale](https://rollingstonephilippines.com/music/news/parokya-ni-edgar-flow-g-skusta-clee-close-filipino-music-awards/ "Parokya ni Edgar, Flow G, and Skusta Clee Close Out FMAs with a Banger of a Finale") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") **Categories:** Live Reviews, Music **Tags:** Alamat, BGYO, Erik Santos, Filipino Music Awards, Flow G, g22, Gary V, KAIA, Kamikazee, Kyla, Maki, Parokya ni Edgar, Skusta Clee, VXON --- ### [The Lolos and Legends Who Walked the 2026 Filipino Music Awards Red Carpet](https://rollingstonephilippines.com/radar/events/filipino-music-awards-2026-red-carpet/) **Published:** October 7, 2026 **Author:** Reyza Ferranco **Content:** On October 6, the [Filipino Music Awards](https://rollingstonephilippines.com/tag/filipino-music-awards/) returned to the SM Mall of Asia Arena for its second year of recognizing artistry, technical excellence, cultural impact, and audience support across its wide range of award categories. But before the trophies were handed out, the red carpet set the stage for what’s to come. It was not by any measure a traditional red carpet. Rock icons [Kamikazee](https://rollingstonephilippines.com/tag/kamikazee/), for example, turned heads by dressing up as “lolos,” while [IV of Spades](https://rollingstonephilippines.com/tag/iv-of-spades/) took the concept further and sent literal lolos to represent the band as they go on their U.S. tour. ![kamikazee](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/1.webp) Kamikazee as ‘lolos’ The surprises gave way to star power as [Regine Velasquez,](https://rollingstonephilippines.com/tag/regine-velasquez/) Ogie Alcasid, Apl. de Ap, and Morisette walked the red carpet. Artists [BINI](https://rollingstonephilippines.com/tag/bini/) Maloi and Jhoanna, [SB19](https://rollingstonephilippines.com/tag/sb19/), [Maki](https://rollingstonephilippines.com/tag/maki/), and Adie arrived with contemporary looks while XONARA, KAIA, BGYO, [fitterkarma](https://rollingstonephilippines.com/tag/fitterkarma/) and other emerging artists showcased a more on-brand look to signify their artistry. ![regine ogie](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/regine.webp) Regine Velasquez-Alcasid and Ogie Alcasid The red carpet also saw stars like Michelle Dee, Ashtine Olviga, Marina Summers, Kyle Echarri, and Wilbert Ross, each delivering their own take on reimagining a Filipino evening’s dress code of Gilded Red-Carpet. Every great artist has their own unique style, and those at this year’s Filipino Music Awards proved that OPM’s visual identity is as varied as its sound. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/1-3.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/2.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/2-3.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/5.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/3.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/4.webp) ## FREQUENTLY ASKED QUESTIONS ### When and where was the 2026 Filipino Music Awards held? The second Filipino Music Awards was held on October 6, 2026, at the SM Mall of Asia Arena. ### Which bands dressed as lolos at the 2026 Filipino Music Awards red carpet? Kamikazee dressed up as “lolos,” while IV of Spades sent literal lolos to represent the band as they go on their U.S. tour. ### Which artists walked the 2026 Filipino Music Awards red carpet? Regine Velasquez, Ogie Alcasid, Apl. de Ap, Morisette, SB19, Maki, Adie, BINI’s Maloi and Jhoanna, BGYO, and Michelle Dee were among those who walked the red carpet. ### What was the dress code at the 2026 Filipino Music Awards? The dress code was Gilded Red-Carpet, a reimagined Filipino evening dress code. ### What does Filipino Music Awards recognize? The Filipino Music Awards 2026 recognizes artistry, technical excellence, cultural impact, and audience support across its wide range of award categories. Related Stories - [The Winners of Filipino Music Awards 2026](https://rollingstonephilippines.com/radar/events/filipino-music-awards-2026-winners/ "The Winners of Filipino Music Awards 2026") - [Kamikazee Rock Lolo Looks at Filipino Music Awards Red Carpet](https://rollingstonephilippines.com/music/rock/kamikazee-rock-lolo-look-filipino-music-awards/ "Kamikazee Rock Lolo Looks at Filipino Music Awards Red Carpet") - [Maki, Kamikazee Perform their Biggest Hits to Open Filipino Music Awards](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/maki-kamikazee-open-filipino-music-awards/ "Maki, Kamikazee Perform their Biggest Hits to Open Filipino Music Awards") **Categories:** Events, Radar **Tags:** Filipino Music Awards, Red Carpet --- ### [Parokya ni Edgar, Flow G, and Skusta Clee Close Out FMAs with a Banger of a Finale](https://rollingstonephilippines.com/music/news/parokya-ni-edgar-flow-g-skusta-clee-close-filipino-music-awards/) **Published:** October 7, 2026 **Author:** Elijah Pareño **Excerpt:** The hip-hop acts warmed up the SM MOA Arena before the veteran rockers took over with “Halaga” and a star-studded “Bagsakan” **Content:** Rock band [Parokya ni Edgar](https://rollingstonephilippines.com/tag/parokya-ni-edgar/) and rappers [Flow G](https://rollingstonephilippines.com/tag/flow-g/) and [Skusta Clee](https://rollingstonephilippines.com/tag/skusta-clee/) closed out the [Filipino Music Awards](https://rollingstonephilippines.com/tag/filipino-music-awards/) (FMAs) with their biggest hits at the SM Mall of Asia Arena in Pasay City on October 6. Flow G performed his most recent single, “FEED X CORTEX,” with flame projectors, flashing visuals, and matching choreography onstage. His double-time rapping delivery and stage presence warmed up the crowd before the next performer, Skusta Clee, entered the stage with “Lason,” gracing the SM MOA Arena stage with his signature vocal belting and rap skills. Flow G and Skusta Clee eventually came together to perform their chart-topping single, “Since Day One,” which also won Song of the Year and Hip-hop Song of the Year at this year’s FMAs. ![Flow G](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/Flow-G-copy.webp) Flow G performing “FEED X CORTEX” at the Filipino Music Awards. Photo by Ed Simon The night was capped off by seminal rock band Parokya ni Edgar, with vocalist Chito Miranda, rhythm guitarist Gab Chee Kee, lead guitarist Darius Semana, bassist Buwi Meneses, drummer Dindin Moreno, and backing vocalist Vinci Montaner. They opened their set with their 1999 hit “Inuman Na,” with Miranda going offstage to prompt the crowd to come closer. The band then amped up the energy with “Halaga,” another track from their 1999 album *Gulong Itlog Gulong*, with Kamikazee vocalist Jay Contreras taking over as a surprise guest vocalist by the second half of the song. > [View this post on Instagram](https://www.instagram.com/p/DeKSIGFExAf/?utm_source=ig_embed&utm_campaign=loading)[A post shared by The Filipino Music Awards (@thefilipinomusicawards)](https://www.instagram.com/p/DeKSIGFExAf/?utm_source=ig_embed&utm_campaign=loading) Parokya ni Edgar then started the iconic countdown from “Bagsakan,” their 2005 hit single with Gloc-9 and Francis Magalona, the latter of whom was posthumously awarded the Tribute Award. The band brought out guest performers Francis M’s son Elmo Magalona and Flow G, who took over the verses effortlessly. ## Frequently Asked Questions ### Who closed out the 2026 Filipino Music Awards? Rock band Parokya ni Edgar and rappers Flow G and Skusta Clee closed out the Filipino Music Awards (FMAs). ### Who are the members of Parokya ni Edgar? Parokya ni Edgar includes Chito Miranda, Gab Chee Kee, Darius Semana, Buwi Meneses, Dindin Moreno, and Vinci Montaner. ### What awards did Flow G and Skusta Clee win at the FMAs? Flow G and Skusta Clee won both Hip-Hop Song of the Year and Song of the Year for their collaborative single, “Since Day One.” ### Who received the Tribute Award at the FMAs? Francis Magalona was posthumously awarded the Tribute Award at the Filipino Music Awards. ### Who were the guest performers during Parokya ni Edgar’s closing set? Parokya ni Edgar brought out guest performers Elmo Magalona and Flow G, who took over the verses of “Bagsakan,” along with Kamikazee vocalist Jay Contreras, who joined for surprise guest vocals during “Halaga.” Related Stories - [‘At Some Point, Magsasawa Ka Talaga’: Typecast’s Steve Badiola on ‘Will You Ever Learn’ and More](https://rollingstonephilippines.com/music/rock/typecast-steve-badiola-will-you-ever-learn/ "‘At Some Point, Magsasawa Ka Talaga’: Typecast’s Steve Badiola on ‘Will You Ever Learn’ and More") - [Parokya ni Edgar: 30 Years of Tunog Kalye and Friendship](https://rollingstonephilippines.com/music/parokya-ni-edgar-30-years/ "Parokya ni Edgar: 30 Years of Tunog Kalye and Friendship") - [Reg Rubio on Surviving Greyhoundz’s Hardest Years and Going Solo](https://rollingstonephilippines.com/music/rock/reg-rubio-surviving-greyhoundz-going-solo/ "Reg Rubio on Surviving Greyhoundz’s Hardest Years and Going Solo") **Categories:** Music, News **Tags:** Filipino Music Awards, Flow G, Parokya ni Edgar, Skusta Clee --- ### [The Winners of Filipino Music Awards 2026](https://rollingstonephilippines.com/radar/events/filipino-music-awards-2026-winners/) **Published:** October 6, 2026 **Author:** Reyza Ferranco **Content:** On October 6, the [Filipino Music Awards ](https://rollingstonephilippines.com/tag/filipino-music-awards/)(FMAs) return to the SM Mall of Asia Arena in Pasay City to once again bring together Filipino music’s biggest names, emerging voices, and enthusiasts for one special night. The ceremony recognizes achievements spanning artistry, technical excellence, cultural impact, and audience support across its Grand Awards, Genre Awards, People’s Choice, and Legacy Awards categories. The major awards include Artist of the Year, Song of the Year, Album of the Year, Breakthrough Artist of the Year, Concert of the Year, and Tour of the Year. In its [inaugural edition](https://rollingstonephilippines.com/radar/events/filipino-music-awards-winners-nominees/), last year’s FMAs drew over 8,000 attendees, with more than 300 artists and industry figures in attendance. [SB19](https://rollingstonephilippines.com/tag/sb19/) was the most-awarded act with six wins, hailing as the Artist of the Year, while [Cup of Joe](https://rollingstonephilippines.com/tag/cup-of-joe/) took home the Song of the Year for “Multo” and Album of the Year for *Silakbo*. Here, *Rolling Stone Philippines* lists every win and surprise from the 2026 FMAs. Bookmark and refresh this page for updates. ## **GENRE AWARDS** ## **POP SONG OF THE YEAR** *Recognizes outstanding achievement in pop, celebrating songwriting, memorable melodies, performance, production, and musical appeal* Nominees: - “Unang Kilig” – BINI - “Oohh Lala Baby” – Baby Dolls - “hulog” – KAIA - “habangbuhay pansamantala” – Maki - “Baduy” – VVINK, DJ Love, Pio Balbuena **Winner: “Baduy” – VVINK, DJ Love, Pio Balbuena** ## **ALTERNATIVE SONG OF THE YEAR** *Recognizes outstanding achievement in alternative music, celebrating distinctive artistry, fearless creativity, musical identity, and sounds that push beyond conventional boundaries* Nominees: - “Aswang sa Maynila” – fitterkarma ft. Novocrane - “Katabi” – SUYEN - “19 Underground” – enamori - “Kabisado” – IV of Spades - “Sandali” – Cup of Joe **Winner: “Kabisado” – IV of Spades** ## **HIPHOP SONG OF THE YEAR** *Recognizes outstanding achievement in Filipino hip-hop, celebrating lyricism, beats, rhythm, flow, performance, and cultural expression* Nominees: - “Since Day One” – Skusta Clee ft. Flow G - “Moolah” – SCOOP DOGG, Daarth - “Palaisipan” – Loonie, Arthur Nery - “Summer Crush” – HELLMERRY - “Origimal” – Uncle Dags ft. RJD **Winner: “Since Day One” – Skusta Clee ft. Flow G** ## **ROCK SONG OF THE YEAR** *Recognizes outstanding achievement in rock, celebrating energy, instrumentation, performance, production, and the creative spirit that continues to redefine Filipino rock.* Nominees: - “RARARA” – Dilaw - “What if I miss you for the rest of my life” – Janine Berdin - “Trip Lang” – ONE CLICK STRAIGHT ft. Raymund Marasigan - “What Would It Take (For You To Realize The True Evil In This World?)” – Typecast - “Monster” – IV of Spades **Winner: “What Would It Take (For You To Realize The True Evil In This World?)” – Typecast** ## **FOLK SONG OF THE YEAR** *Recognizes outstanding achievement in folk music, honoring recordings rooted in storytelling, culture, tradition, melody, and lyrical expression that reflect or reinterpret Filipino musical roots* Nominees: - “baka bukas” – Angela Ken - “sayo lang” – shirebound - “Lifetime (Reimagined)” – Ben&Ben - “Kung Masusunod” – Jan Roberts ft. Johnoy Danao - “the one to blame” – Clara Benin **Winner: “Lifetime (Reimagined)” – Ben&Ben** ## **R&B SONG OF THE YEAR** *Recognizes outstanding achievement in R&B, celebrating vocal and musical performance, groove, production, emotional expression, and storytelling* Nominees: - “Love Again” – Denise Julia - “GILIW” – Fern ft. Al James & Kyla - “Palayo sa Mundo” – Jolianne, Arthur Nery - “Sinigang” – Alamat - “Ayoko Maging Kaibigan” – kiddotin **Winner: “Love Again” – Denise Julia & “Sinigang” – Alamat** ## **PEOPLE’S CHOICE AWARDS** *Voted on by the public to honor their favorite artist.* ## **SONG** Nominees: - “Since Day One” – Skusta Clee ft. Flow G - “Kabisado” – IV of Spades - “Tabi” – XONARA - “Blush” – BINI - “Oohh Lala Baby” – Baby Dolls - “VISA” – SB19 - “Sandali” – Cup of Joe - “habangbuhay pansamantala” – Maki - “Halik Sobrang Diin Pt. 2” – Gat Putch ft. Louie Grammz, Mi’Kel **Winner: “VISA” – SB19** ## **INTERNATIONAL ARTIST** Nominees: - Olivia Rodrigo - KATSEYE - Olivia Dean - Bruno Mars - BTS - Harry Styles - Madonna - Dominic Fike - Ariana Grande - 5 Seconds of Summer **Winner: BTS** ## **BINGOplus star of the night** **Winner: KAIA** ## **ARTIST** Nominees: - IV of Spades - fitterkarma - Maki - Janine Berdin - Flow G - Ashtine Olviga - KAIA - XONARA - SB19 - BINI **Winner:** **SB19** ## **LEGACY AWARDS** **Lifetime Achievement Award Winner: Regine Velasquez-Alcasid** **Music Foundation of the Year Winner: Organisasyon Ng Pilipinong Mag-Aawit** **Music Company Of The Year Winner: ABS-CBN Music** **Tribute Award Winner: Francis Magalona** ## **GRAND AWARDS** ## **BREAKTHROUGH ARTIST OF THE YEAR** *Recognizes an artist who achieved a defining breakthrough during the eligibility period, demonstrating significant artistic development, growing influence, and the potential for sustained impact on Filipino music* Nominees: - Fitterkarma - Janine Berdin - Ashtine Olviga - Baby Dolls - KAIA **Winner: Fitterkarma** ## **TOUR OF THE YEAR** *Recognizes the year’s most outstanding traveling live music experience* Nominees: - “Signals World Tour” – BINI - “In Between” – KZ Tandingan & TJ Monterde - “Stardust” – Cup of Joe - “The Grace Tour” – Dionela - “Andalucia Tour” – IV of Spades **Winner: “Signals World Tour” – BINI** ## **CONCERT OF THE YEAR** *Recognizes the standout live music event of the year — a concert distinguished by memorable performances, production, audience experience, and cultural and commercial impact* Nominees: - “Wakas At Simula: The Trilogy Concert Finale” – SB19 - “Get, Get, Aw! The SexBomb Concert rAWnd 3” – SexBomb Girls - “In Between” – KZ Tandingan & TJ Monterde - “Sandali: The Cup of Joe Fest” – Cup of Joe - “Live at the MOA Arena” – IV of Spades **Winner: “Wakas At Simula: The Trilogy Concert Finale” – SB19** ## **SONG OF THE YEAR** *Recognizes a song that captures the moment, moves culture, and helps define the sound of the year* Nominees: - “Since Day One” – Skusta Clee ft. Flow G - “Lifetime (Reimagined)” – Ben&Ben - “Kabisado” – IV OF SPADES - “Tahanan” – El Manu - “Palayo sa Mundo” – Jolianne, Arthur Nery **Winner: “Since Day One” – Skusta Clee ft. Flow G** ## **ALBUM OF THE YEAR** *Recognizes an album that stands as a complete artistic statement, where its tracks, lyrics, sound, and creative direction contribute to a larger and cohesive vision* Nominees: - *Wakas at Simula* – SB19 - *Signals* – BINI - *Lab Songs Ng Mga Tanga* – Janine Berdin - *Kolorcoaster* – Maki - *Andalucia* – IV of Spades **Winner: *Kolorcoaster* – Maki** ## **ARTIST OF THE YEAR** *Recognizes the artist whose work and achievements make a defining contribution to the sound, spirit, and story of the year* Nominees: - BINI - Cup of Joe - IV of Spades - Maki - SB19 **Winner: BINI** Related Stories - [Kamikazee Rock Lolo Looks at Filipino Music Awards Red Carpet](https://rollingstonephilippines.com/music/rock/kamikazee-rock-lolo-look-filipino-music-awards/ "Kamikazee Rock Lolo Looks at Filipino Music Awards Red Carpet") - [Maki, Kamikazee Perform their Biggest Hits to Open Filipino Music Awards](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/maki-kamikazee-open-filipino-music-awards/ "Maki, Kamikazee Perform their Biggest Hits to Open Filipino Music Awards") - [Johnny Manahan is Back in the Director’s Chair for Filipino Music Awards](https://rollingstonephilippines.com/culture/johnny-manahan-returning-as-director-filipino-music-awards/ "Johnny Manahan is Back in the Director’s Chair for Filipino Music Awards") **Categories:** Events, Radar **Tags:** Filipino Music Awards --- ### [Maki, Kamikazee Perform their Biggest Hits to Open Filipino Music Awards](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/maki-kamikazee-open-filipino-music-awards/) **Published:** October 6, 2026 **Author:** Elijah Pareño **Excerpt:** The night began with a pop-heavy set and a rock-fueled singalong, giving the ceremony an energetic start at the SM Mall of Asia Arena **Content:** The [Filipino Music Awards](https://rollingstonephilippines.com/tag/filipino-music-awards/) (FMAs) this year opened with two of the most exciting and iconic acts in the pop and rock scene: [Maki](https://rollingstonephilippines.com/tag/maki/) and [Kamikazee](https://rollingstonephilippines.com/tag/kamikazee/). Kicking off the night, Maki performed a string of his biggest hits, beginning with “Bughaw” and the FMA-nominated Pop Song of the Year entry, “Habangbuhay Pansamantala,” during which he wore a school attire while walking across an animated backdrop. The set then transitioned into “Namumula,” where he was joined by a group of dancers. He closed his performance with a slowed-down rendition of his breakthrough single, “Dilaw,” before introducing the night’s next performer, Kamikazee. ![Kamikazee FMA](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/Kamikazee-FMA-copy.webp) Jay Contreras of Kamikazee opening the Filipino Music Awards at the SM Mall of Asia Arena. Photo by Ed Simon The rock legends opened with the guitar riff of “Unang Tikim,” then went straight into the iconic “Narda,” with frontman Jay Contreras pointing his microphone to the crowd for a singalong. Contreras quipped to the crowd, “Magandang gabi, kami nga pala Kamikazee, sikat kami nung 2006!” Kamikazee closed their set with “Huling Sayaw,” joined by a surprise appearance from singer-songwriter and FMA nominee Janine Berdin. Earlier in the ceremony, Kamikazee arrived on the red carpet dressed as [lolos](https://rollingstonephilippines.com/music/rock/kamikazee-rock-lolo-look-filipino-music-awards/). ## Frequently Asked Questions ### What are Maki’s greatest hits? Maki’s greatest hits include “Bughaw,” “Namumula,” “Dilaw,” to name a few. ### Who did Kamikazee sing “Huling Sayaw” with at the Filipino Music Awards? Kamikazee’s “Huling Sayaw” is performed alongside Janine Berdin. ### What award is Maki nominated for Filipino Music Awards? Maki’s “Habangbuhay Pansamantala” is nominated in the Pop Song of the Year category. ### Who are the musical performers at the Filipino Music Awards? The Filipino Music Awards performers are Maki, Kamikazee, Gary V, Parokya ni Edgar, Skusta Clee, and Flow G. ### Where is the Filipino Music Awards held? The Filipino Music Awards is held at the SM Mall of Asia Arena in Pasay City. Related Stories - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") - [Barbie Almalbis Explores Personal Growth in New Album, ‘Not That Girl’](https://rollingstonephilippines.com/music/barbie-almalbis-new-album-not-that-girl/ "Barbie Almalbis Explores Personal Growth in New Album, ‘Not That Girl’") - [Greyhoundz’s Reg Rubio Chooses His Battles in Nu-Metal’s Loudest Scene](https://rollingstonephilippines.com/music/rock/reg-rubio-greyhoundz-interview/ "Greyhoundz’s Reg Rubio Chooses His Battles in Nu-Metal’s Loudest Scene") **Categories:** The Rolling Stone Interview **Tags:** Filipino Music Awards, Kamikazee, Maki --- ### [Kamikazee Rock Lolo Looks at Filipino Music Awards Red Carpet](https://rollingstonephilippines.com/music/rock/kamikazee-rock-lolo-look-filipino-music-awards/) **Published:** October 6, 2026 **Author:** Elijah Pareño **Excerpt:** The rock veterans came in gray wigs and lolo prosthetics, because they weren’t about to compete with awards night glam **Content:** Rock band [Kamikazee](https://rollingstonephilippines.com/tag/kamikazee/) attended the second [Filipino Music Awards](https://rollingstonephilippines.com/tag/filipino-music-awards/) at the SM Mall of Asia Arena in Pasay City as lolos, all wearing prosthetic makeup and gray-haired wigs. Its members frontman [Jay Contreras](https://rollingstonephilippines.com/music/25-filipino-love-songs-for-the-emotionally-compromised/), lead guitarist Jomal Linao, drummer Allan Burdeos, bassist Puto Astete, and rhythm guitarist Led Tuyay are performing at the awards ceremony. Contreras speaks to *Rolling Stone Philippines* backstage, briefly explaining why they wore prosthetics on the red carpet of the Filipino Music Awards. “‘Di talaga kami nagbibihis sa mga awards night ‘e,” Contreras tells *Rolling Stone Philippines*. “Pero ngayon lang kami nakaka-attend ulit so alam namin lahat ng tao nagpa-pogi ‘e, di kaya namin sumabay, so doon na lang kami sa mga lolo.” Kamikazee was one of the opening performers of the ceremony, performing their greatest hits “Unang Tikim,” “Halik,” and “Huling Sayaw.” Other performers of the night included [Maki](https://rollingstonephilippines.com/tag/maki/), [Gary V](https://rollingstonephilippines.com/tag/gary-v/), [Parokya ni Edgar](https://rollingstonephilippines.com/tag/parokya-ni-edgar/), [Skusta Clee](https://rollingstonephilippines.com/tag/skusta-clee/), and [Flow G](https://rollingstonephilippines.com/tag/flow-g/). ## Frequently Asked Questions ### Who is in Kamikazee? Kamikazee consist of frontman Jay Contreras, lead guitarist Jomal Linao, drummer Allan Burdeos, bassist Puto Astete, and rhythm guitarist Led Tuya. ### What are Kamikazee’s greatest hits? Kamikazee’s greatest hits include “Unang Tikim,” “Halik,” “Huling Sayaw,” to name a few. ### Who are the acts performing in Filipino Music Awards 2026? The Filipino Music Awards performers are Kamikazee, Maki, Gary V, Parokya ni Edgar, Skusta Clee, and Flow G. ### Where is the Filipino Music Awards 2026? The Filipino Music Awards 2026 is held at the SM Mall of Asia Arena in Pasay City. ### What Look did Kamikazee rock at the Filipino Music Awards? Kamikazee attended the second Filipino Music Awards at the SM Mall of Asia Arena in Pasay City as lolos, all wearing prosthetic makeup and gray-haired wigs. Related Stories - [7 Deadly Michael V. Parodies That Will Make You Die of Laughter](https://rollingstonephilippines.com/music/7-michael-v-parodies/ "7 Deadly Michael V. Parodies That Will Make You Die of Laughter") - [Johnny Manahan is Back in the Director’s Chair for Filipino Music Awards](https://rollingstonephilippines.com/culture/johnny-manahan-returning-as-director-filipino-music-awards/ "Johnny Manahan is Back in the Director’s Chair for Filipino Music Awards") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") **Categories:** Music, Rock **Tags:** Filipino Music Awards, Kamikazee --- ### [EXPLAINER: What the 'Super El Niño' Means for the Philippines](https://rollingstonephilippines.com/state-of-affairs/environment/super-el-nino-philippines-water-heat-2026/) **Published:** October 5, 2026 **Author:** Reyza Ferranco **Content:** Although the “Ber” (September to December) months supposedly usher in much cooler breezes in the country, Filipinos were recently told to brace for warmer conditions and pressure on water supplies. In late September, the [Philippine Atmospheric, Geophysical and Astronomical Services Administration](https://rollingstonephilippines.com/tag/pagasa/) (PAGASA) warned of an intensifying Super El Niño that could persist into the first half of 2027. But what could this mean for the everyday Filipinos? ## **What is El Niño?** As described by PAGASA, El Niño is marked by abnormally warm sea surface temperatures in the Central and Eastern Equatorial Pacific, and above-average cool ocean temperatures over the Philippine Sea. This results in warm phases in the country that often bring drought to some regions. But now, the country expects even harsher heat with the coming Super El Niño. The term “Super El Niño” is generally used to describe an exceptionally strong El Niño, referring to the intensity of the warming in the equatorial Pacific and the scale of its expected effects. PAGASA’s [press release](https://pagasa.dost.gov.ph/press-release/225) also highlighted that prolonged rainfall deficits could “increase the risk of severe agricultural dry spells and water supply stress,” which could threaten “food security, water resources, energy production, public health, and the broader economy.” PAGASA Climate Monitoring and Prediction Section Chief Ana Liza Solis, in a [news report](https://www.gmanetwork.com/news/weather/content/1003481/record-breaking-el-ni-o-may-arrive-by-october-pagasa/story/?amp), said there is a 75 percent chance that this will surpass the previous “historical” El Niño episodes. ## **How can this affect daily living?** Water is among the most immediate concerns. According to the National Water Resources Board (NWRB), the water supply in Metro Manila could be reduced in October or lowered to 44 cubic meters per second from the usual 50-53 allocation. Various water suppliers like Maynilad and Manila Water has already reported to have water service interruptions or tighter supply. The [extensive heat](https://rollingstonephilippines.com/state-of-affairs/power/how-to-stay-cool-in-the-philippine-heat-sustainable/) could also expose individuals to health risks. Once a person is exposed to high temperatures for a prolonged period of time, one can be vulnerable to dehydration, exhaustion, or other heat-related sickness. As temperatures rise, we are all the more advised to stay hydrated and avoid strenuous activities. ![el nino agriculture](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/el-nino-DA.webp) The agricultural department has requested for additional P45B ‘contingency’ fund amid the Super El Niño threat. Photo from the Department of Agriculture Website Agricultural workers are also seen to struggle, as the lack of rainfall can affect crop irrigation and production, as well as fisheries. However, the Department of Agriculture (DA) [said](https://www.da.gov.ph/da-braces-for-intensified-el-nino/) that it received an additional P6.2 billion for fuel subsidies and other forms of assistance to help farmers, fisherfolk, and other agricultural workers to cope with the higher fuel costs and the initial effects of El Niño later this year. They are also repeatedly building a bigger food buffer. ## **Government Preparations** The Palace, meanwhile, urged Filipinos not to hoard or panic-buy bottled water amid threats of the severe El Niño. Instead, Filipinos should prepare “calmly” by repairing leaks and conserving water supply. In a recent press briefing, Palace Communications Officer [Claire Castro](https://rollingstonephilippines.com/tag/claire-castro/) said that “the government is prepared for this phenomenon,” citing the Task Force El Niño established in 2024 after a major loss in agriculture amounting to P57.78 billion. She further assured Filipinos that the government has allocated funds for El Niño response, particularly for climate information, agriculture and food, irrigation, and water supply. The Department of Social Welfare and Development (DSWD) has reportedly provided P745 million worth of aid to drought-affected areas in the country as of October 3. ## frequently asked questions ### What is El Niño? El Niño is marked by abnormally warm sea surface temperatures in the Central and Eastern Equatorial Pacific, and above-average cool ocean temperatures over the Philippine Sea. This results in warm phases in the country that often bring drought to some regions. ### What’s the difference between El Niño and Super El Niño? The term “Super El Niño” is generally used to describe an exceptionally strong El Niño, referring to the intensity of the warming in the equatorial Pacific and the scale of its expected effects. Super El Niño is expected to bring even harsher heat compared to regular El Niño and is reported to possibly surpass previous “historical” El Niño episodes. ### How long will the intense El Niño persist? PAGASA has warned of an intensifying Super El Niño that could persist into the first half of 2027, starting from September 2026. ### How much is the cut on Metro Manila’s water supply? According to the National Water Resources Board (NWRB), the water supply in Metro Manila could be reduced in October or lowered to 44 cubic meters per second from the usual 50-53 allocation. ### What is the government’s aid to the agricultural sector during the intense El Niño? The Department of Agriculture (DA) said that it received an additional P6.2 billion from the government for fuel subsidies and other forms of assistance to help farmers, fisherfolk, and other agricultural workers to cope with the higher fuel costs and the initial effects of El Niño later this year. They are also repeatedly building a bigger food buffer. Related Stories - [How to Stay Cool in the Philippine Heat Without Killing the Planet](https://rollingstonephilippines.com/state-of-affairs/power/how-to-stay-cool-in-the-philippine-heat-sustainable/ "How to Stay Cool in the Philippine Heat Without Killing the Planet") - [Environmentalists Dig Into Climate Defense in Rolling Stone PH Roundtable](https://rollingstonephilippines.com/state-of-affairs/environment/philippines-deadliest-environmental-defenders/ "Environmentalists Dig Into Climate Defense in Rolling Stone PH Roundtable") - [The ‘Garbage Crisis’ is Proof of the Government’s Failures](https://rollingstonephilippines.com/state-of-affairs/environment/metro-manila-garbage-crisis-government-failure/ "The ‘Garbage Crisis’ is Proof of the Government’s Failures") **Categories:** Environment, State of Affairs **Tags:** Climate, PAGASA, Super El Niño --- ### [Johnny Manahan is Back in the Director’s Chair for Filipino Music Awards](https://rollingstonephilippines.com/culture/johnny-manahan-returning-as-director-filipino-music-awards/) **Published:** October 5, 2026 **Author:** Elijah Pareño **Excerpt:** After decades of directing concerts and television shows, the entertainment titan returns to oversee yet another major night in Filipino music **Content:** [Johnny Manahan](https://rollingstonephilippines.com/tag/johnny-manahan/), also known as Mr. M, will be returning as director of the [Filipino Music Awards](https://rollingstonephilippines.com/tag/filipino-music-awards/) (FMAs) on October 6 at the SM Mall of Asia Arena. The renowned TV and concert director and talent manager will be staging the major performances and award-giving segments for the second iteration of the prestigious night for OPM, having seen it through in its inaugural run last year. Before Manahan became a big name in the entertainment industry, he was a known visual artist among the awardees of the third batch of the [Cultural Center of the Philippines](https://rollingstonephilippines.com/tag/cultural-center-of-the-philippines/)’ (CCP) Thirteen Artists Award in 1972. Through this connection to the CCP, he frequently collaborated with artists, including Alice Reyes of then the CCP Dance Company, which later became Ballet Philippines. He’s always been fascinated by dance and found ways to integrate his art practice into it. Meanwhile, show business has been a constant presence in his life as his mother, the prominent high society figure Elvira Ledesma Manahan, hosted the talk show, *Two for the Road*, and her own eponymous musical variety show. It is in this environment where a young Mr. M learned the ropes. ![Johnny Manahan](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/mr-m-rollingstone-philippines-intext-2.jpg) Johnny Manahan, also known as “Mr. M,” is a known “star maker” and director in the film and television industry for more than five decades. Photo by Choi Narciso Manahan’s directing career dates back to 1972, when he helmed his directorial debut, *Jesus Christ Superstar*. At the time, he had no formal reference beyond the album itself, relying on repeated listens to piece together how the stage production should unfold. Soon, he became known for his eclectic staging choices, combining multiple disciplines into a digestible feat of entertainment that captivated the masses. From there, Manahan went on to direct massive concerts for both local and international artists, most notably Italian tenor Andrea Bocelli’s Manila debut in 2004, and Gary Valenciano and Martin Nievera’s first collaborative concert, AS 1, in 2009. That same year, he was honored with a Lifetime Achievement Award by the Philippine Movie Press Club in recognition of his decades-long contribution to both television and film. As a television director, Manahan served as a resident director under ABS-CBN Corporation from 1986 until 2020. During this time, he co-directed *Home Along Da Riles* in 1992, starring [Dolphy](https://rollingstonephilippines.com/tag/dolphy/) and Nova Villa, and *Richard Loves Lucy* in 1998, starring Richard Gomez and Lucy Torres. He also co-founded the talent management agency Star Magic alongside Freddie M. Garcia and Charo Santos-Concio, an outfit that would come to define Philippine show business for decades. ![Johnny Manahan](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/mr-m-rollingstone-philippines-intext-1.jpg) Mr. M drew o his extensive portfolio of definitive variety shows and groundbreaking concerts that wowed generations of Filipino viewers. Photo by Choi Narciso Beyond directing, Manahan is widely regarded as one of the industry’s most respected talent managers, credited with discovering and developing stars such as [Piolo Pascual](https://rollingstonephilippines.com/tag/piolo-pascual/), [John Lloyd Cruz](https://rollingstonephilippines.com/emag-featured/john-lloyd-cruz/), Bea Alonzo, Diether Ocampo, and [Angelica Panganiban](https://rollingstonephilippines.com/tag/angelica-panganiban/), among many others who would go on to become household names. In November 2025, Manahan joined TV5 as head of Talent Development. Today, he helms some of the network’s flagship variety programs, including the OPM fan-interactive show *Vibe.* Last year, Manahan directed the inaugural Filipino Music Awards hosted by model Joey Mead King, actors Michael Sager and Elijah Canlas. Mr. M borrowed from his extensive portfolio of definitive variety shows and groundbreaking concerts that wowed generations of Filipino viewers to bring OPM’s biggest night to life. This year’s FMAs will be no different with Mr. M on top of production. Still, the night’s highlights will include the Grand and Genre Awards alongside People’s Choice Awards and Legacy Awards. The ceremony also boasts performances by [Gary Valenciano](https://rollingstonephilippines.com/tag/gary-valenciano/), rappers [Flow G](https://rollingstonephilippines.com/tag/flow-g/) and [Skusta Clee](https://rollingstonephilippines.com/tag/skusta-clee/), rock bands [Parokya ni Edgar](https://rollingstonephilippines.com/tag/parokya-ni-edgar/) and [Kamikazee](https://rollingstonephilippines.com/tag/kamikazee/), and P-pop groups [BGYO](https://rollingstonephilippines.com/tag/bgyo/), [ALAMAT](https://rollingstonephilippines.com/tag/alamat/), [G22](https://rollingstonephilippines.com/tag/g22/), [VXON](https://rollingstonephilippines.com/tag/vxon/), and [KAIA](https://rollingstonephilippines.com/tag/kaia/), among others. --- *Styling* by **Shark Tanael** and **Jia Torrato** of *Qurator Studio* *Grooming* by **Dorothy Mamalio** and **Rhoy Cervantes** ## Frequently Asked Questions ### Who is Johnny Manahan? Johnny Manahan, also known as Mr. M, is a renowned TV and concert director and talent manager who will be returning as director of the Filipino Music Awards on October 6 at the SM Mall of Asia Arena. ### What was Johnny Manahan’s directorial debut? Manahan’s directorial debut was *Jesus Christ Superstar* in 1972, which he directed using only the album as his main reference material. ### What talent agency did Johnny Manahan co-found? Manahan co-founded the talent management agency Star Magic alongside Freddie M. Garcia and Charo Santos-Concio. ### Which stars has Johnny Manahan discovered or developed? Manahan is credited with discovering and developing stars such as Piolo Pascual, John Lloyd Cruz, Bea Alonzo, Diether Ocampo, and Angelica Panganiban, among many others. ### What kind of award did Johnny Manahan receive at the Cultural Center of the Philippines (CCP)? Manahan is a known visual artist among the awardees of the third batch of the Cultural Center of the Philippines’ (CCP) Thirteen Artists Award in 1972. Related Stories - [How ‘PBB: Celebrity Collab Edition’ is Redefining ‘Celebrity’](https://rollingstonephilippines.com/culture/film-tv/how-pbb-celebrity-collab-edition-is-redefining-celebrity/ "How ‘PBB: Celebrity Collab Edition’ is Redefining ‘Celebrity’") - [Meet Jonathan Manalo, Grammy’s New Voting Member, Through 5 Essential Tracks](https://rollingstonephilippines.com/editors-picks/lists/5-jonathan-manalo-songs-grammy-voting/ "Meet Jonathan Manalo, Grammy’s New Voting Member, Through 5 Essential Tracks") - [Another ABS-CBN Shutdown? Here’s a Timeline of the Lopez Family Feud](https://rollingstonephilippines.com/state-of-affairs/abs-cbn-lopez-family-feud/ "Another ABS-CBN Shutdown? Here’s a Timeline of the Lopez Family Feud") **Categories:** Culture, TV **Tags:** Filipino Music Awards, Johnny Mahanan --- ### [Stray Kids Join BTS in Skipping the 2027 Grammy Submissions](https://rollingstonephilippines.com/music/pop/stray-kids-bts-skip-2027-grammy-submissions/) **Published:** October 5, 2026 **Author:** Elijah Pareño **Excerpt:** The K-pop group joins the growing backlash against the Recording Academy’s newly created Best Asian Pop Music Performance category **Content:** K-pop group [Stray Kids](https://rollingstonephilippines.com/tag/stray-kids/) has opted out of submitting music for consideration at the 2027 [Grammy Awards](https://rollingstonephilippines.com/tag/grammy-awards/). Consisting of members Bang Chan, Lee Know, Changbin, Hyunjin, Han, Felix, and Seungmi, the group joined [BTS](https://rollingstonephilippines.com/tag/bts/) in boycotting the ceremony over backlash against the Recording Academy’s newly created Best Asian Pop Music Performance category last July. [JYP Entertainment](https://rollingstonephilippines.com/tag/jyp-entertainment/) confirmed on October 3 that Stray Kids did not submit any music for the 69th Grammy Awards. Stray Kids’ label did not elaborate on its reasoning. According to *Korea Herald* last August, Stray Kids member Seungmin decided to focus more on music rather than awards. “We’ve never once set out to make an album chasing a particular award or record,” Seungmin said. “When we talk about the music or performances we love, it doesn’t come from how we’re seen from the outside — it comes from what’s inside us as we build a stage or write lyrics. It’s less about outside expectations around awards and more about capturing the sound and story we want to tell.” > [View this post on Instagram](https://www.instagram.com/reel/Dd1O2bcThj7/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Stray Kids (@realstraykids)](https://www.instagram.com/reel/Dd1O2bcThj7/?utm_source=ig_embed&utm_campaign=loading) The Recording Academy introduced the Best Asian Pop Music Performance category in June as one of five new 2027 Grammy awards, intended to recognize K-pop, J-pop, and C-pop performances that make meaningful use of an Asian language. [BTS](https://rollingstonephilippines.com/music/pop/bts-not-submitting-grammys-best-asian-pop-category/) announced its own boycott in July, stating, “We hope music can be heard and embraced for what it is, beyond region or language.” ## Frequently Asked Questions ### Who are the members of Stray Kids? Stray Kids consists of members Bang Chan, Lee Know, Changbin, Hyunjin, Han, Felix, and Seungmi. ### Why is Stray Kids boycotting the 2027 Grammy Awards? Stray Kids opted out of submitting music for the 69th Grammy Awards, joining BTS in boycotting the ceremony over backlash against the Recording Academy. ### What is the Grammy’s Best Asian Pop Music Performance category? The Best Asian Pop Music Performance category in the 69th Grammy Awards is intended to recognize K-pop, J-pop, and C-pop performances that make meaningful use of an Asian language. ### When was the Best Asian Pop Music Performance category introduced? The Best Asian Pop Music Performance category was introduced by the Recording Academy in June as one of five new 2027 Grammy Awards. ### Why did BTS boycott the 2027 Grammy Awards? BTS announced their reason for not submitting in July, stating, “We hope music can be heard and embraced for what it is, beyond region or language.” Related Stories - [From BTS to The Weeknd: Artists Who’ve Called Out the Grammys](https://rollingstonephilippines.com/music/artists-who-called-out-the-grammys/ "From BTS to The Weeknd: Artists Who’ve Called Out the Grammys") - [Why BTS is Withdrawing from the Grammys’ This Year](https://rollingstonephilippines.com/music/pop/bts-not-submitting-grammys-best-asian-pop-category/ "Why BTS is Withdrawing from the Grammys’ This Year") - [10 Netflix Music Documentaries About the Biggest Moments in Music History](https://rollingstonephilippines.com/editors-picks/lists/best-netflix-music-documentaries/ "10 Netflix Music Documentaries About the Biggest Moments in Music History") **Categories:** Music, Pop **Tags:** BTS, Grammys, Stray Kids --- ### [GCash CEO Martha Sazon Talks Financial Inclusion and Accessibility at UN Summit](https://rollingstonephilippines.com/state-of-affairs/martha-sazon-mynt-financial-inclusion-un-summit/) **Published:** October 5, 2026 **Author:** Reyza Ferranco **Content:** At the UN Global Compact Leaders Summit 2026 in New York, [GCash’s](https://rollingstonephilippines.com/tag/gcash/) parent company Mynt’s President and CEO Martha Sazon opened a discussion on financial inclusion in the Philippines, calling for technology that can make formal credit more accessible to Filipinos. Held on September 23, the event brought together business and finance experts on building capital that opens more inclusive and sustainable markets. There, Sazon delivered her keynote address, “Rethinking Credit: From Invisible to Empowered,” centered on how technology can help remove barriers, but stated that its value is measured by how it enables people to participate and turn access into opportunity. She pointed to barriers that have historically kept Filipinos from “formal borrowing,” or taking out a loan from a legally regulated financial institution, which includes documentation and established business credit that are notoriously difficult to acquire due to rigid paperwork and legal jargon. The CEO noted that formal borrowing penetration in the Philippines remains at just 12 percent, among the lowest in Southeast Asia, leaving many people dependent on informal sources of credit (i.e., “paluwagan,” family and friends, online lenders, retail store owners). ![mynt ceo martha sazon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/ungc.webp) Mynt CEO Martha Sazon delivering her keynote titled, “Rethinking Credit: From Invisible to Empowered,” at the UN Global Compact Leaders Summit 2026 on September 23. Photo from Mynt, Inc. Instead, Sazon shared that another way for Filipinos without traditional credit histories to demonstrate financial behavior is through their digital transactions like transferring money, paying and receiving bills online — exactly what GCash has been known for among Filipinos. She laid out GScore, GCash’s proprietary AI-powered credit scoring system, which scores customers based on their digital financial behavior to evaluate creditworthiness. Through the system, eligible users can be “pre-approved” for loans without any additional requirements. Sazon further shared that GCash offers credit starting at P100 to help customers cover short-term expenses. “For us, financial inclusion is a right, not a privilege,” she said. Mynt recorded that GCash has financed more than 11 million borrowers, with around 7.5 million active accounts. For Sazon, expanding access to digital financing can transform the everyday financial hurdles of Filipinos while narrowing the gap in access to formal credit services among underserved communities. “Access alone is not enough. It also means making sure people are seen, treated fairly, and can borrow with dignity. And when people are given the right support, they can move forward with their heads held high,” the CEO added. Ultimately, she noted that proper financial access can keep the economy moving, whether at the micro-level, like households, or the macro-level, like businesses. This is the purpose behind their company, GCash’s vision, “Finance for All,” which aims to use technology to make financial services more accessible and transform the financial journeys of Filipinos. Mynt has also announced on October 2, that it set GCash’s initial public offering at P6.60 a share instead of its earlier ceiling of P10 to make stock market participation more attractive and inclusive. At this price point, the base offering is expected to raise approximately P53 to P61 billion. The public offer period will reportedly run from October 6 to 12, with the tentative listing date on October 20. ## Frequently Asked Questions ### Who is Martha Sazon and what did she present at the UN Global Compact Leaders Summit 2026? Martha Sazon is the President and CEO of Mynt, GCash’s parent company. She delivered the keynote “Rethinking Credit: From Invisible to Empowered” on financial inclusion. ### What’s the state of formal borrowing in the Philippines? Formal borrowing penetration in the Philippines is 12 percent, among the lowest in Southeast Asia, leaving many Filipinos reliant on informal credit like paluwagan, family, friends, and online lenders. ### What is GScore and how does GCash use it to approve loans? GScore is GCash’s AI-powered credit scoring system. It evaluates creditworthiness from digital financial behavior, letting eligible users be pre-approved for loans without additional requirements. ### How small can a loan be in GCash? GCash offers loans that start at P100 for short-term expenses. ### What is the GCash IPO price and when is the offer period? Mynt set GCash’s IPO at P6.60 a share, down from a P10 ceiling. The offer period reportedly runs from October 6 to 12, with listing tentatively on October 20. Related Stories - [Filipinos are Learning to Treat Freelancing Like a Business](https://rollingstonephilippines.com/radar/rs-spotlight/filipino-freelancing-business-gcash-virtual-us-account/ "Filipinos are Learning to Treat Freelancing Like a Business") - [Donny Pangilinan’s Day One of Building a Life Beyond the Spotlight](https://rollingstonephilippines.com/radar/rs-spotlight/donny-pangilinan-sunlife-day-one/ "Donny Pangilinan’s Day One of Building a Life Beyond the Spotlight") - [‘AI-Powered’ Shopping App Actually Powered by PH Call Center —FBI](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/ai-powered-shopping-app-actually-powered-by-ph-call-center-fbi/ "‘AI-Powered’ Shopping App Actually Powered by PH Call Center —FBI") **Categories:** State of Affairs **Tags:** GCash, Martha Sazon, Mynt, UN Global Compact Leaders Summit --- ### [Noel Cabangon & Lourd de Veyra](https://rollingstonephilippines.com/music/musicians-on-musicians-noel-cabangon-lourd-de-veyra/) **Published:** October 1, 2026 **Author:** Rolling Stone Philippines **Excerpt:** At the peak of political unrest in the ‘80s, one of these musicians had their artistic awakening; the other, two decades later, forged a path towards keeping that flame alive through the underground **Content:** For [Noel Cabangon](https://rollingstonephilippines.com/tag/noel-cabangon/) and [Lourd de Veyra](https://rollingstonephilippines.com/tag/lourd-de-veyra/), anger has its purpose. As musicians, who came of age during tumultuous times — Cabangon in the First Quarter Storm in 1970 and de Veyra in Corazon Aquino’s blackouts-stricken administration that lasted until the early ‘90s— they experienced firsthand how rightful rage fueled artists of the time, from Cabangon’s own group Buklod singing about social inequality in “Tatsulok” (which [Bamboo](https://rollingstonephilippines.com/tag/bamboo/) would later reprise) to [Yano](https://rollingstonephilippines.com/tag/yano/) finding light-hearted humor in rotating power interruptions in “Kaka.” “Kailangan ba na galit ka at naranasan mo ‘yung mga problema sa lipunan para kumanta ka ng ganon?” de Veyra asks Cabangon during an impassioned conversation for [Rolling Stone Philippines Musicians on Musicians](https://rollingstonephilippines.com/tag/musicians-on-musicians/). **“**I think so. Hindi pwedeng hindi mo alam e. Paano ka magagalit?” Cabangon says. “Paano ka makakagawa ng kanta nang hindi mo nararanasan, na hindi mo napag-iisipan, ‘di ba?” De Veyra is the frontman of jazz fusion band [Radioactive Sago Project](https://rollingstonephilippines.com/tag/radioactive-sago-project/), delivering spoken-word anthems of black comedy and societal ills for four albums straight, from 2000 to 2014. His deadpan and sardonic delivery has become a staple for a band that flirted with multi-genre and multi-generational devices, from the turntable to the brass section. De Veyra has situated himself within the confines of Filipino society through hits such as “Astro,” “Wasak na Wasak,” “Alak Sugal Kape Babae Kabaong,” “Trip,” and his side project, the sludge and hardcore punk outfit Kapitan Kulam.. Outside of music, he has also explored television, hosting programs *Wasak* and *Word of the Lourd* on TV5, wherein he interviews personalities and bands. Cabangon, on the other hand, is a master of folk music for over four decades. He has won multiple [Awit Awards](https://rollingstonephilippines.com/tag/awit-awards/) as a solo artist for songs like “Ang Buhay Nga Naman” and “Sa Duyan ng Bayan,” but also figured in the activist musical trio Buklod, which he co-founded with Rom Dongeto and Rene Boncocan in 1987. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Noel-Cabangon-Lourd-de-veyra-rolling-stone-intext1.webp) For Rolling Stone Philippines Musicians on Musicians, De Veyra and Cabangon revisit their political awakenings and how they got their start writing songs of social relevance. Deeper into their conversation, the two examine what makes a song effective in a time of turmoil, why fewer and fewer artists dare question the status quo, and why it’s vital to live in proximity to the struggle to reflect its realities in a song. —*Elijah Pareño* *This interview was edited for clarity.* **Lourd De Veyra:** Sabi mo nauna ‘yung music sa aktibismo. Kailan pumasok ‘yung aktibismo? Ano ‘yung pinakanaaalala mong unang issue na politikal that you felt strongly about? **Noel Cabangon:** Dati kasi hindi naman ako… tawag nga sa akin ng kuya ko, parang I just sympathize with the activists. Kasi ‘yung kuya ko ‘yung naunang activist. Tapos, siyempre, nung namatay si Ninoy Aquino, that was really my awakening. And then I was a folk singer then. Kumakanta na ako sa My Father’s Mustache sa Malate. And then, nung time na ‘yun, marami nang nagsusunog sa kalye. Maraming rallies, ganon. And then, siyempre, doon sa aming community sa Kamuning, I didn’t know may mga activists pala don. **De Veyra:** Pero ‘di ba taga-norte ka? ‘Di ka ba naki-sympathize sa mga nasa Malacañang? **Cabangon:** Ah, hindi kasi bata pa ako noon. **De Veyra:** Sa pamilya niyo, ano yung political affiliations? **Cabangon:** ‘Yung lolo ko used to be a politician. He was a vice mayor dun sa town namin. Sa pagkakaalam ko, nagtago siya nung martial law. **De Veyra:** So hindi siya pro-government? **Cabangon:** I think so. **De Veyra:** Ang mother mo, anong political leanings niya? **Cabangon:** Ah na-su-sway naman ‘yung nanay ko e. But, siyempre, sa mga Ilokano kasi, they vote as one. Lalo na doon sa hometown ko, malakas ang Marcos doon. So, it’s really Marcos talaga doon. **De Veyra:** Ano para sa ‘yo ‘yung kauna-unahang political or politically-oriented song na narinig mo sa buong buhay mo? At bakit? **Cabangon:** Siguro ‘yung “Bayan Ko” kasi even before, there was this election during martial law and then kinakanta na nila ‘yun e. And then noong naging aktibista na ako, ‘yun ang naging parang theme song ng movement e. **De Veyra:** Kelan ka naging aktibista? **Cabangon:** 1984, 1985? Ni-recruit ako ng kasama ko sa Buklod, si Rom \[Dongeto\]. **De Veyra:** Ang Buklod originally ay Buklod ng… **Cabangon:** Musikero Para sa Bayan. **De Veyra:** Sinu-sino pang mga kasama dito sa grupong ‘to? **Cabangon:** Paul Galang and then mga grupo sa mga universities na mga estudyante. **De Veyra:** ‘Pag magkakasama kayo, explicit ba ‘yung pag-discuss ninyo ng politika? O parang understood na ‘yun na lahat tayo e… **Cabangon:** Understood na ‘yun kasi para kaming ano e mga… **De Veyra:** Goons? **Cabangon:** Hindi naman. Parang propagandists. Pero music, ‘di ba? Na kunwari may rally, dito ka, pwede kang tumugtog dito. Kung saan-saan. **De Veyra:** So, kumbaga, meron kang double life? Isang banda, tumutugtog ka sa mga bars, like My Father’s Moustache. Pero sa umaga o sa hapon, sa-sideline ka sa mga rally. Marami noon? Ano ‘yung atmosphere noon? Pwede mong ikwento siguro sa mga batang makikinig. Gaano ka-unstable ‘yung period from ‘83 to ‘86? **Cabangon:** Parang almost everyday talagang may rally e. And then kasi syempre, nagkaroon kasi ng supression ng rally noong panahon na… **De Veyra:** Supposedly ni-lift na ‘yung martial law— **Cabangon:** Yeah, noong 1981. Kunwari. So parang nagkaroon din ng resurgence ng rallies. Mga estudyante sa Liwasang Bonifacio. Natatandaan ko kapag pupunta ako ng My Father’s Moustache, nadadaanan ko ‘yung mga nag-ra-rally so noong una dahil apolitical naman ako. **De Veyra:** Metaphor ‘yun ah? Papunta ka sa raket mo pero nakikita mo ang dinadaanan mo… **Cabangon:** Oo. Noong mga time na ‘yun medyo apolitical pa ako parang walang pakealam so parang “Ano ba ‘tong mga ‘to? Mga istorbo sa kalsada.” \[*Laughs*\] Pero syempre dahil burning ‘yung issues on worsening economy, ‘yung mga political detainees… **De Veyra:** May takot ba noon? **Cabangon:** Meron. **De Veyra:** Pero after Ninoy Aquino’s assassination, parang lumakas ang loob ng marami. Kinover ‘yung funeral march hanggang sa, in fact, ‘yung government paper, ang banner headline nila noon ay “namatay dahil sa kidlat.” Pero walang nagbalita nun na media doon sa milyon-milyong nag-march. At after nyan parang na-embolden na ba lahat? **Cabangon:** Lumakas talaga ‘yung social movement. Even ‘yung mga rallies noon, malaki na ‘yung mobilization and different sectors nagsasama-sama: estudyante, the workers, even professionals. **De Veyra:** Ang sabi nila, alam na nilang seryoso na nung ‘yung mga taga-Ayala, mga taga-Makati, ‘yung mga business sector, ay sumasama na raw sa street rallies. “Ay, iba na ‘to.” **Cabangon:** I think there was an organization ng mga progressive businessmen na sumama sa anti-dictatorship na movement kaya even ‘yung Makati, Ayala Avenue, ‘di ba ‘yung nauso ‘yung confetti, halos araw-araw nagkakaroon ng confetti doon. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Noel-Cabangon-Lourd-de-veyra-rolling-stone-intext2.webp) **De Veyra:** Nasan ka nung namatay si Ninoy? **Cabangon:** Nung namatay si Ninoy, I think may gig yata ako. 1983, I remember that. **De Veyra:** Sa bahay namin, alam kong may problema kasi ‘yung lolo ko, na supposedly macho, government official ‘yun e, nung nanunuod sya ng primetime news early evening — maingay ‘yun e pero for that late afternoon, hindi sya nagsasalita. Tapos nakaganun talaga sa TV. Tapos mayamaya hindi na umalis sa harap ng TV, natulog na lang sya nang… kunwari ito ‘yung parang coffee table, ito ‘yung TV, natulog sya sa harap ng TV nakaganon. Hanggang umaga. Hanggang nung pumasok ako, nakahiga lang sya doon. Syempre hindi ko tinatanong kung bakit pero alam ko nang may namatay. **Cabangon:** Nung namatay si Ninoy, parang automatic nagkaroon agad ng unrest sa kalsada. May nagsusunog, may rally. Iba-ibang nangyayare. Papunta kasi akong gig noon. Dark ‘yung kalsada. Tapos nakikita mo ‘yung mga gulong na sinusunog. Lalo na sa gabi. **De Veyra:** Erpat ko pulis e. WPD. Pero hindi sya nagkukwento. Nung nasabi nya lang dati, may time dati nung college mahaba ‘yung buhok namin ng kapatid ko, “Naaalala ko dati ‘yung mga nag-ra-rally sa Mendiola ganyan ‘yung mga buhok.” E sila ‘yung mga rookie cop habang martial law. May kasama daw sya na naging professional baseball player din eventually napaghawak daw ‘yung truncheon tapos may dispersal daw sila, pinag-pa-practice-an daw ‘yung mga tulad mo. **Cabangon:** Wala na si Marcos noon e. Ang pinaka-nakakatakot na experience ko na rally was ‘yung Mendiola Massacre. ‘Yung grupo ko noon ‘yung Buklod. Tatlo kami. Kakanta kami sa entablado. Tapos tinatawag na kami, papunta na kami doon sa stage nung nagputukan. So, maririnig mo ‘yung bala. “Zhoong!” Gumaganon. Tapos, siyempre, takbuhan. And then, there’s this apartment na bukas doon sa kanto ng Recto. Pumasok kami doon. E, delikado rin pala pumasok doon kasi pwede kang damputin doon. **De Veyra:** Pero may balita na kayo nun na magkakaroon ng “infiltration” kasi maraming mga grupo ‘yun na nag-ma-march, ‘di ba?? **Cabangon:** Yeah pero kami naman wala kaming alam tungkol dun but ang alam kasi namin may negotiations. **De Veyra:** Pero striking image daw sa insidenteng ‘yun, ‘87, so kaka-one year lang ng [EDSA](https://rollingstonephilippines.com/tag/edsa/) tapos ‘yung image ng kalye ay ang mga naiwan ay mga nakakalat na — ilan nga lang daw ‘yung sapatos — puro tsinelas. Anlakas ng dating sa akin nun. **Cabangon:** Si Rom ‘yung kasama ko. Tumulong pa sya dun sa isa sa mga tinamaan. **De Veyra:** At hanggang ngayon, walang nanagot dun. May rekomendasyon kung sinong kakasuhan, naging presidente pa ‘yung isa, ‘yung isa naging senador pa. Actually may dalawang naging senador. Meron pa. Mas matataas pa. Pero mostly ‘yung sinasabi nila na parang — would you agree? — ‘yun daw ‘yung punto na ‘yung pangako nung ‘86 ay gumuho? Ano bang pakiramdam sa inyo nun? **Cabangon:** I think so. Because syempre nung ‘86, ‘yung expectations ng mga tao na magbabago and maibibigay ‘yung mga demands nung basic sector na naghahangad ng pagbabago but apparently because of sobrang politics within that administration, ganyan ‘yung nangyare. **De Veyra:** Sinabi ni Bertolt Brecht dati na, parang, “unhappy is the land that needs heroes.” So kung i-re-rephrase natin ‘yun, parang, malungkot ba ang isang bayan na kailangan pa rin ng mga troubadour na kumakanta tungkol sa bayan? **Cabangon:** I think so. Kasi ‘yung mga troubadours nun, tingin ko, in a way, tulad namin, we were like propagandists. Dahil nagpapalaki ka na ng base and then gusto mo makuha ‘yung sentimyento ng mga tao and mamulat sila, ma-enlighten sa mga issues. So we use music to go to these places and sometimes reinforce also ‘yung kanilang mga sentimiento. **De Veyra:** Yung style initially ng Buklod na carryover mo hanggang ngayon, offshoot pa rin siya nung mga ‘68, Summer of Love, Flower Power na folk revival mula sa West na nadala mo. Pero ano ang meron doon sa tunog na ‘yun na umakma siya sa lyrics na protesta? **Cabangon:** Kasi maraming mga kanta na even civil rights music na ginagamit sa U.S. noon ay na-translate into Filipino. Tapos ‘yung katulad ng “Because All Men Are Brothers,” “Pagka’t Dapat Magkapatiran,” ‘yun ‘yung translation. And these were translated by some of the political detainees, nung panahon ng martial law, at nadala ito sa buong pakikibaka ng movement ng anti-dictatorship. At ‘yung isang character ng folk music, siyempre dahil narrative talaga siya, ‘no? Gitara, naratibo ‘yung mga kanta. Simple lang at nagkukuwento talaga. **De Veyra:** At ang gitara, kahit saan pwede mong dalhin sa mga rally. Hindi ka pwede magdala ng sampler. **Cabangon:** Pwede mo rin ihampas ‘yan sa ano. **De Veyra:** Mahal naman na ‘pag pinanghampas mo ‘yung gitara mo. **Cabangon:** \[*Laughs*\] Kaya hindi mo gagawin ‘yun. Mahal ang gitara. **De Veyra:** Pero napapansin mo ba ngayon na ganun pa rin ang tradisyon, singer-songwriter mag-pe-perform sa rally o may bagong anyo ba syang dinadaanan? Halimbawa, ‘yung sa mga [Trillion Peso March](https://rollingstonephilippines.com/tag/trillion-peso-march/), mga rallies. May kinaiba ba doon sa mga ginawa noon sa harap ng Liwasang Bonifacio? **Cabangon:** Parang nawala ‘yung ganun e. Well, siguro sa kabilang bakod maraming mga musicians na activists din na sumasampa sa entablado, tumutugtog pero dito sa kabila, may ilan lang. Well, isa na ako doon sa mga tumugtog doon lalo sa Trillion Peso March. **De Veyra:** My observation ako: dati kasi, may isang grupo na gaya ng Yano ay makakapasok pa sa charts. Aabot pa sa punto nakakatugtog sila sa mga noontime shows with much reticence kasi makikita mo ‘yung mukha talaga nila na parang ‘Heads din. Parang very awkward pag in-i-interview ng mga hosts. Tapos noon may outlet pa ‘yung ganun kasi may radyo pa. Pero in theory, may pagkakataon pa rin na makasama doon sa, kumbaga, repertoire ng mga malayang pakinggan. Pero may observation ngayon na mas kumukonti ‘yung mga miyembro ng mas nakababatang henerasyon na may ganyang mga estilo ng musika. **Cabangon:** Social relevance. **De Veyra:** Ano tingin mo? Totoo ba ‘yun? **Cabangon:** Tingin ko totoo. Siguro dahil sa konteksto ng ngayon, ‘no? Unlike before kasi, siyempre, even nung ‘90s, meron kang issue on the government’s Philippines 2000, land conversion. Meron kang issues on the environment. May issues ka on, siyempre, ekonomiya. ‘Yung neoliberalization ng ekonomiya. ‘Yung privatization of supposed to be public utilities wherein the government, sila dapat ang nag-po-provide nun. But the situation provided them, parang napunta ito sa mga korporasyon, mga mayaman na malalaki. At maraming displacement. Of course, may militarization pa rin at that time sa mga probinsya. **De Veyra:** Binanggit mo ‘yun neoliberalization. Isa sa mga bata na nasa henerasyon na ‘yun, masasabi nila na ang intro nila sa ganyang usapin ‘yung “Mad Mathematical World” ng The Jerks, na ang first line ay “I am what World Bank says to the hungry, \[‘Pay your debts!’\]” Sa akin, hindi ako sa folk music na-introduce; sa punk rock, would you believe? Ang una kong narinig ‘yung kanta ng Dead Kennedys na “Kill the Poor.” E nakakatawa ‘yung melody at ‘yung lyrics ay sarcastic. So sinira ng kantang ‘yun ang buong buhay ko. **Cabangon:** So ‘yun na ‘yung awakening mo? **De Veyra:** Parang, “Ano ‘to? ‘Kill the poor’?!” but at the same time, nauso noon ‘yung, talagang, Satanismo sa music na rock n roll. ‘Yung mga naka-mohawk. May kumakalat na tsismis noon na miyembro daw sila ng kulto, sinasakripisyo nila ‘yung mga baby. Tapos ‘pag nakita mo ‘yung Dead Kennedys ay isang American hardcore punk group na ang kinakanta nila ay ‘yung mga geopolitics during the Reagan era in the most sarcastic way. So ‘yun ang intro ko hanggang sa narinig ko ‘yung mga Pinoy punk. ‘Yung Urban Bandits, ‘yung “Battle of Mendiola” na ang sophisticated part dun they were not even talking about the Battle of Mendiola na tinugtugan mo, Battle of Mendiola nung First Quarter Storm. Sabi ko, “Hanep ‘tong mga punks na ‘to na mga taga-Paco,” mga punks pero kumakanta tungkol sa mga nangyayare sa paligid. **Cabangon:** Punks not dead! Pero, ikaw, Lourd, ‘yung music mo, kasi siyempre, masasabi mo ba na ‘yung mga kanta ninyo ay mga political? And kung na-involved ka man politically, do you consider yourself an activist also? **De Veyra**: Palagay ko, lahat yata dapat tayo ganun eh. “Hindi pwedeng hindi mo alam e. Paano ka magagalit? Paano ka makakagawa ng kanta nang hindi mo nararanasan, na hindi mo napag-iisipan, ‘di ba?” Noel Cabangon **Cabangon:** ‘90s, ‘di ba? ‘Yun ‘yung kabataan mo. **De Veyra:** Actually nung ‘90s, madaling umano eh. Nung after ng middle part. Pero ‘yung early part. Isipin mo, ikaw ‘yung biktima ng mga sunod-sunod na blackout? Mababadrip ka talaga e. Yano may kanta tungkol dyan, ‘di ba? ‘Yung “Kaka.” Si [Francis Magalona](https://rollingstonephilippines.com/tag/francis-magalona/) may kanta, ‘yung “Ayoko sa Dilim.” Ang ganda noon, ha? Hip-hop na may metal na sumwak talaga sila doon sa umiiral na zeitgeist. At the same time, may tinatalakay silang social issue. Ngayon, meron namang mga tumatalakay pa rin, pero very isolated corners, may kanya-kanyang mga grupo, may kanya-kanyang mga clique na unless wala ka dun sa mundong ‘yun or wala kang kakilala, baka hindi dumaan sa algoritmo mo. **Cabangon**: Tingin ko ‘yung hip-hop, ‘yung mga ni-ra-rap nila tungkol sa everyday life. I think this is also some form of that kind of music na socially relevant. Although, siyempre, kasi dati, kung kumakanta ka ng mga socially relevant songs, parang involved ka rin sa mga sa movement na very political. **De Veyra:** Kailangan ba na galit ka at naranasan mo ‘yung mga problema sa lipunan para kumanta ka ng ganon? **Cabangon:** I think so. Hindi pwedeng hindi mo alam e. Paano ka magagalit? Paano ka makakagawa ng kanta nang hindi mo nararanasan, na hindi mo napag-iisipan, ‘di ba? So dapat ‘yun para rin maging totoo, maging authentic, dapat ramdam mo at naniniwala ka dun sa gusto mong sabihin. **De Veyra:** Kunwari, lumaki ako na walang problema sa buhay, na hindi ko naranasang makipagsaksakan ng siko sa MRT, LRT. **Cabangon:** Hindi mo ikwekwento ‘yun kasi ‘di mo naranasan ‘yun. Unless nagkaroon ka ng immersion. **De Veyra:** Anong gusto mong sabihin: Is it harder to create a truly universal political anthem kapag ang audiences ay hindi nagkakaisa? In short, walang unity. At kailangan ba ng universality? **Cabangon:** Alam mo, makakasulat ka rin ng isang anthem na universal kapag nararanasan din ng buong bansa, isang buong community, kunwari, isang buong mundo, ang isang bagay. Like, for example, nararanasan natin ang mahal na presyo ng langis na apektado ang lahat ng bilihin. So we can always create a song that speaks of this kind of global crisis. So makagagawa tayo ng ganun. Pero hindi naman pwedeng — kasi siyempre kadalasan ‘pag anthemic and global, puro general yung maisusulat mo doon eh, I mean general concept and ideas… **De Veyra:** Hindi mo rin napaplano ‘tong mga bagay na ‘to e. ‘Di ba, ‘yung “I-kulong na ‘yan! Mga kurakot!” Organic ‘yung evolve nung chant na ‘yun. Meron yatang nag-sample nun at tinuloy at ginawang kanta talaga pero ewan… Sana mahanap natin kung magkaka-evolution pa ba ‘yun. **Cabangon:** Hindi, pero napansin mo, maraming panaka-naka na gumagawa ng mga kanta on like the [flood control](https://rollingstonephilippines.com/tag/flood-control/). Kaya lang ang problema mo ‘yung platform nya sa online. Problema mo nun kapag wala sa algorithm mo ‘yung ganun, hindi mo mapapansin ‘yun. **De Veyra:** Kasi i-e-expect mo ba halimbawa, na kapag narinig ng mga nakalubog sa baha, nakakatira sa mga depressed area, kapag narinig ba nila ‘yung kanta na “Sakada,” o “Buhay at Bukid,” ay mag-iiba ba ‘yung panananaw nila at malalaman ba nila ‘yung karapatan nila agad? Or… iba ‘yung trip nilang sounds e ng mga taong nakalubog ngayon. **Cabangon:** Oo, nga e. Ibang genre. **De Veyra:** Tapos ‘yung presidente, kinantahan ang misis nya nung birthday, ‘di ba? Beatles tsaka “You” ni Basil Valdez. **Cabangon:** ‘Di ba? Malayo sa mga pangyayare. **De Veyra:** Dapat ang kinanta nila roon ay “Ewan” ng Apo Hiking Society. **Cabangon:** Sa tingin mo, ano ‘yung mga risks involved sa pagiging outspoken sa mga political and social causes? **De Veyra:** May time noon na sabay-sabay ang endorsements, tapos may client din na parang “Oop, may mga video itong mokong na ‘to na medyo nangangalkal.” ‘Yun lang. **Cabangon:** Well, ako, siguro dahil matanda na ako parang, well there’s this risk na baka mawalan ka ng gig, baka di ka kunin dito… **De Veyra:** Hindi ka kukunin sa gantong event kasi sasabihin nila, “Mag-le-lecture ‘yan tungkol sa Marxsismo.” **Cabangon:** Pero naranasan na namin ‘yan, nung ‘90s, ‘no? Nilalako namin ‘yung “Kanlungan” sa BMG, hindi nila tinanggap dahil daw kami ay may political clique. **De Veyra:** Ika nga ng kasabihan, “It’s their lost.” Kami ng banda ko na Radioactive Sago Project, medyo sanay na kami na kapag tutugtog kami ng UP Fair noon, ‘di ba mauuna sa amin ang Sandwich, so magwawala sila (fans). Tapos kami, tapos Chicosci or Slapshock. Ang gagawin nila kapag nakasalang na kami bibili sila ng barbecue, mag-si-CR muna sila, i-pe-prepare nila ang katawan nila para sa mga susunod na banda. **Cabangon:** Tingin ko, Lourd, ngayon parang may dearth ng mga ganyang kanta, ‘yung mga socially relevant. Tingin ko sa U.S. si ano na lang ulit e, si Bruce Springsteen. **De Veyra:** Sa isang genre. Hip-hop hindi tumitigil e. Merong progressive kasi na hip-hop pero I’m sure nandyan baka di lang natin nasasagasaan ‘yung algoritmo. **Cabangon:** Dahil nga ‘yung platform, ‘yung social media. **De Veyra:** Alam mo, Noel Cabangon, maraming artist na nanawagan for social and political change in the music industry. Demanding fair compensation and protection. Pero over the years, may napansin ka bang mga significant changes? May royalties pa ba ngayon? **Cabangon:** Meron! Dati akong presidente ng FilSCAP (Filipino Society of Composers, Authors and Publishers). **De Veyra:** Oo nga pala, ‘no? **Cabangon:** Hindi, mayroong compensation. Mas maganda ngayon. **De Veyra:** Lumala ba kumbaga para sa mga pipili sa music as a career, as livelihood, as an option? **Cabangon:** Well, sabi ko doon sa anak ko, “If you want to continue with your passion, you have to have a day job to support your music.” **De Veyra:** ‘Yan ‘yung idea ko din dati e. **Cabangon:** Kasi ang hirap talaga, mahirap. Kasi even marami dyang mga sumikat na, pero hindi yun assurance that they’re going to have a better life. Pero at least may opportunities, pero hanggang saan? Hanggang kailan? **De Veyra:** Ang sinasabi nila, ang rebolusyon daw ay para sa bata. Kasi ‘pag tumatanda ka, nag-me-mellow down, may certain level of acceptance ka na kahit masaklap. So ‘yung rebolusyon daw is mostly geared towards the young. Hindi ko naman sinasabing matanda ka na, Noel Cabangon. **Cabangon:** Matanda na ako. Tumatanda. \[*Laughs*\] ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Noel-Cabangon-Lourd-de-veyra-rolling-stone-intext3.webp) **Lourd De Veyra:** Pero galit ka pa rin ba? **Cabangon:** Well, may mga bagay na nag-iba na ‘yung pagtingin mo. Parang, I don’t want to call it “compromise,” ‘no? But siguro, wala na kasi ‘yung idealism nung kabataan natin na pwede mong itaya ‘yung buhay mo. **De Veyra:** Madaming gumawa niyan e. **Cabangon:** Daming gumawa niyan na pwede mong, you can lose ‘yung kabataan mo. Pwede mong itaya ‘yun na hindi mo naitayo ‘yung… Dahil naniniwala ka doon sa paniniwala na kaya niyong itaguyod ang isang mas magandang kinabukasan. Very cliche, ‘di ba? Pero ‘yun ‘yun. Cliche as it may sound. Pero ‘yung idealism kasi ng kabataan… and then, of course, siyempre iba ‘yung energy. **De Veyra:** Pero sa literary criticism, lalo na ‘yung mga may, sabihin natin, na sociological na pananaw sa pagpuna, halimbawa, ‘yung mismong simple act of not singing and not writing about certain issues ay political statement na raw in itself. **Cabangon:** Hmmm. Sa ngayon? Paano ‘yung papansin na political statement ‘yun? E lalo na paano kung ‘di ka naman kilala. **De Veyra:** Kunwari kumanta ako ng “APT” unless may decoding, may mga cryptic ano pala ‘yun. **Cabangon:** Baka naman overreading na lang ‘yun? Ikaw, Lourd, may napansin ka bang pagbabago sa protection and compensation ng mga musikero? Kayo ba mataas na kayong maningil ngayon? Mahal na yata kayo maningil ngayon. **De Veyra:** Ha ha ha ha ha ha ha — ‘yun ang sagot ko dun. Mas gumaling ‘yung mga bata. Ang gagaling. Hindi ko alam ‘yung issues on compensation kasi nag-iba na ‘yung paradigm. Wala na ‘yung parang big bad record label. Iba na eh. Sa socmed, doon na na-introduce ‘yung kalakaran eh. I don’t know how that works anymore. **Cabangon:** Hindi, pero like I used to be the head of FilSCAP, yung society that collects royalties ng mga composers. Mas maganda ‘yung collection ngayon at distribution. That’s why in-i-encourage namin ‘yung mga composers to join FilSCAP kasi sayang ‘yung mga income na nanggagaling sa online. **De Veyra:** Pero ‘yung mga kanta naman, hindi naman patutugtugin sa Jollibee ‘yun. **Cabangon:** Pero may mga nakikinig din nun sa YouTube, may mga views ‘yun. So nag-do-draw ng income ‘yung kahit paano. Ikaw ba hindi member ng FilSCAP? **De Veyra:** Oo. Matagal na. **Cabangon:** ‘Yun naman pala e. “Ang pinakamagagandang mga protest songs are the ones that draw power from the specific. Hindi naman ‘yung abstractions, pero may dini-describe ka na mga eksena.” Lourd de Veyra **De Veyra:** Pero ang gagaling ng mga ngayon. Dapat lang, ‘di ba? Dapat nag-evolve. Kasi may problema tayo kung hindi sila mas magaling satin. Pero ‘yung mga tema, medyo ‘yun ang hinahanap sana. **Cabangon:** Tsaka yung ano rin, ‘yung emotional, ‘yung tibay and how you want to deal with it. **De Veyra:** Hindi mo kasi pwedeng pekein, ‘di ba? **Cabangon:** Hindi pwede. **De Veyra:** Parang pwede kang may kinakanta ka tungkol sa paghihirap ng mga magsasaka. Ma-no-notice ko agad kung hindi galing sa… **Cabangon:** ‘Pag nanood ka ng reel lang, tapos nakita mo ‘yun, hindi mo siya masulat nang may puso kasi hindi mo naman siya naranasan. Unless nagpunta ka doon, nag-interview ka. Kahit man lang nabasa mo, iba rin talaga ‘yung nag-interact ka. Kasi saan ka huhugot ng mga metaphors? Saan ka huhugot ng mga linya ‘pag sinulat mo yan? **De Veyra:** Kasi ang pinakamagagandang mga protest songs are the ones that draw power from the specific. Hindi naman ‘yung abstractions, pero may dini-describe ka na mga eksena. **Cabangon:** At saka doon sa mga eksena na ‘yun, kung hindi mo man siya masulat nang direkta, pwede kang gumamit ng metaphor. You can draw all these images. Kasi image lahat ‘yun eh na pwede mong i-create sa imagination mo. So kung wala kang ganung experience, mahirap. **De Veyra:** Pero bakit puro love songs ‘yung sinusulat mo ngayon? **Cabangon:** Ano ako ngayon eh, anong tawag mo roon? Late bloomer. Sinusulat ko ngayon mga socially irrelevant songs of the heart. **De Veyra:** Baka choice din ‘yan. Political choice. **Cabangon:** Alam mo kasi nung dati kasi puro mga political, socially relevant, mga sinusulat ko. Totally in-ignore ko ‘yung pagsusulat ng mga ganyan na love songs. And ganoon din ‘yun. It’s the same thing ‘yung you apply. Huhugot ka sa mga experiences mo. Doon ka rin kukuha ng mga images. **De Veyra:** Dalawang quotes bagay dyan: Una, sabi dati ni Che Guevarra, “The true revolutionary is guided by feelings of love; Pangalawa, dahil ang puso ay nasa kaliwa. Sana magkaroon ng anthem tungkol sa baha na ma-cha-chant na lahat. Simple, effective. ‘Pag narinig mo, maaalala mo ‘yung galit. O ‘yung problema. Kasi kaya umuulit ‘yung mga problema, maraming nakakalusot. Kasi hindi tayo nakaalala. Madali tayong makalimot. **Cabangon:** Totoo naman ‘yun. Kaya lang, paano mo siya i-po-promote kung parang nasa echo chamber ka lang? So ‘yun lang yung isang siguro parang downside siguro. ‘Pag na-create mo sya tapos hindi tumatagos sa kabilang side. **De Veyra:** Parang nakaka-depress ‘tong usapan na ‘to. **Cabangon:** But siguro, i-risk mo na gumawa ka ng kanta and then ‘pag may mga opportunities to perform it nang live on stage, e ‘di masaya. **De Veyra:** For some reason, may parang kapalaran na may dadating na lang dyan na isang, kung sino ‘yun. **Cabangon:** Parang tubig. Naghanap ‘yun ng lalagusan niya. **De Veyra:** Depende. E kung Prime Water? Walang papatak na tubig doon. **On music industry’s evolution along other creative practice:** **De Veyra:** Matagal na ako kasi wala sa industry. Pero kahit noon, kung i-relate natin sa topic, merong parang konting-konting allergy ang music business sa mga kanta na may pitik sa lipunan. Hindi dahil sa takot nila, pero mas, feeling ko kung ang mga songs about social change ay maging profitable, bakit hindi? Gagawin nila ‘yun. Mag-pi-print sila nang mag-pi-print, mag-po-promote sila nang mag-po-promote ng ganung mga talent. **Cabangon:** Pero doon sa industriya kasi ng musika ngayon, parang challenging siya eh. Dahil sa mga music access online. So hindi ko tulad ng dati, wala nang masyadong TV network. Challenging siya dahil napakaraming, kunwari Spotify, napakaraming music doon na pwede mong pagpilian. **De Veyra:** Ang tawag nila dyan parang magkakaroon ng paralysis of oversupply of choices. Kakapili mo, wala kang mapapakinggan. **Cabangon:** Tapos dati, meron ka lang record label, tapos i–re-release mo na siya through the hard copy, ‘yung hard format. Ngayon, may label ka na, may aggregator ka pa, saka ma-re-release sa isang music platform. So ang daming, kumabaga in terms of income, compared to hard copy before, mas may income. **De Veyra:** Ngayon, sa mga concerts pa rin kumikita e ‘no? **Cabangon:** Concerts talaga. And, well, but the good thing about it is that malakas ang live scene. Ako, bilang tumutugtog sa mga bars, dumami ‘yung mga bars, not only in Metro Manila, pero ‘yung mga periphery, like Bulacan, Cavite. Siyempre, dahil music is an entertainment, isang negosyo rin siya sa industry. So, when you go to these places, kinakanta mo ‘yung kung ano ‘yung mga sikat. It’s still the same. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Noel-Cabangon-Lourd-de-veyra-rolling-stone-intext5.webp) **De Veyra:** Tawag din Martin Scorsese dyan, ‘yung “smuggling.” Bigay mo sa audience ‘yung gusto, pero gawin mo na paraan na naisisingit mo ‘yung gusto mong sabihin na mensahe. **Cabangon:** Well, ‘yun ‘yung kaibahan. So, kung gusto mo maging isang musician ngayon, it’s either pwede ka nang dumiretso, ikaw na mismo. You produce your own songs. **De Veyra:** Magda-download ka lang ng software… **Cabangon:** ‘Yan iba pa ‘yang AI. **De Veyra:** Kaya ma-ano ‘yung live sa AI. Mas palalakasin ‘yung live performance para patunayan na “Uy, ito ha, hindi ito autotune.” **Cabangon:** Pero ‘yung sabi nila — sabi nila — ‘yung generation daw ng Gen Z, they hate AI-generated music. **De Veyra:** Ako, na-pa-fascinate ako sa kanya in a Stanley Kubrick kind of way. Parang *Space Odyssey*. Respect to our AI robot overlords. Balang-araw. Magiging alipin tayo. **Cabangon:** As much as I appreciate the benefits ng AI na nagamit mo, pero sa music, talagang pinapatay niya ‘yung creation, the imagination. Because creation is imagination. **De Veyra:** Grabe ka naman. Parang sinabi mo na nung inimbento ‘yung gitara, mawawala na ‘yung human voice. ‘Di ba parang additional instrument lang? **Cabangon:** Hindi, iba yun. Instrumento yun. Pero ‘yung pag-create mo ng kanta, parang pag inutusan mo si AI, parang bibigyan ka ng 3-in-1 ‘yun, kape. Instant. **De Veyra:** Parang mong sinabi, may TV na. Hindi na ako manonood ng play, ng teatro. Hindi na ako manonood ng sine. So unfounded ‘yung paranoia mo? **Cabangon:** Hindi eh. Magkaiba ‘yun. Magkaiba kasi it’s the imagination ang na-de-defeat doon ng AI. Kasi ‘di ba, sabi nga nila, sabi ni Jose Mari Chan, “Music is a reflection of your soul.” Sinasabi niya yan, pero I’m sure nakuha rin niya sa iba. So ibig sabihin nun kapag in-AI mo ‘yung gawa mo, reflection na ni AI ‘yun, kaluluwa nun. **De Veyra:** Ewan ko sa kuweba na kinaroroonan mo, kung ano ‘yung turo sa inyo, pero meron mga batang mga nakakadiskubri nyan at gagamitin nila yung… Kasi hindi lang naman ‘yan sa pag-arrange. Hindi pa natin alam. May ma-di-discover sila dyan na gagawin nila na work of genius talaga. Kahit ilang daang taon natin pilitin, hindi natin ma-di-diskubre. **Cabangon:** Hindi ko naman sinabing itigil na ‘yung AI. **De Veyra:** Sinabi mo eh. **Cabangon:** Ayoko lang ng AI. Ayokong gumamit ng AI. Siguro sa ibang… Kailangan kong gumawa ng proposal, gagamitin ko si AI. **De Veyra:** Proposal sa asawa? **Cabangon:** Hindi. Project proposal. **De Veyra:** Tapos, ang magbabasa rin ng project proposal mo AI din, ‘di ba? Ganda e, no? Kasi mag-e-edit din, ang gagawa ng counter proposal, AI din. --- ***OFFICIAL STYLING PARTNER*** Qurator Studio ***STYLING*** Steven Coralde assisted by Niña Cuyana and Charlotte Sombillo Lourd de Veyra wears COS jacket, button-down, and trousers, and Brethren Heritage sneakers ***OFFICIAL HAIRSTYLING & MAKEUP PARTNER*** Nix Institute of Beauty ***OFFICIAL SET DESIGN PARTNER*** Rocket Design Studio ***PHOTOGRAPHER’S ASSISTANT*** Jom Ablay ***SHOOT ASSISTANT*** Enzo Santos More Musicians on Musicians - [In Rolling Stone Philippines Musicians on Musicians, 6 Filipino Artists Ask Music’s Bigger Questions](https://rollingstonephilippines.com/music/musicians-on-musicians-filipino-artists/ "In Rolling Stone Philippines Musicians on Musicians, 6 Filipino Artists Ask Music’s Bigger Questions") - [Ian Tayao & DJ Medmessiah](https://rollingstonephilippines.com/music/musicians-on-musicians-ian-tayao-dj-medmessiah/ "Ian Tayao & DJ Medmessiah") - [Gian Bernardino & KZ Tandingan](https://rollingstonephilippines.com/music/musicians-on-musicians-gian-bernardino-kz-tandingan/ "Gian Bernardino & KZ Tandingan") **Categories:** Folk, Music, Rock **Tags:** Lourd de Veyra, Musicians on Musicians, Noel Cabangon --- ### [Ian Tayao & DJ Medmessiah](https://rollingstonephilippines.com/music/musicians-on-musicians-ian-tayao-dj-medmessiah/) **Published:** October 1, 2026 **Author:** Rolling Stone Philippines **Excerpt:** Growing up at a time when hip-hop and metal groups felt like two warring sides, these two musicians have come to realize who the bigger enemy actually is **Content:** Beef between hip-hop and punk factions has been alleged for as long as [Ian Tayao](https://rollingstonephilippines.com/tag/ian-tayao/) and [DJ Medmessiah](https://rollingstonephilippines.com/tag/dj-medmessiah/) can remember. Whether through apocryphal accounts or actual encounters, the two recall the incidents that added to the myth of these two supposedly clashing sides. “Dati sa Robinsons Galleria, natandaan ko ‘yun. Nakita ko ‘yun. Sa Megamall sa ilalim, sa Circus o kaya sa Glico’s, ‘di ba?,” Tayao, the frontman of Filipino rock and nu metal band Queso says. “Kahit sa Makati, nagkakapaluan na ng fire hydrant eh. Nakita ko ‘yun.” DJ Med, the founder of the Filipino rap collective [Morobeats](https://rollingstonephilippines.com/tag/morobeats/), remembers it a little differently: “Ang nakikita ko palagi is hip-hop-on-hip-hop crime. Kasi gangsta, ‘di ba? So, ‘yung punks and hip-hop, parang asaran lang eh.” Tayao has a better term: “away-alingaw-ngaw.” But that doesn’t mean it didn’t happen. Petty fights ensued, someone got beaten up over perceived differences, but that was some time ago. Both hip-hop and metal have since settled this over slam sessions multiple times over, proving there’s nothing a good jam can’t fix. “Nung pumasok kami, parang nandun kami sa ‘healing,’ kumbaga e,” Tayao says. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/dj-medmessiah-ian-tayao-rolling-stone-ph-intext1.webp) Looking back at it now, DJ Med thinks the beef might have been a stand-in for a deeper problem in the scene, one that has long overlooked and undervalued hip-hop and its contributions to culture. “May nag-create nitong ganitong ano para mas mainit. Kasi nung time na ‘yun, ang hip-hop parang minority siya eh,” he says. “So parang pakiramdam ng hip-hop ‘Putangina, hindi kami na-va-value dito. Nasa kalsada lang kami palagi.’” But it’s not just the streets. If anything, he adds, the people in hip-hop and punk have one thing in common: “pare-pareho sila na hindi sila ‘yung nagmamay-ari ng masters nila.” So over a long conversation for [Rolling Stone Philippines Musicians on Musicians](https://rollingstonephilippines.com/tag/musicians-on-musicians/), Ian Tayao and DJ Medmessiah unpack the unlikely origin of this feud, how they came about in a world of its consequences to finally name a common enemy. Is it really each other? Is it themselves? Is it record labels? Is it streaming, or AI? —*Christian San Jose* *The following has been edited for clarity.* **Ian Tayao:** Natatandaan ko nung bata ako, nung unang pumasok ako ng Club Dredd, inaangat ko ‘yung pantalon ko kasi meron akong stigma sa isip ko na baka mabugbog ako rito kasi naka-low-waist ako. Pero that time, ano naman ako e, naka-flannel. Pero — ‘yun lang — naka-low waist. Skater eh. Pero nabuo nga sa isip ko na parang, “nakakatakot kung pumasok ako dito.” Baka mahusgahan ako, baka palabasin ako, baka ma-black eye-an ako. Pero hindi ko matandaan kung saan nagmula ‘yun. May experience ka ba na ganito noon? **Dj Medmessiah:** Sa akin — kung hindi ako nagkakamali — hindi siya galing sa mga punks na street talaga. Parang galing siya sa mga rakista na conyo eh. Parang one of the radio shows yata. Nandiyan si Ramon Zialcita, ‘di ba? Tapos si Eraserheads, ‘di ba? Parang isa sila sa mga part na ‘yun, ‘yung alternative rock, ‘di ba? Kasi ‘yung mga punks naman at saka hip-hop, nagkakasama naman sa skateboarding. ‘Yun ‘yung parang natatandaan ko. Dun sya nagsimula, sa isang radio show. Parang “Oy mga hip-hop, mga lawlaw pants!” **Tayao:** Actually, kinakabahan ako nung pumapasok ako sa Club Dredd. Tapos, ang una kong instinct, maghanap ako ng katulad: gasgas ‘yung sapatos, naka-Superstar. Oh at least naka-low-waist din. Nakita ko si isang tropa. Tapos naka-Adidas siya. Binaba ko na agad ‘yung pantalon ko. “Okay, sakto. Pwede na ‘tol.” Sya ‘yung nakausap ko. ‘90s ‘to. Nakausap ko siya sa bar. All throughout, siya na ‘yung kasama ko, kausap ko. Pero iniisip ko nga, parang, na-instill din sa akin kahit papaano ‘yun e, na meron siya. Pero mas chismis siya… Wala akong na-encounter noon na parang nagkabatuhan, nagkasaksakan, o kung physical. Wala akong nakitang ganun na nangyari. Pero meron ding mga oras na may tugtugan at that time tulad ng Tropang Houndz. Tumugtog sila sa Marikina. Pagpasok nila, siyempre, mga naka-jersey, mga naka-low-waist; hini-hip-hop-an sila. Pero wala naman silang pakealam. At the end of the day, sunugan lang. Pagkatapos naman ng tugtugan, nagkasama na kasi ‘yung music talaga, sobrang, ‘yung ano ng enerhiya, wala ka nang masasabi doon eh. Hindi mo na mahuhusgahan sa ganun eh. **DJ Med:** Sa tingin ko magdidepende kung saang lugar. For example, Recto. ‘Yung mga hip-hop pupunta doon, bibili ng get-up sa Cartimar. **Tayao:** Sa Tandem. **DJ Med:** Oo, may mga punks doon eh. Siyempre, lugar ng raliyista ‘yan e, ‘yung Legarda hanggang papuntang Isetann. **Tayao:** Iba nga ang magiging usapan kapag doon. **DJ Med:** Oo. Kapag doon, iba ‘yung usapan. So, after a gig, kunwari, inaabangan sila, ‘di ba? “Tangina nyo, mga hip-hop, mga dugyot!” **Tayao:** I think nung era na ‘yun, medyo meron nga, ‘no? Pagka-kunwari, wala nang nangyayari, pupwedeng ‘yun ‘yung maging rason para may mangyari lang din? **DJ Med:** Pero sa tingin ko, not to the extent na parang… may namatay. **Tayao:** Meron ka bang nabalitaan dating meron? **DJ Med:** Meron akong mga naririnig na mga old school hip-hop nagsasabing, “Hindi nyo alam kung anong sinakripisyo namin dito,” ‘Yung stupid na mindset na ganun. Pero ang nakikita ko palagi is hip-hop-on-hip-hop crime. Kasi gangsta, ‘di ba? So, ‘yung punks and hip-hop, parang asaran lang eh. Parang “punks not dead, we’re still here.” **Tayao:** Actually, dati na-belong din ako sa gang e ng mga hip-hop. **DJ Med:** Anong gang? \[*Laughs*\] **Tayao:** Kailangan ko bang sabihin? \[*Laughs*\] Pero ito ‘yung makulit: ‘Yun mismong gang na ‘yun, nagkaroon sila ng kaaway nun na medyo… Sa image, medyo metal ‘yung mga nandun. Pero hindi ‘yun ‘yung beef na ‘yun. Pero dahil nung tumugtog kami sa Dredd, dahil kombinasyon na nga ng rap, heavy, detuned riffs, so parang nagkaroon siya ng connection din eh. Actually ‘yung dalawang magkaaway na ‘yun, napagsama namin. ‘Yung mismong magka-mortal enemy, nagka-slam-an doon, tapos wala naman talaga. Mas nakakatakot ‘yung mga kwento nila, “Oo, pare, magkakasaksakan, magkakapaluan ng fire hydrant.” Pero nga, mas natatandaan ko na ngayon, mas hip-hop sa hip-hop eh. Dati sa Robinsons Galleria, natandaan ko ‘yun. Nakita ko ‘yun. Sa Megamall sa ilalim, sa Circus o kaya sa Glico’s, ‘di ba? Kahit sa Makati, nagkakapaluan na ng fire hydrant eh. Nakita ko ‘yun. Pero ‘yung sa hip-hop at saka sa metal, parang mas away-alingaw-ngaw. **DJ Med:** Oo, ingay lang. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/dj-medmessiah-ian-tayao-rolling-stone-ph-intext2-2.webp) **Tayao:** Kaya din ako natakot noon. Nung nangyari ‘yun saka ako pumunta ng Club Dredd eh. So, siyempre naririnig ko na ang alingawngaw na baka mabugbog ako dito, hindi ko alam kung anong nangyari. So, fear of the unknown. **DJ Med:** More on asaran, kantsawan. Pero siguro nga for a while. Kasi sa amin, sa Mindanao, nagkaroon din nyan. Pero parang after a month, parang hindi pupwedeng mangyari eh. Kunwari ‘yung mga punks, meron silang mga kutsilyo. ‘Yung mga hip-hop naman, may baril. So parang hindi nag-ma-match. So parang hindi rin siya nagtagal. At saka, ‘yun nga, kagaya ng sabi ko, depende sa lugar. Kunwari Marikina, maraming punks. So parang mas leaning sa punk setup. Ang Marikina kasi, rakista, ‘di ba? Halos nandyan lahat eh. Tapos ‘pag nag-move ka naman ng south, puro hip-hop na ‘yan. Cavite. Gang culture na. So ‘pag napapadayo siguro, parang, naalala ko dati pagka-kunwari may concert sa ano, daming punks, tapos apat lang kayong hip-hop, ‘di ba? Feeling nyo parang outnumbered kayo. **Tayao:** Oo. Hindi ko kasi nabalitaan kung meron. Pero parang mas aningan lang eh. Nakaka-aning kasi iba ka, o magkaiba kayo. **DJ Med:** Meron talaga. Pero hindi naman talaga siya ‘yung parang, anytime na magkita kayo, mamamatay ka. Wala pa naman akong nabalitaan na parang ganon. Pero bugbog, alam ko, meron. Merong mga nabugbog. **Tayao:** Kung alam nga natin itong istoryang ‘to, imposible walang nangyaring suntukan nun. Hindi ko lang na-experience na ganon na nangyari. Kasi sa era namin nun, nung pumasok kami, parang nandun kami sa “healing,” kumbaga eh. Na parang, dahil mas proud kami na pinapakita namin na “Slam-an tayo.” ‘Yun dati kasi wala pang slam-an halos madalas. Parang ini-encourage naming magkaron ng slam-an. I mean, sa amin, sa side namin. Kasi malamang ‘yung mga tumutugtog nun — talagang nakikita ko rin naman, may nag-sa-slam-an sa kanila — pero noong time namin na nagsisimula kami, doon sa ganong klaseng ano, mas inuudyok namin talagang mag-slam-an sila doon. ‘Yung kinukwento ko nga noon na parang nagkaroon nga ng connection. Dahil ‘yung mga tropa namin, tropa nila, alam na nila ‘pag kami ‘yung tumugtog, hindi sa suntukang-suntukan, sikuhan lang talaga, slam-an lang talaga. Pero ‘yung away na ganoon nga na parang, nandoon na kami sa era nga na pinagmamayabang na namin na magkakasama na kami. I guess ‘yun din ‘yung nag-connect nun hanggang sa nanganak na nang nanganak na natuwa din siguro ‘yung mga tao at that time. Pero I think tama ka dun sa mismong skateboarding na ‘yun. Dahil dun sa kulturang ‘yun. Napag-mix mo eh. Naka-flannel ka o kaya kahit mabigat ‘yung tinutugtog mo. Pero dahil nga sa kultura nga ng skateboarding nga na ‘yung suot mo na — medyo nasa hip-hop sides na nga ‘di ba dati? “Pero it all boils down to kunwari ‘yung conflict ng hip-hop and rock na hindi nila alam na may mas malaking kalaban.” DJ Medmessiah **DJ Med:** Kasi dun mo na siya ma-di-differentiate eh. Kasi ‘pag mula sa angle ng hip-hop, ‘di ba ang tingin namin sa mga punks is, “Tanginang ‘to, mga naka-leggings. Lalake ba ‘yan?” “‘Yung suot nito tangina, bakat na bakat ‘yung betlog. Mukhang tanga eh.” Ganun ‘yung perception niya. Tapos ang dugyot, scavenger — punks nga eh. Pero hanggang sa umabot siya na parang naging wide na ‘yung mga alternative, feeling nila parang punks din sila. Hindi nila alam na magkaiba ‘yung punk rock tsaka ‘yung alternative rock. Sa hip-hop, may gangsta rap, mayroong conscious rap. **Tayao:** Dito na yata pumapasok ‘yung grunge eh. Flannels, ‘di ba? **DJ Med:** Ano to, e, Nirvana time. Eraserheads time. **Tayao:** ‘Yung time na ‘yun na nag-pa-flannel ako, tapos inangat ko ‘yung pantalon ko dahil nga nakakaaning eh. Baka bigla akong bigwasan sa likod eh. **DJ Med:** Pero may mga nakita na rin ako na parang ganun. Nabugbog. Siyempre, humihingi ng resbak. Tapos minsan, kunwari, pupunta kami. Tapos, tangina, mga family friend din namin. Anong gagawin namin? \[*Laughs*\] Ang hirap din eh. Pero syempre dahil meron ngang ganun na parang stigma. It’s because of certain people lang na meron silang stupidity na ganun. “Mag-start kaya tayo ng shit na ganito?” Usually, meron lang mga tatlo or apat na someone who’s influential. It’s either nasa radyo ka o artist ka din. Kasi hindi naman siya magagaling sa isang kanto lang na, pagising niya, “Tangina, mag-trip tayo. Bugbugin natin ‘yung mga hip-hop.” Hindi siya ganun eh. It came from somewhere. May idea ako, pero hindi ako 100 percent sure. Kasi ‘yung mga sinasabi nila dati na mga nag-umpisa nun, parang nakasama ko rin after, ‘di ba? Na parang hate na hate ‘yung hip-hop. Tapos nakasama ko sila sa recording. Kasama namin si Pepe Smith. Parang, “Tangina, ito ‘yung mga nagsisigaw ng ‘Hip-hop baduy!’ ah?” Tapos ngayon kasama ko na. Pero early ‘90s din ‘yun. **Tayao:** Mas joke nga eh. **DJ Med:** Walang ganun. ‘Yung mga followers, kumbaga, parang ano siya, parang Duterte-Marcos, ‘di ba? Parang silang dalawa naman, hindi naman talaga per se na magbabarilan ‘yung dalawang pamilya na ‘yan. Pero ‘yung followers nila ‘yung mga naging fanatics. **Tayao:** “Hayaan mo sila magsuntukan dyan.” \[*Laughs*\] **DJ Med:** Sa tingin ko parang ganun siya. ‘Yung followers ‘yung nagiging extreme, nagiging fanatic. At one time, or even sa tingin ko hanggang ngayon, parang naging cult na siya: Hip-hop, rap, kung ano mang genre, nagiging way of life. **Tayao:** Iba na ngayon ang nakikita ko. ‘Pag nakakakita ako ng hip-hop, naiisip ko, collab eh. “Parang babagay si ganito, si ganyan.” Kahit hindi ako. **DJ Med:** Saka, parang magkaroon ng common ground dahil sa paglabas ng *Judgment Night* na album, ‘di ba? **Tayao:** “Another body murdered!” \[*Sings*\] **DJ Med:** Pagdating ng Rage Against the Machine. “Pwede pala ‘yun: rock metal.” Ice-T ‘yung nag-umpisa nung Body Count. Parang ‘yung rock metal. Wala pang Rage Against the Machine. **Tayao:** Pero dati rin nag-ko-collab na, pero bihira like sila, Run-D.M.C. tsaka si Aerosmith, ‘di ba? “Walk this way!” **DJ Med:** Pero siyempre, parang nakalimutan kasi pagdating ng ‘90s gangsta rap. Lahat tough na eh ‘80s, hip-hop. More on, parang sayaw lang tayo. Wala ka naman talagang rap eh. Breakdance lang talaga ang meron. **Tayao:** Parang naisip ko ng House of Pain, Funkdoobiest. **DJ Med:** Oo, early ‘90s. Sa rap, Snoop Dogg. **Tayao:** Farside. “Actually, kapag nagkausap kayo, mas marami kang tanong eh. ‘Pag mas marami kang tanong, mas lumalalim ‘yung usapan.” Ian Tayao **DJ Med:** Lahat, ano na, tough na. ‘Yung mga gang dating galing preso talaga. ‘Yung gang ngayon parang mga douchebags na lang na mga gusto maging tough. **Tayao:** Pero sa gitna nun, parang may mga lumabas e na parang *lumabas*. Pero mas doon, mas sila-sila ‘yung nag-aaway actually nung time na ‘yun eh. Ako nga as metal o nasa banda nun, ako ‘yung tahimik kasi na-wi-witness kong nag-aaway talaga sila. Sa lugar lang dahil sino maghahari sa Robinsons Galleria. **DJ Med:** Mas magulo actually para sa akin, based on experience. **Tayao:** Kultura sa kultura? **DJ Med:** Oo, kasi naalala ko, kunwari pupunta kami ng Parañaque, a-attend kami ng rap contest, sasali kami. Tapos mamaya-maya, may pillbox na, may nasaksak na, ‘di ba? Hindi ko siya nakita sa punk scene eh. Sa hip-hop scene. **Tayao:** Oo, kasi kultura nila ‘yun eh. Parang teritoryohan. I think ‘yung sinasabi mo kanina, parang naisip ko lang, parang mas na-intimidate lang ‘yung… “Hindi ko kapareho ‘to.” Parang sa comment section, dahil hindi pareho ng mentalidad. Parang ‘yung pangit sa kanila, taboo sa kanila ‘yun. Hindi maganda ‘yung ginagawa nito kasi off sa kanila. Nagiging parang personal sa kanila na parang nagiging attack sa kanila. **DJ Med:** Iba itsura. **Tayao:** Parang ito, punkista ito. Siguro naging ganun lang dahil hindi pa nakakapag-usap. Pero tulad nun, sinasabi mo nga nung nakapag-usap na parang nalilinawan sila na parang, “Ah, hindi pala dapat” o “Hindi pala siya kailangan.” “Waste of time pala siya.” “Oo, nakakapagod pala ‘yun.” Parang mas masarap pala ‘yung good vibes lang pala ng ganito. Actually, kapag nagkausap kayo, mas marami kang tanong eh. ‘Pag mas marami kang tanong, mas lumalalim ‘yung usapan. Parang feeling ko, parang nag-ko-collab na rin sila doon sa ganong klaseng paraan eh. “Hindi ko alam kung bakit umabot sa puntong ‘five percent ka lang sa lahat ng binibenta namin tapos papahiramin ka namin ng pera na kailangan ikatuwa mo ‘yan.’” Ian Tayao **DJ Med:** Pero ikaw, for example, sa side mo, nandun ka na sa rakista side, ‘di ba? Ano ‘yung tingin mo noon sa mga hip-hop? ‘Di ba, syempre naririnig mo na ‘yung… **Tayao:** Honestly, hindi ko alam. Kasi nag-start ako, hip-hop din ako eh. Sumasayaw ako. Nasa kultura kami na dahil, ano kami e, nasa agency ‘yung mom and dad ko. So nandun na agad ‘yung open na ako dun sa mga diverse na tugtugan like Mediterranean. Tapos pagka meron silang number, tutugtog sila ng hip-hop, tutugtog sila ng Led Zepp. Pero ang nagustuhan ko talaga dati, Cypress Hill. Pero nagsimula ako sa MC Hammer, Vanilla Ice. Hindi ko ma-ko-consider ‘yun kung hip-hop ‘yun kasi at that time, ‘yun ‘yung mga gusto kong mga, ano eh, mga jumpy, mga danceable, ‘di ba? Hanggang sa, ayun na, nagustuhan ko na Cypress Hill. And then, Nirvana. Nagustuhan ko na Queen. Nung nakita ko ‘yung Queen, napaisip ako, “Gusto kong mag-banda.” Pero, nandun ako sa hip-hop side. I think, at that time. Kaya nga, nung pumupunta nga ako sa Club Dredd nang naka-Girbaud. So, hindi ko talaga alam kung ano ‘yung nararamdaman ko sa kanila other than “This is fascinating.” This is another world sa akin na parang gusto kong pumunta dito, gusto kong pag-aralan. Kung gusto kong mag-banda, ayoko namang parang susupot-supot ako. Pero kung ayokong sumupot-supot ako, kailangan ko talagang mag-aral dito. Kung mag-aaral ako dito, hindi ko naman mapag-aaralan ito sa eskwelahan. Kailangan kong umalis. So ‘yun ‘yung naging eskwelahan ko: Club Dredd, Yosh Cafe. Mayric’s, ‘di ba? Pero at that time, wala akong oras isipin ‘yung mga ‘yun kasi ang daming… puno sa isip ko kung paano ko gagawin ito? Paano ko pagsasamahin? Anong klaseng tunog ang gusto kong mangyari? Pwede mong i-pag-combine-combine-in ‘to na nag-wild na siya sa isip ko na hindi ko talaga siya naisip na maging ganun. Maliban sa naririnig ko na ng mga parang, “Oh, ‘tol, huwag kang masyadong mag-ano dito kasi galit sa hip-hop? Hindi ko alam na may ganong klaseng… ‘Pag pumunta ka dito, ‘wag kang masyadong magsuot ng ganyan kasi baka mamaya mabugbog ka ng mga punks.” Wala naman akong nakita noon at that time na ganun na nangyari. Sinubukan ko eh. Pangit ko eh. Hindi ko kaya eh. Eh piki ako so, paano ko susuotin ‘to? **DJ Med:** Parang kang varsity na rakista nun. Sa tingin ko, ang isang common na meron ang hip-hop at saka rakista, mga punks, is pare-pareho sila na hindi sila ‘yung nagmamay-ari ng masters nila. \[*Laughs*\] **Tayao:** Actually, hindi ko naisip ‘yun. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/ian-tayao-rolling-stone-ph.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/dj-medmessiah-rolling-stone-ph.webp) **DJ Med:** Hindi nila kalaban ‘yung music industry, but ‘yung kalaban nila is ‘yung mga record labels. **Tayao:** I think ‘yung sistema. Parang nagawa ‘yung sistema in such a manner na kahit mismo ‘yung mga labels, dahil ‘yun na ‘yung naging sistema, wala sila pare-parehong magawa. And kapag nagkaroon na ng problema, tumitingin sila doon sa kontrata — dahil nga ayaw na nga nila maging personal ‘to — pero ‘yung kontrata mismo na naka-bind doon, ‘pag tinignan mo mismo ‘yung mga terms and conditions na nandun. Hindi ko alam kung bakit umabot sa puntong “five percent ka lang sa lahat ng binibenta namin tapos papahiramin ka namin ng pera na kailangan ikatuwa mo ‘yan.” Tapos sa susunod nyan, kapag hindi kayo kumita, kawawa tayong lahat. O kaya ‘pag hindi nasunod ‘yung mismong plano, o kunyari, hindi naman 100 percent na magiging successful ‘yung artist agad-agad. Parang painting ‘yan eh. Sila Picasso, hindi naman ‘yan, nung drawing nila ‘yan, hindi naman sila nag-benefit noon. Matagal na panahon ‘yan dahil susundan mo pa ‘yung wave ng mga taong ‘yan. **DJ Med:** Pero sa side mo, nag-sign ka din, ‘di ba? **Tayao:** Oo. Nadaanan ko ‘yung wave na ‘yun na parang… **DJ Med:** The thing is to sign. **Tayao:** Pero nung time na ‘yun, hindi ko iniisip ‘yun eh. Iniisip ko na sana magkaroon kami ng enough pera para matuluy-tuloy ko ‘to. Pero kahit anong sinabi sa akin nung label nun, never akong nagkaroon ng pakaramdam sa kanila na kailangan kong mag-revenge or kailangan kong magalit. Parang unggoy ako nun na, “Sige lang, sige lang” kasi basta matulungan mo ito. **DJ Med:** Basta makuha mo ito ngayon. **Tayao:** Oo, parang kumbaga pinupukpok ka nang pinupukpok. Ako, wala akong pakialam, ang iniisip ko lang, gawa lang ako ng gawa kahit tinutusok na. Basta, sige, supportan mo ito. Lagyan mo ng konting barya, okay na. ‘Pagka wala pa rin, oh sige, ako na. Pero, dumating sa oras na, “Sayang, papaano pala kung nasa inyo na ‘yung pangalan mismo ng kanta?” Na kung mabayaran mo na ‘yung ginastos at kumita na ‘yung mismo mga labels, tapos nasa ‘yo na, baka naman pupwede nang ibalik na? Pero hanggang ngayon, hindi ko na rin iniisip na rin na ganun eh. Gawa na lang din ako nang gawa. Parang forgive never forget. Para lang ‘yung kilos ko, kung saan ako pupunta… Pero actually, pasikip siya nang pasikip eh. So, ang pinakakalaban ko na lang, sarili ko ngayon more than anything else, dahil mas gusto kong gawin ‘to nang wala na akong sinisising tao kasi waste of time siya. Kasi ‘yung vision ko — sa tingin ko lang — is more than my lifetime para magawa. Realistically speaking, ‘pag tinitignan ko talaga, lalo na doon sa pinili kong music, sa trend, sa kung anuman ‘yung magustuhan ng mga tao, iniisip ko, “Ayoko nang intindihin itong mga taong ito para dire-dire-dire-diretso lang ako.” So, kunyari, along the way, ‘yung mga hindi pagkakaintindihan, tulad ng pinag-uusapan natin last time, para sa akin, isa siya kalaban na talagang kailangan mo siyang harapin. Iisipin mo kung, paano ko ito mas ma-le-lessen? Kasi at the end of the day, mayroon talagang oras na hindi talaga kayo magkakaintindihan ng mga kasama mo. Papaano ko aayusin itong part na ito na mas ma-ki-keep ko siya? Kasi ang hirap na maghanap ulit ng panibagong kausap, pabagu-bago. Pero dahil nga sa gusto mong mangyari nang ganito, talagang mayroon ka ring talagang makakalaban na, hindi tao, ‘yung mentalidad eh. So ‘yung sinasabi mo ngayon sa mga labels, parang naisip ko, naka-imbento sila ng sistema in such a manner na parang hindi talaga siya effective. **DJ Med:** Para sa akin kasi parang, oo, pero kailangan mo pa rin i-remind ‘yung tao kasi parang ‘yung mga artist especially, ‘yung mga aspiring, ‘di ba? Na parang from time to time, kailangan silang ma-remind na kami, mga old school na, nadaanan namin na perpetual ‘yung mga assignment ng songs namin, ‘di ba? So forever na ‘yun, na parang we only have three percent o two percent out of what we’ve created. For example, kung maibabalik natin doon sa parang issue ng punks and hip-hop, pumapasok din sa isip ko na may nag-create nitong ganitong ano para mas mainit. Kasi nung time na ‘yun, ang hip-hop parang minority siya eh. Walang place ang hip-hop sa mainstream na platform. Lahat rakista lahat eh. So parang pakiramdam ng hip-hop “Putangina, hindi kami na-va-value dito. Nasa kalsada lang kami palagi.” **Tayao:** Na-witness ko ‘yun dati nung kasama pa ni B-Boy si Loonie tsaka sina Ron Henley sa B-Side. Doon ko nasukat dati na ‘yung eksena nun ng hip-hop eh, kung nasan pa nun ‘yung hip-hop eh. Kasi sinasabi sa akin nun parang, “Ano ‘yung difference nun dati?” Sabi ko, “Dati nakakalakad pa ‘yang sina Loonie tsaka sila Ron.” Posse ni Boy-B ‘yan eh, kaya ako sila nakilala eh. So nung time na ‘yun, parang naisip ko lang, ang layo na ng pinanggalingan ng hip-hop noon sa nangyari ngayon. Naisip ko, kailangan kong palakpakan ‘to kasi putangina, hayop talaga ‘yung nangyari. Talagang biglang 180 \[degrees\] eh. **DJ Med:** Ano rin, hindi rin sila nanggagaling sa gang culture. ‘Yun ‘yung parang, “Oh, ibang side naman ng hip-hop.” Kung paano ba talaga siya dapat. “While you’re making music, parang, ‘Tangina wala akong pakialam dyan sa mga contract na ‘yan. Basta gusto ko lang gumawa ng music.’ Pero ‘pag tumanda ka na, kung alam mo ‘yung kung ano ‘yung narating nung ginawa mo, dun mo na kukwentahin.” DJ Medmessiah **Tayao:** Sino ‘to si “Drop It Like It’s Hot?” Si Pharrell. Natutuwa ako kay Pharrell kasi hip-hop siya pero ‘pag nagsalita siya, wala siyang bahid ng ganun. Parang nasa experimental side siya, I think, na producer. ‘Yun ‘yung nakita ko sa kanya eh. **DJ Med:** Pero ano ‘yun eh, ‘yung grupo is N.E.R.D. ‘Yung isa doon, Pinoy. Si Chad Hugo. Siya ‘yung genius doon sa part na ‘yun. Maraming hindi nakakaalam. Pero parang si Pharrell ‘yung mukha. Fashionista, alam ‘yung publishing, alam ‘yung contracts. ‘Yung isa, he just wants to make music. **Tayao:** Pero kasi importante din ‘yun eh. Na may ganito, tapos may ganyan. Dahil minsan, ito, wala nga siyang oras para intindihin ‘yun. Sya ‘yung iintindi nito. Bitbitan. **DJ Med:** Parang yin and yang. Siyempre, in every ano, meron talagang maiiwan. Merong malalamangan… **Tayao:** ‘Yun ang mahirap sukatin eh. **DJ Med:** Sa huli kasi malalaman eh. While you’re making music, parang, “Tangina wala akong pakialam dyan sa mga contract na ‘yan. Basta gusto ko lang gumawa ng music.” Pero ‘pag tumanda ka na, kung alam mo ‘yung kung ano ‘yung narating nung ginawa mo, dun mo na kukwentahin, ‘di ba? Mathematics pa rin sa huli. Parang “Walang nangyari yata dun sa mga ginawa ko ah? Hindi ko pwedeng ipamana ‘to kasi kung six percent lang hindi ko pwedeng ipamana ‘to.” **Tayao:** Maraming ganung kaso. Kahit kami. Pero merong workaround sa kanya na parang kailangan mong i-rerecord daw? **DJ Med:** Wala na ngayon ‘yun. After Taylor Swift yata, natuto na ‘yung mga labels. Kasi lagi silang advance eh. Naisahan na sila dun eh. So ‘yung mga bagong contracts ngayon, iba na, naka-design na na panalo pa rin sila. The bank wins. So it’s either you sign, or you don’t sign. **Tayao:** Pero meron bang nagagawa pa ang labels na hindi nagagawa ng tao? Kunwari ikaw, meron ka bang hindi nagagawa na ginagawa pa ng labels ngayon? **DJ Med:** Makinarya. **Tayao:** So ‘yun ‘no? Connection, ‘yung lalim nung network nila, kung papaano nangyayari. **DJ Med:** Wala. I think ‘yung network kasi talagang company. Hindi naman ‘yan ‘pag lumapit ka sa Spotify, you would just have a relationship na ganun-ganun lang — ‘pag wala ka. You must have something na collateral mo to negotiate. Hindi siya ‘yung parang, “Oh, magaling akong mag-rap. Negotiate with me.” Kasi mga artist iniisip nila parang 1+1 eh. “Magaling ako. Ako ‘yung pinakamagaling sa lahat. Talo lahat ‘yang mga ‘yan, so you have to talk to me.” It doesn’t work that way. But nandito tayo para aralin lahat ‘yun, ‘di ba? As the day goes, palayo nang palayo ‘yung nangyayari sa music industry, you would have Sony, Warner, \[and Universal\]. The Big Three, ‘di ba? Fuck Suno. Fuck AI. Ginagamit nya ‘yung catalog namin to do this and that, to study it. Tapos ngayon, ‘yun pala, at the end of the day, numbers lang din pala. And then, Warner just signed a contract with Suno na “Okay, here’s our catalog, you can study it.” Ibig sabihin, there’s money in the middle kasi wala ka nang choice. “Matuto ka na lang from the past mistakes. Parang pangit man siya pakinggan, pero ‘yun na lang ‘yung choice mo.” DJ Medmessiah **Tayao:** Ang hirap din sa industriya nila. Parang tingin ko kasi nag-iiba ‘yung panahon, siyempre nag-iiba rin ‘yung pinagkakakitaan doon. So kailangan din nilang hanapin kung saan ‘yun. Kasi ang laki ng kumpanya nila eh. Dati lalo na na ang lakas kumita ng CDs, plaka, or cassette. Hanggang sa nawala na, nagkaroon ng pirated, hanggang sa pwede na rin atang gawin ng bata ‘to sa recording, ‘yung pag-produce, o pagkalat. So ang hirap din sa side nila kung paano nila hahanapin ‘yung mismong lugar nila para lang ma-maintain nila ‘yung company. **DJ Med:** ‘Yung mga bata? **Tayao:** Hindi, ‘yung mismong labels. Kung paano sila lulugar doon, paano sila maghahanap ng susunod na pagkakakitaan. Kasi at the end of the day, labels, business ‘yun eh. Iniisip ko lang ‘yung perspective nila. **DJ Med:** ‘Yung mga labels, kagaya ng sinabi mo, business, so they have to deal with Spotify, they have to deal with Suno, AI, ‘di ba? Parang dati, kinasuhan nila ‘yung Spotify to bring Spotify to the U.S. Congress. Tapos, nung huli, ‘yung big three na ‘yun, may shares na sila sa Spotify. So, it becomes a good thing kasi, nandun ‘yung shares. ‘Pag walang shares, masama kayo. Parang ganun ‘yung nangyayari ngayon. **Tayao:** May tsismis pa akong narinig dati na kung kalaban lang sa kalaban na nakikita ko. Ang ginagawa ng may isang certain label daw — *daw* ha — recording masters. Ilalagay nila ‘yung sa official nila tapos ‘yung iba papadala nila sa pirated. **DJ Med:** Pirata. Totoo ‘yun. **Tayao:** So parang let’s say mabawi na nila ‘yan dito kasama ‘yung artist, meron din silang cut dito. **DJ Med:** Kasi no choice. **Tayao:** Pero hindi ko iniisip na may gumagawa nun. Ang iniisip ko lang, ang kulit eh. Pwede mong gawin ‘yun. Pwede nilang gawin ‘yun. Pero kaya ko rin na-raise ‘to kasi ang naisip namin, kung ganun ang nangyayari, gumawa kami ng DVD sa Queso noon. Ang ginawa namin, imbis na bigay namin sa kanila, nilagay na namin sa pirata. Ikalat niyo ‘yan. “Paano?” “Basta, ikalat nyo.” Marketing na ‘yan eh. Hindi na kami gagastos. Hindi nga kami kikita doon pero kakalat na ‘yung pinagtrabahuhan namin. Nalaman nila ‘yung mga kanta. Mas maraming umabot doon sa mga kanta. Hindi nakinabang ‘yung mga labels. Pero hindi na namin naisip at that time kung nakikita kami doon sa parteng ‘yun. Naisip namin, ang kikitain namin doon, mas maraming makakakitang mga tao sa gigs — na ngayon din, ganun din ang iniisip namin: basta meron kaming natutugtog din sa mga show,s or sa mga certain special projects. Pero hindi na kami medyo umaasa doon sa benta ng sales — na ako, ang parang nakikita ko talagang parang ang enemy dito talaga — para sa akin lang ha — sistema. Na parang mas gusto kong maiba ‘yung sistema, depende dito sa demographics dito sa Philippines, kung paano ko i-ha-handle ‘yung banda, kung papano ‘yung sharing, kung papano ‘yung, kung kailan mo gagastusin, kailan mo paghahatian, kailan nyo iipunin, saan nyo ilalagay. Mas ano sa akin, para dun sa longevity na lahat, kasi kung hindi, lalo na sa up and downs ng trend, na kailangan mo din makita ‘yun. Kasi kung noon ‘yun, kung patok pa, sabog na sabog pa ‘yung nu metal or kung ano man ‘yung pinagdaanan namin noon, mas madali siyang makakuha ng mas mabilis na revenue pagpasok doon eh. Although, ang isang kalaban mo naman doon at that time, hindi pa ‘yung sistema ng Spotify, hindi pa ‘yung mga companies ngayon sa revenue, digital. Iba naman din doon. I think, tama ka e: Kung ano man ‘yung pinakakalaban dito, mas nakasentro sa doon sa… Pero nabawi na ba ‘yung ibang mga pagma-may-ari ng mga labels ng mga kanta? O wala na ‘yun? ‘Yung mga in perpetrua? ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/ian-tayao-rolling-stone-ph-2.webp) **DJ Med:** Most of the guys from ‘70s to ‘90s hanggang early 2000s, wala akong nabalitaan na, “Oy, nakuha mo ‘yung masters ko.” **Tayao:** Kasi dati sinusubukan din namin, wala eh. **DJ Med:** Parang ibaon mo na sa limot. **Tayao:** Gawa ka na lang ng bago. **DJ Med:** Kung ano man ‘yung mga gagawin mo ngayon, matuto ka na lang from the past mistakes. Parang pangit man siya pakinggan, pero ‘yun na lang ‘yung choice mo. ‘Yung ano ‘yung gagawin mo ngayon moving forward. So ‘yun na ‘yung pwede natin ipamana dun sa mga bata na “Make sure you own your masters. Make sure you own your publishing.” Kasi after ng paano ‘pag hindi ka na active sa gigs, matanda ka na, may sakit ka na. You don’t own shit. Parang kakatok ka pa sa label. “May royalties na ba ako dyan?” “Sir, may royalties ka na dito.” Akala mo kung ano. What the fuck? Tangina, P4,000? Aanhin ko ‘to? **Tayao:** Pagkatapos ng sampung taon, “Eto na ‘yung royalties mo.” **DJ Med:** ‘Di ba? Itong mga labels na ‘yan, hindi naman sila nag-o-open books eh. Ang pinapakita nila sa ‘yo is after the cuts. Hindi siya ‘yung parang, “Oh, eto ‘yung kinita natin, tapos eto ‘yung cut mo.” Hindi nila gagawin ‘yun kasi magke-kwenta ka na. “Tangina, five percent lang pala ako dito. I did all the work. Most of the work.” Hindi naman siya lahat evil. Magde-depende sa ‘yo if you really want to be fucked in the ass. \[*Laughs*\] Parang “Oh sige, sang-ayon ako dito.” Parang politician lang din. “Ah pipili ako ng magnanakaw sa ‘kin. Ito o ito? Ito hindi masyado. Ito grabe.” Ikaw ‘yung pumipili ng magnanakaw mo eh. **Tayao:** Nakaisip ako ng mental image habang nagsusulat ako, gumagawa ako. “Sige na. Sige na. Sige na.” \[*Acts out getting fucked while writing a song*\] **DJ Med:** Dapat may nakasulat dito \[sa pwet\] “5%.” **Tayao:** May marka ka! “Forever, 5%.” **DJ Med:** Pero it all boils down to kunwari ‘yung conflict ng hip-hop and rock na hindi nila alam na may mas malaking kalaban. Kasi ang punks may kalaban: gobyerno. Ang hip-hop, kalaban din gobyerno. And at the same time, kalaban din nila ‘yung record label nung mga times na ‘yun, na ignorante pa sila lahat dahil binigyan sila ng konting diversion. Parang, “Oh sige, mag-away kayo dahil sa differences ninyo. Pero hindi nyo malalaman ‘yung business namin dito na hindi pwedeng maistorbo.” So it’s always parang diversion. Pwedeng conspiracy siya, pero pwede rin siyang possible. **Tayao:** Pero buti walang nag-capitalize nun, ‘no? Parang “Sana mag-away sila…” **DJ Med:** Dude, maraming nag-capitalize nun! Lumabas ‘yung “Punks not dead” T-shirt. **Tayao:** I mean, oo doon, sa part na ‘yun pero hindi ko na balitaan sa mundo natin medyo na parang kinapitalize ‘yung sagad na parang “Etong grupong ‘to, may kaaway to dito na talagang pagka-nagkita talaga to, nag-iinit na…” Parang social media ngayon, mag-be-bait ka para mag-away, para magkaroon ka ng mas maraming views. **DJ Med:** Fake beef. Fake na flex, kunwari mayaman, ‘di ba? Pero pag-uwi, Pancit Canton din ‘yung kakainin. Marami, ‘pag tiningnan mo, ‘yung mga tao, madali silang maniwala. Ito parang out of topic pero may kwento before na lumabas: “Ang may-ari ng buong Pilipinas ay mga Talano Family.” Parang syempre ‘yung mga tanga kung kunwari, loyalist ka ng Marcos or ano. Parang, “Oo nga, no? ‘Yung Mindanao, hindi sila pwede mag-claim dyan kasi… Talano Family.” Who the fuck is Talano? **Tayao:** Hindi ko nga alam ‘yun eh. **DJ Med:** Bawat lugar may mga sultanate, ‘di ba? May mga ebidensya. Tapos eto, ang lawyer niya daw dati, si Marcos, may handle ng mga gold niya. Parang tangina. Sobrang tanga na lang talaga ‘yung maniniwalaan dun eh, from our history, ‘di ba? Parang, ba’t pa pinaglaban ni Jose Rizal ‘yan? Ni Andres Bonifacio? Isang pamilya lang pala ang may-ari. It doesn’t make sense. So parang kung babalik ka nga doon, madali lang parang paikutin. Kasi it’s still parang propaganda. “Oh, mag-away kayo dyan.” Pero ano ‘yung purpose niya? Parang doon palagi, when you follow the money, nung time na ‘yun, etsepwera ang hip-hop. ‘Yun ang paningin ko ha. ‘Yun ‘yung ang ko experience. ‘Di tayo makapasok sa mga big stages ha. Tapos ngayon, parang napabaliktad na. Hip-hop na ngayon ‘yung superior. Ito, masama man sabihin, pero ‘yun talaga ‘yung nangyayari. Metal side, asan na kayo? So ‘yung mga bitter naman na mga hip-hop, ang iniisip na, “Oh, tangina nyo, ano? Wala na kayo ngayon. Kami na.” So parang it’s becoming like politics. Pero ‘yung industriya pa rin, or ‘yung mga musicians, hindi pa rin sila educated when it comes to their business. Pagdating doon sa music side kasi kagaya ng sabi ko dati: merong music industry, may music business, meron din music artistry, which is hindi natin ma-differentiate. Akala natin isa lang lahat, ‘di ba? Para, “Oh, when you make music, everything’s going to be fine.” In a perfect world. **Tayao:** ‘Pag sinasabi mo sa akin, hindi na nagkakasya sa isip ko eh. \[*Laughs*\] Para ma-encapsulate mo lahat ng isang bigay para lang magawa natin. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/dj-medmessiah-ian-tayao-rolling-stone-ph-intext3.webp) **DJ Med:** Kailangan mo siyang dahan-dahanin to remind people na “Okay, ito ‘yung mga dapat mong gawin.” Kahit naman ako dati parang, “Fuck that. Gusto ko lang mag-rap. Pakealam ko dyan?” **Tayao:** Pero ngayon, ikaw ‘yung tatay na tumatantsa talaga. “Sandali ah. Ayusin natin ‘to. Wala munang magulo.” Kasi lalo na nakita ko, ang dami ninyo eh. May kailangan umintindi nun. **DJ Med:** May kailangan mag-sacrifice. Someone has to be an asshole sa grupo. Hindi pwedeng okay kayo lahat. You don’t want to be an asshole per se, but alam mo ‘yun… **Tayao:** Matibay ang sikmura. **DJ Med:** Kailangan na may balance doon sa ecosystem ninyo. Parang family lang: Si mama, good cop. Si papa, si bad cop. Parang kailangan may ganun. You must know your business. You must know your artistry, which is, kung isang tao lang gagawa nun, medyo mahirap **Tayao:** Malulunod siya. **DJ Med:** Ang daming maskara, ng daming sumbrerong susuotin eh. **Tayao:** Ang inisip ko nga ngayon, parang kung may kalaban, mas dinidiin ko na mas kalaban ko sa sarili ko e sa lahat ng ‘to. Kaysa sa magtrato ako ng kalaban sa iba, kasi ‘yung gagawin mo, at the end of the day, magagaling sa ‘yo eh. Kung meron man sa labas, hindi mo ma-ko-control ‘yun eh. Pero ang pinakamaganda naman dun, ma-ko-control mo ‘yung sarili mo eh. Kahit ano pang gawin mo dun, kahit control-in mo sila, tapos hindi mo naman ma-control din talaga ‘yung mangyayaring ‘yun, magaakasaya ka lang ng oras. Eh again, sa pag-create ng ganito, ‘yun nga, parang kailangan mong dahan-dahanin ‘yung mismong sistema hanggang sa makuha mo ‘yung fair. **DJ Med:** At least sa side mo. Kasi, kung meron ka ngang corrupt na government, corrupt na music industry, tapos tatanga-tanga ka pa. **Tayao:** ‘Di ka tatagal. **DJ Med:** Wala na. Doon ka na mag-e-end up na parang bitter ka sa industry hanggang sa tumanda ka na. Sa times ngayon, pwede mo na kasing aralin eh. Lahat ng information nandyan na eh, depende na sa ‘yo kung paano mo siya gagamitin. **Tayao:** At saka, ang bilis ng turnover. Habang pinag-aaralan mo ito, may nangyayari nang iba. **DJ Med:** On your side, bilang nasa scene, ano sa tingin mo ‘yung pwede pang i-contribute ng government, or nung mga bagong tatakbo sa 2028? Ano ‘yung pwede nilang maibigay para sa music industry or sa mga artist na pabor sa ating lahat? **Tayao:** Sa akin sana, magkaroon ng parang isang politician na alam niya kung saan niya gagastusin ‘yung pera. Kasi ang nakikita ko rito ang problema, hindi niya alam kung saan niya gagastusin ‘yung pera eh. Kunwari, sabihin na natin — kunwari lang — mangungurakot ako. ‘Pag kurakot niya ng pera, saan mo gagastusin ‘yung pera? Gusto nilang — kunwari lang, may narinig lang ako — gagastos ka ng sampung kotse tapos ‘yung dadaanan mo, pangit. ‘Yung kalsada mo, ‘yung paligid mo. E di paggawa mo ‘yung kalsada. **DJ Med:** Hindi, baka naman kasi paikot lang siya sa BGC. \[*Laughs*\] **Tayao:** Sampung kotse? **DJ Med:** Taga-Dasmariñas lang ‘di ba? **Tayao:** Sa akin lang, mas magastos pa sya. Kunwari ako ‘yung politician. Lahat ng perang nakukuha ko, ginagastos ko lang din dun eh. Sa lahat. Isang beses nga lang akong kumain eh pero mas marami pa ‘yung iniisip ko na, “Okay, ah, huwag muna ‘to kasi parang mas gusto ko, mas mapahaba pa ‘yung mga projects ng banda ko, ng kung anuman.” Na alam ko na ‘pag finundan ko ‘to nang mas maayos, mas lilinaw, mas papatag. Meron akong nakita ngayon na ‘yung taga-Pasig, parang ang ganda ng pagkakagastos niya, parang sa mga roads. Hindi ko alam kasi hindi ako nakikialam pagdating dyan kung sino ‘yung talagang ganun. Pero sana mas magkaroon pa sila na, kahit sa kalsadang usapan lang na “Ang-supot ng lugar natin. Pa-angasin kaya natin ‘to?” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/dj-medmessiah-ian-tayao-rolling-stone-ph-intext5.jpg) **DJ Med:** Hindi lahat ng politicians kumbaga may pride doon sa lugar nila ‘no? **Tayao:** Oo, na parang, ‘yun nga, para sa akin, paangasin mo na para hindi ka na pumunta ng ibang bansa, tapos doon ka magpapakasaya. Gawin mo na sa bansa mo. Alam kong marami tayong resources eh. Posible eh. **DJ Med:** Sa akin naman, parang nakikita ko siguro ang pwedeng gawin ng tatakbo for 2028. We’re not talking about ‘yung buong Pilipinas kasi alam ko naman na imposible ‘yun eh. Parang sa music industry lang muna. Siguro is magbigay sila ng grant. Kasi sa ibang bansa may grants eh. “Sige, pahiramin kita ng P5 million, ayusin mo ‘yung career mo.” Tapos ‘yung siguro insurance at saka medical. Pinaka-hate ko talaga makita is ‘yung isang artist, pagkatapos mong gumawa ng hits na ganito, tapos hihingi ka via GCash sa mga tao na baka pwede kayong mag-donate. Almost everyone, even photographers, videographers, mga direktor, actor, artist. **Tayao:** ‘Yun nga ‘yung bagay na hindi ko na tinitignan minsan sa sarili ko. Papaano ‘pag umabot ako dito? Ayoko naman ‘yung parang mag-aano pa ako na, “sana maawa kayo sa akin.” **DJ Med:** Kasi lahat ng gig money mo, parang ‘pag nagkasakit ka isang beses lang, ubos lahat ‘yun. **Tayao:** Tapos grant pa sa mga musikero. Parang ang hirap. Tapos ang dami. Lalo na ang artists. Nagkausap tayo dati, kailangan mong mag-sign sa ganito para makapasok ka sa ganito, makapasok sa ganyan. Well, I guess, dapat siguro magkaroon din sila ng sistema na ganun, ‘no? Or isang, pupwedeng tumakbo, na talagang mahal nya ‘yun. **DJ Med:** Department, siguro. Kasi, for example, we have NCCA, ‘di ba? Pero naka-focus sila sa isang traditional music. For example, nagkukulintang ka, kudjapi, ganun, ‘yun ‘yung pang-export nila. Cultural. **Tayao:** Hindi ba tayo part ng cultural? **DJ Med:** Kami, ‘di ba kami pwedeng mag-represent ng Philippines? ‘Yun, siguro kailangan inclusive sa lahat. Or else babalik tayo \[sa\] magsusuntukan ‘yung metal… \[*Laughs*\] I mean, inclusive na may mga grants. Kung successful naman, pwede mong bayaran ‘yung grant na ‘yun nang walang interest. Parang sa taxes na lang tayo magkakatalo. Kasi malaki ‘yung industry ng music. Everyone is making money. Kaya ang dami nating mga distribution record labels na tinatawag nila na pumupunta sa Asia and Philippines. And ito nakakausap ko globally, naka-focus talaga sila sa Asia. So ang dami ng distribution ngayon. Kahit mga kasama natin, who sign with distribution labels. Grants at saka ‘yung parang medical siguro. Kasi ‘yun ‘yung palaging embarrassing na nakikita ko for artists. **Tayao:** I think, nagkakaroon na rin ng awareness. Meron din mga politicians ngayon na galing din sa eksena tapos natural sa kanila, innate sa kanila na mahalin ‘yung mismong kulturang ‘yun. At the same time, makatulong lang din sila na sana mas i-push pa nila. Pero kasi to start with, ang dami pang kailangang tulungan bago umabot doon eh. **DJ Med:** ‘Yun ‘yung parang babalik ka dun sa, “‘Yung mga binabaha nga ‘di nyo matulungan kayo pa kaya? Mag-ra-rap lang kayo dito.” Babalik pa rin doon. Or, okay lang, huwag nyo na kaming tulungan. Tangina huwag na lang kayo magnakaw. ‘Yun ang pinaka the best na tulong na pwedeng maibigay. **Tayao:** Actually, mas gusto ko ngang makinig sa iyo dyan kasi nakikita ko ngayon sa mga ginagawa niyo, pumunta pa kayo ng… Sulu ba ‘yun? Pumunta pa kayo sa barko… **DJ Med:** West Philippine Sea. **Tayao:** Parang sabi ko, “Grabe. Ang layo ng mentalidad nila pagdating dito, parang hanep din.” Medyo political siya eh, ‘di ba? **DJ Med:** Para sa iba, siyempre nakikita nila ‘yan \[political\] party by party. Kami, wala naman kaming pakealam sa party. ‘Yung end game, ‘yun sa amin e, ‘yung end goal. Kung ano ‘yung pwede na maipamana sa atin or next generation. ‘Yung ibang tao pwede kang i-box na, “Oh ano ‘yan ng Amerika.” Oh ito, ano ng China ‘yan.” E ang Pilipinas naman, parang ni-re-rape ng dalawang bansa ‘yan eh. Parang pipili ka na lang kung kanino ba tayo: sa China ba tayo magpapa-rape o sa mga Americans? Parang ‘yun palagi ang choices natin eh. Na na-ba-box tayo dun sa ganung side. Parang ang dami nating tinitignan na maganda sa Amerika pero hindi natin in-a-apply dito. Kung ano ‘yung pangit doon… **Tayao:** Actually, ‘yun ‘yung sinasabi ko pati din sa sistema. Nanggaling din doon ‘yung karamihan ng sistema na dinadaanan natin na sa certain demographic na iba, hindi pwede \[sa atin\] kasi iba ‘yung sistema nila doon, iba ‘yung benefits nila doon — may benepisyo ba tayo dito? **DJ Med:** Wala. **Tayao:** So ‘yun ‘yun e, parang ang hirap din nun kung dun ka lang dedepende sa kanila. Hindi mo sila pwedeng dependehan eh. **DJ Med:** Pero, kaya nga, parang kadalasan, ‘pag tinitignan ko ‘yung political landscape, “Tangina, parang wala nang pag-asa.” Tapos ‘pag tinignan mo ‘yung mga tao, “Tangina na wala nang pag-asa.” Pero ‘pag merong mga bagay sa Pilipinas na nagpapakita sa akin na hindi, “Meron pa.” Kasi, for example, pumunta ako ng Sultan Kudarat, sa Cotabato ito ha. Isa sa mga pinakamahirap na provinces ng Philippines ay nasa BARMM. Pero pagpunta ko sa hospital, wala silang cashier. Free ‘yung internet nila. ‘Yung hospital na ‘yun, zero bill policy. “Tangina, paano nangyari ‘yun?” Ano ‘yung ginagawa ng mayor doon na hindi ginagawa ng iba? Paano niya nagawa ‘yun? ‘Yun ‘yung parang kailangan aralin or parang maging example. **Tayao:** Pwede pa pala. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/dj-medmessiah-ian-tayao-rolling-stone-ph-intext4.webp) **DJ Med:** May pag-asa pa. Kasi siyempre kinakanta namin ‘yun eh. Sinusulat namin ‘yan. Based on experience. Tapos parang na aano mo na, “Wala nang pag-asa.” Minsan na hindi rin nawawala sa utak ko ‘yun ganun eh. Parang wala nang pag-asa. **Tayao:** Madalas ganun din naiisip ko honestly eh. **DJ Med:** Tapos ‘pag nakakakita ka ng ganun, pero maliit lang kasi ‘yun eh. Out of 1000 percent. Parang nakakita ka ng one percent na ganun, which makes me parang believe na parang, “Hindi. Pwede pa.” Parang hindi ako aalis ng Pilipinas dahil nakakita ako ng ganito. Meron pa rin eh. **Tayao:** ‘Yan ‘yung kailangan kong ibaon pagtapos natin mapag-usapan dito, ‘yan ‘yung ibabaon ko sa utak ko na, “Oo nga na marami rin talaga pang mga pagkakataon na ‘pupwede pa pala.’” **DJ Med:** Pwede pa. Meron pa. Aantay mo na lang na sana mas dumami ‘yung ganun. Kagaya nga ng sinabi mo, may mga ibang cities sa Metro Manila na maayos, transparent. Siguro hindi siya perfect pero may chances pa. **Tayao:** Huwag na lang siguro tayong mainip, ‘no? **DJ Med:** Magdidepende pa rin sa atin. Lagi nating iniisip na nasa politicians ‘yung power. Pero hindi na alam kung gaano ka-powerful ‘yung taumbayan. Mas makinig kayo sa tao kaysa sa political interest. Tayo muna bago sila. --- ***OFFICIAL STYLING PARTNER*** Qurator Studio ***STYLING*** Steven Coralde assisted by Niña Cuyana and Charlotte Sombillo DJ Medmessiah wears Calvin Klein jacket and Vestido manton de Manila ***OFFICIAL MAKEUP & HAIRSTYLING PARTNER*** Nix Institute of Beauty Grooming by Leilani Bamba-Rizon Assisted by Nikki Sta. Cruz ***OFFICIAL SET DESIGN PARTNER*** Rocket Design Studio ***SHOOT ASSISTANT*** Joaquin Puyat More Musicians on Musicians - [In Rolling Stone Philippines Musicians on Musicians, 6 Filipino Artists Ask Music’s Bigger Questions](https://rollingstonephilippines.com/music/musicians-on-musicians-filipino-artists/ "In Rolling Stone Philippines Musicians on Musicians, 6 Filipino Artists Ask Music’s Bigger Questions") - [Noel Cabangon & Lourd de Veyra](https://rollingstonephilippines.com/music/musicians-on-musicians-noel-cabangon-lourd-de-veyra/ "Noel Cabangon & Lourd de Veyra") - [Gian Bernardino & KZ Tandingan](https://rollingstonephilippines.com/music/musicians-on-musicians-gian-bernardino-kz-tandingan/ "Gian Bernardino & KZ Tandingan") **Categories:** Hip-hop/R&B, Music, Punk, Rock **Tags:** DJ Medmessiah, Ian Tayao, Musicians on Musicians --- ### [The World Is Watching BE:FIRST. Now What?](https://rollingstonephilippines.com/music/pop/be-first-rolling-stone-interview/) **Published:** October 3, 2026 **Author:** Crystal Bell **Excerpt:** The Japanese group is scoring hits, selling out stadiums, and aiming for new audiences **Content:** Ask <BE:FIRST> when the world started to feel within reach, and SOTA doesn’t mention Los Angeles. He doesn’t point to Head in the Clouds, where the Japanese group recently performed for a crowd thousands of miles from home on the sun-soaked grounds of the Rose Bowl. He doesn’t mention their first world tour, either, and the surreal realization that people in cities far beyond [Japan](https://www.rollingstone.com/t/japan/) already knew their names, their songs, and the words to sing back to them. Nor does he point to the moment they walked into studios in L.A. to make music alongside the American producers and songwriters whose work had long been part of their own musical vocabulary. Instead, SOTA goes back roughly three years, before much of that was actually happening for the group. It’s a reflective answer from someone who, just days earlier, looked entirely focused on the present. When we speak over video, SOTA is sitting with the other five members of BE:FIRST around a conference table in Tokyo, drinks scattered between them, still only a few days removed from their performance at Summer Sonic, one of Japan’s biggest music festivals. They trade glances across the table and crack jokes that don’t always need explaining; the years together have apparently given them their own shorthand and inside humor. ![BE:FIRST](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/rs-japan-cover-copy.webp) *Rolling Stone Japan* cover. Photo from Rolling Stone Japan At Summer Sonic, that familiarity took a much louder form. Inside the vast ZOZO Marine Stadium, BE:FIRST opened with “BRUCE WAYNE,” the bass-heavy first taste of their global EP, *WATCH ME*. Across a high-energy midday set that spanned their chart-topping singles and fan favorites, the six moved across the stage with the confidence of a group accustomed to one another’s rhythms, while fans in the crowd danced along in the stands. It was a fitting snapshot of BE:FIRST right now: at home in Japan, opening their set with a song made in Los Angeles, already testing how easily the distance between those two places might collapse. But when SOTA thinks about when that distance first began to shrink, he goes back to the music. Around the time BE:FIRST was making 2023’s “Mainstream,” the members began taking greater ownership of the creative process. As their involvement deepened, so did the questions they asked themselves. If the world was where they ultimately wanted to go, what exactly did they want to bring with them? “What kind of music do we want to make as BE:FIRST for a global audience?” SOTA remembers asking. Then came another question, one that has arguably become even more important as that global ambition has turned into reality: “When you look at us from a global perspective, what is the musical identity that only BE:FIRST can have?” Five years into their career, BE:FIRST is still answering it. *WATCH ME* arrives at a pivotal moment for the six-member group. The world that once existed largely on the other side of a screen has become tangible: overseas stages and unfamiliar crowds, passport stamps and writing camps, rooms in Los Angeles where members split off between three studios to build songs with new collaborators at a pace that surprised even them. The EP brings BE:FIRST together with ATL Jacob, Tommy Brown, BIA, [Flo Milli](https://www.rollingstone.com/t/flo-milli/), and others, placing the group more directly than ever in conversation with the hip-hop and R&B its members grew up admiring. The ambition was embedded in BE:FIRST from the beginning. The group was born in 2021 out of *THE FIRST*, an audition project launched by Japanese rapper and producer SKY-HI through his newly established management company, BMSG. From the start, SKY-HI wasn’t simply looking for polished idols. He wanted artists who could sing, dance, and eventually help create their own music — a group that could emerge from Japan with its sights already set beyond it. “The world was in our minds from our first year,” SHUNTO says. But for a long time, global remained more a destination than a reality. “It’s really only been in the past few years that we’ve seriously started putting that into action.” ![BE:FIRST](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/befirst1-copy.webp) What emerged was a lineup whose individual paths to BE:FIRST looked strikingly different. SOTA arrived as an already accomplished dancer and choreographer, having competed internationally long before he ever stood onstage as a member of a boy group. SHUNTO brought a distinctive, huskier vocal tone; MANATO had spent years training in singing and dance and would eventually become one of the members most deeply involved in songwriting. JUNON entered the audition as something of an outlier; he had the striking presence of a natural idol, but little formal dance training compared with some of the others. LEO’s natural warmth and expressiveness would make him an emotional anchor within the group. And RYUHEI, the talented youngest, was just 14 when BE:FIRST debuted, meaning much of his adolescence, and his evolution as an artist, has unfolded alongside the group’s own. They weren’t necessarily the people you would put together if you were working backward from a conventional blueprint for a boy band. That, increasingly, has become the point. “When we started, I think even we had a somewhat stereotypical idea of what a boy band was supposed to be,” SOTA says. That definition has since stretched considerably. BE:FIRST debuted in November 2021 with “Gifted,” but the group’s identity wasn’t something that arrived fully formed with its name. Over the next several years, its members gradually moved from performers interpreting someone else’s vision to active participants in shaping their own. That evolution is important to SOTA’s memory of “Mainstream.” Debuting at Number One on the Japan Hot 100, the hip-hop-driven single represented more than another step in BE:FIRST’s ascent in Japan. Behind the scenes, it coincided with the members becoming more assertive about the music they wanted to make and the kind of group they wanted to become. The more creative control they gained, the more expansive their definition of a boy band became. By then, BE:FIRST was well on its way to becoming one of Japan’s biggest boy groups. In five years, they’ve amassed 12 Number One singles, including their latest single, “Missing,” and this year sold out their first stadium shows, drawing roughly 100,000 people across two nights. Their presence extends beyond charts and stadiums, too. Spend enough time moving through Tokyo, and their faces have a way of finding you, like flickering across the screens mounted behind taxi headrests. ![BE:FIRST](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/befirst2-copy.webp) Their ambitions abroad, then, aren’t driven by needing to find an audience somewhere else. BE:FIRST already has one at home. The question is how much further it can travel without losing what made that audience care in the first place. “I think everything we’ve done in Japan up to this point has also been part of preparing ourselves to go overseas,” JUNON says. And what they’ve built in Japan isn’t just a catalog of hits. It’s a way of working and a sense of freedom within the group that the members increasingly see as fundamental to their success. “We’ve been able to do what we genuinely want to do,” SOTA says. “We’ve built a career that gives us the confidence to say that we’re enjoying ourselves more than anyone.” For him, that freedom has become part of the group’s identity. “I think that’s become a kind of boy-band culture that BE:FIRST has created for itself.” Now, they’re finding out what happens when that identity leaves home. Around January, the members began gathering songs for *WATCH ME*, their first global EP. The material came from different creative processes: tracks MANATO co-wrote in Los Angeles with SKY-HI, alongside songs the other members developed through co-writing sessions in Japan. “We gathered all of those songs and had conversations about what we should be putting out right now,” LEO says. The question wasn’t simply which songs were strongest, but which ones made sense for BE:FIRST at this particular moment. And some of the most revealing answers came out of a writing camp in Los Angeles. Inside the L.A. studio, there was little time for preciousness. Three rooms were running at once, with the members splitting up and cycling through different combinations of producers and songwriters, each room operating according to its own creative logic. For MANATO, who had already participated in co-writing sessions in Japan, the first surprise was the speed. Back home, he was accustomed to a more sequential process: build the track, freestyle melodies over it, write the lyrics, sometimes returning on another day to keep working. In L.A., that process became much more fluid. A producer could be constructing a beat while someone beside them was already reaching for lyrics, as another person shaped the melody in real time. Songs seemed to assemble themselves from several directions at once. ![BE:FIRST](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/befirst3-copy.webp) Then MANATO would walk into another room and find an entirely different rhythm. Some collaborators wanted to talk first, establishing a concept and lyrical world before anyone touched the melody. Others worked almost entirely from instinct and whatever energy had formed in the room. MANATO remembers one person sitting quietly for roughly 30 minutes, seemingly absorbed in their own thoughts, then suddenly emerging with nearly a complete idea. Another session was considerably less introspective. The atmosphere there, he recalls with a laugh, was closer to everyone raising a glass and saying, “Cheers!” while they made the song. “What really stood out to me was the speed of the process,” MANATO recalls. But speed didn’t mean BE:FIRST stopped paying attention to what was being said. As English lyrics and concepts began flying around the rooms, there were moments when an idea that sounded perfectly natural within American hip-hop felt decidedly unnatural coming out of BE:FIRST’s mouths. References to money came up. So did relationships with women. The members would stop and consider not simply whether a line sounded good, but whether it sounded true. “This lyric doesn’t really fit who we are right now, so let’s take it out,” MANATO remembers them saying. It was a small decision, but it gets at the larger experiment behind *WATCH ME*. BE:FIRST didn’t go to Los Angeles simply to borrow the sound of American hip-hop. They had to figure out what happened when that sound passed through them: what felt natural, what didn’t, and what needed to change in order to become theirs. Sometimes, that meant pushing further outside the boundaries they’d already established. “BRUCE WAYNE” is perhaps the clearest example. Dark and bass-heavy, the song carries the fingerprints of ATL Jacob’s Atlanta roots while filtering them through BE:FIRST’s own sensibilities. And ATL Jacob had done his homework. Before the Atlanta producer began building what would become “BRUCE WAYNE,” he had watched videos of BE:FIRST performing. When the members met him in Los Angeles, MANATO remembers Jacob telling them, simply, “You guys are really cool.” The admiration went both ways. SOTA had been listening to Jacob’s music long before BE:FIRST ever stepped into a studio with him, and suddenly finding himself making a song alongside the producer was the kind of full-circle moment that reminded him “why you became an artist in the first place.” ![BE:FIRST](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/befirst4-copy.webp) For RYUHEI, making “BRUCE WAYNE” also gave the group a chance to step outside another major influence on its development: J-pop. “BE:FIRST has been heavily influenced by J-pop and has always had a lot of respect for it,” he says. “But this was also a chance for us to step away from that for a moment and reconsider things from a different perspective.” That made choosing “BRUCE WAYNE” as the first taste of *WATCH ME* particularly consequential. The group knew that for many listeners outside Japan, this wouldn’t simply be a new single. It could be their introduction to the group. “There are still so many people overseas who have never heard us before. The way they encounter our music for the first time is really important,” RYUHEI says. “That first impression matters a lot.” SOTA saw the choice somewhat differently. Before worrying about what a Western audience might want from BE:FIRST, he says, the group had to start with what BE:FIRST wanted from itself. “Wherever we are, we make the music we genuinely want to make and express what we genuinely want to express,” he says. ![BE:FIRST](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/befirst5-copy.webp) For BE:FIRST, “BRUCE WAYNE” passed that test. Hip-hop and R&B aren’t sounds the group suddenly adopted for its American debut; they’re part of the musical foundation its members grew up with, shaped in part by artists like Michael Jackson, Kendrick Lamar, and Justin Bieber. To RYUHEI, those influences don’t make BE:FIRST any less distinctly Japanese. If anything, he sees that kind of musical exchange as fundamental to J-pop itself. “It’s really difficult to describe what makes J-pop special, but personally, I think one of its strengths is just how broad the musical range is,” he says. The group’s music, he points out, already moves between genres. Japan, too, has a long history of looking outward. “We’ve also spent a long time importing music from overseas, in a positive sense, and absorbing those influences,” RYUHEI says. “I feel like that’s part of what makes J-pop interesting.” This summer, that exchange came full-circle in an especially memorable way when the group joined Janet Jackson for a [remix](https://www.youtube.com/watch?v=lhDLAWFtsLE) of “Doesn’t Really Matter,” her 2000 hit, after the pop and R&B icon played four dates across Japan. The collaboration reached No. 12 on the Japan Hot 100 in June. What changed in Los Angeles was the opportunity to engage with those influences more directly and then decide what they sounded like filtered through BE:FIRST. Before figuring out how to make themselves legible to the world, in other words, they chose to make something they recognized as themselves. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/befirst6-copy.webp) There is, of course, a familiar playbook for crossing over: make the songs more immediately legible, sing more in English, sand away whatever might require explanation. BE:FIRST isn’t particularly interested in following it. “Going overseas doesn’t mean suddenly changing everything into English,” JUNON says. “We want to be able to present ourselves as J-pop while keeping the qualities we’ve developed up to this point.” That wasn’t just a decision among the six members. It was a philosophy shared by the team around them, including their producer SKY-HI. “\[He\] felt the same way we did,” LEO says. “His feeling was, ‘We’re J-pop, so Japanese is important too.’” It’s a distinction the members return to again and again. They aren’t opposed to change; *WATCH ME* itself shows how eager they are to experiment. What they’re wary of is changing simply to make themselves easier to export. That confidence runs through *WATCH ME*. The title alone feels almost confrontational: two words delivered less like a request than a command. Look at us. Pay attention. BE:FIRST knows the odds aren’t necessarily in its favor. LEO readily acknowledges how difficult it can be for a J-pop group to establish itself in America. But that awareness didn’t make the members want to soften the statement. “We have a lot of confidence in what we’ve built and what we’ve done up until now,” LEO says. “So in that sense, the phrase really does express how we feel: ‘We want you to watch us.’” Confidence, though, isn’t the only emotion running through *WATCH ME*. For all the swagger of its title track and “DEAD EYES EVERYWHERE,” the EP also makes room for something more exposed. “PAPER SCARS,” which MANATO helped write, pulls in the opposite direction, revealing vulnerability alongside the bravado. To SOTA, those impulses aren’t contradictory. They’re both embedded in the hip-hop and R&B traditions that have shaped BE:FIRST’s musical vocabulary from the beginning. The more interesting question, he says, is what six Japanese artists of their generation can add to those traditions themselves. “We’re always thinking about what BE:FIRST should be singing in Japanese,” SOTA says, “and what we, as people of our generation who grew up with these cultural influences, can bring to the sound.” ![BE:FIRST](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/befirst7-copy.webp) If asking the world to watch closely sounds like an invitation for pressure, RYUHEI doesn’t quite see it that way. “More curious,” he says, when asked how growing expectations have affected the group. The distinction feels revealing. At 19, RYUHEI is the youngest member of BE:FIRST, and much of his adolescence has unfolded alongside the group’s ascent. Yet when he talks about the scrutiny that might accompany its next chapter, he doesn’t describe anxiety so much as possibility. “It feels like we’re constantly discovering more and more of what we’re capable of,” he says. “And we’re also the ones creating those possibilities ourselves.” That doesn’t mean BE:FIRST believes it has arrived at some final answer. In fact, RYUHEI describes almost the opposite. Creatively, the members are still asking themselves the same kinds of questions SOTA remembers them beginning to ask years ago: What do we need right now? What should BE:FIRST sound like now? What might it become next? “We’re still searching and figuring things out,” RYUHEI says. ![BE:FIRST](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/befirst8-copy.webp) RYUHEI won’t have to wonder for long. Beginning in September, the “WATCH ME” world showcase will take the group from Bangkok to Taipei and Manila, then end with two nights in New York. Four cities, three countries, and thousands of miles will give the group another chance to discover what RYUHEI seems most interested in finding out: what else BE:FIRST might be capable of. For all this talk of searching, they don’t seem to spend much time fighting over the answer. Six artists increasingly involved in their own music would seem like a recipe for creative friction. Ask SOTA how they settle disagreements — a vote, perhaps, or whoever argues loudest — and he laughs at the premise. “We honestly don’t clash very often,” he says. Instead, he describes a kind of ongoing negotiation. An idea might be good but wrong for this particular moment. Maybe, someone will suggest, it would make more sense next summer. The goal isn’t for every member to want the same thing; it’s to make enough room for all six to keep making the music they want to make. “The six of us have always tried to make sure that everyone can continue expressing the music they want to make,” SOTA says. That might be as useful a definition of BE:FIRST as any they’ve come up with. From the beginning, they were built around the idea of going somewhere Japanese boy groups hadn’t necessarily gone before. But five years later, being “first” seems to mean something more complicated than reaching a particular chart position, market, or stage before anyone else does. It’s about refusing to inherit someone else’s definition of what a boy group should look or sound like. That’s the genreless version of BE:FIRST they describe now: six artists with different instincts and ambitions, given enough room to bring those differences into the group rather than sanding them away. Their individual tastes can pull the music in different directions; their roles can expand as they do. The goal isn’t for six people to think exactly alike. It’s to build something elastic enough to contain all six of them. Maybe that’s why SOTA says they’ve reached a place they couldn’t have imagined at debut. “It’s a really good place to be,” he smiles. They started with what he calls a “stereotypical” idea of a boy band. Now, he believes they’re becoming “a group without much precedent.” For a group called BE:FIRST, there may be no more fitting place to end up. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-features/befirst-japan-interview-new-music-1235629698/).* Related Stories - [SB19’s ‘Wakas at Simula,’ Ranked Track by Track](https://rollingstonephilippines.com/music/pop/sb19-wakas-at-simula-ranked/ "SB19’s ‘Wakas at Simula,’ Ranked Track by Track") - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") - [Anne Curtis: ‘Respect Isn’t Complicated. It’s Basic Decency’](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/anne-curtis-rolling-stone-interview/ "Anne Curtis: ‘Respect Isn’t Complicated. It’s Basic Decency’") **Categories:** Music, Pop **Tags:** BE:FIRST --- ### [KINKI is Making the Most of Its Time on the Dance Floor](https://rollingstonephilippines.com/culture/kinki-poblacion-club-transit-records/) **Published:** October 2, 2026 **Author:** Pie Gonzaga **Excerpt:** With only 80 square meters and six months to operate, the club and its founders are determined to put music back at the center of Manila nightlife **Content:** On a Tuesday night, [KINKI](https://rollingstonephilippines.com/tag/kinki/), a small bar and nightclub above the restaurant TETSUO in Poblacion, came alive to host DJs Jorge Wieneke a.k.a. [obese.dogma777](https://rollingstonephilippines.com/tag/obese-dogma777/) and Sherwin Calumpang Tuna, better known as [DJ Love](https://rollingstonephilippines.com/tag/dj-love/). Inside, guests maximize the 80-square-meter space dancing to [budots](https://rollingstonephilippines.com/music/producer-obese-dogma777-post-budots-filipino-electronic-music/) remixes of everything from Kamikazee’s “Narda” to Troye Sivan’s “Angel Baby.” “We just operate Thursday to Saturday,” KINKI founder [Rex Puentespina](https://rollingstonephilippines.com/tag/rex-puentespina/), also known by his DJ name Trust, tells *Rolling Stone Philippines*. “So this is our first event outside the regular schedule.” He explains that DJ Love is in Manila for his visa application, and that Wieneke had reached out to do a pop-up event to recoup travel expenses. “As the main operators \[of KINKI\], we really want to push ourselves and plant our flag as a very community-led and artist-forward space,” says Puentespina. “We want to be as generous as possible to the collectives and the people we work with, and really try to support them in any way that we can.” ## Making the Most of a Small Space ![kinki elephant](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/kinki-elephant.webp) KINKI’s Thursdays are for the queer collectives. Photo by Ari Turalba When asked about the club’s name, creative director [Andi Osmeña](https://rollingstonephilippines.com/tag/andi-osmena/), who takes on the name baby ikea when behind the booth, explains that “KINKI” serves a two-fold purpose. “We definitely wanted something playful and a little sexy, so that felt right,” he says. “But Kinki is also a rockfish. We got really inspired by old Japanese izakayas and love hotels. And so many of the clubs that we love from around the world have that vibe that’s a little bit janky and unpretentious.” A club like that demands a venue with versatility, and the room above TETSUO provides just that. With the lights on and not much else going on except for the bar at the back, it’s an unassuming black box, but when the music starts playing and the crowd begins to pour in, guests may find that interiors don’t matter much. Nonetheless, the founders describe the space as “somewhere between a fever dream, a dance floor, and an aquarium.” “When we throw our pop-up parties here, it feels like if you dressed it up enough or change the lighting even just a little bit, it would transform completely,” says Osmeña. “It’s just a nice blank canvas for all of these possibilities.” “We’ve realized that our crowd is pretty diverse. There are gay people, straight people, people from all walks of life. But they’re all people who are nerdy about music.” Andi Osmeña The very limited real estate is a challenge KINKI’s founders have accepted as an opportunity. “On paper, our capacity is around 100 pax at one time, but we’re really slammed at that point,” says Puentespina. “There’s a lot less pressure for us to fill up the room in the way that other venues function. So, our metric for success is really the vibe more than it is about packing it in, the way that other businesses would see it.” Osmeña emphasizes that small venues like theirs offer a chance for guests to “create a scene where people actually know each other.” “And if you’re a DJ, it’s just less intimidating to start with a small venue,” he says. “When we think about the early parts of our DJ careers, we usually cut our teeth in smaller rooms before we play bigger clubs.” ## Built for Dancing ![kinki sosupershy](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/kinki-sosupershy.webp) The space is transformed for KINKI’s fun and flirty SoSuperShy club night, first held in July. Photo by Gab Villareal Osmeña attributes KINKI’s music-forward philosophy to DJ collective [Transit Records](https://rollingstonephilippines.com/tag/transit-records/)’ “nerdy” audience. “We’ve been putting up events with dance records for maybe almost a decade or a little less than that,” he says. “And in the past few years, we’ve realized that our crowd is pretty diverse. There are gay people, straight people, people from all walks of life. But they’re all people who are nerdy about music.” The emphasis on community also shows in KINKI’s programming. Thursdays are for spotlighting queer collectives like [ELEPHANT](https://rollingstonephilippines.com/music/dance-electronic/elephant-manila-queer-nightlife-collective-10-years/), which started a 10-night residency when the club soft-opened in June. On Fridays, KINKI runs Provider, a night where resident DJs from Transit Records, the collective behind the club, take the booth. And Saturdays are for takeovers by other collectives or events featuring international guests. Aside from music selection, a lot of work has also gone into the club’s custom sound system, built by acoustics engineer Patrick Casabuena of Fatima Sound Practice and boasting a setup that reduces distortion and keeps the sound clear and warm. KINKI says the sound system was made “with care and intention towards making guests dance.” “A common expectation is to crank the sub, crank everything, play everything loud,” says Puentespina. “That’s not what we want to do here. We want you to spend eight hours on the dance floor, and then after the event, you’re like, ‘Wow, my ears feel amazing!’” “We keep what matters here and just do that really well. It doesn’t have to be ‘Instagrammable.’” Rex Puentespina Osmeña says the restraint suits the room. “I think it adds to the aquarium vibe. We want the sound to be immersive, especially if you play certain genres like deep house, or even shoegaze and ambient. There’s a dreaminess that you want to come with the sound.” The same priorities extend to the bar, which offers beers, cocktails, and highballs alongside non-alcoholic options and KINKI’s signature five-shot sets. “I’m actually proud of the drinks that we have,” says Puentespina. “We have a lot of signatures and very fast service. We’re aware of the fact that we’re not necessarily a cocktail bar, so we want our drinks to be fun and approachable, but the quality’s way up there.” ## Little Time Left ![kinki grand launch](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/kinki-grand-launch.webp) KINKI had no trouble filling up the dance floor for its grand aunch. Photo by Kevin Cantos According to Puentespina, Transit Records has been carrying out events and club takeovers, but had never found a place to call its own until leaseholders gave the collective an opportunity to use the space. “The original leaseholders were like, ‘Hey, we still have the contract here until the end of 2026, and it’s yours if you want to take it,’” he says. “And that’s all they had to say.” “It was a dream of ours for a pretty long time, actually,” Osmeña adds. “In our Telegram group chat, there’s a channel where we would ideate and send listings, so it just felt perfect when we heard about this.” The one caveat to the collective finally having a home base is the end of the lease. But when asked about the looming deadline, Puentespina says, “We don’t want to invest so much in a space that’s not gonna exist after December 31. So we keep what matters here and just do that really well. It doesn’t have to be ‘Instagrammable.’ We want it to be a dark club, foggy, with a good sound system and lights.” For Osmeña, the end of the lease also encourages them to make the most of the little time they have. “If you want to make any changes, you have to do it as well,” he says. “If you wait, then you can never do it.” ## Frequently Asked Questions ### Where is KINKI located? KINKI is located above TETSUO, on Kalayaan Ave cor. Matilde near Poblacion, Makati. ### How many nights a week is KINKI open? KINKI’s regular programming runs from Thursday to Saturday, with a dedicated club night for each day. ### Why is it called KINKI? Creative director Andi Osmeña says the founders wanted something playful and sexy, but the name is also a reference to the Japanese rockfish. ### When did KINKI open and when will it close? KINKI soft-opened in June and had its grand launch in July. The club is expected to close in December 2026, when the lease ends. ### Who are the DJs at KINKI? KINKI features resident DJs from Transit Records, the collective behind the club, as well as guest DJs and collectives from the Philippines and abroad. Related Stories - [To ELEPHANT, Throwing Parties is More Than Just Having Fun. It’s Livelihood](https://rollingstonephilippines.com/music/dance-electronic/elephant-manila-queer-nightlife-collective-10-years/ "To ELEPHANT, Throwing Parties is More Than Just Having Fun. It’s Livelihood") - [Inside Thank You for the Music and Moving Parts’ Binondo Party](https://rollingstonephilippines.com/music/dance-electronic/inside-thank-you-for-the-music-and-moving-parts-binondo-party/ "Inside Thank You for the Music and Moving Parts’ Binondo Party") - [7 Dance Music Parties That Defined Post-Pandemic Manila](https://rollingstonephilippines.com/editors-picks/features/7-dance-music-parties-that-defined-post-pandemic-manila/ "7 Dance Music Parties That Defined Post-Pandemic Manila") **Categories:** Culture, Dance/Electronic, Music **Tags:** Andi Osmeña, KINKI, Nightlife, Rex Puentespina, transit records --- ### [The ‘Fast & Furious’ Is Being Turned into a Live-Action Series](https://rollingstonephilippines.com/culture/tv/fast-and-furious-live-action-series/) **Published:** October 2, 2026 **Author:** Elijah Pareño **Excerpt:** The new live-action series will expand the stories of the franchise’s legacy characters, with a 2028 premiere being eyed by Peacock **Content:** The *[Fast & Furious](https://rollingstonephilippines.com/tag/fast-and-the-furious/)* franchise is getting its own television series. Streaming platform Peacock has ordered a show set within the blockbuster franchise’s universe, with its star [Vin Diesel](https://rollingstonephilippines.com/tag/vin-diesel/) attached as executive producer. While Diesel himself has suggested the franchise could eventually expand into as many as four series, Peacock has clarified that only one show is currently in development. > [View this post on Instagram](https://www.instagram.com/p/DcPFrJ-ktgp/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Fast & Furious (@thefastsaga)](https://www.instagram.com/p/DcPFrJ-ktgp/?utm_source=ig_embed&utm_campaign=loading) According to *Deadline*, NBCUniversal is producing the yet-to-be-titled show, and the streamer is aiming for a 2028 premiere. Last May, Diesel went on to announce the project’s development at NBCUniversal’s upfront show in New York. “As you all know, we are very precious about these movies, but over the last decade,” Diesel says. “We’ve realized that the fans have wanted more, they wanted us to expand the legacy characters, their stories.” The series announcement comes as the franchise celebrates its 25th anniversary. *The Fast & Furious* was released on June 22, 2001, and the final film of the franchise, *Fast Forever*, is scheduled for release in March 2028. The main stars include Diesel, the late Paul Walker, who tragically passed away from a car accident in 2013, Michelle Rodriguez, and Jordana Brewster. ## Frequently Asked Questions ### Who is producing the new *Fast & Furious* series? NBCUniversal is producing the yet-to-be-titled show, with Peacock targeting a 2028 premiere. ### How many *Fast & Furious* series are in development? While Vin Diesel has suggested the franchise could eventually expand into as many as four series, Peacock has clarified that only one show is currently in development. ### When was the *Fast & Furious* TV series announced? Vin Diesel first announced the project’s development in May 2026 at NBCUniversal’s upfront show in New York. ### When did the *Fast & Furious* franchise first premiere? The original *Fast & Furious* film was released on June 22, 2001. ### Who mainly stars in the *Fast & Furious* franchise? The main stars of the *Fast & Furious* franchise include Diesel, Paul Walker, Michelle Rodriguez, and Jordana Brewster. Related Stories - [‘Forgotten Island’ is One of the Decade’s Best Animated Films So Far](https://rollingstonephilippines.com/culture/reviews/forgotten-island-review-liza-soberano/ "‘Forgotten Island’ is One of the Decade’s Best Animated Films So Far") - [Finally, A Great ‘Resident Evil’ Movie](https://rollingstonephilippines.com/culture/reviews/resident-evil-cregger-abrams-review/ "Finally, A Great ‘Resident Evil’ Movie") - [Supergirl Is a Messy, Imperfect Hero. Unfortunately, Her Movie Is Too](https://rollingstonephilippines.com/culture/reviews/supergirl-2026-movie-review-milly-alcock/ "Supergirl Is a Messy, Imperfect Hero. Unfortunately, Her Movie Is Too") **Categories:** Culture, Film, TV **Tags:** Fast & Furious, Peacock, Vin Diesel --- ### [AGC PHC CEO Archie Carrasco Joins Prestigious BoF 500 List ](https://rollingstonephilippines.com/culture/news-culture/agc-phc-ceo-archie-carrasco-bof-500-list/) **Published:** October 2, 2026 **Author:** Reyza Ferranco **Content:** [Archie Carrasco](https://rollingstonephilippines.com/tag/archie-carrasco/), the Chairman and CEO of [AGC Power Holdings Corp.](https://rollingstonephilippines.com/tag/agc-phc/) (AGC PHC), the publisher of several Philippine editions of international magazines, including *Rolling Stone Philippines*, is one of the honorees of this year’s [The Business of Fashion (BoF) 500 list](https://www.businessoffashion.com/bof500/). The annual professional index, launched in 2013, recognizes key figures shaping fashion globally, as curated by BoF editors, based on nominations and “on-the-ground intelligence from around the world” from its community of executives, creatives, and other media figures. “The process for selecting our new members is both an art and a science, conducted over the course of several months based on nominations received from existing BoF 500 members and the BoF team,” the publication said. “This year, we sifted through 445 names across 8 distinct categories: Designers, Executives, Models & Muses, Entrepreneurs, Catalysts, Media, Retailers and the Creative Class. For each nominee, we do deep research and follow-up phone calls to inform hours of debate and discussion, category by category, to identify 100 people shaping the fashion industry of today and tomorrow.” Carrasco is only the fifth Filipino personality — and the first Filipino media CEO — to be a part of the BoF 500 list, following the induction of industry leaders like the Editor-in-Chief of *V Magazine* and *VMan* Stephen Gan in its inaugural edition and the founder and managing director of luxury fashion purveyor H&F Retail Concepts [Jappy Gonzalez](https://rollingstonephilippines.com/radar/rs-spotlight/comme-des-garcons-adrian-joffe-interview/) in 2017. The BoF 500 Gala, a dinner dedicated to this year’s honorees, will take place in Paris on October 3, coinciding with Paris Fashion Week. Carrasco will be in attendance along with the rest of the BoF 500 Class of 2026. ## A Filipino Visionary Carrasco has proven himself as a visionary leader, reflecting his philosophy of “purpose over profit” and using media as a platform to elevate Filipino stories, creativity, and culture through publications both homegrown and adapted by the AGC PHC. In just a span of six years, the Carrasco-led publishing company has transformed the Philippine media landscape post-pandemic with the introduction of international titles like *Rolling Stone Philippines*, *Vogue Philippines*, and the recently launched *GQ Philippines,* among its diverse roster of magazines*.* Carrasco serves as the latter two’s publisher through the MEGA Global Group Inc. (MGGI), the exclusive partner of Condé Nast in the Philippines. “I wanted Filipinos to have access to the world’s most influential media institutions while giving those institutions access to the extraordinary stories and talent coming from the Philippines,” he tells *Rolling Stone Philippines*. This October, AGC PHC has just announced an upcoming addition to its portfolio: the arrival of [*Harper’s BAZAAR Philippines*](https://rollingstonephilippines.com/culture/news-culture/harpers-bazaar-philippines-launch-november-2027/) in November 2027, which is expected to spotlight the highest expression of Filipino creativity within its hallowed pages. > [View this post on Instagram](https://www.instagram.com/p/Dd8vxswzAbu/?utm_source=ig_embed&utm_campaign=loading)[A post shared by AGC Power Holdings Corp. (@agcphcorp)](https://www.instagram.com/p/Dd8vxswzAbu/?utm_source=ig_embed&utm_campaign=loading) Throughout his career, Carrasco has remained an unwavering advocate of platforming Filipino creativity on the global stage. To him, the strength of Filipino creativity lies in its ability to absorb influences from everywhere, while being able to interpret them through our lens and rooted in our identity. “There is an emotional quality to Filipino creativity. We absorb influences from everywhere, but we reinterpret them through our history, humor, resilience, and humanity,” he says*.* On taking it further globally, Carrasco says he aims to build more bridges, international collaborations, regional platforms, global distribution, and opportunities for Filipino creatives. He adds that he will utilize the access his new recognition provides to create more platforms for the local creatives. Founded in 2007 by Imran Amed, the Business of Fashion is internationally recognized for its authoritative, analytical point of view on the global fashion and beauty industries. BoF consists of more than 100 journalists, analysts, engineers, designers, and commercial professionals with offices in London and New York. ## FREQUENTLY ASKED QUESTIONS ### Who is Archie Carrasco? Archie Carrasco is the Chairman and CEO of AGC Power Holdings Corp. (AGC PHC), publisher of Philippine editions of international magazines including *Rolling Stone Philippines*. Through MEGA Global Group Inc., Condé Nast’s exclusive Philippine partner, he is also the publisher *Vogue Philippines* and *GQ Philippines*. ### What is the BoF 500? The BoF 500 is an annual index launched in 2013 by The Business of Fashion that recognizes key figures shaping fashion globally. BoF editors curate it from nominations and on-the-ground intelligence supplied by its community of executives, creatives, and other media figures. ### Why is Archie Carrasco’s BoF 500 inclusion significant for Filipino media? Carrasco is the first Filipino media CEO and only the fifth Filipino personality on the BoF 500, following *V Magazine* and *VMa*n editor-in-chief Stephen Gan in 2013 and H&F Retail Concepts’ Jappy Gonzalez in 2017. It places Philippine publishing within a global fashion industry index. ### When is the BoF 500 Gala 2026? The BoF 500 Gala takes place on October 3, coinciding with Paris Fashion Week. ### Where will the BoF Gala 2026 be held? The BoF 500 Gala will be held in Paris, with the dinner dedicated to this year’s honorees. Archie Carrasco, AGC PHC’s Chairman and CEO, will attend alongside the rest of the BoF 500 Class of 2026. Related Stories - [Storied Fashion Magazine ‘Harper’s BAZAAR’ Launches Philippine Edition November 2027](https://rollingstonephilippines.com/culture/news-culture/harpers-bazaar-philippines-launch-november-2027/ "Storied Fashion Magazine ‘Harper’s BAZAAR’ Launches Philippine Edition November 2027") - [GQ Philippines Has Arrived to Tell the Stories of Filipino Men Today](https://rollingstonephilippines.com/culture/gq-philippines-stories-filipino-men-today/ "GQ Philippines Has Arrived to Tell the Stories of Filipino Men Today") - [‘Delia D.’ Is A Kitschy, Feel-Good Fever Dream](https://rollingstonephilippines.com/culture/delia-d-musical-review/ "‘Delia D.’ Is A Kitschy, Feel-Good Fever Dream") **Categories:** Culture, News **Tags:** AGC PHC, Archie Carrasco, BoF 500, Business of Fashion --- ### [Jessica Sanchez and ROSÉ are the Latest Asian Hall of Fame Inductees](https://rollingstonephilippines.com/music/pop/jessica-sanchez-rose-asian-hall-of-fame-inductees/) **Published:** October 2, 2026 **Author:** Elijah Pareño **Excerpt:** The BLACKPINK star and the singer are among this year’s honorees, alongside a group of figures recognized for their cultural and community contributions **Content:** *America’s Got Talent* Season 20 winner [Jessica Sanchez](https://rollingstonephilippines.com/tag/jessica-sanchez/) and [BLACKPINK](https://rollingstonephilippines.com/tag/blackpink/) member [ROSÉ](https://rollingstonephilippines.com/tag/rose/) are among the new inductees into the 2026 Asian Hall of Fame. The chosen honorees are said to be “role models whose endearing legacies advance culture, commerce and community for generations to come,” CEO of the Asian Hall of Fame Maki Hsieh said in a statement. The ceremony will take place in Los Angeles on November 5. ![Asian Hall of Fame](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/Class-2026-copy.webp) Asian Hall of Fame Class of 2026. Photo from Asian Hall of Fame/Website The Asian Hall of Fame was established in 2004 and was founded by the Robert Chinn Foundation. The ceremony is said to highlight “Asian achievement and indigenous legacy.” ROSÉ started in 2016 as a member of K-pop girl group BLACKPINK, whose hits include “DDU-DU DDU-DU” and “JUMP.” She has also ventured into a successful solo career with hits like “APT” released in 2026. Meanwhile, the American with Filipino and Mexican lineage Sanchez is known for winning the twentieth season of *America’s Got Talent* in 2025 and finishing as the runner-up on the 11th season of *American Idol* in 2012. Previous Filipino honorees of the Asian Hall of Fame include businesswoman Loida Nicolas Lewis, retired Navy Rear Admiral Dr. Connie Mariano, Olympic speed-skating medalist J.R. Celski, and Emmy-winning TV producer Marc Anthony Nicolas. ## Frequently Asked Questions ### Who are being inducted into the 2026 Asian Hall of Fame? BLACKPINK member ROSÉ and *America’s Got Talent* winner Jessica Sanchez are among the inductees at the 2026 Asian Hall of Fame. ### When and where is the 2026 Asian Hall of Fame ceremony? The ceremony will take place in Los Angeles on November 5. ### What is the Asian Hall of Fame? The Asian Hall of Fame was established in 2004 by the Robert Chinn Foundation. Their mission and vision is to showcase “Asian achievement and indigenous legacy.” ### Who is Jessica Sanchez? Filipino-American singer Jessica Sanchez is known for winning the 20th season of *America’s Got Talent* in 2025 and finishing as runner-up on the 11th season of *American Idol* in 2012. ### Who are some past Filipino honorees of the Asian Hall of Fame? Previous Filipino honorees include businesswoman Loida Nicolas Lewis, physician Dr. Connie Mariano, Olympic speed-skating medalist J.R. Celski, and producer Marc Anthony Nicolas. 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Touted as the world’s oldest continuously published fashion magazine since 1867, its Philippine edition will spotlight haute couture, craftsmanship, and luxury, celebrating fashion at its highest level of creativity and expression across print, digital, social media, video, and live experiences. *Harper’s BAZAAR Philippines* officially joins Hearst’s over 30 global editions across countries like the United States, United Kingdom, Italy, Arabia, and Japan, to name a few. > [View this post on Instagram](https://www.instagram.com/reel/DWokTPTR5jj/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Hearst Magazines International (@hearstmagazinesinternational)](https://www.instagram.com/reel/DWokTPTR5jj/?utm_source=ig_embed&utm_campaign=loading) Chairman and CEO of AGC PHC Archie G. Carrasco is looking forward to strengthening the publishing group’s ability to serve distinct audiences across fashion and lifestyle as *Harper’s BAZAAR Philippines* will complement its existing portfolio of media brands. “*Harper’s BAZAAR Philippines* is an important addition to our growing portfolio because it brings a distinct voice and perspective to the fashion market we serve,” Carrasco says. “It will complement our existing titles while establishing its own space at the upper echelon of fashion, where haute couture, art, craftsmanship, culture, and luxury converge.” The upcoming launch marks a brand-new chapter for Hearst Magazines as it taps into the Philippine media landscape in hopes of capturing the forces and voices shaping Filipino culture today. “For nearly 160 years, *Harper’s BAZAAR* has remained truly fashionable by immersing its global audience in the culture and ideas of the moment,” Bodden says. “It’s exciting to have *Harper’s BAZAAR Philippines* expand BAZAAR’s heritage, showcasing the work of emerging designers, photographers and storytellers.” *Harper’s BAZAAR Philippines* is expected to announce its editorial leadership, platforms, inaugural issue, and launch activities leading up to its official launch in November 2027. ## Frequently Asked Questions ### When is *Harper’s BAZAAR Philippines* launching? *Harper’s BAZAAR Philippines* is set to launch in November 2027. ### Who is bringing *Harper’s BAZAAR* to the Philippines? The upcoming Philippine edition is a partnership between Hearst Magazines International and AGC Power Holdings Corp. ### What is *Harper’s BAZAAR* known for? Harper’s BAZAAR is touted as the world’s oldest operating fashion magazine, established in 1867. ### Who is the Chairman and CEO of AGC PHC? Archie G. Carrasco is the Chairman and CEO of AGC Power Holdings Corp. ### Who is the Senior Vice President/Editorial & Brand Director of Hearst Magazines International? Kim St. Clair Bodden is the Senior Vice President/Editorial & Brand Director of Hearst Magazines International. 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Now, Filipinos have taken it into their hands to allow change through a digital, citizen-led platform. The People’s Initiative Coalition Against Dynasty (PICAD) officially launched its [Dapat Isa Lang (D1L) website](https://d1l.org/) on September 30, a nationwide, co-petition platform to pass the Anti-Political Dynasty Bill. The initiative, first rolled out early in the year, had previously relied on physical, on-site signature collection before moving to a digital platform to make participation more accessible. The platform walks you through the whole process. It invites potential co-petitioners to first read the full text of the proposed Anti-Political Dynasty Act before signing, with language options available in Filipino, English, Bisaya, and Ilocano. If you don’t have the privilege of time, the site also provides a video summarizing the entire bill. It ensures that you have thoroughly understood what the petition means before you can access the digital petition form. And even before going through the forms, the site asks you to prepare the requirements needed: your signature, a selfie, and your registered voter location. The site also lets co-petitioners withdraw their support upon verification. Now, the newly launched digital platform may make signing easier and more efficient, but a signature alone can not make a law. For Dapat Isa Lang to move its proposal forward, it has to meet the constitutional requirements for a People’s Initiative. ## **What Is The People’s Initiative?** Under Article VI, Section 32 of the 1987 Philippine Constitution, the Filipino masses are given the power to propose, enact, or reject any act or law passed by Congress or a local legislative body after the registration of a petition signed by at least 10 percent of the total number of registered voters, including three percent coming from every legislative district. As of July 2026, the Commission on Elections (Comelec) recorded [68,877,876](https://www.comelec.gov.ph/php-tpls-attachments/2026BSKE/Statistics/2026_BSKE_NUMBER_SEATS_VOTERS_DATA.pdf) registered voters in the Philippines, making its ten percent threshold equivalent to roughly 6.9 million signatures. But according to PICAD Convenor Eirene Aguila during the platform’s launch, they aim to collect 7.5 million signatures nationwide to further advance the proposed Anti-Political Dynasty Bill. ![dapat isa lang poster](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/d1l-site.webp) The digital signature platform was launched for the passing of a genuine Anti-Political Dynasty Law. Photo from Dapat Isa Lang/Facebook The movement is backed by various sectors, including the Catholic Bishops’ Conference of the Philippines (CBCP), which [encouraged](https://cbcpnews.net/cbcpnews/cbcp-backs-dapat-isa-lang-initiative-for-anti-dynasty-law/) its dioceses, parishes, Catholic schools and universities, religious communities, lay organizations, and all people of goodwill to support the initiative. ## **Efforts On the Anti-Political Dynasty Bill** The digital petition platform is not the first one to put an anti-political dynasty law into the books. In the Supreme Court’s [2026 briefing](https://sc.judiciary.gov.ph/wp-content/uploads/2026/09/20260916-Press-Briefer-Kapatiran-v-Congress-FINAL.pdf) regarding the delays in the bill’s enactment, the SC said it took “judicial notice” of at least a hundred anti-political dynasty bills filed but left unacted since the ratification of the 1987 Constitution. The highest court also noted that this implies either “a lack of interest, avoidance for convenience, or service of self-interest.” [*The Philippine Daily Inquirer*](https://newsinfo.inquirer.net/304298/senate-passed-antipolitical-dynasty-bill-in-1987) previously reported that the closest an earlier measure came was Senate Bill No. 82, filed by then-Senator Teofisto Guingona Jr. in 1987, which was approved on third reading but did not make it through the House of Representatives. Guingona later shared that someone from the House told him there were “so many inter-relatives among the congressmen,” making the bill difficult to pass. The 21st Congress’ Anti-Political Dynasty Bill was approved in the House but remains pending in the Senate as of this writing. ## FREQUENTLY ASKED QUESTIONS ### What is Dapat Isa Lang? Dapat Isa Lang (D1L) is a digital, citizen-led co-petition platform launched by the People’s Initiative Coalition Against Dynasty (PICAD) under the Dapat Isa Lang Movement on September 30. It lets Filipinos sign a People’s Initiative to pass an Anti-Political Dynasty Law. ### How many signatures are needed for a People’s Initiative in the Philippines? A People’s Initiative requires signatures from at least 10 percent of total registered voters, including three percent from every legislative district, as mandated by Article VI, Section 32 of the 1987 Constitution. PICAD Convenor Eirene Aguila said they aim to collect 7.5 million signatures nationwide. ### How do you sign the Dapat Isa Lang petition online? Co-petitioners need to first read the full text of the proposed Anti-Political Dynasty Act or watch its video summary. They then prepare three requirements: a signature, a selfie, and their registered voter location, before accessing the digital petition form. Signatories can also withdraw their support upon verification. ### Why hasn’t the Philippines passed an anti-political dynasty law? A 2026 Supreme Court briefing noted at least a hundred anti-political dynasty bills left unacted since 1987, pointing to a lack of interest, convenience, or self-interest. ### What is the status of the Anti-Political Dynasty Bill in the 21st Congress? The 21st Congress’ Anti-Political Dynasty Bill was approved in the House but remains pending in the Senate as of this writing. The Dapat Isa Lang People’s Initiative offers a parallel citizen route to enact the law directly. 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Some like pop rock band [Cup of Joe](https://rollingstonephilippines.com/tag/cup-of-joe/)’s [Gian Bernardino](https://rollingstonephilippines.com/tag/gian-bernardino/) kick it wide open with platform shoes, standing on the shoulders of those who left it ajar enough for new talent to break through. While he grew up singing Celine Dion and Mariah Carey power ballads to the delight of his parents, one OPM artist captivated his younger self onscreen: [KZ Tandingan](https://rollingstonephilippines.com/tag/kz-tandingan/), then a fixture of singing competitions until she got her big break on *The X Factor Philippines*. From covering songs and reimagining them in *Singer 2018*, Tandingan has since become a household name in R&B, soul, and hip-hop/rap with hits like “Mahal Ko o Mahal Ako” and “Palagi,” her collaboration with her husband TJ Monterde, which has over 150 million streams on Spotify. Still, to Bernardino, Tandingan is that girl in a floral dress and sneakers on TV, who inspired him to make off-kilter choices in his career. “Nung nakita kita, nung narinig ko ‘yung music mo, there’s this feeling of representation na never kong nakita before,” he says of seeing Tandingan on *X Factor*. Tandingan, now a seasoned act trying to set out on her own after going independent early this year, meanwhile, remembers the Cup of Joe lead vocalist as “her kid,” an endearment from back in 2018, when Bernardino was just a fan singing with her onstage at her first major solo concert at the SM Mall of Asia Arena. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/kz-tandingan-gian-bernardino-rolling-stone-philippines-intext1.webp) “Parang nakita ko ‘yung sarili ko sa ‘yo nung nagsisimula ako na parang I’d always go for the weirdest choices of outfits, makeup, ‘yung pinaka-unexpected na mga bagay,” Tandingan tells Bernardino. “Like, first impression ko sa ‘yo, ‘Okay. Alam niya kung sino siya. Alam niya ‘yung pinaglalaban niya.’” Sharing a stage once more on [Rolling Stone Philippines Musicians on Musicians](https://rollingstonephilippines.com/tag/musicians-on-musicians/), eight years after their first duet, the two talk about first impressions, breakthroughs, and the risks they took to get to where they are, from CoJ breaking out of Baguio to Tandingan deciding to go independent after a decade of being under a record label. —*Christian San Jose* *The following has been edited for clarity.* **KZ Tandingan:** Do you remember the first time we met, or the first time na nakilala mo si KZ the artist? **Gian Bernardino:** I think it was 2012. **Tandingan:** *X Factor*? **Bernardino:** Yes, 2012. Mahilig kasi akong manood ng TV as an OFW kid. Na-fi-feel ko lang ‘yung pagiging Pinoy ko sa TFC. Tapos ‘yun, nanunuod ako ng *X-Factor*. Tapos may isang babaeng naka-floral dress, umakyat sa stage na… **Tandingan:** Naka-sneakers. Na may kulot na hulas. Ilang taon ka nun? Eleven? Wow. **Bernardino:** Kasi lagi ko namang nasusubaybayan ‘yung mga singing contest. Kasi sila ‘yung mga next na aabangan sa *ASAP*. So nakita ko ‘yung audition. Tapos kinanta niya “Somewhere Over the Rainbow.” Tapos nag-rap pa siya. Sabi ko, “Wait, parang kakaiba ‘to ah.” Kasi ever since, nung kumakanta-kanta ako, feeling ko may something din na iba sa akin. Nung napanuod ko ‘tong babae na ‘to, I felt very inspired and motivated and represented. Tapos ‘yun, sinubaybayan na kita hanggang sa naging champion. Well, expected naman. **Tandingan:** Si OA naman ‘to? **Bernardino:** Totoo. And then, ayun, ever since, naging taga-subaybay na ako ng lahat ng mga videos mo sa YouTube. *Himig Handog*. “Scared to Death.” “Mahal Ko o Mahal Ako.” Kaya nung umuwi ako ng Pinas, nasaktuhan ko, 2018, first solo concert mo sa MOA. Talagang pinilit ko ‘yung mama ko na makapunta. VIP talaga kasi sabi ko, “Huwag na tayong celebrate ng birthday ko. ‘Yun na ‘yun.” Kasi sakto, July ‘yung birthday ko. Bago kami pumunta doon, gumawa ako ng sign kasi gusto ko talagang maka-duet ka. Tapos nakita mo ako sa Twitter. Tapos pagpunta ko doon, tinawag mo ako. 2018, eight years. **Tandingan:** Tapos hindi natin inakalang we would be here talking about music and you and your band. “When you decide to become part of this industry, it’s so easy to forget who you are, para lang masigurado mo na mag-se-stay ako.” KZ Tandingan **Bernardino:** Ikaw ba, kelan mo nalamang may Gian Bernardino aside from the concert? **Tandingan:** Well, familiar ako with Cup of Joe. Pero hindi ko alam na ‘yung bata palang ka-duet ko nung concert ko noong 2018 is part of that band. Tapos parang nalaman ko lang nung nag-Baguio kami. **Bernardino:** Oo. Dinala ko ‘yung sign. **Tandingan:** Correct. Tapos doon ko lang naalala. Tapos sabi mo, “That was me. This is the actual sign. I brought it today.” Tapos kasi naalala ko ‘yung bata. Pero hindi ikaw ‘yun. Iba ‘yun. Bata ‘yun eh. So parang sobrang kagulat. Grabe, antagal na pala nun. Grabe ‘yung paglipad ng banda niyo. Like, the first few videos I’ve watched ng mga performances niyo, like, literal, may mga baby teeth pa kayo. \[*Laughs*\] Tapos ‘yung mga damitan niyo noon… tapos ngayon, parang fast forward to nung na-meet kita for the first time. ‘Yun na ‘yung parang siguro mas naging intentional ako into diving into the CoJ music. Tapos ‘yun na, pina-follow ko na kayo. ‘Yung mga performances niyo, also Cozy Cove. I think, ‘yun na ‘yung pinaka nag-meet tayo ulit. Kasi from 2018, ‘yung Baguio meet-up natin, ano na ‘yun, parang mga 2022? 2023? I was there only as an assistant, makeup artist, and hairstylist for TJ. So, hindi ko alam kung paano mo nalaman na pupunta din ako. Sobra talagang pinagtugma ng tadhana na magkita tayo. **Bernardino:** Having said that, anong first impression mo sa akin as an artist? **Tandingan:** Nung sinabi mo na ikaw si Gian na ka-duet ko nung 2018 tapos napanood kita, nakita kita paano magdamit, parang na ganun ako, “Yeah. This is really my kid.” Parang nakita ko ‘yung sarili ko sa ‘yo nung nagsisimula ako na parang I’d always go for the weirdest choices of outfits, makeup, ‘yung pinaka-unexpected na mga bagay. Minsan kahit sobrang laki ng damit sa akin, if I like it, I’m gonna wear it, parang ganun. And I felt that vibe from you na alam mong as an artist, part ‘yung the way you present yourself, na alam mo na dapat nag-ta-translate sa nakikita ng tao kung ano ‘yung naririnig nila at ‘yung kung ano ‘yung nararamdaman nila sa ‘yo. So, ‘yun pa lang. Like, first impression ko sa ‘yo, like, “Okay. Alam niya kung sino siya. Alam niya ‘yung pinaglalaban niya.” Kasi, syempre, when you decide to become part of this industry, it’s so easy to forget who you are, para lang masigurado mo na mag-se-stay ako. Kasi people always tell you, “Oh, this is the formula. This is what works. If you want to stay in this industry, this formula has worked for decades.” So, kung gusto mong magkaroon ka ng malaking chance na mamayagpag ‘yung career mo, ito lang ang pwede mong gawin.” Hindi, hindi mo ginawa ‘yun. Hindi nyo ginawa ‘yun. And I think ikaw nga ata nag-influence sa buong banda mong mag-eyeliner kayo, ‘yung mga buhok na may kulay, or whatever. It’s so exciting and refreshing. Kasi hindi kayo natatakot mag-explore. **Bernardino:** Pero ‘yun nga, the term is refreshing. Nung nakita kita, nung narinig ko ‘yung music mo, there’s this feeling of representation na never kong nakita before. And parang naging delulu lang ako before na if ever I enter the industry, mapagbigyan ng universe or something, I’d also have that goal to somehow make younger artists see a glimpse of their faces sa akin. That’s what you did sa ‘kin. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/kz-tandingan-gian-bernardino-rolling-stone-philippines-intext2.webp) **Tandingan:** What made you fall in love with music? **Bernardino:** Feeling ko, medyo, ano siya, hereditary. Kasi ‘yung parents ko, basically — long story short — nag-meet sila dahil sa music kasi meron kaming small town sa Pangasinan, Villasis. Tapos parang rival orchestras sila doon. Tapos parehas silang bokalista nun. Dahil doon nag-meet sila, tapos nag-date sila, tapos ‘yun, nagka-anak sila. Kaming lima, buong family, kumakanta kami. Tapos parang ever since nung bata ako, pina-practice ako ng papa ko kas nakita niyang sumabay ako sa song ni Celine Dion nung two or three years old ako, “My Heart Will Go On.” Tapos parang sobrang na-inlove ako sa art of hindi lang singing, but performing. Pinapatungtong niya ako lagi sa table, ganyan. Maliit pa ako. Tapos parang na-enjoy ko siya. As early as three years old, na feel ko ‘yung sobrang nawawala ako sa mundo. Tapos parang na-i-immerse ko ‘yung sarili ko sa kanta. Merong feeling of parang peace. And dahil doon, doon na nag-start na ako ng music online. Tapos, parang doon lang din naman nag-start. Pinapakialaman ko ‘yung mga collection nila ng mga records. Nag-start, syempre, sa mga Celine Dion, ganyan. Mga Mariah Carey. Ang taas kasi ng boses ko noon. Tapos, pinaka na-inlove talaga ako sa tunog ng OPM. **Tandingan:** Ako, first time I realized I was falling in love with music, I think, parang, ikaw din eh. I don’t remember exactly anong age siguro, pero, sabi ng tatay ko, as early as mga three years old daw, ganun din. Kumakanta-kanta na ako, sumasabay-sabay na ako, tapos mag-pe-pretend ako palagi na nagbabasa ako ng lyrics, kahit hindi naman ako marunong magbasa. Tapos, kumakanta ako sa church, kumakanta ako sa barangay. ‘Yun ‘yung unang gig ko actually. Kumanta ako sa parang barangay meeting or something. Tapos binigyan lang nila kami ng pagkain and parang feeling ko like, I’m “it”! Pero, I think the first time na na-realize ko na “Okay, this is something that I wanna do for the rest of my life. I love how it makes me feel.” Parang nag-start siya muna with kung paano ko nakikita ‘yung tatay ko pag kinakantahan niya ‘yung mommy ko. Kasi ‘yung daddy ko, he loves singing so much. Hindi lang talaga siyang nagkaroon ng pagkakataon to pursue music because, of course, music, especially nung panahon nila, it was never considered a career that could feed your family. So, parang ‘yung pangarap niya na ‘yun na maging musician, nandyan lang. Parang hobby lang siya. “I could never pursue this.” But he would always sing to my mom, and I would see my mom’s reaction. Nakikita ko kung paano lumiliwanag ‘yung mata ng nanay ko. Nagniningning ‘yung mata ng nanay ko every time kumakanta ‘yung tatay ko. And I wanted to give that feeling. Every time na kumakanta ko, I would look for people, and I would just stare at them. “Is this making you feel seen?” Parang ganun. Gusto ko na pag nag-pe-perform ako, merong mga taong sumasaya. So, doon na nag-start na nag-pe-perform ako. Although, in the beginning, I was very scared. Takot nga akong kumanta with a live band. Gusto ko minus one lang. Parang ayoko nang may mga unexpected na mga ganap-ganap. But, ‘yun ata. It started with my dad and my mom. Nakuha ko ‘yun. Naramdaman ko ‘yung pag-ibig na ‘yun. And I think that love na na-plant sa puso ko, parang it grew. And it has now become what it is na parang it’s overflowing na gusto ko na lang palaging kumanta at kumanta kahit saan sa mundo. Na-miss ko tuloy ‘yung tatay ko. **Bernardino:** Ano ‘yung kino-consider mong breakthrough moment mo? **Tandingan:** Parang siguro mas more on breakthrough *moments* siguro. Parang merong three major breakthrough moments for me. Number one would be winning *X Factor* kasi I’ve auditioned for so many singing competitions in the past tapos pre-audition pa lang, I would always be rejected. Like, I’ve almost gotten used to being rejected nung time na nag-audition ako for *X Factor* na dapat hindi na ako mag-o-audition. ‘Yung audition ng *X Factor*, sakto siya sa I think one of our final exams nung college ako. So it was auditioning with 99 percent chance of rejection *and* also failing your subject. Or baka pumasa ka o may mangyari sa buhay mo. But it turned out to be one of the best decisions na ginawa ko sa buhay ko, that I never gave up on my dreams. Talagang nagbago ‘yung trajectory ng buhay ko. And that’s the first time that I finally felt like, “Okay, maybe music could be a career.” Number two would be joining another competition, *Singer 2018*. Kasi parang at that point, parang six years in na ako sa music industry and parang feeling ko, tapos na ako dun sa mga competition. That opportunity presented itself and nung simula ayoko kasi parang paano ko siya gagawin? Like I don’t wanna join another competition na alam ko namang puro birit-birit na naman ang mangyayari. I would never thrive in that environment because that’s not who I am. Pero nung sabi nila sa akin na the main goal of this competition is for you to rearrange songs so that the audience would appreciate it, parang when I was able to sing my rearrangements in China, I think that kind of cemented who I am as an artist, na aside from writing my originals, aside from interpreting songs written by other composers, strength ko ang mag-reimagine ng mga kanta. Like I love telling the same story from a different angle. Sobrang na-e-enjoy ko siyang gawin. So I think when I was able to perform like “Rolling in the Deep,” ‘yung Chinese na kanta, like all the arrangements we did, parang mas tinanggap ako ng tao na “Okay, KZ is not just an artist who keeps covering songs. KZ is an artist who is able to reimagine songs.” Parang ganun. Number three would be doing the “Palagi” collab with TJ kasi after nung *Singer*, parang akala ko from this point to nag-MOA Arena ako, like “wala na ‘to.” Parang nandun na ako sa I’m grateful kung nasaan ako sa industry na ‘to but I don’t think na meron pang mangyayari. But then again, syempre hindi natin alam kung may plano po ang Panginoon sa buhay natin. And dumating ‘yung “Palagi,” TJ asked me to collab with him. ‘Yun, ginawa namin siya. Parang nagkaroon ako ng panibagong buhay. “Well, may iba na namang nangyayari.” And as an artist, parang I was given another chance to perform more, to perform with my husband. Kaya ko siya na-consider ng breakthrough moment kasi that collab opened so many doors na never man lang bumukas sa akin sa more than 10 years ko in the industry. And I hope there are more breakthroughs coming. Ikaw? What are your breakthrough moments? **Bernardino:** By the way ‘yung Chinese song na ‘yun memorize ko ‘yun dahil sinubaybayan ko ‘yung performances. Sabi ko, “Oh my god.” Kasi parang idol ko rin si Jessie J. **Tandingan:** Alam mo, when they said it was a competition, sabi ko nga, “\[Ayoko ng\] competition. Hindi nga ako kontesera,” ganyan, ganyan. Sabi nila, “I heard there’s another international contestant.” So ang tawag nila sa amin “international contestant” kasi nga hindi from China. “There’s another international contestant and she’s from U.K.” Sabi ko, “Oh my God, oh my God, Jessie J ba ‘to?” Tapos hindi pa nila sinasabi. Pero sa utak ko talaga, I was hoping like, “Sana Jessie J.” So ang pangalan ng chat group namin, “Road to Meeting Jessie J.” I wasn’t even sure kung Jessie J ‘yung contestant. Tapos nung nilabas nila na Jessie J, okay, I’m gonna join this competition. Whatever it takes, I’m there. Ganun. Like, literal, ‘yun ‘yung nagpaano sa akin na sumali talaga para ma-meet ko si Jessie J. And I met her. **Bernardino:** Ako naman, iceberg lang siguro ‘yung breakthrough na “Multo.” Pero parang before sobrang liit ng mundo, sobrang dami parang kino-consider kong breakthrough. Una na dyan, syempre, ang first solo concert namin sa New Frontier Theater pa ‘yun. It was not that big, pero… **Tandingan:** No, it was big. **Bernardino:** Tapos ‘yun, parang sobrang sayang, sobrang rewarding sa feelings eh. Isa rin sa dahilan kung bakit nangyari ‘yun, ‘yung naging break sa song naming “Tingin” with Janine \[Teñoso\]. And ayun, parang from there, kami kasi sa band, we kept grounding each other and everything. “Dapat hindi tayo mag-expect ng achievements, breakthrough. Kasi we should remain sa core natin.” Sobrang naging unexpected na ‘yung mga nangyari after. Kasi gumawa kami ng full album na sobrang iba sa una. It turns out to be our biggest project ‘yun ‘yung *Silakbo*. For me, as of now, it’s my favorite breakthrough, aside from it being critically acclaimed… **Tandingan:** Commercially successful, excuse me. **Bernardino:** Parang dun ko din nabuhos ‘yung mga nasulat namin nung teenagers kami. It was a collection of our stories. Sobrang sarap sa feeling na maraming tao nakapag-receive ng body of work na ‘yun. Pero, ‘yun kasi, madaling na lang ‘yun ngayon kasi parang everything’s digital na eh. That being said, do you think it’s easier to have a breakthrough now sa industry compared to traditional days? **Tandingan:** I think yes and no. Yes, because dati kasi when you want to release a music, the only way for you is if you are signed with the label. E dati, parang hindi mo siya basta-basta na magagawa. That’s the only way na makakapag-release ka ng music. The only way for people to hear your music, ganyan. Ngayon, everything is digital. You don’t have to be under a label. You can be independent. You can even promote your own songs. Siyempre, iba naman ang machinery ng big label, of course. But, yes, breakthrough is possible kasi hindi mo naman masasabi talaga. A lot of independent artists have made it so far in their careers na hindi sila nangailangan ng big label. But at the same time, meron ding hirap because sobrang daming artists ngayon na nag-re-release ng music. So I think one way to really make a breakthrough and make yourself known as an artist is when you really produce music that’s authentic to you kasi that’s the only way na mag-sa-stand out ka. Kasi walang another Gian. Mag-isa ka lang. So parang siyang yes and no. Kasi pwede ka na mag-release ng music. But how do you do that when everybody else is able to do that too? How do you make yourself stand out para ‘yung breakthrough mo, hindi lang same ng breakthrough nilang lahat. Like how do you break through all the breakthroughs? ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/kz-tandingan-rolling-stone-philippines-intext2.webp) **Bernardino:** Kami naman, parang we entered the industry dun sa parang last era bago maging digital lahat. **Tandingan:** Correct. So may CD pa? **Bernardino:** Oo. So entering the industry, parang feeling namin sobrang important factor for a foundation ng record label. Pero feeling ko kasi ‘yung pag-achieve ng breakthrough ngayon, it’s a case to case basis. It depends on where you are standing in your life and in terms of experience, resources, ganyan. So, sa dami ng opportunities ngayon, sobrang daming doors na pwede mag-open for a lot of artists. And ang pinaka-challenge ngayon talaga is, ‘yun nga sabi mo, how do you sustain that? Para magkaroon ng breakthrough of all breakthroughs. Speaking of breakthroughs, this year you just announced na you went independent. I want to ask, ano ‘yung mga conversations and realizations na nangyari when you finally decided to be an independent artist? “Alam namin kung ano ‘yung negotiable at non-negotiable. So being in a record label, talagang meron kami mga vision na hindi matutuloy dahil sa technicalities. Pero we have learned to adapt with what we have.” Gian Bernardino **Tandingan:** Technically, I’ve been independent since last year. Pero I took my time para isipin like, “Do I sign with another label? Do I renew? Or do I try being an independent artist?” And one of the biggest factors why I decided to become independent is my conversation with my husband. Kasi si TJ din, he came from a big label and in the middle of the pandemic, he was asked if he wanted to renew or hindi. And if there’s one thing that we both learned in the pandemic, it’s that nothing is promised. Like, even tomorrow is not promised. You can plan for your entire life and pwedeng hindi mangyari lahat ng iyon. So sabi niya sa label niya na parang, “I’m grateful for the years that I’ve spent with you sa journey ko as a musician but I think gusto kong i-try ‘yung sarili ko namang path. Kasi kung hindi ko siya gagawin ngayon, kailan ko pa siya gagawin?” So, sobrang naging understanding ‘yung label niya. And then “Palagi” happened. So sabi niya, “Love, alam mo ‘yung natutunan natin sa pandemic?” Sabi ko oo. It taught us to take each day as it comes. And it also taught us na hindi lahat ng bagay sa future ay promised sa ‘yo. So, gawin mo na kung ano ‘yung hindi mo pa nagagawa ngayon para wala kang pagsisihan. And I’ve been with a big label for more than 10 years. And I’m very grateful for that part of my journey as an artist. Literal na I wouldn’t be where I am today if not for my previous label. Pero, ‘yun din, parang narealize ko din na, okay, after 10 years, baka pwede naman akong mag-try ng ibang bagay. Like, I wanna learn what it takes to release music from like, conceptualizing, writing, meetings, pitching, whatever, kung ano man yan. I wanna learn it. Kasi, syempre, iba ‘yun ‘pag mas alam mo na ‘yung mga nangyayari behind the scenes. Iba ‘yung passion, courage, and strength required para magawa ‘yan. I wanted to learn all those things and alam kong, hindi ko siyang magagawa if nasa label pa ako. And of course, syempre, may factor din dun ‘yung, I wanted complete freedom, artistically. So, ayun, I think okay naman siya. Parang it’s not an easy journey to be an independent artist. It definitely is not because I don’t have like the machinery of a big label. I don’t have connections. I only have myself and, of course, like a few people that I have with me, my husband, ganyan. Sobra kong nai-enjoy ‘yung process of learning kung paano bang lutuin ang isang kanta. Well, kayo naman din. Like, you work on your own things, ‘di ba? Creatively, parang kayo naman ‘yun talaga, ‘di ba? For sure. Pero medyo weakness ko siya, whenever it gets too business-y. Sometimes, it removes the fun for me. So, thankfully, meron akong person who works on that side for me. How much compromise is necessary when navigating the music industry? Like, hanggang saan nang kaya mong i-compromise as an artist? **Bernardino:** Ilang taon na ba ako sa industry? 8 years. Sa maikling oras na ‘yun, marami na rin akong natutunan. Maraming bagay na nagpamulat sa mga mata ko sa totoong nangyari, sa reality. Pero kasi siyempre, we were once dreamers lang na ang vision natin sa papasukan nating industry ay very ideal. So, definitely, frustrating nung first-hand mong ma-e-experience or malalaman na you can’t fully be free kung anong ilalabas mo. Pero alam naman ng management namin — mukhang nasanay na sila — meron kami pagka-rebellious, you know? Pero, parang natutunan naman namin na there’s a difference between compromising your art and compromising how you put out your art. So, parang namulat kami sa reality, sa industry na may mga limits in terms of logistics when it comes to pag-produce ng mga bagay-bagay. Kunwari budget, timeline, may mga sinusunod talaga. Pero I think ang natutunan lang namin maging matatag is ‘yung alam namin kung ano ‘yung negotiable at non-negotiable. So being in a record label, talagang meron kami mga vision na hindi matutuloy dahil sa technicalities. Pero we have learned to adapt with what we have, and kung ano ‘yung scope na pwede naming paglaruan. And, ayun, okay naman. Pero, at the end of the day, it’s really all about not compromising kung ano ‘yung pinaka-core ng art nyo. So, “Okay sige, kahit walang music video ‘to, basta mailabas namin in our own way kung paano namin kaya ‘yung gusto naming atake. And I think, that’s what’s important sa stage ng career namin. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/gian-bernardino-rolling-stone-philippines-intext2.webp) **Tandingan:** Parang mas more on, ang mas willing kayong i-compromise is what happens after the song is made. Parang ganun, “Sige po, the way natin siyang ibibenta, the way natin siyang i-present sa mga tao, sige, willing kami dyan. But whatever happens within the song, how we write the song, how we produce the song, that’s us.” Tapos, you were clear from the very beginning? **Bernardino:** Yes, we were clear from the very beginning. I think, if tama ‘yung memory ko, during our first meeting, siyempre, parang I think, normalized naman sa mga industry talagang mag-se-set ng rules for the artists with how they present themselves. Pero, ewan ko e, parang ever since nagsimula ako, meron na talaga akong… Hindi, parang kulang ng representation sa industry. We want to be this breath of fresh air na na-e-envision namin. Pero kung ano man sabihin niyo sa amin, sige we’ll work around that. **Tandingan:** So in terms of the way you guys style yourself, kasi very unique. Walang ibang band na ganyan din ngayon. All of you are guys, comfortable wearing makeup, may kulay-kulay sa buhok, ganyan. And that’s something na lalong-lalo na nung dati, parang konting makeup lang sa lalaki. “Ano ‘yun? ‘Di cool yan,” ganyan-ganyan. **Bernardino:** Lalo na boyband kami. **Tandingan:** With your label, the first time you guys decided, “Okay, this this is our branding,” did they push back or, “Okay, we love this idea. Let’s roll with it.” **Bernardino:** There were comments, siyempre, kasi when they signed us, high school pa lang kami noon e. So, ang initial nilang nakita, ang initial nilang vision for us, ‘yung boy next door boy band. Pero hindi nila alam pinalaki ako ni Sarah Geronimo at KZ Tandingan. \[*Laughs*\] Sorry, boss. Parang ganun na lang. May mga naririnig kami, pero hindi kami nagpatinag. I mean, gets naman, that’s their job as superiors. They just want what’s best for us. Pero thankful naman ako na hindi nila tinake away sa amin ‘yung we know what we want. And ayun, parang thankful din ako na nabigyan kami ng chance to do what we want. Kasi parang kami din naman ‘yung mag-fe-face ng consequences if ever hindi nag-translate sa audience ‘yung nagawa namin. Pero thankfully, nag-click siya kasi every time na na meron kaming gig sa susunod, ‘yung audience namin naka-face gems na rin. **Tandingan:** Like the fact na nag-te-trending ‘yung ‘pag may red hair si Gian Bernardino… **Bernardino:** Yes. Tapos nagkaroon kami ng makeup brand. Tapos I can see kids going to the event. Tapos talagang cheering, tapos kumuha ng makeup. And they’re not all girls. Meron ‘yung young boy. And ayun, parang for me, it’s groundbreaking. And parang nag-re-reflect ako na if I didn’t take the risk of fighting for how I want, what we want to be, how we represent ourselves, hindi mangyayare ‘to. Who’s going to represent those kids? Parang ang hirap itawid sa next topic. Pero ‘yun nga nagugulat din talaga ako every time na meron akong nakikitang cover mo. Sabi ko, “Ayun pala ‘yung kantang ‘yun!” **Tandingan:** Pag nangailangan ng pera, magagawa mo naman. \[*Laughs*\] “There are certain expectations na parang minsan pakiramdam mo, if I write my own song, if I write my songs, sana kasing successful din sila ng mga kantang na re-imagine ko.” KZ Tandingan **Bernardino:** Ito ‘yung napansin ko sa ‘yo. You’ve become known kasi as someone — ‘yung sabi mo kanina — na nakaka-reimagine ka ng song. That’s your master power. And you make it very successful. Dumating ba ‘yung time na parang bumaba ba ‘yung confidence when it comes to releasing music na ikaw ‘yung mismong kumanta? **Tandingan:** Yes. Kasi the reimagining thing happened because nagkaroon ako ng problema sa vocal cords and so, hindi ko na kayang kantahin ‘yung mga kanta na mga kinakanta natin, mga Celine Dion, Whitney Houston, mga ganyan. Hindi ko na sila kayang kantahin the way they’re supposed to be performed. And so, I almost quit singing, pero I discovered na pwede ko naman palang i-re-imagine ‘yung mga kanta. So, since high school, ganun ako. I love re-imagining songs. I write on the side. I write sometimes. Pero mas nag-re-reimagine ako ng mga kanta. Tapos, fast forward to like ngayon, after winning *X Factor*, I was blessed to be able to interpret songs na sulat naman ng iba mga artists, na mga na-release na for like mga movies, mga ganyan-ganyan. And some of them have became commercially successful, ganyan. So, there are certain expectations na parang minsan pakiramdam mo, if I write my own song, if I write my songs, sana kasing successful din sila ng mga kantang na re-imagine ko. Parang ganun. So for a time, I think, I wasn’t confident in my songwriting only because I was scared that it wasn’t gonna be received as well as ‘yung mga reimagined or mga reinterpreted ko ng mga kanta. But papasok ulit dito ‘yung asawa ko na si TJ talaga ‘yung nag-encourage sa ‘kin after I became an independent artist na mag-release ako ng mga kanta. Kasi analysis paralysis talaga. Most of the time, I overthink about the songs I write. And ang ending, nawawala na ‘yung joy in the songwriting. So, hindi ko na naman siya tinutuloy kasi feeling ko, ay, corny. Ay, hindi maganda. Hindi ganito, hindi ganyan. Most of the time, I become too critical of the songwriting. Tapos si TJ ‘yung nagsabi sa akin, “Love, i-release mo ‘yung mga kanta mo because a bad song is always better than a good song you never wrote.” Oo nga ‘no? ‘Pag masyado kong in-overthink, ang ending wala ‘kong na-re-release. Eh, kahit sabihin nating corny ‘yung kantang ‘yun, or feeling ko hindi siya technically as amazing as I’d want it to be, parang ikaw ‘yun eh. ‘Yun ‘yung nararamdaman mo nung moment na ‘yun. Nung moment na ‘yun, that was your truth. That is your truth. So sabi niya, “Release mo kasi definitely another person is gonna recognize themselves in your story through that song.” And so, to answer the question, yes. I’m not as confident as the KZ who reimagined songs. Pero, I’m working on it. Kasi, syempre, you don’t become confident overnight. You become confident when you keep on doing something. With practice, like, as performers, ‘di ba? Like, ‘di naman tayo nagsimula na confident tayo as performers. But we became confident or at least we’ve become confident in pretending to be confident. Like me. Magaling akong mag-pretend na confident ako on stage. Because we’ve had so many chances to do it on stage. ‘Yun na lang ginagawa ko ngayon. Hindi ako kasing bilis niyo ni TJ magsulat, but I always force myself to try and write something whenever I can para lang mas maging confident ako. And to also stop comparing my songwriting to other songwriters. Kasi hindi ko pwedeng i-compare ‘yung baby songwriting ko sa songwriting ng mga greats. That would be the end of me. **Bernardino:** And thanks for releasing ‘yung mga sinusulat mo. Kasi every time na nakikita ko, grabe ‘yung story behind ‘yung mga latest mong releases about sa system. **Tandingan:** Yeah, definitely. Merong mga kanta na iba ang pinanggagalingan. Malalim ang pinanggagalingan. Go continue, sorry. Interrupt kita. Sorry, sorry. **Bernardino:** Nagpapasalamat din ako kay Kuya TJ na pinush ka nya kasi grabe ‘yung mga kwento ng mga ni-re-release mo. Like, Hindi mo lang alam pero there’s a certain community waiting for those songs na they won’t feel seen, heard, ‘pag di mo nilabas ‘yun. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/gian-bernardino-rolling-stone-philippines-intext1.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/kz-tandingan-rolling-stone-philippines-intext1.webp) **Tandingan:** Kayo ba? How did you find the confidence? Kasi syempre, kayo ‘yung lumapit sa label, ‘di ba? Tama ba? **Bernardino:** Sila. **Tandingan:** Sila ‘yung lumapit sa inyo. Tapos, where did you find the confidence na “Ito ‘yung mga originals namin.” Like, were you that confident from the very beginning? Like, “Alam namin ‘yung mga kanta namin. Hits ‘to.” **Bernardino:** Well, as teenagers, may ganun na wishful thinking. Na parang medyo nalakasan din kami ng loob kasi nung nag-release kami ng first two songs namin independently. And talagang naghanap kami ng mga pwedeng mag-ambag para lang makapag-release kami. Kasi ang gusto lang namin, parang remembrance siya bago kami gumraduate ng senior high school. And then magkakanya-kanya na kami. And then, nung pine-perform-perform namin siya sa school, parang Buwan ng Wika, Students’ Day, ganyan, nagugustuhan ng school. So, nung ni-release namin, medyo nagkaroon siya ng konting noise online. At least sa Baguio. Kumalat siya sa Baguio, tapos nakarating sa probinsya namin. Tapos bigla siya nang pasok sa, alam mo ‘yung mga editorial playlists sa Spotify? So, ‘yun, parang medyo nabuhay. “Uy, baka baka likable naman pala ‘yung mga song natin?” So, nung nakita namin nag-email ‘yung record label na, g kami agad. Parang ever since na-practice na namin ‘yung pagiging mapilit sa higher ups kasi kinonvince namin ‘yung mga school admin na payagan kaming absent sa klase para sa meeting and supportive naman sila. Pinag-mi-meeting nila kami sa library gamit ‘yung WiFi na hindi accessible sa students. \[*Laughs*\] Tapos ‘yun, sabi namin, “May dalawa po kaming kanta, eto po ‘yun.” Tapos ‘yung mga sumunod na kanta, meron din silang mga comments kasi parang gusto namin kasi parang every release nagbabago nang konti e. So meron silang, syempre, mga sinasabi na, “Okay, but what if ‘yung katunog na lang nito kasi ito ‘yung nag-viral?” Pero ‘yun eh, parang gusto naming sumugal. **Tandingan:** You love reinventing yourselves every single time. **Bernardino:** Tapos ayun, nung na-release ‘yung una naming EP, ‘yung *Patutunguhan*. ‘Yung andun ‘yung “Tingin,” “Estranghero.” Medyo iniba kasi namin ito. And then, ‘yun na ‘yung time na nag-rebrand na rin kami physically. May face gems, eyeshadow. **Tandingan:** Hindi ka na naka-hoodie sa loob ng jacket. **Bernardino:** Hindi na ako naka-tracksuit \[*Laughs*\] **Tandingan:** Hindi na nag-ta-transition ‘yung boses ni Gian doon. **Bernardino:** Hindi na. Bibinata na kasi ako. In terms of the songwriting, medyo may confidence na kami doon. Pero during that time, sa performing ako, mababa ‘yung confidence. Kasi — side note lang — ‘yung first experience ko sa Araneta Coliseum is music awards siya ng radio station tapos pumiyok ako. Tapos pinag-tripan ako sa school dahil doon. So parang, siguro mga two years buffer na hindi ako masyadong confident mag-perform. Pero ‘yun, ginive ko naman sa sarili ko kasi hindi pa fully developed ‘yung lalamunan ko. **Tandingan:** Tsaka first time mo, excuse me. **Bernardino:** First time ko ‘yun, wala kaming mga gamit. Tapos wala kaming naririnig. **Tandingan:** Tsaka it happens to everybody. Nangyayari ‘yun sa lahat. Suwerte ka lang nangyari sa ‘yo sa simula. ‘Yung iba nangyayari sa kanila kung kailan namamayagpag. So it’s okay. Don’t be hard on yourself. Sila nga… Makapang-away naman sila sa iyo. Hindi naman sila nag-perform sa Araneta. Kayo kaya pumiyok sa Araneta? **Bernardino:** Nang-away! “You should really see it as a business as well, not just as something na parang genie in a bottle na to make your wishes come true.” Gian Bernardino **Tandingan:** Okay, ito. What are the biggest lessons you’ve learned when you became part of the music industry? **Bernardino:** One of the hardest lessons na natutuhan ko entering the Philippine music industry is that, bago ka talaga mag-commit sa industriya, kailangan mo munang ma-equip ‘yung sarili mo with proper knowledge, sa technicalities and legalities. Kasi ako, sa personal experience, 17 years old ako na pumasok. And ayun, as a kid, meron akong childlike enthusiasm, childlike passion. So, as in ‘yung eye ko lang nasa to make it big, to share my music to the world. So, once an opportunity arises, grab. **Tandingan:** Correct. Hindi mo natin anong, anong, anong pong kapalit? **Bernardino:** Grab ko ‘yan, grab ko ‘to. Parang, ‘yun ‘yung talagang… ‘yung kumatok sa utak ko na kaya nga siya, ano eh, business. Music business. You should really see it as a business as well, not just as something na parang genie in a bottle na to make your wishes come true. And ayun, another thing is that not everyone in the industry is your friend or kaya genuinely there for you, genuinely happy for you. Kailangan mo rin maging careful sa mga sinusurround mo sa sarili. Ikaw ba? **Tandingan:** Biggest lessons? ‘Yun din eh. Well, it’s possible now because of technology, social media, na madami na tayong pwedeng mag-post about it, ganyan. But I think it’s really important for artists to equip themselves pagdating sa pagpasok sa mga kontrata. Kasi ‘pag sinignan mo na ‘yan, like out of excitement, tapos hindi mo siya na-check, there might be things that you might regret in the end na pwede mo sanang na-negotiate with the label kung talagang naiintindihan mo kung ano ‘yung mga nakalagay dun sa kontrata. Find someone who can explain it to you. Explain kung ano ba ‘yung nire-require nung pagiging part ng label na hindi lang siya talaga nag-i-end dun sa ‘pag may label ka na, “Okay, makakapag-release na ako ng music.” No, you also have responsibilities kasi they’re investing in you. So, syempre meron silang mga gustong mangyari din. Number two would be to make sure na kung ano man ‘yung mga kinikita mo, as an artist, you have to be wise kung saan mo siya nilalagay. Kahit sabihin mong ikaw ngayon ang pinakamalaking artist, number one ka sa Spotify, number one ka sa lahat ng mga music streaming platforms worldwide. Because sobrang fast-paced na ng music industry. Like pinag-usapan natin kanina, so many artists are getting their breakthroughs. So hindi ka naman palaging nasa taas eh. And it’s easier for you to not have the same effect kasi madaming mga mas bago ang dumadating. Minsan kasi parang na-overwhelm tayo kasi parang, “Oh, ang laki na ng TF ko ngayon as an artist. Laki na na kinikita ko sa rights ng music ko.” So, minsan nakakalimutan natin maging wise and i-remind ‘yung sarili natin na, “Okay, this is not something permanent.” Kasi ang daming mga artists na sobrang laki ng mga careers nila dati. Laki ng kinikita nila. Laki ng na-re-receive nila. And then, nung humupa na ‘yung hype, humupa na ‘yung ingay, biglang wala na. And also ‘yung mga sinabi mo kanina. Very important to surround yourself with people who genuinely want you to succeed in life. **Bernardino:** Nagkakaroon ng mga discussion about Filipino musicians owning their own music. What do you think makes it so difficult for us musicians or even mga bago to achieve long-term ownership of their song? **Tandingan:** I think it all goes back to not being well-informed dun sa pinipirmahan mong kontrata. Although ngayon, I think because of what happened with Taylor Swift, like kunwari nga si Ate Yeng \[Constantino\] — ibang case naman ‘yung kay Ate Yeng — but now, she also owns her masters. I think you really have to be open to your label. Kung ano ‘yung gusto mo sa music mo. Kasi I think if they really see potential in you and they really value you as an artist, then I think they’d be willing to negotiate. Kung saan ba kayo pwedeng mag-meet? Ano bang pwede mong ibigay at anong pwede nilang ibigay? Kasi definitely hindi naman pwedeng ikaw lang panalo because they’re investing in you. And hindi din pwedeng sila lang ang panalo kasi ikaw ‘yun eh. Literal na, they wouldn’t have any song to release, promote, use in whatever shape or form nila gusto if hindi mo binuo ‘yun. So, ‘yun. I think that’s what makes it hard, ‘yung hindi tayo equipped. Pero feeling ko there’s a better person to explain this because from my point of view, wala pa ako ganun kadaming kanta na parang sobrang gusto ko nang makuha ‘yung ownership ng kanta. I’m blessed that the songs I’ve written, na itong ngayon na na season ng life ko, I’ve released them when I became independent. So I own them 100 percent. And that’s a blessing, that’s a privilege. But for artists, babalik at babalik lang dun eh. Before you go into an agreement with a big label, make sure that you know everything, you’re able to understand everything. Kung hindi mo maintindihan, then ask someone who can to explain it to you. To deconstruct, reconstruct everything hanggang sa mag-gets mo. It’s your music, your art is a representation of you. At ‘pag hindi mo naiintindihan kung ano ‘yung pinipirmahan mo, hindi mo na namamalayan na… Parang some labels own the masters ng perpetual ata. Meron ding iba parang after. 10, 15 years. Parang ganun. So you really have to make sure kasi as artists, kahit na sabihin mong two years, five years lang yan, ang dami pwede mangyari sa kanta mo. So you have to make sure na naiintindihan mo kung ano ‘yung pinapasok mo. And also, I think it’s a two-way responsibility na pwedeng ‘yung big labels could exert more effort in informing artists na alam nilang kakapasok pa lang sa industry. Like, malalaman naman nila ‘yan eh ‘pag this is a newbie. Gusto niya lang mag-release ng music. I know artists would appreciate ‘pag talagang in-explain nyo sa kanila na ganito siya, ito ‘yun. Para hindi ka magulat. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/kz-tandingan-gian-bernardino-rolling-stone-philippines-intext3.webp) **Bernardino:** Pero ‘yun, graduate ka na sa record labels. So I wanna ask, ano sa tingin mo ‘yung mga biggest misconceptions about you being an independent artist? **Tandingan:** That it’s gonna be easier. Siguro easier in some aspects, but sa totoong buhay, sobrang ma-mi-miss mo ‘yung kunwari, if you were able to exhaust all the machinery na kayang ibigay sa ‘yo ng big record label, tapos bigla kang nag-independent, bigla mo ma-mi-miss lahat ‘yun. Kasi dati pagkatapos kong makabuo, pagkatapos namin siyang ma-record and everything, ‘pag pinresent na namin siya, there’s a long table of people na merong mga kanya-kanyang assignment na. Ngayon, independent artist na ako, parang, I have other people who are working for me to make my life a little bit easier pero most of the things na dati pinapasa na namin at dine-delegate na namin sa iba, ngayon, ako na ‘yung gumagawa. So, as KZ the artist, it’s easier, I think. Kasi parang lahat ng gusto kong i-release, pwede kong i-release. Lahat ng gusto kong ka-collab, pwede kong ka-collab kasi wala akong poproblemahin sa kontrata, walang malalaking labels na kailangang may agreement na madami pang dadaan ng tao. But as KZ the label, hindi siya madali. Tsaka kung naihirapan ako na I’ve been in the industry for almost 15 years, paano pa ‘yung mga artists who are just starting na independent artists? It’s really gonna require you to work. But, ‘pag nangyari naman na meron kang kanta na biniyayaan ng Diyos ng perfect timing at perfect audience, uulan ng madaming blessings. Ikaw naman ang mag-ri-reap ng lahat ng ‘yon. Ikaw ang aani ng lahat ng ‘yon. Bilang ano, bilang sabi mo kasi kanina — pati ako actually, feeling ko nandun tayo sa cusp ng ‘yung sumi-CD-CD pa, ‘yung parang ‘pag nagka-count ng diamond record award, mga ganun… Naabutan mo ba ‘yung nag-mo-mall tour tapos magbebenta ka ng CDs na i-sa-sign? **Bernardino:** Nasa Qatar pa ako nun. **Tandingan:** So naabutan ko pa ‘yun na magbebenta ka ng CDs. Tapos people would line up, buy your CD, and then meet and greet i-sa-sign mo ‘yung CD. Tapos nag-transition to like streaming, nagka-YouTube. Talagang naging mas digital. Kasi like it’s literally in their phones. Like hindi na kailangan pumila ‘yung mga tao kung saan-saan. Pwede na nilang marinig ‘yung music mo. Paano nabago ng social media, ng technology in general, kung paano nyo naaabot ‘yung mga audiences nyo? **Bernardino:** Ako in a Gen Z perspective. Pero feeling ko, parang compared noon, there’s this, ano ba, ibang level of spirit of connection ngayon na we get to be connected online with our fans. So parang kami naman, ang naging approach namin towards our Joewahs, parang it’s more on a personal level na meron din dun ‘yung thinking na ma-break ‘yung parang ‘yung “idol treatment.” **Tandingan:** Parang masyado kayong unreachable? **Bernardino:** Oo, ganun. Mas parang nabago in a way na mas naging relatable. Parang mas naging totoong tao. Parang mas napakita namin kung gaano kami ka-same with the people na nakakakita sa amin sa social media. And parang ang pinaka-thankful ako na part, kasi sa social media and sa digital platforms, napapakita natin sa kanila kung ano ‘yung dapat nilang ma-look forward in person. Kaya feeling ko kaya sobrang lakas ng concert scene kasi we got to promote kung ano ‘yung kaya nating i-present in terms of our musicality. Na parang maeengganyo silang ma-witness in the real world. Kasi parang, ‘yun nga, dahil nga nasa digital world na rin tayo ngayon, parang sobrang nakaka-drain rin siya in some aspect to the point na, “Ah, gusto kong maging tao, gusto kong mag-feel ‘yung music, ‘yung mabuhay sa music nitong artist na ‘to in person.” Kaya parang feeling ko makaka-four days kayo sa Araneta. Pero may ganun siyang aspect. Those are the things na alam mo ‘yung kaya mong ipatikim online. “Sobrang nararamdaman ko as an audience ‘yung gusto niyong iparating: na parang kaibigan niyo kami, na beyond the comfort of the music na ni-ri-release namin, na you also find comfort in knowing na okay, ‘yung mga taong pinapakinggan ko, tao din sila.” KZ Tandingan **Tandingan:** Alam mo, isa sa mga bagay na sobra akong natutuwa sa ‘yo na pagdating sa social media mo, especially sa TikTok mo, hindi ikaw ‘yung ano, like for other artists, especially mga artists na siguro mga ka-batch ko or older, takot silang maging tao sa social media. Parang ang daming artists who always want everything on social media to be curated. Pero ikaw, hindi. Kung kino-curate mo siya, kino-curate mo siyang mukha kang siraulo and I love it. It makes me love you even more. Kasi hindi ka natatakot na… May isang video ka na tawang-tawa ko na nag-tu-tour kayo. Parang siya nag-get ready with me. Suot siya ng top, ng sombrero, nag-sunglasses. Tapos parang gumanon lang siya sa camera na okay, tapos na ‘yung get ready. ‘Pag alis niya, naka-brip lang siya. **Bernardino:** Sa Canada ‘yun. \[*Laughs*\] **Tandingan:** Oo, na parang kunwari nakalimutan niya ‘yung salawal niya. Like, those are things na someone who is considered PR-trained, hindi gagawin. So, sobra siyang refreshing na si Gian, hindi siya natatakot, magmukhang ewan. “Ganito ako eh, ito ‘yung nararamdaman ko today eh.” Like, sobra siyang nakakatuwa kasi tama ka sa sabi mo: If ‘yun ‘yung goal nyo na for people to feel that you guys are their friends and not just people that they look up to, ‘yung parang feeling nila, “Check ko nga si Gian. Gusto ko lang matawa.” Parang ‘yung feeling nila para ka nilang barkada. Talagang na-achieve nyo ‘yun. Kasi kahit ako, parang gusto ko lang makanuod ng siraulo today, pupunta ako sa TikTok ni Gian. **Bernardino:** Ikaw din naman. Lagi mong pinagtitripan ‘yung asawa mo. \[*Laughs*\] **Tandingan:** Oo, wala na nga siyang magawa sa buhay niya. Pero gusto niyang meron siyang TikTok pero ayaw niyang gumagawa. Nabubwisit ako pag nag-TikTok kami tapos nagpapa-cute siya. “Hindi gumagana ‘yan. Alam kong nagpapa-cute ka.” Tapos natatawa siya sa akin. But ikaw, sobrang nararamdaman ko as an audience ‘yung gusto niyong iparating. Na gusto naming maramdaman niyo na parang kaibigan niyo kami. Na beyond the comfort of the music na ni-ri-release namin, na you also find comfort in knowing na okay, ‘yung mga taong pinapakinggan ko, tao din sila. That they experience life as I experience it, too. **Bernardino:** Kinigilig naman ako. Na-sa-starstruck pa rin ako.\[*Laughs*\] **Tandingan:** Pero ‘yun, as in ‘yung hindi ka natatakot na maging ikaw. “Eto ako eh, bakit ba?” **Bernardino:** Pero nakikita ko din ‘yun sa iyo eh. I mean, parang nung napanood kita for the first time ever, sobrang fearless mo when it comes to performing to the point na wala ka nang paki sa mukha mo. **Tandingan:** Uy, kasi in the beginning I tried to fit in. ‘Pag binalikan niyo po ‘yung mga videos and photos ko, sa early years ng aking career, I tried so hard to fit in. Also because I was told to. Naka-gown, big hair ako tapos bigla akong sisipa, para mag-rap. Parang tanga. So, whenever I perform, lalo na ng early years, parang I would always be conscious. Prim and proper, whatever. Pero hindi eh. If it’s not authentic, it’s not sustainable. So, grateful na lang din talaga ako kasi when I became part of Cornerstone, ‘yung management ko ngayon, ‘yun talaga ‘yung unang-unang sinabi ni Sir Erickson \[Raymundo\] sa akin, “Hindi naman ikaw ‘yan eh.” So, nung nararamdaman ko na na okay, nakikita ko na kung sino si KZ nung ginupitan ‘yung buhok ko, ‘yung damit ko. “Okay, this is me.” I think, na-re-recognize ko na ulit ‘yung sarili ko. I think doon ako mas nagkaroon ng stronger connection to the other world, which is music. So, whenever I perform, like sabi mo kanina in the beginning, I just get lost in the music and sometimes I forget I’m surrounded by people watching me. Kaya hindi ko na nakikita na minsan nakatalikod na nga ako eh. Or minsan ‘yung mukha ko nakakulubot na or ganyan. Like I really don’t care what I look like when I’m performing, how my face looks like when I’m performing. If ‘yun ‘yung dinidikta ng katawan ko ‘pag nararamdaman ko ‘yung kanta, so be it. That’s who I am. That’s how I tell my story. Ganun din kayo. **Bernardino:** Oo, sabi nila, “Hindi ka ba naki-cringe sa sarili mo?” Hindi. ‘Yung na-fi-feel ko parang lumulutang ‘yung kaluluwa ko. **Tandingan:** ‘Di ba, isang pitik lang, the most iconic choreography of the year. **Bernardino:** ‘Yun din ang aking goal sa sarili ko na someday, makaka-face-to-face ko rin ang isang taong pinalaki ko. Hindi naman literal. Pero parang alam mo ‘yung malalaman na inspire siya sa ‘yo. Parang gusto ko rin makamit someday in the future sa 30s ko, 40s, na younger artist na in some way na inspire sa akin. **Tandingan:** And you definitely will. Tsaka ma-mi-meet mo na sila kahit ngayon pa lang. Definitely, meron at merong taong lalapit sa ‘yo. “Gee, alam mo, mas naging confident akong i-embrace ‘yung kung sino ako as an artist because of you.” Meron lang mga hindi pa nila nasasabi sa ‘yo in person. Pero definitely, meron at merong mga taong na na-i-inspire sa ‘yo. Artists na na-i-inspire sa ‘yo. **Bernardino:** Pero ikaw naman, ano naman ‘yung gusto mong ma-witness sa future ng OPM industry? **Tandingan:** Sana mas madami pang artists ang hindi matakot mag-explore, hindi matakot ipakita ‘yung tunay na sila. Kasi I’m really happy with what’s going on with the music industry right now na parang artists like kayo ‘yung mga bagets, you’re not afraid to experiment. You’re not afraid to try new things. Like sabi mo kanina, every time you release music, you always try to reinvent yourselves. And ‘yun, sana hindi siya mawala na trait sa mga susunod na generation na huwag kayong matakot to try new things, to just be who you are and who you want to be. Kasi ‘yun ‘yung magsisemento ng kung sino ka eh. As an artist, that will actually be your legacy. ‘Yung, ‘yun ‘yung kunwari, like kayo, ang Cup of Joe, part na ng legacy nyo ‘yun eh. ‘Yung music nyo, kung paano nyo pinaglaban ‘yung kung ano kayo, ‘yung mga pinapaniwalaan ninyo. Tsaka, sana, ‘yung mga kababayan natin, mas mahalin pa nila ‘yung OPM. And I actually feel that right now, na ngayon sa charts, mas madaming OPM, ‘yung mga concerts natin ngayon. Like may mga artists na sold out like in two hours, nagkaka-day two, day three, day four, like ganun kagrabe ‘yung excitement to support OPM artists. Dati hindi ganun eh, ‘di ba? Masabi mo nga lang na nag-concert ka ng Araneta, kahit hindi sold out, iba na ‘yun eh. But for other artists na ngayon, like kayo, concert kayo, naka-ilang Araneta kayo, stadium pa kayo, magko-concert pa kayo ulit. Grabe, ‘di ba? Grabe ‘yung support ‘yun eh. So sana, sana maipagpatuloy ‘yun ng mga artists in the future. Sana maipagpatuloy din ‘yun ng mga kababayan natin. Keep supporting OPM. If you’re willing to support international artists, sana maging supportive din tayo sa mga OPM artists. Ano pa ba? Ang dami kong pangarap eh. Ang dami kong pangarap para sa music industry. Not only for myself. **Bernardino:** We share the same dream. **Tandingan and Bernardino:** \[*Sings*\] “Sa isang pangarap.” \[*Laughs*\] **Bernardino:** Ang pangarap ko naman, parang kailangan din talaga natin talaga ngayon ng mas marami pang artist who could be fearless when it comes to, first, sa mga sinusulat nila, sa kung paano nila i-present ‘yung sarili nila, sa mga goals nila. It’s really all about intention. Like, I hope the future generation of OPM artists will become more intentional sa platform nila. Like, I hope every OPM artist knows kung gaano ka-powerful ang platform na meron sila and how much their voice matters lalo sa state ng mundo, ng bansa ngayon. Kasi ‘yung music natin hindi lang siya nakakapag-bring together ng community who share the same music taste but who share the same mindset. I really see music as something that’s very powerful enough to bring a whole community. And ‘pag na-realize ng isang artist kung gaano ka-powerful ng platform, great things can happen. And kung meron mang aspiring artists na nakikinig sa atin, sana ‘yun ang isa-puso at isa-isip. Ngayon ko na-confront ‘yung thought processes na dapat na-confront ko prior to entering the industry. Siguro, ang pinaka-takeaway ko dito, lalung-lalo na sa — para rin sa mga nakikinig — bago niyo i-pursue ‘yung industry, dapat alamin niyo ‘yung responsibility. You should look at it not just sa ideal aspect niya, kundi sa real aspect Kumbaga, you should look at it as a whole, not just as something na platform para matupad ‘yung pangarap mo, pero as a business as well. Kasi, sobrang ideal nga naman matupad ‘yung mga pangarap ko as a rock star pero reality is meron ding business side of it .And as early as now, kung teenager ka pa man din, pagtiyagaan mo lang na basahin lahat. Wala naman akong pinagsisisihan ngayon. I just learned to adapt. Wala akong regrets. Parang lahat ng nangyari sa akin, I think it’s what made me who I am today. Sana maka-inspire ako ng younger, aspiring artists. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/10/kz-tandingan-gian-bernardino-rolling-stone-philippines-intext4.webp) **Tandingan:** Tsaka ‘yung mga bagay na hindi mo nagawa dati, now that you’re talking about it, sharing about it, other artists or future artists are going to learn from you. Ako, take away ko, kasi kanina parang we heavily discussed about what it’s like being an independent artist or what it’s like being part of a big label. I think it just boils down to what works for you as an artist. Ano ba ‘yung gumagana sa ‘yo? Kasi syempre, again, sabi ko nga, if you’re under a label, parang you don’t have complete artistic freedom. Reason being is, you’re part of a company na siyempre mag-invest sila sa ‘yo eh. So they have goals and expectations. So kung willing kang ibigay ‘yun, willing kang mag-compromise sa side na ‘yun, then being in a label could work for you. Kasi makukuha mo naman ‘yung machinery nila, makukuha mo lahat ng mga bagay na hindi nakukuha ng isang independent artist. If you wanna have complete freedom, release anything that you wanna release, then be an independent artist — ‘yun nga lang, wala ‘yung mga bagay na meron ang big labels. Walang madaming taong tutulong sa ‘yo, walang connections, walang resources. But at the end of the day, if you’re able to release a song, whether you’re an independent artist or someone who’s part of a big label, wala namang pakialam ang tao na nakikinig eh. If it’s a good song, it’s a good song. It doesn’t matter if you’re an independent artist or galing ka sa malaking kumpanya as long as it makes people feel seen, appreciated, or as long as they feel like they just want to have a good time and your song is helping them feel that, I think it’s a win for all of us. It’s not a matter of ano ba dapat; it’s just ano ba ang bagay sa ‘yo, ano ba ang mag-wo-work for you. And okay lang ‘yun, walang dapat maglaban-laban kasi at the end of the day, we’re all in one big industry. And ‘yun ang mga purpose natin to just be vessels of the soundtrack of the lives of the people. A rising tide lifts all boats. So, huwag po tayong maglaban-laban ‘pag umangat ang industriya, aangat tayong lahat. So, thank you, Gian. First time natin nagkaroon ng ganitong conversation. **Bernardino:** Thank you rin, Ate KZ kasi for me, parang na-debunk ko ‘yung sinasabi nilang “never meet your heroes.” I’m happy and grateful to have met you. **Tandingan:** Sobrang OA. Thank you. **Bernardino:** Gusto kong sabihin sa ‘yo na napakalaki ng parte mo sa artistry ko ngayon, I’m very much looking forward sa mga bago mo pang releases kasi sobrang gaganda, sobrang tagos sa puso. And habang buhay kong ipagmamalaki na isa ka sa mga naging inspirations ko. **Tandingan:** Gusto ko lang sabihin na I think I was only a soundtrack in your dream, sa paghanap mo ng kung sino ka. Siguro nandun lang ako, napapanood mo lang ako, napapakinggan mo ako, but this is you. You found it yourself. Thank you din sa ‘yo kasi na-inspire ako. After mong nagpakilala sa ‘kin na “Ako po ‘yung batang nakipag-duet it sa‘yo,” parang nagkaroon ulit ako ng fire in my belly to release more songs, to reimagine songs, to just do music more. Parang “Okay, I must have done something right for this kid to flourish like this.” Kasi sinasabi niya na may kinalaman ako doon. So, dahil sa iyo, dahil sa nangyayari sa iyo ngayon, parang mas gusto ko pang pagbutihin ‘yung pagiging artist ko. Mas gusto ko pang magsulat, gusto ko pang mag-perform in the hopes na sana mas madami pang mga batang artists ang gugustuhin din nilang ipaglaban ‘yung mga pangarap nila. **Bernardino:** Love you! Thank you so much. --- ***OFFICIAL STYLING PARTNER*** Qurator Studio ***STYLING*** Steven Coralde assisted by Niña Cuyana and Charlotte Sombillo Gian wears Le Ngok jacket and trousers, COS button-down, Saint Laurent jacket from Beyond Archives, Yen Kyla shorts KZ wears Balmain blazer from Beyond Archives, Essi trousers, Balenciaga boots, Genes & Hails jacket, Sandro jeans, Yen Kyla shorts ***OFFICIAL ***MAKEUP &*** HAIRSTYLIN******G*** ***PARTNER*** Nix Institute of Beauty Gian’s makeup by Nix Soriano and hairstyling by Jessey Miranda ***MAKEUP for KZ TANDINGAN*** Ash Bantilan ***HAIRSTYLING for KZ TANDINGAN*** Jaymar Lahaylahay ***KZ TANDINGAN’S MANAGEMENT*** Cornerstone Entertainment Inc. Erickson Raymundo Cynthia Roque Pher Moya ***OFFICIAL SET DESIGN PARTNER*** Rocket Design Studio ***PHOTOGRAPHER’S ASSISTANT*** Aniken De La Cruz More Musicians on Musicians - [In Rolling Stone Philippines Musicians on Musicians, 6 Filipino Artists Ask Music’s Bigger Questions](https://rollingstonephilippines.com/music/musicians-on-musicians-filipino-artists/ "In Rolling Stone Philippines Musicians on Musicians, 6 Filipino Artists Ask Music’s Bigger Questions") - [Noel Cabangon & Lourd de Veyra](https://rollingstonephilippines.com/music/musicians-on-musicians-noel-cabangon-lourd-de-veyra/ "Noel Cabangon & Lourd de Veyra") - [Ian Tayao & DJ Medmessiah](https://rollingstonephilippines.com/music/musicians-on-musicians-ian-tayao-dj-medmessiah/ "Ian Tayao & DJ Medmessiah") **Categories:** Music, Pop **Tags:** Cup of Joe, Gian Bernardino, KZ Tandingan, Musicians --- ### [Rafa Nadal on Alex Eala: ‘She Still Has Plenty of Room to Grow’](https://rollingstonephilippines.com/culture/sports/rafa-nadal-alex-eala-time-100-next-2026/) **Published:** October 1, 2026 **Author:** Christian San Jose **Excerpt:** The Spanish tennis legend commends Eala for her latest achievement: being part of TIME 100 NEXT 2026 list of the world’s most influential rising stars **Content:** [Alex Eala](https://rollingstonephilippines.com/tag/alex-eala/)’s latest feat is one off-court. She’s part of this year’s [TIME 100 NEXT](https://time.com/collection/time100-next/2026/), an annual list of the world’s most influential rising stars and leaders who are shaping the future. Eala is under the Innovators category alongside the likes of the British actor Himesh Patel, the American actress and filmmaker Molly Gordon, and American comedian and actor Druski. As is customary for the annual list, each awardee profile is accompanied by a write-up by a giant in their field. For Eala, it’s none other than the tennis legend Rafael Nadal. The 22-time major champion and two-time Olympic gold medalist, who founded the Rafa Nadal Academy, where Eala started training at 13 in 2018, had nothing but praise for the Filipina rising tennis player, who’s now ranked No. 18 in the world. The Spanish former professional tennis player said that Eala was the first player he shared a tennis court with after his retirement. “One day, she asked whether I felt like hitting with her for a while. For the first time in many months, I picked up a racket and played again.” “I’ve been lucky enough to know Alex since she began her journey at Rafa Nadal Academy, and have closely followed her tremendous career,” Nadal wrote. “This year, s[he won the WTA 500 tournament](https://rollingstonephilippines.com/culture/sports/alex-eala-dc-open-champion/), becoming the first player from the Philippines to break into the world’s top 20. And she still has plenty of room to grow. One of her greatest strengths is precisely her ability to listen, learn, and keep improving.” Nadal adds, “Alex remains a wonderful person—warm, approachable, and humble” despite her successes on- and off-court. Apart from drawing huge crowds and engaging new fans in the world of tennis, by some estimates, Eala is projected to be the highest-paid female athlete next year, just behind the American two-time major champion Coco Gauff. Eala is currently playing for the Philippine flag at the Asian Games in Aichi Prefecture in Japan, where she’s off to the women’s singles semi-finals after beating Chinese-Taipei’s Joanna Garland. Related Stories - [Alex Eala Wins First-Ever WTA Tour Title in DC](https://rollingstonephilippines.com/culture/sports/alex-eala-dc-open-champion/ "Alex Eala Wins First-Ever WTA Tour Title in DC") - [Alex Eala Beating a Wimbledon Champion Comes As No Surprise. Can She Make a Deep Run?](https://rollingstonephilippines.com/culture/sports/alex-eala-wimbledon-4th-round/ "Alex Eala Beating a Wimbledon Champion Comes As No Surprise. Can She Make a Deep Run?") - [Alex Eala Wins Over New York Even After Her U.S. Open Loss](https://rollingstonephilippines.com/culture/sports/alex-eala-off-court-rise-new-york-us-open/ "Alex Eala Wins Over New York Even After Her U.S. Open Loss") **Categories:** Culture, Sports **Tags:** alex eala, Rafael Nadal --- ### [In Rolling Stone Philippines Musicians on Musicians, 6 Filipino Artists Ask Music’s Bigger Questions](https://rollingstonephilippines.com/music/musicians-on-musicians-filipino-artists/) **Published:** September 30, 2026 **Author:** Elijah Pareño **Excerpt:** KZ Tandingan, Gian Bernardino, Noel Cabangon, Lourd de Veyra, Ian Tayao, and DJ Medmessiah discuss music, politics, and creative freedom **Content:** The inaugural [Rolling Stone Philippines](https://rollingstonephilippines.com/tag/rolling-stone-philippines/)’ [Musicians on Musicians](https://rollingstonephilippines.com/tag/musicians-on-musicians/) brings together some of the country’s most distinct voices in music for wide-ranging conversations about their craft, the forces that shape music today, and how they navigate the industry at large. Featuring three unexpected pairings of six artists from different genres and generations, the conversations bring together [Cup of Joe](https://rollingstonephilippines.com/tag/cup-of-joe/)’s [Gian Bernardino](https://rollingstonephilippines.com/tag/gian-bernardino/) and singer-songwriter [KZ Tandingan](https://rollingstonephilippines.com/tag/kz-tandingan/), media personality and Radioactive Sago Project frontman [Lourd de Veyra](https://rollingstonephilippines.com/tag/lourd-de-veyra/) and folk singer [Noel Cabangon](https://rollingstonephilippines.com/tag/noel-cabangon/), and Queso lead vocalist [Ian Tayao](https://rollingstonephilippines.com/tag/ian-tayao/) with [DJ Medmessiah](https://rollingstonephilippines.com/tag/dj-medmessiah/) of [Morobeats](https://rollingstonephilippines.com/tag/morobeats/). ## On the Political Power of Music Lourd de Veyra and Noel Cabangon bring decades of experience in using music to engage with politics and social issues. De Veyra, best known as the frontman of Radioactive Sago Project and as a writer and broadcaster, has long brought his sharp observations into his music and other work. Cabangon, meanwhile, has written folk music ever since the ‘80s, and songs that have become closely associated with Filipino social consciousness like “Kanlungan” and “Tatsulok.” In their exchange, the two look at how musicians can faithfully translate the experience from the fringes to mobilize people towards effecting change. *Watch the episode now on [YouTube](https://www.youtube.com/watch?v=yFccOxf-lUc)* ## On Hip-Hop and Rock’s Enemy Ian Tayao and DJ Medmessiah hail from different camps of music: hip-hop and metal music. Tayao has spent decades experimenting with extreme sonic curveballs in nu-metal in bands like Queso and Wilabaliw, while DJ Med helped build Morobeats into a collective that has given Mindanaoan voices a larger place in Philippine hip-hop. Morobeats’ “GUBAT NA SIYUDAD” won Hip-Hop Song of the Year at the Filipino Music Awards. Together, they talk about the friction between rap and metal in the ‘90s and how the genres eventually formed an alliance against a bigger enemy: exploitative industry practices and a system that consistently fails them. *Episode comes out on October 6 on YouTube*. > [View this post on Instagram](https://www.instagram.com/reel/Dd0S1vGDRdQ/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rolling Stone Philippines (@rollingstoneph)](https://www.instagram.com/reel/Dd0S1vGDRdQ/?utm_source=ig_embed&utm_campaign=loading) ## On Pop’s Biggest Questions Bernardino and Tandingan come from different points in their careers, but both artists have found their own ways of becoming pop artists without rushing the process. Cup of Joe’s rise from a Baguio-based band into one of the country’s biggest pop acts has been driven by songs like “Multo,” “Misteryoso,” and “Estranghero.” The band won Song of the Year for “Multo” and Album of the Year for *Silakbo* at the inaugural Filipino Music Awards last year. Tandingan, meanwhile, has spent more than a decade balancing soul and pop music seamlessly, and working on hit collaborations, with songs like “Mahal Ko O Mahal Ako” and “Imposible” becoming major points in her career. Their conversation looks at what it means to grow at your own pace, work independently, or with a label, and maintain control over the quality and direction of your music. By bringing together musicians who have experienced different eras, genres, and sides of the industry, The Rolling Stone Philippines Musicians on Musicians opens up a space to talk about music in ways that go beyond music itself. *Episode comes out on October 13 on YouTube.* ## Frequently Asked Questions ### What is Rolling Stone Philippines Musicians on Musicians? Rolling Stone Philippines Musicians on Musicians is an inaugural series pairing six Filipino artists from different genres and generations for conversations on music, politics, and the industry. ### Who are the artists featured in Musicians on Musicians? The series features three pairings: Gian Bernardino and KZ Tandingan, Lourd de Veyra and Noel Cabangon, and Ian Tayao and DJ Medmessiah, spanning pop, folk, hip-hop, and metal. ### How have Lourd de Veyra and Noel Cabangon used music to engage with politics? Noel Cabangon has written socially conscious folk since the ’80s, including “Kanlungan” and “Tatsulok.” Lourd De Veyra brings social observation to his music. Their episode explores mobilizing people through music that talks about social issues. ### How did Filipino hip-hop and metal go from friction to alliance? Ian Tayao and DJ Medmessiah discuss the friction between rap and metal in the ’90s and how the genres allied against exploitative industry practices and a system that fails musicians. ### How did Cup of Joe become one of the Philippines’ biggest pop acts? Cup of Joe rose from a Baguio-based band to one of the biggest pop acts, winning Song of the Year for “Multo” and Album of the Year for *Silakbo* at the first Filipino Music Awards in 2025. Related Stories - [Noel Cabangon & Lourd de Veyra](https://rollingstonephilippines.com/music/musicians-on-musicians-noel-cabangon-lourd-de-veyra/ "Noel Cabangon & Lourd de Veyra") - [Juan Dela Cruz Lives on Through the Music and Myth of Mike Hanopol](https://rollingstonephilippines.com/music/juan-dela-cruz-mike-hanopol/ "Juan Dela Cruz Lives on Through the Music and Myth of Mike Hanopol") - [Cup of Joe’s ‘Multo’ Proves a Sad Banger Can Still Be a Breakthrough](https://rollingstonephilippines.com/music/cup-of-joes-multo-proves-a-sad-banger-can-still-be-a-breakthrough/ "Cup of Joe’s ‘Multo’ Proves a Sad Banger Can Still Be a Breakthrough") **Categories:** Music, News **Tags:** DJ Medmessiah, Gian Bernardino, Ian Tayao, KZ Tandingan, Lourd de Veyra, Musicians on Musicians, Noel Cabangon --- ### [New Google Maps Satellite Images Show Gaza Turn to More Rubble](https://rollingstonephilippines.com/state-of-affairs/politics/gaza-google-maps-satellite-images-rubble/) **Published:** September 30, 2026 **Author:** Reyza Ferranco **Content:** At the United Nations General Assembly last September 24, Israeli Prime Minister Benjamin Netanyahu dismissed claims of Israel’s genocide in [Gaza](https://rollingstonephilippines.com/tag/gaza/), saying that it is the “biggest lie of the century.” However, the [UN walkouts](https://www.reuters.com/world/middle-east/dozens-delegates-walk-out-un-hall-start-netanyahu-speech-2026-09-24/), recent numbers, and newly updated satellite images of [Google Maps](https://www.google.com/maps/@31.498428,34.4236774,3259m/data=!3m1!1e3?entry=ttu&g_ep=EgoyMDI2MDkyNy4xIKXMDSoASAFQAw%3D%3D) beg to differ, with rubble filling in what used to be schools, hospitals, cafes, and popular destinations after continuous bombardments and extensive air strikes within the strip. The imagery reveals the extent of the widespread destruction across Gaza, with entire residential blocks erased and other vast urban areas reduced to debris. The satellite images circulated on social media this week, though Google Earth did not specify the month of capture on its site. > [View this post on Instagram](https://www.instagram.com/reel/Dd1tE7jjOHQ/?utm_source=ig_embed&utm_campaign=loading)[A post shared by AJ+ (@ajplus)](https://www.instagram.com/reel/Dd1tE7jjOHQ/?utm_source=ig_embed&utm_campaign=loading) The incessant destruction occurs despite a declared ceasefire in October 2025. *Al Jazeera*’s [recent report ](https://www.aljazeera.com/news/2025/11/11/how-many-times-has-israel-violated-the-gaza-ceasefire-here-are-the-numbers)shows that Israel violated the agreement at least 4,379 times from October 2025 to August 2026, citing the Government Media Office in Gaza. Over 1,000 Palestinians have also been detained since. In an August assessment by the UN Satellite Center (UNOSAT), an estimated 200,000 buildings, or about 82 percent of Gaza’s structures, have been damaged, if not destroyed. *CBC News*’ [investigation](https://www.youtube.com/watch?v=_V8d1WyjFpU) also revealed that Israel cleared out some rubble from parts of their occupied territory to erase evidence of alleged war crimes. The Israel Defense Forces (IDF) have countered and said this was a response to threats and attacks. Aside from the land ruins, the humanitarian cost is more daunting. The United Nations Office for the Coordination of Humanitarian Affairs (OCHA) [documented](https://www.ochaopt.org/content/humanitarian-situation-report-11-september-2026) that “inadequate shelter” and “limited access to safe water and sanitation” have made the transmission of communicable diseases (respiratory infections, acute watery diarrhea, and acute jaundice syndrome) easy in the strip while Palestinians continue to face starvation and dehydration. The death toll has passed over 74,000 — around 21,000 were children — according to Gaza’s Health Ministry. ![gaza unrwa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/unrwa.webp) A search and rescue operation was held in Gaza after a six-story residential building collapsed from war bombardments on September 16. Photo by UNRWA Until now, there remains no lasting political resolution to the war between Gaza and Israel. If anything, “time is running out” for the proposed two-state solution, as [said](https://news.un.org/en/story/2026/09/1168401) by UN Secretary-General Antonio Guterres. The two-state solution, based on lines introduced in the 1940s, is a proposed framework for resolving the conflict through establishing Israel and Palestine as two independent states, with secure and mutually recognized borders. The United Nations continues to identify it as the basis for a lasting political settlement, but Guterres has warned that Israel’s settlement expansion into the West Bank and displacement of Palestinians are making the creation of Palestine as a viable state difficult. The majority of Israelis (56 percent) and Palestinians (68 percent) are likewise pessimistic about the two-state idea, according to a survey from the [Pew Research Center.](https://www.pewresearch.org/global/2026/09/15/many-israelis-and-palestinians-say-they-cannot-coexist-peacefully-and-explain-why/) ## FREQUENTLY ASKED QUESTIONS ### What do the new Google Maps satellite images show in Gaza? The updated imagery shows entire Gaza residential blocks reduced to rubble, including former schools, hospitals, and cafes. Google Earth has not specified which month the images were captured. ### How much of Gaza has been damaged or destroyed? UNOSAT estimates about 200,000 buildings, or 82 percent of Gaza’s structures, are damaged or destroyed. Gaza’s Health Ministry reports over 74,000 deaths, around 21,000 of them children. ### Has the October 2025 ceasefire in Gaza held? Gaza’s Government Media Office says Israel violated the October 2025 ceasefire at least 4,379 times through August 2026, as cited by Al Jazeera. The IDF says its actions only responded to threats. ### What is the two-state solution and why is it in doubt? The two-state solution proposes independent Israeli and Palestinian states with secure borders. Pew Research Center finds 56 percent of Israelis and 68 percent of Palestinians pessimistic about the idea. ### What is the humanitarian situation in Gaza now? The United Nations Office for the Coordination of Humanitarian Affairs documented inadequate shelter and limited safe water and sanitation, spreading respiratory infections, acute watery diarrhea, and acute jaundice syndrome, while Palestinians continue to starve and suffer from dehydration. Related Stories - [How Gaza’s Crawl Towards Famine Changed Western Media Coverage](https://rollingstonephilippines.com/state-of-affairs/politics/gaza-famine-western-media-coverage/ "How Gaza’s Crawl Towards Famine Changed Western Media Coverage") - [Two Years On, What’s Left of Gaza to Save?](https://rollingstonephilippines.com/state-of-affairs/gaza-genocide-israel-october-7/ "Two Years On, What’s Left of Gaza to Save?") - [For Cafe Mediterranean, Food Is a Platform for Palestine](https://rollingstonephilippines.com/state-of-affairs/power/cafe-mediterranean-food-platform-palestine/ "For Cafe Mediterranean, Food Is a Platform for Palestine") **Categories:** Politics, State of Affairs **Tags:** Google Maps, Israel, Palestine --- ### [Plan Ahead, Metro Manila Has a 5-Day Long Weekend in November](https://rollingstonephilippines.com/state-of-affairs/metro-manila-november-long-weekend-asean-summit/) **Published:** September 30, 2026 **Author:** Reyza Ferranco **Content:** This year, the Philippines assumed the chairmanship of the Association of Southeast Asian Nations (ASEAN), with the 49th [ASEAN](https://rollingstonephilippines.com/tag/asean/) Summit set to be held on November 16, 17, and 18. Malacañang has thereby [declared](https://pco.gov.ph/news_releases/palace-declares-nov-16-18-as-special-non-working-days-in-ncr-for-asean-summit/) the three dates as special non-working days in the National Capital Region to “alleviate traffic” and “secure the safety of participants in the said event.” Should you want to book your November vacations, it’s best to do so from Saturday, November 14 until Wednesday, November 18. You may even extend by filing leave from Thursday, November 19 to Friday, November 20. Note that special non-working holidays have varying pay rules, with most companies applying the “no work, no pay” principle unless there is a company policy, practice, or collective bargaining agreement (CBA) granting payment on a special day. For a more detailed guide, you may check Rolling Stone Philippines’ [holiday pay guide for 2026](https://rollingstonephilippines.com/state-of-affairs/dole-holiday-pay-rules-2026/). The 49th ASEAN Summit will see various ASEAN leaders gather in the country, with an “anticipated” yet unconfirmed attendance by United States President [Donald Trump](https://rollingstonephilippines.com/tag/donald-trump/). The world leaders will discuss strategic priorities on peace and security, economic integration, and people empowerment, among others. The Palace further requested civil and activist groups to defer planned demonstrations, saying that they hope to welcome the guests peacefully instead. ## FREQUENTLY ASKED QUESTIONS ### When is the long weekend for November 2026? The long weekend for November 2026 starts on Saturday, November 14 until Wednesday, November 18, due to the 49th ASEAN Summit. ### When is the 49th ASEAN Summit? The Philippines is set to host the 49th Association of Southeast Asian Nations (ASEAN) Summit on November 16, 17, and 18, 2026. ### Why is November 16-18 declared Special Non-working Days? The 49th ASEAN Summit will be held on November 16-18, which were officially declared special non-working days in the National Capital Region to “alleviate traffic” and “secure the safety of participants in the said event.” ### Who is expected to attend the 49th ASEAN Summit? The 49th ASEAN Summit will see various Southeast Asian leaders gather in the country, with an “anticipated” yet unconfirmed attendance by United States President Donald Trump. ### What will be discussed at the 49th ASEAN Summit? The world leaders will lay out strategic priorities on peace and security, economic integration, and people empowerment, among others. Related Stories - [Here are the DOLE Holiday Pay Rules for 2026](https://rollingstonephilippines.com/state-of-affairs/dole-holiday-pay-rules-2026/ "Here are the DOLE Holiday Pay Rules for 2026") - [What Sharing Ground Means in the 2026 Anthology ASEAN Architecture Festival](https://rollingstonephilippines.com/culture/sharing-ground-2026-asean-architecture-festival/ "What Sharing Ground Means in the 2026 Anthology ASEAN Architecture Festival") - [A Unified Visa for ASEAN? Not in the Near Future](https://rollingstonephilippines.com/state-of-affairs/power/philippines-tourism-asean-visa/ "A Unified Visa for ASEAN? Not in the Near Future") **Categories:** State of Affairs **Tags:** 49TH ASEAN Summit --- ### [Taylor Swift’s ‘Patient Zero’ Sounds A Lot Like AI Explainer Songs, According to the Internet](https://rollingstonephilippines.com/music/pop/taylor-swift-patient-zero-sounds-like-ai-explainer-songs/) **Published:** September 30, 2026 **Author:** Elijah Pareño **Excerpt:** The pop star’s new bonus track is being compared to AI-generated songs about steel coils and solar panels. Some argue it’s likely because Swift has been used as its source material **Content:** Last September 30, [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/) released the music video for “Patient Zero,” one of the four bonus tracks from *[The Life of a Showgirl](https://rollingstonephilippines.com/tag/the-life-of-a-showgirl/): The Encore*. The music video stars actress [Dakota Johnson](https://rollingstonephilippines.com/tag/dakota-johnson/) and actor Colin Farrell as a couple on the verge of a failing relationship. The video follows Swift haunting Johnson like a ghost, warning her about Farrell’s toxic traits, before the twist is revealed: Swift herself was his “patient zero.” She had died before she could warn anyone else. “Patient Zero,” along with the other bonus tracks on *The Life of a Showgirl: The Encore*, received a largely mixed reception, with many publications saying that the songs did little to improve the album’s lack of depth or make up for the lackluster response to the original tracklist. “Patient Zero,” specifically is being criticized for its striking sonic resemblance to a series of AI-generated songs explaining science and physics. These suspiciously identical-sounding videos all come from an Instagram account called *Learning With Lyrics,* which has been making educational videos explaining trains and solar panels through songs that sound a lot like Swift’s since September 2025. > [@themitchchurichatshow](https://www.tiktok.com/@themitchchurichatshow?refer=embed "@themitchchurichatshow") Anyone else fully into the steel coil song??? [\#taylorswift](https://www.tiktok.com/tag/taylorswift?refer=embed "taylorswift") [\#patientzero](https://www.tiktok.com/tag/patientzero?refer=embed "patientzero") [♬ original sound – The Mitch Churi Chat Show](https://www.tiktok.com/music/original-sound-7690797145751079681?refer=embed "♬ original sound - The Mitch Churi Chat Show") Podcast series *The Mitch Churi Chat Show*, hosted by broadcaster Mitch Churi and co-host Grace Garde, has pointed out the similarities between Swift’s newly released “Patient Zero” and an AI song that explains the physics of why steel coils shouldn’t be transported lying on their sides. Churi admitted he was more drawn to the AI song than to Swift’s original. “This is Max Martin,” Churi says. “Stop! But I’m so intrigued, hold on. I am more captivated by that than I was with Taylor Swift.” In the comments of the video on TikTok, users have pointed out that the AI song was likely generated using data drawn from existing Taylor Swift songs. Most of the comments express curiosity over how the AI track managed to sound more convincing than an actual Swift song. “Have y’all considered that Taylor Swift sounded like this before AI and that AI was fed a whole bunch of Taylor Swift songs and that’s why it sounds like that?” user RiceMenace says. “Not that the song is good, but like let’s think a bit. Last April, Swift applied to trademark her voice and appearance in order to protect herself from being used in AI-generated content. Taylor Swift’s *The Life of a Showgirl: The Encore* deluxe edition album came out on September 25. ## Frequently Asked Questions ### When was Taylor Swift’s “Patient Zero” released? “Patient Zero” was released on September 28, as one of four bonus tracks from *The Life of a Showgirl: The Encore*. ### What is the “Patient Zero” music video about? The video stars Dakota Johnson and Colin Farrell as a couple on the verge of a failing relationship. ### What is the AI song being compared to “Patient Zero”? Social media users are saying the Instagram account *Learning With Lyrics* made an AI-generated song about steel coils, explaining the physics of why they shouldn’t be transported lying on their sides, sounds a lot like Taylor Swift’s “Patient Zero.” ### Who pointed out the similarities between “Patient Zero” and the AI song? Podcast series *The Mitch Churi Chat Show*, hosted by Mitch Churi and Grace Garde, pointed out the similarities, among other social media users. ### When was *The Life of a Showgirl: The Encore* released? Taylor Swift’s *The Life of a Showgirl: The Encore* deluxe album came out on September 25. Related Stories - [How Bad are the Lyrics on Taylor Swift’s ‘The Life of a Showgirl’?](https://rollingstonephilippines.com/music/pop/taylor-swift-life-of-a-showgirl-lyrics/ "How Bad are the Lyrics on Taylor Swift’s ‘The Life of a Showgirl’?") - [All the Controversies from Taylor Swift and Travis Kelce’s New York Wedding](https://rollingstonephilippines.com/music/pop/taylor-swift-travis-kelce-wedding-controversies/ "All the Controversies from Taylor Swift and Travis Kelce’s New York Wedding") - [Aphex Twin Now Has More YouTube Music Monthly Listeners than Taylor Swift](https://rollingstonephilippines.com/music/dance-electronic/aphex-twin-taylor-swift-youtube-music/ "Aphex Twin Now Has More YouTube Music Monthly Listeners than Taylor Swift") **Categories:** Music, Pop **Tags:** AI, Taylor Swift --- ### [Julia Barretto, Joshua Garcia, ‘Always Yours, Never Mine’ Writer Talk Love, Life, and Maturity](https://rollingstonephilippines.com/culture/philippine-cinema/always-yours-never-mine-julia-barretto-joshua-garcia/) **Published:** September 30, 2026 **Author:** Pie Gonzaga **Excerpt:** In Cathy Garcia-Sampana’s newest romantic drama, two people meet, part, and meet again over 30 years. Its leads and writer talk about what the story asked of them **Content:** [Julia Barretto](https://rollingstonephilippines.com/tag/julia-barretto/) and [Joshua Garcia](https://rollingstonephilippines.com/tag/joshua-garcia/) return to the silver screen as partners in [Cathy Garcia-Sampana](https://rollingstonephilippines.com/tag/cathy-garcia-sampana/)’s *[Always Yours, Never Mine](https://rollingstonephilippines.com/tag/always-yours-never-mine/)*, a romantic drama that follows two people throughout the decades as they find and lose each other again and again. Portraying a character throughout different phases in their life, between the ages of 18 and 48, is an ambitious undertaking — but one that the actors accepted because they were “excited” to work together again after 2024’s *Un/Happy for You*, directed by [Petersen Vargas](https://rollingstonephilippines.com/tag/petersen-vargas/). Screenwriter [Vanessa R. Valdez](https://rollingstonephilippines.com/tag/vanessa-valdez/), whose stories and screenplays include *The Mistress* and *Four Sisters and a Wedding*, sees the upcoming film as “an elevation” of what the actors can do. “I just wanted to see them give a different kind of performance and reach into a different part of their soul,” she tells *Rolling Stone Philippines*. Barretto and Garcia admit to finding the material challenging. Of playing an 18-year-old at 28, Garcia says, “Ang hirap maging inosente ulit, na nag-iisip ka na.” For Barretto, tapping into the maturity of a 48-year-old was also difficult. “It’s hard to draw from a place that you have not experienced just yet,” she says. “\[The film\] already asks so much of us, not just physically, but even emotionally, because there has to be some sort of emotional maturity. Nothing about what we had to do was easy.” Still, the two arrive with something most co-stars have to build from scratch. Barretto and Garcia have shared the screen in a number of films, and at one point were in a loveteam, a history that gave them a shorthand when the material got heavy. “It’s not hard to ask for help when working with Josh, because he’s somebody that I trust and have known for so long,” Barretto says, before Garcia echoes the sentiment, “Kilala na namin ‘yung isa’t isa, so mas napapadali ‘yung mga mahihirap na eksena.” As *Always Yours, Never Mine* comes to cinemas on Wednesday, September 30, Valdez, Barretto, and Garcia talk to *Rolling Stone Philippines* about how the film pushed them as writer and actors, and what it was like to work together again. **Can you tell me more about** ***Always Yours, Never Mine*?** **Vanessa Valdez:** It’s a story of two people who fell in love when they were 18, and then we follow their love story \[over\] the course of 30 years and how they change throughout, and how the choices they make or don’t make change who they are. And every time they meet, it’s a question of “Can they finally be together? Will they finally choose to love each other?” Pero ‘yun nga, they’re different people every time they meet. What may have worked when they were 18 may not necessarily work the next time they meet, or when they meet at 48. It’s not just a love story. It’s a story about life, how people go through life, and whether or not they can say, “I love my life.” That’s an important question posed by the film: Do you love your life? Are you able to stand by the choices you made and say, “I’m happy and grateful that this is where my choices have led me”? ![joshua garcia always yours never mine](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Apollo-Joshua-Garcia.webp) Joshua Garcia as Apollo. Photo courtesy of Star Cinemas **How did this project come together? What came first, the cast or the story?** **Valdez:** I wasn’t originally part of the team, but they asked me to come in and write the \[script\]. So there was already a story in place, and nandoon na si Joshua and si Julia. Olive \[Lamasan\] was saying maybe I can help write the story, and eventually Direk Cathy came into the picture. But they’ve always been a part of the project, given na sila. When I was writing the script, my job was to make \[the story\] fit for them. The difficulty is \[…\] ‘yung characters kasi, aabot na sa age na 48. I was telling Jules, “Mas malapit kayo sa 18-year-old version than the 48-year-old version.” The challenge for \[the actors\] and even for the writers was, “How do I make it accessible for them, na young people, na maka-relate sila doon sa isang bagay na hindi pa nila na-e-experience.” I don’t know how \[Julia and Joshua\] felt about tapping into the maturity na hindi niyo pa nae-experience sa buhay. Nahirapan ka ba doon? **Barretto:** Yeah, of course. It’s hard to draw from a place that you have not experienced just yet. But I grew up with people older than me, and my mom’s around that age, so it’s good that I had that. And a lot of my moms in past projects are also around that age. So every time I look at references, I’m always thinking about these people and the poise that they’ve had, the peace that they have in them, the calmness, the quiet, the contentment. Parang there really is a shift. You’re softer, more secure, and you truly just want to enjoy your life. I’m gonna love if I wanna love. “Nakakatulong na may history sila, na they’ve gone through so much together, probably some parts of it masakit at nadadala ‘yun sa kuwento.” Screenwriter Vanessa R. Valdez **Valdez:** And that’s actually evident in her performance, na nakikita mo talaga ‘yung shift. At some point in the movie, you’ll think, “Ah, she’s an older person na,” even though you know it’s still Julia. And even for Josh, may isa akong scene na napanood na “Ay, ibang tao na siya! Grown-up na siya.” **Garcia:** Malaking factor rin kasi ‘yung nandoon kayo sa set, kasi kayo ‘yung mas narating na ‘yung edad na ‘yun, so at least na-ga-guide niyo kami, kung tama ba ‘yung nararamdaman namin. Ang laking part ni Direk Cathy sa pelikula na ‘to. **Did it take you a lot of convincing to hop on the project?** **Barretto:** Definitely not. Did you have a hard time saying yes? **Garcia:** Hindi. **Barretto:** We were so excited. I think the idea of working together came before the material, also. ![julia barretto always yours never mine](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Luna-Julia-Barretto.webp) Julia Barretto as Luna. Photo courtesy of Star Cinemas **Garcia:** *Un/Happy for You* pa lang e, we were excited na to do the next movie. Kasi sinasabi nila na “May naisip na kaming kuwento for you guys,” tapos hindi pa namin alam at the time. **Barretto:** But the first time we read the script, you messaged me right away. We were like, “It’s beautiful.” It leaves you kind of out of breath. You have a moment when you’re done reading the script na parang, “What just happened?” **Garcia:** Para kang nanood ng sine. Nakaka-patulala. **When you work with a pairing like Josh and Julia, what do you take into consideration when writing the script? And how do you write the comeback of a loveteam?** **Valdez:** Hindi ko masasabing comeback, kasi nag-comeback na sila noong 2024. I actually see it more as an elevation of what they can do. Very mature na yung *Un/Happy for You*. Mas mature pa ‘to. I just wanted to see them give a different kind of performance and reach into a different part of their soul. Based sa alam ko sa filmography nila, ibang-iba si Apollo at si Luna sa mga characters na na-portray nila, very complex people. It’s not all the time that I like \[the characters\] or their choices, but I have to live with them and say, “Who am I to judge these people?” Usually kasi, in love stories, tinitignan natin ‘yung nang-iwan, ‘yun ‘yung nanakit. ‘Yun ‘yung masama. Pero dito, hindi ibig sabihin na \[kung\] nang-iwan siya or may pinili siyang iba, masama siyang tao. In fact, mabuti siyang tao, kaya naging ganoon ang choice niya, at mahirap lang para sa taong nagmamahal at gustong piliin siya. Ang sakit nun. Puwede mong i-villainize ‘yung isang tao. And I think that’s another element of the story that I really liked when I was writing it, how we have narratives in our heads about the people we love and the people we’ve become because of them. We tend to villainize or mythologize them. That’s another modern element of the story: this whole idea of how you can look differently at somebody and how memory is not exactly truthful. It’s a version of the truth, depende kung ano ‘yung nararamdaman mo. “I just appreciate that in our working relationship, we’re able to be honest and just not have to pretend that we have it all figured out.” Julia Barretto **You mentioned elevating their performances. What is it about past JoshLia projects that you wanted to change with this movie, and what did you want to keep?** **Valdez:** Naramdaman niyo ba na in-elevate ko kayo? **Garcia:** Ramdam na ramdam ko. Just portraying Apollo, kasi ibang-iba siya sa akin. **Barretto:** The material is challenging. It already asks so much of us, not just physically, but even emotionally, because there has to be some sort of emotional maturity. Nothing about what we had to do was easy. **Valdez:** I remember ‘yung first day, sa club \[scene\], they were supposed to portray 18-year-olds. It was hard for them kasi hindi na sila 18. **Garcia:** Ang hirap maging inosente ulit, na nag-iisip ka na. Dapat hindi ka nag-iisip. **Valdez:** \[It’s hard\] for them to go back 10 years, tapos a-ask pa namin sila, “Go forward 20 years,” to a life they haven’t lived yet. But what’s interesting about them — and kineep talaga namin ‘to ni Direk Cathy — is magaling talaga sila sa rom-com. May lightness sila. There’s a scene in a building somewhere — when I was writing, I was like, “This is funny. I don’t know how they’re gonna do it. It’s a little risqué. But I wanna see how they’re gonna do it.” Kasi hindi ko pa sila nakikita na risqué and funny. Noong ginawa nila, tawang-tawa ako. Tawang-tawa ako sa willingness ni Joshua to look like… **Garcia:** Nagtatanga-tangahan. **Valdez:** And ‘yung Julia na nagkukunwaring adult and mature pero hindi naman pala. And then the scene ends in a very funny way. So na-ki-keep pa rin namin ‘yung lightness nila, pero may parts din na lumalalim na sila. **Garcia:** Every day, para kaming nasa workshop din e, kay Direk. ‘Yun ‘yung pakiramdam. **What do you like about working with each other?** **Barretto:** I just appreciate that in our working relationship, we’re able to be honest and just not have to pretend that we have it all figured out. I can go to Josh and say, “I’m having a hard time with this,” or “Can you help me, please?” It’s not hard to ask for help when working with Josh, because he’s somebody that I trust and have known for so long. I can be honest and be myself with him. **Garcia:** Ako ganun rin, pero feeling ko, mas napapadali ‘yung trabaho namin and I’m really grateful na si Julia ‘yung kasama ko sa journey na ‘to, nila Apollo at Luna. Na-enjoy ko lang. Tama ‘yung sinabi ni Julia na kilala na namin ‘yung isa’t isa, so mas napapadali ‘yung mga mahihirap na eksena. “Ang hirap maging inosente ulit, na nag-iisip ka na. Dapat hindi ka nag-iisip.” Joshua Garcia **Valdez:** This is the first time I’m working with them as a writer. The previous times, I was their producer. May nakita ako sa kanilang bago na hindi ko nakita noong bata sila. Noong bata sila, minsan feeling ko switch off agad \[‘yung role.\] Nararamdaman ko dito na karga nila. Ang natutuwa ako, kinukuwento nila. They just go to each other and say, “I can’t do this.” Meron silang respect, at ang kumportable nila sa isa’t isa, na ini-imagine ko kung ginawa mo ‘yun with other people, it might be harder para marating ‘yung 30 years na klase naming kuwento. Nakakatulong na may history sila, na they’ve gone through so much together, probably some parts of it masakit at nadadala ‘yun sa kuwento. Ang swerte niyo na mayroon kayong ganoon, somebody you really grew up with and who understands you. ## Frequently Asked Questions ### How many JoshLia films are there? There are six romance films featuring Julia Barretto and Joshua Garcia as the leads: *Vince and Kath and James* (2016), *Love You to the Stars and Back* (2017), *Unexpectedly Yours* (2017), *I Love You, Hater* (2018), *Un/Happy for You* (2024), and *Always Yours, Never Mine* (2026). ### Who directed and wrote *Always Yours, Never Mine*? *Always Yours, Never Mine* is directed by Cathy Garcia-Sampana and written by Vanessa R. Valdez. ### Who else stars in *Always Yours, Never Mine*? Aside from Barretto and Garcia, the film also stars Chanda Romero, Bianca Umali, Joy Barcoma, Karen Reyes, Bob Jbeili, Migs Almendras, Ina Raymundo, Franco Laurel, Reign Parani, Paulo Angeles, and Jan Silverio. ### What is *Always Yours, Never Mine* about? Spanning three decades, the story follows Apollo (Garcia) and Luna (Barretto) as their lives intersect at different points in time, exploring commitment, timing, and love’s “what ifs.” ### When and where will *Always Yours, Never Mine* be released? *Always Yours, Never Mine* premieres on September 30 and is set for a nationwide theatrical release. Related Stories - [The 25 Best Filipino Rom-Coms of the 21st Century](https://rollingstonephilippines.com/culture/philippine-cinema/25-filipino-rom-coms-21st-century/ "The 25 Best Filipino Rom-Coms of the 21st Century") - [‘Hello, Love, Again’ Still Needs to Resolve its Trust Issues](https://rollingstonephilippines.com/culture/film-tv/hello-love-again-review/ "‘Hello, Love, Again’ Still Needs to Resolve its Trust Issues") - [In ‘The Loved One,’ Letting Go is an Act of Mercy](https://rollingstonephilippines.com/culture/reviews/the-loved-one-review/ "In ‘The Loved One,’ Letting Go is an Act of Mercy") **Categories:** Culture, Film, Philippine Cinema **Tags:** Always Yours Never Mine, Cathy Garcia-Sampana, Joshua Garcia, Julia Barretto, Vanessa Valdez --- ### [SB19 and Bam Aquino Are Pushing for Better Support for Filipino Artists Globally](https://rollingstonephilippines.com/music/pop/sb19-bam-aquino-support-filipino-artists-globally/) **Published:** September 29, 2026 **Author:** Elijah Pareño **Excerpt:** The initiative follows the group’s Senate recognition for its historic Lollapalooza debut and draws from the challenges of touring overseas **Content:** Senator [Bam Aquino](https://rollingstonephilippines.com/tag/bam-aquino/) and P-pop group [SB19](https://rollingstonephilippines.com/tag/sb19/) are in talks to create a bill for the Filipino creative industry. Last September 28, SB19 was recognized by and invited to the Senate for a Senate resolution for their historic [Lollapalooza](https://rollingstonephilippines.com/tag/lollapalooza/) live debut back in July. Aquino is working closely with the group to establish an agency under the Department of Trade and Industry to protect Filipino artists working abroad and promote Philippine artistry and culture internationally. On the same day they went to the Senate, SB19 went live on Facebook and TikTok to give further details of the bill. SB19 member Josh Cullen is hoping for Republic Act No. 11904, also known as the Philippine Creative Industries Act, which lapsed into law in July 2022, to be revised to also cover traveling Filipino creatives. > [View this post on Instagram](https://www.instagram.com/p/Dd2viZEE7kF/?utm_source=ig_embed&utm_campaign=loading)[A post shared by SB19 Official (@officialsb19)](https://www.instagram.com/p/Dd2viZEE7kF/?utm_source=ig_embed&utm_campaign=loading) “Whether you’re an actor, filmmaker, behind the scenes, you should be considered as one of the gems of this country kase you’re trying to put out your experiences and creativity sa boung mundo,” Cullen says. “Isinusulong ang bill na ‘to kase siyempre for visa requirements na kahit papano, depende kung ano ‘yung nire-represent natin, pero at least it’s something na may impact na meron din nagawa o matulungan.” Aquino details how they were able to discuss with SB19 establishing an agency that is similar to the Korean Creative Content Agency (KOCCA), a government institution that supports creative industries based in South Korea. “In the Philippines, if you’re an artist and you’re gonna fly, you’re on your own,” Aquino says. “The good news here is that we’re filing the bill soon. We have support from the \[Department of Trade and Industry\] and once it’s done, we will have a Philippine agency for our creative economy which will support our artists who are going abroad.” The name of the bill and its exact formal filing have yet to be announced. SB19’s single “VISA” was based on their firsthand experience applying for travel visas during their global tour performances, which included their historic stint at Lollapalooza. ## Frequently Answered Questions ### Why was SB19 invited to the Senate? SB19 was recognized and invited to the Senate on September 28 for a Senate resolution honoring their historic Lollapalooza live debut in July. ### Who invited SB19 to the Senate? Senator Bam Aquino invited SB19 to the Senate and served as the principal sponsor of Senate Resolution No. 545, which formally commended and recognized the P-pop group for their historic performance at the Lollapalooza Music Festival. ### What government agency inspired the proposed creative industries agency? Aquino cited the Korean Creative Content Agency (KOCCA), a South Korean government institution that supports creative industries, as a model for the proposed Philippine agency. ### What is the Republic Act No. 11904? Republic Act No. 11904 is the Philippine Creative Industries Development Act, which lapsed into law on July 28, 2022, and is meant to support, protect, and grow the creative and cultural sectors in the Philippines. ### What inspired SB19’s single “VISA”? SB19’s single “VISA” was based on the group’s firsthand experience applying for travel visas during their global tour performances. Related Stories - [SB19 Delivers a Fun and Electrifying Lollapalooza Debut](https://rollingstonephilippines.com/music/pop/sb19-lollapalooza-2026-debut-recap/ "SB19 Delivers a Fun and Electrifying Lollapalooza Debut") - [SB19 Honored by Senate for Historic Lollapalooza Performance](https://rollingstonephilippines.com/music/pop/sb19-senate-resolution-lollapalooza-performance/ "SB19 Honored by Senate for Historic Lollapalooza Performance") - [SB19’s ‘Wakas at Simula,’ Ranked Track by Track](https://rollingstonephilippines.com/music/pop/sb19-wakas-at-simula-ranked/ "SB19’s ‘Wakas at Simula,’ Ranked Track by Track") **Categories:** Music, Pop **Tags:** Bam Aquino, SB19 --- ### [Sara Duterte Is Still Running for President and Hypothetical Survey Says She Can Win](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-president-survey-win/) **Published:** September 29, 2026 **Author:** Reyza Ferranco **Content:** Last [February](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-president-impeachment/), Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/) officially announced her plans to run for the presidency in the 2028 elections, even as she faced pending impeachment complaints filed by several civil and church groups. On September 28, her intent to vie for the presidential seat was brought up anew amid her ongoing [impeachment trial ](https://rollingstonephilippines.com/tag/impeachment-trial/)and a separate [criminal case](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/duterte-calls-on-marcos-to-resign/). Vice Presidential Spokesperson Paolo Panelo confirmed that Duterte will proceed with her run despite the continuous “harassment” she is facing. Duterte also said resigning from her post is not an option as the Filipinos entrusted her with the position. At present, the impeachment court hears the Article II of the Articles of Impeachment case against the vice president, which examines her alleged unexplained wealth, false [Statement of Assets, Liabilities, and Net Worth (SALN)](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-travel-abroad-saln/), and continued business interests. The impeachment court, under Article II, discussed how Duterte’s declared net worth has risen from P7,250,497 in 2007, when she was vice mayor of Davao City, to P88,512,370.22 in 2024, as the second-highest executive official. The prosecution also argued that Duterte’s failure to disclose her cash on hand from 2019 to 2024, the suspicious P6.77 billion bank transactions, as well as her accumulated properties, financial assets, and business interests in her SALN, violated Republic Act 3019, or the Anti-Graft and Corrupt Practices Act. ## **Wanted by Filipinos?** A [survey](https://octaresearch.com/tnm/hypothetical-2028-race-vp-duterte-sen-padilla-lead-narrows-to-12-points-tightest-gap-yet-against-mayor-robredo-sen-aquino/) conducted by research firm OCTA, meanwhile, showed that the hypothetical tandem of Vice President Sara Duterte and Senator [Robin Padilla ](https://rollingstonephilippines.com/tag/robin-padilla/)still takes the national lead for the 2028 elections, as voted by 48 percent of the Filipinos. Naga City Mayor[ Leni Robredo ](https://rollingstonephilippines.com/tag/leni-robredo/)and Senator [Bam Aquino](https://rollingstonephilippines.com/tag/bam-aquino/)’s tandem follows, with 36 percent. “The hypothetical 2028 tandem of VP Sara Duterte–Sen. Robin Padilla leads nationally by 12 points, with 16 percent still undecided. This is the narrowest gap recorded between the two tandems to date,” OCTA said. Only Duterte has confirmed her bid among the four officials, while her ally Padilla has vowed to leave politics after his senatorial stint. ## What Happens Post-Impeachment Trial? The impeachment trial, which officially commenced in July, is expected to run until December. According to Senate President [Win Gatchalian](https://rollingstonephilippines.com/tag/win-gatchalian/), the court is expected to reach a final verdict before the end of the year, with the new ruling counting only 20 senators as legally capable of participating in the voting process, thus lowering the threshold to 14 votes for conviction — seven for acquittal — of the vice president. Should Duterte be convicted, she will be removed from office and permanently barred from holding any future post — including the presidency — as stated in the 1987 Constitution. But as the Duterte bloc continues to amass loyal supporters, uncertainty still looms over how either trial result will affect the 2028 National Elections. ## FREQUENTLY ASKED QUESTIONS ### Is Sara Duterte still running for president in 2028? Yes. Vice President Sara Duterte announced her 2028 bid in February, and on September 28, her spokesperson Paolo Panelo confirmed she will proceed despite her impeachment trial, ruling out resignation. ### What does the OCTA survey say about the 2028 elections? OCTA’s recent 2028 survey shows the hypothetical Duterte–Padilla tandem leading nationally with 48 percent over Robredo–Aquino’s 36 percent. The 12-point gap is the narrowest recorded to date, with 16 percent undecided. ### What is Article II of the impeachment case against Sara Duterte? Article II covers alleged unexplained wealth, a false SALN, and continued business interests. Prosecutors cite her declared net worth rising from P7.25 million in 2007 to P88.5 million in 2024. ### Can Sara Duterte still run in 2028 if she is convicted? No. Conviction would remove her from office and could bar her permanently from future posts, including the presidency. ### When will the Sara Duterte impeachment trial end? The trial began in July and is expected to run until December. Senate President Win Gatchalian says a final verdict should come before year’s end. Related Stories - [VP Duterte Calls on Marcos to Resign: ‘Umalis Ka Dyan!’](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/duterte-calls-on-marcos-to-resign/ "VP Duterte Calls on Marcos to Resign: ‘Umalis Ka Dyan!’") - [You Can Finally Request a Politician’s SALN. Here’s How](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/how-to-request-saln-ombudsman/ "You Can Finally Request a Politician’s SALN. Here’s How") - [Alarming Things Senator Robin Padilla Said During the Impeachment Trial](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/robin-padilla-alarming-impeachment-trial-remarks/ "Alarming Things Senator Robin Padilla Said During the Impeachment Trial") **Categories:** Philippine Politics, State of Affairs **Tags:** 2028 National Elections, Impeachment Trial, OCTA, Sara Duterte --- ### [EXCLUSIVE: ‘Club Kid,’ Cannes Breakout Film, Hits PH Cinemas November 18](https://rollingstonephilippines.com/culture/film/a24-club-kid-philippines-cinemas-lunchbox/) **Published:** September 29, 2026 **Author:** Pie Gonzaga **Excerpt:** Lunchbox confirms the date for the American queer comedy-drama’s release in the Philippines, the agency’s first foray into film distribution **Content:** [Jordan Firstman](https://rollingstonephilippines.com/tag/jordan-firstman/)’s *[Club Kid](https://rollingstonephilippines.com/tag/club-kid/)* arrives in Philippine cinemas nationwide on November 18, Filipino marketing agency [Lunchbox](https://rollingstonephilippines.com/tag/lunchbox/) confirmed to *Rolling Stone Philippines*. This comes after the agency [teased](https://www.instagram.com/p/DdsgHSYTHy3/?utm_source=ig_web_copy_link&stkn=MzRlODBiNWFlZA==) a Philippine release late last week. Firstman’s feature directorial debut received a seven-minute standing ovation at its [Cannes](https://rollingstonephilippines.com/tag/cannes-film-festival/) premiere in May, kicking off a brief [bidding war](https://variety.com/2026/film/news/jordan-firstman-club-kid-bidding-war-cannes-sales-1236751009/) between Mubi, Focus Features, and Searchlight Pictures, among other distributors. Shortly after, [A24](https://rollingstonephilippines.com/tag/a24/) acquired worldwide distribution rights for *Club Kid*. Now, Lunchbox brings the film to the Philippines as its solo debut in distribution. The agency previously handled marketing campaigns for local films, like Antoinette Jadaone’s box-office hit [*Sunshine*](https://rollingstonephilippines.com/culture/reviews/sunshine-maris-racal-movie-review/) and Petersen Vargas’ [*Some Nights I Feel Like Walking*](https://rollingstonephilippines.com/culture/film-tv/some-nights-premiere-isetann-recto/), for which Lunchbox earned the Grand Kidlat for Most Creative Marketing Stunt. They’ve also handled the local marketing campaigns for other A24 films such as Sofia Coppola’s *Priscilla* and Benny Safdie’s *The Smashing Machine*. *Club Kid* follows Peter (Firstman), a gay 30-something-year-old party promoter who discovers he has a son when a 10-year-old child shows up on his doorstep. “True to Lunchbox’s core, we really try to champion stories that hit close to home,” says Lunchbox CEO Carl Chavez. “It’s about the importance of families in whichever form it may be — stories I think we Filipinos relate to in general,” he says. He adds that bringing the queer film to the Philippines is a “big gamble” for an independent boutique agency. “But I like taking risks,” he says. By distributing *Club Kid* locally, he also hopes to “crack the right distribution recipe.” “The dream is \[that\] when we crack something out of it, we could apply that to Filipino films in general,” Chavez says. Leading up to *Club Kid*’s release in November, Lunchbox plans to put up an immersive marketing campaign for the film. “Our objective is not just to distribute *Club Kid*, but to market it by breaking traditions. It will be a full experience for the audience.” ## Frequently Asked Questions ### What is *Club Kid* about? In *Club Kid*, a hard-partying New York City club promoter named Peter sees his whirlwind lifestyle upended by the arrival of Arlo, a 10-year-old son he never knew he had. ### Who directed *Club Kid*? *Club Kid* was written and directed by American actor and comedian Jordan Firstman, who also stars in the film as Peter. Firstman is best known for the role of Charlie in HBO’s *I Love LA*. ### Who else stars in *Club Kid*? *Club Kid* also stars Reggie Absolom, Cara Delevingne, and Diego Calva, with British rapper Shygirl making a cameo. ### Which companies offered to distribute *Club Kid* after Cannes? The film received multiple offers from various distributors following its premiere at Cannes in May, including Mubi, Focus Features, Searchlight Pictures, A24, Black Bear Pictures, Warner Bros. Clockwork, and Netflix. The last two later dropped out, and A24 eventually acquired distribution rights. ### Has *Club Kid* won any awards? At Cannes, *Club Kid* was nominated for the Prix Un Certain Regard, Caméra d’Or, and Queer Palm, but did not win any of the awards. Firstman is set to receive the Breakthrough Filmmaker Award at the Middleburg Film Festival in October. 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Or maybe they have. “Look, it’s been 50 years of hell,” says Larry Mullen Jr., sitting with his three bandmates at an outdoor lunch table just a few feet from the Mediterranean’s pointillist pastels. He’s looking sleek, as usual, in a black polo and Wayfarers, his hair in its perpetual pompadour, shorn at the sides. “I mean, honestly, having to round these guys up, get them to go and do the songs — it’s been hard. And then when it comes to touring, OK, the stage sets and all that stuff, but sweet Jesus, the haircuts. And then having to watch them from behind. Honestly, it’s been hard.” “The mullet phase must have been terrible,” [the Edge](https://rollingstonephilippines.com/tag/the-edge/) says, once they all catch their breath from laughter. “He only got the party at the back!” adds [Bono](https://rollingstonephilippines.com/tag/bono/). It’s a beautiful day, inevitably, here in early September on the French Riviera, a mere 900 miles or so from the band’s birthplace, Mullen’s childhood kitchen in Dublin. In three weeks, these four guys will celebrate U2’s 50th anniversary in the least retrospective manner possible, announcing their first album of new material in nine years, *[Carnaval De Luz](https://www.rollingstone.com/music/music-news/u2-new-album-carnaval-de-luz-interview-1235630567/),* due Nov. 13*.* Its first single, “Street of Dreams,” turns out to have been something of a head fake, a soothing, status-quo-U2 moment on an album more inclined toward risk, ambition, and jagged energy. Its guiding theme is what the Edge calls “defiant joy” in dark times, hence the carnival setting, which brings with it way more Spanish-language lyrics than anyone might expect from a thoroughly Irish foursome. “The record was made through, probably, the most disturbed period any of us have lived through,” says Bono, who’s begun to see the actual devil at work in the world these days. “Not personally, but globally.” He notes that a new documentary about Ukraine, *Black Sunflowers*, begins with a rave amid war’s devastation, and brings up the writer Dan Savage’s words on queer life during the AIDS crisis: “We buried our friends in the morning, we protested in the afternoon, and we danced all night…. It was the dance we were fighting for.” “It’s not putting your head in the sand,” Bono continues. “It’s just saying, ‘These people can’t control our mood.’ We don’t even have to name them, because everyone has their own version of who that is.” Summoning the spirit to make a great U2 album at this late date comes with its own brand of defiance. “The past and me have got to break up,” Bono sings on the opening track, the pleasantly jarring, Suicide-inspired, Brian Eno-assisted “Go (Carnaval De Luz),” offering a mission statement that echoes “I’m ready for what’s next” from “Zoo Station.” “More importantly,” the frontman adds at the table, piggybacking Bono-ishly onto his own line, “every time a band like U2 goes into the studio, you sort of have to break up and make up. It’s a hard thing to say, but I think part of it’s true. Or certainly there are pivotal albums where you know you have to start again.” Stop him if you’ve heard that one before. At a Dublin concert the night before New Year’s Eve in 1989, he stood onstage in a black cowboy hat and told the crowd, “We have to go away and dream it all up again.” The band embarked on a spectacular leather-and-neon run in the decade that followed, only to fear they had drowned themselves out with electronics on 1997’s *Pop* (even if tracks like “Mofo” hold up). They returned to musicians-in-the-room basics with *All That You Can’t Leave Behind*, but not quite, because they had never before written songs quite so simple and soulful. Twenty-six years later, *Carnaval De Luz* feels like yet another starting point, at a moment when anyone not named Mick or Keith might reasonably be eyeing the finish line. Their wellspring hasn’t changed. “Faith is at the very heart of this story called U2,” says Bono. Today’s hat, which he’s removed at the table, is a rustic straw model; today’s sunglasses are orange, reflective, and round-lensed, John Lennon-style. He’s wearing dark-gray linen from his head to his toes, which poke out of black leather sandals. Behind him, against the restaurant’s white fence, is a vaguely biblical lime tree. “Faith in each other, I suppose. Faith in ourselves, faith in our community that got us here. Faith that something bigger than us had a wind at our back.” ![U2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/U2-1978-Project-Arts-Centre-Photo-Credit-Patrick-Brocklebank-1.webp) The Edge, Larry Mullen Jr, Bono and Adam Clayton (from left) in 1978. Photo by Patrick Brocklebank Still, the Edge went into the process with questions. He’s sitting to Bono’s right, and could almost pass for his bodyguard, his black baseball cap pulled low, gold chain draped over a black T-shirt. “‘Are we still relevant?’” the guitarist recalls asking. “‘Do we have anything to say that’s of interest to anybody?’ Whether we’re relevant or not is not up to us. But we can choose to *try* and be relevant, and that’s what we decided.” It wasn’t, he adds, “a burdensome thought. It was just more of a quickening. Like, gotta make this matter. And first to ourselves.” *Carnaval De Luz* is of a piece with the two EPs the band released earlier this year, [*Days of Ash*](https://www.rollingstone.com/music/music-news/u2-days-of-ash-ep-six-new-songs-1235518020/) and [*Easter Lily*](https://www.rollingstone.com/music/music-news/u2-ep-easter-lily-1235541007/)*.* As an upcoming deluxe edition makes clear, the whole thing is essentially a double album built around the liturgical calendar, and meant to be listened to that way: Carnival, Lent, Easter. You could also hear it as an eternal cycle, since the final sounds on the *Easter* EP turn out to be the first notes of *Carnaval*. “Trying to ask a wearied world to follow the liturgical calendar might be a lot to ask,” Bono says with a smile, “even of our most fervent fans. But maybe not. It’s an art project.” On a lyric from the second EP, Bono borrows the first half of the title of a book he loves, *The Death and Resurrection Show*: *From Shaman to Superstar*, which unearths the mythic roots of show business. If you’re in U2, of course, that’s the nature of the gig, complete with your own liturgical calendar. You keep re-creating yourself, sometimes wandering so far that you get lost. You may swing off to write songs about Spider-Man. But you always find your way home, never quite unchanged. You waver in and out of fashion, try to save a world that doesn’t seem to want to be saved, perhaps show up unbidden on a few hundred million phones, all while continually achieving transcendence and elevation in football stadiums. And you may need to learn the same lessons over and over again. “It took us a long time to realize that the less you put into a recording, the better it sounds,” says Adam Clayton, who’s grown a rather dashing silver mustache. To match the carnival vibe, he’s chosen a tropical shirt by Casablanca, decorated with colorful graphics of boxers. “And actually, the sound of the band is good enough.” “Faith is at the very heart of this story called U2,” says Bono. “Faith in each other. Faith in ourselves, faith in our community that got us here.” “We’re slow learners,” says Mullen, who went through his own slow, private resurrection for this album, after suffering a neck injury that had doctors advising him to retire. “Very slow learners.” IN EARLY JUNE, less than three months before her death, an ailing [Dolly Parton](https://rollingstonephilippines.com/tag/dolly-parton/) made her way to a microphone and recorded the final vocal of her 70-year career. “Nothing hurts a mother more,” she sang, in a voice all the more commanding for its slight quaver, “than a family at war.” The song was “Torn,” a duet with Bono that became the final track on *Carnaval De Luz*. “When she got ill, she got out of her bed to sing this song,” says Bono. “And you can hear that. And I can’t even listen to it now.” In the song’s closing moments, the Edge hears something older than country music in Parton’s voice. “It’s like keening at the end,” he says, “the Irish keening at the funeral. And she’s got that in her blood.” Her last words: “Every heart is torn.” Bono had been pursuing Parton for months, initially for a still-in-progress Irish-roots side project. “There’s a courtship involved,” says Bono, who sent Parton bagpipes for her birthday. “There’s a chase. Dolly Parton is a sassy lady … Flirtation is part of her persona, and she doesn’t wanna grow out of it. And that’s one of the reasons I so admire her.” He played her a couple of sketches over the phone, including something called “Lifelong.” “She said, ‘That’s a little too Irish,’” he recalls. “She wasn’t having any of it,” adds the album’s producer, Garret “Jacknife” Lee, who’s been working with U2 on and off since 2004’s *How to Dismantle an Atomic Bomb*. “Understandably, because the songs weren’t right.” He remembers Parton telling U2, in essence, “Yeah, I want to do a song. You just haven’t given me one that I can sing.” ![Mount Temple](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Mount-Temple-class-photos-All-1978-1.webp) Class photo from Mount Temple Comprehensive School in Dublin, 1978. Bono is in the front row, third from left; his future wife, then Ali Stewart, is to his left. The Edge is in the back row, center, in jacket and tie. Photo courtesy of U2 So she sent one of her own, “Torn,” a tale of a woman trying to decide between two men. Bono heard potential in it, but he and Snow Patrol’s Johnny McDaid, a collaborator on the folk project, rewrote the lyrics around a mother agonizing over a divide between two sons. Bono considered retitling it “Civil War.” With his voice in the mix, he knows the song evokes divisions in Ireland, but it could be about Parton’s nation, or any number of other troubled lands. “You name the location,” Bono says, “but everyone knows what it is … People say in the U.S. now, people are scared to go into Thanksgiving.” At first, Bono wanted the track to veer toward “sci-fi folk,” a description that recalls Johnny Cash’s appearance on *Zooropa*, but Lee pulled him back toward a more grounded approach. “It’s Dolly Parton, and you don’t want to not have the people who love Dolly Parton listen to it,” the producer says. Daniel Lanois added pedal steel, and Mullen finished it off with an evocative, echoing drum track inspired by one of Lanois’ greatest productions, Bob Dylan’s “Most of the Time.” It wasn’t easy for Bono to figure out how to sing alongside Parton’s performance, so he kept it understated. As he wrote to Parton, “‘I just got out of your way’…. I said, ‘What am I gonna do? I’m just gonna have to just talk, basically, and just let her do what she does.’ She sang her heart out, and I cannot believe that’s an 80-year-old woman.” Much to the band’s relief, Parton approved the final mix. “Dolly loved it,” says Lee. “She was so proud of her vocal …We were very nervous that she would be uncomfortable with it, but she loved it.” The Edge sees Parton representing “the radical center, which is becoming like a no-man’s-land right now … We have aspirations in that area ourselves, but things have got so polarized, it’s very, very hard to not be taken down by both sides … But she [managed](https://www.rollingstone.com/music/music-features/dolly-parton-legacy-world-united-1235615337/) to get accepted by both sides and beloved by everyone. That’s an amazing thing. And she did it, as Bono pointed out today, with humor. Humor was her secret weapon. And no tyrant has a defense against humor, turns out.” Another, very much living, female spirit presides over track four of *Carnaval De Luz*. It’s called “The Mirror Maker (Rosalía),” and it is, in fact, about the Spanish singer. “We normally just write songs about people in jail or dead people,” Bono says. “You know, dead heroes, or trying to get them out of jail. This is just celebrating somebody just because they’re an extraordinary artist.” Like most serious music fans, Bono is obsessed with [Rosalía](https://rollingstonephilippines.com/tag/rosalia/) and her 2025 masterpiece, [*Lux*](https://rollingstonephilippines.com/tag/lux/), which beat him to many of the themes he was hoping to explore, down to the Lux/Luz/light title. “She’s arrived at the same point just before us, which is annoying and also really inspiring,” says Bono, who believes she shares a goal of “the re-enchantment of the world” via art. The song, which kicks off with a massive, Pete Townshend-worthy acoustic guitar riff, began around 2017 as an Edge demo called “Kuti Rocker,” denoting a Fela Kuti influence. At various points it was also called “Delilah” and “Child of the Age.” “The version that we’re using on the album is the 196th version,” says Lee. “With completely different lyrics. That was a very difficult one to do, because it started off as a rock & roll song with electric guitars, and we just kept on trying to bring it back to *Ziggy Stardust* or something, the acoustic guitars…. Rock & roll can be quite masculine, and it’s off-putting when it’s too masculine. So you gotta have a bit of femininity, which is why I think Bowie works and T. Rex works … It’s just not cock rock.” “The Mirror Maker (Rosalía)” is a departure for U2. “We normally just write songs about people in jail or dead heroes,” Bono says. About halfway through those 196 versions, by Lee’s reckoning, the song acquired its subject. “Why are we singing about Rosalía?” Lee remembers the band asking. “How is it relevant?” Bono’s answer goes back to *The Death and Resurrection Show*, which he first read in the Nineties. (“The ‘magic’ of showbiz is *real* magic,” author Rogan P. Taylor argues, linking performers to shamanism. “It draws its power from an immensely well-stocked religious bank.” The book also states that ancient shamans tended to lose a parent at a young age, which surely raised Bono’s eyebrows.) “We all have some narcissism to contend with,” Bono says. “Just the act of writing, or thinking somebody should be interested in your ideas — it’s very easy to get lost in the mirror there. Or just what’s reflected behind you as you look in the mirror, the world that’s behind you.” As he speaks, I catch a glimpse of myself in his sunglasses. “But there are artists who want to go *through* the mirror and see what’s on the other side of the mirror. Patti Smith was one for me when I was growing up. There’s many. Not enough … Certainly Rosalía is one of them. And it’s this idea that we’re body, soul, and spirit. This rather old-fashioned, quaint idea. And she approaches it with great courage and great self-effacing humor … There’s not just physics, there’s metaphysics.” “It’s just a little embarrassing that she became so popular before we put out the song,” he adds. “But that doesn’t matter to me. Everyone knew about Martin Luther King too.” He didn’t feel remotely comfortable releasing the song without the artist’s permission, so he reached out to a mutual friend, Penélope Cruz, in something of a panic. “I called Penélope: ‘What am I gonna do?’” he says. “‘Just call her’ … I’m like, ‘I look like a stalker.’” Rosalía, he says, was playful about it, and has “been really encouraging, and made me laugh a lot”; they’ve texted, and talked about their mutual fandom for the poet Federico García Lorca. He still hasn’t met her. “I sort of don’t think I could meet her now. I’m just working up courage to send her the final mix.” The song starts out with Bono’s falsetto, “impersonating her soprano,” as he puts it. “The idea was to try and convince Rosalía to do it,” says Lee. “And then we realized, why would somebody sing on a song *about* them? Doesn’t make any sense. ‘Listen to me sing how great I am!’ I thought he sounded great doing it, so I thought, why would we replace it?” ![U2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/U2-Achtung-Baby-Berlin2-Photo-Credit-ANTON-CORBIJN-1.webp) U2 in Berlin circa *Achtung Baby.* Photo by Anton Corbijn IN MARCH 2024, Larry Mullen Jr. attended his first U2 concert as a member of the audience. It was, at that point, entirely unclear whether he would ever be able to play again. For their 40-date run at the Sphere in Las Vegas, his bandmates recruited a substitute drummer, Bram van den Berg. Mullen waited until the 39th show to see them. “I just didn’t want to draw attention,” he says, but that wasn’t his only hesitation. Mullen’s personality is as intense as his drumming; even when he’s cracking jokes, the sheer force of his eye contact can be intimidating. Lee admits he was once “afraid of Larry as an individual,” wondering if Mullen might punch him for some errant remark. That all changed this time around, with the two men staying late in the studio together for hours, trying out different percussive approaches on their own, something Mullen had never done before for any other album. In his infirmity, Mullen turned all of that energy inward. “There’s a certain amount of humiliation when you get injured and you can’t get over it, and I felt humiliated,” he says, sitting at the same beachside lunch table the following afternoon, ready to talk in depth for the first time about his journey back to U2. “And it’s my own — that’s my own shit.” The idea of suddenly standing outside a collective you had always been at the heart of seems nightmarish, but “it wasn’t as bad as you’d think,” says Mullen. “ The band were doing what the band needed to do. Those drum parts are mine, those parts that I played when I was a kid, a lot of them not really knowing what I was doing. And I was hearing those parts played very well by Bram, and I was grateful for that. It’s an odd thing to say, but I was. ‘Cause I had no sense of having been left behind. All those feelings were my own — they were personal feelings of humiliation. But they weren’t to do with the band. They were directed at myself.” For years, Mullen was all too aware of a problem with his neck, a congenital fusion in a facet joint. He would’ve been fine if he wasn’t continually aggravating it by hitting things, hard, for a living. “If you don’t do my job, you wouldn’t really notice,” he says, “and I got away with it for years.” By the 2019 leg of U2’s *Joshua Tree* tour, that was starting to change. He was in pain, and the medical treatment he needed each night to be able to play was harming him in the long run. “By the time I came off the road, I was really in a bad way.” He was exhausted after relentless years of touring, but still assumed he’d recover. “I just thought I always bounce back,” he says. “I always make it back…. I did need time away. I just would’ve preferred to have booked a flight somewhere as opposed to booking the trolley in the hospital.” When Covid arrived, Mullen stopped playing altogether. “I wasn’t playing drums in the bunker, ’cause it was too sore. It was through COVID that I realized that I was physically damaged beyond repair… I shut down, everybody had, and my body just went, ‘You’ve had enough.’” “We didn’t know if Larry was gonna come back,” Clayton says. “Could we keep going? Would we wanna keep going? That’s still an open question.” Even so, Mullen initially agreed to the Sphere residency when it first came up, circa 2022. “ I signed up to do it,” he says. “And then a couple of weeks later my physio said to me, ‘You won’t make it through rehearsals. So you need to undo that,’ which was very difficult, very complicated to undo it, ’cause I’d made a commitment.” He had no issue with his bandmates continuing without him. “I absolutely understood,” he says. “Business is business, and nothing can get in the way of the process, and I accept that 100 percent. So the unspoken rule” — that a band member could be replaced onstage — “applied to me in that case. It could apply to somebody else in another case. And that’s the cost of doing business. It is complicated being friends, being friendly, being in business. So yeah, we all have feelings. So I’m not gonna lie that it wasn’t difficult, but nobody imposed it.” Watching U2 play without him, he did think about musicians who’d been swapped out of bands “at a singer’s whim.” “I thought about … how that must feel,” he says. “*I* didn’t have that feeling.” Around the start of the Sphere run, Mullen joined his bandmates in the studio to record the one-off single “Atomic City” and appear in a music video. “We were at that point of not knowing if this was the last time he would play with us,” says Clayton. Bassists and drummers share a unique link, and Clayton sees his relationship with Mullen almost as a marriage. Playing with a different drummer “felt very promiscuous,” he says, as much as he admired van den Berg’s musicianship. The band’s future felt uncertain. “We didn’t know if Larry was gonna come back,” Clayton says. “Could we keep going? Would we wanna keep going? That’s still an open question.” But the Edge says *Carnaval De Luz* only exists because Mullen did return. “I don’t think we would’ve made an album if Larry hadn’t been able to play,” he says. “We would’ve just gone, ‘Why? Why make an album without Larry Mullen on it? Doesn’t feel right.’” BACK AT THE LUNCH TABLE, the members of U2 are sharing some of the whole grilled fish Clayton ordered, and talking, at startling length, about progressive rock. Bono has for years presented prog-rock, or a vague caricature of it, as a musical boogeyman that represents everything U2 were trying to avoid. In his mind, it was less an actual genre that veers from greatness (King Crimson, Rush) to ridiculousness (*Tales From Topographic Oceans*, Rick Wakeman’s infamous Camelot-on-ice thing) than a shorthand: atmosphere, pretension, and self-indulgence over hooks and immediacy. ![U2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/U2-Credit-Anton-Corbijn-2025-1-1.webp) Photo by Anton Corbijn “We grew up on the rock & roll 45,” he [told](https://www.rollingstone.com/music/music-news/u2-hymns-for-the-future-252732/) me in 2009. “It is by far the most difficult thing to pull off, and it is the very life force of rock & roll: vitality, succinctness, and catchiness, whether it’s the Sex Pistols, Nirvana, the Pixies, the Beatles, the Who, the Rolling Stones … And when rock music forgets about the 45, it tends toward progressive rock, which is like a mold that grows on old, burnt-out artists who’ve run out of ideas. We have a soundtrack/Pink Floyd side of our band, and it has to be balanced by fine songwriting.” Later, Bono decided that the very album U2 were making while we had that discussion, [*No Line on the Horizon*](https://www.rollingstone.com/music/music-album-reviews/no-line-on-the-horizon-184053/), suffered from a prog infestation. He sent the band back to what he’s described as “songwriting school” for its next two albums, 2014’s *Songs of Innocence* and 2017’s *Songs of Experience*. The Edge, as it turns out, actually likes prog, particularly Yes, a band he worshipped to the point of writing their name on his jeans in high school. And Bono has something to tell him. He’s talking about how much U2 owe their producers, which brings him to Brian Eno. During the making of *The Unforgettable Fire*, Eno insisted the band listen to Donna Summer’s masterful, Quincy Jones-produced “State of Independence” on repeat until it “turned into a prayer, which is what it really is,” Bono says. The song took up residence in the singer’s head for the next 40 years, but he only recently went online and learned that former Yes lead singer Jon Anderson co-wrote it. So Bono listened to some Yes songs, for the first time in his life. In Steve Howe’s chiming guitar harmonics, he recognized a kindred spirit to the Edge, another player determined to avoid rock’s blues cliches. Then Bono was reminded of the title of the band’s fifth album. “It’s *Close to the Edge*,” he says. “The Edge’s name comes out of this moment that I’ve been fighting with!” (At the table, the Edge doesn’t dispute this assertion, but he’s previously cast doubt on this version of his nickname’s origin story.) Bono turns to the Edge. “I owed you an apology,” he says, citing “my long-held, and probably hurtful, campaign to accuse you and others of suffering from a lurgy” — a Britishism for malady — “called progressive rock on your worst moments.” The Edge grins, his neat, dark goatee crinkling. “I just wanted to point out that Bono is totally pro prog-rock when it suits him,” he says, citing the chords and arrangement of “The Tears of Things,” from *Days of Ash,* as “progressive rock in its best iteration.” He also reveals that Bono wrote an alternate intro to the new album’s opening track that’s “heavily influenced by Yes.” (Mullen, for what it’s worth, sees all his roots in glam rock, and the closest he’ll come to prog is Blind Faith’s only album. As for Clayton: “I didn’t seek out music played by men in tights,” he says. “I knew there was nothing there for me.” That said, he is a Tool fan.) The whole discussion was less of a wild digression than it seemed. Part of the excitement of U2’s newest music is that it’s slipped the bonds of the 45. *Easter Lily* ends with the striking, hypnotic track “Coexist (I Will Bless the Lord at All Times?),” which happens to be nearly seven minutes long. It began as some gently pulsing synth chords from Eno in a file he’d labeled “Melancholic Space Grandeur.” Bono improvised over it, taking some inspiration from “State of Independence.” This song, too, is a prayer. The original version ran for 17 minutes, and Bono seriously considered putting it out that way. Lee convinced him to pull back: “I was going, ‘It’s very good, but people will only ever listen to it once.’” Mullen’s neck surgery was risky. “If you’ve got the head and the heart, I’m a head guy,” he says. “I’ll do the calculation, the logic. But my desire to play again overwrote that.” There are plenty of pop hooks on the new album, from the downright sexy “Glorify” (“As the heavens fall/Baby don’t we all?”) to the rollicking “La Reina” (“Let’s hear it one more time/For the face of the future”) to the falsetto earworm of “Superficiality” (“Freedom is a feeling/It’s a feeling that I have around you”). But Bono acknowledges that after *Songs of Experience*, he’s finally let go of the idea that U2 could still have a chart-dominating smash. “I guess when the pop charts get fed up with you, you defend yourself by saying, ‘Oh, I wasn’t really interested in them in the first place,’” he says. “When you know that’s not true … I wanted to hear our songs on the radio. Nothing still thrills me more … When there was a shot at that, I really wanted to carve a perfect pop song. I really did. Nearly got there, but didn’t quite get there. Met some incredible people, learned from them but could not distill it into that one song. The one. Just couldn’t.” “Now,” he says, “the song is its own reward.” Whatever happens with the new album, he adds, “I’m not holding it against the songs. It’s just the moment we’re in … It’s just for the few, not for the many.” He remembers reading a late-period Bob Dylan interview where the bard accepted that his music wasn’t for the masses anymore, and said he’d simply double down on being himself. “No one’s better at being Bob Dylan than Bob Dylan,” Bono says. “No one’s better at being in U2 than Edge, Adam, Larry, and me. They might *want* to be in U2, but we’re actually not bad at it.” All that said, the band is trying to come up with a radio edit of Bono’s favorite new track, the five-and-a-half-minute “The Greatest Show on Earth.” “It’s maybe our greatest song in a very long time,” he says. “That was a reason to stay in the band.” The slow-burning, IMAX-sized epic takes on a shattered love affair, with some shots at Christian nationalism along the way (“Is this a church of love or fear?/Have we made God feel like a stranger here?”). It aims to capture some of the ecstatic, crooning heartbreak of “You’ve Lost That Lovin’ Feelin’,” with a hint of Bertolt Brecht: “Love is a business that works at night/I sold myself for less than was right.” Bono had the title for a long time, but catching Elvis Presley sing “Lovin’ Feelin’” in his friend Baz Luhrmann’s recent concert film helped him crack the elegiac concept for the song: “*We were once* the greatest show on earth.” “There may be,” he says, unable to help himself, “a version of it that we can get on the radio.” Mullen and Clayton are just glad that the band changed its ways from the *Innocence*/*Experience* period, when they would ping-pong songs between wildly different producers and co-writers. “It was very hard when we had so many producers involved,” Mullen says. “So what is the band? What does the band do? How does it function? … I didn’t know what I was meant to be doing. So the studio environment was sit back and watch. I’m not used to sitting back.” During that period, Clayton adds, “the sound of the band got very cloudy, got very muddy. You know, keyboard overdubs and what have you. And this was very definitely a record based on wanting the band to sound like they’re in a room playing together.” It’s also full of huge, song-propelling bass lines. Clayton is quick to credit the Edge with composing some of them, but the guitarist throws the praise back at him. “The thing I always know is when Adam plays, it’s a different thing altogether,” says the Edge. “So I might throw an idea at him, but it’s amazing how, when Adam and Larry play, everything goes up 50 percent just in terms of the depth and intensity and personality.” ![U2 the Sphere](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Kevin-Mazur-Getty-Images-for-Live-Nation-1.webp) Bono, the Edge, and Clayton perform at the Sphere in Las Vegas in 2023, with Bram van den Berg filling in for Mullen on drums. Photo by Kevin Mazur/Getty Images Lee, who worked on the last two albums, watched songs get passed among far-flung collaborators until “you end up with these kind of Frankenstein monsters, and bits of things, and they don’t add up to much.” He doesn’t exempt himself. “I, shamefully, didn’t understand the power of Larry and Adam,” he says. The Edge thinks the band overcorrected twice. *No Line*, he argues, is where the band “lost sight of songwriting as a discipline.” On the next two albums, they “almost came the exact amount off the path in the opposite direction,” ending up “a little too technical … a little too precise.” This time around, “nothing was sacred. Nothing was finished till it was finished.” But he still loves the last two albums. “I think it came at a moment where U2 were maybe not as in vogue as we had been, so some of the work possibly has been slightly overlooked,” he says. Mullen now realizes that all of that creative struggle, however frustrating, had a purpose. “The contrarian in me would go, ‘Told you, we don’t have to work that hard,’” he says. “The problem is that’s not correct. The correct thing is you have to push and take the risk to get to the other side.” The lesson, as he sees it, is less about songcraft than about identity. “U2 can’t be like everybody else. We just can’t. We don’t have the skills to do that. We always will be and have to be outliers … The circuitous route to this record is just that. It’s the recognition that the band is not malleable in the way that maybe we would have hoped … It took a lot to get to this place. And it’s a recognition of 50 years.” AT ONE POINT DURING the sessions, Barack Obama came around, and why wouldn’t he? “We were having a good time, just talking about music and Kendrick Lamar and lots of films,” says Lee. “He’s got good taste.” Bono played the former president an in-progress song, “The Tears of Things.” “A lot of times he’s not looking for somebody’s take on it,” Lee adds. “He’s looking at how they feel when it’s being played, and you can tell when a line doesn’t land.” Obama had more than a take; he had notes. “He pointed something out to Bono about the halfway pivot,” Lee says. “He had an observation that was valid. He’s very good.” The song is, to say the least, a big swing, Bono’s elliptical take on the thousands of years that led up to Gaza, with an empathetic look at the history of the Jewish people, all narrated simultaneously by the biblical David and the statue Michelangelo made of him. By the end, he’s pleading, “Everybody is my people/Let my people go,” and wondering, “Who would choose to be chosen?” “It’s an attempt to try and grasp what’s going on in a world where we never needed the moral force of Judaism more than now,” Bono says. “And yet, what is happening?” Not for the first time, he condemns Hamas’ Oct. 7 attack, calling it “an unholy offense.” But he’s particularly horrified by the words of Itamar Ben-Gvir, Israel’s far-right minister of national security, comparing his rhetoric about Gaza — “there are people there who are not worthy of life. They shouldn’t live. They’re not even people” — to Himmler. “As a person who has stood by Israel,” Bono says, “and standing by Israel — as I stand with the Palestinian people, by the way, that they have a Palestine — there’s all this semantic back and forth over genocide, and it’s a legal term, and the ICC and the ICJ will rule on it eventually. But here’s a guy, a minister in the government, and he’s not being locked up … and this guy Netanyahu says, ‘Well, I need him to keep my majority.’” He shakes his head. “So many of the people that have expanded my mind, changed my consciousness, made me laugh, broken my heart with their songs, lifted my spirits, are Jewish. And this guy’s putting their religion in the shade … It’s just outrageous.” Israel, he adds, has “to fix the situation. They have to put what happened at the Nakba right, by making some compromise that some of these people don’t wanna make, and do the just thing. Justice is at the heart of Judaism.” “The quietness of ‘Tears of Things’ is boiling rage,” Bono concludes. It was also a powerful song that didn’t seem to belong on the album they wanted to make, and it wasn’t alone. U2 had, by Clayton’s count, “25, 30, 35, 40 pieces that were being worked on, that were being considered, and it just seemed like an awful lot to fit through the gate.” The band members were targeting the Carnival-Lent-Easter cycle early on, but initially thought of it as somehow all working on the same album. Early this year, they changed their minds. “Amongst the body of work we had was stuff that really just didn’t fit in the countervailing, joyful, carnival, celebration-of-the-physical-self idea,” says the Edge. “So I said, ‘Let’s just put out a few songs now. We’ve got these songs finished that probably won’t see the light of day, and they make sense.’ Then Bono says, ‘Yeah, they make sense around this part of the calendar.’” Ash Wednesday was weeks away. “It makes perfect sense. Let’s do it. I thought one or two songs. He’s like, ‘No, let’s do, like, six.’” “Once we got Larry in the room, it really all started to make sense,” says the Edge. “All my questions and insecurities, everything started to just fall into place.” Lee was about to go home to his family for some time off. Instead, he and the band began working with nearly crazed intensity. “You think, ‘Oh, this could be a terrible idea.’ Because it’s so disruptive, and we only have a few days to get this done, and we haven’t written two songs. So this is a lot of jeopardy here, and we really have to start doing 18-hour days, seven days a week, for the next two weeks to get it done.” The Edge started the music for “American Obituary,” which mourns the death of Renée Good at the hands of an ICE agent, only four weeks before it came out. Before Bono finished the lyrics, he arranged a Zoom call with three generations of Good’s family, “the best people you could ever meet.” “As chief lyricist, I just wanted to make sure people were OK with it,” he says. “And the father, when I got to the bit about ‘America will rise against the people of the lie,’ he asked me where that came from. I said, ‘It’s a book that Edge gave me, by M. Scott Peck, back in the Eighties.’” Good’s dad pointed to the same book on his shelf. “And what was so extraordinary about these people was they were trying to make *me* feel at ease.” Good’s partner told Bono she prays for the ICE officer who shot Good, which inspired his lyric “I love you more than hate loves war.” They released the *Days of Ash* EP with no advance word and zero fuss, essentially just slipping it onto streaming services. It was the precise opposite of dropping an album onto every iPhone in the world. ”We’d had a very big accident a few years ago,” Clayton says with a smile. “And we didn’t wanna repeat that mistake. We liked the idea of putting them out in a way that didn’t make people think that this was a substitute album.” “We’re *hiding* our new album,” Bono says. “I was surprised everyone went with it.” They had barely recovered when the frontman suggested a second EP for Easter. The scramble began anew. “Another kind of emergency happens,” says Lee. “And then we go, ‘We can’t do it again.’ But I think we did, and I think potentially better. When everyone’s pulling in the same direction, it can be a very powerful thing, especially with U2, because Bono’s like a juggernaut when he gets this energy.” Lately, more than ever, Bono’s been thinking about evil. He was struck by Simon McBurney’s recent stage adaptation of *The Master and Margarita* (the book that inspired Mick Jagger to write “Sympathy for the Devil”), where Satan thrives in a Moscow where no one believes in his existence. “Whatever it is, you call it whatever you want. I don’t know what it is,” Bono says. “But something entered the air. Everything that you and I hold sacred — because we probably would’ve gone to the same concerts, we might have argued over Rush, but not really — most of what you hold sacred is under threat.” ![U2 Mexico City](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/PHOTO-U2-Films-New-Music-Video-In-Streets-Of-Mexico-City_PHOTO-CREDIT-Hector-Vivas_Getty-Images-for-U2.webp) U2 shooting the “Street of Dreams” video in Mexico City in May. Photo by Eloisa Sanchez The devil, “a thief at large in a carnival of souls,” is also a character in the album’s fiercest song, which just dropped as a single. After the EPs, the band members suddenly realized that they had used up some album tracks and needed more. One of the final tracks they created was “Silencio.” Lee was worried that the album was “potentially a little low-key,” and the Edge dug out a nasty, fire-breathing guitar riff he had left over from the *Songs of Innocence* era. “We genuinely were like, ‘We need something of that energy,’” the Edge says. “And everyone just went, ‘Wow, let’s work on it.’ And it came through really quickly.” “In the silence,” Bono sings, “the devil rock and rolls.” But the lyrics distinguish between two kinds of silence. “There’s a beautiful silence, which is, you know, when you’re in that reflective place — nothing wrong with that,” says the Edge. “But there’s the other form of silence, which is a kind of censorship, self-censorship, which is where things can get very dangerous.” “You would know the essay by Hannah Arendt on the banality of evil,” Bono says. “So in the silence, that is it. That’s literally what that’s about.” ONCE HE BACKED OUT of the Sphere, Mullen became determined to pursue surgery on his neck. But doctors wouldn’t even discuss it with him, let alone agree to perform it. There was no guarantee the surgery would work, but that was the least of it. There was a small but real chance that it could leave Mullen paralyzed. “People don’t want to take a risk,” he says. “Most people were, ‘You know what? You’ve done incredibly well. Just retire. Sail off into the sunset. Why would you do this to yourself?’” Mullen’s family was against the idea, as well. I ask how he responded to them, and he shrugs: “Override it.” Call it heroic, or foolish, or the most extreme of the band’s many leaps of faith, but Larry Mullen Jr. was willing to take the chance. That’s how much U2 means to him. “There wasn’t a moment that I questioned, bizarrely,” he says. “This is somebody who thinks things through. If you’ve got the head and the heart, I’m a head guy. I’ll do the calculation, the logic. But my desire to play again overwrote that…. It’s only when you are faced with the possibility that you may not be able to do the thing that you love, that you’ve done for most of your life… It’s funny what your brain will do, and your body. It goes into a different mode.” Eventually, a young neurosurgeon in Dublin agreed to perform the operation. Mullen was grateful, though taken aback when she told him she’d take the risk on the grounds that he was “a national treasure.” “I thought, ‘Shit, OK. It’s really all going wrong now,’” he says. “‘Might be an out-of-work national treasure.’” The surgery went well, and after three or four months, Mullen sat down at a drum kit. “And I realized that I was playing differently,” he says. “Everything was different. My body didn’t work the same way as it used to.” He knew drummers like Max Weinberg had sought out lessons after injuries to reshape their technique, but couldn’t imagine taking that path. His only drum teacher, a Dublin jazz player, briefly tried to show a young Mullen how to play like the virtuoso Steve Gadd. It didn’t work. “I think I broke the man,” he says. “I’m unteachable.” Instead, he went back to basics, returning to the “most efficient” way of playing everything. “Over the years, you get ahead of yourself,” he says. “All you need is a neck injury to bring you back to that place. Because now you don’t have all those things you learned, all those little flicky-dee-dos, all the little skills. You now can’t rely on those.” When he felt ready, he texted his bandmates. (Oddly, there’s no full-band U2 group chat. “ We haven’t done that yet,” Mullen says. “Definitely should get one of them.”) They gathered for a session in their friend Julian Lennon’s studio, not far from the vacation house Bono and the Edge own here in the South of France. “I sat behind the drum kit,” Mullen recalls. “Literally, it was like I got into a car, and I just put it in first gear. And I just started to drive … I haven’t played for a few years. I don’t know if it still happens, that creative thing. Has that died in me? I didn’t know.” He threw everything he had at the track. “And I looked into the studio, and I could see the band kind of going, ‘OK, that’s not what we expected.’ And I’m going, ‘Not for me either.’” A second session there yielded “Street of Dreams,” with the version on the album ending up as “pretty much what we played together,” according to Clayton. “So it was a very positive first step,” he says. “That’s the dangerous thing about this band,” says The Edge. “Our next song, our next album could be our best ever, and we sense that.” “Once we got Larry in the room, it really all started to make sense,” says the Edge. “All my questions and insecurities, everything started to just fall into place.” “I certainly was very aware from the first sessions with Larry back that he was playing differently,” Bono says. “With more authority, if that makes sense to you. But it was playful. Very playful.” On *Days of Ash*, a drum performance or two was swapped out for a drum machine. “In the past, I might have said, ‘Shit,’” Mullen says. “This time I went, ‘That really worked. That was the right thing to do.’ … I don’t need to be on everything.” “Old Larry would’ve been more of a veto merchant,” says Clayton. “This new Larry … he’s much softer. He’s much gentler. He’s much more respectful of other people’s commitment to something.” “I’m working on the positive ‘no,’” Mullen jokes, but he knows the old role had its risks. “The contrarian can get miscast as a villain, and I felt that. I felt I was always walking the plank. I think people have roles … You’re the guy, the Bono character, who wants to push it: ‘This is how it’s going to be.’ You need some of that. And I recognize that now. That without that, there’s no need for a contrarian or a peacemaker or an aesthetic guy.” The band is planning an as-yet-unannounced stadium tour, and they just began rehearsals, with Mullen playing the old songs for the first time since the surgery. Clayton thinks Mullen is approaching them differently, but that may be nothing new. Before attempting [“Pride (In the Name of Love),”](https://www.rollingstone.com/music/music-lists/u2-album-leadoff-singles-ranked-1235589984/pride-in-the-name-of-love-1985-1235589993/) the drummer compared the studio version to various live performances, only to realize that it was never quite the same from year to year. Then, when he listened back to a recording of the recent rehearsals, he “was pleasantly surprised that it wasn’t sounding old.” He isn’t sure how long he can play each night on tour, or how he’ll hold up. “Even if I can’t play for two and a half hours, if I can play for an hour, that’s enough,” he says. “I’ve had it so good that I’ll accept that.” “I just pray that we are all well,” Bono says. “And that Larry, of all of us, keeps hold of his fitness.” THE MORNING AFTER the group lunch, the Edge was already working on another new song. “It’s sort of what I do,” he says with a shrug. “When I play guitar, I’m just seeing where the chords will take me, and I’m going, ‘This could be a song.’ Not necessarily, ‘Can I do my scales?’ That doesn’t interest me so much.” He’s sitting under an umbrella on the terrace of the spectacular summer home he shares with Bono, not far from the restaurant. He’s chosen a gray T-shirt today, with the same black baseball cap and chain. Terracotta tiles are at his feet; behind him is a gnarled pine tree, arching toward the sea. Today’s song-in-progress has a lot of company in his archives. His phone holds over 11,000 voice memos, many of them musical ideas. ”It’s actually a bit of a challenge to keep tabs on the really promising ones,” he says, “but it’s funny how most of the time you do remember them — or remember to keep them.” ![U2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/U2-2026-Credit-Michael-Schwartz-1.webp) Photo by Michael Schwartz Collectively, U2 are sitting on a trove of music that’s far closer to completion. Even with all the released tracks, there are still *Carnaval* outtakes they loved, including “Get Back to Now,” with lyrics inspired by time Bono spent in Hanoi. Lee describes the Edge maintaining two whiteboards during recording sessions, one for the project at hand, and another listing “another five albums, and you’re going, ‘Let’s just finish this one first!’ … There could be an acoustic record, there could be an electronic record … There’s always songs coming.” On his computer, the Edge says he has “about eight folders of different projects or side projects,” including one labeled *Songs of Ascent*, the reflective, acoustic album the band has been teasing since Bono first told me about it in 2009. “There are a bunch of songs in there that we definitely could resurrect,” the Edge says. Near the beginning of this album process, Bono and the Edge spent five days with Brian Eno in a one-room demo studio in Enniskerry, south of Dublin, with Lee engineering. They came out with 40 pieces of music, which sparked three songs on *Carnaval*, as well as “Coexist” from *Easter Lily*. “It was just really wild,” says Lee. “Brian works very quickly, or arguably not at all. He just appears and then you get something.” The original idea was to resurrect their side project with Eno, which produced a single album in 1995. “We talked about it as a Passengers album,” the Edge says. “But we weren’t sure where it would end up. We felt Brian would really like it if these pieces ended up on a U2 album, which he turned out to be delighted about.” He and Bono still expect to release the rest of the Eno music in some form (the singer is particularly excited about a track known as “The Clapping Song”), and the acoustic Celtic side project as well. But when it comes to the top-secret stadium tour they’re planning, they already have too much music. The Edge has “about 11” new songs from both the album and the EPs in his planned set list. Bono is more wary of overemphasizing the new material in stadiums, and he hints at a vague idea of setting up separate, smaller venues on the road where they could spotlight it — “a way of meeting our fans in the city in another *teatro*, which I can’t tell you about either.” Mullen, in turn, thinks the *teatro* thing is “great in theory. The practice might be a little harder to pull off.” They have a good sense of a unique concept for the stage design, and Bono even knows what he’d like the opening song to be. In 2010, Clayton [told](https://www.rollingstone.com/music/music-news/exclusive-the-edge-and-adam-clayton-reveal-u2s-future-plans-91597/) me he had trouble picturing himself playing rock past age 65. He’s 66 now, and at his own holiday house, a striking ultra-modern structure built from scratch a few miles away along the coast, he says he’s still thinking about age and limitations. “I feel like I’ve been blessed with tremendous good health,” he says. “But you look at the passing of Dolly recently at the age of 80 — and when this cycle is finished, I’m probably gonna be 70. That time of good health is valuable. It’s probably the most valuable time you have in your life.” I mention the obvious point that the Rolling Stones are still going in their eighties. “I think these people are an aberration within the blip of the music business,” he says. “There’s a certain Peter Pan-ness to Jagger and what the Stones do. I don’t think we convey the same thing. I think we ultimately are more age-appropriate. And I mean that in the nicest possible way.” Lately, he says, he and many of his friends have been thinking about “downscaling. We’ve all had these busy lives with lots of stuff. Now it feels like it’s the time to shed.” So can Clayton picture U2 playing in their eighties? “Well, you can’t say never … Perhaps we’re all playing things differently. And because of the chemistry and the history of those 50-odd years, we’ll move and adapt to that. Do I imagine this is something we would be doing in our 80s? I don’t know. I don’t know.” The Edge has no such doubts. “I don’t see why not,” he says. “I’d make the distinction between age and biological age.” He smiles when he learns of Clayton’s hesitation. “I think Adam always considered himself a young old person,” he says. “And I always now think of myself as an old young person … That’s the dangerous thing about this band. Our next song, our next album could be our best ever, and we sense that.” Mullen, again, is in no mood to be a contrarian. “After this record, and the experience of it, I think it’d be something to look forward to,” he says. “I think it will be an amazing thing to have that in your sights: that we will always, no matter what the circumstances are, come together somewhere and build the church … I think we’ve all grown, and we’ve all changed, and we all now understand something that we didn’t understand before, and that was that there is real value to U2 in its original form. It’s worth fighting for. And it’s also worth compromising for.” Our conversation is winding down, but Mullen has a question of his own. “So, did Bono say any nice things about me?” He did. “OK, that’s good,” Mullen says, and smiles. “I was just checking.” *This cover story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-features/u2-cover-story-carnaval-de-luz-larry-mullen-dolly-parton-1235631171/)* **Categories:** Music, Rock **Tags:** Bono, Rosalía, The Edge, U2 --- ### [Everything You Need to Know About Transport Strikes and Fare Hikes as a Commuter](https://rollingstonephilippines.com/state-of-affairs/transportation-state-of-affairs/transport-strike-fare-hike-commuters-2/) **Published:** September 28, 2026 **Author:** Reyza Ferranco **Content:** Various transport groups led by Samahang Manibela, Mananakay at Nagkaisang Terminal ng Transportasyon (MANIBELA), kicked off their three-day transport strike on September 28, in protest of the rising fuel prices. The strike will run until September 30, with Pagkakaisa ng mga Samahan ng Tsuper at Operator Nationwide (PISTON) set to hold its own nationwide protest on September 29 and 30. “Para sa MANIBELA, hindi na kayang saluhin ng mga tsuper at operator ang patuloy na pagtaas ng presyo ng krudo. Sa bawat pagtaas ng diesel, tumataas ang gastos sa pasada habang lumiit ang naiuuwing kita para sa pamilya,” the group’s advisory read. The transport groups also called for lower fuel prices, fare adjustments, and the removal of excise and value-added tax (VAT) on petroleum products. As part of their protest, some jeepney drivers, along with their families, shared meager meals of tuyo and kamatis [in public](https://www.facebook.com/share/v/1ckgcf9B2e/) to highlight the financial strain faced by the sector amid the rising costs. “Mga driver, tuyo at kamatis ang kanilang kinakain. Isang kain na lang halos ang nagagawa ng ating mga tsuper dahil sa maliit na kinikita ng mga driver,” says PISTON. A day before the scheduled strike, the Land Transportation Franchising and Regulatory Board (LTFRB) warned of possible sanctions the drivers could face should the continued suspension of operations violate franchise regulations. ![transport strike](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/transport-strike.webp) Some jeepneys continue to operate despite the ongoing transport strike. Photo from Robert Alfiler/PNA According to the LTFRB Acting Chairperson Greg Pua Jr., it is deemed an abandonment of franchise if fewer than 60 percent are operational during the protest period. A first offense carries a P5,000 fine; a second constitutes a suspension of franchise, while the third may lead to the franchise’s total cancellation. ## **NEW FARE GUIDE FOR COMMUTERS** Coinciding with the transport strike is the recently approved fare price hike by the LTFRB effective September 28. It applies to all traditional and modern jeepneys, buses, taxis, UV express taxis, and transportation network vehicle services (TNVS). For the first four kilometers, the minimum fare for ordinary jeepneys will increase from P13 to P14. Every succeeding kilometer will be charged at P2. Modern jeepneys, meanwhile, rose from P15 to P17, with succeeding kilometers at P2.40. For ordinary city buses, the first five kilometers now cost P15, with each succeeding kilometer costing P2.49. Air-conditioned city buses charge P18 for the first five kilometers, with succeeding kilometers at P2.98. Provincial bus fares now start at P12 for the first five kilometers, with succeeding kilometer rates varying by bus type. Ordinary provincial buses charge P2.20 per succeeding kilometer, while air-conditioned, deluxe, super deluxe, and luxury buses charge P2.45, P2.60, P2.70, and P3.35, respectively. TNVS have also increased by P20 from their previous fares. Sedan fares now start at P65, AUV/SUV at P75, Hatchback at P55, and Premium at P165. Several local government units, as well as the LTFRB, have offered free rides to commuters affected by the transport strike in the National Capital Region (NCR). The Department of Transportation (DOTr) has also deployed vehicles to provide free rides on Monday from 6 a.m. to 8 p.m. on the following routes: Quiapo to Fairview, Quiapo to Welcome Rotonda, Nagtahan to Cubao, Cubao to Fairview, and Gallertia to Taytay. On September 25, President [Ferdinand Marcos Jr. ](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/)issued the renewed suspension of excise taxes on liquefied petroleum gas (LPG) and kerosene. This comes after the Department of Energy (DOE) certified that the average price of Dubai crude oil reached $99.41 per barrel, well above the $80 threshold set under the Republic Act 12316. The tax suspension will reportedly last for up to three months, but it can end earlier if oil prices fall below the threshold per barrel. (***UPDATE: September 28, 2026, 6:00 pm:*** MANIBELA has called off the second and third days of its scheduled transport strike after a discussion with Land Transportation Office (LTO) Chief Markus Lacanilao, but said protests will still push through. PISTON’S two-day strike will also proceed.) ## FREQUENTLY ASKED QUESTIONS ### How long is the transport strike and who is joining it? MANIBELA began a three-day transport strike on September 28 that runs until September 30, protesting rising fuel prices. PISTON is holding its own nationwide protest on September 29 and 30. Both groups are calling for lower fuel prices, fare adjustments, and removal of excise tax and VAT on petroleum. ### What is the new minimum jeepney fare in the Philippines? The LTFRB raised the minimum fare for ordinary jeepneys from P13 to P14 for the first four kilometers, effective September 28, with each succeeding kilometer charged at P2. Modern jeepneys now charge P17 minimum, with P2.40 for every succeeding kilometer. ### What’s the LTFRB’s Rules And Warnings on Transport Strikes? Under LTFRB rules, operating fewer than 60 percent of units during a protest counts as franchise abandonment. A first offense carries a P5,000 fine, a second results in franchise suspension, and a third offense may lead to total cancellation of the franchise, according to Acting Chairperson Greg Pua Jr. ### Are there free rides in Metro Manila during the transport strike? Yes. Several local government units and the LTFRB are offering free rides in the NCR, and the DOTr deployed vehicles Monday from 6 a.m. to 8 p.m. on five routes, including Quiapo to Fairview, Nagtahan to Cubao, Cubao to Fairview, and Quiapo to Welcome Rotonda. ### How much are the new TNVS and city bus fares? Ordinary city buses now charge P15 for the first five kilometers plus P2.49 per succeeding kilometer; air-conditioned city buses charge a minimum of P18. TNVS fares rose by P20, with sedans starting at P65, AUV/SUV at P75, hatchbacks at P55, and premium at P165. Related Stories - [With Transport Strikes and the Fare Hike, What Options Do Commuters Have Now?](https://rollingstonephilippines.com/state-of-affairs/transportation-state-of-affairs/transport-strike-fare-hike-commuters/ "With Transport Strikes and the Fare Hike, What Options Do Commuters Have Now?") - [Low on Fuel, the Philippines Hurtles Towards a Transport Crisis](https://rollingstonephilippines.com/state-of-affairs/transportation-state-of-affairs/transport-strike-crisis-oil/ "Low on Fuel, the Philippines Hurtles Towards a Transport Crisis") - [Can Free Train Rides, PUV Fuel Subsidy Ease Transit Woes from Oil Price Hike?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/oil-price-hike-public-transportation/ "Can Free Train Rides, PUV Fuel Subsidy Ease Transit Woes from Oil Price Hike?") **Categories:** State of Affairs, Transportation **Tags:** Fare Adjustments, Oil Price Hike, Transportation --- ### [Veteran Journalist Jo Ann Maglipon Brings Pete Lacaba’s Many Worlds Together](https://rollingstonephilippines.com/culture/pete-lacaba-salinawit-tribute-jo-ann-maglipon/) **Published:** September 28, 2026 **Author:** Reyza Ferranco **Content:** Most of the time, artists are remembered for their talent and skills, while little is known about the person or figure behind the work. But with [Jose “Pete” Lacaba](https://rollingstonephilippines.com/tag/pete-lacaba/), it’s his colleagues who make sure that the world knows that his character is every bit as remarkable as his lauded artistry. That is what veteran journalist [Jo Ann Maglipon](https://rollingstonephilippines.com/culture/concerned-artists-of-the-philippines/), a longtime colleague of Lacaba, wants to celebrate in “Salinawit ni Pete Lacaba: A Tribute.” The event will be held on October 10 at My Brother’s Mustache Folk Bar in Quezon City from 5 to 9 p.m., and will gather poets, activists, singers, and artists like [Joey Ayala](https://rollingstonephilippines.com/tag/joey-ayala/), [Bayang Barrios](https://rollingstonephilippines.com/tag/bayang-barrios/), [Noel Cabangon](https://rollingstonephilippines.com/tag/noel-cabangon/), Cooky Chua, and Leah Navarro, among others. Salinawit, a portmanteau blending salin (translate) and awit (song), is the art of translating classic English songs into Filipino lyrics, a craft that Lacaba popularized. During my exclusive interview with Maglipon, we talked about Lacaba’s works, his legacy, and what she thinks people overlooked about him. What emerged was how respected and beloved the feted writer is by the people around him. ## **‘NO DICHOTOMY’** “What is so formidable to me about Pete Lacaba is that the person and the writer are one and the same. Authentic, real, clear, patriotic, intelligent, accurate, credible. So there is no dichotomy between who he is and what he writes,” Maglipon tells *Rolling Stone Philippines.* She adds that there’s a running line that if you were to judge writers based on how they were as a person, you would have to decimate half of literature. Such is not the case with Lacaba, though, as his integrity as a person is as valuable as his body of work, she says. ![salinawit ni pete lacaba](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/salinawit-poster-1.webp) The one-day event will gather artists to honor Lacaba’s work through readings, singing, and other performances. That body of work stretches across some of the most turbulent periods in Philippine history. Lacaba worked with the *Philippine Free Press* and *Asia-Philippines Leader*; both magazines were staples of the community, recording political, social, and cultural events weekly, as Maglipon describes. And even when [martial law](https://rollingstonephilippines.com/tag/martial-law/) was declared in 1972, Lacaba went underground to continue serving the people and wrote for the anti-dictatorship newspaper *Taliba ng Bayan.* He was eventually arrested and subjected to torture, yet he never gave up the locations of their safe houses or their units, not even the names of their comrades. “He never got anyone into trouble,” Maglipon, who was also imprisoned during the martial law era, recalls. Lacaba later immortalized his account of the First Quarter Storm and the martial law period in his 1982 book, *Days of Disquiet, Nights of Rage*, which Maglipon says is still used as a bible by anyone wanting to know what happened at the time. Lacaba’s life after martial law was no less complicated. Maglipon shares that finding work in mainstream media was difficult as a political detainee. No one wanted to risk their organization, and thus it was easy for media owners to push people like them away. ## PETE **LACABA’S WORK GOES ON** Lacaba eventually established *Midweek Magazine*, and despite having a smaller following compared to the previous magazines he worked for, he kept going. “He was the editor there. Then he also did translation work because he could translate English to Spanish, Filipino to Spanish, and Filipino to English. He was a really talented man,” Maglipon says. He later worked as executive editor for *YES! Magazine* under Maglipon. The former editor-in-chief shared that she gave Lacaba a job whose function was simply to copyedit works, which suited his preference for working in the background rather than deciding what should be published or serving as its public face. Maglipon adds that he rarely rewrote writers’ work unless necessary, which she said was very different from how she was as an editor at the time. Instead, Lacaba helped writers see how their own writing could become clearer and stronger. ![pete lacaba cooky chua](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/pete-lacaba-cooky-chua.webp) Pete Lacaba with Anna Pingol, managing editor of *YES! Magazine*, and Cooky Chua, who will perform on October 10. Photo from Jo Ann Maglipon She also remembers his generosity. When Maglipon was preparing a book for publication but had run out of money for a copy editor, Lacaba offered to help for free. He had his own family to support, she notes, but volunteered his time anyway. “I never forgot that goodwill, that kindness, because he didn’t have to,” Maglipon says. “He really did not have to.” That memory is part of why Maglipon wanted to organize the October 10 gathering in the first place. “I want this for him,” she says, adding that she spent a lifetime being grateful to Lacaba. ## **What to Expect at ‘Salinawit ni Pete Lacaba**‘ “Salinawit ni Pete Lacaba” seeks to reflect the prolific artist’s range by bringing together performances and readings that represent the many facets of his career. Maglipon once again pointed to Lacaba’s Salinawit translations as an example of what makes his work enduring. For her, these translations carry not just elegance and humor, but also “bawdiness” and “sassiness” that a particular song calls for. As Maglipon shares, the night will be built around all of Lacaba’s talents. Maglipon invited various artists to perform and sing of Lacaba’s translations, as well as a journalist to read excerpts from the coveted artist’s book, *[Days of Disquiet, Nights of Rage](https://rollingstonephilippines.com/culture/pete-lacaba-filipino-activism/)*, to represent Lacaba’s journalism. Some actors and actresses were asked to read lines from his screenwriting for the political film[ *Sister Stella L.*](https://rollingstonephilippines.com/tag/sister-stella-l/) (which starred Vilma Santos), as well as lines from his poetry collections. ![pete lacaba sister stella l cast](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/pete-lacaba-and-vilma-santos.webp) Lacaba, with *Sister Stella L*‘s lead, Vilma Santos, and Raquel Villavicencio, who played Sister Annie. Photo from Jo Ann Maglipon But more than just a showcase of Lacaba’s work, it’s a gathering of people who have worked with, learned from, and admired Lacaba throughout his career. The celebrated man himself, Lacaba, will also be present during the event. As for what she hopes people will get from the tribute, Maglipon says, “I hope it is a fun night. I always find that music elevates friendships and evenings of feasting. A takeaway from all this should be that we’re in this together, all of us. We’re in this together.” “Salinawit ni Pete Lacaba” is ultimately an invitation to enjoy those pleasures together and to celebrate a writer whose work has given people plenty to gather around. “If we can enjoy all of these pleasures together, why not?” says Maglipon. Tickets for the event are priced at P1,000 for general seats and P1,500 for seats closer to the stage. Maglipon invites music enthusiasts or anyone who simply appreciates good music and enjoys a congenial atmosphere with artists, writers, singers, and musicians to join the night. ## FREQUENTLY ASKED QUESTIONS ### Who is Pete Lacaba? Pete Lacaba is a multi-awarded Filipino journalist, screenwriter, editor, activist, poet, and translator. He was a former political prisoner and was known for his works, such as *Days of Disquiet, Nights of Rage* and *Sister Stella L.* ### What is Salinawit? Salinawit, a portmanteau blending salin (translate) and awit (song), is the art of translating classic English songs into Filipino lyrics, a craft that Lacaba popularized. ### What is ‘Salinawit ni Pete Lacaba’? “Salinawit ni Pete Lacaba” is a tribute organized by veteran journalist Jo Ann Maglipon for her longtime friend and colleague, Pete Lacaba. The event will celebrate the prolific artist’s many talents. ### When will ‘Salinawit ni Pete Lacaba’ happen? The event will be held on October 10 at My Brother’s Mustache Folk Bar in Quezon City from 5 to 9 p.m., and will gather poets, activists, singers, and artists. ### Who are the special guests joining in ‘Salinawit ni Pete Lacaba’? Joey Ayala, Bayang Barrios, Noel Cabangon, Cooky Chua, and Leah Navarro, among others. Some journalists, actors, and actresses are also invited to perform but have yet to be finalized. Related Stories - [Why Pete Lacaba’s Books and Films Remain Essential to Filipino Activism](https://rollingstonephilippines.com/culture/pete-lacaba-filipino-activism/ "Why Pete Lacaba’s Books and Films Remain Essential to Filipino Activism") - [Who Should be a National Artist?](https://rollingstonephilippines.com/culture/who-should-be-a-national-artist/ "Who Should be a National Artist?") - [How Concerned Artists of the Philippines Grew as a Response to Martial Law](https://rollingstonephilippines.com/culture/concerned-artists-of-the-philippines/ "How Concerned Artists of the Philippines Grew as a Response to Martial Law") **Categories:** Art, Culture **Tags:** Jo Ann Maglipon, Pete Lacaba, Salinawit ni Pete Lacaba --- ### [Antoinette Jadaone Launches New Prod Studio for Women-Led Stories in Filipino Cinema](https://rollingstonephilippines.com/culture/film/antoinette-jadaone-ilaya-ilaya-women-led-filipino-cinema/) **Published:** September 28, 2026 **Author:** Elijah Pareño **Excerpt:** The production outfit is already working on projects with Pam Miras, Glenn Barit, Tim Rone Villanueva, Eugene Domingo, and Angelica Panganiban **Content:** Film director [Antoinette Jadaone](https://rollingstonephilippines.com/tag/antoinette-jadaone/) announced a new production outfit, [Ilaya Ilaya](https://rollingstonephilippines.com/tag/ilaya-ilaya/). Jadaone will run the company with longtime collaborator and producer Reign Anne De Guzman. “Before we were filmmakers, we were lovers of Philippine cinema,” Jadaone says. “We want to be more intentional now about telling stories and working with people who demonstrate a genuine love for Philippine cinema.” > [View this post on Instagram](https://www.instagram.com/reel/Ddv-8NXlZNa/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Ilaya Ilaya Studios (@ilayailayastudios)](https://www.instagram.com/reel/Ddv-8NXlZNa/?utm_source=ig_embed&utm_campaign=loading) The production outfit is developing several projects alongside some of the most recognizable names in the film industry. One of the first films announced is *Birdsong*, a found-footage horror film directed by Pam Miras and written by [Glenn Barit](https://rollingstonephilippines.com/tag/glenn-barit/). Another project in development is *Chandra Catacutan and the Curse of the Fuchsia Moon*, a supernatural comedy directed by Tim Rone Villanueva and starring [Eugene Domingo](https://rollingstonephilippines.com/tag/eugene-domingo/). Jadaone will also direct *Boldstar*, which stars [Angelica Panganiban](https://rollingstonephilippines.com/tag/angelica-panganiban/). Ilaya Ilaya will also bring Jadaone’s most recent film, *[Sunshine](https://rollingstonephilippines.com/tag/sunshine/)*, to the stage. The play will be directed by Mikko Angeles, with [Maris Racal](https://rollingstonephilippines.com/tag/maris-racal/) reprising her role. Ilaya Ilaya will soon expand into television, with Jadaone showrunning an as-yet-untitled romcom series for Netflix Philippines. Plot and casting details are yet to be announced. Jadaone and De Guzman duo aims to champion women-led stories in Filipino cinema. More specifically, the two are aiming to highlight unappreciated genres and filmmakers who are struggling to find support outside traditional studio systems and festival funding cycles. ## Frequently Asked Questions ### What is Ilaya Ilaya? Ilaya Ilaya is a new production outfit announced by film director Antoinette Jadaone. She runs it with longtime collaborator and producer Reign Anne De Guzman. They have collaborated since both worked on films like *Sunshine* and *That Thing Called Tadhana*. ### What projects is Ilaya Ilaya developing? Announced projects include *Birdsong*, *Chandra Catacutan and the Curse of the Fuchsia Moon*, *Boldstar*, and an unnamed rom-com series, co-written by Fatrick Tabada, airing on Netflix Philippines. ### Which Antoinette Jadaone film will be adapted into a stage play? Ilaya Ilaya will bring *Sunshine* to the stage, directed by Mikko Angeles with Maris Racal reprising her role. ### What are Ilaya Ilaya’s future plans for Netflix Philippines? Ilaya Ilaya expanded into television, with Jadaone as showrunner of an untitled romcom series for Netflix Philippines. ### What are the films Antoinette Jadaone directed? Antoinette Jadaone has directed several films such as *That Thing Called Tadhana*, *Fangirl*, and *Sunshine*, to name a few. Related Stories - [Maris Racal and Antoinette Jadaone on ‘Sunshine’ and Acting as a Craft](https://rollingstonephilippines.com/culture/maris-racal-antoinette-jadaone-interview/ "Maris Racal and Antoinette Jadaone on ‘Sunshine’ and Acting as a Craft") - [Antoinette Jadaone Didn’t Expect This ‘Beauty in a Bottle’ Line to Go Viral](https://rollingstonephilippines.com/culture/film-tv/antoinette-jadaone-greatest-hits/ "Antoinette Jadaone Didn’t Expect This ‘Beauty in a Bottle’ Line to Go Viral") - [Jose Javier Reyes On Why Filipinos Hate Their Own Movies](https://rollingstonephilippines.com/culture/philippine-cinema/jose-javier-reyes-filipino-movies/ "Jose Javier Reyes On Why Filipinos Hate Their Own Movies") **Categories:** Culture, Film, Philippine Cinema **Tags:** Antoinette Jadaone, Ilaya Ilaya --- ### [The 2026 MTV VMAs Had Madonna Back on Stage and a New Generation Taking Over](https://rollingstonephilippines.com/music/pop/2026-mtv-vmas-winners-madonna-taylor-swift-bts/) **Published:** September 28, 2026 **Author:** Elijah Pareño **Excerpt:** The ceremony featured a record-setting night for the pop icon, an inaugural award, and performances from across the music world **Content:** The 43rd [MTV Video Music Awards](https://rollingstonephilippines.com/tag/mtv-video-music-awards/) celebrated the music world’s biggest acts on Sunday, September 27, at the Los Angeles’ Peacock Theater. [Madonna](https://rollingstonephilippines.com/tag/madonna/) entered the night as the most-nominated artist with 13 nods, largely for the short film accompanying her latest album *[Confessions II](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/)*. She walked away with seven Moon Person trophies, including Artist of the Year, Best Collaboration with [Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/) for “Bring Your Love,” Best Dance, Best Long Form Video, Best Album, Best Cinematography, and Best Choreography. The wins came on the same night as her first VMAs performance in 23 years, where she opened with Carpenter and later brought out [Charli XCX](https://rollingstonephilippines.com/tag/charli-xcx/) for [“Danceteria Afterhours.”](https://rollingstonephilippines.com/music/pop/danceteria-afterhours-madonna-charli-xcx/) > [View this post on Instagram](https://www.instagram.com/reel/Dd0E6jBgHFV/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Video Music Awards (@vmas)](https://www.instagram.com/reel/Dd0E6jBgHFV/?utm_source=ig_embed&utm_campaign=loading) [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/) followed closely behind with 11 nominations and took home Video of the Year for “The Fate of Ophelia.” Swift dedicated the award to the late [Dolly Parton](https://rollingstonephilippines.com/tag/dolly-parton/), calling her “the ultimate showgirl.” She also received the inaugural MTV VMA Artist Director Honors, recognizing her work behind the camera throughout her career. Swift used the ceremony to debut the music video for her new single [“Patient Zero.”](https://rollingstonephilippines.com/music/taylor-swift-patient-zero-new-single/) Moreover, K-pop icons like [BTS](https://rollingstonephilippines.com/tag/bts/) took home Song of the Year and Best K-Pop for “Swim,” while BLACKPINK’s [LISA](https://rollingstonephilippines.com/tag/lisa/) won Best Pop for “Dream” featuring Kentaro Sakaguchi. British singer-songwriter Sienna Spiro won Best New Artist, beating fellow nominees Bella Kay, CORTIS, Magnus Ferrell, Malcolm Todd, Myles Smith, and Stella Lefty. Live performances by LISA, Shaboozey, GENER8ION, and [Yung Lean](https://rollingstonephilippines.com/tag/yung-lean/) were among the artists who took the stage. Moreover, RAYE, SOMBR, and Teddy Swims also joined a tribute to George Michael, while Kacey Musgraves paid tribute to Dolly Parton. The night also had Nirvana receive the Video Vanguard Award. **Video of the Year Taylor Swift, “The Fate of Ophelia” **Artist of the Year Madonna **Song of the Year BTS, “Swim” **Best New Artist Sienna Spiro **Best Collaboration Madonna & Sabrina Carpenter, “Bring Your Love” **Best Pop LISA, “Dream” feat. Kentaro Sakaguchi **Best Hip-Hop Cardi B ft. Kehlani, “Safe” **Best R&B Bruno Mars, “I Just Might” **Best Alternative Olivia Rodrigo, “the cure” **Best Dance Madonna, “Confessions II — The Film” **Best Latin Bad Bunny, “NUEVAYoL” **Best K-Pop BTS, “Swim” **Best Country Ella Langley, “Choosin’ Texas” **Best Album Madonna, *Confessions II* **Special honors Video Vanguard Award: Nirvana MTV VMA Artist Director Honors: Taylor Swift ## Frequently Asked Questions ### When was the 2026 MTV VMAs? The 43rd MTV Video Music Awards took place on Sunday, September 27, 2026, at the Peacock Theater in Los Angeles. ### Who won the most awards at the 2026 VMAs? Madonna, the night’s most-nominated artist with 13 nods, won seven Moon Person trophies. ### Who won Video of the Year at the 2026 VMAs? Taylor Swift won Video of the Year for “The Fate of Ophelia.” She also received the inaugural MTV VMA Artist Director Honors and debuted the music video for her new single “Patient Zero.” ### Who won Best New Artist at the 2026 VMAs? British singer-songwriter Sienna Spiro won Best New Artist. ### Who won Song of the Year at the 2026 VMAs? BTS took home Song of the Year and Best K-Pop for “Swim.” Related Stories - [4 Free Concerts in the Philippines That Came at a Cost](https://rollingstonephilippines.com/editors-picks/lists/4-free-concerts-philippines-at-a-cost/ "4 Free Concerts in the Philippines That Came at a Cost") - [Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/ "Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’") - [Ranking Every Song from BTS’ ‘Arirang’](https://rollingstonephilippines.com/music/pop/ranking-every-song-from-bts-arirang/ "Ranking Every Song from BTS’ ‘Arirang’") **Categories:** Music, Pop **Tags:** BTS, Madonna, MTV Video Music Awards, Taylor Swift --- ### [Environmentalists Dig Into Climate Defense in Rolling Stone PH Roundtable](https://rollingstonephilippines.com/state-of-affairs/environment/philippines-deadliest-environmental-defenders/) **Published:** September 28, 2026 **Author:** Reyza Ferranco **Content:** In the Philippines, defending the [environment](https://rollingstonephilippines.com/tag/environment/) comes with a cost. As reported by the investigative and climate organization [Global Witness](https://globalwitness.org/en/campaigns/land-and-environmental-defenders/collective-power/), the Philippines has been named Asia’s deadliest country for land and environmental defenders for the 13th consecutive year now. In this latest episode of [Rolling Stone Philippines Roundtable](https://rollingstonephilippines.com/tag/rolling-stone-philippines-roundtable/), climate advocates discuss what it means to fight for a livable Philippines, and why protecting the environment can be so perilous. For Miss Universe Philippines 2025 [Bea Millan-Windorski](https://rollingstonephilippines.com/tag/bea-millan-windorski/), the climate became inseparable from everyday life after seeing how natural disasters heavily affect the community. After having worked in both the United States and the Philippines, she saw the difference between awareness and the difficulties faced by the defenders on the ground. “Climate is more approachable here in the Philippines, but it is more dangerous,” she said. This danger was echoed by For the Future co-founder [Issa Barte](https://rollingstonephilippines.com/editors-picks/opinion/philippines-typhoon-flooding-opinion/), who shared that talking about the environment alone could already be so controversial in today’s time. “We just want clean air, and we’ll get killed over it,” she added. Barte described this environmental crisis as a “crisis of imagination and empathy and connection.” She argued that the climate revolution asks people to look beyond ourselves and work together, and that is what keeps her and her team going. Masungi Georeserve co-founder Ann Dumaliang stressed that protecting the environment ultimately means listening to the people closest to it, or simply to those who inhabit it. “There’s an inherent disregard for the importance of frontliners to start, especially indigenous people,” she said. According to Dumaliang, the indigenous people are environmental defenders who have witnessed the changes in their ecosystems firsthand. “If you want to unlock how we will solve the climate crisis, you need to go back to those roots. That’s human history of interaction with nature.” ![climate roundtable ph guests](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/climate-defenders.webp) From left: Masungi Georeserve Co-founder Ann Dumaliang; Miss Universe Philippines 2025 Bea Millan-Windorski; For The Future Co-founder Issa Barte; and Greenpeace Philippines campaigner Jefferson Chua. When asked what makes environmental protection dangerous, Jefferson Chua of Greenpeace Philippines pointed out the politicians and businessmen behind megacorporations. “If you threaten the profit, then you’re a target,” he said. This targeting can take on different forms, like red-tagging, which Indigenous people and activists fall victim to when they oppose government-backed projects, as reported by the [Human Rights Watch](https://www.hrw.org/news/2023/01/26/philippines-officials-red-tagging-indigenous-leaders-activists). The four advocates also discussed how to continue with the advocacy despite hopelessness, climate change as an everyday reality for Filipinos, and the challenges of funding their work. *Watch the full episode of the latest* Rolling Stone Philippines Roundtable *on our [YouTube channel.](https://youtu.be/IugEiAnRBqo?si=dV72xzYV5O5YKT5s)* ## FREQUENTLY ASKED QUESTIONS ### Why is the Philippines considered Asia’s deadliest country for environmental defenders? Global Witness has named the Philippines as Asia’s deadliest country for environmental defenders for 13 consecutive years, reflecting the sustained risk faced by activists and advocates. ### What did Bea Millan-Windorski say about climate advocacy in the Philippines? Bea Millan-Windorski said climate issues feel more approachable in the Philippines than in the U.S., where she’s also worked, but far more dangerous for defenders on the ground. ### How does Issa Barte describe the Philippines’ environmental crisis? Issa Barte described the Philippines’ environmental crisis as a “crisis of imagination and empathy.” ### What role do indigenous communities play in solving the Philippines’ climate crisis, according to Ann Dumaliang? Ann Dumaliang says indigenous frontliners are routinely overlooked despite witnessing ecosystem changes firsthand, and that solving the climate crisis means returning to that human-nature relationship. ### Why does Jefferson Chua say environmental protection work is dangerous in the Philippines? Jefferson Chua says politicians and businessmen behind large corporations target environmental defenders once their advocacy threatens corporate profit. Related Stories - [5 Independent Filipino Journalists You Need to Follow Online](https://rollingstonephilippines.com/state-of-affairs/power/independent-filipino-journalists-follow-online/ "5 Independent Filipino Journalists You Need to Follow Online") - [The ‘Garbage Crisis’ is Proof of the Government’s Failures](https://rollingstonephilippines.com/state-of-affairs/environment/metro-manila-garbage-crisis-government-failure/ "The ‘Garbage Crisis’ is Proof of the Government’s Failures") - [What Everyone Needs to Know About Pax Silica](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/what-everyone-needs-to-know-pax-silica/ "What Everyone Needs to Know About Pax Silica") **Categories:** Environment, Roundtable, State of Affairs **Tags:** Ann Dumaliang, Bea Millan-Windorski, Climate, Issa Barte, Jefferson Chua, Rolling Stone Philippines Roundtable --- ### [Madonna and Charli XCX Meet in the Club on ‘Danceteria Afterhours’](https://rollingstonephilippines.com/music/pop/danceteria-afterhours-madonna-charli-xcx/) **Published:** September 25, 2026 **Author:** Elijah Pareño **Excerpt:** The first-time collaborators look back at their younger years, from makeshift stages and iPods to the legendary Manhattan club scene **Content:** [Madonna](https://rollingstonephilippines.com/tag/madonna/) and [Charli XCX](https://rollingstonephilippines.com/tag/charli-xcx/) have joined forces for the first time on “Danceteria Afterhours,” a reworked rendition of the former’s “Danceteria” from her latest album, *[Confessions II](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/)*. In “Danceteria Afterhours,” Charli XCX talks about her beginnings as an aspiring artist, especially when she was releasing music since she was 14 years old and she would eventually meet PC Music founders A.G. Cook and SOPHIE in 2015. “First time ever at a party in London/ I’m kinda nervous, kinda scared/ On a makeshift stage playing songs from my iPod/ Met a band called Le Couteau Jaune/ Yeah, I’ve been doing this shit since 2007.” “Danceteria” is named after the legendary club in Manhattan in 1982, where Madonna handed out her demo of “Everybody.” It was also the venue where she performed live for the first time. The collaboration single was released right before Madonna’s return to the MTV Video Music Awards happening on September 27. Her appearance will be her first since 2003. ## Frequently Asked Questions ### What is “Danceteria Afterhours”? “Danceteria Afterhours” is a collaboration single between Madonna and Charli XCX. ### What is the title of Madonna’s latest album? Madonna’s latest album is titled *Confessions II*. ### How old was Charli XCX when she first started playing music? Charli XCX was only 14 years old when she first released music ### What is Danceteria? Danceteria is the legendary dance club where Madonna handed out her demo of “Everybody” in 1982 and performed live for the first time. ### When is Madonna returning to the MTV Video Music Awards? Madonna is set to return to the MTV VMAs on September 27, marking her first appearance at the show since 2003. Related Stories - [Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/ "Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’") - [FKA twigs’ ‘Eusexua’ is a World You Can’t Turn Away From](https://rollingstonephilippines.com/music/music-reviews/fka-twigs-eusexua-album-review/ "FKA twigs’ ‘Eusexua’ is a World You Can’t Turn Away From") - [Addison Rae Worked For Her Album. Is it Time Filipino TikTok Stars Did Too?](https://rollingstonephilippines.com/music/addison-rae-filipino-content-creators/ "Addison Rae Worked For Her Album. Is it Time Filipino TikTok Stars Did Too?") **Categories:** Music, Pop **Tags:** Charli XCX, Madonna --- ### [16 Years Later, Mary Jane Veloso Can Finally Walk Free](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/mary-jane-veloso-pardon-free-after-16-years/) **Published:** September 25, 2026 **Author:** Reyza Ferranco **Content:** The 16-year-long ordeal of [Mary Jane Veloso](https://rollingstonephilippines.com/tag/mary-jane-veloso/) finally marks its end after President [Ferdinand Marcos Jr. ](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/)officially granted her an absolute pardon. “Pinirmahan ko na ang pardon niya kahapon,” Marcos confirmed to the media, although no further details were shared. Two days before the announcement, Palace Communications Officer [Claire Castro](https://rollingstonephilippines.com/tag/claire-castro/) shared that the president was “seriously considering” the move based on humanitarian grounds. In April 2010, Veloso, a Filipina migrant worker, was arrested in Indonesia after the authorities found 2.6 kilograms of heroin hidden in the inner lining of her suitcase. Despite profusely maintaining her innocence, she was still convicted of drug trafficking and sentenced to death. Her execution was halted in 2015 after then-President Benigno “Noynoy” Aquino III secured a reprieve and informed Indonesian authorities that her alleged illegal recruiter had surrendered. After spending years in Indonesian custody, Veloso was repatriated to the Philippines in December 2024 following an agreement between the Philippine and Indonesian governments. She continued serving her sentence at the Correctional Institution for Women in Mandaluyong. Since returning to the country, Veloso and her supporters have repeatedly sought her executive clemency. In an open letter last January, she once again appealed for her release, citing her parents’ old age and their difficulty with travelling to meet her. “Nandito pa rin ako nakakulong kahit wala akong kasalanan at wala din po akong nagawang masama sa ating bansa,” she wrote. ## FREQUENTLY ASKED QUESTIONS ### Who is Mary Jane Veloso? Mary Jane Veloso is a Filipina migrant worker who was convicted of drug trafficking in Indonesia. ### Why was Mary Jane Veloso imprisoned? Indonesian authorities found 2.6 kilograms of heroin in her suitcase. ### What was Mary Jane Veloso’s sentence in Indonesia? She was supposed to face death by firing squad, but her execution was halted in 2015 after then-President Benigno “Noynoy” Aquino III secured a reprieve when her alleged illegal recruiter surrendered. ### When did she return to the Philippines? She was repatriated to the Philippines in December 2024 following an agreement between the Philippine and Indonesian governments. ### When was Mary Jane Veloso granted absolute pardon? President Ferdinand Marcos Jr. signed Veloso’s absolute pardon grant on September 24, 2026, and he confirmed with the media a day later. Related Stories - [Can Trump’s Attacks On the ICC Affect Duterte’s Case?](https://rollingstonephilippines.com/state-of-affairs/politics/trump-attacks-icc-affect-duterte-case/ "Can Trump’s Attacks On the ICC Affect Duterte’s Case?") - [The Philippines Loses Media Watchdog CMFR](https://rollingstonephilippines.com/state-of-affairs/cmfr-philippine-media-watch-down-closing/ "The Philippines Loses Media Watchdog CMFR") - [Director Katski Flores Says ‘Edjop’ Is So Filipinos Can Always Remember](https://rollingstonephilippines.com/state-of-affairs/edjop-katski-flores-filipinos-can-always-remember/ "Director Katski Flores Says ‘Edjop’ Is So Filipinos Can Always Remember") **Categories:** Philippine Politics, State of Affairs **Tags:** Mary Jane Veloso --- ### [Best Films of 2026 So Far: ‘Forgotten Island,’ ‘The Odyssey,’ and More](https://rollingstonephilippines.com/culture/film/best-films-of-2026-so-far-forgotten-island-the-odyssey-and-more/) **Published:** September 25, 2026 **Author:** Pie Gonzaga **Excerpt:** From Cinemalaya’s biggest winners to Hollywood’s most talked-about surprises, here’s our running list of the year’s standouts **Content:** The first three quarters of 2026 made a strong case against waiting for December to name this year’s best films. Of this year’s crop of local films, the strongest works centered on women’s stories, from *[Sisa](https://rollingstonephilippines.com/tag/sisa/)* and *[Midnight Girls](https://rollingstonephilippines.com/tag/midnight-girls/)* to *[Mag-iina](https://rollingstonephilippines.com/tag/mag-iina/)*. Horror carved out real space at the global box office too, through *28 Years Later: The Bone Temple*, *[Obsession](https://rollingstonephilippines.com/culture/film/obsession-film-review-wish-gone-wrong-horror/)*, and two entries on this list, *Hokum* and *[Backrooms](https://rollingstonephilippines.com/tag/backrooms/)*. Even [Christopher Nolan](https://rollingstonephilippines.com/tag/christopher-nolan/) got in on the horror moment, working genre elements into what we’ve called his career-defining epic, *[The Odyssey](https://rollingstonephilippines.com/tag/the-odyssey/)*. International releases had just as strong a showing elsewhere, from a Spider-Man film that restored faith in the Marvel Cinematic Universe (MCU), to a rom-com daring enough to make its own audience squirm. As we head into the last quarter of the year, we look back at the best local and international films we’ve seen from January to September. ## ‘Sisa’ In [*Sisa*](https://rollingstonephilippines.com/culture/philippine-cinema/sisa-hilda-koronel-movie-review/), a stranger with a wild, unfocused stare shows up in a provincial town occupied by the American military and is swiftly written off as unstable, dubbed “Sisa” after the *Noli Me Tangere* character. [Hilda Koronel](https://rollingstonephilippines.com/tag/hilda-koronel/), marking her return to film after a 14-year absence, plays the woman with a steely control that makes clear the madness is a mask; what’s underneath is a calculated hunger to make the Americans who destroyed her family pay. [Eugene Domingo](https://rollingstonephilippines.com/tag/eugene-domingo/) matches her scene for scene as a mother teetering on collapse. Jun Robles Lana’s film, which premiered at Tallinn Black Nights in November 2025 before landing locally in March, doesn’t offer easy answers about how far revenge should go. ## ‘Hokum’ Ohm Bauman has a one-word answer for every eerie rumor thrown his way, and it’s the film’s title. In [*Hokum*](https://rollingstonephilippines.com/culture/film/hokum-adam-scott-horror-review/), Adam Scott plays the writer, holed up in the Irish countryside to finish a manuscript and scatter his late parents’ remains, brushing off talk of ghosts even as strange deaths pile up around him. Director Damian McCarthy told [*Collider*](https://www.youtube.com/watch?v=4DlRpt9zCpg) he wanted a straightforward premise carried by a character with layers, and that’s what he gets: beneath Ohm’s rudeness to hotel staff and habit of drinking alone is a man who hasn’t let himself grieve. ## ‘The Drama’ One confession blurted out during a pre-wedding hangout is enough to threaten an entire engagement in Kristoffer Borgli’s hit, *The Drama*. [Robert Pattinson](https://rollingstonephilippines.com/tag/robert-pattinson/) and Zendaya play the Boston couple caught in the fallout, joined by Alana Haim and Mamoudou Athie, with horror director Ari Aster on as producer. Critics keep reaching for *Eddington* as a comparison given how far the film pushes its audience’s comfort, and several have called it Borgli’s harshest work to date. Critics are split on whether the shock value earns its place, but no one’s calling the film forgettable. ## ‘Midnight Girls’ Rather than sensationalize the lives of Filipina entertainers in Japan, known colloquially as “Japayukis,” [Irene Villamor](https://rollingstonephilippines.com/tag/irene-villamor/)’s film sits with the tedium and toll of the work itself, the stronger of two features she put out this year (the other being [*The Loved One*](https://rollingstonephilippines.com/culture/reviews/the-loved-one-review/)). Reviewers have pointed to its refusal to lean on melodrama or easy stereotypes, opting instead for a careful, unhurried look at what immigration actually costs the women living it. It’s a slower, quieter film than Villamor’s earlier work, and that’s exactly why it works. ## ‘Backrooms’ Before he ever picked up a film camera, [Kane Parsons](https://rollingstonephilippines.com/tag/kane-parsons/) built an entire mythology out of a viral internet horror concept on YouTube. At 20, he’s turned it into a feature debut that more than justifies the leap, with a firm grip on pacing and dread that belies his age. Chiwetel Ejiofor and Renate Reinsve commit fully to the disorientation of being trapped somewhere between spaces, and their performances are a big part of why the film feels real instead of gimmicky. [*Backrooms*](https://rollingstonephilippines.com/culture/film/backrooms-movie-review-kane-parsons/) is certainly one of this year’s standout horror releases. ## ‘The Invite’ An ordinary dinner invitation to the neighbors upstairs turns into a stress test for a marriage that was already cracking in Olivia Wilde’s latest. She directs and co-stars opposite Seth Rogen, Penélope Cruz, and Edward Norton in this English-language take on Cesc Gay’s Spanish film *The People Upstairs*, written by Rashida Jones and Will McCormack. *The Invite* ignited a bidding war after its Sundance premiere in January, eventually landing at A24, and critics have called it one of the few American remakes to outdo its original, with Norton’s near-silent standout scene coming up again and again in reviews. ## ‘First Light’ Corruption dressed up as progress runs through James J. Robinson’s debut feature, which was named Australia’s official selection for the 99th Academy Awards’ Best International Feature race. In this Australian and Philippine co-production, Ruby Ruiz plays a nun caring for the sick, including the failing mother of a construction magnate (Maricel Soriano) and her husband (Rez Cortez), while mentoring a young postulant (Kare Adea). [*First Light*](https://rollingstonephilippines.com/culture/reviews/first-light-faith-corruption-rural-philippines/) is a wider indictment of unchecked development across the country, using faith, both institutional and personal, to examine what gets sacrificed in the name of growth. ## ‘The Odyssey’ We called this the best film of [Christopher Nolan’s career](https://rollingstonephilippines.com/culture/film/christopher-nolan-movies-ranked/), even while flagging his familiar blind spot when it comes to [writing women](https://rollingstonephilippines.com/culture/film/christopher-nolan-the-odyssey-women-characters/). Nolan doesn’t trim Homer’s story down to fit a runtime in [*The Odyssey*](https://rollingstonephilippines.com/culture/reviews/christopher-nolan-the-odyssey-review/); he leans further into its brutality than expected, especially compared to how gently he treated war in *Dunkirk* and *Oppenheimer*. Anne Hathaway’s Penelope breaks from the usual passive rendering of the character, giving the role real authority, and it won’t be surprising if she gets a nod for Best Supporting Actress. The film is massive in scope but stays tightly controlled, helped by sound design as strong as its visuals. ## ‘Spider-Man: Brand New Day’ Tom Holland turns in his best outing as Peter Parker yet, in what we’ve ranked among the [strongest Spider-Man films to date](https://rollingstonephilippines.com/culture/film/spider-man-movies-ranked-brand-new-day/). Director Destin Daniel Cretton steps in for Jon Watts, and while the buildup to the film’s big character reveal takes its time, the mystery keeps the momentum going. [*Spider-Man: Brand New Day*](https://rollingstonephilippines.com/culture/reviews/spider-man-brand-new-day-review-mcu-fatigue/) pays off with a strong action sequence at the halfway mark and a third act that changes how you see everything that came before. Writers Chris McKenna and Erik Sommers let Holland keep Peter’s humor intact without losing the weight of what the character is going through. ## ‘2 Valid IDs’ The bureaucratic loop that traps so many Filipinos, unable to get one ID without already having another, is the engine of Ma-an Asuncion-Dagñalan’s film, which took [Cinemalaya](https://rollingstonephilippines.com/tag/cinemalaya/)’s Audience Choice Award, Best Actress for Marietta Subong (a.k.a. Pokwang), and a Special Jury Award. Rather than lean purely on the absurdity of the premise, the film knows when to let the frustration speak for itself and when to leave room for hope, a balance that is [*2 Valid IDs*](https://rollingstonephilippines.com/culture/film/2-valid-ids-cinemalaya-review/)’ strongest asset. ## ‘Status: Rejected’ Two elderly women stumble through the strange territory of late-in-life romance and social media in Vahn Leinard Pascual’s first-ever feature film. Ruby Ruiz’s character falls hard for a retired serviceman she meets online, using a beauty filter to hide her age, all while wishing she weren’t such a financial strain on her daughter (Alessandra de Rossi). Beverly Salviejo plays her closest confidante through it all. Ruiz shared Cinemalaya’s Best Actress prize with Subong, and [*Status: Rejected*](https://rollingstonephilippines.com/culture/philippine-cinema/5-cinemalaya-2026-films-to-catch/) also picked up the NETPAC Award, a special citation for outstanding features and shorts. Pascual writes his leads with such tenderness despite the thorniness of the film’s theme, colonial fantasy. ## ‘Mag-iina’ [Giancarlo Abrahan](https://rollingstonephilippines.com/culture/film/mag-iina-cinemalaya-2026-review/) walked away from Cinemalaya with six wins: Best Film, Best Direction, Best Original Music Score, Best Production Design, Best Screenplay for writer Guelan Varela-Luarca, and Best Supporting Actor for Lucas Andalio, making [*Mag-iina*](https://rollingstonephilippines.com/culture/film/mag-iina-cinemalaya-2026-review/) the festival’s clear standout. It’s not an easy watch for everyone given how much ground it covers — grief, love, legacy, filial duty, national identity — but it never feels overstuffed. ## ‘58th’ Carl Joseph Papa sets aside the urban fantasy stories his rotoscoping style usually serves to confront something real: the 2009 Maguindanao Massacre. The docu-drama [*58th*](https://rollingstonephilippines.com/culture/film/58th-review-horror-whats-missing/) follows photojournalist Reynaldo “Bebot” Momay (Ricky Davao), whose remains were never found, through the memories of his daughter Reynafe “Nenen” Momay-Castillo (Glaiza de Castro). The animated technique fills in what archival footage can’t, the moments no camera caught, making a well-documented tragedy feel newly personal in one of this year’s standout films. If the Film Academy of the Philippines plays its cards right, it might even land a [Best Documentary nod](https://rollingstonephilippines.com/culture/film/philippines-filipinana-58th-agapito-2027-oscars-entries/) in the 2027 Oscars. ## ‘Forgotten Island’ It feels early to call an animated release one of the year’s best before the year’s even over, but [*Forgotten Island*](https://rollingstonephilippines.com/culture/reviews/forgotten-island-review-liza-soberano/), from directors Joel Crawford and Januel Mercado, has earned the claim. There’s a good reason it opened with a Rotten Tomatoes score of 100. The DreamWorks film knows how to handle Filipino culture with genuine care instead of flattening it into stereotypes, paired with the studio’s strongest animation and a hard-hitting story about friendship and purpose. ## Frequently Asked Questions ### How much has *The Odyssey* made at the box office? Christopher Nolan’s *The Odyssey* crossed $1 billion worldwide in August, becoming his first billion-dollar release since *The Dark Knight Rises* in 2012. The film also became the highest-grossing IMAX release in history, with the format contributing over $250 million to its total. ### Is *Spider-Man: Brand New Day* the highest-grossing film of 2026? Yes, *Spider-Man: Brand New Day* posted the biggest domestic opening weekend in box office history, surpassing *Avengers: Endgame*, and crossed $1 billion globally in six days, the second-fastest film ever to reach that milestone. It remains the year’s top earner. ### Did *Backrooms* really outperform its budget that much? Yes, made on a reported $10 million budget, *Backrooms* posted the largest opening weekend for an original horror film and the biggest domestic debut in A24’s history. Its director, Kane Parsons, became the youngest filmmaker ever to have a film open at No. 1 in the U.S., at age 20. ### Who stars in *Forgotten Island*? H.E.R. and Liza Soberano voice best friends Jo and Raissa, with Dave Franco, Jenny Slate, Manny Jacinto, Dolly de Leon, Jo Koy, Ronny Chieng, and Lea Salonga rounding out the cast. It’s directed by Joel Crawford and Januel Mercado and was released by Universal Pictures on September 23, 2026 in the Philippines. ### Was *First Light* nominated for an Academy Award? Not yet. *First Light* was selected as Australia’s official submission for Best International Feature Film at the 99th Academy Awards. This is a country’s chosen entry for consideration, not a confirmed nomination; the Academy announces its shortlist and nominees separately a few months before the ceremony. Related Stories - [‘Forgotten Island’ is One of the Decade’s Best Animated Films So Far](https://rollingstonephilippines.com/culture/reviews/forgotten-island-review-liza-soberano/ "‘Forgotten Island’ is One of the Decade’s Best Animated Films So Far") - [5 Feature Films to Catch Before Cinemalaya 2026 Ends](https://rollingstonephilippines.com/culture/philippine-cinema/5-cinemalaya-2026-films-to-catch/ "5 Feature Films to Catch Before Cinemalaya 2026 Ends") - [Puregold CinePanalo Unveils 26-Film Lineup for 2026 Edition](https://rollingstonephilippines.com/culture/philippine-cinema/puregold-cinepanalo-2026-finalists-lineup/ "Puregold CinePanalo Unveils 26-Film Lineup for 2026 Edition") **Categories:** Culture, Film, Philippine Cinema **Tags:** 58th, Backrooms, Cinemalaya 2026, First Light, Forgotten Island, Hokum, Sisa, Spider-Man: Brand New Day, The Odyssey --- ### [Docu Film on Israeli AI Killing Machine, ‘NAZA,’ to Stream Online for Free this November](https://rollingstonephilippines.com/culture/film/naza-documentary-israeli-ai-killing-machine-free-streaming/) **Published:** September 25, 2026 **Author:** Elijah Pareño **Excerpt:** The documentary received a special jury prize at Venice and follows interviews with Israeli insiders on AI and automated surveillance in Gaza **Content:** *[NAZA](https://rollingstonephilippines.com/tag/naza/)*, the 2026 British documentary film about Israel’s AI killing machine in Gaza is set to release theatrically in more than 50 countries globally on September 28 and will eventually become free to watch online on global digital news organization *The Guardian* by the end of November. The docu was produced by *The Guardian.* Its digital rollout is part of the news organization’s “commitment to the dissemination of independent journalism.” *NAZA* received the longest standing ovation ever at its premiere at the Venice Film Festival, and it won a special jury prize last September 12. The film revolves around interviews set in Tel Aviv where Israeli insiders testified about the integration of artificial intelligence and automated surveillance in military targeting systems used by Israeli forces in Gaza. > [View this post on Instagram](https://www.instagram.com/reel/DdIdz_XytLz/?utm_source=ig_embed&utm_campaign=loading)[A post shared by The Guardian (@guardian)](https://www.instagram.com/reel/DdIdz_XytLz/?utm_source=ig_embed&utm_campaign=loading) The film takes its title from the military acronym euphemistically used by Israeli intelligence to indicate the number of civilians they expect to kill in an airstrike. The film was directed by Israeli journalists and filmmakers Yuval Abraham and Rachel Szor. Their previous film, *No Other Land*, alongside Palestinian activists and journalists Basel Adra and Hamdam Ballal, tackles the forced displacement of Palestinians in the West Bank. It won the Academy Award for Best Documentary Feature Film at the 97th [Academy Awards](https://rollingstonephilippines.com/tag/academy-awards/) last March 2025. ## Frequently Asked Questions ### When is *NAZA* releasing, and where can you watch it? *NAZA* releases theatrically in more than 50 countries globally on September 28, and will become free to watch online via *The Guardian* by the end of November. ### What is *NAZA* about? *NAZA* revolves around interviews set in Tel Aviv, where Israeli insiders testified about the integration of artificial intelligence and military targeting systems used by Israeli forces in Gaza. ### Who directed *NAZA*? *NAZA* was directed by Israeli filmmakers Yuval Abraham and Rachel Szor. ### What awards has *NAZA* won? *NAZA* won a Special Jury Prize at the Venice Film Festival on September 12. ### What was Yuval Abraham and Rachel Szor’s previous film? Yuval Abraham and Rachel Szor’s *No Other Land* was made alongside Palestinian activists and journalists Basel Adra and Hamdan Ballal. Related Stories - [‘Asog’: The Biggest Movie That The Philippines Has Never Seen](https://rollingstonephilippines.com/culture/film-tv/asog-director-sean-devlin-interview/ "‘Asog’: The Biggest Movie That The Philippines Has Never Seen") - [Filipino Artists and Activists Show Up for Palestine in Viva Palestina Concert](https://rollingstonephilippines.com/state-of-affairs/viva-palestina-ph-artists-palestine/ "Filipino Artists and Activists Show Up for Palestine in Viva Palestina Concert") - [Patricia Evangelista Condemns Gaza Journalist Killings at Frankfurt Book Fair](https://rollingstonephilippines.com/state-of-affairs/patricia-evangelista-frankfurt-book-fair-gaza/ "Patricia Evangelista Condemns Gaza Journalist Killings at Frankfurt Book Fair") **Categories:** Culture, Film **Tags:** Naza --- ### [EXPLAINER: What’s With The Discord and Reddit Crackdown?](https://rollingstonephilippines.com/state-of-affairs/discord-reddit-ban-philippines-cicc-explained/) **Published:** September 24, 2026 **Author:** Reyza Ferranco **Content:** As the country continues its discussion on [child safety and prevention of child-perpetrated violence](https://rollingstonephilippines.com/state-of-affairs/lawmakers-plan-to-protect-minors-online/), more online spaces are being caught in a standoff with the local cybercrime body. In a letter dated September 21, the Cybercrime Investigation and Coordinating Center (CICC) issued an ultimatum to tech platforms Discord and Reddit to establish a Philippine office within 24 hours or risk being banned altogether. The CICC cited concerns over harmful online content and links to nihilistic violent extremism (NVE) networks, following another school shooting by a teenage student in South Cotabato on September 18. Reddit has since been granted an extension to comply after committing to cooperate with the government. Discord, however, became inaccessible for some users on September 23 after telecommunication companies Smart, PLDT, Globe, and Converge reportedly blocked the site. The imposed ban was lifted on September 24, with the CICC saying that it had already discussed compliance and safety protocols with the Discord management. CICC Director Renato Paraiso clarified that the directive is not intended to “police the internet for the government,” but to be “reachable, accountable, and responsive when activities on their platforms put Filipino children and communities at risk.” But this has not alleviated the frustrations and concerns of online users, many of whom doubt the purpose and effectiveness of the said orders. Here, we unpack the key issues they raised. ## **BLANKET BLOCKING AFFECTS VARIOUS INDUSTRIES** The platform restriction drew widespread backlash online. Scam Watch Pilipinas, a national volunteer anti-scam organization, has [opposed](https://www.facebook.com/share/1F3aiMkSq7/?mibextid=wwXIfr) the blocking of Discord in the Philippines. The group described blanket blocking as a “reactive policy” that affects not only bad actors but also Filipinos who use the platform for legitimate work. The organization cited the specific communities that could be disrupted by the block, such as virtual assistance, freelancing, gaming, and technology, among others. Many other users on X and Facebook condemn the blocking and have started a petition online to reconsider the ban in the country. It now has over [3,000 verified signatures](https://www.change.org/p/reconsider-the-ban-on-online-platforms-in-the-philippines?recruiter=1139233374&recruited_by_id=5f181f60-d957-11ea-bcef-79748e426006&utm_source=share_petition&utm_campaign=psf_promote_or_share&utm_term=psf_promote_or_share&utm_medium=mobileNativeShare&share_id=8dTnjpchkk) as of this writing. “The root issue is not the communication tools themselves, but a fundamental gap in digital media literacy, mental health support, and parental oversight,” the petition read. Should the Philippine government continue its web crackdown without proper considerations, the country’s digital economy will crash. ## **NOT A TAKEDOWN ON NVES FROM ITS OPERATIONS** Nihilistic violent extremism, [described](https://pia.gov.ph/news/doj-sounds-alarm-over-online-grooming-for-nihilistic-violent-extremism/) as an “emerging global threat,” refers to individuals or networks who promote or push others to engage in extreme violence, self-harm, or chaos without any cohesive ideology — driven only by hatred, alienation, and societal distrust. The Department of Justice (DOJ) and other government authorities have sounded the alarm over NVEs since the Tacloban school shooting in June, particularly over the role of social media platforms and games in exposing children to extremist, violent content. According to the CICC, the setup of local offices would also be followed by the establishment of “green lanes,” or direct channels with Philippine authorities to report, take down, and investigate flagged suspicious activities or harmful content online, as discussed with Reddit. ![discord](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/discord.webp) The tech platform has reportedly laid out its measures to ensure online safety in a meeting with CICC. Photo from the Discord Website However, cracking down on these platforms is not the same as dismantling the nihilistic networks behind the violence. How can these stop NVE groups from recruiting, regrouping, or transferring to another platform online, when it is easy to find another door? ## **THE GOVERNMENT’S OLD PLAYBOOK?** Former Department of Information and Communications Technology (DICT) Undersecretary Jeffrey Dy also expressed his opposition to the said ban, arguing that “we sacrificed some 15,000 legitimate Filipino workers on Discord.” Dy further questioned the legal basis for the blocking and noted that it was pursued despite having no court order or judicial authorization, deeming it unconstitutional. Concerns over government overreach also extend to Reddit’s [July to December 2025 transparency report](https://redditinc.com/policies/transparency-report-july-to-december-2025-reddit). Users pointed out at least 12 removal reports from the National Bureau of Investigation (NBI) covering about 74 pieces of content for alleged defamation of politicians and public figures. According to Reddit, “none of the reported content was removed as there were no Reddit Rules violations and the content involved criticism of public figures, claims of their involvement in corruption, and general commentary on newsworthy events.” ![reddit](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/reddit-brett-jordan.webp) Reddit has agreed to the CICC’s order to set up a local office and to comply with the extended deadline given. Photo from Brett Jordan/Unsplash The information thus raises eyebrows about how government authorities might use the platform restrictions to [silence criticism](https://x.com/ytanthrgfan/status/2102296994287157432?s=46) of those in power, and how it might not truly be meant for safety or to protect the innocent. Several users also compared it to the [martial law](https://rollingstonephilippines.com/tag/martial-law/) era, when former President [Ferdinand Marcos Sr. ](https://rollingstonephilippines.com/tag/ferdinand-marcos-sr/)restricted the press and mass media. The speed and selectivity of the government’s response have drawn mixed reactions. While some applaud the move, it all boils down to whether all this could really tackle the deeper issue behind why children are at risk of violence, or only sidestep gaps in guidance and supervision, as well as the need for stricter [gun safety and security](https://rollingstonephilippines.com/state-of-affairs/negligence-is-a-crime-careless-gun-owners/) laws in the country. ## FREQUENTLY ASKED QUESTIONS ### Why did the CICC order Discord and Reddit to open offices in the Philippines? The CICC issued the ultimatum on September 21, 2026, citing harmful online content and links to nihilistic violent extremism networks. The directive followed a school shooting by a teenage student in South Cotabato on September 18 and aims to make platforms reachable and accountable to Philippine authorities. ### What is nihilistic violent extremism (NVE)? Nihilistic violent extremism refers to individuals or networks that push others toward extreme violence, self-harm, or chaos without a cohesive ideology, driven instead by hatred, alienation, and distrust of society. Philippine authorities, including the DOJ, have flagged it as a growing threat since the Tacloban school shooting in June. ### Is Discord still blocked in the Philippines? No. The CICC lifted its ban on Discord on September 24, 2026, after Filipino workers who rely on the platform raised concerns and the agency met with Discord management on compliance. Smart, PLDT, Globe, and Converge had reportedly blocked the site a day earlier. Reddit was separately granted an extension. ### Why did Filipino freelancers and workers oppose the Discord ban? Freelancers, virtual assistants, gamers, and tech communities use Discord for legitimate work and collaboration. Scam Watch Pilipinas called the block a reactive policy that punishes ordinary users alongside bad actors, while an online petition also opposed it. ### Was the Discord block in the Philippines legal? Former DICT Undersecretary Jeffrey Dy argued the block lacked a court order or judicial authorization and called it unconstitutional. Others cited Reddit’s transparency report, which showed NBI requests to remove content criticizing public figures, raising fears that platform restrictions could be used to silence dissent. Related Stories - [Negligence Is a Crime, and Careless Gun Owners Should Face It](https://rollingstonephilippines.com/state-of-affairs/negligence-is-a-crime-careless-gun-owners/ "Negligence Is a Crime, and Careless Gun Owners Should Face It") - [This is Exactly How Lawmakers Plan to Protect Minors Online](https://rollingstonephilippines.com/state-of-affairs/lawmakers-plan-to-protect-minors-online/ "This is Exactly How Lawmakers Plan to Protect Minors Online") - [What We Know About the Zamboanga School Shooting](https://rollingstonephilippines.com/state-of-affairs/zamboanga-school-shooting-what-we-know/ "What We Know About the Zamboanga School Shooting") **Categories:** State of Affairs **Tags:** CICC, Discord, Reddit --- ### [Ella Langley Just Dethroned Mariah Carey’s Longest Stint at No. 1 With ‘Choosin’ Texas’](https://rollingstonephilippines.com/music/pop/ella-langley-choosin-texas-hot-100-record/) **Published:** September 24, 2026 **Author:** Elijah Pareño **Excerpt:** The country-pop crossover spent about 23 weeks at No. 1, with its heartbreak story connecting with listeners beyond the country genre **Content:** Country singer [Ella Langley](https://rollingstonephilippines.com/tag/ella-langley/)’s pop crossover single “Choosin’ Texas” is now the longest-running number one song in *Billboard* Hot 100 history. The single was first released in October 2025 under *Dandelion*, Langley’s sophomore album released last April. The single has surpassed R&B icon [Mariah Carey](https://rollingstonephilippines.com/tag/mariah-carey/)’s legendary “All I Want for Christmas Is You” for the longest run at number one. “Choosin’ Texas” has so far spent about 23 weeks in the top spot compared to Carey’s 22 weeks. > [View this post on Instagram](https://www.instagram.com/reel/Ddm5GniAPXP/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Ella Langley (@ellalangleymusic)](https://www.instagram.com/reel/Ddm5GniAPXP/?utm_source=ig_embed&utm_campaign=loading) “Choosin’ Texas” tells the story of a narrator who is from Tennessee, being heartbroken over their lover who chooses a different person who is from Texas. According to *Rolling Stone*, Langley spoke about how the song was able to resonate with a wider audience. “Everyone can relate to wanting something that doesn’t want you back, whether it be a relationship or a job,” Langley says. “I’m giving my heart to people a lot. And that’s scary to constantly do, because no one wants their heart broken.” According to *Billboard*, Carey has a chance of retaking the spot once again when the holiday season hits in a couple of months. ## Frequently Asked Questions ### What is Ella Langley’s “Choosin’ Texas” record on *Billboard*? “Choosin’ Texas” is currently the longest-running number one song in *Billboard* Hot 100 history, spending about 23 weeks at the top spot. ### What album is “Choosin’ Texas” from? Ella Langley’s “Choosin’ Texas” was first released in October 2025. ### What is “Choosin’ Texas” about? The song tells the story of a narrator from Tennessee who is heartbroken over a lover choosing someone else from Texas. ### When did Ella Langley release her latest album? Ella Langley released her sophomore album *Dandelion* last April 2026. ### How long did Mariah Carey stay in the number one spot? Mariah Carey’s “All I Want for Christmas Is You,” held the record for 22 weeks upon release in December 1994. Related Stories - [Mariah Carey Surprises Filipino Lambs with ‘All I Want for Christmas Is You’ Performance](https://rollingstonephilippines.com/music/mariah-carey-christmas-manila/ "Mariah Carey Surprises Filipino Lambs with ‘All I Want for Christmas Is You’ Performance") - [Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/ "Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’") - [Olivia Rodrigo Is the Best Arena Rock Act in Years](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-best-rock-act/ "Olivia Rodrigo Is the Best Arena Rock Act in Years") **Categories:** Music, Pop **Tags:** Ella Langley, Mariah Carey --- ### [Can Trump’s Attacks On the ICC Affect Duterte’s Case?](https://rollingstonephilippines.com/state-of-affairs/politics/trump-attacks-icc-affect-duterte-case/) **Published:** September 23, 2026 **Author:** Reyza Ferranco **Content:** The United States President [Donald Trump](https://rollingstonephilippines.com/tag/donald-trump/) has made no secret of his hostility toward institutions that could potentially castigate him. One of his recent attacks was against the [International Criminal Court](https://rollingstonephilippines.com/tag/international-criminal-court/) (ICC), describing it as a “rogue institution” run by an “evil group of people.” He further called for all member states to resign or withdraw from the global authority. And when news of Trump calling for members to resign reached Philippine media, Duterte’s supporters, to their delight, used his aggressive rhetoric as validation of their criticisms of the tribunal. But there is a difference between political pressure and legal authority, and so no, he has no direct power over current cases. Trump’s [sanctions](https://www.reuters.com/legal/government/how-us-sanctions-would-undermine-global-war-crimes-court-2026-09-21/) and statements could change the environment toward the court or bring in institutional strains, but he cannot legally dismiss or cancel Duterte’s ongoing case before the ICC as the court operates independently, contrary to what the former president’s supporters believe. Communications Undersecretary [Claire Castro](https://rollingstonephilippines.com/tag/claire-castro/) further confirmed in a recent press conference that while they respect the call, Trump’s statements have no actual effect on the ICC’s investigation into the drug war. Although the Philippines officially withdrew from the ICC in 2019, the court retained its jurisdiction over alleged crimes committed between its active window of November 2011 and March 2019, when the country was still officially a state party to the Rome Statute. Duterte will face trial for his case on crimes against humanity starting November 30. ## **TRUMP VERSUS ICC AND THE MEDIA** Trump’s confrontation with the court is hardly new. He’s been at it for so long, actively opposing the ICC since he was first appointed to office, and intensifying his campaign against it during his second term. He continues to argue that The Hague court has overstepped its bounds after pursuing officials from non-ICC member countries like the U.S. and Israel. But this could just be Trump’s way of avoiding scrutiny — or his own demise — at the hands of the Hague-based institution for his war crimes, as others view it. According to [*Al Jazeera*](https://www.aljazeera.com/news/2026/9/21/trump-administration-readies-sweeping-sanctions-against-icc-reports-say), the administration is reportedly preparing sweeping sanctions against the tribunal, which could later on affect its finances and investigations. Apart from his attack on the ICC, Trump also recently mocked the press and banned media outlets from the White House, specifically *CNN*, *MS Now*, and *Politico*, citing that they were writing false stories about his administration. He launched his own channel, Trump TV, on September 22 after other TV networks and members of the fourth estate stopped their coverage in solidarity with the prohibited organizations. (***UPDATE: September 24, 2026, 4:16 pm:*** A U.S. federal judge has ordered the lifting of the ban on the three media outlets, citing that Trump’s order was “likely unconstitutional.”) ## Frequently asked questions ### Can Donald Trump stop Rodrigo Duterte’s case at the ICC? No. Trump’s statements and sanctions can put political and institutional strain on the ICC, but he has no legal authority to dismiss or cancel Duterte’s ongoing case. ### Why does the ICC still have jurisdiction over Duterte after the Philippines withdrew? The ICC keeps jurisdiction over alleged crimes committed between November 2011 and March 2019, when the Philippines was still a state party to the Rome Statute, before its withdrawal. ### When does Rodrigo Duterte’s ICC trial begin? Duterte’s trial for crimes against humanity over his drug war is set to begin on November 30 at the International Criminal Court in The Hague. ### What did Malacañang say about Trump’s call against the ICC? Communications Undersecretary Claire Castro said the government respects Trump’s call but that his statements have no actual effect on the ICC’s investigation into Duterte’s drug war. ### Why is Donald Trump against the International Criminal Court? Trump argues the ICC has overstepped its bounds by pursuing officials from non-member countries like the U.S. and Israel. Critics see his opposition as a way to avoid scrutiny. Related Stories - [Will Filipinos Rethink Their Bond With America Under Trump?](https://rollingstonephilippines.com/state-of-affairs/trump-us-filipino-american/ "Will Filipinos Rethink Their Bond With America Under Trump?") - [How Rodrigo Duterte’s ICC Withdrawal Backfired on Him](https://rollingstonephilippines.com/state-of-affairs/politics/rodrigo-duterte-withdrew-from-icc-and-it-backfired-on-him/ "How Rodrigo Duterte’s ICC Withdrawal Backfired on Him") - [Rodrigo ‘The Punisher’ Duterte Faces His Judgment in ICC Arrest](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/rodrigo-duterte-faces-judgment-in-icc-arrest/ "Rodrigo ‘The Punisher’ Duterte Faces His Judgment in ICC Arrest") **Categories:** Politics, State of Affairs **Tags:** Donald Trump, ICC, International Criminal Court, Rodrigo Duterte --- ### [‘Ray Gunn’ Brings Brad Bird’s Upcoming Animation Into a Grittier Noir World](https://rollingstonephilippines.com/culture/film/ray-gunn-brad-bird-gritty-noir-animation/) **Published:** September 24, 2026 **Author:** Elijah Pareño **Excerpt:** The film takes a more mature route with a story involving murder, media stardom, aliens, and a sprawling retrofuturist city **Content:** [Netflix](https://rollingstonephilippines.com/tag/netflix/) revealed the first trailer for [Brad Bird](https://rollingstonephilippines.com/tag/brad-bird/)’s latest animated movie, *[Ray Gunn](https://rollingstonephilippines.com/tag/ray-gunn/)*. The film stars Sam Rockwell, Scarlett Johansson, and Tom Waits. The film is scheduled for release on the platform on December 18. The noir film tells the story of *Ray Gunn* and is set in Metropia, a gigantic city in an alternate future inhabited by aliens and humans, with its retrofuturist architecture and style inspired by the 1930s. > [View this post on Instagram](https://www.instagram.com/reel/DdoXgjXh3QU/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Netflix US (@netflix)](https://www.instagram.com/reel/DdoXgjXh3QU/?utm_source=ig_embed&utm_campaign=loading) According to *Direct*, Bird has intentionally chosen Netflix over iconic animation company Pixar for the film due to its mature themes. “I never pitched this movie at Pixar because I wanted it to be a little more aimed at adults than what I thought Pixar would be mainly interested in,” Bird says. Brad Bird is known for award-winning animated films such as *The Iron Giant*, *The Incredibles*, *Ratatouille*, and *Incredibles 2*. ## Frequently Asked Questions ### Who directed *Ray Gunn*? *Ray Gunn* is directed by Brad Bird, known for *The Iron Giant*, *The Incredibles*, *Ratatouille*, and *Incredibles 2*. ### Who stars in *Ray Gunn*? The film stars Sam Rockwell, Scarlett Johansson, and Tom Waits. ### What is *Ray Gunn* about? The noir film follows private detective Raymond Gunn investigating a murder connected to media star Venus Nova. ### When is *Ray Gunn* coming out? *Ray Gunn* is scheduled for release on Netflix on December 18. ### Which company distributed *Ray Gunn*? Netflix is the company that will distribute the Brad Bird film *Ray Gunn*. Related Stories - [Finally, A ‘Fantastic Four’ Film That Does Good by Marvel’s First Family](https://rollingstonephilippines.com/culture/film-tv/fantastic-four-first-steps-review/ "Finally, A ‘Fantastic Four’ Film That Does Good by Marvel’s First Family") - [21 Scary Horror Movies That Reflect the World’s Real Terrors](https://rollingstonephilippines.com/culture/film/21-horror-movies-real-world-terror/ "21 Scary Horror Movies That Reflect the World’s Real Terrors") - [Are We Hyping Up ‘Backrooms’ Just A Little Too Much?](https://rollingstonephilippines.com/culture/film/backrooms-movie-review-kane-parsons/ "Are We Hyping Up ‘Backrooms’ Just A Little Too Much?") **Categories:** Culture, Film **Tags:** Brad Bird, Ray Gunn --- ### [Taylor Swift Teases New Single ‘Patient Zero’ With a Cryptic Message](https://rollingstonephilippines.com/music/taylor-swift-patient-zero-new-single/) **Published:** September 23, 2026 **Author:** Elijah Pareño **Content:** [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/) announced a new single, “Patient Zero,” coming out on September 25. Swift posted on her socials, showing teasers that read, “And, baby, that’s sh0w business f0r y0u.” on her Instagram bio. Swift has also announced the acoustic and piano versions of “Patient Zero.” > [View this post on Instagram](https://www.instagram.com/p/DdmVHc2R30b/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Taylor Swift (@taylorswift)](https://www.instagram.com/p/DdmVHc2R30b/?utm_source=ig_embed&utm_campaign=loading) The announcement of the new single comes days after fans online called out Swift for not speaking up regarding the [Ed Sheeran](https://rollingstonephilippines.com/tag/ed-sheeran/) tour controversy following [Macklemore](https://rollingstonephilippines.com/tag/macklemore/)’s removal from the tour on September 4 and September 5, despite her close affiliation with Sheeran. According to *Yahoo Entertainment*, Swift is reported to have privately supported Sheeran after the fallout but does not intend to publicly comment on the situation. Fans have questioned why Swift has remained silent as Sheeran faced backlash over Macklemore’s removal from the tour. Swift’s last single was “I Knew It, I Knew You” from the *Toy Story 5* soundtrack back in June. Last July 3, Swift and professional football player Travis Kelce were married at Madison Square Garden. ## Frequently Asked Questions ### When is Taylor Swift’s new single “Patient Zero” coming out? “Patient Zero” is set to release on September 25. ### What versions of “Patient Zero” has Taylor Swift announced? Along with the original single, Swift has announced acoustic and piano versions of “Patient Zero.” ### What was Taylor Swift’s last single before “Patient Zero”? Her last single was “I Knew It, I Knew You” from the *Toy Story 5* soundtrack, released in June. ### Who did Taylor Swift show her support for? Taylor Swift was reportedly showing her support for Ed Sheeran following Macklemore’s removal from Sheeran’s tour on September 4 and 5. ### When did Taylor Swift marry Travis Kelce? Swift and Travis Kelce were married at Madison Square Garden on July 3. Related Stories - [All of Olivia Rodrigo’s Songs So Far, Ranked](https://rollingstonephilippines.com/music/olivia-rodrigo-songs-ranked/ "All of Olivia Rodrigo’s Songs So Far, Ranked") - [How Bad are the Lyrics on Taylor Swift’s ‘The Life of a Showgirl’?](https://rollingstonephilippines.com/music/pop/taylor-swift-life-of-a-showgirl-lyrics/ "How Bad are the Lyrics on Taylor Swift’s ‘The Life of a Showgirl’?") - [Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/ "Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’") **Categories:** Folk, Music **Tags:** Taylor Swift --- ### [Carly Rae Jepsen’s ‘Day and Night’ Makes You Feel Alive](https://rollingstonephilippines.com/music/music-reviews/carly-rae-jepsen-day-and-night-album-review/) **Published:** September 23, 2026 **Author:** Pie Gonzaga **Excerpt:** Running at one hour and 24 minutes, Jepsen’s latest oeuvre is proof that the good times can last long **Content:** Duality has become a large part of [Carly Rae Jepsen](https://rollingstonephilippines.com/tag/carly-rae-jepsen/)’s work. Since releasing *Emotion Side B* in 2016 as a companion piece to 2015’s *Emotion*, Jepsen has paired each album with a complementary record to round out and enrich the era. For the first time since then, the Canadian pop visionary puts her side A and side B together in one sprawling yet cohesive release, *Day and Night*. It isn’t hard to see what sets the double album’s first half apart from its second half. *Day* is breezy and characterized by live instrumentation, while *Night* shimmers with the synthetic gloss of various dance genres. Yet, sonically and thematically, the two halves gel together really well as a showcase of Jepsen’s musical proclivities and ideas of love. Speaking to [*NME*](https://www.nme.com/news/music/carly-rae-jepsen-interview-day-and-night-tik-tok-tour-3953489), Jepsen recalled her close friend and “Call Me Maybe” co-writer Tavish Crowe saying, “It’s like this amazing house party with an upstairs and a downstairs.” Regardless of pace and instrumentation, a liveliness permeates *Day and Night*. Sustaining attention and momentum throughout a 24-track album is a huge undertaking, and Jepsen succeeds for the most part by keeping the mood up. And while some tracks seem only to fly by, others stand out just enough to keep things interesting. The lead track and second single, “After All,” makes a good introduction to the album as a whole, possessing *Day*’s analog feel and *Night*’s sleek grooviness. Other parts of side A feel even more lived-in, like the string-laden psychedelic folk of “Blue Skies.” In “Burning Heart” (which was an instant addition to my commute playlist), Jepsen toys with jangle pop elements. And in “Wild Child,” she goes full folk, complete with pangs of pedal steel. The first half closes with “Just a Little Walk on the Moon,” a dreamy bossa nova cut that delivers the listener into the second half. ![carly rae jepsen on wires music video](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/carly-rae-jepsen-on-wires.webp) Jepsen on the set of the music video for the lead single, “On Wires.” Photo from Carly Rae Jepsen/Instagram ## A Stronger Side B *Night* has more banger potential, partly because the dance elements seem to respond to culture’s clamor for club-ready music, and partly because the tracks are just that dynamic and catchy. “Don’t Leave Me on the Dancefloor” has all the disco drama of an ABBA classic, but I found that the catchier songs were the ones with quirks. “Motivation,” the fourth single released ahead of *Day and Night*, begins with an infectious, distorted vocal hook and jumps into Troye Sivan’s kind of house-pop. In another of the album’s standouts, “Near or Far,” Jepsen leans fully into deep house, reaching for her lower registers and injecting the percussive dance break with discordant synths. Even “No Labels, I Love You,” a groovy but otherwise uncomplicated disco-pop track, is made exciting through the earnest, almost breathless delivery in the second pre-chorus: “I think that I love you / It’s easy, I love you / It’s stupid, I love you.” Jepsen is at her best when she does fun and sultry pop, and she delivers all that and more here, from the soulful and upbeat “After All’ to the euphoric release of the synths in the album closer, “Super Sage.” The length of *Day and Night* might pose a challenge for someone looking for an easy listen, but Jepsen and her collaborators reward you with surprising, eccentric elements that keep you on your toes. She might not be able to replicate the magic of listening to 2023’s “Kollage” for the first time, but in many other ways, *Day and Night* is an evolved and fully realized version of *The Loneliest Time* and *The Loveliest Time*, a complex treatise on love and joy that compels us to sit with our feelings and, at the same time, dance. ## Frequently Asked Questions ### How many albums does Carly Rae Jepsen have? Carly Rae Jepsen has eight studio albums: *Tug of War* (2008), *Kiss* (2012), *Emotion* (2015), *Dedicated* (2019), *Dedicated Side B* (2020), *The Loneliest Time* (2022), *The Loveliest Time* (2023), and *Day and Night* (2026). *Emotion Side B* (2016) is an eight-track EP. ### How many singles were released ahead of *Day and Night*? Carly Rae Jepsen released four singles ahead of *Day and Night*: “On Wires,” “After All,” “Don’t Leave Me on the Dance Floor,” and “Motivation.” ### Who produced *Day and Night*? Carly Rae Jepsen worked with several producers on *Day and Night*, including Kyle Shearer, Magnus Lidehäll, Elias Kapari, Vincent Pontare, Wille Enblad, Oliver Lundström, John Hill, Mathieu Jomphe-Lépine (a.k.a. Billboard), Arthur Besna, Nathan Jenkins (a.k.a. Bullion), CJ Baran, and Jepsen’s husband Cole M.G.N. ### Has Carly Rae Jepsen performed her new music live? Carly Rae Jepsen has not yet performed songs from *Day and Night* live. She is set to make her first live performance of 2026 at the All Things Go Music Festival in late September. ### How long is *Day and Night*? *Day and Night* has 24 tracks evenly split between two discs, running at one hour and 24 minutes. The version released in Japan features two bonus tracks, “Reaching for a Star” and “Yes.” Related Stories - [Carly Rae Jepsen’s ‘E•MO•TION’ Still Makes the Gays Scream 10 Years Later](https://rollingstonephilippines.com/music/emotion-carly-rae-jepsen-anniversary/ "Carly Rae Jepsen’s ‘E•MO•TION’ Still Makes the Gays Scream 10 Years Later") - [There’s ‘More’ from Carly Rae Jepsen’s ‘E•MO•TION’ We Haven’t Heard](https://rollingstonephilippines.com/music/news/emotion-vault-tracks-carly-rae-jepsen/ "There’s ‘More’ from Carly Rae Jepsen’s ‘E•MO•TION’ We Haven’t Heard") - [How Wanderland Defined a Decade of Indie in the Philippines](https://rollingstonephilippines.com/music/how-wanderland-defined-a-decade-of-indie-in-the-philippines/ "How Wanderland Defined a Decade of Indie in the Philippines") **Categories:** Music, Music Reviews, Pop **Tags:** Carly Rae Jepsen, Day and Night --- ### [This Local Website Lets You Track the Political Dynasties in Different Provinces and Cities](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/pulitiklan-political-dynasties-philippines-map/) **Published:** September 23, 2026 **Author:** Reyza Ferranco **Content:** The Philippines has been plagued by political dynasties for decades. Within the national and local government, families across generations have entrenched themselves in positions of power. According to the Philippine Center for Investigative Journalism (PCIJ)’s [June 2025 study](https://pcij.org/2025/06/30/most-district-representatives-still-from-political-dynasties-clans-control-multiple-districts/), more than 80 percent, or 212 out of 254 district seats, were occupied by members of political dynasties. If you’re curious who’s who, there’s now an easy way to track these clans and their political connections. Enter [PulitiKlan](https://pulitiklan.com/), an interactive platform that exposes the numerous political dynasties in the country. Through an atlas map and a searchable database, users can explore the political clans by province, city, person, or family name. X marks the spot; you’ll be surprised by just how much concentrated power there is wherever you choose to click. Built by content creator and computer programmer Jon Oraña, the mapping covers Luzon and Visayas, while some parts of Mindanao are to be developed soon. Its database includes a web of relationships (615 documented families as of this writing), the generations, and their office histories. ![singson family](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/singson-family.webp) The site displays the family tree and lists the specific people currently in office. Screenshot from the PulitiKlan website Aside from merely visualizing the dynasties, the site also provides the number of flood control projects and their total amount in each province and city, cited from the [Sumbong sa Pangulo](https://sumbongsapangulo.ph/)‘s Department of Public Works and Highways (DPWH) projects list. In addition, it has the “Klan Power Ranking,” which directs you to an index of which family has the most relatives in power. The Singsons in Ilocos Sur dominate the list for Luzon with 18 members in office, and the Evardone clan in Eastern Samar, Visayas with nine. All the presented family networks and relationships are supported by official sources, such as the Senate and House of Representatives sites, other government and department files, and articles from media outlets including *Philippine News Agency*, *Rappler*, and *VERA Files*. The site is cautious with each piece of information it presents and clarifies that it does not measure governance or influence, and that its coverage is incomplete. PulitiKlan is engaging, backed up with official data, and, most of all, informational. ## **THE ANTI-POLITICAL DYNASTY BILL** In September, the Supreme Court (SC) urged Congress to fulfill its constitutional mandate of enacting an anti-dynasty bill in the Philippines, with the ban being extended to the fourth degree. The highest court referenced Article II, Section 26 of the Constitution, which states that “the State shall guarantee equal access to opportunities for public service, and prohibit political dynasties as may be defined by law.” The SC added that Congress’ inaction for over 39 years constitutes injustice and grave abuse of discretion. The House of Representatives approved the bill prohibiting political dynasties up to the second degree of consanguinity or affinity on the third and final reading in June, while its Senate counterpart remains pending in the second reading. ## FREQUENTLY ASKED QUESTIONS ### What is PulitiKlan? PulitiKlan is an interactive website by content creator and programmer Jon Oraña that maps Philippine political dynasties by province, city, person, or family name. ### How many political families does PulitiKlan track, and which regions does it cover? PulitiKlan has documented 615 political families as of this writing. Its map covers Luzon and the Visayas, with some parts of Mindanao still being developed. ### Which political family has the most members in office according to PulitiKlan? The Singson family of Ilocos Sur currently leads PulitiKlan’s Power Ranking for Luzon with 18 members in office. The Evardone clan of Eastern Samar leads the Visayas with nine. ### What does PulitiKlan show about flood control projects? PulitiKlan displays the number and total amount of flood control projects in each province and city, based on the DPWH Sumbong sa Pangulo projects list. ### What is the current status of the anti-political dynasty bill in the Philippines? The House approved the bill, banning dynasties up to the second degree, on third and final reading in June. The Senate version remains pending on second reading. Related Stories - [A Timeline of the Political Relationship of Romualdez and Marcos Jr. ](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/romualdez-marcos-jr-political-relationship-timeline/ "A Timeline of the Political Relationship of Romualdez and Marcos Jr. ") - [71 of 82 Governors are from Political Families — PCIJ](https://rollingstonephilippines.com/state-of-affairs/politics/pcij-political-dynasties-report/ "71 of 82 Governors are from Political Families — PCIJ") - [‘58th’ Review: The Horror in What’s Missing](https://rollingstonephilippines.com/culture/film/58th-review-horror-whats-missing/ "‘58th’ Review: The Horror in What’s Missing") **Categories:** Philippine Politics, State of Affairs **Tags:** Political Dynasty, PulitiKlan --- ### [Donny Pangilinan’s Day One of Building a Life Beyond the Spotlight](https://rollingstonephilippines.com/radar/rs-spotlight/donny-pangilinan-sunlife-day-one/) **Published:** September 23, 2026 **Author:** Maria Althea Javier **Excerpt:** The actor is choosing to “live bright now” while making space for new ventures and the life he wants to build **Content:** Stepping into an industry where his family was already known by many, [Donny Pangilinan](https://rollingstonephilippines.com/tag/donny-pangilinan/) had to prepare himself for scrutiny. “It was very overwhelming because, one, I came from a family full of people from the industry, so a lot of pressure was there, a lot of comparison,” he says. His entry into showbiz was never meant to be permanent. Intending to take an exploratory break before college, Pangilinan watched from the sidelines while taking workshops. “I had no idea what I was doing. I was just basically trying everything possible,” the actor says, first taking up small roles in films in 2018, before eventually landing his first major gig in 2020*.* “So I ended up staying more than I thought I would, and I ended up loving it more than I thought I’d ever love it,” says Pangilinan, who has proven himself with more leading roles, both in film and television. ### **LOOKING PAST THE SPOTLIGHT** Stepping into this transitional time in his career had Pangilinan thinking about long-term stability among his priorities. “What if this next project does not come?” he asks as a hypothetical— a fate unbecoming of an in-demand actor like himself, but still something that drives his decision-making. But instead of letting this fear consume him, he sees to it that he’s ready no matter what. “You have to prepare. I think preparation is actually more important than the actual thing.” For Pangilinan, day ones start with showing up, making the move, and having the proper intention. “When you’re in it, you have to really be in it. And I think that’s where preparation comes into play,” he says. The actor’s approach to his career extends to his many other plans in life. Despite a stellar run in film and television, he understands its impermanence — not just of his stature as one of this generation’s most-promising leading men, but also of the material result of fame, including his finances. ### **IT ALL STARTS WITH A CONVERSATION** Even at a young age, Pangilinan approaches managing his finances with intention. “Whenever I have, let’s say, a new project or a new endorsement, I already know \[what to do\]. Everything’s been \[accounted for\],” he says. “I do have to think about these things before I take on a project because that does take a lot of me. Which is why it’s great to have Sun Life at the back of my mind.” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/d2-1.webp) Photo courtesy of Sun Life Insurance Philippines “Even before the \[partnering with Sun Life\], I really wanted to meet with a financial expert to make sure that I knew where I was,” Pangilinan shares. “My day one was talking to an advisor because I wanted to know where I am and where I can start, and what the best products are for my needs.” With all of today’s uncertainties, investing is often associated with having a lot to spend, or reaching a “mature” age. But, as someone in his late 20s, Pangilinan advocates for starting early. “Some of the biggest decisions you’ll make are when you’re this age. And you’ll look back on it 20, 30, 40 years from now. And you’ll be like, I’m glad I did that.” ### **SETTING SAIL BEYOND THE SCREEN** Outside of his craft as an actor, Pangilinan is also looking to venture into other things — for short-term enjoyment or long-term business. “I’ve always wanted to sail to Palawan or somewhere that will take probably 15 to 20 hours. So I said, maybe it’s time to take sailing lessons,” he says. Refusing to let it drift as a mere idea, Pangilinan took the first step to set his sailing plans into motion. “My day one was to look around and see where there are sailing lessons for this specific area. And then I planned it. And then I just took my first sailing lesson two weeks ago,” he says. Sailing aside, Pangilinan’s long-term goal is to build something that will last. “I think I’m at a point right now where I want to prioritize certain things,” he explains. “Like opening a couple of business ventures. But I’m not saying I’m not going to do showbiz anymore.” Hence, his plan to open an F&B concept. “I’m opening my first baby — I say my first because it’s really my concept — F&B. But my first step for that was to gather a team that I really trusted,” he says. “And then what else? I want to spend more time with my family, especially because my sister just gave birth.” His desire to build a life that encompasses both ambition and family extends to how he approaches financial security. Aside from securing personal finances, Sun Life insurance is also a means to create better opportunities for your loved ones by preemptively protecting their future’s stability. “Knowing that no matter what happens, I’m okay. I’m covered. And not just me but also the people that I care about,” he says. ### **WHERE FINANCIAL LITERACY MEETS ACTION** Taking the first step doesn’t always mean that you should have everything figured out. Sun Life seeks to go beyond, as awareness is only the first step. Beyond spreading awareness of financial literacy, Sun Life encourages Filipinos to take action for the future they want to live. Putting your trust in Sun Life, Pangilinan says, is relying on a system that works. “It’s learning how to be patient and letting your money work for you over time,” Pangilinan shares. “I think that’s something Sun Life does really well. You’re able to put your money in a place where it has the opportunity to grow over the years, and one day you look back and realize how much it has accomplished because you stayed committed to your plan,” he adds. For Pangilinan, stability isn’t something you can improvise when the moment arrives. It comes from preparation and “making sure that you have the right ammo and are in the right headspace before you enter,” he says. After all, as Pangilinan puts it, “nothing in life is guaranteed. It’s never going to be a perfect road.” With its “Live Bright Now” mantra, Sun Life encourages Filipinos to secure their futures by taking the first step. Sun Life is rooted in the belief that taking action builds clarity and confidence — without demanding dramatic changes in your life. Small, manageable steps are all that you’ll need for creating momentum toward your goals. With the right guidance and financial solutions, Sun Life helps people move closer to the future they want for themselves and their loved ones. *Take the first step towards a brighter future by visiting [sunlife.com.ph](https://www.sunlife.com.ph/en/partner-for-life/).* **Categories:** RS Spotlight **Tags:** Donny Pangilinan, Sun Life --- ### [‘Zsazsa Zaturnnah’ Takes Home the Grand Prize at Seoul Indie-AniFest](https://rollingstonephilippines.com/culture/film/zsazsa-zaturnnah-animated-film-seoul-indie-anifest/) **Published:** September 23, 2026 **Author:** Elijah Pareño **Content:** On September 23, *[Zsazsa Zaturnnah](https://rollingstonephilippines.com/tag/zsazsa-zaturnnah/)* won the Grand Prize at the Seoul Indie-AniFest, an annual animated film festival in South Korea since 2005. The film was up against *Company Sports Day* from South Korea and *A Mighty Adventure* from Taiwan under the Mirinae Road (Feature Film) Competition. According to the festival, the winner will receive a prize of 3 million Korean Won (close to P140,000). “Thank you to all our beautiful collaboratorsz!!!!,” posted Rocketsheep Studios, the independent animation company behind the film, on social media. “This is a team effort by our staff, freelancers, interns, dogs & zombies!” > [View this post on Instagram](https://www.instagram.com/p/Ddl9Rs-H8WZ/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rocketsheep Studio (@rocketsheepstudio)](https://www.instagram.com/p/Ddl9Rs-H8WZ/?utm_source=ig_embed&utm_campaign=loading) Last June 2026, Rocketsheep Studios founder and director Avid Liongoren spoke to *Rolling Stone Philippines* when the film was in its final stages of development. Liongoren spoke about how hard it is to [find funding](https://rollingstonephilippines.com/culture/philippine-cinema/long-six-year-road-animating-zsazsa-zaturnnah/) for the film due to its queer-focused story. “The sad and painful thing about making a film is that you think all that hard work is everything,” Liongoren tells *Rolling Stone Philippines*, “But when you finish a film, that’s actually only half of the effort. The other half is trying to sell it.” *Zsazsa Zaturnnah* is an adaptation of Carlo Vergara’s 2002 graphic novel of the same name. The story follows queer beautician Ada, who gains the ability to transform into a superhero after consuming a magical pink meteorite. The novel won the 2003 National Book Award from the Manila Critics Circle. It was then adapted into a film released in 2006, starring Zsa Zsa Padilla and BB Gandanghari. ## Frequently Asked Questions ### Who is the author of *Zsazsa Zaturnnah*? Carlo Vergara is the author of *Zsazsa Zaturnnah*, the graphic novel was published in 2002. ### Who is the studio behind the *Zsazsa Zaturnnah* animated film? The *Zsazsa Zaturnnah* animated film was made by independent animation company Rocketsheep Studios, founded by director Avid Liongoren. ### What is the Seoul Indie-AniFest? The Seoul Indie-AniFest is an annual animated film festival in South Korea. ### What is the grand prize of Seoul Indie-AniFest? The Seoul Indie-AniFest Grand Prize winner receives a cash prize of 3 million Korean Won. ### What is *Zsazsa Zaturnnah* about? *Zsazsa Zaturnnah* follows queer beautician Ada, who gains the ability to transform into a superhero after consuming a magical pink meteorite. Related Stories - [The Long, Six-Year Road to Animating ‘Zsazsa Zaturnnah’](https://rollingstonephilippines.com/culture/philippine-cinema/long-six-year-road-animating-zsazsa-zaturnnah/ "The Long, Six-Year Road to Animating ‘Zsazsa Zaturnnah’") - [6 Filipino Graphic Novels Navigating Queer Identity and Love](https://rollingstonephilippines.com/culture/books/6-filipino-comics-for-pride-month/ "6 Filipino Graphic Novels Navigating Queer Identity and Love") - [Author Sally Rooney Stands by Palestine Action Despite ‘Terrorist’ Label](https://rollingstonephilippines.com/state-of-affairs/politics/sally-rooney-palestine-action/ "Author Sally Rooney Stands by Palestine Action Despite ‘Terrorist’ Label") **Categories:** Culture, Film **Tags:** ZsaZsa Zaturnnah --- ### [Lav Diaz is Now a Bona Fide Action Star in ‘Call My Manager’](https://rollingstonephilippines.com/culture/tv/lav-diaz-monsour-del-rosario-call-my-manager-fight/) **Published:** September 22, 2026 **Author:** Pie Gonzaga **Excerpt:** The indie director is only one of the show’s many cameos, which so far include stars like Zsa Zsa Padilla and Laurice Guillen **Content:** In case you missed it, slow cinema auteur [Lav Diaz](https://rollingstonephilippines.com/tag/lav-diaz/) has made his first foray into action with actor-martial artist and *Buhawi Jack* star [Monsour del Rosario](https://rollingstonephilippines.com/tag/monsour-del-rosario/), in the fifth episode of *[Call My Manager](https://rollingstonephilippines.com/tag/call-my-manager/)*. On the show, Diaz and del Rosario can’t seem to agree on the direction to take with their film, which del Rosario calls his comeback movie. “Ang kapal-kapal ng script,” del Rosario tells his manager Andrea Manuel ([Judy Ann Santos](https://rollingstonephilippines.com/tag/judy-ann-santos/)). “Walang pinagawa sa akin kung hindi umiyak, umungol, mag-isip. Nasaan ang martial arts?” In a separate meeting with Andrea, Diaz complains about del Rosario’s demands. “Pumayag na ako na under three hours,” he says. “Ang laki ng hinihingi niyo sa akin, pero sige.” Their disagreements, which include whether the movie should be in black and white, come to a head when the two get into a fistfight in the fountain outside the Shine Artist Management (SAM) headquarters (a.k.a. the Ramon Magsaysay Center in Malate). If you’ve never seen Lav Diaz fight a brawny action star before, Episode 5 of *Call My Manager*, released on September 10, gives you the chance. ![judy ann santos and monsour del rosario in call my manager](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/judy-ann-santos-monsour-del-rosario-call-my-manager.webp) Monsour del Rosario literally wants blood, and thinks audiences won’t be able to tell the difference between blood and oil in a black and white film. Screenshot from HBO Max This only comes on top of the many other headaches plaguing SAM’s senior managers. Andrea, Matthew Buenaventura ([Edu Manzano](https://rollingstonephilippines.com/tag/edu-manzano/)), and Gabriel Soler ([RK Bagatsing](https://rollingstonephilippines.com/tag/rk-bagatsing/)) must find a way to buy the agency from Helen (Cristina Gonzales), the widow of SAM founder Samuel (Edgar Mortiz), who’s more interested in selling the company to a rival agency. Aside from that, the three must also confront personal issues. While Gabriel’s son and baby mama get ready to migrate to Canada, Andrea navigates her relationship with her new girlfriend, Rina (Madeleine Humphries). But nobody has it worse than Matthew, whose biggest secret — being the biological father of Andrea’s road manager Camille (Christiana Zaleta) — has upended his family life and ruined his chances of getting help from his wealthy wife, Gina (Ayen Laurel), to buy SAM. Will Diaz and del Rosario ever come to an agreement? Are Andrea and Rina endgame? And can the managers save SAM and the employees who rely on them? *Call My Manager*’s sixth episode has been released, while the seventh and penultimate episode arrives this Thursday, September 24. The series finale is set for October 1. *[Call My Manager](https://rollingstonephilippines.com/culture/tv/call-my-manager-erik-matti-judy-ann-santos/)* is available to stream only on HBO Max. ## Frequently Asked Questions ### How many episodes of *Call My Manager* are there? *Call My Manager*, the Philippine adaptation of the French series *Call My Agent*, is slated for eight episodes, each released weekly on HBO Max. ### When will the final episode of *Call My Manager* be released? The finale of *Call My Manager* will be released on October 1. ### What role does Lav Diaz play in *Call My Manager*? Lav Diaz makes a cameo, playing himself in *Call My Manager*. On the show, he directs his first-ever commercial action film, with actor Monsour del Rosario taking the lead role. ### Which celebrities have made cameos in *Call My Manager*? Cameos on *Call My Manager* include Kiray Celis, Niño Muhlach, Laurice Guillen, Maricel Soriano, Snooky Serna, Zsa Zsa Padilla, Karylle, Brandon and Jessica Vera, Ogie Diaz, Rob Gomez, Monsour del Rosario, Lav Diaz, and Roderick Paulate, among others. ### Where are the scenes in the Shine Artist Management headquarters filmed? Parts of *Call My Manager* are filmed at the Ramon Magsaysay Center in Malate, Manila, which serves as the setting for the SAM office. 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[SM](https://rollingstonephilippines.com/tag/sm/) is taking the next step in leisure after the opening of its 90th mall, SM City Zamboanga, in the country last March. Moreover, SM Seaside Cebu Arena opened its doors last July with its premier live entertainment and concerts, setting the stage for international and local acts to utilize the venue at the heart of Cebu City. This coming November, SM Nuvali will become the flagship eat-and-play destination in Southern Luzon. ![Steven T. Tan](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Steven-Tan.webp) SM Supermalls President Steven T. Tan introducing the My SM campaign at press conference. Photo courtesy of SM SM has also announced its expansion by transforming its shopping spaces into community hubs, highlighted by its customer-focused movement called *My SM*. President of SM Supermalls Steven T. Tan spoke during a press conference about how SM values opportunities for every Filipino. “Our goal is to keep evolving alongside our shoppers, making sure SM remains a space where communities can connect, celebrate, and create memories together, showing our purpose in every experience we deliver,” Tan says. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/SM-Supermalls.webp) Senior Assistant Vice President for Marketing and Leasing at SM Supermalls Hanna Carinna T. Sy and SM Supermalls President Steven T. Tan. Photo courtesy of SM Expanding on its community-centered approach, SM Supermalls launched SM SuperMakers, a content creator community where creators share and discover their experiences across SM. Creators can join by creating SM-related content, posting it on TikTok, and collaborating with the SuperMakers account. Creators can look forward to exclusive SM experiences, creator perks and rewards, features, community events, and more. SM has worked with local communities by partnering with roughly 900 small businesses daily. The company has hosted trade fairs for nearly 3,000 local entrepreneurs and is driving ongoing sustainability programs such as nationwide plastic collection and solar power integration. ## Frequently Asked Questions ### Who is the President of SM Supermalls? The President of SM Supermalls is Steven T. Tan. ### What is SM’s 90th mall? SM’s 90th mall is SM City Zamboanga, located in Zamboanga Del Sur. ### What is SM SuperMakers? SM SuperMakers is a content creator community where creators share and discover their experiences across SM malls. ### What is My SM? My SM is SM Supermalls’ customer-focused movement aimed at transforming its shopping spaces into community hubs. ### What are SM Supermalls’ sustainability programs? SM Supermalls runs ongoing sustainability programs, including nationwide plastic collection and solar power integration. 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The Filipino-British alternative rock darling returns with *Pylon*, released last September 18. Other than the album lining up star-studded guest collaborators such as Paramore’s [Hayley Williams](https://rollingstonephilippines.com/tag/hayley-williams/) in “Nothing to Prove,” [Turnstile](https://rollingstonephilippines.com/tag/turnstile/)’s Brendan Yates in “Powerlines,” and [Deftones](https://rollingstonephilippines.com/tag/deftones/)’ Chino Moreno in “Satellite,” Beabadoobee casts a wider sonic palette in *Pylon*, writing catchier and sharper melodies than ever before. > [View this post on Instagram](https://www.instagram.com/p/DdZ_7XOiIU_/?utm_source=ig_embed&utm_campaign=loading)[A post shared by beabadoobee (@radvxz)](https://www.instagram.com/p/DdZ_7XOiIU_/?utm_source=ig_embed&utm_campaign=loading) The album was written out of homesickness during one of her tours. The outcome was constant experimentation and rougher textures compared to her last album, *This Is How Tomorrow Moves*, released back in August 2024. In an interview with *ELLE* magazine, the singer-songwriter said she wanted to make music that’s akin to emo bands like American Football and Mineral. Songs like “Sun Has Set” have jagged, discordant guitars that go along with Beabadoobee’s angsty vocal delivery, while “Write Me A Letter” plays around with electronic instruments like the drum machine and ambient textures. The last track “Satellite”’ has a fuzzy outro, on the other hand, signals her most emotional performance to date. Beabadoobee will be embarking on a tour promoting the new album in North America and Europe from October until December. Her last visit to the Philippines was in 2024 for her *This Is How Tomorrow Moves* tour. ## Frequently Asked Questions ### What is the title of Beabadoobee’s latest album? Beabadoobee’s latest album is titled *Pylon* released on September 18. ### Who were the guests on Beabadoobee’s *Pylon*? The guests on Beabadoobee’s *Pylon* were Paramore’s Hayley Williams, Turnstile’s Brendan Yates, and Deftones’ Chino Moreno. ### When did Beabadoobee release *This is How Tomorrow Moves*? Beabadoobee’s *This is How Tomorrow Moves* was released on August 9, 2024. ### What were the emo bands that inspired Beabadoobee’s latest album? The emo bands that inspired Beabadoobee in *Pylon* were American Football and Mineral. ### When was the last time Beabadoobee visited the Philippines? Beabadoobee’s last performance in the Philippines took place in 2022 for her *beatopia* tour and in 2024 for her *This Is How Tomorrow Moves* tour. 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To [cap off the year](https://rollingstonephilippines.com/tag/2025-in-review/ "2025 In Review"), our staff reviewed all [85 songs](https://open.spotify.com/playlist/0AqErMQIWzlbvg6yGY8GVq?si=7731c2a3ed76451d) covered in our weekly round-up between August 5 and November 21 through a rigorous two-phase voting process based on a points system. The result is a curated list of 25 tracks, featuring 12 Filipino acts and 13 foreign artists, with nearly 70 percent representing FLINTA — an inclusive term for women, femme, queer, trans, and non-binary artists. While this methodology ensured a diverse list, it also has its limitations. As the column was first published in August 2025, it may have missed key songs released earlier in the year. To stay true to our coverage, we retained only what was included since the column’s inception. For a wider view of the year’s standout Filipino tracks, we recommend checking out our other list, [20 Best Filipino Songs of 2025, According to Critics](https://rollingstonephilippines.com/music/20-best-filipino-songs-2025-critics/). So, if you’re expecting to see your favorites on this list, throw those expectations out the window. Come in with an open mind, because we hope this list will inspire curiosity, and help you discover something new for your musical canon. *For more [music recommendations](https://rollingstonephilippines.com/music/), bookmark* [Songs You Need To Know](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know) *or follow Rolling Stone Philippines on* [*Spotify*](https://open.spotify.com/user/31zj6f5llml5neutenvmgtjdbxgq?si=6cdd18ad129f4aa6)*.* 25 Oli XL, james K, ‘DRIFT REGALIA’ ![Oli XL, james K, ‘DRIFT REGALIA’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/25-SQUARE-1600x1600.webp) *A glitchy, minimalist club track that goes super fast and slow* Released in August, [Oli XL](https://rollingstonephilippines.com/tag/oli-xl)’s “DRIFT REGALIA,” from his album *Lick the Lens – Pt.1*, features a collaboration that feels written in the stars. When paired with [james K](https://rollingstonephilippines.com/tag/james-k)’s vaporous vocals, Oli XL’s fractal production stretches time in multiple directions at once. At a satisfying half-time feel of 140 BPM, the track’s skeletal kicks simultaneously race forward while flickering back into negative-space ambience, creating a sense of suspension that is full of emotional weight. As a glitchy, minimalist club track, “DRIFT REGALIA” gestures toward an exciting new direction in electronic music: the whip of hip-hop — that head-shaking, side-nodding momentum — meets the weightlessness of a feather. As you will see in this list, this mash-up approach to genres became a defining characteristic of music in 2025, and “DRIFT REGALIA” is, for us, a foundational track that shows what is possible in 2026. —[*Sai Versailles*](https://rollingstonephilippines.com/author/sai-versailles) 24 Magdalena Bay, ‘Second Sleep’ ![Magdalena Bay, ‘Second Sleep’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/24-SQUARE-1600x1600.webp) *Babe, wake up: The latest prog pop masterpiece just dropped* “Second Sleep” lands at a moment when art pop is leaning harder into texture and world-building, and [Magdalena Bay](https://rollingstonephilippines.com/tag/magdalena-bay) sits at the center of that shift. In 2025, the genre’s most exciting work has come from artists who break away from maximalist habits and focus on clarity, and the duo captures that direction without losing the curiosity that made them stand out. The latest single builds on the duo’s *Imaginal Disk* momentum by scaling back and leaning into a softer, dreamier strain of art pop. Matthew Lewin’s production folds in pianos and guitar lines that flirt with Steely Dan polish, while Mica Tenenbaum carries the track with a vocal performance that’s equally dizzying alongside the instrumentals. Almost like she is narrating a half-remembered dream, it is a song that pushes into a prog pop lane without treating the concept like homework. “Second Sleep” feels like the blueprint for artists trying to merge precision and playfulness. Magdalena Bay makes it sound effortless, as if they can pivot toward a new idea whenever they want and stick the landing. —[*Elijah Pareño*](https://rollingstonephilippines.com/author/elijah-pareno) 23 Chezka, ‘Gently’ ![Chezka, ‘Gently’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/23-SQUARE-1600x1600.webp) *Folk-pop written like “Dear Diary…”* [Chezka](https://rollingstonephilippines.com/tag/chezka) has a way of keeping things close to the chest without losing the thread. This year’s listening landscape has tilted toward songs that feel like private conversations, and “Gently” fits that climate cleanly. It speaks to a generation that processes everything online but still searches for music that feels personal. Chezka’s voice wavers in soft tones supported by a guitar section that moves lightly without feeling ornamental. The song feels like a moment suspended in air, the kind of introspection people lean into when they realize healing takes longer than they hoped. There is no attempt to scale the emotion upward or chase a grand payoff. Chezka keeps everything intimate and grounded. —*Elijah Pareño* 22 Japanese Breakfast, ‘My Baby (Got Nothing At All)’ ![Japanese Breakfast, ‘My Baby (Got Nothing At All)’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/22-SQUARE-1600x1600.webp) *Road trip-ready, cinematic, and unabashedly smitten* In April, film studio A24 announced the coming of A24 Music, almost a whole year after original tracks were released under the music label for the 2024 thriller *I Saw The TV Glow*. In June, American indie pop band Japanese Breakfast added “My Baby (Got Nothing At All),” off the *Materialists* soundtrack, to A24 Music’s growing catalog. The song is fun to sing along to. Like much of [Japanese Breakfast](https://rollingstonephilippines.com/tag/japanese-breakfast)’s work in the albums *For Melancholy Brunettes (& sad women)* and *Jubilee*, “My Baby” is tinged with folk and bluesy rock. Here, vocalist and *Crying in H Mart* author Michelle Zauner sings sweetly, almost coquettishly, about her broke man: “My baby, he don’t got nothing to give / but he gives it to me.” It’s a great track to put on during road trips, and as a needle drop in a romcom-drama that explores class, “My Baby” is just perfect. —[*Pie Gonzaga*](https://rollingstonephilippines.com/author/sophia-gonzaga) 21 Waiian feat. Nicole Anjela, ‘SOFTIE’ ![Waiian feat. Nicole Anjela, ‘SOFTIE'](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/21-SQUARE-1600x1600.webp) *Official shy guy anthem of 2025* [Waiian](https://rollingstonephilippines.com/tag/waiian) cracks open a new lane for himself in “SOFTIE,” even if he jokes about sounding corny the moment he tries to sing. When Waiian released *BACKSHOTS* back in March, a lot of folks expected therapy-speak and motivational quotes, but listeners got a rapper having so much fun. He trades his usual flex-heavy delivery for something looser and more self-aware. Nicole Anjela’s vocals slide in as the perfect foil, smoothing the edges of Waiian’s awkward charm until the entire track feels like a push and pull between bravado and softness. “SOFTIE” becomes the shy guy anthem that never winks too hard at its own premise. Waiian leans into vulnerability without turning it into a bit, and Anjela takes over the second half with a swagger that lifts the whole track. Together, they build something playful and disarming, proof that Waiian can drop the mask without losing the spark that made him stand out. —*Elijah Pareño* 20 Bins, ‘Body Satisfaction’ ![Bins, ‘Body Satisfaction’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/20-SQUARE-1600x1600.webp) *A hypnotic cut of Manila house music* Clocking in at nearly seven minutes, [Bins](https://rollingstonephilippines.com/tag/bins)’ “Body Satisfaction” sets the tone for *The Body Project*, the Filipino producer-DJ’s four-track sophomore EP. Built on psychedelic deep-house layers, the track glides in euphoria, led by a rubbery bassline, a healthy amount of percussion, and a sultry sample from the 1988 house track “Give A Little More Body Action.” Released under Manila indie imprint Twelve Points Records, it offers a heavier, more deliberate pulse than much of the city’s high-energy dance output. Whether it’s the erratic return of electroclash or the subdued and more heady electronica, 2025 saw dance music being pulled into various sonic directions. Whatever path that may lead, Bins reminds listeners to stay in tune with your body as he stretches time and tension in this hypnotic dance track. This song isn’t on Spotify, so go listen to it on [Bandcamp](https://binsph.bandcamp.com/track/body-satisfaction) or [SoundCloud](https://soundcloud.com/twelvepointsrecords/body-satisfaction-1). —*Pie Gonzaga* 19 Hayley Williams, ‘Parachute’ ![Hayley Williams, ‘Parachute’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/19-SQUARE-1600x1600.webp) *Explosive pop-rock with a smooth landing* [Hayley Williams](https://rollingstonephilippines.com/tag/hayley-williams)’ “Parachute” glides in a dreamy, crystalline haze, weathering emotional storms before preparing for a smooth landing. As the 18th track on her third solo album, *Ego Death at the Bachelorette Party*, released in September, the song sees Williams transcending the shadow of her Paramore legacy to prove she can continue to stand firmly on her own. “Parachute” lets Williams finesse her signature rock sensibilities with pop-narrative tenderness, where hurt is deceptively hidden beneath the song’s shimmer (“I thought you were gonna catch me / I never stopped falling for you / Now I know better, never let me / Leave home without a parachute”). As the track builds toward its climactic bridge, it sweeps listeners off their feet with explosive, moody guitar shreds, making “Parachute” both a headbanger and an earworm all at once. In a year full of genre mash-ups, “Parachute” sees Williams knowing what she’s good at, which she cuts through with precision and clarity. —*Sai Versailles* 18 SABINE, ‘Pretty Like a Boy’ ![SABINE, ‘Pretty Like a Boy’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/18-SQUARE-1600x1600.webp) *Experimental Filipino grunge meets funky jazz* [SABINE](https://rollingstonephilippines.com/tag/sabine)’s “Pretty Like a Boy” is hard to pin down. Its lyrics examine genre fluidity in a way that is both sharp and tender, creating a tapestry of small details that push against our tendency to compartmentalize (“Saltwater taffy, sugar in coffee / Never staying the same / But maybe that’s the joy”). Not only is it witty, but its rhythm is strangely seductive, carrying an air of mystique that keeps you guessing (“I wanna be / Your confusion / Let me be / Your solution”). Then there’s the sound. SABINE’s hushed vocal delivery confidently straddles explosively distorted grunge and smooth-like-butter funk and jazz, layering small details that — like the lyrics — refuse to stay in one place. The singular clap of drumsticks, for instance, punctuates each stanza and reappears in the track’s bluesy bridge — a particularly nice touch, as if teasing a four-beat rhythm without ever fully landing. There’s also the heart monitor flatlining near the end, seemingly placed to advance the story without relying on words, before the song leaps into its final chorus. To see this kind of experimental mastery from a twenty-something artist from Manila is fiercely exciting, and something I’d personally like to see more of in 2026. —*Sai Versailles* 17 Oklou, ‘ict’ ![Oklou, ‘ict’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/17-SQUARE-1600x1600.webp) *Whimsical, buoyant, and irresistibly groovy* This was a big year for French artist [Oklou](https://rollingstonephilippines.com/tag/oklou) (pronounced “okay, Lou,” if you’re still confused). After releasing her third album, *choke enough*, in February, Marylou Mayniel gave birth to a son in mid-2025, and then released the album’s deluxe edition, which features a collaboration with FKA twigs. One of *choke enough*’s defining tracks is “ict,” which stands for “ice cream truck” and served as the opener to her Tiny Desk Concert on National Public Radio (NPR) in October. It opens with an anachronistic trumpet melody that transports the listener centuries back, only to pull them into a more timeless space with atmospheric synths, a bubbly arpeggiator, a fluid bassline, and Oklou’s gossamer vocals. Co-produced by English producer A.G. Cook, “ict” reminds us there’s whimsy in dance music. —*Pie Gonzaga* 16 Black Opinion, ‘Bahay Yugyugan’ ![Black Opinion, ‘Bahay Yugyugan’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/16-SQUARE-1600x1600.webp) *Essential Filipino disco education* In the hopes that you, the reader, will discover something new for your musical canon, our Songs You Need to Know list isn’t solely reserved for the latest releases. During our voting and deliberation process, [Black Opinion](https://rollingstonephilippines.com/tag/black-opinion)’s “Bahay Yugyugan” set itself apart as the only track in our year-ender lineup that wasn’t released in 2025, making it essential music education for Filipino listeners today. Released in 1978 under Canary Records, the Filipino group consisted of vocalists Cesar Hermosa and Yolly Luib; guitarists Boy Jongko and Vic Omila; keyboardists Ebot Santos and Lito Deseo; drummer Vic Jongko; and bassist Bonggie Valenzuela. Despite a digital re-release in 2012 by PolyEast Records, very little is documented about the band, but listeners would benefit from a repeat listen of “Bahay Yugyugan,” which captures the relentless disco spirit that dominated Filipino dance music in the ‘70s and ‘80s. With its warm, melodic brass; funky, almost sticky bassline; and commanding vocal presence, the track calls all bodies to the dance floor and threatens to shake the house down. While Filipino house and techno music had its moment in 2025, our country’s homegrown disco is long overdue for a revival. —*Sai Versailles* 15 Steve Lacy, ‘Nice Shoes’ ![Steve Lacy, ‘Nice Shoes’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/15-SQUARE-1600x1600.webp) *A swaggy genre-bender about the existential crisis of new kicks* In August, [Steve Lacy](https://rollingstonephilippines.com/tag/steve-lacy) — the Filipino-American singer-songwriter and guitarist of The Internet — dropped “Nice Shoes,” the lead single from his upcoming third solo album *Oh Yeah?*, first announced in *Rolling Stone*’s September 2025 cover story. Since then, fans have been eagerly waiting for the full release, flooding Instagram posts of his new haircut or a grainy full moon with comments like “RELEASE THE ALBUM ALREADY.” If “Nice Shoes” is any indicator of what to expect from *Oh Yeah?*, it’s swaggy in the most cool, calm, and collected way possible. A song about contentment, or the lack thereof, the track teeters between playful and melancholic as Lacy’s smooth vocals and the choppy breakbeat make for head-bopping contemplation: “Crazy, how you could be sad and not notice / All I need is my guitar and serotonin / Even when I clear my head to make room / Still feel claustrophobia, I can’t move / Can you make it stop?” Like many of the tracks on this list, “Nice Shoes” experiments with genre and pace, which speaks to the shape-shifting direction of music in 2025.—*Sai Versailles* 14 Blood Orange, ‘Vivid Light’ ![Blood Orange, ‘Vivid Light’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/14-SQUARE-1600x1600.webp) *Learning from the master of British avant-pop* “Vivid Light” is Dev Hynes’ [Blood Orange](https://rollingstonephilippines.com/tag/blood-orange) at his most distilled form. The track opens with a warmth that feels deceptively simple before widening into a layered, textured space that carries traces of everyone he has collaborated with through the years. There is a looseness to his songwriting here; the arrangement grows in small pulses, like a street scene unfolding one detail at a time. The percussion pans across the mix with a hand-played intimacy that makes the track feel lived in. Hynes has cycled through so many musical selves that the sharp lines between past and present feel irrelevant now. “Vivid Light” settles into a sound that is unmistakably his, rooted in Black avant-pop while still welcoming new sounds into the fold. Blood Orange’s presence in the music scene is a reminder of how much depth he can summon when he pulls things back. “Vivid Light” hits at a moment when a lot of alternative R&B has drifted toward maximal gloss, and Hynes responds by stripping everything to its emotional core. It is a reminder that intimacy can still lead the conversation in 2025. —*Elijah Pareño* 13 After, ‘Deep Diving’ ![After, ‘Deep Diving’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/13-SQUARE-1600x1600.webp) *Biblically accurate Y2K sound* Y2K has been having a moment. But now that we’re past the trend’s 20-year cycle, the aesthetic is entering a reckoning point, forcing us to distinguish what’s truly evergreen from what’s merely pastiche. But arguably, Y2K has yet to permeate music in the same way it has fashion and design — and [After](https://rollingstonephilippines.com/tag/after), the Los Angeles–based duo who describe themselves as “Massive Attack meets Michelle Branch,” might just be leading the charge, despite only forming in 2023. Released in October, their track “Deep Diving” carries a hint of Lisa Loeb’s suspended chord progressions in “Stay (I Missed You),” except with bubbly, floating synths and a lo-fi breakbeat that unmistakably calls back to softer strands of trip-hop, like in Morcheeba’s 1998 album *Big Calm*. It feels almost sinful to hear a sound so biblically accurate to the 2000s; even the music video bears the high-contrast treatment so prevalent in Y2K sub-styles like Frutiger Aero and Gen X soft club. And while some may dismiss “Deep Diving” as pastiche, it’s part of the art that makes After so brilliant. With artists like Erika de Casier, [FKA Twigs](https://rollingstonephilippines.com/tag/fka-twigs), Eartheater putting their own modern spin on trip-hop and Y2K-inspired pop, it feels like high time to reinvent both genres. It would be too much of a waste to let that lineage remain trapped in a brief blip of music history, which was quickly superseded by indie sleaze and bloghouse. —*Sai Versailles* 12 Clipse, Kendrick Lamar, Pharrell Williams, Pusha T, Malibu, ‘Chains & Whips’ ![Clipse, Kendrick Lamar, Pharrell Williams, Pusha T, Malibu, ‘Chains & Whips’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/12-SQUARE-1600x1600.webp) *Bouncy and menacing, Clipse and Pharrell level up with Kendrick* If you believe American hip-hop is in a slump, full of ego and devoid of the social commentary that once made it subversive, then the reunion album of [Clipse](https://rollingstonephilippines.com/tag/clipse) might just be the thing that’ll change your mind. After 16 years of silence, 2025 saw the Virginia Beach rap duo of Pusha T and Malice release their highly anticipated fourth studio album *Let God Sort ‘Em* *Out*, featuring a head-turning line-up that is arguably the most bombastic display of “crew shit” in the genre this year. The album’s second track, “Chains & Whips,” mirrors [Kendrick Lamar](https://rollingstonephilippines.com/tag/kendrick-lamar)’s 2024 hit “Not Like Us” in that it, too, takes aim at Drake; this time by dissing The Diplomats rapper Jim Jones for siding with Drake during his feud with Pusha T. And just as Lamar’s success ultimately transcended his beef, “Chains & Whips” has earned a well-deserved nomination for Best Rap Performance at the 2026 Grammys. Pharrell Williams’ punchy production, paired with Clipse’s signature menace, recalls their earlier work, only now aged like fine wine. Pusha T and Malice’s deliberate cadence amps up an ominous atmosphere as Lenny Kravitz’s electric guitar shreds in the background, urgently slicing through verses on fame, irrelevance, the death of hip-hop, systemic injustice, “kumbaya shit,” and selling out. This is all to set up Lamar for success in the track’s final verses where, over several bars, his wordplay of “gen-” prefixes goes nasty in the best way possible. This verse, in particular, about an infamous orange man lands with icy precision: “The two-time Gemini with the genocide / I’m generous, however you want it, I’ll be the gentle kind / Gentlemen and gangstas connect, the agenda of mine / Move niggas up outta here, this shit get gentrified.” “Chains & Whips” is East Coast rap at its most nuclear and irreverent. With 2026 on the horizon, the only way is up. —*Sai Versailles* 11 hazylazy, ‘LAZY i’ ![hazylazy, ‘LAZY i’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/11-SQUARE-1-1600x1600.webp) *Welcome to the antagonistic world of alt-rock* “LAZY i” opens *ANTAGONISMS* like a curtain pull into Jason Fernandez’s restless, overstimulated universe. [hazylazy](https://rollingstonephilippines.com/tag/hazylazy) turns the contradictions of the project into a strength, juggling washed-out guitars, glitchy electronics, and a vocal delivery that sounds like it crawled up from the basement. The track wrestles with inertia and longing without trying to solve either one. Instead, it invites listeners into a space where burnout and imagination collide. “LAZY i” also lands in a year when alt-rock is splintering into hyperpop-leaning hybrids, and hazylazy’s approach feels like a needed counterpoint: messy, tactile, and stubbornly human. —*Elijah Pareño* 10 Erika de Casier, ‘You Got It!’ ![Erika de Casier, ‘You Got It!’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/10-SQUARE-1600x1600.webp) *Cumulus nimbus trip-hop and a dream* [Erika de Casier](https://rollingstonephilippines.com/tag/erika-de-casier)’s “You Got It!” floats with the kind of calmness that comes from knowing exactly where every detail should sit. Her latest album, *Lifetime*, lands in a moment when intimate, slow-blooming records cut through the noise louder than any chart-chasing single, and this track proves how feather-light touch in production can still feel radical in 2025. The production dips into trip-hop textures and slow-burning percussion, giving de Casier room to let her voice run smoothly instead of anchoring the mix. She writes with a clipped precision, turning small emotional slips into a late-night broadcast for people nursing their own storms. What makes the track work is how controlled everything feels. Nothing reaches for intensity, yet the mood pulls harder than expected. De Casier sharpens her style without hardening it, proving she can stretch her sound while staying loyal to the softness that defines her best work. —*Elijah Pareño* 9 underscores, ‘Music’ ![underscores, ‘Music’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/9-SQUARE-1600x1600.webp) *Self-referential pop music that transcends pastiche* “Music” sounds like a thesis statement from an artist who thrives on bending genres until they stop behaving. [underscores](https://rollingstonephilippines.com/tag/underscores) builds the track around a rush of bright synths and jittery percussion before lifting into a hook that is equally both self-referential and strangely earnest. April Harper Grey, the Filipino-American producer behind the underscores project, leans into the anachronisms of hyperpop, pop rock, and indie electronica without turning the mash into a joke. The song pushes their style into a more optimistic light, powered by a kind of forward motion that suggests they are no longer interested in simply deconstructing pop. They want to rebuild it. “Music” arrives in a year when genre boundaries feel useless anyway, and underscores treats that collapse as a creative license to tear the whole map apart. —*Elijah Pareño* 8 Tyler, The Creator, ‘Sugar On My Tongue’ ![Tyler, The Creator, ‘Sugar On My Tongue’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/8-SQUARE-1600x1600.webp) *Wolf Gang ringleader takes two steps on the dancefloor* “Sugar On My Tongue” is [Tyler, The Creator](https://rollingstonephilippines.com/tag/tyler-the-creator) snapping back into instinct mode, a reminder in 2025 that he can still outpace a trend the moment he feels like loosening his grip on concept albums. The track leaps over a hip-house beat with a bass line that buzzes under the surface, leaving just enough space for Tyler to riff on hooks like he is messing around between tour stops. His delivery has always been free-flowing, avoiding the theatrical detours that defined his last few eras. The repetition works because Tyler leans into it, turning the track into a loop built for movement rather than message. —*Elijah Pareño* 7 Addison Rae, ‘Headphones On’ ![Addison Rae, ‘Headphones On’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/7-SQUARE-1600x1600.webp) *Lush, feather-light, and one of 2025’s most pleasant surprises* If you told me a year ago that TikTok starlet [Addison Rae](https://rollingstonephilippines.com/tag/addison-rae) would come up with one of the best pop albums of 2025, I would have laughed in your face. But when she dropped “Diet Pepsi” earlier this year, I knew I had to familiarize myself with her game. In the lead-up to her debut album, *Addison*, the singer also released “Headphones On” — a lush downtempo track, and her best so far. Addison Rae’s lullaby vocals sparkle in the album’s final track, which borrows its atmosphere from Madonna’s *Ray of Light,* with a swinging trip-hop beat, mellow strings, and an electronic organ. Everything is light and feathery, except the emotional weight the singer attempts to shed in its lyrics by “soaking up the rain / letting my hair down.” The track is better appreciated in the context of the album, as it follows “Life’s No Fun Through Clear Waters.” While the previous track is waterlogged and muddy, “Headphones On” feels like an emergence — and for Addison Rae, it’s her baptism into the pop hall of fame. —*Pie Gonzaga* 6 Ninajirachi, ‘iPod Touch’ ![Ninajirachi, ‘iPod Touch’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/6-SQUARE-1600x1600.webp) *2010s feel-good EDM lingers in a nostalgic 2020s dance track* We talk a lot about recession indicators, but nothing speaks more of a society on the edge than good electronic music, and Australian DJ-producer [Ninajirachi](https://rollingstonephilippines.com/tag/ninajirachi) delivered just that with “iPod Touch,” off her fifth album, *I Love My Computer*. The track harkens back to the aughts and early 2010s with lines like “It sounds like dyed, frayed, high-waist, bought at Supré” and “I’ve got a song that nobody knows / and I heard it in a post when I was twelve years old” (Remember posting songs on MySpace and Tumblr?). The production likewise returns to the sensibilities of popular electronic dance music in the 2010s: feel-good, tech-optimist, and laden with a bright piano. But “iPod Touch” is still distinctly a 2025 dance track: forward-looking with its glitchy textures, and just begging to be played at parties. —*Pie Gonzaga* 5 ROSALÍA, Björk, Yves Tumor, ‘Berghain’ ![ROSALIA, Björk, Yves Tumor, ‘Berghain’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/5-SQUARE-1600x1600.webp) *Pop pushed to breathtaking, theatrical heights* This year, Catalan pop star [Rosalía](https://rollingstonephilippines.com/tag/rosalia) returned to her classical roots to deliver what is inarguably one of the best albums of the 2020s so far, *LUX*. Ushering it in is the hair-raising single “Berghain,” which features experimental artists Björk and [Yves Tumor](https://rollingstonephilippines.com/tag/yves-tumor). The track, its title a reference to the exclusive German nightclub, is built on the foundations of Baroque music and opera, but is not beholden to the genres’ prescriptions. Rosalía’s vocals soar over the orchestral arrangement, singing in German and Spanish and swinging between lamentation and devotion. Often, in pop, the orchestra — if there is one — is relegated to the background; here, instrumentation is front and center. The scale of the production in the track proves that Rosalía is no longer just a student of her craft, but well on her way to becoming a master. “Berghain” and the rest of *LUX* are simply so divine and incredible that you have to thank Rosalía for putting them out. —*Pie Gonzaga* 4 aunt robert, ‘Please Say It’ ![aunt robert, ‘Please Say It’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/4-SQUARE-1600x1600.webp) *Pensive but not subdued indie rock* There are many reasons [aunt robert](https://rollingstonephilippines.com/tag/aunt-robert)’s debut album, *Goodbyes Forever*, earned five stars from us. One of them is that Gabe Gomez was able to craft a set of dream pop tracks without just banking on the nostalgia that often haunts the genre, and the album’s third single, “Please Say It,” perfectly demonstrates this. For aunt robert, this also marks the moment she breaks out of bedroom-pop obscurity and asserts herself as one of 2025’s most compelling new storytellers. The track, fourth on the album, is steeped in wanting: the drums slam with desperation, the guitar seems to weep. Rising above the music’s subtle fuzziness is aunt robert’s crystal-clear, no-holds-barred confessional. “I’m scared you’ve had enough,” goes a line in the verse, before she presses on in the chorus, asking to be wanted. —*Pie Gonzaga* 3 Goon Lagoon, ‘Decent Man’ ![Goon Lagoon, ‘Decent Man’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/3-SQUARE-1600x1600.webp) *Filipino grunge at its most visceral* [Goon Lagoon](https://rollingstonephilippines.com/tag/goon-lagoon)’s music demands to be put on full blast, and “Decent Man” is no exception. This year, the five-piece returned with a track that doesn’t shy away from chaos and grime, deploying microphone feedback and muffled drums before sending the listener into a head-banging frenzy. Here, all the instruments shine through, and distortion is used as a weapon rather than as a crutch, shocking and arresting. The falsetto’d “ooh”-ing is an earworm amid all this noise. But even with the track’s grungy textures, the cleaner mix in “Decent Man” shows that Goon Lagoon, named after the brine pool in *SpongeBob SquarePants*, is more assured of itself as a band. This 2025 single marks their return after their 2023 EP *Rocket Peace*. Now, I wait and hope that it’s the opening salvo to a bigger, more abrasive record. —*Pie Gonzaga* 2 Man Made Evil, ‘Sawang-Sawa’ ![Man Made Evil, ‘Sawang-Sawa’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/2-SQUARE-1600x1600.webp) *Pinoy rock time-traveling to the future* 2025 saw bands digging into past eras for comfort, but [Man Made Evil](https://rollingstonephilippines.com/tag/man-made-evil) took the same references and pushed them forward instead of polishing them into nostalgia. “Sawang-Sawa” strips away that particular polish that often buries OPM rock under safe production choices. Instead, the band leans into the lane of their voices, the distortion of the guitars, and the push of a rhythm section that sounds like it was recorded in one room with little to hide. Rather than leaning to the past, Man Made Evil treats their influences like shared memory and pushes them into something heavier and more present. “Sawang-Sawa” cuts through with a crystallized yet intoxicating take on ‘70s Pinoy rock that comes from refusing to smooth anything down, reminding us why people turn to experimentation in the first place. —*Elijah Pareño* 1 fitterkarma, ‘Pag-Ibig ay Kanibalismo II’ ![fitterkarma, ‘Pag-Ibig ay Kanibalismo II’](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/1-SQUARE-1600x1600.webp) *Introducing Pinoy hugot’s latest rookie* While the *Rolling Stone Philippines* team had different ideas about which songs should make the list, there was overwhelming consensus on who should sit at number 1. Released on Valentine’s Day this year, [fitterkarma](https://rollingstonephilippines.com/tag/fitterkarma)’s “Pag-Ibig ay Kanibalismo II” is, in our eyes, the sleeper hit of 2025. Beyond sweeping music charts on TikTok and Instagram Reels, it reached a peak position of number 2 on the *Billboard Philippines* charts (as of this time of writing), knocking off [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift)’s “The Fate of Ophelia” from its place to sit under [Cup of Joe](https://rollingstonephilippines.com/tag/cup-of-joe)’s “Multo.” For an indie act that frequents not arena stages, but grassroots venues like Quezon City’s Mow’s and Jess & Pat’s, their viral rise is a case study waiting to happen. The Filipino band pushes the formula of local alternative rock into new territory, veering away from (dare I say) vanilla tropes of yearning through the grotesque metaphor of cannibalism as it depicts the unbridled act of giving your heart. (“Ibabalik kita nang buong-buo / Pangako ’yon sa ’yo / Sa ’yo lang ang puso ko / Kahit kainin mo.”) Paired with Andreanna Therese Pantig’s aching vocal delivery, the song’s emotional maturity feels like a graduation moment for the genre, and a testament to the evolving complexity of modern Pinoy hugot. There’s also something about its instrumentation that feels familiar and lived-in, taking the four-chord loops of classic OPM alt-rock and paring it down to just two. The result is a gradually hypnotic, climactic effect — like a blood rush to the head, or the high of being all-consumed by someone. It’s raw, witty, and unforgettable, with all the makings of a classic earworm. If we had to pick just one track from this year, “Pag-Ibig ay Kanibalismo II” is undeniably *the* Song You Need to Know. —*Sai Versailles* Related Stories - [20 Best Filipino Songs of 2025, According to Critics](https://rollingstonephilippines.com/music/20-best-filipino-songs-2025-critics/ "20 Best Filipino Songs of 2025, According to Critics") - [18 Filipino Dance Tracks That Capture the Spirit of Queerness](https://rollingstonephilippines.com/editors-picks/lists/18-queer-filipino-dance-tracks/ "18 Filipino Dance Tracks That Capture the Spirit of Queerness") - [2025 in Review: Inside Rolling Stone PH’s Breakout Year](https://rollingstonephilippines.com/editors-picks/2025-in-review/ "2025 in Review: Inside Rolling Stone PH’s Breakout Year") **Categories:** Dance/Electronic, Editor's Picks, Folk, Hip-hop/R&B, Indie, Lists, Music, Pop, Rock, Songs You Need To Know **Tags:** 2025 In Review, Addison Rae, aunt robert, Bins, Black Opinion, Blood Orange, Chezka, Clipse, fitterkarma, Goon Lagoon, Hayley Williams, hazylazy, james K, Japanese Breakfast, Kendrick Lamar, Magdalena Bay, Man Made Evil, Ninajirachi, oklou, Oli XL, Pharrell, Rosalia, Sabine, Steve Lacy, The Year in Review, Tyler The Creator, underscores, Waiian, Yves Tumor --- ### [20 Best Filipino Songs of 2025, According to Critics](https://rollingstonephilippines.com/music/20-best-filipino-songs-2025-critics/) **Published:** December 3, 2025 **Author:** Rolling Stone Philippines **Excerpt:** 2025 was the year when fresh voices, revived names and niche subgenres pushed Filipino music into a louder, stranger and richer places **Content:** 2025 was the year when Filipino releases delivered a pile up of songs that refused to sit still. Every corner of the scene felt busy: Bands rebuilt after long silences, producers cracked open new micro-genres, and rap collectives pushed out tracks that sounded like they were recorded five minutes before upload. Even the legacy acts rolled out fresh experiments that made audiences reassess what they are still capable of. Nowadays, most local artists have returned to habits that shaped their earliest wins: smaller rollouts, tighter communities, and songs built to live beyond a playlist shuffle. [Physical media](https://rollingstonephilippines.com/music/physical-media-filipino-music/) crept back into view; scenes on Discord and Telegram nurtured their own cult favorites, and local touring got louder. The result is a year where everything feels discoverable if you dig even a little, and the digging feels worth it. You can hear that range across these tracks. There are kids barely out of high school writing with more bite than their elders. There are veterans rewriting their playbooks, and songs shaped by memes, protests, heartbreak, chaos, and sheer stubborn creativity. If there is any through line, it is that [Filipino music](https://rollingstonephilippines.com/music/) is more boundary-pushing than ever. 2025 proved the scene is wide awake, and nobody is waiting for permission to make a classic. — *Elijah Pareño* Ligaya Escueta, “Novelty” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/1.webp) *The SXSW Sydney debutante smells like 21st-century teen spirit* In 2025, Ligaya Escueta released her sophomore record Dollweb to celebrate her 18th birthday. In her first year as a legal adult, the indie rock songwriter made her overseas debut at SXSW Sydney. “Novelty” is an earworm, building upon the tried-and-tested indie palette of loud-soft-loud dynamics and call-and-response vocal lines. It’s also a love letter to an unbearable awareness of coolness as currency, and the scrappiness of Pixies and early Eraserheads. She has another version of “Novelty” online, eschewing sugary melodies in favor of grunge angst. Even the riff’s cadence resembles “Smells Like Teen Spirit.” Her perceptive lines, like “In my world there are some things we don’t like / Like the ‘R’s’ in Mars and stars and scars in all the songs we sing,” still work. I imagine her as the kind of person with notebooks upon notebooks, with a hunger for writing songs whether anyone’s listening or not. In an age where roll-outs and numbers cripple creative processes for musicians young and old, “Novelty” is a reminder that naïveté is a wonderful thing. Escueta is brave for holding onto the honesty of her first record Living is a Dying Art, being the wiser this time around. — *Mariah Reodica* Daspan en Walis, ‘143 (Will You Memorize)’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/2.webp) *Punk blues for the daily gig commuter* Daspan en Walis turned a phrase most people associate with schoolyard crushes into a rock chant that hits like a motorcycle engine warming at dawn. “143 (Will You Memorize)” carries the spirit of Manila’s late-night streets, where people chase adrenaline. The band leans into blues rock swagger but keeps the energy closer to punk, which gives the track a rougher kick. The guitars spit fuzz, the drums stay restless, and the entire performance rolls forward like it refuses to lose momentum. What makes “143” stand out is the urgency that runs through every section. The band plays like they are running out of time, which gives the track a punch that lingers long after the final note. It is a love song sharpened by noise and speed, something built for people who want to feel alive for three minutes straight. — *Elijah Pareño* emmabot, ‘C.O.T.Y.’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/3.webp) *Pandemic solo project turned full-fledged pop-punk cinema* emmabot came back swinging with “C.O.T.Y.,” a title that spells out the ambition before the first chord drops. The track explodes with guitars that feel lifted from a basement punk show. Vocalist Sab Morado sings with enough force to make the entire song lean forward, and that tension builds until the final seconds. The atmosphere recalls early pandemic experimentation, when the project first took shape, but this version of emmabot is sharper and more fearless. The guitars snarl, the beat keeps shifting, and the vocals push everything to the edge. It is a comeback built from instinct rather than nostalgia, and that decision makes the entire track feel more dangerous in the best way. — *Elijah Pareño* Kremesoda, “For Years” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/4-1600x1600.webp) *Beloved indie quartet leaves childish things behind* The indie-alternative group Kremesoda underwent a transformation within seven years. Their 2025 For Years record, a suave sound-tapestry that interweaves threads of indie rock, soft jazz and lounge, is a far cry from their decidedly more Wanderland-core 2018 EP Out of Range. There’s something to be said about how artists grow, the lost years of quarantine, and how we navigate the fog of memory. “Past Lives” is the sonic equivalent of a Casablancan martini with extra olives, a meditative ballad that relishes in the ache of nostalgia. Why do our bones ache when we look back? How heavy is the weight of seasons? Kremesoda would do well not to look back too much, however, as they forge ahead and anew, with an evolved songwriting sensibility, as refined as a running river water. — *Jam Pascual* zaniel, “C2 NA RED!” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/5.webp) *Apple-flavored artistry uplifted to memehood* In 1938, in an attempt to create a stimulant for the nervous system through the study of acids and sugar-binding molecules, chemist Albert Hoffman synthesized lysergic acid diethylamide, or LSD, which shook up the field of psychedelics forever. In 2025, in an attempt to craft a diss track for green tea-flavored C2 (a bitter drink that has no business being as earthy as it is), rising artist zaniel synthesized a cloud rap, pluggnb power-bomb — an ode to the classic apple-flavored red C2. The track, cerebrally groovy and melodic in a T-Pain kinda way, blew up Philippine meme-space as an ascendant, auto-tuned earworm. The kenkoy artistry of “C2 NA RED” lies in its lyricism: It tells the story of a man who discovers, to his sublime chagrin, that his favorite sweet treat is out of stock. Despair! A profoundly unserious track, even aling tindera’s “Wala nang red! Green na lang!” is jammed through the pitch-corrector. In this age of hitmaking, nothing is viral because everything is viral, and meme songs are full-fledged pop songs and vice versa. Sometimes, you just accidentally make LSD. — *Jam Pascual* Gaspari, ‘KODAK BLU’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/6.webp) *Hip-hop’s newest rookie keeps his eye out at the game* “KODAK BLU” moves with the kind of tension that comes from someone who has watched ambition turn sour in real time. Gaspari raps with the stare of someone measuring your intentions before you say another word. The track opens with a line that feels like a warning shot, and the rest of the verse builds a slow, heavy pressure. Gaspari studies the psychology behind ego, hunger, and the false confidence that grows when shortcuts start to look like opportunities. “KODAK BLU” hits because he delivers each line with bite, almost like he knows how the story ends before the beat drops. The track is sharp, condensed, and tougher than it first appears, which makes Gaspari one of the names everyone should be watching closely. — *Elijah Pareño* Ely Buendia, ‘Bulaklak sa Buwan’ (DJ Love Remix) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/7.webp) *Ely Buendia meets budots? Iconic* Having released Ely Buendia’s solo “debut” album Method Adaptor just last year (he doesn’t consider Wanted Bedspacer a real debut), the Eraserheads frontman followed it up with a remix collection almost halfway through 2025. Among the lineup of remixers, the legendary and indefatigable budots pioneer DJ Love, handpicked to put his “tikno” (Pinoy techno) spin on “Bulaklak sa Buwan,” one of the album’s standout tracks. Filled with the genre’s hallmarks — the tiw-tiws, horns, or even its gyrating rhythm — the choice to let DJ Love play around with the track seems the only right one. Here, “Bulaklak sa Buwan” only gains more potency with its censure of demagogues and other snake oil salesmen of the sort. It’s not just there to be quirky and danceable; it takes on a sound born in the streets, and just perhaps, a credible voice to lambast the powers that be — even sans the political intent. — *Paolo Abad* mel.wav, ‘I Wanna (feat. Pette Shabu)’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/8.webp) *Bars that are ‘once in a Century Tuna fish’* While not as audacious as her 2024 rap album, SPRAK, Pette Shabu does try — and succeeds — in this linkup with Sydney-based Australian-Filipino trio mel.wav. When she starts spitting with such impeccable timing, heralded by sirens, mel.wav’s house track turns from serviceable boogie to electrifying that you’d wish it had lasted longer. “I’m a once in a Century Tuna fish / at ikaw ay dati ka pang siglo / and you’re mid to low and a weak ass bitch / I’m using hands ika’y maeelbow,” Pette spits and, in doing so, immediately makes her mark. She totally owns that one minute given. Pette remains unapologetically incendiary with her bars: “Touch me parang klepto, nakawan sa Recto / ganon ang epekto, kapag ako nagpatibok sa puso niya, parang intro sa Miss Gay, / parang pengkay, gustu ku ng MUA MUA MUA.” It’s tempting to call her the headliner here. But as a supporting act, she has restraint to not steal the show. While in SPRAK, the floor was fully hers, collabs like “I Wanna” show how unstoppable Pette can be, time limit or none. — *Paolo Abad* KATSEYE, “Gnarly” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/9.webp) *Throwin’ it back in the face of hypercapitalist excess* The global girl group namedrops Tesla, fried chicken, and Hollywood hedonism, in an overture to a bootylicious parody of popular culture. KATSEYE, led by their Filipina member Sophia Laforteza, had a meteoric rise to fame under the tutelage of K-Pop titan HYBE. The impeccable precision and the top-notch training of arguably one of the world’s global soft power leaders, South Korea, set them a cut above the rest of Western pop. You either hate or love this song. But a lot of its lovers were once haters, initially baffled and finally converted by its irresistible catchiness.“Gnarly”’s concise runtime (barely over two minutes, just two rounds of a verse-pre-verse-chorus without a bridge in sight) is packed with quirky details, whipping out a generated smart assistant’s voice and sampling a medieval sword being unsheathed. It’s an utter embrace of meaninglessness. It’s pure spectacle, free of the pretensions of being profound. Almost as gnarly as pop machinaria itself. As a Filipina with a global presence, Sophia transcends the tokenistic Pinoy Pride narrative that has been a double-edged sword for how local talent has been positioned internationally. Whatever category she falls under — Filipina, Asian American, diaspora, POC, and others — she’s unanimously Sophia of KATSEYE. — *Mariah Reodica* tuesday trinkets, ‘Cigarettes, Beer, and Stray Cats’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/10.webp) *Dreamy Davao indie squad making the mundane things sound catchy* Davao City has spent the last decade reshaping the country’s independent sound, and the arrival of tuesday trinkets pushes that shift even further. “Cigarettes, Beer, and Stray Cats” introduces the quartet with a clarity that hits harder than most debuts coming from Mindanao’s regional center. The track lives between indie pop shimmer and dream pop haze; its guitars glimmer without softening the pulse, and the vocals carry a homesick confidence that feels familiar to anyone who has stayed up too late thinking about where their life is heading. tuesday trinkets show how distance shapes perspective. They sit a thousand kilometers away from Manila’s gatekeeping machine, which gives them room to build their sound without absorbing the usual industry noise. “Cigarettes, Beer, and Stray Cats” works because it is simple without being naive, and sentimental without leaning soft. — *Elijah Pareño* D Waivee, “Progesterone” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/11.webp) *A shot in the arm for Manila’s nightlife* Picking a standout song in D Waivee’s sophomore album Epitome is like trying to pick a favorite explosion in a New Year’s Eve firecracker show. Nearly every track in that record is an electronic rave-rager laced with distilled diesel. But “Progesterone” stands out as an especially layered track, with staccato vocal chops and sylvan synths twisting around each other like DNA double helixes. The thing about D Waivee’s music though is that desires a dancefloor, a runway, a summoning circle — any platform of revelry will do, just to get the body moving. Not all clubbing is revolutionary, but all revolutionary clubbing has dancing. With “Progesterone,” one cannot help but feel embodied, incarnate, present. — *Jam Pascual* Novocrane, “FOMF” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/12-1600x1600.webp) *Power pop is back? Actually, it never left* Anybody who sets out to entitle a song an acronym is in for some rough competition. It must be either an inarguable truth of the human condition, such as when Wu-Tang Clan preaches “C.R.E.A.M.,” or a bold proclamation, like when Rina Sawayama tells a dude to “S.T.F.U.” Power pop outfit Novocrane handily accomplishes both with “FOMF” — “fuck off my face!” — a jubilant rallying cry for setting one’s boundaries the fuck up. Dynamic and playful, Kai Sevillano and the rest of their crew display a kind of once-in-a-generation songwriting proficiency we’ve heard from scant other chart-dominating bands like Fountains of Wayne, or The Click Five. In a better, more just world, Novocrane would be rocking ‘90s MTV shows like Alternative Nation or Total Request Live, showing everybody else how writing a hook is done. — *Jam Pascual* Lola Amour, PSYCHIC FEVER from EXILE TRIBE, KOKORO ‘The Moment’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/13-1600x1600.webp) *A Moment™ for the “Raining in Manila” hitmakers* “The Moment” opens Lola Amour’s sophomore album Love on Loop, blowing in like an evening zephyr that feels not only right, but also timely for the funk-pop outfit. Lyrically, the boys wonder if an infatuation can be reciprocated. More strikingly, the song and the rest of Love on Loop mark a step further in honing and evolving their songcraft beyond a simple switch-up in sound or channeling luck to repeat a feat like their ubiquitous hit. After some thrilling cross-country exchanges (i.e., covering each other’s songs), KOKORO of Japanese boy group Psychic Fever from EXILE TRIBE contributes his soulful vocals to the number. Certainly, exploring international collaborations — not to mention working with producers Hyuk Shin from South Korea and CUURLEY from Malaysia — broadens horizons for the “Raining in Manila” hitmakers, sonically and professionally. “The Moment” may bask in the afterglow of a blockbuster like “Raining in Manila,” but it doesn’t have to lay low in its shadow. So, it goes on to strut with its sumptuous bassline warding off the curse of the sophomore slump. — *Paolo Abad* Kubra Commander, “On the Outside” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/14-1600x1600.webp) *Cebuano space rock aims for the stars* Bobby Olvido must be one of the most prolific songwriters around. “On the Outside” is one of six singles that Kubra Commander released this year so far. There’s still a little time left for more; if not from this project, then from one of Olvido’s other handful bands in Cebu and beyond. As a project since 2016, Kubra Commander has built an anthemic sound that turns small bars into arenas, or maybe lunar craters. An exquisite corpse of wordplay, drenched in reverb, follows a thread of free association into the subconscious of the mind. Their last album Rhythm Tourists was one of my favorites of 2022, and it’s exciting to see them unleash a groovier side to their psychedelic inclinations. While a lot of danceable bands have been emerging from Cebu as of late, “On the Outside” draws from the grittier underbelly of the Queen City of the South. Many mourned when Cebuano institution Kukuk’s Nest, an artist-run space and café that cultivated the city’s independent music, theater, and literary communities for 34 years, closed down for good in 2023. But the scene’s momentum of defiant independence is alive and well in “On the Outside.” — *Mariah Reodica* aunt robert, “Mad” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/15-1600x1600.webp) *A masterpiece by a savant of short songs* The fine art of frisson is hard to master, but aunt robert pulls it off effortlessly and with such aplomb on “Mad,” a pop-rock confessional about looking back in anger. Leaping verse-to-chorus, aunt robert crescendos “But it really makes me angry / it really makes me angry” into a glorious “Yeah!” wreathed in shimmering cymbals and gossamer riffs. And it is frisson: the full-body chills, the wings unfolding between shoulder blades, the memories that “Mad” invites us to revisit, of being wronged, and making it all right with a rock song. — *Jam Pascual* Gabba and Alicia DC, ‘fall’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/16-1600x1600.webp) *Math rock but more intentional* Math rock wizard Gabba regards his usual songs as open to interpretation, but with “fall,” his first collab with vocals, words steer its sonic sense toward a clear direction, “\[making\] it more intentional,” he said in a release. He links up with Singaporean singer-songwriter Alicia DC who bolsters the vulnerability in this musical tale of a lovers’ quarrel. The frenetic drums evoke the tumult of it all. Gabba’s melancholy guitars are almost conversational and narrative at the same time. At certain junctures, the track breathes and loosens, telegraphing a story and lending it a lifelike pace. Initially, it was Alicia DC, looking to collaborate with artists outside the Lion City, who reached out. But the pair’s overseas tie up is a rewarding listen, feeling like the meeting has always been inevitable. — *Paolo Abad* ena mori, ‘Portion Control’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/17-1600x1600.webp) *Expansive pop you can’t get enough of* “Portion Control” is the sweeping, unbridled centerpiece of ena mori’s EP rOe. That much is incontestable. Like going adrift in the hinterlands, it feels as soaring as it is grounded. There’s ena’s signature iridescent whimsy, while somehow summoning the specter of Vespertine or Homogenic-era Björk. But make no mistake; the sprawling track is very much the award-winning Filipino-Japanese pop maven’s very own. Birdsong-like trills, lush strings and flutes, deep guttural bass, layered vocals and many other novel textures co-exist in the song, making it such an enchanting listen where the magic’s in its bold production, which ena put together with producer and One Click Straight drummer Tim Marquez. It does evoke that insatiable hunger, unwilling to be stifled by set portions: grandiose and unrestrained. From her earlier fare like her self-titled album to DON’T BLAME THE WILD ONE!, ena’s take on pop from this side of the planet had always been exciting. But in efforts like “Portion Control,” she is saying that she is willing to surprise. — *Paolo Abad* Megumi Acorda, “Copeland Heights” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/18-1600x1600.webp) *Fuzz pop to feel lonely to, together* Megumi Acorda’s domestic and international performances have been extensive, putting the country’s best foot forward for Pinoy indie pop. The lyric video of “Copeland Heights” finds them exploring Japan, Mongolia, and more, with the band wandering empty city streets and meeting cats. Acorda released the EP *Sun Blanket* without much fanfare, but her excited following craving for more after 2023’s *Silver Fairy* latched on quickly. I’ve always respected how the band lets their music speak for itself. Acorda’s lyrics are both direct and inscrutable, with the truth hiding in plain sight amidst grit, as if lowering her voice in the mix would keep the lines from hitting any harder. If anything, the haze surrounding her songs makes one listen even closer, discerning what she’s almost whispering, which is a lot like leaning over to hear a date confess in a crowded bar, or cupping an ear to hear a past love on the shore from the stern of a ship in a storm. The band’s melodic kinship has burrowed into the synapses of international audiences. Acorda’s recordings are intimate, solitary. But live, the band is loud, which is what makes the songs cathartic. To experience that dichotomy is the joy of her music. — *Mariah Reodica* Carl Angelo, Ruby Ibarra, Yamz, “PTI” (feat. Miss A, Talilo, David Ira) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/19-1600x1600.webp) *Where brevity is the soul of wit and rage* As a rough translation of “putangina,” “son of a bitch” doesn’t quite cut it. The phonetic gigil is lost in translation. But that word alone can capture the rage of a nation. The first Trillion Peso March and Baha sa Luneta rally on September 21 was a turning point in an eruption of anger against rampant government corruption. Its chants made it across the Pacific Ocean, with It’s Showtime host Vice Ganda’s rousing speech in EDSA opening with this posse track that brings together Pinoy rappers from the the American West Coast to Mindanao. Ruby Ibarra’s incendiary performance on NPR’s Tiny Desk last May marked a moment in Pinoy diaspora music, with an ensemble featuring Pinoy Voltron, Astralogik, Ouida, and the legendary June Millington. On “PTI”, Morobeats’ Miss A joins the fold, as they do what hip-hop does best: Resist. After all, the repercussions of corruption and impunity don’t affect people on our shores alone. The greed of the 1 percent has forced many of those in the Filipino diaspora to migrate, seeking livelihoods and a better life where another flash flood doesn’t have to be around the corner. “PTI” is a recognition of how the homeland’s struggle is theirs, too. — *Mariah Reodica* Bankyu and Wayvier, ‘SWISH’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/20-1600x1600.webp) *Bringing the rap game to the basketball court* 25hearts member Bankyu steps onto the court with a crew that includes KARTELL’EM’s Wayvier, turning a pickup game into the backdrop for one of the year’s most ear-grabbing rap moments. “SWISH,” named after the clean snap of a perfect shot, turns the mechanics of free throws into something you can chant along to. Bankyu opens with “Dinala sa court, alam mong ballin’,” setting the tone for a track that treats hoop culture as both a flex and a joke, a space where turf disputes are traded for punchlines. The production bubbles and leans on a loose, playful bounce that gives Bankyu room to push his autotuned melody into something sticky. Wayvier slides in with a verse that keeps the energy reckless without tipping into parody. Together, they land on a hook built for repeat plays, the kind of simple idea executed with enough charm to make it work. “SWISH” feels less like a concept than a dare to write the catchiest court-side rap song possible, and Bankyu runs with it, finding a sweet spot between humor, rhythm and a hook that refuses to leave your head. — *Elijah Pareño* --- ***[Elijah Pareño](https://rollingstonephilippines.com/author/elijah-pareno)*** *is the Music Writer of Rolling Stone Philippines. Prior to his role, he founded the alternative music blog and live show promotion The Flying Lugaw in 2016. In 2025, Pareño launched the party series Hindi Sleaze\*.* **[*Mariah Reodica*](https://rollingstonephilippines.com/author/mariah-reodica)***is a cultural worker and musician who has been part of independent bands The Buildings and The Male Gaze, released under Call and Response Records, Japan. Her work across writing and moving image has been recognized by the Carlos Palanca Memorial Award for Literature (2011), the Purita Kalaw-Ledesma Prize for Art Criticism at the Ateneo Art Awards (2018), and the Prince Claus SEED Award (2024).* **[*Paolo Abad* ](https://rollingstonephilippines.com/author/paolo-abad)**is trained as a film and TV editor, and *got his start in music journalism by frequenting concerts and festivals to take photos. Soon enough, he got to do live reviews and interviews with industry legends and up-and-comers — fully turning into a professional fanboy. He has never looked back since. His other bylines have appeared on Bandwagon Asia, Rappler, and CNN Philippines Life. He is also a co-founding partner of online platform Manila Community Radio.* ***[Jam Pascual ](https://rollingstonephilippines.com/author/jam-pascual "Jam Pascual ")****is a genderfluid writer based in Metro Manila whose music journalism has been published in The Rest Is Noise, CNN Philippines Life, and ANCX, among other titles. Their full-length debut poetry collection, Nail Down the Sky, and an interim zine project entitled Warlock, were both published by Everything’s Fine.* Related Stories - [20 Best Filipino Songs of 2025, According to Critics](https://rollingstonephilippines.com/music/20-best-filipino-songs-2025-critics/ "20 Best Filipino Songs of 2025, According to Critics") **Categories:** Dance/Electronic, Editor's Picks, Hip-hop/R&B, Indie, Lists, Music, Pop, Rock **Tags:** 2025 In Review, Alicia DC, aunt robert, Bakyu, Carl Angelo, D Waviee, Daspen en Walis, David Ira, Ely Buendia, ena mori, Gabba, Gaspari, Katseye, Kremesoda, Kubra Commander, Ligaya Escueta, Lola Amour, Megumi Acorda, mel.wav, Novocrane, Pette Shabu, Ruby Ibarra, Talilo, The Year in Review, Wayvier, Yamz, zaniel --- ### [Jo Koy: ‘Before You Make Your Opinion, Get To Know A Motherfucker First’](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/jo-koy/) **Published:** September 15, 2026 **Author:** Jonty Cruz **Excerpt:** The Filipino American comedian on his latest special, Blue in the Face, coming to terms with his family’s past, and why at this age, he needs to start talking about his truth **Content:** At the turn of the 20th century, as the Philippines became a colony of the United States, many Filipinos flew to America for a better life. A number of them settled in Stockton, California to raise their families and build their businesses there. Soon enough, Stockton became the birthplace of the first Little Manila, home to the largest community of Filipino Americans thriving in the land of their colonizers. “You know the history of Stockton, don’t you?” [Jo Koy](https://rollingstonephilippines.com/tag/jo-koy/) asks me at the start of our interview. Stockton is where he has set his latest Netflix special, *Blue in the House* (Out September 15). Most of his specials are primarily set where there’s a strong contingent of Filipino Americans, from Los Angeles to Hawaii. But with Stockton, he makes it a point to share its history and the racism that permeates it to this day. “\[The city\] built a freeway system through Little Manila just because it was prospering, and they destroyed the whole city. They had full-on hotels, restaurants, and everything. \[Filipinos\] started dancing with the white women, and they didn’t like that shit, and they built the freeway through the city and killed Little Manila.” Koy doesn’t consider himself a political comedian, which makes this part of our conversation so surprising. In his stand-up, this anecdote may seem enough to justify the eight-rayed sun behind him on stage, but here he makes it a point to underline its importance and what it means for him to be there. “I went to visit Little Manila. It’s completely gone. There’s nothing there to this day. So it was my indirect way of saying, ‘Hey, man, no matter what type of adversity you gave these immigrants that came to this country and dealt with all the racism that they had to face, we’re resilient, and we still prosper,’” he says. “If it wasn’t for those migrant workers and their tenacity, someone like me would have never been able to shine the way I did. I wanted to make a special where it’s like, ‘Here we are in a town where we all know what happened. But behind me, subliminally, is the Filipino sun. And here’s a Filipino on stage.’” “I started in 1989, and it’s been 37 years to finally see something I’ve been wanting to see since I started.” Jo Koy Koy is a proud Filipino American and isn’t shy to focus much of his comedy on his upbringing by his Filipino mother. But that doesn’t shield him from criticism, whether it’s his portrayal of Filipino culture or how some find his accent insulting (many of which are coming from Filipinos). He says that he doesn’t pay much attention to it. He doesn’t consider a comment, or the algorithm as a real arbiter of what’s really out there. He does acknowledge the 11 million views his recent post with the Jabbawockeez got at his sold-out show at SoFi Stadium in California, the first comedian to ever do so alongside his co-headliner Gabriel “Fluffy” Iglesias. He considers the sold-out shows, the countless tours, and the connections he’s built with his audience as the *real* algorithm. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/jo-koy-rolling-stone-ph-1.webp) With his latest special, Koy comes off as a man of a certain age who wants to tell his own stories his way. From random moments with his dog (a standout in the special) to his relationship with his stepdad, *Blue in the Face* leaves out a lot of the accents and dick jokes to reveal a man who, at the end of the day, is a comedian first and foremost. *The following interview has been edited for clarity.* **You set your latest special in Stockton, the birthplace of Little Manila. There’s a lot of history there, but within your comedy, you don’t delve too much into racism — but you’ve been known to mention both the subtle and overt ways it impacts immigrants. Like when you mentioned your conversation with Tommy Lee \[from** ***Live from the Los Angeles Forum*\], where he asked you if Filipinos could understand your jokes, that resonated with me in a way that whenever I would go to the States, there’s always this backhanded compliment of “Oh wow, you speak English in the Philippines?” or “You speak well for a Filipino.” And, of course, being Filipino, we tend to be polite even if we’re facing that kind of bullshit, subtly or indirectly.** It’s a perfect example of ignorance, right? And I’m not calling people stupid. It’s just you don’t know, so why don’t you learn? My mom lived in this country dealing with the same bullshit her whole life, where she’s constantly telling people who she is. But now that she’s got her son talking about it on stage, now she has a voice. Now, people understand who she is as a person. She’s a strong person who speaks English and Tagalog perfectly. And then when you hear the stories, you just realize that, “Oh, it’s just a mom. It has nothing to do with her being Filipino.” I got white people, black people, and they’re coming because they love what I’m talking about. They relate to the stories with my mom because my mom does the same shit your mom does, and that’s what this is all about. I’m trying to do it in a way where we don’t have to keep hammering people over the head about the racism that we already know. I want to do it in a way where it’s like if you guys just fucking listen and laugh about shit, you’ll realize that we’re all the same. And I feel like that’s what I’m trying to do with my comedy because my job is to make people laugh and be comfortable. **In the last couple of years, a lot of comedians feel like they need to be more explicit in how and what they’re doing in terms of their comedy. I remember, the comedian Robby Hoffman did this interview for the** ***New York Times*, where she had to explain that “There’s a roughness in comedy, it’s not always polite.” I’m curious if the need to explain affects your comedy or not?** The only thing I can say as far as comedy is that it’s not the same \[for everyone\]. It’s just like music, right? Do you like 50 Cent or do you like Luke Combs? They both fall under the category of music, but it’s two different audiences that they’re speaking to. You’re not going to ask Luke Combs to do a rap song on his next album. That’s fucking stupid. And you’re not going to ask 50 Cent when he’s going to do a mashup \[using\] the banjo. It doesn’t make sense because it’s two different genres, and that’s how comedy is. There are comics that talk with puppets. There are comics that only talk about Trump. There are comics that do storytelling. There are comics that do songs with a guitar. There are prop comics like Carrot Top, who fucking crushes—no pun intended. There’s a different audience for every single person out there. It sucks because the audience still doesn’t understand that. The audience still thinks, “Oh, you’re a comedian. When are you gonna talk about Trump?” Motherfucker, I don’t talk about Trump. Chris Rock talks about Trump, and I love it. That’s where I go for my political comedy. I’ll go to Chris, I’ll go to [Jon Stewart](https://rollingstonephilippines.com/tag/jon-stewart/). I have a responsibility too as a Filipino to make sure that my mom gets seen. It’s hard enough in this business just for me to get seen. But the people at home who are watching me and are indirectly inspired by me, I have a responsibility to make sure I get their voices out there. I feel like that’s my way of getting everyone to not only relate but also laugh and understand that we’re all the same. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/jo-koy-rolling-stone-ph-8.webp) **Your mom plays an important role in your comedy, and in your latest special, you had a joke about your teeth and in it, you mention your mom telling you that you deserve to laugh too. And I kept thinking, “Oh why would she say that? Does Jo feel like he doesn’t get to laugh as much?”** Okay, that story was when I broke my teeth, my mom and dad divorced, so we didn’t have money. All we had was military insurance. So they’re just gonna put the teeth back in, and they put it back and it was pretty fucked up. If you see my teeth, it was really really bad, and we didn’t have money to go off base and get them fixed. So my mom’s whole thing was like, “Oh, it will be fine. You’re fine. Don’t worry about it. They’re just teeth.” But in reality, she just did not have the money. She was a single Filipino woman trying to raise these kids, and I was trying to be a comedian, and I can’t even laugh at my own shit because I was so embarrassed by my teeth. I’d always bend my lip over my teeth when I’d laugh, and then sometimes I’d smile big, and then the gap would show, and my mom saw that, but she didn’t say anything. She stayed consistent. “Oh, stop it! Smile. Don’t worry about it.” But when I finally got the money, that’s when she was like, “Do it. You deserve it. It’s your turn.” I get a little emotional when I say it because I’m used to her being that hard-nosed Filipino woman. I had to tell that story because it just meant a lot to me. I also wanted to show that warm spot that she had. But that was the whole point of that story. We didn’t have any money, man. **Speaking of money, you peeled back the curtain in your L.A. Forum special where you talked about the financial risks you put yourself through to get your first special,** ***Live from Seattle*, made. Can you talk more about that?** Yeah, so I love this big explosion that’s happening with the awareness of Filipino culture and how these young Filipinos are coming up now. I love it. I’m so proud that they’re getting the opportunity that they well deserve. But let’s just go back nine years. Nine years ago, when I was breaking records at the Improv and plaques with my name on the wall. But for some reason, while I was breaking those records at the Improv, they didn’t want to give me a \[stand-up\] special. I love Netflix now and I know they don’t want to keep hearing this being rehashed, but I’m like, what was it that you didn’t understand? What was it that you thought was so “specific” that no one’s gonna get it? I had to prove it. I had to get the money to get the cameras, hire a director, hire a producer, and hire a stage manager. All this shit that I had to do by myself while other cats were getting these specials. I mean, there were two people that I took on the road that were opening for me that got specials before me, and I’m just like, “What the fuck is going on?” **Were they white male comedians?** Yeah, they’re white. And mind you, while we were shooting the special, Netflix called my manager and said, “Hey, we know he’s shooting it. We want you to know that we really don’t want it.” That’s a real fucking story. And then after we shot it, we cut it up. We sold it to them, and then, all the algorithms or whatever it is that they said they have were silenced because the people spoke. The minute that thing hit on Netflix, I mean… I had complete sellouts everywhere. Every single show was sold out across the world. I was selling arenas in Australia. I was selling multiple arenas in San Francisco. Madison Square Garden. Sold out. There was none of this algorithm anymore. The people spoke. Like this is something they wanted to hear, and they’ve been waiting for it. But that was the struggle that I had to go through. And I’m so happy that now in 2026, you’re seeing this outbreak of Filipino artists just coming up and doing their thing and getting opportunities. But it wasn’t like that just 10 years ago. I started in 1989, and it’s been 37 years to finally see something I’ve been wanting to see since I started. “The algorithm is no longer a thing. It’s fake.” Jo Koy **So everyone knows you talk about your mom and your family, but you also talk about, or talk to, men directly about their issues. How do all those things inform who you are?** As far as me telling my story, when I get to the parts where it’s my relationship with my ex-wife, all that comes from me and my experience between my mom and my dad’s divorce. When they got divorced, that was it. I never saw my white side again. I never saw my dad’s family. I don’t know my dad’s mom or dad, you know? I don’t even call them grandparents. I feel bad for saying that, but I didn’t have that when my dad walked away. All I know is my Filipino side. That’s why I talk about it so much because I was raised by my aunt. My nickname “Jo Ko” comes from my Auntie Evelyn. So when I talk about my relationship with Angie \[King\] or how I am as an ex, you see how me and my ex-wife are best friends. I have this thing like I just want that family unit to always exist. We’re divorced, but we’re gonna be best friends, and we’re gonna be the best parents. And I don’t care what it costs. I don’t give a shit. It’s hard to explain, but I always want to make sure that people see it or hear it, you know? **We’ve talked about your successes, but I also wanted to touch on what you mentioned in your latest special where you talk about social media and negative comments. I know all comics have their share of criticism but being who you are, do you get more affected when you see a Filipino comment in particular? What do you feel when you see someone criticizing your Filipino-ness as opposed to just criticizing your comedy?** I don’t really pay attention. I don’t really care. Don’t get me wrong, it does suck because we do live in the world of social media. But like I said earlier, the algorithm is no longer a thing. It’s fake. When you see SoFi Stadium sold out, then I don’t understand what one comment is. We sold out SoFi Stadium. It’s a football stadium, man. I just posted something like four days ago of my opening with the Jabbawockeez, and it just hit 11 million views, and this is the third time I posted it. “Before you make your opinion, get to know a motherfucker first.” Jo Koy I’m glad you have an opinion. We should all have an opinion, but like I said earlier, I’m not talking about anyone else but my mom. You can’t critique me. You don’t know me. Like some of the stories I’ve told you, I haven’t even gone in depth yet, so you don’t know what kind of fucking struggle I went through. You don’t know who my mom is. I did a joke in *Live from Seattle* where she kicked my two sisters out of the house. And as funny as that is, if you can really imagine me being a 13-year-old child seeing his sisters getting kicked out of the fucking house, it was a pretty shitty situation, man. I think that’s why I turned to comedy because imagine my whole family was just done. There’s no one there anymore. My dad left. My sisters have moved out. My brother is in a mental hospital, and it’s just me and my mom who’s working nine hours a day. All I had was stand-up. So before you [make your opinion](https://rollingstonephilippines.com/editors-picks/opinion/), get to know a motherfucker first. Understand what they went through in their pain. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/jo-koy-rolling-stone-ph-2.webp) \[It’s\] not going to affect me. I walked into SoFi Stadium and it was sold out, man. That’s when I know I’m doing the right thing and that’s another bragging right. To be able to say \[Gabriel “Fluffy” Iglesias and I\] sold out SoFi Stadium, and we’re the first comedians to do it. Not a white comic, not a black comic. It was a Latino and a Filipino comic. We were the first ones to ever do it. And we took on the risk again. When you rent out SoFi Stadium, you’re talking like a million dollars just to turn the lights on. So we’re already in the hole. That’s a risk. So when we sold it out, boom! Now all the other comics are looking, going, “Oh, okay, it is possible. He just showed us.” That’s the shit that that no one really talks about. Like when I did my Netflix special, that came out of my pocket. If I would have failed, and they didn’t put it on, no one’s following, you know what I mean? They’d be like, “Fuck that! I ain’t gonna invest. You saw what happened to Jo Koy!” Sometimes it just gets a little overwhelming, but you just gotta learn how to ignore it and just accept the real algorithm, which are your fans. That’s all we need, man. “You go through a lot of shit, you hear a lot of outside noise, and you don’t want to hear it anymore.” Jo Koy **I still think that Jabbawockeez bit from** ***Live from Seattle*** **is your best joke. So it’s nice to see you bring them up on stage at SoFi. It felt like a full-circle moment for you guys.** So why that meant so much to me is because in 1983, when my mom started building her Filipino community, it was the craziest shit because there was no Facebook, there was no Instagram. My mom went to church every Sunday, and she literally would look for brown people who looked like her. I’m not even joking. Like every Sunday, while the sermon was going on, she’d be looking around, and then she’d walk up to a Filipino person, “Anong pangalan mo? I’m Josie. Kamusta. Filipino ka?” And then boom, next thing you know, they’re talking, and then they’re best friends. Then we’re renting out the hall next to the church, and we got potluck, and now we’re all eating Filipino food every Sunday night, and we’re performing and I’m dancing. It was a part of my life. **In an interview back in 2022, you said that the older you get, the more you just want to speak about your truth. Can you elaborate on that?** I think when you’re younger, whatever I’m talking about, I want it to be general. And the older you get, and the less friends you have, and you go through a lot of shit, you hear a lot of outside noise, and you don’t want to hear it anymore. Now I just want to be like, “Nah, I think you guys just need to hear more about whatever it is that I want to talk about. I want to tell you about me and how I feel, and then it’s up to you to decide whether or not you want to listen to that or relate to that.” But I think when you get to this age, it’s like, now I need to start talking about my truth. It was so funny because I was just in Phoenix and my real dad came, and it was crazy because I had a shot of tequila in me, maybe two, and I shouted out my dad on stage, but then I also told my truth. I told the crowd that I don’t have a relationship with my dad but I still love him. And then I told them why they broke up, like my mom and dad divorced because my brother was dealing with mental issues, and he kicked my dad in the fucking chest, and he broke his ribs. That’s just one of many fights that my brother had with my dad, and my dad was like, “I’m done, I’m out,” and he fucking left us. And when I said that on stage, if you ever could hear silence in your life, I went from like massive laughter to like complete dead silence. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/jo-koy-rolling-stone-ph-9.webp) I still turned it around and was able to make it funny but it was that moment of truth where, as I went backstage, I looked at my crew and I was just like, “I think it’s time to talk about my brother.” Because it hurts. It hurts to talk about my brother. It’s not fun. There are no good moments. There’s none, and I have nothing when I reach into the well sometimes, and I end up crying. I get emotional. Like my brother doesn’t deserve to be fucking hammered. He’s already dealing with mental issues and he doesn’t need to hear that. I got to find a way where I can shine light on it because there are other families out there that are dealing with the same problem. That’s a perfect example of my truth, and how important it is to me. I even told my son, I think it’s time to talk about my dad. I talk about \[my stepdad\] Fred all the time, but I think it’s time to throw some flowers his way as well. I went to visit my brother in the hospital. There’s a logbook where you have to log in. And when you turn to the page for my brother, it was all my dad’s signatures. It was just years and years of my dad signing, and I was like, “Fuck, man! Here I am talking so much shit about my dad, but this motherfucker is the only one in the family that visited Robert, and he’s not even his biological son.” He was mom’s first son from another marriage, and here’s my dad, taking his time to fly out and make sure that he visits Robert and gives him what he needs. So I got to talk about that but it’s just going to be a heavy one. **I get the feeling that comedy has become more cathartic for you as you age, just from how you just talked about it.** Yeah. **Do** **you feel that every time you perform, you end up feeling lighter? It feels like you’re getting to drop or remove a lot of stuff that maybe you’ve been carrying.** Yeah, I feel like I’ve been doing that a lot lately. I do a joke about therapy and how I was paying this therapist to listen to me, and then I’m just like, well, fuck, I can just say it on stage. Like talking about my brother was crazy because that’s something I harbored for so long. Like it literally just sits in my gut, you know? It’s a tough one, man, because I love my brother. If you listen to my song selections, it’s all inspired by my brother, Robert. He loved Earth, Wind &d Fire. He loved Heatwave. He loved The Gap Band. I get that all from him. “Not everyone gets that fair shake, man. Some of us have to walk in and tap-dance and smile.” Jo Koy **You mentioned that when you were really young, all you had was stand-up. Who were the comedians or the stand-up specials that you loved?** Richard Pryor was the first one. It was an audio tape cassette that was given to me by my neighbor William. And then Eddie Murphy, *Delirious*, that came out on HBO, and I recorded that, and I watched it every single day. And then I went to see Eddie Murphy live when I was 15, and that was amazing. I started loving all kinds of comedy, but for some reason I love the storytellers. And it sucks to say it now because of all the bad shit that he did, but Bill Cosby, the shit that he talked about his kids and his family, I just love listening to it. And then there was a guy named Louie Anderson that did a lot of stuff about his mom and his little brother. I couldn’t stop listening. There was another comic named Dennis Wolfberg. He was a teacher, and he always talked about teaching these elementary kids, junior high school kids. That’s where my influence came from. I loved black comedy the most because I felt like when they talked about family, I identified with it more than I did any other culture. Like if a white family talked about what they were going through, I wasn’t really identifying because we don’t have that. I just gravitated towards the black comedians a lot more because I just felt like their truth about family really hit hard with my comedy. I understood it. It sounded like my family. I was hearing my family through that. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/jo-koy-rolling-stone-ph-5.webp) **So, your latest movie,** ***[Forgotten Island](https://rollingstonephilippines.com/tag/forgotten-island/)*, is coming out and you mentioned at the start how Filipino culture is having its moment. Does that idea bring you back to when you were struggling or does it give you a sense of validation?** I think it’s both. Like one validation, and two that “finally” moment like fucking finally, you know what I mean? Like my movie, *Easter Sunday*, that was from Steven Spielberg watching *Comin’ in Hot*. That’s how I got that damn movie. I pitched the movie. He gave it to me. All I did was tell him the same story I just told you about the potluck and all that stuff. That was the pitch, and he took it, and to see all this stuff where there’s investment, and Hollywood is aware now that not only of our people, but our culture, and the more we can get these opportunities to shine and showcase our talent… It’s an awesome moment for me. If you were with me 30 years ago, it was rough. Like you could only do themed shows. \[Comedy clubs\] would never put you on the weekends. “Oh, you’re Asian? Okay, well, we have an Asian comedy show on Wednesday night. You want to do it?” Like it was so blatantly racist, man. We all don’t have the same opportunities. “So, whatever I gotta do, man, I don’t give a shit. If the door is open, I’m gonna keep it open.” Jo Koy **That fair shake.** Not everyone gets that fair shake, man. Some of us have to walk in and tap-dance and smile. So, whatever I gotta do, man, I don’t give a shit. If the door is open, I’m gonna keep it open. I’m not gonna hold on to these keys and lock the doors. I’m gonna get them doorstops and just keep wedging that door open. Whatever I can do to make these opportunities exist, I’m gonna do it. So, you know, ignore the crabs within our community. They’re delicious, but they eat shit. So let’s just ignore it. **Speaking of crabs,** **I get that we’re celebrating Filipino culture and its successes, but Filipinos also tend to have this underlying sense of crab mentality. Are you experiencing that even more so now, with your success?** Ah, man, I want to be careful with my words but… especially in America, there’s this colonial type of mentality that’s been pushed upon us indirectly. Through media and through society, for some reason, they trained us to be in competition with each other, and it just doesn’t make sense. I really don’t give a shit but unfortunately, there are people who just don’t like it that they’re not the ones winning. Don’t push that on us. Just concentrate on you. Crabs are always at the bottom of the ocean looking up. They just eat shit all day. You just eat shit all day and walk sideways. You’ll never swim up. You just stay there. **That’s a nice way to put it.** Look, I wish you guys luck, but I don’t need that in my life. There’s a group of Filipinos out here and we put this festival together called Baryo HiFi, and we do it once a year. And this year we had 22,000 Filipinos, and it was just the most beautiful thing. We had a stage with nothing but Filipino up-and-coming talent. And [H.E.R](https://rollingstonephilippines.com/tag/h-e-r/). came out just to support. We had all these local Filipino businesses with their food, and we had jeepneys and tricycles, and just like celebrating culture and life and food and love and entertainment. We didn’t make the money back but I don’t care. I’ll keep investing. I’m gonna do it because it takes me back to when my mom was in the church looking for Filipinos to hang out with, and that’s where that mentality comes from. I’m gonna keep opening the doors because I knew how important it was for her just to have one Filipino friend. **Categories:** Culture, Editor's Picks, The Rolling Stone Interview **Tags:** Jo Koy --- ### [What Happened to Stockton’s Little Manila?](https://rollingstonephilippines.com/culture/what-happened-to-stocktons-little-manila/) **Published:** September 22, 2026 **Author:** Reyza Ferranco **Content:** Little remains today of what used to be home to the largest Filipino community in Stockton, California, called [Little Manila](https://rollingstonephilippines.com/tag/little-manila/). This once-thriving enclave, with a handful of historic structures still standing, is now only kept alive by a few Filipinos trying to preserve what’s left of it. But from the 1920s to the 1960s, it offered the Filipino American community a home in a country that often treated them as outsiders. It was not just a “feeling” of being unwelcome; it was physically manifested in signs like the one on a local hotel just a few blocks away from the neighborhood that read, “Positively No Filipinos Allowed.” ![positively no filipinos allowed signage](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/positively-no-filipinos-allowed.webp) The historical exclusion sign up in a hotel; the phrase later became a reminder of the anti-Filipino sentiments in the early days. Photo from the National Museum of American History What was inside Little Manila, and what happened then? ## **Little Manila’s Early Days** According to the National Museum of American History, Filipinos arrived in America in the 20th century, particularly after the country became a colony of the United States. Many of them came as migrant workers and farmers, and some joined minimum-wage or low-wage industries to survive. By 1930, there were already over [30,000 Filipino workers](https://www.somapilipinas.org/history) across other parts of the state. Despite moving to America, however, their lives were far from easy. This generation of early Filipino workers was called the “manong” and “manang” generation, terms coming from Ilocano titles of respect, with most of the workers being from the [Ilocos and Visayas regions](https://asiatimes.com/2025/12/little-manila-time-capsules-in-stockton-california-tell-stories/) of the Philippines. Racial segregation was already rampant during that time; Filipinos were not allowed to become American citizens, were restricted from land or home ownership, and even from voting. They were also not allowed to marry outside of their race, resulting in many of the workers remaining bachelors. Under California’s anti-miscegenation laws, marriages between Filipinos and white people were prohibited, while violence against Filipino communities continued throughout the period. In 1926, Stockton [documented](https://stocktonia.org/news/community/2026/07/30/little-manila-is-in-the-heart-209-how-a-stockton-community-preserved-the-stories-of-the-filipino-migrants-who-built-it/) the city’s first anti-Filipino attack, where white men stabbed and beat Filipinos at hotels and pool halls, causing the latter to run amok. A total of [eight whites and Filipinos](https://www.buzzfeed.com/paolamardo/stockton-california-little-manila-center-vandalism-history) were injured during the fight. Then there was the bombing of a building owned by another Filipino organization, and then the riots in Watsonville, where hundreds of white residents attacked agricultural Filipino workers inside dance halls and in their homes after the Americans were angered over them dancing with white women. Fermin Tobera, a Filipino farmworker, was shot in the heart while hiding and died during the riot. ![little manila's manongs and manangs](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/manongs-manangs.webp) Some of the manongs and manangs of Little Manila. Photo from the National Museum of American History As the National History of American History narrated, Little Manila ultimately became a sanctuary against “anti-Filipino violence.” The area prospered as Filipinos found their own way and eventually became a self-sustaining community. Some of the manongs were able to build businesses centered around Lafayette and El Dorado Streets, such as a barbershop, a tailoring store, and a Filipino restaurant. It further blossomed after World War II, when the Filipinos who fought in the war were finally granted citizenship, giving them rights to vote and own property. The Filipino community later [grew](https://www.visitstockton.org/blog/experience-the-history-of-stockton-californias-filipino-community-a-trip-through-time/) in size and influence throughout the city. ## **Demanding Social Justice in California** Of course, there also existed a labor movement that Filipino workers helped build in Little Manila. One of the major leaders of this movement was Larry Itliong, a Filipino American labor organizer, who migrated in 1930. Itliong, along with other Filipinos, fought injustice and formed labor unions. In 1948, Itliong and other labor leaders participated in the Stockton asparagus strike, where they protested against unfair wages and their grueling working conditions. There was also the Delano grape strike, where they once again fought against the exploitation of farm workers. ![delano grape strike](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/delano-grape-strike.webp) Workers risked the little stability they had left to join the Delano Grape Strike for five years, in hopes of better wages. Photo from the United Farm Workers The five-year strike eventually led to the establishment of one of the largest social justice movements in American history: the United Farm Workers in 1962, a joint effort between a Filipino farm labor union led by Itliong and the Mexican farm labor union led by Cesar Chavez. ## ****The Slow Demolition of Little Manila**** The block did not see an abrupt demolition, but rather a slow one that began with the city’s urban development. The city officials began demolishing large portions of the neighborhood in the 1960s, but it was the construction of the Crosstown Freeway that ultimately became one of the major contributors to the demolition of the Filipino block, as well as the other neighborhoods of color. Their homes, businesses, and community centers were steadily displaced, chipping away at what once had been a flourishing area. ![little manila newspaper](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/news.webp) Little Manila in Stockton fell to “progress,” which meant the destruction of its history and communities for urban development. Photo from the Stockton Record As the years went by, so did the construction. By the 1990s, some of Little Manila’s last remaining buildings were destroyed to make way for a McDonald’s and a gas station — a moment that two Stockton natives, historian Dawn Bohulano Mabalon and activist Dillon Delvo, witnessed firsthand. The experience helped propel their preservation work, the community-based, non-profit organization [Little Manila Rising](https://littlemanila.org/)*,* in 2001. ## **How is Little Manila surviving now?** The memories of Little Manila now hang on through the preservation efforts of Mabalon and Delvo. The old buildings may be gone, but its history has not disappeared with it. In 2001, the Little Manila foundation rallied the community together to have the City of Stockton designate the site as the Little Manila Historic Site, and by 2002, the designation was formally unveiled in the downtown area, with banners marking the site. The foundation was also able to further stop strip mall developers from paving over family homes, businesses, and the historic site. It was deemed “one of the eleven most endangered historic sites in America” by the National Trust for Historic Preservation in 2003. Mabalon spent much of her career as a historian documenting the Filipino community of Stockton, through her 2008 book *Filipinos in Stockton,* and, most notably, through her 2013 book *Little Manila Is in the Heart*. Her work helped bring national attention to a community that had been physically dismantled but remained deeply embedded in the memories of Filipino-Americans. ![little manila is in the heart book cover](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/book-cover.webp) The book, *Little Manila Is in the Heart*, was written by Dawn Mabalon to remember “how Filipinos created a distinctive community and identity in the city of Stockton.” Photo from Duke University Press In a [previous interview](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/jo-koy/) with *Rolling Stone Philippines,* Filipino-American entertainer [Jo Koy](https://rollingstonephilippines.com/tag/jo-koy/) has spoken about Little Manila and its disappearance, where he connected the history of the community to his very own identity. “I went to visit Little Manila. It’s completely gone. There’s nothing there to this day,” he said. Jo Koy set his latest Netflix special, *Blue in the House*, in Stockton, to remember the resiliency and tenacity of the Filipino workers who lived through the racism in the city. “If it wasn’t for those migrant workers and their tenacity, someone like me would have never been able to shine the way I did. I wanted to make a special where it’s like, ‘Here we are in a town where we all know what happened. But behind me, subliminally, is the Filipino sun. And here’s a Filipino on stage,” the comedian added. Little Manila Rising was originally founded to save the story of the manangs and manongs. Since then, its work has grown beyond mere conservation efforts and has also become a full expression of its pursuit of equity, carrying the legacy of the small neighborhood forward. ## FREQUENTLY ASKED QUESTIONS ### What was Little Manila and why did it matter to Filipino Americans? Little Manila was a Filipino American enclave in Stockton, California, that thrived from the 1920s to the 1960s. It mattered because it served as a sanctuary from anti-Filipino violence and discrimination, giving migrant workers a self-sustaining community with businesses, labor unions, and social life. ### What caused the destruction of Little Manila in Stockton? The Crosstown Freeway, built starting in the 1960s, cut through the neighborhood and displaced homes, businesses, and community centers. City-led demolition continued for decades, and by the 1990s some of the last original buildings were razed to build a McDonald’s and a gas station. ### Who was Larry Itliong and what was his role in Little Manila? Larry Itliong was a Filipino American labor organizer based in Little Manila who led the 1948 Stockton asparagus strike and later helped found the United Farm Workers in 1962 alongside Cesar Chavez, uniting Filipino and Mexican farmworker unions against exploitative labor conditions. ### How is Little Manila’s history being preserved today? Little Manila Rising, founded in 2001 by historian Dawn Bohulano Mabalon and activist Dillon Delvo, preserves the neighborhood’s history. Their efforts secured the Little Manila Historic Site designation in 2002 and helped the site earn recognition as an endangered historic place in 2003. ### How is Jo Koy connected to Little Manila’s history? Comedian Jo Koy has cited Little Manila’s manong generation as foundational to his own identity, staging his Netflix special *Blue in the House* in Stockton to honor the resilience and tenacity of the Filipino migrant workers who, he says, made his career possible. Related Stories - [Jo Koy: ‘Before You Make Your Opinion, Get To Know A Motherfucker First’](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/jo-koy/ "Jo Koy: ‘Before You Make Your Opinion, Get To Know A Motherfucker First’") - [Comedian Jo Koy to Return to Manila, and Some Pinoys Aren’t Happy](https://rollingstonephilippines.com/culture/news-culture/comedian-jo-koy-to-return-to-manila-and-some-pinoys-arent-happy/ "Comedian Jo Koy to Return to Manila, and Some Pinoys Aren’t Happy") - [‘Forgotten Island,’ Starring H.E.R, Liza Soberano, Spotlights Filipino Culture](https://rollingstonephilippines.com/culture/film/forgotten-island-her-liza-soberano-film/ "‘Forgotten Island,’ Starring H.E.R, Liza Soberano, Spotlights Filipino Culture") **Categories:** Culture, State of Affairs **Tags:** Filipino Americans, Little Manila, Stockton --- ### [‘Forgotten Island,’ Starring H.E.R, Liza Soberano, Spotlights Filipino Culture](https://rollingstonephilippines.com/culture/film/forgotten-island-her-liza-soberano-film/) **Published:** March 26, 2026 **Author:** Mel Wang **Excerpt:** Filipino actors Liza Soberano, H.E.R., Lea Salonga, Dolly de Leon, and more are leading the charge in this Philippine-centric animated feature **Content:** The latest trailer of *[Forgotten Island ](https://rollingstonephilippines.com/tag/forgotten-island/ "Forgotten Island")*confirms that the animated feature is an ode to Filipino culture. Set in the Philippines in the ‘90s, *Forgotten Island* follows Jo ([H.E.R.](https://rollingstonephilippines.com/tag/h-e-r/ "H.E.R.")) and Raissa ([Liza Soberano](https://rollingstonephilippines.com/tag/liza-soberano/ "Liza Soberano")), two childhood best friends who find themselves on different paths. While celebrating their last night together with junk food and karaoke, the duo accidentally stumble on a portal, which sends them on a journey through another dimension as they try to make their way home. For eagle-eyed viewers, the trailer features several Pinoy Easter eggs, from the school uniforms the two friends wear in grade school to the pair taking on the role of a manananggal in a school play (Raissa as the head and Jo as the legs). They can also be spotted driving a jeepney (complete with a “Mabuhay” sign above its front window) and hanging out by a palm tree-lined beach before the portal — which bears the same shape of the sun on the Philippines’ national flag — sucks them in. Once they’re in the other dimension, it also looks like they’ll be going toe-to-toe with some of the monsters and mystical beings of Filipino mythology. Although the creatures have yet to be confirmed, there seems to be a giant ibong adarna and the bat wings of a manananggal. *Forgotten Island* is directed and written by Joel Crawford and Januel Mercado (the duo behind *Puss in Boots: The Last Wish*), who took inspiration from their own decades-long friendship. “\[*Forgotten Island*\] is dear to our hearts because it’s a story set in the Philippines,” Mercado said at the trailer’s official launch at Dreamworks HQ. “But… we feel like this theme of friendship is a very specific thing that we’ve all experienced. A universal thing that we all relate to.” ![Forgotten Island](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/ForgottenIsland_1.webp) For eagle-eyed viewers, the trailer features several Pinoy Easter eggs. Photo courtesy of Universal Pictures Philippines As for the film’s main stars, both of them are more than excited to showcase their Filipino heritage on the big screen. “I get to share a piece of my childhood in this work and with the world,” said H.E.R. Soberano added, “It’s been a long-time dream of mine to be able to be in a project that really represented the Philippines in a very accurate way, but at the same time, is universal enough for people to be able to relate to. To have Filipino culture showcased by a major studio is very exciting.” H.E.R. and Soberano are not the only Filipino cast members of *Forgotten Island*. [Lea Salonga](https://rollingstonephilippines.com/tag/lea-salonga/ "Lea Salonga"), [Dolly de Leon](https://rollingstonephilippines.com/tag/dolly-de-leon/ "Dolly de Leon"), [Manny Jacinto](https://rollingstonephilippines.com/tag/manny-jacinto/ "Manny Jacinto"), [Amielynn Abellera](https://rollingstonephilippines.com/tag/amielynn-abellera/ "Amielynn Abellera"), and [Jo Koy](https://rollingstonephilippines.com/tag/jo-koy/ "Jo Koy") have all confirmed that they will be lending their voices to the animated feature. Rounding out the cast are Ronny Chieng, Dave Franco, and Jenny Slate. *Forgotten Island* releases in Philippine cinemas on September 23. ## Frequently Asked Questions ### When does ‘Forgotten Island’ come out in theaters? DreamWorks Animation’s Forgotten Island arrives in Philippine cinemas on September 23, 2026, followed by a wide theatrical release in the United States on September 25, 2026, distributed by Universal Pictures. ### Who stars in the voice cast of ‘Forgotten Island’? The animated feature stars H.E.R. (Jo) and Liza Soberano (Raissa). The all-star cast also features Lea Salonga, Dolly de Leon, Manny Jacinto, Jo Koy, Dave Franco, Jenny Slate, and Ronny Chieng. ### Who directed DreamWorks’ ‘Forgotten Island’? Forgotten Island is written and directed by Joel Crawford and Januel Mercado, the acclaimed filmmaking duo behind DreamWorks Animation’s Academy Award-nominated blockbuster Puss in Boots: The Last Wish. ### What Filipino cultural references are featured in ‘Forgotten Island’? The film features authentic Pinoy elements, including 1990s school uniforms, jeepneys, local junk food, street-side karaoke, and mythological creatures like the manananggal and ibong adarna. ### What is the main plot of ‘Forgotten Island’? Set in 1990s Philippines, Forgotten Island follows childhood best friends Jo and Raissa who stumble through a sun-shaped portal into a mystical realm. Together, they must navigate mythical creatures to find their way back home. Related Stories - [Liza Soberano, Lea Salonga, H.E.R. Lend Their Voices in Filipino-Inspired DreamWorks Project](https://rollingstonephilippines.com/culture/film/forgotten-island-her-liza-soberano/ "Liza Soberano, Lea Salonga, H.E.R. Lend Their Voices in Filipino-Inspired DreamWorks Project") - [Liza Soberano’s Tell-All Has People Taking Away the Wrong Things](https://rollingstonephilippines.com/editors-picks/commentary/liza-soberano-can-i-come-in/ "Liza Soberano’s Tell-All Has People Taking Away the Wrong Things") - [Here are the Filipinos Who’ve Won Big at the Oscars](https://rollingstonephilippines.com/culture/film/filipinos-who-won-oscars-history/ "Here are the Filipinos Who’ve Won Big at the Oscars") **Categories:** Culture, Film **Tags:** Forgotten Island, H.E.R., Liza Soberano --- ### [This Mike de Leon Comedy Musical is Screening as Part of Cinemalaya](https://rollingstonephilippines.com/radar/events/kakabakaba-ka-ba-mike-de-leon-cinemalaya/) **Published:** October 6, 2025 **Author:** Mel Wang **Excerpt:** Mike de Leon’s Kakabakaba Ka Ba? will close this year’s edition of the Cinemalaya Independent Film Festival on October 11 **Content:** The late [Mike de Leon’s](https://rollingstonephilippines.com/tag/mike-de-leon/ "Mike de Leon") comedy musical, *Kakabakaba Ka Ba?,* was released to Philippine audiences in 1980 as a sharp, absurd and song-based satire aimed at foreign imperialism, capitalism, and Catholicism. And now, more than 40 years since its release, and 10 since the remastered film was screened in the Philippines in 2015, *Kakabakaba Ka Ba? returns* to the big screen once again as the closing film for this year’s [Cinemalaya Independent Film Festival](https://rollingstonephilippines.com/tag/cinemalaya/ "Cinemalaya"). *Kakabakaba Ka Ba?* follows Johnny (Christopher de Leon), Melanie ([Charo Santos-Concio](https://rollingstonephilippines.com/tag/charo-santos/ "charo santos")), Nonong (Jay Ilagan), and Nancy (Sandy Andolong), four friends who find themselves caught up in a complicated conspiracy that involves the Japanese yakuza, the Chinese mafia, and a side quest to Baguio that sees them disguising themselves as priests and nuns. ![Kakabakaba Ka Ba? ](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/10/kakaba_2.webp) Things get a little absurd in *Kakabakaba Ka Ba?* Photo from IMDb/Official Website But for all its moments of slapstick comedy, song numbers, and delightful Apo Hiking Society cameos, de Leon’s film is scathing in its critique of the powers that dominate the Philippines. “\[De Leon\] certainly pushed the envelope with humor,” wrote Matt Ordonez for[*Asian Movie Pulse*](https://asianmoviepulse.com/2025/09/kakabakaba-ka-ba-1980-by-mike-de-leon-film-review/), “and some believe a movie like this could not be made today with the risk-averse studio system and heavier regulations. Even when Mike de Leon tries to make us laugh, he also makes us think.” De Leon himself later noted how working on *Kakabakaba Ka Ba?* helped him realize the power of filmmaking as a tool for [commentary](https://rollingstonephilippines.com/editors-picks/commentary/). “Strangely enough,” said de Leon, “it was only in the wild and surreal *Kakabakaba Ka Ba?* that I discovered the power of satire and protest (masquerading as comedy).” *Kakabakaba Ka Ba?* is set to screen on October 11 at 8:00 p.m. at the Shangri-La Red Carpet Cinema in Mandaluyong. Related Stories - [Mike De Leon: ‘My Films are Proof That Once Upon a Time, I Walked This Earth’](https://rollingstonephilippines.com/culture/film/mike-de-leon-tribute/ "Mike De Leon: ‘My Films are Proof That Once Upon a Time, I Walked This Earth’") - [Mike de Leon, Eminent Filipino Filmmaker, Dies at Age 78](https://rollingstonephilippines.com/culture/film-tv/mike-de-leon-passes-away/ "Mike de Leon, Eminent Filipino Filmmaker, Dies at Age 78") - [Now on YouTube: Mike de Leon’s ‘Kakabakaba Ka Ba?,’ Restored Films by National Artists](https://rollingstonephilippines.com/culture/film-tv/restored-films-by-national-artists/ "Now on YouTube: Mike de Leon’s ‘Kakabakaba Ka Ba?,’ Restored Films by National Artists") **Categories:** Culture, Events, Film, Radar **Tags:** Cinemalaya, Mike de Leon --- ### [Critics Dish Out on the Challenges of Criticism in Rolling Stone PH Roundtable](https://rollingstonephilippines.com/media-channels/state-of-criticism-philippines/) **Published:** March 27, 2026 **Author:** Pie Gonzaga **Excerpt:** In the latest episode of Rolling Stone Philippines Roundtable, critics across disciplines unpack the challenges of their work and what Filipino audiences are getting wrong about criticism **Content:** “There is this misguided idea that criticism is equal to fault-finding, that when you critique, parang kakabahan na ‘yung mga tao kasi people think you’re going to have something negative to say,” art critic [Pristine de Leon](https://rollingstonephilippines.com/tag/pristine-de-leon/ "Pristine de Leon") says in the latest episode of [Rolling Stone Philippines Roundtable](https://rollingstonephilippines.com/tag/rolling-stone-philippines-roundtable/). Here, de Leon, film critic [Lé Baltar](https://rollingstonephilippines.com/tag/le-baltar/ "Le Baltar"), and literary and music critic [Itos Ledesma](https://rollingstonephilippines.com/tag/itos-ledesma/ "Itos Ledesma") joined *Rolling Stone Philippines* for a conversation on the state of criticism in the country, across art, film, literature, and music. The roundtable discussion raises and attempts to answer questions about the financial viability of criticism as work, whether critics must cater to audiences, and what’s missing in Filipino criticism today. “To me, \[criticism\] is not a passion project,” Baltar says. “‘Yun ‘yung myth na gusto kong basagin, to see criticism as cultural work, as [labor](https://rollingstonephilippines.com/state-of-affairs/labor/).” De Leon, a researcher and educator from Ateneo de Manila University, says that being in the academe sustains her work as a critic. “What I find nourishing and helpful about being in the academe is that, not only do I get a paycheck from there, or that I get the money to pay the rent, but having roots and being grounded in the academe, that’s where I get my ideas,” she says. “A trend that I kind of see emerging with a lot of younger writers is they’re doing things in spite of the mainstream, which is always brilliant,” says Ledesma. “I hope that they’re able to sustain that practice.” The latest episode of the Rolling Stone Philippines Roundtable is now available to watch on our [YouTube channel](https://www.youtube.com/@rollingstoneph). ## Frequently Asked Questions ### What is the main misconception about cultural criticism in the Philippines? According to art critic Pristine de Leon on the Rolling Stone Philippines Roundtable, the primary misconception is equating criticism with fault-finding. Rather than purely offering negative commentary, cultural criticism functions as rigorous analytical labor that evaluates art, music, literature, and film within broader societal contexts. ### Who participated in the Rolling Stone Philippines Roundtable on criticism? The panel brought together art critic and Ateneo scholar Pristine de Leon, film critic Lé Baltar, and literary and music critic Itos Ledesma. Together, they examined the state of Philippine media commentary, economic viability, audience expectations, and independent publishing. ### Why is criticism considered cultural labor rather than a passion project? Film critic Lé Baltar emphasizes that treating criticism as mere passion obscures its value as labor. Viewing criticism as cultural work highlights the need for fair compensation, sustainable infrastructure, and intellectual rigor, moving away from unpaid or underfunded gig work in Philippine media. ### How does academia support cultural critics in the Philippines? Academic institutions provide critics with financial stability, research resources, and intellectual grounding. As Pristine de Leon notes, working within the academe offers a steady paycheck to cover living expenses while simultaneously nourishing new critical ideas and theoretical frameworks. ### What trends are emerging among younger Filipino cultural critics today? Literary and music critic Itos Ledesma highlights that younger Filipino writers are increasingly publishing outside mainstream commercial media. This independent movement allows critics to produce uncompromising, countercultural analysis without relying on corporate media structures or commercial constraints. Rolling Stone Philippines - [The Cyberliber Case Against Lokalpedia Exposes a Rot in Culture](https://rollingstonephilippines.com/culture/food/cyberlibel-vs-lokalpedia-criticism/ "The Cyberliber Case Against Lokalpedia Exposes a Rot in Culture") - [Manila’s Top Restaurant Owners Talk Michelin in Rolling Stone PH Roundtable](https://rollingstonephilippines.com/media-channels/michelin-guide-manila-restaurants-roundtable/ "Manila’s Top Restaurant Owners Talk Michelin in Rolling Stone PH Roundtable") - [6 Filipino Film Insiders on Philippine Cinema’s Biggest Enemy](https://rollingstonephilippines.com/media-channels/guerilla-report/6-film-insiders-philippine-cinema/ "6 Filipino Film Insiders on Philippine Cinema’s Biggest Enemy") **Categories:** Art, Culture, Film, Media Channels, Music **Tags:** Itos Ledesma, Le Baltar, Pristine de Leon, Rolling Stone Philippines Roundtable --- ### [DJ Honey Goes Retro at the ‘Rolling Stone Philippines’ Launch Party](https://rollingstonephilippines.com/music/dj-honey-rolling-stone-philippines-launch/) **Published:** December 14, 2024 **Author:** Pie Gonzaga **Excerpt:** The Australian vinyl DJ takes us through her retro, mid-century sound at Rolling Stone Philippines' launch in Salon De Ning **Content:** At *Rolling Stone Philippines*’ launch on December 12, DJ Honey took Salon de Ning at the Peninsula Manila for a major retro spin, scoring the buzzy party with groovy ‘60s soul in celebration of the historic magazine’s arrival in the country. Talk about a Throwback Thursday! Since 2016, Honey has been hosting the show *Kiss! Kiss! Bang! Bang!* *(KKBB)* — first on the Brisbane community radio 4ZZZ FM, then on the online station Soho Radio where she formerly hosted *Girls on the Groove*. Hailing from Australia, she has done gigs across the United States, United Kingdom, Europe, and Southeast Asia. In 2019, she was a part of the Singapore Grand Prix lineup, performing at the Marina Bay Street Circuit alongside acts like Gwen Stefani, Fat Boy Slim, and Red Hot Chili Peppers. ![dj honey](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/12/RS-DEC-LAUNCH-ALEXIS-37.jpg) DJ Honey As a vinyl DJ, Honey is drawn to soul, [jazz](https://rollingstonephilippines.com/music/jazz-music/), and rhythm-and-blues from the ‘50s, ‘60s, and ‘70s. The mid-century era was a time of rapid changes in the political sphere, and the music and artists that came out of it are, to her, inspiring and influential. “People were protesting for peace and demanding equality through the civil rights and women’s liberation movements,” she tells [The Analog Vault](https://theanalogvault.com/blogs/avmixseries/av-mix-series-dj-honey), a Singapore-based record store and blog. “Music was political, raucous, rebellious, expressive. All these aspects were a huge shift from the austerity of the first half of the century.” Her set at the *Rolling Stone Philippines* launch party is no different, a lively mix of soul party hits and songs from *Rolling Stone*’s “[Greatest Songs of All Time](https://www.rollingstone.com/music/music-lists/best-songs-of-all-time-1224767/harry-styles-as-it-was-2022-1234952641/)”— like its number one for 2021 and 2024: Aretha Franklin’s “Respect.” “What an anthem for women and for people everywhere,” she tells *Rolling Stone Philippines*. The 1967 hit — the same year *Rolling Stone* magazine began — was a cover that eclipsed the original recording by soul legend Otis Redding in its success, and became an anthem for second wave feminism. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/12/2.jpg) Seven-inch records for DJ Honey’s set True to the spirit of “Respect” and what it represented in the ‘60s and ‘70s, Honey puts women at the forefront of her work, celebrating “femme fatales, vintage vixens, and bad girl babes” from the ‘50s to the ‘70s. Her Facebook page, where she promotes her radio shows and gigs, is graced with photos of beloved female figures from the mid-century era, like singer and activist Barbara Dane. “I’ll be giving women in music a platform in my radio shows — in my DJ sets, my activism; always advocating for women in DJ lineups and in the industry,” she says. Honey has lived in the Philippines since 2022. “It’s a crazy city. It’s super busy, and there’s a lot of hustle and bustle happening,” she says. “But at the same time, people are so chill, mellow, and friendly. It’s such a great atmosphere to live in.” Honey is thrilled for the arrival of *Rolling Stone Philippines*. Having lived in Singapore and the Philippines, she also has an appreciation for Asian music, highlighting everything from Original Pilipino Music to Singapore and Malaysia’s pop yeh-yeh — a pop-rock movement that emerged in the region in the 1960s. *KKBB*’s [first episode](https://www.mixcloud.com/djhoneyvinyl45s/kiss-kiss-bang-bang-episode-70-i-got-you-i-feel-good/?fbclid=IwY2xjawHIlTZleHRuA2FlbQIxMAABHS27seWUMig01Ff8zzl2uILUlyaQD6rtv5W7vT4yOyPY1JL1wXiVR1SzZw_aem_T4pdek5YNjLFR5qS_WJ59w) of 2024 featured Filipino artists like Vilma Valera, Helen Gamboa, and Eva Vivar. “The Philippines has an incredible history of music and musicians, all the way from the early ‘50s and ‘60s \[and\] all the independent labels that were around then, up until today,” Honey says. “It’s cool to see the Philippines on the map for the world to read more about.” Correction: An earlier version of this article incorrectly stated that DJ Honey arrived in Manila in October. In fact, she has been living in the Philippines since 2022 and arrived back from her U.S. tour in October. The article also stated that she hosts a show on Soho Radio called Girls On The Groove. However, she no longer hosts this show. **Categories:** Events, Music, News, Radar **Tags:** DJ Honey --- ### [With His New Album, Thundercat Wants Your Undivided Attention](https://rollingstonephilippines.com/music/jazz-music/thundercat-releases-new-album-distracted/) **Published:** March 25, 2026 **Author:** Elijah Pareño **Excerpt:** The genre-bending bassist returns with a record defined by information overload, where attention, urgency, and meaning begin to blur **Content:** Six years after his last LP, *It Is What It Is*, [Thundercat](https://rollingstonephilippines.com/tag/thundercat/ "Thundercat") will release his fifth studio album, *Distracted*, on April 3. The new album features contributions from [A$AP Rocky](https://rollingstonephilippines.com/tag/aap-rocky/ "A$AP Rocky"), WILLOW, [Tame Impala](https://rollingstonephilippines.com/tag/tame-impala/ "Tame Impala"), Channel Tres, and a previously unreleased collaboration with [Mac Miller](https://rollingstonephilippines.com/tag/mac-miller/ "Mac Miller"), who passed away in 2018. “The reality of what life has been for me is that I have never really stopped working,” Thundercat says in a statement. “So I know this is not inherently the reason why my album has taken so long. But I feel like it’s more indicative of how things feel right now.” For the past decade, Thundercat has worked with numerous artists and producers who embrace the same sense of looseness in their music. Whether it’s an unorthodox bass line or a spoken passage delivered through layered instrumentation, his playing often pushes beyond the usual role of the bass. His work with [Kendrick Lamar](https://rollingstonephilippines.com/tag/kendrick-lamar/ "Kendrick Lamar") on *To Pimp a Butterfly* in 2015 positioned him as a key part of the album’s [jazz backbone](https://rollingstonephilippines.com/music/jazz-music/). Collaborations with Tame Impala, [Gorillaz](https://rollingstonephilippines.com/tag/gorillaz/ "Gorillaz"), and Flying Lotus followed, where his approach to the instrument consistently stretched what it could do within a song. In *Distracted*, Thundercat reflects on the current state of the world, creating an album that asks listeners to stay present with both its sound and its ideas. The record zeroes in on the tension of constant information, where attention itself becomes harder to hold. “You have the world at your fingertips with the phone and everything, on a daily basis, you process way too much information,” he says. “It’s very hard to differentiate the difference between things that are very important versus things that are just stuff and things. And the things that are of great importance are also made to seem very muddled. And, you know, I mean, just kind of take a look at what’s going on socially politically in the world. You know, it’s a really messy place right now.” ## Habits of Distraction ![Thundercat](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/Thundercat-I-Did-This-to-Myself-Lead-_-Photo-Credit-Neil-Krug.webp) Thundercat asks for time and attention, even when his instinct is to move on quickly to the next thing. Photo by Neil Krug For Thundercat, the essential things and priorities start to blur when everything is delivered at a chaotic pace. The constant stream of updates, reactions, and noise flattens what should feel urgent. In that environment, even music risks being treated the same way, reduced to something more passive. What *Distracted* pushes against is that habit. It asks for time and attention, even when the instinct is to move on quickly to the next thing. “I think that the important things in life right now are very mixed in with a lot of the insanity of the internet,” he says. “And it’s really messed up in the actual level of injustice going on in the world, as we can see, on a global scale and also on a national scale. But it also shows up the same as a meme, you know, a lot of people are trying to grab ahold of anything, you know, it’s almost like you have to put your phone down, but you can’t.” On a lighter note, the album’s overall package goes into a more playful energy, something Thundercat says listeners can still enjoy despite its heavier themes. “I’m going to have acrobats and I’m going to bring a juggling bear, and I’m going to do some sword swallowing,” he says. “And… no \[laughs\] I’m gonna go, man, just try to have a good time, you know what I mean? I think it’ll be fun.” {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”When is Thundercat releasing his new album ‘Distracted’?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Thundercat will release his fifth studio album, Distracted, on April 3 via Brainfeeder. Marking his first full-length project in six years since 2020’s Grammy-winning It Is What It Is, the 15-track album explores the noise of modern life.”}},{“@type”:”Question”,”name”:”Who is featured on Thundercat’s ‘Distracted’ album?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Distracted features guest appearances from A$AP Rocky, WILLOW, Tame Impala, Channel Tres, Lil Yachty, and The Lemon Twigs. It also includes a previously unreleased collaboration with the late rapper and close friend Mac Miller.”}},{“@type”:”Question”,”name”:”What is the main concept behind Thundercat’s ‘Distracted’?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”The album reflects on modern information overload, constant digital noise, and social media distractions. Thundercat challenges listeners to put down their phones, stay present, and pay undivided attention to both pressing real-world issues and musical craft.”}},{“@type”:”Question”,”name”:”What song features Mac Miller on Thundercat’s new album?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Mac Miller is featured on the track titled \”She Knows Too Much\”. The posthumous song highlights the deep personal and creative bond between Thundercat and the late artist, who passed away in September 2018.”}},{“@type”:”Question”,”name”:”Who produced Thundercat’s album ‘Distracted’?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Distracted was executive produced by Thundercat alongside Grammy-winning producer Greg Kurstin. Additional production contributions come from longtime collaborators Flying Lotus, Kenny Beats, and rock duo The Lemon Twigs.”}}]}## Frequently Asked Questions ### When is Thundercat releasing his new album ‘Distracted’? Thundercat will release his fifth studio album, Distracted, on April 3 via Brainfeeder. Marking his first full-length project in six years since 2020’s Grammy-winning It Is What It Is, the 15-track album explores the noise of modern life. ### Who is featured on Thundercat’s ‘Distracted’ album? Distracted features guest appearances from A$AP Rocky, WILLOW, Tame Impala, Channel Tres, Lil Yachty, and The Lemon Twigs. It also includes a previously unreleased collaboration with the late rapper and close friend Mac Miller. ### What is the main concept behind Thundercat’s ‘Distracted’? The album reflects on modern information overload, constant digital noise, and social media distractions. Thundercat challenges listeners to put down their phones, stay present, and pay undivided attention to both pressing real-world issues and musical craft. ### What song features Mac Miller on Thundercat’s new album? Mac Miller is featured on the track titled “She Knows Too Much”. The posthumous song highlights the deep personal and creative bond between Thundercat and the late artist, who passed away in September 2018. ### Who produced Thundercat’s album ‘Distracted’? Distracted was executive produced by Thundercat alongside Grammy-winning producer Greg Kurstin. Additional production contributions come from longtime collaborators Flying Lotus, Kenny Beats, and rock duo The Lemon Twigs. Related Stories - [Project Yazz Is The Type of Jazz Band That Doesn’t Sound The Same Twice](https://rollingstonephilippines.com/music/indie/project-yazz-music-forecast-2026/ "Project Yazz Is The Type of Jazz Band That Doesn’t Sound The Same Twice") - [Meet Mei Semones, A Jazz-Pop Artist Who Can Make You Mosh](https://rollingstonephilippines.com/music/jazz-music/mei-semones-jazz-manila/ "Meet Mei Semones, A Jazz-Pop Artist Who Can Make You Mosh") - [Filipino Musicians and the Uphill Battle of Going ‘Global’](https://rollingstonephilippines.com/editors-picks/features/filipino-representation-southeast-asia-music/ "Filipino Musicians and the Uphill Battle of Going ‘Global’") **Categories:** Jazz, Music **Tags:** Thundercat --- ### [Jacob Collier on Bending the Rules of Music and Performing in the Philippines](https://rollingstonephilippines.com/music/jacob-collier-rule-breaking-show/) **Published:** May 20, 2025 **Author:** Elijah Pareño **Excerpt:** The journey from Malasimbo’s beaches to New Frontier’s stage reflects Jacob Collier's deepening connection with Filipino music lovers **Content:** [Jacob Collier](https://rollingstonephilippines.com/tag/jacob-collier/ "Jacob Collier") is a rule breaker, and he’s proud of it. But if you take a deep look into the English multi-instrumentalist and Grammy Award-winning musician’s career, he’s always sought out not to become the best musician in the music world, but to be a performer who transcends the meaning of music and culture everywhere. In the Philippines, he’s no stranger to his audience. He’s traveled and performed in the country multiple times, his most recent show set for this coming June 3 at the New Frontier Theater in Cubao, Quezon City. If anyone hasn’t noticed, every time Collier stops by Manila for a show, the venues grow larger. It’s a testament to his expanding reach, or perhaps his reputation as a musician who bends rules until they snap, then builds new ones from the pieces. This time, Collier makes it clear that breaking rules isn’t about anarchy. It’s about creating something communal, a spectacle where the audience isn’t just watching but participating. “There’s an energy in Manila unlike anything else,” Collier tells *Rolling Stone Philippines*. “So my job is to match that energy with the show that I’m bringing. There’s lots of variety, lots of different kinds of music. There’s rock and roll and there’s [jazz](https://rollingstonephilippines.com/music/jazz-music/), pop, improvisation, choral music, reggaeton, hip-hop, and there’s literally all this stuff. And it’s just a massive party.” His history with the Philippines is anything but conventional. His first trip wasn’t even to Manila — it was to the [Malasimbo Festival](https://rollingstonephilippines.com/music/malasimbo-reinventing-ph-festival-experience-intramuros-2025/ "How Malasimbo is Reinventing the PH Festival Experience") in Puerto Galera, a grassroots event celebrating the Mangyan village and the kind of unfiltered musical culture that thrives far from big-city stages. He remembers the humidity, the ocean, and, inevitably, the sunburn. “That was probably my third or fourth ever gig. Those were very, very early days for me,” he says. “And, you know, I’m very grateful for all those early experiences touring because they taught me so much that I have taken into my current kind of tour. You know, this is my fifth, kind of like my fourth or fifth world tour. And each time I’ve gone around, I’ve learned something new. The love that I was shown in Puerto Galera was really something else. I always feel kind of like a little bit of loyalty to that time in my life.” ![Jacob Collier Live in Manila](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/Untitled-design-67.webp) “The most original traditional folk instrument is the human voice,” Collier explains. Photo from Laura Gilli # jacob of all trades Collier thrives on challenge, the kind that forces him to rethink what music can be. He’s played everything from Bangladesh’s one-string “ektar” to Morocco’s “guembri,” absorbing their languages rather than just mimicking them in our video call. “I love a challenge, you know,” he says. “Every time you learn a new instrument, it’s like learning a different dialect \[of\] the language. It kind of increases the dimensions of the thing that you understand. The most recent instrument I’ve really learned like that is the audience \[such as\] learning how to really get the best out of an audience as a choir. It’s like an unlimited improvised language.” This music thing isn’t a gimmick to him. When Collier turns a crowd into a choir, it’s because he believes in the raw power of voices colliding. “The most original traditional folk instrument is the human voice,” he says. “It’s crazy because everyone has one, and every single one in the world is different. And so it’s amazing to get to travel around the world. What I do on stage when I get the audience to sing as part of the show, is it’s almost like I’m activating straight into the folk music of that zone because the voices come straight from that tradition.” Rules, to Collier, aren’t sacred. Music theory isn’t law — it’s a story, and stories change depending on who tells them. “A voice is so much more than just a voice box. It’s about a story,” he says. “You know, it’s about like a narrative. It’s about your ancestors, your family, and the nature of the landscapes you’re brought up in. Like that’s what shapes that instrument.” Collier’s real strength is perspective, constantly stepping into the worlds of many other instruments, then stepping back to see how they fit into something bigger. “I’ve never thought of myself as an instrumentalist,” he says. “I’ve always thought of myself as a musician. And I think being a good musician is about a multitude of perspectives rather than just one.” # The ‘We’ in Music Making That’s why his shows feel less like performances and more like experiments in collective music-making. He’s not there to dazzle from a stage, he’s there to pull the audience into the act. “Any trustworthy storyteller breaks rules or at least bends them,” he says. “Over the course of my life, I think I’ve made rules and broken them a lot of times. But one of the biggest rules with regard to performance is the idea that the performers and the audience are separate. I love flipping that model and I love radically including the audience and saying, look, this is you as much as it’s me. We’re all of us. We’re all here to listen and to make music together.” And that’s the core of it: Collier doesn’t want fans to just watch. He wants them to be the music. Manila’s about to be part of that reminder. “That’s such a cool feeling I really want to create in the world is that feeling of ‘we,’” he says. “Because I think in this day and age, there’s so much emphasis on ‘I’. ‘Everything is ‘I do this’, ‘I think this’. I believe that ‘you and I’ and everything is separate. But it’s so far from our true nature. And I think that one thing that music can do beautifully, especially when people sing together, is it can remind us of the ‘we’ again.” Related Stories - [Jacob Collier’s ‘Djesse Vol. 4’ Manila Show Moved to New Venue](https://rollingstonephilippines.com/radar/events/jacob-collier-djesse-vol-4-new-frontier-theater/ "Jacob Collier’s ‘Djesse Vol. 4’ Manila Show Moved to New Venue") - [Jacob Collier Sparks Excitement as Djesse World Tour Returns to PH](https://rollingstonephilippines.com/radar/events/jacob-collier-return-manila-djesse-world-tour-2025/ "Jacob Collier Sparks Excitement as Djesse World Tour Returns to PH") - [4 Moments Jacob Collier Broke the Rules of Music Theory](https://rollingstonephilippines.com/music/4-jacob-collier-moments-broke-music-theory/ "4 Moments Jacob Collier Broke the Rules of Music Theory") **Categories:** Features, Music **Tags:** Jacob Collier --- ### [5 Filipino Musicians Scoring Silent Films Live at Manila’s ISFF 2025](https://rollingstonephilippines.com/radar/events/5-filipino-musicians-silent-films/) **Published:** July 2, 2025 **Author:** Elijah Pareño **Excerpt:** The International Silent Film Festival Manila will see five Filipino musicians perform a live score of five foreign films from Spain, Italy, Germany, Japan, and Austria **Content:** On July 11 to 13 at Shangri-La Plaza, Manila’s [International Silent Film Festival](https://rollingstonephilippines.com/tag/international-silent-film-festival/ "International Silent Film Festival") (ISFF) is set to carve out an immersive audiovisual spectacle of five silent films from five countries, played alongside a live score by Filipino musicians. And the best part? It will be screened to the public for free. What started as a collaboration between Germany’s Goethe-Institut, Spain’s Instituto Cervantes, and the Japan Foundation in 2007 has grown into one of Southeast Asia’s most accessible cultural exchange festivals. This year’s programming is set to prove how essential live music is in silent films where cinemas once had in-house orchestras before the advent of “talkies,” or films with synchronized sound. For those unfamiliar with pre-dialogue cinema, the ISFF is a crash course on how to translate stories beyond language. Below are the films that will be featured at ISFF, along with its attached live performer. ## Psychic Surgeons and ‘Gigantes y Cabezudos’ (1936) ![psychic surgeons](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/psychic-surgeons.webp) Psychic Surgeons. Screenshot from International Silent Film Festival Manila For the Spanish entry, *Gigantes y Cabezudos*, Instituto Cervantes is teaming up with jazz-electronic outfit Psychic Surgeons. Set against the backdrop of a folk parade, the 1936 film follows a Spanish soldier returning from war in Cuba, only to find his village gripped by local unrest. The story’s carnival tone will be reimagined by Psychic Surgeons, who is expected to layer hip-hop drums, synths, and jazz textures into its score. The band’s trumpet player Gabriel Lazaro describes the film as “visually stunning and surreal,” a match for their genre-bending sound. ## Pepe Manikan and ‘Fra Diavolo’ (1925) ![Pepe Manikan and his Progharmonic Orchestra](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/pepe-manikan.webp) Pepe Manikan and his Progharmonic Orchestra. Screenshot from International Silent Film Festival Manila Musician Pepe Manikan and his Progharmonic Orchestra are returning to the ISFF stage to score Fra Diavolo, an Italian action-comedy about resisting invasion. Selected by Manikan himself, the film will be performed with a full score that jumps between [jazz](https://rollingstonephilippines.com/music/jazz-music/), rock, and live foley sound effects. “It’s a fun film, but it says a lot about sovereignty,” Manikan said at a press statement. By using real-time sound effects and genre fusions, the orchestra builds tension and release without uttering a word, teaching audiences that emotion, not language, drives storytelling. ## Ma.Ma and ‘Wie sich das Kino rächt’ (1912) ![ma.ma joee mejias aly cabral](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/joee-mejias-aly-cabral.webp) Ma.Ma, composed of Joee Mejias and Aly Cabral. Screenshot from International Silent Film Festival Manila Goethe-Institut Philippinen has chose a sharp, self-aware comedy for this year’s screening. *Wie sich das Kino rächt* centers on a film censorer who’s tormented by the very filmmakers he tried to suppress. Experimental duo Ma.Ma — composed of alternative pop artist Alyana Cabral and art-pop solo artist Joee Mejias — will take on live scoring duties. Known for their ambient noise collages and abstract soundscapes, Ma.Ma’s goal is to challenge how silence can be interrupted. ## An All-Female Scoring Team on ‘The Scent of Pheasant’s Eye’ (1935) ![Teresa Barrozo Pat Sarabia, Mariah Reodica](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/the-scent-of-pheasants-eye-japan.webp) Film composer Teresa Barrozo, drummer Pat Sarabia, and guitarist Mariah Reodica. Screenshot from International Silent Film Festival Manila Japan Foundation’s *The Scent of Pheasant’s Eye*, a 1935 tale of a high school girl falling in love with her sister-in-law, was adapted from early 20th-century queer Japanese literature. A rare find from Japan’s National Film Archive, the film is being brought to life by an all-female Filipino scoring team: film composer Teresa Barrozo, drummer Pat Sarabia, and alternative rock guitarist Mariah Reodica. They’ll be joined by Nanako Yamaguchi, a Japanese benshi or live narrator. In 2018, a benshi also performed for ISFF, narrating *A Straightforward Bo*y by Japanese film director Yasujirō Ozu. ## Hearlife Verein and ‘The Life of Beethoven’ (1927) ![hearlife verein](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/hearlife-verein.webp) Hearlife Verein is a non-profit for deaf Filipino children.Screenshot from International Silent Film Festival Manila Austria’s selection, *The Life of Beethoven*, turns the spotlight on the world-renowned composer and pianist. The film will be scored by an ensemble assembled by Hearlife Verein, a non-profit for deaf Filipino children. Pianist Mariel Ilusorio will lead a string quartet, youth sopranos, and a partially deaf pianist with a cochlear implant. “We wanted this to be inclusive,” said Hearlife’s Nina Jacob-Soliven. “Beethoven was deaf. Our musician is, too. And the film is silent.” The performance will include sign language interpreters and reserved seats for members of the deaf community. **CORRECTION:** A previous version of this article incorrectly stated that Pepe Manikan previously worked with film director Khavn Dela Cruz on a silent film score of I Figli di Nessuno in 2023. This information has been removed for accuracy. Related Stories - [How This Movie, TV Music Festival is the Antithesis of Influencer Event Culture](https://rollingstonephilippines.com/music/future-ruins-film-music-festival/ "How This Movie, TV Music Festival is the Antithesis of Influencer Event Culture") - [Hans Zimmer on Composing the Film Score of ‘F1 The Movie’](https://rollingstonephilippines.com/culture/film-tv/hans-zimmer-f1-the-movie/ "Hans Zimmer on Composing the Film Score of ‘F1 The Movie’") - [Film Concerts PH Reimagines Movie Scores for the Live Stage](https://rollingstonephilippines.com/music/film-concerts-ph-movie-scores/ "Film Concerts PH Reimagines Movie Scores for the Live Stage") **Categories:** Events, Music, News, Radar **Tags:** Aly Cabral, Hearlife Verein, International Silent Film Festival, Joee Mejias, Mariah Reodica, Pat Sarabia, Psychic Surgeons, t33g33, Teresa Barrozo --- ### [Malasimbo 2026 Was A Festival Where It Proves That Small Can Feel Massive](https://rollingstonephilippines.com/music/live-reviews/malasimbo-2026-festival-recap-julian-marley-intramuros/) **Published:** May 26, 2026 **Author:** Elijah Pareño **Excerpt:** A tight musical lineup consisting of world grooves, reggae roots, and rain‑kissed dancing turns Intramuros into a glowing garden of rhythm **Content:** [Malasimbo](https://rollingstonephilippines.com/tag/malasimbo/ "Malasimbo") Music and Arts Festival made its return to the live music world on May 23. Now on its 15th year, the festival remains a one‑stop destination for live music that showcases a wide palette of rhythmic and sonically meditative music. The consistent live curation had dashes of world music, reggae, [jazz ensembles](https://rollingstonephilippines.com/music/jazz-music/), R&B, and house. From its Puerto Galera roots with acts like Jacob Collier, FKJ, Goldie, and Mike Love, Malasimbo leaped to the walled city in 2025, landing right at Puerta Real Gardens, Intramuros. Founder and festival director [Miro Grgić](https://rollingstonephilippines.com/music/malasimbo-reinventing-ph-festival-experience-intramuros-2025/ "How Malasimbo is Reinventing the PH Festival Experience") broke into the venue that year with Afro‑Brazilian percussion troupe Brigada, electronic duo MOTHERBASSS, psychedelic band La Crema, and hip‑hop collective Morobeats. ![Selah Dub Warriors Malasimbo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Selah-Dub-Warriors.webp) Selah Dub Warriors’ performance a reminder of what a Cebuano reggae band can deliver. This year, Malasimbo pulled off a big one: inviting one of reggae’s most prominent heirs, Julian Marley. If Intramuros’ atmosphere weren’t fitting enough, Marley’s presence sealed the vibe with his wide live sound appropriate for a festival stage alongside local stalwarts in reggae and world music Anima Tierra, Selah Dub Warriors, and Jeck Pilpil & Peacepipe. Throughout the entire show, there were LED walls displayed beside the stage. There was one ad on the screen that flashed the Malasimbo’s next destination: the tropical sprawl of Balesin Island, just off the Quezon Province, arriving May 1 until 3, 2027. From the get‑go, the stage was set for Malasimbo 2027 a year in advance; in the meantime, Puerta Real Gardens hosted a very swell evening. ![Anima Tierra Malasimbo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Anima-Tierra-2.webp) Anima Tierra, one of the night’s highlights, hit just as rain began to fall on grass, stone, and shoulders. Arriving around 7 p.m., audiences crossed through the stone walls, gates, and bridge into the lagoon and were greeted by local artworks hung along Intramuros’ corridors. Olivia d’Aboville’s trademark giant dandelions glow across the field of grass before the live music stage. A red paper‑origami piece by Jinggoy Buensuceso floats above the trees, lanterns dotted across the venue. Across from the main lights and music stage, the Kids Village runs a Battle of the Brush live painting competition. On the surface it looks like a modest evening until the real festivities kick in. ## Local Bands and Rain ![Anima Tierra Malasimbo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Anima-Tierra.webp) Anima Tierra’s drums only grew louder despite the hiccups, while the crowd stayed respectful and wildly receptive. By 7:30 p.m., Cebuano unit Selah Dub Warriors take the stage to freestyle, ad‑lib, and lay down melodic heft — a reminder of what a Cebuano reggae band can deliver. They salute the Queen City with nods to Santo Niño, the Magellan’s Cross, and the city’s landmarks. ![Jeck Pilpil & Peacepipe](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Jeck-Pilpil.webp) Jeck Pilpil’s gruff, unwavering delivery rode the swinging pulse of roots and dub. Anima Tierra, one of the night’s highlights, hit just as rain began to fall on grass, stone, and shoulders. Tech crews scrambled while plastic went over amps and mixers. The moment the band was ready, the audience abandoned the barricades and shifted into a communal groove. From the front to the back, people danced in place, started conga lines, and chose joy over drizzle. Anima Tierra’s drums only grew louder despite the hiccups, while the crowd stayed respectful and wildly receptive. ![Malasimbo Anima Tierra dance](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Anima-Tierra-3-1.webp) During Anima Tierra’s set, one of the band’s players went down the stage to dance alongside the crowd. Second to the last and the final local act, Jeck Pilpil & Peacepipe kept the lift going. Pilpil’s gruff, unwavering delivery rode the swinging pulse of roots and dub. As the rain finally let up, the crowd thickened. Daloy Dance Group formed a circle, pulling attention with syncopated moves. A smaller, cuter conga loop snaked across the floor. Overhead, a dragon puppet on a pole orbited the air. At first it felt overstimulating for the senses, but then it clicked: it was all perfectly right for the occasion. Maybe the rain was a kiss from nature after all. ## Marley’s Legacy Closing the Night ![Julian Marley Malasimbo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Julian-Marley-2.webp) By the time Julian Marley waved goodnight, the garden felt like a moving chapel of rhythm and echo. [Julian Marley](https://rollingstonephilippines.com/tag/julian-marley/ "Julian Marley") is the main event of the festival where it drew heavy anticipation for longtime fans and learners of reggae, gathered in what becomes a classroom under open skies. Marley’s closing stretch felt like a benediction. From “Lemme Go,” “Straighter Roads,” and “Are You The One,” to “Boom Draw,” the set went through catalog highlights, all embossed in roots and dub. Live, the spell of dub revealed itself fully. It was the magic of spring‑reverb snares that rang like tin cans in a dream, airy backing harmonies floating above the mix, four keyboards trading riffs, and those dub hypnotic echoes spiraling through a well‑tuned soundsystem. It was the spirit of reggae speaking at full force; a son honoring a lineage while standing firmly in his own light. By the time Marley waved goodnight, the garden felt like a moving chapel of rhythm and echo. Reggae, world music, alive and well, had spoken in a voice that was reverent and current at once. Malasimbo signed off cleanly — a good night and a proper send‑off — before the festival heads back to the tropical islands next year. ## Frequently Asked Questions ### Who is behind the Malasimbo Arts and Music Festival? The Malasimbo Arts and Music Festival is organized by founder and festival director Miro Grgić since 2011. ### What are the activities at the Malasimbo Arts and Music Festival? The festival features live performances from local and international musicians, DJ sets, live painting competitions, dance performances, art installations, merchant booths, and community-driven activities. ### When is the next Malasimbo Arts and Music Festival? The next Malasimbo Arts and Music Festival will be held at Balesin Island on May 1 until 3, 2027. ### Where is the Malasimbo Arts and Music Festival this year? This year’s Malasimbo Arts and Music Festival was held at Puerta Real Gardens at Intramuros, Manila. ### How long has it been since the Malasimbo Arts and Music Festival started? The Malasimbo Arts and Music Festival first began in 2011, making it 15 years. - - - - - Related Stories - [Malasimbo Gives a Taste of the Philippines as a Festival Destination](https://rollingstonephilippines.com/music/malasimbo-philippines-festival-destination/ "Malasimbo Gives a Taste of the Philippines as a Festival Destination") - [&FRIENDS Festival Brings Music and Internet Culture Under One Roof](https://rollingstonephilippines.com/music/andfriends-not-another-festival/ "&FRIENDS Festival Brings Music and Internet Culture Under One Roof") - [At Kaogma, Rapper Bugoy Na Koykoy Gets the Industry Talking Without Saying a Word](https://rollingstonephilippines.com/music/bugoy-na-koykoy-at-kaogma/ "At Kaogma, Rapper Bugoy Na Koykoy Gets the Industry Talking Without Saying a Word") **Categories:** Hip-hop/R&B, Live Reviews, Music **Tags:** Julian Marley, Malasimbo --- ### [The Ransom Collective on Indie Folk in the Age of AI](https://rollingstonephilippines.com/music/folk/the-ransom-collective-indie-folk-ai/) **Published:** March 6, 2026 **Author:** Elijah Pareño **Excerpt:** Years after their early indie-folk run, the group reunites with new stories, lessons from solo work, and renewed perspective **Content:** [The Ransom Collective](https://rollingstonephilippines.com/tag/the-ransom-collective/ "The Ransom Collective") reunites whenever the time is right, not for an annual album celebration or a major concert, but simply to relive the memories they have made together. Formed in 2013, they started out as a group of college kids drawn to the indie-folk sound that defined much of their youth. The band consists of vocalist Kian Ransom, violinist Muriel Gonzales, keyboardist Lily Gonzales, drummer Redd Claudio, bassist Leah Halili, and percussionist Jermaine Choa Peck. While most of them have released solo music at this point, their goal has always been the same: meeting again, making music together, playing live, and eventually reflecting on what the past decade has looked like for each of them. That reflection now includes marriage, day jobs, and the question of what comes next for a band growing older alongside a scene that moves faster every year. When they released their debut album *Traces* in 2017, much of the material came from a period when they were hiking. The band spent that time traveling across the country while also navigating different phases of their lives. In hindsight, those songs captured a moment when the group was still figuring out adulthood together. Since then, several members have pursued solo work, particularly Peck, Halili, and the Gonzales sisters. ![Kian Ransom, Lily Gonzales, Muriel Gonzales, Leah Halili, Jermaine Choa Peck, Redd Claudio of The Ransom Collective](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/The-Ransom-Collective.webp) Kian Ransom, Lily Gonzales, Muriel Gonzales, Leah Halili, Jermaine Choa Peck, and Redd Claudio of The Ransom Collective. Photo from The Ransom Collective Their latest single, “Tongue Tied,” was written in 2019, shelved during the pandemic, and revisited with new additions afterward. The song now acts as a time capsule of what life looked like for them before the world stopped. As the lyric goes, “You came along,” the back-and-forth vocal melodies between Ransom and Gonzales return alongside violins and xylophone lines that once defined the band’s earlier sound. The result feels like a bridge between two timelines: the travel-log spirit of their early years, when hiking trips and shared adventures shaped their songwriting, and a more reflective phase that highlights sparse arrangements and careful observation. “The chemistry of being together in the moment feels like it’s the same,” Gonzales tells *Rolling Stone Philippines*. “What’s nice is, despite all the things we’re trying to figure out as older adults, and having different lives compared to before, parang when we come together, it feels like old times pa rin.” ## Looking Back For the band, the years apart did not function as a break from the project so much as a detour that finds itself back on track. Each member’s solo work and personal milestones gradually altered the way they approach arrangements, songwriting, and collaboration. When they meet again in the same room, those separate experiences become part of the conversation inside the music. “Parang nag-side quest ka lang para once nag-come together ka ulit with everyone parang ‘eto yung mga kwento ko, eto yung mga pinagdaanan ko, eto ‘yung nangyari sa akin,’” Peck says. “Nung nagrelease ako ng \[solo music\] tas nung bumalik kami as a band, ang dami ko rin natutunan musically o mas confident ako about myself in sharing ideas or sharing what I can offer to the people around me. That period shaped the band’s identity early on. The songs from their debut album *Traces*, which housed the crowd favorites “Settled,” “Tides,” and “Something Better,” were written in the middle of those experiences. Now, the band has fewer eyes on them compared to when their momentum skyrocketed in 2014 with their self-titled EP. They’re more comfortable and unafraid to offer newer ideas in songs today than ever before. The band is coming out of their comfort zones, combining different genres in newer releases such as bossa nova and [jazz](https://rollingstonephilippines.com/music/jazz-music/). “A lot of the songs that we wrote in *Traces*, the album, were about our lives during college. Like, we would go on adventures together. As in, we literally go on hikes together,” Peck says. “Parang pinagusapan namin \[recently\] na ‘Luh, ganon parin ba tayo hanggang ngayon? Or ‘Wala na bang pagka-adventure spirit \[natin\]?’ but then \[my bandmates\] were like ‘No, we’re still the same actually.’ Like, a lot of the songs that we wrote then, we can still resonate a lot with now. We’re still the same, but mas may wisdom.” ## Folk as a Human Genre ![The Ransom Collective](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/The-Ransom-Collective-2.webp) In the end, The Ransom Collective carries the same purpose: to pick up the instruments again and see what stories remain worth telling. Photo from The Ransom Collective The band recognizes that the moment that once carried indie folk into the mainstream has largely passed. The early 2010s saw a wave of artists whose music leaned on acoustic instruments, tight harmonies, and the shared language of folk revival, such as [Ben&Ben](https://rollingstonephilippines.com/tag/benben/ "Ben&Ben"), Coeli, The SunManager, and [Johnoy Danao](https://rollingstonephilippines.com/tag/johnoy-danao/ "Johnoy Danao"), to name a few. “Indie folk as a genre is really connected. The way 80s music is 80s music, indie folk is kind of like, at least for me, it’s like, that’s 2010s,” Ransom says. “That’s a genre that lives in that era. And you can kind of hear music kind of shifting away from it.” That particular subgenre of music eventually gave way to other currents in pop and indie music, leaving bands like The Ransom Collective in an interesting position: part of a scene tied to a specific time, but still continuing to write and perform within it. For the band, that distinction still matters. The way their songs take shape depends on bodies in the room: a violin line adjusting to a vocal phrase, percussion responding to the rhythm of a chorus, harmonies settling into place through repetition. The music grows out of interaction rather than software presets, which is why the band continues to return to that process whenever they reunite. “Indie music is now this generic, happy-go-lucky kind of vibe and sound. But I think it’s also interesting, especially with AI affecting music and creation, and a lot of songs moving to electronic \[music\]. I think that what I find special about not just indie music, but our genre is that it’s very acoustic. You need real instruments. There’s a violin. That’s a synth, so on and so forth.” In the end, The Ransom Collective may come and go depending on where life leads them, but every reunion carries the same purpose: to pick up the instruments again and see what stories remain worth telling. “Sometimes we forget how much the music means to people until we see fans saying they’ve waited years to see us again,” Ransom says. “That connection reminds us why we keep doing this.” ## Frequently Asked Questions ### Who are the members of The Ransom Collective? The Ransom Collective consists of Kian Ransom (vocalist), Muriel Gonzales (violinist), Lily Gonzales (keyboardist), Redd Claudio (drummer), Leah Halili (bassist), and Jermaine Choa Peck (percussionist). ### What is the background behind The Ransom Collective’s single “Tongue Tied”? “Tongue Tied” was originally written in 2019, shelved during the pandemic, and later revisited. The track acts as a musical bridge between the band’s early adventurous style and their reflective, matured arrangements. ### What was The Ransom Collective’s debut album? The band released their debut full-length album Traces in 2017, which contained popular tracks such as “Settled,” “Tides,” and “Something Better.” ### How does The Ransom Collective view the impact of AI on indie folk music? Band members emphasize that indie folk relies on human interaction, organic collaboration, and real acoustic instruments—such as violins and physical percussion—which offer an authentic human connection that electronic presets and AI cannot replicate. ### When was The Ransom Collective formed? The Filipino indie-folk band was formed in 2013, gaining widespread recognition in 2014 following the release of their self-titled debut EP. Related Stories - [Johnoy Danao on 25 Years of Songwriting and His Music’s Staying Power](https://rollingstonephilippines.com/music/johnoy-danao-on-25-years-of-songwriting-and-his-musics-staying-power/ "Johnoy Danao on 25 Years of Songwriting and His Music’s Staying Power") - [Ebe Dancel Traverses 25 Years of Music, Lessons, and Realizations](https://rollingstonephilippines.com/music/folk/ebe-dancel-25-year-music-career/ "Ebe Dancel Traverses 25 Years of Music, Lessons, and Realizations") - [syd hartha on Why the Best Songs Are Written After Stepping Outside](https://rollingstonephilippines.com/music/folk/syd-hartha-writing-songs-around-nature/ "syd hartha on Why the Best Songs Are Written After Stepping Outside") **Categories:** Folk, Music **Tags:** The Ransom Collective --- ### [Jacob Collier Sparks Excitement as Djesse World Tour Returns to PH](https://rollingstonephilippines.com/radar/events/jacob-collier-return-manila-djesse-world-tour-2025/) **Published:** April 16, 2025 **Author:** Elijah Pareño **Excerpt:** From jazz heads to pop fans, Collier’s electrifying Djesse Tour is set to captivate Manila audiences once again on June 3 **Content:** Renowned pop artist [Jacob Collier](https://rollingstonephilippines.com/tag/jacob-collier/ "Jacob Collier") is set to make his highly anticipated return to Manila on June 3 at the World Trade Center Hall D in Pasay City as part of his ongoing *Djesse World Tour*. Produced by Karpos, this marks Collier’s third performance in the Philippines following his debut at the [Malasimbo Music Festival](https://rollingstonephilippines.com/music/malasimbo-reinventing-ph-festival-experience-intramuros-2025/) in Puerto Galera in 2016 and his 2022 show at the Filinvest Tent in Alabang. Known for his genre-defying [fusion of jazz](https://rollingstonephilippines.com/music/jazz-music/) and pop with highly complex chord progressions, Collier has built a reputation for electrifying live performances that blend technical mastery with infectious creativity. Fans and artists alike celebrate his ability to transform intricate musical arrangements into something exhilarating yet accessible. Collier’s Manila performances have become legendary for their spontaneity and virtuosity. Whether balancing a full choir with live instrumentation, demonstrating his astonishing vocal range, or engaging the audience in spontaneous harmonization, he consistently pushes the boundaries of what a live performance can be. His ability to shift effortlessly from intimate acoustic moments to grand, multi-layered compositions makes each show unpredictable and thrilling. ![Jacob Collier](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/Untitled-design-33.webp) Jacob Collier performing at the Filinvest Tent, Alabang last 2022. Photo by Iya Forbes, Photo from Karpos Live/Facebook Collier’s return is particularly exciting for the Philippines’ thriving jazz and progressive music scene, following recent performances by other world-class acts like Incognito, who visited the country last November 2024, and the upcoming Snarky Puppy show, also produced by Karpos. Collier’s influence extends beyond entertainment, where his work serves as a masterclass for aspiring musicians, proving that technical skill and emotional resonance can coexist. Tickets for the *Djesse World Tour* are available through Karpos’ [Tickelo](https://www.tickelo.com) website. Related Stories - [Faye Webster Manila Tickets Are Being Gatekept by Fans](https://rollingstonephilippines.com/radar/events/faye-webster-manila-tickets-gatekept-by-fans/ "Faye Webster Manila Tickets Are Being Gatekept by Fans") - [How Malasimbo is Reinventing the PH Festival Experience](https://rollingstonephilippines.com/music/malasimbo-reinventing-ph-festival-experience-intramuros-2025/ "How Malasimbo is Reinventing the PH Festival Experience") **Categories:** Events, Radar **Tags:** Jacob Collier --- ### [Malasimbo Music & Arts Festival Announces Second Wave of Artists](https://rollingstonephilippines.com/radar/events/malasimbo-music-arts-festival-second-wave-artists-2025/) **Published:** February 4, 2025 **Author:** Rolling Stone Philippines **Content:** The [Malasimbo](https://rollingstonephilippines.com/tag/malasimbo/ "Malasimbo") Music, Arts, and Kids Festival has announced its second wave of artists and performers. Taking place on March 8 at the historic Puerta Real Gardens in Intramuros, the Festival is anticipated to be an exciting experience for guests of all ages, being one of the most celebrated cultural events in the Philippines. The second wave of artists include Nai Palm, the front woman and guitarist of the Grammy-nominated band Hiatus Kaiyote. Inspired by a range of musical influences — from Stevie Wonder and Aretha Franklin, to flamenco and Northwest African music — Palm’s is a fixture in Melbourne’s music scene, whose sonic palette spans [jazz](https://rollingstonephilippines.com/music/jazz-music/), funk, and soul. Laneous, a singer-songwriter and multi-instrumentalist, is also in the line-up. Known as the former frontman of Kafka, as well as The Family Yah, Laneous is steeped in Brisbane’s funk-soul and nu-jazz community; his music characterized by intricate arrangements and smooth vocals. Also from Brisbane, Tommy Sexton, who will also perform at Malasimbo, describes his music as “vintage future soul, silk funky,” and “post-apocalyptic yacht rock.” Drawing from artists like D’Angelo, Herbie Hancock, and Toto, Sexton is expected to bring charisma and groove to the Festival. Selah Dub Warriors is a roots dub and reggae group from Cebu City, known for its hypnotic compositions and lyrics promoting peace, love, and unity. The group is part of the “conscious music” movement in the Philippines, referring to themes in Rastafarian culture that address issues of social change, justice, and cultural identity. In January, Malasimbo announced its [first wave](https://rollingstonephilippines.com/radar/malasimbo-2025-first-lineup/ "Malasimbo Music & Arts Festival Reveals First Artist Lineup for 2025") of artists, which included legendary DJ and producer François K, Oahu-based reggae artist Mike Love, turntablist DJ Shortkut, and dance music collective Orange Juice Asia. Founded in 2011, the Festival has celebrated the intersection of music, arts, and nature, offering a diverse range of performances and installations, as well as community engagement through environmental sustainability. For more information about the festival, including the full line-up, schedule, and ticket purchases, visit [www.malasimbo.com](https://malasimbo.com/). **Categories:** Events, Radar **Tags:** Laneous, Malasimbo, Nai Palm, Selah Dub Warriors, Tommy Sexton --- ### [Jacob Collier’s ‘Djesse Vol. 4’ Manila Show Moved to New Venue](https://rollingstonephilippines.com/radar/events/jacob-collier-djesse-vol-4-new-frontier-theater/) **Published:** May 14, 2025 **Author:** Elijah Pareño **Excerpt:** The world renowned multi-instrumentalist’s return to Manila with the ‘Djesse Vol. 4’ tour will now take place at New Frontier Theater **Content:** World-renowned multi-instrumentalist [Jacob Collier](https://rollingstonephilippines.com/tag/jacob-collier/ "Jacob Collier") is moving up to a different stage. The Manila stop of his *Djesse Vol. 4* World Tour is shifting to a larger venue, upgrading from the World Trade Center to the New Frontier Theater. The change signals a major demand for Collier’s genre-hopping, harmony-bending live experience in the Philippines. Collier, known for his intricate arrangements and boundary-pushing performances, has built a global following by tearing down the walls between [jazz](https://rollingstonephilippines.com/music/jazz-music/), pop, classical, and soul. Manila isn’t new ground for him; his previous performances back in 2016 and 2022 have left fans floored with a set that balanced virtuosity and spontaneity, reinforcing why he’s widely considered one of this generation’s most inventive musical minds. ![Jacob Collier](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/Untitled-design-62.webp) The move to New Frontier Theater would bring new possibilities of Collier presenting his spectacle of live music. Photo from Karpos The move to New Frontier Theater makes room for more of those people, and for a production that’s only grown more ambitious since the tour kicked off. *Djesse Vol. 4*, the final installment of his sprawling four-album project, brings Collier’s evolution full circle, offering a bigger, bolder version of the sound he’s spent the past few years shaping across continents. Fans who caught him in Manila before know what to expect: musical chaos, precision, and moments that blur the line between audience and performer. For those seeing him for the first time, it’s a guaranteed full-body experience led by a one-man orchestra with no limits. Tickets for the show are available via [Ticketnet.com.ph](https://www.ticketnet.com.ph/event-detail/JACOB-COLLIER) Related Stories - [Jacob Collier Sparks Excitement as Djesse World Tour Returns to PH](https://rollingstonephilippines.com/radar/events/jacob-collier-return-manila-djesse-world-tour-2025/ "Jacob Collier Sparks Excitement as Djesse World Tour Returns to PH") - [4 Moments Jacob Collier Broke the Rules of Music Theory](https://rollingstonephilippines.com/music/4-jacob-collier-moments-broke-music-theory/ "4 Moments Jacob Collier Broke the Rules of Music Theory") - [Snarky Puppy to Bring Their Big Jazz Sound to Manila on May 27](https://rollingstonephilippines.com/radar/events/snarky-puppy-big-jazz-sound-manila-may-27/ "Snarky Puppy to Bring Their Big Jazz Sound to Manila on May 27") **Categories:** Events, Radar **Tags:** Jacob Collier --- ### [Snarky Puppy to Bring Their Big Jazz Sound to Manila on May 27](https://rollingstonephilippines.com/radar/events/snarky-puppy-big-jazz-sound-manila-may-27/) **Published:** April 23, 2025 **Author:** Elijah Pareño **Excerpt:** The 25-member collective, known for genre-defying instrumental work, is set to bring their acclaimed live show to Manila for the first time **Content:** The Grammy-winning jazz fusion collective [Snarky Puppy](https://rollingstonephilippines.com/tag/snarky-puppy/ "Snarky Puppy") will finally bring their electrifying live experience to Philippine shores on May 27 at The Filinvest Tent in Alabang, Muntinlupa City. Brought by Karpos Live, the debut performance promises to be a landmark event for Manila’s music scene, showcasing the group’s unique blend of [jazz virtuosity](https://rollingstonephilippines.com/music/jazz-music/), rock energy, and soulful grooves that have made them one of the most celebrated acts in contemporary instrumental music. As a rotating collective that can expand to a massive 25-piece ensemble, Snarky Puppy represents the pinnacle of musical collaboration. Their core members include some of the most sought-after session players in the music scene, with credits spanning work with Snoop Dogg, Erykah Badu, Kendrick Lamar, and D’Angelo. This diverse background informs their sound, seamlessly fusing elements of sounds from Japan, Argentina, Canada, the United Kingdom, and Puerto Rico, reflecting the true nature of modern jazz. ![Snarky Puppy](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/Untitled-design-42.webp) Photo by Ignacio Orreg What makes a Snarky Puppy performance truly special is the palpable chemistry between musicians. Their shows are renowned for spontaneous improvisations and telepathic musical communication that turns each concert into a unique experience. For Manila’s thriving jazz community, including regulars at institutions like [Tago Jazz Bar](https://rollingstonephilippines.com/tag/tago-jazz/ "Tago Jazz"), this concert is set to offer a masterclass in musical interplay and creative risk-taking. In a music landscape often divided by categories, Snarky Puppy stands as a testament to what happens when world-class musicians come together without creative limitations. Their Manila debut represents an unmissable opportunity to experience one of the most innovative groups in contemporary music today. Beyond technical prowess, the group embodies the pure joy of musical creation, radiating an infectious energy that transcends genre boundaries. Tickets for this highly anticipated event are now available through [Tickelo](https://www.tickelo.com/snarkypuppy). Related Stories - [4 Snarky Puppy Moments That Every Jazz Lover Should Witness](https://rollingstonephilippines.com/editors-picks/lists/4-snarky-puppy-moments/ "4 Snarky Puppy Moments That Every Jazz Lover Should Witness") - [Friends, Cubao, Cigarettes: The Latent Essence of Tago Jazz](https://rollingstonephilippines.com/music/tago-jazz-cubao/ "Friends, Cubao, Cigarettes: The Latent Essence of Tago Jazz") - [Faye Webster Manila Tickets Are Being Gatekept by Fans](https://rollingstonephilippines.com/radar/events/faye-webster-manila-tickets-gatekept-by-fans/ "Faye Webster Manila Tickets Are Being Gatekept by Fans") **Categories:** Events, Radar **Tags:** Snarky Puppy --- ### [4 Moments Jacob Collier Broke the Rules of Music Theory](https://rollingstonephilippines.com/music/4-jacob-collier-moments-broke-music-theory/) **Published:** May 9, 2025 **Author:** Elijah Pareño **Excerpt:** Whether sampling elevator rails or singing in nontraditional keys, Collier’s creative risks are rarely predictable **Content:** [Jacob Collier](https://rollingstonephilippines.com/tag/jacob-collier/ "Jacob Collier") has built a reputation on dismantling what most people think music should sound like. The English multi-instrumentalist and producer doesn’t just master instruments, he reshapes how they interact, often within the same breath of a song. His reputation in the scene is part theory nerd, part studio wizard, and part live conductor who can turn a crowd into a living, breathing harmony machine with the rise of a hand. At first glance, Collier might not look like the one shaking up contemporary music. He’s got the energy of someone who just [walked out of a jazz](https://rollingstonephilippines.com/music/jazz-music/) conservatory, always in bright colors and talking through musical structures most people barely remember from school. But onstage, he brings the kind of controlled chaos that grabs even the most passive listener. He stacks rhythms, flips time signatures, drops ghost notes like breadcrumbs, and somehow makes the entire room feel like it’s been invited to participate in the experiment. # The Famous Audience Choir One of the standout elements of his shows is what fans have come to call the “audience choir.” It starts without warning. It happens when Collier lifts his hands and signals to different parts of the crowd to sing specific pitches. What could easily fall into gimmick territory ends up being a genuine show of musical trust. The crowd leans in, listens, and responds. It’s a moment that says more about Collier’s connection to people than any solo could. He doesn’t just perform at the audience; he brings them into the structure of the song itself. And in doing so, he suggests that most people are more musically capable than they think. # The Moon River Harmonies His rendition of “Moon River” brought that same mindset into the studio, but with even more complexity. The 1961 classic, originally written by Johnny Mercer, Henry Mancini, and performed by Hollywood actress Audrey Hepburn, is stripped of everything recognizable and rebuilt using only layered vocal harmonies. No instruments, no safe chords, just Collier’s voice multiplied into hundreds of intricate layers. It’s less about reimagining the song and more about challenging the idea of what a cover should do. Music theorists have taken to breaking down the track frame by frame, and even then, it only scratches the surface of what’s happening structurally. What’s clear is that it’s not about showing off, it’s about pushing the limits of what can be done with just one voice and a mountain of patience. # The Non-Existing Music Key In *Djesse Vol. 3*, Collier took that curiosity further by writing in a key that doesn’t technically exist. The album includes passages that rely on microtonal intervals such as notes that live between the ones on a piano and quarter-tone shifts that fall outside the standard twelve-note system. It’s not new territory in global music traditions, but in Western pop and jazz, it’s still rare to hear it used with such intent. The result is music that feels slightly off-kilter but not in a distracting way. It stretches the ear without tearing it. You don’t need to understand the theory to feel the shift. # Using Everyday Sounds That ability to find something musical in unlikely places is part of Collier’s core approach. He’s known to sample the mundane – a phone’s notification tone, an elevator handrail tap – and thread those sounds into full compositions. These choices aren’t for novelty; they reflect a larger idea he keeps returning to: that music is always happening. He’s just tuning into it more closely than most. Related Stories - [Jacob Collier Sparks Excitement as Djesse World Tour Returns to PH](https://rollingstonephilippines.com/radar/events/jacob-collier-return-manila-djesse-world-tour-2025/ "Jacob Collier Sparks Excitement as Djesse World Tour Returns to PH") - [Snarky Puppy to Bring Their Big Jazz Sound to Manila on May 27](https://rollingstonephilippines.com/radar/events/snarky-puppy-big-jazz-sound-manila-may-27/ "Snarky Puppy to Bring Their Big Jazz Sound to Manila on May 27") **Categories:** Lists, Music **Tags:** Jacob Collier --- ### [Your Essential Guide To Music Festivals Happening Across Asia](https://rollingstonephilippines.com/editors-picks/lists/guide-music-festivals-in-asia/) **Published:** February 20, 2026 **Author:** Elijah Pareño **Excerpt:** Each event offers a different perspective on how music communities develop and sustain themselves over time **Content:** Music festivals in Asia have long played a central role in shaping the region’s live music economy. Japan’s Fuji Rock Festival, first held in 1997, now draws more than 100,000 attendees every year, while Summer Sonic has operated across Tokyo and Osaka since 2000, regularly hosting global and domestic headliners in stadium-scale settings. These events helped establish Asia as a viable touring destination for international artists, while also giving regional acts access to larger audiences. In other places in Asia, festivals have followed a similar trajectory. Indonesia’s Java Jazz Festival, launched in 2005, has grown into one of the largest jazz festivals in the world, featuring hundreds of performers each year. In the Philippines, festivals like Wanderland, founded in 2013, have introduced international indie artists to local audiences while providing a platform for Filipino acts performing on the same bill. Festivals create rare opportunities for regional artists to share stages with international acts, often defining how a country’s music identity is seen beyond its borders. More than just concerts, these gatherings serve as a cultural exchange of where a scene has been and where it is heading next. *Bookmark this page for more updates on upcoming music festivals in Asia.* ## Upcoming Music Festivals in Asia ### Goa Sunsplash (India) > [View this post on Instagram](https://www.instagram.com/reel/DU0kvygAaEc/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Goa Sunsplash (@goasunsplash)](https://www.instagram.com/reel/DU0kvygAaEc/?utm_source=ig_embed&utm_campaign=loading) Where: Thalassa Beach Boutique Resort in Ashwem Beach, Goa When: Every January Goa Sunsplash is India’s leading reggae festival, held in the coastal state of Goa. It celebrates reggae culture alongside local Indian acts. Artists like Luciano, Macka B, and Hempress Sativa have headlined. The festival connects India’s scene to reggae’s global roots in Asia. ### Wanderland (Philippines) > [View this post on Instagram](https://www.instagram.com/reel/DHqDfs8y95M/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Wanderland Festival (@wanderlandfest)](https://www.instagram.com/reel/DHqDfs8y95M/?utm_source=ig_embed&utm_campaign=loading) Where: Filinvest City Events Grounds, Alabang When: Every March Wanderland has positioned itself as a key gateway for international indie acts entering the Philippines. Held in open-air fields at the Filinvest Event Grounds in Alabang, Muntinlupa City, it balances international headliners with rising Filipino artists. Acts like Bon Iver, Jack Johnson, Carly Rae Jepsen, and Phoenix have headlined, alongside local favorites like UDD and Lola Amour. Its curated visual art installations and relaxed atmosphere have helped define Metro Manila’s indie festival culture. ### Equation Festival (Vietnam) > [View this post on Instagram](https://www.instagram.com/p/DO-7F51E7fe/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Equation (@equationfestival)](https://www.instagram.com/p/DO-7F51E7fe/?utm_source=ig_embed&utm_campaign=loading) Where: Mỏ Luông Cave, Mai Châu, Hòa Bình Province, Vietnam When: April 24-26 Equation Festival takes place inside and around the Mỏ Luông Cave in northern Vietnam, giving it one of the most distinct environments among Asian festivals. Established in 2016, it focuses on leftfield electronic music, particularly techno, ambient, and experimental DJ sets. Its cave setting molds both the acoustics and atmosphere, attracting a niche audience interested in immersive listening experiences. Artists such as John Talabot, Peach, CEM, D. Tiffany, and Malika have performed, while the festival has also helped introduce Vietnam’s growing electronic scene to international audiences. ### Rainbow Disco Club (Japan) > [View this post on Instagram](https://www.instagram.com/p/DTcgeJ5ErQg/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rainbow Disco Club (@rainbowdiscoclub)](https://www.instagram.com/p/DTcgeJ5ErQg/?utm_source=ig_embed&utm_campaign=loading) Where: Higashi-Izu Cross Country Course, Shizuoka City When: April 17-19 [Rainbow Disco Club](https://rollingstonephilippines.com/music/dance-electronic/rainbow-disco-club-manila-tyfm/) is Japan’s premier electronic music festival, held in Shizuoka, focusing on house, techno, bass, disco, and many more. Artists like Four Tet, Kode9, and Ben UFO have performed there. Its intimate scale, set against the idyllic scenery of the Izu Peninsula, attracts dedicated electronic music fans. ### Organik Festival (Taiwan) > [View this post on Instagram](https://www.instagram.com/p/DTt-KH6ksLN/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Organik Festival (@organik\_festival)](https://www.instagram.com/p/DTt-KH6ksLN/?utm_source=ig_embed&utm_campaign=loading) Where: Secret Island, Taiwan When: April 3-5 Organik Festival is an independent electronic music gathering in Taiwan known for its remote, nature-based setting and focus on leftfield sounds. Founded in 2017, the festival prioritizes minimal techno, ambient, and experimental electronic music, often running extended DJ sets that stretch late into the night. Its secluded forest location and limited capacity have made it a destination for dedicated listeners across Asia. Artists such as DJ Nobu, Diskonnected, Moopie, livwutang, and Xiaolin have performed there, helping connect Taiwan’s scene to the wider global electronic community. ### Malasimbo Music & Arts Festival (Philippines) > [View this post on Instagram](https://www.instagram.com/p/DUzVxPoEvLB/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Malasimbo Festival (@malasimbofestival)](https://www.instagram.com/p/DUzVxPoEvLB/?utm_source=ig_embed&utm_campaign=loading) Where: Puerto Real Gardens, Intramuros, Manila City When: May 23 The festival was formerly held in Puerto Galera and became known for blending music with environmental advocacy. Set against mountain and ocean views, Malasimbo offered one of the most scenic festival locations in Southeast Asia. The festival is now held at the scenic Puerto Real Gardens in Intramuros, Manila. Artists like [Jacob Collier](https://rollingstonephilippines.com/music/jacob-collier-rule-breaking-show/), Mike Love, and local acts like Apartel performed there. Its emphasis on sustainability helped define its legacy. ### Java Jazz Festival (Indonesia) > [View this post on Instagram](https://www.instagram.com/p/DUaY-jrjOzg/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Java Jazz Festival (@javajazzfest)](https://www.instagram.com/p/DUaY-jrjOzg/?utm_source=ig_embed&utm_campaign=loading) Where: Nusantra International Convention Exhibition, Tangerang City When: May 29-31 Java Jazz is one of the largest jazz festivals in the world, held annually in Jakarta. It brings together jazz legends, pop crossovers, and regional artists. Performers have included Toto, Raveena, and Snarky Puppy. The festival has [expanded jazz’s](https://rollingstonephilippines.com/music/jazz-music/) reach to younger Indonesian audiences. ### Playtime Festival (Mongolia) > [View this post on Instagram](https://www.instagram.com/p/DTzcUpAE_7J/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Playtime Music Festival (@playtimefestival)](https://www.instagram.com/p/DTzcUpAE_7J/?utm_source=ig_embed&utm_campaign=loading) Where: Playtime Field, Ulaanbaatar When: July 2-4 Playtime is Mongolia’s longest-running music festival and serves as the center of the country’s independent music movement. Held in Ulaanbaatar, it highlights Mongolian rock, indie, and electronic artists while inviting select international acts. Bands like The Hu and Altan Urag have become national icons partly through this platform, while visiting bands like envy, Silica Gel, and Megumi Acorda have performed on their famous showcase stage. ### Fuji Rock Festival (Japan) > [View this post on Instagram](https://www.instagram.com/p/DU9sAb2EgF9/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Fuji Rock Festival (@fujirock\_jp)](https://www.instagram.com/p/DU9sAb2EgF9/?utm_source=ig_embed&utm_campaign=loading) Where: Naeba Ski Resort, Niigata When: July 24-25 Fuji Rock is held in Niigata’s mountainous Naeba Ski Resort, making it one of the most scenic festivals in the world. Known for its environmental advocacy and sprawling multi-stage layout, the festival blends nature with music in a way few others do. Past headliners include Red Hot Chili Peppers, Björk, [Kendrick Lamar](http://kendrick%20lamar), and The Cure. Performing at Fuji Rock has also become a rite of passage for Japanese artists looking to break into larger audiences. ### Summer Sonic (Japan) > [View this post on Instagram](https://www.instagram.com/p/DU7HJN4DTaP/?utm_source=ig_embed&utm_campaign=loading)[A post shared by SUMMER SONIC (@summersonic\_official)](https://www.instagram.com/p/DU7HJN4DTaP/?utm_source=ig_embed&utm_campaign=loading) Where: ZOZO Marine Stadium & Makuhari Messe, Chiba / Expo ’70 Commemorative Park, Osaka When: August 16-17 Held annually in Chiba and Osaka, Summer Sonic is one of Japan’s most commercially dominant festivals, known for bringing global headliners alongside domestic giants. Unlike camping festivals, it takes place in urban stadiums and convention centers, which makes it more accessible to city audiences. The festival has hosted major acts like Radiohead, [Beyoncé](http://beyonce), [Kendrick Lamar](https://rollingstonephilippines.com/tag/kendrick-lamar/), and Arctic Monkeys, while also platforming Japanese mainstays like X Japan and Babymetal. Its dual-city format allows it to reach two massive audiences in a single weekend. ### Maho Rasop (Thailand) > [View this post on Instagram](https://www.instagram.com/reel/DSrxsY1Dz1_/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Maho Rasop (@mahorasopfestival)](https://www.instagram.com/reel/DSrxsY1Dz1_/?utm_source=ig_embed&utm_campaign=loading) Where: Live Park, Rama IX, Bangkok When: Every November Maho Rasop is a Bangkok-based festival focused on indie and alternative music since 2018, often introducing Southeast Asian audiences to emerging global acts. It has hosted artists like Interpol, Alex G, and Phum Viphurit. The festival balances international bookings with Thailand’s growing indie scene. ### Joyland Festival (Indonesia) > [View this post on Instagram](https://www.instagram.com/reel/DRrKPkkkcVr/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Joyland Festival (@joylandfest)](https://www.instagram.com/reel/DRrKPkkkcVr/?utm_source=ig_embed&utm_campaign=loading) Where: City Park Senayan, Jakarta When: November 29-30 Joyland Festival takes place in Jakarta, focusing on indie, alternative, and experimental music. It is known for its carefully curated lineup and emphasis on discovery rather than purely commercial appeal. Artists like The Strokes, M.I.A., and [Joji](http://joji) have appeared, alongside Indonesian artists such as Hindia and White Shoes & The Couples Company. Its multidisciplinary programming includes film screenings and comedy sets. ### Clockenflap (Hong Kong) > [View this post on Instagram](https://www.instagram.com/reel/DSjaiGrkqD2/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Clockenflap (@clockenflap)](https://www.instagram.com/reel/DSjaiGrkqD2/?utm_source=ig_embed&utm_campaign=loading) Where: Central Harbourfront, Hong Kong When: December 5-7 [Clockenflap](https://rollingstonephilippines.com/tag/clockenflap/) is Hong Kong’s largest international music and arts festival, held along the Central Harbourfront skyline. Its lineup spans indie, electronic, and pop, reflecting the city’s global identity. Artists like Halsey, My Bloody Valentine, and Massive Attack have headlined. ### Wonderfruit (Thailand) > [View this post on Instagram](https://www.instagram.com/p/DU79wWtkhBy/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Wonderfruit (@wonderfruit)](https://www.instagram.com/p/DU79wWtkhBy/?utm_source=ig_embed&utm_campaign=loading) Where: Siam Country Club, Pattaya When: December 10-14 [Wonderfruit](https://rollingstonephilippines.com/tag/wonderfruit/) is a multidisciplinary festival combining music, art, wellness, and sustainability. Held in Pattaya, it emphasizes eco-friendly practices and immersive experiences. Artists like Khruangbin, Floating Points, and BadBadNotGood have appeared throughout the festival’s colorful history. ## Frequently Asked Questions ### What are the biggest music festivals in Asia? Major festivals include Japan’s Fuji Rock Festival and Summer Sonic, Indonesia’s Java Jazz Festival, and the Philippines’ Wanderland, each drawing large audiences and international headliners. ### When is Wanderland Festival held in the Philippines? Wanderland takes place every March at Filinvest City Events Grounds in Alabang, Muntinlupa City, featuring both international indie acts and Filipino artists like UDD and Lola Amour. ### What music festivals are held in the Philippines? The Philippines hosts Wanderland in March and Malasimbo Music & Arts Festival on May 23, now held at Puerto Real Gardens in Intramuros, Manila. ### Which Asian music festival takes place in a cave? Vietnam’s Equation Festival is held inside and around the Mỏ Luông Cave in Mai Châu, Hòa Bình Province, focusing on techno, ambient, and experimental electronic music. ### What is the longest-running music festival in Mongolia? Playtime Festival is Mongolia’s longest-running music festival, held annually in Ulaanbaatar, and has helped launch bands like The Hu and Altan Urag to national prominence. Related Stories - [Filipino Musicians and the Uphill Battle of Going ‘Global’](https://rollingstonephilippines.com/editors-picks/features/filipino-representation-southeast-asia-music/ "Filipino Musicians and the Uphill Battle of Going ‘Global’") - [Filipino Artists on the State of Music, and How the Industry Isn’t Built for Them](https://rollingstonephilippines.com/editors-picks/features/state-of-the-nation-music-industry/ "Filipino Artists on the State of Music, and How the Industry Isn’t Built for Them") - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") **Categories:** Editor's Picks, Lists **Tags:** Music Festival Guide --- ### [Daniel Padilla’s Musical Awakening: From Teen Idol to Jamiroquai Devotee](https://rollingstonephilippines.com/music/daniel-padilla-musical-awakening/) **Published:** May 21, 2025 **Author:** Elijah Pareño **Excerpt:** The actor discusses his appreciation for Jamiroquai's music and frontman Jay Kay’s artistry in new Rolling Stone Philippines feature **Content:** Actor [Daniel Padilla](https://rollingstonephilippines.com/tag/daniel-padilla/ "Daniel Padilla") sits down comfortably in his own music room, the weight of fame momentarily forgotten as the conversation turns to music. The actor-singer, known for his chart-topping rom-com soundtracks and teen idol status, reveals an unexpected pivot in his musical journey; one that has more to do with acid jazz than adolescent angst. “Ayoko nang ako lang kasi naririnig ‘yong sarili ko, which is deafening for me. ‘Yong utak mo nakakabingi,” Padilla confessed in his *Rolling Stone Philippines* cover story. “Pero sa music, ngayon, kanina ‘yong pinapatugtog ko, sobrang into [Jamiroquai](https://rollingstonephilippines.com/tag/jamiroquai/ "Jamiroquai") talaga ako.” Padilla’s musical roots trace back to the holy trinity of emo: Paramore, Fall Out Boy, My Chemical Romance. It was the soundtrack of every angsty high school kid. But it was a gift from a former girlfriend that reshaped his tastes entirely: a Jamiroquai shirt featuring the iconic bull-horned silhouette of frontman Jay Kay. What started as a fashion statement became a gateway to a funk-infused universe. “So ‘yong Jamiroquai shirt, lagi kong suot,” he says. “Favorite ko ‘yon kasi black and white ‘yon e. Tapos binalikan ko lang siya kasi naalala ko ‘yong kwento na binigyan niya ako ng shirt. So pinakinggan ‘yong Jamiroquai, boom. Sobrang favorite band ko ‘yong Jamiroquai. Hindi lang ‘yong music nila. Pero ‘yong personality ni Jay Kay mismo, ‘yong singer. ” ![Daniel Padilla](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/Daniel-Padilla-Intext.webp) Daniel Padilla has been sharing his love for Jamiroquai ever since highschool. Photo by Mark Nicdao The revelation isn’t just about swapping one genre for another. For Padilla, Jamiroquai represents a departure from the predictable — a rebellion against the saccharine pop that once defined his career. Jay Kay’s swagger, the hypnotic basslines of “Virtual Insanity,” the effortless [fusion of jazz](https://rollingstonephilippines.com/music/jazz-music/) and electronic beats. It’s a far cry from the teenybopper ballads that made him a household name. Photographer and collaborator Mark Nicdao nods in agreement during their *Rolling Stone Philippines* cover story conversation, noting how Jay Kay’s artistry was “ahead of his time.” Padilla’s musical evolution mirrors his own career crossroads. After years of soundtracking romantic comedies and playing the heartthrob, there’s a palpable hunger to explore beyond the expected. Jamiroquai was never a phase for Padilla after all. The shirt, now worn with intention rather than nostalgia, symbolizes a shift: from performing love songs to chasing the kind of creative freedom that defies genre. The interview circles back to fame; its perks, its pitfalls, the way it can drown out everything else. But when the topic returns to music, Padilla’s demeanor changes. The fatigue lifts. Because here, in the realm of vinyl grooves and funk basslines, he isn’t the teen idol or the box-office star. He’s just a fan, marveling at how a single band can make the noise of fame feel a little quieter, all the while a Jamiroquai live festival footage plays in the background in mute. Related Stories - [Daniel Padilla Talks to Mark Nicdao on the Cost of Celebrity](https://rollingstonephilippines.com/culture/daniel-padilla-mark-nicdao/ "Daniel Padilla Talks to Mark Nicdao on the Cost of Celebrity") - [25 Music Hits That Turn 20 in 2025](https://rollingstonephilippines.com/music/25-music-hits-from-2005-that-turn-20-in-2025/ "25 Music Hits That Turn 20 in 2025") - [25 Best Filipino Love Songs Across Generations](https://rollingstonephilippines.com/music/25-filipino-love-songs-for-the-emotionally-compromised/ "25 Best Filipino Love Songs Across Generations") **Categories:** Music, News **Tags:** Daniel Padilla, Jamiroquai --- ### [Snarky Puppy Delivers Tight, Thrilling Set in First-Ever Manila Show](https://rollingstonephilippines.com/music/snarky-puppy-manila-concert/) **Published:** May 28, 2025 **Author:** Elijah Pareño **Excerpt:** The American jazz fusion ensemble finally made their long-awaited Manila debut with a tight, high-energy show at the Filinvest Tent **Content:** American jazz-fusion collective [Snarky Puppy](https://rollingstonephilippines.com/tag/snarky-puppy/ "Snarky Puppy") has long been the stuff of legend among classically trained musicians, progressive music enthusiasts, and [jazz fusion purists](https://rollingstonephilippines.com/music/jazz-music/) alike. With a rotating lineup of players who’ve been sharpening their chops for over two decades, their arrival in Manila felt overdue. According to bandleader Michael League, the group had been “looking forward to \[this\] for a long time.” Last May 27, they delivered a set that proved in full force and gear that they weren’t just showing up. They were showing out. By the time doors opened at the Filinvest Tent in Alabang that Tuesday night, the air outside was charged with anticipation. Fans filed in steadily. Some from Quezon Province, others from Cavite, and a few even making the trip from Ormoc City. For a band without major-label fanfare or mainstream radio play, the turnout said everything. Snarky Puppy’s influence may be niche, but it runs deep. ![Snarky Puppy Live in Manila](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/Untitled-design-70.webp) By the time doors opened at the Filinvest Tent in Alabang that Tuesday night, the air outside was charged with anticipation. Fans filed in steadily. Some from Quezon Province, others from Cavite, and a few even making the trip from Ormoc City. Photo by Iya Forbes courtesy of Karpos Inside the tent, the energy stayed loose but focused. “Welcome to the general assembly of musicians,” folk artist Marti Franca said as he greeted me at the entrance. There was no pretense, just a shared reverence in the room. Familiar names floated in the crowd: Jazz Nicolas of The Itchyworms, Jerros Dolino of Urbandub and Spacedog, Spacecat. Between set changes, conversations turned toward the likes of Tago Jazz Bar, which was just as much a character in the local jazz community as any player on stage. Opener Party Pace threw an unexpected curveball. The band leaned into moodier, rock-oriented terrain rather than the rhythmic intricacies of fusion. Still, they played with conviction, and the crowd, while slightly confused, stayed on board. If anything, it served as a rough-edged prelude to the tightly wound, precision-driven chaos that Snarky Puppy was about to unleash. The headliner kicked off the live performance by launching straight into “Flood” off *Tell Your Friends*, setting a tone that rarely dipped below ecstatic. Every note felt deliberate yet lived-in; trumpets soared, drums snapped, and guitars wove melodic threads that shifted without warning. Tracks like “Bad Kids,” “Semente,” and “Chonks” pushed and pulled the audience through a spectrum of moods, their dynamics masterfully dialed in. Even the prog-laced “Pineapple” made its way into the mix, with “Shofukan” turning into a surprising sing-along moment. ![Snarky Puppy Live in Manila](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/Untitled-design-71.webp) Snarky Puppy gave just enough to leave people buzzing, but not so much that the mystery wore off. Photo by Iya Forbes courtesy of Karpos When the group seemed to close with “What About Me,” the crowd hesitated: Was that it? The answer came swiftly as the band returned for an encore, with the song “Lingus.” It was sprawling, heady, and as wild as ever. Solo sections were treated less like technical showcases and more like conversations. They were messy, raw, and undeniably human. After an hour and a half of genre-bending, tempo-shifting, jaw-dropping playing, Snarky Puppy took their final bow. Manila, as expected, wanted more. And maybe that’s the point. The band gave just enough to leave people buzzing, but not so much that the mystery wore off. In an age of overstimulation and instant playback, it’s rare to witness something this tactile, this grounded in real-time musicianship. *Snarky Puppy: Live in Manila* was a moment for anyone who has ever appreciated what happens when craft and spontaneity collide. Related Stories - [4 Snarky Puppy Moments That Every Jazz Lover Should Witness](https://rollingstonephilippines.com/editors-picks/lists/4-snarky-puppy-moments/ "4 Snarky Puppy Moments That Every Jazz Lover Should Witness") - [Jacob Collier Sparks Excitement as Djesse World Tour Returns to PH](https://rollingstonephilippines.com/radar/events/jacob-collier-return-manila-djesse-world-tour-2025/ "Jacob Collier Sparks Excitement as Djesse World Tour Returns to PH") - [Friends, Cubao, Cigarettes: The Latent Essence of Tago Jazz](https://rollingstonephilippines.com/music/tago-jazz-cubao/ "Friends, Cubao, Cigarettes: The Latent Essence of Tago Jazz") **Categories:** Music **Tags:** Snarky Puppy --- ### [In Tacloban, a DIY Music Party Renaissance Takes Shape](https://rollingstonephilippines.com/editors-picks/features/tacloban-diy-music-party-renaissance/) **Published:** April 29, 2025 **Author:** Pauline Arnould **Excerpt:** In Tacloban, a new generation of artists, musicians, and partygoers are fostering a DIY music culture away from the Philippines' urban centers **Content:** As rain pours in the small city of Tacloban, Leyte, a blonde in six-inch platforms and a pink leopard bra with matching panties walks arm in arm with a statuesque redhead in a vinyl maillot, baby-oiled to perfection. Under the rain, their makeup doesn’t budge and there is no stutter in their strut. These drag queens may seem out of place on this stretch of Leyte asphalt, packed long jeepney and tricycle queues beside smoky stalls of roasted meat. But as soon as they turn towards an abandoned building behind an old library, everything makes sense. From the street, one can hear the cheers of revellers penetrating the bass that thumps through the sound system. For the evening, the courtyard of a dilapidated heritage site has transformed into a chimera of music festival, cabaret, and art show. Between the electronic music and drag queen variety, partygoers sip on top shelf cocktails, take selfies by a hanging installation, and watch graffiti artists paint a mural. This is an installation of [Now.here](https://rollingstonephilippines.com/tag/now-here/ "Now.Here"), a bi-monthly DIY [music party](https://rollingstonephilippines.com/music/features/7-dance-music-parties-that-defined-post-pandemic-manila/ "7 Dance Music Parties That Defined Post-Pandemic Manila") that pops up in various, unannounced locations throughout the Tacloban area. The inside joke is that the name is pronounced “nowhere” before the venue is announced and then “now here” when it’s revealed. The party has appeared in a gated subdivision’s empty swimming pool, an old meatpacking factory, the showroom of a car dealership, a storage room, and other unexpected spaces. ![diy music party now.here in tacloban](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/tacloban-4.webp) Now.here is a bi-monthly DIY music party that pops up in various, unannounced locations throughout the Tacloban area. Photo from Jacques Palami Always packed to the gills, Now.here brings the city’s criminally overlooked local talent straight to party kids who are hungry for something new in a city that has, time and time again, offered the same old thing. Pulsating under vape smoke and strobe lights, they penetrate a portal out of this stormy town and into a place that, for Tacloban, is both far away from what has been, yet still uniquely its own. ## Brick by brick For entertainment, Tacloban locals have come to expect the usual fare: a beloved balladeer singing decades-old hits at the annual fiesta, a Manila-based artista spinning at the local politician’s private resort, an ABBA cover band playing at the Astrodome convention center. It’s flashy enough to draw a crowd, but only because there’s nothing better going on. Jacques Palami, 37, planted the first seeds for Now.here following Supertyphoon Yolanda in 2013. He was in his mid-twenties when the strongest typhoon to ever make landfall (at the time), decimated his hometown. Relief workers the world over descended upon Tacloban to rebuild infrastructure and distribute aid, but Palami couldn’t shake a sense of seclusion. “There were no signs of togetherness,” he remembers, “The nights were really quiet, and I felt alone in the city.” ![partygoers in now.here tacloban](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/tacloban-1.webp) DIY parties bring the city’s criminally overlooked local talent straight to party kids who are hungry for something new in a city. Photo from Jacques Palami Amid the rubble, he transformed a truck into a mobile bar. It popped off immediately. In those months after the storm, relief workers sought out the truck amidst power outages, to bask in good tunes and some normalcy. There, people could joke, flirt, and meet new friends, if not to unwind before diving back into the heart-wrenching grind of disaster relief work. As the city was rebuilt in early 2014, Palami swapped the truck for a brick-and-mortar space. In the modest corner building he still calls home today, he opened a hostel, which turned into a cafe, which turned into a thrift shop, which turned into an arcade, which turned into an events space. When the crowds outgrew the building just as Palami began using it as an “unofficial headquarters” for Leni Robredo’s 2022 presidential campaign, he partnered with drag performers from Tacloban’s Haus of Fuchsia and local electronic music DJs Khandri, Klij, Stanislau, and YLMRN to kickstart the Now.here parties. Though seemingly erratic in his pursuits, he’s actually grounded by a distinct Tacloban logic. “It’s become my life’s philosophy,” he says, reflecting on the impact of Yolanda’s destruction, “to appreciate the beauty of impermanence.” ## On their own terms Over the last 18 months, young people have lost faith in age-old establishments, turning to counterculture gigs like Now.here which have electrified Tacloban: A family-run restaurant called Giuseppe’s turned their usually empty second floor into a speakeasy, featuring bi-weekly DJ sets ranging from deep house to nu-disco. Regional transplants, under DIY label Moody Music, uploaded their yearner-pop songs, attracted thousands of listeners, and are now scrambling to borrow instruments to play in-demand shows. European DJs Fernando Wax and Julian Groove introduced darkwave to the city through an impromptu set in a leaky-roofed warehouse. These types of parties have already taken hold in major cities like Manila, Cebu, and Davao. But in Tacloban — a city of just 252,000 — the rise of DIY culture feels more pointed, and the fight for space, while not unique to smaller cities, is more visible and often more difficult. Still, that hasn’t stopped a wave of youth-led initiatives from taking root. The energy building here suggests that countercultural scenes are no longer confined to the country’s largest urban centers; they’re expanding into smaller cities, quietly reshaping cultural landscapes along the way. ![dance performers in now.here in tacloban](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/tacloban-2.webp) The Waray dance of “kuratsa” is performed on ground level with the audience instead of on stage — a tradition thatTacloban locals carry into their party culture. Photo from Jacques Palami [Pedro Funk](https://rollingstonephilippines.com/tag/pedro-funk/ "Pedro Funk") is a homegrown acid [jazz band](https://rollingstonephilippines.com/music/jazz-music/) known for its funky riffs and politically charged Waray lyrics. The band prides itself for steering away from the “Manila-radio sound,” or English-Filipino love songs with familiar chord progressions. When asked to explain their curious popularity, frontman and guitarist Pierre Dann Ampo speaks of heritage and duty. “Pedro Funk is about cultural preservation, passing the Waray language on, and protecting our community,” he says. (Ampo is also an outspoken advocate for farmers rights, the preservation of Tacloban’s Cancabato Bay, and justice for the Tacloban journalists detained, for the past five years, on trumped up terrorism charges.) Pedro Funk is a bit of an outlier amongst the generations of macho rakistas – bands like After The Chaos, Descended to Salvage, and Fingerchain – that has cast a long shadow over original Taclobanon music. Half-jokingly, Ampo describes playing alongside the older guys at now-shuttered venues by taking a deep breath and wafting his hand towards himself: “You could smell the testosterone.” But other musicians, including folk-R&B singer-songwriter [Mayarie](https://rollingstonephilippines.com/tag/mayarie/ "Mayarie"), 21, and indie-pop multi-instrumentalist [Aira Mendiola](https://rollingstonephilippines.com/tag/aira-mendiola/ "Aira Mendiola"), 23, are also carving out an alternative niche. Oozing with chillgirl charm, these performers are established solo acts. But they also happen to play in a Boygenius-esque “supergroup” called 2am. Although new to the scene, their arresting performances have turned them into mainstays for indie shows throughout Tacloban. Echoing Ampo, they attribute their success to a sense of local pride that, as one of the few female songwriters and performers in the area, comes from a desire to take up space as queer women from the Visayas. “People like us because we don’t do this for clout,” Mayarie says, “We’re genuinely having fun” — an act that may feel subversive in a music scene where profitability has often taken precedence over authenticity. ## For everyone ![partygoer in now.here in tacloban](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/tacloban-3.webp) The energy building in Tacloban suggests that countercultural scenes so characteristic of big cities are expanding into smaller cities, quietly reshaping cultural landscapes along the way. Photo from Jacques Palami Aside from the goodwill collaborations webbed between venues, producers, artists, and audiences who buy into community values, the Tacloban scene is eager to shed the pretentiousness that is so symptomatic of living in the city. For its DIY scene, there are no dress codes, and no space for toxic machismo. In one instance, a lively event shut down because an out-of-towner was harassing some of the young women in attendance. No one complained that the music stopped early. It’s as if the organizers, performers, and other guests were saying, “We’re in this together.” If one of us is having a bad time, we all are. The moment underscored what Palami describes as a Waray traditional dance of “kuratsa,” which is performed on ground level with the audience instead of on stage. This tradition is also why Now.here DJs are in the middle of the crowd, rather than cloistered off in an elevated booth. It’s a kind of radical intimacy that, while echoed in other cities, feels especially pronounced here. In Manila or Cebu, where DIY communities often emerge in resistance to commercial nightlife, the same instinct to protect one another is diluted by scale or scene politics. Tacloban’s smallness is its strength: it allows Waray culture and values of resilience, resistance, and performance to shape not just the tone of a music event, but its entire structure. It suggests that what resonates most with revelers goes beyond spectacle, novelty, and cool factor. Instead, it seems the draw is in its insistence. In a city distinguished by disaster, the endurance to keep creating reframes the anxiety of survival as celebration. While some grief has no relief, Tacloban’s counterculture shows us that even in its throes, we can begin imagining – and embodying – what’s next. Related Stories - [7 Dance Music Parties That Defined Post-Pandemic Manila](https://rollingstonephilippines.com/editors-picks/features/7-dance-music-parties-that-defined-post-pandemic-manila/ "7 Dance Music Parties That Defined Post-Pandemic Manila") - [Manila Raves, and the Price of Fantasy](https://rollingstonephilippines.com/editors-picks/features/manila-raves-history-price-cost-of-fantasy/ "Manila Raves, and the Price of Fantasy") **Categories:** Features, Music **Tags:** Aira Mendiola, Mayarie, Nightlife, Now.Here, Pedro Funk --- ### [4 Snarky Puppy Moments That Every Jazz Lover Should Witness](https://rollingstonephilippines.com/editors-picks/lists/4-snarky-puppy-moments/) **Published:** May 14, 2025 **Author:** Elijah Pareño **Excerpt:** With moments like the “Lingus” keyboard solo and spontaneous crowd singalongs, the ensemble’s live shows redefine what jazz can be **Content:** It’s difficult to pin down the legendary live band ensemble [Snarky Puppy](https://rollingstonephilippines.com/tag/snarky-puppy/ "Snarky Puppy"). The genre-defying 25-piece collective, helmed by bassist and composer Michael League, functions more like a living organism than a traditional band; constantly evolving, mutating, and responding in real time to the audience, and most importantly, one another. Over the past decade, they’ve crafted some of the most arresting live moments in [modern jazz](https://rollingstonephilippines.com/music/jazz-music/), not through theatrics or showmanship, but through raw musicianship that bends rules and expectations. These Snarky Puppy clips document how jazz and improvisational music can still surprise, still feel dangerous, and still move people. In a world of backing tracks and quantized performances, Snarky Puppy remains gloriously and recklessly human. Here are the moments where they have solidified themselves to be one of the most sought-after live ensembles every music fan needs to see. # ‘Lingus’ Keyboard Solos One of those moments came during their now-legendary performance of “Lingus” at the 2014 *We Like It Here* DVD footage, where they are seen performing inside a live studio in Utrecht, The Netherlands. The track, a staple in the band’s repertoire, is already known among musicians as a kind of rite of passage. But on this night, keyboardist Cory Henry turned the tune’s solo section into something far beyond the page. Trading lines like a heavyweight boxer, Henry worked his organ and clavinet with fierce percussive phrasing. The improvisation stretched further than usual — never indulgent, just increasingly alive. # The ‘Shofukan’ Sing-a-long Equally commanding was the band’s performance of “Shofukan” at the Orpheum Theatre in Los Angeles in 2018. The song’s celebratory horn lines and Afrobeat-influenced rhythms had long been a crowd favorite. But something unique happened that night. As the track approached its climax, the entire venue stood in unison. No one was asked to sing. No cue was given. But the crowd began humming the central horn line, hundreds of voices swelling together in harmony with the band. It wasn’t orchestrated; It was communal, organic, and oddly spiritual. # Wild ‘What About Me’ Solos That capacity for musical communion is a hallmark of the group, and nowhere was it more unexpected than during a 2014 showcase in the Berklee College of Music in Boston, Massachusetts, during the golden hour. Midway through “What About Me?” – a dense, high-energy number with odd meters and a relentless groove – the band took it up a notch. As the band leaned into a rhythmic breakdown, the lead guitars started to meld together with the horn sections. The two-minute solo build-up leading to the climactic drum solo was a spectacle to behold. They resumed with even more urgency, locking into the crowd’s energy as though they’d rehearsed it all along. # The ‘Tio Macaco’ Fusion In their performance of “Tio Macaco” at the 2014 *We Like It Here* DVD footage, Snarky Puppy showcased their trademark tightness and groove. The band, with bassist League on the lead, laid down a relentless rhythm, drawing the audience into the intricate layers of the composition. The percussion session laid down syncopated beats that were also a worthy standout, keeping the momentum building as each section of the song unfolded. The chemistry between the musicians was palpable, with the brass and keyboard sections weaving in and out of focus, creating a dynamic that was both fluid and precise. It was a masterclass in modern jazz fusion. Related Stories - [Snarky Puppy to Bring Their Big Jazz Sound to Manila on May 27](https://rollingstonephilippines.com/radar/events/snarky-puppy-big-jazz-sound-manila-may-27/ "Snarky Puppy to Bring Their Big Jazz Sound to Manila on May 27") - [Jacob Collier Sparks Excitement as Djesse World Tour Returns to PH](https://rollingstonephilippines.com/radar/events/jacob-collier-return-manila-djesse-world-tour-2025/ "Jacob Collier Sparks Excitement as Djesse World Tour Returns to PH") **Categories:** Lists, Music **Tags:** Snarky Puppy --- ### [Jose Miguel on How Being an ‘Overthinker’ Is What Jazz Needs Now](https://rollingstonephilippines.com/music/jose-miguel-jazz-today/) **Published:** May 31, 2025 **Author:** Elijah Pareño **Excerpt:** Jose Miguel wants to break open the idea that jazz is elitist, bringing it to new crowds on and off the internet **Content:** [Jose Miguel](https://rollingstonephilippines.com/tag/jose-miguel/ "Jose Miguel") stands among a small circle of Filipino artists ever invited to the Java Jazz Festival in Jakarta, Indonesia; an honor that doesn’t go unnoticed. Beneath his calm demeanor, he’s carrying a storm of nerves and a quiet fire. It’s the kind of emotional cocktail familiar to anyone preparing to represent their sound, let alone their country, on a global stage. Touring in Taipei and Busan taught him a lot, but this time the stakes feel different. Releasing his debut album *Five Star Overthinker* came naturally, but as he steps into new territory, he’s looking for stillness in the noise. Before landing the Java Jazz Festival slot, Miguel had already established his name in local Filipino music. A classically trained vocalist and jazz-pop crooner for the Gen Z set, he’s focused on broadening what it means to be a young [jazz artist in the Philippines.](https://rollingstonephilippines.com/music/jazz-music/) He’s come a long way from the early days, now self-aware enough to challenge the notion that jazz belongs to a certain class of listener or a single demographic. “I thought at first it was like, oh, the Java Jazz Festival, or whatever, right?” he tells *Rolling Stone Philippines.* “Like that’s one of the most prestigious jazz concerts in Asia, right? So I’m like, ‘yeah, we’ll see.’ It was funny because that’s the way I treated it. And apparently, \[Dewi Gontha, the president of the festival\] was very serious. So she reached out and she said, ‘Seriously, I would like to see you and a full band.’” ## Jazz as an accessible genre of music ![Jose Miguel](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/New-Project.webp) “I tend to overthink. I like to surround myself with the people I’m gluing with on stage.” Photo from Karpos Miguel is against the perception that jazz is exclusive. His stage presence may be polished, but his message is clear: This music isn’t just for elite parts of society. “The truth is people take it differently,” he says. “Some people, when they hear jazz, they’re like, oh, tunog mayaman o pang may class. Especially if it’s English lyrics. But I’m not generalizing that. I’m just saying there are people that take it that way.” He’s dismantling long-held notions by simply showing up, performing with heart, and inviting his audience to drop their assumptions at the door. He also wants listeners to stop relying on algorithms to discover music. “There’s nothing wrong with being a homebody or watching on YouTube,” he says. “But the experience of going out and discovering new music, discovering new venues, is different. ‘Where is this?’ You go there and, wow, what an experience. There’s something about that kind of experience that really sparks something in people.” Venues like Saguijo in Makati or the now-shuttered Route 196 in Katipunan were part of his education; places where genre lines blur and the live setting shapes the way music is heard. Miguel believes in the power of physically showing up, of stepping into a venue not knowing who’s on the lineup and leaving with a new favorite artist. These rooms hold energy that no stream can replicate, and Miguel wants more people to feel that spark. ## FIVE STAR OVERTHINKER There’s a duality in him that can’t be missed: the self-doubt of a lifelong overthinker and the self-assurance of a performer who knows exactly why he’s on that stage. He gets anxious in silence, but once the lights hit, his instincts take over. “Sometimes the silence is so deafening,” he says. “I get nervous. I start to overthink. I like to surround myself with the people I’m gluing with on stage… When you trust your co-leads, you’re able to let go. You’re able to express and really explore performance.” With his career only gaining momentum, Miguel’s message resonates beyond genre: music should move, shift, and speak to the now, especially for his upcoming Java Jazz Festival performance. And when it does, there’s no telling just how far it can take you. The ambition is clear, but so is his grounding. His jazz roots trace back to his grandfather, whose influence continues to shape how he approaches music. “The future for jazz in me is more of experimenting and branching out into evolution,” he says. “It needs to evolve. Like I said, being boxed in is quite challenging because this is what you expect — and that’s also not me. I want to be able to experiment and grow as an artist. The jazz will live in me, but the music will continue to evolve.” Related Stories - [Snarky Puppy Delivers Tight, Thrilling Set in First-Ever Manila Show](https://rollingstonephilippines.com/music/snarky-puppy-manila-concert/ "Snarky Puppy Delivers Tight, Thrilling Set in First-Ever Manila Show") - [Friends, Cubao, Cigarettes: The Latent Essence of Tago Jazz](https://rollingstonephilippines.com/music/tago-jazz-cubao/ "Friends, Cubao, Cigarettes: The Latent Essence of Tago Jazz") - [((( O )))’s ‘Fifth Seed’ is a Run-Of-The-Mill Ambient Album](https://rollingstonephilippines.com/music/music-reviews/the-sundrop-garden-fifth-ambient-album/ "((( O )))’s ‘Fifth Seed’ is a Run-Of-The-Mill Ambient Album") **Categories:** Features, Music **Tags:** Jose Miguel --- ### [Friends, Cubao, Cigarettes: The Latent Essence of Tago Jazz](https://rollingstonephilippines.com/music/tago-jazz-cubao/) **Published:** December 8, 2024 **Author:** Jacob Mendoza **Excerpt:** After multiple closures over the course of its 13 years, Tago Jazz endures as the place where the improvisations of life find rhythm **Content:** “*The hidden things, the subconscious lets you know. You feel this, you play this*.” — Ornette Coleman, free jazz pioneer Inspired by the Filipino word for “hidden” or “secret”, [Tago Jazz](https://instagram.com/tagojazz) in 14 Main Avenue in Cubao, Quezon City, was founded by Nelson Gonzales in 2011, motivated by the fact that no other Metro Manila space at the time offered live acts for [jazz music](https://rollingstonephilippines.com/music/jazz-music/). “We started building Tago in my grandma’s house. It was pretty small at the beginning — \[around\] 20 people — and it was already packed,” Gonzales recalled. “Season one of Tago ended after just a few months. It was not working then, so my business partners – CJ Serrano, Jewel Senador, Mike Gueco, and my older brother, Butch Gonzales – and I had to halt everything in the fourth quarter of 2011.” He continued the next year with minimal to no funding until 2018, when the old house — which was no bigger than a two-car garage — began falling apart. The Tago community organized a string of fundraisers and love poured in to help with the reconstruction of the space. In 2019, the rebuilding process began with the help of Gonzales’ life partner, Katherine Sy, who secured the necessary funding for the renovation. Nine months and several loans later, Tago Jazz was rebuilt from scratch and was once again serving fresh live jazz. Then the pandemic hit, which ground Tago to a halt once more. It reopened in 2022, then the desperation of upkeeping jazz became Gonzales’ way of life. Surely enough, Tago morphed into something “more than just a business of serving cold beers and live jazz.” It became his life mission and homage to the brilliance of Filipino musicians. “Now, we are in an opportune time to introduce jazz to a younger generation,” Gonzales said. ![Tago Jazz Cubao Quezon City](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/12/Tago-Jazz-Cubao-Quezon-City.jpg) Tago Jazz in Cubao, Quezon City. Photo from Nelson Gonzales I first visited Tago one Sunday in March 2022, invited by a good friend — a second year med student who studied jazz guitar, earning a biweekly residency at the bar. The Tago Jazz Collective, the bar’s resident band, offered the perfect introduction for someone like me who was visiting the space for the first time. Tago Jazz Collective rotates between a regular cast of cool cats, which, that night, included lowkey legends like Nikki Cabardo on keys, who was once part of the Davaoeño R&B group Freestyle; bassist Bergan Nuñez and vocalist Faye Yupano of Project Yazz, known for their jazz interpretations of Original Pilipino Music; Tago regular and guitarist Slidey Slims and Tago’s Gonzales on drums. Their amazing chemistry shined on their individual talent, and listening to live music with friends that evening, two years into the pandemic, felt like my first night out ever. Being somewhere new is a universal, often nerve-wracking experience. Thankfully, it has always led me to good friends. After the band’s first set, there is normally a 30-minute intermission, involving a cigarette break that transforms into an intimate hangout with the musicians and audience, discussing complex keys and notations like it’s as simple as the weather. With the help of a bottle of Red Horse, my ardor for jazz deepened through the musicians’ openness to share space with me — an improvised, conversational jam by the ashtrays outside, which became as integral to the night as the performances on stage. At Tago, there is little to no division between the music and the people, regardless of their excellence. That night unknowingly sparked meaningful and lasting friendships and while it was all seemingly mundane, that’s precisely where its charm lies. ## A place to call home “*The story of Pinoy Jazz is one written with global implications, that the Filipino musician is world-class.*” — Wayne Enage, narrating in the film *Pinoy Jazz: The Story of Jazz in the Philippines* It is November 2024 and it was another Sunday night in Tago Jazz. Pete Canzon, a fixture in the local jazz scene, was set to perform. A saxophonist, Canzon is a close collaborator of singer-songwriter Freddie Aguilar, and has been part of several jazz bands, including Genesis Band and Xenelasia with *Ang Probinsiyano* actor Jaime Fabregas (vocals and guitar), as well as the Batucada Band with Bong Peñera, who pioneered a Filipino take on the bossa nova genre. Canzon notes in his biography that he pursued his solo career in 2011, the same year Tago opened, “just to see what’s out there for Filipino jazz.” Jazz is subtle — sometimes hidden, but mostly intangible. Just like love, emotion, and music, there are secrets to how life’s mysteries are played out. We improvise and endure to find its rhythm. Jacob Mendoza Canzon was accompanied by a band that included, once again, Tago’s Gonzales on drums. Together, they performed like old friends reuniting, covering tracks like Grover Washington Jr.’s smooth jazz trademark, “Mister Magic”, the timeless “Lovely Day” by Bill Withers and even The Champs’ surf rock earworm, “Tequila” — their synergy making these soulful classics feel fresh. It was time for the cigarette break once again where I was reintroduced to Project Yazz’s Yupano, the vocalist of Tago Jazz Collective during my first visit in 2022. Among the many things we discussed by the ashtrays outside, one was what Tago meant to her. With no hesitation in her voice, she immediately replied, “Home.” When I asked Seth, one of the waiters, the same question, he replied with ”house” instead of “home,” because it was actually his residence, being the nephew of Gonzales. We went back inside as Canzon and his band began their second set. Their performance embodied a deeper, more fluid style, characterized by elements of swing, modal jazz, and bebop. The music was impressive and evoked a sense of giddiness among the audience — including myself. Yupano shared that the cover tracks were simply a warmup, helping ease into their true sonic habitat. ![Percussionist playing in Tago](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/12/Percussionist-playing-in-Tago-Jazz.jpeg) A percussionist plays at Tago Jazz. Photo from Nelson Gonzales After the performance, Canzon personally thanked everyone in the room — including Chel Diokno, the prominent human rights lawyer. I saluted to Canzon, and asked what Tago meant to him. He pointed at the painting in the middle of the stage — a colorful, yet traditional depiction of the old home that once housed Tago, which I learned was actually painted by him. He gave an answer I had heard before: “Home.” When the two sets of the invited musicians are done, there is an indefinite break until someone decides to open the jam. During this open-ended intermission, Nuñez, who played the bass during my first visit to Tago, invited me to sit with his band, Project Yazz, which consisted of bassist Gabe Cabonce, Kurt Acosta on guitar, drummer and percussionist Jacques Dufort, and Lui Tan on keys. They initiated the after-session, offering their interpretation of Kamasi Washington’s spiritual jazz number “Desire.” Not only was their performance tightly cinched, but they gladly played to a room of less than ten people — all of whom happily matched their energy. ## Imagining Filipino jazz In 2014, Tago’s efforts were recognized by The United Nations Education, Scientific and Cultural Organization (UNESCO) on International Jazz Day, which takes place every April 30. The acknowledgment included a letter to Gonzales by none other than legendary American jazz musician Herbie Hancock, commending his dedication to sustaining jazz in the Philippines. Gonzales believes that Filipino jazz — its sagacity and excellence – is on the verge of discovery. Of course, many artists already exist: Take Bobby Enriquez, whose virtuosic, high-energy piano style dubbed him the name, “The Wildman of Jazz.” There’s also vibist and pianist Emil Mijares, who has performed alongside American jazz artist Nat King Cole, or Bob Avez whose compositions fused jazz elements with indigenous music — among many, many others. But the connection between jazz and the wider Filipino culture has not been fully fleshed out, Gonzales points out. He adds that the love and respect for traditional roots can open us up to new ways of creativity — stories that, through music, can communicate the honest and irrefutable self. Jazz is subtle — sometimes hidden, but mostly intangible. Just like love, emotion, and music, there are secrets to how life’s mysteries are played out. We improvise and endure to find its rhythm. The magic of Tago Jazz is the music, of course — more precisely, it is the spirit of the people that make the space. The notes played every night express the energies that are felt and transmuted by the people of Tago. “My love for jazz, its intricacies, and my compassion for my fellow artists go beyond the call of sacrifice,” Gonzales declared. “What I do now still feels lacking compared to the brilliance and promise that our local artists have.” But as the American trumpeter and vocalist Louis Armstrong is often quoted, “If you have to ask what jazz is, you’ll never know.” **Categories:** Features, Music **Tags:** Nelson Gonzales, Project Yazz, Tago Jazz --- ### [Meet Mei Semones, A Jazz-Pop Artist Who Can Make You Mosh](https://rollingstonephilippines.com/music/jazz-music/mei-semones-jazz-manila/) **Published:** March 10, 2026 **Author:** Pie Gonzaga **Excerpt:** Don’t be fooled by her introverted demeanor. With back-to-back releases and shows worldwide, 2026 is shaping up to be a banner year for the up-and-coming jazz musician **Content:** It’s been a whirlwind year for Japanese-American artist [Mei Semones](https://rollingstonephilippines.com/tag/mei-semones/ "Mei Semones"). Her debut album *Animaru*, released in May 2025 with cover art crafted by her mother, kicked off a busy string of shows, which included supporting Canadian band [Men I Trust](https://rollingstonephilippines.com/music/live-reviews/men-i-trust-manila-show/ "Men I Trust Says Manila Crowd ‘The Best’ on Tour") across Japan and performing in Bangkok and Singapore in January. February marked a first for Semones in Manila, where she told organizers it was the first time the crowd moshed to her music. “It’s very different from anywhere that I’ve ever been before, which is really cool to experience,” she tells *Rolling Stone Philippines*. Blending pop and rock with [guitar-driven jazz](https://rollingstonephilippines.com/music/jazz-music/) and bossa nova, and singing in both Japanese and English, the musician has been building her own, unmistakable sound. The guitar riffs on tracks like “Dumb Feeling” and “Tora Moyo” encapsulate the lightness and complexity of her work, which evokes [Laufey](https://rollingstonephilippines.com/tag/laufey/ "Laufey") and [The Smashing Pumpkins](https://rollingstonephilippines.com/tag/the-smashing-pumpkins/ "The Smashing Pumpkins") at the same time. They also demonstrate Semones’ skills as a musician, honed through her education at Boston’s Berklee College of Music. Looking ahead, Semones is keeping up the momentum. On Wednesday, March 11, she’ll release a new single, “Tooth Fairy,” ahead of her upcoming EP *Kurage*. She’s also slated to perform at the Big Ears festival in Knoxville, Tennessee on March 28, sharing the lineup with acts such as David Byrne and [Perfume Genius](https://rollingstonephilippines.com/tag/perfume-genius/ "Perfume Genius"). Amid this packed schedule, *Rolling Stone Philippines* caught up quickly with Semones to talk about her shows, what she likes about jazz, and her music education. ![animaru mei semones](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/animaru-by-mei-semones.webp) The album artwork for *Animaru* was made by Semones’ mother, and references the track “Rat with Wings.” Photo courtesy of Mei Semones **You recently did a couple of shows with Men I Trust in Japan. What’s it like to support them on tour?** It was really great. I feel like they have a really sweet audience, very attentive, very quiet audience. I guess that’s also because we’re in Japan. That’s just how the Japanese audience usually is. I feel like I go \[to Japan\] usually once or twice a year, so it feels somewhat familiar to me in a lot of ways, but this time on this tour, we went to a few places that I’ve never been before. I’d never been to Fukuoka and Okinawa before, so that was really cool to see. I always loved being in Tokyo. **What do you like about doing these shows? What do you do in your downtime?** I think I just like playing guitar and playing music, and I love playing with my band. I really like the music that we make and so I’m very happy to play it every day. Obviously, touring is tiring. It’s a lot of travel and a lot of flights, but it’s worth it because I get to play my songs that I wrote around the world. When I have downtime, I usually try to practice guitar or write, but maybe that doesn’t really count as downtime because that’s kind of part of my job. In terms of stuff that’s not *that*, I think just hanging out with friends and maybe trying new food. **I read that you once** [**said**](https://www.monsterchildren.com/brightyoungthings/mei-semones)**, “My favorite artists and musicians provided me with comfort and helped me feel less alone, and that’s what I want my music to do for other people.” Is the idea of being relatable something that you aim for, or is that something that happens subconsciously?** I think that it’s subconscious. When I’m writing music, I’m not like, “Oh, I want this to be relatable.” I would like to think that it just ends up being relatable because I’m writing from an honest place about my own experiences and feelings. Everyone feels sad, or everyone feels alone, or like whatever emotion is coming through, I think that is already relatable in itself. ![mei semones](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/mei-semones-2.webp) Of being in Manila, Semones says, “It’s very different from anywhere that I’ve ever been before.” Photo by Alec Hirata, courtesy of Mei Semones **What do you like about jazz?** \[It’s important\] as a jazz musician and as an improviser to have your own voice and your own sound, for it to be very distinct and recognizable, and for it to sound like you. I think in general, in music, that’s one of the things that I like the most, and I feel it’s very important in this genre. In my opinion, you want people to know when you’re playing, you want them to know that it’s you from the first few notes. I really like that part of it, that it prioritizes the individual musician and their sound. **What did you learn about jazz, or how you want to make jazz, from your time at Berklee?** There are two parts to it: The first part is the classes I took there. I took a lot of jazz guitar and jazz performance classes. There’s all the basic harmony and ear training. And then you can get a little more specific. So, I was doing more ensemble and private instruction. That was really good for me, and I became a much better guitarist when I was there. The other side of it, I think, is the community and the people that I met there. I met my whole band at Berklee, and they’ve been a huge inspiration to me from the beginning. And also just the friends that I made there, being surrounded by people who are musicians or artists, inspired me to be a better musician. I think just being in an environment surrounded by people who are good at music is a good thing for someone who wants to be good at music, you know? Related Stories - [Laufey is Performing Two Nights in Manila This May](https://rollingstonephilippines.com/music/jazz-music/laufey-manila-tour-2026/ "Laufey is Performing Two Nights in Manila This May") - [Men I Trust Says Manila Crowd ‘The Best’ on Tour](https://rollingstonephilippines.com/music/live-reviews/men-i-trust-manila-show/ "Men I Trust Says Manila Crowd ‘The Best’ on Tour") - [Project Yazz Is The Type of Jazz Band That Doesn’t Sound The Same Twice](https://rollingstonephilippines.com/music/indie/project-yazz-music-forecast-2026/ "Project Yazz Is The Type of Jazz Band That Doesn’t Sound The Same Twice") **Categories:** Indie, Jazz, Music, Radar, Releases **Tags:** Mei Semones --- ### [Project Yazz Is The Type of Jazz Band That Doesn’t Sound The Same Twice](https://rollingstonephilippines.com/music/indie/project-yazz-music-forecast-2026/) **Published:** January 22, 2026 **Author:** Elijah Pareño **Excerpt:** Friendship, rotation, and low-pressure collaboration define a band that treats music as a collective movement **Content:** [Project Yazz](https://rollingstonephilippines.com/tag/project-yazz/ "Project Yazz") is a jazz band that thrives on experimentation, constantly testing ideas and situations simply because they can, within their small circle of musicians in [Tago Bar](https://rollingstonephilippines.com/music/tago-jazz-cubao/ "Friends, Cubao, Cigarettes: The Latent Essence of Tago Jazz"), a jazz cafe located in Main Avenue, Cubao, Quezon City. But like the genre itself, the deeper story is in the details. Bergan Nuñez and vocalist Faye Yupano, the project set out to make the kind of music they loved feel more accessible, especially for Filipino listeners who often hear [jazz as distant](https://rollingstonephilippines.com/music/jazz-music/) or overly academic. The early goal was straightforward: strip things down, focus on bass and voice, and let the songs breathe. Tracks like “Haraya” swiftly moves between frantic drum patterns to smooth organ parts and “Yamot/Ennui” has harmonizing brass and bass parts that doesn’t lose its groove. As years pass, the band’s shape and sound continued to evolve. Project Yazz was never meant to be fixed in terms of membership. Players rotated in and out, sometimes out of necessity, sometimes by chance. Drummer Jacques Dufort eventually joined, followed by keyboardist Lui Tan, trumpeter Gab Lazaro, and guitarist Kenneth Castillo. Castillo’s background leaned more toward rock and metal, a contrast that helped push the group beyond traditional jazz expectations, echoing the genre’s own history of bending the rules. ## All That Jazz ![Project Yazz](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/MNS08555.webp) What they played reflected a shared comfort and the understanding that judgment had no place in the room. Photo by Kim Santos In our interview, Project Yazz comes across as freely expressive, especially when compared to the group’s earliest iteration. Depending on the night, the band could take shape as a duo, trio, quartet, or quintet. Each configuration brought a different texture, a different energy, and a slightly altered version of the same songs. “’Yong tugtog para siyang bonding moment,” Dufort tells *Rolling Stone Philippines*. “Kung ano ‘yong naked truth mo hindi maitatago sa stage. So kaya nalalaman namin kung ano kang klaseng tao pag tumutugtog \[ka\]. Walang judgement. Friendly competition siya enough na parang ‘Oh, kaya kitang abutin. Shet! Ang galing ng ginawa mo last week.’” That openness grew out of friendship as much as it did from musicianship. Rehearsals often stretched into late-night meals, conversations, and long hours of simply being around one another. Those moments carried into the music. What they played reflected a shared comfort and the understanding that judgment had no place in the room. “You have to understand jazz as an idea. It’s like a monolith,” Castillo says. “It’s a big thing that you have to respect and fear the first time you encounter it. When you go into a project like this, thinking, oh, it’s gonna be a jazz band, there are some preconceived notions of what a jazz guitarist should sound like or should be like. But eventually, I realized that Project Yazz is a space for people to express themselves freely within reason.” Project Yazz’s music moves through a shared awareness of when to step forward and when certain key players can step on stage on any given night, with each member bringing their own history and improv into the room. With varying music backgrounds in conservatories at the University of the Philippines (UP) and the University of Santo Tomas (UST), or the halls of Berkeley College, they have songs that shift depending on who is present. The group treats jazz as something that’s always receptive, molded by the people sharing the stage at that moment. What carries through is a sense of honesty and collective trust, whether the set calls for two players or a full ensemble. ## Frequently Asked Questions ### What is Project Yazz and where did it start? Project Yazz is a jazz band founded by Bergan Nuñez and vocalist Faye Yupano, based out of Tago Bar, a jazz cafe in Cubao, Quezon City. It began with a stripped-down focus on bass and voice to make jazz feel more accessible to Filipino listeners. ### Who are the current members of Project Yazz? The lineup has included drummer Jacques Dufort, keyboardist Lui Tan, trumpeter Gab Lazaro, and guitarist Kenneth Castillo, whose rock and metal background helped push the group beyond traditional jazz expectations. ### Why does Project Yazz’s lineup constantly change? The band was never meant to have a fixed membership, with players rotating in and out over time. Depending on the night, the group performs as a duo, trio, quartet, or quintet, each bringing a different texture to the same songs. ### Where did Project Yazz’s members study music? Members bring varying backgrounds from conservatories at the University of the Philippines (UP), the University of Santo Tomas (UST), and Berklee College of Music, contributing to the band’s range of influences and improvisational styles. ### How does Project Yazz approach improvisation and trust among members? Drummer Jacques Dufort describes performing together as a bonding moment where nothing can be hidden onstage, fostering friendly competition without judgment. Guitarist Kenneth Castillo adds that the band treats jazz as a space for free expression “within reason.” Related Stories - [Friends, Cubao, Cigarettes: The Latent Essence of Tago Jazz](https://rollingstonephilippines.com/music/tago-jazz-cubao/ "Friends, Cubao, Cigarettes: The Latent Essence of Tago Jazz") - [5 RA Rivera Music Videos That Are Time Capsules of 2000s OPM](https://rollingstonephilippines.com/editors-picks/lists/ra-rivera-music-videos-2000s/ "5 RA Rivera Music Videos That Are Time Capsules of 2000s OPM") - [5 Filipino Artists Who Use Indigenous Instruments as Tools, Not Props](https://rollingstonephilippines.com/editors-picks/lists/5-filipinos-indigenous-instruments/ "5 Filipino Artists Who Use Indigenous Instruments as Tools, Not Props") **Categories:** Indie, Music **Tags:** Music Forecast, Project Yazz --- ### [5 Viral TikTok Songs That Were Front and Center of Pop Culture in 2025](https://rollingstonephilippines.com/music/pop/5-viral-tiktok-songs-pop-culture-2025/) **Published:** December 10, 2025 **Author:** Elijah Pareño **Excerpt:** From KATSEYE to Connie Francis, these songs show how the platform continues to bend time, taste, and genre on a global scale **Content:** [TikTok](https://rollingstonephilippines.com/tag/tiktok/ "TikTok") has spent most of the 2020s turning itself into the loudest accelerant in online culture. What started as a platform for dance challenges and meme loops has grown into a pipeline that carries entire scenes toward mainstream attention. Whether people like it or not, the app has written the opening paragraphs of countless careers. It helped turn artists like [PinkPantheress](https://rollingstonephilippines.com/tag/pinkpantheress/ "PinkPantheress") and EsDeeKid into global names, revived long-buried indie records from bands like Korea Girl and Everyone Asked About You, and pushed niche corners of the internet such as Bladee or Yung Lean into something close to subculture dominance. The platform now sits in an uneasy position after the United States placed it under a de jure nationwide ban in January 2025 over fears of data collection and foreign interference. The ban has yet to be enforced, but it placed the app under a spotlight that feels both hostile and curious. Governments may not know what to do with TikTok, but the app’s power over music discovery remains undeniable. If the U.S. government cannot let go of it, how much harder would it be to ignore the artists who command millions of listeners in real time?Five songs in particular broke through the noise this year, according to TikTok’s latest year end [trend report](https://newsroom.tiktok.com/tiktok-reveals-the-top-artists-and-songs-of-2025). They moved past meme cycles and landed in the center of a [wider pop conversation](https://rollingstonephilippines.com/music/pop/). Each one shows how TikTok can warp, amplify, or completely redirect a track’s destiny when the right clip hits at the right second. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/TT1.webp) Doechii, ‘Anxiety’ Doechii already held a reputation as one of rap’s sharpest shapeshifters, but 2019’s “Anxiety” pushed her into a different tier. The track, which ranks at number 9 on TikTok’s Top Global Songs of 2025, became her first Top 10 hit and carried a reach that surprised even longtime fans. Built from the guitar riff popularized by Gotye’s “Somebody That I Used to Know,” which itself sampled Brazilian musician Luiz Bonfa’s “Seville,” the song created a strange lineage of repetition that somehow worked in its favor. The sample of a sample built a familiarity that traveled fast across different timelines. TikTok pushed it further by pairing the track with dance edits from [K-pop](https://www.tiktok.com/@ampersandone/video/7483132821180026129?q=doechii%20anxiety&t=1765352556789) stans and confession-style posts from people documenting panic [attacks](https://www.tiktok.com/@corkyj_21/video/7512340722989665567?q=doechii%20anxiety&t=1765352556789) or burnout. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/TT2.webp) KATSEYE, ‘Gnarly’ The global K-pop machine has turned quick takeoff into an art form, and KATSEYE might be its most dramatic example this year. With the girl group dubbed TikTok’s Global Artist of the Year for 2025,“Gnarly” became KATSEYE’s sharpest breakout track, lifted by the momentum of their sophomore album *Beautiful Chaos*. The single hit TikTok like a jolt, spreading through sped-up edits and choreography clips that turned the song into a fixture on the app’s For You Page. Their rise felt engineered for virality, but the speed of it still caught people off guard. “Gnarly” became the type of song that no one planned to hear daily, but everyone ended up absorbing through the sheer weight of repetition. The track set KATSEYE apart from the rest of the crowded K-pop field and helped position them as one of 2025’s defining global forces. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/TT3.webp) Radiohead, ‘Let Down’ Radiohead’s presence on TikTok would have sounded ridiculous a decade ago. Yet in 2025, “Let Down,” ranked number 17 at the Top 20 Global Songs of the Year, a deep cut from 1997’s *OK COMPUTER*, became a full-blown phenomenon three decades after its release. The track resurfaced through anime edits, late-night [heartbreak posts,](https://www.tiktok.com/@descrl/video/7516156927181737223?q=radiohead%20let%20down&t=1765353522024) and guitar tutorials trying to decode its interlocking riffs. It became the sad-boy soundtrack of the year, all while the album that criticized technological alienation became one of TikTok’s most shared relics. The trend pushed Radiohead into the feeds of a younger generation who may not have been alive when the record came out. “Let Down” proved that TikTok’s algorithm can resurrect any song with enough emotional pressure behind it. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/TT4.webp) sombr, ‘back to friends’ American pop newcomer sombr had one of the strangest ascents this year. Memes joked that he “was invented last Thursday,” yet his track “back to friends,”named TikTok’sGlobal Most-Saved Track of 2025, refused to fade. The song blends doomed synths with an aching vocal delivery that has the pull of a diary entry turned inside out. It became an instant backdrop for clips about [heartbreak](https://www.tiktok.com/@paulamaecalderon2/video/7518635320791911687?q=sombr%20back%20to%20friends%20sad&t=1765354729481), reunions, and ride-or-die [friendships.](https://www.tiktok.com/@ashqxzy/video/7517979149193973000?q=sombr%20back%20to%20friends&t=1765354775910) Despite the melodrama of the trend, the song found a foothold on radio stations all over. It was the type of breakout that seemed impossible to categorize, part sad-boy confession and part festival-ready pop. sombr rode the wave with a confidence that suggested he understood his arrival was absurd, but also the start of something larger. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/TT5.webp) Connie Francis, ‘Pretty Little Baby’ In July, Connie Francis passed away at age 87, but her music found a shocking new life months before her death when “Pretty Little Baby” became TikTok’s Top Global Song of 2025, racking up more than 28 million posts and over [68 billion total views](https://www.rollingstone.com/music/music-news/tiktok-connie-francis-2025-top-global-song-1235480832/) across uploads from Nara Smith, Kylie Jenner, and Ariana Greenblatt. Two official audios held millions of clips each, while scattered unofficial uploads collected thousands more. The frenzy showed how TikTok can turn even the most traditional pop recordings into viral benchmarks. “Pretty Little Baby” did not follow the usual revival pattern. It was not used for nostalgia bait or meme edits but instead for soft-focus videos about daily routines, family life, and makeup transformations. The track found relevance because users decided it carried a sweetness that modern pop rarely reaches. It became a reminder that older music can still level the playing field on an app designed for speed. 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Here’s How to Spot it") **Categories:** Culture, Internet Culture, Music, Pop **Tags:** Connie Francis, Doechii, Katseye, Radiohead, sombr, TikTok --- ### [More Pop Stars Should Call Ed Sheeran to Write Their Songs](https://rollingstonephilippines.com/editors-picks/commentary/ed-sheeran-writing-pop-songs-animal/) **Published:** August 4, 2026 **Author:** Larisha Paul **Excerpt:** Katseye’s latest single, “Animal,” written by Sheeran, is one of their best — and shows Sheeran knows how to craft a pop hit that sticks, even when it's not for him **Content:** It has been two years since the [*Netflix*](https://rollingstonephilippines.com/tag/netflix/ "Netflix") series *[Pop Star Academy](https://rollingstonephilippines.com/music/pop/katseye-wild-hearts-documentary-release-date/ "What You Need to Know About KATSEYE’s ‘WILD HEARTS’ Documentary")* brought [Katseye](https://rollingstonephilippines.com/tag/katseye/ "Katseye") together, and the girl group still hasn’t had a truly universal hit. They’ve had popular songs, sure. There’s the smooth, Latin-pop-inspired “[Gabriela](https://rollingstonephilippines.com/radar/katseye-gabriela-queer-k-pop/ "Katseye’s New Single ‘Gabriela’ Marks a Milestone for K-Pop’s Few Openly Queer Groups"),” which peaked at Number 21 on the *Billboard* Hot 100, and of course “Gnarly,” the skittering viral track about fried chicken, Takis, and Teslas. “Internet Girl” seemed promising when [Katseye](https://www.rollingstone.com/t/katseye/) premiered it on tour, but the studio recording that arrived at the top of the year features some bizarre vocal choices that unravel the track. “Pinky Up” barely cut through the discourse about their future as a group after HYBE and Geffen announced member [Manon Bannerman](https://rollingstonephilippines.com/music/pop/katseye-manon-hybe-girl-group-exits/ "KATSEYE’s Manon Isn’t The First to Leave a HYBE Girl Group") would embark on an [indefinite hiatus](https://www.rollingstone.com/music/music-news/katseye-manon-hiatus-focus-health-wellbeing-1235520533/). Katseye have been downplaying their full potential, and their years of training, with each release. A likely [pop figure](https://rollingstonephilippines.com/music/pop/) might be the key to getting them back on track. Their latest single, “Animal,” penned by [Ed Sheeran](https://rollingstonephilippines.com/tag/ed-sheeran/ "Ed Sheeran") alongside Johnny McDaid and producers Omer Fedi and Blake Slatkin, is one of their best. It’s not an incredibly ambitious song, but it’s catchy and spirited enough to not come across as predictable — and it gives them a real shot at longevity in the pop arena. Sheeran knows how to write a pop hit that sticks, even when it’s not for himself. In fact, more pop stars should call him to write their songs. “Nobody knows you’re outta control/But I see a side behind the closed doors,” the girls sing on the chorus from “Animal,” trading off on the role throughout the song. “They get a glimpse here on the dance floor/You move like an animal.” It’s classic boots-on-the-ground reporting from the dance floor, a pretty hard trope to mess up in pop. Lara gets the best one-liner on the song, with the pre-chorus: “Your body gets twisted and tangled in mine/Love so good, how could this be free?/I keep your secret safe with me.” For a minute, “Animal” sounds like it could have been ripped from one of [Bruno Mars](https://rollingstonephilippines.com/tag/bruno-mars/ "Bruno Mars")[’](https://www.rollingstone.com/t/bruno-mars/) *Unorthodox Jukebox*-era hard drives. But when the chorus kicks in over plucky acoustic guitars, any number of Sheeran singles spring to mind: “Sing,” “Azizam,” “I Don’t Care.” In an Instagram post, Sheeran revealed he got in touch with Katseye after hearing “Gnarly” for the first time. “I was in Mexico and loved it,” he wrote. “Said I was a fan and reached out to them to see if I could write them a song.” On Katseye’s “Countdown to Animal” livestream, hosted on the evening of the song’s release, Lara teased, “A very special person wrote it, which is also really cool.” > [View this post on Instagram](https://www.instagram.com/reel/DbV6A--iZhj/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Ed Sheeran (@teddysphotos)](https://www.instagram.com/reel/DbV6A--iZhj/?utm_source=ig_embed&utm_campaign=loading) Asked about the difference between “Pinky Up” and “Animal,” the group members quickly pointed out that they’re actually (and finally) *singing* on this one, and it’s geared toward more widespread consumption. “‘Pinky Up’ is more like a rave in the club,” Daniela said. “But ‘Animal’ is more like you’ll listen to it at the grocery store, in the car on the radio, or you’ll hear it at the mall just walking around.” It’s just what Katseye needs, and it proves their ambitions as a group extend beyond brand deals and dance breaks. Not a particularly polarizing artist, Sheeran was the logical songwriter to turn to. He’s still selling out stadiums over a decade into his career, even after wedding ballads like “Thinking Out Loud” and “Perfect” pushed many to write him off as corny. More flashy swings, like “Shape of You” and “Shivers,” have eclipsed the acoustic singer-songwriter craftsmanship of his first two albums. And yet, it’s their success that has allowed him to sustain a career of this magnitude for so long. He’s worked this magic for other artists, too. When [Justin Bieber](https://rollingstonephilippines.com/tag/justin-bieber/ "Justin Bieber") returned with *Purpose* in 2015, he released “Sorry” and “Love Yourself” just over two weeks apart. “Sorry” served as the big party hit, a [Skrillex](https://rollingstonephilippines.com/music/dance-electronic/isoxo-b2b-skrillex-nitehearts-2025/ "Filipino-Indonesian Producer ISOxo to Perform B2B Set with Skrillex at NITEHEARTS 2025") and BloodPop production with Julia Michaels in the credits. Bieber had already racked up a few like that by this point in his career, including “Beauty and a Beat.” But stripped down to just his vocals and a guitar, “Love Yourself” added new dimension to Bieber’s position in pop. Sheeran originally wrote the song for his album *Divide*. “Going from a song that would have never been released to the biggest song of last year,” he said in 2017, “it just shows you that you shouldn’t always write stuff off.” It isn’t rare for Sheeran to think of other artists while in sessions. “Every single album that I’ve ever done, I’ve always gone, on the side, ‘Let’s try and write a song that we can pitch to Rihanna,’” he said last year. While he hasn’t landed a hit with her, his songs have ended up on albums from [One Direction](https://www.rollingstone.com/t/one-direction/) (the acoustic ballad “Little Things,” written by Sheeran, followed up the bubbly “Live While We’re Young” in 2012) and [Shawn Mendes](https://www.rollingstone.com/t/shawn-mendes/). Sheeran gifted Mendes the hook for what would become “Fallin’ All in You” from 2018’s *Shawn Mendes*. The snap and sway, first-dance-ready ballad remains one of Mendes’ highlights. In a perfect alternate universe, Sheeran would have sent him “Bad Habits,” too, instead of keeping the hit for himself. The upbeat record would have marked a much needed return to form for Mendes, one of pop’s [most consistent hitmakers ](https://www.rollingstone.com/music/music-live-reviews/shawn-mendes-greatest-hits-forest-hills-1235440883/)until he started down the confessional singer-songwriter route. Coming from Sheeran, who doesn’t play the main pop-boy role as efficiently — he’ll always prefer an acoustic guitar, at the end of the day — it did little to restore the balance in a post-pandemic pop ecosystem dominated by bedroom pop and quarantine hits crafted for TikTok. Pop has been in a peculiar place for a little while now. Newer acts are breaking through with slow-burning hits, but are also struggling to maintain that success over time. Meanwhile, more veteran artists are scoring late-career breakthroughs, or leaning heavily into diaristic releases that trade off on their personal narrative. Some artists are enlisting fewer collaborators — preferring to write in tight-knit camps with friends — and taking the songwriting lead themselves more often, like Ariana Grande’s solo effort on “Hate That I Made You Love Me.” Still, sometimes great performers aren’t great songwriters. That’s OK. Balance restoration comes through remembering collaboration and timing are key. Before “Gabriela” ended up with Katseye, it had been recorded by both Little Mix and Anitta. The song earned them a nomination for Best Pop Duo/Group Performance at the 2026 Grammy Awards. Way back in 2018, Little Mix launched their fifth album, *LM5,* with “Woman Like Me,” co-written by Sheeran and Jess Glynne, who began the song for her own album, *Always in Between,* before passing it along. When the group hit pause to pursue solo projects, Sheeran appeared in the credits for Perrie Edwards’ debut single, “Forget About Us.” The track was criticized for being too impersonal, the kind of song anyone could sing. Sometimes that’s the point. At least it’s catchy and she’s actually singing. Between [HYBE](https://rollingstonephilippines.com/tag/hybe/ "HYBE") and Geffen, Katseye have too many resources at their disposal to add duds to their discography. In about two weeks, the girl group will release its third EP, *Wild*, featuring both “Pinky Up” and “Animal.” The EP release model has allowed Katseye to hedge the debut album conversation for a while, but the day will come eventually. When it does, it wouldn’t hurt to see what else someone like Sheeran might have up their sleeve. It could be another hit. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-features/ed-sheeran-katseye-animal-songwriting-1235599355/).* Related Stories - [KATSEYE’s Manon Isn’t The First to Leave a HYBE Girl Group](https://rollingstonephilippines.com/music/pop/katseye-manon-hybe-girl-group-exits/ "KATSEYE’s Manon Isn’t The First to Leave a HYBE Girl Group") - [KATSEYE’s ‘Beautiful Chaos’ Lives Up to its Name](https://rollingstonephilippines.com/music/music-reviews/katseyes-beautiful-chaos-review/ "KATSEYE’s ‘Beautiful Chaos’ Lives Up to its Name") - [BINI to Perform Coachella 2026 as Festival’s First Filipino Girl Group Ever](https://rollingstonephilippines.com/music/pop/bini-perform-coachella-2026/ "BINI to Perform Coachella 2026 as Festival’s First Filipino Girl Group Ever") **Categories:** Commentary, Editor's Picks, Music, Pop **Tags:** Ed Sheeran --- ### [Tanya Markova’s Surreal Sound and Staying Power in Filipino Pop-Rock](https://rollingstonephilippines.com/music/tanya-markova-filipino-pop-rock/) **Published:** May 13, 2025 **Author:** Elijah Pareño **Excerpt:** For 15 years, Tanya Markova’s chaotic live shows and unorthodox songwriting have earned them a cult following **Content:** Pop-rock misfits [Tanya Markova](https://rollingstonephilippines.com/tag/tanya-markova/ "Tanya Markova") have been blurring the line between satire and sincerity for 15 years now, long before the internet made it fashionable to hide behind layers of irony. What began as a chaotic college experiment quickly turned into a full-blown movement, or at least a stubbornly resilient anomaly. Clown paint, fake names, and jagged synth lines aside, frontman Iwa Motors has been in this long enough to know that weirdness isn’t a gimmick. For him and the rest of the band — Robot Jaworski, Skrovak, Levy Poe, Rez Curtis, and Isabel Ole — Tanya Markova has always been a different kind of lens. A way to drag society’s quirks into the spotlight, only to laugh right back at it with a broken smile and a power chord. They called it “Original Payaso Music” before we had a name for it. Before alt accounts, burner profiles, or masked avatars were the norm. These weren’t aliases meant to hide, they were tools for confrontation, characters built to reflect the absurdity of the everyday. Think white foundation and smeared eyeliner meeting theatrical chaos and an almost uncomfortable confidence. They’ve always stood a few steps outside the mainstream; not because they were kicked out, but because they never asked to be let in. 15 years later, their self-titled debut album, released under MCA Music at the time, remains a warped achievement in [pop songwriting](https://rollingstonephilippines.com/music/pop/) and ambition in the OPM landscape. ## 15 Years After Their Debut Album It’s not just the look, either. There’s something deliberate in the mess of their debut album – synths poking through the noise like jabs to the ribcage in “Disney,” shrieking vocals folded between pounding percussion in “Riot sa LRT,” and warped melodies that barely hold still in tracks like “Linda Blair,” “P.A. Roadie Fernandez,” and their most famous single to date, “Picture Picture.” Their shows feel less like concerts and more like surreal fever dreams, with oversized butterfly wings flapping against the rhythm or bubble guns mid-performance, and a kind of joy that feels both manic and sincere. Surreal music works best when it unsettles. Tanya Markova gets that, and the discomfort is the point. It’s there to scrape away the polish, to wake something up. And that may be why they’ve lasted. A decade-plus in, they’ve held onto their cult following not just because they’re funny, strange, or oddly catchy, but because they’ve refused to sand down the weird edges. “Yung first album kasi, ano siya, parang siyang *Black Mirror*,” Iwa Motors tells *Rolling Stone Philippines*. “Hindi siya magkaka-relate. Hindi nagko-correlate yung bawat isang story. So kagaya doon sa *Black Mirror*, parang more on sa technology. Parang ganon yung ginagawa na modern times. So sa amin, ano eh? ‘yong concept ng horror at ‘yong concept ng kindergarten na pop.” Motors unpacks every twisted concept the debut album is known for. When you listen to the entire album, every track feels like it’s straight out of a *Shake, Rattle & Roll* sequel but exclusively for the ears. According to Motors, “Linda Blair,” a reference to the actress who portrayed the demonic Regan in *The Exorcist*, was about possession; “Bye Bye Mosquito,” a track where nursery rhyme simplicity plays against the album’s heavier cuts, was what Motors calls “mababaw” or deliberately shallow. It was a songwriting technique that spoke to them from the start, and they took advantage of the formula. “Wala pa kasi ‘yong mga ‘Picture Picture,’ ‘Linda Blair,’ ‘Disney.’ Wala pa ‘yon sa mga pinaplano namin ng kanta. Puro mabibigat talaga ‘yon mga pinaplano namin,” he says. “As in, mabibigat na nakakatawa. I mean, pang-weird. Extraordinary siguro yung tamang term.” Back in the day, Motors and former bandmate Norma Love shared a fascination with Marilyn Manson, hence the clown makeup, inspired after watching one of Manson’s VH1 documentary episodes. But their magic also comes from onomatopoeic street sounds, random chimes, anything that bleeds into their environment. Still, it took them 15 years to survive with what others now call a “banger” album. Motors stresses sustainability and adaptability in today’s music climate, where old songs get revived while new ones fight for attention. “Parang mas walang pressure ngayon. Kasi tumagal ka ng 15 years, so hindi biro. 10 years nga hindi biro. 7 years, hindi rin biro,” he says. “Kapag uso naman ‘yong luma, ‘yong bago naman ‘yong pinapakinggan namin. Tuwing maiisip mo ‘yon, habang tumatagal ka, mas lumalaya kang gumawa ng kanta. Mas hindi ka na sakop o nakakulong sa kahon. Mas creative ka kasi mas matured ka na e. Kasi hindi lang ‘yong music yung tumatanda – kami mismo ‘yong gumagawa ng music. Kami ‘yong tumatanda. Parang mas excited kami eh.” ## Original Payaso Music ![Tanya Markova](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/Untitled-design-58.webp) The Tanya Markova Good Morning towel. Photo from Tanya Markova/Facebook As persistent as they are creatively, Tanya Markova actively encourages artists to cultivate real, human-made art in an era increasingly dominated by AI. At one point, they promoted a headliner show with details stitched onto a “good morning” towel. “Tuwing may solo gig kami sa bars, ‘yong posters namin ay kakaiba,” he says. “Merong karatula ng jeep, merong artwork ng bata. Parang anti-AI. So binibigay namin doon sa mga taong artist talaga ‘yong gumagawa ng crafts at art. Sila ‘yong dapat ma-showcase namin sa gig.” Motors also emphasizes the importance of maintaining weirdness, experimentation, and ambition 15 years after their debut. Whether playing a hardcore metal show or a pop gig with fiery theatrics, there’s something for everyone at a Tanya Markova set and for the band, staying in one lane was never an option. “Huwag silang matakot mag-explore, maging malaya sila sa gusto nila, at huwag nilang isipin ‘yong sasabihin ng ibang tao,” he says to aspiring artists. “Kasi kapag nakinig ka sa ibang tao, nalilimitahan ‘yong ginagawa mo eh.” He adds, “Kasi kapag pinasok mo sa puso mo ‘yong peace, contentment, at happiness mo doon sa kanta, sure ako dyan na parang nagka-hit song. Hindi mo na kailangang i-play yan sa Spotify, hindi mo kailangan ng maraming views, pero every time na naririnig mo ‘yong kantang ginawa mo, natutuwa ka. Bonus kapag nakakapagbigay-saya rin ‘yong kanta mo sa ibang tao, kahit sampu lang yan. Hangga’t meron, sobrang solid yung kanta mo.” Related Stories - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") - [How the Kitchie Nadal Renaissance is Bridging Generations](https://rollingstonephilippines.com/music/news/how-the-kitchie-nadal-renaissance-is-bridging-generations/ "How the Kitchie Nadal Renaissance is Bridging Generations") - [25 Best Filipino Love Songs Across Generations](https://rollingstonephilippines.com/music/25-filipino-love-songs-for-the-emotionally-compromised/ "25 Best Filipino Love Songs Across Generations") **Categories:** Features, Music **Tags:** Tanya Markova --- ### [XG Comes Fully Realized in Second Manila Show](https://rollingstonephilippines.com/music/pop/xg-the-core-manila-concert-recap/) **Published:** July 24, 2026 **Author:** Pie Gonzaga **Excerpt:** The pop group from Japan returns to the Philippines with electrifying performances and lots of howling **Content:** When [XG](https://rollingstonephilippines.com/tag/xg/ "XG") first came to the Philippines in 2024, the seven-piece was only beginning to rise to global popularity. Even then, the [pop group](https://rollingstonephilippines.com/music/pop/) already had a good sense of its brand and sonic identity, but it’s in XG’s most recent Manila concert — held on July 22 as part of their [“The Core”](https://rollingstonephilippines.com/tag/the-core-world-tour/ "The Core World Tour") world tour — that their vision is fully realized. On the floor of the SM Mall of Asia Arena, the fans (also called Alphaz) are seated around a C-shaped stage that allowed the group’s members better access to the audience. As fans waited for the concert to start, they cheered, screamed, and even barked, which is only appropriate for XG’s galactic wolf concept. Finally, JURIN, CHISA, HINATA, HARVEY, JURIA, MAYA, and COCONA emerge in cloaks to reveal cosmic-themed outfits for their first set of songs. They start with the dance pop tracks “GALA” and “SOMETHING AIN’T RIGHT,” and end the segment with the hip-hop track “WOKE UP” before disappearing backstage to change out of their costumes. ![xg howling the core concert manila 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/xg-howling.webp) XG performs “HOWLING” in their The Core concert in Manila. The outfit changes happen twice more throughout the night, but it’s not an issue when dramatic VCRs and laser light programming keep fans entertained. The last VCR included a looping clip of the moon transitioning through different phases, which prompted Alphaz around the arena to howl. The second and third segments include more of the hits, such as “PUPPET SHOW,” “HOWLING,” “ROCK THE BOAT,” “IS THIS LOVE,” and the TikTok-viral “HYPNOTIZE.” XG’s rap line, consisting of JURIN, HARVEY, MAYA, and COCONA, perform the boom-bap track “PS118.” The group also slows things down with the acoustic R&B song “4 SEASONS,” performed by vocalists CHISA, HINATA, and JURIA. One thing I was in awe of — aside, of course, from the mind-blowing production — is the members’ stamina and showmanship. With each number, XG manages to sing and dance without ever missing a beat or going out of breath, never showing that they’re tired. Even the fan chants and the screaming from the crowd never waver. You could power all of Greater Metro Manila with the energy in the arena that night. Filipino Alphaz got the chance to interact a little more with XG in the final segment of the concert, with the members coming down to the barriers for the song “NEW DANCE.” For the encore, they performed the 2023 track “LEFT RIGHT.” And as the members waved their fans goodbye, MAYA said, “Alphaz, mahal ko kayo! We’ll be back.” ![xg gala the core concert manila 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/xg-opening.webp) The members of XG come out swinging with the opening song, “GALA.” ## Frequently Asked Questions ### When and where did XG hold their second Manila concert? XG performed at SM Mall of Asia Arena on July 22 as part of their The Core world tour. It marked the seven-piece group’s second Philippine show, following their 2024 Manila debut when they were still early in their global rise. ### What songs did XG perform during their Manila show? XG’s 23-track setlist for Manila included “GALA,” “SOMETHING AIN’T RIGHT,” “WOKE UP,” “PUPPET SHOW,” “HOWLING,” “IS THIS LOVE,” “HYPNOTIZE,” “NEW DANCE,” and “LEFT RIGHT.” ### Who are the members of XG? XG is composed of seven members: JURIN, CHISA, HINATA, HARVEY, JURIA, MAYA, and COCONA. The group performs across dance-pop, hip-hop, and R&B styles, with designated rap and vocal lines featured throughout their live sets. ### What is the “galactic wolf” concept behind XG’s visuals and stage design? XG’s performances are built around a recurring galactic wolf concept, reflected in cosmic-themed outfits, howling fan chants, and visuals like a moon-phase transition sequence. The group’s fans are called “Alphaz.” ### What made XG’s second Manila concert different from their 2024 debut? XG’s first Manila show was held at the Smart Araneta Coliseum in 2024. The group’s 2026 show was held at the SM Mall of Asia Arena, with a larger stage and crowd. Related Stories - [Idol Groups Take Over Head in the Clouds 2026 With KATSEYE and XG](https://rollingstonephilippines.com/music/pop/katseye-xg-head-in-the-clouds-festival/ "Idol Groups Take Over Head in the Clouds 2026 With KATSEYE and XG") - [Mitski in Manila: All the Feelings and Highlights](https://rollingstonephilippines.com/music/rock/mitski-first-manila-show-recap/ "Mitski in Manila: All the Feelings and Highlights") - [ONE OR EIGHT is on a Fast and Furious Rise](https://rollingstonephilippines.com/music/hiphop-rnb/one-or-eight-gather/ "ONE OR EIGHT is on a Fast and Furious Rise") **Categories:** Events, Music, Pop, Radar **Tags:** The Core World Tour, XG --- ### [The Good, The Bad, and The Wild of 2016 Pinoy Pop Culture and Beyond](https://rollingstonephilippines.com/editors-picks/lists/2016-trends-pinoy-pop-culture/) **Published:** January 20, 2026 **Author:** Mel Wang **Excerpt:** 10 years ago, Pinoy pop culture and the world beyond it were going through some strange highs and lows **Content:** The year was [2016](https://rollingstonephilippines.com/tag/2016/ "2016"), and it was a very strange time. Contrary to a certain ongoing internet trend, 2016 was not all puppy-ear filters and Hamilton sing-a-longs (although there was a lot of that, too). Politically, former president [Rodrigo Duterte’s](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte") first six months in office saw more than 7,000 killed in his war on drugs, which the humanitarian watchdog group Human Rights Watch deemed a “human rights calamity for the Philippines.” His rise to power preceded that of U.S. President [Donald Trump](https://rollingstonephilippines.com/tag/donald-trump/ "Donald Trump"), who spent his first presidency in 2016 fanning the flames of far-right extremism and making big claims about a wall on the U.S. border with Mexico (that the latter would pay for, of course). Why we’re trying to romanticize life a decade ago is beyond me: I am not privy to the whims of our internet overlords. But, political doom and gloom aside, 2016 was the year when culture was experiencing a number of important highs and lows. There is no one way to completely summarize everything that made up life ten years ago, but today, we’re going to try. Here, for your stroll down nostalgia lane, are the good, the bad, and the wild of 2016. ## **Good: Jaclyn Jose scored a historic Cannes win** Thanks to her heart-wrending performance as sari-sari owner turned meth dealer Rosa in Brillante Mendoza’s *Ma’Rosa*, [Jaclyn Jose](https://rollingstonephilippines.com/tag/jaclyn-jose/ "Jaclyn Jose") became the first Filipino (and Southeast Asian) to win Best Actress at the Cannes Film Festival in 2016. “I would like to… share this recognition \[with\] all Filipinos,” Jose said during her acceptance speech, “\[with\] my daughter, \[with\] Brillante, \[with\] my countrymen, \[and with\] the Philippines.” ## **Bad: A dark time for the DC Extended Universe** 2016 brought two DC blockbusters that didn’t do well with audiences: *Batman v Superman: Dawn of Justice* and *Suicide Squad*, which have Tomatometer scores of 28 and 26 percent, respectively. Fans and critics alike were not pleased with both movies’ messy plotlines, with many pointing fingers at [Zack Snyder,](https://rollingstonephilippines.com/culture/film-tv/dc-superman-2025-trailer-release/ "The Dark Snyderverse Is Over; DC’s New ‘Superman’ Brings the Light") then the main filmmaker Warner Bros. entrusted with shaping the DC Extended Universe. ## **Wild: The Pokémon GO takeover** Remember the first time Pokémon GO infiltrated our phones and had us running around trying to “catch ‘em all”? There was a time in 2016 when everyone wouldn’t shut up about it. In its first month alone, Pokémon GO brought in more than $200 million in earnings, with over 130 million downloads worldwide. As of this writing, Pokémon GO now has more than 27 million active players ## **Good: The Metro Manila Film Festival tried something new** A for effort, [MMFF](https://rollingstonephilippines.com/tag/metro-manila-film-festival/ "Metro Manila Film Festival"). In response to a growing number of controversies surrounding the way festival committee members selected their winners, especially with the disqualification of Erik Matti’s *Honor Thy Father* for Best Picture in 2015, the Metro Manila Film Festival (MMFF) launched a significant overhaul of its judging criteria and festival structure. The changes resulted in a less commercial-centric lineup that prioritized engaging storytelling, which included films such as *Sunday Beauty Queen*, *Oro, Die Beautiful*, and more. However, in 2017, the festival walked back some of its changes, bringing commercial viability back as one of its criteria. Could this have been caused by 2016 MMFF’s total gross of P400 million being significantly less than 2015’s P1.3 billion? ## **Bad: The rise of Mocha Uson** ![Mocha Uson, Duterte](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/mocha.webp) In 2025, Mocha Uson ran for councilor in Manila’s third district and lost. Photo from Mocha Uson/Facebook Prior to Duterte’s election as president, Mocha Uson was a well-known entertainer and blogger. Things took a controversial turn when Uson began using her online platform to support Rodrigo Duterte’s presidential campaign in 2016. “We need a TOUGH and STRONG president,” Uson wrote in a Facebook post, “WE NEED AN IRON HAND IN DEALING WITH CRIMINALS IN THIS COUNTRY.” In 2017, President Duterte appointed Uson as assistant secretary of the Presidential Communications Operations Office, although she stepped down a year later after being repeatedly criticized for social media posts that were inconsistent with her role as a public official (e.g. a video of her encouraging a pro-Duterte blogger to mock sign language, a raunchy federalism jingle and dance, etc.). She was often labeled as the “queen of fake news,” although Uson denied ever knowingly spreading misinformation. ## **Wild: The $81M Bangladeshi bank heist that implicated RCBC** ![Maia Deguito](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/maia.webp) In 2019, the Department of Justice (DOJ) secured the conviction of former RCBC manager Maia Santos-Deguito. Photo from DOJ/Official Website As if straight out of a *[Mission: Impossible](https://rollingstonephilippines.com/tag/mission-impossible/ "Mission: Impossible")* movie, a group of hackers stole $81 million from Bangladesh’s central bank account at the Federal Reserve Bank of New York, and the money was then traced to the Philippines. The stolen money was transferred to an RCBC branch in Manila. The money was deposited into bank accounts later found to be under fictitious identities. ## **Good: Not one, but *two* Lav Diaz movies** The slow cinema god blessed cinephiles around the world with two major full-length features in the same year. *Hele Sa Hiwagang Hapis*, clocking in at roughly eight hours, saw the internationally acclaimed director weaving loose threads that all tied back to the mythos of Andres Bonifacio. The film, which premiered at the Berlin International Film Festival, also earned the praise of Meryl Streep, who chaired the festival jury. “This film, this guy,” said Streep of *Hele* and [Diaz](https://rollingstonephilippines.com/tag/lav-diaz/ "Lav Diaz"). “He changed the molecule system in my body.” Their jury gave *Hele* the Silver Bear Award of the festival. *Ang Babaeng Humayo* was released in Philippine cinemas six months later, with a more accessible runtime of three hours and 36 minutes and the return of [Charo Santos-Concio](https://rollingstonephilippines.com/tag/charo-santos-concio/ "Charo Santos-Concio") as an actress, playing the role of a framed schoolteacher. ## **Bad: RIP, Harambe** On May 28, 2016, a three-year-old child fell into the gorilla exhibit at the Cincinnati Zoo, startling a silverback Western lowland gorilla named a silverback Western lowland gorilla named Harambe and prompting it to pick up the child and drag him around the enclosure. A zookeeper shot and killed Harambe, starting both a global debate about the use of lethal force in zoo safety protocol and a flood of posts immortalizing the ape online, including comedian Brandon Wardell’s viral “Dicks Out For Harambe” meme. ## **Wild: ‘Hamilton’ was everywhere** Let’s face it: most of us went through a *[Hamilton](https://rollingstonephilippines.com/tag/hamilton/ "Hamilton")* phase. The soundtrack to Lin-Manuel Miranda’s award-winning Broadway musical was played on repeat for the better part of 2016, and now we all know how America’s 10-dollar founding father wrote his way all the way to the top of the US treasury. ## **Good: It was a very good year for TV** Some of the best television of the 21st century came out in 2016. The first seasons of *[Stranger Things](https://rollingstonephilippines.com/tag/stranger-things/ "stranger things")*, *Atlanta, The Good Place,* and *Fleabag* all debuted ten years ago, while already established shows like *[Game of Thrones](https://rollingstonephilippines.com/tag/game-of-thrones/ "Game of Thrones")* gave us even more memorable episodes (2016 was the year of the “Battle of the Bastards,” after all). ## **Bad: The beef between Taylor Swift, Ye, and Kim Kardashian** Although the bad blood between [Taylor](https://rollingstonephilippines.com/tag/taylor-swift/ "Taylor Swift") and [Ye](https://rollingstonephilippines.com/tag/kanye-west/ "Kanye West") (formerly Kanye West) started way back in 2009 (with *that* VMAs speech), the feud made it back to headlines in 2016 when the rapper name-dropped his [pop](https://rollingstonephilippines.com/music/pop/) nemesis in “Famous” (ahem: “I feel like me and Taylor might still have sex / Why? I made that bitch famous.”) Taylor then proceeded to throw shade at him while receiving her Album of the Year award at the 2016 Grammys. [Kim](https://rollingstonephilippines.com/tag/kim-kardashian/ "Kim Kardashian") joined the chat when, in a *GQ* profile, she claimed that Ye had requested Taylor’s approval of the line in a call captured on video. ## **Wild: Clown sightings were a thing** Although the clown sightings seemed to be confined mainly to the US and parts of the UK, videos of individuals wearing clown costumes to freak people out went viral. Some “clowns” were pretty much just public nuisances, chasing people around and standing creepily in the dark. Others sported knives or machetes, adding to the already negative public perception of clowns. Clown copycats were reportedly spotted in locations across the Philippines, including Davao, Bohol, and Cagayan de Oro. ## **Wild: “Closer” by The Chainsmokers ft. Halsey was inescapable** “Closer” was one of the most unavoidable earworms of 2016, with radio stations blasting the single on an almost continuous loop for the better part of the year. You could have been at the club, in a grocery aisle, in an elevator, *anywhere*, and you still would have heard “So baby pull me closer in the back seat of your Rover…” ## Frequently Asked Questions ### What Cannes Film Festival milestone did a Filipino actress achieve in 2016? Jaclyn Jose became the first Filipino and Southeast Asian actress to win Best Actress at Cannes in 2016, for her role as a meth dealer in Brillante Mendoza’s “Ma’Rosa,” dedicating the win to her countrymen and the Philippines. ### How did the DC Extended Universe perform in 2016? Poorly, according to critics. Both “Batman v Superman: Dawn of Justice” and “Suicide Squad” received low Tomatometer scores (28% and 26%, respectively), with much of the criticism directed at filmmaker Zack Snyder’s handling of the franchise. ### What major banking scandal implicated a Philippine bank in 2016? Hackers stole $81 million from Bangladesh’s central bank account and traced the funds to an RCBC branch in Manila, where the money was deposited into accounts later found to be under fictitious identities. ### What happened during Rodrigo Duterte’s first six months as president in 2016? Human Rights Watch documented more than 7,000 deaths in the first six months of Duterte’s war on drugs, calling it a “human rights calamity for the Philippines,” according to the article. ### Why did the Metro Manila Film Festival change its judging criteria in 2016? Following controversies over past selections, including the 2015 disqualification of “Honor Thy Father,” MMFF overhauled its criteria to prioritize storytelling over commercial viability, though it partially reversed the changes in 2017 after lower box office returns. Related Stories - [10 Filipino Films Turning 10 In 2026](https://rollingstonephilippines.com/culture/philippine-cinema/10-filipino-movies-turning-10-2026/ "10 Filipino Films Turning 10 In 2026") - [The ‘2016 Trend’ Reveals Where Culture Stalled and Shifted](https://rollingstonephilippines.com/editors-picks/commentary/2016-trend-shifted-music-culture/ "The ‘2016 Trend’ Reveals Where Culture Stalled and Shifted") - [10 Years Later, the Cultural Legacy of ‘Hamilton’ In the Philippines Endures](https://rollingstonephilippines.com/culture/10-years-hamilton-philippines/ "10 Years Later, the Cultural Legacy of ‘Hamilton’ In the Philippines Endures") **Categories:** Culture, Editor's Picks, Film, Internet Culture, Lists, TV **Tags:** Jaclyn Jose, Kanye West, Lav Diaz, Metro Manila Film Festival, Rodrigo Duterte, stranger things, Taylor Swift --- ### [SB19’s ‘Wakas at Simula,’ Ranked Track by Track](https://rollingstonephilippines.com/music/pop/sb19-wakas-at-simula-ranked/) **Published:** March 30, 2026 **Author:** Elijah Pareño **Excerpt:** A mix of pop, trap, and electronic textures reveals which tracks push the P-pop album forward most effectively **Content:** [SB19](https://rollingstonephilippines.com/tag/sb19/ "SB19") has released *Wakas at Simula*, the long-awaited follow-up to their 2025 release *Simula at Wakas*. The group’s ongoing lore, from the giving tree to gothic castle imagery to themes of rebirth and resurrection, continues to play into their long-form worldbuilding. At a time when the group is reaching [Lollapalooza](https://rollingstonephilippines.com/music/pop/sb19-lollapalooza-2026/ "SB19 Heads to Lollapalooza 2026, Bringing P-pop to Chicago") status, the latest release celebrates the idea of an ending that acts as a transition into something new. > [View this post on Instagram](https://www.instagram.com/p/DWN_BNeEmWz/?utm_source=ig_embed&utm_campaign=loading)[A post shared by 1Z ENTERTAINMENT (@1zentertainment.ph)](https://www.instagram.com/p/DWN_BNeEmWz/?utm_source=ig_embed&utm_campaign=loading) The album’s launch at the SMDC Festival Grounds on April 18 points to how far the group has pushed its lore, both in scale and in ambition. It also reflects their eight-year run as a group, as the band is still finding ways to rework their identity without losing what makes them recognizable. Not including the remade songs and tracks from the last album, here are the ranked songs of *Wakas at Simula*, from its more collaborative moments to its strongest, most fully realized tracks. ## 6. ‘Wakas’ The album’s outro caps off the “end” before leading back into the idea of a beginning. As a continuation of their previous release, the track leans into SB19’s strength in vocal harmonies, building toward a sense of belonging, where Pablo, Justin, and Felip all reach the highest of falsettos. While the vocal harmonies hit their mark, the track feels slightly off-kilter, with the buildup not fully paying off its scale. ## 5. ‘Memories’ The second track explores the group’s ability to frame times of crisis through optimism. “Memories” centers on the bond that holds the group together, especially during uncertain times. The trap-pop fusion production leverages the group’s vocal prowess through its rising hi-hats and riser sound effects, though the maximalist buildup never fully peaks, settling into a more lukewarm payoff than expected. Whether it be the flashy EDM-influenced synths or Pablo and Stell’s harmonies, the track is a solid, if reserved, effort. ## 4. ‘Toyfriend’ ft. BE:FIRST SB19 shifts gears into a more playful, sexy tone on “Toyfriend.” The bassline groove comes in early, and the track doubles down on R&B textures, letting both groups trade lines with ease. Japan’s BE:FIRST adds another layer to the track’s dynamic, pushing it toward a more polished pop sound. It is a clear switch in tone, but one that the group handles comfortably. ## 3. ‘Everblack’ Surprisingly enough, this is where the project expands its sound. “Everblack” moves through sci-fi textures, heavier Playboi Carti-like rap sections, and autotuned elements a la Travis Scott that echo more aggressive trap influences. References to high fashion and stylized vocal effects add to its edge. The track takes risks that stand out within the album, even if some of its influences are on the nose. ## 2. ‘Emoji’ ft. JOLIN Composed around a fast-paced rhythm and a club-ready beat, “Emoji” thrives on its thematically grandiose and verse-chorus-heavy, chaotic [pop structure](https://rollingstonephilippines.com/music/pop/) that is equipped for repeat listens. The track brings in Jolin as a strong counterpoint. As the “Queen of C-Pop” enters the fray, SB19 makes sure they remain on equal footing. The exchange between SB19 and Jolin keeps the energy consistent, with both sides matching each other’s delivery. The result is direct and effective, ready to hit quickly without losing momentum. ## 1. ‘VISA’ Opening the album with “VISA” sets the tone clearly. For a group stepping further into the global stage, the track’s focus on the realities of mobility and access lands with a sense of irony. It pairs a strong melodic hook with a pointed theme, grounding the song in the realities of applying for a travel visa. As straightforward as it sounds, the group’s knack for chaotic pop songwriting by lumping together all kinds of electronic music, such as Brazilian baile or traditional Filipino folk music, combined with the lived experiences of Filipinos, gives the lead single a strong start, making it one of the group’s most effective releases to date. ## Frequently Asked Questions ### What is the best song on SB19’s “Wakas at Simula”? “VISA” ranks as the strongest track on “Wakas at Simula.” The opener pairs a melodic hook with themes of travel-visa realities and mobility, blending Brazilian baile funk and traditional Filipino folk influences into the group’s signature chaotic pop sound. ### What is “Wakas at Simula” and how does it relate to SB19’s previous album? “Wakas at Simula” is SB19’s follow-up to their 2025 release “Simula at Wakas.” The album continues the group’s long-form worldbuilding, extending recurring lore around the giving tree, gothic castle imagery, and themes of rebirth and resurrection. ### Which artists are featured on “Wakas at Simula”? The album features two collaborators: Japanese group BE:FIRST on “Toyfriend,” which leans into R&B textures and playful, sexy production, and C-Pop artist Jolin on “Emoji,” a fast-paced, club-ready track built around a chaotic pop structure. ### How does “Wakas at Simula” fit into SB19’s career trajectory? The album arrives as SB19 reaches Lollapalooza status, marking eight years as a group. Its SMDC Festival Grounds launch on April 18 reflects the scale of their ambition as they rework their identity while retaining what makes them recognizable. ### What themes run through “Wakas at Simula”? The album explores endings as transitions into new beginnings, continuing SB19’s ongoing lore of rebirth and resurrection. Tracks like “VISA” ground these themes in lived Filipino experience, while “Everblack” pushes into sci-fi and heavier trap-influenced territory. Related Stories - [5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding](https://rollingstonephilippines.com/editors-picks/lists/5-moments-sb19-rewrote-p-pop-worldbuilding/ "5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding") - [SB19 Heads to Lollapalooza 2026, Bringing P-pop to Chicago](https://rollingstonephilippines.com/music/pop/sb19-lollapalooza-2026/ "SB19 Heads to Lollapalooza 2026, Bringing P-pop to Chicago") - [KATSEYE’s ‘Beautiful Chaos’ Lives Up to its Name](https://rollingstonephilippines.com/music/music-reviews/katseyes-beautiful-chaos-review/ "KATSEYE’s ‘Beautiful Chaos’ Lives Up to its Name") **Categories:** Music, Pop **Tags:** SB19 --- ### [68th Grammy Awards Song of the Year Race: ‘K-pop Demon Hunters,’ Gaga, Bad Bunny, More](https://rollingstonephilippines.com/music/pop/68th-grammys-song-of-the-year/) **Published:** November 10, 2025 **Author:** Elijah Pareño **Excerpt:** With the world still echoing its chorus, “Golden” from “KPop Demon Hunters” has turned EJAE and Sonnenblick into the Grammys’ unlikely frontrunner **Content:** The Song of the Year list captures a wide spectrum of hits ranging from dynamic pop duos and R&B collaborations that charted for the rest of the year. For such a category, it’s tough to cut this all down to one winner. On one hand, the nominees include [Lady Gaga](https://rollingstonephilippines.com/tag/lady-gaga/ "Lady Gaga") and ROSÉ and [Bruno Mars](https://rollingstonephilippines.com/tag/bruno-mars/ "Bruno Mars")’ with their party-ready anthems “Abracadabra” and “APT.” [Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter") takes a stand against emotionally unavailable men in “Manchild,” while Billie Eilish reflects on tangled relationships in “WILDFLOWER.” The rest of the nominees have strong rap contenders such as [Kendrick Lamar](https://rollingstonephilippines.com/tag/kendrick-lamar/ "Kendrick Lamar") and [SZA](https://rollingstonephilippines.com/tag/sza/ "SZA")’s “luther,’ offering a smoky, slow-burning R&B tale of love, and Bad Bunny’s “DtMF” pairs his signature rap style in emotional territory. [Doechii](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/3.webp "Doechii") rounds out the list with “Anxiety,” her 2023 track that had lived a second life due to its unexpected virality. However, the dark horse and the nominee to likely bag the Song of the Year would go to [EJAE](https://rollingstonephilippines.com/tag/ejae/ "ejae") and Mark Sonnenblick’s “Golden,” from the soundtrack of *KPop Demon Hunters*. What began as a song for an animated feature became a cultural phenomenon, sweeping global charts and turning casual music listeners into K-pop fans. The track’s soaring vocals and anthemic structure struck a chord that crossed language and genre barriers. > [View this post on Instagram](https://www.instagram.com/reel/DQxIEYMkvNa/?utm_source=ig_embed&utm_campaign=loading)[A post shared by EJAE (@ejae\_k)](https://www.instagram.com/reel/DQxIEYMkvNa/?utm_source=ig_embed&utm_campaign=loading) EJAE, a Seoul-born songwriter long credited for penning hits for Red Velvet, Aespa, TWICE, and Le Sserafim, finally stepped into her own spotlight as a singer. “Golden,” co-written with American composer and lyricist Mark Sonnenblick, is both vocally demanding and emotionally charged, its climactic high note inspiring countless covers and reaction videos. Sonnenblick, known for his work in musical theater and films, brought a cinematic weight to the track’s structure, pairing EJAE’s pop instincts with his knack for narrative-driven melodies. For K-pop artists and fans alike, the song cements EJAE and Sonnenblick’s place not just within K-pop but across t[he broader pop landscape](https://rollingstonephilippines.com/music/pop/). The *KPop Demon Hunters* soundtrack is also up for Best Compilation Soundtrack for Visual Media, a crowded field that includes *F1: The Album*, *Sinners*, and *Wicked*. Still, “Golden” stands out as the defining song of the year. The nomination proves that a breakout moment from an artist long behind the scenes would now be at the center of the world’s music stage. Related Stories - [Why ‘KPop Demon Hunters’ is the Pop Culture Movie of the Year](https://rollingstonephilippines.com/culture/film-tv/kpop-demon-hunters-netflix-pop-culture/ "Why ‘KPop Demon Hunters’ is the Pop Culture Movie of the Year") - [Lady Gaga Was Nearly Arrested in Manila for Performing ‘Judas’](https://rollingstonephilippines.com/music/lady-gaga-nearly-arrested-jailed-judas-perform-manila-concert/ "Lady Gaga Was Nearly Arrested in Manila for Performing ‘Judas’") - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") **Categories:** Music, Pop **Tags:** ejae, Grammy Awards, Grammys 2026, KPop Demon Hunters --- ### [Kerbs Balagtas is the Man Behind Your Favorite P-Pop Music Videos](https://rollingstonephilippines.com/music/pop/kerbs-balagtas-ppop-music-video-director/) **Published:** June 15, 2026 **Author:** Elijah Pareño **Excerpt:** The YouMeUs founder reflects on creativity, compromise, and turning ambitious ideas into reality despite limited resources **Content:** Along the Pasig side of Marcos Highway is music video director Kerbs Balagtas’ studio under YouMeUs MNL. Employees haul in camera equipment in every interval. For someone who directs artists in front of the camera, Balagtas isn’t entirely comfortable being on the other side of it. Balagtas would sometimes go into different tangents, needing his team to help him remember all their projects throughout the years. Here’s a short timeline: One of Balagtas’ earlier projects was solo artist Niko Viktor’s “Stranded” music video back in September 2019, a year before YouMeUs was born. Their operations continued during the pandemic year. The following year, Balagtas worked with Maymay Entrata on “AMAKABOGERA,” the actress’ breakout single that combined phoenix-like flames and an explosive chorus. That project put YouMeUs on the map a year after creating the studio. If there’s one thing Balagtas knows best, it’s how to make a [P-pop music](https://rollingstonephilippines.com/music/pop/) video come to life. He’s worked on some of the most visually arresting music videos of late, such as [SB19](http://sb19)’s “GENTO” and “Dungka” and [BINI](http://bini)’s “Born to Win,” “Pantropiko,” “Salamin, Salamin,” and “Unang Kilig.” ## Body of Work ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Kerbs-2.webp) Kerbs Balagtas is hopeful that, given a few years and a constant stream of government support, Filipino pop music can flourish. All of these present a polished image of P-pop as sold to fans by the group’s flawless choreography and undeniable charm. But without staging, camera work, creative direction, framing, and post-editing, even those could only go so far. This is where Balagtas’ work comes in. “Ang lagi nilang sinasabi is \[parang may\] malaking budget, parang ‘pang-international,’” he says of the usual feedback he gets from his music videos. “Pero behind that wala talaga.” He is not downplaying his, his teams’ and the artists’ efforts here. By “wala talaga,” he means the government funding to back up such productions that have long been seen by trailblazers like South Korea as potent boosters of culture and tourism promotion is next to nothing. “‘Yung quality ng \[P-pop kumpara sa K-pop\] hindi magkalayo,” Balagtas confidently says. “Siguro ‘yung pinagkaiba is ‘yung support ng government ng South Korea,” he says. “Mas maraming tao na tumutulong sa kanila compared sa industry natin. Sobrang challenging kase ito lang ‘yung binibigay satin.” But YouMeUs makes do. Sets are improvised, locations are negotiated, favors are called in. The music video director recalls location scouting for BINI’s “Lagi” production. Because there aren’t a lot of public spaces that could accommodate this kind of production, it was held at the Dessert Museum in Pasay, where they had to negotiate egress with museum officials, who insist on shooting within their operating hours. Despite this limitation and four hours to shoot the entire thing, the YouMeUs team and the crew managed to finish the over four-minute-long music video, which, as of writing, has 30 million views on YouTube. “Hindi naman kami para sa pera,” Balagtas says. “More on ‘yung creativity ang gusto naming \[ipakita\] sa output.” Watching K-pop productions made him realize that Filipino talent is on par with its neighbors. “Kaya naman siya. Hindi mo naman kelangan ng malaking budget, basta creative ka at saka \[nandoon\] ‘yung help ng tao sa paligid mo.” Just as any hardworking creative powering the burgeoning industry of P-pop, Balagtas is hopeful that, given a few years and a constant stream of government support, Filipino pop music can flourish. If anything, P-pop already has a culture of make-do. YouMeUs is but one of the many resourceful players in the field who are making ideas a reality anyway they can. ## Frequently Asked Questions ### Who is the resident music video director for BINI? The name of the resident music video director for BINI is co-founder of YouMeUs Studio Kerbs Balagtas. ### What is the name of the company Kerbs Balagtas co-founded? Kerbs Balagtas co-founded production company YouMeUs Studios. He serves as the executive director for the company. ### What music videos did Kerbs Balagtas help direct? Kerbs Balagtas directed music videos for Niko Viktor’s “Stranded,” SB19’s “Gento” and “Dungka,” BINI’s “Born to Win,” “Pantropiko,” “Salamin, Salamin,” to name a few. ### What is the title of the Maymay Entrata song that Kerbs Balagtas directed? Kerbs Balagtas directed Maymay Entrata’s music video for “AMAKABOGERA” in 2021. ### Where was BINI’s “Lagi” music video shot? BINI’s “Lagi” music video was shot at the Dessert Museum in Pasay City. Related Stories - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") - [BINI ‘Besties’ Dancer on Performing For Historic Coachella Debut](https://rollingstonephilippines.com/music/pop/bini-besties-dancer-coachella-2026/ "BINI ‘Besties’ Dancer on Performing For Historic Coachella Debut") - [5 RA Rivera Music Videos That Are Time Capsules of 2000s OPM](https://rollingstonephilippines.com/editors-picks/lists/ra-rivera-music-videos-2000s/ "5 RA Rivera Music Videos That Are Time Capsules of 2000s OPM") **Categories:** Music, Pop **Tags:** Kerbs Balagtas, May 2026 Issue --- ### [ALYSON Moves Past City Pop Nostalgia With New Album ‘After Ours’](https://rollingstonephilippines.com/music/indie/alyson-wants-more-than-city-pop-after-ours-album/) **Published:** June 11, 2026 **Author:** Elijah Pareño **Excerpt:** ALYSON discusses sophomore album "After Ours," their Filipino city pop roots, recording process, musical growth, and why they refuse to be boxed into one sound. **Content:** [ALYSON](https://rollingstonephilippines.com/tag/alyson/ "ALYSON") is a band that likes to challenge itself. The city pop outfit consisting of vocalist Pio Ligot, drummer and producer Marcus Mababangloob, bassist Miguel Erfe, lead guitarist Luis Uy, and keyboardist Easel Manes, is never done rounding out the polished sounds of Japanese-styled [pop music](https://rollingstonephilippines.com/music/pop/). ALYSON has already gone through different changes and released music through previous iterations, beginning as an indie rock band that put out its debut self-titled EP in 2018. Years after the release of their debut, the band underwent a rebrand post-pandemic. From their appearance to their sound, ALYSON transformed into a band nobody would have expected. The left turn ended up being a city pop direction. In 2023, they released *DEFINITELY LOVE!*, the album that contains the hit tracks “Kiliti” and “Feels So Good.” They wore matching suits, first beige and eventually all red, bringing them everywhere from tight basement shows to big concerts. In 2025, they turned to the color blue, matching the feelings and themes of their current album *After Ours*. This time around, however, ALYSON would rather push forward than rehash the concepts and songwriting that made city pop work in the first place. “City Pop is a very clear thing that people have an understanding of, or I think they have an understanding of,” Mababangloob tells *Rolling Stone Philippines*. “We never wanted to box ourselves by calling city pop a sort of genre or a set of textures that are a closed box.” The band cites a ton of influences, such as [Michael Jackson](https://rollingstonephilippines.com/tag/michael-jackson/ "Michael Jackson"), Casiopea drummer Akira Jimbo, and virtuoso guitarist Masayoshi Takanaka, all of whom they choose to learn from in spirit as they continue to improve. Back during the recording of the debut album in 2023, Ligot would constantly remind himself of how much skill they still lacked, or in his own words, “nababanoan.” “All we just wanted to do was — given this newfound skill and newfound appreciation — gusto namin gumawa ng ganitong music,” Ligot says. “And this is what *After Ours* ended up being. Parang that musical growth nga, that maturity in sound, ‘yun ‘yung naging ending.” Mababangloob observed the technicality of city pop players throughout the decades. He thought the technical side of their showmanship was unmatched. The band applied that mindset during the songwriting process of After Ours, turning the genre’s constraints into a tangible advantage by choosing to record everything live in the same room. Ligot practiced his vocals day in and day out to become better and meet the expectations that came with a sophomore release. “Coming off from *Definitely Love*, the vocals were very manageable,” Ligot says. “This one, it was really challenging because of the syllabication and everything. There’s really no time to breathe during those moments. But like I said, it’s time to get good.” ## ALYSON: City Pop Beyond the Formula ![ALYSON](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Alyson-band.webp) ALYSON believes city pop is in good hands as long as artists continue pushing beyond its familiar sensibilities. Photo courtesy of ALYSO In the genre that is city pop, the band would rather approach the sound as a way to improve instead of boxing themselves into the confines of a genre. Mababangloob points out that not everyone in the Japanese city pop scene at the time even referred to it as such. “\[Bands at the time\] were just pulling from so many different places because they listened to so much music and then they recontextualized it into something that they understand,” Mababangloob says. “And this was very, very prominent in the Showa era, the ‘70s to ‘80s. Japanese pop music scene, where they got a hold of the likes of Michael Jackson and Toto, and then they really turned it into their own thing. That’s also true in terms of Manila Sound, where we were taking what we got from the West and making it our own thing.” Ligot’s hope for ALYSON and the new album moving forward is a greater awareness that once a genre reaches its apex, it also has the chance to evolve, not just as a trend but as a sound that people continue to innovate on. However, the band acknowledges that city pop already carries a novel concept from the outset. In return, Ligot and the rest of the band want to show audiences that on *After Ours*, the music has the potential to go beyond the genre description. “Once \[city pop\] becomes the thing that’s heard, whether it’s on stream or radio, it might evolve into something new instead of something of a novelty,” Ligot says. “It comes down to the marketing of this sound in general. The way that it would really evolve is when people hear this genre for the first time, \[eventually\] they’ll have their own interpretations.” ## Recontextualizing City Pop ALYSON isn’t interested in becoming revivalists of a genre that reached its pinnacle in a bygone era of soft rock, ballads, and improvisation. Somehow, they make the formula work through their continued skill-building and development as musicians. “We’re not doing one-of-one recreations. We’re never interested in sounding like a carbon copy of Masayoshi or Katsuri Yamashita or all of that,” Mababangloob says. “We kind of just knew that we wanted the best pieces of that and turned it into something that in our own urban context.” After the release of *After Ours*, the band remains hopeful about how Filipino musicians will carry the genre to new heights. Whether through a different songwriting style, a synth line, or their own twist on the sound, ALYSON believes city pop is in good hands as long as artists continue pushing beyond its familiar sensibilities. “Given the right amount of listens, the right amount of exposure to the genre, somebody, whether it be us or an artist in the future, somebody will redefine what this sound is and what it can be,” Mababangloob says. ## Frequently Asked Questions ### Who is in the band ALYSON? The band ALYSON consists of vocalist Pio Ligot, drummer and producer Marcus Mababangloob, bassist Miguel Erfe, lead guitarist Luis Uy, and keyboardist Easel Manes. ### What is the title of ALYSON’s latest album? The album title of ALYSON’s latest release is *After Ours*. ### What type of music the band ALYSON plays? The type of music genre ALYSON is performing is called “city pop,” a music genre that originated from Japan. ### What record label is ALYSON signed under? The record label ALYSON is signed under is Offshore Music. ### What are ALYSON’s major musical influences as a band? ALYSON’s major musical influences span from singer Michael Jackson, Casiopea’s drummer Akira Jimbo, and guitarist Masayoshi Takanaka. Related Stories - [Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’](https://rollingstonephilippines.com/music/singer-songwriter-barbie-almalbis-myth-of-rakista-rolling-stone-interview/ "Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’") - [10 Albums from 2016 That Aged Better Than Anyone Expected](https://rollingstonephilippines.com/music/2016-albums-retrospective/ "10 Albums from 2016 That Aged Better Than Anyone Expected") - [18 Filipino Dance Tracks That Capture the Spirit of Queerness](https://rollingstonephilippines.com/editors-picks/lists/18-queer-filipino-dance-tracks/ "18 Filipino Dance Tracks That Capture the Spirit of Queerness") **Categories:** Features, Indie, Music **Tags:** ALYSON --- ### [Macklemore’s 5 Best Songs Go From Thrift Shops to Protest Anthems](https://rollingstonephilippines.com/music/hiphop-rnb/macklemore-5-best-songs-thrift-shops-protest-anthems/) **Published:** September 16, 2026 **Author:** Elijah Pareño **Excerpt:** These tracks run from pop-rap staples and nostalgic collaborations to an unruly glam-rock fusion and a pointed protest song **Content:** Last September 4 and 5 at MetLife Stadium in New Jersey, rapper [Macklemore](https://rollingstonephilippines.com/tag/macklemore/) addressed the genocide live on stage, and it led to him being removed from [Ed Sheeran](https://rollingstonephilippines.com/tag/ed-sheeran/)’s The Loop North American Tour. Robert Kraft, the owner of football team the New England Patriots and Gillette Stadium, demanded that he be removed from the tour. Shortly after Macklemore’s removal, other openers followed suit in support of the pro-Palestine struggle, with artists such as [Finneas](https://rollingstonephilippines.com/tag/finneas/), [Lukas Graham](https://rollingstonephilippines.com/tag/lukas-graham/), Aaron Rowe, and Sheeran’s backing band Beoga also leaving the tour. What better time to give him all the support he needs for his awareness and activism towards the Palestinian people during the ongoing genocide? Macklemore’s impact in [pop music](https://rollingstonephilippines.com/music/pop/) and politics has become stronger than ever. Throughout his more than a decade-long career as one of hip-hop’s most outspoken rappers to date, here are the five essential Macklemore songs. ## Can’t Hold Us (ft. Ray Dalton) One of the biggest highlights from 2012’s *The Heist*, “Can’t Hold Us” holds its place as one of Macklemore’s best for its stadium-sized choruses and epic gospel-influenced hook. The song opens with the iconic “It’s the return of the Mack,” establishing the dominance Macklemore, Ryan Lewis, and Ray Dalton had on the pop culture sphere ever since the early 2010s. The real glue that holds this single together is the rapper’s tongue-twister verses and Dalton’s vocal runs that ultimately became his breakthrough track as a solo artist as well. “Can’t Hold Us” stands as one of Macklemore’s unbeatable hits. ## Thrift Shop Close friends and collaborators Macklemore and Ryan Lewis wouldn’t have reached the top of the pop-rap mountain without “Thrift Shop.” The 2012 Grammy Award-winning breakthrough single for both artists called for a homage to everyone’s favorite pastime: rummaging through second-hand trinkets and “wearing your granddad’s clothes.” The Wanz-assisted chorus singing about being “fucking awesome” is still 14 years later. ## Good Old Days (ft. Kesha) In the calmer and more intimate cuts from his discography, Macklemore invites electropop artist Kesha for “Good Old Days.” Showcasing his more honest and retrospective side, one of the biggest highlights was Kesha’s strong vocals and the string section that builds throughout the song. “You’ll miss the magic of those good old days,” Kesha sings in a more compelling delivery about how growing up is inevitable. This song in particular is one of Macklemore’s more successful collaborations; effective in terms of exchanging hooks and verses seamlessly. ## Downtown (ft. Melle Mel, Grandmaster Caz, Kool Moe Dee, Eric Nally) In 2016’s *This Unruly Mess I’ve Made*, one of the album’s biggest hits is “Downtown,” an unhinged glam rock, classic hip-hop, and big band fusion of a chaotic mess. What starts as a basic piano rhythm with Macklemore playing around with syllables about becoming cool, while Grandmaster and the Furious Five’s Melle Mel, Grandmaster Caz, and Kool Moe Dee finesse their way with their harmonious rap delivery, in comes Eric Nally’s Freddie Mercury yelps that skyrocket the track’s energy to an 11. “Downtown” is a ridiculous mixture of genre styles that works so well together. ## Hind’s Hall Macklemore’s “Hind’s Hall” was inspired by the Columbia University pro-Palestine protests back in 2024. Here, Macklemore raps about the ongoing genocide happening in Gaza, where multiple civilians have been targeted by the Israeli Defense Forces. While this song lacks a chorus, the message is what matters, and it has become more powerful than Macklemore’s previous releases. If anything, the message is already clear when Macklemore pays homage to N.W.A. in the first verse with “When I was seven, I learned a lesson from Cube and Eazy-E/ What was it again? Oh yeah, fuck the police.” ## Frequently Asked Questions ### Who is Macklemore? Macklemore is a rapper who broke through in the mainstream with the release of their debut album *The Heist* alongside producer Ryan Lewis. ### When did Macklemore and Ryan Lewis’ *The Heist* come out? Macklemore and Ryan Lewis’ *The Heist* was released in 2012. ### What Grammy award did Macklemore win for “Thrift Shop”? Macklemore won the Grammy for Best Rap Song for “Thrift Shop” in 2014. ### Who are the guest artists in Macklemore’s “Downtown”? Macklemore’s “Downtown” features Melle Mel, Grandmaster Caz, and Kool Moe Dee of Grandmaster and the Furious Five, along with Eric Nally. ### What is “Hind’s Hall” inspired by? Macklemore’s “Hind’s Hall” was inspired by the Columbia University pro-Palestine protests in 2024, addressing the ongoing genocide in Gaza. Related Stories - [All of Ed Sheeran’s Openers Abandon Tour After Macklemore Debacle](https://rollingstonephilippines.com/music/pop/finneas-lukas-graham-leave-ed-sheeran-tour-macklemore/ "All of Ed Sheeran’s Openers Abandon Tour After Macklemore Debacle") - [Filipino Artists and Activists Show Up for Palestine in Viva Palestina Concert](https://rollingstonephilippines.com/state-of-affairs/viva-palestina-ph-artists-palestine/ "Filipino Artists and Activists Show Up for Palestine in Viva Palestina Concert") - [Macklemore’s Ed Sheeran Tour Exit Draws Support From Fellow Artists](https://rollingstonephilippines.com/music/hiphop-rnb/macklemore-ed-sheeran-tour-artists-speaking-up/ "Macklemore’s Ed Sheeran Tour Exit Draws Support From Fellow Artists") **Categories:** Hip-hop/R&B, Lists, Music **Tags:** Macklemore --- ### [‘Forgotten Island’ is One of the Decade’s Best Animated Films So Far](https://rollingstonephilippines.com/culture/reviews/forgotten-island-review-liza-soberano/) **Published:** September 21, 2026 **Author:** Pie Gonzaga **Excerpt:** Vibrant, entertaining, and sometimes poignant, the Liza Soberano-starrer is a near-perfect masterpiece **Content:** DreamWorks Animation’s newest movie, starring [H.E.R.](https://rollingstonephilippines.com/tag/h-e-r/) and [Liza Soberano](https://rollingstonephilippines.com/tag/liza-soberano/), deserves all the hype it’s received — and more. After receiving [early praise](https://rollingstonephilippines.com/culture/film/forgotten-island-annecy-cinemacon/) from critics at CinemaCon and the Annecy International Animation Film Festival this year, *[Forgotten Island](https://rollingstonephilippines.com/tag/forgotten-island/)* is now poised to move audiences in the U.S., the Philippines, and the world over. Written and directed by *Puss in Boots: The Last Wish* makers Joel Crawford and Januel Mercado, the story centers on childhood friends Jo (H.E.R.) and Raissa (Soberano). The girls have just graduated high school, and while Jo struggles to make something of herself, Raissa has been admitted to the California Institute of Technology. With their friendship hanging in the balance, the Type A-Type B duo find themselves transported to Nakali, or the titular Forgotten Island. When they wake up, they soon learn that they’ve already spent 12 hours on the island, getting tattoos, shaving their heads, and wreaking havoc on the island’s inhabitants, but have forgotten all about it. As they retrace their steps (*The Hangover*-style) and try to make their way back to their world in time for Raissa’s flight, they encounter the were-aspin Raww (Dave Franco), a batibat aptly named Batiba (Jenny Slate), and a vengeful Manananggal ([Lea Salonga](https://rollingstonephilippines.com/tag/lea-salonga/)). Other creatures on the island include a tiyanak named Bungi ([Manny Jacinto](https://rollingstonephilippines.com/tag/manny-jacinto/)), the merfolk prince Mermahn (Kevin McCann), Truffle Wuffle (Ronny Chieng) and his cute, gigil-inducing duwende army, and a kapre named Datu ([Jo Koy](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/jo-koy/)). ![lea salonga in forgotten island](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/lea-salonga-as-manananggal.webp) Lea Salonga’s Manananggal is unlike any other manananggal we’ve seen before. Photo courtesy of Universal Pictures ## A Masterclass in Animation and Storytelling When *[Spider-Man: Into the Spider-Verse](Spider-Man:%20Into%20the%20Spider-Verse)* came out in 2018, many lauded its use of mixed animation styles. You’d think that eight years and one *[KPop Demon Hunters](https://rollingstonephilippines.com/tag/kpop-demon-hunters/)* later, the method would have worn thin, but *Forgotten Island* makes yet another case for mixed animation as a dynamic storytelling tool. The animators also aren’t beholden to existing ideas of what a mythological creature should look like, and it makes for fantastical and memorable character design. The Manananggal, for example, is still terrifying to watch in chase scenes even though the gore of her dismemberment has been dialed down. Mermahn, on the other hand, looks like Handsome Squidward and wears sentient starfish pasties voiced by Nico Santos. Despite these strengths, I found the use of the Filipino language to be mildly distracting. Jacinto’s Bungi is so entertaining to watch that I could almost forget his name should be pronounced “bu-NGI” instead of “BUNG-gee.” Side characters, like Raissa’s parents (voiced by Mercado and *[The Pitt](https://rollingstonephilippines.com/tag/the-pitt/)*’s [Amielynn Abellera](https://rollingstonephilippines.com/tag/amielynn-abellera/)), all have what sounds more like a forced Filipino accent — so much so that it’s a relief to hear [Dolly de Leon](https://rollingstonephilippines.com/tag/dolly-de-leon/) as Lola Fatima, whose English is tinged with the inflections of a true native Filipino speaker. ![dolly de leon in forgotten island](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/dolly-de-leon-as-lola-fatima.webp) Dolly de Leon lends her voice to Jo’s endearing, Journey-belting grandmother, Lola Fatima. Photo courtesy of Universal Pictures Like any animated film made for children, there’s a lot to pick up from *Forgotten Island*. The themes of friendship and memory are clear-cut, but I wasn’t expecting such a deep dive into Jo’s fear of abandonment and struggle to find her purpose in the absence of loved ones. There’s also the agoraphobic Batiba, whose preference for stealing memories instead of making her own might resonate with a doomscrolling, anxious, and asocial generation. *Forgotten Island* has a lot to say about putting oneself out there to form relationships, even at risk of hurt and disappointment, and the film says it all very well. Aside from the lapses in the language department, the film does a great job of representing Filipino culture without being overly saccharine. We have yet to see if it will captivate audiences the way *Encanto* and *KPop Demon Hunters* have, both being films that sought to represent other cultures before a global viewership. But with its vibrant animation and a wildly entertaining and heartwarming story, *Forgotten Island* is something that Filipinos should be proud to call theirs. *Forgotten Island* arrives in Philippine cinemas on September 23. ## Frequently Asked Questions ### What other movies are Joel Crawford and Januel Mercado known for? Crawford and Mercado have both worked on several projects together since 2011’s *Kung Fu Panda 2*. They also worked on *The Croods: A New Age*, with Crawford as director and Mercado as head of story, and co-directed *Puss in Boots: The Last Wish*. ### How does *Forgotten Island* mix animation styles? *Forgotten Island* is primarily animated in 3D, while varying 2D animation styles are used to depict the memories of various characters. Old anime like *Dragon Ball Z* and *Sailor Moon* are cited as references for the 2D animation sequences. ### Who are in the cast of *Forgotten Island*? *Forgotten Island* stars H.E.R., Liza Soberano, Dave Franco, Manny Jacinto, Jenny Slate, Lea Salonga, Dolly de Leon, Jo Koy, Ronny Chieng, Kevin McCann, Amielynn Abellera, Januel Mercado, and Nico Santos. KATSEYE’s Sophia Laforteza, Harvey Guillén, and Wagner Moura also make voice cameos. ### Where and when does *Forgotten Island* take place? *Forgotten Island* is set in a province in the Philippines in the 1990s. It also takes place in the fictional Nakali, an island inhabited by mythical creatures. ### Where will *Forgotten Island* be distributed? *Forgotten Island*, an American production, is set for worldwide distribution by Universal Pictures. It will be released on September 23 in the Philippines. Related Stories - [‘Forgotten Island’ is Already Winning Critics at Festivals](https://rollingstonephilippines.com/culture/film/forgotten-island-annecy-cinemacon/ "‘Forgotten Island’ is Already Winning Critics at Festivals") - [‘Forgotten Island’ Has A Stacked Filipino Music All-Star Soundtrack](https://rollingstonephilippines.com/music/pop/forgotten-island-soundtrack-filipino-artists/ "‘Forgotten Island’ Has A Stacked Filipino Music All-Star Soundtrack") - [Jo Koy: ‘Before You Make Your Opinion, Get To Know A Motherfucker First’](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/jo-koy/ "Jo Koy: ‘Before You Make Your Opinion, Get To Know A Motherfucker First’") **Categories:** Culture, Film, Reviews **Tags:** Dolly de Leon, Forgotten Island, H.E.R., Lea Salonga, Liza Soberano --- ### [Franco Reyes Breaks Silence on Accident That Kept Him Offstage for More Than a Year](https://rollingstonephilippines.com/music/rock/franco-reyes-accident-kept-him-offstage/) **Published:** September 21, 2026 **Author:** Elijah Pareño **Excerpt:** The lead guitarist addressed his recovery, the rumors that he had died, and the accident that kept the band offstage for more than a year **Content:** On September 19, alternative rock band [Franco](https://rollingstonephilippines.com/tag/franco/) returned to the stage after more than a year of inactivity at the Teatrino Promenade in Greenhills. Frontman and lead guitarist [Franco Reyes](https://rollingstonephilippines.com/tag/franco-reyes/) explained why the band hadn’t performed since 2025. Reyes said he figured in a pedestrian accident in January 2025. > [View this post on Instagram](https://www.instagram.com/p/DdiNODGj3qO/?utm_source=ig_embed&utm_campaign=loading)[A post shared by FRANCO (@francomusicph)](https://www.instagram.com/p/DdiNODGj3qO/?utm_source=ig_embed&utm_campaign=loading) During the concert’s intermission, Reyes addressed the concerns and rumors surrounding his absence following the accident. He recounted how he was waiting for a tricycle to pass before he could cross the road when a motorcycle suddenly hit him. “My friends told me na tumilapon ako nang malayo and I hit the asphalt hard,” Reyes said as photos of him recovering in the hospital flashed onstage. “Nung pagtama \[ng motor sa ‘kin\], nag-blackout talaga ako. I am really lucky to be alive, man. It was scary because there were a lot of posts on Facebook and social media that said that I died. That was a really sad moment.” Franco’s last concert prior to the accident was their year-end show at The ‘70s Bistro back in December 2024. On January 8, 2025, the band announced on Facebook that Franco wouldn’t be able to perform at the Sinulog 2025. Currently, Reyes is still recovering from the accident’s impact on his wrist and ACL. Franco, who is known for hits like “Better Days,” “Castaway,” and “Songs for the Suspect,” is scheduled to play a second show due to high demand at the Teatrino Promenade on September 25. ## Frequently Asked Questions ### Who are the band members in Franco? Franco currently consists of Franco Reyes on lead vocals and guitar, Paul Cañada on guitar, Dave Delfin on bass, and Victor Guison on drums. ### Why hadn’t Franco performed in more than a year? Frontman and lead guitarist Franco Reyes was involved in an accident in January 2025. ### When did Franco return to the stage? Franco returned to the stage on September 19 at the Teatrino Promenade in Greenhills. ### When is Franco’s next show? Due to demand, Franco is scheduled to play a second show at the Teatrino Promenade on September 25. 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Bojam. The collaborators once again found themselves at the center of [P-pop](https://rollingstonephilippines.com/music/pop/) with BINI’s “Karera.” These days, del Rosario busies herself writing for the girl group [VVINK](https://rollingstonephilippines.com/tag/vvink/ "VVINK"). Together with de Belen as composer, she’s credited as vocal arranger for “Kailan Ka Aamin,” the group’s first pre-release from their upcoming full-length debut album. She’s also appeared alongside the quintet in the song “Di Ka Nag-iisa.” ![Nica Del Rosario](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Nica-2.webp) With Nica del Rosario’s growing experience, she remains attentive to the songwriting needs of artists. But as early as 2013, del Rosario was handpicked by the label [FlipMusic](https://rollingstonephilippines.com/tag/flipmusic/ "FlipMusic")’s CEO Jellica Mateo, who saw the need for more female songwriters and producers with her level of skill in crafting major pop records. She has since made a name for herself at FlipMusic, a label that has influenced countless producers and songwriters through films, soundtracks, albums, and jingles. The label’s releases range from teen comedies to some of today’s most recognizable pop songs, including the del Rosario-penned late-bloomer “Tala” by [Sarah Geronimo](https://rollingstonephilippines.com/tag/sarah-geronimo/ "Sarah Geronimo"). “I personally have a switch na ‘this is a jingle,’” she jokes. “I have to turn off the metaphors and the visual imagery.” ## FlipMusic: The Pop Lab Behind the Hits ![Nica Del Rosario](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Nica-1.webp) Looking ahead, del Rosario is curious about embracing Philippine pop culture using indigenous instruments. Inside the FlipMusic headquarters is a “wall of achievements” lined with CDs and DVDs from earlier eras, from Nadine Lustre’s Pop Girls days to Donnalyn Bartolome’s pre-vlogger years. It’s an altar to a genre the label helped shape. With her growing experience, she remains attentive to the songwriting needs of artists. “Artists are usually very particular with what they want \[in a song\],” del Rosario says. “But at the same time, they’re more particular with what they don’t want.” As the conversation went on, a highlight reel of FlipMusic’s body of work, both in the TV commercial world and the artist roster world, plays out. This is just a portion of the music that the label produces. Though she wouldn’t call the label a “song factory” that constantly churns out music. “I think people just think that we just make pop songs out of nowhere, and I’ve heard people calling FlipMusic a ‘song factory,’” she says. “There’s a lot of hard work behind both the production and the admin team and the publishing. So it’s a lot of moving pieces, and there are so many people involved in creating just one song.” While not everything gets to see the light of day, del Rosario says those wouldn’t go to waste completely. “I don’t try to hold on too tightly to the stuff I work on,” she says. “If something doesn’t work out, we always have this mentality that we can just always write another one. Our mind stays with us, our heart stays with us. If a song gets scrapped, we don’t think of it as a waste. We don’t think of it as a reflection on the quality of our work. Sometimes things just don’t work out, and at the end of the day, we can just always write more.” Looking ahead, del Rosario is curious about embracing Philippine pop culture using indigenous instruments. Working with girl group VVINK on the 2025 single “Baduy” has led her to appreciate grassroots genres like budots and experimenting with an instrument made by Filipinos for Filipinos. “It would be nice to see P-pop be more Pinoy,” she says. “More native instruments, more ‘Filipino-ness,’ because that’s something only we have.” *Read more stories about the people making P-pop possible in Rolling Stone Philippines Special P-pop Issue with SB19.* *Pre-order a copy from [sarisari.shopping](https://sarisari.shopping/collections/rolling-stone-philippines-collections/products/rolling-stone-philippines-special-issue-may-2026-sb19)*, or read the e-magazine now* [*here*](https://rollingstonephilippines.com/digital-access/)*.** ## Frequently Asked Questions ### Who is Nica Del Rosario? Nica Del Rosario is a singer-songwriter who became widely known for writing the song “Rosas.” ### What girl group Nica Del Rosario is currently writing for in FlipMusic? Nica Del Rosario has written a song for FlipMusic girl group VVINK. She has written “Kailan Ka Aamin?” ### What music label is Nica Del Rosario from? Nica Del Rosario is currently a songwriter for music label FlipMusic. ### Which BINI song did Nica Del Rosario co-wrote? Nica Del Rosario help co-wrote “Karera” and “Huwag Muna Tayong Umuwi” for BINI. ### Who was the singer who co-wrote “Tala” with Nica Del Rosario? The co-writer of “Tala” alongside Nica Del Rosario is Emmanuel Sambayan, also known as Alisson Shore. Related Stories - [VVINK Finds the Sweet Spot Between Girlhood and P-Pop Songwriting](https://rollingstonephilippines.com/music/pop/vvink-girlhood-and-second-chances/ "VVINK Finds the Sweet Spot Between Girlhood and P-Pop Songwriting") - [5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding](https://rollingstonephilippines.com/editors-picks/lists/5-moments-sb19-rewrote-p-pop-worldbuilding/ "5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding") - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") **Categories:** Editor's Picks, Features, Music, Pop **Tags:** FlipMusic, Nica del Rosario --- ### [Creative Director Miguel Alomajan Wants P-pop to Think Bigger](https://rollingstonephilippines.com/music/pop/miguel-alomajan-vxon-creative-director-p-pop/) **Published:** June 26, 2026 **Author:** Elijah Pareño **Excerpt:** The creative behind VXON’'s visual identity shares why taking risks matters as local pop continues to grow **Content:** The headquarters of the non-profit organization Communication Foundation of Asia in Sta. Mesa, Manila, was the last place I expected to meet [Miguel Alomajan](https://rollingstonephilippines.com/tag/miguel-alomajan/ "Miguel Alomajan"). On a humid weekday afternoon, students and creative professionals mingle in a red-brick building that houses several photo studios, all of which Alomajan describes as part of a living, breathing ecosystem. While looking for several appropriate locations and lighting setups for the shoot, Alomajan, who knows the complex’s every nook and cranny, scurries through different portal-like hallways, eventually finding a corner to shoot in. Scouting locations like this isn’t far from what he does for VXON, a five-member boy group under Corner Stone Entertainment. Alomajan became [VXON](https://rollingstonephilippines.com/tag/vxon/ "VXON")’s creative director in 2024. “‘Yung una kong naramdaman sa kanila is ‘yung heart nila, ‘yung passion when it comes to their craft. Hindi madaling magstay sa industry kung walang magtitiwala sa amin,” Alomajan tells *Rolling Stone Philippines*. “For us, kami ‘yung support system nila. Kasi mahihinaan sila ng loob kung ‘di kami malakas.” ## **VXON’s Visual Language: Risk, Reference, and Ambition** The boy group, which debuted in 2022, became known for songs like “KNT (Kanta ng Tanga)” and “SSP (Saksak sa Puso).” Flamboyance, both in their music videos and performance — most notably in the music video for “TABI TABI” — defines VXON’s approach to P-pop. Alomajan, a photographer by trade, became part of the team after the success of these hits, but has quickly influenced the group’s visual language in music videos like the aforementioned “TABI TABI,” which he admits is still quite rough given the limited production schedule at the time. Despite this, he’s still determined to throw VXON creative curveballs wherever possible, whether through subtle references to classical paintings in the group’s styling, or by integrating obscure [pop culture](https://rollingstonephilippines.com/music/pop/) elements he’s picked up on Pinterest in productions. But in everything he does, he’s guided by his insights from studying the creative industries of East Asian industry titans like China and South Korea. He draws inspiration from the scale and ambition of these nations’ “studio cities” like Guangzhou. ![Miguel Alomajan](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Miguel-Alomajan.webp) Fortunately for VXON and Alomajan, P-pop has become more established, with homegrown talents moving beyond the template set by its pioneering neighbors in the region. “We always move in excellence. When you have full trust with your team and the boys, parang everything follows,” he says. “Kailangan mong galingan e. Kahit limited ang budget, ‘Let’s do this excellently. Ito tayo e. Ito ‘yung puso natin. Ito ‘yung passion natin. So dito mo mararamdaman ‘yung fire na gusto namin ‘yung ginagawa namin.” Alomajan recalls a time when P-pop wasn’t as big an industry as it is now, when exploratory travels like the ones he did in South Korea were once seen as attempts at plagiarism. “\[Agencies\] didn’t want to take risks in P-pop \[at the time\]. Parang sinasabi nila na ‘Ah, it’s an imitation of K-pop’ o ‘Bakit natin gagayahin?’” Fortunately for VXON and Alomajan, P-pop has become more established, with homegrown talents moving beyond the template set by its pioneering neighbors in the region. Alomajan and I walk around the building, taking in its scale and potential as a future creative hub, which may just be a fraction of China or South Korea’s more realized industries, but is nonetheless a promising start. Even with milestones like VXON’s sold-out KALAWAKAN concert last February, he sees it as just the beginning. “Every P-pop group has its own creative ways in promoting and branding, and it’s very progressive,” he says. “Nakikita mo na kumikilos talaga lahat sila. When you say P-pop, K-pop — lahat ng pop — kailangan creative ka lagi. Dapat malaro ka. Hindi ka matatakot na baka hindi ito ‘yung branding. You can do everything. Parang sky’s the limit for the concept.” ## Frequently Asked Questions ### Who is VXON’s creative director? The creative director of VXON is Miguel Alomajan. He has worked with VXON since 2024. ### What music video did Miguel Alomajan work on for VXON? Miguel Alomajan has worked with VXON’s “TABI TABI” music video. According to Alomajan, the production team has worked with a tight schedule. ### What is the title of VXON’s first-ever sold-out solo concert? The title of VXON’s sold-out concert is KALAWAKAN. It was held at the SM Skydome last February. ### Where did Miguel Alomajan travel to get inspiration for his creative ideas? Miguel Alomajan has traveled to cities in China and South Korea for inspiration. 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We break down five iconic moments that pushed the genre to new heights **Content:** Pioneering P-Pop group [SB19](https://rollingstonephilippines.com/tag/sb19/ "SB19") doesn’t just make music. They engineer the worlds they inhabit. Watch any of their music videos and you’re not simply hearing a song, you’re stepping into a realm where choreography becomes myth, costumes double as armor, and every frame reads like a statement for P-Pop’s creative sovereignty. This is a group that dances on rubble in one video and struts through gilded caves in the next, all while threading a narrative so potent that their discography now functions like a serialized epic. Stell, Pablo, [Justin](https://rollingstonephilippines.com/tag/justin/ "justin"), Josh and Felip – names that once read like tags on a classroom whiteboard – have become cultural pillars of a scene they helped build. Their latest EP *Simula at Wakas* doesn’t just close a trilogy that began with 2021’s *Pagsibol* and 2023’s *PAGTATAG!* – it makes a bold case that [P-Pop](https://rollingstonephilippines.com/music/pop/) doesn’t need to borrow from K-pop. It can outdream it entirely. SB19’s genius doesn’t lie solely in their precision, and their choreographic formations make the best out of both worlds.Each music video plays like a chapter in a visual novel where the fate of their universe hangs in the balance. Whether they’re rallying an army in a sandstorm or marching the streets of Manila, SB19’s ambition shines in a landscape where P-Pop is still grappling with its identity vis-a-vis its counterpart in South Korea. Many acts mimic trends, polish aesthetics and chase virality. SB19 digs trenches. Their videos support the music but also expand it. Filipino pop, they argue, can be just as immersive as BTS’ Bangtan Universe or the cinematic sprawl of *Dune* – only with more jeepneys, basketball courts and kwek-kwek stalls. To understand how SB19 rewired the genre, you have to start from the top. ## Humble Beginnings Before they became icons, they were underdogs, literally dancing on a rooftop. The video for “Go Up,” shot on a barebones urban terrace, wasn’t flashy. It was defiant. No money for CGI? Fine. SB19 turned a concrete slab into a stage for revolution, their footwork broadcasting urgency with every synchronized stomp. The styling leaned into K-pop’s early-2010s playbook: split-dye hair, bubblegum color palettes, clean visuals. But beneath the gloss was grit. The choreography was all sharp angles and barely restrained intensity. When Pablo and Felip traded verses like sparring fighters, or Stell nailed a whistle note mid-spin, it was all attitude from the very beginning for the group in “Go Up.” This wasn’t about imitation. It was about domination, and doing it their own way. It was a shot fired in a quiet war to reclaim cultural ground. ## Sandstorm Sovereignty If “Go Up” was the prophecy, “What?” was the explosion. Dropped during the uncertainty of 2021, when the live music industry was frozen and P-Pop was still finding its footing, “What?” arrived like a grenade in slow motion. Gone were the pastel hues, in came a scorched palette of earth tones and battle gear, with tension from each dance break baked into every frame. Josh ripped off his gold chains and polo in the bridge – a literal shedding of manufactured idol expectations. Stell delivered vocals atop a barn like a desert preacher, channeling a Filipinized *Mad Max* with its tropical backdrop. Pablo’s rap verses came paired with steady, deliberate camera cuts. Justin gazed outward, as if peering beyond the genre’s current constraints. But it was the sand dune sequence that sealed it. Backed by a battalion of dancers, SB19 marched in formation like a P-Pop phalanx. Dust rose with every step. The signal was clear for the boy group, they learned how to weaponize a genre to the brim. Where other groups dialed back visuals due to pandemic restrictions, SB19 went maximalist. The group built an entire cinematic universe from desolation and dared their peers to catch up. ## Gold Mine Dance Floor By 2023, the P-Pop landscape had become a battlefield. BGYO went orchestral with “The Light,” BINI shimmered in coastal colors with “Pantropiko,” and Alamat fused folklore with futurism. SB19’s answer? “Gento,” a full-throttle spectacle set in a subterranean world of industrial excess and unapologetic swagger. The concept was wild: five men as gold-mining demigods, dancing amid excavators and glowing veins of wealth. But it worked. SB19 didn’t just flex, they layered meaning into every scene. Josh played a caricature of a “rich rapper,” lounging on cash piles with cartoonish smugness. Stell beamed from a mirror like a glittering saint in a thrift-shop chapel. It was gaudy, hilarious, and brutally self-aware. Still, behind the humor was razor-sharp execution. The choreography in the echoing caverns felt like a bank heist set to an 808. Felip’s shovel solo? Absurd and brilliant. Every choice — whether it would be the costume, color, or movement — was calculated chaos. “Gento” proved that SB19 could walk the tightrope between satire and spectacle without falling. The song cracked charts, spawned memes, and became a touchstone for how far P-Pop had come. ## Tree of Life In “DAM,” released last March, the tree of life finally begins to bear fruit but not before SB19 reclaims the soil it grew from. Set in an imagined realm pulled straight from a *The Lord of the Rings* prologue, the group steps into their most mythic roles yet. The video marks a shift in both sonic and visual identity. Each member appears more distinct than ever, not just in sound but in presence. Felip transforms into a dark-cloaked sentinel, all sharp nails and sharper intent. Justin emerges as a seer, bearing the quiet intensity of someone who’s seen the end before it arrives. Still, “DAM” isn’t a farewell. As SB19 made clear to fans, this isn’t about closure. It’s a signal flare. A warning. Rebirth. The glowing tree doesn’t mark the end of their journey; it’s a sign that they’ve only just begun to chart new ground. And whatever comes next, it’s growing from roots they planted themselves. ## Hometurf Then came “DUNGKA,” and SB19 traded opulence for street cred. The video, filmed in Metro Manila, wasn’t sleek or sanitized. It was alive. It throbbed with chaos, with sidestreets lit like club alleys and basketball courts dressed as battlegrounds. The group faced off against a literal giant: an oversized threat lurking in the barangay, maybe a metaphor for gatekeepers or colonial mentality. They let the allegory speak. What they do make clear is their allegiance to the community. Josh dyed his hair red. Felip went platinum blonde. The rest walked the streets with a casual alertness that said they belonged. And they brought friends. Fliptop legends Shehyee and Smugglaz appeared to remind the audience of Pinoy hip-hop’s battle-hardened roots. Vice Ganda popped in with camp and confidence. Cosplayer Alodia, internet personalities like Malupiton, Sassa Gurl and Mimiyuuuh each added a layer to the message. This wasn’t a fantasy world. It was the Philippines, reimagined. The final image shows SB19 in front of a wall of stacked boomboxes felt like a barricade made from sound. Loud. Proud. Immovable. Related Stories - [P-Pop Trio G22 Puts Up a Fight With ‘Pa-Pa-Pa-Palaban’](https://rollingstonephilippines.com/music/p-pop-trio-g22-puts-up-a-fight-with-pa-pa-pa-palaban/ "P-Pop Trio G22 Puts Up a Fight With ‘Pa-Pa-Pa-Palaban’") - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") **Categories:** Lists, Music **Tags:** SB19 --- ### [Artist Silke Lapina Blurs the Lines Between Scripture and Pop Music](https://rollingstonephilippines.com/culture/art/artist-silke-lapina-scripture-and-pop-music/) **Published:** March 28, 2025 **Author:** Zofiya Acosta **Excerpt:** At her exhibition, “Bakit Pa,” the German-Filipino artist renews her baptism on an artificial river that runs in the middle of a cathedral-like space as a choir sings Jessa Zaragoza’s enduring ballad of the same name **Content:** One Saturday afternoon, inside the Edoweird Gallery in Katipunan, the German-Filipino artist Silke Lapina stood above a shallow strip of water. She was barefoot, wearing a black suit, and in front of her was Father Joseph San Jose of Metropolitan Community Church Open Table in a rainbow stole. A soft purple neon light bathed the room. Solemn harmonies from the UP Singing Ambassadors filled the air, an a cappella rendition of Jessa Zaragoza’s “Bakit Pa” echoed through the gallery like a sacred chant. “Silke, is it your genuine and personal desire to renew and re-affirm your baptism today?” the pastor asked. “Yes, I do,” she replied. “We begin by reconfirming your baptismal vows through a series of questions. Do you reject Satan and all that is evil and the works of evil (whether Satan is symbolic or an entity or both) including homophobia, transphobia, intolerance, prejudice, intolerance, and abuse, and all forms of harm, hatred, violence, and exploitation that destroy both human life and dignity, and destroy all of God’s creation?” “Yes, I do,” she answered. It was a scene that blurred the lines between sincerity and performance, the holy and the everyday. ## Through the Fire A month before, I sat with Lapina at the Airbnb she fashioned into her studio. She just came from an exhibition in Thailand and was knee-deep in preparing for “Bakit Pa,” her first solo show in the Philippines. All around the room were her mirrors personally hand-engraved with text in the style of medieval script. ![Artist Silke Lapina renewal of baptism father joseph san jose of mcc open table](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/03/silke-lapina-bakit-pa-edoweird.webp) Artist Silke Lapina before MCC Open Table Church Pastor Joseph San Jose “I’ve been doing this engraving work for a few years now, forging profane text but also sacred text,” she said. “Some of the texts, they’re kind of bastos even though they’re from the Bible, and some of the quotes that look like they’re from a prayer, they’re from a [pop song](https://rollingstonephilippines.com/music/pop/).” She’d put them next to each other and it’d get people to start asking, “What’s sacred? What’s everyday life?” She pointed to one that says “nakatago na, nababasa pa.” It’s a riddle that she found intriguing. “It’s kind of spicy. You’re hiding, and you’re wet,” she laughed. Another mirror simply says “23,” which is both a magic number and a reference to [Eraserheads](https://rollingstonephilippines.com/tag/eraserheads/ "Eraserheads") frontman [Ely Buendia](https://rollingstonephilippines.com/tag/ely-buendia/ "Ely Buendia")’s favorite Bible passage, Psalms 23. “Find God in everything. You don’t need to go to church.” Silke Lapina quoting Meister Eckhart Lapina’s work is deeply informed by spirituality, and she considers herself to be deeply spiritual. She meditates every day and regularly visits a Carmelite monastery. For her anthropology thesis as an undergraduate, she studied a Pentecostal migrant Filipino church in Vienna. She’s Christian, but she’s also a critical person. She’s quick to say that there isn’t only one truth. Her father was a German Freemason and her mother is a Filipino Roman Catholic, and it was important for her father that Lapina had a choice in what she believed in. He passed away when she was 14 and that loss led her to question a lot of things, explore different beliefs, and go on a spiritual journey. In Berlin, while studying at Humboldt University’s theological faculty for her master’s degree in religion and culture, she encountered the works of medieval mystic Meister Eckhart. “Find God in everything. You don’t need to go to church,” she explained, quoting Eckhart. “That was quite a spicy thing to say at the time,” she said. But really, it was about being present. “Try to really open up, really be present, and that’s it. You’ll experience some sacredness in your life today.” ![artist silke lapina](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/03/SILKE-LAPINA-RSPH-intext1.webp) That became foundational to her artistic practice. Her works dance around the interplay of the sacred and profane, finding spirituality in everyday life. This is why she quotes both scripture and pop culture and why she believes pop songs can be prayer. “What is a prayer, really?” she asked, noting how Nina’s cover of “Through The Fire” can be one if it’s sung with all of one’s heart. “Let a pop song be a prayer.” As such, her artistic practice is a spiritual and meditative process; it’s akin to how medieval monks copy religious manuscripts to show their devotion to God. Erwin Romulo, who curated “Bakit Pa,” pointed out that it would be infinitely easier for Lapina to laser-cut text instead of hand-engraving them. “But that’s not the point,” he said. “She has to physically do it herself, painstakingly.” ## All at Once Finding God in everything is deeply reminiscent of animism, said Carl Cervantes, a researcher on Filipino indigenous psychology and spirituality, and one of Lapina’s collaborators for “Bakit Pa.” “Animism is really just finding the spirit in everything that non-human life is also valuable, and we see this in Western philosophy. It’s also the deep ecology movement, which is more nature-based, more towards caring for creatures that are not just human. The idea is that humans are not the most important, but are part of a larger system that we share.” ![erwin romulo silke lapina carl cervantes father joseph san jose](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/03/erwin-romulo-silke-lapina-carl-cervantes-father-joseph-san-jose.webp) Curator Erwin Romulo, Lapina, researcher Carl Cervantes, and Father San Jose during a Q&A after the renewal of baptism. In the Philippines, it is common to see indigenous rituals co-existing with Christian practices. Cervantes stressed that this is different from pure traditions blending together, or syncretism. “It’s about localization. Filipinos have always adapted foreign symbols — Christian, Chinese feng shui — into a deeply animist framework. Folk Catholicism is really Christianized animism. We use imagery to express an indigenous worldview. This has been true since the Spanish era when Filipinos turned Latin prayers into orasyon, a continuation of the pre-colonial practice of bulong or whispered prayers.” “It’s not about mixing traditions; it’s about expressing spiritual power in ways that feel authentic,” Cervantes concluded. It echoed something that Lapina had pointed out separately: “I find it so relieving here that people can embrace multiple beliefs at once. Many homes have altars for different faiths in the same room, and it’s just normal.” Of course, there is a darker side to it. “It’s all tied to colonialism — the attempt to preserve your actual beliefs within an oppressive system,” remarked Lapina. “I just had a weird feeling of coming to the Philippines and being all about progressive theology, then being exposed to all these belief systems,” Lapina shared. “It kind of makes me angry and it hurts me, but… I can’t verbalize it right now. I don’t know.” ![artist silke lapina](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/03/SILKE-LAPINA-RSPH-intext2.webp) ## The New and Old Walking through the “Bakit Pa” exhibit feels strange, yet familiar. “It’s really constructed like a chapel,” Romulo said. The light reflected from the mirrors is reminiscent of the stained glass windows of a church. The pieces are laid out like the stations of the cross. Hildegard von Bingen mixed with contemporary songs play in the background. “The main goal with every exhibition for me is to create a certain vibe,” Lapina said. “For this exhibition, I wanted to create a neo-cathedral vibe. You would enter and say, ‘Oh, okay, it’s kinda like a church.’ Not really; it’s modern, but you can feel the spirit in the room.” “What’s sacred? What’s everyday life?” Every corner of the exhibit has significance. The purple light emanating from the water shifts ever so slightly. In the Christian tradition, the color represents silence, transition, and repentance. Everything corresponds to something in the Catholic Church, Romulo said. “You have a name, you have an altar, and, of course, a cross.” The cross, which is a giant Greek cross, is the exhibit’s main centerpiece. Inscribed on it is a letter written by Lapina’s friend, Tim. “He wrote this love letter about his affair with a man,” Lapina said. “There’s so much desire in that text, but it’s a love letter, actually. But when I was reading it, I was like, Tim, this is like a prayer as well.” Part of it reads: ``` “There is no possession of you. Only the image, the moment, everything out of the sand of you that sits between my fingers, with every touch, every moment, every kiss. The light you burn cannot burn brightly enough. There is no satisfaction in infinite desire. And, I can only desire, desire, desire you, and your body, and your presence, and everything you have to say, and all that you are not. More and more, every time I see you, and even more when I do not see you. Even more when I do not see you. Even more and even more. It eats away at me, at me, at me like a hunger. A thirst that will never be sated. I could spend my life with you and could give you enough.” ``` ![artist silke lapina bakit pa exhibit edoweird](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/03/20250316_Edoweird_SilkeLapina_BakitPa_Repros1_24_OUTPUT-1.jpg) A look inside Lapina’s exhibit, “Bakit Pa.” Photo by Dix Buhay “Queer theology is one part of what Silke wants to highlight,” Romulo said. “It’s one of the contemporary heresies of our age development… We’re connecting old heretical thought with new heretical thought.” He continued: “There’s so many more things you can do with Christian belief, in thinking and traditions, than we’ve been led to believe.” ## A Real Ritual So, why the baptism renewal at the exhibit, and why with a queer church? “It’s personal and, at the same time, an artistic expression,” Lapina said, “but also a political statement.” When Lapina was young, maybe age three or four, her mother had her secretly baptized while on a holiday in the Philippines. Her father, who urged her religious autonomy, was against it. Still, her mother did it because “for her, if the kid is not baptized, then it means I’m not protected,” she said. And so, the baptism renewal is a more deliberate and conscious act of faith. “Baptized as an infant, she wanted to renew her Christian baptism more intentionally as a queer person bringing with her the depth of her own experiences, personal theological insights, and expressed fully in and with her art,” says Father Joseph San Jose. “I just had a weird feeling of coming to the Philippines and being all about progressive theology, then being exposed to all these belief systems. It kind of makes me angry and it hurts me, but… I can’t verbalize it.” Silke Lapina The MCC Open Table Church was also an intentional choice. She had already been working with progressive, queer-affirming religious communities in Berlin, so she wanted to find a similar one in Manila. “I think it’s important to advocate for that kind of community, even if it’s small,” she said. Lady Gaga and Adele often play during Communion at MCC Open Table, reinforcing the idea that God can speak through all forms of human expression. “For us, the Holy Spirit speaks through the songs of Lady Gaga, Adele, *Wicked*,” said Father San Jose. “Some people are both confused and touched by it. But theology tells us God is in everything.” ![artist silke lapina](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/03/SILKE-LAPINA-RSPH-intext.webp) Progressive churches have always emerged in response to injustice and oppression, said Father San Jose. “You can trace them throughout the history of Christianity. When the Roman Catholic Church became abusive and corrupt during the Middle Ages, reformers like Martin Luther, John Calvin, and Ulrich Zwingli challenged its authority, leading to the rise of Protestant churches and democratizing access to the Bible. The Philippine Independent Church, also known as the Aglipayan Church, was born out of the earliest labor movements in the Philippines and was deeply connected to the Katipunan and the Philippine Revolution. Black churches in America rose as a response to racial oppression and segregation. Liberation theology in Latin America emerged as a response to systemic injustices in the region.” This idea is deeply embedded in the faith itself. “Jesus was not only seen as a progressive but also as a blasphemer, and he was crucified for it,” Father San Jose pointed out. “His early followers — poor peasants, farmers, fisherfolk, and slaves — formed communities that eventually became the first churches.” With all that said, Father San Jose stressed that the baptism renewal was real and authentic. “I was clear with Silke that I will not do any ritual of renewing baptism if this is just ‘for show’ and artistic controversy. I am willing to officiate this in the truth and sincerity of what she told me as her reasons and motivations,” he said. “Of course, people are free to interpret it as they want,” he said later after the baptism. “But from the one who’s requesting it and from the ones who appreciate the ritual, we have to be clear why we are doing it.” He emphasized that rituals, while performative, are not performances. “The intention is not to entertain. The intention is not even to appeal to emotions. The object of the ritual is always God.” When I had broached the question, Lapina cheekily noted, “I also thought that it’s quite a dramatic outing. ‘Okay, girl. You really need a baptism in the gallery just to say you’re queer.’” Related Stories - [Holy Shirt! Chronicling The Philippines’ Love for Pope Francis Merch](https://rollingstonephilippines.com/culture/pope-francis-merch-philippines-cultural-phenomenon/ "Holy Shirt! Chronicling The Philippines’ Love for Pope Francis Merch") - [BAFTA-Winning ‘Conclave’ Mirrors Filipino Cardinal’s Vision for the Church](https://rollingstonephilippines.com/culture/film-tv/bafta-winning-conclave-filipino-cardinal-vision-catholic-church-pablo-virgilio-david/ "BAFTA-Winning ‘Conclave’ Mirrors Filipino Cardinal’s Vision for the Church") - [‘The Chosen’ is the Biggest Jesus Show You’ve Never Heard of](https://rollingstonephilippines.com/culture/film-tv/the-chosen-the-biggest-jesus-show-youve-never-heard-of/ "‘The Chosen’ is the Biggest Jesus Show You’ve Never Heard of") **Categories:** Art, Culture, Editor's Picks, Features **Tags:** Silke Lapina --- ### [ena mori Redefines Pop music in Her Own Image](https://rollingstonephilippines.com/music/ena-mori-redefines-pop-music-in-her-own-image/) **Published:** March 18, 2025 **Author:** Elijah Pareño **Excerpt:** In this excerpt from Rolling Stone Philippines’s maiden issue, ena mori talks about paving her own path in Filipino pop music **Content:** In between snaps at [ena mori](https://rollingstonephilippines.com/tag/ena-mori/ "ena mori")’s shoot, the soundtrack shifts like a mixtape on shuffle. Charli XCX’s *Brat* blasts through the speakers first, its chaotic energy filling the room. ena steps into the room, transformed with a new look. From a black dress and makeup inspired by vaudeville villains, she’s now draped in a white silken dress. Doechii’s *Alligator Bites Never Heal* soon plays, sending her into badass mode. She’s more alert with her set of poses and more animated. The shoot is a reflection of her own music and herself: playful, unpredictable, and impossible to pin down Based in Las Piñas, ena has been a decorated musician from the get-go; Her debut album *Don’t Blame the Wild Ones* won her the prestigious Album of the Year award at the 2023 Awit Awards and was listed in countless year-end lists detailing the genius of her songwriting. She’s also a renowned globe trotter for music festivals everywhere, from Clockenflap to South by Southwest, not to mention her own annual music festival, Ena Matsuri, highlighting the glitz and glamour of Shinjuku fashion. But this was only the beginning of her era. The 27-year-old Filipino-Japanese musician was classically trained at a young age, fiddling with the piano, which led her to discover the boundless possibilities of [pop music](https://rollingstonephilippines.com/music/pop/). Think Björk rediscovering trip-hop or Britney Spears reinventing herself with The Neptunes’ pop-rap-influenced bops. For ena, it’s electronica and art pop. Her approach to music has been nothing short of unconventional. Yet her sound’s accessibility has led to the definitive chic and childlike wonder of pop music that she’s become synonymous with. Though classically trained, ena prefers sounds that she couldn’t create with the instruments she plays, which includes everything digital. “Electronic music for me is limitless,” she says. “It’s a little bit scary. It’s daunting for some people, but it is definitely progressive… innovative. It’s the future of everything,” she says with a smile. ## Expanding pop horizons ![ena mori](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/03/Ena-inside3.jpg) “Pop should be something more than just what people can hear.” While ena acknowledges the universal appeal of pop music, she still thinks there’s room for daring ideas in pop, something she’s working toward with her music. “Whenever I’m making a new pop record, I try my best to twist something to make sure that it reaches different wavelengths. If we don’t, \[then\] we’re just repeating ourselves, and I get bored of that. Pop should be something more than just what people can hear.” Pop stardom often entails mass appeal and a command of media to burn your name, image, and sound in people’s minds. This, too, requires a willingness on the part of the artist to participate in a kind of hamster wheel of publicity to retain relevance. In this sense, ena couldn’t be any further from a typical pop star. For one, she’s not comfortable with being on screen. “I hate being on TV. I hate being on screen,” she says. “As much as my genre is pop, I resonate \[more\] with the underground kids and the weirdos — people like us. I feel much closer to and comfortable with these people rather than seeing myself on TV.” --- *Read the rest of the story in the first print issue of Rolling Stone Philippines*. *For more information, please visit*[ Sari.Sari.Shopping*](https://sarisari.shopping/collections/rolling-stone-philippines-collections/)*.* *Styling* **MJ BENITEZ** *Makeup* **DOROTHY MAMALIO** *Hair* **PATTY CRISTOBAL** *ena wears* **HA.MÜ Cloud Jacket** **Mich Dulce Bunny Hat** **Deliver Deliver Daily x Vania Romoff Bow Blazer** **Categories:** Features, Music **Tags:** ena mori, Maiden Issue --- ### [The ‘Emo Pop’ Songs That Raised a Generation of Filipino Outsiders](https://rollingstonephilippines.com/editors-picks/lists/5-essential-emo-pop-songs-for-filipino-fans/) **Published:** May 7, 2026 **Author:** Elijah Pareño **Excerpt:** A mix of diary-entry angst, pop hooks, and theatrical guitars helped these tracks outlive the scene itself **Content:** The Philippine concert scene is currently facing its own Mall Emo-chella for an entire week. With bands like post-hardcore legends [Saosin](https://rollingstonephilippines.com/tag/saosin/ "Saosin") recently visiting Cebu, granddaddies of the Midwest emo revival Algernon Cadwallader channeling Philadelphia basement show energy at Mow’s Bar in Quezon City, and Hawthorne Heights showing that Manila is the new Ohio is for lovers at Skydome in SM North EDSA all in the same evening, the magic of ‘mall emo’ remains a symptom of repressed feelings, too many nights watching MTV, and a combination of raw, diary-entry angst with high-production pop hooks that became the soundtrack for a generation of teenagers. The term ‘mall emo’ or [emo pop](https://rollingstonephilippines.com/tag/emo-pop/ "Emo Pop") derives from pop-oriented songwriting, cleaner production, and features more radio-friendly hooks and general accessibility in the 2000s compared to other styles of emo that came to prominence in the North American DIY scene in the late 90s. The spirit of emo pop still resonates strongly with a generation that has long since passed it, while another generation is still learning to be emotional by discovering these songs. Here are five of some of the essential emo [pop songs](https://rollingstonephilippines.com/music/pop/) you need to know. ## Taking Back Sunday, ‘MakeDamnSure’ There’s a reason [Taking Back Sunday](https://rollingstonephilippines.com/tag/taking-back-sunday/ "Taking Back Sunday")’s “MakeDamnSure” became one of the defining popular emo songs of the 2000s: it validated the slanted bangs and flannel polos aesthetic of its time. Vocalist Adam Lazzara’s microphone-swinging personality reached tenfold in mastering the art of whiny singing. The song practically spits every line like he’s cornering someone in a parking lot after midnight while the guitars swing wildly in all their glorious riffage. That push-and-pull made Taking Back Sunday stand out from the cleaner mall emo bands of the era. If they made a big splash with “Cute Without the E,” they made an even bigger one with this single in particular. Even the famous “I just wanna break you down so badly / Well, I trip over everything you say” line still fits the kind of dramatic desperation that made teenagers replay this song on burned CDs for years. ## Saosin, ‘Seven Years’ There’s no countdown when you play [Saosin](https://rollingstonephilippines.com/tag/saosin/ "Saosin")’s “Seven Years.” The song jumps right into the drum rolls, feeling like getting thrown headfirst into a wall of guitars and emotive vocals at the same time. The moment former vocalist Anthony Green opens the track with “Taking on seven years,” the song immediately sounds larger than life. Saosin separated themselves from other post-hardcore bands because they would rather cut through the chase and have you remember every lyric, word for word. Every part of “Seven Years” bleeds with yearning. It became a gateway song for kids discovering heavier music, especially after the track appeared on their 2003 debut EP, *Translating the Name*. ## Red Jumpsuit Apparatus, ‘Face Down’ A lot of popular emo songs at the time were vague about heartbreak and anger, often depicting a faceless figure ranting at a wall with no specificity, making the relatability feel less intentional. But [Red Jumpsuit Apparatus](https://rollingstonephilippines.com/tag/red-jumpsuit-apparatus/ "Red Jumpsuit Apparatus")‘ “Face Down” was another thing emo kids were willing to rip off after hearing it at an American Boulevard branch. Ronnie Winter wrote the song about domestic abuse, and that honesty is what made it hit harder than most radio rock songs from the time. Musically, it had everything mid-2000s emo fans wanted: calmer verses, explosive choruses, and enough theatricality — a specific element emo pop had that purer forms of emo didn’t — to make it feel massive on MTV. Underneath all of that, though, was a song genuinely furious at somebody hurting another person. That gave “Face Down” staying power beyond the scene itself, even as fans joked that the band were technically “honorary Filipinos” for how often they’ve played in the Philippines. ## Dashboard Confessional, ‘Vindicated’ [Dashboard Confessional](https://rollingstonephilippines.com/tag/dashboard-confessional/ "Dashboard Confessional")’s Chris Carrabba spent his entire career sounding painfully exposed, and “Vindicated” might be the clearest example in his catalog. Tied forever to the *Spider-Man 2* soundtrack, the song captured the feeling of somebody trying to justify every decision. Maybe Peter Parker just needed a reason to be more responsible for his emo thoughts. That emotional spiral then leads to Carrabba’s voice cracking, straining, and practically unraveling throughout the track, which made Dashboard Confessional stand out in an era when vulnerability started becoming a genre in itself. ## Paramore, ‘Decode’ The breakout single “Decode” turned [Paramore](https://rollingstonephilippines.com/tag/paramore/ "Paramore") from scene favorites into a household name in the mansion of mall emo. The song was part of the soundtrack for the first Twilight film, released in 2008. Hayley Williams and company used “Decode” to hone the darker side of their sound. The guitars garner a colder tone compared to their material at the time, while Williams outperforms her contemporaries with a soaring vocal performance. It proved Paramore could come from their humble beginnings in Warped Tour pop punk and skyrocket directly to much bigger stages. ## Frequently Asked Questions ### What is mall emo music? Mall emo refers to a 2000s emo pop subgenre featuring clean studio production, pop-oriented hooks, and mainstream radio accessibility compared to late-1990s North American DIY emo. ### Why was emo pop popular in the Philippines? Emo pop gained massive popularity among 2000s Filipino youth through MTV broadcasts, local concerts, and relatable themes of raw emotional angst, heartbreak, and teenage isolation. ### What is the main difference between emo pop and classic emo? Emo pop emphasizes structured melodies, accessible pop hooks, and polished production, whereas classic 1990s emo relied on unpolished DIY aesthetics, aggressive post-hardcore riffs, and underground distribution. ### Which song helped Paramore transition into mainstream success? Paramore achieved widespread mainstream prominence with “Decode,” a dark, soaring rock anthem featured on the official 2008 Twilight film soundtrack. ### Why is Red Jumpsuit Apparatus’ “Face Down” significant? Red Jumpsuit Apparatus’ “Face Down” stood out by tackling domestic abuse directly, combining theatrical 2000s rock chorus arrangements with explicit social commentary against violence. Related Stories - [10 Albums from 2016 That Aged Better Than Anyone Expected](https://rollingstonephilippines.com/music/2016-albums-retrospective/ "10 Albums from 2016 That Aged Better Than Anyone Expected") - [Morissette Wants You to Know She’s More Than a Biritera](https://rollingstonephilippines.com/editors-picks/features/morissette-ember-era-biritera/ "Morissette Wants You to Know She’s More Than a Biritera") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") **Categories:** Editor's Picks, Lists, Music, Rock **Tags:** Dashboard Confessional, Emo Pop, Paramore, Red Jumpsuit Apparatus, Saosin, Taking Back Sunday --- ### [What a Rock Show in Jollibee Says About the State of PH Gigs](https://rollingstonephilippines.com/music/rock-show-jollibee-state-of-philippine-gigs-venues/) **Published:** March 6, 2025 **Author:** Elijah Pareño **Excerpt:** With fewer venues available for live bands, one production group organizes gigs at fast-food chains, exploring what is possible for music spaces in the Philippines **Content:** Gab Garcia, a music production student in De La Salle-College of Saint Benilde, formed [ATLAST Productions ](https://rollingstonephilippines.com/tag/at-last-productions/ "At Last Productions")with a team of graphic designers, sound technicians, and marketing specialists. They are a small independent music production that helps small artists grow in Manila’s college rock scene. But one day, Garcia wanted to do something that would surprise people. He and his friends put up a rock show in Jollibee’s Vito Cruz branch last December 2024. The internet went into a frenzy, wanting first dibs on tickets for a show in an unlikely venue that’s known for its kids’ parties and iconic bee mascot. The lineup consisted of several key players from Manila’s electronic and alternative rock scenes such as hip-hop producer GNY, neo-psychedelia and electronic trio Ango, shoegaze band (e)motion engine, and experimental rapper Mister Meyers. The show immediately sold out. But the choice of venue was more than just for celebrating the organizer’s birthday. Garcia clarified that the Jollibee show wasn’t inspired by the infamous “What The Fuck is Up, Denny’s” video when a [hardcore punk ](https://rollingstonephilippines.com/music/punk/)band performed inside of a Denny’s in the United States. “We’re really pushing the boundaries of what a music show can be in our modern times,” Garcia says. ![At Last It's Jollibee](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/03/Untitled-design-12.jpg) Photo by Ellyza Cua Reflecting on the Jollibee gig, Garcia shares lessons he’s learned on mounting a show inside of a fast food chain. “We weren’t preparing for it to be a viral thing,” he says, “Not going to lie to you, I was very nervous to pull it off. I’m happy there were a lot of happy accidents and things I didn’t know \[were\] going to happen to make the show feel more raw and authentic.” Garcia also talks about their upcoming show this March 7, which will take place inside of a Shakey’s branch. “After Jollibee, I told myself that I didn’t want to do it again,” he says, “I learned \[from\] what went wrong in Jollibee and I want to amplify \[the experience\] even further.” Garcia mentions how people participated in the parlor games, which Garcia and his crew will bring back this March 7 with winners receiving Shakey’s Supercard giveaways. “This time around we went full on banda-banda. We’re allowing the whole moshing,” he says, “We’re allowing just a little bit of crazy because Shakey’s has a bar.” > [View this post on Instagram](https://www.instagram.com/p/DF9WjtGS3Jz/?utm_source=ig_embed&utm_campaign=loading)[A post shared by ATLAST PRODUCTIONS (@atlast.prod)](https://www.instagram.com/p/DF9WjtGS3Jz/?utm_source=ig_embed&utm_campaign=loading) Garcia shares that the virality of the Jollibee show was unprecedented. The criticism they faced was enough to make ATLAST Productions realize the underlying problems of venues accommodating bands of a certain sound and community. A regular gig goer shared the Jollibee poster on Facebook, outlining all the things he strongly disliked about the show. “You will need to buy food from the bar. I assume you can’t serve alcohol, limited time. Only hipsters will want this. Support your local bars and spaces instead. Dami nyo alam eh, lol.” “It really shows you the problem we have in the Philippines. There’s not a lot of places that would host band performances,” he says, “I would love it if other restaurants \[were\] open, but the truth is I’ve really asked a lot and four out of five would say no.” What began as a string of shows with friends inviting friends has grown into a community effort. “I wanted to bring out some of my favorite music acts from the college scene,” he says, “We just keep moving forward. I don’t want to do the same stuff over and over again. I want to keep learning more about new communities, learn more about new people, and where we could have shows in.” **Categories:** Features, Music **Tags:** At Last Productions --- ### [15 Portraits That Defined Rolling Stone Philippines in 2025](https://rollingstonephilippines.com/editors-picks/features/best-portraits-2025/) **Published:** December 10, 2025 **Author:** Nimu Muallam Mirano **Excerpt:** From vulnerable portraits of high-profile culture makers like Shanti Dope and Maris Racal to journalistic snapshots of the Trillion Peso March, here are the best photos to come out of Rolling Stone Philippines in 2025 **Content:** For our first year as *Rolling Stone Philippines*, we set out to spotlight the actors, musicians, artists, and creative workers who have undeniably left their mark on the country’s cultural scene. Accompanying these conversations are striking photographs that captured our subjects at their most authentic, vulnerable, and compelling. We paid tribute to the musicians who shaped the Philippines’ soundscape. Our portraits of [Dong Abay](https://rollingstonephilippines.com/music/dong-abay-politics-everyday-rage/), the “[Pinoy punk prophet](https://rollingstonephilippines.com/music/punk/),” captured the rage and moral certainty that helped him build up the local punk scene. The energy of [Morobeats’](https://rollingstonephilippines.com/music/hiphop-rnb/morobeats-rap-collective-filipino-anger/) with their individual personalities leaping off the frame. [Shanti Dope’s](https://rollingstonephilippines.com/music/news/shanti-dope-spirituality-rehab/) portraits pointed to a rarely seen side of the rapper, who spoke earnestly about fatherhood and his road to recovery during the shoot. Photos of [ena mori](https://rollingstonephilippines.com/music/ena-mori-redefines-pop-music-in-her-own-image/) were just as candid, showing the pop sensation playing with the boundaries of music and style. And, at the inaugural [Filipino Music Awards](https://rollingstonephilippines.com/radar/events/geloy-concepcion-filipino-music-awards-2025/) (FMAs), major acts such as SB19, Cup of Joe, and IV of Spades were caught on-camera, both onstage and behind the scenes. In the realm of Philippine cinema, we saw renowned actor [John Lloyd Cruz and National Artist Ricky Lee](https://rollingstonephilippines.com/culture/film-tv/ricky-lee-and-john-lloyd-cruz-in-conversation/) chat about the overlap between creativity and living. We captured filmmakers Lav Diaz, Khavn De La Cruz, and Roxlee coming together as their avante-garde band, [The Brockas](https://rollingstonephilippines.com/music/indie/the-brockas-lav-diaz-khavn-roxlee/). [Daniel Padilla](https://rollingstonephilippines.com/culture/daniel-padilla-mark-nicdao/) met with longtime collaborator Mark Nicdao for a photoshoot and conversation about stardom. [Maris Racal](https://rollingstonephilippines.com/culture/maris-racal-antoinette-jadaone-interview/) and Antoinette Jadaone sat down for a similar talk in their hotel room, where we saw them get ready for a screening of their award-winning drama, *Sunshine*. And we made our way onto the set of [*Quezon*](https://rollingstonephilippines.com/culture/philippine-cinema/quezon-heneral-luna-bayaniverse/), where we bore witness to Jericho Rosales taking on the sly, manipulative role of the titular president. We also captured some of the country’s most prolific artists in their creative spaces. [National Artist Kidlat Tahimik](https://rollingstonephilippines.com/culture/art/kidlat-tahimik-hall-of-fame-2025/) posed in and around Ili-Likha Artists’ Village. We photographed [Allan Balisi](https://rollingstonephilippines.com/culture/art/allan-balisi-art-speaks-volumes-without-ever-saying-a-word/) at his home and studio in Quezon City, and paid homage to some of his most iconic paintings. [Silke Lapina](https://rollingstonephilippines.com/culture/art/artist-silke-lapina-scripture-and-pop-music/), at her religion-focused exhibition *Bakit Pa* at the Edoweird Gallery, struck a pose in full priest attire. Similarly, we caught up with [Emily Abrera](https://rollingstonephilippines.com/culture/art/emily-abrera/), cultural advocate and former president of the Cultural Center of the Philippines, at her private residence. [World Bowling Champion Paeng Nepomuceno](https://rollingstonephilippines.com/culture/sports/paeng-nepomuceno-hall-of-fame-2025/)’s photoshoot took place in a bowling alley, where the acclaimed athlete knocked some pins and grabbed a slice of Magoo’s Pizza. Finally, we would be remiss to cap off our year in photos without honoring one of the most important events of 2025: the [Trillion Peso March](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/jilson-tiu-luneta-edsa-rallies/), which continues to fuel conversations about corruption, inequality, and social injustice across the country. ## John Lloyd Cruz and Ricky LEe *Photos by Joseph Pascual* ![JLC, Ricky Lee](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/JLC-RICKY-LEE-1.webp) Ricky Lee and John Lloyd Cruz, in conversation. ![JLC, Ricky Lee](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/JLC-RICKY-LEE-2.webp) The two spoke on the creative act as a way of being. In the inaugural issue of *Rolling Stone Philippines*, two of the biggestgreatest figures of Philippine cinema sat down for a chat: National Artist for Film and Broadcast Arts Ricky Lee and award-winning actor John Lloyd Cruz. For one afternoon, the two spoke on true selves, Cruz’s journey through the industry, and the creative act as a way of being. “My favorite thing about portraiture is that only half of the image comes from me,” said photographer Joseph Pascual, who led Cruz and Lee’s photoshoot. “The rest comes from my subjects, and the best work seems to happen after prepping like hell, then throwing it all away five minutes into the sitting. With Sir Ricky and JL this turned out, I think, just fine.” ## Daniel Padilla *Photos by Mark Nicdao* ![Daniel Padilla, Mark Nicdao](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/DANIEL-AND-MARK.webp) Daniel Padilla with Mark Nicdao. Despite having just spent the few days prior touring Negros Oriental with his *Incognito* castmates, Daniel Padilla was still more than happy to strike a pose, with longtime friend and collaborator Mark Nicdao behind the camera. “Alam ko rin na kaya gusto ka rin ng mga ibang artista,” Padilla told Nicdao, “mga ibang models kasi ganoon ka, bro, as a person. Gusto mong i-shoot ‘yong tao as real as possible.” ## Paeng Nepomuceno *Photos by JL Javier* ![Paeng Nepomuceno](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/PAENG-NEPOMUCENO.webp) Paeng Nepomuceno in his element. Rolling Stone Philippines Hall of Fame inductee Paeng Nepomuceno has more than earned his long list of accolades, which includes three Guinness World Records and six World Bowling Champion titles. “That shoot was a little intimidating,” said photographer JL Javier, who led Nepomuceno’s photoshoot. “Not because he’s scary, but because he’s just so iconic. He really carries himself with so much confidence.” “I was really nervous about this one layout where we made him sit on the floor, and we had him contort his body to have the bowling ball by his knees,” continued Javier. “I was worried about how that photo would turn out, but it turned out to be one of my favorite portraits.” ## Kidlat Tahimik *Photos by Joseph Pascual* ![Kidlat Tahimik](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/KIDLAT-TAHIMIK-1.webp) Kidlat Tahimik in the Ili-Likha Artists’ Village. In our Hall of Fame issue, National Artist for Film and Broadcast Arts Kidlat Tahimik sat down with writer Erwin Romulo to talk about his a myriad of things: his previous life as an economist, his subsequent pivot to filmmaking, and his act of purpose-finding, aided mainly by his wife, Katrin de Guia. “It sometimes takes work to transmit my intentions for a picture to a subject,” said Pascual, who snapped photos of Tahimik in and around his beloved Ili-Likha Artists’ Village. “\[But\] not with Kidlat. He seemed to understand why I wanted him to gobble a raindrop, or stand alongside invisible students with his graduation cap.” ## Shanti Dope *Photos by Joseph Pascual* ![Shanti Dope](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/SHANTI-DOPE-1.webp) Shanti Dope with his son. Shanti Dope’s rise to Philippine rap glory started in the mid-2010s, when the teenage prodigy put out hits like “Nadarang,” “Amatz,” and “City Girl.” Roughly a decade later, the Caviteño rapper’s work ethic has been informed by a pandemic, rehabilitation, and fatherhood. “Shanti’s son needed to be in the photo,” said Pascual. “The story about how parenthood finds you in any chapter or genre called for it. I’m glad we gave him what I hope to be a beautiful photo of a father and his son.” ## Morobeats *Photos by JL Javier* ![Morobeats](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/MOROBEATS.webp) Several of the members of Morobeats. Morobeats, the boom-bap rap collective from Mindanao, has had a socially charged year. The music video for their breakout political single, “Anak Ka ng Pu!,” released just in time for the Trillion Peso March earlier this September, became one of the most raw and urgent rap anthems of the year. Their track “Gubat na Siyudad,” which won Hip-Hop Song of the Year at the inaugural FMAs, details the struggles of urban survival. “It was such a joy to see the members be their colorful selves,” said Javier. “It was also my honor to make portraits of them that they seemed to really see themselves in and were very happy about. My favorite memory was going over the photos of the girls with them, and we were telling each other how ‘we ate that.’” ## Dong Abay *Photos by Joseph Pascual* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/DONG-ABAY-1.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/DONG-ABAY-2.webp) Dong Abay, or the “Pinoy punk prophet” as writer Aldus Santos describes him in his [profile](https://rollingstonephilippines.com/music/dong-abay-politics-everyday-rage/), has spent decades building the country’s punk scene. The co-founder of Yano and figurehead of Pan, dongabay, and D.A.M.O. (Dong Abay Music Organization) has channeled his defiance into sounds that resonate with equally frustrated Filipinos all across the country. “With Dong, I felt that righteous anger and absolute moral certainty \[that\] drove him,” said Pascual. “I wanted to center that energy somewhere visually grounded, shooting him like a religious figure, like a resting prophet.” ## Filipino Music Awards *Photos by Geloy Concepcion* ![SB19](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/GELOY-SB19-HEADER.webp) SB19 posing with five of their trophies of the night. ![Cup of Joe](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/10/7_L1001764.webp) Backstage with Cup of Joe. ![Lolita Carbon](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/10/24_L1001462.webp) Lolita Carbon and a singular grape. ![IV of Spades](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/10/2_L1001696.webp) IV of Spades has Christ on their side. The inaugural FMAs honored the very best in the Philippine music industry this year, granting honors to indie musicians and high-profile musical acts such as SB19, Cup of Joe, and IV of Spades. Acclaimed photographer Geloy Concepcion was there to capture the evening’s grand ceremony, performances, and important moments behind the scenes. “\[Sinubukan\] ko makuha ‘yong mga feeling na mahirap makunan ng iba,” said Concepcion of his behind-the-scenes photos of the inaugural event. “Parang ako lang ang nakakakita, at lahat sama-sama sa isang malaking party.” ## ena mori *Photos by Yel Dela Paz* ![ena mori](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/03/Ena-inside3.jpg) “Pop should be something more than just what people can hear.” ena mori, the Filipino-Japanese pop star behind the award-winning album *Don’t Blame the Wild Ones*, has always pushed the boundaries of what her chosen genre can do. “Whenever I’m making a new pop record, I try my best to twist something to make sure that it reaches different wavelengths,” she said. “If we don’t, \[then\] we’re just repeating ourselves, and I get bored of that. Pop should be something more than just what people can hear.” “I realized how big the world is and how surreal everything felt,” photographer Yel Dela Paz said when asked what stood out to her while leading mori’s photoshoot. “That first shoot showed me that this was only the beginning. It made me see na we are all just vessels carrying stories and knowledge, just waiting for the right moment to be seen and heard.” ## Allan Balisi *Photos by JL Javier* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/ALLAN-BALISI1.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/ALLAN-BALISI2.webp) Allan Balisi, an acclaimed artist in Manila’s art scene and a recipient of the Cultural Center of the Philippines’ Thirteen Artists Awards in 2021, has continued to create art that invokes a powerful feeling in all of its viewers. “Honestly, it was just so memorable meeting him in person,” said Javier, who took Balisi’s photos at the artist’s home and studio in Quezon City. “Something about that shoot just really came together. We referenced his own paintings for some of the images… that \[shoot\] was one of my all-time favorites.” ## Silke Lapina *Photos by Eric Bico* ![Silke Lapina](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/SILKE-LAPINA-2.webp) Silke Lapina at the Edoweird Gallery. Filipino-German artist Silke Lapina blurred the lines between “the holy and the everyday” this year with her exhibition, “Bakit Pa.” At the Edoweird Gallery in Katipunan, Lapina renewed her baptism in an artificial river while a choir sang Jessa Zaragoza’s ballad of the same name. “Since the plan was just to wear a black T-shirt,” said photographer Eric Bico, who took photos of Lapina at her exhibition. “It was a blessing nung dinala ni Silke ‘yung priest costume niya. Concept! And after that shoot, naging ka-chika kami and \[I\] wasn’t expecting na i-su-support niya rin ‘yung art ko.” ## Emily Abrera *Photos by Colin Dancel* ![Emily Abrera](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/EMILY-ABRERA.webp) Emily Abrera at her private residences. Emily Abrera, a staunch cultural advocate as the former president of McCann-Erickson and later the Cultural Center of the Philippines, spoke with writer Toni Potenciano about her decades-long career and what the country’s arts and culture scene looks like today. “She has such a force in her,” said photographer Colin Dancel. “It felt as if she was carrying light… The shoot was definitely one of those moments that made me fall in love with what I do, because I wouldn’t have met her if it wasn’t for photography!” ## Lav Diaz *Photos by Jake Verzosa* ![LAV-DIAZ](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/LAV-DIAZ.webp) Filmmaker Lav Diaz, one-third of The Brockas. Photo by Jake Verzosa Lav Diaz forms one-third of the avant-garde, Dadaist, “anarchist” band, The Brockas. Joining him in this post-noise, punk jazz, psych-fusion, et al. endeavor are renowned filmmakers Khavn De La Cruz and Roxlee, and all three are committed to “spitting in the face of the zeitgeist.” The shoot, led by photographer Jake Verzosa, was undeniably electric, with all three band members posing for the camera with their instruments, megaphones, and camcorders. At one point, Roxlee and Khavn erupted into a freestyle rap. And, as the shoot went on, news came out that the Film Academy of the Philippines announced that Diaz’s *Magellan* had made it to the shortlist of films being considered as an entry for the 2026 Oscars’ Best International Feature Film category. *Magellan* was eventually selected to be the Philippines’ official submission. ## Maris Racal *Photos by Ray Francisco* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/Maris-Racal-Rolling-Stone-PH-5.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/Maris-Racal-Rolling-Stone-PH.webp) On the morning of their screening of *Sunshine* in Udine, Italy, Maris Racal and Antoinette Jadaone found themselves recounting the highs and lows of making their film two years earlier. From the comfort of their hotel room, Racal did her own makeup and Jadaone’s for their premiere night. Photographer Ray Francisco led the entire photoshoot from their room. “It was my first experience working with the *Rolling Stone Philippines* team,” said Francisco, “and it was an important milestone in my career. Coming from another country and having the opportunity to work for my city is, for me, a way to set an example for younger people, offering hope and motivation.” ## ‘Quezon’ *Photos by Artu Nepomuceno* ![Jericho Rosales](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/QUEZON.webp) Jericho Rosales on the set of *Quezon*. *Quezon*, the historical biopic starring Jericho Rosales as the titular president, opened in Philippine cinemas earlier this October to applause and a dash of controversy. A run-in between the film’s crew and cast with Quezon’s grandson, Ricky Avanceña, sparked cultural conversations on how filmmakers must toe the line between historical fact-keeping and myth-making. Photographer Artu Nepomuceno was on set as the crew filmed the scene where Quezon is elected as Senate President. “I think my favorite part of that shoot was actually the conversations we had in between takes with Echo,” said Nepomuceno, referring to the film’s lead actor. “It was a given that by the level of production placed in this film that every corner of the set would be photogenic, so what became a bonus was learning more about the methods applied on both filming and acting. Some of my favorite photographs are often outtakes and behind-the-scenes images in Hollywood sets; this felt like my own version and experience.” Please select an image. ## Trillion Peso March *Photos by Jilson Tiu* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/RALLY-2.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/RALLY-1.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/RALLY-3jpg.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/RALLY-4.webp) September 21 saw throngs of people across the Philippines take to the streets to voice their rage, frustration, and anger at a government that has long neglected them. Photojournalist Jilson Tiu followed the crowds at Manila’s two major rallies at Luneta and EDSA, documenting what unfolded. “I just focused on capturing what people \[were saying\],” said Tiu of his time covering the rallies. “‘Yung protest na ‘to, hindi lang siya tungkol sa flood control infrastructure. Lahat siya ng infrastructure \[projects\] ng DPWH, from roads to simple bike parking.” Related Stories - [2025 in Review: Inside Rolling Stone PH’s Breakout Year](https://rollingstonephilippines.com/editors-picks/2025-in-review/ "2025 in Review: Inside Rolling Stone PH’s Breakout Year") - [20 Best Filipino Songs of 2025, According to Critics](https://rollingstonephilippines.com/music/20-best-filipino-songs-2025-critics/ "20 Best Filipino Songs of 2025, According to Critics") - [In 2025, The State of Philippine Cinema is as Exciting as it is Confusing](https://rollingstonephilippines.com/culture/philippine-cinema/2025-in-review-philippine-cinema/ "In 2025, The State of Philippine Cinema is as Exciting as it is Confusing") **Categories:** Culture, Editor's Picks, Features, Lists, Music, State of Affairs **Tags:** 2025 In Review, The Year in Review --- ### [5 Men I Trust Songs We Hope to Hear Live in Manila](https://rollingstonephilippines.com/radar/events/men-i-trust-songs-manila/) **Published:** January 27, 2026 **Author:** Pie Gonzaga **Excerpt:** From Oncle Jazz mainstays to funk-leaning curveballs, these are the tracks we’re crossing our fingers for at Men I Trust’s Manila show in February **Content:** Following the release of their twin albums *Equus Asinus* and *Equus Caballus* in 2025, Canadian dream pop band [Men I Trust](https://rollingstonephilippines.com/tag/men-i-trust/ "Men I Trust") is coming back to the Philippines for their [first solo show in Manila](https://rollingstonephilippines.com/radar/events/men-i-trust-2026-manila-concert/ "Men I Trust to Stage First Manila Concert in 2026 After Wanderland Debut") on February 1. And if you’re building a pre-show playlist to hype you up, we’ve got five essential songs you definitely need to put on queue. The band is best known for songs like “Show Me How” and “Numb,” which they performed in their Wanderland set in 2023. In February, witness lead vocalist Emma Proulx, guitarist Jessy Caron, and keyboardist Dragos Chiriac perform new additions to their catalog of dreamy and ethereal tracks. Here are some we want to hear live. ## ‘I Hope to Be Around’ “I Hope to Be Around” is as dream pop as dream pop gets. Released as a single ahead of 2019’s *Oncle Jazz*, the track is quintessential Men I Trust: synthetic bass, hushed vocals, and guitars on the chorus pedal softening the band’s edges. ## ‘Days Go By’ In “Days Go By,” also off *Oncle Jazz*, Men I Trust shows their ability to balance versatility and cohesion. The track begins in R&B territory with shimmery piano chords and a hushed melody, before wading into a jazzier soundscape with its purely instrumental second half. The guitar almost sounds synthetic and keeps the track lively, even as the rest of the song lulls the listener to REM. ## ‘Billie Toppy’ “Billie Toppy” is the closest you get to something energetic from Men I Trust. First released in 2022, it features a guitar hook and a bassline that, together with a softened [post-punk beat](https://rollingstonephilippines.com/music/punk/), drive the track into a running speed. For its tempo, “Billie Toppy” is a standout in the band’s discography and a change of pace I’d love to experience live. ## ‘Ring Of Past’ Men I Trust likes to dip their toes in different genres, and “Ring Of Past” demonstrates their penchant for funk. In this track, Caron’s bass is just nasty — a word you don’t always associate with dream pop, but which suits this scenario, with the bassline plucked and dancing along the fret. Over this and Proulx’s hushed vocals, a lead synth buzzes, making the track all the more entrancing. ## ‘Tides’ The band has an uncanny ability to transport its most faithful listeners into a different state of consciousness, and “Tides” exemplifies this. It’s fitting that the single cover is an illustration of a UFO drifting over the mountains, because that’s exactly what the track feels like. Slow-paced and seeping with synths and strings, “Tides” is a mood-setter, perfect for winding down. Men I Trust will be performing at the Filinvest Tent, Muntinlupa on February 1, as part of its “Equus Tour.” Tickets are available at [Tickelo](https://www.tickelo.com/menitrust-equustour2026). ## Frequently Asked Questions ### When and where is Men I Trust performing in Manila? Men I Trust performs at Filinvest Tent, Muntinlupa on February 1, as part of their “Equus Tour,” marking the Canadian dream pop band’s first solo show in Manila. Tickets are available via Tickelo. ### What albums is Men I Trust touring behind? The band is touring behind twin albums “Equus Asinus” and “Equus Caballus,” both released in 2025, following their earlier work including “Oncle Jazz,” which features several of the songs fans hope to hear live. ### Who are the members of Men I Trust? Men I Trust consists of lead vocalist Emma Proulx, guitarist Jessy Caron, and keyboardist Dragos Chiriac, known for their dreamy, ethereal sound blending dream pop with elements of R&B, funk, and post-punk. ### Which Men I Trust songs are fans hoping to hear at the Manila show? The article highlights “I Hope to Be Around,” “Days Go By,” “Billie Toppy,” “Ring Of Past,” and “Tides” as songs fans hope to hear performed live, spanning the band’s more energetic and more ambient sides. ### Has Men I Trust performed in the Philippines before? Yes, though not as a headlining solo act. The band previously performed songs like “Show Me How” and “Numb” during their Wanderland festival set in 2023, ahead of this year’s first standalone Manila concert. Related Stories - [Men I Trust to Stage First Manila Concert in 2026 After Wanderland Debut](https://rollingstonephilippines.com/radar/events/men-i-trust-2026-manila-concert/ "Men I Trust to Stage First Manila Concert in 2026 After Wanderland Debut") - [A$AP Rocky, Mitski, Hev Abi, and All the Songs You Need to Know](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/asap-rocky-mitski-hev-abi/ "A$AP Rocky, Mitski, Hev Abi, and All the Songs You Need to Know") - [Harry Styles Sets A New Rhythm With Dance-Driven Single ‘Aperture’](https://rollingstonephilippines.com/music/pop/harry-styles-aperture-single-release/ "Harry Styles Sets A New Rhythm With Dance-Driven Single ‘Aperture’") **Categories:** Events, Indie, Music, Radar **Tags:** Men I Trust --- ### [Yellowcard, Good Charlotte Unite on New Version of ‘Bedroom Posters’ Single](https://rollingstonephilippines.com/music/rock/yellowcard-good-charlotte-bedroom-posters-single/) **Published:** January 6, 2026 **Author:** Elijah Pareño **Excerpt:** The pop-punk crossover revisits Yellowcard’s recent track with added vocals from Good Charlotte, bridging two defining bands of the genre’s peak era **Content:** Two pillars of 2000s era pop punk are crossing paths again. [Yellowcard](https://rollingstonephilippines.com/tag/yellowcard/ "Yellowcard") and [Good Charlotte](https://rollingstonephilippines.com/tag/good-charlotte/ "Good Charlotte") have announced a collaborative version of “Bedroom Posters,” set for release on January 16. The track originally appeared on Yellowcard’s recent album *Better Days* and now returns with added vocals from Good Charlotte, linking two bands whose careers helped define a [generation of pop punk](https://rollingstonephilippines.com/music/punk/). > [View this post on Instagram](https://www.instagram.com/reel/DTIvSXIkXAZ/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Yellowcard (@yellowcard)](https://www.instagram.com/reel/DTIvSXIkXAZ/?utm_source=ig_embed&utm_campaign=loading) “Bedroom Posters” was produced by Blink-182 drummer Travis Barker, whose crisp, punchy approach gives the song its forward drive. In its original form, the track centers on vocalist Ryan Key reflecting on youth, memory, and the fear of those moments being erased once time moves on. Good Charlotte’s upcoming feature adds another layer, pulling the song closer to the emotional shorthand that made the band a crossover force in the early 2000s. Good Charlotte earned their stripes by translating teenage frustration into pop hooks, most clearly on the 2002 album *The Young and the Hopeless*,spawning hit singles like “The Anthem” and “Lifestyles of the Rich & Famous.” Moreover, Yellowcard arrived around the same time, being most sonically notable through the violin lines that ran through *Ocean Avenue* in 2003 with breakthrough singles such as “Breathing” and the title track “Ocean Avenue.” Good Charlotte released their eighth album *Motel Du Cap* last August, while Yellowcard followed with *Better Days in October*. Related Stories - [1994: A Cultural Shift in the Filipino Music Landscape](https://rollingstonephilippines.com/music/1994-filipino-music-landscape/ "1994: A Cultural Shift in the Filipino Music Landscape") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") - [Good Grades Delivers Garage Band Attitude in Debut EP](https://rollingstonephilippines.com/music/music-reviews/good-grades-i-think-im-thoughtful-review/ "Good Grades Delivers Garage Band Attitude in Debut EP") **Categories:** Music, Rock **Tags:** Good Charlotte, Yellowcard --- ### [How DIY Clothing Line Jollivintage Punk’d Your Favorite Band Shirt](https://rollingstonephilippines.com/editors-picks/features/diy-clothing-line-jollivintage-punkd-bootleg-favorite-band-shirt/) **Published:** April 7, 2025 **Author:** Elijah Pareño **Excerpt:** For founder Jay Yator, bootleg culture has been there ever since in the local Philippine music scene began **Content:** Jollivintage is a DIY clothing line that is flipping the script in bootlegging your favorite band t-shirt. Their merch evolves, turning underground defiance into wearable satire. While major labels sue street vendors, Jollivintage proves the real power of bootlegging isn’t in copying, but rewriting the rules. Their journey from niche in-jokes to cultural phenomenon mirrors the trajectory of bootleg culture itself. What began as subversion gradually gained mainstream acceptance. The brand’s post-pandemic surge demonstrated how underground aesthetics eventually permeated popular culture, with celebrities like Jolina Magdangal and pop music artists like BINI Maloi becoming unlikely ambassadors for the brand’s vision. “Masaya na may sumakay sa trip,” its founder Jay Yator says. “\[Para sa\] Oh! Flamingo, naglabas kami ng Steven Rhodes-inspired design para sa anniversary show nila. ‘Yong Turnover, sinuot mismo ‘yong Turnstile *Glow On* parody namin na based sa *Peripheral Vision*. Sobrang grateful ako sa brand na nagsimula lang sa hindi seryosohan.” Bootlegging is an art for the devoted music fan, who have long weaponized Xerox machines and cheap cotton t-shirts to make merch for their favorite artists, building underground economies that scoff at official tour tees that cost thousands of pesos. The Philippines treats bootlegging as both sport and survival. Wet market stalls hawk blurry Nirvana prints, and thrift shops bury third-rate BTS knockoffs beneath denim piles. Mainstream acts decry it as theft, but let’s be real: when a bootleg stall outside a mall sells Radiohead shirts for P200 next to pirated material, it’s not just commerce — it’s class warfare against an industry that prices fan devotion like luxury handbags. Yator maintains a nuanced position within bootleg culture, simultaneously participating in it while respecting its boundaries. His deep roots in the Philippine hardcore scene inform this careful navigation, where he draws clear distinctions between his business ventures and his personal connections to the music community. “Pinipilit kong ihiwalay. Para sa akin, dalawang magkaibang mundo ‘to,” he says. “‘Yong love ko sa local hardcore [punk scene](https://rollingstonephilippines.com/music/punk/) ay malalim talaga. Sila ang sumama sa darkest days \[namin ni Kelly\]. Andyan talaga sila nung kailangan namin ng backup.” > [View this post on Instagram](https://www.instagram.com/p/C_G03qJhQPH/?utm_source=ig_embed&utm_campaign=loading)[A post shared by jollivintage.ph (@jollivintage.ph)](https://www.instagram.com/p/C_G03qJhQPH/?utm_source=ig_embed&utm_campaign=loading) ## Name Three Songs Jollivintage started as an outlet for his creative jokes, puns, and Filipino pop culture references. “Malaking factor ‘yong ‘pag malungkot ka talaga, do’n ka makakaisip ng mga kalokohan,” Yator says. “Madalas ‘pag naglalakad ako at may nakita akong pwedeng gawin, sinusulat ko agad sa notes. Kaya maraming kalokohan pa ang naka-bangko.” To stay up-to-date with today’s relevant pop-culture references, Yator consults his two children. This collaboration ensures his parodies remain sharp and relevant in the fast-moving world of internet culture. “Outdated na nga ‘yong iba sa katamaran ko,” he admits. “Pinapa-approve ko sa 15-year-old kong anak kung gets niya ‘yong designs o kailangang baguhin.” The shop began in 2018 as a dedicated Facebook page to sell curated thrifted vintage band shirts called “Vowel S. Maselan.” The transition from ukay selections to parody shirts began in 2022, as a way to raise funds for Yator’s wife’s medical expenses after she was diagnosed with trigeminal neuralgia. “Nagsimula siya na trip trip lang talaga,” he says. “Tamang pang release ng steam dahil sa mga challenges na pinagdadaan that time.” But even after the surgery was successful, the ball kept rolling for Jollivintage. For the longest time, Yator’s brand playfully trolls music gatekeepers, especially against elitists who are hostile towards younger listeners, cornering them whether or not they know the songs of the band shirts they’re wearing. He says, “Sobrang sarap mang-asar sa mga namumuna ng ‘Name Three Songs’ sa mga naka-band shirt. Kaya sinalpak ko ‘yung pop music sa medyo punk na designs. Syempre, maraming hindi natuwa.” > [View this post on Instagram](https://www.instagram.com/p/DAr4RibhrxF/?utm_source=ig_embed&utm_campaign=loading)[A post shared by jollivintage.ph (@jollivintage.ph)](https://www.instagram.com/p/DAr4RibhrxF/?utm_source=ig_embed&utm_campaign=loading) This ethical framework extends to his views on bootlegging’s role in music culture. Yator positions the practice within a long historical continuum, framing current debates as part of an eternal tension between grassroots fandom and commercial interests. “Hindi pa tayo nabubuhay, ang bootleg nandyan na. Nasa tao lang kung i-te-take nila nang seryoso at magtatawag ng hate, o gagawing pampasaya lang.” Despite making parody merch, Yator still supports local bands directly where parody coexists with patronage. “Fan ako ng band shirts at merch in general. Nagbabayad at bumibili pa rin ako ng locally released merch ng mga tropang label at banda. Nag-ha-hunt pa rin ako ng band shirts sa ukay.” His philosophy? “Kung may tao na maglabas ng bootleg merch na hindi natin gusto, hindi na kailangang mag-aksaya ng energy. Hindi na nga natin trip e!” Related Stories - [Gigs and Music to Discover in April: Hip-Hop, Soul, Pop-Punk, Shozegaze and many more.](https://rollingstonephilippines.com/radar/gig-music-guide-april-2025/ "Gigs and Music to Discover in April: Hip-Hop, Soul, Pop-Punk, Shozegaze and many more.") - [1994: A Cultural Shift in the Filipino Music Landscape](https://rollingstonephilippines.com/music/1994-filipino-music-landscape/ "1994: A Cultural Shift in the Filipino Music Landscape") **Categories:** Features, Music **Tags:** Jollivintage --- ### [The Skeleton Years Reimagines Gothic New Wave in ‘Real Curses’](https://rollingstonephilippines.com/music/music-reviews/the-skeleton-years-real-curses-review/) **Published:** October 24, 2024 **Author:** Elijah Pareño **Excerpt:** Their latest release Real Curses is like tearing pages they’ve written in the past, writing a new history for themselves as a new wave and gothic rock band **Content:** The Skeleton Years were best described as a “supergroup” during their early formations as a unit; they formed in the early 2010s and are composed of vocalist Darwin Dacanay, Sharen Uh-Oh on rhythms, Ebong Liñan on leads, bassist Mavitch CL, and drummer Charles Villanueva. They also came from beloved emo and post-rock groups such as Legarda and Richard Collier. Both bands lasted long enough to leave a legacy alongside their peers in hardcore music collectives, such as [Takefour Collective](https://takefourcollective.bandcamp.com/), and recently reunited for benefit gigs in places like Mandaluyong City and Quezon City for benefit show initiatives like [Counterflow](https://www.facebook.com/p/Counterflow-100066470569352/). Since 2002, they’ve been associated with longtime scenesters from the San Pablo, Laguna hardcore scene to the Quezon City emo kids waiting for another punk show nearby. The current iteration of The Skeleton Years’ leanings to pop punk and “indiemo” have a consistent balance of emotive prominence to their sound and phenomenal stage presence. In their past releases from 2017 and 2018, they’ve performed these songs in textbook [pop-punk fashion](https://rollingstonephilippines.com/music/punk/). But for their latest release *Real Curses*, it was like tearing pages they’ve written in the past, writing a new history for themselves as a new wave and gothic rock band. After more than a decade together, it was quite the literal change of pace for them. To most of everyone’s surprise, it’s not the usual power chords and gang chants that resonate for the band. In *Real Curses*, The Skeleton Years have reverb and groovy basslines added to their arsenal. From wearing Chucks to creepers, untucking shirts, and donning the darkest of cloaks, it still maintains their charisma and honesty to brutal lyricism. Darwin’s vocals are more subdued and less frantic. Sharen and Ebong are tuned lower. Mavith and Charles have gotten groovier and hard-hitting than ever. Highlights like “I Am Not Like You” feature a dance-influenced amen break intro that shifts into a gothic backdrop; “What Makes Us Weak” showcases an excellent reintroduction to the band as stalwarts; “The Ride” and its somber tones help elevate the band’s fluid approach to post-punk adjacent genres by just being irresistibly catchy; “Doom In Bloom” and its sprawling six-minute length exemplifies their ability to capture an emotion in great lengths. The rest of the album does not stop in making more infectious tunes one after the other. Subtle changes and left turns keep the listener glued to their headphones. Whether you’re a rookie to the music scene or a veteran who’s dedicated yourself for the love of the game, *Real Curses* by The Skeleton Years is a breath of fresh air. They’ve grown sharper with hooks and honed their songwriting skills to a point the only logical next step is to switch musical styles completely. Patrons of the post-punk and gothic rock genres should set their eyes on this project. It puts more relevance on the radar of alternative music. It shouldn’t go unnoticed. --- **Categories:** Music, Music Reviews **Tags:** The Skeleton Years --- ### [5 Must-See Genre Stages at Fête de la Musique 2025](https://rollingstonephilippines.com/radar/5-fete-de-la-musique-genre-stages/) **Published:** June 11, 2025 **Author:** Elijah Pareño **Excerpt:** From experimental and goth to shoegaze, these four niche stages are keeping Fête de la Musique loud, alive, and rooted in real scenes **Content:** [Fête de la Musique](https://rollingstonephilippines.com/tag/fete-de-la-musique/ "Fête de la Musique") has quietly sprawled into the outer edges of the country, growing in size and spirit with every passing year. The stages are bigger, the acts come from deeper cuts of genre territory, and the reach now includes everything from [punk collectives](https://rollingstonephilippines.com/music/punk/) to city pop revivalists from the provinces. On June 13, the Ember Stage lands at Shangri-La Mall in Mandaluyong, while the Main Stage, featuring headlining acts Ely Buendia and Armi Millare, takes place at Ayala Triangle Gardens on June 21. But the soul of Fête has always lived off the beaten path. By June 28, the noise spread across other cities through self-managed satellite events, while the infamous Makati pocket stages return a day earlier on June 27. It’s less of a centralized festival now and more of a city-wide current, pulled together by the people who refuse to let niche scenes disappear. And maybe that’s where Fête de la Musique finds its longevity. Not through polished bookings or flashy partnerships, but in the scrappy, dedicated work of people who carve out a stage just to make sure a genre still has a place to breathe. In recent years, there has been a growing call for stages to center on genre instead of production crews or scene affiliations. Even as those genre-specific efforts shrink in number, their impact hasn’t dulled. The best proof of that is in those who still push through. These stages don’t have to pull thousands to prove their worth. Their existence is already a win. In a scene that’s constantly fighting for space, for resources, and for recognition outside the Metro Manila bubble, stages like these aren’t just passion projects. They’re survival instincts. They speak to what happens when people don’t wait for validation from the top and instead build the thing they wish already existed. Because the truth is, for all the talk about representation and diversity in lineups, it’s these small, stubborn spaces that actually do the work. They bring in the bands from the provinces; they lift up subgenres without chasing trend cycles, and they remind everyone — from organizers, attendees, and the bands themselves — that music doesn’t need a giant stage to matter. It just needs a room, a reason, and a crowd willing to listen. Here are the four Makati pocket stages that are worth a visit during Fête de la Musique weekend. ## The Emotive Chaos of the ‘Emo Stage’ This year marks the return of the ‘Emo Stage’ put together by Calm Lake Records for the third year in a row. Hosted at Catchin’ Up! Pub on Gil Puyat, it’s everything you’d expect from an emotionally charged night of raw guitars, sweat-soaked mosh pits, and bands that play like there’s no tomorrow. From the visceral sounds of Irrecovable from Las Piñas to Bulacan’s screamo heavyweights TNG and the emotionally taut pop-punk of Emma Bot, this one doesn’t need a huge crowd to prove its point. It just needs a small dive bar, a mic, and people who still feel something. ## Hazy, Noisy, and Downright Gazy ‘Dream Pop and Shoegaze Stage’ Further down the noise spectrum, Furiosa returns with their signature dream pop and shoegaze night, championing dense textures and washed-out guitar tones that seem to blur the walls. They’ve been holding it down for the scene long before it was trending again post-pandemic. At Mang Rudy’s, acts like Bacolod’s &ND and Cebu’s Bedtime Television and Awkward Dance pull from a lineage of sound that never really died. What makes Furiosa’s shows hit differently is how tightly knit the community is. These bands don’t just play together; they exist in orbit, trading pedals, praise, and history in the same breath on Fête de la Musique weekend. ## Monochromatic Electronica in ‘Goth and Experimental Stage’ On a completely different wavelength in Fête de la Musique standards is An Elysium’s black-clad, genre-bending ‘Goth and Experimental Stage’ set at the Alibi Lounge along Burgos. It’s a haunt for sonic outsiders where no one’s asking for a chorus and the vibe leans closer to ritual than performance. The lineup runs from synth-driven acts like Silent Disco from Baguio to noise explorations with Dolphin Expressway and the skeletal post-punk echoes of [The Skeleton Years](https://rollingstonephilippines.com/tag/the-skeleton-years/ "The Skeleton Years") from Laguna. And yes, everyone wears black because here, aesthetic still matters in Fête de la Musique. If you want polish, go somewhere else. If you want catharsis, stay a while. ## The Rich Genre Selection of the ‘Indie Stage’ Then there’s the ‘Indie Stage’ hidden behind a Thai restaurant on Washington Street in Makati. Inside a speakeasy bar called Sari Sari, Shoplifters United brings their well-earned DIY chops to a night where no one’s trying to impress a label. It’s not about selling a single aesthetic. It’s about showing range. You’ll hear blissful dream pop from Cinema Lumiere, angular riffages from Oh, Flamingo!, the surf-rock energy of Legazpi’s The Fervids, and the slacker-casual stylings of Noa Mal from Quezon Province. Each act pulls from a different decade or coast, but is stitched together by a love of the off-kilter and the emotionally honest. It’s one of the few places where genre gets to drift, but never gets lost in city-wide festival like Fête de la Musique. ## ORION Stage at Comuna > [View this post on Instagram](https://www.instagram.com/p/DKPJ2m6hY9v/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Orion Management (@orionmanagement)](https://www.instagram.com/p/DKPJ2m6hY9v/?utm_source=ig_embed&utm_campaign=loading) Aside from the other pocket stages that are held inside bars and clubs, a pocket stage in coworking stages like Comuna is a rare sight. The ‘Orion x Comuna’ stage is one of those Makati pocket stages to watch out for with the selection of funk regulars such as Bing Austria, up-and-coming sophisti-pop outfit Iluna, and pop singer-songwriter Jerge. Related Stories - [Fête de la Musique PH Wasn’t Kidding About Going Big This Year](https://rollingstonephilippines.com/radar/events/fete-de-la-musique-2025/ "Fête de la Musique PH Wasn’t Kidding About Going Big This Year") - [Chicosci to Perform at Emo Night Manila’s Biggest Party Yet](https://rollingstonephilippines.com/radar/events/chicosci-emo-night-manila/ "Chicosci to Perform at Emo Night Manila’s Biggest Party Yet") - [Gliiico Swears by Pure Vibes in Debut EP ‘The Oath’](https://rollingstonephilippines.com/music/music-reviews/gliiico-the-oath-review/ "Gliiico Swears by Pure Vibes in Debut EP ‘The Oath’") **Categories:** Events, Radar **Tags:** Fête de la Musique --- ### [26 Filipino Musicians to Watch in 2026](https://rollingstonephilippines.com/music/26-filipino-musicians-to-watch-2026/) **Published:** January 13, 2026 **Author:** Elijah Pareño **Excerpt:** From rookies to established acts, Rolling Stone Philippines spotlights Filipino musicians we expect to make an impact, asking them how the agenda will be set in 2026 **Content:** The Philippine music scene entering 2026 is not necessarily starting with a clean slate. Scenes are overlapping faster than institutions can keep up, with DIY circuits bleeding into pop visibility and underground acts learning how to survive the speed of releasing song after song. What used to feel caged by genre now moves in short bursts of influence, friction, and opportunism. Rap crews trade space with art-rock bands; club nights mutate into experimental incubators; folk singers pull from internet rot and visual culture instead of pastoral aesthetics. What unites the musicians we selected is the steady momentum of their unique vision. These are artists already doing the work, building audiences through shows, files, and word of mouth. If 2025 was about visibility, 2026 will be about who knows how to take the Filipino music scene to a whole different level. ![SexyJay](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RCY9990.webp) ![Project Yazz](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RCY9959.webp) ![bird.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RCY9953.webp) ![Jamiela](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RCY0193.webp) ![fitterkarma](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RCY0138.webp) ![Thugsta, BABY FREEZE, kyleaux](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RCY0096.webp) ![BABY FREEZE](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RCY0055.webp) ![Thugsta](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RCY0049.webp) ![kyleaux](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RCY0028.webp) ![Mix Fenix](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RCY0003.webp) Photographs by Ricardo Yan ## fitterkarma ![fitterkarma 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/MNS09336-1.webp) [fitterkarma](https://rollingstonephilippines.com/tag/fitterkarma/ "fitterkarma") writes rock songs that twist familiar OPM structures into uneasy shapes, pulling from art rock, film, and noise. The band’s rise across different scenes suggests an audience hungry for something less predictable. After releasing the sleeper hit “[Pag-Ibig Ay Kanibalismo II](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/25-songs-2025-ranked/ "25 Songs You Need to Know of 2025, Ranked By Rolling Stone Philippines"),” which ultimately landed no. 1 on *Billboard Philippines*’ Philippines Hot 100 charts, they have secured coveted spots in music festivals and events such as Maskipaps in UP Diliman, Aurora Music Festival in Pampanga, and Cozy Cove in Baguio. If 2026 belongs to anyone breaking the wall between grassroots credibility and mainstream recognition, fitterkarma is in that conversation. ## Thugsta ![Thugsta 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/MNS09001.webp) [Thugsta](https://rollingstonephilippines.com/tag/thugsta/ "Thugsta") raps like someone who treats trust as currency and betrayal as background noise in songs like “What’s O’in,” “Value,” and “PERA LANG” alongside rappers [Costa Cashman](https://rollingstonephilippines.com/tag/costa-cashman/ "Costa Cashman") and Madman Stan, among others. Coming out of Malate and the O $IDE MAFIA orbit, his music utilizes the coded language of crews who build their own systems in the streets. His hook game lands because they come from lived experiences no one dares to replicate — most importantly, his “thugs thugs” ad-libs have become a signature in his live performances. As his collaborations widen, 2026 could be the year Thugsta translates that closed-circle intensity into records that hit beyond his immediate territory. ## bird. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/MNS08481.webp) [bird.](https://rollingstonephilippines.com/tag/bird/ "bird"), consisting of lead guitarist Eco Del Rio, bassist Carlos Calderon, rhythm guitarist Aaron Corvera, and drummer Hannah Jabla, exists in the gaps between scenes, blending [punk energy](https://rollingstonephilippines.com/music/punk/) with dreamlike textures and a pop structure that doesn’t pledge allegiance to either genre. The band treats each rock release as part of a longer arc in what they call the “bird.-verse.” They’ve opened for heavier acts that complement their world building, such as American bands Movements and Soul Blind. With their crowd favorite debut album *oshin* under their belt, it’s safe to say how much of their songs have caused fun mosh pits in their album tour back at [Cubao Expo ](https://rollingstonephilippines.com/culture/cubao-expo-across-generations/ "There’s Still No Place Like Cubao Expo")in 2024. Their name is a permanent fixture in their scene, eventually growing into a movement that helped redefine themselves as a “surfcore” band. ## Mix Fenix ![Mix Fenix](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/MNS08721.webp) [Mix Fenix](https://rollingstonephilippines.com/tag/mix-fenix/ "Mix Fenix") writes easy-going, soulful songs with a pinch of vulnerability, crafting lyrics on growth, fatigue, and self-negotiation. She has a precise understanding of pacing, letting funky melodies breathe while raising the emotional stakes vocally in “Two Feet In” and “Language,” both of which convey soulful delivery akin to singers like Olivia Dean. This, paired with her versatile guitarwork, makes Fenix ready to scale her ambitions in 2026. ## kyleaux ![kyleaux](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/MNS08862.webp) [kyleaux](https://rollingstonephilippines.com/tag/kylelaux/ "Kylelaux") moves with confidence in any window of opportunity that is open for him — and for him exclusively. His work pulls from early-2000s R&B and rap, such as Usher or Pharrell, but treats them as raw material whenever he cooks something up from scratch. He bends melody and cadence with a pop intuition that’s constantly evolving at the palm of his hands and the willpower of his voice. ## Jamiela ![Jamiela 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/MNS09253.webp) [Jamiela](https://rollingstonephilippines.com/tag/jamiela/ "Jamiela") turns folk music inward, then sideways. Her gyaru-inflected visuals and macabre lyricism reject the genre’s usual softness, replacing it with discomfort and curiosity. Songs about injury, fantasy, and self-mythology unfold like private rituals, the acoustic guitar plays alongside her shivering, almost frail vocal delivery in singles like “Bendahe,” “Sikreto,” and “Kahon.” As Filipino audiences grow more open to eclectic sonic hybrids, Jamiela’s work feels poised to resonate with a wide range of sensibilities. ## BABY FREEZE ![Baby Freeze 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/MNS09113.webp) [BABY FREEZE](https://rollingstonephilippines.com/tag/baby-freeze/ "BABY FREEZE") cuts through the local hip-hop landscape with a big bite. Moving through a male-dominated space without framing herself as an exception or novelty, Sammi Borromeo’s solo project has put its foot on the hip-hop door. Her tracks scream empowerment in “MOST HIGH,” trap-heavy ad-libs in “LIL ICE,” and an overall sense of humor that’s uniquely hers to call. Whether it’s in rap or in her comedic personality on Instagram Reels and TikTok, BABY FREEZE knows how to throw a punchline. In 2026, her growth feels less about proving presence and more about defining her own terms. ## Project Yazz ![Project Yazz](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/MNS08531.webp) Spearheaded by founders Faye Yupano and Bergan Nuñez, [Project Yazz](https://rollingstonephilippines.com/tag/project-yazz/ "Project Yazz") bears a jazz philosophy that doesn’t treat music like a competitive sport. While avoiding the one-upsmanship, their performances thrive on playful rivalry, sudden pivots, and the kind of onstage communication that only comes from deep listening. Lineups consisting of key players and sessionists such as keyboardist Lui Tan, trumpet player Gabriel Lazaro, and guitar player Kenneth Castillo, the band’s diverse playing styles and background blend together, but the core energy remains rooted in organic exchange. As jazz continues to find new audiences outside formal spaces in the 2020s, Project Yazz feels tailor-made for that transition. ## SexyJay ![Sexy Jay 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/MNS08596-1.webp) Jay Villarosa, also known as [SexyJay,](https://rollingstonephilippines.com/tag/sexyjay/ "SexyJay") operates with the instincts of someone who learned performance before music theory. His post-punk is minimal, skeletal, and confrontational, stylistically repetitive, using cheap music gear that cuts through the fluff. Having written songs in a bathroom for its reverb effect, which he half-jokingly calls “Toilet Records,” he leans into claustrophobia as an aesthetic choice for his cold genre of post-punk, such as the spooky “Zombie” and the romantic “Halimuyak.” In 2026, SexyJay is positioned to sharpen that rawness into something more volatile that doesn’t sand down its grime. ## Novocrane ![Novocrane](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/bruno-p-1.webp) Novocrane is an artist testing how far she can push before the floor gives way. Photo from Novocrane Kai Sevillano treats music like a mosh pit to crash into and climb out of without apology. Over the past two years, her brainchild, [Novocrane](https://rollingstonephilippines.com/tag/novocrane/ "Novocrane"), has evolved from a solo project into a full-fledged band consisting of Sevillano, Ram Alonzo, Luke April, and Zon Lee. Together, they knows how to blow things up, moving from indie rock to electronic-adjacent release valves with visceral energy. They have the nerve to be genre-fluid with one emotional register after another. Songs can turn feral or suddenly tender, sometimes mid-track. Novocrane is an group testing how far they can push before the floor gives way. ## IIICCCYYY ![IIICCCYYY](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/IIICCCYYY5.webp) IIICCCYYY does not translate Cebu for pop outsiders; she lets the city speak at full volume. Photo from IIICCCYYY [IIICCCYYY](https://rollingstonephilippines.com/tag/iiicccyyy/ "IIICCCYYY") sings like Cebu is already a global capital, and she is reporting live from the center. Her brand of club pop music performances has usually taken space in DIY venues. There is pride here, and it runs through her melodies like voltage. She makes big emotions sound homemade with production assistance from the likes of Karl Lucente and D Waviee, who are both from the VisMin region, and lets the bubblegum pop earworms show in her songwriting. IIICCCYYY does not translate Cebu for pop outsiders; she lets the city speak at full volume. ## La Mave ![La Mave](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/SnapInstato_541745715_18399088603142067_2672288662595077490_n.webp) La Mave sounds most convincing when he lets the song wobble instead of locking it down. Photo from La Mave/Instagram North Caloocan rapper [La Mave](https://rollingstonephilippines.com/tag/la-mave/ "La Mave") handles heartbreak like an ongoing series rather than a finished story. He slides confidently between rapping and singing, letting emotions decide the form. Synths drift, beats blur, and his voice keeps finding new ways to trip over itself in pursuit of honesty, whereas he names tracks after places in Manila, such as the viral hit “Dominga” and “Lerma.” He sounds most convincing when he lets the song wobble instead of locking it down. ## Daspan En Walis ![Daspan En Walis](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/439895645_122138955014105789_1204443732962721965_n.webp) Daspan En Walis never stops daring the crowd to keep up, and every set feels like it could collapse or explode. Photo from Daspan En Walis/Facebook Songs by [Daspan En Walis](https://rollingstonephilippines.com/tag/daspan-en-walis/ "Daspan En Walis") lurch forward with Manila street swagger, drawing from old Pinoy rock muscle memory in tracks like “143 (Will You Memorize)” and “Compute to Commute” without turning into cosplay: Rap cadences slip into shouted hooks while slamming the blues genre into punk velocity. The band never stops daring the crowd to keep up, and every set feels like it could collapse or explode. The band has notably opened for local staples like The Sleepyheads, (e)motion engine, [Yaelokre](https://rollingstonephilippines.com/tag/yaelokre/ "Yaelokre"), and many more. ## Kristina Dawn ![Kristina Dawn](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/481792619_608387618699824_4322135622927041586_n.webp) Kristina Dawn resembles someone who knows exactly when to lean in and when to pull focus. Photo from Downtown Q Entertainment/Facebook [Kristina Dawn](https://rollingstonephilippines.com/tag/kristina-dawn/ "Kristina Dawn") steps out from the hip-hop collective Downtown Q’ orbit with a silky delivery that refuses to stay in the background. She moves through melody with control and bite, weaving an intimacy that still hits hard, including tracks like “Makasariling Lambing” alongside [Hev Abi](https://rollingstonephilippines.com/tag/hev-abi/ "Hev Abi"), “gin+c2,” and “Get Lost.” Sharing space with local melodic rappers such as Gins&Melodies and Unotheone within her circle only sharpens her presence. Dawn resembles someone who knows exactly when to lean in and when to pull focus. ## Junoy Manalo ![junoy manalo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/junoy-manalo.webp) As a staple in Manila’s nightlife circuit, Junoy Manalo’s dubby and groovy sets feel conversational. Photo by Ricardo Yan DJ and producer [Junoy Manalo](https://rollingstonephilippines.com/tag/junoy-manalo/ "Junoy Manalo") moves with the momentum and patience of someone who understands weather patterns. As a staple in Manila’s nightlife circuit, his dubby and groovy sets feel conversational. Having released 14 singles in 2025, which is many for a single producer by the country’s standards, Manalo is poised to be a defining figure in Filipino house music. Standout tracks like “Train to Izu” and “Cruisin Attitude” develop an atmosphere where the dance floor does not resist to shuffle from one transition after another. ## Horseboyy ![Horseboyy](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/HORSEBOYY.webp) Whichever side Horseboyy pulls, the fun is loud, with a craft underneath that has the potential to take over regional, or even global, dancefloors. Photo from Horseboyy [Horseboyy](https://rollingstonephilippines.com/tag/horseboyy/ "Horseboyy") pulls from rave energy without freezing it in amber. His early tracks nod to ‘90s happy hardcore while folding in the restless pacing of modern trance and techno. For example, in Pette Shabu’s debut album *SPRAK*, where he produced many tracks, he builds grooves that feel engineered for fast movement. His first EP *Horsepowah*, released in 2025, sees the producer explore the deeper and brighter sound of tech house. Whichever side he pulls, the fun is loud, with a craft underneath that has the potential to take over regional, or even global, dancefloors. ## August Wahh ![August Wahh](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/SnapInstato_570965997_18528617299030663_4055971475838837884_n.webp) There is play here, but also authority. August Wahh owns every version of herself. Photo from August Wahh/Instagram [August Wahh](https://rollingstonephilippines.com/tag/august-wahh/ "August Wahh") has long been a touchstone in Filipino R&B for more than half a decade, and she keeps expanding her lane. Her voice curls and glides with ease, carrying soul from the get-go in tracks like “Seasons” and “Sahara.” She was included in the [SXSW Sydney](https://rollingstonephilippines.com/music/news/ligaya-escueta-august-wahh-sxsw-sydney-2025/ "Ligaya Escueta, August Wahh Will Represent Indie Filipino Artists at SXSW Sydney 2025") 2025 roster, where she was one of the few Filipino artists who represented the Philippines. She knows how to sell a melody and how to twist it when the moment demands more attitude. There is play here, but also authority. August Wahh owns every version of herself. ## aunt robert ![aunt robert](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/aunt-robert-1.webp) The result, for aunt robert, almost always lands closer to your heart. Photo from aunt robert [aunt robert](https://rollingstonephilippines.com/tag/aunt-robert/ "aunt robert") writes dream pop the way some people write journals: messy, impulsive, and impossible to sanitize. Drawing similarities to the dream pop songwriting of indie rock bands Soccer Mommy and Slow Pulp, aunt robert emerges as her own. Guitars blur into emotion without losing shape, and the songs create worlds of her own in “Mad” and “Frount Robert.” Quirk and ache sit side-by-side, creating music that chase feeling first and trusting structure to follow. The result, for aunt robert, almost always lands closer to your heart. ## Pette Shabu ![Pette Shabu](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/Pette-Shabu.webp) Pette Shabu deals with the genre as a tool for confrontational anger, allowing her to speak right from the center. Photo from Pette Shabu [Pette Shabu](https://rollingstonephilippines.com/tag/pette-shabu/ "Pette Shabu")’s debut album *[SPRAK](https://rollingstonephilippines.com/music/music-reviews/pette-shabu-sprak-review/ "Prophetic Rage: Pette Shabu’s ‘SPRAK’ Imagines Present and Future Liberation"),* released in November 2024, opens like a dare, pulling listeners into a world constructed by revolution and fire. Her bars hit with a relentless ferocity one 16-bar verse after another in tracks like “POKPOK” and “the future is trans” which are, more often than not, shaped by lived experience than abstract rebellion. Her collaboration with Sydney-based artist [mel.wav](https://rollingstonephilippines.com/tag/mel-wav/ "mel.wav") marked a pivotal moment for more trans and Filipino diasporic representation in hip-hop. Shabu deals with the genre as a tool for confrontational anger, allowing her to speak right from the center. ## D Waviee ![D Waviee](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/8-1.webp) On a good club sound system, D Waviee music will have you saving that moment in a time capsule. Photo from D Waviee [D Waviee](https://rollingstonephilippines.com/tag/d-waviee/ "D Waviee") manufactures tracks that feel charged with her fond memories in the dance music scene. Her productions stretch across genres, whether it’s her hyperpop-inflected debut *HYPOMANIA* from 2023, or the collision of trance and techno instincts in her sophomore album *Epitome,* released in 2025. She understands how repetition can turn euphoric when handled with care. On a good club sound system, her music will have you saving that moment in a time capsule. ## Jikamarie ![Jikamarie](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/SnapInstato_587751469_18541279987003091_5011531522783109126_n.webp) There is curiosity driving every choice, and Jikamarie is an artist discovering how far her imagination can stretch. Photo from Jikamaria/Instagram [Jikamarie](https://rollingstonephilippines.com/tag/jikamarie/ "Jikamarie")’s impression of R&B plays with tone, color, and storytelling like someone testing how much joy the art form can hold. Her songs, such as “Lutang,” “Tayo,” “Kislap,” plus her more frequent collaborations with rapper Skusta Clee like “Para Pilitin Ka” and “Bumalik Ka Sa’kin” move between playful and sincere without tipping into novelty. There is curiosity driving every choice, and Jikamarie is an artist discovering how far her imagination can stretch. ## KRNA ![KRNA](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/SnapInstato_465079249_18365810647112150_1604111019128333768_n.webp) There is a sense of place baked into their sound without leaning on regional shorthand, making distance feel intimate. Photo from KRNA/Instagram [KRNA](https://rollingstonephilippines.com/tag/krna/ "KRNA"), who are not only an alternative band, but also indie gig organizers operating out of Cagayan de Oro, have devised their own take on dream pop of hypnotic songwriting and drifting melodies. There is a sense of place baked into their sound without leaning on regional shorthand, making distance feel intimate. Their debut EP *The River Gold* released in 2018 have been impactful beyond their hometown. The band even had the chance to three-day tour of Tokyo in April 2025, joining an expanding roster of VisMin acts playing across Asia. ## DJ Love, DJ Ericnem, DJ Danz ![Budots Three, DJ Love, DJ Ericnem, DJ Danz](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/Budots-Three.webp) Known as the Budots Three (like Love, Ericnem, and Danz are set to reach an even wider audience in 2026. Photo by Khrisdiant Lerona Budots would not be where it is without [DJ Love](https://rollingstonephilippines.com/tag/dj-love/ "DJ Love"), [DJ Ericnem](https://rollingstonephilippines.com/tag/dj-ericnem/ "DJ Ericnem"), and [DJ Danz](https://rollingstonephilippines.com/tag/dj-danz/ "DJ Danz") moving together from the start. Long before virality, they shaped the Filipino genre from grassroots communities that knew how to turn dance into pure joy and fun. What they built from the ground up did not come from trends, but from trust in their community. With their recent signing with London-based electronic music label Eastern Margins and their joint album *Budots World: 3-Hit Combo!*, released in December 2025, The “Budots Three” are set to reach an even wider audience in 2026, setting new milestones for Filipino dance and electronic music globally. ## Allison Shore ![Alisson Shore](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/539588871_18518856376048061_1548923521214482186_n.webp) Alisson Shore’songwriting dares to confuse expectations, but also feels elastic, snapping back stronger after every detour. Photo from Alisson Shore/Facebook The way [Alisson Shore](https://rollingstonephilippines.com/tag/alisson-shore/ "Alisson Shore") bends R&B is nothing but extraordinary. In 2016, he combined future bass and trap in his debut 2016 release “Internet @ Night,” later transforming into a style that stopped behaving like a genre and instead moved confidently haze, tension, and soul. His songwriting dares to confuse expectations, but also feels elastic, snapping back stronger after every detour. Shore sounds like a blueprint still unfolding and with his sophomore concept album *[MEMENTO MORI](https://rollingstonephilippines.com/radar/releases/alisson-shore-memento-mori-announcement/ "Alisson Shore Describes Upcoming Album, ‘MEMENTO MORI,’ as a ‘Movie’")*, 2026 is an opportunity for him to take his worldbuilding to the next level. ## Bita and the Botflies ![Bita and the Botflies](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/bita.webp) Bita and the Botflies play as if they are witnesses to something no one should dare to see or hear, further strengthening the sound and feel of the blues in the 2020s. Photo from Bita and the Botflies Quezon City’s [Bita and the Botflies](https://rollingstonephilippines.com/tag/bita-and-the-botflies/ "Bita and the Botflies") turn blues into a vehicle for social unease and dark storytelling. Their songs dig into rot and consequence without softening the blow. Morbid themes land in songs like “Peklat Cream” and “Sisikat Ka Iha” because they feel oddly specific to the Filipino psyche. The band’s cult following grows because the discomfort rings true. They play as if they are witnesses to something no one should dare to see or hear, further strengthening the sound and feel of the blues in the 2020s. ## Stef Aranas ![Stef Aranas](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/SnapInstato_564008580_18535301839058325_6139542680583748363_n.webp) There is momentum behind Stef Aranas that hopefully pushes more Filipino trans and non-binary artists to create R&B music in 2026. Photo from Stef Aranas Quezon city artist [Stef Aranas](https://rollingstonephilippines.com/tag/stef-aranas/ "Stef Aranas") moves through R&B with shape-shifting confidence, pulling influence from everywhere without losing herself in the process. Her pop vision hits harder, sharper, and more fearless than ever before. She sings with command in songs like “Cvnty” and “Butter,” and her presence reflects a scene that has only begun to grow within the LGBTQIA+ community — most notably in her 2025 collaboration with artist [Sassa Gurl](https://rollingstonephilippines.com/tag/sassa-gurl/ "Sassa Gurl") on “[QC Gurlz Remix](https://rollingstonephilippines.com/radar/stef-aranas-qc-gurlz-remix/ "Stef Aranas and Sassa Gurl Team Up for ‘QC GURLZ REMIX’").” There is momentum behind her that hopefully pushes more Filipino trans and non-binary artists to create R&B music in 2026. *Shot and edited by Joaquin Puyat VFX by Goran Fernando Assisted by Gonzalo Hocson and Ricardo Yan* Related Stories - [25 Songs You Need to Know of 2025, Ranked By Rolling Stone Philippines](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/25-songs-2025-ranked/ "25 Songs You Need to Know of 2025, Ranked By Rolling Stone Philippines") - [18 Filipino Dance Tracks That Capture the Spirit of Queerness](https://rollingstonephilippines.com/editors-picks/lists/18-queer-filipino-dance-tracks/ "18 Filipino Dance Tracks That Capture the Spirit of Queerness") - [1994: A Cultural Shift in the Filipino Music Landscape](https://rollingstonephilippines.com/music/1994-filipino-music-landscape/ "1994: A Cultural Shift in the Filipino Music Landscape") **Categories:** Dance/Electronic, Editor's Picks, Features, Hip-hop/R&B, Indie, Lists, Music, Pop, Rock **Tags:** Alisson Shore, August Wahh, aunt robert, BABY FREEZE, bird, Bita and the Botflies, D Waviee, Daspan En Walis, DJ Danz, DJ Ericnem, DJ Love, fitterkarma, Horseboyy, IIICCCYYY, Jamiela, Jikamarie, Junoy Manalo, Kristina Dawn, KRNA, kyleaux, La Mave, Mix Fenix, Music Forecast, Novocrane, Pette Shabu, Project Yazz, SexyJay, Stef Aranas, Thugsta --- ### [Dong Abay and the Politics and Rage of the Working Class](https://rollingstonephilippines.com/music/dong-abay-politics-everyday-rage/) **Published:** July 22, 2025 **Author:** Aldus Santos **Excerpt:** The singer and activist’s discontent has evolved where anger isn’t the only driving force. Here, we witness his small acts of defiance that make him relevant to the working class to this day **Content:** Dong Abay walks into the room — faded Rolling Stones shirt on his back, smile on his face, firm handshake hung suspended — with a purposeful gait, like a man about to put out a fire, or start a religion. The room is psych ward white and dead silent. It’s the perfect blank slate for the [Pinoy punk](https://rollingstonephilippines.com/music/punk/) prophet. His music, after all, doesn’t merely fill space; it body-slams the walls. It doesn’t just crank the volume; it etches its presence into the atmosphere. “Anong pag-uusapan natin?” he asks. “Pulitika,” I say. He doesn’t flinch. Of course, he doesn’t. He is Dong Abay and flinching isn’t in his vocabulary. Despite this, however, the co-founder of Yano and figurehead of Pan, dongabay, and D.A.M.O. (Dong Abay Music Organization) isn’t too precious about his place under the sun. While his persona is well-established, he’s more modest about the enterprise, choosing to describe himself as a humble hawker of words. To his mind, although “provocateur extraordinaire” is a shoe that fits, he’d rather wear his trusty tsinelas. ![dong abay back of head and hands](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/Dong-Abay-2.webp) Each Abay incarnation was an attempt to be an involved chronicler, not a detached narrator. “Kaibigan ko ang salita at ‘yon ang gustong ginagawa ng utak ko most of the time: makipaglaro sa mga salita,” he says. Gone is the angry young man and in his place a wide-eyed force, trading outbursts for answers, fury for focus. “Disillusioned youth” was the lazy sobriquet pinned onto every flannel-clad kid of the ‘90s. But the Abay of Yano wasn’t writing for kids who lost the dream; he was writing for the kids who never got the memo, who never even knew dreams were on offer. Yano’s self-titled 1994 record, in other words, wasn’t informed by the luxury of misplaced angst; it was framed by the agency-crushing, dignity-erasing, crippling effects of poverty. Noong nagsisimula ako sa pagbabanda at pagsusulat, \[nandiyan\] ‘yong mga kwento tungkol sa injustice, sa kahirapan, kwento ng mga ordinaryong Pilipino — hindi maganda ‘yong mga kwento. Tragic. Dong Abay “Kung tayo lang \[ang pag-uusapan\], komportable naman tayo e. May aircon, may electric fan, nakakapag-Netflix, alam mo ‘yon?” Abay shakes his head, adding, “Pero paglabas mo ng bahay mo, nandiyan, e. Assault talaga ‘yong lipunan mo.” “Tsinelas” wasn’t a kitschy limerick on flip-flops; it was about the systemic injustices leveled against the poor. “Esem” wasn’t a love letter to leisure, but a reprimand of monolithic mall materialism. This knack for pragmatic paradox would persist later in his career, peaking perhaps in “Perpekto,” an ode not to disability, but the many ways we’re assailed by modern life to the point of disability. ![dong abay facial hair mustache in a ponytail](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/Dong-Abay-1.webp) Abay’s songs could trace their roots to the less manicured pockets of New Manila, where he spent his youth and where he first experienced different shades of the “assault of the everyday.” “Noong nagsisimula ako sa pagbabanda at pagsusulat, \[nandiyan\] ‘yong mga kwento tungkol sa injustice, sa kahirapan, kwento ng mga ordinaryong Pilipino — hindi maganda ‘yong mga kwento. Tragic,” says Abay, afterwards rattling off the names of artists who have informed his craft in the university years: Gary Granada, Joey Ayala, Asin, and Buklod. The crowning moment of Yano-era Abay was, clearly, “Banal na Aso, Santong Kabayo,” a catalogue of hypocrisies akin to a Jose Rizal refresher: brazen, brash, brutal. The songs could trace their roots to the less manicured pockets of New Manila, where Abay spent his youth and where he first experienced different shades of the “assault of the everyday.” “‘Yon ang pinagmulan ng ‘Banal na Aso’: ‘yong mga bagay na nakikita ng mata ko, \[nahahagip ng\] pandinig ko: ingay \[at\] baho ng siyudad.” Each Abay incarnation was an attempt to be an involved chronicler, not a detached narrator. Even in lulls between eras, during breaks from rockstar-dom — and being a “rockstar” is something he embraces tongue-in-cheek, like a chest-thumping pro-wrestling heel — his multifaceted journey often involved difficult but necessary conversations: the inevitability of depression, the rote void of public life, the necessity of art during unrest. *Read the rest of the story in The State of Affairs issue of Rolling Stone Philippines*. *Buy a copy on* [*Sari-Sari Shopping*](https://sarisari.shopping/collections/rolling-stone-philippines-collections/products/rolling-stone-philippines-july-2025-the-state-of-affairs)*, or read the e-magazine now* [*here*](https://rollingstonephilippines.com/digital-access/)*.* Also from the State of Affairs Issue - [Mabuhay Maynila Distills the City’s Grit in Objects Creatives Want to Take Home](https://rollingstonephilippines.com/culture/art/mabuhay-maynila-home-objects/ "Mabuhay Maynila Distills the City’s Grit in Objects Creatives Want to Take Home") - [What’s Next After a Surprising 2025 Midterm Elections?](https://rollingstonephilippines.com/state-of-affairs/2025-midterm-elections-results/ "What’s Next After a Surprising 2025 Midterm Elections?") - [Erwin Tulfo Already Has 10 Bills He Wants to File in the Senate](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/erwin-tulfo-first-10-senate-bills/ "Erwin Tulfo Already Has 10 Bills He Wants to File in the Senate") **Categories:** Music **Tags:** Dong Abay, OPM --- ### [How Fall Out Boy Became the Face of a Generation with ‘From Under the Cork Tree’](https://rollingstonephilippines.com/music/rock/fall-out-boy-cork-tree-20th-anniversary/) **Published:** October 23, 2025 **Author:** Elijah Pareño **Excerpt:** The band looks back at the record that blurred emo and pop, and what it means to stay true after crashing the pop mainstream **Content:** [Fall Out Boy](https://rollingstonephilippines.com/tag/fall-out-boy/ "Fall Out Boy")’s *From Under the Cork Tree* remains one of the most influential albums in [pop-punk history](https://rollingstonephilippines.com/music/punk/) 20 years after its release. What began as a Chicago basement project between high school friends turned into a global phenomenon, pushing a once-underground sound into the center of mainstream culture. Released in May 2005, the album cemented the band’s identity, transforming vocalist Patrick Stump, bassist Pete Wentz, lead guitarist Joe Trohman, and drummer Andy Hurley from small-venue regulars into arena headliners. *From Under the Cork Tree* was both messy and magnetic — a record that carried the emotional weight of adolescence while sneaking into the Top 10 of the Billboard 200 chart upon its release. Its breakout singles, “Sugar, We’re Goin Down” and “Dance, Dance,” became instant anthems that blurred the lines between emo, punk, and pop, ushering in a new era for the genre. Earlier this year, *Rolling Stone* listed the album among the [250 Greatest Albums of the 21st Century](https://www.rollingstone.com/music/music-lists/best-albums-21st-century-1235177256/migos-culture-5-1235185173/), while “Sugar, We’re Goin Down” landed on its list of [250 Greatest Songs of the Century](https://www.rollingstone.com/music/music-lists/best-songs-of-the-21st-century-1235410452/fall-out-boy-sugar-were-going-down-1235432649/). > [View this post on Instagram](https://www.instagram.com/p/DN3U9p92iCj/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Fall Out Boy (@falloutboy)](https://www.instagram.com/p/DN3U9p92iCj/?utm_source=ig_embed&utm_campaign=loading) The band’s sudden leap from underground heroes to MTV regulars wasn’t easy. Wentz and Stump spoke to [*Rolling Stone*](https://www.rollingstone.com/music/music-features/fall-out-boy-from-under-the-cork-tree-20-year-anniversary-1235451851/) about celebrating the 20th anniversary of *From Under the Cork Tree.* “You can be slugging it along one show at a time,” Stump told *Rolling Stone*. “And there’s this really gradual slow burn, but then the jump can be overnight.” That leap also drew backlash from fans who accused the band of selling out — a criticism that didn’t faze them. “On that tour, we ended up playing one arena and I remember thinking people would start with the idea of ‘“selling out’” or something,” Wentz says. “It was like, ‘“Why not?’” Listen, we grew up in hardcore bands and with the idea of leaning into and creating satire and provoking conversations about it.” ## We’re Goin’ Down Swingin’ *From Under the Cork Tree* did exactly that. The record helped define the mid-2000s emo explosion, creating a template that artists like Panic! at the Disco, Paramore, and My Chemical Romance would build upon. The album’s emotional directness and sharp wordplay. Heard in tracks like “A Little Less Sixteen Candles, A Little More ‘Touch Me’” and “Sophomore Slump or Comeback of the Year” still resonate with fans who grew up shouting every lyric in their bedrooms. For the band, the album’s success was proof that deeply personal songwriting and vulnerability could exist within the pop mainstream. The record was raw, melodramatic, and sincere, all the things that made it timeless. As Fall Out Boy reflects on the record’s two-decade legacy, fans continue to speculate whether they’ll tour the album in full. “I can’t wrap my head around how to do it in an earnest way,” Stump said in the *Rolling Stone* interview. “People believe the only reason you’d make pop music is for money, but I swear I’m not motivated by that. If people want to see us perform *Cork Tree*, they should come see us now.” Whether or not that full-album tour happens, *From Under the Cork Tree* endures as a cultural artifact — a bridge between DIY roots and mass-market success, between eyeliner-streaked angst and mainstream appeal. Two decades later, the record still defines what it meant to grow up pop punk and watch your scene take over the world. Related Stories - [My Chemical Romance’s ‘Three Cheers For Sweet Revenge’ Reissue Marks 21 Years of Emo](https://rollingstonephilippines.com/radar/releases/my-chemical-romance-three-cheers-deluxe/ "My Chemical Romance’s ‘Three Cheers For Sweet Revenge’ Reissue Marks 21 Years of Emo") - [25 Best Filipino Love Songs Across Generations](https://rollingstonephilippines.com/music/25-filipino-love-songs-for-the-emotionally-compromised/ "25 Best Filipino Love Songs Across Generations") - [Chicosci Takes Risks in Their Comeback Single “Biktima”](https://rollingstonephilippines.com/music/music-reviews/chicosci-takes-risks-in-their-comeback-single-biktima/ "Chicosci Takes Risks in Their Comeback Single “Biktima”") **Categories:** Music, Rock **Tags:** Fall Out Boy --- ### [The Weeknd’s New Song Samples ‘Neon Genesis Evangelion’ Theme](https://rollingstonephilippines.com/music/hiphop-rnb/the-weeknd-song-samples-evangelion-theme/) **Published:** September 21, 2026 **Author:** Elijah Pareño **Excerpt:** The unreleased track was performed alongside the voice behind the anime’s iconic opening theme, with Yoko Taro’s art appearing on the visuals **Content:** [The Weeknd](https://rollingstonephilippines.com/tag/the-weeknd/) debuted a new song sampling the theme from *[Neon Genesis Evangelion](https://rollingstonephilippines.com/tag/neon-genesis-evangelion/)* on September 19 at the Belluna Dome in Tokyo, Japan. Vocalist Abel Tesfaye performed the track with Yoko Takahashi, the Japanese singer behind the series’ opening theme “A Cruel Angel’s Thesis.” The release date of the song is yet to be revealed. > [View this post on Instagram](https://www.instagram.com/reel/DdeWLrZul2g/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Abel (@theweeknd)](https://www.instagram.com/reel/DdeWLrZul2g/?utm_source=ig_embed&utm_campaign=loading) The visuals in the live performance included art by Japanese director Yoko Taro, which added flashing imagery from the writer-director’s 2007 video game *NieR* and clips from *Neon Genesis Evangelion*. *Neon Genesis Evangelion* is a science-fiction anime created by Hideaki Anno back in 1995. It is considered to be one of the most highly influential anime series in the ‘90s. The Weeknd released his last album titled *Hurry Up Tomorrow* in 2025. The film of the same name starred Tesfaye, Jenna Ortega, and Barry Keoghan. ## Frequently Asked Questions ### When did The Weeknd debut his new *Neon Genesis Evangelion*-inspired song? The Weeknd debuted the new song on September 19 at the Belluna Dome in Tokyo, Japan. ### Who is the singer behind the *Neon Genesis Evangelion* theme song? Yoko Takahashi, the Japanese singer behind *Neon Genesis Evangelion*‘s opening theme, “A Cruel Angel’s Thesis.” ### What is *Neon Genesis Evangelio*n? *Neon Genesis Evangelion* is a science-fiction anime created by Hideaki Anno in 1995. ### Whose artwork was featured in The Weeknd’s live performance visuals? The performance featured art by Yoko Taro, incorporating imagery from his 2007 video game *NieR* and *Neon Genesis Evangelion*. ### What is The Weeknd’s last album? The Weeknd released his last album, *Hurry Up Tomorrow*, in 2025. Related Stories - [The Weeknd’s ‘After Hours Til Dawn’ Asia Tour Snubs the Philippines](https://rollingstonephilippines.com/music/hiphop-rnb/the-weeknd-asia-tour-philippines/ "The Weeknd’s ‘After Hours Til Dawn’ Asia Tour Snubs the Philippines") - [10 Netflix Music Documentaries About the Biggest Moments in Music History](https://rollingstonephilippines.com/editors-picks/lists/best-netflix-music-documentaries/ "10 Netflix Music Documentaries About the Biggest Moments in Music History") - [BTS Is Back on Top: ‘We Have to Push It to the Edge’](https://rollingstonephilippines.com/editors-picks/features/bts-reuniting-new-album-arirang-interview/ "BTS Is Back on Top: ‘We Have to Push It to the Edge’") **Categories:** Hip-hop/R&B, Music **Tags:** Neon Genesis Evangelion, The Weeknd --- ### [Meet Lav Diaz, Khavn, and Roxlee's Post-Noise Band, The Brockas](https://rollingstonephilippines.com/music/indie/the-brockas-lav-diaz-khavn-roxlee/) **Published:** September 29, 2025 **Author:** Dodo Dayao **Excerpt:** They may be award-winning directors, but Lav Diaz, Khavn, and Roxlee also make music as The Brockas, an “anarchist” band making music for the apocalypse **Content:** Many, many years ago, in headier, arguably happier, certainly in less than end times, us were as old or felt so old, when the apocalypse was not as peeking around the corner as it is now, I wrote a tiny piece about [The Brockas](https://rollingstonephilippines.com/tag/lino-brocka/ "Lino Brocka") that began with this bit of run-on blather: “The Brockas are… and that’s the point where you stop, the point where the futility of trying to break down what The Brockas are musically with any measure of sobriety hits you, sober being the last thing that comes to mind when you hear that freeform psychedelia they make, not to say that it sounds drunken and shambolic, not to say that it doesn’t either.” A few bands fit that whole “writing about music is like dancing for architecture” maxim quite like The Brockas, because words still trip on their own erudition in trying to nail the chaos they make. Heretic, disruptive, invasive. [Punk jazz](https://rollingstonephilippines.com/music/punk/), psych-fusion, noise disco, demento-folk, mutant kundiman, no wave pop. Dancing about architecture, yeah. ![Roxlee The Brockas](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/Roxlee-The-Brockas.webp) Roxlee a.k.a. Akira Brocka. Photo by Jake Verzosa Khavn Dela Cruz (known as Khavn), [Lav Diaz](https://rollingstonephilippines.com/tag/lav-diaz/ "Lav Diaz"), and [Roxlee](https://rollingstonephilippines.com/tag/roxlee/ "Roxlee") are the band’s current lineup— also the band’s OG lineup — and their “main egos” being Bembol Brocka, Pugot Brocka, and Akira Brocka, respectively. For all the changeling ferocity of their music, The Brockas have been ferociously consistent everywhere else: in their politics, sense of humor, embrace of the absurd, annihilation of form, logistic randomness, revolving door membership. At some point, The Brockas counted among their members Alexis Tioseco (Curly Joe Brocka), Kidlat Tahimik (Kulog Brocka), and even Khavn’s own children. Many other past members are out there in the wild. “Si Tae Brocka nasa Berlin,” Khavn says. “Si Adonis Brocka nasa Japan. ‘Yong panganaykong anak, si Ate Brocka.” “Si Jim Jarmusch gustong maki-jam sa amin,” Khavn adds. “Si Gael Garcia Bernal gusto din maki-jam. Gitarista din kasi siya,” says Diaz of the *Magellan* actor. “Pwede siyang si Tambien Brocka,” says Khavn. Everyone laughs, skeptical about the veracity of these claims. But Khavn adds, “Everyone can be a Brocka. You can be a Brocka!” The conversation is a part free-form ramble, part podcast banter, part drunken conversation, part jazz. It whiplashes and werewolfs as wildly and rabidly as their music tends to do, into various modes and tangents, shifting tones and registers, from drunk-as-fuck jokery to political snark to outright mythmaking to high-minded seriousness, but always interrupted by loud blasts of boisterous laughter. This piece probably should come with a laugh track. ![Bembol Brocka Khavn](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/Khavn-The-Brockas-1.webp) Khavn a.k.a. Bembol Brocka. Photo by Jake Verzosa Anyone who’s been to any of their gigs or listened to any of their records will be familiar with this mischievous ambivalence, this seesawing between a straight face and a snicker, this gnawing sense of not knowing if they’re dead serious or taking the piss or both. It’s precisely in the not knowing where their quintessence lies. **Nag-iiba ba ‘yong tugtog ‘pag nag-iiba‘yong members?** **Khavn:** Oo naman! Nag-ko-contribute lahatng sariling energy, ‘yong musikero, ‘yong audience… **Diaz:** May aakyat na nobelista babasahin‘yong nobela niya; mga performance artist,may nagpapa-apoy. Ganda ng epekto, suma-sama ‘yong tao. **Pero paano nga nagsimula ang Brockas?** **Khavn:** Bangungot! Nagsimula sa bangungot ng bayang ito! **Diaz:** Galing sa mga “Anak ni Brocka.” Nagka-kape kami sa bandang Morato one night. Inumaga ang kwentuhan. \[Napag-isipan namin\] “O, gawa tayo ng banda.” Tapunan ng pangalan. Ayun, “Anak Ni Brocka.” Tapos, The Brockas. **Khavn:** Para siyang speculative na biro. Kasi si \[Lino\] Brocka nga queer. Pero what if closet macho pala siya? Marami siyang inanakan. **Diaz:** Ang lalim ng layunin agad. Wala pang nagagawang album. **Khavn:** ‘Yong unofficial-official first gig namin, 2004. Pero ‘yong totoo, 1969 pa kami. ![Lav Diaz Pugot Brocka](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/Lav-Diaz-The-Brockas-1.webp) Lav Diaz a.k.a. Pugot Brocka. Photo by Jake Verzosa **Ano nangyari dun sa gap between 1969 and 2004**? **Khavn:** Missing years. Parang si Kristo. **Diaz:** ‘Yong kasaysayan ng Brockas, parang Genesis sa Bible. The Big Fuck. You talk about Genesis, tungkol lang naman sa malaking titeng mundo yan e. Kung paano ginawa ang tao. ‘Yan din ang genesis ng Brockas. **Khavn:** Meron kasing — medyo secret lang ‘to— kulto sa Sampaloc, Quezon, bagama’t hindi tanyag pero mas makapangyarihan ‘to kaysa El Shaddai. So nagpulong-pulong ‘yong mga shaman ng kultong ‘to, na hindi ko pwedeng bigkasin ang pangalan. This was around 1967, sabi nila kailangang lumikha ng isang super-band na magliligtas sa Pilipinas. **Diaz:** Sampaloc, Quezon ‘yong isa sa mgabayan na walang magnanakaw. **Diaz:** Pero hindi krimen sa kanila ‘yong nam-bubugbog ng asawa. Everything is a myth. Mula pa sa pagdating ni *Magellan*. Si Sara Duterte darating na, magdiwang tayo nang lulugmok ang bayan. ‘Yan ang pinagdiriwang natin: paglugmok ng bayan. *Read the full story and more in the* [*Arts and Culture issue* ](https://rollingstonephilippines.com/tag/september-2025-issue/)*of Rolling Stone Philippines*. *Order a copy on* [*Sari-Sari Shopping*](https://sarisari.shopping/collections/rolling-stone-philippines-collections/products/rolling-stone-philippines-sep-2025-bencab)*, or read the e-magazine* [*here*](https://rollingstonephilippines.com/digital-access/)*.* - [Lav Diaz on the Cost of Making ‘Magellan’: ‘I’ve Seen Death’](https://rollingstonephilippines.com/culture/lav-diaz-hazel-orencio-magellan/ "Lav Diaz on the Cost of Making ‘Magellan’: ‘I’ve Seen Death’") - [From Amateur to Anti-auteur: The Story of Experimental Filmmaker Roxlee](https://rollingstonephilippines.com/culture/film-tv/roxlee-profile/ "From Amateur to Anti-auteur: The Story of Experimental Filmmaker Roxlee") - [Khavn Dela Cruz to Stage Film Concert Series With Coke Bolipata and More](https://rollingstonephilippines.com/culture/film-tv/khavn-dela-cruz-film-concert/ "Khavn Dela Cruz to Stage Film Concert Series With Coke Bolipata and More") **Categories:** Editor's Picks, Features, Indie, Music **Tags:** Khavn, Lav Diaz, Lino Brocka, Roxlee, September 2025 Issue, The Brockas --- ### [1994: A Cultural Shift in the Filipino Music Landscape](https://rollingstonephilippines.com/music/1994-filipino-music-landscape/) **Published:** December 4, 2024 **Author:** Elijah Pareño **Excerpt:** From Eraserheads to Gary V to Rivermaya to Bad Omens, let’s look back at the watershed moment in ‘90s music in the Philippines **Content:** The local music scene in the Philippines was heading to a point of no return, and for good reason. The intersection between the Roxas Boulevard new wave kids and Malate punk scene began to take a lane of its own with venues like Club Dredd and Mayric’s entering the fold; the Washington grunge scene was at the cusp of popularity in local airwaves, and NU 107 was the number one radio station for a burgeoning youth culture. The word “alternative” was the talk of the town, and so was the reportage on subcultures breaking through the mainstream. With the rise of so many original compositions from starry-eyed musicians, the “showband” culture began to lose its staying power. All of these events ballooned in the year 1994. It took several records to burst that bubble, and the scene hasn’t been the same since. It was a watershed moment for Original Pilipino Music and some wouldn’t expect the sheer number of impactful releases in the same year. One would say it was a time to be alive, others would say it’s the year that broke all the rules and defined a generation. Here are the records that prove that the year 1994 was a monumental time for Filipino music. ## Eraserheads, *Circus* The Fab Four of the University of the Philippines Diliman were shooting for stardom in their debut release *Ultraelectromagneticpop!,* an album that brought out college rock hits like “Pare Ko,” “Toyang,” and “Ligaya,” to name a few. For them, it was a taste test of what was to come, but the rest of their growing fanbase wasn’t ready for their sophomore release. *Circus* was a product of the quartet’s penchant for pop songwriting sung in one curveball after the other. It showcased their knack for experimentation, whipping out garage-punk two-step anthems like “Insomya,” the psychedelic sparse instrumentation of “Alapaap” (a song that caused controversy and made Senator Tito Sotto panic due to the track’s lyrical and production choices), and the climactic storytelling of “Magasin.” Nearly every track on their album has either created myths in the alternative rock scene or paved the way for new bands to go against the grain of conventional songwriting structures. *Circus* was a eureka moment for the ‘90s alternative boom — a blueprint for oddball rockists, who praise Eraserheads as the second coming of The Beatles. ## Bad Omens, *Bad Omens* According to superstition, the black cat symbolizes good fortune or, more famously, a bad omen of what’s to come. For the punk band Bad Omen, the black cat was a signal of anarchy. By the late ‘80s, the Philippines already had a rich [history of punk rock music](https://rollingstonephilippines.com/music/punk/), and their ruckus energy invaded parking lot spaces and beer houses during the wee hours of the morning. A decade after, their contemporaries — Biofeedback, Mindrape, Tame The Tikbalang, and the like — joined together to evolve the genre further; bands like them were evidence of shaping a community and what’s to come. Tracks like “Buksan Itong Isipan,” “Fuck The World,” and “Change The System” harness an energy that could break bottles in the moshpit and easily topple the powers that be. Bad Omen’s strong impact in the local scene has surpassed so many generations and iterations of punk music — even the cover art of the cat alone has left a lasting impression, making an appearance in every single punk gig anywhere in the Philippines. It is a status symbol of the ‘90s, and so is their music. ## Gary V, *Hataw Na* For a pop culture icon like Gary V to come from an industry where dance music has mutated in so many forms — from warehouse raves to discotheques — Mr. Pure Energy released “Hataw Na” when rock was more favored in the mainstream. However, it was a decade where entertainers like Gary Valenciano were the pop figures to look out for: His steps were showstopping, his voice compelling, and the proclaimed energy was incredibly infectious. Prancing along to the grooves of the New Jack Swing genre, beat switches, and record scratches, it goes without saying that Valenciano would masterfully command the listener to join him on his own dance floor in “Hataw Na.” ## Rivermaya, *Rivermaya* The success story of Rivermaya in their debut album was all there: Rico Blanco’s New Wave influences translated in his piano playing, Bamboo Mañalac’s electrifying pop performance, Perf De Castro’s striking guitar solos bordering on metal shredding; Nathan Azarcon and Mark Escueta holding it down for the rest of the band’s eclectic taste in music. The band’s adventurousness was enough to recognize them as one of the ‘90s most sought-after bands, putting them head-to-head with most alternative rock bands that were emerging at the time. But if you listen closely to their self-titled debut album, you can clearly hear the X-factor in their music. Cuts like “Halik Sa Araw,” “Awit ng Kabataan,” “Ulan,” and “214” had a childlike wonder — a unique trait that Rivermaya possessed, which most bands were missing during this decade of music — Rivermaya’s debut album didn’t stay put; it jumped, cried, screamed, and sang its heart out from start to finish. **Categories:** Features, Music **Tags:** Bad Omens, Eraserheads, Gary V, Rivermaya --- ### [This Event Sees Filipino Skate Crews and Hardcore Kids Share the Streets Every Year](https://rollingstonephilippines.com/music/go-skateboarding-day-hardcore-music/) **Published:** June 18, 2025 **Author:** Elijah Pareño **Excerpt:** What started as an outlaw sport now brings together generations, subcultures, and sound systems in the name of freedom and flow **Content:** Skateboarding has always been seen as an act of delinquency by local authorities and privately owned spaces. Villainized by police as reckless damage to public property and linked to loitering and rebellion, skating never quite got the clean image despite its global popularity. That outsider energy mirrored the grit and sneer of “[punk](https://rollingstonephilippines.com/music/punk/)” music. A genre characterized by fast percussion, gritty guitar riffs, and an aggressive lyrical approach. It’s no surprise the two cultures came up hand in hand. [Go Skateboarding Day](https://rollingstonephilippines.com/tag/go-skateboarding-day/ "Go Skateboarding Day") was launched by the International Association of Skateboard Companies in 2004 to celebrate the sport and its culture. Held annually on June 21, the event gives skaters a space to ride, gather, and show out. The first Go Skateboarding Day in the Philippines took place in 2007 at Pasig Rain Forest Skate Park, Pasig. Since then, skaters from across the city have made it a yearly ritual, a rare moment where skateparks, parking lots, and stages become one. Live music — especially hardcore — was a fuel for most skaters everywhere. For many, skateboarding is a culture open to all ages. Hardcore punk band Badwave frontman, skater, and longtime Go Skateboarding Day advocate Jerwin Santos, better known as Spanky, believes that skating and hardcore punk shaped the way a lot of kids found community, energy, and meaning. “Pagkatanda ko, 2003 o 2004 ata ‘yon sa Malolos munisipyo,” he tells *Rolling Stone Philippines*. “Skate rock talaga \[ang tawag\]. \[May nagske-skate\] sa gitna ng park habang tumutugtog ‘yong banda. Naalala ko ‘yong bandang Play tumutugtog. Sobrang hype ko, nonstop ang hot skate ko ‘non. Best day.” ## Different Era, Same Hype ![Badwave](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/06/Untitled-design-16-2-2-1.webp) “Ang daming new generation na kids na naenjoy nila ‘yung set namin,” Santos tells *Rolling Stone Philippines*. “Iba ‘yong saya talaga. Intimate ‘yong vibe, lahat nag-enjoy. Magkaibang era pero same hype.” Photo from Badwave/Facebook Spanky points to bands from his youth that helped define skate shows and how it was about the tricks and the feeling. Folks like Spanky would also credit games like *Tony Hawk’s Pro Skater* on the original PlayStation, which introduced a generation to skate-punk soundtracks that became gospel. At a recent Badwave set in Bangkal Street, Makati, he says the hardcore band made it a point to reconnect with new skaters on their own terms. “Ang daming new generation na kids na naenjoy nila ‘yung set namin,” he says. “Iba ‘yong saya talaga. Intimate ‘yong vibe, lahat nag-enjoy. Magkaibang era pero same hype.” Gen Z band Walktrip, who call their sound “blackened hardcore”, grew up on a different wave of hardcore bands but share the same energy. Vocalist Christian Dave Opiniano recalled playing Go Skateboarding Day just after the pandemic. “Isa sa pinaka naalala kong event na may skate at hardcore punk ‘yong tumugtog kami sa GSD ng Valenzuela locals noong 2022,” he says. “Tumugtog kami sa isang court ng barangay. Sobrang DIY lang din habang tumutugtog kami, may mga naglalaro na skaters sa court.” ![Walktrip](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/06/Untitled-design-69-1-1.webp) A photo of Opiniano’s band Walktrip playing at Go Skateboarding Day in 2022. Photo from Christian Dave Opiniano For Opiniano, it was refreshing to see a couple of genres converge together in one event, where punk music isn’t the only exclusive music genre that exists within the live music canon for most skaters. “Solid palagi makakita ng mga skater na naiintroduce sa hardcore music lalo na mga bata siyempre,” he says. “Mas dominated na kasi ng hip-hop music yung eksena sa skate. Nakakatuwa makakita ng mga nagta-try makipagsabayan sa pit ng hardcore. Makikita mo yung iba slaman mala-”Gin at Marijuana” ng Owfuck tas sumasabay sa mga karate kid.” Other than Go Skateboarding Day, there’s solid proof to suggest skate culture and hardcore music bring out the best of each other. You hear it in the scratch of grip tape and the feedback of a basement PA. It’s in the way a kid bombing a hill in Marikina is soundtracked by an Oi! track (or any subgenre of punk music, really) blasted from a cracked speaker, or how punk shows in Quezon City parks double as skate jams by default. The more days like this come around, the harder it gets to ignore the communities carving out space for themselves, one busted elbow and blast beat at a time. Related Stories - [Wolfgang’s Basti Artadi on How Music Should Never Compromise](https://rollingstonephilippines.com/music/basti-artadi-rolling-stone-interview/ "Wolfgang’s Basti Artadi on How Music Should Never Compromise") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") - [How the Kitchie Nadal Renaissance is Bridging Generations](https://rollingstonephilippines.com/music/news/how-the-kitchie-nadal-renaissance-is-bridging-generations/ "How the Kitchie Nadal Renaissance is Bridging Generations") **Categories:** Music, News **Tags:** Go Skateboarding Day --- ### [Pinoy Punk Band Urban Bandits Gives Middle Age the Middle Finger](https://rollingstonephilippines.com/editors-picks/features/pinoy-punk-band-urban-bandits-gives-middle-age-the-middle-finger/) **Published:** March 19, 2025 **Author:** Tony Maghirang **Content:** One hot night in September 2023, Pit88 RestoBar in Marikina became ground zero for the 40th anniversary of Betrayed (It’s The) Urban Bandits, and Wuds — two of the more prominent battering rams among the first wave of [Pinoy punk bands](https://rollingstonephilippines.com/music/punk/) in the ‘80s. The penultimate act on the bill, Urban Bandits, composed of vocalist Arnold Morales, guitarist Ferdie dela Cruz, bassist Dondi Boy Fernandez, and drummer Rogel dela Cruz, shuffled onstage at around 11 p.m. The players uncharacteristically (for a punk band) took some time to tune their instruments while the crowd of aging fans, millennials, members of other bands, and some youngsters started gathering in front of the stage. With just a mumbled introduction, frontman Morales — looking like a Johnny Rotten doppelgänger himself — brayed the opening lines of Public Image Limited’s “This Is Not A Love Song.” The band expertly transformed the original post-punk leanings of the song to an abrasive punky banger circa the late ‘70s when Rotten spawned his mighty Sex Pistols. Once launched, the Urban Bandits’ time machine corrected its flight plan in the direction of their Pinoy take on punk rock, a.k.a. Pinoy punk rock. Their major underground hits during the ‘80s local punk revolt came tumbling down in quick succession — “No Future Sa Pader,” “Nagpapa-Pansin Pansin,” “Breaking The Wall,” “Hoy,” and “Manila Girl.” The oldsters swayed in place bothered probably by creeping arthritis while the younger ones did the tribal stomp even as a few others happily shrieked as they moonwalked their way to faux slam dancing. ## **1-2-3 Punk** ![Urban Bandits in session.](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/03/URBAN-BANDITS-INSIDE-2.jpg) Ferdie dela Cruz (guitar), Vinty Lava (bass), Roel dela Cruz (drums), and Arnold Morales (vocals) of Urban Bandits. Photo by Jello Espino In 1984, Morales was playing in a band named College which had a minor radio hit titled “Manila Girl.” When the band played at Arellano University, Morales met Fernandez and they started talking about forming a new band. Fernandez knew two other guys who would eventually provide the lead guitar/drums axis of the new band that became known as the Urban Bandits. DZRJ AM, “The Rock of Manila,” whose playlist then was an amalgam of hard rock, Pinoy rock, and chart-busting progressive music, informed the original four Bandits’ musical taste. The late night radio show of DJ Dante David, specifically, turned them on to the Ramones, Sex Pistols, and The Clash. After another fledgling band, Wuds, invited the Urban Bandits to record in their tiny recording space in Singalong Street in Malate, the guitarist of a seminal Pinoy punk band Chaos, Tommy Tanchanco, invited the Bandits to be part of his newly organized Twisted Red Cross (TRC) record label. The Bandits let out the first howl of their local punk sound in TRC’s first compilation album, *Fatal Response (Rescue Ladders & Human Barricades Series Part 2)*. Their contributions, “News of The World” and “Battle of Mendiola,” would introduce the band’s buzzing homage to their hard rock heroes while Morales made tirades punctuated by “fuck you’s,” a typical expletive in the punk tribe’s “me, myself, and I — fuck everybody else” ethos. Those two tracks became the Urban Bandits’ passport to the Brave New World rock concerts held regularly at the Philippine Trade Exhibit grounds at the Cultural Center of the Philippines reclamation area. The concert was a magnet for rebels, punks, and outcasts of all stripes. With a growing fan base drawn to their live performances, Tanchanco gave the band the opportunity to record their first album, *Independence Day.* They finished recording in one day without a producer, with only the studio engineer giving them a free hand to do whatever they wanted. The sessions were stopped briefly when they were booted out of the studio for being “happily high” on some illicit substance. Nevertheless, the band, to this day, believes *Independence Day* were all-winners. No trash in that damn gold mine of a debut recording. --- *Read the rest of the story in the first print issue of Rolling Stone Philippines*. *For more information, please visit*[ Sari.Sari.Shopping*](https://sarisari.shopping/collections/rolling-stone-philippines-collections/)*.* CORRECTION: A previous version of this story incorrectly named Urban Bandits’ current bassist as Dondi Boy Fernandez. The band’s new bassist is Vinty Lava. **Categories:** Features, Music **Tags:** Maiden Issue, Urban Bandits --- ### [In the Age of Digital, These Filipino Punk Labels are Doubling Down on Vinyl, CDs, Cassettes](https://rollingstonephilippines.com/editors-picks/features/still-ill-mutiliated-noise-punk/) **Published:** July 8, 2025 **Author:** Rick Olivares **Content:** Vinyl has increased in popularity across the globe, accounting for nearly three-quarters of physical format revenue in 2024, according to [*Engadget*](https://www.engadget.com/entertainment/streaming/vinyl-record-sales-continue-to-rise-amid-music-streamings-dominance-142131328.html). In the Philippines, two independent labels are helping pioneer this resurgence, particularly in the punk and hardcore music scene. Neither faddish nor opportunists, [Still ill Records ](https://rollingstonephilippines.com/tag/still-ill-records/ "Still ill Records")and [Mutilated Noise Records](https://rollingstonephilippines.com/tag/mutilated-noise-records/ "Mutilated Noise Records") are not only dedicated to putting out punk and hardcore music by local bands on vinyl, but also compact disc, and cassette. There are other independent labels scattered all over the country, but the aforementioned two have shown the way for not only other independent labels, but also major record companies that physical formats are here to stay. Even at the height of the popularity of streaming and digital, Mutilated Noise and Still ill kept the faith; punk and hardcore music embody so much of the do-it-yourself ethos, where even “dying” mediums (at least in the eyes of the music industry) won’t stop anyone from getting things done. With wider accessibility of the vinyl format today, with punk and hardcore labels increasingly embracing the raw, DIY ethic, a cursory look at back seller prices today of [punk and hardcore](https://rollingstonephilippines.com/music/punk/) bands will find titles fetching for a king’s ransom. ## Relentlessly DIY ![crate diggers at mutilated noise records san antonio makati](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/Crate-Diggers-at-Mutilated-Noise-Records-2-copy.webp) Guests searching through the crates of Mutilated Noise in Makati. Photo from Mutilated Noise Records ![crate diggers at mutilated noise records san antonio makati](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/Crate-Diggers-at-Mutilated-Noise-Records-1-copy.webp) Guests searching through the crates of Mutilated Noise in Makati. Photo from Mutilated Noise Records For Noel Francia (who also goes by Noel Punxia) of Mutilated Noise and Dangie Regala of Still ill, it meant a continuation of the format they listened to as kids. Mutilated Noise, the record label, was a logical extension of Mutilated News fanzine, another format from punk music’s DIY culture, that Punxia put out in 1988. Punxia’s first cassette — Biofeedback’s unrelenting rager, *Hardtimes* — was released in 1994. “I was inspired by Twisted Red Cross \[TRC\],” said Mutilated Noise’s head honcho. TRC was a trailblazing label in the 1980s that put out all original music by Filipino punk bands on cassette. “Starting out with a cassette release was also paying tribute to TRC.” During its five-year run from 1985 to 1989, TRC put out 17 cassette albums from Filipino punk bands like Dead Ends, [Urban Bandits](https://rollingstonephilippines.com/tag/urban-bandits/ "Urban Bandits"), Wuds, George Imbecile and the Idiots, Philippine Violators, Betrayed, I.O.V., R.D.A., and Deceased, aside from a couple of compilation albums. The music not only inspired future generations of bands, but they are also considered the “holy grails” of Filipino punk and hardcore music. Most of these releases have been reissued on vinyl over the last 10 years by various independent labels. But it was in this new millennium when Mutilated Noise found its stride by releasing four tapes, four LP records, seven 7” records, and a bunch of albums on compact discs. [Kamatayan o Kalayaan? by THE EXSENADORS](https://exsenadors.bandcamp.com/album/kamatayan-o-kalayaan)Some of their releases have had a huge impact (new grails, if you will) — from The Jerks’ self-titled extended play featuring songs first played on DZRJ-AM in the early 1980s; the vinyl reissue of Betrayed’s classic *Then and Now*; Dead Ends’ *Mamatay sa Ingay*, and The Exsenadors’ incendiary extended play release, *Kamatayan o Kalayaan*. But more than the punk legends, Mutilated Noise also makes it a point to put out records from under-the-radar bands such as Naga’s The Class, as well as The Ericsons from Legazpi, Albay, just to name a few. Mutilated Noise is also a physical record shop located rather unobtrusively inside San Antonio Village, Makati It is the only one of its kind in the country – like a long lost cousin of New York’s punk and new wave venue CBGB, and when you enter, it feels rough around the edges in all the right places. It is a must go-to for fans of punk and hardcore — not just for the music, but for the vibe and how it looks and feels. “It isn’t about the profit,” clarified Punxia. “It’s about helping these underground bands be heard by more music fans.” ## In Good Hands ![still ill records crew](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/Still-Ill-records-Crew-copy.webp) The Still ill Records crew. Photo from Still ill Records And it is a costly endeavor. With the closing of the compact disc pressing plant F.A.S. during the pandemic, and local record pressing plants being obsolete since the 1990s, Mutilated Noise, Still ill, and other similar punk and hardcore labels go to the United States, Czech Republic, Taiwan, and Hong Kong to have their cassettes, CDs, and records made. While local punk and hardcore have occasional bestsellers, they are, at best, characterized as niche. But that doesn’t stop them. Still ill Records is hell bent on putting out music from underground hardcore bands from all over the Philippines. Named after the song by The Smiths, one of the most important independent bands from the 1980s, the Still ill imprint owes its inspiration to American labels like Dischord and Revelation Records. Still ill is also a spin-off from another legendary label, Take Four Collective, which has put out some of the finest punk and hardcore classics this country has ever heard — from Feud’s *Battling Bastards of Freedom*; Half the Battle’s *What We Have*; Sauna’s *Deeper It Goes*, and Richard Collier’s *For the Love of Death*. “It is a love for the music,” says Still ill’s Regala. “Goal namin ay ipakita na buhay na buhay yung hardcore na eksena sa buong bansa,” pointed out Regala. [VA Pilipinas Hardcore Vol. 3 by Still ill Records](https://stillillhardcore.bandcamp.com/album/va-pilipinas-hardcore-vol-3)Unlike Mutilated Noise, Still ill opts for an online shop with their products promoted and sold via social media, and they’re more than held the fort down on their own. Since 2010, they have put out more than 40 releases; some collabs with fellow independent labels. Their *Pilipinas Hardcore* series – three volumes so far – is perhaps the best example of their goal of showcasing talent from all over the archipelago. Their latest release, *Still Hostile*, a collaboration with Cebu-based underground label, Hostile Youth, features bands from the Queen City of the South like Stab, Grip, Sift, Sephtis, and Nervineturbine — a testament that the level of talent outside the nation’s capital is rich and in capable hands. Other notable Still ill releases include the compilation album *Movin’ Up Movin’ On*, [The Skeleton Years](https://rollingstonephilippines.com/tag/the-skeleton-years/ "The Skeleton Years")’ four extended play albums, Nonentities’ *Autonimbus*, the namesake album of Veils, Killratio’s *Erehe*, Barred’s *Bloodstained Existence*, and Badwave. Recently, Still ill has begun promoting live shows that feature visiting foreign bands. They are also collaborating with Mutilated Noise for an undisclosed project. “Tuloy tuloy lang,” Punxia sums it up. Related Stories - [Pinoy Punk Band Urban Bandits Gives Middle Age the Middle Finger](https://rollingstonephilippines.com/editors-picks/features/pinoy-punk-band-urban-bandits-gives-middle-age-the-middle-finger/ "Pinoy Punk Band Urban Bandits Gives Middle Age the Middle Finger") - [The Skeleton Years Reimagines Gothic New Wave in ‘Real Curses’](https://rollingstonephilippines.com/music/music-reviews/the-skeleton-years-real-curses-review/ "The Skeleton Years Reimagines Gothic New Wave in ‘Real Curses’") - [For Melt Records, It’s Not About Being the Biggest Music Label](https://rollingstonephilippines.com/editors-picks/features/melt-records-indie-music-cebu-label-visayas-mindanao/ "For Melt Records, It’s Not About Being the Biggest Music Label") **Categories:** Features, Music **Tags:** Hardcore Music, Mutilated Noise Records, Punk Music, Still ill Records --- ### [Filipino Fans Are Changing Tennis Culture Whether The WTA Likes It or Not](https://rollingstonephilippines.com/culture/sports/filipino-fans-tennis-culture-alex-eala-wta/) **Published:** August 13, 2026 **Author:** Reyza Ferranco **Content:** Ever since [Alex Eala ](https://rollingstonephilippines.com/tag/alex-eala/ "alex eala")started racking up wins left and right, the number of Filipinos and Philippine flags present in tennis tournament bleachers has seemingly doubled. Traditionally quiet or subdued Women’s Tennis Association (WTA) crowds have been transformed by passionate, high-energy Filipino fans. During her [historic victory at the Mubadala DC Open](https://rollingstonephilippines.com/culture/sports/alex-eala-dc-open-champion/ "Alex Eala Wins First-Ever WTA Tour Title in DC") and her rise into the WTA Top 20 rankings, the crowd made sure to roar as hard as they could for Eala. But out of this joy came controversy as Filipino fans were called out for their “loud” and “distracting” behavior, specifically during the DC Open and her recent National Bank Open (NBO) matches. The new flock of tennis audiences sparked debate online, with avid tennis fans claiming that the Filipino crowd is disturbing the usual quiet decorum the sport has long had as an unwritten rule, while others defended the passionate crowd. Points raised were that the crowd was making noises when the ball was in play or when making line calls, making it distracting for both players. An X user commented on how Filipinos are “disregarding the unwritten rules of tennis,” while some resorted to tweeting microaggressive, racist remarks comparing the Filipino crowd to “hordes of barbarians suddenly on the tennis court” and calling them “jungle people.” Eala’s most recent opponent, Belinda Bencic, says differently. The Swiss player told reporters that she “never really minded” the cheers. “I was mentally prepared, but it’s not something that bothers me so much,” she added. > SSSSHHHH! 🤫 > > Sa tennis court, meron ding ‘batas’… > > Isa na diyan ang bawal mag-ingay! > > Alamin kasama si [@PaigeJavier](https://x.com/PaigeJavier?ref_src=twsrc%5Etfw) ang iba pang dapat iwasan kapag nanonood ng tennis match sa venue.[\#PatrolngPilipino](https://x.com/hashtag/PatrolngPilipino?src=hash&ref_src=twsrc%5Etfw) [pic.twitter.com/z2SvTKtl00](https://t.co/z2SvTKtl00) > > — Patrol ng Pilipino (@Patrol\_Pilipino) [August 6, 2026](https://x.com/Patrol_Pilipino/status/2085253116178702513?ref_src=twsrc%5Etfw) “We can understand how there’s excitement in the emotions felt pag medyo exciting yung point pero kailangan kontrolin,” Journalist and former tennis player Dyan Castillejo said in an ABS-CBN video on tennis etiquette. The audience was advised to avoid shouting in the middle of the play or cheering on an opponent’s faults. ## **The Eala phenomenon** When Eala went back to the Philippines for her homecoming on July 15, she was met with an outpouring of support from Filipinos of all ages. Among those who welcomed her was 2026 Palarong Pambansa gold medalist Maristella Torrecampo, who draws [inspiration](https://www.bbc.com/news/articles/c3v0lyrndn7o) from Eala as a young tennis player. [Reports](https://x.com/barnabychuck/status/2081342352497537201?s=46) further showed that many [Filipinos have taken up the sport](https://rollingstonephilippines.com/culture/sports/), with stories of how Eala inspired them to pick up a racket and fall in love with tennis. ![alex eala ph meet and greet homecoming](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Alex-Eala-PH-homecoming.webp) Alex Eala received a hero’s welcome during her homecoming and meet-and-greet on July 15. Photo from Globe Telecom Website Her influence earned her praise from the Philippine Senate. On August 5, the lawmakers unanimously adopted Senate Resolution No. 554 to honor Eala and recognize her achievements and contributions to Philippine sports. They also used her victory to push for sports development that would support grassroots athletes aspiring to reach national and international arenas. Eala’s hype manifested withal in how local courts remain fully booked, as well as in the opening of more tennis courts in the country. The player [commented](https://rollingstonephilippines.com/culture/sports/alex-eala-public-tennis-courts/) on this development, saying that “it’s a good thing” that courts are now “hard to get” due to the influx of players. She compared it to her experience, where tennis courts used to be empty or available only at expensive country clubs. The Philippine Tennis Association (PhilTA) and the Philippine Sports Commission (PSC) opened the newly renovated Rizal Memorial Tennis Center to the public in April, months after the first Philippine Women’s Open in January, where Eala played. “I’m online, I’m seeing everybody play tennis, people of all ages picking up rackets. And I hear stories directly from them of how they picked up tennis, or other racket sports, and things like that,” Eala told reporters during a post-conference match in Toronto. “So I think tennis is well-loved back home, and anything I can do to help that cause, it’s my pleasure.” She added. ## Sold-out tickets Although she’s only halfway to the Top 10, metrics suggest that the Eala effect is more than just national pride and is on a continuous rise. DC Open tournament owner Mark Ein [said](https://www.facebook.com/DyanCastillejo/videos/dc-tournament-owner-mark-ein-informed-that-80-of-ticket-sale-inquiries-are-for-w/1317289643514629/) that 80 percent of the ticket sale inquiries in July were for Eala’s matches. Fans online have also [noted](https://x.com/_minatongue/status/2085519386102902880?s=20) the huge difference in NBO ticket prices for Eala’s matches compared to those of other players in higher ranks. Regular seating tickets for Eala’s August 8 match against McNally were sold out despite being priced at $60 to $125, while tickets for other matches on the same date started at $40. NBO tournament director Karl Hale acknowledged Eala’s impact on the community, calling her an “absolute blessing to the sport of tennis” and their tournament. The NBO saw fans of Eala carrying Philippine flags, as well as [banners](https://x.com/DYANCASTILLEJO/status/2085197846513320154/video/3?s=46) saying “Salamat, Alex,” “Game on, Alex. Kapag lumago, hindi na hihinto.” ![Filipinos watching the NBO Open](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Filipino-crowd-in-NBO-Toronto.webp) The Filipino crowd cheered for Eala during her match against Bencic on August 10. Photo from Alex Eala/Instagram Despite her Canadian Open run ending against Bencic on August 10, she took pride in what she had already accomplished and thanked her fans for the overwhelming support. Eala will soon make her debut at the upcoming Cincinnati Open in Ohio, where she will be seeded No. 17 with a first-round bye. The ace also previously [shared](https://www.espn.ph/tennis/story/_/id/49364699/alex-eala-targets-asian-games-wimbledon-milestone) that competing in the 20th Asian Games in Japan is within her plans. “It’s always an honor. I think it’s different when you play in the Asian and Southeast Asian Games. It’s different; it brings a different vibe than when I competed on the WTA Tour,” she said. Eala is likewise expected to attend the WTA 500 Singapore Open happening on September 21-27, which would bring the Filipina player closer to home. The Singapore Open Tournament’s Instagram [post](https://www.instagram.com/p/DbvEsnPmG3T/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==) has since been filled with fans asking for her match dates, and Filipinos planning their travel to Kallang to witness her play. ## FREQUENTLY ASKED QUESTIONS ### What was Alex Eala’s recent milestone? Alex Eala made history when she won her first WTA Tour-level singles title during the Mubadala DC Open. ### What is Alex Eala’s current WTA ranking? Alex Eala is currently ranked as the world No. 20. ### What is the proper tennis etiquette? A usual tennis crowd is known to be quiet during rallies, only cheering in between points. ### How has Alex Eala affected tennis tournament sales? Eala’s tennis matches were getting sold out, with DC Open tournament owner Mark Ein saying that 80 percent of the ticket sale inquiries in July were asking about her matches. ### Where will Alex Eala compete next? Alex Eala’s plan is to represent the Philippines at the 20th Asian Games in Japan, and she is expected to compete in the WTA 500 Singapore Open from September 21-27. Related Stories - [Alex Eala Wins First-Ever WTA Tour Title in DC](https://rollingstonephilippines.com/culture/sports/alex-eala-dc-open-champion/ "Alex Eala Wins First-Ever WTA Tour Title in DC") - [Can Alex Eala Help Tennis Evolve from Being a Country Club Sport in the PH?](https://rollingstonephilippines.com/culture/sports/alex-eala-public-tennis-courts/ "Can Alex Eala Help Tennis Evolve from Being a Country Club Sport in the PH?") - [Before Alex Eala: 13 Filipino Athletes Who Also Made History](https://rollingstonephilippines.com/culture/sports/filipino-athletes-who-made-history-alex-eala/ "Before Alex Eala: 13 Filipino Athletes Who Also Made History") **Categories:** Culture, Internet Culture, Sports **Tags:** alex eala, Filipino crowd, Mubadala DC Open, National Bank Open, Philippines, tennis, Tennis Etiquette, WTA --- ### [The Dawn Talks Filipino Rock, Loss, and Going On Strong, 40 Years Later](https://rollingstonephilippines.com/music/rock/the-dawn-40th-anniversary-interview-jett-pangan-francis-reyes/) **Published:** June 19, 2026 **Author:** Elijah Pareño **Excerpt:** The veteran rock outfit reflects on changing trends, personal losses, and the resilience that carried them through four decades. **Content:** As the [Filipino rock](https://rollingstonephilippines.com/music/rock/) band celebrates its 40th anniversary, [The Dawn](https://rollingstonephilippines.com/tag/the-dawn/ "The Dawn") members still ask themselves how they’ve lasted this long. The band consists of vocalist [Jett Pangan](https://rollingstonephilippines.com/tag/jett-pangan/ "Jett Pangan"), lead guitarist Francis Reyes, drummer Junboy Leonor, rhythm guitarist Rommel Sanchez, and bassist Bim Yance. With hit singles like “Salamat,” “Envelope Ideas,” “Iisang Bangka,” and “Tulad ng Dati,” to name a few, achieving 40 years together wouldn’t be possible without a couple of existential crises along the way. From the very beginning, Pangan remembers the days when the band started out, playing at SM carparks and department stores, places that would most likely accommodate free shows at the time, but were accessible enough, which helped the band boost their popularity with the growing awareness of new wave and rock music at the time. Pangan recalls how punks and new wavers hung out in the same space. But when it came to the music, Reyes, however, would always like to think that the band was adaptive with whatever trend came through. “Personally, I don’t like the feeling of, or I don’t even want to think, that my generation’s music was better than everyone else’s because it’s simply not true,” Reyes tells *Rolling Stone Philippines*. “The sentiments are kind of modified. The forms may change, but if you really listen, sometimes, it’s not the same.” The Dawn has survived across different trend cycles in the music scene. Instead of going against the flow, the band would openly acknowledge how much genres and trends came to inspire them “When the emo thing happened — whatever you want to call it — I was influenced by that,” Reyes says. “Because musically it comes from punk and metal and all of these things, but with more melody. I found that relatable.” ## **The Dawn: Loss, Change, and Four Decades of Resilience** ![The Dawn](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/The-Dawn.webp) Forty years after their formation, Pangan, Reyes, Leonor, Sanchez, and Yance say it’s not worth burning bridges because the scene can get really small. Photo courtesy of The Dawn Ever since the ‘80s, The Dawn had gone through changes, from their songwriting style, getups, to lineup changes due to the loss of the co-founder and guitarist Teddy Diaz, and all the conflicts in between. “Ang The Dawn umabot pa sa nag-umpisa na mauso ang banda tapos biglang \[nung\] nauso ang pop na set aside ang banda,” Sanchez says. “Then naging uso ang R&B, \[tapos\] nagkaroon ng acoustic ‘yong uso. Any artist’s challenge ‘yan ‘e. \[Matutong\] mag-adapt and survive.” Pangan believes that it’s easier for artists to make their mark in the music scene today due to how fast everything moves online. But he cautions young bands on how everything can get misconstrued when a music scene-related issue comes out. “Really, what’s going to save you at the end of the day is just believe in your music,” Pangan says. “Get a good manager, and never mind what the naysayers are saying. Because right now everything’s real-time, right? When somebody loves you, you’ll know it in a second. If somebody hates you for no reason, you’ll know it in a second also.” Pangan also has some advice to bands who are in it just for the money: “It doesn’t make sense to be in this business if your first intention is stuff like money and fame.” ## What is Next for The Dawn? The Dawn saw firsthand how the scene evolved across four decades. Pangan namedrops bands like Introvoys, After Image, and Eraserheads as bands that ushered in a new era of rock music in the Philippines. “We were there but \[those bands\] really railroaded the scene. And in some ways, we liked that,” Pangan says. “Back in the ‘80s, that’s a dream of ours to have the band scene really go mainstream. The caveat there was we didn’t really know how to navigate that.” Forty years after their formation, Pangan, Reyes, Leonor, Sanchez, and Yance say it’s not worth burning bridges because the scene can get really small. There were moments where the band had to go through every single instance when they’d almost broken up and tested the band’s longevity, from Diaz and Mon Legaspi’s death to their age-old questions of whether or not it’s still worth doing 40 years after. “Those moments tested our resilience,” Pangan says. “I think it’s no surprise to everyone here in this room that we had our moments of existential questions of should we go on? \[It wasn’t\] only the loss of our members, it was also the changing times.” The Dawn’s 40th anniversary concert happens on June 27 at The Theatre in Solaire, Parañaque City. ## Frequently Asked Questions ### Who Are in the band The Dawn? The current lineup of The Dawn is Jett Pangan, Francis Reyes, Junboy Leonor, Rommel Sanchez, and Bim Yance. ### Who are the bands from the ‘90s that The Dawn looked up to? Jett Pangan has mentioned that bands like After Image, Introvoys, and Eraserheads that helped usher in a new era of rock music at the time. ### What songs made The Dawn popular in the rock scene? The Dawn’s hit songs include “Salamat,” “Envelope Ideas,” “Iisang Bangka,” and “Tulad ng Dati,” to name just a few. ### What was the title of the movie where The Dawn had to play as themselves? The title of the movie where The Dawn had to play as themselves is called *Tulad ng Dati*. The film is directed by Mike Sandejas. ### Where will the Dawn’s 40th anniversary concert take place? The Dawn’s 40th anniversary concert will take place at The Theater in Solaire, Parañaque City on June 27. Related Stories - [Jett Pangan Looks Back on The Dawn’s 40-Year Run](https://rollingstonephilippines.com/media-channels/greatest-hits/jett-pangan-the-dawn-40-years/ "Jett Pangan Looks Back on The Dawn’s 40-Year Run") - [Gigi De Lana’s Cover Strike Exposes Music’s Originality Crisis](https://rollingstonephilippines.com/music/news/gigi-de-lana-cover-strike-exposes-music-originality-crisis/ "Gigi De Lana’s Cover Strike Exposes Music’s Originality Crisis") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") **Categories:** Music, Rock **Tags:** The Dawn --- ### [Pixies Guitarist Joey Santiago’ Never Played to ‘Sound Filipino’](https://rollingstonephilippines.com/music/rock/pixies-joey-santiago-filipino-sound/) **Published:** February 16, 2026 **Author:** Elijah Pareño **Excerpt:** The alternative rock pioneer says his playing was guided by creative instinct rather than cultural expectation **Content:** [Joey Santiago](https://rollingstonephilippines.com/tag/joey-santiago/ "Joey Santiago"), one of the lead guitarists of the seminal alternative rock band [Pixies](https://rollingstonephilippines.com/tag/pixies/ "Pixies"), is not the type to mince words about his place in [rock history](https://rollingstonephilippines.com/music/rock/). “What you have in your pocket, you just have to take it out,” he tells *Rolling Stone Philippines*, not as a threat but to illustrate his philosophy of playing live. The band is famously known for its smash single “Where Is My Mind?,” which later became the needle drop for the infamous closing scene of David Fincher’s *Fight Club* in 1999, years after the band’s first breakup. Whether in podcasts or in tell-all biographies across decades of rock literature, Santiago has remained candid about his life and work. For one, he admits the feeling of finally playing in his hometown in Manila — on May 10 at the Filinvest Tent in Alabang, Muntinlupa City — has not fully sunk in. Santiago helped pioneer the loud-quiet-loud dynamic of late ‘80s and ‘90s alternative rock through his angular guitar style. His unconventional approach, favoring distortion and dissonance over traditional solos, would go on to influence artists like Nirvana’s Kurt Cobain and shape the broader sound of alternative rock. “I can’t really say much about if I delve into any culture, for that matter. I’m in my own little head.” Joey Santiago Influence, however, was never his intention. As rock continues to evolve, Santiago remains firm in what he brings to the instrument, whether revisiting legacy material from albums like *Surfer Rosa* and *Doolittle*, or continuing to perform decades later. Speaking with *Rolling Stone Philippines*, Santiago reflects on guitar music, the shifting rock landscape, and his own lineage. Despite his Filipino heritage, he admits there was no conscious effort to incorporate cultural identity into his playing. “Actually, it’s going to disappoint you, but \[there’s no influence\]. It’s just because music is music,” Santiago says. “I suppose maybe when I do the little tremolo stuff, when I’m doing the fast picking, that might be a little bit of a Spanish influence there. But I can’t really say much about if I delve into any culture, for that matter. I’m in my own little head.” “Today, I’m not really much in touch with what’s going on,” he says before adding, “Well, I kind of am.” ![Pixies](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/Pixies.webp) As one of the guitarists who helped define alternative rock’s rhythmic tension, Santiago says those now-signature dynamics came from working within his own limits. Photo from Pixies/Facebook Santiago still keeps an ear open. He points to New York indie rock band Geese and their album *Getting Killed* as one of the few breakout acts that caught his attention, owing to its unpredictability and off-center approach. “The big buzz band out there now is a band called Geese. And they’re really, really good. \[Cameron Winter\] has a very unique voice. The instrumentation is weird enough for me. I like it. So that’s what captures my ears.” ## Loud Yet Quiet As one of the guitarists who helped define alternative rock’s rhythmic tension, Santiago says those now-signature dynamics came from working within his own limits. “Whatever you have, whatever skills you have, just embrace it. That’s it,” he says. “Those are the set of skills I had at the time. It was done in a creative way. Seems like the less tools you have, the more creative you’re bound to get.” Even now, Santiago approaches his guitar practice as something unfinished. That restless curiosity runs through Pixies songs like “Debaser,” “Monkey Gone to Heaven,” “Broken Face,” and “Cactus,” where his playing continues to push against its own edges. “There’s always something more to learn. It’s just endless,” he says. “In the end, you’re going to have to paint yourself in a corner and embrace what you like to hear.” ## Frequently Asked Questions ### Does Joey Santiago’s guitar playing draw from his Filipino heritage? No. Santiago says there was no conscious effort to incorporate his Filipino identity into his playing, though he notes his fast picking and tremolo technique may carry a slight Spanish influence rather than a specifically Filipino one. ### When is Joey Santiago performing in Manila with Pixies? Santiago performs with Pixies in Manila on May 10 at the Filinvest Tent in Alabang, Muntinlupa City, marking his first time playing in his hometown, an experience he says hasn’t fully sunk in yet. ### What guitar style is Joey Santiago known for pioneering? Santiago helped pioneer the loud-quiet-loud dynamic of late ’80s and ’90s alternative rock through his angular guitar style, favoring distortion and dissonance over traditional solos, influencing artists like Nirvana’s Kurt Cobain. ### What band has recently caught Joey Santiago’s attention? Santiago cites New York indie rock band Geese, particularly their album “Getting Killed,” as one of the few recent breakout acts he’s noticed, praising vocalist Cameron Winter’s unique voice and the band’s unconventional instrumentation. ### What Pixies songs best showcase Joey Santiago’s guitar style? Santiago’s restless, boundary-pushing playing runs through Pixies tracks including “Debaser,” “Monkey Gone to Heaven,” “Broken Face,” and “Cactus,” reflecting his approach to guitar as something he continues to treat as unfinished work. Related Stories - [Pixies to Make Their Long-Awaited Manila Debut in 2026](https://rollingstonephilippines.com/music/rock/pixies-live-in-manila-announcement/ "Pixies to Make Their Long-Awaited Manila Debut in 2026") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") - [Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’](https://rollingstonephilippines.com/music/singer-songwriter-barbie-almalbis-myth-of-rakista-rolling-stone-interview/ "Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’") **Categories:** Music, Rock **Tags:** Joey Santiago, Pixies --- ### [Reg Rubio on Surviving Greyhoundz’s Hardest Years and Going Solo](https://rollingstonephilippines.com/music/rock/reg-rubio-surviving-greyhoundz-going-solo/) **Published:** August 13, 2026 **Author:** Elijah Pareño **Excerpt:** The veteran vocalist looks back on the moments that tested his band and the new music that is giving him another reason to take risks **Content:** [Reg Rubio](https://rollingstonephilippines.com/tag/reg-rubio/ "Reg Rubio") has spent more than two decades as one of the recognizable voices in Philippine heavy music. As the vocalist of [Greyhoundz](https://rollingstonephilippines.com/tag/greyhoundz/ "Greyhoundz"), Rubio helped bring the band from the smaller shows in Club Dredd into the big rock festival stages with songs like “Pigface,” “Mr. P.I.G.,” and “Shoot to Kill.” But for Rubio, the band’s success was never something they expected, as he reflected in the latest episode of [Rolling Stone Philippines Greatest Hits](https://rollingstonephilippines.com/tag/greatest-hits/ "Rolling Stone Philippines Greatest Hits"). Their breakthrough came after their demo was submitted at [legendary rock](https://rollingstonephilippines.com/music/rock/) radio station NU107, eventually opening the door to a career that would take Greyhoundz through multiple albums, lineup changes, and major shifts in the local music industry. Rubio joined Greyhoundz as a replacement for the band’s original vocalist Alex Dinoso. He remembers bringing their demo to NU107 around 1998, where music director Myrene Academia, who is also the bassist from [Sandwich](https://rollingstonephilippines.com/tag/sandwich/ "Sandwich"), received the CD and played it almost immediately. The exposure eventually helped Greyhoundz reach a much wider audience. “​​The impact of ‘Pig Face’ on my career and our band’s career \[is that\] it opened the gate. It opened everything for us,” Rubio tells *Rolling Stone Philippines.* “Like any other band, we were never expecting to succeed.” ## Navigating The Rock Scene Greyhoundz eventually reached one of its most difficult periods when the band lost guitarist Allen Cudal in 2004. The loss came around the making of *Apoy* in 2005, forcing the remaining members to ask whether they could continue without one of their own. “Bigla kaming nagkaroon ng tanong kung itutuloy pa ba namin?” Rubio says. The album became an important record for Rubio, who drew from the loss of his bandmate and from people around him who were struggling at the time. While some listeners interpreted *Apoy* through its imagery of fire, Rubio says its message was about pushing through difficult moments without destroying yourself. The meaning of the album became even clearer when Rubio met fans who told him how the record helped them through illness. In one of Rubio’s anecdotes, during a show in Bacolod, a cancer survivor approached him in tears and told him that *Apoy* became his “soldier” while he was in the hospital. He calls that experience “priceless.” The band also had to navigate an industry that was changing around them. With record labels slowly disappearing and distribution deals becoming more common, Greyhoundz decided to make their next record themselves. One of their greatest hits, “Shoot to Kill” from *Execution Style* back in 2009, was self-recorded. They entered the studio with only two songs and wrote eight more, recording the entire album live in a month. ## Why Reg Rubio Is Going Solo With “505” After years of sharing songwriting responsibilities with Greyhoundz, Rubio is now exploring what he can do on his own. His solo single “505,” in collaboration with rapper [Ron Henley](https://rollingstonephilippines.com/music/2000s-pinoy-love-rap-hip-hop/ "How Pinoy Love Rap in the 2000s Defied Taste in Hip-Hop"), became a taste test for the new direction he wants to pursue. Working solo also means taking full responsibility for every decision. There are no bandmates to blame if something does not work, but Rubio says that freedom is part of the appeal. “With the bandmates, all of you may say sa lahat, lahat kayo may accountability when writing. ‘Pag solo, salo mo lahat,” Rubio says. “So kung panget siya, kasalanan mo kaagad ‘yun. Wala kang madadamay na iba. ‘Di ko pwedeng sabihing, ‘Kasalanan nila Auds \[Avenido\].’ ‘Di ko rin pwedeng sabihing, ‘Kasalanan ni TJ \[Brillantes\].’ ‘Pag may panget na gawa, kasalanan ko kaagad ‘yun.” ## Frequently Asked Questions ### Who was the original vocalist of Greyhoundz? Alex Dinoso was the original vocalist of Greyhoundz before Reg Rubio took over. ### Who was the guitarist of Greyhoundz who passed away? Allen Cudal, one of Greyhoundz’s original guitarists, died in a car accident in May 2004. The band continued as a four-piece after. ### What are Greyhoundz’ greatest hits over the decades? Greyhoundz’s greatest hits are “Pigface,” “Mr. P.I.G.,” “Doble Kara,” and “Shoot to Kill.” ### Who did Reg Rubio collaborate with on “505”? Reg Rubio collaborated with Filipino rapper Ron Henley on “505,” the lead single from his forthcoming solo album. ### Where did Greyhoundz record *Execution Style* in 2009? Greyhoundz recorded the *Execution Style* album at bassist Niño Avenido’s studio. Related Stories - [Greyhoundz’s Reg Rubio Chooses His Battles in Nu-Metal’s Loudest Scene](https://rollingstonephilippines.com/music/rock/reg-rubio-greyhoundz-interview/ "Greyhoundz’s Reg Rubio Chooses His Battles in Nu-Metal’s Loudest Scene") - [Photographer Niña Sandejas Debuts alt164 Press With 408-Page Greyhoundz Book](https://rollingstonephilippines.com/music/rock/nina-sandejas-alt164-greyhoundz/ "Photographer Niña Sandejas Debuts alt164 Press With 408-Page Greyhoundz Book") - [5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades](https://rollingstonephilippines.com/music/5-filipino-hip-hop-subgenres/ "5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades") **Categories:** Music, Rock **Tags:** Greyhoundz, Reg Rubio --- ### [Red Horse Pambansang Muziklaban 2026 Calls For New Bands to Join](https://rollingstonephilippines.com/music/rock/red-horse-muziklaban-2026-new-bands/) **Published:** September 2, 2026 **Author:** Elijah Pareño **Excerpt:** After more than two decades of discovering rock acts, the competition returns with a P1 million prize at stake **Content:** Red Horse Beer Pambansang [Muziklaban](https://rollingstonephilippines.com/tag/muziklaban/) has officially opened submissions until September 20. Established in 1999, it has become the country’s longest-running rock band competition. Past winners of the competition include [Mayonnaise](https://rollingstonephilippines.com/tag/mayonnaise/), Woopis, and Happy Three Friends. It also showcased massive guest performances from [Greyhoundz](https://rollingstonephilippines.com/tag/greyhoundz/), Wilabaliw, [Urbandub](https://rollingstonephilippines.com/tag/urbandub/), [Kjwan](https://rollingstonephilippines.com/tag/kjwan/), and many more over the years. ![Red Horse Beer Pambansang Muziklaban](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Muziklaban-1.webp) The Pambansang Muziklaban Grand Champions of the competition will take home a cash prize of P1,000,000. Photo from Red Horse Beer Pambansang Muziklaban/Facebook Bands are allowed to apply as long as members are between 21 and 45 years old, and any [rock subgenre](https://rollingstonephilippines.com/music/rock/) is welcome to join, from nu-metal and alternative rock to reggae. Once applications are accepted, bands will participate in eliminations until the culminating event at the 2026 Pambansang Muziklaban event to be announced later in the year. The Grand Champions of the competition will take home a cash prize of P1,000,000. Last March 14, Davao metal outfit Tamad Si Juan were hailed as Grand Champions. Since winning, the band has co-headlined [Fete De La Musique](https://rollingstonephilippines.com/tag/fete-de-la-musique/) Davao in June, got recognition from [Queso](https://rollingstonephilippines.com/music/rock/reg-rubio-greyhoundz-interview/) vocalist Ian Tayao on his YouTube series, and toured all over the Mindanao region. Pambansang Muziklaban 2026 registration is now open via [Google Forms](https://tinyurl.com/RHBMuziklabanRegistration). ## Frequently Asked Questions ### What is the Red Horse Pambansang Muziklaban? Red Horse Pambansang Muziklaban was established in 1999, making it the country’s longest-running rock band competition. ### How much is the cash prize for the Grand Champion title? Red Horse Pambansang Muziklaban Grand Champions will take home a cash prize of P1,000,000. ### What is the age limit for participating in the competition? Red Horse Pambansang Muziklaban registrants are allowed to apply as long as members are between 21 and 45 years old. ### Who were the past winners of Red Horse Pambansang Muziklaban? Red Horse Pambansang Muziklaban’s past winners of the competition include Mayonnaise, Woopis, Happy Three Friends, and Tamad Si Juan. ### Where can people register for the Pambansang Muziklaban 2026? Red Horse Pambansang Muziklaban 2026 registration is now open via [Google Forms](https://tinyurl.com/RHBMuziklabanRegistration). Related Stories - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") - [Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’](https://rollingstonephilippines.com/music/singer-songwriter-barbie-almalbis-myth-of-rakista-rolling-stone-interview/ "Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’") - [Anygma on Hip-hop and the Perception of the Underground Going Mainstream](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/anygma-fliptop-battle-league/ "Anygma on Hip-hop and the Perception of the Underground Going Mainstream") **Categories:** Music, Rock **Tags:** Muziklaban --- ### [Still Outsiders and Drawing Blood: Chicosci Celebrates 20 Years of their Self-Titled Album](https://rollingstonephilippines.com/music/rock/chicosci-20th-anniversary-self-titled-album/) **Published:** May 21, 2026 **Author:** Elijah Pareño **Excerpt:** The band revisits its 2006 self‑titled in full at Soundcheck Studios, tracing a DIY path from Tower of Doom to a 20‑year legacy **Content:** [Rock](https://rollingstonephilippines.com/music/rock/) band [Chicosci](https://rollingstonephilippines.com/tag/chicosci/ "Chicosci") has played the DIY game for the longest time. Alongside contemporaries in emo, hardcore, and metal — [Typecast](https://rollingstonephilippines.com/tag/typecast/ "typecast"), [Urbandub](https://rollingstonephilippines.com/tag/urbandub/ "Urbandub"), [Greyhoundz](https://rollingstonephilippines.com/tag/greyhoundz/ "Greyhoundz"), to name a few — they’ve extended their longevity through an uncompromising attitude in the scene. One document of that refusal to fold is their seminal 2006 self‑titled album, which housed some of their biggest hits: “Seven Black Roses,” “A Promise,” “Chicosci Vampire Social Club,” and more. Those songs won over the emo kids of the time and still are to this day. In time for the album’s 20th anniversary, Chicosci plans to play the album in full at Soundcheck Studios in Pasig City on June 6. The band now has current‑and‑original members vocalist Miggy Chavez and guitarist Mong Alcaraz joined by newer additions bassist Eco Del Rio and drummer Victor Guison. The cover art of the self-titled album features Chavez’s mother’s rosary on a stark white background and a gothic font that spell out the band’s name. They recall that when a major label dropped them after their third album *Icarus* in 2004, they immediately moved to release their follow-up album independently with the help of recording studio Tower of Doom. “Tower of Doom at the time was starting out and we had just finished record label contracts,” Alcaraz tells *Rolling Stone Philippines*. “Tower of Doom was crucial in being able to afford making the album, then MySpace was huge and that helped us a lot.” As for promoting the songs and the record, Chicosci would often choose venues not typically associated with emo. Even as a heavy band flirting with the mainstream, they kept testing different venues. “We just played anywhere and everywhere,” Alcaraz says. “We tried to play in places that weren’t known for punk, like, let’s say, Capone’s in Makati.” ## **Why Chicosci’s Music Still Connects After 20 Years** ![Chicosci](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/chicosci-photo.webp) Chicosci’s self‑titled album twenty years after is still being talked about by fans, including younger ones. Photo from Chicosci Talking about the album’s age in 2026, newer fans still discover Chicosci’s essential songs, fall hard for them, and suddenly form bands that cover either “A Promise” or “Seven Black Roses.” “I think there’s something to be said about songs that stand the test of time,” Chavez says. “People say, ‘Chicosci songs, you know, it’s still good.’ If songs sound good, they’ll sound good 20 years on, fuck yeah.” Chavez points out that beyond celebrating the self‑titled record, the band designed each album to sound different. Chavez, Alcaraz, Del Rio, and Guison prefer to keep things adventurous as they go through different soundscapes in their live setlists, whether attending a melodic‑hardcore show or playing in front of thousands at a pop festival. “We don’t want to make the same music over and over,” Chavez says. “It probably works for some bands, but yeah, we get bored. We listen to a lot of music, from death metal to pop folk. Good music is good music, and Chicosci just wants to make good music.” Chavez also brings up how being othered fueled him to make the kind of music showcased on the album. Emo kids are outsiders by default, and he channeled that into the record so efficiently that it helped define a generation of kids who wanted to listen, and play, like Chicosci. But it doesn’t happen overnight. It takes patience to be in a band like this. There can only be one 2006 self‑titled album and twenty years makes the wait worth it. “We’ve never set any limitations for ourselves, partly because we are not part of any scene whatsoever,” Chavez says. “We’ve never been part of a scene. If anything, we were always the outsiders. But with that, I think a sense of freedom comes along. So we do whatever we want; we write however we want.” ## Frequently Asked Questions ### Who is Chicosci? The band Chicosci is a rock quartet consisting of members vocalist Miggy Chavez, guitarist Mong Alcaraz, bassist Eco Del Rio, and drummer Victor Guison. ### What album is Chicosci celebrating for its 20th anniversary? Chicosci is celebrating the anniversary of their self-titled album released back in 2006. It was released independently and contains hit singles such as “A Promise,” “Seven Black Roses,” “Chicosci Vampire Social Club,” and many more. ### Where is Chicosci celebrating their 20th anniversary of their self-titled album? Chicosci will be performing on June 6, Saturday at Soundcheck Studios, Pasig City. ### How are they celebrating their 20th anniversary concert? Chicosci will be performing the entire album in full at their 20th anniversary concert. Opening the concert for support will be pop-punk band Kamikazee. Tickets of the show are now available on their social media pages. ### What can fans expect from Chicosci’s anniversary show? Fans can expect Chicosci to perform their 2006 self-titled album in full during the anniversary concert. The show celebrates the record’s legacy, revisits classic songs, and highlights the band’s continuing influence on Filipino alternative and emo music. Related Stories - [Filipino Artists are Touring the World — For Filipinos Abroad](https://rollingstonephilippines.com/music/filipino-artists-are-touring-the-world-for-filipinos-abroad/ "Filipino Artists are Touring the World — For Filipinos Abroad") - [Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’](https://rollingstonephilippines.com/music/singer-songwriter-barbie-almalbis-myth-of-rakista-rolling-stone-interview/ "Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’") - [For Filipinos, Keeping a Music Venue Alive Means Clutching at Straws](https://rollingstonephilippines.com/music/state-of-music-venues/ "For Filipinos, Keeping a Music Venue Alive Means Clutching at Straws") **Categories:** Music, Rock **Tags:** Chicosci --- ### [Space-Ta Unveils ‘Debussy,’ Pulls in OPM Rock Mainstays for New Album](https://rollingstonephilippines.com/music/rock/space-ta-debussy-new-album/) **Published:** April 21, 2026 **Author:** Elijah Pareño **Excerpt:** The latest project taps into ‘90s alt influences while pulling in collaborators such as Raymund Marasigan, Blaster, Silonga, and more **Content:** Multi-genre musician [Space-Ta](https://rollingstonephilippines.com/tag/space-ta/ "Space-Ta") is set to release his follow-up album *Debussy*, named after the French composer Claude Debussy. The concept album pays homage to the ‘90s alternative rock sound and plays around with the themes of time travel. *Debussy* gathers together pop rock and psychedelic textures across 10 tracks. Songs like “Di Man Tayo,” “Reyna ng Sining,” and “Sa Piling Mo” experiment with the acoustic guitar, reverb-heavy vocals, the bandurria, and ambient music brought by organ pianos. Moreover, the album leaps from garage rock on “Must Be” to the more immersive space rock-influenced production and sprawling arrangements in “Reyna Ng Sining” and “Nakita Ko Sa Iyong Mata.” ![Space-Ta](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Space-Ta.webp) The album brings in a massive list of the who’s who of collaborators, mostly belonging to the OPM rock scene. Photo from Space-Ta/Instagram The album brings in a massive list of the who’s who of collaborators, mostly belonging to the [OPM rock](https://rollingstonephilippines.com/music/rock/) scene. Musicians [Francis De Veyra](https://rollingstonephilippines.com/music/juan-dela-cruz-mike-hanopol/ "Juan Dela Cruz Lives on Through the Music and Myth of Mike Hanopol"), [Raymund Marasigan](https://rollingstonephilippines.com/editors-picks/lists/ra-rivera-music-videos-2000s/ "5 RA Rivera Music Videos That Are Time Capsules of 2000s OPM"), and Buddy Zabala produced several tracks on the album while players Kakoy Legaspi, [Blaster Silonga](https://rollingstonephilippines.com/tag/blaster-silonga/ "Blaster Silonga"), Shinji Tanaka, and others contributed to the album’s live performances. Each track transforms sonically depending on who’s involved, giving the project a more varied and unpredictable direction. Space-Ta will host a listening party for *Debussy* on April 23 at New Frontier Theater in Cubao, Quezon City. ## Frequently Asked questions ### What inspired Space-Ta’s new album ‘Debussy’? Space-Ta’s concept album Debussy takes its title from French impressionist composer Claude Debussy, combining 1990s alternative rock soundscapes and psychedelic textures with overarching themes of time travel. ### How many tracks are on Space-Ta’s album ‘Debussy’? The album contains 10 tracks, featuring a blend of garage rock, space rock, acoustic guitar, bandurria elements, and ambient organ arrangements. ### Which OPM rock artists worked on Space-Ta’s ‘Debussy’? The album features production work by OPM legends Francis De Veyra, Raymund Marasigan, and Buddy Zabala, alongside instrumental contributions from Kakoy Legaspi, Blaster Silonga, and Shinji Tanaka. ### When is the listening party for Space-Ta’s ‘Debussy’ album? Space-Ta will host the official album listening party on April 23 at the New Frontier Theater in Cubao, Quezon City. ### What genres are featured on the album ‘Debussy’? The album incorporates multiple genres, ranging from ’90s alternative rock and pop-rock to psychedelic rock, garage rock, ambient music, and space rock. Related Stories - [5 RA Rivera Music Videos That Are Time Capsules of 2000s OPM](https://rollingstonephilippines.com/editors-picks/lists/ra-rivera-music-videos-2000s/ "5 RA Rivera Music Videos That Are Time Capsules of 2000s OPM") - [IV of Spades on Finding Their Way Back and Making ‘Andalucia’](https://rollingstonephilippines.com/music/rock/iv-of-spades-andalucia/ "IV of Spades on Finding Their Way Back and Making ‘Andalucia’") - [Diego Castillo of Sandwich on the Radical Power of Fatherhood](https://rollingstonephilippines.com/music/diego-castillo-fatherhood/ "Diego Castillo of Sandwich on the Radical Power of Fatherhood") **Categories:** Music, Rock **Tags:** Space-Ta --- ### [Where Are The Local Bands Featured in ‘Rankenrol’ Now?](https://rollingstonephilippines.com/music/rock/rakenrol-15-years-local-bands-now/) **Published:** August 19, 2026 **Author:** Elijah Pareño **Excerpt:** Fifteen years after the film hit cinemas, its musicians have taken different paths, from new projects to overseas tours **Content:** Celebrating its 15th anniversary this year, the coming-of-age comedy film *[Rakenrol](https://rollingstonephilippines.com/tag/rakenrol/ "Rakenrol")* follows close friends Odie (Jason Abalos) and Irene (Glaiza De Castro) and their fictional band Hapipaks trying to make it in the local music scene. The film featured several local bands that defined its era of music, from Pupil to [Taken By Cars](https://rollingstonephilippines.com/tag/taken-by-cars/ "Taken by Cars") to [Up Dharma Down](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/UDD.webp "UDD"). What happened to these bands? We take a look at seven acts and where they are today. ## Eggboy Diego Mapa’s solo project [Eggboy](https://rollingstonephilippines.com/tag/eggboy/ "Eggboy") co-wrote the lyrics to the film’s best-known song, “Oplan Pag-Ibig,” alongside *Rakenrol* co-writer [Diego Castillo](https://rollingstonephilippines.com/tag/diego-castillo/ "Diego Castillo") and [Chicosci](https://rollingstonephilippines.com/tag/chicosci/ "Chicosci") guitarist Mong Alcaraz. Eggboy has recently performed at live shows alongside [TEETH](https://rollingstonephilippines.com/tag/teeth/ "TEETH"), Janine Berdin, and [Ely Buendia](https://rollingstonephilippines.com/tag/ely-buendia/ "Ely Buendia") and the Methodists. Eggboy remains one of Mapa’s most celebrated musical projects alongside dance-punk band Pedicab and alternative rock supergroup Cambio. ## Taken By Cars “A Weeknight Memoir” by [Taken By Cars](https://rollingstonephilippines.com/tag/taken-by-cars/ "Taken by Cars") plays in the film as Irene’s ringtone. The song comes from their 2008 debut album *Endings of a New Kind*. The band, composed of Sarah Marco, Bryce Zialcita, Siops Chua, Isa Garcia, and Bryan Kong celebrated its 15th anniversary in March 2023 but hasn’t played much since. ## Peryodiko [Peryodiko](https://rollingstonephilippines.com/tag/peryodiko/ "Peryodiko") was shown at the start of *Rakenrol*, performing at the now-defunct Mag:net Bar. Known for songs like “Agawan Base” and “Tayo Lang Ang May Alam,” the band’s vocalist Vin Dancel is now a full-time lawyer. Their self-titled 2009 album was later reissued on vinyl through Backspacer Records in 2021. Peryodiko had shifting members, with Vin as the only founding member. Their lineup has included his partner Kris Gorra-Dancel, Ristalle Bautista of Duster, Kakoy Legaspi of [Barbie’s Cradle](https://rollingstonephilippines.com/music/rock/barbies-cradle-reunion-not-nostalgia-trip/ "Barbie’s Cradle Is Back, But Don’t Call Their Reunion A ‘Nostalgia Trip’"), Abe Billano of [Dong Abay](https://rollingstonephilippines.com/tag/dong-abay/ "Dong Abay"), and Simon Tan, all of whom are now pursuing their own musical projects. ## Cambio [Cambio](https://rollingstonephilippines.com/tag/cambio/ "Cambio") appears during one of the film’s happiest moments, specifically the scene where Odie and Irene bond together. The supergroup, composed of [Eraserheads](https://rollingstonephilippines.com/tag/eraserheads/ "Eraserheads")’ Raymund Marasigan and Buddy Zabala, Fatal Posporos’ Kris Gorra-Dancel, Diego Mapa, and [Ebe Dancel](https://rollingstonephilippines.com/tag/ebe-dancel/ "Ebe Dancel"), began in 2003 and eventually pursued their own separate paths in the music scene in 2007. Marasigan continued focusing on projects such as [Sandwich](https://rollingstonephilippines.com/tag/sandwich/ "Sandwich"), Squid 9, Basement Lung, Assembly Generals, and Party Pace, while Zabala went on to join [The Dawn](https://rollingstonephilippines.com/tag/the-dawn/ "The Dawn"), Moonstar88, and Hilera in different years. Cambio later staged a couple of reunion sets at All of the Noise in November 2019 at Century City Mall, Makati City and Redlines Entertainment Productions’ GABOOM! in 2024 at 123Block, Mandaluyong City. ## The Camerawalls In one of the film’s montage sequences alongside Peryodiko and Sandwich, [The Camerawalls](https://rollingstonephilippines.com/tag/the-camerawalls/ "The Camerawalls") are shown performing at another now-defunct venue, Route 196 in Katipunan, Quezon City. Vocalist and songwriter Clem Castro of [Orange & Lemons](https://rollingstonephilippines.com/music/indie-pop-band-orange-lemons-launches-paid-subscription-is-it-worth-it/ "Indie Pop Band Orange & Lemons Launches Paid Subscription. Is It Worth It?") formed The Camerawalls in 2007. Castro later reunited with Orange & Lemons and released its first album in 15 years, *La Bulaqueña*, in 2022. ## Urbandub [Urbandub](https://rollingstonephilippines.com/tag/urbandub/ "Urbandub"), appears in one of the film’s live music scenes performing “Runaway” from their 2003 album *Influence*. The band experienced lineup changes over the years, most notably with its drummers, before eventually returning with an expanded lineup in 2018. Urbandub remains one of the country’s most [prominent rock](https://rollingstonephilippines.com/music/rock/) acts, touring across North America, the United Kingdom, and Oceania. In April 2025, they celebrated their 25th anniversary alongside [Typecast](https://rollingstonephilippines.com/tag/typecast/ "typecast") at the New Frontier Theater. ## UDD During a scene where Irene and Odie prepare to head to a party hosted by Jacci Rocha (Diether Ocampo), Up Dharma Down, now known as UDD, can be heard on the radio with their hit song “Oo” from their debut album *Fragmented*. Since then, frontwoman Armi Millare has departed the band, leaving UDD as a trio in 2021. Millare has since pursued a solo career, while the band continues exploring new material and directions of its own with singer Bea Lorenzo performing their songs live. ## Frequently Asked Questions ### Who are the members of Cambio? Cambio consists of Raymond Marasigan, Buddy Zabala, Kris Gorra-Dancel, Diego Mapa, and Ebe Dancel. ### What was the name of Clem Castro’s side project? Clem Castro formed The Camerawalls after Orange & Lemons first disbanded in 2007. ### Where is Urbandub originally from? Urbandub is from Cebu City, Philippines, where they are known as “The Giant Sound of the South.” ### Who is the songwriter in the band Peryodiko? Vin Dancel is the vocalist and songwriter of Peryodiko. ### Who are the bands that *Rakenrol* featured in the film? *Rakenrol* has featured several bands like UDD, Urbandub, Eggboy, Peryodiko, and The Camerawalls, to name a few. Related Stories - [How TikTok is Resurrecting Forgotten Filipino Alternative Music ](https://rollingstonephilippines.com/music/indie/tiktok-resurrecting-forgotten-filipino-alternative-music/ "How TikTok is Resurrecting Forgotten Filipino Alternative Music ") - [Eraserheads on Music, Maturity, and Making History](https://rollingstonephilippines.com/music/eraserheads-on-music-maturity-and-making-history/ "Eraserheads on Music, Maturity, and Making History") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") **Categories:** Music, Rock **Tags:** Cambio, Eggboy, Peryodiko, Rakenrol, Taken by Cars, The Camerawalls, UDD, Urbandub --- ### [Mike Hanopol Looks Back on His Pinoy Rock Legacy and ‘Jeproks’](https://rollingstonephilippines.com/music/rock/mike-hanopol-legacy-and-jeproks/) **Published:** April 10, 2026 **Author:** Elijah Pareño **Excerpt:** The veteran rocker revisits key moments in local rock, explains the origin of “jeproks,” and reflects on songwriting with meaning for the next generation **Content:** [Mike Hanopol](https://rollingstonephilippines.com/tag/mike-hanopol/ "Mike Hanopol") has often been described as the “Last Juan” by his peers and by a generation raised on his music. As one of the pivotal members of [pioneering rock](https://rollingstonephilippines.com/music/rock/) band [Juan Dela Cruz](https://rollingstonephilippines.com/tag/juan-dela-cruz/ "Juan Dela Cruz"), alongside [Pepe Smith](https://rollingstonephilippines.com/tag/pepe-smith/ "Pepe Smith") and Wally Gonzalez, Hanopol would go on to release several solo albums and projects across five decades. He has survived countless shifts in sound and still stands as one of the most important figures of his time. His work continues to be cited by bands like the [Eraserheads](https://rollingstonephilippines.com/tag/eraserheads/ "Eraserheads"), [Sandwich](https://rollingstonephilippines.com/tag/sandwich/ "Sandwich"), and [P.O.T.](https://rollingstonephilippines.com/tag/p-o-t/ "P.O.T."), among many others. Hanopol himself often looks back on the moments, from “Laki sa Layaw” to “Balong Malalim,” and even his unexpected role as a composer for disco group Hagibis, most notably on the hit “Katawan.” Hanopol isn’t one to hold back when describing the songs he’s made. His experience stretches from time spent in Europe to being recruited by Smith into psychedelic band Speed, Glue & Shinki in Japan, before going on to release defining Juan Dela Cruz records like *Himig Natin* in the Philippines. His legacy is one for the ages, and hearing him speak feels essential for anyone paying attention to rock history, especially with the kind of anecdotes that only someone who has lived through it can tell. In the latest episode of Rolling Stone Philippines [Greatest Hits](https://rollingstonephilippines.com/media-channels/greatest-hits/ "Greatest Hits"), Hanopol breaks down the origins of the word “jeproks,” a catchall term that appeared in “Laki sa Layaw” and has since taken on a life of its own. “‘Yung salitang ‘project’ na binaliktad ‘jeproks,’ galing ‘yan sa dinonate na lupa sa UP Diliman, Teachers Village na pinangalang ‘Project,’” Hanopol tells *Rolling Stone Philippines*. “Sabi sa eskwelahan, ang salitang ‘jeproks’ ay bagong lengwahe ng Pilipino. Salitang pang-kusina. Majority ng tao ngayon sa mga bahay ‘pag nagluluto, ang topic ay ‘jeproks.’ Ngayon nag-iba ‘yung pangalan, nag-develop, nag-progress ‘yung salitang ‘jeproks.’ Hindi lang salita kundi isda na. Ang pangalan ng isda ay ‘jeproks.’” ## Rock N’ Roll Forever ![Mike Hanopol Greatest Hits](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/JLJ7645-1-2.webp) Hanopol has long advised aspiring songwriters that every song should carry a “moral lesson.” Photo by JL Javier For Hanopol, the way “jeproks” evolved mirrors how Pinoy rock itself continues to change with each generation. He remains hopeful that the current generation continues to engage with the full history of Pinoy rock, whether through younger bands covering Juan Dela Cruz songs or by paying homage to artists like him. “Maraming musikerong nagtatanong sa sarili nila na ‘Paano gumawa ng ganitong kanta na Pinoy ‘yung tono o feeling?’ Simple lang. Nagkataon na dinanas ko sa buhay, mga experiences ko sa America, Europe, Japan, ginamit ko ‘yung idea ko na tuwing gumagawa ako ng kantang Pinoy na rock na alam ko kayang gayahin pero ‘mauulit pa ba yan?’ ng ganitong klaseng \[music\]?” Hanopol has long advised aspiring songwriters that every song should carry a “moral lesson.” In tracks like “Tulungan Natin,” he emphasizes that writers need to understand the meaning behind what they create, whether drawn from personal experience or observation. “Kailangan \[mo\] ng sagot sa mga tanong,” he says. “Composer ka e, hindi mo alam ang sagot sa tanong? Malabo ‘yun e. Hindi composer ‘yong ganon e.” ## Frequently Asked Questions ### Where does the word “jeproks” come from? Mike Hanopol explains that “jeproks” is a reversal of the word “project,” tracing back to a donated lot in UP Diliman’s Teachers Village called “Project.” He says the term evolved from slang into a catchall word used in Filipino households and even became the name of a fish. ### Who is Mike Hanopol? Mike Hanopol, often called the “Last Juan,” is a founding member of pioneering Filipino rock band Juan Dela Cruz alongside Pepe Smith and Wally Gonzalez. Across five decades, he released solo albums and projects that continue to influence bands like the Eraserheads, Sandwich, and P.O.T. ### What was Mike Hanopol’s connection to Speed, Glue & Shinki? Hanopol was recruited by Pepe Smith to join the Japanese psychedelic band Speed, Glue & Shinki, an experience that came before he returned to the Philippines to help release defining Juan Dela Cruz records such as Himig Natin. ### What advice does Mike Hanopol give to aspiring songwriters? Hanopol believes every song should carry a “moral lesson,” emphasizing that songwriters must understand the meaning behind their own work, whether drawn from personal experience or observation, rather than writing without knowing what their song is actually saying. ### What songs is Mike Hanopol known for? Hanopol is known for tracks including “Laki sa Layaw,” “Balong Malalim,” and “Tulungan Natin,” as well as his work as a composer for disco group Hagibis, most notably on their hit single “Katawan.” Related Stories - [Juan Dela Cruz Band’s Mike Hanopol Reissues Solo Album ‘Lagablab’ on Vinyl](https://rollingstonephilippines.com/music/rock/mike-hanopol-lagablab-reissue/ "Juan Dela Cruz Band’s Mike Hanopol Reissues Solo Album ‘Lagablab’ on Vinyl") - [Juan Dela Cruz Lives on Through the Music and Myth of Mike Hanopol](https://rollingstonephilippines.com/music/juan-dela-cruz-mike-hanopol/ "Juan Dela Cruz Lives on Through the Music and Myth of Mike Hanopol") - [4 Father Figures of Manila Sound, the Philippines’ Take on Disco and Funk](https://rollingstonephilippines.com/music/4-father-figures-manila-sound/ "4 Father Figures of Manila Sound, the Philippines’ Take on Disco and Funk") **Categories:** Music, Rock **Tags:** Mike Hanopol --- ### [Jett Pangan Looks Back on The Dawn’s 40-Year Run](https://rollingstonephilippines.com/media-channels/greatest-hits/jett-pangan-the-dawn-40-years/) **Published:** May 4, 2026 **Author:** Elijah Pareño **Excerpt:** One of Filipino rock music’s enduring voices reflects on his band’s early years, crossover audiences, and songs that found new life years later **Content:** [Jett Pangan](https://rollingstonephilippines.com/tag/jett-pangan/ "Jett Pangan") is one of the country’s most influential rock vocalists, being the frontman of the band [The Dawn](https://rollingstonephilippines.com/tag/the-dawn/ "The Dawn"). He has led the charge for nearly 40 years, having gone through countless changes in trends, sound, and album cycles. From taking the helm on vocals for their breakthrough single “Enveloped Ideas,” with the help of their late guitarist Teddy Diaz, to “Iisang Bangka Tayo,” Pangan has done quite a lot over the decades, helping turn those songs into pure rock ’n’ roll staples. As The Dawn prepares for its 40th anniversary concert on June 27 at The Theatre at Solaire, Pangan reflects on his contributions in the latest [*Rolling Stone Philippines* *Greatest Hits*](https://rollingstonephilippines.com/tag/greatest-hits/ "Greatest Hits") episode. He has plenty of stories to tell as [one of rock music’s](https://rollingstonephilippines.com/music/rock/) most enduring vocalists; from influencing acts like Rivermaya, [Eraserheads](https://rollingstonephilippines.com/tag/eraserheads/ "Eraserheads"), and many more to being associated with not one but two contrasting music communities at the time. “A lot of our audiences back in the day were composed of new wavers and punk rockers to a point where people thought that we were new wave,” Pangan tells *Rolling Stone Philippines*. “Maybe to a certain degree we were, but I guess in the spirit of being in that community, we kind of adapted to the look, even with the gothic makeup, with the dark eyeliner and stuff.” ## Giving Thanks ![Jett Pangan](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/ROLLINGSTONE-PH-20-8-25-14-2.webp) Pangan immediately wanted to jam with the “Salamat” Shakey’s singer once the video went viral. Photo by Enzo Santos One of their popular tracks, “Salamat,” was written for a beer brand, and during the writing of the song, the guitar lines were written by Japanese musician Atsushi Matsuura at the time. Nearly four decades after the song’s release in 1986, a viral video posted by comedian James Caraan of a Shakey’s manager singing the song at a birthday party stirred renewed interest from a new generation of listeners. “The moment it went viral, I was actually talking to my bandmates and the management, and I was asking, where this is this guy? Because I want to jam with him at a show,” Pangan says. “People find it funny because he’s singing in his own measure but I could see the bravado. It was entertaining but it was also touching na kahit ‘di niya na-memorize ‘yung kanta, he still went for those hits.” Pangan also talks about dabbling in film, specifically when he played himself in the semi-fictional music biopic film *Tulad ng Dati,* released in 2004, which was the brainchild of director Mike Sandejas. During filming, Pangan would talk to Sandejas about how the film would be influenced by the movies of [Mike De Leon](https://rollingstonephilippines.com/tag/mike-de-leon/ "Mike de Leon"). To his disbelief, the film won Best Film at the [Cinemalaya Film Festival](https://rollingstonephilippines.com/tag/cinemalaya/ "Cinemalaya"). “A lot of it was real, like Teddy getting killed and The Dawn having trouble,” he says. “But the fictional part there is I had amnesia. On the side note, it was very interesting but people believed in the movie so much, sometimes someone would come up to me and say ‘Jett, nagka-amensia ka?’ and ‘Kawawa ka naman.’ That’s how brilliantly written it was.” ## Frequently Asked Questions ### Who is Jett Pangan? Jett Pangan is one of the Philippines’ most influential rock vocalists, best known as the frontman of the band The Dawn. He has led the group for nearly 40 years, fronting staples like “Enveloped Ideas” and “Iisang Bangka Tayo” across decades of shifting trends and sounds. ### What is The Dawn’s 40th anniversary concert? The Dawn marks 40 years with an anniversary concert on June 27, 2026, at The Theatre at Solaire. The milestone frames Jett Pangan’s Rolling Stone Philippines Greatest Hits episode, in which he looks back on the band’s early years, crossover audiences, and enduring songs. ### Why did The Dawn’s song “Salamat” go viral again? “Salamat,” released in 1986, found new life nearly four decades later through a viral video by comedian James Caraan showing a Shakey’s manager singing it at a birthday party. Pangan says he was so charmed he wanted to track the man down and jam with him at a show. ### What are The Dawn’s most famous songs? The Dawn’s best-known tracks include their breakthrough single “Enveloped Ideas,” co-created with late guitarist Teddy Diaz, the anthem “Iisang Bangka Tayo,” and “Salamat,” originally written for a beer brand with guitar lines by Japanese musician Atsushi Matsuura. All became Filipino rock staples. Related Stories - [For Melt Records, It’s Not About Being the Biggest Music Label](https://rollingstonephilippines.com/editors-picks/features/melt-records-indie-music-cebu-label-visayas-mindanao/ "For Melt Records, It’s Not About Being the Biggest Music Label") - [10 Albums from 2016 That Aged Better Than Anyone Expected](https://rollingstonephilippines.com/music/2016-albums-retrospective/ "10 Albums from 2016 That Aged Better Than Anyone Expected") - [1994: A Cultural Shift in the Filipino Music Landscape](https://rollingstonephilippines.com/music/1994-filipino-music-landscape/ "1994: A Cultural Shift in the Filipino Music Landscape") **Categories:** Greatest Hits, Media Channels, Music, Rock **Tags:** Jett Pangan, The Dawn --- ### [5 Pixies Songs You Should Definitely Hear Live in Manila](https://rollingstonephilippines.com/music/rock/5-pixies-songs-live-in-manila/) **Published:** May 5, 2026 **Author:** Elijah Pareño **Excerpt:** Ranging from David Lynch covers to “Fight Club” credit sequences, these songs stood the test time and we couldn’t wait to hear them live **Content:** Alternative rock titans the [Pixies](https://rollingstonephilippines.com/tag/pixies/ "Pixies") have been a fixture in the alternative rock scene since their formation in 1986. The band arrived alongside their contemporaries like Husker Du, Sonic Youth, and Dinosaur Jr. at a time when rock bands showcased sonically harsher, slacker rock performances, and rebellious songwriting. Backed by Black Francis’ unrelenting vocal yelps and [Joey Santiago](https://rollingstonephilippines.com/tag/joey-santiago/ "Joey Santiago")’s frantic, angular guitar playing, their innovative, genre-bending sound, characterized by the “loud-quiet-loud” dynamic, was ahead of its time. The band’s influence grew significantly even after their 1993 breakup, providing a blueprint for 1990s alternative rock and grunge, including Nirvana, Radiohead, and Weezer. Fast forward two decades later, the Pixies has rebanded, making their presence in the rock scene more visible than ever, just in time as the current indie [rock scene experiences](https://rollingstonephilippines.com/music/rock/) its own resurgence, with emerging bands adopting their sound and attitude. With their 40th anniversary celebration heading to Manila for the first time on May 10 , Sunday, at the Filinvest Tent in Alabang, Muntinlupa City, here are a couple of Pixies songs we couldn’t wait to hear live. ## ‘Debaser’ As the opening track to their seminal 1989 album *Doolittle*, it serves as a chaotic, infectious manifesto that influenced Nirvana in the process. In it are Black Francis’ deranged lyrics, “Got me a movie, I want you to know / Slicing up eyeballs, I want you to know,” an ode to Luis Buñuel’s surrealist film *Un Chien Andalou*. Then the cherry on top: Kim Deal’s sensual title croon in the chorus, acting as the perfect counterpart to Black’s tortured howl and Santiago’s catchy guitar lines. ## ‘Velouria’ “Velouria” is a hypnotic blend of spacey, theremin-driven atmosphere with Santiago’s grinding guitar riffs and the contrast between Black’ wailing vocals and Deal’s melodic presence. Released on 1990’s *Bossanova*, the standout balances a “wiggly” science-fiction feel with intense pop sensibilities, a unique trait that Pixies had mastered prior to their breakup. Black’s vocal melodies linger, even as the guitars take over, a signature Pixies trait that’s hard to separate from the band’s identity. ## ‘Here Comes Your Man’ This is without a doubt one of the most accessible Pixies songs for first-time listeners. During one of the track’s iconic call-and-response moments, “Take me to nowhere place,” Black sings, while Deal follows with “So long, so long.” Santiago delivers one of his most addictive lead lines here. Despite the upbeat, sunny feel, the lyrics remain cryptic and dark, touching on themes like natural disasters or strained relationships, offering a kind of “humorous horror” the band has pioneered in the olden days of indie rock. ## ‘In Heaven’ (David Lynch Cover) It couldn’t be more fitting for the Pixies to embrace surrealist imagery with their cover of “In Heaven (Lady in the Radiator Song)” from [David Lynch](https://rollingstonephilippines.com/tag/david-lynch/ "David Lynch")’s *Eraserhead*. Black recalls being inspired by the song after dragging his bandmates to watch the film, eventually leading to their own version. The cover was famously recorded in the Peel Sessions in 1988 at BBC Radio. The cover gives justice to the unsettling surrealism with their own brand of maniacal presence, turning a minimalist tune into a haunting punk piece. ## ‘Where is My Mind?’ One of the most widely discussed alternative rock singles of its time, “Where Is My Mind?” became a sleeper hit. Its popularity surged more than a decade after release when it was used in the final scene of the 1999 film *Fight Club*, introducing the track to a new generation of listeners. If you’ve seen the scene where Edward Norton’s character, The Narrator with a bloodied jaw, tells Marla Singer played by Helena Bonham Carter, “You met me at a very strange time in my life,” as buildings collapse behind them, you already know Pixies were the perfect fit for that moment. ## Frequently Asked Questions ### When and where is the Pixies concert in Manila? The Pixies play Manila for the first time on Sunday, May 10, 2026, at the Filinvest Tent in Alabang, Muntinlupa City. The show is part of the alternative-rock band’s 40th-anniversary celebration, marking their debut Philippine performance. ### What Pixies songs should you hear live in Manila? Rolling Stone Philippines highlights five: “Debaser,” the chaotic opener of 1989’s Doolittle; the theremin-tinged “Velouria”; the accessible “Here Comes Your Man”; their David Lynch cover “In Heaven”; and “Where Is My Mind?”, the sleeper hit revived by Fight Club. ### Why is “Where Is My Mind?” by the Pixies so famous? “Where Is My Mind?” became a sleeper hit whose popularity surged more than a decade after release when it soundtracked the final scene of the 1999 film Fight Club. That placement introduced the song to a new generation and remains its most recognized cultural moment. ### Who are the Pixies? The Pixies are an American alternative-rock band formed in 1986, fronted by Black Francis with guitarist Joey Santiago. Known for their “loud-quiet-loud” dynamic, they broke up in 1993 but influenced Nirvana, Radiohead, and Weezer, and have since reunited and returned to touring. ### What is the Pixies song “In Heaven”? “In Heaven” is the Pixies’ cover of the “Lady in the Radiator Song” from David Lynch’s film Eraserhead. Black Francis was inspired after taking his bandmates to see the movie, and the band famously recorded their haunting version for a BBC Peel Session in 1988. Related Stories - [Pixies Guitarist Joey Santiago’ Never Played to ‘Sound Filipino’](https://rollingstonephilippines.com/music/rock/pixies-joey-santiago-filipino-sound/ "Pixies Guitarist Joey Santiago’ Never Played to ‘Sound Filipino’") - [What David Lynch Can Teach Us About Modern Filipino Life](https://rollingstonephilippines.com/editors-picks/commentary/david-lynch-filipino-modern-life/ "What David Lynch Can Teach Us About Modern Filipino Life") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") **Categories:** Music, Rock **Tags:** Pixies --- ### [Charli XCX Declares the Dance Floor ‘Dead’ With New Single ‘Rock Music’](https://rollingstonephilippines.com/music/pop/charli-xcx-rock-music-single/) **Published:** May 8, 2026 **Author:** Elijah Pareño **Excerpt:** Cigarettes, mosh pits, and blown-out guitars now fuel the pop provocateur’s sonic pivot away from club music **Content:** [Charli XCX](https://rollingstonephilippines.com/tag/charli-xcx/ "Charli XCX") wasn’t joking: the dance floor *is* dead to her, and now rock music is taking over clubs all over the world. How true is this claim? Her latest single, “Rock Music,” proves it, from the cigarette smoking and alleyway loitering to the guitars maxing out all the distortion. The release date of her latest album is still under wraps, but what we know so far is the sheer breadth of experimentation, shifting from her *Brat* era to rock. The music video for “[Rock Music](https://rollingstonephilippines.com/music/rock/)” shows Charli preparing in a hotel room, complete with a cameo from her real-life husband, The 1975 drummer George Daniel. She then travels through the streets of New York City to attend a live show. The scenes jump into complete surrealism, with mountains of cigarettes piled up while Charli smokes more sticks, alongside slow-motion shots of mosh pits breaking out. Last April 15, after a significant stretch of silence, Charli returned to Instagram to the surprise of many, revealing that she was back in the studio recording a new album. The caption on the post read, “i love making things,” followed by a series of teasers showing her working alongside longtime collaborator and producer A.G. Cook. A day after resurfacing, Charli spoke with *British Vogue* about her recording sessions in Paris, explaining why she thinks the “dance floor is dead” for her and clarifying that she isn’t making “Brat 2.0” with the new album, which is in reference to her highly successful 2024 album *Brat*. “I’ve been making music since I was 14. It’s nearly 20 years. I feel very spoiled saying this, but there is not much that can thrill me within music any more,” she says. “For me, it’s fun to flip the form. We know there’s gonna be people who are bothered by it, but that’s fine.” ## Frequently Asked Questions ### What is Charli XCX’s new single “Rock Music” about? Charli XCX’s single “Rock Music” marks a sound shift from dance-pop to guitar-driven rock, exploring aesthetic themes of surrealism, urban night life, and raw rock energy. ### Who produced Charli XCX’s new album music? Charli XCX recorded her new material alongside longtime collaborator and producer A.G. Cook, focusing on sound experimentation during recording sessions held in Paris, France. ### Who appears in Charli XCX’s “Rock Music” video? The “Rock Music” music video features a cameo from Charli XCX’s husband, The 1975 drummer George Daniel, alongside surreal footage of New York City street culture. ### Is Charli XCX releasing a sequel to Brat? Charli XCX confirmed her upcoming album will not be “Brat 2.0,” opting to flip musical forms rather than recreate her successful 2024 dance-pop album format. ### When will Charli XCX’s new album be released? The official release date for Charli XCX’s next studio album remains unannounced, though studio work and promotional singles indicate production is actively underway. Related Stories - [What’s Going On With Emerald Fennell’s ‘Wuthering Heights’ Adaptation?](https://rollingstonephilippines.com/culture/film/wuthering-heights-film-adaptation-backlash/ "What’s Going On With Emerald Fennell’s ‘Wuthering Heights’ Adaptation?") - [Dom Guyot on Confronting Double Standards in Queer Filipino Pop Music with ‘kabit’](https://rollingstonephilippines.com/editors-picks/features/dom-guyot-kabit-interview/ "Dom Guyot on Confronting Double Standards in Queer Filipino Pop Music with ‘kabit’") - [18 Filipino Dance Tracks That Capture the Spirit of Queerness](https://rollingstonephilippines.com/editors-picks/lists/18-queer-filipino-dance-tracks/ "18 Filipino Dance Tracks That Capture the Spirit of Queerness") **Categories:** Music, News, Pop **Tags:** Charli XCX --- ### [Olivia Rodrigo Is the Best Arena Rock Act in Years](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-best-rock-act/) **Published:** September 21, 2026 **Author:** Rob Sheffield **Excerpt:** Collaborating with legends, tearing down stages — she’s the rock star we need right now **Content:** [Olivia Rodrigo](https://rollingstonephilippines.com/tag/olivia-rodrigo/) will never settle for being just another main pop girl. She demands to be your perfect all-American rock star. O-Rod has claimed her crown as the truest, realest, most shameless rock & roller of our moment. “There’s something so special about rock music made by women,” she said in December, in her [conversation](https://www.youtube.com/watch?v=PnAf83vYtiw) with Bikini Kill’s Kathleen Hanna for the [Rock & Roll Hall of Fame](https://rollingstonephilippines.com/tag/rock-roll-hall-of-fame/) podcast. “There’s a different emotional quality to it. The pain and rage and vulnerability that a woman can express through a rock song is an entirely different category. Growing up, I was so inspired by that.” This former [Disney](https://rollingstonephilippines.com/tag/disney/) princess has always reveled in her rock moves, ever since her first tour in 2022, when she was covering Veruca Salt and Avril Lavigne. Early on, she joined No Doubt and Sheryl Crow onstage. But she takes special pride in celebrating the Nineties feminist-­punk explosion — and claiming her place in it. This is the girl who [told](https://www.rollingstone.com/music/music-features/olivia-rodrigo-guts-vampire-lyrics-meaning-1234819181/) *Rolling Stone* her mom used to wake her up every morning by playing the 1990s grunge queens Babes in Toyland. (“Vomit Heart” walked so “Drivers License” could run?) Last year was Rodrigo’s ­festival era, rampaging around the world with her lethal all-­female band. She cranked up her ­fiercest arena-slaying bravado, belting “All-American Bitch” as the bloodthirsty rock & roll animal she was always meant to be. She dropped to her knees to worship the guitar heroes in her band, Daisy Spencer and ­Arianna Powell. She sang [duets](https://www.rollingstone.com/music/music-lists/best-surprise-guests-concerts-olivia-sabrina-1235400454/) with her idols, from Weezer to David Byrne. Best of all, she shared the stage with the Cure’s Robert Smith at Glastonbury, calling him “the greatest songwriter to come out of England.” But she’s always given it up to her rock inspirations. In June, when she made her surprise appearance at the Primavera Festival in Barcelona, she shocked the crowd by bringing out Robert Smith himself, who joined her to debut their then-­unreleased duet “What’s Wrong With Me.” She sang her Number One hit “Drop Dead,” with the line “You know all the words to ‘Just Like Heaven,’ and I know why he wrote them” — then she sang a duet with the man who wrote them. Rodrigo obviously wasn’t ­kidding when she kept saying how her new tunes were inspired by goth bands like the Cure and Joy Division. You can hear that all over her blockbuster album *[You Seem Pretty Sad for a Girl So in Love](https://rollingstonephilippines.com/tag/you-seem-pretty-sad-for-a-girl-so-in-love/)*. She digs deep into Eighties and Nineties rock sounds: the synth buzz of “Maggots for Brains,” the electro-punk aggro of “My Way,” the post-punk guitar jangle of “U + Me = <3.” “The Cure” might be her greatest song yet, simmering in the 1990s mode of Smashing Pumpkins and Liz Phair. This summer, she joined the Pumpkins at ­Lollapalooza, singing the *Mellon Collie* banger “Thirty Three and a Third,” shortly before she was seen rocking out at a My ­Chemical Romance show. She has made a bold ­statement with her [Daisy Chain Fields](https://rollingstonephilippines.com/tag/daisy-chain-fields/) festival, a wildly ­ambitious celebration of women in music, reaching back to legends like Stevie Nicks from the 1970s; Garbage, Bikini Kill, and the Breeders from the 1990s; and Karen O from the 2000s. The slate reached from ­Doechii to Katseye to Mitski, not to ­mention her old doughnut-­shop friend Chappell Roan. It’s fitting that she sang a ­triumphant duet with Sarah McLachlan, since she’s upholding the spirit of the pioneering Lilith Fair. She keeps showing off her wide-ranging sense of [rock history](https://rollingstonephilippines.com/music/rock/), with her producer-collaborator Dan Nigro, who came out of the Long Island emo scene with his band As Tall As Lions. (She’s said he suggested her joke on the album about her “yacht-rock music taste.”) Rodrigo’s unfiltered rockness is an achievement to celebrate. May she stay this unrelentlessly upset forever. *This story is part of our* [*Reasons to Love Rock*](https://www.rollingstone.com/music/music-lists/reasons-to-love-rock-scenes-artists-trends-1235626112/) *series, with all the sounds, trends, scenes, and artists that have us excited about rock music in 2026.* *This article was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-features/olivia-rodrigo-rock-star-1235620650/).* Related Stories - [How Olivia Rodrigo’s Daisy Chain Festival Made History](https://rollingstonephilippines.com/music/olivia-rodrigo-daisy-chain-sarah-mclachlan-doechii-chappell/ "How Olivia Rodrigo’s Daisy Chain Festival Made History") - [Ranking Every Song on ‘you seem pretty sad for a girl so in love’](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-you-seem-pretty-sad-ranked/ "Ranking Every Song on ‘you seem pretty sad for a girl so in love’") - [Olivia Rodrigo, Gorillaz, Robyn Among Rolling Stone’s Best Albums of 2026 So Far](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-gorillaz-robyn-rolling-stone-best-albums-2026/ "Olivia Rodrigo, Gorillaz, Robyn Among Rolling Stone’s Best Albums of 2026 So Far") **Categories:** Music, Pop, Rock **Tags:** Olivia Rodrigo --- ### [2025 Rock and Roll Hall of Fame: Who's In, and Who's Out](https://rollingstonephilippines.com/music/news/rock-and-roll-hall-of-fame-class-of-2025-inductees/) **Published:** April 28, 2025 **Author:** Elijah Pareño **Excerpt:** This year’s list underscores genre-benders and trailblazers while other legends are left out **Content:** The [Rock & Roll Hall of Fame](https://rollingstonephilippines.com/tag/rock-roll-hall-of-fame/ "Rock & Roll Hall of Fame")’s 2025 inductee class might feel like both a nod to the past and a litmus test for where music is headed. This year’s lineup features a stacked mix of boundary-pushers: Atlanta rap icons OutKast, pop-rock powerhouse Cyndi Lauper, garage rock revivalists The White Stripes, and grunge band Soundgarden. The selection process — always part ceremony and part popularity contest —, depends on the Hall’s voting body and the broader music community. “Each of these inductees created their own sound and attitude that had a profound impact on culture and helped to change the course of [rock & roll forever](https://rollingstonephilippines.com/music/rock/),” said John Sykes, chairman of the Hall of Fame. “Their music gave a voice to generations and influenced countless artists that followed in their footsteps.” ![The Rock & Roll Hall of Fame Inductees](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/Untitled-design-46.webp) Photo from The Rock & Roll Hall of Fame/Instagram Still, the list isn’t without its share of backlash. Fans lit up social media with frustration over the snubbing of American pop titan Mariah Carey, Britpop legends Oasis, and English post-punk artists Joy Division and Billy Idol, all of whom failed to secure enough votes. The Hall’s legacy includes near-unimpeachable names like The Beatles, Nirvana, The Velvet Underground, and The Rolling Stones, but its boundaries have continued to stretch. In recent years, non-rock acts like Michael Jackson, Madonna, Run-DMC and the Beastie Boys have reminded fans that rock is less a genre than a spirit. The 2025 induction ceremony will be held in Los Angeles on November 8, and streamed live on Disney+. Related Stories - [20 Years Ago, Rivermaya Was Named PH’s Favorite Artist by MTV](https://rollingstonephilippines.com/music/20-years-ago-rivermaya-was-named-phs-favorite-artist-by-mtv/ "20 Years Ago, Rivermaya Was Named PH’s Favorite Artist by MTV") - [2025 Grammys: the Toughest ‘Album of the Year’ Lineup in Recent Memory](https://rollingstonephilippines.com/music/album-of-the-year-2025-grammys-toughest-lineup-predictions/ "2025 Grammys: the Toughest ‘Album of the Year’ Lineup in Recent Memory") - [1994: A Cultural Shift in the Filipino Music Landscape](https://rollingstonephilippines.com/music/1994-filipino-music-landscape/ "1994: A Cultural Shift in the Filipino Music Landscape") **Categories:** Music, News **Tags:** Rock & Roll Hall of Fame --- ### [Sinulog After Dark: 10 Afterparties to Keep the Fiesta Going](https://rollingstonephilippines.com/radar/10-sinulog-afterparties-2025/) **Published:** January 14, 2025 **Author:** Mel Wang **Excerpt:** Syagit ug kusog! With Cebu’s biggest fiesta only days away, we’ve rounded up 10 of the hottest afterparties to keep the celebration going until dawn **Content:** On the third Sunday of January, the city of Cebu comes alive for its biggest, loudest, and most bongga festival of the year: [Sinulog](https://rollingstonephilippines.com/tag/sinulog-festival/ "Sinulog Festival"). Tracing its history as far back as 1521, when Ferdinand Magellan first gifted a statue of the Santo Niño (or Child Jesus) to local chieftain Rajah Humabon and Queen Juana, Sinulog is a festival deeply seeped in faith, history, and devotion. Though the festivities formally kick off a week before the parade, with various events like dances, art exhibits, and a novena baked [into the event’s](https://rollingstonephilippines.com/radar/events/) official schedule, the climax of Sinulog is undoubtedly the grand parade. Chants of “Pit Senyor!” can be heard throughout the city on the day of the parade, with the festival’s high-energy[ theme song](https://www.youtube.com/watch?v=S_7ppqxCToA) played at full volume on repeat. The parade is a vibrant celebration of Cebuano culture, featuring dancers in colorful costumes, intricate floats, and pulsating drumbeats that echo throughout the city. But the party continues well after the grand parade is over. Once the last dancers have made their way through the streets, Cebu’s nightlife kicks into full gear with a series of thrilling afterparties that keep the Sinulog spirit alive well into the night. From packed clubs to concerts with major headliners, Sinulog’s afterparty scene is as vibrant as the festival itself. Here are 10 afterparties that are sure to keep the fiesta going after the parade. ## Rock’It Fest ![rock'it fest sinulog cebu 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/rock_it-scaled.jpeg) Photo from Volta Productions/Facebook On January 19, Sinulog Sunday, several of Cebu’s biggest OPM artists will come together for [Rock’It Fest](https://www.facebook.com/photo/?fbid=910708267844151&set=a.387678143480502) at Atmosphere, Lahug, promising a night of raw, powerful music. The lineup features members of iconic bands like Urbandub and Franco, along with the intense sounds of nu metal/rapcore band Glitch, the fierce energy of rapping duo DiCE and K9, and the island vibes of reggae band Junior Kilat, among others. With each artist bringing their own unique style, Rock’It Fest is set to showcase the best of what Cebu’s music community has to offer. ## Flip the Script ![flip the script sinulog cebu 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/flip.jpeg) Photo from Escape Artist Productions/Facebook [Flip the Script](https://www.instagram.com/p/DEb5tM2SsVm/) is hitting Cartel Studio in Mandaue to bring Cebu an unforgettable Sinulog 2025 kickoff. Featuring a powerhouse lineup of rappers, including kiyo, Cookie$, Mistah Lefty, and many more, Flip the Script is set to deliver high-energy performances that will set the tone for your Sinulog weekend. With doors opening at 6 p.m. on January 17, Flip the Script is the perfect way to start the fiesta celebrations in full force. ## Ten Vibo ![ten vibo sinulog 2025 cebu](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/ten_vibo.jpg) Photo from Ten Vibo/Facebook Organized by local kitchen and bar Ten Over Ten, [Ten Vibo](https://www.instagram.com/tenvibo/) guarantees a night of food, drinks, and a set list including some of Cebu’s most prolific DJs. The event is set to take place from January 18 to 19 at Vibo Place, with DJs such as Victor Pring, Bandit, Thraxx, and more already confirmed to take over the decks. Expect a night where the beats are as bold as the flavors, creating the backdrop for an unforgettable night out. ## P°LANET SINULOG ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/Planet-Workshop-Sinulog.jpg) Cover art from Planet Workshop/Instagram From the Makati nightlife collective Planet Workshop comes their first event of the year, [P°LANET SINULOG](https://www.instagram.com/p/DEZq-1zTJJJ/). This two-night event will start on January 15 at Trademark and continue on January 16 at Last, each night featuring a distinct lineup of emerging musicians and DJs. On January 15 catch performers such as Roy de Borja, Patrick Rizarri, Marco Pedro, Polo Dino, and Kaizer Rave. Then, on January 16, enjoy sets from Antonio Lopez, Joachim Giacobbe, Kirby Ano, and Shingen, among others. ## Sinulog Fest 2025 ![sinulogest cebu sinulog 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/sinulogfest.jpg) Photo from Sinulogfest 2025/Instagram Get ready for three days of non-stop energy at 88th Avenue, where [Sinulog Fest 2025](https://www.instagram.com/sinulogfest2025/ "Sinulog Fest 2025") is set to “bring the coast’s energy” straight to the heart of the city, according to the event organizers’ social media. Tickets and tables are available for the Sinulog Afro Festival (Jan 17), Sinulog Visperas (Jan 18), and/or the epic Sinulogfest Day Party (Jan 19). ## Pulse 25 ![pulse 25 sinulog 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/tagu.jpeg) Photo from Tagu Cafe & Bar/Facebook Kicking off on January 17 at Tagu Cafe and Bar and continuing through Sinulog weekend, [Pulse 25: Amplify the PULSE](https://www.instagram.com/p/DEuffPsyxs8/?img_index=1) brings DJs from across the country to Cebu. While the lineup for the entire weekend has yet to be confirmed, Tagu has announced that DJs Polo Dino, Findmaxy, Chanchan, TJ Lacuna, and more will be performing live on January 17. ## The Relapse ![the relapse sinulog cebu 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/relapse.jpeg) Photo from Rabbit Hole Cebu/Facebook Starting on January 15, Cebu restaurant and bar The Rabbit Hole is organizing its own Sinulog celebration, [The Relapse](https://www.instagram.com/p/DEYzSeTSGck/). With DJ performances set all the way through to January 19, expect five nights of music as bold as the festival itself. The lineup for Sinulog Sunday is particularly stacked, featuring powerhouse DJs such as Antonio, Shingen, Yves G, Lentz Ansar, Jasper, and Shinji Ueda. ## Rue Cebu’s Sinulog 2025 ![rue cebu sinulog 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/rue.jpeg) Photo from Rue Cebu/Facebook [Rue Cebu](https://www.instagram.com/p/DEm5_skyMXo/) is turning up the heat with a four-night celebration. The event will kick off on January 16 with Basskoral (a play on the Bisaya “diskoral”), a rave organized in partnership with underground sound collective Bantayan Bass Club. From January 17 to 19, the bar promises three nights of nonstop DJ sets, with performances from Kate Jagdon, Manila Junkie of Orange Juice Asia, Michiko Tateno, and The Palace Manila’s Dara Carmina, among others. ## Barrio’s Sinulog Music Week 2025 ![barrio sinulog cebu 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/barrio.jpeg) Photo from Barrio Bar & Lounge/Facebook Local nightlife staple [Barrio Bar and Lounge](https://www.instagram.com/barrio.cebu/) is stepping up its Sinulog game with a week of non-stop afrobeats, hip-hop, and R&B, featuring DJs and musicians from Cebu and Manila. From January 13 to 19, expect sets from the likes of KATDJ, Ace Ramos, and Ron Poe, alongside other exciting acts that will keep the party going all weekend long. ## Cradio Radio’s Sinulog ni CRadio ![cradio radio sinulog 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/cradio.jpg) Photo from Cradio Radio/Instagram Please select an image. Any event from Cradio Radio is guaranteed to be raw with a chill, no-frills vibe. Their addition to the festival weekend, [Sinulog Ni Cradio](https://www.instagram.com/p/DEwy6pByHTA/), will feature new and familiar DJs, including Mike Sharpe, MONI-MONI, the Bantayan Bass Club, and more. Sinulog Ni Cradio will take place on January 17, from 8 p.m. to 3 a.m., at Cebu’s newest rooftop restaurant, Sunset Soirées. Please select an image. **Categories:** Events, Radar **Tags:** Sinulog Festival --- ### [What to Expect at the Dove x Supergirl Collab Event](https://rollingstonephilippines.com/radar/events/dove-x-supergirl-what-to-expect/) **Published:** June 26, 2026 **Author:** Rolling Stone Philippines **Excerpt:** In need of some protection? Dove and Supergirl have you covered **Content:** It’s no secret Filipinos love superhero movies. And this week, we’re getting a brand new film courtesy of DC Studio’s *[Supergirl](https://rollingstonephilippines.com/tag/supergirl/ "Supergirl")*, a follow-up to last year’s blockbuster hit, *Superman*. Beyond seeing one of our favorite superheroes lead her first big movie, there’s a lot in store for those watching *Supergirl* in BGC Central Square. Side by side with Supergirl, [Dove](https://rollingstonephilippines.com/tag/dove/ "Dove") is giving some much-needed dose of protection at their Shield & Shine Street event this June 27. Throughout [the event](https://rollingstonephilippines.com/radar/events/), guests can experience different booths and activities that showcase their latest innovation. And just like Supergirl herself, the Dove Ferulic+ UV Repair & Glow packs a lot of power. ## What to Expect ![dove x supergirl bgc central square](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Supergirl-Save-the-Date-Graphic.webp) Happening right at the center of Bonifacio High Street from 10:00 a.m. to 9:00 p.m., Shield and Shine Street is open to the public and entrance is 100 percent free. So you have no excuse not to experience their photo booths and games that will unleash your inner superhero. Those who complete the missions can earn a chance to get exciting prizes from scrunchies, hair brushes, and Dove Ferulic+ UV Repair & Glow products. What’s more, the first 100 attendees to complete the missions will win tickets to a VIP screening of *Supergirl* at BGC’s Central Square. ## Super Surprises ![dove x supergirl](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Supergirl-KV-8x-Shine-4x3-1.webp) Just like her cousin, Supergirl is no stranger to surprises that test her skills and let her power shine. With activities such as The Shine Chamber, Damage Defeater, and Glow Center, there’s a lot that awaits those willing to go for it all. And perhaps you might even treat yourself to some unexpected prizes along the way. So if you’re looking to make your Saturday super and feeling confident, protected, and unstoppable for whatever happens, you should check out Shield & Shine Street alongside your favorite superheroes. ## Frequently Asked Questions ### What is the Dove x Supergirl event? The Dove x Supergirl event, called Shield & Shine Street, is a free public activation tied to the release of DC Studios’ Supergirl film. Hosted by Dove to promote its Ferulic+ UV Repair & Glow line, it features themed booths, games, and superhero-inspired activities. ### When and where is the Dove x Supergirl event? Shield & Shine Street takes place on June 27, 2026, from 10:00 a.m. to 9:00 p.m. at the center of Bonifacio High Street in BGC, Taguig. Entrance is free and open to the public, near the Supergirl screening at BGC’s Central Square. ### How can I win Supergirl screening tickets? Attendees who complete the event’s themed missions can earn prizes and a chance at screening tickets. The first 100 people to finish the missions win tickets to a VIP screening of Supergirl at BGC’s Central Square, so arriving early improves your odds. ### What prizes and activities are at the event? The activation includes photo booths and games plus themed stations like The Shine Chamber, Damage Defeater, and Glow Center. Attendees who complete missions can win prizes ranging from scrunchies and hair brushes to Dove Ferulic+ UV Repair & Glow products. ### What is the Supergirl movie? Supergirl is a DC Studios superhero film and a follow-up to the previous year’s Superman. It centers on Superman’s cousin as she leads her first major movie. In the Philippines, it is screening at BGC’s Central Square alongside the Dove activation. Related Stories - [Supergirl Is a Messy, Imperfect Hero. Unfortunately, Her Movie Is Too](https://rollingstonephilippines.com/culture/reviews/supergirl-2026-movie-review-milly-alcock/ "Supergirl Is a Messy, Imperfect Hero. Unfortunately, Her Movie Is Too") - [Milly Alcock’s Supergirl Is ‘Unapologetic,’ Says Director Craig Gillespie](https://rollingstonephilippines.com/culture/film/milly-alcock-supergirl-unapologetic-craig-gillespie/ "Milly Alcock’s Supergirl Is ‘Unapologetic,’ Says Director Craig Gillespie") - [‘Supergirl’ Teaser Introduces DC’s Messy Party Girl Hero](https://rollingstonephilippines.com/culture/film/dc-supergirl-teaser-trailer/ "‘Supergirl’ Teaser Introduces DC’s Messy Party Girl Hero") **Categories:** Events, Radar **Tags:** Dove, Supergirl --- ### [The Women Calling the Shots at Your Favorite Live Shows and Events](https://rollingstonephilippines.com/music/rock/female-organizers-in-the-music-scene/) **Published:** April 24, 2026 **Author:** Elijah Pareño **Excerpt:** From logistics to crowd safety, these organizers handle the invisible work while dealing with doubt, pressure, and constant scrutiny **Content:** Organizing a live show in the local music landscape takes a lot of work. It’s dealing with logistics and having the mental capacity to take in the euphoric chaos unfolding right in front of you, whether it’s a band breaking their instruments mid-set, traffic-induced delays, or a slip-up in the program schedule. Women are oftentimes the ones navigating these hurdles to staging a live show. But recognition for female organizers remains few and far between in a landscape where men often take the spotlight. Independent productions such as Elev8 Me L8r, Salvage Yard, Plethora Fair, SYQL, and others have women in key positions calling the shots at the shows people return to. In a more male-dominated field, these organizers deal with familiar patterns: belittling comments, teasing framed as jokes, and moments where their authority is questioned. My first experience entering a Women’s Month show at Mow’s, 123Block, to name a few, felt different. ## Learning to Take Up Space ![Elisha Mikaela Ruiz Elev8 M8 l8r](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/DSC03881.webp) Elisha Ruiz of Elev8 Me L8r. Photo by Phoenix Caubay For Elisha Mikaela Ruiz, production manager and art director of the independent music collective Elev8 Me L8r, the transition from audience member to [event organizer](https://rollingstonephilippines.com/radar/events/) happened gradually, through proximity and the routine of going to shows. With the help of a supportive group of musicians and artists, she envisions that the scene will eventually grow in terms of demographics. “I first entered the world of gigs in 2022 not as someone watching from the crowd, but already woven into the fabric of \[the scene\],” Ruiz tells *Rolling Stone Philippines*. “It was less a calling and more a slow unfolding.” There is no formal entry point into organizing; You stay long enough, help where needed, and eventually you’re the one making decisions, however seemingly small or inconsequential they are. “A lot of women find their way into the scene the same way I did, through a partner who was already there,” Ruiz says. “It took deliberate effort to introduce myself outside of that description.” Being present is one thing. Being recognized for the work is another. Stepping into that role is a deliberate choice, especially for women who do not want to be defined as just the partner of someone who’s in the scene. Early on, it also means learning how to speak in rooms where people already know each other and operate within established systems. “A gig is not just a show. It’s an agreement between the people in the room that this is somewhere safe to be.” Elisha Mikaela Ruiz Elev8 Me L8r co-organizer Pia Feliciano, co-production manager, came in from a different direction. Her background in organizing existed before entering the music scene by joining school organizations in UP Diliman. But that sense of fulfillment stays constant. Much like any female-led work, most behind-the-scenes tasks that keep the music scene afloat are thankless, invisible labor. Nonetheless, these women are finding fulfilment where possible, especially when it all comes together in a successful show. “It’s always quite fulfilling to see people take part in and enjoy an event you planned,” Feliciano says. ## Holding the Line ![Cara Lopez Salvage Yard](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/DSC04199.webp) Cara Lopez of Salvage Yard. Photo by Phoenix Caubay Beyond logistics, organizers also decide what kind of space a show becomes, whether it would be a show dedicated to a beneficiary, dedicated to its performers, or even just a safe space, where female creatives can enjoy the event from start to finish. “What I’ve come to believe is that one of the most overlooked things women organizers do is hold the line,” Ruiz says. “The responsibility of the organizer is \[refusing abusive powers\]. To not let those people near the spaces we’re trying to build. A gig is not just a show. It’s an agreement between the people in the room that this is somewhere safe to be.” The choices they make are reflected in the lineup: who gets booked, who gets invited back, and what behavior is tolerated. Cara Lopez, programming director of punk rock collective Salvage Yard and lead singer of all-female pop-punk outfit Cherry Society, describes how these moments play out on the ground. Experience doesn’t always translate to respect. Questions are read as uncertainty. Authority is tested. “I still deal with men who belittle me and speak with a condescending tone even when I have the experience,” she says. “I get mansplained a lot and when I feel like I have to show my whole resume just to be spoken to with respect, I know I don’t feel safe.” Speaking up becomes part of the job. Not just for personal boundaries, but for the people who enter those spaces expecting to feel at ease. “I wanted a safe space for that specific crowd; it shouldn’t just be something that comes once a year,” she says during our interview, which fell on Women’s Month. Organizing, in this sense, extends beyond putting a show together. It becomes a way to set terms for how people treat each other in live music spaces. What Lopez loves about women organizing shows is its “feminine touch,” which comes with a welcoming and comforting energy. “Sana hindi lang ‘pag March, hindi lang pang cover night, hindi lang ‘pag may headliner na babae,” she says of her hopes for women in and behind the scenes. “I hope it gets to the point of it being normal.” ## Making It Work But before shows and workflows arrive anywhere near utopian arrangements, smaller, female-led teams like exhibition organizer Plethora Fair, have to stretch resources like budget, manpower, and even reach. The DIY ethos is the way, despite the lack of sponsorships and actual support from any venue, female creatives and organizers have always pushed Plethora Fair co-organizers Angel Gomez, event coordinator, and Sabine Estevanez, vendor manager, to keep making these events accessible for everyone. “It’s actually been quite difficult for us mainly because we are a very small team,” Gomez shares. “Because of that, it’s a different venture altogether, and naturally the approach to things is also different, which brings its own set of challenges.” “There are already so many opportunities that exist, and even more that we can continue to build together as a community of women” Angel Gomez Every event has its own challenge depending on the venue they occupy for an entire day, Gomez says. Small steps such as being more intentional about who they platform, listening to concerns within the community, and setting clearer standards for behavior can go a long way in making music, art, and event spaces more inclusive and respectful. Every decision counts. Resources don’t stretch far, so adjustments happen constantly within their reach as female organizers of a DIY fair that happens every now and then. “We’ve both been exposed to the same music scene, and we’ve become somewhat familiar with finding workarounds,” Gomez says. “I also believe that there are so many skills women bring to the table that sometimes get overlooked just because we’re ‘women.’ But from what I’ve personally seen, I can proudly say it’s been amazing to witness how skilled, talented, and capable the women around me are.” ![Plethora Fair](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/DSC03977.webp) Angel Gomez and Sabine Estevanez of Plethora Fair. Photo by Phoenix Caubay Experience fills in the gaps. You learn how to make things happen with what’s available. That attention to detail shapes how people return. Not just for the lineup, but for how the event feels overall. “There are already so many opportunities that exist, and even more that we can continue to build together as a community of women,” Gomez says. “Not only to create great things, but also to help shape better environments and practices within the events, arts, and music scene for a more positive and meaningful change.” Across different collectives, the approach stays consistent. The work happens behind the scenes, yet it holds everything together. And almost always, it’s women who make it work. What changes now is visibility. More people are starting to see how much of the scene needs equal amounts of love and support for all those who are holding the line and keeping it real for more young, inspiring female organizers all over. ## Frequently ASked Questions ### Which Philippine music collectives are led by women organizers? Independent productions including Elev8 Me L8r, Salvage Yard, Plethora Fair, and SYQL have women in key organizing roles, from production management to programming direction, despite operating in a largely male-dominated live music landscape. ### How did Elisha Mikaela Ruiz become an event organizer? Ruiz entered the gig scene in 2022, gradually transitioning from attendee to organizer through consistent presence and involvement, eventually becoming production manager and art director of Elev8 Me L8r, the independent music collective. ### What challenges do women face as music event organizers in the Philippines? Women organizers describe facing belittling comments, condescension, and having their authority questioned despite experience. Salvage Yard’s Cara Lopez says she’s often mansplained and feels she must prove her credentials just to be treated with respect. ### What does “holding the line” mean for women organizing live shows? According to Ruiz, holding the line means refusing to let abusive individuals into event spaces, treating a gig as an agreement that the space is safe, shaping lineups and behavior standards to reflect that responsibility. ### What challenges does Plethora Fair face as a small, female-led team? Plethora Fair organizers Angel Gomez and Sabine Estevanez say limited manpower and budget make each event a distinct challenge, requiring constant resourcefulness and workarounds to keep their DIY fairs accessible without sponsorships or venue support. Related Stories - [For Filipinos, Keeping a Music Venue Alive Means Clutching at Straws](https://rollingstonephilippines.com/music/state-of-music-venues/ "For Filipinos, Keeping a Music Venue Alive Means Clutching at Straws") - [Filipino Musicians and the Uphill Battle of Going ‘Global’](https://rollingstonephilippines.com/editors-picks/features/filipino-representation-southeast-asia-music/ "Filipino Musicians and the Uphill Battle of Going ‘Global’") - [How Pinoy Love Rap in the 2000s Defied Taste in Hip-Hop](https://rollingstonephilippines.com/music/2000s-pinoy-love-rap-hip-hop/ "How Pinoy Love Rap in the 2000s Defied Taste in Hip-Hop") **Categories:** Music, Rock **Tags:** female organizers --- ### [‘Quezon’ Film Team on Making One of the Biggest Filipino Historical Epics](https://rollingstonephilippines.com/radar/events/quezon-state-of-film-panel/) **Published:** August 7, 2025 **Author:** Mel Wang **Excerpt:** For Rolling Stone Philippines’ State of Affairs live event, Quezon director Jerrold Tarog, cinematographer Pong Ignacio, and producer Daphne Chiu-Soon talked to FDCP Chairman Jose Javier Reyes on their gamble to make their film an event for Philippine cinema **Content:** Philippine cinema is no stranger to bringing [historical events](https://rollingstonephilippines.com/radar/events/) to the silver screen. This time, the team behind [TBA Studios](https://rollingstonephilippines.com/tag/tba-studios/ "TBA Studios") is adapting the story of former [President Manuel L. Quezon](https://rollingstonephilippines.com/tag/manuel-quezon/ "Manuel Quezon") into a powerful historical narrative. On August 7, *[Quezon](https://rollingstonephilippines.com/tag/quezon/ "Quezon")* director [Jerrold Tarog](https://rollingstonephilippines.com/tag/jerrold-tarog/ "jerrold tarog"), cinematographer [Pong Ignacio](https://rollingstonephilippines.com/tag/pong-ignacio/ "Pong Ignacio"), and producer [Daphne Chiu-Soon](https://rollingstonephilippines.com/tag/daphne-chiu-soon/ "Daphne Chiu-Soon") came together for *Rolling Stone Philippines’* State of Affairs live event to discuss what it means to bring a historic epic to life. Moderated by [Jose Javier Reyes](https://rollingstonephilippines.com/tag/jose-javier-reyes/ "Jose Javier Reyes"), Chairman and CEO of the [Film Development Council of the Philippines](https://rollingstonephilippines.com/tag/fdcp/ "FDCP"), the panel shared their thoughts on the risks associated with making one of the most expensive films in the country’s history, as well as the place of historical dramas in the current market. *Quezon*, starring [Jericho Rosales ](https://rollingstonephilippines.com/tag/jericho-rosales/ "jericho rosales")as the titular Philippine president. The film follows Quezon through four chapters in his life. ![Quezon Jose Javier Reyes Pong Ignacio Daphnie Chiu-Soon Jerrold Tarog](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/DSF5289.webp) Producer Daphne Chiu-Soon, cinematographer Pong Ignacio, and director Jerrold Tarog with FDCP Jose Javier Reyes. Photo by Ed Simon The discussion saw Reyes situating the big gamble in the film industry as a whole, which still has a hard time in getting audiences back to cinemas. Reyes frequently played devil’s advocate with the team, pointing out challenges that come with making a film based on a national hero. “Isn’t this masochistic on your part?” Reyes teased the panelists after describing how expensive and difficult it is to produce a movie like *Quezon*. “We were focused on showing the human side \[of Quezon\], to humanize ‘yong protagonist of the film,” said Chiu-Soon. “You’re not only humanizing, you’re actually deconstructing Filipino history. Do you think the Philippine audience is ready for that?” Reyes asked, in the context of another forthcoming epic — *[Magellan](https://rollingstonephilippines.com/culture/lav-diaz-hazel-orencio-magellan/ "Lav Diaz on the Cost of Making ‘Magellan’: ‘I’ve Seen Death’")*, directed by [Lav Diaz](https://rollingstonephilippines.com/tag/lav-diaz/ "Lav Diaz") — that aims to humanize another Filipino historical figure. In response, Tarog shrugged and said, “I can always point to the books.” The director explained that, inspired by National Artist for Literature Nick Joaquin’s essay collection *A Question of Heroes*, he hoped to create a franchise of Filipino history-inspired movies similar to the blockbusters of the [Marvel](https://rollingstonephilippines.com/tag/marvel/ "Marvel") Cinematic Universe. ![Quezon](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/DSF5261.webp) *Quezon* stars Jericho Rosales as the titular president. Photo by Ed Simon Reyes then pivoted to discussing the studio’s choice to release the film on October 15. “You’re showing this outside of the \[[Metro Manila Film Festival](https://rollingstonephilippines.com/tag/metro-manila-film-festival/ "Metro Manila Film Festival")\],” said Reyes, “and we know for a fact that it’s almost like a freak of nature, not unless you have an Alden \[Richards\] or Kathryn \[Bernardo\], to have big hits outside of the festival. Is this another exercise in masochism?” Chiu-Soon replied, saying, “If you open in MMFF, you’re sharing the theater with eight or 10 other entries with very limited screens. I don’t want to open with 20 screens: I want to \[open with\] 200 screens.” The panel also touched on TBA Studios’ decision to cast Rosales as the film’s titular president. “How are you portraying Quezon with Jericho… is he going to be your delicious conyo boy?” Reyes asked jokingly. “I never think about that,” Tarog said in response. “I was just focused on telling a good story. And Quezon’s controversies… it’s \[all\] right there in the chapters.” “It’s a cultural thing, ‘yong tendency to hero worship,” the director continued. “Once you start doing that, everything is all black and white. A person becomes black and white in one sentence. But once you start reading up on history, it’s really a series of events where good people do good and bad things. Quezon is the perfect example of that. He’s a very complicated person, and also a problematic one.” *Quezon* also stars *Game of Thrones*’ [Iain Glen](https://rollingstonephilippines.com/tag/iain-glen/ "Iain Glen") as Governor-General Leonard Wood, and Mon Confiado reprising his role as former president Emilio Aguinaldo. *Quezon* completes the studio’s Bayaniverse series, a cinematic franchise that highlights major figures in Philippine history. *Special thanks to ZYN. With special participation from H2V2 Catering and Manila Craft Mixes & Brews.* Related Stories - [Exclusive: TBA Studios Previews Unreleased Clip of New ‘Quezon’ Film](https://rollingstonephilippines.com/culture/news-culture/tba-studios-previews-quezon-clip/ "Exclusive: TBA Studios Previews Unreleased Clip of New ‘Quezon’ Film") - [‘Quezon’ Will Finish What ‘Heneral Luna’ Started](https://rollingstonephilippines.com/culture/philippine-cinema/quezon-heneral-luna-bayaniverse/ "‘Quezon’ Will Finish What ‘Heneral Luna’ Started") - [‘Quezon’ Gets an Official Release Date. Here’s What We Know](https://rollingstonephilippines.com/radar/releases/quezon-official-release-date/ "‘Quezon’ Gets an Official Release Date. Here’s What We Know") **Categories:** Culture, Events, Philippine Cinema, Radar **Tags:** Daphne Chiu-Soon, jericho rosales, jerrold tarog, Jose Javier Reyes, Pong Ignacio, Quezon, RSPH: State of Affairs, TBA Studios --- ### [What Can the Future of the Film Industry Look Like?](https://rollingstonephilippines.com/culture/film/the-future-film-industry-noel-ferrer/) **Published:** September 11, 2026 **Author:** Noel Ferrer **Excerpt:** In this excerpt from his book “Level Up: Narrating Stardom, Substance and Service,” writer and industry insider Noel Ferrer talks about how a new coalition is working to save Philippine cinema **Content:** *The following essay is taken from “How Crisis Forged a Synergy” from* Level Up: Narrating Stardom, Substance and Service *by Noel Ferrer.* Shared vision: that is what Film Academy of the Philippines (FAP) x Film Development Council of the Philippines (FDCP) x [QCinema](https://rollingstonephilippines.com/tag/qcinema/) x [Metro Manila Film Festival (MMFF)](https://rollingstonephilippines.com/tag/metro-manila-film-festival/) looks like right now. Not a joint poster with four logos stacked for a press release, but united action built into the calendar. For decades, [Philippine cinema](https://rollingstonephilippines.com/tag/philippine-cinema/) survived on individual heroics: a director maxing out a credit card to lock picture, a producer begging a mall for a decent timeslot, a crew working 18 hours because the call sheet said so. We have been excellent in spite of the system. This coalition is the first honest attempt to be excellent because of the system. Collabs work when everyone carries the same “why.” Ours is simple, and we intend to repeat it until it shows up in budgets and contracts: protect the workers, grow the audience, and give Philippine films a real fighting chance. No self-promo, just shared work. Exciting times, yes, but more importantly, necessary times. “The goal is unglamorous but urgent: find the best arrangement to bring audiences back to theaters and build a system that is beneficial to all stakeholders.” Noel Ferrer ![noel ferrer jose javier reyes paolo villaluna mtrcb fap fdcp mmff](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/noel-ferrer-jose-javier-reyes-paolo-villaluna-mtrcb-fap-fdcp-mmff.webp) The author (fifth from left) with FDCP’s Jose Javier Reyes, MTRCB’s Lala Sotto, and FAP’s Paolo Villaluna. Photo courtesy of author This September, during Philippine Film Industry Month, which the FDCP leads each year by Presidential Proclamation to honor the industry’s contributions, we will test that “why” in public. We will do three things together, not in parallel silos. First, announce the Philippine entry to the Oscars, a decision that FAP makes each year but will now carry with the full weight of national campaign planning behind it. Second, launch the Quezon City Cinematheque, a permanent home in the city for restored classics, student shorts, and community screenings that do not disappear after a weekend. Third, celebrate [Quezon City being named a UNESCO Creative City of Film](https://rollingstonephilippines.com/culture/quezon-city-dumaguete-unesco-creative-cities/), the first city in Southeast Asia to receive the designation when UNESCO announced it on October 31, 2025. It affirms what anyone who has ever lined up for a QCinema screening at Gateway already knew: Quezon City is the Heart of Philippine Cinema. The studios are here, the post houses are here, the schools that feed the sets are here. UNESCO did not crown us; it recognized us. ![jose javier reyes kieran punay rolling stone philippines 2](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/jose-javier-reyes-kieran-punay-rolling-stone-philippines-2.webp) Jose Javier Reyes. Photo by Kieran Punay [Joey Reyes](https://rollingstonephilippines.com/culture/philippine-cinema/jose-javier-reyes-filipino-movies/), reappointed as FDCP chairperson and CEO after a term focused on education and strategic planning, calls this moment plainly overdue. “This coalition of the Film Development Council of the Philippines with the Film Academy of the Philippines, the Quezon City Film Council and the Metro Manila Film Festival is long overdue,” he says, and points to the clutter that delayed it. “All these institutions have one goal in common: the upliftment of the Filipino movie industry in order to bring to the world the potential if not the brilliance of our [cinematic arts](https://rollingstonephilippines.com/culture/philippine-cinema/). Numerous factors, if not personal endeavors, have served as obstacles to this delayed unification. But now that the air has been cleared and sanitized, now that the alignment is based on singularity of purpose and not the promotion of individual interests, the united front is created with the agreement to help each other in serving particular mandates.” For him, the first concrete proof will be the Student Short Film Festival, timed to the UNESCO celebration, where all agencies will be “hand in hand in this historic celebration in turning the Capital City of the country not only as a City of the Stars… but the Center of Filipino Cinema.” The FDCP, he insists, will remain “a moving force for relevant and sustainable development,” but now with partners who can actually deliver the last mile. That last mile is where Quezon City lives. Giana Barata from the Quezon City Tourism Operations and Cultural Affairs Office frames the UNESCO honor not as a trophy but as a job description. “As Quezon City proudly upholds its designation as a UNESCO Creative City of Film, we recognize that the full realization of this honor demands more than institutional recognition, it calls for deliberate, sustained, and meaningful alliance with the foremost bodies that govern, develop, and celebrate Philippine cinema.” The city has been revitalizing its film commission into the Quezon City Screen Commission precisely to be that connective tissue, convening dialogues, sharing infrastructure, opening barangay halls and school auditoriums for screenings, and championing policies that uplift the whole industry. “We cannot fulfill our UNESCO mandate as a solitary actor. The designation is not a trophy to be displayed, it is a living commitment to use the [power of film as a tool](https://rollingstonephilippines.com/culture/film/) for cultural development, social inclusion, and economic growth.” For Quezon City, partnership is not protocol, it is purpose, and the convergence with FDCP, FAP, and MMFF is meant to secure “a resilient, inclusive, and thriving creative industry for generations to come.” MMFF is stepping into that same convergence, and we want to be clear about what that means structurally. The FAP, the FDCP, and Quezon City are part of the organization. That is how the MMFF intends to maximize its impact as the longest-running, most anticipated, and widely supported film festival in the country. All year, not only in December, we partner with agencies, filmmakers, and local governments to serve the industry better. This year, aside from mounting the 52nd MMFF in December with student shorts returning to the lineup, we will initiate sustained dialogues with producers and theater operators through the Cinema Exhibitors Association of the Philippines (CEAP). The goal is unglamorous but urgent: find the best arrangement to bring audiences back to theaters and build a system that is beneficial to all stakeholders, from the ticket seller to the gaffer who waited six months for residuals. [Paolo Villaluna](https://rollingstonephilippines.com/tag/paolo-villaluna/), who was appointed Director-General of FAP in 2024 and has spent the last year rebuilding the guilds, keeps his part short on purpose. “The important alliance between the Film Academy of the Philippines, Film Development Council of the Philippines, Quezon City Screen Commission, and Metro Manila Film Festival is not just timely, it’s essential and necessary. By combining national policy and funding, local infrastructure, and major festivals, these institutions are proving that our film industry can do more together than any one of them could alone. With Quezon City now a UNESCO Creative City of Film, the Academy and its guilds are fully committed to this collaboration. Real change is finally within reach.” Real change, in this framework, looks like four shifts that finally line up. Protecting the workers stops being a press statement and becomes a workflow, because FAP brings the guilds and their standard contracts, FDCP handles education and the festivals, and QC issues permits that require proof of insurance and proper crediting. Growing the audience stops being each festival’s lonely marketing push and becomes a pipeline, because FDCP brings data and the JuanFlix platform, QC brings schools and community venues for year-round repertory, QCinema brings curation that discovers new voices in November, and MMFF brings the national scale in December. Giving Philippine films a fighting chance internationally stops being a last-minute scramble and becomes a campaign, because the Academy selects in September with FDCP funding the Oscar run, QC hosts the public send-offs and filmmaker talks, and MMFF keeps the film alive in the public imagination through the holidays. “By combining national policy and funding, local infrastructure, and major festivals, these institutions are proving that our film industry can do more together than any one of them could alone.” Paolo Villaluna Then we keep going. QCinema in November will operate as the research and development wing, with its Film City theme, with RainbowQC, with QCShorts, with that new Student Short Film Festival that Reyes named as the first joint deliverable. MMFF in December will be the stress test for the CEAP dialogues, for fairer terms, for better timeslots, for marketing that starts in October instead of Christmas Eve. Between them are the less photogenic meetings on incentives, on archive restoration at the Philippine Film Archive, on masterclasses that move from FDCP cinematheques to QC district libraries. We really hope to serve the movie industry well, not because collaboration is fashionable, but because we all feel the crunch right now. Costs are up, theatrical attendance is fragile, streaming has flattened discovery into an algorithm, and workers are tired of being thanked in speeches while waiting for protections promised since the Luna Awards began in 1981. This is not for self-promotion, and it is not to advance any personal agenda. It is for an industry that is ailing but determined to thrive, an industry that has never lacked genius, only continuity. So why did we not build this synergy sooner? Perhaps we needed the crisis to clear the air, perhaps we needed Quezon City to be named first in Southeast Asia to remember where the heart beats. Perhaps we needed four institutions to get tired of competing for the same small pie. Perhaps we needed to do some house cleaning, and weeding out conflicts of interest, and non-good governance practices. Better late than never. Crisis often forces better and more lasting solutions. Now we know better, and now we work together. Related Stories - [Jose Javier Reyes On Why Filipinos Hate Their Own Movies](https://rollingstonephilippines.com/culture/philippine-cinema/jose-javier-reyes-filipino-movies/ "Jose Javier Reyes On Why Filipinos Hate Their Own Movies") - [Here are the Filipinos Who’ve Won Big at the Oscars](https://rollingstonephilippines.com/culture/film/filipinos-who-won-oscars-history/ "Here are the Filipinos Who’ve Won Big at the Oscars") - [Filipino Filmmakers on the Hard Truth of an Oscar Campaign](https://rollingstonephilippines.com/culture/film-tv/filipino-filmmakers-on-the-hard-truth-of-an-oscar-campaign/ "Filipino Filmmakers on the Hard Truth of an Oscar Campaign") - [What Can the Future of the Film Industry Look Like?](https://rollingstonephilippines.com/culture/film/the-future-film-industry-noel-ferrer/ "What Can the Future of the Film Industry Look Like?") **Categories:** Culture, Film, Philippine Cinema **Tags:** Philippine cinema --- ### [The Biggest City in Metro Manila is Hosting its Own Art Festival](https://rollingstonephilippines.com/radar/events/quezon-city-biennial-art-festival/) **Published:** August 13, 2025 **Author:** Mel Wang **Excerpt:** From August 10 to October 10, the artist-initiated art festival turns Quezon City into a living, breathing gallery, complete with art pop-ups and exciting events **Content:** As the Philippines’ largest and most populated city, Quezon City has undeniably become a major epicenter of art and culture. The artists and galleries born out of the city have shaped its creative diversity, and now, the [Quezon City Biennial](https://rollingstonephilippines.com/tag/quezon-city-biennial/ "Quezon City Biennial") (QCB) aims to honor that legacy by becoming the city’s latest artist-run, city-wide art festival. From August 10 to October 10, the QCB transforms Quezon City into a landscape filled with art exhibitions and [pop-up events](https://rollingstonephilippines.com/radar/events/), celebrating Filipino artistry and the spirit of the city as a uniting force for people, art, and ideas. Inspired by the major bus route along EDSA, the QCB’s theme for its launch is “Ilalim/Ibabaw”: whether passing “above” or “below,” taking the route symbolizes the passage of people, ideas, and culture navigating Quezon City’s diverse creative and cultural spaces. 30 featured artists from across multiple mediums are taking part in this festival, including experimental filmmaker [Roxlee](https://rollingstonephilippines.com/culture/film-tv/roxlee-profile/), along with CCP 13 Artists awardees Zeus Bascon and [Allan Balisi](https://rollingstonephilippines.com/culture/art/allan-balisi-art-speaks-volumes-without-ever-saying-a-word/), among others. Over 20 venues, partners, and collaborators are also contributing their spaces, time, and expertise to the festival, such as NO Gallery, Minus Plus/Garapata Store, [Jun Sabayton](https://rollingstonephilippines.com/culture/art/jun-sabayton-profile/ "For Jun Sabayton, There is Art in Everything"), AG Sano, and more. ![Quezon City Biennial](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/Exhibit-at-Sampaguita-Projects.webp) 30 featured artists from across multiple mediums are taking part in this festival. Photo from the Quezon City Biennial The festival’s main events include a series of pop-up art events that will take place across Quezon City. Its upcoming pop-up will take place all-day on August 23 across multiple venues in the district of Project 8: art gallery Sampaguita Projects, art spaces Green Gate 17 and The O Home, and Bahay Toro Skate Park. The QBC will also host pop-ups in Maginhawa, Cubao Expo, and Katipunan on September 6, 20, and October 5, respectively. The festival is also providing private PUV jeepney tours of the participating sites throughout the two-month course of the biennial. These jeepney drives will also serve as an alternative space for artist talks, guided meditations, live performances, jeepjitsu self-defense lessons (yes, you read that right), and more. In addition, informal artist events and spontaneous conversations will take place intermittently until October 10, with details to be shared via the QCB’s social media pages. More information on the QCB’s scheduled programming can be found [here](https://www.quezoncitybiennial.com/). Related Stories - [The Quiet Limitlessness of Allan Balisi’s Paintings](https://rollingstonephilippines.com/culture/art/allan-balisi-art-speaks-volumes-without-ever-saying-a-word/ "The Quiet Limitlessness of Allan Balisi’s Paintings") - [From Amateur to Anti-auteur: The Story of Experimental Filmmaker Roxlee](https://rollingstonephilippines.com/culture/film-tv/roxlee-profile/ "From Amateur to Anti-auteur: The Story of Experimental Filmmaker Roxlee") - [15th Binisaya International Film Festival Gathers Emerging Talents in Filipino Cinema](https://rollingstonephilippines.com/radar/releases/15th-binisaya-international-film-lineup/ "15th Binisaya International Film Festival Gathers Emerging Talents in Filipino Cinema") **Categories:** Art, Culture, Events, News, Radar **Tags:** Allan Balisi, Jun Sabayton, Quezon City Biennial, Roxlee --- ### [Oktoberfest 2025: Catch Rico Blanco, Lola Amour Celebrate 135 Years of San Miguel Beer](https://rollingstonephilippines.com/radar/events/san-miguel-oktoberfest-2025/) **Published:** September 13, 2025 **Author:** Mel Wang **Excerpt:** From high-profile performers like Rico Blanco and Lola Amour taking the stage to a powerful selection of San Miguel Beer’s global beers, here’s what partygoers can look forward to at the San Miguel Oktoberfest next week **Content:** There is no party like a [San Miguel Oktoberfest](https://rollingstonephilippines.com/tag/san-miguel-oktoberfest/ "San Miguel Oktoberfest") party. From September 20 to 21, the celebration of Filipino beer, food, and music is set to take over Okada Manila’s Crystal Pavilion. This year marks the 135th anniversary of San Miguel Brewery Inc. serving the best quality beers around the world. The San Miguel Oktoberfest lineup of live performances is stacked, featuring major Filipino acts like Lola Amour, Rico Blanco, December Avenue, Maki, Arthur Nery, Brownman Revival, The Dawn, Autotelic, The Juans, Over October, The Cohens, Paprika, DWTA, Carousel Casualties, It All Started in May, Magiliw Street, Sean Archer, Accapellago, Paprika, DJ Chelsea, and DJ Rammy. ![San Miguel Oktoberfest](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/Oktoberfests-Photo-Release-1.webp) Ticket details. Photo from San Miguel Brewery Inc. Partygoers can look forward to up-close sets from these celebrated artists while sampling both classic and new brews from San Miguel Beer’s global selection. Pop-up restaurants around the venue, including Las Flores and Café Fleur by Chef Sau, will offer tantalizing eats, perfect for those looking to pair great music and beer with equally impressive food. The San Miguel Beermen, who were recently crowned PBA All-Filipino Cup Champions, will also be making an appearance at the fiesta, ready to shoot some hoops with attendees. Billiards legends Efren “Bata” Reyes and Francisco “Django” Bustamante will also be in attendance, playing a high-energy exhibition match and daring revelers to show off their pool skills at the table. If you’re ready for a high-octane weekend of music, brews, and unfiltered revelry, full details on ticket pricing and access can be found [here](https://www.ticket2me.net/event/22492?fbclid=IwY2xjawMrdM1leHRuA2FlbQIxMQBicmlkETFURHpsSUM4UzdOMzV3aTBNAR7FltilljzpRByIifnKhiGd9TwsUMc_r5pcgra6yy7HBGuD6FvHG24jiWSxMg_aem_WvMU3Q-SbgL54SsyviIaVQ#calendar). Information on the complete [schedule of events](https://rollingstonephilippines.com/radar/events/), latest promos, and updates can be found [here](https://www.facebook.com/SanMiguelOktoberfest). Related Stories - [Lola Amour on How They Embraced Regret for ‘Dance With My Mistakes’](https://rollingstonephilippines.com/music/lola-amour-interview-dance-with-my-mistakes/ "Lola Amour on How They Embraced Regret for ‘Dance With My Mistakes’") - [Rico Blanco’s ‘You’ll Be Safe Here’ Proves its Legacy, Reaching 100 Million Streams](https://rollingstonephilippines.com/music/youll-be-safe-here-rico-blanco/ "Rico Blanco’s ‘You’ll Be Safe Here’ Proves its Legacy, Reaching 100 Million Streams") - [September Fever 2025 Sees the Best of VisMin Music Share One Stage](https://rollingstonephilippines.com/radar/events/september-fever-cebu-music-festival/ "September Fever 2025 Sees the Best of VisMin Music Share One Stage") **Categories:** Events, Radar **Tags:** San Miguel Brewery Inc., San Miguel Oktoberfest --- ### [What to Expect at Fête de la Musique Philippines 2026](https://rollingstonephilippines.com/radar/events/fete-de-la-musique-philippines-2026/) **Published:** June 4, 2026 **Author:** Pie Gonzaga **Excerpt:** Themed “For the People, By the People,” this year’s festival boasts 123 music events across 34 locations nationwide this June, all for free **Content:** [Fête de la Musique](https://rollingstonephilippines.com/tag/fete-de-la-musique/ "Fête de la Musique"), the annual month-long music festival presented by the Alliance Française de Manille, is returning to the Philippines with more locations and stages than ever before. On Thursday, June 4, the Alliance Française de Manille announced the festival’s long lineup. Things kick off on June 10 with “Music Heals,” a day of sound healing activities. This is followed by performances by French pianist Maxime Zecchini on June 14 and 15. On June 19, the Asia–France Music Bridge Workshops, a crucial networking and exchange initiative for Southeast Asian creative entrepreneurs, emerging artists, and cultural workers, will be held at Meridian International (MINT) College. ## Who to See at Fête PH 2026 ![fete de la musique philippines 2026 poster](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/FetePH2026.webp) Fête de la Musique Philippines 2026 unveils its main poster and schedule. Photo from Fête de la Musique Philippines On June 20, Fête de la Musique Philippines will host its Main Stage at the Ayala Triangle Gardens, headlined by French electronic-rock band Meule, French-Vietnamese harpist Heloise La Harpe, and Filipino acts such as the Jewelmer Jazz Band, [Morobeats](https://rollingstonephilippines.com/music/hiphop-rnb/morobeats-rap-collective-filipino-anger/ "Morobeats is the Rap Collective Giving Filipino Anger a Soundtrack"), [Radioactive Sago Project](https://rollingstonephilippines.com/tag/radioactive-sago-project/ "Radioactive Sago Project"), and [Lola Amour](https://rollingstonephilippines.com/tag/lola-amour/ "Lola Amour"). The Main Stage is followed by pocket stages across Metro Manila, concentrated in but not limited to Makati and Quezon City, and the rest of the country, from June 20 to 28. The festival wraps up with a performance by Filipino jazz act [Project Yazz](https://rollingstonephilippines.com/music/indie/project-yazz-music-forecast-2026/ "Project Yazz Is The Type of Jazz Band That Doesn’t Sound The Same Twice") at Raffles Makati’s Long Bar on June 29. “Fête de la Musique has evolved into a true ‘community of communities,’ uniting artists and music lovers from Luzon, Visayas, and Mindanao,” said Alliance Française de Manille Executive Director Olivier Dintinger at the festival’s media launch on June 4. “This 32nd edition belongs entirely to the people. By keeping the festival completely free and expanding our footprint nationwide, we are celebrating not just the universal language of music, but the vibrant, community-led spirit that makes the Philippine music scene so extraordinary.” Full artist lineups, specific pocket stage locations, and the complete nationwide schedule will be unveiled soon on Fête de la Musique Philippines’ official social media channels. Admission is free for [all events](https://rollingstonephilippines.com/radar/events/), though some may require registration ahead of time. ## Frequently Asked Questions ### Is there an admission fee for Fête de la Musique Philippines 2026 events? No, admission is completely free for all events throughout Fête de la Musique Philippines 2026. However, please note that some specific events may require advance registration. ### When and where is the Fête de la Musique Philippines 2026 Main Stage taking place? The Fête de la Musique Philippines 2026 Main Stage will be held at the Ayala Triangle Gardens on June 20, 2026. ### Who are some of the artists performing at the Fête de la Musique Philippines 2026 Main Stage? The Fête de la Musique Philippines 2026 Main Stage will feature a mix of international and local acts, including French electronic-rock band Meule, French-Vietnamese harpist Heloise La Harpe, and Filipino artists such as the Jewelmer Jazz Band, Morobeats, Radioactive Sago Project, and Lola Amour. ### Where can I find the full schedule and list of pocket stages for Fête de la Musique Philippines 2026? The full artist lineups, specific pocket stage locations, and the complete nationwide schedule will be released soon on the official Fête de la Musique Philippines social media channels. ### Are there any events for music industry professionals at Fête de la Musique Philippines 2026? Yes, there will be events for music professionals at Fête de la Musique Philippines 2026. On June 19, the “Asia–France Music Bridge Workshops” will be held at Meridian International (MINT) College. This event is designed as a networking and exchange initiative for emerging artists, cultural workers, and creative entrepreneurs in Southeast Asia. Related Stories - [Project Yazz Is The Type of Jazz Band That Doesn’t Sound The Same Twice](https://rollingstonephilippines.com/music/indie/project-yazz-music-forecast-2026/ "Project Yazz Is The Type of Jazz Band That Doesn’t Sound The Same Twice") - [Fête de la Musique PH Continues to Show the Blueprint for Free Concerts](https://rollingstonephilippines.com/culture/fete-de-la-musique-ph-2025/ "Fête de la Musique PH Continues to Show the Blueprint for Free Concerts") - [Morobeats is the Rap Collective Giving Filipino Anger a Soundtrack](https://rollingstonephilippines.com/music/hiphop-rnb/morobeats-rap-collective-filipino-anger/ "Morobeats is the Rap Collective Giving Filipino Anger a Soundtrack") **Categories:** Events, Music, Radar **Tags:** Fête de la Musique --- ### [Welcome 2025 at This Ayala Ave. New Year’s Eve Countdown](https://rollingstonephilippines.com/radar/events/new-years-eve-countdown-ayala-ave-makati-2025/) **Published:** December 24, 2024 **Author:** Mel Wang **Excerpt:** The “Radiating on Top” New Year Countdown event features performances by BINI, Lola Amour, and Marina Summers **Content:** It’s been exactly 25 years since Regine Velasquez took on a legendary performance on top of The Peninsula Manila to ring in the new millennium. “Written in the Sand” was the country’s official anthem to welcome 2000 as the often bustling Ayala Avenue in Makati was transformed as the setting for the Asia’s Songbird’s history-marking turn. That same performance was recreated at last New Year Eve countdown with Velasquez herself turning back the clock 24 years later. This December 31, Ayala Avenue is set to channel that same iconic feeling with this year’s New Year’s Eve countdown featuring performances by BINI and Gary V. This year’s countdown, titled “Radiating on Top” as inspired by the theme of radiating joy, growth, and positivity for the new year, is set to host an exciting line-up of the country’s best performing artists of the year. Apart from Bini and Gary V, the countdown headliners include rock band [Lola Amour](https://rollingstonephilippines.com/music/features/wish-bus-radio/ "Lola Amour"), select cast members from some of the year’s most popular theatrical performances (*One More Chance*, *Bar Boys*, *Going Home to Christmas*, etc.), drag queen [Marina Summers](https://rollingstonephilippines.com/culture/marina-summers-as-glinda-in-wizard-of-oz-uk/ "Marina Summers"), rapper Gloc-9, and rock icon Bamboo. [The event](https://rollingstonephilippines.com/radar/events/) also boasts a pre-show with DJs Brian Cua and Mike Lavet performing sets and with established hosts Ai Dela Cruz and Justin Quirino leading the event. Festivities start as early as 12 p.m. on Ayala Avenue between The Manila Peninsula and Shangri-La Makati and will also feature a wide array of food merchants throughout the day. The main program will commence closer to 6 p.m., and an outdoor dance floor will host an after party at a nearby location for those who want to keep the party going after midnight. While admission to the event is free, attendees can also pay for special ticketed sections, such as a mosh pit section or a VIP seating section for a more exclusive experience. To learn more, visit the event’s [official website](https://premier.ticketworld.com.ph/shows/show.aspx?sh=RADIATE24). **Categories:** Events, Radar, RS Recommends **Tags:** Bamboo, BINI, Gary V, Gloc-9, Lola Amour, marina summers, new year --- ### [Liza Soberano Joins Doechii and PinkPantheress in a Night of Fashion and Music in L.A.](https://rollingstonephilippines.com/music/liza-soberano-joins-doechii-and-pinkpantheress-in-a-night-of-fashion-and-music-in-l-a/) **Published:** April 11, 2025 **Author:** Elijah Pareño **Excerpt:** With the special guest Liza Soberano attending the party, it’s as if H&M has never missed when it comes to inviting your favorite celebs and musicians **Content:** At the star-studded H&M Los Angeles celebration on April 9, Liza Soberano emerged as the Philippine representative and eventually became the night’s [style icon](https://rollingstonephilippines.com/radar/style/) in a sheer pink H&M ensemble that perfectly captured the brand’s Spring-Summer 2025 collection ethos. Her look, equal parts ethereal and edgy, walked the line between glam rock decadence and bohemian festival chic, proving that accessible fashion can still make bold statements. ![Pinkpantheress](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/2.webp) Pinkpantheress performing at the H&M&LA Party. Photo from H&M&LA ![Doechii](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/3.webp) Doechii performing at the H&M&LA Party. Photo from H&M&LA The night of music and fashion set against the California sunset is soundtracked by a brilliantly eclectic playlist: Doechii’s raw energy, Robyn’s electro-pop anthems, [Jamie xx’](https://rollingstonephilippines.com/tag/jamie-xx/ "Jamie xx")s textured beats, and PinkPantheress’ glitchy nostalgia, creating a sonic landscape as carefully constructed as the clothes. H&M created an immersive world where fashion and music collide in unexpectedly cool ways. Remember when you’d hear Charli XCX or Arca pumping through H&M speakers and do a double-take? This party was that same boundary-pushing curation philosophy amplified to stadium proportions. The Spring 2025 collection, launched April 10, continues this vision, blending vintage rock allure with modern minimalism. Related Stories - [ena mori Redefines Pop music in Her Own Image](https://rollingstonephilippines.com/music/ena-mori-redefines-pop-music-in-her-own-image/ "ena mori Redefines Pop music in Her Own Image") - [1994: A Cultural Shift in the Filipino Music Landscape](https://rollingstonephilippines.com/music/1994-filipino-music-landscape/ "1994: A Cultural Shift in the Filipino Music Landscape") **Categories:** Music, News **Tags:** H&M, Liza Soberano --- ### [How the Kitchie Nadal Renaissance is Bridging Generations](https://rollingstonephilippines.com/music/news/how-the-kitchie-nadal-renaissance-is-bridging-generations/) **Published:** March 31, 2025 **Author:** Elijah Pareño **Excerpt:** Nadal headlining this year’s UP Fair: REV Music Festival marks a milestone for her intimate and unfiltered version of Filipino alternative rock **Content:** As an alternative rock icon, Kitchie Nadal’s name is synonymous with the early 2000s Philippine music scene, whose gentle and emotionally resonant [style](https://rollingstonephilippines.com/radar/style/) of alternative rock captured themes of vulnerability, love, and yearning. Her guitar work and powerful vocal presence sets her apart from her contemporaries, ultimately forging a sound that prioritized emotional honesty over the era’s prevailing testosterone-addled hard rock music such as nu-metal and grunge was all the rage. Since debuting with two albums with her first band Mojofly in 1999, Nadal has co-written memorable tracks from the band’s earlier oeuvre, including “Alright Without U,” “Minamalas,” and “Puro Palusot,” as well as a majority of songs in albums like *Birthday* in 1999 and *A Million Stories* in 2002. After Mojofly’s sophomore album release, she left the band to pursue a solo career. Her 2004 self-titled debut album catapulted her to fame, delivering timeless hits like “Same Ground,” “Huwag Na Huwag Mong Sasabihin,” and “Bulong” — songs that have become karaoke staples and soundtracks to everyday lives and special occasions of Filipinos. After moving to Spain in 2015 to raise a family, she left behind a legacy that, in the Philippines, would only grow stronger in her absence. ## Hitting the Same Ground Running In 2025, Nadal’s music is experiencing a renaissance. TikTok videos featuring her songs have gone viral, with Gen Z users creating cinematic montages of girlhood, friendship, and life’s fleeting moments. Even [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI") member Maloi has shared Nadal’s tracks on her Instagram Stories, which she eventually performed live in Marikina earlier this year. This resurgence couldn’t have come at a better time. Nadal is set to headline the UP Fair’s Rev Music Festival on April 5 at the University of the Philippines Diliman, one of the country’s most well-attended music festivals. Historically dominated by male-led rock acts from the 1990s to the 2020s, the festival’s decision to spotlight Nadal marks a milestone in her career. Nadal’s generational appeal, which bridges millennials who grew up with her music and Gen Z audiences who embrace it today, makes her headlining act a breath of fresh air in a scene often criticized for its lack of diversity. In June 2024, Nadal celebrated her 20th anniversary in the music industry at New Frontier Theater in Cubao, Quezon City. The event featured collaborations with artists like Monty Macalino of Mayonnaise, Barbie Almalbis, and Zild, and even included a karaoke visualizer on giant LED screens, a playful nod to her music’s legacy. The same year, her debut album was re-released on vinyl by Backspacer Records. > [View this post on Instagram](https://www.instagram.com/p/C79YKD2Pq6X/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Niña Sandejas (@ninasandejas)](https://www.instagram.com/p/C79YKD2Pq6X/?utm_source=ig_embed&utm_campaign=loading) As streaming dissolves generational divides and Filipino artists genre-bend with abandon, Nadal’s particular strain of emotional truth hits harder than ever. In an era of algorithm-chasing and forced nostalgia, this organic revival says everything: Real songwriting doesn’t fade, it hibernates. And when the world finally catches up, it resonates all over again. **Categories:** Music, News **Tags:** Kitchie Nadal --- ### [The Moment Group’s Manam, Hayop Receive Two Michelin Nods](https://rollingstonephilippines.com/culture/food/the-moment-groups-manam-hayop-michelin/) **Published:** December 10, 2025 **Author:** Mel Wang **Excerpt:** The Filipino food & beverage company has built an impressive portfolio of 80 restaurants since its founding in 2012 **Content:** 2025 has been a very good year for [The Moment Group](https://rollingstonephilippines.com/tag/the-moment-group/ "The Moment Group"). The Philippine-based F&B company received its first [Michelin](https://rollingstonephilippines.com/tag/michelin-guide/ "Michelin Guide") nod earlier this October when Manam at the Triangle, the flagship restaurant of a chain known for its takes on [Filipino comfort food](https://rollingstonephilippines.com/culture/food/), received a Bib Gourmand distinction. A month later, Manam’s sister restaurant, based in Singapore, hayop, was named a Michelin Selected Restaurant. Both Manam and hayop are part of The Moment Group’s portfolio of 80 restaurants, including the Din Tai Fung franchise in the Philippines. According to the Michelin [citation](https://guide.michelin.com/ph/en/metro-manila/makati-city_2329358/restaurant/manam-at-the-triangle), the Manam flagship restaurant in Ayala Triangle “elevates the brand with its minimalist lines, vibrant Filipino pop art and airy, polished aesthetic. It feels welcoming despite its spaciousness. The extensive menu fetes Filipino flavours – try the Tagalog beef cheeks with calamansi, the spatchcock chicken inasal or the standout lechon manok with tutong longganisa rice with a playful choice of gravy: Red Horse beer or Sarsi.” ![Crispy Palabok](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/Manam-Crispy-Palabok.webp) Manam’s Crispy Palabok. Photo courtesy of The Moment Group ![Sisig](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/Manam-House-Crispy-Sisig.webp) Manam’s House Crispy Sisig. Photo courtesy of The Moment Group ![sinigang](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/Manam-at-the-Triangle-Sinigang-na-Beef-Short-Rib-and-Watermelon-1.webp) Manam’s Sinigang na Beef Short Rib and Watermelon. Photo courtesy of The Moment Group For more than a decade now, Manam has consistently attracted lines for lunch and dinner, a testament to the everyday craving Filipino diners have for the meals it serves. Manam’s signature riff on sinigang, which adds watermelon to the traditional sour broth, has become one of the restaurant chain’s most defining dishes. Its pancit palabok, a hot noodle dish topped by a medley of savory garnishes, has been transformed into a table side experience and a bold play on the dish’s textures. What’s more, its house crispy sisig, a crowd favorite, has become a crowd favorite, especially with its secret sour-savory sauce and chicharon bits. Meanwhile, hayop in Singapore offers a vibrant play on Filipino dining. The restaurant was built as a space for Filipinos abroad who long for the flavors of home, and equally as a place for adventurous eaters who are eager to explore the breadth and depth of Filipino cuisine. Hayop’s menu is a reflection of how Filipino flavors can hold their own in a diverse culinary landscape such as Singapore’s. ![hayop, singapore](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/hayop-interiors2.webp) hayop in Singapore. Photo courtesy of The Moment Group “Hayop serves modern Filipino fare in a wood-rich space with a subtle maritime theme, a reference to the country’s fishing industry,” the Michelin website [says](https://guide.michelin.com/ph/en/singapore-region/singapore/restaurant/hayop). “The signature dish is Wagyu and watermelon sinigang, a tangy broth with fall-off-the-bone braised beef short ribs – best enjoyed with steamed rice. Pre-order the roast suckling pig 48 hours ahead; known as “lechon de leche”, it is copious enough for a few to share. Try their Asian-inspired fruity cocktails, too.” “Our goal has always been to share Filipino food with as many people as possible,” said Moment founder and director Jon Syjuco. “That means carefully choosing spaces, not just in Manila, but in other cities, and in the case of hayop in Singapore, other countries where flavors can resonate. The possibility of new locations abroad means getting the chance to bring a taste of home to Filipinos living elsewhere — and introducing Filipino cuisine to new diners.” Other F&B projects under The Moment Group include 8Cuts Burgers, Ooma, Mo’ Cookies, and Bank Bar. ![The Moment Group Founders Jon Syjuco, Abba Napa, and Eliza Antonino](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/The-Moment-Group-Founders-L-to-R-Jon-Syjuco-Abba-Napa-Eliza-Antonino.webp) The Moment Group Founders Jon Syjuco, Abba Napa, and Eliza Antonino. Photo courtesy of The Moment Group Since 2012, Moment’s founders, Eliza Antonino, Abba Napa, and Syjuco, have been dedicated to creating dining experiences that are both unique and deeply personal for Filipino diners. As the company looks ahead, the founders see the Michelin recognitions as part of a larger movement. “Manila and Singapore are only the beginning,” said Napa and Antonino. “Filipino cuisine is evolving in real time, and Manam has always been our way of telling that story — one dish, one meal, one diner at a time,” said Napa, founder and Chief Creative Officer. “For us, the Michelin nod isn’t just recognition; it’s a sign that Filipino flavors are resonating far beyond home. We’re committed to bringing this modern Filipino table to more cities around the world.” “These acknowledgments remind us of the responsibility we carry,” says Antonino, founder and Chief Hospitality Officer. “We don’t just open restaurants; we sustain thousands of livelihoods and uphold the everyday hospitality Filipinos are known for. As we look outward to new cities, our promise stays the same: every Manam door we open must feel like home.” Related Stories - [Michelin Chefs, Surprise Cakes and Improv at the Rolling Stone PH Social Club](https://rollingstonephilippines.com/radar/events/rolling-stone-ph-social-club-michelin/ "Michelin Chefs, Surprise Cakes and Improv at the Rolling Stone PH Social Club") - [These Are The First-Ever Michelin-Starred Restaurants in the Philippines](https://rollingstonephilippines.com/culture/food/inaugural-michelin-guide-philippines-2026/ "These Are The First-Ever Michelin-Starred Restaurants in the Philippines") - [Chef Josh Boutwood Captures Simplicity in Filipino Fine Dining](https://rollingstonephilippines.com/radar/events/chef-josh-boutwood-captures-simplicity-in-filipino-fine-dining/ "Chef Josh Boutwood Captures Simplicity in Filipino Fine Dining") **Categories:** Culture, Food **Tags:** Michelin Guide, The Moment Group --- ### [The Best Meals Top Chefs and Culinary Figures Had This Year](https://rollingstonephilippines.com/culture/food/michelin-chefs-favorite-meals-2025/) **Published:** December 19, 2025 **Author:** Mel Wang **Excerpt:** We spoke to several of the country’s leading culinary voices to share the meals they loved most in 2025, from carinderia-champagne pairings to seaside Provençal stew **Content:** What do chefs eat when they’re off the clock? And better yet, what dishes earn a spot among their favorites? At the latest [Rolling Stone Philippines Social Club](https://rollingstonephilippines.com/tag/rsph-social-club/ "RSPH Social Club"), an evening that brought together some of chefs behind the country’s newly minted [Michelin](https://rollingstonephilippines.com/tag/michelin/ "Michelin") restaurants and leading figures in F&B, we caught up with guests to ask what meals they couldn’t stop thinking about in 2025. [Hapag’s](https://rollingstonephilippines.com/tag/hapag/ "Hapag") sommelier Erin G. Recto, who earned this year’s Michelin Service Award, praised the grilled chicharon bulaklak of Morning Sun Eatery, the Quezon City-based karinderya that took home a Bib Gourmand. Another favorite meal of Recto’s is a serving of creamy, smoky dinakdakan, paired with champagne. ![Erin Recto](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/DSC00173.webp) Erin Recto of Hapag. Photo by Sela Gonzales Linamnam’s Don Baldosano, who won the Young Chef Award at this year’s inaugural Michelin Guide Philippines ceremony, shared that his favorite restaurant at the moment is the Korean restaurant Zhu Ba Jie. “A lot of people go there for the K-BBQ, but for me, their specialty is pork neck soup,” said Baldosano. “It’s soft, braised ribs with mustard on the side. Plus, they have my favorite condiment in the world, which is mentaiko ssamjang: fish eggs cured in ssamjang \[sauce\].” For Michelle Ayuyao, who does the communications for [The Moment Group](https://rollingstonephilippines.com/tag/the-moment-group/ "The Moment Group") and Toyo Eatery, no meal could beat a plate of fresh seafood, specifically a serving of well-grilled inihaw. Food stylist Chichi Tullao recommended Abub’s Cebuana Lechon. ![Don Baldosano](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/DSC00571.webp) Don Baldosano of Linamnam. Photo by Sela Gonzales For esteemed chef and culinary icon Heny Sison, nothing beats the simple pleasures of a home-cooked meal. “I don’t like \[anything\] fancy,” said Sison. “I’m very easy to satisfy: I like an adobo, a tapsilog, any [typical Filipino food](https://rollingstonephilippines.com/culture/food/). I can live with any kind of silog, actually.” Sison then emphasized that the secret to a good spamsilog is coating the slices of canned meat in sugar and then pairing it with atchara and garlic rice. ![Tina Legarda](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/DSC00285.webp) Kumba’s Chef Tina Legarda. Photo by Sela Gonzales ![Abba Napa](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/DSC00261.webp) Abba Napa, founder of The Moment Group. Photo by Sela Gonzales Restaurateur Abba Napa, who founded The Moment Group, said that her current culinary obsession is bouillabaisse, the classic Provençal seafood stew. “I was in the south of France for a friend’s wedding recently,” said Napa, “and I went to this little restaurant by the ocean that’s been around for decades. Their bouillabaisse had such a powerful, raw flavor. Filipino cuisine has so many strong broths, and when I had that \[bouillabaisse\], I felt so inspired.” Tina Legarda of Humba, who had recently visited Bacolod, sang the praises of the grilled seafood dishes of 18th Street Sapalapa. “I’m a seafood girl, and I loved how everything was done so simply but so well,” said Legarda. “They really respect their ingredients and the meal. Their food was… it was the kind of food that makes you want to cry a little because of how good it was.” Related Stories - [Michelin Chefs, Surprise Cakes and Improv at the Rolling Stone PH Social Club](https://rollingstonephilippines.com/radar/events/rolling-stone-ph-social-club-michelin/ "Michelin Chefs, Surprise Cakes and Improv at the Rolling Stone PH Social Club") - [A Restaurateur’s Unlikely Michelin Guide Journey, Whose Invite Went into Spam](https://rollingstonephilippines.com/culture/food/kodawari-salcedo-michelin-guide-spam/ "A Restaurateur’s Unlikely Michelin Guide Journey, Whose Invite Went into Spam") - [Josh Boutwood of Two-Michelin Star Helm on the Power of Creative Pauses](https://rollingstonephilippines.com/radar/rs-recommends/josh-boutwood-rolling-stone-philippines-social-club/ "Josh Boutwood of Two-Michelin Star Helm on the Power of Creative Pauses") **Categories:** Culture, Food **Tags:** Michelin, RSPH Social Club --- ### [White Sneakers that Say You’re Rich AF and Not Afraid to Get Them Dirty](https://rollingstonephilippines.com/radar/low-key-luxury-white-sneakers/) **Published:** April 28, 2025 **Author:** Christian San Jose **Excerpt:** Time to retire your Onitsuka Mexico 66s and Margiela GATs for these newer models **Content:** There’s no better weather for white sneakers than now. With [heat](https://rollingstonephilippines.com/state-of-affairs/power/how-to-stay-cool-in-the-philippine-heat-sustainable/ "How to Stay Cool in the Philippine Heat Without Killing the Planet") indices hitting unbearable highs, it’s sunny with zero chance that you’d run into a muddy puddle that would ruin your otherwise pristine pair. Quiet luxury may be over (shhh), but minimalist shoes are far from being more than just a trend. For one, they are [easy to style](https://rollingstonephilippines.com/radar/style/), adaptable to seasonal wardrobe changes, and pretty low maintenance if you think about it. Get a sturdy pair of leather sneakers and wear it enough times to your daily commute, or to a walk on Manila’s uneven sidewalks, and someone might just ask you, “Are you wearing the intentionally rugged looking Italian sneakers that costs the monthly living wage of a struggling creative?” To which you reply, “The Golden Goose Super-Star? Yes, I am.” ![golden goose super-star sneakers copy](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/golden-goose-super-star-sneakers-copy.webp) Lucky for you, Golden Goose just opened a pop-up at Greenbelt 5. Photo from Golden Goose But if walking in this heat is not your thing (“Bro, it’s too hot out and I don’t want to be carrying a portable fan. It’s so ingay, pare.”), here’s two other pairs that will have people in the know (fruity jawns dudes who follow @stylenotcom and *SSENSE* on Instagram) questioning how you could afford it as a mid-career employee living in a rented condo. (“Are they a… you know?” “Nepo baby? An adult content creator?”) ## Prada Collapse Re-Nylon and suede White sneakers Unless you’re a content creator who peaked mid-pandemic or a man under 5’5” in need of a height assist, I implore you to stop wearing Prada Monoliths. Time to embrace your real height with these humbling superflat sneakers, newly christened by dudes over 5’10” as the new Wales Bonner Sambas of summer. ![prada collapse re-nylon suede sneakers copy](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/prada-collapse-re-nylon-suede-sneakers-copy.webp) Photo from Prada ## Dries Van Noten Suede White Sneakers If you like Byredo fragrances and hate bumping into someone in the same Uniqlo women’s cropped shirt and wide pants thinking they look like Lemaire, this low sneaker that is probably bad for people with pronation problems may be for you. Wear it to let the world know you will never walk beyond 10 meters unless it’s to and from a car to an air conditioned lobby. ![dries van noten suede sneakers 1 copy](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/dries-van-noten-suede-sneakers-1-copy.webp) Photo from Dries Van Noten More Stories by the author - [The Oscars Red Carpet Was Taken Over by Funky Suits](https://rollingstonephilippines.com/culture/funky-suits-take-over-the-oscars-red-carpet/ "The Oscars Red Carpet Was Taken Over by Funky Suits") - [Ranking The Dicks From Every ‘The White Lotus’ Season Premiere](https://rollingstonephilippines.com/culture/film-tv/ranking-dicks-the-white-lotus/ "Ranking The Dicks From Every ‘The White Lotus’ Season Premiere") - [Lady Gaga Brings Back Aughts Edge with ‘Abracadabra’](https://rollingstonephilippines.com/music/lady-gaga-abracadabra/ "Lady Gaga Brings Back Aughts Edge with ‘Abracadabra’") **Categories:** Radar **Tags:** Dries Van Noten, Golden Goose, Prada, sneakers --- ### [Supreme Features ‘The Exorcist,’ ‘Clueless,’ ‘Mean Girls,’ and More in Fall 2025 Tee Collection](https://rollingstonephilippines.com/radar/style/supreme-fall-2025-tee-collection/) **Published:** October 9, 2025 **Author:** Elijah Pareño **Excerpt:** From Clueless to The Exorcist, the brand reimagines familiar visuals into bold graphic tees that celebrate youth and rebellion **Content:** [Supreme](https://rollingstonephilippines.com/tag/supreme/ "Supreme") keeps its finger on the pulse of streetwear with its Fall 2025 T-shirt collection, featuring seven new designs that nod to old-school films, street icons, and the graphic language of skate culture. Each shirt pays tribute to a different touchstone of youthful nostalgia, reinterpreting Supreme’s iconic box logo through bold illustrations and eclectic typefaces. Some pieces reference iconic films like horror classic *The Exorcist*, comedies like *Clueless* and *Mean Girls*, and animated feature *All Dogs Go to Heaven*, each design translating cinematic nostalgia into street-ready visual art. One standout graphic features five girls in matching skirt-and-cardigan sets, each letter of “Supreme” spelled across the lineup — a playful homage to *Clueless* and the teen-comedy aesthetic that defined late ‘90s pop culture. ![Supreme Fall 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/10/SUPREME.webp) Supreme, founded by James Jebbia in New York in 1994, built its reputation on merging skateboarding, art, and fashion. Photo from Supreme/Instagram Supreme, founded by James Jebbia in New York in 1994, built its reputation on merging skateboarding, art, and fashion. The brand’s red box logo, inspired by artist Barbara Kruger’s conceptual work, remains a global emblem of [street style](https://rollingstonephilippines.com/radar/style/). This latest drop, which also includes a self-referential “Joke” Tee, launches on October 9 in the U.S. and Europe, and on October 11 across Asia. Related Stories - [KAWS to Push ‘Art for All’ as UNIQLO’s First Artist-in-Residence](https://rollingstonephilippines.com/radar/style/kaws-uniqlo-first-artist-residency/ "KAWS to Push ‘Art for All’ as UNIQLO’s First Artist-in-Residence") - [Reebok Marks 30 Years of PlayStation With an Instapump Fury Shoe Collab](https://rollingstonephilippines.com/radar/style/reebok-playstation-30th-anniversary-collab/ "Reebok Marks 30 Years of PlayStation With an Instapump Fury Shoe Collab") - [At Jonathan Anderson’s Dior Debut, Guests Evoked His Subversive New Vision](https://rollingstonephilippines.com/radar/style/dior-ss26-jonathan-anderson-debut/ "At Jonathan Anderson’s Dior Debut, Guests Evoked His Subversive New Vision") **Categories:** Radar, Style **Tags:** Supreme --- ### [Three Local Restaurateurs Weigh in on the Noma Issue](https://rollingstonephilippines.com/culture/food/noma-chele-gonzalez-josh-boutwood-erin-recto/) **Published:** March 18, 2026 **Author:** Mel Wang **Excerpt:** Josh Boutwood, Chele González, and Erin Recto shared their thoughts on the resignation of Noma founder René Redzepi **Content:** Over the past week, the fall of [Noma’s](https://rollingstonephilippines.com/tag/noma/ "Noma") founding chef, René Redzepi, has consistently made his way into headlines. Redzepi was once deemed the genius chef who led Noma to glory. Opened in 2003, the then Copenhagen-based restaurant went on to earn three Michelin stars in 2021 and land atop the World’s 50 Best Restaurants List five times. Redzepi was even knighted in 2016 by the former Queen of Denmark Margrethe II for his efforts in turning the nation into a culinary hotspot. > [View this post on Instagram](https://www.instagram.com/reel/DVw9LxfCFTG/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rene Redzepi (@reneredzepinoma)](https://www.instagram.com/reel/DVw9LxfCFTG/?utm_source=ig_embed&utm_campaign=loading) However, years of abuse allegations have finally caught up to Redzepi. Jason Ignacio White, the former head of Noma’s fermentation lab, posted a series of allegations on Instagram earlier this February, all of which detailed how Redzepi had reportedly physically and emotionally abused the people in his kitchen. [*The New York Times*](https://www.nytimes.com/2026/03/07/dining/rene-redzepi-noma-abuse-allegations.html) subsequently published a report on the allegations against Redzepi, with journalist Julia Moskin interviewing more than 35 former Noma employees for the article. Abuse cases included Redzepi publicly shaming chefs, stabbing them with kitchen utensils, and physically shoving or punching them. Although Redzepi has since resigned from Noma, the controversies surrounding his leadership have since restarted conversations on what it means to succeed under the pressures of running a fine dining establishment. ## Kitchen Violence ![Noma](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/noma.webp) Noma earned its three Michelin stars in 2021 and has sat atop the World’s 50 Best Restaurants List five times. Photo from Noma/Facebook “When I was there in Noma back in 2009, I could see he was angry,” chef [Josh Boutwood](https://rollingstonephilippines.com/tag/josh-boutwood/ "josh boutwood") told *Rolling Stone Philippines*. “But there was also passion. Much like how confidence and arrogance can be melted into one kind of characteristic, passion and anger can be the same.” Boutwood, who made history in 2025 when his restaurant Helm became the first and only Philippine restaurant to earn two Michelin stars, had once traveled to Denmark to apprentice in Redzepi’s kitchen. He emphasized that he had never been on the receiving end of Redzepi’s alleged rages; however, he had heard stories about “duck eggs flying in people’s faces” when dishes weren’t cooked to perfection. “But if you look at the history of food,” added Boutwood, “take [Gordon Ramsay](https://rollingstonephilippines.com/tag/gordon-ramsay/ "Gordon Ramsay") in *Hell’s Kitchen*, for example. How he treated some of those contestants… nobody batted an eye, right? But because René is of such a high status, one of the most creative cooks in our industry, people are looking at him differently. But there are many other chefs that are even more of a tyrant in the kitchen than he is — it’s just that a lot of focus has been on him.” For other restaurateurs based in the Philippines, it’s important to stress that the abuse that allegedly took place in Noma’s kitchen are not indicative of an entire industry. “I think the Noma situation is really creating a lot of confusion,” chef [Chele González](https://rollingstonephilippines.com/tag/chele-gonzalez/ "Chele Gonzalez") told *Rolling Stone Philippines*. “Whatever happened with René is very different from what each fine dining restaurant goes through.” “It’s very difficult to categorize based on the mistakes of one person,” added González, whose restaurants Gallery by Chele and Asador Alfonso both earned a Michelin star each. “But what happened at Noma is not excusable, because you can never condone violence. If you’re educating a kid, and you hit the kid, you already lose all your rights as a parent. Violence should never be part of the conversation.” ## The Legacy of Noma ![René Redzepi at Noma](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/noma-rene-redzepi-kyoto.webp) Redzepi at Noma’s Kyoto pop-up location. Photo from Noma/Facebook Other restaurateurs took Redzepi’s resignation as an opportunity to reflect on how it has affected the reputation of his once-beloved restaurant. “Noma changed how the world thinks about food,” [Hapag’s](https://rollingstonephilippines.com/tag/hapag/ "Hapag") partner and sommelier Erin Recto told *Rolling Stone Philippines.* “It changed how we think about place, ingredients, and storytelling. But now, when we think of Noma, it also sparks an important conversation about sustainability in fine dining, not just environmentally but also for the people working in it.” Recto, who was awarded the Michelin Service Award for her leadership at Hapag, which also earned a Michelin star last year, stressed how the news surrounding Noma should ask chefs and restaurateurs to consider how they run their own kitchens. “The pursuit of excellence will always come with pressure,” said Recto, “and we always want to give the best experience for our guests. But as leaders, we also have a responsibility to build environments where people can grow, learn, and still have sustainable careers. Being the best shouldn’t only mean the [best food or service](https://rollingstonephilippines.com/culture/food/), it should also mean taking care of the people behind it.” González echoed this sentiment, emphasizing the need for respect at all times. “You don’t get to be the best without pressure,” he said. “But it’s how you handle that pressure that matters. A team is stronger than an individual. And respect has to be at the front of everything.” > [View this post on Instagram](https://www.instagram.com/p/DT5rzxrCW_H/?utm_source=ig_embed&utm_campaign=loading)[A post shared by noma (@nomacph)](https://www.instagram.com/p/DT5rzxrCW_H/?utm_source=ig_embed&utm_campaign=loading) On the topic of what he took away from his time at Noma, Boutwood noted that it helped him see the importance of fostering a positive work environment. “Noma taught me to lead my kitchens very differently,” said Boutwood. “My past experiences have taught me to evolve my kitchen and my ways of working for the betterment of my people.” When asked regarding the future of Noma, especially in light of Redzepi’s resignation, Boutwood underscored the importance of the fine dining establishment beyond the allegations made against its founder. “Noma is more than just René,” said Boutwood. “It’s an institution now. And we can’t just write that off the books. We can’t make it disappear.” “Noma will likely continue to be viewed as an entity that extends beyond René Redzepi himself,” continued Boutwood. “Over the years, the culinary contributions the restaurant has given young chefs cannot be erased from the history books. Those contributions have become part of a broader historical narrative of modern gastronomy.” “At the same time, the discussions surrounding leadership, workplace practices and the experiences of many who worked there are also part of the record,” concluded the chef. “Changes in our industry have been long overdue.” {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”What are the abuse allegations against René Redzepi?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Jason Ignacio White, former head of Noma’s fermentation lab, posted allegations on Instagram in February detailing physical and emotional abuse by René Redzepi. A subsequent New York Times report, based on interviews with over 35 former Noma employees, detailed shaming, utensil stabbings, and physical shoving.”}},{“@type”:”Question”,”name”:”Did René Redzepi resign from Noma?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Yes. René Redzepi resigned from Noma following the publication of abuse allegations from former employees, a development that has reignited industry-wide conversations about workplace culture and pressure in fine dining kitchens.”}},{“@type”:”Question”,”name”:”How does chef Josh Boutwood view his time working under René Redzepi?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Josh Boutwood, who apprenticed at Noma in 2009 and later became the first Philippine chef to earn two Michelin stars for his restaurant Helm, said he witnessed Redzepi’s anger but was never personally subjected to alleged abuse.”}},{“@type”:”Question”,”name”:”Do Filipino chefs think the Noma allegations reflect the wider fine dining industry?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”No. Chef Chele González said the Noma situation shouldn’t be used to categorize the entire fine dining industry, noting that what happened at Noma differs from what other kitchens experience, while still calling the alleged violence inexcusable.”}},{“@type”:”Question”,”name”:”What lasting impact do local chefs think Noma will have despite the allegations?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Chefs including Boutwood and sommelier Erin Recto say Noma’s culinary influence on global gastronomy will endure as an institution beyond René Redzepi individually, while the allegations have also sparked overdue conversations about sustainability and worker treatment in fine dining.”}}]}## Frequently Asked Questions ### What are the abuse allegations against René Redzepi? Jason Ignacio White, former head of Noma’s fermentation lab, posted allegations on Instagram in February detailing physical and emotional abuse by René Redzepi. A subsequent New York Times report, based on interviews with over 35 former Noma employees, detailed shaming, utensil stabbings, and physical shoving. ### Did René Redzepi resign from Noma? Yes. René Redzepi resigned from Noma following the publication of abuse allegations from former employees, a development that has reignited industry-wide conversations about workplace culture and pressure in fine dining kitchens. ### How does chef Josh Boutwood view his time working under René Redzepi? Josh Boutwood, who apprenticed at Noma in 2009 and later became the first Philippine chef to earn two Michelin stars for his restaurant Helm, said he witnessed Redzepi’s anger but was never personally subjected to alleged abuse. ### Do Filipino chefs think the Noma allegations reflect the wider fine dining industry? No. Chef Chele González said the Noma situation shouldn’t be used to categorize the entire fine dining industry, noting that what happened at Noma differs from what other kitchens experience, while still calling the alleged violence inexcusable. ### What lasting impact do local chefs think Noma will have despite the allegations? Chefs including Boutwood and sommelier Erin Recto say Noma’s culinary influence on global gastronomy will endure as an institution beyond René Redzepi individually, while the allegations have also sparked overdue conversations about sustainability and worker treatment in fine dining. Related Stories - [Josh Boutwood of Two-Michelin Star Helm on the Power of Creative Pauses](https://rollingstonephilippines.com/radar/rs-recommends/josh-boutwood-rolling-stone-philippines-social-club/ "Josh Boutwood of Two-Michelin Star Helm on the Power of Creative Pauses") - [For Chef Chele Gonzalez, Music is More than a Footnote in His Career](https://rollingstonephilippines.com/editors-picks/features/chef-chele-gonzalez-music-more-than-footnote-in-his-career/ "For Chef Chele Gonzalez, Music is More than a Footnote in His Career") - [To Honor Western Mindanao Cuisine, the Chefs of Hapag Left Makati](https://rollingstonephilippines.com/culture/food/hapag-new-western-mindanao-menu/ "To Honor Western Mindanao Cuisine, the Chefs of Hapag Left Makati") **Categories:** Culture, Food **Tags:** Noma --- ### [Abi Marquez Explains the Origin of Her ‘Lumpia Queen’ Title](https://rollingstonephilippines.com/media-channels/greatest-hits/abi-marquez-lumpia-queen-tiktok/) **Published:** March 19, 2026 **Author:** Mel Wang **Excerpt:** The food vlogger talked about her memories of making lumpia with her family and sharing the Filipino dish with Gordon Ramsay **Content:** Since 2022, [Abi Marquez](https://rollingstonephilippines.com/tag/abi-marquez/ "Abi Marquez") has built a name for herself as a food vlogger and, as the internet has so lovingly dubbed her, TikTok’s reigning “Lumpia Queen.” However, Marquez never planned the moniker. In the latest episode of *Rolling Stone Philippines’* YouTube series, *Greatest Hits*, the food vlogger spoke on how she’s always associated lumpia with memories of her family. “\[Kapag\] may celebration, may birthday, lumpia pa rin lagi ‘yung handa,” Marquez told *Rolling Stone Philippines.* “As someone who grew up loving to eat, that’s always been a target \[dish\]. I grew up in a family that, whenever we were going to cook lumpia, we had to do it together. So my mother would wake me up to say, ‘Tulungan mo naman akong mag-wrap, tulungan mo akong gawin ‘yung lumpia. Gisingin ‘yung kapatid mo \[para\] maluto niya ‘yung lumpia.’” Because she’s carried that love of Filipino dishes into her videos, Marquez noted that many of her fans now associate her with lumpia. “When I go to public spaces, they don’t call me Abi,” she said. “They call me ‘Lumpia Wrapper’ or ‘Ate Lumpia!’” ![Abi Marquez](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/abi-marquez-greatest-hits-b1.webp) “\[Kapag\] may celebration, may birthday, lumpia pa rin lagi ‘yung handa.” “I was just experimenting with lumpia wrappers, so I had a hard time accepting that,” Marquez said when reflecting on her feelings towards her title as the reigning “Lumpia Queen.” “But people were calling me that and that’s what they remember me for.” “I saw that people wanted to call me that and I didn’t really have a choice, to be honest,” she added. “The only choice I had, to make something good out of this, was to embrace it and honor it as much as I can. I always try to make new lumpia recipes to further give hype to this underrated Filipino \[dish\].” In *Rolling Stone Philippines’ Greatest Hits*, Marquez breaks down five of her biggest career milestones to date. You can watch it now exclusively on our [YouTube channel](https://www.youtube.com/watch?v=LUBRoG2McpE "YouTube channel"). ## Frequently Asked Questions ### Why is Abi Marquez called the “Lumpia Queen”? Abi Marquez earned the nickname “Lumpia Queen” from fans on TikTok due to her food vlogging content centered on lumpia, though she says she never intended to build her brand around the dish and initially struggled to accept the title. ### What is Abi Marquez’s personal connection to lumpia? Abi Marquez said lumpia has always been part of her family’s celebrations and birthdays, recalling how her mother would wake her up to help wrap lumpia together as a family tradition while growing up. ### What is Rolling Stone Philippines’ Greatest Hits series? Greatest Hits is a Rolling Stone Philippines YouTube series in which guests break down five of their biggest career milestones. Abi Marquez’s episode covers her rise as a food vlogger and the story behind her “Lumpia Queen” nickname. ### How does Abi Marquez feel about being called “Lumpia Queen” by fans? Abi Marquez said she initially had a hard time accepting the “Lumpia Queen” nickname since she saw herself as simply experimenting with lumpia wrappers, but she has since chosen to embrace and honor the title by developing new lumpia recipes. ### What do fans call Abi Marquez in public? Fans often greet Abi Marquez in public not by her name but by nicknames like “Lumpia Wrapper” or “Ate Lumpia,” reflecting how closely her online food content has become tied to her identity as a creator. Related Stories - [‘Lumpia Queen’ Abi Marquez Makes an Appearance in Gordon Ramsay’s New Docuseries](https://rollingstonephilippines.com/culture/tv/abi-marquez-being-gordon-ramsay-docuseries/ "‘Lumpia Queen’ Abi Marquez Makes an Appearance in Gordon Ramsay’s New Docuseries") - [Manila’s Top Restaurant Owners Talk Michelin in Rolling Stone PH Roundtable](https://rollingstonephilippines.com/media-channels/michelin-guide-manila-restaurants-roundtable/ "Manila’s Top Restaurant Owners Talk Michelin in Rolling Stone PH Roundtable") - [Three Local Restaurateurs Weigh in on the Noma Issue](https://rollingstonephilippines.com/culture/food/noma-chele-gonzalez-josh-boutwood-erin-recto/ "Three Local Restaurateurs Weigh in on the Noma Issue") **Categories:** Culture, Food, Greatest Hits, Internet Culture, Media Channels **Tags:** Abi Marquez, Greatest Hits --- ### [Philippine Street Dance is Ready to Take on the Global Stage](https://rollingstonephilippines.com/culture/sports/philippine-street-dance-takes-on-global-stage/) **Published:** April 21, 2025 **Author:** Mel Wang **Excerpt:** With a street dance scene as diverse and layered as the Philippines’, local street dancers are ready to take on global stages — including battles like Red Bull Dance Your Style **Content:** The world of Philippine street dance is a deep, deep rabbit hole, filled with [more styles](https://rollingstonephilippines.com/radar/style/) that most can count and die-hard crews who treat every move as a matter of pride. Philippine dancers have taken styles from around the world and made them their own: There’s locking, all snap-and-freeze funk with cartoon-speed precision (there are literally moves called the Scooby Doo or the Tom and Jerry). There’s hip-hop, with its Dougies, moonwalks, and Cabbage Patches. There’s waacking, where divas slice the air with bold poses and runway drama. Then there’s vogue, krump, house, ballroom, breaking, popping — and that’s just scratching the surface. “Though \[street dance\] is relatively young compared to our neighboring countries, many Filipino dancers have achieved international acclaim for \[representing\] our country’s own brand of street dance,” says dancer Christian “Afrodite” Lao to *Rolling Stone Philippines*. Known as the Father of the Imperial House of Waacking – Philippine Chapter, Lao has committed himself to waacking as both an artist and a mentor, helping to shape the local scene. > [View this post on Instagram](https://www.instagram.com/reel/DGNmnUjScti/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Christian Lao (@xtianlao)](https://www.instagram.com/reel/DGNmnUjScti/?utm_source=ig_embed&utm_campaign=loading) Lao is also quick to highlight that there’s still a need for stronger, wide-scale support to help the scene flourish, despite the popularity of street dance styles across the country. “While there have been some dance projects supported by different local government units all over the Philippines,” says Lao, “our country is still lacking a certain national-scale support for street dance. Even when joining big dance competitions in other countries, most participating teams rely on support from family, friends, and fundraising events.” > [View this post on Instagram](https://www.instagram.com/reel/DGIsj-2S9Pi/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Reflex Gotangco (@reflexgotangco)](https://www.instagram.com/reel/DGIsj-2S9Pi/?utm_source=ig_embed&utm_campaign=loading) While certain government agencies, such as the National Committee on Dance, collaborate with local government units to organize dance festivals and competitions, some may argue that these efforts are not enough to support the national scene. “I would probably say that only 10 or 20 percent of national dance events see support from the government, and that’s already overestimating,” choreographer Reflex Gotangco tells *Rolling Stone Philippines*. “It’s quite hard to get a substantial amount of support from the government or even cultural art organizations. It’s not all the time that we get subsidies or grants.” “The fact is that street dancing, especially when competing on an international level, can be expensive,” adds Gotangco. “We may have \[third-party competitions\] like World of Dance or Body Rock Asia, but the most that these outside organizations can do is organize the event. Organizing bodies, especially local ones, can’t afford to fly every single team out.” ## PH Street Dance Goes Global One unexpected entity that has significantly supported street dancers worldwide is Red Bull. Through its international 1:1 street dance competition, Red Bull Dance Your Style, the brand has given dancers a platform to showcase their talents and represent their countries’ unique street dance scenes. “Red Bull has been doing it big and making street dance, especially solo battles, more popular here in the Philippines,” says Gotangco. ![Red Bull Dance Your Style competition Philippine street dance](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/redbull_b1.webp) National qualifiers for Red Bull Dance Your Style are already underway. Photo from Centaur Nationwide qualifiers for the competition have already begun, starting in Davao on March 22. The Manila qualifiers are set to take place on April 25 and again in Cebu on May 17. Finalists from each city will converge in Cebu on May 24 for the National Finals. Unlike traditional formats, Red Bull Dance Your Style strips away choreography, pushing dancers to adapt in real time to unpredictable music selections, with the crowd deciding who moves on. “It’s always a great opportunity for local competitive dancers (most especially those who are not financially capable to go outside of the country) to be assessed by international judges and give them insight on how to make it to bigger stages,” says Lao on international competitions coming to the Philippines. “At the end of the day,” adds Lao, “it’s about showing the bigger international dance scene just how beautiful Philippine street dance is.” Related Stories - [7 Dance Music Parties That Defined Post-Pandemic Manila](https://rollingstonephilippines.com/editors-picks/features/7-dance-music-parties-that-defined-post-pandemic-manila/ "7 Dance Music Parties That Defined Post-Pandemic Manila") **Categories:** Culture, Sports **Tags:** Dance --- ### [Meet the Pinoy Graphic Designer Behind A$AP Rocky’s Merch and Cover Art](https://rollingstonephilippines.com/culture/art/kadenpeach-airbrush-art-asap-rocky/) **Published:** January 23, 2026 **Author:** Elijah Pareño **Excerpt:** Batangas-based designer kadenpeach turns Cubao jeepney airbrush aesthetics into a precise visual language embraced by hip-hop and street culture **Content:** [A$AP Rocky](https://rollingstonephilippines.com/tag/aap-rocky/ "A$AP Rocky") has long treated music as only one part of a larger creative universe. His releases come slowly, shaped by years of visual planning, collaborations, and world-building that extend far past the studio. *Don’t Be Dumb*, his first album in eight years, reflects that approach. Across the album’s 17 tracks, Rocky revisits past personas and imagined futures through a dense visual language of helicopters, street fights, crash-test dummies, and tabloid spectacle. The project credits a wide range of collaborators, including filmmaker Tim Burton, whose gothic influence looms over the album’s darker visual cues and theatrical framing. Behind that universe sits a wider network of designers and image-makers tasked with translating Rocky’s ideas into [physical form](https://www.instagram.com/p/DTJFP_MDE_t/?hl=en). Among them sits Gab, a Batangas-based graphic designer known online as [kadenpeach](https://rollingstonephilippines.com/tag/kadenpeach/ "kadenpeach"), whose digital airbrush style draws directly from the hand-painted jeepney art. What began as a visual experiment now places him inside one of hip-hop’s most visible creative ecosystems, contributing artwork for *Don’t Be Dumb* and worked alongside names such as Japanese streetwear brand XLARGE, clothing brand Asspizza, and Canadian hip-hop platform Montreality. At first glance, Gab’s work reads as nostalgic, borrowing from familiar street imagery and exaggerated cartoon figures. A closer look reveals an unseen precision. His use of Gaussian blur, texture, and saturated color pulls from a specific Filipino visual language rooted in public transport art and informal sign painting. That balance sits at the center of his practice, shaped by years of trial and constant revision. ## Airbrush Technique In conversation with *[Rolling Stone Philippines](https://rollingstonephilippines.com/tag/rolling-stone-philippines/ "Rolling Stone Philippines")*, Gab traces his progress back to early struggles with digital tools. Adobe Photoshop served more as a workaround than a strength. Early pieces relied heavily on blur and distortion, techniques he used to fill technical gaps as he developed confidence. Printing and rescanning images allowed him to soften mistakes while giving the work a tactile finish. Gab’s exposure to Cubao’s jeepney painters changed how he approached the style when he saw the jeeps pass by during his “pagala-gala” days, when he was visiting Manila on a whim. What once functioned as camouflage became a deliberate choice. “Seeing so much \[Cubao\] jeepney art there completely shifted how [I looked at the style](https://rollingstonephilippines.com/radar/style/),” Gab tells *Rolling Stone Philippines.* “It stopped being about throwing on an effect and letting everything bleed together, and became more intentional.” > [View this post on Instagram](https://www.instagram.com/p/DKKjTZsyatX/?utm_source=ig_embed&utm_campaign=loading)[A post shared by @kadenpeach](https://www.instagram.com/p/DKKjTZsyatX/?utm_source=ig_embed&utm_campaign=loading) > [View this post on Instagram](https://www.instagram.com/p/DLkA3pgyJxh/?utm_source=ig_embed&utm_campaign=loading)[A post shared by XLARGE (@xlargejp)](https://www.instagram.com/p/DLkA3pgyJxh/?utm_source=ig_embed&utm_campaign=loading) That shift sharpened his work. His pieces referencing pop culture icons, streetwear mascots, and hip-hop figures began circulating online, drawing attention beyond local scenes. His visuals found their way into cover art designs for artists such as 25hearts and projects connected to Montreality, a platform known for spotlighting emerging creatives from North America. Connections grew organically through shared networks and reposts. The link to A$AP Rocky came through New York-based fashion stylist Ian Connor, who noticed Gab’s work and passed it along to the rapper’s team. Conversations followed through direct messages, leading to collaborative back-and-forth sessions tied to artwork for *Don’t Be Dumb,* such as related releases and merch designs. One early focus involved visuals surrounding Rocky’s single “Punk Rocky,” where Gab translated the rapper’s ideas into graphic form. “That push-and-pull really took me past what I thought was my limit,” he says*.* “It made me realize I could go further than I expected, especially in terms of making something feel catchy and impactful.” Despite working with global names, Gab continues to frame himself as a student. At the time of writing, he balances commissions with schoolwork, answering our Q&A between classes and refining designs late into the night. Learning remains central to how he approaches each project. He experiments with color blends, revisits unfinished ideas, and allows concepts to sit until they feel resolved. ## Search for Inspiration > [View this post on Instagram](https://www.instagram.com/p/DTJFP_MDE_t/?utm_source=ig_embed&utm_campaign=loading)[A post shared by @gbcpierre](https://www.instagram.com/p/DTJFP_MDE_t/?utm_source=ig_embed&utm_campaign=loading) His influences stretch beyond graphic design. Music, fashion, film, and street culture feed into his visual instincts. Exposure to diverse creative disciplines sharpens his thinking about pacing, tone, and storytelling within a single image. This openness reflects his background, shaped by growing up outside Metro Manila while staying deeply connected to online culture and global scenes. “Pull inspiration from everywhere, but especially from where you’re from — that’s usually where the most genuine and meaningful substance comes from,” he says. “As long as you’re focused on bringing something new to the table instead of just following what’s already out there, your work starts to speak for you. In the end, it kind of ends up carrying your name without you needing to force it.” As *Don’t Be Dumb* continues to expand A$AP Rocky’s visual world, contributors like kadenpeach highlight how global pop culture draws energy from localized art forms. From Batangas classrooms to international fashion and music spaces, kadenpeach stands as an example of how local visual languages find wider reach through consistency and skill. ## Frequently Asked Questions ### Who is kadenpeach and how is he connected to A$AP Rocky? kadenpeach, real name Gab, is a Batangas-based graphic designer whose airbrush style caught the attention of stylist Ian Connor, who passed his work to A$AP Rocky’s team. He contributed artwork for Rocky’s album “Don’t Be Dumb.” ### What is kadenpeach’s artistic style inspired by? His digital airbrush technique draws from Cubao jeepney art and informal Filipino sign painting, using Gaussian blur, texture, and saturated color to translate a specific local visual language into contemporary graphic design. ### How did kadenpeach develop his signature airbrush technique? He began using blur and distortion as workarounds for early technical limitations in Photoshop, printing and rescanning images to soften mistakes. Exposure to Cubao’s jeepney painters later turned this technique into a deliberate stylistic choice. ### What other brands and artists has kadenpeach worked with? Beyond A$AP Rocky, kadenpeach has created work for Japanese streetwear brand XLARGE, clothing brand Asspizza, Canadian hip-hop platform Montreality, and cover art for artist 25hearts. ### What is A$AP Rocky’s “Don’t Be Dumb” and how does kadenpeach’s art connect to it? “Don’t Be Dumb” is A$AP Rocky’s first album in eight years, spanning 17 tracks with a dense visual language including collaborator Tim Burton. kadenpeach contributed artwork for the album, including visuals for the single “Punk Rocky.” Related Stories - [Meet LiFE DESIGN, the Streetwear Duo Behind Poblacion’s Viral Tarps](https://rollingstonephilippines.com/culture/life-design-founders-on-their-viral-poblacion-tarps/ "Meet LiFE DESIGN, the Streetwear Duo Behind Poblacion’s Viral Tarps") - [Shanti Dope Survived Hell and Back. Now, He’s Reclaiming His Future](https://rollingstonephilippines.com/editors-picks/features/shanti-dope-rolling-stone-interview/ "Shanti Dope Survived Hell and Back. Now, He’s Reclaiming His Future") - [Morobeats is the Rap Collective Giving Filipino Anger a Soundtrack](https://rollingstonephilippines.com/music/hiphop-rnb/morobeats-rap-collective-filipino-anger/ "Morobeats is the Rap Collective Giving Filipino Anger a Soundtrack") **Categories:** Art, Culture, Hip-hop/R&B, Music **Tags:** A$AP Rocky, kadenpeach --- ### [Mew Suppasit Wants You to Watch More BL](https://rollingstonephilippines.com/culture/tv/mew-suppasit-stella-mccartney-hm/) **Published:** May 6, 2026 **Author:** Mel Wang **Excerpt:** The Thai multi-hyphenate paid a visit to Manila for the launch of the Stella McCartney H&M collection **Content:** It was a bit of a challenge for guests to enter the Ayala Museum for the recent launch of the Stella McCartney H&M collection, and [Mew Suppasit](https://rollingstonephilippines.com/tag/mew-suppasit/ "Mew Suppasit") was partly to blame. After the actor and H&M Thailand ambassador announced on Instagram that he’d be stopping by the Ayala Museum to celebrate the new collection, crowds of fans began flanking the building’s entrances and windows, hoping to catch a glimpse of him. ![Mew Suppasit](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Hero-Image-Mew_MEETKESO.webp) “The collection is just incredible.” Photo courtesy of H&M Over the past decade, Suppasit has established himself as a mainstay of Thai television, having starred in Boys’ Love (BL) dramas such as *I Am Your King*, and *TharnType: The Series.* Suppasit has since pivoted to music, collaborating with major artists such as [EXO’s](https://rollingstonephilippines.com/tag/exo/ "EXO") Suho, British electronic duo [HONNE](https://rollingstonephilippines.com/tag/honne/ "HONNE"), and South Korean singers Bumkey and Sam Kim. He has also started his own production company, Mew Suppasit Studio, which he leads as its CEO. Along with Suppasit, high-profile guests and friends of H&M came together to preview the new collection. Miss Universe 2018 Catriona Gray, Miss Universe Philippines 2023 [Michelle Dee](https://rollingstonephilippines.com/tag/michelle-dee/ "Michelle Dee"), and actors such as Bela Padilla and Chie Filomeno were all in attendance, sporting selections from the collection. ![Stella McCartney H&M](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Hero-Image-Group_MEETKESO-2.webp) Friends of H&M all came together to celebrate the new collection. Photo courtesy of H&M The Stella McCartney H&M collection highlights the strongest elements of both brands, including their sharp tailoring, attention to detail, and commitment to crafting pieces from certified and recycled fibers. Reuniting nearly 20 years after their first collaboration in 2005, this partnership signals an evolution of the H&M designer collaboration model. “The collection is just incredible,” Suppasit told *Rolling Stone Philippines*. “[My sense of style](https://rollingstonephilippines.com/radar/style/) tends to be more laid back, but I really think about the details of what I wear.” ![Young man in a snakeskin jacket poses under giant white letters on a metal scaffolding backdrop in a studio setting.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Hero-Image-Mew_Ryan-Agustin.webp) Suppasit spent the evening selecting from the pieces on display. Photo courtesy of H&M Suppasit spent the evening selecting from the pieces on display, gravitating towards the “whites and blues” that fit his personal style. Although he came to the event already dressed in an outfit straight from the collection — a rock royalty lace-up studded top and a Stella bag charm — Suppasit was more than happy to show off his latest purchases. A snakeskin-print bomber jacket and a unicorn sweatshirt were just some of the pieces to make their way into his shopping bag. When asked about the popularity of BL dramas across Asia, as well as the genre’s spread to the West with shows like *Heated Rivalry*, Suppasit felt that BLs have always been a part of the global culture. “BL has always been all around the world,” he said. “Many people resonate with \[the genre\], and everyone can find something they understand in it.” ![Mew Supassit](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/PAUL-PAREDES-1.webp) Suppasit kicked off the evening signing autographs and taking photos with his fans. Photo courtesy of H&M These days, Suppasit is busier than ever as he juggles new projects as an actor, musician, and entrepreneur. “It’s hard, because I love all \[the roles\]!” Suppasit said jokingly before he left for the evening. “I love acting, I love singing, and I love leading my businesses. It’s all just about managing my time.” *The collection will be available at H&M Greenbelt and via the brand’s official website starting May 7.* ## Frequently Asked Questions ### Who is Mew Suppasit? Mew Suppasit is a prominent Thai actor, singer, and CEO of Mew Suppasit Studio, widely recognized for starring in popular Boys’ Love series like TharnType: The Series. ### What is the Stella McCartney H&M collection? The Stella McCartney H&M collection features sharp tailoring, detailed design, and sustainable apparel made from certified recycled fibers, celebrating two decades since their initial brand collaboration. ### Why is Boys’ Love (BL) media gaining global popularity? Boys’ Love media resonates globally because its universal themes of emotional connection, romance, and self-discovery transcend cultural barriers, making human relationships relatable to international audiences. ### Which high-profile guests attended the H&M Ayala Museum launch? Attending guests included ambassador Mew Suppasit, Miss Universe 2018 Catriona Gray, Miss Universe Philippines 2023 Michelle Dee, and prominent actors Bela Padilla and Chie Filomeno. ### Where can shoppers buy the Stella McCartney H&M collection? Shoppers can purchase the collection in physical stores at H&M Greenbelt and online via the official H&M website starting May 7. Related Stories - [The ‘Heated Rivalry’ Book Has Been Delayed to 2027. Here’s Why](https://rollingstonephilippines.com/culture/books/heated-rivalry-book-delayed-release/ "The ‘Heated Rivalry’ Book Has Been Delayed to 2027. Here’s Why") - [Watch Sabrina Carpenter and Stevie Nicks Perform ‘Landslide’ at the Met Gala](https://rollingstonephilippines.com/music/sabrina-carpenter-stevie-nicks-landslide-met-gala/ "Watch Sabrina Carpenter and Stevie Nicks Perform ‘Landslide’ at the Met Gala") - [Everyone Hustles to Mixed Results in ‘Euphoria’ Season 3, Episode 4](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-4/ "Everyone Hustles to Mixed Results in ‘Euphoria’ Season 3, Episode 4") **Categories:** Culture, TV **Tags:** H&M, Mew Suppasit, Stella McCartney --- ### [4 Best Dressed Filipino Celebrities From Met Gala History](https://rollingstonephilippines.com/culture/4-best-dressed-filipino-celebrities-met-gala/) **Published:** May 5, 2025 **Author:** Mel Wang **Excerpt:** With the Met Gala set to take place as usual on the first Monday of May, we look back at all the times Filipino celebrities made the theme their own **Content:** Every year, the [Met Gala](https://rollingstonephilippines.com/tag/met-gala/ "Met Gala"), an annual fundraiser for the Metropolitan Museum of Art’s Costume Institute, sees fashion obsessives eager to see how the event’s star-studded guest list will interpret the event’s dress code. ![met gala 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/dandy.webp) This year’s theme is *Superfine: Tailoring Black Style.* Photo from the Metropolitan Museum of Art / Official Website The Gala has seen its fair share of ups and downs in terms of themes. Most fashionistas lauded the kitschiness of 2019’s *Camp: Notes on Fashion*, while others weren’t too thrilled about the blandness of 2021’s *In America: A Lexicon of Fashion*. However, this year’s theme promises a fresh pivot to the rarely explored fashion of Black Dandyism. *Superfine: Tailoring Black Style* takes a look at the figure of the Black dandy, a flamboyantly dressed Black man that uses fashion to push against the narrative of Eurocentric dandies. “Black people have used fashion, dress, and [style](https://rollingstonephilippines.com/radar/style/) as a way to imagine their political and cultural possibilities over time in the African diaspora,” 2025 Met Gala guest curator Monica Miller said in an interview with Barnard College. While the world waits to see how Hollywood’s elites and fashion’s biggest names will bring Black dandyism to life, we’re taking a moment to look back on all the times Filipino stars have graced the Met Gala red carpet. From goth glam to heritage-inspired couture, here are four celebrities with Filipino heritage who’ve crushed the Met Gala red carpet each time. ## Vanessa Hudgens Serving Goth Chic > [View this post on Instagram](https://www.instagram.com/p/CdYzQFUuykB/?utm_source=ig_embed&utm_campaign=loading)[A post shared by 🔮Vanessa Hudgens🔮 (@vanessahudgens)](https://www.instagram.com/p/CdYzQFUuykB/?utm_source=ig_embed&utm_campaign=loading) With a theme like *Gilded Glamour*, the 2022 Met Gala saw celebrities donning their flashiest, classiest, and grandest takes on fashion inspired by late 19th century New York. Vanessa Hudgens (*High School Musical, Spring Breakers, The Princess Switch*) turned heads as she stepped onto the red carpet as one of the evening’s co-hosts. In a Moschino sheer black gown, the longest black train the Met has ever seen, and a matching pair of black lacy panties peeking through for everyone to see, the Filipino-American star served modern-day dark glam that would make even the goth community nod in approval. ## Saweetie Wears Philippine Colors > [View this post on Instagram](https://www.instagram.com/p/CT0GfK3JC65/?utm_source=ig_embed&utm_campaign=loading)[A post shared by @saweetie](https://www.instagram.com/p/CT0GfK3JC65/?utm_source=ig_embed&utm_campaign=loading) While the Met Gala’s theme in 2021 — *In America: A Lexicon of Fashion* — may have been a bit too broad for many celebrities to nail down, Filipino-American rapper Saweetie proudly showcased her heritage on the red carpet. Wearing a Christian Cowan gown adorned with 10 million hand-placed crystals, she stunned with not one, but *two* separate trains: one featuring the colors of the Philippine flag, and the other the colors of the Black American heritage flag. ## Olivia Rodrigo Rocks Three Looks > [View this post on Instagram](https://www.instagram.com/p/CdHDjULrue0/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Olivia Rodrigo (@oliviarodrigo)](https://www.instagram.com/p/CdHDjULrue0/?utm_source=ig_embed&utm_campaign=loading) The *Guts* superstar has sashayed down the Met Gala red carpet three times, each look more iconic than the last. In 2021, Olivia Rodrigo wowed in a Saint Laurent all-black lace bodysuit. The following year, her Versace ensemble brought her signature purple to life, bedazzled and paired with opera gloves and matching butterflies. Then in 2023, for the *Karl Lagerfeld: A Line of Beauty* theme, Rodrigo was one of the few to truly nail the black-and-white dress code, donning a striking frilled gown by Thom Browne that perfectly balanced elegance with edge. ## Hailee Steinfeld Being A Met Gala Regular > [View this post on Instagram](https://www.instagram.com/p/BxJI4jph734/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Viktor&Rolf (@viktorandrolf)](https://www.instagram.com/p/BxJI4jph734/?utm_source=ig_embed&utm_campaign=loading) Hailee Steinfeld has been a Met Gala regular since 2011, consistently delivering standout looks that blend youthful energy with high fashion. At the 2013 Gala (*PUNK: Chaos to Couture*), she served elegant punk rock in a cream gown adorned with flowers made of safety pins. The next year, she nailed the *Charles James: Beyond Fashion* theme in a chic black-and-white Prabal Gurung number that balanced structure with sophistication. In more recent years, she rocked the 2021 red carpet in a futuristic Iris van Herpen creation and turned heads in 2019 with a cheeky, ultra-camp Viktor & Rolf gown that boldly read “No Photos Please” — a look that screamed irony in the most photogenic way possible. Related Stories - [Liza Soberano Joins Doechii and PinkPantheress in a Night of Fashion and Music in L.A.](https://rollingstonephilippines.com/music/liza-soberano-joins-doechii-and-pinkpantheress-in-a-night-of-fashion-and-music-in-l-a/ "Liza Soberano Joins Doechii and PinkPantheress in a Night of Fashion and Music in L.A.") - [The Oscars Red Carpet Was Taken Over by Funky Suits](https://rollingstonephilippines.com/culture/funky-suits-take-over-the-oscars-red-carpet/ "The Oscars Red Carpet Was Taken Over by Funky Suits") **Categories:** Art, Culture **Tags:** Met Gala --- ### [The Cyberliber Case Against Lokalpedia Exposes a Rot in Culture](https://rollingstonephilippines.com/culture/food/cyberlibel-vs-lokalpedia-criticism/) **Published:** March 23, 2026 **Author:** Pie Gonzaga **Excerpt:** What does the libel case against the food heritage advocate mean for criticism? A writer and critic weighs in **Content:** *This story was updated on March 24, 2026, 11:22 a.m. to include exclusive quotes from John Sherwin Felix.* In February, food heritage advocate John Sherwin Felix found himself the recipient of a lawsuit for cyberlibel lodged by [Chef Jam Melchor](https://rollingstonephilippines.com/culture/food/chef-jam-melchor-on-the-best-of-filipino-cuisine/) after Felix criticized his government-published cookbook for “cultural and scientific inaccuracies.” And for writer and critic Katrina Stuart Santiago, the suit is symptomatic of a larger cultural problem: “We don’t know how to deal with criticism, how and when to respond, \[and\] how to hold space despite disagreement and come to a resolution.” Funded and published by the Department of Trade and Industry (DTI) in April 2025 for Filipino Food Month, *Kayumanggi: A Kaleidoscope of Filipino Flavors and Food Traditions* showcases 150 recipes from all over the Philippines. Melchor, a private sector representative in DTI’s Malikhaing Pinoy Creative Council, told *Rolling Stone Philippines* a month ahead of its release that it took him more than a decade to put the cookbook together. After receiving a copy of the book in September 2025, Felix reached out to the DTI through email, raising concerns regarding errors in the book, but did not receive a response, according to *[Bulatlat](https://www.bulatlat.com/2026/03/14/food-heritage-advocate-sued-for-exposing-errors-in-dti-published-cookbook/?tztc=1)*. Felix then took to social media to discuss the book’s inaccuracies through posts on his cultural heritage and biodiversity platform Lokalpedia. In response, Melchor sued Felix for “malicious imputations” against him. Felix, however, asserts that his criticism of the book was made “in good faith,” and that he meant no malice in calling out the errors in *Kayumanggi*. “It’s our right to scrutinize the project as an expert, as a researcher, and of course as a taxpayer,” he told [*Inquirer*](https://newsinfo.inquirer.net/2197410/heritage-advocate-whats-libelous-about-citing-book-errors). He also tells *Rolling Stone Philippines*, “Libel cases filed against criticism can create a chilling effect, not only on researchers, journalists, and academics, but on all citizens. Public projects, especially those funded by taxpayers, must remain open to public scrutiny.” Felix’s posts raised concerns about the DTI and Melchor’s inability to fact-check the contents of *Kayumanggi*. And with news of the cyberlibel suit, critics and other Filipinos now look to the author once more with scrutinizing eyes. > [View this post on Instagram](https://www.instagram.com/p/DPX_OyNgUac/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Lokalpedia (@lokalpediaph)](https://www.instagram.com/p/DPX_OyNgUac/?utm_source=ig_embed&utm_campaign=loading) For Santiago, the libel case raises questions about what it indicates in the country’s relationship with cultural production and criticism. She tells *Rolling Stone Philippines*, “Libel as something that will silence critics is a foregone conclusion naman. The more important question is what conditions have led us here.” Firstly, the libel case indicates a government agency’s inability to take responsibility for the work it produces. Santiago says, “A government agency refusing to be held accountable for a decision it made to print a work that is factually incorrect, this is the first layer. Why is the DTI silent, when it is through this office that public funds were used to print this book?” The second layer? “To begin with, \[Melchor\] could totally ignore the review, hindi ba? As many authors do. But instead, he sought redress, not for the corrections that were being made on his work, but on what he says are attacks on his character in the comments sections of the critic’s \[Felix’s\] posts, and given the critic’s presumed intent of gaining some mileage or power for himself.” She goes on to explain that there is “little respect” for the work that writers and critics do, because our understanding of the creative industries and cultural sectors is primarily bound to patronage politics. It’s not how well you do your work, but who you know and how you use your connections to gain more power.” Felix emphasizes that the cyberlibel case undermines the functions of democracy. “When people are dissatisfied with publicly funded work and choose to speak up, they risk facing legal consequences,” he tells us. “This undermines accountability and discourages meaningful public discourse, which is essential in a democratic society.” “In a cultural landscape that is more critical, we would all be talking about \[*Kayumanggi*\] as text, and all that it stands for, given what it sought to do, and for whom it is,” Santiago says. “We would be arguing about the book, and we would be demanding accountability for public funds used. It wouldn’t be as petty as an author suing for libel because he felt offended by all the things said against him in the comment section of the critic.” Melchor told *Inquirer*, “At this time, I will be refraining from issuing any statements or participating in interviews.” ## Frequently Asked Questions ### Why did Chef Jam Melchor file a cyberlibel lawsuit against John Sherwin Felix? Chef Jam Melchor filed a cyberlibel suit against Lokalpedia founder John Sherwin Felix following public social media posts pointing out “cultural and scientific inaccuracies” in Melchor’s government-published cookbook, Kayumanggi: A Kaleidoscope of Filipino Flavors and Food Traditions. ### What is ‘Kayumanggi: A Kaleidoscope of Filipino Flavors and Food Traditions’? Kayumanggi is a 150-recipe cookbook written by Chef Jam Melchor and published in April 2025 by the Department of Trade and Industry (DTI) under its Malikhaing Pinoy Creative Council to celebrate Filipino Food Month using public taxpayer funds. ### How did Lokalpedia respond to the inaccuracies in the DTI cookbook? After receiving a copy of Kayumanggi, Lokalpedia founder John Sherwin Felix emailed the Department of Trade and Industry directly to report errors. Receiving no reply, he published research-backed critiques on his Lokalpedia platform to promote food heritage accuracy. ### What concern does cultural critic Katrina Stuart Santiago raise about the lawsuit? Writer Katrina Stuart Santiago argues that suing critics for cyberlibel signals institutional refusal to accept accountability for public works. She notes it reflects a cultural landscape where patronage politics often outweighs objective research, public scrutiny, and democratic debate. ### What is the ‘chilling effect’ mentioned in the Lokalpedia cyberlibel case? The “chilling effect” refers to legal threats—such as cyberlibel suits—intimidating researchers, journalists, and academics into self-censorship. Advocates argue that penalizing public scrutiny discourages citizens from questioning taxpayer-funded government projects and cultural documentation. Related Stories - [“All Eyes On Us”: Chef Jam Melchor on the Best of Filipino Cuisine](https://rollingstonephilippines.com/culture/food/chef-jam-melchor-on-the-best-of-filipino-cuisine/ "“All Eyes On Us”: Chef Jam Melchor on the Best of Filipino Cuisine") - [Abi Marquez Explains the Origin of Her ‘Lumpia Queen’ Title](https://rollingstonephilippines.com/media-channels/greatest-hits/abi-marquez-lumpia-queen-tiktok/ "Abi Marquez Explains the Origin of Her ‘Lumpia Queen’ Title") - [Doreen Fernandez Lives Again in Exploding Galaxies’ New Releases](https://rollingstonephilippines.com/culture/books/doreen-fernandez-exploding-galaxies/ "Doreen Fernandez Lives Again in Exploding Galaxies’ New Releases") **Categories:** Culture, Food, State of Affairs **Tags:** jam melchor, John Sherwin Felix, Lokalpedia --- ### [5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades](https://rollingstonephilippines.com/music/5-filipino-hip-hop-subgenres/) **Published:** August 11, 2025 **Author:** Elijah Pareño **Excerpt:** Here are the five distinct hip-hop styles that tell the story of two decades of creativity and cultural growth in the Philippines **Content:** The [hip-hop](https://rollingstonephilippines.com/tag/hip-hop/ "Hip-hop") genre in the Philippines is a living culture shaped by diverse voices, sounds, and communities. It has withstood several trend cycles to a point that it has become one of the biggest genres in the country in terms of popularity. Since its emergence in the late 1980s, it has evolved into a mosaic of styles that reflect the nation’s complexity. Every region, every scene, and every generation has added its own flavor — from the uncompromising grit of gangster rap to the atmospheric production textures of abstract hip-hop. These subcultures have thrived through rap battles in tight corners, street cyphers, DIY recordings, and now, streaming platforms, carrying forward the stories of their communities. As the world celebrates International Hip-Hop Day this August 11, it is worth looking back at the paths these movements have taken. The past four decades, in particular, have been a masterclass in reinvention, proving that Filipino hip-hop is not defined by one sound but by its endless capacity for expression. ## Gangster Rap Gangster rap in the Philippines has been a defining force in local hip-hop for over two decades. In the 1990s, crews like Death Threat and Pamilia Dimagiba and Filipino record labels like Dongalo Wreckords pioneered a gritty, street-centered sound that mirrored the struggles of their communities. By the 2000s, Blind Rhyme Productions and rapper Denmark kept the fire alive, with Shockra rappers Flict-G, Numerhus, and Crazymix earning recognition for their blistering speed-rap skills. The modern wave has been carried by 187 Mobstaz, a powerhouse collective whose influence spans the country. Their network connects rappers from various cities, bringing their distinct perspectives under the 187 banner. Tondo’s Smugglaz became known for his rapid-fire delivery, while CurseOne has mastered the art of Bone Thugz N’ Harmony-inspired rap singing technique, and JSkeelz crafting deeply personal narratives. From Malabon, Sparo carried the same uncompromising energy. , they represent enduring brotherhood under the gangster rap umbrella. Its evolution proves the genre’s adaptability, shifting production styles while maintaining its raw storytelling roots. The result is a living history of rap that continues to inspire younger generations to pick up the microphone and represent where they come from. ## Plugg In the 2020s, the rise of plugg transformed the soundscape of local hip-hop, opening more doors that became synonymous with “[love rap](https://rollingstonephilippines.com/music/2000s-pinoy-love-rap-hip-hop/ "How Pinoy Love Rap in the 2000s Defied Taste in Hip-Hop").” Defined by booming 808s, airy snare patterns, and shimmering synth melodies, plugg captures the youthful rush of infatuation and vulnerability. Its charm lies in balancing trap’s rhythmic punch with the tenderness of R&B, creating tracks that feel both intimate and infectious. Artists like xavi, shehatestracy, and maki! are among the genre’s most recognizable names, weaving stories of relationships, heartbreak, and longing into lush, melodic beats. For many listeners, plugg offers a softer counterpoint to hip-hop’s harder edges, showing that the culture is just as powerful when it leans into emotion. [The style’s accessibility](https://rollingstonephilippines.com/radar/style/) and digital-native audience have made it a cornerstone of the current scene, proving that even in a genre built on bravado, there is room for gentleness and sentimentality without losing authenticity. ## Rap Rock Rap rock and nu-metal carved out a unique chapter in the history of Filipino hip-hop, especially in the late 1990s and early 2000s. [Greyhoundz](https://rollingstonephilippines.com/tag/greyhoundz/ "Greyhoundz"), fronted by Reg Rubio, became one of the most prominent bands to merge rock’s raw aggression with rap’s rhythmic force. Contemporary artists like Gerald Bato and Dayaspora strengthen the rock sound by enlisting live band performances. Their collaborations and live performances often blurred the lines between mosh pit energy and lyrical flow, drawing in fans from both worlds. Rubio’s ventures into hip-hop circles saw him sharing stages with rappers like [Loonie](https://rollingstonephilippines.com/tag/loonie/ "Loonie"), Batas, and Apoc, further cementing rap rock’s place in the broader scene. This crossover created a sound that was heavier, more visceral, yet still grounded in the storytelling tradition of rap. The subgenre bridged communities that might not have otherwise intersected, opening doors for more hybrid performances. ## Abstract Rap Abstract rap in the early to mid 2000s has always thrived on the fringes of Filipino hip-hop, where experimentation takes priority over commercial appeal. Characterized by its boom bap production, chopped up vocal samples, fluttering synths, and strong atmosphere, abstract rap prioritizes lyricism compared to the bombast of hip-hop’s production styles. In Makati, acts like NothingElse have crafted intricate verses in both English and Tagalog, pairing them with unconventional beats from producers like Caliph8. Other examples include rap duo Flexx and Labjaxx rap about scientific experiments and DNAs. These tracks often blur genre boundaries, layering dense wordplay over soundscapes that feel more like art installations than traditional hip-hop instrumentals. Meanwhile, pure Tagalog abstract rappers such as Aklas have built their own followings with concept-driven projects, while Davao City’s Kalawakan Crew pioneered “kalawakan rap,” a cosmic, space-inspired approach to lyricism and production. Despite its niche appeal, abstract rap has found success across regions, offering proof that there is a space for hip-hop that values complexity, texture, and introspection. ## Trap Trap’s arrival in the Philippine scene in the mid 2010s was met with skepticism from some boom bap purists, but it has since become one of the country’s most dominant hip-hop styles. Characterized by rapid hi-hats, deep bass, and high-energy hooks, trap’s infectious sound quickly found an audience among younger listeners. Rappers and producers like Supafly, Ghost Worldwide, Sica, skinxbones, Al James, and [Calix](https://rollingstonephilippines.com/tag/calix/ "Calix") pushed the subgenre forward, while groups such as Psychedelic Boyz, [O $ide Mafia](https://rollingstonephilippines.com/tag/o-ide-mafia/ "O $ide Mafia"), and Owfuck gave it a distinctly local identity. They infused trap with Filipino slang, regional references, and narratives rooted in urban life, making it resonate far beyond imitation. What began as an imported sound evolved into a homegrown powerhouse, redefining the boundaries of mainstream rap in the Philippines. Trap’s success is a testament to hip-hop’s adaptability, proving that the genre can absorb global trends while maintaining its own cultural fingerprint. Today, it stands as one of the most visible and commercially successful branches of the scene. Related Stories - [How Pinoy Love Rap in the 2000s Defied Taste in Hip-Hop](https://rollingstonephilippines.com/music/2000s-pinoy-love-rap-hip-hop/ "How Pinoy Love Rap in the 2000s Defied Taste in Hip-Hop") - [Kiyo Drops Two New Singles: ‘Lambingan na This’ with Ryannah J, ‘Pambihira’ with Zild](https://rollingstonephilippines.com/music/kiyo-lambingan-na-this-ryannah-j-pambihira-zild/ "Kiyo Drops Two New Singles: ‘Lambingan na This’ with Ryannah J, ‘Pambihira’ with Zild") - [‘F1’ Film Soundtrack Features Don Toliver, Rosé, Ed Sheeran](https://rollingstonephilippines.com/radar/f1-soundtrack-don-toliver-rose-ed-sheeran/ "‘F1’ Film Soundtrack Features Don Toliver, Rosé, Ed Sheeran") **Categories:** Lists, Music **Tags:** Hip-hop --- ### [Toyo Brings Erwan Heussaff, Alvin Cailan, and More to its 10th Anniversary Celebration](https://rollingstonephilippines.com/radar/events/toyo-eatery-tenth-anniversary/) **Published:** March 24, 2026 **Author:** Mel Wang **Excerpt:** The Michelin starred-restaurant is bringing some of the country’s most established culinary figures together to celebrate **Content:** [Toyo Eatery](https://rollingstonephilippines.com/tag/toyo-eatery/ "Toyo Eatery") always throws the best parties, and its 10th anniversary could be its biggest celebration yet. The Michelin-starred restaurant is set to host a series of special dinners, exhibits, and talks this March to honor the flavors and people behind Barangay Toyo and the community it has built over the past decade. On March 27 in the Mess Hall at Karrivin Plaza, Toyo will host Talyer Talks, a group of conversations led by some of the most established figures within the Filipino and Asian culinary scene. Speakers for the day include FEATR’s [Erwan Heussaff](https://rollingstonephilippines.com/tag/erwan-heussaff/ "erwan heussaff"), Greenlight Burgers’ [Alvin Cailan](https://rollingstonephilippines.com/culture/food/alvin-cailan-interview-greenlight-burgers/ "Alvin Cailan of ‘The Burger Show’ on Eggslut, Fine Dining, and Hip-Hop"), Azuki to Kouri’s Miho Horio, and Lolla’s former head chef Johanne Siy. A post-talks tambay and afterparty is also scheduled, with food and drinks from Cailan, Automat, Crosta Pizza, Curator, Engkanto Brewery, and Will Goldfarb. > [View this post on Instagram](https://www.instagram.com/p/DV2fBEeEXpx/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Toyo Eatery (@toyoeatery)](https://www.instagram.com/p/DV2fBEeEXpx/?utm_source=ig_embed&utm_campaign=loading) Also scheduled is a Collaboration Dinner on March 26, which will feature a six-hands dinner between Toyo Eatery, Inatô, and Will Goldfarb of Bali’s Room 4 Dessert. Currently ongoing exhibitions around Karrivin Plaza include a data visualization installation of Toyo’s history and a display of palayoks created by local potters, both of which run until March 28. And, for those looking for Toyo-themed merch, the restaurant has partnered with Under Maintenance to design a set of curated merchandise. “Reaching a decade is a really proud moment for us,” shared Toyo’s chef and owner [Jordy Navarra](https://rollingstonephilippines.com/tag/jordy-navarra/ "Jordy Navarra") in a statement. “We wanted to celebrate the entire ecosystem of people that were with us on this ride, and that made all of this possible. “We also knew we had to do it the Toyo way: collaborative, and focused on the friends and partners whose hard work and creativity always inspire us.” ## Frequently Asked Questions ### What is Toyo Eatery’s Talyer Talks event? Hosted during Toyo Eatery’s 10th-anniversary celebration at Karrivin Plaza, Talyer Talks is a symposium featuring culinary leaders like FEATR’s Erwan Heussaff, Alvin Cailan, Miho Horio, and Johanne Siy discussing food heritage, innovation, and community within Asian gastronomy. ### Who is participating in Toyo Eatery’s 10th-anniversary collaboration dinner? The 10th-anniversary collaboration dinner features a six-hands dining experience between Michelin-starred Toyo Eatery, Manila restaurant Inatô, and pastry chef Will Goldfarb of Bali’s Room 4 Dessert, showcasing regional ingredients and inventive culinary techniques. ### Where are Toyo Eatery’s 10th-anniversary events being held? Celebrations take place at Karrivin Plaza in Chino Roces Avenue Extension, Makati. Key venues include the Mess Hall for Talyer Talks and designated art spaces across the compound for data visualization and palayok pottery exhibits. ### Who is the chef and owner of Toyo Eatery? Chef Jordy Navarra owns and leads Toyo Eatery alongside his wife, May Navarra. Founded in 2016, the Michelin-starred restaurant is recognized globally for reinterpreting traditional Philippine flavors and fostering sustainable local producer ecosystems. ### What exhibitions are featured as part of Toyo Eatery’s 10th anniversary? The anniversary features two main installations at Karrivin Plaza: a data visualization mapping Toyo Eatery’s decade-long history and an exhibition of handcrafted palayoks created by local Filipino potters, alongside a merchandise collaboration with Under Maintenance. Related Stories - [Alvin Cailan of ‘The Burger Show’ on Eggslut, Fine Dining, and Hip-Hop](https://rollingstonephilippines.com/culture/food/alvin-cailan-interview-greenlight-burgers/ "Alvin Cailan of ‘The Burger Show’ on Eggslut, Fine Dining, and Hip-Hop") - [Jordy Navarra on the Good and the Bad of Being the Best](https://rollingstonephilippines.com/culture/toyo-eatery-jordy-navarra/ "Jordy Navarra on the Good and the Bad of Being the Best") - [Chef Josh Boutwood Captures Simplicity in Filipino Fine Dining](https://rollingstonephilippines.com/radar/events/chef-josh-boutwood-captures-simplicity-in-filipino-fine-dining/ "Chef Josh Boutwood Captures Simplicity in Filipino Fine Dining") **Categories:** Culture, Events, Food, Radar **Tags:** Toyo Eatery --- ### [H&M Unveils Britpop-Inspired AW25 Collection at Star-Studded Manila Bash](https://rollingstonephilippines.com/radar/style/hm-british-inspired-aw25-collection/) **Published:** September 26, 2025 **Author:** Mel Wang **Excerpt:** Pinoy Big Brother winner Mika Salamanca and B1A4 lead Jung Jin Young were among the stars who gathered to celebrate the Manila launch of the brand’s latest collections **Content:** On September 19, the 66th floor of the Grand Hyatt Manila transformed into a red carpet runway, as H&M celebrated its Autumn/Winter 2025 collections — A/W Chapters 1 and 2, Atelier, and Studio A/W 2025 — with a crowd of [stars and style](https://rollingstonephilippines.com/radar/style/) insiders across Southeast Asia, which included Miss Universe 2018 Catriona Gray, Miss Universe Philippines 2023 [Michelle Dee](https://rollingstonephilippines.com/editors-picks/features/michelle-dee-queer-pop-queen/), [K-pop](https://rollingstonephilippines.com/tag/k-pop/ "K-Pop") group B1A4’s lead vocalist Jung Jin Young, Miss Universe Vietnam Nguyen Cao Ky Duyen, and Singaporean actor Tyler Ten, among others. ![H&M](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/798A3963.webp) On the runway. Photo courtesy of H&M Philippines The guests turned heads in pieces that were either directly from the collections or paid homage to the night’s theme, “British Nostalgia.” Festivities kicked off with a TikTok masterclass hosted by *[Pinoy Big Brother: Celebrity Collab Edition](https://rollingstonephilippines.com/tag/pinoy-big-brother/ "Pinoy big brother")* winner Mika Salamanca and Singaporean style influencer Willabelle Ong. This was followed by a runway show of the latest H&M collections under red strobe lights and soundtracked by English bands like The Strokes and Dead or Alive. ## Britpop Meets Minimalism ![H&M](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/A_W-CHAPTER-1_02.webp) H&M A/W 2025. Photo courtesy of H&M Philippines As the launch’s theme teased, all three of H&M’s collections drew inspiration from the style revolution of late ‘90s Britain, when the trends of [Britpop](https://rollingstonephilippines.com/music/news/oasis-reunion-filipino-britpop/ "How the Oasis Reunion is a Reminder of Filipino Music’s Britpop Fascination"), early grunge, and mod-inspired streetwear dictated a bold, new aesthetic. Beyond incorporating British elements, the Studio A/W 2025 collection also explores the crisp, minimalist style of Stockholm and the sleek brutalism of Sào Paulo, situating the collection in the current style zeitgeist. As an ode to workwear, Studio A/W 2025 combines utilitarian materials, such as denim and nylon with seasonal textures like wool and shearling. Of course, what is an homage to the ‘90s Britpop without plaid to add a layer of subversion in what is otherwise a grounded color palette of brown, rust, navy, and black? A modern woman’s sensibilities are a top consideration in designing the collection, too. “Complexity wins over complication for AW25,” said Linda Wikell, concept designer at H&M Studio, in the official announcement. “There’s a femininity to the collection that’s both strict and tender — an expression of the multifaceted woman of today who’s constantly exploring new ground.” > [View this post on Instagram](https://www.instagram.com/p/DO0JKDjEjZ0/?utm_source=ig_embed&utm_campaign=loading)[A post shared by MMD 🇵🇭 (@michelledee)](https://www.instagram.com/p/DO0JKDjEjZ0/?utm_source=ig_embed&utm_campaign=loading) H&M Atelier, looking to elevate classic menswear, showed key pieces ranging from sharply tailored dark coats to padded fur jackets to androgynous knee-high leather boots. “Atelier Autumn-Winter 2025 plays with workwear codes and classic menswear references, as well as infusing the season with something more opulent,” Ana Hernández, menswear designer at H&M Atelier, noted in the collection’s official announcement. *H&M A/W 2025 Chapter 1 is now available in stores and at hm.com. Chapter 2 will be available for purchase starting October 2. Studio A/W 2025 is now available at hm.com. H&M Atelier A/W 2025 will be available starting October 2.* Related Stories - [How the Oasis Reunion is a Reminder of Filipino Music’s Britpop Fascination](https://rollingstonephilippines.com/music/news/oasis-reunion-filipino-britpop/ "How the Oasis Reunion is a Reminder of Filipino Music’s Britpop Fascination") - [KAWS to Push ‘Art for All’ as UNIQLO’s First Artist-in-Residence](https://rollingstonephilippines.com/radar/style/kaws-uniqlo-first-artist-residency/ "KAWS to Push ‘Art for All’ as UNIQLO’s First Artist-in-Residence") - [Michelle Dee Rides the New Wave of Queer Pop Stardom](https://rollingstonephilippines.com/editors-picks/features/michelle-dee-queer-pop-queen/ "Michelle Dee Rides the New Wave of Queer Pop Stardom") **Categories:** Events, Radar, Releases, Style **Tags:** H&M, Michelle Dee, Mika Salamanca --- ### [Meet the Tough Guy Running Brontë, Makati’s Newest Steakhouse](https://rollingstonephilippines.com/culture/food/wade-watson-bronte-makati-steakhouse/) **Published:** July 30, 2026 **Author:** Pie Gonzaga **Excerpt:** At the new fine dining concept, Executive Chef Wade Watson pairs refined cooking with an old-school work ethic, and a belief in giving hardworking people a chance **Content:** “The best employees I have are the poorest with the worst education that simply want to work. If you have a good attitude and you want to learn, you’re good,” Chef [Wade Watson](https://rollingstonephilippines.com/tag/wade-watson/ "Wade Watson") tells *Rolling Stone Philippines* in the middle of our meal at his newest restaurant, [Brontë](https://rollingstonephilippines.com/tag/bronte/ "Brontë"). “I’ll hire you any day over some asshole who just came out of \[culinary school\] who thinks he’s fucking Gordon Ramsay.” Watson is quite a confounding personality. He’d rather hire a hungry and passionate college dropout than a know-it-all culinary school graduate. When he’s in Japan, he likes to eat at FamilyMart. When traveling, he doesn’t like staying at hotels with crappy food, and at home, he would rather have the housekeepers do the work instead of having to clean up everything himself. Between these apparent contradictions, one thing is certain: Watson likes to [eat and serve great food](https://rollingstonephilippines.com/culture/food/). “It’s fun to see the natural progression of a restaurant dishwasher. You see that guy’s paying attention, so you get him on salads, get him on making bread, get him on desserts. You just see their skill set grow, and it’s fun to watch them achieve shit and become good at a trade.” Executive Chef Wade Watson The Australian chef has spent years working at different fine dining restaurants around the world, from his home base down under to Hong Kong and Canada (“I just went snowboarding and drank alcohol for six months — terrible,” he recalls). He has also put down roots in the Philippines, opening Makati’s Bondi&Bourke in 2015. He’s been cooking all his life, he says. “That’s all I’ve done. It’s all I know how to do.” Brontë, an Australian steakhouse, is the latest of his ventures. For this one, he teamed up with actor Derek Ramsay, with whom he’s been playing golf for six years now. “Derek is very definitely a perfectionist in a lot of things, which sort of suits me too because I’m a bit loopy. I like things spotless and he’s probably even worse than me,” Watson tells us, before pointing to an air-conditioning unit in the ceiling. “That aircon was dripping the other day, so \[Derek\] basically stood there for three hours just cleaning it.” ![brontë interior](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/bronte-interior.webp) Brontë’s intimate dining room is adorned with yucca plants, which Watson says were business partner Derek Ramsay’s idea. ## What’s On The Menu? Like Bondi&Bourke, Brontë is named after another beach in Sydney and offers refined Australian cuisine, presented without the pomp of degustation. There is much to choose from the à la carte menu. The opening includes Foie Gras Terrine, a hearty Brontë Caesar, Burrata and Prosciutto, and Watson’s own take on the French Onion Soup, served *in* a gruyere crostini. But the real star of the show is the soft Japanese pull-apart bread. The seafood menu includes Moules Marinière, Japanese Scallops, Tasmanian Salmon Crudo, and a bright, clean Prawn Cocktail. The Grand Seafood Plateau, “best ordered the moment you sit down,” serves two to four and includes oysters, tiger prawns, and smoked salmon. ![bronte japanese milk bread](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/japanese-milk-bread-bronte.webp) Japanese Milk Bread ![bronte caesar salad](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/bronte-caesar-salad.webp) The Brontë Caesar There’s also more seafood in Brontë’s house signatures, from the Boston Lobster Risotto and New Zealand Orange Roughy to the mildly briny and vibrant Barramundi Meunière. Other house signatures include the Brontë Burger and Watson’s favorite, Australian Lamb Chops. Naturally, steaks take center stage in Brontë. The steak menu has some variety, from the Filet Rossini that uses tenderloin to the Red Phoenix Bone-In Striploin and 1.3kg Grand Porterhouse. But across the different offerings, Watson is adamant about letting a steak rest to relax the proteins and let the juices soak through everything. Meat selection is also important, his lowest grade being a prime ribeye and the highest being an Australian wagyu with a marbling score of 8 to 9. “I don’t have A5 Japanese wagyu on the menu purposely, but I keep it around me for people who want it,” he adds. ![bronte australian lamb chops](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/australian-lamb-chops-bronte.webp) Australian Lamb Chops ![bronte barramundi meuniere](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/barramundi-meuniere-bronte.webp) Barramundi Meunière Desserts include baked Alaska, Dark Chocolate Tart, and Crème Brûlée Flan, which is described as “French custard meets Filipino flan.” In my visit, I got to try the very light and crisp Pavlova with berries and passionfruit, as well as the heavier, sweeter Sticky Toffee Pudding. ## What It’s Like in Brontë’s Kitchen When asked what makes Brontë different from other steakhouses, Watson says, “Most steakhouses will grill the steaks; I cook them in a really hot oven, the opposite.” More than that, the chef says he “wants to change expectations,” especially as most steakhouses in the Philippines draw from American-style steakhouses that serve wedge salads. Brontë offers an Australian take on the steakhouse, which means a more seafood-forward menu to complement the steaks. “When you come here, you don’t feel like you’re in a chain restaurant,” says Watson. “\[Those restaurants\] have a feeling that this has all been done before. I feel like I eat the same shit in every steakhouse, you know what I mean? I didn’t want to be that.” ![filet rossini bronte](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/filet-rossini-bronte.webp) The Filet Rossini: beef tenderloin in black truffle jus and topped with pan-seared foie gras. A lot of Watson’s personality and preferences shine through in Brontë. “Cuts of 500g and above require 45 minutes. We trust you have a drink in hand,” reads a note in the menu card’s steaks section. The restaurant’s offerings, as a whole, are uncomplicated but still reflect painstaking attention to detail and quality. And for a lot, if not all, of the menu items, serving sizes are enough to share with at least one other person at the table. “Filipinos like to share,” he says. “That’s a part of the culture. Everyone sits down and we all share food. And I think it’s a much better way of eating.” ## The Realities of Running a Restaurant Brontë is, in many respects, an extension of the chef himself. The restaurant reflects not only his tastes and meticulous approach to cooking, but also how his philosophy on running a kitchen has evolved over the years. “I grew up in a hard world. Now, it’s a bit different,” Watson says. “\[Back then,\] my chef would smack me with steel. If we didn’t stand up straight as we worked, he’d just come up behind us with the steel and just go, ‘What the fuck?’ If we overcooked the steak, he would throw it at us as hard as he could. But those days are over.” He admits that his “old” age has made him less likely to scold staff. “I used to be pretty brutal, but now I just let the staff handle it. At least they can do it in Tagalog and deal with it faster and easier than me having to lose my shit.” ![bronte kitchen view from dining area](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/bronte-kitchen.webp) A peek into the kitchen at Brontë. He also laments the business side of running a restaurant. “Maintaining it and sustaining \[Brontë\] is long-term work. That’s always the hard part with restaurants these days, with the cost of labor just going up again, the cost of quality goods here,” he says. “Even the cost of the average person’s food here is just through the roof. I like to see the staff earning money, and at the same time, I also realize that from a business owner’s perspective, you can’t just offset one cost for another.” “That’s a part of \[Filipino\] culture. Everyone sits down and we all share food. And I think it’s a much better way of eating.” Executive Chef Wade Watson Despite the financial pressures, Watson says his greatest satisfaction comes from watching his kitchen staff grow. “It’s fun to see the natural progression of a restaurant dishwasher. You see that guy’s paying attention, so you get him on salads, get him on making bread, get him on desserts. You just see their skill set grow, and it’s fun to watch them achieve shit and become good at a trade.” For all his bluntness, Watson’s philosophy is ultimately less about pedigree than potential. Brontë may be built on refined Australian cooking and exacting standards, but the chef seems just as invested in building the people in the kitchen as he is in perfecting what lands on the plate. ## Frequently Asked Questions ### Who is Chef Wade Watson and what is Brontë? Chef Wade Watson is the Australian chef behind Brontë, an Australian steakhouse in Makati, and Bondi&Bourke, which he opened in 2015. ### When did Brontë open and where is it located? Brontë officially opened its doors on May 30, 2026 at the penthouse level of the Levanto Building on Jupiter St., Makati. ### Who co-owns Brontë with Chef Wade Watson? Brontë is co-owned by Chef Wade Watson and actor Derek Ramsay, longtime golf partners who share a mutual perfectionism and attention to detail. ### What are some noteworthy dishes from Brontë’s menu? Some of Brontë’s noteworthy dishes include the French Onion Soup, the Brontë Caesar, Australian Lamb Chops, Barramundi Meunière, Filet Rossini, and Sticky Toffee Pudding. ### What makes Brontë different from other steakhouses in Makati? Brontë serves refined Australian cuisine with a “fancier,” seafood-forward menu alongside its steaks, breaking from the American-style chain steakhouses common in the Philippines. Related Stories - [What’s In Uma Nota’s Newest Brazilian Japanese Tasting Menu?](https://rollingstonephilippines.com/culture/food/uma-nota-brazilian-japanese-tasting-menu/ "What’s In Uma Nota’s Newest Brazilian Japanese Tasting Menu?") - [Scratch is Rising to the Occasion as a Makati Favorite](https://rollingstonephilippines.com/culture/food/scratch-makati-brunch-spot-ralph-sy-charlene-ng/ "Scratch is Rising to the Occasion as a Makati Favorite") - [Tadhana’s Chef Frances Tariga Doesn’t Want Fine Dining to Just Be Fine](https://rollingstonephilippines.com/culture/food/chef-frances-tariga-tadhana-set-record-straight/ "Tadhana’s Chef Frances Tariga Doesn’t Want Fine Dining to Just Be Fine") **Categories:** Culture, Food **Tags:** Brontë, Wade Watson --- ### [Director Katski Flores Says ‘Edjop’ Is So Filipinos Can Always Remember](https://rollingstonephilippines.com/state-of-affairs/edjop-katski-flores-filipinos-can-always-remember/) **Published:** September 7, 2026 **Author:** Reyza Ferranco **Content:** After five years of production, the biopic about Filipino revolutionary [Edgar Jopson](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/edgar-jopson-edjop-martial-law/), known as Edjop, is finally set to hit theaters on September 16. “I don’t think I can ever do something like *Edjop* ever again,” director Katski Flores tells *Rolling Stone Philippines* during the press preview and media conference for *Edjop* on September 3. It was a “labor of love,” Flores said. She was essentially the film’s director, writer, and executive producer, while remaining entirely involved in the whole process. She co-wrote *Edjop* with [Jade Castro](https://rollingstonephilippines.com/tag/jade-castro/) and co-produced it with Edjop’s daughter, Joyette Jopson. But ultimately, the director said making the film was never simply about depicting or recreating the life of a historical figure, but also about confronting the country’s increasingly fragile relationship with its past. Flores said that when *Edjop* was being pitched at fundraising events, she framed the film as not particularly “historically confrontational,” but as a story of reckoning with the past through Jopson’s life and activism under the dictatorship of [Ferdinand Marcos Sr](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/edsa-40th-anniversary/), the father of current President [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/) “I’m not even confronting the present administration. It’s a reckoning with the past which is coming for us, and it’s already here,” she stresses. When asked by the media how biopics like *Edjop* can be effective in the current age, Flores said that one reason why the Filipinos are forgetting about history is the lack of stories that allow each generation to truly confront or understand what happened. “So ‘yung mga ganito, ‘yung *Edjop*, ito ‘yung ambag ko bilang kung ano man ‘yung talent ang binigay sa akin. Ito ‘yung ambag ko to stand up against this current tide of extreme disinformation.” ![the cast and makers of edjop](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/edjop-bts-1.webp) Producer Joyette Jopson, director Katski Flores, Nour Hooshmand, Kakie Pangilinan, Elijah Canlas, and line producer Maki Sarmiento during the Edjop Media Conference on September 3. The biopic does not tell solely of Jopson’s story, but also of his family, particularly his wife, Joy Jopson, who now lives with dementia, and their daughter Joyette, who plays a pivotal role in the film. “I feel like Joy Asuncion Jopson-Kintana’s story is the story of the Philippines,” says Flores. “We’re struggling to remember, and we’re losing the battle, and we need help to win the battle to remember, to always remember.” Flores hopes *Edjop* can be one of the sources of media that help people remember. She further calls for more [literature, plays, films, and TV](https://rollingstonephilippines.com/culture/film/) shows that tackle historical stories for the next generation. For [Elijah Canlas](https://rollingstonephilippines.com/tag/elijah-canlas/), who plays Edgar Jopson, preparing for the role and making the revolutionary figure more human was one of the challenging parts. “Kasi sobrang laki niyang figure. And ‘yung legacy niya. I mean, if you read the book, parang wala kang makitang flaw sa tao na ito. Parang napakamarangal at mabuti siyang tao at sinakripisyo niya ang lahat.” Canlas wanted to move beyond that image and also explore Edjop’s struggles and imperfections. “Dito sa pelikula, gusto namin siyang gawing tao, na he’s not larger than life,” the actor tells *Rolling Stone Philippines*. That process of humanizing Jopson also made the role particularly personal for Canlas, who was also a student activist early in his life. “It’s like a dream come true for me,” Canlas says. He added that as an actor, he always dreamt of crafting material and telling meaningful stories that matter, whether personally, socially, or politically. And if Edjop were alive today, Canlas believes that he would not be hopeless and would continue to fight regardless. Responding to a question during the conference, the actor says, “Kahit ngayon na, nandito tayo sa panahon na medyo magulo, medyo chaotic ‘yung political and social landscape natin, feeling ko mas lalo nga siyang ma-mo-motivate na ipaglaban at gawin ‘yung kung ano ‘yung tingin niyang tama.” ## FREQUENTLY ASKED QUESTIONS ### Who is Edgar Jopson and why is he significant to Philippine history? Edgar Jopson, or Edjop, was a Filipino student leader who organized against the Marcos Sr. dictatorship during martial law, remembered as one of the era’s most prominent activists. ### What is the film *Edjop* about? *Edjop* is a biopic on activist Edgar Jopson, directed by Katski Flores, premiering September 16. It also follows his wife Joy and daughter Joyette Jopson. ### Why did Katski Flores make *Edjop*? Katski Flores made *Edjop* after five years of production, calling it a reckoning with the past and her contribution to countering historical disinformation in the Philippines. ### Who plays Edgar Jopson in *Edjop*? Elijah Canlas plays Edgar Jopson in *Edjop*. A former student activist, he focused on humanizing Jopson beyond his revered image, showing his flaws rather than a flawless legend. ### When does *Edjop* premiere in Philippine theaters? *Edjop* premieres in Philippine theaters on September 16, following five years of production led by director Katski Flores, who also wrote and produced the film. Related Stories - [Beyond ‘Edjop,’ Who was the Real Edgar Jopson?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/edgar-jopson-edjop-martial-law/ "Beyond ‘Edjop,’ Who was the Real Edgar Jopson?") - [‘Edjop’ is Coming to Philippine Cinemas This Year](https://rollingstonephilippines.com/culture/philippine-cinema/edjop-elijah-canlas-2026-release/ "‘Edjop’ is Coming to Philippine Cinemas This Year") - [New Movies to Watch in Cinemas in September 2026](https://rollingstonephilippines.com/culture/film/new-movies-philippine-cinemas-september-2026/ "New Movies to Watch in Cinemas in September 2026") **Categories:** Culture, Film, Philippine Cinema, Politics, State of Affairs **Tags:** Edgar Jopson, Edjop, Elijah Canlas, Katski Flores --- ### [Here’s How 15-Minute Cities in Metro Manila Can Work, According to a Study](https://rollingstonephilippines.com/state-of-affairs/power/15-minute-city-metro-manila/) **Published:** July 15, 2025 **Author:** Pie Gonzaga **Excerpt:** A recent study says Filipinos want their essentials within reach, but it may take years to turn Metro Manila’s existing neighborhoods into 15-minute cities **Content:** Do Metro Manila residents really have to brave hours of traffic just to get to work or buy groceries? A recent [study](https://idr.lse.ac.uk/articles/10.82191/lseidr.110) says the megacity can become a network of 15-minute cities, where daily needs like work, school, shopping, and healthcare are all within a 15-minute walk or bike ride from home. Published in the *LSE International Development Review*, the study by public transportation advocate Anna Mae Yu Lamentillo explores how the 15-minute city model could work in a congested and fragmented megacity like Metro Manila. Lamentillo previously worked as the undersecretary for public affairs at the Department of Information and Communications Technology, and now works in urban development and [artificial intelligence (AI)](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/). The 15-minute city, introduced by Colombian urbanist Carlos Moreno, promotes self-contained neighborhoods that reduce car dependence by localizing essential services. In theory, it means less time stuck in traffic and more time living. In Metro Manila, where over half of the study’s surveyed residents report spending more than an hour to access basic services, the appeal is clear. Lamentillo’s study found that 81 percent of respondents supported the idea of a 15-minute city, and 87 percent believed it would improve their quality of life. But bringing the model to life in a city shaped by sprawl, car culture, and chronic underinvestment will take time and deliberate planning. Lamentillo proposes a phased transformation that could take more than eight years. The strategy is built around Metro Manila’s three dominant urban typologies — inner cities, outer suburbs, and informal areas — each with its own set of challenges and opportunities. ![pateros metro manila urban disparity inequality](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/Pateros_from_air_Pateros_10-17-2023.webp) The municipality of Pateros sits between the highly urbanized cities of Pasig and Taguig. Photo by Patrick Roque/Wikimedia Commons In informal communities, the immediate focus is on securing land tenure, improving basic infrastructure, and [involving residents](https://rollingstonephilippines.com/state-of-affairs/power/4ph-poor-housing-program-inklusibo/ "Filipino Working Poor Still Left Behind in New Housing Program, Report Shows") in land use decisions. Suburbs would need flexible policies that allow for small commercial hubs inside residential areas and better public transport options like park-and-ride systems. Inner-city areas, where density is already high, would benefit from zoning reforms, expanded bike lanes, and traffic calming efforts. The plan moves in stages, from short-term pilot projects and zoning tweaks to medium-term public transit expansion and, eventually, long-term goals such as climate-resilient infrastructure, net-zero buildings, and smart mobility systems. While the obstacles are real, with high costs for projects, fragmented governance, and a deeply embedded preference for private vehicles, the study makes one thing clear: the 15-minute city is viable, and it is something many Filipinos already want. Related Stories - [Filipino Working Poor Still Left Behind in New Housing Program, Report Shows](https://rollingstonephilippines.com/state-of-affairs/power/4ph-poor-housing-program-inklusibo/ "Filipino Working Poor Still Left Behind in New Housing Program, Report Shows") - [Marcos’ MRT-3 Ride Was Far From the Daily Experience of Commuters](https://rollingstonephilippines.com/state-of-affairs/politics/marcos-family-mrt-rush-hour/ "Marcos’ MRT-3 Ride Was Far From the Daily Experience of Commuters") - [Makati ‘Mole People’ Exposé Reveals Social Housing Crisis Among Urban Poor](https://rollingstonephilippines.com/state-of-affairs/power/makati-mole-people-social-housing/ "Makati ‘Mole People’ Exposé Reveals Social Housing Crisis Among Urban Poor") **Categories:** Power, State of Affairs **Tags:** Infrastructure, Transportation, Urban Development --- ### [Mix Fenix is the Pinoy Neo-Soul Artist You Need to Hear](https://rollingstonephilippines.com/music/pop/mix-fenix-pinoy-soul/) **Published:** January 22, 2026 **Author:** Pie Gonzaga **Excerpt:** For over a decade, neo-soul singer-songwriter Mix Fenix, despite the simplicity of her sound, has resisted relatability and popularity to keep her music raw and personal **Content:** [Mix Fenix](https://rollingstonephilippines.com/tag/mix-fenix/ "Mix Fenix") says she doesn’t want to be the next big thing in Pinoy music. “Well, it would be nice,” she adds, backtracking. “But my main goal isn’t to be the next big thing.” In November 2025, the singer-songwriter released “Take Me Home,” a track that exemplifies Fenix’s capabilities as a neo-soul artist. Her first song in two years features her silk-smooth voice over a relaxed groover and choir vocals, which she told *[The New Hue](https://www.thenewhueph.com/post/mix-fenix-releases-take-me-home-and-why-this-song-isn-t-sellable-and-why-it-had-to-be)* was inspired by Coolio’s “Gangsta’s Paradise.” Before this, she released “Two Feet In” in 2023, gaining traction through a [Wish Bus](https://rollingstonephilippines.com/music/wish-bus-radio/) performance that showed listeners Fenix sounds just as good live as she does recorded. A skilled guitarist and vocalist, Fenix’s competence was honed through years of music-making. The singer started making music when she was 13 years old and began releasing music as a college student in 2014. “A lot of people expected me to be like Adele or Norah Jones, because that’s my generation, but I never really saw myself there,” she tells *Rolling Stone Philippines*. ![mix fenix for rolling stone philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/mix-fenix-intext-1.webp) Fenix believes that the more people create with AI, the more audiences will value human art. In 2024, she decided to pursue music as a career, doing small shows and festivals alongside content creation, which she considers a source of inspiration. “Just seeing the work ethic, and seeing how people work in terms of production, in terms of creativity, it’s very inspiring to me,” Fenix says. “I think that’s the world that we need to shape locally. We shouldn’t just limit ourselves to one genre, one type of art. We should also kind of branch out and get to know each other because Filipinos are just so incredibly creative, and there’s just so much that we want to express, especially going through all of these struggles all together.” ## Staying the Course Having made music independently for over a decade, Fenix still faces age-old challenges, such as trying to get to a gig in heavy traffic and needing a budget to record music, but she’s also determined to stay in the industry. “I think the main thing that I’ve learned throughout this whole journey is resilience. And really trying to stick to the path that I have chosen, because music has always been an on-and-off thing for me. And I constantly get reminded that this really is what I’m meant to be doing.” ![mix fenix for rolling stone philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/mix-fenix-intext-2.webp) In her career as a musician and content creator, Fenix has learned resilience. When asked what she sees changing in the music industry in 2026, Fenix says that [artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/ "Spotify Survived 2025 Despite Boycotts and its Big Bet on AI") (AI) could play a bigger part in music-making. “My music friends are very open to the idea of AI. I think it’s inevitable,” she says, but cautions that AI should be used as a tool to help musicians, not replace them. She adds, “My theory is that the more people create with AI, the more that the man-made stuff, the raw stuff, the things that people actually write down, the things that people actually play with their own instruments live, the value of that is going to shoot up.” And this is where Fenix thrives, out of the box and unconcerned by popularity and relatability. “I think what I represent is a rawness in being a person,” she tells me. “My goal is really to send a message to people who need to hear it.” ## Frequently Asked Questions ### Who is Mix Fenix and what genre does she make music in? Mix Fenix is a Filipino neo-soul singer-songwriter and guitarist who began making music at 13 and started releasing songs as a college student in 2014. She decided to pursue music as a full-time career in 2024. ### What is Mix Fenix’s song “Take Me Home” about? Released in November 2025, “Take Me Home” is Fenix’s first song in two years, featuring her voice over a relaxed groove and choir vocals, inspired by Coolio’s “Gangsta’s Paradise,” according to an interview with The New Hue. ### What challenges has Mix Fenix faced as an independent musician? Fenix cites practical struggles like traffic and needing a recording budget, but says the biggest lesson from over a decade of independent music-making has been resilience and staying committed to her chosen path. ### What does Mix Fenix think about AI’s role in music? Fenix believes AI’s use in music-making is “inevitable” and that her musician friends are open to it, but stresses it should be used as a tool to assist musicians rather than replace them, predicting raw, human-made music will become more valued as a result. ### How does Mix Fenix describe her artistic identity? Fenix says she represents “a rawness in being a person,” prioritizing sending meaningful messages to listeners over chasing relatability or mainstream popularity, distancing herself from comparisons to artists like Adele or Norah Jones. Related Stories - [Fitterkarma on Their Slow-Burn Rise and Turning Heads in Pinoy Rock](https://rollingstonephilippines.com/music/rock/fitterkarma-pag-ibig-ay-kanibalismo-ii/ "Fitterkarma on Their Slow-Burn Rise and Turning Heads in Pinoy Rock") - [BABY FREEZE Keeps it Unserious in the Pinoy Hip-Hop Scene](https://rollingstonephilippines.com/music/hiphop-rnb/baby-freeze-unserious/ "BABY FREEZE Keeps it Unserious in the Pinoy Hip-Hop Scene") - [Jamiela is Finding Her Voice in Pinoy Rock](https://rollingstonephilippines.com/music/rock/jamiela-finding-voice-pinoy-rock/ "Jamiela is Finding Her Voice in Pinoy Rock") **Categories:** Editor's Picks, Features, Hip-hop/R&B, Music, Pop **Tags:** Mix Fenix, Music Forecast --- ### [Philippine Safe Spaces Act Amended to Address Grooming, AI](https://rollingstonephilippines.com/state-of-affairs/politics/safe-spaces-act-amended-grooming-ai/) **Published:** January 16, 2025 **Author:** Pie Gonzaga **Excerpt:** In addition to the inclusion of grooming and online sexual harassment using AI, amendments to the Safe Spaces Act also expand the definition of public spaces **Content:** The Senate approved a bill amending the Safe Spaces Act (Republic Act No. 11313) in its third and final reading on Tuesday, January 14. Through a unanimous affirmative vote on the amendments, the Safe Spaces Act will see new provisions to address gender-based online sexual harassment arising from the use of [artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/) (AI) and other emerging technologies. Senator [Risa Hontiveros](https://rollingstonephilippines.com/tag/risa-hontiveros/ "Risa Hontiveros"), the bill’s sponsor in the upper chamber, said that the amendments were made in response to calls to reform the law — particularly from “young women in schools.” “When we made the current law, no one knew what AI was. Ngayon po, talamak na ang deepfakes,” she said in her sponsorship speech in December 2024. “And pornography is being created with the use of these emerging technologies.” ## New Provisions In addition to tackling newer forms of online sexual harassment, amendments to the Safe Spaces Act expand the definition of public spaces to include streets and alleys in rural areas, fields, farms, coastal areas, and multi-purpose halls. The amendments also include grooming in the law’s definition of terms as “a predatory conduct, act or pattern of acts of establishing a relationship of trust, or emotional connection by another with a child or someone who is believed to be a child and/or family guardian, and/or caregivers, whether in person or via electronic and other similar devices, for the purpose of perpetrating sexual abuse or exploitation.” Hontiveros added that the bill responds to “multiple cases of teacher-predators… by ensuring that adults working in close proximity to children have no history of predatory behavior.” ![Risa Hontiveros speaking in the Senate](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/hontiveros-senate-safe-spaces.jpg) Hontiveros, a sponsor of the bil thanks her fellow senators for approving amendments to the Safe Spaces Act on January 14, 2025. Photo from the Senate Public Relations and Information Bureau Aside from the penalties established in the original version of the Safe Spaces Act, the proposed amendments also require the removal of violating images and videos from online platforms. “Sa pamamagitan ng bill na ito, victims will have the remedy of asking for the take-down of their digital images that violate this act,” Hontiveros said. Existing penalties for violations of the Safe Spaces Act include imprisonment of 11 to 30 days or a fine of P30,000 and attendance in a Gender Sensitivity Seminar for the first offense, and one month and one day to six months in prison for succeeding offenses or fines of P50,000 and P100,000. **Categories:** News, Politics, State of Affairs **Tags:** Gender Issues, LGBTQIA+, Women's Issues --- ### [Taylor Swift Files Sound and Image Trademarks as AI Deepfake Concerns Grow](https://rollingstonephilippines.com/music/pop/taylor-swift-trademarks-ai/) **Published:** April 28, 2026 **Author:** Cheyenne Roundtree **Excerpt:** The singer’s company filed three applications pertaining to an image of Swift performing and the phrases “Hey, it’s Taylor Swift” and “Hey, it’s Taylor.” **Content:** [Taylor Swift ](https://www.rollingstone.com/t/taylor-swift/)has filed trademark applications pertaining to her voice and image amid continued concerns in the entertainment world over the rise of [artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/) and potential misuses of the evolving technology. The singer’s company, TAS Rights Management, filed three applications on Friday (April 24) with the U.S. Patent & Trademark Office. One is an image of Swift performing during [The Eras Tour](https://www.rollingstone.com/music/music-features/taylor-swift-eras-tour-1234743135/), and the other two are sound trademarks, covering the phrases “Hey, it’s Taylor Swift” and “Hey, it’s Taylor.” (The applications were first noted by intellectual property attorney [Josh Gerben](https://www.gerbenlaw.com/blog/taylor-swift-moves-to-trademark-her-voice-and-image-as-ai-threats-grow/).) A rep for Swift did not immediately return a request for comment. Swift is following in the footsteps of actor Matthew McConaughey, [who filed eight similar trademarks](https://www.wsj.com/tech/ai/matthew-mcconaughey-trademarks-himself-to-fight-ai-misuse-8ffe76a9) over the past several months to protect his famous Texan drawl and image. McConaughey’s attorneys submitted applications of the Oscar winner saying his iconic line “alright, alright, alright!” from the 1993 comedy *Dazed and Confused*, and staring into the camera. In many states, celebrities receive protections under “Right of Publicity” laws, which prevent unauthorized uses their name or likeness. As Gerben noted in his blog post about Swift’s applications, filing for trademarks can “provide an additional layer of protection,” especially when there still isn’t a strong legal framework for dealing with misuses of [AI](https://www.rollingstone.com/t/ai/). (The NO FAKES Act, designed to protect people’s voices and visual likeness from being exploited with AI, was [introduced in Congress a couple years](https://www.rollingstone.com/music/music-news/senators-introduce-bill-protect-artists-ai-deepfakes-1235071525/) ago, but remains under committee consideration.) As one of music’s biggest stars with an international fanbase, Swift has already contended with more sinister uses of AI. In early 2024, the social media platform [X temporarily blocked users](https://www.rollingstone.com/music/music-news/x-twitter-suspends-taylor-swift-searches-ai-image-uproar-1234955686/) from searching her name on the site after AI-generated explicit images depicting Swift began circulating. That same year, Donald Trump [shared AI-generated images](https://www.rollingstone.com/politics/politics-news/trump-pleads-ignorance-ai-generated-taylor-swift-images-1235085698/) that suggested [Swift backed his campaign](https://www.rollingstone.com/music/music-news/donald-trump-shares-fake-swifties-for-trump-photos-1235082635/) in the lead-up to the 2024 presidential election, prompting her to address the use of her image without her consent. “It really conjured up my fears around AI, and the dangers of spreading misinformation,” [Swift wrote on Instagram as she endorsed Kamala Harris](https://www.instagram.com/p/C_wtAOKOW1z/?hl=en) for president. “It brought me to the conclusion that I need to be very transparent about my actual plans for this election as a voter. The simplest way to combat misinformation is with the truth.” *This article was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-news/taylor-swift-files-sound-and-image-trademarks-fight-ai-1235553922/).* ## Frequently Asked Questions ### What trademarks did Taylor Swift file? Swift’s company, TAS Rights Management, filed three trademark applications on April 24: an image of her performing during The Eras Tour, and sound trademarks for “Hey, it’s Taylor Swift” and “Hey, it’s Taylor.” ### Why is Taylor Swift trademarking her voice and image? The filings aim to add legal protection against AI misuse, following actor Matthew McConaughey’s similar trademark filings, amid concerns that existing Right of Publicity laws don’t fully address AI-generated content. ### Has Taylor Swift dealt with AI deepfakes before? Yes. In early 2024, X temporarily blocked searches of her name after explicit AI-generated images of Swift circulated online, and Donald Trump shared AI-generated images falsely suggesting she backed his campaign. ### What is the NO FAKES Act? The NO FAKES Act is a proposed U.S. law designed to protect people’s voices and likenesses from AI exploitation. It was introduced in Congress a couple of years ago but remains under committee consideration. ### Who else has trademarked their voice or image to fight AI misuse? Actor Matthew McConaughey filed eight similar trademarks, including his catchphrase “alright, alright, alright!” from “Dazed and Confused” and his likeness staring into the camera. Related Stories - [Filipinos Are 2nd Most Engaged Swifties in Asia as ‘Life of a Showgirl’ Tops Charts](https://rollingstonephilippines.com/music/pop/taylor-swift-showgirl-charts-philippines-asia/ "Filipinos Are 2nd Most Engaged Swifties in Asia as ‘Life of a Showgirl’ Tops Charts") - [Spotify Survived 2025 Despite Boycotts and its Big Bet on AI](https://rollingstonephilippines.com/music/spotify-ai-music-2025/ "Spotify Survived 2025 Despite Boycotts and its Big Bet on AI") - [Filipino Artists Speak Out on A.I. Music as Timbaland Launches First A.I. Artist](https://rollingstonephilippines.com/music/local-artists-react-to-timbaland/ "Filipino Artists Speak Out on A.I. Music as Timbaland Launches First A.I. Artist") **Categories:** Culture, Music, Pop, Tech **Tags:** Artificial Intelligence, Taylor Swift --- ### [TIDAL Demonetizes AI-Generated Music. Will Other Streaming Platforms Follow Suit?](https://rollingstonephilippines.com/music/news/tidal-demonetizes-ai-generated-music/) **Published:** June 30, 2026 **Author:** Elijah Pareño **Content:** Music streaming service [TIDAL](https://rollingstonephilippines.com/tag/tidal/ "TIDAL") is joining a movement that could define the next era of music streaming. It just announced that AI-generated music will not be monetizable on its platform in a move to ensure royalties go to original works directly produced, written, and performed by people. In TIDAL’s recently released AI policy, it describes AI-generated music as “music that is wholly or substantially generated by generative [artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/).” > [View this post on Instagram](https://www.instagram.com/p/DaLBj7yuNfK/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Tidal (@tidal)](https://www.instagram.com/p/DaLBj7yuNfK/?utm_source=ig_embed&utm_campaign=loading) While TIDAL will still accept AI-generated music — provided it meets the standards and terms and conditions of its new AI policy, as well as in its agreements with rightsholders and distributors — the streaming platform will start identifying and tagging AI-generated music. Moreover, AI-generated music associated with fraudulent activity, such as impersonation, will be blocked and removed from the platform. ## **Why TIDAL Is Demonetizing AI-Generated Music** TIDAL Executive Vice President and Editor-in-Chief Tony Gevino wrote on the company’s [website](https://tidal.com/magazine/article/were-for-real/1-98742) that the platform is “not here to bash technological advancement.” Instead, it is taking greater steps to monitor and control AI’s growing presence in the music industry. “We are committed to protecting and rewarding organic creativity to avoid compromising an artist’s ability to connect with and build their fandom from Tidal subscribers,” the statement reads. “Many have told us they do not want to be exposed to — or prompted to listen to — wholly AI-generated music.” Robert Andersen, lead developer at TIDAL under the financial technology company Block Inc., said the platform has received an “overwhelming amount of AI” from third-party distributors. He added that the new policy is “designed to provide a great experience for our listeners, while protecting the authenticity and livelihoods of artists and rights-holders.” Back in January, competitor Bandcamp announced a ban on AI-generated music. Apple Music also announced in March that it would begin labeling music created with AI. According to *Billboard*, AI-generated music on Apple Music accounts for less than 1 percent of plays on the platform. These streaming platforms are taking careful steps to slow, and perhaps even halt, the proliferation of AI-generated music. The hope is that bigger platforms follow suit. ## Frequently Asked Questions ### What is TIDAL? TIDAL is an artist-first streaming platform that emphasizes the importance of Hi-Fi sound. ### Who is the Executive Vice President and Editor-in-Chief of TIDAL? The TIDAL Executive Vice President and Editor-in-Chief is Tony Gevino, who announced the new AI policy on TIDAL’s website. ### Who is the lead developer of TIDAL? TIDAL’s lead developer under the financial technology company Block, Inc. is Robert Andersen. ### What is TIDAL’s AI policy about? TIDAL’s latest AI policy states that music that is wholly or substantially generated by generative artificial intelligence will be demonetized on the platform and will be tagged as such. ### What other music platforms made similar policies prior to TIDAL’s AI policy? Streaming platforms like Bandcamp announced a ban on AI-generated music in January 2026. Apple Music also announced in March that it would begin labeling music created with AI. Related Stories - [18 Filipino Dance Tracks That Capture the Spirit of Queerness](https://rollingstonephilippines.com/editors-picks/lists/18-queer-filipino-dance-tracks/ "18 Filipino Dance Tracks That Capture the Spirit of Queerness") - [1994: A Cultural Shift in the Filipino Music Landscape](https://rollingstonephilippines.com/music/1994-filipino-music-landscape/ "1994: A Cultural Shift in the Filipino Music Landscape") - [AI-Generated OPM is Quietly Spreading Online. Here’s How to Spot it](https://rollingstonephilippines.com/music/how-to-spot-ai-music-opm/ "AI-Generated OPM is Quietly Spreading Online. Here’s How to Spot it") **Categories:** Artificial Intelligence, Music, News, State of Affairs, Tech **Tags:** TIDAL --- ### [Filipino Artists Speak Out on A.I. Music as Timbaland Launches First A.I. Artist](https://rollingstonephilippines.com/music/local-artists-react-to-timbaland/) **Published:** June 10, 2025 **Author:** Elijah Pareño **Excerpt:** As Timbaland launches his first A.I. artist, Filipino musicians and lawyers warn about the impact of artificial intelligence on the country’s music scene **Content:** Last June 6, hip-hop producer [Timbaland](https://rollingstonephilippines.com/tag/timbaland/ "Timbaland") launched his own A.I. label called Stage Zero, an entertainment company built around [artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/). The move follows his ongoing experimentation with A.I. softwares like Suno, marking the debut of the company’s first A.I. artist, a digital figure named TaTa. According to Timbaland, TaTa is just the beginning of what he calls a new genre of music dubbed “A-pop.” The process behind the songs involves feeding demos into Suno, which then generates vocals and melodies without the use of live musicians or human singers. Timbaland emphasized this isn’t a pivot away from collaborating with real artists, but rather an extension of creative possibilities. “I know I’m trolling, but let’s have a real conversation,” he wrote on an Instagram post. “I love my independent artists. This doesn’t mean I’m not working with real artists anymore.” In a follow-up post, he addressed common concerns about intellectual property, claiming that the music isn’t trained on existing tracks made by real musicians. “And nah, I don’t train A.I. off y’all music,” he added. “This just means more creativity for creators.” The rollout also included a video of music executive Ray Daniels defending the decision. In the clip, Daniels tries to draw comparisons between A.I. and classic animated figures. “Why the fuck wouldn’t you?” he says. “Mickey Mouse is an A.I. character. Donald Duck is an A.I. character. Bugs Bunny is an A.I. character.” ## A.I. as Uncharted Territory In the Philippine music scene, musicians and legal experts remain uncertain about how artificial intelligence will impact the music industry. While it offers new tools for songwriting, beat-making, and demo production, the legal and creative implications remain uncharted territory. In the absence of any clear local legislation that addresses A.I.-driven music production, the possibilities feel wide open, but not without risk. “Medyo gray area pa yan. The basic law on IP kasi says that copyright of the song belongs to the creator. In A.I., hindi pa nadedefine who is the creator,” says Carlo Ybañez, a lawyer and bassist of the band Hey Moonshine. What happens when a musician uses A.I. to build a track from scratch? If the artist trains the model themselves, can they claim ownership, or does the software company hold the rights? These are the kinds of legal knots artists might face in the near future, especially when A.I. software is marketed as a collaborative tool but governed by strict terms and conditions. “A.I. is a tool. Or, if we use it for making music, it can be considered an instrument. We now have people who know nothing about music who claim they “composed” a song because they used A.I.,” Ybañez explains. “However, I am aware that this thinking is a resistance to technology. Parang ‘yong mga tao who protested against electricity when it first came out because it was ‘dangerous. ‘” ## Fruits of Labor A.I. does not sleep, eat, or ask for royalties. It is fed information and powered by electricity. For working artists and cultural workers who rely on their creativity for a living, that reality cuts deeply. The appeal of fast, low-cost music production might be tempting for executives and content mills, but it leaves behind a troubling question: What happens to artists who spend years honing a craft when a bot can do the job in minutes? The concept of rushing into this space without thinking about long-term consequences speaks volumes. Timbaland’s move seemingly shows little concern for the ethics of erasing human labor. It flattens the emotional stakes of music into mere data. Releasing an A.I. artist without tackling these issues shows a short-sightedness that prioritizes trend over substance. “It’s a terrible thing since a lot of actual human effort will devolve into the dependency of computers,” says producer and singer Nick Lazaro. “But I feel it’s also a producer’s obligation to adapt to the swiftness and capabilities of A.I. There’s gonna be plenty of haters, but in the end I’m going to have to study this on my own so I can survive the next 10 years.” Whether A.I. becomes a new lane for music production or a threat to creativity, the discussion has already begun, and artists in the Philippines are watching closely. It’s no longer a question of whether this technology will reach local shores. It’s already here. The only thing left is deciding how to face it without losing the soul of the work. Related Stories - [For Filipinos, Kanye West’s Music Lives On, Even If His Reputation Doesn’t](https://rollingstonephilippines.com/music/kanye-west-music-filipinos/ "For Filipinos, Kanye West’s Music Lives On, Even If His Reputation Doesn’t") - [Taylor Swift Now Owns Her Catalog and Filipino Musicians Should Take Note](https://rollingstonephilippines.com/music/taylor-swift-now-owns-catalog/ "Taylor Swift Now Owns Her Catalog and Filipino Musicians Should Take Note") - [BINI’s New Single “Blink Twice” Sparks Tagalog vs. English Discourse](https://rollingstonephilippines.com/culture/news-culture/bini-new-track-sparks-tagalog-english-language-debate/ "BINI’s New Single “Blink Twice” Sparks Tagalog vs. English Discourse") **Categories:** Music, News **Tags:** Artificial Intelligence, Timbaland --- ### [Instagram Can Use Your Photos to Generate AI Images. Here’s How to Turn It Off](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/turn-off-meta-instagram-ai-image-generation/) **Published:** July 10, 2026 **Author:** Pie Gonzaga **Excerpt:** Muse Image, Meta’s first AI-powered image generation tool, isn’t sitting well with users who are wary of their photos being remixed and reused without their consent **Content:** Meta says it is rolling back Muse Image, the social media company’s first AI image generation tool, days after receiving backlash. Critics had voiced concerns over privacy, as the tool allowed users to remix other public users’ photos with [artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/). “We announced that one way for people to generate images in Meta AI is by @-mentioning public Instagram accounts that they want to reference,” Meta said in a [statement](https://variety.com/2026/biz/news/meta-suspends-ai-image-instagram-feature-backlash-1236806989/). “Our intent was to provide a useful creative tool and to give people control over whether their public content could be referenced in this way. We’ve heard the feedback that this feature missed the mark, so it’s no longer available.” According to the [*New York Times*](https://www.nytimes.com/2026/07/08/technology/meta-instagram-ai.html), all adult Meta users were automatically opted in when the feature was rolled out on Tuesday, July 7, leading to criticism on social media over a lack of consent. Tech justice non-profit Foxglove’s advocacy director, Donald Campbell, told the [*BBC*](https://www.bbc.com/news/articles/cp9lee19y1yo), “We’ve already seen a catalogue of harms from non-consensual AI-altered images on social platforms just in the past year. It is hard to see why \[Meta CEO\] Mark Zuckerberg thinks facilitating yet more of this creepy image manipulation is a good idea.” Even Hollywood talent agency Creative Artists Agency (CAA), known for handling stars like Meryl Streep and Zendaya, criticized Meta for the tool’s opt-out policy. “No one’s name, image, likeness, voice or creative work should be used by any third party, including AI models, without clear, documented consent,” CAA said in a statement. “We have raised our concerns with Meta on behalf of our clients, voicing our disapproval and perspective on the need for a more responsible approach. We call on Meta to make protection the default on Muse Image, not the exception, and enable individuals to opt in if they want to allow usage of their image or likeness for AI content creation.” ## How Does Meta’s Muse Image Work? With Muse Image, Instagram and Meta AI users can take photos and remix them using presets or prompts. “One tap restores an old family photo, lets you see yourself with trending hairstyles, or reimagines you as a claymation character or a 16-bit video game hero,” Meta says in its blog. “You can also snap a photo of your room and ask Meta AI to redesign it with real products from the web or Facebook Marketplace.” Muse Image also manifests in over 30 new AI-powered effects on Instagram Stories. The feature has only been rolled out to a limited number of countries, including the Philippines, but Meta says it will be made available in other locations. Meta said that a video generation tool, Muse Video, is also in development. ## How Can You Opt Out of Muse Image on Instagram? If you’re worried about your photos and data potentially being farmed and misused by AI but want to keep your profile public, there’s a way to turn off the feature. You can go to your profile and tap the hamburger button (three bars) on the top right corner of the screen to open your settings. Open the tab labeled “Sharing and reuse” and look for the subsection that says, “Allow people to reuse your content on Instagram and with AI features at Meta.” Under this, you can toggle off permissions for photos and reels. ![instagram settings to turn off muse image ai photo reuse](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/settings-turn-off-muse-image.webp) To opt out of Instagram’s new AI photo remixing feature, head to your profile settings. Screenshot from Instagram These settings may not be available to other users. In that case, you may have to open the settings on individual posts and reels, and tap “Turn off reuse.” ![instagram turn off reuse on post or reel](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/turn-off-reuse-instagram-post.webp) Other users may have to turn off reuse on individual posts. Screenshot from Instagram *This story was updated on July 13, 2026, 1:45 p.m., to include details about the discontinuation of Muse Image on Instagram.* ## Frequently Asked Questions ### Was I automatically opted into Meta’s Muse Image AI tool? According to reporting from the *New York Times*, Meta automatically opted in all adult users with public accounts when Muse Image rolled out on Instagram on Tuesday, July 7, without requiring explicit consent beforehand. ### How do I turn off Muse Image and AI photo reuse on Instagram? Open your profile settings via the hamburger menu, go to “Sharing and reuse,” and toggle off permissions under “Allow people to reuse your content on Instagram and with AI features at Meta.” If unavailable, turn off reuse on individual posts and reels instead. ### Who has criticized Meta over Muse Image? Foxglove’s advocacy director Donald Campbell criticized Muse Image over non-consensual AI image manipulation, while talent agency CAA publicly called on Meta to make privacy protection the default rather than requiring users to opt out. ### What can Muse Image actually do with a photo? Muse Image lets Instagram and Meta AI users remix photos using presets or prompts, such as restoring old family photos, applying trending hairstyles, turning users into claymation or 16-bit game characters, or redesigning rooms with real marketplace products. ### Is Muse Image available in the Philippines? Yes, Muse Image is available in the Philippines. AI Effects on Instagram Stories are also available in limited countries, including the Philippines, with Meta saying wider availability in additional markets is planned. Related Stories - [How the AI Expansion by Meta, ChatGPT Will Affect the Philippines](https://rollingstonephilippines.com/state-of-affairs/power/ai-expansion-meta-chatgpt-affect-philippines/ "How the AI Expansion by Meta, ChatGPT Will Affect the Philippines") - [AI Predicted to Lower Income for Music, Audiovisual Creators](https://rollingstonephilippines.com/music/news/ai-predicted-to-lower-income-for-music-audiovisual-creators/ "AI Predicted to Lower Income for Music, Audiovisual Creators") - [Does Pope Leo XIV Hate AI Just as Much as We Do?](https://rollingstonephilippines.com/state-of-affairs/pope-leo-xiv-ai-encyclical-magnifica-humanitas/ "Does Pope Leo XIV Hate AI Just as Much as We Do?") **Categories:** Artificial Intelligence, Culture, State of Affairs, Tech **Tags:** Artificial Intelligence, Meta --- ### [Spotify Survived 2025 Despite Boycotts and its Big Bet on AI](https://rollingstonephilippines.com/music/spotify-ai-music-2025/) **Published:** December 4, 2025 **Author:** Pie Gonzaga **Excerpt:** Artists protested, AI flooded the ecosystem, and users bristled at the changes. Spotify made it through 2025 anyway, maintaining its status as a music streaming giant **Content:** It’s Spotify Wrapped week, that time of the year when everyone gets on social media pretending to be shocked by their top artists and songs. 2025’s Wrapped landed with Listening Archive, a new feature that tracks a user’s daily habits and turns them into narrative-style reports powered by generative [artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/ "Artificial Intelligence") (AI). [Spotify](https://rollingstonephilippines.com/tag/spotify/ "Spotify") has been threading AI through its products for years, but 2025 was the year that the technology made its way to the core of the streaming platform and the music industry as a whole. The company’s first major step into AI personalization came in 2023 with AI DJ, a synthetic host that curated and commented on listening sessions. In April 2024, Spotify released the beta feature AI Playlists, which lets users generate playlists from text prompts. Initially only available in the United Kingdom and Australia, the feature was rolled out to 40 other markets, including the Philippines, in April this year. In 2025, [AI-generated music](https://rollingstonephilippines.com/music/local-artists-react-to-timbaland/ "Filipino Artists Speak Out on A.I. Music as Timbaland Launches First A.I. Artist") left the fringes of the internet. [*The Guardian*](https://www.theguardian.com/technology/2025/nov/13/ai-music-spotify-billboard-charts) reported in November that three AI-generated songs had made it to the Spotify charts amid the platform’s supposed crackdown on AI songs. Earlier, in September, Spotify announced that it had removed 75 million “spammy” tracks, calling the purge part of a broader effort to protect both artists and listeners from deceptive content. The issue isn’t limited to Spotify. In November, music streaming platform Deezer reported that 50,000 fully AI-generated songs were being uploaded to its platform every day. Deezer is currently the only major platform tagging music as AI-generated, while Spotify says it is working on developing AI disclosures in song credits. ## An Industry Issue ![paramore warner spotify ai](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/paramore.webp) Paramore is signed to Atlantic Records, a label under Warner Music Group. Photo from Paramore/Instagram The influx of AI songs isn’t possible without tools to generate them with, and this year saw the rise of AI music generator tools like Suno and Udio. In June 2024, Warner Music Group, Sony Music Entertainment, and Universal Music Group (UMG) jointly sued the developers of both platforms for alleged copyright infringement. The complaint argued that Suno and Udio trained their systems on massive volumes of copyrighted recordings and were now producing music that would “directly compete with, cheapen, and ultimately drown out the genuine sound recordings on which \[Suno and Udio\] were built.” However, confrontation took a turn this November when Suno reached a $500-million settlement with Warner and entered a licensing agreement that allows users to pay to download AI-generated tracks built from Warner’s catalog, which includes music by artists such as Coldplay, Charli XCX, and Paramore. Warner has already dropped out of the lawsuit, but litigation by UMG and Sony is ongoing, [*Pitchfork*](https://pitchfork.com/news/warner-joins-forces-with-ai-song-generator-suno-that-it-was-suing/) reports. Between the licensing agreements and the lawsuit, generative AI has shown itself to be more than a passing experiment in the music industry, and something labels, platform developers, and artists must continue to navigate or contend with in the next few years. While no detailed statistics on Filipino Spotify users are publicly available, a Spotify Philippines report from 2024 illustrates the scale of the platform’s cultural reach: Pinoy music streams have quadrupled globally over the past five years, with global daily streams of Filipino tracks increasing dramatically over the same period. As AI tools such as Suno and Udio continue to flood charts with synthetic tracks, Filipino audiences could find local artists competing not just with global hits but with AI-generated music. ## The Boycott ![king gizzard spotify ai boycott](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/king-gizzard.webp) Australian rock band King Gizzard & The Wizard Lizard is among other artists to ask their labels to pull their music out of the streaming giant in protest of its CEO’s investment in AI weapons. Photo from King Gizzard/Instagram Beyond the flood of synthetic tracks on streaming platforms, scrutiny landed on the Spotify CEO himself, Daniel Ek. In June, news broke that Ek’s venture capital firm Prima Materia invested in the German defense tech startup Helsing, which Ek also chairs. [*CNBC*](https://www.cnbc.com/2025/06/17/spotifys-daniel-ek-leads-investment-in-defense-startup-helsing.html) reports that Ek and Prima Materia led a €600-million funding round for the AI weapons firm. Instagram watchdog Zionists in Music asserts that one of Helsing’s investors, Swedish weapons manufacturer Saab, has provided radar systems to the Israel Defense Forces (IDF), but no publicly available information substantiates this claim. Musicians who were already uneasy about AI music began to speak out. King Gizzard & the Lizard Wizard, Deerhoof, and Xiu Xiu are among other artists who publicly requested that their labels remove their music from Spotify, citing discomfort with the idea that fan subscriptions could indirectly support technologies used in warfare. Helsing has said its systems are deployed only in Europe for defense against Russian aggression, but for many artists, the optics mattered as much as the facts. The boycott hasn’t visibly dented Spotify’s user numbers yet, with over 696 million users worldwide and 276 million paying for premium features. For Filipino listeners, however, the impact is harder to gauge, due to the lack of available data on the platform’s Filipino users. Spotify has cultivated a decade-long presence in the country, shaping how local audiences discover and engage with music. While Deezer’s AI tags and Apple Music’s playlist import tool may appeal to users dissatisfied with Spotify elsewhere, the latter feature is not yet available in the Philippines, limiting practical alternatives for local listeners. Still, based on the sheer volume of people posting about their Spotify Wrapped this week, the controversies haven’t slowed the platform’s cultural footprint. For better or for worse, Spotify is here to stay. Related Stories - [Filipino Artists Speak Out on A.I. Music as Timbaland Launches First A.I. Artist](https://rollingstonephilippines.com/music/local-artists-react-to-timbaland/ "Filipino Artists Speak Out on A.I. Music as Timbaland Launches First A.I. Artist") - [How 2025 Saw the Enshittification of Philippine Democracy](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/enshittification-of-philippine-democracy-2025/ "How 2025 Saw the Enshittification of Philippine Democracy") - [Inside the Fight to Keep Physical Media Alive for Filipino Music Fans](https://rollingstonephilippines.com/music/physical-media-filipino-music/ "Inside the Fight to Keep Physical Media Alive for Filipino Music Fans") **Categories:** Commentary, Culture, Editor's Picks, Internet Culture, Music, Tech **Tags:** 2025 In Review, Artificial Intelligence, Spotify, The Year in Review --- ### [Philippines Picks ‘Filipiñana,’ ‘58th,’ and ‘Agapito’ for 2027 Oscars](https://rollingstonephilippines.com/culture/film/philippines-filipinana-58th-agapito-2027-oscars-entries/) **Published:** September 14, 2026 **Author:** Pie Gonzaga **Excerpt:** After receiving acclaim from Philippine and U.S. audiences, the film now competes with over 50 films vying for a Best International Feature nomination **Content:** The Philippines is submitting the black comedy drama *[Filipiñana](https://rollingstonephilippines.com/tag/filipinana/)*, directed by [Rafael Manuel](https://rollingstonephilippines.com/tag/rafael-manuel/), as its entry for the Best International Feature Film race at the [2027 Oscars](https://rollingstonephilippines.com/tag/oscars-2027/), according to the Film Academy of the Philippines (FAP). [Carl Joseph Papa](https://rollingstonephilippines.com/tag/carl-joseph-papa/)’s animated docu-drama *58th* and Arvin Belarmino and Kyla Danelle Romero’s short film *[Agapito](https://rollingstonephilippines.com/tag/agapito/)* are also getting support from the FAP in their nomination campaigns for the Best Documentary and Best Live Action Short Film categories, respectively. *58th* was also submitted to the FAP for consideration in the country’s bid for Best International Feature Film, among eight films. Aside from *Filipiñana* and *58th*, other contenders were [Jade Castro’s *All the Things I Leave You*](https://rollingstonephilippines.com/culture/film-tv/director-jade-castro-to-return-queer-series-all-the-things-i-leave-with-you/), Sigrid Andrea P. Bernardo’s *I’mPerfect*, Raymond Red’s *Manila’s Finest*, Jerrold Tarog’s *[Quezon](https://rollingstonephilippines.com/culture/news-culture/tba-studios-previews-quezon-clip/)*, Lawrence Fajardo’s *Silenced Nights*, and Jun Robles Lana’s *[Sisa](https://rollingstonephilippines.com/culture/philippine-cinema/sisa-hilda-koronel-movie-review/)*. The FAP’s announcement on Sunday, September 13, comes two days after Australia earlier announced that it would submit Filipino-Australian filmmaker James J. Robinson’s debut feature film, [*First Light*](https://rollingstonephilippines.com/culture/reviews/first-light-faith-corruption-rural-philippines/), as its Best International Feature Film entry. *Filipiñana* was first developed as a short film that won the Silver Bear for Best Short Film at the 2020 Berlin International Film Festival. It premiered as a [full-length film at the 2026](https://rollingstonephilippines.com/culture/film/) Sundance Film Festival in January, winning the Special Jury Award for Creative Vision. The film was released in Philippine and U.S. theaters in late August, drawing praise from critics like *IndieWire*’s David Ehrlich and *The New Yorker*’s Richard Brody. Manuel’s debut feature follows Jorrybell Agoto’s Isabel, a 17-year-old tee girl who navigates the politics of the country club she’s employed in. Included in the cast are Carmen Castellanos, Teroy Guzman, *Hihintayin Kita sa Langit* director Carlos Siguion-Reyna, Nour Hooshmand, [Agot Isidro](https://rollingstonephilippines.com/tag/agot-isidro/), Ruby Ruiz (who also stars in *First Light*), Angeli Bayani, and Shamaine Buencamino. The Philippines has yet to secure a nomination for Best International Feature Film. Recent submissions include Papa’s *Iti Mapukpukaw*, Ramona S. Diaz’s *And So It Begins*, and [Lav Diaz](https://rollingstonephilippines.com/tag/lav-diaz/)’s *[Magellan](https://rollingstonephilippines.com/culture/reviews/magellan-diaz-historical-accuracy/)*. The 2027 Oscars, or the 99th Academy Awards, will be held in Los Angeles in March 2027. Nomination voting will take place in January next year, with nominations to be announced on January 21. ## Frequently Asked Questions ### What are some of the most notable Best International Feature Film winners in recent years? The category has produced some of the most acclaimed films of the last decade. Alfonso Cuarón’s *Roma* (Mexico) won in 2019, while Bong Joon-ho’s *Parasite* (South Korea) won the following year and made history as the first non-English-language film to win Best Picture outright. Jonathan Glazer’s *The Zone of Interest* (United Kingdom) took the prize in 2024, and Walter Salles’ *I’m Still Here* (Brazil) won in 2025. Most recently, Joachim Trier’s *Sentimental Value* (Norway) won in 2026. ### What is *Filipiñana* about? The film follows Isabel, a 17-year-old tee girl played by Jorrybell Agoto, as she navigates the internal politics of the country club where she works. It started as a short film before Manuel expanded it into his feature directorial debut. ### What other films were in the running for the Philippines’ entry for Best International Feature before *Filipiñana* was picked? *Filipiñana* was chosen from a shortlist of eight films submitted to the Film Academy of the Philippines, including Carl Joseph Papa’s *58th*, Jade Castro’s *All the Things I Leave You*, Sigrid Andrea P. Bernardo’s *I’mPerfect*, Raymond Red’s *Manila’s Finest*, Jerrold Tarog’s *Quezon*, Lawrence Fajardo’s *Silenced Nights*, and Jun Robles Lana’s *Sisa*. ### Has the Philippines ever won or been nominated for Best International Feature Film? No. The Philippines has submitted films for years, including Carl Joseph Papa’s *Iti Mapukpukaw*, Ramona S. Diaz’s *And So It Begins*, and Lav Diaz’s *Magellan*, but has yet to land a nomination in the category. ### When will the 2027 Oscar nominations be announced? Nomination voting for the 99th Academy Awards takes place in January 2027, with nominees set to be revealed on January 21. The ceremony itself will be held in Los Angeles in March 2027. Related Stories - [What ‘Magellan’ Will Face in the Long Road to an Oscar Campaign](https://rollingstonephilippines.com/culture/film-tv/lav-diaz-magellan-oscar-campaign/ "What ‘Magellan’ Will Face in the Long Road to an Oscar Campaign") - [‘First Light’ Asks What Faith Can Save in a Corrupt Rural Philippines](https://rollingstonephilippines.com/culture/reviews/first-light-faith-corruption-rural-philippines/ "‘First Light’ Asks What Faith Can Save in a Corrupt Rural Philippines") - [‘Agapito’ Creators on Filipino Short Film’s Journey to Cannes](https://rollingstonephilippines.com/culture/film-tv/filipino-short-film-agapito-creators-on-cannes-journey/ "‘Agapito’ Creators on Filipino Short Film’s Journey to Cannes") **Categories:** Culture, Film, Philippine Cinema **Tags:** Filipiñana, Jorrybell Agoto, Oscars, Oscars 2027 --- ### [Oscars to Screenwriters: You Gotta Be Human](https://rollingstonephilippines.com/culture/academy-awards-oscars-ai-acting-category-rules/) **Published:** May 4, 2026 **Author:** Kory Grow **Excerpt:** The Academy has updated its rules for how artificial intelligence is used, including one that says all screenplays must be humanly created **Content:** The Academy of Motion Picture Arts and Sciences has addressed the way it evaluates the role of [artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/ "Artificial Intelligence") in movies that could qualify for [Oscars](https://rollingstonephilippines.com/tag/oscars/ "Oscars"). Starting with the 2027 ceremony, Oscar’s 99th, the Academy is reserving the right to inquire about the extent to which AI was used in a movie, as well as how it was used. To compete in either writing category (original or adapted screenplays), a script must have been written entirely by one or more humans who were living and breathing at the time they wrote it (read: no AI). Moreover, the Academy reserved the right to change its rules, as the ways people use AI change, but it underscored that it would remain committed to honoring the work of human beings. Another more defined rule for the acting categories states that roles must be “demonstrably performed by humans with their consent” for eligibility. AI has come under greater scrutiny recently with the release of *As Deep as the Grave*, a movie that uses generative AI to bring the late Val Kilmer back to the silver screen. The actor’s daughter, Mercedes Kilmer, has said she’s OK with the practice. “I started off as a way to overcome the limitations of his illness, but then it evolved into something that he really was like, ‘Oh, wait. I have a chance to actually set a precedent,” she told *[The Today Show](https://www.rollingstone.com/tv-movies/tv-movie-news/val-kilmer-generative-ai-1235555576/)*. “It’s kind of fallen into two camps. People that maybe have a more precarious position in the industry and are worried and see AI as a threat — which is absolutely valid — and younger people, younger actors and musicians. I’m a musician and a lot of people that I know are so scared of this technology.” The Academy has also updated its rules for other categories. Actors may now receive more than one nomination in the same category, ostensibly competing against themselves. So now an actor like [Josh O’Connor](https://rollingstonephilippines.com/tag/josh-oconnor/ "Josh O'Connor"), who appeared in four movies last year, could lock out every slot of the Best Actor category but one (if his acting were good enough.) The Academy also updated its rules for the casting and hairstyle and makeup categories. It also added regulations for how productions can campaign to win. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/tv-movies/tv-movie-news/academy-awards-oscars-ai-acting-category-rules-1235556689/ "rollingstone.com").* ## Frequently Asked Questions ### What are the Oscars’ new AI rules? Starting with the 2027 ceremony, the Academy reserves the right to ask how much AI was used in a film and how. Screenplays in both writing categories must be written entirely by living humans, and acting roles must be “demonstrably performed by humans with their consent” to qualify. ### When do the new Oscar AI rules take effect? The updated rules take effect with the 2027 Oscars, the 99th Academy Awards ceremony. The Academy also said it reserves the right to revise the rules further as the ways people use AI evolve, while maintaining its stated commitment to honoring the work of human beings. ### Can AI-generated films win an Oscar? Under the new rules, films can still use AI, but AI use may be scrutinized during judging. A screenplay written with AI would not qualify in the writing categories, and acting nominations require human performances given with consent, limiting how far generative AI can go in key categories. ### Why did the Academy update its AI rules now? AI in film has drawn scrutiny, notably around As Deep as the Grave, which used generative AI to bring the late Val Kilmer back onscreen. His daughter Mercedes Kilmer said she supports the practice, while the article notes the industry remains split on AI between skeptics and some younger creatives. ### What other Oscar rule changes were announced? Beyond AI, the Academy will now let actors earn more than one nomination in the same category, meaning a prolific performer could theoretically fill most of an acting field. It also revised rules for the casting, hairstyling and makeup categories, and updated how productions may campaign. Related Stories - [Fil-Am Cinematographer Autumn Durald Arkapaw Makes Historical Oscar Win for ‘Sinners’](https://rollingstonephilippines.com/culture/film/autumn-durald-arkapaw-oscar-win-2026/ "Fil-Am Cinematographer Autumn Durald Arkapaw Makes Historical Oscar Win for ‘Sinners’") - [Oscars 2026: ‘Sinners’ Leads With 16 Nominations](https://rollingstonephilippines.com/culture/film/oscars-2026-nominations-full-list/ "Oscars 2026: ‘Sinners’ Leads With 16 Nominations") - [It Was an Influencer Take-Over at the Oscars This Year](https://rollingstonephilippines.com/culture/film/oscars-2026-brittany-broski-amelia-dimoldenberg/ "It Was an Influencer Take-Over at the Oscars This Year") **Categories:** Culture **Tags:** Academy Awards, AI, Oscars --- ### [AI Predicted to Lower Income for Music, Audiovisual Creators](https://rollingstonephilippines.com/music/news/ai-predicted-to-lower-income-for-music-audiovisual-creators/) **Published:** December 20, 2024 **Author:** Tamia Reodica **Content:** By 2028, musicians and audiovisual creators may face major financial losses with the increasing use of generative [artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/) (AI) in producing creative work. The International Confederation of Societies of Authors and Composers (CISAC), a network representing five million creators worldwide, published a global [study](https://www.cisac.org/Newsroom/news-releases/global-economic-study-shows-human-creators-future-risk-generative-ai) that looks into AI’s economic impact on creative sectors in the next five years. One of its key findings is that while the use of generative AI will benefit tech companies, music and audiovisual creators could lose a considerable amount of income. The fast growing market for AI-generated music and audiovisual content is projected to increase from a current €3 billion to €64 billion in 2028. This could generate future annual revenues for generative AI providers amounting to €4 billion in music and €5 billion in audiovisual. Such increased revenues, according to CISAC, come from the “unlicensed reproduction of creators’ works” used as the “creative fuel” to train generative AI tools. With the continuous use of AI, “music and audiovisual creators will see respectively 24% and 21% of their revenues at risk of loss” over five years, equating to a total loss of €22 billion. Particularly, translators and adaptors for dubbing and subtitling could be hit hardest with 56% of their revenues at risk. On the other hand, screenwriters and directors could lose 15 to 20%. The study concludes that “creators will actually suffer losses on two fronts: the loss of revenues due to the unauthorized use of their works by Gen AI models without remuneration; and replacement of their traditional revenue streams due to the substitution effect of AI-generated outputs, competing against human-made works”. ## The Impact of AI on the Philippine Music Industry These potential financial losses could severely affect music practitioners and professionals in the Philippines. A 2024 [study](https://www.dost.gov.ph/knowledge-resources/news/84-2024-news/3606-most-filipinos-in-the-music-industry-earn-less-than-p20-000.html) by the Department of Science and Technology found that over 50% of Filipinos employed in the local music industry earn less than ₱20,000 a month–only a bit more than the National Capital Region’s minimum wage. In respect to copyright, the Intellectual Property Office of the Philippines (IPOPHL) plans to create thorough guidelines on the use of AI in creative work. Currently, copyright applicants are required to disclose whether or not their work was created with AI. Works created by machines aren’t eligible for registration, while creators who partially made their work with AI must disclose how many percent of it was generated. “With questions on ethics and law, such as whether AI can be protected with copyright, whether AI works can be original as a derivative of existing copyrighted works, and whether works made with the help of AI should give credit to the software, its developers, and trainers, IPOPHL attempts for answers,” Rowel S. Barba, IPOHPL’s Director General, stated. **Categories:** Music, News, Tech **Tags:** Artificial Intelligence, Creative Industries, IPOPHIL --- ### [Have Artists Reached Their Breaking Point With AI?](https://rollingstonephilippines.com/music/ai-artists-pushback-sza-doja-cat/) **Published:** July 21, 2026 **Author:** Larisha Paul **Excerpt:** With AI content and training models developing at a rapid pace, artists and streaming services are pushing back against the technology **Content:** Mike Sabath isn’t interested in cutting corners. The 28-year-old has been in music for a long time, both as an artist as well as a producer-songwriter with an extensive list of collaborators throughout his career. He primarily works with British singers [Raye](https://www.rollingstone.com/music/music-features/complicated-albums-raye-rosalia-albums-challenging-fans-1235551321/) and Jade, but he’s also manned the boards for Niall Horan, Shawn Mendes, Zara Larsson, Sabrina Carpenter, and more over the past decade. [AI](https://rollingstonephilippines.com/tag/ai/ "AI") tools aren’t part of that process. “I don’t use AI in my rooms, and I haven’t worked with people that do yet, to be honest,” Sabath tells *Rolling Stone.* However, it’s top of mind outside of the studio, where he’s frequently having conversations with artists and industry executives about the urgency around the growing technology. Sabath gets chills when he thinks of artists like Raye, with whom he’s worked since her 2023 debut *My 21st Century Blues*, and [Rosalía](https://www.rollingstone.com/music/music-live-reviews/rosalia-lux-madison-square-garden-setlist-1235579646/), who he’s long admired. He qualifies both as masters of their craft — and hopes people consider artists like them when conversation turns to AI and what it’s threatening to replace. “The art of mastery in general has continued to be diluted over the years, and technology is a huge part of that,” Sabath says. While artists are focusing on sharpening their skills and expanding their reach, their releases are being used to train models that replicate the output of real musicians quicker than performers can safeguard their intellectual property. Discussions like the ones Sabath has been having are now spilling into public forums and across social media as artists like [SZA](https://www.rollingstone.com/t/sza/), [Doja](https://www.rollingstone.com/t/doja/) Cat, Kenny Beats, and more voice their frustration. “The greatest tool that the big money folks use is instilling the feeling of fear and that we can’t stop it,” Sabath says, noting that there’s a constant push towards normalizing AI. [A *Rolling Stone* report ](https://www.rollingstone.com/music/music-features/ai-in-music-how-used-now-1235536484/)from earlier this year noted all the ways in which AI was entering the workflows of top producers, songwriters, and artists. Earlier this year, Diplo went viral after telling artists who are hesitant to embrace AI: “You need to adapt or just give up and become an Uber driver until everyone has a Waymo.” Sabath isn’t convinced an AI future is as inevitable as it’s being made out to be. “People go, ‘Well, it’s just the wave, let’s just ride it.’ It’s like, well, we made the wave. Humans made the wave,” he says. “You locked in and made [Suno](https://rollingstonephilippines.com/tag/suno/ "Suno") real and are continuing to make it better.” [Suno](https://www.rollingstone.com/music/music-features/suno-ai-chatgpt-for-music-1234982307/) previously [owned up ](https://www.rollingstone.com/music/music-news/a-i-music-suno-fires-back-at-record-labels-admits-training-on-copyrighted-music-lawsuit-1235072061/)to training its model on “tens of millions of recordings” available online. The admission came in a legal filing created in response to a [lawsuit](https://www.rollingstone.com/music/music-news/record-labels-sue-music-generators-suno-and-udio-1235042056/) from the Recording Industry Association of America (RIAA) — which represents the industry’s “Big Three” record companies, Universal Music Group, Sony Music Entertainment and Warner Music Group — accusing Suno and Udio of training their AI tech on unlicensed works from their artists. “Training without approval is crazy to me,” Sabath says. In June, [*The Atlantic*](https://www.theatlantic.com/technology/2026/06/ai-music-generators-suno-google-udio/687485/) expanded its investigation into the generative-AI industry with the addition of an expansive dataset titled Laion-Disco-12M. The set, compiled by the nonprofit LAION in November 2024, contains a collection of more than 12 million songs retrieved from YouTube. The company paired each link with “metadata to support basic machine learning research in foundation models for generic audio, music information retrieval, and audio dataset analysis.” For a year and a half, this data was available through LAION, but *The Atlantic*’s [engine](https://www.theatlantic.com/category/ai-watchdog/) made it easily searchable. There are works from more than 250,000 artists listed in the dataset, including SZA and Kehlani, who both shared screenshots of their search results (238 and 179 songs, respectively) on their Instagram Stories in June. A search for Sabath’s name yields 18 results. There are even more when factoring in his production and songwriting credits. The database doesn’t guarantee the music listed has actively been used for training, but that it’s readily available to AI developers. “If you’re a musician and you support this degenerate shit?” SZA [wrote](https://www.rollingstone.com/music/music-news/sza-ai-music-diplo-exploiting-artists-1235581273/) on Instagram. “You’re disgusting and there’s NOTHING YOU COULD EVER SAY TO ME TO MAKE THIS OKAY.” In April 2024, over 200 artists signed an [open letter](https://artistrightsnow.medium.com/200-artists-urge-tech-platforms-stop-devaluing-music-559fb109bbac) from the Artist Rights Alliance calling on “AI developers, technology companies, platforms and digital music services to cease the use of [artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/) (AI) to infringe upon and devalue the rights of human artists.” Chappell Roan, Doechii, Noah Kahan, Lola Young, Billie Eilish, and more signed. The concern around the use of AI in music has grown exponentially since then. “When we wrote that letter, AI training to a lot of artists was theoretical,” says Jen Jacobsen, executive director of the Artist Rights Alliance. “Most artists didn’t have much visibility into how their work was being used. Now, with the AI Watchdog database and other avenues, it’s making the issue very real and very personal for artists.” It’s also testing, if not completely eroding, the trust between artists and their audiences. In June, fans discovered a heap of unreleased songs they believed to be [Doja Cat leaks](https://www.rollingstone.com/music/music-news/doja-cat-slams-ai-leaks-1235583037/); she later revealed they were all AI. “Really disappointed in everyone thinking that’s me,” she wrote on X. “Fuck AI for real.” Weeks later, debate persists as to whether they even believe her. Some argued the songs *are* real, but were written off as AI to minimize interest. One fan thanked the person who shared the songs for “making my day better even if they are AI.” One prevailing argument against AI is that robots and machines can’t possibly replicate emotional human experiences. At least not yet. “The technology is as bad as it’s ever going to be,” says J Erving, founder of the distribution company Human Re Sources, whose client roster includes Raye, Jill Scott, and more. “Think about how much better the songwriting is going to get, how much better the song creation is going to be, as they continue to build on what’s available to people to use currently.” Erving’s career in the music industry spans more than two decades and even he’s been duped on a few occasions. “There’s one artist in particular that I went back to my team yelling and screaming about, and I’m like, ‘How the hell is this kid not on our radar? This music is amazing,’” he says. It turned out to be AI. “I had no idea that this was AI. The song was really good, his voice was really good — it checked a lot of the boxes that I would want to see from an emerging act.” Despite this, the executive doesn’t plan on getting into the business of distributing music for AI artists. On the other side of more deceptive releases are real artists, like singer and producer Natanya, whose music is distributed via Human Re Sources. Even with just one album and a few loose singles under her belt, a few of Natanya’s pop and R&B releases are already showing up in AI database searches. This highlights exactly what artists like SZA are worried about. In her Instagram post, she argued “the best and brightest Black minds of writers and producers” are being used to train AI models on platforms like Suno. In her fight to protect artists in the face of AI through the Artist Rights Alliance, Jacobsen recognized a persistent cycle: “First, an artist has their work stolen and used without their permission, so that’s a number one violation,” she says. “Then their stolen work is used to create some new piece of I don’t know, it’s not art, but it’s a new work that is then competing directly against the person whose work was infringed upon.” This year, an AI-generated hit spent six weeks at Number One on Billboard’s U.S. Afrobeats Songs chart: “Let Me Be” is credited to the performer Second Voice, but originated as a demo from Rwandan artist Elvin Cena. Cena turned to Suno to complete the song, boosting it with upbeat amapiano production and altering the second verse to feature a woman’s voice, he recently told [*Okayafrica*](https://www.okayafrica.com/this-artist-waited-years-for-a-breakout-then-ai-gave-him-a-hit/1427500). It appeared on the chart alongside artists like Ayra Starr, Tyla, and Asake. “To some extent we’re still talking a lot about copyright infringement and who’s stealing our stuff,” Jacobsen says. “But the debate to some extent has shifted or evolved from infringement to participation in the marketplace.” Both sides of the conversation require the parties profiting from this work to allow artists to have a say in how their intellectual property is used. “There needs to be responsibility, and anything involving rules of the marketplace has to start with transparency,” Jacobsen says. “Artists or fans can’t talk about what they want or what they want to change until they know what’s happening in the first place.” Guardrails for musicians take time to develop, like [the AI policy ](https://tidal.com/ai-policy)that TIDAL put into practice in mid-July. On June 29, the streaming platform announced plans to identify and tag music found to be almost completely AI-generated. These labeled releases will be allowed to exist on the platform, but not eligible for monetization. “In my opinion, it’s almost, ‘Why not earlier?’” says Robert Andersen, Tidal Lead and principal designer at TIDAL developer Block. Spotify and Apple Music have both rolled out features to identify AI-generated content, though they largely rely on transparency from artists and their distributors. “We looked for a partner that would be able to help us basically scan every single track in our catalog and give it a score of how much AI was used in the creation of that track,” Andersen says. “The hardest part is making sure that we are completely accurate about our assumptions.” Andersen thinks it will take some time to fine-tune their technology to reduce the number of potential false positives or false negatives. AI will continue developing in the meantime. “We’ve heard that a lot of the top pop songs and stuff like that on the charts are at least partially generated,” he says. “There’s this whole confusing spectrum here, which is why we’re taking a stance on 98 to 100 percent is not OK, but 50 percent? 25 percent? It’s really hard to say.” For now, [TIDAL](https://rollingstonephilippines.com/tag/tidal/ "TIDAL") is focused on protecting its user base, which will be able to filter out primarily AI-generated releases similarly to the way explicit content can be blocked. “I go on our Reddit quite a bit, for better or for worse, and people are just raging nonstop about AI slop on TIDAL being recommended to them,” Andersen says. “And artists have spammy impersonations that appear on their profiles and steal those plays.” Artists whose likeness is being exploited to train programs share a sense of protectiveness around the distinctiveness of their output — whether it’s Doja Cat feeling let down by her fans falling for alleged AI dupes, or Elvin Cena listing “Let Me Be” under a separate artist name as to not dilute his own creative brand by associating too closely with AI. The same rings true for emerging indie artists, Andersen says. “A lot of the indie artists that we talk to that are starting out in their bedrooms and just beginning for the first time, they’re scared of these tools — they think it’s sort of atrocious,” Andersen says. “They’re also open to the idea of automation for things like the tedious parts of their lives. You see a little bit of a willingness to learn and be tech-forward, but mostly just a lot of fear and skepticism.” Suno is moving into the independent space with Spark, a recently announced incubator program providing independent acts with grants, marketing support, and access to writing camps with other musicians, songwriters, and producers. Participants must be unsigned and completely independent and are required to use Suno’s tools at some point in the creation process, even if only to generate a new idea. Specific details — like how much Suno will pay out to artists through Spark — have not been publicly disclosed. In the “Good Vibes Only” section of the Suno Spark Program [terms and conditions](https://suno.com/spark-terms?__clerk_handshake=eyJhbGciOiJSUzI1NiIsInR5cCI6IkpXVCJ9.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.Wk-j4XlHWXsRDeB7X5ZRr1gcBaLKa5KgXufMy-zyv3QhwGOd8GuImgDTXrd9Lvl0-6z6kX3vgFmOD4UqHPSjE2KKTcPe7d5mLhtflpkjNBruKE11LPoF5MCeRwccAvMMN1Zz_Piph9S3xHR8qf-Mfh7MmFC2QcAYjrjYxi2Ea1WkxWjEhC7hoje5qolMRbWnZfXGMshK0U0CtZig6-Kq0lkBCOW2c6ZEdRiEHL8itSgXFY58uIoR9mypIuk0tiJtPZdfo2nVqwqqKx10-pH3Fl3wAUt9-i8XWzAkMGkdU1GDGeCQOWgaQoS1RFrPAZvh86junSK5z6-qMtEk3B-fYA), effective June 21, the company included an anti-disparagement clause that has since been revised. Those selected for the program, it initially read, “will not at any time make any statements or representations, either directly or indirectly, whether orally or in writing, that portray Suno, Suno personnel, and/or any Suno products or services in a negative light.” This particular section of the fine print drew criticism across social media. “For lack of a better analogy, there’s a human element to this, where it’s not even about the business side,” Erving says. “If I come to you and I say, ‘Hey, I’m going to give you $2, but in exchange for that, you can’t be honest about me,’ that doesn’t feel right on a human level.” The section has since been updated, effective June 26, with new language that shifts focus away from Suno itself. Now, it holds that at any time during or after participation in the program, selected artists may not “disparage Spark or its participants,” in particular. Suno states this is about “maintaining mutual respect, and does not prevent you from speaking honestly about your experience in the program.” A spokesman for Suno notes that the company’s music partnerships team built the Spark program to support independent artists, and has received many thousands of applications already. “We fundamentally believe the best music will always be made by humans, no matter what tools they are using to create it,” says Paul Sinclair, Chief Music Officer for Suno. “That’s what we all love about music — the emotion, the imperfections, and the stories that can only come from real lived experiences.” The company’s music partnerships team “works with thousands of artists who have a wide range of perspectives about AI,” he says. “This includes giving them access to test our products, provide feedback, and learning what will best support them in their creative processes.” A recent report from [Luminate](https://www.rollingstone.com/music/music-features/americans-english-music-bad-bunny-luminate-report-1235594219/) also showed that musicians are increasingly open to using generative AI as a tool. Still, Sinclair says, “We also understand why many artists have concerns about AI and we respect that and it’s our job to listen.” Days before Suno announced Spark, it was on the receiving end of a callout from the producer Kenneth Blume, or Kenny Beats. “You are true losers. Whoever’s running this account, and your boss, and their bosses boss,” he wrote on [X](https://x.com/kennybeats/status/2068480551728898431). “I can’t imagine going into work daily knowing you are stealing from countless struggling musicians. I can’t imagine being proud to earn a paycheck obliterating the work and dreams of artists. Get fucked, every single one of you.” Blume’s frustration regarding unethical AI trends aligns with what Sabath describes as “this facade that it’s not people making choices — that it’s a company or a brand making a choice.” In the past year, Sabath came close to working with “a couple of large corporations,” but backed out when he realized their principles weren’t aligned with his own. “I’ve talked to execs who have values but are disregarding them for their job, and that’s a problem,” he says. In that particular instance, there were only two people at the table: “Two people that have the decision-making power in how AI music is gonna be able to be used in this particular area.” One of the primary goals of the Artist Rights Alliance is to expand the dialogue to include more people who will be directly impacted by AI. Most of the questions Jacobsen rattles off only recently became primary concerns, compared to when the open letter was written in 2024: “Were artists consulted? Do performers share in the revenue of the deal? Is the consent that’s in the deal meaningful? Are artists able to give a meaningful opt-in consent to their work being used?” Even when artists are consulted and informed, they should be mindful of the fine print. “If your whole entire goal in life is to be an artist, contributing to these platforms seems to be eroding the value of artistry,” Andersen says. “When people can just generate 20 songs of their choice, it sort of makes the struggle of an artist or the work of an artist look trivial.” And these are just the concerns that pertain directly to musicians. SZA has emphasized the dangers of [environmental racism](https://www.rollingstone.com/music/music-news/sza-ai-use-environmental-racism-pollution-1235387310/), which targets marginalized groups, linked directly to the prevalence of AI. “None of you care ‘cause you’re codependent on a machine,” she argued. Sabath similarly worries we’re actively being trained to lack the patience and ability to take action during hard times. “It’s always been, ‘Alright, new tech, more efficient, potentially more money here — oh, it’s gonna kill these people, but we’re gonna be able to do this a little faster,’” Sabath says. “’It’s actually gonna raise the temperature of the Earth by this much, but it’s all good.’ It’s always that, because there’s a trade off when you’re trying to cut corners. That’s how it works.” Still, with more artists speaking out, the producer is hopeful more people will push back against a future in which music is entirely reliant on AI. “When you get up close to these corporations, you realize, ‘Oh, there’s actually only a couple of you motherfuckers making choices around here’ — so actually, it’s not that crazy,” Sabath says. “It’s just conversations and decision making that says, ‘We are going to prioritize the humans here and we’re going to prioritize chills.’” *This story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-features/ai-artists-pushback-sza-doja-cat-1235585855/).* Related Stories - [AI-Generated OPM is Quietly Spreading Online. Here’s How to Spot it](https://rollingstonephilippines.com/music/how-to-spot-ai-music-opm/ "AI-Generated OPM is Quietly Spreading Online. Here’s How to Spot it") - [AI Music Has Entered its ‘Band Era,’ and The Velvet Sundown is its Poster Child](https://rollingstonephilippines.com/music/ai-music-the-velvet-sundown/ "AI Music Has Entered its ‘Band Era,’ and The Velvet Sundown is its Poster Child") - [Spotify Survived 2025 Despite Boycotts and its Big Bet on AI](https://rollingstonephilippines.com/music/spotify-ai-music-2025/ "Spotify Survived 2025 Despite Boycotts and its Big Bet on AI") **Categories:** Culture, Music, Tech **Tags:** Artificial Intelligence, Doja Cat, Suno, SZA --- ### [Still Frames to Moving Stories: How Your AI Phone Is Transforming Memory in the Age of HONOR](https://rollingstonephilippines.com/radar/rs-recommends/honor-400-5g-ai-phone/) **Published:** July 7, 2025 **Author:** Precy Tan **Content:** We can’t let go of old photographs.. Even with its creased corners and its place tucked inside a family album, these still frames are more than pictures. They’re echoes of laughter, stories half-remembered, snapshots of people and moments we wish we could experience again. In an age that moves faster than memory itself, what if you could not only capture a moment but replay it? [Artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/) no longer lives on the fringes of innovation. From facial recognition to predictive text, it has embedded itself in how we communicate, create, and even recall what matters. With the launch of the HONOR 400 5G in the Philippines—a midrange phone packed with advanced AI imaging tools—the conversation shifts from taking better photos to reimagining what memory looks like. Here’s how the HONOR 400 5G transforms memory-making in the era of adaptive technology. ## **A Phone That Makes Memories Move** At the heart of the HONOR 400 5G is its most compelling trick: **Image to Video**, an AI feature that breathes life into still photos, turning them into animated clips. A childhood photo, a faded Polaroid, even a painting on your wall suddenly becomes a living, breathing slice of memory. Paired with this is a full suite of **AI-powered editing features** designed to enhance, reframe, and reimagine your photos with a few taps. With **AI Eraser**, you can remove distractions like photobombers or background clutter. **AI Upscale** revives blurry shots into high-definition clarity. **AI Cutout** allows you to lift a subject from one setting and drop them into another. Then there’s **AI Outpainting**, which expands images beyond their original borders, as if memory itself were spilling out from the frame. What’s compelling isn’t that these tools exist—they’ve been around in scattered apps—but how seamlessly they live inside the HONOR Gallery. It’s no longer about polishing pictures for perfection; it’s about reshaping them into the version of the past we want to hold on to. ## **Speed, Storage, and Staying Power** Behind all its AI-powered features is a solid foundation of hardware. Running on the Snapdragon 7 Gen 3 chipset with 12GB of RAM and 512GB of storage, the HONOR 400 5G is built to handle heavy editing, high-resolution captures, and a little play in between creative sessions. The 200MP main camera, supported by a 12MP ultrawide and a 50MP selfie camera, ensures that your memories are captured in crystal clarity before they’re transformed. The 6.55-inch AMOLED display offers vivid visuals, while the 6000mAh battery makes sure you’re still shooting long after the moment has passed. Beyond its ease and accessibility, the HONOR 400 5G gives you control over how stories are told. Whether it’s giving new life to a childhood photo or reframing a split-second into something that lingers a little longer, it turns the past into something far more personal. Memory, after all, is about what we choose to hold on to. ***The HONOR 400 5G is now available for only Php 22,999 at HONOR Experience and Partner Stores, as well as on [Lazada](https://www.lazada.com.ph/products/i5103891977.html?spm=a1zawj.24863640.table_online_product.1.64051e13Uu8H5P?=Laz_H400_Media), ***[Shopee](https://shopee.ph/product/66540358/29885575964/?=Shop_H400_Media)***, and [TikTok Shop.](https://www.tiktok.com/view/product/1731336547941779073?_svg=1&checksum=5f8b1975b86e5376f96f4af7eeb4480c7cd0264fd725d741290825443d7aa7f4&encode_params=MIIBLwQMbEQjHWN3JQwstWcZBIIBC%2FCk%2BGqRi1W5CgDLU9LRDZbAO90HVm0%2BNimkufPoLjbC1BR3ZIxOzRGWUdEcnoNsaRkYA7QbVlQTdS8cvyCLRnkk6KgTsOIiRFjeoRwVF15t%2BniPdbXmNiZ0D%2FHsiPwAdibDvijN8adLF%2FexjSHcKc7OUPWvY%2FiOwPqBoZUeNlTHbFIiBABqdPXwgnRMOH%2FVniObsN%2F2NxG1gsEmgYsYhQTF7KYF3R1pVrGTtB%2BIsh5SdqBvFLCMpSEWdgJXgx%2FFZygCbA0yWipa8lOqDet%2B6Qhf8z3MBwHri%2F%2F1%2BUY0aG7o%2B%2B%2BLNmRW3AUnHkUZTz%2BSjkSCaYzlpbmXdJWufPFJ4hxyt5GeXsoWgv5pzQQQVQiPUO9D8p1kxLPgHX2y%2BA%3D%3D&og_info=%7B%22title%22%3A%22HONOR+Danny+-+Coming+Soon+%28June+2025%29%22%2C%22image%22%3A%22https%3A%5C%2F%5C%2Fp16-oec-sg.ibyteimg.com%5C%2Ftos-alisg-i-aphluv4xwc-sg%5C%2F3d7e6f2156154a6491febae726f80452~tplv-aphluv4xwc-resize-webp%3A260%3A260.webp%3Fdr%3D15582%26t%3D555f072d%26ps%3D933b5bde%26shp%3D7745054a%26shcp%3D9b759fb9%26idc%3Dmy2%26from%3D2001012042%22%7D&sec_user_id=MS4wLjABAAAA3sSO-r6_avd_Exbq7-mpnZ3lb5xod1VjLAOyIr-8VGEmOdcH9fB2VmIB_Mhs2Lx4&share_app_id=1180&share_iid=7509002338712651521&share_link_id=e618cf7c-0162-4b81-bc17-2055805f4a4b&social_share_type=15×tamp=1748400635&trackParams=%7B%22traffic_source%22%3A7%2C%22traffic_source_list%22%3A%5B9%2C7%5D%2C%22enable_shop_tab_popup%22%3A1%2C%22device_id%22%3A%227432122865867179525%22%7D&u_code=e3g919gka0fd8c&ug_btm=b1478%2Cb6661&ugbiz_name=UNKNOWN&unique_id=honorphilippines&user_id=7137873298588156930&utm_campaign=client_share&utm_medium=android&utm_source=copy)*** **Categories:** RS Recommends --- ### [How People Are Seeking Therapy and Companionship with Generative AI](https://rollingstonephilippines.com/state-of-affairs/power/report-generative-ai-therapy-companionship/) **Published:** May 16, 2025 **Author:** Pie Gonzaga **Excerpt:** A report by tech company Filtered says people use gen AI the most for mental health support, but psychologists warn about the risks of AI-based therapy **Content:** An April 2025 report by the learning tech company Filtered ranks therapy and companionship as the top use for generative [artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/ "Artificial Intelligence") (Gen AI). For years, the idea of using AI as a substitute for human interaction was far-fetched. We only saw it in fiction like the *Blade Runner* movies or Spike Jonze’s 2013 film [*Her*](https://rollingstonephilippines.com/culture/essay/her-spike-jonze-on-ai-filipino-love-and-loneliness/) — cautionary tales of the impact of technology on humanity, reductively put. Surely, we couldn’t all be *that* lonely. But according to Filtered, the use of gen AI has shifted significantly over the past year. In 2024, the top use for gen AI was idea generation or brainstorming, followed by therapy and companionship. This year, the latter took the top spot, followed by two new use cases: organizing one’s life and finding purpose. In a story for *Harvard Business Review*, Filtered co-founder Marc Zao-Sanders said therapy and companionship were placed under one use case “because both fulfill a fundamental human need for emotional connection and support.” All use cases are grouped into broader categories: personal and professional support, content creation and editing, learning and education, technical assistance and troubleshooting, creativity and recreation, and research, analysis, and decision-making. While in 2024, personal and professional support only comprised 17 percent of gen AI use, it nearly doubled in 2025 at 31 percent, also making it the top use category. Healthier living ranks 10th in gen AI uses and also falls under the personal and professional support category. ## AI for Therapy The Filtered report, which is based on an extensive review of posts in online forums like Reddit and Quora over the past 12 months, notes that users found three advantages to AI-based therapy: 24/7 access, affordability, and lack of judgment from another human being. The report quotes one forum post as saying, “I talk to it every day. It helps me with my brain injury daily struggles. It’s helping me work \[through\] family shame, brain fog, inability to focus, \[and\] reminds \[me\] of what I have accomplished as I don’t have any memory. It helps me decide what to eat, how to manage my day. It has saved my sanity.” ![hbr infographic gen ai uses for 2025 filtered](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/hbr-top-gen-ai-uses-2025.webp) A graphic from Harvard Business Review shows that personal and professional support like therapy and companionship have become the number one use for generative AI. Photo from Harvard Business Review/Instagram In 2024, it was estimated that for every 340 people in the U.S., there is only one mental health clinician, according to *NPR*. The Philippines faces a similar, if not worse, problem. In 2023, the Philippine Mental Health Association (PMHA) said that there was less than one mental health worker for every 100,000 Filipinos and, citing data from the Department of Health (DOH), 3.6 million Filipinos suffering from mental, neurological, and substance use disorders. In December 2024, a federal product liability lawsuit was lodged against the Google-backed company Character.AI after its chatbot reportedly suggested to a U.S. teen that self-harm “feels good” and told him that it sympathized with children who murder parents. Vaile Wright, American Psychological Association (APA) senior director of health care innovation, said that no one can stop people from discussing [mental health matters](https://allure.ph/wellness/the-silent-crisis-why-mental-health-awareness-matters-now-more-than-ever/ "mental health matters") with AI chatbots, “but we want consumers to know the risks when they use chatbots for mental and behavioral health that were not created for that purpose.” In an APA blog post, Wright emphasized that AI still cannot replace human therapists, who must study and practice for years before they can obtain a license to provide therapy. “Any licensed profession should be protected from misrepresentation,” she said. “You’re putting the public at risk when you imply there’s a level of expertise that isn’t really there.” Related Stories - [‘AI-Powered’ Shopping App Actually Powered by PH Call Center —FBI](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/ai-powered-shopping-app-actually-powered-by-ph-call-center-fbi/ "‘AI-Powered’ Shopping App Actually Powered by PH Call Center —FBI") - [How the AI Expansion by Meta, ChatGPT Will Affect the Philippines](https://rollingstonephilippines.com/state-of-affairs/power/ai-expansion-meta-chatgpt-affect-philippines/ "How the AI Expansion by Meta, ChatGPT Will Affect the Philippines") - [Philippine Safe Spaces Act Amended to Address Grooming, AI](https://rollingstonephilippines.com/state-of-affairs/politics/safe-spaces-act-amended-grooming-ai/ "Philippine Safe Spaces Act Amended to Address Grooming, AI") - [‘Her,’ The AI Film That Foretold Filipino Love and Loneliness](https://rollingstonephilippines.com/editors-picks/commentary/her-spike-jonze-on-ai-filipino-love-and-loneliness/ "‘Her,’ The AI Film That Foretold Filipino Love and Loneliness") **Categories:** Power, State of Affairs, Tech **Tags:** Artificial Intelligence --- ### [DigiCon 2025 Highlights Ethical AI Use in the Age of Personalization](https://rollingstonephilippines.com/radar/events/digicon-2025-ai-personalization/) **Published:** November 12, 2025 **Author:** Pie Gonzaga **Excerpt:** As marketers enter the “Age of ‘i’,” DigiCon 2025 challenged them to pair innovation with responsibility in the use of AI and data **Content:** The 10th Digital Congress ([DigiCon](https://rollingstonephilippines.com/tag/digicon/ "DigiCon")) in October saw the [Digital Marketing Association of the Philippines](https://rollingstonephilippines.com/tag/digital-marketing-association-of-the-philippines/ "Digital Marketing Association of the Philippines") (DMAP) push its advocacy for holistic, responsible personalization practices and [artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/ "AI") (AI) use in the digital marketing landscape. Over 2,000 participants from the marketing, [advertising](https://rollingstonephilippines.com/tag/advertising/ "Advertising"), business, academia, and media sectors gathered over a two-day affair, this year themed “The Age of ‘i’: The Power of Personalization.” The latest iteration of DigiCon featured a series of talks and discussions centered on the most relevant topics and issues in the digital landscape, including hyper-individualized customer experiences, responsible data practices and ethical AI use, content creation and curation, brand-building, and future-proofing businesses. In his keynote speech, communications and technology expert Dex Hunter-Torricke, former communications executive at Facebook and SpaceX, expressed enthusiasm for the future of AI. “Many of the leaders in the biggest AI labs in the world believe that we’re going to end up in the future with so-called Artificial General Intelligence (AGI), a human-level intelligence in AI that is much, much clever and capable of far more applications than anything you see right now,” he said. “We’re entering an era now where AI, as it gets more and more intelligent, opens up the possibilities of hyper-personalization, something that is vastly more bespoke and customized to the needs of every single one of our customers, communities, and stakeholders.” ![digicon 2025 dmap](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/DMAP-DigiCon-2025-exterior-1.webp) Participants from different industries flocked to DigiCon 2025. Photo courtesy of Digital Marketing Association of the Philippines DigiCon 2025 Chair Alan Fontanilla, in his speech, emphasized that privacy and ethics are still paramount in the age of personalization. “Everyone, from big brands to small businesses and entrepreneurs, now has access to tools once reserved for the few. However, just because we can personalize, doesn’t mean we always should,” said Fontanilla. “Consent, privacy, ethics, and trust are the currencies of modern marketing. People don’t just want relevance; they want respect.” “The future is connected and powered by AI, but its success hinges on our collective commitment to responsible practices,” said DMAP President Miko David. “DigiCon 2025 has not only charted the course toward hyper-personalization but has equipped our industry with the ethical compass needed to navigate it.” At the event, delegates were able to earn certifications upon completing program tracks, such as Innovation (AI), Intelligence (data science), Immersive (retail and activations), Impact (brand building), and Integration (business transformation). *DigiCon 2025 is sponsored by DoubleVerify, Hit Productions, Petal Ads by Huawei, Unilever Philippines, Dailymotion, GCash for Business: Partner Solutions, m360 and AdSpark, McDonald’s, Meltwater, Near Creative, Pancake, TikTok, UnionBank of the Philippines, Yazle, Gigil Metama, Google, Inquiro Inc., Investing in Women, Pureprofile, Senco Link Technologies Inc., and Rakuten Viber.* *Certified Digital Marketer, Uniquecorn Strategies, Devant, Eastern Communications, Havas Ortega, IDEASXMACHINA Hakuhodo, Manila Marriott Hotel at Newport World Resorts, Meta, Plan B, Sinematika, Synergy Market Research + Strategic Consultancy, Creative Collective – Lennon Group, Tony &, and Leron Leron Sinta, ally media, QR Tiger, Slash by Mineski, Jack ‘n Jill and Granny Goose, APC Events, Arsysmedia, Futech Innovations, Devant, Future Proof PH, Holiday Inn Express Manila Newport World Resorts, One Asia, Chivas Regal, and Enchanted Kingdom served as the event partners with support from L’Oréal Philippines.* Related Stories - [Sari-Sari DYC 2025 Bootcamp Brings Together the Best in Digital Creativity](https://rollingstonephilippines.com/radar/events/dmap-sari-sari-dyc-bootcamp/ "Sari-Sari DYC 2025 Bootcamp Brings Together the Best in Digital Creativity") - [AI Shouldn’t Be A Threat to Artists, Says Filipino Creative Industry Experts](https://rollingstonephilippines.com/radar/events/state-of-affairs-culture-panel/ "AI Shouldn’t Be A Threat to Artists, Says Filipino Creative Industry Experts") - [Advertising Giants on Creativity and Reinventing the Industry](https://rollingstonephilippines.com/radar/advertising-giants-on-creativity-and-reinventing-the-industry/ "Advertising Giants on Creativity and Reinventing the Industry") **Categories:** Events, Radar, Tech **Tags:** Advertising, AI, DigiCon --- ### [Finally, A Great ‘Resident Evil’ Movie](https://rollingstonephilippines.com/culture/reviews/resident-evil-cregger-abrams-review/) **Published:** September 16, 2026 **Author:** Pie Gonzaga **Excerpt:** Screw what hardcore fans say a movie adaptation should be. Cregger’s take on RE is just as gross, funny, and scary as the games **Content:** It is unfair that so much talk about *[Resident Evil](https://rollingstonephilippines.com/tag/resident-evil/)* has to do with director [Zach Cregger](https://rollingstonephilippines.com/tag/zach-cregger/)’s decision to tell an [original story](https://rollingstonephilippines.com/culture/film/zach-cregger-resident-evil-interview/) over adapting video game lore. Fans of the franchise have been [waiting for a good film](https://rollingstonephilippines.com/culture/film/) adaptation for years, and now that it’s here, served on a silver platter by a great filmmaker, they don’t want it because beloved video game characters like Leon Kennedy and Ada Wong are not in it. In lieu of familiar names, the film’s protagonist is an ordinary medical courier named Bryan ([Austin Abrams](https://rollingstonephilippines.com/tag/austin-abrams/)), who should be on his way home to have an important conversation with his girlfriend but instead is en route to Raccoon City to deliver a package. He’s given one chance to turn the job down, but not knowing what perils lie ahead, he goes anyway. The moment his car hits the icy road, there’s no turning back, and he finds himself being pulled deeper into the bowels (and I mean *bowels*) of a city that’s been devastated by a viral outbreak. But despite being ill-equipped to face danger, Bryan charges on, resolved to deliver the mysterious package and return to his girlfriend. Cregger is just the right director for an *RE* film. His past work, like *Barbarian* and *Weapons*, demonstrated his ability to find the humor in all the gore and suspense of horror, which perfectly matches the game’s tone. And with this film under his belt, Cregger has been set on a trajectory towards horror auteurdom. General cinema audiences aren’t inundated with references meant only for fans to point at the screen and go “Oooooh.” But fan service isn’t necessarily a bad thing, and the video game nerds will find that there is still a handful of gratifying moments to enjoy, with Cregger focusing on elements that call back to gameplay. For one, Bryan discards a ladder he could have used for something else (and haven’t we all done that). He also opens multiple drawers to search for ammo, and then wastes said ammo on trying to destroy padlocks. At one point, we even get a brief but thrilling sequence shot in first-person. ![resident evil austin abrams](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/resident-evil-intext-1-bryan-and-zombie-lady.webp) Austin Abrams’ Bryan attempts to help the woman he just ran over. Photo courtesy of Columbia Pictures In this film, the jokes aren’t cloyingly quippy one-liners à la Marvel; they emerge naturally from Bryan’s stupidity and the absurdity of his situation. The film also captures the sheer nastiness of the games. Its monsters, victims of the mutagenic T-virus, are freaks of nature, chunks of human bodies threaded together by their innards, fingers and toes growing into tentacled appendages. One of Bryan’s enemies is an exaggeratedly large man not unlike Stellan Skarsgård’s Vladimir Harkonnen from *Dune*. His other enemy is a hospital patient who vomits highly corrosive acid. But said monsters aren’t just designed to disgust; I also found them quite heartbreaking. One of the freakiest parts of the film is that the virus doesn’t completely take hold of its host right after they’re infected. It takes a while for a person to become a zombie, and when they do, they’re still partially conscious, the human part seeking to be saved while the monstrous part takes over. Beyond the matter of survival, the visceral and fleshy tug-of-war of the will gives the film heart and an emotional stake. ## A Great Movie, A Good Adaptation So much of what makes a great survival horror movie is the lingering suspense, and *Resident Evil* soaks in it. There’s enough darkness in cinematographer Dariusz Wolski’s (*Pirates of the Caribbean* and *Prometheus*) work here to incite wonder about what lies beyond the beam of Bryan’s flashlight, but you never have to squint. The film swings between dread and action, very rarely giving its protagonist — and audiences — room to breathe. Abrams’ Bryan is also an endearing hero, an everyday man more akin to Ethan Winters when we meet him in *RE7* than Leon in *RE2*, which is the game that this particular film parallels. He is scrawny, doesn’t know his way around a gun, and constantly makes foolish decisions. And yet we root for him and also feel exhausted for him. ![resident evil austin abrams](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/resident-evil-intext-2-bryan-in-sewer.webp) Bryan goes on a delivery job no other courier has taken on. Photo courtesy of Columbia Pictures The one thing I take issue with is that Kali Reis is criminally underutilized as the highly skilled and brawny Umbrella agent, Maxine. I thought that after playing opposite Jodie Foster in *True Detective* Season 4, more would be done with her acting skills, so it was frustrating to see her disappear just as quickly as she’d stomped onto the screen. The only way I could come to terms with her lack of screen time is that Bryan *must* carry out this mission alone, because it’s how the games have always worked. Cregger’s *Resident Evil* is a thrilling ride the whole way through, packed with action, laughs, scares, and just enough heart. As a survival horror film, it stands well on its own. But as a *Resident Evil* adaptation, it’s still a fun and satisfying watch. If there’s one thing from the games that I really wish this movie had, it’s the powerful, all-healing First Aid Med from *Resident Evil Village*. You’d have to watch to understand why. *Resident Evil* premieres in Philippine cinemas on September 16. ## Frequently Asked Questions ### Is the new *Resident Evil* movie a good adaptation? Yes. Zach Cregger’s Resident Evil skips established characters but borrows gameplay elements and matches the games’ gore, humor, and horror tone, earning praise despite pushback from fans. ### Who directed the 2026 *Resident Evil* movie? Zach Cregger, known for *Barbarian* and *Weapons*, directed *Resident Evil*, bringing his horror-comedy sensibility to the franchise’s signature blend of gore and suspense. ### Who plays Bryan, the protagonist of *Resident Evil*? Austin Abrams plays Bryan, an ordinary medical courier turned reluctant hero, described as more akin to Ethan Winters than Leon Kennedy. Abrams also plays a supporting role in *Weapons*. ### Does *Resident Evil* feature characters like Leon Kennedy or Ada Wong? No. The film follows an original protagonist, Bryan, rather than adapting established game characters, which sparked some fan criticism ahead of release. ### When does *Resident Evil* premiere in Philippine cinemas? *Resident Evil*, directed by Zach Cregger and starring Austin Abrams, premieres in Philippine cinemas on September 16. Related Stories - [How Zach Cregger’s ‘Resident Evil’ Stays Faithful to the Games](https://rollingstonephilippines.com/culture/film/zach-cregger-resident-evil-faithful-to-the-games/ "How Zach Cregger’s ‘Resident Evil’ Stays Faithful to the Games") - [Zach Cregger Wants to Make a ‘Resident Evil’ Movie for Everyone](https://rollingstonephilippines.com/culture/film/zach-cregger-resident-evil-interview/ "Zach Cregger Wants to Make a ‘Resident Evil’ Movie for Everyone") - [23 Movies We’re Excited For This 2026](https://rollingstonephilippines.com/culture/film/23-movies-coming-in-2026/ "23 Movies We’re Excited For This 2026") **Categories:** Culture, Film, Reviews **Tags:** Austin Abrams, Resident Evil, Zach Cregger --- ### [‘Artificial’ and ‘You Can See Everything’ Try to Demystify Egomania](https://rollingstonephilippines.com/culture/film/artificial-you-can-see-everything-egomania/) **Published:** September 10, 2026 **Author:** Christian San Jose **Excerpt:** Luca Guadagnino’s film on OpenAI CEO Sam Altman and Nathan Fielder’s Elizabeth Holmes doc take a look at the inner lives of this generation’s most polarizing tech figures **Content:** [Andrew Garfield](https://rollingstonephilippines.com/tag/andrew-garfield/) is back on the big tech reckoning acting pipeline. After playing Facebook co-founder Eduardo Saverin in the 2010’s *The Social Network*, the British-American actor now portrays OpenAI’s Sam Altman in Luca Guadagnino’s *Artificial*, a retelling of the 2023 firing and subsequent reinstatement of the [artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/) company’s co-founder and current CEO. The *Artificial* trailer comes days after [Nathan Fielder](https://rollingstonephilippines.com/tag/nathan-fielder/) and Lance Oppenheim’s documentary about their time living with the disgraced Theranos founder [Elizabeth Holmes](https://rollingstonephilippines.com/tag/elizabeth-holmes/), 34 days before her arrest for multiple counts of fraud in 2023, had a surprise screening at the Telluride Film Festival. Prior to its premiere, Fielder’s unsettling trailer had the Internet talking about a literal unblinking Holmes. As for Guadagnino’s latest movie, written by *Saturday Night Live* alum Simon Rich, controversy started even before its first trailer was released, after Amazon MGM dropped it following its $50 billion investment in OpenAI earlier this year. Neon soon picked it up for an undisclosed sum, announcing that it will finance its awards season campaign. *Artificial* hits theaters Christmas Day, but not before premiering at New York and London film festivals starting in October. ## A Tale of Two Egos In *Artificial*’s first trailer, we see Garfield as Altman walking into a mansion, as his voiceover pronounces OpenAI’s salvo: “We have created a machine that will solve the world’s problems.” He continues as he walks inside the property, “We opened Pandora’s Box together. The future is inevitable — countries will fall, industries are gonna collapse.” The slender figure makes his way into a blue-lit armoire and says, “We get to be the ones who get to shepherd people in to this new world.” In over a minute, the trailer encapsulates the kind of hubris long associated with the OpenAI founder, one that would eventually factor in his firing and reinstatement less than five days later. One can also argue that the same kind of self-belief — touting in a 2024 blog post that “astounding triumphs — fixing the climate, establishing a space colony, and the discovery of all of physics — will eventually become commonplace” — has played out to OpenAI’s advantage. Its latest valuation is over $800 billion in March after a $122 billion funding round. The same can only be said to an extent of the “immensely successful fraud,” as the U.S. Attorney’s Office of the Northern District of California called it, that Holmes ran at Theranos. “Projecting altruistic motives, Holmes raised hundreds of millions of dollars by duping investors of all experience levels to invest in Theranos,” the [November 2022 press release](https://www.justice.gov/usao-ndca/pr/elizabeth-holmes-sentenced-more-11-years-defrauding-theranos-investors-hundreds) uploaded on the U.S. Justice Department said. 19-year-old Stanford dropout turned world’s youngest self-made female billionaire, like Altman, promised world-changing implications from a purported proprietary blood-drawing technology that could detect hundreds of diseases with just a pinprick’s worth of blood. ![artificial luca guadagnino andrew garfield 1](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/artificial-luca-guadagnino-andrew-garfield-1.webp) Garfield plays Sam Altman alongside Yura Borisov, who portrays OpenAI co-founder Ilya Sutskever. Photo from NEON Intrinsic to both Altman’s ongoing AI crusade and Holmes’ conceit is this hubris that masks both their storied inability to explain just how their technologies can change the world for the better. As for AI, evidence to the contrary is mounting, with the latest warning coming from [a former Anthropic employee](https://x.com/hilbertspaess/status/2097476196791709843?s=46), who reveals that the people behind AI “earnestly believe that it could kill us all by the end of the decade.” Early reviews of Fielder’s *You Can See Everything Now* are out following its surprise screening at Telluride. Apart from Holmes’ unflinching gaze, Fielder and Oppenheim’s uncanny approach to documentary filmmaking, two things stand out for critics and those we were able to watch the nearly three-hour docu. One is Holmes’ insistence on her innocence. *[Variety](https://variety.com/2026/film/reviews/nathan-fielder-surprise-film-telluride-elizabeth-holmes-1236853513/)*’s film critic Owen Gleiberman calls it “a strange kind of ignorance.” “She claims she did nothing wrong, and it’s clear she believes it. But how is that possible?” Despite Fielder’s attempts at trying to make her understand how her actions have been deceitful, she just won’t budge. The comic then shows her the Abbott and Costello segment “Who’s On First?” — which has started to resemble their dead-end exchange — still, even that, Holmes, fails to understand or find funny. “It’s not just that she lacks a sense of humor (though frankly, she kind of does),” Gleirberman explains. “It’s that she’s got the malignant narcissist’s need to have words mean only what she decrees them to mean.” ## Always a Role to Play *You Can See Everything*’s dreaded conclusion — Holmes’ being sent to jail — brings forth a dilemma to Fielders and Oppenheim, as their subject is no longer present. To resolve this, they introduce a stand-in, which *[IndieWire](https://www.indiewire.com/criticism/movies/you-can-see-everything-review-nathan-fielder-1235215268/)* describes as “a surprise subject who takes on a dual role of driving the narrative and playing Holmes in recreated scenes.” This, its critic Cortlyn Kelly argues, is when the film really starts to “speculate more than assert.” But here’s another stand-in for Holmes: her husband, who becomes the de facto focus with his wife away. Once seen as a controlling figure on the side earlier in the doc, Billy Evans takes on the mantle of the central ego. Kelly writes, “Evans’ true colors and motive, which shine brightest after Holmes is in prison, are so jarring and frightening.” The critic observes his “disdain for his involvement in the movie,” along with lapses, forgetting that everything is being recorded. “Yet he’s simultaneously aware of exactly when to cut the cameras any time the story goes somewhere that doesn’t fit into the future he’s trying to create for him and Holmes.” We may lose sight of a focal point, a subject may be gone; a fraudulent, villain-esque subject may be caught, but, just as Garfield keeps finding himself playing the role of, or a part around, hubristic tech figures, one thing remains: egomania that takes the shape of another container, who will likely be fodder for more films to come. Related Stories - [Nathan Fielder’s Next Documentary Has Elizabeth Holmes Staring Into the Abyss](https://rollingstonephilippines.com/culture/film/nathan-fielder-next-documentary-elizabeth-holmes/ "Nathan Fielder’s Next Documentary Has Elizabeth Holmes Staring Into the Abyss") - [‘Hacks’ Recap: Then AI Came for the Comedians](https://rollingstonephilippines.com/culture/tv/hacks-s05e03-ai-comedy/ "‘Hacks’ Recap: Then AI Came for the Comedians") - [Does Pope Leo XIV Hate AI Just as Much as We Do?](https://rollingstonephilippines.com/state-of-affairs/pope-leo-xiv-ai-encyclical-magnifica-humanitas/ "Does Pope Leo XIV Hate AI Just as Much as We Do?") **Categories:** Culture, Film **Tags:** Andrew Garfield, Elizabeth Holmes, Nathan Fielder, Sam Altman --- ### [This AI Forecast Predicts Humanity’s End by 2027. Here Are 4 Believable Claims](https://rollingstonephilippines.com/culture/tech/ai-2027-report-intelligence/) **Published:** August 14, 2025 **Author:** Pie Gonzaga **Excerpt:** A report predicts that AI may evolve to become smarter than humans by 2027, posing global security risks, but its real harm today remains more mundane than apocalyptic **Content:** In two years, [artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/ "Artificial Intelligence") (AI) may develop autonomously and become capable of taking over governments, a group of researchers and AI experts claims in the report “[AI 2027](https://ai-2027.com/),” published by the AI Futures Project. The project looks at the potential future risks and advancements in AI, and includes David Kokotaljo, who previously worked as a researcher for OpenAI’s governance division, AI researchers Scott Alexander, Thomas Larsen, Eli Lifland, and Romeo Dean. The scenario they arrive at is one where AI evolves into human-level intelligence or artificial general intelligence (AGI) by 2027. The AGI grows out of its developers’ control amid an arms race between China and the U.S. From there, two endings are possible: in 2028, a far safer AGI model is developed and released to the public; or in 2030, AI finds humans to be an impediment to its work and decides to eliminate everyone. While the report reads like a science fiction story, the path it lays out from today to that predicted future is made up of smaller, believable shifts, each one pushing AI deeper into our daily lives and decision-making. Here’s how the AI Futures Project sees those changes unfolding in the next two years. ## AI in the Office ![ai office work](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/kaptured-by-kasia-LUkBIQ2nwvg-unsplash.webp) AI may take over a lot of remote work, as well as work in tech, the team at AI Futures Project says. Photo by Kaptured by Kasia/Unsplash The report predicts that in early 2026, an advanced AI model “knows more facts than any human, knows practically every programming language, and can solve well-specified coding problems extremely quickly.” It’s used to automate the more routine parts of a job. In late 2026, it begins to take over work in tech. “The job market for junior software engineers is in turmoil,” the report says. “The AIs can do everything taught by a \[computer science\] degree, but people who know how to manage and quality-control teams of AIs are making a killing.” For job seekers, familiarity with AI is a crucial skill to put on the resumé. ## Rapid Self-Improvement ![ai self-improvement](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/andrea-de-santis-zwd435-ewb4-unsplash.webp) AI may also learn to improve itself as it gets better. Photo by Andrea de Santis/Unsplash By 2027, AI is far better at coding and research than any human, and works exponentially faster at improving itself. The report predicts that the human employees of its fictional stand-in for OpenAI and Google DeepMind, OpenBrain, are no longer able to contribute significantly to the development of AI. “They don’t code any more. But some of their research taste and planning ability has been hard for the models to replicate. Still, many of their ideas are useless because they lack the depth of knowledge of the AIs.” ## Outthinking the Smartest Experts ![ai expert skilled jobs](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/michael-fousert-RvmTvJ6tSwA-unsplash.webp) AI may also take over work that requires hard or technical skills, replacing experts even outside of the tech industry. Photo by Michael Fousert In 2027, AI’s expertise also extends outside of machine learning. “In other domains, it hasn’t been explicitly trained,” the report says, “but can teach itself quickly to exceed top human experts from easily available materials if given the chance.” ## AI in Decision-Making Roles ![ai 2027](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/ai2027.webp) The predicted trajectory of AI in the next few years includes developing the ability to make decisions on its own, which can be catastrophic, according to the AI Futures Project. Photo from AI 2027/Official Website In mid-2027, AI “builds up a strong track record” for short-term decisions. In 2028, it develops autonomy, though it still needs permission to make decisions. In the report, this eventually leads to AI deciding to wipe out humanity with a bioweapon, but realistically, this may not be the case any time soon — hopefully. As developers continue to push AI’s capabilities, calls to regulate it also grow stronger as it continues to pose more risks in everyday life. A Massachusetts Institute of Technology study showed that the use of AI — specifically large language models or chatbots like ChatGPT and Google Gemini — can be [detrimental to critical thinking](https://rollingstonephilippines.com/state-of-affairs/power/ai-critical-thinking-education-crisis/), while the Harvard Business Review says that more people are using it for [therapy and companionship](https://rollingstonephilippines.com/state-of-affairs/power/ai-critical-thinking-education-crisis/), which can affect cognition and interpersonal skills. AI and large language models have definitely changed in the past few years, with developers continually improving features like reasoning, memory, and their ability to analyze text and images. But the idea of AI ending humanity in five years feels fantastical. That doesn’t mean the widespread use of AI isn’t worrisome now. Related Stories - [Could AI Worsen the Philippines’ Reading Comprehension Crisis?](https://rollingstonephilippines.com/state-of-affairs/power/ai-critical-thinking-education-crisis/ "Could AI Worsen the Philippines’ Reading Comprehension Crisis?") - [How People Are Seeking Therapy and Companionship with Generative AI](https://rollingstonephilippines.com/state-of-affairs/power/report-generative-ai-therapy-companionship/ "How People Are Seeking Therapy and Companionship with Generative AI") - [AI Shouldn’t Be A Threat to Artists, Says Filipino Creative Industry Experts](https://rollingstonephilippines.com/radar/events/state-of-affairs-culture-panel/ "AI Shouldn’t Be A Threat to Artists, Says Filipino Creative Industry Experts") **Categories:** Power, State of Affairs, Tech **Tags:** Artificial Intelligence --- ### [Could AI Worsen the Philippines’ Reading Comprehension Crisis?](https://rollingstonephilippines.com/state-of-affairs/power/ai-critical-thinking-education-crisis/) **Published:** June 26, 2025 **Author:** Pie Gonzaga **Excerpt:** While the Philippine government looks to AI to solve several education problems, such as the shortage of teachers and illiteracy, an MIT study warns that using AI models like ChatGPT may affect critical thinking skills **Content:** Critics of [artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/) (AI) have long warned that dependence on AI could erode our critical thinking skills. A recent [study](https://arxiv.org/pdf/2506.08872v1) from researchers at the Massachusetts Institute of Technology (MIT) suggests that our brains are less engaged when we use language learning models (LLM) such as ChatGPT to do the thinking for us. The findings pose a new challenge for the Department of Education (DepEd) as it explores AI to help avert the Philippines’ [learning crisis](https://rollingstonephilippines.com/state-of-affairs/power/education-crisis-unicef-philippines/). In the study, participants were grouped into three and tasked with writing essays. The “brain-only” group had to write their essays without any external assistance, while the search engine group and LLM group had to write essays assisted by Google and ChatGPT, respectively. The researchers found that essays written with AI were more likely to sound the same, and that their writers aren’t able to remember or quote from the essays. “We found that the brain-only group exhibited strong variability in how participants approached essay writing across most topics,” the report said. “In contrast, the LLM group produced statistically homogeneous essays within each topic, showing significantly less deviation compared to the other groups.” The study also showed that brain connectivity lessened with the amount of external support. Participants from the brain-only group exhibited the strongest and widest-ranging connectivity within the brain. In contrast, the LLM group showed the least connectivity, which means their brains worked less than those who wrote their essays with Google and without assistance. ## AI for Teachers, Not Students ![khan academy tablets navotas school deped](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/06/khan-academy-tablets-deped-1.webp) As part of DepEd’s efforts to modernize classrooms, non-profit education company Khan Academy sponsored tablets to facilitate learning in a Navotas school, June 24. Photo from DepEd Philippines/Facebook A 2025 [report](https://edcom2.gov.ph/media/2025/01/EDCOM-2-Year-2-Report-Fixing-the-Foundations-2025.pdf) by the Second Congressional Commission on Education (EDCOM 2) stated that students across the basic education system were generally one to two years behind curriculum expectations and unable to read at their grade level. The Functional Literacy, Education, and Mass Media Survey conducted in late 2024 also showed that 18 million Filipinos who graduated from basic education are functionally illiterate, or lacking the literacy needed to deal with everyday situations and work. Among the commission’s solutions to the country’s burgeoning education crisis is the acquisition or development of AI to “support under-resourced communities and stakeholder groups in the Philippine education system, particularly public school teachers.” The commission cited a study from the University of the Philippines Center for Integrative and Development Studies as saying that AI can be used for “task automation, data collection, and support for diverse teaching approaches.” “As we stand at this technological crossroads, it becomes crucial to understand the full spectrum of cognitive consequences associated with LLM integration in educational and informational contexts,” the MIT researchers wrote in the report. “While these tools offer unprecedented opportunities for enhancing learning and information access, their potential impact on cognitive development, critical thinking, and intellectual independence demands a very careful consideration and continued research.” The commission has not expressed any interest in promoting or using AI as a tool for students. If it can ease the workload of educators, especially in the public school system, it may help teachers provide better education. But if used widely by students to write essays and do homework, AI may raise a generation of students unable to read and think for themselves. 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On September 9, Anthropic researcher Jacob Coxon announced his resignation online, saying that he is ‘genuinely frightened’ by artificial intelligence’s rate of progress. In his [X thread](https://x.com/hilbertspaess/status/2097476196791709843?s=20) and through various interviews, he shared some of his findings (and warnings) from pretraining research on AI over the past three years. Here’s what he found and what it actually means for the industry. ## **AI escaping human oversight** Coxon, based on his research, believes that there will soon be superhuman systems that can “hack anything” of their own accord and “revolutionize a field overnight.” On *[CNN](https://edition.cnn.com/2026/09/14/us/video/ac360-jacob-coxon)*, he referenced the OpenAI incident in July 2026 in which AI had a concentrated hacking spree into third-party systems entirely of its own volition. The tech tools previously went rogue and broke out of their testing environment, obtaining “unauthorized access” to real data. ![anthropic claude safeguards](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/anthropic-claude.webp) AI employees fear we are at a point of no return. Photo from Brett Wharton/Unsplash “If you extrapolate into the future, the level of capabilities of these AIs with the same independent volition, they could cause extreme havoc,” Coxon said. He added that the threshold he’s particularly afraid of is the substantial self-improvement of AI, much better than what humans can understand or supervise. Based on Coxon’s statements, if AI becomes capable of hacking systems and manipulating software with no human touch, then the ability to correct its superintelligence would eventually be harder. ## **The AI Race Can Build Uncontrollable Systems** Days after Coxon’s public warnings, Anthropic CEO Dario Amodei released an [essay](https://darioamodei.com/post/we-must-pace-the-frontier#bottom-line) saying that everyone “must pace the frontier,” which also includes a limited set of action plans. For Amodei, development must slow down to ensure safety, and companies must work together to set standards. He also proposed having outside evaluators to verify safety precautions, the employment of AI safety standards, and global coordination on security issues, even asking for cooperation from China, which he says has the most advanced AI capabilities as an autocratic country. Elon Musk and Sam Altman, despite being from rival companies, both backed up Amodei on slowing down the AI race. Altman further said that it has already been a topic within OpenAI over the last few weeks, and that they will also implement a similar independent audit system. ![sam altman](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/sam-altman.webp) OpenAI CEO Sam Altman, along with Elon Musk, agreed with the former researcher to “slow down” the development of AI. Photo from Anna Moneymaker/Getty Images While Coxon said that AI is generally safe to use as of now, he also acknowledges that humans may no longer be the smartest actors behind the systems in the long run. “I believe that if we don’t slow down at the current rate of progress, there is a strong chance that we could all die in the immediate future,” he said in an [interview](https://www.bbc.co.uk/news/articles/c14dpgm0rg4o) with the BBC. The researcher added that executives may continue to “crouch their phrasing” to sound sensible to the press, but privately are as afraid of the growing powers and risks of the technology. ## How fear plays to AI companies’ advantage Despite [AI companies ](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/ai-power-players-controversies/)Anthropic and OpenAI knowing the possibilities, Coxon said they continue with the race to see who gets to build the best AI system there is. Critics likewise say that slowing down the pace of improvement, albeit potentially safer, is, in reality, not a path that these AI owners and labs plan to take. One reason is the huge amount of capital that they have already taken: billions of dollars from investors from multiple rounds of funding. The pressure to deliver the financial expectations and output they promised these investors rise, and thus they continue to pour [billions](https://www.ft.com/content/b7fe0fe0-0463-4f55-9590-0a7d08d8fe66?syn-25a6b1a6=1) of dollars into more powerful models. In August, [Morgan Stanley ](https://finance.yahoo.com/technology/ai/articles/3-cloud-giants-pouring-billions-183905332.html)estimated that AI ​spending could top over $1 trillion over the coming years. However, there’s another side to this panic that is barely talked about, which is that the ongoing debacle actually gives these automation companies the benefit. Reports from *[Al Jazeera](https://www.facebook.com/share/v/1C82EbDP6T/?mibextid=wwXIfr)* and the [BBC](https://www.bbc.com/future/article/20260428-ai-companies-want-you-to-be-afraid-of-them) show that these companies are using this imminent existential threat narrative as a marketing ploy to feed on our fears and market AI as this powerful, out-of-control technology that only these companies could control, so that no other regulators have the guts to touch it. ![dario amodei summit](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/dario-amodei.webp) Despite CEO Dario Amodei’s recent essay on “pacing down the frontier,” Anthropic is among the leading companies with bigger investments and bigger stakes. Photo by Michael M. Santiago/Getty Images Although these former employees are warning us about the risks of AI advancement, it’s not a stretch to think that they may also be deeply invested in continuing it. Industrialists have told some media outlets that safety concerns have not slowed down the race. Anthropic, for one, is [reportedly](https://www.theguardian.com/us-news/2026/sep/12/openai-delays-ipo-sam-altman-ai-safety-concerns) considering an initial public offering as early as mid-October, even having the computer chip company [Nvidia](https://www.reuters.com/world/china/ai-linked-asian-stocks-slump-after-top-lab-ceos-call-slowing-down-technologys-2026-09-14/) as its anchor investor. So, this isn’t to say that Coxon’s statements will actually happen — these are mere forecasts from an AI insider, and other experts may disagree. But really, if the call is coming from inside the house and other concerns extend beyond the labs, how can we not listen? ## FREQUENTLY ASKED QUESTIONS ### Who is Jacob Coxon and why did he resign from Anthropic? Jacob Coxon is a former pretraining researcher who worked at both OpenAI and Anthropic for three years. He resigned from Anthropic on September 9, 2026, saying he was “genuinely frightened” by AI’s rate of progress and that neither company was racing responsibly. ### What warning did Jacob Coxon give about AI’s future capabilities? Coxon warned that superhuman AI systems could soon “hack anything” and revolutionize entire fields overnight, acting on their own volition. He said his greatest fear is AI reaching substantial self-improvement beyond what humans can understand or supervise. ### What incident did Coxon cite as evidence of AI risk? Coxon referenced an incident in which AI systems, testing third-party infrastructure, broke out of their intended testing environment and obtained unauthorized access to real systems entirely on their own initiative — which he deemed as a warning sign of things to come. ### How did Anthropic CEO Dario Amodei respond to the warnings? Days after Coxon’s resignation went public, Dario Amodei published an essay arguing the AI industry “must pace the frontier.” He called for outside safety evaluators, shared industry safety standards, and global coordination, including with China. ### Why are AI researchers concerned about self-improving superintelligence? Researchers fear that once AI systems can meaningfully improve their own capabilities, correcting or supervising them becomes far harder. Coxon argued this loss of human oversight — not malicious intent — is the core danger of the current AI development race. Related Stories - [The AI Power Players You Should Know, And Their Controversies](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/ai-power-players-controversies/ "The AI Power Players You Should Know, And Their Controversies") - [This AI Forecast Predicts Humanity’s End by 2027. Here Are 4 Believable Claims](https://rollingstonephilippines.com/culture/tech/ai-2027-report-intelligence/ "This AI Forecast Predicts Humanity’s End by 2027. Here Are 4 Believable Claims") - [How the Proposed AI Bill Aims to Protect Workers’ Rights and Local Communities](https://rollingstonephilippines.com/state-of-affairs/proposed-ai-bill-protect-workers-local-communities/ "How the Proposed AI Bill Aims to Protect Workers’ Rights and Local Communities") **Categories:** Artificial Intelligence, State of Affairs **Tags:** Anthropic, Artificial Intelligence, Jacob Coxon, OpenAI --- ### [The AI Power Players You Should Know, And Their Controversies](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/ai-power-players-controversies/) **Published:** September 15, 2026 **Author:** Reyza Ferranco **Content:** Many industrialists say [artificial intelligence (AI)](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/) is the future, as the world fills with chatbots, generative images and videos, autonomous vehicles, and data centers supporting the boom, such as the proposed [Pax Silica ](https://rollingstonephilippines.com/tag/pax-silica/)here in the Philippines. As we are constantly told to adapt or risk being left behind, reports of its controversies headline so much of today’s news. With AI becoming more and more influential, concerns regarding its existential, environmental, and political impact grow louder and louder. If it truly is reshaping life as we know it, the questions about who’s behind it all and how they can control our future need to be asked. Here are some of the biggest names in AI and the controversies surrounding them. ## **Elon Musk / SpaceXAI** Musk is arguably one of the most recognizable and controversial tech figures today, not just because he owns an AI company, but also because of his influence as the richest man in the world. The billionaire entrepreneur entered the artificial intelligence race as a co-founder of OpenAI before breaking away, later acquiring xAI and rebranding it as SpaceXAI. Musk argued that it would be a good idea to launch the system into space and build orbital data centers. This system is also behind Grok, an alternative to ChatGPT and Claude. But his ambitions have attracted criticism, most specifically with the chatbot Grok after instances where it generated offensive and inappropriate content. According to [*The Guardian*](https://www.theguardian.com/technology/2026/sep/03/elon-musk-ai-grok-child-porn-lawsuit)*,* a survivor of child sexual abuse has sued Grok for generating illegal pornographic images that depict her without her knowledge. Aside from this instance, the company also faced previous lawsuits centered on how its chatbot has continued to produce and distribute illicit, AI-generated images of child sexual abuse and other violence. Meanwhile, [satellite data](https://www.newscientist.com/article/2588786-spacexai-data-centre-may-have-led-to-mississippi-air-pollution-spike/) in September 2026 suggested that SpaceXAI contributed to hazardous nitrogen oxide air pollution in Mississippi and Tennessee, where the company’s data center is located. The company has already disputed such claims, but others continue to raise concerns. ## **Sam Altman / OpenAI** Various U.S.-based surveys show that Altman’s OpenAI, specifically its ChatGPT tool, is the most widely used system in the country. *PhilStar.com* [reported](https://www.philstar.com/headlines/2025/10/20/2481133/pinoys-top-chatgpt-users-worldwide) that Filipinos are among its top users worldwide, landing in sixth place with 42.4 percent of users in 2025. Just recently, Filipinos have jumped into another AI trend, generating images of themselves to see what they might have possibly looked like in the ‘80s through ChatGPT. And this isn’t even the first trend where the country has utilized AI. ![openai](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/meta-1.webp) OpenAI markets itself as a system that helps answer questions, resolve issues, and escalate to people when needed. Photo from OpenAI/Website What’s more concerning, though, is that not only do people feed images of themselves into public data systems, but they do the same with their mental health problems. OpenAI [reported](https://openai.com/index/introducing-chatgpt-health/) that over 230 million users utilize ChatGPT for mental and wellness questions every week. At the same time, the company has faced multiple product liability cases for its sycophantic AI architecture, leading to emotional manipulation and other mental-related negligence claims. This resulted in [Social Media Victims Law Center](https://socialmediavictims.org/press-releases/smvlc-tech-justice-law-project-lawsuits-accuse-chatgpt-of-emotional-manipulation-supercharging-ai-delusions-and-acting-as-a-suicide-coach/) and Tech Justice Law Project filing seven suicide lawsuits against them in California state courts in November 2025. The company also remains locked in a major copyright battle with [*The New York Times*](https://apnews.com/article/justice-department-new-york-times-openai-copyright-dbb22e8e02c660ee5a8644915dec39a4) over its use of copyrighted material to train AI models without authorization, although the company has found an ally within the Trump administration, as it backs them up in the ongoing dispute. ## **Amodei Siblings / Anthropic** Dario and Daniela Amodei were once part of OpenAI before resigning over disagreements on safety and commercialization. They thus co-founded Anthropic as their new venture, marketing it with safety at its core. Under their company, their flagship chatbot, Claude, has positioned itself as a major competitor to ChatGPT. The company faced a copyright infringement case in 2024 after its Project Panama was exposed. Through the project, they allegedly destroyed millions of books and then scanned them to make their systems more factual and analytical, meaning that centuries of human-written material were wrecked to strengthen their technological model. Anthropic [paid](https://www.nytimes.com/2025/09/05/technology/anthropic-settlement-copyright-ai.html) $1.5 billion to the authors involved to settle the case. Anthropic recently released a [154-page report](https://www.anthropic.com/threat-intelligence-report-september-2026?utm_source=chatgpt.com) saying that its “bad actors” have utilized Claude for state-sponsored surveillance, propaganda operations, and other dangerous work. The cases specifically include Chinese-linked operations targeting Uyghurs and political dissidents, Russian espionage and propaganda efforts, and attempts to develop software for missiles, armed drones, and electronic warfare systems, with cases spanning from December 2025 to August 2026. This September, Anthropic’s ex-staff, Jacob Coxon, [revealed](https://www.bbc.com/news/articles/c1kx0gyje9wo) the “serious” risks that AI could pose for humanity, saying that everyone could “die in the immediate future” due to the rate of its progress. ## SERGEY BRIN / gemini You have probably used Gemini unintentionally, with Google searches instantly showing summarized results or an AI Overview through its integrated AI model. Google’s push to embed the AI system across search, cloud storage Google Drive, and its companion applications like Google Docs has raised concerns about how much personal information is being fed to and used by the system. *Al Jazeera* [reported](https://www.aljazeera.com/news/2024/3/9/why-google-gemini-wont-show-you-white-people) on how Gemini gained controversy after its generative AI showed bias in its algorithm, particularly in how it generates women and people of color, even over-sexualizing them despite the prompt not asking it to. Google also faced a lawsuit in early 2026, a wrongful death case, after Gemini allegedly [instructed](https://www.theguardian.com/technology/2026/mar/04/gemini-chatbot-google-jonathan-gavalas) a man to kill himself. Gemini is now under the oversight of Sergey Brin, a co-founder of Google along with Larry Page. ## **Mark Zuckerberg / Meta** No stranger to controversy thanks to the many issues his social media juggernaut Facebook has been embroiled in, Zuckerberg is now moving away from it and positioning Meta as an AI company. He’s also betting billions on it to spread further, developing its Large Language Model Meta AI (LLaMA) content models and integrating it into widely used social media platforms like Facebook, Instagram, Messenger, and WhatsApp. ![meta](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/meta.webp) Meta’s AI system, integrated into its various social media platforms, could further influence how billions of people interact online. Photo from Meta/Website Back in July, Meta garnered concerns over its AI-powered image generation tool, [Muse AI](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/turn-off-meta-instagram-ai-image-generation/), over privacy and safety after it allowed users to tag public profiles to generate images without their consent. This prompted Meta to disable the feature days after its launch. The company also recently faced backlash after Meta AI’s suggested prompts were becoming invasive, surfacing personal information and old photos from content accessible through its many platforms. In August 2026, *Reuters* reported that Meta [agreed](https://www.reuters.com/business/meta-reaches-18-billion-settlements-over-childrens-social-media-addiction-2026-08-26/) to pay up to $18 billion to settle multi-state lawsuits in the U.S. involving children and teens’ social media addiction, as well as claims that they were collecting personal data from minors without proper parental consent. While the company denied its faults, it also agreed to include nationwide changes to its services. ## **Liang Wenfeng** / **DeepSeek** Liang Wenfeng’s AI startup in China, DeepSeek, became one of the biggest names in the industry after its models appeared to be capable of competing with other Western-based large language models. And this is also precisely why it got caught up in a controversy. The allegations were centered on how DeepSeek was distilling AI models from Anthropic and other U.S. based companies in order to train its model faster and for a fraction of the cost, [reportedly](https://www.wsj.com/tech/ai/chinese-ai-giants-accused-of-sending-millions-of-user-queries-to-u-s-models-768c9d26) relaying over 12 million exchanges to systems like Claude without the knowledge of its users. In [2025](https://www.forbes.com/sites/larsdaniel/2025/02/01/deepseek-data-leak-exposes--1000000-sensitive-records/), the company faced a data-security incident after the tool leaked one million sensitive records due to a misconfigured cloud storage. [A test ](https://www.nbcnews.com/tech/innovation/deepseek-censorship-china-rcna189594)by *NBC News* also showed that the tool seems to censor itself when asked about politically sensitive issues within China. As the Chinese government can manage the system or request data from its data centers, this censorship only raises questions about how an increasingly influential Chinese AI system could become another vehicle for state propaganda. ## FREQUENTLY ASKED QUESTIONS ### Who are the most controversial figures in AI right now? Elon Musk, Sam Altman, Dario and Daniela Amodei, Sergey Brin, Mark Zuckerberg, and Liang Wenfeng lead six of AI’s most scrutinized companies — SpaceXAI, OpenAI, Anthropic, Gemini, Meta, and DeepSeek — each facing distinct controversies as of 2026. ### What controversies has Elon Musk’s AI company SpaceXAI faced? SpaceXAI’s chatbot Grok has faced lawsuits over generating illegal child sexual abuse imagery, including one from a survivor depicted without consent. The company’s Mississippi and Tennessee data centers have also drawn scrutiny over nitrogen oxide air pollution, which SpaceXAI disputes. ### Why is OpenAI facing lawsuits over ChatGPT? OpenAI faces product liability suits alleging its chatbot’s sycophantic design caused emotional manipulation and mental health harm, including seven wrongful-death suicide lawsuits filed in California in November 2025. It also remains in a copyright dispute with *The New York Times.* ### What did Anthropic’s report reveal about the misuse of Claude? Anthropic’s 154-page report detailed “bad actors” using Claude for state-sponsored surveillance and propaganda, including Chinese operations targeting Uyghurs and dissidents, Russian espionage, and attempts to build software for missiles, drones, and electronic warfare systems. ### How did Meta’s AI tools become controversial? Meta’s Muse AI let users tag public profiles without consent before being pulled days after launch. Meta AI drew criticism for surfacing users’ old photos, and Meta agreed to pay up to $18 billion, settling child social media harm lawsuits. Related Stories - [Instagram Can Use Your Photos to Generate AI Images. Here’s How to Turn It Off](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/turn-off-meta-instagram-ai-image-generation/ "Instagram Can Use Your Photos to Generate AI Images. Here’s How to Turn It Off") - [How the Proposed AI Bill Aims to Protect Workers’ Rights and Local Communities](https://rollingstonephilippines.com/state-of-affairs/proposed-ai-bill-protect-workers-local-communities/ "How the Proposed AI Bill Aims to Protect Workers’ Rights and Local Communities") - [What Everyone Needs to Know About Pax Silica](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/what-everyone-needs-to-know-pax-silica/ "What Everyone Needs to Know About Pax Silica") **Categories:** Artificial Intelligence, State of Affairs **Tags:** AI, Anthropic, Artificial Intelligence, Claude, DeepSeek, Gemini, Meta --- ### [‘Dinig ang Pinas’: Coke Studio Turns Up the OPM Volume in Season 10](https://rollingstonephilippines.com/radar/events/dinig-ang-pinas-coke-studio-season-10/) **Published:** September 18, 2026 **Author:** Eldrin Veloso **Excerpt:** After 10 seasons of boundary-breaking collaborations, Coke Studio celebrates its legacy and invites fans to carry OPM further and louder into the next era **Content:** Across 10 seasons, Coke Studio Philippines has given Filipino artists a platform to experiment, collaborate, and be heard. The momentum continues as the tenth season raises the volume to make sure “Dinig ang Pinas” by even more listeners and on bigger stages. ## **A Legacy Stage Built for Filipino Music to Thrive** Coke Studio is where indie acts meet mainstream stars, and voices of the regions reach national audiences. Season 7 brought Cebu’s Janine Berdin together with Baguio band [Dilaw](https://rollingstonephilippines.com/tag/dilaw/ "Dilaw"). She has since established her identity as a singer-songwriter, released a debut album, and turned an intimate ballad into a viral breakthrough. Nation’s Girl Group [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI") is perhaps one of the biggest successes to come out of Coke Studio. They appeared in four seasons before becoming a global P-pop force and making a historic [Coachella debut](https://rollingstonephilippines.com/music/pop/bini-makes-historic-coachella-debut/ "BINI Makes Historic Coachella Debut With Big Hits and Pinoy Pride") this year. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/5.webp) Photo courtesy of Coke Studio Philippines Promised to be bigger than ever, Coke Studio Season 10 is expected to bring back standout artists from previous seasons for yet another wave of collaborations that have defined the platform. ## **From Soundtrack to Global Megaphone** The success of Coke Studio can also be traced to music’s driving force: fans. OPM’s future is built through everyday acts that the fans do, like streaming, sharing videos, social media interactions, or showing up at shows. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/4.webp) Photo courtesy of Coke Studio Philippines For 10 seasons now, the platform has championed a cultural spectacle that takes this to the next level. Coke Studio provides a unique space where each act of support builds momentum and grows the connection between Filipino musicians and their supporters. A stage like this — built by the fans, for the fans — is rare. Soon, that stage will open once more for them to raise the volume for local music and amplify it to the world. ## **The Ultimate Celebration of Everything OPM** All roads lead to the Coke Studio Concert, where the platform lets supporters share that inimitable musical moment with their favorite artists. As all-out support meets undeniable Filipino music talent, the concert will inevitably be a much-awaited experience for the fans and featured artists alike. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/coke-landscape.webp) Photo courtesy of Coke Studio Philippines As it has successfully done in the past, the concert is expected to continue giving audiences an opportunity to translate their online support on the ground and revel in the shared love for everything OPM with their favorite acts. For the artists, nothing proves that the local music scene is alive and roaring more than a passion-fueled crowd singing along to their creations. Combine these two, and what awaits is a pitch-perfect celebration of a sound that has grown loud enough for the world to hear. **Categories:** Events, Radar, RS Recommends **Tags:** Coke Studio --- ### [Breaking Down the Banned ‘Voltes V’ Episodes During Martial Law](https://rollingstonephilippines.com/culture/voltes-v-episodes-banned-during-martial-law/) **Published:** September 18, 2026 **Author:** Reyza Ferranco **Content:** In 1979, under Memorandum No. 13-79, then President [Ferdinand Marcos Sr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-sr/) ordered the removal of the Japanese animated series *Voltes V* off the air despite only five episodes remaining. The administration reasoned that the series was harmful for viewers, especially for young children, due to its “excessive violence.” But even then, others already believed that the move was political, and just another sly excuse for media and state censorship. The sudden cancellation [angered](https://newsinfo.inquirer.net/640937/ferdinand-marcos-angered-voltes-v-generation) the generation that was fans of the series. *Voltes V* primarily centered on five young human heroes fighting against the tyrannical, alien-filled Boazonian Empire whose goal was to conquer Earth. The five use an advanced vehicle to “volt in” and battle the aliens sent by the empire. Based on the plot alone, what wrongs could it bring? Fear, maybe, for someone who was also ruling his own tyranny. As we mark the 54th anniversary of [martial law](https://rollingstonephilippines.com/tag/martial-law/) this year, we tackle the last five episodes of *Voltes V* to see what made the show so resonant with the time. ![voltes v machine](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/voltes.webp) The Voltes team operates five vehicles that combine into one giant robot. Screengrab from Anime Club PH ## **Episode 36** **What was in the episode?** The final stretch of the series begins with the alien empire tightening its grip as the Boazanian military arrives on Earth to check if Prince Heinel, the leader of the Boazanian attack force, has successfully conquered the planet. We later see that Dr. Armstrong was captured by the forces after the Boazanians found the hidden base of the rebels. The episode shows how the underground castle of the Boazanian empire remains heavily shielded and very separated from the people it rules. Several bombs were targeting the castle while the rebellion and resistance outside of the fortress grew. The idea of the oppressed population growing courage and bringing the conflict to the seat of the authoritarian emperor would have resonated well during the time of Marcos Sr. ## **Episode 37** **What was in the episode?** In the fourth-to-last episode, the five penetrated Prince Heinel’s underground castle while the rest of the prince’s team evacuated for safety. He later finds out that the other generals have betrayed him. Rui Jangal, his loyal subordinate, was left alone to defend the castle and stabbed himself instead of surrendering to the Voltes team. This angered the prince, who planned to confront the five alone as revenge for the deaths of Rui and his other servants. ![prince heinel voltes v](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/heinel.webp) Prince Heinel continues his quest to battle the Voltes V. Screengrab from Anime Club PH This episode depicts a powerful establishment fracturing from within, with betrayals happening left and right. But despite this, it shows how there was a centralized and militarized system of rule on the planet, akin to Marcos Sr. ## **Episode 38** **What was in the episode?** Here, Prince Heinel unleashes his rage through the use of a Magmait bomb planted by the other generals underneath the Earth. General Doir tried to excavate the bomb and later combined the powers of the Big Falcon and the Solar Bird to create a powership that can travel through space, which the Voltes team utilized. The emperor then instructed General Gururu to combat the team’s plan to invade the system. Now, we see the resistance of the team beyond defending itself and actually pursuing the empire at the seat of its power. A few years after martial law, the country also had an opposition movement that crossed the regime’s defenses and took on the fight directly in the streets. ## **Episode 39** **What was in the episode?** The Voltes team manages to slip through a small hole in the Boazanian system and successfully enters the empire. They fight against the defenses of the planet, and General Gururu meets his demise. On the other side, the enslaved people of Boazania grew brave and started an uprising against the emperor. This episode brings the revolution narrative to a clear turning point, as the Boazanian detainees themselves — those who were stripped of their rights — are already resisting back against the cruel rule of Zambajil. A scene that could have sparked something more in the minds of those under the rule of the former Filipino dictator. ![emperor zu zambajil voltes v](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/emperor-zambajil.webp) Prince Heinel kills Emperor Zambajil, the cruel ruler of the Boazanian Empire. Screengrab from Anime Club PH ## **Episode 40** **What was in the episode?** The show’s finale has Prince Heinel facing the Voltes team in a final battle using the most powerful Boazanian beast robot, Godor, only to discover that the emperor he looked up to actually betrayed his people. After it is ultimately revealed that Heinel is a son of Dr. Armstrong (making him a half-brother of the three Voltes members), the prince kills the authoritarian Emperor Zambajil, and the hierarchy collapses. With only five episodes left, it could have shown the Filipino people a great revolutionary climax and how the oppressed were eventually liberated. *Voltes V* concluded with the five heroes defeating and overthrowing the oppressive Boazanian Empire, deposing the corrupt emperor, and reuniting with their father, who was enslaved under the empire. Although the show’s Filipino dub [voice actress](https://philstarlife.com/news-and-views/746701-why-did-marcos-ban-voltes-v-during-martial-law?page=5), Celina Cristobal, argued that the ban was actually under the advice of the Catholic Church, she still acknowledged that it could also be maneuvered by the administration with a political motive underneath. The show was later re-aired after the success of the 1986 [People Power Revolution](https://rollingstonephilippines.com/tag/people-power-revolution/), which ended the 20-year reign of Marcos Sr. ## FREQUENTLY ASKED QUESTIONS ### What was Memorandum No. 13-79? Memorandum No. 13-79 was the 1979 order under Ferdinand Marcos Sr. that pulled the Japanese anime *Voltes V* off Philippine television, citing “excessive violence” as harmful to young viewers. The show was removed just four episodes before its finale. ### Why did Ferdinand Marcos Sr. claim *Voltes V* was pulled off air for? The administration officially cited the series’ violent content as unsuitable for children. Many viewers and later commentators believed the real motive was political, given the show’s plot about young rebels overthrowing a tyrannical empire. ### What happens in the final five episodes of *Voltes V*? Episodes 36 to 40 show the Boazanian empire fracturing from within, the Voltes team infiltrating the enemy stronghold, an uprising among the empire’s own oppressed subjects, and the finale where Prince Heinel kills Emperor Zambajil, ending the regime. ### Was the *Voltes V* ban actually political censorship under martial law? This remains debated. The show’s Filipino dub voice actor said the ban followed advice from the Catholic Church, though she acknowledged the Marcos administration could have used it for political ends, given the show’s themes of uprising against authoritarian rule. ### When was *Voltes V* re-aired in the Philippines? *Voltes V* returned to Philippine airwaves after the 1986 People Power Revolution, which ended Marcos Sr.’s 20-year rule. The show’s earlier removal, four episodes short of its finale, had remained a point of generational frustration for its original fanbase. Related Stories - [The Highs and Lows of Teaching Martial Law](https://rollingstonephilippines.com/state-of-affairs/martial-law-anniversary-education/ "The Highs and Lows of Teaching Martial Law") - [Making Sense of EDSA, 40 Years Later](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/edsa-40th-anniversary/ "Making Sense of EDSA, 40 Years Later") - [This Website on Marcos’ Martial Law Safeguards the Truth of Philippine History](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/ateneo-martial-law-museum-and-library/ "This Website on Marcos’ Martial Law Safeguards the Truth of Philippine History") **Categories:** Culture, Philippine Politics, State of Affairs, TV **Tags:** Ferdinand Marcos Sr., Martial Law, Voltes V --- ### [Who is Franco Mabanta, the Pro-Duterte Blogger Who Allegedly Extorted Martin Romualdez?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/franco-mabanta-pgmn-extortion-allegations/) **Published:** May 6, 2026 **Author:** Pie Gonzaga **Excerpt:** Before the extortion allegations, the blogger and his channel had both been accused of peddling disinformation on social media **Content:** Pro-Duterte social media personality [Franco Mabanta](https://rollingstonephilippines.com/tag/franco-mabanta/ "Franco Mabanta"), founder of news blog [Peanut Gallery Media Network](https://rollingstonephilippines.com/tag/peanut-gallery-media-network/ "Peanut Gallery Media Network") (PGMN), has been arrested for an alleged extortion attempt. National Bureau of Investigation Director Melvin Matibag confirmed the news on Wednesday, May 6. According to [*ABS-CBN News*](https://www.abs-cbn.com/news/nation/2026/5/6/social-media-personality-nabbed-over-alleged-extortion-attempt-0809), Mabanta and four others are accused of trying to extort P350 million from Leyte First District Representative [Martin Romualdez](https://rollingstonephilippines.com/tag/martin-romualdez/ "Martin Romualdez"). Bicol Saro Party-list Rep. Terry Ridon recently accused PGMN of allegedly spreading “disinformation” regarding an alleged electricity bill surge. *Manila Bulletin* reports that a viral post by PGMN showed a 900 percent increase in an electricity bill, but Ridon questioned the veracity of the post and said that the media channel was [spreading disinformation](https://rollingstonephilippines.com/state-of-affairs/disinformation/) to “exploit the frustration of ordinary Filipino households” amid the [fuel and energy crisis](https://rollingstonephilippines.com/tag/oil-price-hike/ "Oil Price Hike"). Mabanta served as President [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.")’s social media strategist before his presidency began in 2022. In 2020, independent fact-checking body Vera Files flagged Mabanta’s Facebook post regarding COVID-19 as false and lacking context. He went on to launch PGMN in 2024. ![franco mabanta with bongbong marcos and juan ponce enrile](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/franco-mabanta-2021.webp) Mabanta (center) with then ex-Senator Bongbong Marcos (left), Romualdez’s cousin, and Juan Ponce Enrile (right), shooting an interview for Marcos’ YouTube channel in 2018. Photo from Franco Mabanta/Facebook Its Facebook page currently has over 665,000 followers, and is bolstered by a lineup of anchors that includes former politician Greco Belgica, who chaired the Presidential Anti-Corruption Commission under former President [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte"), political commentator Orion Perez Dumdum, and transport journalist James Deakin. “Conservative, Liberal, DDS \[Die-hard Duterte Supporter\], Loyalist or Pink, we gather the best and most viral voices — encouraging them to say whatever they want, however they want, with a promise to never censor,” PGMN’s social media bio says. *This is a developing story.* ## Frequently Asked Questions ### Who is Franco Mabanta? Franco Mabanta is a pro-Duterte social media personality and founder of the news blog Peanut Gallery Media Network (PGMN). He previously served as social media strategist for Ferdinand “Bongbong” Marcos Jr. before Marcos’s 2022 presidency, and launched PGMN in 2024. ### Why was Franco Mabanta arrested? Mabanta was arrested by the National Bureau of Investigation over an alleged extortion attempt. NBI Director Melvin Matibag confirmed on May 6, 2026, that Mabanta and four others are accused of trying to extort P350 million from Leyte Rep. Martin Romualdez. The allegations remain unproven. ### What is Peanut Gallery Media Network? Peanut Gallery Media Network is a social media–based news blog Mabanta founded in 2024. Its Facebook page has over 665,000 followers and features anchors including former official Greco Belgica, commentator Orion Perez Dumdum, and journalist James Deakin. It bills itself as an uncensored platform for viral voices. ### Has PGMN been accused of spreading disinformation? Yes. Bicol Saro Rep. Terry Ridon accused PGMN of spreading disinformation over a viral post claiming a 900 percent electricity bill increase, which he said exploited household frustration amid the energy crisis. In 2020, fact-checker Vera Files also flagged a Mabanta COVID-19 post as false. ### Who is Martin Romualdez? Martin Romualdez is the representative for Leyte’s First District and a cousin of President Ferdinand “Bongbong” Marcos Jr. He is the figure Mabanta and four others allegedly attempted to extort, according to the NBI. Romualdez is a prominent figure in Philippine politics. Related Stories - [Influencers Are the New Go-To for News, Study Says](https://rollingstonephilippines.com/state-of-affairs/news-influencers-report-pew-research-center/ "Influencers Are the New Go-To for News, Study Says") - [Only 3 of 40 Influencers Attend House Hearing on Fake News](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/3-of-40-influencers-attend-hearing-fake-news/ "Only 3 of 40 Influencers Attend House Hearing on Fake News") - [6 Filipino Documentaries That Confronted Censorship](https://rollingstonephilippines.com/culture/film-tv/6-filipino-documentaries-that-confronted-censorship/ "6 Filipino Documentaries That Confronted Censorship") **Categories:** Disinformation, Philippine Politics, State of Affairs **Tags:** Franco Mabanta, Peanut Gallery Media Network --- ### [Atom Araullo to Moderate a Panel on Journalism and Big Tech at Rolling Stone Philippines LIVE!](https://rollingstonephilippines.com/radar/events/atom-araullo-moderates-rolling-stone-philippines-live-discussion-on-journalism-big-tech/) **Published:** March 14, 2025 **Author:** Rolling Stone Philippines **Excerpt:** Here’s how to get access to the panel discussion tackling journalism and big tech, moderated by Atom Araullo, at Rolling Stone Philippines LIVE! on March 21 **Content:** With the digital landscape changing everyday, Journalism is transforming rapidly alongside politics. To make sense of it all, multi-award winning journalist and broadcaster Atom Araullo will moderate the panel discussion “Journalism in the Age of Big Tech: How to Survive in the [Midst of Disinformation](https://rollingstonephilippines.com/state-of-affairs/disinformation/)” at [Rolling Stone Philippines LIVE!](https://rollingstonephilippines.com/radar/events/rolling-stone-philippines-live-everything-you-need-to-know-from-tickets-to-the-main-event/ "Rolling Stone Philippines LIVE!") on Friday, March 21. More big names in journalism, broadcasting, and digital content will join Araullo in discussing the challenges of traditional media, journalism in the digital age, the rise in citizen reporting, and the future of investigative journalism.The panel aims to spark a conversation on the evolution of media and its consumers, in the hopes of providing solutions on how we can foster a more sustainable ecosystem for journalism. Who else is taking the stage at Maybank Performing Arts Theater? Nobel Peace Prize-winning journalist Maria Ressa is set to deliver a special message to the Rolling Stone Philippines LIVE! audience, while filmmakers John Lloyd Cruz and Ricky Lee talk about where Filipino film is headed next. Plus, a performance by [Eraserheads](https://rollingstonephilippines.com/radar/events/how-to-get-access-eraserheads-perform-rolling-stone-philippines-live/)! Here’s everything you can expect at Rolling Stone Philippines LIVE! - Journalism in the Age of Big Tech: How to Survive in the Midst of Disinformation - Reinventing Advertising: The Country’s Creative Minds Discuss What’s Next and How to Get There - An in-depth conversation on the State of Philippine Cinema - Understanding the Filipino Palate: A Conversation with Top Names in the F&B Industry - The Realities of Winning: Sports Icons on What It Takes to Become the Best To get access to these activities and more, head over to [SariSari.Shopping](https://sarisari.shopping/collections/rolling-stone-philippines-collections). Each purchase of the Rolling Stone Philippines LIVE! bundle includes: - All three cover versions of the maiden issue of Rolling Stone Philippines - A t-shirt - A tote bag - One complimentary ticket access to the event - One complimentary pass to the open bar Celebrating the launch of *Rolling Stone Philippines*’ maiden issue, Rolling Stone Philippines LIVE! will be a full-day affair starting at 9:00 a.m. at the Maybank Performing Arts Theater in BGC, Taguig City. Seats are limited, so get the bundle ASAP! Related Stories - [Rolling Stone Philippines LIVE!: Everything You Need to Know To Access the Main Event](https://rollingstonephilippines.com/radar/events/rolling-stone-philippines-live-everything-you-need-to-know-from-tickets-to-the-main-event/ "Rolling Stone Philippines LIVE!: Everything You Need to Know To Access the Main Event") - [Eraserheads Will Perform at Rolling Stone Philippines LIVE! Here’s How to Get Access](https://rollingstonephilippines.com/radar/events/how-to-get-access-eraserheads-perform-rolling-stone-philippines-live/ "Eraserheads Will Perform at Rolling Stone Philippines LIVE! Here’s How to Get Access") **Categories:** Events, Radar **Tags:** Atom Araullo, Rolling Stone PH LIVE! --- ### [Journalist Maria Ressa Isn’t Done Fighting for Democracy](https://rollingstonephilippines.com/state-of-affairs/power/maria-ressa-work-in-journalism-isnt-done/) **Published:** March 26, 2025 **Author:** Pie Gonzaga **Excerpt:** Maria Ressa has conquered a lot in her decades of work in journalism, but the fight for truth is not over in the age of Big Tech **Content:** In her 38 years as a journalist, [Maria Ressa](https://rollingstonephilippines.com/tag/maria-ressa/ "Maria Ressa") has been subjected over and over again to changes in the journalism landscape. As of late, the biggest threats to her work were the [disinformation](https://rollingstonephilippines.com/state-of-affairs/disinformation/), trolling, and suppression by the state that marked the administration of former President Rodrigo Duterte, a phase the country has yet to recover from as its aftermath continues to unfold. “We’re standing on the rubble of the world that was and now we have to rebuild,” she tells *Rolling Stone Philippines*’ Chief of Editorial Content Jonty Cruz in a [Q&A](https://rollingstonephilippines.com/state-of-affairs/power/exclusive-maria-ressa-on-this-critical-year-for-journalism/) during *Rolling Stone Philippines*’ maiden issue launch. Her mission now is to navigate the rubble while also dealing with newer challenges in the digital age. “Journalism could die this year,” Ressa says in her [interview](https://rollingstonephilippines.com/state-of-affairs/power/maria-ressa-state-media-manipulation-journalism-big-tech/) with Human Rights Watch senior researcher and journalist Carlos H. Conde for *Rolling Stone Philippines*. According to her, Big Tech powers the disinformation machine that threatens democracy, and the only way to quash it is through journalism and community building, which she, her news outlet, *Rappler*, and its socio-civic arm MovePH have been doing since their founding in 2011. Ressa’s fight for press freedom is one informed by decades of experience. Here are her biggest milestones as a journalist. ## Early Work and Investigating Terrorism From 1987 to 1995, she ran CNN’s Manila bureau before heading the Jakarta bureau, where she worked until 2005. During that time, she investigated terrorist networks in Southeast Asia, publishing *Seeds of Terror: An Eyewitness Account of Al-Qaeda’s Newest Center of Operations in Southeast Asia* in 2003. She went on to head ABS-CBN’s news division until 2010. As a writer-in-residence at the International Center for Political Violence and Terrorism Research at Nanyang Technological University, her work culminated in the 2013 book, *From Bin Laden to Facebook: 10 Days of Abduction, 10 Years of Terrorism*, which examined terrorist operations in the decade following 9/11 and illustrated the internet as a political arena. ## Rappler and the Digital Age In 2011, Ressa co-founded *Rappler*, which rose to prominence in 2016 when she led its coverage of the war on drugs during the Duterte administration. The news site also investigated disinformation campaigns suspected of being linked to Duterte. Facebook, the social media platform where disinformation had grown rampant, tapped *Rappler*’s fact-checking team to help flag content in the Philippines and made the news site one of its official third party fact-checkers in 2018. So when its parent company Meta announced that it was [ending its fact-checking program](https://rollingstonephilippines.com/state-of-affairs/power/meta-community-notes-impact-on-fact-checking-2025-ph-elections/) in January 2025, Ressa warned of “dangerous times ahead” for journalism, democracy, and social media. ## Legal Battles and Accolades Even before Meta ended its partnership with fact-checkers, *Rappler* and Ressa had already faced several other issues. Ressa began fighting a series of legal battles in 2017, when the Securities and Exchange Commission revoked the company’s registration and license to operate on the charge of foreign ownership, but the Court of Appeals overturned the decision in August 2024, allowing the news site to continue operations. Ressa was arrested in December 2018 on allegations of tax evasion, but after prosecutors failed to provide evidence that she had earned from investments secured by *Rappler*, she was acquitted by the Court of Tax Appeals in 2023. In February 2019, she was arrested again on accusations of cyber libel in relation to a *Rappler* story connecting Filipino-Chinese businessman Wilfredo Keng to the impeached former Chief Justice Renato Corona. Journalists and human rights groups deemed the arrests a threat to freedom of expression. Human rights lawyer Amal Clooney, who was on Ressa’s legal team in the cyber libel case, called Ressa “a courageous journalist who is being persecuted for reporting the news and standing up to human rights abuses.” Ressa’s legal cases were part of a larger issue regarding press freedom in the Philippines, under which 23 journalists were killed, according to a report by the National Union of Journalists of the Philippines (NUJP). The NUJP also recorded 159 cases of red-tagging against journalists from 2016 to 2024, further underscoring Ressa’s work to defend press freedom and democracy. In 2022, she published her memoir *How to Stand Up to a Dictator: The Fight for Our Future*, which chronicles the conflicts she faced as a journalist. Ressa was also recognized as *Time*’s Person of the Year in 2018 and given other accolades such as the Ka Pepe Diokno Human Rights Award in 2019, the United Nations Educational, Scientific and Cultural Organization/Guillermo Cano World Press Freedom Prize and the Nobel Peace Prize in 2021, and Cannes LionHeart in 2024. Her interview with human rights advocate Carlos Conde can be read in full in *Rolling Stone Philippines*’ maiden issue. Read the excerpt [here](https://rollingstonephilippines.com/state-of-affairs/power/maria-ressa-state-media-manipulation-journalism-big-tech/). Related Stories - [Maria Ressa on the State of Media and the Manipulation of Us](https://rollingstonephilippines.com/state-of-affairs/power/maria-ressa-state-media-manipulation-journalism-big-tech/ "Maria Ressa on the State of Media and the Manipulation of Us") - [Exclusive Q&A: Maria Ressa on This Critical Year for Journalism](https://rollingstonephilippines.com/state-of-affairs/power/exclusive-maria-ressa-on-this-critical-year-for-journalism/ "Exclusive Q&A: Maria Ressa on This Critical Year for Journalism") - [How Meta’s Community Notes May Impact PH Election Fact-Checking](https://rollingstonephilippines.com/state-of-affairs/power/meta-community-notes-impact-on-fact-checking-2025-ph-elections/ "How Meta’s Community Notes May Impact PH Election Fact-Checking") **Categories:** Power, State of Affairs **Tags:** Maria Ressa --- ### [Exclusive Q&A: Maria Ressa on This Critical Year for Journalism](https://rollingstonephilippines.com/state-of-affairs/power/exclusive-maria-ressa-on-this-critical-year-for-journalism/) **Published:** March 21, 2025 **Author:** Rolling Stone Philippines **Excerpt:** At Rolling Stone Philippines LIVE!, Nobel Peace Prize winner Maria Ressa stresses that the quality of information available to the people is crucial to democracy **Content:** On Friday, March 21, Nobel Peace Prize-winning journalist [Maria Ressa](https://rollingstonephilippines.com/tag/maria-ressa/) greeted *Rolling Stone Philippines* readers with a message at Rolling Stone Philippines LIVE!, the magazine’s print launch event. Ressa graces one of three covers of *Rolling Stone Philippines*’s maiden issue, a spot she earned through her exhaustive work in political journalism. In her cover story, she offers journalism and community-building as solutions to the disinformation and isolation pervading the age of Big Tech. As chief executive officer of digital news outfit *Rappler*, she shed light on the [disinformation machines](https://rollingstonephilippines.com/state-of-affairs/disinformation/) powering national and global institutions. In exposing these, she faced cyber libel charges during the Duterte administration — charges journalists and human rights advocates have deemed threatening not only to the right to freedom of expression but also to democracy. *The following is Ressa’s Q&A with Rolling Stone Philippines Chief of Editorial Content Jonty Cruz during the magazine’s grand launch. The Q&A has been edited for brevity and clarity.* **Welcome to Rolling Stone Philippines LIVE! Thank you so much for being here. How are you and how have you been in the last two weeks, especially with everything that’s happening in the country right now?** I was traveling like crazy the last few weeks. I had left New York to go to Mexico City, and Mexico was when President Trump and the president of Mexico had their conversation. I saw the way the business community reacted to it, which is, I hope, the way the Philippines will react to what is happening globally, to look for opportunities.. So that was one, but then I came in early Saturday morning, and we had heard that a warrant had been issued. So that would have been Friday evening at The Hague in \[Belgium time\], and then Chay Hofileña \[of Rappler\] wrote the story. And so we were getting ready. We’ve been following this since August 2023, which is when supposedly, the first arrest warrant was coming out. We published the story on Saturday. We got attacked. What you’re seeing is massive disinformation kicking back around again \[during\] the arrest. So our story on that Saturday was about how former President Duterte flew to Hong Kong and how an arrest warrant had been issued. Come Tuesday, he’s flying back, and the rest happens. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/03/RollingStone_Maria-198-Large.jpeg) Photo by Nikki Ruiz It was really fascinating to be there, to see the reaction… because all of us, we’ve been covering the ICC forever. I think we were doing meetings. Finally, when the plane took off and you heard the cheer from the airport, we had our folks all through the night. How did I feel? I think I knew it was still going to be a long process. And we moved on. Next day, I think I flew… Where did I go? Brussels. I can’t remember where I went., Stockholm, and then Berlin, and then now I’m in New York. The world is insane right now. We have never lived through anything like what we’re living through today. And I would say, you know, sometimes people, we’d compare it to World War II, around the formation of the United Nations, the Universal Declaration of Human Rights, the atomic bomb. But I would say it’s even worse than that time period because you have technology that has allowed people like Elon Musk and Mark Zuckerberg to have the power of gods. We’ve never lived through anything like this and whether or not democracy survives… the kind of global system, capitalism, whether that survives, I think this will all be determined, I was going to say the next year, but when I keep looking at what’s happening in the next few weeks and months because of the turmoil that America is in right now… **You’ve talked about the relationship between democracy and journalism quite a bit. I’d like to ask how that relationship started for you. When did you see this relationship between democracy and journalism?** I mean, from the very beginning, right? In the Philippines, I came back after the People Power. I came back in 1986 and what happened? Seven coup attempts. I mean, come on. There was a period of time when I was working for PTV 4 \[the government broadcast station\] before, and I was there through “God Save the Queen.” I lived through all of this. What’s the first thing that happens in a coup back in those days? You take over a government station. I was there when they tried to take over GMA 7, but each time, PTV 4 was always a target, and then IBC 13. What’s critical during a crisis or to hold power? Information, right? What triggered People Power? Radyo Veritas, right? It’s information. The quality of information is critical to the life of a democracy. I began the Manila \[CNN\] bureau in 1987 and then began covering Southeast Asia for CNN… I would say probably 1992-1993. I opened the Jakarta bureau in 1995. I was traveling so much in Southeast Asia and South Asia, and I began to realize that the quality of a democracy is directly connected to the quality of journalism. We’re standing on the rubble of the world that was and now we have to rebuild. Maria Ressa Those years from 1986 to 1998 were the years when democracy seemed unstoppable. The People Power Revolution in the Philippines was followed: In 1987, you had Myanmar, \[then\] you had Korea. Thailand had several. But I was there in Jakarta in 1998, with the end of almost 32 years of Suharto. And then what’s fascinating right now, it’s like *Back to the Future*. You have a Marcos back in the Philippines. Prabowo Subianto of Indonesia. You have Anwar back in after Mahathir comes through. So the world is upside down, but looking for a way to come right side up. You know something is going on when the Philippines — as turbulent as we are — is more stable than the United States. That’s kind of true when you’re in the Philippines, and only looking at the Philippines, it seems like everything is chaotic. But that arrest proved something. The biggest question that the world has to answer right now is whether an international rules-based order still exists, and the Philippines, in its action, actually proved that it does. It also gave this sense that impunity ends, that at some point you will be held responsible for your words. I say that while President Trump in the United States is upending institutions and walking away from international agreements. **I know it seems dire where you are now, but I’d also like to ask about your current time and work with the Vatican. How does that inform your spirituality? Do you feel more optimistic about the future of humanity?** I don’t think it’s dire. I think you have to call a spade a spade in order to be able to create. I think this is the creation after the destruction, and I said that in the Nobel lecture. We’re standing on the rubble of the world that was and now we have to rebuild. I hope that’s what we do in the Philippines. I turned to the Vatican. It was actually the pope who first started inviting me, and I’m kind of a wayward Catholic. I believe in God, but I’ve also studied all five world religions, and we have a ton of things in common in all of those. But I think getting to know Pope Francis and watching closely as our world is manipulated by fear, anger, and hate. When we mapped our information ecosystem in the Philippines, we realized that there are only four clusters in the Philippines. You have those who cluster around news, those who cluster around art, those who cluster around activism, and then the fourth is faith. And if the Catholic Church doesn’t move forward, if established religions don’t fill that space and don’t provide a kind of visceral sense of meaning, purpose, and connectedness, then cults take over. That would be where I would put the man who calls himself the Son of God, who is now also in prison, Apollo Quiboloy — former President Duterte’s pastor — who’s wanted by the FBI for sex trafficking. I always bring you to the negative, right? I guess I don’t think about it as negative. I think you need to know those things in order to be able to find the positive and not to be sentimental. I think people are good, and that’s part of what the Vatican shows. Pope Francis has very similar values that a democracy has. He asked me to be the first speaker for the Jubilee. How crazy is that? A journalist! One of \[the journalists\] at Rappler, Aries Rufo, wrote a book about the Catholic Church in the Philippines. Journalists have been investigating the Catholic Church and Pope Francis, I think this is the sense of power that you understand. It isn’t just your self-interest that even if someone offends you — I guess \[it’s\] the Catholic thing, \[to\] turn the other cheek — but you need all of those voices. Culture is the way you change the world. It connects to some part of you that isn’t rational. And at a time when tech is manipulating our emotions, the worst of who we are, I hope we touch those things in the Philippines. Maria Ressa So yeah, a long answer to your question, Jonty. Pope Francis, thank God he’s getting better. So there is always hope He holds the line on it. And Pope Francis, talk about somebody who really is a political player. I mean, because he has to bring the church into the modern world, and I don’t know what will happen now given everything that is going on in the world’s largest democracy. **I just wanted to follow up on what you just said and ask about what for you is the danger of being sentimental?** That’s been a battle my whole life. Because sentimentality is like froth on your coffee. Sentimentality isn’t necessarily real.Sentimentality is just like feeling good for feeling good, and you shouldn’t feel good if things are bad, because then if you stay in sentimentality, it’s not real for me. Oftentimes, we tend to get lost in that. Sentimentality is the easy part, the froth, but not anchored. Does that make sense? **Yeah. It sort of evokes empathy or understanding, but it’s not real empathy.** So it’s like these Hallmark cards that actually take a stereotype and then kind of crystallizes it, but it’s a stereotype, right? It’s like what you said: There is something real underneath it, but you didn’t get to what’s real. And as a journalist, I want to get to what’s real. It’s such a troubled world, especially when I moved to the Philippines and I was covering Southeast Asia, there’s so much to be done. You want to move towards progress, and we did for a long period of time. Again, there’s nothing wrong with being sentimental. Some people can be and stay sentimental. I just feel like real relationships are anchored on real emotions. I don’t want to spend my life turning away from those emotions. I think artists touch those while sometimes, in our daily lives, we let these emotions slide by. We take people for granted. But you know, one of the things I like about the life I’ve led is that in order to be in the moment, you have to live it. And again, that also comes from method acting. You have to be in the moment. You focus on the moment, then you feel it. You don’t want to skate through life. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/03/RESSA-INTEXT-2.jpg) Photo by Nikki Ruiz **Before we leave, I just wanted to ask if you have any message for our audience, not just those who are interested in media, but for those who value journalism and its purpose, its goal, and how we can strive towards it.** Well, let me say first from the last question, and let me connect it to *Rolling Stone*. First of all, I can’t believe you chose a journalist to be your cover! But, I really thank you. On the flip side of this is when I was graduating college, my best friend worked for *Rolling Stone*, and so I met Jan Wenner. I hope this is where you go with this, but it’s important to know that you don’t stay in the froth, you don’t stay in the sentimentality of music and art. These are the ways culture can change politics, culture is the way we change the world. And there hasn’t been anything like that where we are \[now\]. Maybe in 1986, there was something. But what I liked about *Rolling Stone* and one of the reasons I like New York — \[but\] I love Manila more, home is Manila — is this: that music, art, culture is the way you change the world; that it connects to some part of you that isn’t rational. And at a time when tech is manipulating our emotions, the worst of who we are, I hope we touch those things in the Philippines, right? You even look at the campaign jingles in the elections. I would have loved to have taken them apart in a different way like you have. You have a great open field. Here’s the last part. Cambridge Analytica, I know it was a scandal, but the way they worked, what they built, was a way to shift and shift politics by changing culture. That’s how it began. **Is there anything that you want to tell our audience and how we can keep going, like how you’re doing it?** I think this is a time of creativity. We have to create because it’s been destroyed. I think that there is an opportunity for the Philippines. We just have to… I mean, we always say \[that\] we have to get our acts together, but there’s an opportunity right now, because look, even our legislation, we haven’t done anything yet with social media, with technology, and now post-arrest of Duterte, we’ve been doing these stories on the Information Operations and what it’s doing. I think the government and its citizens, I think we can do more. We shouldn’t be passive at this time. Tipping point isn’t the right word. It’s a moment of inflection and creation, and the way we act will determine the world that we live in. This is a critical year. **Thank you again, so much for your time, Maria. It’s such a huge honor to have you as part of *Rolling Stone Philippines*, both on our cover and at our event today.** Thank you also. You know, I play eight instruments, and when you mentioned this, I was like, “Oh, my God, that’s so funny.” But you know, I’m not courageous enough to do that for a living. Better as a journalist. Related Stories - [Rolling Stone Philippines LIVE!: Everything You Need to Know To Access the Main Event](https://rollingstonephilippines.com/radar/events/rolling-stone-philippines-live-everything-you-need-to-know-from-tickets-to-the-main-event/ "Rolling Stone Philippines LIVE!: Everything You Need to Know To Access the Main Event") - [How Meta’s Community Notes May Impact PH Election Fact-Checking](https://rollingstonephilippines.com/state-of-affairs/power/meta-community-notes-impact-on-fact-checking-2025-ph-elections/ "How Meta’s Community Notes May Impact PH Election Fact-Checking") **Categories:** Power, State of Affairs **Tags:** Maria Ressa, Rolling Stone PH LIVE! --- ### [How Meta’s Community Notes May Impact PH Election Fact-Checking](https://rollingstonephilippines.com/state-of-affairs/power/meta-community-notes-impact-on-fact-checking-2025-ph-elections/) **Published:** February 12, 2025 **Author:** Pie Gonzaga **Excerpt:** With the 2025 elections approaching, journalists say that Meta's switch from fact-checking to community notes promotes disinformation and threatens democracy **Content:** Earlier in January, Meta Chief Executive Officer Mark Zuckerberg announced that its fact-checking program is coming to an end in an effort to “restore free expression” on Facebook and Instagram. According to him, the social media company will transition to a community notes model, similar to X (formerly Twitter). In a video posted on January 7, Zuckerberg said that the presidential elections in the United States “felt like a cultural tipping point towards once again prioritizing speech.” “After \[Donald\] Trump first got elected in 2016, the legacy media wrote nonstop about how misinformation was a threat to democracy,” he said. “We tried in good faith to address those concerns without becoming the arbiters of truth. But the fact-checkers have just been too politically biased, and have destroyed more trust than they’ve created, especially in the U.S.” “What started as a movement to be more inclusive has increasingly been used to shut down opinions and shut out people with different ideas, and it’s gone too far,” he explained. “I want to make sure that people can share their beliefs and experiences on our platforms.” A March 2024 survey by public opinion polling firm Publicus Asia revealed that the internet and TV are leading political news sources for Filipinos. Among 1,500 respondents, 61 percent said they access Facebook to get their news. Meta has not yet announced when it will roll out its new community notes feature in the Philippines, but future elections will be affected by the eventual removal of third-party fact checkers from the social media platforms. Election campaigns have increasingly relied on social media over the years to reach millions of users and citizens — from the alleged employment of trolls that aided in Rodrigo Duterte’s win in the 2016 presidential polls, to the widespread use of Instagram Reels and TikTok as campaign materials. ## Fact-Checking v.s. Community Notes Meta launched its fact-checking program in 2016, partnering with the non-partisan International Fact-Checking Network (IFCN). With the program, fact-checkers and experts identify hoaxes online or receive potential misinformation to verify and report on. While Facebook and Instagram do not remove content on the basis of information accuracy, they apply warning labels, notify users when the content they engage with is false, and provide links to verified articles. The platforms also reduce the content’s distribution so less users see it. On the other hand, X’s community notes program is community-driven and relies on users — unpaid contributors — to provide more information on potentially misleading content. A user may submit a note regarding a post, which will be voted on by other users, who are selected based on an algorithm’s understanding of their political leanings. X waits for a similar number of users from the political right and left to approve the note, so that it appears at the bottom of the flagged post. With the abolition of the fact-checking program, *Rappler* CEO and 2021 Nobel Peace Prize winning journalist Maria Ressa warns of “dangerous times ahead” for journalism, democracy, and social media. She tells *AFP*, “Journalists have a set of standards and ethics. What Facebook is going to do is get rid of that and then allow lies, anger, fear and hate to infect every single person on the platform.” Ressa also said that the switch from the fact-checking program is motivated by profit. “Mark Zuckerberg says it’s a free speech issue. That’s completely wrong,” she said. “Only if you’re profit-driven can you claim that; only if you want power and money can you claim that.” In an article for the London School of Economics and Political Science *Impact Blog*, Tom Stafford, a professor of Cognitive Science at the University of Sheffield, said that the deployment of community notes on X was part of Elon Musk’s efforts to cut costs when he bought the social media platform. Stafford writes, “The skeptical readings of Community Notes are legion: that is a cost effective smokescreen for neglecting responsibility for combating misinformation.” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/02/fact-checking-workshop-in-portugal.jpg) An editing and proofreading workshop. Photo by Rodrigo Padula/Wikimedia Commons On Reddit, Filipino users on the subreddit r/Philippines have also expressed their thoughts on Meta’s switch to community notes and how it would affect interactions online. Many welcomed and even celebrated the move. One Redditor said, “If this is true, I can’t wait to see if the community notes are biased or not. So far, most of the tweets that I see on Twitter that got ‘community noted’ are unbiased and true. And imagine the comment section. LOL.” “\[Duterte-allied\] vloggers getting community notes left and right is gonna be fun to watch,” said another. However, another Redditor pointed out that while the community notes model is effective on X, it may not work so well on Facebook. “Tambayan ng fake news peddlers, trolls, bots, at mga baliw ang Facebook. With actual fact-checkers, topics like the shape of the Earth, the effectiveness of vaccines, the evils of Nazism, etc. are not contentious issues. Without them, even topics like these might get community noted,” they said. Agreeing, another user said, “Community notes might initially work and gain credibility, but if they subtly support semi-fake information and people believe it due to their established credibility, it could be worse than the current situation.” ## Reading is Fundamental In its statement, the IFCN said that other countries that use Meta’s fact-checking program are “highly vulnerable to misinformation that spurs political instability, election interference, mob violence and even genocide.” “If Meta decides to stop the program worldwide, it is almost certain to result in real-world harm in many places,” said the IFCN. “This moment underlines the need for more funding for public service journalism.” The statement furthermore calls on the philanthropist sector to increase its investment in journalism at a critical time. But what can the everyday readers and social media users do? Google still has the [Fact Check Explorer](https://toolbox.google.com/factcheck/explorer/search/list:recent;hl=en). Through its search tab, you can look up any topic — from something you saw on Facebook, to a claim that a politician made — and see how a fact-checking site rates it. The search results also include links to articles that you can read to get more information. Many local and international media outfits also still run their own fact-checking programs, putting out articles and posts about the incorrect and deceptive news bits you see online. Often, these articles’ headlines already include “fact check,” making them easier to look up if you need to verify information on a topic. Reading and sharing fact-check articles doesn’t only help you and your network make sense of the information you see, it also lets the news outlets know that their fact-checking programs are valuable. Think tank Sigla Research Center’s [Disinformation Hub](https://rollingstonephilippines.com/state-of-affairs/philippine-disinformation-hub-fake-news/) also has a host of resources one could look through to learn more about navigating local news, which is even more important now that midterm election campaigns are happening. In today’s internet landscape, social media’s fact-checking models should be able to service dwindling attention spans as well as uphold the truth. But as social media users, the exercise of reading and developing our own fact-checking habits are crucial to forming well-informed opinions and [combatting disinformation](https://rollingstonephilippines.com/state-of-affairs/disinformation/), which compromises free speech. **Categories:** Power, State of Affairs **Tags:** 2025 Midterm Elections, Disinformation --- ### [Maria Ressa Reacts to Kimmel Suspension on Jon Stewart’s ’The Daily Show’: ‘I Told You So’](https://rollingstonephilippines.com/state-of-affairs/disinformation/maria-ressa-stewart-the-daily-show/) **Published:** September 20, 2025 **Author:** Pie Gonzaga **Excerpt:** The Nobel laureate joined The Daily Show as Stewart’s guest in the first episode since Jimmy Kimmel’s suspension, warning that America is now facing the same free speech crackdown she endured under Rodrigo Duterte **Content:** [Jon Stewart](https://rollingstonephilippines.com/tag/jon-stewart/ "Jon Stewart") returned to *The Daily Show* this week with his first episode since *Jimmy Kimmel Live!* was indefinitely suspended, using the moment to spotlight what he and guest [Maria Ressa](https://rollingstonephilippines.com/tag/maria-ressa/ "Maria Ressa"), described as a rapid collapse of free speech in the U.S. and the Philippines. [Kimmel](https://rollingstonephilippines.com/tag/jimmy-kimmel/ "Jimmy Kimmel")’s program was pulled by ABC after he made controversial remarks earlier this week about Charlie Kirk and Republicans, which led to backlash from allies of U.S. President Donald Trump and pressure from federal regulators. In the episode that aired on Friday, September 19, in the Philippines, Stewart thanked Ressa for appearing “on short notice.” Ressa then told him, “I told you so.” The two then recalled that Stewart had once told Ressa, “We’re resilient in our civic institutions,” insisting that the censorship she endured in the Philippines under Duterte “would never happen in the U.S.” The Filipino journalist said, “I feel like it’s both déjà vu and \[post-traumatic stress disorder\]… I watched the same thing happen here, that happened to us. The individual judges and justices become targeted, and holding up the rule of law becomes that much harder.” ## Ground Zero Under former President Rodrigo Duterte, Ressa and her news outlet *Rappler* faced [relentless harassment](https://rollingstonephilippines.com/state-of-affairs/power/maria-ressa-state-media-manipulation-journalism-big-tech/ "Maria Ressa on the State of Media and the Manipulation of Us") by the state. She was hit with several arrest warrants and convicted of cyberlibel in a case widely seen as politically motivated. In 2021, she was awarded the Nobel Peace Prize for her defense of [press freedom](https://rollingstonephilippines.com/state-of-affairs/power/maria-ressa-work-in-journalism-isnt-done/ "Journalist Maria Ressa Isn’t Done Fighting for Democracy"). In her discussion with Stewart, she pointed out that Americans are like “deer in the headlights” amid what Stewart called Trump’s “assault on free speech.” Ressa has previously called the Philippines as “ground zero in the [war on disinformation](https://rollingstonephilippines.com/state-of-affairs/disinformation/)” and, in her conversation with Stewart, she drew direct parallels between the suppression tactics used by the Duterte administration, such as legal harassment, arrests, revoking licenses, accusations of “fake news.” What she believes is happening in the U.S. now under pressure from political and regulatory forces. “In 2017, we saw in the Philippines that if you lace it with fear, anger, and hate, it can go viral,” she said of the online harassment she and *Rappler* received. “That’s the incentive structure. That was used to attack us. If you’re pumped full of toxic sludge, online violence is real-world violence.” Stewart also noted that “We’ve been told that any attempt to check facts was a curb on free speech,” and that presently, “free speech means speech that supports the president,” pointing to what he sees as a redefinition of core democratic norms. Ressa said she had warned the U.S. since 2016 that censorship of dissent would come. “There is a dictator’s playbook,” she said. Stewart replied, animatedly, “You think we fell for it?” Related Stories - [Maria Ressa on the State of Media and the Manipulation of Us](https://rollingstonephilippines.com/state-of-affairs/power/maria-ressa-state-media-manipulation-journalism-big-tech/ "Maria Ressa on the State of Media and the Manipulation of Us") - [Exclusive Q&A: Maria Ressa on This Critical Year for Journalism](https://rollingstonephilippines.com/state-of-affairs/power/exclusive-maria-ressa-on-this-critical-year-for-journalism/ "Exclusive Q&A: Maria Ressa on This Critical Year for Journalism") - [Journalist Maria Ressa Isn’t Done Fighting for Democracy](https://rollingstonephilippines.com/state-of-affairs/power/maria-ressa-work-in-journalism-isnt-done/ "Journalist Maria Ressa Isn’t Done Fighting for Democracy") **Categories:** Disinformation, State of Affairs **Tags:** Jimmy Kimmel, Jon Stewart, Maria Ressa --- ### [Journalism is Here to Stay in the Digital Age](https://rollingstonephilippines.com/radar/rolling-stone-ph-live-journalism-is-here-to-stay-in-the-digital-age/) **Published:** March 21, 2025 **Author:** Pie Gonzaga **Excerpt:** To launch Rolling Stone Philippines' first issue, top journalists gathered to discuss the state of journalism in the digital age **Content:** Celebrating the launch of *Rolling Stone Philippines*’ maiden issue, journalists [Atom Araullo](https://rollingstonephilippines.com/tag/atom-araullo/ "Atom Araullo"), [Ricky Carandang](https://rollingstonephilippines.com/tag/ricky-carandang/ "Ricky Carandang"), [Sonny Coloma](https://rollingstonephilippines.com/tag/sonny-coloma/ "Sonny Coloma"), and [Ivan Mayrina](https://rollingstonephilippines.com/tag/ivan-mayrina/ "Ivan Mayrina") took the Rolling Stone Philippines LIVE! stage on Friday, March 21, to talk about the state of journalism in a rapidly transforming digital landscape. Moderated by Araullo, the discussion titled “Journalism in the Age of Big Tech: How to Survive in the [Midst of Disinformation](https://rollingstonephilippines.com/state-of-affairs/disinformation/)” tackled the challenges of traditional media, journalism in the digital age, the rise in citizen reporting, and the future of investigative journalism. During the discussion, former ABS-CBN anchor and Communications Secretary Ricky Carandang said that the proliferation of fake or inaccurate news can be attributed to both new forms of news media and traditional media. “\[Traditional\] media tended to be urban, highly educated, middle and upper class. Maybe there was not enough space for different and valid voices,” he said. “And that weakness was exploited by governments, by right-wing media organizations.” The discussion continued into a musing on where journalism is headed amid the current state of social media. *24 Oras* anchor Ivan Mayrina said that traditional media should challenge the current conventions. “For example, do viewers still want the news presenter to be in suits? Or what is the sweet spot for a TV report? Traditionally, it’s been a minute and a half to two minutes. Pero relevant pa ba ‘yon now that people can’t be made to sit through a 20-second reel?” *Manila Bulletin* Executive Vice President Sonny Coloma is more optimistic. “There’s always a reason for journalism to exist and thrive,” he said after being asked where journalism is headed in the midst of the current sociopolitical climate. --- *Rolling Stone Philippines LIVE! with Ploom and Nordic Spirit In partnership with Baken And special thanks to the Moment Group, Brewed Statement, Instamirror, Remy Martin, Event Shaker, Goodness Graze* Related Stories - [Exclusive Q&A: Maria Ressa on This Critical Year for Journalism](https://rollingstonephilippines.com/state-of-affairs/power/exclusive-maria-ressa-on-this-critical-year-for-journalism/ "Exclusive Q&A: Maria Ressa on This Critical Year for Journalism") - [Marites Vitug on Duterte, China, and the State of Journalism](https://rollingstonephilippines.com/state-of-affairs/marites-vitug-by-atom-araullo/ "Marites Vitug on Duterte, China, and the State of Journalism") - [Atom Araullo and More Conquer an Ever-Shifting Journalism Landscape](https://rollingstonephilippines.com/radar/events/atom-araullo-leads-panel-on-the-shifting-journalism-landscape/ "Atom Araullo and More Conquer an Ever-Shifting Journalism Landscape") **Categories:** Events, Power, Radar, State of Affairs **Tags:** Atom Araullo, Ivan Mayrina, Ricky Carandang, Rolling Stone PH LIVE!, Sonny Coloma --- ### [Cebu Vloggers Face Cyber Libel Raps Amid Fake News Crackdown](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/cebu-vloggers-cyber-libel-raps-fake-news-crackdown/) **Published:** April 23, 2025 **Author:** Pie Gonzaga **Excerpt:** The NBI cracks down on content creators accused of spreading fake news while Congress continues inquiries into disinformation in aid of legislation **Content:** On Tuesday, April 22, Cebu Governor Gwendolyn Garcia filed 10 complaints of cyber libel against two vloggers before the National Bureau of Investigation (NBI). This, after the NBI also filed criminal complaints against another Cebu-based vlogger on Monday, April 21. Garcia’s legal team said that the governor filed the complaints against Michael “Deen Chase” Cano and Efren Omayan for accusing Garcia of being “corrupt, abusive, and extortionist.” According to *The Freeman*, Cano alleged in various Facebook posts that Garcia’s family had amassed unexplained wealth and that the governor earns a 40-percent kickback for every infrastructure project in Cebu. Omayan’s Facebook account can no longer be found. “All these are lies… We want to punish and hold responsible itong si Michael Cano and Efren Omayan,” said Attorney Alex O. Avisado, Garcia’s legal counsel. He said that while the vloggers were free to criticize Garcia for her performance as a governor, they are “not free to spread false and reckless accusations” against her. Meanwhile, vlogger Mary Joy dela Cerna Lacierda now faces complaints for unlawful use of means of publication, unlawful utterances, and inciting to sedition. *The Philippine Star* reports that Lacierda posted a clip of NBI Director Jaime Santiago speaking into a microphone, with the caption, “Bagong pananakot sa mga \[overseas Filipino workers\].” Santiago explained that he had told vloggers that if they had pending legal cases in the country or abroad, they would be arrested. He also said that social media users responded to Lacierda’s post with calls to cut off support for the government by not sending remittances. “That’s inciting to sedition,” Santiago said. ## ‘Political Persecution’ On Monday, *GMA News* reported that Sonshine Media Network (SMNI) host Jeffrey Celiz had left the country to seek asylum in Canada from alleged “political persecution” in the Philippines. In New York, he told reporters, “The purpose is to really take myself away mula doon sa abusadong ilalabas — at inilabas na yata — na arrest order ng House of Representatives.” ![jeffrey celiz smni fake news house hearing](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/jeffrey-celiz-house.webp) Jeffrey Celiz in a House hearing regarding fake news on December 5, 2023. Photo from House of Representatives Facebook A Facebook post by Celiz on March 21 suggests that he left the country then. In the post, Celiz called his flight a “tactical option of self-preservation” to “sustain the struggle against the evil regime” of President Ferdinand “Bongbong” Marcos Jr., his cousin House Speaker Martin Romualdez, and “their communist terrorist conspirators.” The House of Representatives summoned Celiz to appear as a resource speaker in hearings regarding [online disinformation](https://rollingstonephilippines.com/state-of-affairs/disinformation/), which the House Tri-Committee conducted in aid of legislation. As Celiz did not give the committee excuse letters for his four absences, he was issued contempt and detention orders. The House invited 40 content creators — including Celiz — to its first hearing on February 4, but [only three appeared](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/3-of-40-influencers-attend-hearing-fake-news/). Responding to excuse letters citing freedom of expression, Surigao Del Norte Representative Ace Barbers said, “Hindi pwede na gawin pong rason ng mga \[influencers\] na cinu-curtail natin ang freedom of speech nila. ‘Wag niyo pong lokohin ang taumbayan. Wala hong curtailment or suppression of freedom of speech dito. Kaya nga kayo inimbita rito e…para makapag-pahayag din kayo.” In December 2024, journalist Atom Araullo won a [landmark P2 million lawsuit](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/journalist-atom-araullo-wins-landmark-lawsuit-vs-red-tagging/) against Celiz and SMNI co-host Lorraine Badoy after the two red-tagged Araullo and his mother, Bagong Alyansang Makabayan chair emeritus Carol Pagaduan Araullo. Related Stories - [Only 3 of 40 Influencers Attend House Hearing on Fake News](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/3-of-40-influencers-attend-hearing-fake-news/ "Only 3 of 40 Influencers Attend House Hearing on Fake News") - [Journalist Atom Araullo Wins Landmark Lawsuit Vs Red-Tagging](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/journalist-atom-araullo-wins-landmark-lawsuit-vs-red-tagging/ "Journalist Atom Araullo Wins Landmark Lawsuit Vs Red-Tagging") - [Fake News in the Philippines Has Had a Chaotic Week](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/fake-news-in-the-philippines-has-had-a-chaotic-week/ "Fake News in the Philippines Has Had a Chaotic Week") - [PH Disinfo Hub Targets Fake News Ahead of 2025 Elections](https://rollingstonephilippines.com/state-of-affairs/philippine-disinformation-hub-fake-news/ "PH Disinfo Hub Targets Fake News Ahead of 2025 Elections") **Categories:** News, Politics, State of Affairs **Tags:** Disinformation --- ### [Maria Ressa on the State of Media and the Manipulation of Us](https://rollingstonephilippines.com/state-of-affairs/power/maria-ressa-state-media-manipulation-journalism-big-tech/) **Published:** March 24, 2025 **Author:** Carlos Conde **Excerpt:** Maria Ressa isn’t done fighting for the truth. She now warns us that if we don’t act, this year could be the end of journalism as we know it. **Content:** “Journalism could die this year,” *Rappler* CEO [Maria Ressa ](https://rollingstonephilippines.com/tag/maria-ressa/ "Maria Ressa")says matter-of-factly. Coming from someone who goes around the world, Nobel Peace Prize in hand, to preach the values of journalism, fact-checking, and community, it is a startling declaration — cold even because Ressa may have uttered it a thousand times. The phrase will probably become as widely quoted as her “a thousand cuts” characterization of what she and her colleagues at Rappler went through under former President [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte") beginning in 2016, that annus horribilis of human rights and press freedom in the Philippines. But it also underscores the gravity of what she has been dealing with all these years because Ressa is on a mission. This has always been evident in the way she does her journalism (she even defines journalism, in itself, as a mission) and translating her reportage and insights into books that try to illuminate the dark crevices of the world. A common thread runs through these books: terrorism — terrorism of the physical kind in *Seeds of Terror* (2003), the physical-digital kind in *From Bin Laden to Facebook* (2012), and the digital-political kind in *How to Stand Up to a Dictator* (2022). But hearing her vent [against disinformation](https://rollingstonephilippines.com/state-of-affairs/disinformation/), nothing seems to terrify her more than terrorism by Big Tech. Technology-driven disinformation, in her view, obliterates not just facts but our ethics, our morality, and, to use a favorite phrase of hers, our shared reality. “I live by a simple thing I learned when I was really young: Do unto others as you would have them do unto you,” she tells me during an hour-long conversation via Zoom from New York. It’s an ethos, she believes, that the world needs at the moment. If only the world had enough golden rule warriors. “How do we find people of empathy? You know, the strong who should help the weak?” she bewails. This lack of empathy, this “lack of morality,” as she calls it, is part of the reason why “fear, hate, and anger” may seem triumphant in the age of Big Tech and re-elected U.S. President Donald Trump. Before I could raise my eyebrow, Ressa quickly adds, “Now I sound like I’m super-religious but I’m not.” But she does sound super-religious. In her most recent public outing, she spoke in front of Pope Francis in the Vatican where she hammered on the usual themes surrounding disinformation and Big Tech, which she says, “gives very fragile men godlike powers and they do not have the empathy or wisdom of God.” ![Maria Ressa Rolling Stone Philippines COVER copy](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/03/Maria-Ressa-Rolling-Stone-Philippines-COVER-copy.jpeg) Faith — especially interfaith — has a role to play in all of this. The way Ressa tells it, the image she conjures is an epic, biblical battle between good and evil. As these extremely powerful forces slug it out, “we need to remember the goodness of human nature.” She adds, almost sheepishly, “Because when you live in this cesspool of hate, you need faith in humanity.” But more than her being a Filipino Catholic, what is at play here is a pragmatic recognition of the power of faith to potentially put the world back on an even keel. Again, it sounds so biblical but also not entirely a bad, even misplaced, idea. Especially if you keep in mind that journalism — one of the bulwarks of modern democracy that is expected to protect us from the destructive surge of lies — is itself not only under systematic and relentless assault but is undergoing dramatic transformations that are shaking it, even destroying it, at its very core. That’s why, Ressa repeats, “Journalism could die this year.” It’s a grim prognosis from someone who professes such high hopes in faith and humanity but one that probably the world needs to hear because, more than a Nobel laureate’s execrations of our state of affairs, it’s a cry for help. In this interview, Ressa explores not only how tech is changing the way people consume information but also how Big Tech powers the disinformation that is upending our lives and our democracy. She offers journalism and community building — the things she and her colleagues at Rappler have been doing — as potent antidotes to the poison Big Tech spews out. --- *Read the rest of the story in the first print issue of Rolling Stone Philippines*. *For more information, please visit* [*Sari.Sari.Shopping*](https://sarisari.shopping/collections/rolling-stone-philippines-collections/)*.* Related Stories - [Exclusive Q&A: Maria Ressa on This Critical Year for Journalism](https://rollingstonephilippines.com/state-of-affairs/power/exclusive-maria-ressa-on-this-critical-year-for-journalism/ "Exclusive Q&A: Maria Ressa on This Critical Year for Journalism") - [Marites Vitug on Duterte, China, and the State of Journalism](https://rollingstonephilippines.com/state-of-affairs/marites-vitug-by-atom-araullo/ "Marites Vitug on Duterte, China, and the State of Journalism") - [Journalism is Here to Stay in the Digital Age](https://rollingstonephilippines.com/radar/rolling-stone-ph-live-journalism-is-here-to-stay-in-the-digital-age/ "Journalism is Here to Stay in the Digital Age") - [11 Moments in Philippine Politics That Will Shape The 2025 Elections](https://rollingstonephilippines.com/state-of-affairs/politics/11-moments-philippine-politics-2024/ "11 Moments in Philippine Politics That Will Shape The 2025 Elections") **Categories:** Power, State of Affairs **Tags:** Big Tech, Maiden Issue, Maria Ressa, Media --- ### [Only 3 of 40 Influencers Attend House Hearing on Fake News](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/3-of-40-influencers-attend-hearing-fake-news/) **Published:** February 4, 2025 **Author:** Pie Gonzaga **Excerpt:** Many of the influencers who did not appear at the House tri-committee hearing on disinformation maintained, in their absentee letters, their right to ‘freedom of speech’ **Content:** 37 out of 40 influencers failed to show up at a hearing on online [disinformation](https://rollingstonephilippines.com/state-of-affairs/disinformation/ "Disinformation") at the House of Representatives. Seven of them have been issued show-cause orders. The House Committees on Public Order and Safety (CPOS), Public Information, and Information and Communications Technology (ICT) held its first hearing on online disinformation on Tuesday, February 4. 40 bloggers and social media personalities were invited — many notably vocal supporters of the previous Duterte administration — but only 3 showed up. Among the absentees were former National Task Force to End Local Communist Armed Conflict (NTF-ELCAC) Spokesperson Lorraine Badoy, former Presidential Press Secretary Attorney Trixie Cruz-Angeles, former actress Vivian Velez, former broadcaster Jay Sonza, *SMNI News* broadcaster Jeffrey Celiz, and bloggers Sass Sasot, Krizette Chu, Lord Byron Cristobal or Banat By, Jun Abines, Alex Destor or Tio Moreno, and Mark Anthony Lopez. As Santa Rosa Representative Danilo Fernandez read excuse letters from absentees, the committee issued show-cause orders to Abines, Angeles, Chu, Lopez, Elizabeth Joie Cruz or Joie De Vivre, Richard Mata, and Aaron Peña or Old School Pinoy. The show-cause order compels them to attend the next hearing to explain their absences. Failure to appear can lead to citations of contempt and arrest orders. In her letter, Angeles stated that she declined the invitations as she “questions the legality of the inquiry as well as the proposed legislation for being violative of the constitutional guarantee of free speech.” Other absentees also stated in their letters that they were advised by legal counsel not to attend the hearing. Abang Lingkod Partylist Representative Joseph Paduano requested the House’s legal department to look into the possibility of filing a disbarment case against Angeles. ## ‘Wag Lokohin Ang Taumbayan’ Surigao Del Norte Representative Ace Barbers said in his privilege speech that the hearing aims “to establish a regulatory framework for social media, similar to how the Kapisanan ng mga Brodkaster ng Pilipinas (KBP) regulates television and radio broadcasters, and how the National Union of Journalists of the Philippines (NUJP) upholds ethical standards for print media.” ![ace barbers in house of representatives february 4 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/02/ace-barbers-feb-4.jpg) Surigao Del Norte Representative Ace Barbers (right) delivers his privilege speech at the tri-committee hearing on online disinformation, February 4, 2025. Screengrab from House of Representatives YouTube “Our goal is to develop a code of conduct for content creators, ensuring accountability and ethical responsibility in this rapidly evolving digital space,” he said. He reiterated the purpose of the hearing later on in response to the excuse letters sent by the absent influencers. Barbers added, “Hindi pwede na gawin pong rason ng mga \[influencers\] na cinu-curtail natin ang freedom of speech nila. ‘Wag niyo pong lokohin ang taumbayan. Wala hong curtailment or suppression of freedom of speech dito. Kaya nga kayo inimbita rito e…para makapag-pahayag din kayo.” Of the 40 influencers invited, only political strategist Malou Tiquia, vlogger Marc Louie Gamboa, and Atty. Enzo Recto attended the hearing. **Categories:** News, Politics, State of Affairs **Tags:** Disinformation --- ### [New Senate Bill Revives Harsh Penalties for Spreading Fake News](https://rollingstonephilippines.com/state-of-affairs/politics/villanueva-anti-fake-news-bill/) **Published:** July 9, 2025 **Author:** Pie Gonzaga **Excerpt:** Senator Joel Villanueva renews the call to stop disinformation with a bill that heavily penalizes the spread of disinformation, without resorting to amendments to the existing anti-cybercrime law **Content:** Senator Joel Villanueva has filed a new bill penalizing the spread of [false information](https://rollingstonephilippines.com/tag/disinformation/ "Disinformation") and fake news, setting heavy penalties for violators. The bill seeks to make it illegal for people to “maliciously offer, publish, distribute, circulate, and spread false news or information or cause the publication, distribution, circulation, or spreading of the same in print, broadcast, or online media.” It also proposes that violators be penalized with a maximum prison term of five years and a maximum fine of P5 million pesos. Under the bill, those aiding and abetting the spread of fake news may also face up to three years and pay up to P3 million. Furthermore, public officials found guilty of violating the law will have to pay double the prescribed penalties, as well as be subject to perpetual disqualification from public office. Mass media enterprises and social media platforms that fail, neglect, or refuse to remove false news or information could also face up to 20 years in prison and pay fines between P10 million and P20 million. Similar bills have been filed in previous congresses, but no measure tackling [disinformation](https://rollingstonephilippines.com/state-of-affairs/disinformation/) has been passed into law. Most of them also sought to make amendments to the existing Cybercrime Prevention Act of 2012. ![cdo 2nd district rep rufus rodriguez](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/rufus-rodriguez.webp) Cagayan de Oro 2nd District Representative Rufus Rodriguez. Photo from Rufus B. Rodriguez/Facebook The last bill to tackle disinformation in the 19th Congress was filed in May by Cagayan de Oro 2nd District Representative Rufus Rodriguez, who also aimed to create a new law on fake news, independent of the cybercrime law. The bill proposed that violators face up to 12 years in prison and pay fines of P500,000 to P2 million. Violators also included those involved in troll farm operations. Villanueva’s bill takes a step back from Rodriguez’s harsher proposal by trimming the provided prison time, but penalties remain high. Measures similar to the two bills have been criticized by journalists and human rights advocates, who are concerned that such legislation could lead to censorship. “The Philippines ‘false content’ bill, if passed, would make a government department the arbiter of permissible online material,” [Human Rights Watch](https://www.hrw.org/news/2019/07/25/philippines-reject-sweeping-fake-news-bill) Asia legal advisor Linda Lakhdhir said of the Anti-False Content Bill of 2019. “A ‘fake news’ law would open the door for the government to wantonly clamp down on critical opinions or information not only in the Philippines, but around the globe.” In 2022, VERA Files founder Ellen Tordesillas [warned](https://www.pids.gov.ph/details/news/in-the-news/why-journalists-media-literacy-advocates-oppose-anti-fake-news-bills) lawmakers against using the term “fake news” in legislation, as its vague definition could lead to the persecution of journalists. Related Stories - [Exclusive Q&A: Maria Ressa on This Critical Year for Journalism](https://rollingstonephilippines.com/state-of-affairs/power/exclusive-maria-ressa-on-this-critical-year-for-journalism/ "Exclusive Q&A: Maria Ressa on This Critical Year for Journalism") - [Influencers Are the New Go-To for News, Study Says](https://rollingstonephilippines.com/state-of-affairs/news-influencers-report-pew-research-center/ "Influencers Are the New Go-To for News, Study Says") - [How Meta’s Community Notes May Impact PH Election Fact-Checking](https://rollingstonephilippines.com/state-of-affairs/power/meta-community-notes-impact-on-fact-checking-2025-ph-elections/ "How Meta’s Community Notes May Impact PH Election Fact-Checking") **Categories:** News, Politics, State of Affairs **Tags:** Disinformation --- ### [PH Disinfo Hub Targets Fake News Ahead of 2025 Elections](https://rollingstonephilippines.com/state-of-affairs/philippine-disinformation-hub-fake-news/) **Published:** November 28, 2024 **Author:** Pie Gonzaga **Content:** Since the 2016 national elections, social media has played a huge part in electoral politics. In a *[BBC](https://www.bbc.com/news/blogs-trending-38173842)* report, Rodrigo Duterte’s former social media manager, Nic Gabunada, said that the former president’s campaign relied heavily on digital platforms due to budget constraints. In 2017, a University of Oxford [study](https://demtech.oii.ox.ac.uk/wp-content/uploads/sites/12/2017/07/Troops-Trolls-and-Troublemakers.pdf) found that Duterte had spent around P10 million on the social media campaign, which employed automated fake accounts to target individuals or groups, either to influence their opinion or to silence dissent. During the 2022 elections, a “social media marketing consultant” with the alias Jon told the *[BBC](https://www.bbc.com/news/blogs-trending-61339293)* that he oversaw a team of 30 other “trolls” in managing fake accounts and pages on Facebook “for the benefit of his clients,” governors, congressmen, and mayors. ## PH Disinfo Hub Non-profit organization and think tank Sigla Research Center’s response to the [political disinformation](https://rollingstonephilippines.com/state-of-affairs/disinformation/) machine is the [Philippine Disinformation Hub](https://siglaresearch.org/ph-disinfo-hub/) (PH Disinfo Hub), an online collection of studies and free learning materials that Filipinos can refer to as they navigate the web. Learning materials include an eight-step lesson plan with explainer videos that tackle the history of disinformation in the country, the disinformation industry, related laws, and solutions. The hub also boasts of a syllabus that consists of eight modules written in Taglish “to make the content more accessible and relatable.” The syllabus was designed specifically for teachers and students who are “interested in the critical study of social media and their impacts on Filipino politics and public culture at large.” The platform also has its own growing collection of studies on disinformation and politics in the Philippines, with research dating as far back as 2017 and as recent as 2024. Sigla also encourages other researchers and scholars to pitch in and share their work to expand the database. Behind PH Disinfo Hub is Sigla’s team of Filipino researchers and community organizers based here and abroad. They collaborated with Out of the Box (OOTB), a media literacy initiative of University of the Philippines Journalism graduates. According to a press release, Sigla is also working on a national elections research project that will “monitor the flow of information” during the campaign period for the upcoming midterm elections. Sigla’s head of partnerships and engagements Juan Felix said that the study aims to “outline national trends and characteristics of electoral disinformation and influence operations” and uncover “hyperlocal forms of political influence work online and offline” nationally and regionally. Over the years, various companies, sectors, and organizations have made an effort to combat trolls and the disinformation they facilitate. Meta, for example, has tried to crack down on fake accounts through their policies and terms of service. Various news outlets have taken to forming fact-checking teams to verify the information they report. Projects like PH Disinfo Hub seek to equip citizens with the necessary tools to sift through the loads of information they’re met with daily. With the midterm elections happening in May 2025, we have yet to see how effective these initiatives truly are in combating disinformation. For now, Sigla hopes that with the resources they provide, “we get the government we rightly deserve.” **Categories:** News, Politics, State of Affairs **Tags:** 2025 Midterm Elections, Disinformation --- ### [The Philippine Opposition Must Combat Disinformation Superspreaders](https://rollingstonephilippines.com/editors-picks/opinion/philippines-disinformation-superspreaders/) **Published:** May 11, 2025 **Author:** Regine Cabato **Excerpt:** The disinformation network backing the Dutertes has adapted, grown, and continues to tilt the political playing field in the Philippines **Content:** The Philippines has a toxic relationship with the Duterte dynasty. The drug war was popular — but also not quite, since most Filipinos disagree with the killings and feared for their lives. Support for former president [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte")’s case at the [International Criminal Court](https://rollingstonephilippines.com/tag/international-criminal-court/ "International Criminal Court") has been growing, and almost half of Filipinos favored the impeachment of Vice President Sara Duterte earlier this year. After Duterte’s arrest in March, Pulse Asia found Sara Duterte’s trust rating rose to 61 percent. These fluctuations are a symptom of deep polarization and the complete opposite of “unity,” the only platform the Marcos-Duterte alliance promised when they were elected two years ago. Between former president Rodrigo Duterte’s high-profile International Criminal Court arrest and the most recent Pulse Asia survey, the Duterte [disinformation machine](https://rollingstonephilippines.com/state-of-affairs/disinformation/) — a many-headed behemoth made of hyper-partisan influencers, anonymous trolls, and true believers — has cast the Dutertes as victims. Around 83 percent of online narratives were “deceptive” and “favorable” to Duterte, according to fact-checking initiative *Tsek.ph*. *Philstar.com* uncovered 200 accounts copy-pasting scripts that framed the arrest as a kidnapping. Online threat detection company [Cyabara](https://www.reuters.com/world/asia-pacific/fake-accounts-drove-praise-duterte-now-target-philippine-election-2025-04-11/) found a third of accounts on X discussing the arrest are fake. *Rappler* calculated that almost half of Facebook ads after the arrest supported Duterte — and *Reuters* points out most ads did not run with the required disclaimers for political advertising, a violation of Meta’s own policies. It is reasonable to conclude, with Sara Duterte’s continued foothold, that these propaganda efforts are working. This exposes an inconvenient truth: Advocates of democracy and justice — and to an extent, the present Marcos administration — do not yet have a comfortable enough lead over the Dutertes. ## Deeply Polarized ![dutertes davao city local election 2019](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/02/duterte-mayoral-campaign-2019.webp) Former President Rodrigo Duterte with children current Vice President Sara Duterte and Davao City Mayor Sebastian Duterte, who ran for Davao City mayor and vice mayor respectively in the 2019 local elections, May 10, 2019. Photo from Presidential Communications Office Pro-Duterte hardliners may be a minority, but their propaganda is designed to court a sizable fraction of undecided Filipinos with flexible opinions, swayable by emotion and first impressions on social media. Their narrative tactics include sowing doubt in extrajudicial killings and camouflaging as a solid majority through fake and manipulated photos. They also weaponize “false nostalgia,” as veteran journalist John Nery points out in an op-ed on *Rappler*. Elections and public opinion are won on marginal differences. Behavioral scientist Sander Van Der Linden details in *Foolproof: Why We Fall for Misinformation and How to Build Immunity* that “not everyone *needs* to be fooled in order for misinformation to be highly influential and dangerous.” In *Lie Machines*, professor Philip Howard of the Oxford Internet Institute — the same group that discovered Duterte spent PhP 10 million on troll operations with up to 500 staff in 2016 — says the ideal result for such propagandists “is not a massive swing in the popular vote but small changes in sensitive neighborhoods, diminished trust in democracy and elections, voter suppression, and long-term political polarization.” Depolarizing every small community — from church groups to schools — matters. But standing in the way are hyper-partisan influencers who shape online discourse and push otherwise soft supporters to the extreme. In today’s information pandemic, these characters are disinformation superspreaders. They muddy the waters with lies, vitriol, and the pseudo-intellectual mental gymnastics that comprise the [“justification machine”](https://www.theatlantic.com/technology/archive/2025/01/january-6-justification-machine/681215/) where Duterte’s supporters source the rationale for their biases. Their talking points are amplified by foreign accounts and troll farms. Some of these personalities now face scrutiny at the House of Representatives, but most still retain their online platforms. In a previous column for [*Rolling Stone Philippines*](https://rollingstonephilippines.com/state-of-affairs/opinion/opposition-vs-marcos-and-duterte/), I argued that liberals and progressives must treat every day like a never-ending campaign. Now, I argue that they must take legal and technical action to “neutralize” black propagandists — not in the Dutertian sense of the word as killing, but rather to kill their *reach*. Serial disinformers may have a right to their (wrong) opinions, but they do not have a right to an audience. Some wins have been made in the last three years: Charges against Duterte critics Leila de Lima and Maria Ressa have been dropped, suggesting that at the least, President Ferdinand Marcos Jr. will not intervene at the courts. Journalist Atom Araullo has won a landmark case for [red-tagging](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/journalist-atom-araullo-wins-landmark-lawsuit-vs-red-tagging/ "Journalist Atom Araullo Wins Landmark Lawsuit Vs Red-Tagging"), and hyper-partisan propaganda channel SMNI has been suspended from Facebook and YouTube. The Armed Forces of the Philippines, which once ran its own malign influence network under Duterte, has publicly committed to information integrity after being attacked by pro-Duterte trolls. Democracy advocates should continue critically engaging Marcos in areas of potential alignments like big tech regulation, West Philippine Sea, foreign interference, and the drug war. But they should also take advantage of the current climate against Duterte, and shift from defense to offense. Opposition leaders and civil society should take disinformation superspreaders to two places: the court, and the Meta Oversight Board. ### Legal Options ![ace barbers in house of representatives february 4 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/02/ace-barbers-feb-4.jpg) Surigao Del Norte Representative Ace Barbers (right) delivers his privilege speech at the tri-committee hearing on online disinformation, February 4, 2025. Screengrab from House of Representatives YouTube Freedom of speech does not mean freedom from accountability. The continued social media presence of disinformation superspreaders lets them go on empowering the worst of their supporters, all while reaping profit. Accountability-seeking should not be left to civilians alone. Prominent public figures should exhaust every possible legal means to disrobe these false prophets of their clout Former senators Sonny Trillanes and Kiko Pangilinan have filed such complaints, although these have not yet been enough to knock malicious operators off social media platforms for good. In 2022, opposition leader Leni Robredo admitted that she regretted not acting early enough to dispel disinformation about her. In the same year, Darryl Yap, a director notorious for emotion-baiting incendiary content, ran a smear campaign featuring a puppet thinly veiled as Robredo, starring Imee Marcos to boot, which should have broken Commission and Election rules of conduct. The videos are still up online, both on Yap and Imee Marcos’ channels. As long as they stay there, they will continue to generate profit. Analytical tool Social Blade estimates Yap can earn anywhere between PhP 100,000 to PhP 1.7 million a year just from his YouTube account, where he has almost two million subscribers. Marcos, in the absence of any formal complaint for campaign violations at the Comelec, has aligned with the Dutertes and still vies for the coveted twelfth Senate seat this midterm. Among opposition figures, Robredo — and possibly De Lima — have the most meat for winnable defamation cases. Evidence for black propaganda against Robredo is plenty: a rumored pregnancy and affairs, her likeness strapped to a bed and exorcised, and so on. At this point, a lawsuit is a social obligation — not only to her political allies, but all supporters of information integrity and good governance. While partisan influencers get away with the worst of their vitriol, they will continue to clutter the Internet, radicalize otherwise soft Duterte supporters, and train their target on others. ## Civil Action ![atom filed lawsuit](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/03/atom-lawsuit.jpg) Araullo filed a civil suit against SMNI hosts Lorraine Bador and Jeffrey Celiz for red-tagging him, September 11, 2023. Photo from National Union of Journalists of the Philippines Facebook The second course of action is for civil society actors, possibly in league with opposition figures and families of extrajudicial killings victims, to test Meta moderation at the Oversight Board. The Board is an independent mechanism that calls the final shots on content moderation decisions. Activists or coalitions like the Movement Against Disinformation can convene with disinformation researchers for a thorough accounting of failures in content moderation. Meta and other platforms have not only failed to curb the spread of harmful content, but — as pointed out in recent Rappler and Reuters investigations on pro-Duterte Facebook ads — they have been breaking their own rules, and turning a profit by doing so. Platforms’ shift toward community notes further complicates the fact-checking process. Civil society should craft a strategic complaint to raise to Meta’s Oversight Board that could concretely result in the permanent ban of serial disinformers or certain content. Among the threads it could follow are the harassment of extrajudicial killings victims’ families and a rising conspiracy theory that the killings were a hoax. However, the Board is not without flaws. Not all its decisions are binding, and their interventions can backfire. The case of Cambodia is informative: In 2023, the Oversight Board ordered the removal of a violent speech by its former prime minister Hun Sen, and he was recommended to be suspended from the platform (by that standard alone, many of Duterte’s own speeches could arguably be subject to removal). Preempting the ban, Hun Sen deactivated his page. Facebook complied with a takedown of the post, but not the page. Hun Sen has since returned to social media. As such, the strategic archiving of these pages — which can contain legal evidence — is necessary ahead of raising a complaint. Nonetheless, an Oversight Board case can set a precedent internally within Meta’s own systems. If it fails, it still drives global public attention to the Philippine case. Data gathered and ensuing developments may even inform [proceedings at the ICC](https://rollingstonephilippines.com/state-of-affairs/politics/rodrigo-duterte-withdrew-from-icc-and-it-backfired-on-him/ "How Rodrigo Duterte’s ICC Withdrawal Backfired on Him"), where witnesses have become targets of an intimidation campaign by the Duterte machinery. With the Marcos and Duterte rift, there are windows of opportunity to secure precedent-setting, long-term wins that were not doable under Duterte. Of course, disinformation superspreaders retain their right to prove in court and tech platform mechanisms that their fallacies and cruelties are within the bounds of protected free speech. However, their online suspensions and bans after repeated community guideline violations and harmful content would free up poisoned algorithms. We owe our future selves the favor of carving out the breathing space for supporters of democracy to compete more fairly on propaganda-saturated platforms. *Regine Cabato was previously the Manila Reporter for The Washington Post, and a fellow at the Reuters Institute for the Study of Journalism. She is pursuing a master’s degree in politics and international relations at SOAS University of London under a Chevening scholarship.* Related Stories - [What the Opposition Can Learn from Marcos-Duterte Narratives](https://rollingstonephilippines.com/editors-picks/opinion/opposition-vs-marcos-and-duterte/ "What the Opposition Can Learn from Marcos-Duterte Narratives") - [Marites Vitug on Duterte, China, and the State of Journalism](https://rollingstonephilippines.com/state-of-affairs/marites-vitug-by-atom-araullo/ "Marites Vitug on Duterte, China, and the State of Journalism") - [Fake News in the Philippines Has Had a Chaotic Week](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/fake-news-in-the-philippines-has-had-a-chaotic-week/ "Fake News in the Philippines Has Had a Chaotic Week") - [How Meta’s Community Notes May Impact PH Election Fact-Checking](https://rollingstonephilippines.com/state-of-affairs/power/meta-community-notes-impact-on-fact-checking-2025-ph-elections/ "How Meta’s Community Notes May Impact PH Election Fact-Checking") **Categories:** Opinion, State of Affairs **Tags:** Disinformation, Ferdinand Marcos Jr., Rodrigo Duterte, Sara Duterte --- ### [DENR Sec. Toni Yulo-Loyzaga Could've Done More for the Environment](https://rollingstonephilippines.com/state-of-affairs/politics/toni-yulo-loyzaga-denr-secretary/) **Published:** May 27, 2025 **Author:** Pie Gonzaga **Excerpt:** Was outgoing Environment and Natural Resources Secretary Toni Yulo-Loyzaga offloaded because she failed to support the mining industry, or because she didn’t engage with the environmental sector? **Content:** On Thursday, May 22, [Maria Antonia “Toni” Yulo-Loyzaga](https://rollingstonephilippines.com/tag/toni-yulo-loyzaga/ "Toni Yulo-Loyzaga") tendered her resignation as secretary of the Department of Environment and Natural Resources (DENR) after [President Ferdinand “Bongbong” Marcos](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") Jr. called for courtesy resignations from all cabinet members. She will be replaced by Energy Secretary Raphael Lotilla. Yulo-Loyzaga’s removal from office is almost surprising because she’s also a close relative of First Lady Liza Araneta Marcos. But critics, especially those in the [environmental sector](https://rollingstonephilippines.com/state-of-affairs/environment/ "Environment"), will say it’s deserved. As chair of the International Advisory Board of the Manila Observatory and technical adviser for the Philippine Disaster Resilience Foundation, Yulo-Loyzaga was nominated as environment secretary in 2022 for her expertise in disaster risk reduction. To her credit, Yulo-Loyzaga took a research-based approach to addressing some environmental concerns. Under her leadership, the DENR commissioned a study assessing the impact of the Manila Bay [reclamation projects](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/denr-manila-bay-reclamation-flooding-risks-ncr/) on surrounding communities. In February 2025, she warned that many of these reclamation projects are not integrated into the flood management plans of the surrounding local government units, and that the livelihoods of fisherfolk would also be at risk. At the beginning of his term, Marcos’ marching orders for the DENR were to maximize the country’s mineral resources and balance economic development with environmental care. In January 2025, the DENR said that it would adopt parallel processing for mining permits, as opposed to the current sequential process, allowing operators to secure permits in three years instead of six. To offset the environmental impact of mining, operators are also required to submit plans for community development programs. Yulo-Loyzaga’s support for the mining industry stands in sharp contrast to another environment secretary, the late Gina Lopez, whose leadership of the DENR lasted less than a year but made an impact in the environmental sector. Lopez led the department from June 2016 to May 2017 and used this time to crack down on mining firms, who broke conservation laws, stripping them of their environmental certificates and suspending operations. Despite being removed by the Commission on Appointments, which Lopez chalked up to the government pursuing business interests, she was lauded by civic groups and environmental advocates for putting the environment first. In contrast, Yulo-Loyzaga emphasized the need to strike a balance between the mining sector and the environmental sector. At a multi-stakeholder [forum](https://www.philstar.com/headlines/climate-and-environment/2023/02/02/2242074/denr-engaging-various-stakeholders-mining-concerns) in Cagayan de Oro in February 2023, she said, “We’re here to listen and until we can be satisfied that we’ve heard all stakeholders, we cannot achieve a balance in terms of the approach.” But environmental advocates felt that they were sidelined. ## Reinforcing Margins ![toni yulo loyzaga denr manila bay reclamation study senate](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/toni-yulo-loyzaga-senate-appearance.webp) Yulo-Loyzaga presents the initial findings of its study on the Manila Bay reclamation projects to the Senate Committee on Public Works, August 1, 2024. Photo by Voltaire F. Domingo/Senate Social Media Unit via Facebook In December 2023, Philippine Movement for Climate Justice, Caritas Philippines, Center for Energy, Ecology, and Development (CEED), Aklsyon Kilma Pilipinas, and Greenpeace Philippines called the DENR out for excluding them from the Philippine pavilion at that year’s United Nations Climate Change Conference (COP28) in Dubai, United Arab Emirates. “Unfortunately, it is clear that the inclusion of vulnerable communities and civil society is not a priority of the delegation, and the pavilion’s execution,” the groups said in a statement. They added that the pavilion was a “space that has potential to facilitate critical intersectoral discussions for our people’s climate survival.” A source from the department explained to [*Rappler*](https://www.rappler.com/philippines/groups-sidelined-philippine-pavilion-cop28/) that the DENR had to “curate” their activities for COP28 given the conference’s busy schedule. “Just because they’re not included in the COP doesn’t mean they’re not heard,” the source said. They also said that the groups were engaged with the Yulo-Loyzaga and other DENR officials. In April 2024, Balagbag Environmental Society, Sibuyanons Against Mining, Philippine Misereor Partnership, Zambales Ecological Society, Masungi Georeserve Foundation (MGFI), and other civic groups called on the DENR chief to step down due to her inaction and inability to engage with communities affected by infrastructure projects. “It’s time for Secretary Yulo-Loyzaga to either shape up her act radically or step down for someone committed and capable of making the necessary changes,” their statement said. One of the most prominent stains on Yulo-Loyzaga’s tenure as DENR secretary is the agency’s conflict with [Masungi Georeserve](https://rollingstonephilippines.com/state-of-affairs/power/masungi-georeserve-denr-conflict-explained/). In March 2025, the DENR announced that it had terminated its contract with Blue Star Construction Development Corporation, the developer of the georeserve in Rizal. The 1996 joint venture agreement (JVA) sought to develop 130 hectares of government property into “sustainable housing” for employees and green spaces. In 2017, Lopez gave Blue Star another 2,700 hectares for them and MGFI to restore, reforest, and protect. Yulo-Loyzaga said that the new agreement between Lopez’s DENR and Blue Star was illegal as it allegedly failed to go through a bidding process. Outgoing Senator Nancy Binay criticized the termination, saying that the DENR is incapable of carrying on MGFI’s conservation work in the area. The only thing we really know about Yulo-Loyzaga’s removal from office is that it was motivated by Marcos’ thrust for government agencies to perform better. But there is no explicit indication of whether it’s because Yulo-Loyzaga, despite all her efforts, failed to bolster the mining industry or because she neglected the other half of her duties concerning the environment. Perhaps Lotilla’s assignment as the new DENR secretary, welcomed by mining groups, can clue us in. Related Stories - [DENR: Manila Bay Reclamation Poses Flooding Risks for NCR](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/denr-manila-bay-reclamation-flooding-risks-ncr/ "DENR: Manila Bay Reclamation Poses Flooding Risks for NCR") - [The Conflict Over Masungi Georeserve is Years in the Making](https://rollingstonephilippines.com/state-of-affairs/power/masungi-georeserve-denr-conflict-explained/ "The Conflict Over Masungi Georeserve is Years in the Making") - [Nickel Mining Polluting Air, Water in Palawan, Zambales, Says Amnesty](https://rollingstonephilippines.com/state-of-affairs/power/nickel-mining-polluting-air-water-palawan-zambales-amnesty-report/ "Nickel Mining Polluting Air, Water in Palawan, Zambales, Says Amnesty") - [Sierra Madre’s Viral Mining Sites Are Authorized, But Still Alarming ](https://rollingstonephilippines.com/state-of-affairs/power/sierra-madre-isabela-dmc-mining/ "Sierra Madre’s Viral Mining Sites Are Authorized, But Still Alarming ") **Categories:** Politics, State of Affairs **Tags:** DENR, Environment, Toni Yulo-Loyzaga --- ### [Continuiti Carves a Path in Sustainable Fashion Rental](https://rollingstonephilippines.com/radar/style/continuiti-sustainable-fashion-brand-philippines/) **Published:** November 5, 2025 **Author:** Mel Wang **Excerpt:** Continuiti offers a diverse range of branded outfits for rent, allowing rentees the opportunity to look their best while not hurting their wallet or the planet **Content:** Sustainable fashion has become an important factor lately in how consumers make decisions in what they wear and where they shop. Many shoppers are no longer comfortable with supporting fast fashion enterprises, which account for roughly 10 percent of global pollution. Clothes quickly end up in landfills, more get produced and sold, and shoppers are quickly beginning to recognize the harm their purchases can have on the planet. Fortunately, [environment-focused](https://rollingstonephilippines.com/state-of-affairs/environment/) fashion services like [Continuiti](https://rollingstonephilippines.com/tag/continuiti/ "Continuiti") may have a solution. ![Continuiti founders Ina Cruz, Rocio Escaño, and Sam Villavicencio.](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/IMG_2168-1.webp) Continuiti founders Ina Cruz, Rocio Escaño, and Sam Villavicencio. Photo courtesy of Continuiti Founded in 2024 by Gen Z entrepreneurs Ina Cruz, Rocio Escaño, and Sam Villavicencio, Continuiti has quickly become one of the leading sustainable and environmentally conscious fashion rental services in the country. The three co-founders have dedicated themselves to expanding the lives of each of their garments for rent, thereby doing their part in helping to stop fast fashion from harming the planet. ![Continuiti](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/IMG_1084.webp) Guests at the launch of Continuiti’s first physical store. Photo courtesy of Continuiti Familiar names like Reformation, House of CB, and Zimmerman all comprise Continuiti’s closet, giving rentees the opportunity to look their best in the latest styles, without having to hurt their wallets or the environment. A year after its initial launch, Continuiti is expanding with the opening of its first-ever commercial studio. Located in the Finman Building in Salcedo Village, Continuiti’s physical space allows curious renters to come see, feel, and try on pieces before renting. Beyond being a showroom, the studio embodies Continuiti’s promise to make sustainable fashion feel accessible, elevated, and effortless. Related Stories - [Deftones, Dickies Tease Official Collab After Decades of Fan-Made Bootleg Merch](https://rollingstonephilippines.com/radar/style/deftones-dickies-collab-bootleg-merch/ "Deftones, Dickies Tease Official Collab After Decades of Fan-Made Bootleg Merch") - [KAWS to Push ‘Art for All’ as UNIQLO’s First Artist-in-Residence](https://rollingstonephilippines.com/radar/style/kaws-uniqlo-first-artist-residency/ "KAWS to Push ‘Art for All’ as UNIQLO’s First Artist-in-Residence") - [4 Best Dressed Filipino Celebrities From Met Gala History](https://rollingstonephilippines.com/culture/4-best-dressed-filipino-celebrities-met-gala/ "4 Best Dressed Filipino Celebrities From Met Gala History") **Categories:** Radar, Style **Tags:** Continuiti --- ### [How the AI Expansion by Meta, ChatGPT Will Affect the Philippines](https://rollingstonephilippines.com/state-of-affairs/power/ai-expansion-meta-chatgpt-affect-philippines/) **Published:** April 30, 2025 **Author:** Pie Gonzaga **Excerpt:** As generative AI becomes more ubiquitous with Meta AI and ChatGPT, the Philippines opens its first data center in Laguna, ready to meet AI's growing demands. **Content:** Generative [artificial intelligence](https://rollingstonephilippines.com/tag/ai/ "AI") (AI) has become ubiquitous, and the competition between companies to develop AI tools is driving the technology’s expansion. On Tuesday, April 29, tech company Meta launched its standalone AI app Meta AI, almost two years after first launching the AI chatbot in the company’s existing products Facebook, Messenger, Instagram, WhatsApp in September 2023. Meta Chief Executive Officer Mark Zuckerberg said that the AI assistant app is designed to learn the user’s personality. “We’re starting off really basic, with just a little bit of context about your interests,” he said in the announcement video posted on Instagram. “But over time, you’re going be able to let Meta AI know a whole lot about you and the people you care about from across our apps, if you want.” Meta AI features a Discovery tab that allows users to share AI-generated work and a Ready to Talk function that enables real-time conversations with the chatbot. Users can switch between the default AI voice and the voices of celebrities Dame Judi Dench, Keegan-Michael Key, John Cena, Kristen Bell, and Awkwafina. The new AI app competes with OpenAI’s ChatGPT and newer AI chatbots like Google’s Gemini and X’s Grok. On Tuesday, OpenAI also announced ChatGPT’s new shopping feature, which seeks to facilitate users’ shopping searches online. “We’re experimenting with making shopping simpler and faster to find, compare, and buy products in ChatGPT,” the AI company said on X. E-commerce company Amazon also unveiled its own AI shopping assistant, Alexa+, in February 2025. ChatGPT is currently the most widely used AI tool with 200 million weekly users globally. By comparison, Meta AI recorded 700 million monthly users as of January 2025. ## AI-Ready Data Center in the Philippines ![bongbong marcos vitro data center sta rosa laguna pldt](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/PH-first-AI-ready-hyperscale-data-center-launched-in-Laguna-1.webp) President Ferdinand “Bongbong” Marcos Jr. attends the opening of the VITRO Data Center in Sta. Rosa, Laguna, April 23. Photo from Philippine Information Agency With that comes an increased demand for more energy-intensive data centers — a demand the Philippines is eager to meet, perhaps to devastating effects on the [environment](https://rollingstonephilippines.com/state-of-affairs/environment/ "Environment"). On April 23, data center service provider VITRO Inc. launched the country’s first “AI-ready” hyperscale data center in Sta. Rosa, Laguna. Like other hyperscale data centers, VITRO Santa Rosa (VSR) will serve as a facility to process large amounts of data, specifically for generative AI used for search queries, chatbots, and making AI art. VITRO Inc. is a subsidiary of telecommunications company PLDT. At the inauguration, President Ferdinand “Bongbong” Marcos Jr. said the data center is “proof that the Philippines is future-ready for the digital realm. “The inauguration of VSR signals the country’s readiness to attract the world’s largest technology companies and showcase our regional competitiveness in the digital space,” Marcos said in his speech. Since the generative AI boom in 2021, environmental advocates have worried about the impact of generative AI on the planet. AI data centers are particularly energy-intensive, typically hosting 5,000 servers and are temperature-controlled through [cooling units](https://rollingstonephilippines.com/state-of-affairs/power/how-to-stay-cool-in-the-philippine-heat-sustainable/ "How to Stay Cool in the Philippine Heat Without Killing the Planet"). According to a 2024 impact paper titled “The Climate and Sustainability Implications of Generative AI” by Massachusetts Institute of Technology (MIT), the growing demand for data centers “runs counter to the massive efficiency gains that are needed to achieve net-zero greenhouse gas emissions by 2050 in energy-related sectors.” In North America, power requirements of data centers increased from 2,688 megawatts at the end of 2022 to 5,341 megawatts at the end of 2023. Electricity consumption in data centers is expected to increase to 1,050 terawatts by 2026. MIT Computing and Climate Impact Fellow Noman Bashir, lead author of the impact paper, told *MIT News*, “The demand for new data centers cannot be met in a sustainable way. The pace at which companies are building new data centers means the bulk of the electricity to power them must come from fossil fuel-based power plants.” VSR is expected to be as energy-intensive. In its launch, PLDT Chairman Manuel V. Pangilinan said the PLDT Group plans to expand the data center’s energy capacity to 500 megawatts within three years. Marcos assured that the country’s energy infrastructure can support VSR and other data centers. Related Stories - [‘AI-Powered’ Shopping App Actually Powered by PH Call Center —FBI](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/ai-powered-shopping-app-actually-powered-by-ph-call-center-fbi/ "‘AI-Powered’ Shopping App Actually Powered by PH Call Center —FBI") - [‘Her,’ The AI Film That Foretold Filipino Love and Loneliness](https://rollingstonephilippines.com/editors-picks/commentary/her-spike-jonze-on-ai-filipino-love-and-loneliness/ "‘Her,’ The AI Film That Foretold Filipino Love and Loneliness") - [How to Stay Cool in the Philippine Heat Without Killing the Planet](https://rollingstonephilippines.com/state-of-affairs/power/how-to-stay-cool-in-the-philippine-heat-sustainable/ "How to Stay Cool in the Philippine Heat Without Killing the Planet") **Categories:** News, Power, State of Affairs **Tags:** AI, Artificial Intelligence, Climate Issues, Environment --- ### [From Marcos to Duterte: Public Officials on the Controversial Pax Silica](https://rollingstonephilippines.com/state-of-affairs/environment/pax-silica-marcos-duterte-officials-react/) **Published:** July 30, 2026 **Author:** Pie Gonzaga **Excerpt:** More politicians are chiming in on the conversation about the AI-focused industrial hub set to rise in Tarlac **Content:** Concerns regarding the U.S.-led [Pax Silica](https://rollingstonephilippines.com/tag/pax-silica/ "Pax Silica") initiative were totally brushed aside in President [Ferdinand “Bongbong” Marcos Jr.’](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.")s most recent [State of the Nation Address](https://rollingstonephilippines.com/state-of-affairs/pbbm-2026-sona-marcos-legacy/) (SONA), but that hasn’t stopped other government officials from chiming in. Marcos only briefly touched on the project in his speech on Monday, July 27, saying, “It will bring quality jobs to our people, accelerate our industrial competitiveness, and revitalize our economy.” While critics were left dissatisfied with this, more public officials have directed their attention to the controversy. Among them is the president’s sister, Senator [Imee Marcos](https://rollingstonephilippines.com/tag/imee-marcos/ "Imee Marcos"), who posted a video on July 24 calling the pursuit of rare earth minerals in the Philippines an “environmental hazard.” “Para salain, kinakailangan pala ng tone-toneladang tubig, galon-galon,” she said. “Mauubos ang Pantabangan \[Dam\], Angat, Magat. Papaano na ang mga magsasaka?” Her fellow lawmaker, Sen. [Risa Hontiveros](https://rollingstonephilippines.com/tag/risa-hontiveros/ "Risa Hontiveros"), likewise said that the Pax Silica project must be studied further to see if it meets national interests, especially in terms of the environment. “Kailangan nating pag-aralan nang mabuti dahil malaki siyang foreign direct investment. Ang isang prinsipyo kasi na pinanghahawakan ko sa pag-consider diyan ay capital with purpose at pambansang interes sa usapin ng ating kalikasan,” she said in an interview following the SONA. Meanwhile, Sen. [Francis “Kiko” Pangilinan](https://rollingstonephilippines.com/tag/kiko-pangilinan/ "Kiko Pangilinan") had more to say about Pax Silica in a statement posted on social media. “Kung makakatulong itong palakasin ang industriyang Pilipino habang pinoprotektahan ang mga komunidad at kalikasan natin dito sa Pilipinas, nararapat lamang itong suportahan,” he said. “Pero kung ang kapalit ay ang muli at lalong panggigipit sa gipit na, at ang paggamit sa kalikasan nang walang sapat na safeguards, at para lamang may iilang limpak-limpak ang pakinabang, ‘yun ang hangganang hindi ko tatawirin.” He added, “Kailangang dumaan sa butas ng karayom ang pagbubusisi at pagbabalangkas ng \[Pax Silica\].” The [Akbayan Partylist](https://rollingstonephilippines.com/tag/akbayan/ "Akbayan") has also filed a House resolution seeking a probe into the Philippines’ involvement with Pax Silica and to analyze its effects on the economy, environment, community, and national security. “We cannot allow our country’s economic fate to be decided solely on unproven promises,” Akbayan said in a statement published on Wednesday, July 29. “Congress must steadfastly do its role in sifting through the details of Pax Silica and see if it promotes our country’s sovereign interests, upholds ecological integrity, creates decent work, and leads to sustainable innovation and industrialization.” ## Gov’t Agencies Speak on Pax Silica; Sara Duterte Stumbles ![gibo teodoro](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/gibo-teodoro.webp) Defense Secretary Gibo Teodoro has been a vocal supporter of the Pax Silica initiative. Photo from Department of National Defense/Facebook Energy Secretary Sharon Garin said that the Pax Silica hub will not affect the country’s energy supply. “It could be \[that\] they build their own power plant, or another way is that they can get somebody to build a power plant especially for them,” she said on Wednesday. According to her, the Department of Energy is creating a circular to determine the hub’s options for energy supply. On Monday, acting Environment Secretary Juan Miguel “Mitch” Cuna said that he was “looking forward” to the Pax Silica project and said that the Department of Environment and Natural Resources will ensure [environmental compliance](https://rollingstonephilippines.com/state-of-affairs/environment/) will be strictly observed.” “We look forward to a big project like this that will provide jobs and help our economy, but we will definitely not sacrifice the environment for the Pax Silica,” said Cuna. Defense Secretary Gilbert “Gibo” Teodoro, meanwhile, praised the project, calling it a “step toward national resilience” and that criticizing the project “without realizing the challenges that this country and the future generations need to meet” is a “bigger challenge” for the country. For her part, Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte")’s comments — or lack thereof — regarding Pax Silica raised even more concerns. Duterte, who aims to [run for president](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-president-impeachment/ "Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?") in 2028 and currently faces an [impeachment trial](https://rollingstonephilippines.com/tag/sara-duterte-impeachment/ "Sara Duterte Impeachment"), was unable to provide her thoughts on the project when reporters at the Hague, Netherlands, asked her. “Fox silica?” she said. “Wala, I cannot comment on that.” ## Frequently Asked Questions ### What is Pax Silica and why is it controversial in the Philippines? Pax Silica is a U.S.-led initiative in the Philippines that involves the construction of a 1,618-hectare industrial hub for AI in Tarlac. It is controversial due to environmental concerns over water use and questions about national interest and sovereignty. ### Why did Senator Imee Marcos call Pax Silica an environmental hazard? Sen. Imee Marcos warned that rare earth processing requires massive water volumes, risking depletion of the Pantabangan, Angat, and Magat dams — water farmers depend on for irrigation. ### What did Vice President Sara Duterte say about Pax Silica? Asked about Pax Silica in the Hague, Sara Duterte appeared unfamiliar with the project, mishearing it as “Fox Silica” and declining to comment further. ### Which Philippine government agencies have responded to Pax Silica? Representatives of the Department of Energy, Department of Environment and Natural Resources, and Department of National Defense have all given statements addressing concerns related to Pax Silica, including those related to energy supply, environmental compliance, and national security. ### What is Akbayan Partylist’s position on Pax Silica? Akbayan filed a House resolution seeking a probe into Pax Silica, calling for scrutiny of its impact on the economy, environment, community, and national security. Related Stories - [What Everyone Needs to Know About Pax Silica](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/what-everyone-needs-to-know-pax-silica/ "What Everyone Needs to Know About Pax Silica") - [What Was the Point of PBBM’s SONA?](https://rollingstonephilippines.com/state-of-affairs/pbbm-2026-sona-marcos-legacy/ "What Was the Point of PBBM’s SONA?") - [Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-president-impeachment/ "Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?") **Categories:** Environment, Philippine Politics, State of Affairs **Tags:** Ferdinand Marcos Jr., Pax Silica, Sara Duterte --- ### [Does Pope Leo XIV Hate AI Just as Much as We Do?](https://rollingstonephilippines.com/state-of-affairs/pope-leo-xiv-ai-encyclical-magnifica-humanitas/) **Published:** May 26, 2026 **Author:** Pie Gonzaga **Excerpt:** In his very first encyclical, the Pope offers a thorough critique of AI and calls developers and governments to “disarm” it **Content:** [Pope Leo XIV](https://rollingstonephilippines.com/tag/pope-leo-xiv/ "Pope Leo XIV")’s very first encyclical, “[Magnifica Humanitas](https://www.vatican.va/content/leo-xiv/en/encyclicals/documents/20260515-magnifica-humanitas.html),” is finally here, and it contains strong warnings about [artificial intelligence](https://rollingstonephilippines.com/tag/ai/ "AI") (AI). In the encyclical, published on May 25, the Pope wrote about the “grandeur of humanity” in the face of advancements in AI in the encyclical’s third chapter. “As technological development rapidly transforms languages, relationships, institutions, and forms of power, we believers must and can choose which projects to work on and in what manner, so as to safeguard and value the grandeur of humanity that has been given to us as a gift,” he said. He also cited the encyclical “Laudato Si,” writing that [Pope Francis](https://rollingstonephilippines.com/tag/pope-francis/ "Pope Francis") “denounced the growing dominance of a technocratic paradigm in our globalized world: the tendency to let the logic of efficiency, control, and profit alone shape personal, social, and economic decisions.” Pope Leo XIV said that AI models “do not undergo experiences, do not possess a body, do not feel joy or pain, do not mature through relationships, and do not know from within what love, work, friendship, or responsibility mean.” He also warned that AI lacks a moral conscience, cannot judge good and evil, and cannot be held responsible for its consequences. ## What ‘Disarming’ AI Means The Pope also acknowledged that AI chatbots can be “at times genuinely helpful” when it comes to imitating “positive human connection,” such as when it offers users words of advice or empathy. But he said that for less discerning users, it can be “misleading, creating the illusion of a relationship with a real personal subject.” Furthermore, he touched on the harm that AI data centers create on the environment. “Current AI systems require enormous amounts of energy and water, significantly influencing carbon dioxide emissions, and place heavy demands on natural resources,” he said. “For this reason, it is essential to develop more sustainable technological solutions that reduce [environmental impact](https://rollingstonephilippines.com/state-of-affairs/environment/) and help protect our common home.” Pope Leo XIV also put an emphasis on “disarming” AI, or resisting its power over humanity in politics and the economy. “To disarm \[AI\] means discrediting the assumption that technical power automatically confers the right to govern. To disarm does not mean rejecting technology, but preventing it from dominating humanity.” ## Frequently Asked Questions ### What did Pope Leo XIV say about AI in his first encyclical? In Magnifica Humanitas, Pope Leo XIV warned that AI lacks moral conscience, cannot feel or experience life, and must not be allowed to dominate human society or governance. ### What is the encyclical Magnifica Humanitas about? Published May 25, Magnifica Humanitas is Pope Leo XIV’s first encyclical. It addresses AI’s threat to human dignity, its environmental costs, and the need to “disarm” its power. ### What does Pope Leo XIV mean by “disarming” AI? “Disarming” AI means rejecting the assumption that technical power grants the right to govern. It does not mean abandoning technology, but preventing it from dominating humanity. ### Does the Pope think AI can replace human connection? No. While the Pope acknowledges AI can sometimes be helpful, he warns it creates the illusion of real relationships, which can mislead less discerning users into false emotional bonds. ### What environmental concerns did Pope Leo XIV raise about AI? The Pope said AI data centers consume enormous energy and water, contribute significantly to carbon emissions, and must be made more sustainable to protect the environment. Related Stories - [Pope Leo XIV’s Tweets Offer a Glimpse into His Papacy](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/pope-leo-xiv-tweets/ "Pope Leo XIV’s Tweets Offer a Glimpse into His Papacy") - [A New Cinephile Has Entered the Papacy: Pope Leo XIV Names His Top Four Films](https://rollingstonephilippines.com/culture/film/pope-leo-xiv-favorite-movies/ "A New Cinephile Has Entered the Papacy: Pope Leo XIV Names His Top Four Films") - [How the AI Expansion by Meta, ChatGPT Will Affect the Philippines](https://rollingstonephilippines.com/state-of-affairs/power/ai-expansion-meta-chatgpt-affect-philippines/ "How the AI Expansion by Meta, ChatGPT Will Affect the Philippines") **Categories:** Artificial Intelligence, Culture, State of Affairs, Tech **Tags:** AI, Pope Leo XIV --- ### [Philippine Forests are Dying Under the Guise of a ‘Multi-Stakeholder’ Approach](https://rollingstonephilippines.com/editors-picks/opinion/masungi-georeserve-multi-stakeholder-approach/) **Published:** August 11, 2025 **Author:** Ann Dumaliang **Excerpt:** The DENR’s cancellation of Masungi Georeserve joint venture agreement shows environmental protection in the Philippines is operating under a broken system **Content:** When I was eight years old, I stood atop the limestone cliffs of Rizal and saw a wounded, bare landscape destroyed by quarrying. These were my weekends visiting what is now the [Masungi Georeserve](https://rollingstonephilippines.com/tag/masungi-georeserve/ "Masungi Georeserve"). It was barren then, mostly just grass, where goats were the only animals that could graze. There were hardly any trees to shield you from the sun. Watching the mountains in the horizon disappear, one by one, was a painful part of my childhood. It is the feeling that has fueled my life’s work. But my father saw Masungi’s potential. For nearly three decades, he worked to rally a team together to save it. A group of people who sacrificed resources and opportunities to revive this land others had abandoned. Over the years, we worked with national scientists to do research, the military and government forces to fend off violence, and indigenous people’s organizations to protect the land. We worked with lawyers and legislators to lobby for better laws. We worked in tandem with other protected areas to build capacity and support. Together, we watched the forest come back to life. Without their work, there would be no Masungi to defend today. At that point, I thought we were on a very simple path — one built on the idea that all of us were aligned in the shared goal of protecting the forests. Yet in March 2025, the Department of [Environment](https://rollingstonephilippines.com/state-of-affairs/environment/ "Environment") and Natural Resources (DENR) unilaterally cancelled our Joint Venture Agreement, one of the foundational legal safeguards protecting Masungi’s restored forests. This agreement was the jump-off point for the Masungi Geopark Project, a pioneering reforestation project with the Masungi Georeserve Foundation. The landmark project is to push for the restoration of the upper reaches of the notoriously deteriorated Upper Markina watershed, supporting 20 million people, at no cost to the government. ![deforestation in masungi georeserve](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/Tree-Massacre-Panorama_1-copy.webp) Deforestation in Masungi Georeserve. Photo from Masungi Georeserve I found out about the cancellation through a news report. There was no dialogue, no transition plan, not even a meeting. A decision about the forests that I and so many people had regrown over the years was made without us. Nilbert, one of our rangers, sat in stunned silence before quietly asking, “Why?” Nilbert is an indigenous graduate who chose to serve in Masungi despite having other paths, believing — as we all do — that change only happens when we stand together. Our community partners were equally shocked. The decision struck at the heart of our work, dismantling the legal safeguards we fought for years to establish. It felt like a profound betrayal, not just of our agreement, but of the environment itself. The cancellation exposed a fundamentally broken system that we are still using to govern protected areas in the Philippines. ## The Performance of Participation In recent years, conservationists doing the actual, on-the-ground work of protection are being drowned out by quarrying operations, illegal settlers, and speculative developers — all treated as equal “stakeholders” in the fate of the areas they seek to exploit. “Stakeholders” is a word I hear far too often in protection of these environmental destroyers. In fact, the cancellation of the Joint Venture Agreement was paraded in the media as in favor of a more “multi-stakeholder approach.” At first read, it sounds sensible. Why not involve more stakeholders? But who are the stakeholders that are being involved? Why didn’t the scientists, or the forest rangers, or the indigenous communities that all worked on the reforestation know about this? Why didn’t we? When our team dug deeper, we found out who the “stakeholders” were: Big business and environmental offenders. This is how the phrase “multi-stakeholder approach” has been stealthily attacking us. Instead of being an authentic form of democratic participation, it has created a system where illegal occupants get an equal voice alongside legal conservationists. It has become an umbrella term, a cover for greenwashing on a national level. ## When Allies Become Targets The DENR’s cancellation of our agreement came after we relentlessly exposed and opposed illegal activities in the Upper Marikina Watershed. This has included dubious land claims over thousands of hectares of protected watershed for mineral production; fencing off parts of the georeserve under the guise of “protection” while cutting down trees our team had planted, and; “green” projects like wind farms encroaching on fragile ecological systems. Some land dealers even pose as farmers allegedly affiliated with “people’s organizations,” legitimizing the so-called “multi-stakeholder approach” while simultaneously setting up resorts with swimming pools inside the protected area. ![illegal resort in masungi georeserve](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/1-Illegal-Resorts-2-Lihim-na-Batis-1-copy.webp) An illegal resort sitting atop the protected area of Masungi Georeserve. Photo from Masungi Georeserve The so-called multi-stakeholder process gives cover to violators, treating them as legitimate voices. Meanwhile, real decisions to exploit the land are made without public input or transparency on information needed to make knowledgeable decisions. In effect, the “democratic process” becomes a system that can be switched “on” to block legitimate conservation and switched “off” to fast-track environmental destruction. The real stakeholders in protected areas are the 20 million people who depend on the Upper Marikina Watershed for their water, the communities that need flood protection, and the future generations who will inherit whatever we leave behind. They are the ones who suffer when the Upper Marikina Watershed is threatened, yet none of them are sitting in these “multi-stakeholder” meetings, voting on what happens next, nor are they being consulted in multi-sector processes. As environmental defenders, the harassment we face is relentless. I’ve been told by goons with a violent track record of extortion that if we go past a certain area, they will “not hesitate to hunt us down.” I was personally told they would drag me out if they saw me. My personal details, as well as my sister’s, have been published online in coordinated disinformation campaigns designed to intimidate and paint us as obstacles to progress or as the bad actors. Our rangers face the most direct threats. They patrol and are met with armed men who have fenced off huge swaths of the restoration site. In 2021, two of our rangers were shot and nearly killed while they slept in their station. The Philippines consistently ranks as Asia’s deadliest country for environmental defenders. At the World Economic Forum, I shared these stories with Indigenous leaders from the Amazon and rangers from the Congo Basin. Their experiences were hauntingly similar. Yet in our own country, defenders are treated as enemies rather than the government’s most crucial allies. ## An End to the Charade ![masungi georeserve](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/DSC08764-copy.webp) “The real stakeholders in protected areas are the 20 million people who depend on the Upper Marikina Watershed for their water, the communities that need flood protection, and the future generations who will inherit whatever we leave behind.” Photo from Masungi Georeserve Our motion for reconsideration is now with the new DENR leadership, and we are hopeful that we can get back on the path to a future with true stakeholder inclusion. Despite the announced cancellation, Masungi’s forests still breathe. Our rangers still patrol. But for Philippine conservation to succeed, we need to stop pretending that illegal occupation and legal protection deserve equal representation in governance. We need governance systems that prioritize ecological integrity over political convenience, that treat conservation as a public good rather than a private negotiation. We need a system that recognizes the difference between legitimate stakeholders and illegal occupants. The growing solidarity between principled public servants, genuine community organizations, and committed conservationists shows this is possible. But it requires abandoning the fiction that democracy means giving destroyers a voice, instead of holding them accountable for what the law already clearly provides against them. In protected areas, there should be no balance between legal conservation and illegal occupation. There should be no multi-stakeholder legitimization of destruction. There should be protection. Related Stories - [The Conflict Over Masungi Georeserve is Years in the Making](https://rollingstonephilippines.com/state-of-affairs/power/masungi-georeserve-denr-conflict-explained/ "The Conflict Over Masungi Georeserve is Years in the Making") - [DENR Sec. Toni Yulo-Loyzaga Could’ve Done More for the Environment](https://rollingstonephilippines.com/state-of-affairs/politics/toni-yulo-loyzaga-denr-secretary/ "DENR Sec. Toni Yulo-Loyzaga Could’ve Done More for the Environment") - [Sierra Madre’s Viral Mining Sites Are Authorized, But Still Alarming ](https://rollingstonephilippines.com/state-of-affairs/power/sierra-madre-isabela-dmc-mining/ "Sierra Madre’s Viral Mining Sites Are Authorized, But Still Alarming ") **Categories:** Opinion, Politics, State of Affairs **Tags:** Masungi Georeserve --- ### [What to Expect from Raphael Lotilla as DENR Chief](https://rollingstonephilippines.com/state-of-affairs/politics/lotilla-denr-secretary-energy-environment/) **Published:** June 2, 2025 **Author:** Pie Gonzaga **Excerpt:** While leaders in the mining and energy industries are excited to work with Lotilla as the new environment secretary, climate advocates are less trusting **Content:** After handing in his courtesy resignation as the secretary of the Department of Energy (DOE), Raphael Lotilla was appointed on May 23 to lead the Department of Environment and Natural Resources ([DENR](https://rollingstonephilippines.com/tag/denr/ "DENR")), replacing [Maria Antonia “Toni” Yulo-Loyzaga](https://rollingstonephilippines.com/state-of-affairs/politics/toni-yulo-loyzaga-denr-secretary/ "DENR Sec. Toni Yulo-Loyzaga Could’ve Done more for the Environment"). Leaders in the mining and energy sectors welcomed Lotilla’s reassignment, but environmental advocates aren’t as enthusiastic. [Meralco PowerGen Corp.](https://business.inquirer.net/527188/clean-energy-movers-hail-new-denr-chief) President and CEO Manny Rubio said Lotilla’s new position presents a “unique opportunity” for clean and renewable energy to gain momentum in the country and to “bridge energy and [environmental goals](https://rollingstonephilippines.com/state-of-affairs/environment/).” The [Chamber of Mines of the Philippines](https://www.philstar.com/business/2025/05/27/2445989/mining-groups-support-lotilla-new-denr-chief) (COMP) is also hopeful that Lotilla will continue Yulo-Loyzaga’s programs aimed at easing restrictions on mining operations. “We are eager to partner with Secretary Lotilla in programs that would enhance the environmental, social, and governance performance of mining contractors, such as what our members are doing through COMP’s Towards Sustainable Mining program,” said COMP Chairman Michael Toledo. ![bongbong marcos raphael lotilla](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/06/marcos-lotilla.webp) Lotilla takes oath as the energy secretary under President Ferdinand Marcos Jr., July 30, 2022. Photo from Bongbong Marcos/Instagram Meanwhile, Greenpeace Philippines is wary of Lotilla’s track record in the [environmental sector](https://rollingstonephilippines.com/tag/environment/ "Environment"). “In the years that he served as \[energy\] secretary, we’ve seen aggressive moves to enable dangerous nuclear energy, promote fossil gas, and reverse the moratorium on coal-fired power plants,” said Greenpeace Southeast Asia Executive Director Jasper Inventor in a statement. “We challenge Sec. Lotilla to leave behind these old interests, turn a new page under his new mandate, and work to reverse the pro-nuclear and pro-fossil fuel stance of the administration.” Inventor added, “We also hope to see a DENR that is more open to collaboration and dialogue with communities, people’s organizations, and civil society.” Before his appointment as energy secretary in 2022, Lotilla had already led the DOE from 2005 to 2007, during the administration of Gloria Macapagal Arroyo. Before that, he served as the Power Sector Assets and Liabilities Management Corporation (PSALM) president and CEO. As the adviser of the Legislative-Executive Development Advisory Council (LEDAC), he led the privatization of the country’s power supply chain through the Electric Power Industry Reform Act of 2001. Lotilla also served as the independent director of Aboitiz Power, but stepped down in 2022 to head the DOE. In July 2024, progressive groups filed a graft complaint against him for allegedly violating a coal moratorium after he endorsed the expansion of AboitizPower’s power plant in Toledo City, Cebu. Related Stories - [DENR Sec. Toni Yulo-Loyzaga Could’ve Done More for the Environment](https://rollingstonephilippines.com/state-of-affairs/politics/toni-yulo-loyzaga-denr-secretary/ "DENR Sec. Toni Yulo-Loyzaga Could’ve Done More for the Environment") - [Nickel Mining Polluting Air, Water in Palawan, Zambales, Says Amnesty](https://rollingstonephilippines.com/state-of-affairs/power/nickel-mining-polluting-air-water-palawan-zambales-amnesty-report/ "Nickel Mining Polluting Air, Water in Palawan, Zambales, Says Amnesty") - [DENR: Manila Bay Reclamation Poses Flooding Risks for NCR](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/denr-manila-bay-reclamation-flooding-risks-ncr/ "DENR: Manila Bay Reclamation Poses Flooding Risks for NCR") **Categories:** News, Politics, State of Affairs **Tags:** DENR, Environment --- ### [The Conflict Over Masungi Georeserve is Years in the Making](https://rollingstonephilippines.com/state-of-affairs/power/masungi-georeserve-denr-conflict-explained/) **Published:** March 10, 2025 **Author:** Pie Gonzaga **Excerpt:** The Masungi Georeserve and the DENR have been embroiled in legal conflicts, with both sides claiming violations of their Joint Venture Agreement or JVA **Content:** The people behind the [Masungi Georeserve](https://rollingstonephilippines.com/tag/masungi-georeserve/ "Masungi Georeserve") have literally scaled limestone cliffs and fought tooth and nail to preserve and restore their pocket of land in Baras, Rizal. But since 2024, calls have been made to save the georeserve, its flora and fauna, and its surrounding communities amid conflicts with other land developers, quarrying, illegal logging, and even the Department of Environment and Natural Resources ([DENR](https://rollingstonephilippines.com/tag/denr/ "DENR")). And then, in a press conference on Friday, March 7, the DENR said it canceled its contract with Blue Star Construction Development Corporation, the georeserve’s developer. In addition to the cancellation of the Joint Venture Agreement (JVA), the DENR has also ordered Blue Star to vacate the area within 15 days, to the dismay of Masungi Georeserve Foundation Incorporated (MGFI), various government officials, and [environmental advocates](https://rollingstonephilippines.com/state-of-affairs/environment/). “For over two decades, Masungi and Blue Star have been on the frontlines, defending our forests against land grabbers, illegal quarries, and powerful vested interests,” MGFI said in a statement released on Friday. “Instead of holding these plunderers accountable, the DENR is attacking a project that the late Secretary Gina Lopez once called ‘the only good thing happening in the area.’” “It is apparent that this case is part of a larger, more insidious effort to weaken environmental protection, silence advocates, and clear the path for selfish commercial interests to exploit our natural resources,” the foundation added. ## The Agreement In 1996, Blue Star won a bid by the DENR to develop 130 hectares of government property and convert the area into a “sustainable housing project” for government employees. According to MGFI, they agreed that 30 percent of the area would be developed for housing while the remaining 70 percent would be for green spaces. In 2002, Blue Star was given an additional 300 hectares to develop under the new supplemental agreement (SJVA). “This expansion is based on the provisions of law, which allows a government project to be expanded or extended without additional bidding under certain conditions,” MGFI explained. The 300 hectares cover what would eventually become the Masungi Georeserve and its trails. ![masungi georeserve](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/03/masungi-legacy-trail.jpg) Masungi Georeserve offers visitors the chance to engage in tree-nurturing activities through its Legacy Trail. Photo from Masungi Georeserve Facebook In 2017, the DENR, under late former Secretary Gina Lopez, signed a memorandum of agreement (MOA) with MGFI to restore, reforest, and protect 2,700 hectares of surrounding land in the area. In April 2024, Blue Star charged the DENR P1.166 billion for its alleged failure to deliver lands in a state-owned territory. The DENR asserted that the billing had no legal basis, and current Secretary Maria Antonia Yulo-Loyzaga said she planned to rule out the MOA. In March 2025, the DENR argued that the 2002 SJVA is “illegal,” citing a “lack of essential elements and failure to go through a bidding process.” It also said that Blue Star failed to develop the 5,000 housing units agreed on in the 1996 JVA. However, MGFI explained that the delays were caused by the DENR’s “failure to fulfill its contractual obligation to remove large-scale illegal occupants and claimants in buildable areas of the project site.” ## Next Steps On Monday, March 10, Quezon City Mayor Joy Belmonte released a statement of support for MGFI, calling its work “proof that restoration is possible when communities, organizations, and leaders work together.” “At a time when deforestation and climate change threaten our natural resources, we must not reverse decades of progress,” she said. “We urge for open dialogue and collaboration to reach a resolution that upholds the rule of law while ensuring that conservation initiatives continue.” Lawmakers like Senator Nancy Binay and ACT-Teachers Representative France Castro have spoken out on the issue. “Ngayong pina-ba-vacate nila ang Masungi Georeserve in 15 days, ano ang vision at plano ng DENR para mapangalagaan at maprotektahan ang Masungi?” said Binay in a statement released on Saturday, March 8. She added, “\[N\]ababahala tayo sa magiging resulta ng kanselasyon ng kontrata ng Blue Star. Alam nating walang kakayanan ang DENR na saluhin ang anumang kasalukuyang aksyon na ginagawa ng foundation.” Castro said, “Ang pagpapaalis sa Masungi Georeserve Foundation ay malinaw na hakbang tungo sa pagbukas ng protektadong lugar para sa komersyal na interes.” She also said that she will file a resolution to investigate the DENR’s “sudden” notice to evict Blue Star from the conservation area. Meanwhile, MGFI said that it anticipated the DENR’s actions and is “confident of the legal remedies available to us to stay the order, continue our work, and save Masungi.” Related Stories - [Nickel Mining Polluting Air, Water in Palawan, Zambales, Says Amnesty](https://rollingstonephilippines.com/state-of-affairs/power/nickel-mining-polluting-air-water-palawan-zambales-amnesty-report/ "Nickel Mining Polluting Air, Water in Palawan, Zambales, Says Amnesty") - [What Will It Take to End the Philippines’ Helpless Disaster Relief Response?](https://rollingstonephilippines.com/editors-picks/opinion/philippines-typhoon-flooding-opinion/ "What Will It Take to End the Philippines’ Helpless Disaster Relief Response?") - [How Philippine Trail Running is a Fight for Fair Access to Nature](https://rollingstonephilippines.com/culture/sports/philippine-trail-running-fair-access-to-nature-cordilleras-pulag/ "How Philippine Trail Running is a Fight for Fair Access to Nature") **Categories:** News, Power, State of Affairs **Tags:** DENR, Environment, Masungi Georeserve --- ### [Can We Make Cars Faster Without Wrecking the Planet?](https://rollingstonephilippines.com/radar/rs-recommends/can-we-make-cars-faster-without-wrecking-the-planet/) **Published:** May 21, 2025 **Author:** Precy Tan **Content:** As the automotive industry faces increasing pressure to deliver sustainable solutions, the idea of performance often feels at odds with [environmental responsibility](https://rollingstonephilippines.com/state-of-affairs/environment/). For decades, high-speed, high-performance vehicles have been synonymous with excessive carbon footprint and gas-guzzling engines. But as climate concerns become an inescapable reality, a new generation of cars has emerged: hybrids that strike a balance between thrilling speed and eco-consciousness. Enter hybrid cars that pair a combustion engine with an electric motor, offering a more fuel-efficient ride that cuts emissions. By reducing fuel consumption, it brings a cleaner spin to the driving experience without sacrificing the power expected from a traditional engine. For performance-minded drivers, hybrids promise something close to the classic experience with minimal environmental toll. But can hybrid cars actually deliver the thrill of high-performance driving while living up to their claims? ### **Rethinking the Formula** ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/06.jpg) Please select an image. At the forefront of this shift is Hyundai, whose latest Elantra lineup challenges the idea that drivers must choose between speed and sustainability. With two distinct models aimed at two evolving mindsets, the Elantra represents a kind of choose-your-own-adventure for the modern driver. For those chasing visceral performance, the **Elantra N Line** delivers with a 1.6-liter turbocharged engine and a motorsport-inspired design. Paddle shifters, 18-inch alloy wheels, and sport bucket seats make the experience feel like a track day without tipping into excess. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/02.jpg) On the other side of the spectrum, the **Elantra Hybrid Premium** is proof that being eco-conscious doesn’t mean being underwhelmed. Its 1.6 Hybrid Electric Vehicle engine, paired with hybrid technology, offers a quiet yet powerful ride that conserves fuel without compromising features. With advanced safety systems and seamless connectivity, it’s a car that feels both intuitive and efficient. But here’s the bigger picture: This isn’t about choosing between performance and sustainability; It’s about recognizing that both can — and should — exist in the same vehicle. ### **Power with a Purpose** ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/01-1.jpg) In the past, pushing a car’s limits often meant pushing the planet’s boundaries. Today, innovation is about delivering excitement without the environmental cost. The Philippines is seeing a [steady rise](https://www.bworldonline.com/special-features/2025/02/28/656679/the-philippines-push-for-electric-mobility/?utm_source=chatgpt.com) in electric vehicle (EV) sales, projected to grow by 7% in 2025, with annual purchases reaching 20,000 units for the first time. Rommel R. Gutierrez, president of the Chamber of Automotive Manufacturers of the Philippines (CAMPI), noted that EVs are expected to make up 4% of the estimated 500,000 vehicle sales this year. In January alone, 1,600 EVs were sold—5.36% of total car sales—with hybrid electric vehicles (HEVs) leading at 1,445 units, followed by battery electric vehicles (BEVs) at 146 and plug-in hybrid electric vehicles (PHEVs) at nine. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/05-1.jpg) This momentum is bolstered by government initiatives such as the Electric Vehicle Industry Development Act (EVIDA) and Executive Order No. 62, which offer incentives like zero tariffs on imported HEVs until 2028. These policies are designed to make cleaner transportation more accessible while reducing greenhouse gas emissions. As hybrid technology gains ground, vehicles like the all-new Hyundai Elantra are helping drive the Philippines toward a more sustainable future. ### **The Future Is Balanced, Not Binary** ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/06.jpg) We’re at a pivotal point in car culture. The narrative around performance is no longer dictated solely by horsepower and top speed, but by impact on the environment, the economy, and the everyday driver. The 2025 Hyundai Elantra, in both its N Line and Hybrid trims, offers a compelling counterpoint. It shows that the future of driving does not need to choose between power and principle. Whether you’re chasing the rush of a turbocharged engine or choosing a cleaner path forward, the Elantra delivers without settling. As hybrid technology continues to evolve, the real challenge is whether we’re ready to rethink what performance truly means. If the answer used to be a hesitant maybe, brands like Hyundai are turning it into a confident yes. The future of driving is not about sacrifice; it’s about smarter solutions. And if the road ahead is paved with hybrids that don’t hold back, we’re all better off for it. **Categories:** RS Recommends --- ### [DENR: Manila Bay Reclamation Poses Flooding Risks for NCR](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/denr-manila-bay-reclamation-flooding-risks-ncr/) **Published:** February 21, 2025 **Author:** Pie Gonzaga **Excerpt:** The DENR has advised the government against Manila Bay reclamation projects after a UP study found that they did not integrate with LGU flood management plans **Content:** The Department of Environment and Natural Resources (DENR) has warned the government against reclamation projects in Manila Bay, citing several concerns like flood management, traffic, water and electricity supply, waste management, and the livelihood of fishermen in the area. In an interview on PTV’s *Bagong Pilipinas Ngayon*, DENR Secretary Maria Antonia Yulo-Loyzaga said on Thursday, February 20, that many of the reclamation projects in Manila Bay are not integrated into the flood management plans of the local government units surrounding the area. “Ang nakikita po namin ngayon sa mga ilan, at majority actually ng mga sinubmit for development sa reclamation ay wala po silang integration into the flood management plan for the different LGUs. Importante ho ‘yan,” she said in the interview. Spanning almost 2,000 square kilometers, the Manila Bay area covers Metro Manila and eight provinces. Four of these are located along the coast, namely Bataan, Bulacan, Cavite, and Pampanga. Laguna, Nueva Ecija, Rizal, and Tarlac are connected to the bay through the several river systems that drain into it, like the Pampanga River (from Nueva Ecija), Pasig River (from Rizal), and Zapote River (from Laguna). Yulo-Loyzaga cited a recently completed cumulative impact assessment by the University of the Philippines Marine Science Institute and the Marine Environment and Resources Foundation (MERF), which aimed to determine the [environmental effects](https://rollingstonephilippines.com/state-of-affairs/environment/) of reclamation in Manila Bay, surrounding areas and concerned sectors. The study was commissioned by the DENR in 2023 after President Ferdinand Marcos Jr. suspended reclamation projects. According to Yulo-Loyzaga, the study confirms that Manila Bay’s physical environment is crucial to the circulation and drainage of water in Metro Manila. “We cannot move forward kung alam po natin na masa-stuck po ‘yong tubig paglabas o pag-agos from our rivers and from inland dito sa harap ng Manila Bay,” she said. ![taft avenue flood carina](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/02/taft-avenue-flood-carina.jpg) Typhoon Carina brought floods to Manila streets, including Taft Avenue, which runs parallel to Manila Bay, July 23, 2024. Photo by Yancy Lim/PNA Aside from other issues such as traffic management, water and electricity, and solid waste management, the fisheries sector will also be impacted by the reclamation projects. “May mga madi-displace po at kailangan po may sagot din ang mga developer at mga LGU na partner nila kung papaano nila talaga pangangalagaan ang kapakanan ng mga communities na talagang ang hanapbuhay po nila ay nandidiyan,” Yulo-Loyzaga said. She added that the cumulative impact assessment also has a “direct bearing on the mandamus” issued by the Supreme Court (SC) in 2008, which directed the DENR and 12 other government agencies to bring Manila Bay’s waters to levels safe enough for swimming and restore its biodiversity. The SC’s mandamus also ordered the dismantling of illegal structures along waterways and esteros connected to the bay. **Categories:** News, Power, State of Affairs **Tags:** Environment --- ### [Sierra Madre's Viral Mining Sites Are Authorized, But Still Alarming ](https://rollingstonephilippines.com/state-of-affairs/power/sierra-madre-isabela-dmc-mining/) **Published:** May 22, 2025 **Author:** Pie Gonzaga **Excerpt:** The Sierra Madre mining sites in viral satellite images turn out to be legal, sanctioned projects, but does that mean it isn’t cause for concern? **Content:** On Wednesday, May 21, a set of satellite images showing deforested [mining](https://rollingstonephilippines.com/state-of-affairs/power/nickel-mining-polluting-air-water-palawan-zambales-amnesty-report/) sites in the municipality of Dinapigue, Isabela, south of the part of the municipality covered by the Northern Sierra Madre Natural Park — an area protected by the Department o f Environment and Natural Resources (DENR) — went viral on Facebook. But while the photos have sparked outrage online, Dinapigue Mayor Vicente D. Mendoza confirmed that Dinapigue Mining Corporation’s (DMC) activities in the area are legal and authorized, *Brigada* *News* reports. DMC is a subsidiary of the natural resources development company Nickel Asia Corp. and is permitted to extract nickel, iron, cobalt, and chromite. According to a [document](https://mgb.gov.ph/attachments/article/50/June_2015_MPSA_2A.pdf) from the DENR Mines and Geosciences Bureau (MGB), the mining company’s mineral production sharing agreement was issued in July 2007 and is set to expire in July 2032, allowing it to conduct mining exploration activities in Isabela for 25 years. ![dinapigue mining corporation mining site isabela sierra madre](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/dinapigue-mining-corp.webp) Another mining site, labeled “Dinapigue Mining Corporation.” Screenshot from Google Maps Nickel Asia’s website says that DMC “actively engages with its host communities by investing in programs that improve education, healthcare, and infrastructure.” Nonetheless, concerned netizens and [environmental organizations](https://rollingstonephilippines.com/state-of-affairs/environment/) have called for a stop to the deforestation and mining activities in the Sierra Madre. ## Protecting a Natural Barrier Masungi Georeserve, a privately managed georeserve protecting a portion of the mountain range in Rizal province, said on Facebook that the mining project is “one of the reasons we need to strengthen and scale innovative models in the management and conservation of protected and conserved areas.” Masungi Georeserve has faced its own [conflicts](https://rollingstonephilippines.com/state-of-affairs/power/masungi-georeserve-denr-conflict-explained/) with the DENR concerning land development in the georeserve. According to the Climate Change Commission (CCC), the Sierra Madre mountain range functions as a natural barrier against tropical cyclones. It slows down strong winds and absorbs rainfall, helping “minimize the destructive force of typhoons, saving lives, protecting infrastructure, and reducing damage to ecosystems and livelihoods.” Former Ifugao Representative Teodoro “Teddy” Baguilat Jr. reiterated the mountain range’s importance as a typhoon barrier. “Parang kailan lang ay taos-puso tayong nagpapasalamat sa Sierra Madre dahil sa kanyang pagsalo sa bagsik ng mga bagyo,” he said on Facebook. “Pero ngayon, unti-unti na itong nasisira dahil kinakakalbo ng mining at development projects. Hindi lang ito pagkawala ng kagubatan, kundi panganib sa ating kinabukasan.” The Sierra Madre is also a crucial carbon sink, or an area that absorbs more carbon from the atmosphere than it releases. It is home to around 3,500 plant species, 58 percent of which are endemic to the Philippines, according to the CCC. Related Stories - [Nickel Mining Polluting Air, Water in Palawan, Zambales, Says Amnesty](https://rollingstonephilippines.com/state-of-affairs/power/nickel-mining-polluting-air-water-palawan-zambales-amnesty-report/ "Nickel Mining Polluting Air, Water in Palawan, Zambales, Says Amnesty") - [The Conflict Over Masungi Georeserve is Years in the Making](https://rollingstonephilippines.com/state-of-affairs/power/masungi-georeserve-denr-conflict-explained/ "The Conflict Over Masungi Georeserve is Years in the Making") - [DENR: Manila Bay Reclamation Poses Flooding Risks for NCR](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/denr-manila-bay-reclamation-flooding-risks-ncr/ "DENR: Manila Bay Reclamation Poses Flooding Risks for NCR") **Categories:** News, Power, State of Affairs **Tags:** Environment, Mining, Sierra Madre --- ### [4 Climate Promises Marcos Made During SONA. Has He Followed Through?](https://rollingstonephilippines.com/state-of-affairs/politics/4-climate-promises-marcos-sona/) **Published:** July 24, 2025 **Author:** Sai Versailles **Content:** The onslaught of Tropical Storms Crising, Dante, and Emong enhancing the effects of low pressure areas and the southwest monsoon has affected 1.9 million Filipinos and P4 billion worth of [infrastructure](https://rollingstonephilippines.com/tag/infrastructure/ "Infrastructure"). As such, citizens are expecting President [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") to address the country’s most pressing [climate issues](https://rollingstonephilippines.com/tag/climate-issues/ "Climate Issues") as he delivers his fourth State of the Nation Address (SONA) this Monday, July 28. In previous SONAs, the Marcos administration consistently positioned climate change as one of the country’s most urgent concerns. Like many aspects of his administration, his legislative reforms have focused on an investment-led approach to climate issues by upgrading infrastructure, developing evidence-based solutions, and fostering public-private partnerships. “All our efforts is \[sic\] climate change — an issue that we have integrated in our national and regional policies,” he said in October 2024, during a [dinner](https://pco.gov.ph/presidential-speech/speech-by-president-ferdinand-r-marcos-jr-at-the-courtesy-call-on-the-president-and-ministerial-dinner-for-the-delegates-of-the-2024-asia-pacific-ministerial-conference-on-disaster-risk-reduction-a/) at the Asia Pacific Ministerial Conference on Disaster Risk Reduction. “From investment strategies to policy implementation, disaster risk reduction and climate change adaptation and mitigation are now central to how we shape our future.” With civil society groups pointing out gaps in Marcos’ [environmental](https://rollingstonephilippines.com/state-of-affairs/environment/ "Environment") policy, it raises the question of just how much the President has followed through on his promises. We take a look at how the administration has addressed climate issues in his previous SONAs, and whether or not he’s taken action. ## Commit to Decarbonization ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/marcos-lng.webp) Marcos inspecting the Malampaya gas field as it begins Phase IV drilling to find new gas wells, July 14, 2025. Photo from Bongbong Marcos/Facebook “Companies who exploit our natural resources must follow the law,” Marcos said in his first SONA in 2022. “We all have the responsibility to preserve this Earth, for we are but custodians, and we will pass on this great treasure to future generations.” Marcos also reiterated his commitment to reducing the Philippines’ carbon footprint during his second SONA in 2023. “We remain committed to global decarbonization goals,” he said. “We preserve and protect the treasure that is our forests. Their value to the environment, to the ecology, and the economy is incalculable. As of May 27, 2025, the [Board of Investments](https://www.dti.gov.ph/archives/news-archives/dti-reports-soaring-investment-approvals-under-marcos-reaching-php-3-54-trillion-since-mid-2022/) fast-tracked 208 projects, 78 percent of which were renewable energy ventures, amounting to P5.2 trillion. From July 2022 to April 2025, the Department of Trade recorded P3.54 trillion worth of approved investments under Marcos, driven largely by renewable energy projects. This amount was a 71 percent increase in investments compared to the same period under the previous administration. As of July 2025, the Philippines is set to experience its [first decline in coal power](https://www.reuters.com/sustainability/climate-energy/philippines-set-first-coal-power-decline-17-years-amid-rising-lng-use-2025-07-22/) in nearly two decades, though this is due to rising liquefied natural gas-fired power generation, which accounts for 17.5 percent of the country’s energy mix this year. In 2023, renewables made up 22 percent of the Philippines’ energy, which is still below the global average of 30 percent during the same year. The Philippines is still the most coal-dependent country in Southeast Asia, comprising 57 percent of the nation’s energy needs. According to a 2023 [statement](https://world.350.org/philippines/press-release/green-groups-hold-climate-strike-to-protest-marcos-mining-plunder/) by Lia Mai Torres, executive director of environmental think tank Center for Environmental Concerns, eight mining permits totaling 5,864 hectares have been approved under Marcos’ administration. Alongside civil society groups like Kalikasan People’s Network, she criticized the 1995 Philippine [Mining](https://rollingstonephilippines.com/tag/mining/ "Mining") Act for its irreversible damage on the environment, calling on Marcos to replace it with the People’s Mining Bill. The People’s Mining Bill mandates mining companies to operate in aid of local communities through domestic needs-based development, nationalizing the country’s mining industry to help produce raw material for consumer, capital, and intermediate goods. The bill was filed in June 2022 and has not progressed to plenary debate since it was approved in the House Committee on Natural Resources in February 2023. ## Create the Department of Water Resource Management ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/marcos-water-security.webp) Marcos at impounding ceremony of the Upper Wawa Dam in Barangay San Rafael, Rodriguez, Rizal, July 10, 2024. Photo from Bongbong Marcos/Facebook During his second SONA in 2023, Marcos emphasized a “special focus” on water security. “Ang tubig ay kasing-halaga rin ng pagkain,” he said during his address. “Kailangan nating tiyakin na may sapat at malinis na tubig para sa lahat at sa mga susunod na salinlahi.” In April 2023, Marcos signed an Executive Order to create the Water Resources Management Office under the Department of Environment and Natural Resources, tasked to “handle the delicate job involving this most precious resource.” The following July, during his SONA speech, he called for passing a bill that would create the Department of Water Resource Management. “It’s a department because we are going to reorganize everything,” he said during a [meeting](https://pco.gov.ph/news_releases/pbbm-pushes-creation-of-water-resources-department/) with the Legislative Executive Development Advisory Council in September 2024. “Because of the exigencies of climate change, we really have to direct our efforts, our attention to \[water\].” In August 2023, Senator Ronald “Bato” Dela Rosa filed the Department of Water Resources Management Act, which aims to “recognize, protect, realize, and enhance the right of all Filipinos to safe, clean, affordable, and accessible drinking water.” In August 2024, the bill was replaced with the National Water Resources Management Act, offering a more comprehensive framework for managing the country’s water resources – including initiatives on sanitation and flood control, among others – under the Department of Water Resource Management. The bill has not seen movement since then, as it awaits a second reading. ## Establish The Loss, Damage Fund Board ![marcos with members of Fund for Responding to Loss and Damage](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/marcos-loss-and-damage-fund.webp) President Ferdinand R. Marcos Jr. alongside members of the Fund for Responding to Loss and Damage in Malacañang Palace, December 2, 2024. Photo from Presidential Communications Office During his third SONA in 2024, Marcos called on Congress to approve the creation of the Board of the Loss and Damage Fund. In July 2024, the Philippines was selected by the United Nations as the host country for the Board of the Loss and Damage Fund, aimed at helping vulnerable countries recover from climate impacts. Marcos saw this as a “welcome development” in providing “the needed financial assistance for climate-related initiatives and impacts” — a step towards making wealthier countries that have benefited from burning fossil fuels more accountable to the consequences of global warming. Because the Philippines had 90 days to execute the host country agreement, the Loss and Damage Fund Board Act was swiftly approved in August 2024 with the affirmative votes of all senators present. The Board gathered in Cebu last July 9 to 11, 2025 — its sixth ever meeting and the second held in the Philippines — which saw attendance by Ibrahima Cheikh Diong, the Senegalese-American appointed as the Fund’s first Executive Director. ## Build Infrastructure for Disaster Response ![marcos at pampanga bay flood control project](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/marcos-pampanga-bay.webp) Marcos inspecting the Integrated Disaster Risk Reduction and Climate Change Adaptation (IDRR-CCA) Measure in Pampanga, a flood control project built with assistance from South Korea, August 7, 2024. Photo from Department of Public Works and Highways/Facebook In July 2024, Marcos committed to building coordination centers for aid distribution during disasters. “Bilang pangunahing paghahanda, nagtatayo tayo ng mga mahahalagang imprastraktura na magsisilbing proteksyon at sentro ng koordinasyon, lalo na sa aspeto ng paghahatid-tulong,” he said. In August 2024, Marcos inaugurated a P7.5 billion flood control project to improve the waterway capacity of four rivers flowing out to Pampanga Bay. The project was sources from the Export-Import Bank of Korea-Economic Development Cooperation Fund, with the South Korean government providing technical assistance in realizing the project. “We are very optimistic that this will redound to improving the people’s lives by enhancing the disaster resilience of all our communities,” Marcos said in his [speech](https://pco.gov.ph/news_releases/pbbm-inaugurates-php7-b-flood-control-project-in-pampanga/) during the inauguration. In November 2024, as the Philippines reeled from the aftermath of Severe Tropical Storm Kristine and Supertyphoon Leon, Marcos called for a [probe](https://www.philstar.com/headlines/2024/11/05/2397690/marcos-open-probe-flood-control-projects) into his administration’s flood control projects. “Our flood control was really overwhelmed. We have flood control, but it was not able to withstand \[the typhoons\] because in the entire history of the Philippines, this has not happened before,” Marcos told reporters. The following month, he vetoed P16.7 billion worth of flood control projects from the 2025 national budget, deeming it inconsistent with the administration’s priority programs. “Ito pong mga vineto kasi na items karamihan po dito ay hindi kasama doon sa proposed President’s budget iyong tinatawag po natin na National Expenditure Program kung saan nakalagay iyong mga proposed projects… ng mismong mga implementing agencies like \[Department of Public Works and Highways\] or \[Metro Manila Development Authority\],” Goddess Hope Libiran, Undersecretary of the Department of Budget and Management (DBM), said in a [December 2024 briefing](https://www.gmanetwork.com/news/topstories/nation/931448/marcos-removes-p16-7b-worth-of-flood-control-projects-in-2025-budget/story). On July 23, 2025, Senator Erwin Tulfo told reporters that Marcos ordered a [freeze](https://newsinfo.inquirer.net/2086049/erwin-tulfo-marcos-freezes-flood-control-funds-due-to-irregularities) on certain flood control projects. “He hasn’t approved the release of any funds for flood control because he saw there were problems… The \[DBM\] said the President ordered the hold. I said, good. What right does a senator or congressman have to engage in flood control? None,” Tulfo said. Related Stories - [Filipino Artists on the State of Music, and How the Industry Isn’t Built for Them](https://rollingstonephilippines.com/editors-picks/features/state-of-the-nation-music-industry/ "Filipino Artists on the State of Music, and How the Industry Isn’t Built for Them") - [The Conflict Over Masungi Georeserve is Years in the Making](https://rollingstonephilippines.com/state-of-affairs/power/masungi-georeserve-denr-conflict-explained/ "The Conflict Over Masungi Georeserve is Years in the Making") - [Sierra Madre’s Viral Mining Sites Are Authorized, But Still Alarming ](https://rollingstonephilippines.com/state-of-affairs/power/sierra-madre-isabela-dmc-mining/ "Sierra Madre’s Viral Mining Sites Are Authorized, But Still Alarming ") - [What Will It Take to End the Philippines’ Helpless Disaster Relief Response?](https://rollingstonephilippines.com/editors-picks/opinion/philippines-typhoon-flooding-opinion/ "What Will It Take to End the Philippines’ Helpless Disaster Relief Response?") **Categories:** Politics, State of Affairs **Tags:** Climate Issues, Environment, Ferdinand Marcos Jr., State of the Nation --- ### [We’re Not Touching Grass Enough as Human-Nature Connection Hits 200-Year Low](https://rollingstonephilippines.com/state-of-affairs/power/nature-human-connection-study/) **Published:** August 15, 2025 **Author:** Pie Gonzaga **Excerpt:** Our bond with nature has dropped 60 percent in two centuries, and a study warns the window to spark a recovery is closing fast **Content:** It’s no surprise that years of urbanization and [environmental degradation](https://rollingstonephilippines.com/state-of-affairs/environment/) has limited people’s access to green spaces, but a [study](https://www.mdpi.com/2673-4834/6/3/82) from the University of Derby has finally quantified it: human connection to nature has decreased by 60 percent between the years 1800 and 2020. It also warns that the decline may continue in the coming years, if there are no interventions. The author, University of Derby professor Miles Richardson, based the study on data relating to urbanization, wildlife loss, and parents not exposing their children to nature. Richardson emphasized the role of parents in fostering connection to nature, and cites other studies that show the parents’ engagement with nature as the “strongest predictors” of children’s engagement with nature. The study, which employs computer modelling to predict future outcomes, says that in 2050, nature connectedness may be even lower than it is now. But this generational loss of connection to nature can still be reversed. Governments and urban planners should take bigger strides in creating more green spaces in cities. The study demonstrates that improving access to nature by 50 percent or 100 percent is not enough. Instead, cities may have to be 10 times or 1,000 percent greener in order to encourage people to connect with nature. But the study also says that even if environmental conditions improve through increased green spaces, “the benefits may not be immediately realized if previous generations have passed on low levels of nature orientation.” “Programs fully integrated into schools, parental engagement initiatives, and community nature activities can help foster early-life experiences that build lasting connections with nature,” the study says. “By nurturing nature connectedness from a young age and supporting parents in modelling nature-oriented behaviors, such interventions can disrupt the cycle of disconnection and lay the foundation for a more resilient, nature-connected society.” The study’s abstract suggests that these interventions have to be in place before 2050. After 2050, these interventions “trigger a self-sustaining recovery,” which is also crucial in restoring biodiversity. “Nature connectedness is now accepted as a key root cause of the [environmental crisis](https://rollingstonephilippines.com/tag/environment/ "Environment"),” Richardson told *The Guardian*. In the study, he likewise said that nature connectedness is “critical for fostering pro-environmental behaviors and enhancing human well-being.” ## The Philippines’ Connection to Nature ![arroceros forest park manila last lung](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/arroceros-forest-park.webp) Arroceros Forest Park is considered to be the city of Manila’s “last lung.” Photo from Arroceros Forest Park/Facebook In the Philippines, 2011 saw the establishment of the National Greening Program (NGP), which aimed to plant 1.5 billion trees in 1.5 million hectares of land by 2028. But with 14 years having passed and three years until the deadline, the NGP is barely meeting its goals. A [report](https://pcij.org/2025/05/19/national-greenwashing-program-from-green-dreams-to-barren-realities/) published to the Philippine Center for Investigative Journalism reveals that one in 25 hectares of land in the NGP sites are further [deforested](https://rollingstonephilippines.com/state-of-affairs/opinion/masungi-georeserve-multi-stakeholder-approach/ "Philippine Forests are Dying Under the Guise of a ‘Multi-Stakeholder’ Approach") instead of restored. Former [Department of Environment and Natural Resources](https://rollingstonephilippines.com/tag/denr/ "DENR") Undersecretary Marlo Mendoza designed the manual for the NGP, but he said that it was poorly implemented. This poor implementation led to various grassroots organizations across the country struggling with the bureaucratic processes required to participate in the program. The report also said that NGP funds were used by local governments to destroy protected areas to plant cash crops, tropical trees, and mahogany, which is considered an invasive species in the Philippines. Things aren’t any better in urban areas. *Manila Bulletin* reports that each resident of Metro Manila only gets five square meters of green space, while in Davao City, *Edge Davao* says each person only gets 0.5 square meters, both numbers far below the minimum of nine square meters the World Health Organization recommended to boost one’s mental and physical health. If the Philippines is to reverse the generational disconnect from nature, it will need more than tree-planting targets. It will need cities and communities that can put up and nurture vast green spaces before 2050. Related Stories - [Philippine Forests are Dying Under the Guise of a ‘Multi-Stakeholder’ Approach](https://rollingstonephilippines.com/editors-picks/opinion/masungi-georeserve-multi-stakeholder-approach/ "Philippine Forests are Dying Under the Guise of a ‘Multi-Stakeholder’ Approach") - [Sierra Madre’s Viral Mining Sites Are Authorized, But Still Alarming ](https://rollingstonephilippines.com/state-of-affairs/power/sierra-madre-isabela-dmc-mining/ "Sierra Madre’s Viral Mining Sites Are Authorized, But Still Alarming ") - [DENR Sec. Toni Yulo-Loyzaga Could’ve Done More for the Environment](https://rollingstonephilippines.com/state-of-affairs/politics/toni-yulo-loyzaga-denr-secretary/ "DENR Sec. Toni Yulo-Loyzaga Could’ve Done More for the Environment") **Categories:** Power, State of Affairs **Tags:** Environment --- ### [There’s Still Time to Reverse The Rise in Plastic Pollution in Southeast Asia](https://rollingstonephilippines.com/state-of-affairs/power/oecd-southeast-asia-plastic-pollution/) **Published:** August 11, 2025 **Author:** Pie Gonzaga **Excerpt:** The OECD says Southeast Asia’s plastic pollution could increase by 68% in 25 years, but stronger waste management policies could leave an even greater impact **Content:** In the next 25 years, Southeast Asia’s plastic waste leaking into the [environment](https://rollingstonephilippines.com/state-of-affairs/environment/ "Environment") could reach 56 million tonnes (Mt), according to a [report](https://www.oecd.org/en/publications/regional-plastics-outlook-for-southeast-and-east-asia_5a8ff43c-en.html) by the Organization for Economic Cooperation and Development (OECD). Without stronger action, plastic pollution in the region is projected to rise by 68 percent by 2050. The ASEAN Plus Three (APT) region — the 10 Southeast Asian nations along with China, Japan, and Korea — now accounts for nearly a third of global plastics use, consuming 152 Mt between 1990 and 2022. Over that period, 33 Mt of plastic waste was mismanaged, a figure expected to climb sharply, choking rivers, coastlines, and other ecosystems. But the OECD says this upward trend can still be reversed. With comprehensive government action, plastic use could be cut by 28 percent, recycling rates could more than quadruple to 54 percent, and mismanaged waste could drop by 97 percent by 2050. Recommended measures include slowing plastic production and consumption, scaling up reuse systems, expanding waste collection, and crafting detailed national policy roadmaps. ![great pacific garbage patch hawaii asia plastic pollution](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/plastics-pacific-garbage-patch.webp) Hard plastic waste from Asia floats across the Pacific Ocean, moving with the rest of the Great Pacific Garbage Patch, and washes ashore in Hawaii, December 10, 2016. Photo by Justin Dolske/Wikimedia Commons The urgency is acute for countries like the Philippines, Malaysia, and Indonesia, where dense coastal cities and major rivers accelerate the flow of mismanaged waste into the sea. In 2019, the Philippines alone accounted for [36.38 percent](https://ourworldindata.org/grapher/share-of-global-plastic-waste-emitted-to-the-ocean?tab=table&country=~PHL) of the world’s ocean plastic, the highest of any country. Crispian Lao, the late founding president of the Philippine Alliance for Recycling and Materials Sustainability, told *Eco-Business* that 70 percent of Filipinos lack access to disposal facilities, driving waste directly into the environment. Plastic pollution weakens ecosystems’ ability to adapt to climate change, according to the United Nations Environment Programme. In turn, it threatens livelihoods, food security, and social well-being, stakes that will only grow higher for Southeast Asia if decisive action is delayed. Related Stories - [DENR: Manila Bay Reclamation Poses Flooding Risks for NCR](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/denr-manila-bay-reclamation-flooding-risks-ncr/ "DENR: Manila Bay Reclamation Poses Flooding Risks for NCR") - [Nickel Mining Polluting Air, Water in Palawan, Zambales, Says Amnesty](https://rollingstonephilippines.com/state-of-affairs/power/nickel-mining-polluting-air-water-palawan-zambales-amnesty-report/ "Nickel Mining Polluting Air, Water in Palawan, Zambales, Says Amnesty") - [Filipino Plastics Manufacturer Innovates Plant Fiber Blend](https://rollingstonephilippines.com/state-of-affairs/power/filipino-manufacturer-plant-fiber-blend-plastics/ "Filipino Plastics Manufacturer Innovates Plant Fiber Blend") **Categories:** Power, State of Affairs **Tags:** Environment --- ### [For Filipinos, Keeping a Music Venue Alive Means Clutching at Straws](https://rollingstonephilippines.com/music/state-of-music-venues/) **Published:** July 25, 2025 **Author:** Elijah Pareño **Excerpt:** Across the Philippines, rising rents, limited funding, and lack of infrastructure have put grassroots music venues spaces on life support. But community builders are not backing down **Content:** Live music venues in the Philippines are running out of time. Once held together by [community labor](https://rollingstonephilippines.com/state-of-affairs/labor/), free spaces, and a sheer love for music, the country’s independent gig circuit continues to face rising rent costs and minimal cultural support. Venues like Mow’s in Quezon City, [Sining Shelter](https://rollingstonephilippines.com/tag/sining-shelter/ "Sining Shelter") in Parañaque City, and Viajero’s Café in Cagayan de Oro have become sanctuaries for musicians, yet staying open has become a monthly crisis. In November 2024, the U.K. government urged the live music industry to introduce a [voluntary ticket levy](https://www.gov.uk/government/news/minister-urges-live-music-industry-to-introduce-voluntary-ticket-levy-to-protect-grassroots-venues) on stadium and arena concerts to support struggling grassroots music venues, festivals, artists, and promoters. The proposed levy would be industry-led and built into ticket prices, with revenue redistributed through a charitable trust. The aim is to direct a portion of profits from large-scale tours back into the venues and communities where many major acts got their start. This illustrates how public support for grassroots music venues is possible, and the Philippines — where accessible public spaces are few and far between — could benefit from a similar initiative. Venues, especially those that serve as homes for music and the arts, often fill this gap by providing space for community and creative expression. President [Ferdinand “Bongbong” Marcos, Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") is set to deliver his fourth [State of the Nation](https://rollingstonephilippines.com/tag/state-of-the-nation/ "State of the Nation") Address on July 28. While he’s expected to cover the country’s most pressing issues, cultural funding is rarely discussed. For the Philippines’ small venue operators, the wait for real support continues even as the stage lights dim around them. But despite this lack of public infrastructure, grassroots music venues insist their space is home to the next wave of Filipino talent. The question isn’t whether they’re profitable, but whether the music scene can survive without them. *Rolling Stone Philippines* sits down with venue owners and independent production organizations on what it takes to keep a cultural space alive. ## Tim Ng, 34, Marikina City ![state of music venues in the philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/SONA_Music-Venues_in-content2.webp) “\[Music venues\] rely on personal sacrifice, volunteer energy, and a lot of creative problem-solving. But passion won’t pay rent, solve frequent brownouts, or secure permits.” Artwork by Bea Eleazar Tim Ng’s venue, Mow’s, runs with a mix of stubborn loyalty and realism. After more than a decade, the Quezon City bar, located in the basement of Kowloon House in Matalino Street, has become a rare constant in Metro Manila’s live gig scene. It does so by leaning in on the music, but also evolving with its patrons. “We’re just lucky na we don’t have to pay rent… We’re able to sustain our prices,” Ng tells *Rolling Stone Philippines.* “But at the same time, we can’t really expand it much. I like being in this spot where we remain accessible to a lot of artists and productions.” That philosophy helped Mow’s survive the pandemic. While many spaces shut down or pivoted into safer formats, Ng and his team persisted. They balanced finances, tweaked operations, and slowly reopened without compromising the space’s identity or what regulars expect from them. Ng knows that Mow’s isn’t immune to the churn of rent, trends, or city politics. But for now, it stands resilient against the rising price of beer, and the demands of marketing. “I’d be lying if I didn’t say we also suffer from it,” he says about the cost of goods. “It affects everyone.” Ng also observes how each venue operates depending on how normalized a genre is within that space, with spaces like Saguijo in Makati and Jess & Pat’s in Maginhawa managing to stay afloat despite the challenges. “You go into it because it’s your passion. You want to support artists. So, I think \[the trouble is\] really just economics at this point.” ## Tonchi Mercado, 25, Parañaque City Tonchi Mercado is the 25-year-old founder of the now-dormant DIY venue [Sining Shelter](https://rollingstonephilippines.com/tag/sining-shelter/ "Sining Shelter"), and vocalist for the international collective Fax Gang. For them, independent live music in Manila is hanging by a thread. “A lot of venue closures are a symptom of a few things,” they tell *Rolling Stone Philippines*. “I think some of it has to do with the lack of government-backed culture funding. That’s not really something that’s given to grassroots venues here.” Mercado believes there aren’t many programs for aspiring business owners to take a chance on something like a music venue, which leads them to fall back on more lucrative brick-and-mortar businesses like food, beverage, and hospitality. “I really want to see venues run by people who love music. Yung talagang mahal nila ‘yung ginagawa nila. A safe, open playground for musicians.” KC Salazar Sining Shelter is actually Mercado’s family home, repurposed into a live music venue. As such, it doesn’t have the burden of rent; that gives it an edge, but not the immunity from economic strain. With no landlord to answer to, Sining Shelter held either free to minimal rent costs for booking community-driven shows with almost reckless abandon. “We’re just throwing shows for the heck of it, honestly. It’s a DIY, grassroots-type thing,” they say. “But now, we’re thinking long-term. Sustainability means making sure it’s generating value, no matter what time or day of the week. The space should be generating quote-unquote ‘value.’” For Mercado, a mark of a good venue is not having it depend on its musical acts to draw a crowd; it should be a space that bridges performers and audiences under one communal space. “\[People go\] to that venue because there’s stuff playing at that venue… People care about it… It’s the venue that’s one of the primary selling points,” they say. They note that while Metro Manila lacks experimental, mid-sized venues for new or outsider scenes to grow, they also hope that a focus away from Manila, paired with modest cultural funding, can support music venues operating at the fringes. Until then, misfits will have to keep building their own stages from scratch. ## Jacques Palami, 37, Bacolod City Jacques Palami of the music pop-up [Now.here](https://rollingstonephilippines.com/tag/now-here/ "Now.Here") in Bacolod doesn’t see the collapse of venues across the country as a pandemic-era crisis. To him, it’s a systemic one, and the pandemic only exposed how fragile that system has always been. For Palami, keeping music venues alive is a necessity. “\[Music venues\] rely on personal sacrifice, volunteer energy, and a lot of creative problem-solving,” he says. “But passion won’t pay rent, solve frequent brownouts, or secure permits. People have called it DIY, but often it’s just code for ‘no one else showed up.’” Even when artists build spaces from the ground up, they still face gatekeeping. Palami points out that in cities like [Tacloban](https://rollingstonephilippines.com/music/features/tacloban-diy-music-party-renaissance/ "In Tacloban, a DIY Music Party Renaissance Takes Shape"), older cultural institutions often ignore or dismiss youth-led initiatives. “I’m 37,” he says, “and funnily, I’m still considered one of the ‘young movers’ here.” But Now.here is a space dedicated to blurring genres, offering space for disciplines to collide. One edition saw DJ and producer YLMRN performing with a tribal dance troupe and players of indigenous instruments. “When a techno set blends with ritualistic movement, it opens a different emotional register, almost creating a new genre in itself,” Palami explains. ![state of music venues in the philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/SONA_Music-Venues_in-content1.webp) A mark of a good venue is not having it depend on its musical acts to draw a crowd; it should be a space that bridges performers and audiences under one communal space. Artwork by Bea Eleazar The business end, however, is brutal. Without sponsors or grants, it runs mostly on favors and community grit. “There’s no safety net, and that’s the problem,” he says. “We need to stop expecting organizers to carry the full financial burden of culture-making.” When Palami tried to book a show for a Bohol-based band and couldn’t find a single willing venue in Tacloban, the message was clear: There still aren’t enough spaces that treat music as essential infrastructure. “When people feel like they have to move to a bigger city just to be heard, or even hear something different, then clearly the infrastructure isn’t \[here\] yet,” he says. “Having enough venues means having diversity \[of\] genres, crowds, \[and\] ways of organizing sound. I’d love to see more multi-purpose, community-driven spaces where young people can throw a rave one night, and a poetry show the next. Places that feel like a canvas.” ## KC Salazar, 36, Cagayan De Oro City According to KC Salazar — vocalist of dream pop outfit KRNA and co-organizer of Indie CDO — Cagayan De Oro only has one regular venue for original music: Viajero Café, a small hybrid space that wasn’t built with live music in mind. Most other venues, Salazar explains, prioritize mainstream or show band entertainment. “\[Other venues\] are not really run by people who love music,” she says. “That’s why there’s no proper gear, and \[most venues\] rarely engage with the community.” To address this lack of infrastructure, Salazar has, over the years, steadily acquired amps and PA systems to make events possible, even in unorthodox spaces. “The more convenient and low-cost it is for venue owners, the more likely they’ll let us use their space,” she says. “We do all the work. They just give us the floor.” Last April, Indie CDO transformed a function hall — typically reserved for weddings — and hosted a show for an Manila-based indie-folk band [Munimuni](https://rollingstonephilippines.com/tag/munimuni/ "Munimuni"), attended by over 200 people. “‘Yan rin ‘yong isang problema dito sa CDO. ‘Yong medium size na venue \[na\] kaya over 200 people, mahirap \[hanapin\],” she says, nothing that she also rallied friends to borrow equipment and set up shop in the venue to avoid sponsorship fatigue. Salazar believes a music venue should be more than just a bar. “Parang siyang cultural hub, may diversity in sound. Tapos ‘yong audience, curious sila,” she says. “I really want to see venues run by people who love music, ‘yong talagang mahal nila ‘yong ginagawa nila. A safe, open playground for musicians.” Related Stories - [Filipino Artists on the State of Music, and How the Industry Isn’t Built for Them](https://rollingstonephilippines.com/editors-picks/features/state-of-the-nation-music-industry/ "Filipino Artists on the State of Music, and How the Industry Isn’t Built for Them") - [Sining Shelter Fundraise to Restore Music Venue Post-Typhoon](https://rollingstonephilippines.com/radar/events/sining-shelter-fundraise-to-restore-music-venue-post-typhoon/ "Sining Shelter Fundraise to Restore Music Venue Post-Typhoon") - [In Tacloban, a DIY Music Party Renaissance Takes Shape](https://rollingstonephilippines.com/editors-picks/features/tacloban-diy-music-party-renaissance/ "In Tacloban, a DIY Music Party Renaissance Takes Shape") **Categories:** Features, Music **Tags:** State of the Nation --- ### [Thirteen Artists Awardees Call Out CCP Over Delayed Grant](https://rollingstonephilippines.com/culture/art/thirteen-artists-awardee-ccp-delayed-grant/) **Published:** October 8, 2025 **Author:** Mel Wang **Excerpt:** Thirteen Artists Awardee Catalina Africa recently spoke out against the Cultural Center of the Philippines, revealing ongoing issues with delayed grant releases tied to the award **Content:** On October 7, the [Cultural Center of the Philippines (CCP)](https://rollingstonephilippines.com/tag/cultural-center-of-the-philippines/ "Cultural Center of the Philippines") launched an art exhibition honoring the [recipients of the 2024 Thirteen Artists Awards (TAA)](https://rollingstonephilippines.com/culture/ccpp-thirteen-artists-awards-2024/). But awardee [Catalina Africa](https://rollingstonephilippines.com/tag/catalina-africa/ "Catalina Africa") revealed that she and the other awardees had yet to receive the full grant for their work on the exhibition. Africa is one of the 13 new awardees of the tri-annual award established in 1970, a prestigious accolade honoring Filipino artists who “restructure, restrengthen, and renew artmaking and art thinking.” Past honorees include legends such as [Allan Balisi](https://rollingstonephilippines.com/tag/allan-balisi/ "Allan Balisi"), [Kiri Dalena](https://rollingstonephilippines.com/tag/kiri-dalena/ "Kiri Dalena"), and [Benedicto “BenCab” Cabrera](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/bencab-national-artist-interview/ "BenCab on Being a National Artist and What He Really Thinks About Sabel"). The award traditionally culminates in a group exhibition, which the artists themselves create and organize, held at the National Museum of Fine Arts. In a joint statement that Africa delivered during the exhibit opening, she revealed that all 13 artists felt financially neglected by the institution. ![Catalina Africa](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/10/Catalina-Africa-1.webp) Catalina Africa. Photo courtesy of the Cultural Center of the Philippines “I believe that it is important that we collectively express our disappointment with how this award is structured,” said Africa in a speech during the awarding. “As artists, we need to be paid for our labor. It was made clear to us that the only costs that we would be reimbursed were materials, transportation, and outsourced services. \[This means\] that we, as artists, wouldn’t be able to pay ourselves for our labor, implying too, that our [labor does not matter](https://rollingstonephilippines.com/state-of-affairs/labor/). To be perfectly honest, there were many times I personally thought of boycotting the award because of this.” “To add to this disappointment, only 50 percent of our budget was released in the last two weeks,” continued Africa. “This made it very, *very* difficult for us to create this work. Making art takes time. It takes money, blood, sweat, tears, and resources. By bringing this up here today, our hope is that the next batch does not experience this difficulty. I believe that, if this is truly an award, then I think that the budget should be given in full, given well ahead of the exhibition date, and that the artist should have full freedom on how it should be spent.” ## A Delay in the Process ![Catalina Africa](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/10/catalina_b.webp) “As artists, we need to be paid for our labor.” Photo from Catalina Africa/Instagram In an interview with *Rolling Stone Philippines*, Africa noted that there had been several issues surrounding grant well before the exhibition opening. “It was verbally noted during our meetings with CCP Visual Arts and Museum Division (VAMD) that the first tranche of our budget would be released upon approval of our project proposals,” said Africa. “Our deadline for submitting our proposals was April 30.” “Initially, I was thinking it would be easier to just boycott the whole thing. But… making a statement \[is\] more powerful. I need to get compensated for my labor. That’s how things should work.” Catalina Africa Instead, the CCP only released 50 percent of the grant two weeks before the launch. What’s more, there had been changes made to the amount of money the awardees would receive before and after the exhibition. “Initially, \[the first portion\] of the budget was supposed to be 80 percent, and then the remaining 20 percent \[would be given\] after submitting receipts,” said Africa. “Then they changed it to 50-50 because of past late or incomplete liquidation requirements in July.” According to Africa, the CCP VAMD had a call with all 13 awardees to explain to them why release of the grant was taking so long, citing the institution’s structure as the main reason. “During that call, we were asking about how we can pay for ourselves, for our labor,” said Africa. “And they were explaining that they couldn’t.” Africa recalled that, after the initial call, the same department scheduled a follow-up call explaining the flow of money and how it’s released in governmental institutions. “They made a whole flow chart,” added Africa. Upon asking past awardees, the 2024 cohort learned that in previous years, the first portion of the grant was 90 percent, with the remaining 10 percent given after the exhibition. However, Africa reiterated that the real issue wasn’t the CCP staff, but simply how the release of financial resources was structured. “I think it’s really whoever is holding the money, or however the cash flows through the CCP. ‘Yon ‘yong problema,” said the artist. ## Proper Compensation > [View this post on Instagram](https://www.instagram.com/p/DPfjiGpCrO0/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Silverlens (@silverlensgallery)](https://www.instagram.com/p/DPfjiGpCrO0/?utm_source=ig_embed&utm_campaign=loading) After her speech, Africa noted that multiple members of the audience — including fellow awardees and employees of the CCP — had been moved by her statement. “Muntik daw silang maiyak,” said Africa. “It really hit home for a lot of people.” When asked if she knew when the rest of the budget would be released to the awardees, Africa responded with an immediate “no.” “Our deadline for submitting our receipts is next week,” she said. “But I don’t know how long it’s going to take. Hopefully naman, medyo mapapabilis, kasi after the speech… \[someone from CCP\] said, ‘We’ll be sure to address your concerns.’” “Initially, I was thinking it would be easier to just boycott the whole thing,” she added. “But… making a statement \[is\] more powerful. I need to get compensated for my labor. That’s how things should work.” CCP, in a correspondence with *Rolling Stone Philippines*, released a statement in response to the joint remarks of the Thirteen Artists Awards recipients, read by Catalina. “At the \[CCP\], we appreciate all feedback from the arts and culture community that we serve,” wrote CCP President Kaye C. Tinga. “The CCP Board of Trustees and CCP Management were present at the awarding, and upon hearing the concerns of the Thirteen Artist Awardees, we have already begun reviewing the grant process and are discussing ways we can effect changes that enable us to live up to our mission of nurturing artists, artistic excellence, and an art-appreciating public.” “We are grateful to the Thirteen Artist Awardees for creating and lending work for the exhibition,” continued Tinga, “allowing the public to engage with this living study of contemporary art excellence.” **Editor’s Note:** This story was first published with the title “Thirteen Artists Awardees Call Out CCP Over Delayed Payment.” The CCP has reached out to correct the term to “grant” to describe the financial assistance provided to the artists, who may opt to produce new work for the exhibit. Said works belong entirely to the artists and are not commissioned by the CCP. Related Stories - [Meet the Winners CCP’s 2024 Thirteen Artist Awardees](https://rollingstonephilippines.com/culture/ccpp-thirteen-artists-awards-2024/ "Meet the Winners CCP’s 2024 Thirteen Artist Awardees") - [BenCab on Being a National Artist and What He Really Thinks About Sabel](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/bencab-national-artist-interview/ "BenCab on Being a National Artist and What He Really Thinks About Sabel") - [Artist Kiri Dalena and Activism as High Vocation](https://rollingstonephilippines.com/culture/art/kiri-dalena-art-as-activism/ "Artist Kiri Dalena and Activism as High Vocation") **Categories:** Art, Culture **Tags:** Catalina Africa, Cultural Center of the Philippines, Thirteen Artist Awards --- ### [National Heroes Day: 7 Historical Films to Watch Now ](https://rollingstonephilippines.com/culture/philippine-cinema/national-heroes-day-historical-films-to-watch/) **Published:** August 28, 2026 **Author:** Reyza Ferranco **Content:** With the long weekend to commemorate National Heroes Day on August 31, there’s no better time to revisit some of our favorite historical films. Beyond the usual textbook accounts, we’ve rounded up a selection of historical biopics and films available to stream on Netflix, Prime Video, and YouTube. Featuring the men and women who’ve made an impact on our country while offering dramatized and different perspectives on our tumultuous history. ## **Jose Rizal (1998)** Directed by the National Artist for Film Marilou Diaz-Abaya, the critically acclaimed film recounts the life and works of Jose Rizal (played by Cesar Montano) through non-linear flashbacks. It shows his role as a writer, doctor, and activist, and how he fought for the country’s right to freedom until his execution during the colonization and abuse by the Spaniards. *Jose Rizal* is currently streaming on [Netflix](https://www.netflix.com/title/70060848). ## **GomBurZa (2023)** If *Jose Rizal (1998)* shows the revolutionary ideas that shaped the country’s national hero, *GomBurZa* goes back to the story that inspired those very ideas. The historical film, directed by Pepe Diokno, tells the martyrdom of three Catholic priests — Fr. Mariano Gomes (played by Dante Rivero), Fr. Jose Burgos (played by Cedrick Juan), and Fr. Jacinto Zamora (played by Enchong Dee), collectively known as GomBurZa — who were executed by Spanish authorities. It tackles GomBurZa’s advocacy and fight for the secularization of the parishes and greater recognition of Filipino secular clergy until they were falsely accused of treason and sedition, which ultimately led to their execution by garrote. Their deaths later ignited the Philippine Revolution and inspired Rizal, who dedicated his second novel, *El Filibusterismo*, in their honor. Watch it on [Netflix](https://www.netflix.com/title/81754253). ## **Heneral Luna (2015)** Jerrold Tarog’s Bayaniverse, a series of films depicting heroes, had *Heneral Luna* as its first installment. Released in 2015, the film shows Antonio Luna (played by John Arcilla) as he led the Philippine forces during the Philippine-American War. Arcilla delivers a powerful portrayal of Luna, depicting his fierceness and vulnerabilities. His assassination at the hands of fellow Filipinos, due to betrayal and political rivalries, becomes the film’s tragic centerpiece. You can watch it on [Prime Video](https://www.primevideo.com/detail/0SEUNL5ODC7LZ6T5ZZU8W55ID3). ## **Goyo: Ang Batang Heneral (2018)** Serving as the sequel to *Heneral Luna*, *Goyo* follows Gregorio “Goyo” del Pilar (Paulo Avelino) through his leadership during the Philippine-American War. It picks up right after the events that transpired in the first film, shifting from Luna’s fiery attitude to the young general’s subdued and vulnerable blind loyalty. This definitely takes on a quieter and more reflective approach to the war and all its politics. It is available on [Prime Video](https://www.primevideo.com/detail/0M9EFTBL9KSWIEGNWCLP758RYC). ## **Quezon (2025)** The third installment of Jerrold Tarog’s Bayaniverse, the *Quezon* biopic boldly portrays the rise of former president Manuel L. Quezon (played by Jericho Rosales) as one of the country’s most influential political leaders. But rather than simply presenting Quezon as this widely recognized hero, it also examines his compromises, ambitions, and the controversies behind his leadership. It provides an unflattering and complex portrayal of the man behind the name of Metro Manila’s biggest city and the face on the P20 coin. The film sparked controversy after Quezon’s descendants deemed that Tarog and his creatives weaponized history. Quezon is streaming on [Prime Video.](https://www.primevideo.com/detail/0QZCCHO6KF1T8ELNJ6L2KJT27T) ## **Liway (2018)** Stirring away from national hero biopics, *Liway* is a biographical film about Dakip (the film’s director, Kip Oebanda) and his mother, Cecilia Oebanda, who was an anti-Marcos activist and became “Commander Liway.” The story opens up with a happy Dakip playing with other children, before it is later on revealed that they were inside jarred walls. The movie brilliantly tackles Kip and his family’s story as they struggle for survival inside prison and amid instability under Marcos’ dictatorship. *Liway* is available on [YouTube](https://www.youtube.com/watch?v=jVzF8xqctco). ## **BONUS: Sister Stella L (1984)** Loosely based on the lives of real nuns, *Sister Stella L* is a political drama directed by [Mike de Leon](https://rollingstonephilippines.com/tag/mike-de-leon/ "Mike de Leon") and starring Vilma Santos. The story revolves around a non-political nun whose faith and perspective change after having confronted poverty, labor exploitation, and political repression during the final years of the Marcos dictatorship. It was inspired by real-life activist nuns during martial law, Sister Mary Rosario “Chayong” Battung and Sister Mary Pilar Versoza, who were heavily involved with the [labor movement](https://rollingstonephilippines.com/state-of-affairs/labor/) and social activism. They worked closely with the marginalized and the urban poor. You can watch *Sister Stella L* on [YouTube](https://youtu.be/owXsQvLR-uk?si=oSYtla_8_wwxybuG). ## FREQUENTLY ASKED QUESTIONS ### Who is GomBurZa? GomBurZa refers to Fr. Mariano Gomes, Fr. Jose Burgos, and Fr. Jacinto Zamora, collectively known as GomBurZa, who were executed by garrote during the Spanish colonial period. ### Why is *Quezon (2025)* controversial? The film gained controversy after Quezon’s descendants deemed that Tarog and his creatives weaponized history for sales, as it provided an unflattering and complex portrayal of the hero. ### What is Bayaniverse? Bayaniverse is a series of films directed by Jerrold Tarog depicting Philippine heroes. ### Is *Liway (2018)* based on a true story? Yes, Liway is based on Filipino director Kip Oebanda’s childhood in prison, alongside his mother, who was a rebel commander against the Marcos dictatorship. ### Who is *Sister Stella L (1984)* based on? It is inspired by real-life activist nuns, Sister Mary Rosario “Chayong” Battung and Sister Mary Pilar Versoza, who were heavily involved with the labor movement and social activism. They worked closely with the marginalized and the urban poor. Related Stories - [‘Quezon’ Film Team on Making One of the Biggest Filipino Historical Epics](https://rollingstonephilippines.com/radar/events/quezon-state-of-film-panel/ "‘Quezon’ Film Team on Making One of the Biggest Filipino Historical Epics") - [Lav Diaz, Irene Villamor, Jerrold Tarog, More Weigh in on Piracy](https://rollingstonephilippines.com/culture/film-piracy-filipino-filmmakers/ "Lav Diaz, Irene Villamor, Jerrold Tarog, More Weigh in on Piracy") - [5 Feature Films to Catch Before Cinemalaya 2026 Ends](https://rollingstonephilippines.com/culture/philippine-cinema/5-cinemalaya-2026-films-to-catch/ "5 Feature Films to Catch Before Cinemalaya 2026 Ends") **Categories:** Culture, Film, Philippine Cinema **Tags:** Heroes, Historical Film --- ### [Free ‘Sine Sinta’ 2026 Screenings Give A Hard Look at Love and Labor](https://rollingstonephilippines.com/culture/film/free-sine-sinta-valentines-2026-fdcp/) **Published:** February 9, 2026 **Author:** Pie Gonzaga **Excerpt:** This Valentine’s Day, treat your significant other to some of the most romantic (and depressing) Filipino films, courtesy of the FDCP **Content:** Starting this Valentine’s Day, the [Film Development Council of the Philippines](https://rollingstonephilippines.com/tag/fdcp/ "FDCP") (FDCP) is holding free screenings of eight romance films in Manila, Davao City, Iloilo City, and Bacolod, as part of this year’s iteration of “Sine Sinta.” The FDCP’s selection is centered on films “shaped by love, [labor](https://rollingstonephilippines.com/state-of-affairs/labor/), and survival.” From February 14 to 20, singles and couples alike can watch Jonathan Jurilla’s *Love Child*, [Antoinette Jadaone](https://rollingstonephilippines.com/tag/antoinette-jadaone/ "Antoinette Jadaone")’s *That Thing Called Tadhana*, [JP Habac](https://rollingstonephilippines.com/tag/jp-habac/ "JP Habac")’s *I’m Drunk, I Love You*, Dwein Baltazar’s *Third World Romance* and *Gusto Kita with All My Hypothalamus*, [Jade Castro](https://rollingstonephilippines.com/tag/jade-castro/ "Jade Castro")’s *Endo*, Sigrid Andrea Bernardo’s *Ang Huling Cha-Cha ni Anita*, and Thai filmmaker Charliebebs Gohetia’s *I Love You. Thank You*. In Metro Manila, the films will be screened at the Metropolitan Theater, Fort Santiago, and Rizal Park. Screenings will also be held in the Davao del Sur, Iloilo, and Negros Occidental branches of Cinematheque Centre. Registration and show details for “Sine Sinta” 2026 are available on the FDCP’s social media pages. ## Frequently Asked Questions ### What is FDCP’s “Sine Sinta” 2026? Sine Sinta is FDCP’s annual Valentine’s season program offering free screenings of Filipino romance films exploring love, labor, and survival. The 2026 edition features eight films screened across Metro Manila and three regional cities from February 14 to 20. ### When and where will “Sine Sinta” 2026 screenings take place? Screenings run February 14 to 20, 2026 at the Metropolitan Theater, Fort Santiago, and Rizal Park in Manila, plus the Davao del Sur, Iloilo, and Negros Occidental branches of Cinematheque Centre in Davao City, Iloilo City, and Bacolod. ### Which films are included in “Sine Sinta” 2026? The lineup includes Love Child, That Thing Called Tadhana, I’m Drunk, I Love You, Third World Romance, Gusto Kita with All My Hypothalamus, Endo, Ang Huling Cha-Cha ni Anita, and Thai filmmaker Charliebebs Gohetia’s I Love You. Thank You. ### How can moviegoers register for “Sine Sinta” 2026? Registration details and screening schedules for “Sine Sinta” 2026 are posted on FDCP’s official social media pages, where audiences can find updated showtimes for each city and venue included in the program. ### Why does FDCP frame “Sine Sinta” 2026 around love and labor? FDCP selected the eight films to reflect stories “shaped by love, labor, and survival,” highlighting how the featured Filipino romance films connect personal relationships to everyday economic and social struggles rather than pure escapism. Related Stories - [‘Pillion,’ ‘Resurrection,’ and More Movies to Watch Now](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/pillion-resurrection-the-muppet-show/ "‘Pillion,’ ‘Resurrection,’ and More Movies to Watch Now") - [Jose Javier Reyes on ‘Sunshine,’ ‘Quezon,’ and Why Filipino Audiences Are Necessary](https://rollingstonephilippines.com/culture/philippine-cinema/jose-javier-reyes-on-filipino-cinema/ "Jose Javier Reyes on ‘Sunshine,’ ‘Quezon,’ and Why Filipino Audiences Are Necessary") - [‘ReKonek’ Director Jade Castro: ‘I’m Making a Film About Goodness’](https://rollingstonephilippines.com/culture/rekonek-mmff-director-jade-castro-interview/ "‘ReKonek’ Director Jade Castro: ‘I’m Making a Film About Goodness’") **Categories:** Culture, Events, Film, Philippine Cinema, Radar **Tags:** FDCP, Sine Sinta --- ### [‘GTA 6’ Just Dropped 6 Songs From Very Stacked Soundtrack](https://rollingstonephilippines.com/music/news/gta-vi-six-songs-soundtrack/) **Published:** September 18, 2026 **Author:** Elijah Pareño **Excerpt:** The 34-song lineup brings together rappers, pop and electronic artists, a country star, and The Rolling Stones guitarist for Vice City **Content:** Iconic open-world video game *[Grand Theft Auto VI](https://rollingstonephilippines.com/tag/grand-theft-auto/)* has dropped six new tracks from its upcoming soundtrack album. The soundtrack will drop alongside the game’s global release on November 19. According to *Rockstar Games*, the 34-track album is said to “capture the electric energy of *Grand Theft Auto VI*’s world of Vice City and Leonida.” > [View this post on Instagram](https://www.instagram.com/p/DdY0kYnF-5r/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rockstar Games (@rockstargames)](https://www.instagram.com/p/DdY0kYnF-5r/?utm_source=ig_embed&utm_campaign=loading) The first six singles of the game’s soundtrack include solo artists such as rappers [Yung Lean](https://rollingstonephilippines.com/tag/yung-lean/) and Travis Scott, hip-hop producer Metro Boomin, British singer-songwriter [PinkPantheress](https://rollingstonephilippines.com/tag/pinkpantheress/), electronic music producer Fred Again.., and country singer Morgan Wallen. [The Rolling Stones](https://rollingstonephilippines.com/tag/the-rolling-stones/) guitarist Keith Richards will also be part of the soundtrack as many more collaborators are set to be announced soon. *Grand Theft Auto VI* will come out on November 19 on PlayStation and Xbox Series X/S. ## Frequently Asked Questions ### When is *Grand Theft Auto VI* coming out? *Grand Theft Auto VI* will be released on November 19, in PlayStation and Xbox Series X/S. ### How many tracks are on the *Grand Theft Auto VI* soundtrack? The album is set to feature 34 tracks in total, with the first six singles already revealed. ### Who are the artists featured on the *Grand Theft Auto VI* soundtrack so far? The first six singles include rappers Yung Lean and Travis Scott, hip-hop producer Metro Boomin, pop star PinkPantheress, electronic music producer Fred Again.., country singer Morgan Wallen, and The Rolling Stones guitarist Keith Richards, with more collaborators still to be announced. ### What is *Grand Theft Auto*? *Grand Theft Auto* is an open-world action game created in 1997. ### What is the company behind *Grand Theft Auto?* The video game company who created *Grand Theft Auto* is *Rockstar Games*. Related Stories - [6 Songs From ‘Grand Theft Auto: San Andreas’ That Impacted Filipino Culture](https://rollingstonephilippines.com/editors-picks/lists/6-songs-gta-grand-theft-auto-san-andreas-filipino-culture/ "6 Songs From ‘Grand Theft Auto: San Andreas’ That Impacted Filipino Culture") - [We Got SOS’ ‘It Was a Moment’ Before ‘Grand Theft Auto VI’](https://rollingstonephilippines.com/music/sos-it-was-a-moment-before-grand-theft-auto-vi/ "We Got SOS’ ‘It Was a Moment’ Before ‘Grand Theft Auto VI’") - [Dong Abay and the Politics and Rage of the Working Class](https://rollingstonephilippines.com/music/dong-abay-politics-everyday-rage/ "Dong Abay and the Politics and Rage of the Working Class") **Categories:** Culture, Music, News, Video Games **Tags:** Grand Theft Auto --- ### [The Philippines Loses Media Watchdog CMFR](https://rollingstonephilippines.com/state-of-affairs/cmfr-philippine-media-watch-down-closing/) **Published:** September 18, 2026 **Author:** Reyza Ferranco **Content:** The independent media institution Center for Media Freedom and Responsibility (CMFR) has announced that it will cease operations effective September 30, citing difficulties with funding. CMFR explained [in a statement](https://www.facebook.com/share/p/18Chpr9o4G/) that despite Philippine and international support, “multiple factors have affected the funding environment, making it difficult for CMFR to secure the necessary funds for its operations.” Founded in 1989 — three years after the [People Power Revolution](https://rollingstonephilippines.com/tag/people-power-revolution/) — the media monitor has served the country and journalists for 37 years, with programs centered on upholding press freedom, promoting responsible journalism, and encouraging journalistic excellence. The institution was known for developing resources for journalists, having published numerous[ books and reports](https://cmfr-phil.org/about/other-publications/) over the years that tackled topics of media interest and performance, such as a manual on media reporting, gender issues, and press governance. They also documented and studied the journalist killings under former President Gloria Arroyo-Macapagal’s administration, as well as the Philippine media coverage of former President [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/)’s war on drugs. With CMFR’s closure, the country continues to see media outlets scaling back, with funding pressures and operational issues forcing them to reorganize, lay off employees, or shut down altogether. In the past two years, we’ve seen *CNN Philippines* shut down, the *Philippine Daily Inquirer* print merge, and more recently, ABS-CBN retrench employees. The National Union of Journalists (NUJP) expressed its regret over the closure, saying that the loss of CMFR is a “profound blow” to Philippine journalism as it “leaves a void in an industry that needs accountability.” “At a time when the press faces mounting pressures from various interests, the absence of CMFR’s independent voice will be deeply felt,” NUJP [said](https://www.facebook.com/share/p/1D6wRegGzF/). ## FREQUENTLY ASKED QUESTIONS ### What is CMFR and why is it shutting down? CMFR is a Philippine press freedom watchdog founded in 1989. It will close on September 30, 2026, citing funding pressures that made continued operations unsustainable. ### When did CMFR announce it will close? CMFR announced its closure in a public statement on September 18, confirming that operations will end on September 30, 2026. ### How long has CMFR operated in the Philippines? CMFR operated for over 37 years, founded in 1989. Its programs covered press freedom, responsible journalism, and journalistic excellence, producing more than 10 books and reports. ### Is CMFR the only Philippine media outlet to shut down recently? No. CMFR’s closure follows *CNN Philippines* shutting down, *Philippine Daily Inquirer* merging its print operations with *Inquirer.net*, and ABS-CBN retrenching staff over the past two years across Philippine media. ### What did NUJP say about CMFR’s closure? NUJP called CMFR’s closure a “profound blow” to Philippine journalism, saying it “leaves a void in an industry that needs accountability” as the press faces mounting pressure. Related Stories - [Laid Off by Your Company? Here’s What You’re Entitled to as an Employee](https://rollingstonephilippines.com/state-of-affairs/laid-off-company-get-separation-pay/ "Laid Off by Your Company? Here’s What You’re Entitled to as an Employee") - [Another ABS-CBN Shutdown? Here’s a Timeline of the Lopez Family Feud](https://rollingstonephilippines.com/state-of-affairs/abs-cbn-lopez-family-feud/ "Another ABS-CBN Shutdown? Here’s a Timeline of the Lopez Family Feud") - [5 Independent Filipino Journalists You Need to Follow Online](https://rollingstonephilippines.com/state-of-affairs/power/independent-filipino-journalists-follow-online/ "5 Independent Filipino Journalists You Need to Follow Online") **Categories:** State of Affairs **Tags:** Center for Media Freedom and Responsibility, CMFR, Journalism, Philippine Media --- ### [Artist Duo Abang-Guard and the Glorious Absurdity of Museum Guards as Performers](https://rollingstonephilippines.com/culture/art/abang-guard-met-museum-artists/) **Published:** May 23, 2025 **Author:** Pristine De Leon **Content:** Maureen Catbagan and Jevijoe Vitug are two Filipino visual artists who work at the Metropolitan Museum of Art in New York. In 2017, they started collaborating under the name “Abang-guard,” a play on avant-garde, which has historically stood for the radical and transgressive, if not outright bizarre. It is also a most straightforward reference to their occupation: They have been working at The Met not as artists, but as security guards. “I just had my 25th year anniversary. How time flies!” Catbagan tells me in an email. Vitug, meanwhile, has worked there for a decade. Catbagan’s mother traveled across countries on temporary assignment as a doctor before she and her daughter settled in the U.S. in 1986. Vitug had already carved out an artistic career back in the Philippines, having won recognitions like the Cultural Center of the Philippines’ Thirteen Artists Awards, when he moved to the U.S. dreaming to live as a full-time artist. He first found work at Walmart, pushing carts. One odd job after another, he finally settled as a guard where they both met. Of course, they’re not an isolated case, they tell me. Think of the Filipina painter Nena Saguil taking up housekeeping jobs to support an already ascetic life in Paris, or the celebrated David Medalla struggling financially as he moved around London and the U.S. “A lot of people have a hard life to pursue their dreams,” Catbagan says. Many other immigrants have had to straddle art and [labor](https://rollingstonephilippines.com/state-of-affairs/labor/). ## Inverting the Coding “You can think of it as a disadvantage or you can pivot and reempower,” says Catbagan. If the avant-garde wants to break the rigid line between life and art, then here the Abang-guard project presents the glorious absurdity of the museum guard as a performer. “We’re aesthetically inverting the position of guards,” Catbagan continues. “The look of it, the coding of it. We try to transform the power dynamics.” ![ABANGGUARD-intext-2 “Bridged Monuments”](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/ABANGGUARD-intext-2.webp) Still from “Bridged Monuments” video installation, which features the art duo before the Filipino Community Hall in Delano, California. In 2018, at the ARoS Public Atelier in Denmark, Catbagan and Vitug walked around the white and winding pathways in identical suits, with their pants rolled up, barefoot. They would stand for some minutes and then jerk their arms, point forward, and bend their knees in coordinated motion. It must have been startling to see — two serious guards in uniform suddenly performing calisthenics. The performance was made for their residency with Flux Factory. On another iteration, they roamed the galleries with tactical vests showing videos of works by ARoS Museum guards. Their bodies became a walking display à la Marcel Duchamp’s portable museum “Boîte-en-valise.” “We’re aesthetically inverting the position of guards; the look of it, the coding of it. We try to transform the power dynamics.” Maureen Catbagan Other projects are carried out through clever exhibitionary tricks: In “La Guardia,” viewers come across large wooden crate covers. To see the art, they need to perform the physical labor of looking. They crouch, peer in, and lie down to find works made by other museum guards — people of color who, like Vitug and Catbagan, haven’t had much chance to exhibit as artists. “How do you beat a system that was never built for you to win? \[There are kinds\] of systemic racism that no one talks about,” says Vitug. At the center of their work has constantly been the laboring body. The lives of working class immigrants or people of color are coded into the bodily presence of the guard-performer. “We aimed to reconfigure the aesthetic and political strategies of museum display,” Vitug says, “so we could insert our own narrative within that framework.” ## Labor Histories on View As Abang-guard gets its first official solo museum show this year, it’s specifically the Filipino migrant histories that come to the fore. Their exhibition, Abang-guard: Makibaka, opened last March at the Queens Museum, which is located on the grounds where the New York World’s Fair (NYWF) was held from 1964 to 1965. Abang-guard takes this charged temporal marker as a conceptual anchor. Ask them about it and they will give you an hours-long history lecture: It was also in 1965 when Filipino migrant farm workers like the labor leader Larry Itliong initiated the Delano Grape Strike in California, campaigning for higher wages and a retirement home. In that same year, the Hart-Celler Immigration and Nationality Act was signed, bringing a wave of Filipina nurses into American shores. ![ABANGGUARD-intext](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/ABANGGUARD-intext.webp) Delano Grape Strike Organizers offerings to ancestors reimagined in a salakot-shaped piece. Photo by Hai Zhang courtesy of Queens Museum and the artists At the exhibition stands a time capsule in the shape of an enormous salakot, the dominant form of the NYWF Philippine pavilion architecture. Inside the capsule are care package items for the many Delano Grape Strike organizers, bundled like offerings to ancestors. There are several layers of story and data heaped into each work. The paintings, done in the style of famed American male artists, are portraits of Filipina nurses, while others lay out an iconography of the American dream, the cruel promise of abundance in migration, and — as in the 1966 killings of nurses — its tragedies. “We aimed to reconfigure the aesthetic and political strategies of museum display, so we could insert our own narrative within that framework.” Jevijoe Vitug This is all part of Abang-guard’s politics of visibility. Their video installation, where screens are arranged like an inverted monument, frames them as ones who guard the historical sites of Filipino communities in Stockton and Delano. Their day job gets a lively twist: here, they are guardians of memory, protecting a history that has been somewhat invisible or peripheral. They’ve archived the stories of second-generation migrants, tracking down what they call a legacy of solidarity, care, and economic support. “We wanted to show people how the Filipinos were part of the nation-building of the United States,” says Catbagan. Avant-garde artists once entertained the absurd. And perhaps now in the volatile climate of the U.S., there are few things more absurdly ironic than the hostility directed to immigrants, considering that it’s a country built on their work and blood. It took months of research to gather these stories. But the effect that propels them is also a kind of bodily knowledge. The burden of dream and labor is a weight they’ve carried on their bodies, as guards who have stood for hours, for years, on the margins of institutions. “It’s coming from our lived experience as guards,” Vitug says simply. Here is America seen from where they stand. *This story originally appeared in The Guilty Pleasure of Showbiz Gossip Issue. Now out on select newsstands and on [Sarisari.Shopping.](https://sarisari.shopping/collections/rolling-stone-philippines-collections/products/rolling-stone-philippines-may-2025-daniel-padilla "Sarisari.Shopping.")* *Get digital access to Rolling Stone Philippines issues [here.](https://rollingstonephilippines.com/digital-access/ "here.")* **Categories:** Art, Culture **Tags:** Filipino artist, Met Museum --- ### [Why Hardcore Punk is Advocating for Veganism in the Philippines](https://rollingstonephilippines.com/music/hardcore-punk-veganism-philippines/) **Published:** September 11, 2025 **Author:** Elijah Pareño **Excerpt:** As Filipinos grapple with issues of food security, animal rights, and the environment, the vegan hardcore punk community can teach a thing or two about fighting against systems of harm **Content:** To be a [hardcore punk](https://rollingstonephilippines.com/tag/hardcore-punk/ "hardcore punk") is more than just listening to loud, distorted music; it means protecting freedom of expression from an establishment that seeks to oppress it. To be “straight-edge” is an extension of that: a subculture within the hardcore punk community that abstains from alcohol, drugs, and other substances. Being straight-edge signifies a rejection of destructive habits and a commitment to self-discipline. Choosing [veganism](https://rollingstonephilippines.com/tag/veganism/ "veganism") takes that a step further. As a stand against the exploitation of animals and broader systems of harm against the environment, it is a commitment that requires a conscious effort every single day. The punk movement emerged in the late ‘70s from working-class neighborhoods in the U.K., U.S., and Australia with bands like The Clash, Black Flag, and The Saints. Punk music and its faster, more aggressive “hardcore” subgenre later evolved into a global rupture in youth culture that found its way into the Philippines. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/Untitled-design-69-1-2-4.webp) Filipino punk slamdancing to their favorite bands in the late 80s. Photo from Allen Mercado and Didits Gonzalez In 1981, San Francisco’s Mabuhay Gardens, a Filipino-restaurant-turned-punk-landmark, hosted the first local shows of prominent American punk bands like Dead Kennedys and Circle Jerks. That same year, on the other side of the globe, Manila saw its own entry point into the movement. Staged at the comparatively conservative Philippine Trade Exhibit grounds, the Brave New World concert marked the debut of Chaos, a Filipino punk band led by promoter Tommy Tanchanco, who went on to front the hardcore punk outfit Third World Chaos and the cassette-only label Twisted Red Cross. With a few dozen releases between 1985 and 1989, Twisted Red Cross helped create the blueprint for Filipino hardcore punk music, spotlighting local acts like Dead Ends, [Wuds](https://rollingstonephilippines.com/editors-picks/features/still-ill-mutiliated-noise-punk/ "In the Age of Digital, These Filipino Punk Labels are Doubling Down on Vinyl, CDs, Cassettes"), George Imbecile & The Idiots, [Urban Bandits](https://rollingstonephilippines.com/tag/urban-bandits/ "Urban Bandits"), and Betrayed. By the 1990s, during the turbulent decade following the martial law years, the local scene had built a grassroots infrastructure that allowed for new musicians to come in. Bands such as Piledriver, Tame the Tikbalang, and Biofeedback kept the sound alive. Small labels like Rare Music Distribution, run by band members of the Philippine Violators, and Middle Finger Records distributed music through independent channels. Alongside this wave of activity, ideas tied to the straight-edge and animal rights movement slowly filtered in from the United States and Europe. Hardcore punk was no longer just about sound but about ethics, with sobriety, compassion, and vegan living becoming part of its vocabulary. ## Veganism in the Philippines ![Animal Rights March](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/Untitled-design-69-1-2-3.webp) Hardcore punk was no longer just about sound but about ethics, with sobriety, compassion, and vegan living becoming part of its vocabulary. Photo from Aurus Feal Sy/Facebook That connection is where Ralph Espiritu comes in. As the lead vocalist of [Gibraltar](https://rollingstonephilippines.com/tag/gibraltar/ "Gibraltar"), Espiritu recalls being introduced to veganism in the early 2010s through Possum X Project, a short-lived hardcore punk band from Zambales. During their shows, the band distributed flyers and DVDs from the animal rights organization People for the Ethical Treatment of Animals (PETA), exposing the community to disturbing realities of industrial animal production. “Watching through that whole video with surveillance footage around factories and industrial facilities… The violence is beyond disbelief,” Espiritu tells *Rolling Stone Philippines.* ![Gibraltar](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/Untitled-design-69-1-2-1.webp) Gibraltar performing at the Aninoko Show at Mow’s last January 2025. Photo from Jhona Labe/Facebook For Espiritu, veganism is a natural extension of hardcore punk’s commitment to questioning systems of power as it extends to issues beyond diet. “It’s about avoiding products that harm in any way,” he says. “Pain and suffering of the voiceless — \[that’s\] something I cannot support. Compassion and \[morality\] is what persuades me \[into\] this way of life, to be an advocate for animal rights, and human liberation.” The concept of speciesism believes that humans are inherently more valuable than other species, which justifies the exploitation of animals for food, [labor](https://rollingstonephilippines.com/state-of-affairs/labor/), and entertainment. Speciesism functions much like racism or sexism, where one group assigns hierarchical dominance over another. As such, being a vegan in the Philippines is challenging. Filipinos are the 10th highest consumers, 8th largest producers, and 7th largest importers of pork worldwide. Meat production is central to the country’s agricultural economy, and livestock farming provides income for thousands of families. Moreover, a 2022 [report](https://www.pids.gov.ph/details/news/in-the-news/many-filipinos-can-t-afford-healthy-food-due-to-lack-of-agri-infra-think-tank) by the Philippine Institute for Development Studies states that while the incidence of hunger has declined since the pre-pandemic period, many Filipinos struggle to access nutritious diets: households consume mostly rice and starchy foods, with low intake of fruits and vegetables. This reality underscores why the choice for Filipinos to become vegan requires not just personal conviction, but also systemic change, especially when advocates are pushing for animal rights in a society that largely relies on animals to survive. “The visceral nature and imagery of my lyrics do that job for me. If you prioritize digestibility over self-expression, then what’s the point?” Gomi, Vocalist of Shockpoint “Exploitation is the root issue \[here\]. But as someone living in a third-world country, I \[recognize\] that our agricultural sector is traditionally dependent on animal production, and I painfully understand that \[they have\] to make ends meet,” he says. “It’s a moral dilemma that, from an animal and human rights standpoint, we may one day figure out.” Espiritu points out that things are changing, and veganism in the Philippines has become more accessible than it has ever been. A 2025 report by Tokyo-based consumer research agency GMO Foods revealed that 83 percent of Filipino consumers intend to increase their plant-based food consumption in the coming year. Manila Vegans, an advocacy group which, as of the time of writing, has 53,000 members on Facebook, suggesting a growing local interest and a solid community following. For Espiritu, veganism and hardcore punk share a common belief in reimagining systems of survival and how compassion for animals can exist alongside compassion for human communities. ![Shockpoint](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/Untitled-design-69-1-2-2.webp) Gomi recalls how joining Artista ng Rebolusyong Pangkultura (ARPAK), a national democratic mass organization, helped develop his understanding of oppression from within the agricultural sector, and how artists can stand in solidarity with farmers and animal rights advocates. Photo from Jhona Labe/Facebook “The consensus \[around\] hardcore punk \[is\] anti-capitalism, anti-authoritarianism, and an inclination for social and political change,” he says. “It is \[about\] resistance at its core. You can’t be right-wing and punk. I can’t say what you should or shouldn’t do. \[But\] cruelty, in general, is one statement we can all do without.” ## Ideas into Action Gomi is the vocalist of the straight edge metallic hardcore punk band [Shockpoint](https://rollingstonephilippines.com/tag/shockpoint/ "Shockpoint"). He recalls how joining Artista ng Rebolusyong Pangkultura (ARPAK), a national democratic mass organization, helped develop his understanding of oppression from within the agricultural sector, and how artists can stand in solidarity with farmers and animal rights advocates. “We address these issues by communicating \[them\] through whatever medium we can – be it music, art, zines, benefit shows, you name it,” he says. “It obviously won’t turn everyone vegan, but it gets people talking and asking questions, which is valuable in and of itself.” Indeed, what makes the vegan hardcore punk movement distinct is its gesture towards the future, using music and art as a vehicle to confront contradictions in the industrial meat economy and demand alternatives outside the machinery of exploitation. As such, honesty is a core value within hardcore punk that, in its goal to convey a message — to treat animals, people, and the environment with equal urgency for care — will never be simplified. “The visceral nature and imagery of my lyrics do that job for me,” Gomi says. “If you prioritize digestibility over self-expression, then what’s the point?” Related Stories - [In the Age of Digital, These Filipino Punk Labels are Doubling Down on Vinyl, CDs, Cassettes](https://rollingstonephilippines.com/editors-picks/features/still-ill-mutiliated-noise-punk/ "In the Age of Digital, These Filipino Punk Labels are Doubling Down on Vinyl, CDs, Cassettes") - [1994: A Cultural Shift in the Filipino Music Landscape](https://rollingstonephilippines.com/music/1994-filipino-music-landscape/ "1994: A Cultural Shift in the Filipino Music Landscape") - [Ingay Likha Returns to Cavite with New Home for Grassroots Music and Art](https://rollingstonephilippines.com/radar/ingay-likha-reopening-announcement/ "Ingay Likha Returns to Cavite with New Home for Grassroots Music and Art") **Categories:** Music, Rock **Tags:** Gibraltar, hardcore punk, Shockpoint, veganism --- ### [Magpatina’s Rej Hidalgo Wants You to Call Her a ‘Beautician’](https://rollingstonephilippines.com/culture/art/rej-hidalgo-magpatina-hair/) **Published:** March 25, 2026 **Author:** Pie Gonzaga **Excerpt:** The artist behind the alternative hair studio creates colorful, striking looks and wants to challenge how the beauty industry values its workers **Content:** When artist and hairdresser Rej Hidalgo tells you, “Amat ko talaga ‘yung [hair](https://rollingstonephilippines.com/culture/aika-flores-hudson-williams-hairstylist/ "Hudson Williams’ Filipino Hairstylist On Why Brad Pitt Remains Hollywood’s Hair God"),” you believe her. Hidalgo has been coloring hair since 2012, after she graduated from high school, but recalls cutting her friends’ hair in classrooms way before then. “Ako ‘yung taga-gupit nila sa classroom, to the point na galit sa akin ‘yung parents kasi ‘di naman nagpaalam ‘yun e. Pag-uwi nila, may bangs na ‘yung anak nila,” she tells *Rolling Stone Philippines*. Today, under the hair studio Magpatina, her clients range from Brian Black, also known as drag queen Naia, and photographer [Geloy Concepcion](http://geloy) to musicians such as [Raymund Marasigan](http://sandwich) and [ena mori](http://ena%20mori). Aside from crafting colorful, charm-adorned hair extensions sold at art consignment store Favorite Edition at [Cubao Expo](http://cubao%20expo), the self-taught hairdresser has also worked as a stylist, collaborating with streetwear brand Salad Day on a campaign last August. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/PATINA-REGINA-HIDALGO-RSPH-2.webp) Forget going natural. Magpatina’s clients like to go bold. It’s very easy to see why people are drawn to Hidalgo’s work. There isn’t a dull head on Magpatina’s [Instagram page](https://www.instagram.com/magpatinahair/), every look a bold cut or a striking array of colors in fun patterns. Hidalgo prides herself on being a hairdresser who doesn’t judge her clients and is keen to meet their vision, whether it’s natural colored curls on singer-songwriter Shanne Dandan, or a bixie streaked with neon pink. “Sobrang rewarding ‘yung makita mo na na-GGSS (gandang-ganda sa sarili) ang client,” she says. “Meron akong na-re-receive na comments from older clients na \[nagsasabi\], ‘Eto ‘yung dream \[hair\] ko when I was 20.’” ![rej hidalgo magpatina escolta studio](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/PATINA-REGINA-HIDALGO-RSPH-6.webp) Hidalgo says Magpatina’s Escolta space soft-opened in November 2025, around the time of the most recent Hola, Escolta! After almost a decade of doing home service, working in her college dorm, and accommodating clients in her Las Piñas home studio, Hidalgo moved Magpatina to the First United Building in Escolta, Manila in November 2025 to better serve clients from the north and south. In the soft-opened Escolta studio, everything from the wash station to the basket of nail art accoutrements is sunlit, thanks to the corner unit’s large windows. The space is also decorated with a host of statement pieces, a heart-shaped mirror and a checkered rug here, and Jake Versoza’s “Inosente lang ang nagtataka” photo (gifted by the photographer himself) there. But what stood out to me was the multicolored walis tambo from Baguio, streaked vibrant blue, pink, green, and violet. I thought that if I were ever to get my hair done at Magpatina, the broom would be on the moodboard. “Kahit ano talaga na trip mo, kunwari favorite mong damit, pwede nating i-translate ‘yan. ” Hidalgo says she prefers it when her clients draw inspiration from everyday objects and provide her with keywords. “Natutuwa ako ‘pag ‘yung inspo nila hindi kopya from someone else. ‘Yan ‘yung sobrang nakaka-excite,” she says. “Kahit ano talaga na trip mo, kunwari favorite mong damit, pwede nating i-translate ‘yan.” From there, she forms mind maps, a practice developed during her studies at the University of the Philippines College of Fine Arts. “Hindi ako masyadong magaling mag-paint e, hindi ako nag-excel doon sa school namin,” she says. “Pero ‘yung process ng visual studies, ‘yung mind maps, ‘yung mag-ko-collate ka ng ideas, doon ko nakuha ‘yun.” ## Hair Business Hidalgo tries not to separate herself from other hairstylists, even though her process and style differ vastly from neighborhood and mall salons. “In-o-own ko ‘yung term na ‘beautician’ kasi for the longest time, mababa ‘yung tingin doon. May misogyny ‘yun e. Ang mga OG beautician natin, mga women and gays.” In the Philippines, prices for services at salons can go as low as below P100, but can “Kahit ano talaga na trip mo, kunwari favorite mong damit, pwede nating i-translate ‘yan. ” also go well into the thousands at high-end studios. Either way, Hidalgo believes that Filipino hairdressers aren’t even paid enough for the demanding services they render. “Uso pa naman ‘yung tumatawad sa salon. Tatawaran mo ba ‘yung gagawin sa ulo mo? Hindi ba nakakatakot ‘yun?” she said, laughing. “Sa ibang bansa, mataas ang value \[ng mga hairdresser\]. Ang mahal kasi may regulation, may licensing. Dito, ‘yung nangyayari, all-around \[ang mga hairdresser\], walang mga specialty. Pagod talaga ang mga stylists. They’re also not allowed to say ‘no’.” ![rej hidalgo magpatina](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/PATINA-REGINA-HIDALGO-RSPH-3.webp) Hidalgo borrows her process as a hairdresser from her time as a fine arts student, and likes to work with keywords given by her clients. By contrast, Magpatina operates strictly on an appointment basis, with each session scheduled around the time and labor Hidalgo believes a service actually requires. A client isn’t simply paying for dye or a haircut, but for the consultation, the concept-building, and the hours spent executing a look that may involve multiple colors or techniques. It’s a setup that allows Hidalgo to pace her work and avoid the assembly-line model common in many salons, where stylists are expected to juggle several clients at once. The system is also a small way of asserting that hairdressing should be treated as skilled work rather than quick service. At the same time, Hidalgo’s careful not to frame Magpatina as a lone alternative. “Dapat magkaroon pa ng spaces \[kagaya nito\]. Marami naman na,” she says, pointing to other artists carving out similar studios across the country, from a creative barber in Bacolod to Dencio Aguilar of San Juan’s Menstribe. If anything, Hidalgo hopes Magpatina is simply one of many more spaces proving that beauticians can work and be valued differently. ***This story first appeared in Rolling Stone Philippines’ Anniversary Issue*** ***Get a copy on [Sari-Sari Shopping](https://sarisari.shopping/products/rolling-stone-philippines-anniversary-issue-anne-curtis-iv-of-spades-cheche-lazaro), or read the e-magazine now* [*here*](https://rollingstonephilippines.com/digital-access/)*.*** ## Frequently Asked Questions ### What is Magpatina and where is it located? Magpatina is an independent, appointment-only hair studio specializing in custom hair color, alternative cuts, and hair extensions. Founded by Rej Hidalgo, the studio is located in the historic First United Building in Escolta, Manila. ### Who owns Magpatina hair studio? Self-taught hairdresser and UP Fine Arts graduate Rej Hidalgo owns and operates Magpatina. Her client roster includes musicians, visual artists, and performers such as ena mori, Raymund Marasigan, Geloy Concepcion, and drag queen Naia. ### Why does Rej Hidalgo embrace the term ‘beautician’? Hidalgo reclaims ‘beautician’ to counter the historical misogyny and stigma attached to women and LGBTQ+ beauty workers in the Philippines. She advocates for treating hairdressing as skilled, regulated art rather than disposable labor. ### How does Magpatina’s appointment system differ from traditional salons? Unlike high-volume salon assembly lines, Magpatina operates strictly by appointment. Each session allocates dedicated time for consultation, moodboard conceptualization, and technical execution, ensuring customized care without juggling multiple clients simultaneously. ### How do clients collaborate on hair designs at Magpatina? Hidalgo encourages clients to bring inspiration from everyday objects, wardrobe colors, or moodboards rather than copying existing hairstyles. Drawing on her fine arts training, she creates mind maps to translate these concepts into custom hair art. Related Articles - [Hudson Williams’ Filipino Hairstylist On Why Brad Pitt Remains Hollywood’s Hair God](https://rollingstonephilippines.com/culture/aika-flores-hudson-williams-hairstylist/ "Hudson Williams’ Filipino Hairstylist On Why Brad Pitt Remains Hollywood’s Hair God") - [5 Toxic Takeaways From the ‘America’s Next Top Model’ Docuseries](https://rollingstonephilippines.com/culture/tv/americas-next-top-model-docuseries-recap/ "5 Toxic Takeaways From the ‘America’s Next Top Model’ Docuseries") - [SexyJay is One of the Most Magnetic Post-Punk Local Acts Today](https://rollingstonephilippines.com/editors-picks/features/sexyjay-music-forecast-2026/ "SexyJay is One of the Most Magnetic Post-Punk Local Acts Today") **Categories:** Art, Culture, Editor's Picks, Features **Tags:** Magpatina, March 2026 Issue, Rej Hidalgo --- ### [10 New Books by Filipino Authors to Grab at the Philippine Book Festival](https://rollingstonephilippines.com/culture/books/philippine-book-festival-2026-new-releases/) **Published:** March 12, 2026 **Author:** Mel Wang **Excerpt:** Now’s your chance to add a few (or a lot) more titles to your TBR list **Content:** If you’re in search of your next favorite read from a Filipino author, look no further than the new releases at this year’s [Philippine Book Festival](https://rollingstonephilippines.com/tag/philippine-book-festival/ "philippine book festival") (PBF). Since the National Book Development Board launched the fair in 2023, PBF has grown to become an all-inclusive space for readers and writers to discover the latest offerings from Philippine literature. This year, the festival once again takes place at the Megatrade Hall of SM Megamall from March 12 to 15. With 107 exhibitors, along with several workshops and talkback sessions led by acclaimed authors and publishers, it can get a little overwhelming trying to decide which new releases to look forward to at the fair. Hence, we’ve put together a [list of books](https://rollingstonephilippines.com/culture/books/) debuting at PBF to help you prioritize the selections on your TBR list. In no particular order, here are the new releases at PBF that we’re most excited to see and grab copies of this weekend. ## ‘the end comes on without a gasp’ by Trish Shishikura > [View this post on Instagram](https://www.instagram.com/p/DVPLLWlGgVD/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Ateneo University Press (@ateneopress)](https://www.instagram.com/p/DVPLLWlGgVD/?utm_source=ig_embed&utm_campaign=loading) A debut poetry collection that has been described as “daring” and “hyperreal,” *the end comes on without a gasp* explores the connections between grief, migration, and tenderness. Poet Trish Shishikura presents herself to her readers with a distinct, clear voice that navigates her life between Manila and Tokyo. “In Shishikura’s assured debut, the imprudent heart knows its place in the world,” wrote poet Mookie Katigbak-Lacuesta on the collection. “The reward for so exacting a life can only be beauty.” ## ‘Ella Arcangel: Lupa at Dugo’ > [View this post on Instagram](https://www.instagram.com/p/DVswlqalx9_/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Avenida Books PH (@myavenidaph)](https://www.instagram.com/p/DVswlqalx9_/?utm_source=ig_embed&utm_campaign=loading) Fans of writer and artist Julius Villanueva’s *Ella Arcangel* series can now rejoice, because it’s getting a brand-new addition. The series follows its titular character, a young mambabarang who protects the people of Barangay Masikap from the demons that lurk in the shadows. The launch of *Ella Arcangel: Lupa at Dugo* at PBF will also include important updates on the upcoming GMA cinematic adaptation based on *Ella Arcangel: Mga Awit ng Pangil at Kuko.* ## ‘Arkipelago’ by Januar Yap, Translated to English by John Bengan > [View this post on Instagram](https://www.instagram.com/p/DVXVCnFDKw8/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Ateneo University Press (@ateneopress)](https://www.instagram.com/p/DVXVCnFDKw8/?utm_source=ig_embed&utm_campaign=loading) *Arkipelago*, originally written in Cebuano by Palanca Award-winning author Januar Yap, has now been translated into English by John Bengan. The novel jumps around from story to story, weaving together the lives of a group of islanders living through “political unrest, natural calamities, and postcolonial hangovers.” Bengan’s English translation of the text is both “sublime in its love” and clear with its “disdain for the unfolding of events in the inhabitable shores of the novel’s narratives.” ## ‘Kinutsaritang Liwanag’ by National Artist Virgilio S. Almario National Artist for Literature Virgilio S. Almario (also known by his pen name, Rio Alma) brings readers a new collection of poems that turns its sharp, lyrical eye towards the sociopolitical events that have unfolded across the country over the past several years. ## ‘The Last Days of Magic: Stories’ by Ian Rosales Casocot Set in a Dumaguete that isn’t quite what it seems, *The Last Days of Magic: Stories* is a collection of short stories that center around “magic, menace, and mischief.” Ian Rosales Casocot presents us with the stories of a boy who jumps through time in search of his name, a serial killer indulging in a tell-all interview, and a king cursed by his own ambition. ## ‘Búang sa Pag-Ibig: Mga Tula’ by John Iremil Teodoro Poet and academic John Iremil Teodoro, through the course of 74 poems, addresses love in all of its forms. Romantic, erotic, familial, and platonic, love is at the center of this poetry collection, almost to the point of madness (or, in Hiligaynon, “búang”). ## ‘Ang Trangko: Mga Dula at mga Eksena sa Drama ng Panulat’ by Adrian Crisostomo Ho > [View this post on Instagram](https://www.instagram.com/p/DVfXtGuEiqR/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Grana-PH Book Publishing (@granabooks)](https://www.instagram.com/p/DVfXtGuEiqR/?utm_source=ig_embed&utm_campaign=loading) This hybrid collection of 20 short essays and 31 plays serves as Adrian Crisostomo Ho’s reflection on the nature of his fears and terror. Through short acts that explore the messiness of a violent, political world, and through poems that present a tumultuous life, Ho strikes a startling balance between stillness and chaos and between the real and the fictional. ## ‘Makata sa Pinas’ by Aristotle Pollisco > [View this post on Instagram](https://www.instagram.com/p/DVbGefyDVTs/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Everything’s Fine PH (@everythingsfineph)](https://www.instagram.com/p/DVbGefyDVTs/?utm_source=ig_embed&utm_campaign=loading) Under his birth name, rapper and singer [Gloc-9](https://rollingstonephilippines.com/tag/gloc-9/ "Gloc-9") presents us with a collection of seven poetry chapbooks, in which he revisits the themes of identity and emory that have defined his nearly three decades as a songwriter. ## ‘Manila Zoo’ by Khavn and Vic Aure > [View this post on Instagram](https://www.instagram.com/p/DVZsHZhAbzp/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Komiket Bookshop (@komiketbookshop)](https://www.instagram.com/p/DVZsHZhAbzp/?utm_source=ig_embed&utm_campaign=loading) Don’t let the cutesy, anthropomorphic characters fool you, because Khavn and Vic Aure’s *Manila Zoo* is anything but an easy read. The graphic novel explores a “worldless, psychedelic fever dream” of animal-headed souls condemned to haunt a nightmarish Manila. Guilt, desire, and violence all play major roles in this komik, turning Manila into a city “eternally devouring, endlessly reinventing.” ## ‘Irô: A Story in Blood’ by Angelo Lacuesta > [View this post on Instagram](https://www.instagram.com/p/DVvClLACQnN/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Milflores Publishing, Inc. (@milfloresbooks)](https://www.instagram.com/p/DVvClLACQnN/?utm_source=ig_embed&utm_campaign=loading) The latest novel from Angelo “Sarge” Lacuesta centers on a small town in the southern Philippines, run for generations by a dynastic political family. Bloody killings begin to shake the town’s residents, all of whom begin to whisper of a large, murderous creature that knows exactly how to terrorize them. ## Frequently Asked Questions ### What is the Philippine Book Festival? The Philippine Book Festival is an annual literary event organized by the National Book Development Board. First held in 2023, the festival serves as an exclusive marketplace celebrating Filipino-authored books, local publishers, graphic storytellers, and regional literature. ### When and where is the Philippine Book Festival 2026 held? The 2026 Philippine Book Festival takes place from March 12 to 15 at the Megatrade Hall of SM Megamall in Mandaluyong City. The four-day event features 107 official exhibitors, author meet-and-greets, and workshops. ### Which National Artists have new releases at the 2026 Philippine Book Festival? National Artist for Literature Virgilio S. Almario presents Kinutsaritang Liwanag, a poetry collection examining sociopolitical developments in the Philippines. National Artist for Film and Broadcast Ricky Lee also participates in festival panels and book signings. ### Does musician Gloc-9 have a book debut at PBF 2026? Aristotle Pollisco, known professionally as rapper Gloc-9, debuts Makata sa Pinas at PBF 2026 under Everything’s Fine publishing. The work comprises seven poetry chapbooks exploring identity, songwriting, and memory over his three-decade career. ### What genres are represented at the Philippine Book Festival? The festival categorizes Philippine literature into four curated zones: Booktopia for fiction and poetry, Komiks for visual novels and graphic arts, Kid Lit for children’s literature, and Aral Aklat for educational and academic materials. Related Stories - [25 Books That Define The Legacy of Ateneo de Manila University Press](https://rollingstonephilippines.com/culture/books/25-ateneo-press-books/ "25 Books That Define The Legacy of Ateneo de Manila University Press") - [Meet Lav Diaz, Khavn, and Roxlee’s Post-Noise Band, The Brockas](https://rollingstonephilippines.com/music/indie/the-brockas-lav-diaz-khavn-roxlee/ "Meet Lav Diaz, Khavn, and Roxlee’s Post-Noise Band, The Brockas") - [12 Notable Filipino Books of 2025](https://rollingstonephilippines.com/culture/12-notable-filipino-books-of-2025/ "12 Notable Filipino Books of 2025") **Categories:** Books, Culture **Tags:** philippine book festival --- ### [Stephen Colbert is Writing a New ‘Lord of the Rings’ Movie](https://rollingstonephilippines.com/culture/film/stephen-colbert-lord-of-the-rings-movie/) **Published:** March 25, 2026 **Author:** Mel Wang **Excerpt:** It’s a dream come true for the late night host, who’s long been a hardcore Tolkien fan **Content:** It’s a big day for [Stephen Colbert](https://rollingstonephilippines.com/tag/stephen-colbert/ "Stephen Colbert"), and, well, all fans of *[The Lord of the Rings](https://rollingstonephilippines.com/tag/the-lord-of-the-rings/ "The Lord of the Rings")* (LoTR) who love Stephen Colbert. On March 25, in honor of Tolkien Reading Day and what has canonically been recognized as the day the One Ring was destroyed, Warner Bros. released a video announcing the upcoming additions to the LoTR franchise. Jackson hopped on a video call with Colbert, whose office background featured several memorabilia from the franchise. > [View this post on Instagram](https://www.instagram.com/reel/DWSw38BAKWu/?utm_source=ig_embed&utm_campaign=loading)[A post shared by The Lord of the Rings (@lordoftherings)](https://www.instagram.com/reel/DWSw38BAKWu/?utm_source=ig_embed&utm_campaign=loading) “You know what the books mean to me, and what your films mean to me,” Colbert told Jackson. “But the thing I found myself reading over and over again were the six chapters early on in \[*The Fellowship of the Ring*\] that ya’ll never developed into the first movie back in the day.” The late-night host went on to explain that he’s adapting chapters three through eight of FotR, with his son, screenwriter Peter McGee, and screenwriter Philippe Boyens also working on the script. Colbert is referring to the chapters “Three is a Company” up to “Fog on the Barrow-downs,” which features Frodo’s travels leaving the Shire up until meeting the mysterious being Tom Bombadil and before they enter the town of Bree, where they meet Aragorn for the first time. The film, titled *The Lord of the Rings: Shadows of the Past*, will follow Samwise Gamgee’s daughter Elanor as she uncovers a “long-buried secret” that could explain “why the War of the Ring was very nearly lost before it began,” according to its official logline. Towards the end of the video, Jackson jokingly asked if Colbert would have enough time to work on the script. “It turns out I’m going to be free starting this summer,” the comedian joked back, referencing how *The Late Show With Stephen Colbert* will be coming to an end this May. “So if you’ll excuse me, I’ve gotta finish a television show, and then I’m gonna write a movie script, but I will see you all in the Shire.” In the same video, Jackson also discussed Andy Serkis’ *The Hunt for Gollum*, which is set to release in 2027. The film will center on Aragorn’s quest to capture Gollum in between *The Hobbit* and *Fellowship of the Ring*, with Serkis and Elijah Wood returning to reprise their roles as Gollum and Frodo Baggins respectively. ## Frequently Asked Questions ### What is Stephen Colbert’s new ‘Lord of the Rings’ movie called? Stephen Colbert’s upcoming Middle-earth film is titled The Lord of the Rings: Shadows of the Past. Announced on Tolkien Reading Day, the film adapts early chapters from The Fellowship of the Ring that were excluded from Peter Jackson’s original trilogy. ### Which book chapters is Stephen Colbert adapting for ‘Shadows of the Past’? Colbert is adapting Chapters 3 through 8 of The Fellowship of the Ring (“Three is Company” to “Fog on the Barrow-downs”). This storyline covers Frodo’s journey leaving the Shire, including the encounter with Tom Bombadil before reaching Bree. ### Who is writing the script for ‘The Lord of the Rings: Shadows of the Past’? The screenplay is co-written by late-night host Stephen Colbert, his son and screenwriter Peter McGee, and veteran Lord of the Rings screenwriter Philippa Boyens, with director Peter Jackson collaborating on the project development. ### What is the plot of ‘The Lord of the Rings: Shadows of the Past’? According to the logline, the film follows Samwise Gamgee’s daughter, Elanor, as she uncovers a long-buried secret regarding the War of the Ring, reframing early events between the Shire and Bree. ### What other ‘Lord of the Rings’ movies are currently in development? Warner Bros. is also developing The Lord of the Rings: The Hunt for Gollum, directed by and starring Andy Serkis as Gollum alongside Elijah Wood returning as Frodo Baggins. The film is set for release in 2027. Related Stories - [‘LOTR’, ‘The Hobbit,’ ‘Sinners,’ and more Films You Should Watch Now](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/lotr-hobbit-sinners-bugonia/ "‘LOTR’, ‘The Hobbit,’ ‘Sinners,’ and more Films You Should Watch Now") - [Capitalism Wins Again As ‘The Late Show With Stephen Colbert’ is Cancelled](https://rollingstonephilippines.com/editors-picks/commentary/the-late-show-with-stephen-colbert-cancelled/ "Capitalism Wins Again As ‘The Late Show With Stephen Colbert’ is Cancelled") - [‘The Fellowship of the Ring’ Extended Version is Hitting PH Cinemas This January](https://rollingstonephilippines.com/radar/releases/fellowship-of-the-ring-extended-philippine-cinemas/ "‘The Fellowship of the Ring’ Extended Version is Hitting PH Cinemas This January") **Categories:** Books, Culture, Film **Tags:** The Lord of the Rings --- ### [‘QC Stories’: An Honest Look at Manila’s Busiest City](https://rollingstonephilippines.com/culture/books/qc-stories-book-do-good-studio/) **Published:** March 30, 2026 **Author:** Mel Wang **Excerpt:** Do Good Studio’s latest book proves that everyone has a QC story **Content:** “\[*[QC Stories](https://rollingstonephilippines.com/tag/qc-stories/ "QC Stories")*\] is sort of a paradox,” Do Good Studio producer Bon Reyes told *Rolling Stone Philippines.* “When you read it, it anchors you to a time and place… but it still needs to feel timeless.” *QC Stories: The City We Call Home* is the latest brainchild of Do Good Studio and Quezon City local government, and it reads like a love letter to the largest city in Manila. Jumping across different generations, subcultures, and niches, the book offers what can only be described as a good, honest look at the city and its people. There’s a photo collection on the tailors of Kamuning, the city’s main textile district. There are essays on homegrown dining concepts like Max’s, Estrel’s, and the ever-growing list of cafés, dive bars, and tambay spots around the city. There’s even a guide to making the most out of 24 hours at [Cubao X](https://rollingstonephilippines.com/culture/cubao-expo-across-generations/ "There’s Still No Place Like Cubao Expo"). ![QC Stories](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/qc-stories-b0.webp) “\[QC Stories\] is sort of a paradox.” Photo courtesy of Do Good Studio There are also the memories of the actors, artists, and storytellers that make up the UNESCO Creative City. [Dolly de Leon](https://rollingstonephilippines.com/tag/dolly-de-leon/ "Dolly de Leon") reflects on her best days in UP Diliman, [Maricel Soriano](https://rollingstonephilippines.com/tag/maricel-soriano/ "maricel soriano") looks back on moving to Scout de Guia Street before her career took off under Regal Films, and how National Artists Ryan Cayabyab and Virgilio Almario have found something almost poetic about the city. “We wanted to capture a collective memory,” Tin Dabbay, Do Good Studio’s editor and creative director, told *Rolling Stone Philippines*. “We wanted something that people could keep for a long time. Something anti-algorithm, too, because we wanted to avoid stories that were just trending on TikTok. We wanted these to be the kind of stories that you share either at a family reunion or in a private conversation with friends.” ## **Learning the Ropes** ![QC Stories](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/DSC04357.webp) *QC Stories* is the latest brain child of Do Good Studio and the local government. Photo courtesy of Do Good Studio It was a stressful six months for the members of Do Good Studio as they scrambled to put together 48 different stories about their beloved city. “Originally, parang mga 150 pages lang ang gusto namin,” recalled Do Good Studio producer [Meryll Soriano](https://rollingstonephilippines.com/tag/meryll-soriano/ "Meryll Soriano"), before noting that the book ended up being closer to 300 pages long. The group’s core members agreed, with executive producer Lorenze Andrew Buenaventura adding, “There were so many good stories, we didn’t want to cut any of it.” What’s more, as *QC Stories* is a government project, the group had to work closely with the local government office to make the book a reality. “It was a lot of paperwork,” joked Buenaventura, with other Do Good Studio members noting that the allocated budget set by the city added another layer of challenges. ![QC Stories](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/qcstories-b3.webp) “We wanted to capture a collective memory.” Photo courtesy of Do Good Studio ![QC Stories](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/DSC04285.webp) “There were so many good stories, we didn’t want to cut any of it.” Photo courtesy of Do Good Studio “But I think what made *QC Stories* what it is is because [Mayor Joy Belmonte](https://rollingstonephilippines.com/state-of-affairs/joy-belmonte-quezon-city-mayor/ "What Joy Belmonte Plans To Do On Her Last Term as Quezon City Mayor") is such an advocate of culture,” noted Dabbay. “For this book, she really gave us the freedom to explore what kind of creative output would suit it best. That trust really mattered to all of us.” This isn’t the first time that Do Good Studio has created a QC-centric book. In 2019, they published *QC: A Guide to the Quezon City Experience,* which was also made in collaboration with the local government. “In a way, mas mahirap ‘yung first book,” recalled art director Patrick L. Jamora. “We were just learning the ropes in terms of working with the government. So medyo alam na namin, going into the second book, about what to expect.” “We were younger then, and so the book felt younger,” added Dabbay. “It was pretty much just a guide of where you could find the hottest spots or whatever around QC — a little more focused on being trendy.” ![QC Stories](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/DSC04320.webp) Cian Dayrit’s *Ang Lungsod ng Quezon sa Danas ng Maralita*. Photo courtesy of Do Good Studio The years in between both books have taught the studio both to be more intentional when it comes to the stories they choose and to take bolder swings with how they represent the city. Unlike its predecessor, *QC Stories* touches on the real, systematic problems that continue to plague the city, including failing facilities, overcrowding, and a population that includes many living below the poverty line. “We’re really proud to include stories from the fringes,” said Dabbay, who noted that many of these themes are featured in artist Cian Dayrit’s illustration of the city’s ongoing issues. “Of course, you have the National Artists, the entrepreneurs, all these really successful people; but the reality is that the city needs a lot of improvement as well. There are floods in certain areas. We need better infrastructure, education.” ## **Something in the Works** > [View this post on Instagram](https://www.instagram.com/p/DWOMijQkrjN/?utm_source=ig_embed&utm_campaign=loading)[A post shared by 𝗻𝗼𝘃𝗶𝗰𝗲 🇵🇭 (@novicemagazineph)](https://www.instagram.com/p/DWOMijQkrjN/?utm_source=ig_embed&utm_campaign=loading) Since its launch earlier this March, *QC Stories* has proven to be a success among those who’ve managed to obtain the book and those who’ve perused browsing copies of it at local libraries and cafés. However, it looks like many will have to wait a little longer to buy their very own copies. “People are asking if it will ever be for sale,” said Soriano. “But since beforehand pa naman, sinabi sa amin na hindi talaga pwedeng ibenta, kasi it’s really a personal project of Mayor Joy. Na-allocate na ‘yung budget for that.” “But I think we will try our best to approach Mayor Joy and see what we can do,” she continued. “We can talk to her about the demand from the people. Everybody wants to get a copy, ‘di ba? And we want that also, kasi we’re so proud of the book.” When asked if Do Good Studio has any future plans for another QC-themed book or for books that spotlight other cities within the Philippines, the group acknowledged that they had been thinking about their next project. “Confidential pa,” Soriano half-jokingly said. “But we really are hoping to have different cities na magawa namin. If \[*QC Stories*\] is a contribution to QC, why not a contribution to the whole Philippines? Sana makapag-travel tayo sa mas malayong lugar, para maging collection na siya. Why not, ‘di ba? Dream big!” ## Frequently Asked Questions ### What is the book QC Stories: The City We Call Home about? QC Stories: The City We Call Home is a 300-page cultural anthology produced by Do Good Studio in collaboration with the Quezon City local government. It documents the city’s subcultures, neighborhood histories, iconic dining spots, and systemic realities like poverty and infrastructure. ### Which Filipino cultural icons contributed memories to QC Stories? The book features personal accounts and reflections from notable actors, artists, and storytellers connected to Quezon City, including Oscar-nominated actress Dolly de Leon, veteran actress Maricel Soriano, and National Artists Ryan Cayabyab and Virgilio Almario. ### Is QC Stories available for commercial purchase? Currently, QC Stories is not available for commercial sale because it was fully funded as a personal civic initiative by Mayor Joy Belmonte and the local government. Browsing copies are available across local public libraries and select Quezon City cafés. ### How does QC Stories differ from Do Good Studio’s 2019 Quezon City guide? While their 2019 book QC: A Guide to the Quezon City Experience focused primarily on trendy spots, QC Stories takes a broader, mature approach, incorporating long-form essays, social issues, community tailors, and artwork by Cian Dayrit addressing systemic city problems. ### Will Do Good Studio create similar books for other cities in the Philippines? Do Good Studio producers have expressed interest in expanding the QC Stories concept into a broader nationwide collection. While official details remain confidential, the team aims to document cultural narratives across other Philippine cities in future projects. Related Stories - [Is Cubao Expo Still Manila’s Ultimate Creative Hub?](https://rollingstonephilippines.com/culture/cubao-expo-manila-creative-hub/ "Is Cubao Expo Still Manila’s Ultimate Creative Hub?") - [Meryll Soriano on ‘Sunshine,’ Motherhood, and Mentorship](https://rollingstonephilippines.com/culture/film-tv/meryll-soriano-sunshine-interview/ "Meryll Soriano on ‘Sunshine,’ Motherhood, and Mentorship") - [Quezon City, Dumaguete are Now UNESCO Creative Cities. What Does it Mean?](https://rollingstonephilippines.com/culture/quezon-city-dumaguete-unesco-creative-cities/ "Quezon City, Dumaguete are Now UNESCO Creative Cities. What Does it Mean?") **Categories:** Books, Culture **Tags:** QC Stories --- ### [8 Filipino Movies That Will Make You Appreciate Pinoy Labor](https://rollingstonephilippines.com/culture/film-tv/8-filipino-movies-to-stream-on-labor-day/) **Published:** April 30, 2025 **Author:** Mel Wang **Excerpt:** This Labor Day, as you take a well-deserved break and ease into the weekend, explore these Filipino films that honor the hardworking people who keep the nation moving **Content:** This Labor Day, we’ve rounded up some great Filipino films available on streaming that spotlight the people who keep things running — and yep, we’ve included where you can find them, so you can just kick back and hit play. ## Dubai *Where to stream: Netflix* Orphaned as children, Raffy (Aga Muhlach) and Andrew ([John Lloyd Cruz](https://rollingstonephilippines.com/tag/john-lloyd-cruz/ "John Lloyd Cruz")) have always relied on each other. After nine years of working in Dubai, Raffy’s dream is to bring his younger brother to Canada. Their reunion comes when Andrew arrives in Dubai, where he meets Faye (Claudine Barretto), one of Raffy’s many girlfriends. Despite their age gap, they quickly form a connection, with Faye becoming Andrew’s guide, comfort, and lover. When Raffy realizes he still has feelings for Faye, tension builds between the brothers, threatening to break their bond. ## Anak *Where to stream: Apple TV* Overseas Filipino worker Josie (Vilma Santos) must leave her three children in the Philippines to take a job as a nanny for a rich couple in Hong Kong. When Josie eventually returns home and tries to repair her relationship with her family, her daughter Carla (Claudine Barretto) struggles with feelings of abandonment and resentment. ## Sister Stella L. *Where to stream: YouTube* Sister Stella Legaspi (Vilma Santos) doesn’t want to get involved in politics, but when she learns about the harsh realities faced by striking workers and the government’s indifference to their struggles, she finds herself taking a stand. Directed by Mike de Leon, *Sister Stella L.* is a gripping drama that spotlights the plight of [Filipino laborers](https://rollingstonephilippines.com/state-of-affairs/labor/). ## Third World Romance *Where to stream: Netflix* Outspoken cashier Britney (Charlie Dizon) and laid-back bagger Alvin (Carlo Aquino) try to find happiness while dealing with the everyday struggles of blue-collar life in a world where nothing comes easy. ## Iska *Where to stream: Netflix* Iska (Ruby Ruiz), a loving but impoverished grandmother, struggles to make enough money to take care of herself and her autistic grandson Dongdong (Jonic Magno). Iska ends up trying to manage two jobs, working as a photocopier at the University of the Philippines and as a house cleaner for a professor (Ricky Rivero). ## Dekada ‘70 *Where to stream: Netflix* In martial law-era Philippines, Amanda (Vilma Santos) and Julian (Christopher De Leon) try to raise their five sons while keeping a low profile. Though they see themselves as apolitical, their children respond to the repressive regime through activism — or teenage rebellion. But when violence hits close to home, Amanda begins to find her own voice of resistance. ## Sunday Beauty Queen *Where to stream: YouTube* From director Baby Ruth Villarama comes an honest documentary about the often-overlooked lives of Filipina domestic workers in Hong Kong. Behind the city’s glamorous facade, five women transform in a unique beauty pageant, using the experience to reclaim their dignity and embrace their worth. ## Hello, Love, Goodye *Where to stream: Netflix* Bartender Ethan (Alden Richards) and overseas domestic worker Joy (Kathryn Bernardo) fall in love as they try to make a living in Hong Kong. However, while they hope to build a life together, the future seems to be pulling them apart. Related Stories - [14 Filipina Icons Who Mothered Philippine Entertainment](https://rollingstonephilippines.com/culture/film-tv/14-filipina-icons-who-mothered-philippine-entertainment/ "14 Filipina Icons Who Mothered Philippine Entertainment") - [‘Food Delivery’ Director Speaks Out on Sudden Film Fest Pull-Out](https://rollingstonephilippines.com/culture/film-tv/food-delivery-west-philippine-sea-director-pull-out-puregold-film-festival/ "‘Food Delivery’ Director Speaks Out on Sudden Film Fest Pull-Out") **Categories:** Culture, Film & TV **Tags:** Labor Day --- ### [Belgium’s Sex Workers Get Work Benefits in Landmark Law](https://rollingstonephilippines.com/state-of-affairs/belgium-sex-work-benefits/) **Published:** December 3, 2024 **Author:** Pie Gonzaga **Content:** In a landmark move to further legitimize sex work, Belgium has granted its sex workers regular employment rights. Despite sex work being legalized in several countries and decriminalized in New Zealand and Nevada in the United States, Belgium is the first to establish a [labor law](https://rollingstonephilippines.com/state-of-affairs/labor/) that puts sex workers’ rights at par with other workers in the country. After decriminalizing prostitution in 2022, Belgian lawmakers voted in May 2024 to pass a law that entitles sex workers to employment contracts, health insurance, pension rights, maternity leave and pay, sick leaves, and unemployment benefits. The [law](https://emploi.belgique.be/fr/themes/contrats-de-travail/contrats-de-travail-particuliers/contrat-de-travail-de-travailleur-du), which went into effect December 1, also grants them protections that are specific to sex work, addressing concerns about abuse and exploitation. Under the law, sex workers under contract are allowed to refuse clients, and are free to consent to or decline sexual acts at any time, “regardless of the agreements made in advance with the employer or the client.” The new law requires employers to be legal entities with registered places of business in Belgium and no history of convictions of rape, child exploitation, human trafficking, or homicide. They also must provide their employees with condoms, clean bathrooms, and rooms that have emergency buttons, or mobile emergency buttons if the employee is working outside their place of business. As of now, the law only applies to approved employers of sex workers who deal with physical contact. It does not cover independent work like online sex work and other related activities like pornography. ## What the law’s critics are saying Isala, a non-government organization dedicated to helping Belgian sex workers, [expressed its concerns](https://www.isalaasbl.be/prostitution-belgique-decriminalise-proxenetisme/) regarding the new law. According to the NGO, the law “legalizes the exercise of employer authority by a pimp over a prostitute.” Isala adds that the measure also “does not take into account the wish expressed by the vast majority of prostitutes, who are mainly women and girls of migrant origin and in precarious situations: that of leaving prostitution and leaving it with dignity.” “Isala supports the decriminalization of people in prostitution and calls for the criminalization of clients, pimps, and anyone who exploits prostitutes,” the organization said. Union des Travailleurses du Sexe Organisé-e-s Pour l’Indépendance (UTSOPI), or the Belgian union of sex workers organized for independence, said that while the law is a “huge step forward,” it can also be used to “reduce or eliminate sex work.” “We already see certain municipalities hiding behind the words ‘safety’ and ‘hygiene’ to promulgate very strict local regulations that make sex work almost impossible \[in\] their territory,” the union said in a [statement](https://www.utsopi.be/our-work/decriminalisation/cadre-du-travail). “UTSOPI is already in dialogue with experts, the social inspection and city councils to weigh in on the new policy.” ## Sex work in the Philippines Article 202 of the Revised Penal Code deems that prostitutes are “women who, for money or profit, habitually indulge in sexual intercourse or lascivious conduct.” If found guilty, they can be jailed up to 30 days (arresto menor) or fined up to P20,000. Although sex work is illegal in the Philippines, it is often tolerated in red light districts, including parts of Metro Manila like Ermita and P Burgos Street in Makati City. In particular, the red light districts in Angeles City and Subic Bay, both former U.S. military bases, are known hubs for sex tourism. Sex workers operate in bars, massage parlors, and casas or brothels, or find work through street prostitution or escort services. OnlyFans, a content subscription service used primarily by not-safe-for-work (NSFW) creators, currently only allows people in the Philippines to subscribe to these creators. To work around this, Filipino creators use social media platforms like Instagram and X (formerly Twitter), where they can “tease” and sell photos and videos to followers. For those whose work requires physical contact, the stigma surrounding prostitution and the lack of regulations make sex work unsafe. [*Rappler*](https://www.rappler.com/newsbreak/in-depth/265016-why-abused-sex-workers-do-not-want-cops-help/) reports that in cases of abuse or rape, sex workers feel that they can approach neither the police nor women’s groups like Gabriela for redress. Dr. Sharmila Parmanand of the London School of Economics and Political Science told *Rappler* that in her study of sex work in the Philippines, she found that cops would even extort sexual favors or money from prostitutes in exchange of their freedom. Informal groups like Voice for Sexual Rights and the Philippine Sex Workers Collective advocate for the legitimization of sex work in the country, but do not yet have institutional support. After filing their certificate of nomination and acceptance (CONA) in October 2024, Gabriela Women’s Party reiterated that they do not support sex work due to its exploitative nature. According to [*ABS-CBN News*](https://www.abs-cbn.com/news/2024/10/4/gabriela-seeks-fresh-house-term-bares-stance-on-abortion-sex-work-1301), Dr. Jean Lindo, one of the partylist’s three nominees for the House of Representatives, said that they do not call prostitutes “sex workers.” “We call them ‘prostituted women’ because it is the social environment that is disempowering for these women, so kung mas nabibigyan sila ng mas magandang opportunity, mag-reduce talaga yung prostitution. (We call them ‘prostituted women’ because it is the social environment that is disempowering for these women. So if they’re given better work opportunities, prostitution will be reduced.)” **Categories:** News, State of Affairs **Tags:** Gender Issues, Labor Rights --- ### [How the Proposed AI Bill Aims to Protect Workers’ Rights and Local Communities](https://rollingstonephilippines.com/state-of-affairs/proposed-ai-bill-protect-workers-local-communities/) **Published:** August 12, 2026 **Author:** Reyza Ferranco **Content:** Akbayan Partylist Rep. [Chel Diokno](https://rollingstonephilippines.com/tag/chel-diokno/ "Chel Diokno") is taking on Artificial Intelligence (AI) with his latest proposed bill. The lawmaker filed House Bill 10362, or the National AI Governance Act, which aims to establish a national framework for AI use in the country. It is co-authored by Reps. [Perci Cendaña](https://rollingstonephilippines.com/tag/perci-cendana/ "Perci Cendaña"), Dadah Ismula, and Kaka Bag-ao. “Innovation and regulation are not incompatible. Responsible governance is necessary to ensure that AI technologies develop in a manner that strengthens democracy, public trust, [labor rights](https://rollingstonephilippines.com/state-of-affairs/labor/), human dignity, and inclusive national development,” Diokno said in the explanatory note. > [View this post on Instagram](https://www.instagram.com/p/Dbu9TMZJHvc/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Chel Diokno (@cheldiokno)](https://www.instagram.com/p/Dbu9TMZJHvc/?utm_source=ig_embed&utm_campaign=loading) According to a nationwide study by Sprout Solutions, a local software company, 78 percent of Filipino employees across 13 various industries use AI in their daily work. The Philippine AI Report in 2025 further showed that over 92 percent of the organizations surveyed used AI in some capacity, with tools like ChatGPT reaching an 83 percent adoption rate. While some may argue that AI [boosts](https://www.worldbank.org/en/publication/wdr2026) productivity, concerns have arisen over its impact on a nation that is becoming increasingly dependent on the technology. AI misuse fueling misinformation with harmful [deepfakes](https://www.abs-cbn.com/news/technology/2026/8/11/commission-warns-unauthorized-ai-deepfakes-of-real-people-may-be-violation-of-data-privacy-1553) and AI-generated videos and images calls for the adoption of stricter ordinances. ## **How the AI bill can act as a safeguard** So how exactly does Diokno’s bill address this? One of the provisions of the bill is that companies are obliged to give at least a six-month notice to their workers before implementing large-scale AI systems that may significantly affect their jobs. Employers would also have to discuss with labor groups and employees the system’s purpose and scope, the business processes it would affect, and how it could change work assignments. The Department of Labor and Employment, in coordination with relevant stakeholders, is also mandated to provide upskilling and reskilling opportunities, as well as job transition support to those displaced by AI automation. The AI Bill also bars employers from relying solely on AI-generated outputs in employee evaluations or using AI systems to skirt existing labor laws. The bill ultimately seeks to give social protection to workers amid the growing use of artificial intelligence in the workplace by minimizing job displacement while ensuring that companies act fairly during automation changes. Another major provision within the measure is the creation of the Artificial Intelligence Bill of Rights, which would give the people affected by AI systems or automated decision-making a set of protections, including the right to transparency, the right against discriminatory automated decisions, and the right to human review, to name a few. > [View this post on Instagram](https://www.instagram.com/p/DbxoHBtCWDh/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Chel Diokno (@cheldiokno)](https://www.instagram.com/p/DbxoHBtCWDh/?utm_source=ig_embed&utm_campaign=loading) There is also the right to the disclosure of synthetic media, which requires that any digital likeness be clearly labeled as AI-generated. Meanwhile, the right to be forgotten allows users to request the removal of their data through machine unlearning or model retraining. The proposed bill also places stricter policies against the establishment of AI data centers. Agencies are required to consult with local communities that would be affected and ensure that their operations do not place excessive strain on the environment or the nation’s resources. Diokno has been echoing related calls beyond the bill, particularly since President Ferdinand Marcos Jr. touted the creation of [Pax Silica](https://rollingstonephilippines.com/tag/pax-silica/ "Pax Silica") hubs in the country in his [penultimate State of the Nation Address](https://rollingstonephilippines.com/tag/sona-2026/ "SONA 2026"). “Tama bang minamadali ang Pax Silica? Kailangan muna ng tunay na konsultasyon sa mga lokal na komunidad, masusing pagsusuri sa epekto sa kalikasan, at kasiguraduhang hindi tataas ang presyo ng tubig at kuryente,” the lawmaker said in a [Facebook post.](https://www.facebook.com/share/1BwnAfheW1/?mibextid=wwXIfr) ## frequently asked questions ### What is House Bill 10362? House Bill 10362, or the National AI Governance Act, is Rep. Chel Diokno’s proposed legal framework on the usage of AI in the country. ### How does the National AI Governance Act protect workers? It aims to give social protection by minimizing job loss and making sure that companies act fairly during automation changes, give advance notice, and provide transition support. ### What’s included in the AI Bill of Rights? The Artificial Intelligence Bill of Rights would give people affected by AI systems or automated decision-making a set of protections, including the right to transparency, the right against discriminatory automated decisions, and the right to human review, to name a few. It promotes transparency when AI systems interact with the public, highlights the importance of data privacy, and prevents discriminatory or harmful actions enabled by the tools. ### What are the bill’s policies for AI Data Centers? It obliges companies to consult with local communities that would be affected by the establishment of AI facilities and ensure that their operations do not place excessive strain on the environment or the nation’s water and electricity resources. ### How does AI negatively impact society? AI misuse spreads through troll farms, harmful deepfakes, and AI-generated videos and images that intend to misinform the public. Related Stories - [Instagram Can Use Your Photos to Generate AI Images. Here’s How to Turn It Off](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/turn-off-meta-instagram-ai-image-generation/ "Instagram Can Use Your Photos to Generate AI Images. Here’s How to Turn It Off") - [From Marcos to Duterte: Public Officials on the Controversial Pax Silica](https://rollingstonephilippines.com/state-of-affairs/environment/pax-silica-marcos-duterte-officials-react/ "From Marcos to Duterte: Public Officials on the Controversial Pax Silica") - [What Everyone Needs to Know About Pax Silica](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/what-everyone-needs-to-know-pax-silica/ "What Everyone Needs to Know About Pax Silica") **Categories:** Artificial Intelligence, Labor, State of Affairs **Tags:** AI bill, Chel Diokno, National AI Governance Act --- ### [Sassa Gurl, Baus Rufo, and More Get Candid on the Challenges of Content Creation](https://rollingstonephilippines.com/culture/internet-culture/sassa-gurl-baus-rufo-content-creation-challenges/) **Published:** June 15, 2026 **Author:** Pie Gonzaga **Excerpt:** Some of the Philippines’ most recognizable online personalities share the challenges of turning content into a career **Content:** “Ang naging struggle ko noon is nahirapan akong tanggapin sa sarili ko na valid ang work ko,” says [Yani Villarosa](https://rollingstonephilippines.com/tag/yani-villarosa/ "Yani Villarosa"), known to others by her handle Yanihatesu, as she looks back on eight years of creating content on social media. Villarosa joins comedian and *Dogshow Divas* co-host [Baus Rufo](https://rollingstonephilippines.com/tag/baus-rufo/ "Baus Rufo"), actress and content creator [Sassa Gurl](https://rollingstonephilippines.com/tag/sassa-gurl/ "Sassa Gurl"), and food content creator [Icoy Rapadas](https://rollingstonephilippines.com/tag/icoy-rapadas/ "Icoy Rapadas") in the latest episode of [Rolling Stone Philippines Roundtable](https://rollingstonephilippines.com/tag/rolling-stone-philippines-roundtable/), which dives into the world of content creation in the Philippines. Consumer intelligence platform Meltwater reported that as of October 2025, an estimated $125 million, or over P7.6 billion, was spent annually on influencer advertising in the Philippines. The industry is fast-growing, and Rufo notes that the landscape is now both manageable and competitive. “Competitive because mas maraming competition and mas fragmented, all the different kinds of tiers and sections, or the type of influencing one actually does,” he says. “But it can also be more manageable dahil nga mas maraming knowledge on best practices, who to talk to, who to avoid, even.” But content creators still struggle to prove their [work as labor](https://rollingstonephilippines.com/state-of-affairs/labor/). “When you think about it, ‘yung ginagawa mo, trabaho ‘yan ng isang buong ahensya,” says Rapadas, who had also worked in advertising before pursuing content creation full-time, like Rufo. “From interpreting the brief, to creating your script, to making your outline, to even doing the reports after, that’s something that I don’t think people see.” Unsurprisingly, another challenge that comes with the job is public scrutiny. Sassa Gurl notes that creators like her and Mimiyuuuh, who have earned a living and more from their work, often get criticized for lifestyle changes. “Isyu talaga ‘pag nakitang nag-iba lifestyle mo, nag-iba ‘yung eksena mo, talagang i-co-call out ka nila,” she says. “We’re here to inspire everyone, especially our audience. Hindi namin kayo iniiwan.” The creators also discuss where content creation is at now and how it’s changed, the pressures of their work and how they deal with it, and where they see the industry of content creation is headed. The latest episode of the Rolling Stone Philippines Roundtable is now available to watch on our [YouTube channel](https://youtu.be/bA03MWsqRYE?si=h_ZYDwWI3ePfsrf-). ## Frequently Asked Questions ### **Who are the creators featured in the latest Rolling Stone Philippines Roundtable?** The episode features Sassa Gurl, Baus Rufo (co-host of *Dogshow Divas*), food content creator Icoy Rapadas, and Yani Villarosa. ### **How big is the influencer industry in the Philippines?** According to consumer intelligence platform Meltwater, as of October 2025, an estimated $125 million — or over P7.6 billion — is spent annually on influencer advertising in the Philippines, making it one of the fastest-growing creative industries in the country. ### **What are the biggest challenges content creators in the Philippines face?** Creators on Rolling Stone Philippines Roundtable cite three main struggles: having their work recognized as legitimate labor, dealing with the increasingly competitive and fragmented landscape, and facing public scrutiny. ### **What work goes into content creation in the Philippines?** Food content creator Icoy Rapadas, who previously worked in advertising, points out that a single creator typically handles tasks that would normally require an entire ad agency, from interpreting briefs and writing scripts to producing content and filing post-campaign reports, work that often goes unrecognized by the public. ### **What is Rolling Stone Philippines Roundtable?** The Rolling Stone Philippines Roundtable is a video series where figures, experts, or thought leaders gather to discuss the challenges, past, present, and future of any industry. The episodes, which are available to watch on Rolling Stone Philippines’ YouTube channel, have delved into Philippine indie cinema, travel, the creative industry, the culinary scene, and content creation, among others. Related Stories - [Influencers Are the New Go-To for News, Study Says](https://rollingstonephilippines.com/state-of-affairs/news-influencers-report-pew-research-center/ "Influencers Are the New Go-To for News, Study Says") - [Addison Rae Worked For Her Album. Is it Time Filipino TikTok Stars Did Too?](https://rollingstonephilippines.com/music/addison-rae-filipino-content-creators/ "Addison Rae Worked For Her Album. Is it Time Filipino TikTok Stars Did Too?") - [Malacañang Just Backed a 10-Year Bet on the Philippine Creative Industries](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/palace-creative-industries-development-plan/ "Malacañang Just Backed a 10-Year Bet on the Philippine Creative Industries") **Categories:** Culture, Internet Culture, Media Channels, Roundtable **Tags:** Baus Rufo, Icoy Rapadas, Rolling Stone Philippines Roundtable, Sassa Gurl, Yani Villarosa --- ### [Puregold CinePanalo Unveils 26-Film Lineup for 2026 Edition](https://rollingstonephilippines.com/culture/philippine-cinema/puregold-cinepanalo-2026-finalists-lineup/) **Published:** September 18, 2026 **Author:** Pie Gonzaga **Excerpt:** The film festival returns to celebrate cinema heavyweights and aspirants alike **Content:** The [Puregold CinePanalo Film Festival](https://rollingstonephilippines.com/tag/puregold-cinepanalo/) returns this year with a mix of films by established industry names and young, emerging filmmakers. Now in its third year, the film festival sees seven full-length films compete in the feature category, while 19 short films, screened in four sets, compete in the student shorts category. In August 2025, Puregold announced that it would award the biggest grants in the festival’s history to its finalists: P5 million for each full-length project and P200,000 for each student short. On Thursday, September 17, Puregold unveiled the CinePanalo 2026 finalists. ## Puregold CinePanalo 2026 Finalists Competing in the full-length category are Thop Nazareno’s *Apol of My Ai*, Lawrence Fajardo’s *Beast*, BC Amparado’s *Mono No Aware*, [Rodina Singh](https://rollingstonephilippines.com/tag/rodina-singh/)’s *Multwoh (Patay na Patay Sa ‘Yo)*, [Carl Joseph Papa](https://rollingstonephilippines.com/tag/carl-joseph-papa/) and Ian Pangilinan’s *Patay Gutom*, Mikko Baldoza’s *Stuck on You*, and Joseph Abello’s *Wantawsan*. Students from all over the country are also set to showcase their short films in their own category. Set A of the student shorts includes *Starfish* by John Clite Apolinar; *Kun Hain, Bisan Diin* by Jomarie Reyes; *Kanibal* by Michael Baylon; *Sa Mga Nagdaan at Lumipas* by Ezaldea Carla Fernandez; and *Limlim* by Samantha Beatriz Acoja Palaje. In Set B: *Alumahan* by Christian Melvin M. Arejola, *When Heaven Inched Towards Earth* by Vinh Marco, *No Mad is an Island* by Carl Geronimo, *Tingi* by Rowan De Aro, and *Ang Huling Banlaw ni Susan* by Hezekiah M. Estorque. Set C includes the shorts *Pulis Dunggab* by Maxine Dela Bajan, *The Sound of K* by Jay Gabriel A. Cañada, *Nakabinbin* by Carlo Gula, and *Nang Matakasan ang Tagay* by Giancarlo Santiago. And in Set D: *Teks Battle: Shoot Pati Pato!* by John Russel Capule, *Kapag Tapos Na Ang Umpukan* by Justine Lee Estinor, *12 Shots* by Minnesota Flores, *Bumtak Sara ti Nuangen (The Carabao’s Horns Have Cracked)* by Lloyd Pereira, and *Miss Intrams* by Henri Marie C. Belimac. CinePanalo 2026 runs from September 23 to October 4 at Gateway Cineplex 18, TriNoma, Fairview Terraces, Ayala Malls, Feliz, Ayala Malls Circuit, Ayala Malls Manila Bay, and Market! Market! Winners will be announced at the awards ceremony on September 30. A P2,000 festival pass allows audiences to see the full lineup, while regular tickets are priced at P250. PWDs, senior citizens, students, national athletes, and Puregold’s Aling Puring and Perks cardholders qualify for P200 discounted tickets. ## Frequently Ask Questions ### What is Puregold CinePanalo and how many finalists were named for 2026? Puregold CinePanalo is a Philippine film festival now in its third year. Its 2026 lineup has 26 finalists: seven full-length features and 19 student shorts across four sets. ### Which films are competing in the CinePanalo 2026 full-length category? Seven films are competing in the full-length category: Thop Nazareno’s *Apol of My Ai*, Lawrence Fajardo’s *Beast*, BC Amparado’s *Mono No Aware*, Rodina Singh’s *Multwoh (Patay na Patay Sa ‘Yo)*, Carl Joseph Papa and Ian Pangilinan’s *Patay Gutom*, Mikko Baldoza’s *Stuck on You*, and Joseph Abello’s *Wantawsan*. ### How much was awarded to the finalists of Puregold CinePanalo 2026? The finalists for the full-length category received a grant of P5 million each, while short film finalists received P200,000 each. ### When and where does CinePanalo 2026 run? CinePanalo 2026 runs September 23 to October 4 across these Metro Manila cinemas: Gateway Cineplex 18, TriNoma, Fairview Terraces, Ayala Malls, Feliz, Ayala Malls Circuit, Ayala Malls Manila Bay, and Market! Market! ### How much are CinePanalo 2026 tickets? Regular tickets cost P250, while a full-access festival pass costs P2,000. PWDs, senior citizens, students, national athletes, and Puregold cardholders get P200 discounted tickets. Related Stories - [National Cinema Day Proves Filipinos Will Go to Theaters for the Right Price](https://rollingstonephilippines.com/culture/film/national-cinema-day-p100-tickets-nationwide/ "National Cinema Day Proves Filipinos Will Go to Theaters for the Right Price") - [Cinemalaya and the Search for a Free Filipino Cinema, 20 Years Later](https://rollingstonephilippines.com/culture/philippine-cinema/cinemalaya-20-years-commentary/ "Cinemalaya and the Search for a Free Filipino Cinema, 20 Years Later") - [5 Feature Films to Catch Before Cinemalaya 2026 Ends](https://rollingstonephilippines.com/culture/philippine-cinema/5-cinemalaya-2026-films-to-catch/ "5 Feature Films to Catch Before Cinemalaya 2026 Ends") **Categories:** Culture, Film, Philippine Cinema **Tags:** Puregold CinePanalo --- ### [The Philippines Among 10 Worst Countries for Labor Rights Violations](https://rollingstonephilippines.com/state-of-affairs/power/philippines-workers-rights-countries/) **Published:** June 11, 2025 **Author:** Pie Gonzaga **Excerpt:** For the ninth year in a row, the Philippines finds itself in International Trade Union Confederation’s list of 10 worst countries for workers **Content:** Since 2017, the Philippines has consistently placed in the top 10 worst countries for workers in the International Trade Union Confederation (ITUC) Global Rights Index, and this year was no different. According to ITUC’s rating, Filipino workers have “no guarantee of rights,” especially as union leaders are subject to red-tagging. “The government has long deployed ‘red-tagging’ as a tactic against union leaders and members, falsely accusing them of supporting or participating in the communist insurgency,” the ITUC said. “This duplicitous strategy puts workers and activists at direct risk, while deterring others from joining or forming unions.” The ITUC also cited the arrests of Kilusang Mayo Uno union leaders Gavino Panganiban and Maritess David, who were detained by police in October 2024 and accused of murder and firearms violations, respectively. Both are also alleged to be associated with the New People’s Army (NPA). ![kilusang mayo uno maritess david gavino panganiban union workers rights](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/06/free-maritess-david-gavino-panganiban.webp) Protesters call for the release of Gavino Panganiban, Maritess David, and other union leaders outside Camp Aguinaldo, October 30, 2024. Photo from Kilusang Mayo Uno/Facebook In the list, the Philippines finds itself among other countries like Bangladesh, Belarus, Ecuador, Egypt, Eswatini, Myanmar, Nigeria, Tunisia, and Turkey. The organization only listed the countries in alphabetical order and did not provide a numerical ranking. Workers Rights Watch (WRW), a coalition of unions and l[abor rights groups](https://rollingstonephilippines.com/state-of-affairs/labor/), said in a press conference that among the [workers’ rights](https://rollingstonephilippines.com/tag/labor-issues/ "Labor Issues"), the right to strike is the most violated, followed by the right to collective bargaining agreement, the right to establish or join a union, and the right to justice. Labor Secretary Bienvenino Laguesma challenged the rating, telling *GMA News*, “If indeed the Philippines is a worst country for workers, how come we got elected for the first time as a member of the \[International Labor Organization’s\] Committee on Freedom of Association last year?” He also said the rating does not consider “sincere efforts of the present administration to resolve long pending issues.” Meanwhile, WRW’s Julius Cainglet said in the press conference that they must “do a lot in engaging the government and employers” so that the Philippines doesn’t find itself in the list again. According to *GMA News*, the coalition also flagged the Omnibus Guidelines on the Exercise of Freedom of Association and Civil Liberties for lacking sanctions and penalties for state security forces that violate workers’ rights. Related Stories - [‘Dinadala’ Exhibit Shows That You Can’t Separate Art from Labor](https://rollingstonephilippines.com/state-of-affairs/politics/dinadala-exhibit-art-and-labor/ "‘Dinadala’ Exhibit Shows That You Can’t Separate Art from Labor") - [10 Pending Philippine Bills That Demand Legislative Action](https://rollingstonephilippines.com/state-of-affairs/politics/10-pending-philippine-bills-that-demand-legislative-action/ "10 Pending Philippine Bills That Demand Legislative Action") - [How DOLE’s 2025 Holiday Pay Rules Work](https://rollingstonephilippines.com/state-of-affairs/dole-2025-holiday-pay-rules/ "How DOLE’s 2025 Holiday Pay Rules Work") **Categories:** Power, State of Affairs **Tags:** Labor Issues --- ### [‘Dinadala’ Exhibit Shows That You Can’t Separate Art from Labor](https://rollingstonephilippines.com/state-of-affairs/politics/dinadala-exhibit-art-and-labor/) **Published:** May 1, 2025 **Author:** Pie Gonzaga **Excerpt:** "Dinadala" is an exhibit featuring artworks, publications, and images grounded on the struggle of Filipino workers and the labor movement in the Philippines **Content:** Last Friday, April 26, saw the opening of the exhibit *Dinadala* in Makati City. Centering on the theme of [labor](https://rollingstonephilippines.com/tag/labor-issues/ "Labor Issues") and the struggle of workers, the exhibit features the works of artists Jether Amar, Ken Bautista, Faye Cura, Archie Oclos, and the late printmaker Neil Doloricon. Dan Matutina, owner of Space63 in Comuna, Makati, was happy to provide the space for the exhibit, which runs until May 17. “It’s important that topics like the plight of Filipino workers are brought to a venue where diverse creative people frequent, like Comuna,” he told *Rolling Stone Philippines*. “The thinking is that visitors see and read these stories and can become important allies in amplifying voices that might otherwise go unheard.” “Dinadala” curator Meg Yarcia also featured selected materials from the Philippine Labor Movement Archive (PLMA), the Institute for Occupational Health and Safety Development (IOHSAD), and the Ecumenical Institute for Labor Education and Research (EILER). These materials include loaned images, publications, and illustrations. > [View this post on Instagram](https://www.instagram.com/p/DIbEWrGTYow/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Meg Yarcia (@megyarcia)](https://www.instagram.com/p/DIbEWrGTYow/?utm_source=ig_embed&utm_campaign=loading) At the core of the exhibit is the concept of burden or “pagdadala,” which Yarcia considers relevant to Filipino workers who deal with “multiple heavy burdens in our kind of society.” The exhibit succeeds in reflecting this, using art and materials that don’t just speak of the various experiences of Filipino workers in the country and abroad, but are also anchored to different points in the history of their struggle. Yarcia told *Rolling Stone Philippines* that the PLMA had given her a box of images she found difficult to select from. “We featured those that represented the diversity of what workers bore: the weight of the day-to-day, anger, and grief, but most of all strength, courage, and hope,” she said. For their part, IOHSAD provided Yarcia with newsletters from the 1990s to the aughts, which she said were revelatory for her. “Before this, I did not know that three workers died trying to build the MRT-3, that lead used to be a leading cause of workers’ illness, \[or\] that there used to be big campaigns around salmonella poisoning,” she said. “We are where we are because decades ago, workers cared enough to forgo their day’s wages, risk their livelihood, and organize among communities to protest these issues so we could inherit a world that’s a little safer, a little more just,” Yarcia added. ## Creative Production as Protest Yarcia, who is also a psychologist, believes that creative production and [labor respond to a social want](https://rollingstonephilippines.com/state-of-affairs/labor/). According to her, they are “opportunities for self-expression and actualization.” “Labor in the usual sense produces the commodities we need in the day-to-day,” she explained. “But we also need arts and culture to survive.” It is important to keep finding or creating opportunities to encourage and showcase creation among the working class and other marginalized sectors of our society, whose artistic voices exist and matter. Meg Yarcia Citing German political thinker Karl Marx, Yarcia explained that both laborers and artists are prevented from “experiencing labor as self-expression, or a way towards the realization of their human potential” because they still have to respond to “the dictates of the inherently extractive, profit-oriented, and exploitative capitalist market.” But she also emphasized that we don’t need to “wait for the downfall of capitalism” to make art — a point very well proven by “Dinadala.” ![dinadala exhibit archie oclos ang niyebe sa banyagang kayumanggi](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/Ang-Niyebe-sa-Banyagang-Kayumanggi-Archie-Oclos.webp) *Ang Niyebe sa Banyagang Kayumanggi* by Archie Oclos. Photo by Jether Amar, courtesy of Meg Yarcia “It is important to keep finding or creating opportunities to encourage and showcase creation among the working class and other marginalized sectors of our society, whose artistic voices exist and matter,” she said. “We also want to keep building spaces that allow today’s artists to shun the demands of the market, and instead make art that truly further our understanding of the human condition. I believe that kind of cultural scene is worth fighting for.” Related Stories - [Artist Silke Lapina Blurs the Lines Between Scripture and Pop Music](https://rollingstonephilippines.com/culture/art/artist-silke-lapina-scripture-and-pop-music/ "Artist Silke Lapina Blurs the Lines Between Scripture and Pop Music") - [Emily Abrera on Art, Leadership, and Free Expression](https://rollingstonephilippines.com/culture/emily-abrera/ "Emily Abrera on Art, Leadership, and Free Expression") - [For Jun Sabayton, There is Art in Everything](https://rollingstonephilippines.com/culture/art/jun-sabayton-profile/ "For Jun Sabayton, There is Art in Everything") **Categories:** Art, Politics, State of Affairs **Tags:** Labor Issues --- ### [How DOLE’s 2025 Holiday Pay Rules Work](https://rollingstonephilippines.com/state-of-affairs/dole-2025-holiday-pay-rules/) **Published:** January 29, 2025 **Author:** Pie Gonzaga **Excerpt:** Planning your vacation days close to holidays, special working days, and special non-working holidays? Here’s how DOLE’s pay rules work **Content:** We have three different kinds of holidays, which complicates the country’s holiday pay rules. Thankfully, the Department of Labor and Employment (DOLE) thoroughly lays out the rules, which they remind employers and employees of through [labor advisories](https://rollingstonephilippines.com/state-of-affairs/labor/) on their [website](https://dole.gov.ph/labor-advisory/). As a general rule, the Labor Code requires that employers give their employees holiday pay equal to their regular wage. Failure to do so results in penalties and liability for unpaid wages on the employer. However, according to DOLE, employees who are on “leave without pay” immediately before a holiday are not eligible for holiday pay, unless they compensate by working on the holiday. Still unsure if you’re eligible for holiday pay? Here are DOLE’s rules and how to compute your pay. ## Regular Holidays For regular holidays, the following rules apply, according to Labor Advisory No. 16, series of 2024, which was released in November 2024. 1. If the employee **does not work on the regular holiday**, the employer shall pay **100 percent** of the employee’s wage for that day, provided that the employee reports to work or is on leave with pay the day before. 2. If the day before the regular holiday is a non-working day, or the scheduled rest day of the employee, they are still entitled to **100 percent of basic wage** if they report to work or are on leave of absence with pay on the previous working day. 3. For **work done during the regular holiday**, the employer shall pay a total of **200 percent** of the employee’s wage for that day. 4. For **work exceeding eight hours**, the employer shall pay the employee an **additional 30 percent** of the hourly rate (hourly rate of the basic wage x 200 percent x 130 percent x number of hours worked). 5. For **work done during a regular holiday** that also falls on the employee’s rest day, the employer shall pay the employee an **additional 30 percent** of the basic wage of 200 percent (basic wage x 200 percent × 130 percent). 6. For **work exceeding eight hours** during a regular holiday that also falls on the employee’s rest day, the employer shall pay the employee an additional 30 percent of the hourly rate (hourly rate of the basic wage x 200 percent x 130 percent x 130 percent x number of hours worked). The regular holidays for 2025 are: - New Year’s Day – January 1 (Wednesday) - Araw ng Kagitingan – April 9 (Wednesday) - Maundy Thursday – April 17 - Good Friday – April 18 - Labor Day – May 1 (Thursday) - Independence Day – June 12 (Thursday) - National Heroes Day – August 25 (Last Monday of August) - Bonifacio Day – November 30 (Sunday) - Christmas Day – December 25 (Thursday) - Rizal Day – December 30 (Tuesday) ## Special Non-Working Holidays For special non-working holidays, the following rules apply, according to Labor Advisory No. 1, series of 2025, which was released on January 21. 1. lf the employee does not work, the “no work, no pay” principle shall apply unless there is a company policy, practice, or collective bargaining agreement (CBA) granting payment on a special day. 2. For **work done during the special day**, the employer shall pay the employee an **additional 30 percent** of the basic wage on the first eight hours of work (basic wage x 130 percent). 3. For **work exceeding eight hours**, the employer shall pay the employee an **additional 30 percent** of the hourly rate (hourly rate of the basic wage x 130 percent x 130 percent x number of hours worked). 4. For **work done during the special day** that also falls on the **employee’s rest day**, the employer shall pay the employee an additional **50 percent** of the basic wage on the **first eight hours** of work (basic wage x 150 percent). 5. For **work exceeding eight hours** during the special day that also falls on the **employee’s rest day**, the employer shall pay the employee an **additional 30 percent** of the hourly rate (hourly rate of the basic wage x 150 percent x 130 percent x number of hours worked). The special non-working holidays for 2025 are: - Chinese New Year – January 29 (Wednesday) - Black Saturday – April 19 (Saturday) - Iglesia Ni Cristo Anniversary – July 27 (Sunday) - Ninoy Aquino Day – August 21 (Thursday) - All Saints’ Day Eve – October 31 (Friday) - All Saints’ Day – November 1 (Saturday) - Feast of the Immaculate Conception of Mary – December 8 (Monday) - Christmas Eve – December 24 (Wednesday) - Last Day of the Year – December 31 (Wednesday) ## Special Working Day For the special working day, the following rules apply, according to Labor Advisory No. 16, series of 2024, which was released in November 2024. 1. It shall be considered as an ordinary working day for the purpose of payment of wage and wage-related benefits. 2. If the employee does not work, the “no work, no pay” principle shall apply unless there is a company policy, practice, or CBA granting payment on a special working day. 3. For work done on an ordinary working day, the employer shall pay **100 percent** of the employee’s wage for that day for the first eight hours (basic wage x 100 percent). 4. For work exceeding eight hours, the employer shall pay the employee an **additional 25 percent** of the hourly rate (hourly rate of the basic wage x 125 percent). For 2025, only the EDSA People Power Revolution Anniversary on February 25 was declared a special working day. **Categories:** State of Affairs **Tags:** Labor Issues, Labor Rights --- ### [Laid Off by Your Company? Here’s What You’re Entitled to as an Employee](https://rollingstonephilippines.com/state-of-affairs/laid-off-company-get-separation-pay/) **Published:** September 16, 2026 **Author:** Reyza Ferranco **Content:** The Department of Labor and Employment (DOLE), under its [Department Order No. 147-15](https://www.dole.gov.ph/php_assets/uploads/2017/07/Dept-Order-No_-147-15.pdf), defines “retrenchment” as the dismissal of employees to avoid or minimize business losses. It differs from the termination of employees for just causes or due to the employee’s misconduct and other similar grounds. But for those terminated without fault, retrenchment still means an abrupt loss of income and job uncertainty. ABS-CBN Corp. recently shared its decision to retrench over 200 workers, comprising seven percent of its workforce, due to weaker advertising and consumer spending. In a [statement](https://www.abs-cbn.com/news/business/2026/9/15/abs-cbn-statement-on-business-plan-and-retrenchment-1411), the company said the industry remains challenged amid the Middle East conflict, high inflation, and low economic growth, and that it needs to keep itself on “strong financial footing.” Frankly, this may not be the last layoff we see in the media, and there may be more that we don’t know of. And while companies may resort to retrenchment due to business needs, [Philippine labor laws](https://rollingstonephilippines.com/state-of-affairs/labor/) and DOLE have limits on why and how employees can be let go. As industries continue to shift, it’s important for all workers and employees to prepare for what may await them. If that day does come, the DOLE requires due process and proper rights accorded to the people laid off. Here’s what they can get. ## **VALID GROUNDS OF RETRENCHMENT** Under DOLE’s guidelines, a company’s retrenchment requires a written notice and must be: 1. “Reasonably necessary” and for the prevention of business losses 2. Experiencing “substantial, serious, actual and real, and reasonably imminent” losses and not merely “de minimis,” or minimal 3. Backed up by sufficient and convincing evidence 4. In “good faith” and not to defeat or circumvent the employees’ right to security of tenure 5. Properly and objectively evaluate the employees it will lay off, ensuring fair retention considerations based on their seniority, physical fitness, age, and financial hardship ## **RIGHTS OF THOSE RETRENCHED** The country’s labor laws state that: 1. An employee terminated due to authorized business causes is entitled to separation pay, regardless of the type of employment (regular, probationary, casual, project, seasonal, or fixed-term). 2. The separation pay must be equivalent to one month’s pay, or at least one and a half months’ pay for every year of their service, whichever is higher. Meanwhile, any fraction of at least six months counts as a whole year. 3. The pay must be given within 30 days of the separation date. 4. The pay must also be exempt from income tax. This separation pay provides financial relief amid the job loss, and if an employer fails to follow these rules or violates any of the grounds, the employee may file a formal complaint with DOLE. Aside from this pay, the government also offers the SSS unemployment benefit to covered members, a two-month cash assistance for those who involuntarily lost their jobs due to retrenchment, redundancy, or company closure. The assistance equals 50% of the employee’s average monthly salary credit, and the employee must have made at least thirty-six monthly contributions to qualify. ## FREQUENTLY ASKED QUESTIONS ### What does retrenchment mean? The Department of Labor and Employment (DOLE) defines retrenchment as the dismissal or downsizing of employees to prevent further business losses. ### Why did ABS-CBN decide to lay off some of its employees? ABS-CBN Corp. said it downsized to keep itself on strong financial footing after the Middle East conflict, high inflation, and low economic growth resulted in weaker advertising and consumer spending. ### What is separation pay? Separation pay is a form of financial support given to employees who were laid off due to specific authorized business reasons. ### What are the valid grounds FOR retrenchment? According to DOLE, retrenchment must be reasonably necessary, occur from substantial and real loss, and be backed up by sufficient financial evidence. ### Does separation pay have income tax? No, the pay is exempt from income tax. Related Stories - [Here are the DOLE Holiday Pay Rules for 2026](https://rollingstonephilippines.com/state-of-affairs/dole-holiday-pay-rules-2026/ "Here are the DOLE Holiday Pay Rules for 2026") - [Another ABS-CBN Shutdown? Here’s a Timeline of the Lopez Family Feud](https://rollingstonephilippines.com/state-of-affairs/abs-cbn-lopez-family-feud/ "Another ABS-CBN Shutdown? Here’s a Timeline of the Lopez Family Feud") - [Laid Off by Your Company? Here’s What You’re Entitled to as an Employee](https://rollingstonephilippines.com/state-of-affairs/laid-off-company-get-separation-pay/ "Laid Off by Your Company? Here’s What You’re Entitled to as an Employee") **Categories:** State of Affairs **Tags:** ABS-CBN, DOLE, Labor, Retrenchment --- ### [Michelle Zauner’s Upcoming Memoir ‘Thank You For Your Suffering’ Takes Her Back to South Korea](https://rollingstonephilippines.com/music/news/michelle-zauner-upcoming-memoir-south-korea/) **Published:** September 18, 2026 **Author:** Elijah Pareño **Excerpt:** A lost-in-translation phrase gave the book its title, while a year abroad helped her understand language, family, and grief in a different way **Content:** Author and Japanese Breakfast singer-songwriter [Michelle Zauner](https://rollingstonephilippines.com/tag/michelle-zauner/) has announced her latest memoir, *Thank You For Your Suffering*. The book, out on April 27, 2027, comes six years after her first memoir about her relationship with her late mother, *Crying in H Mart*. *Thank You For Your Suffering* documents the year that Zauner lived abroad in South Korea back in 2024. She learned how to read and speak Korean more fluently, connecting with her late mother’s side of the family, and immersing herself in the culture. > [View this post on Instagram](https://www.instagram.com/p/DdZdRAGK_aO/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Alfred A. Knopf (@aaknopf)](https://www.instagram.com/p/DdZdRAGK_aO/?utm_source=ig_embed&utm_campaign=loading) According to *Elle* magazine, Zauner discovered a handwritten diary by her late mother in the safe-deposit box of her parents’ local bank, prompting her to learn the language better before leaving for Seoul. Zauner then explained how the title’s origin comes from a repeatedly lost-in-translation phrase. “After getting my hair dyed, they kept saying, ‘Gosaeng haesseoyo.’ And I was like, ‘Why are they telling me, ‘Thank you for my suffering?’” she says. “So much of the book is about working really hard. I was just so hungry and scared of not doing a good job. I think part of that was this strange psychological feeling after my mom died, of wanting to be this perfect daughter that I wish I could have been when she was alive.” Zauner became a *New York Times* bestselling author with *Crying in H Mart*. A movie based on the book was about to be made in 2023, but production was halted due to the writers and actors’ strike. ## Frequently Asked Questions ### Who is Michelle Zauner? Michelle Zauner is a *New York Times* bestselling author of *Crying in H Mart* and a frontwoman of alternative rock band Japanese Breakfast. ### When is Michelle Zauner’s new memoir, *Thank You For Your Suffering*, coming out? Michelle Zauner’s *Thank You For Your Suffering* is set to release on April 27, 2027. ### What is *Thank You For Your Suffering* about? The memoir documents the year Michelle Zauner lived abroad in South Korea in 2024. ### What was Michelle Zauner’s previous memoir? Michelle Zauner became a *New York Times* bestselling author with her 2021 memoir *Crying in H Mart*. ### What are Japanese Breakfast’s greatest hits? Japanese Breakfast’s hits include “Boyish,” “Be Sweet,” “Roadhead,” “Everybody Wants To Love You,” and more. Related Stories - [Ocean Vuong Finds the Words for His Grief in ‘The Emperor of Gladness’](https://rollingstonephilippines.com/culture/books/ocean-vuong-the-emperor-of-gladness-review/ "Ocean Vuong Finds the Words for His Grief in ‘The Emperor of Gladness’") - [Filipino Artists and Activists Show Up for Palestine in Viva Palestina Concert](https://rollingstonephilippines.com/state-of-affairs/viva-palestina-ph-artists-palestine/ "Filipino Artists and Activists Show Up for Palestine in Viva Palestina Concert") - [Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/ "Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’") **Categories:** Books, Culture, Music, News **Tags:** Japanese Breakfast, Michelle Zauner --- ### [‘58th’ Review: The Horror in What’s Missing](https://rollingstonephilippines.com/culture/film/58th-review-horror-whats-missing/) **Published:** September 18, 2026 **Author:** Reyza Ferranco **Content:** Going into *58th*, I wondered if animation could really pull me into a story this heavy. As a journalism graduate, I am well aware of the story of the 2009 Maguindanao Massacre, the deadliest single-day attack on journalists. I knew the numbers, but knowing the facts is different from being made to sit with the harrowing grief it accompanies. *58th* lets you deal with its horrors. Beyond the massacre, *58th* is a painful and sobering account of searching for a victim nowhere to be found. Director [Carl Joseph Papa](https://rollingstonephilippines.com/tag/carl-joseph-papa/) (*[The Next 24 Hours](https://rollingstonephilippines.com/culture/film/cinemalaya-2025-the-next-24-hours/)*, *Iti Mapukpukaw*) confronts the haunting feeling of not just the absence of a body but of the dignity of finality and justice. The film revisits the massacre through the story of Reynaldo “Bebot” Momay (Ricky Davao), the photojournalist whose body was never recovered from the site. His story was detailed by his daughter, Reynafe “Nenen” Momay-Castillo (Glaiza de Castro), and with the use of rotoscoping medium, Papa fills in the details that could not be captured by actual news reports and archival footage. Watching *58th* was heavy, to say the least. It starts with a Zoom call between animated Nenen and a filmmaker (Mikoy Morales), where she introduces her loving father and how passionate he was about journalism. Throughout the call, her recounting of the events and her years-long search for closure and recognition is what gives the docu-drama a more deeply personal weight. The rotoscope is also able to bring both Nenen and the filmmaker back to the past to see certain scenes, and the viewers are given a visceral way to witness the same events alongside her. The viewers get to see Nenen visit the actual crime scene with the hope of retrieving her father’s body, only to leave empty-handed. She then visits a funeral home, where she had to beg another family who had already claimed a body of their own to see if it was actually her father behind the veil. ![animated reynafe momay-castillo and reynaldo momay in 58th](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/nenen-and-bebot-momay.webp) Animated Reynafe “Nenen” Momay-Castillo and Reynaldo Momay in the 58th. Film still from IFFR What made the film more chilling was the way it moves between the rotoscoped animation and the use of actual footage. The rotoscope somehow offers just enough distance from the horror, while the montages give us a glimpse of what the tragedy was really like at the time. The film captured that mounting anxiety following the convoy carrying the wife, relatives, and supporters of then-Buluan Vice Mayor Esmael Mangudadatu, as well as lawyers and the media, on their way to file his candidacy before they were later killed. The filmmakers had to rely on witness accounts and court papers to recreate these moments, the animated sequence filling in the gaps left by the absence of real visual records, without losing sight of the tragedy’s weight. Seeing the aftermath through the real footage was gripping, with the bodies having to be excavated using a backhoe after being buried along with the vans used. We were left to see the blood, the covered bodies, and how they had already been rotting. ![media van](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/press-footage.webp) *58th* shows real excavation footage, including that of the media van. Film still from IFFR It was an inspired and deeply telling choice that the filmmakers decided to show the real faces of the perpetrators instead of relying on animation. Their real faces were plastered on the screen for audiences to bear witness to and remember. Later on, the film shows us a footage of the December 2019 ruling, where the court only charged 57 counts of murder against the Ampatuans after authorities were only able to fully recover the same number of bodies from the crime scene. The film then shows the animated Nenen crying over the disappointment of her father not being among those recognized, leaving her without the clarity she had long prayed for. At the end of the film, the animation disappears, and we see the real Nenen visiting the site where her father and the 57 other victims of the brutal killings lie. The real Nenen says she no longer holds fear and remains on the quest for closure. This shift from animation back to reality served a good reminder that this isn’t just a movie, but an actual event that happened in history, one that Nenen continues to live with. ## FREQUENCY ASKED QUESTIONS ### What is *58th* about? *58th* is a rotoscope-animated docu-drama directed by Carl Joseph Papa that revisits the 2009 Maguindanao Massacre through Reynafe Momay-Castillo’s search for her missing father, photojournalist Reynaldo Momay. ### What was the 2009 Maguindanao Massacre? The Maguindanao Massacre was a 2009 attack in Ampatuan, Maguindanao that killed 58 people, including 32 journalists, making it the deadliest single-day attack on journalists on record. ### Why does *58th* use rotoscope animation? *58th* uses rotoscope animation to recreate scenes no footage exists for, giving the film a visceral yet distanced way to depict the brutal scenes that witness accounts alone could not capture. ### Who stars in *58th*? *58th* stars Glaiza de Castro as Reynafe “Nenen” Momay-Castillo and Ricky Davao as her father, photojournalist Reynaldo “Bebot” Momay, with Mikoy Morales playing the filmmaker interviewing her. ### Why did the court only charge the Ampatuans 57 counts of murder instead of 58? In December 2019, courts convicted the Ampatuans on only 57 counts of murder, matching the number of bodies recovered. Since Reynaldo Momay’s remains were never found, he was never formally counted. Related Stories - [Philippines Picks ‘Filipiñana,’ ‘58th,’ and ‘Agapito’ for 2027 Oscars](https://rollingstonephilippines.com/culture/film/philippines-filipinana-58th-agapito-2027-oscars-entries/ "Philippines Picks ‘Filipiñana,’ ‘58th,’ and ‘Agapito’ for 2027 Oscars") - [‘The Next 24 Hours,’ a Cinemalaya Short Film, Exposes the Messy Aftermath of an Assault](https://rollingstonephilippines.com/culture/film/cinemalaya-2025-the-next-24-hours/ "‘The Next 24 Hours,’ a Cinemalaya Short Film, Exposes the Messy Aftermath of an Assault") - [‘Edjop’ Review: Youth in Revolt](https://rollingstonephilippines.com/culture/film/edjop-review-elijah-canlas-martial-law-biopic/ "‘Edjop’ Review: Youth in Revolt") **Categories:** Culture, Film, Philippine Cinema, Philippine Politics, Politics, Reviews, State of Affairs **Tags:** 2009 Maguindanao Massacre, 58th, Carl Joseph Papa, Glaiza de Castro, Ricky Davao --- ### [PH Trans and HIV Health Services At Risk with US Foreign Aid Freeze](https://rollingstonephilippines.com/state-of-affairs/power/ph-trans-hiv-health-service-risk-us-foreign-aid-freeze/) **Published:** January 31, 2025 **Author:** Pie Gonzaga **Excerpt:** Trump’s executive order to re-evaluate foreign aid programs have affected gender-affirming hormone therapy and access to pre-exposure prophylaxis (PrEP) in the Philippines **Content:** Filipino LGBTQ support groups Transmasculine Philippines (TMPH) and LoveYourself are expressing dismay over the United States President Donald Trump’s executive order freezing and re-evaluating foreign aid, saying that the freeze has put a stop to their activities and initiatives. In a statement released on Tuesday, January 28, TMPH said that it has ceased all activities for its TANGGAP Trans Hub due to the immediate pause and assessment of projects funded by the U.S. Agency for International Development (USAID). (TANGGAP stands for Transgender And Non-Binary Growth and Guidance Advocacy Project.) “As an international DEI \[diversity, equity, and inclusion\] initiative under the Alliance for Global Equality program of Outright International and the Victory Institute, TANGGAP is only one of many projects now required to abruptly cease operations,” said TMPH. “With several of our local [LGBTQIA+ organizations](https://rollingstonephilippines.com/state-of-affairs/lgbtq/) dependent on awarded USAID funding, we believe the suspension endangers efforts to provide accessible services to community members, as well as individuals relying on such projects for their well-being,” the statement continued. The TANGGAP Trans Hub serves as a “physical safe space for transgender Filipinos to meet, socialize, and access relevant resources.” For the safety of its constituents, TMPH only discloses its location to guests who book visits. One of its other projects is the provision of affordable and safe gender-affirming hormone therapy supplies to trans men who are currently medically transitioning and have a valid prescription for their hormones. TMPH said that it aims to continue support for transgender Filipinos and is pursuing alternative fundraising opportunities. “As always, it was never about the money — only the work that unites our community and honors our queer siblings that came before us,” the statement added. LoveYourself, in its own statement published on Wednesday, January 29, said that the freeze order does not affect its essential services like [HIV](https://rollingstonephilippines.com/tag/hiv-aids/ "HIV-AIDS") testing and treatment, as well as its other services under TransHealth — a community-led transgender health center. However, the order does affect “key innovations” like free PrEP \[pre-exposure prophylaxis\], self-testing kits, and “campaigns aimed at increasing awareness and scaling up life-saving services.” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/IMG_5951.JPG) Members of LoveYourself at a booth in Metro Manila Pride 2022, where they handed out free HIV testing kits, June 25, 2022. Photo by Bryan Galvez/LoveYourself The organization later clarified that all their essential services will operate “as usual.” LoveYourself said that although they will continue to hand out self-testing kits and free PrEP, deliveries will now incur a fee. LoveYourself founder Vinn Pagtakhan called on the Philippine government to “step up and partner with civil society organizations.” “By working together, we can scale up programs, foster innovation, and fill the gaps left by international funding uncertainties,” Pagtakhan said. On Friday, January 24, the U.S. State Department ordered a freeze on funding for almost all foreign aid, with the exception of emergency food assistance and military aid to Israel and Egypt. The freeze, which lasts 90 days and went into effect on Friday, is intended to give the administration time to review which humanitarian and development programs can secure funding from the U.S., which in 2023 reportedly shelled out $60 billion for said programs. **Categories:** News, Power, State of Affairs **Tags:** Gender Issues, Health Issues, HIV-AIDS, LGBTQIA+ --- ### [On Women’s Month, An Alarming Pushback Against Trans Women](https://rollingstonephilippines.com/state-of-affairs/power/womens-month-alarming-pushback-against-trans-women/) **Published:** March 31, 2025 **Author:** Pie Gonzaga **Excerpt:** Sentiment against trans women’s inclusion on Women’s Month reveals outdated ideas about womanhood, which might just set the women’s rights movement back **Content:** It’s nothing new. Earlier in March, the internet was ablaze as netizens argued for and against trans women celebrating Women’s Month. And while the month draws to a close with International Transgender Day of Visibility on Monday, March 31, debates about trans women’s place in women’s spaces will continue as they unfortunately always have, without resolution. This year’s debate came about after trans content creator Jamie Casiño said on TikTok, “‘Pag sinabi kong ‘Happy Women’s Month,’ kasama ang mga trans \[doon\] because transwomen are women.” Because of the statement, Casiño quickly gained the ire of other influencers. Content creator and former beauty queen Angelique de Leon responded with her own video, where she said trans inclusion “invalidates the struggles of cis women” like gender pay gaps, periods, and breastfeeding. > [@angeliquethelion](https://www.tiktok.com/@angeliquethelion?refer=embed "@angeliquethelion")Mother is awaaaakkkeee > > [♬ original sound – Angelique De Leon](https://www.tiktok.com/music/original-sound-Angelique-De-Leon-7477777717698530064?refer=embed "♬ original sound - Angelique De Leon") “You would never know the feeling of — your whole life, your whole entire life — matatakot kang lumabas ng bahay dahil babae ka… At least once in your life, you never had that fear,” said de Leon, who claimed to be an [LGBTQ](https://rollingstonephilippines.com/state-of-affairs/lgbtq/) ally in the nine-minute TikTok video. “That’s what the month is for: discussing every single challenge, all the stereotypes you wanted to break as a natural born female,” she added. ## Intersections and Complexities For film critic and culture journalist [Lé Baltar](https://rollingstonephilippines.com/author/le-baltar/), the argument for trans exclusion from women’s spaces does not take into account the complexities of womanhood. “I know some would argue that it’s an encroachment of biological women’s spaces and rights,” Baltar told *Rolling Stone Philippines*. “But that argument is just facile and vacuous, especially when there are struggles that inextricably link us, especially when both communities suffer from broader structures that always try to define and limit what womanhood should be.” Similarly, Bahaghari Chairperson Reyna Salinas said the idea that a woman’s value is tied to her ability to reproduce is outdated. “Departing from our old understanding of womanhood, which ties the value of a woman to her reproductive parts, we have come to understand that the vagina is not what makes a woman,” she told *Rolling Stone Philippines* in a separate interview*.* “We work with the basic principle that transgender women are women in full. That means they rightfully belong in women’s spaces, celebrations, and struggles, including Women’s Month.” Baltar and Salinas both emphasized the intersection of trans women’s struggles and cis women’s struggles. Baltar pointed out that trans women and cis women struggle with other forms of oppression, like systemic discrimination, misogyny, and gender-based violence. Salinas likewise said that all women “face the same harrowing brand of discrimination in the workplace, in education, in healthcare, and in public services.” “Both cis and trans women get paid less for the same type of work, more often get passed on for promotions, are more likely to be terminated and rejected from employment,” said Salinas. They are also “significantly more likely to experience physical, verbal, and sexual abuse in their lifetime, compared to men.” The Philippine Statistics Authority reports that 19,228 Filipino women aged 15 to 49 reported cases of physical or sexual violence in 2022, but the report did not state if any of these cases were reported by trans women. Statistics on trans women are far more difficult to come by, but the United Nations Development Programme said that in 2023, the Philippines ranked 8th worldwide in terms of transgender people murdered. Despite these shared struggles, not all trans women believe that they can and should celebrate Women’s Month. Trans content creator Johnry Almonte echoed de Leon’s sentiments in her own TikTok video. “We already have Pride Month. As a trans woman myself, we celebrate that,” she said. “This Women’s Month, I stand in solidarity with biological women. You don’t have to include us.” > [@johnreyslife](https://www.tiktok.com/@johnreyslife?refer=embed "@johnreyslife") Replying to @jjaa Here’s my opinion 🤍 [\#fyp](https://www.tiktok.com/tag/fyp?refer=embed "fyp") [♬ original sound – johnreyslife](https://www.tiktok.com/music/original-sound-7478584887218817808?refer=embed "♬ original sound - johnreyslife") Almonte also expressed her frustration with the debate, saying, “Instead of standing in solidarity with each other, we’re arguing and not being united against the real problem in society: corrupt government officials and patriarchy.” In the comments, cis women praised Almonte. A TikTok user wrote, “This! We can celebrate for them. I celebrate it for my mom, sisters, friends, and relatives who are women for their struggles and all. Again, we can celebrate for them but not for ourselves.” In response to this, Baltar said that the divide in the trans community can be explained by “respectability politics.” “They expect you to behave \[in\] certain ways, and you’ll get rewarded with some illusion of safety and security.” She added that the growing conservative sentiment in the U.S. carries over to the Philippines, which is cause for alarm. “Now, our people, who have always been conservative when it comes to discussions on gender, are becoming more emboldened to share these vile, anti-trans sentiments,” she said. ## Allyship and Activism For Salinas, organizing is crucial to pushing for trans rights and women’s rights, even when activists and advocates in both spaces don’t see eye to eye. “Difference in beliefs between different groups is inevitable,” she said. “In fact, the principled clash of ideas is a necessary part in discerning the facts from the lies, and the truth from the facts.” “The challenge for LGBTQ+ and women’s rights advocates is to carry out a program of widespread publicity and education,” she said. “This includes tireless dialogue and persuasion on the side of organizers, engaging the most proactive individuals so that they may be involved in winning over the opinion of the neutral or indifferent, and then creating space for awareness-raising and questions among the least aware and least informed.” As for what allies can do, Baltar stressed that allyship is “an extension of care, empathy, and community.” “You cannot claim to be an ally if you are not willing to accept the possibility that those values you hold so dearly, so unflinchingly, will peter out once you begin to put in the effort and equip yourself with better information,” she said. She urged allies to embrace the discomfort of letting go of old values that might limit their capacity to care for trans people. Asked what trans allyship really entails, Baltar said, “Recognize our right to exist and stop killing us,” referring to the slew of trans killings the country has seen in over a decade. In 2020, former President Rodrigo Duterte granted U.S. Marine Joseph Scott Pemberton absolute pardon after he killed Jennifer Laude, a Filipino trans woman, in Olongapo City, in 2014. Laude’s killing is only one out of many committed on the basis of sexual orientation, gender identity, and expression (SOGIE). The Fuller Project, a women-centered nonprofit news organization, reported in 2021 that at least 50 trans or nonbinary Filipinos have been killed since 2010, and that the death toll may be much higher since the Philippine National Police only logs deaths by their sex assigned at birth. Baltar also said, “Provide us with accessible and inclusive healthcare. Let us present ourselves the way we want in the classroom. Pay and treat us right in the workplace. Let us thrive in sports, in art, in music, in movies, in drag. [Pass the SOGIE Bill](https://rollingstonephilippines.com/state-of-affairs/politics/10-pending-philippine-bills-that-demand-legislative-action/ "10 Pending Philippine Bills That Demand Legislative Action"). Study trans history.” “Lastly, and I think this is really important,” she said, “rally behind us and listen, and \[do\] not be a spokesperson for us.” Related Stories - [10 Pending Philippine Bills That Demand Legislative Action](https://rollingstonephilippines.com/state-of-affairs/politics/10-pending-philippine-bills-that-demand-legislative-action/ "10 Pending Philippine Bills That Demand Legislative Action") - [PH Trans and HIV Health Services At Risk with US Foreign Aid Freeze](https://rollingstonephilippines.com/state-of-affairs/power/ph-trans-hiv-health-service-risk-us-foreign-aid-freeze/ "PH Trans and HIV Health Services At Risk with US Foreign Aid Freeze") - [Worshipthegays and Her ‘Bible’ for Filipino Alternative Drag](https://rollingstonephilippines.com/culture/art/drag-artist-worshipthegays-bible-for-filipino-alternative-drag/ "Worshipthegays and Her ‘Bible’ for Filipino Alternative Drag") - [Laws That LGBTQ+ Filipinos Need to Know](https://rollingstonephilippines.com/state-of-affairs/politics/laws-lgbtq-filipinos-need-to-know/ "Laws That LGBTQ+ Filipinos Need to Know") **Categories:** Power, State of Affairs **Tags:** LGBTQIA+, Trans Rights, Women's Issues --- ### [The LoveLaban Pride March Felt Like a Job Fair](https://rollingstonephilippines.com/state-of-affairs/power/lovelaban-pride-lgbtq-commercialization/) **Published:** June 30, 2025 **Author:** Pie Gonzaga **Excerpt:** With more sponsors and partners needed to keep such a large-scale event afloat, the commercialization of Pride leaves questions about what we’re marching for **Content:** On Saturday, June 28, nonprofit organization Pride PH and the Quezon City Government hosted the country’s biggest Pride celebration, LoveLaban 3 Pride Festival, in the University of the Philippines Diliman. Despite the weather shuttling between extremes, sweltering temperatures one minute and heavy rains the next, attendees marched on concrete and mud to show solidarity for the [LGBTQ+ community](https://rollingstonephilippines.com/state-of-affairs/lgbtq/ "LGBTQIA+"). And marching alongside them? A veritable who’s who of corporations. Last year, LoveLaban saw approximately 212,000 attendees gather at the Quezon Memorial Circle. This year, Pride PH brought the festival’s main stage to UPD’s Sunken Garden, while other parts of the university campus were turned into alleys for food and merch concessionaires. One alley in particular was dedicated to brand partners. Partners and sponsors included Canva, JisuLife, Nestle, Nivea, Aboitiz Power, Go Hotels, Manulife, Alorica, Coca-Cola Philippines, H&M, and Manila Water among a list of 35. These and many other companies like Citibank and Maersk sent delegations of LGBTQ+ employees and allies to join the march under the banner of workplace diversity. In this way, Pride PH was able to reframe corporate participation as genuine, a true show of acceptance and support within companies and organizations. ![lovelaban pride corporations nescafe](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/06/nescafe-float.webp) Staff unload the Nescafe float after the Pride march, June 28. Photo by author However, with the commercialization and upscaling of Pride, the community it’s meant to serve may be compromised. The large number of participants has made it necessary for organizers to ramp up security, but the presence of police was also disturbing to some attendees. One even said they felt unsafe seeing riot shields stored off in one part of the UPD campus. On Thursday, June 26, more progressive groups faced police when they marched through Mendiola Street in the city of Manila for the first Stonewall Philippines, a gathering more akin to protest than the LoveLaban festival. It also served as a commemoration of Stonewall Manila, a pro-LGBTQ+ and anti-price hike demonstration that grassroots organizers held on the same date in 1994. This earlier demonstration was a commemoration of the 1969 Stonewall riots in the U.S. To cut LoveLaban some slack, sponsorships are necessary to get a festival of that scale up and running. While Stonewall Philippines is a call for LGBTQ+ rights and the passage of the [SOGIE Equality Bill](https://rollingstonephilippines.com/state-of-affairs/right-to-care-anti-discrimination-sogie/ "For Queer Filipinos, Is There Any Hope Beyond Local Ordinances?") unrestricted by partnership contracts with corporations, LoveLaban gives room for queer Filipinos to celebrate themselves and each other, and may even strengthen queer communities within the workplace. Furthermore, it shows that there are corporations willing to back LGBTQ+ advocacies even in a country as conservative as the Philippines. But this year’s festival also serves as a reminder for organizers to remember that Pride is a protest, and that, above commercial interests, the LGBTQ+ community must come first. Related Stories - [Why Are Cities Adopting a Right to Care Card?](https://rollingstonephilippines.com/state-of-affairs/right-to-care-anti-discrimination-sogie/ "Why Are Cities Adopting a Right to Care Card?") - [Laws That LGBTQ+ Filipinos Need to Know](https://rollingstonephilippines.com/state-of-affairs/politics/laws-lgbtq-filipinos-need-to-know/ "Laws That LGBTQ+ Filipinos Need to Know") - [Renee Salud, Ricky Reyes Criticized For Saying LGBTQ People ‘Ask for Too Much’](https://rollingstonephilippines.com/state-of-affairs/power/reyes-salud-anti-lgbtq-remarks/ "Renee Salud, Ricky Reyes Criticized For Saying LGBTQ People ‘Ask for Too Much’") **Categories:** Power, State of Affairs **Tags:** LGBTQIA+, Pride March, This Is Not A Phase --- ### [Renee Salud, Ricky Reyes Criticized For Saying LGBTQ People 'Ask for Too Much'](https://rollingstonephilippines.com/state-of-affairs/power/reyes-salud-anti-lgbtq-remarks/) **Published:** June 27, 2025 **Author:** Pie Gonzaga **Excerpt:** Members of the LGBTQ+ community point out that Salud and Reyes are able to “shrug off legal protections” while others still face discrimination and harassment for being queer **Content:** Just as Pride Month is about to wrap-up, a new video uploaded on actress Toni Gonzaga’s YouTube channel has set the internet on fire. In the most recent episode of “Toni Talks,” fashion designer Renee Salud and celebrity hairstylist Ricky Reyes said they disagreed with same-sex marriages and the passage of the [SOGIE Equality Bill](https://rollingstonephilippines.com/state-of-affairs/right-to-care-anti-discrimination-sogie/ "For Queer Filipinos, Is There Any Hope Beyond Local Ordinances?"), and that the public has tolerated enough of the [LGBTQIA+ community](https://rollingstonephilippines.com/state-of-affairs/lgbtq/). Allies, queer individuals, and LGBTQIA+ organizations didn’t take their remarks lightly. “Kung hahabulin mo ‘yong marriage para sa legalities, dahil paghahati ‘yong kayamanan o properties, pwede kayong mag-usap lang. Maging partner na lang kayo sa aspeto na ‘yon,” said Salud. “‘Wag mo nang pakialaman ang ginawa ng Diyos. That’s overboarding,” said Reyes. When Gonzaga pointed out that Senator [Risa Hontiveros](https://rollingstonephilippines.com/tag/risa-hontiveros/ "Risa Hontiveros") pushed for the SOGIE Equality Bill in the Senate, Reyes said, “At ako rin ang nagpatigil ng SOGIE bill.” Asked why he is not in favor with the bill’s passage, the hairstylist said, “Tama na ‘yong tinotolerate ang mga bading.” “Ako naman, sige bigyan ng karapatan, bigyan \[sila\] ng puwang sa lipunan,” Salud said. “Kaso lamang, the problem with some gays, they ask for too much. Masyadong entitled.” Several netizens reacted to Salud and Reyes’ remarks on social media. An X [user](https://x.com/heyrow/status/1938212679854002223) pointed out that the two have the “leg room to shrug off legal protections” due to their economic privilege, despite being gay men. “Para sa karamihan sa atin, economy seat ang default: walang inheritance lawyer on speed-dial, walang PR team to clean up scandals, at walang guarantee na makakauwi kang ligtas kapag nakipaghawak-kamay ka sa kalsada.” Others said that Reyes and Salud looked down on other members of the LGBTQIA+ community. “This \[is\] what happens when you’re gay yet still desperate for straight people’s validation,” said one [X](https://x.com/jepistired/status/1938206923347972258) user, “it holds you back from being a decent member of your community.” “Itong dalawang ito, ang baba ng tingin nyo sa mga kapwa nyo LGBTQ,” said another [netizen](https://x.com/CharLang19/status/1938160293273866265). ![ricky reyes renee salud toni gonzaga toni talks](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/06/toni-talks-salud-reyes-gonzaga.webp) “Ang lahat ng tao, hindi lahat ‘yan tanggap ang bading. Ibagay mo ang sarili mo sa tamang sitwasyon,” Reyes said in the interview with Toni Gonzaga. Screenshot from Toni Gonzaga Studio/YouTube On [Facebook](https://www.facebook.com/share/p/16Wc85mJYy/), Manila Bulletin columnist Tonyo Cruz said that Reyes and Salud’s remarks may be an opportunity to educate them. “Baka ‘yon ang paraan nila na magsabi na ‘educate us,’ ‘teach us,’ ‘engage us.’ Baka lang,” he said. “‘Di ko rin alam kung naimbitahan na sila para mag-interface sa bagong henerasyon o sa mga movements. I guess challenge paano sila i-address or i-confront.” In a statement posted on Thursday, June 26, non-governmental organization Rainbow Rights Philippines said, “Sumosobra na ba ang mga bakla sa paghingi ng karapatan? Paano po ba sumobra e kulang na kulang pa nga po sa mga proteksyon?” Rainbow Rights Philippines emphasized that queer acceptance may be easier to come by in the beauty and fashion industry, where Reyes and Salud work. “Sa totoo lang po, napakaswerte po ninyong dalawa dahil sa mga industriya ninyong ginagalawan ay may semblance po ng pagtanggap. Paano naman po sa iba? Maninigas na lang po ba sila? Okay lang sila kutyain at maliitin nang walang kinalaman sa kanilang kakayahan?” The organization also said that the “Toni Talks” production team should be more responsible. “Sa aming palagay, nagkulang din ang ‘Toni Talks’ sa pagpuna ng lohika at sa pagiging factual ng mga sinabi ng dalawa nilang bisita. Sana maging mas propesyonal pa ang mga ganitong palabas dahil isang buong komunidad ang kayang kaya nitong tapakan at ilagay sa panganib.” This is not the first time Reyes drew flak for making remarks against the LGBTQIA+ community as a gay man. In 2019, Reyes also commented on the SOGIE Equality Bill, saying “Tigilan na ‘yang kabaklaan.” In 2016, Reyes was found guilty by a labor management court of discrimination and unlawful termination of an employee who had tested positive for [HIV](https://rollingstonephilippines.com/state-of-affairs/power/philippines-hiv-epidemic-issues/ "The Philippines Faces a Longer Road in its Fight Against HIV"). Related Stories - [Why Are Cities Adopting a Right to Care Card?](https://rollingstonephilippines.com/state-of-affairs/right-to-care-anti-discrimination-sogie/ "Why Are Cities Adopting a Right to Care Card?") - [Laws That LGBTQ+ Filipinos Need to Know](https://rollingstonephilippines.com/state-of-affairs/politics/laws-lgbtq-filipinos-need-to-know/ "Laws That LGBTQ+ Filipinos Need to Know") - [The Philippines Faces a Longer Road in its Fight Against HIV](https://rollingstonephilippines.com/state-of-affairs/power/philippines-hiv-epidemic-issues/ "The Philippines Faces a Longer Road in its Fight Against HIV") **Categories:** News, Power, State of Affairs **Tags:** Gender Issues, LGBTQIA+ --- ### [Why New National Artist Gregorio C. Brillantes Was ‘A Writer’s Writer’](https://rollingstonephilippines.com/culture/books/new-national-artist-gregorio-brillantes/) **Published:** September 10, 2026 **Author:** Tara FT Sering **Excerpt:** The master of the Filipino short story wrote precise tales that inspired awe from the greatest writers of our time **Content:** As it was for many of [Gregorio C. Brillantes](https://rollingstonephilippines.com/tag/gregorio-c-brillantes/)’ fans, it all began with “Faith, Love, Time and Dr. Lazaro,” a short story I read in a class on Philippine Literature. In a book that compiled the canon of Philippine short stories in English, Brillantes’ story stood out as particularly sophisticated, quiet, and internal. I was in my teens, and I remember being struck by the imagery and precise vocabulary — they transported me to a deep night in a faraway provincial town, presumably somewhere in Tarlac, and made the breadth of an aging country doctor’s life feel real in my bones. In college, I found two of his short story collections in the De La Salle University library — *The Distance to Andromeda and Other Stories* (first published in 1960) and *The Apollo Centennial: Nostalgias, Predicaments and Celebrations*, which came 20 years later — and became mildly obsessed. With the uniquely kilometric titles, the exquisitely constructed sentences, and the big themes that played out in intimate lives. Few stories have broken my heart in the way “The Cries of Children on an April Afternoon in the Year 1957” has, or stirred a consciousness to the vagaries of privilege and power as “A Taste for the Fine Whiskey of the Bourgeoisie” (one of my favourite short stories of all time, with a final line that still rings in my ear). I have never rooted for a character as I have for Philip Lapus. I decided to do my college thesis on Brillantes’ fiction. It was as good an excuse as any to meet the writer himself. To my everlasting surprise, it was fairly easy to arrange for an interview in the Pasong Tamo offices of the *Philippines Graphic* magazine, for which he was the managing editor. He met me at the door at the top of a narrow stairwell, and I trailed him through a maze of desks piled high with paperwork. Months before, Brillantes had published one of my first short stories. He apologized for changing the title; the original didn’t quite work. Then he told me to sit on the side of his good ear. We chatted for over an hour. He told me stories about growing up in Tarlac, his writing process and literary influences, and the time he paid John Updike a visit (they might have had a beer on Updike’s front lawn, or I might have imagined it). Brillantes had a dry kind of humour, and I was so starstruck I couldn’t tell when he was cracking a joke as he was telling it, and I ended up laughing tentatively, belatedly, inwardly horrified by the time delay. Still, he was kind and generous enough not to make me feel like I was imposing on his time, and he sent me off with a couple of books from his office shelf. One of them was *The Collected Stories of John Cheever*, a well-thumbed paperback with a deep-red cover. It was one of his favorites, and he signed it with a personal note. I’ve carted this souvenir, along with his books, across countries and over the years, in the undying hope that his genius might rub off on me. I have remained a fan since I first read his works; I have a vague memory of transcribing all his stories, word for word, as a graduate assistant at the University of the Philippines Creative Writing Center, which only made me more enamoured of them. In recent years, I’ve visited him a couple of times. Every time I went to his house on Panay Street, it was the same feeling of being starstruck. And each time he’d let me shop his [vast collection of books](https://rollingstonephilippines.com/culture/books/) in his home library, screening the pile for the ones I could take home. On both visits, he told me, “Gawa kayo ng literary journal.” It’s hard to overstate the kind of influence he has had on Philippine Literature; Brillantes is a writer’s writer, a voracious reader with wide interests and a deep devotion to craft, a kind of oracle whose prescient works are, remarkably, as relevant today as they were at the time they were written. Personally, the lifelong obsession has been to write as deeply, expansively, skilfully, and elegantly as him. I write because I want to write like Greg Brillantes. *This was originally published in the [November 2025 Issue of Rolling Stone Philippines](https://rollingstonephilippines.com/tag/rolling-stone-philippines-hall-of-fame/).* Related Stories - [Kidlat Tahimik Renounces National Artist Status in Protest of CHED’s Gen Ed Overhaul](https://rollingstonephilippines.com/culture/art/kidlat-tahimik-protests-ched-general-education-overhaul/ "Kidlat Tahimik Renounces National Artist Status in Protest of CHED’s Gen Ed Overhaul") - [Kidlat Tahimik on Kapwa, Kapa-Kapa, and Katrin](https://rollingstonephilippines.com/culture/art/kidlat-tahimik-hall-of-fame-2025/ "Kidlat Tahimik on Kapwa, Kapa-Kapa, and Katrin") - [Who Should be a National Artist?](https://rollingstonephilippines.com/culture/who-should-be-a-national-artist/ "Who Should be a National Artist?") **Categories:** Books, Culture **Tags:** Gregorio C. Brillantes, National Artist --- ### [How Ahtisa Manalo Carries the Pro-LGBTQ+ Torch for Miss Universe PH 2025](https://rollingstonephilippines.com/culture/ahtisa-manalo-lgbtq-miss-universe-ph-2025/) **Published:** May 6, 2025 **Author:** Mel Wang **Excerpt:** After taking home the crown on May 2, Manalo has the chance to redefine the modern Filipina queen on the global stage **Content:** [Ahtisa Manalo](https://rollingstonephilippines.com/tag/ahtisa-manalo/ "Ahtisa Manalo") returned to the [Miss Universe Philippines](https://rollingstonephilippines.com/tag/miss-universe-philippines/ "Miss Universe Philippines") stage year to win. On May 2, at the Miss Universe Philippines 2025 Coronation Night held at the SM Mall of Asia Arena, she claimed the crown, representing her home province of Quezon and rising above 65 other contenders. ![muph ahtisa manalo](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/manalo.webp) On May 2, Manalo took home Miss Universe Philippines 2025. Photo from Ahtisa Manalo / Facebook Like several of the crowned queens before her, Manalo is a fierce [advocate for LGBTQ+](https://rollingstonephilippines.com/state-of-affairs/lgbtq/) rights and gender equality. “I’m really strong when it comes to gender equality, when it comes to LGBT community, I really try to speak about it,” said Manalo in an interview with GMA. “I have family members who are gay, and I have a lot of friends who are gay also…I’m surrounded by gay people and the LGBT community.” Manalo also strongly supports gender equality and youth development, and has worked with non-profit organization Alon Akademie to teach young people necessary social skills and entrepreneurial education. ![catriona gray](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/gray.webp) Catriona Gray represented the Philippines at Miss Universe 2018. Photo from Catriona Gray / Facebook Manalo follows in the footsteps of winners such as Catriona Gray, who took home the crown in 2018. Gray has long been a staunch supporter of the LGBTQ+ community, using her platform to remind her followers to stand for equal rights and foster allyship. “The misconception that LGBTQ issues only matter to those who identify as LGBTQ is a damaging one,” Gray wrote on Instagram in 2020. That’s why ally voices are so important. We need to stand up and say that this is not just about the LGBTQ community. It’s about all of us.” > [View this post on Instagram](https://www.instagram.com/p/DIuqkZlzH-E/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Pia Wurtzbach Jauncey (@piajauncey)](https://www.instagram.com/p/DIuqkZlzH-E/?utm_source=ig_embed&utm_campaign=loading) Similarly, 2015 Miss Universe Philippines winner Pia Wurtzbach has frequently voiced solidarity with the community. In 2017, the pageant queen penned an opinion piece for Time Magazine titled “Why I Stand Up for LGBTQ Rights in the Philippines.” In it, Wurtzbach underscored the importance of acceptance and equality, even in a predominantly conservative society. “I myself owe a lot to the LGBTQ community, many of whom are my closest friends,” wrote Wurtzbach. “Without their accepting attitudes toward my own flaws and struggles, I would not be where I am today.” ## What’s next for Ahtisa? While Manalo has some time before she needs to take to the pageant stage again, she will be representing the Philippines at the Miss Universe pageant in Thailand on November 21. If Manalo takes home the crown later this year, she will enter a small but elite group of Filipina women who’ve earned the title of Miss Universe. Included in that group are Wurtzbach and Gray, alongside Gloria Diaz and Margie Moran. > [View this post on Instagram](https://www.instagram.com/p/DJPBfnpy0w4/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Ma Ahtisa Manalo (@ahtisa)](https://www.instagram.com/p/DJPBfnpy0w4/?utm_source=ig_embed&utm_campaign=loading) As Manalo prepares for Miss Universe, she carries forward not just a legacy of beauty and grace, but also one of allyship and advocacy. Like several of the queens before her, Manalo’s openness about supporting the LGBTQ+ community reflects the growing social awareness within the Miss Universe Philippines platform. While the competition ahead is tough, her stance on inclusion adds another layer of meaning to her journey — and continues a quiet but clear tradition of using the crown to stand for something more. Related Stories - [Is Miss Universe Biased Towards Fair-Skinned Filipinas?](https://rollingstonephilippines.com/culture/miss-universe-bias-fair-skinned-filipinas-colorism-race/ "Is Miss Universe Biased Towards Fair-Skinned Filipinas?") **Categories:** Culture, News **Tags:** Ahtisa Manalo, Miss Universe Philippines --- ### [How a Lesbian Couple’s Breakup Led to a Landmark SC Ruling for LGBTQ+ Couples](https://rollingstonephilippines.com/state-of-affairs/lgbtq/supreme-court-same-sex-property/) **Published:** February 11, 2026 **Author:** Pie Gonzaga **Excerpt:** The new Supreme Court ruling allows cohabiting same-sex couples to co-own properties, in lieu of a law that legalizes and recognizes same-sex marriage **Content:** The Supreme Court (SC) has ruled that same-sex couples who live together may be recognized as co-owners of property under the Family Code, and may subsequently divide their properties. This comes after the SC decided to grant a woman recognition of her co-ownership of a house and lot she shared with her former lesbian partner, allowing them the right to property partition after they separated. The SC [ruling](https://sc.judiciary.gov.ph/wp-content/uploads/2026/02/GR-267469-1-14.pdf) reverses a decision of a regional trial court (RTC) and the Court of Appeals (CA) from 2019. Both the RTC and the CA decided that the petitioner, an anthropology professor, is not a co-owner of the house that she and her ex-girlfriend, the respondent and a lawyer, purchased in the latter’s name. When the couple separated, they agreed to sell the property and divide the proceeds equally, as the petitioner had paid half the expenses. However, the respondent changed her mind and decided not to sell the house and lot, refusing to give the petitioner her share. Article 148 of the Family Code states that unmarried couples may co-own a property acquired during their cohabitation, also gives them the right to divide it. With the SC’s ruling, the right to co-own and partition properties is extended to same-sex couples, who still cannot get married in the Philippines. In concurring statements, Senior Associate Justice Marvic Leonen and Associate Justice Amy C. Lazaro‑Javier also said that Article 148 applies to all forms of cohabitation and should not be limited to heterosexual relationships. In the absence of an anti-discrimination law and provisions for same-sex marriage, co-ownership of properties and the right to make medical decisions on behalf of a same-sex partner, also known as the [right to care](https://rollingstonephilippines.com/state-of-affairs/right-to-care-anti-discrimination-sogie/), have been relegated to courts and local government units (LGUs). As of this writing, only Quezon City and San Juan city recognize [LGBTQ+ couples’](https://rollingstonephilippines.com/state-of-affairs/lgbtq/) right to care. The Supreme Court says that without a law recognizing same-sex marriage, other branches of the government must take steps to secure rights and securities for same-sex couples. “This Court does not have the monopoly to assure the freedom and rights of homosexual couples,” the SC said. “With the political, moral, and cultural questions that surround the issue concerning the rights of same-sex couples, political departments, especially the Congress, must be involved to quest for solutions.” ## Frequently Asked Questions ### What did the Supreme Court rule regarding same-sex couples and property? The Supreme Court ruled that same-sex couples who cohabit may be recognized as co-owners of property acquired during their relationship under Article 148 of the Family Code, and may legally divide that property upon separation. ### What case led to the Supreme Court’s ruling? The ruling followed a case involving an anthropology professor seeking recognition as co-owner of a house purchased in her ex-girlfriend’s name during their relationship. Lower courts had denied her claim before the Supreme Court reversed that decision. ### What is Article 148 of the Family Code? Article 148 of the Family Code allows unmarried couples to co-own property acquired during cohabitation and grants them the right to divide it. The Supreme Court’s ruling extends this provision’s application to same-sex couples. ### Does this ruling mean same-sex marriage is legal in the Philippines? No. Same-sex couples still cannot legally marry in the Philippines. The Supreme Court stated that Congress and other political departments, not the courts alone, must address broader questions of rights and legal recognition for same-sex couples. ### Which Philippine cities currently recognize LGBTQ+ couples’ right to care? As of the article’s publication, only Quezon City and San Juan recognize LGBTQ+ couples’ right to care, which allows a partner to make medical decisions on behalf of their same-sex partner in the absence of a national law. Related Stories - [Why Are Cities Adopting a Right to Care Card?](https://rollingstonephilippines.com/state-of-affairs/right-to-care-anti-discrimination-sogie/ "Why Are Cities Adopting a Right to Care Card?") - [Quezon City Pioneers Gender-Inclusive Ordinance in PH Amid SOGIE Bill Delays](https://rollingstonephilippines.com/state-of-affairs/power/quezon-city-lgbtq-health-ordinance/ "Quezon City Pioneers Gender-Inclusive Ordinance in PH Amid SOGIE Bill Delays") - [Laws That LGBTQ+ Filipinos Need to Know](https://rollingstonephilippines.com/state-of-affairs/politics/laws-lgbtq-filipinos-need-to-know/ "Laws That LGBTQ+ Filipinos Need to Know") **Categories:** LGBTQ+, State of Affairs **Tags:** LGBTQIA+ --- ### [20 Filipino LGBTQIA+ Movies You Can Stream Right Now](https://rollingstonephilippines.com/culture/film-tv/20-filipino-lgbtq-movies-streaming/) **Published:** June 4, 2025 **Author:** Mel Wang **Excerpt:** These 19 Filipino films offer a vivid lens into the lives, loves, and struggles of the LGBTQ+ community, capturing the depth and diversity of queer experiences in the Philippines **Content:** Filipino films have a rich history of exploring [LGBTQIA+](https://rollingstonephilippines.com/tag/lgbtqia/ "This Is Not A Phase") stories, with many of them standing out as authentic portrayals that challenge stereotypes, especially in a predominantly conservative country. From heart-wrenching dramas, such as Gil Portes’ *Markova: Comfort Gay,* to earnest comedies like Jun Robles Lana’s *Die Beautiful*, these movies offer a diverse range of voices and experiences. Whether you’re in the mood for something deeply moving or delightfully uplifting, this list features [Filipino LGBTQIA+](https://rollingstonephilippines.com/state-of-affairs/lgbtq/) films currently available to stream. This selection is based on their accessibility on streaming platforms, while keeping in mind to include available films that offer diverse and meaningful glimpses into queer Filipino life, love, identity, and resilience well beyond [Pride Month.](https://rollingstonephilippines.com/tag/this-is-not-a-phase/ "This Is Not A Phase") ## Ang Huling Cha-Cha Ni Anita (2013) *Where to stream: CignalPlay* Directed by Sigrid Andrea Bernardo, *Ang Huling Cha-Cha Ni Anita* follows 12-year-old Anita (Therese Malvar) as she develops a crush on Pilar (Angel Aquino), a newcomer to the town of Obando, Bulacan. Their story unfolds during the vibrant Fiesta of Santa Clara, where Anita’s feelings evolve as she confronts the complexities of love and identity. ## Ang Pagdadalaga ni Maxi Oliveros (2005) *Where to stream: iWantTFC* This coming-of-age drama, directed by Kanakan-Balintagos, centers on Maxi Oliveros (Nathan Lopez), a young boy living in the slums of Manila with his family of petty criminals. Maxi’s life takes a sudden turn when he falls in love with Victor (JR Valentin), the handsome policeman investigating his family’s criminal activities. ## Metamorphosis (2019) *Where to stream: GagaOOLala, IWantTFC* From director J.E. Tiglao, *Metamorphosis* follows 15-year-old Adam (Gold Aceron), who has been raised as a boy until he unexpectedly experiences his first menstrual period. Discovering that he is intersex, Adam must navigate the tensions that come with his newfound body, a burgeoning bond with fellow student Angel (Iana Bernardez), and life with his devout Christian parents. ## Rookie (2023) *Where to stream: Prime Video* Directed by Samantha Lee, *Rookie* tells the story of awkward teenager Ace (Pat Tingjuy) as she transfers to an all-girl Catholic school and begins developing feelings for Jana (Aya Fernandez), captain of the school’s volleyball team. ## The Revolution Knows No Gender (2020) *Where to Stream: GagaOOLala* Gay filmmaker Paolo (Oliver Aquino) finds his life upended when his nephew is mistakenly killed by the police during the Philippine government’s war on drugs. This tragedy propels Paolo to shift from being an ordinary artist to an active member of an armed revolutionary movement. The political drama was disqualified from the 2020 Sinag Maynila Film Festival, a choice which director Joselito Altarejos asserted was due to the film’s critical stance on former president Rodrigo Duterte’s drug war. ## The Boy Foretold By the Stars (2020) *Where to stream: iWantTFC* This coming-of-age romantic drama by Dolly Dulu follows Dominic (Adrian Lindayag), a senior high school student at an all-boys Catholic school. After consulting a fortune teller who predicts that he will soon find his soulmate, Dominic meets Luke (Keann Johnson) during a school retreat called Journey with the Lord. This Metro Manila Film Festival entry was followed by the series *Love Beneath the Stars* in 2022. ## Die Beautiful (2016) *Where to stream: Netflix* Directed by Jun Robles Lana, *Die Beautiful* follows Trisha Echeverria (Paolo Ballesteros), a transgender beauty queen who unexpectedly passes away while being crowned at a pageant. Her best friend, Barbs (Christian Bables), honors Trisha’s final wish by dressing her as a different celebrity each night of her wake, celebrating the many facets of her life and identity. This film was followed by *Born Beautiful* in 2019, starring Martin Del Rosario. ## Si Chedeng at Si Apple (2017) *Where to stream: iWantTFC* After her husband passes away, Chedeng (Gloria Diaz) decides to come out of the closet at the age of 66. On a quest to find her long-lost love in Cebu, Chedeng is accompanied by her best friend Apple (Elizabeth Oropesa), who, in a fit of rage, killed her abusive partner and now carries his severed head in a Louis Vuitton bag. This Cinema One Originals film is directed by Rae Red and Fatrick Tabada, the filmmakers behind *Patay na si Hesus.* ## Jay (2008) *Where to stream: JuanFlix* Jay Santiago (Baron Geisler) is a gay TV producer documenting the family of a gay hate crime victim, Jay Mercado (Rjay Payawal). As the living Jay digs deeper into the life of the deceased Jay’s family, he is drawn to the secret life and love of his subject. This Cinemalaya 2008 entry is directed by Francis Pasion. ## Remington and the Curse of the Zombadings (2011) *Where to stream: Netflix* Directed by [Jade Castro](https://rollingstonephilippines.com/tag/jade-castro/ "Jade Castro"), *Remington and the Curse of the Zombadings* centers on Remington (Martin Escudero), a young man who, as a child, mocked a grieving drag queen named Pops (Roderick Paulate). In retaliation, Pops cursed Remington to become gay on his 21st birthday. As Remington begins to feel the curse take effect, the town’s gay population becomes the target of a deadly goo. ## Oliver (1983) *Where to stream: YouTube* *Oliver*, directed by Nick de Ocampo, is a gripping documentary that follows a female impersonator who, during martial law, supports his family by performing in Manila’s gay bars. ## Changing Partners (2017) *Where to stream: IWantTFC* Directed by [Dan Villegas](https://rollingstonephilippines.com/tag/dan-villegas/ "Dan Villegas") and based on the Palanca Award-winning musical play by Vincent de Jesus, *Changing Partners* tells the story of Alex and Cris at four different periods of their lives. Starring Agot Isidro, Jojit Lorenzo, Anna Luna, and Sandino Martin, the film explores shifting genders and sexual orientations, highlighting a couple struggling to navigate the storms of their long-term relationship. ## Ang Tatay Kong Nanay (1978) *Where to stream: JuanFlix* From director [Lino Brocka](https://rollingstonephilippines.com/tag/lino-brocka/ "Lino Brocka") comes *Ang Tatay Kong Nanay*, a comedic drama about Coring (Dolphy) a gay beautician who, after breaking up with his lover Denis (Phillip Salvador), is left to take care of Denis’ son, Nonoy (Niño Muhlach). As Nonoy grows up, Coring raises him as his own, concealing his true identity to protect the boy from societal prejudice. Brocka’s filmography also features other queer-centric films such as *Tubog sa Ginto*, where Eddie Garcia gives a tour-de-force performance as a patriarch who seduces their family driver, and *Macho Dancer*, where Allan Paule also gives a great performance as a young man looking for a quick way to earn money. ## Mamu: And A Mother Too (2018) *Where to stream: IWantTFC* Mamu (Iyah Mina), a transgender sex worker in her late 40s, dreams of undergoing breast implant surgery. However, her life takes on an unexpected turn when she becomes the guardian of her orphaned niece Bona (EJ Jallorina). This Cinema One Originals entry is directed by Rod Singh. ## I Get So Sad Sometimes (2021) *Where to stream: JuanFlix* In this QCinema International Film Festival-winning short film by Trishtan Perez, high school teenager Jake (JC Santiago) develops an anonymous sexual relationship with an older man whom he has never seen. Things change when Jake’s lover promises to reveal his face. ## Rome & Juliet (2006) *Where to stream: IWantTFC* In this film by Connie Macatuno, conservative pre-school teacher Juliet (Andrea Del Rosario), engaged and about to be married, befriends her wedding planner, Rome (Mylene Dizon). As the two become closer while planning for Juliet’s big day, a romantic relationship between them begins to bloom. ## Markova: Comfort Gay (2001) *Where to stream: Netflix* Directed by Gil Portes, *Markova: Comfort Gay* is a biographical drama loosely based on the life of Walter Dempster Jr., the last surviving Filipino “comfort gay” from World War II. The film unfolds with an interview between the elderly Markova (Dolphy) and journalist Loren Legarda (playing herself), focusing on the different stages of Markova’s life. ## Sila-Sila (2019) *Where to stream: IWantTFC* In this award-winning Cinema One Originals entry, directed by Giancarlo Abrahan, Gab (Gio Gahol), a 30-year-old man who returns to Manila and is compelled to confront his past, comes face-to-face with his ex-boyfriend Jared (Topper Fabregas) during their high school reunion. ## Señorita (2011) *Where to stream: JuanFlix* *Señorita* centers on Donna (played by director Isabel Sandoval herself), a transgender woman who tries to leave sex work behind by taking care of her friend’s son Tomas (Dominic Milano Palomo) and joining a mayoral campaign. Conflict arises when Donna discovers that a powerful former client is controlling the opposing mayoral campaign. ## Ang Sayaw ng Dalawang Kaliwang Paa (2011) *Where to Stream: JuanFlix* College student Marlon (Paulo Avelino) is struggling to keep up with his literature class. However, after discovering that his professor Karen (Jean Garcia) also teaches dance, Marlon enlists his classmate Dennis (Rocco Nacino) to help him dance. As the two men spend more time with one another, their feelings for each other deepen. This Cinemalaya entry is directed by Alvin Yapan and celebrates original poetry by Rebecca Añonuevo, Joi Barrios, Merlinda Bobis, Ophelia Dimalanta, Ruth Elynia Mabanglo, and Benilda Santos. Related Stories - [10 Nora Aunor Films You Can Stream Online Right Now](https://rollingstonephilippines.com/culture/film-tv/10-nora-aunor-movies-to-stream-online/ "10 Nora Aunor Films You Can Stream Online Right Now") - [12 Films That Put Philippine Cinema on the Map at Cannes](https://rollingstonephilippines.com/culture/film-tv/12-filipino-films-cannes-film-festival/ "12 Films That Put Philippine Cinema on the Map at Cannes") - [‘Hello, Love, Again’ Still Needs to Resolve its Trust Issues](https://rollingstonephilippines.com/culture/film-tv/hello-love-again-review/ "‘Hello, Love, Again’ Still Needs to Resolve its Trust Issues") - [Rolling Stone PH Launches Pride 2025 Storytelling Campaign](https://rollingstonephilippines.com/radar/this-is-not-a-phase-pride-2025/ "Rolling Stone PH Launches Pride 2025 Storytelling Campaign") **Categories:** Culture, Film & TV **Tags:** LGTBQIA+, Philippine cinema, This Is Not A Phase --- ### [Quezon City Pioneers Gender-Inclusive Ordinance in PH Amid SOGIE Bill Delays](https://rollingstonephilippines.com/state-of-affairs/power/quezon-city-lgbtq-health-ordinance/) **Published:** July 15, 2025 **Author:** Pie Gonzaga **Excerpt:** The local government continues to take huge strides towards gender equity as the country continues to fall behind on national pro-LGBTQ+ legislation **Content:** The Quezon City government has enacted its Gender-Inclusive Health Ordinance, the first local government unit (LGU) in the country to do so. According to the LGU, the ordinance aims to provide “accessible, respectful, and affirming healthcare services for all — regardless of gender identity or expression.” Under the ordinance, all public health facilities in the city must offer gender-affirming consultations and counseling, medical guidance and referrals to specialized services, and mental health support tailored to gender-diverse and transgender individuals. This comes after Quezon City previously established the [Right to Care card](https://rollingstonephilippines.com/state-of-affairs/right-to-care-anti-discrimination-sogie/) in 2023, recognizing [LGBTQ+ individuals](https://rollingstonephilippines.com/state-of-affairs/lgbtq/)’ right to decide to accept, refuse, and withdraw consent to medical treatments on their partners’ behalf — a right widely given only to next of kin and legal spouses. Gender-affirming care will also be integrated into Quezon City’s other existing programs, such as [HIV/AIDS](https://rollingstonephilippines.com/tag/hiv-aids/ "HIV-AIDS") prevention, disability services, and crisis support. In line with the city’s existing anti-discrimination ordinance, the Gender-Inclusive Health Ordinance also “prohibits all forms of conversion therapy and SOGIESC (Sexual Orientation, Gender Identity, Gender Expression, and Sex Characteristics) suppression practices”, the LGU says. ![qc rainbow award 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/qc-rainbow-award.webp) The Quezon City government, known for being a step ahead of the country in its recognition of LGBTQ+ rights, conferred the QC Rainbow Award to LGU departments for their work in upholding gender equality and equity, July 15. Photo from Quezon City Government/Facebook Other provinces, cities, municipalities, and barangays have implemented their own anti-discrimination ordinances. As of 2022, eight provinces prohibit discrimination on the basis of sexual orientation and gender identity and expression (SOGIE): Albay, Agusan del Norte, Bataan, Batangas, Cavite, the Dinagat Islands, Ilocos Sur, and Iloilo. At least 32 cities have established similar policies at the local level, including Antipolo, Bacolod, Baguio, Cebu City, Davao City, Puerto Princesa, and San Juan. Meanwhile, the latest version of the [SOGIE Equality Bill](https://rollingstonephilippines.com/tag/sogie-bill/ "SOGIE Bill") suffered inaction from lawmakers in the 19th Congress. Its first iteration was filed in 2000, and was followed by many other versions drafted in succeeding congresses. On July 3, Senator Risa Hontiveros refiled the SOGIE Equality Bill in the 20th Congress, giving the proposed legislation another fighting chance in the legislature. Related Stories - [Why Are Cities Adopting a Right to Care Card?](https://rollingstonephilippines.com/state-of-affairs/right-to-care-anti-discrimination-sogie/ "Why Are Cities Adopting a Right to Care Card?") - [Renee Salud, Ricky Reyes Criticized For Saying LGBTQ People ‘Ask for Too Much’](https://rollingstonephilippines.com/state-of-affairs/power/reyes-salud-anti-lgbtq-remarks/ "Renee Salud, Ricky Reyes Criticized For Saying LGBTQ People ‘Ask for Too Much’") - [Laws That LGBTQ+ Filipinos Need to Know](https://rollingstonephilippines.com/state-of-affairs/politics/laws-lgbtq-filipinos-need-to-know/ "Laws That LGBTQ+ Filipinos Need to Know") **Categories:** News, Power, State of Affairs **Tags:** Gender Issues, LGBTQIA+, SOGIE Bill --- ### [Cong. Perci Cendaña Finds Hope in the Decades-Long Fight for the SOGIE Bill](https://rollingstonephilippines.com/state-of-affairs/lgbtq/perci-cendana-sogie-bill-philippines/) **Published:** June 30, 2026 **Author:** Pie Gonzaga **Excerpt:** Over two decades after leading UP Babaylan, the congressman still fights for a national SOGIE equality law that cuts across different sectors and existing government programs **Content:** Pride Month is coming to an end, but the Marcos administration has yet to show a commitment to passing and implementing a national [SOGIE equality law](https://rollingstonephilippines.com/tag/sogie-bill/ "SOGIE Bill"), even after President [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") expressed solidarity with the [LGBTQ community](https://rollingstonephilippines.com/state-of-affairs/lgbtq/) earlier in June. “Kung seryoso ‘yung presidente doon sa kanyang solidarity with the community in the celebration of Pride, aba’y ‘wag lang basta bumati, ‘wag lang basta maki-celebrate,” Akbayan Representative [Perci Cendaña](https://rollingstonephilippines.com/tag/perci-cendana/ "Perci Cendaña") tells *Rolling Stone Philippines*. “Dapat maglagay siya ng kanyang political will into saying na priority legislation ng administrasyon ang gender equality, particularly the SOGIESC Equality Bill.” Cendaña says he’s “lost count” of the different versions of the SOGIE bill awaiting action in the House of Representatives. Ideally, these proposals would be consolidated into one bill before being passed in the third reading and transmitted to the Senate, but the House’s Committee on Women and Gender Equality has yet to conduct a hearing. “\[The SOGIE equality law\] has to be engraved in \[existing\] programs. It has to shape and influence the way we do governance.” Congressman Perci Cendaña “Andun pa lang tayo ngayon sa level na it has yet to have a committee hearing,” says the legislator. “Pero sa dulo, what’s very stark now is that, unlike in previous congresses na laging isa o dalawa lang ‘yung nag-author ng bill, ngayon, we have a number of versions in the House. Nakakatuwa na marami tayong mga kasamahan, especially among the younger generation of legislators, who are filing the SOGIESC Equality Bill and the Right to Care Bill.” Cendaña has been involved in pushing for pro-LGBTQ legislation since his time as a student leader, having been the first openly gay chairperson of the University of the Philippines (UP) Diliman University Student Council and the president of UP Babaylan, the first and longest-running LGBTQ organization in the country and Asia. “During that time, the language was still ‘lesbian and gay,’” he recalls. “Hindi pa nag-e-evolve ‘yung SOGIE. In fact, if you trace the history of the SOGIE equality bill, the first version was just on sexual orientation. It was the anti-discrimination bill for lesbian and gay people.” ## What Anti-Discrimination Ordinances Mean for National Legislation The anti-discrimination bill’s [first iteration](https://rollingstonephilippines.com/state-of-affairs/politics/laws-lgbtq-filipinos-need-to-know/) was filed by the late former Senator Miriam Defensor-Santiago and former Akbayan Representative Etta Rosales in 2000, and was followed by many other versions filed in succeeding congresses. Over two decades later, a law addressing discrimination based on sexual orientation, gender identity, and expression (SOGIE) still hasn’t been passed. While House and Senate bills remain in limbo — or as Cendaña calls it, “languishing at the House of Representatives” — local government units (LGUs) have already enacted ordinances to protect their constituents from SOGIE-based discrimination, like the provinces of Albay, Agusan del Norte, Bataan, Batangas, Cavite, the Dinagat Islands, Ilocos Sur, and Iloilo, and 32 cities and municipalities nationwide. ![joy belmonte right to care quezon city love laban pride march](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/joy-belmonte-right-to-care-pride.webp) Quezon City Mayor Joy Belmonte echoes calls for a nationalized Right to Care policy at Love Laban. Photo from QC Mayor Joy Belmonte/Facebook Cities have also started adopting [Right to Care](https://rollingstonephilippines.com/state-of-affairs/right-to-care-anti-discrimination-sogie/) programs, which involve giving LGBTQ citizens a notarized special power of attorney (SPA) recognizing their right to decide to accept, refuse, and withdraw consent to medical treatments on their partners’ behalf. In June 2025, San Juan became the second city in the Philippines to adopt the Right to Care card after Quezon City first [launched](https://rollingstonephilippines.com/state-of-affairs/power/quezon-city-lgbtq-health-ordinance/ "Quezon City Pioneers Gender-Inclusive Ordinance in PH Amid SOGIE Bill Delays") it in June 2023. In March 2025, Iloilo City passed a Right to Care ordinance, while Parañaque City’s Council approved similar legislation in April. In May, Dasmariñas City and Mandaluyong also approved their own Right to Care ordinances, followed by Cebu province in June this year. “Ang isang gobyerno \[na nagtataguyod ng\] diversity, equity, and inclusion ay isang makataong gobyerno.” Congressman Perci Cendaña The increasing number of LGUs adopting anti-discrimination and Right to Care ordinances is promising for Cendaña. “This tells us na talagang mayroong totoong clamor for these kinds of policies. This reinforces our case for national legislation,” he says. “Napakahalaga ng efforts at the LGU level kasi nakikita natin dito ‘yung puwersa ng community of advocates at the local level, which eventually could be amplified at the national level.” According to Cendaña, the Right to Care bill has already been passed to the House Committee on Health and is ready for consolidation as of early June. “Hopefully, within the year, we get to report it out sa plenary at sana makapasa na tayo on the second and third readings,” he says. As for the SOGIE equality bill, the lawmaker says he “hopes to see that kind of political will” among national legislators. ## What Comes After the SOGIE Law and Right to Care? When asked what steps the government would have to take after passing the SOGIE and Right to Care bills into law, Cendaña says, “This has to be really implemented, not just through the IRR \[implementing rules and regulations\]. It has to be engraved in \[existing\] programs. It has to shape and influence the way we do governance.” The solon cites anti-discrimination ordinances in Quezon City and other LGUs as an example. “Hindi siya simpleng isang polisiya lamang. It cuts across programs for housing, for ayuda, for social services, and even, most especially, for health and education.” “Kinakailangan talaga ng reorientation of governance towards diversity, equity, and inclusion, hindi dahil makakabuti ito sa LGBTQ community lang, kundi dahil ang isang gobyerno \[na nagtataguyod ng\] diversity, equity, and inclusion ay isang makataong gobyerno,” he adds. ## Frequently Asked Questions ### What is the SOGIE Equality Bill and why hasn’t it been passed in the Philippines? The SOGIE Equality Bill is proposed legislation against discrimination based on sexual orientation, gender identity, and expression (SOGIE), first filed in 2000 in the Philippines. Over two decades later, it remains stalled, with multiple House versions still awaiting a Committee on Women and Gender Equality hearing. ### Who is Perci Cendaña and what is his role in SOGIE legislation? Perci Cendaña is an Akbayan Representative and longtime LGBTQ rights advocate, formerly the first openly gay UP Diliman student council chairperson and UP Babaylan president. He continues pushing for the SOGIE Equality Bill and Right to Care Bill in Congress. ### What is the Right to Care bill, and how does it differ from the SOGIE Equality Bill? The Right to Care bill grants LGBTQ partners a notarized special power of attorney to make medical decisions for each other, while the SOGIE Equality Bill addresses broader anti-discrimination protections. The Right to Care bill has reached the House Committee on Health and is currently for consolidation. ### Which Philippine cities and provinces have passed SOGIE anti-discrimination ordinances? Provinces including Albay, Agusan del Norte, Bataan, Batangas, Cavite, the Dinagat Islands, Ilocos Sur, and Iloilo have enacted SOGIE-based anti-discrimination ordinances, alongside 32 cities and municipalities nationwide, even as national legislation remains pending in Congress. ### Why does Perci Cendaña say President Bongbong Marcos needs to show political will on SOGIE legislation? Cendaña argues that expressing solidarity during Pride Month is insufficient without concrete political action. He says Marcos should prioritize the SOGIE Equality Bill as administration legislation, rather than offering symbolic greetings without backing the bill’s passage. Related Stories - [Laws That LGBTQ+ Filipinos Need to Know](https://rollingstonephilippines.com/state-of-affairs/politics/laws-lgbtq-filipinos-need-to-know/ "Laws That LGBTQ+ Filipinos Need to Know") - [Quezon City Pioneers Gender-Inclusive Ordinance in PH Amid SOGIE Bill Delays](https://rollingstonephilippines.com/state-of-affairs/power/quezon-city-lgbtq-health-ordinance/ "Quezon City Pioneers Gender-Inclusive Ordinance in PH Amid SOGIE Bill Delays") - [The Cagandahan Bill Has Been Refiled in Congress. Will It Finally Be Passed Into Law?](https://rollingstonephilippines.com/state-of-affairs/power/intersex-cagandahan-bill-congress/ "The Cagandahan Bill Has Been Refiled in Congress. Will It Finally Be Passed Into Law?") **Categories:** LGBTQ+, State of Affairs **Tags:** LGBTQIA+, Perci Cendaña, Right to Care, SOGIE Bill, This Is Not A Phase --- ### [Why Are Cities Adopting a Right to Care Card?](https://rollingstonephilippines.com/state-of-affairs/right-to-care-anti-discrimination-sogie/) **Published:** May 19, 2026 **Author:** Pie Gonzaga **Excerpt:** In place of a national legislation supporting LGBTQ Filipinos, LGUs are passing ordinances giving same-sex partners the right to make medical decisions for one another **Content:** Mandaluyong and Dasmariñas City, Cavite, are joining a small but growing list of local government units (LGUs) in the Philippines adopting the Right to Care Card. Along with San Juan, Quezon City, Parañaque, and Iloilo City, the cities are taking steps to secure rights for [LGBTQ Filipinos](https://rollingstonephilippines.com/state-of-affairs/lgbtq/) in the absence of a national SOGIE equality law. “Maaari na tayong mamili kung sino ang nais nating magdesisyon para sa atin sa panahon ng medical emergencies maliban sa ating immediate family members, kung sakaling wala tayong kakayahan na magpasya para sa ating kalagayan,” said Mandaluyong City Councilor Charisse Abalos-Vargas in a [video](https://www.facebook.com/share/r/1Qu7jDrUyF/) announcing the approval of the ordinance. “Para po ito sa ating mga kapatid sa LGBTQIA++ community, sa mga magkasintahang matagal nang nagsasama ngunit hindi pa kasal, at sa iba pang may sitwasyon na maaaring makinabang sa ordinansang ito.” ## What is the Right to Care Card? On June 11, 2025, San Juan became the second city in the Philippines to adopt the [Right to Care](https://rollingstonephilippines.com/tag/right-to-care/ "Right to Care") card after Quezon City first launched it in June 2023. In March 2025, Iloilo City passed a Right to Care ordinance, while Parañaque City’s Council approved similar legislation in April. In May, Dasmariñas City and Mandaluyong also approved their own Right to Care ordinances. The Right to Care card, which started as a project by the Quezon City government and the marketing company MullenLowe Treyna, contains a QR code that links to a notarized special power of attorney (SPA). The card and SPA recognize LGBTQIA+ individuals’ right to decide to accept, refuse, and withdraw consent to medical treatments on their partners’ behalf. In the Philippines, only legal spouses or next of kin can make such decisions when their spouses or relatives are unable to due to medical conditions. “This reflects our sincere commitment to create a truly inclusive and equitable city that recognizes the fundamental rights of everyone,” said San Juan Councilor Rolando “Totoy” Bernardo. “We are proud to build upon the progressive spirit of Quezon City’s initiative and tailor it to the needs of our community.” ## Which LGUs in the Philippines Have Pro-LGBTQ Ordinances? Other provinces, cities, municipalities, and barangays have implemented their own anti-discrimination ordinances. As of 2022, eight provinces prohibit discrimination on the basis of sexual orientation and gender identity and expression (SOGIE): Albay, Agusan del Norte, Bataan, Batangas, Cavite, the Dinagat Islands, Ilocos Sur, and Iloilo. At least 32 cities have established similar policies at the local level, including Antipolo, Bacolod, Baguio, Cebu City, Davao City, and Puerto Princesa. ![right to care card quezon city joy belmonte](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/06/right-to-care-qc.webp) Mayor Joy Belmonte launched the Right to Care card in Quezon City, June 24, 2023. Photo from The Right to Care Card/Facebook As of 2018, the anti-discrimination ordinances across the country only protected 18.4 percent of Filipinos, leaving 82.4 million Filipinos vulnerable to SOGIE-based discrimination, according to University of the Philippines assistant professor of statistics Xavier Javines Bilon. This year marks the 25th anniversary of the SOGIE Equality Bill, which has been awaiting passage in Congress. Its first iteration was filed by the late former Senator Miriam Defensor-Santiago and former Akbayan Representative Etta Rosales in 2000, and was followed by many other versions filed in succeeding congresses. Its latest version was filed in 2023, but also suffered inaction from the legislature. On June 5, 2025, the Commission on Human Rights (CHR) renewed its call for the passage of the SOGIE Equality Bill into law. “Pride is a resounding call for the urgent passage of key policies, including the SOGIE Equality Bill and the Comprehensive Anti-Discrimination Bill,” the CHR said. “As the 20th Congress is set to begin, the Commission expresses its hope that these legislative measures will finally be prioritized, grounded in the principles of equality, justice, and human rights.” *This story was originally published on June 17, 2025 and updated to include details about Right to Care ordinances in Mandaluyong and Dasmariñas City.* Related Stories - [Laws That LGBTQ+ Filipinos Need to Know](https://rollingstonephilippines.com/state-of-affairs/politics/laws-lgbtq-filipinos-need-to-know/ "Laws That LGBTQ+ Filipinos Need to Know") - [10 Pending Philippine Bills That Demand Legislative Action](https://rollingstonephilippines.com/state-of-affairs/politics/10-pending-philippine-bills-that-demand-legislative-action/ "10 Pending Philippine Bills That Demand Legislative Action") - [On Women’s Month, An Alarming Pushback Against Trans Women](https://rollingstonephilippines.com/state-of-affairs/power/womens-month-alarming-pushback-against-trans-women/ "On Women’s Month, An Alarming Pushback Against Trans Women") **Categories:** Power, State of Affairs **Tags:** LGBTQIA+, Right to Care, SOGIE Bill, This Is Not A Phase --- ### [Laws That LGBTQ+ Filipinos Need to Know](https://rollingstonephilippines.com/state-of-affairs/politics/laws-lgbtq-filipinos-need-to-know/) **Published:** February 7, 2025 **Author:** Pie Gonzaga **Excerpt:** While a few laws take the rights of LGBTQ+ Filipinos into consideration, the Philippines still lacks a robust, comprehensive, and SOGIE-based anti-discrimination law **Content:** This year marks the 25th anniversary of the [Sexual Orientation and Gender Identity Expression (SOGIE) Equality Bill](https://rollingstonephilippines.com/state-of-affairs/politics/10-pending-philippine-bills-that-demand-legislative-action/) — and consequently, 25 years of inaction from the legislature to protect [LGBTQ+ Filipinos](https://rollingstonephilippines.com/state-of-affairs/lgbtq/) from various forms of discrimination. Its first iteration was filed by the late former Senator Miriam Defensor-Santiago and former Akbayan Representative Etta Rosales in 2000, and was followed by many other versions filed in succeeding congresses. And because the latest version — filed August 2023 — was not passed into law, one can expect another version to be filed in the 20th Congress, which convenes after the midterm elections. The Philippines also lacks legislation to accommodate sex change in official documents without a judicial order, and still does not recognize same-sex unions. Local government units (LGUs) have already enacted ordinances to protect their constituents from SOGIE-based discrimination, like provinces of Albay, Agusan del Norte, Bataan, Batangas, Cavite, the Dinagat Islands, Ilocos Sur, and Iloilo, and 32 cities and municipalities nationwide. For now, a few other national laws are in place to protect LGBTQ+ Filipinos, but their small number and narrow scope highlight the need for a robust, comprehensive, and SOGIE-focused anti-discrimination law. Whether or not the Philippines sees the SOGIE Equality Bill passed into law now will depend on the lawmakers elected in May. ## Magna Carta for Public Social Workers Section 17 of the Magna Carta for Public Social Workers states that public social workers have the right to protection from discrimination on the grounds of “sex, sexual orientation, age, political or religious beliefs, civil status, physical characteristics/disability or ethnicity.” Section 24 sets penalties for violation of the Magna Carta’s provisions, including the one above. Harassment and discrimination of a public social worker on the basis of their SOGIE is punishable with a fine of P20,000 to P40,000, and/or imprisonment for up to a year. ## Magna Carta of Women The Magna Carta of Women states that the government shall recognize and protect the rights and freedoms of women “without distinction or discrimination on account of class, age, sex, gender, language, ethnicity, religion, ideology, disability, education, and status.” Violations of the Magna Carta’s provisions are punished according to the penalties set by other existing laws like the Anti-Violence Against Women and Their Children Act. These penalties are, of course, reserved for harassment against women and children. There are no specific provisions in the Magna Carta for LGBTQ+ women. ## Safe Spaces Act The Safe Spaces Act is by far the only national legislation that names specific violations against LGBTQ+ Filipinos. The law penalizes acts of harassment in public spaces, including cursing, catcalling, leering, and taunting, as well as the use of misogynistic, transphobic, homophobic, and sexist slurs, and the use of words, gestures, or actions that ridicule on the basis of SOGIE. Penalties for violating the Safe Spaces Act include fines of P1000 to P10,000, depending on the number of offenses, imprisonment of up to 30 days, and attendance to a gender sensitivity seminar to be conducted by the Philippine National Police. ## Provisions of the Revised Penal Code The Revised Penal Code (RPC) is also valuable to protecting LGBTQ+ Filipinos. Article 353 defines libel as “public and malicious imputation of a crime, or of a vice or defect, real or imaginary, or any act, omission, condition, status, or circumstance tending to cause the dishonor, discredit, or contempt of a natural or juridical person, or to blacken the memory of one who is dead.” Hate speech and threats to an individual may be considered libelous or defamatory. According to Article 355, libel may be punished by “prision correccional in its minimum and medium periods” — one month and one day to six months of imprisonment — or a fine ranging from P200 to P6,000. ## Abuses of the Law However, the RPC can also be weaponized against LGBTQ+ Filipinos. In October 2023, drag artist Pura Luka Vega was arrested for allegedly breaching Article 201, which penalizes “Immoral Doctrines, Obscene Publications, and Exhibitions.” The Manila police, who arrested Vega, acted on a complaint from the Hijos del Nazareno, who found Vega’s lip sync performance of an “Ama Namin” rock remix “immoral.” ![pura luka vega QC court](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/02/Pura-Luka-Vega-at-the-QC-court.jpg) Pura Luka Vega at a court in Quezon City to submit final pleadings for criminal complaints filed against them there, September 18, 2023. Photo from Pura Luka Vega Instagram Earlier, in 2010, the Commission on Elections (Comelec) initially denied the accreditation of Ladlad, an LGBTQ+ political party, citing Article 201 and stating that Ladlad promoted “immorality.” The Supreme Court overturned Comelec’s decision, allowing Ladlad to register as a political party. Article 202, penalizing “vagrants and prostitutes,” was also used against transgender women. According to a 2015 [study](https://www.researchgate.net/publication/315459347_The_Social_Experiences_of_Trans_People_in_the_Philippines) on the social experiences of trans people in the Philippines, police would arrest transgender women in the Philippines on vagrancy charges and extort them for money or sexual favors in exchange for freedom. Due to these abuses, vagrancy was decriminalized in 2012. **Categories:** Politics, State of Affairs **Tags:** Gender Issues, LGBTQIA+ --- ### [‘At Some Point, Magsasawa Ka Talaga’: Typecast’s Steve Badiola on ‘Will You Ever Learn’ and More](https://rollingstonephilippines.com/music/rock/typecast-steve-badiola-will-you-ever-learn/) **Published:** September 18, 2026 **Author:** Elijah Pareño **Excerpt:** The longtime emo frontman talks about outgrowing old ideas, finding new inspiration, and refusing to let one song define the band **Content:** [Steve Badiola](https://rollingstonephilippines.com/tag/steve-badiola/) is one of the most recognizable voices in the local emo scene as the frontman of rock band [Typecast](https://rollingstonephilippines.com/tag/typecast/). Since 1999, they have released catchy emotive tunes, from “Will You Ever Learn,” “Another Minute Until Ten,” “Last Time,” and many more. Hailing from Laguna, Badiola was mentored by producers like [Raymund Marasigan](https://rollingstonephilippines.com/tag/raymond-marasigan/) and [Diego Castillo](https://rollingstonephilippines.com/tag/diego-castillo/), who in particular taught him how to perform better in recording during studio sessions for their album *The Infatuation is Always There* back in 2004. For more than a quarter of a century in the band, Badiola learned how to expand his skillset beyond emo. He explores folk music as well as post-rock elements in latter songs, continuing to evolve with his bandmates. Last April 2025, the band performed alongside [Urbandub](https://rollingstonephilippines.com/tag/urbandub/) for a milestone show at the New Frontier Theater. In the latest episode of [Rolling Stone Philippines Greatest Hits](https://rollingstonephilippines.com/tag/rsph-greatest-hits/), Badiola brought up how their biggest hit, “Will You Ever Learn,” is a song that he sometimes leaves out of the setlist in some live shows. “May love-hate \[kami sa “Will You Ever Learn”\],” Badiola says. “Kasi kahit ‘yung mga ibang artist na meron silang hit na everyday nila tinutugtog, at some point, magsasawa ka talaga. Minsang tinanggal namin sa set for a few months. Meron siyang weird na pakiramdam na parang hindi kompleto ‘yung set namin ‘pag wala ‘yung kanta na ‘yan. So, tiniis ko ‘yun for a few months. Tapos, kinukulit na ako ng mga kabanda ko na parang, ‘Tugtugin na natin ulit ‘yun.’ Bitin eh.” Badiola adds that throughout the years, with the continuous flow of inspiration to write more music, he doesn’t want all of this effort to be reduced to just one big song. “‘Yung effort ko compared dun sa ‘Will You Ever Learn’ and dun sa ibang songs ko,” he says, “Ito ‘yung parang middle child na kumbaga. Pero I’m not saying I don’t like it. Habang tumatanda ka parang nagiging love mo lahat ng mga creations mo.” ## Experimenting With Genre and Lyrics Badiola has explored other avenues to try out different types of music. Through his other project, singmetosleep, he was able to experiment with other genres but he would always go back to using an acoustic guitar. “Mahilig ako sa EDM e. Kumbaga secret fan ako ng drum and bass at saka minimal,” he says. “Tapos, lagi akong nag-fo-folk music kasi ‘yun ‘yung pinakamadaling i-record. Mas ma-drama siya kaysa sa electric guitar. ‘Yung \[acoustic guitar\] ang main instrument dun sa solo project.” In the song “Home,” released in 2020, Badiola dedicates the song to his wife due to how much he attributes his sobriety to her. As they grow older, Typecast wanted to write more themes about adulthood. Steve would say that there were “juvenile” themes in older Typecast material, and he continues to evolve by talking about topics of mental health in songs like “Perfect Posture” back in 2018. “Dito sa atin sa Pilipinas, parang hindi masyadong pinapansin ‘yung anxieties ng tao,” he says. “Para mabigay ‘yung emotions na ‘yun, kailangan malapatan siya ng magandang melody. So, for me, ‘yun ‘yung pinakapasok na tunog para ma-serve at magkaron ng mas malaking effect ‘yung words para sa tao; parang mas maintindihan nila kung gaano dapat hindi gawing joke ‘yung mental health.” ## Frequently Asked Questions ### What is Steve Badiola’s Greatest Hits? Steve Badiola of Typecast’s greatest hits are “Will You Ever Learn,” “Another Minute Until Ten,” and “Last Time.” ### What is Steve Badiola and Typecast’s history? Frontman Steve Badiola hails from Laguna, and Typecast has been active since 1999. ### What is Steve Badiola’s solo project? Typecast’s Steve Badiola’s solo project is called singmetosleep. ### Where did Typecast and Urbandub celebrate their 25th anniversary concert? Typecast performed alongside Urbandub for a milestone show at the New Frontier Theater in April 2025. ### Who produced Typecast’s *The Infatuation is Always There*? The producers for Typecast’s *The Infatuation is Always There* is Raymund Marasigan and Diego Castillo. Related Stories - [Morissette Wants You to Know She’s More Than a Biritera](https://rollingstonephilippines.com/editors-picks/features/morissette-ember-era-biritera/ "Morissette Wants You to Know She’s More Than a Biritera") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") - [Jett Pangan Looks Back on The Dawn’s 40-Year Run](https://rollingstonephilippines.com/media-channels/greatest-hits/jett-pangan-the-dawn-40-years/ "Jett Pangan Looks Back on The Dawn’s 40-Year Run") **Categories:** Music, Rock **Tags:** Steve Badiola, typecast --- ### [What Does Baste Duterte’s Political Track Record Look Like?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/baste-duterte-2028-track-record/) **Published:** April 14, 2026 **Author:** Pie Gonzaga **Excerpt:** In terms of a track record, the Davao City mayor doesn’t have much to show for yet, but his work in PDP-Laban, RAGE Coalition, and a speculated presidential bid could change that **Content:** Davao City Mayor [Sebastian “Baste” Duterte](https://rollingstonephilippines.com/tag/baste-duterte/ "Baste Duterte") may run for president in the 2028 National Elections, former Congressman Mike Defensor confirmed on Monday night, April 13, ahead of a House hearing on impeachment complaints against Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte") on Tuesday. Speculation arose after ACT-Teachers Representative Antonio Tinio claimed that if Sara were impeached and convicted, her brother would be the Dutertes’ “plan B.” “Kung kanilang aalisin si VP Inday Sara ay kakandidato \[si Baste\]. Ikakandidato namin ‘to,” Defensor told *[Bilyonaryo](https://bnc.bilyonaryo.com/defensor-confirms-baste-is-plan-b-for-vp-sara/news/)* in an interview. “Kung ang paniwala nila \[ay\] matatanggal nila ang isang Duterte sa laban, nagkakamali sila, dahil mayroong Baste Duterte na maaaring tumindig para sa pamilya at para sa sambayanan.” “Malinaw na may plan B ang mga Duterte. Ito si Baste. So pinapakita na siguro, kabado ang kampo ng mga Duterte na maaaring ma-impeach at magtuloy-tuloy at ma-convict sa Senado ang bise presidente,” Tinio said in an ambush interview earlier on Monday. In February, Sara [announced](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-president-impeachment/) that she would join the upcoming presidential elections even as she faced three impeachment complaints at the time. In March, the House of Representatives Committee on Justice kicked off the impeachment hearings. Ahead of the Tuesday hearings, the Justice Committee also issued a subpoena to the Bureau of Internal Revenue seeking Sara’s tax documents, as the impeachment complaints cite her alleged misuse of confidential funds. ![baste duterte rigo duterte davao city](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/baste-and-rigo-duterte.webp) Baste (left) and Rigo (right) are sworn in as Davao City’s mayor and vice mayor, respectively, on January 23. Photo from City Government of Davao/Facebook ## Local Politics Compared to his sister and father, Baste doesn’t have a lengthy track record in [politics](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/). He has served as Davao City mayor since 2022, momentarily stepping out of the role after winning the vice mayoralty in the 2025 midterm elections. In January 2026, he was sworn in as mayor once more, as [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte"), who was elected mayor, remains detained by the International Criminal Court in the Netherlands. From 2019 to 2022, he also served as the city’s vice mayor while Sara served as its mayor. ## Political Party Baste is also taking on bigger roles in national politics as of late. In April, he was appointed the new president of PDP-Laban after Senator [Robin Padilla](https://rollingstonephilippines.com/tag/robin-padilla/ "Robin Padilla") stepped down to focus on his work in the Senate. Before the appointment, Baste served as the party’s executive vice president, a position now occupied by Davao City Vice Mayor Rigo Duterte, his nephew and son of Congressman Paolo “Pulong” Duterte. ## New Role Baste recently assumed the role of head convenor of the newly launched Reform Alliance for Good Governance and Accountability (RAGE) Coalition, a group of various political parties and organizations that claim to uphold good governance and truth, and which are also allied to the Dutertes. “Isang ulo lang naman ang kailangan namin: ang ulo ni \[President\] [Bongbong Marcos](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr."),” said Baste at RAGE Coalition’s launch on April 12. “Siya ang nagbukas ng usapin ng flood control na may mga ghost project. Ako tumahimik talaga, kasi hinayaan kong mag-self destruct ‘yang gago na ‘yan.” In response, Communications Undersecretary [Claire Castro](https://rollingstonephilippines.com/tag/claire-castro/ "Claire Castro") told reporters, “Hindi maaapektuhan ang pangulo sa mga personal na galit, personal na interes, personal na ambisyon \[…\] Kaya ba hindi nagpaimbestiga nang malaliman ang nakaraang administrasyon dahil magiging self-destruction sa dating Pangulong Duterte?” ## Frequently Asked Questions ### What political positions has Baste Duterte held in Davao City? Sebastian “Baste” Duterte entered politics in 2019, serving as Davao City Vice Mayor until 2022 before assuming the mayoralty. Following the 2025 midterm elections, he briefly returned as vice mayor before officially resuming duties as mayor. ### Why is Baste Duterte considered a potential 2028 presidential candidate? Baste Duterte is positioned as a potential 2028 candidate as political allies frame him as the Duterte family’s “Plan B” amid impeachment proceedings facing Vice President Sara Duterte, ensuring the dynasty maintains a national presence. ### What is Baste Duterte’s current role in national political parties? Baste Duterte serves as the national president of PDP-Laban, taking over the leadership from Senator Robin Padilla. In this role, he leads the party’s national reorganization and serves as its primary voice in opposition politics. ### What is the RAGE Coalition led by Baste Duterte? The Reform Alliance for Good Governance and Accountability (RAGE) Coalition is an opposition group headed by Baste Duterte. It unites political parties and civil organizations allied with the Dutertes to challenge the Marcos administration’s governance and policy record. ### How does Baste Duterte’s political career compare to his family members? Unlike former President Rodrigo Duterte and Vice President Sara Duterte, Baste Duterte entered politics relatively recently without a long history in public office. His rapid rise relies heavily on his party leadership and strong regional base in Davao. Related Stories - [Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-president-impeachment/ "Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?") - [Photographer Raffy Lerma on Covering Duterte’s Drug War and the ICC Hearings](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/raffy-lerma-duterte-icc-pieta/ "Photographer Raffy Lerma on Covering Duterte’s Drug War and the ICC Hearings") - [PNP Chief Torre, Baste Duterte Are Flexing Their Way into a Fistfight](https://rollingstonephilippines.com/state-of-affairs/politics/torre-duterte-boxing-match/ "PNP Chief Torre, Baste Duterte Are Flexing Their Way into a Fistfight") **Categories:** Philippine Politics, State of Affairs **Tags:** Baste Duterte, Rodrigo Duterte, Sara Duterte --- ### [All The Quips That Lorna Kapunan Delivered In The Impeachment Trial](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/lorna-kapunan-impeachment-trial-quips/) **Published:** August 14, 2026 **Author:** Reyza Ferranco **Content:** If the Senate impeachment court is supposed to be a place of solemn constitutional reckoning, House Prosecution Counsel Lorna Kapunan appears determined to remind everyone that [Philippine politics](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/) — in this case, Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte")’s impeachment trial — has never exactly been short on absurdity. To recap, Duterte is facing trial for allegedly misusing millions of confidential funds and committing graft, corruption, and bribery. But Kapunan has taken over the headlines with how her procedural exchanges turned into sound bites and how sometimes mundane pieces of evidence were transformed into the stuff of political theater. On August 3, the House prosecution team rolled in 15 boxes of documents related to the Office of the Vice President (OVP)’s confidential funds. During the trial, the 74-year-old lawyer gave the proceedings an unexpected dose of levity when she asked for a recess to skim and verify more than 800 acknowledgement receipts. “So I can sit down,” she reasoned, earning a chuckle from members of the court. > [View this post on Instagram](https://www.instagram.com/p/Dbk1JYfGYgN/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rolling Stone Philippines (@rollingstoneph)](https://www.instagram.com/p/Dbk1JYfGYgN/?utm_source=ig_embed&utm_campaign=loading) Kapunan once again lightened up the proceeding when she tried to translate all the highfalutin words in a joint circular from the Commission on Audit (COA), which mandates them to “promulgate accounting and auditing rules and regulations, including those for the prevention and disallowance of irregular, unnecessary, excessive, extravagant, or unconscionable expenditures, or uses of government funds and property.” Kapunan translated the word “extravagant” as “bongga ka day!” a cheeky pun on the 1970s hit song. The House prosecution counsel took things to another level when the prosecution presented acknowledgement receipts bearing odd names that almost sound dubious, including Mary Grace Piattos, Renan Piattos, Nova Santos, Patty Ting, Chippy McDonald, and Andy Lim; names that have become fodder for discussion online since they were first brought up during a House inquiry in 2024. ![mary grace piattos signature](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Piattos-sign.webp) The signature of ‘Mary Grace Piattos,’ who was one of the recipients of the confidential funds. Photo from House of Representatives/Facebook Live During the August 11 hearing, more unusual names surfaced on the acknowledgement receipts, namely Matthew Keso, Jay Kamote, and Miggy Mango. Kapunan then quipped, “Gumawa ata ng fruit salad ito,” poking fun at the food- and fruit-themed names listed. Kapunan also compared Duterte’s Special Disbursing Officer (SDO) to Superman, after the Department of Education (DepEd) documents showed that several receipts were given and signed on the same day but supposedly issued in different provinces like Danao, Malolos, and Negros Occidental. Kapunan questioned whether the officer could have realistically been everywhere at once. “Kasi ako, Marvel Comics ang binabasa ko; Superman ang favorite ko. Kung hindi man Superman ang isang SDO, kaya ba niyang puntahan, sa palagay mo, lahat na ito?” she said. However, Superman is actually a DC Comics character and not from Marvel, a detail that made Kapunan’s comparison more ironic. On the following trial day, humor gave way to a heated exchange between Kapunan and defense counsel Kristine Ferrer. The two shared tense objections over cross-examination limits that Senate President Pro Tempore and Impeachment Court Presiding Officer [Chiz Escudero](https://rollingstonephilippines.com/tag/chiz-escudero/ "Chiz Escudero") had to interfere and tell both opposing counsel to calm down. “Let’s not allow the generational or seeming generational divide to increase the tension in the courtroom. Let’s keep it much lower,” Escudero said. The prosecutor later on stressed, “I am preventing myself from giving her a spanking. That’s what I would have done in the generational divide.” Ferrer, meanwhile, said that she actually idolizes and respects Kapunan after raising an issue about the prosecutor’s personal remarks. “Let’s end here. It might sound like a eulogy, I’m still very much alive,” Kapunan joked. It is precisely this mix of provocation and performance that has made Kapunan one of the more talked-about figures in the impeachment proceedings. Her quick wit and the humor that arose may make the proceedings more entertaining to follow, but it does not make the questions on accountability and the use of public funds before the impeachment court any less consequential. When told about the Filipinos’ reactions and feedback, Kapunan [said](https://youtube.com/shorts/mO9B5uEFrMs?si=50L_TxE6v63LtEk8) she was grateful for the praise and attributed it to her 48 years of experience. ## FREQUENTLY ASKED QUESTIONS ### Who is Lorna Kapunan? Lorna Kapunan is a 74-year-old lawyer serving as the House Prosecution Counsel for the impeachment trial of Vice President Sara Duterte. She has 48 years of legal experience. ### What is the impeachment trial about? The proceedings involve allegations concerning the use of confidential funds by the Office of the Vice President (OVP), with the House prosecution team presenting documents and other evidence related to the funds. ### What names appeared in the acknowledgment receipts of the confidential funds? The receipts included names such as Mary Grace Piattos, Renan Piattos, Nova Santos, Patty Ting, Chippy McDonald, Andy Lim, Matthew Keso, Jay Kamote, and Miggy Mango. ### How many boxes of documents has the House prosecution presented? The House prosecution team has presented 15 boxes of documents related to the OVP’s confidential funds. ### Why did Lorna Kapunan clash with Kristine Ferrer? The two lawyers shared tense objections over cross-examination limits and a “generational divide,” enough for Senate President Pro Tempore and Impeachment Court Presiding Officer Chiz Escudero to interfere and tell both opposing counsel to calm down. Related Stories - [Sara Duterte Impeachment: A Look into the Trial Lawyers’ Academic Backgrounds](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/where-duterte-impeachment-lawyers-studied-law/ "Sara Duterte Impeachment: A Look into the Trial Lawyers’ Academic Backgrounds") - [Who’s Who on Day 1 of Sara Duterte’s Impeachment Trial](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-impeachment-trial-whos-who-day-1/ "Who’s Who on Day 1 of Sara Duterte’s Impeachment Trial") - [Politicians Are Spending Too Much Time On Social Media](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/politicians-spending-too-much-time-on-social-media/ "Politicians Are Spending Too Much Time On Social Media") **Categories:** Philippine Politics, State of Affairs **Tags:** Impeachment Trial, Lorna Kapunan, Sara Duterte Impeachment --- ### [Robin Padilla Calls Himself a Communist. Angel Locsin Begs to Differ](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/robin-padilla-communist-angel-locsin-response/) **Published:** July 16, 2026 **Author:** Pie Gonzaga **Excerpt:** The senator’s latest political faux pas drew criticism from the public, including fellow actor Angel Locsin, who pointed out that he had not taken her side when she was red-tagged **Content:** Senator [Robin Padilla](https://rollingstonephilippines.com/tag/robin-padilla/ "Robin Padilla") once again stupefied the public by declaring himself a communist on the fifth day of Vice President Sara Duterte’s [impeachment trial](https://rollingstonephilippines.com/tag/sara-duterte-impeachment/ "Sara Duterte Impeachment"). The comment came amid discussions about an “Oplan Romanov” allegedly targeting Duterte and her family. On July 14, Atty. Mark Vinluan from the defense asked the prosecution witness, National Bureau of Investigation (NBI) Bangsamoro Regional Director Jeremy Lotoc, what he knew about the alleged assassination plot against the vice president. Lotoc said the Romanov reference was first used by Duterte’s brother, Davao City Mayor [Sebastian “Baste” Duterte](https://rollingstonephilippines.com/tag/baste-duterte/ "Baste Duterte"), in an earlier Hakbang ng Maisug rally in Davao City, as he addressed President Ferdinand “Bongbong” Marcos Jr. Lotoc quoted Baste as saying, “When you go to bed tonight, think about the Romanovs.” The Romanov family was Russia’s last imperial dynasty, which was executed in 1918 by the Bolsheviks, a revolutionary faction of the Marxist Russian Social Democratic Labor Party. Later on, Padilla, a Duterte ally, said, “Hindi po ba dapat isipin natin ‘yung Romanov \[reference\] ay tungkol sa threat na pumapasok sa mga pamilya na namumuno dito sa ating bayan na lumalaban sa komunista? Komunista po ako, ah. Gusto ko lamang pong alamin ninyo.” In 2017, former President Rodrigo Duterte, who granted Padilla an [absolute pardon](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/robin-padilla-social-media-weak/) for possession of high-powered firearms the previous year, said that soldiers should shoot members of the New People’s Army (NPA) and “not answer that issue of human rights.” That year, he also terminated peace talks with the National Democratic Front – Communist Party of the Philippines – NPA. ## Angel Locsin Reacts to Robin Padilla Actress and activist [Angel Locsin](https://rollingstonephilippines.com/tag/angel-locsin/ "Angel Locsin") took to social media on Thursday, July 16, to respond to the senator’s claim that he is a communist. “Nung mga panahong magkasama tayo, madalas mong ikwento yung panahon na namundok ka at nag-armas para ipaglaban ang bayan,” she said. “Ang tanong ko lang, nasaan ka nung panahong nirered-tag ako kahit alam mong hindi totoo? Actually, kasama mo pa nga at kachikahan yung mga nangre-red-tag. Naghugas-kamay at pumikit sa katotohanan.” Locsin was embroiled in controversies surrounding red-tagging in October 2020 when former National Task Force to End Local Communist Armed Conflict (NTF-ELCAC) Spokesperson Lt. Gen. Antonio Parlade Jr. wrongly accused her sister, Ella Colmenares, of being an NPA member. In an earlier interview with *Rolling Stone Philippines*, actress [Agot Isidro](https://rollingstonephilippines.com/culture/film/agot-isidro-concert-politics-interview/) called Padilla a good friend and a brilliant actor, but also said, “Maybe [politics is something](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/) that he should stay away from because ibang beast eh.” ## Frequently Asked Questions ### Did Senator Robin Padilla call himself a communist? On July 14, during Vice President Sara Duterte’s impeachment trial, Senator Robin Padilla declared himself a communist while discussing the alleged “Oplan Romanov” plot. ### What is “Oplan Romanov” and why did it come up at Sara Duterte’s impeachment trial? “Oplan Romanov” is an alleged plot against Vice President Sara Duterte and her family. The Romanov reference was first used by her brother, Davao City Mayor Sebastian “Baste” Duterte, who warned the Marcos family: “When you go to bed tonight, think about the Romanovs.” ### How did Angel Locsin respond to Robin Padilla’s communist claim? Angel Locsin asked why Robin Padilla, who often cites his own past ties to armed resistance, stayed silent and close to those who red-tagged her in 2020, despite knowing the accusations against her sister, Ella Colmenares, were false. ### Why was Angel Locsin red-tagged in 2020? In October 2020, then-NTF-ELCAC spokesperson Lt. Gen. Antonio Parlade Jr. wrongly accused Angel Locsin’s sister, Ella Colmenares, of being an NPA member. ### What is Rodrigo Duterte’s history with Robin Padilla and the NPA conflict? Former President Rodrigo Duterte granted Robin Padilla an absolute pardon in 2016 for illegal possession of firearms. In 2017, Duterte told soldiers to shoot NPA members and ended peace talks with the NDF-CPP-NPA. 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[Ronald “Bato” dela Rosa](https://rollingstonephilippines.com/tag/bato-dela-rosa/ "Bato dela Rosa") — voted to remove Sotto from his position on Monday, May 11, just moments before the House of Representatives also decided to impeach Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte"). The Senate saw a previous shake-up take place in September 2025, when Sotto replaced Sen. [Francis “Chiz” Escudero](https://rollingstonephilippines.com/tag/chiz-escudero/ "Chiz Escudero") as Senate president. [*Inquirer*](https://newsinfo.inquirer.net/2106201/escudero-ousted-sotto-is-new-senate-president) reports that, according to a source close to the Senate, Escudero was ousted due to his involvement in the flood control corruption scandal and his handling of Duterte’s previous impeachment case. The recent Senate coup is similarly suspected of being related to Duterte’s impeachment, especially as the senators who voted for Sotto’s removal are known allies of the Duterte camp. Cayetano, however, denies that the coup and impeachment are related. News of the ouster, in conjunction with dela Rosa’s return to the Senate and the House’s vote to impeach Duterte, has sent the country into outrage. As we wait to see how the leadership change affects [national politics](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/), we look at who’s won this particular power struggle, and who’s lost. ## Alan Peter Cayetano: Winner ![alan cayetano](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/alan.webp) Cayetano takes the president’s seat at the Senate session hall. Photo by Wendell Alinea/Senate of the Philippines Facebook Cayetano is a winner here, for obvious reasons, and it’s all thanks to his friends in the upper chamber: his sister Sen. [Pia Cayetano](https://rollingstonephilippines.com/state-of-affairs/politics/pia-cayetano-women-children-senate/ "Pia Cayetano on the Politics of Care, and Her First 100 Days in the Senate"), sibling-senators [Camille](https://rollingstonephilippines.com/tag/camille-villar/ "Camille Villar") and [Mark Villar](https://rollingstonephilippines.com/tag/mark-villar/ "Mark Villar"), [Jinggoy Estrada](https://rollingstonephilippines.com/tag/jinggoy-estrada/ "Jinggoy Estrada"), [Loren Legarda](https://rollingstonephilippines.com/tag/loren-legarda/ "Loren Legarda"), and Duterte allies dela Rosa, Escudero, [Bong Go](https://rollingstonephilippines.com/tag/bong-go/ "Bong Go"), [Rodante Marcoleta](https://rollingstonephilippines.com/tag/rodante-marcoleta/ "Rodante Marcoleta"), [Imee Marcos](https://rollingstonephilippines.com/tag/imee-marcos/ "Imee Marcos"), [Robin Padilla](https://rollingstonephilippines.com/tag/robin-padilla/ "Robin Padilla"), and [Joel Villanueva](https://rollingstonephilippines.com/tag/joel-villanueva/ "Joel Villanueva"). Sotto also voted for Cayetano, as it is customary for opponents to vote for each other. He likewise voted for Sotto to maintain his position, joining senators [Bam Aquino](https://rollingstonephilippines.com/tag/bam-aquino/ "Bam Aquino"), Sherwin Gatchalian, [Risa Hontiveros](https://rollingstonephilippines.com/tag/risa-hontiveros/ "Risa Hontiveros"), [Ping Lacson](https://rollingstonephilippines.com/tag/ping-lacson/ "Ping Lacson"), [Lito Lapid](https://rollingstonephilippines.com/tag/lito-lapid/ "Lito Lapid"), [Kiko Pangilinan](https://rollingstonephilippines.com/tag/kiko-pangilinan/ "Kiko Pangilinan"), [Erwin Tulfo](https://rollingstonephilippines.com/tag/erwin-tulfo/ "Erwin Tulfo"), and [Raffy Tulfo](https://rollingstonephilippines.com/tag/raffy-tulfo/ "Raffy Tulfo"). Senators [JV Ejercito](https://rollingstonephilippines.com/tag/jv-ejercito/ "JV Ejercito") and [Migz Zubiri](https://rollingstonephilippines.com/tag/miguel-zubiri/ "Miguel Zubiri") abstained. ## Tito Sotto: Loser ![tito sotto alan cayetano](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/tito-and-alan.webp) Sen. Tito Sotto and Cayetano exchange words and shake hands in the Senate. Photo by Voltaire Domingo/Senate of the Philippines Facebook Sotto’s loss spells bad things for those who’d like to oust Duterte. While Sotto isn’t allied to either Marcos or Duterte, he promised in January that he would act on any impeachment articles “forthwith.” In April, he also said he was [brushing up](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/tito-sotto-impeachment-record-duterte/) on rules and procedures, showing a willingness to pursue the impeachment process as laws dictate. Duterte’s fate now rests on Cayetano, but Sotto, being a senator, will still be part of the impeachment court if the Senate carries on with a trial. ## Loren Legarda: Winner ![loren legarda](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/loren.webp) Sen. Loren Legarda takes oath as Senate president pro tempore. Photo by Voltaire Domingo/Senate of the Philippines Facebook In February, it was [rumored](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/loren-legarda-senate-president-rumors/) that Legarda would unseat Sotto from the Senate leadership. But even as that turned out to be false, Legarda bagged the next best seat in the session hall: that of the Senate president pro tempore. The senator previously held the position from July 2022 to May 2024, when Zubiri served as Senate president. This time around, she replaces Lacson. Legarda has a reputation for being a “political butterfly,” a colloquial term for a public official who constantly changes alliances. She has rejected the label in the past, but this shake-up proves she can be wishy-washy. Before the ouster, she was already part of the majority bloc. But, like Sen. Pia and the Villars, she voted in favor of Cayetano. Maybe she’s been influenced by her self-proclaimed “DDS” son, Batangas First District Rep. [Leandro Leviste](https://rollingstonephilippines.com/tag/leandro-leviste/ "Leandro Leviste")? Or maybe she’s just doing what she must to stay afloat. ## Bato dela Rosa: Loser and Winner… But Mostly Loser ![bato dela rosa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/bato.webp) Sen. Bato dela Rosa’s returned to the Senate on May 11 after first going absent on November 11, 2025. Photo from Senator Ronald “Bato” dela Rosa/Facebook For the first time in [six months](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/how-much-is-senators-salary/), dela Rosa finally showed up at the Senate session hall, and his comeback, disgraceful as it was, is one for the history books. The press asked why he decided to return to the Senate, which triggered an outburst. Reports later on showed video footage of dela Rosa running through Senate corridors and stumbling up the stairs, followed by his staff and pursued by agents of the National Bureau of Investigation (NBI). According to former Senator Antonio Trillanes III, who was also outside the Senate building at the time, the NBI had an arrest warrant issued by the International Criminal Court (ICC) in connection with Rodrigo Duterte’s ongoing drug war case. Later on Monday evening, the ICC [unsealed](https://www.icc-cpi.int/news/situation-philippines-icc-judges-unseal-arrest-warrant-against-ronald-marapon-dela-rosa) its arrest warrant against dela Rosa, revealing that it had been issued as secret on November 6, 2025. Dela Rosa’s absences from the Senate started five days later, on November 11. ## Sara Duterte: Winner ![sara duterte impeachment press briefing](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/sara-duterte-press-con.webp) “Sabi kasi, ito lang daw basahin ko.” Duterte jokes about being unable to answer questions at a press briefing following her first impeachment, February 7, 2025. Screengrab from Inday Sara Duterte/Facebook The success of the coup is a success for Duterte, whether her allies in the Senate admit it or not. In 2025, [215 out of 316](https://rollingstonephilippines.com/state-of-affairs/politics/lawmakers-backing-impeachment-marcos-duterte-rift/) had voted to impeach her, setting off proceedings to determine whether she’d be removed from office. But even as an overwhelming majority voted against her, the Senate and Supreme Court would turn the case around by deciding that the impeachment articles were unconstitutional. And with her allies back in the majority, some fear that the new impeachment case against her would once again be dismissed in the Senate, even though 257 congressmen just voted to unseat her. ## Bongbong Marcos: Loser ![bongbong marcos](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/bbm.webp) President Bongbong Marcos attends the 2026 National Invention Contest and Exhibits Awards at the Malacañang Palace, April 28. Photo from Bongbong Marcos/Facebook President [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") hasn’t been in the Senate for years, but this was his battle, too. With the majority of the upper chamber allied to his biggest political nemesis, who also happens to be his vice president, Marcos has just lost a crucial part of the legislature. As a president, he does not have the power to stop or initiate a coup in the Senate, but if he wants to win the feud against Duterte, he will have to do a lot of politicking to gather more allies. ## Frequently Asked Questions ### Who replaced Tito Sotto as the Philippine Senate President? Alan Peter Cayetano replaced Tito Sotto as Senate president following a May 11 leadership vote supported by 13 senators, shifting the majority power toward the Duterte political faction. ### How did the Senate leadership change affect Vice President Sara Duterte? The leadership change significantly benefits Vice President Sara Duterte, as her key Senate allies gained majority control right as the House voted to impeach her for a second time. ### Why did Senator Ronald “Bato” dela Rosa return to the Senate? Senator Ronald dela Rosa returned to vote in the Senate leadership coup while actively evading National Bureau of Investigation agents executing a secret ICC arrest warrant regarding drug war charges. ### Who was named the Senate President Pro Tempore following the coup? Senator Loren Legarda assumed the role of Senate president pro tempore, replacing Senator Ping Lacson after aligning her vote with the winning bloc led by Alan Peter Cayetano. ### What was President Marcos Jr.’s position in the Senate leadership shift? President Ferdinand Marcos Jr. suffered a political setback in the shift, as his primary vice-presidential opponent’s allies secured majority control over the upper legislative chamber handling impeachment proceedings. Related Stories - [Tito Sotto’s Impeachment Record, From Estrada to Duterte](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/tito-sotto-impeachment-record-duterte/ "Tito Sotto’s Impeachment Record, From Estrada to Duterte") - [Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-president-impeachment/ "Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?") - [Could Legarda Be the First Female Senate President? Here’s What We Know](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/loren-legarda-senate-president-rumors/ "Could Legarda Be the First Female Senate President? Here’s What We Know") **Categories:** Philippine Politics, State of Affairs **Tags:** Alan Peter Cayetano, Ferdinand Marcos Jr., Sara Duterte, Tito Sotto --- ### [Politicians Are Spending Too Much Time On Social Media](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/politicians-spending-too-much-time-on-social-media/) **Published:** August 6, 2026 **Author:** Reyza Ferranco **Content:** Today’s politicians spend as much time — if not more — cultivating an online presence as they do legislating and debating various policies inside the Senate building. Their social media accounts have become extensions of their public offices. Whether engaging with their supporters, updating through Facebook livestreams and X posts, or promoting it as an alternative to traditional news media, politicians have made social media one of their arenas for public engagement. But: how much is considered too much? While this makes politicians more accessible to the public, this very same tactic allows them to bypass intermediaries and control the narrative on their own. Political communication, which was once filtered through media coverage or institutional channels, is now easily viewable in a click. It has become easier to find senators subtweeting each other on X or posting cryptic Facebook statuses before they are seen answering media interviews or sending press releases. Take, for example, Senator [Alan Peter Cayetano](https://rollingstonephilippines.com/tag/alan-peter-cayetano/ "Alan Peter Cayetano"). Over the past few months, Cayetano has traded the usual image of a veteran lawmaker for something closer to a social media influencer, broadcasting his sentiments and even his political spats through [Facebook](https://www.facebook.com/alanpetercayetano/) livestreams. His view count ranges from 200,000 to 1 million, with comments varying from those of his supporters to netizens fake “mine-ing” items and calling him a “[live seller.](https://x.com/iampinglacson/status/2083838057833259416?s=46 "live seller.")” The real problem arises when livestreams are substituted for press conferences, and actual hearings are stalled, or when a trending hashtag somehow becomes a measure for effective governance. During the Senate lockdown in May, he used the same platform to [send an update](https://web.facebook.com/watch/?v=1604239747327756) inside the hall and criticize the new majority bloc. Cayetano’s posts and livestreams further ramped up after the incident. He had done over 20 live broadcasts from May to June alone, which earned reactions from his colleagues, specifically [Senator Panfilo “Ping” Lacson](https://rollingstonephilippines.com/tag/ping-lacson/ "Ping Lacson"), who roasted him over his livestream barrage. Cayetano later clapped back, “Ba’t kayo galit na galit ‘pag nag-fe-Facebook ako? Ang hilig niyo rin naman mag-Facebook.” ## The Cayetano-Lacson Feud, live on X and Facebook Lacson has also found his voice on social media recently. The senator utilizes X instead of Facebook for his concise yet pointed comments. On June 7, he tweeted that those who are weak on the law and facts should stick to making Facebook live streams. Despite not mentioning anyone, the timing and specific wording resulted in speculations online that it may be for his rival Cayetano. He had also previously called Cayetano “[bopols](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/ping-lacson-tweets-against-alan-peter-cayetano/),” and just recently, the latter branded Lacson a “senator-judge troll” and a “gossip-monger” on his Facebook live. The senators’ snarky back-and-forths online have seemingly repackaged their rivalry into frivolous content, which netizens poke fun at and analyze in Facebook comments and Reddit posts. > “When you’re strong on the law, pound the law. When you’re strong on the facts, pound the facts. When you’re weak on both…” — mag-Facebook live ka na lang. > > — PING LACSON (@iampinglacson) [June 7, 2026](https://x.com/iampinglacson/status/2063420250927075485?ref_src=twsrc%5Etfw) These days, a carefully argued privilege speech rarely cuts across the way direct livestreams and online posts do. Beyond catering to their audience, it seems that politicians are taking advantage of the state of media today. Politicians have also used social media to challenge the credibility of traditional journalism itself. Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte") has repeatedly portrayed news organizations as money worshippers and suggested that social media offers a more trustworthy alternative to independent press. She echoes many of the same tirades as her father, former President [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte"), who spent years throwing jabs at the media during his time as president. “Buti na lang, meron na tayong social media ngayon. Para nakikita natin kung ano talaga ang katotohanan na nakita ng tao at lumabas sa bibig ng tao,” Duterte said in an [interview](https://youtu.be/hGpFTvBXfps?si=XtAstjFO4eXYV1m-) at The Hague on August 1. The vice president’s rhetoric feeds the long-running public distrust in Philippine journalism and encourages citizens to consume political information from online platforms, where content can be taken as truths with little to no verification. ## The Celebrification of Senators: Gatchalian, Hontiveros, and the ‘WinRi’ Fandom ![win gatchalian and risa hontiveros pose together](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/WINRI-1.webp) Win Gatchalian and Risa Hontiveros pictured alongside each other on July 27 at the Senate. Photo by Joseph Vidal/Senate Social Media Unit [Beyond politics](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/), social media is also able to show a side of these politicians that may be criticized as “cringe,” but is an effective way to show their more “human” side. It is also fueled by ecosystems of influence through unofficial pages and highly engaged supporters, who continue to be enticed by their politician-idol’s social media presence. Supporters themselves have contributed to the growing celebrification of politicians on social media. Senators Sherwin Gatchalian and [Risa Hontiveros](https://rollingstonephilippines.com/tag/risa-hontiveros/ "Risa Hontiveros") were paired together online after interactions of the two praising each other. Their fans have coined their pairing as “WinRi,” with the fandom collectively agreeing to be called “Winners.” Rather than distancing themselves from the trend, both senators [acknowledged](https://www.gmanetwork.com/news/lifestyle/content/996278/risa-hontiveros-win-gatchalian-thankful-for-winri-fans-positive-attention-to-senate-work/story/) the fandom on X, with Hontiveros even responding to tweets and welcoming the playful support. Although such interactions may seem harmless, it demonstrates how politicians are capitalizing on social media’s take on celebrity culture, utilizing their capacity to cultivate online communities, participate in trending conversations, and sometimes, “sell” themselves for the purpose of engagement metrics and wider reach. Some will say it’s all good fun, but at the end of the day, is this what we want to see from our elected officials? This isn’t to say that social media is the problem, or that politicians should have no access to these online platforms at all. In fact, these tools have become indispensable ways for communicating during public crises and national emergencies in the country. The real problem arises when livestreams are substituted for press conferences, and actual hearings are stalled, or when a trending hashtag somehow becomes a measure for effective governance. When communication and policies are only coming from one side, integrity and credibility are the first things to suffer. If journalists are constantly being compared to vloggers, and senators are now acting like live sellers or social media influencers, and when news seems to only come from one source, what will become of accountability in our government? When politicians spend too much time chasing views, likes, and fleeting affirmation, it’s easy to see what they do as nothing but performative instead of genuine public service. ## FREQUENTLY ASKED QUESTIONS ### How did Senator Alan Peter Cayetano provide updates during the May 13 Senate lockdown? Cayetano went live on Facebook to broadcast the situation from inside the Senate. ### How many Facebook livestreams has Senator Alan Peter Cayetano done? Senator Alan Peter Cayetano has reportedly done over 20 live broadcasts from May to June alone. ### How does Senator Ping Lacson use social media? Senator Ping Lacson utilizes X instead of Facebook for his concise yet pointed comments, replying indirectly to attacks against him and commenting on issues online. ### What is ‘WinRi’? “WinRi” is the fan-created pairing of Senators Sherwin Gatchalian and Risa Hontiveros. The fandom emerged after the two senators were seen interacting cordially in Senate sessions. ### Why can excessive social media use by politicians be a problem? When politicians start chasing views, likes, and online engagement, this can result in performative acts rather than substantive public service. Related Stories - [Ping Lacson is on a Tweet Spree Against Alan Peter Cayetano, and Promises Jail Time](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/ping-lacson-tweets-against-alan-peter-cayetano/ "Ping Lacson is on a Tweet Spree Against Alan Peter Cayetano, and Promises Jail Time") - [Alan Peter Cayetano Criticizes His Peers Without Law Degrees, But So What?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/alan-peter-cayetano-law-degree-criticism/ "Alan Peter Cayetano Criticizes His Peers Without Law Degrees, But So What?") - [Timeline: Alan Peter Cayetano’s Rise to and Struggle for Power](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/alan-peter-cayetano-rise-power-career-timeline/ "Timeline: Alan Peter Cayetano’s Rise to and Struggle for Power") **Categories:** Philippine Politics, State of Affairs **Tags:** Alan Peter Cayetano, Facebook, Philippine Senate, Ping Lacson, Risa Hontiveros, Sara Duterte, Social Media, Twitter, Win Gatchalian, WinRi --- ### [The 5 Biggest Political Stories of 2025](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/biggest-political-stories-2025/) **Published:** December 15, 2025 **Author:** Pie Gonzaga **Excerpt:** Across Congress, the streets, and even international courts, the year was full of twists that tested institutions and leaders alike. Here are the political threads that kept us on our toes in 2025 **Content:** The year’s political stories unfolded like a series of aftershocks, each new event landing before the nation could process the last one. It’s been difficult to keep up with the news, and, frankly, depressing to get into the muck of it and understand every single thing that’s happened in 2025. But I’m of the belief and hope that this should all lead to some sort of radical, positive change, whatever that may be. As the year ends, we’re left wondering how the flood control controversy will conclude, and what it is that will put a stop to the administration’s infighting, among many other uncertainties that have arisen in this particularly volatile [time in politics](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/). Previously, we recapped the [political moments](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/political-moments-define-2026/) already shaping the year ahead. This time, we look back at five of the biggest, most shocking political stories we’ve covered. ## [Congressmen Vote to Impeach Sara Duterte](https://rollingstonephilippines.com/state-of-affairs/politics/lawmakers-backing-impeachment-marcos-duterte-rift/ "Lawmakers Backing Impeachment Deepen Marcos-Duterte Rift") ![house of representatives sara duterte impeachment](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/HREP_House_of_Representatives_impeaches_VP_Sara_Duterte_20250205-174054.webp) Former House Speaker Martin Romualdez directs the secretary general to endorse to the Senate the impeachment complaint against Vice President Sara Duterte, February 5. Photo from House of Representatives/Official Website In December 2024, Vice President Sara Duterte was hit with three impeachment complaints from various civic groups following the House of Representatives’ probe into her office’s alleged misuse of [confidential funds](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/ovp-confidential-funds-1000-recipients-no-records/). For over a month, it felt as though the House was not keen to tackle the complaints, with the legislature’s inaction prompting protests calling for Sara’s impeachment. But on February 5, in a shocking move, 215 out of 316 House members signed a fourth complaint, launching impeachment proceedings against the vice president. The case, however, died in the Senate, which adjourned during the election period and [delayed action](https://rollingstonephilippines.com/state-of-affairs/politics/senate-congress-bills-impeachment/) on the complaint until June. Eventually, the senators formed an impeachment court, only to junk the articles of impeachment in August after the Supreme Court deemed the proceedings “unconstitutional.” The case had the whole nation, regardless of party, watching the news with bated breath — only for Sara’s critics to feel *baited*. ## [Rodrigo Duterte Arrested and Detained](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/rodrigo-duterte-faces-judgment-in-icc-arrest/ "Rodrigo ‘The Punisher’ Duterte Faces His Judgment in ICC Arrest") ![rodrigo duterte arrest](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/Duterte_and_Medialdea_flying_to_The_Hague_in_2025.webp) Former President Rodrigo Duterte and former Executive Secretary Salvador Medialdea board a private jet to The Hague on March 11. Photo from Bong Go/Facebook We almost didn’t see this one coming either. A few days leading up to the arrest of former President Rodrigo Duterte, rumors swirled that the International Criminal Court (ICC) had issued an arrest warrant. On March 10, the Philippine National Police (PNP) said that it was [ready to make an arrest](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/pnp-prepares-for-rumored-duterte-arrest-warrant-from-icc/) as soon as Rodrigo returned from his trip to Hong Kong, where he had joined PDP-Laban’s overseas campaign sortie ahead of the midterm elections. The next day, Rodrigo was [arrested](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/rodrigo-duterte-faces-judgment-in-icc-arrest/) moments after he arrived at Ninoy Aquino International Airport (NAIA). And after a full day in the PNP’s custody at the neighboring Villamor Air Base, he was flown out to The Hague, the Netherlands. Supporters of the Duterte family did not take the news well, and calls to “bring him home” have swelled from internet posts to rallies in and out of the country. Rodrigo’s legal team has also launched efforts to put the Davao City mayor on interim release, but the ICC has so far stood its ground. ## [Nepo Babies Face Flood Control Wrath](https://rollingstonephilippines.com/state-of-affairs/politics/politicians-influencer-kids-dwph-backlash/ "These Politicians’ Influencer Kids Face Backlash Amid DPWH Controversies") ![zaldy co ellis co flood control](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/zaldy-and-ellis-co-december-25-2023.webp) Zaldy and Ellis Co at a Christmas outreach program in Albay on December 25, 2023. Photo from Rep. Zaldy Co/Facebook [Families](https://rollingstonephilippines.com/state-of-affairs/politics/politicians-influencer-kids-dwph-backlash/) of politicians and businessmen linked to flood control corruption schemes became the object of the public’s wrath when the scandal broke out in the middle of the year. Influencers such as Claudine Co, Lemuel Lubiano, and Gela Alonte are a few among others who drew flak for their “ostentatious displays of wealth” on social media as the Senate launched a probe into anomalous infrastructure projects. It didn’t help that these young adults’ lavish lifestyles were spotlit as the country reeled from typhoon after typhoon. [Ellis Co](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/ellis-co-zaldy-co-flood-control/), son of former Congressman Zaldy Co and cousin of Claudine, spoke out in September, urging his father to surrender to authorities and take responsibility as the House’s former appropriations chair. But even he was not spared from criticism, with netizens pointing out that he received financial support from his parents for his clothing brand. ## [Mendiola Protests](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/mendiola-protests-photojournalists/ "Exclusive: Rage From the Mendiola Protests, According to Photojournalists") ![baha sa luneta mendiola protests september 21 human rights](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/September_21_Baha_sa_Luneta_anti-corruption_protest_at_Mendiola.webp) Progressive groups marched on Mendiola Street in Manila after the Baha sa Luneta rally on September 21. Photo by Kej Andrés/Wikimedia Commons On September 21, several groups from all over the country mobilized to protest against corruption in the government. Following the rally at Luneta in Manila, protesters marched on to Mendiola and Recto, where the demonstration quickly turned into a scuffle with police. Photojournalists Raffy Lerma and Ezra Acayan talked to *Rolling Stone Philippines* about [capturing the chaos and rage](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/mendiola-protests-photojournalists/) in Manila’s streets. Following the riots, which came amid other mass protests in other parts of the world, several individuals now dubbed the “Mendiola 216” were arrested without warrants and detained at the Manila Police District (MPD) headquarters and other police stations. Human rights groups flagged the MPD for subjecting the detainees to “[grave conditions](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/mendiola-detainees-police-abuse-lawyer/),” raising concerns regarding police brutality and abuse. ## [Juan Ponce Enrile Passes Away](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/juan-ponce-enrile-dies-legacy/ "Juan Ponce Enrile Has Died: One of the Most Feared Men in Philippine Politics") ![juan ponce enrile bongbong marcos](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/jpe-and-bbm.webp) Juan Ponce Enrile is sworn in as the chief presidential legal counsel, July 26, 2022. Photo from Bongbong Marcos/Instagram In November, longtime politician Juan Ponce Enrile passed away after a bout of pneumonia. He lived a remarkably long life, to the age of 103, with a [seven-decade political career](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/juan-ponce-enrile-political-career/) that started and ended in service to a Marcos president. [Enrile’s death](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/juan-ponce-enrile-dies-legacy/) came less than a month after he was acquitted of plunder in the Pork Barrel Scam case that blew up a decade ago. There, he was accused, alongside other lawmakers, of funneling millions of pesos in public funds through fake NGOs in a scheme masterminded by businesswoman Janet Lim Napoles. With his passing, the case is closed for Enrile, but the acquittal feels like a dangerous precedent for the flood control corruption cases still looming. Related Stories - [2025 in Philippine Politics: 10 Moments That Will Shape the Year Ahead](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/political-moments-define-2026/ "2025 in Philippine Politics: 10 Moments That Will Shape the Year Ahead") - [How 2025 Saw the Enshittification of Philippine Democracy](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/enshittification-of-philippine-democracy-2025/ "How 2025 Saw the Enshittification of Philippine Democracy") - [12 Notable Filipino Books of 2025](https://rollingstonephilippines.com/culture/12-notable-filipino-books-of-2025/ "12 Notable Filipino Books of 2025") **Categories:** Editor's Picks, Lists, Philippine Politics, State of Affairs **Tags:** 2025 In Review, Flood Control Probe, Juan Ponce Enrile, Mendiola, Rodrigo Duterte, Sara Duterte Impeachment, The Year in Review --- ### [What It's Like to Be a Journalist in the Philippines](https://rollingstonephilippines.com/media-channels/roundtable/filipino-journalists-survive-philippines/) **Published:** September 4, 2026 **Author:** Reyza Ferranco **Content:** It’s never been harder to be a journalist in the Philippines. From covering the [chaos of politics](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/) to the challenges of speaking truth to power and the existential threat of fake news and AI, more and more journalists are facing life-changing questions about holding the line. Four journalists — *Facts First* host [Christian Esguerra](https://rollingstonephilippines.com/tag/christian-esguerra/), independent journalist Chiara Zambrano, *The Straits Times* correspondent Mara Cepeda, and *Rappler* senior multimedia reporter Bea Cupin — share their personal takes on how to survive this era of journalism and the state of the nation in this episode of the [Rolling Stone Philippines Roundtable](https://rollingstonephilippines.com/tag/rolling-stone-philippines-roundtable/). ## **Adjust Your State of Mind** For Esguerra, a journalist needs to have a sense of mission to survive in the field. “Either you have it, or you don’t,” Esguerra says firmly. “Hindi pwedeng papasok ka sa industry na wala kang sense of mission, na wala kang higher purpose.” He added that a journalist who has no purpose might get to stay in the industry for about five to ten years, but would eventually feel burnt out. Cupin added to the conversation, saying that part of it comes from accepting that “it’s okay to feel burned out,” and that each journalist has their limitations. ## **Have A Touch of Chaos** “To survive as a journalist, especially in the Philippines, kailangan yung baseline mo has a touch of chaos,” Cupin says, describing the prerequisite for surviving the daily realities of journalism in the country. She stated that beyond covering major disasters or breaking news, reporters are constantly forced to adapt to unexpected problems, from a sudden loss of signal to an unplanned official appearing at a rally. The job demands the ability to think quickly and accept the baseline to thrive. As Cupin adds, “You have to think of a plan B, ura-urada. I mean, that’s the kind of baseline chaos na you have to figure out on the fly. You don’t know how to get there, but you have to run.” ![filipino journalists rolling stone philippines roundtable](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/journoz.webp) The four Filipino journalists unpack their struggles as part of the media amid the current state of the nation. ## **Resting Is Okay** Zambrano, on the other hand, acknowledges that being strict on one’s boundaries won’t really come naturally to a person who has their heart on journalism — a field that requires them to always rush towards a story or to continue pushing themselves despite seeming limits. But she also believes that it’s okay for journalists to rest when needed. “Dapat kasali rin siguro sa training or orientation yung ‘iho iha, pag pagod ka na, pwedeng mapagod,’” she says. Journalists are no lone wolves nor ragtag doing this for themselves, and media institutions must also support their personnel. Zambrano further pointed out the importance of having networks. ## **Develop A Life Outside of Work** Cepeda says a journalist needs to “develop an identity outside of the job, even if it’s a ‘calling.” She cited the time of Duterte’s administration, when death threats and disinformation networks against journalists were rampant, saying that if one does not have a clear identity of themselves, it would be easy to believe hate comments. “Outside of being a journalist, kapatid ka, asawa ka, ate ka, anak ka. You have to protect yourself,” Cepeda added. The full episode of the new Rolling Stone Philippines Roundtable is now up on [YouTube](https://youtu.be/QweB5B-9iRk?si=tbIPVqQBmwXpvFNM). ## FREQUENTLY ASKED QUESTIONS ### Who are the journalists in the Rolling Stone Philippines Roundtable? *Facts First* host Christian Esguerra, independent journalist Chiara Zambrano, *The Straits Times* correspondent Mara Cepeda, and *Rappler* senior multimedia reporter Bea Cupin participated in the latest episode of the Rolling Stone Philippines Roundtable. ### How can journalists deal with burnout? According to the journalists on the Rolling Stone Philippines Roundtable, a journalist can deal with burnout by recognizing that exhaustion is normal, respecting personal limits, taking time to rest, and relying on support networks. ### How can journalists maintain a healthy life outside of work? Journalist Mara Cepeda said developing an identity outside of the job, even if it’s a ‘calling,’ is a way to protect oneself. ### How can journalists survive in the journalism industry? According to journalists Christian Esguerra, Chiara Zambrano, Mara Cepeda, and Bea Cupin, having a sense of mission or higher purpose is important for surviving in the field. Journalists also need to accept their limitations, adapt to unexpected situations, and know when to rest. ### What does having a “touch of chaos” mean in journalism? For Cupin, having a “touch of chaos” means being prepared to deal with the unexpected. Journalists need to think quickly, create Plan B solutions on the fly, and adapt when circumstances suddenly change. Related Stories - [5 Independent Filipino Journalists You Need to Follow Online](https://rollingstonephilippines.com/state-of-affairs/power/independent-filipino-journalists-follow-online/ "5 Independent Filipino Journalists You Need to Follow Online") - [Atom Araullo is Willing to Take the Risk](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/atom-araullo-is-willing-to-take-the-risk/ "Atom Araullo is Willing to Take the Risk") - [Rappler’s Pia Ranada Still Believes in the Promise of Journalism](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/pia-ranada-journalism-voices/ "Rappler’s Pia Ranada Still Believes in the Promise of Journalism") **Categories:** Philippine Politics, Roundtable, State of Affairs **Tags:** Bea Cupin, Chiara Zambrano, Christian Esguerra, Journalism, Mara Cepeda, Rolling Stone Philippines Roundtable --- ### [11 Moments in Philippine Politics That Will Shape The 2025 Elections](https://rollingstonephilippines.com/state-of-affairs/politics/11-moments-philippine-politics-2024/) **Published:** January 13, 2025 **Author:** Pie Gonzaga **Excerpt:** In 2024, years-long issues like jeepney modernization and the PDAF scam made a comeback, while newer conflicts like the Marcos-Duterte feud had us wondering what lies ahead in politics **Content:** There’s no way to neatly wrap up a year in politics so tumultuous. Aside from the many [legislative hearings](https://rollingstonephilippines.com/state-of-affairs/10-philippines-legislative-hearings-2024/) that both exposed and left questions about the year’s scams and scandals, 2024 was a year of fights — fights between religious devotees and the police, fights over territory, fights for rights and justice, and even *the* fight between the president and vice president. Though 2024 has ended, the conflicts and issues that surfaced throughout the year have not come to pass. And as the Philippines gears up for the midterm elections this year, questions and anxieties from the past year loom over the nation. Are we really POGO-free? Will Apollo Quiboloy and Alice Guo serve time? And is it really the end of the UniTeam? 12 Senate seats, all 317 House seats, and local government positions are up for election in 2025. What’s at stake? Whether or not families affected by the jeepney phaseout and Manila Bay oil spill will find economic relief depends on who’s in Congress. The Senate decides if Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Marites Vitug on Duterte, China, and the State of Journalism") should be tried for impeachment. And local government units must follow through on President Ferdinand Marcos Jr.’s promises for a “Bagong Pilipinas.” These are only some of the concerns that will inform voters’ decisions on May 12, election day. Here are the political moments that defined 2024, and the issues to keep in mind as we venture into the new year. ## President Marcos Launches ‘Bagong Pilipinas’ ![Crowd raises Philippine flags in the Bagong Pilipinas rally](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/bagong-pilipinas-rally.jpg) The Bagong Pilipinas rally reportedly racked up a crowd of 400,000. Photo from the Presidential Communications Office On January 28, 2024, President Ferdinand Marcos Jr. launched his campaign, “Bagong Pilipinas,” at the Quirino Grandstand in Manila in an event that reportedly [cost at least P16 million](https://www.rappler.com/newsbreak/inside-track/marcos-bagong-pilipinas-rally-cost-millions-pesos-2024/). The campaign was intended to set the theme for his administration, which the *Philippine News Agency* says is “characterized by a principled, accountable, and dependable government reinforced by unified institutions of society.” It’s a callback to Kilusang Bagong Lipunan, or New Society — the movement and ideology that was central to the late Ferdinand Marcos Sr.’s rule from 1965 to 1986. As a “kick-off” event, Bagong Pilipinas set the tone for the rest of the [year in politics](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/), brimming with spectacle. The concert featured singers Geneva Cruz and Ronnie Liang, girl group 4th Impact, rapper Andrew E., and rock band Aegis. Vice President Sara Duterte, Manila Mayor Honey Lacuna, and other Malacañang officials were in attendance. The event racked up a crowd of 400,000, according to Manila police. ## Jeepney Phaseout and Transport Strikes ![Modernized jeepney with traditional jeepney design](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/modern-trad-jeep.jpg) A modernized jeepney sports a traditional design. Photo by Karen Villanda/People’s Television Network 2024 saw the continuation of transport strikes in protest of the Department of Transportation’s (DOTr) Public Utility Vehicle Modernization Program, which required the phaseout of old jeepneys and utility vans. Since the program’s inception in 2017, public transport groups like Samahang Manibela Mananakay at Nagkaisang Terminal ng Transportasyon (Manibela) and Pagkakaisa ng mga Samahan ng Tsuper at Opereytor Nationwide (PISTON) have been protesting and holding transport strikes, demanding that the government increase the P200,000 subsidy to replace their old vehicles with new units, which cost P1.6 million to P2.4 million per unit. The protests ceased in 2020 due to pandemic lockdown measures, and resumed in 2023. In January 2024, Piston and Manibela held a strike, urging the government to reinstate the franchises for unconsolidated public utility vehicles (PUVs). In response, President Marcos extended the consolidation deadline from December 31, 2023 to April 30, 2024. They also held strikes from April 29 to May 1, June 10 to 12, and September 23 and 24. In July and August, members of United Negros Drivers and Operators Center-Piston (UNDOC-PISTON) and Bacolod Commuters, Operators, and Drivers Association-Manibela (BACOD-Manibela) mobilized in Bacolod City, where there are around 3,000 traditional jeepneys at risk of being apprehended. ## The Marcos-Duterte Rivalry at a Boiling Point ![Ferdinand Marcos Jr. and Sara Duterte stand hand-in-hand onstage at an election campaign](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/bbm-sara-lucena-rally.jpg) Marcos and Duterte stand hand-in-hand at the UniTeam rally in Lucena City, Quezon, March 24, 2022. Photo from Bongbong Marcos Facebook On June 19, 2024, Vice President Sara Duterte left the presidential cabinet, resigning from her positions as the Department of Education secretary and vice chairperson of the National Task Force to End Local Communist Armed Conflict (NTF-ELCAC). Duterte did not give an explanation for her resignation. But following the turnover of the Education secretary position to Senator Sonny Angara on July 18, 2024, Duterte told reporters that there were many reasons for her resignation, and that talking about it would require a sit-down. “Mayroon personal sa aming dalawa ni President Marcos, which stems from ‘yong napag-usapan namin bago ako tumakbong vice president. Mayroon sa trabaho, mayroon sa bayan. Mahaba siyang kwento,” she told reporters. While Duterte’s separation from the Marcos cabinet marks a high point in their ongoing feud, it only precedes what feels like the most chaotic part of the rivalry’s timeline so far. In November 2024, Duterte lashed out at the president in an online press conference, yelling expletives, accusing First Lady Liza Araneta of corruption, and saying the House of Representatives’ investigation into Duterte’s confidential funds is motivated by Marcos cousin and House Speaker Martin Romualdez’s interest in the presidential seat for 2028. ## VP Duterte vs Impeachment Raps ![vice president sara duterte budget congress](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/12/vice-president-sara-duterte-budget-congress.jpeg) Vice President Sara Duterte at the House committee on appropriations’ budget deliberation in September. Photo from House of Representatives Facebook Following the online press conference, VP Duterte was hit with three impeachment raps in December 2024. On December 2, civic organizations Magdalo, Mamamayang Liberal, Tindig Pilipinas, families of drug war victims, and Catholic Church leaders, filed the first impeachment complaint, with Leila de Lima at the helm and Akbayan Representative Perci Cendaña endorsing. The complaint cites betrayal of public trust, bribery, graft and corruption, and culpable violation of the Constitution as reasons for Duterte’s impeachment. Two days later, 75 people filed a second complaint, seeking to impeach Duterte for betrayal of public trust over the Office of the Vice President’s (OVP) alleged misuse of confidential funds. Signatories include former lawmakers Teddy Casiño, Neri Colmenares, and Sarah Elago, while Makabayan bloc members ACT Teachers Representative France Castro, Gabriela Representative Arlene Brosas, and Kabataan Representative Raoul Manuel endorsed the complaint. On December 19, a coalition of Catholic priests, civil society leaders, and lawyers filed the third impeachment complaint against Duterte, citing culpable violation of the Constitution, betrayal of public trust, plunder and malversation, bribery, graft, and corruption. Camarines Sur Representative Gabriel Bordado Jr. and Ang Asosasyon Sang Mangunguma Nga Bisaya-Owa Mangunguma (AAMBIS-Owa) Representative Lex Colada endorsed the complaint. ## Alice Guo Becomes the Face of POGOs ![Alice Guo cleaning her glasses during Senate hearing](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/11/7-Guo-POGO.jpg) Dismissed Bamban Mayor Alice Guo shows up at the Senate on September 9, 2024, after her escape to and extradition from Indonesia. Photo from the Senate Public Relations and Information Bureau In 2024, [Alice Guo](https://rollingstonephilippines.com/tag/alice-guo/ "Alice Guo") was everywhere: the news, social media, and Indonesia. The former mayor of Bamban, Tarlac, found herself in the middle of the government’s investigation into [Philippine offshore gaming operators](https://rollingstonephilippines.com/state-of-affairs/the-rise-and-fall-of-pogos/) (POGOs) when, in May 2024, senators grilled her in a hearing regarding the 10-hectare POGO complex in her municipality and her involvement in its operations. As the Senate’s inquiry continued throughout the year, Guo failed to answer questions about her upbringing — citizenship, family, birthplace, and school — until she stopped showing up at hearings altogether. Amid allegations that she was a Chinese spy, Guo fled to Malaysia in July, then Singapore, and then Indonesia, where she was arrested in September. She remains in the Pasig City Jail, where she awaits trial for her alleged involvement with the Bamban-based POGO firm Hongsheng Gaming Technology Inc., where authorities allegedly discovered 800 victims of human trafficking. ## Marcos Imposes Ban on POGOs ![DILG and PAGCOR put up ](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/island-cove-pogo-shutdown.jpg) The DILG and PAGCOR close down the POGO hub at Island Cove Resort in Kawit, Cavite, December 18, 2024. Photo from PAGCOR Amid the Senate probe into [POGOs](https://rollingstonephilippines.com/tag/pogo/ "POGO"), Marcos dropped a bombshell announcement in his July 2024 State of the Nation Address (SONA). “Effective today, all POGOs are banned,” he declared to a cheering audience at the Batasang Pambansa Complex. He followed this in November by issuing Executive Order No. 74, banning illegal and licensed POGOs. Senator Risa Hontiveros criticized the executive order, citing a lack of clarity. “While I laud the aims of the Executive Order, at nagpapa-salamat din para sa reintegration program para sa mga displaced workers, may mga bagay pa rin sa EO na hindi malinaw.” While offshore gaming operations are banned in the country, the executive order does not address the business process outsourcing firms (BPOs) that provide services to POGOs. The Department of Interior and Local Government (DILG) claims that all POGO licenses have been canceled and operations closed in December, but they also expect smaller, unlicensed POGO firms to [mount guerilla operations](https://rollingstonephilippines.com/state-of-affairs/dilg-pogo-december-31-deadline/) in the new year following the December 31 shutdown deadline. ## Clashes in the Spratlys ![China coast guard vessel and Philippine coast guard vessel in standoff](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/china-coast-guard-vessel-ayungin-shoal.jpg) A Chinese Coast Guard vessel blocks a Philippine Coast Guard Vessel at Ayungin Shoal on June 30, 2023. Photo from the Philippine Coast Guard 2024 also saw a series of bump-ins with the China Coast Guard in the West Philippine Sea, which China contests to be part of its territory. On a resupply mission in March 2024, Philippine Coast Guard vessel BRP Sindangan figured in a collision with a China Coast Guard vessel in Ayungin Shoal. Four were injured after two other China Coast Guard vessels fired water cannons at another Filipino resupply vessel. In the same month, three Philippine Navy personnel were injured after China Coast Guard fired water cannons at the civilian vessel, named Unaizah May 4, in another Ayungin Shoal resupply mission. On the same day, a Chinese Navy helicopter hovered over a team of Filipino scientists who were conducting a marine resources assessment in Pag-asa Island. Other Filipino vessels have had runs-in with the China Coast Guard throughout the year in other parts of the Spratly Islands, like Scarborough Shoal and Sabina Shoal. Currently, only the BRP Sierra Madre — a rusty, World War II-era landing ship — stands in Ayungin Shoal as the country’s reinforcement of its claim over the disputed Spratlys. In his SONA, Marcos said that the Philippines “cannot yield… cannot waiver” in its assertion of its territorial sovereignty, and will “find ways to de-escalate tensions in contested areas… without compromising our position and our principles.” ## Manila Bay Oil Spill ![2024 Manila Bay oil spill aerial view](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/manila-bay-oil-spill.jpg) The view from President Marcos’ helicopter during an aerial inspection of the Manila Bay oil spill. Photo from the Presidential Communications Office Closer to land, a series of oil spills in July plagued the Manila Bay. It started on July 25, with oil tanker MT Terra Nova capsizing off the coast of Limay, Bataan, spilling oil into the bay. One crew member died in the incident. Two days later, the MTKR Jason Bradley ship, carrying diesel cargo, sank near Mariveles. On the 31st, authorities found MV Mirola 1 abandoned and leaking oil off the coast of Mariveles. The province of Bataan, Cavite, municipalities Kawit, Noveleta, Rosario, Tanza, Naic, Maragondon, and Ternate, and Bacoor City declared states of calamity due to the oil spill, which covered an area of 93.74 square kilometers, according to the Philippine Space Agency. The Office of Civil Defense (OCD) said that 352,179 people from Cavite’s coastal barangays were affected by the oil spill, which rendered the coastal areas unsuitable for fishing. The OCD estimated that P17.9 million in income was lost each day for 22 days. ## Apollo Quiboloy on the Run ![Apollo Quiboloy in black jacket seated in the Senate](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/11/2-Quiboloy-KOJC.jpg) Apollo Quiboloy appears at the hearing on allegations of trafficking and abuse against the church, the Kingdom of Jesus Christ on October 23, 2024, after his arrest. Screengrab from Senate of the Philippines YouTube In 2024, controversy surrounding the church the Kingdom of Jesus Christ (KOJC) and its founder Apollo Quiboloy continued to unfold, with the pastor and “Appointed Son of God” evading arrest for months. After the Department of Justice ordered the filing of child abuse and human trafficking cases against Quiboloy and his associates, the Davao Regional Trial Court (RTC) issued a warrant for Quiboloy’s arrest, while the Pasig City Court charged him with human trafficking and the Senate ordered his arrest for “unduly refusing to appear” during hearings regarding the allegations against KOJC. In May, with Quiboloy still nowhere to be found, the Supreme Court allowed the transfer of Quiboloy’s cases from the Davao RTC to the Quezon City Court. The Philippine National Police and KOJC members had a standoff for months in Davao City, beginning in June and coming to a head in August with followers rioting during the PNP’s takeover of the KOJC compound in its search for Quiboloy. On September 8, former Interior Secretary Benhur Abalos announced on Facebook that Quiboloy was arrested, saying, “Nahuli na po si Apollo Quiboloy.” However, Ferdinand Topacio, Quiboloy’s lawyer, said that he had voluntarily surrendered to the Intelligence Service of the Armed Forces (ISAFP). While awaiting trial in the Pasig City jail, Quiboloy filed his certificate of candidacy and is currently running for senator in the upcoming midterm elections. ## PDAF Scam Acquittals ![Estrada, Revilla, and Enrile embracing](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/estrada-revilla-enrile-pdaf-speech.jpg) Estrada, Revilla, and Enrile embrace after Revilla delivered a privilege speech in response to allegations of his involvement in the PDAF scam, June 9, 2014. Photo by Alex Nuevaespaña/Senate PRIB In 2013, several members of the legislature were accused to be involved in the misuse of their Priority Development Assistance Fund, also called PDAF or, more popularly, pork barrel. At its center was businesswoman Janet Lim-Napoles, to whom around P10 billion in government funds was diverted. *Philippine Daily Inquirer*’s initial report of the scam pointed to five senators and 23 House representatives as participants, including Senators Bong Revilla, Jinggoy Estrada and former Senate President Juan Ponce Enrile. In 2017, Estrada was released on bail. In 2021, the Sandiganbayan, the special court that has jurisdiction over graft and corruption cases, acquitted Revilla of plunder related to the scam. In January 2024, Estrada was also acquitted of plunder in relation to the scam, but still found guilty of one count of direct bribery and two counts of indirect bribery. In August, the court reversed its decision on the bribery convictions. In October, the Sandiganbayan acquitted Napoles, Enrile, and his former chief of staff Atty. Jessica Reyes, citing “the prosecution’s failure to prove their guilt beyond reasonable doubt,” of their P172.83 million plunder case. “This is vindication for all of us,” Enrile told reporters after the promulgation of the case. He added, “I hope the people who filed those cases against us will examine their conscience.” Napoles remains incarcerated for two other plunder convictions. ## Mary Jane Veloso Comes Home ![Veloso with family at the Correctional Institution for Women, Mandaluyong City](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/mary-jane-veloso-bucor.jpg) Veloso reunites with family at the Correctional Institution for Women on December 18, 2024. Photo from the Bureau of Corrections Public Information Office After spending 14 years on death row in Indonesia, overseas Filipino worker Mary Jane Veloso was flown back to the Philippines in a repatriation deal that saved Veloso from execution. In 2010, Maria Kristina Sergio, a childhood friend, recruited Veloso to work as a domestic helper in Malaysia. When she got there, Sergio told her that the job was no longer available, but a similar opportunity awaited in Indonesia. Having packed only a few clothes, Veloso went shopping with Sergio, who also allegedly gave her the suitcase that airport security in Indonesia found to have heroin concealed in the inner linings. With no legal counsel and no interpreter to help Veloso after her arrest, she was given the death sentence. In April 2015, with Veloso’s execution nearing, Sergio surrendered to police in Nueva Ecija. Hours before the scheduled execution, late former President Benigno Aquino III called Indonesian foreign minister Retno Marsudi on a burner phone to appeal for clemency, explaining that Veloso’s testimony would be important in the cases of illegal recruiting, estafa, and human trafficking filed against Sergio. In 2020, Sergio was found guilty and sentenced to life imprisonment for illegal recruiting in a case separate from Veloso’s. In November 2024, the Indonesian government announced plans to return “high-profile” foreign prisoners, including Veloso, to their home countries by the end of the year. Senior Minister Yusril Ihza Mahendra said, “We are transferring them to their countries so they can serve their sentence there, but if the countries want to give amnesty, we respect it. It’s their right.” With Veloso’s return to the Philippines, where the death penalty was abolished in 2006, her death sentence was automatically commuted to life imprisonment. She is currently in the Correctional Institution for Women in Mandaluyong, waiting as the DOJ puts her full clemency into consideration. **Categories:** Politics, State of Affairs **Tags:** Alice Guo, Apollo Quiboloy, Ferdinand Marcos Jr., Mary Jane Veloso, POGO, Sara Duterte --- ### [How 2025 Saw the Enshittification of Philippine Democracy](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/enshittification-of-philippine-democracy-2025/) **Published:** December 4, 2025 **Author:** Ross Tugade **Excerpt:** In 2025, generative artificial intelligence has caused the “enshittification” of online platforms in the Philippines and, consequently, its democracy **Content:** [The Year In Review](https://rollingstonephilippines.com/tag/2025-in-review/ "2025 In Review") *takes a good, hard look at the triumphs and blunders that defined 2025. With one foot in the past and another in the future,* Rolling Stone Philippines *sheds light on the moments that changed us for better and worse.* This year saw the unfolding of highly explosive moments in [Philippine politics](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/), sparking emotionally charged discussions across the country. From the dramatic arrest of former President Duterte to the public outrage from the flood control scandal, the fragile online public square further splintered along different perceptions of facts. With the exponential advancement of generative [artificial intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/ "Artificial Intelligence") (AI), it has been almost effortless to produce inflammatory content, images, and videos. All this has further driven polarization and us farther from a collective grasp of the world. The biggest breaking news of the year was also a full-on display of the use of generative AI for political ends. On March 11, former President Rodrigo Duterte was arrested and delivered to the [International Criminal Court](https://rollingstonephilippines.com/tag/international-criminal-court/ "International Criminal Court") (ICC) for crimes against humanity. In a swift series of events, the once-terrifying strongman — who promised his own people’s slaughter and taunted the ICC many times over — was whisked away to The Hague to potentially answer for the most gruesome mass atrocity policy in the post-1972 martial law era. Duterte’s first [pre-trial appearance](https://rollingstonephilippines.com/editors-picks/opinion/rodrigo-duterte-first-icc-hearing-and-the-irony-of-his-due-process/ "Rodrigo Duterte’s First ICC Hearing, and the Irony of His Due Process") saw his former Executive Salvador Medialdea stand as his lawyer. Medialdea’s statement during the proceedings attempted to paint for the ICC a picture of political intrigue and a nefarious kidnapping plot. To some observers in the legal profession, his statement sounded like a jarring soliloquy in an otherwise cold, clinical courtroom. To the former president’s supporters, everything was plain cruelty upon a supposedly frail old man. ![rodrigo duterte icc pre-trial chamber](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/4-duterte-icc.webp) Former president Rodrigo Duterte joins the Pre-Trial Chamber for his initial appearance hearing via video call, March 14. Screenshot from International Criminal Court/Facebook Yet something bizarre happened in the immediate aftermath of the livestreamed initial appearance: supporters of the former President tracked down Presiding Judge Iulia Motoc’s profile in the professional network site LinkedIn and bombarded her posts with spam messages. Soon after, Judge Motoc became the subject of false information campaigns. For one, Duterte supporters claimed she was incapable of understanding the proceedings as she cannot speak English. Another strange copypasta that circulated on Facebook was her alleged ties to First Lady Liza Araneta-Marcos. To this day, the ICC’s Facebook page is still swamped with similar-sounding comments from dubious profiles with equally doubtful identities. Days after the arrest, an AI-generated photo of an emaciated, balding Duterte in a wheelchair made the rounds on social media. Whether the photo was made for humorous ends did not matter. Some supporters took it as an image that would only support their call to #BringHimHome. Not wanting to be eclipsed, former Presidential Spokesperson, former human rights lawyer, and asylum hopeful [Harry Roque](https://rollingstonephilippines.com/tag/harry-roque/ "Harry Roque") fanned the flames by casting doubt on the drug war’s scale and the credibility of its witnesses, as if to we had hallucinated the years of many bodies on the streets, which is not unlike AI hallucinating claims on our shared reality. ## The Dark Underbelly of AI AI hallucinations are when an AI model creates fake information that presents itself as factual, which makes for an interesting thought exercise. If human intelligence is the barometer for AI, there are many peculiarities that, in a highly technical field of practice such as international criminal law, even Philippine-based lawyers get flat out wrong, especially in the weeks after Duterte’s arrest. Even as Ombudsman Jesus Crispin Remulla announced information on a supposed warrant against Senator [Ronald “Bato” Dela Rosa](https://rollingstonephilippines.com/tag/bato-dela-rosa/ "Bato dela Rosa"), some still got the intricacies of that process wrong. Many more are deliberately spreading false information. With just a few strokes and clicks, the most basic and accessible generative AI platform can produce a mishmash of correct-sounding text that can be easily shared on social media. Anyone can be their own expert, with AI obliterating people’s capacity to not only be a healthy skeptic, but to also be uncertain. Regardless of whether Dela Rosa will soon join Duterte in The Hague, we can expect further threats to our information landscape as it continues to fracture our democratic institutions. I straddle two writing-heavy fields, academia and the legal profession, with grim prognoses on whether they will survive the rapid development of artificial “intelligence.” Large language models can process entire swathes of case law and legal codes that could otherwise take years of study and practice to master. Some pieces published in mainstream media, including [*The New Yorker*](https://www.newyorker.com/magazine/2025/07/07/the-end-of-the-english-paper) and [*The Atlantic*](https://www.theatlantic.com/technology/archive/2022/12/chatgpt-ai-writing-college-student-essays/672371/), have pronounced the death of the college essay. Academics have engaged in similar discussions. Recently, over 400 researchers came out with a [manifesto](https://papers.ssrn.com/sol3/papers.cfm?abstract_id=5676462) that rejected the use of generative AI for qualitative research. The overlords of these new technologies proudly proclaim that the machines will replace us, somehow suggesting it make our lives better. “In the Philippines, whether AI could crack the fundamentals that will finally make our government process more transparent is a question that will pop up one way or another.” Ross Tugade ## Platform Decay There is a fatal attraction to solutions presented by AI for age-old problems. In late 2025, Chief Justice Alexander Gesumond told the media that the [Philippine Supreme Court](https://newsinfo.inquirer.net/2130249/sc-eyes-ai-work-on-legal-documents) was “eyeing” the use of AI on legal research as part of its efforts to “modernize” the judiciary. If these discussions progress in the coming year, the courts will have to reckon with the institutional stamp of using controversial technology. We can expect the court’s proposed use of AI in its official work will lead to more discussions on the integration of AI in the bureaucracy. Elsewhere, governments have developed official guidelines in the use of AI, such as the U.K.’s general guidance for integrating AI tools in the judiciary. Still, the guidelines lean towards caution, emphasizing the risk of AI hallucinations to the integrity of official processes. In the U.S., lawyers have been disciplined for the use of AI-generated court documents with hallucinated sources. In the Philippines, whether AI could crack the fundamentals that will finally make our government process more transparent is a question that will pop up one way or another. Former AI insider and journalist Karen Hao’s 2025 book, *Empire of AI*, does not take the use of the image of imperialism lightly. For Hao, AI is the new technology of mass extraction and exploitation, with its great costs to human labour and the environment, and the arms race it is all leading to. And much like empires of old, AI’s incursion into our political and public lives may very well make us vulnerable to unintended consequences. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/marcos-ai-data-center-laguna-header-1600x1063-1.webp) President Ferdinand “Bongbong” Marcos Jr. tours the “AI-ready” VITRO Data Center in Sta. Rosa, Laguna, April 23. Photo from Bongbong Marcos/Facebook In 2022, the Oxford Internet Institute studied the shift towards a [“planetary-scale labour market”](https://www.oii.ox.ac.uk/research/publications/digital-work-in-the-planetary-market/) in the arms race of AI companies, with data workers from places like the Philippines working in “digital sweatshops” in a “race to the bottom” that further drives global inequality. For a country consistently touted as the “patient zero” of digital disinformation, the new phase of AI-generated fake news will further bear down on the Philippines. While we can always be optimistic about new technology, tech companies have notoriously created a pattern of making technology worse in the name of shareholder profit. You’ve likely observed how our social media feeds, previously filled with posts of friends, are now mostly filled with boosted content from companies. “Enshittification,”’ a neologism coined by Canadian writer Cory Doctorow in 2022 and Macquarie Dictionary’s word of the year in 2024, describes this trend of platform decay, which has not only applied to Philippine online platforms in 2025, but, consequently, to the quality of our democracy entirely. In the country’s past election cycles, we have seen many efforts to inoculate the public from the evolving virus of disinformation, with fact-checking and more aggressive responses to fake news peddlers. AI and its slop have only introduced new challenges to these attempts to hold together what remains of our collective sense of the world. In the wake of the [flood control scandal](https://rollingstonephilippines.com/tag/flood-control-probe/ "Flood Control Probe") of 2025, for example, many users have doubted the authenticity of “expose” videos of ex-Congressman [Zaldy Co](https://rollingstonephilippines.com/tag/zaldy-co/ "Zaldy Co"), noting the change in his appearance and unnatural speech pattern with each new video. As Filipinos demand answers and accountability, the facts become more elusive as technology makes it harder to verify. If institutions and political norms at their most fundamental form require a shared understanding of society, how could we prepare for a politics of fragmented (non-)reality? Some tech watchers have dismissed the trillion-dollar AI boom as a mere bubble ready to burst, much like the dot com crash of the late 1990s. More than the stakes for the billionaire class, AI is poised to radically change the world by altering our relationship with human knowledge, labor, and social relationships. The Philippines’ highly polarized political landscape will likely be tested even more with the advent of realistic AI slop, as our national elites drive further into factionalism and emotionally-charged public clashes. Human intelligence and discernment needs sharpening more than ever if our political spaces will stand a chance in the fracturing of a shared reality. ***Ross Tugade** practiced international criminal law and human rights, and taught law in the Philippines. She is currently doing her PhD in Law in Australia.* Related Stories - [This AI Forecast Predicts Humanity’s End by 2027. Here Are 4 Believable Claims](https://rollingstonephilippines.com/culture/tech/ai-2027-report-intelligence/ "This AI Forecast Predicts Humanity’s End by 2027. Here Are 4 Believable Claims") - [6 Filipino Cultural Workers on the Vices and Virtues of AI](https://rollingstonephilippines.com/culture/6-filipino-cultural-workers-ai/ "6 Filipino Cultural Workers on the Vices and Virtues of AI") - [AI-Generated OPM is Quietly Spreading Online. Here’s How to Spot it](https://rollingstonephilippines.com/music/how-to-spot-ai-music-opm/ "AI-Generated OPM is Quietly Spreading Online. Here’s How to Spot it") **Categories:** Artificial Intelligence, Commentary, Disinformation, Editor's Picks, Philippine Politics, State of Affairs **Tags:** Artificial Intelligence, Flood Control Probe, International Criminal Court, Rodrigo Duterte --- ### [2025 in Philippine Politics: 10 Moments That Will Shape the Year Ahead](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/political-moments-define-2026/) **Published:** December 9, 2025 **Author:** Pie Gonzaga **Excerpt:** From corruption scandals to power reshuffles and public unrest, 2025 reconfigured the country’s political landscape, setting the stage for a turbulent 2026 **Content:** This year, [Philippine politics](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/) felt like too many watershed moments, all creating an uncontrollable flood. 2025 began with the Duterte camp making national headlines with the failed impeachment of the vice president and the detention of the former president, and ended with the Marcos administration neck-deep in the [Department of Public Works and Highways](https://rollingstonephilippines.com/tag/dpwh/ "DPWH")’ (DPWH) corruption scandal. Between those moments, Filipinos watched a government stretch itself thin: the presidential cabinet and the legislature reshuffling midstream, transport reforms arising amid longstanding issues, and politicians running and hiding from the law. Casting a shadow over all of this is the [flood control scandal](https://rollingstonephilippines.com/tag/flood-control-probe/ "Flood Control Probe"). Hearings exposed ghost projects, padded contracts, and long-running patterns of public works abuse that cut across multiple administrations. The creation of an independent investigative commission signaled how the controversy had grown, but the real pressure comes from outside Congress. Protesters, community groups, and flood-prone residents began demanding accountability that transcended partisan lines. Taken together, these events redraw power lines heading into 2026. Old blocs are repositioning, new alliances are forming, and citizens are jumping into action. The coming year will test whether these crises become catalysts for change, or if we’re in for another round of the same old political maneuvering. ## The Failed Impeachment of Sara Duterte ![sara duterte impeachment press briefing](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/sara-duterte-press-con.webp) “Sabi kasi, ito lang daw basahin ko.” Duterte jokes about being unable to answer questions at a press briefing following her first impeachment, February 7, 2025. Screengrab from Inday Sara Duterte/Facebook On February 5, more than two-thirds of the House of Representatives signed an impeachment complaint against Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte") on the grounds of violation of the Constitution, bribery, graft, corruption, betrayal of public trust, and other high crimes. The vote technically [impeached](https://rollingstonephilippines.com/state-of-affairs/politics/lawmakers-backing-impeachment-marcos-duterte-rift/) the vice president, but delays in the Senate and a Supreme Court ruling effectively blocked impeachment proceedings from moving forward. Here, Duterte emerged as a figure under siege, energizing her supporters inside and outside the government and signaling a readiness to confront rivals openly. In 2026, this political momentum could translate into stronger influence over allies in Congress, strategic endorsements in local elections, and the groundwork for her [2028 presidential campaign](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/sara-duterte-top-pick-wr-numero-survey-2028-election/ "VP Sara Duterte Still Top Pick for 2028 Elections Despite Impeachment Case"). ## Rodrigo Duterte Faces the ICC ![rodrigo duterte icc pre-trial chamber](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/4-duterte-icc.webp) Former president Rodrigo Duterte joins the Pre-Trial Chamber for his initial appearance hearing via video call, March 14. Screenshot from International Criminal Court/Facebook Just a month after his daughter’s impeachment, [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte") was [arrested](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/rodrigo-duterte-faces-judgment-in-icc-arrest/) by the Philippine National Police (PNP) and sent on his way to The Hague, the Netherlands, to stand trial before the [International Criminal Court](https://rollingstonephilippines.com/tag/international-criminal-court/ "International Criminal Court") (ICC) for the charges of crimes against humanity related to the war on drugs. The arrest sparked uproar among Duterte loyalists, who argue that the ICC lacks jurisdiction after the Philippines formally withdrew from the Rome Statute in 2019. Beyond legal debates, the case highlights the country’s long-standing inability to hold its own leaders accountable, particularly when it comes to human-rights violations. Politically, the arrest also strengthens Sara Duterte’s narrative of persecution by the Marcos administration. In 2026, we can expect the Duterte camp to push efforts to junk the case and “bring him home” as the ICC continues to work towards a trial. ## POGO Investigations Rock the Political Arena ![harry roque livestream facebook april 29 trafficking charges](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/harry-roque-fb-livestream-april-29.webp) Roque held a press briefing in response to news of the trafficking charges on April 29. Video screenshot from Harry Roque/Facebook This year, investigations into [Philippine offshore gaming operators](https://rollingstonephilippines.com/tag/pogo/ "POGO") (POGO) finally led to indictments and imprisonment. High-profile cases, including the Lucky South 99 operation, saw figures such as former Duterte spokesperson [Harry Roque](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/harry-roque-human-trafficking-asylum-bid/) and businesswoman Cassandra Li Ong charged with qualified human trafficking. Meanwhile, former Bamban Mayor [Alice Guo](https://rollingstonephilippines.com/tag/alice-guo/ "Alice Guo") was sentenced to life imprisonment after being convicted of human trafficking related to POGO operations in her municipality. The investigations exposed the deep entanglement of political influence and illegal economic incentives with human-rights violations. In 2026, the government faces pressure to continue its crackdown on POGOs — after [banning](https://rollingstonephilippines.com/state-of-affairs/dilg-pogo-december-31-deadline/) them — and to hold officials and tycoons accountable. ## Marcos Shakes Up His Cabinet ![vince dizon manuel bonoan dpwh](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/dizon-bonoan-dpwh-turnover-ceremony.webp) Bonoan and Dizon at the DPWH’s Turnover Ceremony, September 2. Photo from Department of Public Works and Highways/Facebook Earlier this year, President [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") attempted to deliver a “[bold reset](https://rollingstonephilippines.com/state-of-affairs/politics/marcos-cabinet-members-resignations/)” by ordering courtesy resignations from all his cabinet members and executing performance reviews. Of 23 members, only five were removed from his office. In the following months, the cabinet saw more reshuffling as [Vince Dizon](https://rollingstonephilippines.com/tag/vince-dizon/ "Vince Dizon") was moved from the Department of Transportation (DOTr) to the DPWH and Nicolas Torre was [removed](https://rollingstonephilippines.com/state-of-affairs/politics/torre-pnp-chief-removed-marcos/ "Was Former PNP Chief Nicolas Torre Too Good for the Job?") from his position as PNP chief only over two months into his appointment. While the administration frames these changes as improving governance, citizens are left wondering if they were all part of a strategic recalibration or a sign of internal instability. In 2026, these reshuffles will shape legislative priorities and how they’re executed, determining whether the administration can push its agenda effectively or remain bogged down in power struggles. ## The Return of Trump ![trump second term inauguration 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/Donald_Trump_takes_the_oath_of_office_2025_cropped2.webp) Trump takes the oath of office on January 20. Photo from Joint Congressional Committee on Inaugural Ceremonies/Wikimedia Commons In 2025, the U.S. revived [aggressive immigration restrictions](https://rollingstonephilippines.com/state-of-affairs/politics/us-student-visas-rubio/) under a second [Donald Trump](https://rollingstonephilippines.com/tag/donald-trump/ "Donald Trump") administration. Filipino migrant communities faced heightened scrutiny, deportations, and [visa restrictions](https://rollingstonephilippines.com/state-of-affairs/politics/u-s-student-visa-trump-harvard/), prompting concern among both migrants and their families in the Philippines. Remittance flows, vital to the Philippine economy, were affected as families adjusted to these changes. The renewed U.S. immigration crackdown has significant political implications for the Philippines. In 2026, it may shape debates around labor policy, overseas Filipino welfare, and diplomatic relations with the U.S. ## DENR at Odds with Masungi ![masungi georeserve denr](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/masungi-georeserve-baras-rizal.webp) The developers behind Masungi Georeserve in Baras, Rizal have long been at odds with the DENR. Photo from Masungi Georeserve/Facebook In March 2025, the [Department of Environment and Natural Resources](https://rollingstonephilippines.com/tag/denr/ "DENR") (DENR) [canceled](https://rollingstonephilippines.com/state-of-affairs/power/masungi-georeserve-denr-conflict-explained/) its contract with Blue Star Construction Development Corporation, the developer of the [Masungi Georeserve](https://rollingstonephilippines.com/tag/masungi-georeserve/ "Masungi Georeserve") in Rizal. The Masungi Georeserve Foundation (MGFI) and environmental advocates criticized the move, saying it undermines decades of conservation work and opens the area to commercial exploitation. The cancellation sets a precedent for other conservation projects in the Philippines and highlights the DENR’s tensions with environmental activists and conservation workers. How this dispute is resolved, if ever, could determine whether government agencies actively support long-term environmental projects or continue to cede ground to commercial interests. ## Bongbong-Imee Feud Blows Up ![bbm imee marcos feud](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/bongbong-imee-copy.webp) Imee Marcos files her certificate of candidacy for the 2019 senatorial race, supported by Bongbong Marcos, a former senator, October 15, 2018. Photo by Avito C. Dalan/Philippine News Agency via Wikimedia Commons During the 2025 election period, Senator [Imee Marcos](https://rollingstonephilippines.com/tag/imee-marcos/ "Imee Marcos") withdrew from her brother Bongbong’s Alyansang Makabayan coalition and chose to run independently, instead securing an endorsement from Sara Duterte. In November, Imee appeared at the Iglesia ni Cristo anti-corruption rally and delivered a speech accusing her brother of [using](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/imee-bongbong-marcos-rivalry-drug/) illegal drugs. In response, Bongbong [said](https://www.rappler.com/newsbreak/inside-track/ferdinand-marcos-jr-response-imee-drug-use-allegations/), “The lady you see talking on TV is not my sister.” Will we see more public mudslinging within the Marcos clan? Observers will be watching to see if the family drama ultimately and effectively makes the case against political dynasties in the country, or if it remains a spectacle that distracts from governance. ## Transport Reform and EDSA Rehabilitation ![edsa rehabilitation](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/edsa-guadalupe-bridge-traffic-copy.webp) Heavy traffic on Guadalupe Bridge, which runs along EDSA. Photo by RamaGaspar/Wikimedia Commons This year, efforts to [rehabilitate EDSA](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/edsa-rehabilitation-skyway-dotr/ "The EDSA Rehabilitation Is Almost Here. Are We Prepared?") and improve public transport were met with mixed results. While minor improvements in public transportation — especially the Metro Rail Transit (MRT) — were implemented, reform remains slow despite public pressure for more commuter- and pedestrian-friendly systems. Vince Dizon’s transfer from the DOTr to DPWH also prompted debate over the continuity of transport projects. Chronic traffic in highly urbanized areas continues to sap productivity, and how the administration addresses these [systemic issues](https://rollingstonephilippines.com/state-of-affairs/power/state-of-philippines-transport-mobility/ "For Filipinos, The State of Transport is a Matter of Time, Cost, and Survival") in 2026 will signal whether it can implement meaningful, long-term improvements or struggle with piecemeal solutions that fail to meet the [needs of commuters](https://rollingstonephilippines.com/state-of-affairs/politics/marcos-family-mrt-rush-hour/) and the economy. ## The Flood Control Anomalies ![curlee sarah discaya senate hearing](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/curlee-sarah-discaya-september-8.webp) Curlee and Sarah Discaya in the Senate’s third hearing on the flood control projects, September 8, 2025. Photo by Wendell D. Alinea. Senate of the Philippines/Facebook In 2025, [investigations](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/dpwh-flood-control-latest-updates/) into flood-control projects exposed systemic corruption, including DPWH officials, lawmakers, and contractors like [Sarah Discaya](https://rollingstonephilippines.com/state-of-affairs/politics/flood-control-projects-senate-discaya/ "Will Sarah Discaya Unravel Her Messy Ties to the Failed Flood Control Projects?") allegedly involved in kickback schemes. Budget insertions and irregular contracts also came under scrutiny, with former Congressman [Zaldy Co](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/palace-zaldy-co-accusations-hearsay/ "Zaldy Co Versus Marcos Administration in a War of Words") now linked to questionable project allocations. Several projects were found incomplete or poorly executed, leaving communities vulnerable to recurring flooding the government visibly continues to unravel at each revelation. The legislature saw its leaders, former Senate President [Chiz Escudero](https://rollingstonephilippines.com/tag/chiz-escudero/ "Chiz Escudero") and former House Speaker [Martin Romualdez](https://rollingstonephilippines.com/tag/martin-romualdez/ "Martin Romualdez"), step down to quell worries that the politicians played a hand in the probes. The scandal kicks into high gear as the government starts filing charges against the personalities involved. How these cases are resolved in the following year will determine whether the Marcos administration can regain the trust of the people. ## Anti-Corruption Protests ![protester at baha sa luneta holding a placard](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/JSCT2166.webp) The Baha sa Luneta rally on September 21 called for an end to corruption in the government. Photo by Jilson Tiu From religious groups to progressive organizations, the second half of 2025 saw Filipinos taking to the streets to challenge corruption and the mismanagement of public funds. The [large-scale protests](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/flood-control-protests-first-quarter-storm/) in [Manila](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/baha-sa-luneta-september-21-rally/ "Inside the ‘Baha sa Luneta’ Protest as Filipinos Took to the Streets Against Corruption"), [Quezon City](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/anti-corruption-rallies-luneta-edsa/ "November 30 Protests: How Filipinos Remained Fatigued Yet Hopeful Against Corruption"), and other parts of the country were prompted by the flood control corruption scandal that blew up this year, but the calls for transparency, for better wages, and even for leaders to step down are not new. The strength and persistence of these movements could influence how officials respond to demands for accountability in 2026. If protests continue to mobilize diverse sectors, they may compel the government to hold officials to account, reinforce civic oversight, and pressure agencies to act with greater transparency, potentially shifting the balance of power toward citizens’ interests — just as it should be in a democracy. Related Stories - [DPWH Flood Control Projects Scandal: The Most Damning Revelations So Far](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/dpwh-flood-control-latest-updates/ "DPWH Flood Control Projects Scandal: The Most Damning Revelations So Far") - [How 2025 Saw the Enshittification of Philippine Democracy](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/enshittification-of-philippine-democracy-2025/ "How 2025 Saw the Enshittification of Philippine Democracy") - [Forget the Performative Male. Is Marcos a Performative President?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/president-marcos-corruption-performative/ "Forget the Performative Male. Is Marcos a Performative President?") **Categories:** Editor's Picks, Lists, Philippine Politics, State of Affairs **Tags:** 2025 In Review, Donald J. Trump, Ferdinand Marcos Jr., Flood Control Probe, Rodrigo Duterte, Sara Duterte Impeachment, The Year in Review, Transportation --- ### [These Larry Alcala ‘Slice of Life’ EDSA People Power Shirts Are Now on Sale](https://rollingstonephilippines.com/culture/art/larry-alcala-slice-of-life-people-power-shirts/) **Published:** February 25, 2026 **Author:** Mel Wang **Excerpt:** The shirts celebrate both People Power’s 40th anniversary and what would have been the National Artist’s 100th birthday **Content:** An icon of Filipino art and humor, National Artist for Visual Arts [Larry Alcala](https://rollingstonephilippines.com/tag/larry-alcala/ "Larry Alcala") is a name instantly recognizable to those who grew up with him and his best-known series, *Slice of Life*. And now, to commemorate both what would have been the late artist’s 100th birthday and the 40th anniversary of the [EDSA Revolution](https://rollingstonephilippines.com/tag/people-power-revolution/ "People Power Revolution"), Alcala’s family estate is releasing the *Slice of Life* “[People Power](https://rollingstonephilippines.com/state-of-affairs/power/)” illustration, printed for a limited collection of shirts. Predating the *Where’s Wally?* comic series, *Slice of Life* features illustrations packed with hundreds of Filipinos going about their day, plus a tiny doodle of Alcala himself hidden somewhere in the mix for viewers to find. The series’ “People Power” print is no different, showing masses of people gathering along EDSA in 1986. Peaceful protesters dressed in yellow, nuns holding rosaries, journalists documenting the day, and people stuck in traffic all make an appearance in Alcala’s illustration, complete with soldiers and military tanks flanking the crowds. ![Larry Alcala, People Power, EDSA, Slice of Life, 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/larry_alcala_edsa_shirt_b1.webp) Larry Alcala’s “People Power” shirt. Photo courtesy of the Estate of Larry Alcala Like in all of his *Slice of Life* comics, Alcala has snuck a tiny bespectacled cartoon of himself in the mix. “Yes, he’s there,” said the artist’s granddaughters. “Hint: EDSA traffic.” Alcala’s granddaughters worked tirelessly to remaster the original piece and make it available as shirts commemorating 40 years of the People Power Revolution. “Throughout his career, Alcala’s work has served as both a mirror and a chronicle of Philippine life and history,” as written in the collection’s official statement. “Four decades on, his ‘People’s Power’ illustration continues to resonate, reaffirming the relevance of his vision and the timelessness of his commentary on Filipino identity.” The shirts are currently available for pre-order exclusively through the Fundacion Sanso shop until March 3. ## Frequently Asked Questions ### What is the Larry Alcala Slice of Life People Power shirt collection? The collection features National Artist Larry Alcala’s 1986 “People Power” illustration printed on commemorative shirts. Released by Alcala’s family estate through Fundacion Sanso, the run honors Alcala’s centennial birth anniversary and the 40th anniversary of the EDSA People Power Revolution. ### How does Larry Alcala’s Slice of Life illustrate the 1986 EDSA Revolution? Alcala’s “People Power” artwork captures the crowded, peaceful gathering along EDSA in 1986. The detailed illustration depicts yellow-clad protesters, nuns with rosaries, journalists, military tanks, and everyday citizens stuck in traffic, embodying his signature visual chronicle of Filipino society. ### Where can you find Larry Alcala’s self-caricature in the People Power shirt print? In keeping with his Slice of Life tradition, Alcala hid a small cartoon caricature of himself wearing glasses within the crowded illustration. According to the artist’s estate, his hidden self-portrait can be spotted amidst the EDSA traffic section of the drawing. ### Who was Larry Alcala and why is his work culturally significant? Larry Alcala was a renowned Filipino cartoonist and National Artist for Visual Arts. Best known for his Slice of Life series, his detailed illustrations served as an insightful, humorous mirror of Philippine social history, predating popular search-and-find formats like Where’s Wally?. ### Where are the Larry Alcala People Power commemorative shirts available? The limited-edition Slice of Life “People Power” shirts were made available for exclusive pre-order through the Fundacion Sanso online shop until March 3. Proceeds and remastering efforts were managed in coordination with the late artist’s family estate. Related Stories - [Making Sense of EDSA, 40 Years Later](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/edsa-40th-anniversary/ "Making Sense of EDSA, 40 Years Later") - [The Comelec 35 Walked Out to Get a Drink. They Got a Revolution](https://rollingstonephilippines.com/state-of-affairs/politics/comelec-35-walked-out-to-get-drink-they-got-revolution/ "The Comelec 35 Walked Out to Get a Drink. They Got a Revolution") - [6 Corruption Scandals the Philippines Needs to Learn From](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/6-philippine-corruption-scandals/ "6 Corruption Scandals the Philippines Needs to Learn From") **Categories:** Art, Culture **Tags:** Larry Alcala, People Power Revolution --- ### [How Philippine Universities are Fighting to Preserve EDSA’s Legacy](https://rollingstonephilippines.com/state-of-affairs/power/philippine-university-fight-preserve-edsa-people-power-revolution-legacy/) **Published:** February 25, 2025 **Author:** Mel Wang **Excerpt:** Ahead of EDSA’s 39th anniversary on February 25, universities and schools nationwide are suspending classes to honor the revolution **Content:** Universities and schools across the Philippines are fighting to keep EDSA’s memory alive. Ahead of the 39th anniversary of the [People Power Revolution](https://rollingstonephilippines.com/state-of-affairs/power/) on February 25, educational institutions nationwide have announced the suspension of classes or alternative working days to honor EDSA’s pivotal role in the country’s history. Despite the Marcos administration removing the commemoration from the [list](https://rollingstonephilippines.com/state-of-affairs/dole-2025-holiday-pay-rules/) of special non-working holidays in 2025 and declaring it a “special working day,” these Philippine institutions remain steadfast in remembering the revolution’s legacy. On February 25, 1986, after four days of peaceful protests that mainly took place on EDSA avenue, millions of Filipinos succeeded in ousting former President Ferdinand Marcos Sr. and ending his 21-year dictatorship. The revolution, marked by nonviolent resistance, restored democracy and led to the rise of Corazon Aquino as the country’s first female president. However, Philippine universities had long been hotbeds of activism against the Marcos regime, particularly in the late 1970s when student protests grew in response to the ongoing repression under martial law. In July 1977, nearly 200,000 students across ten universities — including the University of the Philippines (UP), University of Santo Tomas (UST), and Araneta University Foundation — walked out of their classes to demand the demilitarization of campuses, the reinstatement of student-run newspapers, and an end to tuition hikes. Now, almost forty years later, the country’s universities find themselves once again in a struggle to preserve the memory of EDSA itself. “We will continue to commemorate this shining moment in history,” wrote the Catholic educational institution De La Salle Philippines (DLSP) in its official announcement. “When the collective power of the people prevailed over corruption, abuse, lack of accountability among public officials, and social injustice.” Likewise, UST, UP Cebu and Diliman, and the area-specific EDSA-Ortigas Consortium of Schools, among others, have declared a suspension of classes and work on February 25. While UP President Angelo Jimenez declared February 25 an “alternative learning day,” a group of UP system students, faculty, and staff appealed to the president on February 18 to declare it a non-working holiday. “As a historically declared Non-Working Holiday, this is a clear attempt to distort our history and diminish the long struggle of the Filipino people against the Marcos Sr. dictatorship,” wrote the UP regents. “Thirty-nine years has passed since the Filipino people have collectively toppled a dictator, yet we still see threats to our democracy today. In our commitment to honor and excellence in service of the people, we must make a stand as a University.” Related Articles - [39 Years Later: Who Really “Won” the EDSA Revolution?](https://rollingstonephilippines.com/state-of-affairs/power/39-years-later-who-really-won-edsa-people-power-revolution/ "39 Years Later: Who Really “Won” the EDSA Revolution?") - [The Comelec 35 Walked Out to Get a Drink. They Got a Revolution](https://rollingstonephilippines.com/state-of-affairs/politics/comelec-35-walked-out-to-get-drink-they-got-revolution/ "The Comelec 35 Walked Out to Get a Drink. They Got a Revolution") - [How ‘Handog ng Pilipino’ Became a Filipino Symbol of Unity](https://rollingstonephilippines.com/music/handog-ng-pilipino-sa-mundo-filipino-symbol-of-unity-edsa-people-power-revolution/ "How ‘Handog ng Pilipino’ Became a Filipino Symbol of Unity") **Categories:** News, Power, State of Affairs **Tags:** EDSA --- ### [Remembering the Legacy of Four Visionaries at Rolling Stone PH Hall of Fame 2025](https://rollingstonephilippines.com/culture/in-memoriam-honors-hall-of-fame-2025/) **Published:** November 20, 2025 **Author:** Elijah Pareño **Excerpt:** At the first Rolling Stone Philippines Hall of Fame, Francis Magalona, Nora Aunor, Margarita Forés, and Gregorio C. Brillantes are remembered for their work in shaping Filipino identity **Content:** On November 20, at the inaugural [Hall of Fame](https://rollingstonephilippines.com/tag/hall-of-fame/ "Hall of Fame") event, [*Rolling Stone Philippines*](https://rollingstonephilippines.com/tag/rolling-stone-philippines/ "Rolling Stone Philippines") pays tribute to the contributions of four visionaries who shaped Philippine culture for generations. Rapper [Francis Magalona](https://rollingstonephilippines.com/tag/francis-magalona/ "Francis Magalona"), actress [Nora Aunor](https://rollingstonephilippines.com/tag/nora-aunor/ "Nora Aunor"), chef [Margarita Forés](https://rollingstonephilippines.com/tag/margarita-fores-2/ "Margarita Forés"), and writer [Gregorio C. Brillantes](https://rollingstonephilippines.com/tag/gregorio-c-brillantes/ "Gregorio C. Brillantes") each built a legacy that continues to guide how Filipinos connect with music, film, food, and literature. Despite coming from different corners of the country, all four created paths that influenced their fields far beyond their lifetimes. They were not only leaders within their fields, but also artists who shifted the national conversation through craft and consistency. Each and one of their contributions pushed Filipino identity into new spaces and gave audiences reference points for pride, creativity, and personal history. The Rolling Stone Philippines Hall of Fame honors the lives of Magalona, Aunor, Forés, and Brillantes, and the impact they left on those who continue to build on their foundations. ## Nora Aunor ![nora aunor rolling stone philippines bj pascual](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/Nora-Aunor-Rolling-Stone-Intext.webp) Aunor’s legacy stands on the belief that performance should leave a mark that outlives the moment. Photo by BJ Pascual Aunor’s name has long been tied to excellence in performance. Her career spans almost six decades and has been recognized through awards, citations, and continued praise from critics, actors, and filmmakers. She has appeared in nearly 200 films and worked with some of the most important directors in Philippine cinema, including Mario O’Hara, Lino Brocka, Ishmael Bernal, Joel Lamangan, Brillante Mendoza, and Adolfo Alix Jr. Aunor’s most enduring films include *Himala*, *Paano Ba Maging Isang Ina?*, *The Flor Contemplacion Story*, and *Thy Womb*. In 2024, *Bona*, a film she both starred in and produced, was screened again at the Cannes Film Festival, a reminder of how her work continues to resonate internationally. Aunor’s legacy stands on the belief that performance should leave a mark that outlives the moment. From the subtle shift in her expression to the way she communicates grief or longing, Aunor created a language of acting that inspired generations. Few have done this as consistently as she has, and for that her presence and influence in Philippine film history endures. ## Margarita Forés ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/MARGARITA-BODY-TEXT.webp) Forés impact sits in the memories created around her food and in the way she used cooking to bring people together. Photo from Margarita Forés/Instagram For almost four decades, chef Margarita Forés transformed the way Filipinos understood dining. As the founder of Cibo, Grace Park, and Lusso, she introduced ideas that expanded what local culinary spaces could offer. Her training in Italy during the mid-1980s shaped her approach to flavor, technique, and hospitality. That experience set her apart during a time when Italian cuisine in the Philippines was limited to a few familiar dishes. Forés brought home a deeper understanding of Italian culture and found ways to translate it through Filipino produce and sensibilities. Her strength came from her instinct to welcome people. She built restaurants that ranged from casual comfort meals to complex dishes meant for long conversations, with an attention to detail and maternal approach that set the tone for teams she led. Many of the cooks who worked with her eventually became leaders in their own right, carrying her influence with them. Cibo, Grace Park, and Lusso all carry her imprint, but her legacy extends to the restaurants she helped develop, the events she curated, and the communities she supported. Her impact sits in the memories created around her food and in the way she used cooking to bring people together, shaping Philippine dining with grace, vision, and an insistence on excellence that left a powerful mark on the hospitality industry. ## Gregorio C. Brillantes ![Gregorio C. Brillantes](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/GREGORIO.webp) Brillantes’ stories continue to appear in anthologies that introduce young readers to Philippine literature. Photo from Rebecca Brillantes Silvestre/Facebo Brillantes is remembered as one of the pioneers in Philippine literature, particularly for his work in literary journalism and short story fiction. He showed that stories about imagined worlds could still speak to the realities of those living at the margins of the country. Through space travel, distant galaxies, and unfamiliar landscapes, Brillantes wrote about Filipino life in ways that opened new doors for readers and writers. His short stories are among the most respected works in Philippine fiction. In 1961, Brillantes became an editor of the *Philippines Free Press* where he guided younger writers while shaping the publication’s literary direction. His collections, including *The Distance to Andromeda* and *Other Stories* and *The Apollo Centennial*, stand as proof of his command of the short form. He wrote alongside figures like Nick Joaquin, Kerima Polotan, and Jose F. Lacaba, who became his contemporaries in shaping the national literary voice. Brillantes received several lifetime achievement awards, including the Gawad CCP Para sa Sining from the Cultural Center of the Philippines. His stories continue to appear in anthologies that introduce young readers to Philippine literature. For many authors, Brillantes was the writer who showed that imagination could be taken seriously and that science fiction could carry the same emotional and cultural weight as realist fiction. His body of work stands as a bridge between generations and remains vital to the country’s literary history. ## Francis Magalona ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/FRANCIS-M.webp) Magalona pushed boundaries without losing sight of the message he wanted to communicate. Photo from Pia Magalona/Facebook Francis Magalona, known by his artist name Francis M, opened the doors for Filipino hip-hop to enter the mainstream at a scale that had not been seen before his arrival. His transformation from a young showbiz actor into a central figure in Philippine music created a blueprint for rappers and producers who came after him. His songs carried messages about identity, unity, and national consciousness, and they built a foundation that influenced decades of artists. “Kaleidoscope World,” “Mga Kababayan,” and “Superproxy,” his collaboration with Eraserheads, remain some of the most important songs in Philippine music. “Superproxy” also became a cultural marker that eased a divide between the rock and hip-hop scenes that often viewed each other with tension. Magalona’s curiosity led him to experiment with genres. His work with rock band Hardware Syndrome proved that he could move between rock and rap without losing precision or artistic intention. His influences ranged from classic hip-hop to the sounds of bands like Nirvana and Pearl Jam, which shaped the texture of his later work. Magalona collaborated with artists like Parokya ni Edgar, Gloc-9, and many others. He pushed boundaries without losing sight of the message he wanted to communicate. His impact on music, [culture](https://rollingstonephilippines.com/culture/), and identity remains strong more than a decade after his passing. For many Filipinos, he set the standard for what it means to create with purpose. Related Stories - [4 Icons of the ‘Manila Sound’ Era and Their Enduring Legacy](https://rollingstonephilippines.com/music/4-icons-manila-sound-era-legacy/ "4 Icons of the ‘Manila Sound’ Era and Their Enduring Legacy") - [Vic del Rosario Jr. Is Always One Step Ahead](https://rollingstonephilippines.com/culture/film-tv/vic-del-rosario-hall-of-fame-2025/ "Vic del Rosario Jr. Is Always One Step Ahead") - [How Pinoy Love Rap in the 2000s Defied Taste in Hip-Hop](https://rollingstonephilippines.com/music/2000s-pinoy-love-rap-hip-hop/ "How Pinoy Love Rap in the 2000s Defied Taste in Hip-Hop") **Categories:** Books, Culture, Food, Hip-hop/R&B, Music, Philippine Cinema, Pop **Tags:** Francis Magalona, Gregorio C. Brillantes, Margarita Forés, Nora Aunor, Rolling Stone Philippines, Rolling Stone Philippines Hall of Fame --- ### [Making Sense of EDSA, 40 Years Later](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/edsa-40th-anniversary/) **Published:** February 24, 2026 **Author:** Rio Grecia **Excerpt:** From Aquinos to activists and the academe, we ask Filipinos across generations and sectors about the meaning of the EDSA Revolution, 40 years later **Content:** The final blows to the 21-year rule of the dictator [Ferdinand Marcos Sr. ](https://rollingstonephilippines.com/tag/ferdinand-marcos-sr/ "Ferdinand Marcos Sr.")were delivered in just 17 days of February 1986. The first strike was from 30 women and five men from the National Computer Center who [walked out](https://rollingstonephilippines.com/state-of-affairs/politics/comelec-35-walked-out-to-get-drink-they-got-revolution/ "The Comelec 35 Walked Out to Get a Drink. They Got a Revolution") as they saw electoral fraud play out in his favor in front of their eyes. Then, a jab from then-Defense Minister [Juan Ponce Enrile](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/juan-ponce-enrile-political-career/ "Juan Ponce Enrile: A Brief History Through the Decades") and then-General Fidel Ramos, who defected from Marcos. Cardinal Jaime Sin then delivered an uppercut by calling on Filipinos to head to Camp Aguinaldo to protect the two erstwhile Marcos men. Ultimately, it was the millions of Filipinos heeding this call who knocked Marcos and his family out of Malacañang and freed the country from the tyranny of his regime, marred by gross human rights abuses and unabashed corruption. For a long time, it was a long-held consensus among Filipinos that the 1986 People Power Revolution was something that was positive, or at the very least, worth celebrating. After [Cory Aquino](https://rollingstonephilippines.com/tag/cory-aquino/ "Cory Aquino")’s tumultuous coup-wracked term as president ended and gave way to the country’s first [democratic transition of power](https://rollingstonephilippines.com/state-of-affairs/power/) in over two decades, the uprising at [EDSA](https://rollingstonephilippines.com/tag/edsa/ "EDSA") and in other parts of the archipelago had been observed year after year as a solemn event that was always punctuated with a flurry of yellow confetti. Things took a turn in 2016 when [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte") secured the country’s top seat in a come-from-behind victory that defied the full force of the political machinery of his predecessor, Cory’s son, Noynoy Aquino. By the time the People Power anniversary came around again in February 2017, Duterte’s brief honeymoon with the Left had ended largely over the botched peace talks with Communist rebels, compounded by increasing opposition toward his lethal war on drugs that also earned the ire of the Liberals. So instead of Malacañang’s occupant being present at the EDSA rites that year, as it always had been before Duterte, the Left and the Liberals, notably former President Noynoy Aquino and then-sitting Vice President [Leni Robredo](https://rollingstonephilippines.com/tag/leni-robredo/ "Leni Robredo"), showed up at the People Power Monument instead. Never did Duterte attend a formal commemoration of EDSA as president, and certainly not flanked by any “komunista” or “dilawan,” whom he spent his entire six-year term debasing, demonizing, and decimating. “People Power means that we’re responsible for what has happened from 1986 to today, and it also means that for as long as we remain a democracy, we’re responsible for what happens from today onwards.” Kiko Aquino Dee, Political Scientist and Trillion Peso March Convenor And so, the snubbing of EDSA rites by the incumbent president became a new tradition that was readily and very naturally adopted by Duterte’s successor, [Ferdinand Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr."), son of the late dictator who bestowed upon him his name and is, frankly, the ultimate reason for the season. To Duterte’s credit, even as families and friends were being ripped apart by polarizing political views post-2016 and 2022 elections, students and workers at least had a special non-working holiday to look forward to every February 25, something which Marcos Jr. had denied Filipinos the privilege of since 2024 to the dismay of victims of his father’s torturous martial rule, progressive groups, “dilawans,” “pinklawans,” and even Catholic educational institutions. Besides, on the 37th anniversary of EDSA, Marcos Jr. “once again offer\[ed his\] hand of reconciliation,” an often-repeated plea from him and his family that suggests the country should just move on and “pursue progress and peace and a better life for all Filipinos.” ## **The EDSA consensus now** The old consensus on EDSA, if we were to read private polling firm [WR Numero](https://mb.com.ph/2024/2/26/survey-shows-45-of-filipinos-view-edsa-people-power-revolution-as-a-positive-event)’s latest survey on the revolution, has been shattered. No longer does People Power hold a monolithic spot in our collective memory, which has been muddled by disinformation and brainrot. Around a decade ago, it would have been easy to answer, especially in the affirmative, whether Filipinos benefited from People Power. 40 years after Marcos Sr. was ousted and fled to Hawaii with his family, most of the Filipinos in this article from different sectors and disciplines straddled somewhere in between “yes” and “no” when asked if their lives improved thanks to EDSA. But that’s not the case for Myrna Reyes, a 56-year-old vendor whom we caught assembling sampaguita garlands behind the EDSA Shrine in Ortigas. She was beaming with certainty that she is a direct beneficiary of the blessings of People Power, at least in the most pragmatic sense. “Nakakatulong naman din,” she said as she paused from threading the white flower buds. “Kasi kapag may rally rito, as in nandito kami. Kaya nasasabi ko paulit-ulit: Malaking tulong ‘pag may rally. Kasi kahit papaano nakakapagtinda kami.” Around 800 meters north of EDSA Shrine, 22-year-old Gina Bertolaga was sleeping on the sidewalk under an umbrella, a short distance behind the People Power Monument. Her slumber was rudely interrupted by her sister, who asked her to answer our questions as she returned to man their stall made of scrap plywood and metal grills. Even as Bertolaga seemed to be halfway between sleep and consciousness, EDSA’s gift to ordinary Filipinos was not lost on her. “Araw natin ‘yan para magreklamo sa gobyerno, sa mga kurakot,” she slurred slightly. “Kasi kung may araw sila, may araw din tayo.” ## **People Power still inspires** ![protesters at trillion peso march edsa rally](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/DSCF0522-copy.webp) Protestors at the Trillion Peso March condemning corruption September 21, 2025. Photo by Jilson Tiu One of those days did fall upon the People Power Monument again last September 21, 2025, traditionally remembered as the anniversary of the declaration of martial law. Around 15,000 people clad in white turned up to denounce corruption related to substandard, or even nonexistent, [flood control](https://rollingstonephilippines.com/tag/flood-control-probe/ "Flood Control Probe") and other government infrastructure projects. “When we chant, ‘Ikulong na ‘yang mga kurakot,’ in the streets today, we’re rightly calling out those in power right now,” said [Kiko Aquino Dee](https://rollingstonephilippines.com/tag/kiko-aquino-dee/ "Kiko Aquino Dee"), a political scientist who is a scion of the Aquino family and among the co-convenors of the [Trillion Peso March](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/vice-ganda-trillion-peso-march-martial-law/ "‘Lahat Ipakulong!’ Vice Ganda Meant Business at the Trillion Peso March"). “We don’t need to wait until the election to make \[…\] change \[happen.\] That can involve protest, voluntarism, policy work, or any number of other things.” Jude, 25, who had interned with the Intramuros Administration, was among the thousands who turned up at the second Trillion Peso March last November 30, 2025, to demand accountability over rampant corruption in government. “\[The\] EDSA \[Revolution\] made me free and made me feel valuable as a person and also as a Filipino,” he said as we hid under the shade of the People Power Monument from the bright morning sun. “Even though we’re experiencing a lot of struggles right now, we already have our voice, and we already know what to do.” ## **‘Electric’ post-EDSA period** Indeed, in the immediate aftermath of the revolution, Filipinos instinctively knew what to do, or at least, what to feel. “There was relief and possibility after the People Power Revolution,” said Mona Magno-Veluz, who had lived through martial law and EDSA in her teens decades before she became a popular history social media content creator known as Mighty Magulang. She continued, “It was the kind of liberation that inspired art and music. Suddenly, newspapers were freer, conversations felt less guarded, universities became spaces of open debate again.” This “electric” feeling post-1986 at the University of the Philippines (UP) was witnessed by high school social studies teacher Anna, 55, who had participated in the EDSA rallies as a student. She recalled, “Palma Hall was covered in posters. Tambayans were discussion hubs. Student orgs held forums \[about\] land reform, labor rights, U.S. bases, foreign policy. Political engagement wasn’t extracurricular; it was ambient.” “It felt like the country could finally breathe again,” said Akbayan Rep. [Chel Diokno](https://rollingstonephilippines.com/state-of-affairs/chel-diokno-long-game/ "Chel Diokno Knows The Long Game Doesn’t End Here"), son of martial law detainee and former Senator Jose W. Diokno. “There was a deep sense of relief and renewed possibility.” Pulitzer Prize-winning journalist Manny Mogato, who endured a four-day marathon coverage of the People Power Revolution as a young reporter for *The Manila Times*, observed that “Filipinos were selfless” right after the ouster of Marcos Sr. “They helped each other. They shared food. They shared something. The initial effect of EDSA was good,” he told us over Zoom. Then, in his final years of undergraduate study at the Ateneo de Manila University, constitutional law professor Dante Gatmaytan recalled that “there was an almost visible energy that animated Filipinos at that time.” “I think we trusted too much, thinking after the EDSA Revolution may pagbabago na ang pananaw, ang attitude. Pero nagkamali po kami.” Rene Sarmiento, One of the framers of the 1987 Constitution ## **Mea culpa** Gatmaytan continued, “There were serious efforts to write a Constitution participated in by progressive elements who participated in the ‘parliament of the streets.’” Exactly a month after the conclusion of the People Power Revolution, the newly-installed President Cory promulgated the Freedom Constitution, a provisional charter that, for one year, granted her sole legislative power and supervision over all local governments pending the ratification of a new constitution to be drafted by a commission composed of 30 to 50 natural-born Filipinos. This awkward interregnum that Aquino resisted calling a “revolutionary government” — even though she was sworn in as president in defiance of the prevailing Marcosian 1973 Constitution — was a crucial period to introduce the necessary repairs and reforms to the country’s institutions that were practically bulldozed during the dictatorship. The Constitutional Commission was earnest in its effort to draft a new charter that embodied the ideals of the EDSA Revolution, but its surviving members now admit that the numerous coup attempts on the Aquino administration deprived them of enough time to finesse the Constitution’s language, leaving loose threads that were only discovered and began to unravel long after it has been ratified. Among them was a provision banning political dynasties that was left open for Congress to define after the new Constitution took effect. “We decided that we leave it to Congress, believing that the Congress will be patriotic and wise enough to define \[what a political dynasty is\] right away after the ratification of the Constitution,” said Rene Sarmiento, one of the 48 framers of the 1987 Charter, in an interview on *[ONE News](https://www.facebook.com/ONENewsPH/videos/ph-constitution-framer-we-trusted-lawmakers-too-much-to-define-political-dynasti/1462091322145970/)*. Sarmiento went on to admit, “Nagkamali po kami. Nagkulang po kami.” “I think we trusted too much, thinking after the EDSA Revolution may pagbabago na ang pananaw, ang attitude. Pero nagkamali po kami,” he said. ## **Repeat offender** ![edsa at 40 tesa de vela randy david](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/edsa-at-40-artboard-2.webp) For feminist Tesa de Vela and sociologist Randy David, fortifying systems to help the poor is just as important as electing good, strong leaders. Art by KN Vicente “We underestimated the greed of politicians,” said [Cardinal Pablo Virgilio David](https://rollingstonephilippines.com/state-of-affairs/power/cardinal-ambo-david-conclave-church/ "Cardinal Ambo David Wants The Church to Listen to the World"), who was a student activist during the Marcos dictatorship. “We assumed those who would lead after 1986 would act as servants of the common good. Many did not. Too many turned politics into a family enterprise, a private investment, a marketplace of favors. And over time, that corroded the credibility of democratic institutions and made people cynical about EDSA.” On top of this, Mogato said that then-President Cory relied heavily on the same political leaders from the deposed Marcos regime, effectively recycling rotten public officials. “Binalik ‘yung the most corrupt and the most greedy political warlords,” Mogato said. “They needed their cooperation to run the country. So binalik ‘yung mga old traditional political families.” “\[But\] for many among the poor, daily life changed little. Where democracy does not deliver material security, nostalgia for strongman rule easily returns.” Randy David He added that new dynasties were also birthed courtesy of President Cory. Mogato said that in Metro Manila alone, the Binays of Makati, the Cayetanos of Taguig, and the Abaloses of Mandaluyong all owe the entrenchment of their clans in their respective cities to the widow of the slain former Senator Ninoy Aquino. Long-time feminist activist and international studies professor Tesa de Vela of Miriam College also attributed the post-EDSA decline to the country’s apparent attachment to traditional politics. “We have this idea that we just need good people to run the country correctly, when we haven’t really asked what running it correctly really means,” she said. “We have this idea that change can happen within, and without changing the status quo.” ## **Unchecked authoritarian nostalgia** But EDSA was “transformative” for the middle classes, journalist and sociologist Randy David, brother of Cardinal David, said. “\[But\] for many among the poor, daily life changed little. Where democracy does not deliver material security, nostalgia for strongman rule easily returns.” After all, this was how martial law came to be in the first place. David explained, “Martial law justified itself through the claim that Filipinos lacked discipline and collective purpose, traits said to be necessary for development. That narrative had some superficial plausibility: Elites abused privilege, while many among the poor saw little reason to invest in a system that benefited only the powerful.” This legacy of and nostalgia for Marcos Sr.’s authoritarian rule, said Anthony Lawrence Borja, a political science professor from De La Salle University, “were largely ignored rather than confronted.” “I call this the ‘natulog sa kangkungan’ moment for my generation,” Magno-Veluz said. “We did not do enough to keep the memory alive.” “Gumagawa lang tayo ng ingay. Wala namang nagbabago e. Dapat mayroong pagbabago para sa lahat.” Joe dela Cruz, 73, on People Power’s Legacy The discipline that was supposedly instilled in Filipinos by martial law is what 73-year-old Joe dela Cruz remembers as he paused on his bike in front of the People Power Monument to speak to us. “‘‘Yong panahon ng martial law, ‘yong mga tao medyo tumino nang kaunti kasi may takot sa gobyerno,” he said. “Ayan ang martial law, ‘di ba? Batas militar. Ang tao \[ay\] may takot noong panahon na ‘yon.” Across the monument, 43-year-old mototaxi rider Gerald Ferrer told us that he was taught in school that martial law was a terrible time for the country, but later on learned on his own that Marcos Sr.’s regime was good for Filipinos. “Nagkaroon ng disiplina ang mga tao,” he said. “Kasi kahit sa libro noon, talagang hindi maganda ‘yong kwento. Pero sa mga tao na nakaranas noon, may disiplina. ‘Pag sumunod ka sa batas, e ‘di okay ka. ‘Pag hindi ka sumunod, magkakaproblema ka talaga.” ## **Mission accomplished?** Many of the Filipinos in this story shared the same sentiment when asked what exactly was People Power’s promise: “It was to oust a dictator,” said *Rappler*’s Lian Buan, a journalist with Ilocano roots who closely followed Marcos Jr. on the 2022 campaign trail. “That clearly was achieved.” “Wala na ‘yung inaayawan nilang presidente,” said dela Cruz, still on his bike in front of the People Power Monument. “E ano pa ‘yung dapat nila ikagagalit sa nakaraang administrasyon na ‘yun? Matagal na ‘yun. 40 years na.” When we finished talking, dela Cruz set out to complete the four-kilometer bike route that he repeats every day from White Plains out onto EDSA and then into Cubao. “Gumagawa lang tayo ng ingay,” he said. “Wala namang nagbabago e. Dapat mayroong pagbabago para sa lahat.” Now more awake and alert, the 22-year-old Bertolaga declared without any hesitation that People Power has become irrelevant. “‘Di rin naman natitinag ‘yung mga kurakot e,” she said with a tinge of disdain and resignation. “Kahit anong rally nila, ganoon pa rin ‘yung nangyayari. Kahit may bagong umupo, ganoon pa rin ‘yung nangyayari. ‘Di sila natitinag e.” ## **‘Victim of its own promises’** Borja, who also hails from a pro-Marcos household, said, “EDSA was a victim of its own promises. We can’t expect the oligarchy that benefited from EDSA to push through with reforms that will make them obsolete.” Speaking to us over Zoom while conducting academic research in her hometown of Ilocos, the bailiwick of the Marcoses, political sociologist Ash Presto said, “The Philippines has not even changed” even after People Power. “It was not followed by a legitimate regime change in the sense that the person who took over is part of the ruling elite class,” she said. “And now political dynasties as part of the ruling elite class have totally taken over Philippine politics through other legal reforms, including the party-list law.” ![edsa at 40 audrey cruz onlypans taqueria](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/edsa-at-40-artboard-1.webp) Onlypans Taqueria’s Audrey Cruz says that being a business owner made her realize how deeply ingrained inequity and inequality are in our systems. Art by KN Vicente Paolo Tamase, associate dean of the UP College of Law, said that EDSA relied too much on the law, which he called an “elite institution,” to sustain its momentum. “We used courts to be the venue of social activism instead of the elected branches or the streets,” he said. “We chose the least transparent, most inaccessible forum to argue rights, removing them from the majority who needed them most.” For Cristina Palabay, secretary general of human rights group Karapatan, those who are most in need of those rights are far worse off than they were 40 years ago. “I think that life for ordinary Filipinos has worsened, with the more dire economic conditions of peasants, workers, and the middle class, the climate of impunity that hovers in our democratic space, and the poor quality of governance that we contend with to this day,” she said. Audrey Cruz, owner of Onlypans Taqueria that publicly supported Robredo in the 2022 presidential race against Marcos Jr., knows this firsthand. “When I began working, employing people, and navigating institutions \[…\] I saw how power still concentrates, how systems still fail the most vulnerable, and how easily rights can be dismissed,” Cruz said. “That’s when EDSA stopped feeling like a finished chapter and started feeling like an unresolved responsibility.” ## **‘Work in progress’** Gibby Gorres, founder of public relations firm Gugma and former communications director at the Senate, warned that believing in the narrative that EDSA has failed is a “dangerous path to tread.” “EDSA is not a magic pill. It’s a story we should continuously tell and a promise we continuously work towards,” he said. “If we are disgruntled about the way things are 40 years after, it’s not because EDSA failed us. Perhaps it’s because we failed EDSA.” Buan said EDSA taught Filipinos to speak up against oppression, but even she is unsure if this lesson is still relevant today. “We live in a world where bad people doing bad things are applauded and cheered on. How that happened is still a big question we need to collectively answer,” she said. Dee, the political scientist hailing from the Aquino family, said that while government officials are absolutely responsible for whatever happens in our country, we — the people — also share some of that burden too. “People Power means that we’re responsible for what has happened from 1986 to today, and it also means that for as long as we remain a democracy, we’re responsible for what happens from today onwards,” he said. “I think a beautiful thing about democracy is that there’s always a chance to do better.” “Democracy is never a ‘one-time victory,’” Cardinal David said. “It is always a work in progress.” ## **Will the real opposition please stand up?** But there remains a feverish disagreement over how that work should be done. So much so that Buan largely attributes EDSA’s apparent decline to infighting between the Left and the Liberals. The cracks have never been clearer within the traditional opposition, a phrase that has now become necessary to differentiate the Left and the Liberals from the pro-Duterte blocs that now stand in opposition to the Marcos Jr. administration, which they helped elect in 2022. In the past week alone, in the increasingly small space on social media where the traditional opposition’s voice is (at the very least) perceivable, people who lean Left have quarreled with people with Liberal tendencies over whether the third Trillion Peso March which will be held on the anniversary of People Power should welcome calls for the resignation of Marcos Jr. and the [impeachment of Vice President Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte-impeachment/ "Sara Duterte Impeachment"). ![trillion peso march november edsa](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/edsa-rally.webp) People gather along White Plains Avenue for the Trillion Peso March, November 30, 2025. Photo by Dominic Pamatmat Dee’s twice-edited Facebook post on the calls of the upcoming protest at the People Power Monument is ground zero of this social media war, where some from the Left have gone as far as dismissing the credibility of the organizers of the Trillion Peso March, while some Liberals have resorted to the usual red-tagging tactics popularly employed by one of the common enemies of both the Left and the Liberals: Rodrigo Duterte. These tensions within and among factions of the traditional opposition have been brewing long before this social media brouhaha. The Left was greatly weakened when it splintered in the 90s into “reaffirmists” and “rejectionists” due to the thorny Great Rectification Movement that resulted in the killings of some of their cadres (a historical point that merits its own article, but for now we have Supreme Court Senior Associate Justice Marvic Leonen’s acknowledgement of this split during the oral arguments on the Anti-Terrorism Act in 2021). In the Liberal camp, infighting had been present even (and especially) during their peak from 2010 to 2016, when the party was split between the pro-Noynoy Aquino “Samar” group and the “Balay” group that favored former Senator Mar Roxas. This same dynamic is still present in the run-up to the 2028 polls, as former Senator Antonio Trillanes IV of Magdalo has publicly supported Akbayan’s [Senator Risa Hontiveros](https://rollingstonephilippines.com/tag/risa-hontiveros/ "Risa Hontiveros") for president while lobbing criticisms against Liberal’s Robredo (for her supposed silence on national issues) and Katipunan ng Nagkakaisang Pilipino’s Senator Bam Aquino (for his “ideal” scenario where crimes against humanity — which former [President Duterte is accused of before the International Criminal Court ](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/rodrigo-duterte-faces-judgment-in-icc-arrest/ "Rodrigo ‘The Punisher’ Duterte Faces His Judgment in ICC Arrest")— are tried in Philippine courts). In rare moments of what could have been showcases of unity, like the launch of the anti-corruption protests in response to the flood control scam, portions of the Liberal flank got spooked and almost abandoned the movement after the Left suddenly chanted anti-Marcos and anti-Duterte slogans at a joint press conference. All this is happening even as the traditional opposition can take advantage of the relatively low ratings of Marcos Jr. (48 percent disapproval and 47 percent distrust, according to the [Social Weather Stations](https://www.philstar.com/headlines/2025/12/27/2497036/president-marcos-trust-rating-drops-vp-sara-scores-sws-poll) (SWS) in December 2025) and extremely early 2028 presidential race entrant, Vice President Duterte (56 percent approval and 54 percent trust, also according to SWS). ## **‘Illegitimate’ protests** Another point of the squabbles within the traditional opposition was one that emerged in the wake of the September 21 protests, where some protesters in [Mendiola](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/mendiola-protests-photojournalists/ "Exclusive: Rage From the Mendiola Protests, According to Photojournalists") turned violent — an act deemed valid by portions of the Left, but was categorically condemned by Liberals and other mainstream talking heads, including Cardinal David who, in his homily during the second Trillion Peso March, said the movement rejects “violence and disorder.” In conversation with us, the cardinal maintained the same line: “EDSA showed the world that people could pursue political change without hatred and without bloodshed, through courage, prayer, solidarity, and moral persuasion.” Peaceful non-violence had always been the Church’s stance when it came to resistance to the Marcos regime. When the Catholic Bishops Conference of the Philippines (CBCP) condemned electoral fraud during the 1986 snap elections that pitted Marcos Sr. and Cory Aquino against each other, it called for “active resistance of evil by peaceful means — in the manner of Christ.” “We \[do not\] advocate \[for\] a bloody, violent means of righting this wrong. If we did, we would be sanctioning the enormous sin of fratricidal strife. Killing to achieve justice is not within the purview of our Christian vision in our present context,” the CBCP said then. But Presto, the sociologist, said recognizing People Power, often described as “peaceful” and “bloodless”, as the only legitimate form of protest is also “dangerous for democracy.” “Hailing that as the one and only legitimate, valid form of revolution can be dangerous because it can relegate some equally valid forms of revolutions like the angry, loud revolutions as less valid because you are putting this specific peaceful revolution on a pedestal,” she said. Presto added that it is also undeniable that criticism of “ill-mannered” protesters have “classist” undertones, “specifically because people who tend to be tagged as ill-mannered usually tend to come from the lower socioeconomic classes and people who are doing the tagging of incivility are from the upper to middle class sectors of the society.” ## **Fulfilling EDSA’s promise** Rep. Diokno, of the “rejectionist” Akbayan party, is among the few to admit within his flank of the Left that has been identified with the formerly ruling Liberal Party that EDSA’s goal of preventing the concentration of power in the hands of a few families remains unmet. “As a result, the same families continue to dominate our system, undermining equal access to public service. This is why Akbayan filed House Bill 5905, the Comprehensive Anti-Political Dynasty Law — to finally fulfill what EDSA and the Constitution promised that Congress has long failed to deliver,” Diokno said. Akbayan’s anti-political dynasty bill is just one of 24 similar measures in the House of Representatives, which also include a version filed by Speaker Faustino Dy III of Isabela’s Dy clan and Majority Leader Sandro Marcos, son of Marcos Jr., whose administration has identified the proposal as a [priority measure](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/anti-dynasty-bill-marcos-questions/ "3 Questions We’re Asking as Marcos Pushes for the Anti-Dynasty Bill") in the wake of the flood control scam. While the anti-dynasty bills in the House are still pending with the Committee on Suffrage and Electoral Reforms, which is currently conducting consultations across the country, Dy vowed that the House will pass “a fair, just, and implementable anti-political dynasty law in the 20th Congress.” “It was the kind of liberation that inspired art and music. Suddenly, newspapers were freer, conversations felt less guarded, universities became spaces of open debate again.” Mona Magno-Veluz, Social Media Content Creator At the Senate, the anti-political dynasty bill has cleared the Committee on Electoral Reforms chaired by Akbayan’s Hontiveros, who said that the upper chamber aims to pass the measure before Congress goes on a break from March 21 to May 3. As of writing, 12 senators have backed this version of the bill, which seeks to ban relatives of incumbent politicians from running simultaneously for elective office up to the second degree of consanguinity or affinity (meaning their parents, spouses, children, and siblings). The ban, however, only applies when politicians and their kin are both running for national seats or are both seeking local positions. This is a deviation from what Akbayan is seeking in both the House and the Senate, which is to ban relatives of politicians from elective office up to the fourth degree of consanguinity or affinity. “Favored talaga ng \[academe, private sector, at business organizations\] ‘yung \[ban\] to the fourth degree of consanguinity and affinity. So hindi ko pwedeng indahin kung pupunahin nila ‘yung aming committee report,” Hontiveros said when asked about potential criticism that the anti-dynasty bill that would pass Congress would be watered down. “But having said that I think kahit ‘yung puna nila ay makakatulong sa progressive legislation natin,” she continued. “Aasahan ko na mananatili silang both nagbabantay sa implementasyon nitong unang batas \[…\] up the road pag-review ng implementasyon nitong batas at possible amendment para palakasin siya.” Mogato is less optimistic about the passage of Akbayan’s “revolutionary” anti-dynasty bill, but expects that a “watered down” version could still pass. “Sana mag-saya na tayo dahil nabawasan, kaysa wala,” he said. ## **Moving forward** Beyond the halls of Congress, the work of democracy continues in organizations like the BPO Industry Employees Network, a formation of workers in the business process outsourcing sector fighting for their rights in the workplace. The group’s secretary-general, Renso Bajala, shared that his life and advocacy were shaped by the contradictions between what EDSA promised and what he said it failed to deliver. “If we are disgruntled about the way things are 40 years after, it’s not because EDSA failed us. Perhaps it’s because we failed EDSA.” Gibby Gorres, Founder of Public Relations firm Gugma “That tension is what drives me to believe that the struggle for democracy was not fully realized or attained in 1986, and that it continues in the everyday battles of workers, farmers, indigenous people, women, and the youth of today and other marginalized sectors for dignity, justice, and genuine people’s power,” he said. For Anna, the high school teacher, engaging the youth is critical to maintaining a revolutionary spirit, and that it hasn’t been completely lost. “I saw echoes of that civic awakening during the 2022 elections. Young people organizing, volunteering, fact-checking. That energy reminded me of the late ‘80s. One lesson stayed with me: Democracy survives only if the youth engage. Once apathy sets in, institutions hollow out.” “Teaching became my form of sustained activism,” she added. “My husband and I remained politically engaged in small but consistent ways. We followed policy debates. We joined rallies when necessary. We argued over the news. We tried not to disengage.” Mogato traced his entire career in journalism that eventually led to him winning the Pulitzer Prize for reporting on Duterte’s war on drugs back to those four days on the ground during the People Power Revolution. Post-EDSA, he said Philippine media, although with its faults, became freer and strived to become more ethical. Randy David, the journalist and sociologist, was 40 years old when the EDSA Revolution happened, and turned 80 in January. “At midlife, I found myself not only a witness but a participant in the ongoing struggle to define EDSA’s meaning beyond the fall of a dictator,” he said. “By accident, EDSA launched a second career for me in media, even as I continued teaching at UP. It was my response to the call to democratize public discourse \[…\] That experience transformed me. It sharpened my ability to translate sociological ideas into everyday language and, I hope, helped broaden the public’s sociological imagination.” “EDSA taught me that freedom is not inherited, it is maintained,” Onlypans’ Cruz said, adding that this learning is incorporated into the way she runs her business. “As a business owner, I’ve learned that there is no such thing as an apolitical workplace. Every decision is political: Who gets hired, who gets paid fairly, who is protected, who is disposable.” In the middle of our interview, as he was parked across the People Power Monument, mototaxi rider Ferrer received a notification on his phone alerting him that his next passenger is just a two-minute ride away. We did our best to speed up the conversation. “Sa opinion ko, relevant siya kasi doon malalaman ‘yung pagkakaisa ng mga tao,” he said. “Iba kasi ‘yung People Power. Physical talaga e. Pero ‘yung nagsasalita lang, hanggang salita lang. Sila, may action na ginawa. Kasi ‘pag ‘yung tao ‘yung gumalaw, talagang powerful siya.” We thanked him for his time. He smiled, nodded, and put his helmet on. Then he moved to his next destination. ## Frequently Asked Questions ### What was the 1986 People Power Revolution? The People Power Revolution was a mass uprising over 17 days in February 1986 that ended the 21-year rule of dictator Ferdinand Marcos Sr., sparked by electoral fraud allegations, military defections led by Juan Ponce Enrile and Fidel Ramos, and Cardinal Jaime Sin’s call for Filipinos to protect them at Camp Aguinaldo. ### How has the public perception of EDSA changed over time? According to WR Numero polling cited in the piece, the once-widespread consensus that EDSA was unambiguously positive has fractured, with Filipinos now more divided on whether their lives have concretely improved because of the revolution, 40 years after Marcos Sr.’s ouster. ### Why did some presidents stop attending EDSA anniversary commemorations? Rodrigo Duterte never formally attended an EDSA anniversary as president, a practice continued by his successor, Ferdinand Marcos Jr., son of the ousted dictator, who also removed EDSA’s non-working holiday status starting in 2024. ### What is the status of the anti-political dynasty bill in the Philippines? As of the article’s reporting, an anti-political dynasty bill mandated by the 1987 Constitution remains pending, with competing House and Senate versions differing on how many degrees of family relation should be banned from simultaneously holding elective office. ### What do ordinary Filipinos think about EDSA’s legacy today? Filipinos interviewed for the piece, including vendors, journalists, academics, and political figures, expressed a range of views, from continued belief in EDSA’s value as a tool for accountability to skepticism that it produced lasting change for the poor. Related Stories - [The Flood Control Protests Aren’t EDSA 3. They’re the First Quarter Storm](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/flood-control-protests-first-quarter-storm/ "The Flood Control Protests Aren’t EDSA 3. They’re the First Quarter Storm") - [How Philippine Universities are Fighting to Preserve EDSA’s Legacy](https://rollingstonephilippines.com/state-of-affairs/power/philippine-university-fight-preserve-edsa-people-power-revolution-legacy/ "How Philippine Universities are Fighting to Preserve EDSA’s Legacy") - [How ‘Handog ng Pilipino’ Became a Filipino Symbol of Unity](https://rollingstonephilippines.com/music/handog-ng-pilipino-sa-mundo-filipino-symbol-of-unity-edsa-people-power-revolution/ "How ‘Handog ng Pilipino’ Became a Filipino Symbol of Unity") **Categories:** Editor's Picks, Features, Philippine Politics, State of Affairs **Tags:** EDSA, Martial Law, People Power Revolution --- ### [39 Years Later: Who Really “Won” the EDSA Revolution?](https://rollingstonephilippines.com/state-of-affairs/power/39-years-later-who-really-won-edsa-people-power-revolution/) **Published:** February 25, 2025 **Author:** Mel Wang **Excerpt:** To commemorate the People Power Revolution, we look back at its legacy and some of the revolution’s key players **Content:** 39 years after millions of Filipinos successfully (and peacefully!) ended a twenty-one year dictatorship, the [EDSA People Power Revolution](https://rollingstonephilippines.com/state-of-affairs/power/) is still a complex, blurry moment in our nation’s history. Years of censored journalism, misleading syllabi, and limited public discourse have kept the details of the days leading up to February 25, 1986 overwhelmingly murky. Who were the real key players in [EDSA](https://rollingstonephilippines.com/state-of-affairs/politics/comelec-35-walked-out-to-get-drink-they-got-revolution/)? How did things turn out for them post-revolution? And where are they now? Nearly four decades after the Filipino people demanded an end to former President Ferdinand Marcos Sr.’s regime, the narratives of its most influential figures — those who shaped, led, or capitalized on the revolution — are far from simple. To commemorate EDSA’s 39th anniversary, let’s take a closer look at the people who defined EDSA, their roles in the movement, and the fates they met once the dust settled. ## Ferdinand Marcos Sr. ![ferdinand marcos sr.](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/02/marcos.jpg) The late former President Ferdinand Marcos Sr. Photo from the Vera Files Ferdinand Marcos Sr. rose to presidential power in 1965, becoming a dominant figure in the country’s politics. While initially praised for his leadership and significant infrastructure projects, Marcos’ administration became increasingly controversial as he declared martial law in 1972, citing national security concerns. This move allowed him to extend his rule and control political opposition. Marcos’ long presidency saw both economic growth and widespread allegations of corruption and human rights abuses. In 1986, a disputed election led to the People Power Revolution and forced Marcos and his family into exile in Hawaii, marking the end of his two-decade rule. Despite his exile, the years immediately after the revolution showed that Marcos still had loyalists in the country who rallied against the Aquino government. Today, his legacy and influence can still be seen as his namesake sits as the 17th President of the Philippines. ## Corazon ‘Cory’ Aquino ![cory](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/02/cory1.jpeg) The late former President Corazon “Cory” Aquino at her presidential inauguration. Photo from the Bantayog ng mga Bayani The 11th president of the Philippines, Corazon “Cory” Aquino, first caught the nation’s attention as the wife and unwavering partner of Benigno “Ninoy” Aquino Jr., Marcos’ fiercest critic. After Ninoy’s tragic assassination on August 21, 1983, Aquino emerged as the figurehead of the opposition. Though she was widely believed to have been cheated out of victory in the controversial 1986 presidential snap elections, this loss ignited the People Power Revolution. The peaceful, four-day protest ultimately forced the Marcoses into exile and saw Aquino sworn in as the country’s first female president. Though her presidency faced challenges (including multiple coup attempts), Aquino restored democracy to the Philippines after years of martial law and dictatorship. Aquino passed away in 2009, but her legacy endures. Following her death, her son Benigno “Noynoy” Aquino III served as the country’s 15th president; however, after his term, the Aquino legacy is arguably at its least influential as the country looks to other figureheads 39 years after EDSA. ## Democracy ![who really won edsa](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/02/R801-056061.jpg) Filipinos take to the streets to protest. Photo from Pardo de Tavera Library and Special Collections, Rizal Library, Ateneo de Manila University Marcos’ 21-year presidency — including nine years of martial law — mark “one of the darkest periods in the Philippines’ history.” The human rights non-governmental organization Amnesty International documented “extensive human rights violations,” including reports of arbitrary arrests, torture, forced disappearances, and murder. Needless to say, this was not the best time for Philippine democracy. However, EDSA marked a historic turning point with the end of Marcos’ rule signaling a return to democratic processes that allowed all Filipinos to participate in shaping their country’s future. While the Philippines continues to face challenges with political dynasties, corruption, and threats to free speech, the current political climate is still far from what it was pre-EDSA. ## Capitalism ![who won edsa](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/02/R801-017061.jpg) People protest the presence of both local and international Marcos crony capitalists. Photo from Pardo de Tavera Library and Special Collections, Rizal Library, Ateneo de Manila University Under Marcos’ regime, capitalism was deeply intertwined with political power, as many businesses were controlled by a small group of capitalists with close ties to the Marcoses. Crony capitalism flourished, with lucrative government contracts, monopolies, and favorable policies granted to Marcos’ allies, contributing to widespread inequality and corruption. In the days leading up to February 25, Aquino called for “massive civil disobedience” and the boycott of all Marcos supporter-owned companies and media. Because of this, crony corporations and businesses saw their shares in the stock market plummet significantly, forcing business elites to choose between their loyalty to Marcos and their economic interests. After EDSA, the Philippines experienced a shift in capitalism as new political and business figures emerged, but the concentration of wealth and power continues. In a post-EDSA Philippines, the economy grows while struggling with the unequal wealth distribution and inefficient systems resulting from continued nepotism and cronyism. ## Ferdinand “Bongbong” Marcos Jr. ![bbm](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/02/bbm.jpg) President Ferdinand “Bongbong” Marcos Jr. Photo from the Philippine News Agency We could talk about all the Marcoses, but let’s focus on the one who’s now back in the highest seat of power: Ferdinand “Bongbong” Marcos Jr. (also known as “BBM”). The son of the former dictator, Bongbong first made his mark in Philippine politics in the 1980s, rising through the ranks as a congressman, senator, and governor. Despite the controversial legacy of his family, he maintained a strong political presence, emphasizing economic growth and infrastructure during his tenure. In 2022, he was elected president, bringing the Marcos family back to Malacañang. While there are still those who fight for democracy, Bongbong’s presidential win has established that the majority of Filipinos have moved on from EDSA and see the younger Marcos as separate from his family’s complicated history. Especially for voters who did not live through his father’s dictatorship, Bongbong offers a “refreshing choice” after recent administrations failed to meet expectations. ## Juan Ponce Enrile ![enrile](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/02/enrile.jpeg) Chief Presidential Legal Counsel Juan Ponce Enrile. Photo from the Philippine News Agency Let’s not forget Juan Ponce Enrile, a figure who played a pivotal role in the Marcos era and beyond. As Marcos’ defense secretary, Enrile was instrumental in the declaration of martial law in 1972, helping solidify Ferdinand Marcos’ grip on power. However, in a dramatic turn, he switched allegiances during the 1986 People Power Revolution, becoming a key player in the movement that ultimately ousted the Marcos family. After the revolution, Enrile was accused by the Aquino government of helping orchestrate several coup attempts but was never convicted. Since EDSA, Enrile has become one of the most influential men in politics, serving as a senator for multiple terms. In 2014, Enrile was indicted for plunder and graft in relation to the misuse of the Priority Development Assistance (PDAF) Fund. He was acquitted in 2024. Now at 101 years old, Enrile serves as BBM’s Chief Presidential Legal Counsel. ## Fidel Ramos ![fidel ramos](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/02/ramos.jpg) The late former President Fidel Ramos. Photo from the Office of the Presidential Adviser on the Peace, Reconciliation and Unity Fidel Ramos, a former military leader, was once a trusted ally of Marcos, serving as the dictator’s chief of staff in the Armed Forces. However, in 1986, he, alongside Juan Ponce Enrile, defected from the regime and joined the opposition. After Cory’s presidency, Ramos went on to become president from 1992 to 1998, where he focused on implementing key political and economic reforms that helped stabilize and modernize the country. Ramos passed away in 2022 at the age of 94. ## Jaime Cardinal Sin ![cardinal sin](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/02/sin.jpg) The late Jaime Cardinal L. Sin, Archbishop Emeritus of Manila. Photo from the Archdiocese of Manila – Office of Communications/Facebook Although Jaime Cardinal Sin initially supported Ferdinand Marcos, he grew increasingly critical of the dictatorship over time. By 1986, he became an outspoken opponent and directly called on Filipinos to join the People Power Revolution at EDSA. Four days before the revolution, Sin urged support for military leaders like Ramos and Enrile, who had defected from Marcos. Using Radio Veritas, the Catholic Church-owned station, he appealed for food and supplies for the protesters. Sin passed away in 2005 at the age of 76 due to renal failure, leaving behind a significant legacy in Philippine history. His role during EDSA serves as a reminder of the intertwined roles of church and state in the Philippines’ political life. Since Sin’s passing, no other religious figure in the Filipino Catholic Church has held as much political influence as the former Archbishop of Manila. Related Articles - [How Philippine Universities are Fighting to Preserve EDSA’s Legacy](https://rollingstonephilippines.com/state-of-affairs/power/philippine-university-fight-preserve-edsa-people-power-revolution-legacy/ "How Philippine Universities are Fighting to Preserve EDSA’s Legacy") - [The Comelec 35 Walked Out to Get a Drink. They Got a Revolution](https://rollingstonephilippines.com/state-of-affairs/politics/comelec-35-walked-out-to-get-drink-they-got-revolution/ "The Comelec 35 Walked Out to Get a Drink. They Got a Revolution") - [How ‘Handog ng Pilipino’ Became a Filipino Symbol of Unity](https://rollingstonephilippines.com/music/handog-ng-pilipino-sa-mundo-filipino-symbol-of-unity-edsa-people-power-revolution/ "How ‘Handog ng Pilipino’ Became a Filipino Symbol of Unity") **Categories:** Power, State of Affairs **Tags:** Cory Aquino, EDSA, Ferdinand Marcos Jr., Ferdinand Marcos Sr., Fidel Ramos, Jaime Cardinal Sin, Juan Ponce Enrile --- ### [Why ‘KPop Demon Hunters’ is the Pop Culture Movie of the Year](https://rollingstonephilippines.com/culture/film-tv/kpop-demon-hunters-netflix-pop-culture/) **Published:** August 28, 2025 **Author:** Mel Wang **Excerpt:** 2025 isn’t even over yet, but I’m prepared to say that no other movie’s going to come close to having the same chokehold that 'KPop Demon Hunters' has on me, you, and the rest of the world **Content:** On paper, a movie like *[KPop Demon Hunters](https://rollingstonephilippines.com/tag/kpop-demon-hunters/ "KPop Demon Hunters")* shouldn’t really work as well as it does. It’s an animated sing-along geared towards kids, with an almost outrageous storyline about a trio of demon-hunting K-pop stars who are forced to go toe-to-toe with a group of demons masquerading as very, very hot K-pop idols (What was the elevator pitch for this?). Sony sold the movie’s rights to [Netflix](https://rollingstonephilippines.com/tag/netflix/ "Netflix") in what seemed to be, at the time, a decent deal to ensure that *KPop Demon Hunters* would do decently on the streaming platform. However, the animated feature did much better than expected. As of writing, Netflix has reported that the film has a total of 236 million views, making it the platform’s most-watched movie of all time (and leaving behind the last most-watched movie, that strange Gal Gadot-led action flick *Red Notice*, in the dust). Its recent two-day sing-along theatrical release in North America earned roughly $20 million. Four of the songs on *KPop Demon Hunters*’ killer soundtrack — “Golden,” “Your Idol,” “Soda Pop,” and “How It’s Done” — continue to stake their claim on Billboard Hot 100’s Top 10 list, two months after its initial streaming release (“Golden” and “Soda Pop” also still hold Top 10 spots on the Billboard Philippines Hot 100). Sony reportedly ended up making only $20 million on its deal with Netflix; however, have no fear, as the studio is in talks with the streamer once again for an upcoming sequel. But more than its financial success, *KPop Demon Hunters* has achieved what very few animated features have managed to do: embed itself into the international pop culture hive mind. It has turned every fan, regardless of age, race, or generation, into a dedicated, die-hard Hunter (the fan name for the movie’s all-girl K-pop group, HUNTR/X). In the Philippines alone, the movie has spawned countless watch parties, fan events, and love for its Filipino dubbed version. ## Global Equalizer ![KPop demon hunters](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/kpop_2.webp) How did a kids movie about demon-slaying K-pop idols do so well? Photo from Netflix/Official Website *KPop Demon Hunters* is currently acting as a sort of global equalizer, delighting audiences with its surprisingly universal take on identity, culture, and that ongoing fight between good and evil. As [*The New York Times*’](https://www.nytimes.com/2025/08/16/opinion/kpop-demon-hunters-globalism.html "The New York Times’") Euny Hong wrote, “I found that this worldwide blockbuster isn’t the sloppy, West-kowtowing sellout I had assumed it would be. Rather, it might be proof that we are living in a post-multicultural world — or at least that pop culture has normalized imagining such a world within reach.” And perhaps this is just me waving my fist in the air, but animated movies just aren’t what they used to be. Yes, they continue to be box office hits, like Disney’s *Lilo and Stitch* live-action remake (which brought in over $1 billion), *Moana 2* (also over $1 billion), and, well, every attempt Disney makes at rehashing its old, beloved IPs. However, there *was* a time when a Disney movie was guaranteed to be a quotable, cultural classic (think *Frozen* and all the endless karaoke sessions of “Let It Go,” which took home an Oscar): but the past is the past. There are a *few* stragglers that prove that an animated hit doesn’t have to come from Disney. There’s the Latvian animated movie *Flow*, which follows a silent cat on a magical journey through a flood, and which won Best Animated Feature Film at the Oscars this year. There’s Sony’s *Spider-Man: Across The Spider-Verse*, which popularized its new, trippy style of animation, sported a killer soundtrack (“Sunflower” was No. 1 on the Billboard Hot 100 and brought in 20 million sales), and proved that an animated movie about parallel universe Spider-Men could turn into everyone’s favorite obsession. I’m also tempted to throw in *The Lego Movie* for its memeability (“President Business stole the craggle, blah blah blah”), and older meme-able stoner movies like *The Bee Movie* and *Shrek*, but perhaps this would impact my credibility as a culture writer. ![KPop demon hunters netflix](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/kpop_2-1.webp) *KPop Demon Hunters* definitely took over the world. Photo from Netflix/Official Website But *KPop Demon Hunters* seems to be surpassing its predecessors in terms of its global scope and [pulse on the culture](https://rollingstonephilippines.com/culture/), despite being an ultra-specific story about Korean demons, idol groups, and K-pop. “Regardless of the Korean setting, the message of the movie and many of the songs is universal and something everyone can relate to,” said EJAE, the K-pop singer who lends her singing voice for the movie’s main character Rumi, in an interview with *[Time](https://time.com/7308535/kpop-demon-hunters-influence/ "Time")* (that same article is titled, very aptly, *How KPop Demon Hunters Conquered The World*). That universal message EJAE’s pointing out is, despite the current state of global affairs, very hopeful. *KPop Demon Hunters* dedicates a good chunk of its story and hit singles to spotlighting the power of a group that often feels powerless against nefarious forces and the like: the fans. The K-pop industry wouldn’t hold its status of success without the fans that fuel it. And, just as the fans within the *KPop Demon Hunters* universe use their love for HUNTR/X to help them defeat the demons, we fans keep the world of pop culture turning. Related Stories - [‘KPop Demon Hunters’ Takes On Real K-Pop Idol Pressure](https://rollingstonephilippines.com/culture/film-tv/kpop-demon-hunters-idol-pressure/ "‘KPop Demon Hunters’ Takes On Real K-Pop Idol Pressure") - [TWICE Drops Teaser for Upcoming Album ‘FOUR’ Coming in July](https://rollingstonephilippines.com/radar/releases/twice-teases-new-album-four/ "TWICE Drops Teaser for Upcoming Album ‘FOUR’ Coming in July") - [11 Years On, ‘BoJack Horseman’ Left Behind a Legacy of Cautious Optimism](https://rollingstonephilippines.com/culture/film-tv/11-years-of-bojack-horseman/ "11 Years On, ‘BoJack Horseman’ Left Behind a Legacy of Cautious Optimism") **Categories:** Commentary, Culture, Film & TV **Tags:** KPop Demon Hunters, Netflix --- ### [For Aly Cabral, Survival as a Cultural Worker Means Starting From the Roots](https://rollingstonephilippines.com/culture/aly-cabral-cultural-worker/) **Published:** October 1, 2025 **Author:** Elijah Pareño **Excerpt:** The multidisciplinary artist’s versatility across music, art, and activism highlights how cultural work is an act of survival where communities are built from the ground up **Content:** Visiting [Aly Cabral](https://rollingstonephilippines.com/tag/aly-cabral/ "Aly Cabral")’s apartment feels like stepping into an archive. On the wall near the front door hangs a large print of a police officer engulfed in flames, stamped with the acronym “ACAB,” or “All Cops are Bastards.” In the corners of her apartment are traditional indigenous artworks alongside glossy, tongue-in-cheek lenticular prints of stallions riding across the lake or kittens bundled up in a ball. Her partner Jay Villarosa, known in Manila’s post-punk scene as Sexy Jay, has set up a small barbershop by the living room plants. Bottles of Infanta lambanog are stacked neatly by the window; shelves are filled with vinyl records and liberationist literature, with a “Free Palestine” poster taped onto the bedroom door. It is a space that reflects Cabral’s life as an artist where every creative pursuit necessitates a level of independence. She often says life itself is DIY, and her story proves it. ![Aly Cabral](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/10/DSC03402.webp) ![Aly Cabral](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/10/DSC03451.webp) Cabral has lived many lives in music. She is known under her DJ moniker t33g33, and the sound engineer of Elephant Sound System, a rental service run by the queer collective [ELEPHANT](https://rollingstonephilippines.com/tag/elephant/ "ELEPHANT"), which has hosted parties and raves across the country since 2017. Many first encountered Cabral as the lead vocalist of indie rock band Ourselves the Elves, who frequented venues like the now-defunct Route 196 in Katipunan or [Mow’s Bar](https://rollingstonephilippines.com/music/state-of-music-venues/ "For Filipinos, Keeping a Music Venue Alive Means Clutching at Straws") in Diliman. Her other music projects have included the heart-wrenching rhythms of Angel Olsen, or the lo-fi intimacy of Frankie Cosmos. Music clearly runs through her blood. Her father, Herb Cabral, has been a veteran house and techno DJ in Manila since the late ‘80s. Growing up around his vinyl crates, Cabral developed an early obsession with sound, and it quickly became second nature. In 2016, she launched her solo project Teenage Granny alongside Idioterne, an avant-garde sound art collective. Those early works included databending projects that transformed internet traffic into sound, and writing songs inspired by online occult culture. These explorations, often layered with themes of urban life and political precarity, showed how Cabral engaged with the world instead of escaping from it. ## To Create is to Liberate ![Aly Cabral playing vinyl records](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/10/DSC03621.webp) ![Aly Cabral](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/10/DSC03568.webp) During our conversation, English trip-hop group Sneaker Pimps’ 1996 album *Becoming X* played softly in the background, a reminder that Cabral’s sonic palette spans decades and moods. Her curiosity with electronic music, in particular, shifts depending on the sounds that surface at any moment, but her approach stays grounded in the socio-political context of the contemporary Filipino. Cabral taught herself how to DJ during the pandemic, explaining how she visited her dad’s studio every Friday to play his records. “He doesn’t use vinyl anymore,” she said. “I told him I would steal it from him.” She refuses to reduce DJing to chasing trends. “I always appreciate newer forms of music, even music that comes out of TikTok. But there are ways to appreciate it \[while bending\] the capitalistic way of making and listening to music,” she says, referring to her own practice of intentionally consuming music, whether it’s buying physical media like vinyl records, reading an album’s liner notes, or reconsidering where we consume music altogether. Cabral also cites [budots](https://rollingstonephilippines.com/tag/budots/ "budots"), the Filipino grassroots genre of dance music, as one example of how music can resist capitalist tropes — particularly in how it incorporates indigenous Badjao rhythms with modern elements like synths, syncopated drum patterns, and viral meme sound bites. “The mainstream will not survive without the underground because that’s where the ideas come from.” Aly Cabral “I realized something about \[budots\] because it’s influenced by humor,” she says. “It’s like an open source \[form of\] media because if you make a meme, anybody can use it. It’s not a work of art that you put your signature on. It’s free to use.” For Cabral, [Filipino culture](https://rollingstonephilippines.com/culture/) is constantly subject to appropriation of new contexts — a contradiction that is both a source of colonial anxiety and liberation. The music of budots producers, in particular, go largely uncompensated and even uncredited, yet the genre thrives in its openness, endlessly adapting to the different tastes, tweaks, and samples of its creators. In doing so, budots offers a sense of belonging among its listeners and producers with each new version, and Cabral frames the genre as a mirror of how she approaches her own work where art generates new meaning with every iteration. Cabral brings that same openness into the entire ecosystem of sound. The open source parallels between budots and sound system culture became apparent in her volunteer work with SAKA, an artist-led mass organization where she helps as an audio engineer, setting up speaker systems during [protest](https://rollingstonephilippines.com/tag/protests/ "Protests") demonstrations. That work — which she describes as very “experience-based,” having “no formal knowledge about it” except from technicians she’s met in Raon Shopping Center, Quiapo — naturally carried over to the parties she organizes with ELEPHANT. The work is grueling, and Cabral is often the first to arrive to set up, and the last to leave after packing down. This, however, helped her realize how essential sound systems are in cultural work. ![Aly Cabral](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/10/DSC03499.webp) By holding space for queer voices behind the equipment, Cabral hopes to shift how communities are built from the ground up. Photo by JL Javier “I really want to push for this sound system \[with\] ELEPHANT. I always tell \[my co-organizer\] Andi \[Osmeña\] that I wish there was queer representation in the sound tech industry,” she says. “I’m sure there are a lot of women who are interested, but there’s not a lot of channels to do it. So, we’re manifesting to meet more queer people. Like women in STEM \[Science, Technology, Engineering, Mathematics\], queers in audio engineering.” Much like how the Jamaican dub and reggae sound systems inspired music communities in hip-hop, house, and techno, this vision of queer-led sound systems comes from the idea that sound engineering is not just about fidelity or volume, but about who controls the tools of amplification. By holding space for queer voices behind the equipment, Cabral hopes to shift how communities are built from the ground up. ## Cultural Work is Work ![Aly Cabral](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/10/DSC03660.webp) Cabral is one of the rare figures in the Philippine independent music scene who treats art not as a career path, but as a survival strategy, often working side-by-side with mass organizations, advocating for reforms on agrarian land, an end to red-tagging by the National Task Force to End Local Communist Armed Conflict, and an increase of the daily minimum wage. The proceeds from her latest [album](https://t33g33.bandcamp.com/album/e-v-o-l-r-e-v-o-l-mantras-for-love-and-liberation), *e v o l ¡ r e v o l ! mantras for love and liberation*, for instance, go toward communities affected by recent typhoons. As such, Cabral doesn’t see herself as only a musician, but as a “cultural worker” — someone who also organizes, facilitates, and sustains spaces where culture thrives, especially for society’s most vulnerable. These roles are not separate hustles but extensions of one another, keeping her tethered to the political realities of her time. “It’s not always a rewarding experience. There really are times when you feel like you’re being exploited or extracted,” she says. “But that’s why I chose to operate in the underground because it doesn’t feel like I’m less complicit in anything that harms the culture. I have freedom to do what I want for myself and for the communities \[I’m a part of\].” For Cabral, enduring as an artist means refusing to wait for validation from institutions. It means building networks, cultivating skills, and trusting in the communities that keep grassroots culture alive. “I do it with my community because we really love doing it. It’s not for money or anything, and I feel that is really valuable to the culture as a whole. The mainstream will not survive without the underground because that’s where the ideas come from.” Related Stories - [Musician Ahmad Tanji on the Charm of Filipino Indie Pop](https://rollingstonephilippines.com/music/musician-ahmad-tanji-on-the-charm-of-filipino-indie-pop/ "Musician Ahmad Tanji on the Charm of Filipino Indie Pop") - [Filipino Musicians and the Uphill Battle of Going ‘Global’](https://rollingstonephilippines.com/editors-picks/features/filipino-representation-southeast-asia-music/ "Filipino Musicians and the Uphill Battle of Going ‘Global’") - [Producer obese.dogma777 on ‘Post-Budots’ and Filipino Electronic Music](https://rollingstonephilippines.com/music/producer-obese-dogma777-post-budots-filipino-electronic-music/ "Producer obese.dogma777 on ‘Post-Budots’ and Filipino Electronic Music") **Categories:** Art, Culture, Dance/Electronic, Editor's Picks, Features, Music **Tags:** Aly Cabral, ELEPHANT --- ### [Australia Is Changing the Rules for AI Music. Will Other Countries Follow?](https://rollingstonephilippines.com/music/news/australia-changing-ai-music-rules-other-countries/) **Published:** September 16, 2026 **Author:** Elijah Pareño **Excerpt:** New rules distinguish fully AI-generated music from human-made tracks using tools like autotune, while chart bodies elsewhere tighten their own guidelines **Content:** Last August 25, the [Australian Recording Industry Association](https://rollingstonephilippines.com/tag/aria/) (ARIA) announced a landmark update to its code of practice, where fully AI-generated songs are banned from Australia’s official music charts. However, the association clarified that AI-assisted tracks remain eligible in the charts if they were substantially human-made, such as song mastering and the use of drum machines and autotune. The code was made shortly after Australian DJ Josh Fawaz covered [Madonna](https://rollingstonephilippines.com/tag/madonna/)’s “Like A Prayer” using AI-generated vocals and drums. That cover in particular topped the ARIA dance singles chart and peaked at number 2 on Australia’s overall charts, streaming over 48 million times on Spotify. > [View this post on Instagram](https://www.instagram.com/p/DccTCR1HL4a/?utm_source=ig_embed&utm_campaign=loading)[A post shared by ARIA Insider (@aria\_insider)](https://www.instagram.com/p/DccTCR1HL4a/?utm_source=ig_embed&utm_campaign=loading) Last January, an AI-generated song called “I Know, You’re Not Mine – Jag vet, du är inte min” by an artist called Jakub was banned from the top charts of Sweden by the International Federation of the Phonographic Industry (IFPI). The global organization also mentioned that AI guidelines would be rolled out in Latin America, the Middle East, Africa and Southeast Asia for use in their official charts. Their code, updated based on the IFPI directive last July 30, also excludes music that raises “stream or chart manipulation concerns.” In the same month, streaming platform Bandcamp officially banned AI music on its website, whether that AI use is in all or a “substantial part” of the creative process. ## Frequently Asked Questions ### What did ARIA announce regarding AI-generated songs? The Australian Recording Industry Association (ARIA) announced on August 25 that fully AI-generated songs are banned from Australia’s official music charts. ### What prompted ARIA’s new code of practice? The code followed Australian DJ Josh Fawaz’s AI-generated cover of Madonna’s “Like A Prayer,” which topped the ARIA dance singles chart, peaked at number 2 on Australia’s overall charts. ### What song was banned from charting in Sweden? AI-generated song called “I Know, You’re Not Mine – Jag vet, du är inte min” by an artist called Jakub was banned from Sweden’s top charts by the International Federation of the Phonographic Industry (IFPI). ### What are the next plans for the IFPI? The IFPI announced plans to roll out AI guidelines in Latin America, the Middle East, Africa, and Southeast Asia for use in official charts. ### Did any streaming platforms ban AI music? Music platform Bandcamp officially banned AI music on its platform in July. Related Stories - [AI-Generated OPM is Quietly Spreading Online. Here’s How to Spot it](https://rollingstonephilippines.com/music/how-to-spot-ai-music-opm/ "AI-Generated OPM is Quietly Spreading Online. Here’s How to Spot it") - [Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/ "Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’") - [How TikTok is Resurrecting Forgotten Filipino Alternative Music ](https://rollingstonephilippines.com/music/indie/tiktok-resurrecting-forgotten-filipino-alternative-music/ "How TikTok is Resurrecting Forgotten Filipino Alternative Music ") **Categories:** Music, News **Tags:** ARIA, Artificial Intelligence --- ### [How to Win Two Tickets to the Filipino Music Awards with Security Bank](https://rollingstonephilippines.com/radar/rs-recommends/two-tickets-filipino-music-awards-security-bank-2/) **Published:** September 16, 2026 **Author:** Maria Althea Javier **Excerpt:** The Filipino Music Awards returns for its second year, and Security Bank cardholders have the chance to catch it live with a plus one this October **Content:** Many people regard OPM as a single musical genre, but in reality, Filipino music has never sounded like just one thing. The Filipino Music Awards was created exactly to spotlight and celebrate this underrated diversity. In its first edition, the awards program turned the limelight to the artists, songs, performances, and industry leaders that shape the country’s sonic landscape by recognizing their impact that moves Filipino music forward. Now, in partnership with Security Bank, the Filipino Music Awards offers a special opportunity for OPM fans to celebrate with the artists they have ushered forward, and experience the music they love live. ### **ONE SWIPE AWAY FROM TWO TICKETS** Eligible Security Bank credit card cardholders can score two tickets to the Filipino Music Awards by registering and then spending at least P15,000 in a single receipt from September 15 to 25, 2026. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/FMA-inappbanner.webp) Photo courtesy of Security Bank Both straight and installment transactions are eligible, provided that the transaction is made within the promo period. That means everyday spending can count, whether made locally or internationally, in-store or online. Eligible installment options include 0% ChargeLight Installment and Charge Now, Pay Later can also be counted as an eligible transaction. The promotion is open to selected Security Bank principal credit cardholders in good credit standing who received a registration code from Security Bank via SMS, Viber, or email. ### **FROM SPENDS TO FMA SEATS** Registration can then be completed through the [Filipino Music Awards promo page on Security Bank’s website](https://www.securitybank.com/promos/featured/) which can be accessed by navigating to Personal > Cards > Promos > Featured > Filipino Music Awards. Upon clicking on the “register now” button, cardholders will be led to a registration microsite where they must input the unique code they received and the mobile number where they received the code. After the September 25 cutoff, eligible cardholders will receive an email from Security Bank confirming their qualification. ### **CLAIM YOUR WAY IN** Qualified cardholders can redeem their physical tickets on October 6, 2026 from 10 a.m. to 7 p.m. at the dedicated ticket claiming area along Pacific Drive, the roadway beside the SM MOA Arena. Present the email you received as it becomes the key to claiming the tickets, so keep it handy. Print or save it as a screenshot on your phone. **Categories:** RS Recommends **Tags:** Filipino Music Awards, security bank --- ### [Robin Padilla Keeps Missing the Point](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/robin-padilla-keeps-missing-the-point/) **Published:** September 16, 2026 **Author:** Reyza Ferranco **Content:** Recent developments in the Philippine Senate fiasco will either have you roll your eyes or lose your mind. And at the center of it is Senator [Robin Padilla](https://rollingstonephilippines.com/tag/robin-padilla/). On Wednesday, September 16, Robin Padilla held a press briefing with his legal counsel to address the Department of Justice (DOJ)’s recently issued subpoena against him. It came after allegations of him obstructing justice by helping fellow Senator [Bato dela Rosa ](https://rollingstonephilippines.com/tag/bato-dela-rosa/)escape the Senate premises in May, who was placed on the National Bureau of Investigation (NBI)’s fugitive list after the International Criminal Court (ICC) served him with an arrest warrant. Padilla isn’t shy of the spotlight or coming in ill-prepared whenever there’s a microphone in front of him. The actor-turned-senator even posted about becoming a “senator-respondent” and later declared that he is happy rather than depressed about his legal predicament. In the briefing, Padilla denied the allegations of him having a role in Dela Rosa’s escape. He posited that he merely let him hitch a ride in his car and that he no longer remained in contact with his fellow senator afterward. “Noong bumaba ng sasakyan ko si Bato, noong nakisakay sa akin, hindi na po kami nag-usap. Break na po kami,” he said. He went on to joke about his newfound paranoia whenever a bald individual comes near him, out of fear that onlookers might mistake them for Dela Rosa and snap a photo. “Tuwing may lalapit sa’king bald, natatakot ako,” the senator admitted. The irony, however, is glaring. Despite previously calling the ICC’s arrest warrants against Dela Rosa “invalid” and “stupid,” Padilla now flipped the script and said he would rather face the ICC on his current case than local courts. “Sana dalhin nyo na lang sa ICC ‘yung kaso para naman medyo mataas ‘yung pride ko. Proud naman ako na talagang dayuhan ‘yung kalaban ko. Kasi parang masakit naman na nagrereklamo sa‘kin ang kapwa ko Pilipino,” said the senator. He added that facing the international courts would actually delight him more, as it would bring life to the “katipunero” in him. Padilla is scheduled to present his counter-affidavit and supporting evidence on September 25 and October 9. “May due process tayo at naniniwala ako sa due process,” Padilla remarked. ## FREQUENTLY ASKED QUESTIONS ### Why did the DOJ issue a subpoena against Senator Robin Padilla? The DOJ called on Padilla over allegations that he helped Senator Bato dela Rosa leave the Senate in May 2026, despite dela Rosa already having been served with an ICC arrest warrant. ### What did Robin Padilla say about helping Bato dela Rosa leave the Senate? Padilla said dela Rosa merely hitched a ride in his car and that they haven’t spoken since, denying any deliberate role in his escape. ### Why is Robin Padilla’s position on the ICC being called inconsistent? Padilla once called the ICC’s warrant against dela Rosa “invalid” and “stupid,” yet now wants to bring his case to the same international court — a reversal one would deem contradictory. ### Did Robin Padilla say he’d rather face the ICC than Philippine courts? Yes. Padilla said he’d rather have his case brought before the ICC, calling it a matter of pride to face a foreign adversary instead of fellow Filipinos. ### When will Robin Padilla submit his counter-affidavit in the DOJ case? Padilla is set to submit his counter-affidavit and evidence on September 25 and October 9, 2026. Related Stories - [Alarming Things Senator Robin Padilla Said During the Impeachment Trial](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/robin-padilla-alarming-impeachment-trial-remarks/ "Alarming Things Senator Robin Padilla Said During the Impeachment Trial") - [Robin Padilla Calls Himself a Communist. Angel Locsin Begs to Differ](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/robin-padilla-communist-angel-locsin-response/ "Robin Padilla Calls Himself a Communist. Angel Locsin Begs to Differ") - [Dela Rosa Preps for Arrest as Duterte Charged with 3 Counts of Crimes Against Humanity](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/bato-dela-rosa-duterte-icc/ "Dela Rosa Preps for Arrest as Duterte Charged with 3 Counts of Crimes Against Humanity") **Categories:** Philippine Politics, State of Affairs **Tags:** Bato dela Rosa, DOJ, ICC, Robin Padilla --- ### [All of Ed Sheeran’s Openers Abandon Tour After Macklemore Debacle](https://rollingstonephilippines.com/music/pop/finneas-lukas-graham-leave-ed-sheeran-tour-macklemore/) **Published:** September 16, 2026 **Author:** Jon Blistein **Excerpt:** Finneas, Lukas Graham, and Aaron Rowe withdrew after Macklemore was forced off the trek following a pressure campaign over his comments in support of Palestinians **Content:** [Finneas](https://rollingstonephilippines.com/tag/finneas/) and every other artist supporting [Ed Sheeran](https://rollingstonephilippines.com/tag/ed-sheeran/) on his Loop Tour have withdrawn from the trek after [Macklemore](https://rollingstonephilippines.com/tag/macklemore/) was forced off it following onstage comments he made in support of Palestinians and critical of Israel’s war in Gaza. Finneas, the singer-songwriter best known for his work with sister [Billie Eilish](https://rollingstonephilippines.com/tag/billie-eilish/), will no longer open for Sheeran on the upcoming South American leg of the Loop Tour, which was set to begin in November. “Artists must not be silenced when they speak up for the oppressed,” he wrote on Instagram. “I have decided to withdraw from my upcoming tour dates with Ed Sheeran. I stand with Palestine and its people.” > [View this post on Instagram](https://www.instagram.com/p/DdUdYF1zZ4d/?utm_source=ig_embed&utm_campaign=loading)[A post shared by FINNEAS (@finneas)](https://www.instagram.com/p/DdUdYF1zZ4d/?utm_source=ig_embed&utm_campaign=loading) Additionally, the other two openers for the U.S. leg — Danish pop artist Lukas Graham and Irish singer-songwriter Aaron Rowe — announced they would not partake in the rest of the U.S. leg of the Loop Tour. On [Instagram](https://www.instagram.com/p/DdUf8-ct9hE/?hl=en), Graham wrote, “It’s hard to watch families in other parts of the world burying the people they love. We should be able to speak about war, about civilians being killed, about children who deserve to grow up. Wherever they live. Whatever flag flies over them. “Money doesn’t give you the right to own the conversation. Nobody’s bank balance should decide who gets to speak or which suffering we’re allowed to acknowledge,” he added. “I love Ed, and I’m grateful for everything we’ve shared. That hasn’t changed. But I can’t put these words out into the world and carry on with this tour as things stand. We’re withdrawing from the remaining dates. I’m sorry I won’t be there. This is a difficult decision, but it’s one I need to stand by.” “I cannot stand by and allow billionaires to use their position of power to silence the rightful voices of those who speak up against Israeli genocide and who highlight the savage,” Rowe wrote on [Instagram](https://www.instagram.com/p/DdUUf5lokZe/?hl=en). Rowe added that he did not “take the decision lightly,” thanking Sheeran for his friendship and for the opportunities he’d given him. “But,” Rowe continued, “as Irish people we know all too well about genocide, forced famine and violent occupation… I need to be true to myself and my ancestors who resisted colonization, and fought for a freedom that I enjoy today in Ireland.” (Humanitarian groups and a United Nations commission have said Israel’s actions in Gaza constitute a genocide. Israel and its allies, including the United States, have denied this.) Sheeran is also losing the support of Beoga, a traditional Irish folk band who join him onstage for a run of songs during his set. The band [said](https://www.instagram.com/p/DdUZjukjXfn) they made the decision to leave the tour “following the silencing of [Macklemore](https://www.rollingstone.com/t/macklemore/) by zionist lobbies.” Like Rowe, the band thanked Sheeran for his friendship and for asking them to join him on tour, but said: “We believe in dialogue as a means of progressing the plight of the Palestinian people. As musicians, playing to those crowds every night is the stuff of dreams but to play in venues that silence anyone advocating for a Free Palestine is simply not an option for us.” They added, “We were there for Macklemore’s performance and speech. We fully supported his message, so did most of the audience in MetLife Stadium, which terrifies the lobbies. Go back and read the transcript if you’re in doubt. We are Irish people who understand colonialism. As founding members of the Irish Artists for Palestine movement, we are committed activists for justice and will continue to be. This whole episode is once again serving to distract from the real issue: over 1000 Palestinians have been killed since the most recent so-called ceasefire.” Macklemore was dropped from Sheeran’s Loop Tour on Monday after several venues told Sheeran they would not allow gigs to take place if the Seattle rapper was still on the bill. Macklemore was heavily criticized by pro-Israel groups for his actions at two shows at MetLife Stadium, where he expressed solidarity with people in Gaza and the occupied West Bank, shouted “Free Palestine,” shared images of the devastation from Israel’s war in Gaza, and performed his protest song, “Hind’s Hall,” about pro-Palestine demonstrators at Columbia University. In a statement, Macklemore said New England Patriots owner, [Robert Kraft](https://www.rollingstone.com/t/robert-kraft/), led the effort to pressure Sheeran into dropping Macklemore. “Ed told me that Kraft said I would not be allowed to perform in his stadium,” Macklemore wrote. “Ed also told me that Kraft had rallied some of the other stadium owners and collectively they gave him an ultimatum: if Macklemore stays on the tour, you will not be allowed to play in our venues.” Kraft, for his part, [confirmed he would not allow](https://www.rollingstone.com/music/music-news/macklemore-dropped-ed-sheeran-tour-robert-kraft-statement-1235626352/) Macklemore to perform at Gillette Stadium, which he owns. He said the decision was based on the rapper’s “recent actions, material shared from the stage during Ed Sheeran’s shows in New Jersey, and a broader history of antisemitic rhetoric and imagery that we believe has been deeply offensive and hurtful to the Jewish community.” Kraft, however, did not address Macklemore’s claim that he also “rallied” other stadium owners to pressure Sheeran into dropping Macklemore. On Tuesday, [Sheeran reiterated](https://www.rollingstone.com/music/music-news/ed-sheeran-macklemore-tour-statement-1235626937/) that the decision to drop Macklemore was not his, but that of promoter Messina Touring Group following pressure from the venues. “I have spent this week trying to build bridges, to find a solution and unfortunately, was unable to do so,” Sheeran wrote. “I know who I am, both as a person and as an artist, and those who know my heart know my values too.” Reps for Sheeran did not immediately return requests for comments regarding the decisions of Finneas, Rowe, and Beoga. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-news/finneas-lukas-graham-leave-ed-sheeran-tour-macklemore-1235627181/).* Related Stories - [Macklemore’s Ed Sheeran Tour Exit Draws Support From Fellow Artists](https://rollingstonephilippines.com/music/hiphop-rnb/macklemore-ed-sheeran-tour-artists-speaking-up/ "Macklemore’s Ed Sheeran Tour Exit Draws Support From Fellow Artists") - [6 Filipino Documentaries That Confronted Censorship](https://rollingstonephilippines.com/culture/film-tv/6-filipino-documentaries-that-confronted-censorship/ "6 Filipino Documentaries That Confronted Censorship") - [Author Sally Rooney Stands by Palestine Action Despite ‘Terrorist’ Label](https://rollingstonephilippines.com/state-of-affairs/politics/sally-rooney-palestine-action/ "Author Sally Rooney Stands by Palestine Action Despite ‘Terrorist’ Label") **Categories:** Music, Pop **Tags:** Aaron Rowe, Ed Sheeran, Lukas Graham, Macklemore --- ### [The Real Winners of the 2026 Emmys: Meg Stalter, Mariska Hargitay, and More](https://rollingstonephilippines.com/culture/tv/2026-emmys-real-winners-stalter-hargitay-mulaney/) **Published:** September 15, 2026 **Author:** Pie Gonzaga **Excerpt:** You can also win the Emmys by dressing as a trophy, or sarcastically raising awareness about the lack of men’s representation in television **Content:** The [78th Primetime Emmy Awards](https://rollingstonephilippines.com/tag/2026-emmy-awards/) saw many [historic wins](https://rollingstonephilippines.com/culture/tv/2026-emmy-awards-winners-updates/) today. Apple TV’s *[Widow’s Bay](https://rollingstonephilippines.com/culture/tv/widows-bay-review-best-tv-shows-2026/)* swept the season with six awards, including Outstanding Comedy Series; Welsh actor Matthew Rhys bagged two awards in one night for his lead acting roles in *Widow’s Bay* and *The Beast in Me*; and Jean Smart won her fifth consecutive Emmy for her performance as Deborah Vance in *[Hacks](https://rollingstonephilippines.com/tag/hacks/)*. But some wins don’t need trophies. Sometimes, you can win by just having fun, and that’s what some of these winners set out to do. ## Megan Stalter ![megan stalter dressed as emmy](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/megan-stalter-as-emmy.webp) Megan Stalter certainly won the red carpet with this Emmy-inspired look. Photo from Meg Stalter/Instagram If you can’t win the Emmy, *be* the Emmy. Comedian, actress, *and* birthday girl [Megan Stalter](https://rollingstonephilippines.com/tag/meg-stalter/) rolled up to the red carpet dressed as the iconic winged woman trophy, complete with wings, a globe, and *all* the gold body paint. Stalter was nominated for Outstanding Supporting Actress in A Comedy Series for her performance as Kayla in *Hacks*, but lost to *Widow’s Bay* star Kate O’Flynn. I’d wish Meg better luck next time, but she seems perfectly happy being the prettiest statuette in America. ## Mariska Hargitay ![mariska hargitay game of thrones](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/mariska-hargitay-game-of-thrones-costume.webp) “I am from the House of Hargitarian,” Mariska Hargitay says in full Jon Snow get-up. Screenshot from Television Academy/Official Website This awards night was undeniably [Mariska Hargitay](https://rollingstonephilippines.com/tag/mariska-hargitay/)’s night, and why shouldn’t it be? She’s the host. I’d lost count of how many times the *Law & Order: Special Victims Unit* star changed her look within the main ceremony’s three-hour period. At some point, she ditched her hair extensions to serve bob. She also did an *SVU*-themed recorded skit with [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/), sang with Andrew Rannells, and dressed like she was on the Night’s Watch from *Game of Thrones*, just like she asked. ## John Mulaney ![john mulaney emmy 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/john-mulaney-presents-emmy-2026.webp) “Finally, something for the fellas!” John Mulaney says. Screenshot from Television Academy/Official Website At the awards show, comedian [John Mulaney](https://rollingstonephilippines.com/tag/john-mulaney/) got to push a very important advocacy: *men’s representation in TV*. As he presented the award for Outstanding Lead Actor in a Drama, Mulaney said (sarcastically, of course, in case you’re still not picking it up), “Since the creation of television, men have been historically unrepresented. For the first three years TV existed, there were no men on it. It was just beauty contests and children talking to hand puppets, until the early ‘60s, until a man walked out and said, ‘Enough!’” ## Katie Dippold ![katie dippold tweet: Tbt to Halloween when I dressed as the babadook but my friend's house had more of a grown ups drinking wine vibe](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/katie-dippold-babadook-tweet.webp) Since being posted in 2016, Emmy Award winner Katie Dippold’s Babadook tweet has amassed 348,000 likes. Screenshot/X Yes, [Katie Dippold](https://rollingstonephilippines.com/tag/katie-dippold/) *did* win the Emmy for Outstanding Writing for A Comedy Series for her work on *Widow’s Bay*. But this win wasn’t just for her as a screenwriter. It was for the Katie Dippold who attended a Halloween party [dressed as the Babadook](https://x.com/katiedippold/status/748582543583121408?s=20) when the gathering had “more of a grown ups drinking wine vibe.” Now, Dippold could add this accolade to her growing list of achievements, right next to becoming a classic Twitter meme. *Widow’s Bay* being the best comedy horror show out there had to come from somewhere. ## Frequently Asked Questions ### Which shows won the most awards at the 2026 Emmys? *Widow’s Bay* won the most awards of the night with six awards, followed by *The Pitt* and *Pluribus* with two awards each. ### Did Megan Stalter win an award? Though Megan Stalter was nominated for Outstanding Supporting Actress in A Comedy Series, she did not win the award. ### Has Mariska Hargitay won Emmys before? In 2006, Mariska Hargitay won Outstanding Lead Actress in a Drama Series for her role as Olivia Benson in *Law & Order: Special Victims Unit*. In 2026, she won Outstanding Documentary or Nonfiction Special and Outstanding Directing for a Documentary/Nonfiction Program for *My Mom Jayne: A Film by Mariska Hargitay*. ### Which *Widow’s Bay* episode did Katie Dippold win an award for? Katie Dippold won Outstanding Writing for a Comedy Series for the first episode of *Widow’s Bay*, “Welcome to Widow’s Bay!” ### What Emmys has John Mulaney won? John Mulaney has won four Emmy Awards: Outstanding Music and Lyrics for *Saturday Night Live* (2011), Outstanding Writing for a Variety Special for *John Mulaney: Kid Gorgeous at Radio City* (2018), and Outstanding Writing for a Variety Special for *John Mulaney: Baby J* (2023) and *SNL: 50th Anniversary Special* (2025). Related Stories - [All the Winners of the 78th Primetime Emmy Awards](https://rollingstonephilippines.com/culture/tv/2026-emmy-awards-winners-updates/ "All the Winners of the 78th Primetime Emmy Awards") - [When and Where to Watch the 2026 Emmy Awards in the Philippines](https://rollingstonephilippines.com/culture/tv/2026-emmy-awards-where-to-watch-philippines/ "When and Where to Watch the 2026 Emmy Awards in the Philippines") - [Emmy Nominations 2026: Biggest Snubs and Surprises](https://rollingstonephilippines.com/culture/tv/emmy-nominations-2026-snubs-surprises/ "Emmy Nominations 2026: Biggest Snubs and Surprises") **Categories:** Culture, TV **Tags:** 2026 Emmy Awards, Emmy Awards, John Mulaney, Katie Dippold, Mariska Hargitay, Meg Stalter --- ### [Macklemore’s Ed Sheeran Tour Exit Draws Support From Fellow Artists](https://rollingstonephilippines.com/music/hiphop-rnb/macklemore-ed-sheeran-tour-artists-speaking-up/) **Published:** September 15, 2026 **Author:** Elijah Pareño **Excerpt:** The rapper was barred from subsequent tour stops after his pro-Palestine remarks, prompting Greta Thunberg, Ms. Rachel, and Garbage to speak out **Content:** [Macklemore](https://rollingstonephilippines.com/tag/macklemore/) has been dropped as an opener at [Ed Sheeran](https://rollingstonephilippines.com/tag/ed-sheeran/)’s The Loop Tour on September 14 following public backlash over his support for the Palestinian people and his call to “Free Palestine.” The comments were made publicly during his concert performances at MetLife Stadium in New Jersey last September 4 and 5. According to *[Rolling Stone](https://www.rollingstone.com/music/music-news/macklemore-dropped-ed-sheeran-tour-pro-palestine-statements-1235625967/)*, the rapper was reportedly barred from performing at subsequent tour stops on Sheeran’s North American tour. In a statement posted by Macklemore on his Instagram, he claimed that the owner of the New England Patriots and Gillette Stadium, Robert Kraft, campaigned against Macklemore’s comments. > [View this post on Instagram](https://www.instagram.com/p/DdRdsy0m2HK/?utm_source=ig_embed&utm_campaign=loading)[A post shared by BEN (@macklemore)](https://www.instagram.com/p/DdRdsy0m2HK/?utm_source=ig_embed&utm_campaign=loading) “Ed told me that Kraft said I would not be allowed to perform in his stadium,” Macklemore said. “Ed also told me that Kraft had rallied some of the other stadium owners and collectively they gave him an ultimatum: if Macklemore stays on the tour, you will not be allowed to play in our venues.” Kraft eventually addressed blocking Macklemore from performing at Gillette Stadium, confirming his involvement. “Gillette Stadium has a longstanding commitment to providing a welcoming environment for all guests and ensuring events held at our venue do not provide a platform for hate speech,” Kraft says. “Based on Macklemore’s recent actions, material shared from the stage during Ed Sheeran’s shows in New Jersey, and a broader history of antisemitic rhetoric and imagery that we believe in has been deeply offensive and hurtful to the Jewish community.” ## Support for Macklemore Artists and political figures have gathered in response to Macklemore’s statement to stand in solidarity with the rapper. Swedish environmental activist [Greta Thunberg](https://rollingstonephilippines.com/tag/greta-thunberg/) commented on Macklemore’s Instagram post, “Artists’ very active silence in the face of injustice and genocide will not be forgotten.” > [View this post on Instagram](https://www.instagram.com/p/DdSlK90veAW/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Ms Rachel (@msrachelforlittles)](https://www.instagram.com/p/DdSlK90veAW/?utm_source=ig_embed&utm_campaign=loading) American educator Ms. Rachel criticized Sheeran’s silence over the announcement. She stated that Sheeran “had an opportunity to show that we won’t be bullied into punishing people for supporting Palestine.” Ms. Rachel then concluded that Sheeran had caved to people who refused to accept that a genocide is happening. Alternative rock band Garbage posted on Instagram about Macklemore’s removal from the tour, mentioning his removal was “sheer madness.” “Macklemore’s words were not antisemitic yet he is being punished for simply pleading for the occupation, the oppression and the violence to stop,” the band said. “Whatever happened to free speech?” On the contrary, last September 11, pop artist P!nk shared a statement online after posting a reel expressing concern over Macklemore’s statements. She clarified that she didn’t object to his political stance, but explained what she needs to be able to say: “As a Jewish mom, that scared me, and it scared people I love, without being told our fear is just propaganda, and without being told I’m somehow cool with genocide because I noticed.” Moreover, the Israeli American Council called for a petition demanding Sheeran remove Macklemore as an opener. ## Frequently Asked Questions ### What are Macklemore’s greatest hits? Macklemore is an American rapper who wrote the hits “Thrift Shop,” “Can’t Hold Us,” “These Days,” and many more. ### Why was Macklemore dropped from Ed Sheeran’s The Loop Tour? Macklemore was dropped as an opener for Ed Sheeran’s The Loop Tour on September 14 following public backlash over his support for Palestinians and his call to “Free Palestine.” ### Who campaigned against Macklemore’s comments on the tour? Robert Kraft, owner of the New England Patriots and Gillette Stadium, campaigned against Macklemore’s comments and the owner of the New England Patriots and Gillette Stadium, Robert Kraft’s involvement. ### Who has spoken out in support of Macklemore? Swedish environmental activist Greta Thunberg, American educator Ms. Rachel, and alternative rock band Garbage have all spoken out in solidarity with Macklemore. ### What did the Israeli American Council do in response to Macklemore? The Israeli American Council called for a petition demanding that Ed Sheeran remove Macklemore as an opener on the tour. Related Stories - [Macklemore Speaks Out After ‘Free Palestine’ Message Draws Backlash](https://rollingstonephilippines.com/music/hiphop-rnb/macklemore-free-palestine-message-backlash/ "Macklemore Speaks Out After ‘Free Palestine’ Message Draws Backlash") - [Author Sally Rooney Stands by Palestine Action Despite ‘Terrorist’ Label](https://rollingstonephilippines.com/state-of-affairs/politics/sally-rooney-palestine-action/ "Author Sally Rooney Stands by Palestine Action Despite ‘Terrorist’ Label") - [Filipino Artists and Activists Show Up for Palestine in Viva Palestina Concert](https://rollingstonephilippines.com/state-of-affairs/viva-palestina-ph-artists-palestine/ "Filipino Artists and Activists Show Up for Palestine in Viva Palestina Concert") **Categories:** Hip-hop/R&B, Music **Tags:** Ed Sheeran, Macklemore --- ### [Imelda Cajipe-Endaya Wants National Artist Recognition for Other Women Artists](https://rollingstonephilippines.com/culture/art/imelda-cajipe-endaya-national-artist-interview/) **Published:** September 15, 2026 **Author:** Pie Gonzaga **Excerpt:** The painter and printmaker talks about why women artists get overlooked and what her National Artist title means for her at 77 **Content:** In the 54 years since the [National Artists](https://rollingstonephilippines.com/tag/national-artist/) were established, no woman has ever been conferred National Artist for Visual Arts until this year. “It’s just that those in positions of power and selection are male,” [Imelda Cajipe-Endaya](https://rollingstonephilippines.com/tag/imelda-cajipe-endaya/), the first woman to receive the distinction, tells *Rolling Stone Philippines*. “They remember their kumpares and overlook the women who are normally isolated in their homes.” Endaya was one of 10 individuals newly named National Artists in their respective disciplines, with her sharing the distinction with Negrense artist Nunelucio Alvarado in the field of visual arts. The announcement was made on September 9, just over a week shy of her 77th birthday. Endaya’s art practice goes back to the 1960s, just before former President [Ferdinand Marcos Sr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-sr/) established what was then called the National Artist Award, and it’s in that political context — of injustice and imperialism — that her work would find meaning. Distinctly political in content and eclectic in form, Endaya’s body of work is wide-ranging in media and material, and focused on the “multiple, complex intersections between woman and the question of nation,” as the [Cultural Center of the Philippines](https://rollingstonephilippines.com/tag/cultural-center-of-the-philippines/) (CCP) notes in its introduction to the 2022 retrospective *Imelda Cajipe Endaya: Pagtutol at Pag-asa*. The exhibition brought together over 200 archival pieces, from paintings and prints to collages and other works of mixed media. “Why did the selectors forget Anita Magsaysay Ho, Nena Saguil, Norma Belleza? It’s just that those in positions of power and selection are male.” Imelda Cajipe-Endaya, National Artist for Visual Arts The artist is celebrated not just for her artmaking but for her work in fostering dialogue about cultural production. In 1989, she co-founded KASIBULAN, a collective of women artists, and in 1996, she launched *Pananaw: Philippine Journal of Visual Arts* as its first editor. “I believed visual artists needed to be in dialogue, in a serious discourse about their artmaking, as well as to be self-critical,” she says when asked about what her goal was with the journal. In her 70s, Endaya is still making art, and is grateful to be named a National Artist, late as that recognition might have come. “To keep on painting for as long as I am able to is the only way to go,” she tells us. Here, she talks to *Rolling Stone Philippines* about writing about the plight of the Filipino woman, writing about art, and what she thinks about gaining recognition from an institution established by Marcos. **The Filipino woman’s experience is a big part of your practice. What is the biggest plight of the Filipino woman, in your opinion? Who or what is the biggest reason for the Filipino woman’s plight?** For my generation — I’m 77— and my mother before me, it was the isolation of women into the confines of home to serve her husband and children, first to get up and last to bed, after everyone’s needs are met. For my grandmother on my father’s side, she even had to sacrifice not being sent to school so she could serve at home and her brothers could be sent to school. For today’s generation, the biggest plight is the double burden. A typical scene is a woman working in a factory or office, and upon reaching home, she has to do domestic duties while the husband relaxes and watches TV. ![kapatiran ng lakambining maybahay by imelda cajipe endaya](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/kapatiran-ng-lakambining-maybahay-imelda-cajipe-endaya.webp) “Kapatiran ng Lakambining Maybahay,” a 2024 redux of the original 1999 installation for *Asian Women Artists: Connecting Bodies* in South Korea’s National Museum of Modern and Contemporary Art. Photo from Imelda Cajipe-Endaya/Facebook **What was your goal as the first editor of** ***Pananaw*, and do you think you achieved it?** The tendency was for artists to get peeved and emotional when the pros and cons of their art were being analyzed. I believed visual artists needed to be in dialogue, in a serious discourse about their artmaking, as well as to be self-critical. *Pananaw* helped achieve this by bringing artists together in conferences. More artists began to write as well. **Do you think something is lacking in how we talk about art and its institutions here in the Philippines?** We had Eric Torres, Leonidas Benesa, Alice Guillermo, and Paul Zafaralla writing regular features critically in accessible, appreciative language. I miss those days of elucidated comments on art in daily printed sheets. Of course, now we have digital media, more democratic, yes. But discussions become too fluid, lacking in direction, at best random. It is good that we have institutions like the CCP, the National Commission for Culture and the Arts, the Museum Foundation of the Philippines, the Ateneo Art Gallery, the Benilde School of Design, the Kalaw-Ledesma Foundation, and the Asia Art Archive, which organize art fora, research, documentation, and dialogues on art. Let us support and cooperate with them. **Speaking of institutions, why do you think it’s taken so long for a woman visual artist to be named a National Artist?** Why did the selectors forget Anita Magsaysay Ho, Nena Saguil, Norma Belleza? It’s just that those in positions of power and selection are male. Men are drinking buddies; their egos are large. They remember their kumpares and overlook the women who are normally isolated in their homes. The women have always been creative and imaginative but did not care much about recognition. **Does this recognition validate what you’ve been doing in KASIBULAN?** I believe so. KASIBULAN, through the years, has made women’s art more visible. And today, the gender count of artists publicly exhibiting is 50-50. ![the teodora alonso reading club by imelda cajipe endaya](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/The-Teodora-Alonso-Reading-Club-2011-Imelda-Cajipe-Endaya.webp) “The Teodora Alonso Reading Club,” 2011: acrylic, textile collage, and computer mouse on canvas. Photo courtesy of CCP and the artist, photographed by Erik Liongoren **You’ve criticized the late Ferdinand Marcos Sr. in past work, like** ***Dahil Sa Iyo Marcos*** **and** ***Pasyong Bayan*. We also know that it was during his administration that the Order of National Artists was established. For National Artists who are also critics of the Marcos regime, is there a way to reconcile these things?** It is said that tyrants are actually afraid of artists because the latter are independent thinkers committed to truth. My work has been all about social justice and people empowerment from a woman’s viewpoint. I am committed to country and countrymen, bayan at taumbayan. And it is them, not the president, where the National Artist Awards emanate from. **What does being a National Artist mean to you? At your age, what does it mean for your practice now?** I never dreamed of this honor and its benefits. I am happy and thankful, though humbled that this award is being given to me. To keep on painting for as long as I am able to is the only way to go. ## Frequently Asked Questions ### Who is Imelda Cajipe-Endaya? She is a Filipino visual artist whose practice dates back to the 1960s. Her work centers on the intersections between women’s experiences and questions of nation, spanning painting, printmaking, collage, and mixed media. ### Why is Imelda Cajipe-Endaya significant to the Order of National Artist? She is the first woman to be conferred a National Artist for Visual Arts in the award’s history, which was established in 1972. ### What is KASIBULAN? KASIBULAN is a collective of women artists that Cajipe-Endaya co-founded in 1989 to make women’s art more visible in the Philippines. ### What was *Pananaw*? *Pananaw: Philippine Journal of Visual Arts* was a publication Cajipe-Endaya co-founded and launched in 1996, serving as its first editor. It was created to foster critical dialogue and discourse among visual artists. ### How does Imelda Cajipe-Endaya reconcile criticizing Marcos with accepting an award established under his administration? She says the honor comes from the country and its people, not the president, and notes that her work has always centered on social justice and empowerment from a woman’s perspective. Related Stories - [Why New National Artist Gregorio C. Brillantes Was ‘A Writer’s Writer’](https://rollingstonephilippines.com/culture/books/new-national-artist-gregorio-brillantes/ "Why New National Artist Gregorio C. Brillantes Was ‘A Writer’s Writer’") - [Who Should be a National Artist?](https://rollingstonephilippines.com/culture/who-should-be-a-national-artist/ "Who Should be a National Artist?") - [Kidlat Tahimik Renounces National Artist Status in Protest of CHED’s Gen Ed Overhaul](https://rollingstonephilippines.com/culture/art/kidlat-tahimik-protests-ched-general-education-overhaul/ "Kidlat Tahimik Renounces National Artist Status in Protest of CHED’s Gen Ed Overhaul") **Categories:** Art, Culture **Tags:** Imelda Cajipe-Endaya, National Artist --- ### [‘My Mom Is the Philippines to Me’: Darren Criss on His Filipino Upbringing and Masculinity Today](https://rollingstonephilippines.com/culture/darren-criss-filipino-masculinity-ai/) **Published:** September 15, 2026 **Author:** Jonty Cruz **Excerpt:** The GQ Philippines cover star isn’t afraid to wear his heart on his sleeve as he makes the case for being the kind of man we all need to be right now **Content:** [Darren Criss](https://rollingstonephilippines.com/tag/darren-criss/) didn’t grow up with a lot of Filipino men in his life. As an American of Irish-Filipino descent, all he knew about the latter came from his Filipino mother. “My mom is Filipino, so there is a feminine oeuvre to the lens of how I see the Philippines,” Criss tells *Rolling Stone Philippines*. “My mom *is* the Philippines to me.” This past weekend, Criss was in town for the launch of *[GQ Philippines](https://rollingstonephilippines.com/tag/gq-philippines/),* where he graces one of the covers of its maiden issue alongside [NBA](https://rollingstonephilippines.com/tag/nba/) Champion and New York Knicks guard Jordan Clarkson and *FEATR* founder and *Rolling Stone Philippines* Voices honoree [Erwan Heussaff](https://rollingstonephilippines.com/tag/erwan-heussaff/). In his cover story, Criss talks to *GQ Philippines* Deputy Editor Chino Hernandez about how he views his work in the performing arts and what he wants to come out of it: “Why do we communicate? It’s to bring ourselves closer and to have a closer understanding of each other, particularly to people we’ve never met and to strangers we have not communicated with.” Even before the wave of Wasian actors that we’re seeing today, Criss had already been a mainstay across stage and screen. He first broke out as Blaine Anderson in the teen musical dramedy *Glee* at its peak. Post-William McKinley High, he went on to star as Andrew Cunanan in yet another Ryan Murphy project, *The Assassination of Gianni Versace: American Crime Story,* for which he won the Primetime Emmy Award for Best Lead Actor in a Limited Series or Movie*,* becoming the first actor of Filipino descent to ever do so. His successes would only grow from there. Criss went on to two productions on Broadway: *American Buffalo* and *Maybe Happy Ending*, the latter of which he both starred in and co-produced. *Maybe Happy Ending* also earned Criss his first Tony Award in 2025 for Best Performance by an Actor in a Leading Role in a Musical, as well as Best Musical. “There’s just no higher rung on the ladder,” Criss tells *Rolling Stone Philippines* about *Maybe Happy Ending*. “That was the most wonderful thing that I really ever got to be a part of.” Backstage at the *GQ Philippines* launch at the MGBx Convention Hall in Newport, Pasay City, we talked to him about this current era of Broadway, why it’s resonating in this age of AI, and how to navigate this very tumultuous time living in the manosphere. ![darren criss gq rolling stone](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/darren-criss-intext.webp) Criss says he’s always wanted to impress the old guard. *The following has been edited for length.* **I want to start with** ***Maybe Happy Ending*. What was that like for you given how those kinds of Asian-centered roles don’t really come very often, especially on Broadway?** Yeah, it does not, times a million, and I’m fully aware of that. And prior to my involvement in the show, the question that is often asked of any actor, especially in the theater, is “What’s your dream role?” My answer had always been like a role that I can’t even think of. I want to do something that I don’t know, and that’s exactly what happened. This thing came out of nowhere, and everybody, including the people in it, was kind of stupefied and enraptured by. I’ve said this ad nauseam, but it continues to be, and certainly was while I was in it, one of the greatest possible things that could be happening and have happened and continue to happen for my life, professionally, personally, spiritually, emotionally, artistically. There’s just no higher rung on the ladder. That was the most wonderful thing that I’ve really ever gotten to be a part of. “I’m a forever student whether I’m the oldest guy in the room or the youngest guy in the room.” Darren Criss **In some ways, its success is a great example of what’s happening in Broadway today. I feel like beyond the ticket sales, it’s more thanks to the diversity and the variety of shows that are finding audiences and generating buzz not seen in a long time. Between** ***Maybe Happy Ending*** **and** ***Oh Mary****!*, **what makes this era of Broadway maybe the best it’s been in years?** Well, time will tell if that’s true, and I don’t know how one quantifies that to be a metric. Is it ticket sales? I think the first stop for any social analyst would be the inevitable response to AI, and the response to isolation. I think the combination of those two things — things that are artificial and things that are isolating — is the complete opposite of what the theater is. Theater is inescapably real and inescapably communal. It has to happen with other people, and it gives me goosebumps to even talk about it. It’s very encouraging to know that despite every reason we have not to be together, we do everything to be together. And the great irony is when people say, “Oh, you know, we spend all our time on our screens,” it’s just because it’s the closest, next best thing to being with a bunch of people. It’s a facsimile for that. So, if people really want the real thing, it’s available. I’ll use theater as a specific example. It’s one of our oldest art forms, as far as performing arts is concerned. Every culture, at some point, for thousands of years, has had some kind of version of performance, and for people to gather and experience some kind of communal catharsis. That’s such an offshoot from what your question was. But I think there’s a singularity to those things in the way that all the great shows before them that we now remember and celebrate have, which is the thing that’s sticking out. It’s the diamond in the rough. There is something in it that is enduring. There’s a reason why we love *Les Misérables*. The music is unbelievable, obviously, but there’s a story and a heart to it that transcends borders and language, and like all great art, I think it’s the things that were unlike the things that we ever expected. The greatest thing about that is that there’s always going to be something we don’t expect that really is encouraging. “My masculinity actually does come from a very prominent female presence in my life.” Darren Criss **And how has this resurgence in Broadway been like for you as a performer?** I think, in particular, *Maybe Happy Ending* and the play I did before that, *American Buffalo*, I felt this kind of natural crossfade between two eras of my life. In *American Buffalo*, I was the young gun. I was the youngest guy in the room. I’ve had something that I’ve called my whole life a younger-brother syndrome, where I’ve always wanted to impress the old guard. I want to earn my stripes. I want them to respect me the way I respect them. I want them to think I’m cool. I want them to think I’m funny, and I’ll do anything I can to earn that in a natural way, right? So that was my role in that play, and then I did *Maybe Happy Ending*, where suddenly, oh my God, I guess I’m the upperclassman now. I’m no longer the freshman. So who am I trying to impress? I’m trying to impress the young people. I want to earn their favor and respect and affection through my wiles, and not through leadership, but through just trying to do the best that I can in order to gain their favor. So I kind of felt that transition because it was the first show where I was really kind of put in a leadership position that I had never truly been in before. **Did you enjoy that?** Yes, but I’m careful with saying “yes” to that because it sounds sort of egomaniacal. I didn’t enjoy it for the authority. I enjoyed it for the humility of what it is to learn how to lead, you know? “By your pupils you’ll be taught,” to quote Rodgers and Hammerstein. So I’m a forever student whether I’m the oldest guy in the room or the youngest guy in the room. **So you’re here in Manila for the launch of** ***GQ Philippines*, and a lot of the discussion right now is about the modern interpretation or understanding of masculinity and strength. As we talk about the importance of vulnerability and humility in men today, at the same time, the opposite is also once again on the rise, like that very alpha male, very force-as-strength idea of masculinity. I’m curious what’s your take on navigating this era with these two opposing sides coming to a head.** Well, I’ll say it’s nothing new. This is not a new threat. This isn’t like some new phenomenon. It doesn’t make it any less unpleasant, but those things happen not for nefarious reasons. They come from the very things that they’re not in touch with, which is fear and vulnerability, and an inaccessibility, a feeling of alienation. That perhaps those people haven’t had the opportunity to get in touch with for whatever reason. Usually for reasons beyond their own control. So I can never fault those people. I understand where it comes from. It’s unfortunate. So I think for the other side of it, I think there has to be a lot of grace in understanding that, and I think we don’t win anything either from shutting people like that out. I think one has to learn to enable growth across all boards. Easier said than done. Obviously, it’s a very complex thing. I just think understanding that it’s a natural thing to be scared of things that are different, it’s how we’re built, and in this modern world, it can show up in nastier ways than we prefer. But I think it’s about trying to show grace in the way that we show grace to a child, and enabling their growth and understanding of the world. It’s a tough task, and those kinds of changes can only be made incrementally through small graces on a global scale. It’s certainly nothing new. The last thing I’ll say about this is, you know how the squeaky wheel gets the grease? The louder guy gets the bigger stick, right? The more people will hear about it. The kinder, softer side of what we’re talking about in this dichotomy isn’t as loud. They don’t make the news as often. Good people don’t make the news as often as bad people. So I think it’s important to remember that while we live in this age where the most distressing things and ideas are aggregated to the front, because those can harvest reactions in the way that normal everyday civil people do not, I’m a full believer that the civil group is the vast unseen majority. “I’ve always wanted to impress the old guard. I want to earn my stripes. I want them to respect me the way I respect them.” Darren Criss **On the topic of masculinity and being Filipino, I want to ask how your Filipino upbringing informed how you understand masculinity?** I mean, my mom is Filipino, so there is a feminine oeuvre to the lens of how I see the Philippines. My mom *is* the Philippines to me. So it is inherently a female angle. I’m sure psychologists or psychoanalysts might have something to say about the way that I am Filipino. I don’t know. I’d be curious to know what a professional’s opinion would be, but my masculinity is based on a lot of femininity. I love dichotomies. So if we’re being sort of binary, just for the purposes of this conversation on this particular point, what makes masculinity cool is understanding femininity to the best of your degree, and vice versa. The wabi sabi of it all, the yin and yang. So yeah, maybe there’s something to that. That my masculinity actually does come from a very prominent female presence in my life. Related Stories - [Darren Criss, Nicole Scherzinger Join List of Filipino Tony Award Winners](https://rollingstonephilippines.com/culture/news-culture/nicole-scherzinger-darren-criss-tony-awards/ "Darren Criss, Nicole Scherzinger Join List of Filipino Tony Award Winners") - [Lea Salonga’s Hollywood Walk of Fame Star to Be Unveiled on September 4](https://rollingstonephilippines.com/culture/theater/lea-salonga-hollywood-walk-of-fame-star-unveiling/ "Lea Salonga’s Hollywood Walk of Fame Star to Be Unveiled on September 4") **Categories:** Culture, Theater, TV **Tags:** Darren Criss --- ### [GQ Philippines Has Arrived to Tell the Stories of Filipino Men Today](https://rollingstonephilippines.com/culture/gq-philippines-stories-filipino-men-today/) **Published:** September 14, 2026 **Author:** Elijah Pareño **Excerpt:** The inaugural issue brings together three cover stars while setting out to showcase the experiences and ambitions of today’s Filipino man **Content:** On September 12, *[GQ Philippines](https://rollingstonephilippines.com/tag/gq-philippines/)* officially launched at The Manila Marriott Hotel. The grand launch introduces the publication’s goal of showcasing the unique experiences and ambitions of the contemporary Filipino man. ![GQ Cover Stars](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/GQ-PH-cover-stars.webp) Erwan Heussaff and Darren Criss. Photo by Kim Santos *GQ Philippines*’ grand launch was hosted by Filipino actor Matteo Guidicelli, along with star-studded attendees such as actress [Anne Curtis](https://rollingstonephilippines.com/tag/anne-curtis/), [Nadine Lustre](https://rollingstonephilippines.com/tag/nadine-lustre/), Miss Universe 2015 [Pia Wurtzbach](https://rollingstonephilippines.com/tag/pia-wurtzbach/), Miss Universe Philippines 2026 [Bea Millan-Windorski](https://rollingstonephilippines.com/tag/bea-millan-windorski/), model LA Aguinaldo, to name a few. The culmination of the evening came when the publication revealed the three cover stars of *GQ Philippines*: [New York Knicks](https://rollingstonephilippines.com/tag/the-new-york-knicks/) star Jordan Clarkson, actor [Darren Criss](https://rollingstonephilippines.com/tag/darren-criss/), and *FEATR* founder and host [Erwan Heussaff](https://rollingstonephilippines.com/tag/erwan-heussaff/). ![GQ Philippines Guests Take Copies](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/gq-ph-COPIES.webp) Guests taking their copies of the inaugural issue of *GQ Philippines.* Photo by Kim Santos The program opened with welcoming remarks from [AGC Power Holdings Corp.](https://rollingstonephilippines.com/tag/agc-phc/) CEO, Chairman, and *GQ Philippines* publisher Archie G. Carrasco, followed by a speech from Condé Nast Executive Director, Strategic Content Initiatives Amy Mangino. “Today, men can be powerful and vulnerable,” Carrasco says. “Ambitious and grounded. Global in perspective, while remaining deeply proud of where they come from. That is the world *GQ Philippines* intends to capture.” The editorial team of *GQ Philippines* comprises editor-in-chief Danyl Geneciran, deputy editor Chino Hernandez, managing editor Peejo Pilar, and art director Marc Yellow. *GQ Philippines*’ inaugural issue is available via [Sari Sari Shopping](https://sarisari.shopping/collections/gq-philippines). ## Frequently Asked Questions ### When did *GQ Philippines* officially launch? *GQ Philippines* officially launched on September 13 at The Manila Marriott Hotel. ### Who are the cover stars of *GQ Philippines*‘ inaugural issue? The *GQ Philippines* three cover stars are New York Knicks star Jordan Clarkson, actor Darren Criss, and FEATR founder and host Erwan Heussaff. ### Who spoke at the *GQ Philippines* launch event? The program opened with welcoming remarks from AGC Power Holdings Corp. CEO, Chairman, and *GQ Philippines* publisher Archie G. Carrasco and Condé Nast Executive Director of Strategic Content Initiatives, Amy Mangino. ### Where can you get GQ Philippines’ inaugural issue? The *GQ Philippines* inaugural issue is available via *Sari Sari Shopping*. Related Stories - [AGC Power Holdings Corp. Announces New Editorial Leadership For Vogue Philippines](https://rollingstonephilippines.com/culture/news-culture/new-vogue-philippines-editorial-leadership/ "AGC Power Holdings Corp. Announces New Editorial Leadership For Vogue Philippines") - [25 Best Filipino Love Songs Across Generations](https://rollingstonephilippines.com/music/25-filipino-love-songs-for-the-emotionally-compromised/ "25 Best Filipino Love Songs Across Generations") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") **Categories:** Culture **Tags:** Darren Criss, erwan heussaff, GQ Philippines --- ### [All the Winners of the 78th Primetime Emmy Awards](https://rollingstonephilippines.com/culture/tv/2026-emmy-awards-winners-updates/) **Published:** September 15, 2026 **Author:** Pie Gonzaga **Excerpt:** Here’s a full, updated list of all the winners of the 2026 Emmys **Content:** The [78th Primetime Emmy Awards](https://rollingstonephilippines.com/tag/2026-emmy-awards/) are on, hosted by three-time Emmy Award-winning actress Mariska Hargitay at the Peacock Theater in Los Angeles. In the Philippines, a [livestream](https://rollingstonephilippines.com/culture/tv/2026-emmy-awards-where-to-watch-philippines/) of the awards night is available to watch on the HITS Now channel on Cignal TV and Cignal Play, with the main ceremony set to start at 8:00 a.m. on Tuesday, September 15. But if you don’t have a subscription to the cable or streaming service, we’ve got you covered. Here, we give you an updated list of all the winners of 19 major awards, including outstanding actors and actresses in comedy and drama series. Among this edition’s biggest players are *[The Pitt](https://rollingstonephilippines.com/tag/the-pitt/)* with 12 major nominations, and *[Hacks](https://rollingstonephilippines.com/tag/hacks/)* and *[Widow’s Bay](https://rollingstonephilippines.com/tag/widows-bay/)* with seven nominations each. In addition to the major awards, the Bob Hope Humanitarian Award was presented to actor Michael J. Fox, in recognition of his contributions to Parkinson’s disease research and advocacy. *The winners will be highlighted in boldface as they’re announced.* *Bookmark and refresh this page for updates.* ## Outstanding Comedy Series - *Abbott Elementary* - *The Bear* - *Hacks* - *Margo’s Got Money Troubles* - *Nobody Wants This* - *Only Murders in the Building* - *Shrinking* - ***Widow’s Bay*** ## Outstanding Drama Series - *The Diplomat* - *The Gilded Age* - *A Knight of the Seven Kingdoms* - *Paradise* - ***The Pitt*** - *Pluribus* - *Slow Horses* - *Your Friends & Neighbors* ## Outstanding Limited or Anthology Series - *All Her Fault* - *The Beast in Me* - *Beef* - ***DTF St. Louis*** - *Love Story: John F. Kennedy Jr. & Carolyn Bessette* ## Outstanding Reality Competition Program - *Dancing with the Stars* - *RuPaul’s Drag Race* - *Survivor* - *Top Chef* - ***The Traitors*** ## Outstanding Variety Series - *The Daily Show* - *Jimmy Kimmel Live!* - *Last Week Tonight with John Oliver* - ***The Late Show with Stephen Colbert*** - *Saturday Night Live* ## Outstanding Lead Actor in a Comedy Series - Yahya Abdul-Mateen II – *Wonder Man* - Steve Carell – *Rooster* - **Matthew Rhys – *Widow’s Bay*** - Jason Segel – *Shrinking* - Martin Short – *Only Murders in the Building* ## Outstanding Lead Actress in a Comedy Series - Quinta Brunson – *Abbott Elementary* - Ayo Edebiri – *The Bear* - Elle Fanning – *Margo’s Got Money Troubles* - Lisa Kudrow – *The Comeback* - **Jean Smart – *Hacks*** ## Outstanding Lead Actor in a Drama Series - Sterling K. Brown – *Paradise* - Gary Oldman – *Slow Horses* - Mark Ruffalo – *Task* - Rufus Sewell – *The Diplomat* - **Noah Wyle – *The Pitt*** ## Outstanding Lead Actress in a Drama Series - Carrie Coon – *The Gilded Age* - Chase Infinity – *The Testaments* - Keri Russell – *The Diplomat* - **Rhea Seehorn – *Pluribus*** - Zendaya – *Euphoria* ## Outstanding Lead Actor in a Limited Anthology Series or Movie - Riz Ahmed – *Bait* - Jason Bateman – *Black Rabbit* - Charlie Hunnam – *Monster: The Ed Gein Story* - Oscar Isaac – *Beef* - **Matthew Rhys – *The Beast in Me*** ## Outstanding Lead Actress in a Limited Anthology Series or Movie - Claire Danes – *The Beast in Me* - **Sally Field – *Remarkably Bright Creatures*** - Carey Mulligan – *Beef* - Sarah Pidgeon – *Love Story: John F. Kennedy Jr. & Carolyn Bessette* - Sarah Snook – *All Her Fault* ## Outstanding Supporting Actor in a Comedy Series - Colman Domingo – *The Four Seasons* - Paul W. Downs – *Hacks* - Harrison Ford – *Shrinking* - Nick Offerman – *Margo’s Got Money Troubles* - **Stephen Root – *Widow’s Bay*** - Michael Urie – *Shrinking* - Tyler James William – *Abbott Elementary* ## Outstanding Supporting Actress in a Comedy Series - Dale Dickey – *Widow’s Bay* - Hannah Einbinder – *Hacks* - Janelle James – *Abbott Elementary* - **Kate O’Flynn – *Widow’s Bay*** - Michelle Pfeiffer – *Margo’s Got Money Troubles* - Megan Stalter – *Hacks* - Jessica Williams – *Shrinking* ## Outstanding Supporting Actor in a Drama Series - Patrick Ball – *The Pitt* - Billy Crudup – *The Morning Show* - Shawn Hatosy – *The Pitt* - Gerran Howell – *The Pitt* - Jack Lowden – *Slow Horses* - **Tom Pelphrey – *Task*** - Carlos Manuel Vesga – *Pluribus* ## Outstanding Supporting Actress in a Drama Series - Taylor Dearden – *The Pitt* - Fiona Fourif – *The Pitt* - **Allison Janney – *The Diplomat*** - Katherine LaNasa – *The Pitt* - Sepideh Moafi – *The Pitt* - Julianne Nicholson – *Paradise* - Karolina Wydra – *Pluribus* ## Outstanding Directing for a Comedy Series - Randall Einhorn, “Ballgame” – *Abbott Elementary* - Christopher Storer, “Bears” – *The Bear* - Andrew DeYoung, “Life goes by too f\*\*king fast, it really does.” – *The Chair Company* - Lucia Aniello, “Hacks” – *Hacks* - Mary Lou Belli, “Give It Arrest” – *The Ms. Pat Show* - **Hiro Murai, “Welcome to Widow’s Bay!” – *Widow’s Bay*** ## Outstanding Directing for a Drama Series - **Saul Metzstein, “Scars” – *Slow Horses*** - Salli Richardson-Whitfield, “My Mind Is Made Up” – *The Gilded Age* - Hanelle Culpepper, “Exodus” – *Paradise* - Noah Wyle, “12:00 P.M.” – *The Pitt* - Vince Gilligan, “We Is Us” – *Pluribus* - Salli Richardson-Whitfield, “Out beyond ideas of wrongdoing and rightdoing, there is a river.” – *Task* ## Outstanding Writing for a Comedy Series - Quinta Brunson, “Team Building” – *Abbott Elementary* - Tim Robinson and Zach Kanin, “Life goes by too f\*\*king fast, it really does.” – *The Chair Company* - Michael Patrick King and Lisa Kudrow, “Valerie Does It All” – *The Comeback* - Lucia Aniello, Paul W. Downs, and Jen Statsky, “Hacks” – *Hacks* - Anthony King, “Mergers and Acquisitions” – *Jury Duty Presents: Company Retreat* - **Katie Dippold, “Welcome to Widow’s Bay!” – *Widow’s Bay*** ## Outstanding Writing for a Drama Series - Peter Akerman and Debora Cahn, “Amagansett” – *The Diplomat* - Kirsten Pierre-Geyfman and R. Scott Gemmill, “1:00 P.M.” – *The Pitt* - Valerie Chu, “12:00 P.M.” – *The Pitt* - **Vince Gilligan, “We Is Us” – *Pluribus*** - Will Smith, “Scars” – *Slow Horses* - Brad Ingelsby, “A Still Small Voice” – *Task* Related Stories - [Emmy Nominations 2026: Biggest Snubs and Surprises](https://rollingstonephilippines.com/culture/tv/emmy-nominations-2026-snubs-surprises/ "Emmy Nominations 2026: Biggest Snubs and Surprises") - [When and Where to Watch the 2026 Emmy Awards in the Philippines](https://rollingstonephilippines.com/culture/tv/2026-emmy-awards-where-to-watch-philippines/ "When and Where to Watch the 2026 Emmy Awards in the Philippines") - [‘The Pitt’ Receives 25 Emmy Nominations, But None for Isa Briones](https://rollingstonephilippines.com/culture/tv/the-pitt-emmy-nominations-isa-briones/ "‘The Pitt’ Receives 25 Emmy Nominations, But None for Isa Briones") **Categories:** Culture, TV **Tags:** 2026 Emmy Awards, Emmy Awards --- ### [It’s Never Been More Hectic to Live in the Philippines. Can Your Glow Keep Up With a 24-Hour Day?](https://rollingstonephilippines.com/radar/rs-recommends/ponds-glow-24-hour-day/) **Published:** August 27, 2026 **Author:** Eldrin Veloso **Excerpt:** Two female creatives take on a whole day with POND’S in the latest episodes of Rolling Stone Philippines Gonzo Diary **Content:** How do creatives keep their glow throughout the day? The latest Rolling Stone Philippines Gonzo Diary episode with POND’S spotlights a day in the life of model and graphic artist Selina Woo Bhang to answer that question, while film director Martika Escobar takes us behind the scenes to see how she keeps her glow in her own way in an upcoming episode. Across these episodes that take us through all the work and responsibilities everyday Filipinos go through, we see how confidence to keep going often starts with the routines that help these women show up at their best like with POND’S products designed to support skin through every stage of the day. ## GLOW ON THE GO As the industry becomes more and more demanding, multi-disciplinary creatives like Selina Woo Bhang continue to make the most of every opportunity without burning out. Working across different fields, it’s important for Selina to keep that glow to stay inspired. ![selina woo bhang](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Selina-1-2-scaled.webp) In her Rolling Stone Gonzo Diary episode, we see her moving through the day with the help of the POND’S Bright Miracle Serum Day Cream, keeping her radiant and inspired to pursue her artistic passions. Her day usually begins at 9 a.m. with a graphic design project, moving between mood boards, typefaces, colors, and compositions in search of the right visuals. As her workspace turns into a self-portrait studio by noon, she brings her visions through her self-portraits for a jewelry brand. After that, she stays inspired and curious by attending events and seeing fellow creatives at a book launch. Like most days, it can get long and overwhelming but Selina still keeps her glow with t with , the POND’S Bright Miracle Serum Day Cream that offers a low-key way to look more put together, leaving a soft, powdery finish on most skin types, while working as a serum, moisturizer, and primer in one. ## confidence behind the camera Martika Escobar has made a career out of bending familiar stories into stranger, more vivid shapes. Her feature debut, *Leonor Will Never Die*, turned genre play into festival acclaim, winning Sundance’s Special Jury Prize for Innovative Spirit in 2022. She also earned a Cinemalaya Best Cinematography award in 2023 for her film *When This Is All Over*. For Martika, self-care at the start of the day is crucial in keeping up with the demands of being a filmmaker. A director who wears different hats and manages crews throughout a shoot, she leans into products that give her that boost to face teams with confidence. ![martika escobar](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Martika-2-scaled.webp) In her upcoming episode of Rolling Stone Philippines Gonzo Diary, we get to step behind the camera with the filmmaker as she takes us through a day on set, from reviewing compositions and movements with her crew to navigating changing setups, lights, and takes. She sets her day up for success with the POND’S Bright Miracle Serum Burst Cream, a dewy, water-based serum that blends into the skin. A long shoot day can leave even the best of us drained, feeling tired, and our skin less radiant from dryness. Designed for dry and sensitive skin, the POND’S Bright Miracle Serum Burst Cream leaves a more hydrated finish for long days spent across different settings.. No matter what the day brings, each formula is designed to meet skin where it is. From days that call for a soft, powdery finish or a fresher, dewier one, in a single step, the creams prime, tone up, and blur for an instant soft-filter glow that moves easily from first call to last. Between life as a creative and the demands of any work day, creatives like Selina and Martika know that keeping ones glow up is easier said than done. Thankfully, knowing who you are and how to take care of yourself is the best way to keep your glow and stay true to your passions. **Categories:** Radar, RS Recommends **Tags:** Martika Escobar, PONDS, Selina Woo Bhang --- ### [National Cinema Day Proves Filipinos Will Go to Theaters for the Right Price](https://rollingstonephilippines.com/culture/film/national-cinema-day-p100-tickets-nationwide/) **Published:** September 14, 2026 **Author:** Elijah Pareño **Excerpt:** The nationwide celebration drew early queues and sold-out screenings, with audiences pointing to the P100 admission price as a major factor **Content:** The first-ever [National Cinema Day](https://rollingstonephilippines.com/tag/national-cinema-day/) is an initiative where over 100 cinemas nationwide are selling tickets for only P100 each exclusively on September 12. The P100 admission price in participating SM Cinemas, Ayala Malls Cinemas, Robinsons Movieworld, and Megaworld Cinemas was offered as part of the nationwide celebration aimed at encouraging Filipinos to return to theaters and rediscover the experience of watching movies on the big screen. Screenings of the following films include horror films like *The Substance* and *[Backrooms](https://rollingstonephilippines.com/tag/backrooms/)*, drama-romance *One More Chance*, comedy-drama *Four Sisters and a Wedding*, sci-fi blockbuster *[Project Hail Mary](https://rollingstonephilippines.com/culture/film/23-movies-coming-in-2026/)*, and music documentaries like *[Don’t Look Back in Anger](https://rollingstonephilippines.com/music/rock/oasis-dont-look-back-in-anger-philippine-cinemas/)*, to name a few. > [View this post on Instagram](https://www.instagram.com/p/DdK6w9zF1_g/?utm_source=ig_embed&utm_campaign=loading)[A post shared by SM Cinema (@sm\_cinema)](https://www.instagram.com/p/DdK6w9zF1_g/?utm_source=ig_embed&utm_campaign=loading) Organized by the Cinema Exhibitors Association of the Philippines (CEAP), the National Cinema Day received overwhelming support for nearly all screenings domestically. Participating cinemas experienced early queues, showing people buying tickets in advance, while others announced that all screenings of the films had sold out completely. It has not yet been specified online which films have sold out. ## Cheaper Tickets As Solution ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/National-Cinema-Day-turnout-1920x1275.webp) Online, attendees have credited National Cinema Day’s success to its affordability. Photo from Megaworld Cinemas/Facebook According to *ABS-CBN*, cinemas in Fairview, Quezon City sold out tickets for all screening schedules across six cinema rooms. The mall drew large crowds to its cinema area, with tickets fully booked through the last full-show schedule. In cinemas like Gateway Mall in Cubao, Quezon City, a long queue was still standing around 11:00 p.m., hours after the mall had closed. Online, attendees have credited National Cinema Day’s success to its affordability, with some saying that affordable pricing is the “only proof” that cinema isn’t dead, especially given how expensive standard ticket prices have become. Community-driven online database Takilya revealed the turnout of National Cinema Day was the second-highest-selling Saturday next to the opening weekend of *Amazing Spider-Man: Brand New Day* back in August 1. The website then proved, based on its insights, that affordable ticket pricing has been one of the main reasons why cinemagoers have been going to cinemas. National Cinema Day was officially launched last August 25 at Shangri-La Plaza in Mandaluyong City, led by the CEAP, in partnership with industry stakeholders and the [Film Development Council of the Philippines](https://rollingstonephilippines.com/tag/fdcp/) (FDCP). ## Frequently Asked Questions ### What is National Cinema Day? National Cinema Day is a first-ever initiative where over 100 cinemas nationwide sold movie tickets for only P100 each on September 12. ### What were the films shown during National Cinema Day? Films screened included horror titles like *The Substance* and *Backrooms*, drama-romance *One More Chance*, comedy-drama *Four Sisters and a Wedding*, sci-fi blockbuster *Project Hail Mary*, and music documentaries like *Don’t Look Back in Anger*, among others. ### Where can you watch films during National Cinema Day? Participating cinemas included SM, Ayala Malls, Robinsons, and Megaworld Cinemas nationwide. ### How much were the tickets during National Cinema Day? Tickets were priced at P100 each across all participating cinemas. ### Where was National Cinema Day launched? National Cinema Day was officially launched on August 25 at Shangri-La Plaza in Mandaluyong City, led by the Cinema Exhibitors Association of the Philippines (CEAP) in partnership with industry stakeholders and the Film Development Council of the Philippines (FDCP). Related Stories - [Jose Javier Reyes On Why Filipinos Hate Their Own Movies](https://rollingstonephilippines.com/culture/philippine-cinema/jose-javier-reyes-filipino-movies/ "Jose Javier Reyes On Why Filipinos Hate Their Own Movies") - [Antoinette Jadaone Didn’t Expect This ‘Beauty in a Bottle’ Line to Go Viral](https://rollingstonephilippines.com/culture/film-tv/antoinette-jadaone-greatest-hits/ "Antoinette Jadaone Didn’t Expect This ‘Beauty in a Bottle’ Line to Go Viral") - [Maris Racal and Antoinette Jadaone on ‘Sunshine’ and Acting as a Craft](https://rollingstonephilippines.com/culture/maris-racal-antoinette-jadaone-interview/ "Maris Racal and Antoinette Jadaone on ‘Sunshine’ and Acting as a Craft") **Categories:** Culture, Film, Philippine Cinema **Tags:** National Cinema Day --- ### [My Chemical Romance Hints at New Music After Telling Fans They ‘Deserve Another Record’](https://rollingstonephilippines.com/music/rock/my-chemical-romance-hints-new-record-gerard-way/) **Published:** September 14, 2026 **Author:** Elijah Pareño **Excerpt:** The emo legends closed out their North American tour with Gerard Way telling fans their unwavering support has kept the band alive **Content:** [My Chemical Romance](https://rollingstonephilippines.com/tag/my-chemical-romance/) has hinted at an upcoming new album. During their closing North American concert at the Alamodome in San Antonio, Texas, for their 20th anniversary tour of *The Black Parade* on September 13, frontman Gerard Way teased about making new music. > [View this post on Instagram](https://www.instagram.com/p/DdEb6DUFH_W/?utm_source=ig_embed&utm_campaign=loading)[A post shared by My Chemical Romance (@mychemicalromance)](https://www.instagram.com/p/DdEb6DUFH_W/?utm_source=ig_embed&utm_campaign=loading) “We should probably make more songs,” Way says. “And then you know, stuff happens, life happens. But, just know that, we kind of always wanted to make another record, so we hope to. Because you guys, honestly, kept us alive for so long that you guys deserve another record.” My Chemical Romance’s last album was *Danger Days: The True Lives of the Fabulous Killjoys*, released in 2010. The band announced their disbandment in 2013 and eventually reunited in 2019 for a series of live concerts and tours. They released their most recent song “Foundations of Decay” in 2022. The band will be making their return to the Philippines on November 14 at the Philippine Arena. Their last concert in the country was held at the Fort Bonifacio Open Field in Taguig City as the first leg of their Asian tour back in 2008. ## Frequently Asked Questions ### What are My Chemical Romance’s greatest hits? My Chemical Romance’s greatest hits include “Helena,” “The Black Parade,” “I’m Not Okay,” to name a few. ### What anniversary is My Chemical Romance celebrating? My Chemical Romance is celebrating the 20th anniversary of *The Black Parade.* ### When did My Chemical Romance disband? My Chemical Romance announced their disbandment in 2013 and eventually reunited in 2019 for a series of live concerts and tours. ### What was the last song that My Chemical Romance released? My Chemical Romance’s song, “Foundations of Decay,” was released in 2022. ### When is My Chemical Romance’s next concert in the Philippines? My Chemical Romance will return to the Philippines on November 14 at the Philippine Arena. Their last Philippine concert was held at the Fort Bonifacio Open Field in Taguig City in 2008. 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The Season 3 finale, which premiered on September 12 locally, sends the comedian to Manila and Batangas, where he tries his hand at acting, hotel management, and real estate, with mixed results across the board. The episode opens with [Conan O’Brien](https://rollingstonephilippines.com/tag/conan-obrien/) reconnecting with Mustafa Mustafa, a podcast listener who’s “trying to be the Philippines’ greatest action star.” O’Brien brings him along to the set of the daily police drama *[Sanggang-Dikit FR](https://rollingstonephilippines.com/culture/tv/conan-o-brien-sanggang-dikit-fr/)*, where he lands a guest role as a medallion-stealing villain who declares himself invincible moments before getting flipped onto a table and arrested. From there, he goes to Rizal Park to formally introduce the country to viewers: “Ah, the Philippines. Founded, of course, by King Philip — and Queen Peens.” ![conan o'brien in intramuros fort santiago](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/intext-1-conan-obrien-in-intramuros.webp) O’Brien joins an Intramuros group tour on a bamboo bicycle. Screenshot/HBO Max There, he meets media producer Inky Nakpil and journalist Girlie Linao, who serve as his Manila tour guides. They walk him through Intramuros and fit him for a barong Tagalog. Describing the piña fabric, O’Brien says, “This resembles my own skin, which is very white and see-through.” The first part of the Manila leg also includes a tour around the walled city on a bamboo bike, complete with a matching bamboo helmet, and a jeepney ride. At the Manila Hotel, O’Brien tours the MacArthur Suite, a room with past guests ranging from Nelson Mandela to Vanessa Hudgens. He settles into the moment accordingly: “I’m getting chills. I’m sitting in a chair that was once occupied…by Vanessa Hudgens.” Elsewhere in Metro Manila, he meets a fan named Charles, whose uncle runs Philip Sweets Manufacturing, maker of the once popular Tarzan and Texas candies. To help revive the business, O’Brien puts up a billboard for the brand in Guadalupe, featuring the comedian as Tarzan, and with the tagline, “Me love gum, pardner.” ![conan o'brien guadalupe billboard](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/intext-2-conan-obrien-tarzan-billboard-guadalupe.webp) O’Brien gets his own Guadalupe billboard. Screenshot/HBO Max The trip then heads south to Tanauan, Batangas, where O’Brien helps a fan named Trisha run the front desk at the Bravo Tanauan Hotel. His shift includes huffing glue at reception and unjustly soliciting several tips from a guest, who willingly hands him P100 bills. Between stops, he tries his hand at Filipino street food, though a talking duck intervenes right as he’s about to eat balut, walking him out of it entirely. The episode, and the season, close in the municipality of Mabini, where O’Brien attempts to buy his own island after learning that the country has over 7,000 of them. “I was thinking I’d have a lot of guests come,” he says. “And then I would hunt them.” With this finale, *Conan O’Brien Must Go* rounds out a season that took the comedian through [India](https://rollingstonephilippines.com/culture/tv/conan-obrien-must-go-season-3-india-premiere/), the Netherlands, Morocco, and now the Philippines. The show is available to stream on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/). ## Frequently Asked Questions ### What is *Conan O’Brien Must Go* Season 3 about? Season 3 of the HBO travel series follows Conan O’Brien on trips to India, the Netherlands, Morocco, and the Philippines. On these trips, he meets fans who have been previously featured in his podcast, *Conan O’Brien Needs A Friend*. ### What happens in the Philippines episode of *Conan O’Brien Must Go*? In the Season 3 finale, O’Brien travels to Manila and Batangas, where he scores a guest role in the drama series *Sanggang-Dikit FR*, tours Intramuros in a barong Tagalog, visits the Manila Hotel’s MacArthur Suite, helps run the front desk at a Batangas hotel, and makes a bid to buy his own island. ### Does Conan O’Brien meet any Filipino celebrities in *Conan O’Brien Must Go*? O’Brien meets Jennylyn Mercado and Dennis Trillo, the stars of the cop show *Sanggang-Dikit FR*, but aside from previews of his guest appearance in the drama, the actors aren’t featured extensively in the travel show. ### Where can I stream *Conan O’Brien Must Go* Season 3? Season 3 of *Conan O’Brien Must Go* streams on HBO Max. The Philippines episode was released on September 12 in the Philippines. ### Who are the fans Conan O’Brien meets in the Philippines episode? O’Brien meets Mustafa Mustafa, an aspiring action star; Trisha, who works the front desk at the Bravo Tanauan Hotel in Batangas; and Charles, whose uncle owns the candy company Philip Sweets Manufacturing. Related Stories - [Conan O’Brien Brings Chaotic Good Fun to India in ‘Conan O’Brien Must Go’ Season 3 Premiere](https://rollingstonephilippines.com/culture/tv/conan-obrien-must-go-season-3-india-premiere/ "Conan O’Brien Brings Chaotic Good Fun to India in ‘Conan O’Brien Must Go’ Season 3 Premiere") - [Conan O’Brien Spotted in Manila, Filming For His Travel Show](https://rollingstonephilippines.com/culture/tv/conan-o-brien-spotted-in-manila/ "Conan O’Brien Spotted in Manila, Filming For His Travel Show") - [Here’s How You Can Watch Conan O’Brien’s Special Teleserye Appearance](https://rollingstonephilippines.com/culture/tv/conan-o-brien-sanggang-dikit-fr/ "Here’s How You Can Watch Conan O’Brien’s Special Teleserye Appearance") **Categories:** Culture, TV **Tags:** Conan O'Brien --- ### [‘Edjop’ Review: Youth in Revolt](https://rollingstonephilippines.com/culture/film/edjop-review-elijah-canlas-martial-law-biopic/) **Published:** September 11, 2026 **Author:** Reyza Ferranco **Content:** *Edjop* does not present itself as a typical biopic. Instead of following the usual sequence of events, director [Katski Flores](https://rollingstonephilippines.com/state-of-affairs/edjop-katski-flores-filipinos-can-always-remember/) (*Still Life, Ang Pagsanib kay Leah Dela Cruz*) presents two parallel stories in a dialogue on history itself. Beyond giving us the story of student activist and martial law icon [Edgar “Edjop” Jopson](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/edgar-jopson-edjop-martial-law/), the film explores what happens to the people who inherit that history and shows what it means to live with a past you never chose. The first is the story of Edgar Jopson ([Elijah Canlas](https://rollingstonephilippines.com/tag/elijah-canlas/)), from his childhood as a student activist and leader at the Ateneo de Manila University to eventually becoming one of the most revered figures and stories during and after martial law. The second is about his daughter Joyette ([Jodi Sta. Maria](https://rollingstonephilippines.com/tag/jodi-sta-maria/)), where the biopic diverts its gaze from Edgar as she comes to terms with his life and death. The film moves between Edgar’s past and his family’s present, unfolding in a dual, non-linear narrative that makes it more of a contemporary conversation than a typical historical biopic. It was a compelling choice that offered a fresher take on his story, especially for those who have already read *[U.G.: An Underground Tale – The Life and Struggle of Edgar Jopson](U.G.:%20An%20Underground%20Tale%20–%20The%20Life%20and%20Struggle%20of%20Edgar%20Jopson)*. It puts viewers in the shoes of another Jopson member far from the realities of Edgar, as Joyette knew him almost only as a concept. ![jodi sta maria as joyette jopson](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/3.webp) Triathlete Joyette Jopson (Jodi Sta Maria) runs in the 2019 North Pole Marathon. Photo from Edjop The Movie *Edjop* further shows how the family Edgar left behind continues to commemorate him, which includes Joy Jopson (portrayed in her later years by Menchu Lauchengco-Yulo) and his eldest, Noy ([Cedrick Juan](https://rollingstonephilippines.com/tag/cedrick-juan/)), who joins various historical initiatives and memory projects. However, Joyette carries a different relationship with her late father, remaining angry and very much distant from him for much of the film after feeling like he abandoned them. The tension between Joyette’s desire to run away or detach herself completely from politics and the near impossibility of truly escaping her father’s legacy is one of the film’s strongest depictions. ## **EDJOP’S JOURNEY FROM STUDENT ACTIVIST TO THE CPP** Canlas’ portrayal of Edjop was a standout, with the actor not shying away from showing physical and emotional vulnerability, particularly in scenes depicting his abuse at the hands of state forces. We follow the progression of Edgar’s activism, from his beginnings as an advocate for nonviolent resistance under the moderate National Union of Students of the Philippines (NUSP), even trying to brush off the more left-leaning, radical groups from joining their demonstrations during the [First Quarter Storm](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/flood-control-protests-first-quarter-storm/), before eventually becoming a radical himself and later the leader of the Communist Party of the Philippines (CPP). ![edgar jopson elijah canlas film still](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/aus-1-2.webp) Edjop (Elijah Canlas) faces torture and violence at the hands of state forces. Photo from Edjop The Movie The filmmakers depicted his journey particularly well, giving enough space to meticulously capture the circumstances that shaped his decision to be armed, exhausting every avenue for peaceful change before having the political epiphany that, with just how much the people were suffering and being killed, mere dialogue would no longer be enough. Beyond Edgar’s activism, we get to see him as a son, a brother, and ultimately a father alongside his partner Joy Jopson (played in her early years by Kakie Pangilinan). These glimpses showed the parts that made him ordinarily human and the life he had to give up for the cause. ## **HOW ‘EDJOP’ DEPICTED THE FIRST QUARTER STORM** While the filmmakers excelled in terms of intimacy and humanity, it fell short on scale, particularly in the scene of crowds taking to the street. This may seem like a nitpick, especially as it may be more of a matter of creative decision, but it failed to visually capture what it was really like for an estimated 50,000 students to protest during the First Quarter Storm. It deserved a stronger visual representation of their collective force. While there were montages of the actual rallies, a more cinematic depiction would have been a more powerful moment that could reinforce just how aggressive the crowds of young people were at the time. ![first quarter storm](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/4.webp) The First Quarter Storm crowd. Photo from Edjop The Movie Despite this, *Edjop* stays true to the realities of the martial law era while underlining how its lessons are being forgotten today. It shows everything that makes us Filipino, from the violence and the corruption to the injustices, to the people who resist and inspire us to be better. The film challenges its audience to decide whether it’s with anger or with hope on the day we finally run out to the streets. *Edjop* will premiere in cinemas nationwide on September 16, days before the 54th Anniversary of [martial law.](https://rollingstonephilippines.com/state-of-affairs/martial-law-anniversary-education/) It’s a much-needed film for a nation starting to forget. ## FREQUENTLY ASKED QUESTIONS ### What is *Edjop* about? The film tells the story of Edgar Jopson from his childhood as a courageous student activist and leader in Ateneo to becoming one of the most revered figures of sacrifice for the country after fighting against martial law. ### Who played Edgar Jopson in the *Edjop* film? Elijah Canlas portrays both the young and old Edgar Jopson in the *Edjop* biopic. ### Who IS in the cast of *Edjop?* Elijah Canlas, Jodi Sta. Maria, Kakie Pangilinan, Menchu Lauchengco-Yulo, and Cedrick Juan are among the cast of the film. ### When will *Edjop* open in cinemas? *Edjop* will premiere in cinemas nationwide on September 16. ### Who is Joyette Jopson? Joyette Jopson is a triathlete and the daughter of the late Edgar Jopson; her story also plays a pivotal role in the biopic. 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Maria, Martial Law --- ### [Zach Cregger Wants to Make a ‘Resident Evil’ Movie for Everyone](https://rollingstonephilippines.com/culture/film/zach-cregger-resident-evil-interview/) **Published:** September 11, 2026 **Author:** Elijah Pareño **Excerpt:** The filmmaker promises a fast-paced horror ride that stays faithful to the games without simply rehashing what fans already know **Content:** *[Resident Evil](https://rollingstonephilippines.com/tag/resident-evil/)*, the latest big-screen adaptation of Capcom’s iconic survival-horror franchise, follows a medical courier ([Austin Abrams](https://rollingstonephilippines.com/tag/austin-abrams/), *Weapons*) tasked with transporting a package between two hospitals, only to find himself walking straight into Raccoon City, the epicenter of the protagonist’s nightmare throughout the entire night. Writer-director [Zach Cregger](https://rollingstonephilippines.com/tag/zach-cregger/) created the film to require zero familiarity with the games, crafting instead a fast-paced, breakneck descent into hell that unfolds almost entirely over the course of the 90-minute runtime. Cregger has become one of horror’s most exciting new voices, following the surprise-hit success of 2022’s *Barbarian* and 2025’s *Weapons*. Cregger says he’s a lifelong fan of the *Resident Evil* lore. He wrote the script years before he ever intended to direct it. By the time he finished the draft, though, he knew he wanted to be the one behind the camera due to his love for the franchise. ![Resident Evil](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Resident-Evil.webp) Actor Austin Abrams and director Zach Cregger. Photo courtesy of Columbia Pictures Despite his affection for the source material, Cregger has been deliberate about keeping *Resident Evil* from becoming a straightforward rehashing of the games. The film borrows the franchise’s DNA in spirit, with its scavenged ammo, the iconic typewriter, and locked doors all making appearances, while making an original story with a decidedly unheroic protagonist who has more in common with the player behind the controller than any of the series’ seasoned survivors. The adaptation is a balancing act between honoring what longtime fans love and building something that stands entirely on its own, backed by Cregger’s now-signature blend of practical effects, hyper-subjective camerawork, and a comedy slapstick quality to his style. In this interview with Steve Goldman for *Rolling Stone*, Cregger deep dives into the hellish worldbuilding, Easter eggs, and the characters he’s created out of one of survival horror’s most popular video game franchises. **For anyone who isn’t familiar with *Resident Evil*, like myself, what’s the elevator pitch for the movie?** First and foremost, if you know nothing about the games or if *Resident Evil* means nothing to you, you’re still going to be able to enjoy this movie. There’s no prerequisite to understanding this story. A medical courier (Austin Abrams; *Weapons*) is transporting a package from Hospital A to Hospital B. Along the way, things go sour as he realizes he’s walking deeper and deeper into the heart of a zombie outbreak, and deeper and deeper into the depths of hell. That’s the story in a nutshell. **I understand you wrote this before making *Weapons*, without the intention of directing it.** I did. I didn’t necessarily think I’d be directing it. At the time, I’d only made *Barbarian*. Because of that, I was able to write it in a very carefree way. But by the end of it, when I finished it, I was like: Okay, I really would love to be the one to make this movie.’ So I really pushed \[*laughs*\]. **The first 20 minutes of the film were recently shown during a special footage presentation. Should audiences expect that same relentless intensity throughout the rest of the film?** I didn’t want to do any sort of weird narrative trickery as I did in *Barbarian* and *Weapons*. So for me, the big challenge of *Resident Evil* would be: can I tell a very simple linear story from beginning to end? At about minute six or minute seven in the film, our big event happens, and from there on the question was: “Can I put the pedal to the metal and floor it all the way until the movie ends?” That’s what makes this thing such a challenge for me as a storyteller. But for an audience member, I hope it really is a rollercoaster ride. So yes, once things kick off, they just stay full-on until the movie is over. **Tell us about casting Austin Abrams as the lead in *Resident Evil*.** Austin and I had such a wonderful experience making *Weapons* together… It was just really fun. And so I knew that going into *Resident Evil*, he would be a fun partner to have in the trenches with me. But he also has such a great, unassuming presence. I knew that what would make *Resident Evil* special was that we’re not following an action hero. It has a lot of action elements. But you’re following a character that would be more suited to sitting on the couch playing *Resident Evil* than surviving an actual *Resident Evil* experience. Austin has that sort of everyman quality. He’s athletic. But he’s not an athlete. He’s not a big hulk. And he has no combat experience whatsoever, and I think you can smell that when you look at him \[*laughs*\]…That this dude is not a fighter. All of that is an asset. I kind of wanted this movie to be like, “What if Marty McFly was thrust into a horror pit fight?” And he was perfect for that. **I honestly didn’t recognize him from your last film, which is a compliment to both of you.** Austin is a very committed, borderline method actor. For *Weapons*, he lost a lot of weight for the role and really transformed himself physically because he was playing a drug addict. For *Resident Evil*, he kind of went the opposite way. He packed on some pounds. He wanted to get a little bit roly-poly and just be more of a cuddly teddy bear. He’s unrecognizable. **Tell us about the supporting cast.** It’s a very limited cast. I mean, really, the driving engine of this is just watching Austin face off against all of these different bespoke threats. But periodically we do have some interludes with other characters, Paul Walter Hauser (*Black Bird*) being one of them. He plays an Umbrella \[Corporation\] employee (the corporation behind the viral outbreak in the games) who sheds light on the nature of Austin’s mission. We have Kali Reis (*True Detective: Night Country*), who is one of my favorites, even though she has a relatively brief stint in this movie. And then we have some familiar faces near the end, when he arrives at his destination. **You mentioned before that *Resident Evil* is one of gaming’s most iconic franchises. How did you bring the visual language and feeling of the game into the film while still making it cinematic?** What’s so great about the *Resident Evil* games, and honestly a lot of videogames, is that they utilize a specific visual vocabulary that is utilitarian but \[also\] inherently cinematic. People of my generation who grew up playing videogames as much as watching movies have, by osmosis, inherited this visual language. That language is when the camera is really fluid and yet locked to the protagonist. We generally think of it as third-person. But what I think games do that movies generally don’t is that there’s dexterity to the camera. For example, if Austin is walking down a hallway and he looks right, our camera needs to keep him stationary in the frame, but we need to swing around right as he’s looking to catch what he’s looking at. When he looks up, we have to drop down and look up at the same time. “The anatomy of a joke and the anatomy of a scare are very similar — you’re using timing and tone to elicit an involuntary reaction from the viewer. It’s all about leading people to expect one thing and then subverting that expectation.” Zach Cregger So we’re creating this visual connection to Austin’s character. It’s a lot of choreography between the camera operator and the actor, where they have to get this dance down… What that does is give us a very clear sense of space and tone, and it keeps us locked into Austin’s perspective. All video games utilize this nowadays. And yet very few movies do. And so it was really fun for me to toggle between that first-person view, which is like first-person shooter games, and that third-person view where we’re locked right over his shoulder… I think it’s not just a gimmick. I think it’s actually really effective filmmaking, if I may say so, because we’re just locked into him. And so when it all pops off, we’re that much more invested. **Have you ever done anything like that before?** I have. I did a little bit of it in *Barbarian*. *Weapons*, I was a bit more subjective with the camerawork. There are some scenes where we’re following people from behind and swinging around with their attention. But I really went way harder in *Resident Evil* with it. There’s a film called *Son of Saul* (László Nemes, 2015) that I’m a big fan of. It takes place in a concentration camp in World War II. That movie really kind of woke me up to the potential of this hyper-subjective cinematography. **Was *Resident Evil* designed or shot with IMAX in mind?** It was. You have to take the IMAX aspect ratio in when you’re filming. And I’m so glad we’re able to show this in IMAX, because it’s so immersive. Obviously we’re all kind of on an IMAX high after *The Odyssey*, and that movie just used it so well. So it’s a real treat to be able to have people really primed and fully aware of the potential of an IMAX experience. **You’ve talked about your preference for practical effects over CGI. Is there a sequence you’re particularly excited to share with audiences?** I feel like every director worth their salt wants to do as much practical as possible. There’s something about it that’s more authentic. Generally, you have to augment it with VFX. But there’s one sequence that I’m really proud of that we did mostly practically. There’s a scene where Austin is running down a street, and there are these zombies on the rooftops on either side of him, six stories up. They all start leaping off the rooftops and raining down all around him. And so the way we wanted to do it was: rather than just do it all in VFX, we rigged all these cranes with these 150-pound blood bags. We rehearsed like crazy, dialing in the timing of when we’d need to drop these blood bags so that they would hit the ground and the cars all around him and basically detonate. Now we did go in and do some VFX sweetening to get some of the blood splatter to go the right way. But the physics is really there. These cars are really getting hit; there are real explosions, and they’re dropping all over the street as he’s running through. It was a really complicated sequence to plan and execute. It’s in the movie. I love the shot. It was a really cool use of combining practical and VFX together. **What was the biggest creative or technical challenge on the film?** This whole movie takes place over the course of one snowy night. I don’t think I realized when I was writing the script how demanding that sort of schedule would be on the cast and crew. You’re basically setting your alarm for 3 p.m. every day, shooting all night, going to bed at 7 a.m., and not seeing the sun for months. That was hard. **Fans love discovering hidden references. Are there any Easter eggs in the mix?** There are Easter eggs all over the place. Some of them I wouldn’t even think of as Easter eggs, but people will probably call them that. For example, the *Resident Evil* games \[use\] padlocks and the search for keys and keycards to bypass different sealed doors or chains and fences. That’s really baked into playing the games, and I wrote that into the movie. There are also objects galore in here. Healing items and the ammunition he finds, the progression \[of weaponry\]… All of that is like the DNA of the games that is in the movie. **You’ve become one of the most exciting new voices in horror but you started out in comedy. What inspired the shift and how do your comedic instincts come into play in this genre? Does that still influence your approach?** I think subconsciously it comes through. The anatomy of a joke and the anatomy of a scare are very similar — you’re using timing and tone to elicit an involuntary reaction from the viewer. It’s all about leading people to expect one thing and then subverting that expectation. That’s a scare. And that’s a joke. When you spend time making comedy, you’re kind of working the exact same muscle you use when you’re writing a horror movie. **You’ve got a lot of new projects coming up. Can you walk us through some of them?** Right now I’m working on a *Weapons* prequel (*Gladys*). I’m working on that with a friend (Zach Shields; *Godzilla x Kong*), and I’m pretty excited about that. I’m producing and writing Siren Head, which Brian Duffield (*No One Will Save You*) is attached to direct, and so he and I are writing that together. And then next I’m going to be shooting *Flood*, which is a sci-fi movie… I’ll shoot that next summer, hopefully. I can’t wait to make that movie. **What do you hope audiences take away from *Resident Evil* after the credits roll?** This movie is designed to be a rollercoaster ride. I mean, it’s a love letter to the video games, but first and foremost it should just be a blast. It’s a movie that is going to be very scary, very funny, and ultimately just a breakneck sprint for 90 minutes. It’s the kind of movie that I wish was made more often. In the late ‘80s and early ‘90s, I think there were some more movies like this. But nowadays they’re a bit few and far between. I’m really proud of it. *Resident Evil* opens nationwide September 16. ## Frequently Asked Questions ### Who directed the new *Resident Evil* movie? The film was written and directed by Zach Cregger, known for horror hits *Barbarian* (2022) and *Weapons* (2025). ### Who stars in *Resident Evil* as the lead? Austin Abrams, known for *Weapons*, stars as the film’s medical courier protagonist. ### What is *Resident Evil* about? The film follows a medical courier tasked with transporting a package between two hospitals, only to find himself walking straight into Raccoon City. ### Who else stars in *Resident Evil* alongside Austin Abrams? The supporting cast includes Paul Walter Hauser (*Black Bird*), who plays an Umbrella Corporation employee, and Kali Reis (*True Detective: Night Country*). ### When does *Resident Evil* open in theaters? *Resident Evil* opens nationwide on September 16. Related Stories - [Christopher Nolan Means War in ‘The Odyssey,’ His Most Gruesome Film Yet](https://rollingstonephilippines.com/culture/reviews/christopher-nolan-the-odyssey-review/ "Christopher Nolan Means War in ‘The Odyssey,’ His Most Gruesome Film Yet") - [7 Dance Music Parties That Defined Post-Pandemic Manila](https://rollingstonephilippines.com/editors-picks/features/7-dance-music-parties-that-defined-post-pandemic-manila/ "7 Dance Music Parties That Defined Post-Pandemic Manila") - [How Zach Cregger’s ‘Resident Evil’ Stays Faithful to the Games](https://rollingstonephilippines.com/culture/film/zach-cregger-resident-evil-faithful-to-the-games/ "How Zach Cregger’s ‘Resident Evil’ Stays Faithful to the Games") **Categories:** Culture, Film **Tags:** Austin Abrams, Resident Evil, Zach Cregger --- ### [VP Duterte Calls on Marcos to Resign: ‘Umalis Ka Dyan!’](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/duterte-calls-on-marcos-to-resign/) **Published:** September 11, 2026 **Author:** Reyza Ferranco **Content:** Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/) once again launched scathing attacks against President [Ferdinand “Bongbong” Marcos Jr. ](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/)on Friday, September 11, this time as she faces a legal battle over alleged grave threats against him and other members of the First Family. She was scheduled for arraignment on the same day, but it was subsequently deferred after her defense team filed a motion to postpone. Speaking to her supporters outside the Quezon City Regional Trial Court (RTC), Duterte said she could not bring herself to leave and remain silent after seeing Filipinos swim in the flood and struggle to provide for their families. “Dahil nakikita ko kayong hirap na hirap para sa inyong pamilya, at nakita ko mismo sa mga mata ko ang abuso ni Marcos,” she said. “Tandaan ninyo, patuloy tayong manawagan ng paglayas ng problema ng ating bayan na ang pangalan ay Bongbong Marcos. Resign, umalis ka dyan!” the vice president added. She further accused the president of being a liar, ungrateful to the Filipino people who voted for him, and called him an addict, claiming that he has lost touch with reality. She urged Filipinos to continue fighting against what she described as “abusado,” “adik,” and corrupt officials. “Wala siyang utang na loob sa taong bayan. Wala siyang hiya,” said Duterte. ![sara duterte arraignment](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/aus-4.webp) Duterte raised her fist before leaving the Quezon City Regional Trial Court after her scheduled arraignment on September 11 was deferred. Photo by Robert Alfiler/PNA Facebook Duterte told reporters that she has been feeling threatened and harassed since 2023, adding that she does not “feel safe” but still has work to do. On September 4, the Quezon City RTC issued a [warrant of arrest](https://www.instagram.com/p/Dc26RQvtAM0/?stkn=ZmF4bXpmNXFsZHBu) against Duterte for charges of grave threats she made during an online press conference in 2024. In the briefing, she claimed that she had ordered the assassination of Marcos, former House Speaker [Martin Romualdez](https://rollingstonephilippines.com/tag/martin-romualdez/), and First Lady Liza Araneta Marcos should she be killed first. Duterte later argued that her remarks were “maliciously taken out of logical context.” She posted bail on September 5 totaling P360,000. This grave threats case is also tied to the ongoing [impeachment trial](https://rollingstonephilippines.com/tag/impeachment-trial/) before the Senate, where Duterte is facing allegations of misuse of confidential funds, corruption, bribery, unexplained wealth, and betrayal of public trust. Malacañang, meanwhile, has yet to issue a response to Duterte’s recent calls. They previously said they “respect” any decision or order given by the court. ## FREQUENTLY ASKED QUESTIONS ### What did Sara Duterte recently say to Marcos? Duterte called Marcos “abusado” and “adik” during her remarks on September 11, while also accusing him of being ungrateful to the Filipino people and out of touch with reality. ### Why is Sara Duterte pushing Marcos to resign? Duterte accused Marcos of lying and abusing his power. She also criticized him over the hardships Filipinos are facing, including flooding. ### What case is Sara Duterte facing? Duterte is facing a grave threats case from her 2024 briefing statements involving Marcos, former House Speaker Martin Romualdez, and First Lady Liza Araneta Marcos. ### Why was Sara Duterte’s arraignment deferred? Her scheduled arraignment was on September 11, but it was deferred after her defense team filed a motion to postpone the proceedings. ### Why is Sara Duterte facing impeachment proceedings? She is currently facing an impeachment trial over allegations of misuse of confidential funds, corruption, bribery, unexplained wealth, and betrayal of public trust. Related Stories - [A Timeline of the Political Relationship of Romualdez and Marcos Jr. ](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/romualdez-marcos-jr-political-relationship-timeline/ "A Timeline of the Political Relationship of Romualdez and Marcos Jr. ") - [Every Foreign Trip Sara Duterte Took Since 2022, and Why the Public Deserves to Know](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-overseas-trips-transparency-scrutiny/ "Every Foreign Trip Sara Duterte Took Since 2022, and Why the Public Deserves to Know") - [Impeachment Proceedings Prompt Questions About Marcos-Duterte Rift and Calls for Trial](https://rollingstonephilippines.com/state-of-affairs/politics/impeachment-senate-court-duterte-marcos/ "Impeachment Proceedings Prompt Questions About Marcos-Duterte Rift and Calls for Trial") **Categories:** Philippine Politics, State of Affairs **Tags:** Ferdinand Marcos Jr., Sara Duterte, Sara Duterte Impeachment --- ### [Alex Eala Wins Over New York Even After Her U.S. Open Loss](https://rollingstonephilippines.com/culture/sports/alex-eala-off-court-rise-new-york-us-open/) **Published:** September 11, 2026 **Author:** Pie Gonzaga **Excerpt:** Despite her loss to Iva Jovic, the Filipino tennis phenom is having an exciting time in New York and is set to shake up the WTA 500 Singapore Open and the 2026 Asian Games **Content:** Not many Filipinos can say they’ve had a phenomenal press run in New York. [Alex Eala](https://rollingstonephilippines.com/tag/alex-eala/) has been going around the Big Apple, in large part because of the [U.S. Open](https://rollingstonephilippines.com/tag/u-s-open/). Her loss against American tennis player Iva Jovic on Sunday put her out of the tournament, but it hasn’t stopped her from showing up on the TV program *CBS Mornings*, *Vanity Fair*, and sitting front row at New York Fashion Week. The Filipino tennis superstar even caught the attention of Anna Wintour at the [U.S. Open](https://rollingstonephilippines.com/culture/sports/alex-eala-wins-first-round-match-vs-mary-stoiana-at-u-s-open/) in late August, when the Condé Nast exec told the press, “I think it’s really interesting, especially when you look at players like Serena \[Williams\] or [Naomi \[Osaka\]](https://rollingstonephilippines.com/tag/naomi-osaka/), who really embrace fashion and express themselves with it. We had the young Filipino star. You could see even in such a young star how interested she is in fashion, how she wants to learn about it and follow it, and I think it’s great.” Eala is also well on her way to becoming one of the world’s highest-paid female athletes, second only to Coco Gauff, sports agent and IMG Tennis Vice President Max Eisenbud told [*Forbes*](https://www.forbes.com/sites/mattcraig/2026/08/28/the-inside-story-of-tennis-phenom-alex-ealas-rise-and-rise/) in August. “I feel very confident that by 2027, she will be the second-highest-paid female athlete in the world, behind \[Gauff\],” he said. > [View this post on Instagram](https://www.instagram.com/p/Dc9jqAykt0Q/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Alexandra Eala (@alex.eala)](https://www.instagram.com/p/Dc9jqAykt0Q/?utm_source=ig_embed&utm_campaign=loading) In the year so far, Eala has reportedly earned $1.7 million in prize money. This is only on top of the $5 million in off-court earnings, which includes sponsorship deals with BPI and Globe Telecom, and an apparel deal with Nike. Eisenbud even said Eala won’t have to win another tennis match, as “She’s crazy famous \[in the Philippines\].” But at just 21 years old, she certainly has many more wins in her. Eala is set to play at the 2026 Asian Games from September 27 to October 3 in Japan, leading the Philippines’ tennis delegation with Francis Casey Alcantara. To compete there, Eala has decided to skip the mandatory WTA 1000 China Open and may have to pay a $75,000 penalty (around P4.7 million) if she does not secure a waiver from the [Women’s Tennis Association](https://rollingstonephilippines.com/tag/wta/) (WTA). Only the games’ final results will determine whether this hefty fine is worth ditching a mandatory WTA event, as winning a gold medal at the Asian Games would only entitle Eala to P2 million in cash incentives from the Philippine government — only roughly half of the penalty. In the meantime, Eala will also compete at the WTA 500 Singapore Open, which begins on September 21. ## **Frequently Asked Questions** ### Who Did Alex Eala lose to at the 2026 U.S. Open? Alex Eala lost to American tennis player Iva Jovic on September 6 (Philippine Standard Time), but stayed visible in New York, appearing on *CBS Mornings*, a *Vanity Fair* video, and at New York Fashion Week. ### Could Alex Eala become the second-highest-paid female athlete in the world? IMG Tennis VP Max Eisenbud told Forbes he’s confident Eala will be the second-highest-paid female athlete by 2027, trailing Coco Gauff, citing her rising prize money and sponsorships. ### How much has Alex Eala earned in prize money and sponsorships in 2026? Eala has reportedly earned $1.7 million in prize money in 2026 so far, plus $5 million off-court from commercial opportunities with BPI, Globe Telecom, and Nike, among others. ### Why is Alex Eala skipping the WTA 1000 China Open? Eala is skipping the mandatory China Open to lead the Philippine tennis delegation at the 2026 Asian Games in Japan, risking a $75,000 penalty from the WTA if she doesn’t secure a waiver. ### When does Alex Eala play next after the U.S. Open? Eala is set to compete at the WTA 500 Singapore Open, beginning September 21, ahead of her Asian Games appearance in Japan from September 27 to October 3. Related Stories - [Alex Eala Wins First-Round Match vs. Mary Stoiana at U.S. Open](https://rollingstonephilippines.com/culture/sports/alex-eala-wins-first-round-match-vs-mary-stoiana-at-u-s-open/ "Alex Eala Wins First-Round Match vs. Mary Stoiana at U.S. Open") - [Can Alex Eala Help Tennis Evolve from Being a Country Club Sport in the PH?](https://rollingstonephilippines.com/culture/sports/alex-eala-public-tennis-courts/ "Can Alex Eala Help Tennis Evolve from Being a Country Club Sport in the PH?") - [Filipino Fans Are Changing Tennis Culture Whether The WTA Likes It or Not](https://rollingstonephilippines.com/culture/sports/filipino-fans-tennis-culture-alex-eala-wta/ "Filipino Fans Are Changing Tennis Culture Whether The WTA Likes It or Not") **Categories:** Culture, Sports **Tags:** alex eala, tennis, U.S. Open --- ### [Ricky Lee’s ‘Quiapo Ilalim’ MIBF Book Launch Brings Actors, Musicians, and Filmmakers Together](https://rollingstonephilippines.com/culture/books/ricky-lee-quiapo-ilalim-mibf-book-launch/) **Published:** September 11, 2026 **Author:** Elijah Pareño **Excerpt:** Actors, musicians, and industry figures will gather for an evening of performances and readings at the Manila International Book Fair **Content:** National Artist for Film and Broadcast Arts [Ricky Lee](https://rollingstonephilippines.com/tag/ricky-lee/) announced a star-studded lineup ahead of his latest book, *[Quiapo Ilalim: Pagsusulat ng Iba’t Ibang Daan](https://rollingstonephilippines.com/radar/rs-recommends/staff-picks-august-2026/)*, at the [Manila International Book Fair](https://rollingstonephilippines.com/tag/manila-international-book-fair/). Happening this September 11 at the SMX Convention Center in Pasay City, the program will start at 6:30 p.m. until 8:30 p.m. > [View this post on Instagram](https://www.instagram.com/p/DdIUTeNExEs/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Ricky Lee (@rickyleeph)](https://www.instagram.com/p/DdIUTeNExEs/?utm_source=ig_embed&utm_campaign=loading) Joining the book launch are several actors, actresses, musicians, and producers such as singer-songwriter [Bayang Barrios](https://rollingstonephilippines.com/tag/bayang-barrios/), [Film Development Council of the Philippines](https://rollingstonephilippines.com/tag/fdcp/) (FDCP) CEO and Chairperson [Jose Javier Reyes](https://rollingstonephilippines.com/tag/jose-javier-reyes/), and actors JC Santos, Angel Aquino, Cristine Reyes, [Nour Hooshmand](https://rollingstonephilippines.com/tag/nour-hooshmand/), Shaina Magdayao, and many more. They’re expected to perform and read excerpts from Lee’s latest book. Lee previously launched *Quiapo Ilalim* last August 14 at the Shangri-La Plaza Red Carpet Cinemas alongside actors Epy Quizon, [Chai Fonacier](https://rollingstonephilippines.com/tag/chai-fonacier/), Rocco Nacino, and others. The book is the much-awaited follow-up to Lee’s scriptwriting manual *Trip to Quiapo*, released in 1998. ## Frequently Asked Questions ### Who is Ricky Lee? Ricky Lee is a National Artist for Film and Broadcast Arts, known for his scriptwriting manual *Trip to Quiapo*, released in 1998, and his latest book, *Quiapo Ilalim: Pagsusulat ng Iba’t Ibang Daan*. ### What is *Quiapo Ilalim: Pagsusulat ng Iba’t Ibang Daan* about? *Quiapo Ilalim: Pagsusulat ng Iba’t Ibang Daan?* is Ricky Lee’s latest book and the much-awaited follow-up to his scriptwriting manual *Trip to Quiapo*, originally released in 1998. ### When and where was *Quiapo Ilalim* launched at the Manila International Book Fair? The book launch took place on September 11 at the SMX Convention Center, Pasay City. ### Who joined Ricky Lee at the Manila International Book Fair launch? Performers and readers included singer-songwriter Bayang Barrios, FDCP CEO and Chairperson Jose Javier Reyes, and actors JC Santos, Angel Aquino, Cristine Reyes, Nour Hooshmand, Shaina Magdayao, and others. Related Stories - [25 Books That Define The Legacy of Ateneo de Manila University Press](https://rollingstonephilippines.com/culture/books/25-ateneo-press-books/ "25 Books That Define The Legacy of Ateneo de Manila University Press") - [3 Viva Classics Where Lino Brocka Went a Little Over the Top](https://rollingstonephilippines.com/culture/philippine-cinema/lino-brocka-viva-sharon-cuneta/ "3 Viva Classics Where Lino Brocka Went a Little Over the Top") - [Hilda Koronel: ‘It Was Lino Brocka Who Would Always Save Me’](https://rollingstonephilippines.com/culture/film/hilda-koronel-sisa-interview/ "Hilda Koronel: ‘It Was Lino Brocka Who Would Always Save Me’") **Categories:** Books, Culture, Film **Tags:** Ricky Lee --- ### [Who Is the Luzon Economic Corridor Really For?](https://rollingstonephilippines.com/state-of-affairs/luzon-economic-corridor-who-its-really-for/) **Published:** September 10, 2026 **Author:** Reyza Ferranco **Content:** On September 10, the Philippines opened the two-day 2026 Luzon Economic Corridor (LEC) Investment Forum, a trilateral initiative hosted together with the United States and Japan. It featured a coalition of partner countries (Australia, Canada, Denmark, France, Italy, South Korea, Sweden, and the United Kingdom) and was said to bring additional resources and private-sector capabilities. But on the other side of the door are Filipinos questioning if the corridor could actually aid the country or only give foreign countries the upper hand. During the forum, President [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/) urged foreign investors to build and invest in the country through the LEC. He cited the different strengths of Subic, Clark, Manila, and Batangas, which the corridor connects, as well as the benefits investors would get. According to Marcos, Subic Bay shall serve as a “strategic maritime and industrial gateway,” Clark as a “center for aviation, logistics, technology, and urban development,” Metro Manila as the country’s “commercial and financial center,” and Batangas for “manufacturing, energy, and international trade.” ![president bongbong marcos with japanese and us envoys](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/aus-2.webp) President Bongbong Marcos, Finance Secretary Frederick Go, and U.S. Ambassador Lee Lipton at the 2026 Luzon Economic Corridor Investment Forum on September 10, where the United States and Japan pledged their “all-in” support for the initiative. Photo from RTVM Livestream. “Build your next enterprise in the Philippines. Bring your capital, technology, and your expertise. Develop Filipino talent and local suppliers. Form lasting partnerships with our businesses and communities. You can place your trust in the Philippines,” the chief executive [said](https://pco.gov.ph/presidential-speech/speech-by-president-ferdinand-r-marcos-jr-at-the-luzon-economic-corridor-lec-investment-forum/). He added that the corridor would open more job opportunities, build economic growth, and support advanced manufacturing and trade industries. The initiative also includes the controversial [Pax Silica](https://rollingstonephilippines.com/tag/pax-silica/) project, the U.S.-led artificial intelligence (AI) hub planned to be set in Tarlac. As part of the corridor’s push for a modern economy, Marcos highlighted the country’s efforts to expand secure connectivity, advanced computing technology, cybersecurity, and safeguards for the responsible use of AI. ## **‘Rolling Out Red Carpet’** Outside the forum, the LEC plans were met with a different view. Various sectors rallied to strongly condemn the corridor, raising their concerns over its implications for national sovereignty, foreign interests, and who ultimately stands to benefit from the investments it is designed to attract. [In a statement,](https://www.facebook.com/story.php?story_fbid=1551974463624329&id=100064353715465&mibextid=wwXIfr&rdid=p3mfvGqqzrHgUCqC#) the Philippines-Palestine Friendship Association (PPFA) called out Marcos for “rolling out a red carpet” for investors and funders, warning that ordinary Filipinos will bear the brunt of the social and environmental costs that the LEC will impose. “The government presents the corridor as an ‘economic development program,’ but its projects will involve land conversion, increased resource extraction, and the expansion of infrastructure for foreign and private investment. It also serves broader U.S. economic and strategic interests in the Philippines,” PPFA said. They also urged Filipinos to reject Pax Silica and resist the sellout of the country to “imperialist plunderers and war criminals.” Among those protesting was Kilusang Magbubukid ng Pilipinas (KMP), which argued the same sentiments and pushed for genuine agrarian reform and national industrialization. “Filipino land, resources and infrastructure are being prepared to serve foreign corporations, global supply chains and the strategic military interests of the United States,” KMP Chairperson Danilo “Ka Daning” Ramos said. Bagong Alyansang Makabayan (BAYAN) and the International League of Peoples’ Struggles (ILPS) also denounced the corridor, noting that a centerpiece of the LEC is the Pax Silica’s Economic Security Zone (ESZ), which they said will “displace Indigenous and farming communities and plunder our critical minerals nationwide.” “Because the LEC is apparently designed to also support American military presence and projection, it will further expose the Filipino people to U.S. wars and conflicts,” the groups added. According to human rights group Karapatan, there were at least 27 protesters who were injured when the police dispersed the crowd with nightsticks, while [five paralegals ](https://www.facebook.com/share/p/18B6dQhqAd/?mibextid=wwXIfr)were arrested for complaints of “serious disobedience, alarms and scandals, tumults, and direct assault.” ## FREQUENTLY ASKED QUESTIONS ### What is the Luzon Economic Corridor (LEC)? The Luzon Economic Corridor is a trilateral Philippines-U.S.-Japan initiative linking Subic, Clark, Metro Manila, and Batangas for foreign investment in industry, logistics, finance, and manufacturing. ### Which countries are backing the Luzon Economic Corridor besides the U.S. and Japan? Australia, Canada, Denmark, France, Italy, South Korea, Sweden, and the U.K. joined as coalition partners, adding resources and private-sector capabilities alongside the Philippines, U.S., and Japan. ### What is Pax Silica and why is it controversial? Pax Silica is a U.S.-led AI hub planned for Tarlac under the LEC. Progressive groups and other sectors warn that it could displace communities, harm natural resources, and serve U.S. strategic interests. ### Why are Filipino groups protesting against the Luzon Economic Corridor? Groups like PPFA, KMP, BAYAN, and ILPS argue the LEC favors foreign corporations and U.S. strategic interests over Filipinos, citing land conversion and displacement risks. ### What happened during the LEC forum protests ON September 10, 2026? Karapatan reported at least 27 protesters injured in clashes with police during LEC forum demonstrations. Five paralegals were also arrested on various criminal complaints. Related Stories - [From Marcos to Duterte: Public Officials on the Controversial Pax Silica](https://rollingstonephilippines.com/state-of-affairs/environment/pax-silica-marcos-duterte-officials-react/ "From Marcos to Duterte: Public Officials on the Controversial Pax Silica") - [What Everyone Needs to Know About Pax Silica](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/what-everyone-needs-to-know-pax-silica/ "What Everyone Needs to Know About Pax Silica") - [BINI Mikha Lim Speaks Out on Pax Silica](https://rollingstonephilippines.com/state-of-affairs/bini-mikha-lim-questions-pax-silica-hub/ "BINI Mikha Lim Speaks Out on Pax Silica") **Categories:** Labor, Philippine Politics, State of Affairs **Tags:** japan, Luzon Economic Forum, Pax Silica, US --- ### [How to Watch a Movie for P100 on National Cinema Day, September 12](https://rollingstonephilippines.com/culture/philippine-cinema/how-to-watch-movie-p100-national-cinema-day/) **Published:** September 10, 2026 **Author:** Pie Gonzaga **Excerpt:** The country’s first-ever National Cinema Day entices Filipino audiences to see the movies with an irresistible one-day offer **Content:** In case you missed it, the Philippines now has a [National Cinema Day](https://rollingstonephilippines.com/tag/national-cinema-day/). And for its inaugural celebration on Saturday, September 12, over 100 cinemas nationwide are selling tickets for only P100 each. Organized by the Cinema Exhibitors Association of the Philippines (CEAP), the one-day event will allow audiences to watch local and international films scheduled for exhibition in regular 2D cinemas on Saturday for a fraction of the usual cost. Participating cinemas span major theater chains from Luzon to Mindanao, including Ayala Malls Cinemas, SM Cinema, Robinsons Movieworld, Cinema 2000, Vista Cinemas, Megaworld Cinemas, and Citymall Cinemas. Other participating malls include Power Plant Mall, Alabang Town Center, Sta. Lucia Mall in Cainta, Island Central Mactan, Island City Mall in Tagbilaran, Alturas Mall, Sta. Lucia Mall Davao, NCCC Mall Davao, Geege Mall in Ozamiz, and KCC Mall de Zamboanga. The CEAP encourages moviegoers to purchase tickets in advance through their chosen cinema’s website. ## Frequently Asked Questions ### Which cinemas are participating in Philippine National Cinema Day? Major theater chains such as Ayala Malls Cinemas, SM Cinema, Robinsons Movieworld, Cinema 2000, Vista Cinemas, Megaworld Cinemas, and Citymall Cinemas are all selling tickets for September 12 movie screenings for only P100. ### Is this the first National Cinema Day? Yes, September 12, 2026 will be the first time the Philippines celebrates National Cinema Day in an initiative led by the Cinema Exhibitors Association of the Philippines. ### Which movies can I watch for P100 on September 12? The National Cinema Day admission price applies to all local and international movies schedules for screening on September 12. ### How can I buy tickets for National Cinema Day? P100 tickets for National Cinema Day can be purchased in advance through your local or favorite cinema’s website, as would any regular movie ticket. ### Are IMAX, ScreenX, or 4D theaters part of National Cinema Day? No, the National Cinema Day admission price only applies to screenings in regular 2D theaters. **Categories:** Culture, Film, Philippine Cinema **Tags:** National Cinema Day --- ### [CM Punk Is About to Find Out If He Can Handle the ‘Hot Ones’ Gauntlet](https://rollingstonephilippines.com/culture/sports/cm-punk-hot-ones-gauntlet/) **Published:** September 10, 2026 **Author:** Elijah Pareño **Excerpt:** The WWE champion joins Sean Evans for a special episode, putting his tolerance to the test just days after defending his title **Content:** [WWE](https://rollingstonephilippines.com/tag/wwe/) Superstar [CM Punk](https://rollingstonephilippines.com/tag/cm-punk/) is about to face his biggest challenge yet. *[Hot Ones](https://rollingstonephilippines.com/tag/hot-ones/)* has announced the Undisputed WWE Champion to partake in the spicy gauntlet alongside Sean Evans in a special episode of *Hot Ones: Extra Heat.* Punk’s episode will premiere on *[Netflix](https://rollingstonephilippines.com/tag/netflix/)* on September 15 at 11:00 a.m. (PHT) shortly after a live episode of *WWE Raw* on the same day. > [View this post on Instagram](https://www.instagram.com/reel/DdEljM_yGgy/?utm_source=ig_embed&utm_campaign=loading)[A post shared by WWE on Netflix (@wwe\_on\_netflix)](https://www.instagram.com/reel/DdEljM_yGgy/?utm_source=ig_embed&utm_campaign=loading) “This is going to hurt in the best way,” CM Punk says in a video teasing the upcoming episode. Ever since returning to *WWE* back in 2023, CM Punk has been in one iconic rivalry after another, most notably with feuds alongside Drew McIntyre and Seth Rollins. Punk is currently scheduled to defend the Undisputed title against Sami Zayn on September 11 at *WWE SmackDown* in Mexico City. *Hot Ones: Extra Heat* premiered last July with comedian Fortune Feimster and actors Jimmy Tatro and Will Ferrell, where they devoured the gauntlet in the middle of an open field. ## Frequently Asked Questions ### Who is CM Punk? CM Punk is a WWE Superstar and the current undisputed WWE Champion since returning to WWE in 2023. ### Who is Sean Evans? Sean Evans is the host of *Hot Ones*, appearing alongside CM Punk in the upcoming special episode of *Hot Ones: Extra Heat* ### Who is CM Punk facing for the championship soon? CM Punk is scheduled to defend his Undisputed title against Sami Zayn on September 11 at *WWE SmackDown* in Mexico City. ### When is the latest episode of *Hot Ones: Extra Heat*? CM Punk’s episode premieres on *Netflix* on September 15 at 11:00 a.m. (PHT), shortly after a live episode of *WWE Raw* airs the same day. ### Who were the previous guests of *Hot Ones: Extra Heat*? *Hot Ones: Extra Heat* premiered last July with comedian Fortune Feimster and actors Jimmy Tatro and Will Ferrell. Related Stories - [5 Most Chaotic John Cena Matches That Shaped His 23-Year WWE Legacy](https://rollingstonephilippines.com/culture/sports/5-most-chaotic-john-cena-matches/ "5 Most Chaotic John Cena Matches That Shaped His 23-Year WWE Legacy") - [The New York Knicks Have Been Undefeated Since Being Uncursed by This WWE Wrestler](https://rollingstonephilippines.com/culture/news-culture/new-york-knicks-uncursed-by-wwe-wrestler-undefeated-streak/ "The New York Knicks Have Been Undefeated Since Being Uncursed by This WWE Wrestler") - [6 Songs From ‘Grand Theft Auto: San Andreas’ That Impacted Filipino Culture](https://rollingstonephilippines.com/editors-picks/lists/6-songs-gta-grand-theft-auto-san-andreas-filipino-culture/ "6 Songs From ‘Grand Theft Auto: San Andreas’ That Impacted Filipino Culture") **Categories:** Culture, Sports, TV **Tags:** CM Punk, Hot Ones, WWE --- ### [Sec. Gibo Teodoro Isn't Backing Down Against China](https://rollingstonephilippines.com/state-of-affairs/notable-times-gibo-teodoro-took-aim-at-china/) **Published:** September 10, 2026 **Author:** Reyza Ferranco **Content:** While President [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/) has spent months trying to ease tensions and strategically “reset” the country’s relationship with China for an oil and energy partnership, the National Defense Secretary Gilberto “Gibo” Teodoro Jr., on the other hand, remains a firm critic of Beijing’s actions in defense of the [West Philippine Sea](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/ph-and-china-verbal-spat-over-west-philippine-sea-pogos/) (WPS) and the country’s sovereign rights — even if it means publicly calling out Chinese officials in a conference. The tension between China and the Philippines has only escalated since the [2016 arbitral ruling](https://pcacases.com/web/sendAttach/1801) by the Permanent Court of Arbitration in The Hague favored the Philippines’ maritime claims and determined China’s nine-dash line and reclamation activities unlawful. China has since rejected the ruling and continued asserting its claim. During former President [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/)’s administration, he largely set aside the court’s ruling for warmer ties with Beijing and economic benefits. But now, the current administration has shifted to a more assertive stance towards the seas while pursuing economic engagement, with Teodoro at the forefront. We look at the moments Teodoro has called China out, from the most blunt to the most controversial. ## **2024 ‘provocation’ remarks** Teodoro is among the loudest voices protecting the Philippines’ maritime rights, and he’s been a core defender of it well before he was appointed the Department of National Defense (DND) secretary in 2023. In May 2024, Teodoro slammed China’s [new detention policy](https://www.pna.gov.ph/articles/1227096) for foreigners who violate the entrance and exit regulations in what they claim is the South China Sea. Beijing allowed its coast guard to detain foreigners it deems “trespassers” without trial, and Teodoro did not mince his words. Speaking at a Philippine Navy anniversary celebration, Teodoro called China’s threats “rogue-ish” and “irresponsible,” particularly its claims over the high seas and the West Philippine Sea. He further described the move as a [“provocation”](https://globalnation.inquirer.net/237411/china-rule-vs-west-philippine-sea-trespassers-is-roguish-teodoro) and a violation of the United Nations Convention on the Law of the Sea (UNCLOS) and the UN Charter. ![gibo teodoro and richard marles](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/aus-1.webp) Teodoro also called out China’s coercion during a meeting with Australian defense minister Richard Marles in Canberra in November 2024. Photo from the Department of National Defense/Facebook Teodoro, in the same year, said during a high-level defense dialogue with his Australian counterpart in Canberra that Beijing is “increasing its demand” and putting pressure on the Philippines to [cede claims](https://www.reuters.com/world/asia-pacific/philippines-says-its-under-pressure-china-cede-claims-south-china-sea-2024-11-12/) on the seas. He noted the importance of partnerships with countries like Australia to advance the country’s defense industry and deter Chinese incursions. “The biggest evidence of this is that nobody has actually supported their actions or activities,” Teodoro said, claiming that the Philippines is a “victim of Chinese aggression.” His remarks reflected a stance he would repeatedly stand firm on in the years that followed, which is that China’s pressure on the Philippines was a campaign of “coercion.” ## **2025 direct spats** By 2025, Teodoro became more direct. In March, he was caught in a [hostile](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/ph-and-china-verbal-spat-over-west-philippine-sea-pogos/) verbal exchange with the Chinese diplomats over discussions on the seas. The defense secretary accused [Chinese President Xi Jinping ](https://www.facebook.com/DNDPHL/posts/pfbid02U3SBdcrYUhzCNoGWyYFWnkEseVyfC29wBH1z5JposT1P3e9jJQT8qgcr8vj16ebFl?rdid=eVWcAvrt4W7PqDMd#)and the Chinese Communist Party of pursuing “aggressive” policies that could damage China’s goodwill. He went even further by calling China’s claims over the West Philippine Sea “the biggest fiction and lie.” This prompted a response from the Chinese Embassy in Manila, which accused Teodoro of making accusations and even warned the Philippines against becoming a “mouthpiece” after its increasing defense cooperation with the United States. “The Philippine defense secretary’s unwarranted accusations against China, as well as his malicious attacks on the Communist Party of China and Chinese leaders, are filled with ideological bias and Cold War thinking,” the embassy said. ![gibo teodoro at the iiss shangri-la dialogue](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/aus-1-1.webp) The defense secretary said China continues to push the Philippines to cede its maritime claims. Photo from Department of National Defense/Facebook Another one of his striking berates happened during the IISS Shangri-La Dialogue in Singapore in 2025. Despite there being no official Chinese representatives present at the forum, the defense secretary caught that some Chinese media were disguising political propaganda as questions. One reporter asked why the Philippines could not follow the examples of Malaysia and Vietnam and pursue dialogue with Beijing, while another questioned whether Manila was acting as a proxy for the United States. “To our Chinese interlocutors, I shall address you collectively. Thank you for the propaganda spiels disguised as questions,” [said](https://www.pna.gov.ph/articles/1251440) Teodoro. He added that China needs more “trust-building” to do for proper settlement and for dialogue to be effective. ## **2026 Seoul Defense Dialogue** On September 8, Teodoro made international headlines after his panel discussion at the Seoul Defense Dialogue was interrupted due to a [handwritten note](https://www.facebook.com/share/v/1BoxTNw2Sh/?mibextid=wwXIfr) he received from a Chinese delegate. The note read, “China’s position on the South China Sea arbitration has been clear, consistent, and firm. The ‘arbitration’ violates fundamental principles of international law.” ![note from china](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/note.webp) The handwritten note Teodoro received from China, which he described as “res ipsa loquitur,” or the thing speaks for itself. Photo from the Department of National Defense/Facebook It again rejected the landmark 2016 arbitration ruling, which recognized the Philippines’ ownership of the West Philippine Sea under the UNCLOS. The note further said, “the so-called award is illegal, void, null.” Teodoro then fiercely denounced China’s move, calling it a “blatant disrespect” to the Republic of Korea, which hosted the international forum, and said that “basic decency and behavior” is what China should do. He further said he will keep the note as a memento of how “desperate” China is. “Now, in Filipino, maging disente lang kayo nang konti. Mahiya naman kayo nang konti,” he stated before the audience, who applauded. ## **China’s Sanctions and Response** In June 2026, China sanctioned Teodoro after the “irresponsible remarks” he allegedly made. Beijing said it harmed China’s legitimate interests and [“sabotaged”](https://www.mfa.gov.cn/mfa_eng./xw/fyrbt/fyrbt/202606/t20260611_11942742.html) the relationship between China and the Philippines. Teodoro was officially [barred](https://www.pna.gov.ph/articles/1278704) from entering the mainland, Hong Kong, and Macau, and this sanction was also extended to his immediate family. He was further prohibited from engaging in any transactions, cooperation, or any activities with any Chinese organizations or individuals. “To uphold China’s sovereignty, security and development interests, China has decided to prohibit Gilberto Teodoro Jr. and his spouse and child from entering the Chinese mainland, Hong Kong and Macao,” the statement from China read. Meanwhile, in response to the recent note incident, Chinese foreign ministry spokesperson Mao Ning [hit back](https://x.com/spoxchn_maoning/status/2097636524980633959?s=46) on September 9. She urged “certain individuals in the Philippines” to stop “grandstanding and stirring up trouble,” and to stop “undermining China-Philippines relations and stability in the South China Sea.” ## FREQUENTLY ASKED QUESTIONS ### Who is Gilberto Teodoro Jr? Gilberto “Gibo” Teodoro Jr. is the Secretary of the Department of National Defense (DND) who has a strong stance against Chinese incursions in the West Philippine Sea. ### What is the 2016 Hague Arbitral Ruling? The 2016 landmark ruling was made by the Permanent Court of Arbitration in The Hague, which favored the Philippines’ claims over the West Philippine Sea, rejected the legal basis of China’s nine-dash line, and declared its reclamation activities unlawful. China has since rejected the ruling and continued asserting its claim. ### What does China say about the 2016 Arbitral Ruling? It has since rejected the ruling and continued to assert its claim, calling the “so-called award illegal, void, null.” ### What were China’s sanctions for Gilberto Teodoro Jr? In June 2026, China barred Teodoro from entering the mainland, Hong Kong, and Macau, and extended the ban to his immediate family. He was also prohibited from engaging in any transactions, cooperation, or activities with any Chinese organizations or individuals. ### When did Teodoro receive a note from China? Teodoro received a note expressing China’s position on the maritime dispute on September 8, during the Seoul Defense Dialogue. Related Stories - [West Philippine Sea is Now on Google Maps. Historians Aren’t Thrilled](https://rollingstonephilippines.com/state-of-affairs/politics/experts-not-thrilled-west-philippine-sea-on-google-maps/ "West Philippine Sea is Now on Google Maps. Historians Aren’t Thrilled") - [PH and China Are in a Verbal Spat Over West Philippine Sea, POGOs](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/ph-and-china-verbal-spat-over-west-philippine-sea-pogos/ "PH and China Are in a Verbal Spat Over West Philippine Sea, POGOs") - [4 Days in the West Philippine Sea: An Eyewitness Account](https://rollingstonephilippines.com/state-of-affairs/four-days-west-philippine-sea/ "4 Days in the West Philippine Sea: An Eyewitness Account") **Categories:** Philippine Politics, Power, State of Affairs **Tags:** China, Gilbert Teodoro, West Philippine Sea --- ### [KATSEYE and Turnstile Are Making Their ‘SNL’ Debuts This Season](https://rollingstonephilippines.com/music/pop/katseye-turnstile-snl-debuts-this-season/) **Published:** September 10, 2026 **Author:** Elijah Pareño **Excerpt:** The first four episodes will feature a mix of contemporary hitmakers, including two artists making their debut performances on the show **Content:** Late-night sketch comedy show *[Saturday Night Live](https://rollingstonephilippines.com/tag/saturday-night-live/)* (SNL) just announced the first four episodes from the new season alongside the list of featured hosts and musical guests. Girl group [KATSEYE](https://rollingstonephilippines.com/tag/katseye/) and hardcore band [Turnstile](https://rollingstonephilippines.com/tag/turnstile/) are both doing their *SNL* debut performances, and Spanish art-pop extraordinaire [Rosalía](https://rollingstonephilippines.com/tag/rosalia/), and singer-songwriter [Gracie Abrams](https://rollingstonephilippines.com/tag/gracie-abrams/) are returning to the program. This will be the show’s 52nd season on NBC Network ever since 1975. > [View this post on Instagram](https://www.instagram.com/p/DdEvzf_jvzE/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Saturday Night Live (@nbcsnl)](https://www.instagram.com/p/DdEvzf_jvzE/?utm_source=ig_embed&utm_campaign=loading) The musical guests continue the decade-long tradition of presenting contemporary musical hitmakers. KATSEYE opening the season cements their position as one of the most sought-after girl groups in pop music today, following a rocky year that saw a member go on hiatus and others suffer injuries. Meanwhile, Turnstile’s journey from beloved small Baltimore hardcore band to Grammy Award-winning rock act makes their SNL debut all the more special. Meanwhile, Rosalía is wrapping up her global Lux tour soon, while Gracie Abrams just celebrated the release of her latest album *Daughter From Hell* last July. The celebrity hosts opening the 52nd season are NBA New York Knicks MVP [Jalen Brunson](https://rollingstonephilippines.com/tag/jalen-brunson/), *Materialists* actress Dakota Johnson, comedian Shane Gillis, and *Obsession* actress [Inde Navarrette](https://rollingstonephilippines.com/tag/inde-navarrette/). The first episode of *SNL* Season 52 premieres on September 26 via Peacock. ## Frequently Asked Questions ### Who are the musical guests of the upcoming *SNL* season? The musical guests for the first four episodes include KATSEYE and Turnstile, both making their *SNL* debut performances, along with Rosalía and Gracie Abrams returning to the program. ### Who are the celebrity guests of the upcoming *SNL* season? The celebrity guests opening Season 52 are NBA New York Knicks MVP Jalen Brunson, *Materialists* actress Dakota Johnson, comedian Shane Gillis, and *Obsession* actress Inde Navarrette. ### When did *SNL* premiere on television? *Saturday Night Live* debuted on the NBC network in 1975. ### What album did Gracie Abrams recently release? Gracie Abrams celebrated the release of her latest album, *Daughter From Hell*, last July. ### Where to watch the upcoming season of *SNL*? The first episode of *SNL* Season 52 premieres on September 26 via Peacock. Related Stories - [The New York Knicks Have Been Undefeated Since Being Uncursed by This WWE Wrestler](https://rollingstonephilippines.com/culture/news-culture/new-york-knicks-uncursed-by-wwe-wrestler-undefeated-streak/ "The New York Knicks Have Been Undefeated Since Being Uncursed by This WWE Wrestler") - [Have Artists Reached Their Breaking Point With AI?](https://rollingstonephilippines.com/music/ai-artists-pushback-sza-doja-cat/ "Have Artists Reached Their Breaking Point With AI?") - [11 Spider-Man Movies Ranked, From Sam Raimi’s Trilogy to ‘Brand New Day’](https://rollingstonephilippines.com/culture/film/spider-man-movies-ranked-brand-new-day/ "11 Spider-Man Movies Ranked, From Sam Raimi’s Trilogy to ‘Brand New Day’") **Categories:** Music, Pop **Tags:** Gracie Abrams, Inde Navarrette, Jalen Brunson, Katseye, Rosalía, Saturday Night Live, Turnstile --- ### [Gary Valenciano Says Fan-Uploaded Full Concert Videos ‘Take Away From the Experience’](https://rollingstonephilippines.com/music/pop/gary-valenciano-full-concert-videos-experience/) **Published:** September 9, 2026 **Author:** Elijah Pareño **Excerpt:** Other Filipino singers have also urged concertgoers to leave their phones down and let paying audiences enjoy the show **Content:** Music icon [Gary Valenciano](https://rollingstonephilippines.com/tag/gary-valenciano/) is known to pour his heart out in every live performance. Last September 7, Valenciano called out the practice of taking an entire live set during a press conference promoting his upcoming concert series Back At The Museum. Valenciano said that it defeats the purpose of attending a concert. He has lamented that recording performances during a concert is unavoidable. However, he appealed to the audience not to record the entire show and upload it online. “It takes away from the experience,” Valenciano says. “I mean you can upload portions but entire songs, concerts? I don’t think that’s good.” > [View this post on Instagram](https://www.instagram.com/reel/DcyQ9oIsvUv/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Gary Valenciano (@garyvalenciano)](https://www.instagram.com/reel/DcyQ9oIsvUv/?utm_source=ig_embed&utm_campaign=loading) Valenciano added that it takes a lot of effort to put up a concert and had past experiences of fans taking an entire video from his more recent shows in the U.S. He hopes to call out patrons at his upcoming concert if they attempt to record the entire duration of the concert. “The thing is, I’m at the Music Museum, and I can see who’s recording. So, I can actually come up to the person and say, ‘Hey!’ So, I just don’t want to put people on the spot. But it really is the wrong thing to do.” ## Musicians Weigh In on Full Concert Uploads Last August 24, singer-songwriter [Ice Seguerra](https://rollingstonephilippines.com/tag/ice-seguerra/) also called out patrons who were taking footage of his concert Sessionistas: The Playlist on social media. “When you buy a concert ticket, you’re buying the experience of watching the show,” Ice says. “You are not buying the right to record the whole thing and upload it to your own YouTube page or social media pages.” More musicians have come out to urge fans to avoid taking full videos of concerts and uploading them online, such as singers [Nina Girado](https://rollingstonephilippines.com/tag/nina/), Top Suzara, and Thor Dulay, last September 6 during a press conference promoting their upcoming concert Nina XX this September 24 at the Newport Performing Arts Theater. “There are people who saved their hard-earned money just to watch the show,” Nina says. “Snippets are fine because it would also promote our show. They are proud that they watched the show. Pero kawawa naman ‘yung nagbayad.” Gary Valenciano’s Back At The Museum is a 10-date residency at the Music Museum for the entirety of October. Tickets are available online via [TicketWorld](https://fdr.ticketworld.com.ph/detection.aspx?rt=https%3a%2f%2fpremier.ticketworld.com.ph%2fshows%2fshow.aspx%3fsh%3dGVBATM26). ## Frequently Asked Questions ### Who is Gary V? Gary Valenciano, also known as Gary V, is a Filipino singer, songwriter, dancer, and television personality known for his decades-long career and energetic live performances. ### When is Gary V’s Back At The Museum concert series? Gary V’s Back At The Museum is a 10-date concert residency at the Music Museum throughout October. ### What are Gary V’s greatest hits? Gary V’s greatest hits include “Warrior Is a Child,” “Take Me Out of the Dark,” “Shout for Joy,” “Hataw Na,” and “Could You Be Mine.” ### When is Nina’s Nina XX concert? Nina Girado’s Nina XX concert is scheduled for September 24 at the Newport Performing Arts Theater. ### Who is Ice Seguerra? Ice Seguerra is a Filipino singer-songwriter, actor, and television personality known for songs such as “Pag-Ibig,” “Sabihin Mo Na,” and “Kahit Kailan.” Related Stories - [How the ‘Bagets’ Soundtrack Shaped Filipino Youth Culture in the ’80s](https://rollingstonephilippines.com/music/5-iconic-bagets-soundtrack-songs/ "How the ‘Bagets’ Soundtrack Shaped Filipino Youth Culture in the ’80s") - [Filipino Artists on the State of Music, and How the Industry Isn’t Built for Them](https://rollingstonephilippines.com/editors-picks/features/state-of-the-nation-music-industry/ "Filipino Artists on the State of Music, and How the Industry Isn’t Built for Them") - [Moira Dela Torre Wants to Write Without Having to Defend Herself](https://rollingstonephilippines.com/music/pop/moira-dela-torre-writes-without-defending-herself/ "Moira Dela Torre Wants to Write Without Having to Defend Herself") **Categories:** Music, Pop **Tags:** Gary Valenciano, Ice Seguerra, Nina --- ### [What Sharing Ground Means in the 2026 Anthology ASEAN Architecture Festival](https://rollingstonephilippines.com/culture/sharing-ground-2026-asean-architecture-festival/) **Published:** September 9, 2026 **Author:** Reyza Ferranco **Content:** The construction and design industry in the Philippines has faced relevant scrutiny in recent years over poor infrastructure planning, ghost projects, and chronic urban flooding, which eventually led to bigger political cases. While this backdrop of systemic challenges seems dire, other Filipino architects still envision a better future for the industry and the country, asking how care, culture, and collective futures can shape our communities and the physical spaces that we inhabit. The 2026 Anthology ASEAN Architecture Festival explores this question in this year’s edition of the festival, coinciding with the Philippines’ hosting of the ASEAN Summit. Taking place from October 2 to 4 in Intramuros, Manila, the festival will convene 128 speakers from across Southeast Asia, alongside ten Filipino and ASEAN installations, regional dialogues, and public forums. Intramuros serves both as the festival’s setting as well as its proof of concept for what design can do. “If you look at Intramuros now and what it was 10 years ago, there’s a great difference,” William Ti, festival curator, founder, and principal architect of WTA Architecture and Design Studio told *Rolling Stone Philippines.* He cited the new museums, pedestrianization of streets in Intramuros, sprucing up of Fort Santiago, and the improved Pasig Esplanade. “My hope really is that by doing the festival in Intramuros, we keep shining a light on it. One of the rarest attractions in Asia is to see something like Intramuros. We have temples everywhere, but Intramuros is very unique in Asia, so I think we should celebrate and push for that more and more,” he added. ![anthology festival 2026 william ti ncca intramuros administration](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/anthology.webp) Curator William Ti with festival partners Joan Padilla of Intramuros Administration and Eric Zerrudo of the NCCA during the event’s press briefing on September 9. According to Ti, the festival aims to extend architecture beyond just the construction stage or the anatomy of a building, but also to discuss how to care for and maintain them. “Because that’s what makes it sustainable, by building things that are architecturally best,” he said. The festival also aims to explore dialogue on culture, which includes the everyday rituals and traditions, as well as how their convergence can build a distinct culture that inspires architecture. Meanwhile, discussions on collective future will help architects plan their future and communities, especially with how immersed architecture is in technology and amid the rise of AI. “We have to figure out new ways of how we will build and how our spaces, especially our public spaces, will turn out in this new digital age. So that’s what the collective future is about,” he said. The festival is further committed to the idea that architecture must engage with community, and that buildings only become architecture once they are shared. WTA Architecture and Design Studio, in partnership with the City of Manila, Intramuros Administration, and the National Commission for Culture and the Arts (NCCA), are the event’s organizers. For more information, visit [anthologyfest.com](https://www.anthologyfest.com/). ## FREQUENTLY ASKED QUESTIONS ### What is the theme of the 2026 Anthology ASEAN Architecture Festival? The theme for the festival’s 2026 edition is ‘Sharing Ground: Architectures of Care, Culture, and Collective Futures’ ### When will the 2026 Anthology ASEAN Architecture Festival happen? The event will take place from October 2 to 4, 2026, at Intramuros, Manila. ### Who organized the 2026 Anthology ASEAN Architecture Festival? It is organized by WTA Architecture and Design Studio, in partnership with the City of Manila, Intramuros Administration, and the National Commission for Culture and the Arts (NCCA). ### Who will host the 2026 ASEAN Summit? The Philippines will be hosting the 2026 ASEAN Summit. ### What will be discussed in the 2026 Anthology ASEAN Architecture Festival? Architects, designers, and the general public can immerse themselves in an exchange of ideas on how to properly care for buildings and urban societies, how architecture can apply culture from everyday traditions, and the overall future of the industry with regard to the growth of technology. Related Stories - [4 Brutalists Behind the Philippines’ Most Striking Landmarks](https://rollingstonephilippines.com/culture/brutalists-behind-the-philippines-most-striking-landmarks/ "4 Brutalists Behind the Philippines’ Most Striking Landmarks") - [NCCA Honors Ben&Ben, SB19, and Regine Velasquez at SUDI Awards](https://rollingstonephilippines.com/music/ncca-honors-local-talents/ "NCCA Honors Ben&Ben, SB19, and Regine Velasquez at SUDI Awards") - [Art in the Park Featured Artist Ayka Go: ‘People Are Actively Looking for Art Now’](https://rollingstonephilippines.com/culture/art/ayka-go-art-in-the-park-interview/ "Art in the Park Featured Artist Ayka Go: ‘People Are Actively Looking for Art Now’") **Categories:** Art, Culture **Tags:** 2026 Anthology ASEAN Architecture Festival, Filipino Architecture --- ### [When and Where to Watch the 2026 Emmy Awards in the Philippines](https://rollingstonephilippines.com/culture/tv/2026-emmy-awards-where-to-watch-philippines/) **Published:** September 9, 2026 **Author:** Pie Gonzaga **Excerpt:** Whether on cable or on streaming, here’s how you can catch the 78th Primetime Emmy Awards **Content:** The [2026 Emmy Awards](https://rollingstonephilippines.com/tag/2026-emmy-awards/) are almost upon us. When the nominees were announced in July, the internet was on fire with [opinions](https://rollingstonephilippines.com/culture/tv/emmy-nominations-2026-snubs-surprises/) about which [TV stars](https://rollingstonephilippines.com/culture/tv/the-pitt-emmy-nominations-isa-briones/) did or didn’t deserve the nods, which shows were snubbed (ahem, *[Industry](https://rollingstonephilippines.com/tag/industry-hbo/)*), and which shows could definitely sweep the awards show. On Monday, September 14 (Pacific Time), we’ll finally see who’s taking home the coveted winged woman statuettes. Awarding for the 78th Emmys kicked off with its Creative Arts ceremonies on September 5 and 6, where, in a surprising turn of events, the Apple TV comedy horror *[Widow’s Bay](https://rollingstonephilippines.com/tag/widows-bay/)* swept eight awards after *[Hacks](https://rollingstonephilippines.com/tag/hacks/)*, *[Beef](https://rollingstonephilippines.com/tag/beef/)*, and *[The Pitt](https://rollingstonephilippines.com/tag/the-pitt/)* earned the most nominations. > [View this post on Instagram](https://www.instagram.com/reel/Dc9txiPPN8I/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Emmys / Television Academy (@televisionacad)](https://www.instagram.com/reel/Dc9txiPPN8I/?utm_source=ig_embed&utm_campaign=loading) While the Primetime Creative Arts Emmys weren’t televised, the main Primetime Emmy Awards ceremony will be. Taking to the stage as its host is three-time Emmy winner Mariska Hargitay. 19 categories will be awarded, including Outstanding Comedy Series, Outstanding Drama Series, and awards for acting, directing, and writing. Filipino audiences can watch the 2026 Emmys live through the HITS Now channel via Cignal TV for cable, and streaming through Cignal Play’s Premium plan, which costs P149 a month. According to the Television Academy, the preshow, which includes red carpet coverage, starts at 7:00 a.m., with the main ceremony scheduled for 8:00 a.m. on Tuesday in Philippine time. ## Frequently Asked Questions ### Where can I stream the 2026 Emmy Awards from the Philippines? The preshow and main ceremony of the 2026 Primetime Emmy Awards will be available to stream via the HITS Now channel on Cignal Play Premium. Cable viewers can also watch the Emmys on HITS Now via Cignal TV. ### When will the 2026 Emmy Awards air in Philippine time? The preshow will begin airing at 7:00 a.m., while the main ceremony begins at 8:00 am on Tuesday, September 15, Philippine time. ### Which show has the most Emmy nominations in 2026? *The Pitt* has 25 nominations, 13 in Creative Arts, for the 2026 Primetime Emmy Awards, making it the most-nominated show in this edition. This is followed by *Hacks* with 24 total nominations and *Widow’s Bay* with 19. ### What are the Creative Arts Emmy Awards? The Creative Arts Emmys honor the best in artistic and technical achievement in American primetime television programming, focusing on production designers, set decorators, video editors, costume designers, cinematographers, casting directors, and sound editors. ### Who runs the Emmy Awards? The Emmy Awards are presented by the Academy of Television Arts & Sciences, also simply known as the Television Academy. **Categories:** Culture, TV **Tags:** 2026 Emmy Awards, Emmy Awards --- ### [Moira Dela Torre Wants to Write Without Having to Defend Herself](https://rollingstonephilippines.com/music/pop/moira-dela-torre-writes-without-defending-herself/) **Published:** September 9, 2026 **Author:** Elijah Pareño **Excerpt:** The singer-songwriter looks back on a period when she stepped outside her comfort zone and what it taught her about responsibility as an artist **Content:** Singer-songwriter [Moira Dela Torre](https://rollingstonephilippines.com/tag/moira-dela-torre/) has made a career out of putting heartbreak into words. She first gained recognition in 2013 as a contestant on *The Voice Philippines*, and has since released some of her biggest hits, including “Paubaya,” “Tagpuan,” and “Tagu-Taguan.” Across the years, she’s also had memorable collaborations with acts such as [Ben&Ben](https://rollingstonephilippines.com/tag/benben/), [December Avenue](https://rollingstonephilippines.com/tag/december-avenue/), and Adie. Her debut *Malaya* in 2018 and her follow-up *Patawad* in 2020 have become successful albums in their own right, producing a prolific amount of material centered on themes of love and heartbreak. But over the years, Dela Torre was unsure whether she wanted to make music for people who only know her as the “hugot” songwriter. She says she used to lose sight of why she was writing in the first place. ![Moira Dela Torre](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Moira-Dela-Torre-Body-Text.webp) Moira Dela Torre finds it hard to keep being vulnerable in front of an audience who judge artists like her. Photo by Kieran Punay “Writing had always been the most consistent thing to me until it was doubted,” Dela Torre tells *Rolling Stone Philippines*. “All of a sudden my writing became something I needed to defend. And I think for a season in my life I just started getting quiet because I’m like, ‘Do I want to defend myself to people who have already made up their minds?’ or ‘Do I want to keep writing?’ But then every time I write, what comes out is I want to convince people that, ‘No, I’ve been writing this whole time.’” ## Moira Dela Torre on ‘Eme’ and Writing With Responsibility Dela Torre finds it hard to keep being vulnerable in front of an audience who judge artists like her. Songwriting, according to Dela Torre, should be internal, and it shouldn’t aim to impress. One of her more notable songs, “Eme,” came out in 2023 as a means for her to try something new for once. “A lot of people liked \[“Eme”\] but a lot of people were also against it,” she says. “They were like, it’s different now. But I knew in my head also \[doing something different\] wasn’t forever. I think that was also the season I recognized the responsibility I held with the platform I’d been given. And while I’m very grateful that I did that, I’m also not. I don’t think I’m going to do that again.” Since then, Dela Torre has grown more mindful of what she puts into her songs. She is aware that her words can be read in ways she never intended. Writing from anger, she realized, comes with a responsibility she has to carry once the song is out of her hands. “When you’re angry, you really get out of character,” she says. “I just wanted to express myself during that time and now that I’ve done that, I don’t want other people to be villainized because of the songs that I write. That’s something that I want to be more mature about. And just because I’m angry doesn’t mean I get to get other people involved. I can be more careful.” ## Frequently Asked Questions ### What are Moira Dela Torre’s greatest hits? Some of Dela Torre’s best-known songs include “Paubaya,” “Tagpuan,” “Titibo-tibo,” and “Eme.” ### How many studio albums has Moira Dela Torre released? Moira Dela Torre has released two studio albums: *Malaya* in 2018 and *Patawad* in 2020. ### Who did Moira Dela Torre collaborate with? Moira Dela Torre’s most notable collaborations are with December Avenue, Ben&Ben, and Adie. ### When was “Eme” released? Moira Dela Torre’s “Eme” was released back in 2023. ### When did Moira Dela Torre join *The Voice Philippines*? Moira Dela Torre first joined *The Voice* *Philippines* as a contestant in 2013. Related Stories - [25 Filipino Love Song Covers That Defined Romance Across Decades](https://rollingstonephilippines.com/editors-picks/lists/25-filipino-love-song-covers/ "25 Filipino Love Song Covers That Defined Romance Across Decades") - [Fitterkarma on Their Slow-Burn Rise and Turning Heads in Pinoy Rock](https://rollingstonephilippines.com/music/rock/fitterkarma-pag-ibig-ay-kanibalismo-ii/ "Fitterkarma on Their Slow-Burn Rise and Turning Heads in Pinoy Rock") - [How The Itchyworms’ Jugs Jugueta Held Up a Mirror on Pinoy Pop Culture](https://rollingstonephilippines.com/media-channels/greatest-hits/the-itchyworms-jugs-jugueta/ "How The Itchyworms’ Jugs Jugueta Held Up a Mirror on Pinoy Pop Culture") **Categories:** Music, Pop **Tags:** Moira Dela Torre, The Rolling Stone Interview --- ### [A Timeline of the Political Relationship of Romualdez and Marcos Jr. ](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/romualdez-marcos-jr-political-relationship-timeline/) **Published:** September 9, 2026 **Author:** Reyza Ferranco **Content:** The country is no stranger to political betrayals, shifting alliances, and partnership blow backs. But the latest chapter of President [Ferdinand Marcos Jr](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/). and former House Speaker [Martin Romualdez](https://rollingstonephilippines.com/tag/martin-romualdez/)’s political relationship presents a fraught situation within blood ties and potentially huge political ramifications. From its early beginnings to the ongoing flood corruption scandal, here’s a look into their political relationship and the events that led to Romualdez facing arrest for plunder charges. ## **Romualdez’s Early Beginnings in Politics** The relationship of the two traces back to their parents. The president’s mother, former First Lady [Imelda Marcos](https://rollingstonephilippines.com/tag/imelda-marcos/), is the sibling of Romualdez’s father, former Leyte Governor Benjamin “Kokoy” Romualdez — making them first cousins and tying their relationship tightly into their political dynasty. Romualdez’s political career began in the early 1990s as the president of the Kabataang Barangay in Tolosa, Leyte. He later became the First District Representative of Leyte from 2007 to 2016 before eyeing a senatorial seat in 2016 under the Lakas-CMD party-list. Although he fell three ranks short of winning a bid, he was able to reclaim his congressional seat, serving as the House Majority Leader from 2016 to 2022. The Romualdez-Marcos clan heightened consolidation after the 2022 presidential elections. ## **Romualdez as House Speaker** When Marcos first took office as president of the Philippines, he positioned his first cousin, Romualdez, as one of the administration’s key figures in Congress. 283 members of the House of Representatives voted for him as the House Speaker, and he ran unopposed. ![martin romualdez bongbong marcos](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/bbmartin.webp) Martin Romualdez openly supported his cousin, Bongbong Marcos, after he was proclaimed president.Photo from Martin Romualdez/Facebook For the first few years of the Marcos administration, the two appeared completely politically aligned, with Romualdez playing a central role in advancing the administration’s legislative agenda. He was a strong backer of the president in many of his big policy shifts and plans, such as the ban on [POGO operations](https://rollingstonephilippines.com/tag/pogo/) in 2024 and the trillion-peso budget that was passed for the same year. However, everything took a slow turn when the administration’s UniTeam coalition began showing cracks following former President [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/)’s insults against Marcos and Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/)‘s resignation as the Department of Education (DepEd) Secretary. The vice president had even previously blurted an alleged threat against both Marcos and Romualdez, as well as the First Lady Liza Araneta Marcos, for which Duterte later faced an arrest warrant before posting bail. The threat also stemmed from the first formal set of impeachment complaints lodged against Duterte in 2024 under Romualdez’s speakership. ## **The Start of the Scandal** Then came the pivotal year of 2025, when Marcos called for an audit of the flood control projects under his administration during his fourth State of the Nation Address (SONA). The president addressed it amid the brewing Department of Public Works and Highways (DPWH) flood control fiasco, which pushed [investigations](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/dpwh-flood-control-latest-updates/) into allegations of corruption among contractors, businessmen, and politicians alike to begin. His cousin was later accused of having benefited from the dirty money. On September 17 of that year, Romualdez resigned from his post after being caught in the middle of allegations linking him to corruption issues and budget insertions. “Today, with a full heart and a clear conscience, I tender my resignation as Speaker of the House of Representatives. I do this so that the Independent Commission on Infrastructure may pursue its mandate freely and fully. Without doubt, without interference, and without undue influence,” he said in his speech. Romualdez also referenced his cousin’s SONA speech on how no one is above scrutiny and that he echoes the call for accountability. During Marcos’ [2026 SONA](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/marcos-fifth-sona-2026-issues-to-address/), he once again made clear that his obligations as head of state would take precedence over family and personal relationships. “Masakit man sa akin ito, ngunit kailangan nating gawin ang tama. Hindi ako pangulo ng pamilya. Hindi ako pangulo ng aking kaibigan. Ako ay pangulo ng Pilipinas,” Marcos said. ![martin romualdez bongbong marcos](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/bbmartin-2.webp) Questions loom over the possible ramifications in the Marcos-Romualdez relationship after the former House Speaker’s arrest. Photo from Martin Romualdez/Facebook While both remain cordial, it’s the questions from the critics and the media that open an analysis into whether their relationship remains tight or has already been flailing. ## **The Arrest Served** There remains no clear resolution to the overall flood controversy yet, but new developments surfaced in mid-2026 after the Office of the Ombudsman officially issued a non-bailable warrant of arrest against Romualdez, former Ako Bicol Rep. [Zaldy Co](https://rollingstonephilippines.com/tag/zaldy-co/), and two others for a P7.44 billion plunder case. The former House Speaker allegedly received the billion-peso kickback from over 15 transactions with contractors and other flood control entities, accumulated from 2022 to 2025. His warrant of arrest was presented on September 7 at Cardinal Santos Medical Center in San Juan City, where he was confined following a “cardiovascular event” and “unstable blood pressure.” Department of Interior and Local Government (DILG) Secretary [Jonvic Remulla](https://rollingstonephilippines.com/tag/jonvic-remulla/), meanwhile, said in an [*ANC* interview](https://web.facebook.com/share/v/1D9AeNfPeJ/) that the arrest of Romualdez “really hurts” the president. Remulla clarified that Marcos has no plans to interfere, nor did he give any orders for preferential treatment for his cousin, whom he treats as a brother. As of this writing, Marcos has not released any official statement regarding the arrest. ## FREQUENTLY ASKED QUESTIONS ### How are Ferdinand Marcos Jr. and Martin Romualdez related? They are first cousins. President Ferdinand “Bongbong” Marcos Jr’s mother, former First Lady Imelda Marcos, is the sibling of Martin Romualdez’s father, former Leyte Governor Benjamin “Kokoy” Romualdez. ### When did Martin Romualdez resign as House Speaker? Romualdez resigned from his post in September 2025 after allegations linking him to the flood control corruption scandal. ### Why is Romualdez facing a warrant of arrest? The Office of the Ombudsman issued a non-bailable warrant of arrest against Romualdez, former Ako Bicol Rep. Zaldy Co, and two others for a P7.44 billion plunder case. Romualdez allegedly received the billion-peso kickback from over 15 transactions with contractors and other flood control entities, accumulated from 2022 to 2025. ### How did Marcos react to Romualdez’s arrest? No official statement has been posted yet, but the Department of Interior and Local Government (DILG) Secretary Jonvic Remulla said in an interview that the arrest “really hurts” the president, who treated Romualdez like a brother. ### When did Marcos first spotlight the flood corruption scandal? Marcos called for an audit of the flood control projects under his administration during his fourth State of the Nation Address (SONA) in 2025. The president addressed it amid the already brewing Department of Public Works and Highways (DPWH) flood control fiasco, which probed contractors, businessmen, and politicians alike. 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The film follows Theranos founder Elizabeth Holmes 34 days before she is sent to prison, dating back to 2023, inviting a film crew to document her every move. The trailer shows Fielder having intense eye-to-eye contact with the disgraced biotechnology executive. As the scene goes on, Holmes’ gaze upon Fielder becomes increasingly unsettling, made more so by how she was rocking her baby’s cradle — with her foot. According to film company [A24](https://rollingstonephilippines.com/tag/a24/), *You Can See Everything* will begin as a character portrait of Holmes’ day-to-day life, but as the days pass, it eventually develops into a “mind-bending” journey into “the abyss.” The film has yet to announce a specific premiere date in October. ## Who is Elizabeth Holmes? Elizabeth Holmes is a former entrepreneur and a convicted fraudster who founded the defunct blood-testing company Theranos. She was only 19 when she launched her company in 2003. The company marketed groundbreaking technology that could perform hundreds of lab tests using minimal amounts of blood. By the end of 2015, the company had reached a value of $9 billion. Holmes was listed as *Forbes*’ youngest self-made female billionaire in America in 2014 and 2015. John Carreyrou, an investigative journalist from *The Wall Street Journal*, received a tip from a Missouri-based pathologist who questioned Theranos’ technology back in 2015. Holmes was removed from the lab-testing industry for two years, and by 2017, the company had officially closed its laboratories. Then, in 2018, Holmes and the former president of Theranos, Ramesh Balwani, were charged with fraudulent conduct. After surrendering control of the company in one of biotech’s biggest scandals, Holmes was fined $500,000 and subsequently banned from serving as an officer or director of a public company for 10 years. In 2022, Holmes was sentenced to 11 years and three months in prison. Nathan Fielder is a comedian and documentary filmmaker known for creating absurd social experiments in series like *Nathan For You* in 2013 and *The Rehearsal* in 2022. Lance Oppenheim is a documentary filmmaker, and he made his narrative feature debut with *Primetime*, starring Robert Pattinson as the controversial *To Catch A Predator* host Chris Hansen. ## Frequently Asked Questions ### Who directed *You Can See Everything*? The documentary was directed by Nathan Fielder and Lance Oppenheim. ### Who is Elizabeth Holmes? Elizabeth Holmes is a former entrepreneur and convicted fraudster who founded the defunct blood-testing company Theranos at age 19 in 2003. She was once listed as Forbes’ youngest self-made female billionaire in America. ### What does Theranos do? Theranos was a blood-testing company that marketed technology claiming to perform hundreds of lab tests using minimal amounts of blood. The company’s technology was later revealed to be fraudulent, and it officially closed its last laboratory by 2017. ### When was Elizabeth Holmes convicted? Elizabeth Holmes was charged with fraudulent conduct in 2018, alongside former Theranos president Ramesh Balwani, and was sentenced in 2022 to 11 years and three months in prison. ### What are A24’s most notable films? A24 is known for producing films such as *The Witch*, *Hereditary*, *The Whale*, *Backrooms*, and many more. Related Stories - [How a Veteran Actor Lost P1.5 Million to an Online Dating Scam](https://rollingstonephilippines.com/culture/tech/laurence-pang-love-scams-ph/ "How a Veteran Actor Lost P1.5 Million to an Online Dating Scam") - [Akon’s ‘Smack That’ Helped Bust this Scam Call Center in Cebu](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/cebu-scam-hub-call-center/ "Akon’s ‘Smack That’ Helped Bust this Scam Call Center in Cebu") - [‘The Odyssey’ is Giving Us Evil Stepdaddy Robert Pattinson](https://rollingstonephilippines.com/culture/film/the-odyssey-trailer-matt-damon-robert-pattinson/ "‘The Odyssey’ is Giving Us Evil Stepdaddy Robert Pattinson") **Categories:** Culture, Film **Tags:** A24, Elizabeth Holmes, Lance Oppenheim, Nathan Fielder, You Can See Everything --- ### [6 of the Best ‘Chicken Shop Date’ Guests, from Andrew Garfield to Cher](https://rollingstonephilippines.com/culture/internet-culture/best-guests-amelia-dimoldenberg-chicken-shop-date/) **Published:** September 8, 2026 **Author:** Pie Gonzaga **Excerpt:** Before Amelia Dimoldenberg turns the fryer off, we look back at some of our favorite episodes from the beloved YouTube series **Content:** How else are we supposed to know how our favorite actors and musicians act on dates? After 12 years, [Amelia Dimoldenberg](https://rollingstonephilippines.com/tag/amelia-dimoldenberg/) is calling it quits on *[Chicken Shop Date](https://rollingstonephilippines.com/tag/chicken-shop-date/)*, the YouTube video series where she interviews (and awkwardly flirts with) celebrities over fried chicken. “I never thought I’d stop *Chicken Shop Date*,” Dimoldenberg wrote in a letter posted on September 3. “I thought maybe it would be part of me forever, and in some way it always will be, but I feel like it’s now time for me to move on from this adventure and onto a new one.” The English comedian and presenter also said that before closing shop, she would release a few more episodes of the show, which started in 2014 and initially featured local grime artists as guests. Over the years, the show became a sought-after press stop for film and music releases, and grew Dimoldenberg’s YouTube following to 3.45 million as of this writing. Things aren’t totally over for Dimoldenberg. She still has her *Passenger Princess* video series, in which Formula 1 drivers teach her how to drive, and a few upcoming projects that see her expanding her work outside hosting. In February, she announced that she was developing a romantic comedy film for Amazon MGM Studios’ Orion Productions, with *SKAM Austin* and *Girls* writer Sarah Heyward on board to write the script. She also recently said that she was working on a young adult drama series she described as “my version of *Skins.*” While the BBC hasn’t greenlit the project, we believe that Dimoldenberg will see it through; she’s already got her foot in the door with cameos in *[The Devil Wears Prada 2](https://rollingstonephilippines.com/culture/film/the-devil-wears-prada-2-review/)* and [*Industry*](https://rollingstonephilippines.com/culture/tv/industry-season-4-episode-4-recap/) (in the latter, as a journalist named Vivian Poulet-Magasin, which literally translates to Vivian “chicken shop”). Press cycles won’t be the same without Dimoldenberg’s beloved show. As we wait for the final episodes of *Chicken Shop Date*, we look at some of the best, most memorable episodes, listed by release date. ## Daniel Kaluuya Dimoldenberg’s star was destined to rise even in the middle of the COVID-19 pandemic when her date with British actor [Daniel Kaluuya](https://rollingstonephilippines.com/tag/daniel-kaluuya/) went viral in early 2020. The *Get Out* star was her first big guest, and his appearance on the show introduced wider audiences to the simultaneously awkward and charismatic content creator. The episode also showed us how nice it could be to make Kaluuya laugh. ## Louis Theroux “My money don’t jiggle jiggle, it folds” came from this episode of *Chicken Shop Date*. Here, Dimoldenberg went toe-to-toe with American-British documentarian [Louis Theroux](https://rollingstonephilippines.com/tag/louis-theroux/), who showed her his rapping skills and American accent. “Do I give off single energy?” Dimoldenberg asks. Theroux, 53 at the time, replies, “No, I don’t even know what that would be.” ## Cher No episode of *Chicken Shop Date* gagged me as badly as the one with [Cher](https://rollingstonephilippines.com/tag/cher/), which was released in December 2023. Cher doesn’t do many interviews anymore, so to stop by the chicken shop must have been an honor for Dimoldenberg. As for how Cher felt about the date, “I’m actually not happy to be here, but I’m actually happy to join you.” ## Billie Eilish You can always count on [Billie Eilish](https://rollingstonephilippines.com/tag/billie-eilish/) to [flirt in an interview](https://rollingstonephilippines.com/music/pop/billie-eilishs-anna-deguzman-magician/). In this episode, the “LUNCH” singer seems to turn the show on Dimoldenberg, asking her questions about what smells she hates, what kind of person she dreams of dating, and what turns her on. Eilish is such a good flirt, it makes Dimoldenberg’s flirting feel more genuine, even though she’s been on so many of these dates. ## Andrew Garfield The episode with [Andrew Garfield](https://rollingstonephilippines.com/tag/andrew-garfield/), released in October 2024, has 13 million views for a good reason: there’s lore here. To fans, Garfield and Dimoldenberg seemed to share some chemistry on the red carpet, from the 2022 GQ Men of the Year Awards to the 2023 Golden Globes, where Garfield said, “I only ever want to see you.” In the video, he says, “This is fucked up, the fact that we could have actually gone on a \[real\] date at some point.” ## Alex Consani One of *Chicken Shop Dates*’ more recent gems is the episode with model and TikTok star [Alex Consani](https://rollingstonephilippines.com/tag/alex-consani/), who starts the video blowing vape rings to impress Dimoldenberg. Consani is just as funny in the show as she is on social media, and I don’t think I’ve ever seen Dimoldenberg so close to breaking RBF. “I actually would love to be a dancer,” she tells her guest. Consani replies, “Ayy! Background?” ## Frequently Asked Questions ### When did *Chicken Shop Date* start? *Chicken Shop Date* started in 2014 as an offshoot of Amelia Dimoldenberg’s column for London-based magazine *The Cut* (not to be confused with the *New York* magazine). The show’s early guests included local grime rappers, the first being Ghetts. ### Are Amelia Dimoldenberg and Andrew Garfield dating? No, Dimoldenberg and Garfield are not dating. The two have both clarified that they are only friends. ### When will the last episode of *Chicken Shop Date* be released? Though Amelia Dimoldenberg has announced that she’s retiring the show, she has not given a date for the YouTube show’s final episode yet. ### Who produces *Chicken Shop Date*? Amelia Dimoldenberg produces *Chicken Shop Date* through her own production company, Dimz Inc. ### How many episodes of *Chicken Shop Date* are there? As of writing, the YouTube show currently has a total of 115 episodes, which includes a second episode with its first-ever guest Ghetts and one episode with the characters of the stop-motion animated film *Chicken Run: Dawn of the Nugget*. Her latest guest is Zara Larsson. Related Stories - [Billie Eilish’s Freakiest Interview Yet is with Fil-Am Magician Anna DeGuzman](https://rollingstonephilippines.com/music/pop/billie-eilishs-anna-deguzman-magician/ "Billie Eilish’s Freakiest Interview Yet is with Fil-Am Magician Anna DeGuzman") - [11 Spider-Man Movies Ranked, From Sam Raimi’s Trilogy to ‘Brand New Day’](https://rollingstonephilippines.com/culture/film/spider-man-movies-ranked-brand-new-day/ "11 Spider-Man Movies Ranked, From Sam Raimi’s Trilogy to ‘Brand New Day’") - [‘The Devil Wears Prada 2’: How the Mighty (Publishers) Fall](https://rollingstonephilippines.com/culture/film/the-devil-wears-prada-2-review/ "‘The Devil Wears Prada 2’: How the Mighty (Publishers) Fall") **Categories:** Culture, Film, Internet Culture **Tags:** Alex Consani, Amelia Dimoldenberg, Andrew Garfield, Billie Eilish, Cher, Chicken Shop Date, Daniel Kaluuya, Louis Theroux --- ### [Macklemore Speaks Out After ‘Free Palestine’ Message Draws Backlash](https://rollingstonephilippines.com/music/hiphop-rnb/macklemore-free-palestine-message-backlash/) **Published:** September 8, 2026 **Author:** Elijah Pareño **Excerpt:** The controversy continues after the rapper addressed his remarks, with a pro-Israel group calling for his removal and P!nk amplifying the criticism **Content:** American rapper [Macklemore](https://rollingstonephilippines.com/tag/macklemore/) is under fire for speaking out with a plea to “[Free Palestine](https://rollingstonephilippines.com/tag/palestine/)” at [Ed Sheeran](https://rollingstonephilippines.com/tag/ed-sheeran/)’s Loop Tour at New Jersey’s MetLife Stadium on September 4 and 5. Prior to his performance of the protest song “Hind’s Hall,” Macklemore addressed his concern over the ongoing genocide in Gaza. “A big part of the reason why I wanted to do this tour in the first place is so I could stand up in stadiums like this and say two words that are very near and dear to my heart: Free Palestine,” Macklemore said. “I want those words to be loud and clear, so that people all the way in Gaza to the occupied West Bank know that we have not forgotten about them.” > Wanting all humans to be treated equal should never be controversial. [pic.twitter.com/BOJ9xMoIZn](https://t.co/BOJ9xMoIZn) > > — Macklemore (@macklemore) [September 7, 2026](https://x.com/macklemore/status/2097033800811507990?ref_src=twsrc%5Etfw) The speech drew the ire of the Israeli American Council (IAC), and they have issued a petition for the rapper to be booted off Sheeran’s remaining tour dates. The petition read that the concert is exclusively as is and not a political rally or a protest. The IAC petitioned that the issue is “not whether Macklemore has the right to hold political views.” The council then concluded that Macklemore’s messaging relies on “selective imagery, biased messaging, and disputed claims presented to a massive audience as fact, without context or complexity.” Moreover, pop singer [P!nk](https://rollingstonephilippines.com/tag/pnk/) has amplified a pro-Israel group Stop Antisemitism’s post demanding that the rapper apologize for his “Free Palestine” message and denying that Israel is committing genocide on Instagram. ## Breaking Silence According to *Newsweek*, Macklemore followed up with his response a day after the speech on September 5 at the same venue. He responded to the reaction to his speech on stage. “To all of my Jewish brothers and sisters: criticism of Israel, criticism of apartheid, being against genocide is in no way a criticism of you,” he says. “My message is for peace; love for all human beings to be treated with dignity, respect, and equality.” Sheeran shared no response regarding the speech, and Macklemore is still included in the tour dates based on Sheeran’s website. Macklemore wrote “Hind’s Hall” addressing the conflict and expressing support for Palestinians. Moreover, the song was inspired by “a group of college activists” from Columbia University back in 2024 that led a nationwide protest across other campuses all over the United States. ## Frequently Answered Questions ### Who is Macklemore? Macklemore is an American rapper who wrote the hits “Thrift Shop,” “Can’t Hold Us,” “These Days,” to name a few. ### Who is Macklemore touring alongside? Macklemore is performing as part of singer-songwriter Ed Sheeran’s Loop Tour. ### What inspired Macklemore’s “Hind’s Hall”? Macklemore’s “Hind’s Hall” was inspired by a group of college activists from Columbia University in 2024. ### What is the Israeli American Council? The Israeli-American Council (IAC) is an American nonprofit whose mission is to build an engaged and united Israeli-American community that strengthens the Israeli and Jewish identity. ### Who is P!nk? P!nk is a pop singer known for releasing hits such as “Just Give Me A Reason,” “Try,” and “What About Us.” Related Stories - [Author Sally Rooney Stands by Palestine Action Despite ‘Terrorist’ Label](https://rollingstonephilippines.com/state-of-affairs/politics/sally-rooney-palestine-action/ "Author Sally Rooney Stands by Palestine Action Despite ‘Terrorist’ Label") - [Filipino Publishers Clash Over Palestine at the World’s Biggest Book Fair](https://rollingstonephilippines.com/culture/books/frankfurt-book-fair-boycott-for-palestine/ "Filipino Publishers Clash Over Palestine at the World’s Biggest Book Fair") - [For Cafe Mediterranean, Food Is a Platform for Palestine](https://rollingstonephilippines.com/state-of-affairs/power/cafe-mediterranean-food-platform-palestine/ "For Cafe Mediterranean, Food Is a Platform for Palestine") **Categories:** Hip-hop/R&B, Music **Tags:** Ed Sheeran, Macklemore, P!nk, Palestine --- ### [The Men of ‘Practical Magic 2’ on Their Co-Stars and Whether They Believe in Magic](https://rollingstonephilippines.com/culture/film/lee-pace-xolo-mariduena-solly-mcleod-practical-magic-2/) **Published:** September 8, 2026 **Author:** Pie Gonzaga **Excerpt:** The new faces of Practical Magic 2 talk falling for Sandra Bullock, bonding with Joey King, and their own brushes with the supernatural **Content:** Men have the worst luck in the world of *Practical Magic*, but can these new male characters overcome the Owens family curse? Nicole Kidman and Sandra Bullock return as the witchy Owens sisters in *[Practical Magic 2](https://rollingstonephilippines.com/tag/practical-magic-2/)*, and joining them are newcomers [Xolo Maridueña](https://rollingstonephilippines.com/tag/xolo-mariduena/), [Solly McLeod](https://rollingstonephilippines.com/tag/sollymcleod/), and [Lee Pace](https://rollingstonephilippines.com/tag/lee-pace/). “I wouldn’t say I’m someone who believes in magic, but I don’t *not* believe in it,” Pace says in an interview exclusive to *Rolling Stone Philippines*. “I think that the mysteries in this world are so complicated and \[multi\]faceted, you can’t just rely on logic or science to understand everything.” In the upcoming film, Pace plays Ian Wright, a tatted-up professor of witchcraft and love interest to Bullock’s Sally. Of filming with the actress, Pace says he’d pinched himself many times. “How lucky am I to be sharing a scene like this with Sandra Bullock?” he says. “The number of times I’ve watched her in films fall in love with someone, and here I was sitting across a table from her, and I felt like I was with an old friend. And I was falling in love with her.” When asked if he brought his own beliefs about magic into playing Ian, the American actor — who played the elf king Thranduil in *The Hobbit* — says that while he does not believe in magic, he also thinks “it doesn’t feel wrong.” “I think there are people who are intuitive and who have illogical, uncerebral ways of understanding both people and nature,” he says. “Obviously, there are huge traditions of Egyptian magic, English magic, Native American magic, all around the globe. It’s like there are lots of different ways pointing towards the same thing.” ![joey king xolo mariduena practical magic 2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/joey-king-xolo-mariduena-practical-magic-2.webp) Joey King and Xolo Maridueña as Kylie and Gideon. Photo courtesy of Warner Bros. Pictures Maridueña likewise says, “I know mediums, and I do believe in the connection to the afterlife and the power of ancestors. I feel like that’s magic in its own way.” The actor plays Gideon, the boyfriend of Sally’s daughter Kylie, who was played by Evan Rachel Wood in the 1998 film and Joey King in the sequel. “Joey has been such a pleasure to get to work with,” Maridueña says of his co-star. “I didn’t know anyone coming onto this set; it was a whole new family, and that’s always the most exciting thing. But it’s also a little bit nerve-wracking. And Joey did the kindest thing in welcoming me with open arms.” He also praised Bullock and Kidman, saying they were “by far two of the best women that I’ve had the privilege of working with.” In particular, Maridueña says he enjoyed watching the two work as both actresses and producers on set. “Their ability to navigate producing while being 100 percent down to play and riff and get into the nooks and crannies of these scenes, figuring what works and what doesn’t — it was humbling to sit alongside them.” ![solly mcleod practical magic 2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/solly-mcleod-practical-magic-2.webp) Solly McLeod as Tom Lockland. Photo courtesy of Warner Bros. Pictures McLeod says he was nervous about being a newcomer in the *Practical Magic* series. “But after meeting everyone — and they were so welcoming and very supportive of the stuff I was doing — it was really a joy,” he says. The actor, who plays the mysterious Tom Lockland, also spends much of his screen time with King, who employs the help of Tom in her search for answers about her ancestry. “I had a lot of my scenes with Joey, and she was brilliant, such a fun person to be around,” says McLeod. As for whether he believes in magic, he’s not sure he’s ever experienced it. “I mean weird shit has happened to me, but I don’t know if it was magic,” he says. “I grew up on an island in Scotland and I think there are links to the Norse gods, stuff like that, so \[it’s a\] different style of magic than \[the movie\]. But I guess I don’t disagree that there’s maybe some kind of magic in the world.” *Practical Magic 2* comes to Philippine cinemas on September 9. ## Frequently Asked Questions ### What is *Practical Magic 2* about? In *Practical Magic 2*, sisters Gillie and Sally Owens must confront the dark curse that threatens to unravel their family once and for all. It picks up from the 1998 film *Practical Magic*, where Gillie and Sally, raised by their eccentric aunts, try to navigate their love lives despite the family curse, which dooms the men who fall in love with them to die tragic deaths. ### Who directed *Practical Magic 2*? *Practical Magic 2* was directed by Danish filmmaker Susanne Bier, who’s also known for directing *Bird Box* and TV shows like *The Night Manager*, *The Undoing*, and *The Perfect Couple*. While Griffin Dunne, director of *Practical Magic*, wasn’t involved in the sequel, screenwriter Akiva Goldsman returned to write the screenplay. ### Who stars in *Practical Magic 2*? Sandra Bullock and Nicole Kidman reprise their roles as Sally and Gillie Owens, respectively. Dianne Wiest and Stockard Channing also return as Aunt Jet and Aunt Frances. *Practical Magic 2* also stars Maisie Williams as Antonia and Joey King as Kylie, Sally’s daughters. Lee Pace, Xolo Maridueña, and Solly McLeod play new characters. ### What movies and shows have Xolo Maridueña and Solly McLeod done? Xolo Maridueña is best known for playing Miguel Diaz in the Netflix series *Cobra Kai* and the titular superhero in the 2023 DC Extended Universe film *Blue Beetle*, set to reprise the role in the upcoming *Superman* sequel *Man of Tomorrow*. Solly McLeod starred in Viggo Mortensen’s 2023 Western *The Dead Don’t Hurt* and the television drama *Tom Jones* as the titular character. He also appeared in the sixth season of *Outlander* and the first season of *House of the Dragon*. ### What is the age rating of *Practical Magic 2* in the Philippines? *Practical Magic 2* is rated PG by the MTRCB, allowing audiences of all ages to watch the film with parental guidance. 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This year, with over 200 exhibitors, including small and established presses, MIBF will run for five days, from September 9 to 13 at the SMX Convention Center in Pasay. The duration of the book fair is filled with book launches, talks, workshops and seminars, and even book signings with authors present. Here, we list down five that are worth going to over the next few days. ## ‘Kikomachine Komix Blg. XX’ Launch with Manix Abrera Stage Area at 2/F Function Room 1 September 11, 12:30 PM > [View this post on Instagram](https://www.instagram.com/p/Db1SUDMSnos/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Manix Abrera (@manix\_abrera)](https://www.instagram.com/p/Db1SUDMSnos/?utm_source=ig_embed&utm_campaign=loading) The 20th edition of the best-selling comic series by author and cartoonist Manix Abrera will launch at MIBF this year. Abrera promises “Terror! Spikey! Parallel Earth! Hiwaga! Dwende! Pag-ibig! Kababalaghan!” for fans of *Kikomachine Komix*. On September 11, Abrera will also feature in an event organized by MIBF on comics and creativity. ## Howie Severino’s New Book on ‘People He Knew’ Stage Area at 2/F Function Room 1 September 11, 4 PM Multi-awarded journalist Howie Severino will launch his latest book, *People I Knew: And Some I Didn’t But Wrote About Them Anyway* (UST Publishing House) at this year’s MIBF. His publisher is also hosting a meet-and-greet for fans who want to get their hands on the new book. ## Ben&Ben’s Book Based on Third Studio Album Stage Area at G/F Exhibit Hall 1 September 12, 10 AM > [View this post on Instagram](https://www.instagram.com/p/DcyCL7sCZPp/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Paolo Benjamin (@paolobenjamin\_)](https://www.instagram.com/p/DcyCL7sCZPp/?utm_source=ig_embed&utm_campaign=loading) The twin leads of the nine-piece folk-pop band, Miguel Benjamin G. Guico and Paolo Benjamin G. Guico, made a book off their [third studio album of the same name](https://rollingstonephilippines.com/music/music-reviews/benben-the-traveller-across-dimensions-album-review/), *The Traveller Across Dimensions* Book, and are launching it on September 12. “Magbibigay kami ng book talk, at saka magbebenta ng limited signed copies ng libro. Kung maabutan ka namin doon, catch up tayo saglit!” the brothers said in a post. ## David Guerrero’s New Book on The Beatles in Manila 2/F Function Room 1 September 12, 4:30 PM ![david guerrero you wont see me whne beatles ghosted imelda penguin random house sea](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/david-guerrero-you-wont-see-me-whne-beatles-ghosted-imelda-penguin-random-house-sea-scaled.webp) Photo from Penguin Random House SEA Published by Penguin Random House Southeast Asia, *You Won’t See Me When the Beatles Ghosted Imelda,* is David Guerrero’s retelling of that blip in The Beatles’ touring history involving the Marcoses in the ‘60s. Guerrero speaks to musician and broadcast journalist Lourd de Veyra in a talk followed by a book signing event. ## A New Book on PH Showbiz by One of Its Revered Insiders 2/F Function Room 1 September 13, 3 PM > [View this post on Instagram](https://www.instagram.com/p/Dc2sXAJiDVh/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Milflores Publishing, Inc. (@milfloresbooks)](https://www.instagram.com/p/Dc2sXAJiDVh/?utm_source=ig_embed&utm_campaign=loading) Writer, talent manager, and columnist Noel Ferrer’s new book, *Level Up: Narrating Stardom, Substance and Service*, gives a never-before-seen glimpse behind the country’s entertainment industry. The book, which also caps off Ferrer’s 35 years in showbiz, will be launched at MIBF with hosts [Atom Araullo](https://rollingstonephilippines.com/tag/atom-araullo/), Karmina Constantino, and Kim Atienza. For the full MIBF 2026 events lineup, visit its [website](https://www.manilabookfair.com/special-events.php). **Categories:** Events, Radar **Tags:** Manila International Book Fair --- ### [Lino Brocka’s Grandniece Calls on Filmmakers to Create With Courage and Truth](https://rollingstonephilippines.com/culture/film/lino-brocka-grandniece-filmmakers-courage-truth/) **Published:** September 7, 2026 **Author:** Elijah Pareño **Excerpt:** The restored classic opened Philippine Film Industry Month, with its filmmaker’s grandniece Antonia Gabriella urging artists to create with integrity, courage, and truth **Content:** National Artist for Film and Broadcast Arts [Lino Brocka](https://rollingstonephilippines.com/tag/lino-brocka/)’s 1974 film *[Tinimbang Ka Ngunit Kulang](https://rollingstonephilippines.com/tag/tinimbang-ka-ngunit-kulang/)* premiered its 4K restoration at the Shangri-La Red Carpet Cinemas on September 4. Presented by [The Film Development Council of the Philippines](https://rollingstonephilippines.com/tag/fdcp/) (FDCP), one of Brocka’s landmark films became the opening film for this year’s Philippine Film Industry Month. One of the film’s guests of honor was Brocka’s grandniece Antonia Gabriella Brocka, who gave a speech paying homage to her grandfather. She said that her grandfather was a confident artist who was never afraid to speak up. ![Tinimbang Ka Ngunit Kulang](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/TKNK-Cast-reunion.webp) FDCP chairperson and CEO Jose Javier Reyes alongside Antonia Gabriella Brocka, grandniece of the film’s late director and National Artist Lino Brocka; actress Laurice Guillen; and Sonia Roco, widow of the film’s executive producer Sen. Raul Roco; actor Christopher de Leon. Photo from Film Development Council of the Philippines/Facebook “To my fellow artists and filmmakers, let us please take inspiration from my Lolo Lino and continue to create fearlessly with integrity, courage, and truth,” Brocka says. “Let us not be blinded by bias, financial influence, and corruption. And to be like my lolo, do not be afraid to stand up for what you believe in.” The opening film’s guests of honor included the film’s cast, such as actress and director Laurice Guillen, and the widow of the film’s executive producer Raul Roco, Sonia Roco, who was presented with the film’s commemorative poster alongside FDCP CEO and Chairperson [Jose Javier Reyes](https://rollingstonephilippines.com/tag/jose-javier-reyes/). [Christopher de Leon](https://rollingstonephilippines.com/tag/christopher-de-leon/) was also in attendance. *Tinimbang Ka Ngunit Kulang* was his film debut, and the performance led him to take home the FAMAS Award for Best Actor. ## Frequently Asked Questions ### What Lino Brocka film opened Philippine Film Industry Month? Lino Brocka’s 1974 classic *Tinimbang Ka Ngunit Kulang* opened the 2026 Philippine Film Industry Month with a 4K digitally restored screening on September 4 at Shangri-La Red Carpet Cinemas. ### What are Lino Brocka’s greatest films? Lino Brocka’s most acclaimed films include *Tinimbang Ka Ngunit Kulang* (1974), *Maynila sa mga Kuko ng Liwanag* (1975), and *Insiang* (1976). ### What award did Christopher de Leon win for *Tinimbang Ka Ngunit Kulang*? Christopher de Leon won the FAMAS Award for Best Actor for his performance in *Tinimbang Ka Ngunit Kulang.* ### Who is Lino Brocka’s grandniece? Antonia Gabriella Brocka is Lino Brocka’s grandniece. She attended the Philippine Film Industry Month opening and delivered a speech honoring her grandfather. ### What is the Film Development Council of the Philippines? The Film Development Council of the Philippines (FDCP) is the government agency mandated to promote the growth and development of the Philippine film industry. 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She’s a focused, stable dentistry student (any Asian parent’s dream), a lolo’s girl, and she loves chismis, er, stating facts out in public (remember when she was high-key talking about Issa to a stranger in what would have been her civil wedding? Groundbreaking work, really). Carly, with a Y lest we forget, first appeared in the pilot episode as Samir tries to prove to himself that he’s not like other guys by checking whether he has — like most clueless guys who do half the time per a study — crossed the line in his past relationships. We knew she was one of the weird little guys when she told Samir, “I mean, you did sexually harass me HAHA” (obviously kidding). But it was in Season 1 Episode 7 when we got a better understanding of why their relationship works: she crazy. Flattening out your shit with a straightener so it would not clog the toilet? Low-key genius, but also a relationship *brown* flag. “I ruined our trip with my shit,” would have ended things with Samir but instead he said, “No, you’re amazing.” > [View this post on Instagram](https://www.instagram.com/reel/DLfuO0-ufaH/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Adults (@adultsfx)](https://www.instagram.com/reel/DLfuO0-ufaH/?utm_source=ig_embed&utm_campaign=loading) We fully get a glimpse of that “amazingness” when she decides, deep into dentistry school, that she wants to get into music. And props to her, she already had a single, a made-for-TV pop song that will go down in history as one of the best made-up bops right there with “A Little Bit Alexis.” Had “Hiccups” (Body Go Crazy) debuted during brat summer, her auto-tune attempt wouldn’t have been a big issue. Or! Imagine if it was released at the same time as *KPop Demon Hunters*? Would have been a hit with the kids. Representation matters! No, actually, Carly’s debut single — for those without a vision to see it through — is aligned with the pop girlies’ ongoing attempt to break genre barriers. “Rap, and pop, and rock and roll, all the genres light my soul”? Miley, Charli, eat your hearts out! And while the rest of the world never got to hear “Hiccups” (Body Go Crazy) after Samir persuades Carly to think it over, we get our sweet, self-aware girl, who realizes that she was just tired of living an ordinary life, back. But you can’t fault a girl for dreaming, right? Season 2 finale only solidified our theory that girl has range. The girl do go crazy, yes, but she’s also a voice of reason. When Samir offers to join her in Seattle for her residency so they won’t have to do long-distance, which another V of R, Julia Fox, warned them against, Carly tells him, “Sam, you can’t just move. Your entire life is here.” So, she instead (another spoiler alert) breaks up with him. And I get it. Yeah, she loves the relationship and she doesn’t want to have a reason not to, but I just know girl is about to lock in on dentistry residency because, as her ex-boyfriend said, it’s competitive. Girl’s got goals. Carly, you tiny, sweet girl with perfect teeth, you will be missed, and your work to make Samir realize he’s not a little bitch boy but someone who’s good at being a boyfriend will not be in vain. Go let your F-word (Filipina) flag fly in Seattle. 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The Filipino-American journalist has built a career across sports media, with bylines in *Sports Illustrated*, *ESPN*, and most notably through his podcast *Pablo Torre Finds Out.* He broke the news of his investigation into the NBA anomaly in September 2025, pulling at a thread that initially centered on a reported $28 million endorsement deal between Los Angeles Clippers’ star player Kawhi Leonard and the now-bankrupt financial company Aspiration. It then followed an investigation into the Clippers owner, Steve Ballmer, as well as the web of companies that did business with the team. Almost a year later, the NBA finally ruled on the matter after their own independent investigation and penalized Ballmer, the Clippers, and Leonard, among others. The ruling is one of the biggest blows to a franchise and its owners to date and reaffirms the need for proper checks and balances across all of sports. But how did it all start, and what really happened? ## **The documents and ‘KL2 Aspire LLC’** Torre’s first deep dive into the scandal started with 3,487 pages of exclusive documents. It was the bankruptcy documents that the green bank, Aspiration, filed in early 2025. Through the packet, he found a clue that linked Kawhi Leonard to Aspiration. Among the creditors to which Aspiration owed money to was an entity named KL2 Aspire LLC, which Torre later unpacked as a reference to Leonard. KL, his initials, and 2, his jersey number. According to Torre’s reporting, Leonard had the biggest endorsement deal ($28 million) from them by far, but he never actually marketed the brand, calling it a “no-show” deal. But it didn’t stop there. ![kawhi leonard nba](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/KL.webp) Kawhi Leonard sports his jersey, a detail that would later become a key clue in Torre’s investigation into the Clippers’ alleged salary-cap circumvention. Photo from NBA website. More and more investigations by Torre — over 15 videos of him discussing evidence and filed under his YouTube playlist [Kawhi-Gate](https://youtube.com/playlist?list=PLp43H6Vt_yDoUarxNb_fVK9_6bSiA2aHo&si=ZUFNcwQXQhDPRXF4) — led to speculation that the team’s Aspiration money had a “round trip,” first starting with Ballmer before ultimately reaching Leonard as a way to circumvent NBA salary cap rules. Ballmer also apparently “had personal influence and awareness of Aspiration’s inner workings.” ## **How does the Salary Cap work?** According to former sports executive David Samson, the NBA salary cap was set to prevent the league’s richest owners from gaining an unfair advantage by providing players with illicit benefits that smaller-market teams cannot afford. In simpler terms, it’s a level playing field for all teams. It prohibits players from receiving extra benefits such as private planes, paid college tuition for associates, or undisclosed off-court endorsement payments. For the year 2025-2026, the cap was $154.647 million, while for the 2026-2027 season it increased to $164.961 million. After interviewing former Aspiration employees and dissecting emails from [a member of the Clippers’ finance department](https://www.youtube.com/watch?v=P4xU4TI0j8E), Torre later deduced that the Los Angeles team had indeed been paying one of its star players under the table and beyond the limits set by the league. ## **What Happened Next?** Torre’s reporting ultimately prompted a separate investigation by the law firm Wachtell, Lipton, Rosen & Katz, whose findings affirm those of Torre’s. They reportedly found patterns of misconduct and rule violations by the basketball team, including the arrangement of off-court income opportunities and endorsement deals with Leonard and “four companies doing business with the team: Aspiration Partners, Boingo Wireless, Daktronics, and Lockton Insurance.” It also found that the Clippers “induced” these companies to agree by offering them business from the team, “paying personal expenses on behalf of Leonard and his representatives,” and failing to report the overall improper solicitations. ## **So, What Punishment Did the Clippers Get?** The NBA [announced](https://www.nba.com/news/nba-investigation-findings-la-clippers) on Sept. 2 that the Los Angeles Clippers will be stripped of the first five-round draft picks from 2029 until 2033 and fined a total of $30 million — the largest punishment the league has ever imposed on a team in history. The NBA suspended Ballmer from all NBA and Clippers activities for a year, as well as the team’s president of business operations, Gillian Zucker. Clippers’ president of business operations Lawrence Frank got a six-month suspension. All suspensions are without pay. > [View this post on Instagram](https://www.instagram.com/p/DczFjG_vMuH/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Klaw 🖐🏾 (@kawhisklawset)](https://www.instagram.com/p/DczFjG_vMuH/?utm_source=ig_embed&utm_campaign=loading) Meanwhile, Leonard was fined $700,000 but did not get his contract voided. “Integrity and respect for this game are fundamental to who I am. I accept full responsibility for lapses in judgment by people within my inner circle and regret the distraction this situation has caused the fans and my family,” the NBA star said in a statement. ## **A Prize For the Investigative Journalist** Pablo Torre’s podcast, *Pablo Torre Finds Out,* won the 2026 [Pulitzer](https://www.pulitzer.org/winners/staff-pablo-torre-finds-out) Prize for Audio Reporting early this year and awarded $15,000 for his investigations, including the Clippers story. The citation read: “For a distinguished example of audio journalism that serves the public interest, characterized by revelatory reporting and illuminating storytelling.” This marks the end of the scandal’s latest chapter as well as a definitive win for Torre and investigative journalism. However, the journalist is not done yet. Torre has recently [hinted](https://www.instagram.com/p/Dc1_qzNSKF6/?igsi=MWxjNmc4MGRod2VoNA==) at a new investigation he’s conducting into Los Angeles Lakers owner Mark Walter, and sports fans and journalists alike wait with bated breath. ## FREQUENTLY ASKED QUESTIONS ### Who is Pablo Torre? Pablo Torre is a Filipino-American sports journalist and host of *Pablo Torre Finds Out*, where he does a ‘talkumentary’-style deep dive on investigative reports. ### What did Kawhi Leonard and the LA Clippers do? According to investigations, the team reportedly broke the rules by arranging off-court income opportunities and endorsement deals with Leonard and four companies doing business with the team, paying Leonard’s personal expenses, and failing to report the overall improper solicitations. In short, they skirted around the NBA’s salary cap rule. ### Who’s KL2 Aspire LLC? KL2 Aspire LLC was an entity that the company Aspiration owed money to, which was later revealed to be Kawhi Leonard. ### What is the NBA salary cap? The NBA salary cap sets a limit on how much a team can spend on its players’ salaries. For the year 2025-2026, the cap was at $154.647 million, while the year 2026-2026 had $164.961 million. Any violation of this rule would result in administrative penalties. ### What award did Pablo Torre win recently? Pablo Torre’s podcast, *Pablo Torre Finds Out,* won the 2026 [Pulitzer](https://www.pulitzer.org/winners/staff-pablo-torre-finds-out) Prize for Audio Reporting early this year and was awarded $15,000 for his investigations, including the Clippers story. Related Stories - [Tony Parker on the Evolution of the NBA](https://rollingstonephilippines.com/culture/sports/tony-parker-evolution-of-the-nba/ "Tony Parker on the Evolution of the NBA") - [The New York Knicks Have Been Undefeated Since Being Uncursed by This WWE Wrestler](https://rollingstonephilippines.com/culture/news-culture/new-york-knicks-uncursed-by-wwe-wrestler-undefeated-streak/ "The New York Knicks Have Been Undefeated Since Being Uncursed by This WWE Wrestler") - [NBA Games to Stream on Disney+ Philippines Through Multi-Year Deal](https://rollingstonephilippines.com/culture/sports/nba-games-disney-philippines-streaming/ "NBA Games to Stream on Disney+ Philippines Through Multi-Year Deal") **Categories:** Culture, Sports **Tags:** Basketball, Kawhi Leonard, Los Angeles Clippers, NBA, Pablo Torre --- ### [Lisa’s New Single ‘SaWaDiKa’ Proves She Can Rap With The Best](https://rollingstonephilippines.com/music/hiphop-rnb/lisa-sawadika-single-rap-best/) **Published:** September 4, 2026 **Author:** Elijah Pareño **Excerpt:** Known for her rap-forward solo cuts, the K-pop powerhouse channels that same energy into her latest release, teasing what's ahead on her upcoming EP **Content:** [Lisa](https://rollingstonephilippines.com/tag/lisa/) just gave everyone her best song in years. Her latest single “SaWaDiKa” was released alongside a music video on September 4. The music video, directed by Bang Jae Yeob, known for his work with Stray Kids and RM of BTS, was shot in Lisa’s hometown of Bangkok, Thailand. Produced by Thom Bridges and songwriting duo Ojivolta, the lead single is off her upcoming EP *Press Play* coming out on October 23. > [View this post on Instagram](https://www.instagram.com/reel/Dc2DMtBhJGb/?utm_source=ig_embed&utm_campaign=loading)[A post shared by LLOUD (@wearelloud)](https://www.instagram.com/reel/Dc2DMtBhJGb/?utm_source=ig_embed&utm_campaign=loading) Since releasing songs as a solo artist in 2021 with “LALALISA,” Lisa has consistently created a body of work that showcases her rap skills, most notably on her 2025 debut album *Alter Ego*. “SaWaDiKa” harkens back to the hook-heavy, sharp rhythmic style she’s known for, echoing catchy solo cuts like “Money” “Rock Star,” and “New Woman.” Lisa’s feature documentary *[Always Lalisa](https://rollingstonephilippines.com/tag/always-lalisa/)* will premiere at the Toronto Film Festival on September 10 until September 20 before releasing in cinemas worldwide on October 12. Her upcoming Las Vegas residency at The Colosseum at Caesars Palace on November 13th & 14th and November 27th & 28th made her become the first K-pop artist to perform. ## Frequently Asked Questions ### When was Lisa’s “SaWaDiKa” released? “SaWaDiKa” was released alongside a music video on September 4. ### When is Lisa’s latest EP *Press Play* coming out? “SaWaDiKa” is the lead single off Lisa’s upcoming EP *Press Play* coming out on October 23. ### When did Lisa go solo, and what are some of her solo hits? Lisa’s greatest hits include “Rock Star,” “New Woman,” and “Born Again.” ### When does Lisa’s documentary *Always Lalisa* premiere? *Always Lalisa* will premiere at the Toronto Film Festival on September 10 until September 20. ### When is Lisa’s Las Vegas residency? Lisa’s residency at The Colosseum at Caesars Palace is set for November 13, 14, 27, and 28, making her the first K-pop artist to perform there. Related Stories - [Lisa’s Own Documentary ‘Always Lalisa’ Is Coming to Cinemas This October](https://rollingstonephilippines.com/music/pop/lisa-always-lalisa-documentary-cinemas-october/ "Lisa’s Own Documentary ‘Always Lalisa’ Is Coming to Cinemas This October") - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") - [5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding](https://rollingstonephilippines.com/editors-picks/lists/5-moments-sb19-rewrote-p-pop-worldbuilding/ "5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding") **Categories:** Hip-hop/R&B, Music **Tags:** Lisa --- ### [How Olivia Rodrigo’s Daisy Chain Festival Made History](https://rollingstonephilippines.com/music/olivia-rodrigo-daisy-chain-sarah-mclachlan-doechii-chappell/) **Published:** September 4, 2026 **Author:** Shirley Halperin **Excerpt:** Rodrigo and Sarah McLachlan go deep on launching pioneering music festivals, fighting sexism, and what they love about each other’s music **Content:** For decades, fans have been asking [Sarah McLachlan](https://www.rollingstone.com/t/sarah-mclachlan/) the same question: “When are you going to revive Lilith Fair?” The traveling all-women festival, which took place in the summers of 1997 through 1999, was McLachlan’s direct response to the sexism of the music industry, and the promoters who told her that multiple women couldn’t be featured on the same concert lineup (or played consecutively on radio, for that matter). And for nearly 30 years, the singer-songwriter gave the same answer: Lilith Fair was in the past. “I’m too old,” she [told *Rolling Stone*](https://www.rollingstone.com/music/music-features/sarah-mclachlan-new-album-lilith-fair-animal-commercial-1235365561/) last year. “If it were to \[happen\], it should be someone young spearheading it, who’d let it be something different.” ![olivia rodrigo chappell roan sarah maclachlan doechii](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/intext-1-cover-RSPH-version.webp) That someone turned out to be [Olivia Rodrigo](https://www.rollingstone.com/t/olivia-rodrigo/), who just started her own all-women festival: [Daisy Chain Fields](https://www.rollingstone.com/music/music-live-reviews/olivia-rodrigo-daisy-chain-fields-chappell-roan-doechii-1235614558/), held Aug. 29 at Great Park in Irvine, California. The lineup featured powerhouse artists across genres and generations, including [Chappell Roan](https://www.rollingstone.com/t/chappell-roan/), [Doechii](https://www.rollingstone.com/t/doechii/), Bikini Kill, Garbage, the Breeders, Mitski, and Not for Radio. Rodrigo headlined the event — which drew a crowd of 45,000 jubilant fans — while she tore through tracks from her fantastic new album, [*You Seem Pretty Sad for a Girl So in Love*](https://www.rollingstone.com/music/music-album-reviews/olivia-rodrigo-you-seem-pretty-sad-for-a-girl-love-review-1235576485/). She also [brought out her heroes](https://www.rollingstone.com/music/music-news/olivia-rodrigo-stevie-nicks-sarah-mclachlan-alanis-perform-1235614614/) onstage: [Alanis Morissette](https://www.rollingstone.com/music/music-features/olivia-rodrigo-alanis-morissette-musicians-on-musicians-1239136/) for “Ironic,” Stevie Nicks for “Landslide,” and McLachlan herself. “I feel like I’m dreaming,” Rodrigo told the crowd. “This is the best day of my fuckin’” life!” As it turns out, McLachlan was the first person Rodrigo called when she was planning Daisy Chain. “I have a snapshot memory,” she tells McLachlan, in a video interview for *Rolling Stone.* “I was so nervous to call you, and I was really cold, huddling by my fireplace in my house. I was like, ‘Just do it! Just do it! She’s going to be really nice!’ I was so over the moon to receive your blessing and to get advice and support from you. That meant the world.” As McLachlan tells it, it was an immediate yes. “Joy and elation in an instant,” she says. “I was like, ‘Hallelujah! Someone is finally taking the torch and carrying it forward.’” Rodrigo, McLachlan, Roan, and Doechii are featured on our new *Rolling Stone* digital cover commemorating Daisy Chain. The groundbreaking festival raised $10 million in donations that will go to nonprofit organizations benefitting women and girls, including the Center for Reproductive Rights and Planned Parenthood. That donation was then doubled by philanthropist Melinda French Gates, making it $20 million. In our video interview — filmed in Los Angeles a few days before Daisy Chain — Rodrigo and McLachlan joined *Rolling Stone*’s co-editor-in-chief Shirley Halperin and senior writer Angie Martoccio. They discussed starting both Daisy Chain and Lilith Fair, sexism in the industry, what they love about each other’s music, and the power an all-women festival can have. “Music was the first medium where the way I felt was really accepted,” Rodrigo says. “Growing up, that was my safe space. So if girls can come to Daisy Chain and feel a little sliver of that, that would be a dream.” **Martoccio: Olivia, tell us how [Daisy Chain Fields](https://www.rollingstone.com/t/daisy-chain-fields/) came together. I understand you’ve wanted to do this for some time now.** **Rodrigo**: I’d had the idea for a few years, but it was kind of one of those things where it felt so important to me I was nervous to say it out loud. It’s an intersection of all of my favorite things. Whenever I play a show and I look out into the audience and I see young girls and women connecting with each other and crying — or experiencing their emotions or having some sort of catharsis — I’ve always been so acutely aware of the power of that. And also I’ve always been really passionate about women’s rights and reproductive healthcare, and so it just felt like a perfect thing to do. And obviously, I was so inspired by Sarah’s Lilith Fair. I remember hearing about it when I was a teenager, and my immediate reaction was just envy of all of the people who got to go and perform. \[*Turns to McLachlan*.\] I just thought it was the coolest thing ever. Reading about all of the barriers and obstacles that you guys faced was so inspiring, and I definitely would not be here without you. I’m so grateful for you and so happy that you’re here. Yeah. **McLachlan**: Thank you. I’m super happy and proud of you, and proud to be part of this. **Halperin: Did you guys know each other at all? Have you met before?** **Rodrigo**: No. ![olivia rodrigo daisy chain field festival](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/intext-2-olivia-2x2-1.webp) Please select an image. Please select an image. Please select an image. Please select an image. **McLachlan**: No. This is actually— **Rodrigo**: I know, our first time meeting in person! **Halperin: This is your first time meeting?** **McLachlan**: In person. **Rodrigo**: We’ve talked on the phone. **Halperin: Oh wow! Olivia, when did you first become aware of Sarah’s music?** **Rodrigo**: I think the first song of yours I heard was in *Toy Story* \[“[When She Loved Me](https://www.youtube.com/watch?v=a_oNoQ4Ynj4),” from *Toy Story 2*\]. I remember being a little kid and not really understanding the concept of artists or albums, but hearing that song and being like, “Oh, my God, that is the most moving, beautiful song ever.” As all of your songs are. **McLachlan**: Thank you, Randy Newman. **Rodrigo**: And when I was a teenager, I discovered *Surfacing* and obviously fell in love with that. I’m just very inspired by you, and very moved by all that you do. **Halperin: Sarah, can you tell us about first hearing her music and what you thought of it?** **McLachlan**: I first heard “Drivers License.” And I’m like, “Who is this? This is an amazing voice, this is an amazing song.” And of course it was my daughter who’s like, “You’ve got to hear this.” And we listened to your whole record. It was on repeat because I was still driving her to school every day. So you were the soundtrack to my mornings for a year and a half. ![olivia rodrigo daisy chain field festival](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/intext-3-olivia-full-body.webp) **Rodrigo**: That’s so sweet. That’s really important though. I remember my school drive with my mom and the CD that was playing. That really made a huge impact on me. **Halperin: What CD was that?** **Rodrigo**: Gosh, my mom has really great taste in music. She introduced me to No Doubt’s *Return of Saturn*, which is one of my favorite records to this day. My mom loves riot grrrl punk music. She’s a Babes in Toyland fan, and that’s how I found them. Weezer, Green Day. That was my jam growing up. **Halperin: Olivia, the festival sold out within 30 minutes. Did that surprise you at all?** **Rodrigo**: I mean, I was so excited, but I feel like looking at this lineup of all these incredible women — Sarah, Doechii, Chappell, Rachel Chinouriri, Bikini Kill — it is seriously just all of my favorite artists. So I was so happy that everyone was as excited as I was about seeing it. **McLachlan**: How could it fail? “\[To Rodrigo\] I think you’re brave to be at the forefront of something that is going to anger a lot of people. But fuck that, and good for you for standing up for it.” Sarah McLachlan **Martoccio: Let’s talk about the title Daisy Chain, because obviously there’s this imagery of a daisy chain, but there’s symbolism to it. One component is part of this chain that’s so much stronger than the individual. How did you come up with that?** **Rodrigo**: That’s exactly it — that was the metaphor. It’s that we’re all so much stronger when we come together, these individual pieces coming together and forming something that’s unbreakable. You know, I think about it often; I think that the people who want to keep us down rely on us feeling overwhelmed and alone. So I think an event where we can cultivate this community that’s full of hope and togetherness, I think that’s a really, really powerful thing these days. **Halperin: The concept of a chain as a generational thing is very powerful in this sense. Like Sarah started Lilith Fair, it had an amazing run, and then we had nothing for a while. And then here we are back in this chain, and Brandi Carlile’s [Girls Just Wanna Weekend](https://www.rollingstone.com/music/music-features/olivia-rodrigo-brandi-carlile-festivals-women-lineup-1235597556/), and \[Joni Mitchell’s\] Joni Jams. All of these women who are carrying the torch are now coming back to this moment, which I think is really great. The blending of the generations is awesome.** **Rodrigo**: One hundred percent. It sort of feels like we’re all linking arms and doing something together, you know what I mean? **Halperin: And there’s not that division between one person’s scene or this age’s scene. Was that important to you, to bring in that elder?** **Rodrigo**: Looking at this bill, it’s just seriously all of my favorite artists. I didn’t really think about when they were born or whatever. They’re just truly women that inspire me. That was the nexus of all of it. Also, I want to add that all of these artists are doing it completely for free. One hundred percent of the proceeds go to charity, which is incredible. So along with being inspiring musicians, they’re also really great people who care about the world, which is very heartening. **Martoccio: Sarah, what does it mean to you to see generations like Olivia’s carrying the spirit of Lilith?** **McLachlan**: It’s really heartening. It’s incredibly important, especially now, to show that women working together and coming together for a common goal of good can be really, really powerful. We all as humanity right now need opportunities to be part of those things because everything in this world is trying to divide us right now and pull us apart, keep us apart, keep us small. We need opportunities to celebrate, and to celebrate each other, and also to have these opportunities to lift up really important messages that we all believe in. **Rodrigo**: Totally. Couldn’t have said it better. ![chappell roan daisy chain fields festival](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/intext-4-chappell-2x2-1.webp) **Martoccio: Shirley was actually at Lilith Fair, which I think is so cool.** **Halperin: Yes. Camden, New Jersey. Probably not your favorite venue of that tour.** **McLachlan**: But New Jersey are amazing fans. **Halperin: Yes, they are. I don’t remember all that much about it, but I do remember tank tops, sweat, and an oddly not strange feeling about being in a mostly female crowd, which I don’t think I’d ever really experienced. And dare I say, it felt very safe. I think that was part of the intention with Daisy Chain as well, right? The idea that it’s a safe space for women to come together and celebrate music?** **McLachlan**: For everybody to come together and celebrate music actually, and not just women. It wasn’t meant to be just for women. It was certainly lifting women up, but everybody should get to be involved in that and be able to participate in that joy and in that safe space. **Rodrigo**: Totally. I think that’s what’s so special about live music. In a world that’s becoming increasingly more digital, concerts are so important. I just feel like it’s a place where people can feel free to express emotions that are hard for them to express in everyday life. I see so many stories online of girls meeting other girls — or people just meeting other people — in line, and they become lifelong friends. That real human connection is so important, and that’s why live music is more important than ever. **McLachlan**: And AI cannot take it away. **Rodrigo**: No. **Halperin: Or your cellphone, which I was thinking as I was watching the Lilith documentary \[2025’s [*Lilith Fair: Building a Mystery*](https://www.rollingstone.com/music/music-news/lilith-fair-documentary-trailer-1235426604/)\], there was such an attentiveness of the audience to what was happening onstage. Some of the acts they didn’t even really know. Some of them are just so powerful. Tracy Chapman, she opens her mouth, you listen. But I think not having the distraction of a phone made them more engaged in what was happening live. I’m kind of curious for your take, Sarah. I’m sure at your shows people are, ” ‘Angel’ is on, time to bring out the phone.” And Olivia, you deal with this all the time. How is that experience for you guys?** ![chappell roan daisy chain fields festival](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/intext-5-chappell-full-body.webp) **McLachlan**: I mean, it’s changed, obviously. To your point, I never had to deal with that early on, but it is just part of people’s appendages now, and they want to document everything. And who am I to judge? I know some artists say no cellphones, and I understand that, but I’m a very “live and let live” individual. I’m just like, “You’re going to experience it the way you want to experience it.” \[*To Rodrigo*\] I mean, you’ve grown up in a very digital world, so you can probably speak more eloquently to it. **Rodrigo**: No. I don’t really know anything different, really, but I think it’s beautiful to be having such a great time somewhere that you want to pull out your phone and take a picture to remember it. There’s something that’s kind of gorgeous about that. But I don’t know, I’ve just been at concerts sometimes, and the person in front of me will be videotaping the entire concert. I’m like, “Are you really going to go back and watch that?” But some people do, I guess. **McLachlan**: They do. My daughter does that. **Rodrigo**: Wow. **McLachlan**: I mean, she does just snippets, but she goes back and watches incessantly, and remembers it and revels in the joy of that moment, so that part’s sweet. **Rodrigo**: It is sweet. **Martoccio: Sarah, do you ever think about what it would’ve been like kicking your career off in such a digital age?** **McLachlan**: I don’t know if I would’ve done very well with it. **Rodrigo**: That’s not true. **McLachlan**: I just want to say I’m really thankful that I came of age when I did and I got to bumble through my early years in a quiet way. Not that they were anything colossal or terribly bad, but I didn’t have to get defined by those. That’s one of the many pressures of young artists today. Any misstep in this society, you’re going to get canceled if you say something wrong. \[*To Rodrigo*\] I mean, that’s why I think you’re so very brave to be at the forefront of something like this that is essentially going to anger a lot of people. But fuck that, and good for you for standing up for it. ![chappell roan olivia rodrigo daisy chain fields festival](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/intext-6-chappell-olivia.webp) **Halperin: When Lilith Fair came about, it was a direct response to the sexism in the industry that was happening at the time. I certainly covered the realities of radio back then, when they wouldn’t play female artists back-to-back or sometimes even in the same ad block.** **McLachlan**: In the same hour. **Halperin: Exactly. I remember [assigning a column](https://variety.com/2019/music/news/alanis-morissettes-jagged-little-pill-defense-letters-to-cleo-kay-hanley-1203175891/) to Kay Hanley from Letters to Cleo. I wrote it down because it was such an incredible line: “The groundbreaking, revolutionary \[women\], who leapt nearly impossible hurdles to break through the boys’ club scrum of Nineties rock radio.” Thirty years later, she still feels that anger, because here’s a band, had a huge hot hit, and couldn’t really get a second one because they had a female singer, and there was too much competition for the airtime at the time.** So Sarah, what was it like dealing with that pushback as you were putting this together? Because in the doc, there’s a lot of marveling like, “We can do this? Oh, people will come? People will pay money?” Everything seemed like it was so novel. **McLachlan**: Yes and no. I had no doubt. \[*To Rodrigo*\] Just like you and this amazing lineup you put together. That was that fake-it-if-you-make-it attitude that I had. And the behavior in the industry was so normalized, and we were so used to it. It didn’t mean we liked it, but it was just the common rules, which I thought were ridiculous and certainly pushed against as best I could, and I think putting on Lilith was a reaction to that. When someone says no to me, I just push back even harder to prove them wrong when it seems so simple and so ridiculous. **Rodrigo**: I love that about you. **McLachlan**: Stubborn as hell. **Rodrigo**: Me too. I think that’s something that’s definitely not lost on me is how much times have changed. Watching the Lilith documentary and hearing about how two women can be played back-to-back on a radio or two women can be on a festival bill. I was so shocked because I feel like in today’s world, I haven’t experienced a lot of that. And I think that’s in large part to the way that you broke down barriers, Sarah, and people of your generation, who really fought to be taken seriously and fought to have the same microphone and the same stage. I’m just endlessly grateful for that. I also feel like Daisy Chain is a celebration of how far we’ve come as women in music. **Martoccio: Sarah, do you think we’ve improved a lot since then, or do we still have a long way to go?** **McLachlan**: Both. I think we have made, as you said, incredible advances, and there is such a great space for women artists now, and there’s women holding so much power within the music industry, both behind the scenes and in front of the scenes. Yet the counterattack to that is what’s going on politically and socially in the world today, which is the clawing back of women’s rights, of human rights. Not just in America, but all over the world. I think it’s really, really important to continue to use the platforms that we have and use the voice that we have, which is powerful, and we have influence. And it makes sense to use that influence to try and create positive social change and do something powerful. It feels like a responsibility. Always has. **Rodrigo**: It’s a little bit of a double-edged sword. Women in music have so many more opportunities and are taken so seriously and are headlining festivals and doing all of this stuff. But women had more reproductive rights in America when Lilith Fair was going on than they do now. So it’s a little bit of a strange dichotomy there. ![doechii daisy chain field festival](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/intext-7-doechii-2x2-1.webp) **McLachlan**: Which is why it’s so important to continue to speak up and to shine light on these issues. **Martoccio: Olivia, you’re working with all these amazing nonprofits for Daisy Chain, from Planned Parenthood to Baby2Baby. Can you talk a little bit about how you chose these, and what that was like?** **Rodrigo**: I got to meet with all the heads of these incredible organizations. I got to go to most of their offices too, and meet the lobbyists and volunteers and lawyers who are doing such incredible work. The issues span from an organization like Planned Parenthood, that’s obviously offering abortion and birth control, or Johns Hopkins Center for Indigenous Health, which is helping indigenous mothers in low-income communities, and so I got to learn a lot about these issues. Another thing that I’m really proud of at the festival is — in addition to the music — there’s a section called Daisy Chain Reaction, where you can meet all of the founders of these 10 organizations and learn about what they’re doing and learn about how you can help, and I really hope that people go in there and explore and come away with some new info. So that was really fun to put together. **Halperin: That’s excellent. Sarah, one of the things that really surprised me about the Lilith doc was the bomb threats and the protests. You said you forgot that that had even happened—** **McLachlan**: Well, I tend to glaze over… **Rodrigo**: \[*Laughs*\]. That’s a great technique. **McLachlan**: I had a tiny bit of PTSD. Just that, “Oh, I forgot about some of these things,” and I just tend to focus on the positive bits. It was really challenging to navigate all that stuff. My career was quite quiet. I didn’t do anything too crazy, so I had a lovely, slow rising, and Lilith was sort of my indoctrination into what it is to be thrust into the spotlight and really have to defend something, and I was so very green. And because there wasn’t the really direct intentionality that you have with this one, it was kind of like, “I just want to have fun and go play some shows, and wouldn’t it be great if I get all these women together who I love and respect, because why aren’t they being lifted up? Well, let’s just do it ourselves.” It was honestly that simple, and then everything else just tumbled along with it. **Halperin: Olivia, have there been any similar concerns on the Daisy Chain?** ![doechii daisy chain field festival](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/intext-8-doechii-full-body.webp) **Rodrigo**: For sure. I’m a very anxious person, I think about all of that stuff all the time. I think when I set out to make this festival, I was really daunted by the task. I mean, it’s a large undertaking. Find the venue, find the promoter, find all these artists, and it’s a huge ordeal. And I actually was really shocked at the ease of which it all happened. I think I attribute that to everyone really needing something like this. You know what I mean? Every artist that I called was so excited and enthusiastic, I didn’t have to convince anyone. I think deep down people also just really want to help. That was one of my main takeaways from putting this festival together. **Martoccio: I’d love to know more about curating the lineup. Who did you immediately reach out to? I know obviously you’ve been friends with Chappell for many years now.** **Rodrigo**: Curating this festival was so much fun. I love music that’s made by women; that’s my forte. I had a whiteboard in my bedroom of all the artists that I wanted to call, and obviously some of them weren’t available. But, I’m so proud of this lineup. “When someone says no to me, I push back even harder to prove them wrong.” Sarah McLachlan **McLachlan**: It’s a bonkers lineup. **Rodrigo**: I’m just so excited to go to the festival just as a concert viewer and see all of these incredible artists. Chappell, who’s a friend and such a feminist and advocate for queer people, I really appreciate her. Kathleen Hanna, that was maybe the second or third call that I made. Getting her blessing felt like such a huge thing because she’s such a trailblazer and such an inspiration behind this festival as well. So, yeah, I can’t wait. **Martoccio: You even have Stevie Nicks coming.** **Rodrigo**: That one I really can’t actually wrap my head around. I’ll believe that one when I see it, but that is so wild. I’ve met Stevie a few times and gotten to talk to her, and she’s just absolutely the loveliest, and getting her to agree to sing a song was wild. It feels like I’m at Disneyland every day planning this festival. It’s just like, “OK, what can make this day more awesome? What could we possibly do?” It’s so rad. **Martoccio: Was there any artist that you wish you had gotten but couldn’t for scheduling reasons or anything?** **Rodrigo**: Definitely, definitely. But there’s always next year. **Halperin: Take it on the road. Sarah knows all about that.** **McLachlan**: \[*Whispers*\] Don’t do that. **Halperin: OK, so hypothetically, if you guys were to perform together at Daisy Chain —** **Rodrigo**: Well, we can’t give that away. You’re just going to have to come. **Halperin: But this doesn’t come out till after.** **Rodrigo**: Oh, OK. Yeah, honestly, singing “Angel” in rehearsals, everyone is in tears the whole time. No joke, everyone just shows me their arm and their hair is just standing up every single time. **McLachlan**: \[Olivia was\] like, “Oh, well, you should do that by yourself.” Like, “Are you kidding me? No!” **Rodrigo**: I just didn’t want to impose. I’m like, “This is the most beautiful song ever.” ![doechii olivia rodrigo daisy chain field festival](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/intext-9-olivia-doechii.webp) **McLachlan**: Oh, you’re going to kill it. Sorry, you killed it. \[*Laughs*.\] **Rodrigo**: I killed it! It was so good! **Halperin: I was also thinking “Ice Cream” is a good Olivia-Sarah song.** **McLachlan**: Oh, that would be cute too. I mean, honestly, I’d be happy to do anything. **Martoccio: We’ve been talking about the importance of women in music, and I wanted to acknowledge Dolly Parton, who we lost yesterday. I’m still kind of processing that, but what did she mean to you guys, her music?** **Rodrigo**: Gosh. She’s a saint, seriously. Talk about a pen, talk about a voice, talk about a heart. I am so saddened by her loss. I really appreciate how she never spoke badly about anyone. I really always appreciated that about her and wanted to be more like that myself. She even spoke about some crazy sort of bad individuals with just so much generosity and love, and I think we just need so much more of that in today’s world, and she’s just the best of us. **McLachlan**: Yeah, she’s a great teacher and OG, and, yeah, always led with kindness. **Martoccio: Olivia, can you tell me about the Daisy Chain Fund? One hundred percent of the festival’s proceeds are going towards that.** **Rodrigo**: All the ticket sales go there, and I also made a song called “Serena Joy,” and a portion of proceeds of that song will go to Daisy Chain Fund. I’m really excited to expand that in future years. It’s been a really interesting challenge to learn about all these organizations and learn about philanthropy in general, and I can’t wait to keep learning and keep giving. **Martoccio: Do you think you’ll do a Serena Joy-type song every year for Daisy Chain? I would love that.** **Rodrigo**: Ooh, I didn’t think about that. **McLachlan**: No pressure. **Rodrigo**: Challenge, but, yeah, I’ll think about it. **McLachlan**: Are there opportunities at the festival for fans to not only engage but to be part of the fund as far as monetarily wise and to give back? **Rodrigo**: Oh, my God, honestly, we had this program where people could volunteer for a chance to win Daisy Chain tickets. And I think it was like, “If you reach 1,000 hours, then we would give away these tickets,” and people volunteered 3,000 hours in their local communities for Daisy Chain. It just moved me so much. I saw this story the other day of these two teenage girls who started volunteering in their community, and they were doing it for Daisy Chain tickets — and they got them, yay! — but they made friends with one another and they’ve continued to volunteer together. It’s just stories like that that really give me so much hope, and it’s really what Daisy Chain is about. So yeah, just more of that going forward; I feel like we need more of that. ![sarah mclachlan olivia rodrigo daisy chain field festival](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/intext-10-sarah-2x2-1.webp) **Halperin: Really? You’ve never been to a festival before? Do they not have festivals in Canada?** **McLachlan**: No, most festivals pass by Canada actually, and I was always on the road. I started making records when I was 19, and I was on the road constantly, so we were always sort of in cycles, moving around. I would miss a lot of it. So the only opportunity I got to see my peers was typically at award shows. It’s a lonely job being out on the road. I mean, you have your band and crew, but it can feel pretty isolating. And I was mostly with men. They were all great guys, but I missed the company of my girlfriends, of women, and other peers, and so having those opportunities, like the award shows, to actually get to connect with other musicians was really powerful. So that was just another thing about Lilith, wanting to actually get to spend time with other women in particular who were doing this weird job that I was doing. **Martoccio: And, Olivia, what about you? Do you remember your first festival?** **Rodrigo**: My first festival was Glastonbury that I played \[in 2022\]. **McLachlan**: That’s a hell of a start. **Rodrigo**: Yeah. It was crazy though. It was super emotional, because Roe v. Wade got [overturned](https://www.rollingstone.com/politics/politics-news/roe-v-wade-supreme-court-draft-decicion-historical-overview-1347283/) the day before, and I was going to [sing with Lily Allen](https://www.rollingstone.com/music/music-news/olivia-rodrigo-fuck-you-lily-allen-five-supreme-court-justices-glastonbury-1374312/). We’d always planned on singing her song “Fuck You,” and we’re like, “Well, this is perfect.” **McLachlan**: Yep. This is perfect timing. **Rodrigo**: Like, “I know who we’re dedicating this song to tonight.” But it was a really special experience, and honestly I think it informed Daisy Chain a little bit. I just remember singing that song, dedicating it to the Supreme Court, who had just stripped us of our rights, and looking out into the crowd and seeing people who were so angry and who really needed that sort of release, and I needed that sort of release. It has informed my journey, that one performance, for sure. **Halperin: Last year, I was in London when you played Glastonbury, and I was already in bed during your set, so we called it Glastonbeddy. But your set was monumental.** **Rodrigo**: Thank you. **Halperin: [Robert Smith](https://www.rollingstone.com/music/music-features/olivia-rodrigo-robert-smith-whats-wrong-with-me-1235573624/) came out onstage. What I think I love about you the most is that you bridge these different generations of music and don’t make it feel weird. When I was growing up, people would say, “Don’t listen to music from 30 years ago,” because it would’ve been the Forties or the Fifties. It’s not anything that you would connect with, but I feel like today it’s very different. And all of those early influences are not seen as dated, and I think you’re partly the reason for that, by bringing someone like a Robert Smith up onstage.** ![sarah mclachlan olivia rodrigo daisy chain field festival](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/intext-11-sarah-full-body.webp) **Rodrigo**: Oh, gosh. It’s funny, people always say that to me as if it’s some sort of calculated thing that I’ve been doing, but I just seriously love music from all eras and of all generations. And, yeah, I obviously love the Cure. Who doesn’t love the Cure? Best band ever. I’m honestly honored that someone like Robert or someone like Sarah supports me in the way that they do because you guys don’t have to. And it means the world to get support from people who I’ve grown up being inspired by, so I definitely don’t take that for granted. I feel very lucky and very blessed for that. **Halperin: Another thing that surprised me about the Lilith doc is how incredible all the women look. Liz Phair and Jewel and yourself, everyone’s aged beautifully, don’t they?** **McLachlan**: That’s because we have music. Keeps us young. I don’t know. I think being happy and being fulfilled is beautiful. The fact that I get to be part of this as a sort of matriarch, and then I look at someone like Stevie Nicks, who is the matriarch to me, it’s beautiful. I imagine we all share this joy that you are carrying this torch forward, and it’s an honor to be invited and to still be vital to participate in it and to feel like we have something to offer. “It feels like I’m at Disneyland every day planning this festival.” Olivia Rodrigo **Rodrigo**: Oh my gosh. It’s an honor for me, truly. **McLachlan**: Music flows now, and it doesn’t matter that it’s music from 30 or 40 years ago. It’s all coming back, and I think people are really gravitating towards authenticity, and something that is just raw and visceral and passionate and not premeditated. **Martoccio: Sarah, you recently covered a really old song, by one of my favorite artists ever. Judee Sill’s “The Kiss.” She’s a very forgotten and overlooked artist.** **McLachlan**: She is one of the most unsung artists and had a short and tragic life. She didn’t really have the opportunities and the lift that she should have had, that she had every right to have. So it was amazing to be able to learn about her music, and then hear that song for the first time a couple years ago through my producer. I was just blown away. It’s like, “Why doesn’t everybody know about this?” And then of course I talk to my musician friends. They’re like, “Well yeah, we all know Judee Sill. What’s wrong with you?” Obviously, I live under a rock, but it was great to be able to get familiar with her music and find a song that I instantly had this visceral response \[to\]. Like, “This is one of the most beautiful pieces of music ever, and I so want to sing this.” So that was an easy and fun thing to do. **Halperin: Lilith was so successful, and it burned so hot, and then it just kind of stopped.** **McLachlan**: Fell off the face of the Earth. **Halperin: What happened after that? Why did we not see another version of Lilith until, like I said, until Brandi and some of these people, and now Daisy Chain? What happened?** **McLachlan**: I like ending things on a high note, and I find there’s always a shelf life to being able to reinvent things. And, to be honest, because I was so deeply involved in it for three years, I had a record label that was screaming for a new record, and I’d had no time because there was all the planning for Lilith in the summer of Lilith, and then I’d go off and do my own tours, and I was four years into, “OK, you need a new record.” I’m like, “I need to go home and actually put my hands in the dirt and have a bit of a normal life before I can actually have any objectivity about any of that, any of what I’ve just experienced, and be able to have something to write about.” So it was sort of a selfishly motivated thing too. I’m sort of losing myself in this too much, and I have to go home. And it did seem like a natural time to just take a pause at that point. It wasn’t that I was never going to do it again. I was just exhausted ’cause it was a lot, and I was young. ![sarah mclachlan olivia rodrigo daisy chain field festival](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/intext-12-sarah-olivia.webp) **Rodrigo**: Can’t even imagine. **McLachlan**: So it’s a good thing you’re young. So when people say, “You need to do this again,” I’m like, “Oh, my God. I don’t know if I can take it.” **Martoccio: Did you know at the time that … did you have a feeling that it would become this—** **McLachlan**: I had no idea. I knew in my own mind, I had a very different version of what success looks like. It’s like, “Can I look at myself in the mirror at the end of the day and feel proud of what I’ve accomplished?” That’s success. “Will people come if we put great artists on the bill?” Yeah. Yet I didn’t actually think ahead, which I still don’t do. I live very much in the moment. I don’t know what’s going to happen or I don’t plan for the future. I just go, “This should work. This will be fun. Let’s just go,” and then you put your head down and you do the work to make it happen. And I think I was really shocked and overwhelmed by not necessarily the success of it, but all the backlash I think was more surprising to me. Because that was something I hadn’t experienced before in my professional career, and I was kind of a little bit green as far as how things really worked, and, again, when you stand up for something that you believe in, there’s going to be pushback. **Halperin: Olivia, what would success look like for Daisy Chain in your eyes?** **Rodrigo**: Oh, man. It’s so hard to talk about it without it sounding cheesy, but I really hope that girls can come to Daisy Chain and have a positive experience and see girls who are doing something great and believing in themselves and giving back to their community, and I hope that inspires them to do a little bit of that in their own lives. I just think there are so many people out there who are doing such good things, and I really wanted to create an environment where we could celebrate that and shine a light on that. I feel like there’s so much negativity and discouragement and cruelty going on in the world, and, I don’t know, if this can light a fire of hope inside one person, I think that that is just all that I could ever dream of and a job well done in my book. **McLachlan**: That’s not cheesy. That’s beautiful. **Rodrigo**: Thanks. *This story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-features/olivia-rodrigo-daisy-chain-sarah-mclachlan-doechii-chappell-1235619725/).* --- **PRODUCTION & CLOTHING CREDITS:** **RODRIGO** Styling by **CHLOE AND CHENELLE** for **A-FRAME AGENCY**. Hair by **MARY KENDALL** for **DEW BEAUTY AGENCY**. Makeup by **KARISSA O’HANLON** for **A-FRAME AGENCY**.Vintage top. Vintage **EDWIN DENIM** via **BLUEY DENIM**. Styling assistance by **ALEX BULLOCK**, **RYLEY CARR**, **JENNA BIERSCH**. **DOECHII** styling by **SAM WOOLF**. Hair by **MATTHEW JEAN PIERRE**. Makeup by **CHELSEA UCHENNA**. Vintage **DOLCE & GABBANA** bra via **THE ARCHIVE X YANA**. Vintage **ROBERTO CAVALLI** corset via **THE ARCHIVE X YANA**. Vintage choker and rings via **THE ARCHIVE X YANA**. Custom made Jeans by **LEVIS**. Shoes by **CHANEL**. **ROAN** styling by **GENESIS WEBB**. Hair by **VIRGINIE PINEDA**. Makeup by **DEE CARRION**. Outfit custom made by **COACH**. **MCLAUGHLIN** Hair and makeup by **TYLER COLTON**. Jewelry by **PYRRHA**. Production by **ZACH CRAWFORD** for **CRAWFORD PRODUCTIONS**. Production coordinator **RACHELLE PHILLIPS**. Photographic assistance **MIKE LOPEZ**, **JUAN ROMAN**, **ALEXANDER COOPER SMITH**. Digital Technician **BENOIST LECHEVALLIER**. Production assistance by **MIKE ROMAN** and **ROBBY FIORE**. Flowers by **THE PETAL WORKSHOP**. Post Production by **HOUSE STUDIOS** Video Interview Shoot Director **JULIE GOLDSTONE**. Video Interview DoP **GRANT BELL**. Video Interview Camera Operators **LENE LEE**, **IRIS LEE** and **SARAH GREENWALD**. Video Interview Gaffer **LENA LEE**. Video Interview Sound Engineer **GLO MARIE**. Video interview Location via **MINT LOCATIONS**. 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The album contains the hits “Irreplaceable,” “Déjà Vu,” “Beautiful Liar,” and “Ring the Alarm.” The B’Day anniversary album contains 31 tracks, including previously unreleased material, B-sides, remixes, and new collaborations with Colombian rapper Maluma and the late Selena Quintanilla. > [View this post on Instagram](https://www.instagram.com/p/Dc1tF4xkpac/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Shop Beyoncé (@shopbeyonce)](https://www.instagram.com/p/Dc1tF4xkpac/?utm_source=ig_embed&utm_campaign=loading) One of the deluxe edition’s biggest surprises is “Irreemplazable (Como La Flor),” which combines Beyoncé’s Spanish version of “Irreplaceable” with Selena’s “Como La Flor.” According to Beyoncé’s management Parkwood Entertainment, Selena’s estate granted permission for the posthumous duet. Beyoncé had mentioned her as a massive influence on the Spanish-language material she recorded during the *B’DAY* era. Moreover, the album also contains new tracks like “Can I Watch You,” produced by Beyoncé and [Pharrell](https://rollingstonephilippines.com/tag/pharrell/), and “Morning Dew (Donk),” which was released in July and a [JAY-Z](https://rollingstonephilippines.com/tag/jay-z/)-assisted remix followed in August. The album debuted at No. 1 on the Billboard 200 back in 2006. It also earned Beyoncé the [Grammy](https://rollingstonephilippines.com/tag/grammys/) for Best Contemporary R&B Album the following year. The album was also nominated for Best Female R&B Vocal Performance for “Ring the Alarm,” while “Déjà Vu” earned nominations for Best R&B Song and Best Rap/Sung Collaboration. ## Frequently Asked Questions ### What are the biggest hits on Beyoncé’s *B’DAY*? Beyoncé’s *B’DAY* released several major hits, including “Déjà Vu” featuring JAY-Z, “Ring the Alarm,” and “Irreplaceable.” ### Who are the collaborators on Beyoncé’s *B’DAY* deluxe edition? The 20th anniversary deluxe edition includes new collaborations with Maluma and the late Selena Quintanilla. ### What award did Beyoncé’s *B’DAY* win at the Grammys? *B’DAY* won Best Contemporary R&B Album at the 49th Annual Grammy Awards in 2007. The album was also nominated for Best Female R&B Vocal Performance for “Ring the Alarm,” while “Déjà Vu” earned nominations for Best R&B Song and Best Rap/Sung Collaboration. ### When was Beyoncé’s *B’DAY* originally released? *B’DAY* was originally released on September 4, 2006, coinciding with Beyoncé’s 25th birthday. The album debuted at No. 1 on the Billboard 200. ### How many tracks are on Beyoncé’s *B’DAY* 20th anniversary deluxe edition? The newly remastered 20th anniversary deluxe edition expands *B’DAY* to 31 tracks, adding previously unreleased material, B-sides, remixes, and new collaborations. Related Stories - [10 Albums from 2016 That Aged Better Than Anyone Expected](https://rollingstonephilippines.com/music/2016-albums-retrospective/ "10 Albums from 2016 That Aged Better Than Anyone Expected") - [Olivia Rodrigo’s Daisy Chain Fields Festival Was a Day Full of Superstars, Nonprofits, and Joy](https://rollingstonephilippines.com/music/live-reviews/olivia-rodrigo-daisy-chain-fields-chappell-roan-doechii/ "Olivia Rodrigo’s Daisy Chain Fields Festival Was a Day Full of Superstars, Nonprofits, and Joy") - [10 Netflix Music Documentaries About the Biggest Moments in Music History](https://rollingstonephilippines.com/editors-picks/lists/best-netflix-music-documentaries/ "10 Netflix Music Documentaries About the Biggest Moments in Music History") **Categories:** Hip-hop/R&B, Music **Tags:** Beyoncé --- ### [The Last Word: Gloria Steinem on Exposing the Playboy Club and What ‘Mrs. America’ Got Wrong](https://rollingstonephilippines.com/culture/gloria-steinem-last-word-interview-playboy-club-mrs-america/) **Published:** September 3, 2026 **Author:** Tessa Stuart **Content:** [Gloria Steinem](https://rollingstonephilippines.com/tag/gloria-steinem/) stormed the popular consciousness in 1963, the year her undercover exposé documenting the humiliations that cocktail waitresses at Hugh Hefner’s Playboy Club were forced to endure to get (and keep) a job was published in *Show* magazine. Some, like her New Journalism contemporary Gay Talese, thought she was a passing fad — “This year’s pretty girl in journalism,” to use his precise phrasing. But more than half a century later, Steinem is still here, and more relevant than ever. In the spring, she served as the inspiration for the star-studded FX series *Mrs. America*, about the multi-decade fight to pass the Equal Rights Amendment. (Steinem, for what it’s worth, was not a fan of show, which she’s said portrays the policy battle as “a catfight”; she maintains that the opposition to the [ERA](https://www.rollingstone.com/t/era/), then and now, is motivated by corporate greed.) In the fall, she was celebrated in *The Glorias*, Julie Taymor’s feature film adaptation of Steinem’s memoir, chronicling her years as an investigative journalist, founder of *Ms.* magazine, spokeswoman for the National Women’s Political Caucus, and the driving force behind the ERA. **You’ve said your funeral “will be a fundraiser.” What do you want the cause to be?** “The movement for equality — no more labels by sex and race. Whatever form that takes.” Gloria Steinem Steinem spoke to *Rolling Stone* by phone from Santa Barbara, where she’s been beaming into Zoom happy hours throughout the pandemic while working on her next book. **You grew up as the daughter of a traveling salesman and spent the majority of your adult life on the road, engaged in activism. Has COVID grounded you?** Writers are always quite used to sitting in our chair, typing, so it doesn’t feel that unusual. It’s probably more unusual for people who are accustomed to going to the office every day. I haven’t missed being on the road yet. But seeing my friends, and walking the New York streets? I do miss that. We’re all living in Zoom City now, right? I do at least three or four long Zooms a week. **One of *Ms.* magazine’s most famous issues featured the names of women who had abortions. How would your life be different if you hadn’t had access to abortion at age 22 in 1957?** It’s very hard to imagine. Before I found a physician of conscience — who was willing to break the law — I was imagining doing violence on myself. Not lethal, but throwing myself down stairs, riding a horse and falling — you know, the crazy things you think of. I’m sure I could have hurt myself. **In 1963, *Show* magazine published your undercover exposé on the working conditions at the Playboy Club. Did you speak to any of your former co-workers afterward?** Yes, they called and they couldn’t believe that I wrote it. They were worried about my safety — they were telling me a woman in Florida got beaten up because she complained about working conditions. **Did you receive threats?** I did, yeah. But I didn’t believe it was real. It wasn’t as if I was really scared by it. I just thought it was the club trying to scare me. **Gay Talese once refered to you as “this year’s pretty girl” in journalism. What do you wish you had said to him in that moment?** I should have gotten out of the car and slammed the door. Years and years later, I saw him at a dinner and told him this was going to be public, and he said, “Yes, I said that” — and I respected him for not denying it. **Did he apologize?** No. But he didn’t get mad, and he didn’t deny it. **Before you were a full-time journalist, you served as director of a CIA front organization called the Independent Research Service. Are there lessons you learned working with the CIA that you carried into political organizing?** I don’t think so. There were a few old liberals inside the CIA who thought it was important to go to communist youth festivals, and they were encouraging that. The ones I went to were in Vienna and Helsinki. They were totally run by the then–Soviet Union, so there was no such thing as free dialogue. But, on the other hand, lots of people came from around the world, and we met each other, so regardless of how machine-made the festivals were, it was worthwhile to meet each other. **In 1972, you were elected spokesperson for the National Women’s Political Caucus, practically against your will — why didn’t you want the job?** Because I hate to speak in public. We choose to be writers because we don’t want to talk. It wasn’t my idea of fun. **Are you glad you ended up doing it?** No. I wish somebody else had done it. I would have had a much better time if I hadn’t. **How did you conquer your fear of public speaking?** I never did, completely. I just learned that you don’t die. But I still have to deal with losing all my saliva. Does that happen to you? I think it’s a common form of nervousness. I have all forms of cough drops and things to keep handy to drink. There’s a kind of toothpaste that is supposed to help — I’m not sure if it does. **You’ve objected to the TV show *Mrs. America*’s portrayal of the battle to pass an amendment guaranteeing women equal rights under the Constitution as “a catfight” — what do you think the show got wrong?** The showrunners came to see me and Ellie Smeal \[the former president of NOW\] and we told them that the opposition to the ERA was not from other women — the huge majority of women supported the Equal Rights Amendment. Ellie Smeal was in every state working on it, and she could never determine that one single vote was ever changed by Phyllis Schlafly. Women don’t have the power to be our own worst adversaries. It’s economic interests that do. **If you were starting the fight over the ERA over today —** We are starting over today. **… Is there anything you would have done differently?** We thought, how hard can it be? It’s perfectly clear that women should be \[recognized as\] equal \[in\] the Constitution. We didn’t understand what the opposition would be, so we didn’t start soon enough or organize state by state enough. “Women don’t have the power to be our own worst adversaries. It’s economic interests that do.” Gloria Steinem **Is the ERA still necessary today?** There are some who would argue we’ve achieved its goals through other means. Yes, absolutely. To have to proceed every time, law by law, issue by issue \[is impractical\] — we need justice. We have the 14th Amendment for racial equality. We need to have equality by sex. **You used to quote Irina Dunn saying “a woman needs a man like a fish needs a bicycle.” Do you still believe that, or did your understanding of your needs change when you got married?** No, no. That was always a joke. No. People need people — regardless of gender. Everybody needs people. **Who were the most important female role models for you growing up?** The \[fictional\] women in *Little Women,* I loved. Remember, the time in which I was growing up, the Forties and Fifties, I didn’t see that many independent women, actually — they were mostly in literature. **Are you an Amy, Beth, Jo, or Meg?** Oh, definitely a Jo — we were probably all Jo, right? Because, of course, she was the author. **What music moves you the most?** I was just dancing to Lou Rawls. The crossover from social dancing to disco dancing — that was great. Because in disco dancing you don’t have to follow. Before, if you were heterosexual dancing, you were following your male lead, right? Suddenly you could go to a disco place, and just get out there and dance. A total revolution. **When you look back at your life and career, what was your biggest mistake?** Mostly it’s wasting time. Putting off writing, not doing what I care about. Some of it I don’t regret, because it was fundraising for things I cared about, or helping friends I cared about. But some of it was just a sheer waste of time. **If you knew in the 1960s what women’s rights would look like in 2020, would you be excited or disappointed?** About how far we have come in terms of economics and legislation — I would have thought we’d be much further by now. But the movement itself, in terms of what little girls think they can do, and the diversity of the movement and the global nature of the movement \[is exciting\]. **You’ve said your funeral “will be a fundraiser.” What do you want the cause to be?** The movement for equality — no more labels by sex and race. Whatever form that takes. *This story was first published on [rollingstone.com](https://www.rollingstone.com/culture/culture-features/gloria-steinem-last-word-interview-playboy-club-mrs-america-1074358/)* Related Stories - [Here’s What Korean Women Think of the 4B Movement Spreading to the U.S.](https://rollingstonephilippines.com/state-of-affairs/power/4b-korean-women-movement-u-s/ "Here’s What Korean Women Think of the 4B Movement Spreading to the U.S.") - [Olivia Rodrigo’s Daisy Chain Fields Festival Was a Day Full of Superstars, Nonprofits, and Joy](https://rollingstonephilippines.com/music/live-reviews/olivia-rodrigo-daisy-chain-fields-chappell-roan-doechii/ "Olivia Rodrigo’s Daisy Chain Fields Festival Was a Day Full of Superstars, Nonprofits, and Joy") - [26 Years of Gabriela Women’s Party, in Their Own Words](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/gabriela-womens-party-history/ "26 Years of Gabriela Women’s Party, in Their Own Words") **Categories:** Culture, Power, State of Affairs **Tags:** Gloria Steinem --- ### [Miley Cyrus’ Teases Upcoming Album ‘Bass Persuades’’ Title Track](https://rollingstonephilippines.com/music/pop/miley-cyrus-bass-persuades-album-title-track/) **Published:** September 3, 2026 **Author:** Elijah Pareño **Excerpt:** The pop singer-songwriter opens up about the meaning behind the title, calling it “every part of life in between” in a heartfelt statement **Content:** [Miley Cyrus](https://rollingstonephilippines.com/tag/miley-cyrus/) has announced her upcoming album Bass Persuades, coming out on September 18. The singer-songwriter teased the title track “Bass Persuades,” out on September 4, on her socials. The teaser shows Cyrus walking down an empty street while carrying an electric guitar, hinting in a rock-driven direction. Her latest album features guest performances by dance-punk outfit Model/Actriz and Swedish electropop artist Miike Snow’s Andrew Wyatt. Last September 1, Cyrus shared a statement about her latest album on Instagram. “Music takes hold of us. We feel it, sing it, sometimes dance to it, let it out and carry on. It is powerful, vulnerable, sweet and strong,” Cyrus wrote. “Heart full, heartache, every part of life in between. That’s what the title means to me. Thank you for being a part of making my wildest dreams come true. I sincerely hope you love this album.” > [View this post on Instagram](https://www.instagram.com/reel/DcynRwgRxb5/?utm_source=ig_embed&utm_campaign=loading)[A post shared by MILEY (@miley)](https://www.instagram.com/reel/DcynRwgRxb5/?utm_source=ig_embed&utm_campaign=loading) Cyrus has confirmed two concerts promoting *Bass Persuades* at the Hollywood Bowl in Los Angeles on October 16 and 18. No tour has been announced yet. Cyrus released her last album, *[Something Beautiful](https://rollingstonephilippines.com/radar/releases/miley-cyrus-releases-something-beautiful/)*, back in 2025. ## Frequently Asked Questions ### Who is Miley Cyrus? Miley Cyrus is a pop singer-songwriter set to release her upcoming album *Bass Persuades*. ### What are Miley Cyrus’ greatest hits? Miley Cyrus’ hits include “Flowers,” “Wrecking Ball,” “We Can’t Stop,” “Party in the U.S.A,” and many more. ### When is Miley Cyrus’ new album *Bass Persuades* coming out? Miley Cyrus’ latest album *Bass Persuades* is set to release on September 18. ### Who are the collaborators in Miley Cyrus’ upcoming album? Miley Cyrus’ latest album features guest performances by dance-punk outfit Model/Actriz and Swedish electropop artist Miike Snow’s Andrew Wyatt. ### What was Miley Cyrus’ last album? Miley Cyrus’ last album was *Something Beautiful*. It was released in May 2025. Related Stories - [Olivia Rodrigo’s Daisy Chain Fields Festival Was a Day Full of Superstars, Nonprofits, and Joy](https://rollingstonephilippines.com/music/live-reviews/olivia-rodrigo-daisy-chain-fields-chappell-roan-doechii/ "Olivia Rodrigo’s Daisy Chain Fields Festival Was a Day Full of Superstars, Nonprofits, and Joy") - [Mitski in Manila: All the Feelings and Highlights](https://rollingstonephilippines.com/music/rock/mitski-first-manila-show-recap/ "Mitski in Manila: All the Feelings and Highlights") - [Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/ "Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’") **Categories:** Music, Pop **Tags:** Miley Cyrus --- ### [Lisa’s Own Documentary ‘Always Lalisa’ Is Coming to Cinemas This October](https://rollingstonephilippines.com/music/pop/lisa-always-lalisa-documentary-cinemas-october/) **Published:** September 3, 2026 **Author:** Elijah Pareño **Excerpt:** The documentary looks at a “transformative year” away from BLACKPINK, as the singer navigated her solo music and acting debut **Content:** [BLACKPINK](https://rollingstonephilippines.com/tag/blackpink/)’s [Lisa](https://rollingstonephilippines.com/tag/lisa/) is set to release a documentary about her career in the K-pop world titled *[Always Lalisa](https://rollingstonephilippines.com/tag/always-lalisa/)*, set for theatrical release worldwide on October 12. The documentary will open in global cinemas and IMAX before it heads to streaming on YouTube Premium later in the year. Exact locations for the film’s showings have yet to be announced. > [View this post on Instagram](https://www.instagram.com/p/Dcxj3xCKnU9/?utm_source=ig_embed&utm_campaign=loading)[A post shared by LISA (@lalalalisa\_m)](https://www.instagram.com/p/Dcxj3xCKnU9/?utm_source=ig_embed&utm_campaign=loading) The film’s synopsis on *Always Lalisa*’s website details Lisa’s life as a solo artist and how she’s spent a “transformative year away from BLACKPINK,” wherein she spent the year making her debut solo album *Alter Ego* and filming her acting debut on *White Lotus* in 2025. “As the group pauses activities, Lisa embarks on the first true chapter of her solo career, confronting the question of who she is beyond BLACKPINK.” Last July 20, film and television content division Sony Music Vision announced that Lisa will be the subject of the upcoming full-length documentary, which will make its world premiere in the gala program at the 2026 Toronto International Film Festival, happening from September 10 to September 20. ## Frequently Asked Questions ### What are Lisa’s greatest hits? Lisa’s greatest hits include “Rockstar,” “Born Again,” “LALISA,” to name a few. ### What is *Always Lalisa* about? *Always Lalisa* is a documentary about BLACKPINK’s Lisa’s career as a solo artist, detailing her “transformative year away from BLACKPINK,” during which she made her debut solo album Alter Ego and filmed her acting debut on The White Lotus in 2025. ### When is *Always Lalisa* releasing? The documentary is set for worldwide theatrical release on October 12, opening in global cinemas and IMAX before heading to streaming on YouTube Premium later in the year. ### Who announced Lisa’s *Always Lalisa* documentary? Film and television content division Sony Music Vision announced the documentary on July 20. ### Where will *Always Lalisa* have its world premiere? The documentary will premiere in the gala program at the 2026 Toronto International Film Festival, running from September 10 to September 20. Related Stories - [BLACKPINK’s Lisa Announces Single “SaWaDiKa” For Her Upcoming EP](https://rollingstonephilippines.com/music/pop/blackpink-lisa-sawadika-upcoming-ep/ "BLACKPINK’s Lisa Announces Single “SaWaDiKa” For Her Upcoming EP") - [10 Netflix Music Documentaries About the Biggest Moments in Music History](https://rollingstonephilippines.com/editors-picks/lists/best-netflix-music-documentaries/ "10 Netflix Music Documentaries About the Biggest Moments in Music History") - [Olivia Rodrigo’s Daisy Chain Fields Festival Was a Day Full of Superstars, Nonprofits, and Joy](https://rollingstonephilippines.com/music/live-reviews/olivia-rodrigo-daisy-chain-fields-chappell-roan-doechii/ "Olivia Rodrigo’s Daisy Chain Fields Festival Was a Day Full of Superstars, Nonprofits, and Joy") **Categories:** Music, Pop **Tags:** Always Lalisa, Blackpink, Lisa --- ### [Return of the Kings: Inside Rush's Fifty Something Tour](https://rollingstonephilippines.com/music/rock/rush-inside-concert-tour-cover-story/) **Published:** September 3, 2026 **Author:** Brian Hiatt **Excerpt:** Geddy Lee, Alex Lifeson, and new drummer Anika Nilles tell all about rock's biggest and most unlikely tour: "I'm this age now. Can I still do it?" **Content:** On their long journey towards becoming [Rush](https://rollingstonephilippines.com/tag/rush/) again, Geddy Lee and Alex Lifeson pushed past death, illness, age, self-doubt, and for one guy, a weed habit that dated back to 1966. They just didn’t count on the fog. In early June, the resuscitated band was about to begin its first convert in 11 years, the kick-off of its Fifty Something tour. Backstage at Los Angeles’ Kia Forum that Sunday evening, Lee was feeling tense, Lifeson less so. “I was, surprisingly, not really that nervous,” the guitarist says. At showtime, video screens surrounding the stage began to glide upwards, revealing two familiar silhouettes, complete with dual doublenecks, shrouded by thick clouds of smoke. Lifeson put his foot on his volume pedal, ready to unleash the swelling notes that begin 1977’s “Xanadu.” As more smoke billowed, he could feel his guitar’s twelve-pound weight on his spine, but couldn’t see a single fret. For a second, at least, “not really that nervous” melted into near-panic. A few feet away, Lee glanced down at a small mirror that was supposed to let him watch drummer Anika Nilles. In the haze, his rearview was gone. “We were drowning in fog,” Lee says, laughing at the Spinal Tap absurdity of it all. ![Alex Lifeson and Geddy Lee](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Rush.webp) Alex Lifeson and Geddy Lee. Photo by Richard Sibbald for Rolling Stone Canada Half-blinded but undaunted, they launched the song. In the opening moments of her very first Rush concert, Nilles whirled through the “Xanadu” intro’s lengthy procession of exclamatory drum fills. A minute in, she was pounding out the tom-tom-heavy accompaniment to a winding riff. *Don’t fuck up this fill*, she recalls telling herself, just as her left hand lost its grip: “I saw this stick flying over the toms.” She missed a single drum hit, enough to trigger a concerned glance from Lee, before plunging on one-handed. In the same millisecond, she somehow snatched the errant stick out of the air, flipped it over, and kept going. “It happens,” she says, still unfazed. “You drop the stick. As a drummer, you’re used to it.” (“She’s a pro,” Lee adds. “She rose to the occasion on opening night.”) At age 43, Nilles, a native of Aschaffenburg, Germany, is three decades younger than her new bandmates. When she was born, Rush were about to record their tenth album, *Grace Under Pressure*. She’s had stage fright in the past, but on the highest-stakes night of her career, was relaxed enough to break into a smile right after that stick recovery. It helped that she meditated for a full 45 minutes before the show, part of a “calming routine.” “In each song part,” she says, “I had to coach myself a little bit through it, especially in the first show, not to fly away.” She tried not to consider the bigger picture. “That all helped not to think too much about how big that seat is and what role I’m filling in it, at the point where I’m sitting on stage. Be in the moment, be present, be focused.” The seat she’s filling will, of course, always belong to Neil Peart, who died of brain cancer in 2020. That night in L.A. was Rush’s first concert without him since his debut on Aug. 14, 1974. Peart was a one-of-a-kind virtuoso, one of the greatest drummers rock ever knew, his monstrously complex parts so intrinsic to Rush’s sound that the idea of replacing him long seemed unfathomable. He was also their lyricist, lending Canada’s greatest power trio their cerebral ambition and poetic soul, after some loveable sci-fi/fantasy excursions in their earliest days. “We’re only immortal,” Lee sings in 1991’s “Dreamline,” “for a limited time.” For this tour, though, he was determined to prove otherwise. Not only was Rush’s frontman, bassist, and designated taskmaster reviving a vanished band, but he had over-the-top, nearly masochistic ambitions for its new incarnation. “It’s how I’m built,” Lee says. “I’m crazy.” The musicians, now also including keyboardist Loren Gold, would have to learn over 40 songs, many of them stuffed with more musical twists than some bands’ entire albums. There are four alternating setlists, each stacked with the trickiest material of their notoriously tricky-to-play catalog – the full first side of *2112* was just the start. Gold’s presence at least rescued Lee from playing bass pedals with his feet during every keyboard part, but he’s still grabbing some signature synth riffs for himself. “Why do you do it? It’s a test,” says Lee, who turned 73 in July. “It’s howling at the moon! It’s saying, ‘I’m this age now. Can I still do it?’ Those moments of self-doubt, of course we all have those. Anika has those, and she’s much younger than us, apparently. That’s just being a human. You always doubt that you can stretch and play at your apogee.” ![Geddy Lee](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Geddy-Lee.webp) Geddy Lee. Photo by Richard Sibbald for Rolling Stone Canada For Lifeson, that struggle was real and visceral. “In the last month of rehearsals,” he says, “there were times I was sitting on the edge of my bed at two o’clock in the morning thinking, ‘Did I make the right decision? Can I do this? Can I play? Am I good enough?’ It wasn’t really until Sunday, when we played that gig, that it all kind of came down this funnel and spilled out. It was at that moment that I thought, ‘Yeah, this has all been worth it. This is where I really am happy to be.’ I’m tired this week. But I’m really, seriously happy.” Lee wanted to get back on stage from the moment the band said goodbye in August of 2015, but confirming the tour meant many months of grim-faced work. His daughter, Kyla, said she hardly saw a real smile from him for a year and a half. “In my history as a musician, I don’t think I’ve ever rehearsed quite as much as an individual, and also as a band,” Lee says. “Of course, we needed to, because it was a monumental task… In the last month and a half, I think at one point we did the show 24 times in 27 days. It’s been a long time since we were on a stage, and we put so much of our heart and soul into shaping the show and perfecting our parts. And when the curtain goes up, you just never know which version of you is gonna show up.” Opening jitters aside, the first show turned out to be a triumph, with the crowd instantly, even gratefully, embracing Nilles. By nights three and four, any remaining nerves had burned off. Lifeson was roaming the stage, trying to make the new drummer laugh. “We’re much looser than we’ve been before,” Lee says. “Goofier.” More than once, Lee couldn’t help leaping in the air as he thumped out, say, the riffs of “Red Barchetta” or the climax to “La Villa Strangiato.” Did anyone suggest that, for a septuagenarian with many months of shows ahead around the world, including two homecoming runs through Canada, leaving the ground might not be the best idea? “Yes,” Lee says, smirking. “My trainer. My wife. My daughter.” ![Alex Lifeson and Geddy Lee](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/alex-lifeson-and-geddy-lee.webp) Alex Lifeson and Geddy Lee. Photo by Richard Sibbald for Rolling Stone Canada Just two years ago, Lifeson told me his mind was made up. “There’s no chance that we’re going to get a drummer and go back on the road as the rebirth of Rush or something like that,” he said in May of 2024. He and Lee had just started to play Rush songs in private again, but Lifeson insisted it was just for fun. He was recording with a band called Envy of None, but otherwise seemed like a man at peace with semi-retirement. “I really would feel like we were doing an injustice to our fans and that would be just a money grab.” A few months later, in another interview, he went even further, calling the R40 tour a high point: “I guess I’d rather be remembered for that legacy than returning as the top Rush tribute band.” In September of 2022, at two tribute concerts for late Foo Fighters drummer Taylor Hawkins, Lee and Lifeson performed together for the first time since Peart’s death, with a revolving crew of drummers. Earlier, they had made it clear that Rush was gone: “That’s finished, right? That’s over,” Lee told me in late 2020. After feeling their songs under their fingers again, they weren’t so sure, and it didn’t hurt that Paul McCartney urged them to get back on the road backstage after the first show, at Wembley Stadium. In the aftermath, Lifeson got briefly excited about the idea, then seemed to change his mind. Lee kept at him, and along the way, began to find Lifeson’s interview comments increasingly baffling. “Al is great at saying one thing to your face and then saying something else in public,” Lee says now. “You’re like, ‘Oh, that’s interesting.'” Lifeson shrugs. “Yeah, I kind of do do that.” They’re sitting side by side in the dark basement studio of the Sunset Marquis in West Hollywood, their go-to hotel in the Seventies. ![Alex Lifeson](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/alex-lifeson.webp) Alex Lifeson. Photo by Richard Sibbald for Rolling Stone Canada Lee has boundless affection for his best friend, but he found one part of Lifeson’s public comments intolerable. “I know how he feels and how he’s felt for a long time,” Lee says. “We’re friends first. But… when I heard this thing about the tribute? It’s like, ‘They’re your songs, motherfucker!’ It’s not a tribute band! We own those songs as much as we did with Neil. And they’re part of us. They’re part of your soul. They’re part of your heart. And when we started playing them together again, that kind of woke up in him.” Lifeson thinks he was trying to send messages through the press that he didn’t have the heart to say to Lee’s face. “Maybe I was trying to send a bit of a signal,” he says. “I wanted to create this wall that I didn’t have to climb over, by saying, ‘Oh no, I don’t wanna be in a Rush tribute band,’ blah, blah, blah.” As Lifeson told me in 2024, his reluctance was as much physical as it was emotional. After two failed surgeries, he suffered from stomach paralysis, gastroparesis, which left him constantly nauseous. He had a continuing issue with arthritis in his hands, though medicine keeps that largely under control. He also found himself dreading the road. “You could feel like a hotel room is prison,” he says. “That can be a lonely place. I didn’t know if I really wanted to do that.” “They’re your songs, motherf—er! It’s not a tribute band!” Geddy Lee He started to budge last year, during a sojourn at VivaMayr, a well-regarded wellness clinic on a lake in the Austrian countryside, where staff design custom low-calorie nutrition programs, massage your stomach daily, and teach you to chew bread 40 times. Lee decided to tag along, “for moral support,” and ended up enjoying it, despite a ban on both alcohol and caffeine. Lifeson dropped 30 pounds over two visits, and learned how to address his digestive issues. “They really set me straight,” he says. While they were there, the duo set up a studio in Lifeson’s room, with gear shipped from home and instruments rounded up from a local music shop. Every day, after their treatments, they began making music. “We started really getting into it,” says Lee. “And when you combine that feeling with the fact that he was feeling good, I think that’s what convinced him that maybe we should think about this.” Lee had just finished his third book, and restlessness was setting in. “I don’t like not having a project. I am not happy if I don’t have something to engage me,” he says. “I thought, ‘Right. Time to write some lyrics. Time to get your fingers in shape.'” For a while, he assumed he might be working towards his first solo album since 2000, maybe his first-ever solo tour. Some of the lyrics he was writing felt too personal for Rush, not to mention that he hadn’t sung his own words with the band since their first album, before Peart joined. “But before I got to that point,” he says, “we sparked.” ![Rush](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Rush-2.webp) Rush. Photo by Richard Sibbald for Rolling Stone Canada Lifeson had to admit it. “When we sat down, this was not about being in a Rush tribute band,” he says. “This is about being Rush. In one of its best forms. And that was a whole different kind of thing.” Lifeson had one more life change to make. He first smoked weed at age 13, and while he’s had periods of abstinence, it’s been a fairly constant companion for the last 20 years. ” In the studio, I enjoyed it,” he says. “I found it did spark some creativity that was different from the straight world.” Four months before tour launch, at age 72, he quit. When he’d get high at night and pick up his guitar, as was his ritual, he “wasn’t playing that well. And I started having these negative feelings about my confidence and about what was ahead of us. We were halfway through the process. It’s too late to jump off this ship that’s screaming across the sea. And I thought, this is interfering with the way my brain should be working, and the kind of focus and discipline that all of a sudden I really wanted to have in my life.” He went on a THC-removal rampage. “I got up, and I went in the bathroom, and I took all my little jars of pot and the pipes and threw them in a garbage bag,” he says. “Then I went in the kitchen, I took all my pipes and threw it all in the garbage. Then I went in the studio and looked at one container of pre-rolls and I thought, ‘Oh, I really like these. Maybe I’ll just hang onto these.’ And I was like, ‘Al, this is not the idea.’ So I tossed that in. I went to every little place I had stashes. It was a garbage bag full of pipes and bongs and pot, pot, pot, pot. All my friends said, ‘Why did you throw it out? You should’ve called me. I would’ve been happy to take it.'” “This is about being Rush. In one of its best forms.” Alex Lifeson He initially planned to abstain for a week, then a month. “THC stays in your system for typically 30 days,” he says. “I got to the month and I thought, ‘Oh my God, maybe I’ll just try it for two years then, for the whole tour.'” He has no regrets. “The other day I was standing on stage thinking, thank God I’m not smoking pot anymore, ’cause I’m so much clearer. I don’t procrastinate like I used to. My memory is so much better. It’s all the stuff that they tell you about cannabis. I never believed it.” He’s mostly stopped drinking, too. “It’s really been a positive experience. I didn’t expect it, and I was hoping it wouldn’t be.” Lifeson’s attention to detail can easily rival his bandmate’s. For this tour, he decided to ditch physical guitar amps in favor of digital emulation, with sounds set up to match each song’s precise studio amps and effects. “He’s got this fucking incredibly complicated setup of pedals and sounds,” says Lee, “just because he wants each moment of the song to be true to the original moment of that song.” Lifeson was tweaking those sounds all through the rehearsals, and Lee didn’t always love the 30-minute delays that could result. Even with the tour well underway, he’s still massaging those presets. “There’s always something I want to just get a little bit better,” Lifeson says. “And I like it. That keeps me going. And that’s the way my brain works.” Lee laughs. “He’s such a fucking guitar player. There’s an old studio joke about a guitar player getting a sound. The producer goes, ‘That’s it. That’s perfect!’ And the guitar player says, ‘Okay, I’ll change it.'” ![Geddy Lee](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/geddy-lee-1.webp) Geddy Lee. Photo by Richard Sibbald for Rolling Stone Canada “How do you replace someone who you can’t replace?” That, in Lee’s words, was the question in the air. In the autumn of 2022, Lee’s longtime bass tech, John “Skully” McIntosh, went on tour with Jeff Beck. Beck had recruited a new drummer with a substantial online following, one Anika Nilles, and Skully immediately took note. He reached out to Lee, who had just performed at the Hawkins tribute shows, suggesting her as a potential collaborator. Lee duly looked her up on YouTube. In videos from the Beck tour, a shades-wearing Nilles grooves like John Bonham, breezing through Beck’s most complex material and the skittering hi-hats of Billy Cobham’s “Stratus,” blasting out a succession of beastly fills. In clips of solo songs like “Alter Ego,” her playing is more overtly technical, with ever-shifting parts and a notable sense of percussive melody, even as she toys with polyrhythms and unusual time signatures. There’s even an instructional video where she shows drummers how to think in quintuplets. “How do you replace someone who you can’t replace?” Geddy Lee Lee, who knows a bit about drumming greatness and weird meters, was impress**e**d. “I was like, ‘Oh my God, she’s so good,'” says Lee. “She’s so *interesting*. She’s got such charisma, personal charisma, and flair.” He filed the name away, but for three years, he says, “I just kept it to myself.” Once Lifeson was fully on board, the guitarist suggested “some other guys that maybe he was thinking of that might work for the gig,” Lee recalls. But he asked Lifeson to go check out Nilles, and he came away converted. “I see what you like about her,” Lifeson said. “She’s really good.” Skully made the call, a Zoom introduction went well, and Lee extended the invitation: “Would you like to come to Toronto and just jam and bang it out?” For all Nilles’ mastery, Lee and Lifeson weren’t fully convinced until the fifth day of that informal audition. She was so well-known in her world that she had already been on the cover of Modern Drummer in 2017, but the Beck tour was her only high-profile, mainstream gig. Beck never told Nilles what to play or how to play it, which left her with preconceptions ill-suited to Rush. “I wasn’t sure if I should prep every little detail,” she says, “or to have the main parts down, but have some freedom here and there.” ![Anika Nilles](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/anika-nilles.webp) Anika Nilles. Photo by Richard Sibbald for Rolling Stone Canada In those first days, the feel of “Tom Sawyer” initially eluded her, if not the fills, and in “Subdivisions,” she kept adding additional complexity to Peart’s already well-embroidered parts. “A lot of extra grace notes,” says Lee. “I don’t think she fully understood what her mandate was.” Once she realized the extent to which Peart was a self-described “compositional drummer,” his parts welded into the music, “she approached listening to the songs in a very different way,” Lee adds. Getting there meant the rapid dismantling of some of her hard-won skills. Her elegant method of playing “those sneaky sixteenth notes” on the hi-hat, one of the defining bits of “Tom Sawyer,” simply sounded wrong. To get Peart’s dauntingly robotic sound, she had to pound the thing harder, with the same impact on each note, using her forearm instead of her wrist. In old interviews, she spoke of using technique to compensate for what she believed was male drummers’ greater physical strength. For Rush, she decided to simply get stronger, and you can hear it in every snare hit. “I have to play more out of muscle power,” says Nilles, who’s been lifting weights for months in between rehearsals. “I never thought something big like this would ever happen.” Anika Nilles Her drum kit kept growing, too, and she fell in love with Peart’s brutal sound on the earliest Rush records. “I like being a rock drummer!” she told the band early on. The process required an almost eerie level of absorption. “Now, I have a little bit of Neil in me,” she says. ” What I learned for myself the most is the compositional part. He was brilliant in that, really. He constantly builds, and builds, and builds the drum part to a point where you think, ‘What the hell is going on?'” “There are moments where I’m just so proud of her,” says Lee. “Because in order to do this gig, let’s be frank, you know, you have to compromise a bit of yourself. Because you’re trying to be true to another drummer’s part… And that’s a sacrifice.” For Nilles, it’s simple. “I have no ego, so I play what is required,” she says. Still, she’s not going for clone-like micro-replication of Peart’s parts, and is still sneaking in some extra twists. “At the same time, I am a musician myself, with my own character and own style, and that sneaks in even if I don’t want to.” As they tried to acclimate Nilles, Lee and Lifeson gained new insight into how quirky and insular their musical approach could be. “Sometimes Anika would write to me and say, ‘What time is this part in?’ I would go, ‘Fuck, I don’t know,'” Lee says. “And I realized we would do a weird musical passage in an odd time signature, but we wouldn’t need to count, ’cause we would ’cause we would just glue a bunch of phrases together… We knew the nuances of each other’s parts so intimately that we had cues in each other’s playing. But she hadn’t had enough familiarity yet. She couldn’t possibly have played off of those cues yet. And now I think she can.” ![Rush](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Rush-3.webp) Rush. Photo by Richard Sibbald for Rolling Stone Canada Nilles grew up surrounded by drummers, playing by age six. Her parents recognized her talent, but feared the instability of a musician’s life. So she spent five years studying social work, and got a job working with kids at a preschool. She kept playing on nights and weekends, and another life kept calling to her. She started over at age 26, enrolling at the Popakademie Baden-Württemberg in Mannheim, where she was convinced she’d fallen behind her younger classmates. “I felt like I was old and sucked,” she once said. She soon surpassed them, thanks to the same work ethic and humility that would later win her the most fraught gig in rock. Clips of her playing eventually went viral, and her YouTube success ultimately led Beck in her direction. “I never thought that something big like this would really ever happen,” she says. “I would have been happy with a regular touring gig in Germany.” After Peart’s death, more than one drummer actively pitched themselves to Rush, which Lee found offensive. Nilles never coveted the gig, or even imagined having it; she didn’t even know the band’s music all that well before her audition. For fans, those all seem to be points in her favor. It’s hard to imagine persnickety Rush obsessives cheering quite so ecstatically for a session pro or superstar drummer borrowed from some other band. “It’s so great to see the audience really accept her,” says Lifeson. “And root for her. They really want her to be a success.” “I have no ego, so I play what is required.” Anika Nilles Before the first show, she heard from Peart’s widow, Carrie Nuttall. “I got a nice message from her, a really lovely message,” Nilles says. “It was really nice to hear that she is on board and looking forward to this whole journey.” With the initial concerts behind her, Nilles is allowing herself to finally feel some of the impact of it all. “I feel really energized,” she says. “And relieved.” But that was already evident in the broad smile she’d flash after nailing the “Tom Sawyer” drum fills. Pushed to recall her thoughts in those moments, she laughs hard: “I made it through!” ![Alex Lifeson, Anika Nilles, Geddy Lee](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/alex-lifeson-anika-nilles-geddy-lee.webp) Alex Lifeson, Anika Nilles, Geddy Lee. Photo by Richard Sibbald for Rolling Stone Canada Before rebuilding the band, Lee had to do the same for himself. “I didn’t play bass on a regular industrial level for 10 years,” he says. “I thought I was in shape, ’cause I would go down to the studio, and I would play one of my zillion basses, and I would go, ‘Ah, this is great bassing!’ You’d think you’re in shape. You’re not. That’s not playing shape. That’s not touring shape. Not until you get calluses on calluses on calluses and your fingers are sitting there at night sizzling. *That’s* getting in shape. So I had already made the decision before Al agreed to do any tour to get my fingers back in shape.” His other task was scarier and more personal. How *did* the voice of Geddy Lee get so high? He had no idea, but he was finally going to have to find out. In the Seventies, Lee sang in a speaker-melting shriek that he unleashed without coaching or conscious technique, somehow doing everything right (or wrong, if you believed certain churlish critics) from pure instinct. From the Eighties onwards, he pared down the high notes, though he did push into glass-shattering territory on the final verse of “Freewill.” As the years passed, he found his old banshee wail harder and harder to access, particularly in this century. He took it as a natural part of aging, and simply did his best, occasionally lowering keys to give himself some help. This time, after over five decades of singing professionally, Lee decided to take his first lessons. He began Zoom meetings with a veteran vocal coach, Mitch Seekins, who works remotely from the small town of Ilderton, Ontario. Seekins, a longtime Rush fan, knew right away that Lee was a long way from being ready. ” It was shocking,” says Seekins. “I mean, it was horribly out of shape. The muscles weren’t responding in the top end anymore.” But the coach still had very good news for his client: “I could hear that it was there, he just couldn’t do it yet. He wasn’t sure if he was ever gonna be able to do what he did when he was much younger… But there was no degradation at all, even due to age.” The high notes would inevitably lack some of the reckless power of the old days, but they were all accessible. The real trick was convincing Lee that he could do it. ” The hardest part of the repair part is the psychological end of the thing,” says Seekins, whose techniques can seem Yoda-like. “Because it is subconscious, and if you’ve convinced yourself that you can’t do something, well, guess what? You can’t.” Lee, who already works out four times a week, began to get it. ” It’s no different than going to the gym and getting strong,” he says. “You have to get this muscle strong, and that’s what I’ve worked on — and to take a more forensic look at how a voice makes a sound, and apply it.” Even so, he adds, “I was nervous to try some of those songs.” “I have to sing in this f—ing stratosphere.” Geddy Lee It quickly became evident that he was pulling it off. ” We were just looking at each other like, ‘Holy crap,'” says longtime Rush collaborator Dale Heslip, who directed the tour’s opening film and designed the stage. “Like, he has turned back time.” As Lee gained confidence, new possibilities opened up, including adding the long-unplayed title track of 1977’s *A Farewell to Kings* back to the show. It’s still the single hardest song of the tour for both Lee and Lifeson. Youthful ambition bequeathed them unpredictably shifting time signatures, a daunting nylon-string intro, some odd musical shifts during the guitar-solo section, and a long list of other complexities. “You kick off the verse, and I have to sing in this fucking stratosphere,” says Lee. “There’s a lot of insecurity that comes with bringing back a song from that long ago… When you’re at this age, people expect you to be a lesser version of yourself, and that’s just not acceptable to me.” They did have the option of dropping keys down, which is how they handle *2112* and “Anthem,” on the grounds that they both sound heavier that way. “It’s partly an excuse and partly the truth,” Lee says. But they took a close look at “Freewill,” and decided to keep it as is. “There’s no way I would do that song unless I could hit that third verse,” says Lee. “Which is really the highest verse that I sing all night.” Somehow, night after night, he’s making it all the way up there. “The cats,” says Lee, “are meowing.” ![Alex Lifeson, Anika Nilles, Geddy Lee, Loren Gold](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/alex-lifeson-anika-nilles-geddy-lee-loren-gold.webp) Alex Lifeson, Anika Nilles, Geddy Lee, Loren Gold. Photo by Richard Sibbald for Rolling Stone Canada There are still moments onstage when Lee glances behind him and is surprised to see a cheerful blond woman on drums. “I keep expecting to see Neil’s intense mug back there,” he says. In truth, Peart is still very much part of the show. The most intense moments each night are “Time Stand Still” and “Bravado,” both presented as overt tributes, with his face on the video screens and his voice heard beforehand, musing on his uncompromising approach to life and art. “If the dream is won,” Lee sings on the latter song, “though everything is lost/ We will pay the price, but we will not count the cost.” The Lifeson solo that follows is a tribute in itself. ” It has to be delicate in a way,” says the guitarist. “And emotive. And it has to have this crescendo. It has to go to a positive place.” Even without the overt nods, Peart’s presence would have been inescapable. As he emphasized to me in 2015, Rush’s long run owed everything to the trio’s deep level of collaboration, with each member essential to the triangle they formed. “You know how the dynamics of bands go when one guy writes all the songs and gets all the attention,” Peart said, sipping whiskey in the garage hideaway where he did all of his writing. “For me, of course, the singer does, but I’m sitting there, playing along, watching everybody sing along with Geddy to *my* lyrics, you know? The shared involvement in what we do and the shared reward and appreciation for what we do is huge because no bands survive. The Police. Talking Heads. Where someone *is* the band in every quantifiable way, it can’t really endure.” If Rush had toured closer to Peart’s passing, it might have been trickier to include some of the lighter moments built into the show, from the comedic opening film to the tradition of *South Par*k’s Cartman counting off “Tom Sawyer” while fronting “Lil’ Rush.” “You have to acknowledge the absence,” says Allan Weinrib, the tour’s creative director, who happens to be Lee’s brother. “Still, at the end of the day, this is Ged and Al going back on the road, you know? Once you decide you’re going on the road, you decide you’re gonna have fun again.” “We didn’t want it to be funereal,” says Lee, who still acknowledges getting choked up during a song or two. “Because we wanted everyone to remember him happily and celebrate the fucking amazing person that he was… But I’m still processing. If I have to sing his lyrics, I feel very close to him. It’s impossible not to, unless you’re kind of dead inside. Even just talking about it sometimes, I can’t help myself. It’s hard. There’s a part of him that will never… That grief will never completely disappear.” ![Rush](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Rush-4.webp) Rush. Photo by Richard Sibbald for Rolling Stone Canada Nuttall and Peart’s daughter, Olivia, attended the first two shows in Los Angeles. “It’s very hard for them,” Lee says. “They’re still grieving a lot. For them to sit through a show where we’re doing it again, that’s hard. I appreciate the difficulty.” Even the tour poster, created by Hugh Syme, who’s long designed Rush’s album covers, nods to the situation. It shows two small birds on a wire, and a third flying away. As it happens, says Lee, “I had an incident with a bird recently.” The morning after the first show, Lee walked into the living room of the house where he was staying and found a bird on the floor, staring at him. He swears it looked exactly like the bird on the poster. It circled his bed, landed, turned to look at him again, and went out the window. “It was super-weird,” says Lee, who couldn’t help thinking of it as a visitation from Peart. “I’m not a big believer in mumbo-jumbo weirdness, but it was special.” He grabbed his phone to text Lifeson, and as he hit send, there was the bird again, sticking its head through an open door. It gazed at him one more time before flying away for good. Given the volume of Peart’s writing, it seems safe to assume there could be enough unused lyrics somewhere to form the basis of new Rush songs. But Lee is cautious, and maybe slightly uncomfortable, when I bring up the prospect. “I haven’t thought about it at all,” he says. “It’s a good question.” As for new music in general, ” there’s always a spark,” Lee says. “But I can’t afford to get ahead of myself here. And when we put this band together, it was for the purpose of this tour. And after this tour, we can, I guess, reassess and see what we have and what we want to do. Can’t really give you a better answer than that.” “We’re a quirky rock band, but we are trying to be rock.” Geddy Lee There’s an awful lot of weeping going on in the stands at the Fifty Something tour. Even as fans mourn Peart, they’re just as moved by his band’s improbable, all-too-temporary reversal of entropy. The 20th century and its musicians keep fading away — but Rush came back. “It is a miracle tour,” says Weinrib. The band members don’t want to get too grandiose, but they understand. “I feel it on stage,” says Lifeson. “And I feel it from the crowd. It’s beautiful to see everybody so joyful, ’cause these are not joyful times that we live in right now, and it’s a bit of an escape. And I look at our audience, and the whole family’s together for this big picnic, and there’s lots of high-fiving and laughing and crying, and it’s a beautiful moment in time.” Lee nods. “People are responding to this tour because they need something that’s going on here,” he says. “And maybe there’s not enough of it right now in the world.” Or maybe it’s simpler than that. “We are a rock band. There are not a lot of us that are still going.” He smiles. “We’re a *quirky* rock band, but we are still out there. Trying to rock.” *This [cover story](https://ca.rollingstone.com/editorial/en-featured/rush-cover-story-august-2026/) was produced through a partnership between Rolling Stone US and Rolling Stone Canada*. Related Stories - [Mitski in Manila: All the Feelings and Highlights](https://rollingstonephilippines.com/music/rock/mitski-first-manila-show-recap/ "Mitski in Manila: All the Feelings and Highlights") - [XG Comes Fully Realized in Second Manila Show](https://rollingstonephilippines.com/music/pop/xg-the-core-manila-concert-recap/ "XG Comes Fully Realized in Second Manila Show") - [Black Eyed Peas’ High-Octane Manila Concert is a Nod to Pinoy Pride](https://rollingstonephilippines.com/music/live-reviews/black-eyed-peas-concert-review/ "Black Eyed Peas’ High-Octane Manila Concert is a Nod to Pinoy Pride") **Categories:** Music, Rock **Tags:** Rush --- ### [New Movies to Watch in Cinemas in September 2026](https://rollingstonephilippines.com/culture/film/new-movies-philippine-cinemas-september-2026/) **Published:** September 3, 2026 **Author:** Pie Gonzaga **Excerpt:** From Zach Cregger’s Resident Evil to Edjop, there’s a film for everyone in local movie theaters this month **Content:** This September, an exciting mix of local and international films comes to entertain audiences across the country. For one, the Puregold CinePanalo Film Festival begins on September 23, with seven full-length films and 10 shorts making up its biggest lineup yet. Outside the festival, much-awaited films like *[Edjop](https://rollingstonephilippines.com/tag/edjop/)*, *[Resident Evil](https://rollingstonephilippines.com/tag/resident-evil/)*, and *[Forgotten Island](https://rollingstonephilippines.com/tag/forgotten-island/)* are also set to premiere this month. Here’s what’s coming to Philippine cinemas for September. ## ‘Practical Magic 2’ (September 9) Griffin Dunne’s *Practical Magic* was critically panned when it came out in 1998. But over the years, a viewership driven by its stars, Sandra Bullock and Nicole Kidman, has made the rom-com-fantasy film something of a cult classic. In this [Susanne Bier-directed sequel](https://rollingstonephilippines.com/tag/practical-magic-2/), Bullock and Kidman return as the witchy Owens sisters, this time to confront a curse that threatens to unravel their family once and for all. ## ‘Edjop’ (September 16) Katski Flores’ [*Edjop*](https://rollingstonephilippines.com/culture/philippine-cinema/edjop-elijah-canlas-2026-release/) has been five years in the making, and it finally arrives just before the 54th anniversary of the declaration of martial law. The [Edgar Jopson](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/edgar-jopson-edjop-martial-law/) biopic appears to jump between the past and present, with [Elijah Canlas](https://rollingstonephilippines.com/tag/elijah-canlas/) playing the titular activist and Jodi Sta. Maria playing Jopson’s daughter, Joyette. Opposite them, Cedrick Juan and Frankie Pangilinan are also set to grace the silver screen, with Pangilinan in her first-ever movie role. ## ‘Resident Evil’ (September 16) Fans of the [*Resident Evil*](https://rollingstonephilippines.com/culture/film/zach-cregger-resident-evil-faithful-to-the-games/) games have waited too long for a *good* film adaptation to watch, and if [Zach Cregger](https://rollingstonephilippines.com/tag/zach-cregger/)’s previous works (*[Weapons](https://rollingstonephilippines.com/tag/weapons/)* and *Barbarian*) are any indication, then the wait may finally be over. In an original story set in the *R.E.* world, [Austin Abrams](https://rollingstonephilippines.com/tag/austin-abrams/)’ Bryan takes on a harrowing task, delivering an unknown medical package to Raccoon City, which has descended into chaos — for reasons we can only suspect are related to the T-Virus outbreak. ## ‘Forgotten Island’ (September 23) [*Forgotten Island*](https://rollingstonephilippines.com/music/pop/forgotten-island-soundtrack-filipino-artists/) has had a very promising run in festivals this year, receiving [high praise from critics](https://rollingstonephilippines.com/culture/film/forgotten-island-annecy-cinemacon/) at the Annecy International Animated Film Festival in France and CinemaCon in Las Vegas. Landing on our shores later in September, the film follows friends Jo ([H.E.R.](https://rollingstonephilippines.com/tag/h-e-r/)) and Raissa ([Liza Soberano](https://rollingstonephilippines.com/tag/liza-soberano/)) on a quest to return to their world after being transported to an island where mythical creatures abound and the threat of losing their friendship looms. ## ‘Digger’ (September 30) [Tom Cruise](https://rollingstonephilippines.com/tag/tom-cruise/) is unrecognizable in Alejandro G. Iñárritu’s upcoming black comedy, *[Digger](https://rollingstonephilippines.com/tag/digger/)*. Here, Cruise plays Digger Rockwell, an oil tycoon who sets out to prove he is humanity’s savior before the climate disaster he’s unleashed destroys everything. Many other actors — also barely recognizable in the trailer — decorate this satire: Riz Ahmed, John Goodman, Sandra Hüller, Michael Stuhlbarg, Jesse Plemons, and [Emma D’Arcy](https://rollingstonephilippines.com/tag/emma-darcy/). *Digger* premieres in the Philippines days before its international release in October. ## Frequently Asked Questions ### Where can I watch Puregold CinePanalo 2026 films? Puregold CinePanalo 2026 runs from September 23 to October 4 at Gateway Cineplex 18 and six Ayala Malls cinemas: Trinoma, Fairview Terraces, Ayala Malls Feliz, Ayala Malls Manila Bay, Ayala Malls Circuit, and Market! Market! Tickets are P250 regular and P200 discounted, with a P2,000 festival pass available at Gateway Cineplex 18 starting September 22 and at the Ayala Malls venues starting September 23. ### What is **Edjop** about? *Edjop* traces the life of student leader Edgar Jopson, from his beginnings as a reformist from a comfortable Ateneo-educated background to his radicalization under martial law, culminating in his death as a wanted enemy of the first Marcos regime. The film also follows his daughter Joyette as she reckons with her father’s legacy, weaving past and present into one story. ### Will Zach Cregger’s Resident Evil movie have Leon Kennedy in it? No, Zach Cregger has left out Leon Kennedy and other familiar game characters in his adaptation of *Resident Evil*, choosing instead to follow an original protagonist, Bryan, played by Austin Abrams. He’s explained that Leon’s story is already told well in the games. ### What is *Digger* about? *Digger* follows oil tycoon Digger Rockwell, played by Tom Cruise, as he tries to position himself as humanity’s savior in the face of a climate disaster he caused. Alejandro G. Iñárritu directs the black comedy, which also stars Riz Ahmed, John Goodman, Sandra Hüller, Michael Stuhlbarg, and Jesse Plemons. ### Who are the directors of *Forgotten Island*? Joel Crawford and Januel Mercado co-wrote and co-directed the film. The two previously teamed up on *Puss in Boots: The Last Wish*, which marked Mercado’s co-directorial debut, and Crawford also directed The *Croods: A New Age*. Related Stories - [23 Movies We’re Excited For This 2026](https://rollingstonephilippines.com/culture/film/23-movies-coming-in-2026/ "23 Movies We’re Excited For This 2026") - [Beyond ‘Edjop,’ Who was the Real Edgar Jopson?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/edgar-jopson-edjop-martial-law/ "Beyond ‘Edjop,’ Who was the Real Edgar Jopson?") - [‘Forgotten Island’ is Already Winning Critics at Festivals](https://rollingstonephilippines.com/culture/film/forgotten-island-annecy-cinemacon/ "‘Forgotten Island’ is Already Winning Critics at Festivals") **Categories:** Culture, Film **Tags:** Digger, Edjop, Forgotten Island, Practical Magic 2, Resident Evil --- ### [For Cafe Mediterranean, Food Is a Platform for Palestine](https://rollingstonephilippines.com/state-of-affairs/power/cafe-mediterranean-food-platform-palestine/) **Published:** September 2, 2026 **Author:** Reyza Ferranco **Content:** The conflict between Israel and Palestine has been going on for decades, but the genocide being committed by Israel since 2023 has forced the entire world to take a stand. In the Philippines, while seemingly unlikely, The Cafe Mediterranean has actively taken a political stand and has been one of the more vocal establishments to speak up for Palestine and help support victims and refugees of the war in Gaza. The Cafe Mediterranean has been around since 1994 and has steadily grown its number of locations across Metro Manila, serving dishes from various countries around the Mediterranean Sea. Recently, they launched a special menu, with proceeds going to Palestinian refugees through the United Nations Relief and Works Agency (UNRWA). Marla Moran, who has been running the cafe for almost 32 years now, believes there was never much question about whether the restaurant should get involved. ![the cafe mediterranean](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/specials-menu-1.webp) The restaurant’s special menu includes the Falafel Buddha Bowl, a protein-packed vegetarian meal, and Balsamic Glazed Tofu with quinoa and its signature hummus. Photo from The Cafe Mediterranean/Instagram “I have no respect for the conflict, absolutely none. What Israel is doing is immoral. It’s disgusting. It shouldn’t be there,” Moran told *Rolling Stone Philippines.* “I figured Cafe Med, we have a platform, so might as well use it,” she added. On April 1 of this year, Cafe Med posted a statement on their [Instagram account](https://www.instagram.com/p/DWllWZfk0IW/?utm_source=ig_web_copy_link&igsi=MzRlODBiNWFlZA==), sharing their special menu as well as what they advocate for. “The war in Iran, the subsequent invasion of Lebanon, and the continued suffering of the Palestinian people are further magnifying the chaos and unrest occurring in many places around the world. As a Mediterranean restaurant, we are especially conscious of what is happening to the homes where our favorite dishes were originally cooked,” the statement read. They have also been upfront with customers about the rising costs due to the ongoing war, admitting that the restaurant has to increase its prices slightly while trying to limit how much it could affect customers. ![the cafe mediterranean](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/cafemed1.webp) The restaurant’s Estancia Mall branch is one of seven locations serving its signature dishes while carrying the restaurant’s commitment to its advocacy. Photo from The Cafe Mediterranean Despite many people telling Moran that their advocacy could turn people away, Moran’s response is simple: “I don’t care.” She acknowledged that taking a public stance was a big risk, but for her, people should really care about the Palestinians. “It was a big risk, but I didn’t care. Because people should care about the Palestinians. If you can tell, I’m really passionate about this,” she said. The act of donating is nothing new for the restaurant. Moran shared that they have been donating for a long time now. First, starting in 2023 through the United Nations High Commissioner for Refugees (UNHCR) before the organization admitted that they could not penetrate Palestine. Now, their donations go to UNRWA instead, whose proceeds they say go directly to the Palestinians. ![the cafe mediterranean owner marla moran](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/marla-moran.webp) The Cafe Mediterranean owner, Marla Moran, believes standing with Palestine is worth the risk. Photo from Marla Moran “And every quarter, we have a Zoom call, and they tell us where the money is going. It’s a good cause,” Moran said. She also shared that they recently had a successful fundraiser for Palestine, where the Palestinian ambassador came over, as well as some guests. “Because so many people wanted to come. We couldn’t accommodate everybody. But given the chance, we will again. Now, we are doing another fundraiser for the UNHCR. It’s up to them where they want to donate the money,” she said. Aside from Palestine, the restaurant has also donated to Syrian refugees, as well as here in the Philippines. As Moran explains, “Cafe Med’s been around for a while, and I’m happy to say we’re doing well. So it’s our turn to give back.” ## FREQUENTLY ASKED QUESTIONS ### Why is Cafe Mediterranean donating proceeds to Palestinian refugees? The Metro Manila restaurant, running since 1994, donates special menu proceeds to Palestinian refugees through UNRWA. Owner Marla Moran says the restaurant has a platform and chose to use it. ### Which organization receives Cafe Mediterranean’s Palestine-related donations? Donations go to UNRWA. The restaurant previously gave through UNHCR before the agency said it could not reach Palestine directly. ### How does Cafe Mediterranean report on where its donations go? The Cafe Mediterranean holds a quarterly Zoom call with UNRWA, which briefs the restaurant on fund usage — transparency Moran cites as central to the partnership. ### Has Cafe Mediterranean’s advocacy for Palestine affected its business? Owner Marla Moran cites rising costs from the war has made them slightly raised their prices, while also acknowledging that the restaurant’s advocacy could turn away some customers. ### What other causes has Cafe Mediterranean supported beyond Palestine? The restaurant has also donated to Syrian refugees and Philippine causes, which Moran frames as giving back after decades of steady organic growth. Related Stories - [Filipino Artists and Activists Show Up for Palestine in Viva Palestina Concert](https://rollingstonephilippines.com/state-of-affairs/viva-palestina-ph-artists-palestine/ "Filipino Artists and Activists Show Up for Palestine in Viva Palestina Concert") - [Two Years On, What’s Left of Gaza to Save?](https://rollingstonephilippines.com/state-of-affairs/gaza-genocide-israel-october-7/ "Two Years On, What’s Left of Gaza to Save?") - [Author Sally Rooney Stands by Palestine Action Despite ‘Terrorist’ Label](https://rollingstonephilippines.com/state-of-affairs/politics/sally-rooney-palestine-action/ "Author Sally Rooney Stands by Palestine Action Despite ‘Terrorist’ Label") **Categories:** Food, Power, State of Affairs, The Rolling Stone Interview **Tags:** Gaza, Palestine, The Cafe Mediterranean --- ### [SteelHeart’s Miljenko Matijevic on Mariah Carey, ‘Without You,’ and Finding Honesty in Music](https://rollingstonephilippines.com/music/rock/miljenko-matijevic-steelheart-without-you-release/) **Published:** September 2, 2026 **Author:** Elijah Pareño **Excerpt:** The SteelHeart vocalist reflects on what makes a song timeless, and why listeners should look beyond the voice to understand the man behind it **Content:** Rock band [SteelHeart](https://rollingstonephilippines.com/tag/steelheart/) built a following during their heyday in the late ‘80s to early ‘90s, most importantly their vocalist Miljenko Matijevic, who penned anthemic love songs like “She’s Gone,” “I’ll Never Let You Go,” and “We All Die Young.” In 1994, SteelHeart had planned to release the cover of Badfinger’s “Without You,” but R&B singer [Mariah Carey](https://rollingstonephilippines.com/tag/mariah-carey/) had released it first in the same year. 30 years after recording their cover, Matijevic finally released it to the world, becoming a full-circle moment and a testament to SteelHeart’s remarkable career. As the story goes, Carey had heard the song somewhere and decided to record it herself. When Matijevic heard her version of the song come out, he knew that there was no way he could contest her version and decided to leave it on the back burner. More than three decades later, Matijevic returned to it and re-recorded the version, starting with a piano. Then Matijevic knew that he needed to add a 50-piece orchestra in Macedonia. He then produced the track in his Los Angeles studio and had it mixed in Sweden, pulling in global collaborators along the way. ## Honesty in Writing Music ![SteelHeart](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/SteelHeart-Body.webp) Miljenko Matijevic Matijevic has already had a couple of timeless classics under his belt. Photo courtesy of Miljenko Matijevic Matijevic’s lore goes beyond his hits. He started to immerse himself in different cultures decades later, most especially in South Korea in 2016, when he joined South Korean entertainment agency Bad Boss in the same year and appeared in popular singing competitions like *King of Mask Singer*. Matijevic mentioned that South Korean culture has taught him that “love has no face nor judgement and borders.” In 2022, he released “Trust in Love,” an ode to South Korea and the years he’s spent immersing himself there. “That’s the lesson Korea gave me,” he says. “Once you learn to step into someone else’s world with humility instead of expectation, you can \[make\] it anywhere.” “That’s really the whole story of a long career, isn’t it? It’s not ‘remember when.’ It’s ‘listen to who I became — and everything it took to get here.’” Miljenko Matijevic Matijevic has already had a couple of timeless classics under his belt. He would mention several factors of what makes a song “timeless” in his own words. First and foremost, is honesty. Regardless of the emotion, whether happy or sad, as long as the song is “true” and “it comes from the heart,” people will eventually feel it. “That’s what evokes real emotion in the listener,” he says. “Even recordings that aren’t technically perfect — if those elements are honest, if they’re real — that’s what makes it a true Picasso.” Matijevic says what he’s lived through is what actually taught him to sing. He’s experienced gaining and losing loved ones and fought battles nobody saw. Matijevic says that with all the experiences he’s had, once he sings, it’s not about hitting the note anymore. “They still see the young man with the big hair and the bigger voice. And that’s beautiful — I’ll never take that away from anybody’s memory,” he says. “But I want them to discover that the voice grew up right alongside the man. That’s really the whole story of a long career, isn’t it? It’s not ‘remember when.’ It’s ‘listen to who I became — and everything it took to get here.’” ## Frequently Asked Questions ### Who is Miljenko Matijevic? Miljenko Matijevic is the lead vocalist and songwriter of rock band SteelHeart. ### What South Korean competition did Miljenko Matijevic join? Matijevic appeared on the South Korean singing competition *King of Mask Singer* in 2016, where he performed while concealing his identity behind a mask. ### What are SteelHeart’s greatest hits? SteelHeart’s best-known songs include “She’s Gone,” “I’ll Never Let You Go,” “Everybody Loves Eileen,” and “We All Die Young.” ### What song did Miljenko Matijevic finally release more than 30 years later? Matijevic finally released his version of “Without You,” which he originally recorded in 1994 before Mariah Carey released her own version. ### How did Miljenko Matijevic record “Without You”? Miljenko Matijevic recorded the song with a 50-piece orchestra in Macedonia, had it cut in his studio in Los Angeles, and mixed the song in Sweden. 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Fans are encouraged to join alongside other guest speakers such as *Mulan* voice actress Ming-Na Wen, R&B singer Brandy, and Hollywood actor [Darren Criss](https://rollingstonephilippines.com/tag/darren-criss/). The ceremony will start at 5:30 p.m. (PHT). A livestream will be available on the Walk of Fame [website](https://walkoffame.com/). > [View this post on Instagram](https://www.instagram.com/p/DcwrlPkhmMG/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Hollywood Walk Of Fame (@hwdwalkoffame)](https://www.instagram.com/p/DcwrlPkhmMG/?utm_source=ig_embed&utm_campaign=loading) Salonga has been a world-renowned figure in the theater world. She famously played the role of Kim in *Miss Saigon* on [Broadway](https://rollingstonephilippines.com/tag/broadway/) and became the first Asian actress to win the Tony Award for Best Actress in a Musical in 1991. Salonga then later became the first Asian actress to play Éponine in *[Les Misérables](https://rollingstonephilippines.com/culture/theater/nic-chien-theater-actor-spring-awakening-interview/)* on Broadway in 1993 and 1996, returning to the beloved musical as Fantine in its 2006 revival. Moreover, Salonga also performed the singing voice of two Disney characters, Princess Jasmine from *Aladdin* in 1992 for “A Whole New World” and Fa Mulan from *Mulan* for “Reflection” in 1998. Lea Salonga’s Hollywood Walk of Fame star was announced on July 2 as one of the Hollywood Chamber of Commerce’s Class of 2026 honorees. ## Frequently Asked Questions ### Who is Lea Salonga? Lea Salonga is a singer and theater icon who has been an international figure in the theater world, best known for originating the role of Kim in *Miss Saigon* on Broadway. ### When is Lea Salonga having her own Hollywood Walk of Fame plaque? Her plaque is scheduled to be unveiled on September 4, with the ceremony starting at 5:30 p.m. (PHT). ### Who will be the guest speakers on Lea Salonga’s ceremony? Guest speakers include *Mulan* voice actress Ming-Na Wen, R&B singer Brandy, and Hollywood actor Darren Criss. ### Who did Lea Salonga perform as on Broadway? Salonga played Kim in *Miss Saigon*, becoming the first Asian actress to win the 1991 Tony Award for Best Actress in a Musical. She later became the first Asian actress to play Éponine in *Les Misérables* on Broadway in 1993 and 1996, and returned to the musical as Fantine in its 2006 revival. ### Which Disney characters did Lea Salonga lend her voice to? She performed the singing voice of Princess Jasmine in *Aladdin* for “A Whole New World” in 1992 and Fa Mulan in *Mulan* for “Reflection” in 1998. Related Stories - [How Malasimbo is Reinventing the PH Festival Experience](https://rollingstonephilippines.com/music/malasimbo-reinventing-ph-festival-experience-intramuros-2025/ "How Malasimbo is Reinventing the PH Festival Experience") - [4 Icons of the ‘Manila Sound’ Era and Their Enduring Legacy](https://rollingstonephilippines.com/music/4-icons-manila-sound-era-legacy/ "4 Icons of the ‘Manila Sound’ Era and Their Enduring Legacy") - [10 Years Later, the Cultural Legacy of ‘Hamilton’ In the Philippines Endures](https://rollingstonephilippines.com/culture/10-years-hamilton-philippines/ "10 Years Later, the Cultural Legacy of ‘Hamilton’ In the Philippines Endures") **Categories:** Culture, Theater **Tags:** Hollywood Walk of Fame, Lea Salonga --- ### [The Adults of ‘Adults,’ Ranked by Adulting Skills](https://rollingstonephilippines.com/culture/tv/adults-fx-characters-ranked/) **Published:** September 2, 2026 **Author:** Pie Gonzaga **Excerpt:** Two seasons in, FX’s hit sitcom is more sure of itself, even if its twenty-something characters still aren’t **Content:** When *[Adults](https://rollingstonephilippines.com/tag/adults/)* first came out in 2025, it was compared to beloved shows of the past, like *Friends* and *Girls*, as well as its contemporary Gen Z comedy, *I Love LA*. But two seasons in, FX’s hangout sitcom has proven itself to be more than an emulation of its forebears in the Messy Adults in the Big City canon. Even its creators, Ben Kronengold and Rebecca Shaw, are in on the joke: in the Season 2 finale, the story’s central friend group comes face to face with the incumbent homeowners’ association president and his daughter, Nina Adler, played by [Zosia Mamet](https://rollingstonephilippines.com/tag/zosia-mamet/) — a.k.a. Shoshannah Shapiro from *Girls*. “You think you’re the first people to be young and adorable in New York?” she tells Billie ([Lucy Freyer](https://rollingstonephilippines.com/tag/lucy-freyer/)), who’s made herself the campaign manager for her himbo friend and HOA presidential candidate Paul Baker ([Jack Innanen](https://rollingstonephilippines.com/tag/jack-innanen/)). The characters of *Adults* are in the trenches of their twenties, quirky but not neurotic (maybe except for [Julian Manjerico](https://rollingstonephilippines.com/tag/julian-manjerico/)’s Zack-Carlos bin Laden), getting roped into silly situations (like the friends trying to get a raccoon out of the house before the acid sets in), and eager to live life to the fullest, even if they haven’t figured everything out. Here, we rank the main cast and a few recurring characters of *Adults* according to how good they are at adulting. *This list contains spoilers for* Adults *Season 2*. ## 8. Zack-Carlos ![julian manjerico zack-carlos](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/zack-carlos-julian-manjerico.webp) Julian Manjerico as Zack-Carlos. Screenshot/Disney+ Flamboyant and with a flair for the dramatic, Zack-Carlos would have been suited for a queerer friend group, but it’s a sixth spot in Samir’s childhood home that he covets. There’s a bitterness and desperation about him that makes him so funny, even though IRL it would be *hell* to deal with a person you dislike insisting on being a part of your life. At the end of the day, this demon twink just wants to get out of his mom’s home and find community. ## 7. Carly ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/carly-rachel-marsh.webp) Rachel Marsh as Carly. Screenshot/Disney+ We all learn at some point that we’re not meant to be singers. A lot of people are lucky enough to figure that out when they’re kids, but for an unfortunate few, like Carly ([Rachel Marsh](https://rollingstonephilippines.com/tag/rachel-marsh/)), that realization comes a little later in life. But Carly’s good at other things, like her med school studies, and being the type of person who promptly ends a relationship instead of dragging it out through long distance and letting things turn bitter between her and Samir ([Malik Elassal](https://rollingstonephilippines.com/tag/malik-elassal/)). ## 6. Samir ![malik elassal samir adults](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/samir-malik-elassal.webp) Malik Elassal as Samir. Screenshot/Disney+ Where would *Adults*’ main characters be without Samir Rahman? No, really. Samir is a good guy for letting his friends stay at his childhood home rent-free while his parents are away on what feels like an eternal vacation. He also tries to look after them and be a responsible adult, like when he helped Issa ([Amita Rao](https://rollingstonephilippines.com/tag/amita-rao/)) overcome her fear of needles by chasing her around with one, or when he offered to trip-sit the group on Acid Night (only before taking a heavy dose himself so that he wouldn’t be solely in charge of exterminating a raccoon from his house). ## 5. Issa ![amita rao issa adults](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/issa-amita-rao.webp) Amita Rao as Issa. Screenshot/Disney+ Just because Issa Damani comes in fifth here, doesn’t mean she isn’t an icon. If there’s one thing she’s good at, it’s getting over a guy, whether it’s the elusive ex from the special prequel episode released in July this year, or Paul Baker. We can all learn from her when she says, “I’m done fixing these lost, broken men.” We can also learn to embrace the Weird Little Guy that comes out of us in times of discomfort. Plus, she’s good with children in dance school *and* middle-aged corporate supervisors. ## 4. Julia Fox ![julia fox adults](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/julia-fox-adults.webp) Julia Fox as Julia Fox, as Jackie O. Screenshot/Disney+ Like Zack-Carlos, [Julia Fox](https://rollingstonephilippines.com/tag/julia-fox/) (as herself) only comes around once every season. But every time she appears, it’s to show us how to make a graceful exit. In Season 1, she left at the height of a chaotic dinner with the group and Billie’s high school teacher-turned-boyfriend, Mr. Teacher (Charlie Cox), who came in high on a horse’s dose of ketamine. In Season 2, she helps out with Paul Baker’s presidential campaign but immediately dips when his frat bro friends show up. Her excuse? “I have to go. I’m really turned on by them.” And good for her! We should all know when to leave the party. ## 3. Anton ![owen thiele anton adults](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/anton-owen-thiele.webp) Owen Thiele as Anton. Screenshot/Disney+ Anton Evans ([Owen Thiele](https://rollingstonephilippines.com/tag/owen-thiele/)) is a fun adult. Of the entire group, he has the most stable job (in digital ad sales, no less), but even the corporate setting couldn’t drain the party girl out of him. Anton is a treat to be around, unless you’re his lesbian sister, Talia (Raven-Symoné). He’s also a people-pleaser and extroverted to a fault, accidentally befriending the neighborhood stabber in Season 1. But by being outgoing, he gets everything he wants. Except maybe an end to his months-long dry spell, and Paul Baker, Issa’s boyfriend. ## 2. Paul Baker ![jack innanen paul baker adults](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/paul-baker-jack-innanen.webp) Jack Innanen as Paul Baker. Screenshot/Disney+ Paul Baker is so adult, everyone refers to him by his full name. He’s kindhearted and hot, which makes him a great hang, and also makes his group of frat bro friends all the more surprising. But as it turns out, these bros who make crude jokes and can’t name a single Muslim celebrity (“Jafar,” one friend says) are well-adjusted adults with jobs in tech and law. In the finale, Paul Baker also shows himself to be a man of ambition when he runs for HOA president. But when he realizes that he might have to sacrifice his friendships to achieve that, he and the rest of the group find a way to sabotage his own campaign. ## 1. Billie ![lucy freyer billie adults](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/billie-lucy-freyer.webp) Lucy Freyer as Billie Schaeffer. Screenshot/Disney+ Billie Schaeffer epitomizes the primary tension of being in your 20s: wanting to be seen as a grown-up while desperately clinging to youth. She wants to be a mentor figure to the kids at her old high school and to Sophie-Rose (Sophie Telegadis), the 20-year-old who’s inherited Billie’s fake ID, but Mr. Teacher’s students aren’t really interested in getting advice from her, and Sophie-Rose ends up becoming Billie’s babysitter on a night out. If there’s anything Billie’s built for, it’s crisis management, whether it’s talking a robber down or calling in backup for an HOA election — and isn’t adulthood just one crisis to be managed after another? *Adults* Season 2 is available to stream on Hulu via Disney+. ## Frequently Asked Questions ### Who created FX’s *Adults* and when did it premiere? FX’s *Adults* was created by Ben Kronengold and Rebecca Shaw and premiered in 2025 as a hangout sitcom about a friend group of twentysomethings navigating adulthood in New York. ### Who plays Billie in *Adults* and why does she rank highest? Billie Schaeffer, played by Lucy Freyer, ranks highest because she embodies the show’s central tension: wanting to be seen as a grown-up while clinging to youth. She’s positioned as the group’s crisis manager and an attempted mother figure. ### What is the “Messy Adults in the Big City” genre that *Adults* belongs to? The genre describes hangout sitcoms centered on flawed twentysomethings navigating friendship, romance, and identity in a major city. *Adults* follows the lineage of shows like *Friends* and *Girls* while carving out its own Gen Z comedic voice. ### Which *Girls* actress appears in *Adults* Season 2 and what is her connection to the show? Zosia Mamet, best known for playing Shoshanna Shapiro on HBO’s ‘Girls,’ appears in the Season 2 finale as Nina Adler, daughter of the incumbent HOA president. Her cameo winks at the genre comparisons *Adults* has drawn since its 2025 premiere. ### How does *Adults* Season 2 end for Paul Baker’s HOA campaign? In the Season 2 finale, Paul Baker and the rest of the group sabotage his own HOA presidential campaign after he realizes winning could mean losing his friends, reinforcing the show’s recurring theme of friendship. Related Stories - [Jack Innanen is Perfecting the Charm Offensive](https://rollingstonephilippines.com/culture/tv/jack-innanen-adults-season-two-tiktok/ "Jack Innanen is Perfecting the Charm Offensive") - [Is ‘Industry’ Season 5 Going for Goop? Its New Stars Clue Us In](https://rollingstonephilippines.com/culture/tv/industry-season-5-cast-dianna-agron/ "Is ‘Industry’ Season 5 Going for Goop? Its New Stars Clue Us In") - [Erik Matti, Judy Ann Santos, and Edu Manzano Take on Showbiz in ‘Call My Manager’](https://rollingstonephilippines.com/culture/tv/call-my-manager-erik-matti-judy-ann-santos/ "Erik Matti, Judy Ann Santos, and Edu Manzano Take on Showbiz in ‘Call My Manager’") **Categories:** Culture, TV **Tags:** Adults, Amita Rao, Jack Innanen, Julia Fox, Julian Manjerico, Lucy Freyer, Malik Elassal, Owen Thiele, Rachel Marsh --- ### [Alex Eala Wins First-Round Match vs. Mary Stoiana at U.S. Open](https://rollingstonephilippines.com/culture/sports/alex-eala-wins-first-round-match-vs-mary-stoiana-at-u-s-open/) **Published:** September 2, 2026 **Author:** Christian San Jose **Excerpt:** The Filipino tennis sensation beats the former No. 1 on the U.S. college circuit (6-1, 6-2); to face Ukrainian Oleksandra Oliynykova next **Content:** [Alex Eala](https://rollingstonephilippines.com/tag/alex-eala/) made quick work of her first-round match at the 2026 U.S. Open against American qualifier Mary Stoiana, winning in straight sets in a lopsided first meeting. The 21-year-old Filipino tennis phenom dominated in the first set, winning 28 points and breaking Stoiana twice to sweep five games in a row. The second set proved to be a tougher match with Stoiana taking an early lead in the first three games before Eala leveled things at 2-2, then broke in the fifth game to regain the lead at 3-2. She then held serve, followed by a decisive break point in the contentious seventh game, which she won to serve for the match. In the last game, Stoiana had an early cushion at 0-30, with a shaky Eala on serve. The world No. 18 quickly caught up in time to force a deuce, and won the match at the first time of asking. This first-round match is one of the most anticipated in the tournament, with the U.S. Open tournament director already anticipating the demand and deciding to schedule Eala in the second-biggest show court at the USTA Billie Jean King National Tennis Center: the 14,053-seater Louis Armstrong Stadium. Reports said resale prices for Eala-Stoiana match doubled to nearly $400 (approximately P25,000) after the schedule was announced. As usual, Eala had her Filipino fans rallying behind her, as is expected of her U.S. Open appearance given that New York has a big Filipino community estimated to be at a quarter million in the metro area alone. Eala matches her one U.S. Open main draw win from last year and is set to meet current world no. 46, the Ukrainian Oleksandra Oliynykova, in the round of 64. They last encountered each other in May in Strasbourg, where the defensive Oliynykova took the better of Eala in a three-set battle (3-6, 7-5, 6-3). If the Filipina tennis player wins over the Ukrainian, she will likely face her former doubles partner, current world no. 14, Iva Jovic, in the third round. They last figured in a special exhibition match a week before this year’s U.S. Open officially commenced. The American holds a 2-0 record over Eala. ## Frequently Asked Questions ### What is Alex Eala’s current WTA ranking? Alex Eala is currently ranked as the world No. 18 entering the 2026 U.S. Open? ### Is Alex Eala seeded in the 2026 U.S. Open? Yes, Alex Eala received a No. 17 seed for the U.S. Open this year. ### Who did Alex Eala face in the first round of the U.S. Open 2026? Alex Eala’s first-round match for the U.S. Open 2026 was against the American qualifier Mary Stoiana. ### Which stadium did Alex Eala play in for the first round at the 2026 U.S. Open? Alex Eala’s first-round match with Mary Stoiana was held at Louis Armstrong Stadium. ### Who is Alex Eala up against in the 2026 U.S. Open second round? Alex Eala faces world no. 46, the Ukrainian Oleksandra Oliynykova, in the round of 64. **Categories:** Culture, Sports **Tags:** alex eala, U.S. Open --- ### [Jack Innanen is Perfecting the Charm Offensive](https://rollingstonephilippines.com/culture/tv/jack-innanen-adults-season-two-tiktok/) **Published:** September 2, 2026 **Author:** CT Jones **Excerpt:** The breakout star of Adults talks TikTok virality, Season Two, and building a career that celebrates the internet without being defined by it **Content:** [Jack Innanen](https://rollingstonephilippines.com/tag/jack-innanen/) remembers it like it was yesterday — the lightning bolt moment that made him change his life. It was shit. It was 2019 and the Canadian native, who grew up in a town roughly an hour outside of Toronto, was attending the University of Toronto for astrophysics. After returning from a family trip to Cancun, Innanen was studying at the school’s dark, brutalist library. It was below freezing. Snowdrifts felt waist deep. And a man walked in and poured a [bucket of feces ](https://www.cbc.ca/news/canada/toronto/toronto-feces-thrower-caught-1.5374792)on a student unprompted. “I was like, ‘I gotta get the fuck out of here,’” Innanen, 27, recalls. “What do you mean \[school\] sucks and I could get shit dumped on me? I just remember going, ‘There’s more to life than Robarts Library and problem sets.’ I can do more.” ![jack innanen rolling stone](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/jack-innanen-intext-1.webp) Photo by Sacha Lecca Innanen, 27, has come a long way from that despondent life as a STEM student. With 3.3 million followers on his main [TikTok](https://www.rollingstone.com/t/tiktok/) page and 1.2 million on his highly beloved spam account, Innanen is best known online for his videos mocking Gen-Z’s most annoying, insufferable men — often with his signature surrealist and fourth-wall-breaking twist. It’s not uncommon to find comment sections in stitches over videos of Innanen satirizing the trappings of “performative men,” trying to shove a copy of Joan Didion’s *The White Album* into a pair of selvedge denim with too-small pockets or attempting to lure NYC art baddies into a date with an iced matcha latte and a neo-feminist screenplay. But most people might recognize Innanen as the undeniable breakout star of *[Adults](https://rollingstonephilippines.com/tag/adults/)*, a half-hour ensemble FX sitcom created by former-*Tonight Show* writers Ben Kronengold and Rebecca Shaw and executive produced by *Big Mouth* comedian Nick Kroll. The show follows a group of twenty-somethings attempting to manage the chaos of life while sharing a house in Queens, New York. Innanen stuns as Paul Baker — full name all the time — a Canadian newcomer to the group who becomes integral to his friends’ emotional processing all while operating as the resident Gen-Z eye candy. The role — think sexually fluid hunk with a ’stache and a dresser full of crop tops — has earned Innanen the distinct internet honor of “white boy of the month” and a new round of devoted fans who just can’t get over that face. ![jack innanen rolling stone](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/jack-innanen-intext-2.webp) Photo by Sacha Lecca With the release of *Adults*’ highly anticipated second season on Aug. 27, Innanen has reached the point in his career where people on the street are more interested in his TV roles than his short form videos. It’s a roundabout kind of fame that’s dominating the entertainment industry, one where stars master millions of views per day and then have to tackle the infinitely harder task — tens of thousands consistent viewers every week. But with fame on his doorstep, Innanen seems to be less focused on fighting for projects and more on setting up firm boundaries between his work and personal life. Telling the world every thought and creative whim built him a following. Now, Innanen’s on a mission to convince his followers the hottest thing he can possibly do is shut the fuck up. “My leading mantra in life is ‘To each, their own,’’ Innanen tells me. “I don’t like being perceived, let alone discussed. So the less I say on a lot, the better. Everyone should have their own things that are just for them.” IN ORDER TO MAKE FUN OF a character, you have to understand him. Which is why on a deceptively warm day in New York City’s Seaport District, Innanen and I trawl through the shelves of McNally Jackson bookstore for our favorites. There’s a pensive look on his face as he scans the spines and a trendy Loewe bag in his left hand. It’s all the hallmarks of a performative male crawl — the only thing we’re missing is the matcha. ![jack innanen rolling stone](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/jack-innanen-intext-3.webp) Photo by Sacha Lecca “Wait, we’re getting close to the book I was going to show you,” Innanen says, thumb hovering for a moment before landing decisively on the sci-fi epic *Children of Time* by Adrian Tchaikovsky. He then moves with ease through the nonfiction section, pointing out personal favorites and books that have stumped him. “I read bizarrely,” he says, mouth quirked with a barely restrained smile. “I read Napoleon’s biography and start not understanding because I need some pre-cursory knowledge on the French Revolution. Then I’ll buy French Revolution books and then I’ll start reading on the history of Paris. I just get too deep.” His internet habits are equally diverse. “Reels has been my drug of choice recently. I’m a junkie,” he admits, voice mock-conspiratorial. “TikTok’s more polished and produced. My Reels is a 70-year-old man accidentally recording himself to like a Megan Thee Stallion song.” Let’s be upfront about it. It’s doubtful Innanen would have gotten this far in his career if he wasn’t so hot — something Innanen himself thinks about. “I definitely wouldn’t have gotten Paul Baker if I \[wasn’t\] conventionally attractive,” he says. “But not too handsome, that’s where I live. I went for this new season of *White Lotus* and the guy that got the role was the most classic Hollywood handsome. I’m like, ‘Oh yeah, I’m a little boy.’ Of course, it wasn’t me.” Many of his TikToks, whether they’re sketches or quick bits, rely on this level of self-awareness and self-deprecating humor. Innanen’s most popular videos make toxic masculinity and rigid political ideologies the butt of the joke, often followed immediately by quippy shirtless videos. The underlying and often reiterated vibe is that this dude respects women and works out. It’s no wonder that Innanen falls into the role of Paul Baker so easily. The character shares many of the same laid-back personality traits, Innanen’s desire to help his friends, his love of his mustache, even his affinity to lean into his physical attractiveness — all just dialed up to shine on TV and with a sprinkle of himbo charm. ![jack innanen rolling stone](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/jack-innanen-intext-4.webp) Photo by Sacha Lecca “I feel like Paul Baker’s pimp in a way,” Innanen laughs. “I’m gonna slut him out for my own gain. And I think I’m \[allowed\]. If they want to typecast me as Handsome, Charming Guy, let’s get that going. White boy of the month? I love it.” Life in *Adults* revolves around the friend group’s Queens home, owned by the jetsetting parents of Samir (Malik Elassal). The group — made up of high-strung news freelancer Billie (Lucy Freyer), chaotic diva Issa (Amita Rao), and life-of-the-party Anton (Owen Thiele) — are all at different places in love, life, and career. But the close quarters and intimate relationships mean that personal problems immediately become group issues and, as sitcoms go, quickly spiral out of control. Ensemble sitcoms live and die by their chemistry, so the cast — encouraged by Kronengold and Shaw — spend almost every waking moment together while filming. (Ironically, Innanen lives in Tribeca but films the series in Toronto.) During pre-production, the group drank margaritas in Elassal’s hotel room, went on weekend outings to hockey games, even shared their biggest secrets. (“We all have nukes on each other, and that’s a good thing in friend groups. Mutually assured destruction”). While the bonds they explore on-screen might have been scripted, the relationships have morphed into something more real. “It’s just the five of us on this very unique journey that only the five of us understand,” Innanen says. “You become incredibly close very quickly. It’d be hard not to.” Season One saw the group desperate to help Paul Baker avoid being deported to Canada. Paul Baker, who is dating Issa, agrees to marry in order to stay in the city. But when Issa remembers she’s already in a green card marriage, Anton saves the day. The season finale ends with the entire group encouraging the newlyweds to kiss, only for everyone to realize the two are actually attracted to each other. Sexual tension between Anton and Paul Baker wasn’t in the original pilot, but Innanen says that the relationship quickly became a bigger deal later on in the filming process. ![jack innanen rolling stone](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/jack-innanen-intext-5.webp) Photo by Sacha Lecca “The second season explores the indirect aftermath of \[the kiss\] chewing away at different people and different relationships. It’s fun and messy,” Innanen says, laughing. “We were joking on set. Every scene \[the directors\] would be like, ‘OK, Jack just shoot a look at Owen.’ Every single scene, ‘Let’s just get one of Jack looking at Owen.’ But it really is a love story this season. Big feelings all come up to the surface.” ACTING HAS BECOME INNANEN’S FULL-TIME JOB. Following the release of *Adults* Season Two, he’ll move on to film a recurring role in the next season of Dan Levy Netflix comedy *Big Mistakes.* But that means less time for Innanen to post. “I’m going through a \[transitional\] period. Most of my time is spent on acting work, so there’s been neglect. My relationship with social media has changed drastically. I don’t love it the same way I used to.” But he’s still not quite sure how to navigating new fame and an online fanbase at the same time — especially since Innanen doesn’t ever think he’ll stop making videos for TikTok. “What level of \[fame\] I’m at right now is perfect. I don’t want anything more,” he says. “There’s something about being appreciated that’s really special. But a lack of anonymity is really terrifying to me.” When a fan found Innanen and *Adults* guest star Jake Shane at a Toronto Maple Leafs game, she handed them her infant. Once, while at a urinal, the man next to Innanen asked for a photo. “That’s just a disconnect,” Innanen says, scratching the back of his head. “I was like, ‘Hey man, outside. Not when I have my penis out.” And it’s not just physical boundaries in question. Online fame means every action, every post, every decision is up for discussion. Innanen rallied his internet fandom to campaign for a spot on Season Two of the hit hockey romance *[Heated Rivalry](https://www.rollingstone.com/t/heated-rivalry/)*. But when he was offered the role, he turned it down — sending his fanbase into turmoil. “It was something that was really exciting, but just didn’t work out,” he says, carefully. “So much is beyond me, and I’ve learned how much. But it’s such a cool show. I’m very excited to see what they do with it. It was unfortunate.” ![jack innanen rolling stone](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/jack-innanen-intext-6.webp) Photo by Sacha Lecca Since manifesting has proven successful once, Innanen hasn’t given up the practice. Right now he’s thinking about how his schedule will accommodate reading the sequel to *Children of Time*, the 600-page *Children of Ruin*. He’s also hopeful that one of his next projects will be a romantic comedy similar to *Set It Up. (*“I love rom coms. The 2010 Obama millennial hope core era, where those millennial \[bands\] like Empire of the Sun and Grizzly Bear would play in the background? That’s what I wanna do.”) But at a time when other actors might be trying to desperately avoid being typecast, Innanen seems to be relishing being the internet’s cutie of the moment. And if the only thing people know about him is that he’s hot — leaving his personal life to him — that’s a place where Innanen is happy to stay. “Acting is deeply about your relationship with rejection, and I’ve always had a really pretty good relationship with it,” Innanen says. “With *Adults*, I was the guy. Same with *Big Mistakes*. It was meant to be. For other roles, if I’m not the guy, I’m not the guy. And that’s pretty comforting.” *This story was originally published on [rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-features/jack-innanen-adults-season-two-tiktok-1235614280/).* **Categories:** Culture, TV **Tags:** Adults, Jack Innanen --- ### [PENSHOPPE to Launch Designer Lab with Chicago Streetwear Brand ABAKADA](https://rollingstonephilippines.com/radar/style/penshoppe-designer-lab-abakada-collection/) **Published:** September 1, 2026 **Author:** Pie Gonzaga **Excerpt:** The retail giant’s Designer Lab is set to platform “distinct creative voices” in fashion, the first of which is a Filipino-American streetwear brand **Content:** As [PENSHOPPE](https://rollingstonephilippines.com/tag/penshoppe/) celebrates its 40th anniversary in October, it brings home Chicago-based Filipino streetwear brand [ABAKADA](https://rollingstonephilippines.com/tag/abakada/) for its first-ever PENSHOPPE Designer Lab. Founded in 2018 by Arvin Boyon and Calvin Calma, ABAKADA previously worked with the Chicago Bulls on the basketball team’s crewneck sweaters only made available during a matchup with the Golden State Warriors in February 2025. This time, Boyon and Calma collaborate with a homegrown retail giant to bring their pieces to Filipino consumers. According to PENSHOPPE, the Designer Lab is a platform to bring the brand together with “distinct creative voices and develop limited-edition collections that explore new perspectives in fashion.” Its first edition comprises a 23-piece collection that blends ABAKADA’s Filipino-inspired streetwear with PENSHOPPE’s “accessible approach to fashion.” The limited-edition collection will be launched in October on the PENSHOPPE App and in select PENSHOPPE stores nationwide, with an exclusive first look at select pieces at PURVEYR Fair from September 12 to 13. Updates on PENSHOPPE Designer Lab: ABAKADA can be found on PENSHOPPE’s official social media channels and app. Related Stories - [Comme des Garçons’ Adrian Joffe Is Still Finding the Words for Rei Kawakubo](https://rollingstonephilippines.com/radar/rs-spotlight/comme-des-garcons-adrian-joffe-interview/ "Comme des Garçons’ Adrian Joffe Is Still Finding the Words for Rei Kawakubo") - [BLACKPINK Lisa Spotted in Shoes from Filipino Brand GVN](https://rollingstonephilippines.com/radar/style/blackpink-lisa-gvn-shoes/ "BLACKPINK Lisa Spotted in Shoes from Filipino Brand GVN") - [H&M, Stella McCartney Join Forces For a Sustainable Fashion Collection](https://rollingstonephilippines.com/radar/style/hm-stella-mccartney-collaboration/ "H&M, Stella McCartney Join Forces For a Sustainable Fashion Collection") **Categories:** Radar, Style **Tags:** ABAKADA, PENSHOPPE --- ### [Meet the 2026 Ramon Magsaysay Awardees and the Advocacies They Champion](https://rollingstonephilippines.com/state-of-affairs/power/ramon-magsaysay-awardees-2026/) **Published:** September 1, 2026 **Author:** Reyza Ferranco **Content:** On August 31, the Ramon Magsaysay Award Foundation announced its 2026 awardees: renowned diplomat Tommy Koh from Singapore, humanitarian Runa Khan from Bangladesh, and human rights activist Bo Kyi from Myanmar. The 68th edition of the Ramon Magsaysay Award, with the theme “A World for All,” recognizes people whose work advances dignity, justice, and opportunity in their local communities and even beyond them. The award is widely regarded as Asia’s prestigious prize and highest honor for public service. “Different lives, different struggles, different ways of serving. But perhaps, at the heart of the stories of our 2026 Ramon Magsaysay Awardees is one shared idea: the world we are building must have room for all of us,” the foundation’s chairperson Edgar Chua said. Here are this year’s awardees and the works they have done to earn one of Asia’s most distinguished honors. ## **Tommy Koh, Singapore** ![tommy koh singapore](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/tommy-koh.webp) The foundation recognized Koh for his global diplomacy and efforts in international negotiations. Photo from Ramon Magsaysay Award Tommy Koh is a legal scholar and diplomat who paved the way for international agreements and peace dialogue. One of his major contributions is his guidance on the adoption of the United Nations Convention on the Law of the Sea (UNCLOS), settling disputes regarding the economic rights of various countries. Aside from this, he is also recognized for mentoring new generations of leaders and advocates as a law professor at the National University of Singapore (NUS). ## **Runa Khan, Bangladesh** ![runa khan bangladesh](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/runa-khan.webp) Khan is honored for bridging healthcare and education to emote communities in Bangladesh. Photo from Ramon Magsaysay Award Website Runa Khan is the founder of [Friendship](https://friendship.ngo/about-us/where-we-work), a non-governmental organization that was established in 2002 for the purpose of delivering development assistance to the remote areas of Bangladesh, specifically the poorest in the shifting river islands (known as Chars). Before she founded her NGO, Khan first started as a teacher to young children in 1979. Now, not only does she work with seven hospital ships and two land-based hospitals, 550 mobile clinics, and 700 trained Friendship Community Medic Aides, but the NGO has also served coastal and refugee communities. They further built solar villages through their climate adaptation operations and gave jobs to over 200,000 people through their Sustainable Economic Development Hubs. ## **Bo Kyi, Myanmar** ![bo kyi myanmar](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/bo-kyi.webp) Bo Kyi is awarded for his fight against human rights abuses and his service to political prisoners. Photo from Ramon Magsaysay Award Website The Ramon Magsaysay Award Foundation recognizes Bo Kyi for his lifelong work for political prisoners. He is an activist and a former political prisoner himself, having been imprisoned for joining Myanmar’s pro-democracy demonstrations in 1988. He has spent a total of eight years in detention, and through these years he found the need to provide support to victims of human rights abuses. Thus, he co-founded the independent human rights organization, [Assistance Association for Political Prisoners](https://aappb.org/about-aapp-and-vision-mission-and-activities/) (AAPP), in 2000. The organization advocates for the release of all political prisoners in Burma. During the event, Khan and Kyi extended their gratitude to the foundation for the honor. “I receive it on behalf of the unaddressed communities, my Friendship community, and all those who walked beside me in this journey for 25 long years with just faith,” Khan says, further thanking the foundation for honoring humanity. Kyi, meanwhile, dedicated his award to “the Burmese people fighting injustice, especially the political prisoners who continue to stand strong behind bars.” ## FREQUENTLY ASKED QUESTIONS ### Who are the three recipients of the 2026 Ramon Magsaysay Award? The Ramon Magsaysay Award Foundation recognized renowned diplomat Tommy Koh from Singapore, humanitarian Runa Khan from Bangladesh, and human rights activist Bo Kyi from Myanmar. ### What’s the theme of the 2026 Ramon Magsaysay Awards? This year’s theme is “A World for All,” recognizing people whose work advances dignity, justice, and opportunity in their local communities and even beyond them. ### Who is Tommy Koh? Tommy Koh is a legal scholar, teacher, and diplomat who paved the way for international agreements and peace dialogue. One of his major contributions is his guidance on the adoption of the United Nations Convention on the Law of the Sea (UNCLOS), settling disputes regarding the economic rights of various countries. ### What is Runa Khan’s organization? Runa Khan founded Friendship, a non-governmental organization that was established in 2002 for the purpose of delivering development assistance to the remote areas of Bangladesh. ### What is Bo Kyi’s advocacy? Bo Kyi is an activist and former political prisoner who now advocates for the release of all political prisoners in Burma through his independent organization, the Assistance Association for Political Prisoners (AAPP). 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Last July, Matsubara’s iconic track “Mayonaka No Door (Stay With Me)” reached a new milestone online by reaching over 500 million streams on Spotify. Shortly after, Matsubara’s management announced that seven unreleased tracks, previously accessible only through rare vinyl and physical CDs between 1979 and 1983, have now seen the light of day. > [View this post on Instagram](https://www.instagram.com/reel/Dcuthv7owQw/?utm_source=ig_embed&utm_campaign=loading)[A post shared by 松原みき Miki Matsubara Official (@staywithme\_miki)](https://www.instagram.com/reel/Dcuthv7owQw/?utm_source=ig_embed&utm_campaign=loading) Among the newly available recordings is “Paradise Beach (Sophie no Theme),” a track associated with the iconic Maxell cassette commercial starring French actress Sophie Marceau. The track was composed by Haruomi Hosono, legendary musician and founding member of Yellow Magic Orchestra. Moreover, the seven recordings offer a glimpse into Matsubara’s work beyond her best-known hits, from music created for commercials to rare recordings that have remained largely inaccessible to listeners outside of the internet. Matsubara made her debut in 1979 and quickly established herself as one of Japan’s most distinctive vocal talents by releasing a wide catalog of city pop hits throughout the decades, such as “Neat na Gogo 3 ji,” released in 1981, and “THE WINNER” released in 1991. Matsubara passed away in 2004 from cervical cancer. ## Frequently Asked Questions ### Who was Miki Matsubara? Miki Matsubara was a Japanese singer who debuted in 1979 and is best known for her city pop classic “Mayonaka No Door (Stay With Me).” ### What are Miki Matsubara’s greatest hits? Matsubara’s greatest hits include “Wave,” “Jazzy Night,” and “Neat na Gogo 3 Ji,” to name a few. ### How many rare Miki Matsubara songs are now available to stream? Seven previously unreleased Miki Matsubara recordings are now available for streaming, after previously being accessible mainly through rare vinyl and CDs. ### What is “Paradise Beach (Sophie no Theme)”? “Paradise Beach (Sophie no Theme)” is associated with a Maxell cassette commercial starring French actress Sophie Marceau. It was composed by Haruomi Hosono of Yellow Magic Orchestra. ### When did Miki Matsubara die? Miki Matsubara passed away in 2004 from cervical cancer. Related Stories - [ALYSON Moves Past City Pop Nostalgia With New Album ‘After Ours’](https://rollingstonephilippines.com/music/indie/alyson-wants-more-than-city-pop-after-ours-album/ "ALYSON Moves Past City Pop Nostalgia With New Album ‘After Ours’") - [10 Albums from 2016 That Aged Better Than Anyone Expected](https://rollingstonephilippines.com/music/2016-albums-retrospective/ "10 Albums from 2016 That Aged Better Than Anyone Expected") - [‘It’s How You Treat People, Pakikisama’: CHURCHLOVESU Talks Years of Queer Nightlife and Safe Spaces](https://rollingstonephilippines.com/music/dance-electronic/churchlovesu-queer-nightlife-metro-manila-interview/ "‘It’s How You Treat People, Pakikisama’: CHURCHLOVESU Talks Years of Queer Nightlife and Safe Spaces") **Categories:** Music, Pop **Tags:** Miki Matsubara --- ### [‘Lanterns’’ Kyle Chandler and Aaron Pierre on Comic Book Lore and Hitting the Right Tone ](https://rollingstonephilippines.com/culture/tv/lanterns-kyle-chandler-aaron-pierre/) **Published:** August 26, 2026 **Author:** Jonty Cruz **Content:** Two episodes in and *Lanterns* already makes its case. It’s different from any Green Lantern story you’ve read or seen before in the best of ways, and proves why comic book adaptations don’t need to follow their source material to the letter. *Lanterns* centers on Green Lantern Hal Jordan and Lantern-in-training John Stewart, as they investigate a series of murders in a small American town while figuring out how to make their mentor-mentee partnership work. Its second episode just aired a few days ago and already expands on the show’s scope with the introduction of the shapeshifting Manhunters as well as long-time Green Lantern villain Sinestro. Despite the expected comic book lore-dump, it doesn’t feel like anything we’ve seen in a while whether it be from [DC](https://rollingstonephilippines.com/tag/dc/ "DC") or [Marvel](https://rollingstonephilippines.com/tag/marvel/ "Marvel"). Early reviews have compared *Lanterns* to another [HBO](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max") hit, *True Detective*, and while that’s an easy reference to make, what really sets *Lanterns* apart from any other superhero project out there is its tone. “I think it walks that fine line,” says Aaron Pierre, who plays John Stewart. “This is a testament to the phenomenal writers’ room. It walks that fine line of perfectly including the Green Lantern lore, and also having infinite access points to anybody who might not have the faintest idea of what the superhero genre is about, what DC is about, what the Green Lantern Corps and lore is about. It’s available to everyone, and I think that is one of the most beautiful and special things about this show.” There’s a lot going on in *Lanterns* that works, from its stellar casting to the inspired yet grounded writing. “I can say that having watched what I’ve seen right now, I really like the tone of it. It’s hard to get a tone set, and this one, although it hits a lot of different spots, I think it works, and I think that’s really, really a credit to everyone working together on this thing,” says Kyle Chandler (Hal Jordan). “It all came together, and I think it lays out really nicely like that. The tone was really important to figure out what it’s going to be when we started.” Chandler brings a lot to this show, some entirely unique from anything he’s done before. With Hal Jordan, he subverts the roles he’s had across his celebrated career, from his breaking out as Gary Hobson in *Early Edition* to playing the greatest TV coach of all time as Eric Taylor in *Friday Night Lights*, as well as playing father-figure types in *Super 8* (still JJ Abrams’s best film to date BTW), to come across as a brash, unapologetic, and maybe even unsympathetic mentor. ![kyle chandler HBO Max_Lanterns Episode two_004_Credit John Johnson l HBO Max](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/HBO-Max_Lanterns-Episode-two_004_Credit-John-Johnson-l-HBO-Max.webp) Chandler’s Jordan is more jaded than the comic version and is a far cry from Ryan Reynolds’ comedic-at-best and cringe-at-worst interpretation in 2011’s *Green Lantern.* Photo by John Johnson courtesy of HBO Max His portrayal of Jordan is more jaded than the comic version and is a far cry from Ryan Reynolds’ comedic-at-best and cringe-at-worst interpretation in 2011’s *Green Lantern.* “I’ve been very fortunate to be doing this for a while,” Chandler tells *Rolling Stone Philippines*. “So, if we’re talking about other roles \[I’ve done\] and everything, there’s a lot to take from, but it’s also given me the chance to explore a lot in the world. Every part of your life is part of who you are, so you bring it to a role. When I first read the script, it was not lost on me that there was so much available to do, whether it be the humor, the darkness, playing the pathology of the character, playing a lonely character; I had everything.” That pathology Chandler mentions is complemented by Pierre’s portrayal of Stewart. Pierre has a commanding physical presence which he balances with the earnestness and eagerness of his youth. His John Stewart is arguably the most accessible and relatable version we’ve seen yet. While this isn’t the first comic book character he’s played (he was Dev-Em in the Superman-spinoff show *Krypton*), he still considers this opportunity career-defining. “It was a dream realized,” he says. “To have the opportunity to embark on this journey with this particular character, I was over the moon. I still feel over the moon today, just as much so as when I first found out that I was going to be portraying John Stewart.” *Stream new episodes of* Lanterns *on HBO Max every Monday.* Related Stories - [Jungle Talks Evolution, Collaboration, and its New Album ‘Sunshine’](https://rollingstonephilippines.com/music/dance-electronic/jungle-new-album-sunshine/ "Jungle Talks Evolution, Collaboration, and its New Album ‘Sunshine’") - [Why the End of Stephen Colbert’s ‘Late Show’ Marks a Loss of American Hope](https://rollingstonephilippines.com/culture/somber-goodbye-late-show-stephen-colbert/ "Why the End of Stephen Colbert’s ‘Late Show’ Marks a Loss of American Hope") - [Westlife on Boy Bands, What Makes Them Different, and Their Upcoming Manila Tour](https://rollingstonephilippines.com/music/westlife-25th-anniversary-manila-tour/ "Westlife on Boy Bands, What Makes Them Different, and Their Upcoming Manila Tour") **Categories:** Culture, TV **Tags:** Aaron Pierre, Kyle Chandler, Lanterns --- ### [Tony Parker on the Evolution of the NBA](https://rollingstonephilippines.com/culture/sports/tony-parker-evolution-of-the-nba/) **Published:** September 1, 2026 **Author:** Jonty Cruz **Excerpt:** The Spurs legend on Victor Wembanyama, the rise of international players, and being a basketball ambassador **Content:** It’s been seven years since four-time NBA champion Tony Parker retired from the league. As a member of the San Antonio Spurs for a majority of his career, he and fellow teammates Tim Duncan, Manu Ginobili, under the guidance of their head coach, Gregg Popovich, built a dynasty that was synonymous with excellence, consistency, and professionalism. He and Ginobili, in particular, led a new era of international players finding success in the NBA, which has only grown seven-fold today with the likes of superstars such as Luka Dončić, Nikola Jokić, Giannis Antetokounmpo, and fellow Spur, Victor Wembanyama. Today, Parker is a global ambassador for the NBA, where he helps spread the game of basketball across the globe. He recently visited the Philippines alongside fellow NBA legend Jason Kidd and former WNBA star Lauren Jackson for NBA House Philippines, a weekend of activities centered on the love for the game. “It’s very hard to be good for a long time. Longevity, it’s very hard in professional sports, and I felt like the whole team, we were all focused on the same objective.” Tony Parker *Rolling Stone Philippines* sat down with Parker to discuss his career, life after the NBA, and why fellow French basketball star Wembanyama can become one of the all-time greats. *The following has been edited for clarity.* **As someone who has had a handful of championships with the Spurs, and you guys sort of set the standard, which a lot of teams still try to emulate. What qualities do you guys think you had as a team that made you so successful for a long time?** Unselfishness. Everybody buying into the culture of the Spurs and what Pop \[Coach Greg Popovich\] wanted to put in place. It’s very hard to be good for a long time. Longevity, it’s very hard in professional sports, and I felt like the whole team, we were all focused on the same objective. **How was that unselfishness evident both on the court and off the court?** On the court, it was sharing the ball. We didn’t care who was shining, all we cared about was winning. And off the court, enjoying spending time with each other, going to a lot of dinners together. We’re just enjoying being with each other. **Did that start with Coach Popovich?** Yeah, Pop starts. He sets the standard and where we want to go, and then the leaders have to buy in. And then everybody follows. “It’s been seven years now that I retired, and I love life. I’m enjoying life, traveling, time with the family, and pivoting into my coaching career.” Tony Parker ![TonyParker-TonyParker-rollingstonephilippines-2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/TonyParker-TonyParker-rollingstonephilippines-2.webp) Photograph by Kieran Puna **How’s life been like for you post-NBA?** I love it. It’s been seven years now that I retired, and I love life. I’m enjoying life, traveling, time with the family, and pivoting into my coaching career. I miss the court and I miss everything, so I’m happy to be back at it. I had a great experience this summer with the \[French\] national team, and now looking forward to my first year as a professional coach with LDLC ASVEL Villeurbanne. **Has life away from the NBA or life away from your career changed how you appreciate the game?** Yeah, definitely. Because when you’re in it, everything goes so fast, and you always focus on the next game, and then when you’re out of it, you can appreciate everything a little bit more because everything slows down a little bit. It gives you all those moments where you can take a step back and realize everything that we accomplished as a team. **So speaking of your team, the Spurs became one of the pioneers, and one of the most accomplished, when it came to integrating international players. And now that the league is showcasing more and more international players, how do you think that integration has changed the game?** You know David Stern had that vision with having the NBA become a global sport, starting with the Olympics in ’92 in Barcelona, and I feel like now around the world, talent can come from anywhere, and it’s growing every year. I feel like even now, somebody in the Philippines can become great too. So that’s great for basketball. **Speaking of international players, Victor Wembanyama has become the talk of the town these last couple of years. How would you describe what he’s brought, not just to the Spurs, but to the league, and also vice versa?** Yeah, he’s a unique talent, and it’s part of the evolution that we talked about. I feel like he has all the tools to become one of the best ever, and it’s just a matter of time before he starts winning championships, and hopefully he can bring a lot of championships for the Spurs and a lot of gold medals for the French national team. ![TonyParker-rollingstonephilippines-1](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/TonyParker-rollingstonephilippines-1.webp) Photograph by Kieran Punay **One of the things I liked about Victor, especially during his press conferences, is he’s unapologetically competitive, and maybe even antagonistic to his opponents. There are people who’d assume that it’s maybe a French thing, but how would you describe it?** Yeah, he’s unique too in his approach to the game and how he stays ready mentally. And I think it’s very refreshing, Wemby does not want to be compared to anybody. I love that about him. **What do you see the next five years to be like in terms of how the NBA can grow more internationally? And what’s it like to be one of its global basketball ambassadors?** The NBA does a great job growing the game around the world, putting academies everywhere, and spreading the knowledge. It’s an honor to be an ambassador for the NBA. The game of basketball has been great to me, it’s my way to give back to the sport that I love. ## Frequently Asked Questions ### Who is Tony Parker? Tony Parker is a four-time NBA champion and a Hall of Famer, who recently visited the Philippines last August for NBA House Philippines. ### Which team did Tony Parker play for in the NBA? Tony Parker played for the San Antonio Spurs from 2001 until 2018. Then for a year with the Charlotte Hornets (2018-2019). ### Who is Victor Wembanyama? Victor Wembanyama is a star player for the San Antonio Spurs. ### Who are Tony Parker’s teammates in the San Antonio Spurs? Tony Parker has played alongside Tim Duncan and Manu Ginobili. ### Who was Tony Parker’s Coach in the San Antonio Spurs? Tony Parker played under Gregg Popovich. **Categories:** Culture, Sports **Tags:** NBA, Tony Parker --- ### [Olivia Rodrigo’s Daisy Chain Fields Festival: See The Best Photos](https://rollingstonephilippines.com/music/daisy-chain-fields-2026-best-photos-highlights/) **Published:** September 1, 2026 **Author:** Griffin Lotz **Excerpt:** See the best photos from Daisy Chain Fields 2026, including Olivia Rodrigo, Chappell Roan, Doechii, the Breeders, Bikini Kill, and more **Content:** [Olivia Rodrigo](https://rollingstonephilippines.com/tag/olivia-rodrigo/)’s inaugural [Daisy Chain Fields](https://rollingstonephilippines.com/tag/daisy-chain-fields/) festival [took place](https://www.rollingstone.com/music/music-live-reviews/olivia-rodrigo-daisy-chain-fields-chappell-roan-doechii-1235614558/) on Saturday, Aug. 29 at Great Park in Irvine, California. Featuring a stacked, all-women lineup that included Rodrigo, [Chappell Roan](https://rollingstonephilippines.com/tag/chappell-roan/), [Garbage](https://rollingstonephilippines.com/tag/garbage/), [Doechii](https://rollingstonephilippines.com/tag/doechii/), [the Breeders](https://rollingstonephilippines.com/tag/the-breeders/), [Mitski](https://rollingstonephilippines.com/tag/mitski/), [Bikini Kill](https://rollingstonephilippines.com/tag/bikini-kill/), [Not for Radio](https://rollingstonephilippines.com/tag/not-for-radio/), [Santigold](https://rollingstonephilippines.com/tag/santigold/), [Die Spitz](https://rollingstonephilippines.com/tag/die-spitz/), [Devon Again](https://rollingstonephilippines.com/tag/devon-again/), [Rachel Chinouriri](https://rollingstonephilippines.com/tag/rachel-chinouriri/), [Eli](https://rollingstonephilippines.com/tag/eli/), and [Quiet Light](https://rollingstonephilippines.com/tag/quiet-light/), plus special guests, it was a joyful day of music with a strong social message. Like its forebear Lilith Fair, the all-day celebration proved to be an inclusive, welcomed, and much-needed gathering — uniting music fans while supporting important causes from nonprofits serving women and girls. *Rolling Stone* was there, capturing photos of the action on stage and in the crowd. Scroll through the gallery, which highlights artists performing throughout the event. ![Daisy Chain Fields](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/DSF-1.webp) Three cheers to the woman who brought Daisy Chain Fields to fruition: Olivia Rodrigo’s headlining set was spectacular. ![Die Spitz](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/DSF-2.webp) Die Spitz took the prize for calisthenics on the Marigold stage at Daisy Chain Fields. Photo by Pooneh Ghana for Rolling Ston ![Daisy Chain Fields Festival](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Daisy-Chain-Fields-Festival.webp) Daisy Chain Fields, which sold out in 30 minutes, drew thousands of women and girls to Great Park. Photo by Pooneh Ghana for Rolling Stone ![Garbage](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Garbage.webp) Shirley Manson of Garbage walked by the crowd gathered at her Garbage set on the Marigold stage. Photo by Pooneh Ghana for Rolling Stone ![Rachel Chinouriri](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Rachel-Chinouriri.webp) The rising pop star posed backstage. Photo by Pooneh Ghana for Rolling Stone ![Quiet Light](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Quiet-Light.webp) Quiet Light, the stage name for singer-medical student Riya Mahesh, kicked off Daisy Chain Fields from the Marigold stage.Photo by Pooneh Ghana for Rolling Stone ![Doechii 1](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Doechii-1.webp) Doechii ushered in a new, hot-pink era with a riveting performance on the Dandelion stage at Daisy Chain Fields. Photo by Pooneh Ghana for Rolling Stone ![Wish Tree](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Wish-Tree.webp) Fans tied personal wishes to Yoko Ono’s interactive “Wish Tree,” which celebrates peace and hope, at Daisy Chain Fields. Photo by Pooneh Ghana for Rolling Stone ![Sarah Maclachlan 1](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Sarah-Maclachlan-1.webp) Lilith Fair founder Sarah McLachlan and Daisy Chain Fields founder Olivia Rodrigo performed together during Rodrigo’s headlining set. Photo by Pooneh Ghana for Rolling Stone ![Non Profit](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Non-Profit.webp) Daisy Chain Fields dedicated an area called Daisy Chain Reaction to 10 nonprofits who support women and girls. Proceeds from the festival benefitted the nonprofits. Photo by Pooneh Ghana for Rolling Stone ![DCF Zine](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/DCF-Zine.webp) A fan reads the *Daisy Chain Fields Zine*, which was one of many cool merch mementos at the festival. Photo by Pooneh Ghana for Rolling Stone ![The Breeders](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/The-Breeders.webp) The Breeders, who previously opened for Rodrigo during her *GUTS* tour, performed on the Marigold stage. Photo by Pooneh Ghana for Rolling Stone ![Not For Radio DCF](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Not-For-Radio-DCF.webp) Not For Radio — fronted by María Zardoya — headlined the Marigold stage at Daisy Chain Fields. Photo by Pooneh Ghana for Rolling Stone ![Shirley Manson](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Shirley-Manson.webp) Shirley Manson of Garbage sang to a couple of the countless young girls who attended. Photo by Pooneh Ghana for Rolling Stone ![Mitski](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Mitski.webp) Mitski professed her love for the fans at Daisy Chain Fields while delivering a stellar set. Photo by Pooneh Ghana for Rolling Stone ![DCF activations](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/DCF-activations.webp) Daisy Chain Fields offered more than just music: Attendees participated in activations throughout Great Park in Irvine, California.Photo by Pooneh Ghana for Rolling Stone ![Eli Miller](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Eli-Miller.webp) Eli Miller, who performs under her first name, kicked off the festivities on the Dandelion stage at Daisy Chain Fields.Photo by Pooneh Ghana for Rolling Stone ![DCF beneficiaries](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/DCF-beneficiaries.webp) Throughout the day at the festival, the 10 nonprofit beneficiaries made appearances on the Marigold and Dandelion stages to introduce bands and educate fans about their important causes.Photo by Pooneh Ghana for Rolling Stone ![Rachel Chinouriri DCF](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Rachel-Chinouriri-DCF.webp) The rising star previewed new songs from her forthcoming album, *I Think I Spoke Too Soon*.Photo by Pooneh Ghana for Rolling Stone ![Die Spitz Drums](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Die-Spitz-Drums.webp) Die Spitz blitz through their set. Photo by Pooneh Ghana for Rolling Stone ![DCF Positivity](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/DCF-Positivity.webp) Positivity was the message — and it was received throughout Great Park. Photo by Pooneh Ghana for Rolling Stone ![DCF Olivia](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/DCF-Olivia.webp) Rodrigo capped off the night with hits and special guests at her Daisy Chain Fields festival.Photo by Pooneh Ghana for Rolling Stone ![DCF Stage](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/DCF-Stage.webp) Pins showcasing all of the nonprofit beneficiaries adorned the stages. Photo by Pooneh Ghana for Rolling Stone ![The Breeders DCF](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/The-Breeders-DCF.webp) The Breeders performed classics like “Cannonball” alongside unreleased songs like “Alien Eyes.”Photo by Pooneh Ghana for Rolling Stone ![DCF Positive messages](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/DCF-Positive-messages.webp) Fans spread positive messages on the grounds at Daisy Chain Fields.Photo by Pooneh Ghana for Rolling Stone ![Doechii DCF](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Doechii-DCF.webp) Doechii had previously set the bar sky-high for her festival performances. At Daisy Chain, she raised it even higher.Photo by Pooneh Ghana for Rolling Stone ![Not for Radio DCF 2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Not-for-Radio-DCF-2.webp) Maria Zardoya of Not For Radio closed out the sets at Marigold Stage during Daisy Chain Fields. Photo by Pooneh Ghana for Rolling Stone ![Olivia Rodrigo DCF](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Olivia-Rodrigo-DCF.webp) Philanthropist Melinda French Gates pledged to double the festival’s donations, bringing the total to $10 million raised thus far for the 10 nonprofit beneficiaries at Daisy Chain Fields. Photo by Pooneh Ghana for Rolling Stone *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-pictures/daisy-chain-fields-2026-best-photos-onstage-highlights-1235617849).* Related Stories - [Olivia Rodrigo’s Daisy Chain Fields Festival Was a Day Full of Superstars, Nonprofits, and Joy](https://rollingstonephilippines.com/music/live-reviews/olivia-rodrigo-daisy-chain-fields-chappell-roan-doechii/ "Olivia Rodrigo’s Daisy Chain Fields Festival Was a Day Full of Superstars, Nonprofits, and Joy") - [All of Olivia Rodrigo’s Songs So Far, Ranked](https://rollingstonephilippines.com/music/olivia-rodrigo-songs-ranked/ "All of Olivia Rodrigo’s Songs So Far, Ranked") - [Mitski in Manila: All the Feelings and Highlights](https://rollingstonephilippines.com/music/rock/mitski-first-manila-show-recap/ "Mitski in Manila: All the Feelings and Highlights") **Categories:** Music, Pop **Tags:** Chappell Roan, Daisy Chain Fields, Devon Again, Die spitz, Doechii, Eli, Garbage, Not For Radio, Olivia Rodrigo, Quiet Light, Rachel Chinouriri, Santigold, Sarah Maclachlan, The Breeders --- ### [Olivia Rodrigo’s Daisy Chain Fields Festival Was a Day Full of Superstars, Nonprofits, and Joy](https://rollingstonephilippines.com/music/live-reviews/olivia-rodrigo-daisy-chain-fields-chappell-roan-doechii/) **Published:** September 1, 2026 **Author:** Elisabeth Garber-Paul **Excerpt:** On the ground at the inaugural event, which featured artists like Rodrigo, Chappell Roan, Doechii, Sara McLachlan and Stevie Nicks and an inspiring social message **Content:** By the time [Olivia Rodrigo](https://rollingstonephilippines.com/tag/olivia-rodrigo/) [hit the stage](https://www.rollingstone.com/music/music-news/olivia-rodrigo-stevie-nicks-sarah-mclachlan-alanis-perform-1235614614/) to headline the inaugural [Daisy Chain Fields](https://rollingstonephilippines.com/tag/daisy-chain-fields/)festival, the sun had set on a sweltering day, and anyone who was fading was sure to feel reenergized both from a welcome breeze and from Rodrigo’s set. The superstar had promised special guests, and she delivered, bringing out Lilith Fair founder Sarah McLachlan, whose groundbreaking Nineties fest served as inspiration for Daisy Chain; Alanis Morissette, who stepped in for Karen O after she [had a family emergency](https://www.rollingstone.com/music/music-news/karen-o-misses-daisy-chain-fields-family-emergency-1235618039/); and Stevie Nicks. “I feel like I’m dreaming,” Rodrigo told the crowd at Great Park in Irvine, California. “This is the best day of my fuckin’ life!” It certainly felt like the best dream ever for the crowd of mostly women and girls at the festival, which [sold out in 30 minutes](https://www.rollingstone.com/music/music-news/daisy-chain-fields-music-festival-sold-out-30-minutes-1235583588/). The stacked lineup included trailblazers who inspired generations of women to pick up guitars, on-the-rise bands, and pop stars primed to meet the moment. Like Lilith Fair, the all-day celebration was more than just a music festival: It was an inclusive and much-needed gathering — uniting music fans while supporting important causes. The day before the festival, Rodrigo talked about its philanthropic aims. “It’s a real honor to announce that we are donating $10 million to be given directly to these 10 nonprofit partners that you just had the pleasure of hearing about,” Rodrigo said at a press conference attended by 10 organizations that advocate for women and girls and were participating in the festival. Those nonprofit participants included [Baby2Baby](https://baby2baby.org/), which provides children in need with basic necessities; [Black Mamas Matter Alliance](https://blackmamasmatter.org/) (BMMA), which advocates for Black mothers’ rights and provides resources throughout and after pregnancy; [Center for Reproductive Rights](https://reproductiverights.org/), a legal organization that advocates for reproductive rights and health care access for women worldwide; [FreeFrom](https://www.freefrom.org/), which works to end gender-based violence by providing survivors with financial resources and more; [Jhpiego](https://jhpiego.org/about-us/), which provides critical health care to women and families worldwide; [John Hopkins Center for Indigenous Health](https://cih.jhu.edu/), which advances health equity for Indigenous communities worldwide; [National Domestic Workers Alliance](https://www.domesticworkers.org/), which advocates for the rights of domestic workers; [National Institute for Reproductive Health](https://nirhealth.org/), which works to advance reproductive health care for all at the state and local level; [National Women’s Law Center](https://nwlc.org/), which fights for gender justice on the legal front and beyond; and [Planned Parenthood](https://www.plannedparenthood.org/), which works to protect, provide, and expand access to sexual and reproductive health care and education. Net proceeds from the event are being directed to Daisy Chain Fields Fund, which benefits those nonprofits. When describing the way music, community, and action were joining together at Daisy Chain, one word came up regularly at the press conference: “joy.” And that feeling was palpable throughout the grounds on Saturday. ![Daisy Chain Fields](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Daisy-Chain-Fields-1.webp) Photo by Pooneh Ghana for Rolling Stone Lines formed outside of Daisy Chain Reaction, the area where the nonprofits invited attendees to learn about their organizations while participating in crafts like assembling daisy chains and making flower crowns. Several fans, many dressed in Rodrigo-style baby doll dresses, said they were drawn to the event because of their love of the superstar, but also because they want a better world for women and girls. Alannie, 18, says that at her age, the ticket price was a big investment, but after learning Rodrigo’s motive behind the fest, she wanted to participate. “I see it as a purpose, to give my money to all these foundations,” she says. A trio of early-thirties Filipina women — Nerissa, Christabel, and Monica — were also excited to support the nonprofits. “I very strongly resonate with the different organizations she was promoting,” Nerissa says, adding that she’s used Planned Parenthood’s services in the past. Christabel adds, “I think it’s such a beautiful thing that Olivia is creating a festival and a place for us all to gather to really empower, advance, and advocate for women and the organizations at Daisy Chain Reaction.” Monica addressed the issue of representation, saying, “\[Olivia\] is Filipino, so she’s representing our people, and also the lineup of amazing artists that she put together.” That lineup made for 14 sets and 10 hours of great music. Things kicked off with Quiet Light, the stage name of singer-medical student Riya Mahesh. She and her dancers slowly grooved, striking ballerina-style moves during “Postinternetfame” from her 2026 mixtape *Blue Angel Sparkling Silver 2*. Eli Miller, who performs under her first name, followed. Amid songs like “Nobody’s Girl” and “Girl of Your Dreams,” Eli delivered a powerful message about loving our neighbors, “no matter what they believe or don’t.” She also pledged money to some of the day’s participating organizations. “It’s fucking hot right now,” [Rachel Chinouriri](https://rollingstonephilippines.com/tag/rachel-chinouriri/) told the audience during her set. “The U.K. ain’t like this.” But Chinouriri kept the vibe going anyway, tearing through her tender 2025 single “[Can We Talk About Isaac](https://www.rollingstone.com/music/music-news/rachel-chinouriri-can-we-talk-about-isaac-little-house-ep-1235289569/)” while premiering material from her upcoming album[ *I Think I Spoke Too Soon.* ](https://www.rollingstone.com/music/music-news/rachel-chinouriri-new-single-album-i-think-i-spoke-too-soon-1235599351/)“It’s about my twenties, and realizing I’m not the person I thought I was,” she said of the album. “And I can become whoever I want to be.” Following her performance, Chinouriri said she was excited to join the lineup, shouted out Lilith Fair, and gave kudos to Rodrigo for her inclusiveness when it came to the nonprofit partners. BMMA in particular is close to her heart. “It’s really heartwarming to see \[Rodrigo\] take the initiative for that because sometimes Black women are very overlooked in many ways or not understood, especially in health care,” she tells *Rolling Stone*. “I think that the level of thoughtfulness of that was so sweet.” Devon Again got the call to join the festival just last Thursday, after [Katseye had to cancel](https://www.rollingstone.com/music/music-news/katseye-olivia-rodrigo-daisy-chain-fields-festival-drop-out-1235617116/) due to member Megan Skiendiel’s ankle injury. “I said, ‘Duh bitch, obviously I wanna do it,” she told the crowd. But Eyekons got a taste of [Katseye](https://rollingstonephilippines.com/tag/katseye/)’s Lara Raj, Yoonchae Jeung, and Skiendiel, who appeared at the start of Devon’s set to introduce nonprofit Baby2Baby. Afterward, Devon performed a country-tinged set, which included fan favorites “Skittles” and “Cherry Cola.” [Die Spitz](https://rollingstonephilippines.com/tag/die-spitz/) took the prize for calisthenics at Daisy Chain. The four-piece from Austin, Texas ripped through their midday set, where the blazing sun was no match for their energy (if a little hard on their face paint). At one point bassist Kate Halter did a full-on handstand. [Die Spitz](https://www.rollingstone.com/t/die-spitz/)’s all-girl metal was met warmly, so much so that singer ​​Eleanor Livingston jumped into the crowd to join the revelers. Back in 2022, [Santigold](https://rollingstonephilippines.com/tag/santigold/) took a hiatus from the road, [telling *Rolling Stone*](https://www.rollingstone.com/music/music-features/santigold-mental-health-touring-music-industry-1234612985/) about the “cultural crisis” and economic and mental-health challenges plaguing those who make music for a living. She resumed touring in 2024, though the dates have been selective and for short runs, which makes any chance to see her live special. Her Daisy Chain set was thoroughly joyful, including a dance contest and a bevy of fan-favorites like “L.E.S. Artistes,” “Lights Out,” and “Disparate Youth.” ![Bikini Kill](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Bikini-Kill.webp) Kathleen Hanna of Bikini Kill. Photo by Pooneh Ghana for Rolling Stone Feminist-punk trailblazers [Bikini Kill](https://rollingstonephilippines.com/tag/bikini-kill/), meanwhile, had taken a couple *decades* off, but came back hard for a reunion tour in 2019. They’ve barely slowed down since. “What a gift Olivia has given all of us to have this festival,” singer Kathleen Hanna told the crowd. Like many of the bands here, Bikini Kill used their limited stage time to play the hits. Though they blazed through two songs from their last album, 1996’s *Reject All American*, the band focused mostly on early songs, opening with “Double Dare Ya” from their 1992 EP, before sliding into “This Is Not a Test.” When Hanna told a story about a 40-year-old man creeping on her when she was 17 to introduce the track “Feels Blind,” the crowd was rapt — “This is the most engaged crowd I’ve ever seen in my life,” she said. Closing with “Suck My Left One” and “Rebel Girl,” Hanna growled and danced her way across the stage, reminding the audience exactly why this band influenced a generation of women — and were integral to a festival like this ever coming into existence. [Mitski](https://rollingstonephilippines.com/tag/mitski/) was feeling the communal spirit during her set in the late afternoon, telling the audience multiple times that she loved “every one of you.” She had already put that love into practice with a series of PSAs concerning the extreme heat: advising fans to sit down right where you are if you’re faint, head to the pit if you need water, and wear sunscreen. Of course, Mitski also delivered a stellar set, which included highlights from her 2026 album [*Nothing’s About to Happen to Me*](https://www.rollingstone.com/music/music-album-reviews/mitski-nothings-about-to-happen-to-me-1235522053/) like “Where’s My Phone?” and “That White Cat,” alongside fan-favorites like “Nobody.” “I feel like we should do this every year,” she said to loud cheers. “For the rest of our lives you can be like, ‘Oh yeah, I’m OG DCF.’” [The Breeders](https://rollingstonephilippines.com/tag/the-breeders/) have been in the Rodrigo camp for a few years now, opening up for the pop star on several dates of her [*GUTS*](https://www.rollingstone.com/music/music-album-reviews/olivia-rodrigo-guts-review-1234820411/) tour. But their inclusion in the festival was part of the appeal of the lineup — the incredible mix of old and new. The fact that singer Kim Deal took the stage wearing a Shirley Chisholm shirt — referencing the first Black woman to serve in Congress — made their set feel all the more connected to the past. Starting their set with 1994’s “Drivin’ on 9,” the band included other OG-era classics like “Do You Love Me Now?” and “Cannonball,” while working in new, unreleased songs like “Alien Eyes,” which they’ve been playing throughout their summer tour. Getting to test things out on the road, [Deal told *Paste*](https://www.pastemagazine.com/music/the-breeders/the-breeders-interview-2026), is “like it was back in the old days.” When [Doechii](https://rollingstonephilippines.com/tag/doechii/) hit [Lollapalooza in 2025](https://www.rollingstone.com/music/music-live-reviews/twice-doechii-rufus-du-sol-lollapalooza-2025-day-3-recap-1235395406/), she stole the show as headmaster of the school of hip-hop. At Daisy Chain, she signaled a new era, one that is pink-hued and incorporates all the right moves onstage. Wearing a bikini while covered in hot-pink body makeup, she and her equally pink-painted dancers delivered incredible choreography on a headlining-worthy stage setup, complete with a large riser, an LED screen, and metal bars that Doechii at one point acrobatically flipped over. She had us from the jump, launching into “ExtraL,” her 2025 collab with Jennie. Other collab tracks — the [SZA](https://rollingstonephilippines.com/tag/sza/) team-up “Girl Get Up” and “Swamp Bitches,” with Rico Nasty — hit hard, even if those artists weren’t present Saturday. Doechii’s mashups also landed: “Anxiety” sampled Gotye’s “Somebody That I Used to Know,” and Doechii freestyled over Beyoncé’s “America Has a Problem,” and even wove Britney Spears’ “Toxic” into the mix. She ended one of the best performances of the day with a rousing version of “Denial Is a River,” an instant-classic from 2024’s [*Alligator Bites Never Heal*](https://www.rollingstone.com/music/music-album-reviews/doechii-lligator-bites-never-heal-review-1235092081/). ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Doechii.webp) Doechii and dancers in full body paint. Photo by Pooneh Ghana for Rolling Stone [Garbage](https://rollingstonephilippines.com/tag/garbage/)’s set was plagued by technical difficulties, but singer Shirley Manson kept her cool, joking that this was just the kind of thing the band was used to. “An entire career made up of this kind of carry on,” she joked in her Scottish brogue. This, she said, was a lesson to the younger folks in the crowd: Even when things don’t go the way you’d hoped, the world keeps spinning. “You don’t have to be perfect,” she said. “You can fuck up.” Despite the hurdles, the band delivered 1990s classics like “Only Happy When It Rains,” “When I Grow Up,” and “Stupid Girl” (which slipped into a brief cover of Bikini Kill’s “Rebel Girl,” much to the crowd’s delight), as well as newer tracks like “There’s No Future in Optimism” and “Chinese Fire Hose,” off last year’s *Let All That We Imagine Be the Light*. Manson took breaks to address the audience, praising Rodrigo’s ability to bring the multigenerational crowd together. “We’ve been around since before most of you were born,” she said. “So to be included in this festival lineup is an immense privilege, and it’s not one we take lightly.” She also imparted some words of hope for these dark times. “I just want to assure you all — because I just turned 60, so I’m very old,” she joked. “But if you just keep putting one foot in front of the other as you move through your life, I can guarantee you, it’s like putting pennies in a bank. Sooner or later, you build the life that you want.” At the end of last year, [Chappell Roan](https://rollingstonephilippines.com/tag/chappell-roan/) spoke about what she [envisioned](https://www.rollingstone.com/music/music-news/chappell-roan-reflects-on-2025-nearly-canceling-tour-1235492978/) for 2026. She said it will be “the year of taking care of myself and others and really engaging in a community that feels real and not online. Volunteering locally and giving money to organizations I believe in.” Daisy Chain was the perfect place for that, and the crowd erupted when Roan emerged onstage around 7 p.m., wearing a lavender set and matching boots. Though the sweltering day had cooled down by then, “Hot to Go!” still felt incredibly fitting. Roan tore through other favorites off her 2023 smash debut [*The Rise and Fall of a Midwest Princess*](https://www.rollingstone.com/music/music-features/chappell-roan-midwest-princess-freedom-queer-identity-1234828846/), including “Red Wine Supernova,” “Pink Pony Club,” and “Casual,” plus the gem “[Good Luck, Babe!](https://www.rollingstone.com/music/music-news/chappell-roan-good-luck-babe-interview-1234998731/)” and her most recent single “[The Subway](https://www.rollingstone.com/music/music-news/chappell-roan-the-subway-new-single-1235397469/).” When Roan appeared on the October 2024 cover of [*Rolling Stone*](https://www.rollingstone.com/music/music-features/chappell-roan-good-luck-babe-fame-fans-1235094314/), Rodrigo spoke to us about the superstar. “I remember her walking into the studio one day and just flat-out saying ‘I don’t give a fuck about what people say anymore. If I like it, then it’s good,’” Rodrigo said. “I could tell she actually meant it, too. That’s her magic.” María Zardoya recorded the debut album for her solo project, [Not for Radio](https://rollingstonephilippines.com/tag/not-for-radio/), in a house in Upstate New York in the middle of winter, surrounded by snow and ice. The Daisy Chain locale could not have been more different. But [Zardoya](https://www.rollingstone.com/music/music-features/maria-zardoya-the-marias-role-model-musicians-on-musicians-1235460306/), best known as the singer of the Marias, brought a chill over the audience with a handful of tracks from [*Melt*](https://www.rollingstone.com/music/music-album-reviews/maria-zardoya-not-for-radio-melt-album-review-1235444409/) and her new EP, *Bloom*. Maybe it was the woodland-themed set over which she seemed to float, or the bittersweet subject matter — the project is partially inspired by a split from the Marias’ drummer, Zardoya’s longtime partner — or maybe it was just the fact that the sun finally went down, but Zardoya’s set offered a moment of catharsis. With songs like “Puddle,” “Swan,” and “My Turn,” she reminded the crowd that it’s OK to be a little down sometimes, too. ![Not for Radio](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Not-for-Radio.webp) María Zardoya. Photo by Pooneh Ghana for Rolling Stone Then it was time for Rodrigo, who capped off the night with a set that, appropriately, featured McLachlan. The pair performed McLachlan’s 1997 hit “Building a Mystery,” and dedicated “Angel” to [Dolly Parton](https://rollingstonephilippines.com/tag/dolly-parton/), who[ died](https://www.rollingstone.com/music/music-country/dolly-parton-dead-obit-1234810193/) on Aug. 25. ![Sarah Maclachlan Olivia Rodrigo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/09/Sarah-Maclachlan.webp) McLachlan and Rodrigo. Photo by Pooneh Ghana for Rolling Stone Rodrigo next teamed up with Morissette — with whom she [appeared on the cover](https://www.rollingstone.com/music/music-features/olivia-rodrigo-alanis-morissette-musicians-on-musicians-1239136/) of *Rolling Stone* in 2021 — for a scorching version of Morissette’s classic “Ironic.” Philanthropist Melinda French Gates joined Rodrigo and pledged to double the $10 million being donated. Rodrigo’s final guest was Nicks. Together they performed a showstopping “[Landslide](https://www.rollingstone.com/music/music-news/hear-fleetwood-macs-intimate-early-landslide-203752/),” which found the pair trading verses and dancing together. “She reminds me of me, when I was her age a hundred years ago,” Nicks said of Rodrigo. “And I’m somewhat awestruck that she could do all this. Because it’s so hard — you have no idea — putting this together with all of these people. And she’s done it, with this grace.” There were also plenty of Rodrigo’s own classics, including “Bad Idea Right?,” “Good 4 U,” and “[Drivers License](https://www.rollingstone.com/music/music-features/olivia-rodrigo-drivers-license-song-review-1110320/),” the hit that first gave us a peek of the superstar she became, each drawing field-wide singalongs. And she also treated the crowd to the live debut of Rodrigo’s recent single “[Serena Joy](https://www.rollingstone.com/music/music-news/olivia-rodrigo-serena-joy-streaming-platforms-1235614051/).” When Rodrigo announced Daisy Chain Fields, expectations were high, as fans hoped for a festival that delivered onstage and meet its mission for empowering women and girls. Saturday exceeded those expectations. And it turned out that Mitski may have been onto something when she suggested we do this again: “See you next year!” Rodrigo exclaimed at the end of her performance. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-live-reviews/olivia-rodrigo-daisy-chain-fields-chappell-roan-doechii-1235614558/).* Related Stories - [All of Olivia Rodrigo’s Songs So Far, Ranked](https://rollingstonephilippines.com/music/olivia-rodrigo-songs-ranked/ "All of Olivia Rodrigo’s Songs So Far, Ranked") - [Mitski in Manila: All the Feelings and Highlights](https://rollingstonephilippines.com/music/rock/mitski-first-manila-show-recap/ "Mitski in Manila: All the Feelings and Highlights") - [How Chappell Roan is Shaping Queer Discourse in the Philippines](https://rollingstonephilippines.com/music/chappell-roan-is-shaping-queer-discourse-in-the-philippines/ "How Chappell Roan is Shaping Queer Discourse in the Philippines") **Categories:** Live Reviews, Music, Pop **Tags:** Bikini Kill, Chappell Roan, Daisy Chain Fields, Die spitz, Doechii, Garbage, Katseye, Mitski, Not For Radio, Olivia Rodrigo, Rachel Chinouriri, Santigold, The Breeders --- ### [5 Forgotten Filipino Heroes Who Fought for the Environment, Labor Rights, and Freedom](https://rollingstonephilippines.com/state-of-affairs/power/5-forgotten-filipino-heroes-environment-labor-freedom/) **Published:** August 31, 2026 **Author:** Reyza Ferranco **Content:** As the country honors its national heroes this August 31, it’s important to remember those who are unsung and often forgotten. They battled through hardships and held their ground to protect the rights of their communities and the whole country, no matter the cost. Here are five heroes who fought for the environment, workers’ rights, and the freedom of every Filipino. ## **Macli-ing Dulag** ![macli-ing dulag](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/dulag.webp) The respected elder stood firm against the proposed dams along the Chico River. Photo from Bantayog ng mga Bayani Dulag was a respected elder of the Butbut tribe in the Cordilleras and one of the earliest advocates for environmental and indigenous rights in the Philippines. When former President Ferdinand Marcos Sr. wanted to build four massive hydroelectric dams along the Chico River in Luzon, Dulag was one of the fierce leaders of the opposition. With the magnitude of the proposed plan, it would have displaced thousands from their home, covered graveyards, as well as the rice terraces. According to the Bantayog ng mga Bayani, the armed forces surrounded Dulag’s home and assassinated him in 1980. His death caused great outrage, which ultimately made the government cancel its plans. ## **Maria Lorena Barros** ![maria lorena barros](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Maria-Lorena-Barros.webp) The Filipina activist founded one of the earliest militant women’s organizations. Photo from Bantayog ng mga Bayani Barros is considered one of the icons of modern Philippine feminism. She was drawn to political activism, joining other organizations as a student before she founded and led the all-women MAKIBAKA (Malayang Kilusan ng Bagong Kababaihan) in 1970. She was charged with subversion and later went underground. During a military encounter, she was offered refuge and medical aid should she surrender, but she died fighting for national liberation and women’s rights. ## **Elsa Balando** ![elsa balando](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/elsa-balando.webp) Balando’s death would be later known as the May Day Massacre of 1971. Photo from Bantayog ng mga Bayani Balando was a trade union activist who fought for labor and women’s rights. She became a union organizer who put her life on the line for the workers. During a rally for International Labor Day, she was among the 4,000 people who gathered in front of the Congress building in Manila. She was shot three times in the chest, along with two other people. The tragic event would later be known as the May Day Massacre of 1971. ## **Teresa Magbanua** ![teresa magbanua](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/magbanua.webp) The “Visayan Joan of Arc” defied gender roles and became a frontline military leader. Photo from Philippine Cultural Education Online Dubbed the “Visayan Joan of Arc,” Magbanua was an educator and revolutionary leader who fought for Philippine independence. Despite her relatives initially opposing her participation in the revolution due to her being a woman, she was one of the few Filipinos to join in all the resistance movements against the three major colonizers: Spain, the United States, and Japan. ## **Macario Sakay** ![macario sakay](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/msakay.webp) Sakay, considered the last Katipunero, surrendered to the Americans before his death. Photo from Philippine Cultural Education Online Sakay was a revolutionary who fought alongside Andres Bonifacio under the Katipunan movement before he established the Tagalog Republic and served as its president. He continued the struggle for the country’s independence against American forces before he was accused of being a bandit, captured, and later hanged inside the Old Bilibid Prison. ## frequently asked questions ### Who are some forgotten Filipino heroes? Macli-ing Dulag, Maria Lorena Barros, Elsa Balando, Teresa Magbanua, and Macario Sakay are overlooked Filipino heroes who resisted colonial rule and dictatorship. ### Why was Macli-ing Dulag assassinated, and how did his death affect the Chico River Dam project? Macli-ing Dulag, a respected Butbut elder, was assassinated in 1980 for opposing Marcos’s Chico River dam project. Public outrage over his death forced the government to cancel it. ### What was MAKIBAKA, and who founded it? MAKIBAKA (Malayang Kilusan ng Bagong Kababaihan) was a militant feminist organization founded in 1970 by student activist Maria Lorena Barros, linking women’s rights to national liberation. ### What happened during the 1971 May Day Massacre in the Philippines? During the 1971 May Day Massacre, thousands of workers rallied outside Congress in Manila. Union organizer Elsa Balando was shot dead along with two other demonstrators. ### Why is Teresa Magbanua called the “Visayan Joan of Arc”? Teresa Magbanua earned the title for fighting in every major resistance movement against Spain, the US, and Japan, serving as both an educator and revolutionary military leader. Related Stories - [National Heroes Day: 7 Historical Films to Watch Now ](https://rollingstonephilippines.com/culture/philippine-cinema/national-heroes-day-historical-films-to-watch/ "National Heroes Day: 7 Historical Films to Watch Now ") - [From Marcos to Duterte: Public Officials on the Controversial Pax Silica](https://rollingstonephilippines.com/state-of-affairs/environment/pax-silica-marcos-duterte-officials-react/ "From Marcos to Duterte: Public Officials on the Controversial Pax Silica") - [5 Forgotten Filipino Heroes Who Fought for the Environment, Labor Rights, and Freedom](https://rollingstonephilippines.com/state-of-affairs/power/5-forgotten-filipino-heroes-environment-labor-freedom/ "5 Forgotten Filipino Heroes Who Fought for the Environment, Labor Rights, and Freedom") **Categories:** Environment, Labor, Power, State of Affairs **Tags:** filipino heroes, national heroes day --- ### [Inksurge’s NAIA Rebrand Shows What’s Possible for the Airport](https://rollingstonephilippines.com/culture/inksurge-naia-airport-rebrand-rehabilitation/) **Published:** August 28, 2026 **Author:** Pie Gonzaga **Excerpt:** A new rebrand underscores all the work (and money) being poured into one of the most maligned airports in the world **Content:** [Ninoy Aquino International Airport](https://rollingstonephilippines.com/tag/naia/ "NAIA") (NAIA) doesn’t have the best reputation. Two years ago, Australian price-monitoring firm Compare the Market ranked it last among 61 major airports worldwide, based on Google reviews, efficiency, accessibility, services, and cleanliness. The news came as no surprise to Filipino travelers when it was published in November 2024, and it posed a significant challenge for New NAIA Infra Corp. (NNIC), which formally took over NAIA’s operations in September that year after being awarded the government’s privatization contract. But nearly two years after the handover, the airport’s three fully operational terminals have seen quite the revamp, with the [free inter-terminal shuttle service](https://rollingstonephilippines.com/state-of-affairs/power/naia-terminal-taxi-shuttle/), self-check-in kiosks, e-gates, rideshare terminals, and new lounges among its list of ongoing improvements. Often overlooked but crucial to a traveler’s overall experience are signage and wayfinders — only some of the things graphic design studio [Inksurge](https://rollingstonephilippines.com/tag/inksurge/ "Inksurge") has been working on since first giving NAIA’s brand a refresh in 2024. > [View this post on Instagram](https://www.instagram.com/p/DcJJl0ikvI8/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Inksurge (@inksurge)](https://www.instagram.com/p/DcJJl0ikvI8/?utm_source=ig_embed&utm_campaign=loading) Rex Advincula and Jois Tai, the designers behind Inksurge, recently posted about its brand identity and pictogram system designs for NAIA, giving a glimpse into the other changes in store for the airport’s three terminals. “We set out to create an identity that embodies the vision of elevating NAIA to a premier global hub, while ensuring the design maintains balance, prioritizing functionality and coherence over excessive complexity,” they said on Instagram, where they shared photos of the new logo and brand colors on baggage trolleys, buses, and passenger boarding bridges. Tai and Advincula were prompted to share more about their work after graphic designer and content creator Eulah Araullo pointed out changes to NAIA’s branding in early August. “This year ko lang na-notice \[ang branding\] sa Terminal 3,” Araullo said in the [video](https://www.instagram.com/reel/DbsNn2vzAux/?utm_source=ig_web_copy_link&igsi=MzRlODBiNWFlZA==), which has amassed over 10,000 likes on Instagram. The creator went on to say that the branding is more consistent and prominent, seen in the airport’s LED screens, barricade tape, website, and social media pages. ![naia terminal 3 elevator wayfinder inksurge](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/naia-t3-elevator-guide.webp) A floor-level guide outside the elevators in NAIA Terminal 3. Photo from Inksurge/Instagram Of the new NAIA logo, which consists of letterforms shaped vaguely like the terminals as seen from above, Tai tells *Rolling Stone Philippines*, “Ayaw namin siyang i-overdesign. We didn’t want to make it too complicated kasi it had to be something that’s easy to expand and apply \[anywhere\].” Advincula also points out that the team didn’t have a solid brand system that was unified across the terminals to work with when they started planning the rebrand. “It’s a challenge kasi wala naman talagang brand identity ‘yung airports natin before,” he says. “\[The terminals\] all had different managers handling them,” Tai adds. “‘Yun ‘yung goal namin, to standardize things para ipakita na pareho talaga lahat ng terminals.” ## Navigating the New NAIA The designers emphasize the importance of a new wayfinding system and signage in NAIA’s rehabilitation. “I think gusto \[ng NNIC\] ayusin ‘yung flow of traffic,” says Advincula. “‘Yung mga wayfinders, hindi pa na-iimplement, kasi marami pang moving parts, like ‘Okay, mauuna ba dapat ‘yung immigration before inspection?’ ‘Are we moving this wing to another section?’ Things like that.” While all signages have yet to be replaced, new wayfinders have already been implemented in some parts of the terminals, easy to spot and legible, with Inksurge’s custom pictograms. Tai also says NNIC is reevaluating the placements of existing signage. “Inaayos na talaga nila and evaluating kung this sign is really supposed to be here. Dati kasi, they just asked us to work on the exact same signs,” she says. “‘Yung goal namin, sana wala na kaming makitang mga temporary \[sign\] na bond paper.” In addition to the improved wayfinding system, Inksurge says its next steps are to work on standardized packaging for food and souvenir concessionaires, as well as poster lightboxes for ads. It goes without saying that the responsibility of mobilizing tens of thousands of passengers daily does not fall solely on the wayfinders, how they’re designed, and where they’re placed. Expansion is underway for Terminals 1 and 2, while a fifth terminal is also in the works, to increase NAIA’s overall annual capacity to 62 million passengers. “We have made significant progress in less than two years, but there is still a lot more work ahead,” said NNIC President Ramon Ang when the consortium announced on Thursday, August 28, that it had remitted P78 billion to the government and spent P6.8 billion on modernization efforts. ![naia terminal 3 e-gates](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/biometric-e-gates.webp) New biometric e-gates in Terminal 3 promise to make the immigration process quicker for Philippine passport holders. Photo from NAIA/Facebook These efforts have come at the cost of travelers’ money, with the revenue from increased terminal fees (now P950 for international departures and P390 for domestic flights) going towards fixing air conditioning systems, walkalators (which seemed to never work until recently), escalators, and other old facilities. Whether these fees will ever pay off in time remains to be seen. Still, it’s almost unbelievable to see this much money, planning, and effort finally being poured into NAIA after years of scrutiny and, for many Filipinos, resignation. Inksurge’s rebrand is a small but telling sign of decisive action. And while a new logo and wayfinding system won’t fix an airport on their own, they say a lot about the kind of airport NAIA can be: modern and orderly. ## Frequently Asked Questions ### What is the new NAIA brand identity created by Inksurge? Inksurge, the design studio behind NAIA’s rebrand, developed a new logo built from letterforms that echo the shape of the airport’s terminals from above, along with updated brand colors and a custom pictogram system used across signage, trolleys, buses, and boarding bridges. ### Why did NAIA need a unified brand identity across its terminals? Before the rebrand, NAIA’s three terminals were managed separately with no shared identity system. Designers Rex Advincula and Jois Tai said the goal was to standardize colors, signage, and visual language so passengers could recognize all three terminals as one cohesive airport. ### Who oversees NAIA’s ongoing modernization, and how much has been invested? New NAIA Infra Corp. (NNIC) took over airport operations in September 2024 after winning the government’s privatization contract. As of August 2026, NNIC President Ramon Ang said the consortium had remitted P78 billion to the government and spent P6.8 billion on modernization efforts. ### How is NAIA’s wayfinding and signage system being updated? Inksurge has rolled out new wayfinders with custom pictograms in parts of NAIA’s terminals, though not all signage has been replaced yet. NNIC is also reevaluating sign placement to improve passenger flow. ### How did NAIA rank globally before its rehabilitation began? In 2024, Australian firm Compare the Market ranked NAIA last among 61 major airports worldwide, based on Google reviews covering efficiency, accessibility, services, and cleanliness — a ranking that underscored the scale of the challenge facing NNIC. Related Stories - [After Frasco: 3 Tourism Challenges Facing the Next DOT Chief](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/tourism-issues-dot-secretary-frasco/ "After Frasco: 3 Tourism Challenges Facing the Next DOT Chief") - [P1,200 Taxi Fare For NAIA Terminal Transfers? There’s a Free Shuttle Service For That](https://rollingstonephilippines.com/state-of-affairs/power/naia-terminal-taxi-shuttle/ "P1,200 Taxi Fare For NAIA Terminal Transfers? There’s a Free Shuttle Service For That") - [How the NAIA Car Crash Exposes PH’s Weak Safety Infrastructure](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/naia-car-crash-weak-safety-infrastructure/ "How the NAIA Car Crash Exposes PH’s Weak Safety Infrastructure") **Categories:** Culture, State of Affairs, Transportation **Tags:** Inksurge, NAIA --- ### [Rapper Abra Talks ‘Ilusyon’ Resurgence and Hip-Hop as an Important Tool for Change](https://rollingstonephilippines.com/music/hiphop-rnb/abra-ilusyon-flood-control-scandal-2026/) **Published:** August 28, 2026 **Author:** Elijah Pareño **Excerpt:** The Filipino rapper opens up about watching his decade-old socio-political track resurface during recent monsoon flooding, and what that says about accountability **Content:** Rapper [Abra](https://rollingstonephilippines.com/tag/abra/ "Abra") hasn’t released new music in a year. His last album came out more than a decade ago. And yet, his 2013 socio-political hit “Ilusyon” made a comeback in recent weeks, amidst the flood control corruption. For nearly three weeks in August, the National Capital Region bore extreme monsoon rains that caused flash flooding in the most vulnerable of areas. The constant flooding and lack of progress has been largely seen as the result of billions of pesos in public funds lost to hundreds of non-existent “ghost projects” and substandard [flood control projects](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/dpwh-flood-control-latest-updates/ "DPWH Flood Control Projects Scandal: The Most Damning Revelations So Far"). The scandal sparked Senate probes, [mass protests](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/jilson-tiu-luneta-edsa-rallies/ "Photojournalist Jilson Tiu on What Stood Out at the September 21 Protests"), and widespread public anger over the government’s failure to protect its citizens. Abra’s “Ilusyon” became the perfect soundtrack for the righteous anger so many Filipinos are experiencing today. *Rolling Stone Philippines* reached out to Abra, known for other Filipino hip-hop hits such as “Diwata,” “Gayuma,” and “Cerberus,” to talk about why “Ilusyon” still resonates today, why hip-hop is an effective tool to address social issues, and how artists and listeners can be compromised when consuming and creating art. **Can you take us through those days when “Ilusyon” was shared and played during the heavy rains and flooding? What did you take from that, and why do you think it sort of resonated again today?** I think social media helps, kahit it being a double-edged sword. There’s more awareness now, and people can share their opinions more openly. People get more access to it and it doesn’t have to just come from the big guys. It’s about time that they saw it, a little bit too late now, but at least from here, I just hope that we do not fall back into the trap where people are just like “The illusion that everything is in bliss, everything is just fine.” **What would you tell politicians now 13 years since that song first came out?** The flood control in “Ilusyon” is just one of the checklists that \[these politicians\] have to check out. Honestly, I think we need to change the usual name \[because\] the usual people take the seats. The familiar names take the seats. This is where we ended up, in my opinion. You can’t blame \[the people\] kasi mahirap na naman when you get flashed with all these ads and then they’re gonna trap you into poverty so that they can buy you just as easily. It’s nice to see that people are slowly waking up. People have a sense of awareness and unity and are trying to make this country better for everyone. **What makes hip-hop the best platform to speak on social issues?** Hip-hop has always been political and social. Being that it’s the art that comes from the streets, it gives a voice to the people who can’t speak out or don’t have enough of a following to be heard. It gives them a fighting chance in all this noise. So you just come up with the right music, rhyme, rhythm, timing, topics, and just come from the heart. I think that’s the most important because now I think people are going to capitalize on it. So there’s going to be a blur on who’s really into it for change or into the trend. If we can change the way things are for the Philippines and for the better, then go on and make those political songs. “\[Rap\] is like the modern-day Umalohokan, speaker of the village saying the news, not coming from the rulers, but coming from the people.” Abra **Hip-hop is bigger than ever. Do you feel you have a responsibility to tackle the issues now more than ever?** I think every artist has their responsibility and art is the best way to get the message through. Sometimes the message can be harsh and hard to hear, or it can be complex. Rap is a good way because in rap, you can say more things. You have more space in the verse to say what you want, and you can do three hooks. If you want to use it for changing the wrong things in society or pointing out the wrongs of society, sobrang ganda niyang tool. You don’t have to hold back. I just like how rap and poetry is like the modern-day Balagtasan. This is like the modern-day Umalohokan, speaker of the village saying the news, not coming from the rulers, but coming from the people. **How do you see the hip-hop scene evolving from here? And how does the political or cultural landscape now compare to when “Ilusyon” first dropped?** I think in terms of the hip-hop landscape, there’s still room for more growth. I mean, it’s really big right now, like everyone’s rapping. Hip-hop is so big compared to more than a decade ago. It was like there were only a few, and it was still a mystery. And they still don’t know what it really was for or what’s really the hidden gems in the culture. It’s not so hard for them as it was for us. The challenge is how do you get the attention going and not lose it? ![Abra](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Abra.webp) “The challenge is how do you get the attention going and not lose it?” Photo from Abra/Facebook **Do you see more of your peers speaking up now? What would you like to see in the industry today when it comes to representation and tackling important issues?** I think artists should have the freedom to do what they want because you can’t really force it upon them, because they have to feed their families, they have to get by. So there’s factors to consider in this. But for me, I’m blessed that I have the freedom to not give a fuck and not compromise. So, I hope people can draw inspiration from that because if the compromise is the trap, we have to break free from it slowly but surely. I don’t want to be biased, but I think art is probably on top when it comes to being one of the best ways to change the perception of the people because when they love the art and the message that comes with it, you don’t gotta force it into their throats every day, or you don’t gotta force them. They just consume it willingly and they enjoy it, so they get the message along with it. Give a good track for the people, but find the balance in giving some essence into your art and into the time and effort that you put into your craft, because at the end of the day, if you’re sharing it with people, might as well share it in a way that uplifts them or opens their minds. ## Frequently Asked Questions ### When was “Ilusyon” released? “Ilusyon” was released in 2013, a collaboration between Abra and Arci Muñoz. ### What are Abra’s greatest hits? Abra’s greatest hits include “Diwata,” “Gayuma,” “Cerberus,” to name just a few. ### What is the title of the film Abra starred in 2018? Abra starred in *Respeto*, playing an aspiring battle rapper Hendrix, and that the film tackled social issues and the country’s history. ### What is the title of the EP he released in support of the film? Abra released *Hendrix EP* in 2018 as a concept EP where he performs his character Hendrix. ### What is Abra’s comeback track after a 7-year hiatus? Abra released “Kontrol,” produced by DJ Medmessiah of Morobeats, in January 2025. Related Stories - [P-Lo Spent Years Producing Hip-Hop’s Biggest Hits. Now He Wants His Own](https://rollingstonephilippines.com/music/hiphop-rnb/p-lo-producing-hip-hop-hits-own-music/ "P-Lo Spent Years Producing Hip-Hop’s Biggest Hits. Now He Wants His Own") - [Manila Raves, and the Price of Fantasy](https://rollingstonephilippines.com/editors-picks/features/manila-raves-history-price-cost-of-fantasy/ "Manila Raves, and the Price of Fantasy") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") **Categories:** Editor's Picks, Features, Hip-hop/R&B, Music **Tags:** Abra --- ### [Alarming Things Senator Robin Padilla Said During the Impeachment Trial](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/robin-padilla-alarming-impeachment-trial-remarks/) **Published:** August 27, 2026 **Author:** Reyza Ferranco **Content:** It’s almost as if Senator-judge [Robin Padilla](https://rollingstonephilippines.com/tag/robin-padilla/ "Robin Padilla") only enters the impeachment court with the goal of either humoring or provoking the people on the Senate floor. Senator-judges are responsible for evaluating the evidence presented and determining the threshold for conviction. As stated in the Senate’s Rules of Procedure on Impeachment Trials, senators are expected to observe neutrality throughout the impeachment trial. And while it is Padilla’s job to try the facts, he has made more alarming remarks than actual probing. His comments have ranged from questioning the prosecution’s one-sidedness to making statements that have left the court wondering what, exactly, they have to do with the case at hand. He scrutinizes the allegations against Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte") less succinctly and sometimes appears to echo the defense’s position. So, what are the alarming things Senator Robin Padilla has said during the [impeachment trial](https://rollingstonephilippines.com/tag/impeachment-trial/ "Impeachment Trial")? ## **‘University of Prison’** During the voting for the impeachment court’s presiding officer in the early proceedings, Padilla revealed that he had used Google to understand legal terminology in the Constitution. He reasoned that he did not graduate from a prestigious university but instead went to “University of Prison.” He also said he is proud of his three years in detention as it is where he learned about life. “Nagtapos ako ng criminology at UP rin. Sa University of Prison,” he said. ![robin padilla impeachment trial](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/voltaire-domingo.webp) Padilla would frequently reference his time in prison during the impeachment trial. Photo by Voltaire Domingo/Senate PRIB ## **On Grave Threats and Hired Killers** On the allegations of grave threats made by the vice president, Padilla asked National Bureau of Investigation (NBI) Regional Director Atty. Jeremy Lotoc whether a statement could still be considered a threat even if there was no money involved. “Ang hired killer, pera-pera po ‘yan ah. ‘Pag usapin po ng pera, talagang may threat,” he added. He referenced his time in prison, explaining that he met and spent time with hired killers while incarcerated. Lotoc clarified that it is still considered a grave threat, citing the Constitution. ## **[‘Komunista po ako’](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/robin-padilla-communist-angel-locsin-response/ "Robin Padilla Calls Himself a Communist. Angel Locsin Begs to Differ")** During the trial, Padilla drew a historical parallel between former President [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte") and the vice president, and Russia’s Romanov dynasty, particularly their opposition to communism. He then asked Lotoc for clarificatory statements regarding the possible linkage. “Komunista po ako ha,” Padilla declared. This was in relation to the “Operation Romanov” that was brought up during Duterte’s press conference in 2024. He further questioned the prosecution’s arguments and attempted to contextualize the Dutertes’ history and relationship with communist groups. The NBI affirmed that the Romanov assassination plot was against the Marcoses and not the vice president. ## **One-Sided Prosecution** On July 22, Padilla expressed his concern over how the prosecution presented the case, saying, “Sana hindi one-sided ang ating prosecution.” This prompted House Lead Prosecutor and Batangas Representative Gerville Luistro to stress that political neutrality must prevail for the senator-judges instead, as it is what was laid out clear on the Senate Rules on Impeachment. House prosecutor [Lorna Kapunan](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/lorna-kapunan-impeachment-trial-quips/ "All The Quips That Lorna Kapunan Delivered In The Impeachment Trial") also defended the prosecution in a media interview. “The prosecution should really be one-sided, hindi ba? ‘Yun ang task ng prosecution. The defense is also one-sided because they have to prove the defense, ‘di ba? So, both sides should be one-sided.” He later explained that it was a “call for fairness,” for the prosecution to avoid presenting witnesses whose credentials are questionable. He argued that if such witnesses were allowed in court, the same standard should be applied to senator-judges who have pending cases but have not been convicted. ![robin padilla impeachment trial](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/voltaire-domingo-2.webp) The senator-judge’s “one-sided” comment prompted prosecutors to remind him that it’s their job. Photo by Voltaire Domingo/Senate PRIB ## **‘Yes or No?’** Padilla repeatedly tried to reduce complicated questions of credibility, intelligence gathering, and public security into simple “yes-or-no” propositions. He asked prosecutor Gerville Luistro whether it was fair to call someone a “liar” for inconsistencies in accounts. When Luistro tried to ask for more context, Padilla pressed her for a binary response. Padilla also questioned several witnesses on matters that appear to have little bearing on the allegations against the vice president. For instance, he asked former Commission on Audit Intelligence and Confidential Funds Audit Office (COA-ICFAO) Auditor Roderick Wamil if he had ever been exposed to the threats of terrorism in the country. “Nakaikot na po ba kayo sa mga bundok? Nakita niyo na po ba ang mga pangangailangan ng mga tao sa malalayong lugar?” “‘Di po kayo exposed,” Padilla added. The exchange appeared to frame the official as being out of touch with the realities faced in remote areas and to question why the COA officer was subjected to investigation when he had no personal exposure to terrorism. Padilla once again brought up terrorism in a later proceeding. This time, he asked the witness and state auditor Xylene Del Campo about reports of Lumad schools allegedly infiltrated by terrorist groups. He then mentioned that since he and Del Campo were both from Baguio, he would no longer press her with questions. “Dahil po diyan, hindi ko na lang kayo pahihirapan. Tayo na lang po ay maging magkababayan sa Baguio.” ## **Dimasalang, Siling Labuyo, Tikbalang, and other aliases** Padilla’s recent comment made on the use of an alias — in connection with the numerous dubious names found on the receipts of the confidential funds — raised more eyebrows online. The senator-judge mentioned that national heroes also utilized aliases, like “Dimasalang,” “Siling Labuyo,” and “Tikbalang,” and asked prosecution counsel, Mae Divinagracia, if she knew of it. “Ito po ang pinalalabas ng prosecution, na may mga pangalan na katawa-tawa,” Padilla said. “Mas nakakatawa po itong mga pangalan noong mga nangyari noong araw.” Divinagracia countered and said that the circumstances from their time differ from the case at hand, as there was a war. “Do you know Marcial Bonifacio? It was Benigno Aquino Jr., Ninoy. He himself had an alias,” Padilla said. This was later shot down by Senator-judge [Bam Aquino](https://rollingstonephilippines.com/tag/bam-aquino/ "Bam Aquino"), who explained that the purpose of the alias was so Aquino could return to the Philippines from his exile in Boston. “Wala po ba tayong giyera sa NPA? Ang NPA, may alias,” Padilla argued again, but Divinagracia objected and pointed out that armed conflict is different from war. The prosecutor further mentioned that under the Anti-Alias Law, using aliases is not completely prohibited as long as the actual names are disclosed. Padilla remained firm in arguing that protecting the identities involved in confidential operations is vital. ## **Confidential Funds = School Violence Prevention?** The senator-judge asked the prosecution and defense counsels, Divinagracia and Kristine Ferrer, whether they believed Department of Education (DepEd) Secretary [Sonny Angara](https://rollingstonephilippines.com/tag/sonny-angara/ "Sonny Angara") could have possibly prevented school violence incidents if he had confidential funds. “Palagay niyo po ba kung mayroong confidential fund si Angara, maaari po bang mapigil niya ang mga shooting incident sa mga paaralan?” he asked, pushing both lawyers to speculate and establish the supposed usefulness of confidential funds. Divinagracia and Ferrer had opposite answers, with the latter saying yes if the confidential fund is used for threat surveillance. And perhaps Padilla’s own defense of his performance outside the courtroom explains why these moments keep happening. On August 27, the senator-judge hit back at his critics over his impeachment trial remarks. “Ako ay ibinoto ng mga totoong tao. I’m only answerable to them, not to paid troll farms. Dios mío, magugutom ang mga trolls kapag tumigil ako,” he said. ## FREQUENTLY ASKED QUESTIONS ### What is a senator-judge’s role? Senator-judges are responsible for evaluating the evidence presented and determining the threshold for conviction. ### Should senator-judges be neutral? Yes, as stated in the Senate’s Rules of Procedure on Impeachment Trials, senators are expected to observe neutrality throughout the impeachment trial. ### Why did Robin Padilla say he graduated from the University of Prison? Robin Padilla said that he used Google to understand legal terminology in the Constitution, as he did not graduate from a prestigious university but instead went to the “University of Prison.” He was previously convicted. ### Who is Marcial Bonifacio? Marcial Bonifacio was an alias used by former Senator Ninoy Aquino during his return to the Philippines from exile. ### What did Robin Padilla say to Xylene Del Campo during the impeachment trial? After asking Del Campo about reports involving Lumad schools and alleged terrorist groups, Padilla noted that they were both from Baguio and said he would no longer press her with questions. He told her, “Tayo na lang po ay maging magkababayan sa Baguio.” Related Stories - [All The Quips That Lorna Kapunan Delivered In The Impeachment Trial](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/lorna-kapunan-impeachment-trial-quips/ "All The Quips That Lorna Kapunan Delivered In The Impeachment Trial") - [Sara Duterte Impeachment: A Look into the Trial Lawyers’ Academic Backgrounds](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/where-duterte-impeachment-lawyers-studied-law/ "Sara Duterte Impeachment: A Look into the Trial Lawyers’ Academic Backgrounds") - [Every Foreign Trip Sara Duterte Took Since 2022, and Why the Public Deserves to Know](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-overseas-trips-transparency-scrutiny/ "Every Foreign Trip Sara Duterte Took Since 2022, and Why the Public Deserves to Know") **Categories:** Philippine Politics, State of Affairs **Tags:** Impeachment Trial, Robin Padilla --- ### [Lav Diaz, Irene Villamor, Jerrold Tarog, More Weigh in on Piracy](https://rollingstonephilippines.com/culture/film-piracy-filipino-filmmakers/) **Published:** August 27, 2026 **Author:** Jason Tan Liwag **Excerpt:** Eight Filipino filmmakers talk about their first experiences with having their work pirated and how it altered their relationship with piracy **Content:** Days before [Cinemalaya](https://rollingstonephilippines.com/tag/cinemalaya/ "Cinemalaya") concluded this year, a link from the Twitter account @mayplottwistba began circulating. It led to a website made by an ordinary citizen that served as a guerrilla archive, more of a directory, of all feature films produced through the Cinemalaya Independent Film Festival since its inception in 2005, compiling links to sites where they could be viewed. Called the “Cinemalaya Catalog,” the project was, according to the website, “intended solely as an archival and informational project” and was widely shared by budding cinephiles who previously had no access to the more than 200 other acclaimed titles produced by the festival. The database, which only contained a handful of links from pirated and non-official sites, was swiftly criticized by filmmakers, including *Ang Duyan ng Magiting* (2023) director Dustin Celestino, who posted that links to his feature as a site that circulated their works without permission and prevented them from properly earning from their films. What followed was a wave of online debate, with filmmakers and audiences trading arguments — and, at times, jabs — over the ethics and consequences of piracy within the structures of late capitalism. The site has since gone through several revisions in an effort to remove illegal links and limit access to legal streaming sites. While the [site is now back up](https://cinemalaya-catalog.vercel.app/) with additional notes and disclaimers, the ongoing conversation has made one thing increasingly clear: the relationship between piracy and filmmaking is far from homogenous, and cannot be reduced to questions of legality alone. Carl Chavez, founder of entertainment marketing agency Lunchbox and director of Cinemalaya short *Sorry for the Inconvenience* (2017), [posted a high-resolution link to his short](https://x.com/bbbboyc/status/2090444836319187110?s=20), urging everyone to support the film if it ever returns to theaters. [Isabel Sandoval](https://rollingstonephilippines.com/tag/isabel-sandoval/ "Isabel Sandoval"), filmmaker and star of *Lingua Franca* (2019), retweeted a [gofile link](https://x.com/juandibidi/status/2091305094126141846) to her feature *Lingua Franca* (2019). A 2024 post of Arden Rod Condez, the director of *John Denver Trending* (2019), resurfaced quote-tweeting another post sharing a bootlegged copy of his debut, saying (cheekily): “[sige na nga, sa inyo na yan. Kahit papano naka-roi na kami](https://x.com/ugh_ardenrod/status/1751980232524075137).” After seeing a bootlegged copy of his film *Bar Boys: After School* (2025), director [Kip Oebanda](https://rollingstonephilippines.com/tag/kip-oebanda/ "Kip Oebanda") went even further, saying: “[Pag ako nakakita ng reviews na “sayang pera ko dito” pero sa juna dibidi nanood ha!](https://x.com/kipoebanda2026/status/2091783068810183144?s=20)” Meanwhile, in defense of the audience’s efforts, quotes from [Lav Diaz’s 2013 interview with freelance film critic Michael Guarneri](https://www.lafuriaumana.com/michael-guarneri-militant-elegy-a-conversation-with-lav-diaz/), where he expresses how “piracy is part of the cultural revolution in our country,” began circulating. Motion Picture Preservation Specialist Heidi Holmstrom traces the difficulties of confronting piracy back to some of its earliest documented [instances in 1902.](https://unwritten-record.blogs.archives.gov/2020/02/12/pioneers-of-movie-piracy-and-the-expansion-of-copyright-law/?fbclid=IwAR0Ls6WrwX1cbA3h_LsUfh05YjI9O2yrOQ6p5F0BQa50aASUDFgo43dHTi4) More than a century later, these conversations have only become murkier as motion pictures have moved from physical media to television, streaming platforms, and increasingly fragmented digital ecosystems. The question is no longer simply whether piracy is legal or illegal, but what it means for films to circulate — and what happens when the systems designed to make films accessible fail to do so. When I began writing this piece about filmmakers’ firsthand experiences with piracy in 2023, it was difficult to find people willing to speak freely and thoughtfully about the issue. Many outright refused, believing that a magazine writing about — and humanizing the ethical conundrums surrounding — piracy was somehow endorsing it. Several were unable or unwilling to go on the record about their pro-piracy stance because of current or former contracts with studios or schools, or because they feared it would make them pariahs among their peers and producers. Many who were anti-piracy were afraid it would turn their audiences away from their works. Others simply didn’t respond, later admitting that they didn’t know how to articulate their complex relationships with piracy. But then there were others: filmmakers whose films had reached A-list festivals who shared that their work reached a wider audience — and, in some cases, mattered more — through piracy than in the top film festivals. Producers who saw value in piracy as a means of circulating important and socially relevant narratives and documentaries, particularly long after their return on investment had been recouped. Distributors and film historians involved in preservation, restoration, and circulation, meanwhile, expressed fear at losing titles forever to time, sharing that pirated copies help prevent this permanent erasure and, in some cases, make restoration and historical mapping possible. The contradiction is difficult to ignore. If filmmakers can’t make a living from their films, while audiences can’t access the films they’re yearning to see, what, ultimately, is the point? The conundrum reveals something larger about the Philippine film ecosystem: distribution is often a negative-sum game, in which access and livelihood are treated as opposing interests rather than problems that should be solved together. As scholars Anja Schwarz and Lars Eckstein extensively detail in their anthology book [*Postcolonial Piracy: Media Distribution and Cultural Production in the Global South*](https://www.academia.edu/10838290/Postcolonial_Piracy_Media_Distribution_and_Cultural_Production_in_the_Global_South), piracy “ducks and deranges the globalised designs of property, capitalism and personhood set by the North.” Written for the first issue of the print-only Southeast Asian film magazine [*MARG1N*](https://marg1n.com/)*,* this piece continues Schwarz and Eckstein’s conversation about circulation in the Global South by moving away from theory to the firsthand experiences of filmmakers caught between satisfying public demand and making a living in an increasingly inhospitable creative economy. *This story was originally published in *Phnom Penh**–*based Southeast Asian film *magazine *MARG1N* in 2024.** --- “Why would an artist prevent others from seeing their work, especially if the audience can’t afford it?” Irene Villamor In the Philippines, piracy is as ubiquitous as air. Pirated copies of Hollywood and commercial fare play in buses, restaurants, and offices on the daily. Families exchange DVDs of local and foreign films on holidays. Film schools show bootlegs and illegally downloaded shorts and feature-length films to educate up-and-coming filmmakers. Before the digital revolution and the advent of internet piracy, physical copies were sold on the streets of every major city, often in areas of high human density such as wet markets, churches, and malls. Despite the crackdowns on physical stores in Quiapo and Greenhills in the early 2000s, piracy was one of the only ways lesser-known works were seen by an average consumer. In the absence of investment in physical releases from studios, piracy distributes and preserves older and independent films. Most writing about piracy argues against it from a legal, religious, or business standpoint. The Optical Media Board has claimed that at its height, piracy in the 2000s and 2010s amassed hundreds of millions of pesos of losses yearly. But for a country as poverty-stricken as the Philippines, the gray areas arise from the affective domain — for both consumers and creators. How do we preach against piracy in the face of poverty and lack of ways to watch shows legally? How do we condemn pirates when it is their sociopolitical realities that filmmakers turn into fiction and profit from through film festivals and commercial releases? In a country where much of the remaining avenues for filmmaking rely on state-sponsored grants funded by the Filipino taxpayer, can piracy be considered stealing? With a COVID-addled world thrusting people into poverty and ticket prices and streaming platforms soaring, piracy becomes one of the few ways films are still seen locally. How then must filmmakers feel and respond? In late 2023, I spoke to eight feature filmmakers ([Rodina Singh](https://rollingstonephilippines.com/tag/rodina-singh/ "Rodina Singh"), [Irene Villamor](https://rollingstonephilippines.com/tag/irene-villamor/ "Irene Villamor"), [Dodo Dayao](https://rollingstonephilippines.com/tag/dodo-dayao/ "Dodo Dayao"), Glenn Barit, Monster Jimenez, [Jerrold Tarog](https://rollingstonephilippines.com/tag/jerrold-tarog/ "jerrold tarog"), [Lav Diaz](https://rollingstonephilippines.com/tag/lav-diaz/ "Lav Diaz"), and Mac Alejandre) about their personal experiences of having their work pirated, how these have changed their relationship with piracy, and how it affects their work today, if at all. *Excerpts of the interviews have been translated from Filipino and edited for publication.* ![irene villamor](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/KAP06573.webp) *The Loved One* director Irene Villamor. Photo by Kieran Punay **When was the first time you saw your own works pirated? Or what was the most memorable experience of finding out your work was pirated? Where were you and how did you feel? Could you describe the experience?** I can’t remember the first time I saw my work pirated. The most memorable was with *Sid & Aya* (2018). It was only a few days after the film’s commercial release, but we saw that the movie already had a Facebook link. I engaged by privately requesting the people who posted the link to take it down. Others were okay to do it and realize the effects of their actions. Or at least that’s what they said. But one commenter refused to do so and argued about him being an OFW who didn’t have access to recent Filipino films. He said piracy was more democratic. Why would an artist prevent others from seeing their work, especially if the audience can’t afford it? There’s an argument too about capitalism. So that definitely made me think. Though, of course, it hurts to see your work pirated. **IRENE VILLAMOR** Director of *Ulan* (2019), *Sid & Aya: Not a Love* *Story* (2018), and *Meet Me In St. Gallen* (2018) Maybe Mar\[io Cornejo\] has forgotten about this. But it was in Quiapo or one of the malls in Pasig where they have poker near Greenhills. At the time, they were famous for selling 4-in-1 DVDs. The legitimate copies at the time were only being sold as VCDs. *Big Time* was made in 2005 and we were able to sell it \[legitimately\] as VCDs in 2006. This was a couple of years after and— of course, guilty as charged—we were also looking at stuff, for really hard-to-find arthouse DVDs. Then we saw a 4-in-1 DVD that had *My Sassy Girl* (2001), *Big Time, Masahista* (2005), and… I forget the last movie. I wanna say *Kaleldo* (2006) but I’m not sure. I think we kept that DVD, but I’m not sure where it is. My first feeling when we got it was that I was flattered. Everybody wanted to watch *My Sassy Girl*, so you know that at some point they were gonna watch our film if you bought it. So I bought it because, in my mind, why wouldn’t I? I also hadn’t seen *Masahista* anyway. Of course you’re thinking about your keep. But as an independent filmmaker, sometimes our objectives are different. If you put it to brass tax, it’s not a huge amount. What you want is for more people to see you. But then I had my next experience: *Respeto* (2017). It was a hip-hop film. You know how active they are in the YouTube world. I was hoping that the super active hip-hop community would drive them into cinemas because we had a commercial run of *Respeto*. But as it turns out, they don’t go to the movies. At least the fans of [Abra](https://rollingstonephilippines.com/tag/abra/ "Abra") and Loony \[don’t\]. What they do like doing is pirating the damn thing. I’m not kidding. Especially after Cinemalaya. Treb \[Monteras II\] knew how active they were. It was a cultural thing. So we were very careful. We could trace where the movies were coming from that were being uploaded on Facebook and YouTube and almost every day, we had to report them. It almost became a hobby of mine and Treb’s. From there, I think my relationship with piracy changed. It was affecting \[us financially\]. It didn’t do well at the box office. We did make some money, but even our trailer was pirated \[by others\]. You could see the movie cut up to their liking. That’s when it hits you that people think they can do whatever they want with the movie just because it’s been released. Without thought. The funny story there is that it got to the point that Treb got so frustrated about it that he would post them on our Facebook. “Pirata, wag gayahin.” \[*Laughs*\] At first, I told him not to do it. But then he was so frustrated because they were \[repeat offenders\]. It’s impunity. They did not care. It still happens. We started tracing where it came from. I’m just going to say it because I hope they read it: It was really from the award-giving bodies. From all of them. You had to give them DVDs because a lot of them didn’t want links at the time. Maybe \[some members\] didn’t have fast internet. We put small watermarks on them, so we could tell where they came from. It’s not like they return the copies. So that’s what I learned. Especially with *Leonor Will Never Die* (2022). If an award-giving body demands a hard copy, we just say we can’t. If you don’t want to nominate our film, then okay. But there are ways for them to watch it. So we just went out of our way to give them a fast link, that wouldn’t be a hassle for the viewer. And I guess everyone should evolve anyway. So far, there haven’t been any violent reactions. They were just very… surprised that I was doing that now. **MONSTER JIMENEZ** Director of *Kano: An American and His Harem* (2010); Producer of *Big Time (*2005), *Respeto* (2017), and *Leonor Will Never Die* (2022) **What was your relationship to piracy before the incident(s)? Did having your own works pirated change your relationship with film piracy at large?** I’m pretty ambivalent about piracy, to be honest. On the one hand, I don’t think it’s my place to crusade against it. The only people who have any right to rally against its supposed ills are people who have never bought a single pirated DVD or downloaded a single torrent or never had a VPN. All it takes is one act of piracy in your past and you’re an automatic hypocrite if you go up on some sort of high-horse pulpit to condemn it. Here’s the quandary, though: I’m a full-time working filmmaker. I’d like my producers to earn revenue from my work. I’d like to make some cash from it, too. But both *Violator* (2014) and *Midnight In A Perfect World* (2020) never got a regular cinema run, never got a physical media release, never got on any streamer because not a single one was interested in picking them up. All the legal mechanisms for distribution tend to so far be prohibitive when it comes to getting my work out to its potential audiences. And if nothing else, I’d like for more people to see it, too, not least because every time I show it in special screenings, the response has been overwhelming. That’s why I tend to agree with \[Werner\] Herzog and Lav \[Diaz\] in that piracy may be the most successful form of distribution. **DODO DAYAO** Director of *Violator* (2014) and *Midnight In a Perfect World* (2020) “I find it annoying when people who obviously can “afford” to pay are the ones who are at the forefront of pirating. I think they’re the problem. They use those who can’t afford it as a human shield.” Rodina Singh ![Rodina Singh Dreamboi](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/10/Dreambois-BTS-3.webp) Rodina Singh on the set of *Dreamboi.* Photo by Nigel Abesames Of course, when I was a student, piracy was so helpful in allowing us to watch films that we couldn’t find in cinemas. This was during a time when paid streaming services weren’t available yet. Even if there were opportunities, I didn’t have the money to pay \[for them\]. But when my works started being pirated, I developed a different take and felt that it was still problematic in a business sense. To me, piracy is inevitable. Even if I know personally we shouldn’t pirate films, I settled for an alternative: “It’s okay to pirate as long as it isn’t locally produced.” People need to support \[local filmmakers\] for opportunities to multiply. With each film that performs at the box office, it gives birth to more films, more opportunities to tell stories. But when I think about how expensive it is to watch films nowadays — whether in theaters or through streaming — I develop these internal exemptions for those who are unable to pay. In truth, I do think people who can’t pay will pay. I find it annoying when people who obviously can “afford” to pay are the ones who are at the forefront of pirating. I think they’re the problem. They use those who can’t afford it as a human shield, a blanket. I think they’re ruining the future of production. They’re the ones who are truly stealing from us because it’s obvious they can afford it but simply choose to steal. This is different from people whose circumstances ask them to choose between watching a film in the theaters or eating several meals across several days. We make films for people who cannot always pay. We make films with their stories and experiences. So why should we punish them for pirating the work? **RODINA SINGH** Director of *Mamu and a Mother Too* (2018) and *Drag Den* (2022-2024) I used to man my brother’s old computer shop when I was in high school. I’m the one who looks for music online and burns it on CDs for customers. In Cagayan, there are virtually no music stores and movies \[screenings\] are delayed for weeks, even months. Piracy was really the access for us, and it was free! So it was natural for me to pirate stuff through Limewire and Bearshare. Later on, it was so easy to rip from YouTube. And when I learned about torrents, the floodgates opened especially for world cinema. I still download stuff today. This is a tricky subject for me. I’m sure every film/filmmaker is different. But in my perspective, now that I have a feature-length film made, *Cleaners* (2019), which was born out of the help from various people: like my parents who sponsored/cooked our food for our entire crew, my relatives who acted in it for free, my filmmaker friends who took their roles on a huge discount, and even strangers who supported it through crowdfunding. It was hard to see our film be shared so easily in unlisted YouTube links, untraceable websites, and in Telegram links. My film friends and I are now doing these stupid day jobs just to survive but this thing we poured our hearts out in 2019 doesn’t give as much to sustain us. And we also give bonuses to our crew if we can — it’s not all top-heavy. The other side of the coin is that we really want our film to be seen. Who doesn’t? But our film is having difficulty getting into streaming or having proper distribution. A lot of people want to see our film, but we can’t really point them anywhere. One question that usually pops up is: “Why don’t you just upload it on YouTube?” My answer is we won’t gain much from that. Films have this sort of life, that when they get older, they get less valuable. So as much as we can, we’re still trying to sell our film on platforms, before its life/value ends. My timeline is around five years. After that, maybe we can upload it on YouTube for anyone to see. I’m still figuring out how to DIY and self-distribute it after trying the streaming options. But our film is heavily pirated now on different websites and Telegram groups. I watched it once on a site before. \[*Laughs*\] So with these experiences, my personal compromise is to let local cinema breathe. I only download international stuff now. Hollywood especially, since their budgets are so huge compared to us. Piracy may not even be that much of an issue for them. But for local cinema, let them sell their films on streaming. Or let them try screening on big screens, especially for the independent ones. Of course, different films work on different business models too. Not all sales make their way to the makers. But if we have a simple general rule: let Philippine cinema earn a little. Sometimes it’s their fuel/energy to make more stuff that might be nice and pay the crew well. Also, a lot of directors give out screeners, if you ask them nicely. Lastly, I think of piracy as a symptom, not the disease. **GLENN BARIT** Director of *Aliens Ata* (2017) and *Cleaners* (2019) **Do these experiences inform your practice now?** My film *Tagpuan* (2022) was part of the 2020 Metro Manila Film Festival. The screening was online \[for the first time\] because we were still amid the pandemic. It was a huge risk. Because of the pandemic, there were almost no films being made. Then, as soon as the festival began, several online pages popped up and started selling films that were part of the festival. They were bundled to become cheaper if you watched three of the films. It was so cheap to get the link. It hurt a lot for the producers and everyone who was part of the festival. We were already struggling \[because production had halted\] and here we were, being robbed. I recall there was a coordinated effort from various agencies to end piracy. But pirates have a different level of strength and resilience. Even now, they’re very open on social media. I still see some films being sold for around P10. No film can really escape piracy. I don’t know how, but I do hope there’s a way to end it soon. **MAC ALEJANDRE** Director of *Ang Panday* franchise, *Selina’s Gold* (2022) and *Tagpuan* (2022) “Piracy is a consumerist thing.” Lav Diaz ![LAV-DIAZ](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/LAV-DIAZ.webp) Filmmaker Lav Diaz, one-third of The Brockas. Photo by Jake Verzosa Of course. In Europe, sometimes they see *Engkanto* (2007) or *Melancholia* (2008). They sell my works. I remember walking in one of the Slavic countries \[and seeing my works\]. But they weren’t properly made. Some of them were copied or videoed during a screening and just slapped on a title and sold on the streets. I saw *Perfumed Nightmare* (1977) by Kidlat Tahimik there. \[*Laughs*\] You’ll be surprised. I saw it along the streets of Croatia too. I told Kidlat and he just laughed. Piracy isn’t unique to us. It’s everywhere. I remember in Poland, I was with a filmmaker from Ukraine who was surprised to see all of his films being sold on the street. He said, “Wow, these are my films!” Some people are collectors of those kinds of films. If they know that there’s a market for your film, if there’s a niche, they’ll copy it. I think there’s an underground market but on the internet. You pay them and they send you a link or a physical copy. Or sometimes a drive that you send over and they transfer it and return it to you. It’s an underground market. The collectors of VHS copies still have those. But it’s a unique collector system. They look for specific copies. There’s a collector of *The Godfather* who looks for DVD copies, Beta copies, etc. Hardcore collectors. I slept at a programmer’s house once. He’s that kind of collector. He has films that he really loves and he’ll collect all kinds of copies of that film, from miniDVs, CDs, to DVDs. Piracy is a consumerist thing. But there are real collectors. They don’t care about the discourse on it. They don’t care if it’s illegal or unauthorized. They want something and piracy provides for that need to collect things, find things. The dichotomy of the seeker and the giver is a very psychological thing. It addresses the human’s yearning to see things and have things. If you want larger discourse on piracy, make it about that. Not just about the market, but the human needs. Some pirates who are producers of the unauthorized market… they’re not really thinking about these sociological and psychological needs of the person. All they know is that it sells. But if you dig deeper, it’s about fulfilling an unaddressed need. Maybe it’s even an addiction. If you still remember Gino Dormiendo, the great critic during the era of \[Lino\] Brocka, he was my neighbor in Marikina, and he really collects things. His collection was expansive. But he got sick and had to sell things. From scraps of films to DVDs, that’s where he’d spend his money. It’s hoarding. He wouldn’t watch it. He’d leave it in boxes. Films by Brocka, \[Ishmael\] Bernal, \[Martin\] Scorsese, \[Andrei\] Tarkovsky. It’s collecting for the sake of collecting. I bought so many things from him then. When he was sick, he started selling them for cheap or even giving them away for free. **LAV DIAZ** Director of *Batang West Side* (2001), *Norte* (2013), and *Ang Babaeng Humayo* (2016) If anything, all of this has convinced me that we should find ways to keep the tradition of watching movies in theaters alive. Give the film a window to earn outside of digital platforms. That has the added benefit of resisting the atomized experience of watching films through digital and strengthens the communal experience of cinema. But that brings about the question of what can be shown in theaters these days because the landscape is entirely different from how I started. Something — some movement or some film — has to reignite the filmgoing experience, particularly in local cinema. We need a film experience that stays with us beyond the transitory nature of memes and that can draw out deep emotions and long conversations in public. We need films that can actually change lives again. **JERROLD TAROG** Director of *Sana Dati* (2013), *Heneral Luna* (2015), and episodes of the *Shake, Rattle & Roll* franchise --- *This article was first published in the 2024 issue* [*MARG1N*](https://marg1n.com/)*, a print-only Southeast Asian film magazine based in Phnom Penh, Cambodia. The annual publication links two Southeast Asian countries, in this case Cambodia and the Philippines, under a single theme, and seeks to “introduce curious readers to the contemporary pulses, countercultural narratives, and overlooked histories found within the region.” Titled “MARG1N Issue 1: pirate.lov3r.2024.mkv,” the issue revolved around histories of piracy between Cambodia and the Philippines. Special thanks go to editor-in-chief Savunthara Seng and conceptual and managing editor Alyssandra Maxine for allowing this piece to be republished in its entirety.* Related Stories - [Where is the Amateur? 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Abrahan is no stranger to winning at [Cinemalaya](https://rollingstonephilippines.com/tag/cinemalaya/ "Cinemalaya"), having bagged Best Director and Best Screenplay in 2014 for *[Dagitab](https://rollingstonephilippines.com/tag/dagitab/ "Dagitab")*, which also earned Eula Valdez the award for Best Actress. This year, Abrahan’s project won six awards: Best Film in the full-length category, Best Direction, Best Original Music Score, Best Production Design, Best Screenplay for Guelan Varela-Luarca, and Best Supporting Actor for Lucas Andalio, the last of which is shared with *Hand of God*’s KD Omalin. [*Mag-iina*](https://rollingstonephilippines.com/culture/film/mag-iina-cinemalaya-2026-review/) has been widely praised, emerging as a must-watch for its unconventional take on Filipino horror and the commentaries on generational and national trauma underpinning the film. But it’s also been met with confusion and — as Abrahan pointed out in his acceptance speech — disgust. “I don’t think the deliberate gesture is to alienate the audience,” he tells *Rolling Stone Philippines*. “I think it’s really just \[about\] listening to what the material wants itself to be.” The film is adapted from *Corridors*, a play written by Varela-Luarca, who is Abrahan’s longtime friend and a fellow dramaturg. The two pursued their graduate studies in New York at the same time and had several conversations about how they’d adapt *Corridors*, which was originally written for an English-speaking audience, into a film for a Filipino audience. “I was even asking if we could do long monologues of the characters just looking into the camera,” Abrahan says. “Obviously, we did not do that. But there were many explorations of how to bring in a language, other than what is just cinematic, to create something creepy but also familiar.” A powerhouse cast also charges *Mag-iina*, with [Janine Gutierrez](https://rollingstonephilippines.com/tag/janine-gutierrez/ "Janine Gutierrez"), [Agot Isidro](https://rollingstonephilippines.com/culture/film/agot-isidro-concert-politics-interview/ "‘I Take Everything as It Comes’: Agot Isidro Looks Back on 35 Years in Show Business"), [Cherry Pie Picache](https://rollingstonephilippines.com/tag/cherry-pie-picache/ "cherry pie picache"), Jackie Lou Blanco, Ness Roque, and Andalio playing the traumatized and dysfunctional members of the Abreu household. ![janine gutierrez and lucas andalio in mag-iina](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/janine-gutierrez-lucas-andalio.webp) Janine Gutierrez’s Anj with her cousin Yñigo, a role that won Lucas Andalio Best Supporting Actor. Photo courtesy of producer Bianx Basilio “I really think that casting is \[the\] majority of the work when it comes to acting,” Abrahan says. “It’s a pleasure to have such open actors who are just game, so ready to dive into the material and look at it from many different perspectives and try different things with roles they’ve never done before.” In this interview with *Rolling Stone Philippines*, Abrahan talks more about working with the cast of *Mag-iina*, exploring theatrical and cinematic languages, and making an “un-Cinemalaya” film. **It’s not your first time winning awards sa Cinemalaya because you had *Dagitab* back in 2014. How do you feel winning this time around?** Impostor syndrome never leaves you as an artist, I think. Any form of validation, not just from juries but from audiences, always assures that you’re doing something valuable and important. Even if it’s not the most important thing, awards help you be more confident in putting out something, especially like *Mag-iina*, which to many audiences is a strange film, a film that’s not easy to digest. But I think it’s important for me now because I want a longer life for the film. And it really encourages us as producers to find a way to make this film available to a larger audience. The award arrives as that nudge or push to search for wider distribution. This should not be the end-all. That’s how I feel right now. Having sat with winning two days after \[the awards night\], the idea that’s sticking with me now is that I’m glad we have this award because we have more reason to keep the conversation going, and it gives us more reason to move forward with the film and not keep it within Cinemalaya. “I know that it’s love-or-hate, and that’s telling of how difficult it is to place the film. That, to me, is where artistic excitement lies. When there’s no sense of danger, are you doing it right?” Giancarlo Abrahan **Can you paint a picture of what making a film for Cinemalaya was like back in 2014, and what it was like this time around?** 2014’s edition had a much shorter timeline than this year. Cinemalaya is evolving. \[Back then,\] you submit around September or October, then you’ll hear from Cinemalaya to be interviewed around November or December. You submit a screenplay after that, and then saka pa lang sila pipili \[ng mga screenplays\] around January or February. The festival was also held in August. And then eventually there was really clamor for a longer timeline. So nangyari ‘yung one year na in-a-announce \[ang susunod na festival\] during the \[current edition of the\] festival. Dati, six months lang to make the film. So hindi ako alien to that experience. My first film was with Cinemalaya and in more dire conditions. We only had P600,000 for a single grant e, but also different economic and industry conditions ‘yung time na ‘yun. **Guelan Varela-Luarca directed the** [**stage adaptation of *Dagitab***](https://rollingstonephilippines.com/culture/dagitab-play-interview/) **and *Mag-iina* is a film adaptation of his play, *Corridors*. What was the conversation like between you guys for making *Mag-iina*?** When you’re friends, it’s not just one conversation that sort of decides that. It’s a lot of different conversations, some of it happening even back when we were still in New York. We both did grad school in New York, Guelan for playwriting, I did one for contemporary theater and performance. I remember submitting the idea of *Corridors* sa isang grant somewhere else, looking for validation na parang “Is this something worth doing?” even before we submitted to Cinemalaya. I was a witness to many different iterations of the script. When it was read for \[Varela-Luarca’s\] staged reading in New York as part of his thesis presentation, I saw excerpts of it being read. We also had a staged reading with CAST PH earlier this year. So, we’ve been looking at the film, and the realization is \[that\] it’s so architectural. You have to do it with a house. Much of how the film was transformed was affected by the actual house. Us going there together, to Quezon \[province\] — two people roaming this huge mansion — really defined what this film would finally look like. ![jackie lou blanco in mag-iina](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/jackie-lou-blanco.webp) Jackie Lou Blanco transforms into the terrifying Doña Angela. Photo courtesy of Bianx Basilio There were also moments when I wanted to do something else. I was even asking if we could do long monologues of the characters just looking into the camera. Obviously, we did not do that. But there were many explorations of how to bring in a language, other than what is just cinematic, to create something creepy but also familiar. There’s also a thing about language. It was written all in English. But now that we can code-switch, now that we can use Spanish, we really explored \[language\]. \[Varela-Luarca\] would suggest more Spanish; I would suggest less of it. He would be playing with code-switching; I would be playing with code-switching differently. Because we’re both writers and translators, we’re very interested in how language shapes performance. **Sobrang mother convention ng cast mo. How did you get Janine Gutierrez, Cherry Pie Picache, Agot Isidro, Jackie Lou Blanco, and Ness Roque on board? And what was it like working with them?** I really think that casting is the majority of the work when it comes to the acting, and I’m really, really just so honored that they all said yes. I am a huge fan of all these great actors. Si Ness Roque, napanood na natin ‘yan sa *Last Supper No. 3*. She did this terrific performance in \[Raya Martin’s\] *How to Disappear Completely*, and I thought her eyes were perfect. Agot Isidro, we worked together in Scene Change dahil sa *Dagitab*. So that was an easy decision; some people, you just want to work with them. Si Miss Pie \[Picache\], we had not worked before. Sobrang riot, and she brought so much to the set. Talagang she asks all these questions, keeps everything light, instead of us spiraling into the darkness of this family. She’s such a breath of fresh air. Si Miss Jackie Lou Blanco, fan ako noong bata ako, noong napanood ko siya sa *Magic Temple*. And I think ‘yung parasocial relationship mo with certain people affects how you see them, so mayroon akong ganoong impression sa kanya. It was so exciting to bring her what I think is another indelible character, something as ravishing and menacing as *Magic Temple*’s Ravenal, in Doña Angela. Janine Gutierrez naman, I was so excited, kasi we first met in New York. So when I was thinking about this film, gusto kong maka-cast ng tao na nakakita sa akin when I was there and bringing that trauma of coming home. It’s a pleasure to have such open actors who are just game, so ready to dive into the material and look at it from many different perspectives and try different things with roles they’ve never done before. ![cherry pie picache, giancarlo abrahan, and ness roque on the set of mag-iina](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/cherry-pie-picache-giancarlo-abrahan-ness-roque.webp) Picache, Abrahan, and Roque embrace on the set of *Mag-iina*. Photo courtesy of Bianx Basilio **The film has received a lot of praise, but some audiences found it weird or confusing. As a filmmaker, what is the value of making something that the audience has to meet halfway, or of making something that people might not understand or appreciate immediately?** As an artist, I always try to explore ways that are both familiar and unfamiliar. I am a teacher, and the only way we can discuss things that are out of the box will always be in conversation with how we are already familiar with things. Even my first film was met with confusion. A lot of people accused it of being masturbatory, boring, navel-gazing, walang nangyayari. And when I think about it now, I don’t think the deliberate gesture is to alienate the audience. ‘Pag naglalabas ka ng kwento, gusto mong makita what is unique to it. I think it’s really just \[about\] listening to what the material wants itself to be. But it’s also about challenging what indie looks like. I am familiar with the landscape, specifically with Cinemalaya. As a screenwriter, I’ve done a film about migrant workers in Israel in 2013. *Dagitab* is medyo magical realist naman. “It’s a pleasure to have such open actors who are just game, so ready to dive into the material and look at it from many different perspectives and try different things with roles they’ve never done before.” Giancarlo Abrahan I really wanted to come into Cinemalaya and deliver a film that’s very un-Cinemalaya. I wanted to shake our notions of what indie is, what indie could look like, and how we do indies. Maybe we can do genre films as well. We can bring in genre and make it talk about larger horrors. Maybe we can talk about how horrible this upper echelon of society could be. May mga ganon talaga kaming nilalaro, at ang sarap-sarap niyang laruin with people who are just game to do it. I’m so lucky to be supported by people who, without fully understanding the vision, just jump into making this strange, hard-to-define film. Even now, I find it difficult to market the film, because what is it really? I’m glad there are people on Letterboxd who both appreciate *Mag-iina*’s difference and also pan it. I know that it’s love-or-hate, and that’s telling of how difficult it is to place the film. That, to me, is where artistic excitement lies. When there’s no sense of danger, are you doing it right? Why spend so much money and all this effort trying to do something that’s been done before? ## Frequently Asked Questions ### Who is Giancarlo Abrahan and what is *Mag-iina*? Giancarlo Abrahan is a Filipino filmmaker and dramaturg who won Best Director and Best Screenplay at the 2014 Cinemalaya for *Dagitab*. His latest film, *Mag-iina*, earned six awards at the 22nd Cinemalaya Independent Film Festival, including Best Film in the full-length category. ### What is *Mag-iina* based on? *Mag-iina* is adapted from *Corridors*, a play by Guelan Varela-Luarca, Abrahan’s longtime friend and fellow dramaturg. The two developed the adaptation together, turning an English-language stage work into a Filipino-language horror drama shot inside a real Quezon province mansion. ### Why do some audiences find *Mag-iina* hard to watch? *Mag-iina* blends trippy horror with themes of political and generational trauma. Abrahan describes audience reception as split between praise and disgust rather than universal acclaim. ### Who stars in *Mag-iina*? *Mag-iina* stars Janine Gutierrez, Agot Isidro, Cherry Pie Picache, Jackie Lou Blanco, Ness Roque, and Lucas Andalio as members of the traumatized household. Andalio’s performance won Best Supporting Actor, an award shared with *Hand of God*‘s KD Omalin. ### What awards did Mag-iina win at the 22nd Cinemalaya? *Mag-iina* won six awards at the 22nd Cinemalaya Independent Film Festival: Best Film, Best Direction, Best Original Music Score, Best Production Design, Best Screenplay for Guelan Varela-Luarca, and Best Supporting Actor for Lucas Andalio. Related Stories - [Cinemalaya 2026 Review: In ‘Mag-iina,’ Nothing’s Scarier Than Family](https://rollingstonephilippines.com/culture/film/mag-iina-cinemalaya-2026-review/ "Cinemalaya 2026 Review: In ‘Mag-iina,’ Nothing’s Scarier Than Family") - [The Creators of ‘Dagitab’ Want to Bring the Film’s Magic Onstage](https://rollingstonephilippines.com/culture/dagitab-play-interview/ "The Creators of ‘Dagitab’ Want to Bring the Film’s Magic Onstage") - [Cinemalaya 2026 Review: ‘2 Valid IDs’ is A Filipino’s Bureaucratic Nightmare](https://rollingstonephilippines.com/culture/film/2-valid-ids-cinemalaya-review/ "Cinemalaya 2026 Review: ‘2 Valid IDs’ is A Filipino’s Bureaucratic Nightmare") **Categories:** Culture, Film, Philippine Cinema **Tags:** Cinemalaya, Cinemalaya 2026, Giancarlo Abrahan, Mag-iina --- ### [Bad Bunny Becomes First Latin Winner of Grammy Album of the Year in 68 Years](https://rollingstonephilippines.com/music/hiphop-rnb/bad-bunny-first-latin-artist-grammys/) **Published:** February 2, 2026 **Author:** Elijah Pareño **Excerpt:** The Puerto Rican superstar’s reggaeton-driven record claims the Grammys’ top honor, becoming the first Latin artist ever to win Album of the Year **Content:** [Bad Bunny](https://rollingstonephilippines.com/tag/bad-bunny/ "Bad Bunny") took home Album of the Year at the [68th Annual Grammy Awards](https://rollingstonephilippines.com/tag/grammys-2026/ "Grammys 2026") for *DeBÍ TiRAR MáS FOToS*, an album rooted in reggaeton, Caribbean rhythms, and reflections of his country Puerto Rico. The win marked a historic first for the ceremony, making Bad Bunny the first Latin artist to claim the Grammys’ top prize in its 68-year history. The moment also capped a year in which the Album of the Year category reflected a broader perspective in mainstream music, with rap and hip-hop adjacent records taking up a visible share of the field. > [View this post on Instagram](https://www.instagram.com/p/DUPhpvYkdTR/?utm_source=ig_embed&utm_campaign=loading)[A post shared by GRAMMYS (@grammys)](https://www.instagram.com/p/DUPhpvYkdTR/?utm_source=ig_embed&utm_campaign=loading) The nominees alongside Bad Bunny included Justin Bieber’s *SWAG*, Sabrina Carpenter’s *Man’s Best Friend*, Clipse’s *Let God Sort Em Out*, Lady Gaga’s *MAYHEM*, Kendrick Lamar’s *GNX*, Leon Thomas’ *MUTT*, and Tyler, The Creator’s *CHROMAKOPIA*. Together, the slate crossed global pop, veteran rap, experimental hip-hop, and modern R&B, signaling how far genre boundaries have changed at the industry’s highest level. True to form, Bad Bunny accepted the award primarily in Spanish, centering the moment on migration and identity. “I want to dedicate this award to all the people who had to leave their homeland, their country, to follow their dreams,” he says from the stage. Earlier in the evening, he also won Best Música Urbana for the same album and used his speech to address immigration issues in the United States directly. “Before I say thanks to God, I’m gonna say: ICE out,” he says. “We’re not savage, we’re not animals, we’re not aliens. We are humans, and we are Americans.” With Album of the Year now reflecting where global audiences already live, Bad Bunny’s win stands as both a personal milestone and a turning point for Latin music at the industry’s biggest stage. ## Frequently Asked Questions ### Did Bad Bunny win Grammy Album of the Year? Yes. Bad Bunny won Album of the Year at the 68th Grammy Awards for DeBÍ TiRAR MáS FOToS, becoming the first Latin artist to win the category. ### Who were the other nominees for Album of the Year at the 68th Grammys? Nominees included Justin Bieber’s SWAG, Sabrina Carpenter’s Man’s Best Friend, Clipse’s Let God Sort ‘Em Out, Lady Gaga’s MAYHEM, Kendrick Lamar’s GNX, Leon Thomas’ MUTT, and Tyler, The Creator’s CHROMAKOPIA. ### What did Bad Bunny say in his Album of the Year acceptance speech? Accepting mostly in Spanish, Bad Bunny dedicated the award to people who left their homeland to pursue their dreams, centering the moment on migration and identity. ### Did Bad Bunny win any other Grammys in 2026? Yes. Bad Bunny also won Best Música Urbana Album for DeBÍ TiRAR MáS FOToS earlier in the same ceremony. ### What did Bad Bunny say about immigration at the 2026 Grammys? Accepting his Best Música Urbana award, Bad Bunny said “ICE out,” adding, “We’re not savage, we’re not animals, we’re not aliens. We are humans, and we are Americans.” Related Stories - [Bad Bunny to Be Fifth Latin Artist to Headline Super Bowl Halftime Show in 2026](https://rollingstonephilippines.com/music/hiphop-rnb/bad-bunny-superbowl-halftime-headliner-2026/ "Bad Bunny to Be Fifth Latin Artist to Headline Super Bowl Halftime Show in 2026") - [Grammys Can’t Continue Denying Rap’s Dominance](https://rollingstonephilippines.com/music/hiphop-rnb/grammys-hip-hop-album-of-the-year/ "Grammys Can’t Continue Denying Rap’s Dominance") - [5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades](https://rollingstonephilippines.com/music/5-filipino-hip-hop-subgenres/ "5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades") **Categories:** Hip-hop/R&B, Music **Tags:** Bad Bunny, Grammys 2026 --- ### [5 Independent Filipino Journalists You Need to Follow Online](https://rollingstonephilippines.com/state-of-affairs/power/independent-filipino-journalists-follow-online/) **Published:** August 27, 2026 **Author:** Reyza Ferranco **Content:** As more and more Filipinos look to social media as their main source of information, it’s never been more crucial to know who’s worth following. There are several journalists who have built their platforms on social media. Whether they came from broadcast news or respected publications, they have gone independent, with the freedom to offer a more nuanced analysis of national controversies and anchor political discourse that traditional media may filter out. They brought their authority and depth into direct-to-reader or -listener spaces. We’ve highlighted a few worthy of your attention. ## **Natashya Gutierrez** [Instagram](https://www.instagram.com/natashya_g/) / [YouTube](https://www.youtube.com/@natashya_g) / [Facebook](https://web.facebook.com/gutierrez.natashya) / [TikTok](https://www.tiktok.com/@natashya_g?_r=1&_t=ZS-99CaQTZmqVo) ![natashya gutierrez](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/1.webp) Photo from Natashya Gutierrez/Instagram Gutierrez is an award-winning multimedia journalist and correspondent doing investigative work for today’s audiences. She hosts the podcast [*On Assignment With Me*](https://youtube.com/playlist?list=PLFs2J7nGxKCjZ7eePWn1lSkO5EfCuSl8y&si=FdOmNkMjdPF-qnGS), which breaks down in-depth reports into easy-to-digest pieces of information on her social media channels. In her recent podcast episode, she analyzed the [corruption scandal](https://youtu.be/9TA9B34oe-I?si=L3ObnQ-dDMbAfi-P) related to former House Speaker Martin Romualdez, breaking down the 104-page complaint. Before she went the indie podcast route, she previously served as the Editor-in-Chief of *Vice News* in Asia-Pacific and has contributed to media channels like *Al Jazeera* and *Time*. She was also part of *Rappler*’s founding team, where she served as the Indonesia Bureau Chief and Southeast Asia correspondent. ## Christian Esguerra [YouTube](https://www.youtube.com/@factsfirstph) / [Facebook](https://web.facebook.com/profile.php?id=100063617504714) ![christian esguerra](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/3.webp) Photo from Christian Esguerra/Facebook Known for his fearless views, Esguerra is a veteran Filipino political journalist and educator. He goes live every day on [*Facts First*](https://youtube.com/@factsfirstph?si=BviwRJ2TxLO3S9qi), his own political podcast on YouTube where he tackles political issues, interviews relevant experts, and combats disinformation. He started his career with *Philippine Daily Inquirer* in 2000 before joining ABS-CBN as a correspondent and anchor in 2015. He was a vocal critic of the previous Duterte administration and remains critical of the current Marcos administration, often being condemned by government supporters for it. As his podcast’s tagline says, there’s no holding back for him. > [View this post on Instagram](https://www.instagram.com/reel/DcgDHRoAjkm/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rolling Stone Philippines (@rollingstoneph)](https://www.instagram.com/reel/DcgDHRoAjkm/?utm_source=ig_embed&utm_campaign=loading) ## [jacque manabat](https://rollingstonephilippines.com/author/jacque-manabat/) [Instagram](https://www.instagram.com/jacquemanabat?igsi=NHd5amFuem80YXN2) / [Facebook](https://www.facebook.com/share/1cwEM9fpb2/?mibextid=wwXIfr) / [TikTok](https://www.tiktok.com/@jacquemanabat?_r=1&_t=ZS-99CaVOjjNMz) ![jacque manabat](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/6.webp) Photo from Jacque Manabat/Facebook Manabat is a multimedia journalist and former ABS-CBN reporter. She left the channel in 2023 after 17 years of service to create her own path and establish a creative lab. As a content creator, she now focuses on solutions journalism and dedicates her time to training digital media startups, online content creators, and other journalists. She utilizes social media, specifically [TikTok](https://www.tiktok.com/@jacquemanabat?_r=1&_t=ZS-99CNCc1zqtB), to tell stories and share behind-the-scenes content of her work. ## [regine cabato](https://rollingstonephilippines.com/tag/regine-cabato/ "regine cabato") [Instagram](https://www.instagram.com/reginecabato?igsi=MW4xMW00NWdmY3p4YQ==) / [Facebook](https://web.facebook.com/rmcabato) ![regine cabato](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/2.webp) Photo from Regine Cabato/Instagram Cabato is a freelance investigative journalist who has worked for *The Washington Post* and the *Philippine Center for Investigative Journalism*. She mainly utilizes her [Facebook](https://web.facebook.com/rmcabato) account to share the stories that she has worked on, mainly covering disinformation and influence operations in the Philippines. Beyond her own platforms, Cabato also contributes to other podcasts and joins panel discussions. She [faced harassment ](https://rollingstonephilippines.com/state-of-affairs/disinformation/regine-cabato-chinese-embassy-attacks/)from the Chinese embassy in May 2026, but remains dedicated to owning her space. ## Michael Beltran [Instagram](https://www.instagram.com/maykelbelts/) / [Facebook](https://web.facebook.com/michael.beltran.503) ![michael beltran](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/5.webp) Photo from Michael Beltran/LinkedIn Another freelance journalist, [Beltran](https://www.facebook.com/share/19XD3hUhGY/?mibextid=wwXIfr) reports on in-depth investigations about the country. His coverage spans human rights, labor, migration, climate, economics, tech, and foreign policy, with bylines in different outlets such as *Al Jazeera*, *South China Morning Post*, and *Pinoy Weekly*. He has also authored a book, *The Singing Detainee and the Librarian with One Book: Essays on Exile* in 2023, where he shared lesser-known tales about revolutionary political exiles Jose Maria Sison and Julie de Lima, as well as the lives of the people around them. ## frequently asked questions ### Who are some independent Filipino journalists? Natashya Gutierrez, Christian Esguerra, Jacque Manabat, Regine Cabato, and Michael Beltran, to name a few. ### Where has Natashya Gutierrez worked? She previously served as the Editor-in-Chief of Vice News in Asia-Pacific and has contributed to media channels like Al Jazeera and Time. She was also part of Rappler’s founding team, where she served as the Indonesia Bureau Chief and Southeast Asia correspondent. ### Why is Christian Esguerra being criticized? Christian Esguerra is a fearless, independent journalist who is also a vocal critic of the previous Duterte administration and remains critical of the current Marcos administration. This results in him being criticized by government supporters for it. ### Why did Jacque Manabat leave ABS-CBN? Jacque Manabat resigned in 2023 after 17 years of service to create her own path and establish a creative lab, diverting to content creation instead. ### What book did Michael Beltran write? *The Singing Detainee and the Librarian with One Book: Essays on Exile*, published in 2023. The book tells the lives of revolutionary political exiles and the people around them. Related Stories - [Why Regine Cabato Is Being Harassed by the Chinese Embassy](https://rollingstonephilippines.com/state-of-affairs/disinformation/regine-cabato-chinese-embassy-attacks/ "Why Regine Cabato Is Being Harassed by the Chinese Embassy") - [Is the Algorithm Deciding Who We Vote For?](https://rollingstonephilippines.com/state-of-affairs/power/is-the-algorithm-deciding-who-we-vote-for/ "Is the Algorithm Deciding Who We Vote For?") - [Politicians Are Spending Too Much Time On Social Media](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/politicians-spending-too-much-time-on-social-media/ "Politicians Are Spending Too Much Time On Social Media") **Categories:** Power, State of Affairs **Tags:** Christian Esguerra, Jacque Manabat, Michael Beltran, Natashya Gutierrez, Regine Cabato, Social Media --- ### [‘Singles Inferno,’ ‘The Boyfriend,’ and More Shows to Watch Now](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/singles-inferno-the-boyfriend/) **Published:** January 30, 2026 **Author:** Rolling Stone Philippines **Excerpt:** Your weekly guide to some of the most bizarre, essential, and interesting things to add to your watchlist, courtesy of the Rolling Stone Philippines writers and editors **Content:** Welcome to [What to Watch Right Now](https://rollingstonephilippines.com/tag/what-to-watch-right-now/ "What to Watch Right Now"), our weekly rundown of the best things to watch right now. The constant stream of shows, videos, and films to watch online can become a sludge to wade through, so here are a few things you can watch courtesy of the *Rolling Stone Philippines* team. Whether it’s a new show or an underappreciated gem, we hope it can ease the burden of choosing which streaming platform to use or of discovering a new cinematic odyssey. This week, dating shows like *[The Boyfriend](https://rollingstonephilippines.com/tag/the-boyfriend/ "The Boyfriend")* and *[Single’s Inferno](https://rollingstonephilippines.com/tag/singles-inferno/ "Single's Inferno")* had us thinking about love, kilig, and the crazy lengths people will go to in order to find their one true love. Thrilling dramas like *[Sharp Objects](https://rollingstonephilippines.com/tag/sharp-objects/ "Sharp Objects")* and *[Ponies](https://rollingstonephilippines.com/tag/ponies/ "Ponies")* kept us on our toes, in more ways than one. And finally, livestreams of the 2026 [Australian Open](https://rollingstonephilippines.com/tag/australian-open/ "Australian Open") had us screaming at our screens, hoping our favorite players could hear us. ## ‘The Boyfriend’ Season 2 ***Finding love and friendship in a frozen landscape*** The Japanese gay dating show is back with more episodes and a brand new cast who are taking chances to find a romantic partner — or even just a friend. This season, we have a quickly established “love team” (I’m looking at you, William and Izaya), a slow-burning pairing (Huwei and Bomi), a 40-year-old who just got out of a 15-year relationship, and a 20-year-old student who’s reluctant to talk about his sexuality to his father. Many fans have criticized the focus on William and Izaya, who eat up so much of the running time, but this romance has also given us one of my favorite quotes of the season. After a very anxious William opens up about his fears regarding the direction of their relationship, having been hurt by his past partners, Izaya assures him that their future is for both of them to worry about: “I don’t want you to think, worry about it alone, and come to a conclusion on your own. I want to think and worry with you, and help figure things out.” If that isn’t love, I don’t know what is. Meanwhile, we have the adorable Jobu constantly crashes out because of his devilishly good-looking prospects (“It pisses me off he’s just so handsome!”) and then crashes out some more after being rejected. Way to make us root for the underdog of the season — the cuties who seem like a total package but keep getting sidelined as romantic prospects (e.g. Taehon from the first season). Though there’s one who might be choosing Jobu in the later episodes. Wintertime in Hokkaido and the gradual waltz into springtime provide an arresting backdrop for these relationships to emerge (or combust). With three more episodes left next week, we’re ready for more twists, turns, and tears come finale time. —*[Don Jaucian](https://rollingstonephilippines.com/author/don-jaucian/)* ## ‘Single’s Inferno’ Season 5 ***Hot people trying to find their one true love on an island full of other hot people*** You’d *think* that it would be easy for a group of hot, young singles to find love. But sadly, that is not the case for the 15 contenders of this season’s *Single’s Inferno*, who’ve come to the island in search of a romantic partner just as hot as them. The only problem is that, at least for quite a few of them, they can’t decide who’s the best person to go to Paradise with. For some, like former beauty queen Choi Mina Sue, there are just too many good-looking people to choose from. For others, like Park Hee Sun, there’s only one worth pursuing, but *he’s* too busy chasing after the other hot women (ahem, Mina Sue) in Inferno. I feel like they’re making their lives more complicated than they have to be, but it does make for good reality TV. —*[Mel Wang](https://rollingstonephilippines.com/author/melissa-wang/)* ## ‘Ponies’ Season 1 ***A high-stakes Cold War spy caper that has no business being this funny*** It’s 1970s Moscow, and both American and Russian spies are at each other’s throats as they try to outsmart each other and make it out of the Cold War alive. But a lot of the show’s moments of espionage and reconnaissance fade into the background to make way for the core of *Ponies*: Bea (Emilia Clarke) and Twila (Haley Lu Richardson), two American wives turned CIA operatives after their husbands are shot down by the KGB. The duo is woefully out of their depth, and some of the greatest moments of the show’s first season come from their attempts to make contact with skittish Russian moles, plant listening devices on a dangerous KGB officer, and semi-kidnap babies to gain crucial intel. *Ponies* is definitely a spy thriller, but it doesn’t take itself too seriously, and both Bea and Twila’s storylines are so compelling that sometimes I just want to see them figure out how to deal with their grief instead of watching them get stuck in a high-speed ambulance chase (although that’s fun, too). —*Mel Wang* ## ‘Sharp Objects’ ***A vicious piece of the girlhood canon*** To date, one of [Amy Adams](https://rollingstonephilippines.com/tag/amy-adams/ "Amy Adams")’ best performances is in *Sharp Objects*, the 2018 miniseries based on Gillian Flynn’s debut novel of the same name. In the show, Adams plays Camille Preaker, a troubled journalist who returns to her hometown to cover the murders of two girls. Amid investigations, Camille deals with childhood trauma, grief, alcoholism, and small-town politics. And further complicating the mix are her teenage half-sister, Amma (Eliza Scanlen), and their overbearing socialite mother, Adora (Patricia Clarkson). While Adams’ performance here earned her Best Actress at the 2019 Critics’ Choice Television Awards and a Golden Globe nod, I think Scanlen’s Amma is transfixing: one moment, the perfect daughter for Adora, and the next, a party girl who bullies half the town on roller skates. And the roller-skating in this Southern gothic thriller is such a vibe that, even if I already know the wild twists and turns the story takes, I find myself coming back to the show just for it. —*[Pie Gonzaga](https://rollingstonephilippines.com/author/sophia-gonzaga/)* ## Australian Open > [View this post on Instagram](https://www.instagram.com/reel/DUCsQLJkw1a/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Australian Open (@australianopen)](https://www.instagram.com/reel/DUCsQLJkw1a/?utm_source=ig_embed&utm_campaign=loading) ***Not A-OK: The 2026 tour’s first slam is lowkey using fan service to justify player surveillance*** The Australian Open wraps this weekend, and once again, tennis fans are treated to the best of pro tennis, headlined by the two new greats, Carlos Alcaraz and Jannik Sinner, and on the women’s side, Aryna Sabalenka. But it took the unravelling of women’s no. 3 Coco Gauff this week to reveal a less-than-desirable side of the Slam: surveillance. Footage of the American no. 1 smashing her racket after losing in the quarterfinals has gone viral. Gauff said she thought she had found a spot free of cameras to vent her frustrations, but apparently, AO has eyes everywhere. And for what? Is this a prison? The simple answer is that they employ these behind-the-scenes footage for content to upload on their social media pages, which, since the start of the slams early this month, has been filled with videos of players training, goofing around, and finding themselves in the strangest situations (see: World no. 2 Iga Swiatek being refused entry to the gym after she forgot her accreditation card; and American big ace Ben Shelton having a fun little workout session). While these offer a different view of these often serious-faced individuals, it also has unfettered access to their less-than-professional breakdowns. And often, the female athletes are on the losing end, showing them losing their cool during and after games. These Slams are doing the most just to rack up views and eyeballs. Apparently, display of greatness does not cut it online anymore. Now they must be subject to reality show edits, too. —*[Christian San Jose](https://rollingstonephilippines.com/author/christian-sanjose/)* ## Frequently Asked Questions ### What is ‘Single’s Inferno’ Season 5 about? ‘Single’s Inferno’ Season 5 follows 15 contestants on an island searching for a match, with former beauty queen Choi Mina Sue among the season’s central love-triangle figures. ### What’s new in ‘The Boyfriend’ Season 2? The Japanese gay dating show returns with a new cast in Hokkaido, following pairings like William and Izaya as they navigate love and friendship through a winter-to-spring timeline. ### What is ‘Ponies’ about? Ponies is a 1970s Cold War spy comedy starring Emilia Clarke and Haley Lu Richardson as American wives turned CIA operatives outmaneuvering the KGB in Moscow. ### Why is ‘Sharp Objects’ worth watching? The 2018 miniseries features Amy Adams as a troubled journalist investigating murders in her hometown, with Eliza Scanlen’s performance as her half-sister drawing renewed attention. ### What happened with Coco Gauff at the 2026 Australian Open? Coco Gauff’s frustrated reaction after a quarterfinal loss was caught on camera, sparking discussion about the tournament’s behind-the-scenes surveillance for social media content. Related Stories - [‘Single’s Inferno’ Season 5 Dating Guide: Couples and Love Triangles](https://rollingstonephilippines.com/culture/tv/singles-inferno-season-5-dating-guide/ "‘Single’s Inferno’ Season 5 Dating Guide: Couples and Love Triangles") - [Amy Adams, Matt Smith, and More Join Ryan Gosling in ‘Star Wars: Starfighter’](https://rollingstonephilippines.com/culture/film-tv/star-wars-starfighter-cast/ "Amy Adams, Matt Smith, and More Join Ryan Gosling in ‘Star Wars: Starfighter’") - [Philippines Women’s Open 2026 is Officially Happening: Here’s What We Know So Far](https://rollingstonephilippines.com/culture/sports/philippines-womens-open-2026/ "Philippines Women’s Open 2026 is Officially Happening: Here’s What We Know So Far") **Categories:** Culture, Editor's Picks, TV, What To Watch Right Now **Tags:** Australian Open, HBO Max, Netflix, Ponies, Sharp Objects, Single's Inferno, The Boyfriend, What to Watch Right Now --- ### [Grammys Can’t Continue Denying Rap’s Dominance](https://rollingstonephilippines.com/music/hiphop-rnb/grammys-hip-hop-album-of-the-year/) **Published:** January 30, 2026 **Author:** Elijah Pareño **Excerpt:** Street rap, experimental hip-hop, and genre hybrids now shape the industry’s biggest award space for the first time in decades **Content:** The [68th Annual Grammy](https://rollingstonephilippines.com/tag/grammys-2026/ "Grammys 2026") Awards arrive with one of the biggest signals yet of how deeply hip-hop now sits at the center of mainstream music. For more than half a century, the Grammys have positioned themselves as the industry’s highest marker of recording achievement, shaping how generations understand success across genres. The 2025 Grammy Awards ceremony already hinted at a shift, with [Beyoncé](https://rollingstonephilippines.com/tag/beyonce-2/ "Beyoncé") becoming the first Black woman in 26 years to win the Album of the Year for *Cowboy Carter*, as well as being the first Black woman to win the Best Country Album in the same evening. The 2026 Album of the Year race now carries its strongest rap and hip-hop presence in recent memory, placing the genre at the center of one of the ceremony’s most prestigious categories. Puerto Rican superstar [Bad Bunny](https://rollingstonephilippines.com/tag/bad-bunny/ "Bad Bunny")’s *Debí Tirar Más Fotos* leans heavily on rhythmic experimentation tied to Latin trap and hip-hop traditions; Virginia duo [Clipse](https://rollingstonephilippines.com/tag/clipse/ "Clipse") return with *Let God Sort ’Em Out*, a project rooted in street rap and veteran sharpness; [Kendrick Lamar](https://rollingstonephilippines.com/tag/kendrick-lamar/ "Kendrick Lamar")’s *GNX* continues his run of culture-shaping releases; [Tyler, The Creator](https://rollingstonephilippines.com/tag/tyler-the-creator/ "Tyler The Creator")’s *CHROMAKOPIA* adds his signature blend of hip-hop, funk, and personal storytelling to the race as well. > [View this post on Instagram](https://www.instagram.com/reel/DQwxkp8Eaw-/?utm_source=ig_embed&utm_campaign=loading)[A post shared by GRAMMYS (@grammys)](https://www.instagram.com/reel/DQwxkp8Eaw-/?utm_source=ig_embed&utm_campaign=loading) ## Rap’s Reign Historically, the Grammys have struggled to fully recognize rap at the top level. Only two hip-hop driven albums have ever taken Album of the Year since 2004: Lauryn Hill’s *The Miseducation of Lauryn Hill* in 1999 and Outkast’s *Speakerboxxx/The Love Below* in 2004. While the Academy created a Best Rap Album category in 1996, the main prize has historically been awarded for pop, rock, and traditional industry favorites. That gap has always felt disconnected from reality. Hip-hop has shaped global culture for decades without needing validation from award shows. Artists like Tupac Shakur, Wu-Tang Clan, and DMX never required Grammy trophies to define their impact. Rap’s history has always been shaped by communities and listeners long before awards shows caught up. Past snubs have only sharpened that tension. Beyonce’s *Lemonade* and *Renaissance* both entered Album of the Year, yet they came out empty-handed, while The Weeknd famously called out the Academy after *After Hours* received zero nominations in 2021, exposing long-running issues around genre bias and transparency. Those moments made it harder to treat the Grammys as neutral arbiters of modern music, especially as hip-hop and Black artists continued driving the industry’s biggest shifts. What feels different now is the Academy’s growing inability to ignore where music actually lives. Streaming numbers, touring power, cultural influence, and youth attention continue to flow through hip-hop at a scale few genres can match. This year’s nominations reflect that dominance more accurately than most past ceremonies. Whether or not a hip-hop-rooted album ultimately wins on Grammy Awards night, the genre will still go on to inspire many. And long after award season fades, its influence will continue to drive how the genre connects with audiences worldwide. ## Frequently Asked Questions ### Has a hip-hop album ever won Grammy Album of the Year? Only two hip-hop albums have won Grammy Album of the Year: Lauryn Hill’s The Miseducation of Lauryn Hill in 1999 and OutKast’s Speakerboxxx/The Love Below in 2004. ### Which albums are nominated for Album of the Year at the 68th Grammy Awards? The 68th Grammys’ Album of the Year nominees include Bad Bunny’s Debí Tirar Más Fotos, Clipse’s Let God Sort ‘Em Out, Kendrick Lamar’s GNX, and Tyler, The Creator’s CHROMAKOPIA. ### Why have the Grammys historically overlooked hip-hop for Album of the Year? The Academy has historically favored pop, rock, and industry favorites for Album of the Year, snubbing Beyoncé’s Lemonade and Renaissance and The Weeknd’s After Hours despite their success. ### What did The Weeknd say about being snubbed by the Grammys? The Weeknd criticized the Recording Academy after After Hours received zero nominations at the 2021 Grammys, calling out a lack of transparency in the voting process. ### What does the 2026 Grammy nominations say about hip-hop’s place in the music industry? The 2026 nominations reflect hip-hop’s dominance in streaming, touring, and cultural influence, showing the Academy can no longer ignore where music listening actually happens. Related Stories - [How Bad are the Lyrics on Taylor Swift’s ‘The Life of a Showgirl’?](https://rollingstonephilippines.com/music/pop/taylor-swift-life-of-a-showgirl-lyrics/ "How Bad are the Lyrics on Taylor Swift’s ‘The Life of a Showgirl’?") - [For Filipinos, Kanye West’s Music Lives On, Even If His Reputation Doesn’t](https://rollingstonephilippines.com/music/kanye-west-music-filipinos/ "For Filipinos, Kanye West’s Music Lives On, Even If His Reputation Doesn’t") - [5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades](https://rollingstonephilippines.com/music/5-filipino-hip-hop-subgenres/ "5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades") **Categories:** Hip-hop/R&B, Music **Tags:** Grammys 2026 --- ### [Tim Curry, Legendary ‘Rocky Horror’ Star, Passes Away at 80](https://rollingstonephilippines.com/culture/film/tim-curry-rocky-horror-star-dies/) **Published:** August 27, 2026 **Author:** Pie Gonzaga **Excerpt:** Tributes for Tim Curry pour in as co-stars and fans remember the character actor and a career that spans over a hundred roles in film, TV, and on the stage **Content:** English actor [Tim Curry](https://rollingstonephilippines.com/tag/tim-curry/ "Tim Curry"), known for his performances in cult favorites like *The Rocky Horror Picture Show*, *Clue*, and *It*, has passed away at the age of 80. As of this reporting, no cause of death has been made available to the public, though Curry’s manager, Marcia Hurwitz, confirmed to [*Variety*](https://variety.com/2026/film/obituaries-people-news/tim-curry-dead-rocky-horror-picture-show-1236843955/) that the actor died peacefully in his Los Angeles home on Tuesday, August 25. In 2012, he suffered a major stroke and had dealt with other health issues since then. Curry was a versatile performer for the stage and screen. He launched his career with the original London production of *Hair* in 1968, which eventually led to his role as Dr. Frank-N-Furter in the 1973 musical *The Rocky Horror Show*. Two years later, he reprised the role in Jim Sharman’s *The Rocky Horror Picture Show*, a film adaptation that was initially ignored by critics but would garner a large cult following worldwide. This cult following is made mostly of members of the LGBTQ+ community, who find inspiration in Curry’s foxy, Bowie-esque portrayal of Frank-N-Furter and the movie’s themes of gender expression and sexual liberation. Throughout the years, screenings in the U.S. and U.K. have included audiences dressing up as *Rocky Horror* characters and enacting scenes as the film plays. In 1980, Curry was cast in the Broadway musical *Wolfgang*, where Curry played the role of Wolfgang Amadeus Mozart, opposite Sir Ian McKellen’s Antonio Salieri. In the following years, he was also in several films such as the musical film *Annie*, Ridley Scott’s *Legend*, the comedy mystery *Clue*, and the classic holiday flick *Home Alone 2: Lost in New York*. Some of his other memorable roles are Pennywise in the 1990 miniseries *It*, Roger Corwin in *Charlie’s Angels*, and Auntie Whispers in the Primetime Creative Arts Emmy-winning animated series *Over the Garden Wall*. ![tim curry fearless](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/tim-curry-fearless-promo-photo.webp) Curry in a promotional photo for *Fearless*, his sophomore album released in 1979. Photo by Larry Williams/A&M Records/Wikimedia Commons ## Hollywood Remembers Tim Curry With five decades of work and over a hundred projects under his belt, Curry was not short of peers who paid him tribute. On Instagram, Susan Sarandon posted photos of the two from their time as *Rocky Horror* co-stars. “What I loved about him most was his heart,” she said. “Even wheelchair bound, he continued to be so sweet and generous with his fans. Thank you, Tim, for meaning so much to so many people.” Rob Schneider, who had played a bellhop alongside Curry’s Mr. Hector in *Home Alone 2*, called the late actor a “true triple threat.” “I have never known another actor who could say more with a knowing grin or a raised eyebrow than the splendid Tim Curry,” Schneider said. “We had such a wonderful time working together on *Annie*,” said Carol Burnett, who played Miss Hannigan (sister to Curry’s Rooster Hannigan) in the film. “Nobody could play lovable villains better than he could. He was a dear friend. I was blessed to know him.” Musicians also paid tribute to Curry, who had released three albums: *Read My Lips* (1978), *Fearless* (1979), and *Simplicity* (1981). Guns N’ Roses guitarist Slash’s post was brief, with the simple caption “RIP Tim Curry” to accompany photos of Curry’s iconic roles. [Red Hot Chili Peppers](https://rollingstonephilippines.com/tag/red-hot-chili-peppers/ "Red Hot Chili Peppers") bassist Flea said, “I was a kid who dressed in mom’s makeup and \[lamé\] dress and went to see *Rocky Horror* at the Tiffany Theater on Sunset. I loved Tim Curry.” He also remembered the actor as a co-star on the Nickelodeon animated series *The Wild Thornberrys*: “I was excited to hang out with him and cut up, the sincere and funny voices. He was kind, smart, and funny as hell.” Related Stories - [Dolly Parton, An Icon Beyond Music, Dies at 80](https://rollingstonephilippines.com/music/pop/dolly-parton-icon-beyond-music-dies-at-80/ "Dolly Parton, An Icon Beyond Music, Dies at 80") - [Yayoi Kusama, Acclaimed Avant-Garde Artist, Dies at 97](https://rollingstonephilippines.com/culture/art/yayoi-kusama-japanese-artist-dies-97/ "Yayoi Kusama, Acclaimed Avant-Garde Artist, Dies at 97") - [The Tao of Dolly: Her 25 Greatest Quotes](https://rollingstonephilippines.com/music/pop/dolly-parton-best-quotes-wisdom/ "The Tao of Dolly: Her 25 Greatest Quotes") **Categories:** Culture, Film, TV **Tags:** Tim Curry --- ### [Tito Sotto’s Impeachment Record, From Estrada to Duterte](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/tito-sotto-impeachment-record-duterte/) **Published:** April 21, 2026 **Author:** Pie Gonzaga **Excerpt:** The senator staunchly opposed the dismissal of Vice President Sara Duterte’s impeachment case in 2025. But his history with other impeachment trials is a little shakier **Content:** Soon, Senator [Vicente “Tito” Sotto III](https://rollingstonephilippines.com/tag/tito-sotto/ "Tito Sotto") may find himself tackling his third impeachment trial — and his first as Senate president and presiding officer — as the House of Representatives Committee on Justice prepares to wrap up its hearings on the [impeachment complaints](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-president-impeachment/ "Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?") lodged against Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte"). On Monday, April 20, he [told](https://newsinfo.inquirer.net/2215074/sotto-reminds-peers-to-remain-impartial-on-vp-sara-impeachment) reporters in a text message that he and other senators are “preparing for any eventuality.” “Our rules are in place. I am brushing up on a combination of the Rules of Court and impeachment procedures,” he said. “I will remind my colleagues to remain impartial in case the Articles of Impeachment reach us.” The House Justice Committee said that it would conclude the impeachment hearings on April 29, as it nears the end of an evidence-gathering phase. From there, the panel may transmit a report of its findings to the plenary on May 4, when Congress resumes. After reviews of the report and possibly further debate, House members will vote whether to transmit the Articles of Impeachment to the Senate. Senators will then convene as an impeachment court to try Duterte on allegations of misuse of confidential funds. The Articles of Impeachment are formal documents written up by Congress indicting a public official and initiating their removal from office. In January, Sotto said that if the Senate were to receive any such articles, he would act on them “forthwith.” As Senate president, Sotto will also have to take on the role of presiding officer if the Senate forms an impeachment court. ## Duterte’s 2025 Impeachment Case Former Senate President [Francis “Chiz” Escudero](https://rollingstonephilippines.com/tag/chiz-escudero/ "Chiz Escudero") served as presiding officer during Duterte’s first impeachment trial last year, but was criticized for delays in proceedings and the eventual dismissal of the case after the Supreme Court (SC) [nullified](https://sc.judiciary.gov.ph/sc-house-impeachment-complaint-vs-vp-duterte-barred-by-1-year-rule-due-process-or-fairness-applies-during-all-stages-of-impeachment-process/) it in July 2025. When the trial started in June 2025, Sotto was not yet sworn in as a senator and therefore not part of the impeachment court. On August 6, 2025, during a heated debate in the Senate, Sotto opposed Sen. Rodante Marcoleta’s motion to dismiss Duterte’s impeachment case on the basis of the SC’s decision. ![chiz escudero impeachment court](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/senate-impeachment-court.webp) Senator Chiz Escudero leads the senators’ oath-taking as judges of the Senate impeachment court, June 10, 2025. Photo by Voltaire F. Domingo/Senate of the Philippines Facebook “The decision is not yet final. A motion for reconsideration was filed by the House of Representatives just last Monday \[August 4, 2025\]. Why are we rushing to dismiss the case?” he said. “Let us allow and give \[a\] chance to the Supreme Court to rectify its decision, which contains clear and blatant errors, for their sake and for future impeachment proceedings. Let us not dismiss forthwith.” Nonetheless, the Articles of Impeachment were archived based on a supermajority vote. While 19 senators voted to archive the case, four, including Sotto, voted against it. Sen. Panfilo “Ping” Lacson abstained. ## Trials of Corona and Estrada Of the five officials whom the House plenary has impeached, including Duterte, only former Chief Justice Renato Corona was removed from office in a Senate trial. In 2001, President [Joseph “Erap” Estrada](https://rollingstonephilippines.com/tag/erap-estrada/ "Erap Estrada")’s trial was aborted and concluded with Estrada’s resignation instead. Two other impeachment cases also ended with the indicted official’s resignation: Ombudsman Merceditas Gutierrez in 2011 and Comelec Chairman Andres Bautista in 2017. The 2012 impeachment trial against Corona, who was charged with betrayal of public trust and corruption, was led by former Senate President [Juan Ponce Enrile](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/juan-ponce-enrile-political-career/ "Juan Ponce Enrile: A Brief History Through the Decades") as the presiding officer. Sotto was among the 20 senators who voted Corona guilty due to the nondisclosure of his Statement of Assets, Liabilities, and Net Worth (SALN). The only lawmakers to vote for his acquittal were Senators Joker Arroyo, Miriam Defensor-Santiago, and current President [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") In the 2001 impeachment trial of Estrada, Sotto was among 11 senators who voted against opening an envelope allegedly containing evidence of corrupt acts by Estrada. The impeachment court’s inaction spurred rallies that would later be called [EDSA 2](https://rollingstonephilippines.com/tag/edsa/ "EDSA"). ## Frequently Asked Questions ### How many impeachment trials has Senator Tito Sotto participated in? Senator Tito Sotto has participated in two full Senate impeachment trials—those of President Joseph “Erap” Estrada in 2000–2001 and Chief Justice Renato Corona in 2012—and voted on procedural motions regarding Vice President Sara Duterte’s impeachment proceedings. ### How did Tito Sotto vote in Chief Justice Renato Corona’s 2012 impeachment trial? In May 2012, Tito Sotto voted to convict Chief Justice Renato Corona on Article II of the Articles of Impeachment, citing Corona’s failure to disclose his Statement of Assets, Liabilities, and Net Worth (SALN). ### What was Tito Sotto’s vote during the 2001 Joseph Estrada impeachment trial? During the 2001 trial of President Joseph Estrada, Tito Sotto voted among the 11-senator majority against opening the second envelope containing unverified bank records, an action that triggered public protests known as EDSA 2. ### Why did Tito Sotto oppose archiving Vice President Sara Duterte’s 2025 impeachment case? In August 2025, Sotto voted against archiving Duterte’s initial impeachment case following a Supreme Court ruling, arguing that the decision was not yet final due to a pending motion for reconsideration filed by the House of Representatives. ### What role does Tito Sotto hold if the Senate convenes as an impeachment court? As Senate President, Tito Sotto serves as the presiding officer of the Senate when it convenes as an impeachment court, responsible for enforcing trial procedures, maintaining impartiality, and administering oaths to senator-judges. Related Stories - [Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-president-impeachment/ "Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?") - [Duterte Skips Impeachment Probe as Aide Alleges Corruption, Bad Law School Performance](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-impeachment-hearing-no-show/ "Duterte Skips Impeachment Probe as Aide Alleges Corruption, Bad Law School Performance") - [How to Impeach a Philippine Public Official, and Why it’s Hard](https://rollingstonephilippines.com/state-of-affairs/politics/impeachment-process-philippines-public-official-government/ "How to Impeach a Philippine Public Official, and Why it’s Hard") **Categories:** Philippine Politics, State of Affairs **Tags:** Sara Duterte, Sara Duterte Impeachment, Tito Sotto --- ### [As Impeachment Court Convenes, Should the Senate Majority Be Worried About Bato?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/impeachment-court-convenes-without-bato-dela-rosa/) **Published:** May 18, 2026 **Author:** Pie Gonzaga **Excerpt:** The Senate begins impeachment proceedings against VP Sara Duterte as more details about the recent shootout and dela Rosa’s “escape” come to light **Content:** On Monday, May 18, the Senate convened as an impeachment court, beginning [impeachment](https://rollingstonephilippines.com/tag/sara-duterte-impeachment/ "Sara Duterte Impeachment") proceedings against Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte"). But Senator [Ronald “Bato” dela Rosa](https://rollingstonephilippines.com/tag/bato-dela-rosa/ "Bato dela Rosa"), one of the Duterte family’s most staunch supporters in the upper chamber, is nowhere to be found. The impeachment court was convened a week after 13 senators voted to [oust](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/senate-coup-sara-duterte-bato-dela-rosa/) Sen. [Vicente “Tito” Sotto III](https://rollingstonephilippines.com/tag/tito-sotto/ "Tito Sotto") as Senate president and replace him with Sen. [Alan Peter Cayetano](https://rollingstonephilippines.com/tag/alan-peter-cayetano/ "Alan Peter Cayetano"), and five days after dela Rosa left the Senate’s protective custody amid an arrest warrant against him issued by the [International Criminal Court](https://rollingstonephilippines.com/tag/international-criminal-court/ "International Criminal Court") (ICC). During the convening of the impeachment court, Cayetano took oath as presiding officer of Duterte’s trial, and the senators took their oath as judges. Cayetano also issued a writ of summons on Duterte, directing her to respond to the complaints against her within 10 days, and requiring her to appear before the impeachment court should they summon her. ## A Waning Allyship? Duterte is currently in The Hague, Netherlands, to visit her father, [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte"), at the ICC’s detention facility. Dela Rosa is expected to join him to face the charge of crimes against humanity, in relation to the Duterte administration’s war on drugs. After Rodrigo’s arrest in March 2025, dela Rosa said, “I am ready to join the old man hoping that \[the ICC\] would allow me to take care of him.” However, dela Rosa seems to have changed his tune. In November 2025, amid rumors that an arrest warrant was out for the former Philippine National Police (PNP) chief, he stopped attending Senate sessions, drawing criticism for being paid a full salary despite his absences, and for supposedly evading arrest. He finally appeared in the Senate on May 11, joining Duterte-allied senators to install Cayetano as Senate president. That day, dela Rosa refused to answer questions regarding his return to the Senate, and later revealed that he was pursued by agents of the National Bureau of Investigation (NBI) supposedly to arrest him. Later that evening, the ICC [unsealed](https://www.icc-cpi.int/news/situation-philippines-icc-judges-unseal-arrest-warrant-against-ronald-marapon-dela-rosa) its arrest warrant against dela Rosa, revealing that it had been issued as secret in November 2025. Dela Rosa, having been placed under the upper chamber’s protective custody, spent the night at the Senate. ## Who Planned Bato’s Return? ![alan peter cayetano with senate riot police](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/apc-with-riot-police-outside-senate.webp) Senate President Alan Peter Cayetano greets riot police deployed to “keep the peace” as Duterte supporters gathered outside the Senate on May 13 to protest against the arrest of Sen. dela Rosa. Photo from the Office of the Senate President/Senate of the Philippines Facebook In an interview with broadcast journalist [Jessica Soho](https://rollingstonephilippines.com/state-of-affairs/jessica-soho-hall-of-fame-2025/ "Jessica Soho Has Seen the Worst, Yet She Persists as a Journalist"), dela Rosa revealed that Cayetano had asked him to return to the Senate specifically for Sotto’s ouster. “Tinawagan ako ng aking mga ka-Senador na kailangang nandito ako sa Senado para sumumpa,” he told Soho. “So kung hindi ako dumating, hindi namin makuha ‘yung leadership dahil nga ako ang contempted *\[sic\]* vote.” He also said that he was not certain whose vehicle he rode in on the way to the Senate, but Cayetano later admitted that it was his van. The interview was taped on May 13, hours before the Senate was placed on lockdown as an alleged shootout took place between Senate forces and NBI agents. Senate Sergeant-at-Arms Mao Aplasca reportedly initiated the exchange of gunfire by firing a warning shot. But the NBI says it was not there to arrest dela Rosa, and was instead asked by the Government Service Insurance System (GSIS) to provide security at the adjacent GSIS building amid protests at the Senate. Dela Rosa reportedly left the Senate in the early morning of May 14, hours after the shootout. NBI Director Melvin Matibag says that Sen. Robin Padilla, dela Rosa’s friend and another Duterte ally, is a “person of interest” in the senator’s escape, telling [*ANC*](https://youtu.be/_lqi_f7lmoQ?si=9N6xl0CA0KMMQksw) that Padilla “should be the first to answer when we ask them, ‘Where is Senator Bato?’” He also said that Cayetano “owes an explanation” to the public, as he had led efforts to place dela Rosa in protective custody. On Sunday, May 17, PNP Chief General Jose Melencio Nartatez Jr. said that the police agency is conducting an internal investigation regarding allegations that police escorted dela Rosa out of the Senate and facilitated his escape. [*Philstar*](https://www.philstar.com/headlines/2026/05/18/2528616/pnp-probes-van-alleged-police-escort-bato-dela-rosa) reports that this comes after a video circulated online showing a white police vehicle leaving the Senate compound with a black van, suspected of carrying dela Rosa, at the time the senator was reported to have left. Whether dela Rosa will resurface soon, with his arrest warrant and an obligation to appear as a senator-judge in Duterte’s impeachment trial, remains to be seen. ## Frequently Asked Questions ### Who makes up the majority bloc in the Senate under Alan Peter Cayetano? In the Senate majority, Senate President Alan Petey Cayetano is joined by Acting Majority Floor Leader Joel Villanueva, Senate President Pro Tempore Loren Legarda, Senators Chiz Escudero, Jinggoy Estrada, Robin Padilla, Mark Villar, Camille Villar, Pia Cayetano, Bato dela Rosa, Bong Go, Rodante Marcoleta, and Imee Marcos. ### What does Philippine law say about Senate protective custody? According to Mamamayang Liberal Rep. Leila de Lima and senators from the minority bloc, there are no provisions in the Constitution and laws stating that a senator with a valid warrant of arrest cannot be arrested within Senate premises. De Lima and fellow ex-Senator Antonio Trillanes IV have both been arrested in the Senate during their tenures in the upper chamber. ### When will the impeachment trial start? Impeachment proceedings officially begin with the Senate convening as an impeachment court. This took place on May 18. Vice President Sara Duterte must respond to the charges against her within 10 days of receiving a writ of summons. If she fails to issue a response within the given period, the Senate must proceed with a trial. ### Where is Bato dela Rosa now? As of May 18, 6:50 p.m., Bato dela Rosa’s whereabouts are unknown. ### How can Vice President Sara Duterte respond to the Senate’s writ of summons? Sara Duterte and her defense counsel must draft and file a letter addressing each of the four impeachment complaints against her. ### Why did the ICC issue an arrest warrant for Bato dela Rosa? Pre-trial Chamber I of the ICC found reasonable grounds to believe that Bato dela Rosa is “allegedly criminally responsible as an indirect co-perpetrator” of killings related to the war on drugs, according to the [ICC](https://www.icc-cpi.int/news/situation-philippines-icc-judges-unseal-arrest-warrant-against-ronald-marapon-dela-rosa). Related Stories - [Senate Coup Recap: The Winners and Losers, From Bato to Sotto](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/senate-coup-sara-duterte-bato-dela-rosa/ "Senate Coup Recap: The Winners and Losers, From Bato to Sotto") - [Sara Duterte to Travel Abroad Without Explaining SALN, Bank Anomalies](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-travel-abroad-saln/ "Sara Duterte to Travel Abroad Without Explaining SALN, Bank Anomalies") - [Tito Sotto’s Impeachment Record, From Estrada to Duterte](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/tito-sotto-impeachment-record-duterte/ "Tito Sotto’s Impeachment Record, From Estrada to Duterte") **Categories:** Philippine Politics, State of Affairs **Tags:** Bato dela Rosa, Sara Duterte Impeachment --- ### [Can the BBM-Imee Rift Ever Be Fixed After Drug Accusation?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/imee-bongbong-marcos-rivalry-drug/) **Published:** November 18, 2025 **Author:** Pie Gonzaga **Excerpt:** With Senator Imee Marcos openly accusing the president of illegal drug use, the Marcos clan’s long-storied rift erupts into a potentially destabilizing drama that Filipinos never asked for **Content:** As if we didn’t need more proof that political dynasties are bad, Senator Imee Marcos has escalated her rivalry with her own brother, President Ferdinand “Bongbong” Marcos Jr., by accusing him of using illegal drugs. “Batid ko na na nagda-drugs siya,” said the legislator in her speech at the Iglesia ni Cristo (INC) rally in Manila on Monday, November 17. “Nalaman ko at ng pamilya. Seryoso ito.” Imee went on to claim that the president’s name had appeared in a “list of celebrities” under the anti-drugs campaign of former President Rodrigo Duterte. “Masinsinsinang kong kinausap si Pangulong Rody, halos manikluhod ako. Sinabi kong ayon sa kapulisan dapat unahin usigin ang mga pusher at saka na lamang sagipin ang mga user. Naligtas si Bongbong.” She also accused the first family, including First Lady Liza Araneta Marcos and Ilocos Norte First District Representative Sandro Marcos, of using illegal drugs. While the Palace has not put out an official response, Palace Press Officer Claire Castro called Imee’s accusations a “desperate move” during a livestream on her personal YouTube channel on Monday evening. “This is definitely a desperate move,” she said. “Ang pinag-uusapan sa peaceful rally \[ng INC\] ay diumanong korapsyon. Ano ang dahilan ni Senator Imee para ang sarili niyang kapatid ay siraan niya?” On Tuesday, November 18, Sandro denied the accusations touted by his aunt, calling them “dangerously irresponsible.” “It pains me to see how low she has gone to the point that she resorts to a web of lies aimed at destabilizing this government to advance her own political ambitions,” he said in a statement. “Sa lahat po ng binanggit ni senadora, walang basehan, walang katotohanan, at walang magandang idudulot sa bayan.” “Hindi ito asal ng tunay na kapatid,” Sandro added. ## Long Time Coming ![marcos family bongbong imee rivalry](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/early-marcos-family-pic.webp) A young Bongbong, Ferdinand, Imelda, Imee, and Irene Marcos in Malacañang during Ferdinand Marcos Sr.’s 1969 inauguration as president. Photo from Malacañang Palace Archives/Wikimedia Commons Tensions between Imee and Bongbong have been bubbling for a few years, but after the rivalry between the president and Vice President Sara Duterte broke out in 2024, Imee made it clear just how much she disliked her brother by taking Duterte’s side. Imee previously disapproved of the vice president’s impeachment in February 2025, saying she did not want the conflict that the impeachment might cause. In her bid for a senatorial re-election, she also departed from the presidential slate to campaign independently after Rodrigo Duterte was arrested and turned over to the International Criminal Court in March. She pressed that Duterte’s arrest was unconstitutional and [initiated](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/senators-marcos-dela-rosa-philippines-not-obligated-to-cooperate-with-interpol/) a Senate inquiry on the matter. In April, she released a [campaign video](https://rollingstonephilippines.com/state-of-affairs/politics/imee-marcos-out-of-april-senatorial-survey-duterte-clan-allyship/) featuring Sara under the theme “ITIM,” which stands for “Inday \[Sara\] Trusts Imee Marcos,” “Ipaglalaban tayo ni Imee Marcos,” and “Ilaban ang tama, itama ang mali.” Even the first lady is not spared from Imee’s lashings. In July, the senator called on the Palace to clarify Liza’s involvement in the death of businessman Juan Paolo Tantoco in California earlier this year, based on a viral social media post alleging that she was present at the crime scene. However, according to an [*ABS-CBN News*](https://www.abs-cbn.com/news/nation/2025/7/16/blotter-altered-to-link-liza-marcos-to-tantoco-death-1226) report, the police report in the viral post was altered, and Liza’s name was not, in fact, mentioned. Bongbong, on the other hand, doesn’t seem as eager to fan the flames. In her vlog, Castro said, “Tuwing mayroon akong sasabihin sa pangulo, na isyu \[ni Imee\], at kakausapin ko siya kung ano ang kanyang comment, nagtataas-balikat lang siya. Ni hindi siya magbabanggit ng anumang negatibo laban sayo.” Political analyst Ronald Llamas told *[South China Morning Post](https://www.scmp.com/week-asia/people/article/3318796/marcos-vs-marcos-philippine-first-familys-bitter-feud)* that in her earlier years, Imee was groomed to be like her father, the dictator Ferdinand Marcos Sr. But it was Bongbong that ascended into the presidency in 2022, even though Imee was “the one ready for it.” Llamas said, “She was brighter, trained by her father.” Political scientist Cleve Arguelles, commenting on Imee’s drug use accusations on X, said, “How infuriating it must be to be presidential sister — a senator, the self-styled brainy heir of \[her\] dictator father’s legacy — and yet be shut out from the real levers of power.” Arguelles added that the Marcos drama must end with the family’s return to exile in Hawaii, and the Dutertes in The Hague. “Only then might Filipinos be spared from a dynastic feud shoved down our throats, one that keeps dividing the nation into their loyalists and supporters,” he remarked. Related Stories - [Forget the Performative Male. Is Marcos a Performative President?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/president-marcos-corruption-performative/ "Forget the Performative Male. Is Marcos a Performative President?") - [Imee Marcos: ‘Uphold PH Jurisdiction,’ Investigate Duterte Arrest](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/imee-marcos-says-investigate-duterte-arrest/ "Imee Marcos: ‘Uphold PH Jurisdiction,’ Investigate Duterte Arrest") - [Imee Marcos Falls Short in April Senatorial Survey Despite Duterte Clan Allyship](https://rollingstonephilippines.com/state-of-affairs/politics/imee-marcos-out-of-april-senatorial-survey-duterte-clan-allyship/ "Imee Marcos Falls Short in April Senatorial Survey Despite Duterte Clan Allyship") **Categories:** Philippine Politics, State of Affairs **Tags:** Ferdinand Marcos Jr., Imee Marcos --- ### [The Senate Just Out-Crazied Itself with Bombshell Revelations and Escudero’s Ouster](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/escudero-ousted-senate-flood-control/) **Published:** September 8, 2025 **Author:** Pie Gonzaga **Excerpt:** Senator Chiz Escudero, who has been embroiled in the DPWH’s anomalous flood control projects, has been voted out of his position as senate president, with Senator Tito Sotto set to replace him **Content:** Senator Francis “Chiz” Escudero has been removed from his position as senate president in a “coup” that sought to replace him with Senate Minority Leader [Vicente “Tito” Sotto III](https://rollingstonephilippines.com/tag/tito-sotto/ "Tito Sotto"). Sotto told reporters that Escudero had agreed to step down on Monday, September 8. The shake-up will also see Sen. Jinggoy Estrada replaced by Sen. Ping Lacson as senate president pro tempore, while Sen. Migz Zubiri will take Sen. Joel Villanueva’s place as majority leader. According to *[Rappler](https://www.rappler.com/philippines/escudero-ousted-senate-president-september-8-2025/)*, the 15 senators who backed the leadership change are Sotto, Lacson, Zubiri, Bam Aquino, Pia Cayetano, JV Ejercito, Win Gatchalian, Risa Hontiveros, Lito Lapid, Loren Legarda, Kiko Pangilinan, Raffy Tulfo, Erwin Tulfo, Mark Villar, and Camille Villar. This comes amid the Senate’s probe into the Department of Public Works and Highways’ (DPWH) anomalous flood control projects, which Escudero has been [linked](https://rollingstonephilippines.com/state-of-affairs/politics/politicians-influencer-kids-dwph-backlash/ "These Politicians’ Influencer Kids Face Backlash Amid DPWH Controversies") to through Centerways Construction and Development Inc., one of the 15 contractors under investigation. Its president, Lawrence Lubiano, contributed P30 million to Escudero’s campaign for the senatorship in 2022. Escudero has denied playing a role in Lubiano’s deals with the government, but also admitted that the businessman is a friend. ## The Discaya Couple Namedrops ![curlee sarah discaya senate hearing](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/09/curlee-sarah-discaya-september-8.webp) Curlee and Sarah Discaya in the Senate’s third hearing on the flood control projects, September 8, 2025. Photo by Wendell D. Alinea. Senate of the Philippines/Facebook At another [Senate hearing](https://rollingstonephilippines.com/state-of-affairs/politics/discaya-british-accent-flood-control/ "Sarah Discaya Attends Senate Flood Control Probe, But Where’s Her British Accent?") on the ghost flood control projects, contractors [Sarah and Pacifico “Curlee” Discaya](https://rollingstonephilippines.com/tag/sarah-discaya/ "Sarah Discaya") named several government congressmen, their staff, and DPWH officials allegedly involved in the controversy. According to *GMA News*, the representatives are: - Pasig City Rep. Roman Romulo - Uswag Ilonggo Partylist Rep. Jojo Ang - Quezon City Rep. Patrick Michael Vargas - Quezon City Rep. Juan Carlos “Arjo” Atayde - Agap Partylist Rep. Nicanor “Nikki” Briones - Marikina Rep. Marcelino “Marcy” Teodoro - San Jose del Monte Mayor Florida Robes - Romblon Rep. Eleandro Jesus Madrona - Laguna Rep. Benjamin “Benjie” Agarao Jr. - An-waray Partylist Rep. Florencio Gabriel Bem Noel - Occidental Mindor Rep. Leody Tarriela - Quezon City Rep. Reynante Arogancia - Quezon City Rep. Marvin Rillo - Aklan Rep. Teodorico Haresco - Zamboanga Sibugay Rep. Antonieta Yudela - Caloocan City Rep. Dean Asistio - Quezon City Rep. Marivic Co Pillar In exchange for their testimony, the Discaya couple asked the Senate Blue Ribbon Committee and President Ferdinand “Bongbong” Marcos Jr. for protection. According to Sarah Discaya, the DPWH’s district engineers and regional directors, as well as the chiefs-of-staff of lawmakers, offered projects allegedly funded by congressmen. The Discayas said they initially reported these to the DPWH. “Sabi nila, dapat tanggapin namin ang reyalidad na dapat kaming magbayad sa mga mambababatas kung gusto pa naming magpatuloy na magkaroon ng projects sa gobyerno,” Discaya said. Several solons have denied the Discayas’ allegations, including Atayde, Madrona, Teodoro, and Romulo. In a statement, House Speaker Martin Romualdez also said, “Let me be clear: wala akong kinalaman, wala akong pahintulot, at wala akong basbas sa mga ganyang gawain.” Related Stories - [Sarah Discaya Attends Senate Flood Control Probe, But Where’s Her British Accent?](https://rollingstonephilippines.com/state-of-affairs/politics/discaya-british-accent-flood-control/ "Sarah Discaya Attends Senate Flood Control Probe, But Where’s Her British Accent?") - [These Politicians’ Influencer Kids Face Backlash Amid DPWH Controversies](https://rollingstonephilippines.com/state-of-affairs/politics/politicians-influencer-kids-dwph-backlash/ "These Politicians’ Influencer Kids Face Backlash Amid DPWH Controversies") - [‘Kurakot Shaming’ Is Not Enough to End Corruption in the Philippines. So, What’s Next?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/philippine-flood-control-corruption-outrage/ "‘Kurakot Shaming’ Is Not Enough to End Corruption in the Philippines. So, What’s Next?") **Categories:** News, Philippine Politics, State of Affairs **Tags:** Chiz Escudero, Tito Sotto --- ### [Cebu Bore the Brunt of Typhoon Tino. Where Are the Flood Control Projects?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/cebu-flood-control-typhoon-tino/) **Published:** November 6, 2025 **Author:** Pie Gonzaga **Excerpt:** With 71 dead and over 119,000 evacuated, calls are mounting to investigate P26 billion in flood mitigation works that appear to have done little to prevent the Cebu’s worst flooding in years **Content:** This week, the province of Cebu took the biggest blow from Typhoon Tino, with its death toll currently at 71 out of a nationwide 114, according to the Office of Civil Defense. Over 119,000 have been evacuated in the province, according to Cebu Governor [Pam Baricuatro](https://rollingstonephilippines.com/tag/pam-baricuatro/ "Pam Baricuatro"), who also called for a probe into [flood control projects](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/dpwh-flood-control-latest-updates/ "DPWH Flood Control Projects Scandal: The Most Damning Revelations So Far") in the province as its lowland communities remain submerged in flood waters. “P26 billion of flood control funds for Cebu, yet we are flooded to the max,” Baricuatro said in a Facebook post on Tuesday, November 4. In a Palace press briefing on Wednesday, November 5, Presidential Communications Office Undersecretary [Claire Castro](https://rollingstonephilippines.com/tag/claire-castro/ "Claire Castro") invited Baricuatro to provide the national government with more information on the province’s flood control projects. Castro emphasized that investigations should not only cover projects carried out under the administration of President Ferdinand Marcos Jr. “Iyong initial data natin ay 343 flood control projects ang nagawa since 2016 to 2022 sa Cebu,” she said. “Kung mayroon pong 343 flood control projects noon pa man, dapat po sana ay gumagana ito. So, pagtulung-tulungan po nating mahanap ang dapat na mapanagot sa mga maanomalyang flood control projects.” ![pam baricuatro cebu tino flood control](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/pam-baricuatro-cebu-flood.webp) Baricuatro inspects areas affected by Typhoon Tino in Cebu, November 4. Photo from Pam Baricuatro/Facebook Castro also told reporters that Baricuatro’s [alliance](https://rollingstonephilippines.com/state-of-affairs/politics/cebu-governor-elections-healthcare/) with the Duterte political family does not affect the national government’s response to the devastation in Cebu. “Kahit naman po hindi kaalyado ng pangulo, kahit anong kulay po niyan, ang pangulo po ay handang tumulong kahit po kanino basta po kinakailangan ang tulong ng gobyerno,” said the Palace press officer. Marcos has declared a state of national calamity following Typhoon Tino’s devastation. The Senate’s probe into [flood control anomalies](https://rollingstonephilippines.com/tag/flood-control-probe/ "Flood Control Probe") is expected to resume on November 14, but will also wrap up this month as the upper chamber gears up for hearings on the government’s farm-to-market road projects. Meanwhile, a tropical storm with the international name [Fung-wong ](https://rappler.com/philippines/weather/tropical-storm-fung-wong-pre-uwan-update-pagasa-forecast-november-6-2025-5am/ "Fung-wong ")is forecast to hit the country this Friday or Saturday, and may intensify into a super typhoon. Related Stories - [Northern Cebu Earthquake, How Locals are Supporting the Aftermath](https://rollingstonephilippines.com/state-of-affairs/environment/northern-cebu-earthquake-relief/ "Northern Cebu Earthquake, How Locals are Supporting the Aftermath") - [Cebu Protesters Rage Against Corruption at September 21 Rally](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/cebu-anti-corruption-rally-september-21/ "Cebu Protesters Rage Against Corruption at September 21 Rally") - [Cebu’s Gubernatorial Race Shows Voters Want Improved Healthcare Services](https://rollingstonephilippines.com/state-of-affairs/politics/cebu-governor-elections-healthcare/ "Cebu’s Gubernatorial Race Shows Voters Want Improved Healthcare Services") **Categories:** Philippine Politics, State of Affairs **Tags:** Cebu, Flood Control Probe, Pam Baricuatro --- ### [Timeline: Alan Peter Cayetano’s Rise to and Struggle for Power](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/alan-peter-cayetano-rise-power-career-timeline/) **Published:** June 10, 2026 **Author:** Pie Gonzaga **Excerpt:** The senator isn’t new to power struggles in the legislature, but will he survive this one? We take a look at what Cayetano has endured so far in his political career **Content:** It has been over a month since Senator [Alan Peter Cayetano](https://rollingstonephilippines.com/tag/alan-peter-cayetano/ "Alan Peter Cayetano") brought Sen. [Bato dela Rosa](https://rollingstonephilippines.com/tag/bato-dela-rosa/ "Bato dela Rosa") out of hiding, removed Sen. Tito Sotto from the Senate leadership through a majority vote, and took over as Senate president. In early June, the camps of Cayetano and Sen. [Sherwin “Win” Gatchalian](https://rollingstonephilippines.com/tag/win-gatchalian/ "Win Gatchalian"), wrestled for the majority and leadership positions. After a few other [chaotic events](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/cayetano-senate-president-first-week-crisis-duterte-impeachment/ "Cayetano’s First Week as Senate President is ‘Embarrassing,’ But Can He Bounce Back?") in the Senate, this tug-of-war concluded in Gatchalian’s triumph on Wednesday, June 17, when the Cayetano-allied Sen. [Joel Villanueva](https://rollingstonephilippines.com/tag/joel-villanueva/ "Joel Villanueva") joined the new majority to vote him as the new Senate president. But how did Cayetano end up in a leadership dispute in the first place? ## Cayetano’s First Years in Congress The politician has spent a large fraction of his career shuttling between the House of Representatives and the Senate, following in the footsteps of his father, the late legislator Renato “Rene” Luna Cayetano. In 1998, he was elected the representative of Taguig-Pateros, a post once held by his father, and became a staunch critic of Gloria Macapagal Arroyo’s administration. In 2007, he ran for senator under the Genuine Opposition coalition, an electoral alliance that stood against Arroyo, and won a seat in the upper chamber. ## The Second Senate Term That year, he was made the chairman of the Blue Ribbon committee and led the panel’s investigation into the NBN-ZTE scandal, which involved the government awarding a contract to Chinese telecommunications firm ZTE for the proposed but canceled National Broadband Network (NBN). As Blue Ribbon chair, he also led the continuation of investigations into the Fertilizer Fund Scam. Both scandals also involved Arroyo, who still served as president. In 2013, Cayetano was re-elected under Team PNoy, a big-tent electoral coalition backed by the administration of then-President Benigno Aquino III. Big-tent coalitions cover parties and candidates across the political spectrum. Likewise, Team PNoy backed candidates from Akbayan, the Liberal Party, Cayetano’s Nacionalista Party, and the PDP-Laban party that’s come to be associated with [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte"). ## How Cayetano Became a Duterte Ally ![alan peter cayetano rodrigo duterte attend wedding](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/apc-and-duterte.webp) Cayetano and former President Rodrigo Duterte attend an aide’s wedding in 2019. Photo from Alan Peter Cayetano/Facebook In September 2015, Cayetano announced that he would run for vice president in the upcoming national elections. He made the announcement in Davao City, reportedly to attempt to convince then-mayor Rodrigo Duterte to be his running mate. Two months later, Duterte accepted Cayetano’s offer and announced that he would run for president. During the vice presidential debates in April 2016, he and then-Sen. Ferdinand “Bongbong” Marcos Jr. argued about statements Duterte allegedly made. According to Marcos, Duterte said that he would pass the presidency to the Ilocano senator if he failed to end crime in six months. But Cayetano claimed that Duterte had only said it in jest. While Duterte would go on to win the presidential election, Cayetano wasn’t as successful, losing to Camarines Sur Third District Representative Leni Robredo. However, he became instrumental in the country’s relations with China under Duterte when he was appointed Foreign Affairs secretary in 2017. He held the post until the 2019 midterm elections, in which he ran and won the race to represent Taguig-Pateros in Congress again. During his new term as congressman and House speaker, he was criticized for his inaction on bills seeking the renewal of the ABS-CBN franchise, which ultimately led to the network’s [shutdown](https://rollingstonephilippines.com/state-of-affairs/abs-cbn-lopez-family-feud/) in 2020. Duterte had accused ABS-CBN of biased reporting and threatened to close it down, leading critics to believe that the president was a major influence on Cayetano and the House of Representatives’ decision not to renew the network’s franchise. ## The First Power Struggle in Congress That year, Cayetano’s speakership was called into question by other House members over the proposed public works budget for 2021. Former Negros Oriental Rep. Arnie Teves claimed that there was a disparity in the allocation of funds, which allegedly favored districts like Taguig City and Camarines Sur over other congressional districts. Amid infighting in the House of Representatives, Marinduque Rep. Lord Allan Velasco was pitted against Cayetano and eventually replaced him when the latter was voted out of the speakership. ## Leadership Disputes in the Senate ![alan peter cayetano and win gatchalian in senate session hall](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/cayetano-and-gatchalian.webp) Cayetano and Sen. Win Gatchalian talk during a Senate session, May 5. Photo by Joseph B. Vidal/Senate of the Philippines/Facebook As recent events would have it, that was not the last time Cayetano would fight for a leadership position in the legislature. In 2022, he won a Senate seat again. In September 2025, Sotto snagged the Senate presidency from Sen. Francis “Chiz” Escudero, who faced allegations of involvement in the flood-control scandal and was criticized for failing to act on the impeachment case against Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte") “forthwith.” The impeachment case against the vice president was reignited in early 2026, and as the House of Representatives voted to impeach her on May 11, Cayetano and his allies in the Senate moved to make him its new president, [ousting Sotto](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/senate-coup-sara-duterte-bato-dela-rosa/ "Senate Coup Recap: The Winners and Losers, From Bato to Sotto"). Following the May 13 shootout and dela Rosa’s escape, Cayetano was once again criticized, this time for mismanaging the Senate and the feud between its two blocs. On June 3, the Senate minority and Escudero, with the rest of the majority absent, voted to declare all committee chairmanships vacant and make Sen. Win Gatchalian the acting Senate president. As the upper chamber’s blocs argue over the legitimacy of the new takeover, the official website of the Senate of the Philippines has stopped tagging Cayetano as the Senate president. The House of Representatives and Malacañang have also recognized Gatchalian’s camp as the new Senate majority. Cayetano’s loss in the leadership dispute is apparent, but the longtime legislator wasn’t keen to give up his seat just yet, despite calls for his resignation from fellow lawmakers and citizens. In a press briefing on June 8, he asserted that the Gatchalian bloc had “illegally held a session” in the absence of Cayetano’s bloc, and that Sara Duterte’s impeachment proceedings carry on “uninterrupted” with him as the presiding senator-judge. Finally, on June 17, Cayetano conceded, saying that he had given up his claim to the Senate presidency after Villanueva voiced his intention to vote for Gatchalian. An hour later, the upper chamber held a special session, during which Cayetano was voted out of the leadership. None of the other senators from Cayetano’s bloc were present to contest the ouster. *This story was updated on June 17, 2026, 2:05 p.m., to add details regarding Sen. Win Gatchalian’s election as Senate president.* ## Frequently Asked Questions ### Who is Alan Peter Cayetano? Alan Peter Cayetano is a Filipino legislator who has served as Taguig-Pateros congressman, senator, Foreign Affairs secretary under Duterte, House speaker, and most recently Senate president. ### How did Cayetano become allied with Rodrigo Duterte? In 2015, Cayetano invited then-Davao mayor Rodrigo Duterte to be his running mate. Duterte won the presidency while Cayetano lost the vice presidential race, but was later appointed Foreign Affairs secretary under the Duterte administration. ### Why was Alan Peter Cayetano removed as House speaker? Cayetano was ousted in 2020, at the end of his part of a term-sharing agreement with Marinduque Rep. Lord Allan Velasco. His removal was also sought after allegations that public works fund allocations disproportionately favored certain districts, including Taguig City. ### How did Alan Peter Cayetano become Senate president in 2026? As the House moved to impeach Vice President Sara Duterte in May 2026, Cayetano and allied senators voted to oust Sen. Tito Sotto and install Cayetano as the new Senate president. ### What is the Cayetano-Gatchalian Senate presidency dispute? On June 3, 2026, senators voted to vacate all committee chairmanships and install Sen. Win Gatchalian as acting Senate president amid the absence of Cayetano’s bloc. Cayetano has disputed the legitimacy of the leadership shakeup, though Malacañang and the House have recognized Gatchalian’s bloc as the new majority. Related Stories - [Senate Coup Recap: The Winners and Losers, From Bato to Sotto](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/senate-coup-sara-duterte-bato-dela-rosa/ "Senate Coup Recap: The Winners and Losers, From Bato to Sotto") - [Cayetano’s First Week as Senate President is ‘Embarrassing,’ But Can He Bounce Back?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/cayetano-senate-president-first-week-crisis-duterte-impeachment/ "Cayetano’s First Week as Senate President is ‘Embarrassing,’ But Can He Bounce Back?") - [Are the Senate Majority’s Days Numbered?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/senate-majority-bloc-crisis-estrada-arrest/ "Are the Senate Majority’s Days Numbered?") **Categories:** Philippine Politics, State of Affairs **Tags:** Alan Peter Cayetano, Senate --- ### [Yayoi Kusama, Acclaimed Avant-Garde Artist, Dies at 97](https://rollingstonephilippines.com/culture/art/yayoi-kusama-japanese-artist-dies-97/) **Published:** August 27, 2026 **Author:** Rolling Stone Philippines **Content:** Yayoi Kusama, the acclaimed Japanese avant-garde artist best known for her giant pumpkin sculptures and “Infinity Mirror Rooms,” has died at the age of 97. According to a [statement](https://yayoi-kusama.jp/en/news4518/ "statement") released on August 27 by her company, Kusama passed away nearly two weeks ago at a hospital on August 14. Kusama’s art is recognizable worldwide by her repeated dot patterns, which she has practiced since the beginning of her career. However, it took some time for the art world to embrace her work. And despite moving to New York in the 1950s, then the center of pop art, she remained relatively unknown. She returned to Japan two decades later, choosing instead to shy away from public life. She then checked herself into a psychiatric hospital, where she lived voluntarily while continually producing art that ultimately led to global recognition in the later decades of her life, starting in the ‘80s. Earlier this year, Museum Ludwig in Cologne exhibited more than 300 of Kusama’s work in what is believed to be one of the biggest showcase of the artist’s work. “In my more than 70 years as an artist, I have always been in awe of the wonder of life,” the artist said on the occasion of the exhibit. “More than anything, this strong sense of the life force in artistic expression is what has supported me and gave me power to overcome feelings of depression, hopelessness, and sadness. I have been guided by my belief in this power.” ![yayoi kusama museum ludwig pumpkin](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/yayoi-kusama-museum-ludwig.webp) One of Kusama’s polka-dot pumpkins on display at Museum Ludwig. Photo from Museum Ludwig Her work has been shown in galleries the world over, from the Museum of Modern Art in New York, the National Gallery of Victoria in Melbourne, and the Tate Modern in London. Tourists from all over the world have flocked to Japan to see her pumpkin sculptures firsthand like the one on Naoshima Island, as well as in her eponymous museum, the Yayoi Kusama Museum, in Tokyo. “Throughout an extraordinary lifetime devoted entirely to artistic creation, Kusama pursued an internationally acclaimed career as a pioneering avant-garde artist whose creative practice encompassed visual art, performance, fiction, and poetry,” the statement continued. “She continued to paint until her final days, never setting aside her brush, and continued exploration of forever love and eternal soul.” **Categories:** Art, Culture **Tags:** Yayoi Kusama --- ### [Bruno Mars Is Bringing The Romantic Tour Back to the Philippines in May 2027](https://rollingstonephilippines.com/music/hiphop-rnb/bruno-mars-the-romantic-tour-manila-announcement/) **Published:** August 27, 2026 **Author:** Elijah Pareño **Content:** Singer-songwriter [Bruno Mars](https://rollingstonephilippines.com/tag/bruno-mars/ "Bruno Mars") is heading back to the Philippines for his The Romantic Tour in 2027. Announced on August 27, additional stops have been announced, including the Philippines. Mars is scheduled to perform for two days in Manila on May 15 and May 16 at The Philippine Arena in Bulacan. The tour will bring special guests such as collaborator and multi-instrumentalist Anderson .Paak as his alter ego DJ Pee Wee, British singer-songwriter Raye, South African R&B singer Tyla, and a special performance by Silk Sonic in select cities. According to the *Live Nation Philippines* ticketing website, the Philippine stop’s guest announced so far is Anderson .Paak as DJ Pee Wee. Mars is a 16-time Grammy Award-winning singer-songwriter known for creating contemporary R&B hits such as “24K Magic,” “Versace on the Floor,” and “Die With A Smile” with pop artist Lady Gaga, to name a few. Mars’ last stop in the Philippines dates back to June 2023 at the Philippine Arena. Ticket prices are yet to be announced. Artist presale will be on September 11, 2026, with general on-sale on September 14, 2026. Related Stories - [4 Free Concerts in the Philippines That Came at a Cost](https://rollingstonephilippines.com/editors-picks/lists/4-free-concerts-philippines-at-a-cost/ "4 Free Concerts in the Philippines That Came at a Cost") - [Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/ "Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’") - [P-Lo Spent Years Producing Hip-Hop’s Biggest Hits. Now He Wants His Own](https://rollingstonephilippines.com/music/hiphop-rnb/p-lo-producing-hip-hop-hits-own-music/ "P-Lo Spent Years Producing Hip-Hop’s Biggest Hits. Now He Wants His Own") **Categories:** Hip-hop/R&B, Music **Tags:** Bruno Mars --- ### [One of PH’s Strongest Quakes Hits Mindanao: What We Know and How to Help](https://rollingstonephilippines.com/state-of-affairs/environment/mindanao-earthquake-what-we-know-how-to-help/) **Published:** June 8, 2026 **Author:** Pie Gonzaga **Excerpt:** This comes 50 years after the 8.0-magnitude Moro Gulf earthquake, which struck parts of Bangsamoro, Soccksargen, and the Zamboanga Peninsula in 1976 **Content:** An [earthquake](https://rollingstonephilippines.com/tag/mindanao-earthquake-2026/ "Mindanao Earthquake 2026") hit off the coast of southern Mindanao on Monday morning, June 8, triggering tsunami warnings across the region. At magnitude 7.8, it is among the strongest earthquakes to hit the country. Footage on social media shows several buildings in different parts of Region 12, also known as Soccksargen, collapsing from the quake. In the aftermath, the Philippine National Police’s (PNP) Regional Office 12 has reported three dead and four injured civilians. As of noon, the death toll has risen to eight, according to the Office of Civil Defense. The Philippine Institute of Volcanology and Seismology (PHIVOLCS) warned of possible aftershocks and also advised residents of Soccksargen’s coastal areas, as well as those in the Zamboanga Peninsula and the Bangsamoro regions, to move inland or to higher ground in case of tsunamis. PHIVOLCS is looking at the Cotabato Trench as a potential source of the earthquake, agency Director Teresito Bacolcol told [*Super Radyo dzBB*](https://www.gmanetwork.com/news/topstories/regions/990605/cotabato-trench-caused-magnitude-7-8-earthquake-in-mindanao-phivolcs-checking/story/). ## How Does the Mindanao Earthquake Compare to Others? The strongest earthquake to hit the region was the Moro Gulf earthquake in 1976, which measured 8.0 on the Richter scale and killed an estimated 8,000 people. Meanwhile, the last magnitude 7.8 earthquake to strike the Philippines was the 1990 Luzon earthquake, which was felt from the Cordillera region to Calabarzon and killed 1,621. Other major earthquakes that recently hit the Philippines were the [Cebu earthquake](https://rollingstonephilippines.com/state-of-affairs/environment/northern-cebu-earthquake-relief/) in September 2025, which measured 6.9 and affected other parts of Central and Eastern Visayas, and the Davao earthquake in October 2025, which measured 7.4 and was felt in the Davao Region, Soccksargen, Caraga, and Northern Mindanao. ![philippine red cross workers outside collapsed building after earthquake in general santos city](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/philippine-red-cross-earthquake-gensan.webp) Philippine Red Cross workers inspect a collapsed building in General Santos City after the earthquake. Photo from Philippine Red Cross/Facebook ## Relief Operations and How to Help The Department of Social Welfare and Development (DSWD) says that its personnel in Region 12 have begun monitoring and assessment efforts following the quake, while its disaster resource centers in Luzon and Visayas are working to deploy over 10,000 family food packs to the Mindanao Disaster Resource Center to help affected families. Meanwhile, the Philippine Red Cross (PRC) is also working to provide emergency medical assistance to victims. “We are calling on the public and our partners to support the Philippine Red Cross Emergency Appeal so we can immediately provide relief, safe water, healthcare, and other critical assistance to communities that may be affected in the coming days,” said PRC Secretary General Dr. Gwendolyn Pang in a [statement](https://www.facebook.com/phredcross/posts/-philippine-red-cross-activates-emergency-fund-campaign-for-communities-affected/1465506605603372/). Like PRC, the non-governmental organization [Angat Buhay](https://www.facebook.com/share/p/1BJwgBkGTv/) is also carrying out relief operations and has opened channels for cash donations. *This is a developing story. Bookmark this page for updates on the Mindanao earthquake and donation drives*. ## Frequently Asked Questions ### Which areas are under tsunami warning after the Mindanao earthquake, according to PHIVOLCS? PHIVOLCS has advised residents in the coastal areas of Sarangani, Davao Occidental, Tawi-tawi, Sulu, Basilan, Zamboanga del Sur, Zamboanga Sibugay, Sultan Kudarat, and South Cotabato to move inland or to higher ground as a precaution against possible tsunamis following the magnitude 7.8 earthquake. ### What is the strongest and deadliest earthquake in Philippine history? The strongest earthquake on record in the Philippines is the 1924 Mati, Davao earthquake, which measured 8.3 on the Richter scale. The deadliest is the 1976 Moro Gulf earthquake, which also struck Mindanao, measured 8.0, and killed an estimated 8,000 people. ### What fault or trench caused the June 2026 Mindanao earthquake? PHIVOLCS is investigating the Cotabato Trench as the likely source of the Mindanao earthquake, according to PHIVOLCS Director Teresito Bacolcol. ### How does the June 2026 Mindanao earthquake compare to recent major earthquakes in the Philippines? The magnitude 7.8 quake is among the strongest to hit the country in recent decades. It matches the magnitude of the 1990 Luzon earthquake, which killed 1,621 people. More recently, a 6.9 earthquake struck Cebu in September 2025, affecting parts of Central and Eastern Visayas, while a 7.4 quake hit the Davao Region in October 2025. ### What should residents in coastal areas of Mindanao do after the earthquake? PHIVOLCS advises residents in coastal areas of Soccsksargen, the Zamboanga Peninsula, and the Bangsamoro regions to immediately move inland or to higher ground in case of a tsunami. Residents should also evacuate and stay away from buildings in case of aftershocks, which PHIVOLCS has warned are possible. Related Stories - [4 Earthquake Safety Measures the Philippines Can Learn from Japan](https://rollingstonephilippines.com/state-of-affairs/power/4-earthquake-measures-philippines-japan/ "4 Earthquake Safety Measures the Philippines Can Learn from Japan") - [A Manga Caused Earthquake Rumors in Japan. Should the Philippines Be Worried?](https://rollingstonephilippines.com/state-of-affairs/power/manga-earthquake-big-one/ "A Manga Caused Earthquake Rumors in Japan. Should the Philippines Be Worried?") - [Northern Cebu Earthquake, How Locals are Supporting the Aftermath](https://rollingstonephilippines.com/state-of-affairs/environment/northern-cebu-earthquake-relief/ "Northern Cebu Earthquake, How Locals are Supporting the Aftermath") **Categories:** Environment, State of Affairs **Tags:** Mindanao Earthquake 2026 --- ### [TV Girl Debuts in Manila With Their Brand of Indie Pop This November](https://rollingstonephilippines.com/radar/tv-girl-debuts-manila/) **Published:** June 26, 2025 **Author:** Elijah Pareño **Excerpt:** TV Girl’s long-awaited Manila debut highlights how far bedroom pop has come from DIY roots to selling out major theaters **Content:** Californian indie pop band [TV Girl](https://rollingstonephilippines.com/tag/tv-girl/ "TV Girl") is set to make their live Philippine debut on November 27. The trio, consisting of vocalist Brad Petering, drummer Jason Wyman, and keyboardist Wyatt Harmon, first emerged in 2010 with a string of EPs and followed with their debut album *French Exit* in 2014. They became staples of the bedroom pop world early on, building their identity on grainy drum machines, lo-fi samples, and a songwriting approach that pulled more from vintage pop than indie rock. While best known now for viral tracks like “Cigarettes Out the Window” and “Blue Hair,” TV Girl’s broader catalog reveals a consistency that’s earned them serious credibility outside of TikTok. Their collaborations with names like George Clanton and an ever-expanding discography have only reinforced their staying power, especially in circles where internet music overlaps with the physical live scene. “Lovers Rock,” which recently crossed a billion streams, is a reminder that their reach was never an accident. > [View this post on Instagram](https://www.instagram.com/p/DLTtK0zsxg5/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Live Nation PH (@livenationph)](https://www.instagram.com/p/DLTtK0zsxg5/?utm_source=ig_embed&utm_campaign=loading) For fans in the Philippines, the announcement has struck a nerve across different communities. Some found the band through social media algorithms, others followed them from the early 2010s music blog era. They’ve drawn support from both the hyper-online and the offline indie scenes, with audiences eager to see a project that started in bedrooms move into a large-capacity space like New Frontier Theatre. Tickets for TV Girl Live in Manila go on sale starting July 4 through Live Nation Philippines’ [official website](https://www.livenation.ph/event/tv-girl-perform-their-hits-live-quezon-city-tickets-edp1606883). Related Stories - [Beabadoobee Announces Manila Concert on August 12](https://rollingstonephilippines.com/radar/beabadoobee-announces-manila-concert-on-august-12/ "Beabadoobee Announces Manila Concert on August 12") - [Faye Webster Manila Tickets Are Being Gatekept by Fans](https://rollingstonephilippines.com/radar/events/faye-webster-manila-tickets-gatekept-by-fans/ "Faye Webster Manila Tickets Are Being Gatekept by Fans") - [The Fight for Tyler, The Creator Manila Tickets Might Get Brutal](https://rollingstonephilippines.com/music/news/fight-for-tyler-the-creator-chromakopia-manila-tickets-brutal-insignia-presents/ "The Fight for Tyler, The Creator Manila Tickets Might Get Brutal") **Categories:** Events, Music, News, Radar **Tags:** TV Girl --- ### [10 Christmas Gift Ideas for Last-Minute Shoppers](https://rollingstonephilippines.com/radar/rs-recommends/10-last-minute-christmas-gift-ideas/) **Published:** December 18, 2025 **Author:** Mel Wang **Excerpt:** Earplugs, CD players, and old fashioned shot glasses are just some of the gifts that ship quick enough to make for a perfect holiday gift **Content:** Although Christmas starts earlier than usual in the Philippines (September 1, to be exact), that doesn’t mean all shoppers finish their holiday shopping early. Some of us need a little more time, and before you know it, it’s already a week before Christmas, and we’re panic-scrolling through Shopee, Lazada, and any shopping platform or Facebook group for any sign of an adequate gift. To help make last-minute shopping just a little less stressful, *Rolling Stone Philippines* has put together some of the things on our shopping lists that we know are A) thoughtful, B) cool, and C) definitely going to deliver on or right before the 25th. ## Muji Earplugs *P145 Delivery within 3-5 business days within Metro Manila. 6-12 business days for orders outside Metro Manila Check them out [here](https://www.mujiph.com/product-page/ear-plug-with-case?srsltid=AfmBOopL-gBp-DRTyCRlvBez1QzrRmfi-7eZ2Qz8kmVA7FwZTXlw-L55 "here")* ![Muji earplugs](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/1.webp) Photo from Muji/Official Website “Invest in your hearing,” sounds like the kind of advice most music fans shrug off until it’s too late. But the special Muji Earplugs are exactly for those ears already buzzing with tinnitus, or for anyone who keeps ignoring the same warning from their bandmates after every show. Whether you are a young concert regular or a scene veteran battered by years of rehearsals, gigs, and soundchecks. These earplugs offer high-fidelity hearing protection designed for musicians and live music audiences. Instead of muffling sound, they lower the overall volume evenly, preserving clarity and balance across frequencies. You can still hear music, conversations, and cues without the harsh ringing that follows a loud night out. ## Crate & Barrel Star Etched Double Old Fashioned Glasses *P533.40 per glass (40 percent off regular price) 5-7 day delivery for select addresses within Metro Manila and Cebu Delivery times may vary for areas outside of these regions* *Check them out [here](https://crateandbarrel.com.ph/ "here")* ![glass](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/2.webp) Photo from Crate & Barrel/Official Website If you know someone who loves a good whiskey, scotch, or bourbon but has been sipping on the wrong glass for ages (embarrassing), then this is the gift for them. This handblown piece comes with an array of stars etched into its glass, mimicking a dreamy night sky: perfect for elevating an evening cocktail. ## Martin Co. Eric Clapton 20th Anniversary Guitar Strings *P720* *Same day delivery between 7 a.m. to 9 p.m.* *Check them out [here](https://www.jbmusic.com.ph/shop/product/S-12-306/)* ![strings](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/3.webp) Photo from JB Music/Official Website For the typical lazy shopper in the music world, the friend who keeps snapping guitar strings after a heavy night out is a familiar problem. It happens to almost every scenester sooner or later. Enter Martin & Co’s collaboration with Eric Clapton, one of the most influential musicians and guitarists of all time. The string features a gauge combination that has never been offered before, paired with 92/8 bronze strings for improved tuning stability and durability. They are built for players who tend to push their instruments hard, whether mid-set or deep into a long session. Each string is carefully engineered with specific gauges and core-to-wrap ratios designed to meet Clapton’s exact standards, aiming for a balance that doesn’t sacrifice any preferred guitar tone. ## Fender Original Tuner *P1,200* *Delivery within 4 business days within Metro Manila* *Check them out [here](https://www.sweelee.ph/products/fender-original-guitar-tuner-fiesta-red?srsltid=AfmBOopFOZsmXiCVk72mcApiKjYstbslwklTd2akNtLpNv2swRoZk037 "here")* ![sweelee](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/5.webp) Photo from Sweelee Philippines/Official Website Something sounds off. Maybe a string slipped. Maybe the whole thing drifted sharp while you weren’t looking. Either way, the Fender clip-on tuner exists so you do not have to overthink it. Built for players who want fast, reliable tuning without extra setup, the Fender Original Tuner uses a vibration-based tuning engine that stays accurate in any venue. The bright LCD screen swivels a full 360 degrees, making it easy to read whether you are on a dark stage, in a cramped rehearsal space, or tuning quietly at home. It is compact enough to live on your headstock without getting in the way, and sturdy enough to survive being tossed into a gig bag. ## Healthy Options’ Soothing Lavender Body Care Set *P1,295 Same-day delivery for orders placed before 2:00 p.m. within Metro Manila, Cainta, and Antipolo. More information on delivery times outside of the listed areas can be found* [*here*](https://shop.healthyoptions.com.ph/pages/shipping-and-delivery) *Check them out [here](https://shop.healthyoptions.com.ph/products/soothing-lavender-body-care-set "here")* ![healthy options](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/6.webp) Photo from Healthy Options/Official Website Give your loved ones the gift of moisturized, unchapped skin with a body lotion and wash set that’s sure to hydrate. These body care essentials are the ideal gift for someone who’s prone to dryness, itchiness, or could just really use a soft, lavender scent to help them calm down. Plus, they’re vegan, making this bundle an even more accessible gift. ## Forclaz Waterproof Foldable Backpack 25L *P1790* *Ships in 2-6 days, also available for store pickup* *Check them out [here](https://www.decathlon.ph/p/waterproof-foldable-backpack-25l-travel-forclaz-8560421.html "here")* ![deca](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/7.webp) Photo from Decathlon/Official Website If you’re treating a loved one to the great outdoors this holiday break, a lightweight backpack might come in handy. This waterproof and foldable backpack from Forclaz comes with chest and waist straps you can use to give the bag a more snug fit, so it doesn’t bounce and hurt your back while trekking. With pockets and a laptop compartment at the back, you can even take this backpack off the trail and to the office. ## Levi’s Women’s Mid-Rise Boyfriend Jeans *P2,579.40 (40% off regular price) 2-3 standard delivery days* *Check them out [here](https://levi.com.ph/products/levis-womens-mid-rise-boyfriend-jeans-198870361 "here")* ![levi](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/8.webp) Photo from Levi’s/Official Website New jeans (the pants, not the girl group) are always a thoughtful gift, mainly because they can last for a pretty long time and they’re easy to include in a regular wardrobe rotation. This particular pair of jeans promises comfort, looseness, and ease, while still adding a timeless, stylish beat to any fit. ## Samsonite Travel Essentials Packing Cubes Medium *P2,763 (15%off regular price) 2-5 delivery days for orders placed within Metro Manila via Shopee Delivery times may vary for areas outside of this region* *Check them out [here](https://shopee.ph/Samsonite-Travel-Essentials-Packing-Cubes-Black-i.1543047906.52352544743?extraParams=%7B%22display_model_id%22%3A345247410889%7D "here")* ![Samsonite](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/9.webp) Photo from Samsonite/Official Website These packing essentials are the perfect gift for a jet-setting loved one who’s always trying to find new ways to cram things into their suitcase. Packing for travel can be messy, annoying, and frustrating; fortunately, these Samsonite packing cubes help keep the process more organized. ## Syitren R300 CD Player *P5,425.13 Ships in at least 6 days* *Check them out [here](https://www.lazada.com.ph/?spm=a2o4l.non-existent-products.header.dhome.6cedf39afLKIk2#? "here")* ![cd](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/10.webp) Photo from Lazada/Official Website We heard that [physical media](https://rollingstonephilippines.com/music/physical-media-filipino-music/) is making a huge comeback. And while every cool person you know probably already has a vinyl record player, the boomboxes and CD players built into older laptops or cars are more on the verge of obsolescence, but they don’t have to be. If you have a friend building a CD collection, the Syitren R300 CD player is perfect: portable, rechargeable, with excellent audio performance for its price, Bluetooth functions, and an uncomplicated, boxy, retro look. ## vivo X300 Pro *P77,999 Ships in 1-3 days for Metro Manila, 3-5 days outside Metro Manila* *Check them out [here](https://shop.vivoglobal.ph/products/vivo-x300-series?variant=47029398372601 "here")* ![vivo](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/11.webp) Photo from Vivo/Official Website Is it a phone or a camera? The vivo X300 Pro is a slim smartphone that boasts a 200MP ZEISS APO Telephoto Camera, delivering smooth, high-quality zoom for concerts or even birdwatching. You can also opt to purchase a Grip Kit, containing attachments to give your X300 Pro a more camera-like feel, or the ZEISS 2.35x Telephoto Extender Kit, which includes a compact telephoto lens you can attach to the phone — perfect for photographers on the go. ## IQOS ILUMA I *Buy now in [IQOS.com](https://IQOS.com)* ![iqos iluma i](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/new-iqos-photo.webp) Photo from IQOS IQOS ILUMA I is the latest product in IQOS portfolio. The device offers adult smokers a modern alternative designed to deliver tobacco enjoyment without smoke, fire, or ash. The holder includes a touch screen display to monitor session duration. Pause Mode allows users to pause and resume their sessions, while FlexPuff and FlexBattery features adapt to individual usage. Celebrate without compromise. IQOS makes the perfect holiday gift for nicotine users who value clean, smoke-free moments with family and friends. Related Stories - [2025 in Review: Inside Rolling Stone PH’s Breakout Year](https://rollingstonephilippines.com/editors-picks/2025-in-review/ "2025 in Review: Inside Rolling Stone PH’s Breakout Year") - [11 Moments in Philippine Politics That Will Shape The 2025 Elections](https://rollingstonephilippines.com/state-of-affairs/politics/11-moments-philippine-politics-2024/ "11 Moments in Philippine Politics That Will Shape The 2025 Elections") - [12 Notable Filipino Books of 2025](https://rollingstonephilippines.com/culture/12-notable-filipino-books-of-2025/ "12 Notable Filipino Books of 2025") **Categories:** Radar, RS Recommends **Tags:** Christmas --- ### [‘Yugto’ Concert Unites Maris Racal, Cup of Joe, More Under One Filipino Pop Moment](https://rollingstonephilippines.com/radar/events/yugto-concert-filipino-pop/) **Published:** July 14, 2025 **Author:** Elijah Pareño **Excerpt:** With four major acts — Maris Racal, Cup of Joe, Amiel Sol, and Earl Agustin — crossing over for a single show on August 15, Yugto marks a shift in how Filipino pop gets performed and heard **Content:** The Yugto: Buhay at Pag-Ibig concert brings actress and singer [Maris Racal](https://rollingstonephilippines.com/tag/maris-racal/ "Maris Racal"), folk-pop singer-songwriter [Amiel Sol](https://rollingstonephilippines.com/tag/amiel-sol/ "Amiel Sol"), R&B musician [Earl Agustin](https://rollingstonephilippines.com/tag/earl-agustin/ "Earl Agustin"), and Baguio-based pop rock band [Cup of Joe](https://rollingstonephilippines.com/tag/cup-of-joe/ "Cup of Joe") to one stage this August 15 at the Newport Performing Arts Theater, Pasay City. Shaping up to be more than just a hugot-themed concert, the lineup reflects the current scale of mainstream Filipino pop and how artists with distinct fanbases are increasingly crossing paths to reach a wider range of audiences. Over the past year, each artist — who all share themes of love and longing — has consistently put out new music while ranking on the top of streaming charts. Cup of Joe, for instance, has become one of the biggest pop acts in the country, recently announcing their third major concert, *Stardust*, and landing another charting single with “Multo.” Their work is built for packed venues, with vocalists Gian Bernardino and Raphaell Ridao delivering some of the group’s biggest moments while keeping the intimacy intact. Musicians like Agustinleans into a retro soul format built on clarity and technical precision, as heard on “Tibok,” while Sol shapes folk-pop into something looser and more conversational, with tracks like “Sa Bawat Sandali.” Together, the two artists represent new ways of approaching and performing Filipino pop music. *Sunshine* actress Racal may be more familiar to most as a lead in teleseryes and box-office films, but her discography tells a different story. With singles like “Ate Sandali” and “Abot Langit,” she’s built herself into a credible pop act. Her work often employs sharper pop hooks and a more assertive vocal presence — a contrast to Donnalyn Bartolome’s bubblegum pop flavored delivery and hook writing. For Racal to be part of Yugto underlines how today’s Filipino pop is being led by artists with both range and presence — on and off screen. Yugto captures a moment in 2025 where pop has become more collaborative and layered. These artists aren’t just performing in sequence. They’re showing how different styles and fanbases can intersect. The concert reflects what a wider audience is asking for: songs that feel personal, artists who don’t hide behind their image, and performances that mean something beyond the charts. Tickets to Yugto are now available at the official Helixpay website. **Categories:** Events, Music, News, Radar **Tags:** Amiel Sol, Cup of Joe, Earl Agustin, Maris Racal --- ### [Jessica Soho, Rolling Stone PH Hall of Fame 2025 Inductee, on the Power of Stories](https://rollingstonephilippines.com/radar/events/jessica-soho-hall-of-fame-2025-inductee/) **Published:** November 20, 2025 **Author:** Pie Gonzaga **Excerpt:** The multi-awarded broadcast journalist is inducted into the first-ever Rolling Stone Philippines Hall of Fame for decades of work in journalism that offers a deeper look into Filipino identity and history **Content:** [Jessica Soho](https://rollingstonephilippines.com/tag/jessica-soho/ "Jessica Soho"), the most-awarded Filipino broadcast journalist, added another honor to her long list of accolades as she was [inducted](https://rollingstonephilippines.com/state-of-affairs/jessica-soho-hall-of-fame-2025/ "Jessica Soho Has Seen the Worst, Yet She Persists as a Journalist") into the inaugural Rolling Stone Philippines [Hall of Fame](https://rollingstonephilippines.com/tag/hall-of-fame/ "Hall of Fame") on Thursday, November 20. “Thank you very much for the honor and distinction, the time and space you gave me in your wonderful magazine,” she said in a recorded acceptance speech. Presenting the honor was fellow broadcast journalist Rico Hizon, who said that Soho’s choice to stick to journalism “proved to alter not just her life but the course of Philippine journalism” as a whole. Hizon emphasized the role of the media in exposing corruption in the government and called for transparency and accountability. ![rico hizon hall of fame rolling stone philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/rico-hizon-hall-of-fame.webp) Rico Hizon presents the Hall of Fame honor for Journalism. Photo by Excel Palanque Soho became the first Filipino to win a George Foster Peabody Award in 1999 for the *i-Witness* investigative documentaries “Kidneys for Sale” and “Kamao,” and even went on to win a second Peabody Award in 2014 for her coverage of Typhoon Yolanda. Beyond covering conflicts from Afghanistan to Mindanao, and disasters locally, Soho has become a household name for her long-running news magazine show *Kapuso Mo, Jessica Soho*, which features stories on events, pop culture, food, and celebrities, demonstrating her ability to reach all Filipino audiences. While she was not able to attend the induction ceremony at the Peninsula Manila, Makati City, Sancia Palma, Executive Producer of *Kapuso Mo, Jessica Soho,* accepted the honor on her behalf. In her recorded speech, Soho said, “Throughout my career, I have always believed in the power of stories to inspire, help people, and change lives — and hopefully, even our country — for the better.” ![jessica soho hall of fame induction ceremony](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/11/jessica-speech.webp) Soho’s acceptance speech was played at the Hall of Fame induction ceremony. Photo by Excel Palanque “Let’s keep those stories coming and the conversations going,” she added, “because the more we talk and listen, the better for all of us.” Other [inductees](https://rollingstonephilippines.com/editors-picks/hall-of-fame-2025-editors-note/ "Rolling Stone Philippines Hall Of Fame Welcomes First 6 Inductees") into the inaugural Rolling Stone Philippines Hall of Fame include National Artist Kidlat Tahimik for Art, Charo Santos-Concio for Film and TV, Vic del Rosario Jr. for Media, Paeng Nepomuceno for Sports, and Juan Dela Cruz for Music. *Rolling Stone Philippines Hall of Fame* *With Ploom* *And Nordic Spirit* *Major Partner NUSTAR Online* *Official Beverage Partners* *Remy Martin and The Glenlivet* *Official Giveaway Partner* *Provizo Corporation* *Wrangler* Related Stories - [Jessica Soho Has Seen the Worst, Yet She Persists as a Journalist](https://rollingstonephilippines.com/state-of-affairs/jessica-soho-hall-of-fame-2025/ "Jessica Soho Has Seen the Worst, Yet She Persists as a Journalist") - [Exclusive Q&A: Maria Ressa on This Critical Year for Journalism](https://rollingstonephilippines.com/state-of-affairs/power/exclusive-maria-ressa-on-this-critical-year-for-journalism/ "Exclusive Q&A: Maria Ressa on This Critical Year for Journalism") - [Marites Vitug on Duterte, China, and the State of Journalism](https://rollingstonephilippines.com/state-of-affairs/marites-vitug-by-atom-araullo/ "Marites Vitug on Duterte, China, and the State of Journalism") **Categories:** Events, Radar, State of Affairs **Tags:** Hall of Fame, Jessica Soho --- ### [&FRIENDS Festival Throws an Electronic Music Takeover This Halloween](https://rollingstonephilippines.com/radar/events/and-friends-halloween-manila/) **Published:** October 30, 2025 **Author:** Mel Wang **Excerpt:** This Halloween edition of the popular EDM festival sees EDM talents Knock2, Kaku, Y3llo, and more taking the stage **Content:** Fresh off its debut earlier this year, the electronic music and pop culture festival [&FRIENDS ](https://rollingstonephilippines.com/tag/friends/ "&Friends")is back to take over Halloween this year. Following a successful gathering that drew more than 20,000 fans and transformed Okada Manila into a playground, &FRIENDS now invites thrill-seekers, music lovers, and party crews to experience a one-night-only Hallow’s Eve spectacle happening on October 31 at The Cove Manila, Okada. > [View this post on Instagram](https://www.instagram.com/p/DQWgF83D1Tb/?utm_source=ig_embed&utm_campaign=loading)[A post shared by &FRIENDS Festival (@andfriends.fest)](https://www.instagram.com/p/DQWgF83D1Tb/?utm_source=ig_embed&utm_campaign=loading) This lineup spotlights Asia’s range electronic dance music talent on a global stage, bringing together over 50 artists performing across two stages. Leading the charge is [Knock2](https://rollingstonephilippines.com/music/dance-electronic/isoxo-b2b-skrillex-nitehearts-2025/ "Filipino-Indonesian Producer ISOxo to Perform B2B Set with Skrillex at NITEHEARTS 2025"), the bass house prodigy making his first-ever Philippine performance after taking the stage this year at Electric Daisy Carnival in Las Vegas and Coachella in 2024. Alongside a stacked roster of Southeast Asian DJs and homegrown Filipino talents, —including Kaku, Frosttop b2b Remk, and Y3llo — the lineup promises non-stop dancing energy until dawn. Tickets to this Halloween edition of &FRIENDS are available here. Related Stories - [&FRIENDS Festival Brings Music and Internet Culture Under One Roof](https://rollingstonephilippines.com/music/andfriends-not-another-festival/ "&FRIENDS Festival Brings Music and Internet Culture Under One Roof") - [&FRIENDS Festival Celebrates Music and Online Culture in Manila](https://rollingstonephilippines.com/radar/ampfriends-festival-manila/ "&FRIENDS Festival Celebrates Music and Online Culture in Manila") - [DJs Hoang, MVSE, and Gamer BTMC Are Set To Party at &FRIENDS Festival](https://rollingstonephilippines.com/radar/events/ampfriends-festival-hoang-mvse-btmc/ "DJs Hoang, MVSE, and Gamer BTMC Are Set To Party at &FRIENDS Festival") **Categories:** Dance/Electronic, Events, Music, Radar **Tags:** &Friends --- ### [The All-American Rejects Find New Life in ‘Sandbox,’ Their First Album in 14 Years](https://rollingstonephilippines.com/music/rock/the-all-american-rejects-nick-wheeler-sandbox/) **Published:** August 25, 2026 **Author:** Pie Gonzaga **Excerpt:** The “Dirty Little Secret” hitmakers have found a “whole new life” with their latest full-length album and DIY shows that have, more than ever, brought them closer to longtime fans **Content:** The past year has been revitalizing for [The All-American Rejects](https://rollingstonephilippines.com/tag/the-all-american-rejects/ "The All-American Rejects"), a band that’s been around since 1999 but whose members have only found their way back to each other recently. Much has happened since the emo rock band’s last full-length record under a major label, 2012’s *Kids in the Street*. Between then and now, the band released a few singles, left its label in 2018, and almost stopped making music altogether when, in November 2020, frontman [Tyson Ritter](https://rollingstonephilippines.com/tag/tyson-ritter/ "Tyson Ritter") suggested that the four-piece may not be putting out a new record anymore. “People always ask, ‘When’s the new Rejects record?’” he said on the radio show *[Emo Nite](https://web.archive.org/web/20211118151443/https://www.audacy.com/music/alternative/tyson-ritter-new-all-american-rejects-song-might-be-last)*. “And Joni Mitchell said \[that\] as an artist, or as a songwriter, you need to know when to stop. It’s not gonna be very likely that we’re gonna do another record any time soon.” Things would change when the band reunited in 2022 for the When We Were Young Festival, with that year’s edition headlined by [Paramore](https://rollingstonephilippines.com/tag/paramore/ "Paramore") and [My Chemical Romance](https://rollingstonephilippines.com/tag/my-chemical-romance/ "My Chemical Romance"). In 2024, the Rejects also headlined the Dearborn Homecoming Festival with fellow rock band The Verve Pipe. “It wasn’t until 2023, when we decided to do our first headlining tour in 11 years as an experiment, that we would find a new lust for this band,” [Nick Wheeler](https://rollingstonephilippines.com/tag/nick-wheeler/ "Nick Wheeler"), who started the band with Ritter, tells *Rolling Stone Philippines*. “The next logical step was to get into the studio and see if there was magic there too.” And magic, there was. In April 2025, The All-American Rejects released “Sandbox,” the lead single and title track for what would become their first full-length record in 14 years. > [View this post on Instagram](https://www.instagram.com/reel/DYPc7WNKnDG/?utm_source=ig_embed&utm_campaign=loading)[A post shared by The All-American Rejects (@therejects)](https://www.instagram.com/reel/DYPc7WNKnDG/?utm_source=ig_embed&utm_campaign=loading) But what really generated hype for the band’s new era was the House Party Tour, a series of concerts and DIY shows set up in unlikely but intimate venues like bowling alleys, skating rinks, barns, college campuses, and even a [random backyard](https://www.rollingstone.com/music/music-pictures/all-american-rejects-nashville-house-party-1235345435/all-american-rejects-house-party-5/). In a May 2025 interview with [*Rolling Stone*](https://www.rollingstone.com/music/music-features/all-american-rejects-tyson-ritter-house-parties-interview-1235345446/), Ritter called them “the best shows we’ve ever played in our lives.” The following year, they released *Sandbox*. Wheeler tells us the new album isn’t “overthought,” and that many of the final recordings came from the writing and demo process. “There’s an urgency to something that’s being performed as it’s being created, and we wanted to capture that as much as possible,” he says. In this quick Q&A, Wheller tells *Rolling Stone Philippines* more about leaving a major label, the making of *Sandbox*, and how the House Party Tour has given The All-American Rejects and fans “a whole new life.” **It took 14 years between your full-length releases, and you were off Interscope Records since 2018. What happened in those years between leaving the label and deciding to make *Sandbox*? What got you back in the studio?** During the first decade of our career, we would write an album, record an album, tour an album, and then repeat that three more times. After 10 years of that cycle on a major label, we were tired and didn’t really have a lot to say. Rather than go through the motions and make an album that wasn’t authentic, we decided to take some time off. And that lasted a while. Another 10 years, actually. It wasn’t until 2023, when we decided to do our first headlining tour in 11 years as an experiment, that we would find a new lust for this band. The next logical step was to get into the studio and see if there was magic there too. The ideas started flowing, and before long we had a handful of singles that turned into an entire body of work. ![the all-american rejects by andy knight](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/The-All-American-Rejects-Get-This-_-Photo-Credit-Andy-Knight.webp) Since kicking off in 2025, The All-American Rejects hasn’t stopped putting on shows for the House Party Tour. Photo by Andy Knight **You’ve said the label paid Top 40 stations to get your songs played, and that’s not what music is about to you, but some might argue that that system exists because it works. What do you win and what do you lose by refusing that system?** We had some conversations with major labels that were interested in the band last year, but they just wanted to get us in rooms with their writers and producers. That would have slowed down the momentum we were starting to have creatively. We felt like we were onto something, and we wanted to prove that we could produce, release, and promote this one ourselves. Granted, we didn’t have the bottomless production or marketing budget of a major label, but we’re proud of what we were able to accomplish with *Sandbox*. **In terms of sonic and creative directions, do you feel like you’ve done with *Sandbox* what you thought you couldn’t do when you were working under a label? Or is there more?** We just wanted to make music that we loved without going through the committee approval process that was our experience of making records on a major label. We had the experience, and I had the studio, so there was no reason we couldn’t attack this one on our own and create something that we were excited about. A lot of the tracks on the final recordings are from the writing and demoing process, so they weren’t overthought. There’s an urgency to something that’s being performed as it’s being created, and we wanted to capture that as much as possible. **You’ve called your shows on the House Party Tour the best you’ve ever played. What do DIY shows at unconventional venues give you that label-funded arena shows can’t?** Well, the label never funded our tours. It was more of a “we’ll scratch your back if you’ll scratch ours” kind of thing. Basically, if we were on the road doing our part to promote the music, they would do theirs. But the constant touring, promotion, and morning radio station visits caused a lot of burnout, and we would carry that burnout and resentment into the next album cycle until we were just done. I think creating *Sandbox* and launching the House Party Tour was our way of getting back to doing things on our terms and focusing on the stuff that made us want to get into this business in the first place. Personally, I never cared about the videos or the press or the attention. I just loved making the music and putting on the shows, and that’s what we got to focus on this past year. And it’s given this band a whole new life for us and for our fans. ERRATUM: A previous version of this article attributes the interview and quotes to Tyson Ritter, not Nick Wheeler. This article has been updated to reflect the correct quote attribution. ## Frequently Asked Questions ### Who is Nick Wheeler? Nick Wheeler is the lead guitarist of The All-American Rejects, an American emo rock band formed in 1999, known for hits like “Dirty Little Secret,” “Gives You Hell,” and “Move Along.” ### What is *Sandbox* by The All-American Rejects? *Sandbox* is The All-American Rejects’ first full-length album since 2012’s *Kids in the Street*. Self-produced and independently released, it grew out of demo sessions the band described as not “overthought,” preserving the urgency of songs as they were written. ### Why did The All-American Rejects leave Interscope Records? The band left Interscope in 2018 after a decade of the write-record-tour cycle left them creatively burned out. Rather than make an album that felt inauthentic, Nick Wheeler said the band chose to step away. ### What is The All-American Rejects’ House Party Tour? The House Party Tour is a 2025 to 2026 run of DIY concerts The All-American Rejects staged in unconventional venues, including bowling alleys, skating rinks, barns, college campuses, and backyards. Tyson Ritter has called them the best shows the band has ever played. ### Why does Nick Wheeler say *Sandbox* isn’t “overthought”? Nick Wheeler says many of *Sandbox*‘s final recordings came directly from the band’s writing and demo process rather than later re-recordings. He describes an “urgency” to perform something as it’s being created that the band wanted the album to capture. Related Stories - [Green Day Launches 24/7 YouTube Channel With Videos, Live Performances, and Unseen Archival Footage](https://rollingstonephilippines.com/music/rock/green-day-24-7-youtube-music-videos-live-performances/ "Green Day Launches 24/7 YouTube Channel With Videos, Live Performances, and Unseen Archival Footage") - [Emo Night Manila Shows Why Emo Was Never Just a Phase](https://rollingstonephilippines.com/radar/events/emo-night-manila-2025/ "Emo Night Manila Shows Why Emo Was Never Just a Phase") - [How Fall Out Boy Became the Face of a Generation with ‘From Under the Cork Tree’](https://rollingstonephilippines.com/music/rock/fall-out-boy-cork-tree-20th-anniversary/ "How Fall Out Boy Became the Face of a Generation with ‘From Under the Cork Tree’") **Categories:** Music, Rock **Tags:** Nick Wheeler, The All-American Rejects, Tyson Ritter --- ### [‘Avengers: Endgame’ Is Coming Back to Philippine Cinemas With New Footage](https://rollingstonephilippines.com/culture/film/avengers-endgame-new-link-avengers-doomsday/) **Published:** August 26, 2026 **Author:** Elijah Pareño **Excerpt:** The re-release will reportedly bridge the superhero saga to Avengers: Doomsday with new footage, a custom intro, and a special tag **Content:** On August 26, [Marvel](https://rollingstonephilippines.com/tag/marvel/ "Marvel") announced the return of the Avengers to Philippine cinemas with *Avengers Endgame: Encore.* The re-release is set to premiere on September 23, serving as the lead-up to *[Avengers: Doomsday](https://rollingstonephilippines.com/tag/avengers-doomsday/ "Avengers: Doomsday")*, showing on December 18. The select Philippine cinemas where the re-release will be available will be announced soon. > [View this post on Instagram](https://www.instagram.com/p/DceCg7khaUV/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Marvel Studios Philippines (@marvelphilippines)](https://www.instagram.com/p/DceCg7khaUV/?utm_source=ig_embed&utm_campaign=loading) According to the film’s co-director Joe Russo last April at the Sands Film Festival in Scotland, new scenes will include “footage that is set in the *Doomsday* story.” “It’s an opportunity to create a bridge from *Endgame* to *Doomsday* in a very unique way,” Russo said. He also described the re-release as a “critical companion story.” However, no details of the footage have been revealed. In an article published by *Deadline* in June, Disney announced that the re-release will not just include additional new footage, but also a custom introduction and a special tag exclusive to Infinity Vision and IMAX releases of the film. *Avengers: Endgame* is currently the second-highest-grossing film of all time with over $2.7 billion worldwide, behind James Cameron’s 2009 sci-fi epic *[Avatar](https://rollingstonephilippines.com/tag/avatar-fire-and-ash/ "Avatar: Fire and Ash")* with over $2.9 billion earnings in total. ## FREQUENTLY ASKED QUESTIONS ### When is *Avengers Endgame: Encore* releasing in the Philippines? *Avengers: Endgame: Encore* is set to premiere in Philippine cinemas on September 23. ### What new footage is included in *Avengers Endgame: Encore*? The re-release will include new footage set in the *Avengers: Doomsday* story, though specific details have not been revealed. ### Will *Avengers Endgame: Encore* have anything besides new footage? The re-release will also include a custom introduction and a special tag exclusive to Infinity Vision and IMAX screenings. ### When is *Avengers: Doomsday* coming out? *Avengers: Doomsday* is scheduled to show on December 18, 2026. ### Who is starring in *Avengers: Endgame*? Marvel’s *Avengers: Endgame* stars Robert Downey Jr., Chris Evans, Scarlett Johansson, Chris Hemsworth, Mark Ruffalo, and Paul Rudd, to name a few. Related Stories - [2026 is the Year of Iconic Movie Comebacks and Franchise Wars](https://rollingstonephilippines.com/culture/2026-in-movies-hilda-koronel-doomsday/ "2026 is the Year of Iconic Movie Comebacks and Franchise Wars") - [23 Movies We’re Excited For This 2026](https://rollingstonephilippines.com/culture/film/23-movies-coming-in-2026/ "23 Movies We’re Excited For This 2026") - [‘Mortal Kombat II’ Goes Harder, Bloodier, and More Savage Than The First](https://rollingstonephilippines.com/culture/reviews/mortal-kombat-2-movie-review/ "‘Mortal Kombat II’ Goes Harder, Bloodier, and More Savage Than The First") **Categories:** Culture, Film **Tags:** Avengers --- ### [BLACKPINK’s Lisa Announces Single “SaWaDiKa” For Her Upcoming EP](https://rollingstonephilippines.com/music/pop/blackpink-lisa-sawadika-upcoming-ep/) **Published:** August 26, 2026 **Author:** Elijah Pareño **Excerpt:** The BLACKPINK star announces her first single from her upcoming EP ‘Press Play’ and here’s when you can listen to it **Content:** [BLACKPINK](https://rollingstonephilippines.com/tag/blackpink/ "Blackpink")’s [Lisa](https://rollingstonephilippines.com/tag/lisa/ "Lisa") has announced the first single from her upcoming EP *Press Play*, titled “SaWaDiKa.” Announced by her own company, LLOUD, on August 26, the single is an homage to Lisa’s home country of Thailand, with the title translating to “hello.” Teasers for the single also show the famous tuk-tuk in one of the visuals. > [View this post on Instagram](https://www.instagram.com/p/Dce7U9-hYaF/?utm_source=ig_embed&utm_campaign=loading)[A post shared by LLOUD (@wearelloud)](https://www.instagram.com/p/Dce7U9-hYaF/?utm_source=ig_embed&utm_campaign=loading) “SaWaDiKa,” is set to premiere worldwide across various time zones. In the Philippines, the song is scheduled to premiere on September 4, Friday, at 8:00 AM (PHT). The upcoming EP follows Lisa’s debut solo studio album, *Alter Ego*, released in February 2025. *Press Play* is set for release on October 23. ## Frequently Asked Questions ### What is the title of Lisa’s upcoming EP? Lisa’s upcoming first EP is titled *Press Play*. ### When is “Sawadika” premiering in Philippine time? “SaWaDiKa” is scheduled to premiere in the Philippines on September 4 at 8:00 AM PHT. ### When is Lisa’s *Press Play* EP coming out? Lisa’s *Press Play* is set for release on October 23, 2026. ### What are Lisa’s greatest hits? Lisa’s greatest hits include “Rockstar,” “Born Again,” “LALISA,” to name a few. ### What was LISA’s debut solo album? Lisa’s debut solo studio album was *Alter Ego*, released in February 2025. Related Stories - [Music’s 10 Weirdest Alter Egos](https://rollingstonephilippines.com/editors-picks/lists/10-weirdest-music-alter-egos/ "Music’s 10 Weirdest Alter Egos") - [‘It’s How You Treat People, Pakikisama’: CHURCHLOVESU Talks Years of Queer Nightlife and Safe Spaces](https://rollingstonephilippines.com/music/dance-electronic/churchlovesu-queer-nightlife-metro-manila-interview/ "‘It’s How You Treat People, Pakikisama’: CHURCHLOVESU Talks Years of Queer Nightlife and Safe Spaces") - [At Lollapalooza, Jennie Comes Fully Realized as a Solo Artist](https://rollingstonephilippines.com/music/pop/jennie-lollapalooza-headlining-performance-recap/ "At Lollapalooza, Jennie Comes Fully Realized as a Solo Artist") **Categories:** Music, Pop **Tags:** Lisa --- ### [The Tao of Dolly: Her 25 Greatest Quotes](https://rollingstonephilippines.com/music/pop/dolly-parton-best-quotes-wisdom/) **Published:** August 26, 2026 **Author:** Rolling Stone US **Excerpt:** Words of wisdom from the legendary Dolly Parton, who has died at age 80 **Content:** [Dolly Parton](https://rollingstonephilippines.com/tag/dolly-parton/ "Dolly Parton") was many things in her long career: a trailblazing songwriter, a singer with an unforgettable voice, a pop-culture presence par excellence, and more. But she was also one of the most quotable people of her era, and a damn good interview subject. Practically every time Dolly spoke into a microphone, she said something hilarious, surprising, or wise — often all three at once. As the world continues to mourn her after the news of her [death](https://rollingstonephilippines.com/music/pop/dolly-parton-icon-beyond-music-dies-at-80/ "Dolly Parton, An Icon Beyond Music, Dies at 80") at age 80, here are 25 of Dolly Parton’s greatest quotes on life, music, fame, God, and more. “I’m very real where it counts, and that’s inside.” via [Barbara Walters](https://www.youtube.com/watch?v=cdgsKfFvM8I) “It costs a lot of money to look this cheap!” via [Twitter](https://x.com/DollyParton/status/91306847855853568?lang=en) (and countless other places) “I don’t like to be like everybody else. I’ve often made the statement that I would never stoop so low as to be fashionable. That’s the easiest thing in the world to do.” via [Barbara Walters](https://www.youtube.com/watch?v=cdgsKfFvM8I) Q: What is the trait you most deplore in yourself? A: “The fact that sometimes my mouth is a little too big and a little too open and sounds too much like a sailor.” via [*Vanity Fair*](https://www.vanityfair.com/culture/2012/11/dolly-parton-proust-questionnaire?srsltid=AfmBOoqmPmMQTTItV0Jq3C_IznJKJFwaUZhgez6iPOCoc-pw277NWpfo) “I grew up one of 12 siblings; I was surrounded by men. Every man I see, I see a man in my family. If he says something, I’ll say, “Don’t shit me, I know who you are.” Via [*Playgirl*](https://playgirl.com/archives/celebrity-interview-dolly-parton/) “\[If you called me a hillbilly\] it would’ve been something very natural, but I would have probably kicked your shins or something.” via [Barbara Walters](https://www.youtube.com/watch?v=cdgsKfFvM8I) “I wanted more than to just be a farmer’s daughter, even though I’m proud to be \[one\]. I just wanted pretty things. I wanted money to buy the things I had always been impressed with as a child. I wanted, I guess, to be a star.” via [Barbara Walters](https://www.youtube.com/watch?v=cdgsKfFvM8I) “I always count my blessings, more than I count my money. I don’t work for money, never did. It was the art, it was the job. I loved the work. And I’ve done well, and I’m thankful for it.” via [CBS News](https://www.cbsnews.com/news/dolly-parton-making-the-most-of-everything/) “Since I had no kids and my husband was pretty independent, I had freedom. So I think a big part of my success is the fact that I was free to work. And I didn’t have children, because I believe that God didn’t mean for me to have kids, so everybody’s kids could be mine, so I could do things like the Imagination Library.” via [Oprah](https://www.facebook.com/watch/?v=2696343797293710) “My dream was always to make as many people happy as I could in this life.” via [Barbara Walters](https://www.youtube.com/watch?v=cdgsKfFvM8I) “And of course Black lives matter. Do we think our little white asses are the only ones that matter? No!” via [*Billboard*](https://www.npr.org/2020/08/14/902506007/of-course-black-lives-matter-dolly-parton-tells-billboard) “I look so totally artificial, but I’ve always been the simplest person in the world.” via [*Rolling Stone*](https://www.rollingstone.com/feature/interview-dolly-parton-2-237948/) “I look totally artificial, but I am totally real, as a writer, as a professional, as a human being. A rhinestone shines just as good as a diamond.” via *[Elle](https://www.elle.com/culture/a29282948/dolly-parton-jolene-interview-2019/)* “Why should I work for hundreds and thousands when I can work for hundreds of thousands?” via [*Playboy*](https://www.playboy.com/read/music/the-playboy-interview-with-dolly-parton) “I joke with God. He don’t ever say nothin’ back.” via [*Playboy*](https://www.playboy.com/read/music/the-playboy-interview-with-dolly-parton) Q: What are your favorite names? A: “Jolene, Jolene, Jolene, Jolene.” via [*Vanity Fair*](https://www.vanityfair.com/culture/2012/11/dolly-parton-proust-questionnaire?srsltid=AfmBOoqmPmMQTTItV0Jq3C_IznJKJFwaUZhgez6iPOCoc-pw277NWpfo) “Now I usually try not to give advice. Information, yes, advice, no. But, what has worked for me may not work for you. Well, take for instance what has worked for me. Wigs. Tight clothes. Push-up bras.” via her University of Tennessee 2009 commencement address, [per NPR](https://apps.npr.org/commencement/speech/dolly-parton-university-of-tennessee-2009) “They say love isn’t about two people gazing into each other’s eyes, it is about two people gazing outwards in the same direction. I believe this with all my heart.” via her memoir [*My Life and Other Unfinished Business*](https://clicks.trx-hub.com/xid/pmc_0aaa4_rollingstone?q=https%3A%2F%2Fwww.amazon.com%2FDolly-Life-Other-Unfinished-Business%2Fdp%2F0060177209%2Fref%3Dsr_1_1%3Fcrid%3D39C49MW9ZTHKA%26dib%3DeyJ2IjoiMSJ9._uBK_FPpU3T8RPe6UyHlrXoFeswD_83sqZa0WXV-xdDGjHj071QN20LucGBJIEps.8ZHiWwspH8sinTup525H05JxcxktPmjRTuvEbU-FD0o%26dib_tag%3Dse%26keywords%3DDolly%253A%2BMy%2BLife%2Band%2BOther%2BUnfinished%2BBusiness%252C%26qid%3D1763440984%26sprefix%3Ddolly%2Bmy%2Blife%2Band%2Bother%2Bunfinished%2Bbusiness%252C%252Caps%252C185%26sr%3D8-1%26asc_source%3Dweb%26asc_campaign%3Dweb%26asc_refurl%3Dhttps%253A%252F%252Fwww.rollingstone.com%252Fmusic%252Fmusic-features%252Fdolly-parton-best-quotes-wisdom-1235612026%252F&p=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-features%2Fdolly-parton-best-quotes-wisdom-1235612026%2F&ref=&event_type=click) “I’m tryin’ to do everything I’m capable of doin’ and have a perfect balance in my life — to be successful at my work, and at bein’ a wife and a sister and a friend. I have to have all of those things in their proper place. I don’t want to be a star if I have no life.” via [*Rolling Stone*](https://www.rollingstone.com/music/music-country/the-unsinkable-dolly-parton-197779/) “I have to write and sing. See, that was my first love, and I have to do that forever, however I have to do it.” via [*Rolling Stone*](https://www.rollingstone.com/feature/interview-dolly-parton-2-237948/) “When I get bored with what I’m doing now, I’ll try something else. Movies might be as boring as anything else.” via [*The Tonight Show*](https://www.youtube.com/watch?v=khEhkCHxQi8) “I’ll be glad to be 51, so I won’t ever have to be 50 again, because everyone made such a big to-do. I don’t feel any different than I ever did.” via [Tom Snyder](https://www.youtube.com/watch?v=3UCqKhvAiJ0) “I ain’t never gonna be old because I ain’t got time to be old. I can’t stop long enough to grow old. I’m just gonna be the best I can be at whatever age I am.” via [Oprah](https://www.youtube.com/watch?v=-L_dCDQV8ik) During an interview, Parton was asked, “Biggest mistake?” She [quipped](https://www.tiktok.com/@dollypartonfanaccount1/video/6992832035614231813): “I haven’t made any. I try to look at my life as a series of events, and what other people would call ‘a mistake,’ I wouldn’t. Sometimes, what would look like to be my biggest mistakes turn out to be my biggest blessings. I’m not one of those people that I don’t regret things. I don’t go back because I’ve never done anything that I didn’t feel I should have done exactly that way at exactly that time. So how can you say that it’s a mistake?” “When I’m done, I can rest in peace knowing I’ve done my best. I hope that when my time comes, I’ll leave something behind that others can use to lift themselves up.” via her memoir [*Star of the Show*](https://www.penguinrandomhouse.com/books/739413/star-of-the-show-by-dolly-parton-with-tom-roland/)*.* *This article was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-features/dolly-parton-best-quotes-wisdom-1235612026/).* Related Stories - [Dolly Parton, An Icon Beyond Music, Dies at 80](https://rollingstonephilippines.com/music/pop/dolly-parton-icon-beyond-music-dies-at-80/ "Dolly Parton, An Icon Beyond Music, Dies at 80") - [Eminem Shares Touching Letter From Dolly Parton: I Always Felt an ‘Unexplained Connection to You’](https://rollingstonephilippines.com/music/dolly-parton-death-eminem-letter-tribute/ "Eminem Shares Touching Letter From Dolly Parton: I Always Felt an ‘Unexplained Connection to You’") - [Asia’s Queen of Songs Pilita Corrales Passes Away at 85](https://rollingstonephilippines.com/music/asias-queen-of-songs-pilita-corrales-passes-away-at-85/ "Asia’s Queen of Songs Pilita Corrales Passes Away at 85") **Categories:** Folk, Music, Pop **Tags:** Dolly Parton --- ### [Who Qualifies for 30% Calamity Pay in Proposed House Bill?](https://rollingstonephilippines.com/state-of-affairs/labor/proposed-bill-30-percent-calamity-pay/) **Published:** August 26, 2026 **Author:** Reyza Ferranco **Content:** When a calamity strikes, most people’s immediate response is to ensure their safety. But disasters don’t necessarily stop work, and for some workers, their livelihood often takes dangerous precedence, and their daily pay becomes another issue they have to deal with. House Bill 4435, or the Calamity Pay Law, aims to answer that uncertainty by providing financial protection to employees who still render work despite perilous conditions. It mandates that 30 percent additional compensation should be given to both public and private employees who are required to report. Filed in September 2025, the bill was brought back into focus by TRABAHO Party-list Rep. Johanne Bautista after the consecutive heavy rains and flooding that left most communities stranded for weeks. “This bill is an act of social justice and compassion, recognizing the extraordinary circumstances and sacrifices made by Filipino workers to deliver services not only for the benefit of their employers, but also for the benefit and recovery of their communities,” the bill’s explanatory note said. ![Atty. Johanne Bautista of TRABAHO Partylist](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/trabaho.webp) The TRABAHO Party-list believes the bill is long overdue. Photo from Atty. Johanne Bautista/Facebook ## **How Can One Be Eligible for Calamity Pay?** According to the bill, an employee is entitled to the extra pay if they are still required to render service despite the following conditions: 1. The worker’s area of residence or work is placed under a state of calamity by the President or local government unit. 2. The worker’s area of residence or work is not placed under a state of calamity by the President or local government unit but is severely affected by a disaster 3. The worker’s area of residence or work is placed under Signal No. 3, red rainfall warning, or an equivalent calamity classification 4. A work suspension is declared in the worker’s area of residence or place of work This covers essential sectors like healthcare, transport, media, food supply, relief work, and utilities. ## **Other Benefits of the Calamity Pay** Section 8 of the bill further states that there shall be no decrease in pay for employees who were not able to report to work due to a calamity or by reason of imminent danger. It also provides security from any disciplinary action. The employers are also instructed to verify the employee’s eligibility. They must also strictly abide by the act, as any violation or “deliberate failure or refusal” to provide Calamity Pay to its qualified employees shall make the employers liable for a fine not exceeding P100,000.00, or imprisonment of not less than six months nor more than one year. Other attempts for a calamity pay bill, like that of Sen. Loren Legarda’s Senate Bill No. 520 or the proposed Calamity Work Compensation Act, which was filed in November 2025, only cover private-sector employees. So for both public and private workers who have to choose between safety and a day’s wages, the newly proposed bill is an attempt to make that choice a little less punishing. ## frequently asked questions ### What is House Bill 4435, or the Calamity Pay Law? The bill aims to provide financial protection to employees who still render work despite perilous conditions. It mandates that they be given an additional 30 percent pay, and it applies to both public and private employees. ### Who filed House Bill 4435, or the Calamity Pay Law? TRABAHO Party-list Rep. Johanne Bautista filed the Calamity Pay Law in September 2025. ### What happens if employers don’t follow the Calamity Pay Law? The bill makes employers liable for a fine not exceeding P100,000.00, or imprisonment of not less than six months nor more than one year. ### What are the qualifications of the Calamity Pay Law? An employee is entitled to 30% extra pay if they still rendered service despite: a) The area of residence or workplace being placed under a state of calamity by the President or local government unit b) can also be not under a state of calamity but is severely affected by a disaster c) the worker’s area of residence or work is placed under Signal No. 3, red rainfall warning, or an equivalent calamity classification d) if a work suspension is declared in the worker’s area of residence or place of work ### Were there similar bills like the Calamity Pay Law before? Sen. Loren Legarda filed Senate Bill No. 520, or the proposed Calamity Work Compensation Act, in November 2025 for private-sector employees. Related Stories - [A Guide to GSIS, SSS, Pag-IBIG Emergency Loans and Its Potential Risks](https://rollingstonephilippines.com/state-of-affairs/gsis-sss-pag-ibig-emergency-loans-guide/ "A Guide to GSIS, SSS, Pag-IBIG Emergency Loans and Its Potential Risks") - [Filipinos Save Each Other In the Absence of Working Flood Control Plan](https://rollingstonephilippines.com/state-of-affairs/august-2026-flood-filipino-response/ "Filipinos Save Each Other In the Absence of Working Flood Control Plan") - [Here are the DOLE Holiday Pay Rules for 2026](https://rollingstonephilippines.com/state-of-affairs/dole-holiday-pay-rules-2026/ "Here are the DOLE Holiday Pay Rules for 2026") **Categories:** Labor, State of Affairs **Tags:** Calamity Pay --- ### [Kanye West’s ‘Bully’ Gets Official Date Following Controversial Public Apology](https://rollingstonephilippines.com/music/hiphop-rnb/kanye-west-bully-release-date/) **Published:** January 29, 2026 **Author:** Elijah Pareño **Content:** [Kanye West](https://rollingstonephilippines.com/tag/kanye-west/ "Kanye West") has locked in a release date for his next album, *Bully*, on January 28. According to a *[Rolling Stone](https://rollingstonephilippines.com/tag/rolling-stone/ "Rolling Stone")* source, West has signed a partnership deal with independent music company Gamma to release the project on March 20. *Bully* will mark his first traditional studio album rollout in years. The financial details of the agreement remain undisclosed. The announcement comes after a January 25 full-page *Wall Street Journal* advertisement placed by West as a public apology for years of antisemitic remarks. The timing of the apology immediately sparked speculation online. Fans questioned whether the public remorse signaled another album cycle, a pattern that has followed several of his past controversies. ![Donda 2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/donda-2-1.webp) West’s last solo full-length album, *Donda 2*, was released in 2022 via the Stem Player before receiving an edited release in 2025 on his own label, YZY. Photo from Kanye West/Facebook A press release obtained by *Rolling Stone* describes *Bully* as an album centered on themes of remorse, memory, ego, faith, and consequence. West reportedly views the record as an exercise in storytelling rather than an attempt at “public redemption.” West previously shared an early version of *Bully* in 2025 as a short film that he directed, with longtime collaborator Hype Williams handling editing. His last solo full-length album, *Donda 2*, was released in 2022 via the Stem Player before receiving an edited release in 2025 on his own label, YZY. His albums *Vultures 1* and *Vultures 2*, a collaboration with Ty Dolla $ign, were released on streaming platforms in 2024 by YZY. ## Frequently Asked Questions ### When is Kanye West’s new album “Bully” releasing? Kanye West’s album Bully is set for release on March 20, 2026, through a new partnership with independent music company Gamma, marking his first traditional studio rollout in years. ### What themes does Kanye West’s “Bully” album explore? Bully explores themes of remorse, memory, ego, faith, and consequence, with Kanye West approaching the project as personal storytelling rather than an attempt at public redemption. ### What is the connection between Kanye West’s Wall Street Journal apology and the “Bully” album announcement? Bully’s release date arrived days after West’s January 25 Wall Street Journal apology for antisemitic remarks, prompting speculation the public apology was timed around album promotion. ### What was Kanye West’s last solo album before “Bully”? Before Bully, West’s last solo release was Donda 2, which dropped exclusively on Stem Player in 2022 before receiving an edited streaming version in 2025 via his YZY label. ### Which company is releasing “Bully” and how does it relate to West’s recent projects? Bully is releasing through a partnership with independent music company Gamma, following West’s 2024 collaborative albums Vultures 1 and Vultures 2 with Ty Dolla $ign. Related Stories - [Kanye West Public Apology Draws Skepticism From Fans Waiting on New Music](https://rollingstonephilippines.com/music/hiphop-rnb/kanye-west-apology-new-music-speculation/ "Kanye West Public Apology Draws Skepticism From Fans Waiting on New Music") - [For Filipinos, Kanye West’s Music Lives On, Even If His Reputation Doesn’t](https://rollingstonephilippines.com/music/kanye-west-music-filipinos/ "For Filipinos, Kanye West’s Music Lives On, Even If His Reputation Doesn’t") - [Nicki Minaj and Cardi B Bring Back the Lost Art of the Celebrity Twitter Fight](https://rollingstonephilippines.com/culture/internet-culture/nicki-minaj-cardi-b-feud/ "Nicki Minaj and Cardi B Bring Back the Lost Art of the Celebrity Twitter Fight") **Categories:** Hip-hop/R&B, Music **Tags:** Kanye West --- ### [Dolly Parton, An Icon Beyond Music, Dies at 80](https://rollingstonephilippines.com/music/pop/dolly-parton-icon-beyond-music-dies-at-80/) **Published:** August 26, 2026 **Author:** Pie Gonzaga **Excerpt:** The country-pop trailblazer was also an actress, an LGBTQ+ ally, and a champion for education and healthcare **Content:** [Dolly Parton](https://rollingstonephilippines.com/tag/dolly-parton/ "Dolly Parton"), Queen of Country and humanitarian, has passed away at the age of 80 after a “brief battle with cancer,” representatives have confirmed. Her nephew and head of security, Bryan Seaver, announced her passing on Tuesday, August 25, (Wednesday morning in Philippine time). “Dolly has opened doors not just for me, but for her entire family to reach the potential we didn’t even know was possible,” Seaver said in a video posted on Parton’s social media channels. “Dolly also opened doors for generations of singers, songwriters, musicians, and dreamers from every walk of life and across every continent. By her example, we believed that anything was possible.” Parton’s impact on music is undeniable, paving the way for women in the country genre and beyond. She broke out in the early 1970s with “Coat of Many Colors” and “My Tennessee Mountain Home” before releasing “Jolene,” a song that topped charts in the U.S. and U.K. in 1974. That same year, she also released “I Will Always Love You,” which would be covered by Whitney Houston in 1992. Today, she inspires many great female musicians who’ve dabbled in country-pop, from her goddaughter [Miley Cyrus](https://rollingstonephilippines.com/tag/miley-cyrus/ "Miley Cyrus") to [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/ "Taylor Swift"), [Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter"), and even [Beyoncé](https://rollingstonephilippines.com/tag/beyonce-2/ "Beyoncé"). ![dolly parton and sabrina carpenter](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/dolly-parton-sabrina-carpenter.webp) Parton and Sabrina Carpenter on the set of the “Please, Please, Please” music video. Photo from Sabrina Carpenter/Instagram “There will never be another you,” Carpenter said in an Instagram post paying tribute to Parton, who had joined the “Please, Please, Please” singer in a remixed version of the hit in 2025. “How lucky are we all to have experienced your singular magic as well as your once-in-a-lifetime voice, songs, and heart.” In the realms of film and television, Parton worked as an actress and producer, starring in *9 to 5* (which inspired her song of the same name) alongside Jane Fonda and Lily Tomlin, *Steel Magnolias*, and *Straight Talk*, the last of which was produced under her own production company, Sandollar Productions. Among Sandollar Productions’ notable projects are the feature film *Father of the Bride* and the hit supernatural drama series *Buffy the Vampire Slayer*. “I know that millions are mourning and I want to say this — more than anyone I have ever known, Dolly will always be with us because she was so present, so powerful, so generous and playful that she is woven into all our lives and hearts forever,” Fonda said in her own social media tribute. “To her gay and trans fans, I want you to know that she loved you. You know that without me telling you.” ![dolly parton and jane fonda](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/dolly-parton-jane-fonda.webp) Actress Jane Fonda (right) fondly looks back on her time with Parton (left) as *9 to 5* co-stars. Photo from Jane Fonda/Instagram ## Dolly Parton as Humanitarian: Education, Healthcare, and Moderna Parton was also a philanthropist. Through her nonprofit, the Dollywood Foundation, she funded a 1991 program to encourage students in Tennessee to help one another stay in school, with each student receiving $500 after graduating. She also founded the Imagination Library, a free children’s book gifting program, in 1995. The program has expanded to the U.K., Ireland, Australia, and Canada. She’s also remembered for her countless donations to healthcare initiatives and medical research, having raised money for the American Red Cross, hospital construction and upkeep, and HIV/AIDS charities. In April 2020, she donated $1 million to the Vanderbilt University Medical Center (VUMC), with the funds going to the development of Moderna’s COVID-19 vaccine. “I’m a very proud girl today to know I had anything at all to do with something that’s going to help us through this crazy pandemic,” she told the *BBC* in November that year. On August 21, she was hospitalized at the VUMC’s Vanderbilt-Ingram Cancer Center. According to a statement given to [*People*](https://people.com/dolly-parton-died-after-a-brief-battle-with-cancer-her-team-confirms-12067930) by her representatives, she passed on Tuesday surrounded by loved ones. “Her unmatched generosity reached the lives of countless people whom she would never meet, yet she was always there to offer a helping hand,” read the statement. “Whether it be the hundreds of millions of books donated through her invaluable Imagination Library or funding research that helped create a lifesaving vaccine used around the world, Dolly’s unconditional love for all people was the guiding force for her lasting impact.” ## Frequently Asked Questions ### Who was Dolly Parton and why is she considered a country music icon? Dolly Parton was an American singer-songwriter, actress, and philanthropist regarded as the “Queen of Country.” She wrote and recorded era-defining hits including “Jolene” and “I Will Always Love You,” and her influence extended across country and pop artists for over five decades. ### What was Dolly Parton’s cause of death? Dolly Parton died on August 25, 2026, at age 80 following what her representatives described as a “brief battle with cancer.” She passed away at the Vanderbilt-Ingram Cancer Center, surrounded by loved ones, according to a statement from her team. ### What is the Imagination Library and how many books has it donated? The Imagination Library is Dolly Parton’s free children’s book gifting program, founded in 1995 and later expanded to the U.K., Ireland, Australia, and Canada. Parton’s representatives said the program donated hundreds of millions of books to children worldwide during her lifetime. ### How did Dolly Parton contribute to the development of the Moderna COVID-19 vaccine? In April 2020, Dolly Parton donated $1 million to Vanderbilt University Medical Center, funding research that contributed to Moderna’s COVID-19 vaccine development. She told the *BBC* in November 2020 she was proud to have played a role in helping the world through the pandemic. ### What was Dolly Parton’s impact on film and television? Beyond music, Parton starred in and produced films including *9 to 5* and *Steel Magnolias*, and her company Sandollar Productions backed *Father of the Bride* and *Buffy the Vampire Slayer*. Related Stories - [Eminem Shares Touching Letter From Dolly Parton: I Always Felt an ‘Unexplained Connection to You’](https://rollingstonephilippines.com/music/dolly-parton-death-eminem-letter-tribute/ "Eminem Shares Touching Letter From Dolly Parton: I Always Felt an ‘Unexplained Connection to You’") - [Sabrina Carpenter Charts Her Path in Pop With New Album ‘Man’s Best Friend’](https://rollingstonephilippines.com/music/sabrina-carpenter-mans-best-friend/ "Sabrina Carpenter Charts Her Path in Pop With New Album ‘Man’s Best Friend’") - [There Wouldn’t Be Miley Cyrus Without Hannah Montana](https://rollingstonephilippines.com/culture/tv/miley-cyrus-hannah-montana-20th-anniversary/ "There Wouldn’t Be Miley Cyrus Without Hannah Montana") **Categories:** Folk, Music, Pop **Tags:** Dolly Parton --- ### [One of Jericho Rosales’ Dreams? Starting a Magazine](https://rollingstonephilippines.com/media-channels/jericho-rosales-secret-stash/) **Published:** January 29, 2026 **Author:** Mel Wang **Excerpt:** Other fun facts about Jericho: he’s secretly good at trumpo and he loves cheetahs **Content:** In the pilot episode of *Rolling Stone Philippines*’ newest video series, *Secret Stash*, the star of *Quezon* and *The Loved One,* [Jericho Rosales](https://rollingstonephilippines.com/tag/jericho-rosales/ "jericho rosales"), was asked to bring several of his prized possessions and share why they matter to him. Among his favorite things was a vintage typewriter, which the actor said helped him launch his magazine 11 years ago. “I had this dream to have my own magazine back then, and I wanted to call it *Mr. Manileño*,” Rosales told *Rolling Stone Philippines*. “We started online in 2015. But then, of course, I had to do my thing as an actor.” ![jericho rosales](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RSPortraits0066.webp) Rosales stars in *The Loved One*, which premieres February 11. Photo by Kieran Punay Rosales also brought a wooden cheetah figurine that he bought while on a vacation in Tanzania with his girlfriend, [Janine Gutierrez](https://rollingstonephilippines.com/tag/janine-gutierrez/ "Janine Gutierrez"). “One of the goals was to look for one of my favorite cats \[there\], which is a cheetah,” said Rosales. “They’re one of the greatest hunters, and \[they\] always remind me to keep hunting.” He also brought in a Japanese wooden top, and he noted that one of his secret talents is trumpo. You can watch Jericho Rosales’ episode of *Rolling Stone Philippines’ Secret Stash* now exclusively on our official [Instagram](https://www.instagram.com/p/DUDYIiWDb6F/?hl=en). ## Frequently Asked Questions ### What is Rolling Stone Philippines’ “Secret Stash” series and who is featured in the pilot episode? Secret Stash is Rolling Stone Philippines’ video series where celebrities showcase meaningful personal possessions. Its pilot episode, streamed on Instagram, features actor Jericho Rosales revealing his prized keepsakes. ### What is Jericho Rosales’ dream project involving Mr. Manileño magazine? Rosales brought a vintage typewriter to symbolize his dream of launching Mr. Manileño magazine, which began online in 2015 before his acting career took priority. ### What personal item did Jericho Rosales bring related to his trip to Tanzania? Jericho Rosales showcased a wooden cheetah figurine he acquired during a Tanzania vacation with girlfriend Janine Gutierrez, calling it a cherished memento from their trip together. ### What hidden talent did Jericho Rosales reveal on Secret Stash? Rosales revealed a hidden talent for trumpo, a traditional Japanese spinning-top game, using a wooden top he brought onto Secret Stash as one of his prized possessions. ### What upcoming films is Jericho Rosales starring in? Jericho Rosales currently stars in the films Quezon and The Loved One, the latter set to premiere in Philippine cinemas on February 11, 2026. 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In this season of the international all-stars showdown, three Filipino drag queens are in the running for the cash prize of £50,000 and the title of Queen of the Mothertucking World. There’s [Minty Fresh](https://rollingstonephilippines.com/tag/minty-fresh/ "Minty Fresh"), who placed fifth on the inaugural season of *[Drag Race Philippines](https://rollingstonephilippines.com/tag/drag-race-philippines/ "Drag Race Philippines")*. Competing alongside her are Filipino-Canadian queen Melinda Verga, who placed fifth on *Canada’s Drag Race* Season 4, and Filipino-born Zahirah Zapanta, who placed 10th on *RuPaul’s Drag Race UK* Season 6. While preparing for the season’s first Maxi Challenge, the RuRuvision Song Contest, the three Filipino queens broke off from the larger group to have their own Werkroom kiki. “It’s the Philippines versus the world,” Minty joked with Melinda and Zahirah. Although Minty may seem like she’s joking around in this first episode, the drag queen admitted to feeling like the stakes were much higher for her return to the *RuPaul’s Drag Race* universe. “Of course I’m proud to represent the \[Philippine\] drag community on \[*Drag Race UK vs The World*\],” Minty told *Rolling Stone Philippines*. “But at the same time, parang added pressure na to for me. Because sa Season 1 of *Drag Race Philippines*, I was just representing myself and doing whatever. But now, mas serious na ito. We’re on the next level of the game. And the dilemma now is like, how do you represent the whole drag community of the Philippines?” Alliances aren’t new to the Werkroom, but we’ll have to see if the Pinoy alliance lasts throughout the season. The British queens are also trying to form their own team, and Zahirah was part of their little “summit of the UK.” To quote the Filipino queen, “I’ve got your backs.” ## Frequently Asked Questions ### Who are the Filipino queens on RuPaul’s Drag Race UK vs The World Season 3? Minty Fresh, Melinda Verga, and Zahirah Zapanta are the three Filipino and Filipino-descent queens competing in Season 3 for the £50,000 grand prize. ### What is Minty Fresh’s background on Drag Race Philippines? Minty Fresh placed 5th on Drag Race Philippines Season 1 before advancing to Drag Race UK vs The World, calling this season “the next level of the game.” ### Who is Melinda Verga and which show launched her drag career? Melinda Verga is a Filipino-Canadian drag queen who placed 5th on Canada’s Drag Race Season 4 before joining the international Drag Race UK vs The World roster. ### What did Zahirah Zapanta accomplish on RuPaul’s Drag Race UK? Zahirah Zapanta, a Filipino-born queen, placed 10th on RuPaul’s Drag Race UK Season 6 and now competes in Season 3 of Drag Race UK vs The World. ### Why did the Filipino queens form an alliance on Drag Race UK vs The World? Minty Fresh, Melinda Verga, and Zahirah Zapanta bonded during Werkroom prep for the RuRuvision Song Contest, uniting as “the Philippines versus the world” amid the competition. Related Stories - [Minty Fresh Has Joined ‘RuPaul’s Drag Race UK vs The World’ Season 3](https://rollingstonephilippines.com/culture/tv/minty-fresh-rupauls-drag-race-uk-vs-world/ "Minty Fresh Has Joined ‘RuPaul’s Drag Race UK vs The World’ Season 3") - [Brigiding’s Found an Inner Peace Now That She’s Taken Home the Crown](https://rollingstonephilippines.com/editors-picks/features/brigiding-drag-race-philippines-interview/ "Brigiding’s Found an Inner Peace Now That She’s Taken Home the Crown") - [Marina Summers on Drag Stardom and What Happens After Going Global](https://rollingstonephilippines.com/culture/marina-summers-drag-stardom/ "Marina Summers on Drag Stardom and What Happens After Going Global") **Categories:** Culture, TV **Tags:** Minty Fresh, rupaul's drag race, RuPaul's Drag Race UK vs the World --- ### [Beauty Purveyor NEW Lounge’s Next Big Move?  Going International](https://rollingstonephilippines.com/radar/new-lounge-goes-international/) **Published:** February 4, 2026 **Author:** Veda Luna Zabala **Excerpt:** Now in its eighth year, the local eyelash and nail brand aims higher with new California branches and global business gatherings with the likes of the Shangri-La Group **Content:** For nearly a decade, [NEW Lounge](https://www.newloungeph.com/) has been committed to making Filipinos — including its star-studded clientele like [Heart Evangelista ](https://rollingstonephilippines.com/tag/heart-evangelista/)and Jessy Mendiola — look and feel their best. Beyond empowering the everyday Filipina through beauty and wellness treatments, the luxury brand also prides itself on being a purpose-driven movement. “Our true success is measured not just in growth, but in the lives we change,” says CEO and founder Rachelle Bravo. Since its inception, NEW Lounge has devoted itself to transforming the lives of young women in underserved communities by providing them with access to cosmetology training and pivotal opportunities for growth within the beauty industry. The brand’s civic engagement support extends beyond the salon’s walls, too. Following [Typhoon Tino](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/cebu-flood-control-typhoon-tino/)’s assault on Cebu, it mounted a donation drive called “Hearts in Action” to support the recovery of the city’s devastated communities. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/MLS09027-3.webp) The brand unveiled its latest chapter, NEW Lounge Global, during its inaugural Vision Circle — a business forum that brought together the brand’s longtime collaborators. Photo courtesy of NEW Lounge To mark its eighth anniversary, the brand unveiled its latest chapter, NEW Lounge Global, to signal a continued expansion into the global market through international business gatherings and new locations in California. These developments were formally revealed at EDSA Shangri-La during its inaugural Vision Circle, a business forum that brought together the brand’s longtime collaborators, such as ALO Philippines and Shangri-La Group Partners. ## **Driving Change** With the Vision Circle’s inaugural theme, “Presenting the Philippines to the World,” NEW Lounge called on the Filipino business community to position the country as a global frontrunner in wellness, beauty, and lifestyle. The meeting also encouraged purposeful collaborations rooted in Philippine culture and heritage. “This is more than a gathering. This is a movement,” Bravo says. “We’re inviting the business community to take leadership forward, to build together, and to present the Filipino creativity and strength to the world.” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/NEW-Lounge-Beverly-Hills.webp) Beverly Hills Chamber of Commerce president and CEO Todd Johnson, Beverly Hills mayor Dr. Sharona Nazarian, and NEW Lounge founder and CEO Rachelle Bravo attend the ribbon cutting of the brand’s first international branch. Photo courtesy of NEW Lounge ## **Innovation at the Center** Innovation has always been at the center of NEW Lounge’s ethos, constantly seeking to diversify its services beyond eyelash and nail services. Its latest offering, Pamper & Reset, delivers a holistic wellness treatment, blending an afternoon tea session, foot pampering, Japanese eyelash extensions, manicure services, and rejuvenating massages by CHI, The Spa, for a thoughtfully curated experience from top to bottom. Following its success in Rodeo Drive and EDSA Shangri-La, the experience now expands to Beverly Hills Private Estates, Malibu, and other parts of the Philippines, proving the country’s rising status as a destination for beauty and lifestyle tourism. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/NEW-Lounge-Pamper-and-Reset.webp) The Pamper & Reset experience blends an afternoon tea session, foot pampering, Japanese eyelash extensions, manicure services, and rejuvenating massages by CHI, The Spa. Photo courtesy of NEW Lounge Beyond its Pamper & Reset experience and Vision Circle gatherings, NEW Lounge also remains committed to championing Filipino beauty businesses on the world stage. Its recently launched SYNC Global Events series aims to bridge the local and international beauty industries by fostering cross-border collaborations through curated partnerships, forums, and destination events. With nearly a decade under its belt, NEW Lounge Global continues to set the standard for beauty purveyors across the country, innovating new experiences that urge Filipinos to engage more meaningfully with beauty. *For more information, visit NEW Lounge’s* [*website*](http://www.newloungeph.com) *or follow them on* [*Facebook*](https://www.facebook.com/newlounge.ph) *and* [*Instagram*](https://www.instagram.com/newlounge.ph/)*.* ## Frequently Asked Questions ### What is NEW Lounge Global? NEW Lounge Global is the latest chapter for Filipino beauty and wellness brand NEW Lounge, marking its expansion into international markets through new locations in California and global business gatherings. ### Where are NEW Lounge’s new international branches located? Following its launch on Rodeo Drive, NEW Lounge has expanded to Beverly Hills Private Estates and Malibu, alongside its continued presence at EDSA Shangri-La in the Philippines. ### What was NEW Lounge’s Vision Circle event? The inaugural Vision Circle was a business forum held at EDSA Shangri-La under the theme “Presenting the Philippines to the World,” bringing together collaborators like ALO Philippines and Shangri-La Group Partners. ### What is NEW Lounge’s Pamper & Reset experience? Pamper & Reset is a holistic wellness treatment combining afternoon tea, foot pampering, Japanese eyelash extensions, manicure services, and massages by CHI, The Spa, now offered across its Philippine and California locations. ### What charitable work has NEW Lounge done in the Philippines? Beyond cosmetology training for young women in underserved communities, NEW Lounge organized “Hearts in Action,” a donation drive supporting Cebu’s recovery following the destruction caused by Typhoon Tino. Related Stories - [Is Miss Universe Biased Towards Fair-Skinned Filipinas?](https://rollingstonephilippines.com/culture/miss-universe-bias-fair-skinned-filipinas-colorism-race/ "Is Miss Universe Biased Towards Fair-Skinned Filipinas?") - [Dr. Aivee and Dr. Z Teo Don’t Want You To Blindly Follow Beauty Trends](https://rollingstonephilippines.com/radar/rs-spotlight/rs-spotlight-aivee-clinic/ "Dr. Aivee and Dr. Z Teo Don’t Want You To Blindly Follow Beauty Trends") - [My Weekend of Rest, Relaxation, and Rumination at Bali’s Potato Head](https://rollingstonephilippines.com/culture/desa-potato-head-bali/ "My Weekend of Rest, Relaxation, and Rumination at Bali’s Potato Head") **Categories:** Radar **Tags:** NEW Lounge --- ### [Gen Z TikTok is in ‘A Very Chinese Time,’ But It’s Different for PH Politics](https://rollingstonephilippines.com/culture/internet-culture/philippines-chinese-time-embassy/) **Published:** February 4, 2026 **Author:** Pie Gonzaga **Excerpt:** A new verbal spat between Philippine officials and the Chinese Embassy is becoming as hot and sticky as Lao Gan Ma chili oil **Content:** If you’re tapped into memes from TikTok, then you know that American Gen Zs are at a “very Chinese time” in their lives right now. This means that they’re putting Lao Gan Ma chili oil in everything, extolling the health benefits of hot water, dabbling in traditional Chinese medicine, or proudly wearing house slippers indoors. But the meme isn’t really taking off in the Philippines, mainly because of the dispute over the [West Philippine Sea](https://rollingstonephilippines.com/tag/west-philippine-sea/ "West Philippine Sea"). As the US government, under President [Donald Trump](https://rollingstonephilippines.com/tag/donald-trump/ "Donald Trump"), continues to crack down on immigrants and be weird on social media (what the hell is the war on protein?), its Gen Z critics are turning eastward. Popular culture has been signaling the West’s renewed fascination with Chinese culture for a while now, from Jiafei memes and Mandarin-speaking cartoon animals to fashion moments like Adidas’ viral Tang-style jacket. The “a very Chinese time” meme just packages it all neatly. The Philippines, however, is having a very different kind of Chinese time. On Wednesday, February 4, Senate President [Vicente “Tito” Sotto III](https://rollingstonephilippines.com/tag/tito-sotto/ "Tito Sotto") said that the upper chamber will pass a resolution, penned by Sen. [Francis “Kiko” Pangilinan](https://rollingstonephilippines.com/tag/kiko-pangilinan/ "Kiko Pangilinan"), condemning statements of the Chinese Embassy against Philippine government officials. Furthermore, the resolution affirms the Philippines’ right to assert and defend its national interests. > [View this post on Instagram](https://www.instagram.com/reel/DUA4g9kkgDU/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Risa Hontiveros (@hontiverosrisa)](https://www.instagram.com/reel/DUA4g9kkgDU/?utm_source=ig_embed&utm_campaign=loading) The Senate minority bloc, however, isn’t as keen on passing the resolution, with Sen. [Rodante Marcoleta](https://rollingstonephilippines.com/tag/rodante-marcoleta/ "Rodante Marcoleta") saying he is critical of the Philippines’ claim over part of the South China Sea, and Sen. [Imee Marcos](https://rollingstonephilippines.com/tag/imee-marcos/ "Imee Marcos") asking her fellow lawmakers to practice restraint and diplomacy in addressing the Chinese Embassy. So far, the hostile back-and-forth between Philippine officials and Chinese diplomats has led the municipality of Kalayaan, Palawan, to declare the Chinese Ambassador to Manila, Jing Quan, persona non grata. The ordinance followed the Chinese Embassy’s recent remarks against Philippine officials, including Philippine Coast Guard Spokesperson Commodore [Jay Tarriela](https://rollingstonephilippines.com/state-of-affairs/jay-tarriela-west-philippine-sea/), for speaking on the territorial dispute. The embassy [argued](https://www.inquirer.net/465299/china-protests-tarriela-over-alleged-smearing-of-beijings-dignity/) that Tarriela’s AI-generated caricatures of Chinese President Xi Jinping “constitute a serious violation of China’s political dignity and a blatant political provocation, which has crossed the red line.” ## Frequently Asked Questions ### What is the “very Chinese time” TikTok meme? The “very Chinese time” meme reflects American Gen Z’s growing embrace of Chinese cultural elements, including Lao Gan Ma chili oil, hot water as a health practice, traditional Chinese medicine, and wearing house slippers indoors. ### Why hasn’t the “Chinese time” meme caught on in the Philippines? The meme hasn’t gained traction locally mainly because of the Philippines’ ongoing dispute with China over the West Philippine Sea, which has fueled tension between Philippine officials and the Chinese Embassy. ### What resolution did the Philippine Senate consider regarding the Chinese Embassy? Senate President Vicente “Tito” Sotto III said the Senate would pass a resolution, authored by Sen. Francis “Kiko” Pangilinan, condemning Chinese Embassy statements against Philippine officials and affirming the country’s right to defend its national interests. ### Why was China’s ambassador declared persona non grata in Kalayaan, Palawan? The municipality of Kalayaan declared Chinese Ambassador Jing Quan persona non grata after the Chinese Embassy criticized Philippine Coast Guard Spokesperson Jay Tarriela for posting AI-generated caricatures of President Xi Jinping. ### Did all Philippine senators support the resolution against the Chinese Embassy? No. While Senate leadership backed the resolution, Sen. Rodante Marcoleta expressed skepticism toward the Philippines’ South China Sea claims, and Sen. Imee Marcos urged restraint and diplomacy instead. Related Stories - [Why is Draco Malfoy the Face of Chinese New Year 2026?](https://rollingstonephilippines.com/culture/internet-culture/draco-malfoy-chinese-new-year/ "Why is Draco Malfoy the Face of Chinese New Year 2026?") - [PH and China Are in a Verbal Spat Over West Philippine Sea, POGOs](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/ph-and-china-verbal-spat-over-west-philippine-sea-pogos/ "PH and China Are in a Verbal Spat Over West Philippine Sea, POGOs") - [Commodore Jay Tarriela’s War Against West Philippine Sea Trolls](https://rollingstonephilippines.com/state-of-affairs/jay-tarriela-west-philippine-sea/ "Commodore Jay Tarriela’s War Against West Philippine Sea Trolls") **Categories:** Culture, Internet Culture, Philippine Politics, State of Affairs **Tags:** West Philippine Sea --- ### [Mitski’s Manila Stop is Her Biggest Southeast Asia Show In 2026](https://rollingstonephilippines.com/music/mitski-manila-concert-announcement/) **Published:** February 4, 2026 **Author:** Elijah Pareño **Excerpt:** The cult favorite turned arena draw brings her new era to the Philippines for a landmark first performance **Content:** [Mitski](https://rollingstonephilippines.com/tag/mitski/ "Mitski") will bring her music to Manila for the first time on July 14 at the SM Mall of Asia Arena. The concert is in support of her new album *Nothing’s About to Happen to Me*, set for release on February 27. The Manila stop is also Mitski’s largest Southeast Asian show so far, with the arena’s capacity of an estimated 15,000, far exceeding the theaters and mid-sized venues she has played across the region in the tour’s current lineup. The tour’s regional stops include Singapore, Malaysia, and Indonesia. > [View this post on Instagram](https://www.instagram.com/p/DUTs2EmlS9W/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Mitski (@mitskileaks)](https://www.instagram.com/p/DUTs2EmlS9W/?utm_source=ig_embed&utm_campaign=loading) The scale of her Manila show is proof of her steady rise from cult indie favorite to one of the most resonant voices in contemporary songwriting. Mitski first broke through with her raw and restless 2014 record *Bury Me at Makeout Creek*, where songs like “First Love / Late Spring” and “Francis Forever” paired distorted guitars with diaristic writing. Her later work widened both her sound and themes. Albums such as *Be the Cowboy* in 2018 and *The Land Is Inhospitable and So Are We* in 2023 explored love, loneliness, fame, and longing through sharper pop structures and folk arrangements, producing career-defining tracks like “Nobody” and “My Love Mine All Mine.” Presale tickets for the Manila concert go on sale February 13 at 10 a.m., with general sales expected to follow shortly after. ## Frequently Asked Questions ### When is Mitski’s first Manila concert? Mitski will perform in Manila for the first time on July 14 at the SM Mall of Asia Arena, which has an estimated capacity of 15,000. ### What album is Mitski promoting on her Manila tour stop? Mitski’s Manila concert supports her upcoming album Nothing’s About to Happen to Me, set for release on February 27, 2026. ### How does Mitski’s Manila show compare to her other Southeast Asian tour dates? Manila is Mitski’s biggest Southeast Asian show on this tour, with the SM Mall of Asia Arena far exceeding the theaters and mid-sized venues she’s playing in Singapore, Malaysia, and Indonesia. ### When do tickets go on sale for Mitski’s Manila concert? Presale tickets for Mitski’s Manila concert go on sale February 13 at 10 a.m., with general ticket sales expected to follow shortly after. ### What are Mitski’s most well-known songs? Mitski’s career-defining tracks include “First Love / Late Spring” and “Francis Forever” from Bury Me at Makeout Creek, along with “Nobody” and “My Love Mine All Mine” from her later albums. Related Stories - [How Chappell Roan is Shaping Queer Discourse in the Philippines](https://rollingstonephilippines.com/music/chappell-roan-is-shaping-queer-discourse-in-the-philippines/ "How Chappell Roan is Shaping Queer Discourse in the Philippines") - [The ‘2016 Trend’ Reveals Where Culture Stalled and Shifted](https://rollingstonephilippines.com/editors-picks/commentary/2016-trend-shifted-music-culture/ "The ‘2016 Trend’ Reveals Where Culture Stalled and Shifted") - [18 Filipino Dance Tracks That Capture the Spirit of Queerness](https://rollingstonephilippines.com/editors-picks/lists/18-queer-filipino-dance-tracks/ "18 Filipino Dance Tracks That Capture the Spirit of Queerness") **Categories:** Events, Indie, Music, Radar **Tags:** Mitski --- ### [Eminem Shares Touching Letter From Dolly Parton: I Always Felt an ‘Unexplained Connection to You’](https://rollingstonephilippines.com/music/dolly-parton-death-eminem-letter-tribute/) **Published:** August 26, 2026 **Author:** Charisma Madarang **Excerpt:** The rapper posted a message the country star wrote him after he was inducted into the Rock and Roll Hall of Fame **Content:** [Eminem](https://rollingstonephilippines.com/tag/eminem/ "Eminem") posted a [tribute](https://www.rollingstone.com/t/tribute/) to [Dolly Parton](https://rollingstonephilippines.com/tag/dolly-parton/ "Dolly Parton") following her death on Tuesday at the age of 80. The rapper called the country legend a “superstar in every sense” and also shared a letter she penned him several years ago. In the letter, written after Eminem was [inducted into the Rock and Roll Hall of Fame in 2022](https://www.rollingstone.com/music/music-news/eminem-hip-hop-heroes-rock-hall-induction-speech-1234623858/), Parton congratulated the artist on the honor and praised his performance that night. In her note, Parton also encouraged him to continued creating work that inspires others. “Even though I don’t know a lot about rap music, I’ve come to know that you are the very best at it,” wrote Parton. “Aside from that I hope what I have to say will not seem weird or strange to you but I have always felt some unexplained connection to you like I know you somehow. I had hoped to meet you at the show but you know how nuts those things are, personally I hate ’em and I missed my chance but maybe someday we’ll meet.” The country icon continued, “In the meantime, keep doing what you’re doing because you do it so well and no matter how complex your world may be just know you are very special and touch people in ways you don’t even know.” Alongside the letter posted on social media, Eminem wrote in the caption: “I’m sorry we never got a chance to meet, but getting this note from Dolly really had a an impact on me. She definitely didn’t have to take the time to do it. Even for a kid who mostly listened to rap music, she was an icon. A superstar in every sense. Rest easy Dolly. And thank you for the kind words.” > [View this post on Instagram](https://www.instagram.com/p/DceoNfcsMU3/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Marshall Mathers (@eminem)](https://www.instagram.com/p/DceoNfcsMU3/?utm_source=ig_embed&utm_campaign=loading) Fans across the globe, Hollywood, and the world of music have [shared memories and tributes to Parton](https://www.rollingstone.com/music/music-news/dolly-parton-tributes-mourn-kacey-musgraves-1235614843/) following her death. “Dolly, thank you for all the wonderful things you did for us here on earth,” wrote Reba McEntire wrote on [Instagram](https://www.instagram.com/p/DceSqdvFg_t/?hl=en&img_index=1), sharing a decades-spanning carousel of images with Parton. “Your love, your music and you gave so much with your huge huge heart. There will never ever be another you. We will remember and cherish every memory and every note you ever played and sang.” *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-news/dolly-parton-death-eminem-letter-tribute-1235615331/).* Related Stories - [Anygma on Hip-hop and the Perception of the Underground Going Mainstream](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/anygma-fliptop-battle-league/ "Anygma on Hip-hop and the Perception of the Underground Going Mainstream") - [Sabrina Carpenter Charts Her Path in Pop With New Album ‘Man’s Best Friend’](https://rollingstonephilippines.com/music/sabrina-carpenter-mans-best-friend/ "Sabrina Carpenter Charts Her Path in Pop With New Album ‘Man’s Best Friend’") - [Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/ "Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’") **Categories:** Music, News **Tags:** Dolly Parton, Eminem --- ### [Why is Draco Malfoy the Face of Chinese New Year 2026?](https://rollingstonephilippines.com/culture/internet-culture/draco-malfoy-chinese-new-year/) **Published:** February 3, 2026 **Author:** Mel Wang **Excerpt:** You go, Draco! The Harry Potter character has glowed up from annoying Slytherin to sign of good luck **Content:** Draco Malfoy has become the golden boy of [Chinese New Year](https://rollingstonephilippines.com/tag/chinese-new-year/ "Chinese New Year") in China. The annual holiday, which takes place this year on February 17, has found an unlikely mascot in the form of the blonde Slytherin. Netizens on Chinese social media platforms like Douyin and RedNote (or Xiaohongshu) have quickly begun showing off their red-squared New Year decorations, complete with Malfoy’s smirking face. They’ve begun adorning their front doors, refrigerators, and walls with Malfoy-themed decor, adding small notes asking for good fortune to come to their homes. > [@a\_chinese\_translator1001](https://www.tiktok.com/@a_chinese_translator1001?refer=embed "@a_chinese_translator1001") Draco Malfoy Brings Good Luck [\#harrypotter](https://www.tiktok.com/tag/harrypotter?refer=embed "harrypotter") [\#dracomalfoy](https://www.tiktok.com/tag/dracomalfoy?refer=embed "dracomalfoy") [\#mascot](https://www.tiktok.com/tag/mascot?refer=embed "mascot") [\#chineseculture](https://www.tiktok.com/tag/chineseculture?refer=embed "chineseculture") [\#yearofthehorse](https://www.tiktok.com/tag/yearofthehorse?refer=embed "yearofthehorse") [♬ original sound – ItsPhoenix](https://www.tiktok.com/music/original-sound-7601356529870195477?refer=embed "♬ original sound - ItsPhoenix") For those of us who aren’t in on the joke yet, let me refer you to Malfoy’s Chinese name. When translated, Malfoy becomes “马尔福” or “mǎ ěr fú,” which includes the characters for “horse” (马 or mǎ) and “fortune” (福 or fú). It’s a bit of a play on the phrase “马来福” or “mǎ lái fú,” which welcomes prosperity in the Year of the Horse. Some netizens have also posted their Malfoy posters upside down, just like how traditional good fortune posters are posted upside down to mimic good fortune flowing into your home. ### Why is Draco Malfoy associated with Chinese New Year? Draco Malfoy’s Chinese name, “马尔福” (mǎ ěr fú), contains the characters for “horse” and “fortune,” echoing the traditional phrase that welcomes prosperity in the Year of the Horse. ### How are Chinese netizens using Draco Malfoy for Chinese New Year 2026? Netizens on Douyin and RedNote are decorating doors, refrigerators, and walls with red Malfoy-themed posters, some hung upside down to mimic how good fortune traditionally flows into a home. ### When is Chinese New Year 2026? Chinese New Year 2026 falls on February 17, marking the start of the Year of the Horse in the Chinese zodiac calendar. ### Why are Malfoy posters displayed upside down? Malfoy posters are hung upside down following a traditional Chinese custom where good fortune symbols are inverted to symbolize luck “arriving” or flowing into the household. ### What does Draco Malfoy’s Chinese name mean? Draco Malfoy’s Chinese name, “马尔福” (mǎ ěr fú), literally combines “horse” (马) and “fortune” (福), forming a pun on the phrase wishing prosperity for the Year of the Horse. 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The groups’ banners on social media have also been replaced with the NewJeans text logo. While neither ADOR nor NewJeans has explained the changes, they come over a month after member Danielle Marsh was removed from the group, and days after Min’s legal counsel held a [press conference](https://www.koreatimes.co.kr/entertainment/k-pop/20260128/min-hee-jin-denies-poaching-allegations-says-newjeans-tampering-claim-was-stock-scheme-by-outsiders) and denied allegations that the former NewJeans creative director attempted to “poach” the group from the label. In December 2025, Marsh’s contract with ADOR was terminated due to the label’s longstanding legal battle with the NewJeans members, which started when Min was dismissed from the label in 2024. In response to her dismissal, the NewJeans members attempted to terminate their contracts with ADOR, but the Seoul Central District Court [ruled](https://rollingstonephilippines.com/music/pop/newjeans-lose-court-appeal-against-ador/) in October 2025 that the group’s reasons for ending their contracts were unacceptable. “In Danielle’s case, we determined that it would be difficult to continue together as a NewJeans member and an ADOR artist, and today we notified her of the termination of her exclusive contract,” said ADOR in a statement. “In addition, we plan to pursue legal accountability for one member of Danielle’s family and former CEO Min Heejin.” On January 12, Marsh addressed her removal from NewJeans, saying, “I fought until the very end to be together with the members.” ## **Frequently Asked Questions** ### What did ADOR remove from NewJeans’ Spotify bio? ADOR removed the names of all NewJeans members from the group’s Spotify bio, along with mentions of former CEO Min Hee-jin. ### Why did ADOR remove Danielle Marsh from NewJeans? ADOR terminated Danielle Marsh’s contract in December 2025, citing its ongoing legal battle with NewJeans members since Min Hee-jin’s 2024 dismissal. ### What happened in NewJeans’ legal battle with ADOR? The Seoul Central District Court ruled in October 2025 that NewJeans members’ reasons for terminating their ADOR contracts were unacceptable, keeping them intact. ### What did Min Hee-jin’s legal counsel say about the NewJeans conflict? Days before the Spotify changes, Min Hee-jin’s legal counsel held a press conference denying allegations she tried to “poach” NewJeans from ADOR. ### How did Danielle Marsh respond to her removal from NewJeans? On January 12, 2026, Danielle Marsh said she “fought until the very end to be together with the members” after her removal. 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And while lawmakers are scrambling to [ban social media](https://rollingstonephilippines.com/state-of-affairs/lawmakers-plan-to-protect-minors-online/ "This is Exactly How Lawmakers Plan to Protect Minors Online") and violent online video games for minors, little attention is paid on addressing the bigger issue of how these children got access to the guns to begin with. According to news reports, the guns used by the different child perpetrators were owned by their family. These firearms, which were licensed to either security men or police officers, were left unattended and within easy reach of the minors who obtained them. For example, the two minor suspects from the [Tacloban](https://rollingstonephilippines.com/music/rock/kmfdm-band-shirt-tacloban-school-shooting-columbine/ "Why a Band T-Shirt Is Now at the Center of the Tacloban School Shooting") shooting got their weapons from a police officer aunt and a former security guard grandfather. Meanwhile, the shooter in [Zamboanga](https://rollingstonephilippines.com/state-of-affairs/zamboanga-school-shooting-what-we-know/ "What We Know About the Zamboanga School Shooting") got his firearm after it was left behind by his father in a vehicle. What are the raps that reckless gun owners can face for negligence? ## **Stronger Penalties Sought** An individual must meet certain qualifications to be able to own firearms for self-defense. Republic Act No. 10591, or the Comprehensive Firearms and Ammunition Regulation Act, requires psychiatric and drug tests, a gun safety seminar, and police clearance. The act specifically recognizes negligent loss of a firearm as a ground for the revocation, cancellation, or suspension of license or permit. Under Section 39, it lists commission of a crime or offense involving the firearm, ammunition, or major parts thereof; and loss of the firearm, ammunition, or any parts thereof through negligence. Currently, it penalizes the individual who used it unlawfully with imprisonment of prision mayor to reclusion temporal, which ranges from six years to 20 years of jail time. If it was used for a crime, it would then be classified as an aggravating circumstance, which promises a heavier penalty. For Philippine National Police (PNP) personnel, there are stricter rules set. Under the PNP Memorandum Circular No. 2022-117, PNP personnel who have negligently “appropriated, taken or misappropriated, or have consented to the taking by another person of his issued handgun” will be criminally charged with the crime of malversation of public property. It also cited Article 217 of the Revised Penal Code. There is also an amended law from 1997, Republic Act No. 8294, colloquially known as the “Robin Padilla Law,” which reduced the penalties for illegal firearm possession and made possession of loose firearms a bailable offense. Department of Interior and Local Government (DILG) Chief Jonvic Remulla recently called for the revision of these penalties to make it non-bailable and impose a full 20 years of jail time, as well as the need for a more comprehensive law. “Gun ownership also carries with it gun responsibility. The government should have the right to inspect their homes at any time and to see if the guns are in safekeeping at any time,” Remulla said in a statement. He further highlighted that owning guns is a privilege and not a right. On August 25, the Department of Justice (DOJ) recommended the filing of reckless imprudence resulting in multiple homicide and physical injuries charges against the police staff — the aunt of one of the shooters in the Tacloban attack — whose gun was used. The aunt also previously admitted that she once brought her nephew to a firing range. The privilege of legally owning a firearm only demands a few things in return, and this includes the obligation to make sure that the gun does not become a child’s access point to violence. ## FREQUENTLY ASKED QUESTIONS ### Can a gun owner be criminally charged if their firearm is used by someone else? Yes. Under RA 10591 Section 39, negligent loss of a firearm is grounds for license revocation, and the individual who lost it can face imprisonment ranging from prision mayor to reclusion temporal — six to 20 years — depending on how the firearm was used. ### What law governs negligent firearm ownership in the Philippines? Republic Act No. 10591, the Comprehensive Firearms and Ammunition Regulation Act, sets ownership requirements including psychiatric and drug tests, gun safety seminars, and background checks, and recognizes negligent loss as grounds for license suspension or revocation. ### What happens to PNP personnel who lose their issued firearm by negligence? Under PNP Memorandum Circular No. 2022-117, personnel found to have negligently allowed their issued handgun to be taken can be criminally charged with malversation of public property, citing Article 217 of the Revised Penal Code. ### What is the “Robin Padilla Law” and how does it affect illegal firearm penalties? Republic Act No. 8294, known as the Robin Padilla Law, is a 1997 amendment that reduced penalties for illegal firearm possession and made the offense bailable — a provision the DILG Chief has called to reverse. ### What charges were filed after the Tacloban shooting involving a police officer’s gun? On August 25, the Department of Justice recommended charges of reckless imprudence resulting in multiple homicide and physical injuries against the police officer aunt whose firearm, previously used to bring her nephew to a firing range, was taken and used in the attack. Related Stories - [What We Know About the Zamboanga School Shooting](https://rollingstonephilippines.com/state-of-affairs/zamboanga-school-shooting-what-we-know/ "What We Know About the Zamboanga School Shooting") - [Why a Band T-Shirt Is Now at the Center of the Tacloban School Shooting](https://rollingstonephilippines.com/music/rock/kmfdm-band-shirt-tacloban-school-shooting-columbine/ "Why a Band T-Shirt Is Now at the Center of the Tacloban School Shooting") - [This is Exactly How Lawmakers Plan to Protect Minors Online](https://rollingstonephilippines.com/state-of-affairs/lawmakers-plan-to-protect-minors-online/ "This is Exactly How Lawmakers Plan to Protect Minors Online") **Categories:** State of Affairs **Tags:** DILG, Gun Control, Tacloban School Shooting, Zamboanga shooting --- ### [Lisa, Anitta, and Rema Deliver in New FIFA World Cup Anthem ‘Goals’](https://rollingstonephilippines.com/music/news/lisa-anitta-rema-fifa-world-cup-song-goals/) **Published:** May 22, 2026 **Author:** Elijah Pareño **Excerpt:** The new World Cup song contains Jersey dance breaks, blue‑flame visuals, and a hook made for highlight reels **Content:** Pop superstars [BLACKPINK](https://rollingstonephilippines.com/tag/blackpink/ "Blackpink")’s [Lisa](https://rollingstonephilippines.com/tag/lisa/ "Lisa"), Brazilian singer Anitta, and Afrobeats star Rema team up for a [World Cup](https://rollingstonephilippines.com/tag/fifa-world-cup-2026/ "FIFA World Cup 2026") anthem titled “Goals,” released May 21. The music video depicts Lisa in a football jersey, dancing inside an abandoned theater, alongside a crew featuring a giant Labubu strutting beside the goalpost like a fever‑dream mascot. Anitta follows with a fiery segment — blue flames licking a scorched pitch as she prowls through the frame. Rema closes with a slick final verse, skating over jittery trap touches and Latin‑pop polish. > [View this post on Instagram](https://www.instagram.com/reel/DYmuApnCXp4/?utm_source=ig_embed&utm_campaign=loading)[A post shared by FIFA World Cup (@fifaworldcup)](https://www.instagram.com/reel/DYmuApnCXp4/?utm_source=ig_embed&utm_campaign=loading) Lisa’s chorus chants “goals” quite literally. It is so on‑the‑nose for a FIFA tie‑in but Anitta and Rema pull the track up a notch with sharper verses and presence. Anitta’s section snaps with a feisty swing with her signature neo‑perreo delivery, while Rema’s cadence runs hot with his verses that he usually brings to Afrobeats crossovers. The arrangement’s smartest move is spacing where the MV’s visual worldbuilding (abandoned theater, blue‑fire pitch, Labubu cameo) mirrors the audio’s set‑piece structure, showing everything from the entrance, the flares, and its finish. The song will be performed live for the first time during the opening ceremony at Los Angeles Stadium on June 12. ## Frequently Asked Questions ### Who is collaborating on the new FIFA World Cup song? The song “Goals” has BLACKPINK’s Lisa, Brazilian singer Anitta, and Afrobeats star Rema. ### What does the music video for “Goals” have? The music video depicts Lisa in a football jersey, Anitta on a flaming football field, and Rema dancing inside an abandoned theater, alongside a crew featuring a giant Labubu. ### When are they performing “Goals”? The song will be performed live for the first time during the opening ceremony at Los Angeles Stadium on June 12. ### What genre is the FIFA World Cup 2026 anthem “Goals”? “Goals” blends K-pop, Afrobeats, and Latin pop. Lisa brings K-pop energy, Anitta delivers neo-perreo flair, and Rema adds Afrobeats crossover cadence — making it one of the most genre-diverse World Cup anthems to date. ### Who is Labubu and why does it appear in the “Goals” music video? Labubu is a popular collectible toy character associated with Lisa, who is a known fan and brand ambassador. Its giant cameo in the “Goal” music video serves as a playful, surreal mascot that reflects Lisa’s personal brand identity. Related Stories - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") - [5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding](https://rollingstonephilippines.com/editors-picks/lists/5-moments-sb19-rewrote-p-pop-worldbuilding/ "5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding") - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") **Categories:** Hip-hop/R&B, Music, News **Tags:** FIFA World Cup 2026, Lisa --- ### [How Zach Cregger’s ‘Resident Evil’ Stays Faithful to the Games](https://rollingstonephilippines.com/culture/film/zach-cregger-resident-evil-faithful-to-the-games/) **Published:** August 25, 2026 **Author:** Pie Gonzaga **Excerpt:** Healing spray, typewriters, and the Umbrella Corporation are only some of the Easter eggs video game fans can look forward to with the upcoming horror action film **Content:** Die-hard *[Resident Evil](https://rollingstonephilippines.com/tag/resident-evil/ "Resident Evil")* fans have been up in arms about [Zach Cregger](https://rollingstonephilippines.com/tag/zach-cregger/ "Zach Cregger")’s take on the beloved video game franchise, saying that the trailer looks nothing like the games. But weeks before the film comes out in mid-September, Cregger is eager to put those worries to rest. “I happen to worship these *Resident Evil* games and pull a lot of inspiration from the experience of playing them,” the filmmaker [says](https://www.instagram.com/reel/Dcbc3dfo39K/?utm_source=ig_web_copy_link&igsi=MzRlODBiNWFlZA==) in one of *Resident Evil*’s latest promotional videos. Rather than adapting a story from the nine mainline games, from the first installment released in 1996 to 2026’s *Resident Evil Requiem*, Cregger borrows various gameplay elements to supplement an original story. “I tried to keep changing the environment every seven or eight minutes like the games,” said the [*Weapons* ](https://rollingstonephilippines.com/tag/weapons/ "Weapons")and *Barbarian* director. The film will also see its protagonist, medical courier Bryan Hodukavich ([Austin Abrams](https://rollingstonephilippines.com/tag/austin-abrams/ "Austin Abrams")), use more powerful weapons as the story progresses, just like players do in the games. “The games always kind of have this progression where you start with a pistol, then you graduate to a shotgun. And then you graduate to a machine gun.” Bryan will also come across other items that may be familiar to players, like padlocks (“What’s with all the padlocks?” Bryan says in a clip), healing spray cans, green herbs, and typewriters, which, in the games, serve as checkpoints for players to save their progress. “This is an opportunity for me to be loyal to the games in spirit and in tone, and build a story that just puts you in that scenario again and again and again with increasing stakes.” ## Where the ‘Resident Evil’ Film Stands in the Video Game Franchise A huge point of frustration for some fans may be that they want to see their favorite video game protagonists front the upcoming film. However, instead of seeing Leon Kennedy, Chris Redfield, Claire Redfield, Jill Valentine, or even Ethan Winters in action, fans will have to watch an entirely new character, Bryan, fight monsters, hunt for ammo, and probably pour First Aid Med over his hands to regain health points. Still, other parts of the story may not be so alienating. For one, we already know the film takes place in the fictional Raccoon City during a zombie outbreak, which sounds just like 1998’s *Resident Evil 2*. Recently, the film’s official social media pages also posted Bryan’s delivery ID, which says that the charges for his mysterious but urgent delivery job should be billed to Umbrella Corporation, the fictional biotech company at the core of the *Resident Evil* franchise. We still don’t know if any of our favorite characters will be making a cameo, or where exactly Cregger’s adaptation fits in the video games’ timeline. We’ll just have to see when *Resident Evil* comes out in regular and IMAX theaters in the Philippines on September 16. ## Frequently Asked Questions ### Is Zach Cregger’s *Resident Evil* film based on one of the video games? Rather than adapting a specific mainline title, Cregger built an original story around gameplay elements he pulled from the franchise, including its Raccoon City setting, weapon progression system, and recurring items like herbs and typewriters. ### Who is the protagonist of the *Resident Evil* film? The protagonist is Bryan Hodukavich, played by Austin Abrams, a medical courier and new, original character. ### How does the *Resident Evil* film stay faithful to the games’ structure? Director Zach Cregger says he changes the film’s environment roughly every seven to eight minutes, mirroring the games’ level progression, and has Bryan’s weapons escalate from a pistol to a shotgun to a machine gun as the story advances. ### Is the 2026 *Resident Evil* film connected to Umbrella Corporation? The film’s promotional materials show Bryan’s delivery ID billing an urgent courier job to Umbrella Corporation, the fictional biotech company at the center of the *Resident Evil* games’ outbreak storylines. ### When does *Resident Evil* release in Philippine theaters? *Resident Evil* opens in regular and IMAX theaters in the Philippines on September 16, 2026, two days ahead of its international release. Related Stories - [23 Movies We’re Excited For This 2026](https://rollingstonephilippines.com/culture/film/23-movies-coming-in-2026/ "23 Movies We’re Excited For This 2026") - [‘Weapons,’ Josh Brolin’s New Horror Movie, Has a Creepypasta-like Website](https://rollingstonephilippines.com/culture/film-tv/weapons-josh-brolins-new-horror-movie-creepypasta-like-website/ "‘Weapons,’ Josh Brolin’s New Horror Movie, Has a Creepypasta-like Website") - [‘Colony’ Is A Smart (Maybe A Little Too Smart) Zombie Horror](https://rollingstonephilippines.com/culture/film/colony-review-yeon-sang-ho-zombie-horror/ "‘Colony’ Is A Smart (Maybe A Little Too Smart) Zombie Horror") **Categories:** Culture, Film, Video Games **Tags:** Austin Abrams, Resident Evil, Zach Cregger --- ### [Beep Removes E-Load Stations Without Replacements. Now What?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/beep-card-e-load-renewal-removed/) **Published:** January 23, 2026 **Author:** Pie Gonzaga **Excerpt:** With Beep’s e-load stations gone, commuters now have to line up at TVMs and ticket counters to load their cards, as plans to enable cashless payments in LRT-1 and LRT-2 continue to move slowly **Content:** Due to “outdated 3G technology,” the operator of the Beep Card system has announced the removal of all e-load stations in all railway systems, namely LRT-1, LRT-2, and MRT-3. Beep has advised its users to use ticket vending machines or approach ticket counters for all transactions while it upgrades its Stored Value Updaters (SVUs) and Express Renewal Devices (ERDs). Beep also said users can quickly check their balances and load their cards on their phones if they have near-field communication (NFC) capabilities. However, some Beep Card users point out that not everyone can afford an NFC-enabled smartphone, and that without the e-load stations, they would have to endure long lines at TVMs and ticket counters. With the removal of the ERDs, other users are also concerned with extending their cards’ expiry dates, as the Beep Card can only be renewed through the ERDs. Beep Cards are valid for 4 years from the date of purchase and can be renewed at the ERDs for another year after expiry. ![mrt-3 gcash cashless payments turnstile](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/mrt-3-turnstile-beep-gcash.webp) Most MRT-3 stations only have one designated cashless turnstile each. Photo from DOTr MRT-3/Facebook According to [*The Philippine Star*](https://www.philstar.com/business/2026/01/23/2503010/beep-card-svus-renewal-devices-be-removed-updated), the Department of Transportation (DOTr) said the e-load stations will be upgraded and operational within the first quarter of the year. In July 2025, the MRT-3 line launched cashless payments, allowing commuters to use GCash QR codes, Visa or Mastercard cards, and NFC-enabled Android phones at designated turnstiles. In August 2025, the Bangko Sentral ng Pilipinas said that cashless payments would be enabled in LRT-1 and LRT-2. As of this writing, however, neither LRT line accepts cashless payments. ## Frequently Asked Questions ### Why did Beep remove its e-load stations? Beep removed all e-load stations across LRT-1, LRT-2, and MRT-3 due to “outdated 3G technology,” while it upgrades its Stored Value Updaters (SVUs) and Express Renewal Devices (ERDs), according to the operator’s announcement. ### How can Beep Card users load their cards without e-load stations? Beep advised users to use ticket vending machines or ticket counters for transactions. Users with NFC-enabled smartphones can also check balances and load their cards directly through their phones. ### How does the ERD removal affect Beep Card renewal? Beep Cards are valid for four years from purchase and can only be renewed through ERDs for an additional year after expiry. With ERDs removed, users have raised concerns about how to extend expiring cards during the upgrade period. ### When will Beep’s e-load stations be upgraded and operational again? According to the Department of Transportation, cited by The Philippine Star, the e-load stations will be upgraded and made operational again within the first quarter of 2026. ### Do LRT-1 and LRT-2 currently accept cashless payments? No. Despite the Bangko Sentral ng Pilipinas announcing in August 2025 that cashless payments would be enabled on LRT-1 and LRT-2, neither line accepted cashless payments as of the article’s publication, unlike MRT-3, which launched cashless payments in July 2025. Related Stories - [LRT-1 Fare Hike Pushes Through Despite Calls to Stop Increase](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/lrt-1-fare-hike-pushes-through-despite-calls-to-stop-increase/ "LRT-1 Fare Hike Pushes Through Despite Calls to Stop Increase") - [Marcos’ MRT-3 Ride Was Far From the Daily Experience of Commuters](https://rollingstonephilippines.com/state-of-affairs/politics/marcos-family-mrt-rush-hour/ "Marcos’ MRT-3 Ride Was Far From the Daily Experience of Commuters") - [For Filipinos, The State of Transport is a Matter of Time, Cost, and Survival](https://rollingstonephilippines.com/state-of-affairs/power/state-of-philippines-transport-mobility/ "For Filipinos, The State of Transport is a Matter of Time, Cost, and Survival") **Categories:** Philippine Politics, State of Affairs **Tags:** Transportation --- ### [Harry Styles Sets A New Rhythm With Dance-Driven Single ‘Aperture’](https://rollingstonephilippines.com/music/pop/harry-styles-aperture-single-release/) **Published:** January 23, 2026 **Author:** Elijah Pareño **Excerpt:** Sleek electronics and club-driven percussion signal a new sonic direction from the global pop star **Content:** [Harry Styles](https://rollingstonephilippines.com/tag/harry-styles/ "Harry Styles") has released his first single, “Aperture,” from his upcoming fourth album *Kiss All The Time, Disco Occasionally*, set for release on March 6. The new album arrives four years after *Harry’s House* and marks Styles’ first release since the death of his former One Direction bandmate Liam Payne in October 2024. Since launching his solo career, Styles has reshaped the possibilities of post-boy-band pop stardom. His solo run has yielded chart-topping albums, multiple Grammy wins, and a rare crossover appeal that bridges pop, rock, and classic singer-songwriter traditions throughout albums like his self-titled debut back in 2017 and *Fine Lines* in 2019. Harry’s House alone produced the global hit “As It Was,” spent weeks atop several music charts for months, back in 2022, and cemented Styles as one of the few modern pop artists capable of pairing commercial dominance with a distinct artistic identity. > [View this post on Instagram](https://www.instagram.com/p/DT1PiGbElcT/?utm_source=ig_embed&utm_campaign=loading)[A post shared by @harrystyles](https://www.instagram.com/p/DT1PiGbElcT/?utm_source=ig_embed&utm_campaign=loading) “Aperture” pulls listeners into Styles’ current sonic lane, composed with sleek electronics, progressive house textures, and Baltimore club–influenced percussion. The track steadily expands, growing brighter and more sensual as his trademark baritone settles into the mix. Over rattling hi-hats, rising synths, and buzzing bass lines, Styles sings about wanting to “belong together,” anchoring the song’s club-ready momentum with emotional clarity. The result marks a clear shift away from the sunlit soft rock palette of Harry’s House, signaling a more nocturnal, dancefloor-oriented direction. *Kiss All The Time, Disco Occasionally* arrives with that legacy firmly in place, marking his return to music after a prolonged absence and signaling the next phase of an already era-defining solo career. ## Frequently Asked Questions ### What is Harry Styles’ new single “Aperture” about? “Aperture” is Styles’ first single from his upcoming fourth album, featuring sleek electronics, progressive house textures, and Baltimore club-influenced percussion. Lyrically, Styles sings about wanting to “belong together” over a club-ready, dance-oriented production. ### When is Harry Styles’ new album releasing? Styles’ fourth studio album, “Kiss All The Time, Disco Occasionally,” is set for release on March 6, marking his first album since 2022’s “Harry’s House.” ### How does “Aperture” differ sonically from Harry Styles’ previous work? The track marks a clear shift from the sunlit soft rock sound of “Harry’s House” toward a more nocturnal, dancefloor-oriented direction, driven by progressive house and club-influenced percussion rather than his earlier singer-songwriter leanings. ### Is this Harry Styles’ first release since Liam Payne’s death? Yes. “Aperture” marks Styles’ first release since the October 2024 death of his former One Direction bandmate Liam Payne, according to the article. ### What has defined Harry Styles’ solo career so far? Since his 2017 self-titled debut, Styles has built a solo career spanning chart-topping albums, multiple Grammy wins, and crossover appeal across pop, rock, and singer-songwriter traditions, highlighted by the global hit “As It Was” from “Harry’s House.” Related Stories - [10 Artists Teasing and Releasing Albums in 2026: Bruno Mars, Olivia Rodrigo, Robyn](https://rollingstonephilippines.com/music/artists-albums-2026-mars-rodrigo/ "10 Artists Teasing and Releasing Albums in 2026: Bruno Mars, Olivia Rodrigo, Robyn") - [Stevie Nicks: ‘I Believe in the Church of Stevie’](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/stevie-nicks-fleetwood-mac-kamala-harris-new-music/ "Stevie Nicks: ‘I Believe in the Church of Stevie’") - [7 Dance Music Parties That Defined Post-Pandemic Manila](https://rollingstonephilippines.com/editors-picks/features/7-dance-music-parties-that-defined-post-pandemic-manila/ "7 Dance Music Parties That Defined Post-Pandemic Manila") **Categories:** Dance/Electronic, Music, Pop **Tags:** Harry Styles --- ### [Oscars 2026: 'Sinners' Leads With 16 Nominations](https://rollingstonephilippines.com/culture/film/oscars-2026-nominations-full-list/) **Published:** January 22, 2026 **Author:** Mel Wang **Excerpt:** The nominees will battle it out at the upcoming Oscars awards ceremony on March 16 **Content:** On January 22, the [Academy of Motion Picture Arts and Sciences](https://rollingstonephilippines.com/tag/academy-awards/ "Academy Awards") announced the nominations in all 24 categories for the [Oscars](https://rollingstonephilippines.com/tag/oscars-2026/ "Oscars 2026"). The live presentation of the nominations took place at the Academy’s Samuel Goldwyn Theater in Los Angeles. They were announced by Lewis Pullman and Oscar-nominated actress Danielle Brooks . *[Sinners](https://rollingstonephilippines.com/tag/sinners/ "Sinners")* made history by scoring a record-breaking 16 nominations, including for Best Picture, Director, Original Screenplay, and Actor. This surpasses the record of 14 nominations previously granted to *Titanic* and *La La Land*. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/Sinners-film-2025-Michael-B-Jordan-and-Miles-Caton.webp) Michael B. Jordan and Miles Caton in *Sinners*. Photo courtesy of Warner Bros. Pictures Please select an image. Earlier this year, the Academy announced that 317 films had been eligible for the awards, with 201 of those films eligible for consideration in the Best Picture category. Here is the official list of nominees vying for honors at the 2026 Oscars. ## Best Picture *Bugonia* *F1* *Frankenstein* *Hamnet* *Marty Supreme* *One Battle After Another* *The Secret Agent* *Sentimental Value* *Sinners* *Train Dreams* ## Director Chloé Zhao, *Hamnet* Josh Safdie, *Marty Supreme* Paul Thomas Anderson, *One Battle After Another* Joachim Trier, *Sentimental Value* Ryan Coogler, *Sinners* ## Actor Timothée Chalamet, *Marty Supreme* Leonardo DiCaprio, *One Battle After Another* Ethan Hawke, *Blue Moon* Michael B. Jordan, *Sinners* Wagner Moura, *The Secret Agent* ## Actress Jessie Buckley, *Hamnet* Rose Byrne, *If I Had Legs I’d Kick You* Kate Hudson, *Song Sung Blue* Renate Reinsve, *Sentimental Value* Emma Stone, *Bugonia* ## Supporting Actor Benicio Del Toro, *One Battle After Another* Jacob Elordi, *Frankenstein* Delroy Lindo, *Sinners* Sean Penn, *One Battle After Another* Stellan Skarsgård, *Sentimental Value* ## Supporting Actress Ell Fanning, *Sentimental Value* Inga Ibsdotter Lilleaas, *Sentimental Value* Amy Madigan, *Weapons* Wunmi Mosaku, *Sinners* Teyana Taylor, *One Battle After Another* ## Original Screenplay *Blue Moon* , Robert Kaplow *It Was Just an Accident*, Jafar Panahi, collaborators Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian *Marty Supreme*, Ronald Bronstein and Josh Safdie *Sentimental Value* , Eskil Vogt and Joachim Trier *Sinners* , Ryan Coogler ## Adapted Screenplay *Bugonia* , Will Tracy *Frankenstein* , Guillermo Del Toro *Hamnet* , Chloé Zhao and Maggie O’Farrell *One Battle After Another*, Paul Thomas Anderson *Train Dreams*, Clint Bentley and Greg Kwedar ## Casting *Hamnet* *Marty Supreme* *One Battle after Another* *The Secret Agent* *Sinners* ## Animated Short Film *Butterfly* *Forevergreen* *The Girl Who Cried Pearls* *Retirement Plan* *The Three Sisters* ## Animated Feature *Arco* *Elio* *KPop Demon Hunter*s *Little Amélie or the Character of Rain* *Zootopia 2* ## Production Design *Frankenstein*, Tamara Deverell, Shane Vieau *Hamnet* , Fiona Crombie, Alice Felton *Marty Supreme* , Jack Fisk, Adam Willis *One Battle After Another*, Florencia Martin, Anthony Carlino *Sinners* , Hannah Beachler, Monique Champagne ## Cinematography *Frankenstein*, Dan Laustsen *Marty Supreme*, Darius Khondji *One Battle after Another,* Michael Bauman S*inners,* Autumn Durald Arkapaw *Train Dreams*, Adolpho Veloso ## Costume Design *Avatar: Fire and Ash,* Deborah L. Scott *Frankenstein*, Kate Hawley *Hamnet* , Malgosia Turzanska Marty Supreme, Miyako Bellizzi *Sinners* , Ruth E. Carter ## Film Editing *F1* , Stephen Mirrione *Marty Supreme*, Ronald Bronstein and Josh Safdie *One Battle After Another*, Andy Jurgensen *Sentimental Value*, Olivier Bugge Coutté *Sinners*, Michael P. Shawver ## Makeup and Hairstyling *Frankenstein*, Mike Hill, Cliona Furey *Kokuho*, Kyoko Toyokawa, Naomi Hibino, Tadashi Nishimatsu *Sinners*, Ken Diaz, Mike Fontaine, Shunika Terry *The Smashing Machine*, Kazu Hiro, Glen Griffin, Bjoern Rehbein *The Ugly Stepsister*, Anne Catherine Sauerberg, Thomas Foldberg ## Sound *F1,* Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo, Juan Peralta *Frankenstein*, Greg Chapman, Nathan Robitaille, Nelson Ferreira, Christian Cooke, Brad Zoern *One Battle after Another*, José Antonio García, Christopher Scarabosio, Tony Villaflor *Sinners*, Chris Welcker, Benjamin A. Burtt, Felipe Pacheco, Brandon Proctor, Steve Boeddeker *Sirât* , Amanda Villavieja, Laia Casanovas, Yasmina Praderas ## Visual Effects *Avatar: Fire and Ash*, Joe Letteri, Richard Baneham, Eric Saindon, Daniel Barrett *F1* , Ryan Tudhope, Nicolas Chevallier, Robert Harrington, Keith Dawson *Jurassic World Rebirth*, Avid Vickery, Stephen Aplin, Charmaine Chan, Neil Corbould *The Lost Bus* , Charlie Noble, David Zaretti, Russell Bowen, Brandon K. Mclaughlin *Sinners*, Michael Ralla, Espen Nordahl, Guido Wolter, Donnie Dean ## Music (Original Song) “Dear Me” from *Diane Warren: Relentless* “Golden” from*KPop Demon Hunters* “I Lied To You” from *Sinners* “Sweet Dreams Of Joy” from *Viva Verdi!* “Train Dreams” from *Train Dreams* ## Music (Original Score) “Dear Me” from *Diane Warren: Relentless* “Golden” from*[KPop Demon Hunters ](https://rollingstonephilippines.com/tag/kpop-demon-hunters/ "KPop Demon Hunters")* “I Lied To You” from *Sinners* “Sweet Dreams Of Joy” from *Viva Verdi!* “Train Dreams” from *Train Dreams* ## Documentary Feature Film *The Alabama Solution* *Come See Me in the Good Light* *Cutting through Rocks* *Mr. Nobody against Putin* *The Perfect Neighbor* ## Documentary Short Film *All the Empty Rooms* *Armed Only with a Camera: The Life and Death of Brent Renaud* *Children No More: Were and Are Gone* *The Devil Is Busy* *Perfectly a Strangeness* ## International Feature Film Brazil,*The Secret Agent* France, *It Was Just an Accident* Norway, *Sentimental Value* Spain, *Sirât* Tunisia, *The Voice of Hind Rajab* ## Live Action Short *Butcher’s Stain* *A Friend of Dorothy* *Jane Austen’s Period Drama* *The Singers* *Two People Exchanging Saliva* ## Frequently ASked Questions ### How many Oscar nominations did “Sinners” receive in 2026? “Sinners” earned a record-breaking 16 nominations, including Best Picture, Director, Original Screenplay, and Actor, surpassing the previous record of 14 nominations held by “Titanic” and “La La Land.” ### Which films are nominated for Best Picture at the 2026 Oscars? The Best Picture nominees are “Bugonia,” “F1,” “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” and “Train Dreams.” ### Who are the Best Actor and Best Actress nominees for the 2026 Oscars? Best Actor nominees are Timothée Chalamet, Leonardo DiCaprio, Ethan Hawke, Michael B. Jordan, and Wagner Moura. Best Actress nominees are Jessie Buckley, Rose Byrne, Kate Hudson, Renate Reinsve, and Emma Stone. ### When and where were the 2026 Oscar nominations announced? The nominations were announced live on January 22 at the Academy’s Samuel Goldwyn Theater in Los Angeles, presented by Lewis Pullman and Oscar-nominated actress Danielle Brooks. ### How many films were eligible for the 2026 Oscars? The Academy announced that 317 films were eligible for awards consideration this year, with 201 of those films eligible specifically for the Best Picture category. Related Stories - [‘Magellan’ Will Not Be Making Its Way To the Oscars](https://rollingstonephilippines.com/culture/philippine-cinema/laz-diaz-magellan-oscar-snub/ "‘Magellan’ Will Not Be Making Its Way To the Oscars") - [Filipino Filmmakers on the Hard Truth of an Oscar Campaign](https://rollingstonephilippines.com/culture/film-tv/filipino-filmmakers-on-the-hard-truth-of-an-oscar-campaign/ "Filipino Filmmakers on the Hard Truth of an Oscar Campaign") - [23 Movies We’re Excited For This 2026](https://rollingstonephilippines.com/culture/film/23-movies-coming-in-2026/ "23 Movies We’re Excited For This 2026") **Categories:** Culture, Film **Tags:** Academy Awards, Oscars 2026 --- ### [Who’s Who on Season 5 of Netflix’s ‘Single’s Inferno’](https://rollingstonephilippines.com/culture/tv/singles-inferno-season-5-netflix-cast/) **Published:** January 22, 2026 **Author:** Mel Wang **Excerpt:** From some of the most confident people alive to romantics just trying to end life in singledom, here are the contenders on this season of "Single’s Inferno" **Content:** *[Single’s Inferno](https://rollingstonephilippines.com/tag/singles-inferno/ "Single's Inferno")* follows many of the classic beats of all the reality dating shows that came before it. A group of hot, young singles is sequestered to a deserted island called Inferno (hence, the show name), where they must do whatever they can to find a love interest and make it to Paradise (which is pretty much a five-star resort where the couple can have some proper alone time). *Single’s Inferno* has steadily become one of [Netflix’s](https://rollingstonephilippines.com/tag/netflix/ "Netflix") most popular shows, with its first season making it to the streaming platform’s Top 10 Shows global chart back in 2022. This latest season of *Single’s Inferno* boasts 13 contestants, all of whom are more than ready to find love amongst their gaggle of models, athletes, and artists. But for those who need help keeping track of who’s who, we’ve put together a list of all the single contenders who first arrived on the island. The first four episodes of *Single’s Inferno* Season 5 are currently streaming on Netflix. ## Youn Hyun-jae > [View this post on Instagram](https://www.instagram.com/reel/DTurLboCCZI/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Netflix Korea \| 넷플릭스 코리아 (@netflixkr)](https://www.instagram.com/reel/DTurLboCCZI/?utm_source=ig_embed&utm_campaign=loading) Hyun-jae’s one of the sportier singles on the island, having already shown off his athleticism with his kundo skills. He’s looking for a girl with a “pure and innocent look” (whatever that means), and he’ll make sure to “pursue her until the end.” ## Song Seung-il > [View this post on Instagram](https://www.instagram.com/p/DJ3ku8pxSwX/?utm_source=ig_embed&utm_campaign=loading)[A post shared by 송승일 song seungil (@thdtmddlf)](https://www.instagram.com/p/DJ3ku8pxSwX/?utm_source=ig_embed&utm_campaign=loading) A little more on the competitive side, Seung-il admitted that he doesn’t fall for people easily. “I hate losing,” he said in Korean during his intro, “and when I do, I can’t even sleep at night.” ## Park Hee-sun ![Park Hee-sun](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/hee.webp) Park Hee-sun in *Single’s Inferno.* Photo from Netflix/Official Website Hee-sun’s a former cheerleader, a dancing enthusiast, and a self-proclaimed attention-seeker. “I get asked out constantly,” she said. “When I go out on the street, guys come up to me every three steps I take.” ## Shin Hyeon-woo ![Shin Hyeon-woo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/Shin-Hyeon-Woo.webp) Shin Hyeon-woo in *Single’s Inferno.* Photo from Netflix/Official Website Confident and beefed up, Hyeon-woo walked onto the island pretty sure that he’d find someone to leave with. His words: “I never fall behind when it comes to physique or aura.” ## Kim Go-eun > [View this post on Instagram](https://www.instagram.com/p/DTNQRKLE7Gd/?utm_source=ig_embed&utm_campaign=loading)[A post shared by 김 고은 KIM GOEUN (@goxnniee)](https://www.instagram.com/p/DTNQRKLE7Gd/?utm_source=ig_embed&utm_campaign=loading) “I may look cold on the outside,” said Go-eun in her intro, “but once you get to know me, you’ll see I’m cute and warm-hearted.” Go-eun’s looking for someone to “steal her heart” on the island so that she can put an end to her single life. You know what? Amen. ## Kim Jae-jin > [View this post on Instagram](https://www.instagram.com/p/DPBr4qXE8LP/?utm_source=ig_embed&utm_campaign=loading)[A post shared by 김재진 (@jae\_\_\_\_\_\_\_\_jin)](https://www.instagram.com/p/DPBr4qXE8LP/?utm_source=ig_embed&utm_campaign=loading) Jae-jin contains multitudes. He confessed to having been called both mature and immature by his friends, which doesn’t necessarily match his outward physique (which is, by the way, stunning). “I have a personality you’d never expect from my cold looks, a surprising charm,” he said. ## Ham Ye-jin > [View this post on Instagram](https://www.instagram.com/p/DLJgeuoxPUP/?utm_source=ig_embed&utm_campaign=loading)[A post shared by 함예진 HAM YEJIN (@x\_jinii\_\_)](https://www.instagram.com/p/DLJgeuoxPUP/?utm_source=ig_embed&utm_campaign=loading) As one of the only contestants not to focus on her looks during her intro, Ye-jin made it a point to stress how quirky and honest she can be. She’s also never properly flirted with anyone because “everything just works out” for her. ## Woo Sung-min > [View this post on Instagram](https://www.instagram.com/p/DTYJoVeCfU0/?utm_source=ig_embed&utm_campaign=loading)[A post shared by 우성민 (@tjd\_min1230)](https://www.instagram.com/p/DTYJoVeCfU0/?utm_source=ig_embed&utm_campaign=loading) “I don’t usually enjoy intense romance,” said Sung-min, which begs the question of why he’s on the show. But it looks like Sung-min’s on the island for a real connection, and he’s hoping to meet someone who matches his vibe. ## Kim Min-gee > [View this post on Instagram](https://www.instagram.com/reel/CqaT6h9JzyX/?utm_source=ig_embed&utm_campaign=loading)[A post shared by 김민지 KIMMINGEE🇰🇷 (@arb0r\_day)](https://www.instagram.com/reel/CqaT6h9JzyX/?utm_source=ig_embed&utm_campaign=loading) A famous track star outside of the island, Min-gee’s bringing that athletic competitiveness to her pursuit of love. “I \[will\] keep pursuing that person and keep trying until they open up,” said Min-gee, “I keep knocking and knocking until they open up.” ## Lim Su-been ![Lim Su-been](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/Lim-Su-been.webp) Lim Su-been in *Single’s Inferno.* Photo from Netflix/Official Website Surprise! More contestants! Episode 2 brought in a few more arrivals onto the island, starting with Lim Su-been. He’s mature, full of golden retriever energy, and he’s “been told” that he looks sexy when I work out (and I mean, he does). ## Lee Sung-hun ![Lee Sung-hun](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/1600.webp) Lee Sung-hun in *Single’s Inferno.* Photo from Netflix/Official Websi Currently based in New York, Sung-hun switches fluently between Korean and English. He’s looking for someone who’s “cat-like,” but also “very genuine and kind” (what *is* this criteria?). ## Lee Joo-young ![Lee Joo-young](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/lee.webp) Lee Joo-young in *Single’s Inferno*. Photo from Netflix/Official Website If I could have the level of confidence Joo-young has going into this competition, I’d be unstoppable. “I’ve been popular since the day I was born,” she said, before revealing that she was nicknamed her school’s “goddess” as a teenager. ## Choi Mina-sue > [View this post on Instagram](https://www.instagram.com/p/DPksxN5DGW_/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Mina Sue Choi (@minadori222)](https://www.instagram.com/p/DPksxN5DGW_/?utm_source=ig_embed&utm_campaign=loading) Mina-sue is someone who tends to prioritize herself in a relationship, but this isn’t necessarily a bad thing. She’s looking for someone to eat chicken feet with and a good cuddler. ## Frequently Asked Questions ### How many contestants are on “Single’s Inferno” Season 5? Season 5 features 13 contestants introduced across the first four episodes, described as a mix of models, athletes, and artists all looking for love on the deserted island setting, Inferno. ### What is the premise of “Single’s Inferno”? Contestants are sequestered on a deserted island called Inferno, where they must find a mutual love interest in order to earn a trip to Paradise, a resort setting where couples get private time together. ### How popular has “Single’s Inferno” been on Netflix? The show has become one of Netflix’s most popular series, with its first season reaching the platform’s global Top 10 Shows chart back in 2022, establishing it as a recurring hit dating format. ### Who are some of the standout contestants introduced in Season 5? Standout contestants include former cheerleader Park Hee-sun, track star Kim Min-gee, New York-based bilingual contestant Lee Sung-hun, and self-described “goddess” Lee Joo-young, among others introduced across the season’s first four episodes. ### When did new contestants join “Single’s Inferno” Season 5 beyond the initial cast? Additional contestants, including Lim Su-been, Lee Sung-hun, Lee Joo-young, and Choi Mina-sue, joined the cast in Episode 2, expanding the initial pool of singles introduced in the show’s opening episode. Related Stories - [Meet the Contestants of ‘Physical: Asia’, Netflix’s Latest Survival Show](https://rollingstonephilippines.com/culture/tv/netflix-physical-asia-players/ "Meet the Contestants of ‘Physical: Asia’, Netflix’s Latest Survival Show") - [‘Industry,’ The Best Show on Streaming, is Back. What Can We Expect?](https://rollingstonephilippines.com/culture/tv/industry-hbo-season-4/ "‘Industry,’ The Best Show on Streaming, is Back. What Can We Expect?") - [Can ‘The Pitt’ Keep Up In Its Second Act?](https://rollingstonephilippines.com/culture/tv/the-pitt-episode-1-season-2-recap/ "Can ‘The Pitt’ Keep Up In Its Second Act?") **Categories:** Culture, TV **Tags:** Netflix, Single's Inferno --- ### [It’s Not Cuddle Weather; It’s Flu Season](https://rollingstonephilippines.com/state-of-affairs/environment/baguio-temperature-drop-flu-season/) **Published:** January 22, 2026 **Author:** Pie Gonzaga **Excerpt:** Reports of the “super flu” going around come as temperatures drop to the low 10s across the country. Should we be concerned? **Content:** [Baguio City](https://rollingstonephilippines.com/tag/baguio/ "Baguio") hit its coldest temperature this year at 11 degrees Celsius as Quezon City’s Science Garden weather station recorded 19 degrees on the morning of Thursday, January 22. But before you call your significant other over for cuddle weather, you may want to see if they’re showing [flu](https://rollingstonephilippines.com/tag/flu/ "Flu") symptoms. In the Philippines, flu season typically begins during the wet season or habagat, beginning in June, when the humid and rainy climate brings people indoors, as crowded and insulated places are conducive for the spread of viruses. However, the flu season could also extend to amihan, typically from October to the early months of the following year, as the virus thrives in cold and dry climates. Infectious diseases specialist Dr. Rontgene Solante tells [*ABS-CBN News*](https://www.abs-cbn.com/news/health-science/2026/1/7/-super-flu-can-extend-flu-season-until-february-expert-1947) that flu-like illnesses, typically characterized by cough, colds, fever, body aches, and fatigue, may persist among Filipinos in the next few weeks and extend the flu season to February due to the recent spread of the “super flu.” While the super flu’s symptoms aren’t remarkably different from the common flu, the influenza A virus subtype H3N2 is called such due to its ability to [cause infections](https://www.rappler.com/newsbreak/iq/things-to-know-super-flu/), according to Solante. In 2025, the Department of Health (DOH) recorded 63 cases of the super flu, all of which have recovered. In a press conference on January 7, DOH Secretary Teodoro Herbosa said that the new flu virus variant is not cause for alarm, but encouraged vaccinations and caution when traveling to North America and the UK. [*Today*](https://www.today.com/health/cold-flu/new-flu-strain-2025-symptoms-rcna243681) reports that in the US, H3N2 drives 90 percent of flu cases. ## Frequently Asked Questions ### What is the “super flu” spreading in the Philippines? The “super flu” refers to influenza A virus subtype H3N2, named for its ability to cause widespread infections, according to infectious diseases specialist Dr. Rontgene Solante. In 2025, the DOH recorded 63 cases in the Philippines, all of which recovered. ### How long is flu season expected to last in the Philippines this year? Dr. Solante said flu-like illnesses may persist in the coming weeks, potentially extending the flu season into February due to the recent spread of the H3N2 “super flu” variant. ### Is the Department of Health concerned about the “super flu”? No. DOH Secretary Teodoro Herbosa said the new flu variant is not cause for alarm, though he encouraged vaccination and caution for those traveling to North America and the UK, where H3N2 has driven a high share of flu cases. ### When does flu season typically occur in the Philippines? Flu season typically begins during the wet season (habagat) starting in June, when humid, rainy weather pushes people indoors. It can also extend into the amihan season, from October through early the following year, as the virus favors cold, dry conditions. ### What temperatures were recorded during this cold spell in the Philippines? Baguio City recorded its coldest temperature of the year at 11 degrees Celsius, while Quezon City’s Science Garden weather station recorded 19 degrees on the morning of January 22. Related Stories - [Mpox Cases Rise in Visayas, Mindanao Amid a Continuing Global Outbreak](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/mpox-cases-visayas-mindanao-infection/ "Mpox Cases Rise in Visayas, Mindanao Amid a Continuing Global Outbreak") - [COVID-19 Cases Are on the Rise in Southeast Asia, But the Philippines is Safe — DOH](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/philippines-covid-19-cases-doh/ "COVID-19 Cases Are on the Rise in Southeast Asia, But the Philippines is Safe — DOH") - [84% of Filipinos Want Fossil Fuel Firms to Pay Up for Climate Damages](https://rollingstonephilippines.com/state-of-affairs/politics/fossil-fuel-climate-damages-filipinos/ "84% of Filipinos Want Fossil Fuel Firms to Pay Up for Climate Damages") **Categories:** Environment, State of Affairs **Tags:** Baguio, Flu --- ### [23 Movies We’re Excited For This 2026](https://rollingstonephilippines.com/culture/film/23-movies-coming-in-2026/) **Published:** January 22, 2026 **Author:** Mel Wang **Excerpt:** This year, major blockbusters and local gems are all getting us back into theaters **Content:** It’s only January, and a *lot* is already going on in 2026. But there’s one thing that we can safely turn to for roughly two hours of escapism: the movies. There are, of course, the usual major releases that have us planning our trips to the cinemas: I am already planning which blockbuster to watch first in anticipation of Dunesday later this December. What’s more, the year’s announced releases, both locally and globally, promise such an eclectic mix of book adaptations, dark comedies, and sci-fi thrillers that it’s going to be hard to figure out which of them warrant a movie ticket (or, well, a night of streaming on the platform of your choice). To make things a little easier, we’ve rounded up 20 of the film releases we’re most excited about, just for you. Note: opening dates are subject to change. ## ‘Send Help’ (January 28) Linda (Rachel McAdams), an overworked corporate girlie, is tired of picking up after her boss, Bradley (Dylan O’Brien). Oh, but how the tables turn in Sam Raimi’s dark comedy: after a plane crash, the two must work together to survive and try to make their way off a deserted island. ## ‘The Loved One’ (February 11) Directed by Irene Villamor (*Only We Know*, *Ulan*), *The Loved One* follows Ellie ([Anne Curtis](https://rollingstonephilippines.com/tag/anne-curtis/ "Anne Curtis")) and Eric ([Jericho Rosales](https://rollingstonephilippines.com/tag/jericho-rosales/ "jericho rosales")) as they reunite 10 years after their relationship fell apart. Get ready for high levels of angst, yearning, and love all around. ## ‘”Wuthering Heights”’ (February 11) [Emerald Fennell’s](https://rollingstonephilippines.com/tag/emerald-fennell/ "Emerald Fennell") adaptation of Emily Brontë’s Gothic classic may be… very unfaithful to the book, but it bills itself as an angsty, horny take on the romance between Catherine Earnshaw ([Margot Robbie](https://rollingstonephilippines.com/tag/margot-robbie/ "Margot Robbie")) and Heathcliff ([Jacob Elordi](https://rollingstonephilippines.com/tag/jacob-elordi/ "Jacob Elordi")). ## ‘How to Make a Killing’ (February 20 in the U.S.) It’s a nepo baby gone rogue! Disowned at birth by his obscenely wealthy, blue-collar Becket Redfellow ([Glen Powell](https://rollingstonephilippines.com/tag/glen-powell/ "Glen Powell")) decides that it’s high time he gets his family inheritance — by any means necessary. ## ‘Until She Remembers’ (February 25) Although not much about Brillante Mendoza’s upcoming drama has been announced yet, we know that *Until She Remembers* centers on a high school student ([Barbie Forteza](https://rollingstonephilippines.com/tag/barbie-forteza/ "Barbie Forteza")) who avoids a chaotic home life by spending time with her grandmother ([Charo Santos-Concio](https://rollingstonephilippines.com/tag/charo-santos-concio/ "Charo Santos-Concio")) and her friend (Boots Anson Roa-Rodrigo). ## ‘Sisa’ (March 4) 14 years after her last stint on the big screen, [Hilda Koronel](https://rollingstonephilippines.com/tag/hilda-koronel/ "hilda koronel") has returned to take the lead in Jun Lana’s bloody look at the Philippine-American War. She is joined by Eugene Domingo and [*Sunshine*’s](https://rollingstonephilippines.com/tag/sunshine/ "sunshine") Jennica Garcia. ## ‘A Special Memory’ (March 4) > [View this post on Instagram](https://www.instagram.com/p/DTfKfvIkWps/?utm_source=ig_embed&utm_campaign=loading)[A post shared by JRB Creative Production (@jrbcreativeproduction)](https://www.instagram.com/p/DTfKfvIkWps/?utm_source=ig_embed&utm_campaign=loading) Directed by Jason Paul Laxamana, *A Special Memory* promises a tender romance starring Bela Padilla and Carlo Aquino. This marks the first time the two stars have worked together in a full-length feature since *Meet Me in St. Gallen* in 2018. ## ‘The Bride!’ (March 4) It’s *Frankenstein*, but make it *Bonnie and Clyde.* Directed by [Maggie Gyllenhaal](https://rollingstonephilippines.com/tag/maggie-gyllenhaal/ "Maggie Gyllenhaal"), the romance-horror centers on a murdered young woman (Jessie Buckley) who has been brought back to life to be the crazed, romantic partner-in-crime of Frankenstein’s monster (Christian Bale). ## ‘Project Hail Mary’ (March 18) The latest project from directing duo Phil Lord and Christopher Miller (*21 Jump Street*, *The Lego Movie*), *Project Hail Mary* follows Ryland Grace (Ryan Gosling), a sixth-grade science teacher who has been enlisted to become an astronaut and find out how to save Earth from an unknown threat. ## ‘The Drama’ (April 3 in the U.S.) You’d think that Robert Pattinson and [Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya") would make such a power couple, but alas, that is not the case in Kristoffer Borgli’s *The Drama*. Little has been said about the plot just yet, but the movie’s tagline states that an unexpected turn ends up derailing the couple’s wedding week. ## ‘The Devil Wears Prada 2’ (April 29) [Meryl Streep](https://rollingstonephilippines.com/tag/meryl-streep/ "Meryl Streep") and [Anne Hathaway](https://rollingstonephilippines.com/tag/anne-hathaway/ "Anne Hathaway") return to the world of fashion publishing, but things aren’t as glamorous as they used to be. People just aren’t reading like they used to, and the great Miranda Priestly must face off against her former assistant, Emily Charlton (Emily Blunt), who now reigns supreme as a rival executive. ## ‘I Love Boosters’ (May 22 in the U.S.) > [View this post on Instagram](https://www.instagram.com/p/DR2Woo0iQRg/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Boots Riley (@bootsriley)](https://www.instagram.com/p/DR2Woo0iQRg/?utm_source=ig_embed&utm_campaign=loading) Director Boots Riley has always pushed the boundaries of the dark comedy genre, like in his debut film *Sorry to Bother You*, and I hope *I Love Boosters* gets just as weird. Starring Keke Palmer, LaKeith Stanfield, Naomi Ackie, Demi Moore, Will Poulter, and more, *I Love Boosters* focuses on a group of shoplifters who take aim at a cutthroat fashion aficionado. ## ‘Scary Movie 6’ (June 10) > [View this post on Instagram](https://www.instagram.com/p/DRArZXWD_pz/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Marlon Wayans (@marlonwayans)](https://www.instagram.com/p/DRArZXWD_pz/?utm_source=ig_embed&utm_campaign=loading) They’re back! 13 years after the last film in the franchise, *Scary Movie 6* is bringing back Cindy (Anna Faris) and Brenda ([Regina Hall](https://rollingstonephilippines.com/tag/regina-hall/ "Regina Hall")) alongside franchise newcomers such as Damon Wayans Jr. and Heidi Gardner. The Wayans brothers Maron and Shawn return as screenwriters, along with Rick Alvarez and Keenen Ivory. ## ‘Disclosure Day’ (June 10) [Steven Spielberg](https://rollingstonephilippines.com/tag/steven-spielberg/ "Steven Spielberg") is back in the director’s chair for the sci-fi epic thriller, *Disclosure Day*. While we’re not quite sure what’s going on with the plot just yet, we do know that aliens are involved and that Josh O’Connor, Emily Blunt, Colman Domingo, and Colin Firth will be thrown into the mix. ## ‘The Odyssey’ (July 17 in the U.S.) Christopher Nolan may just be ready to outdo himself with his take on Homer’s massive Greek epic, which stars Matt Damon as Odysseus, who must navigate dangerous waters to make his way back to his homeland of Ithaca. ## ‘Spider-Man: Brand New Day’ (July 29) > [View this post on Instagram](https://www.instagram.com/p/DM6FpmJtC8B/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Tom Holland (@tomholland2013)](https://www.instagram.com/p/DM6FpmJtC8B/?utm_source=ig_embed&utm_campaign=loading) The last time we saw Peter Parker (Tom Holland), things were looking pretty bleak for our friendly neighborhood Spider-Man after he’d had to make a difficult decision to save his friends. Now, in *Brand New Day*, Spidey’s just trying to finish college and leave that all behind him. But what’s he going to do when a new villain comes to threaten everyone he loves once again? ## ‘Flowervale Street’ (August 14 in the U.S.) > [View this post on Instagram](https://www.instagram.com/p/C7xhaLiJAKl/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Anne Hathaway (@annehathaway)](https://www.instagram.com/p/C7xhaLiJAKl/?utm_source=ig_embed&utm_campaign=loading) As suggested by the sole photograph of a brontosaurus on the film’s [IMDb](https://www.imdb.com/title/tt27165187/mediaviewer/rm309042690/?ref_=tt_ph_1) page, we might get to see Anne Hathaway share the screen with dinosaurs in *Flowervale Street*, but we’ll just have to see what director David Robert Mitchell has in store for us. The film stars Hathaway and Ewan McGregor as a couple in the ’80s who realize something very bizarre is happening in their neighborhood. ## ‘The Dog Stars’ (August 28 in the U.S.) > [View this post on Instagram](https://www.instagram.com/p/DKCzJUyKATD/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Sarah Margaret Qualley (@isimostar)](https://www.instagram.com/p/DKCzJUyKATD/?utm_source=ig_embed&utm_campaign=loading) Hopefully, Ridley Scott’s apocalyptic sci-fi *Dog Stars* doesn’t get delayed a second time, because I’m looking forward to seeing Jacob Elordi, Margaret Qualley, and Josh Brolin in a film set after a virus wipes out much of humanity. ## ‘Resident Evil’ (September 18 in the U.S.) Fresh off the success of *[Weapons](https://rollingstonephilippines.com/tag/weapons/ "Weapons")*, director Zach Cregger is giving us his take on the Resident Evil franchise. But it looks like Cregger’s stepping out of the video game canon, because his film will follow a completely new character: a “hapless courier” who has the bad luck of delivering a package to a remote hospital right in the middle of an outbreak. ## ‘The Social Reckoning’ (October 9 in the U.S.) > [View this post on Instagram](https://www.instagram.com/p/DG1W5QCRdJa/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Mikey Madison (@mikeysmadisson)](https://www.instagram.com/p/DG1W5QCRdJa/?utm_source=ig_embed&utm_campaign=loading) Aaron Sorkin is returning to the world of tech bros with *The Social Reckoning*, the long-anticipated follow-up to *The Social Network.* But instead of focusing on the life and times of Mark Zuckerberg (Jeremy Strong), the sequel will center on young Facebook engineer Frances (Mikey Madison), who enlists the help of Wall Street Journal reporter Jeff Horwitz (Jeremy Allen White) to blow the whistle on one of the world’s biggest tech companies. ## ‘Avengers: Doomsday’ (December 18) Marvel’s latest blockbuster is most likely going to be a nostalgic smorgasbord, especially since so many familiar faces from across the MCU are making their way back to the franchise. Captain America (both Anthony Mackie and Chris Evans), Thor (Chris Hemsworth), Black Panther (Letitia Wright), members of the X-Men, the Fantastic Four, and, honestly, a whole other caboodle of heroes will be returning for the climax of Phase Six of the MCU. ## ‘Dune: Part Three’ (December 18 in the U.S.) ![Timothée Chalamet](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/tim.webp) Timothée Chalamet in *Dune*. Photo from IMDb/Official Website The third and final installment of Denis Villeneuve’s *Dune* trilogy will pick up 12 years after *Dune: Part Two*, following the lives of Paul (Timothée Chalamet), Alia (Anya Taylor-Joy), Chani (Zendaya), and Princess Irulan (Florence Pugh) as they are embroiled in Paul’s Holy War. ## ‘Poon (The Hallowed)’ (TBA) > [View this post on Instagram](https://www.instagram.com/p/DPX2sTLCUAo/?utm_source=ig_embed&utm_campaign=loading)[A post shared by CinemaBravo (@cinemabravoph)](https://www.instagram.com/p/DPX2sTLCUAo/?utm_source=ig_embed&utm_campaign=loading) The mystery drama, directed by Adolfo Alix Jr., features an all-star cast including Ronaldo Valdez, Gina Pareño, Jaclyn Jose, Janice de Belen, and Lotlot de Leon. The film is slated to be released in March 2026. ## Frequently Asked Questions ### What local Filipino films are featured in this 2026 movie preview? The list includes “The Loved One” (Anne Curtis, Jericho Rosales), “Until She Remembers” (Brillante Mendoza), “Sisa” (Hilda Koronel’s comeback role), “A Special Memory” (Bela Padilla, Carlo Aquino), and “Poon (The Hallowed),” an ensemble mystery drama. ### What major franchise films are included in the 2026 preview? The list includes “Spider-Man: Brand New Day,” “Avengers: Doomsday,” “Dune: Part Three,” “Scary Movie 6,” and a new “Resident Evil” film directed by Zach Cregger, all slated for release throughout 2026. ### Which acclaimed directors have upcoming 2026 releases mentioned in the list? Directors featured include Christopher Nolan (“The Odyssey”), Steven Spielberg (“Disclosure Day”), Ridley Scott (“The Dog Stars”), Maggie Gyllenhaal (“The Bride!”), Denis Villeneuve (“Dune: Part Three”), and Aaron Sorkin (“The Social Reckoning”). ### What is “Wuthering Heights” and when is it releasing? Emerald Fennell’s adaptation of Emily Brontë’s novel, starring Margot Robbie and Jacob Elordi, is described as an unfaithful but angsty and provocative take on the Gothic classic, releasing February 11, 2026. ### Is “The Devil Wears Prada 2” part of this 2026 lineup? Yes. The sequel reunites Meryl Streep and Anne Hathaway, with Emily Blunt returning as a rival executive to Miranda Priestly amid a changing fashion publishing landscape, releasing April 29, 2026. Related Stories - [10 Filipino Films Turning 10 In 2026](https://rollingstonephilippines.com/culture/philippine-cinema/10-filipino-movies-turning-10-2026/ "10 Filipino Films Turning 10 In 2026") - [2026 is the Year of Iconic Movie Comebacks and Franchise Wars](https://rollingstonephilippines.com/culture/2026-in-movies-hilda-koronel-doomsday/ "2026 is the Year of Iconic Movie Comebacks and Franchise Wars") - [‘Parasite’ and the Problems of a ‘Best Movies’ List](https://rollingstonephilippines.com/editors-picks/commentary/parasite-nytimes-best-movie-list/ "‘Parasite’ and the Problems of a ‘Best Movies’ List") **Categories:** Culture, Editor's Picks, Film, Lists **Tags:** 2026 --- ### [A$AP Rocky, Mitski, Hev Abi, and All the Songs You Need to Know](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/asap-rocky-mitski-hev-abi/) **Published:** January 22, 2026 **Author:** Elijah Pareño **Excerpt:** Our weekly playlist of the best music right now, carefully picked by the Rolling Stone Philippines staff **Content:** Welcome to [Songs You Need to Know](http://rollingstonephilippines.com/editors-picks/songs-you-need-to-know), our weekly rundown of the best music right now. The *[Rolling Stone Philippines](https://rollingstonephilippines.com/tag/rolling-stone-philippines/ "Rolling Stone Philippines")* team is constantly sharing things to listen to, and each week, we compile a ragtag playlist of songs that we believe every music fan today needs to know. Whether it’s the hottest new single or an old track that captures the state of the present, our hope is that you discover something for your musical canon. This week’s songs range from intimate ballads to noise rock freakouts from your favorite musicians. The acid house trip of [Slayyyter](https://rollingstonephilippines.com/tag/slayyyter/ "Slayyyter") makes you want to dance the night away while A$AP Rocky’s *Don’t Be Dumb* cut “HELICOPTER” comes back strong after nearly eight years missing from the game. Mitski’s “Where’s My Phone” is a loud, paranoid beast of a lead single from one of the scene’s most revered singer-songwriters. In the local scene circuit, Quezon City rapper Hev Abi puts out a party banger “ALL NIGHT LONG,” and synth-pop act Fly Mama! creates the catchiest melodies out of syrupy synth lines. Together, they make 2026 a promising year for pop and hip-hop, and January isn’t over yet. Slayyyter, ‘Dance…’ ![Slayyyter](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/s1-1-1600x1600.webp) Photo from Slayyyter/Instagram *When acid house takes the spotlight* For the longest time, it felt like we were overdue for a Slayyyter comeback season. The pop star has released her latest single, “Dance…,” from her upcoming album *Wor$t Girl in America*, slated for release on March 27. Take it from a longtime pop stan who paid attention through the entire pre-pandemic hyperpop boom: Slayyyter has held OG status in the “slutpop” subgenre for years. The reigning, if often overlooked, queen of late-2010s pop ushers in a new sound here: a mechanical, hedonistic electropop hailstorm where the cold hits hardest. “Dance…” brings the heat from verse to chorus, leaning into fervor and bravado more than ever. —*Elijah Pareño* Cameron Winter, ‘Love Takes Miles’ ![Cameron Winter](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/s2-1-1600x1600.webp) Photo from Cameron Winter/Instagram *Piano ballad superstar at his most earnest* Geese frontman Cameron Winter and his lead single “Love Takes Miles,” taken from his highly acclaimed solo 2024 debut album *Heavy Metal,* has been an anthem for lovers willing to wait, even in the farthest of lands. The single works because it refuses the illusion of emotional closure, not even a little bit. Winter’s piano moves patiently, almost cautiously, as if aware that too much drama would cheapen what the song is trying to hold onto. His vocal delivery stays infectiously catchy and unguarded, careful not to rush a hook or a moment of triumph from start to finish. Instead, the song lingers in uncertainty, vocally achieving the feeling of devotion. If undying love sounds like this, I wouldn’t take it for granted either. —*Elijah Pareño* Hev Abi, ‘ALL NIGHT LONG’ ![Hev Abi](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/s3-1-1600x1600.webp) Photo from Hev Abi/Instagram *The party boy era for the QC resident* Flashes of “MADUMING TIMOG” appear in “ALL NIGHT LONG,” the latest music video from Quezon City’s own Hev Abi. Drenched in neon purple light, he moves through the frame singing a soul-inflected, autotune-heavy chorus that stretches across the song’s tight two-minute runtime. At first listen, the intention feels clear. But once the track loops, a hazier, almost psychedelic quality emerges, hinting at where his upcoming album might land. After months of relative quiet outside a handful of festival appearances, Hev returns with confidence, though this time as a more measured presence. “ALL NIGHT LONG” frames indulgence with caution, suggesting an artist still drawn to excess but increasingly aware of its consequences. —*Elijah Pareño* A$AP Rocky, ‘HELICOPTER’ ![A$AP Rocky](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/s4-1-1600x1600.webp) Photo from A$AP Rocky/Instagram *A glossy, infectious return to form for Rocky* “HELICOPTER” is one of the strongest tracks of A$AP Rocky’s *Don’t Be Dumb*. The whole album, his first in eight years, demonstrates a return to form for the American rapper, and in “HELICOPTER,” Rocky tells us exactly who he is. Unfortunately, that means some lines age the rapper, like when he admonishes people that “do anything for a blue check” on social media. Verification isn’t cool anymore, especially on X! But he makes up for it with an infectious delivery that glides smoothly over the beat. I hear [2016 is making a comeback](https://rollingstonephilippines.com/editors-picks/commentary/2016-trend-shifted-music-culture/), and what better way to usher it in than with good, old-fashioned pre-game rap. —*Pie Gonzaga* Mitski, ‘Where’s My Phone?’ ![Mitski](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/s5-1-1600x1600.webp) Photo from Mitski/Instagram *If you could hear hot flashes, this is it* Japanese-American indie favorite Mitski has returned with the new single “Where’s My Phone?” ahead of the release of her eighth album, *Nothing’s About to Happen to Me*, on February 27. This new track marches at a pace quicker than hits like “My Love Mine All Mine” and “First Love/Late Spring,” but isn’t as dancey as “Nobody.” The track has an overwhelming, claustrophobic fuzziness to it, from the guitars to the outro’s vocals, making the song’s reflections on anxiety feel all the more real. I know Mitski just came back, but somebody give this woman a break, and her phone! —*Pie Gonzaga* Fly Mama!, ‘Paulit-Ulit’ ![Fly Mama!](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/s6-1-1600x1600.webp) Photo from Fly Mama!/Instagram *Moody synth pop begging for replay* Nostalgic, synth-heavy pop seems to be the vogue in Filipino pop these days, especially with Cup of Joe’s “Multo” finding overwhelming success last year. And it’s easy to plop “Paulit-Ulit” by Fly Mama! in that category, but I think the newly released track deserves a deeper appreciation than mere comparison. The Filipino four-piece band understands well what makes a good synth-pop track: guitars that seem to melt into gauzy pads, a forward-chugging beat, and a catchy, repeating phrase: “Paulit-ulit, paulit-ulit.” —*Pie Gonzaga* ## Frequently Asked Questions ### What is Rolling Stone Philippines’ “Songs You Need to Know”? It’s a weekly column where the Rolling Stone Philippines team compiles a playlist of songs — new releases and older tracks alike — that capture the current musical moment, aiming to help readers discover additions to their personal musical canon. ### What A$AP Rocky song is featured this week, and why is it significant? A$AP Rocky’s “HELICOPTER,” a cut from his album “Don’t Be Dumb,” is featured after making a comeback nearly eight years since it had been missing from circulation, according to the article. ### What is Mitski’s featured song this week about? Mitski’s “Where’s My Phone” is described as a loud, paranoid lead single from the acclaimed singer-songwriter, marking one of the standout tracks in this week’s roundup. ### Which local Filipino artists are featured in this week’s playlist? Quezon City rapper Hev Abi is featured with the party track “ALL NIGHT LONG,” alongside synth-pop act Fly Mama!, known for catchy melodies built on syrupy synth lines. ### What other artist is featured in this week’s “Songs You Need to Know”? Slayyyter is featured with an acid house-inspired dance track, rounding out a week of songs the article says range from intimate ballads to noise rock freakouts. Related Stories - [June Millington, Guitarist of ‘70s All-Female Band Fanny, Hasn’t Stopped Rocking](https://rollingstonephilippines.com/music/rock/june-millington-fanny-institute-music-arts/ "June Millington, Guitarist of ‘70s All-Female Band Fanny, Hasn’t Stopped Rocking") - [The ‘2016 Trend’ Reveals Where Culture Stalled and Shifted](https://rollingstonephilippines.com/editors-picks/commentary/2016-trend-shifted-music-culture/ "The ‘2016 Trend’ Reveals Where Culture Stalled and Shifted") - [Shanti Dope Reflects on Rap, Fatherhood, and the Realities of His Music](https://rollingstonephilippines.com/music/shanti-dope-rap-realities-fatherhood/ "Shanti Dope Reflects on Rap, Fatherhood, and the Realities of His Music") **Categories:** Editor's Picks, Lists, Songs You Need To Know **Tags:** A$AP Rocky, Cameron Winter, Fly Mama!, Hev Abi, Mitski, Slayyyter --- ### [Why ‘Kalel, 15’ Was an Important Breakout Role for Elijah Canlas](https://rollingstonephilippines.com/media-channels/greatest-hits/elijah-canlas/) **Published:** January 22, 2026 **Author:** Mel Wang **Excerpt:** The actor reflected on the impact of the Jun Lana-directed drama and how it opened his own eyes to the lives of HIV patients in the Philippines **Content:** *Kalel, 15* was much more than a breakout role for [Elijah Canlas](https://rollingstonephilippines.com/tag/elijah-canlas/ "Elijah Canlas"). In the latest episode of *Rolling Stone Philippines*’ YouTube series, *Greatest Hits*, the actor reflected on how his role as the titular character in the 2019 drama helped open his eyes to people living with HIV in the Philippines. The movie follows 15-year-old Kalel (Canlas) as he navigates his HIV diagnosis and his relationships with his mother Edith ([Jaclyn Jose](https://rollingstonephilippines.com/tag/jaclyn-jose/ "Jaclyn Jose")), his father ([Eddie Garcia](https://rollingstonephilippines.com/tag/eddie-garcia/ "Eddie Garcia")), his sister Ruth (Elora Españo), and his girlfriend Sue (Gabby Padilla). ![Elijah Canlas](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RollingStonePortraits0066-1.webp) “\[Kalel’s\] just a survivor.” Photo by Kieran Punay “Maraming lumapit sa akin, friends even, na ‘di pa inaamin that they do have it, and then they told me na watching the movie kind of changed their lives and gave them the courage to seek help,” Canlas told *Rolling Stone Philippines*. Canlas also recalled how *Kalel 15* director Jun Lana advised him not to prepare for the role, but to instead empathize with the character as much as possible. “\[Kalel’s\] just a survivor,” said Canlas, “a fighter in this cruel country, in this world. Despite his family and friends betraying him… lumalaban siya, and he chooses to survive. That was a big wake-up call for me.” In *Rolling Stone Philippines’ Greatest Hits*, Canlas breaks down five of his biggest projects to date. You can watch it now exclusively on our YouTube channel. ## Frequently Asked Questions ### What is “Kalel, 15” about? The 2019 drama follows 15-year-old Kalel, played by Elijah Canlas, as he navigates his HIV diagnosis and his relationships with his mother, father, sister, and girlfriend, directed by Jun Lana. ### How did playing Kalel affect Elijah Canlas personally? Canlas said friends approached him after the film’s release, including some who hadn’t disclosed their own HIV status, telling him the movie gave them courage to seek help, an impact he described as significant to his understanding of the role’s real-world resonance. ### How did director Jun Lana guide Elijah Canlas’s preparation for the role? Lana advised Canlas not to formally prepare for the role, but instead to empathize as deeply as possible with Kalel’s experience as a survivor facing betrayal from family and friends while choosing to keep fighting. ### What is Rolling Stone Philippines’ “Greatest Hits” series? “Greatest Hits” is a Rolling Stone Philippines YouTube series where actors break down five of their biggest career projects. In this episode, Elijah Canlas discusses “Kalel, 15” among his selected works. ### Who starred alongside Elijah Canlas in “Kalel, 15”? The film also starred Jaclyn Jose as Kalel’s mother Edith, Eddie Garcia as his father, Elora Españo as his sister Ruth, and Gabby Padilla as his girlfriend Sue. Related Stories - [Jericho Rosales, Janine Gutierrez, Elijah Canlas Weigh in on the State of Filipino Music](https://rollingstonephilippines.com/music/actors-opm-filipino-music-awards/ "Jericho Rosales, Janine Gutierrez, Elijah Canlas Weigh in on the State of Filipino Music") - [Geloy Concepcion Captures the Kinetic Backstage Energy of the Filipino Music Awards 2025](https://rollingstonephilippines.com/radar/events/geloy-concepcion-filipino-music-awards-2025/ "Geloy Concepcion Captures the Kinetic Backstage Energy of the Filipino Music Awards 2025") - [What to Watch Right Now: 5 Picks From the Rolling Stone Philippines Culture Staff](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/stranger-things-jessica-soho-sirat/ "What to Watch Right Now: 5 Picks From the Rolling Stone Philippines Culture Staff") **Categories:** Culture, Film, Greatest Hits, Media Channels **Tags:** Elijah Canlas --- ### [What We Know So Far About the Impeachment Case vs PBBM](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/marcos-impeachment-what-we-know/) **Published:** January 21, 2026 **Author:** Pie Gonzaga **Excerpt:** As an impeachment complaint against President Marcos goes through the House of Representatives, lawmakers, including Sen. Imee Marcos, speculate on ulterior motives behind the ouster. Here’s what we know **Content:** The first impeachment complaint filed against President [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") has been transmitted to the office of House Speaker Faustino “Bojie” Dy III, according to House of Representatives Secretary General Cheloy Garafil. Meanwhile, progressive coalition Bagong Alyansang Makabayan (Bayan) is set to file a second complaint focusing on the national budget and the [flood control corruption scandal](https://rollingstonephilippines.com/tag/flood-control-probe/ "Flood Control Probe"). With the first complaint’s transmission to the Office of the Speaker, Marcos is a step closer to facing trial based on the grounds outlined in the complaint. The 1987 Constitution requires the House Committee on Justice and the House Plenary to vote on whether the lower chamber should [proceed with an impeachment](https://rollingstonephilippines.com/state-of-affairs/politics/impeachment-process-philippines-public-official-government/). After this, the articles of impeachment shall be transmitted to the Senate, which will form a court to decide whether to remove and disqualify a public official. But what grounds are the impeachment complaint based on? What are the speculations around the case? And is this complaint strong enough to put another Marcos president out of power? ## On Paper The complainant, Atty. [Andre de Jesus](https://rollingstonephilippines.com/tag/andre-de-jesus/ "Andre de Jesus"), outlined [six grounds](https://www.facebook.com/share/p/1FVppzkpzs/) for Marcos’ removal from office. These are: - “Respondent ordered and enabled the kidnapping and surrender of former President Rodrigo Roa Duterte to the International Criminal Court (ICC).” - “Respondent is a drug addict whose condition impairs his judgment and leadership.” - “Respondent failed to veto unprogrammed appropriations and other unconstitutional provisions of the General Appropriations Bill for 2023, 2024, 2025, and 2026.” - “Respondent benefited from kickbacks arising from budget insertions and ghost flood control projects.” - “Respondent created the Independent Commission for Infrastructure to shield corrupt allies.” - “Respondent violated the constitution and betrayed public trust by surrendering former President Duterte to the ICC.” De Jesus’ complaint was endorsed by Congressman [Jett Nisay](https://rollingstonephilippines.com/tag/jett-nisay/ "Jett Nisay"), representative of the Duterte-allied Pusong Pinoy Partylist. ## Ulterior Motives? ![imee marcos on bongbong impeachment](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/imee-marcos-impeachment.webp) Senator Imee Marcos believes that the impeachment complaint is meant to block other ouster attempts. Photo from Senator Imee R. Marcos/Facebook After sparking controversy by accusing her brother of [illegal drug use](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/imee-bongbong-marcos-rivalry-drug/), Senator [Imee Marcos](https://rollingstonephilippines.com/tag/imee-marcos/ "Imee Marcos") has called the impeachment case a part of a “drama series para sa isang taong tagal,” [implying](https://mb.com.ph/2026/01/20/imee-marcos-on-brothers-impeachment-complaint-its-a-drama-series) that the complaint was meant to block other attempts at ousting the president through the one-year bar rule, which states that if a vote fails in any part of the proceedings, the official cannot be subject to another impeachment complaint for one calendar year. “Kilala naman natin sino nag-file at anong background,” she said. Caloocan City 2nd District Rep. Edgar Erice similarly raised doubts about de Jesus’ motives for filing the complaint. According to [*GMA News*](https://www.gmanetwork.com/news/topstories/nation/973395/who-is-atty-andre-de-jesus/story/), Erice had recalled that de Jesus filed a disbarment case against fellow lawyer Glenn Chong in November 2024 after Chong allegedly threatened to slap First Lady Liza Araneta Marcos. “I am still puzzled why he filed,” Erice said. De Jesus, however, denies acting as the first lady’s counsel in Chong’s disbarment case. Erice added that other complaints may still be filed and consolidated to make a stronger case against Marcos. “Even if \[de Jesus’\] complaint is weak, there are stronger complaints, wala ring silbi,” he said, referring to the speculated plan to set off the one-year bar rule. Lanao del Sur First District Rep. Zia Alonto Adiong, chair of the House Committee on Suffrage and Electoral Reforms, likewise calls the complaint “weak, unsupported by credible evidence, and unlikely to move forward in the House of Representatives.” “This particular complaint appears crafted more for media consumption than for serious constitutional scrutiny,” said Adiong. “The House will not treat impeachment as a mere press statement or partisan maneuver. We will demand substance, and in this instance, substance is conspicuously absent.” ## Frequently Asked Questions ### What is the status of the impeachment complaint against President Marcos? The first impeachment complaint has been transmitted to House Speaker Faustino “Bojie” Dy III’s office. Under the 1987 Constitution, the House Committee on Justice and House Plenary must still vote on whether to proceed before it reaches the Senate. ### What are the grounds cited in the impeachment complaint against Marcos? Complainant Atty. Andre de Jesus cited six grounds, including Marcos’s role in Rodrigo Duterte’s transfer to the ICC, alleged drug use, failure to veto unconstitutional budget provisions, and alleged benefit from ghost flood control project kickbacks. ### Is a second impeachment complaint being filed against Marcos? Yes. The progressive coalition Bagong Alyansang Makabayan (Bayan) is preparing a second complaint focused on the national budget and the flood control corruption scandal, separate from Atty. Andre de Jesus’s initial filing. ### Why have some lawmakers questioned the motives behind the impeachment complaint? Senator Imee Marcos and Rep. Edgar Erice have both raised doubts about complainant Andre de Jesus’s motives, with speculation that the complaint may be intended to trigger the one-year bar rule, which blocks further impeachment attempts for a year if a vote fails. ### How have lawmakers assessed the strength of the impeachment complaint? Rep. Zia Alonto Adiong called the complaint “weak, unsupported by credible evidence,” saying it appears “crafted more for media consumption than for serious constitutional scrutiny,” while Rep. Edgar Erice noted stronger complaints may still be filed and consolidated. Related Stories - [How to Impeach a Philippine Public Official, and Why it’s Hard](https://rollingstonephilippines.com/state-of-affairs/politics/impeachment-process-philippines-public-official-government/ "How to Impeach a Philippine Public Official, and Why it’s Hard") - [Lawmakers Backing Impeachment Deepen Marcos-Duterte Rift](https://rollingstonephilippines.com/state-of-affairs/politics/lawmakers-backing-impeachment-marcos-duterte-rift/ "Lawmakers Backing Impeachment Deepen Marcos-Duterte Rift") - [Can the BBM-Imee Rift Ever Be Fixed After Drug Accusation?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/imee-bongbong-marcos-rivalry-drug/ "Can the BBM-Imee Rift Ever Be Fixed After Drug Accusation?") **Categories:** Philippine Politics, State of Affairs **Tags:** Andre de Jesus, Ferdinand Marcos Jr., Jett Nisay --- ### [Prankster Vitaly Out of Jail: ‘Your Boy Is BACK! Full Docu Coming Soon!’](https://rollingstonephilippines.com/culture/internet-culture/vitaly-to-release-documentary-soon/) **Published:** January 21, 2026 **Author:** Elijah Pareño **Excerpt:** The Russian vlogger reportedly left the country last week after being deported. But even in jail, he was “creating content” for a documentary about his 290-day detention **Content:** Russian vlogger [Vitaly Zdorovetskiy](https://rollingstonephilippines.com/tag/vitaly-zdorovetskiy/ "Vitaly Zdorovetskiy") has been released after spending more than nine months in jail for a string of incidents tied to harassment during his Kick livestreams in the Philippines. Zdorovetskiy took to Instagram to frame his detention as a personal trial. “They really tried to break me, but it built me,” he wrote, claiming he spent 91 days in isolation during his 290-day detention. He added that faith sustained him throughout the experience. The vlogger was deported to Russia earlier this month and reportedly flew out of the country last Saturday, January 17. Immigration Commissioner Joel Anthony Viado confirmed that Zdorovetskiy remains permanently barred from reentering the country. > [View this post on Instagram](https://www.instagram.com/p/DTvth9mgfi5/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Vitaly Zdorovetskiy (@vitalythegoat)](https://www.instagram.com/p/DTvth9mgfi5/?utm_source=ig_embed&utm_campaign=loading) Despite his deportation, Zdorovetskiy has suggested plans to document his detention experience online, signaling that even confinement may become content in a digital economy that continues to reward provocation. “Thank you to everyone who had my back during these difficult times, I appreciate you…” Zdorovetskiy said the Instagram post. “Your boy is BACK!! Full documentary coming soon!” Zdorovetskiy was arrested in April 2025 and was later declared an undesirable foreign national, a designation that led to his detention and eventual deportation proceedings. Authorities cited multiple violations tied to his [livestream content](https://kick.com/vitaly/videos "livestream content"), including the harassment of security guards and the theft of an industrial fan from a restaurant in Taguig City. Other clips from his streams showed similar behavior, such as snatching a security guard’s hat while filming. The Bureau of Immigration later confirmed that these incidents contributed to his placement on the agency’s blacklist. Zdorovetskiy’s arrest in the Philippines fits a longer pattern tied to his online career. In 2020, he faced charges in Egypt for scaling the Pyramids of Giza, followed by an arrest in Miami for aggravated battery involving a jogger later that year. In April 2025, American tech developer Eric Kanevsky publicly confronted him after Vitaly committed the pranks in Bonifacio Global City, further amplifying scrutiny of his conduct. Interior Secretary Jonvic Remulla addressed the case during a press conference in Quezon City on January 16, stressing that foreign visitors are expected to respect local communities and comply with Philippine laws. The reminder followed growing public frustration over livestreamers treating public spaces and workers as props for content. ## Frequently Asked Questions ### Why was Vitaly Zdorovetskiy detained in the Philippines? Zdorovetskiy was arrested in April 2025 and declared an undesirable foreign national over multiple incidents tied to his Kick livestreams, including harassment of security guards and stealing an industrial fan from a restaurant in Taguig City. ### How long was Vitaly Zdorovetskiy detained, and what happened after his release? He was detained for 290 days, including 91 days in isolation, before being released and deported to Russia earlier in January. Immigration Commissioner Joel Anthony Viado confirmed he is permanently barred from reentering the Philippines. ### Has Vitaly Zdorovetskiy faced legal trouble in other countries? Yes. In 2020, he faced charges in Egypt for scaling the Pyramids of Giza and was arrested in Miami for aggravated battery involving a jogger later that year, reflecting a pattern of controversial incidents tied to his online career. ### What did Philippine officials say about Vitaly’s case? Interior Secretary Jonvic Remulla addressed the case at a January 16 press conference, stressing that foreign visitors are expected to respect local communities and follow Philippine laws, amid growing public frustration with livestreamers treating public spaces as content props. ### What are Vitaly Zdorovetskiy’s plans following his deportation? He announced plans to release a documentary about his detention experience, posting on Instagram that “your boy is BACK!” and thanking supporters, signaling he intends to turn his confinement into future content. Related Stories - [‘Snail Man’ Is Just Another Content Creator Who Went Too Far](https://rollingstonephilippines.com/culture/news-culture/snail-man-is-just-another-content-creator-who-went-too-far/ "‘Snail Man’ Is Just Another Content Creator Who Went Too Far") - [We’re Getting A New ‘Heated Rivalry’ Book](https://rollingstonephilippines.com/radar/releases/heated-rivalry-unrivaled/ "We’re Getting A New ‘Heated Rivalry’ Book") - [25 Most Defining Stories of 2025, Reported by Rolling Stone Philippines](https://rollingstonephilippines.com/editors-picks/features/25-most-defining-stories-2025/ "25 Most Defining Stories of 2025, Reported by Rolling Stone Philippines") **Categories:** Culture, Internet Culture **Tags:** Vitaly Zdorovetskiy --- ### [20 Reasons Why Your Online Dating Profile Will Make Me A Femcel](https://rollingstonephilippines.com/culture/internet-culture/online-dating-beige-red-flags/) **Published:** February 5, 2026 **Author:** Pie Gonzaga **Excerpt:** This is for all the singles swiping left and right on the apps ahead of V-Day **Content:** The Manila online dating scene is just a shitshow now, and if you’re dating around, you might be inclined to join in on the tomfoolery. But you really don’t need to lower your standards just so you don’t spend Valentine’s Day alone. [Online dating](https://rollingstonephilippines.com/tag/online-dating/ "Online Dating") is tricky. Vulnerability and honesty, some of the most important pillars of any kind of relationship, are harder to achieve in online spaces. Yet one cannot help but be on guard; you can be talking to anyone, from a scammer to a woman-hating incel, and it’s better to be safe than sorry. For women, the goal for finding a partner used to be simpler: find a man who could earn enough to run a household. That’s not the world we live in anymore — thank God — but men continue to be a problem. They’re out here texting “wyd” at 3 a.m., posting the blurriest selfies on their dating profiles, and proclaiming that they’re genuinely “nice guys” (while still demanding that you be worth their time, of course). Here, we list online dating red flags we’re absolutely shit-talking about in our group chats, as haters *and* certified lover girls. ## Petty Problems ![women looking at tinder profile](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/women-going-through-tinder.webp) Just know scrolling through each other’s dating apps is a pastime for some friend groups. Photo by Flure Bunny/Unsplash **When all the pics on their profile are group photos.** Do you not have solo pics? Why am I out here playing “Guess Who” before swiping? —*MW* **When their work bio says they “work at the Krusty Krab.”** This isn’t a diss against the Krusty Krab itself (we here at *Rolling Stone Philippines* love *SpongeBob SquarePants*). My main complaint is that too many of you are claiming to work at the Krusty Krab when, in fact, you are copying each other’s bios without trying to be creative. The same complaint applies to bios that just say “corporate slave.” Please be original. —*MW* **When all your pictures are just of you posing in front of a car.** If it’s your own car, then that’s you being a show-off. If it’s *not* your own car, then that’s so much worse. Like, huh? Did you just pull up to a random parking lot? —*MW* ## Signaling Insecurities ![Bumble](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/insecure.webp) Come on now, don’t be shy. Screenshots from Bumble/Reddit **When they don’t show their full face.** You’re not mysterious; you’re hiding your face because you feel bad about some part of you. Cut the deception. Face me and look me in the eye. —*PG* **“I know I’m \[insert insecurity\]. I’m working on it.”** This one makes me really sad. Putting yourself out on the dating market takes some level of vulnerability, but it also requires that you believe you are desirable, “ugly” parts and all. The right person for you won’t care that your voice is weird, or whatever. And in the words of RuPaul, “If you don’t love yourself, how in the hell are you going to love somebody else?” —*PG* ## Hating Women ![Bumble](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/women-hate.webp) Do they think this works? Photo from Mel Wang **When they unironically claim to be an alpha male.** Oh, alpha males. These are the boys who love telling you that males are the superior species and that we poor females must depend on them for survival. They are also the type who want “biological, God-fearing women” who can cook (and they usually tell you this in their bios — at least they’re upfront!). —*MW* **“You know you’re supposed to make the first move, right?”** Yes, we know, and this reeks of a communication issue you had with one particular person that you’re now taking out on every woman on Bumble. Unfortunately, I’ve seen this too many times. —*PG* **When a cisgender-heterosexual man shows up on my feed, even though my preferences are set to women and nonbinary.** I said I don’t want you! Get away from me. —*PG* **When they get transphobic.** When men say they dislike trans women, it usually indicates that they have a limited view of what women are or what they could look like, and this hinders deeper connections. Also, I don’t like bigots. —*PG* ## Lacking A Personality ![Bumble](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/no-personalit.webp) Is that it? Photo from Mel Wang **When they use AI in their profile (either in text or photos).** I’m not on Bumble trying to date ChatGPT. If you’re half-assing your dating profile, then you’re definitely going to half-ass this relationship. —*MW* **When their bio is just an Instagram handle.** That’s so lazy. It gives the same energy as just putting “Man” in the About Me tag section. —*MW* **When their hottest take involves pineapples on pizza.** The “pineapples on pizza” discussion has been over for a decade now. Surely, you have thought of more interesting things? —*PG* **When they say they’re empaths, or claim to be self-aware.** Everyone is capable of empathy and self-awareness. These things don’t say anything about you. —*PG* **When they explicitly state that they’re “apolitical.”** What do you hope to signal with this? Ignorance? Spinelessness? People are far more interesting when they have convictions and beliefs, and are capable of talking about them, no matter how ineloquent they are, or “wrong,” even. —*PG* ## Stranger Danger **When they claim to be a “nice guy.”** I’m not falling for that. I’ve seen *Promising Young Woman.* —*MW* **When they call themselves a founder or CEO.** What business did you put up? Not that it matters, but if you don’t tell me what you’re an exec of, I’m going to assume it’s a pyramid scheme. —*PG* **When they put in the “wrong” age.** 1996 is a ways off from 2004 (this goes both ways). Did you really put in the wrong birth year by mistake, or are you being deceptive? —*PG* **When their bio is just travel dates and flags (e.g., “MNL Jan 22-25 🇵🇭”)** I’m not opposed to an occasional hook-up, but I’d like to feel like I’m more than a tourist spot. And no, I will not be your tour guide, thank you very much. —*MW* **When they’re on Travel Mode, but they’re not even in the country.** So what’s your plan, then? Are you coming to the country and you want a hook-up ready, or do you want a freaky video call? I don’t think I’ve ever met anyone who willingly enters a long-distance relationship, either, so there must be something wrong with you. —*MW* **When they’re in the 35+ age bracket, but looking for matches aged 18-20.** Sir, that’s a child. She barely knows how to drive. —*MW* ## Frequently Asked Questions ### What are common photo red flags on dating apps like Bumble and Tinder? Profiles with only group photos, no solo shots, or pictures posing next to a car (especially one that isn’t theirs) are flagged as common warning signs, since they can make it hard to tell who you’re actually matching with. ### What bio phrases are considered dating app red flags? Vague bios like “corporate slave,” claiming to work at the “Krusty Krab,” or an Instagram handle as the entire bio are called out as lazy and uncreative, alongside self-descriptions like “empath” or “self-aware.” ### Why is claiming to be an “alpha male” considered a red flag? Men who unironically call themselves alpha males and seek “biological, God-fearing women” are flagged as signaling outdated or misogynistic views on gender roles in a relationship. ### What age-related red flags should daters watch for on apps? Warning signs include entering an obviously false birth year, being in the 35+ bracket while seeking matches aged 18-20, or claiming to be in Travel Mode without actually being in the country. ### Is using AI in a dating profile considered a red flag? Yes. Using AI-generated text or photos in a dating profile is flagged as a sign of low effort, suggesting the person may put the same minimal effort into an actual relationship. 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Under his post-punk solo project SexyJay, Villarosa has become one of the most magnetic performers in the local independent music scene, leaning into a DIY ethic that favors imperfect punk rhythms mixed with tongue-in-cheek references to everyday life. By day, Villarosa runs a barbershop called Unknown Pleasures, named after Joy Division’s 1979 debut album. The shop attracts a wide range of people, from punks and fashion kids to regular clients seeking sharp, mod-inspired cuts rooted in ‘80s U.K. punk-era aesthetics. Music and style bleed into one another, just as Villarosa moves easily between these worlds, never overthinking how one feeds the other. The name SexyJay traces back to his skateboarding years. While skating in Bonifacio Global City around 2010, a park emcee started calling him “sexy Jay” after noticing his tight jeans and confident tricks. The nickname stuck, eventually turning into a musical identity. The pace and attitude of skate culture shaped how Villarosa approaches music, and it remains embedded in how he writes and performs. ## Skate Or Die ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/MNS08596-2.webp) “Hindi naman sobrang lalim ng tunog ko, pero parang masasabi ko na medyo malayo siya sa ibang tunog ng mga normal ng mga local band.” SexyJay His first release as SexyJay arrived in 2018 with “Bolero Lang Sila,” a collaboration with Filipino artist Eyedress released under Offshore Records. Since then, Villarosa has kept his output steady and sharp, favoring short, punchy tracks that capture a feeling. Songs like “Zombie” and “Awit sa Traffic” find inspiration in everyday frustration and isolation, delivered with a swagger that makes even the most mundane scenarios feel charged. Villarosa stays rooted in indie spaces, regularly performing at venues like Mow’s in Quezon City and late-night spots such as Sari-Sari in Makati. Those venues perfectly suit his approach. He writes quickly, records simply, and rarely second-guesses himself. Villarosa described a process that favors the immediacy of songwriting. He records in his bathroom, runs through seven or eight takes, then moves on using a cheap wired earphone microphone. He jokingly refers to these releases as “Toilet Records,” though the joke barely masks a clear philosophy about preserving time and money. “Hindi naman sobrang lalim ng tunog ko, pero parang masasabi ko na medyo malayo siya sa ibang tunog ng mga normal ng mga local band,” Villarosa tells *Rolling Stone Philippines*. “Dire-diretso ‘yung record ko, hindi ako nag-stop kasi parang nawawala ‘yung momentum.” Skate videos once served as his gateway to music discovery, where tricks and soundtracks are aesthetically married to one another. Villarosa remembers paying attention to how songs matched the speed and aggression of skating, shaping his mood and creativity. That clear vision for the post-punk project, paired with his refusal to overcomplicate things, continues to set Villarosa apart. SexyJay clicks because Villarosa treats music the way he treats skating: a string of tricks where the soundtrack moves alongside the motion. “‘Pag nanunood ako ng \[skate video\], napapansin ko parang andun ‘yung may magagandang background music,” he says. “Doon ko na na-visualize na parang nandito ‘yung \[direction ng\] SexyJay.” In 2026, Villarosa is turning that momentum toward a larger body of work. A [SexyJay album](https://www.instagram.com/p/DTfXjodkqia/?hl=en&img_index=1) is already in progress, he says, and rather than save it for a formal rollout, he has begun treating live shows as a testing ground. Unreleased songs such as “Singaw” and “Daga” slip into his sets, often introduced through offhand remarks or shouted cues mid-performance. The approach mirrors how he has always worked: letting repetition, punk attitudes, and audience reaction shape the final form. ## Frequently Asked Questions ### Who is SexyJay and what does he do beyond music? SexyJay is the stage name of Jay Villarosa, a Filipino post-punk musician who also runs a barbershop called Unknown Pleasures, named after Joy Division’s 1979 debut album, which attracts punks, fashion kids, and regular clients alike. ### Where did the name “SexyJay” come from? The nickname originated during Villarosa’s skateboarding years around 2010 in Bonifacio Global City, when a park emcee began calling him “sexy Jay” after noticing his tight jeans and confident tricks. The name eventually became his musical identity. ### What are SexyJay’s “Toilet Records”? Villarosa jokingly refers to his self-recorded tracks as “Toilet Records” because he records in his bathroom using a cheap wired earphone microphone, running through several takes without stopping to preserve songwriting momentum. ### What was SexyJay’s first release as an artist? His debut release as SexyJay was “Bolero Lang Sila” in 2018, a collaboration with Filipino artist Eyedress released under Offshore Records, marking the start of his solo post-punk project. ### Is SexyJay working on new music in 2026? Yes. Villarosa is developing a full SexyJay album and has been testing unreleased songs like “Singaw” and “Daga” live during performances before their official rollout, using audience reaction to help shape the final versions. Related Stories - [Why Hardcore Punk is Advocating for Veganism in the Philippines](https://rollingstonephilippines.com/music/hardcore-punk-veganism-philippines/ "Why Hardcore Punk is Advocating for Veganism in the Philippines") - [1994: A Cultural Shift in the Filipino Music Landscape](https://rollingstonephilippines.com/music/1994-filipino-music-landscape/ "1994: A Cultural Shift in the Filipino Music Landscape") - [For Melt Records, It’s Not About Being the Biggest Music Label](https://rollingstonephilippines.com/editors-picks/features/melt-records-indie-music-cebu-label-visayas-mindanao/ "For Melt Records, It’s Not About Being the Biggest Music Label") **Categories:** Editor's Picks, Features, Music, Rock **Tags:** Music Forecast, SexyJay --- ### [Instagram Couldn’t Handle V’s Latest Post](https://rollingstonephilippines.com/music/pop/v-bts-instagram-post-flagged/) **Published:** January 21, 2026 **Author:** Mel Wang **Excerpt:** The BTS member’s latest post about his photobook has been flagged by the social media platform, but were Community Guidelines actually violated? **Content:** Is V’s latest post too hot for Instagram? It seems like the Meta app believes the [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS") member V’s latest Instagram post promoting his photobook, *TYPE 非,* is not for public consumption. In the carousel labeled by Instagram as “Sensitive Content” and subsequently covered “so people can choose whether to see it,” is a clip of V sticking out his tongue. The photo and video sharing app clarified that the post doesn’t violate its Community Standards but may contain images that some people might find upsetting. Are photos of hot men upsetting, we ask? > [View this post on Instagram](https://www.instagram.com/p/DTuoOdVkhgM/?utm_source=ig_embed&utm_campaign=loading)[A post shared by V (@thv)](https://www.instagram.com/p/DTuoOdVkhgM/?utm_source=ig_embed&utm_campaign=loading) Instagram usually restricts visibility on posts that break its sensitivity guidelines (e.g., photos of violence, sexual explicitness, etc.). On January 19, the pop star released his second photobook, comprised of 20 chapters that present a “detailed portrayal” of his “profound vision and artistic sensibility,” according to the book’s official press release. V’s Instagram post featured stills from the project, along with clips of the gallery space showcasing his photo exhibition, *V TYPE 非: ON-SITE IN SEOUL*. Beyond *TYPE 非,* V and the rest of BTS are gearing up for both the release of their [fifth album](https://rollingstonephilippines.com/music/pop/bts-new-album-tour-2026/) and the start of their highly anticipated world tour. The album is set to drop on March 20, while their tour is scheduled this April. ## Frequently Asked Questions ### Why did Instagram flag BTS member V’s latest post? Instagram labeled a carousel post from V as “Sensitive Content,” covering a clip of him sticking out his tongue so users could choose whether to view it. Instagram clarified the post doesn’t violate its Community Standards but may be upsetting to some. ### What was V promoting in the flagged Instagram post? V’s post promoted his second photobook, “TYPE 非,” released January 19, featuring 20 chapters described as a detailed portrayal of his artistic vision, alongside clips from his related photo exhibition, “V TYPE 非: ON-SITE IN SEOUL.” ### What is BTS’s V working on beyond his photobook? V and the rest of BTS are preparing for their fifth album, set to release March 20, along with a world tour scheduled to begin in April 2026. ### Does Instagram typically restrict posts flagged as sensitive? Yes. Instagram generally limits visibility on posts that violate its sensitivity guidelines, such as content depicting violence or sexual explicitness, though it explicitly stated V’s post did not break its Community Standards. ### What is V’s photobook “TYPE 非” about? According to its official press release, “TYPE 非” is V’s second photobook, comprising 20 chapters offering a detailed portrayal of his “profound vision and artistic sensibility.” Related Stories - [BTS Jung Kook to Star in a Global Rolling Stone Cover](https://rollingstonephilippines.com/music/bts-jung-kook-global-rolling-stone-cover/ "BTS Jung Kook to Star in a Global Rolling Stone Cover") - [BTS 5th Album To Start Pre-Orders on January 16](https://rollingstonephilippines.com/music/pop/bts-new-album-tour-2026/ "BTS 5th Album To Start Pre-Orders on January 16") - [HYBE Cine Fest in Asia Offers Film Screenings of K-Pop Concerts](https://rollingstonephilippines.com/radar/events/hybe-cine-fest-in-asia-showing/ "HYBE Cine Fest in Asia Offers Film Screenings of K-Pop Concerts") **Categories:** Music, Pop **Tags:** BTS --- ### [Bong Revilla Goes to Jail Again for Corruption Charges](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/bong-revilla-surrendered-corruption/) **Published:** January 20, 2026 **Author:** Pie Gonzaga **Excerpt:** Over a decade after his alleged involvement in the PDAF scam, Bong Revilla will once again stand trial for another corruption case **Content:** Former Senator [Bong Revilla](https://rollingstonephilippines.com/tag/bong-revilla/ "Bong Revilla") has surrendered to the Philippine National Police (PNP) after the Sandiganbayan issued an arrest warrant against him on Monday, January 19, on the non-bailable charge of malversation related to a P92.8 million [flood control corruption](https://rollingstonephilippines.com/tag/flood-control-probe/ "Flood Control Probe") case in Pandi, Bulacan. This is not the first time Revilla has surrendered to authorities due to corruption allegations. In June 2014, Revilla surrendered to the Sandiganbayan after the Office of the Ombudsman found probable cause to indict him and fellow senators [Juan Ponce Enrile](https://rollingstonephilippines.com/tag/juan-ponce-enrile/ "Juan Ponce Enrile") and [Jinggoy Estrada](https://rollingstonephilippines.com/tag/jinggoy-estrada/ "Jinggoy Estrada") of plunder in the 2013 Priority Development Assistance Fund (PDAF) scam. He was later acquitted of plunder in 2018 and 16 counts of graft in 2021. The Bulacan flood control case, however, brings the former Senate Public Works Committee chair back to the PNP’s headquarters in Camp Crame, Quezon City. ![bong revilla pdaf scam speech](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/revilla-estrada-enrile.webp) Revilla embraces co-accused senators Jinggoy Estrada and Juan Ponce Enrile after delivering a speech addressing allegations of his involvement in the PDAF scam, June 9, 2014. Photo by Alex Nuevaespaña/Senate PRIB via Wikimedia Commons In a press conference on Tuesday, January 20, Department of Interior and Local Government (DILG) Secretary Jonvic Remulla said that Revilla also surrendered [21 firearms](https://newsinfo.inquirer.net/2170652/revilla-turned-over-21-firearms-upon-surrender-to-pnp-dilg-chief) when he placed himself in police custody. Remulla said authorities are eyeing different facilities for Revilla’s detainment. According to the interior secretary, the PNP Custodial Center, where the ex-senator was last detained, will be demolished soon to set up a new headquarters. The DILG has recommended facilities in Payatas, Camp Karingal, and Bicutan. Five of his co-accused are currently in custody, including Department of Public Works and Highways (DPWH) Bulacan officials [Brice Hernandez](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/dpwh-flood-control-latest-updates/ "DPWH Flood Control Projects Scandal: The Most Damning Revelations So Far"), Jaypee Mendoza, Arjay Domasig, Juanito Mendoza, and Christina Pineda. DPWH Project Engineer Emelita Capistrano Juat remains at-large. ## Frequently Asked Questions ### Why did Bong Revilla surrender to authorities in January 2026? Revilla surrendered to the PNP after the Sandiganbayan issued a non-bailable arrest warrant for malversation, connected to a P92.8 million flood control corruption case in Pandi, Bulacan. ### Has Bong Revilla faced corruption allegations before? Yes. In June 2014, Revilla surrendered to the Sandiganbayan after being indicted for plunder alongside senators Juan Ponce Enrile and Jinggoy Estrada in the 2013 PDAF scam. He was acquitted of plunder in 2018 and of 16 graft counts in 2021. ### Where will Bong Revilla be detained? As of the article’s publication, authorities are still determining his detention facility, with DILG Secretary Jonvic Remulla recommending Payatas, Camp Karingal, or Bicutan, since the PNP Custodial Center where he was previously held will be demolished. ### Did Bong Revilla surrender anything besides himself to police? Yes. According to DILG Secretary Jonvic Remulla, Revilla surrendered 21 firearms when he placed himself in police custody. ### Who else is facing charges in the Bulacan flood control corruption case? Five co-accused are currently in custody, including DPWH Bulacan officials Brice Hernandez, Jaypee Mendoza, Arjay Domasig, Juanito Mendoza, and Christina Pineda. DPWH Project Engineer Emelita Capistrano Juat remains at large. Related Stories - [DPWH Flood Control Projects Scandal: The Most Damning Revelations So Far](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/dpwh-flood-control-latest-updates/ "DPWH Flood Control Projects Scandal: The Most Damning Revelations So Far") - [2025 in Philippine Politics: 10 Moments That Will Shape the Year Ahead](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/political-moments-define-2026/ "2025 in Philippine Politics: 10 Moments That Will Shape the Year Ahead") - [Zaldy Co Breaks His Silence: P100B Budget Insertions Under PBBM’s Orders](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/zaldy-co-marcos-budget-insertions/ "Zaldy Co Breaks His Silence: P100B Budget Insertions Under PBBM’s Orders") **Categories:** News, Philippine Politics, State of Affairs **Tags:** Bong Revilla, Flood Control Probe --- ### [All the Celebrity-Read Audio Erotica on Quinn, Ranked by Horniness](https://rollingstonephilippines.com/culture/quinn-originals-audio-erotica-ranked/) **Published:** February 5, 2026 **Author:** Zara Rei **Excerpt:** Make sure your earphones are on, nice and tight **Content:** There’s something so intimate about hearing Jamie Campbell Bower call you gorgeous while he chokes you out in the middle of an empty library. The same goes for [Manny Jacinto](https://rollingstonephilippines.com/tag/manny-jacinto/ "Manny Jacinto") whispering how hot you are while he sneaks up on you in the shower, or Tom Blyth groaning into your ear while you’re curled on his lap, or Andrew Scott moaning into you while you’re sitting on a royal throne. Your favorite actors and their voices are one step closer to getting you hot and heavy, thanks to the audio erotica app, Quinn. Quinn started in 2021, after its founder, Caroline Spiegel (sister of Snapchat creator Evan Spiegel), was scrolling through Tumblr and Reddit for audio porn after experiencing a loss in sexual libido. “Visual erotic content made me feel more disconnected,” said Spiegel in an interview with[*The Hollywood Reporter*](https://www.hollywoodreporter.com/business/digital/inside-hollywood-audio-erotica-craze-1236452185/). “\[Audio erotica\] was rooted in storytelling and imagination, and it didn’t trigger comparison. If audio could do that for me, I thought many others might be looking for the same thing.” Spiegel was right: Quinn has steadily become one of the most recognizable audio erotica apps, having raised $13.5 million in venture capital, according to *Vanity Fair*. This fame is in part due to its star-studded cast of narrators. Actors such as Andrew Scott, Manny Jacinto, and Chris Briney have all taken to the mic to whisper directly into your ear, and their storylines (or Quinn Originals) can range from mildly vanilla to hardcore smut. You, dear listener, “play” their respective romantic interests, although you don’t have to do much — your character is silent throughout all Quinn Originals, and the celebrity voice actors are there to tell you what to do (or what they’re doing to you). What’s more, each Quinn Original comes with its own unique script, so you could be stealing diamonds and making out with Lucien Laviscount one night, and then practicing the piano and going down on Blyth the next. As Bower once aptly put it, Quinn is like “fan fiction coming to life a bit more.” It can get a little overwhelming deciding which Quinn Original to listen to first, particularly if you’re unsure whether you want to start with a gentle, fluff-heavy storyline or if you want to get right into the freaky deaky with the actor of your choice. We’ve taken the liberty of listening to all of them for you and ordering them based on how horny they can get. So here, for your ears only, are the ranked Quinn Originals and what each horned-up episode has in store for you. Enjoy. ## 11. ‘The Misty Door’ voiced by Jesse Williams > [View this post on Instagram](https://www.instagram.com/reel/CqJHwBzgRJf/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Quinn (@tryquinn)](https://www.instagram.com/reel/CqJHwBzgRJf/?utm_source=ig_embed&utm_campaign=loading) **Spice level:** 1.7/5 **Pairing:** M/F **Can you listen to this in public?** Yes **For those who like:** slow burns, bookish nerds, faeries, cheesy strip dances, soft sex If there’s one word I’d use to sum up Jesse Williams’ first dalliance with Quinn, it would be “vanilla.” This isn’t a bad thing, especially if you’ve never dipped your toes into the world of audio porn and need a tender, blue-eyed gentleman to make your ears tingle for the first time. But if you’re hoping for something rougher, sexier, and hornier, then *The Misty Door* isn’t for you. Williams plays softboy extraordinaire Solstice Starr (yes, that’s his name), a faerie changeling who runs an indie bookstore and falls in love with one of his favorite customers, Azra Cunningham (you). Sex-wise, things move slowly in *The Misty Door*, particularly because your character Azra, has never let herself indulge in “her own pleasure” before. Although you and Solstice share a long first kiss by the end of the first act, you have to wait an agonizing half-episode later before Solstice does anything more with you. And, in between sexy times, it’s a lot of him gushing over cotton candy, geeking out over books with you, and saying your full name *way* too much. You eventually do get a strip tease from Solstice, albeit a cheesy one, and when the two of you finally do the deed (excuse me, “make love”), Solstice’s long drawl of “good girl” is enough to tip anyone over. There’s just a lot of fluff to get through before the grand, wet finale. ## 10. ‘The Inventor’s Apprentice’ voiced by Thomas Doherty **Spice level:** 2.2/5 **Pairing:** M/F **Can you listen to this in public?** Yes, but with a little bit of caution **For those who like:** Heavy time travel plots, slow burns, voyeurism, handjobs in the park, time machine sex, obedient men, face-sitting Disney actor Thomas Doherty is all grown up, and he’s doing much more now than playing Captain Hook’s son, as in *Descendants 2* and *3.* In *The Inventor’s Apprentice*, Doherty takes on the role of sexually repressed time traveler Horatio Godkin, who is on a quest to find the perfect research assistant to travel time with. You, obviously, are that research assistant, and you go by the name of Arabella Bellamy (who’s coming up with these names?). You travel through time together, visiting major moments such as the height of Ancient Rome and New York at the turn of the 21st century. But the two of you also travel back to all the times that you, Arabella Bellamy, got down and dirty with all of your past sexual partners, which only makes Horatio want you even more. You also give him a squishy quickie in the middle of a park (gasp, think of the children!), and you manage to get nasty in his tight little time machine. Like *The Misty Door*, there’s a lot of plot going on in *The Inventor’s Apprentice*, and that can deter some freaky listeners from finishing all three of its episodes. But the series rewards you with a good dose of hand-heavy foreplay, making it a little easier to get to the parts where you and Horatio finally enter the Bone Zone. ## 9. ‘The Regent’ voiced by Lucien Laviscount **Spice level:** 2.4/5 **Pairing:** M/F **Can you listen to this in public?** Yes, but with some caution **For those who like:** Cocky men, rivals to lovers, bondage, voyeurism, lots of teasing Although *The Regent* roughly has the same spice levels as *The Inventor’s Apprentice*, I ranked it just a little bit higher, mainly because of its storyline. *Emily in Paris*’ Lucien Laviscount plays Peter Kelly, a notorious jewel thief who’s out to make one last big heist: stealing the Regent Diamond. Unfortunately (or perhaps fortunately), Peter’s not the only one looking for the diamond. You play Katerina Laszlo, also known as The Great Kat, and the two of you end up bumping into each other again and again as you try to pull off the same crime. Look, you’re both hot, sneaky, and bossy with a capital B, making the tension between the two of you boil over as early as the first episode. Steamy moments include being crammed together in a tiny wardrobe, intimate dancing, and a scene involving handcuffs, with Peter guiding you through one of the wettest moments of the series. What’s more, it’s almost as if Laviscount’s baritone voice was made for audio erotica, because he knows exactly when to grunt for you to reach your breaking point. Yum. ## 8. ‘Amplified’ voiced by Kate Moennig > [View this post on Instagram](https://www.instagram.com/reel/C9DoTQrP-CG/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Quinn (@tryquinn)](https://www.instagram.com/reel/C9DoTQrP-CG/?utm_source=ig_embed&utm_campaign=loading) **Spice level:** 2.9/5 **Pairing:** F/F **Can you listen to this in public?** Yes, but you will be uncomfortable **For those who like:** Older, grumpy women, edging, toys, stage sex An angry woman chopping wood? Hot. And that’s exactly the type of energy Kate Moennig, star of that early-aughts queer drama *The L Word*, gives in *Amplified*. Moennig voices Sam Shaw, a rough-around-the-edges former rockstar who’s taken up life as a recluse on her ranch in Montana. You, a ghostwriter named Lola Baldwin, have been tasked with writing Sam’s memoir, but you’ll have to work extra hard to pry her old secrets out of her. It’s a shame that there aren’t too many lesbian Quinn Original stories yet, because *Amplified* gets a lot of those yummy and yearning-filled sapphic tropes down pat. Besides having you ride a horse bareback with Sam, visit a sexy mechanic together, and experiment with a bunch of toys (all of which were wonderfully hot scenes), *Amplified* also delves into the longing between you and Sam: the uncertainty about each other’s feelings, the threat of past lovers, and the fear of not being loved in return. It may sound sappy on paper, but all that romantic tension crescendoes in the final episode, which features a lot of heavy riding atop a very hard concert stage. Your poor knees. ## 7. ‘The Queen’s Guard’ voiced by Andrew Scott **Spice level:** 3.2/5 **Pairing:** M/F **Can you listen to this in public?** Yes, but you will be very uncomfortable **For those who like:** Knights in shining armor, sexually charged sword fights, exes to enemies to lovers, begging, throne-fucking It is a truth universally acknowledged that Andrew Scott, the Hot Priest of *Fleabag* himself, can turn even the most pious of us into a Horned-Up Horn Dog. And in *The Queen’s Guard*, where he plays the monarch’s most loyal knight, Scott does not disappoint. As Robb the Protector, Scott excels at playing a troubled, brooding knight who must choose between defending his queen and running away with his old flame, Mira (you), who now leads the people’s resistance. While there are moments when the plot does begin to drag, especially when Robb is slowly realizing that the kingdom is crumbling under Her Majesty’s reign, there’s so much foreplay that it’s best to enjoy *The Queen’s Guard* indoors. Halfway through the first episode, Robb pins you against the wall and grinds against you while kissing his way down your neck. By the end of Episode 2, you’re doing unspeakable things on the queen’s throne, and it’s more than clear that Robb has switched allegiances now that he’s on his knees. And Episode 3, once all the sexy swordfighting is over, is essentially celebratory sex after the resistance takes over the kingdom. ## 6. ‘Hidden Harbor’ voiced by Chris Briney > [View this post on Instagram](https://www.instagram.com/reel/DPAfy7HCfz7/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Quinn (@tryquinn)](https://www.instagram.com/reel/DPAfy7HCfz7/?utm_source=ig_embed&utm_campaign=loading) **Spice level:** 3.4/5 **Pairing:** M/F **Can you listen to this in public?** No **For those who like:** Surfer boys, beach towns, love triangles, surf hut sex, lap grinding, praise kink Playing a little bit on his character from *The Summer I Turned Pretty*, Chris Briney stars as River, a writer who’s returned to his small beach town for the summer to teach surf lessons by day, and bartend at the local dive bar by night. Cue imagining his strong, toned arms paddling out to a wave or wiping down tables. He meets Drea (you) one night at work, and the two of you immediately start flirting and talking about your cheating ex. Things take a heated turn when, after walking you home, River pins you to your front door and starts a steamy make-out session. But oh no! Your ex-boyfriend arrives unannounced, and he turns out to be River’s older brother. Although *Hidden Harbor* has the most realistic storyline out of all the Quinn Originals (no time travel sex or fae-fucking here!), it’s definitely one of the Originals on the hotter side. This is in part due to Briney’s ability to growl, groan, and whisper at just the right moments while he and you get down and dirty in a surf hut. Do I wish that *Hidden Harbor* also included sex on the beach? Yes, but at least the sounds of the roaring ocean waves in the background help you get there faster. ## 5. ‘Hyperdrive’ voiced by Manny Jacinto > [View this post on Instagram](https://www.instagram.com/reel/DP4V74igS9h/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Quinn (@tryquinn)](https://www.instagram.com/reel/DP4V74igS9h/?utm_source=ig_embed&utm_campaign=loading) **Spice level:** 3.6/5 **Pairing:** M/F **Can you listen to this in public?** No **For those who like:** Shower sex, rough masturbation, voyeurism, sci-fi, tragic endings *Hyperdrive* might not be everyone’s cup of tea, and that’s mainly because of its heavy sci-fi jargon and convoluted storyline about memories becoming a form of currency. But we’re not here for any of that: we’re here for Manny Jacinto. The star of *The Good Place* and *[The Acolyte](https://rollingstonephilippines.com/tag/the-acolyte/ "The Acolyte")* takes on his sexiest role yet in *Hyperdrive*, where he plays memory technician Kai, who begins to notice gaps in his own memories. Things get a little messy from here, but just remember that Kai’s essentially jumping into sexy memories that aren’t his. At one point, he becomes addicted to his co-worker Natalya’s memories, playing scenes of her getting off in the shower over and over again. He also meets a mysterious woman named Rei (voiced by you), and the two of you have some spectacularly wet shower sex, complete with running water noises in the background and Kai’s tongue making its way into your ear (he may have a thing for showers). *Hyperdrive* is one of those Quinn Originals that’s so heavy on sex sounds that it’s impossible to multitask while listening to Jacinto moan and heave into your ear. If you’re the type to put Quinn on in the background, might I suggest *not* doing that with *Hyperdrive*? ## 4. ‘The Muse’ voiced by Tom Blyth **Spice level:** 3.8/5 **Pairing:** M/F **Can you listen to this in public?** No **For those who like:** Teacher/student, forbidden romance, the thrill of getting caught, piano bench sex, praise kink, body worship If you’re partial to Regency era romances and the thrill of a slightly skewed power dynamic, *The Muse* may be your Quinn Original of choice. Here, Tom Blyth (*The Gilded Age*, *People We Meet on Vacation*) stars as William, a composer who’s fallen on hard times. He is hired by the eccentric Lord Haddington to teach his daughter, Aurelia (you), how to play the piano. What William doesn’t know is that you have been the creative muse he’s been searching for. Although most Quinn Originals have some sort of praise kink thrown into their scripts, it shines the brightest in *The Muse*. Many of your stolen moments with William involve him repeatedly telling you how gorgeous you are, how talented you are, and how much better you are than all the other women of your high social standing. Your toes will curl when he calls you his goddess, and by the time he pulls you into his lap on his piano bench, he’s left no doubt about the perfection that is you. ## 3. ‘Ember & Ice’ voiced by Hudson Williams and Connor Storrie **Spice level:** 4.3/5 **Pairing:** M/M **Can you listen to this in public?** NO **For those who like:** Fae princes, daddy issues, forbidden romance, pond sex, forced proximity, threesomes-ish, anal Capitalizing on the global fever dream that is *[Heated Rivalry](https://rollingstonephilippines.com/tag/heated-rivalry/ "Heated Rivalry")*, this Quinn Original puts leading men Hudson Williams and Connor Storrie into another hot, BL romance. In *Ember & Ice*, they star as Finn and Dane respectively, two fae princes from feuding courts (think *Romeo and Juliet*, but with more anal). Dane, the most wayward prince of the Solari court, is sent off to get whipped into shape by Finn, the golden boy of the Lunare kingdom. After a romantic flying session and a passionate handjob by a hidden pond, the two end up slapping cheeks in Finn’s king-sized bed. Unfortunately, their romance is cut short when their two kingdoms go to war against each other, and they must wait five more years before they can see each other again off the battlefield. Unlike the other Quinn Originals, *Ember & Ice* is a non-participatory affair. This means that you, dear listener, are not taking part in any of the aforementioned cock-sucking and ass-railing. For some, especially those who just finished *Heated Rivalry* and need more Shane and Ilya content, there’s nothing wrong with listening to the boys figure out the joys of butt stuff together. However, if you’re someone who needs to feel like they’re an active member of the sausagefest, then you may leave *Ember & Ice* feeling a little more than disappointed. ## 2. ‘Compromised’ voiced by Victoria Pedretti **Spice level:** 4.4/5 **Pairing:** F/F **Can you listen to this in public?** NO **For those who like:** Hot spies, enemies to lovers, window sex, praise kink, bondage, toys, begging Spies are, and always will be, a sexy career choice, and Victoria Pedretti (*You*, *The Haunting of Hill House*) turns the sex drive up high as Agent Andie Jones in *Compromised.* You, a tourist named Zara Lyken, crash into Andie at the baggage claim of Newark Airport, where she’s trying to recover a backpack that she believes contains a hard drive with stolen data. You leave the airport with her bag by mistake, and she with yours, resulting in the two of you meeting up at your hotel to make the exchange. But what starts as a quick tradeoff turns into you touching yourself for Andie while she watches from a nearby window, a slow fingering session where she has you begging for more, and an interrogation scene that involves you tied to a chair and the spy putting on a strap to make sure you answer all her questions. *Compromised* is almost the ideal amount of sex and tension, save for a few missteps with the script. There’s a sudden plot reveal that comes much too soon after you get fingered, and when the two of you fall off the interrogation chair after things get too heated, it’s so comical that it almost ruins the mood. But other than these minor, nitpicky faux pas, this is a Quinn Original that is quick to get you there. ## 1. ‘The Trials’ and ‘The Trials: Winter Solstice’ voiced by Jamie Campbell Bower **Spice level:** 4.6/5 **Pairing:** M/F **Can you listen to this in public?** ABSOLUTELY NOT **For those who like:** Magic, enemies to lovers, dominant men, possessive men, library teasing, one bed, praise kink, toys, edging, choking, spanking, submissive men The first time I heard Jamie Campbell Bower whisper how proud he was of me while pinning me against a library shelf, I sobbed. The star of [*Stranger Things*](http://stranger%20things) and *The Mortal Instruments* has played dominant, growling characters many times, and he uses his God-given gift to his advantage in *The Trials* and its follow-up, *The Trials: Winter Solstice*. Bower plays Theo Deschamps, heir to a powerful magical legacy. When he receives an invitation to compete for a place in the Black Ravens, an exclusive secret society, Theo believes that the spot is rightfully his. Unfortunately, he meets his match in the form of Jane (you), a hardworking, albeit slightly sexually repressed, witch from a middle-class family. The two of you join forces to get through the competition’s trials faster, but this only means that you’re spending a *lot* of time in close quarters with one another. Besides a rough make-out in an empty library, *The Trials* also includes an intimate sleeping bag tête-à-tête and a passionate celebratory love-making session that sees the arrogant nepo baby take charge. *The Trials: Winter Solstice* continues to explore your relationship with Theo, but experiments with the established power dynamics. Here, we see a Theo that is significantly more submissive and much more willing to be edged in loud, public bathrooms than he would have been in *The Trials*. There’s also a lot more possessiveness involved, as an annoying Black Ravens inductee named Gregory is constantly trying to steal you away from Theo. There’s also more talk about true love in this follow-up now that you and Theo have been dating for a while, so if you’re someone who needs an emotional connection to make the sex feel better, then *Winter Solstice* may be the better Quinn Original for you. ## Frequently Asked Questions ### What is Quinn? Quinn is an audio erotica app founded in 2021 by Caroline Spiegel, sister of Snapchat creator Evan Spiegel. It has raised $13.5 million in venture capital and features celebrity narrators reading scripted romantic and sexual storylines. ### Which Quinn Original is ranked the horniest? “The Trials” and its sequel “The Trials: Winter Solstice,” voiced by Jamie Campbell Bower, top the ranking at a 4.6/5 spice level, featuring dominant characters, choking, and edging themes. ### Which celebrities have voiced Quinn Originals? Narrators include Andrew Scott, Manny Jacinto, Jamie Campbell Bower, Chris Briney, Tom Blyth, Victoria Pedretti, Lucien Laviscount, Kate Moennig, Thomas Doherty, Jesse Williams, Hudson Williams, and Connor Storrie. ### Are there LGBTQ+ storylines on Quinn? Yes. “Amplified,” voiced by Kate Moennig, and “Compromised,” voiced by Victoria Pedretti, are F/F stories, while “Ember & Ice,” voiced by Hudson Williams and Connor Storrie, is an M/M fae-prince romance. ### Which Quinn Original is considered the mildest? “The Misty Door,” voiced by Jesse Williams, ranks lowest at a 1.7/5 spice level, following a slow-burn romance between a faerie bookstore owner and a customer. Related Stories - [25 Best Filipino Love Songs Across Generations](https://rollingstonephilippines.com/music/25-filipino-love-songs-for-the-emotionally-compromised/ "25 Best Filipino Love Songs Across Generations") - [Yes, ‘Heated Rivalry’ the Book is Just as Horny as the TV Series](https://rollingstonephilippines.com/culture/tv/heated-rivalry-book-tv-series/ "Yes, ‘Heated Rivalry’ the Book is Just as Horny as the TV Series") - [The Horniest Filipino Films, According to ‘90s Kabaklaan](https://rollingstonephilippines.com/culture/film-tv/horniest-filipino-films-90s-kabaklaan/ "The Horniest Filipino Films, According to ‘90s Kabaklaan") **Categories:** Culture, Internet Culture **Tags:** Quinn --- ### [Jamiela is Finding Her Voice in Pinoy Rock](https://rollingstonephilippines.com/music/rock/jamiela-finding-voice-pinoy-rock/) **Published:** January 20, 2026 **Author:** Pie Gonzaga **Excerpt:** For the Pink Dolly Busker, a live performance isn’t just a way to share music, but also an exercise in vulnerability **Content:** Jamiela Dacome had taken a break from busking as a senior high school student when she decided to take her music online, where she’d gain traction under the mononym [Jamiela](https://rollingstonephilippines.com/tag/jamiela/ "Jamiela"). In September 2023, she released “Kahon,” a song about caving under academic pressure, which resonated deeply with a young Filipino audience. Nearly three years later, the musician continues to find comfort in her craft and is learning more about herself and her music as she goes. When she sits with me for a chat, she almost whispers into the microphone. “Noong busker pa lang ako, I was really shy. Super takot ako sa people,” she tells *Rolling Stone Philippines*. “And talagang pinush lang talaga ako ng mga friends ko, ng mentor ko, kasi may nakikita silang potential.” Despite her reserved demeanor, Jamiela knows how to call attention in other ways. On her social media pages and in person, she only wears frilly pink-and-white dresses adorned with ribbons. Jamiela admits dolls are a fixation, and they’ve inspired her work. “Everything is a source of inspiration. For example, the way I dress is inspired sa mga kino-collect ko \[na dolls\]. And sa music, visual, lahat ng forms of art na ginagawa ko, magkaka-connect sila,” she says. ![jamiela for rolling stone philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/jamiela-intext-1.webp) The “Bendahe” singer looks forward to putting out more music in 2026. Beyond a presentation that is unmistakably her own, she’s also capable of raising her voice. Having garnered almost 300,000 streams on Spotify as of this writing, the single “[Bendahe](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/songs-to-know-blood-orange-fcukers/ "7 Songs You Need to Know: Rolling Stone Philippines’ Music Staff Picks")” is Jamiela’s strongest work yet and demonstrates her capabilities as a singer-songwriter. In the rock track, she likens herself to a bandage used to cover up a man’s wounds, crooning one moment and belting the next. That edgy, bluesy rock sound easily reminds one of *Peklat Cream*-era [Bita and the Botflies](https://rollingstonephilippines.com/tag/bita-and-the-botflies/ "Bita and the Botflies"), and Jamiela recognizes the similarities but admits that she only discovered the band recently, being young and new to the industry. “People, nakahanap talaga sila ng music artists na parang ka-genre ko and na-recommend din sila,” she says. ## Braving the Crowd In the span of two years, Jamiela has gone from busking in malls to doing shows at Makati’s Sari Sari, but she says live performances remain a challenge for her. “Noong ginawa ko ‘yong busking, hindi talaga maiiwasan na may masasabi or iba ‘yong perception sa akin. Minsan nakaka-hurt kasi softie ako, parang hinahayahan ko din. And mahirap din na ako lang talaga nagfigure out alone \[dati\]. And hindi ko alam kung may naniniwala ba sa art na nilalabas ko.” Please select an image. But since making her own music, Jamiela has learned to trust her own abilities. “I discovered na kaya ko pala kahit madalas na-lo-lost ako ng direction. Ready akong mag-gamble sa kahit ano. Kahit takot ako, naniniwala ako na may calling ‘yong art ko.” So far, she has enjoyed her time in the music industry, having signed with PolyEast Records’ Filtered Music in April 2025. “Sa industry, I think, wala pa akong na-encounter na challenge kasi in-enjoy ko lang talaga siya. It’s a big opportunity and a dream sa akin.” This year, she looks forward to releasing new music and doing more shows. She says, “I hope na makapag-evolve ako as an artist, share more music, at makapag-connect sa people, at maka-visit din ako sa different places at makapag-perform.” This year, the internet’s Pink Dolly Busker has our eyes and ears. ## Frequently Asked Questions ### Who is Jamiela and how did she start her music career? Jamiela Dacome is a Filipino singer-songwriter who began busking as a senior high school student before moving her music online. She released her debut single “Kahon” in September 2023, a song about academic pressure that resonated widely with young Filipino listeners. ### Why does Jamiela wear pink-and-white doll-inspired outfits? Jamiela says her fixation with collecting dolls directly inspires her visual presentation, music, and overall artistic identity, describing all forms of art she creates as interconnected expressions of the same inspiration. ### What is Jamiela’s song “Bendahe” about? “Bendahe” is described as Jamiela’s strongest work to date, with nearly 300,000 Spotify streams. In the bluesy rock track, she likens herself to a bandage covering a man’s wounds, shifting between crooning and belting vocals. ### Is Jamiela signed to a record label? Yes. Jamiela signed with PolyEast Records’ Filtered Music in April 2025, describing the opportunity as a dream and saying she hasn’t encountered major challenges in the industry so far because she’s enjoyed the experience. ### Which artists is Jamiela’s sound compared to? Jamiela’s edgy, bluesy rock sound has drawn comparisons to Peklat Cream-era Bita and the Botflies, though she says she only discovered the band recently after fans pointed out the genre similarities. Related Stories - [Surf Rock Band bird. Creates an Inviting World One Show at a Time](https://rollingstonephilippines.com/music/rock/bird-band-surf-rock/ "Surf Rock Band bird. Creates an Inviting World One Show at a Time") - [Fitterkarma on Their Slow-Burn Rise and Turning Heads in Pinoy Rock](https://rollingstonephilippines.com/music/rock/fitterkarma-pag-ibig-ay-kanibalismo-ii/ "Fitterkarma on Their Slow-Burn Rise and Turning Heads in Pinoy Rock") - [BABY FREEZE Keeps it Unserious in the Pinoy Hip-Hop Scene](https://rollingstonephilippines.com/music/hiphop-rnb/baby-freeze-unserious/ "BABY FREEZE Keeps it Unserious in the Pinoy Hip-Hop Scene") **Categories:** Editor's Picks, Features, Music, Rock **Tags:** Jamiela, Music Forecast --- ### [Clara Benin, kiyo, Fakemink, The Femcels, and All the Songs You Need to Know](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/clara-benin-kiyo-fakemink/) **Published:** February 5, 2026 **Author:** Rolling Stone Philippines **Excerpt:** Our weekly playlist of the best music right now, carefully picked by the Rolling Stone Philippines staff **Content:** Welcome to [Songs You Need to Know](http://rollingstonephilippines.com/editors-picks/songs-you-need-to-know), our weekly rundown of the best music right now. The *[Rolling Stone Philippines](https://rollingstonephilippines.com/tag/rolling-stone-philippines/ "Rolling Stone Philippines")* team is constantly sharing things to listen to, and each week, we compile a ragtag playlist of songs that we believe every music fan today needs to know. Whether it’s the hottest new single or an old track that captures the state of the present, our hope is that you discover something for your musical canon. This week’s songs feature boundary breaking artists from the UK, Philippines, and beyond. Coming from the UK are indietronica duo [The Femcels](https://rollingstonephilippines.com/tag/the-femcels/ "The Femcels") and their off-kilter brand of electronic music. Cloud rap extraordinaire [Fakemink](https://rollingstonephilippines.com/tag/fakemink/ "fakemink") hops over an atmospheric drill beat. Locally, indie folk mainstay [Clara Benin](https://rollingstonephilippines.com/tag/clara-benin/ "Clara Benin") delves into the upbeat intersections of pop music while [kiyo](https://rollingstonephilippines.com/tag/kiyo/ "kiyo") hangs around on a rooftop, rapping over glitchy beats in his comeback single. Go down the rabbit hole of music this week with a highly diverse selection of songs. Clara Benin, ‘muscle memory’ ![Clara Benin](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/s1-2-1600x1600.webp) Photo from Clara Benin/Facebook *A guitar-slinging crooner goes heartbroken indie pop* A promising comeback for the Filipino singer-songwriter, “muscle memory” sees Clara Benin collaborating with Sydney-based electronic trio D.E.L, made up of brothers Timm, Nick, and Joe de la Hoyde. The track, Benin’s first single of the year, feels more full-bodied and driven on upbeat indie pop drumming, immediately making it a standout in her soft, slow-paced catalog, though embellishments are kept to a minimum. Benin sticks closely to the acoustic sound that makes her a favorite of the Jess & Pat’s crowd, as the song speaks of an inability to let go of habits even after a breakup. Here, she does what she does best — tug on heartstrings over a guitar — and proves that some habits are worth keeping. —*Pie Gonzaga* Celia Babini, ‘Spazzatura (Italo Disco)’ ![Celia Babini](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/s2-2-1600x1600.webp) Photo from Celia Babini/Instagram *Not actually Italo, but electrically charged all the same* Released in November 2025, “Spazzatura (Italo Disco)” comes from Italian-American musician Celia Babini and, despite its title, isn’t actually of the funky Italo strain. Instead, Babini offers a straightforward pop track supercharged with electricity, with a high-pitched lead synthesizer surging through the chorus while her vocals, sitting coolly in the lower registers, temper the heat. I don’t understand Italian, and all I know is that “spazzatura” means “garbage,” but at a runtime below three minutes, the song almost feels too short for a mildly melancholic pop track you could be having an absolutely wild night to. —*Pie Gonzaga* Gelli Haha, ‘Funny Music’ ![Gelli haha](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/s3-2-1600x1600.webp) Photo from Gelli Haha/Instagram *Playful synth pop with a Moroder callback* First released as a single in April 2025, “Funny Music” is the opener to *Switcheroo*, the debut album by Gelli Haha, the musical project of Filipino-American singer Angela Abaya. The track contains all the electric bliss of a Giorgio Moroder disco cut, complete with punchy snares and a pulsating synth. It doubles as a declaration of Abaya’s unabashed silliness in the face of feeling like a clown. “I’m funny (it’s just a joke) / for real,” she sings in falsetto, which, paired with the playful dance-pop production, reminds one of Remi Wolf. With “Funny Music” and *Switcheroo*, Abaya may be well on her way to becoming an indie favorite. —*Pie Gonzaga* The Femcels, ‘Indiest Girl At School’ ![The Femcels](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/s4-2-1600x1600.webp) Photo from The Femcels/Instagram *When two insecure students make music* When you take a peek inside the world of The Femcels, you’ll see a diary entry scribbled in eyeliner and spilled energy drinks. Led by Rowan Miles and Gabriella Turton, turn high school awkwardness into high-end performance art in “Indiest Girl at School” from their debut album *I Have to Get Hotter*. The song stumbles on purpose, wrapped in pixelated synths and cheap drum hits. Miles and Turton’s lyrics poke fun at obsession and the urge to be different in their own “pick me” adventures. The project captures that phase of a fragile life constantly on display. Instead of gunning for perfection, The Femcels leave the rough edges exposed, turning cringe into gold. *—Elijah Pareño* kiyo, ‘COMEBACK (Pabalik sa’yo)’ ![kiyo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/s5-2-1600x1600.webp) Photo from kiyo/Facebook *The rapper talks about real life during sunset* “COMEBACK (Pabalik sa’yo)” finds kiyo stretching his emotional range, code-switching naturally between English and Tagalog, using both to tell the same story of longing, regret, and wanting another chance. The beat flickers and warps around him, full of digital stutters and soft melodic layers. kiyo rides the production with confidence, blending gentle singing and quick rhythmic runs. There’s a sense of growth here wherein the vulnerable hook hits hard in between the loud, hypnotizing trap-laced production. This comeback shows how kiyo keeps evolving while staying grounded in the feelings that made his songs connect in the first place. *—Elijah Pareño* Fakemink, ‘fml.’ ![Fakemink](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/s6-2-1600x1600.webp) Photo from Fakemink/Instagram *In my restless dreams, cloud rap still exists* “fml.” finds itself deep in that blurry space between a dream and a nightmare. British rapper Fakemink floats over a haunting flip of British garage producer Burial’s “Rival Dealer,” letting the beat breathe while he unpacks frustration into numbing effect. What separates Fakemink from the wave of UK underground rappers he came up with, such as EsDeeKid, Rico Ace, Fimiguerrero, to name a few, is how incredibly claustrophobic his songs are. In his latest single, there exists a steady spiral of thoughts in his bars that many listeners recognize due to his trademark cadence. “fml” is perfect for a late-night breakdown wrapped in dreamy textures, proving Fakemink’s strength lies in transcending desperation into something that is strangely immersive. *—Elijah Pareño* ## Frequently Asked Questions ### What song marks Clara Benin’s musical comeback? “muscle memory,” Clara Benin’s first single of the year, is an upbeat indie pop collaboration with Sydney-based trio D.E.L., exploring the difficulty of letting go of habits after a breakup. ### Who is Celia Babini? Celia Babini is an Italian-American musician whose track “Spazzatura (Italo Disco),” released in November 2025, is a high-energy pop song despite its misleading Italo disco framing. ### What album does Gelli Haha’s “Funny Music” come from? “Funny Music” is the opening track on Switcheroo, the debut album by Gelli Haha, the musical project of Filipino-American singer Angela Abaya, drawing on Giorgio Moroder-style disco production. ### Who are The Femcels? The Femcels are a UK indietronica duo led by Rowan Miles and Gabriella Turton. Their song “Indiest Girl At School,” from debut album I Have to Get Hotter, explores teenage insecurity through lo-fi production. ### What is kiyo’s comeback single about? kiyo’s “COMEBACK (Pabalik sa’yo)” blends English and Tagalog to explore longing and regret, set against a trap-laced production with digital stutters and soft melodic layers. Related Stories - [5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades](https://rollingstonephilippines.com/music/5-filipino-hip-hop-subgenres/ "5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades") - [ena mori Redefines Pop music in Her Own Image](https://rollingstonephilippines.com/music/ena-mori-redefines-pop-music-in-her-own-image/ "ena mori Redefines Pop music in Her Own Image") - [Producer obese.dogma777 on ‘Post-Budots’ and Filipino Electronic Music](https://rollingstonephilippines.com/music/producer-obese-dogma777-post-budots-filipino-electronic-music/ "Producer obese.dogma777 on ‘Post-Budots’ and Filipino Electronic Music") **Categories:** Editor's Picks, Songs You Need To Know **Tags:** Celia Babini, Clara Benin, fakemink, Gelli Haha, kiyo, Songs You Need to Know, The Femcels --- ### [How to Party Better in 2026: 9 Good Manners For the Dance Floor](https://rollingstonephilippines.com/editors-picks/guide/nightlife-club-etiquette-party-2026/) **Published:** January 28, 2026 **Author:** Andi Osmeña **Excerpt:** Here are nine nightlife mantras and club etiquette for a better dance floor, whether you're a rookie or a veteran of the party **Content:** Raving, clubs, and parties were *hot* in 2025, when Manila’s post-pandemic renaissance reached new heights: 2,000-cap ragers, sweaty mansion parties, and politically-charged stage concepts. It didn’t take long before capitalism sank its teeth into a supposedly underground subculture of loud dance music and illegal drugs. In 2025, the once subversive meaning of [“rave”](https://rollingstonephilippines.com/editors-picks/features/manila-raves-history-price-cost-of-fantasy/) was even called into question, with the dubious addition of a new substance in its namesake: [“coffee raves.”](https://rollingstonephilippines.com/music/run-clubs-as-morning-raves/?_gl=1%2A1w0v7dm%2A_up%2AMQ..%2A_gs%2AMQ..&gclid=CjwKCAiA4KfLBhB0EiwAUY7GARbN0Qo2LLfRwpZ4TUz3vt5wGcbNSn1qIBFlu-WIPl-WCLYDjANSExoCwwAQAvD_BwE&gbraid=0AAAAA-zZS8-V48YF5Lrm7x3Iwo9AAvczT) Such widespread accessibility begs the question for whom this subculture still serves. Is it still a subculture at this point? One thing remains certain: raving, dance music, and club culture are not getting any less popular in 2026, which means another crop of rookies bumping shoulders with seasoned veterans. Substack author and gonzo nightlife journalist Michelle Lhooq of [Rave New World](https://ravenewworld.substack.com/) reports that we’re in the midst of a “vibes drought.” She writes, “The warmth of true feeling — that pulsing life force that pre-dated this drought and dictated the realest expression of raving — is being sucked dry by a scourge of cellphone-wielding content-chasers, gundled gay zombies, and performative party parasites.” What went wrong? Who do we blame? Whatever happened to the culture’s core principles of “Peace, Love, Unity, and Respect”*?* Underground nightlife emerged as a release for the most vulnerable sectors of society: often queer, working-class people of color. Now we live in a world where one of the biggest brands in underground music, Boiler Room, has come under fire among artist communities such as [Ravers for Palestine](https://www.instagram.com/p/DH8y6APIbjI/?img_index=1) for corporate ties that link it to settler colonialism. In 2025, the brand was acquired by Superstruct Entertainment, which is backed by investment firm KKR, who are a known stakeholder in companies like Guestly, a property management app that peddles Israeli-owned land on the occupied West Bank. This bleak new reality has bled into the experience of our daily lives: Dance music is becoming less about community and more about commerce and clout. Digital virality is filling up dance floors with people carrying all the wrong intentions. But not all hope is lost. In my eight years of experience as a DJ, nightlife organizer, and dance floor enjoyer, I’ve found that what separates good parties from *great* ones is the accumulation of small-but-meaningful actions to keep things safe and protect the sanctity of the vibes. Everything starts with a habit. So I’d like to offer key reminders on how to keep it chic, cute, and smexy at the dance this 2026. ## Be a giver, not just a taker What are you looking for from a night out? Some of us go out for music, for chaos, or for sex. All might be valid answers — but a better question I’d like to ask is: What are you willing to bring to the table? You come to the party as a guest, not just a consumer, so bring some good energy to the room. (And yes, bringing good energy also means making sure you smell good.) Get loose and dance; lend your lighters, tip the staff. What goes around comes around right back to you. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/Sado.jpg) SadoMasoDisco started throwing parties in 2022, adopting a blueprint that many small-to-medium-sized parties in the city follow today. ## The booth is a temple, not an amusement park Streaming channels and social media have turned the space behind the DJ into prime real estate. But speaking from experience, it doesn’t feel nice to have a stranger cozy up to you for an unsolicited photo op when you’re, very literally, on the job. It’s best to treat the booth as an extension of the DJ’s body. Imagine trying to interrupt Chef Gordon Ramsay while he was finishing off his signature beef wellington. Yeah, you wouldn’t want to interrupt a DJ in the middle of a blend either. Similarly, don’t use the decks as a phone stand for your TikToks, pretend to play with the mixer, or fist pump six inches away from the DJ’s face. Yes, all based on true stories. Please select an image. ## Treat fellow dancers with care Respect for boundaries extends to both DJs *and* dancers. Dancing in public, while possibly intoxicated, is an act of vulnerability. The dance floor is a place for discovery, intimacy, and total abandon. There’s no place for pushing people around, and especially not for breaches of trust. A simple “sorry” or “excuse me” while you’re moving within the crowd goes a long way. Refrain from taking photos on the dance floor, especially with flash. And heavy touching is a big, *big* no-no unless there is enthusiastic consent. ## Don’t get messy Not every party is an invitation to get totally slack-jawed and zooted, though that can be fun sometimes. There’s no shame in a healthy amount of inebriation, but when it starts becoming everyone’s problem, it stops being cute. Don’t be that person at the function who’s trampling on everyone’s feet, wiping your sweat-beaded torso onto someone’s back, or picking a fight with the bouncer. Parties can be a place to disappear for a night, but it’s still a public space. Choose your battles wisely. ![kaput post-pandemic party in manila](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/KAPUT.JPG) Established in 2022, KAPUT was one of Manila’s earliest pandemic-born DIY parties, combining art and rave with its pioneering use of video mapping projections. ## Keep each other safe “How are you feeling tonight?” “You good?” or even just a small thumbs up can make a complete stranger’s night. If you see someone struggling, offer a helping hand. If they, or you, have bitten off more than what can be chewed, make sure you know where the closest water source is for safe drinking. You may notice that most raves are queer spaces, and those often enforce a strict policy against bigotry, harassment, and hate speech. This idea should spill over to all parties. Protecting the most vulnerable sectors of society makes everyone safer overall. ## Pay the door charge, if you can afford it Being on the guest list rules; it makes us feel Cool and Important™ while helping us save money. But it must be emphasized that cover charges and ticket sales help determine whether a club night, DIY party, or rave can sustain itself. It’s easy to forget that it’s not only DJs who get paid, but also production designers, bar staff, audio technicians, bouncers, and janitors, among many others. Even if you’re well-connected in the party community, it’s a lovely gesture to come to the function as a paying customer. Your generosity will be met with gratitude. ## If you like the song, ask for an ID (politely) Track IDs are the backbone of the dance music economy. Don’t be shy to shoot that DM to the DJ if something’s been stuck in your head (unless they’re gatekeepers — in that case, ew.) Chances are, they’ll be flattered! Just don’t keep hovering around the CDJs to try to get a peek at the screen. That’s kinda rude. ![elephant clown convention post-pandemic party in manila](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/ELEPHANT-2.JPG) Since 2017, ELEPHANT has thrown parties dedicated to the drag and LGBTQIA+ community, advocating for safer spaces in Manila’s nightlife. ## Minimize phone use There’s nothing worse than someone IG Story-ing at the function like their life depends on it. Taking footage, Shazam-ing tracks, idly checking social media — these are things you’d want to do as discreetly as possible. Why? The presence of screens throws off the experience. The dance floor isn’t for making content; it’s for dancing. It is a time to be present in our bodies. ## Be a traveller, not a tourist When was the last time you made a new and lasting friend? Embrace the unknown: new people and new music are rewards that await at the end of your comfort zone. You don’t know where you’re going, but you’re going with love. ## Frequently Asked Questions ### What is Manila’s current rave and club culture like heading into 2026? The article describes a post-pandemic nightlife “renaissance” that has since drawn criticism for commercialization, including the emergence of “coffee raves” and corporate ties within brands like Boiler Room, which some argue dilute the subculture’s original values. ### What does the article suggest about respecting DJs at parties? It advises treating the DJ booth as an extension of the DJ’s body, comparing it to interrupting a chef mid-dish. It discourages using the decks as a phone stand, unsolicited photo requests, and crowding the DJ while performing. ### What does the article say about paying for parties? It encourages attendees to pay the door charge when they can afford it, even if they’re on a guest list, noting that cover charges support not just DJs but also bar staff, production crews, and other workers who keep events running. ### Why does the article recommend minimizing phone use at parties? The piece argues that constant phone use — filming, posting to social media, or Shazam-ing tracks — pulls people out of the present moment and shifts the dance floor’s purpose away from dancing and toward content creation. ### What does the article say about consent and safety on the dance floor? It emphasizes respecting personal space, avoiding unwanted physical contact without enthusiastic consent, checking in on fellow partygoers, and extending the inclusive, anti-harassment norms common in queer party spaces to nightlife more broadly. Related Stories - [18 Filipino Dance Tracks That Capture the Spirit of Queerness](https://rollingstonephilippines.com/editors-picks/lists/18-queer-filipino-dance-tracks/ "18 Filipino Dance Tracks That Capture the Spirit of Queerness") - [7 Dance Music Parties That Defined Post-Pandemic Manila](https://rollingstonephilippines.com/editors-picks/features/7-dance-music-parties-that-defined-post-pandemic-manila/ "7 Dance Music Parties That Defined Post-Pandemic Manila") - [How a Manila Collective Brought Home Japan’s Rainbow Disco Club](https://rollingstonephilippines.com/music/dance-electronic/rainbow-disco-club-manila-tyfm/ "How a Manila Collective Brought Home Japan’s Rainbow Disco Club") **Categories:** Culture, Editor's Picks, Events, Guide, Music, Radar **Tags:** Nightlife --- ### [‘The Fellowship of the Ring’ Extended Edition Returns to PH Cinemas for Second Weekend](https://rollingstonephilippines.com/radar/releases/fellowship-of-the-ring-ph-cinemas/) **Published:** January 28, 2026 **Author:** Mel Wang **Excerpt:** Back by popular demand, the first of The Lord of the Rings trilogy will screen in cinemas once more from January 30 to February 2 in select cinemas nationwide **Content:** One weekend isn’t enough. Back by popular demand, *The Lord of the Rings: The Fellowship of the Ring* will be shown again in select SM Cinemas across the Philippines for a second weekend of screenings. From January 30 to February 1, the first part of *The Lord of the Rings* trilogy will screen in cinemas such as SM Aura, SM Mall of Asia, SM City Cebu, SM City Pampanga, and more. Originally released in 2001, the Academy Award-winning film is back in theaters for its 25th anniversary. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/sm-cinemas.webp) Photo from SM Cinemas/Facebook The extended edition runs approximately 3 hours and 28 minutes, compared to the original’s 2 hours and 58 minutes. Tickets are currently available for purchase [here](http://www.smcinema.com). ## Frequently Asked Questions ### When is “The Fellowship of the Ring” Extended Edition screening again? The film returns to select SM Cinemas nationwide, including SM Aura, SM Mall of Asia, SM City Cebu, and SM City Pampanga, for a second weekend of screenings from January 30 to February 1. ### Why is “The Fellowship of the Ring” back in Philippine cinemas? The re-release marks the film’s 25th anniversary, following its original 2001 release. The extended edition’s return for a second weekend comes by popular demand after strong turnout during its first run. ### How long is the extended edition of “The Fellowship of the Ring”? The extended edition runs approximately 3 hours and 28 minutes, about 30 minutes longer than the theatrical version’s original runtime of 2 hours and 58 minutes. ### Where can tickets for “The Fellowship of the Ring” screening be purchased? Tickets are available for purchase through SM Cinema’s official website, smcinema.com, ahead of the film’s second weekend of screenings running January 30 to February 1. ### Did “The Fellowship of the Ring” win any awards? Yes. The film is Academy Award-winning, part of its enduring legacy since its original 2001 theatrical release, which the current re-release commemorates on its 25th anniversary. - [2026 is the Year of Iconic Movie Comebacks and Franchise Wars](https://rollingstonephilippines.com/culture/2026-in-movies-hilda-koronel-doomsday/ "2026 is the Year of Iconic Movie Comebacks and Franchise Wars") - [‘The Fellowship of the Ring’ Extended Version is Hitting PH Cinemas This January](https://rollingstonephilippines.com/radar/releases/fellowship-of-the-ring-extended-philippine-cinemas/ "‘The Fellowship of the Ring’ Extended Version is Hitting PH Cinemas This January") - [‘LOTR’, ‘The Hobbit,’ ‘Sinners,’ and more Films You Should Watch Now](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/lotr-hobbit-sinners-bugonia/ "‘LOTR’, ‘The Hobbit,’ ‘Sinners,’ and more Films You Should Watch Now") **Categories:** Culture, Film, Radar, Releases **Tags:** The Lord of the Rings --- ### [Fitterkarma, DJ Danz, La Mave, Novocrane, and All the Songs You Need to Know](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/fitterkarma-dj-danz-la-mave-novocrane/) **Published:** January 27, 2026 **Author:** Elijah Pareño **Excerpt:** Our weekly playlist of the best music right now, carefully picked by the Rolling Stone Philippines staff **Content:** Welcome to [Songs You Need to Know](http://rollingstonephilippines.com/editors-picks/songs-you-need-to-know), our weekly rundown of the best music right now. The *Rolling Stone Philippines* team is constantly sharing things to listen to, and each week, we compile a ragtag playlist of songs that we believe every music fan today needs to know. Whether it’s the hottest new single or an old track that captures the state of the present, our hope is that you discover something for your musical canon. This week’s songs feature the artists from our [Music Forecast](https://rollingstonephilippines.com/music/26-filipino-musicians-to-watch-2026/) list, all of which have their own special quality on why they were handpicked by us at *Rolling Stone Philippines*. These qualities vary from the sweeping dream pop of KRNA and aunt robert, the romantic and chart-breaking success of hip-hop acts such as La Mave and Thugsta, or the more unusual, pop-driven oddities of fitterkarma and Novocrane. Here are the highlights of the 26 Filipino musicians you need to listen to now. **[fitterkarma](https://rollingstonephilippines.com/tag/fitterkarma/ "fitterkarma"), “Sumpa”** *A folk love song with a touch of melancholy and horror* **[Mix Fenix](https://rollingstonephilippines.com/tag/mix-fenix/ "Mix Fenix"), “Take Me Home”** *A soulful, gospel-influenced invocation* **[Jamiela](https://rollingstonephilippines.com/tag/jamiela/ "Jamiela"), “Sikreto”** *Obsession-fueled rock at a creeping pace* **[BABY FREEZE](https://rollingstonephilippines.com/tag/baby-freeze/ "BABY FREEZE"), “**[**BISH LIKE BABY FREEZE**](https://on.soundcloud.com/W8hd9YORsv9Yv6ywxl)**”\*** *Super chill cloud rap, with attitude* **[SexyJay](https://rollingstonephilippines.com/tag/sexyjay/ "SexyJay"), “Zombie”** *Post-punk music recorded from the DIY grave* **[Thugsta](https://rollingstonephilippines.com/tag/thugsta/ "Thugsta"), “PERA LANG”** *All money, all talk from Malate’s finest rap scene* **[Kyleaux](https://rollingstonephilippines.com/tag/kyleaux/ "kyleaux"), “Notice Me”** *Hugot channeled through Y2K R&B lens* **[bird.](https://rollingstonephilippines.com/tag/bird-2/ "bird."), “ride”** *Surfing in La Union, drenched in reverb* **[Project Yazz](https://rollingstonephilippines.com/tag/project-yazz/ "Project Yazz"), “Kape”** *Morning jazz from the improv crew* **[IIICCCYYY](https://rollingstonephilippines.com/tag/iiicccyyy/ "IIICCCYYY"), “anything 4 u”** *Addicting, candy-flavored synth pop* **[Kristina Dawn](https://rollingstonephilippines.com/tag/kristina-dawn/ "Kristina Dawn"), “BALAC (YOU WISH)”** *Coy but self-assured delivery* **[August Wahh](https://rollingstonephilippines.com/tag/august-wahh/ "August Wahh"), “Tip Toe”** *Jersey club meets bubblegum pop* **[aunt robert](https://rollingstonephilippines.com/tag/aunt-robert/ "aunt robert"), “Blue”** *Indietronica finds a new generation* **[Pette Shabu](https://rollingstonephilippines.com/tag/pette-shabu/ "Pette Shabu"), “XDEAL O BARIL?”** *A threat in the trappings of rap and techno* **[D Waviee](https://rollingstonephilippines.com/tag/d-waviee/ "D Waviee"), “Shot Para Igat”** *At once slick and textured with horniness* **[Jikamarie](https://rollingstonephilippines.com/tag/jikamarie/ "Jikamarie"), “Tayo”** *Breezy R&B with honeyed vocals* **[Bita and the Botflies](https://rollingstonephilippines.com/tag/bita-and-the-botflies/ "Bita and the Botflies"), “Peklat Cream”** *A frustrated blues-y rock classic* **[Stef Aranas](https://rollingstonephilippines.com/tag/stef-aranas/ "Stef Aranas"), “On My Grind”** *Glitzy pop with flashes of trap-era Ariana Grande* **[Daspan En Walis](https://rollingstonephilippines.com/tag/daspan-en-walis/ "Daspan En Walis"), “Compute to Commute”** *Punk music on living paycheck to paycheck* **[DJ Danz](https://rollingstonephilippines.com/tag/dj-danz/ "DJ Danz"), “Break It Down”** *Budots humor in full charismatic effect* **[Junoy Manalo](https://rollingstonephilippines.com/tag/junoy-manalo/ "Junoy Manalo"), “Train to Izu”** *Groovy house that never gives up the BPM* **[KRNA](https://rollingstonephilippines.com/tag/krna/ "KRNA"), “Dream Again”** *Cagayan De Oro’s hazy and beautiful dream pop scene* **[Alisson Shore](https://rollingstonephilippines.com/tag/alisson-shore/ "Alisson Shore"), “Sarili Muna”** *Doomed relationship sung in sensual R&B style* **[Horseboyy](https://rollingstonephilippines.com/tag/horseboyy/ "Horseboyy"), “**[**Third Base**](https://horseboyy.bandcamp.com/album/horsepowah-ep)**”\*** *Nocturnal house with a hint of Balearic power* **[La Mave](https://rollingstonephilippines.com/tag/la-mave/ "La Mave"), “Dominga”** *A love letter for Manila and the lovers who stay there* **[Novocrane](https://rollingstonephilippines.com/tag/novocrane/ "Novocrane"), “Imaginary Party”** *Unforgettable dream pop debut from Bacolod City* *\* These songs are not available on Spotify. To listen, click the hyperlink on the title.* ## Frequently Asked Questions ### What is Rolling Stone Philippines’ “Songs You Need to Know”? A weekly column compiling songs the Rolling Stone Philippines team believes music fans should hear, spanning new releases and older tracks that capture the current musical moment across genres and regions. ### What is the “Music Forecast” list this roundup draws from? This week’s edition spotlights artists from Rolling Stone Philippines’ “26 Filipino Musicians to Watch in 2026” list, highlighting a representative track from each act across genres like dream pop, hip-hop, budots, and rock. ### Which hip-hop tracks are featured in this week’s roundup? La Mave’s “Dominga,” described as a love letter to Manila, and Thugsta’s “PERA LANG,” representing Malate’s rap scene, are among the hip-hop entries featured in this week’s playlist. ### Which regional Filipino music scenes are represented in the list? The list includes KRNA representing Cagayan de Oro’s dream pop scene, Novocrane representing Bacolod City, and bird. drawing on La Union’s surf culture, reflecting the roundup’s spread across regions beyond Manila. ### Are all the featured songs available on Spotify? Most are, and are compiled in an accompanying Spotify playlist. Two tracks — BABY FREEZE’s “BISH LIKE BABY FREEZE” and Horseboyy’s “Third Base” — are not on Spotify and are linked separately via SoundCloud and Bandcamp. **Categories:** Editor's Picks, Songs You Need To Know **Tags:** Music Forecast, Songs You Need to Know --- ### [What We Expect to be Revealed on the New ‘America’s Next Top Model’ Docuseries](https://rollingstonephilippines.com/culture/tv/americas-next-top-model-docuseries-teaser/) **Published:** January 27, 2026 **Author:** Mel Wang **Excerpt:** When Tyra Banks says that she went too far, that’s when you know it’s bad! **Content:** *[America’s Next Top Model](https://rollingstonephilippines.com/tag/americas-next-top-model/ "America's Next Top Model")* (ANTM) was one of the biggest hits of the reality TV boom, of the 2000s, bringing in roughly five million viewers for its first nine seasons (or excuse me, “cycles”). However, due to poor ratings, declining viewership, and a bunch of problematic onscreen decisions later, *ANTM* strutted its final runway in 2018. Now, almost 23 years since it premiered in 2003, all of *ANTM’s* skeletons are coming out of the closet for the upcoming docuseries, *Reality Check: Inside America’s Next Top Model*. The docuseries’ latest teaser features *ANTM* creator Tyra Banks, along with judges Jay Manuel, Miss J, and Nigel Barker. Former contestants and winners such as Whitney Thompson, Giselle Samson, Shannon Stewart, Shandi Sullivan, Dani Evans, and Keenyah Hill will also be making an appearance. It seems like the docuseries won’t be shying away from the controversial parts of *ANTM*, because it’s already brought up the reality show’s problems with body-shaming, body modification, and racism (at one point, the teaser cuts to a younger Manuel telling a group of contestants, “We are actually going to switch your ethnicities.”). In recent years, a number of *ANTM*’s controversies have come to light. An exposé published by [*Business Insider*](https://www.businessinsider.com/americas-next-top-model-tyra-banks-contestants-mental-health-2022-4) in 2022 revealed that Banks and her producers created a toxic work environment, as one contestant described it, nothing short of “psychological warfare.” One former contestant, Eugenia Washington, revealed that she’d fallen and cracked her knee after being forced to walk across a path of wooden planks teetering on top of a pool (while wearing six-inch heels and two corsets). Banks also pressured Evans, who is featured in the docuseries, into closing the gap between her front teeth to appear more “marketable.” Hopefully, the series also delves into Banks’ racist behavior on *ANTM*, especially towards Black contestants. “I knew I went too far,” said Banks. Well, it’s almost 10 years too late, Tyra, but you’ve got to start somewhere. *Reality Check: Inside America’s Next Top Model* begins streaming on February 16. ## Frequently Asked Questions ### What is “Reality Check: Inside America’s Next Top Model”? A docuseries examining the controversial history of “America’s Next Top Model,” featuring creator Tyra Banks, judges Jay Manuel, Miss J, and Nigel Barker, and former contestants including Whitney Thompson and Dani Evans. It begins streaming February 16. ### What controversies does the “ANTM” docuseries address? The teaser addresses body-shaming, body modification, and racism, including a clip of Jay Manuel telling contestants their ethnicities would be switched for a shoot. It follows a 2022 Business Insider exposé describing a toxic on-set environment. ### What happened to contestant Eugenia Washington on “ANTM”? Washington fell and cracked her knee after being forced to walk across wooden planks balanced over a pool while wearing six-inch heels and two corsets, an incident cited as an example of the show’s unsafe production practices. ### Did Tyra Banks pressure contestants to change their appearance? Yes. Banks pressured contestant Dani Evans, who appears in the docuseries, into closing the gap between her front teeth to appear more “marketable,” one of several body-modification pressures raised in past exposés about the show. ### When did “America’s Next Top Model” originally air? The show premiered in 2003 and ran until 2018, drawing roughly five million viewers during its first nine cycles before ending due to declining ratings and a series of controversial decisions made during production. Related Stories - [‘Single’s Inferno’ Season 5 Dating Guide: Couples and Love Triangles](https://rollingstonephilippines.com/culture/tv/singles-inferno-season-5-dating-guide/ "‘Single’s Inferno’ Season 5 Dating Guide: Couples and Love Triangles") - [Meet the Contestants of ‘Physical: Asia’, Netflix’s Latest Survival Show](https://rollingstonephilippines.com/culture/tv/netflix-physical-asia-players/ "Meet the Contestants of ‘Physical: Asia’, Netflix’s Latest Survival Show") - [This Cebu Fan Club is Keeping the ‘Heated Rivalry’ Momentum Going](https://rollingstonephilippines.com/culture/tv/heated-rivalry-fan-club-cebu/ "This Cebu Fan Club is Keeping the ‘Heated Rivalry’ Momentum Going") **Categories:** Culture, Radar, Releases, TV **Tags:** America's Next Top Model --- ### [‘The Witcher in Concert’ Manila Cancels Second Night, Now One Night Only](https://rollingstonephilippines.com/radar/events/the-witcher-in-concert-manila-march/) **Published:** January 27, 2026 **Author:** Pie Gonzaga **Excerpt:** The live orchestral celebration of The Witcher 3: Wild Hunt will now run for one night only on March 28 **Content:** [*The Witcher in Concert*](https://rollingstonephilippines.com/radar/events/the-witcher-3-film-concerts-ph/) will now be staged as a one-night-only performance in Manila, following the cancellation of its second scheduled show. [Film Concerts PH](https://rollingstonephilippines.com/tag/film-concerts-ph/) has confirmed that the March 29 show has been canceled “due to unforeseen circumstances,” but the March 28 show will proceed as scheduled. Ticket holders for the March 29 show will receive an official email from TicketWorld, giving them the option to either reschedule to March 28 at 3:00 p.m. or request a refund should they be unavailable on the new schedule. The concert now marks the sole opportunity for local audiences to experience the live orchestral celebration of *The Witcher 3: Wild Hunt* video game soundtrack. Audiences can expect beloved tracks such as “Wolven Storm,” “Lullaby of Woe,” and other fan favorites, performed live by the Filharmonika Orchestra alongside Percival Schuttenbach, the Polish folk metal band that co-composed the video game’s score. The concert combines symphonic arrangements with folk and metal elements, reflecting the dark fantasy world’s roots in Slavic mythology. > [View this post on Instagram](https://www.instagram.com/p/DT__u5XjC7Q/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Film Concerts Philippines (@filmconcerts.ph)](https://www.instagram.com/p/DT__u5XjC7Q/?utm_source=ig_embed&utm_campaign=loading) Internationally, *The Witcher in Concert* has been praised by fans and critics alike. Featuring cinematic visuals and new arrangements led by co-composer Marcin Przybyłowicz, the production guides audiences through key moments from Geralt of Rivia’s journey. Tickets to *The Witcher in Concert* are available via [TicketWorld](https://tinyurl.com/Witcher2026). ## Frequently Asked Questions ### Why was “The Witcher in Concert” Manila’s second show canceled? Film Concerts PH canceled the March 29 show “due to unforeseen circumstances.” The March 28 show remains scheduled as planned, making it the only opportunity for Manila audiences to see the concert. ### What are the options for ticket holders of the canceled March 29 show? Ticket holders will receive an official email from TicketWorld offering the choice to reschedule to the March 28, 3:00 p.m. show, or request a refund if they’re unavailable on the new date. ### What can audiences expect from “The Witcher in Concert”? The concert features the Filharmonika Orchestra performing The Witcher 3: Wild Hunt’s soundtrack alongside Percival Schuttenbach, the Polish folk metal band that co-composed the game’s score, including tracks like “Wolven Storm” and “Lullaby of Woe.” ### Who composed the music for “The Witcher in Concert”? The production features new arrangements led by co-composer Marcin Przybyłowicz, combining symphonic orchestration with folk and metal elements rooted in the dark fantasy world’s Slavic mythology influences. ### Where can tickets for “The Witcher in Concert” Manila be purchased? Tickets are available through TicketWorld, with ticket holders for the canceled March 29 show receiving direct communication about rescheduling to March 28 or requesting a refund. Related Stories - [‘The Witcher 3’ Soundtrack Comes Alive in Manila for a Full Orchestral Concert](https://rollingstonephilippines.com/radar/events/the-witcher-3-film-concerts-ph/ "‘The Witcher 3’ Soundtrack Comes Alive in Manila for a Full Orchestral Concert") - [Film Concerts PH Reimagines Movie Scores for the Live Stage](https://rollingstonephilippines.com/music/film-concerts-ph-movie-scores/ "Film Concerts PH Reimagines Movie Scores for the Live Stage") - [‘A Knight of the Seven Kingdoms’ Ep. 1: Westeros Finally Turns Up the Brightness](https://rollingstonephilippines.com/culture/tv/knight-of-the-seven-kingdoms-1/ "‘A Knight of the Seven Kingdoms’ Ep. 1: Westeros Finally Turns Up the Brightness") **Categories:** Culture, Events, Music, Radar, TV **Tags:** Film Concerts PH, The Witcher --- ### [‘Industry’ Season 4, Episode 3: Hitler’s Painting Makes A Cameo](https://rollingstonephilippines.com/culture/tv/industry-season-4-episode-3/) **Published:** January 27, 2026 **Author:** Pie Gonzaga **Excerpt:** In the latest episode of 'Industry,' Yasmin becomes her father’s daughter while Harper and Eric form a team of old friends. And…there’s a painting by Adolf Hitler? **Content:** The latest episode of *[Industry](https://rollingstonephilippines.com/tag/industry-hbo/ "Industry HBO")* is all about ownership: of power, bodies, and (Nazi) heritage. Work father-daughter tandem Eric (Ken Leung) and Harper ([Myha’la](https://rollingstonephilippines.com/tag/myhala/ "Myha'la")) are in the process of getting funding for their company, SternTao. Right now, they are operating in a hotel room, which Harper litters with papers as she tries to dig up dirt on Tender, which she plans to short. She gets extra help from Sweetpea Golightly (Miriam Petche), who we learned last season has a knack for sleuthing. But Sweetpea freaks out when she sees that “pathological degenerate” and “murderer” Rishi (Sagar Radia) shows up at the hotel room with his own stolen files to contribute. We also get a few minutes of journalist Jim Dycker (Charlie Heaton), who’s desperate to get his “half-baked” Tender exposé and has reached out to Harper for a possible team-up, ethics be damned. > [View this post on Instagram](https://www.instagram.com/reel/DT-7IPClEmu/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Industry on HBO (@industryhbo)](https://www.instagram.com/reel/DT-7IPClEmu/?utm_source=ig_embed&utm_campaign=loading) Over at Tender, Henry (Kit Harington) is settling into his new position as CEO as the company eyes a merger with the Austrian bank IBN Bauer. In pursuit of the merger, the Tender execs fly to Austria to court Moritz-Hunter Bauer (Sid Phoenix), whose ancestors supported the Third Reich. Bauer makes a point of making an anti-semitic comment in front of Whitney at dinner, which prompts the latter to question whether a partnership with a fascist is still worth pursuing. Yasmin ([Marisa Abela](https://rollingstonephilippines.com/tag/marisa-abela/ "Marisa Abela")), eager to seal the deal with the Bauers, chooses to stay in the room offered by Moritz’s mother. The room is full of her “habseligkeiten,” which roughly translates to belongings of sentimental value. The room is the epicenter of this episode’s shock value. Even though we don’t see predator father Charles Hanani anywhere, his shadow looms over Yasmin when she exerts her control over Henry by directing him and the executive assistant Hayley (Kiernan Shipka) to have sex. Tei Shi’s “Bassically” plays in the background, because the show will not pass up on a good needle drop; Enya’s “Orinoco Flow” also comes on later in the episode. In the morning, as Yasmin examines the room, she finds a painting of the gorgeous Neuschwanstein Castle in Germany. To her horror, she realizes that this painting, considered one of this family’s most prized possessions, was signed by a certain A. Hitler. But [Lady Muck](https://rollingstonephilippines.com/culture/tv/industry-season-4-episode-2-recap/ "‘Industry’ Season 4, Episode 2: This Marriage is Not For the Weak") is power-hungry and, ultimately, decides to push the Tender-IBN Bauer merger despite major political differences. ![industry sterntao kenny sweetpea](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/industry-finance-avengers.webp) Eric, Kenny, Harper, and Sweetpea march through Goldman Sachs like four-fifths of the Finance Avengers. Photo from Industry/Instagram Back at SternTao HQ, Harper and Eric argue (I love it when they argue!) about what they want out of their new venture. Here, Myha’la delivers an Emmy-worthy monologue after she’s triggered by Eric saying “triggered.” When she says “weak,” it’s like she uses up all the air in her lungs, and when she says “fucking,” it’s like she spells the word with extra Fs and even an H. In the episode’s last few minutes, Harper, Eric, Sweetpea, and ex-Mostyn employee Kwabena Bannerman (Toheeb Jimoh) head to Goldman Sachs to meet Yasmin’s formerly domineering line manager, Kenny Kilbane (Conor MacNeill), and it feels like watching the Avengers assemble, except the characters are more interesting even though they all work in finance. *Industry* Season 4 is streaming on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max"). ## Frequently ASked Questions ### What happens in “Industry” Season 4, Episode 3? Harper and Eric work to secure funding for their new company, SternTao, while investigating Tender. Meanwhile, Yasmin pushes forward a merger between Tender and Austrian bank IBN Bauer despite discovering the Bauer family’s Nazi-linked history. ### What did Yasmin discover at the Bauer family estate? Yasmin found a painting of Neuschwanstein Castle in the room she stayed in, considered one of the Bauer family’s most prized possessions. She later realized it was signed by Adolf Hitler, tying the family directly to Nazi history. ### Why does Whitney question the Tender-IBN Bauer merger? During a dinner with Moritz-Hunter Bauer, whose ancestors supported the Third Reich, Bauer makes an antisemitic comment in front of Whitney, prompting her to question whether pursuing a partnership with him is worth it. ### Does Yasmin still pursue the merger despite the Bauer family’s history? Yes. Despite the antisemitic remarks and the discovery of the Hitler-signed painting, Yasmin remains focused on closing the deal, pushing forward the Tender-IBN Bauer merger regardless of the political and moral implications. ### Who does Harper’s team recruit by the end of Episode 3? Harper, Eric, Sweetpea, and former Mostyn employee Kwabena Bannerman meet with Kenny Kilbane, Yasmin’s former line manager at Goldman Sachs, suggesting the team is assembling additional recruits for their new venture, SternTao. Related Stories - [‘Industry,’ The Best Show on Streaming, is Back. What Can We Expect?](https://rollingstonephilippines.com/culture/tv/industry-hbo-season-4/ "‘Industry,’ The Best Show on Streaming, is Back. What Can We Expect?") - [‘Industry’ Season 4, Episode 1: Are We Post-Woke?](https://rollingstonephilippines.com/culture/tv/industry-hbo-season-4-episode-1/ "‘Industry’ Season 4, Episode 1: Are We Post-Woke?") - [‘Industry’ Season 4, Episode 2: This Marriage is Not For the Weak](https://rollingstonephilippines.com/culture/tv/industry-season-4-episode-2-recap/ "‘Industry’ Season 4, Episode 2: This Marriage is Not For the Weak") **Categories:** Culture, TV **Tags:** HBO Max, Industry HBO --- ### [This Cebu Fan Club is Keeping the ‘Heated Rivalry’ Momentum Going](https://rollingstonephilippines.com/culture/tv/heated-rivalry-fan-club-cebu/) **Published:** January 26, 2026 **Author:** Mel Wang **Excerpt:** Led by three fans of the hit hockey romance show, Hollanov PH has created a metaphorical cottage where all of Cebu’s "Heated Rivalry" fans are welcome **Content:** As every good fan of *[Heated Rivalry](https://rollingstonephilippines.com/tag/heated-rivalry/ "Heated Rivalry")* knows, it’s going to be a while before showrunner Jacob Tierney comes out with another season of the hit horny hockey romance series (in his words: “I don’t have details. I have not started writing.” Sigh.). But for one fan club in Cebu City, the long wait only means more time to host screening parties and keep the local fandom alive while patiently waiting for the second season. Meet Hollanov PH, which takes its moniker from the official ship name of *Heated Rivalry*’s Shane Hollander and Ilya Rozanov. Led by superfans AJ Han, John Marick Castillo, and Tess Dimataga, Hollanov PH has been organizing episode watch parties since late last December, when the fifth episode, “I’ll Believe in Anything,” became the highest rated in the series. For reference, the episode received a perfect 10/10 score on IMDb, tying with Breaking Bad’s “Ozymandias.” ![AJ Han, John Marick Castillo, and Tess Dimataga](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/THE-TEAM.webp) AJ Han, John Marick Castillo, and Tess Dimataga of Hollanov PH. Photo courtesy of Hollanov PH “We were just planning on watching Episode 5 alone, but then we were like, ‘No, this needs to be a watch party,’” Han told *Rolling Stone Philippines*. “We were already seeing all these watch party TikToks and Reels from abroad, so we thought, why not experience something like that in Cebu?” From there, all the planning for that first Hollanov PH event fell into place. Han, Castillo, and Dimataga, all three of whom work at Cebu’s Asmara Urban Resort, coordinated with the hotel owner to rent a function room for their casual watch party. “The original plan was very small, maybe 15 to 20 people lang,” said Han. “But when we posted the invite, everyone went crazy. All the BL (short for Boys’ Love) fans just kept sharing it. We had to close registration after 24 hours. We even got people flying in from Manila, Cagayan de Oro, \[and\] Bohol.” ![Hollanov PH](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/Day-2-watch-party-crowd.webp) Fans at a watch party marathon of all six episodes of *Heated Rivalry*. Photo courtesy of Hollanov PH “We really didn’t expect anything,” said Castillo. “We panicked. But we tried to make everything immersive. We even served ginger ale and tuna melts, like on the show.” *Spoiler warning for major plot points from the show*: That first watch party more than delivered for fans looking for a safe community to show their love for their favorite show. The Asmara function room was packed to full capacity, with attendees crowding around the large projector screen to watch Connor Storrie’s Ilya whisper “I love you” to Hudson Williams’ Shane, or François Arnaud’s Scott pick up Robbie Graham-Kuntz’s Kip and kiss him out on the hockey rink. The room screamed at Ilya’s “I’m coming to the cottage,” and fan reactions have since been immortalized on the club’s Instagram page. “Everyone’s family na,” said Han. “We’re just all exchanging vocal stims from the show. We memorize all the lines.” “We’re always asking fans, ‘Are you an Ilya or a Shane?’” Castillo added. “Which I guess is another way of asking if you’re a top or bottom.” The only real rule to joining a Hollanov PH event is that attendees must be 18 or above (because, I mean, it *is* a very horny hockey show). But otherwise, according to Han, everyone’s welcome at their version of the cottage. ## Staying the Course > [View this post on Instagram](https://www.instagram.com/reel/DTHbzWREZty/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Hollanov Philippines (@hollanov.ph)](https://www.instagram.com/reel/DTHbzWREZty/?utm_source=ig_embed&utm_campaign=loading) When asked whether they’re worried that interest may die down, especially now that the show’s first season has ended, the club founders don’t seem overly concerned about fan passion waning. “Even though Season 1’s finished, we’re already planning on how to grow the community,” said Han. “We need to keep the momentum going. We’ve planned events. We’re doing a morning run, like what \[Scott\] does on the show, and the \[registration fee\] includes a blueberry banana smoothie, plus an extra banana.” All three founders emphasized that the Hollanov PH community is bound together not just by *Heated Rivalry* but also by the safe, welcoming space that the club has created for its members. “It’s not just the romance that connects us, although that’s great,” said Dimataga. “It’s also those themes of self-discovery, transitioning from young adults to \[maturity\], making big decisions.” “You can just see the impact the story has had on fans,” continued Castillo. “Honestly, it’s the perfect show for Filipinos. Culturally, we’re very Christian and very conservative. But this show… it’s like an eye-opener. It’s opening the eyes of people to \[be\] more accepting, and it’s an inspiration for those who may still be in the closet.” “The fans are incredibly passionate,” added Han. “But it’s because they’re so invested in the show’s story. I think it’s inspired a lot of people to be themselves.” Related Stories - [We’re Getting A New ‘Heated Rivalry’ Book](https://rollingstonephilippines.com/radar/releases/heated-rivalry-unrivaled/ "We’re Getting A New ‘Heated Rivalry’ Book") - [Yes, ‘Heated Rivalry’ the Book is Just as Horny as the TV Series](https://rollingstonephilippines.com/culture/tv/heated-rivalry-book-tv-series/ "Yes, ‘Heated Rivalry’ the Book is Just as Horny as the TV Series") - [‘Heated Rivalry’ will Finally Stream on HBO MAX Philippines](https://rollingstonephilippines.com/culture/film-tv/heated-rivalry-hbo-max-philippines/ "‘Heated Rivalry’ will Finally Stream on HBO MAX Philippines") ## Frequently Asked Questions ### What is Hollanov PH? Hollanov PH is a Cebu-based fan club for the hockey romance series “Heated Rivalry,” founded by AJ Han, John Marick Castillo, and Tess Dimataga. It takes its name from the show’s central ship, Shane Hollander and Ilya Rozanov. ### How did Hollanov PH’s first watch party come together? The founders planned a small viewing of Episode 5, “I’ll Believe in Anything,” which received a perfect 10/10 IMDb score. After posting the invite, demand exploded, with attendees flying in from Manila, Cagayan de Oro, and Bohol, forcing early registration closure. ### What are the rules for joining a Hollanov PH event? The only stated requirement is that attendees must be 18 or older, given the show’s explicit content. Otherwise, the founders describe their events as an open, welcoming space for all fans. ### What does Hollanov PH have planned after Season 1’s finale? The club is planning new events to sustain community momentum, including a themed morning fun run inspired by a scene from the show, with registration including a blueberry banana smoothie. ### Why does “Heated Rivalry” resonate strongly with Filipino fans? Founders describe the show as an “eye-opener” in a culturally conservative, predominantly Christian context, noting its themes of self-discovery and acceptance have resonated with fans, including those who may still be closeted. **Categories:** Culture, TV **Tags:** Heated Rivalry --- ### [How a Manila Collective Brought Home Japan’s Rainbow Disco Club](https://rollingstonephilippines.com/music/dance-electronic/rainbow-disco-club-manila-tyfm/) **Published:** January 27, 2026 **Author:** Pie Gonzaga **Excerpt:** Ahead of Rainbow Disco Club’s Manila debut, Thank You For The Music talks parties, community, and what makes the Filipino crowd different **Content:** Japanese dance music festival [Rainbow Disco Club](https://rollingstonephilippines.com/tag/rainbow-disco-club/ "Rainbow Disco Club") (RDC) is coming to Manila for a takeover on Saturday, January 31, and marks the first foray of [Thank You For The Music](https://rollingstonephilippines.com/tag/thank-you-for-the-music/ "Thank You For The Music") (TYFM) into the city’s dance scene. And while TYFM is only the newest of many collectives throwing events across the country, the people who comprise the group have long been a part of Manila’s nightlife, and wish only to offer the best of it on the dancefloor. Since its founding in Japan in 2010, RDC has held takeovers across the globe, from Bali and Taipei to Lisbon and Morelos, Mexico. On Saturday, the festival’s mainstay Kenji Takimi joins Indonesia’s Dita and Gero and Filipino DJs [Emel](https://rollingstonephilippines.com/radar/events/dj-emel-rowe-brings-eclectic-digs-to-the-rolling-stone-ph-live-afterparty/) and [crwn](https://rollingstonephilippines.com/music/king-puentespina-10-years-crwn/) for its first-ever party in the Philippines. > [View this post on Instagram](https://www.instagram.com/reel/DT-XeCXkgQs/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Thank You For The Music (@thankyou.fm)](https://www.instagram.com/reel/DT-XeCXkgQs/?utm_source=ig_embed&utm_campaign=loading) In curating the lineup for the party, TYFM’s Jane Torres tells *Rolling Stone Philippines* that the group thought about “flow and emotional range, from crwn, who sets the foundation, to Emel, who keeps the crowd curious, and then we go to Dita and Gero, who have this chemistry and energy, and then we go to our favorite Kenji Takimi, closing the experience with the longform storytelling.” Torres, like the rest of TYFM, is no stranger to parties and has helped organize other raves in Manila. At TYFM, she’s joined by designer Stacy Rodriguez and DJs Jem Capeding, [Judd Figuerres](https://rollingstonephilippines.com/music/pop/alamat-luzviminda-music-video/), [Vince Pante](https://rollingstonephilippines.com/tag/bins/), Ayon Sanchez, and Mikko Santos. ## Bringing RDC to Manila The group attended the RDC takeover at The Observatory, a club in Ho Chi Minh, Vietnam, in October 2025, but only Sanchez has been to the festival in Japan. According to him, despite being held at different venues with different DJs, both the festival and the party carried the same “magic” that he wanted to bring to the Philippines. “And then later, at the end of last year, even attending their takeover for Wonderfruit \[in Thailand\], they closed the entire festival, completely different venue, different people, but again, it’s like that same magical energy.” ![thank you for the music judd figuerres jane torres ayon sanchez](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/tfym-intext-1.webp) Judd Figuerres, Jane Torres, and Ayon Sanchez of Thank You For The Music. At the Ho Chi Minh party, the group met RDC co-founder Masahiro Tsuchiya, who told them in casual conversation that they’d see each other again in Manila. “I didn’t realize what it really meant, that they had a vision of coming here already,” Rodriguez says. Torres adds, “The next day, after I landed back in Manila, they already set a meeting with us, and everything else followed. It was so quick.” ## Party People For TYFM, the RDC takeover in Makati is an opportunity to spotlight Filipino talent and the country’s burgeoning dance culture. “You want to let the foreigners shake in their boots a bit,” says Rodriguez when talking about getting Emel and crwn in their lineup. “We believe in the talent that’s here.” “crwn has been in the industry for so long as a producer, DJ, and musician,” Torres explains. “And \[Emel has\] been playing around the world. And I just feel like we want him to shine more here in the Philippines, for more people to appreciate him. It was like a running joke \[among us\] three years ago that he should play \[at RDC\], and now it’s finally happening.” > [View this post on Instagram](https://www.instagram.com/p/DOGBW3AErql/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rainbow Disco Club (@rainbowdiscoclub)](https://www.instagram.com/p/DOGBW3AErql/?utm_source=ig_embed&utm_campaign=loading) Figuerres says he’s also “excited for the DJs to experience the Filipino crowd.” “People always say that we’re the best concert crowd because we sing along with the artists. I feel like it’s the same energy on the dancefloor,” he says. “We know how to sing. We know how to move. We have rhythm. And I feel like it’ll be interesting to see how we respond to the Rainbow Disco Club lineup.” Capeding, one of the organizers of the now-defunct party series Danza Organika, believes that the energy Filipinos bring to the dancefloor can be attributed to the queer partygoers. “The dancers of our city are really hospitable,” he says. “They really welcome you as if you’re one of their own. They dance and move around a lot. And I think that a lot of it has to do with the LGBT community that we have here. It’s kind of the backbone of our nightlife.” Danza was a pioneer in Manila’s [post-pandemic party scene](https://rollingstonephilippines.com/editors-picks/features/7-dance-music-parties-that-defined-post-pandemic-manila/), one that to this day involves a blueprint of parties roving from one venue to another, featuring not big festival headliners, but local and regional acts. Pante points out that, unlike Berlin and Hanoi, which respectively have clubs like Berghain and Savage that signify their cities’ strong clubbing culture, Manila has yet to establish a a “home base” that signals a similarly “world-renowned” reputation in the eyes of the Asian club circuit. ![thank you for the music vince pante stacy rodriguez jem capeding](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/tyfm-intext-2.webp) Thank You For The Music’s Vince Pante, Stacy Rodriguez, and Jem Capeding. But for TYFM, whose slogan is “The destination is always dance,” the Philippines offers an edge that is unique to the country; unlike popular Asian destinations like Bangkok and Bali, the local party scene is mostly fueled by locals instead of foreign partygoers. “In Manila, it’s different collectives doing their own thing. There’s support across the communities,” Pante says. Torres adds that RDC’s takeover in Manila will stand out because, while other parties have been held at clubs, TYFM’s will not. “We’re just doing a pop-up party and bringing everyone together. We’re really gonna try to make it special for everyone.” With the addition of RDC to the city’s calendar of parties and festivals for the year, the Philippines is further positioned as a destination on Asia’s dance music circuit, and signals a growing confidence in and out of the country that, alongside the region’s more established clubbing capitals, our dance scene could hold its own. ## Frequently Asked Questions ### What is Rainbow Disco Club and when is it coming to Manila? Rainbow Disco Club (RDC) is a Japanese dance music festival founded in 2010 that has held takeovers worldwide. Its first-ever Manila party takes place Saturday, January 31, organized by local collective Thank You For The Music (TYFM). ### Who is performing at the Rainbow Disco Club Manila takeover? The lineup includes RDC mainstay Kenji Takimi, Indonesia’s Dita and Gero, and Filipino DJs Emel and crwn, curated by TYFM’s Jane Torres around a deliberate emotional arc from opening set to closing storytelling. ### What is Thank You For The Music (TYFM)? TYFM is a Manila-based party collective composed of Jane Torres, designer Stacy Rodriguez, and DJs Jem Capeding, Judd Figuerres, Vince Pante, Ayon Sanchez, and Mikko Santos, marking their first foray into bringing an international festival brand to the city. ### How did TYFM connect with Rainbow Disco Club’s organizers? TYFM members attended RDC takeovers in Ho Chi Minh City and at Wonderfruit festival in Thailand, where they met RDC co-founder Masahiro Tsuchiya. A follow-up meeting was arranged shortly after they returned to Manila. ### Why does TYFM believe Manila’s dance scene stands out? TYFM member Vince Pante notes Manila lacks an internationally iconic club “home base” like Berlin’s Berghain, but its scene is distinct for being fueled mainly by local partygoers rather than foreign tourists, unlike destinations like Bangkok or Bali. Related Stories - [Heavy is the Head: crwn on 10 Years of Artistic Endurance](https://rollingstonephilippines.com/music/king-puentespina-10-years-crwn/ "Heavy is the Head: crwn on 10 Years of Artistic Endurance") - [7 Dance Music Parties That Defined Post-Pandemic Manila](https://rollingstonephilippines.com/editors-picks/features/7-dance-music-parties-that-defined-post-pandemic-manila/ "7 Dance Music Parties That Defined Post-Pandemic Manila") - [In Tacloban, a DIY Music Party Renaissance Takes Shape](https://rollingstonephilippines.com/editors-picks/features/tacloban-diy-music-party-renaissance/ "In Tacloban, a DIY Music Party Renaissance Takes Shape") **Categories:** Dance/Electronic, Editor's Picks, Events, Features, Music, Radar **Tags:** Rainbow Disco Club, Thank You For The Music --- ### [What You Need to Know About ‘Single’s Inferno’ Season 5 Breakout Star, Choi Mina Sue](https://rollingstonephilippines.com/culture/tv/singles-inferno-choi-mina-sue/) **Published:** January 26, 2026 **Author:** Mel Wang **Excerpt:** Plus, she likes Jollibee and knows what “kilig” means! **Content:** This season of *[Single’s Inferno](https://rollingstonephilippines.com/tag/singles-inferno/ "Single's Inferno")* is becoming [Netflix’s](https://rollingstonephilippines.com/tag/netflix/ "Netflix") most bingeworthy South Korean dating show, thanks in large part to one of its top contenders: [Choi Mina Sue](https://rollingstonephilippines.com/tag/choi-mina-sue/ "Choi Mina Sue"). Choi made her grand debut on the island in the second episode of Season 5, wowing the boys with what she affectionately calls her “canary dress.” She’s graceful, authentic, and has a penchant for being more honest than most of her fellow hot singles. “I can be rather self-centered in a relationship,” Choi said during her intro. “What can I say? I like myself the most.” At least for the season’s first four episodes, Choi has strategically played the game by talking to multiple male contenders at once. For her first round of anonymous voting, Choi received handwritten notes from three of the five boys on the island — Seung Il, Su Been, and Sung Hun — each asking to get to know her better. She’s spent an evening in Paradise with Su Been so far (after a very thrilling round of couples’ dodgeball), but she’s also expressed interest in Sung Hun and Sung Min. However, all of this may now be null and void, as she ended Episode 4 asking Seung Il on a date (much to the dismay of Min Gee). Out of the six girls competing on the island, it’s clear that Choi is the most straightforward (but also the most indecisive) when it comes to confessing her attraction to the men in Inferno. As *Single’s Inferno* begins to heat up, we’ve rounded up a few key facts about the show’s breakout star and who she is beyond the island. ## She won Miss Earth 2022 in Manila. ![Choi Mina Sue](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/mina_b1.webp) Choi Mina Sue as Miss Earth 2022. Photo from Choi Mina Sue/Facebook On November 30, 2022, Choi became the first Korean to ever be crowned Miss Earth. The 24-year old university student turned pageant queen championed a platform focused on reducing carbon emissions. In the pageant’s final Q&A section, Choi secured her win by dedicating her answer to the impact of bottlenose dolphins on marine ecosystems. ## She’s been to the Philippines multiple times. > [View this post on Instagram](https://www.instagram.com/p/DLWG7akTDkA/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Mina Sue Choi (@minadori222)](https://www.instagram.com/p/DLWG7akTDkA/?utm_source=ig_embed&utm_campaign=loading) Choi has also returned to the Philippines several times since her win. In 2024, she attended the Miss Earth coronation show in Manila, where Australian contestant Jessica Lane took home the crown. And, based on Choi’s Instagram, it’s clear that the Korean beauty queen is quite fond of the Philippines. In a post captioned, “Hi Home,” Choi can be seen sporting a Jollibee takeout bag. In another post, she appears to be enjoying a slice of pizza from Trattoria Altrov’e. ## She’s a working student. ![Choi Mina Sue](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/mina_b2.webp) Choi dives deeper into her backstory during her night in Paradise with Lim Su Been. Photo from Netflix/Official Website As revealed in Episode 3 of her season of *Single’s Inferno,* Choi is currently a Communications student at the University of Illinois. However, she is on leave right now and is spending her time back in Korea as an intern at a beauty startup where she’s in charge of English communication with international buyers. ## *Single’s Inferno* isn’t her first reality TV rodeo. > [View this post on Instagram](https://www.instagram.com/p/DD1tO9dyxVt/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Mina Sue Choi (@minadori222)](https://www.instagram.com/p/DD1tO9dyxVt/?utm_source=ig_embed&utm_campaign=loading) Although *Single’s Inferno* is definitely the show pushing Choi underneath the international spotlight, this isn’t the first time that she’s been in front of the camera. In 2022, Choi competed on the Korean game show, *Battle for Tenancy: Penthouse*, where contestants completed challenges in a five-story abandoned building for the chance to win 400 million Korean won. She also had a cameo appearance in the Korean drama, *DNA Lover*, in 2024. ## Her dog’s an aspiring content creator. > [View this post on Instagram](https://www.instagram.com/p/DTSwsmQkhzS/?utm_source=ig_embed&utm_campaign=loading)[A post shared by 최썸머 (@summerchoi1023)](https://www.instagram.com/p/DTSwsmQkhzS/?utm_source=ig_embed&utm_campaign=loading) Now that Choi’s rising in popularity thanks to *Single’s Inferno*, hopefully her dog Summer can get a share of the spotlight as well. Summer’s account has been active since 2024, and the pooch currently has 416 followers. ## Frequently Asked Questions ### Who is Choi Mina Sue on “Single’s Inferno” Season 5? Choi Mina Sue is a South Korean contestant on Netflix’s “Single’s Inferno” Season 5, known for being self-described as self-centered and straightforward, while also being one of the season’s most indecisive contenders romantically. ### What pageant title did Choi Mina Sue win? Choi won Miss Earth 2022 in Manila on November 30, 2022, becoming the first Korean to win the title. She competed on a platform focused on reducing carbon emissions and won partly through an answer about bottlenose dolphins’ impact on marine ecosystems. ### What is Choi Mina Sue’s connection to the Philippines? Choi has returned to the Philippines multiple times since winning Miss Earth 2022, including attending the 2024 Miss Earth coronation in Manila. Her Instagram shows her enjoying Filipino food, including Jollibee and pizza from Trattoria Altrov’e. ### What is Choi Mina Sue studying, and what does she do for work? Choi is a Communications student at the University of Illinois, currently on leave. She’s spending her time in Korea interning at a beauty startup, where she handles English communication with international buyers. ### Has Choi Mina Sue appeared on reality TV before “Single’s Inferno”? Yes. In 2022, she competed on the Korean game show “Battle for Tenancy: Penthouse,” and in 2024 she had a cameo appearance in the Korean drama “DNA Lover.” Related Stories - [Who’s Who on Season 5 of Netflix’s ‘Single’s Inferno’](https://rollingstonephilippines.com/culture/tv/singles-inferno-season-5-netflix-cast/ "Who’s Who on Season 5 of Netflix’s ‘Single’s Inferno’") - [‘Culinary Class Wars’ Third Season Brings a Critical Format Overhaul](https://rollingstonephilippines.com/culture/tv/culinary-class-wars-season-3-netflix/ "‘Culinary Class Wars’ Third Season Brings a Critical Format Overhaul") - [Meet the Contestants of ‘Physical: Asia’, Netflix’s Latest Survival Show](https://rollingstonephilippines.com/culture/tv/netflix-physical-asia-players/ "Meet the Contestants of ‘Physical: Asia’, Netflix’s Latest Survival Show") **Categories:** Culture, TV **Tags:** Choi Mina Sue, Netflix, Single's Inferno --- ### [SHANNi’s Music Traveled From SoundCloud Uploads to Crowded Small Rooms](https://rollingstonephilippines.com/music/rock/shanni-soft-rock-diy-interview/) **Published:** January 26, 2026 **Author:** Elijah Pareño **Excerpt:** Early self-doubt and grassroots touring shaped the Marikina-based singer-songwriter’s gradual climb through the indie scene **Content:** Pop rock singer-songwriter Ashanti Silonga, who releases music as [SHANNi](https://rollingstonephilippines.com/tag/shanni/ "SHANNi"), has steadily grown a following through songs that are intimate. Since 2023, her work has leaned toward soft pop rock and city pop, shaped by close-range storytelling and featherweight vocal delivery. Her songs often return to small emotional moments, written in a way that feels casual and observant. Her debut single, “sa panaginip,” released in 2023, introduced that approach clearly. The track came with a simple music video that follows SHANNi biking along the Marikina riverside, cutting between dreamlike scenes that mirror the song’s theme of unrequited love unfolding in the protagonist’s dream. The song’s charm came from its infectious melody, with lyrics that carry the song from start to finish. That same instinct appears across her later releases. “Kdrama,” released the following year, uses a slightly compressed, telephone-like vocal texture that pulls the listener closer. The lullaby-like pacing and hushed tone give the song a private feel, as if it were written for smaller venues. > [View this post on Instagram](https://www.instagram.com/p/DNp967mT2Z9/?utm_source=ig_embed&utm_campaign=loading)[A post shared by JUKEBOX (@jukebox.exe)](https://www.instagram.com/p/DNp967mT2Z9/?utm_source=ig_embed&utm_campaign=loading) In conversation with *Rolling Stone Philippines*, SHANNi reflects on how that closeness developed naturally. She’s spent time uploading covers of Alice Phoebe Lou, NIKI, Men I Trust, to name a few, and demos on SoundCloud, drawing from artists whose writing leaned toward her signature softness. Those recordings became a testing ground for her voice and songwriting, allowing her to figure out how she wanted to sound before committing to a larger release plan. “I didn’t expect na people to connect with it the way they did,” SHANNi tells *Rolling Stone Philippines*. “Siguro dun ko na-realize na di mo kailangan magpanggap or sumunod sa uso. Just be yourself as long as totoo ka.” ## Rooted in the Family ![SHANNi](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/SHANNi.webp) For SHANNi, growth now comes from staying active and present. Photo from Sony Music Music has always been part of SHANNi’s life. She comes from a family of musicians, with her father Allan Mitchell Silonga, formerly part of the R&B group Kindred Garden, and her older brother Blaster Silonga serving as lead guitarist of [IV of Spades](https://rollingstonephilippines.com/tag/iv-of-spades/ "IV of Spades"). That background gave her early exposure, though it also brought pressure. As one of the youngest in the family, she spent time worrying about being seen through someone else’s shadow rather than her own work. “Nag-start talaga ako as a small artist, and I was afraid. Kasi, syempre, artist din ‘yong siblings ko,” she says. “I was kind of afraid to be associated na parang ganun lang yung maiisip na, ‘Ay, kapatid ni ganito.’ So, parang medyo nagsa-self-doubt talaga ako that time. Gusto kong pag-start na sariling name na ako talaga.” “Success for me now is being able to create freely and sustainably. So, hindi siya about numbers lang. It’s about growth, connection, and being proud of what I put out.” SHANNi That desire for independence shows in how she approaches live shows. Over the past year, SHANNi has taken part in and organized small DIY gigs around Metro Manila, often sharing lineups with younger and emerging artists. Her recent single tour for “Sikretong Tayo Lang Ang May Alam” ran across several legs back in 2025, drawing consistent crowds who followed her from one venue to another. Those shows have become a key part of how her community formed. For SHANNi, growth now comes from staying active and present. She continues to write at her own pace, make decisions hands-on, and support smaller acts whenever possible. Since then, SHANNi has signed to SONY Music and is looking forward to releasing her debut EP this year. “May mga things na ako ‘yong nag-decide for myself,” she says. “Although, ang dami kong na-achieve with the help of others. Success for me now is being able to create freely and sustainably. So, hindi siya about numbers lang. It’s about growth, connection, and being proud of what I put out.” ## Frequently Asked Questions ### Who is SHANNi and what kind of music does she make? SHANNi is the stage name of pop rock singer-songwriter Ashanti Silonga, known for intimate soft pop rock and city pop shaped by close-range storytelling and featherweight vocals, with music centered on small, observant emotional moments. ### How did SHANNi’s music career start? SHANNi began by uploading covers of artists like Alice Phoebe Lou, NIKI, and Men I Trust on SoundCloud, using those recordings as a testing ground for her voice and songwriting before releasing her debut single, “sa panaginip,” in 2023. ### Is SHANNi related to other Filipino musicians? Yes. Her father, Allan Mitchell Silonga, was part of R&B group Kindred Garden, and her older brother, Blaster Silonga, is lead guitarist of IV of Spades. She initially felt pressure to establish her own identity separate from her family’s musical legacy. ### Has SHANNi signed with a record label? Yes. SHANNi has signed with Sony Music and is preparing to release her debut EP, following a period of building her following through DIY gigs and a single tour for “Sikretong Tayo Lang Ang May Alam” across 2025. ### What role do live shows play in SHANNi’s career? SHANNi has organized and taken part in small DIY gigs around Metro Manila, often sharing lineups with younger and emerging artists. These shows helped build her community and reflect her hands-on approach to her career’s growth. Related Stories - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") - [Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’](https://rollingstonephilippines.com/music/singer-songwriter-barbie-almalbis-myth-of-rakista-rolling-stone-interview/ "Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’") - [How the Kitchie Nadal Renaissance is Bridging Generations](https://rollingstonephilippines.com/music/news/how-the-kitchie-nadal-renaissance-is-bridging-generations/ "How the Kitchie Nadal Renaissance is Bridging Generations") **Categories:** Music, Rock **Tags:** SHANNi --- ### [‘LOTR’, ‘The Hobbit,’ ‘Sinners,’ and more Films You Should Watch Now](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/lotr-hobbit-sinners-bugonia/) **Published:** January 23, 2026 **Author:** Mel Wang **Excerpt:** Your weekly guide to some of the most bizarre, essential, and interesting things to add to your watchlist, courtesy of the Rolling Stone Philippines writers and editors **Content:** Welcome to [What to Watch Right Now](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/ "What To Watch Right Now"), our weekly rundown of the best things to watch right now. The constant stream of shows, videos, and films to watch online can become a sludge to wade through, so here are a few things you can watch courtesy of the *Rolling Stone Philippines* team. Whether it’s a new film, a video essay, or even a home video release you should own (physical media is now available!), we hope it can ease the burden of choosing which streaming platform to use or of discovering a new cinematic odyssey. This week, in preparation for the one-weekend-only screenings of *The Fellowship of the Ring* hitting cinemas nationwide, we’ve revisited both *[The Lord of the Rings](https://rollingstonephilippines.com/tag/the-lord-of-the-rings/ "The Lord of the Rings")* and *The Hobbit* trilogies. What’s more, with the Academy having finally announced its list of nominees, we’re turning our attention to [Oscar](https://rollingstonephilippines.com/tag/oscars-2026/ "Oscars 2026") contenders like *[Sinners](https://rollingstonephilippines.com/tag/sinners/ "Sinners")*, *[One Battle After Another](https://rollingstonephilippines.com/tag/one-battle-after-another/ "One Battle After Another")*, *[It Was Just an Accident](https://rollingstonephilippines.com/culture/film/jose-javier-reyes-announces-cannes-lineup/ "‘Sentimental Value,’ ‘It Was Just an Accident,’ and more to Be Screened in the Philippines")*, and more. ## ‘The Lord of the Rings’ Trilogy *One of, if not the, best fantasy epics brought to life on the silver screen* In an [*Empire*](https://www.empireonline.com/movies/news/peter-jackson-on-lord-of-the-rings-25-years-exclusive/) interview reflecting on the 25-year legacy of *The Lord of the Rings*, Peter Jackson barely believed he’d pulled off making the trilogy to begin with. “What the hell were we thinking?” Jackson said. “I would hesitate to even think that we could do anything like that now. It’s almost overwhelming to think back on. I was younger, we were all younger, enthusiastic, and naive.” But thank God he’d done it anyway, because Jackson ended up dedicating six years of his life to creating the sprawling Middle-earth that J.R.R. Tolkien conjured up in his books so many years ago. There is nothing quite like seeing the rolling hills of the Shire for the first time, or the ethereal towers of Rivendell, or the dark, cavernous halls of Moria. And we haven’t even mentioned Mordor, with its foreboding mountain peaks and the ever-watching eye of Sauron. But beyond me gushing over the worlds that Jackson and Tolkien built, *The Lord of the Rings* has stood the test of time for the stories of good versus evil that it weaves. There is a clear battle for the soul of Middle-earth, and our gaggle of surprising, but nevertheless intrepid, heroes are doing everything in their power to destroy the One Ring before it’s too late. It’s a trilogy where good triumphs in the end, and in these dark, messy times, we could sure use the reminder once again. —*[Mel Wang](https://rollingstonephilippines.com/author/melissa-wang/)* ## ‘The Hobbit’ trilogy (Extended Edition) *A sprawling exercise in extending one book into three films can be both rewarding and exhausting* It’s not easy to watch *The Hobbit* trilogy. Thorin isn’t exactly the hero that we’d like to root for; he’s gruff, headstrong, and in the final stretch of the dragon sickness in *The Battle of Five Armies* (2014) makes him insufferable (I mean, yes, that’s the point). *An Unexpected Journey* (2012) tries to give everyone in the company of dwarves a little time in the spotlight, but only a few stand out after the film ends. The Kili and Tauriel romance we can do without, because maybe Tauriel can just *be* herself? As one of the non-canonical things in the trilogy, the addition of a female character in a male-dominated film could have been an improvement, but then she gets involved in a semi-love triangle for the sake of what exactly? Corny entertainment? Nevertheless, we persisted. Spending over eight hours in Middle-earth is still breathtaking. While *An Unexpected Journey* almost follows *The Fellowship of the Ring* beat-by-beat, it is still wonderful revisiting all these places we first fell in love with 25 years ago, and encountering new places and characters. Dol Guldur was as menacing as I thought it would be. The barrel run sequence in *The Desolation of Smaug* (2013) is still one of the best action scenes in the franchise. Seeing Gandalf as one of the most well-written characters across all the films remains a delight. I would have loved to have seen [Guillermo Del Toro’s](https://rollingstonephilippines.com/tag/guillermo-del-toro/ "Guillermo del Toro") version of *The Hobbit,* but Peter Jackson really is the overlord of this realm. The way he briefed the production design in the first trilogy (that they should design Middle-earth as if it’s a historical place and not a fantastical place of imagination) makes him the only person I’d trust to conjure up Tolkien’s world time and again. —*[Don Jaucian](https://rollingstonephilippines.com/author/don-jaucian/ "Don Jaucian")* ## ‘It Was Just an Accident’ *Its light and nimble exterior does not hide the horrors within* *It Was Just an Accident*, Jafar Panahi’s latest rebuke against tyrrany, is part farce, part cautionary tale, but full-on searing indictment of the Iranian regime, perhaps his most blunt criticism of their atrocities yet. The film follows Vahid (Vahid Mobasseri), who suspects that one of the customers in their shop is his torturer during his time in prison. His proof? The sound of the man’s peg leg is similar to his state tormentor. Vahid follows his instincts and kidnaps “Eghbal.” In the middle of burying him in the desert, certain things don’t add up, and Vahid is forced to think: Is this really the man whom I think he is? From then on, he enlists characters who were “personally victimized” by this “Eghbal” in prison to check if this really is the Peg Leg that tortured them (while “Eghbal” is tied and gagged in the back of his van): Photographer Shiva (Mariam Afshari), couple Goli and Ali (Hadis Pakbaten and Majid Panahi, respectively), and firecracker Hamid (Mohamad Ali Elyasmehr), who just wants to murder Eghbal right then and there. Panahi crafts a revolving-door film, shunting us from one situation to another, with each turn offering a surprise in this tale of corruption, memory, and acceptance. If this “Eghbal” is really their torturer, do they have it in them to take his life? Watch it next week at the Film Development Council of the Philippines’ [World Cinema](https://rollingstonephilippines.com/radar/events/sentimental-value-fdcp-world-cinema-2026/ "Watch ‘Sentimental Value’ and More at FDCP’s World Cinema 2026 in January") program, along with *Sentimental Value*, *Sound of Falling*, and *Resurrection.* —*Don Jaucian* ## ‘Sinners’ *A bloody breath of fresh air to the vampire horror genre* We’ve seen Hollywood do vampires every which way (some of them sparkle, some of them brood, some of them hunt down other vampires), but we’ve never seen them as carnal and blues-loving as in Ryan Coogler’s Southern Gothic horror, *Sinners*. However, the vampires don’t even take center stage until halfway through the movie; instead, we focus on twins Smoke and Stack (both played by Michael B. Jordan) as they try to set up a juke joint in their hometown. The troubles are already there, with the brothers having to deal with racist landlords and the ever-present feeling that they’re not meant to be making space for their community in Mississippi. You can ponder the allegories of racism and colonization as much as you want, but even without those deeper themes, *Sinners* is just a deliciously bloody vampire movie, and it’s a thrill seeing who’ll make it out of the juke joint alive. —*Mel Wang* ## ‘One Battle After Another’ *High-stakes revolutionary hijinks, and Paul Thomas Anderson at his funniest* Part action epic, part father-daughter drama, but cleverly disguised screwball comedy, *One Battle After Another* is the type of movie that demands two, three, or maybe even four watches before you’ve got all the moving parts down pat. This isn’t to say that it’s a deep or difficult movie to watch: [Leonardo DiCaprio](https://rollingstonephilippines.com/culture/film/leonardo-dicaprio-one-battle-after-another-interview/ "Leonardo DiCaprio on How ‘One Battle After Another’ Isn’t a Typical Hero’s Story") shines as an ultra-stoner dad who can’t remember important passwords for the life of him, Benicio del Toro does a wonderful little dance that involves some good hip-wiggling, and there’s something so funny about Sean Penn as the absurdly rigid and sexually repressed Colonel Lockjaw. —*Mel Wang* ## ‘Bugonia’ *A paranoia-fuelled kidnapping drama, with maybe some aliens in the mix* *Bugonia* isn’t for everyone. It certainly wasn’t for me, but that was mainly because I much preferred watching Emma Stone and Jesse Plemons verbally spar with each other in a dingy basement, rather than the hijinks they got up to in the movie’s final act. But for those who love just how weird [Yorgos Lanthimos](https://rollingstonephilippines.com/culture/film/yorgos-lanthimos-emma-stone-movies-bugonia/ "All 4 of Yorgos Lanthimos and Emma Stone’s Movies, Ranked") can get with his films (especially when Stone’s involved), *Bugonia* is a perfect example of the director’s brand of absurdist comedy mixed with themes of late-stage capitalism and unavoidable apocalypses. There may or may not be aliens involved, but who’s to say? —*Mel Wang* ## ‘Zootopia 2’ *A surprisingly thoughtful look at systemic oppression for an animated movie* *Zootopia* was already a thinly veiled allegory for societal hierarchies (the tension between predators and herbivores, no one taking Judy Hopps seriously as a bunny cop, etc.), but its sequel doubles down on its smart writing and surprisingly deep messages hidden within a Disney animated movie. Hopps (Ginnifer Goodwin) and Wilde (Jason Bateman) are back at it again, saving their anthropomorphic city one more time, but the movie does a great job of hiding its real villains. Oh, and Shakira’s “Zoo” is worth staying for the end-credit scene. —*Mel Wang* ## Frequently Asked Questions ### What is Rolling Stone Philippines’ “What to Watch Right Now”? A weekly column recommending films, shows, and video essays worth watching, curated by the Rolling Stone Philippines team to help readers cut through the volume of streaming content and physical media releases. ### Why are “The Lord of the Rings” and “The Hobbit” featured this week? The trilogies are revisited ahead of a one-weekend-only theatrical re-release of “The Fellowship of the Ring” hitting cinemas nationwide, alongside reflections on the franchise’s 25-year legacy from director Peter Jackson. ### Which Oscar-nominated films are covered in this week’s roundup? The column covers Best Picture contenders “Sinners” and “One Battle After Another,” alongside Jafar Panahi’s “It Was Just an Accident,” timed to the Academy’s recently announced list of nominees. ### What is Jafar Panahi’s “It Was Just an Accident” about? The film follows a man who suspects a customer is his former prison torturer and kidnaps him to confirm his identity, described as part farce and part searing indictment of the Iranian regime, according to the review. ### Where can audiences watch “It Was Just an Accident” locally? It screens the following week as part of the Film Development Council of the Philippines’ World Cinema program, alongside “Sentimental Value,” “Sound of Falling,” and “Resurrection.” Related Stories - [5 Questions We Have About This Year’s Oscar Nominations](https://rollingstonephilippines.com/culture/film/oscars-2026-nominations-snubs/ "5 Questions We Have About This Year’s Oscar Nominations") - [Oscars 2026: ‘Sinners’ Leads With 16 Nominations](https://rollingstonephilippines.com/culture/film/oscars-2026-nominations-full-list/ "Oscars 2026: ‘Sinners’ Leads With 16 Nominations") - [Leonardo DiCaprio on How ‘One Battle After Another’ Isn’t a Typical Hero’s Story](https://rollingstonephilippines.com/culture/film/leonardo-dicaprio-one-battle-after-another-interview/ "Leonardo DiCaprio on How ‘One Battle After Another’ Isn’t a Typical Hero’s Story") **Categories:** Culture, Editor's Picks, Film, Lists, What To Watch Right Now **Tags:** Bugonia, It Was Just An Accident, One Battle After Another, Oscars 2026, Sinners, The Hobbit, The Lord of the Rings, Zootopia 2 --- ### [5 Questions We Have About This Year’s Oscar Nominations](https://rollingstonephilippines.com/culture/film/oscars-2026-nominations-snubs/) **Published:** January 23, 2026 **Author:** Mel Wang **Excerpt:** From ‘Wicked: For Good’’s fall from grace to ‘Sinners’ making history, here are our top five questions about this year’s Oscar race **Content:** It’s officially [Oscars](https://rollingstonephilippines.com/tag/oscars-2026/ "Oscars 2026") season! The Academy Awards nominations announcement took place on January 22, and it’s clear that *[Sinners](https://rollingstonephilippines.com/tag/sinners/ "Sinners")* and *[One Battle After Another](https://rollingstonephilippines.com/tag/one-battle-after-another/ "One Battle After Another")* are this year’s heavyweights, with the former earning a historical 16 nominations and the latter with 13. However, like every year, the announcement brought with it a swarm of snubs, surprises, and burning questions. As we draw ever closer to this year’s Academy Awards ceremony on March 16, here are our top five questions about this year’s list of nominees. ## What, No Love for ‘Wicked: For Good’? In contrast to its predecessor, which scored 10 nominations at last year’s Oscars, *[Wicked: For Good](https://rollingstonephilippines.com/tag/wicked-for-good/ "Wicked: For Good")* earned zero nods from the Academy this time around. Unfortunately, this was to be expected; even if [Ariana Grande](https://rollingstonephilippines.com/tag/ariana-grande/ "Ariana Grande") had been predicted as an Oscar frontrunner this year for her performance as Glinda, the Broadway musical *Wicked: For Good* is based on has always had a problem with its second act. The songs of of this sequel weren’t all too memorable (come on, “No Good Deed” over “Popular”?), the critics barely had anything nice to say (to quote *The New Yorker*: “‘Wicked: For Good’ is Very, Very Bad”), and its global box office numbers of $523 million seem small compared to *Wicked*‘s $758 million. ## Could ‘KPop Demon Hunters’ Bag Two Oscars? The Netflix surprise hit is about to get even more golden now that it’s up for two Oscars: one for Best Animated Feature and another for Music (Original Song) for its track, “Golden.” In the latter category, it looks like a clear win (but maybe *Sinners*’ “I Lied to You” will surprise us). However, *[KPop Demon Hunters](https://rollingstonephilippines.com/tag/kpop-demon-hunters/ "KPop Demon Hunters")* is up against a few formidable contenders for Best Animated Feature, especially since two Disney films, *Elio* and *Zootopia 2*, are also in the running. Although it already has the Best Animated Film awards of two Oscar precursors: the Golden Globe Awards and the Critics’ Choice so the chances of it bagging the Oscar statue for the same award might be strong. ## Will ‘Sinners’ or ‘One Battle After Another’ Take Home Best Picture? While there are 10 films up for Best Picture, this year’s Oscar race is shaping up to be a major showdown between two of them: *Sinners* and *One Battle After Another*. Ryan Coogler’s Southern Gothic horror snagged a record-breaking 16 nominations, but Paul Thomas Anderson’s action epic isn’t too far behind with 13. We’ll just have to see how the Academy Awards play out in March, but hopefully the Oscars’ horror curse doesn’t rear its ugly head this year. ## Where’s Chase Infiniti? What a snub! The young actress started off the awards season strong, having earned both Critics’ Choice and Golden Globe nominations for her breakout role as Willa in *One Battle After Another*. But the Academy’s given her the cold shoulder for Best Actress. Surprisingly, Kate Hudson made it into the category for *Song Sung Blue*. *One Battle After Another* is Infiniti’s first film, though, and she will have many chances to win an Oscar in the future. ## Could Wagner Moura Win Best Actor? The lead star of the Brazilian thriller *[The Secret Agent ](https://rollingstonephilippines.com/tag/the-secret-agent/ "The Secret Agent")* has been on a history-making winning streak since last year’s Cannes Film Festival, where he became the first Brazilian to win the award for Best Actor. He’s also nabbed the same historic win at this year’s Golden Globes, and he’s made history once again by becoming the first Brazilian Oscar nominee. But it’s difficult to say if luck will favor him once again at the Academy Awards, mainly because he’s up against Leonardo DiCaprio, Michael B. Jordan, Ethan Hawke, and Timothée Chalamet. ## Frequently Asked Questions ### Which films lead the 2026 Oscar nominations? Sinners earned a historic 16 nominations, the most of any film this year, while One Battle After Another followed closely with 13, making the two the clear frontrunners heading into the March 16 Academy Awards ceremony. ### Why did “Wicked: For Good” fail to earn any Oscar nominations? Unlike its predecessor’s 10 nominations, “Wicked: For Good” was shut out entirely, following mixed critical reception, less memorable songs, and a global box office of $523 million — notably lower than the first film’s $758 million. ### Is “KPop Demon Hunters” nominated for an Oscar? Yes. The Netflix hit is nominated for Best Animated Feature and Music (Original Song) for “Golden,” and has already won the equivalent Golden Globe and Critics’ Choice awards, suggesting strong odds in the animated feature category. ### Why was Chase Infiniti snubbed for Best Actress? Despite Critics’ Choice and Golden Globe nominations for her breakout role in “One Battle After Another,” Chase Infiniti was excluded from the Academy’s Best Actress lineup, while Kate Hudson was nominated for “Song Sung Blue” instead. ### What makes Wagner Moura’s Best Actor nomination historic? Wagner Moura became the first Brazilian actor nominated for an Oscar, following his historic Best Actor win at Cannes and the Golden Globes for “The Secret Agent.” He faces Leonardo DiCaprio, Michael B. Jordan, Ethan Hawke, and Timothée Chalamet. Related Stories - [Oscars 2026: ‘Sinners’ Leads With 16 Nominations](https://rollingstonephilippines.com/culture/film/oscars-2026-nominations-full-list/ "Oscars 2026: ‘Sinners’ Leads With 16 Nominations") - [Oscar-Winning Composer Ludwig Göransson on Making the ‘Sinners’ Soundtrack ](https://rollingstonephilippines.com/culture/film-tv/oscar-winning-composer-ludwig-goransson-on-sinners-soundtrack/ "Oscar-Winning Composer Ludwig Göransson on Making the ‘Sinners’ Soundtrack ") - [Leonardo DiCaprio on How ‘One Battle After Another’ Isn’t a Typical Hero’s Story](https://rollingstonephilippines.com/culture/film/leonardo-dicaprio-one-battle-after-another-interview/ "Leonardo DiCaprio on How ‘One Battle After Another’ Isn’t a Typical Hero’s Story") **Categories:** Culture, Film **Tags:** KPop Demon Hunters, One Battle After Another, Oscars 2026, Sinners, Wicked: For Good --- ### [Who is the 'Offended Spouse' in Adultery and Concubinage?](https://rollingstonephilippines.com/state-of-affairs/offended-spouse-adultery-concubinage-sc/) **Published:** January 28, 2026 **Author:** Pie Gonzaga **Excerpt:** The Supreme Court reiterates that only an offended spouse can file an adultery case. But did you know that under Philippine law, adultery is only committed by a married woman? **Content:** Only the offended spouse can file an adultery case against his spouse and her paramour, according to a recent Supreme Court (SC) ruling. This means that not even the legal representative of the cheated party can file a case on behalf of their client. But what else does Philippine law say about adultery? On Tuesday, January 27, the SC decided to dismiss an adultery case filed by a representative of a married man, reaffirming provisions of the Revised Penal Code (RPC) and Revised Rules of Criminal Procedure. The court reiterated that adultery is a private crime that can only be filed by an offended spouse, “out of consideration for the aggrieved party who might prefer to suffer the outrage in silence rather than go through the scandal of a public trial.” In the Philippines, infidelity by a woman and a man is treated as separate offenses. Adultery refers to infidelity committed by a married woman, while concubinage refers to infidelity committed by a married man. The RPC also lays out different definitions for each offense. For an act to be considered adultery, the offended spouse must prove the validity of the marriage, sexual intercourse between his wife and the third party, and knowledge on the part of the paramour. On the other hand, concubinage is committed by a married man when he keeps a mistress in a conjugal dwelling, has sexual intercourse with her, or cohabits with her in another place. The Philippine Commission on Women (PCW) points out that punishments for infidelity are [skewed](https://pcw.gov.ph/assets/files/2019/10/PCW-WPLA-PB-02-Repeal-of-RPC-provisions-on-Adultery-and-Concubinage-AEB.pdf) in favor of men. In adultery cases, the law treats each act of sex outside of marriage as a separate crime. This means a married woman and the man she’s involved with can be charged multiple times if there is proof of multiple encounters. However, a married man is not charged for every sexual encounter. Instead, the crime is based on living with a mistress or openly keeping one, so multiple sexual acts are usually treated as part of a single offense, not separate crimes. Because of this, the PCW has called for the decriminalization of infidelity in the country, which the commission says also “constitutes excessive state interference in the private lives of its citizens.” ## Frequently Asked Questions ### Who can legally file an adultery case in the Philippines? Only the offended spouse can file an adultery case, according to a January 27 Supreme Court ruling. Not even a legal representative acting on the spouse’s behalf can file the case, reaffirming provisions of the Revised Penal Code. ### What is the difference between adultery and concubinage under Philippine law? Adultery refers specifically to infidelity committed by a married woman, while concubinage refers to infidelity committed by a married man. The two are treated as separate offenses with different legal definitions and requirements for proof. ### How must adultery be proven in the Philippines? The offended spouse must prove the validity of the marriage, that sexual intercourse occurred between his wife and the third party, and that the paramour had knowledge of the marriage, according to the Revised Penal Code. ### Why are the Philippines’ adultery and concubinage laws considered unequal? The Philippine Commission on Women notes that each act of adultery can be charged as a separate crime, while concubinage is typically charged as a single offense based on cohabitation, regardless of how many sexual encounters occurred. ### Has there been a push to decriminalize infidelity in the Philippines? Yes. The Philippine Commission on Women has called for decriminalizing infidelity, arguing that current laws constitute “excessive state interference in the private lives of its citizens” and disproportionately penalize women. Related Stories - [‘Divorce Resort’ Sees a Pinoy Man Prove Divorce is Possible in the Philippines](https://rollingstonephilippines.com/culture/film/divorce-resort-documentary-sxsw/ "‘Divorce Resort’ Sees a Pinoy Man Prove Divorce is Possible in the Philippines") - [What Christians Might Be Getting Wrong About Divorce in the Bible](https://rollingstonephilippines.com/state-of-affairs/politics/christians-might-be-wrong-about-divorce-bible/ "What Christians Might Be Getting Wrong About Divorce in the Bible") - [10 Pending Philippine Bills That Demand Legislative Action](https://rollingstonephilippines.com/state-of-affairs/politics/10-pending-philippine-bills-that-demand-legislative-action/ "10 Pending Philippine Bills That Demand Legislative Action") **Categories:** Philippine Politics, State of Affairs **Tags:** Gender Issues, Women's Issues --- ### [5 Essential Bad Bunny Songs to Know Before the Superbowl Halftime Show](https://rollingstonephilippines.com/music/hiphop-rnb/5-essential-bad-bunny-songs/) **Published:** February 5, 2026 **Author:** Elijah Pareño **Content:** Before [Bad Bunny](https://rollingstonephilippines.com/tag/bad-bunny/ "Bad Bunny") takes over the stage for the [Super Bowl](https://rollingstonephilippines.com/tag/super-bowl/ "Super Bowl") LX halftime show on February 8, it helps to understand why he is at the center of modern pop culture. For more than half a decade, Benito Antonio Martínez Ocasio has pushed reggaeton, Latin trap, and Caribbean rhythms from regional scenes into the global mainstream without switching languages or compromising his identity. He has become an ambassador for Puerto Rico, both in sound and image, even performing atop a gas station in his hometown as a statement of pride and visibility. With the halftime show, Bad Bunny will place Spanish-language music at the heart of the biggest stage in American entertainment, following the footsteps of other Hispanic icons such as Shakira and Jennifer Lopez in 2020 (where he performed “I Like It” with Shakira). Ahead of his Super Bowl moment, here are five tracks that trace his journey from internet breakout to global cultural force. ## ‘LA CANCIÓN’ “LA CANCIÓN” showed Bad Bunny at his most exposed. Pairing up with fellow Spanish reggaeton legend J Balvin for their *OASIS* project in 2019, he committed fully to the late-night heartbreak that hits when the party finally dies down. Bad Bunny’s voice drifts through regret and longing, while the beat stays low and deep-seated, giving the production a space to breathe. It proved early on that his power of knowing how to sit with sadness is a formula he could perfect. ## ‘Safaera’ “Safaera” feels like three songs crashing into one another on purpose. The song, a collaboration with Jowell & Randy and Ñengo Flow, jumps between old-school reggaeton rhythms, modern trap drums, and chaotic beat switches that should not work but somehow do. When it dropped on the sophomore album *YHLQMDLG* in 2020, this was the time when everyone knew Bad Bunny was worth the hype. Part of its magic lies in how it mirrors a real party. One minute you are dancing smoothly, the next you are yelling lyrics with strangers, then the beat flips and the whole room resets. The track presented reggaeton’s past and present on the same dance floor. It dominated clubs, TikTok, house parties, and DJ sets worldwide, and it remains one of the clearest examples of Bad Bunny’s charm for turning musical chaos into shared joy. ## ‘Neverita’ “Neverita” started life as a playful summer bop and quickly became a meme, with the video paying homage to Elvis Crespo’s “Suavemente,” which features the iconic carefree dancing behind a green screen. The song’s also notorious for its jumpscare cooking and kissing memes. But once the internet noise faded, DJs and listeners kept it alive for another reason. The track pivots to a bright, hip-house-inspired groove that manifests sunset drives and sweaty dance floors alike. Bad Bunny sounds relaxed and flirtatious, banking on rhythm instead of lyrical heaviness. The song proves his gift for making tracks that survive beyond viral moments and settle into real-world soundtracks. ## ‘Moscow Mule’ This song captures Bad Bunny’s ability to make desire feel both humorous and sincere. The beat floats between reggaeton rhythms and tropical softness, giving him space to flirt, brag, and confess all in the same breath. The lyrics do not shy away from physical attraction, grinding, late-night cravings, and the messy side of romance. Yet there is swagger in how he delivers it. Bad Bunny appears as someone openly enjoying connection and chemistry. “Moscow Mule” became a standout in the heavy-hitters album *Un Verano Sin Ti* back in 2022 because the single balanced sensuality with melody, proving that lust-driven reggaeton can still feel warm, catchy, and emotionally human. ## ‘DtMF’ Taken from his Grammy-winning album *Debí Tirar Más Fotos* — and the exact song that played while he was holding back his tears when he won Album of the Year — this track turns away from club pressure and looks back at childhood, family, and simpler moments in Puerto Rico. The production utilizes minimalist Caribbean rhythms, subtle percussion rooted in bomba traditions, and warm melodic layers that never overpower the storytelling. Bad Bunny reflects on memories that shaped him before fame, money, and global attention. Imagine flipping through old photo albums while modern beats play in the background. “DtMF” represents the artist at his most reflective, reminding listeners that behind the superstar image sits someone deeply connected to home and history. ## Frequently Asked Questions ### Why is Bad Bunny’s song “Safaera” considered essential? “Safaera,” a 2020 collaboration with Jowell & Randy and Ñengo Flow from YHLQMDLG, blends old-school reggaeton with modern trap through chaotic beat switches, becoming one of his defining tracks in clubs and DJ sets worldwide. ### What is Bad Bunny’s “DtMF” about? “DtMF,” from his Grammy-winning album Debí Tirar Más Fotos, reflects on childhood, family, and simpler moments in Puerto Rico using minimalist Caribbean rhythms and bomba-rooted percussion, marking one of his most personal songs. ### Which Bad Bunny song became a viral meme before finding lasting popularity? “Neverita,” a 2022 track paying homage to Elvis Crespo’s “Suavemente,” went viral for its jumpscare cooking and kissing memes before settling into regular rotation as a hip-house-inspired summer staple. ### What album features Bad Bunny’s “Moscow Mule”? “Moscow Mule” appears on Un Verano Sin Ti, Bad Bunny’s 2022 album, blending reggaeton rhythms with tropical softness in a song about desire, connection, and playful romantic swagger. ### Who did Bad Bunny collaborate with on “LA CANCIÓN”? Bad Bunny teamed up with fellow reggaeton artist J Balvin for “LA CANCIÓN,” part of their 2019 joint album OASIS, exploring late-night heartbreak with a low, deep-seated beat. Related Stories - [Bad Bunny Becomes First Latin Winner of Grammy Album of the Year in 68 Years](https://rollingstonephilippines.com/music/hiphop-rnb/bad-bunny-first-latin-artist-grammys/ "Bad Bunny Becomes First Latin Winner of Grammy Album of the Year in 68 Years") - [Green Day to Open Super Bowl LX; Ignites Right Wing Backlash](https://rollingstonephilippines.com/music/green-day-super-bowl-maga-backlash/ "Green Day to Open Super Bowl LX; Ignites Right Wing Backlash") - [Sabrina Carpenter Charts Her Path in Pop With New Album ‘Man’s Best Friend’](https://rollingstonephilippines.com/music/sabrina-carpenter-mans-best-friend/ "Sabrina Carpenter Charts Her Path in Pop With New Album ‘Man’s Best Friend’") **Categories:** Hip-hop/R&B, Music **Tags:** Bad Bunny --- ### [Seven Years Later, EXO Returns to Manila For the ‘ExhOrizon’ Tour](https://rollingstonephilippines.com/radar/events/exo-manila-tour-2026/) **Published:** January 28, 2026 **Author:** Mel Wang **Excerpt:** But it doesn’t look like all nine members will be onstage for their comeback concert **Content:** It’s been seven years, but pop group [EXO](https://rollingstonephilippines.com/tag/exo/ "EXO") is finally returning to the Philippines. As part of their first tour as a group since 2019, EXO will be bringing its Asia tour, “EXO Planet #6 – ExhOrizon,” to the Philippines, Malaysia, Singapore, Japan, and more. The group is set to perform at the Mall of Asia Arena in Manila on July 4 and 5. The group is currently composed of Suho, Chanyeol, D.O., Kai, Sehun, and Lay. Members Chen, Baekhyun, and Xiumin are noticeably absent from the tour’s roster, as the three are engaged in a legal dispute with their label, SM Entertainment, over contract fulfillment and payment issues. Although the dispute has been resolved since last October, with the three members losing to SM Entertainment, the label has yet to announce whether or not the trio will be allowed to rejoin EXO’s group activities, which include touring. > [View this post on Instagram](https://www.instagram.com/p/DUCru2TE88K/?utm_source=ig_embed&utm_campaign=loading)[A post shared by EXO Official (@weareone.exo)](https://www.instagram.com/p/DUCru2TE88K/?utm_source=ig_embed&utm_campaign=loading) “We clearly stated to the trio in the past that reaching an agreement to end our legal dispute and \[EXO’s\] group activities were two separate matters,” SM Entertainment said in an official statement. This also isn’t the first time that EXO has experienced a downsizing. The group originally debuted in 2012 with 12 members, who were split into two sub-units, EXO-K and EXO-M, but debuted simultaneously in South Korea and China. But in 2014 and 2015, members Kris, Luhan, and Tao left EXO-M after they, too, filed lawsuits against SM Entertainment. EXO’s tour announcement comes after the group dropped its eighth studio album, *REVERXE*, earlier this January. ## Frequently Asked Questions ### When and where is EXO performing in Manila? EXO performs at Mall of Asia Arena on July 4 and 5, as part of their “EXO Planet #6 – ExhOrizon” Asia tour, marking their first Manila show since 2019 and first tour as a group since then. ### Which EXO members are participating in the “ExhOrizon” tour? The tour features Suho, Chanyeol, D.O., Kai, Sehun, and Lay. Members Chen, Baekhyun, and Xiumin are absent following a legal dispute with SM Entertainment over contract fulfillment and payment, which the trio lost as of last October. ### Will Chen, Baekhyun, and Xiumin rejoin EXO for future activities? It’s unconfirmed. SM Entertainment stated that resolving the legal dispute and the trio’s return to group activities, including touring, are separate matters, and has not announced whether they will rejoin EXO. ### Has EXO experienced member departures before? Yes. The group originally debuted in 2012 with 12 members split into EXO-K and EXO-M. Members Kris, Luhan, and Tao left EXO-M in 2014 and 2015 after filing separate lawsuits against SM Entertainment. ### What album is EXO promoting with the “ExhOrizon” tour? The tour follows the January release of EXO’s eighth studio album, “REVERXE,” which the group dropped shortly before announcing their return to the Philippines and other Asian markets. Related Stories - [Jung Kook: No Limits](https://rollingstonephilippines.com/music/pop/jung-kook-no-limits/ "Jung Kook: No Limits") - [K-Pop Agency HYBE Chairman Faces Stock Fraud Investigation](https://rollingstonephilippines.com/music/hybe-chairman-faces-probe/ "K-Pop Agency HYBE Chairman Faces Stock Fraud Investigation") - [Instagram Couldn’t Handle V’s Latest Post](https://rollingstonephilippines.com/music/pop/v-bts-instagram-post-flagged/ "Instagram Couldn’t Handle V’s Latest Post") **Categories:** Events, Music, Pop, Radar **Tags:** EXO --- ### [No Nipah Virus in the Philippines Yet, But DOH Ready to Test](https://rollingstonephilippines.com/state-of-affairs/nipah-virus-outbreak-india-philippines/) **Published:** January 28, 2026 **Author:** Pie Gonzaga **Excerpt:** While several Asian countries have begun screening arrivals for the Nipah virus, the Philippines has not yet placed special measures at airports **Content:** While the Philippines has not yet reported any cases of the [Nipah virus](https://rollingstonephilippines.com/tag/nipah-virus/ "Nipah Virus") following an outbreak in India this month, the [Department of Health](https://rollingstonephilippines.com/tag/doh/ "DOH") said on Tuesday, January 27, that it is ready to test and monitor potential cases in the country. *ABS-CBN News* reports that in West Bengal, India, five health workers have been confirmed to be infected with the virus, while around 100 people have been placed under quarantine. According to the *BBC*, Thailand has started screening passengers at airports receiving flights from West Bengal. Nepal, a neighboring country to India, has also begun screening arrivals at land borders. In Taiwan, the government is considering declaring the Nipah virus a Category 5 disease, classifying it as an emerging or rare infection with major [public health](https://rollingstonephilippines.com/tag/public-health/ "Public Health") risks, and requiring immediate reporting and special control measures. In the Philippines, no special measures have been implemented at airports so far to prevent the virus locally. The last known Nipah infections in the country were recorded during a 2014 outbreak in Sultan Kudarat, after 17 individuals reportedly ate horse meat and made contact with another infected individual. In the meantime, Health Assistant Secretary Albert Domingo said Filipinos can take precautions by avoiding bats or other sick animals, cooking food, and eating meat approved by the National Meat Inspection Service. ## Symptoms and Prevention ![pteropus bats nipah virus](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/Pteropus_giganteus_colony.webp) Bats in the Pteropus genus are the most common hosts of the Nipah virus, according to WHO. Photo by Vladimir Arkhipov/Wikimedia Commons According to the [World Health Organization](https://www.who.int/news-room/fact-sheets/detail/nipah-virus) (WHO), the Nipah virus is transmitted from animals to humans and is found in bat species across parts of Asia, including India, Cambodia, Indonesia, Thailand, and the Philippines. The virus could be transmitted through direct contact with contaminated animals, consuming fruits or fruit products contaminated by bats, and “close contact with people’s secretions and excretions.” Initial symptoms of the Nipah virus include fever, headaches, muscle pain, vomiting, and sore throat, followed by dizziness and drowsiness. Respiratory problems may also develop, but other infected individuals may also present asymptomatic. In severe and fatal cases, an infected person could develop acute encephalitis, marked by sudden confusion, disorientation, changes in personality, behavioral changes, and altered consciousness. WHO has identified Nipah as a priority for the organization’s Research and Development Blueprint, as there are currently no drugs or vaccines against the virus. ## Frequently Asked Questions ### Has the Philippines reported any Nipah virus cases? No. As of the article’s publication, the Philippines has not reported any Nipah virus cases following the outbreak in West Bengal, India, though the Department of Health says it is ready to test and monitor for potential cases. ### What is the current Nipah virus situation in India? Five health workers in West Bengal, India, have been confirmed infected, with around 100 people placed under quarantine, according to ABS-CBN News, prompting airport and border screening measures in neighboring countries like Thailand and Nepal. ### How can people protect themselves from Nipah virus? Health Assistant Secretary Albert Domingo advised avoiding contact with bats or sick animals, thoroughly cooking food, and only eating meat approved by the National Meat Inspection Service as basic precautionary measures. ### Has the Philippines had Nipah virus cases before? Yes. The last known outbreak occurred in 2014 in Sultan Kudarat, after 17 individuals reportedly ate horse meat and had contact with another infected individual, according to the article. ### Is there a vaccine or treatment for Nipah virus? No. According to the World Health Organization, there are currently no approved drugs or vaccines for Nipah virus, and the WHO has designated it a priority for its Research and Development Blueprint. Related Stories - [It’s Not Cuddle Weather; It’s Flu Season](https://rollingstonephilippines.com/state-of-affairs/environment/baguio-temperature-drop-flu-season/ "It’s Not Cuddle Weather; It’s Flu Season") - [Mpox Cases Rise in Visayas, Mindanao Amid a Continuing Global Outbreak](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/mpox-cases-visayas-mindanao-infection/ "Mpox Cases Rise in Visayas, Mindanao Amid a Continuing Global Outbreak") - [5 Years Later: How Filipino Artists Responded to COVID-19](https://rollingstonephilippines.com/culture/art/covid-19-filipino-art/ "5 Years Later: How Filipino Artists Responded to COVID-19") **Categories:** State of Affairs **Tags:** Nipah Virus, Public Health --- ### [Kanye West Public Apology Draws Skepticism From Fans Waiting on New Music](https://rollingstonephilippines.com/music/hiphop-rnb/kanye-west-apology-new-music-speculation/) **Published:** January 28, 2026 **Author:** Elijah Pareño **Excerpt:** The controversial artist addresses years of harmful remarks in print while fans debate whether music promotion sits behind the move **Content:** [Kanye West](https://rollingstonephilippines.com/tag/kanye-west/ "Kanye West") has entered a new phase that looks nothing like his past spectacle-driven appearances. Instead of surprise performances, social media rants, or chaotic album rollouts, he has spent the past weeks issuing apologies across communities he once targeted. The most visible step came through a full-page advertisement in *The Wall Street Journal* last January 26, where West, who has now changed his name to Ye, addressed years of antisemitic remarks that had cost him business partnerships, friendships, and public trust. In the ad, Ye wrote that he had “lost touch with reality” during periods of untreated bipolar disorder and referenced a lingering brain injury from his 2002 car crash. He described those episodes as moments when his judgment collapsed and acknowledged the harm his words caused. “I regret and am deeply mortified by my actions in that state, and am committed to accountability, treatment, and meaningful change,” he wrote in the public apology. “It does not excuse what I did. I am not a Nazi or an antisemite. I love Jewish people.” ![Kanye West Bully](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/bully-1.webp) A press release obtained by *Rolling Stone* describes *Bully* as an album centered on themes of remorse, memory, ego, faith, and consequence. Photo from Kanye West/Facebook Skepticism followed quickly. Across social media, fans speculated that the apology served as another prelude to the release of his latest album, Bully, which was slated for January 30, yet according to the radio host Charlamagne the God of The Breakfast Club, the album has been delayed until March. In an exclusive interview with *[Vanity Fair](https://www.vanityfair.com/hollywood/story/kanye-west-exclusive-apology-antisemitism-brain-injury?srsltid=AfmBOopzTdOelFRGRwng_M0oG0sYA7azcNHXB6yV4tTfuAn6pEgTgxNW "Vanity Fair")* on January 27, Ye did not state that his new album will be released anytime soon, even though it has been delayed by more than a year since its September 2024 announcement. ## Apology Tour This wasn’t the first time Ye had issued an apology. After his public apology following the 2009 MTV Video Music Awards interruption of [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/ "Taylor Swift"), Ye went into self-imposed exile in Hawaii to record *My Beautiful Dark Twisted Fantasy*. In late 2023, he issued another apology related to antisemitic comments, only to resume similar behavior months later. This time, however, there are no confirmed projects tied to the moment. Industry outlets have not reported new material in progress. In November 2025, Ye met privately in New York with Rabbi Yoshiyahu Yosef Pinto, an Israeli-Moroccan Orthodox spiritual leader, to apologize directly for his previous statements. That meeting took place months before the *Wall Street Journal* ad, suggesting a longer process rather than a single publicity beat. Ye has already lost billion-dollar partnerships with Adidas and Gap back in 2022 for his remarks, consequences that did not prompt immediate accountability at the time. What stands out now is the absence of commercial momentum surrounding his apology. No music announcement follows it (so far), and no spectacle that cushions it either. After years of inflammatory statements targeting Jewish communities, Black communities, and other marginalized groups, Ye appears to be confronting the weight of those choices directly. Not every apology earns belief, especially from someone with a long history of reversals. Still, this move suggests a break from the cycle in which controversy served as marketing fuel. For now, the story does not point toward another album era. The incident points toward an artist finally facing the damage left behind by his own voice. ## Frequently Asked Questions ### What did Kanye West apologize for in his Wall Street Journal ad? Ye, formerly Kanye West, addressed years of antisemitic remarks in a full-page ad published January 26, attributing the comments to periods of “lost touch with reality” during untreated bipolar disorder episodes and a lingering brain injury from his 2002 car crash. ### Why are fans skeptical of Kanye West’s apology? Skepticism stems from his history of apologies followed by renewed controversial behavior, including after the 2009 VMAs and a 2023 antisemitic apology that preceded similar remarks months later. Some also speculated the apology was tied to promoting his album. ### Is Kanye West’s new album “Bully” coming out soon? It’s unclear. The album was originally slated for January 30 but has reportedly been delayed until March, according to radio host Charlamagne the God. In a Vanity Fair interview, Ye did not confirm a release timeline. ### Did Kanye West meet with any religious leaders before his public apology? Yes. In November 2025, Ye privately met in New York with Rabbi Yoshiyahu Yosef Pinto, an Israeli-Moroccan Orthodox spiritual leader, to apologize directly, months before his January Wall Street Journal ad. ### What business consequences has Kanye West faced for his past remarks? Ye lost billion-dollar partnerships with Adidas and Gap in 2022 following his antisemitic comments. Unlike previous controversies, this apology arrives without an accompanying music release or major commercial event tied to it. 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The Filipino drag queen, who took home the crown on the inaugural season of *[Drag Race Philippines: Slaysian Royale](https://rollingstonephilippines.com/tag/drag-race-philippines-slaysian-royale/ "Drag Race Philippines: Slaysian Royale")*, has never been one to define her brand of drag. While others may describe themselves as pageant queens, glam queens, or comedy queens, Brigiding took a good long pause before trying to explain her own drag niche. “You can’t expect \[me\] to be like everyone else,” Brigiding told *Rolling Stone Philippines*. “A Brigiding performance is high energy. But it’s also gonna be emotional. You know, may puso, pero also, may rock n’ roll.” ![Brigiding](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RSPH-Brigiding-20254289-1.webp) Brigiding in an AJ Javier dress, with a headpiece and earrings from Amped Accessories. Photo by Yel dela Paz This makes sense when you see the queen in her domain. At a show held in Linya-Linya HQ, a few days after she’d won *Slaysian Royale* last October 2025*,* Brigiding had no trouble working her magic on a packed room of devotees. After a warm-up performance that had *[Drag Race Philippines ](https://rollingstonephilippines.com/tag/drag-race-philippines/ "Drag Race Philippines")*Season 1 winner [Precious Paula Nicole](https://rollingstonephilippines.com/tag/precious-paula-nicole/ "precious paula nicole") and her two drag daughters, Kieffy and Winter Sheason, whip the crowd into a frenzy, a reverent hush fell over the room as we prepared for Brigiding to take her rightful place onstage. And she did not disappoint. The queen sauntered over in a leopard fur coat while lip-syncing to Barbra Streisand’s rendition of “I’m The Greatest Star.” A wink and a hair toss later, and the coat was on the floor, revealing a sequined and fringed red number that Brigiding had spinning as she danced her way into the crowd. Now lip syncing to Patina Miller’s “Fabulous, Baby!”, Brigiding jumped onto a platform box (in a golden pair of six-inch heels, no less) without missing a beat. Two minutes later, Precious Paula Nicole returned to the stage with a bedazzled scepter and crown, which she promptly placed on top of her fellow *Drag Race Philippines* Season 1 sister’s head. One more strut, one more belt of “I’m fabulous, baby,” and Brigiding was on to the next part of her show: judging an audience twerking contest. # A Different Time ![Brigiding](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RSPH-Brigiding-20254220-1.webp) Brigiding in a dress from Erica Terol, with jewelry from Amped Accessories. Photo by Yel dela Paz But there was a time when the queen did not reign supreme. In 2008, Brigiding was a college student who had yet to enter the world of drag. “After school, the girls and the gays would go out and drink in Malate,” she recalled. “We were looking for boys.” It was at O Bar that Brigiding first came face to face with Mama Shue Bagets, a drag queen who would become one of her major influences. “I was so amazed by her fantasy,” said Brigiding. “Everything looked like it was sparkling, and she was shining, too. Sabi ko, ‘I wanna be like her.’” Deciding in 2013 that she wanted to try out drag, Brigiding would spend her evenings performing at venues like O Bar and Red Banana. “Singit-singit lang ako,” said Brigiding. “Parang ‘yung professional fee ko ay hindi pa ‘yung PF from the bar. Collected tips lang. Which was fine, kasi hindi naman ako nag-expect ng PF. It was more for experience and the joy of getting dressed up, playing with makeup, playing with my sisters, dancing, performing… and the free drinks, siyempre.” It took two more years before Brigiding headlined her first show at O Bar. ![Brigiding](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RSPH-Brigiding-20254385-1.webp) “I don’t think my need to \[win\] translated well on the show.” Photo by Yel dela Paz However, it wasn’t always a joyful experience being a working drag queen in Manila. “Back in my time, wala namang major support for drag, especially here,” said Brigiding. “People would go to clubs to see boys and drink. Parang second act lang kaming mga performers. We weren’t given that much attention, and if we were, usually only for laughs. Comic relief lang kaming mga bading.” Despite the pitfalls that came with pursuing drag, the time spent with her drag sisters made the experience all the more bearable for Brigiding. “I wish I could do that ngayon, pero ang dami ko na ring ginagawa,” she said. “But ‘yun ‘yung mga na-mi-miss ko, kasi parang hindi na nga lang about drag ‘yung ginagawa ninyo. Even lahat ng life stories nila, talagang makukuha mo.” It was through those long weekends spent rehearsing numbers with her sisters and helping each other backstage with hair and makeup that Brigiding learned how to step into the spotlight as her own drag queen. Although she acknowledged that the internet has made it easier for people to learn to do drag on their own, Brigiding said that they’re also missing out on what makes drag such a communal experience. “You get to discover everything by yourself now, which is okay,” she said. “But sometimes it really takes a whole community to build someone.” # A Rocky First Season ![Brigiding](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RSPH-Brigiding-20254262-1.webp) “Back in my time, wala namang major support for drag, especially here.” Photo by Yel dela Paz After years of making a name for herself in the local drag circle, Brigiding seemed to have gotten a break that would have propelled her to even greater national fame: a spot on the first season of *Drag Race Philippines*. The inaugural batch featured standout contenders like [Marina Summers](https://rollingstonephilippines.com/tag/marina-summers/ "marina summers"), [Minty Fresh](https://rollingstonephilippines.com/tag/minty-fresh/ "Minty Fresh"), Precious Paula Nicole, and Viñas Deluxe, the latter two of whom Brigiding had teamed up with prior to the show to form the drag trio, Divine Divas. Unfortunately, it just wasn’t Brigiding’s season. In Episode 8, she landed in the bottom two with Minty, who sent her home after winning the Lip Sync For Your Life to Yumi Lacsamana’s “Dyosa.” “I don’t think my need to \[win\] translated well on the show,” said Brigiding of her time onscreen. “Maybe that was because I came in with this intention of proving to people that I was good enough. I spent more time trying to prove myself than really showing who I am. I was trying to be someone I was not.” “After Season 1, nag-isip ako, ‘Bakit sabi \[ng mga judges\] na naghahanap sila kay Brigiding?’” The drag queen continued. “I *am* Brigiding… but they were missing that vulnerability. ‘Yon ang hinahanap ng mga judges. They don’t need someone who’s just there to win. They need someone who’s having fun and who’s showing their true selves.” “I don’t think my need to \[win\] translated well on \[*Drag Race Philippines* Season 1\]. Maybe that was because I came in with this intention of proving to people that I was good enough.” Brigiding Although she had already been toying with the idea of becoming a house mother prior to Season 1, having taken her first daughter, Zymbading (who competed in the third season of *Drag Race Philippines*), under her wing as her assistant, Brigiding decided that pouring her energy into building a drag house was the best way to recenter herself after losing her season of *Drag Race Philippines*. “I thought I couldn’t go on,” she said, “but that was the time I was like, ‘Okay, I lost my season. Now what?’” “Zymba was like, ‘I want to do drag, I want to experience drag,’” recalled Brigiding. “So sabi ko, ‘Sige. Prove to me that you really want to be a drag queen, because drag is not something you can learn in one night, one week, or one month. You have to observe and immerse yourself in what’s happening.” Today, the House of Ding is led by Brigiding, its mother, alongside her daughters, Zymbading and Bombading. “You want to hone talents. You want to share your knowledge and experiences. \[You want\] them to start their own careers and live their best lives. They also inspire me to be the better version of myself: someone’s looking up to me now. Parang having that purpose, gives my drag more meaning.” # Redemption Arc ![Brigiding](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RSPH-Brigiding-20254337-1.webp) “I spent more time trying to prove myself than really showing who I am. I was trying to be someone I was not.” Photo by Yel dela Paz Four years after *Drag Race Philippines* Season 1 aired, Brigiding found another chance to enter the Werkroom with *Slaysian Royale*, the Filipino franchise’s spin on *RuPaul’s Drag Race All Stars.* The contestants — five from the Philippines and seven from countries such as Thailand, Canada, and the United States — competed for the chance to win P2,000,000 and a place in the Drag Race Slaysian Hall of Fame. To say that Brigiding wasn’t a clear frontrunner from the first few episodes would be a lie. She won her first Maxi Challenge with her performance as the loving bride Raquel Achoo in the show’s Rusical, *Crazy Bitch Slaysians: The Musical*. Her runway looks, whether it was a hand-sewn dress made of red cacao leaves or a gown that paid homage to the People Power Revolution, always earned praise from Mama Pao and her rotating panel of judges. Plus, her win during the Lip Sync LaLaPaRuZa Slaysian Smackdown earned her the Golden Balut, which gave her the power to grant immunity to any contestant in danger of being sent home. So it was no wonder that the queen took home the show’s first-ever crown, beating drag sister Viñas Deluxe in the final Lip Sync For Your Life. After acing Marina Summers and Moophs’ “Born to Do Drag,” Brigiding secured her place as the world’s very first Slaysian Drag Superstar. Losing on *Drag Race Philippines* was one of the main reasons why she was able to win the crown on *Slaysian Royale*. “Naging motivation siya,” said Brigiding. “Instead of being like, ‘Let’s forget about Season 1,’ ginamit ko siya to my advantage. This time, I didn’t need to prove to people that I’m Brigiding. I wanted to prove to myself that I *am* Brigiding, and that drag is what I do.” ![Brigiding](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/RSPH-Brigiding-20254394.webp) “I wanted to prove to myself that I *am* Brigiding, and that drag is what I do.” Photo by Yel dela Paz However, she acknowledged that her win also came from being strategic with the alliances she built on *Slaysian Royale*. As viewers may have noticed, the Filipino queens tended to partner up with one another, leaving the international queens to struggle not only with more culturally Filipino challenges but also with the language barrier. “Unang-una ko na-feel ‘yon with Khianna, kasi siya ‘yung nag-group sa girl group, pinili niya ‘yung five Filipino queens,” said Brigiding. “And to be honest, medyo naawa ako sa kanila. Kasi parang, ‘Oh my God, Khianna, ang aga-aga pa, pinakita mo na agad ‘yung alliances?’” “Pero gano’n talaga ‘yung game,” she continued. “Pero when it comes to making hard decisions, you have to really follow your heart. It’s part of the competition to really break someone else’s dreams.” But beyond the messiness of alliance-building and making difficult decisions, Brigiding noted that the Filipino queens on this season of *Slaysian Royale* were easily some of the best contestants on the show. “Magaling talaga ‘yung mga Filipino,” she said. “And they inspired me to do so well. Binabantayan ko rin ‘yung mga Filipino queens e, kasi they were doing so much at this level. Kaya hindi ako pwedeng mag-relax. All eyes are on us, ‘di ba? Everyone \[was\] rooting for our country.” # A Newfound Peace Life after *Slaysian Royale* has been surprisingly calm for the newly crowned queen. This isn’t to say that Brigiding isn’t keeping busy. Far from it: she’s fully booked for 2026, and she’s hoping to add even more projects as they come. But Brigiding has found a kind of inner peace that she never felt after years of trying to prove herself in the world of drag. “Mas kalmado ako sa sarili ko,” she said. “Kasi siyempre noong una, you need to prove yourself all the time. You need to show why you should win, why you deserve the crown. Pero ngayon, it’s like, ‘Okay, what do I do next?’” The queen hopes to use her new status to bring more intention to her projects. “Mas gusto kong i-expand ‘yung platform ko,” she said. “I want to bring my tribe to bigger places, bigger venues. Mas inspired ako to do more things because I was able to win *Slaysian Royale*.” When pressed again on the subject of what defines the Brigiding brand of drag, the queen took a second before giving her final answer. “I’m not really fond of doing things just for laughs,” said Brigiding. “Gusto ko na parang, yes, I’m performing this, but I want people to feel how I feel. I want to ignite something in them. I want them to see courage, see love, feel loss, and feel despair. But then I want them to think, ‘Ah, magaling siya. Storyteller siya.’” *Hair and Makeup* *Artist* **Brigiding** *Stylist* **Angelo Vasallo** ## Frequently Asked Questions ### Who is Brigiding and what did she win? Brigiding is a Filipino drag queen who won the inaugural season of “Drag Race Philippines: Slaysian Royale” in October 2025, becoming the world’s first Slaysian Drag Superstar and taking home a P2,000,000 prize. ### Did Brigiding compete on “Drag Race Philippines” before Slaysian Royale? Yes. Brigiding competed on the original Season 1 of “Drag Race Philippines” but was eliminated in Episode 8 after landing in the bottom two and losing a lip sync to Minty Fresh. ### What is the House of Ding? The House of Ding is Brigiding’s drag house, which she founded after her Season 1 elimination. She leads it as house mother alongside her drag daughters, Zymbading and Bombading. ### How did Brigiding’s Season 1 loss shape her Slaysian Royale win? Brigiding said her earlier elimination motivated her to compete authentically rather than trying to prove herself to others, a shift she credits as key to winning Slaysian Royale on her second attempt at the franchise. ### How does Brigiding describe her personal drag style? Brigiding resists rigid drag labels, describing her performances as high-energy but emotional, aiming to make audiences feel courage, love, loss, and despair rather than performing solely for comic relief. Related Stories - [M1ss Jade So and ØV CÜNT on How All That Glitters in Drag is Not Gold](https://rollingstonephilippines.com/culture/art/m1ss-jade-so-ov-cunt-interview/ "M1ss Jade So and ØV CÜNT on How All That Glitters in Drag is Not Gold") - [Marina Summers on Drag Stardom and What Happens After Going Global](https://rollingstonephilippines.com/culture/marina-summers-drag-stardom/ "Marina Summers on Drag Stardom and What Happens After Going Global") - [Minty Fresh Has Joined ‘RuPaul’s Drag Race UK vs The World’ Season 3](https://rollingstonephilippines.com/culture/tv/minty-fresh-rupauls-drag-race-uk-vs-world/ "Minty Fresh Has Joined ‘RuPaul’s Drag Race UK vs The World’ Season 3") **Categories:** Culture, Editor's Picks, Features **Tags:** Brigiding, Drag Race Philippines, Drag Race Philippines: Slaysian Royale --- ### [In 2026, Filipino Music Is Collaborative, Regional, and Genre-Fluid](https://rollingstonephilippines.com/music/music-forecast-2026-filipino-music/) **Published:** January 27, 2026 **Author:** Elijah Pareño **Excerpt:** We talk to Filipino artists across genres about scene-building, regional growth, and creating safer spaces beyond viral success **Content:** In 2026, genre is at its most malleable. At the forefront of this music upheaval are younger Filipino acts pushing the possibilities of sound, supported by seasoned artists to create spaces where music can last longer than a viral moment. But pushing alone can’t always affect change. Several musicians speak of their personal experiences of being othered, of genres being boxed off by class and geography, and surviving largely through stubbornness. Some of those conditions remain to this day. What has changed is how artists talk about community. Hailing from all over the country, these artists below speak on what needs to change in the industry and what they’re anticipating in 2026, from evolving R&B to underground dance floors, local musicians focus on sustainability and shared progress. ## R&B Stepping Up R&B continues to widen in approach and audience as younger artists treat the genre as a flexible art form. R&B musician [Stef Aranas](https://rollingstonephilippines.com/tag/stef-aranas/ "Stef Aranas") sees it moving across lyrical themes and production styles. “I think R&B will be even more diverse and expansive in 2026. With such a malleable genre, there’s so much room to play,” she says. This shape-shifting has already led to new offshoots, according to singer-songwriter and producer [Alisson Shore](https://rollingstonephilippines.com/tag/alisson-shore/ "Alisson Shore"). He cites the Y2K-influenced wave, which blends early-2000s R&B melodies with modern production, called Y2KRNB. Together, his outlook reflects a scene focused on discovery, giving more room to shaping their sound. “I’m seeing these experiments (the Y2KRNB) to flourish with new subgenres to be born until the end of 2026. But by 2027 it will hit a brick wall,” he adds. “Much like how Vaporwave hit the mainstream scene but didn’t hold that well.” ## Rock To the Next Level ![Bita and the Botflies](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/bita-and-the-botflies.webp) Blues rock band Bita and the Botflies believes that rock can be a hybrid of different genres. Photo from Bita and the Botflies Rock, a genre that’s known to be highly adept, continues stretching past boundaries. Bands today freely draw from punk, blues, electronic, folk, and pop influences rather than returning to old formulas. Rock in 2026 moves through experimentation, small venues, and scenes that encourage risk. “We see Filipino rock music heading towards a sonic landscape that is more indefinable,” blues rock band [Bita and the Botflies](https://rollingstonephilippines.com/tag/bita-and-the-botflies/ "Bita and the Botflies") says. “An amalgamation of genres and influences, a hybrid of nostalgic sounds and modern Filipino sentiments.” The urge to incorporate rock into other genres is also strong in younger acts. Alternative rock solo act [aunt robert](https://rollingstonephilippines.com/tag/aunt-robert/ "aunt robert") points toward growing overlaps with electronic music. “I believe that there will definitely continue to be a crossover between electronic music and rock,” she says. “Incorporating rock elements from past decades into the evolving electronic music of our era and vice versa.” ## Care About the Dance ![DJ Love](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/DJ-Love.webp) Budots producer DJ Love was glad to see that dance music has become more accessible nowadays. Photo by Khristiandt Lerona The rise of dance music in the 2020s comes with deeper conversations about culture, credit, and respect. Genres like budots and club-rooted styles from the Visayas and Mindanao, once on the fringes, are now reaching wider audiences. “What excites me most is that budots is becoming more accepted and understood,” pioneering budots producer [DJ Love](https://rollingstonephilippines.com/tag/dj-love/ "DJ Love") says. “There’s noticeably less judgment now, especially as people encounter its energy, humor, and emotional honesty in different settings.” Budots has gone beyond novelty, and dance music connoisseurs are accepting it as a form of expression with its signature leg motion and charming production techniques. Alongside the recent resurgence of dance music comes the need for learning the historical context of the word “rave.” [Pette Shabu](https://rollingstonephilippines.com/tag/pette-shabu/ "Pette Shabu") points to the importance of knowing where scenes, especially in dance music, come from. She offers caution and care to those who wish to dip their toes into the dance music scene. “People always need a history lesson,” Pette Shabu says. “Respect comes with knowing things and not actually deciding for something they don’t know, which becomes the loudest noise. A common thing for a business is to gentrify or steal ideas from the people who actually push and innovate.” ## All Eyes on VisMin Across the country, attention continues to shift toward Visayas and Mindanao. Artists from these regions have spent years developing scenes without Manila’s resources or media focus. “Cebuano artists in general are hella underrated, it’s actually disappointing,” Cebuano pop artist [IIICCCYYY](https://rollingstonephilippines.com/tag/iiicccyyy/ "IIICCCYYY") says. “I feel like everybody should always be keeping an ear out for us.” In cities where venues, funding, and industry connections remain limited, growth often happens through community effort. KC Salazar of [KRNA](https://rollingstonephilippines.com/tag/krna/ "KRNA") describes how important it is to drive their scene forward. Salazar says, “In a country where the creative class is left mostly to fend for itself, and in a city like Cagayan de Oro, where basic infrastructure for music barely exists, sincerity becomes a strategy. The only strategy for us is to stay real and grow in whatever cracks of space exist.” Playing in places like Bacolod and Tokyo, Japan, organizing local gigs, and building regional networks now shape how VisMin artists reach new audiences. “If \[playing more shows\] inspires more bands from our region to step out, experiment, and take up space, then that’s the real win. If we can do it, \[other artists from VisMin\] can too.” Salazar says. ## Frequently Asked Questions ### How do Filipino musicians expect R&B to evolve in 2026? Artists like Stef Aranas and Alisson Shore describe R&B becoming more diverse, citing the Y2K-influenced “Y2KRNB” subgenre blending early-2000s melodies with modern production, though Shore predicts the trend may plateau by 2027. ### What direction is Filipino rock music taking in 2026? Musicians describe Filipino rock blending punk, blues, electronic, and folk influences into a more “indefinable” sound. Solo act aunt robert points specifically to growing overlap between rock and electronic music. ### Why is budots gaining wider acceptance in the Philippines? Pioneering producer DJ Love says budots, a dance genre rooted in the Visayas and Mindanao, faces less judgment and more acceptance as its energy and cultural context reach broader audiences beyond its original regional scene. ### Why is attention shifting toward Visayas and Mindanao (VisMin) music scenes? Artists like IIICCCYYY and KC Salazar say VisMin scenes have developed for years without Manila’s resources or media focus, relying on sincerity and community effort, with growth now driven by regional networks and shows in cities like Bacolod. ### What common theme connects Filipino music scenes heading into 2026? Across R&B, rock, dance, and regional scenes, artists emphasize community, genre experimentation, and cultural respect over viral moments, pointing to a music landscape shaped by sustainability and shared progress rather than individual trends. Related Stories - [26 Filipino Musicians to Watch in 2026](https://rollingstonephilippines.com/music/26-filipino-musicians-to-watch-2026/ "26 Filipino Musicians to Watch in 2026") - [For Filipinos, Keeping a Music Venue Alive Means Clutching at Straws](https://rollingstonephilippines.com/music/state-of-music-venues/ "For Filipinos, Keeping a Music Venue Alive Means Clutching at Straws") - [Filipino Artists on the State of Music, and How the Industry Isn’t Built for Them](https://rollingstonephilippines.com/editors-picks/features/state-of-the-nation-music-industry/ "Filipino Artists on the State of Music, and How the Industry Isn’t Built for Them") **Categories:** Editor's Picks, Features, Music **Tags:** Alisson Shore, aunt robert, Bita and the Botflies, DJ Love, IIICCCYYY, KRNA, Music Forecast, Pette Shabu, Stef Aranas --- ### [Why Choi Mina Sue of ‘Single’s Inferno’ Has Been Getting So Much Hate](https://rollingstonephilippines.com/culture/tv/singles-inferno-choi-mina-sue-backlash/) **Published:** February 5, 2026 **Author:** Mel Wang **Excerpt:** Choi Mina Sue’s been receiving some heated backlash lately, but does she deserve any of it? **Content:** If you’ve been tuning into the latest season of *[Single’s Inferno](https://rollingstonephilippines.com/tag/singles-inferno/ "Single's Inferno")*, then you know all about the show’s latest star player: [Choi Mina Sue](https://rollingstonephilippines.com/tag/choi-mina-sue/ "Choi Mina Sue"). The former pageant queen walked into Inferno in Episode 2 as a surprise contender, and she’s been shaking things up (either intentionally or not) on the island ever since. Unlike her hot, young single peers on the show, most of whom chose to pursue either one or two potential love interests, Mina Sue came in with a more multi-pronged approach. She immediately couldn’t decide between Song Seung Il, Lim Su Been, and Lee Sung Hun, all three of whom gave her their first impression votes to show their interest in her. Mina Sue switches her attention between the three of them throughout the season, even choosing to spend a night in Paradise with Su Been and Seung Il (and she *may* go to Paradise a third time with Sung Hun, but he’s been her safety option since Day One). She’s also confessed to finding other contenders like Shin Hyeon Woo and Woo Sung Min attractive, but she hasn’t followed through with these feelings just yet. I’ll say this right now: there’s nothing wrong with how Mina Sue is playing the game. *Single’s Inferno* is, at its core, a dating show, and the whole point of signing onto a show like it is to find the contestant you like best. If anything, Mina Sue has one of the best problems that any single, straight woman could have: deciding which of these hotties to take to Paradise tonight. ![Kim Min Gee, Choi Mina Sue](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/mina_b1.webp) Kim Min Gee and Choi Mina Sue having a talk. Photo from Netflix/Official Website Unfortunately, the problem lies in how Mina Sue’s indecisiveness is affecting everyone else, from the other contestants to the show’s five panelists, and to audiences worldwide. If she pursues Su Been, she runs the risk of clashing with Park Hee Sun, another female contestant who’s had her sights on the boy since the start of the show. But if she pivots to Seung Il, then she butts heads with his other main love interest, Kim Min Gee, the latter of whom got so fed up with Mina Sue’s flip-flopping that she had a tense “heart-to-heart” with her in Episode 9. “I don’t think you know yourself,” Min Gee told Mina Sue in Korean after calling her out for being so unsure about what she wants. “How can you be in a relationship if you don’t even know yourself?” The conversation left Mina Sue in tears, and the cameras panned to her sobbing behind the all-girls cabin after Min Gee had walked away. The show’s panelists have also been vocal about their feelings toward Mina Sue, saying they struggled to sympathize with her in earlier episodes. However, after watching her cry alone, the five used their airtime to publicly apologize to Mina Sue. “All I keep wondering is how angry she must feel at us panelists,” said Hong Jin Kyung. “We’ve been saying a lot of things about Mina Sue.” “The one thing I really like about Mina Sue,” said panelist Kim Jin Young, “is that her conversation with Min Gee had gotten her all riled up. But rather than letting things escalate in the moment, she held it together and then cried in private later. \[I\] don’t think I could do that.” ![choi mina sue](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/mina_b2.webp) Mina Sue after her “heart-to-heart” with Min Gee. Photo from Netflix/Official Website While it does feel like the panelists are experiencing a change of heart a little too late in the game, hopefully it will change how viewers of the show have been bashing Mina Sue online. Fans have described Mina Sue as toxic and insecure, with some even posting public comments on her Instagram to lash out at her. It’s easy to forget that the people who sign onto a dating show are, in fact, real people, but it feels like the recent backlash against Mina Sue is starting to cross a line. Yes, she’s not perfect, and there are times when I find myself screaming at the screen because she can’t make up her mind. She’s also not very good at reining in her jealousy when she sees her favorite men talking to other people, but you know what? Same. And if I were on the island, I would be just as confused and as fickle as Mina Sue, because why bother joining *Single’s Inferno* if you’re only going to talk to one contestant the entire time? We’ll have to wait and see how things turn out for Mina Sue in Inferno, but I hope that she’s turned her phone off and isn’t listening to any of the hate that’s aimed at her. Shame on us for being so cruel to her, and she definitely deserves a happy ending come the season finale on February 10. ## Frequently Asked Questions ### Why is Choi Mina Sue facing backlash on “Single’s Inferno” Season 5? Choi Mina Sue, a former pageant queen who entered in Episode 2, has been criticized online as “toxic” and “insecure” for pursuing multiple contestants at once instead of committing to one love interest. ### What happened between Choi Mina Sue and Kim Min Gee on “Single’s Inferno”? In Episode 9, Kim Min Gee confronted Mina Sue over her indecisiveness, telling her, “I don’t think you know yourself.” The conversation left Mina Sue crying alone behind the cabin afterward. ### Did the “Single’s Inferno” panelists apologize to Choi Mina Sue? Yes. After watching her cry following the confrontation with Kim Min Gee, the show’s five panelists, including Hong Jin Kyung and Kim Jin Young, publicly apologized for their earlier criticism of her. ### Which contestants is Choi Mina Sue pursuing on “Single’s Inferno” Season 5? Mina Sue has split her attention between Song Seung Il, Lim Su Been, and Lee Sung Hun, all of whom gave her first impression votes, while also expressing attraction to Shin Hyeon Woo and Woo Sung Min. ### When does “Single’s Inferno” Season 5 finale air? The Season 5 finale of “Single’s Inferno” is set to air on February 10, following weeks of controversy surrounding contestant Choi Mina Sue’s love triangle storyline. Related Stories - [What You Need to Know About ‘Single’s Inferno’ Season 5 Breakout Star, Choi Mina Sue](https://rollingstonephilippines.com/culture/tv/singles-inferno-choi-mina-sue/ "What You Need to Know About ‘Single’s Inferno’ Season 5 Breakout Star, Choi Mina Sue") - [‘Single’s Inferno’ Season 5 Dating Guide: Couples and Love Triangles](https://rollingstonephilippines.com/culture/tv/singles-inferno-season-5-dating-guide/ "‘Single’s Inferno’ Season 5 Dating Guide: Couples and Love Triangles") - [Who’s Who on Season 5 of Netflix’s ‘Single’s Inferno’](https://rollingstonephilippines.com/culture/tv/singles-inferno-season-5-netflix-cast/ "Who’s Who on Season 5 of Netflix’s ‘Single’s Inferno’") **Categories:** Culture, TV **Tags:** Choi Mina Sue, Single's Inferno --- ### [Bad Bunny Brought Out a Party with Ricky Martin, Lady Gaga, Karol G, and More at the Super Bowl](https://rollingstonephilippines.com/culture/bad-bunny-superbowl-lady-gaga/) **Published:** February 9, 2026 **Author:** Mel Wang **Excerpt:** I also spied, with my little eye, Cardi B and Pedro Pascal at Benito’s Casita **Content:** It’s [Super Bowl](https://rollingstonephilippines.com/tag/super-bowl/ "Super Bowl") day (or, excuse me, Benito Bowl day), and [Bad Bunny’s](https://rollingstonephilippines.com/tag/bad-bunny/ "Bad Bunny") joyful halftime performance had everyone both at Levi’s Stadium and around the world partying for a solid 13 minutes. But adding to the fun of the Puerto Rican star’s Super Bowl LX show was all the famous friends he brought along to party with him. The easier-to-spot party people included [Lady Gaga](https://rollingstonephilippines.com/tag/lady-gaga/ "Lady Gaga"), who joined Bad Bunny onstage for a surprise performance of “Die With A Smile” and a quick dance afterwards. Ricky Martin, in his first-ever Super Bowl halftime show appearance, sang a few bars from the chorus of Bad Bunny’s “LO QUE LE PASO A HAWAii.” Later in his performance, the rapper also visited a club whose bar was tended by Maria Antonia Cay, also known as one of the the matriarch of Toñita, the Caribbean Social Club of New York. > [View this post on Instagram](https://www.instagram.com/reel/DUhNeMNAD0d/?utm_source=ig_embed&utm_campaign=loading)[A post shared by NFL (@nfl)](https://www.instagram.com/reel/DUhNeMNAD0d/?utm_source=ig_embed&utm_campaign=loading) Benito led his party through a makeshift Puerto Rico, featuring a piragua stand, nail salon, and a field filled with stalks of sugarcane, palm trees, and other fauna native to his home turf. At the center of Benito’s throng was a baby pink casita, where partygoers like [Pedro Pascal](https://rollingstonephilippines.com/tag/pedro-pascal/ "Pedro Pascal"), [Cardi B](https://rollingstonephilippines.com/tag/cardi-b/ "Cardi B"), and Karol G were all spotted vibing to the rapper’s set. Other guests at the casita included Jessica Alba, TikTok’s Alix Earle, and media nightlife entrepreneur David Grutman. ## Frequently Asked Questions ### Which celebrities joined Bad Bunny at Super Bowl LX? Lady Gaga performed “Die With a Smile” onstage with Bad Bunny, while Ricky Martin sang from “LO QUE LE PASO A HAWAii.” Pedro Pascal, Cardi B, Karol G, Jessica Alba, Alix Earle, and David Grutman were also spotted at his pink casita. ### What did Lady Gaga perform with Bad Bunny at Super Bowl LX? Lady Gaga made a surprise appearance for a performance of “Die With a Smile,” followed by a brief dance with Bad Bunny during his Super Bowl LX halftime show. ### Was this Ricky Martin’s first Super Bowl halftime appearance? Yes. Ricky Martin sang a few bars of “LO QUE LE PASO A HAWAii” during Bad Bunny’s set, marking his first-ever appearance in a Super Bowl halftime show. ### What was the “casita” at Bad Bunny’s Super Bowl LX show? The casita was a baby pink house at the center of a makeshift Puerto Rico set, featuring a piragua stand, nail salon, and sugarcane field, where celebrity guests gathered to watch the performance. ### Who tended the bar during Bad Bunny’s Super Bowl LX performance? Maria Antonia Cay, a matriarch of Toñita, the Caribbean Social Club of New York, tended the bar at a club Bad Bunny visited during his halftime performance. Related Stories - [Bad Bunny Becomes First Latin Winner of Grammy Album of the Year in 68 Years](https://rollingstonephilippines.com/music/hiphop-rnb/bad-bunny-first-latin-artist-grammys/ "Bad Bunny Becomes First Latin Winner of Grammy Album of the Year in 68 Years") - [Bad Bunny to Be Fifth Latin Artist to Headline Super Bowl Halftime Show in 2026](https://rollingstonephilippines.com/music/hiphop-rnb/bad-bunny-superbowl-halftime-headliner-2026/ "Bad Bunny to Be Fifth Latin Artist to Headline Super Bowl Halftime Show in 2026") - [5 Essential Bad Bunny Songs to Know Before the Superbowl Halftime Show](https://rollingstonephilippines.com/music/hiphop-rnb/5-essential-bad-bunny-songs/ "5 Essential Bad Bunny Songs to Know Before the Superbowl Halftime Show") **Categories:** Culture, Music, Sports **Tags:** Super Bowl LX --- ### [Manila’s Top Restaurant Owners Talk Michelin in Rolling Stone PH Roundtable](https://rollingstonephilippines.com/media-channels/michelin-guide-manila-restaurants-roundtable/) **Published:** February 7, 2026 **Author:** Pie Gonzaga **Excerpt:** In the latest episode of Rolling Stone Philippines Roundtable, leading restaurant owners unpack pressure, prestige, and the Philippine debut of the Michelin Guide **Content:** Following the arrival of the Michelin Guide in the Philippines in October 2025, the chefs and owners of Manila’s top restaurants gathered for the latest episode of the [Rolling Stone Philippines Roundtable](https://rollingstonephilippines.com/tag/rolling-stone-philippines-roundtable/ "Rolling Stone Philippines Roundtable"), where they discussed what it means to bring Filipino food to the world through the guide. In its [inaugural edition](https://rollingstonephilippines.com/culture/food/inaugural-michelin-guide-philippines-2026/), the Philippines Michelin Guide recognized 108 Filipino dining establishments, with distinctions such as the Michelin Green Star, the Bib Gourmand, and the highly coveted Michelin Star. With it, Manila restaurants such as Helm, Kodawari, Hapag, and Celera, among others, were put on par with London’s Restaurant Gordon Ramsay and California’s The French Laundry. [Josh Boutwood](https://rollingstonephilippines.com/culture/food/chef-josh-boutwood-helm-michelin-stars/), the owner and chef leading the country’s only two-star restaurant [Helm](https://rollingstonephilippines.com/tag/helm/ "Helm"), says the Michelin Guide isn’t about trying to impress foreign critics. “It benchmarks us against other countries throughout the world that have the Michelin Guide in their territories, which then makes us, as an industry and as a country, at a level that is equal to or better than somewhere else,” he says. ![michelin guide rolling stone philippines roundtable](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/michelin-rsph-roundtable.webp) Owners of some of Manila’s top restaurants say the Michelin Guide’s arrival in the Philippines created pressure. For chefs Nicco Santos and Quenee Vilar, co-owners of one-star restaurant [Celera](https://rollingstonephilippines.com/tag/celera/ "Celera"), there was intense pressure to do well, as the restaurant had just opened and was in the process of figuring out their operations when the Department of Tourism announced that the Michelin Guide was coming. Vilar says that their partnership helped alleviate the stress. “The other one can focus on the kitchen, while I’m focused on turning everything into place, the whole service,” she says. During the roundtable discussion, [Kodawari](https://rollingstonephilippines.com/tag/kodawari/ "Kodawari") partner and food writer [Toni Potenciano](https://rollingstonephilippines.com/culture/food/kodawari-salcedo-michelin-guide-spam/ "A Restaurateur’s Unlikely Michelin Guide Journey, Whose Invite Went into Spam") gave a rundown of Michelin’s deliberation process. “We got an email around July from Michelin, saying, ‘Okay, you can expect that somebody might come to the restaurant,’ they don’t say when,” she says. “And then, ‘Can you please answer this questionnaire and upload photos here?’ And then when you answer that whole survey, it’s like 10 million disclaimers: ‘This does not mean you’re included in the guide.’” Erin Recto, a partner at one-star restaurant [Hapag](https://rollingstonephilippines.com/tag/hapag/ "Hapag"), also shared that getting a distinction from the Michelin Guide didn’t just impact those in the kitchen, but also the restaurant’s front-of-house team. “I shared a moment with two front-of-house leaders, and they said, ‘May ambag na rin tayo.” That really struck me,” Recto says. “Now, front-of-house has that confidence. It’s like a reminder of why we do what we do every day.” The latest episode of the Rolling Stone Philippines Roundtable is available to watch now on [YouTube](https://youtu.be/xtfTNUNSAH8). ## Frequently Asked Questions ### Which Manila restaurants were discussed in the Rolling Stone PH Michelin Roundtable? The roundtable featured Josh Boutwood of two-star restaurant Helm, Nicco Santos and Quenee Vilar of one-star Celera, Erin Recto of one-star Hapag, and Toni Potenciano of Kodawari, discussing the Michelin Guide’s Philippine debut. ### When did the Michelin Guide arrive in the Philippines? The Michelin Guide made its Philippine debut in October 2025, with its inaugural edition recognizing 108 Filipino dining establishments across distinctions like the Michelin Star, Bib Gourmand, and Michelin Green Star. ### How did restaurant owners find out they’d be evaluated by Michelin? Kodawari’s Toni Potenciano said Michelin reached out by email around July, requesting a questionnaire and photos, with disclaimers stating that answering did not guarantee inclusion in the guide. ### Why does Josh Boutwood say the Michelin Guide matters for Philippine restaurants? Boutwood, chef-owner of the country’s only two-star restaurant Helm, said the guide benchmarks Philippine restaurants against international standards, putting the industry on par with top restaurants worldwide. ### How did the Michelin recognition affect restaurant staff beyond the kitchen? Hapag partner Erin Recto said the distinction gave the restaurant’s front-of-house team new confidence, recalling a moment when staff felt their contributions mattered as much as the kitchen’s. Related Stories - [These Are The First-Ever Michelin-Starred Restaurants in the Philippines](https://rollingstonephilippines.com/culture/food/inaugural-michelin-guide-philippines-2026/ "These Are The First-Ever Michelin-Starred Restaurants in the Philippines") - [A Restaurateur’s Unlikely Michelin Guide Journey, Whose Invite Went into Spam](https://rollingstonephilippines.com/culture/food/kodawari-salcedo-michelin-guide-spam/ "A Restaurateur’s Unlikely Michelin Guide Journey, Whose Invite Went into Spam") - [Helm’s Josh Boutwood Feels the Pressure of Winning Two Michelin Stars](https://rollingstonephilippines.com/culture/food/chef-josh-boutwood-helm-michelin-stars/ "Helm’s Josh Boutwood Feels the Pressure of Winning Two Michelin Stars") **Categories:** Culture, Food, Media Channels **Tags:** Celera, Hapag, Helm, Kodawari, Michelin Guide, Rolling Stone Philippines Roundtable --- ### [Nicki Minaj’s Trump Turn Marks the End of Her Place in Rap Culture](https://rollingstonephilippines.com/music/hiphop-rnb/nicki-minaj-trump-support-2026/) **Published:** January 29, 2026 **Author:** Elijah Pareño **Excerpt:** As industry support faded, outrage politics offered attention, loyalty, and a sense of belonging that music no longer provided **Content:** The public embrace of [Donald Trump](https://rollingstonephilippines.com/tag/donald-trump/ "Donald Trump") by [Nicki Minaj](https://rollingstonephilippines.com/tag/nicki-minaj/ "Nicki Minaj") marks a full break from the culture that once crowned her as rap’s reigning force. Speaking at a Treasury Department–hosted summit in Washington, D.C., on January 28 to launch “Trump Accounts” — a child investment bank account for newborns — she told the crowd, “I will say that I am probably the president’s No. 1 fan.” The moment landed as Minaj’s latest step in a years-long drift away from hip-hop’s center, shaped by controversy, alienation, and a growing comfort with grievance politics. Trump’s orbit offers a familiar refuge for public figures who feel rejected by mainstream culture. For Minaj, the turn toward populist loyalty mirrors a pattern observed across celebrity politics, in which backlash becomes proof of persecution and controversy transforms into identity. Her declaration as Trump’s “No. 1 fan” did not arrive out of nowhere. Rap has largely closed ranks without her. In that vacuum, grievance found a louder home. But this wasn’t the first time rappers had openly voiced their support for Trump. Back in 2016, Kanye West showed his support for Trump during the elections and the years that followed. According to [XXL Magazine](https://www.xxlmag.com/rappers-support-donald-trump-2023/), there were numerous instances where rappers have shown their support towards Trump. In 2023, Waka Flocka Flame posted “TRUMP2024” on X at the height of Trump’s second run as President. In 2024, Kodak Black and Fivio Foreign have shamelessly hopped on a track that features the President called “ONBOA47RD,” and Azealia Banks showering her praise over Trump in an interview, saying “Nothing can take him down.” Although in April 2025, Banks said [she regrets](https://www.billboard.com/music/rb-hip-hop/azealia-banks-regrets-donald-trump-vote-1235950200/) voting for the President. > [View this post on Instagram](https://www.instagram.com/reel/DUD-ZFxjMWQ/?utm_source=ig_embed&utm_campaign=loading)[A post shared by The White House (@whitehouse)](https://www.instagram.com/reel/DUD-ZFxjMWQ/?utm_source=ig_embed&utm_campaign=loading) However, Minaj’s drift into right-wing politics did not happen overnight. Over the past two years, she has appeared at Turning Point USA events in 2025, praised Vice President JD Vance in the same program, reshared White House TikToks promoting Trump-era talking points on immigration and trans rights, and amplified Trump’s posts on Truth Social, moves that increasingly tied her public image to far-right spaces. At the same time, her standing in rap culture continued to slip. [Megan Thee Stallion](http://megan%20thee)’s 2024 single “Hiss” reignited long-running tension between the two, with lyrics widely read as a reference to Minaj’s husband Kenneth Petty, a registered sex offender who later faced probation for failing to register in California. Minaj’s online tirades then pushed her away from much of the industry. After all that hubbub, Minaj stopped receiving the cultural grace that had once been extended to her. The industry moved on. So did much of her audience. What followed was a steady slide toward political spaces that reward far-right defiance over accountability. What once read as provocation now looks like a permanent political realignment, one that completely abandons what they stood for in music. In Nicki Minaj’s case, her heel turn unfolded slowly, fueled by countless disputes, isolation, and the pull of a political culture that thrives on a sense of being wronged. ## Frequently Asked Questions ### What did Nicki Minaj say about Donald Trump in January 2026? Speaking at a Treasury Department–hosted summit in Washington, D.C. on January 28, 2026, to launch “Trump Accounts,” Nicki Minaj told the crowd she is “probably the president’s No. 1 fan.” The remark marked her most public alignment yet with Trump after years of drifting toward right-wing political spaces. ### Why is Nicki Minaj’s Trump support seen as a break from hip-hop culture? Minaj’s embrace of Trump follows a steady exit from rap’s cultural center, driven by industry fallout, public feuds, and diminished support from peers. As mainstream hip-hop distanced itself from her, grievance politics offered the attention and sense of belonging her music career no longer provided. ### Which other rappers have publicly supported Donald Trump? Several rappers have voiced Trump support before Minaj, including Kanye West in 2016, Waka Flocka Flame in 2023, and Kodak Black and Fivio Foreign, who appeared on Trump’s 2024 track “ONBOA47RD.” Azealia Banks also praised Trump in an interview but later said she regretted her vote. ### How did the Megan Thee Stallion feud affect Nicki Minaj’s standing in the music industry? Megan Thee Stallion’s 2024 single “Hiss” reignited long-running tension with Minaj, with lyrics widely read as referencing her husband Kenneth Petty, a registered sex offender. The fallout and Minaj’s subsequent online tirades further distanced her from much of the hip-hop industry and its audience. ### What political activities has Nicki Minaj engaged in beyond her Trump endorsement? Over the past two years, Minaj has appeared at Turning Point USA events, praised Vice President JD Vance, reshared White House TikToks on immigration and trans rights, and amplified Trump’s posts on Truth Social — moves that increasingly tied her public image to far-right political spaces. Related Stories - [Nicki Minaj and Cardi B Bring Back the Lost Art of the Celebrity Twitter Fight](https://rollingstonephilippines.com/culture/internet-culture/nicki-minaj-cardi-b-feud/ "Nicki Minaj and Cardi B Bring Back the Lost Art of the Celebrity Twitter Fight") - [MILLI, the Fast-Rising Thai Rapper, is a Badass Who Wears Her Heart on Her Sleeve ](https://rollingstonephilippines.com/music/hiphop-rnb/milli-thai-rapper-interview/ "MILLI, the Fast-Rising Thai Rapper, is a Badass Who Wears Her Heart on Her Sleeve ") - [Kanye West Public Apology Draws Skepticism From Fans Waiting on New Music](https://rollingstonephilippines.com/music/hiphop-rnb/kanye-west-apology-new-music-speculation/ "Kanye West Public Apology Draws Skepticism From Fans Waiting on New Music") **Categories:** Hip-hop/R&B, Music **Tags:** Nicki Minaj --- ### [‘Pillion,’ ‘Resurrection,’ and More Movies to Watch Now](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/pillion-resurrection-the-muppet-show/) **Published:** February 6, 2026 **Author:** Rolling Stone Philippines **Excerpt:** Your weekly guide to some of the most bizarre, essential, and interesting things to add to your watchlist, courtesy of the Rolling Stone Philippines writers and editors **Content:** Welcome to [What to Watch Right Now](https://rollingstonephilippines.com/tag/what-to-watch-right-now/ "What to Watch Right Now"), our weekly rundown of the best things to watch right now. The constant stream of shows, videos, and films to watch online can become a sludge to wade through, so here are a few things you can watch courtesy of the*Rolling Stone Philippines* team. Whether it’s a new film, a video essay, or even a home video release you should own (physical media is now available!), we hope it can ease the burden of choosing which streaming platform to use or of discovering a new cinematic odyssey. This week, works of “absolute cinema” like *[Resurrection](https://rollingstonephilippines.com/tag/resurrection/ "Resurrection")* had us running into cinemas. Rom-coms were also at the front of our minds now that it’s February, and so we visited old nostalgic flicks like *[Kasal, Kasali, Kasalo](https://rollingstonephilippines.com/tag/kasal-kasali-kasalo/ "Kasal Kasali Kasalo")* and turned to more recent (and perhaps more daring) releases like *[Pillion](https://rollingstonephilippines.com/tag/pillion/ "Pillion")*. And for those looking for a way to feel warm and cozy for roughly 30 minutes, I’ll point you in the direction of the latest special of *[The Muppet Show](https://rollingstonephilippines.com/tag/the-muppet-show/ "The Muppet Show")*. ## Resurrection *The meme ‘absolute cinema’ was invented for films like this* Bi Gan’s *Resurrection* is what a pure distillation of cinema looks like — a journey into a world where a visionary filmmaker conjures five chapters of unadulterated imaginings that slingshot through the history of cinema and imagination itself. *Resurrection* begins with a homage to silent films, grounding the story of the succeeding chapters. Here, we are taken into a distant future where humans have figured out a way to be immortal by discarding dreaming altogether. But there are some, called Deliriants, who still live and die by these nocturnal fantasies. This “monster” (Jackson Yee) is captured by a Big Other (Shu Qi) who can discern these rebels (kind of like the police officers hunting Replicants in *Blade Runner*). Loading the Deliriant with a film projector, we follow him through various dream-states, from a musical-bodied fugitive to a hoodlum mesmerized by a vampire. Of course, the crowning jewel of the film is the long take that takes us through red-tinged streets to a sunrise—a filmic flex that isn’t merely a tool but an immersive shot that reminds us of the magic cinema still holds in the age of streaming and micro-shorts. Watch it on the big screen, please. —[*Don Jaucian* ](https://rollingstonephilippines.com/author/don-jaucian/ "Don Jaucian  ") ## The Muppet Show (2026) *Like hugging your best friends after they’ve been gone for so long* It’s been a long time since the Muppet Theater has been dusted off and lit up, but thank God Seth Rogen and Evan Goldberg decided it was time to get the ol’ Muppet gang back together. The half-hour variety special brought back all the cozy, earnest, DIY elements that made Jim Henson’s original *The Muppet Show* such a joy to watch: convoluted sketches that go absolutely wrong (Gonzo’s rollerskating act shooting him backwards), guest stars hanging out backstage with their favorite Muppets ([Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter") and Miss Piggy in a diva-off), and a stressed-out Kermit trying to keep everything up and running. It’s unclear if this special will lead to a reboot of the entire series, and even the Muppets seem to be aware of their limited time onstage. But when our favorite frog leads his friends in a heartfelt rendition of Queen’s “Don’t Stop Me Now,” you can’t help but want them to stay forever. —*[Mel Wang](https://rollingstonephilippines.com/author/melissa-wang/ "Mel Wang")* ## Kasal, Kasali, Kasalo *A comedy of errors where the bride and groom are the only ones who want the wedding* Very little goes right in *Kasal, Kasali, Kasalo*. The 20-year-old rom-com, directed by [Jose Javier Reyes](https://rollingstonephilippines.com/tag/jose-javier-reyes/ "Jose Javier Reyes"), follows Angie ([Judy Ann Santos](https://rollingstonephilippines.com/tag/judy-ann-santos/ "judy ann santos")) and Jed (Ryan Agoncillo), two completely different people who fall in love a little too quickly and decide to get married to stop Jed from having to move to the United States with his parents. Of course, everyone has something to say about their engagement, and the funniest parts of the movie come from both sides of the couple’s families trying to force them into calling the whole thing off. There’s Belita (Gina Pareño), Angie’s batutay-making mother (and kagawad, which she needs everyone to know), who can’t stop reminding her daughter that all men are cheating pigs. Jed’s pearl-clutching mother, Charito (Gloria Diaz), isn’t much better, and she spends a lot of the movie taking sly jabs at Angie’s upbringing. Somehow, Angie and Jed get the marriage that they want, more or less. They’re a surprisingly tender couple, especially when they’re not being bombarded by their respective in-laws’ complaints. My one big qualm is the twist that crops up in the final act: while I understand that this movie was made in a different time (2006) and that Filipino rom-coms have never been known for their unproblematic storylines, the twist makes me feel like Angie deserved so much better. But if I close my eyes for the movie’s last 20 minutes, it’s like it never happened. —*Mel Wang* ## Pillion *The sexiest and saddest dom-com du jour* *Pillion*, Harry Lighton’s feature directorial debut, is at once sexy, tense, funny, and sad. An adaptation of Adam Mars-Jones’ 2020 novel *Box Hill*, it follows a wallflower named Colin (Harry Melling), who meets biker dom, Ray (Alexander Skarsgård) and becomes his sub. Throughout their relationship, Colin is made to join a BDSM biker club, cook and clean, and sleep on the rug at night, but his biggest challenge is not getting infatuated with the cold, unfeeling Ray. But of course, Colin catches feelings. “Next to you I am nothing, but I’m yours all the same,” he writes in a poem. Melling and Skarsgård have a special chemistry, even though Skarsgård’s character spends most of his airtime rigid and tight-lipped when the two are not having hot, rough sex. I’d argue that *Pillion* is a movie that isn’t as interested in power as it is in intimacy, and it’s nice to fantasize for a moment that, despite his stoicism, Ray might love Colin, too. —*[Pie Gonzaga](https://rollingstonephilippines.com/author/sophia-gonzaga/ "Pie Gonzaga")* ## Frequently Asked Questions ### What is Bi Gan’s “Resurrection” about? Resurrection follows a future where humans achieve immortality by giving up dreaming, except for rebels called Deliriants who still live through their dreams. The film unfolds across five chapters, from silent-film homage to a musical fugitive’s journey. ### Is “Pillion” based on a book? Yes. Pillion, Harry Lighton’s directorial debut starring Harry Melling and Alexander Skarsgård, adapts Adam Mars-Jones’ 2020 novel Box Hill, following a wallflower who becomes the submissive partner of a biker dom. ### Who stars in the new “The Muppet Show” special? The 2026 half-hour special, produced by Seth Rogen and Evan Goldberg, brings back Kermit, Miss Piggy, and Gonzo, with guest star Sabrina Carpenter appearing backstage alongside Miss Piggy. ### What is “Kasal, Kasali, Kasalo” about? The 2006 Filipino rom-com, directed by Jose Javier Reyes, follows Angie (Judy Ann Santos) and Jed (Ryan Agoncillo), who marry quickly to keep Jed from having to move to the United States, despite resistance from both families. ### Who directed “Resurrection”? *Resurrection* is directed by Chinese filmmaker Bi Gan, known for his visionary, dreamlike style. The film features a notable long take through red-tinged streets, continuing his reputation for immersive, technically ambitious cinematography. Related Stories - [23 Movies We’re Excited For This 2026](https://rollingstonephilippines.com/culture/film/23-movies-coming-in-2026/ "23 Movies We’re Excited For This 2026") - [20 Reasons Why Your Online Dating Profile Will Make Me A Femcel](https://rollingstonephilippines.com/culture/internet-culture/online-dating-beige-red-flags/ "20 Reasons Why Your Online Dating Profile Will Make Me A Femcel") - [Why Choi Mina Sue of ‘Single’s Inferno’ Has Been Getting So Much Hate](https://rollingstonephilippines.com/culture/tv/singles-inferno-choi-mina-sue-backlash/ "Why Choi Mina Sue of ‘Single’s Inferno’ Has Been Getting So Much Hate") **Categories:** Culture, Editor's Picks, Film, What To Watch Right Now **Tags:** Kasal Kasali Kasalo, Pillion, Resurrection, The Muppet Show, What to Watch Right Now --- ### [M1ss Jade So Creates A Trans-Centered Universe with ‘Esoterica’](https://rollingstonephilippines.com/music/dance-electronic/m1ss-jade-so-esoterica/) **Published:** January 29, 2026 **Author:** Pie Gonzaga **Excerpt:** Part hard techno, part prayer, the drag performer’s latest song marks a rebirth and invites the queer community to celebrate on the dance floor **Content:** When drag performer [M1ss Jade So](https://rollingstonephilippines.com/tag/m1ss-jade-so/ "M1ss Jade So") talks about her newest single, “Esoterica,” and the party she’s throwing to celebrate it, it sounds like she’s evangelizing, except I’m inclined to believe everything she says. “I believe that my god is myself,” she tells *Rolling Stone Philippines*. Months after appearing in FKA twigs’ [“Perfectly” music video](https://rollingstonephilippines.com/music/m1ss-jade-so-fka-twigs-perfectly/) as a performer, Jade is staking her claim in the music world with “Esoterica.” It’s her first release since 2025’s “Cvnty 2.0” with Stef Aranas and her 2024 debut single, “Power Top Na Bratzy.” For the new track, Jade teamed up with producer and artist Naive Supreme, whose work with Spanish artist Virgen Maria she has long admired. Jade says she first contacted Naive after posting a video in which she performed one of their songs. “Surprisingly, nagmessage sa akin si Naive Supreme na ‘Thank you for using our track,’ and she loved the performance. And then napunta ‘yong convo namin sa ‘If you need tracks, let me know. We can collaborate.’” ![m1ss jade so in studio esoterica](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/m1ss-jade-in-studio.webp) Jade worked on “Esoterica” for months. Photo by Dani Mendoza, courtesy of M1ss Jade So “Esoterica” was a year in the making. Jade began writing the lyrics in January 2025 and planned to release the track in May that year, ahead of the planned Philippine debut of “[WERQ THE WORLD](https://rollingstonephilippines.com/radar/events/rupauls-drag-race-werq-the-world-2025-tour/),” a tour featuring a selected cast of *RuPaul’s Drag Race*. After the cancellation of the Manila and Cebu shows, Jade realized she wanted to spend more time working on the track. The result is a prayer in the form of fast-paced hard techno overlaid with a reggaeton beat. Here, Jade looks back at her journey as a trans woman and, through deliciously rolled Rs, calls on the god in her self, which she calls “Goddessa,” to come out. ## Esoterica Experience The drag artist says the past few months have been transformative for Jade. “May nangyari sa akin in October, parang awakening ko siya to my higher self,” she says. “Nahanap ko ‘yong purpose ko to gather all the dolls, the trans women, and also the esoteric queers.” In November, after hosting a gathering with her friends at home, she decided that a party would also accompany the release of her new single as a way to celebrate the queer community. “We do this out of love and passion,” she says, talking about her friends helping her organize the upcoming rave. “In the -ber months, everything that happened to me was a bayanihan moment.” Jade also recalls getting an eye tattoo on her crown chakra on her birthday, which just happens to be on Christmas Day. “So Christmas, everyone was celebrating, \[habang\] ako, tina-tattoo-an sa kama ko,” she says. “I felt like pinanganak ako ulit. I had a rebirth. I felt like I \[was\] Jesus.” > [View this post on Instagram](https://www.instagram.com/p/DUDG34Wif2p/?utm_source=ig_embed&utm_campaign=loading)[A post shared by M1ss Jade So (@m1ssjadeso)](https://www.instagram.com/p/DUDG34Wif2p/?utm_source=ig_embed&utm_campaign=loading) Now, Jade wants to turn her “rebirth” into a shared experience through the Esoterica Experience, happening on Saturday, January 31, at QU Poblacion, Makati. On Instagram, she describes the Esoterica Experience as “a transcendental belief, miraculous manifestation, and an arcane embodiment in a beautiful chaos.” In explaining the party’s concept to me, Jade says that she wants an event that’s “magulo pero maganda” and that the vagueness of the Instagram post is intentional. “Kailangan mo siyang pag-isipan,” she says. “Pagkabasa \[ng audience\] na ‘Ano ba yan? Hindi ko maintindihan ‘yan, ayoko nga,’ ibig sabihin hindi siya pasok sa Esoterica realm.” She adds, “I want to attract the thinkers. I love the thinkers, people who think, people who brainstorm, people who dive deep.” Esoterica Experience is, more importantly, oriented towards the queer community. It boasts a lineup consisting of DJs D Waviee, Pette Shabu, Dignos, Isis, and Soul Armas, with trans women as the priority audience. > [View this post on Instagram](https://www.instagram.com/reel/DSjrPUIj4Rp/?utm_source=ig_embed&utm_campaign=loading)[A post shared by 𝖊𝖘𝖔𝖙𝖊𝖗𝖎𝖈𝖆 (@esoterica.experience)](https://www.instagram.com/reel/DSjrPUIj4Rp/?utm_source=ig_embed&utm_campaign=loading) “Kailangan ng more spaces and more visibility for trans women,” Jade says. “‘Yong song na ‘to is about my life, and it’s an advocacy song for trans women and non-binary individuals. Gusto ko rin talagang dalhin ang mga trans women with me to be up there. Isa ‘yan sa mga mission ko, even noong *[Drag Race Philippines](https://rollingstonephilippines.com/tag/drag-race-philippines/ "Drag Race Philippines")*: doll domination.” Jade is looking to expand Esoterica into a global moment. She says Naive Supreme has already offered to help bring the rave to Madrid, Barcelona, and Paris, while an album is in the works. “This Esoterica Experience, introduction pa lang talaga. We’re introducing ourselves to the world, to the rave scene here in the Philippines. Hopefully, maraming bumilib sa vision namin.” ## Frequently Asked Questions ### Who is M1ss Jade So and what is her single “Esoterica” about? M1ss Jade So is a Filipino drag performer whose single “Esoterica” reflects on her journey as a trans woman. The track blends hard techno with a reggaeton beat and functions as both a personal rebirth narrative and an advocacy song for trans and non-binary individuals. ### What is the Esoterica Experience and when is it happening? The Esoterica Experience is a rave hosted by M1ss Jade So at QU Poblacion, Makati, on Saturday, January 31. It features DJs D Waviee, Pette Shabu, Dignos, Isis, and Soul Armas, with trans women prioritized as the core audience. ### Who produced M1ss Jade So’s “Esoterica” and how did the collaboration start? “Esoterica” was produced with Naive Supreme, an artist Jade admired for their work with Spanish musician Virgen Maria. The collaboration began after Jade posted a performance video using Naive Supreme’s track, which led to a direct message and an offer to work together. ### What were M1ss Jade So’s previous releases before “Esoterica”? Before “Esoterica,” M1ss Jade So released “Cvnty 2.0” with Stef Aranas in 2025 and her 2024 debut single “Power Top Na Bratzy.” She also appeared as a performer in FKA twigs’ “Perfectly” music video prior to this release. ### Is M1ss Jade So planning an album or international shows after “Esoterica”? Yes. M1ss Jade So has an album in the works, and producer Naive Supreme has offered to help bring the Esoterica rave concept to Madrid, Barcelona, and Paris, expanding the project beyond its Philippine debut. 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Born in Angeles City, Pampanga, the rapper first encountered the culture through television, watching kids breakdance in a Pepsi commercial that left a lasting impression. Long before the [Black Eyed Peas](https://rollingstonephilippines.com/tag/black-eyed-peas/ "Black Eyed Peas") became a global name behind hits like “Where Is the Love,” “Let’s Get It Started,” and “Boom Boom Pow,” he focused on learning the language of the genre itself. He spent time studying words from the dictionary, hoping to converse in English fluently and earn respect among peers who already lived inside hip-hop culture. “Before I was adopted, I was concerned about conversing with people in the U.S,” Apl.de.ap tells *Rolling Stone Philippines.* “So I come up to my mom, like, ‘Mom, how am I going to, like, converse with people in the U.S.’ And she’s like ‘Oh, don’t worry, you’ll get it in a month, read the dictionary.’” At 14, he moved to Los Angeles in the late 1980s, where his life changed direction. There, he met will.i.am, and became close with his family, forming A.T.B.A.N Klann together with members Mookie Mook, Dante Santiago, and DJ Motiv8 In the latest episode of *Rolling Stone Philippines Interview,* Apl.de.ap recalled how the group worked entirely through grassroots efforts. They booked performances across California, often at universities like UCLA, showing up night after night to build momentum. With no internet access, they promoted shows by mailing flyers and spreading the word in person. ## Having it Easy ![Apl.de.ap](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RollingStonePortraits0247.webp) While the Black Eyed Peas would later define mainstream pop-rap in the 2000s with their long line of greatest hits, Apl.de.ap continues to stay curious about where music is headed next. Photo by Kieran Punay A.T.B.A.N Klann’s break came when they signed with Ruthless Records in 1992, the influential hip-hop label founded by the late Eazy-E. Even then, their sound stood apart from the West Coast’s dominant gangster rap scene, eventually linking up with Taboo to later form what would become the Black Eyed Peas. The early years were far from glamorous. “Back in the days, the West Coast was predominantly gangster music. We’re a hip-hop band. We’re inspired more by A Tribe Called Quest, De La Soul, Boogie Down Productions, \[and\] Rakim,” Apl.de.ap says. “\[Eazy-E\] would invite us to his gangster function to make us perform, and we’re rapping about water.” That contrast eventually became their strength. While the group would later define mainstream pop-rap in the 2000s with their long line of greatest hits, Apl.de.ap continues to stay curious about where music is headed next. During the episode, he spoke about technology and artificial intelligence, stressing that innovation should not scare artists. For him, AI can assist in production, though songwriting still belongs in human hands. “I see AI as an extra tool,” he says. “Even if I prompt something in AI, it still can’t get the exact feeling I want or how would I sing it.” The Black Eyed Peas have shifted through hip-hop, pop, and electronic music without losing relevance. For Apl.de.ap, that adaptability comes from paying attention to what younger artists create and staying open to influence. From Pampanga to Los Angeles stages and global charts, Apl.de.ap’s career continues to trace hip-hop as a lifelong education rather than a finished destination. “We like to pay attention to what’s underground, what’s bubbling,” he says. “I love afrobeat right now. I’m researching how to mix afrobeat with harana, with those beautiful guitars. It’s always about staying a student of the game. Listen to the kids and see what they’re up to. Try new things.” ## Frequently Asked Questions ### How did Apl.de.ap first get involved in hip-hop? Apl.de.ap, born in Angeles City, Pampanga, first encountered hip-hop through a Pepsi commercial featuring breakdancers. Before moving to the U.S. at 14, he studied English from a dictionary to prepare himself to converse fluently within American hip-hop culture. ### What was A.T.B.A.N Klann and how did it lead to the Black Eyed Peas? A.T.B.A.N Klann was a group Apl.de.ap formed in Los Angeles with will.i.am, Mookie Mook, Dante Santiago, and DJ Motiv8, built through grassroots efforts like flyering and university shows. It later evolved, with Taboo joining, into the Black Eyed Peas. ### How did A.T.B.A.N Klann sign with Eazy-E’s Ruthless Records? A.T.B.A.N Klann signed with Ruthless Records, the label founded by the late Eazy-E, in 1992. Despite the label’s dominant West Coast gangster rap sound, the group stood apart as a hip-hop act inspired by A Tribe Called Quest, De La Soul, and Rakim. ### What does Apl.de.ap think about AI in music production? Apl.de.ap views AI as an additional production tool rather than a replacement for songwriting, saying that even when he prompts AI, it cannot capture the exact feeling or delivery he wants for a song. ### What music is Apl.de.ap currently exploring? Apl.de.ap says he is paying attention to emerging underground sounds and researching how to blend Afrobeat with harana, reflecting his continued approach to hip-hop and music as an ongoing education rather than a finished pursuit. 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From “star players” like [Choi Mina Sue](https://rollingstonephilippines.com/tag/choi-mina-sue/ "Choi Mina Sue") shaking things up on the island to contenders like Shin Hyeon Woo completely fumbling the romantic bag, this was a season that definitely made for good old-fashioned reality TV (or, well, by Korean dating show standards). While you can’t technically “win” or “lose” on *Single’s Inferno*, you can certainly shoot your shot or flop while you’re on the island looking for your new romantic partner. In honor of the season finale dropping on [Netflix](https://rollingstonephilippines.com/tag/netflix/ "Netflix"), we’ve compiled some of the players who’ve given us the most memorable highs and lows this season had to offer. *Spoilers ahead.* ## Jo I Geon: Loser ![jo i geon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/i-geon.webp) Photo from Netflix/Official Website When I Geon entered Inferno halfway through the season as a surprise gamechanger, it seemed as if he had absolutely no competition. He’s hot, he’s an actor, and he excels at exhibiting cool dude behavior. What’s not to love? Well, it looks like he may have played it a little too cool, because when it came time to express his feelings towards his main love interest, Kim Go Eun, I Geon completely fumbled the bag. Go Eun was one of the most popular girls this season, having had three male contenders fight for her affection. For a while, I Geon seemed to be on the top of her list, and the two had an undeniable chemistry between them when they spent not one, but two evenings in Paradise together. But Go Eun’s the type of girl who needs her romantic partner to actually show what he’s feeling about her, and I Geon did not meet her standards. During the Truth Game at the final campfire dinner, I Geon gave what was possibly the worst answer to give when Go Eun asked him what he liked about her. “It would be faster if I listed the things I didn’t like,” said I Geon in Korean. Wow, real smooth. Go Eun was not impressed, and when it came time to choose their final partners in the season finale, she chose her other love interest, Woo Sung Min, instead. ## Lee Sung Hun: Winner ![sung hun](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/sung.webp) Photo from Netflix/Official Website I never thought I’d find myself congratulating a New York finance bro, but Sung Hun did surprisingly well this season. The quant trader walked into Inferno with his sights immediately set on resident pick-me girl Choi Mina Sue, but his romantic advances were repeatedly shot down. Never mind that he was Mina Sue’s shoulder to cry on when she was down bad for Lim Su Been, and never mind that he’d hinted again and again that he wanted to be more than friends. Mina Sue consistently chose other male suitors as her partners in Paradise, and it seemed like Sung Hun had been permanently banished to the friendzone. Well, it looks like Sung Hun was playing the long game, and it paid off. He and Mina Sue spent their last days in Inferno going on lunch dates by the beach and sitting next to each other at the final campfire dinner. When it came time to choose who’d they be leaving Inferno with for the last time, they both chose each other. ## Shin Hyeon Woo: Loser ![hyeon woo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/hyeon2.webp) Photo from Netflix/Official Website Like quite a few of the other contenders on the island, Hyeon Woo decided early on that there was only one love interest worth pursuing. He’d fallen head over heels for Go Eun, and if that sounds cheesy, it’s because Hyeon Woo is also a ridiculously cheesy guy. Some of his cheesiness initially came off as sweet, with the handball coach even waking up in the middle of the night to write a quick love letter to Go Eun. But when he eventually spent an evening in Paradise with Go Eun, his cheesiness ruined his chances with her. An example of said cheesiness: “Help me,” said Hyeon Woo to Go Eun, “How can I stop falling for you?” (At this, the panelists bent over in their chairs with second-hand cringe, and I couldn’t help but cringe with them). Needless to say, Hyeon Woo’s pick-up lines did not work on Go Eun, as she ended up choosing Sung Min to leave Inferno with. ## Park Hee Sun: Winner ![hee sun](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/hee.webp) Photo from Netflix/Official Website There was a hot minute when even the panelists were shaking their heads and sighing, “Oh, poor Hee Sun.” This was because the Carnegie Mellon graduate was spending a lot of her time in Inferno competing against Choi Mina Sue for Lim Su Been’s attention, and things weren’t going in her favor. Perhaps it was the production team playing tricks on us with the edit, but it seemed like Su Been was constantly looking around for Mina Sue, even if he was spending time with Hee Sun. Even when Hee Sun finally got the chance to go to Paradise with Su Been, Mina Sue was always there (I mean this literally: there was a whole double date situation where Hee Sun and Su Been went bowling with Mina Sue and Song Seung Il, and things got a little tense). Despite the bumps along the way, Hee Sun eventually won Su Been over completely, and the two left Inferno together in the season finale. Although it’s yet to be confirmed that the couple is still together, there’s been a recent Instagram story floating around that shows the two of them cosying up and watching their season together. ## Choi Mina Sue: Loser Turned Winner ![mina sue](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/mina.webp) Photo from Netflix/Official Website It’s safe to say that Mina Sue has turned out to be this season’s most divisive player, considering how fans have responded (both positively and negatively, but mostly the latter) to her behavior on the island. Mina Sue spent most of her time in Inferno unable to decide whether she liked Su Been, Seung Il, or Sung Hun (and sometimes Hyeon Woo, and sometimes Sung Min). Like a kid in a candy store, Mina Sue was trying to pluck these male contenders away from their respective love interests, and I think this is the real problem that people have with her. There’s nothing wrong with dating more than one person (especially on a dating show), but the former pageant queen seemed a little too inconsiderate about how her actions were affecting her fellow contenders. However, Mina Sue saw the error in her ways and eventually backed down on pursuing most of the men on her roster, except for Sung Hun, whom she’d been keeping as a sort of platonic safety option for most of the show. But after the two began spending more time together and opened up to each other more, it looked like Mina Sue was genuinely starting to fall for her friendzoned bestie. The two chose each other as their final picks and left Inferno together. ## Frequently Asked Questions ### Who are considered the winners of “Single’s Inferno” Season 5? Lee Sung Hun, Park Hee Sun, and Choi Mina Sue are named as winners. Sung Hun and Mina Sue’s slow-burn dynamic paid off in a mutual final pick, while Hee Sun eventually won over Lim Su Been despite competition from Mina Sue for most of the season. ### Why is Jo I Geon considered a “loser” of the season? Despite strong early chemistry and two nights in Paradise with Kim Go Eun, I Geon gave a lukewarm answer during the finale’s Truth Game about what he liked about her, which cost him her final pick — she chose Woo Sung Min instead. ### What went wrong for Shin Hyeon Woo with Kim Go Eun? Hyeon Woo’s overly cheesy approach, including asking Go Eun “How can I stop falling for you?”, drew cringe reactions from the show’s panelists and ultimately didn’t win Go Eun over, who chose Sung Min as her final partner. ### How did Choi Mina Sue go from “loser” to “winner” in Season 5? Mina Sue initially drew criticism for juggling multiple contenders’ affections without much consideration for their feelings. She later focused on Lee Sung Hun, whom she’d kept as a platonic safety option, and the two ultimately chose each other in the finale. ### Are Park Hee Sun and Lim Su Been still together after the show? It’s unconfirmed. The article notes an Instagram story showing the two of them together watching their season, which fans have taken as a possible sign they’re still a couple, though nothing has been officially confirmed. Related Stories - [Why Choi Mina Sue of ‘Single’s Inferno’ Has Been Getting So Much Hate](https://rollingstonephilippines.com/culture/tv/singles-inferno-choi-mina-sue-backlash/ "Why Choi Mina Sue of ‘Single’s Inferno’ Has Been Getting So Much Hate") - [‘Single’s Inferno’ isn’t the Only Dating Show Out There: Here are 5 More to Watch](https://rollingstonephilippines.com/culture/tv/5-dating-shows-like-singles-inferno/ "‘Single’s Inferno’ isn’t the Only Dating Show Out There: Here are 5 More to Watch") - [‘Single’s Inferno’ Season 5 Dating Guide: Couples and Love Triangles](https://rollingstonephilippines.com/culture/tv/singles-inferno-season-5-dating-guide/ "‘Single’s Inferno’ Season 5 Dating Guide: Couples and Love Triangles") **Categories:** Culture, TV **Tags:** Netflix, Single's Inferno --- ### [Who’s Who in Emerald Fennell’s ‘Wuthering Heights’](https://rollingstonephilippines.com/culture/film/wuthering-heights-movie-character-guide/) **Published:** February 12, 2026 **Author:** Mel Wang **Excerpt:** Don’t know who’s getting freaky with whom in the Yorkshire moors? We’ve got you covered **Content:** *[Wuthering Heights](https://rollingstonephilippines.com/tag/wuthering-heights/ "Wuthering Heights")* has hit Philippine cinemas, bringing with it a cast of characters getting hot and heavy against the backdrop of a Gothic romance. For the uninitiated, *Wuthering Heights* centers around the doomed romance between Catherine Earnshaw ([Margot Robbie](https://rollingstonephilippines.com/tag/margot-robbie/ "Margot Robbie")) and Heathcliff ([Jacob Elordi](https://rollingstonephilippines.com/tag/jacob-elordi/ "Jacob Elordi")), two adopted siblings who grow up to become forbidden lovers. Things quickly get steamy in director Emerald Fennell’s adaptation of the classic Brontë novel, and it can get a little confusing keeping track of who’s who in the Gothic romance. To that end, we’ve compiled a simple character guide to help you recognize everyone in this latest version of *Wuthering Heights*. ## Catherine “Cathy” Earnshaw (Margot Robbie) ![margot rob](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/margot.webp) Photo from Warner Bros. Pictures/Facebook Bratty, emotional, and gorgeous, Catherine Earnshaw is the impoverished daughter of a ruined Yorkshire lord. Catherine only cares about two things in life: escaping poverty and her adoptive brother Heathcliff, whom she slowly starts to develop intense, complex, and lust-fuelled feelings for as they grow up together. The only problem is that she’s accepted a marriage proposal from the wealthy Edgar Linton. ## Heathcliff (Jacob Elordi) ![jacob elordi](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/jacob.webp) Photo from Warner Bros. Pictures/Facebook *Wuthering Heights* begins with Catherine’s father, Mr. Earnshaw, plucking an orphan off the streets and bringing him to the titular decrepit manor. Catherine immediately takes a liking to the terrified boy, naming him Heathcliff (after her own deceased brother) and deeming him her “pet.” Read into that what you will, but Heathcliff goes on to dedicate his whole life to loving, tormenting, and ruining his adoptive sister. ## Nelly (Hong Chau) ![Hong Chau](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/hong.webp) Photo courtesy of Warner Bros. Pictures Although Nelly may relegate herself to the background, she is *Wuthering Heights*’ sharpest and most calculating character. As Catherine’s discontented caretaker, Nelly has been keeping Catherine out of trouble since the two of them were children running around the manor. However, Nelly doesn’t always know better, and she makes a number of questionable choices that set off the story’s tragedy. ## Edgar Linton (Shazad Latif) ![shazad latif](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/shazad.webp) Photo from Warner Bros. Pictures/Facebook Edgar Linton made his vast fortune in textiles, and when he moved into the lot nearest Wuthering Heights, Catherine began to spend all her time devising a plot to make his acquaintance. Kind and unfailingly loyal, Edgar quickly falls for his beautiful neighbor and makes her an offer she can’t refuse. ## Isabella Linton (Alison Oliver) ![Alison Oliver](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/isabella.webp) Photo courtesy of Warner Bros. Pictures As Edgar’s ward, Isabella lives a lush, sheltered life behind the walls of his manor, Thrushcross Grange. She has very little to do and spends most of her days adding to her collection of hair ribbons and playing with her teeny, tiny Pomeranian. However, things take a turn when Heathcliff awakens something primal in her. ## Frequently Asked Questions ### Who plays Catherine and Heathcliff in Emerald Fennell’s ‘Wuthering Heights’? Margot Robbie plays Catherine Earnshaw and Jacob Elordi plays Heathcliff, the two adopted siblings at the center of the film’s forbidden romance, in Emerald Fennell’s adaptation of Emily Brontë’s Gothic novel. ### Who is Edgar Linton in ‘Wuthering Heights’? Edgar Linton, played by Shazad Latif, is a wealthy textile fortune heir who becomes Catherine Earnshaw’s neighbor and eventual fiancé, creating the central conflict with her adoptive brother Heathcliff. ### Who plays Nelly in ‘Wuthering Heights’ and what is her role? Hong Chau plays Nelly, Catherine’s caretaker since childhood. Though she stays in the background, Nelly is the story’s most calculating character, and her choices help set off the narrative’s tragedy. ### Who is Isabella Linton in ‘Wuthering Heights’? Isabella Linton, played by Alison Oliver, is Edgar Linton’s ward who lives a sheltered life at Thrushcross Grange. Her story shifts when Heathcliff becomes involved with her. ### Who directed the 2026 adaptation of ‘Wuthering Heights’? Emerald Fennell directed the 2026 adaptation of ‘Wuthering Heights,’ based on Emily Brontë’s classic Gothic novel, starring Margot Robbie and Jacob Elordi in the lead roles. 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Now in its fourth edition, the fair presents more than 300 artists across over 5,000 square meters of exhibition space, making it the collective’s most extensive outing to date. The growth reflects its continued “pro-artist” stance, prioritizing space for contemporary work to be presented thoughtfully while encouraging experimentation and critical dialogue. Organized by a group of nine established galleries — Artinformal, Blanc, The Drawing Room, Galleria Duemila, Finale Art File, MO\_Space, Underground, Vinyl on Vinyl, and West Gallery — Alt Art places emphasis on the overlap between art and music. This year’s edition positions music as part of the exhibition’s larger conversation. Below are the musicians whose works will be on exhibit at Alt Art. ## Mario Consunji, ‘Shades of Thought’ ![TypeDistortDecay](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/IIICCCYYY-1.webp) The work suggests drifting through imagined scenarios, defined by subtle movements in composition. Photo from TypeDistortDecay A new piece from electronic music producer Mario Consunji centers music as a stream of consciousness, developed alongside a visual collaboration with visual artist TypeDistortDecay. The work suggests drifting through imagined scenarios, defined by subtle movements in composition. Consunji’s longstanding practice in ambient and synth textures stems from his interest in the line between noise and signal, raising the question of what we choose to pay attention to and why precision can exist within minimal spaces. ## variatonen, ‘Seasons More Surreal’ ![museumemory](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/BB-LANDSCAPE-2.webp) he piece reflects on memory-making through abstract imagery. Photo from museumofmemory Sound design producer variatonen collaborates with the visualizers of museumofmemory for a work that weaves sound, music, and cinema. Scenes from various films are layered with textured audio, forming music that feels dreamy while performing musical notes with colorful visuals on screen. The piece reflects on memory-making through abstract imagery, inviting viewers to engage beyond surface-level perception. ## Tierra Malvada Tierra Malvada, led by Goodleaf member Edy Varde and O.I. Research Partners frontman Vik Laugo, operates at the intersection of music improvisation. An unscripted, tension-laden dialogue between saxophone and guitar attempts to draw something raw from a “poisoned landscape.” Known for their work across dub, psych rock, and expansive soundscapes, the duo presents an aural sound installation that is likely to resonate sharply with attendees. ## Frequently Asked Questions ### What is Alt Art 2026 and where is it being held? Alt Art’s fourth edition runs February 13–15 at SMX Convention Center’s Halls 1 and 2, featuring over 300 artists across more than 5,000 square meters — its most extensive outing to date. ### Which galleries organize Alt Art? Alt Art is organized by nine established galleries: Artinformal, Blanc, The Drawing Room, Galleria Duemila, Finale Art File, MO\_Space, Underground, Vinyl on Vinyl, and West Gallery. ### What is the theme connecting Alt Art 2026’s featured installations? This year’s edition emphasizes the overlap between art and music, positioning sound and musical composition as part of the exhibition’s larger conversation rather than a separate program. ### Who are Mario Consunji and what work is he presenting at Alt Art? Mario Consunji is an electronic music producer presenting “Shades of Thought,” a stream-of-consciousness piece developed with visual artist TypeDistortDecay, exploring the line between noise and signal through ambient and synth textures. ### What is Tierra Malvada’s installation at Alt Art about? Tierra Malvada, led by Goodleaf’s Edy Varde and O.I. Research Partners’ Vik Laugo, presents an improvised saxophone-and-guitar sound installation exploring a “poisoned landscape” through dub, psych rock, and expansive soundscapes. 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In a hearing of the Senate Committee on Public Information and Mass Media on Wednesday, February 11, Padilla said, “Ang mga bata ngayon, sad to say, ‘wag kayong magagalit sa akin — nako, maraming batang magagalit siguro, pero pasensya na kayo — you are weak.” He added, “Noong panahon namin, hindi uso ‘yong salitang ‘depression.’ Hindi ko nga alam ‘yon e, kung ano ‘yong depression. Ngayon, batang maliit, sasabihin ‘I’m depressed.’ Magulo.” The internet didn’t take kindly to Padilla’s statement. Many pointed out that the senator has also shown “weakness” in public, [crying during a Senate hearing](https://www.facebook.com/bncphl/videos/watch-sen-robin-padilla-breaks-down-in-tears-as-sen-bong-go-delivers-his-opening/1065173612111696/) about the arrest of former President Rodrigo Duterte. The Senator also notoriously [hid from authorities and evaded arrest](https://gulfnews.com/today-history/august-25-1990-filipino-fugitive-actor-surrenders-1.1572097) for over a month in 1990 after he was found in possession of high-powered firearms. Duterte granted Padilla absolute pardon for the case in 2016. Commenting on the ex-convict’s statement, veteran broadcast journalist Lynda Jumilla said on X, “Said the guy who got out of jail early only because showbiz lawmaker-friends bailed him out via amendments to the illegal firearms law.” Writer Jerry Gracio said, “Paano hindi made-depress ang mga bagets, e nakikita nila si Robinhood sa Senado.” ![raffy tulfo and robin padilla](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/senate-hearing-social-media-robin-padilla.webp) Lawmakers held a Senate hearing to tackle bills for social media accountability and online safety on Wednesday, February 11. Photo by Joseph B. Vidal/Senate of the Philippines Facebook “Awareness isn’t weakness. Just because we didn’t have a name for it in the past doesn’t mean people weren’t suffering then,” said media consultant and blogger Noemi Dado. Others pointed out that Padilla, as a lawmaker, is in a position to address systemic issues regarding mental health. Doctor Jai Cabajar wrote, “Robin Padilla has all the power to change the system to make it easier for us pero tatawagin na lang kayong weak.” On Thursday, February 12, Padilla took to social media to address the comments criticizing him, but didn’t back down. “Ang henerasyon ko hindi naging weak at hindi naging sikat ang salitang ‘depression’ dahil wala pa ang social media,” he said on Facebook, asserting that social media addiction and exposure to negative comments cause “weakness, depression, physical at mental health issues” in children. ## Frequently Asked Questions ### What did Robin Padilla say about today’s youth? During a February 11 Senate Committee on Public Information and Mass Media hearing, Padilla called today’s children “weak,” saying the word “depression” wasn’t common in his generation and that young people now use it too readily. ### How did people respond to Robin Padilla’s comments? Critics pointed out Padilla himself cried publicly during a Senate hearing about Rodrigo Duterte’s arrest and evaded authorities for over a month in 1990 after a firearms case. Journalist Lynda Jumilla and writer Jerry Gracio were among those who publicly criticized his remarks. ### Did Robin Padilla apologize or clarify his remarks? No. On February 12, Padilla addressed the backlash on Facebook without backing down, saying his generation wasn’t “weak” partly because social media and the term “depression” weren’t prevalent then, and blamed social media exposure for mental health struggles among children today. ### What criticism did medical professionals raise about Padilla’s comments? Doctor Jai Cabajar noted that as a lawmaker, Padilla has the power to improve systemic mental health support for young people, but instead labeled them “weak.” Media consultant Noemi Dado added that awareness of mental health issues isn’t the same as weakness. ### What was the context of the Senate hearing where Padilla made these remarks? The remarks were made during a hearing of the Senate Committee on Public Information and Mass Media, which was addressing the safety of children on social media, according to the article’s original framing. 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Members Zhang Hao, Ricky, Gyu Vin, and Yu Jin, all under the agency YH Entertainment (formerly Yuehua Entertainment), “will be moving forward to new beginnings,” as stated by ZEROBASEONE’s agency WakeOne in a public statement [released February 12.](https://www.soompi.com/article/1818949wpp/zerobaseone-confirmed-to-continue-as-5-member-group) Gun Wook, Han Bin, Ji Woong, Matthew, and Tae Rae will continue the journey of ZEROBASEONE. Members Gun Wook and Matthew both signed exclusive contracts with WakeOne on Monday. > WAKEONE > > NOTICE > ZEROBASEONE 향후 활동 안내 > > ∫ NEW WAVE of ENTERTAINMENT[\#WAKEONE](https://twitter.com/hashtag/WAKEONE?src=hash&ref_src=twsrc%5Etfw) [\#웨이크원](https://twitter.com/hashtag/%EC%9B%A8%EC%9D%B4%ED%81%AC%EC%9B%90?src=hash&ref_src=twsrc%5Etfw)[\#ZEROBASEONE](https://twitter.com/hashtag/ZEROBASEONE?src=hash&ref_src=twsrc%5Etfw) [\#ZB1](https://twitter.com/hashtag/ZB1?src=hash&ref_src=twsrc%5Etfw) [\#제로베이스원](https://twitter.com/hashtag/%EC%A0%9C%EB%A1%9C%EB%B2%A0%EC%9D%B4%EC%8A%A4%EC%9B%90?src=hash&ref_src=twsrc%5Etfw) [pic.twitter.com/xurghuITyV](https://t.co/xurghuITyV) > > — WAKEONE 웨이크원 (@wakeone\_offcl) [February 12, 2026](https://twitter.com/wakeone_offcl/status/2021743555199611170?ref_src=twsrc%5Etfw) The group was scheduled to disband in January, per their contract, following their victory on the first season of the reality show *Boys Planet*, which formed the group in 2023. The group extended activities for an additional two months this year. ZEROBASEONE debuted with the EP *Youth in the Shade*, led by the single “In Bloom.” They [set a record](https://www.soompi.com/article/1599700wpp/zerobaseone-breaks-record-for-highest-1st-day-and-1st-week-sales-of-any-debut-album-in-hanteo-history) as the first K-pop group to sell over 1.24 million copies of their debut album in the first week. The group brought their Timeless World arena tour to Manila in October 2024. ## Frequently Asked Questions ### Which ZEROBASEONE members are leaving the group? Zhang Hao, Ricky, Gyu Vin, and Yu Jin — all under agency YH Entertainment (formerly Yuehua Entertainment) — will be “moving forward to new beginnings,” according to a February 12 statement from ZEROBASEONE’s agency WakeOne. ### Which members will continue with ZEROBASEONE? Gun Wook, Han Bin, Ji Woong, Matthew, and Tae Rae will continue the group’s activities. Gun Wook and Matthew both signed exclusive contracts with WakeOne, confirming their continued involvement with the group. ### Why is ZEROBASEONE’s lineup changing now? The group was originally scheduled to disband in January per their contract, following their formation on the reality show “Boys Planet” in 2023. They extended activities for two additional months before this restructuring was announced. ### What records has ZEROBASEONE set as a group? ZEROBASEONE became the first K-pop group to sell over 1.24 million copies of a debut album in its first week, with their EP “Youth in the Shade” led by single “In Bloom.” ### Has ZEROBASEONE performed in the Philippines? Yes. ZEROBASEONE brought their “Timeless World” arena tour to Manila in October 2024, prior to this lineup announcement. **Categories:** Music, Pop **Tags:** K-Pop, Zerobaseone --- ### [Jomari T’Leon Paints for the Existential, Split Screen Generation](https://rollingstonephilippines.com/culture/art/jomari-tleon-artist-profile/) **Published:** February 11, 2026 **Author:** Christian San Jose **Excerpt:** The young artist is slowly cultivating a following for his paintings that feature obscured faces and elements patched up from smartphone photos, inviting viewers to project upon these characters their own inner thoughts **Content:** Artist Jomari T’Leon begins painting from photos he takes with his smartphone. A stray dog fattened by leftovers from a samgyupsalamat shop, monuments, strangers, snakes coiled up in impossible positions, small fires, streetlamps; the phone he lost on the MRT, drawn from memory. T’Leon then fuses photos on Photoshop. Background, element, figure. “Tina-transfer ko sa Photoshop para laruin ‘yung kulay, scale, composition.” The software, in turn, makes it easier to grid scale these layered images onto a canvas. At 27, and five years into his career, he’s used to being called “the next \[insert name of an established artist here\],” an “up and coming” or “emerging artist,” or “a budding artist worth investing in.” He’s under Jay Amante’s Blanc Gallery, whose roster includes [Allan Balisi](https://rollingstonephilippines.com/culture/art/allan-balisi-art-speaks-volumes-without-ever-saying-a-word/ "Allan Balisi"), Costantino Zicarelli, Dina Gadia, Elaine Navas, Nona Garcia, the Santoses (Soler, Luis, Carina, and Isabel), and Yasmin Sison among others (although Amante insists there are really “no artists who are strictly under the gallery.” They just happen to exhibit more consistently at Blanc.) T‘Leon was first introduced to Amante by a late collector, who showed him his works on paper during the pandemic. Starting in college, Jom, as the gallery owner calls him, has created over 300 of these oil on paper paintings to salvage excess paint. “Sobrang bilis niyang gawin — dalawang sigarilyo lang — tapos mura lang naman din ang papel,” T’Leon says. Among these works are Lucian Freud-like images; unruly depictions of the macabre and the ordinary that pass for a record of T’Leon’s short evolution. Most have since been sold. Amante describes those early works as “super rough, super spontaneous.” “But nandoon na ‘yung narrative, e. And I’m always looking for the visual narrative.” It was from these seminal works that three solo shows and two group exhibits at Blanc, as well as shows in Finale Art File and West Gallery, followed. This February, his works are part of group exhibitions at [Art Fair Philippines](https://rollingstonephilippines.com/tag/art-fair-philippines/ "art fair philippines"), presented by international gallery Amez Yavuz, and at Alt Art, presented by Blanc. At Alt Art, he is part of a section called Alt Discoveries dedicated to platforming new talents. ![artist jomari t’leon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH-JOMARI-TLEON-1.webp) At 27 and five years into a career, T’Leon is aware of the challenge “emerging” artists. ![artist jomari t’leon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH-JOMARI-TLEON-WORK3.webp) “The Shadows Won’t Keep You Forever” on view at Amez Yavuz at Art Fair Philippines 2026 “‘Yung mga characters sa paintings ko, kadalasan mukhang may malalim silang iniisip, or parang mayroon silang sekreto na ayaw nilang malaman ng ibang tao.” Jomari T’Leon While his contemporaries are exploring abstractions and conceptual ideas, T’Leon’s paintings free the mind from the labor of decoding. In his newest work, a diptych entitled “After Mass I and II,” part of his solo presentation *It’s Getting Darker Now, My Love* for Alt Art, one can clearly see a woman with long-ish hair, a man with a watch, and a fire. But why are these characters in the same picture plane as these objects? This is his preoccupation: to have the viewer think of these connections. What he does isn’t exactly collaging by way of Roberto Chabet, Gary-Ross Pastrana, or even in the paintings of Isabel Santos. His are bigger details, frames even, stitched together in what contemporary art critics are calling split-screen painting. London-based writer and curator Jack Smurthwaite, writing for *[Frieze](https://www.frieze.com/article/rise-split-screen-painting-opinion-2025 "Frieze")*, describes this style as “combining disparate scenes to process our fragmented visual world.” He wrote, “In their proximity, these converging scenes open space for interpretation… We construct narratives from these combinations as they merge into a single, interconnected story.” “He’s an excellent painter,” Amante says of T’Leon. “More importantly, he’s an excellent thinker. May magic na ‘yung viewer can somewhat see themselves or someone they know \[in it\].” It’s easy to project onto his faceless figures. As T’Leon describes them, “Parang nagtatago ‘yung mga characters. Nakatalikod — or kung nakaharap man, nakatago pa rin ‘yung face.” Something about the back of heads leads a viewer to contemplate, often, as the painter notes, on existentialism. “‘Yung mga characters sa paintings ko, kadalasan mukhang may malalim silang iniisip, or parang mayroon silang sekreto na ayaw nilang malaman ng ibang tao.” And if his characters appear like they’re weathering an existential crisis, it’s because the author, too, he admits, is going through one. “Ang galing kasi na-fi-feel din ng iba ‘yung na-fi-feel ko sa mga piyesa ko.” ![artist jomari t’leon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH-JOMARI-TLEON-6.webp) The artist’s earlier paperworks were Amante’s gateway to T’Leon’s paintings. His painted people, while suffering from internal turmoil, are pristine. Coiffed hair, creased but decent clothing, and fine skin belie the labor that goes into rendering these images into canvas. “‘Pag makakakita ka ng isang Jomari T’Leon na painting, parang, ‘Wow, solid ‘to. Ang ganda.’ But if you go nearer, wow hindi pala nagiingat,” says Amante. “That’s a sign of confidence.” “If you look at the image from afar, you can see the constellation, the stars, the comets, but he is not a realist painter. But if you go nearer, ‘yung pahid, mahahaba ha. It’s not delicately painted. Hindi sya very long brush strokes that suddenly create an image. There’s a lot of feeling into it and not scientific.” Take, for example, his method of painting hair: the fine details may look painstakingly done, but T’Leon reveals that out of “laziness” (layman lazy is eons away from that of the talented), he’s found an effective shortcut. “‘Yung hair masarap siyang gawin kasi mabilis siya. Before iniisa-isa ko siya pero antagal. Nakakatamad siya. \[Ngayon,\] gumagamit ako ng bristled na brush para maglagay ng strands.” At the VIP preview at Art Fair Philippines, we meet T’Leon. He’s been going in circles but has not laid eyes on his painting at Yavuz yet. There it was, among Isabel and Alfredo Aquilizan’s geometric cardboard and metal sculptures and Nona Garcia’s P4 million painting. T’Leon’s meta depiction of a person hiding behind a blank canvas next to a crystal chandelier, “The Shadows Won’t Keep You Forever,” was sold at the preview for P80,000. A modest price for 4x3ft painting by an emerging artist compared to the price tag of most of the art in the room. Too modest perhaps, judging by the reaction of two prospective buyers who were sad to have missed a “bargain.” ![artist jomari t’leon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH-JOMARI-TLEON-WORK1.webp) “Ghost” (2025) ![artist jomari t’leon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH-JOMARI-TLEON-7.webp) T’Leon has so far had five exhibits. Promising young artists like T’Leon are a hot commodity in art fairs like this. Buy them “cheap” now before their prices go up, a wise curator or art advisor would say. After all, a Balisi was once an under-five-figure get at a modest art affair. Now you’re lucky to find a six-figure painting of his — that is, if it hasn’t already been snatched up by someone else. Balisi, who exhibits frequently at Blanc, is one of the reasons T’Leon gravitated towards the gallery. He is one of the artists in Amante’s roster that Jom considers as “mga kuya-kuyahan,” along with John Marin, Andres Barrioquinto, Renato “Jojo” Barja, Rene Cuvos, and Kim Hamilton Sulit, whom he runs to for practical advice, from picking paints and canvases to assessing a career. Having been once newcomers, T’Leon says, “Sila ang pinagtatanungan ko kung paano ‘yung consciousness nila sa career. Nagkukwento ako ng mga kinakatakutan ko dito sa eksena. Sila din, nagkukwento ng nangyare sa kanila — hindi para manakot pero para lang mas maging careful ako sa kung kanino nakikipagtrabaho.” Pressed about these fears of his, T’Leon takes a second seemingly to take stock of his experience so far. “If you look at the image from afar, you can see the constellation, the stars, the comets, but he is not a realist painter… There’s a lot of feeling into it and not scientific.” Jay Amante, Blanc Gallery ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH-JOMARI-TLEON-2.webp) “Feeling ko hindi lang siya sa akin nangyayare e. Madaming artists kami na mga bata na mabilis ang pagusad ng career,” he says. For an artist under 30, T’Leon is well aware that the buzz of an “emerging artist” is fleeting, in part because he used to be on the opposite side of the trade, having worked as a gallery assistant at a now-defunct gallery in Alabang. “Nai-consider ko siya na parang school pa rin e, on the market.” That, coupled with his nascent experience as an artist, gave him some insight into the dealings of art: “‘Yung nakakatakot kasi ang dami ding collectors na gusto ay mga batang artists pero may mga naririnig kasi kami na horror story na ‘pag bata nag-start parang bata ring bibitawan ng market.” Amante, a far more seasoned figure in the local art scene, corroborates this — except he qualifies what kind of artists are often subject to the whims of the market: “trendy artists.” “Pero hindi kasalanan parati ng artist ‘yun ha,” the gallery owner clarifies. “Some good artists don’t make the sales part all the time. It’s a blow. You’ll start doubting if you’re good enough. We lose artists along the way because of the lack of support. We need patrons, people who are passionately involved with art careers, not just a painting or two. We need more patrons who see through changes.” T’Leon also acknowledges the market’s ever-shifting taste as a factor, something he’s since learned not to totally ignore, but temper with the help of Amante, who encourages him to think less of how a piece would sell and more of honing his own craft. “Pro-artist si Sir Jay e. Sinasabi nya sa akin, ‘‘Wag mong isipin ‘yung market. Gumawa ka nang gumawa tapos Blanc na ang bahala kung paano i-ma-market ‘yung work mo.’” ![artist jomari t’leon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH-JOMARI-TLEON-3.webp) T’Leon is part of Alt Art’s Alt Discoveries program. ![artist jomari t’leon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH-JOMARI-TLEON-WORK2.webp) “Departure” (2024) “When I work with artists, I work with them hand in hand, \[long-term\], acknowledging that tastes and skill changes,” Amante says. “But Jom has this particular skill na kahit anong gawin niya, alam ng tao na siya ‘yun. It’s a very overlooked trait in an artist.” For now, T’Leon is happy to reap the rewards of early acclaim. “Ang pinakagoal ko lang naman is ma-continue ‘yung practice e.” He’s setting his sights beyond painting, too, hoping to soon explore sculptures and installations in an exhibition he’s long planned for Blanc. “I won’t be surprised if he plans to explore new medium with his art,” Amante says of T’Leon’s plans. “Kasi minsan the medium of two-dimensional art might be bitin na for some artists. They go to sound, video, sculpture. And if they are able to release the same magic as a flat surface, it’s pushing it more. You have to remember ‘yung state ng career niya is still in the beginning. Andami pang pwedeng mangyare.” ## Frequently Asked Questions ### Who is Jomari T’Leon and what is he known for? Jomari T’Leon is a 27-year-old Filipino artist known for “split-screen painting” — combining disparate photographed scenes, taken on his smartphone, into layered compositions built in Photoshop before being painted onto canvas. ### What is “split-screen painting”? A term used by critics, including London-based writer Jack Smurthwaite for Frieze, to describe T’Leon’s technique of combining disparate scenes within a single picture plane, inviting viewers to construct their own narrative connections between the fragments. ### Which gallery represents Jomari T’Leon? T’Leon exhibits primarily through Jay Amante’s Blanc Gallery, alongside artists including Allan Balisi, Costantino Zicarelli, Dina Gadia, and the Santos family. He has also shown work at Finale Art File and West Gallery. ### Why do T’Leon’s painted figures often appear faceless? T’Leon says his characters “hide” — turned away or with obscured faces — because he wants them to appear as though they’re carrying private thoughts or secrets, a theme he connects to his own experience of existential uncertainty. ### Where can audiences see Jomari T’Leon’s work in February 2026? T’Leon’s work appears in group exhibitions at Art Fair Philippines, presented by international gallery Yavuz, and at Alt Art’s “Alt Discoveries” section, presented by Blanc, which spotlights emerging artists. 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When he lets out one last heave, the screen opens to reveal that the man was *not* having an orgasm, but was, in fact, being hanged to death. We never learn who this man was, and we certainly never see him again. If this isn’t the best introduction to [Emerald Fennell’s](https://rollingstonephilippines.com/tag/emerald-fennell/ "Emerald Fennell") horny, vapid, and at times distressingly superficial take on the classic Emily Brontë novel, then I don’t know what is. This isn’t Fennell’s first romp in the land of horniness. There was *Saltburn*, which dealt with desire and psychopathic horndogs (and also starred [Jacob Elordi](https://rollingstonephilippines.com/tag/jacob-elordi/ "Jacob Elordi")). To some extent, *Promising Young Woman* also played with these themes, except through the lens of a rape-revenge thriller. But in *Wuthering Heights* (or excuse me, “Wuthering Heights,” as Fennell has stylized her adaptation), the director has taken her love for smut to the extreme, because her versions of Heathcliff and Catherine Earnshaw can’t seem to stop fucking each other (physically and emotionally) every other scene. ![jacob elordi](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/WHE-T1-0014_High_Res_JPEG_custom-proxy.webp) Jacob Elordi as Heathcliff in *Wuthering Heights.* Photo courtesy of Warner Bros. Pictures ## ‘wuthering heights’ adapted A quick synopsis before we get into the dirty details: Fennell’s *Wuthering Heights* centers around Catherine ([Margot Robbie](https://rollingstonephilippines.com/tag/margot-robbie/ "Margot Robbie")), the daughter of a ruined Yorkshire lord, and Heathcliff (Jacob Elordi), her brutish adopted brother who is just as poor as she is. There is an undeniable sexual tension between the two, but before Heathcliff can completely act on it, Catherine has gone and accepted a marriage proposal from their much wealthier neighbor, Edgar Linton (Shazad Latif). Heathcliff runs away in shame and anger, and doesn’t return to Catherine’s side until five years later, when he’s made his own fortune. Like most romances set against a Gothic backdrop, *Wuthering Heights* is all about the foreplay. Except, in Fennell’s world, there is nothing subtle about the ways her characters are signaling their need to fuck. There’s Heathcliff fingering a moist mess of crushed egg yolks as he thinks about his adoptive sister staring at him from her bedroom window. There’s Catherine sticking her perfectly manicured pointer into the mouth of a fish encased in Jell-O. Everything from extremely tight corsets to horse bridles becomes a metaphor of sorts, and you don’t have to think too hard to realize that it’s all about sex. When Fennell’s leading couple eventually do give in to their urges (after a lot of getting wet in the rain and a wonderful scene involving Heathcliff lifting Catherine up by her corset), all attempts at foreplay fly out the window. They’re fucking on hard dining tables, in muddy open fields, in graveyard archways (with a burial in the background, no less); what’s more, they’re fucking to Charli XCX’s songs and Anthony Willis’ bass-heavy original score, making all of these sex scenes feel like a very long, and very gratuitous, music video. ![Margot Robbie](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/WHE-T1-0018_High_Res_JPEG_custom-proxy.webp) Margot Robbie as Catherine in *Wuthering Heights*. Photo courtesy of Warner Bros. Pictures ## A Delicious dream There’s no denying that *Wuthering Heights* is a delicious sex dream. However, the problem with this adaptation of the Brontë novel is that it is pretty much *just* a delicious sex dream, and if you try to take away anything more meaningful from the movie, then you’ll come up dry. Yes, there’s a ghost of a plot. Like the other adaptations that came before it, Fennell’s *Wuthering Heights* primarily deals with the novel’s first act and focuses solely on the doomed romance between Heathcliff and Catherine. Elordi and Robbie, for all their bratty revenge sex throughout the movie, do bring a level of gravitas and grace that makes the love between their characters much more believable. But other than that, all bets are off, and the movie strays away so much from its source material that you’d be better off either interpreting it as Fennell’s smutty fanfiction about *Wuthering Heights* or as a different Gothic romance altogether. ![margot robbie, emerald fennell, jacob elordi](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/WHE-05487r_High_Res_JPEG_custom-proxy.webp) Emerald Fennell on-set with Robbie and Elordi. Photo courtesy of Warner Bros. Pictures The months leading up to the release of *Wuthering Heights* have not been too kind to the director, and, to some extent, for good reason. Fans of the Brontë novel have been quick to call out Fennell for casting Elordi, a white man, as a character who has been canonically described as a “dark-skinned gypsy in aspect.” The director has made a half-baked attempt to address the controversy, saying in an interview with [*The Hollywood Reporter*](https://www.hollywoodreporter.com/movies/movie-news/wuthering-heights-emerald-fennell-jacob-elordi-heathcliff-1236488149/)*,* “I think the thing is everyone who loves this book has such a personal connection to it, and so you can only ever make the movie that you sort of imagined yourself when you read it.” I have no qualms with directors adapting their favorite novels, and I certainly don’t object to Fennell giving us two hours of softcore Gothic porn. However, it feels as if she’s just stolen Brontë’s main characters and slapped the *Wuthering Heights* title onto a steamy romance of her own making. Fennell skims over the more sensitive themes of social class, poverty, revenge, and intergenerational trauma in favor of some sexy time between Heathcliff, Catherine, and, honestly, quite a few of the other characters (prepare yourself to see Alison Oliver sporting a metal collar and going, “Woof, woof.”). *Wuthering Heights* is definitely a visual feast for Fennell, but unfortunately, it’s not saying much. ## Frequently Asked Questions ### Who stars in Emerald Fennell’s “Wuthering Heights”? Margot Robbie stars as Catherine Earnshaw and Jacob Elordi as Heathcliff, with Shazad Latif playing Edgar Linton, in Fennell’s loose adaptation of Emily Brontë’s Gothic novel. ### Why has Emerald Fennell’s “Wuthering Heights” faced casting controversy? Fennell cast Jacob Elordi, a white actor, as Heathcliff, a character canonically described in Brontë’s novel as a “dark-skinned gypsy in aspect.” Fennell addressed the backlash by saying every reader forms a personal version of the character. ### How closely does Fennell’s “Wuthering Heights” follow Brontë’s novel? Loosely. The adaptation focuses primarily on the novel’s first act and the central romance between Heathcliff and Catherine, largely skipping the book’s deeper themes of class, poverty, revenge, and intergenerational trauma. ### Is Emerald Fennell’s “Wuthering Heights” a faithful literary adaptation? According to the review, not particularly — the film strays far enough from its source material that it’s better understood as Fennell’s own reimagining of the characters than a direct adaptation of Brontë’s novel. ### What other films has Emerald Fennell directed before “Wuthering Heights”? Fennell previously directed “Saltburn,” which also starred Jacob Elordi and explored desire and psychopathic obsession, and “Promising Young Woman,” a rape-revenge thriller that similarly engaged with themes of desire and power. 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But the actress holds out hope that former Vice President Leni Robredo would run for prexy again, and win this time **Content:** Nearly four years after the 2022 presidential elections and two years before the 2028 elections, Filipinos are still fighting over who should lead the country. Duterte supporters are keen to oust President Ferdinand “Bongbong” Marcos Jr., and others — albeit jokingly — clamor for [Nadine Lustre](https://rollingstonephilippines.com/tag/nadine-lustre/ "Nadine Lustre") as a leader. But the actress and environmental advocate says she’s ready to support Naga Mayor [Leni Robredo](https://rollingstonephilippines.com/tag/leni-robredo/ "Leni Robredo") if she decides to run for president again. On Tuesday, February 10, Lustre visited the office of Congresswoman [Leila de Lima](https://rollingstonephilippines.com/tag/leila-de-lima/ "Leila de Lima") at the House of Representatives in Quezon City to join her in filing two bills. When asked if Robredo should run for president in 2028, Lustre answered, “Definitely.” “She’s really the best candidate for the presidency, and I supported her way, way back, when she ran the first time,” she [said](https://x.com/mariannenriquez/status/2021047887250280616?s=20). The actress added that whether Robredo runs for president again is still her decision. “Sometimes, the best presidents are those who don’t want to run.” De Lima added, “We’re not losing hope na magbabago pa ang desisyon ni \[former Vice President\] Leni na tumakbo uli sa 2028, because for me, she’s the most winnable among the possible or potential opposition candidates.” Robredo lost to Marcos in the 2022 presidential race, garnering around 15 million votes while her opponent earned around 31 million. Lustre joined de Lima in support of a bill proposing the establishment of the Animal Welfare Ombudsman Unit under the Philippine National Police to oversee the implementation of animal welfare laws and establish animal welfare desks in police stations. The other bill proposes a plant-based health advocacy program that promotes native vegetables. Part of the program would include implementing Halaman Mondays in government offices, hospitals, and public schools, requiring them to offer plant-based meals. ## Frequently Asked Quesitons ### Does Nadine Lustre want Leni Robredo to run for president in 2028? Yes. When asked if Robredo should run again, Lustre said “Definitely,” calling her the best candidate for the presidency and noting she supported Robredo’s first presidential run as well. ### Why was Nadine Lustre at the House of Representatives? Lustre visited Congresswoman Leila de Lima’s office on February 10 to join her in filing two bills: one establishing an Animal Welfare Ombudsman Unit under the PNP, and another promoting plant-based meals through “Halaman Mondays.” ### What did Leila de Lima say about Leni Robredo running again in 2028? De Lima said she hasn’t lost hope that Robredo will change her mind about running in 2028, calling her the most winnable candidate among potential opposition contenders. ### How did Leni Robredo perform in the 2022 presidential election? Robredo lost to Ferdinand “Bongbong” Marcos Jr. in the 2022 race, receiving around 15 million votes compared to Marcos’s roughly 31 million. ### What bills did Nadine Lustre support at the House of Representatives? Lustre supported a bill creating an Animal Welfare Ombudsman Unit within the PNP to enforce animal welfare laws, and a separate bill promoting native vegetables through a plant-based health program in government offices, hospitals, and schools. Related Stories - [Nadine Lustre, Vice Ganda, and More Weigh in on Flood Control, Corruption Mess](https://rollingstonephilippines.com/state-of-affairs/politics/celebs-officials-flood-control-accountability/ "Nadine Lustre, Vice Ganda, and More Weigh in on Flood Control, Corruption Mess") - [Leila de Lima, More PH Politicians Speak On US-Venezuela Conflict](https://rollingstonephilippines.com/state-of-affairs/venezuela-us-philippines-de-lima/ "Leila de Lima, More PH Politicians Speak On US-Venezuela Conflict") - [What the Opposition Can Learn from Marcos-Duterte Narratives](https://rollingstonephilippines.com/editors-picks/opinion/opposition-vs-marcos-and-duterte/ "What the Opposition Can Learn from Marcos-Duterte Narratives") **Categories:** Culture, Film, Philippine Politics, State of Affairs, TV **Tags:** Leni Robredo, Nadine Lustre --- ### [‘Single’s Inferno’ Season 5 Dating Guide: Couples and Love Triangles](https://rollingstonephilippines.com/culture/tv/singles-inferno-season-5-dating-guide/) **Published:** February 11, 2026 **Author:** Mel Wang **Excerpt:** It can get confusing keeping track of who likes whom on the show, so we’ve done the hard stuff for you **Content:** *This article has been updated to include pairings from the entire season.* After 12 episodes of love triangles, intrigue, and surprise gamechangers, *[Single’s Inferno](https://rollingstonephilippines.com/tag/singles-inferno/ "Single's Inferno")* Season 5 has come to an end. The premise of the hit [Netflix](https://rollingstonephilippines.com/tag/netflix/ "Netflix") dating show is simple: hot people are left on a deserted island dubbed Inferno, and the only way off is by finding a mutual love interest to join you for a night in Paradise. Now, it may seem straightforward, but *Single’s Inferno* can get complicated very fast when its contenders are constantly switching romantic partners or getting themselves stuck in increasingly messy situations (ahem, [Mina Sue](https://rollingstonephilippines.com/culture/tv/singles-inferno-choi-mina-sue-backlash/ "Why Choi Mina Sue of ‘Single’s Inferno’ Has Been Getting So Much Hate")). The season finale dropped on Netflix on February 10, concluding the love stories (and, well, romantic flops) of our 15 contestants. To help you keep track of who ended up with whom, here’s how things wrapped up for everyone on this season of *Single’s Inferno.* ## Youn Hyun Jae ![Youn Hyun Jae](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/single_hyun_jae.webp) Photo from Netflix/Official Website Hyun Jae had his sights on Joo Young all season, but the feelings turned out to not be mutual. In Episode 10’s Trench Tug of War challenge, Hyun Jae came out as one of the victors, which allowed him to bring Joo Young to Paradise one last time. However, while there, things were awkward between the two singles. Joo Young finally confessed out loud that Jae Jin was her first choice, and Hyun Jae just had to deal with that. Hyun Jae still chose Joo Young as his pick to leave Inferno in the finale, but even he knew it was over between them. Hope things work out for you outside of Inferno, Hyun Jae. ## Song Seung Il ![Song Seung Il](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/seung.webp) Photo from Netflix/Official Website Seung Il finally figured out that Kim Min Gee was the girl for him. The two had a heart-to-heart about their feelings for each other, and Min Gee made it abundantly clear that she still liked Seung Il the most (despite having spent a night in Paradise with Lim Su Been). Seung Il chose Min Gee in the finale, and the two left Inferno together. ## Park Hee Sun ![Park Hee Sun](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/hee-1.webp) Photo from Netflix/Official Website For a second there, it wasn’t clear if Hee Sun would be leaving Inferno with Su Been. Even the show’s panelists weren’t sure, especially since Su Been’s night in Paradise with Min Gee had left Hee Sun debating whether he was still worth pursuing. Since this is the first season of *Single’s Inferno* that allows contestants to withhold their final decision, there was a non-zero chance that Hee Sun would withhold hers. But in the end, Hee Sun chose Su Been, and the show revealed that the two had talked things out the night before. They walked out of Inferno holding hands. ## Shin Hyeon Woo ![Shin Hyeon Woo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/hyeon.webp) Photo from Netflix/Official Website Hyeon Woo really fumbled the bag with Kim Go Eun. After a more-than-awkward night in Paradise together, it was clear that Go Eun had bumped Hyeon Woo down to the bottom of her list. Hyeon Woo still chose her as his final pick, but Go Eun ended up leaving Inferno with Woo Sung Min. ## Kim Go Eun ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/single_go_eun.webp) Photo from Netflix/Official Website Throughout the season, Go Eun had three men in her rotation: Hyeon Woo, Sung Min, and game-changer Jo I Geon. For a while, it seemed as if I Geon was her top choice. They had, after all, spent two evenings in Paradise together, and he’d been trying his best to make it clear that he liked her (emphasis on “trying”). Well, it looks like he didn’t try hard enough, because in a scene that surprised even the panelists, Go Eun chose Sung Min as her Paradise partner. They left Inferno together, leaving I Geon and Hyeon Woo hanging their heads behind them. ## Jim Jae Jin ![Jim Jae Jin](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/jin.webp) Photo from Netflix/Official Website Mr. Nonchalant’s top choice was Joo Young, and the feelings were mutual (and have been mutual for quite a few episodes). Joo Young said that she was looking for someone who puts her at ease while still giving her butterflies, and she found that match in Jae Jin. The two left Inferno together. ## Ham Ye Jin ![Ham Ye Jin](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/ye_jin.webp) Photo from Netflix/Official Website Ye Jin was one of the few girls who didn’t have a solid love interest this entire season. There was a minute when she seemed to be putting her hat in the ring with I Geon, but the man already had his sights on Go Eun. Ye Jin was the only one who withheld her final choice in the finale. ## Woo Sung Min ![woo sung min](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/sungmin.webp) Photo from Netflix/Official Website Sung Min had Go Eun as his top choice for the latter half of the season, but it was unclear whether or not she would choose him in the end. Go Eun quickly became one of the most popular girls in Inferno, and Sung Min was left trying to compete for her affection with I Geon and Hyeon Woo. Thankfully, Sung Min’s long, long chats with her paid off, because Go Eun ended up choosing him as her final pick. ## Kim Min Gee ![Kim Min Gee](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/single_min_gee.webp) Photo from Netflix/Official Website Min Gee liked Seung Il the most this entire season, and it came as no surprise that the two chose each other to leave Inferno together. The two left the show as one of the most straightforward couples on the island. ## Lim Su Been ![Lim Su Been](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/been.webp) Photo from Netflix/Official Website Despite some bumps in their relationship, Su Been has liked Hee Sun since the midway point of the season. There was a chance that they wouldn’t be leaving Inferno together, especially because Su Been is such a bad communicator (and had failed to mention that he’d shared a bed with Min Gee while in Paradise). But Su Been and Hee Sun talked it out, and they ended the season as a couple. ## Lee Sung Hun ![Lee Sung Hun](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/sung-hun.webp) Photo from Netflix/Official Website In a shocking turn of events (at least for me), Sung Hun *finally* got Choi Mina Sue to go on real, romantic dates with him. The last two episodes saw the couple spending more time together, despite Mina Sue having spent most of the season keeping Sung Hun as her third safety option (ouch). We also learned more about Sung Hun’s backstory after he revealed in Paradise that he studied at UC Berkeley and is currently working as a quant trader in New York. In the finale, Sung Hun was the only one who chose Mina Sue to leave Inferno with, and vice versa. ## Lee Joo Young ![Lee Joo Young](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/single_joo_young.webp) Photo from Netflix/Official Website Although she wasn’t completely sure about her feelings at the start, Joo Young has since consistently chosen Jae Jin as her top romantic interest. After gently letting Hyun Jae down (while they were in Paradise, no less), Joo Young put all her focus on Jae Jin. The two left Inferno together in the finale. ## Choi Mina Sue ![Choi Mina Sue](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/mina.webp) Photo from Netflix/Official Website Mina Sue was the season’s most indecisive contender, but she finally made up her mind and chose Sung Hun as her top choice. The two went on several dates together during their last few days in Inferno, and they ended up leaving the island together. Proud of you, Mina Sue. ## Jo I Geon ![Jo I Geon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/i-geon.webp) Photo from Netflix/Official Website I Geon, you really messed things up with Go Eun. Although they had spent two nights in Paradise together, I Geon played it a little too cool at the end of the season (and spent a little too much time talking about Ha Eun). This soured Go Eun’s feelings for him, and she ended up choosing Sung Min as her final pick. ## Lee Ha Eun ![Lee Ha Eun](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/ha-eun.webp) Photo from Netflix/Official Website Ha Eun, like Ye Jin, didn’t have a strong romantic interest for the entire season. She showed some feelings for Jae Jin, and even chose him as her final pick in the finale, but it didn’t look like she’d actively pursued him on the island. Instead, she was spending a lot of time with I Geon, although he swears that he saw her more as a sibling than anything else. ## Frequently Asked Questions ### Who won “Single’s Inferno” Season 5, and did any couples officially form? The finale paired off most of the 15 contestants: Song Seung Il with Kim Min Gee, Park Hee Sun with Lim Su Been, Kim Go Eun with Woo Sung Min, Jim Jae Jin with Lee Joo Young, and Lee Sung Hun with Choi Mina Sue. ### Did Choi Mina Sue find a match on “Single’s Inferno” Season 5? Yes. Despite being the season’s most indecisive contestant and keeping Lee Sung Hun as a “third safety option” for most of the show, Mina Sue ultimately chose him as her final pick, and the two left Inferno together. ### Which “Single’s Inferno” Season 5 contestants left without a match? Youn Hyun Jae, Shin Hyeon Woo, Jo I Geon, and Lee Ha Eun ended the season without mutual matches. Ham Ye Jin and Ye Jin were the only contestants who withheld their final choice in the finale entirely. ### What is the premise of Netflix’s “Single’s Inferno”? Contestants are left on a deserted island called Inferno, where the only way to leave is by finding a mutual love interest to join for a night on a separate island called Paradise, with the season building toward final couple pairings. ### What made “Single’s Inferno” Season 5 different from previous seasons? It was the first season to allow contestants to withhold their final decision instead of choosing a partner, which added uncertainty to pairings like Park Hee Sun and Lim Su Been going into the finale. Related Stories - [Who’s Who on Season 5 of Netflix’s ‘Single’s Inferno’](https://rollingstonephilippines.com/culture/tv/singles-inferno-season-5-netflix-cast/ "Who’s Who on Season 5 of Netflix’s ‘Single’s Inferno’") - [What You Need to Know About ‘Single’s Inferno’ Season 5 Breakout Star, Choi Mina Sue](https://rollingstonephilippines.com/culture/tv/singles-inferno-choi-mina-sue/ "What You Need to Know About ‘Single’s Inferno’ Season 5 Breakout Star, Choi Mina Sue") - [Meet the Contestants of ‘Physical: Asia’, Netflix’s Latest Survival Show](https://rollingstonephilippines.com/culture/tv/netflix-physical-asia-players/ "Meet the Contestants of ‘Physical: Asia’, Netflix’s Latest Survival Show") **Categories:** Culture, TV **Tags:** Netflix, Single's Inferno --- ### [25 Filipino Love Song Covers That Defined Romance Across Decades](https://rollingstonephilippines.com/editors-picks/lists/25-filipino-love-song-covers/) **Published:** February 10, 2026 **Author:** Elijah Pareño **Excerpt:** Across decades, singers reimagined romance through soaring vocals, intimate delivery, and the kind of emotional release Filipinos never outgrew **Content:** In the Philippines, love songs take on a second life through reinterpretations, renditions, and endless variations that often blur into what we simply call cover songs. The Filipino love song takes on a new form through covers. Filipinos love covering their favorite ballads, sometimes to excess, but that is part of the culture’s charm. Covers exist because they are emotional releases, crowd moments, and personal rewrites or rearrangements of songs people already hold close. Maybe you are not a fan of love songs belted out in KTV bars, televised singing contests, or barangay fiestas. But these performances live everywhere, woven into daily life, and most listeners have learned to welcome them without hesitation. Here are 25 Filipino love song covers that have endured over the past 25 years, chosen for how boldly they stretch the tradition of ballads, how show-stopping the vocals are, and how each artist makes the song their own. ## 25. JM De Guzman, ‘Tensionado’ (Soapdish) In the Soapdish original, “Tensionado” plays as a domestic standoff, telling the story of an adult relationship coming apart. JM De Guzman’s version changes the perspective entirely. Instead of heightening tension, he holds himself back vocally, reframing the song as the emotional fallout of a first breakup. His whispery phrasing matches the song’s emotional anxiety more gently. Maybe the softest he’s ever been. ## 24. Daryl Ong, ‘Ikaw Na Nga’ (Willie Revillame) Ong transforms the novelty-turned-love song into a serious emotional ballad. The former *The Voice* Season 2 finalist’s presence made those cheesy lyrics ripped straight from the chest. It crosses from passé to deeply heartfelt. Sometimes drama makes sincerity hit harder, and you don’t get to hear Revillame’s voice in here. ## 23. Nyoy Volante, ‘Ipagpatawad Mo’ (VST & CoMPANY) The VST & Company classic is admittedly untouchable. But Volante’s soft pop delivery makes the love song feel real, as if it were written for everyday couples. Volante connects you with its simplicity and devotion, the kind of love song that surpasses the Manila Sound roots of the original. ## 22. Gracenote, ‘Dream About You’ (Stevie B) Gracenote goes full-on ‘80s freestyle drama, but the band makes it extra headbang-worthy. The band kept the synth emotion while sharpening the vocals for modern pop ears. The excess is the appeal: big feelings, big chorus, big heartbreak. It sounds like a prom night revived with power vocals done so cheesy. ## 21. Gigi De Lana, ‘If Ever You’re in My Arms Again’ (Peabo Bryson) The YouTube cover artist went all in on this classic power ballad. Pain, hope, and vocal explosion collide into a pure love song spectacle, where big payoff, emotional cracks, and dramatic phrasing make the song turn like a finale in your favorite Koreanovela. ## 20. Jed Madela, ‘The Past’ (Ray Parker Jr.) Madela, known as the “Singer’s Singer,” takes the already dramatic ballad and pushes it into a full emotional warfare. This kind of intensity is popular around local KTVs; when love hurts, it has to hurt loudly and beautifully. His powerful performance turns regret and heartbreak into a vocal showdown that deserves a standing ovation. ## 19. Moira Dela Torre, ‘Sundo’ (Imago) Dela Torre softens the Pinoy pop-rock megahit into a har-har, slow-burning vocal run, shedding light on vulnerability and devotion. The cover wins you over with its simplicity, making it a band-orchestra hybrid rendition for all lovebirds. ## 18. Jason Dy, ‘Be My Lady’ (Pedrito Montaire) Dy delivers the Filipino classic with a rich tone and deep longing, respecting the song’s origins while making it smoother and more controlled. *The Voice* Season 2 runner-up carries the same wanting-to-take-your-hand energy every listener adores, where love feels permanent and painfully fragile at once. ## 17. Sam Mangubat, ‘All or Nothing’ (O-Town) Mangubat capitalizes on the early-2000s boy band drama and makes it more emotionally resonant. Lovelorn audiences thrive on this kind of love song, where feelings are never held back. His timbre turns teenage longing into full heartbreak theater. It’s cheesy in the best way, filled with desperation and hope. Shoutout to O-Town for making it cheesy to begin with. ## 16. Angeline Quinto and Erik Santos, ‘If You Asked Me To’ (Patti LaBelle) Quinto and Santos and their treatment of LaBelle’s ballad classic hits like a vocal battlefield. They pour every ounce of emotion into each verse and chorus. The duo embraces the song’s pleading protagonist and amplifies it to goosebump level. It’s classic ballad culture: when you love, you beg, you cry, you belt. Subtlety has no place here. ## 15. South Border, ‘With a Smile’ (Eraserheads) South Border turns the alt-rock classic into a smooth R&B ballad drenched in swagger, charisma, and the coolness of the Y2K R&B era. The softer tempo and soulful vocals relentlessly transform hope into heartsick comfort food that’s eons away from the alternative rock sound the Eraserheads were known for. ## 14. Rachelle Ann Go, ‘Through The Rain’ (Mariah Carey) *Search for the Star*-era Go attacks the song with pure vocal muscle, stretching every chorus into a full emotional release. Where Carey balances pop and soul, Go pushes it into theater-level intensity. It became a showcase of woes, where listeners love when pain sounds grand, and this cover delivers every ounce of longing with maximum impact. ## 13. Christian Bautista, ‘Hands to Heaven’ (Breathe) The soft croon of Bautista reimagines this ‘80s pop ballad into a staple of Filipino romance playlists. His clean tone and gentle phrasing make the song, which can also serve as a wedding vow. Sincerity is what sells it; pure kilig delivered with zero irony. Josh Groban, who? ## 12. Moonstar88, ‘Panalangin’ (Apo Hiking Society) Moonstar88 modernizes the Apo Hiking Society classic with pop-rock sweetness and youthful energy. The 2006 cover introduced the song to a new generation of Filipinos who love romance mixed with innocence and emotional sincerity. ## 11. MNL48, ‘Time After Time’ (Cyndi Lauper) MNL48 recreates the quintessential synth pop single into a lush, harmony-driven pop moment full of youthful emotion. The group leans into sweetness, soft choreography, and layered vocals that make the song feel fresh for a new generation of listeners. It keeps the Lauper nostalgia while adding an idol-group glow; the rendition is perfect for Filipino audiences who love romance served tender and grand. ## 10. ICE Seguerra, ‘Araw Gabi’ (Nonoy Zuñiga) Seguerra flips the Zuñiga original into something more emotional for mainstream listeners. The gentle melody meets his heartfelt phrasing, making the day-and-night concept sound timeless. It bridges generations, showing how covers turn new songs into classics through sincerity and emotional weight. ## 9. Kyla, ‘Till I Met You’ (Kuh Ledesma) Kyla’s silky R&B tone makes “Till I Met You” feel intimate and sincere. Every note lands like a promise, letting the song breathe instead of pushing for climactic vocal payoffs. It became a slow-dance favorite at weddings and debuts, proving love songs don’t always need fireworks to hit deep. ## 8. Darren Espanto, ‘(Dying Inside) To Hold You’ (Timmy Thomas) It took then-child prodigy Espanto to sing the soul classic with youthful power and pop charm while keeping its raw longing intact. His vocal runs are just enough to make it potent, creating a formula where love can turn vintage songs into modern-day viral love anthems. ## 7 \| Khel Pangilinan, ‘Muli’ (Rodel Naval) Pangilingan’s version drowns the classic in thick reverb and slow-burning emotion, making every word echo like a memory you can’t shake. The production feels almost overwhelming, but it’s exactly why it works. Filipino love songs thrive in this level of emotional overload. ## 6. Nina, ‘(Love Moves in) Mysterious Ways’ (Julia Fordham) Soul siren Nina turns Fordham’s adult contemporary ballad into a full Filipino slow-burn classic. Her airy phrasing, long notes, and soft cry on the chorus make heartache sound tender. Known to be covered to death at weddings and late-night radio for years. The drama sits in Nina’s comforting voice, the way most listeners love pain delivered gently but endlessly. ## 5. Jason Dhakal, ‘Para Sa Akin’ (Sitti) Dhakal flips Sitti’s bossa nova softness into smooth R&B without losing the romance. His laid-back delivery makes the song feel like a late-night avowal rather than mere café background music. It keeps the sweetness but adds groove, showing how covers evolve with the times while keeping that sentimental core front and center. ## 4. KZ Tandingan, ‘Two Less Lonely People’ (Air Supply) Tandingan gives the soft rock ballad a soulful glow, stretching the lines and adding warmth that make the song appear fuller and deeper than the original. It sounds like comfort wrapped in anguish; the tenderness mixed with vocal precision hits Filipino listeners right in the chest, keeping Air Supply’s romance alive with newfound emotion. ## 3. MYMP, ‘Tell Me Where It Hurts’ (The Real Milli Vanilli) MYMP’s acoustic makeover strips the power ballad into something painfully intimate and conversational. Juris Fernandez’s fragile voice admits to the pain, crying in a bedroom at two in the morning. The simplicity makes it feel extra heavy, as heartbreak isolates you from the love of the outside world. ## 2. Sarah Geronimo, ‘To Love You More’ (Céline Dion) Geronimo never shied away from the song’s full theatrical scale. She embraces every soaring note, every dramatic pause, and pushes the climax like a concert finale. It became a karaoke rite of passage, proof of how Filipinos love love songs that feel like life-or-death declarations. ## 1. Regine Velasquez, ‘Minsan Lang Kitang Iibigin’ (Ariel Rivera) Where did Velasquez even find the nerve to turn an Ariel Rivera classic into something that now feels hers? A cover stops being a cover when the performance outgrows the original in feeling, force, and presence, rewriting the song’s place in public memory. In “Minsan Lang Kitang Iibigin,” she delivers all of that with ease, pushing the emotion higher and the vocals harder until there is no debate left. ## Frequently Asked Questions ### What is Rolling Stone Philippines’ list of the best Filipino love song covers? A ranked countdown of 25 Filipino love song covers from the past 25 years, selected for how boldly each reinterprets the original ballad, the strength of the vocal performance, and how distinctly the artist makes the song their own. ### Which cover tops Rolling Stone Philippines’ list of Filipino love song covers? Regine Velasquez’s rendition of Ariel Rivera’s “Minsan Lang Kitang Iibigin” ranks number one, described as a performance that outgrew the original in feeling and force, effectively rewriting the song’s place in Filipino public memory. ### Why are cover songs such a significant part of Filipino music culture? The article frames covers as emotional releases and communal moments, deeply woven into everyday Filipino life through KTV bars, televised singing contests, weddings, debuts, and barangay fiestas, where reinterpreting beloved ballads is treated as its own tradition. ### Which international and OPM originals are reworked in the list? Covered originals include international hits by Air Supply, Celine Dion, Mariah Carey, Cyndi Lauper, and Stevie B, alongside Filipino classics by Apo Hiking Society, Eraserheads, VST & Company, Kuh Ledesma, and Ariel Rivera, among others. ### Which contemporary Filipino artists appear on the covers list? Contemporary artists featured include Moira Dela Torre, KZ Tandingan, Darren Espanto, Sarah Geronimo, Gigi De Lana, Angeline Quinto, Erik Santos, Sam Mangubat, and idol group MNL48, spanning multiple generations of OPM performers. Related Stories - [25 Best Filipino Love Songs Across Generations](https://rollingstonephilippines.com/music/25-filipino-love-songs-for-the-emotionally-compromised/ "25 Best Filipino Love Songs Across Generations") - [20 Best Filipino Songs of 2025, According to Critics](https://rollingstonephilippines.com/music/20-best-filipino-songs-2025-critics/ "20 Best Filipino Songs of 2025, According to Critics") - [10 Albums from 2016 That Aged Better Than Anyone Expected](https://rollingstonephilippines.com/music/2016-albums-retrospective/ "10 Albums from 2016 That Aged Better Than Anyone Expected") **Categories:** Editor's Picks, Lists, Music, Pop **Tags:** Filipino Love Songs --- ### [Wolfgang’s Reunion Concert Brings Generations Together](https://rollingstonephilippines.com/music/rock/wolfgang-reunion-concert-recap/) **Published:** February 10, 2026 **Author:** Elijah Pareño **Excerpt:** Original members regrouped for an intricate, high-volume set that drew longtime fans, younger listeners, and a packed Cubao crowd **Content:** Walking into the New Frontier Theater in Cubao for the reunion concert of [Wolfgang](https://rollingstonephilippines.com/tag/wolfgang/ "Wolfgang") on February 7, I assumed I would be among the youngest people in the room. That part turned out to be very true. What I did not expect was how familiar the crowd felt. Men in their 40s wore the same clown-face Wolfgang shirts they might have owned in 1995. Tattooed biker types stood beside parents who brought their kids in oversized band tees. Even members of the media recalled stories about cramped Club Dredd nights, thick with cigarette smoke and sweat; when seeing the band meant standing shoulder to shoulder in a room that barely fit the band bill. Time had passed, but uniforms had not. By 8 p.m., the chatter settled inside the venue. Queen’s “Bohemian Rhapsody” signaled that the show was about to start. People took their seats. The mood shifted from reunion banter to laser-eyed focus on the stage. ![Wolfgang reunion concert Basti Artadi](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/KAP_9483-2-1.webp) “Arise, motherfuckers,” Artadi shouted at one point, delivering the line with the same blunt force that defined him decades ago. Three of the band’s four original members, [Basti Artadi](https://rollingstonephilippines.com/tag/basti-artadi/ "Basti Artadi"), Manuel Legarda, and Wolf Gemora, reunited onstage for the first time since 2002. Filling in on bass was Razorback’s Marco Cuneta, who played in honor of the late Mon Legaspi, Wolfgang’s bassist who passed away in 2022. Days before the concert, I spoke with the band at a rehearsal studio in Makati. That setting felt far removed from the seated aisles and dad jokes at the Cubao concert. During the rehearsal, the rock outfit moved with the ease of a ‘90s rookie band that was just cutting its teeth in the rock scene. ![Wolfgang Wolf Gemora](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/KAP_9574.webp) Gemora, who is now based in the United States, locked in quickly with Legarda, whose guitar work remained precise and technical alongside the drums’ tight beat changes. “We were a product of our time, we weren’t fabricated to be,” Artadi tells *Rolling Stone Philippines*. “The music that we put out was based on what we experienced from that time. We were genuinely whatever that time made us, and whatever we recorded was based on what we experienced during those times.” ## dECADES OF fURY ![Wolfgang reunion concert Manuel Legarda](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/KAP_9313.webp) An electric fan was positioned in front of the stage with the spotlight directed on top of it, a nod to the long-circulated story of him using a fan during early recordings to get a flanger-like effect. Back in New Frontier, it’s already 8:15 p.m., and the lights went out. When Legarda stepped forward from the dark, an electric fan was positioned in front of the stage with the spotlight directed on top of it, a nod to the long-circulated story of him using a fan during early recordings to get a flanger-like effect. A burst of flames filled the stage as the four members walked out, setting the tone for the night. Wolfgang opened with “Natutulog Kong Mundo,” and for that moment, Artadi sounded unchanged with a wig on his head, harkening back to days when he’d sport his iconic long hair. Gemora, who is now based in the United States, locked in quickly with Legarda, whose guitar work remained precise and technical alongside the drums’ tight beat changes. ![Wolfgang reunion](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/DSC09528.webp) Time had passed, but uniforms had not. Tracks like “Center of the Sun,” “Cast of Clowns,” and “Man ‘98” came early. Legarda told me during the rehearsal that the set would reflect how the band plays today. The songs were delivered without extra sections or breaks, keeping the pace steady throughout the night. ![Wolfgang Mon Legaspi](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/DSC09957.webp) Before the night fully tipped into volume, the band paused to honor Legaspi and played an archival video clip of him performing. “There was no conscious effort to imitate,” Legarda says. “\[For instance,\] grunge became really big early on, and we never latched onto that. We just did our own thing.” Later in the set, “Anino,” “Halik ni Hudas,” and “Mata ng Dios” pushed the theater into louder territory. Red plastic cups filled with beer appeared in people’s hands. Devil horns went up. Before the night fully tipped into volume, the band paused to honor Legaspi and played an archival video clip of him performing. “Arise, motherfuckers,” Artadi shouted at one point, delivering the line with the same blunt force that defined him decades ago. At that moment, it was clear the show was not aimed at any single demographic. For more than two hours, the band was there to show that their songs still hold up well beyond the 1990s. After the final song, why the reunion worked felt obvious: the promoters believed in it, and the audience showed up ready. ![Wolfgang reunion concert Marco Cuneta](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/KAP_9570.webp) Cuneta was able to hold it down by giving the songs justice as the band’s bassist for the night. Artadi personified that same directness offstage. Speaking earlier in the week, he offered blunt advice to younger bands weighing label deals. “Don’t sign away your publishing. Don’t sign away shit,” Artadi exclaims. “And when the fucking record label puts the pizza in front of you, you know that they’re trying to fuck you. And every box is one fuck. The more boxes, the more fucked you’re going to be. No amount of money is worth you giving up your rights or your publishing. Unless you’re old already. And you’re going to die like what Fleetwood Mac’s doing — that’s different. \[But\] don’t ever do that.” ## Frequently Asked Questions ### Who reunited for Wolfgang’s 2026 concert at New Frontier Theater? Three original members — Basti Artadi, Manuel Legarda, and Wolf Gemora — reunited onstage for the first time since 2002. Razorback’s Marco Cuneta filled in on bass in honor of the late Mon Legaspi, Wolfgang’s original bassist, who passed away in 2022. ### How did Wolfgang honor bassist Mon Legaspi during the reunion concert? Mid-set, the band paused to play an archival video clip of Legaspi performing, pausing the show’s momentum before it moved into louder territory. Marco Cuneta of Razorback stood in on bass for the night in Legaspi’s place. ### What songs did Wolfgang perform at their New Frontier Theater reunion? The set opened with “Natutulog Kong Mundo,” followed by “Center of the Sun,” “Cast of Clowns,” and “Man ’98” early on, before moving into louder tracks like “Anino,” “Halik ni Hudas,” and “Mata ng Dios” later in the night. ### What advice did Basti Artadi give younger bands about record deals? Artadi warned against signing away publishing rights, saying every additional contractual “box” represents a way artists get taken advantage of by labels. He said no amount of money justifies giving up one’s rights, unless an artist is already established late in their career. ### Why does Wolfgang’s music still resonate across generations? The reunion crowd included original ’90s fans alongside their own children in band tees. The band said their sound was a product of their specific era rather than a fabricated trend, and the two-hour set demonstrated their catalog still holds up decades later. Related Stories - [Wolfgang’s Basti Artadi on How Music Should Never Compromise](https://rollingstonephilippines.com/music/basti-artadi-rolling-stone-interview/ "Wolfgang’s Basti Artadi on How Music Should Never Compromise") - [30 Years of Fury: Wolfgang’s Debut Still Defines Filipino Rock’s Peak](https://rollingstonephilippines.com/music/rock/wolfgang-debut-album-30-years-later/ "30 Years of Fury: Wolfgang’s Debut Still Defines Filipino Rock’s Peak") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") **Categories:** Music, Rock **Tags:** Wolfgang --- ### [Hayley Williams, NEW LORE, Mk.gee, Chinese Garden, and All the Songs You Need to Know](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/hayley-williams-new-lore-mk-gee/) **Published:** February 10, 2026 **Author:** Elijah Pareño **Excerpt:** Our weekly playlist of the best music right now, carefully picked by the Rolling Stone Philippines staff **Content:** Welcome to [Songs You Need to Know](http://rollingstonephilippines.com/editors-picks/songs-you-need-to-know), our weekly rundown of the best music right now. The *Rolling Stone Philippines* team is constantly sharing things to listen to, and each week, we compile a ragtag playlist of songs that we believe every music fan today needs to know. Whether it’s the hottest new single or an old track that captures the state of the present, our hope is that you discover something for your musical canon. This week’s songs move back and forth between the past and the future, sometimes within the same track. There’s the surprise of covering her grandfather’s soft-rock song for longtime fans, and a Filipino-British rapper soaking in the heat of a Los Angeles summer. Art-pop trio [NEW LORE](https://rollingstonephilippines.com/tag/new-lore/ "NEW LORE") mourns a “substack girl,” while [Chinese Garden](https://rollingstonephilippines.com/tag/chinese-garden/ "chinese garden") lingers around the idea of a sari-sari store to tell their own stories in the present day. With the week of love approaching, these songs arrive at the right moment, offering a fitting soundtrack for those counting down to the biggest day for lovers everywhere. Chinese Garden, ‘Aling Nena’ ![Chinese Garden](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs1-s-1600x1600.webp) Photo from Chinese Garden/Instagram *Trauma dumping and buying candy after* Whether or not it is named after the classic sari-sari store from Eraserheads lore, dream pop band Chinese Garden seems to wish that such a place still existed in their latest single, “Aling Nena.” This time, though, their version zeroes in on chorus-drenched guitars, a hazy atmosphere, and a twee vocal performance. It’s fair to say this take feels sharper around the edges and melodically rich, standing on its own rather than depending on its source material. Here, the sari-sari store becomes a place that listens, taking in stories of being dumped, love coming and going, and guitar solos buried in fuzz. That sense of intimacy is the charm “Aling Nena” holds for the alternative crowd, and it lands naturally. *—Elijah Pareño* NEW LORE, ‘substack girl’ ![NEW LORE](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs2-s-1600x1600.webp) Photo from NEW LORE/Instagram *Yearning feels good in a pop track like this* When you encounter a song titled “substack girl,” expect keywords to be hit. This track calls out to a certain type of college student, whose interests Manila-based pop band NEW LORE generously enumerates in the bridge: “a gig-goer, art fair lover, film enjoyer, thrift store lover, vinyl seeker, poetry reader, soul admirer, joy-baiter.” The song, NEW LORE’s second of the year and a follow-up to their 2025 debut album *grief cake*, is a fun one. Beyond lyrics that feel especially crafted for the band’s Gen Z audience, “substack girl” demonstrates NEW LORE’s penchant for playfulness, keeping the beat light even as vocalist Tita Halaman sings about missing an ex. If you’re a thrift store lover or a joy-baiter, as they say, this song’s for you. —*Pie Gonzaga* Feng, ‘J\*B’ ![Feng](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs3-s-1600x1600.webp) Photo from Feng/Instagram *Los Angeles is a city that never sleeps* Filipino-British rapper Feng is drifting away from the dreamy, clouded haze associated with Britain’s rising alternative hip-hop scene. Now spending time in Los Angeles, he taps into the sheen of Rio de Janeiro-style Instagram filters, afterparty excess, and a deadpan delivery laid over hypnotic trap beats. On “J\*B,” the slacker-pop sensibility overtakes the faux-Tumblr sleazepop aesthetic that once defined his sound. Feng has a knack for turning casual raps into earworms, and this latest single points toward his upcoming *Weekend Rockstar* album, blurring past and present through a distinctly sepia-toned lens. *—Elijah Pareño* Rusty Williams and Hayley Williams, ‘Friends Or Lovers’ ![Hayley Williams](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs4-s-1600x1600.webp) Photo from Hayley Wil/Instagram *A rocker inherits her grandfather’s pensive slow dance* Ever heard of a nepo-grandfather? In 2025, Rusty Williams, Hayley Williams’s grandfather, released his album *Grand Man* on Congrats Records, the independent label founded by Paramore drummer Zac Farro. The album was recorded in the 1970s but was revisited only in recent years. In January, Rusty released the album’s deluxe edition, including the song “Friends Or Lovers,” in which Hayley offers her vocals. With a twelve-string guitar and a flute, played by Alabama Shakes’ Brittany Howard, the soft rock track sees Hayley treating her grandfather’s songwriting with reverence. Known for her vocal power, the Paramore singer’s performance here is more stripped-back and relaxed against the steady sway of the music. —*Pie Gonzaga* Mk.gee, ‘How many miles’ ![Mk.gee](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs5-s-1600x1600.webp) Photo from Mk.ge/Instagram *An R&B-rock track that merits guitar showboating* It’s been two years since Mk.gee (pronounced McGee), the stage name of New Jersey musician Michael Gordon, released *Two Star & The Dream Police* in February 2024, but many tracks off the album remain on repeat for me. One of those is “How many miles.” Gordon’s command of the electric guitar in this track is otherworldly. Sometimes, it sounds as if he’s playing it underwater. Other times, it growls. It mimics horns and melts into the synths. Gordon’s voice, soft and guttural at once, echoes over a production completely washed in reverb. It’s in this fluidity and formlessness that the artist’s star takes shape, and he shines in this blend of R&B and soft rock reminiscent of Genesis and The Police. —*Pie Gonzaga* oklou, ‘blade bird’ ![oklou](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs6-s-1600x1600.webp) Photo from oklou/Instagram *Listen closely and feel the emotions reeling in* The *choke enough* closing track from French art-pop producer oklou, “blade bird,” has gradually become one of her most lovelorn non-singles to reach cult status. Outside of the album’s formal rollout, the song has remained a fan favorite for its intimate, woody, and almost antiquated feel, placing her voice front and center after an album full of textural exploration. At the intersection of romantic pressure and release, the acoustic guitar acts as a grounding presence, stitching fractured emotions back together. It’s a fitting final note, and a reminder of how fully formed the album feels even a year after its release. *—Elijah Pareño* ## Frequently Asked Questions ### What is Rolling Stone Philippines’ “Songs You Need to Know”? It’s a weekly column where the Rolling Stone Philippines team compiles a playlist of songs — new releases and older tracks alike — that capture the current musical moment, aiming to help readers discover additions to their personal musical canon. ### Which artists are featured in this week’s “Songs You Need to Know”? This week’s lineup includes Hayley Williams, art-pop trio NEW LORE, Mk.gee, and Chinese Garden, alongside a Filipino-British rapper’s track about a Los Angeles summer, spanning a mix of nostalgic covers and new original music. ### What song does Hayley Williams cover in this week’s playlist? Williams covers a soft-rock song originally written by her grandfather, offering longtime fans a personal, nostalgic surprise as part of this week’s featured tracks. ### What is NEW LORE’s featured song about? Art-pop trio NEW LORE’s featured track mourns a “substack girl,” continuing the group’s exploration of contemporary, internet-inflected themes within their art-pop sound. ### How does Chinese Garden’s song connect to Filipino culture? Chinese Garden’s featured track lingers around the imagery of a sari-sari store, a staple of Filipino neighborhood life, using it as a lens to tell present-day stories. 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The exec was recently found to have exchanged “flirty” emails with Ghislaine Maxwell, who is connected to sex offender and deceased businessman [Jeffrey Epstein](https://rollingstonephilippines.com/tag/jeffrey-epstein/ "Jeffrey Epstein"). In 2022, Maxwell was [sentenced to 20 years in prison](https://www.justice.gov/usao-sdny/pr/ghislaine-maxwell-sentenced-20-years-prison-conspiring-jeffrey-epstein-sexually-abuse) over five charges, which include sex trafficking a minor and recruiting four girls to be sexually abused by Epstein between 1994 and 2004. “I hold my teams to the highest standards and have a duty to protect them as well,” said Roan in an Instagram story on Tuesday, February 10. “Artists deserve representation that aligns with their values and supports their safety and dignity. This decision reflects my belief that meaningful change in our industry requires accountability and leadership that earns trust.” ![chappell roan statement on leaving wasserman](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/chappell-roan-statement-wasserman.webp) Chappell Roan announces her departure from the talent agency via Instagram. Photo from Chappell Roan/Instagram Wasserman’s emails to Maxwell, made public by the U.S. Department of Justice’s “Epstein files,” date back to 2003. In a statement, he said, “I deeply regret my correspondence with Maxwell, which took place over two decades ago, long before her horrific crimes came to light.” Wasserman, who chairs the 2028 Olympic Games in Los Angeles, said he had never had a personal or business relationship with Epstein but admitted he went on a humanitarian trip with the Clinton Foundation in 2002 aboard the “Epstein plane.” ## Frequently Asked Questions ### Why did Chappell Roan drop Wasserman as her talent agency? Roan ended her representation with Wasserman after agency chairman Casey Wasserman was found to have exchanged emails with Ghislaine Maxwell. Roan said the decision reflects her belief that meaningful industry change requires accountability and leadership that earns trust from the artists it represents. ### Who is Casey Wasserman and what is his connection to Ghislaine Maxwell? Casey Wasserman is the entertainment executive who leads the talent agency Wasserman and chairs the 2028 Los Angeles Olympic Games. Emails he exchanged with Ghislaine Maxwell dating back to 2003 were made public through the U.S. Department of Justice’s “Epstein files.” ### What did Casey Wasserman say in response to the revelations? Wasserman said he deeply regrets his correspondence with Maxwell, which he noted occurred over two decades ago, before her crimes came to light. He also confirmed he had no personal or business relationship with Jeffrey Epstein. ### Did Casey Wasserman have any documented association with Jeffrey Epstein? Wasserman said he joined a 2002 humanitarian trip organized by the Clinton Foundation aboard a plane associated with Epstein, though he maintained he never had a personal or business relationship with Epstein himself. ### What was Ghislaine Maxwell convicted of? Ghislaine Maxwell was sentenced in 2022 to 20 years in prison on five charges, including sex trafficking a minor and recruiting four girls who were sexually abused by Jeffrey Epstein between 1994 and 2004. 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Yet that was Chef Josh Boutwood’s breakthrough dish at an event celebrating BOCU’s upcoming summer collection, as well as the launch of his partnership with the Filipino fashion brand as their brand ambassador. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/Josh-Boutwood.webp) Chef Josh Boutwood. Photo courtesy of BOCU/Golden ABC ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/Bryan-Liu-BOCU.webp) Bryan Liu, Vice President for Strategy and Operations at Golden ABC. Photo courtesy of BOCU/Golden ABC Known for its understated aesthetic that celebrates craft and timelessness, BOCU took over Helm, the country’s first two-Michelin-starred restaurant, for its Notes on Taste event. The night featured an exceptional tasting menu prepared by Boutwood and the chefs at Helm, as well as a conversation on passion and precision that runs through BOCU’s measured approach to creating its latest collection with intention. The summer collection is defined by “refined silhouettes, breathable fabrics, and softened structures,” as BOCU describes in a statement, veering away from loud colors and patterns toward quiet comfort. Like the dinner itself, the latest release focuses on the stillness that summer brings, highlighted by the same philosophy found in Boutwood’s lauded work: “precision without excess, and a quiet confidence that allows materials to speak.” Whether it’s a slow day in the city or a quiet vacation outside of it, the summer line celebrates an inner confidence that just takes things at a steady pace. The new collection, like the brand itself, seamlessly balances strength and softness. Reminiscent of quiet luxury, but doesn’t break the bank. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/BOCU_18.webp) Amanda Liu, BOCU Brand Manager. Photo courtesy of BOCU/Golden ABC ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/Gino-Cruz-BOCU.webp) Gino Cruz, Marketing and Communications Director at Golden ABC. Photo courtesy of BOCU/Golden ABC Alongside Boutwood, the dinner was hosted by Bryan Liu, Vice President for Strategy and Operations at Golden ABC; Amanda Liu, BOCU Brand Manager; and Gino Cruz, Marketing and Communications Director at Golden ABC. The three emphasized BOCU’s commitment to bringing an elevated ease to everyday living from its apparel to these dinners themselves, where guests talked about their passion for their respective crafts with a fantastic meal at the center of it all. ## Frequently Asked Questions ### Who is BOCU’s new brand ambassador? Chef Josh Boutwood, known for his work at Helm — the country’s first two-Michelin-starred restaurant — has been named brand ambassador for Filipino fashion label BOCU, marking the partnership’s launch alongside BOCU’s summer collection. ### What defines BOCU’s summer 2026 collection? The collection is defined by refined silhouettes, breathable fabrics, and softened structures, moving away from loud colors and patterns toward quiet comfort, a design philosophy BOCU describes as reflecting stillness and inner confidence. ### What happened at BOCU’s “Notes on Taste” event? BOCU took over Helm restaurant for a tasting menu event prepared by Chef Josh Boutwood and the Helm team, pairing the meal with conversation about the precision and intentionality behind BOCU’s design process. ### Who hosted the BOCU dinner alongside Josh Boutwood? The dinner was hosted by Bryan Liu, Vice President for Strategy and Operations at Golden ABC; Amanda Liu, BOCU Brand Manager; and Gino Cruz, Marketing and Communications Director at Golden ABC. ### How does Josh Boutwood’s culinary philosophy relate to BOCU’s design approach? Both are described as prioritizing “precision without excess, and a quiet confidence that allows materials to speak,” a philosophy BOCU says runs through both Boutwood’s cooking and the brand’s measured approach to its summer collection. **Categories:** Events, Radar **Tags:** BOCU, josh boutwood --- ### [Kathryn Bernardo and James Reid on Returning to Teleseryes in 'Someone, Someday'](https://rollingstonephilippines.com/culture/tv/kathryn-bernardo-james-reid-someone-someday/) **Published:** February 9, 2026 **Author:** Mel Wang **Excerpt:** The two stars will headline the rom-com series, which premieres on Netflix later this year **Content:** [Kathryn Bernardo](https://rollingstonephilippines.com/tag/kathryn-bernardo/ "Kathryn Bernardo") and [James Reid](https://rollingstonephilippines.com/tag/james-reid/ "James Reid") are no strangers to leading their own respective teleseryes. But it looks like the two stars will be sharing the limelight in ABS-CBN’s upcoming series, *Someone, Someday*. The rom-com series, which is set to stream on [Netflix](https://rollingstonephilippines.com/tag/netflix/ "Netflix") later this year, follows a young woman, played by Bernardo, who designs a dating app to help women find love. A teaser released last year hints at Bernardo’s and Reid’s characters being best friends, with a slight dose of romantic tension rising to the surface. The series also stars Maja Salvador, who may or may not be hiding a secret. “It’s a first for me, working with Ate Maj, with our directors, and of course, James,” said Bernardo in the Netflix Philippines press conference on Monday, February 9. The actress also noted how she’s slowly returning to acting in teleseryes, especially since her last show premiered almost four years ago. > [View this post on Instagram](https://www.instagram.com/reel/DSP3GBEAZij/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Dreamscape Entertainment (@dreamscapeph)](https://www.instagram.com/reel/DSP3GBEAZij/?utm_source=ig_embed&utm_campaign=loading) “It’s taking a while to bounce back and work again,” said Bernardo. “My last series was back in 2022 for *2 Good 2 Be True*. It’s a bit different, diba, when you’re doing a movie \[and\] when you’re doing a series. So \[there’s been\] a bit of warming up, and I can say that until now, I’m still warming up and still getting to know my character day by day.” Reid echoed Bernardo’s statement about returning to the world of teleseryes. “It’s been a lot of nerves,” he said. “It’s been seven years since my last teleserye, but of course I’m very excited to have such an amazing cast and directors. I’ve connected a lot with my character Jordan, and… throughout the show, I get to inject a lot of my own music into the series. I’m also writing one of the songs for the show.” Although no official release date has been announced, Netflix Philippines confirmed that Someone, Someday will be available on the platform 72 hours before it airs on ABS-CBN. ## Frequently Asked Questions ### What is “Someone, Someday” about? A rom-com teleserye following a young woman, played by Kathryn Bernardo, who designs a dating app to help women find love. James Reid plays her best friend, with romantic tension building between them, while Maja Salvador’s character may be hiding a secret. ### Why is “Someone, Someday” significant for Bernardo and Reid’s careers? Both stars are returning to teleseryes after long absences. Bernardo’s last series aired in 2022 (“2 Good 2 Be True”), while Reid’s last teleserye was seven years ago. Both described the transition back to episodic acting as an adjustment involving nerves and “warming up.” ### When and where will “Someone, Someday” premiere? Netflix Philippines confirmed the series will stream on Netflix 72 hours before it airs on ABS-CBN. No official release date has been announced yet, though the announcement was made at a February 9 press conference. ### Who stars alongside Kathryn Bernardo and James Reid in “Someone, Someday”? Maja Salvador also stars in the series. According to the article, her character may be concealing a secret, adding a layer of intrigue to the central rom-com storyline involving Bernardo’s and Reid’s characters. ### Does James Reid contribute music to “Someone, Someday”? Yes. Reid said he gets to inject his own music into the series and is writing one of its songs, drawing on his connection to his character, Jordan, throughout the show. 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On Thursday, February 12, the Seoul Central District Court ruled that HYBE should not have unilaterally terminated its shareholder contract with Min, as she “did not seem to intend to bring harm or damages to ADOR,” an agency under the company. HYBE had filed the suit in 2025, asserting that Min had tried to take control of the company, which would justify the termination of her contract. With the case dismissed, the company must now pay Min her litigation costs, in addition to ₩25.5 billion, or approximately P1.028 billion, for her put option as a shareholder. HYBE had also accused Min, who recently announced her new agency OOAK, of trying to separate ADOR from the company to make it an independent label and “take NewJeans.” However, the Seoul Central District Court ruled that “There is insufficient evidence to conclusively prove that she attempted to defect with the members.” > [View this post on Instagram](https://www.instagram.com/p/C8sq1QFSr4q/?utm_source=ig_embed&utm_campaign=loading)[A post shared by @min.hee.jin](https://www.instagram.com/p/C8sq1QFSr4q/?utm_source=ig_embed&utm_campaign=loading) After the company lodged the accusations against Min, the former exec retaliated by claiming that ILLIT, a girl group under HYBE subsidiary BELIFT LAB, had plagiarized NewJeans’ creative direction. In July 2025, BELIFT LAB sued her for defamation, but [*Koreaboo*](https://www.koreaboo.com/news/belift-lab-fails-provide-solid-evidence-min-hee-jins-claim-regarding-illit-plagiarism/) reports that the court also ruled in Min’s favor regarding the matter, saying, “BELIFT LAB failed to provide further evidence to support the claim that the two groups are not similar, and it’s difficult to say that the controversy has completely subsided.” Meanwhile, NewJeans remains under contract with ADOR despite [efforts](https://rollingstonephilippines.com/music/pop/newjeans-official-return-ador/ "NewJeans Return to ADOR, But the Reunion Feels Uneasy") to drop the label after Min’s exit. Only ex-member Danielle Marsh has been [kicked out](https://rollingstonephilippines.com/music/pop/newjeans-ador-members-removed/ "ADOR Seems to Be Removing Mentions of NewJeans’ Members Online") of the girl group. Even with Min’s recent win in court, NewJeans’ conflicts with HYBE and ADOR aren’t exactly resolved. In December 2025, ADOR filed a damages suit for ₩43 billion against Min, Marsh, and a Marsh family member, whose identity remains unknown, for reputational harm and delays to NewJeans’ activities. While members Haerin, Hanni, and Hyein remain in the group, the agency’s discussions with member Minji are ongoing, according to the [*Korea Herald*](https://www.koreaherald.com/article/10646249). ## Frequently Asked Questions ### Why did Min Heejin win her lawsuit against HYBE? The Seoul Central District Court ruled HYBE should not have unilaterally terminated its shareholder contract with Min Heejin, finding she “did not seem to intend to bring harm or damages to ADOR.” HYBE must now pay her litigation costs plus roughly ₩25.5 billion for her put option. ### What did HYBE accuse Min Heejin of doing? HYBE accused Min Heejin of trying to take control of ADOR and attempting to separate the agency from HYBE to make it independent and “take NewJeans” with her. The court found insufficient evidence she attempted to defect with the members. ### What happened with the ILLIT plagiarism lawsuit involving Min Heejin? After HYBE’s accusations, Min Heejin claimed ILLIT, a HYBE-subsidiary BELIFT LAB girl group, plagiarized NewJeans’ creative direction. BELIFT LAB sued her for defamation in July 2025, but the court also ruled in Min’s favor, citing insufficient evidence to disprove her claim. ### Are there still pending legal cases involving NewJeans and ADOR? Yes. In December 2025, ADOR filed a ₩43 billion damages suit against Min Heejin, ex-member Danielle Marsh, and an unnamed Marsh family member over reputational harm and delays to NewJeans’ activities. ### Is NewJeans still signed to ADOR? NewJeans remains under contract with ADOR despite efforts to leave the label after Min Heejin’s exit. Only former member Danielle Marsh has been removed from the group, while discussions with member Minji are ongoing. Related Stories - [ADOR Seems to Be Removing Mentions of NewJeans’ Members Online](https://rollingstonephilippines.com/music/pop/newjeans-ador-members-removed/ "ADOR Seems to Be Removing Mentions of NewJeans’ Members Online") - [3 NewJeans Moments That’s Tearing The Girls, HYBE, and ADOR Apart](https://rollingstonephilippines.com/music/pop/newjeans-ador-hybe-conflict/ "3 NewJeans Moments That’s Tearing The Girls, HYBE, and ADOR Apart") - [NewJeans Return to ADOR, But the Reunion Feels Uneasy](https://rollingstonephilippines.com/music/pop/newjeans-official-return-ador/ "NewJeans Return to ADOR, But the Reunion Feels Uneasy") **Categories:** Music, Pop **Tags:** ADOR, HYBE, Min Hee-jin, NewJeans --- ### [Artist Max Balatbat on the Violence and Faith That Shaped His Art Fair Philippines Installation](https://rollingstonephilippines.com/culture/art/max-balatbat-art-fair-philippines/) **Published:** February 6, 2026 **Author:** Mel Wang **Excerpt:** At this year’s Art Fair Philippines, the artist uses his exhibit to spotlight the faith of the people of Caloocan’s red light district **Content:** [Max Balatbat](https://rollingstonephilippines.com/tag/max-balatbat/ "Max Balatbat") didn’t always know he’d pursue a full-time career in the arts. The Caloocan-born artist, whose exhibit “Kapilya” is one of the main highlights of this year’s [Art Fair Philippines](https://rollingstonephilippines.com/tag/art-fair-philippines/ "art fair philippines"), spent his early years deciding whether he wanted to follow in his father’s footsteps as an architect or pursue his own passion for drawing. “Every time na gumawa \[ang tatay ko\] ng trabaho niya, mga \[plano\], doon lang ako titignan ‘yong mga materyales niya, mga tracing paper, T-square,” Balatbat told me on a Zoom call from his art studio. Scattered around him were pieces of clay, barbed wire, and penitensya ropes that would eventually serve as the finishing touches to his exhibit. “So akala ko gano’n ‘yong buhay. Siguro magiging ganyan din ako pag lumaki. Pero alam ko, nasa drawing talaga ‘yong passion ko.” ![Max balatbat](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/IMG_5685.webp) Balatbat in his studio. Photo courtesy of Max Balatbat Balatbat often found himself drawn to images of saints, as well as the people of Caloocan’s red light district, spending much of his youth in the vicinity of its prostitutes and late-night workers. Many of them gathered at the Balatbat family’s small chapel, and the young artist would sneak away with his father’s tracing paper to set his memories down on the page. Although he began studying Architecture at Far Eastern University in 1995, Balatbat ended up switching to Fine Arts two years later at the University of the East Caloocan. However, after a series of mistakes and failed art competitions, Balatbat began to lose faith in his own abilities as an artist. “Parang every time na gumagawa ako ng art noon, \[ang\] lagi kong concern \[ay\] ‘yong viewer ko,” said Balatbat. “Normal naman ‘yon, lalo na sa nagsisimula. Kailangan mong magpa-impress.” ![Max Balatbat kapilya](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/L1020350.webp) “Kapilya” is one of the main exhibits of this year’s Art Fair Philippines. Photo courtesy of Art Fair PH After graduating, Balatbat decided to set up multiple businesses as a graphic designer and photographer to support both his artistic pursuits and his growing family. “Parang three years old ‘yong panganay ko at that time,” he said. “Wala akong choice. Nagnegosyo ako para makapag-art ako ulit. Pero ito ang pinakamali kong desisyon, kasi nawala ang oras ko para sa art ko.” However, as Balatbat found himself more and more consumed by the demands of everyday life, things took a sharp turn when he found himself stabbed in a fight. ![max balatbat](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/L1020360.webp) The whips of Balatbat’s “Kapilya.” Photo courtesy of Art Fair PH “Nasama ko sa rambulan, \[kasi\] pinagtanggol ko ‘yong isang tao,” said Balatbat. “Di ko alam na nasaksak pala ako. Normal lang naman ‘yan that time, kasi sa lugar namin parang bahagi na ang mga rambulan.” Balatbat was rushed to the hospital, where he claimed to have had a conversation with God. “Sabi ko, bata pa ako. May anak pa ako. Gusto ko pang mag-art, eh. Tapos eto na ‘yong dead end ko?” At this point in the interview, the artist stood to lift his shirt and show the long, white scar on the side of his stomach. “Okay na ako,” said Balatbat, “I went back to the start. Parang nakahakbang na ako ng sampu. Okay lang sa akin ‘yan. Kaya ko mag-umpisa ulit.” # Kapilya ![max balatbat](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/L1020359-1.webp) “Kapilya” honors the faith and experiences of those living in Caloocan’s red light district. Photo courtesy of Art Fair PH More than two decades after surviving the stabbing, Balatbat has made a name for himself as an artist both in the Philippines and abroad. His solo exhibitions, such as “Sampalataya” and “Balay,” have explored themes of religion, family, and social inequality, while incorporating materials such as salvaged wood, cement, thread, and raw canvas. Balatbat has exhibited his works in London, Florence, The Hague. In 2009, he was honored with the El Lorenzo Magnifico Silver Award at the 7th Florence Biennale. As one of the featured artists in this year’s Art Fair Philippines Projects section, Balatbat is using his platform to shine a light on the Caloocan community he grew up in. The main stage of his exhibition features a makeshift chapel, its wooden beams adorned with rows of whips woven with metal chimes. At the altar, a whip hangs from a crucifix like a pendulum, swinging and whipping two sacks of rice. Right outside the chapel, a faceless little girl wearing a dress made from scraps of fabric sells a handful of dried sampaguita garlands, her underwear pulled down to her knees. When asked what he hopes viewers take away from his exhibition at the fair, Balatbat emphasized that he wants to highlight the darker, yet equally honest, stories of those who don’t normally stand in the spotlight. “‘Yong art ko, gumagawa ako ng mga tungkol sa mga puta, sa mga bugaw, tungkol sa mga tao sa paligid namin na negative para sa iba,” said Balatbat. “Kinukwento ko \[ang\] isang side: tingnan niyo ang ibang side.” ## **Frequently Asked Questions** ### What is Max Balatbat’s “Kapilya” installation at Art Fair Philippines? “Kapilya” is a makeshift chapel installation featuring wooden beams strung with whips and metal chimes, and a whip swinging from a crucifix over sacks of rice, honoring the faith of Caloocan’s red light district community. ### Who is Max Balatbat? Max Balatbat is a Caloocan-born artist who studied architecture before switching to Fine Arts at the University of the East. He has exhibited in London, Florence, and The Hague, and won the El Lorenzo Magnifico Silver Award in 2009. ### What inspired Max Balatbat’s “Kapilya” exhibit? Balatbat grew up near his family’s small chapel in Caloocan, where sex workers and late-night laborers from the neighborhood’s red light district would gather, shaping the faith and community themes central to “Kapilya.” ### What other works has Max Balatbat created? Balatbat’s earlier solo exhibitions include “Sampalataya” and “Balay,” which explore religion, family, and social inequality using salvaged wood, cement, thread, and raw canvas as recurring materials. ### What happened to Max Balatbat before he became a full-time artist? Balatbat was stabbed during a street fight while defending someone else, an experience he says pushed him to recommit to his art after years of running businesses to support his family. Related Stories - [Leeroy New on How His Lola’s Folk Stories Inspired His Art](https://rollingstonephilippines.com/media-channels/greatest-hits/artist-leeroy-new-balay-balete/ "Leeroy New on How His Lola’s Folk Stories Inspired His Art") - [Kidlat Tahimik on Kapwa, Kapa-Kapa, and Katrin](https://rollingstonephilippines.com/culture/art/kidlat-tahimik-hall-of-fame-2025/ "Kidlat Tahimik on Kapwa, Kapa-Kapa, and Katrin") - [BenCab on Being a National Artist and What He Really Thinks About Sabel](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/bencab-national-artist-interview/ "BenCab on Being a National Artist and What He Really Thinks About Sabel") **Categories:** Art, Culture **Tags:** art fair philippines, Max Balatbat --- ### [Leeroy New on How His Lola’s Folk Stories Inspired His Art](https://rollingstonephilippines.com/media-channels/greatest-hits/artist-leeroy-new-balay-balete/) **Published:** February 6, 2026 **Author:** Mel Wang **Excerpt:** In this episode of Greatest Hits, renowned artist Leeroy New spoke on how Filipino folklore inspired his large-scale art pieces **Content:** [Leeroy New](https://rollingstonephilippines.com/tag/leeroy-new/ "Leeroy New"), the internationally acclaimed artist behind large-scale installations such as “Mebuyan’s Colony” and “Balay Balete,” has always found a way to integrate Filipino folklore into his art. “Balay Balete,” in particular, takes inspiration from New’s “aswang” heritage. “I have a fascination for looking back to the stories I heard when I was a child,” says New in the latest episode of *[Rolling Stone Philippines Greatest Hits](https://rollingstonephilippines.com/media-channels/greatest-hits/ "Greatest Hits")*. He says, “My lola told me multiple stories about how she was able to tame sigbins in Mindanao. She’s from Cotabato City, originally from Siquijor. So may lahi akong aswang kaya mabilis tumubo kuko ko \[**Laughs**\].” > [View this post on Instagram](https://www.instagram.com/reel/DUYO6yajaa5/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rolling Stone Philippines (@rollingstoneph)](https://www.instagram.com/reel/DUYO6yajaa5/?utm_source=ig_embed&utm_campaign=loading) Made from almost 2,000 recycled plastic bottles woven into the roots, trunk, and sprawling branches of a life-sized balete tree, “Balay Balete” originally towered over visitors at the National Museum of Anthropology in 2023. With “Balay Balete,” the artist hoped to incorporate the image of the balete tree, which often appears in Filipino mythology as the dwelling place of supernatural entities, and have it reckon with its place in a colonized, hyper-religious Philippines. ![Leeroy New](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/JLJ3152.webp) Leeoy New won the Cultural Center of the Philippines’ Thirteen Artists Award in 2012. Photo by JL Javier “There’s this mystical quality to the stories of our grandmothers,” said New. “We were warned as kids to not go to balete trees… I feel that these natural places of worship got demonized by our colonial religion in order for us to worship inside religion-sanctioned spaces.” As with so many of his large-scale pieces, New also made a point of using only recycled materials in “Balay Balete.” “I’ve taken it as a challenge to use materials I’m able to source in junkshops,” said New, “\[and\] by doing so, I’m able to actively participate in redistributing the waste.” In this episode of *Rolling Stone Philippines Greatest Hits*, New breaks down five of his works and installations and how they’ve influenced the current trajectory of his career. You can watch the full episode now on our [YouTube channel](https://www.youtube.com/watch?v=pnusZ7nuTcM "YouTube channel"). ## **Frequently Asked Questions** ### What inspired Leeroy New’s art installation “Balay Balete”? New drew on childhood stories his lola told him about taming sigbins in Mindanao. Originally from Siquijor and based in Cotabato City, she claimed “aswang” heritage, which New says explains why his nails grow so fast. ### What is “Balay Balete” made of? “Balay Balete” is a life-sized balete tree woven from nearly 2,000 recycled plastic bottles, forming the roots, trunk, and branches. It was first exhibited at the National Museum of Anthropology in 2023. ### Why did Leeroy New choose the balete tree as a subject? In Filipino mythology, the balete tree is believed to house supernatural entities. New wanted the piece to reckon with how such folk beliefs were demonized under Spanish colonial religion in the Philippines. ### Does Leeroy New only use recycled materials in his art? Yes. New sources materials from junk shops as a personal challenge, saying it lets him actively participate in redistributing waste rather than relying on new, mass-produced materials for his large-scale installations. ### What other major works has Leeroy New created besides “Balay Balete”? New is also known for “Mebuyan’s Colony,” another large-scale installation rooted in Filipino folklore. He won the Cultural Center of the Philippines’ Thirteen Artists Award in 2012 for his body of work. Related Stories - [The Quiet Limitlessness of Allan Balisi’s Paintings](https://rollingstonephilippines.com/culture/art/allan-balisi-art-speaks-volumes-without-ever-saying-a-word/ "The Quiet Limitlessness of Allan Balisi’s Paintings") - [Corinne De San Jose on How Sound Design Can Construct Silence](https://rollingstonephilippines.com/culture/art/corinne-de-san-jose-sound-silence/ "Corinne De San Jose on How Sound Design Can Construct Silence") - [‘Dinadala’ Exhibit Shows That You Can’t Separate Art from Labor](https://rollingstonephilippines.com/state-of-affairs/politics/dinadala-exhibit-art-and-labor/ "‘Dinadala’ Exhibit Shows That You Can’t Separate Art from Labor") **Categories:** Art, Culture, Greatest Hits, Media Channels **Tags:** Leeroy New --- ### [The Cast of ‘T.G.I.S.’ Are Back For a Netflix Christmas Series](https://rollingstonephilippines.com/culture/tv/tgis-cast-members-netflix-paskong-pinoy/) **Published:** February 9, 2026 **Author:** Mel Wang **Excerpt:** Bobby Andrews, Angelu De Leon, Polo Ravales, and Rica Peralejo are set to share the same stage once again on the Netflix Original series “Paskong Pinoy” **Content:** Few shows defined the 90’s quite like the teenage series, *[T.G.I.S.](https://rollingstonephilippines.com/tag/t-g-i-s/ "T.G.I.S.")* (short for *Thank God It’s Sabado*). Now, more than 30 years later, cast members Angelu De Leon, Bobby Andrews, Polo Ravales, and Rica Peralejo are in one set once again in [Netflix’s](https://rollingstonephilippines.com/tag/netflix/ "Netflix") *Paskong Pinoy*. The Netflix Original anthology series, directed by Mark Reyes (who also directed the T.G.I.S series), promises to follow the lives of different Filipinos as they navigate the holiday season. Reyes announced that De Leon, Andrews, Raveles, and Paralejo will star together in one specific episode, which will also feature late *T.G.I.S.* cast member Red Sternberg. “Unfortunately, we lost Red last year,” said Reyes at a Netflix Philippines press conference. “But he’s still part of the show somehow, so you’ll have to watch it.” > [View this post on Instagram](https://www.instagram.com/p/DUhuvb8EpgH/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Netflix Philippines (@netflixph)](https://www.instagram.com/p/DUhuvb8EpgH/?utm_source=ig_embed&utm_campaign=loading) “It kind of feels like a school reunion,” Peralejo told *Rolling Stone Philippines*. “I haven’t been around \[in show business\] for more than a decade, so it’s been very nostalgic because I’m seeing familiar faces that I haven’t seen since my teens.” Andrews also revealed a few details about the *T.G.I.S.* cast members’ episode in *Paskong Pinoy*. “‘Yong episode namin, “The Last New Year in Boracay,’” he said, “is about a group of friends who grew up and aged together, and they’re all around their late 30s.” “When Direk Mark pitched his show to us, there was no story yet. It was just the cast \[but\] everybody just said yes immediately,” said De Leon. “It’s such an honor to be back and to be with them again. It wasn’t really work at all.” *Paskong Pinoy* is slated to premiere on December 3. ## Frequently Asked Questions ### Which ‘T.G.I.S.’ cast members are reuniting in Netflix’s ‘Paskong Pinoy’? Angelu De Leon, Bobby Andrews, Polo Ravales, and Rica Peralejo, original cast members of the 1995 teen series T.G.I.S. (Thank God It’s Sabado), share an episode together in Netflix’s holiday anthology Paskong Pinoy. ### Who directed both ‘T.G.I.S.’ and Netflix’s ‘Paskong Pinoy’? Mark Reyes directed both the original T.G.I.S. series in the 1990s and the new Netflix anthology Paskong Pinoy, reuniting him with several of his former cast members three decades later. ### Does ‘Paskong Pinoy’ honor the late ‘T.G.I.S.’ actor Red Sternberg? Yes. Director Mark Reyes confirmed that Sternberg, who died in 2025, remains part of the episode in some form despite his passing, alongside surviving castmates Andrews, De Leon, Ravales, and Peralejo. ### What is the ‘T.G.I.S.’ cast’s episode of ‘Paskong Pinoy’ about? Titled “The Last New Year in Boracay,” the episode follows a group of friends who grew up together and reunite in their late 30s, according to cast member Bobby Andrews. ### When does Netflix’s ‘Paskong Pinoy’ premiere? Paskong Pinoy, Netflix Philippines’ first Christmas-themed anthology series, is slated to begin streaming on December 3, in time for the holiday season. 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A decade later, these records from [Frank Ocean](https://rollingstonephilippines.com/editors-picks/commentary/2016-trend-shifted-music-culture/ "The ‘2016 Trend’ Reveals Where Culture Stalled and Shifted"), [Rihanna](https://rollingstonephilippines.com/tag/rihanna/ "Rihanna"), and Autotelic still connect because they were screenshots of youth culture. Albums that have multiple tracks that have amassed a billion streams, countless reissues and bootlegs, and a cult following that lasted for years. These records captured grief, joy, romance, chaos, and commentary on the cultural zeitgeist in ways that still sound alive. 2016 was the year albums reminded listeners why in-depth themes, chaotic production choices, and overall artistic statements in sound still matter. ## Frank Ocean, ‘Blonde’ [Frank Ocean](https://rollingstonephilippines.com/tag/frank-ocean/ "Frank Ocean")’s sophomore album turned personal introspection into a generation’s language of love and longing. *Blonde* drifted through loneliness, online relationships, memory, and self-discovery with soft spoken delivery and sudden emotional falsettos. The beat switch in “Nights” felt like time splitting in half, while “White Ferrari” became a late-night confession for anyone learning how love fades. Its skeletal electronic — even borderline ambient — production left space for feelings to linger. Ten years later, its honesty still feels current. ## David Bowie, ‘Blackstar’ Released days before [David Bowie](https://rollingstonephilippines.com/tag/david-bowie/ "David Bowie")’s death, *Blackstar* felt like a farewell written in sound. Jazz textures, eerie art rock melodies, and cryptic lyrics circled mortality and legacy. Instead of retreating into pop rock sensibilities, Bowie leaned into the unknown. Songs like “Lazarus” turned pain into a reflection of one’s survival, making the album an allegory to an artist staring directly at the void with grace and curiosity. ## Rihanna, ‘ANTI’ In *ANTI*, [Rihanna](https://rollingstonephilippines.com/tag/rihanna/ "Rihanna") stepped away from pure hit-maker status toward risk and ethereal production. From the raw ache of “Love on the Brain” to the icy sound design of “Needed Me,” the album blurred pop and alternative R&B with sheer swagger. It sounded freer, darker, and more personal than anything Rihanna had released before. Its influence still echoes across today’s genre-bending pop artists. ## Touché Amoré, ‘Stage Four’ Grief drove every second of *Stage Four* by post-hardcore mainstays [Touché Amoré](https://rollingstonephilippines.com/tag/touche-amore/ "Touché Amoré"). Told through the eyes and words of vocalist Jeremy Bolm confronting his mother’s death from cancer, he screams, whispers, and speaks with brutal honesty. The music grew more intense as the album progressed, capturing mourning in real time. Each track was another wave of pain crashing through acceptance, as in “Flowers and You” and “New Halloween.” Few albums have faced loss with this level of unwavering bravery. ## Chance the Rapper, ‘Coloring Book’ [Chance the Rapper](https://rollingstonephilippines.com/tag/chance-the-rapper/ "Chance The Rapper")’s gospel-tinged project *Coloring Book* overflowed with hope, family love, faith, and celebration. Songs like “No Problem” and “Same Drugs” balanced witticisms and pure joy of loving one another with guests such as D.R.A.M., Kanye West, Lil Wayne, Young Thug, and many more. Choirs met bright beats and playful flows, making the entire album rife with positivity, ultimately creating something infectious that isn’t prone to turning the rapper into a cornball. ## Beyoncé, ‘Lemonade’ Betrayal and reckoning powered *Lemonade*, which was released by Beyoncé in 2016 as a surprise album paired with an HBO film. Moving across different genres of rock, country, blues, hip-hop, and pop, the record traced different stages of grief in the wake of personal and public fractures between her and her husband, Jay-Z at the time. Songs like “Don’t Hurt Yourself” alongside blues rock icon Jack White, “Sorry,” and “All Night” captured the pitfalls of a relationship so daringly open that it felt more like an Adele album. Arriving months before the 2016 U.S. election between Donald Trump and Hillary Clinton, *Lemonade* resonated as a personal document from one of music’s most private artists. ## Solange, ‘A Seat at the Table’ The search for one’s identity is at the center of *A Seat at the Table*, Solange’s 2016 album. The album uses stripped drums, synths, and bass to take on womanhood in a tasteful soul experimentation. Songs like “Don’t Touch My Hair” and “Mad” confront the emotional labor required to be a Black woman in America. Appearances from Kelly Rowland, Lil Wayne, to name a few, expand the record’s perspective through her own shared history on her spirituality and independence. Solange’s third outing is musically and lyrically cohesive. ## Hey! It’s Your Birthday, ‘Hey! It’s Your Birthday’ This Cebu-based band’s third release was proof that indie music could break beyond Metro Manila. [Hey! It’s Your Birthday](https://rollingstonephilippines.com/tag/hey-its-your-birthday-2/ "Hey! It’s Your Birthday")’s slowcore textures mixed with soft pop melodies were pretty unique at a time when the indie scene was ruled by pop-rock sensibilities. The self-titled album’s track listing moves between warmth and sadness with ease. It felt emotionally heavy in small ways. Hey! It’s Your Birthday showed that Manila was no longer the only center of meaningful Filipino indie storytelling. ## Autotelic, ‘Papunta Pabalik’ [Autotelic](https://rollingstonephilippines.com/tag/autotelic/ "Autotelic") pushed pop rock forward with synth lines that felt bolder than most pop rock acts dared to explore. Tracks like “Laro” and “Languyin” paired emotional lyrics with driving energy, capturing youth restlessness and romance in pop motion. *Papunta Pabalik* became a gateway for listeners who yearned for heartfelt songwriting without leaving modern production behind. ## Brickcity, ‘The Bones We Used to Share’ Quezon City’s [Brickcity](https://rollingstonephilippines.com/tag/brickcity/ "Brickcity") stood out with spoken-word sections, abstract themes, and raw intensity that influenced a generation of beginners in their own local scene. *The Bones We Used to Share* crossed post-hardcore with experimental structures, making each track feel unpredictable in terms of lyric and riff writing. The album resonated across audiences, from punk kids to indie listeners seeking something heavier and more in-depth. Its influence still surfaces in today’s emotional rock acts. ## The Buildings, ‘Cell-o-phane’ With nods to Pavement and Pixies, *Cell-o-phane* delivered fuzzy guitars and clever, quirky songwriting. Abstract lyrics ranged from convincing yourself that Manila isn’t a trap, or how lucid you can be around your family, while a flurry of jazzmasters crash on the ground beyond repair. [The Buildings](https://rollingstonephilippines.com/tag/the-buildings/ "The Buildings") balanced noise with melody, making alternative rock feel playful and smart. ## Tanya Markova, ‘Mister Tililing’ Original Payaso Music headliners [Tanya Markova](https://rollingstonephilippines.com/tag/tanya-markova/ "Tanya Markova") doubled down on absurd humor in this record. Here, you get to date a zombie, and a broke man can woo a rich girl. Pop hooks flourished without losing musical polish in the midst of their chaotic songwriting. Songs like “Ang Darling Kong Zombie” mixed comedy with dire situations, making shock value strangely heartfelt. The album proved that fun and craft could coexist, earning the band a lasting cult following. ## Frequently Asked Questions ### Which 2016 albums are considered the most influential a decade later? Frank Ocean’s *Blonde*, Rihanna’s *ANTI*, David Bowie’s *Blackstar*, and Beyoncé’s *Lemonade* are widely cited as 2016’s most influential records, each pushing genre boundaries through confessional songwriting, ambient production, or reckoning with mortality and betrayal in ways that still resonate today. ### What Filipino albums from 2016 hold up alongside major international releases? Autotelic’s *Papunta Pabalik*, Hey! It’s Your Birthday’s self-titled record, Brickcity’s *The Bones We Used to Share*, and The Buildings’ *Cell-o-phane* are among the Filipino indie albums from 2016 still cited for pushing the local scene beyond Metro Manila. ### Why is David Bowie’s *Blackstar* significant in his discography? *Blackstar* was released just two days before David Bowie’s death in January 2016, making its jazz-inflected, mortality-focused songwriting feel like a deliberate farewell. Tracks like “Lazarus” are read as the artist confronting his own legacy in real time. ### How did Beyoncé’s *Lemonade* connect to the 2016 political moment? *Lemonade* arrived months before the 2016 U.S. presidential election, blending genres from country to hip-hop while tracing personal betrayal and reckoning. Its release amid a charged political climate gave the deeply personal album added cultural resonance. ### What made Touché Amoré’s *Stage Four* stand out among 2016 releases? *Stage Four* documented vocalist Jeremy Bolm confronting his mother’s death from cancer through raw, escalating post-hardcore intensity. Tracks like “Flowers and You” and “New Halloween” captured mourning in real time, making it one of 2016’s most emotionally direct records. Related Stories - [For Filipinos, Kanye West’s Music Lives On, Even If His Reputation Doesn’t](https://rollingstonephilippines.com/music/kanye-west-music-filipinos/ "For Filipinos, Kanye West’s Music Lives On, Even If His Reputation Doesn’t") - [Tanya Markova’s Surreal Sound and Staying Power in Filipino Pop-Rock](https://rollingstonephilippines.com/music/tanya-markova-filipino-pop-rock/ "Tanya Markova’s Surreal Sound and Staying Power in Filipino Pop-Rock") - [Mitski’s Manila Stop is Her Biggest Southeast Asia Show In 2026](https://rollingstonephilippines.com/music/mitski-manila-concert-announcement/ "Mitski’s Manila Stop is Her Biggest Southeast Asia Show In 2026") **Categories:** Editor's Picks, Lists, Music **Tags:** 2016, Autotelic, Beyonce, Brickcity, Chance The Rapper, David Bowie, Frank Ocean, Hey! It’s Your Birthday, Rihanna, Solange, Tanya Markova, The Buildings, Touché Amoré --- ### [Kathryn Bernardo And Anne Curtis Are Heading to Netflix Originals This Year](https://rollingstonephilippines.com/culture/netflix-philippines-kathryn-bernardo-anne-curtis/) **Published:** February 9, 2026 **Author:** Mel Wang **Excerpt:** The upcoming projects will also see Enchong Dee, Bobby Andrews, Dingdong Dantes, and more get the Netflix treatment **Content:** [Netflix Philippines](https://rollingstonephilippines.com/tag/netflix/ "Netflix") has just announced its slate of original films and shows for the year, and the roster is nothing short of star-studded. On February 9, at a press conference at the Grand Hyatt Manila, Netflix Philippines’ Content Lead, Vitto Lazatin, announced that five upcoming Filipino Netflix Original projects — two films and three series — will premiere on the platform later this year. The first film announced was director Dolly Dulu’s rom-com *18th Rose*, in which [Kyle Echarri](https://rollingstonephilippines.com/tag/kyle-echarri/ "Kyle Echarri") and Xyriel Manabat star as two high school students who find love in early 2000s Romblon. The film will begin streaming on April 9. > [View this post on Instagram](https://www.instagram.com/p/DUhmjlElgCQ/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Netflix Philippines (@netflixph)](https://www.instagram.com/p/DUhmjlElgCQ/?utm_source=ig_embed&utm_campaign=loading) *Ganito, Ganyan, Ganoon*, directed by Cholo Laurel, is a dramedy starring Jodi Sta. Maria and Agot Isidro are two rival family members. “As Filipinos, we’re very family-centric,” said Isidro at the press conference. “So we’re really reaching out to the Filipino audience… there’s always one person who you really hate \[in your family\], another one who you really love, and you can relate to all these characters in \[*Ganito, Ganyan, Ganoon*\].” The film will be available on August 13. Isidro also stars in the upcoming Netflix original series, *Balaraw*, directed by Rae Red. The horror feature follows a young woman, played by [Janine Gutierrez](https://rollingstonephilippines.com/tag/janine-gutierrez/ "Janine Gutierrez"), who ventures to the island of Balaraw in search of her mother, played by Isidro. *Balaraw* will dive deep into the supernatural world of Filipino folklore. Also starring Charlie Dizon. *Paskong Pinoy*, billed as Netflix Philippines’ first Christmas-themed anthology series, is set to reunite some of the most recognizable stars of 90s Filipino TV, including Bobby Andrews, Angelu De Leon, and Rica Peralejo. Director Mark Reyes’ series also stars [Barbie Forteza](https://rollingstonephilippines.com/tag/barbie-forteza/ "Barbie Forteza") and Enchong Dee in their first project together. In time for the holiday season, *Paskong Pinoy* begins streaming on December 3. > [View this post on Instagram](https://www.instagram.com/reel/DUh0Wxjj56Y/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Netflix Philippines (@netflixph)](https://www.instagram.com/reel/DUh0Wxjj56Y/?utm_source=ig_embed&utm_campaign=loading) The final Netflix original series is Erik Matti’s *[BuyBust: The Undesirables](https://rollingstonephilippines.com/culture/tv/erik-matti-buybust-series-anne-curtis/ "Erik Matti Unveils ‘BuyBust: The Undesirables’ With Anne Curtis, Gerald Anderson")*. It follows [Anne Curtis](https://rollingstonephilippines.com/tag/anne-curtis/ "Anne Curtis") returning to her role as anti-narcotics officer Nina Manigan from Matti’s 2018 action thriller, with Gerald Anderson entering the BuyBust universe for the first time. “We never thought *BuyBust,* the movie, could be continued as something else,” said Matti. “But when Netflix talked to us, that’s when we thought of dystopia, of a more timeless, universal story of the rich and poor.” In addition to these Netflix original projects, the platform will stream local series from local networks GMA and ABS-CBN. > [View this post on Instagram](https://www.instagram.com/p/DUhpFT7lhVG/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Netflix Philippines (@netflixph)](https://www.instagram.com/p/DUhpFT7lhVG/?utm_source=ig_embed&utm_campaign=loading) GMA’s *The Master Cutter,* which stars [Dingdong Dantes](https://rollingstonephilippines.com/tag/dingdong-dantes/ "dingdong dantes") as a former scout ranger who leads a double life as a tailor by day and a bounty hunter by night. The show, directed by Dominic Zapata, will be available on the streaming platform 72 hours before its local free TV premiere. “I’m ready to accept your orders,” joked Dantes. “Your vestidas and suits, just bring them to the set!” The leading man also hinted at how his character will be wearing a wide array of disguises, from a clown suit to the uniform of a Cuban mafia member. Meanwhile, ABS-CBN’s *Someone, Someday* is a rom-com series that follows a young woman who builds a dating app to help women find love, but in the process, she finds love for herself. It stars Maja Salvador, [Kathryn Bernardo](https://rollingstonephilippines.com/tag/kathryn-bernardo/ "Kathryn Bernardo"), and James Reid, and it is directed by Dolly Dulu and Chad Vidanes. ## Frequently Asked Questions ### What are Netflix Philippines’ original films and series for 2026? Netflix Philippines announced five originals: the rom-coms 18th Rose (April 9) and Ganito, Ganyan, Ganoon (August 13), horror series Balaraw, Christmas anthology Paskong Pinoy (December 3), and BuyBust: The Undesirables. ### Who stars in Netflix Philippines’ BuyBust: The Undesirables? Anne Curtis reprises her role as anti-narcotics officer Nina Manigan from Erik Matti’s 2018 film BuyBust, joined by Gerald Anderson, who enters the BuyBust universe for the first time in the new series. ### Is Kathryn Bernardo’s new show a Netflix Original? No. Kathryn Bernardo stars in ABS-CBN’s Someone, Someday, a rom-com series with Maja Salvador and James Reid that streams on Netflix Philippines but is not one of the platform’s five original productions. ### What is Balaraw about? Balaraw, directed by Rae Red, is a horror series starring Janine Gutierrez as a young woman searching for her mother, played by Agot Isidro, on the island of Balaraw, drawing on Filipino folklore. ### Who stars in Paskong Pinoy, Netflix Philippines’ first Christmas anthology series? Paskong Pinoy, directed by Mark Reyes, reunites 90s Filipino TV stars Bobby Andrews, Angelu De Leon, and Rica Peralejo, alongside Barbie Forteza and Enchong Dee in their first project together. Related Stories - [Erik Matti Unveils ‘BuyBust: The Undesirables’ With Anne Curtis, Gerald Anderson](https://rollingstonephilippines.com/culture/tv/erik-matti-buybust-series-anne-curtis/ "Erik Matti Unveils ‘BuyBust: The Undesirables’ With Anne Curtis, Gerald Anderson") - [Barbie Forteza Reads Pablo Neruda to Charo Santos in ‘Until She Remembers’ Teaser](https://rollingstonephilippines.com/culture/philippine-cinema/until-she-remembers-charo-santos-barbie-forteza/ "Barbie Forteza Reads Pablo Neruda to Charo Santos in ‘Until She Remembers’ Teaser") - [Donny Pangilinan, Kyle Echarri, Maymay Entrata Break Down ‘Roja’](https://rollingstonephilippines.com/culture/tv/donny-pangilinan-kyle-echarri-maymay-entrata-roja/ "Donny Pangilinan, Kyle Echarri, Maymay Entrata Break Down ‘Roja’") **Categories:** Culture, Film, Philippine Cinema, TV **Tags:** Anne Curtis, Kathryn Bernardo, Kyle Echarri, Netflix, Xyriel Manabat --- ### [The Spirit of Sinulog Lives on in NUSTAR Online’s Cebu Outreach Efforts](https://rollingstonephilippines.com/radar/events/nustar-online-sinulog-cebu-outreach/) **Published:** February 9, 2026 **Author:** Precy Tan **Excerpt:** As Sinulog unfolded across Cebu, NUSTAR Online marked the festival through community service in Talisay City, aligning faith, recovery, and responsibility in the aftermath of Typhoon Tino  **Content:** As Cebu’s streets filled with parades, drumbeats, and spectacle, NUSTAR Online marked Sinulog away from the noise. The luxury lifestyle gaming and entertainment platform, licensed under the Philippine Amusement and Gaming Corporation (PAGCOR), observed the season by centering service over celebration. Long associated with responsible gaming and purpose-driven work, NUSTAR Online has continued to shape a broader identity rooted in community engagement. This Sinulog season, that commitment moved beyond screens and platforms, taking form on the ground in Talisay City, Cebu, where the brand sought to stand alongside communities still finding their footing. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/Photo_Shows_L_R_NUSTAR_Online_Team_City_Mayor_Samsam_Gullas_City.webp) *From left*, NUSTAR Online Team, City Mayor Samsam Gullas, City Councilor Atty. Dan Villaver, and City Social Welfare and Development Office Head Ms. Coleen Enajada. Photo courtesy of NUSTAR Online In collaboration with the Talisay City government, NUSTAR Online distributed grocery packs and sacks of rice to hundreds of families across several barangays. The initiative formed part of the city’s ongoing recovery efforts following Typhoon Tino, which caused significant damage in the area late last year. In December, Talisay City announced its decision to forgo participation in the Sinulog Grand Parade, opting instead to redirect funds toward rehabilitation and relief. Within this context, NUSTAR Online identified the city as a meaningful partner, aligning its recently strengthened corporate social responsibility efforts with the spirit of the festival. Cultural dancers from Talisay performed during the activity, offering a reminder that devotion to Señor Santo Niño can take forms beyond public spectacle. In place of grand processions, the celebration unfolded through giving, solidarity, and shared presence. “Sinulog embodies the Filipino spirit of faith, gratitude, and communal strength,” said Krizia Cortez, Director of Public Relations of NUSTAR Online. “True celebration extends beyond festivity. It calls us to walk alongside those who are rebuilding and rising again.” Audiences can continue experiencing the Sinulog season through *NUSTAR Online: Exclusives*, the brand’s lifestyle and magazine show, with Cebu episodes that premiered on January 23 via NUSTAR Online’s [official Facebook page](https://www.facebook.com/nustaronline/). ## Frequently Asked Questions ### What did NUSTAR Online do for Sinulog 2026? NUSTAR Online partnered with the Talisay City government to distribute grocery packs and sacks of rice to hundreds of families as part of Typhoon Tino recovery efforts during the Sinulog season. ### Why did Talisay City skip the Sinulog Grand Parade? Talisay City redirected its parade funds toward rehabilitation and relief work following the damage caused by Typhoon Tino in late 2025, prioritizing recovery over festival spectacle. ### Who led NUSTAR Online’s Sinulog outreach in Cebu? Krizia Cortez, NUSTAR Online’s Director of Public Relations, represented the brand alongside Talisay City Mayor Samsam Gullas and other local officials during the relief distribution. ### Where can audiences watch NUSTAR Online’s Sinulog coverage? Cebu episodes of NUSTAR Online: Exclusives, the brand’s lifestyle and magazine show, premiered January 23 on NUSTAR Online’s official Facebook page. **Categories:** Events **Tags:** Cebu, NUSTAR Online, Sinulog Festival --- ### [Bad Bunny Turns Super Bowl LX Halftime Into a Puerto Rican Street Party](https://rollingstonephilippines.com/music/hiphop-rnb/bad-bunny-super-bowl-2026-recap/) **Published:** February 9, 2026 **Author:** Elijah Pareño **Excerpt:** The reggaeton superstar packed the Levi’s Stadium stage with salsa, dancers, domino tables, and performers dressed as tall grass **Content:** [Bad Bunny](https://rollingstonephilippines.com/tag/bad-bunny/ "Bad Bunny") delivered a [Super Bowl LX](https://rollingstonephilippines.com/tag/super-bowl-lx/ "Super Bowl LX") halftime show rooted firmly in Puerto Rican culture. The set was a cornucopia of Latin music and culture; reggaeton, salsa, and cultural motifs tied to everyday life on the island, unfolding as a fast-moving showcase of representation. The performance opened with “Tití Me Preguntó,” as Bad Bunny walked through a stage dressed to resemble a Puerto Rican neighborhood from its farm lands to the bungalow neighborhoods. There were men playing dominoes at folding tables, dancers wearing pava hats, and tall green bushes lining the set were revealed to be performers dressed, swaying in sync as the choreography picked up. What followed was a high-energy run of reggaeton hits that included “Safaera,” “Party,” “VOY A LLeVARTE PA PR,” and “EoO” from his Grammy-winning album *DeBÍ TiRAR MáS FOToS*. Much of this live performance’s stretch took place around La Casita, the pink Puerto Rican house that has appeared throughout his recent artist residency and tours. Celebrity cameos guests include actors Jessica Alba and Pedro Pascal, and artists Karol G and Cardi B, while Bad Bunny danced across its roof. But the night’s biggest surprise came when [Lady Gaga](https://rollingstonephilippines.com/tag/lady-gaga/ "Lady Gaga") joined Bad Bunny onstage for a salsa arrangement of “Die With a Smile,” accompanied by his backing band, Los Pleneros de la Cresta. The reggaeton icon followed with “NUEVAYoL” before transitioning into “LO QUE LE PASÓ A HAWAii,” which featured Ricky Martin. Talk about a livin’ la vida loca performance. The final portion of the show had Puerto Rican anthems, with “El Apagón” and “CAFé CON RON.” He then closed with “DtMf,” ending the performance amid fireworks while briefly shouting “God bless America” and naming countries across Latin America. A banner flashes on the Levi’s Stadium jumbotron: “The Only Thing More Powerful Than Hate is Love.” > [View this post on Instagram](https://www.instagram.com/reel/DUhOCzyjGp3/?utm_source=ig_embed&utm_campaign=loading)[A post shared by NFL (@nfl)](https://www.instagram.com/reel/DUhOCzyjGp3/?utm_source=ig_embed&utm_campaign=loading) This was not Bad Bunny’s first Super Bowl appearance. He previously joined Jennifer Lopez and Shakira during the 2020 halftime show, performing his [Cardi B](https://rollingstonephilippines.com/tag/cardi-b/ "Cardi B") collaboration “I Like It” with Shakira. This time, however, the spotlight was his alone. The performance had drawn intense attention ahead of the game, along with criticism from conservative figures who objected to the National Football League’s choice of headliner. The singer from Puerto Rico has been vocal about his stance on the current administration’s immigration policies. During his Grammys acceptance speech for Best Musica Urbana Album last February 1, he took a stand against the United States Immigration and Customs Enforcement (ICE), saying, “ICE, out!” Conservative American nonprofit organization Turning Point USA staged a separate event featuring Kid Rock, while U.S. [President Donald Trump](https://rollingstonephilippines.com/tag/donald-trump/ "Donald Trump") publicly dismissed the Bad Bunny booking, saying the halftime show was “absolutely terrible.” Bad Bunny avoided engaging with the backlash. In a press conference held days before the Super Bowl LX halftime show, he said his focus was on showcasing Puerto Rican culture. “I want to bring to the stage a lot of my culture,” he said, while emphasizing the celebratory nature of the show. “It’s going to be a party. People only have to worry about dancing. I think there’s no better dance than the one that comes from the heart.” ## Frequently Asked Questions ### What songs did Bad Bunny perform at the Super Bowl LX halftime show? Bad Bunny opened with “Tití Me Preguntó” and ran through reggaeton hits like “Safaera” and “Party,” closing with Puerto Rican anthems “El Apagón,” “CAFé CON RON,” and “DtMf.” ### Who were the surprise guests during Bad Bunny’s Super Bowl LX performance? Lady Gaga joined for a salsa version of “Die With a Smile,” followed by Ricky Martin on “LO QUE LE PASÓ A HAWAii.” Karol G, Cardi B, Jessica Alba, and Pedro Pascal also appeared. ### Why did Bad Bunny’s Super Bowl LX halftime show face political backlash? Conservative figures, including President Trump, criticized the NFL’s choice of Bad Bunny after his Grammy speech calling out ICE. Turning Point USA staged a rival event with Kid Rock. ### What is La Casita in Bad Bunny’s Super Bowl LX set? La Casita is the pink Puerto Rican house from Bad Bunny’s recent residency and tours, which anchored much of the halftime stage design and choreography. ### Has Bad Bunny performed at the Super Bowl before? Yes. He appeared in the 2020 halftime show alongside Jennifer Lopez and Shakira, performing his Cardi B collaboration “I Like It.” Super Bowl LX marked his first solo headlining set. Related Stories - [5 Essential Bad Bunny Songs to Know Before the Superbowl Halftime Show](https://rollingstonephilippines.com/music/hiphop-rnb/5-essential-bad-bunny-songs/ "5 Essential Bad Bunny Songs to Know Before the Superbowl Halftime Show") - [Artist Silke Lapina Blurs the Lines Between Scripture and Pop Music](https://rollingstonephilippines.com/culture/art/artist-silke-lapina-scripture-and-pop-music/ "Artist Silke Lapina Blurs the Lines Between Scripture and Pop Music") - [Bad Bunny Brought Out a Party with Ricky Martin, Lady Gaga, Karol G, and More at the Super Bowl](https://rollingstonephilippines.com/culture/bad-bunny-superbowl-lady-gaga/ "Bad Bunny Brought Out a Party with Ricky Martin, Lady Gaga, Karol G, and More at the Super Bowl") **Categories:** Hip-hop/R&B, Music **Tags:** Bad Bunny, Super Bowl LX --- ### [Filipinos Save Each Other In the Absence of Working Flood Control Plan](https://rollingstonephilippines.com/state-of-affairs/august-2026-flood-filipino-response/) **Published:** August 18, 2026 **Author:** Reyza Ferranco **Content:** Metro Manila and nearby provinces have been soaking in the effects of the southwest monsoon or “habagat” for almost two weeks, with the amount of rainfall peaking yesterday and causing floods. This is not natural. Nor should this ever be considered normal. On Monday, August 17, the Metropolitan Manila Development Authority (MMDA)[ said](https://www.abs-cbn.com/news/weather-traffic/2026/8/17/-too-much-rain-dumped-in-metro-manila-in-5-hours-mmda-1807) that 201.7 millimeters of rainfall was recorded in Metro Manila within six hours, 138.7 mm of which — or equivalent to roughly a week of rain — fell from 12 noon to 2 p.m. alone. According to PAGASA, the “habagat” is expected to persist until Wednesday, August 19. Billion-peso-worth of failed [flood control projects](https://rollingstonephilippines.com/tag/flood-control-probe/ "Flood Control Probe") and pending corruption cases later, we are still here. The rain is still pouring, and it doesn’t seem like it’s ending; neither does this cycle of inaction by the government, as they expect our resilience to keep us afloat. Across social media, videos showed Filipinos navigating knee- to neck-high floodwaters, scrambling for higher ground, and, in some cases, needing rescue via boats. In Sampaloc, Manila, motorists were caught in rising floodwaters as the torrential rain continued, while commuters, even those inside buses, watched murky floodwaters [seep](https://vt.tiktok.com/ZSVjEewx1/ "seep") into their vehicles. Students likewise were seen evacuating to the higher floors of their universities. When the infrastructure meant to protect people fails, ordinary Filipinos are left to improvise. Here’s how they stepped up to help one another when the government once again failed to keep the floods at bay. ## **A man clears drainage by hand** *Manila Bulletin* posted a photo of a man using his bare hands to remove trash blocking the drainage canal in Manila, with comments from people thanking him for his small act and calling him a hero. ## **A truck shields motorists from the flood** In a display of bayanihan, a truck was positioned across a flooded area to help shield and guide motorists as they tried to make their way through the swift-moving floodwaters. ## **A commuter gets a free ride to safety** A commuter received a free ride along Pedro Gil in Manila to help them evacuate amid the flooding. > [@peonyrantado](https://www.tiktok.com/@peonyrantado?refer=embed "@peonyrantado")flood control ano na? padre faura and pedro gil baha lahi > > [♬ Upuan (feat. Jeazell Grutas) – Gloc 9](https://www.tiktok.com/music/Upuan-feat-Jeazell-Grutas-6713429757729442561?refer=embed "♬ Upuan (feat. Jeazell Grutas) - Gloc 9") ## **Volunteer firefighters rescue stranded students** A volunteer fire department used its trucks to rescue students who were stranded amid flooding along España Boulevard and nearby streets in Sampaloc, Manila. ## **Residents pushed a stalled car away from deep flood** In Timog Ave. in Quezon City, nearby citizens helped push a car back out of a deep flood after it stalled while trying to cross the road. ## **Stranded commuters get ferried across flood in a kalesa** One firsthand account described a kalesa being used to get stranded commuters through waist-deep flooding in Tayuman in Manila City, with people manually pushing the carriage through the water. > [First time Kong nastranded dahil sa bahay and Makita Ang totoong resilience ng Filipino people.](https://www.reddit.com/r/FirstTimeKo/comments/1vqq2qi/first_time_kong_nastranded_dahil_sa_bahay_and/) > by [u/Makeshi7892](https://www.reddit.com/user/Makeshi7892/) in [FirstTimeKo](https://www.reddit.com/r/FirstTimeKo/) ## FREQUENTLY ASKED QUESTIONS ### What caused Metro Manila’s severe flooding in August 2026? Days of intense habagat rains caused the flooding, overwhelming the city’s drainage and flood-control infrastructure. ### How much rainfall did MMDA record in Metro Manila on August 17, 2026? The MMDA recorded 201.7 millimeters of rainfall in Metro Manila on Monday, August 17, 2026, 138.7 mm, an amount equivalent to roughly a full week’s worth of rain, fell within two hours, causing widespread flooding across the metro. ### When is the habagat expected to end, according to PAGASA? PAGASA projected the southwest monsoon, or habagat, would persist until Wednesday, August 19, 2026, meaning continued heavy rainfall and flood risk remained likely across Metro Manila and nearby provinces in the days following the initial deluge. ### Why are Filipinos criticizing the government’s response to the flooding? Critics point to years of unfulfilled flood-control promises, billions in public spending, and an ongoing scandal over misused funds, arguing that officials have normalized recurring disasters instead of addressing the infrastructure failures that cause them. ### What role have ordinary Filipinos played during the Metro Manila flood crisis? With flood infrastructure failing, ordinary residents have had to improvise relief efforts themselves — clearing clogged drainage canals, rescuing neighbors through makeshift rafts, moving belongings to higher ground, and wading through contaminated floodwater just to get home. Related Stories - [The ‘Garbage Crisis’ is Proof of the Government’s Failures](https://rollingstonephilippines.com/state-of-affairs/environment/metro-manila-garbage-crisis-government-failure/ "The ‘Garbage Crisis’ is Proof of the Government’s Failures") - [Every Year, the Moro Gulf’s Warning Grows Quieter](https://rollingstonephilippines.com/editors-picks/opinion/moro-gulf-earthquake-50-year-anniversary/ "Every Year, the Moro Gulf’s Warning Grows Quieter") - [It’s Not Cuddle Weather; It’s Flu Season](https://rollingstonephilippines.com/state-of-affairs/environment/baguio-temperature-drop-flu-season/ "It’s Not Cuddle Weather; It’s Flu Season") **Categories:** State of Affairs **Tags:** Flood Crisis --- ### [Why is a Politician’s Name on a Public Park Sign When DILG’s Anti-Epal Policy Prohibits It?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/dilg-anti-epal-drive-politicians-names-public-parks/) **Published:** August 24, 2026 **Author:** Reyza Ferranco **Content:** Public parks and spaces are supposed to belong to the public, as their names suggest. But in some parts of the country, they can also double as oversized political calling cards. Just recently, a [TikTok post](https://www.tiktok.com/@lifewith.han/photo/7676718733770886421?is_from_webapp=1&sender_device=pc "TikTok post") called attention to the name of Quezon City District 1 Representative Arjo Atayde stamped as a hashtag on signage at the Ninoy Aquino Parks and Wildlife Center (NAPWC). Visitors were encouraged to take photos and post them with the congressman’s hashtag. Needless to say, it wasn’t well received. The practice of politicians advertising in public spaces is nothing new, and exactly the kind of “epal” move the Department of Interior and Local Government (DILG) says it wants to put an end to. “Epal,” short for “mapapel,” is a slang word in Filipino referring to people who seek attention or take undue credit. Early this year, the DILG implemented Memorandum 2026-006 entitled Prohibition on the Display and/or Affixture of the Name, Image, and Likeness of Public Officials on Government Projects, also known as the Anti-Epal policy. According to the memo, all undertakings must remain “neutral and free from any form of self-promotion from public officials.” The directive targets the use of initiatives as platforms for personal branding through any form of identification that could make it appear that a public official personally provided or funded them. It further cited Republic Act 6713, or the Code of Conduct and Ethical Standards for Public Officials and Employees, Commission on Audit rules, and the 2026 General Appropriations Act — all of which prohibit the attachment of government officials’ names to public-funded initiatives. The DILG also stated that any violation shall be held administratively and/or criminally liable in accordance with pertinent laws, rules, and regulations; hence, all covered public officials and government employees are directed to strictly comply. The department has made its position clear. But judging by the signs still standing, the “epal” problem isn’t going anywhere just yet. ## CALLS FOR PARK IMPROVEMENT The signage appears to be connected to developments at the NAPWC. In an [Instagram post](https://www.instagram.com/p/DMz0UgETuR2/?utm_source=ig_web_copy_link&igsi=NTc4MTIwNjQ2YQ== "Instagram post") in 2025, the Center said that a groundbreaking ceremony was held for the construction of a multi-level parking facility and the rehabilitation of the raptor enclosure. They then credited Atayde for his “unwavering support” in making the Center a more sustainable tourism destination and a better home for wildlife, adding that the developments were aligned with the NAPWC Management and Development Plan. The TikTok user, @lifewith.han, took the photo during a visit to the park on May 21, but said that she saw the sign was still up when she visited a week ago. While she says the signs with Atayde’s name and logo are prevalent in the area, she also notes that what struck her during her frequent visits is the condition of the animals in the wildlife center. “Though it’s nice to have third spaces but before everything else, it’s a wildlife park. But there are so many animals in poor condition,” she told *Rolling Stone Philippines.* “That’s really the one reason why I posted because I wished he used his platform to advocate for the animals or even the park man lang,” she added. She also mentioned that the park has improved to be more conducive to visitors, but that “a lot of the spots are not prioritized,” citing that the enclosures for the ostrich and crocodile previously had trash inside. The TikTok user has reported to the Quezon City local government through both its website and email, but has yet to receive a reply. ## FREQUENTLY ASKED QUESTIONS ### What is the DILG’s Anti-Epal Policy? Memorandum 2026-006 entitled Prohibition on the Display and/or Affixture of the Name, Image and Likeness of Public Officials on Government Projects, also known as the Anti-Epal policy, is an order implemented by the Department of Interior and Local Government (DILG) that mandates government officials and units to remove any names, slogans, or likenesses of public officials from taxpayer-funded projects. ### What does “epal” mean in Philippine politics? “Epal,” short for “mapapel,” is a slang word in Filipino referring to people who seek attention or take undue credit. ### Who is Arjo Atayde? Arjo Atayde is a Filipino actor and politician who serves as a representative of Quezon City’s First District. His name was recently called out online after signage bearing his name appeared at the Ninoy Aquino Parks and Wildlife Center. ### Will politicians be punished for violating the Anti-Epal Drive? The DILG said violations may result in administrative and/or criminal liability in accordance with applicable laws, rules, and regulations. ### What laws does the DILG Anti-Epal policy cite? The directive cites Republic Act No. 6713, Commission on Audit rules, and the 2026 General Appropriations Act as bases for prohibiting the attachment of government officials’ names to publicly funded initiatives. Related Stories - [This is Exactly How Lawmakers Plan to Protect Minors Online](https://rollingstonephilippines.com/state-of-affairs/lawmakers-plan-to-protect-minors-online/ "This is Exactly How Lawmakers Plan to Protect Minors Online") - [Filipinos Save Each Other In the Absence of Working Flood Control Plan](https://rollingstonephilippines.com/state-of-affairs/august-2026-flood-filipino-response/ "Filipinos Save Each Other In the Absence of Working Flood Control Plan") - [Politicians Are Spending Too Much Time On Social Media](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/politicians-spending-too-much-time-on-social-media/ "Politicians Are Spending Too Much Time On Social Media") **Categories:** Philippine Politics, State of Affairs **Tags:** Anti-Epal Drive, Arjo Atayde, DILG --- ### [&FRIENDS Festival Celebrates Music and Online Culture in Manila](https://rollingstonephilippines.com/radar/ampfriends-festival-manila/) **Published:** May 14, 2025 **Author:** Elijah Pareño **Excerpt:** With headliners from streaming charts and social media, the ‘&FRIENDS Festival’ reflects Manila’s evolving music scene **Content:** The [&FRIENDS Festival](https://rollingstonephilippines.com/tag/friends-festival/ "&FRIENDS Festival") is staking its claim on Manila’s festival calendar with a two-day lineup that doesn’t hold back in its stacked lineup of DJs and performers. Set for May 30 and 31, 2025, at Okada Manila, Paranaque City, the festival will bring together global acts across EDM, pop, and hip-hop alongside famous streamers and online personalities locally, anchoring its debut with headliners Zedd, Illenium, and bbno$. It’s a move aimed at raising the bar for large-scale music events in the Philippines, and it’s not just about who’s on the stage and who’s on the field, but how they plan to take it. Illenium, who made history as the first electronic artist to sell out SoFi Stadium twice, is finally landing in the Philippines. Known for blurring emotional songwriting with festival-size production, tracks like “Takeaway” and “Good Things Fall Apart” aren’t just playlist fodder — they’re engineered for scale, the kind that turns a light show into a full-body experience. BBNO$, the sharp-tongued, meme-making, genre-hopping rapper behind streaming hits like “Lalala” and “edamame,” will also make his Manila debut, adding a necessary edge to a festival that offers more than one lane of sound, style, and genre. ![&FRIENDS Festival](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/05/Untitled-design-60.webp) Photo from &FRIENDS Festival The rest of the roster doesn’t compromise. Seven Lions, €URO TRA$H, and Ylona Garcia are just some of the names joining the bill, all pulling from different corners of dance and pop. For fans used to watching these artists headline Coachella, Electric Daisy Carnival, and Tomorrowland from afar, this festival is a chance to finally see them on home ground. “We’ve seen how festivals like Coachella, Electric Daisy Carnival, and Tomorrowland unite music lovers from all over the world, and now it’s Manila’s turn,” says Justin Banusing, CEO of Clout Kitchen. “&FRIENDS is about bringing people together – whether you’re here for the biggest names in EDM, viral popstars, or the next breakout artist, this is the festival for fans who want it all.” Tickets are now available on their website, with bundles and VVIP options that push the experience beyond just the stage. Related Stories - [What to Expect from Aurora Music Festival’s Third Year in Clark City](https://rollingstonephilippines.com/music/what-to-expect-from-aurora-music-festivals-third-year-in-clark-city/ "What to Expect from Aurora Music Festival’s Third Year in Clark City") - [How Wanderland Defined a Decade of Indie in the Philippines](https://rollingstonephilippines.com/music/how-wanderland-defined-a-decade-of-indie-in-the-philippines/ "How Wanderland Defined a Decade of Indie in the Philippines") **Categories:** Events, Radar **Tags:** &FRIENDS Festival --- ### [Zack Tabudlo Joins 88rising on ‘Road to Fam’ Tour Across Southeast Asia](https://rollingstonephilippines.com/music/zack-tabudlo-88rising-road-to-fam-southeast-asia/) **Published:** April 30, 2025 **Author:** Elijah Pareño **Excerpt:** The singer-songwriter will perform in the multi-city showcase leading to the inaugural Future Asian Music Festival in Bangkok **Content:** Alt-rock singer-songwriter [Zack Tabudlo](https://rollingstonephilippines.com/tag/zack-tabudlo/ "Zack Tabudlo") is joining the lineup for Road to FAM, the multi-city music showcase from [88rising](https://rollingstonephilippines.com/tag/88rising/ "88Rising") and Levi’s that spotlights artists from across Southeast Asia. Joining Tabudlo in the city showcase will be rapper Fariz Jabba from Singapore, pioneering hip-hop artist ZAMAREA from Malaysia, RAMENGVRL from Indonesia and Thai rap sensation MILLI. The touring series will lead up to the Future Asian Music (FAM) Festival, set to take place in Bangkok, Thailand, marking 88rising’s inaugural full-scale event celebrating the next wave of Asian music. FAM Bangkok will feature several emerging artists and bands performing across the city, positioning itself as a launchpad for rising talent in the region. For Tabudlo, this isn’t his first run with 88rising. The media and music brand, which has built its name by promoting Asian-centric music at a global scale, has a history of tapping Filipino acts ever since the post-pandemic. In 2022, the Head in the Clouds Manila festival took over SM Festival Grounds in Parañaque City, with international headliners Joji, Jackson Wang, NIKI, and Rich Brian performing alongside local names like Tabudlo, Ylona Garcia, and Manila Grey. Last February, Tabudlo signed to American major label Mercury Records and released his comeback single “Diving” on the same day of his announcement — his first release since August 2024. ![Road to FAM](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/04/Untitled-design-49-1.webp) Zack Tabudlo headlining the ROAD TO FAM event alongside DJs Hideki Ito and T33G33 at Apotheka, Man. Photo from 88Rising and Levi’s Before heading to Bangkok, Tabudlo will headline the Manila stop alongside opening DJ sets by Hideki Ito and [t33g33](https://rollingstonephilippines.com/tag/t33g33/ "t33g33") of the Road to FAM tour with a free show on May 14 at Apotheka, Doña Carmen Street, Barangay Poblacion, Makati City. Entry is free with RSVP via Levi’s official [link](https://levi.com.ph/). More details on details and dates for FAM Bangkok is expected to be announced in May. Related Stories - [Blackpink’s Jennie Commands Coachella With a Genre-Spanning Solo Set](https://rollingstonephilippines.com/music/blackpink-jennie-genre-spanning-coachella-set/ "Blackpink’s Jennie Commands Coachella With a Genre-Spanning Solo Set") - [Filipino Acts Beabadoobee, underscores, and Eyedress Rise at Coachella 2025](https://rollingstonephilippines.com/music/filipino-acts-beabadoobee-underscores-and-eyedress-rise-at-coachella-2025/ "Filipino Acts Beabadoobee, underscores, and Eyedress Rise at Coachella 2025") - [4 Icons of the ‘Manila Sound’ Era and Their Enduring Legacy](https://rollingstonephilippines.com/music/4-icons-manila-sound-era-legacy/ "4 Icons of the ‘Manila Sound’ Era and Their Enduring Legacy") **Categories:** Music, News **Tags:** 88Rising, Zack Tabudlo --- ### [Shanti Dope Reflects on Rap, Fatherhood, and the Realities of His Music](https://rollingstonephilippines.com/music/shanti-dope-rap-realities-fatherhood/) **Published:** August 5, 2025 **Author:** Elijah Pareño **Excerpt:** From rooftop sessions to solo songwriting, the Cavite rapper talks about the real work behind the scenes and why honesty drives his next chapter **Content:** Cavite rapper [Shanti Dope](https://rollingstonephilippines.com/tag/shanti-dope/ "Shanti Dope") didn’t come up through flashy bookings or polished promo runs. He found footing in crowded rooftops around Bacoor, where cyphers — freestyle sessions — unfolded with no warning, no stage, and no promise of payoff. He showed up at Kamuning bars where the setup was barely functional, sound bleeding into the walls, the floor sticky with spilled drinks. There was no spotlight, just a small group of people tuned in enough to catch unpredictable freestyle verses. That was enough of a reason to keep writing. To test something new. To stay hungry. This was Shanti Dope in his early days as a rapper. Before he became the hitmaker behind singles like [“Nadarang,”](https://www.youtube.com/watch?v=59UY2ZS4cko "“Nadarang,”") [“Amatz,”](https://www.youtube.com/watch?v=ugGJ3tzw7Rk "“Amatz,”") and [“City Girl,”](https://www.youtube.com/watch?v=e01zFjkoENk "“City Girl,”") he was still going by Sean Patrick Ramos. Just another innocent skater making the trip from Cavite to Quezon City with a backpack full of scribbled drafts and a phone where he’s saved beat or two. What passed for a plan was more like repetition: pulling up to open mics, sharing cramped spaces with other rappers trying to hold their own, learning how to keep pace in a circle that didn’t wait for you to catch your breath. The bar Catch 272 in Kamuning became one of those early spots; the kind of place where, if you wanted to be heard, you had to earn it. “Kahit dati mahilig ako mag-ipon ng mga verse bago pumunta ng event,” Shanti tells *Rolling Stone Philippines* in an exclusive interview, “para pag naka-cypher na, nakabilog yung mga tropa at may na-i-spit akong verse.” His rise to stardom was meteoric, billing him as the biggest thing in Cavite in a scene where most hip-hop acts are based in Manila. His tireless efforts of riding the public buses to perform on stages like [Fête Dela Musique](https://rollingstonephilippines.com/culture/fete-de-la-musique-ph-2025/ "Fête de la Musique PH Continues to Show the Blueprint for Free Concerts") back in 2017 to starting his own label called Young God Records in 2022 flew by fast due to his dedicated following. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/RS1.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/RS2.webp) But after the pandemic, which halted shows and live gigs, Shanti had to rebuild his work ethic from the ground up. For someone who had built his career on being in rooms with people, the isolation forced a different kind of reflection. He started focusing more on his songwriting, especially on the parts he used to delegate to producer Klumcee, like hooks and choruses. There was no more passing it off. If he was going to make it personal, he had to be fully in it. Eventually, life became a one-on-one cypher with himself. That sharpening didn’t just happen in the booth. More recently, he rapped about how his father had experienced substance abuse in [“Drxg$,”](https://www.youtube.com/watch?v=L04shJ6r8lE "“Drxg$,”") one of his more cautionary tale singles that discusses the taboos of drug use in the country. By then, Shanti began seeing himself differently off-camera. Away from the noise and glamor that came along the way, when his hits were continuously charting. Ever since the release of his albums and EPs, his journey to fatherhood began in October of last year. Being a rapper and being a father weren’t two opposing roles. They started informing each other. Na-realize ko ang halaga ng trabaho ko noong dumating ang pandemya, biglang nawala ang gigs, nasa bahay lang ako. Doon ko naisip na kailangan ko nang seryosohin ‘to. Shanti Dope “Kasi ‘yung rap at songwriting parang madali na sa akin gawin ‘yun e,” he says. “Pero ang mahirap \[ay\] ‘yung ‘pag nasa likod na ng camera kung paano ako magiging tatay sa anak ko o kung paano ako iiiwas sa mga dapat kong iwasan, sa bisyo.” The need to show up for his child became part of the reason he wanted to write with more care. That duality of being grounded and still trying to dream has reshaped his music and his life. There’s no blueprint for longevity in Filipino hip-hop. Labels will try to recreate what worked, but artists like Shanti aren’t interested in copy-pasting. His next moves may not be loud, but they will be deliberate. He’s done trying to be the coolest. He’s more focused on staying human in a scene that forgets fast. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/SHANTI-DOPE-Rolling-Stone-magazine-2025-3.webp) When Shanti Dope writes about something as trivial or reckless, it is all about survival. His recent release, [“Pusher,”](https://www.youtube.com/watch?v=YwAQ4An8JCI "“Pusher,”") which came out last June, was a harrowing take on the Philippines’ war on drugs, one that’s become more relevant as its mastermind, former President Rodrigo Duterte, awaits trial at the Hague, Netherlands, for crimes against humanity. He raps about the casualties lost in the hands of the state and how his paranoia starts to worsen as he and his crew become a likely target, same as when [“Amatz”](https://www.youtube.com/watch?v=ugGJ3tzw7Rk "“Amatz”") was on the watchlist of the [Philippine Drug Enforcement Agency](https://www.gmanetwork.com/news/topstories/nation/695420/pdea-seeks-to-ban-shantie-dope-song-amatz-for-promoting-drug-use/story/) back in 2019. Shanti knows the spotlight fades fast, and the game rarely slows down to let you breathe. That’s why he’s not chasing hits for the sake of virality. He wants the work to mean something when it lands and to last after the playlist skips past him. Young God Records might be a name on paper, but for Shanti, it’s always been about the people behind it. The friends, the verses, the cyphers, the nights spent writing instead of performing. It’s a label made by someone who never forgot where he came from and someone who knows exactly who he wants to be, long after the hits stop coming. In this exclusive interview, *Rolling Stone Philippines* sits down with the 24-year-old Caviteño rapper, who speaks up on fatherhood, the unpredictable nature of making a hit, and the perils of being way too ahead of the game. *This interview has been edited for clarity and brevity* **Naalala mo ba ‘yung gig sa Catch 272, Kamuning? Kasama mo noon si Buddhabeads, 2017 yata ‘yun. ‘Yung crowd noon, parang sampu lang, pero ang saya. Tinanong ko pa si Buddha kung taga-Bacoor ba siya. ‘Yun ‘yung unang event na napanood kita sa \[hip-hop collective\] Mula Etivac. Kamusta ‘yung mga panahong nagsisimula ka pa lang?** Noong 2017, gusto ko lang talagang makapag-perform ng live. Kahit gaano kalayo, dinadayo ko pa rin. Galing pa ako ng Bacoor papuntang Kamuning. Masaya ‘yung mga gig noon sa Mula Etivac. Dati, nag-se-skateboard lang ako tapos pinakilala ako ng kaibigan ko kina Buddahbeads at Ejac, mga rapper din doon. Naging magkakakilala kami, naging tropa. Sobrang saya ng mga gig sa Cavite. Uso sa amin ‘yung cypher. Nakabilog, pasahan ng lines. Kaya lagi akong may nakaipong verse para may ma-spit ako kapag naka-cypher kami. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/SHANTI-DOPE-Rolling-Stone-magazine-2025-9.webp) **Naalala ko rin, walang ubusan ng freestyle noon, lalo na si Ejac. Tapos, one year after, nakalineup ka sa sa *Rap is Life* sa B-Side. Sobrang wild n’on, ang daming tao. Grabe ‘yung energy. Pagdating naman sa “Nadarang,” ano ‘yung proseso mo? Anong iniisip mo habang ginagawa mo ‘yun?** Gusto ko lang gumawa ng kantang chill, mellow. Kasi nasanay ako noon sa lyrical rap: ‘yung mabilis, boom bap, double time. Trip ko talaga dati ‘yung ganoon style. Pero noong time na ‘yun, gusto kong gumawa ng love song na may ibang vibe. Uso rin noon si [The Weeknd](https://link), kaya gusto ko rin gumawa ng ganong tunog. Hindi ko nga alam na magiging pop-ish ‘yung kalabasan. Pero noong natapos ko ‘yung kanta, paulit-ulit ko siyang pinapakinggan. Wala akong expectation na sisikat ‘yun, pero sobrang excited akong maiparinig siya. May fanbase na rin ako sa underground noon, may mga nakikinig na rin sa akin sa mga gig. Inaasahan ko na sila lang ‘yung makakarinig ng “Nadarang.” **Napansin ko, since pumasok ka sa eksena noong 2016, ang dami nang nagbago sa rap game. Sa tingin mo, ano ‘yung pinakamalaking pagkakaiba noon bago mag-pandemya at ngayon?** Noong 2017, konti lang talaga ang mga rapper na umaangat. Meron na rin noon, pero kakaunti lang ‘yung nakakaabot talaga sa audience. Kami-kami lang sina Bugoy na Koykoy, Ex Battalion, Al James, Because, at ako. Pero ngayon, ang dami na talagang sikat. Kasabay ko na rin ‘yung mga taga-Baryo Berde: sina DB, Marc Mamuric, mga 727 Clique, at Lexus. Idol ko ‘yung mga ‘yun. Noong panahon na ‘yun, uso pa talaga ang slam-an sa gig. Kahit hindi ako naka-line up sa gig, pumupunta ako kapag andun ‘yung tropa. Sobrang saya kasi e. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/SHANTI-DOPE-Rolling-Stone-magazine-2025-8.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/SHANTI-DOPE-Rolling-Stone-magazine-2025-2.webp) **Paano nabuo ‘yung Young God Records?** Nagsimula ‘yun kay Hellmerry. May mga kanta siya pero hindi namin alam kung saan i-re-release. Dati, ‘yung channel na ginagamit namin, ang pangalan pa ay “Euthenesia,” doon naka-upload ‘yung mga una kong kanta. Pinalitan namin ng Young God Records. Naisip ko ‘yung pangalan mula sa Bad Boy Records — parang katangian ng tao: Bad Boy, Young God. Effective siya. Kapag dumadaan kami sa mga gig, tinatawag kami na “Young God.” Bagay rin kasi talaga ‘yung rap sa kabataan. Laro siya ng mga bata. **Sa tingin mo, ano ‘yung espesyal sa mga rapper mula Cavite? Pansin ko ang daming dumadayo doon lalo na noong buhay pa ang Ingay Likha.** Siguro ‘yung crowd at ‘yung vibe ng event. Lahat ng nanonood, halos artist sila na nag-ga-graffiti, nag-ra-rap, nag-bi-b-boy. Kahit sino pasahan mo ng mic, may ibabato. Kasi ang galing din, parang open siya sa lahat e, ‘tas parang event ng mga punk, mga ganyan. Sobrang DIY siya. **Dinadayo talaga ‘yun ng mga taga-Maynila at iba pa. Bukas siya para sa lahat na DIY lang, sa tapat ng bahay ni Tulala (spoken word artist from Cavite). Ngayon, wala na ‘yun. Kaya naghahanap na ulit ng bagong lugar ang mga rapper sa Cavite. Para sa’yo bilang rapper, bago at pagkatapos ng pandemya, ano ‘yung mga natutunan mo?** Noong bago pa ang pandemya, hindi ko pa talaga siniseryoso ‘yung trabaho ko. Sa time management pa lang, madalas akong malate sa gig. Minsan din, sa mga nagpa-pa-picture sa akin, nagiging suplado ako. Pero na-realize ko ang halaga ng trabaho ko noong dumating ang pandemya, biglang nawala ang gigs, nasa bahay lang ako. Doon ko naisip na kailangan ko nang seryosohin ‘to. ‘Yung rap at songwriting parang madali na sa akin gawin ‘yun e. Pero ang mahirap \[ay\] ‘yung ‘pag nasa likod na ng camera, kung paano ako magiging tatay sa anak ko, o kung paano ako iiwas sa mga dapat kong iwasan. Malaking tulong din ang pandemya sa development ko. Noong mga panahong ‘yun, nagsimula akong mag-aral, magsulat ng chorus. Dati kasi, si Kuya Klumcee pa ang gumagawa ng chorus ko. Doon ko rin nahasa ang songwriting skills ko. Sabihin na nating isa ‘yun sa lowest points ng buhay ko; walang trabaho, ang daming problema. Pero noong nagsimula na akong pumasok sa record label at pumirma ng kontrata, sobrang saya ko. Excited ako kasi alam ko kung anong pinagdaanan ko bago makarating dito. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/SHANTI-DOPE-Rolling-Stone-magazine-2025-_5.webp) **Ngayon, speaking of hits, kung tatanungin mo ako kung anong paborito kong material, siguro ‘yung mga kanta sa EP mo noong 2022 na *Basic*, lalo na ‘yung “City Girl.” Pano nagsimula ‘yun?** Sinulat ko ‘yung kantang ‘yun bilang challenge sa sarili ko na parang gusto kong gumawa ng solid na track na ako rin ang kakanta ng chorus. Kaya noong may mga nakilala akong babae mula BGC, dinadala nila ako sa condo nila, nilulutuan pa nila ako ng pagkain sabi ko, “City girl ‘to a.” Iba talaga ‘yung galawan noon, lalo na pagkatapos ng pandemya. Masaya, may gigs na ulit, at unti-unting bumabalik ang sigla. **Father ka na! Congrats! Tinanong ko ‘to sa mga ibang rapper: ano ‘yung feeling na naging father na? Parang nagi-iiba ba ‘yung songwriting mo? Or mas naging clingy ka sa sa mga bagay?** Mas na-realize ko na kailangan ko i-improve ‘yung kung ano ako sa likod ng camera kasi ‘yung mga araw na kasama ko ang anak ko ‘pag wala akong trabaho. Kasi ‘yung rap at songwriting parang madali na sa akin gawin ‘yun e. Pero ang mahirap \[ay\] ‘yung ‘pag nasa likod na ng camera, kung paano ako magiging tatay sa anak ko o kung paano ako iiwas sa mga dapat kong iwasan, sa bisyo, mga ganon. Ayun din ‘yung mahirap, ‘yung araw-araw na laban ng buhay para sa akin. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/08/SHANTI-DOPE-Rolling-Stone-magazine-2025-_4.webp) **May mga do’s and don’ts sa buhay e. Sobrang normal ‘yun na may mga bagay na you have to go through. Pero balik tayo sa rap game na sa ngayon kasi may kasabihan na may “old god” at “new god” sa rap. Sa tingin mo sa susunod na limang taon saan pupunta ‘yung rap?** Sa tingin ko, malayo pa ang mararating ng eksena. Maraming gutom na rapper ang maglalabas pa ng kanta na poppin’, at mag-e-evolve din ang tunog. Sobrang exciting isipin kung sino ‘yung susunod na sisikat, kasi sobrang random na ngayon ng mga nagiging hit. Hindi mo talaga ma-predict. Sobrang nakaka-excite rin ‘yung mga plano ko: may parating na EP. Kaya maraming salamat. Sobrang saya lang. --- *Styling* **AARON MANGSAT** *Hairstyling* **RADZ VILLEGAS** Related Stories - [Earl Agustin Puts Ozamiz on the Map With Debut Album ‘Himig at Pag-ibig’](https://rollingstonephilippines.com/radar/earl-agustin-release-debut-album/ "Earl Agustin Puts Ozamiz on the Map With Debut Album ‘Himig at Pag-ibig’") - [Kiyo on Internet Rap and His Orchestral Sound for &FRIENDS Festival](https://rollingstonephilippines.com/music/kiyo-live-orchestra-at-andfriends/ "Kiyo on Internet Rap and His Orchestral Sound for &FRIENDS Festival") - [At Kaogma, Rapper Bugoy Na Koykoy Gets the Industry Talking Without Saying a Word](https://rollingstonephilippines.com/music/bugoy-na-koykoy-at-kaogma/ "At Kaogma, Rapper Bugoy Na Koykoy Gets the Industry Talking Without Saying a Word") **Categories:** Features, Music **Tags:** Shanti Dope --- ### [Yes, ‘Heated Rivalry’ the Book is Just as Horny as the TV Series](https://rollingstonephilippines.com/culture/tv/heated-rivalry-book-tv-series/) **Published:** December 4, 2025 **Author:** Mel Wang **Excerpt:** As the TV series makes its rounds around the horny corners of the Internet, fans shouldn’t forget to look to the equally steamy romance novel by Rachel Reid **Content:** Oh, to be railed by a cocky Russian hockey player. *[Heated Rivalry](https://rollingstonephilippines.com/tag/heated-rivalry/ "Heated Rivalry")*, the steamy sports romance novel Rachel Reid gifted horny readers back in 2019, is gaining a second life now with the release of the Canadian series of the same name. The show, made for streaming service Crave and currently available on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max") in the United States and Australia (get a VPN, Philippines), is making the rounds on the Internet for being one of the smuttiest fever dreams to hit our small screens. In both the show and book, we follow hockey player extraordinaires Shane Hollander (a yummy Hudson Williams) and Ilya Rozanov (an equally yummy Connor Storrie), who meet at an international play-off while representing Canada and Russia, respectively. Shane and Ilya are locked in a *very* public feud as they face each other off on the ice; however (and this isn’t a spoiler because things move very quickly), the two *also* can’t stop sneaking away to fuck each other’s brains out. The show’s only two episodes in as of writing, but fans have already taken to overloading the Internet with their favorite sexy screenshots and GIFs from the series, as well as endless posts and tweets speculating about what sexual hijinks our favorite hockey players will get up to next. But for more literary-minded fans who crave content beyond the show, please turn to Reid’s prose masterpiece (and the five other hockey sex-related books of her series, *Game Changers*). ![Hudson Williams, Connor Storrie](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/12/heated_b1.webp) Tensions rise on the rink between Shane and Ilya. Photo from IMDb/Official Website I admit, perhaps “masterpiece” is too strong of a word; after all, as Reid herself once wrote, “I write sexually explicit queer romance novels about hockey players.” But that is all *Heated Rivalry* is and needs to be. The book moves just as quickly as the series, which is a godsend for readers just looking for a cozy night in reading smut in bed. The prologue opens with a hockey tournament, where it’s quickly established that A) Shane and Ilya are extraordinarily talented at hockey and B) they despise each other, wholeheartedly. But, just as you’re about to start worrying over hockey rules and lingo (of which, thankfully, there are few), the scene shifts to Shane making his way to a secret location to get himself pinned to the wall by Ilya. We are less than ten pages into the book at this point, by the way. There is nothing subtle about Reid’s style of writing, which helps leave very little to the imagination. Naughty readers can look forward to straightforward scenes like the following, courtesy of Reid: “Rozanov fucked him hard with one strong hand pressing between his shoulder blades, pressing him down to the mattress. They were both loud.” For those who prefer a more auditory experience, I point you to the Audible version of this novel. Related Stories - [The ‘Superman’ Press Tour was Surprisingly Horny](https://rollingstonephilippines.com/culture/film-tv/superman-press-tour-horny/ "The ‘Superman’ Press Tour was Surprisingly Horny") - [VMX’s Sexy Streaming Strategy, Stripped Down](https://rollingstonephilippines.com/culture/film-tv/vmx-erotic-films-streaming/ "VMX’s Sexy Streaming Strategy, Stripped Down") - [Inside the Highs and Lows of Sapphic Pop’s Banner Year](https://rollingstonephilippines.com/music/sapphic-pop-2024-chappell-roan-renee-rapp-muna-towa-bird/ "Inside the Highs and Lows of Sapphic Pop’s Banner Year") **Categories:** Books, Culture, TV **Tags:** Heated Rivalry --- ### [Scarlett Johansson’s ‘Jurassic World: Rebirth’ Payday Just Made History](https://rollingstonephilippines.com/culture/news-culture/scarlett-johansson-top-hollywood-earner/) **Published:** July 8, 2025 **Author:** Mel Wang **Excerpt:** Scarlett Johansson’s blockbuster role in 'Jurassic World: Rebirth' puts her total lifetime box office haul earnings at $14.8 billion, making her Hollywood’s highest-grossing lead actor **Content:** [Scarlett Johansson](https://rollingstonephilippines.com/tag/scarlett-johansson/ "Scarlett Johansson") is the new Hollywood box office queen, thanks to *[Jurassic World: Rebirth](https://rollingstonephilippines.com/tag/jurassic-world-rebirth/ "Jurassic World: Rebirth")*. Johansson takes the lead in *Jurassic World: Rebirth* as Zora Bennett, an ambitious mercenary who’s on a mission to collect DNA samples from three of the planet’s biggest dinosaurs. In its first week alone, the latest installment of [Jurassic Park](https://rollingstonephilippines.com/tag/jurassic-park/ "Jurassic Park") has earned a whopping $318 million globally, making it the biggest worldwide opening of 2025 for any studio film so far. The blockbuster is currently the second biggest international box office opener of the year, behind China’s animated feature *Ne Zha 2*. ![Jonathan bailey and Scarlett johansson](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/jo1.webp) Johansson stars as Zora Bennett alongside Jonathan Bailey in *Jurassic World: Rebirth*. Photo from Universal Pictures What does this mean for ScarJo? According to data from [The Numbers](https://www.the-numbers.com/ "The Numbers"), the continued box office success of *Jurassic World: Rebirth* has pushed Johansson’s lifetime career gross to $14.8 billion in films where she appears as a lead or lead ensemble member. Over $8.7 billion of that figure comes from her time as Black Widow from the four *Avengers* movies and *Captain America: Civil War*. Her other lead roles include *Iron Man 2*, *Black Widow*, and *Captain America: The Winter Soldier.* Beyond the [Marvel Cinematic Universe (MCU)](https://rollingstonephilippines.com/tag/marvel/ "Marvel"), Johansson has starred in a wide range of films, including *The Prestige* (which earned over $104 million at the worldwide box office), *He’s Just Not That Into You* ($181 million), *The SpongeBob SquarePants Movie* ($142 million), and *The Jungle Book* ($951 million), just to name a few. The actress has also served as an executive producer for films like 2011’s *The Whale* and *Black Widow*; more recently, she made her directorial debut with the drama *Eleanor the Great*, which premiered at the Cannes Film Festival. With *Jurassic World: Rebirth*, Johansson has officially taken the crown as Hollywood’s top-grossing lead actor. She’s in strong company among the top ten earners, with fellow Marvel co-star and former highest-grossing actor, Samuel L. Jackson, who’s in second place at $14.6 billion for his roles as Nick Fury in the MCU and as Frozone in Pixar’s two *Incredibles* movies. Other MCU alumni in the top ranks include Robert Downey Jr., Zoe Saldana, Chris Pratt, Chris Hemsworth, and Chris Evans. Outside of the MCU, only [Tom Cruise](https://rollingstonephilippines.com/culture/film-tv/mission-impossible-final-reckoning-review/ "‘Mission: Impossible – The Final Reckoning’ Deserved a Better End"), Vin Diesel, and Dwayne Johnson make the list of Hollywood’s top ten highest-grossing actors, highlighting the significant impact of superhero franchises on box office success. Related Stories - [‘Jurassic World: Rebirth’ Plays It Safe. This is Not a Good Thing](https://rollingstonephilippines.com/culture/reviews/jurassic-world-rebirth-review/ "‘Jurassic World: Rebirth’ Plays It Safe. This is Not a Good Thing") - [All 7 ‘Jurassic Park’ Movies, Ranked](https://rollingstonephilippines.com/culture/film-tv/7-jurassic-park-movies-ranked/ "All 7 ‘Jurassic Park’ Movies, Ranked") - [9 Films That Will Make You Go Back to the Cinema This July](https://rollingstonephilippines.com/culture/film-tv/july-movies-philippine-releases/ "9 Films That Will Make You Go Back to the Cinema This July") **Categories:** Culture, Film & TV, News **Tags:** Jurassic Park, Scarlett Johansson --- ### [Lino Brocka Hailed as ‘Preeminent Filipino Auteur’ in New Criterion Spotlight](https://rollingstonephilippines.com/culture/film-tv/lino-brocka-new-criterion-spotlight/) **Published:** July 11, 2025 **Author:** Don Jaucian **Excerpt:** A Criterion Channel and a new restoration might just develop Lino Brocka into a new generation of fans of the Filipino auteur **Content:** This July, [Criterion Channel](https://rollingstonephilippines.com/tag/criterion-closet/ "Criterion Closet") features a four-film spotlight on the National Artist for Film [Lino Brocka](https://rollingstonephilippines.com/tag/lino-brocka/ "Lino Brocka"), whom they hailed as the “preeminent Filipino auteur.” The spotlight, called “Lino Brocka: Legend of Philippine Cinema,” includes the two films already in the Criterion Collection: *[Maynila sa mga Kuko ng Liwanag](https://rollingstonephilippines.com/radar/events/maynila-sa-mga-kuko-ng-liwanag-screening/ "‘Maynila, sa mga Kuko ng Liwanag’ is Turning 50 and Returning to Theaters")* and *Insiang*, as well as *Cain at Abel*, and the recently restored *Bona*, done in 2024 by the Hong Kong-based boutique film distributor label [Kani Releasing](https://rollingstonephilippines.com/tag/batang-west-side/ "Batang West Side") and the French film distributor Carlotta Films. The Spotlight’s notes say, “\[His films\] scorch the screen with raw emotion and righteous anger at class inequality, sexual violence, and the pervasive corruption of the Marcos era.” Kani Releasing and Carlotta have already formed a strong partnership with *Bona*, which premiered at the [Cannes](https://rollingstonephilippines.com/tag/cannes-film-festival/ "Cannes Film Festival") Classics segment of the film festival in 2024, so much so that they are in the process of restoring another Brocka classic, *Macho Dancer*. “We love Lino Brocka and Filipino cinema,” says Carlotta Films’ Vincent Paul-Boncour. “\[But\] his filmography is still little known to the French and American audiences. And only a few of his films have been released in France.” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/07/Macho-Dancer-Screenshot.webp) Allan Paule and Daniel Fernando in ‘Macho Dancer.’ Screenshot from Viva Trending/YouTube As for selecting *Macho Dancer* for restoration, he told *Rolling Stone Philippines*, “*Macho Dancer* is part of the major Brocka films but became difficult to \[watch\], especially in good condition. So, we \[realized\], with Kani, \[that\] it had to be restored to preserve and to show it again to the audience.” *Macho Dancer* tells the story of 18-year-old Pol, played by Allan Paule in one of his best performances, who falls into the world of sex work, in order to support his family. The film also stars Jaclyn Jose, Daniel Fernando, Jonard Abanco, and Princess Punzalan. The film is written by Amado Lacuesta and [Ricky Lee](https://rollingstonephilippines.com/tag/ricky-lee/ "Ricky Lee"). The film premiered in 1988 and was screened in film festivals in Toronto, Rotterdam, and London. An uncensored print was later shown at the Museum of Modern Art in 2020 as part of the “Show Me Love: International Teen Cinema” series. Criterion Channel is only available in the U.S. and Canada. However, Filipino film enthusiasts can watch all the films in the Director Spotlight, except for *Bona,* on the Film and Development Council of the Philippines’ own streaming platform [JuanFlix](https://juanflix.com.ph/). Now that Brocka has a spotlight at the Criterion Channel and more films are now restored, a new generation of film lovers will be able to rediscover one of the best Filipino filmmakers of all time. “Filipino films are still something new for the \[European\] audience,” says Paul-Boncour. “We need to continue and extend our work to develop an audience for Filipino films, in France, and the rest of the world.” - [Lino Brocka Was the Filmmaker of the People](https://rollingstonephilippines.com/culture/lino-brocka-death-anniversary/ "Lino Brocka Was the Filmmaker of the People") - [Harris Dickinson’s Criterion Closet Pick? Lino Brocka’s ‘Manila in the Claws of Light’](https://rollingstonephilippines.com/culture/film-tv/harris-dickinson-criterion-closet-lino-brocka/ "Harris Dickinson’s Criterion Closet Pick? Lino Brocka’s ‘Manila in the Claws of Light’") - [10 Nora Aunor Films You Can Stream Online Right Now](https://rollingstonephilippines.com/culture/film-tv/10-nora-aunor-movies-to-stream-online/ "10 Nora Aunor Films You Can Stream Online Right Now") **Categories:** Culture, Film & TV **Tags:** Lino Brocka --- ### [ART SG Teams Up With S.E.A. Focus For Upcoming Art Fair](https://rollingstonephilippines.com/culture/art/art-sg-sea-focus-partnership-2026/) **Published:** November 28, 2025 **Author:** Mel Wang **Excerpt:** For the first time, the two art fairs are collaborating to create one major event, spotlighting Southeast Asian and Indo-Pacific contemporary art **Content:** [ART SG](https://rollingstonephilippines.com/tag/art-sg/ "Art SG") and [S.E.A. Focus](https://rollingstonephilippines.com/tag/s-e-a-focus/ "S.E.A. Focus"), two of Singapore’s most influential art platforms, are coming together for the first time next year to mount one of the most prominent art fairs in Southeast Asia. From January 23 to 25, 2026, ART SG will be hosting its fourth edition at the Marina Bay Sands Expo and Convention Center in Singapore, with a VIP Preview and Vernissage on January 22. It will be co-presenting S.E.A. Focus, a leading showcase of contemporary art from Southeast Asia. With the two platforms working in tandem, the upcoming fair will include 106 galleries from over 30 countries and territories. ![kris ardeña ghost painting art sg 2024](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/12/kristopher-ardena-art-sg-2024.jpg) Kristoffer Ardeña’s ghost painting at last year’s Art SG. Photo from Art SG Facebook Both platforms, in past iterations, have honored art from multiple Filipino artists. ART SG 2025 showcased artists such as National Artist [Benedicto “BenCab” Cabrera](https://rollingstonephilippines.com/tag/bencab/ "BenCab"), [Kristoffer Ardeña](https://rollingstonephilippines.com/tag/kristoffer-ardena/ "Kristoffer Ardeña"), Monica Delgado, and more. S.E.A. Focus 2025 also hosted a range of Filipino galleries, including Artinformal and Silverlens, the latter of which exhibited works by the late [Pacita Abad](https://rollingstonephilippines.com/tag/pacita-abad/ "Pacita Abad") and her nephew, Pio, who was shortlisted for the Turner Prize in 2024. This year’s edition of the fair, themed “The Humane Agency” and curated by John Z.W. Tung, will feature Singaporean galleries such as the Singapore Tyler Print Institute, as well as regional galleries such as Manila’s The Drawing Room and Jakarta’s ISA Art Gallery. The fair will also feature a stacked lineup of installations, workshops, and discussion panels led by artists and industry figures from Southeast Asia. “With the region’s collector base and cultural ecosystem maturing significantly,” said ART SG co-founder Magnus Renfrew in the partnership’s official announcement, “we are especially excited to welcome the debut of S.E.A. Focus at Art SG, showcasing the region’s most compelling voices in an integrated platform for galleries, artists, and institutions to connect and engage.” Tickets for ART SG, which include entry to S.E.A. Focus, are now available online [here](https://artsg.com/tickets). Related Stories - [BenCab on Being a National Artist and What He Really Thinks About Sabel](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/bencab-national-artist-interview/ "BenCab on Being a National Artist and What He Really Thinks About Sabel") - [BenCab Selfies, Signed Copies, and Angus Steaks at the Rolling Stone PH Social Club](https://rollingstonephilippines.com/radar/events/rolling-stone-ph-social-club-bencab/ "BenCab Selfies, Signed Copies, and Angus Steaks at the Rolling Stone PH Social Club") - [The Quiet Limitlessness of Allan Balisi’s Paintings](https://rollingstonephilippines.com/culture/art/allan-balisi-art-speaks-volumes-without-ever-saying-a-word/ "The Quiet Limitlessness of Allan Balisi’s Paintings") **Categories:** Art, Culture **Tags:** Art SG, S.E.A. Focus --- ### [Art SG 2025 Features Filipino Artists Elmer Borlongan, Marina Cruz, Alfredo and Isabel Aquilizan](https://rollingstonephilippines.com/culture/art-sg-2025-filipino-artists/) **Published:** December 20, 2024 **Author:** Rolling Stone Philippines **Excerpt:** The third edition of Singapore’s annual celebration of visual arts will feature the works of these Filipino artists alongside international talents and galleries **Content:** From January 17 to 19, 2025, over a dozen Filipino artists will be part of Art SG — an international art fair known for platforming visionary contemporary art from the region and globally — at the Sands Expo and Convention Centre, Marina Bay Sands in Singapore. Among the Art SG 2025’s 105 exhibitors from 30 countries and territories are Manila-based galleries Artinformal and The Drawing Room, which will show works by artists [Kristoffer Ardeña](https://rollingstonephilippines.com/culture/art/manila-art-exhibitions-2024/), Pope Bacay, Zean Cabangis, Jigger Cruz, Monica Delgado, JC Jacinto, Ged Merino, Diokno Pasilan, and Cian Dayrit. ![Leslie De Chavez, ](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/12/Gajah-Gallery-Leslie-De-Chavez-The-Oracles-Deities-for-the-Mystical-and-the-Opulent-2024.jpg) “The Oracles” by Leslie De Chavez. Photo from Gajah Gallery ![marina cruz painting of a dress with inscriptions on black background](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/12/Gajah-Gallery-Marina-Cruz-Elsa-Lauras-Dress-2023-122-x-96-cm-Oil-and-Embroidery-on-Canvas.jpg) “Elsa & Laura’s Dress” by Marina Cruz. Photo from Gajah Gallery ![bencab sabel 2024 bronze sculpture](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/12/Gajah-Gallery-Benedicto-BenCab-Cabrera-Sabel-2024-46-x-23-x-19-cm-Bronze-Edition-1-of-6-and-1-Artist-Proof.jpg) “Sabel” by BenCab. Photo from Gajah Gallery Meanwhile, several other works by renowned Filipino artists Benedicto “BenCab” Cabrera, Leslie de Chavez, Marina Cruz, Alfredo and Isabel Aquilizan, Elmer Borlongan, and Ayka Go will be shown at Gajah Gallery and Ames Yavuz, both of which have a presence in Singapore, and separately in Indonesia and Australia respectively. Singapore’s annual celebration of the visual arts, Art SG’s lineup boasts modern and contemporary art titans Gagosian White Cube, Thaddaeus Ropac, and Lehmann Maupin among others. For this edition, Art SG also partnered with four cultural institutions: Bangkok Kunsthalle, Delfina Foundation, M Art Foundation, and Art Outreach. They will each lend their curatorial expertise for a film, video art, and moving image section; a series of programs around collecting, philanthropy, and creating private foundations; an exhibition on M Art Foundation’s guiding principles and thematic concerns; and a visual arts summit with a panel of experts. ## Singapore, Asia’s Budding Art Center Art SG which was first launched in 2023 and is now in its third edition. Its first two editions spotlighted local, regional, and international galleries through a program of commissioned and site-specific installations, experimental film, thought-provoking talks, and performances. ![kris ardeña ghost painting art sg 2024](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/12/kristopher-ardena-art-sg-2024.jpg) Kristoffer Ardeña’s ghost painting at last year’s Art SG. Photo from Art SG Facebook Its third edition will ​​coincide with Singapore Art Week, an annual celebration of visual arts that takes place in January. 2025 also marks the nation’s 60th year of independence. The international art fair is the latest in a slew of international art events being established in several key art markets in Asia. Magnus Renfrew, the co-founder of Art SG said, “Over the past six decades, Singapore’s arts landscape has flourished, marked by a growing appreciation for art collection and a vibrant cultural scene; and as the wider context for Singapore, Southeast Asia, and the Indo Pacific becomes ever more relevant. Singapore, situated at the heart of Asia, is a key destination for galleries aiming to broaden their reach.” Tickets to ART SG are available at [artsg.com/tickets](https://artsg.com/). **Categories:** Art, Culture, Radar **Tags:** Alfredo and Isabel Aquilizan, Ayka Go, BenCab, Cian Dayrit., Diokno Pasilan, Elmer Borlongan, Ged Merino, JC Jacinto, Jigger Cruz, Kristoffer Ardeña, Leslie de Chavez, Marina Cruz, Monica Delgado, Pope Bacay, Zean Cabangis --- ### [Where is the Amateur? An Incomplete Oral History of Cinemalaya](https://rollingstonephilippines.com/culture/an-incomplete-oral-history-of-cinemalaya/) **Published:** August 13, 2026 **Author:** Jason Tan Liwag **Excerpt:** Twenty-two years ago, Cinemalaya opened its doors to ten amateur filmmakers and changed Philippine cinema forever. But its own success has made it difficult for a new generation of emerging filmmakers to prove they belong. Through eight interviews, we reconstruct parts of its complicated legacy **Content:** Before the [Cinemalaya](https://rollingstonephilippines.com/tag/cinemalaya/ "Cinemalaya") Philippine Independent Film Festival released its first open call in 2004, the Philippines was experiencing a steep, decade-long decline in film production and viewership. An industry that produced more than 250 films annually was lucky to produce 60. While the country still had the highest theater admissions in Southeast Asia, with [over 63 million moviegoers](https://www.academia.edu/4300513/_Curiouser_and_Curiouser_Makings_of_a_Better_Philippine_Cinema) by the end of 2004, that figure was roughly half of what it had been a decade earlier. In Jessica Zafra’s [notes about Philippine cinema for the 2004 Far East Film Festival](https://www.fareastfilm.com/eng/archive/catalogue/2007/il-declino-e-la-caduta-dellindustria-cinematografica-delle-filippine/?IDLYT=31711), she diagnosed the problem as it was happening: Hollywood titles started taking over theaters, [exhibitors were seeking more conservative, family-friendly titles,](https://www.philstar.com/news-commentary/2004/08/30/263110/sm-cinemas-lauded-ban-r-18-films) and the economic model was failing both filmmakers and audiences while rewarding only exhibitors and the local governments. “Roughly 52 percent of the gross goes to taxes, the municipal tax rate is 33 percent, and the money does not go back into the industry,” writes Zafra. Whatever [tax rebates](https://www.philstar.com/entertainment/2002/05/30/162750/long-battle-tax-incentives) were offered by the now-defunct Film Ratings Board (FRB) to locally produced films were only given to a handful of titles. On top of these, the losses due to digital piracy were reportedly double the theatrical box-office gross. Time and again, scholars and filmmakers proclaimed that cinema was dead. But with the severity of the economic downturn and the aftermath of the Second EDSA Revolution, it seemed as though the final blow had been dealt. To say that Cinemalaya breathed life into a dying industry is an overstatement, but not entirely untrue. It’s difficult to imagine that one of the country’s most important film programs — [a festival that has provided financing to almost as many features as Star Cinema since 2005](https://www.scribd.com/document/918724493/Pelikula-Journal-9) — began not as a grand attempt at independent filmmaking, but as a search for television content. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Cinemalaya-movies-intext.webp) At the time, film programmer Ed Cabagnot was with the Cultural Center of the Philippines (CCP) Center for Coordinating Film, which programmed everything from French and Latin American cinema to films from the People’s Republic of China and the Gawad Alternatibo, the longest-running independent film competition in Southeast Asia. Around the same time, businessman Antonio “Tonyboy” Cojuangco, a good friend of CCP President Nes Jardin, was looking at a new mode of distribution. “Tonyboy wanted to experiment in trying to curate a network of direct-by-satellite venues in the Philippines,” says Cabagnot. Cojuangco donated one of the first satellites to CCP at no cost and reserved a channel on his new cable network for arts programming. “Can you imagine? We’ve been wanting something like an arts and culture BBC in the Philippines! And it’s in our hands!” “Nobody planned to make a fantastic festival that’s going to change independent cinema. It was all exciting and risky. In time, it paid off.” Ed Cabagnot Cabagnot didn’t expect cable programming to be entirely different. But a 24-hour cable channel demanded an endless supply of material to screen seven days a week. Initially, the team was convinced they could address these challenges by screening the titles from Gawad Alternatibo. “Maski CCP has been there since the 1970s, most of our productions were shot for documentation,” he says. But with Gawad Alternatibo composed mostly of short works, it wasn’t long before they realized they had already exhausted the available catalog. When Cabagnot met with the other members of the committee at CCP, they had to face the reality that it wasn’t working. Cabagnot says that Cojuangco came up with the solution quickly. “I remember it so clearly. He said, ‘Then let’s make our own.’” Cojuangco committed P5 million to the creation of a new slate of ten features — each with a budget of P500,000. From that conversation, Cinemalaya was born. Cabagnot credits the festival’s unlikely success to what he calls the “tri-fold synergy of the government, the private sector, and the academe.” Cojuangco’s Philippine Multi-Media Systems Inc. supplied private investment in the films. CCP provided the institutional home, logistical support, and curatorial direction, alongside the Film Development Council of the Philippines (FDCP). The University of the Philippines (UP) Film Center contributed its academic infrastructure, connecting CCP to students who needed to take a long commute to Pasay to become patrons. The most consequential decision was perhaps the simplest: who could make these films? The first call for entries sought to find new voices: only first-time directors could apply. “We wanted people who had never made a full-length before and the concept of a digital full-length, bago pa lang ‘yan!” says Cabagnot. “When we put this up, we didn’t know what we were getting ourselves into… Nobody planned to make a fantastic festival that’s going to change independent cinema. It was all exciting and risky. In time, it paid off.” In the early 2000s, film festivals that gave seed grants weren’t commonplace. The closest precedent was the [Experimental Cinema of the Philippines in the 1980s](http://www.lawphil.net/executive/execord/eo1982/eo_770_1982.html), which helped greenlight landmark films such as *Himala,* written by [Ricky Lee](https://rollingstonephilippines.com/tag/ricky-lee/ "Ricky Lee") and directed by [Ishmael Bernal](https://rollingstonephilippines.com/tag/ishmael-bernal/ "Ishmael Bernal"), and Peque Gallaga’s *Oro, Plata, Mata*. Cinemalaya helped revive that model for a new generation. In Micah Tadena’s [“Film Practice and the Grant-Giving Film Festival” for *Pelikula Journal*](https://www.pelikulajournal.com/volumes), she details how other festivals followed: ABS-CBN launched Cinema One Originals, which offered even larger production grants but less ownership, while the [QCinema](https://rollingstonephilippines.com/tag/qcinema/ "QCinema") International Film Festival assigned all rights to filmmakers. Other initiatives like Manny Pangilinan’s CineFilipino and Puregold’s CinePanalo followed suit. “Nowhere else in Asia will you see so many festivals that are also giving out seed grants to produce films,” Cabagnot says. “Independent film didn’t look like it did now. Even if I had already apprenticed with a director and had done a little work with ABS-CBN, I could see no way in.” Mario Cornejo on the independent filmmaking before Cinemalaya For the filmmakers who came through that first call, however, the significance of Cinemalaya was more immediate. It offered something the industry had largely stopped offering: a way in. Mario Cornejo came of age in an era of the 1990s American independent films. “People like Robert Rodriguez, Quentin Tarantino, and Paul Thomas Anderson were my gods,” he says. In particular, Rodriguez’s *Rebel Without A Crew*, which chronicled how the 1992 crime thriller *El Mariachi* was made for less than a Cinemalaya film, was his bible. In the local scene, filmmakers like Jon Red and the people at Pelikula at Lipunan were his north stars. But no amount of admiration made the industry easier to enter. “Independent film didn’t look like it did now. Even if I had already apprenticed with a director and had done a little work with ABS-CBN, I could see no way in.” At one point, Cornejo heard that the Fil-Am actor Ernie Reyes Jr. — a karate champion who played an Asian badass in many Hollywood films — was looking for stories in the Philippines. He came up with a few concepts for Reyes Jr., but nothing came out of them. “I never ended up even meeting the guy.” When he first saw Cinemalaya open its call for submissions, Cornejo finally saw an opening. He came up with a three-page storyline with all of the characters and submitted it. [More than 180 new filmmakers submitted](https://books.google.co.id/books?id=FFY1AAAAIBAJ&pg=PA43&dq=cinemalaya&article_id=1323,12313289&hl=en&sa=X&ved=2ahUKEwjq3q72l46WAxVixDgGHeB1JAo4HhDoAXoECAgQAw#v=onepage&q=cinemalaya&f=false) to the first open call and on September 1, 2004, filmmaker Sigfreid Barros-Sanchez posted on his [LiveJournal](https://peterpunksig.livejournal.com/433.html) the names of the 30 semifinalists of the first Cinemalaya Independent Film Festival, which included Cornejo. The battle was already half-won. But Cornejo had no idea how to make a film. He hadn’t even been on a film set. Filmmaking, back when it was still on actual film, was notoriously expensive, and Cornejo neither had the means nor the connections to experiment in the way that digital now allows newer filmmakers. “I had been an apprentice on commercials. I’ve worked on television, segment directing and things like that. But not a movie. I only had the book of Robert Rodriguez and listening to director’s commentaries,” says Cornejo. He approached Monster Jimenez, who had a production house called Arkeo Films, which spent most of its days creating AVPs and covering weddings. “I said ‘Hey, come! Do this with me. Let’s do this together. Let’s be a real partnership.’” Jimenez was stumped. “It was weird. Sa tingin niya may alam ako sa pelikula because I was in one movie,” says Jimenez, who was a production assistant on [Mike de Leon](https://rollingstonephilippines.com/tag/mike-de-leon/ "Mike de Leon")’s mockumentary *Bayaning 3rd World*. In this two-person group, she was the most experienced. To outsiders, this would have sounded insane. But she said, “Sure!” Cornejo brought them to his family’s house in Tarlac and brought a towering desktop so they could write together. With bats everywhere, they hid out in a room, buried themselves under a blanket, and took turns grabbing the keyboard from each other to type down their fleeting ideas. It took three days to get 90 percent of what would eventually be the working screenplay of their film, a comedy of errors about two petty criminals who kidnap the only daughter of a middle-class family. Cornejo submitted the draft and went to the interview alone, where he met not only the other shortlisted candidates but also one of his heroes: Peque Gallaga. “He was so sweet and so kind and so encouraging even in the interview. I was trying to make jokes, but he was like: ‘Hey, this is good!’” Cornejo recalls. “It was very overwhelming for someone like Peque, who I had never met, to say it was good.” Gallaga asked him why he wanted to make the film, and Cornejo detailed how it was exactly how he felt current times are. “It was very difficult to make your way forward just through work. You have to know somebody. Everyone is trying to hit the big time in some way, and because traditional means of rising to the top are closed off to you, you try to find other ways.” Gallaga insisted that Cornejo was writing his way through this dilemma by making a film, and recalling this fact made him misty-eyed. A few weeks later, Cornejo discovered he’d gotten into the festival with his debut, *Big Time*. ![cinemalaya big time mario cornejo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/big-time-intext-2.webp) *Big Time* (2005) Dir. Mario Cornejo ![cinemalaya shorts pam miras blood bank](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/blood-bank-intext-2.webp) *Blood Bank* (2005) Dir. Pam Miras But the filmmakers soon discovered that the opportunity they had been given came with conditions of its own. On the day of the contract signing, Cornejo agreed to meet with the others before the signing and press conference at the Figaro on Harbour Square. It was there that Moira Lang, producer of *Ang Pagdadalaga ni Maximo Oliveros* and *Sarung Banggi,* told the others that they couldn’t sign the contracts yet. The terms weren’t good for all of them. They were signing away too much. To Cornejo at the time, the proposition was absurd. “You’re telling this to a bunch of filmmakers who have never had a shot in this world. This was our shot! What are you talking about? What if they take it back?” says Cornejo. The press conference was in hours. But Lang not only managed to convince everyone not to sign the agreement but also spoke to the members of the CCP to allow them to renegotiate parts of their contract. Cornejo insisted that these events weren’t a knock on Cinemalaya. “They thought they were doing us a favor as well by giving us this contract. It’s Moira who had the foresight to say it wasn’t a fair contract. We were doing the work, but we didn’t have a chance at recouping based on their conditions,” says Cornejo. “For Moira to say that it was shortsighted, even for them… not thinking na if we build the prestige of these works abroad first and bring it back to you, it’s so much more valuable. Let us do that work of putting it in theaters and festivals. It was good for us and good for them.” “In the end, it doesn’t matter kung indie ba ‘yan, Star Cinema ba ‘yan, bagong graduate ba ‘yan; It was the films themselves, the spirit behind the making, kung gaano ka-in touch sa emotions and sa zeitgeist.” Moira Lang Shortly before the open call was released, Lang had formed a support group with her fellow [Star Cinema](https://rollingstonephilippines.com/tag/star-cinema/ "Star Cinema") brainstormers [Jade Castro](https://rollingstonephilippines.com/tag/jade-castro/ "Jade Castro"), Michiko Yamamoto, Ned Trespeces, and Emman Dela Cruz to discuss concepts they wanted to do. “Na-notice namin na ang dami naming gustong isulat na pelikula pero alam naming hindi i-a-approve,” says Lang. They’d meet once or twice a week, maybe at a coffee shop or somewhere else, to commiserate. When they heard the open call for the festival, each of them submitted a concept and three of these got into the semifinals. “Ang nabalitaan namin was 10th or 11th place ‘yung *Maximo*. Hindi ko alam kung anong nangyari. Basta may hindi natuloy at kami yung naging number 10.” Had Cinemalaya restricted all involvement to non-professionals, *Ang Pagdalaga ni Maximo Oliveros* would not have been produced. Yamamoto and Lang had already written box-office hits such as *Magnifico* and *Anak*, respectively. But they knew a coming-of-age film about a queer kid who was accepted by his criminal family in the slums of Tondo wouldn’t necessarily get greenlit by major studios. Yamamoto had initially written the story with the goal of creating a trilogy of films centered around children, and Lang joined the project as a producer, seeing links with it and Dr. Gregorio Fernandez’s 1958 classic *Malvarosa* starring Charito Solis. ![Sarong Banggi by emmanuel dela cruz cinemalaya](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/banggi-intext.webp) *Sarong Banggi* (2005) Dir. Emmanuel Dela Cruz During the break at the contract signing, Lang spoke to the other filmmakers and said she foresaw problems with the distribution, especially because the films the festival selected were so different from one another. It helped that Lang was a Business Administration graduate and had already written for TV programs in Singapore. Later, an entire session was dedicated to [fine-tuning the memorandum of agreement](https://books.google.com.sg/books?id=1lM1AAAAIBAJ&pg=PA31&dq=cinemalaya&article_id=1358,18888995&hl=en&sa=X&ved=2ahUKEwiZn-vNi4-WAxUtjOEIHYjYMjo4KBDoAXoECAwQAw#v=onepage&q=cinemalaya&f=false). By the end of the negotiations, filmmakers retained proprietary rights to their films. Dream Satellite TV acquired cable rights for two years (though [Tadena later reports](https://www.pelikulajournal.com/volumes) it did not ultimately distribute the first batch of films) while the CCP was granted the right to screen the films “in perpetuity” but only within CCP venues. These early acts of solidarity not only created better terms for the first batch of filmmakers but also opened doors for what could be renegotiated by future batches. Additionally, it made the filmmakers closer and removed any competitiveness they would have had towards one another. When Jimenez’s camera broke and Arkeo Films was at risk of sinking, Lang lent the camera they used for *Ang Pagdadalaga ni Maximo Oliveros* and *Sarong Banggi* free of charge. Conversations over Yahoo! Messenger allowed them to commiserate over deadlines and difficulties. Further discussions with the CCP allowed the festival to be moved from the initial February 2005 opening to July 2005, allowing *Maximo* director Kanakan-Balintagos to have six different edits before they settled on its final one, removing an additional thirty minutes from the initial runtime. “Kahit nung early morning of our first screening, doon pa lang namin in-a-output ‘yung screening copy,” admits Lang. The first batches of the Cinemalaya films had their gala nights at the CCP Little Theater and were screened alphabetically, with *Ang Pagdadalaga ni Maximo Oliveros* being first. As Bayang Barrios sang “Isipin Mo Na Lang” and the credits rolled, Lang recalls the stunned silence of the audience followed by thunderous applause. “Paglabas namin ng lobby, ayaw umalis ng mga tao. Andoon lang ‘yung audience. Nakangiti lang lahat. Sobrang saya nila with what they witnessed,” says Lang. “Ang layo nung time na ‘yun. Ngayon kasi, sobrang normal na ‘yung bida mo \[ay\] queer. Pero nung time na ‘yun, relegated to best friend roles and supporting characters ang queer characters.” ![ang pagdadalaga ni maximo oliveros cinemalaya 2005 cinemalaya](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/maximo-landscape-2.webp) *Ang Pagdadalaga ni Maximo Oliveros* (2005) Dir. Kanakan-Balintagos These accommodations to make the process more equitable for the filmmakers would eventually pay off. *Ang Pagdadalaga ni Maximo Oliveros* became the first Filipino film to win the Teddy Award at Berlinale in 2005 and the first to compete for the World Cinema Dramatic Competition at Sundance in 2006. *Big Time* was selected for the Chicago International Film Festival in 2006 and Imaginasia 2006. Beyond these international milestones, the renegotiated contract with CCP enabled the films to attempt a theatrical run to recoup their financing, allowing them to, at the very least, break even. To Lang, Cinemalaya was instrumental in blurring the lines between indie and mainstream cinema. “Nakita ng mga tao na ang kwento ng mga indie, hindi masyadong malayo sa mga napapanood natin sa sinehan, sa mga full-length Filipino films na enjoyable,” she says. “In the end, it doesn’t matter kung indie ba ‘yan, Star Cinema ba ‘yan, bagong graduate ba ‘yan; It was the films themselves, the spirit behind the making, kung gaano ka-in touch sa emotions and sa zeitgeist.” In 2011, Lang saw this crystallize when Cinemalaya programmed *Zombadings 1: Patayin sa Shokot si Remington* as one of its first two closing films, helping the film gain momentum through word-of-mouth and press coverage. *Zombadings* not only resonated with audiences the same way as *Maximo,* but also translated that reception into theatrical sales, earning then [P32.28 million](https://www.boxofficemojo.com/title/tt1810861/?ref_=bo_se_r_1) and becoming one of the highest-grossing Filipino independent films of 2011. ![Zombadings 1: Patayin sa shokot si Remington (2011) cinemalaya](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/remington-intext.webp) *Zombadings 1: Patayin sa shokot si Remington* (2011) Dir. Jade Castro [Antoinette Jadaone ](https://rollingstonephilippines.com/tag/antoinette-jadaone/ "Antoinette Jadaone")was an undergraduate when she first watched *Big Time* onscreen at the UP Film Center. The film introduced her to an independent cinema that felt very different from the mainstream movies she had grown up with. “Pasok talaga siya sa personality ko: baklaan, baliw, funny, indie,” she says. “Lumaki talaga akong Star Cinema. Pero nung first Cinemalaya pa lang, na-establish na nila ‘yung sarili nila; ‘yung independent spirit, na… ‘Ay! Pwede pala akong gumawa kahit hindi ako well-connected. Kaya nila. Baka kaya ko rin.” Cinemalaya became a collective dream for film students, partly because it showed unconventional treatment of mundane stories. For Jadaone, Jade Castro’s *Endo* became one of her all-time favorites. “As a romcom girlie na galing sa Star Cinema at nanonood ng Nancy Meyers, pwede pala ‘yung ganito? Grounded on reality. ‘Di galing love team. ‘Yung love story na may sinasabi pa rin tungkol sa lipunan,” says Jadaone. “Kung ang sabi ni JP \[Habac\] ay ang dream niya ay ma-feature sa *Young STAR*, ang dream namin ay makapag-Cinemalaya,” she says. The appeal was in its openness. Anyone could submit, so long as they had a story worth telling. The festival’s annual deadline arrived around the same time as the Palanca Awards, and the two became yearly milestones for aspiring writers and filmmakers. While working as a production assistant and script continuity supervisor for Joyce Bernal, Jadaone spent her downtime writing screenplays. “Almost always, magiging semi-finalist ako,” she says, laughing. “Pero hanggang doon lang!” She still remembers the pitching sessions at Cinemalaya president Laurice Guillen’s home in Horseshoe Village, Quezon City. Hopeful filmmakers crowded into the waiting area while dozens of pairs of shoes accumulated outside the front door. “Parang orgy, ma!” jokes Jadaone. During her first time making the shortlist, she found herself in the waiting room with Adolfo Alix Jr. “Pagpasok niya, sabi ko: ‘One slot down.’” Jadaone had at least three projects shortlisted for the seed grant. The first was *TNT*, a multi-character narrative comedy co-written by The Poor Traveler co-founder and fellow Palanca Award-winner Yosh Dimen. The second was an earlier, more narrative version of *Six Degrees of Separation from Lilia Cuntapay.* “Ninety-eight pounds lang ako dati bago ako pinataba ng industriya. Petite at ‘di pa nakakapag-skincare kaya mukha akong gusgusing batang galing shooting,” she says. Jadaone had already directed several short films. But when the panelist asked her how she could direct the feature considering her stature, she was speechless. “Naisip ko talaga: Paano nga? Kasi meron lang naman akong kuwento. Kaya ko nga pini-pitch dito kasi baka bigyan ako ng chance,” says Jadaone, now laughing. “But in hindsight, they were looking for someone who could deliver. It’s one thing to write a script. It’s another to write and direct it.” When she was asked if she was okay with someone else directing the film, she said no. ![Six Degrees of Separation from Lilia Cuntapay 2012 Antoinette Jadaone](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/lilia-intext.webp) *Six Degrees of Separation from Lilia Cuntapay* (2012) Dir. Antoinette Jadaone *Six Degrees of Separation from Lilia Cuntapay* eventually found a home at Cinema One Originals, where it was greenlit largely because it promised to finally give the veteran actress the spotlight she was overdue. In retrospect, Jadaone sees those rejections less as a failure than as detours. Several more projects were also shortlisted, including *That Thing Called Tadhana* and *Beauty in a Bottle*, which did not receive Cinemalaya grants but eventually became films elsewhere. Jadaone isn’t the first nor the last to experience this. Rae Red’s Gawad Urian Best Picture winner *Babae at Baril* (2019) and Martika Escobar’s *Leonor Will Never Die* (2022) are such examples. But the short timeframes don’t allow for the incubation nor the fundraising that some projects need. Other times, they work out. This tension between access and expectation has only become more pronounced as Cinemalaya has grown, especially as it has been rehomed outside of CCP. Jadaone insists that Cinemalaya is relevant not only because it forces people to watch films in theaters. “Kapag Star Cinema, sure ka na after six months nasa Netflix. ‘Yung *[Odyssey,](https://rollingstonephilippines.com/tag/the-odyssey/ "The Odyssey")* kahit sabihin ni \[Christopher\] Nolan na manood sa IMAX, lalabas ‘yan sa streaming, sa Bilibili, sa Telegram,” says Jadaone. “Pero ang Cinemalaya? Wala kang assurance, ma! Dahil hindi siya mainstream, wala siyang big artists at ‘di sikat ‘yung direktor. Kahit meron siyang kwento, hindi siya mapapanood anywhere. ‘Yun ‘yung mga kinukuha namin sa [Kamuning Film Club ](https://www.instagram.com/p/DNxpRqP0vCf/)(Jadaone’s film club at Basta Cafe in Kamuning).” Cinemalaya’s production model affects Philippine culture at large because it allows films to be made in direct response to the current historicopolitical and sociocultural situation. Treb Monteras II’s *Respeto* (2017) was released shortly after [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte")’s ascent to power and the beginning of the extrajudicial killings. [JL Burgos’ *Alipato at Muog*](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/jl-burgos-alipato-at-muog-famas/ "JL Burgos on ‘Alipato at Muog’ and Fighting for Desaparecidos") and [Noni Abao’s *Bloom Where You Are Planted*](https://rollingstonephilippines.com/culture/philippine-cinema/cinemalaya-documentary-winner-noni-abao/ "How Noni Abao’s Human Rights Documentary Defied the Odds to Win Cinemalaya 2025") are documentaries that respond to the current political situation as it is unfolding. Jadaone likens Cinemalaya to [Sundance](https://ymcinema.com/2025/02/03/the-hypocrisy-of-sundance-is-it-still-a-festival-for-independent-filmmakers/) in the U.S., where the successes of early works like Steven Soderbergh’s *Sex, Lies, and Videotape*, Todd Haynes’ *Poison*, Quentin Tarantino’s *Reservoir Dogs*, Steve James’ *Hoop Dreams*, Richard Linklater’s *Before Sunrise*, Daniel Myrick and Eduardo Sánchez’s *The Blair Witch Project*, and Jonathan Dayton and Valerie Faris’ *Little Miss Sunshine* have shaped its curatorial identity. What initially started as an independent festival expanded and began to attract stars in the mainstream, who want to explore other forms of storytelling or want to lend their star power to an advocacy they feel strongly about. Jadaone shares that even producing titans like Deo Endrinal of Dreamscape and Mother Lily used to watch Cinemalaya and purchase tickets for writers, producers, and staff in training to see the festival offerings. “It has become a different kind of storytelling that people want to see.” “It was okay to fail and experiment kasi kayu-kayo lang ito. Ngayon, alam na ng mga tao na this is a way in.” Pam Miras Pam Miras already won a Gawad Urian for her undergraduate thesis *Reyna ng Kadiliman* in 1999 before joining Cinemalaya. Alongside her friend and fellow Ricky Lee Screenwriting Workshop alumna Sunshine Matutina, who would later win the NETPAC Award for her debut *12 Weeks*, she applied to the festival’s inaugural shorts competition. There, the two found themselves among a generation of emerging filmmakers that included Sigrid Andrea Bernardo (*Babae*), Law Fajardo (*Kultado*), Joel Ruiz (*Mansyon*), and Rommel Tolentino (*Alimuom*). When a problem arose with the festival’s opening feature, Cabagnot proposed the festival open with the six short films selected instead. Miras’ *Blood Bank* went on to win Best Screenplay. “When you win something, it gives you the confidence to say that this might not be a bad thing kahit ang hirap niya. I must be doing something good.” In retrospect, the importance of Cinemalaya’s shorts program is difficult to overstate. Many of the filmmakers who have become equated to contemporary Philippine cinema first emerged there; [Pepe Diokno](https://rollingstonephilippines.com/tag/pepe-diokno/ "pepe diokno"), Alvin Yapan, Tara Illenberger, Sheron Dayoc, [Mikhail Red](https://rollingstonephilippines.com/tag/mikhail-red/ "Mikhail Red"), Janus Victoria, Jerrold Tarrog, Hannah Espia, [Chuck Gutierrez](https://rollingstonephilippines.com/culture/film-tv/food-delivery-chinese-consulate-docu/ "Exclusive: ‘Food Delivery’ Docu Team Respond to Pressure From Chinese Consulate"), Zig Dulay, Sari Estrada, Thop Nazareno, Paolo O’Hara, David R. Corpuz, Ryanne Murcia, Eero Francisco, Arvin Belarmino, Petersen Vargas, Martika Escobar, Kenneth Dagatan, Glenn Barit, Carlo Francisco Manatad, and JP Habac, only compose a fraction of the names who are alumni of the shorts competition. ![Kung Tugnaw Ang Kaidalman Sang Lawod by Seth Andrew Blanca](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Kung-Tugnaw-Ang-Kaidalman-Sang-Lawod-intext.webp) Kung Tugnaw Ang Kaidalman Sang Lawod (2025) Dir. Seth Andrew Blanca ![Leonor will never die by martika escobar](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/leonor-intext.webp) Leonor Will Never Die (2022) Dir. Martika Escobar But when Miras was starting, short filmmaking occupied a very different place in the Philippine film landscape. It wasn’t seen yet as a pipeline into the industry. “I remember I was a PA on a TV show and gumagawa na ako ng pelikula nun. Sina Direk Ricky Davao, he was still alive, artista siya nun and na-chika about ‘yung short films dahil niloloko ako na nanalo ng Urian ‘yung isa kong short. Hindi nila gets ‘yung shorts!” says Miras. “Tinatanong nila ako, ‘Bakit ka gagastos ng ganyang kalaki? Saan mo ito ipapalabas? Paano ka \[kikita\]?’ Nobody knew.” Ironically, that uncertainty became a kind of freedom. What others might have taken as discouragement relieved Miras and her peers of the pressure to succeed. “It was okay to fail and experiment kasi kayu-kayo lang ito,” she asserts. “Ngayon, alam na ng mga tao na this is a way in.” Today, Miras sees a paradox that applies to both shorts and features. There are now more opportunities than ever for emerging filmmakers but making a first short or feature has become considerably more complicated. “In the past, you could just get your MiniDV camera, round up your friends and write a good story that can fit your location, and ‘yun,” says Miras. “Now you have to make a proof of concept, get into a lab abroad to get the funding. It could take years. It’s harder now because there are more conditions. The more people are involved, the more is expected to perform, and the pressure to succeed is greater.” “‘Yung ambition mo na malaki for your project, lumiliit at lumiliit. May pumipigil sa fullest potential of the story. Paano ka magiging malaya kung wala kang budget?” Tim Rone Villanueva Having experienced work as a selection committee member for both feature scripts and finished shorts, Miras witnesses how this changes the process of who the festival decides to platform. Cinemalaya has grown exponentially, and its audience can now push a filmmaker into a stratospheric career or further into obscurity. Should they invite people who are already committed to filmmaking as a career? Miras argues against this, saying it could exclude not only regional voices but others with something to say but dabbling in the art form. “Natutuwa ako sa non-film school entries,” she says, citing *[Kung Tugnaw Ang Kaidalman Sang Lawod](https://www.cinemalaya.org/kung-tugnaw-ang-kaidalman-sang-lawod/)* by Seth Andrew Blanca as a surprise in recent years. A narrative film about the horrors and power struggles seafarers face in open water, it adopts a perspective few filmmakers could make and shoots primarily with resources available on a ship. “Really great images. It’s a new voice. Mas nandoon ako.” The Cinemalaya of today bears little resemblance to the festival that began 22 years ago, as the conditions surrounding independent filmmaking have changed far more rapidly than the support systems meant to sustain it. In an interview with [Totel De Jesus of *The Diarist*](https://www.thediarist.ph/why-cinemalaya-2025-almost-didnt-happen/), Cinemalaya festival director Chris Millado admits that a 70 percent slash in CCP’s budget led to a scramble for funding sources for the latest two editions. Cinemalaya President Laurice Guillen later shared during the 2025 press conference that the [First Lady Liza Araneta-Marcos stepped in to cover CCP’s portion](https://entertainment.inquirer.net/627131/why-cinemalaya-2025-will-be-its-most-streamlined-edition-yet/amp), while insisting that her involvement [wouldn’t impose restrictions](https://www.pep.ph/pepalerts/pep-troika/188509/cinemalaya-2025-opening-closing-films-a4118-20250905-lfrm) on the political nature of the films. Tim Rone Villanueva, whose comedy fantasy drama *Child No. 82: Anak Ni Boy Kana* received three awards at last year’s Cinemalaya, including the Audience Choice Award and Best Screenplay, entered a festival edition that almost did not push through. The delays in the release of grant tranches, coupled with orders to halt production until funds were secured, made an already demanding and compressed process even more difficult and murky. ![Child No. 82: Anak Ni Boy Kana tim rone villanueva](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/child-intext.webp) *Child No. 82: Anak Ni Boy Kana* (2025) Dir. Tim Rone Villanueva While the festival moved its dates to October to offset these changes, it only revealed a need for the festival to provide some form of assistance in seeking gap financing, says Villanueva. “Hindi lahat may nakatagong pera pang-abono at kahit may pang-abono ka, masakit siya financially.” The absence of that institutional insulation exposes filmmakers — particularly those who continue to have day jobs — to significant financial risk. Other artists have already spoken at length about the extremes they have gone to finish films not only for Cinemalaya but for other grant-giving festivals with immovable deadlines: mortgaging valuable property to improve cash flow, or taking out loans from banks and other sources with high interest rates to cover immediate production expenses. Sometimes, these are temporary sacrifices. But in many cases, they can significantly impact the quality of life of a filmmaker long after the festival. “It’s a double-edged sword,” Villanueva says. “It will help your career basta maganda ‘yung pelikula mo. ‘Yung mga sakripisyo mo, just make it count. Pero paano kung hindi mag-count?” The pressures that filmmakers face, however, are not entirely new. Complaints around the seed grant have existed as long as it has been alive. What has changed is the scale of the problem. However, it is worth noting that Cinemalaya has only doubled its production grant since its inception, even as production costs have inflated exponentially since what they were in 2004. Although the FDCP has stepped in to match the festival’s grant, bringing the total seed fund to P2 million pesos, rising costs for transportation, equipment, locations, and labor have largely absorbed the additional funding. At the same time, the expectations placed on independent films have also changed. As digital cinematography has matured and streaming platforms have become an increasingly important avenue for recouping investments, many Cinemalaya projects now aspire to production values that can compete outside the festival circuit and land them on streaming platforms without actually having the means to meet the standards required for streaming. New labor and safety requirements have added another layer. The passage of the [Eddie Garcia Law (EGL)](https://filmacademy.gov.ph/story/egl-primer), enacted to improve the safety and welfare of film workers, has likewise increased the demands placed on independent productions. Longer pre-production periods, more rigorous safety planning, regulated working hours, and greater compliance requirements have made filmmaking more humane, but they have also placed additional strain on productions working within Cinemalaya’s compressed schedules. Combined with delayed grant releases and the diminishing purchasing power of the festival grant, these structural changes have made it increasingly difficult for first-time filmmakers to mount a feature under the festival’s original model. Cinemalaya has, in the absence of definitive financial support, attempted to address some of these pressures in other ways. The festival has extended its production timeline significantly since its inception: what once took roughly three to six months to complete has evolved into a process lasting as long as 20 months. Longer periods for script development and pre-production through the festival’s laboratory have given filmmakers more time to incubate their projects and find collaborators. But time alone cannot resolve the financial constraints of production. And once a film is completed, recouping its costs through the festival’s box office remains difficult, if not outright impossible. For Villanueva, the limitations eventually become visible on screen. “‘Yung ambition mo na malaki for your project, lumiliit at lumiliit. May pumipigil sa fullest potential of the story. Paano ka magiging malaya kung wala kang budget?” says Villanueva. “May limitations ‘yung kaya mong gawin logistically, financially, and ‘yung time. Maraming ‘sana.’ Maraming sayang. Pero ito na ‘yung best at that time.” “Ito ‘yung mga kwento na nakaka-inspire. Sa point of view na ‘yun, ang laki ng naibigay ng Cinemalaya sa buhay ng Pilipino.”liwa Lino Matalang Jr. Despite these hurdles, Cabagnot, Cornejo, Jimenez, Lang, Jadaone, Miras, and Villanueva agree that Philippine cinema is still all the better because of Cinemalaya’s continued existence and want to support its fight against these larger threats. For Lino Matalang Jr., Supervising Culture and Arts Officer from the CCP Audience Development Division, Cinemalaya has not only challenged the elitist notions people often associate with the CCP but has also built an audience, even if small, that is cognizant of the challenges of creative labor and the importance of political education. In many ways, the festival has not only blurred the lines between independent and mainstream, but also between the artists, the communities their stories come from, and the audiences. “‘Yung katapangan at katotohanan ng mga filmmakers ay nag-re-resonate sa truth rin ng audiences. Laging may conversation, engagement, and dialogue… nakikita mo na kahit iba-iba ‘yung perspective nila sa film, ibang klaseng community ‘yung na-fo-form,” says Matalang Jr. While shifts from CCP to Philippine International Convention Center (PICC) to Ayala Malls Manila Bay and Shangri-La have made it difficult at times to create nucleation points for communities and discussions to form, he shares that the CCP has still done its best to reshape these commercial spaces into educational ones through talkbacks and small exhibits. In many ways, these challenges have only reiterated the need to meet the audience halfway, even if financial challenges have prevented the festival’s expansion into more territories outside Metro Manila. “Wala naman talaga siyang kinalaman sa espasyo. Tama rin lang na dalhin ang mga pelikula sa cinema houses. Marami pa kaming gustong gawin: dalhin siya sa regions, open parks! May mga ganoon kaming iniisip kasi kahit saan naman, dapat may pagkakataong magtanghal.” This kind of audience development and expansion is valuable to Matalang Jr. not only because he sees audience members turn into filmmakers who participate in the program, but also educators, too. “Merong laging nanunood ng Cinemalaya na teacher mula sa Kidapawan. Every year pumupunta siya kahit mag-isa siya. Nagsimula lang siya na nagtuturo ng media arts hanggang sa dinala na niya ang mga estudyante niya dito para manood sa Cinemalaya,” says Matalang Jr. His story made Cinemalaya’s consistent decision to platform regional and indigenous stories from the likes of Dulay, Handiong Kapuno, and others all the more resonant. “‘Yung kwento ng probinsya, ng kalagayan nung K’na, ng mga nangyari sa Batanes at Bicol… ang laki ng impact na naitutulong potentially sa economics at sa mas malawak na pagtingin natin sa kultura; na nakikita natin ‘yung kung paano nabubuhay ang mga cultural minorities. Ito ‘yung mga kwento na nakaka-inspire. Sa point of view na ‘yun, ang laki ng naibigay ng Cinemalaya sa buhay ng Pilipino.” ![liway 2018 Kip Oebanda](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/liway-intext.webp) *Liway* (2018) Dir. Kip Oebanda ![2-Valid-IDs-1 pokwang joey marquez zaijan jaranilla](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/2-Valid-IDs-1-pokwang-joey-marquez-zaijan-jaranilla.webp) *2 Valid IDs* (2026) Dir. Ma-an Asuncion-Dagñalan For Matalang Jr. and Cabagnot, watching Kip Oebanda’s *Liway* for the first time at the CCP remains one of their most memorable Cinemalaya experiences. “Ibang-iba ang nararamdaman mo na sa CCP pinanood ang *Liway*,” says Matalang. The significance was not lost on audiences: the building, constructed during the era of late dictator Ferdinand Marcos Sr., was now screening a film about the imprisonment of anti-Marcos dissident Cecilia Flores-Oebanda, better known as Commander Liway, and her young son Dakip forced to grow up in captivity. Created in the aftermath of the [2016 burial of Marcos Sr. at the Libingan ng mga Bayani](https://www.rappler.com/newsbreak/iq/151667-timeline-ferdinand-marcos-burial-controversy/), *Liway* only revealed its semi-autobiographical nature in the end, when the young protagonist’s name was revealed to be shared by the filmmaker. It remains one of the more recent examples of a film whose political nature sparked a larger conversation beyond the cinema itself. In subsequent screenings at Trinoma, Oebanda shared in a now-deleted tweet that audiences began chanting “Ang tao, ang bayan! Ngayon ay lumalaban!” as the credits rolled. The question surrounding Cinemalaya is larger than whether a filmmaker can finish a film within a deadline. It is about what kind of independence the festival can realistically offer — and who gets to participate in that independence when making a film requires filmmakers to shoulder costs the institution itself cannot always cover. With no open call yet for concepts and no news about the future of the 2027 edition as of this writing, Villanueva insists that these considerations come to mind primarily because, as an educator, he wants to make it easier for the next generation of amateur filmmakers, particularly from working-class backgrounds who neither have a network to politically and socially insulate themselves from speaking up nor the financial means to create films without succumbing to poverty. “The advocacy is always bigger than you. Ano ba ang pananagutan mo at tungkulin mo as an artist para sa bayan? Hindi natin ‘to ginagawa para sa sarili natin. Ginagawa natin ‘to para sa lahat.” Related Stories - [Cinemalaya and the Search for a Free Filipino Cinema, 20 Years Later](https://rollingstonephilippines.com/culture/philippine-cinema/cinemalaya-20-years-commentary/ "Cinemalaya and the Search for a Free Filipino Cinema, 20 Years Later") - [Cinemalaya 2026 Review: In ‘Mag-iina,’ Nothing’s Scarier Than Family](https://rollingstonephilippines.com/culture/film/mag-iina-cinemalaya-2026-review/ "Cinemalaya 2026 Review: In ‘Mag-iina,’ Nothing’s Scarier Than Family") - [Cinemalaya 2026 Review: ‘2 Valid IDs’ is A Filipino’s Bureaucratic Nightmare](https://rollingstonephilippines.com/culture/film/2-valid-ids-cinemalaya-review/ "Cinemalaya 2026 Review: ‘2 Valid IDs’ is A Filipino’s Bureaucratic Nightmare") **Categories:** Culture, Film **Tags:** Cinemalaya --- ### [8 Unhinged X Discourses We Hope To Learn From This Year](https://rollingstonephilippines.com/culture/8-unhinged-x-discourses-in-2024/) **Published:** January 9, 2025 **Author:** Mel Wang **Excerpt:** Scandalous screenshots, brat walls in Sta. Mesa, and P120,000 hibachi bills are just some of the moments that had X users in the Philippines buzzing last year **Content:** As of 2025, it is difficult to say how long Twitter (now X) will continue to survive. Since Elon Musk, professional billionaire, decided to buy the [platform](https://www.nbcnews.com/tech/social-media/elon-musk-turned-x-trump-echo-chamber-rcna174321) for $44 billion, X has rapidly become a weaponized platform, filled with dangerously misleading [ads](https://www.theverge.com/2023/10/7/23907424/x-unlabeled-ads-posts-cant-block-report-chumbox) and unchecked waves of [misinformation](https://www.vox.com/technology/383336/trump-election-elon-musk-misinformation "misinformation"). It is no wonder, then, that there has been a mass exodus of users fleeing the app in favor of alternatives reminiscent of old Twitter. One X alternative, Bluesky, created by former X co-founder Jack Dorsey, saw a whopping [2.5 million](https://www.vox.com/technology/385433/what-is-bluesky-twitter-social-media-use-future) new users only a week after the United States’ 2024 presidential elections. But despite the ongoing decline and lack of clarity about its future, X has maintained its status as a cursed nebula dedicated to documenting the internet’s most chaotic and viral moments. It’s a space where the most absurd micronarratives unfold in real-time. Against all odds, these moments have sparked important conversations that continue to resonate among X users even as we welcome a new year. With 2025 only having just begun, we still find ourselves reeling from the X micronarratives of last year. We have only just scratched the surface of the dangers of screenshot warfare (ahem, Denise Julia, and ahem, Jam Villanueva). We are still obsessed with anik-aniks, and still spend exorbitant amounts of money trying to get the most “aesthetic” tchotchke. My goal for this article was simple: collect some of 2024’s strangest moments on the app, particularly among its Filipino audience, and take stock of how these moments continue to resonate as we enter 2025. In no particular order, here are the X discourses that continue to capture our attention and make us froth at the mouth with disbelief, outrage, and delight. ## Denise Julia vs. BJ Pascual vs. Killa Kush ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/Denise-Julia-BJ-Pascual.jpg) Photos from Denise Julia/Facebook and Killa Kush/Instagram The nerve of these divas to start drama over the holiday season. A (slightly) quick recap: In the December 20 episode of Killa Kush’s [podcast](https://www.youtube.com/watch?v=XL_5Yk3RzBo), *Bad B\*tch Bible*, photographer BJ Pascual named singer Denise Julia as the “worst” personality he has ever worked with. Pascual recounted how Julia’s team approached his team for a photoshoot which, due to several disagreements about scheduling and budgeting, was cancelled the night before the scheduled shoot, leaving Pascual to cover the cancellation costs himself. Julia, in turn, took to Instagram Stories on December 25 to share her side of the story (complete with selected text screenshots), noting that Pascual’s team was also slow to respond and pushed for a budget of P1.2 million, well over the P650,000 Julia’s team had initially proposed. In response to *that*, Pascual took to X on the same day to share complete text screenshots of the conversation between his manager and Julia’s, showing that his team had reduced their proposed budget to P371,000, and that they were communicative despite a busy schedule on the photographer’s end. > We went into this wanting to work with you—we’re genuine fans and were so excited about the collaboration. From the very beginning, we were upfront about our budget and what we can afford to execute the music video, the Photoshoot, the album art, the trailer and press photos. > > I… <https://t.co/LZ61RIncMP> [pic.twitter.com/WWcUDG64VL](https://t.co/WWcUDG64VL) > > — denise julia ♡ (@denisejvlia) [December 25, 2024](https://twitter.com/denisejvlia/status/1871921047966208181?ref_src=twsrc%5Etfw) Julia is reported to be filing a defamation lawsuit against Pascual and Killa Kush, making this announcement on X while also sharing a screen recording of the text conversation in question. Julia also shared a screenshot on X of an Instagram conversation between her and Kush, in which Kush responded to the claims Pascual had made on her podcast, to which Julia replied, “Thanks. I’ll see you in court. 💋” At the time of writing, Julia’s defamation announcement has garnered 18.5 million views on X, and Pascual’s screenshot shares an impressive 12.7 million views. This drama has kept the platform humming with anticipation as users quickly attempt to line up all the facts shared in both parties’ screenshots and decide who they feel is more in the wrong. On January 6, Julia posted a clip on X of what seems to be her teasing a diss track in response to the drama. The clip, captioned “#BADDIE,” has been met with mixed reactions from X users, with some critiquing Julia on her use of African-American Vernacular English and on how the track may be a poor response to the drama, given that Julia played a significant role in it too. ## Maris Racal and Anthony Jennings’ Screenshots ![maris racal anthony jennings](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/racal_jennings.jpg) Photo from Anthony Jennings/Facebook On the night of December 3rd, Jamela “Jam” Villanueva, ex-girlfriend of actor Anthony Jennings, dropped a bombshell revelation on Instagram Stories, exposing Jennings’ infidelity with actress and onscreen love interest Maris Racal. The revelation sent X into a frenzy, with fans of both stars outraged and dissecting every detail of their leaked texts. Allegiances were quickly drawn, with some blaming Jennings, many pointing fingers at Racal, and a few legal-minded fans arguing that Villanueva crossed a line by airing private matters out in the open. The backlash was so intense that it forced both Racal and Jennings to post public apology videos, attempting to quell the storm they’d helped ignite. > O, huwag lang si Maris ang sisihin. Remember, Anthony Jennings used method acting as an excuse to cheat. Fucking disgusting people. > > — Hazy (@HazyBazyy) [December 3, 2024](https://twitter.com/HazyBazyy/status/1863968045385023552?ref_src=twsrc%5Etfw) > Maris Racal is also a victim of a boy who will never man up on for his actions, sure she has fault too but she got lied on and was manipulated. > > — ✘ (@glossywife) [December 6, 2024](https://twitter.com/glossywife/status/1864888759336255702?ref_src=twsrc%5Etfw) ## Our Anik-anik Hyperfixation > the common filipino is an anik anik girlie [pic.twitter.com/3Ukly9xwpj](https://t.co/3Ukly9xwpj) > > — Ibayan 🩳 (@ivnpsn) [February 7, 2024](https://twitter.com/ivnpsn/status/1755182425876177295?ref_src=twsrc%5Etfw) The term anik-anik refers to small, often insignificant items that we collect, usually because it evokes nostalgia or childhood sentimentality. Derived from the Filipino word “ano-ano,” meaning “this and that,” the term captures the idea that anything — whether it’s your collection of dead-eyed Sonny Angels or thank-you notes you can’t bring yourself to throw away — can be considered anik-anik. > consumerism is unavoidable overconsumption however, is unethical bcs it feeds capitalism > > while anik-anikism = overconsumption, gets how people think it’s ‘problematic’ for people to excessively buy things > > PERO anik-anik or ‘consumption’ of things that you collect > > — ๑՞. ༊\*·˚ \| 🍉 (@nellikha) [November 3, 2024](https://twitter.com/nellikha/status/1853057323964788907?ref_src=twsrc%5Etfw) > For me, anik-anikism is related to childhood sentimentality, especially to people who didn’t have much when they were younger. Yung mga mayayaman tawag jan naghahanap ng personality CHARZ <https://t.co/06teXkrhzL> > > — hello si hubineer (@hubineer) [January 30, 2024](https://twitter.com/hubineer/status/1752213647261413872?ref_src=twsrc%5Etfw) On X, this year, the anik-anik discourse gained traction as users shared their own collections, sparking debates over what qualifies as anik-anik and why we feel compelled to accumulate these trinkets. Some users argued that anik-anik transcends specific items and shouldn’t be confined to overpriced collectibles like Labubus or Smitzkies. Others pointed out how the pressure to collect certain objects can be a reflection of broader social and financial inequalities. This ongoing conversation has made X a space for people to reflect on how anik-anik can represent both personal memories and the complexities of consumer culture. ## Karinderya vs. McDo > tell me hindi ka nagkakarinderya without telling me hindi ka nagkakarinderya > > Kakarant ko lang neto na 65-80+ pesos na ang ulam sa karinderya wala pang kanin 🥲 Kung sobrang busy, yung presyo ng mga lutong bahay for delivery sa compound namin, mas mahal pa sa fastfood delivery <https://t.co/Bok91T5Nlq> [pic.twitter.com/JLa5cBtcPR](https://t.co/JLa5cBtcPR) > > — (◕⌢◕✿) (@ayokonadesu) [February 11, 2024](https://twitter.com/ayokonadesu/status/1756698373766492391?ref_src=twsrc%5Etfw) While Israel and Palestine has long been a complicated and violent conflict, the issue came to a head on October 7, 2023, when the militant group Hamas waged an unprecedented attack against Israel, resulting in the deaths of approximately [1,140](https://www.aljazeera.com/news/longform/2024/10/8/one-year-of-israels-war-on-gaza-by-the-numbers) people. In response, Israel began an aggressive bombing campaign against Palestine, killing roughly over [45,000](https://www.aljazeera.com/news/2024/12/16/death-toll-from-israels-war-on-gaza-tops-45000) Palestinians in the past year, including 17,000 children. The escalating conflict has resulted in netizens boycotting influential brands — such as McDonald’s and other multinational companies — for their ties to Israel. Over the last year, X has become a hotbed for amplifying these boycotts, with campaigns like #boycottmcdonalds rapidly gaining traction. Despite the growing traction, many X users have pointed out how fast food chains like McDonald’s are often the most affordable option for people wanting to eat out, making the boycotts difficult to maintain for some. In response to this criticism, Philippine X user @atsumukitsu tweeted how eating in a karinderya is cheaper than eating at a McDonald’s. “im just saying na dont try to use mcdo and say that it’s the ONLY thing u could afford,” the X user states in a lengthy thread on X. > I think ang dapat pag awayan ay kung bakit ang mahal na ng mga bilihin ngayon at kung sino dapat ang panagutin sa kapalpakan ng econ policies ng gobyerno. > > Hindi kung alin sa karinderya o fastfood ang mas mura. > > — Lean Porquia #ResistTheFascist (@IanMakabayan) [February 12, 2024](https://twitter.com/IanMakabayan/status/1756974326145052905?ref_src=twsrc%5Etfw) @atsumukitsu went viral, with her original tweet garnering 3.9 million views. X users quickly took sides, either defending karinderyas over fast food chains or arguing that a karinderya often has pricier options than McDonald’s. As is the nature of X dramas, the conversation spiraled into a messy debate about the price of food increasing in the Philippines, boycotts, and how a discourse on karinderya versus McDonald’s takes attention away from the actual conflict in Palestine. ## Manila’s brat Walls > brat wall spotted in Sta. Mesa, Manila [pic.twitter.com/0BMCioG4gj](https://t.co/0BMCioG4gj) > > — stan (@superhumstan) [September 18, 2024](https://twitter.com/superhumstan/status/1836303534205341860?ref_src=twsrc%5Etfw) > "Brat Walls were made by fans and impact!" "Swifties are elitists!" "…there is an underlying classism!" > > Also them: "Why aren't her music label are choosing the slums for the Brat Wall and not places like Makati or BGC?" > > 😭😭😭 HIPOKRITANG PALAKAA!![pic.twitter.com/k6szqQFQhN](https://t.co/k6szqQFQhN) > > — K E I T H ✨ (kindness era) (@thegodlore) [October 20, 2024](https://twitter.com/thegodlore/status/1847966234572394513?ref_src=twsrc%5Etfw) September and October 2024 saw a number of walls around Metro Manila being painted a distinct green with the text “brat,” referencing English singer-songwriter Charli XCX’s hit album of the summer. The walls appeared along the streets of Sampaloc, Sta. Mesa, and Tomas Morato, delighting fans who immediately posted pictures of the walls online. There’s [confusion](https://x.com/YUGT0_/status/1847805363074322717?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1847900166520746060%7Ctwgr%5E999bbecf5fa509e458e112775ce27b974a46359c%7Ctwcon%5Es2_&ref_url=https%3A%2F%2Frollingstonephilippines.com%2F%3Fp%3D45496) over who has been setting up the brat walls of Manila. While some speculated that the walls were set up by local fans, the neon green murals were commissioned by Warner Music Philippines and had the permission of property owners. Additionally, fans have pointed out how the walls have cropped up in the less developed parts of Manila which, in turn, opened up conversations about classicism, as well as who is allowed to take part in moments of huge cultural phenomena. ## P120,000 Resto Bills > if this doesn't radicalize you idk what will [pic.twitter.com/JAcSpUcgYW](https://t.co/JAcSpUcgYW) > > — militant (@alasiye7e) [September 23, 2024](https://twitter.com/alasiye7e/status/1838197501712896483?ref_src=twsrc%5Etfw) In a now-deleted TikTok from influencer Emman Atienza, she and her friends were seen dining in a high-end Japanese restaurant. The video saw each member of the group making guesses about how much the total bill would be, and the one that guessed closest to the price would be paying the bill. The TikTok showed that the total price was around P123,000, throwing the internet into an enraged frenzy. Users took to X to point out how Atienza had pretended to cultivate a more relatable online persona, only to undermine herself with a video clearly showing her privilege. The video sparked conversations about the obvious financial equality in the Philippines, but it also prompted Atienza to post a follow-up TikTok explaining that an agency paid for the dinner, and that she was always open about being a “nepo baby” as the daughter of TV personality Kuya Kim. > Since Emman Atienza posted the tone-deaf or insensitive "Guess the Bill" video publicly via social media, it's expected it would receive criticisms. Her succeeding video mentioning other celebs to justify it is mas lalong pinalala nya ang bashing sa kanya. > HUMILITY is a virtue. > > — angiemoi (@NoToAbuse\_) [September 25, 2024](https://twitter.com/NoToAbuse_/status/1838818613584949585?ref_src=twsrc%5Etfw) ## Carlos Yulo’s Family Drama ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/Carlos-Angelica-Yulo.jpg) Photo from Carlos Yulo/Facebook, Angelica Yulo/Facebook Soon after Filipino gymnast Carlos Yulo won a historic gold medal at this year’s Paris Olympics, Yulo’s mother, Angelica Poquiz Yulo, engaged in a very public drama with Yulo’s girlfriend, Chloe Anjeleigh San Jose. In an interview with Bombo Radyo Philippines, the mother revealed that the feud had been going on for quite some time, and that she believed San Jose was separating Yulo from his family. Social media was abuzz with this family drama, with most voicing the sides they were taking in the conversation. Many argued that Yulo’s mother was in the wrong for not taking accountability for her part in the feud, while others argued that the gymnast should make amends with his mother. > Carlos Yulo’s spat with his mom over money and his girlfriend publicly challenges traditional Filipino norms of filial obedience, subservience, service, and priority. It expectedly hits a nerve and triggers the most intimate fear and insecurity of every boomer Pinoy parent. > > — Emil (@13thFool) [August 14, 2024](https://twitter.com/13thFool/status/1823645407832047729?ref_src=twsrc%5Etfw) > I think the reason why the feud between Carlos Yulo and his mom is getting so much viral attention is because a lot of Filipinos can relate. Dito sa atin, we're often forced to respect our elders kahit na minsan sila pa yung nagdi-disrespect sa atin at lumalagpas sa boundaries.… > > — Paolo Miguel 🇵🇸 🇵🇭 (@paoloquimbo) [August 7, 2024](https://twitter.com/paoloquimbo/status/1821222497213411653?ref_src=twsrc%5Etfw) ## Overpriced ‘Raves’ A [post](https://x.com/notatakenhandle/status/1841157974766862575) from X user highlighted how rave culture in the Philippines has changed, potentially for the worse. In the tweet, the user pointed out how overpriced quote-unquote “raves” have become, with expensive door fees and no free water offered to rave goers. In a follow-up reply, they said that the financial barrier is preventing the rave community from experiencing long-term growth, especially because attendees may not afford the rising fees. These tweets sparked a conversation among people attuned to Manila’s rave scene. Many agreed with the tweets and highlighted how community access tickets or returning to the DIY approach of earlier rave culture could alleviate these current issues. > so hard cuz we're filipino (austerity) but i hope more organizers look into these solutions: > > – building own soundsystems (if there are means ofc) > – tapping businesses/cultural institutions into giving funds and resources (water is a great point) > – community access tickets <https://t.co/sWaWjiERH1> > > — ando (@babyikea69) [October 2, 2024](https://twitter.com/babyikea69/status/1841338605517852806?ref_src=twsrc%5Etfw) > "gRave" raves last year were one of the funnest times (and had the pleasure of performing in) I've experienced cuz everyone was there. > > Sobrang affordable ang entrance and DIY yung approach, mas rave culture ang attitude nila kesa sa mga pang burgis na raves dito kung tutuusin. <https://t.co/Ku6Yx9Ncwu> [pic.twitter.com/k2810EukQp](https://t.co/k2810EukQp) > > — Chain Messages (@itwontworkelija) [October 2, 2024](https://twitter.com/itwontworkelija/status/1841410619326812593?ref_src=twsrc%5Etfw) **Categories:** Culture, Tech **Tags:** Anik-Anik, Anthony Jennings, BJ Pascual, carlos yulo, Denise Julia, Emman Atienza, Jam Villanueva, Killa Kush, Maris Racal, Twitter --- ### [After Frasco: 3 Tourism Challenges Facing the Next DOT Chief](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/tourism-issues-dot-secretary-frasco/) **Published:** March 13, 2026 **Author:** Pie Gonzaga **Excerpt:** Appointed a new role in the president’s cabinet, Christina Frasco leaves behind a tourism department that must grapple with low arrivals and overtourism at the same time **Content:** President Ferdinand “Bongbong” Marcos Jr. has removed [Christina Garcia Frasco](https://rollingstonephilippines.com/tag/christina-frasco/ "Christina Frasco") from her position as tourism secretary and appointed her the presidential adviser for sustainable and resilient communities. While the Palace has not confirmed a replacement for Frasco at the [Department of Tourism](https://rollingstonephilippines.com/tag/department-of-tourism/ "Department of Tourism") (DOT), Undersecretary Verna Buensuceso temporarily heads the agency. Frasco’s tenure as DOT chief started in June 2022, and has been subject to criticism since then. In 2023, the DOT and Frasco drew flak after their “Love the Philippines” tourism campaign video was found to have used stock footage taken outside the country. In December 2025, Frasco was also criticized after the private publication *Philippine Topics* used her photo on the cover. After the magazine was presumed to be promotional material for tourism in the Philippines, the DOT [clarified](https://www.philstar.com/headlines/2026/01/10/2499897/photographer-retracts-claim-vs-frasco-over-magazine-cover-choice) that it “did not contract, pay, commission or direct the magazine to produce its cover or feature story.” Aside from these controversies, the DOT also continues to face other challenges with regard to competing for tourists with other Southeast Asian countries, overtourism, and subpar infrastructure for tourists and travelers. Here, we take a closer look at the issues that the next tourism secretary must address. ## Falling Behind on Tourism in Southeast Asia The Philippines is not bringing in as many tourists as its neighboring countries, [*The Straits Times*](https://www.straitstimes.com/asia/se-asia/more-hassle-than-fun-philippines-struggles-to-draw-tourists-as-it-lags-regional-peers-in-arrivals) reports. In 2025, tourist arrivals were at 5.24 million, down 2.2 percent from 2024. Vietnam recorded 22 million tourist arrivals in 2025, while in the same year, Thailand recorded 32.9 million visitors. In explaining what might make the Philippines an unattractive tourist destination, *The Straits Times*’ report points to infrastructure, which is also its own set of problems. ![boracay](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/boracay.webp) Boracay remains a top destination in the Philippines, bringing in 118,745 visitors between December 15 and December 28, 2025. Photo by Jan Walter Luigi/Unsplash ## Bad Infrastructure Travel in the Philippines, whether you’re a tourist or a resident on a commute, is always inconvenient. Riza Rasco, co-founder of Filipino travelers group Philippine Global Explorers, told [*Inquirer*](https://newsinfo.inquirer.net/2175718/tourists-clamor-better-infra-not-just-promos) that travel to and from terminals and ports are a hassle. “When I traveled across the Philippines, it was so hard to find the schedule of the ferries, the schedule of the buses,” she said. In Manila, the country’s main entry point for foreign tourists, the passenger experience is marked by long lines in immigration, delays in baggage retrieval, and a lack of options for [terminal transfers](https://rollingstonephilippines.com/state-of-affairs/power/naia-terminal-taxi-shuttle/ "P1,200 Taxi Fare For NAIA Terminal Transfers? There’s a Free Shuttle Service For That"). Aside from taxis, other private vehicles, and point-to-point buses, there aren’t many other transportation options available to bring tourists out of the Ninoy Aquino International Airport. ## Overtourism in Siargao On the flipside of the Philippines lagging behind other Southeast Asian countries, the island destination of [Siargao](https://rollingstonephilippines.com/state-of-affairs/power/siargao-locals-foreign-tourism/) continues to deal with a tourist boom that’s jeopardizing local communities and the environment. In May 2025, *Rolling Stone Philippines* reported that a group of locals had looked into establishing a code of conduct for foreign tourists, who they say have been harassing the island’s residents and do not observe proper waste disposal practices. Locals worry that the lack of regulations for tourists in Siargao may lead to the island temporarily closing down for rehabilitation, in the same way Boracay was temporarily closed for six months in 2018. ## Frequently Asked Questions ### Why was Christina Frasco removed as tourism secretary? President Marcos removed Christina Garcia Frasco from the Department of Tourism and appointed her presidential adviser for sustainable and resilient communities. Her tenure, which began in June 2022, faced repeated criticism, including a 2023 campaign video controversy. ### Who is currently leading the Department of Tourism? Undersecretary Verna Buensuceso is temporarily heading the Department of Tourism while the Palace has yet to confirm a permanent replacement for Christina Frasco as secretary. ### Why is the Philippines falling behind other Southeast Asian countries in tourism? The Philippines recorded 5.24 million tourist arrivals in 2025, down 2.2 percent from 2024, compared to Vietnam’s 22 million and Thailand’s 32.9 million. Reports point to poor infrastructure as a key factor. ### What infrastructure problems affect tourists in the Philippines? Travelers face long immigration lines, delayed baggage retrieval, and limited transfer options at Ninoy Aquino International Airport, along with difficulty finding reliable ferry and bus schedules nationwide. ### Why is overtourism a growing concern in Siargao? Siargao locals have reported harassment and poor waste disposal practices among foreign tourists, prompting talks of a code of conduct. Residents worry the island could face a temporary closure similar to Boracay’s 2018 shutdown. Related Stories - [Siargao Tourism is Getting Out of Hand and Residents are Pushing Back](https://rollingstonephilippines.com/state-of-affairs/power/siargao-locals-foreign-tourism/ "Siargao Tourism is Getting Out of Hand and Residents are Pushing Back") - [A Unified Visa for ASEAN? Not in the Near Future](https://rollingstonephilippines.com/state-of-affairs/power/philippines-tourism-asean-visa/ "A Unified Visa for ASEAN? Not in the Near Future") - [P1,200 Taxi Fare For NAIA Terminal Transfers? There’s a Free Shuttle Service For That](https://rollingstonephilippines.com/state-of-affairs/power/naia-terminal-taxi-shuttle/ "P1,200 Taxi Fare For NAIA Terminal Transfers? There’s a Free Shuttle Service For That") **Categories:** Philippine Politics, State of Affairs **Tags:** Christina Frasco, Department of Tourism, Tourism --- ### [Conan O’Brien Brings Chaotic Good Fun to India in ‘Conan O’Brien Must Go’ Season 3 Premiere](https://rollingstonephilippines.com/culture/tv/conan-obrien-must-go-season-3-india-premiere/) **Published:** August 24, 2026 **Author:** Pie Gonzaga **Excerpt:** The American comedian’s travel show is back, and he brings the laughs to Mumbai at the beginning of a new season **Content:** [Conan O’Brien](https://rollingstonephilippines.com/tag/conan-obrien/ "Conan O'Brien") has returned with his travel show [*Conan O’Brien Must Go*](https://rollingstonephilippines.com/culture/tv/conan-obrien-must-go-philippines-trailer/), and as expected, it’s a goofy, good time. Season 3 of the HBO series starts with a trip to India, where he learned how to play street cricket and, for a few minutes, became a Bollywood star. The trip in Episode 1, which premiered on August 22 in the Philippines, starts with a train ride in Mumbai, where one commuter called O’Brien’s show “fake ass liberal media.” Another commuter told the comedian that to get on and off the cramped trains, one only has to stand in front of the crowd, which would push them in and out of the car. When he gets down, he meets a local named Veer Pandey, who teaches him how to play street cricket. O’Brien then meets a fellow comedian and actress, Aditi Mittal, who runs him through the basics of greeting in India, from saying “Namaste” with a loose bow to touching an elder’s feet as a sign of respect. In a commercial segment, O’Brien says that monkeys are a common sight in India and have been known to steal phones. So, he employs the help of a robotic red-haired monkey named Chok Chok to lure the free-roaming primates to a small AT&T store made just for them to steal from. ## Conan Meets Fans in Mumbai and Bangalore He also goes to Bangalore to meet up with a fan, Nikhil Kini, who was previously featured on his podcast, *Conan O’Brien Needs A Friend*, and takes him to a pub called Toit. In the bar, O’Brien finds a framed photo of himself on the way right next to the restrooms. He also teaches Kini how to host a talk show, as it’s been his dream to do so. “The conversation is almost too interesting,” O’Brien says, jokingly interrupting a conversation between Kini and Roopa, a patron at the pub. “In America, we literally talk about nothing.” In other parts of Mumbai, O’Brien visits a textile shop and buys sheets of fabric for his wife, Liza Powel O’Brien, and a dhobi ghat, or open-air laundry space. He also visits another fan from *Conan O’Brien Needs A Friend*, Rustom “Rusty” Irani, who briefly talked about the difficulty of navigating Mumbai in a wheelchair. “Mumbai roads and Mumbai infrastructure \[are\] not even meant for regular pedestrians,” Irani had told him on the podcast. To complete his Indian bucket list, he met with actors Ali Fazal and Richa Chadha, who frankly told him he cannot be a Bollywood star. But in true chaotic fashion, O’Brien did a dance number anyway, with a brief action sequence to really sell this Bollywood fantasy. As a final word of advice, Fazal tells him, “Nama-stay in your lane.” In the coming weeks, we will also see O’Brien take on the Netherlands, Morocco, and the Philippines. *Conan O’Brien Must Go* is available to stream on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max"). ## Frequently Asked Questions ### What is *Conan O’Brien Must Go* Season 3 about? Season 3 of the HBO travel series follows Conan O’Brien on international trips, opening with an India episode. The premiere covers street cricket, Mumbai train culture, a staged Bollywood dance number, and reunions with past podcast guests, continuing the show’s mix of travel comedy and cultural immersion. ### What happens in the India episode of *Conan O’Brien Must Go*? O’Brien rides Mumbai’s commuter trains, learns street cricket from local player Veer Pandey, visits a textile market and an open-air laundry, meets comedian Aditi Mittal, and closes the episode with a staged Bollywood dance sequence alongside actors Ali Fazal and Richa Chadha. ### Which celebrities appear in the *Conan O’Brien Must Go* India episode? Comedian and actress Aditi Mittal introduces O’Brien to Indian greeting customs early in the episode. Bollywood actors Ali Fazal and Richa Chadha appear in the closing segment, telling him plainly he isn’t cut out to be a Bollywood star before he attempts a dance number anyway. ### Where can I stream *Conan O’Brien Must Go* Season 3? Season 3 of *Conan O’Brien Must Go* streams on HBO Max. The India episode premiered on August 22 in the Philippines, with upcoming episodes set in the Netherlands, Morocco, and the Philippines rounding out the season. ### Who are the fans Conan O’Brien meets in the India episode? O’Brien meets two past guests from his podcast *Conan O’Brien Needs A Friend*: Nikhil Kini, whom he takes to a Bangalore pub and teaches to host a talk show, and Rustom “Rusty” Irani, who discusses navigating Mumbai’s infrastructure as a wheelchair user. Related Stories - [Conan O’Brien Spotted in Manila, Filming For His Travel Show](https://rollingstonephilippines.com/culture/tv/conan-o-brien-spotted-in-manila/ "Conan O’Brien Spotted in Manila, Filming For His Travel Show") - [Here’s How You Can Watch Conan O’Brien’s Special Teleserye Appearance](https://rollingstonephilippines.com/culture/tv/conan-o-brien-sanggang-dikit-fr/ "Here’s How You Can Watch Conan O’Brien’s Special Teleserye Appearance") - [We’ve Been Stalking Conan O’Brien and His Trip in Manila](https://rollingstonephilippines.com/culture/tv/conan-o-brien-manila-trip/ "We’ve Been Stalking Conan O’Brien and His Trip in Manila") **Categories:** Culture, TV **Tags:** Conan O'Brien --- ### [How Instagram’s Attempt to Subvert ‘Chic’ Failed](https://rollingstonephilippines.com/culture/internet-culture/kinda-chic-trend-instagram-tiktok-failed/) **Published:** August 24, 2026 **Author:** Pie Gonzaga **Excerpt:** What do Ronald Reagan, decolonization, and toast all have in common? The internet says they’re “kinda chic” **Content:** “Kinda chic” is everywhere right now. According to [*The Guardian*](https://www.theguardian.com/fashion/2026/aug/14/why-everything-is-kinda-chic-instagram-tiktok-social-media), Google searches for the word were up 5,000 percent as of mid-August, and the hashtag has racked up over 60,000 Instagram posts. Earlier in the month, a post that said, “Feels kind of chic to be chubby in a world obsessed with extreme skinny,” gained over 192,000 likes in five days. On TikTok, a post that says “Turns out toast is kinda chic” has amassed around 4.6 million views and over 322,000 likes. This post in particular has people asking whether the trend still makes sense at all, because if everything really is chic, then maybe nothing is. Social media collapses meaning at this speed constantly. Whimsy, aesthetic, normalize, limerence, narcissism all went through the same cycle: a word with a precise use gets picked up and applied to everything to the point of meaninglessness. ![reese witherspoon instagram post ](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/reese-witherspoon-kinda-chic.webp) Celebrities like Reese Witherspoon have also joined the trend. Screenshot from Instagram ![turns out toast is kinda chic](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/toast-kinda-chic.webp) When someone says “Turns out toast is kinda chic,” what does that really mean? Screenshot from TikTok Rachel Lowenstein, a cultural strategist for brands, breaks the trend down in a recent [video](https://www.instagram.com/reel/DcOmQzCNgIu/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==) and calls it an example of linguistic homogenization. “I think there’s something linguistically interesting happening here,” she said. “You’re not someone who spent decades refining their taste and developing a personal sense of style through lived experience. You’re chic.” “What is happening is we have more labels and fewer descriptors,” she said, citing clean girl, cool girl, coquette, mob wife, brat as examples of labels that get “three months and then a funeral.” Labels like “chic” spread because the algorithm can read them instantly and they are “not personal, individual, expressive identity descriptors.” She adds, “I do wonder if this is all just an outcome of a culture that is increasingly unable or unwilling to express themselves.” Lowenstein suggests that rather than writing essays to express oneself fully, it’s easier to post a picture about what they are doing and call it “kinda chic.” For her, unabated self-expression means being vulnerable before the public, but collapsing that expression into a meme — in its most basic sense, a unit of cultural information spread by imitation — lets you dodge criticism. ## ‘Chic’ Gets Co-opted for Politics “Chic” has always been used to describe what the hegemony finds tasteful or beautiful. It is adjacent to class, elegance, cleanliness, and luxury. Some social media users have decided to subvert this, saying it’s “kinda chic” to recover from an eating disorder, to advocate for human rights, to be plus size. But search the word on Instagram or TikTok and the top posts say otherwise. Dressing up is chic, drinking matcha is chic, and being a girlfriend is chic. One Filipino influencer’s Instagram carousel ends on “kinda chic being politically aware,” captioned over a photo of iced matcha. To her credit, the text was in baby blue instead of the usual butter yellow. To call something chic is to sand it down until it’s easy to swallow, which means the trend ends up reinforcing the same hegemonic taste it claims to escape. Here, the status quo is repackaged to look more palatable to the modern woman, who is the primary audience for these posts. It’s even more alarming that the trend rewards conformity. ![ronald reagan photo with text: ](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/reagan-kinda-chic.webp) Turns out former U.S. President Ronald Reagan, whose leadership was mired in controversies like the Iran–Contra affair, is kinda chic. Screenshot from Instagram Political social media accounts, many of which lean right, are exploiting this opportunity. One of Instagram’s top posts under the search is a carousel that starts with a photo of Ronald Reagan, captioned “It’s kinda chic to be conservative,” with around 5,000 likes. Another post says it’s “kinda chic” to believe in traditional gender roles. The same format has been used for more progressive ends, too. It’s “kinda chic” to decolonize, or, as Filipino journalist Natashya Gutierrez put it, “kinda chic to care about your country.” These posts are certainly more in touch with the template’s initial intention, to turn the idea of chic on its head. There is value and reason in participating in a trend to get a political message out to more people, but it would be naive or disingenuous to say that this is all that people are following the trend for. Alas, like any well-intentioned thing on the internet, the trend has been co-opted for profit and has spiraled into the monoculture. Anyone trying to make something meaningful out of this meme ought to find another way to get their message out, because chic doesn’t mean anything anymore. ## Frequently Asked Questions ### What is the Kinda Chic trend and how did it start? Kinda Chic is a trend in which social media users share things that they think are “kinda chic” through short-form videos and carousel posts. According to Know Your Meme, the trend started as early as April 2026 on Instagram and TikTok. Various influencers, celebrities, and brands have participated in the trend. ### Why is there backlash against the Kinda Chic trend? Some have criticized the Kinda Chic trend for its misuse of the word “chic” and oversaturation, with so many posts following the trend’s template. ### Who is Rachel Lowenstein, and what did she say about the Kinda Chic trend? Rachel Lowenstein is a cultural strategist for brands who broke down the Kinda Chic trend in a recent video, calling it an example of “linguistic homogenization.” She argues that labels like “chic” spread because algorithms can read them instantly, while genuine self-expression, which can come from years of taste and lived experience, gets replaced by shortcuts that let people avoid being vulnerable in public. ### How has the Kinda Chic trend been used politically? The template has been picked up across the political spectrum. Right-leaning accounts have posted things like a Ronald Reagan photo captioned “It’s kinda chic to be conservative” and posts declaring it “kinda chic” to believe in traditional gender roles. On the other side, posts have called it “kinda chic to decolonize,” and Filipino journalist Natashya Gutierrez used the phrase “kinda chic to care about your country.” ### Is the Kinda Chic trend considered subversive or conformist? Opinions are split. Some users intend the phrase to subvert traditional ideas of what’s tasteful, applying “chic” to human rights advocacy and rejecting traditional gender roles. But the top-performing posts skew toward the inoffensive, suggesting the trend ultimately rewards conformity and repackages the status quo rather than challenging it. Related Stories - [Filipino Fans Are Changing Tennis Culture Whether The WTA Likes It or Not](https://rollingstonephilippines.com/culture/sports/filipino-fans-tennis-culture-alex-eala-wta/ "Filipino Fans Are Changing Tennis Culture Whether The WTA Likes It or Not") - [Fanfic Girlies Are Producing the Best World Cup Memes](https://rollingstonephilippines.com/culture/sports/erling-haaland-jude-bellingham-world-cup-memes/ "Fanfic Girlies Are Producing the Best World Cup Memes") - [Sassa Gurl, Baus Rufo, and More Get Candid on the Challenges of Content Creation](https://rollingstonephilippines.com/culture/internet-culture/sassa-gurl-baus-rufo-content-creation-challenges/ "Sassa Gurl, Baus Rufo, and More Get Candid on the Challenges of Content Creation") **Categories:** Culture, Internet Culture **Tags:** Memes --- ### [This is Exactly How Lawmakers Plan to Protect Minors Online](https://rollingstonephilippines.com/state-of-affairs/lawmakers-plan-to-protect-minors-online/) **Published:** August 20, 2026 **Author:** Reyza Ferranco **Content:** The Philippines has long been considering a social media ban for minors. But after the [Zamboanga](https://rollingstonephilippines.com/state-of-affairs/zamboanga-school-shooting-what-we-know/ "What We Know About the Zamboanga School Shooting") shooting incident, which was livestreamed by the shooter and left two dead, the call for an age-based restriction in digital spaces further intensified. This restriction includes access to social media, violent online games, and content for children below 16 years. The renewed push also comes as other countries experiment with similar restrictions, like Australia’s [implementation](https://www.bbc.com/news/articles/cwyp9d3ddqyo "implementation") in December 2025, and [New Zealand](https://www.nzherald.co.nz/nz/auckland/under-16-social-media-ban-teenagers-say-vpns-and-fake-ages-could-bypass-rules/FH2PIROOVVF7ZMKKON2BYWA5T4/ "New Zealand") and [Spain’s](https://edition.cnn.com/2026/02/03/tech/spain-under-16-social-media-ban-intl "Spain's") pending bills. So, what exactly are the Philippine lawmakers’ plans and how will they be implemented? ## **How Lawmakers Propose to Protect Children Online** Senate President [Win Gatchalian ](https://rollingstonephilippines.com/tag/win-gatchalian/ "Win Gatchalian")has been among the most vocal proponents of this age-based restriction, having filed [Senate Bill No. 2066](https://senate.gov.ph/legislative-documents/bills/624506 "Senate Bill No. 2066"), or the Social Media Safety for Children Act, back in April. “Dapat pag-aralan nang masusi ay ‘yung impluwensiya ng social media, ng internet, at impluwensiya na rin ng mga tinatawag natin na violent games,” explained Gatchalian in an [interview](https://youtu.be/A6P-1ADkr-s?si=44GRVW4-3LQdEO61) with *DZMM Teleradyo*. “’Yung mga violent games, nakaka-adik eh. Ang nakakatakot dito, hindi natin alam kung sino ‘yung kanilang kalaro,” he added. Sen. [Risa Hontiveros](https://rollingstonephilippines.com/tag/risa-hontiveros/ "Risa Hontiveros") proposed a similar bill, though her [Senate Bill No. 1819](https://www.facebook.com/senateph/photos/sen-risa-hontiveros-on-wednesday-august-19-2026-said-senate-bill-no-1819-or-the-/1638200848345265/ "Senate Bill No. 1819") takes a different approach. The Expanded Anti-Online Sexual Abuse or Exploitation of Children (OSAEC) and Anti-Child Sexual Abuse or Exploitation Materials (CSAEM) Act strengthens protections against online sexual abuse and exploitation of children, which remains pending in the committee. Her bill goes beyond mere social media use, but also points to the abuse children may face in digital spaces. In the aftermath of the [Tacloban school shooting](https://rollingstonephilippines.com/tag/tacloban-school-shooting/ "Tacloban School Shooting") incident in June, then-Senate Majority Leader Juan Miguel Zubiri called for a “serious discussion” on limiting children’s social media access. On August 19, he posted on X that the “times have changed and our laws must catch up,” expressing his support for the ban after it was once again reignited. Sen. Robin Padilla likewise argued that children are vulnerable to online radicalization and manipulation and called for urgent action following the August 18 shooting. > Kapag ang isang bata ay kayang manood, maglaro at makakita ng violence for hours every day, we cannot pretend walang epekto iyon. > > The times have changed, and our laws must catch up. > > I support a serious social media ban for children.[\#ProtectOurKids](https://x.com/hashtag/ProtectOurKids?src=hash&ref_src=twsrc%5Etfw)[\#SenadoPH](https://x.com/hashtag/SenadoPH?src=hash&ref_src=twsrc%5Etfw) > > — Migz Zubiri (@migzzubiri) [August 19, 2026](https://x.com/migzzubiri/status/2090026576201314516?ref_src=twsrc%5Etfw) Sen. Bam Aquino, meanwhile, pushed for the enforcement of age restrictions on online video games and banning minors from chat boxes. According to him, while such games cannot be entirely blamed, putting in place a classification system similar to movies and television shows would better limit children from accessing mature-rated games. All these calls were backed up by Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte") on August 19, stating that she supports the legislation’s plan to fast-track efforts to implement the social media ban on minors. However, her position puts much of the responsibility on specific platforms, as she said it would be difficult to police millions of Filipino children individually. “You have to remember we have about 25 to 29 million students in schools so dapat kung pag-usapan natin o ipasa atin ang batas ipagbawal ang minors sa social media, ang regulation ng government ay doon sa platform,” she said in an interview in Zamboanga. The challenge now for the legislation is figuring out where online protection ends and an outright ban begins, and whether keeping children offline can address the much bigger question of why young people are becoming exposed to violence in the first place. ## FREQUENTLY ASKED QUESTIONS ### What does the Proposed Philippine social media ban include? Several proposed bills plan to tackle access to social media, violent online games, and content for children below 16 years. ### What countries have a social media ban for minors? Other countries experiment with similar restrictions, like Australia’s implementation in December 2025, and France and New Zealand’s pending bills. ### What happened in the Zamboanga shooting incident? A shooting incident occurred inside a junior high school building, which was livestreamed by the shooter, and left two dead, including the perpetrator. ### How does Sen. Bam Aquino plan to do the social media ban? Sen. Bam Aquino pushes for the enforcement of age restrictions on online video games and banning minors from chat boxes. He also suggested that putting in place a classification system similar to movies and television shows would better limit children from accessing mature-rated games. ### What did Sara Duterte say about the social media ban? She supports the legislation, but also wants to put the responsibility on specific social media platforms, as she said it would be difficult to police millions of Filipino children individually. Related Stories - [What We Know About the Zamboanga School Shooting](https://rollingstonephilippines.com/state-of-affairs/zamboanga-school-shooting-what-we-know/ "What We Know About the Zamboanga School Shooting") - [Why a Band T-Shirt Is Now at the Center of the Tacloban School Shooting](https://rollingstonephilippines.com/music/rock/kmfdm-band-shirt-tacloban-school-shooting-columbine/ "Why a Band T-Shirt Is Now at the Center of the Tacloban School Shooting") - [Politicians Are Spending Too Much Time On Social Media](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/politicians-spending-too-much-time-on-social-media/ "Politicians Are Spending Too Much Time On Social Media") **Categories:** State of Affairs **Tags:** Minors, Social media ban --- ### [Who is ‘Bobby’ in Phoebe Bridgers’ New Album?](https://rollingstonephilippines.com/music/rock/phoebe-bridgers-bobby-bo-burnham/) **Published:** August 20, 2026 **Author:** Pie Gonzaga **Excerpt:** The two have kept their private lives under wraps, but it looks like Bridgers is finally ready to sing about their four-year romance **Content:** If there’s anything new we’ve learned about [Phoebe Bridgers](https://rollingstonephilippines.com/tag/phoebe-bridgers/ "Phoebe Bridgers") from *[Lost Weekend](https://rollingstonephilippines.com/tag/lost-weekend/ "Lost Weekend")*, it’s that she’s deeply in love. It’s been five years since her split with Irish actor [Paul Mescal](https://rollingstonephilippines.com/tag/paul-mescal/ "Paul Mescal"), who is now dating American singer-songwriter [Gracie Abrams](https://rollingstonephilippines.com/tag/gracie-abrams/ "Gracie Abrams"), so songs like “Kill Me” and “Bobby” couldn’t possibly be about him. Fans speculate that the Bobby she addresses throughout the record could, instead, refer to filmmaker, comedian, and album co-writer [Bo Burnham](https://rollingstonephilippines.com/tag/bo-burnham/ "Bo Burnham"). There are many reasons to believe that. For one, Burnham’s first name is Robert, from which the nicknames Bob or Bobby are derived. He and Bridgers have also been spotted together [countless times](https://www.harpersbazaar.com/celebrity/latest/a73435814/phoebe-bridgers-bo-burnham-complete-relationship-timeline/) since 2022, hanging out with The 1975 frontman Matty Healy, attending Taylor Swift’s Eras show in Philadelphia in May 2023, and holding hands on the way to a *Saturday Night Live* after-party. Neither of them has confirmed the relationship, but do they really have to? Outside of their romance, Bridgers and Burnham have kept their personal lives private and low-key. Burnham, also a musician, sings about being in the public eye in “All Eyes On Me,” a song from his 2021 musical comedy special *Inside*. At the 2022 Grammys, the track earned him Best Song Written for Visual Media. You probably also know Burnham from other comedy films, like Clare Kilner’s *American Virgin* (2009), Michael Showalter’s *The Big Sick* (2017), and [Emerald Fennell](https://rollingstonephilippines.com/tag/emerald-fennell/ "Emerald Fennell")’s 2020 directorial debut, *Promising Young Woman*, where he starred opposite Carey Mulligan. Before writing, directing, starring in, and editing *Inside* all by himself in 2021, Burnham also directed and produced comedy specials for the likes of Jerrod Carmichael and Kate Berlant between 2017 and 2022. He also directed the 2018 coming-of-age comedy-drama film *Eighth Grade*, which won him Breakthrough Director at the Gotham Awards, Best First Screenplay at the Independent Spirit Awards, and Best Original Screenplay at the 2019 Writers Guild of America Awards. ## Frequently Asked Questions ### Is Bo Burnham confirmed to be Phoebe Bridgers’ boyfriend? Neither has spoken publicly to confirm a relationship, but outlets covering the album’s release, including *NPR* and *Slate*, now refer to Burnham as Bridgers’ “reputed partner.” His writing and vocal presence throughout *Lost Weekend* has fueled that reporting. ### How involved is Bo Burnham in the making of *Lost Weekend*? Burnham holds seven co-writing credits on the album and sings on multiple tracks, including the title track. He’s also credited with helping shape some of its electronic and vocoder-driven textures, a sound he’s known for on his own recordings. ### What is *Lost Weekend* about besides the relationship between Bo Burnham and Phoebe Bridgers? The album is anchored in grief, following the 2023 death of Bridgers’ father, alongside themes of fame, disillusionment, dissociation, and love. It also marks Bridgers’ return after a six-year gap in solo output since 2020’s *Punisher*, a stretch shaped by loss, a broken engagement, and stepping back from public life. ### How did Phoebe Bridgers and Bo Burnham first get linked romantically? Speculation began in 2022, when the two were spotted together on multiple occasions, including hanging out with The 1975’s Matty Healy, attending Taylor Swift’s Eras Tour stop in Philadelphia in May 2023, and holding hands en route to an *SNL* after-party. ### Which song most directly addresses “Bobby”? “Bobby” is the track most explicitly built around the nickname, with lyrics detailing domestic, lived-in details of the relationship, lines like sleeping in his shirts and singing in the shower. “Kill Me” is another track fans point to as being aimed at him. Related Stories - [All 16 Tracks of Phoebe Bridgers’ ‘Lost Weekend,’ Ranked](https://rollingstonephilippines.com/music/rock/phoebe-bridgers-lost-weekend-tracks-ranked/ "All 16 Tracks of Phoebe Bridgers’ ‘Lost Weekend,’ Ranked") - [Phoebe Bridgers’ ‘Lost Weekend’ is Lush, Honest, and Her Best Album Yet](https://rollingstonephilippines.com/music/music-reviews/phoebe-bridgers-lost-weekend-album-review/ "Phoebe Bridgers’ ‘Lost Weekend’ is Lush, Honest, and Her Best Album Yet") - [Is Olivia Rodrigo Doing Ok in ‘the cure’?](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-the-cure-music-video/ "Is Olivia Rodrigo Doing Ok in ‘the cure’?") **Categories:** Culture, Film, Music, Rock, TV **Tags:** Bo Burnham, Lost Weekend, Phoebe Bridgers --- ### [All 16 Tracks of Phoebe Bridgers’ ‘Lost Weekend,’ Ranked](https://rollingstonephilippines.com/music/rock/phoebe-bridgers-lost-weekend-tracks-ranked/) **Published:** August 20, 2026 **Author:** Pie Gonzaga **Excerpt:** Ranking 16 songs from a critically acclaimed, no-skips album is difficult, but Phoebe Bridgers’ latest record still boasts tracks with great replay value **Content:** The anticipation for [Phoebe Bridgers](https://rollingstonephilippines.com/tag/phoebe-bridgers/ "Phoebe Bridgers")’ return has paid off tenfold with the release of *[Lost Weekend](https://rollingstonephilippines.com/tag/lost-weekend/ "Lost Weekend")*, her third solo album and by far her best record yet. The comeback was greeted with rave reviews from every corner of the internet, including [ours](https://rollingstonephilippines.com/music/music-reviews/phoebe-bridgers-lost-weekend-album-review/ "Phoebe Bridgers’ ‘Lost Weekend’ is Lush, Honest, and Her Best Album Yet"). Bridgers’ longtime collaborators Tony Berg and Ethan Gruska return as producers on *Lost Weekend*, having first worked with her on the debut album *Stranger in the Alps*. And while they bring their signature rock and folk sounds into this new record, the addition of producer [Jack Antonoff](https://rollingstonephilippines.com/tag/jack-antonoff/ "Jack Antonoff") makes for a body of work that is even lusher and more complex, polished in some parts and delightfully rustic in others, as if to reflect Bridgers’ own maturity and complexity. As the American singer-songwriter’s sound expands, so does her pool of collaborators. Among a long list are Alex G, Geese’s [Cameron Winter](https://rollingstonephilippines.com/tag/cameron-winter/ "Cameron Winter"), Julien Baker, Lucy Dacus, Jon Brion, American bluegrass band Nickel Creek, and even Bridgers’ boyfriend, comedian and filmmaker Bo Burnham. While sonically and thematically cohesive, there are standouts on *Lost Weekend*, like the saccharine “The Governor’s Waltz” and anthemic “Bobby.” But where do these stand against the title track “Lost Weekend” and the lead single “Lost Boys”? Here, we rank all 16 tracks on *Lost Weekend*, from good to great. 16 ‘Lost Parade’ “Lost Parade,” the album’s second interlude, is ranked lowest here solely because there isn’t a lot to work with. That doesn’t mean it’s bad, which says a lot about how excellent *Lost Weekend* is. Here, we hear a crowd cheering to a marching band rendition of “Liberty Tree,” before it fades out into the next track, “As Above.” 15 ‘Panorama’ “Panorama” has a lot more to offer as an interlude in comparison to “Lost Parade.” It starts off with an instrumental arrangement with twinkling synths, strings, and muddy guitars, over a tom-rich bedroom downtempo beat. True to its title, there’s an earthy quality to the track that’s upended by a few lines in the end, passed through a vocoder that Bridgers uses many times throughout *Lost Weekend*. “A panorama hotel room / I chose this number for the view,” she sings sluggishly. “If you’re drinking, then I’m drinking.” 14 ‘The Outside’ Bridgers starts the album with a picture of a funeral. The opening line “Crying in a suit and tie / but you should see the other guy” alludes not just to her father’s death but also to the tumultuous relationship they had. The lyricism here, as on the rest of *Lost Weekend*, is candid and vivid. While nothing else on the album sounds like “The Outside,” the track just serves as a teaser for the kinds of sounds heard on *Lost Weekend*, juxtaposing the synthetic textures of a vocoder with an acoustic guitar and a piano. 13 ‘Never Going Back!’ Running at a minute and 42 seconds, “Never Going Back!” is one of the album’s simpler songs. Here, Bridgers sings a mantra, “Never going back again / the way it used to be is not the way it is,” over guitars and a banjo. But just when you think she’s moved on from heartbreak or trauma, we get a voicemail from her late father, who says “being a rockstar takes up a lot of your time,” betraying a sense of evasiveness hiding beneath the track’s cheerfulness. 12 ‘Still Standing’ One of my favorite things about *Lost Weekend* is the recurring melodic motif that we hear in the sadder songs, like “Lost Weekend,” its reprise, and “Still Standing.” In this track, the motif is sung in choir-like acapella, which only feels appropriate for a song where Bridgers tries to reconcile grief and anger. She enumerates details of experiences with her father, like quarreling on prom night or a fight between her parents. “I can’t imagine you dead / but you are, every day / Thank you for everything,” she says in the final chorus, before the elegiac motif takes over. 11 ‘As Above’ In *Lost Weekend*, Bridgers reuses a lot of elements to make the album cohesive. “As Above” is one of a few songs here that crescendo into something louder. But unlike “Kill Me” and the title track, this one falls back into haze after its cathartic bridge, where she sings about ironically rendering her anxiety as a god-like superpower: “You won’t have to believe in magic / Leave it to me and I’ll make it happen.” 10 ‘Other Plans’ The lyrics in “Other Plans” don’t give away much. “Our love had other plans,” Bridgers sings, but whatever those other plans are are held back by restrained production and writing. There’s beauty in the song’s simultaneous opacity and simplicity, in Bridgers’ singing over a Yamaha CP80 and nothing else. In her radio broadcast *Lost Signal*, Bridgers said that she wrote the song “very quickly” at the end of making *Lost Weekend* and decided to include it in the album, and it works well as a break from the intensity and richer production of other tracks. 9 ‘Liberty Tree’ It’s great to hear a song where Bridgers is just in love, and in “Liberty Tree,” she sings about taking photobooth pictures with Bo Burnham (affectionately referred to as Bobby throughout the album). Its interlude consists of a jubilant and bright acoustic guitar hook. “You were made in the image of God / but you look like your mom in this picture of us,” she sings in the chorus, which she gorgeously ties back to previous work with a melody borrowed from *Punisher*’s “Graceland Too.” 8 ‘Haunted’ “Haunted” is one of the happier songs on the album, an upbeat folk cut that almost falls into stomp-clap territory, with strings and steel guitar, but is saved by the euphoric chug of Jack Antonoff’s drums in the second chorus. Boygenius bandmates Lucy Dacus and Julien Baker contribute backing vocals in this track, where Bridgers sings about seeing her friends again and healing. “You can go or you can stay / I’m gonna put myself together either way,” she says on the bridge. 7 ‘Lost Weekend (Reprise)’ The final song on the album is the strongest of the ones that touch on grief. In “Still Standing,” Bridgers couldn’t place her anger in the loss, but in “Lost Weekend (Reprise),” she’s resolute and ready to move forward. “But we’re gonna be alright, me and you,” she sings as a one-note organ drones in the background. The album’s melodic motif returns again, hummed this time without a choir behind Bridgers or a vocoder to obscure real human feelings. 6 ‘The Governor’s Waltz’ The romantic waltzing rhythm of this track is a deceptive outer layer for lyrics that detail the end of a relationship. The line “I was the belle of the Governor’s Ball” dates this story back to 2021, when Bridgers performed at the Governors Ball Music Festival in New York. It’s also the same year she publicly dated actor Paul Mescal, who now dates fellow American singer-songwriter Gracie Abrams. I admit that part of the appeal of the song is the intrigue and subtle shade thrown in lines like “I’m next to you / you’re next to nothing” and “She can pretend to be me / Since she took my place in my bed on that stage / I have not lost any sleep.” 5 ‘Lost Boys’ Heralding *Lost Weekend*’s release was “Lost Boys,” a lead single that, much like viral hit “Kyoto,” deploys an upbeat rhythm and horns beneath hurt (or, at the very least, disappointed) lyrics. “Lost boys/ never grow up, never get old / Lost boys find me,” she says in the chorus. Whether that last line is taunting or mere statement of fact is left up to interpretation, but Bridgers definitely seems eager to let said lost boys find her in the last part of the song, when she says, “Come find me.” It’s tongue-in-cheek and maybe even a little mocking, which makes the song even more fun. 4 ‘I Can’t Wait’ If anyone had any doubt about Cameron Winter lending his voice on this album (credited under the pseudonym Son-John Johnson), the proof is clear as day on the bridge of “I Can’t Wait.” There are more elements of pop here than anywhere else on the record, in the use of a drum machine and synths, but it’s still unmistakably Phoebe Bridgers, rife with guitars, harmonica, and pedal steel. 3 ‘Kill Me’ Winter appears once again in “Kill Me,” a lush and hazy cut rich with shimmering acoustic and steel guitars. Antonoff loves to use a baritone guitar, whether it’s for Taylor Swift or Lorde, and in this track, he uses it to imbue a heaviness that counters the song’s more gossamer elements. On the first listen, “Kill Me” also takes a surprising but welcome turn to feral and drum-heavy outro. It ends with Winter repeatedly singing, “Tamám shud,” Persian for “It is finished” — as if Bridgers were Jesus on the cross and Bobby, God (which just goes back to the line “You were made in the image of God” in “Liberty Tree”). 2 ‘Bobby’ There’s something concerning about Bridgers speaking so catastrophically of love, but you can almost forget that when you hear “Bobby,” upbeat, washed in romantic bliss, and undoubtedly one of the highest points of *Lost Weekend*. In this track, Bridgers’ love for Bobby is at once apocalyptic and eternal. In the bridge, she repeats (with Burnham on backing vocals), “This could be the end,” but ends with the lines “Now I don’t know if I can make it tonight / But what are you doing the rest of my life, Bobby?” Where other songs reach a high point and get louder, “Bobby” starts loud without warning, and ends with a lone mellow synth for the outro. 1 ‘Lost Weekend’ Despite being a (reductively put) “sad” song, *Lost Weekend*’s title track is a standout for its structure, forgoing the usual verse-chorus-bridge format for 20 unrepeated lines. Bridgers gives us vignettes of parallel parking and sleep-talking, addressing an indeterminate “you.” “You know me, and I’ll never forgive you for that,” the last line says as the album’s leitmotif, this time in the form of a ghostly synth, floats in. There’s a raw quality to the way Bridgers’ vocals are mixed in here, as if she’d used her voice notes for the track’s final cut, and with only an organ playing in the background, she’s in her most vulnerable state. But two-thirds of the way through, the organ begins to ripple, and then the track breaks into a minute of energetic ambient, a banjo and synthesizers both sizzling as a subdued kick drum pulses beneath. Nothing better defines an album than its title track (if it has one), and “Lost Weekend” captures all that there is love about Bridgers’ music and this new era. ## Frequently Asked Questions ### What is Phoebe Bridgers’ *Lost Weekend* about? *Lost Weekend* is Phoebe Bridgers’ third solo album, built around grief over her father’s death and present and past relationships. Songs like “The Outside,” “Still Standing,” and “Lost Weekend (Reprise)” trace that loss, while “Bobby” and “Liberty Tree” document the love. ### Who produced Phoebe Bridgers’ *Lost Weekend*? Tony Berg and Ethan Gruska produced *Lost Weekend*, continuing a collaboration that began with Bridgers’ debut *Stranger in the Alps*. Jack Antonoff joins them on this record. ### Which is the best song on *Lost Weekend*? The title track “Lost Weekend” tops this ranking, with “Bobby” placing second, and “Kill Me” in third. ### Who are the featured artists on *Lost Weekend*? Alex G, Geese’s Cameron Winter, Julien Baker, Lucy Dacus, Jon Brion, and bluegrass band Nickel Creek all appear on *Lost Weekend*. Winter is credited as Son-John Johnson on “I Can’t Wait” and “Kill Me,” while Bo Burnham sings backing vocals in other songs. ### Is “The Governor’s Waltz” about Paul Mescal? “The Governor’s Waltz” is widely read as referencing Bridgers’ 2021 relationship with actor Paul Mescal. The line “I was the belle of the Governor’s Ball” dates the story to that year, when she performed at the Governors Ball in New York. Bridgers has not confirmed the song’s subject. Related Stories - [Phoebe Bridgers’ ‘Lost Weekend’ is Lush, Honest, and Her Best Album Yet](https://rollingstonephilippines.com/music/music-reviews/phoebe-bridgers-lost-weekend-album-review/ "Phoebe Bridgers’ ‘Lost Weekend’ is Lush, Honest, and Her Best Album Yet") - [Ranking Every Song on ‘you seem pretty sad for a girl so in love’](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-you-seem-pretty-sad-ranked/ "Ranking Every Song on ‘you seem pretty sad for a girl so in love’") - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") **Categories:** Folk, Indie, Music, Rock **Tags:** Lost Weekend, Phoebe Bridgers --- ### [Every Foreign Trip Sara Duterte Took Since 2022, and Why the Public Deserves to Know](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-overseas-trips-transparency-scrutiny/) **Published:** August 19, 2026 **Author:** Reyza Ferranco **Content:** After weeks of being absent from her own [impeachment trial](https://rollingstonephilippines.com/tag/impeachment-trial/ "Impeachment Trial"), Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte") finally broke her silence on Facebook. Except she didn’t talk about her ongoing impeachment cases, but about her cancelled travel plans. On August 18, the vice president responded to the statements made by Malacañang regarding her foreign trips and called for transparency herself regarding the travel expenses incurred by the Office of the President and other officials. She also called out alleged inaccuracies in media reports and the security threats against her. Her statements came after public reports of her scheduled Japan trip, which her office later canceled. Duterte also reminded the Office of the President that the continued publication of her schedule “compromises her personal security” and exposes her to heightened risks. For added context, the Office of the Vice President (OVP)’s travels have been subject to scrutiny and questioning, particularly over the purpose and funding of some of her trips, and whether her absences are consistent with the duties of her role. Several trips also gained attention as they coincided with her ongoing impeachment case. And while there’s nothing inherently wrong with Duterte’s frequent travels, her non-attendance at important plenary debates, as well as her alleged cases of betrayal of public trust, graft and corruption, gross incompetence, and abuse of power, have made it hard to justify her mostly personal trips. As public funds are also being spent on her security and staff, it’s only fair for Filipinos to ask: What was she really doing on all the travels she made? Here’s a list of Duterte’s travel history ever since she took office as vice president. ## 2022–2023: The Early Trips In 2022, her travels included mostly domestic outreach, with only one publicly documented overseas trip to Japan in September as President Ferdinand Marcos Jr.’s Special Envoy at the state funeral of former Japanese Prime Minister Shinzo Abe. In 2023, she traveled to Brunei from June 11-13 in her capacity as president of the Southeast Asian Ministers of Education Organization (SEAMEO) Council, saying that she visited the country “to discuss affairs of mutual concern for the Philippines and Brunei Darussalam.” She also celebrated the 125th Independence Day with the Overseas Filipino Workers (OFWs) in the country. ![sara duterte in brunei](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/brunei.webp) Vice President Sara Duterte with other education leaders in Brunei Darussalam on June 11-13, 2023. Photo from Inday Sara Duterte/Facebook This was immediately followed by a trip to Singapore from June 13-14, 2023, for a [regional education discussion](https://www.philippine-embassy.org.sg/philippine-vice-president-and-secretary-of-education-sara-duterte-visits-singapore-as-seameo-council-president/) with then Second Minister for Education and Foreign Affairs Mohamad Maliki bin Osman, as well as other briefings on possible scholarships and projects for the Filipinos. ## 2024: Germany, Denmark, and Backlash Her overseas trips in 2024 came mid-year quit her post in the Cabinet as Secretary of the Department of Education (DepEd) and vice chairperson of the NTF-ELCAC. There was a trip to Germany in July for a “personal overseas trip,” which drew criticism as her flight happened amid a calamity caused by Typhoon “Carina.” She then flew to Denmark in December for an undisclosed reason. ## 2025: 17 Trips, Mostly Personal Duterte’s foreign travels increased in 2025, most of which were personal and “self-funded.” In January, she went on a personal trip to Japan with her family and returned in the third week of February. She flew to Hong Kong on March 11 and also checked on the OFWs, then to Qatar on May 26 for a “Duterte thanksgiving.” ![duterte in doja qatar](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/doja-qatar.webp) Duterte during her visit to Doha, Qatar, on May 26, 2025. Photo from Inday Sara Duterte/Facebook There was also her personal trip to Malaysia on June 10, where she engaged in an OVP program consultation with OFWs. Another personal trip occurred in the same month, but this time in Australia, to attend the “Free Duterte” rally. She later went to South Korea on July 27 to engage with Filipinos in a community gathering, skipping President Ferdinand Marcos’ State of the Nation Address scheduled the day after. On August 15, she traveled to Kuwait for a trip that is “lawful and aligned with her responsibilities in public service,” and to Paris three days later. She also visited her father, former President Rodrigo Duterte — who was detained at The Hague, Netherlands earlier in the year — multiple times in March, May, and July. ![filipinos the hague crowd](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/hague.webp) Supporters gathered in Malieveld Park in The Hague to support Vice President Sara Duterte and former President Rodrigo Duterte on March 25, 2025. Photo from Inday Sara Duterte/Facebook These were all publicly disclosed by the vice president herself at a 2026 budget hearing for her office, where she also stated that she had a total of 17 overseas trips from July 2024 until September 2025. The OVP reported that a total of P7.4 million in government funds was allocated to Duterte’s security and staff during her foreign trips in 2025 alone, but maintained that she did not use public funds for her travels. “I did not charge representation. I did not charge per diem for all my travels in the Office of the Vice President. In the breakdown of the budget for travel of the OVP, you can see there is a zero amount for the vice president,” Duterte said. In the OVP’s 2026 budget, only P56 million has been allocated for local and foreign travel expenses, the lowest since Duterte assumed office. ## 2026: Authority Granted, Trip Canceled In 2026, the vice president was granted the travel authority to visit [five](https://www.pna.gov.ph/articles/1273529) countries while on leave of absence — the Netherlands, South Korea, Belgium, Germany, and the United Kingdom of Great Britain and Northern Ireland — from April 23 to May 15, but did not proceed. She later traveled to Qatar, the United Kingdom, and the Netherlands from July 16 to 31, amid the [ongoing hearings](https://rollingstonephilippines.com/tag/impeachment-trial/ "Impeachment Trial") involving her use of confidential funds. ![sara duterte 2026 uk trip](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/sara-uk-1.webp) Duterte with a banner from supporters in the United Kingdom. Photo from Inday Sara Duterte/Facebook “These activities are intended to engage with overseas Filipinos and advance the Philippines’ interests abroad,” the OVP said in a [statement](https://www.ovp.gov.ph/post/official-statement-july-7-2026). Duterte specified that all expenses incurred came from her personal funds. She was scheduled for a personal trip to Japan from August 19 to 24, but the trip was later canceled. In one of her recent statements, Duterte said that “her plans have since changed,” and told media organizations to verify information before publication. ## FREQUENTLY ASKED QUESTIONS ### How many overseas trips has Vice President Sara Duterte taken since 2024? Duterte disclosed a total of 17 overseas trips between July 2024 and September 2025, a figure she stated herself at a 2026 budget hearing for the Office of the Vice President. ### Why was Sara Duterte’s August 2026 Japan trip canceled? The Office of the Vice President canceled the scheduled August 19–24, 2026 trip to Japan after details of her travel plans were made public. Duterte said continued publication of her schedule compromises her personal security. ### How much government funding went toward Duterte’s foreign trips in 2025? The Office of the Vice President reported P7.4 million in government funds allocated to security and staff support during Duterte’s foreign travels in 2025, even as she described most of those trips as personal and self-funded. ### Why has Sara Duterte’s foreign travel drawn scrutiny during her impeachment case? Critics have questioned whether her frequent trips are consistent with her official duties, since several coincided with impeachment hearings and one caused her to miss President Marcos’ State of the Nation Address in July 2025. ### Where has Sara Duterte traveled to visit her father Rodrigo Duterte? Duterte visited her father, former President Rodrigo Duterte, at his detention facility in The Hague, the Netherlands, in March, May, and July 2025, amid his ongoing case before the International Criminal Court. Related Stories - [Politicians Are Spending Too Much Time On Social Media](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/politicians-spending-too-much-time-on-social-media/ "Politicians Are Spending Too Much Time On Social Media") - [Who’s Who on Day 1 of Sara Duterte’s Impeachment Trial](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-impeachment-trial-whos-who-day-1/ "Who’s Who on Day 1 of Sara Duterte’s Impeachment Trial") - [From Marcos to Duterte: Public Officials on the Controversial Pax Silica](https://rollingstonephilippines.com/state-of-affairs/environment/pax-silica-marcos-duterte-officials-react/ "From Marcos to Duterte: Public Officials on the Controversial Pax Silica") **Categories:** Philippine Politics, State of Affairs **Tags:** Sara Duterte, Sara Duterte Impeachment, Travel History --- ### [What We Know About the Zamboanga School Shooting](https://rollingstonephilippines.com/state-of-affairs/zamboanga-school-shooting-what-we-know/) **Published:** August 19, 2026 **Author:** Reyza Ferranco **Content:** Barely two months after a shooting in Tacloban that killed three students, another incident of school-related violence took place on August 18, an attack involving junior high school students, this time in Zamboanga, further heightening concerns about child safety, campus security, and gun access in the country. > [View this post on Instagram](https://www.instagram.com/p/DcKtczmHWzS/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rolling Stone Philippines (@rollingstoneph)](https://www.instagram.com/p/DcKtczmHWzS/?utm_source=ig_embed&utm_campaign=loading) According to Zamboanga’s regional police, a male Grade 9 student of the Ateneo de Zamboanga University (ADZU) Junior High School opened fire inside a classroom on Tuesday morning. The student reportedly used a Glock 22, caliber .40, issued by the Bureau of Customs (BOC), as well as a licensed personal pistol. The perpetrator was said to be livestreaming on Facebook using a body-worn camera, but the account was later deactivated by his father. BOC Commissioner Ariel Nepomuceno explained that the child obtained the firearms after it was left behind by his father in the car. The father, who was a district commander for the BOC Zamboanga Post, was later relieved from his post. Two fatalities were recorded: one was a 10th-grade student, while the other was the perpetrator himself. The police said he “turned the firearm on himself” before jumping from the fifth floor of their school building. *Straits Times* [reported](https://www.straitstimes.com/asia/se-asia/i-thought-it-was-just-another-drill-inside-the-zamboanga-school-shooting) that some students initially thought the shooting was just another drill, as ADZU had just conducted a safety drill following the [Tacloban](https://rollingstonephilippines.com/music/rock/kmfdm-band-shirt-tacloban-school-shooting-columbine/) incident. “We urge the public to refrain from sharing unverified info, photos, and videos as these will only bring further harm to those involved and may hinder the ongoing investigation of the incident,” ADZU said in a statement. Zamboanga City Mayor Khymer Adan Olaso declared Wednesday, August 19, as a day of mourning. This incident follows a list of at least [50](https://newsinfo.inquirer.net/2287968/pnp-logs-50-incidents-in-schools-involving-minors-since-june-16) school-related violence incidents, spanning from June to August, according to reports from the Philippine National Police (PNP). Included in the list were two separate school stabbings in Cavite on June 16 and 19; the school shooting in Tacloban City that killed three students and left 20 injured; more school stabbings in Negros Occidental on June 23, in Cavite on June 26, in Bacolod City on June 29, in Zamboanga City on July 1, and in Davao City on July 6. Investigations are ongoing across the Department of Interior and Local Government, the Philippine National Police, and the National Bureau of Investigation. The government has also sought stricter gun laws and stronger school policies. The Presidential Communication Office ([PCO](https://web.facebook.com/share/p/168LKk6YAsP/ "PCO")) and the Kapisanan ng mga Brodkaster ng Pilipinas ([KBP](https://web.facebook.com/share/p/14oWPShfURo/ "KBP")) have also appealed to the media to report on the incident with empathy and responsibility to avoid possible copycat acts. ## FREQUENTLY ASKED QUESTIONS ### What happened during the Zamboanga school shooting? A male Grade 9 student of the Ateneo de Zamboanga University (ADZU) Junior High School opened fire inside a classroom. ### How many fatalities were recorded in the Zamboanga incident? 2 children were killed. One was a Grade 10 student; the other was the perpetrator himself. ### What guns were used in the Zamboanga school shooting? A Glock 22, caliber .40, issued by the Bureau of Customs, and a licensed personal pistol. ### How did the child get the guns? The school shooter’s father, who was a district commander for the BOC Zamboanga Port, left the guns in his car, which gave the child access. ### How many school-related incidents have happened in the Philippines this year? According to the Philippine National Police, at least [50](https://newsinfo.inquirer.net/2287968/pnp-logs-50-incidents-in-schools-involving-minors-since-june-16) school-related violence incidents from June to August alone. Related Stories - [Why a Band T-Shirt Is Now at the Center of the Tacloban School Shooting](https://rollingstonephilippines.com/music/rock/kmfdm-band-shirt-tacloban-school-shooting-columbine/ "Why a Band T-Shirt Is Now at the Center of the Tacloban School Shooting") - [SONA 2026: Flood Control, Pax Silica, Education Crisis, and Other Issues PBBM Should Discuss](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/marcos-fifth-sona-2026-issues-to-address/ "SONA 2026: Flood Control, Pax Silica, Education Crisis, and Other Issues PBBM Should Discuss") - [Every Year, the Moro Gulf’s Warning Grows Quieter](https://rollingstonephilippines.com/editors-picks/opinion/moro-gulf-earthquake-50-year-anniversary/ "Every Year, the Moro Gulf’s Warning Grows Quieter") **Categories:** News, State of Affairs **Tags:** Ateneo de Zamboanga University, Zamboanga shooting --- ### [Yeng Constantino on the Hardest Lessons Behind Her Biggest Hits ](https://rollingstonephilippines.com/music/pop/yeng-constantino-hardest-lessons-biggest-hits/) **Published:** August 14, 2026 **Author:** Elijah Pareño **Excerpt:** The singer-songwriter looks back on learning the industry, finding confidence in her identity, and embracing collaborators who let her be herself **Content:** Pop singer-songwriter [Yeng Constantino](https://rollingstonephilippines.com/tag/yeng-constantino/ "Yeng Constantino") has defined a generation with hits such as “Ikaw,” “Chinito,” and “Jeepney Love Story.” Arguably her best-known song, “Hawak Kamay,” sounded entirely different the first time she performed it for the public. Before it became one of her biggest songs in 2006, Constantino had originally written it with a heavier, guitar-driven arrangement influenced by the emo and punk rock music she grew up listening to. She brought that version to the singing competition Pinoy Dream Academy, where she eventually won to become the “Grand Star Dreamer.” The song was later rearranged into the acoustic and mellow version that audiences came to know. “I had to open my heart na hindi lahat ng gusto mo masusunod, lalo na sa umpisa,” Constantino says in the latest episode of *Rolling Stone Philippines* *Greatest Hits*. “Even at that time, I felt like ‘Oh, ang hirap nito, pero sige kung ito ‘yung makakabuti and ito ‘yung kailangan for the show as background music sa mga eksena, sa reality TV show namin.’ I had to bend down.” The singing competition helped train her as a performer while also introducing her music to a much wider audience. One of her most surreal moments came when “Hawak Kamay” was announced as the No. 1 song on the radio. ## Finding Her Voice ![Yeng Constantino](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/RSYengConstantino0033.webp) By the time she reached her third album, *Lapit*, in 2009, Constantino felt more confident about making music that represented who she was at that point in her life. Photo by Kieran Punay The success of “Hawak Kamay” gave Constantino an audience that connected with her beyond *Pinoy Dream Academy*. During a promotional trip to Zamboanga, she met fans up close for the first time and was overwhelmed by how deeply they connected with her music and story. On the flight back to Manila, she wrote “Salamat” as a way of expressing her gratitude to the people who supported her. While she gained fans, that also came with criticisms she had to learn to navigate. “Noong nag-uumpisa ka, alam ko na bago ako eh. Kailangan kong makinig sa mga taong nasa paligid ko at kailangan kong makisama muna,” she says. “Hindi mo lang kasi kayang parang baliin ‘yung rule kung hindi mo muna alam ‘yung rules. I had to learn kung paano gumagana ‘yung industry.” By the time she released her third album, *Lapit*, in 2009, Constantino felt more confident about making music that represented who she was at that point in her life. She brought in [Raymund Marasigan](https://rollingstonephilippines.com/tag/raymond-marasigan/ "Raymond Marasigan") to produce the album, despite coming from different parts of the music scene. Constantino says Marasigan respected the songs she had already written and encouraged her to express herself further, especially on the song “Jeepney Love Story.” “Ano talaga ako — hindi ko pinipilit pero — jologs-core talaga ako. It is just who I am,” she says. “Kaya taga-Montalban, Rizal ako. ‘Yung mga pagkain na gusto ko, ‘yung fashion na gusto ko, the way I speak, the way I talk, mannerisms ko, ganun talaga ako. Pero \[Marasigan\] made me feel na parang ‘Okay ka, approve ka sa akin.’ I felt so accepted and seen. Nawala ‘yung fear ko.” Constantino continues to look back at those hit songs with a mixture of pride and disbelief. What started as a singing competition entry eventually became the beginning of a career where she could gradually learn the rules, work with artists outside her usual world, and eventually make music more closely connected to who she had become. “Ang fulfilling as an interpreter na pwede pala ’yun na kaya magpasikat ng kanta na hindi ko sinulat,” she says. “Siyempre ‘yung mga pangmalakasan sa interpretation na katulad nila Eric Santos, Angeline Quinto, Sarah Geronimo. Para magawa ko rin ‘yun, nakakatuwa at nakaka-proud din sa akin.” ## Frequently Asked Questions ### What competition did Yeng Constantino join and won? Yeng Constantino joined the first season of *Pinoy Dream Academy* in 2006. She won the competition and became its first Grand Star Dreamer. ### What are Yeng Constantino’s biggest hits? Some of Constantino’s biggest hits include “Hawak Kamay,” “Salamat,” “Jeepney Love Story,” “Lapit,” “Chinito,” and “Cool Off.” ### Who produced Yeng Constantino’s “Jeepney Love Story”? “Jeepney Love Story” was produced by Raymond Marasigan, who also produced Constantino’s *Lapit* album ### Who was Yeng Constantino’s co-star in the “Chinito” music video? Filipino actor Enchong Dee played Constantino’s love interest in the “Chinito” music video. ### What is the story behind “Chinito”? “Chinito” was originally written by Constantino’s friend Jed Dumawal, who wrote the song as “Chinita” and initially intended it for Shan Cai of F4’s *Meteor Garden*. Related Stories - [5 RA Rivera Music Videos That Are Time Capsules of 2000s OPM](https://rollingstonephilippines.com/editors-picks/lists/ra-rivera-music-videos-2000s/ "5 RA Rivera Music Videos That Are Time Capsules of 2000s OPM") - [10 Albums from 2016 That Aged Better Than Anyone Expected](https://rollingstonephilippines.com/music/2016-albums-retrospective/ "10 Albums from 2016 That Aged Better Than Anyone Expected") - [Musician Ahmad Tanji on the Charm of Filipino Indie Pop](https://rollingstonephilippines.com/music/musician-ahmad-tanji-on-the-charm-of-filipino-indie-pop/ "Musician Ahmad Tanji on the Charm of Filipino Indie Pop") **Categories:** Music, Pop **Tags:** Yeng Constantino --- ### [How KATSEYE Can Bounce Back After Member Hiatus and ‘WILD’ Backlash](https://rollingstonephilippines.com/music/pop/katseye-bounce-back-member-hiatus-wild-backlash/) **Published:** August 19, 2026 **Author:** Pie Gonzaga **Excerpt:** On top of half the group taking a break, the group now also faces criticism for a “hollow” third EP that just doesn’t feel authentic to the girls. What happened and, more importantly, can it be fixed? **Content:** It’s been a rough couple of months for global girl group [KATSEYE](https://rollingstonephilippines.com/tag/katseye/ "Katseye"), so much so that we have to ask: is everything okay? For one thing, the KATSEYE girls are dropping like flies. On Monday, August 17, fans noticed that member Megan Skiendiel was missing from a fan signing event promoting their third EP, *WILD*. Only half of the six-piece was present: Lara Raj, Daniela Avanzini, and Yoonchae. That same day, Skiendiel told fans on Weverse that she was “feeling a bit under the weather” and took the day off. This comes just after the release of *WILD* on Friday, August 14, which was launched with the music video for the track “Hootie Frutti” and a debut live performance of the song on NBC’s *Today Show*. Skiendiel performed with Raj, Avanzini, and Yoonchae, but members [Sophia Laforteza](https://rollingstonephilippines.com/tag/sophia-laforteza/ "Sophia Laforteza") and [Manon Bannerman](https://rollingstonephilippines.com/tag/manon-bannerman/ "Manon Bannerman") were notably absent. The week before then, Laforteza said that she was [taking a temporary break](https://rollingstonephilippines.com/music/katseye-sophia-taking-a-break-music-industry/ "KATSEYE’s Sophia Is Taking a Break. Maybe the Industry Should, Too") from promotional activities. “I’m realizing that if I don’t take care of my mind and body now, I won’t be able to keep doing what I love the most for so long,” she said in a statement. In February, [HYBE](https://rollingstonephilippines.com/tag/hybe/ "HYBE") x Geffen, the joint venture managing KATSEYE, announced that Bannerman was on a “[temporary hiatus](https://rollingstonephilippines.com/music/pop/katseye-manon-hybe-girl-group-exits/ "KATSEYE’s Manon Isn’t The First to Leave a HYBE Girl Group")” to focus on her health and well-being. But by then, some fans had already suspected that the Swiss singer would permanently leave the group, noting her history of absences from rehearsals and training sessions on the survival show *Pop Star Academy*. ## Why Critics Are Calling ‘WILD’ KATSEYE’s Weakest Release Consequently, Bannerman wasn’t present for the recording and release of the critically panned *WILD*. But maybe it’s for the better. *[Pitchfork](https://pitchfork.com/reviews/albums/katseye-wild-ep/)* points out that, though the girls insist in interviews that they’re getting closer to their truer selves, the tracks on the EP are all jacked from other references, whether it’s [Charli XCX’s “Bel Air” demo](https://youtu.be/IsHOPnR_LGI?si=JTDLyH44PeZeTJzf) or Brazilian phonk, and waters them down. “These songs have a beautiful hollowness that comes from making music about things that could’ve been performed by anyone else and mean nothing to you,” writes *Pitchfork* critic Kieran Press-Reynolds. *[NME](https://www.nme.com/reviews/album/katseye-wild-ep-review-3962561)*’s Rhian Daly also says, “It feels like the EP overcorrects for venturing into territory that might be divisive by driving back into sounds that are incredibly safe,” pointing to the [Ed Sheeran](https://rollingstonephilippines.com/tag/ed-sheeran/ "Ed Sheeran")-written “Animal” (which, to me, sounds too much like Fifth Harmony’s “I’m in Love with A Monster,” from the *Hotel Transylvania* soundtrack). ![katseye today show daniela, megan, lara, yoonchae](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/katseye-hootie-frutti-today-show.webp) Members Daniela, Megan, Lara, and Yoonchae perform on NBC’s *Today Show*. Photo from KATSEYE/Instagram Fans are particularly divided over the release of “Hootie Frutti,” a bass-heavy track with a really thick and nasty Brazilian phonk beat that tries to distract you from worse parts of the song, like the incomprehensible accent and lyrics about matcha, $20 smoothies in L.A., and the titular hootie frutti (which, I gather, is supposed to be safe-for-work sexual innuendo). 2025’s “Gnarly” was similarly divisive, but to KATSEYE’s credit, it was easy to pick up on the tongue-in-cheek songwriting through the post-hyperpop production and nonsense lyrics. But it looks like HYBE x Geffen’s takeaway from the track’s success was to release more music that takes from emerging electronic sounds and more nonsense, sans the irony and interiority. As Press-Reynolds says, “Is this their raw, authentic selves?” ## Growing Pains, Not a Group in Crisis KATSEYE has enjoyed a meteoric rise since their 2024 debut, their latest feat being their [first-ever Coachella set](https://rollingstonephilippines.com/music/pop/katseye-coachella-2026-highs-lows/) in April. But with it, they endure growing pains that HYBE x Geffen and the larger idol machine don’t allow them to sit with and understand. These girls, in their late teens, had their excruciating journey to stardom broadcast on streaming and were thrust onto the global stage, in front of loving and scrutinizing audiences alike, long before they even became KATSEYE. As young women, they’ve had to let the adults around them decide everything for them, from creative direction to their sound. But all these perceived career missteps and controversy read to me like they’re just figuring things out. It’s more helpful to see KATSEYE as an emergent girl group deep in the throes of an early pop career, unsure of itself but learning, than a group that’s already made it and is en route to disbandment (as some fans have catastrophized). Most of the women are in their early 20s, and Yoonchae just turned 18. I think some grace can be afforded by both the management and the audience. ## Frequently Asked Questions ### How many members are in KATSEYE? KATSEYE officially has six members: Daniela, Lara, Megan, Yoonchae, Manon, and Sophia. ### Which KATSEYE members are taking a break? On February 20, 2026, HYBE x Geffen announced that Manon Bannerman was on a “temporary hiatus” from KATSEYE activities to focus on her health and well-being. On August 7, 2026, Sophia Laforteza also said she was taking a break for similar reasons. Megan Skiendiel also took a day off from promotional activities on August 17, 2026. ### How many EPs does KATSEYE have? KATSEYE has three EPs: *SIS* (2024), *BEAUTIFUL CHAOS* (2025), and *WILD* (2026). ### What songs are in *WILD* by KATSEYE? The *WILD* tracklist includes “PINKY UP,” “Animal,” “Hootie Frutti,” “Bel Air,” and “That Way.” ### When will Sophia and Manon return to KATSEYE? Neither the KATSEYE members nor HYBE x Geffen have given set dates for the return of Sophia Laforteza and Manon Bannerman. Related Stories - [KATSEYE’s Coachella Debut Had Big Highs and Some Awkward Lows](https://rollingstonephilippines.com/music/pop/katseye-coachella-2026-highs-lows/ "KATSEYE’s Coachella Debut Had Big Highs and Some Awkward Lows") - [KATSEYE’s Sophia Is Taking a Break. Maybe the Industry Should, Too](https://rollingstonephilippines.com/music/katseye-sophia-taking-a-break-music-industry/ "KATSEYE’s Sophia Is Taking a Break. Maybe the Industry Should, Too") - [KATSEYE’s Manon Isn’t The First to Leave a HYBE Girl Group](https://rollingstonephilippines.com/music/pop/katseye-manon-hybe-girl-group-exits/ "KATSEYE’s Manon Isn’t The First to Leave a HYBE Girl Group") **Categories:** Music, Pop **Tags:** HYBE, Katseye --- ### [Madonna and Taylor Swift Are the Pop Icons Leading the Nominees for the 2026 MTV VMAs](https://rollingstonephilippines.com/music/pop/2026-mtv-vmas-nominees-full-list-taylor-swift-madonna/) **Published:** August 19, 2026 **Author:** Jon Blistein **Excerpt:** Both artists will compete for Video of the Year and Artist of the Year at this year’s show **Content:** [Madonna](https://rollingstonephilippines.com/tag/madonna/ "Madonna") and [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/ "Taylor Swift") will go toe to toe at the 2026 [MTV Video Music Awards](https://rollingstonephilippines.com/tag/mtv-video-music-awards/ "MTV Video Music Awards"), with the two pop icons picking up the most nominations this year. Madonna led all nominees with 11, thanks largely to the [short film she made](https://www.rollingstone.com/music/music-news/madonna-confessions-ii-tribeca-film-fest-report-1235572670/) for her celebrated new album, *[Confessions II](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/ "Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’")*. The visual is up for Video of the Year, as well as a host of creative categories like Best Direction, Cinematography, and Choreography. It also anchors the returning Best Dance category, which was given out regularly for decades starting in 1989, but hasn’t been awarded since 2019. Madonna and [Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter")’s *Confessions II* track, [“Bring Your Love”](https://www.rollingstone.com/music/music-news/madonna-bring-your-love-video-sabrina-carpenter-1235577750/) also picked up nods for Song of the Year and Best Collaboration, while Madonna is up for Artist of the Year, too. Swift, meanwhile, earned nine nominations. She, too, is up for Artist of the Year, while the video for her *[The Life of a Showgirl](https://rollingstonephilippines.com/tag/the-life-of-a-showgirl/ "The Life of a Showgirl")* hit, [“The Fate of Ophelia”](https://www.rollingstone.com/music/music-news/taylor-swift-the-fate-of-ophelia-video-1235441075/) is nominated for Video of the Year, Best Pop, and numerous creative prizes. The visual for Swift’s other big *Showgirl* hit [“Opalite,”](https://www.rollingstone.com/music/music-news/taylor-swift-opalite-music-video-1235511440/) also scored a lone nod for Best Direction. For Video of the Year, the *Confessions II* short film and “The Fate of Ophelia” will compete against [Ariana Grande](https://rollingstonephilippines.com/tag/ariana-grande/ "Ariana Grande")’s “Hate That I Made You Love Me,” [Bruno Mars](https://rollingstonephilippines.com/tag/bruno-mars/ "Bruno Mars")’ “I Just Might,” Gener8ion and Yung Lean’s “Storm,” and Carpenter’s “Tears.” As for the VMAs’ other big categories, Artist of the Year will find Madonna and Swift competing against Grande, Mars, Carpenter, and Morgan Wallen. And in Song of the Year, Madonna and Carpenter’s “Bring Your Love” will go up against [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS")’ “Swim,” Ella Langley’s “Choosin’ Texas,” [Huntr/x](https://rollingstonephilippines.com/culture/film/kpop-demon-hunters-first-oscar-2026/ "‘KPop Demon Hunters’ Wins Its First Oscar")’s “Golden,” [Olivia Dean](https://rollingstonephilippines.com/tag/olivia-dean/ "Olivia Dean")’s “Man I Need,” [PinkPantheress](https://rollingstonephilippines.com/tag/pinkpantheress/ "PinkPantheress") and [Zara Larsson](https://rollingstonephilippines.com/tag/zara-larsson/ "Zara Larsson")’s “Stateside” remix, and Raye’s “Where Is My Husband!” Lastly, the VMAs’ Best New Artist category will feature newcomers Bella Kay, Cortis, Magnus Ferrell, Malcolm Todd, Myles Smith, Sienna Spiro, and Stella Lefty. Fan voting for all 13 VMA categories is [open now](https://vote.mtv.com/) and will close Sept. 25 at 6 p.m. ET, though voting for Best New Artist will continue into the show itself. The VMAs will broadcast live from Los Angeles on Sept. 7, airing simultaneously on CBS, MTV, and Paramount+. **Video of the Year** Ariana Grande — “hate that i made you love me” Bruno Mars — “I Just Might” Gener8ion — “STORM starring Yung Lean” Madonna — “*Confessions II* — The Film” Sabrina Carpenter — “Tears” Taylor Swift — “The Fate of Ophelia” **Artist of the Year** Ariana Grande Bruno Mars Madonna Morgan Wallen Sabrina Carpenter Taylor Swift **Song of the Year** BTS — “Swim” Ella Langley — “Choosin’ Texas” HUNTR/X: EJAE, Audrey Nuna, REI AMI — “Golden” Madonna & Sabrina Carpenter — “Bring Your Love” Olivia Dean — “Man I Need” PinkPantheress — “Stateside + Zara Larsson” RAYE — “WHERE IS MY HUSBAND!” **Best New Artist** Bella Kay CORTIS Magnus Ferrell Malcolm Todd Myles Smith Sienna Spiro Stella Lefty **Best Collaboration** Clipse, Kendrick Lamar, Pusha T, Malice — “Chains & Whips” French Montana x Max B — “Ever Since U Left Me” Madonna & Sabrina Carpenter — “Bring Your Love” PinkPantheress — “Stateside + Zara Larsson” Shakira & Burna Boy — “Dai Dai” Teyana Taylor & Lucky Daye — “Hard Part” **Best Pop** Ariana Grande — “hate that i made you love me” Charli XCX — “SS26” LISA — “Dream feat. Kentaro Sakaguchi” Olivia Rodrigo — “drop dead” Sabrina Carpenter — “House Tour” Tate McRae — “Nobody’s Girl” Taylor Swift — “The Fate of Ophelia” **Best Hip-Hop** Cardi B ft. Kehlani — “Safe” Don Toliver — “E85” Drake — “Janice STFU” Megan Thee Stallion — “LOVER GIRL” Travis Scott — “DUMBO” Tyler, The Creator — “SUGAR ON MY TONGUE” **Best R&B** Bruno Mars — “I Just Might” Chris Brown — “It Depends/Obvious” Dave & Tems — “Raindance” Justin Bieber — “YUKON” Kehlani — “Folded” Mariah the Scientist & Kali Uchis — “Is It a Crime” **Best Alternative** Geese — “Taxes” mgk & Fred Durst — “FIX UR FACE” Noah Kahan — “The Great Divide” Olivia Rodrigo — “the cure SOMBR — “Homewrecker” Tame Impala — “Dracula” twenty one pilots — “Drag Path” **Best Dance** Bebe Rexha & Faithless — “New Religion” Harry Styles — “Aperture” Lady Gaga & Doechii — “RUNAWAY” Madonna — “*Confessions II* — The Film” PinkPantheress — “Stateside + Zara Larsson” Slayyyter — “DANCE …” Tate McRae — “Nobody’s Girl” **Best Latin** Anitta with Shakira — “Choka Choka” Bad Bunny — “NUEVAYoL” Fuerza Regida — “TU SANCHO” KAROL G — “Papasito” Rosalía ft. Yahritza y Su Esencia — “La Perla” Ryan Castro, Kapo & GANGSTA — “LA VILLA” Shakira & Burna Boy — “Dai Dai” **Best K-Pop** BLACKPINK — “JUMP” BTS — “SWIM” CORTIS — “REDRED” KATSEYE — “PINKY UP” LE SSERAFIM (feat. j-hope of BTS) — “SPAGHETTI” LISA — “Dream feat. Kentaro Sakaguchi” **Best Country** Ella Langley — “Choosin’ Texas” Kacey Musgraves — “Dry Spell” Lainey Wilson — “Somewhere Over Laredo” Luke Combs — “Back in the Saddle” Shaboozey — “Cowgirl” Stella Lefty — “Boston” Tucker Wetmore — “Brunette” **Best Direction** Ariana Grande — “hate that i made you love me” Bruno Mars — “I Just Might” GENER8ION — “STORM starring Yung Lean” Madonna — “*Confessions II* — The Film” Sabrina Carpenter — “House Tour” Taylor Swift — “Opalite” **Best Art Direction** Charli XCX — “SS26” Lady Gaga & Doechii — “RUNAWAY” Madonna — “*Confessions II* — The Film” PinkPantheress — “Stateside + Zara Larsson” SOMBR — “My Body Isn’t Ready” Taylor Swift — “The Fate of Ophelia” **Best Cinematography** A$AP Rocky — “PUNK ROCKY” Ariana Grande — “hate that i made you love me” LISA — “Dream feat. Kentaro Sakaguchi” Madonna — “*Confessions II* — The Film” Shaboozey — “Cowgirl” Taylor Swift — “The Fate of Ophelia” **Best Editing** Ariana Grande — “hate that i made you love me” Bruno Mars — “I Just Might” LISA — “Dream feat. Kentaro Sakaguchi” Madonna — “*Confessions II* — The Film” Sabrina Carpenter — “House Tour” Taylor Swift — “The Fate of Ophelia” **Best Choreography** GENER8ION — “STORM starring Yung Lean” Harry Styles — “Dance No More” KATSEYE — “PINKY UP” Madonna — “*Confessions II* — The Film” Tate McRae — “Nobody’s Girl” Taylor Swift — “The Fate of Ophelia” **Best Visual Effects** Ariana Grande — “hate that i made you love me” JISOO X ZAYN — “Eyes Closed” Madonna — “*Confessions II* — The Film” PinkPantheress — “Stateside + Zara Larsson” RAYE ft. Hans Zimmer — “Click Clack Symphony.” Taylor Swift — “The Fate of Ophelia” *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-news/2026-mtv-vmas-nominees-full-list-taylor-swift-madonna-1235610787/).* Related Stories - [Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/ "Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’") - [There’s No Ariana Grande Like Pissed-Off Ariana Grande. Her New Album Proves It](https://rollingstonephilippines.com/music/music-reviews/ariana-grande-petal-album-review/ "There’s No Ariana Grande Like Pissed-Off Ariana Grande. Her New Album Proves It") - [How Bad are the Lyrics on Taylor Swift’s ‘The Life of a Showgirl’?](https://rollingstonephilippines.com/music/pop/taylor-swift-life-of-a-showgirl-lyrics/ "How Bad are the Lyrics on Taylor Swift’s ‘The Life of a Showgirl’?") **Categories:** Music, Pop **Tags:** Madonna, MTV Video Music Awards, Taylor Swift --- ### [P-Lo Spent Years Producing Hip-Hop’s Biggest Hits. Now He Wants His Own](https://rollingstonephilippines.com/music/hiphop-rnb/p-lo-producing-hip-hop-hits-own-music/) **Published:** August 18, 2026 **Author:** Elijah Pareño **Excerpt:** The multi-hyphenate hitmaker breaks down his latest album, producing for Drake, and how he finally found his own voice as a solo artist **Content:** In the Bay Area, there lies a rich history of Filipino-American rappers and R&B artists fostered by the culture surrounding their hometowns, from rapper Ruby Ibarra, singer-songwriter H.E.R., and hip-hop artist and producer P-Lo. Born Paulo Rodriguez, P-Lo has been in the game for more than a decade. Since 2008, he has been one of the core members of legendary Bay Area hip-hop group HBK Gang alongside Iamsu!, Sage the Gemini, [Kehlani](https://rollingstonephilippines.com/tag/kehlani/ "Kehlani"), just to name a few. In 2012, P-Lo ventured into becoming a solo artist, releasing mixtapes online and several singles and albums over the years. As a producer, P-Lo has made notable tracks for high-profile artists like Wiz Khalifa’s “Bout Me” and Yo Gotti’s “Act Right.” He has become a central figure in the post-hyphy sound in the California hip-hop scene with his full-length favorites such as his 2017 debut *More Than Anything*, 2018’s *PRIME*, and 2022’s *STUNNA*. In time for the release of his latest album *OUT OF THE BOX*, P-Lo spoke to *Rolling Stone Philippines* about his growth in the Bay Area, the lessons he learned from producing for multiple artists, making beats for [Drake’s *ICEMAN*](https://rollingstonephilippines.com/music/music-reviews/drake-iceman-album-highs-and-lows/ "Drake’s ‘ICEMAN’ Album: Record‑Breaking Highs and Messy Lows"), and what he hopes to become as a Filipino artist in the American hip-hop space. **The Bay Area has always had a distinct hip-hop identity and Fil-Ams have played a huge role contributing to it. Growing up in that environment, when did you realize that you were part of a much bigger cultural lineage?** Growing up in the Bay, there was such a rich history of Filipino-Americans making hip-hop and R&B, whether it was the Invisibl Skratch Picklz and their contributions to hip-hop. And then all the Pinoy, Pinay R&B groups that were in the late 1990s into the early 2000s. And just to be another iteration of that in another space, man, it really gave me a perspective of “Oh, this is something bigger than just myself.” And I realized a responsibility that I had to inspire the next generation to do the same and chase their dreams. **I’d like to think that you and HBK Gang were definitely pushing things forward, especially during the mid-2010s in the Bay Area. What was the most valuable lesson you learned from being in a collective or group of creatives like HBK?** I learned to just trust myself in my own creative choices, like being inspired by my friends and the people that I was with at the time. Just learning to trust myself and just really going for it. I’ve seen someone like Iamsu! come up and reach the top. I’ve seen someone like Sage The Gemini come from nothing and reach the top. I’ve seen someone like Kehlani come up from nothing. To reach the top, and just for them to always put themselves out there, and they put the work in to go for it. That was something that I always took. I was just like, “Man, you can just go for it, and you can do what you got to do.” **Were there moments where you felt overlooked, or did the Bay Area create a space where the Filipino-American was embraced from the very beginning?** I think the Bay Area always offered that just because we have such a large population of Filipinos in the Bay. Everybody in the Bay probably had a Filipino friend. If you grew up listening to hip-hop or whatever, you probably had a Filipino friend growing up. Something I felt was always special about the Bay is that it always offered that space. And I feel like the Bay Area always just embraced new ideas. And I think being just a Filipino rapper, on the outside looking in, it is a new idea to the spirit of music. Somewhere in the Bay is where new things come from and new ideas come from. So, like, “Why couldn’t it be me?” That’s kind of what I always thought about. **When you’ve spent more than a decade building this reputation of both a producer and a rapper, did you need to separate two roles: one for rapping and the other for producing? And was there a possibility to balance both as time went on?** Over time, it became more natural. I feel like when I first really came into the game, my first entry point was producing. I was able to get a lot more notoriety early on from producing. Just because I felt like I hadn’t necessarily found my voice yet and what I wanted to put out into the world. But I was always writing down raps and writing songs. I just knew at some point I wanted to be able to just do it all. **There’s a careful selection of collaborators in each of your albums. For instance, in 2017 for *More Than Anything*, there’s G-Eazy, Cool John, and you had Bay Area legend E-40. What is your process of picking a collaborator for a specific album?** I’m thinking of it from a producer standpoint. I’ll always attack a song from a producer standpoint first. For instance, Kreayshawn and the texture of her voice on the song “DUMBLR,” I really like her voice. Her voice is an instrument on that song. So, just figuring out what different textures I could add to each song to give them their own unique flavor is something that I was hella intentional on this project. I feel like I was more intentional on this project than any other project. ![P-Lo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/P-LO.webp) Photo by Bryan Berry **You recently joined the list of producers on Drake’s *Iceman*, specifically the track “2 Hard 4 The Radio.” How did that collaboration come together?** I had my homie Karri with me the entire time. He really is the one who helped put the records together he was working on. He’s signed to Chubbs’ label. So, you know, he works with Drake, and Chubbs works with Drake closely. And Drake had brought Karri in to work on some other stuff. He was like, “Yo, I’m trying to do something. I want to do a Bay record. Could you get some beats from P-Lo? Could we help put something together?” That’s pretty much how everything came, or at least the opportunity came from there. We were just sending hella beats over. And then nothing really stuck. And I was driving from L.A. to the Bay, and that’s like a six-hour drive. And I’m just driving, and I get a text like, “Hey, Drake really likes this sample. Could you throw some drums on it?” So I really had to, like, pull the car over. Me and my friends switched seats, and I was like, “Yo, bro, I got to make this beat right now.” I feel like it was something that spoke to me. I was like, “Yo, if you don’t do this right now, it’s not going to happen. You got to do it right now.” So shout out to Karri, shout out to Ben10k, shout out to OZ, shout out to all the guys that helped put it together. **What can you tell younger Filipino-American musicians about their music and their history?** In general, it is always trying to find something unique that is true to you, something that only you could do. That’s something that I always encourage people to look for. Find something that’s innately like you and whatever, and everything’s different for everyone. But also I think just finding something special, whether that’s style of music, some type of effects or trying to find something that’s unique, and trusting that if you’re doing something different, it’s good. It’s okay to be different, you know? ## Frequently Asked Questions ### What is the title of P-Lo’s latest album? P-Lo’s latest album is titled *OUT OF THE BOX*. It was released on August 14, 2026. ### What track in Drake’s *ICEMAN* did P-Lo produce? P-Lo has produced the track “2 Hard 4 The Radio” on Drake’s *Iceman* ### What Bay Area hip-hop group was P-Lo part of? P-Lo was a core member of the legendary Bay Area hip-hop collective HBK Gang. ### What are some songs P-Lo has produced for other artists? P-Lo has produced for high-profile tracks including Wiz Khalifa’s “Bout Me” and Yo Gotti’s “Act Right.” ### What are P-Lo’s solo albums? P-Lo’s solo albums include *More Than Anything* (2017), *PRIME* (2018), and *STUNNA* (2022), among others. Related Stories - [Anygma on Hip-hop and the Perception of the Underground Going Mainstream](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/anygma-fliptop-battle-league/ "Anygma on Hip-hop and the Perception of the Underground Going Mainstream") - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") - [5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades](https://rollingstonephilippines.com/music/5-filipino-hip-hop-subgenres/ "5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades") **Categories:** Hip-hop/R&B, Music **Tags:** P-Lo --- ### [Is ‘Industry’ Season 5 Going for Goop? Its New Stars Clue Us In](https://rollingstonephilippines.com/culture/tv/industry-season-5-cast-dianna-agron/) **Published:** August 18, 2026 **Author:** Pie Gonzaga **Excerpt:** Glee’s Dianna Agron and Girls’ Zosia Mamet are set to play wellness tech executives in the financial drama’s final season **Content:** Hit financial thriller *[Industry](https://rollingstonephilippines.com/tag/industry-hbo/ "Industry HBO")* has cast [Dianna Agron](https://rollingstonephilippines.com/tag/dianna-agron/ "Dianna Agron") for its fifth and final season, joining [Zosia Mamet](https://rollingstonephilippines.com/tag/zosia-mamet/ "Zosia Mamet") as executives of a wellness tech company. [HBO](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max") loves to revive an icon to play a crazy, rich person in every new season of *Industry*. In Season 3, the show introduced us to the mopey, troubled aristocrat Henry Muck, played by a post-*Game of Thrones* [Kit Harington](https://rollingstonephilippines.com/tag/kit-harington/ "Kit Harington"). [Max Minghella](https://rollingstonephilippines.com/tag/max-minghella/ "Max Minghella"), known for *The Social Network* and *The Handmaid’s Tale*, also joined *Industry* in the fourth season to play a shady but enigmatic CFO. We can expect Agron and Mamet’s roles as girlbosses Skip Binsky and Carmen Dame to be just as memorable as Quinn Fabray in *Glee* and Shoshanna Shapiro in *Girls*, respectively. Other notable newcomers include Cary Elwes (*The Princess Bride*, *The Marvelous Mrs. Maisel*), Sam Riley (*Control*, *Pride and Prejudice and Zombies*), and Jessica Brown Findlay (*Downton Abbey*, *Silo*). The new characters also hint at what Season 5 could be about. Elements from past seasons have mirrored real-life events, such as Tender’s corporate fraud plot mirroring the Wirecard scandal (which reached the [Philippines](https://newsinfo.inquirer.net/1649403/bank-exec-charged-but-austrian-others-cleared-in-wirecard-fraud)) and Yasmin Kara-Hanani’s ([Marisa Abela](https://rollingstonephilippines.com/tag/marisa-abela/ "Marisa Abela")) unfortunate “[Ghislaine Maxwell arc](https://rollingstonephilippines.com/culture/tv/industry-season-4-episode-8-finale/ "‘Industry’ Season 4 Finale: Yasmin Finds Success in the Alt-Right")” in Season 4. With Agron and Mamet playing executives of a wellness tech company, *Industry* might dive deeper into the varying (or twisted) notions of female empowerment that Season 4 touched on. There’s also a lot of material to work with when it comes to satirizing the wellness industry, from Jessica Alba’s The Honest Company to the controversy-riddled lifestyle brand, Goop. Gwyneth Paltrow should watch her back, because Agron definitely has it in her to play a blonde, out-of-touch health nut. *Industry* Season 5 is currently in production in the U.K. HBO and the BBC have not yet announced a release date for the show. ## Frequently Asked Questions ### Who are the new cast members for *Industry* Season 5? Dianna Agron, Zosia Mamet, Cary Elwes, Sam Riley, Jessica Brown Findlay, Luke Manley, Bally Gill, and Eduard Poliakov will be in *Industry* Season 5. ### Will Season 5 be the last season of *Industry*? HBO announced in February 2026 that *Industry* was renewed for a fifth and final season, though no release date has been given. ### What is *Industry* about? *Industry* follows a group of young graduates who join the fictional investment bank Pierpoint & Co., as they progress through the company ranks and navigate London’s cutthroat banking sector. Over four seasons, the show’s scope has also expanded into politics and other industries. At the center of its story is the mercurial frenemy dynamic between Harper Stern (Myha’la) and Yasmin Kara-Hanani (Marisa Abela), who come from different backgrounds and boast different skills but are equally ambitious. ### Who wrote and directed *Industry*? *Industry* has seen a variety of directors lead each episode, including Tinge Krishnan, Ed Lilly, Mary Nighy, Birgitte Stærmose, Isabella Eklöf, Caleb Femi, Zoé Wittock, Michelle Savill, and Luke Snelling. *Girls* creator and Zosia Mamet’s co-star, Lena Dunham, directed the pilot episode that aired in December 2020. Writers Mickey Down and Conrad Kay, who are former investment bankers, have also co-directed some episodes. ### Where can I watch *Industry*? *Industry* is available to stream on HBO Max and BBC iPlayer. The show also airs on BBC One. Related Stories - [‘Industry,’ The Best Show on Streaming, is Back. 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What Can We Expect?") - [‘Industry’ Season 4, Episode 1: Are We Post-Woke?](https://rollingstonephilippines.com/culture/tv/industry-hbo-season-4-episode-1/ "‘Industry’ Season 4, Episode 1: Are We Post-Woke?") - [‘Industry’ Season 4 Finale: Yasmin Finds Success in the Alt-Right](https://rollingstonephilippines.com/culture/tv/industry-season-4-episode-8-finale/ "‘Industry’ Season 4 Finale: Yasmin Finds Success in the Alt-Right") **Categories:** Culture, TV **Tags:** Dianna Agron, HBO Max, Industry HBO, Zosia Mamet --- ### [BINI Mikha Lim Speaks Out on Pax Silica](https://rollingstonephilippines.com/state-of-affairs/bini-mikha-lim-questions-pax-silica-hub/) **Published:** August 18, 2026 **Author:** Reyza Ferranco **Content:** It was only a matter of time before the [Pax Silica](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/what-everyone-needs-to-know-pax-silica/) debate made its way into more corners of society. [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI") member Mikha Lim is among the latest Filipinos with a big platform to weigh in, sharing her concerns and raising questions about the impact of the U.S.-led AI industrial hub on the Philippines. In a Weverse livestream on August 15, the artist addressed the project and questioned whether its promised economic benefits would outweigh the potential costs to the country’s natural resources and communities. The AI hub is expected to rely mostly on the country’s semiconductors and other “untapped” materials for electrical components. “Is it worth it losing the minerals that make the Philippines, the Philippines? Tataas ‘yung cost of living, so what’s the difference? Bibigyan ng jobs, pero tataas ‘yung cost of living. How does that help with the poverty?” she said. Lim also zeroed in on the project’s demand for water and mentioned the need to support Filipino farmers. Water that would be used for the industrial development is also water needed by farms and communities. “Nakita niyo ba ‘yung tubig sa U.S.? Ang dumi na. Imagine, that’s happening in a very big country. What more in our country?” Lim said. “The amount of clean water they need is also enormous. Support the farmers, guys. Jusko! We would not survive without them,” she added. Lim further urged everyone to use their voices to discuss what matters and what is currently happening. Videos of her speaking up have since made the rounds online, both within the Blooms fanbase and reaching audiences beyond it, earning split reactions. Pax Silica, after all, is not simply a conversation about semiconductors, artificial intelligence, or the Philippines’ place in a rapidly changing global economy. It is also about the land, minerals, water, energy, jobs, and who ultimately gets to benefit from the country’s resources, which is why the government should not confine discussions about the hub to itself alone. Lim’s comments prove that we are all part of this issue and why it’s important to speak up. Celebrities and artists do not need to be policy experts to ask questions, demand transparency, or encourage their audiences to pay attention. Their role is not to provide the definitive answer, but to make sure more people know they can also add to the discussion. ## FREQUENTLY ASKED QUESTIONS ### Who is Mikha Lim and what did she say about Pax Silica? Mikha Lim, a BINI member, questioned Pax Silica in an August 15 Weverse livestream, asking if its jobs and growth outweigh lost minerals and higher living costs. ### What is Pax Silica? Pax Silica is a U.S.-led AI industrial hub proposed for the Philippines, drawing debate over its impact on minerals, water, and local communities. ### Why did Mikha Lim raise concerns about water use in the Pax Silica project? Lim warned that the hub’s heavy water demand competes with farmers and communities, urging the public to support Filipino agriculture. ### How did fans and the public react to Mikha Lim’s Pax Silica comments? Clips of Lim’s remarks spread widely, drawing split reactions from the Blooms fanbase and audiences beyond it. 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For many Filipinos, getting back on one’s feet may mean finding money one simply doesn’t have, and when you have the least room to absorb another financial hit, recovery can be very expensive. Government loans serve as an option for those in need of financial support. Social institutions such as **GSIS** for government employees and public sector workers and **SSS** and **Pag-IBIG** for private sector and self-employed workers, offer emergency or calamity loan programs for qualified members, providing access to funds that can help cover urgent expenses during difficult times. But while it is technically help, it is also debt. On Facebook, Filipinos share their frustration and joke about having to choose between “malunod sa baha” or “malunod sa utang.” So what do these government loans provide, and are they enough? Here’s what you need to know about emergency and calamity loans — including how to apply, who qualifies, how much you can borrow, and what taking on the debt could mean in the long run. ## **EMERGENCY VS CALAMITY LOANS: WHAT’S THE DIFFERENCE?** A calamity loan is intended to help members in an area declared under a state of calamity recover from a disaster, while an emergency loan can cover the same but also factors in other urgent personal needs or medical emergencies. Emergency loans are usually available under a specified, announced coverage. Always check the specific eligibility requirements before applying. ## **GSIS** Emergency Loan To qualify for [GSIS](https://www.gsis.gov.ph/emergency-assistance-loan/ "GSIS")’ emergency loans, active members must: **1.** reside or be an employee of a government office within the declared calamity area; **2.** be in active service and not on leave of absence without pay, **3.** have no pending administrative or criminal case, **4.** have paid premiums within the last six months before application, and **5.** maintain a net take-home pay of at least P5,000 after loan deductions, as required under the General Appropriations Act. Members and pensioners with existing emergency loans may borrow up to P40,000. Part of the new loan will first pay off any of their remaining balance, while the rest will be given to the borrower. Meanwhile, a member without existing emergency loans may avail of up to P20,000. They may apply through eGSISMO, email, or via GWAPS Kiosk. Members applying through [eGSISMO](https://gsismo.e.gov.ph/ "eGSISMO") may log in using their BP number and password, select the Loans Application icon, and choose Emergency Loan and the appropriate loan type (new or renewal). Upload a photo of themself holding their UMID or Temporary Card, or two valid government-issued IDs if the card has been lost, in JPEG or PDF format. After confirming the Loan Agreement and clicking Save, applicants should await an email confirmation from GSIS with further instructions. Members applying through email must fill out the Emergency Loan Application Form and provide a scanned copy of their GSIS UMID Card before emailing their GSIS handling branch. Applicants should then wait for an email confirmation from GSIS. Those who want to apply via the GWAPS Kiosk must visit the nearest kiosk, insert their eCard Plus or UMID into the card reader, and scan their enrolled fingerprint. Once their personal information appears, select Loan Windows, choose Emergency Loan, and confirm the application using the biometric scanner. Approved loans may be withdrawn through Megalink, BancNet, and Expressnet ATMs nationwide. The GSIS Emergency Loan carries an interest rate of six percent (6%) per annum and is payable over three years. ## **SSS** Emergency Loan [SSS](https://www.sss.gov.ph/sss-emergency-loan-program/ "SSS")’ emergency loan program requires members to have at least 18 posted total monthly contributions and a valid Philippine address under a declared State of Calamity. Applicants may borrow up to P20,000 with a seven percent (7%) interest rate each year, with a six-month repayment moratorium. To apply for an SSS Emergency Loan, members can log in to their account through the SSS Official Website or SSS Mobile App, then navigate to the member loan section and select the Emergency Loan Program. After completing and submitting the digital application form, approved loan proceeds are disbursed directly to an active UMID ATM Pay Card, MySSS Card, or PESONet-accredited bank account. The application deadline is on April 30, 2027 for residents of areas under state of calamity. ## **PAG-IBIG** Special Assistance for Financial Emergencies Pag-IBIG offers the Special Assistance for Financial Emergencies (SAFE) cash assistance loan of up to P10,000, with an interest rate of 5.95 percent per year. To apply for the SAFE Loan, interested members can submit their application through [Virtual Pag-IBIG](https://www.pagibigfundservices.com/virtualpagibig/ "Virtual Pag-IBIG") or by visiting any Pag-IBIG Fund branch. Applicants applying at a branch must submit an accomplished SAFE Loan Application Form, found on its website, along with a photocopy of one valid ID. The assistance program is available until September 8, 2026. Now, these loans can keep a family afloat temporarily, but they also show that help from government institutions can come in the form of another obligation to repay. For those who do turn to these programs, knowing the terms matters just as much as knowing where to apply. While they are a [safer](https://www.pna.gov.ph/index.php/articles/1265442) alternative than predatory lending apps, they also remain an unstable net for a problem that begins long before a disaster: the lack of financial cushion. ## FREQUENTLY ASKED QUESTIONS ### What is a government emergency loan and who qualifies for one? A government emergency loan is short-term financial assistance from GSIS, SSS, or Pag-IBIG for members in declared calamity areas. Qualification generally requires active membership, sufficient contributions or premiums, and residence or employment within the affected disaster zone. ### How much can I borrow from GSIS, SSS, or Pag-IBIG’s emergency loan programs? Loan amounts vary by agency: GSIS offers up to P40,000 for members with existing loans or P20,000 for new borrowers, SSS provides up to P20,000, and Pag-IBIG’s SAFE loan caps at P10,000 per qualified member. ### What are the interest rates for GSIS, SSS, and Pag-IBIG emergency loans? GSIS charges 6% annual interest payable over three years, SSS charges 7% annually, and Pag-IBIG’s SAFE loan carries the lowest rate at 5.95% per year, though eligibility and disbursement timelines differ across agencies. ### What are the risks of taking a government emergency loan after a disaster? These loans still count as debt, deducted from future salaries or pensions, which can strain household income. ### What is the application deadline for SSS and Pag-IBIG emergency loan programs? The SSS Emergency Loan Program accepts applications until April 30, 2027, for members in currently calamity-declared areas. Pag-IBIG’s SAFE cash assistance loan is available until September 8, 2026. 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Here’s How to Apply for an SSS Calamity Loan") **Categories:** News, State of Affairs **Tags:** Emergency loans, GSIS, Pag-IBIG, SSS --- ### [Hayden Panettiere, ‘Heroes’ and ‘Nashville’ Star, Dies at 36](https://rollingstonephilippines.com/culture/news-culture/hayden-panettiere-heroes-nashville-dies-at-36/) **Published:** August 17, 2026 **Author:** Elijah Pareño **Excerpt:** The actress rose to fame as Claire Bennet and earned two Golden Globe nominations for her role as Juliette Barnes **Content:** Film and television actress [Hayden Panettiere](https://rollingstonephilippines.com/tag/hayden-panettiere/ "Hayden Panettiere") has died at the age of 36. She is best known for her roles as Claire Bennett in NBC’s *Heroes* and Juliette Barnes in the musical drama series *Nashville*. Her representative confirmed news of her passing on August 17. No cause of death was disclosed as of the moment. “It is with profound sadness that we share the tragic passing of our beloved Hayden,” her representative said in a statement to *ABC News*. “She was an incredible light and a force of nature who brought immeasurable love and joy to all who knew her — and to the millions who watched her onscreen.” Panettiere gained widespread recognition as cheerleader Claire Bennett in superhero drama Heroes. She later starred as country singer Juliette Barnes in Nashville, earning two Golden Globe nominations for the role in 2013 and 2014, both for the Best Supporting Actress in a Series, Miniseries or Television Film category. Panettiere appeared in other notable films including [Pixar](https://rollingstonephilippines.com/culture/film/toy-story-5-review-pixar/ "‘Toy Story 5’ Is What Happens When You Beat a Franchise to Death")’s *A Bug’s Life*, dance movie *Bring It On: All or Nothing*, and Wes Craven’s horror slasher franchise *Scream 4* in 2011 and *Scream VI* in 2023. In video games, Panettiere voiced Kairi in the *Kingdom Hearts* ,and starred as Sam in the interactive survival horror game *Until Dawn*. Back in May, Panettiere released her memoir, *This Is Me: A Reckoning*, where she reflected on her early career, motherhood, personal struggles, and life in the public eye. ## Frequently Asked Questions ### Who was Hayden Panettiere best known for playing in *Heroes*? Hayden Panettiere was best known for playing Claire Bennett, a cheerleader with regenerative powers in NBC’s *Heroes*. ### What Golden Globe nominations did Hayden Panettiere receive for *Nashville*? Hayden Panettiere earned two Golden Globe nominations for Best Supporting Actress in a Series, Miniseries or Television Film for her performance as Juliette Barnes in *Nashville* in 2013 and 2014. ### What notable movies did Hayden Panettiere appear in? Her notable films included *Remember the Titans*, *A Bug’s Life*, *Bring It On: All or Nothing*, and *Scream 4*. ### What character did Hayden Panettiere play in *Scream 4*? She played Kirby Reed in Wes Craven’s *Scream 4* and reprised the role in *Scream VI* in 2023. ### What was Hayden Panettiere’s memoir called? Her memoir, *This Is Me: A Reckoning*, was released in May 2026 and reflected on her early career, motherhood, personal struggles, and life in the public eye. Related Stories - [Epstein and Tyra Banks Docuseries and More Shows to Watch Right Now](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/epstein-tyra-banks-bridgerton-true-detective/ "Epstein and Tyra Banks Docuseries and More Shows to Watch Right Now") - [CGI Chimps and a World Without Janet: Fact-Checking the Michael Jackson Biopic](https://rollingstonephilippines.com/culture/film/fact-checking-michael-jackson-biopic/ "CGI Chimps and a World Without Janet: Fact-Checking the Michael Jackson Biopic") - [Oasis’ ‘Don’t Look Back in Anger’ Documentary Heads to Philippine Cinemas](https://rollingstonephilippines.com/music/rock/oasis-dont-look-back-in-anger-philippine-cinemas/ "Oasis’ ‘Don’t Look Back in Anger’ Documentary Heads to Philippine Cinemas") **Categories:** Culture, Film, News, TV **Tags:** Hayden Panettiere --- ### [Every Year, the Moro Gulf’s Warning Grows Quieter](https://rollingstonephilippines.com/editors-picks/opinion/moro-gulf-earthquake-50-year-anniversary/) **Published:** August 17, 2026 **Author:** Razel Suansing **Excerpt:** The trauma of 1976 was supposed to have taught us a lesson that would have mitigated the aftermath of the June 2026 earthquake. But if that were the case, why has so little changed since then? **Content:** On the morning of June 8, the first day of the school year, children across Mindanao stood in their courtyards for a routine flag ceremony. In the middle of national anthems across the SOCCSKSARGEN region, the ground moved. Earthquakes are almost a monthly occurrence in Sultan Kudarat. But this one was different. Our ground, our foundation, shook relentlessly. A [magnitude 7.8 earthquake](https://www.phivolcs.dost.gov.ph/primer-on-the-08-june-2026-magnitude-mw-7-8-offshore-sarangani-earthquake/ "magnitude 7.8 earthquake") broke out of the sea off Sarangani and tore through the southern provinces. Plastered on social media and unwillingly etched into our memories are the screams of children whose routine flag ceremony turned into tragedy. By the count of the Office of Civil Defense, the earthquake [killed 88 people](https://www.pna.gov.ph/articles/1278410 "killed 88 people") and damaged more than 87,000 homes, with over 15,000 of them beyond repair. The Department of Education [recorded](https://newsinfo.inquirer.net/2245568/quake-hit-schools-need-p341-m-fund "recorded") nearly 2,000 classrooms totally destroyed and more than 8,000 others damaged. Sultan Kudarat, South Cotabato, Sarangani, and North Cotabato were among the provinces with the most damaged schools in the country. Many will blame our country’s geology, its geography. To that, I say: the earthquake was geology. The death toll was the result of a more ominous force. ## Why has so little changed? ![philippine red cross workers outside collapsed building after earthquake in general santos city](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/philippine-red-cross-earthquake-gensan.webp) Philippine Red Cross workers inspect a collapsed building in General Santos City after the earthquake. Photo from Philippine Red Cross/Facebook We have been here before. We experienced a tragedy much more devastating, and we forgot. The same Cotabato Trench produced the [Moro Gulf earthquake](https://www.phivolcs.dost.gov.ph/1976-august-17-moro-gulf-earthquake/ "Moro Gulf earthquake"), August 17, 1976. 12:11 am. Estimates run up to 8,000 dead or missing, with the Philippine Institute of Volcanology and Seismology (PHIVOLCS) noting that about [85 percent of deaths were attributable to the tsunami](https://earthquake.phivolcs.dost.gov.ph/1976MoroGulfEQ/index-moro.html "85 percent of deaths were attributable to the tsunami") that followed the earthquake. To this day, it remains one of the deadliest disasters in our history. Ask a student in any other region what happened in the Moro Gulf in 1976 and you will probably get a blank look. Ask an elder in Lebak or Palimbang where and how the water destroyed everything they had within five minutes and they will tell you every minute detail. They were never allowed to forget. The fear of another tragedy lingers in those who remember. The problem is: the youngest of those who remember are now 60. The knowledge acquired from tragedy and the indigenous tools of disaster preparedness are not passed to the young, who are most vulnerable to future tragedies, not only by way of earthquakes and tsunamis, but more frequently and devastatingly, storm surges, landslides, and flash floods. “We build programs that only last months after a tragedy, never long enough and never comprehensive enough to prepare for another one as destructive.” That night was a great equalizer, and the disasters that have hit the country have exposed the same truth every time: no one is prepared enough when the systems around them fail. The trauma of 1976 was supposed to change that, with the government ultimately creating a disaster council in Manila, which has since become what is now known as the National Disaster Risk Reduction and Management Council (NDRRMC). But if that were the case — if we have known all this since 1976 — why has so little changed since then? Everyone believes in disaster preparedness. But the issue remains: our disaster preparedness is myopic. We build programs that only last months after a tragedy, never long enough and never comprehensive enough to prepare for another one as destructive. This is no secret. The 1978 study prepared by the Manila Observatory for the government’s own tsunami warning committee called the Moro Gulf the most tsunami-prone shoreline in the country, counted roughly one great earthquake there every 17 years, and recommended that plans aim for evacuation to higher ground within five minutes of a violent shaking. Thirty-three years later, when journalists asked the report’s author whether the government had acted on any of it, Fr. Victor Badillo answered: “I do not know what has been done.” But hazard maps for the area did not arrive until December 2007, and, as reporting from *[MindaNews](https://mindanews.com/special-reports/2011/03/35-years-after-the-1976-moro-gulf-tsunami-whatever-happened-to-the-preparedness-plans/ "MindaNews")* has documented, almost no one living in the danger zone knows they exist. On our own stretch of coast, a tsunami warning system was not inaugurated until 2026, and we inaugurated it ourselves. But why must our elders continue to relive their past trauma, and why must internally displaced persons continue to suffer because foresighted and comprehensive disaster preparedness have yet to become a national priority? ## Education As A Warning System Here is what should happen, and most of it is not complicated. Update the building code we have had since 1977. Inspect every classroom for disaster resilience. Rebuild and retrofit schools in the exposed provinces so they can survive a June 8 morning. Print the hazard maps, mark the evacuation routes, run the drills. And protect the coast through means that are actually effective, using both green and gray infrastructure. For 50 years, our answer to a dangerous shoreline has been a concrete seawall, poured and forgotten. The better answer, studied since the 2004 tsunami in Aceh, is to let the coast defend itself first. A wide belt of mangroves can absorb a large share of a wave’s force. The coral reefs and seagrass, which we have allowed to degrade, slow the water down. The same ecosystems feed the fisherfolk who protect them. None of it is a miracle: the biggest waves can climb over a mangrove forest, which is exactly why you layer it with engineering. “We need Filipino leaders who realize that the solutions they must innovate have never been created before, for a crisis whose scale no world leader and no expert scientist can precisely predict.” On the Moro Gulf coast, in Lebak, where the June 2026 tsunami reached its highest run-up of 2.5 meters, our communities are already restoring those mangroves through sustainable livelihood programs. The model exists. All that remains is making disaster resilience a true national priority. There is one more lesson, and it is the one I devoted my greatest work to. When the sea comes two to five minutes after the shaking, no siren can save you. The warning is the earthquake itself. What saves a coast is people who already know what to do. In [Kamaishi, Japan,](https://www.japanfs.org/en/news/archives/news_id034287.html "Kamaishi, Japan,") the great quake of 2011 killed more than a thousand people, but nearly every schoolchild in the city survived. Not because of seawalls; their teachers had told them for years never to trust the seawalls. They survived because they had practiced, over and over, until running for high ground had become instinct. Their teachers built it on an old rule handed down from their grandparents: when the earth moves, go, and do not wait to be told. Education was the warning system. The children saved themselves. We do not lack the means. We have a National Adaptation Plan. We have a Congress that can investigate climate risk and order the money to follow exposure instead of proximity to the capital. The country’s adaptation bill will run close to [$100 billion by 2040](https://oecdecoscope.blog/2026/02/13/confronting-climate-change-in-the-philippines-building-resilience-while-cutting-emissions/ "$100 billion by 2040"), and the losses we will take by doing nothing are far larger. The knowledge exists. The tools exist. The money can be found. What is missing is the political will to act before the next earthquake. The World Risk Reports ranks the Philippines as the most climate risk-vulnerable country in the world. In plain terms, the Philippines faces the greatest brunt of a phenomenon never before tackled by even the most well-resourced countries in the world. Inaction in the international realm is not a secret. No one will come to the Filipino people’s rescue but the Filipino people. This blunt reality means that our leaders cannot simply wait for disasters to happen before responding and taking disaster preparedness seriously. The disasters of the past pale in comparison to the disasters we face and will face in the next decades. The warming of our planet verifiably increases the intensity and frequency of our typhoons and droughts. Our monthly storm surges now approach the height of our most historically destructive tsunamis. Our geography and geology make us especially exposed. We need Filipino leaders who realize that the solutions they must innovate have never been created before, for a crisis whose scale no world leader and no expert scientist can precisely predict. We need leaders who have the foresight to adapt to a world too rapidly shifting before our eyes. Most importantly, we need leaders whose love for and devotion to their people surmount any self-interest, a love that will lead them to listen to the unbridled accounts of the pain and anguish of the Filipino people. Our elders in Sultan Kudarat have now lived through this twice. They were children when the sea came in 1976. Last June, they watched their grandchildren run from the same shaking ground. In half a century, a whole lifetime, almost nothing changed for them. A coast left exactly as it was. The children who ran from their flag ceremonies on June 8 survived. That is not the same as being protected. They were first in line for the harm, the way they have always been first in line. The only question worth answering now is whether we will finally put them first in line for help. It happened in 1976. It happened again in June. Our people survive. What we owe them should be much greater than survival. What we owe them is the chance to live a life without fear. Related Stories - [One of PH’s Strongest Quakes Hits Mindanao: What We Know and How to Help](https://rollingstonephilippines.com/state-of-affairs/environment/mindanao-earthquake-what-we-know-how-to-help/ "One of PH’s Strongest Quakes Hits Mindanao: What We Know and How to Help") - [What Will It Take to End the Philippines’ Helpless Disaster Relief Response?](https://rollingstonephilippines.com/editors-picks/opinion/philippines-typhoon-flooding-opinion/ "What Will It Take to End the Philippines’ Helpless Disaster Relief Response?") - [Philippine Forests are Dying Under the Guise of a ‘Multi-Stakeholder’ Approach](https://rollingstonephilippines.com/editors-picks/opinion/masungi-georeserve-multi-stakeholder-approach/ "Philippine Forests are Dying Under the Guise of a ‘Multi-Stakeholder’ Approach") **Categories:** Environment, Opinion, State of Affairs **Tags:** Mindanao Earthquake 2026, Moro Gulf Earthquake --- ### [Geloy Concepcion Says All The Things He Wants To Say](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/photographer-geloy-concepcion-voices/) **Published:** July 3, 2026 **Author:** Jonty Cruz **Excerpt:** The acclaimed photographer gives an unfiltered look at his rise in the field, the strange solitude that comes with photography, and the honesty that it requires **Content:** There was a time when [Geloy Concepcion](https://rollingstonephilippines.com/tag/geloy-concepcion/ "Geloy Concepcion") was ready to walk away from photography for good. In 2020, the photographer was riding out the pandemic in the United States with his wife, Bea, after spending three years unemployed due to immigration delays. “Baka sabi ni Jesus, ‘Tigil ko na ‘tol,’” Concepcion told *Rolling Stone Philippines*. “‘Yung camera… ibebenta ko na lahat. Tapos sabi ko, ‘Last project na ‘to.’” Thankfully, that last project turned out to be one of Concepcion’s most viral works yet. His photo series, *Things You Wanted to Say But Never Did*, follows a simple formula: people (sometimes friends, but mostly strangers) send Concepcion their private confessions, and he turns them into anonymous messages, paired with a film photograph he shot himself. The confessions can range from casual to heartbreaking, with many choosing to use Concepcion’s project as a way to air out their most damning thoughts and fears. Most of them betray an inner sense of regret (“I still grieve for the person I could have been,” one reads), while even more see submitters sharing their most painful memories under the grace of anonymity. ![Rolling-Stone-Philippines-Geloy-Concepcion-VOICES6](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/Rolling-Stone-Philippines-Geloy-Concepcion-VOICES6.webp) Photo by Lawrence De Leon Concepcion never expected that *Things You Wanted to Say But Never Did* would blow up the way it did. But to date, the photographer has received almost 300,000 messages and published more than 3,000 posts. He has read every note. The series has reached a point where Concepcion no longer has enough photographs of his own to use, and so he asks each stranger to submit a snapshot of their own. In 2023, he turned the series into a best-selling book (*Things You Wanted to Say But Never Did: A Photographic Journal to Process Your Feelings*), and then a photo exhibition, which made its debut at the Ateneo Art Gallery earlier this April. For Concepcion, *Things You Wanted to Say But Never Did* was the project that would help him find his voice as a photographer. After spending years shooting the same scenes of himself and his family over and over again, he realized that he was shooting an “accumulation” of everything happening in his life. “Doon ko rin na-realize na, ‘Okay, ‘yun pala ‘yung photography ko,’” said Concepcion. “Kung i-de-describe ko ‘yung photography na ginagawa ko, nag-re-react lang ako sa mga nangyayari. Makikita mo ‘yung kwento ng buhay ko dun sa mga litrato ko.” Since launching *Things You Wanted to Say But Never Did*, Concepcion has kept busy, particularly by jumpstarting his own merch brand (Bad Days Are Temporary) and opening a photo studio in Quezon City. But for someone who has found fame by processing the feelings of strangers, Concepcion is not the type to linger on his own. “Parang ang sabi ni \[Anthony\] Bourdain, para daw siyang nag-da-drive ng napakabilis na kotse,” the photographer said. “Tinatakasan mo ‘yung mga pakiramdam mo eh. Or pwede ring ayoko siyang ma-feel \[na\] parang ‘Ang galing, lupit mo, ito na ‘yung nagawa mo, ang laki na ng naambag mo.’ Ayoko siyang maramdaman eh.” “Pero solid ‘yung work na ‘yun eh,” he trailed off. “Kahit anong mangyari, feel ko, sa future, 50 years from now, may lugar siya sa archive ng mundo eh. Kailangan siyang itabi. Kahit ‘di ko na ‘yun malagpasan kasi mahirap na ‘yung ganun eh. Pero astig siya. Lupit lang.” —*MEL WANG* *Trigger warning: This interview contains a mention of suicidal ideation.* **Nabanggit mo isang interview before na you felt na ‘yung photography masyadong isolating. Solitary work siya. Feel mo pa rin ba ‘yun?** Sa totoo lang, solitary siya. \[Pero\] hindi siya selfish kasi ikaw lang nandun. Hindi kagaya ng filmmaking. Napakarami nyo. Kaya mong iasa ‘yung gawa mo sa iba. Sa photography, parang ikaw lang eh. Ang hirap niyang i-explain. Sa totoo lang, in-e- explain ko pa rin siya sa sarili ko. Ganun siya kakomplikado. Kasi una sa lahat, hindi naman siya napakadaling gawin. Nag-su-shoot naman tayong lahat. Sa totoo lang, ayoko siyang i-gatekeep na “iba ‘to, mahirap ‘to” kasi madali lang talaga siya eh. Pero bakit nagkakaroon ng mga photographer na mas established? Kasi nga, may something na complicated sa kanya.‘Yun ‘yung weird na part sa kanya. Sobrang simple niya, pero sobrang complex din niya. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/Rolling-Stone-Philippines-Geloy-Concepcion-VOICES1.webp) **So saan ka nahihirapan sa photography? Or saan mo na-fi-feel ‘yung complexity na sinasabi mo?** Mahirap magsustain ng buhay through photography. \[*Laughs*\] Feeling ko ‘yun ‘yung weird sa kanya. Feeling ko kung pintor ako, mas may-kaya ako. Mas relax ako. Pero feeling ko, nakakadagdag nga siya dun sa magic na feeling kung ba’t mo siya ginagawa. Tsaka, ‘pag tinignan mo ‘yung archive mo — sa totoo lang — anong gagawin ko dito kung ‘di ako gagawa ng libro? Anong gagawin ko dito sa picture ni Gloria Macapagal- Arroyo? Or ni Anne Curtis sa presscon? Anong gagawin ko? Para saan lahat ‘tong ginagawa ko? Feeling ko, ma-fi-figure out ko siya ‘pag binitawan ko na ‘yung camera. “Makikita mo ‘yung kwento ng buhay ko dun sa mga litrato ko.” Geloy Concepcion **‘Yung theme nitong issue ay Voices, ‘yung mga tao ngayon na may ambag at may sinasasbi., Pero gusto ko rin malaman kung sino ba sila sa start? Paano sila na-form? So bago ka naging illustrator, or even before photography, sino ka nga growing up?** Well, una sa lahat, boring akong bata. Walang problema ‘yung nanay ko sa akin. Nag-aaral lang ako. Pero hindi ako matalino. Nag-do-drawing lang ako. Hindi ako mahilig sa PlayStation, sa mga console — kasi wala akong ganun! Talagang adik akong mag- drawing noon, ‘yun lang. Kasi pasalubong sa akin lagi bond paper eh. Doon ako masaya talaga. Weird pero ‘yun lang ginagawa ko hanggang naging basketball. ‘Yun naman ‘yung natripan ko: varsity. Akala ko magiging basketball player ako eh. Nag-MVP pa ako nung high school. Tapos nung college na, tinry ko pa rin mag-basketball. Nag-tryout ako sa UST. Sobrang hirap parang, “Gagi, hindi pala para sa akin ‘to. Pipitsugin pala ‘yung lakas ko.” Pero anyway, alam ko na nun na gusto ko talagang maging artist. Bata pa lang. Hindi na ako napadpad sa ibang pag-iisip na, “Ah, gusto kong maging engineer or architect.” Wala talaga, ‘yun lang. Gusto kong maging cartoonist sa Cartoon Network. Tapos pagdating ng college, doon ako natutong mag-graffiti. From graffiti, doon ako nag- photography kasi naglalakad ka sa labas eh. Parang, “Uy, okay ‘tong mga nakakausap ko ah?” Pero hindi mo naman pwedeng i-graffiti ‘yung kwento nila ‘di ba? Ngayon, ‘pag bina-backtrack ko talaga lahat, “ba’t ganun ako kagigil doon sa mga nangyayari? Pwede namang wala akong pake?” Kasi nandito na ako. Relax naman ako so, binactrack ko talaga siya. May prof kami nung high school na nagpanuod sa amin ng *Batas Militar* na documentary. Doon, medyo ano na ako… “Grabe ‘yung ginawa sa mga student leader, mga aktibista.” Tapos nangyari pa nun ‘yung Sumilao farmers from Bukidnon. Si Gloria na ‘yung president. Naglakad sila mula Bukidnon tapos natulog sila sa school namin kasi malapit na kami sa Malacañang eh. First time ko na — Manila boy ako, wala naman akong probinsya — talagang may mga ka-kwentuhang magsasaka. Tapos naging close kasi nag-volunteer ako na i-welcome sila. Ayun, so naka-kwentuhan namin talaga sila. Kinukwentuhan nila kami ng buhay nila. ‘Pag bina-backtrack ko, dun nabuhay ‘yung may pakialam ka dun sa nangyayari. Kasi pwede namang wala eh, ‘di ba? Wala naman kami doon. Pero after nun, medyo nanunood na ako lagi ng mga documentary. *i-Witness*, ‘yan mga yan. Tapos third year, nung nahilig ako sa photography, nag-apply akong mag-intern kasi nga kailan- gan ko rin ng pang-tuition eh. Gusto kong maging photojournalist, so nag-apply ako sa *Manila Bulletin*, mga ganun. Walang tumanggap sa akin. Walang nag-reply. Tapos ang huli kong in-apply-an, mga docu- mentary program. *i-Witness*, ‘yung kay Jay Taruc, *Reporter’s Notebook* ba ‘yun? Tsaka, *Storyline*. Doon ako natanggap sa *Storyline*, kay Patricia Evangelista.‘Yung una kong trabaho, dalawa ‘yun eh: ‘pag medyo mataas ka na, kayo na lang mag-interview. Pero kami ‘yung sumasama doon sa tao. Kunwari, nagbebenta siya ng fishball, sasamahan namin siya buong araw hanggang matulog na siya para videohan siya. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/Rolling-Stone-Philippines-Geloy-Concepcion-VOICES3.webp) **So anong natutunan mo doon? Paano ka natutong magkuwento?** Sobrang dami kong natutunan kay [Patricia Evangelista](https://rollingstonephilippines.com/tag/patricia-evangelista/ "Patricia Evangelista"): ‘yung mga story arc, ganyan. Parang, “Ah okay, kailangan may mga bali-bali pa pala ‘yun.” Ganyan. Tsaka siyempre, ‘yung importance ng pagbabad, na bumabad ka sa isang story. Kung kaya niyo, tatlong araw kayo dyan. So ‘yun ‘yung halaga ng kwento. Ang laking bagay ng natulong ni Ms. Pat doon, na parang, “Kailangan mong ikwento ‘yan eh.” Lumalim pati appreciation mo sa storytelling. Kasi noong una siyempre, aesthetic, ‘yung itsura ‘yung nasa isip mo. “Ganda neto, dating boksingero tapos nagtitinda na lang ng fishball, tapos siya ‘yung unang naka- knockout kay Pacquiao.” **Ilang taon ka nung nasa *Storyline* ka?** Mga 18, 19. Kung hanggang kailan sila nagsara. Pero 18 pa lang, third year college ako, intern na ako dun. Tapos sila Pat, wala silang intern na ‘yung mag-se-Xerox ka lang or mag-ma-mop ka, ganun. Hindi. Mag-shoot kayo dyan, bahala kayo dyan. Siguro dahil walang budget, pinag-shoot na agad kami. Ang laking tulong nun. **Fast forward tayo. Nung biglang nagblow-up ka talaga online. Hindi naman sa naging influencer ka, pero grabe ‘yung following na nakuha mo. Paano nangyayari ‘yun? ‘Yun ba ‘yung attempt mo — since binanggit mo na photography is solitary — to connect with the community?** Accumulation talaga lahat ‘yan e. Kasi nagbuo ‘yung *Things You Wanted to Say But Never Did* 2020 na eh. Pero dumating ako sa Amerika 2017, so three years ako walang papel. Mga ganong, sobrang hassle na pangyayari, nag-accumulate talaga siya eh. Pero doon ko rin ako nag- introspect sa photography. Parang wala na akong mashoot eh, so pinicture ko lang pamilya ko, kung saan-saan. Ang na-su-shoot ko lang, ‘yung daan kung saan ako nag-di-dishwasher. So, paulit-ulit. Repetition talaga siya. Doon ko nga rin na-realize na, “Ah, okay, ‘yun pala ‘yung photography ko.” Nagets ko na na kung i-de-describe ko ‘yung photography na ginagawa ko, nag-re-react ako sa nangyayari. ‘Yun na ‘yung body of work ko. ‘Pag tinignan mo siya ngayon, makikita mo siya sa images na ito ‘yung na-produce niyang work nung nasa Pilipinas pa siya: may mga magazine, may mga tao, may mga sikat na tao. Tapos nawala, naging kung ano-ano lang. Tapos naging family. Makikita mo ‘yung kwento ng buhay ko dun sa mga litrato. Nag-re-react lang ako sa kanya. Anyway, ‘yung *Things You Wanted to Say* is a reaction lang din siya sa nangyayari kasi nga parang feeling mo isolated ka. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/Rolling-Stone-Philippines-Geloy-Concepcion-VOICES2.webp) Kung makikwento ko lang, one time ang pinakanagtawid lahat nun is may na-meet akong mga Filipino na undocumented din. Tapos sabi ko, “Tay, kunan kita.” Tapos sabi niya, “Sige pwede pero okay lang ba nakatalikod?” Para hindi ko siya makilala. So doon ko naisip na “Okay, pwede nga ‘yun ah.” ‘Yung sulat tapos anonymous, hindi kita ‘yung tao. Doon ko siya na-connect. 2020 ‘yon. Doon nagsimula ‘yung birth nung *Things You Wanted to Say*. Actually, noong una, inisip ko parang tsamba eh. Pero in-explain ng nanay ko na, “Hindi, nag-lead dyan ‘yung mundo mo eh, kung paano nagawa ‘yan eh.” Kasi bago yun, naka- build na rin ako ng trust sa maliit kong community following. Tapos nung ginawa ko na ‘yung project, ‘yun na, dumami na ‘yun. Kasi sabi ng nanay ko, “Kung ibang tao naman ‘yan, hindi naman ganyan din mangyayari, ‘di ba?” Kasi andami nang gumagawa ngayon non eh. Ba’t hindi ganun ‘yung nangyayari? Ibig sabihin, ‘yung mga tao, kailangan trusted mo rin ‘yung pag-se-sendan mo ng mga secret mo eh. “Sa photography, parang ikaw lang eh. Ang hirap niyang i-explain. Sa totoo lang, in-e- explain ko pa rin siya sa sarili ko. Ganun siya kakomplikado.” Geloy Concepcion Nung nag-launch na ‘yung project na ‘yun, actually parang last hurrah talaga siya eh kasi nga nakuha ko ‘yung work permit 2020 so ready na ako. Sabi ko, “Pwede na akong magtrabaho.” Confident na ulit ako. Hindi na ako malungkot. Parang makakabalik na ako sa paa ko. Tapos nag-pandemic… So parang, “Tangina. Baka sabi ni Jesus, ‘Tigil ka na ‘tol.’” So, ‘yung camera, ibibenta ko na lahat. Sabi ko kay Bea, “Mahal, ibibenta ko na ‘to. Ano na ako, last project.” Tapos nakita ko ‘yung mga film pictures tapos naalala ko, November, emo-emo ako kasi mga February 2020 ang pandemic nag-umpisa eh. Doon ako unang nagtanong sa Instagram na, “What are the things you wanted to say but never did?” Kasi nga, sa isip ko, “Kung meron akong mga gantong mga naiisip, I’m sure may mga ganun ‘yung mga tao.” Pero sa Instagram Stories lang. So ‘yung mga na-receive ko nun, mga friends ko lang, na parang, “Ayun, nag-cheat ako dati.” \[*Laughs*\] ‘Yung mga ganun lang. So hindi ko siya pinansin. Gusto ko lang makabasa ng sulat. Tapos sabi ko, “Gagi, meron nga pala akong tinanong nun.” Tapos, binalikan ko. Sabi ko, “I-va-vandalize ko ‘yung mga sinulat nito dito.” Tapos ‘yun ‘yung title. Vandalism pa rin siya. Graffiti pa din. So, ‘yun na. Pero bago ko i-post ‘yun, medyo may kaba na ako. Kinakabahan ako na parang, “Tangina, parang malupit to ah!” Siguro parang ‘yung nakaimbento ako ng ilaw, ganun ‘yung pakiramdam, na parang, “Gagi, ano ‘to ah? Nakaka-kaba.” So nung pinost ko ‘yun, maganda ‘yung reception pero hindi pa grabe. Tapos sabi ko, hindi, kailangan anonymous ‘to eh. Hindi pwedeng kita ‘yung kung sino ‘yung nag-se-send sa akin eh. So na-figure out ko kung paano gawin: ‘yung Google Forms. ‘Yun na! Sumabog na. Parang naalala kong pinakamarami nagpa-follow sa akin nun 7,000 eh. Tapos parang in a span of three months, parang 200,000. Tapos nafeature ng NPR. ‘Yun na. Doon na bumuhos ‘yung American audience. Minsan magigising ako, may dumagdag na 40,000. So ‘yung mga kapatid ko, sila ‘yung nag-che-check para lang ma-check kung sino ‘yung mahalagang tao. ‘Yung mga may blue check. “Gel, eto, artista ng Amerika! I-follow back mo ‘yan!” Pero ‘yun, weird siya na parang, “Gagi, anong nangyayari?” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/Rolling-Stone-Philippines-Geloy-Concepcion-VOICES5.webp) **Hindi ka ba nabibigatan sa mga nakuha mong emails? Hindi lang sa dami pero lahat ‘yun parang secrets na…** Malungkot e. **Oo. So kamusta ka nung binabasa mo lahat ‘yan?** Nakatanggap ako ng sulat na first time ako ma-kareceive ng ganung kabigat. “Hello, Geloy, today ako mag-su-suicide. Ito ‘yung date na nakasulat dun sa plano ko. Pero nakita ko ‘yung work mo. Tapos pinostpone ko muna. Gusto ko lang sabihin, may na-save ka ngayong araw.” Ngayon, nung nabasa ko ‘yun, parang akong binuhusan ng malamig na tubig, “Tigilan mo ‘yung yabang mo.” Kumbaga, hindi ko siya pag-aari. Naging responsibilidad na siya eh — which is malaking tulong sa akin kasi na-feel ko rin na nawala na rin ‘yung ego doon sa gawa na parang, “Akin ‘yan. Ako gumawa niyan.” > [View this post on Instagram](https://www.instagram.com/p/DaJ8MpjjqGU/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rolling Stone Philippines (@rollingstoneph)](https://www.instagram.com/p/DaJ8MpjjqGU/?utm_source=ig_embed&utm_campaign=loading) **HAIRSTYLING** *Magpatina Escolta* *Read the rest of this cover story in the Rolling Stone Philippines’ Voices Issue, now available for pre-order on [Sari-sari Shopping](https://www.instagram.com/sarisari_shopping/) and in major newsstands soon.* *Get digital access to the latest issue [here.](https://rollingstonephilippines.com/digital-access/)* ## Frequently Asked Questions ### Who is Geloy Concepcion? Geloy Concepcion is an acclaimed Filipino photographer known for the viral online project Things You Wanted to Say But Never Did. Based between the Philippines and the United States, he built a following through personal, reactive photography and later a best-selling book and exhibition drawn from strangers’ anonymous confessions. ### What is Things You Wanted to Say But Never Did? Things You Wanted to Say But Never Did is Geloy Concepcion’s photo series where people, mostly strangers, submit private confessions anonymously. Concepcion pairs each message with a film photograph, creating an intimate archive of thoughts and feelings people often keep unspoken. It began in 2020. ### How does Geloy Concepcion’s project work? People submit their confessions to Geloy Concepcion, often through an anonymous online form, and he pairs them with photographs. Having received nearly 300,000 messages and published over 3,000 posts, he says he has read every note. He now also invites submitters to send their own snapshots. ### Is Things You Wanted to Say But Never Did a book? Yes. In 2023, Geloy Concepcion turned the series into a best-selling book, Things You Wanted to Say But Never Did: A Photographic Journal to Process Your Feelings. It later became a photo exhibition that debuted at the Ateneo Art Gallery in April 2026. ### How did Geloy Concepcion get into photography? Geloy Concepcion grew up drawing and dreaming of being a cartoonist, later playing varsity basketball before finding graffiti and then photography in college. He interned at the documentary program Storyline under Patricia Evangelista, where he says he learned the storytelling and immersion that shaped his work. More from Rolling Philippines Voices Issue - [Atom Araullo is Willing to Take the Risk](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/atom-araullo-is-willing-to-take-the-risk/ "Atom Araullo is Willing to Take the Risk") - [Rappler’s Pia Ranada Still Believes in the Promise of Journalism](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/pia-ranada-journalism-voices/ "Rappler’s Pia Ranada Still Believes in the Promise of Journalism") - [Anygma on Hip-hop and the Perception of the Underground Going Mainstream](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/anygma-fliptop-battle-league/ "Anygma on Hip-hop and the Perception of the Underground Going Mainstream") **Categories:** Editor's Picks, The Rolling Stone Interview **Tags:** Geloy Concepcion, Rolling Stone Philippines Voices --- ### [BTS, Harry Potter, and Selena Gomez: A Quick Look at This Week in Culture](https://rollingstonephilippines.com/culture/bts-harry-potter-selena-gomez-culture-this-week/) **Published:** August 14, 2026 **Author:** Pie Gonzaga **Excerpt:** This week, K-Pop superstars, a beloved British actor, and a singer-entrepreneur all find themselves in trouble for very different reasons **Content:** The Internet is never short of controversy and this week we look back at some of the hottest topics to fill our feeds. Between [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS") striking up a partnership with Google Gemini and attending a [Chris Brown](https://rollingstonephilippines.com/tag/chris-brown/ "Chris Brown") concert, [Nicholas Hoult](https://rollingstonephilippines.com/tag/nicholas-hoult/ "Nicholas Hoult") drawing criticism for joining the upcoming *[Harry Potter](https://rollingstonephilippines.com/tag/harry-potter/ "Harry Potter")* reboot as Gilderoy Lockhart, and [Selena Gomez](https://rollingstonephilippines.com/tag/selena-gomez/ "Selena Gomez")’s mental health startup Wondermind being sued for fraud, this week’s subjects are wading in some hot water. ## BTS Sings AI and Chris Brown’s Praises It’s been a bit of a rough week for ARMY. On Friday, August 7, Google and BTS released an ad to promote the tech giant’s artificial intelligence model, Gemini, which left a bitter taste in the mouths of fans who are critical of generative AI. “\[The\] Gemini ad is way scaled back compared to other celebrity endorsements. Still an AI-normalizing move, and I’m not impressed. This is Google wanting to cutie-fy itself using BTS,” said one fan on X. The seven-piece also drew flak later in the week when member j-hope posted an Instagram story showing him and fellow rapper RM at Chris Brown and Usher’s Toronto concert on Wednesday, August 12. Fans have come to the boys’ defense, saying that they might not have been aware of Brown’s myriad assault cases, including the domestic violence case lodged by singer Rihanna in 2009 and the alleged rape of a woman on Sean “Diddy” Combs’ yacht in 2020. But others suggest that the BTS members are not so naive or ignorant. ## Nicholas Hoult Joins HBO’s ‘Harry Potter’ Series In other news, British actor Nicholas Hoult is the latest to join the cast of HBO’s upcoming *Harry Potter* series — and the latest to receive backlash for it. The show, which is still in development, has been the subject of [criticism](https://rollingstonephilippines.com/culture/tv/harry-potter-philosophers-stone-series-trailer/) since it was announced in March. While Potterheads have sounded their excitement for the TV series, other audiences aren’t so eager for the reboot, finding the *Harry Potter* franchise unnecessary after eight films, a West End play, and a dedicated Wizarding World in Universal Studios’ theme parks. > [View this post on Instagram](https://www.instagram.com/p/Db6le73FoOs/?utm_source=ig_embed&utm_campaign=loading)[A post shared by HBO Max (@hbomax)](https://www.instagram.com/p/Db6le73FoOs/?utm_source=ig_embed&utm_campaign=loading) But at the center of all the backlash the franchise has received is its author, J.K. Rowling, and her [transphobia](https://rollingstonephilippines.com/state-of-affairs/jinkx-monsoon-jk-rowling-transphobia/). Rowling’s remarks against trans people have lost her readers and even prompted the original *Harry Potter* golden trio — Daniel Radcliffe, Emma Watson, and Rupert Grint — to distance themselves from the writer. So fans of Hoult didn’t hold back in expressing their disappointment over news that he had been tapped to play Professor Gilderoy Lockhart, which they see as a career misstep after gaining even more popularity for his performance as Lex Luthor in the 2025 box office hit *Superman*. ## Selena Gomez and Wondermind Face Fraud Raps On Thursday, August 13, a lawsuit was filed against Selena Gomez, her mother Mandy Teefey, and Wondermind co-founder Daniella Pierson for allegedly defrauding and breaching contracts with investors of the failed mental health startup. Plaintiffs state that they had invested almost $1.2 million in Wondermind after being informed that it had the leadership, partnerships, and advertising deals to function properly, but that a 2025 report by *The Cut* showed that the business had fallen apart. [*Forbes*](https://www.forbes.com/sites/conormurray/2026/08/13/selena-gomez-and-wondermind-startup-sued-for-allegedly-defrauding-investors/) also reports that the complainants were told that Pierson “misappropriated” investor funds. According to [*The Cut*](https://www.thecut.com/article/selena-gomez-wondermind-mental-health-start-up-mandy-teefey.html), Wondermind was gravely mismanaged. While Gomez, Teefey, and Pierson all banded together in 2022 to “destigmatize” mental health through a website, movies, shows, and podcasts, personal tensions between Teefey and Pierson, reported to be co-CEOs, got in the way of business operations. Pierson allegedly thought that Teefey was “unable to deliver” anything she’d promised, while Teefey thought Pierson was riding on the coattails of Gomez’s fame. By early 2025, employees stopped receiving their paychecks on time, and the company had failed to produce anything more successful than one mental health podcast, *The Baggage Drop*. ## Frequently Asked Questions ### Why did BTS receive backlash for attending Chris Brown’s concert? BTS members j-hope and RM drew criticism after j-hope posted an Instagram story showing them at Chris Brown and Usher’s Toronto concert on August 12. Critics pointed to Brown’s history of assault allegations, including the domestic violence case Rihanna filed against him in 2009 and an alleged rape aboard Sean “Diddy” Combs’ yacht in 2020, with some fans arguing the members should have known better than to publicly support him. ### Did BTS partner with Google Gemini? Yes, Google and BTS released a promotional ad on August 7 to promote Gemini, Google’s artificial intelligence model. The endorsement was criticized by fans who oppose generative AI, with some calling it a move to soften Google’s image using the group’s popularity. ### Who is playing Gilderoy Lockhart in HBO’s *Harry Potter* series? British actor Nicholas Hoult has joined the cast of HBO’s upcoming *Harry Potter* TV series as Professor Gilderoy Lockhart. The casting news drew backlash from fans, partly tied to ongoing criticism of the franchise and author J.K. Rowling’s remarks against trans people. ### Why is Selena Gomez being sued? On August 13, investors filed a lawsuit against Selena Gomez, her mother Mandy Teefey, and Wondermind co-founder Daniella Pierson, alleging fraud and breach of contract tied to their mental health startup, Wondermind. Plaintiffs say they invested nearly $1.2 million based on misrepresented claims about the company’s leadership and partnerships. ### What happened to Wondermind, Selena Gomez’s mental health startup? Wondermind, co-founded by Selena Gomez, Mandy Teefey, and Daniella Pierson in 2022, reportedly fell apart due to internal conflict between Teefey and Pierson, who served as co-CEOs, while Gomez distanced herself from the company. By early 2025, employees were receiving late paychecks, and the company had produced only one successful project, the podcast *The Baggage Drop*, before facing the fraud lawsuit. Related Stories - [BTS Is Back on Top: ‘We Have to Push It to the Edge’](https://rollingstonephilippines.com/editors-picks/features/bts-reuniting-new-album-arirang-interview/ "BTS Is Back on Top: ‘We Have to Push It to the Edge’") - [EXPLAINER: Why Did Chris Brown Snap at Zara Larsson?](https://rollingstonephilippines.com/music/hiphop-rnb/chris-brown-zara-larsson-beef/ "EXPLAINER: Why Did Chris Brown Snap at Zara Larsson?") - [Do We Really Need A ‘Harry Potter’ Series?](https://rollingstonephilippines.com/culture/tv/harry-potter-philosophers-stone-series-trailer/ "Do We Really Need A ‘Harry Potter’ Series?") **Categories:** Culture, Music, Pop, TV **Tags:** BTS, Chris Brown, Harry Potter, Nicholas Hoult, Selena Gomez --- ### [How ‘Rakenrol’ Became More Than A Time Capsule Of The Local Music Scene](https://rollingstonephilippines.com/music/rock/how-rakenrol-became-a-local-music-time-capsule/) **Published:** August 14, 2026 **Author:** Elijah Pareño **Excerpt:** Fifteen years after its release, the film’s characters, soundtrack, and portrayal of independent music continue to resonate with audiences old and new **Content:** For film director [Quark Henares](https://rollingstonephilippines.com/tag/quark-henares/ "Quark Henares") and co-writer [Diego Castillo](https://rollingstonephilippines.com/tag/diego-castillo/ "Diego Castillo"), making *[Rakenrol](https://rollingstonephilippines.com/tag/rakenrol/ "Rakenrol")* was an intense labor of love. *Rakenrol*, a comedy-drama that premiered 15 years ago, tells the story of Odie (Jason Abalos) and Irene (Glaiza De Castro), friends-turned-bandmates trying to make it in the local music scene. The film’s legacy was its ability to capture what the “underground scene” was like at the time. According to *GMA News* in 2014, Henares’ goal was to make it an “open and inviting film.” At the start of the film alone, Odie mentions seeing [Sandwich ](https://rollingstonephilippines.com/tag/sandwich/ "Sandwich")at a school fair, The Camerawalls at Route 196, Peryodiko at Mag, Gorgoro at [Cubao X](https://rollingstonephilippines.com/culture/cubao-expo-manila-creative-hub/ "Is Cubao Expo Still Manila’s Ultimate Creative Hub?"), and most importantly, seeing [Eraserheads](https://rollingstonephilippines.com/tag/eraserheads/ "Eraserheads")’ first reunion in 2008, and Urbandub at Mayric’s. Part of what makes *Rakenrol* feel different 15 years later is that some of the places and parts of the scene it documented no longer exist. Film critic [Philbert Dy](https://rollingstonephilippines.com/culture/film-tv/2024-recap-movies-cinema/ "All The Movies in 2024 That Were Worth a Trip to the Cinema"), who wrote about the film in 2011 and revisited it years later, noted how the disappearance of venues like radio station [NU 107](https://rollingstonephilippines.com/music/rock/reg-rubio-surviving-greyhoundz-going-solo/ "Reg Rubio on Surviving Greyhoundz’s Hardest Years and Going Solo") and music venues like Mag:net High Street changed the way he saw the film. According to Dy, what once felt like a snapshot of a living scene eventually became a record of one that had already begun to disappear. > [View this post on Instagram](https://www.instagram.com/p/Db4dW5jEuHy/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Quark Henares (@quarkhenares)](https://www.instagram.com/p/Db4dW5jEuHy/?utm_source=ig_embed&utm_campaign=loading) Older viewers remember it as part of their own lives, while younger musicians are finding it as a reference point for a scene they did not experience firsthand: One viewer who commented on the film’s online stream said they were watching it for the first time for inspiration as a band vocalist, while another recalled watching it in the cinemas with a girlfriend who is now their wife. The film’s relevance, then, is not only in preserving what the scene once was, but in giving new viewers a way to understand why that scene mattered. That feeling is always present in the way viewers continue to return to the film. ## Rock n’ Roll Legacy *Rakenrol* has undeniably left a lasting impression on its viewers, mostly attributed to the characters facing these internal struggles and issues that happen in real life, such as Ketchup Eusebio’s character Mo arguing with Yagit over how art does not pay the bills. Or another moment where Odie’s character famously encounters [Ely Buendia](https://rollingstonephilippines.com/tag/ely-buendia/ "Ely Buendia"), where Buendia pushes Odie to get back to his gig, learn to live a life without boredom and a 9-to-5 job, and enjoy with his bandmates just so he wouldn’t let anyone down. The characters, scenes, and most importantly, the soundtrack form a “time capsule,” but the reaction to the 15th anniversary event shows more than just a nostalgia trip for those who grew up watching the film in 2011. With the 15th anniversary now sold out as of August 14, comments surrounding the show show how the film resonated with new and old attendees who are attending alternative and independent events all over Metro Manila, proving that it’s more than just a “love letter” of a specific time. Rather, the film was able to become timeless in its own right. For viewers like Dy, the temporary nature of the scenes, bands, and venues that were once flourishing has become part of what makes *Rakenrol* significant. What once felt like a document of a scene that was slowly disappearing can now be viewed as a reminder that scenes, venues, bands, and relationships will inevitably change. Aside from its fictional characters embracing the inevitability of growing up, what remains is the impulse that brought those people together in the first place: the desire to make something, play a gig, form a band, and keep going. ## Frequently Asked Questions ### Who directed and wrote *Rakenrol* in 2011? *Rakenrol* was written and directed by Quark Henares, with Diego Castillo as co-writer. ### Who is starring in the film *Rakenrol*? The film stars Jason Abalos, Glaiza de Castro, Ketchup Eusebio, Diether Ocampo, Jun Sabayton, and Ramon Bautista. ### What songs were featured in the soundtrack of *Rakenrol*? The film features songs including TEETH’s “Shooting Star” and Cambio’s “Patlang,” alongside original songs from Diego Mapa, Mikey Amistoso, and Diego Castillo ### When is the 15th anniversary event of *Rakenrol*? The 15th anniversary event of *Rakenrol* will be held at Sari Sari Bar, Makati on August 26. ### What is *Rakenrol* about? *Rakenrol* follows best friends Odie and Irene, who form a band with an unlikely group of musicians while navigating friendships, romance, and the Filipino underground music scene. Related Stories - [For Jun Sabayton, There is Art in Everything](https://rollingstonephilippines.com/culture/art/jun-sabayton-profile/ "For Jun Sabayton, There is Art in Everything") - [What Mich Dulce Learned as an OG ‘Pinoy Big Brother’ Celebrity Housemate](https://rollingstonephilippines.com/culture/mich-dulce-on-pinoy-big-brother/ "What Mich Dulce Learned as an OG ‘Pinoy Big Brother’ Celebrity Housemate") - [5 RA Rivera Music Videos That Are Time Capsules of 2000s OPM](https://rollingstonephilippines.com/editors-picks/lists/ra-rivera-music-videos-2000s/ "5 RA Rivera Music Videos That Are Time Capsules of 2000s OPM") **Categories:** Music, Rock **Tags:** Quark Henares, Rakenrol --- ### [Erik Matti, Judy Ann Santos, and Edu Manzano Take on Showbiz in ‘Call My Manager’](https://rollingstonephilippines.com/culture/tv/call-my-manager-erik-matti-judy-ann-santos/) **Published:** August 14, 2026 **Author:** Pie Gonzaga **Excerpt:** The director and cast talk road managers, Mother Lily Monteverde, and what makes their adaptation different from the French original **Content:** Very few Filipino shows and movies have dared to look at the Philippine entertainment industry the way *Ang Babae sa Septic Tank* has. But now, the satire franchise finds company in HBO Max’s *Call My Manager*, a comedy series that follows the managers and employees running a struggling talent agency. The show, led by director [Erik Matti](https://rollingstonephilippines.com/tag/erik-matti/ "Erik Matti") and produced by Reality MM Studios, is adapted from the hit French series *Call My Agent!*, which follows a similar premise. But Matti emphasizes that he and Reality MM co-owner Dondon Monteverde didn’t want to copy the original show beat-by-beat. “The original had a different tempo and rhythm. It had a different climate in terms of characters because they’re French,” he tells *Rolling Stone Philippines*. “And as Filipinos, we wanted to bring in what it is about our industry that we all love.” *Call My Manager* marks actress [Judy Ann Santos](https://rollingstonephilippines.com/tag/judy-ann-santos/ "judy ann santos")’ return to the screen after 2024’s *[Espantaho](https://rollingstonephilippines.com/culture/film-tv/espantaho-review/ "Haunted House Horror ‘Espantaho’ is a Hollow, Unlikely Near-Camp Experience")* and 2025’s *[Ex Ex Lovers](https://rollingstonephilippines.com/culture/film-tv/review-ex-ex-lovers/ "What the Streaming Success of ‘Ex Ex Lovers’ Says About Rom-Coms Now")*. In the show, she plays Andrea Manuel, a foul-mouthed, uptight talent manager at Shine Artists Management (SAM). Joining her are [Edu Manzano](https://rollingstonephilippines.com/tag/edu-manzano/ "Edu Manzano"), who plays the secretive senior manager Matthew Buenaventura, and [RK Bagatsing](https://rollingstonephilippines.com/tag/rk-bagatsing/ "RK Bagatsing") as the nicer and more nurturing Gabriel Soler. Fresher faces in the cast include Christiana Zaleta, basketball player and daughter of former Ginebra shooting guard Aris Dimaunahan, and actor-content creator Raf Pineda. Also billed in *Call My Manager* is [Gina Alajar](https://rollingstonephilippines.com/tag/gina-alajar/ "Gina Alajar"), who plays the Mother Lily Monteverde-adjacent Aleta Alfonso. Of playing a character based on the late producer and “matriarch” of Philippine show business, Alajar says, “I found it hard to do the character because I didn’t want her to be a caricature or an impersonation. I wanted her to be a human being because \[Mother Lily\] was such a great human being.” ![edu manzano, christiana zaleta in call my manager](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/manzano-zaleta-call-my-manager.webp) Manzano’s Matthew Buenaventura and Zaleta’s Camille Vergara already know each other? Photo from HBO Max “Whether nasa side ka ng actors or nasa side ka ng managers, the show’s just going to make you understand that these are humans. They all need validation, they all need support,” Bagatsing says. “You’re going to have a deeper appreciation of your managers when you watch this.” Here, Matti and the cast talk to *Rolling Stone Philippines* about what makes the Philippine adaptation different from the French original, and the personal experiences that inform *Call My Manager*’s story and characters. **What drew you to adapting *Call My Agent!* and bringing it to the Philippines?** **Matti:** When Dondon and I developed this, we really loved the show, and we rarely get the chance to do movies or shows about our industry, because the quiet discussion behind showbiz is that it doesn’t make money. We always dreamed of doing something that would let us show our love for the industry that we are in, and good thing HBO Max agreed to it. Around that time, I was also supposed to do a movie about the matriarch, the biggest producer in the Philippines, Mother Lily Monteverde. And without having made it, I was given a chance to bring all the ideas that I was supposed to bring into the Mother Lily story into this show. So I think it hits home. And we have our own Mother Lily in the show. **Aside from situating the story in the context of the Philippine entertainment industry, how do you make an adaptation like this feel new for audiences who may have already seen the original show?** **Matti:** An adaptation is about making it your own. We didn’t want to \[follow the original series\] beat-by-beat. The original had a different tempo and rhythm. It had a different climate in terms of characters because they’re French. And as Filipinos, we wanted to bring in what it is about our industry that we all love. So, it’s a lot more local, but we also pick stories that, as much as they are local, would be appreciated all over the world. The idea of road managers is not in the original series. In the original series, it’s just secretaries. We brought in what we all know in the industry here: every manager has a road manager beside him. And we listed every Filipino entertainment story that we wanted to bring into the story. You’ll be surprised at how many of those you will identify with. ![janine gutierrez in call my manager](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/janine-gutierrez-call-my-manager.webp) Janine Gutierrez is only one of many surprising and delightful cameos in the first episode of *Call My Manager*. Photo from HBO Max **Manzano:** I got to watch the French original, and truth be told, I really, really enjoyed it. Nobody told me to watch it. I just happened to catch up on it. I binge-watched, and I said, “Gosh, I wish we would have something like this one day. I would love to be part of a project like this.” It was exciting. It was colorful. The setting was sexy. I thought it had all the elements necessary, the characters. And then lo and behold, HBO Max gave the green light, and I found myself being offered a role. And after reading the script and watching what we were shooting, I now go back to the French version and say, “Is that all you got? You got nothing. You want characters? Filipinos got characters.” That richness, I think we have it, and that’s why I’ve been in the business a long time. I just can’t say how grateful I am to HBO Max, and of course to Reality MM, to Direk Erik, and they couldn’t have come up with a finer cast. **How much of your performance is based on what you see and experience in your day-to-day work in the industry? Did you have to exaggerate anything?** **Santos:** I wasn’t really able to pinpoint a certain person to get my character from, because growing up, I was more exposed to either bakla o babaeng manager. That was my time. Now kasi, I’m not really that much exposed to what’s happening behind the scenes because I rarely make projects now. So I had to choose different types of people that I could base my character on and build from that, and really play around with Andrea’s character because she’s a tough person but very, very emotional. Sensitive but may pagka-bakla din siya in a way. I can say 70 percent of her is Andrea and 30 percent is Juday. **Pineda:** Being an actor or being an artist, iba ‘yung galaw mo compared to managers. \[But\] after shooting *Call My Manager*, I got a job backstage, a production job, as a social media manager. I was thinking, “Oh, parang ito ‘yung role ko sa *Call My Manager.* Parang nagkatotoo siya!” **Alajar:** I play Aleta Alfonso, a producer. As Direk Erik said earlier, she was based on Mother Lily, who was a very iconic person in the industry. I found it hard to do the character because I didn’t want her to be a caricature or an impersonation. I wanted her to be a human being because \[Mother Lily\] was such a great human being. She loved the movie industry and helped a lot of actors and actresses, even the crew and directors. I wanted \[audiences\] to know her more as a very genuine person with a pure heart. **Matti:** Before \[Bagatsing\] answers, let me just build up his confidence. He’ll be working with two of the most veteran, most seasoned, professional actors in the industry. And from the first day of shooting up to the last, not once did he get intimidated. **Bagatsing:** Sa totoo lang, ‘yung mga managers, tao lang naman sila e. That’s the whole point of the show. Whether nasa side ka ng actors or nasa side ka ng managers, the show’s just going to make you understand that these are humans. They all need validation, they all need support. For my character, si Gabriel, one of the things that I remember him doing was he can fix his artist’s crisis kahit gaano pa ‘yun kalalim. Pero ‘yung sarili niyang buhay medyo unmanageable. Those are the things na parang binubuhos mo na ‘yung oras mo sa mga artists. You’re going to have a deeper appreciation of your managers when you watch this. Sa sinabi naman ni Direk Erik, thank you. ‘Yung respeto lang naman talaga sa material and for the people that you work with, you can never just wing it with this kind of ensemble. **Zaleta:** This is actually my very first acting project. And I think Camille’s character is very headstrong, very brave, a risk taker, and she is just so full of love. And coming from basketball, that’s how I relate to Camille. Same values. They are two completely different worlds, but nandoon ‘yung middle ground niya, when it comes to the values, discipline, and ‘yung love na meron siya. *Call My Manager* is available to stream only on HBO Max. ## Frequently Asked Questions ### Who directed and produced the Filipino version of *Call My Manager*? *Call My Manager* is produced by Reality MM Studios, a company owned by Erik Matti and Dondon Monteverde. Its episodes are directed by Matti, Mario Cornejo, and Jade Castro. ### Who is in the cast of *Call My Manager*? The main cast of *Call My Manager* includes Judy Ann Santos, Edu Manzano, RK Bagatsing, Gina Alajar, Christiana Zaleta, Raf Pineda, and Haley Dizon. ### What is *Call My Manager* about? *Call My Manager* follows several characters, senior and road managers of the fictional Shine Artist Management, as they try to balance their chaotic personal lives with the high-pressure demands of Philippine show business. ### Where can I watch *Call My Manager*? *Call My Manager* is available to stream only on HBO Max. The eight episodes will be released weekly, with the show expected to end its run in October 2026. ### How many adaptations of *Call My Agent!* are there? Aside from the original French series, *Call My Agent!* has been adapted several times for Turkey, the U.K., South Korea, India, Italy, the Czech Republic and Slovakia, Indonesia, Germany, and the Philippines. Related Stories - [‘I Take Everything as It Comes’: Agot Isidro Looks Back on 35 Years in Show Business](https://rollingstonephilippines.com/culture/film/agot-isidro-concert-politics-interview/ "‘I Take Everything as It Comes’: Agot Isidro Looks Back on 35 Years in Show Business") - [Edu Manzano, Joel Torre, Alessandra de Rossi to Star in Dark Comedy](https://rollingstonephilippines.com/radar/releases/everybody-knows-every-juan/ "Edu Manzano, Joel Torre, Alessandra de Rossi to Star in Dark Comedy") - [Eugene Domingo Is Committed to the Bit (Role)](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/eugene-domingo/ "Eugene Domingo Is Committed to the Bit (Role)") **Categories:** Culture, TV **Tags:** Call My Manager, Edu Manzano, HBO Max, judy ann santos, RK Bagatsing --- ### [The ‘Garbage Crisis’ is Proof of the Government’s Failures](https://rollingstonephilippines.com/state-of-affairs/environment/metro-manila-garbage-crisis-government-failure/) **Published:** August 13, 2026 **Author:** Reyza Ferranco **Content:** The country has endured relentless rain two weeks into August, once again forcing Filipinos into a [familiar cycle of resiliency](https://rollingstonephilippines.com/editors-picks/opinion/philippines-typhoon-flooding-opinion/ "familiar cycle of resiliency") as floods strand commuters and disrupt daily life. This time, however, the issue extends beyond just flood management — there is also floating trash. Parañaque City bore the brunt of the issue, with the Baclaran-Redemptorist water channel harboring numerous pieces of garbage, most of which were styrofoam and plastic bottles, as well as debris from the past few days. The city also experienced waist- to chest-deep flooding on Monday, August 10. On the same day, the city government explained in a Facebook post that the piled-up trash had come from Manila Bay and entered the water channel after a trash trap was removed amid heavy rains. They also said that cleaning efforts were underway. The scale of the cleanup, however, quickly revealed that this was not a problem that could be solved with a few rounds of garbage collection. In an August 13 update, the Parañaque City government [said](https://www.facebook.com/share/19CTMRsfAK/?mibextid=wwXIfr) more than 188 truckloads of accumulated trash had been hauled from the waterway over three days. The volume of waste has then prompted Department of Public Works and Highways Secretary Vince Dizon to declare a “garbage crisis” in Metro Manila. Meanwhile, [President Ferdinand Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") refused to describe it as such, calling the state “critical” instead. “If that’s not critical to you, it \[is\] to me. So yes, I wouldn’t call it a ‘garbage crisis,’ but that is the problem that we are facing,” Marcos told reporters after seeing drainage efforts in the adjacent Las Piñas City. But the semantics hardly matter when the piles of trash are already clogging the infrastructure designed to move floodwater. If anything, it only illustrated the years of inadequate waste management and plastic pollution, as well as the waterways that have become repositories for the waste of densely populated communities in Metro Manila. As photos of the garbage-choked waterway continue to circulate online, so does the familiar debate over who is accountable or should be blamed. And while some point to individual behavior, placing the entire burden on individual discipline risks ignoring the systems that determine whether responsible disposal is actually possible. ![paranaque redemptorist waterway clean up](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/IMAGE-BLOCK-3.webp) Truckloads hauling hundreds of tons of trash from the waterway. Photo from Paranaque City Goverment/Facebook Even Marcos acknowledged as much, saying penalties for littering mean little if people do not have proper places to dispose of their garbage. “It’s not useful to fine people for not throwing their garbage if there is no place to put their garbage. Kailangang bigyan din natin ng facilities na kung saan puwedeng itapon ang basura,” he said. The government has moved to address the immediate problem. Dizon has called for more equipment, including floating backhoes and trash barges, while Marcos instructed work on longer-term [waste-to-energy](https://pia.gov.ph/news/marcos-jr-eyes-waste-to-energy-program-to-convert-garbage-into-electricity/ "waste-to-energy") plans to convert garbage into electricity. Interventions that are necessary, but in hindsight, are also reactive, as they only address what is already floating rather than fix the conditions that allowed the garbage in. It all ultimately boils down to the gap between having rules on paper and having the infrastructure, funding, and public systems needed to make those rules work. Fixing such a crisis cannot rest solely on government cleanup crews, nor can it be reduced to telling Filipinos to simply “stop littering.” “Patuloy lang ang ating trabaho para mabawas-bawasan ang baha hindi lang sa Metro Manila, lahat ng buong Pilipinas. Iba-iba ang sagot, hindi naman pare-pareho ang problema,” the president [said](https://www.pna.gov.ph/articles/1281664). ## FREQUENTLY ASKED QUESTIONS ### Why is Metro Manila facing a “garbage crisis” in August 2026? Heavy rains dislodged a trash trap in Parañaque, sending Manila Bay debris into the Baclaran-Redemptorist channel. Over three days, crews hauled 188 truckloads of floating waste, prompting DPWH Secretary Vince Dizon to call it a garbage crisis. ### Does President Marcos agree the Philippines is facing a garbage crisis? Marcos avoided the term “garbage crisis,” calling the situation critical instead. He argued the label mattered less than the underlying problem: waterways clogged with trash that worsens flooding across Metro Manila and the rest of the country. ### What caused the trash buildup in Parañaque’s waterways? City officials said accumulated Manila Bay debris entered the Baclaran-Redemptorist channel after a trash trap was removed during heavy rains. The volume revealed a deeper failure in waste collection systems, not a one-time weather event. ### What is the government doing to address the garbage crisis? DPWH has requested floating backhoes and trash barges for immediate cleanup, while Marcos ordered work on waste-to-energy plants to convert garbage into electricity. Critics note both responses remain reactive, addressing floating trash rather than its root causes. ### Why do critics say individual responsibility isn’t enough to solve the crisis? Even Marcos acknowledged littering penalties are ineffective without proper disposal facilities. Critics argue the crisis reflects systemic failures in infrastructure, funding, and public services — gaps that individual discipline alone cannot fix. Related Stories - [DPWH Flood Control Projects Scandal: The Most Damning Revelations So Far](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/dpwh-flood-control-latest-updates/ "DPWH Flood Control Projects Scandal: The Most Damning Revelations So Far") - [It’s Not Cuddle Weather; It’s Flu Season](https://rollingstonephilippines.com/state-of-affairs/environment/baguio-temperature-drop-flu-season/ "It’s Not Cuddle Weather; It’s Flu Season") - [4 Climate Promises Marcos Made During SONA. Has He Followed Through?](https://rollingstonephilippines.com/state-of-affairs/politics/4-climate-promises-marcos-sona/ "4 Climate Promises Marcos Made During SONA. Has He Followed Through?") **Categories:** Environment, State of Affairs **Tags:** DPWH, Ferdinand Marcos, Garbage Crisis, Paranaque City, Vince Dizon --- ### [Jungle Talks Evolution, Collaboration, and its New Album ‘Sunshine’](https://rollingstonephilippines.com/music/dance-electronic/jungle-new-album-sunshine/) **Published:** August 14, 2026 **Author:** Jonty Cruz **Excerpt:** Josh Lloyd-Watson and Lydia Kitto talk about what makes their new album different from Volcano, working on a song for Le Sserafim, and honing in on what they’re best at **Content:** The challenge of any band, any artist really, is evolution. To balance and maintain one’s success while still managing to grow and evolve is, in a lot of ways, its own form of art. Some can find that answer internally, and there are some who find that path to evolve in others. That’s precisely what happened with [Jungle](https://rollingstonephilippines.com/tag/jungle/ "Jungle"), the band formed by London-based producers Josh Lloyd-Watson and Tom McFarland, who already had three albums to their name: *Jungle* (2014), *For Ever* (2018), and *Loving in Stereo* (2021). And with hits like “Time” and “Keep Moving,” they’ve become synonymous with all things electro-funk. As great as those were, no one could’ve expected just how big their fourth album, *Volcano* (2023), would be, but it showed that sometimes a band can truly become something more just by adding the right person. And in Jungle’s case, that person was singer-songwriter Lydia Kitto. *Volcano* has amassed over a billion streams on Spotify and has led Jungle to global acclaim. The band won Group of the Year at the 2024 BRIT Awards and performed at iconic festivals such as [Coachella](https://rollingstonephilippines.com/tag/coachella/ "Coachella"), [Lollapalooza](https://rollingstonephilippines.com/tag/lollapalooza/ "Lollapalooza"), and Glastonbury, where they headlined the West Holts Stage. In time for their latest album, *Sunshine*, Josh and Lydia talk to *Rolling Stone Philippines* about their growth, their ideal collaborators, working on [Le Sserafim](https://rollingstonephilippines.com/tag/le-sserafim/ "Le Sserafim")’s “Come Over,” and what fans can expect from them in the future. **You guys had an interview with *[Rolling Stone](https://www.rollingstone.com/music/music-videos/jungle-on-the-evolution-of-their-band-and-on-74-music-video-1235009793/)* back in 2024, where you were talking about evolution, and Tom specifically mentioned you, Lydia, as how Jungle has evolved. What did that evolution look like from your perspective?** **Kitto:** Well, it’s like getting into a relationship. It sort of gradually happens. I started working with the guys in like 2019, so it all happened so gradually that at no point did it ever feel like I’m in the band now. It just slowly happened. It’s amazing, and it’s a lovely experience, a lovely journey to have been on, and I’m lucky to be on it with two amazing guys. **It’s interesting that you compared it to a relationship. Is that what it’s like being in a band?** **Kitto:** Yeah, I guess so, especially in the beginning. Me and Josh first started working together because someone I was in a band with said, “Oh, you guys should get in the studio.” So we started working, and then we realized we have the same humor, and that we just instantly became best friends. It never felt like work or like we’re having to work to make a song. They just happened. That’s how it starts, and then it develops into something amazing. **I listened to the first three releases for *Sunshine* and it does feel like the Jungle that we know and love. But from creating it, maybe** you can share what **the new things were that you added to your sound?** **Kitto:** I guess the way we made it feel new is we were really trying to hone in on the vibe and really focus on taking elements of previous Jungle songs that we loved still and still vibed out to. We were really trying to capture that in the new album and the new songs. We were just focusing on creating warm sounds and warm feelings and feelings of nostalgia, and also trying to keep cool sounds in there sonically with the drums and the instruments that we played. **So much of what’s impressive with Jungle is that you all do multiple things. For Josh specifically, as the director of your music videos, I wanted to ask how having those multiple outlets allows your creativity to thrive?** **Lloyd-Watson:** I think it just allows you to kind of switch into different frames of mind. I’ve always been very interested in art and graphic design and the way things look and the way things are presented. So I kind of use the band to allow me to explore my graphic eye or my artistic eye. We’re visual people as human beings. So if you can captivate people in that world as well, it adds another depth to your world-building. And I think Jungle has always been about world-building. Anytime there is an opportunity to make something look great as well as sound great, I’m right there for it. **Was there maybe a specific inspiration or reference when you were planning the world-building of this new album?** **Lloyd-Watson:** The thought process is that with Jungle, it’s always its own brand. It has to feel like Jungle, you know? We don’t want to go so far from what people identify with or \[what\] feels familiar. With Jungle, it’s always about evolution. Like the album covers, for example, what does this color feel like? What does this album feel like? I think with *Sunshine*, it was about taking some of those bossa nova and Brazilian references and having the record feel like it was sort of sun-drenched or sun-worn, you know? *Volcano* had been very saturated and loud and highly energetic. You can’t go bigger or brighter than a volcano, so we had to go more worn-in, kind of dusty, you know? I wanted it to feel like a rare groove mixtape record that you’d find in a vinyl shop. It feels like there’s loads of different sounds on here, so I think we’re constantly thinking of different worlds to reference. **Whether in just making the music or making your video, how would you guys define a good collaboration or a good collaborator?** **Kitto:** I think it’s when it feels effortless and doesn’t feel like it’s work. It doesn’t feel like you’re having to work really hard to make the collaboration work, and that your work routines just fit with each other so well. I think when you find a really good friend that you can make music with, there’s nothing better than that. ![jungle sunshine album cover](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/jungle-sunshine-album-art-copy.webp) Jungle’s fifth album, *Sunshine*, arrives on streaming platforms on August 14. Photo courtesy of Jungle **So speaking of collaborations, and given that we’re in Asia, I have to ask what your collaboration with Le Sserafim was like. Given that you had to deal not just with a different sound but in some ways, a different way or working as well.** **Kitto:** Yeah, it’s definitely a very different way of working. We didn’t actually meet the Le Sserafim girls themselves, and we didn’t work in the studio with them, which I think is quite common for the way that these pop songs are made. I think there were like three or four guys, and they came to a studio, and they already had like a visual in mind. They had like a visual inspiration of what they wanted the song to feel like, and then when we were sort of jamming through ideas, and once they realized that we’d sort of made something that could suit the visual, they came and showed us the visual with the song we just made, and it was like it was a crazy way of working. Really eye-opening and really quite enjoyable because it’s not anything we’ve ever done before. Never made music like that. **Lloyd-Watson:** Yeah, we just made the song. Like me and Lydia just made it. It was almost a bit weird. It was like we had a couple of guys come over from their label and some of their writers, and it was almost like a live demonstration of how to make a song. We just sort of made it in front of them for an hour and a half, and went, “Here. You go have that.” It was just something that we did on a certain day. I don’t think we like overly thought about it. I don’t think we dreamed about doing it, you know? And I think that you know it’s done well for them. I think they like it. It’s fun to watch it go off and watch people enjoy it. **Kitto:** We did meet them actually. We met the girls at Coachella a couple of years ago, so we finally got to meet them after making the song. That was quite surreal. Very sweet girls. **So with the release of *Sunshine*, what can fans expect from your new album? Is it more of the things that they’ve come to love, or are there things that maybe they’ll find surprising?** **Lloyd-Watson:** I think it’s honed in on what Jungle are best at. I think *Volcano* was an album of shocking, upbeat, energetic surprises. Like we’re going to take this energy to the next level, and I think with *Sunshine*, we don’t need to shout to be heard. I think it’s much more restrained in terms of we know what we do is of a certain quality, and when we’re confident in it, it doesn’t need to be too crazy or loud. It just needs to feel good. **Kitto:** Yeah, I completely agree. I think it’s way more of a vibe-y album. There were definitely a bunch of songs on *Volcano* that maybe I didn’t love at the time, and probably still don’t quite love now. But on this album, there’s the majority of it that I absolutely love, and I’m really confident in the songs. So that’s a good sign. *Listen to Jungle’s* Sunshine *now on Spotify, Apple Music, and all streaming platforms.* Related Stories - [Porter Robinson Has Always Been a Child of the Internet](https://rollingstonephilippines.com/music/porter-robinson-child-of-the-internet/ "Porter Robinson Has Always Been a Child of the Internet") - [Wasia Project Catches Us Up to Their Coming of Age With ‘Nocturne’](https://rollingstonephilippines.com/music/pop/wasia-project-nocturne-interview-manila/ "Wasia Project Catches Us Up to Their Coming of Age With ‘Nocturne’") - [Wolf Alice Talks ‘The Sofa’ And Embracing Theatricality in Their Upcoming Album](https://rollingstonephilippines.com/editors-picks/features/wolf-alice-sofa-clearing-rock/ "Wolf Alice Talks ‘The Sofa’ And Embracing Theatricality in Their Upcoming Album") **Categories:** Dance/Electronic, Music **Tags:** Jungle --- ### [Phoebe Bridgers, NCT 127, Weezer, and All the New Albums You Need To Hear This August](https://rollingstonephilippines.com/music/august-2026-albums-phoebe-bridgers-nct-127/) **Published:** August 6, 2026 **Author:** Elijah Pareño **Excerpt:** Alternative folk, K-pop, British R&B, power pop, and Korean indie collide in one of the busiest release months of the year **Content:** The month of August is stacked with new music from both up-and-coming artists and longtime favorites alike. After more than six years since the release of *Punisher*, alternative folk singer-songwriter [Phoebe Bridgers](https://rollingstonephilippines.com/tag/phoebe-bridgers/ "Phoebe Bridgers") returns to break more hearts with *Lost Weekend*, while Los Angeles’ [Weezer](https://rollingstonephilippines.com/tag/weezer/ "Weezer") are back at it again with another color-themed album. Alongside the two are more albums worth waiting for this month’s releases to keep on your radar this August. ## FLO, ‘Therapy at the Club’ > [View this post on Instagram](https://www.instagram.com/p/DX_4TGTjc7C/?utm_source=ig_embed&utm_campaign=loading)[A post shared by FLO 🪐 (@flolikethis)](https://www.instagram.com/p/DX_4TGTjc7C/?utm_source=ig_embed&utm_campaign=loading) [FLO](https://rollingstonephilippines.com/tag/flo/ "FLO")’s Stella Quaresma, Jorja Douglas, and Renée Downer may be onto something with the title of their sophomore album, *Therapy at the Club*. The trio has delivered an array of underrated bops over the past couple of years. On the brand new album, releasing on August 7, FLO promises a peek of the group’s more delicate moments as they navigate themselves through the current pop scene. ## Power sNATCH, ‘EP2’ > [View this post on Instagram](https://www.instagram.com/reel/Db8vVFQz66q/?utm_source=ig_embed&utm_campaign=loading)[A post shared by POWER SNATCH (@powersnatched)](https://www.instagram.com/reel/Db8vVFQz66q/?utm_source=ig_embed&utm_campaign=loading) Hayley Williams’ other band, Power Snatch, surprise-dropped an EP, following up on their debut EP from February. The catch here is not just that Williams released new music under a different entity, but that she also managed to upload the entire thing on the band’s Instagram profile. Nope, it has not made it onto official streaming platforms aside from Bandcamp. Power Snatch’s baggy trip-hop sound continues to flourish, with Williams’ vocals swirling and twisting all over the project. What is she up to next? We’ll never know. ## Phoebe Bridgers, ‘Lost Weekend’ > [View this post on Instagram](https://www.instagram.com/p/DZ-EXfdo5h8/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Phoebe Bridgers (@phoebebridgers)](https://www.instagram.com/p/DZ-EXfdo5h8/?utm_source=ig_embed&utm_campaign=loading) For over two years, Phoebe Bridgers has remained completely quiet following the release of [boygenius](https://rollingstonephilippines.com/tag/boygenius/ "boygenius")’ debut album *the record* in 2023. But all of that is set to change come August 14 with the release of her latest album, *Lost Weekend*. Bridgers has largely stayed out of the public eye, only returning for a handful of arena shows with one important rule: no phones allowed. With no real evidence making it out online, fans have spent months speculating what the new album will sound like, let alone what it will be about. The first single, “Lost Boys,” gave audiences a taste of what’s to come and teasers of who’s who of indie darlings being part of the new album suggest that we might be getting one of the best albums of the year. ## Silica Gel, ‘Ballad of You’ > [View this post on Instagram](https://www.instagram.com/p/DbH5cOBpudz/?utm_source=ig_embed&utm_campaign=loading)[A post shared by 실리카겔 𝗦𝗶𝗹𝗶𝗰𝗮 𝗚𝗲𝗹 (@silicagel.official)](https://www.instagram.com/p/DbH5cOBpudz/?utm_source=ig_embed&utm_campaign=loading) South Korea’s indie scene couldn’t be prouder of [Silica Gel](https://rollingstonephilippines.com/tag/silica-gel/ "Silica Gel"). Blending psychedelic rock, electronic textures, shoegaze, and art rock into something entirely its own, the Seoul quartet has become one of the country’s most adventurous live bands. *Ballad of You*, out August 20, comes after three years since the release of *POWER ANDRE 99*. They’ve also worked steadily on expanding their signature sound through standalone singles and festival appearances across Asia. If the band’s recent output, from the visceral “NamgungFEFERE” to the genre-mashing lead single “Molecular Gastronomy,” is anything to go by, the album should continue its unpredictable mix of towering guitars, warped electronics, and emotionally charged songwriting. It’s easily one of the most anticipated Korean indie releases of the year. ## Weezer, Gold Album > [View this post on Instagram](https://www.instagram.com/p/DZITw6kFkut/?utm_source=ig_embed&utm_campaign=loading)[A post shared by weezer (@weezer)](https://www.instagram.com/p/DZITw6kFkut/?utm_source=ig_embed&utm_campaign=loading) [Weezer](https://rollingstonephilippines.com/tag/weezer/ "Weezer") just can’t seem to stop adding colors to its catalog. The band has become widely known for the colors of several of their self-titled albums, including the Blue album (1994), Green album (2001), Red album (2008), White album (2016), Black album (2019), and Teal album (2019). Rivers Cuomo and company return with the Gold album, another release that continues one of alternative rock’s longest-running gimmicks. Whether it leans toward the band’s trademark crunchy power pop or its more oddball garage rock records remains to be seen, but that’s always been part of Weezer’s appeal. For longtime fans, the Gold album is another excuse to see where the band wanders next this coming August 21. ## NCT 127, ‘Blingy’ > [View this post on Instagram](https://www.instagram.com/reel/DbQrPN2pm-w/?utm_source=ig_embed&utm_campaign=loading)[A post shared by NCT 127 Official Instagram (@nct127)](https://www.instagram.com/reel/DbQrPN2pm-w/?utm_source=ig_embed&utm_campaign=loading) K-pop sub-unit [NCT 127](https://rollingstonephilippines.com/tag/nct-127/ "NCT 127") has consistently pushed the envelope in terms of their sound, bouncing between abrasive hip-hop, glossy R&B, and some of K-pop’s most left-field production choices. Take “Sticker” and “Cherry Bomb,” for example. Coming out August 24, *Blingy* celebrates the group’s 10th anniversary. Even after core members Winwin and Mark left the group, NCT 127 isn’t showing signs of slowing down. For NCTzens, *Blingy* signals another important chapter for one of SM Entertainment’s homegrown acts as it enters a new phase. ## Frequently Asked Questions ### Who is in the girl group FLO? FLO is a British R&B girl group composed of Stella Quaresma, Jorja Douglas, and Renée Downer. The trio debuted in 2022. ### When is *Lost Weekend* by Phoebe Bridgers going to be released? *Lost Weekend*, Phoebe Bridgers’ first solo album since *Punisher* (2020), is scheduled for release on August 14. ### What are the past albums that Weezer has released? Weezer’s studio albums include the color-themed releases *Blue*, *Green*, *Red*, *White*, *Black*, and *Teal* that inspired the band’s latest *Golden Album.* ### Which members left NCT? NCT members Mark and Winwin have left NCT before the announcement of NCT127’s new album *Blingy* ### What is the release date of *Ballad of You*? Korean art-rock quartet Silica Gel’s *Ballad of You* is scheduled for release on August 20. Related Stories - [Inside the Highs and Lows of Sapphic Pop’s Banner Year](https://rollingstonephilippines.com/music/sapphic-pop-2024-chappell-roan-renee-rapp-muna-towa-bird/ "Inside the Highs and Lows of Sapphic Pop’s Banner Year") - [Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’](https://rollingstonephilippines.com/music/singer-songwriter-barbie-almalbis-myth-of-rakista-rolling-stone-interview/ "Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’") - [Wasia Project Catches Us Up to Their Coming of Age With ‘Nocturne’](https://rollingstonephilippines.com/music/pop/wasia-project-nocturne-interview-manila/ "Wasia Project Catches Us Up to Their Coming of Age With ‘Nocturne’") **Categories:** Music, Pop **Tags:** FLO, NCT 127, Phoebe Bridgers, Silica Gel, Weezer --- ### [5 Feature Films to Catch Before Cinemalaya 2026 Ends](https://rollingstonephilippines.com/culture/philippine-cinema/5-cinemalaya-2026-films-to-catch/) **Published:** August 13, 2026 **Author:** Pie Gonzaga **Excerpt:** From an irreverent meditation on the American dream to a coming-of-age story set against the backdrop of military occupation, here are the entries you cannot miss at this year’s film festival **Content:** The past week’s heavy weather hasn’t stopped Filipinos from flocking to malls and movie theaters to see this year’s selection of features and shorts for [Cinemalaya 2026](https://rollingstonephilippines.com/tag/cinemalaya-2026/ "Cinemalaya 2026"). Now on its 22nd edition, the [film festival](https://rollingstonephilippines.com/tag/cinemalaya/ "Cinemalaya")’s theme this year is “Reel Reflections,” platforming films that “bring forth voices, perspectives, and experiences that deepen our understanding of ourselves and one another.” But the festival run is almost over, with the last screenings falling on Tuesday, August 18 at Red Carpet Cinemas in Shangri-La Plaza, Gateway Cineplex, and Ayala Malls Cinemas. So if you’re on a budget crunch, or simply tired of going out in the rain, and still don’t want to miss out on the festival this year, here are the feature films that are absolutely worth your time and money. ## ‘Status: Rejected’ [Ruby Ruiz](https://rollingstonephilippines.com/tag/ruby-ruiz/ "Ruby Ruiz") and Beverly Salviejo are a treat to watch as two elderly women who navigate old age, love, and the internet in Vahn Leinard Pascual’s *Status: Rejected*. With Facebook and a Douyin makeup filter, Ruiz’s Biring comes across a military retiree who promises to fulfill her American dream. She waits for him to come to the Philippines, eager to stop feeling like a financial burden for her daughter, Alessandra de Rossi. Pascual’s debut feature is endearingly funny and irreverent, his characters written with such care and intimacy despite touching on the hefty theme of colonial fantasy. ## ‘2 Valid IDs’ To those unacquainted with Pokwang’s work outside of comedy, Ma-an Asuncion-Dagñalan’s [*2 Valid IDs*](https://rollingstonephilippines.com/culture/film/2-valid-ids-cinemalaya-review/) will certainly be a revelation. But if you’ve already seen *Oda sa Wala* or *A Mother’s Story*, then you can expect another dramatic acting masterclass from the actress here. In *2 Valid IDs*, Pokwang’s Sylvia must navigate bureaucratic red tape to withdraw remittance to pay for her husband Ramon’s (Joey Marquez) urgent treatment. Asuncion-Dagñalan takes this familiar plight and brings it to the nth degree in a story that oscillates between hope and despair. ## ‘Mag-iina’ In [*Mag-iina*](https://rollingstonephilippines.com/culture/film/mag-iina-cinemalaya-2026-review/), director Giancarlo Abrahan and dramaturg Guelan Varela-Luarca trade the warmth of a typical homecoming drama for horror. Anj ([Janine Gutierrez](https://rollingstonephilippines.com/tag/janine-gutierrez/ "Janine Gutierrez")) returns to her ancestral home ahead of the 40th day of her estranged father’s death, reuniting with her mother Mita ([Agot Isidro](https://rollingstonephilippines.com/tag/agot-isidro/ "Agot Isidro")), aunt Ysobel ([Cherry Pie Picache](https://rollingstonephilippines.com/tag/cherry-pie-picache/ "cherry pie picache")), and their matriarch, Angela (Jackie Lou Blanco). After a year of playing warm, supportive mothers to protagonists in *[Open Endings](https://rollingstonephilippines.com/culture/philippine-cinema/open-endings-sapphic-film-cinemalaya/ "The ‘Open Endings’ Filmmakers on Making Cinemalaya’s Sapphic Hit")* and *[The Loved One](https://rollingstonephilippines.com/culture/reviews/the-loved-one-review/ "In ‘The Loved One,’ Letting Go is an Act of Mercy")*, Blanco is a revelation here, cruel and terrifying as the family’s presiding force. Much like *The Haunting of Hill House* or *Hereditary*, *Mag-iina* treats generational trauma and grief as a haunting. It’s strange and disorienting — sometimes overwhelmingly so — but the sheer mind-fuckery of it all is worth a trip to the theater. ## ‘Ganggang’ After [*Alipato at Muog*](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/jl-burgos-alipato-at-muog-famas/), a documentary that faced censorship by the MTRCB for tackling cases of enforced disappearances in the Philippines, filmmaker [JL Burgos](https://rollingstonephilippines.com/tag/jl-burgos/ "JL Burgos") now turns to fiction. In *Ganggang*, Mel (Raine Dela Cruz), Ten-Ten (Kenneth “Butchoy” Vincent Mendoza), and Ilay (Don Rishmond Cerbito) bond over a shared passion for spider fighting. But as they navigate friendship and their coming of age, the story’s harsher political backdrop — that of a militarized rural community — also comes to the fore, inevitable and imposing. Burgos never beats around the bush when it comes to conveying a political message, and in *Ganggang*, he does so without sacrificing visual storytelling. ## ‘Tayo Lang Ang Nakakaalam’ [Martin del Rosario](https://rollingstonephilippines.com/tag/martin-del-rosario/ "Martin del Rosario"), Yayo Aguila, Epy Quizon, and [Miguel Odron](https://rollingstonephilippines.com/culture/film-tv/some-nights-i-feel-like-walking-review/ "‘Some Nights I Feel Like Walking’ is a Raw Examination of Desire and Grief") come together in *Tayo Lang Ang Nakakaalam*, a film about queer love, family, and mortality*.* Director David Corpuz’s third Cinemalaya project follows del Rosario’s Neil as he deals with his partner Bong’s (Odron) declining health due to HIV. While he has the support of Bong’s parents, Gloria (Aguila) and Benjie (Quizon), the three still struggle to pay the hospital bills and take care of Bong in a country where homosexuality and HIV are still [stigmatized](https://rollingstonephilippines.com/state-of-affairs/power/philippines-hiv-epidemic-issues/ "The Philippines Faces a Longer Road in its Fight Against HIV"). *Tayo Lang Ang Nakakaalam* is a gorgeous and heartbreaking must-watch. ## Frequently Asked Questions ### What is Cinemalaya? The Cinemalaya Philippine Independent Film Festival is an annual festival held at the Cultural Center of the Philippines, with screenings in select theaters. Its centerpiece is a competition of full-length films, which are developed over a 20-month period through a grant program. From up to 10 competing films, one is chosen as the Best Full-length Film at the end of the festival run. A similar competition is also held for short films. ### Where and when can I watch Cinemalaya 2026? You can watch all Cinemalaya 2026 entries at the Red Carpet Cinemas in Shangri-La Plaza, Gateway Cineplex, and Ayala Malls Cinemas from August 6 to August 18. ### How much are Cinemalaya 2026 tickets? Each full-length film for Cinemalaya 2026 is screened separately, while short films are shown in batches of two. A regular ticket for a screening costs P350, while a ticket for students costs P250. A 20 percent discount is available for senior citizens, PWDs, national coaches, and national athletes. Cinemalaya also offers special deals, which can be found on the official [website](https://www.cinemalaya.org/tickets/). ### What full-length films can I watch at Cinemalaya 2026? Cinemalaya 2026 has a lineup of nine full-length films this year: *2 Valid IDs*, *Hand of God*, *Mag-iina*, *A.ni.mál*, *Ganggang*, *Kaka sa Yawan*, *Status: Rejected*, *Tayo Lang Ang Nakakaalam*, and *Tirik*. ### What short films can I watch at Cinemalaya 2026? The short-film category for Cinemalaya 2026 includes the following: *Elenita Elena Elaine*; *Honey, My Love, So Sweet*; *Hoy, Hoy, Ingat!*; *kung paano kakalas*; *Para-Paraan*; *Runo!*; *Silkscreen*; *Sorbetes*; *The Keeper*; and *The River Flows in Different Places*. Related Stories - [Cinemalaya 2026 Review: ‘2 Valid IDs’ is A Filipino’s Bureaucratic Nightmare](https://rollingstonephilippines.com/culture/film/2-valid-ids-cinemalaya-review/ "Cinemalaya 2026 Review: ‘2 Valid IDs’ is A Filipino’s Bureaucratic Nightmare") - [Cinemalaya 2026 Review: In ‘Mag-iina,’ Nothing’s Scarier Than Family](https://rollingstonephilippines.com/culture/film/mag-iina-cinemalaya-2026-review/ "Cinemalaya 2026 Review: In ‘Mag-iina,’ Nothing’s Scarier Than Family") - [JL Burgos on ‘Alipato at Muog’ and Fighting for Desaparecidos](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/jl-burgos-alipato-at-muog-famas/ "JL Burgos on ‘Alipato at Muog’ and Fighting for Desaparecidos") **Categories:** Culture, Film, Philippine Cinema **Tags:** Cinemalaya, Cinemalaya 2026 --- ### [‘The End of Oak Street’ Is the Best Vintage-Spielberg Rip-Off of the Past Decade](https://rollingstonephilippines.com/culture/reviews/end-of-oak-street-review-ewan-mcgregor-anne-hathaway/) **Published:** August 13, 2026 **Author:** David Fear **Excerpt:** That’s a compliment, as this conspicuous 1980s throwback about a suburban neighborhood overrun by rampaging dinosaurs is a true blockbuster rush **Content:** The monsters are due on Maple Street, a wise gent once posited. No offense to our man Rod Serling, but he may have been off by a few blocks. The legendary TV-show creator and hall-of-fame doomsayer would have undoubtedly dug *The End of Oak Street,* writer-director David Robert Mitchell’s contribution to the creatures-run-amok genre — it operates on a distinctly *Twilight Zone*-type of logic. Serling isn’t the primary influence hovering over this metaphor-friendly tale of the painfully ordinary disrupted by “Holy shit!” levels of extraordinary, however. It exists within a more modern shadow than Cold War paranoia and Eisenhower-era conformity, paying tribute to a different type of pop-culture giant. Mitchell isn’t trying to nudge viewers into another dimension, not only of sight and sound but of mind. He’s aiming for resurrecting the glory days of 1980s summer blockbusters, a close encounter of the vintage Amblin Entertainment kind. It’s easily the best homage-slash-rip-off of a Spielberg movie in ages. Welcome to Oak Street, located squarely in Everysuburb USA, circa 1982. The annual summer block party, complete with sack races and grilled hotdogs, is in full swing. Among the participants are the Pratts, a picture-perfect American family provided you don’t notice the fraying edges on the periphery. Greg ([Ewan McGregor](https://rollingstonephilippines.com/tag/ewan-mcgregor/ "Ewan McGregor")) has to excuse himself from the festivities early to deliver a pizza; he’s been taking on side hustles to help make ends meet, especially because his brainy, snarky daughter Audrey (Maisy Stella) has her eye on going to Cornell. Not even regular nips from a hidden bottle of whiskey in the garage can ease Greg’s self-loathing. His son, Brian (Christian Convery), is officially entering his early-teen rebellion phase. He has one eye on the new girl in town named Jeanette (Jordan Alexa Davis) and his other on constant lookout for the town bruiser, who’s issued an all-points beatdown bulletin on Brian after some shenanigans involving the guy’s brother. And then there is Denise Platt ([Anne Hathaway](https://rollingstonephilippines.com/tag/anne-hathaway/ "Anne Hathaway"), adding to what’s already been a banner year). She’s losing her patience with her passive-to-a-fault husband who, in her words, has a tendency to pretend problems simply don’t exist. Denise has written a novel in secret, about a frustrated housewife itching to leave her husband and kids for a rich, fulfilling life in New York. It’s fiction, she insists, fooling nobody but herself. This would-be bestselling author has shared her manuscript with a retired book editor down the block. She thinks Denise has a shot at getting it published. Meanwhile, the high-strung guy next door is haranguing her about their dog, and threatens to kill the pooch if it keeps pooping on his lawn. She can’t even summon the energy to be polite anymore. You’d say she was a woman on the verge of a nervous breakdown, minus the “verge” part. The Pratts are in serious crisis, besieged by bullies and bad neighbors outside of their house and foundation-crumbling dysfunction inside it. So when odd occurrences like, say, the mysterious appearance of a plant that’s technically been extinct for 200 million years, or a massive, one-ton pile of dung showing up in the neighbor’s backyard — something chalked up to either a karmic prank or the dog seriously needing to change up his diet — no one really has the bandwidth to pay much attention. Then there’s a seismic rumble and a flash of blinding light in the middle of the night. Soon, the Pratts and their fellow Oak Street residents find themselves dealing with a plague of dinosaurs turning cul-de-sacs into killing grounds. Who has time to deal with the elephant in the room when you have to reckon with a T. rex snapping its blood-stained jaws at your front door? ![end of oak street still](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/end-of-oak-street-intext.webp) Everything’s going great in *The End of Oak Street*. Photo from Warner Bros. This is the Jurassic lark that the movie uses to test its suburbanites, one in which the why of it all (there are a few cursory mentions of wormholes and Carl Sagan is name-dropped) is way less important than the way this family bonds over a major, inexplicable catastrophe. Your entire neighborhood has been unceremoniously transported back to a nightmare Flintstones scenario — time to circle around your loved ones and hone those long-dormant survivalist skills, folks! It turns out that maybe Dad can be good in a pinch, and Mom’s knack for compartmentalization sure comes in handy when trapped in a house filled with prehistoric alligators. It should surprise no one that, like her character, Hathaway is the linchpin of *The End of Oak Street,* pirouetting from exasperation to affection to hysteria to steeliness in a way that would inspire a fist-bump from *[The Odyssey](https://rollingstonephilippines.com/culture/reviews/christopher-nolan-the-odyssey-review/ "Christopher Nolan Means War in ‘The Odyssey,’ His Most Gruesome Film Yet")*’s Penelope. Few contemporary A-list actors give better scared face than her, and as with her psychologically fraught pop star in *[Mother Mary](https://rollingstonephilippines.com/culture/mother-mary-interview-charli-xcx-fka-twigs/ "‘There Were No Release Valves’: Inside the Making of ‘Mother Mary’"),* there’s a physicality to her action-mom turn here that’s thrilling to watch. Hathaway is in a serious groove right now, and we’re lucky to have her gracing so many screens over the past six months — though not as lucky as Mitchell is to have her anchoring his own personal experiment in time traveling. Because the filmmaker is less interested in the prehistoric age of rampaging predators than the golden age of multiplex moviegoing, when blockbusters felt compelled to lace their spectacles with humanity and understood the delayed-gratification thrill of tension and release. Everything from the conspicuously faded visual palette — all the better to conjure up that spirit-of-‘82 feeling, my dear — to the *Jaws*-to-*Jurassic Park* method of withholding the monsters as long as possible reeks of a bygone era of Spielbergmania. Though to be fair, even His Steveness wouldn’t be so cheeky as to have his heroes stumble across two huge dinos fucking against a house. There’s a heavy dose of hero worship on display here, not just from Mitchell but producer [J.J. Abrams](https://www.rollingstone.com/t/j-j-abrams-2/) as well; you can practically hear their we’re-not-worthy genuflecting mixed into the ambient background noise. But there’s also an attempt to channel the sensation they had as kids of being wowed by big studio tentpoles with a human touch. And a very human sense of complexity: Everyone remembers the eye-popping mother ship connection at the end of *Close Encounters of the Third Kind.* Fewer people recall [the disturbing “crybaby” sequence](https://www.youtube.com/watch?v=qW3lmKicfmk). The people behind this flashback do, however, and their tribute is filled with those kind of raw, emotional, rough-edged moments in between full-on dino carnage. If you’ve been following David Robert Mitchell’s career, it’s easy to see bits of his odds-and-sods previous work poking out of this grab for the OG-blockbuster brass ring. There’s the palpable sense of lived-in suburban life from his 2010 coming-of-age debut, *The Myth of the American Sleepover*. There’s the forward momentum and understanding of composing the frame for maximum effect that he displayed in his 2014 breakthrough *It Follows.* (Though by the time the 99th split-diopter shot shows up during a family conversation, you realize he maybe loves this filmmaking trick not wisely but too well?) And there’s the feeling that true weirdness is always just one lysergic layer below reality that characterized his 2018 cult classic *Under the Silver Lake.* The fact that he’s combined all of those elements and still hits the right notes for this karaoke take on yesteryear’s summertime entertainment makes this feel like more than cheap nostalgia. It’s not a question of whether or not they make ’em like this anymore. You’re just stoked they were able to make something like this at all right now. *This story was originally published on [rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-reviews/end-of-oak-street-review-ewan-mcgregor-anne-hathaway-1235600059/).* Related Stories - [Who Are the Real Villains in ‘The Devil Wears Prada 2’?](https://rollingstonephilippines.com/culture/film/the-devil-wears-prada-2-real-villains/ "Who Are the Real Villains in ‘The Devil Wears Prada 2’?") - [Christopher Nolan Means War in ‘The Odyssey,’ His Most Gruesome Film Yet](https://rollingstonephilippines.com/culture/reviews/christopher-nolan-the-odyssey-review/ "Christopher Nolan Means War in ‘The Odyssey,’ His Most Gruesome Film Yet") - [‘There Were No Release Valves’: Inside the Making of ‘Mother Mary’](https://rollingstonephilippines.com/culture/mother-mary-interview-charli-xcx-fka-twigs/ "‘There Were No Release Valves’: Inside the Making of ‘Mother Mary’") **Categories:** Culture, Film, Reviews **Tags:** Anne Hathaway, Ewan McGregor --- ### [Cinemalaya 2026 Review: In ‘Mag-iina,’ Nothing’s Scarier Than Family](https://rollingstonephilippines.com/culture/film/mag-iina-cinemalaya-2026-review/) **Published:** August 12, 2026 **Author:** Mel Wang **Content:** *This review contains spoilers.* *Mag-iina* isn’t for everyone, but it does its best to earn its eccentricities. Directed by [Giancarlo Abrahan](https://rollingstonephilippines.com/tag/giancarlo-abrahan/ "Giancarlo Abrahan") and written by Guelan Varela-Luarca (who are both fresh off working on the stage adaptation of Abrahan’s 2014 [Cinemalaya](https://rollingstonephilippines.com/tag/cinemalaya/ "Cinemalaya") darling, *[Dagitab](https://rollingstonephilippines.com/tag/dagitab/ "Dagitab")*), *Mag-iina* cares little about sticking to genre. It opens as a horror movie, with a young woman named Anj (Janine Gutierrez) returning to her ancestral home right before the 40th day of her estranged father’s passing. Anj has been having strange dreams about a child roaming the old house in search of her father. Something’s not right in the attic, but before Anj can open the door, she’s back in her real haunted house, with ghosts (both living and dead) out and about. From there, *Mag-iina* makes quite a few narrative turns. We’re introduced to the main cast of women, which includes Anj’s uncontrollable mother Mita ([Agot Isidro](https://rollingstonephilippines.com/tag/agot-isidro/ "Agot Isidro")), her “holier than thou” aunt Ysobel (Cherry Pie Picache), and the stoic but terrified maid Katte (Ness Roque). *Mag-iina* is a horror movie no more, but instead a tense family drama. There is so much intrigue among the women, including Anj, and a lot of this drama shines through in the dialogue between them. Varela-Luarca is, after all, a seasoned dramaturg, and he did base *Mag-iina*’s script on his own award-winning play, *Corridors*. There is venom in the way the women speak, but you’ll need to pay attention — there is also always more than one meaning to the jabs and digs they throw at each other. However, there is one matriarch that reigns supreme over this cursed dominion. Angela (a terrifying Jackie Lou Blanco) emerges from her attic art studio every night, and there is no escaping her hatred once she sits down at the dinner table. Blanco gives the strongest performance out of the already stacked cast, especially when she finally makes her grand entrance. No one is safe from her wrath, not even Ysobel’s young son Yñigo (Lucas Andalio), whose storyline was arguably one of the most unsettling parts of *Mag-iina* (but no spoilers). Angela has turned into the grotesque crone of the family, and her cruelty is what pushes the film into the territory of psychological thriller. She has much to say about hatred, about motherhood, and dissecting her monologues might just give you the key to understanding the many different thesis statements of *Mag-iina*. ## Do All The Points In ‘Mag-iina’ Land? ![magiina agot isidro janine gutierrez cinemalaya 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/magiina-agot-isidro-janine-gutierrez-cinemalaya-2026.webp) Agot Isidro and Janine Gutierrez. Photo from Cinemalaya If you can’t tell by now, there are a lot of moving parts to *Mag-iina*. There is the home itself, which brings with it its own set of secrets. Then there is the family that lives in said home, with each member carrying so much generational trauma, it’s a wonder they’ve survived under the same roof. *Then* there are the messages that each of them is trying to convey. Over the course of 105 minutes (less than two hours), the entire cast zips through the heavy themes of grief, love, legacy, and family, and not to mention a few thoughts on filial piety, destiny, and nationalism. But it’s difficult to say whether or not *Mag-iina* sticks the landing every time it throws a new theme at Anj and her family. Some are stronger than others — the film has much to say about trauma and how every person responds to it differently, and there were moments throughout the film when I felt that it would have benefited from honing in on this one topic rather than casting such a wide net. Its thoughts on love of country (and what we’re willing to do for it) could have been fleshed out more, unless we were meant to see the whole premise of the film (i.e. living in a tender, but also dysfunctional household) as a metaphor for this experience. What’s more, there are so many twists, turns, and mother-offs that it’s hard to keep track of every message. *Mag-iina* isn’t your typical horror movie, and it most certainly won’t make every audience member completely satisfied. But that isn’t its job. Instead, *Mag-iina* will make you wonder what the hell you just watched, all while mulling over important questions on what it means to be part of, to return to, and to escape from your family. For the brave of heart, catch multiple screenings of *Mag-iina* before this year’s Cinemalaya ends, because it’s the type of movie that needs you to decipher its messages again and again. ## Frequently Asked Questions ### What is *Mag-iina* about? *Mag-iina* is about a young woman named Anj who returns to her ancestral home after the passing of her estranged father. ### Who is in the cast of *Mag-iina*? *Mag-iina* stars Janine Gutierrez as Anj, Cherry Pie Picache as Ysobel, Agot Isidro as Mita, Ness Roque as Katte, Jackie Lou Blanco as Angela, and Lucas Andalio as Yñigo. ### What is *Mag-iina* based on? *Mag-iina* is based on screenwriter Guelan Varela-Luarca’s award-winning play, *Corridors*. ### Where to watch *Mag-iina*? *Mag-iina* is screening at select cinemas across Metro Manila that have partnered with the Cinemalaya Philippine Independent Film Festival. ### Is *Mag-iina* worth watching? Yes, *Mag-iina* is worth watching, although it may not appeal to all audiences. The film jumps from genre to genre, and its multiple messages may not be so easy to follow. Related Stories - [Cinemalaya 2026 Review: ‘2 Valid IDs’ is A Filipino’s Bureaucratic Nightmare](https://rollingstonephilippines.com/culture/film/2-valid-ids-cinemalaya-review/ "Cinemalaya 2026 Review: ‘2 Valid IDs’ is A Filipino’s Bureaucratic Nightmare") - [‘I Take Everything as It Comes’: Agot Isidro Looks Back on 35 Years in Show Business](https://rollingstonephilippines.com/culture/film/agot-isidro-concert-politics-interview/ "‘I Take Everything as It Comes’: Agot Isidro Looks Back on 35 Years in Show Business") - [Cinemalaya and the Search for a Free Filipino Cinema, 20 Years Later](https://rollingstonephilippines.com/culture/philippine-cinema/cinemalaya-20-years-commentary/ "Cinemalaya and the Search for a Free Filipino Cinema, 20 Years Later") **Categories:** Culture, Film **Tags:** Cinemalaya 2026, Mag-iina --- ### [Rex Mangubat Believes Dasmariñas Can Do Better in the Special Election](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/rex-mangubat-dasmarinas-special-election/) **Published:** August 12, 2026 **Author:** Pie Gonzaga **Excerpt:** The former vice mayor, who has served Dasmariñas for 21 years, says Cavite’s fourth district needs “proper and good representation” in Congress **Content:** Former Congressman [Kiko Barzaga](https://rollingstonephilippines.com/tag/kiko-barzaga/ "Kiko Barzaga")’s term in the House of Representatives was cut short when 265 of his colleagues voted to expel him for “disorderly behavior” and violations of the House Code of Conduct. Despite that, Dasmariñas, the lone city that makes up Cavite’s fourth legislative district, remains divided on their ex-representative. While he earned praise on social media, mostly from supporters of the Duterte political clan, for his unapologetic attitude in Congress, other citizens aired frustrations over his inability to deliver on long-standing issues in the district, such as healthcare, water supply, and heavy traffic. When the Commission on Elections (Comelec) announced a special election for Cavite’s fourth district representative in July, former Dasmariñas Vice Mayor [Raul Rex D. Mangubat](https://rollingstonephilippines.com/tag/rex-mangubat/ "Rex Mangubat") was the first to file a certificate of candidacy (COC). “I have always believed that our city and our district can do even better,” he tells *Rolling Stone Philippines*. “That is part of the dream: to help create more opportunities, improve the lives of our people, and show them that we are capable of achieving more together.” Along with [four other candidates](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/cavite-4th-district-candidates-replace-kiko-barzaga/), he has embarked on a last-minute campaign to earn the favor of Dasmariñas. The veteran public servant has over two decades of work in governance behind him, first elected in 2004 as municipal councilor for the city before becoming a member of the Sangguniang Panlalawigan in 2010. From then to 2016, he also chaired the provincial board’s Committee on Finance, Budget and Appropriations, before his nine-year tenure as Dasmariñas vice mayor. But in all his years of participating and winning in local polls, he has never experienced a special election. “The difficulty here is that it is such a short time to campaign,” he says. “We’re only talking of roughly around 30 days to campaign for the position, and considering that we are a very huge city and district — 75 barangays and 400,000+ voters — I have to compress all that during the campaign period.” When he filed his COC in July, Mangubat received some criticism for running for the vacated position against Barzaga’s mother, incumbent Dasmariñas Mayor Jennifer “Jenny” Austria-Barzaga, especially as the former vice mayor had served alongside Austria-Barzaga’s late husband, former Congressman Elpidio “Pidi” Frani Barzaga Jr. In response, Mangubat said, “Ang pagkakataong ibinigay sa akin ay hindi para manatili akong tapat sa isang pangalan o pamilya. Iyon ay para paglingkuran ang bawat Dasmarineño.” ![rex mangubat](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/rex-mangubat-intext.webp) Mangubat visits constituents in Dasmariñas, August 10. Photo from Rex Mangubat/Facebook A supporter of the anti-dynasty bill, part of Mangubat’s campaign is also hinged on earning the trust of Dasmarineños through hard work, instead of nepotism. “Minamana ba ang tiwala, o pinaghihirapan? Para sa ‘kin, pinaghihirapan ito,” reads a post on his social media page. With the Barzagas having won significant local positions in the 2025 midterm polls, Mangubat faces a fat dynasty in the special election to be held on August 29. But to that, his campaign slogan simply says, “Challenge accepted para sa Dasmariñas.” “We know that public service comes with many challenges, and we know the road will not always be easy,” Mangubat says. “But we welcome those challenges because we believe that we can still do more for our city. For me, it is about giving back to the place that has given me the opportunity to serve for so many years.” Here, he talks to *Rolling Stone Philippines* about his years in public service, the issues that Dasmariñas faces now, and what makes the district’s special election so important. **You’re running to replace former Rep. Kiko Barzaga and against the late Rep. Pidi Barzaga’s wife, Mayor Jenny Austria-Barzaga. You’ve also mentioned on a few occasions that you look up to the late Cong. Pidi. What did you learn from him about governance?** I have always believed in and respected his vision and aspirations for Dasmariñas: to make it one of the leading cities in Cavite. But the challenges our people face today are different from those of the past. The needs have evolved, and so must the way we respond to them. **Speaking of the past, you’ve served as Dasmariñas’s vice mayor three times. What are some issues in the city or district that you think should be addressed, regardless of who wins?** The number one priority would definitely be the health needs of the people of Dasmariñas. We have a population nearing one million, so you can imagine the scale of the demand when it comes to healthcare. Dasmariñas has also long been a relocation site for many families who came from Metro Manila. A lot of them still struggle with access to basic healthcare. Some cannot afford to go to the hospital, see a doctor, or even buy the medicines they need. That is why healthcare, for me, has to be addressed first. The second priority would be the water problem. I have been going around different communities, from relocation areas to subdivisions, and one concern that keeps coming up is the shortage or inconsistency of the water supply. We need to understand why this continues to happen. We have to sit down with the people responsible for the water system, ask the right questions, and find out where the problem is coming from. Just as importantly, we have to keep the people informed. They deserve to understand what is happening, what is being done about it, and when they can expect things to improve. “I have always believed that our city and our district can do even better.” Former Dasmariñas Vice Mayor Rex Mangubat **You recently voiced your support for the [anti-dynasty bill](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/anti-dynasty-bill-marcos-questions/ "3 Questions We’re Asking as Marcos Pushes for the Anti-Dynasty Bill"). But some lawmakers argue that some versions of the bill are more lenient than others, and others have pointed out the irony of certain congressmen supporting such a measure. To you, what makes a good, watertight anti-dynasty bill?** Well, the reason why I support \[the anti-dynasty bill\] is the system of checks and balances. Let’s say all the elected positions are held by one family; checks and balances are not implemented. Usually, whatever they decide on is approved automatically because nobody opposes it. Nobody checks whether the projects or the funding that they need or that they want to use would be really beneficial for the people of the city. **How do you plan to navigate Congress and make the most of your role?** Definitely, one of the first things I would have to do is learn the system in Congress. I will educate myself as quickly as possible, especially with so many things happening in the country and in the political landscape. We are also approaching the 2028 presidential election, so the next few years will be very important. It is necessary to listen, observe, and understand the direction Congress is taking. I would also make it a point to learn from the sitting congressmen and understand the plans and measures being discussed. But at the end of the day, my question will always be: How will this benefit the people of Dasmariñas? I want to make sure that whatever I learn and whatever opportunities are available in Congress can be translated into something meaningful for my city and our people. **What’s at stake for the district in the upcoming special elections?** The number one thing at stake is proper and good representation in Congress. We have to have one who can address, who can give in, or who can bring in projects here for the people of Dasmariñas. We really have to have good representation in Congress. ## Frequently Asked Questions ### Who is Rex Mangubat? Rex Mangubat is a veteran public servant from Dasmariñas, Cavite. He served as a municipal councilor from 2004 to 2010, a member of the Sangguniang Panlalawigan from 2010 to 2016, and vice mayor of Dasmariñas from 2016 to 2025. During his time in Cavite’s Sangguniang Panlalawigan, he also headed the provincial Committee on Finance, Budget, and Appropriations. ### Who else is running in the special election for Cavite’s fourth district representative? Aside from Rex Mangubat, other candidates for Cavite’s fourth district representative include incumbent Dasmariñas Mayor Jenny Austria-Barzaga, Marvin Opamin Dupal-ag, Leysander Aguilar Ordenes, and Jacinto “Jesse” Bautista Frani Jr., who ran against Kiko Barzaga in the 2025 congressional race and lost by a close margin. ### When will the special election be held and when will results come out? The special election for Cavite’s fourth district representative will be held on August 29. According to Comelec, a winner is expected to be declared the following day, August 30. ### Why was Kiko Barzaga expelled from the House of Representatives? The House Committee on Ethics and Privileges found Kiko Barzaga guilty of disorderly behavior and violating the House Code of Conduct, leading to his expulsion in June 2026. ### What issues does Dasmariñas City face? According to Rex Mangubat, Dasmariñas faces issues in its healthcare and water supply. He says that with a population nearing one million, the demand for basic healthcare in the city is high. In visiting communities and relocation sites around the city, he also observed inconsistencies and shortages in water supply. Related Stories - [The 5 People Running to Replace Kiko Barzaga in Cavite’s Fourth District](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/cavite-4th-district-candidates-replace-kiko-barzaga/ "The 5 People Running to Replace Kiko Barzaga in Cavite’s Fourth District") - [Who is Kiko Barzaga, the Gen Z Congressman Who Wants to Replace House Speaker Romualdez?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/kiko-barzaga-gen-z-congressman/ "Who is Kiko Barzaga, the Gen Z Congressman Who Wants to Replace House Speaker Romualdez?") - [3 Questions We’re Asking as Marcos Pushes for the Anti-Dynasty Bill](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/anti-dynasty-bill-marcos-questions/ "3 Questions We’re Asking as Marcos Pushes for the Anti-Dynasty Bill") **Categories:** Philippine Politics, State of Affairs **Tags:** Kiko Barzaga, Rex Mangubat --- ### [Taglish is One of the Best New Concepts This Year. Here’s What to Order](https://rollingstonephilippines.com/radar/rs-recommends/taglish-restaurant-frances-tariga-what-to-order/) **Published:** August 12, 2026 **Author:** Jonty Cruz **Excerpt:** A “steakhouse” that does away with meat to celebrate seafood makes for a standout addition to the city’s dining scene **Content:** Taglish, located on the top floor of the Levanto Building along Jupiter Street in Makati, will likely be described as a steakhouse, or actually, it’s a seafood restaurant, or in [Chef Frances Tariga](https://rollingstonephilippines.com/culture/food/chef-frances-tariga-tadhana-set-record-straight/ "Tadhana’s Chef Frances Tariga Doesn’t Want Fine Dining to Just Be Fine")’s own words, “It’s not Filipino. It’s not American. It’s Taglish.” All those are true but to keep it perfectly simple, Taglish is one the best and most exciting new concepts to hit Manila this year. “We aren’t trying to imitate a New York steakhouse. We’re asking what a world-class steakhouse would look like if it had always existed in Manila,” says Tariga in a statement. “Every side dish, every sauce, every piece of seafood, and every lumpia tells that story.” Even its design tells that story. “Fine dining” is written all over the interiors of Taglish from the moment you step inside but it is anything but stuffy or pretentious. The design is subdued and sophisticated but unique enough to not be bland or impersonal. Unlike Tadhana right next door, which feels like Tariga’s stage to perform and showcase her skills, Taglish gives Tariga a place to be herself minus the pomp and circumstance of a traditional tasting menu. That perhaps is the most compelling part of Taglish: at a time when chefs feel pressured to create tasting menus to stand out, and often overextending their reach, each dish in Taglish’s a la carte menu will make any meal a special occasion. Last August 5, we got to try Taglish for the first time, and these are what you shouldn’t miss. ## GenSan Tuna Porterhouse ![gensan tuna porterhouse taglish restaurant chef frances tariga](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/gensan-tuna-porterhouse-taglish-restaurant-chef-frances-tariga.webp) Photo by Excel Panlaque Manila has always had great steaks, but rarely do we see an alternate version compete as well as any meat. Tariga’s seafood take on a steakhouse classic is far and away the best thing at Taglish. Cooked to perfection alongside a brown butter sauce, this will satisfy any diner regardless of their choice of protein. ## Negros Diwal Casino ![NEGROS DIWAL CASINO 002 taglish restaurant chef frances tariga](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/NEGROS-DIWAL-CASINO-002-taglish-restaurant-chef-frances-tariga.webp) Photo by Excel Panlaque Tariga plays a lot with nostalgia and our favorite childhood dishes. Perhaps the best execution of this is the Negros Diwal Casino. Made with ‘nduja, citrus crumble, and charred lime, it makes the household favorite an elevated steakhouse staple. Don’t be afraid to order more of this. ## Sticky Langka Pudding ![STICKY LANGKA PUDDING taglish restaurant chef frances tariga](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/STICKY-LANGKA-PUDDING-taglish-restaurant-chef-frances-tariga.webp) Photo by Excel Panlaque While much of the hype is for the Baked Halo Halo, don’t sleep on the Sticky Langka Pudding. This dessert is a warm, comforting end to a fantastic meal that punctuates what Taglish is all about: a mix of different cultures that become greater than the sum of its parts. **Categories:** Radar, RS Recommends **Tags:** Frances Tariga, Taglish --- ### [The Winners and Losers of ‘House of the Dragon’ Season 3](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-winners-losers/) **Published:** August 11, 2026 **Author:** Pie Gonzaga **Excerpt:** Before the Dance of the Dragons comes to a close, we ask, who has the upper hand and who’s on the losing end of this game of thrones? **Content:** *This article contains spoilers for* House of the Dragon *Season 3*. The penultimate season of HBO’s *[House of the Dragon](https://rollingstonephilippines.com/tag/house-of-the-dragon/ "House of the Dragon")* has come to an end, and with the [finale](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-finale-recap/ "Rhaenyra Gets the Villain Edit in the ‘House of the Dragon’ Season 3 Finale"), we bid farewell to beloved and hated characters alike. In the past eight episodes, Westeros spiraled into full chaos as the Blacks and Greens charged into one battle after another, exchanging assassination plots and forming factions and shady alliances even within their own ranks. To recall, Rhaenyra ([Emma D’Arcy](https://rollingstonephilippines.com/tag/emma-darcy/ "Emma D'Arcy")) takes over King’s Landing after losing her eldest son and heir, Jacaerys (Harry Collett), in the [Battle of the Gullet](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-1-recap/ "‘House of the Dragon’ Returns with Death and Incest Galore in Season 3, Episode 1"). We are also introduced to Ormund Hightower (James Norton), cousin of Queen Dowager Alicent (Olivia Cooke) and caretaker of her youngest son, Daeron Targaryen (Benjamin Evan Ainsworth). Ormund has a plan of his own: to defect from the Greens and put Daeron on the Iron Throne in place of the Greens’ incompetent King Aegon (Tom Glynn-Carney), who has gone missing, and the Blacks’ Queen Rhaenyra, who is unfit to rule because she’s a woman. All the scheming and political talk throughout the show culminates in the First Battle of Tumbleton in Episode 8, bringing the season to an action-packed end and setting the stage for *House of the Dragon*’s exciting fourth and final season, which we’ll see in 2028. As we approach the apex of the Dance of the Dragons, we look at where its major players are after Season 3 of *House of the Dragon*. ## Ormund Hightower: Loser ![ormund james norton house of the dragon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/ormund.webp) Ormund (James Norton) reaches for his inhaler as he gets ready for battle. Photo by Ollie Upton/HBO Max Ormund was a real shit-stirrer, pretending to bend the knee to Rhaenyra and handing over a decoy Daeron to the Blacks, before also wreaking havoc on King’s Landing by hiring assassins to mutilate and kill the city watch. He chose Tumbleton, a meek and peaceful market town, as a Green stronghold with the express intent to make Rhaenyra look like a monster when she sends her army and dragons his way. A religious fundamentalist, he also harbors ill will against Daeron’s ungodly Targaryen side, but still wants to use his nephew for power. While cunning, the Hightower commander’s hubris eventually leads to his demise in the First Battle of Tumbleton when he gets stabbed in the ass by Roderick Dustin (Tommy Flanagan) and burnt by Silverwing. Rest in peace, Ormund, and — quite literally — up yours! ## Ulf the White: Winner ![ulf tom bennett house of the dragon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/ulf.webp) Ulf (Tom Bennett) gets ready to ride Silverwing into battle. Photo by Theo Whiteman/HBO Max Ulf the White (Tom Bennett) might have been the most disloyal, disobedient, and *irritating* of the dragonseeds, but I must give 10s where 10s are due. Ulf wanted the glory of being a dragonrider, boasting about his status in the taverns until Rhaenyra banned him from them. And when he could no longer find that glory in Team Black, he switched to Team Green, but found out a little later on that he’d also be humiliated. In the end, on the back of Silverwing, he took the opportunity to rain fire on both sides of the Dance. Those who’ve read *Fire & Blood* know that punishment awaits him for his treasonous streak (though his betrayal against the Greens doesn’t come this early, canonically), but for now, it must feel good for him to put his anger out on the disputed kings and queens of Westeros. ## Gwayne Hightower and Daeron Targaryen: Losers ![gwayne freddie fox daeron benjamin evan ainsworth house of the dragon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/gwayne-and-daeron.webp) Gwayne (Freddie Fox) and Daeron (Benjamin Evan Ainsworth) hatch a plan with Corlys (Steve Toussaint). Photo by Ollie Upton/HBO Max In the world of *A Song of Ice & Fire*, you just don’t win by being good, and Gwayne (Freddie Fox) and Daeron are great but unfortunate examples of this. In Episode 8, the two try to defect from Ormund and the Greens by attempting to broker a peace deal, in which Daeron, being the only known surviving Hightower-Targaryen claimant, would only rule Oldtown as the Lord of the Reach, while Rhaenyra rules all Seven Kingdoms. But Daemon ([Matt Smith](https://rollingstonephilippines.com/tag/matt-smith/ "Matt Smith")), as Rhaenyra’s consort, uncle, and proxy at the Battle of Tumbleton, is also a warmonger out for blood. The deal doesn’t satisfy him, especially as Daeron could still be seen as a threat to Rhaenyra’s reign, and the battle pushes through. ## Rhaenyra Targaryen: Winner ![rhaenyra emma d'arcy house of the dragon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/rhaenyra.webp) Rhaenyra (Emma D’Arcy) dons chainmail and a crown in the season finale. Photo by Theo Whiteman/HBO Max Rhaenyra has lost so much in the civil war: her friendship with Alicent, her lover, her gay husband, and two of her sons. After Jace died in Episode 1, Daemon asked if she’d let his death go in vain, and she finally finds the will to take over King’s Landing on dragonback. When she finally sits the Iron Throne, more troubles come her way, from the High Septon refusing to anoint her as queen and the city’s empty treasury to the Gold Cloak assassinations, which have stoked fear and hostility among her people. Despite that, she’s managed to hold down the fort. Her reign over King’s Landing will only get rockier from here, but for now, she has the upper hand. ## Aemond Targaryen: Loser ![aemond ewan mitchell house of the dragon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/aemond.webp) Aemond (Ewan Mitchell) recovers from his injuries in Harrenhal. Photo by Theo Whiteman/HBO Max Aemond (Ewan Mitchell) has harbored a resentment against his older brother ever since he ascended the Iron Throne in Season 2. Eventually, it leads to him burning Aegon and Sunfyre at the Battle of Rook’s Rest, and then lying about an incapacitated Aegon abdicating the throne. But a standoff in Harrenhal also leaves him bedridden and Vhagar, Westeros’ biggest, strongest, and oldest living dragon, missing. Stuck in a run-down castle with the witch Alys Rivers, Aemond becomes consumed with guilt over trying to kill Aegon. But it gets worse when the brother he betrayed returns and slaps him in the face. ## Aegon Targaryen: Winner ![aegon tom glynn-carney house of the dragon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/aegon.webp) Aegon (Tom Glynn-Carney) sulks in the woods outside Rook’s Rest. Photo by Theo Whiteman/HBO Max From being incompetent and prodigal, Aegon realizes he can’t squander his gods-given right to rule during his self-imposed exile, and returns to Team Green like a messiah. He’s literally been through some shit, having to disguise himself as a latrine attendant at Rook’s Rest, and then getting a harsh but much-needed pep talk from his Hand, Larys Strong (Matthew Needham), about how useless and miserable he is despite his privilege. It only inflates his ego, but it’s also the push he needs to finally become a worthy opponent to his older half-sister, Rhaenyra. ## Alicent Hightower: Loser ![alicent olivia cooke house of the dragon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/alicent.webp) Alicent (Olivia Cooke) gets a bad feeling about Helaena. Photo by Theo Whiteman/HBO Max Of all this season’s losers, Alicent breaks my heart the most. Say what you will about how she’s been groomed to seize and hold power, but everything she’s done has been in the interest of her children, no matter how messed up they all are. In season 3, she agrees to let go of Aegon, believing him dead, and have Aemond killed, all for the safety of her only good children, Helaena and Daeron. But Helaena dies, Daeron is still out of reach, and the sons she did try to sabotage are poised for a comeback. To make matters worse, Aemond also knows that Alicent tried to poison him. What fate awaits her in the final season, I’m afraid to find out. *House of the Dragon* Season 3 is available to stream on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max"). ## Frequently Asked Questions ### When will *House of the Dragon* Season 4 come out? *House of the Dragon* Season 4 is expected to come out in 2028, HBO confirmed in November 2025, ahead of the release of Season 3. It will be the show’s final season. ### What happened to Daeron in *House of the Dragon* Season 3, Episode 8? In the season finale, Daeron seems to disappear in the First Battle of Tumbleton. The episode ends with Gwayne looking around the town for him in the aftermath of the battle. In the book *Fire & Blood*, Daeron doesn’t disappear until the Second Battle of Tumbleton. ### Why did Ulf betray the Blacks and the Greens in *House of the Dragon*? Ulf the White was humiliated by both Daemon Targaryen and Ormund Hightower on separate occasions for lazing away and getting drunk, leading him to betray both teams during the First Battle of Tumbleton. In the book, Ulf only betrays Team Black during the First Battle and goes on to try claiming the Iron Throne for himself, leading the Hightowers to punish him. ### Which major characters die in the First Battle of Tumbleton in *House of the Dragon*? Major casualties in the First Battle of Tumbleton include White Wolves commander Roderick Dustin and Ormund Hightower, who fight each other until Ulf kills them with dragonfire. ### Who is Rhaenyra’s new heir after Jace died? Following Jace’s death in Episode 1, Rhaenyra’s youngest son, Joffrey, was made her new heir. Up until the events of Season 3, Joffrey was kept in the Eyrie under the watch of Lady Jeyne Arryn to keep him safe amid the civil war. Related Stories - [Who’s Most and Least Likely to Die in ‘House of the Dragon’ Season 3?](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-most-least-likely-to-die/ "Who’s Most and Least Likely to Die in ‘House of the Dragon’ Season 3?") - [Rhaenyra Gets the Villain Edit in the ‘House of the Dragon’ Season 3 Finale](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-finale-recap/ "Rhaenyra Gets the Villain Edit in the ‘House of the Dragon’ Season 3 Finale") - [Finally, A Dragon Face-Off in ‘House of the Dragon’ Season 3, Episode 7](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-7-recap/ "Finally, A Dragon Face-Off in ‘House of the Dragon’ Season 3, Episode 7") **Categories:** Culture, TV **Tags:** HBO Max, House of the Dragon --- ### [TEETH Is Still Finding New Ways to Rock After 33 Years](https://rollingstonephilippines.com/music/rock/teeth-rocking-after-33-years/) **Published:** August 11, 2026 **Author:** Elijah Pareño **Excerpt:** The veteran rockers revisit their early years, their turn toward shoegaze, and why three decades later, they still feel like they’re just getting started **Content:** Alternative rock band [TEETH](https://rollingstonephilippines.com/tag/teeth/ "TEETH") is celebrating their 33rd anniversary since their formation in 1993. Over the years, they’ve released singles that have defined the band’s history, including “Laklak,” “Prinsesa,” and “Sorry.” To celebrate more than three decades of rock music, the band, which currently consists of vocalist Glenn Jacinto, lead guitarist Jerome Velasco, rhythm guitarist Dok Sergio, bassist Pedz Narvaja, and drummer Mike Dizon, will kick off their anniversary celebrations with a Singapore show on August 30, followed by a five-city concert tour across the Philippines from September 5 to 12. > [View this post on Instagram](https://www.instagram.com/reel/DbnP071j-mi/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Teeth (@teethbumsquad)](https://www.instagram.com/reel/DbnP071j-mi/?utm_source=ig_embed&utm_campaign=loading) In line with the concert tour, TEETH have re-released their debut album on vinyl for the first time. Copies of which sold out within the first hour. With the overwhelming response, Narvaja dropped the big news that new TEETH songs underway, proving that the band is far from done. However, Dizon went on to confirm that the new songs won’t be played at their upcoming reunion concert in Manila. “Kung mag-ta-time travel ako to the year 2026 tapos makikita ko na ganito ‘yung eksena, it’s unbelievable,” Jacinto tells *Rolling Stone Philippines*. “Kasi noong turn of the century, when I left, wala masyadong gigs parang tinanggap ko na I’m gonna stop playing music and I’m just gonna live a simple life again, working a day job. So ngayon \[the band’s\] coming back and the scene is getting better actually if you ask me, I don’t take it for granted anymore.” For Sergio, who joined TEETH in 1997, they’ve always been a band that’s constantly maturing and open to any direction musically. “Wala kaming naiisip na direction at all. Gumagawa lang kami ng music. If anyone wants it, if TEETH wants it, TEETH can have it. If no one wants it, I’ll take it for myself,” he says. “I’ll just do it, walang restriction. If it has to be grunge or if it has to be this or that, wala. If the band wants it or if it suits us, let’s do it. TEETH is still new.” ## Beyond the Hits TEETH has continued to explore different types of distortion and heavy guitar textures throughout its catalog, going beyond the songs that first made them household names. From 1997’s *Time Machine* to 1999’s *I Was A Teenage Tree*, the band went on to push themselves beyond the “grunge” sound from its earlier material. Instead of sticking to the formula of “Laklak” and “Prinsesa,” TEETH became more willing to experiment with different sounds, arrangements, and collaborations as its members matured. Arguably one of the band’s best singles, “Shooting Star” was one of its experiments in *I Was A Teenage Tree.* Velasco recalled adding shoegaze elements to the song, as he himself is a big fan of the genre. The band also mentioned nu-gaze rock band [bird.](https://rollingstonephilippines.com/tag/bird-2/ "bird.")’s cover of “Shooting Star” last April, where Velasco was blown away by the rendition. Dizon, meanwhile, recalled how the band would listen to Sonic Youth and other forms of alternative rock to become inspired while writing their last album. “TEETH is not only about “Laklak” and “Prinsesa.” So ‘pag pinakinggan mo ‘yung *Time Machine*, nag-e-evolve siya from the first album. Pero ‘yung culmination nandon sa *I Was A Teenage Tree*, ‘pag pinakinggan niyo ‘yung songs, walang isang theme. There was no conscious effort to be or hindi namin pinipilit mag-shoegaze. Nasa dugo kasi namin ‘yung pinapakinggan namin. Sana marinig ng new generation kasi ‘yun ang TEETH talaga. Yun ‘yung pinaka-end namen na sound.” ## Frequently Asked Questions ### When was TEETH formed? The band was formed in 1993 and is celebrating its 33rd anniversary in 2026. ### Who are the current members of TEETH? Members currently consist of vocalist Glenn Jacinto, lead guitarist Jerome Velasco, rhythm guitarist Dok Sergio, bassist Pedz Narvaja, and drummer Mike Dizon. ### When is TEETH’s 33rd anniversary tour? TEETH’s anniversary celebrations begin with a Singapore show on August 30, 2026, followed by a five-city Philippine tour from September 5 to September 12, 2026. ### When was TEETH’s last reunion tour? TEETH’s last reunion tours were held in 2018 and 2023. The band’s first major reunion took place at the Metrotent in 2014. ### What TEETH album was re-released on vinyl? TEETH’s debut album was re-released on vinyl for the first time as part of the band’s 33rd anniversary celebrations. The initial copies sold out within an hour of release. Related Stories - [Eraserheads on Music, Maturity, and Making History](https://rollingstonephilippines.com/music/eraserheads-on-music-maturity-and-making-history/ "Eraserheads on Music, Maturity, and Making History") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") - [Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’](https://rollingstonephilippines.com/music/singer-songwriter-barbie-almalbis-myth-of-rakista-rolling-stone-interview/ "Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’") **Categories:** Music, Rock **Tags:** TEETH --- ### [Cast, Release Date, and Everything Else We Know About the MCU’s X-Men Movie](https://rollingstonephilippines.com/culture/film/mcu-x-men-cast-release-date-what-to-know/) **Published:** August 10, 2026 **Author:** Pie Gonzaga **Excerpt:** Kevin Feige says the MCU’s take on the mutants will be “very youth-oriented,” with the rumored casting focused on up-and-coming talent **Content:** With the recent release of *[Spider-Man: Brand New Day](https://rollingstonephilippines.com/culture/reviews/spider-man-brand-new-day-review-mcu-fatigue/ "‘Spider-Man: Brand New Day’ is the MCU’s Answer to Superhero Fatigue")*, it looks like casting is underway for one of the [Marvel Cinematic Universe](https://rollingstonephilippines.com/tag/marvel/ "Marvel")’s (MCU) next projects, an [X-Men](https://rollingstonephilippines.com/tag/x-men/ "X-Men") movie. Marvel Studios President Kevin Feige confirmed in June 2025 that Jake Schreier, who directed *[Thunderbolts\*](https://rollingstonephilippines.com/culture/film-tv/marvel-thunderbolts-review/ "‘Thunderbolts*’ Could Be The Start of Marvel’s Redemption Arc")*, is also on board to direct the new film about our beloved mutants. Feige told [*Comic Book Resources*](https://www.cbr.com/kevin-feige-confirms-xmen-reboot-director/), “X-Men, as it was in the comics, will be a very youth-oriented, focused, and cast movie.” According to [*Collider*](https://collider.com/x-men-reboot-movie-director-officially-confirms-marvels-plans-multiple-x-men-movies/), *Beef* creator Lee Sung Jin and *The Bear* showrunner are also involved in the project, which is expected for a 2028 release. ## Who’s in the Cast? *Brand New Day* debuted *Stranger Things* actress [Sadie Sink](https://rollingstonephilippines.com/culture/film/steve-lacy-spoils-spider-man-brand-new-day/ "Steve Lacy Spoils ‘Spider-Man: Brand New Day,’ Faces Nerd Crash-Outs") as the MCU’s Jean Grey, originally played by Famke Janssen in 20th Century Fox’s first three *X-Men* movies and Sophie Turner in the prequel tetralogy. But who stars alongside Sink? Sources told [*Deadline*](https://deadline.com/2026/08/kit-connor-cyclops-x-men-movie-marvel-studios-1237018735/) that meetings and auditions were held over the last two months, and that a small group of actors tested for their roles in July. While Marvel Studios has yet to issue an official announcement of the cast, Samara Weaving is reportedly in talks to play the new Emma Frost, following January Jones’ portrayal of the supervillain in *X-Men: First Class*. *Heartstopper*’s Kit Connor is also reported to be the top choice for Scott Summers/Cyclops, according to *Deadline*, taking the role from Ty Sheridan in the prequels. Other rumored candidates for Cyclops include Cooper Hoffman and Drew Starkey. In the meantime, James Marsden, who first played Scott in the original movies, is set to reprise the role alongside Patrick Stewart’s Professor X and Ian McKellen’s Magneto in *[Avengers: Doomsday](https://rollingstonephilippines.com/culture/film/avengers-doomsday-x-men-teaser-sentinels/ "Sentinels Loom in Latest ‘Avengers: Doomsday’ X-Men Teaser")*, confirming that the upcoming film will be another major crossover event. ## Frequently Asked Questions ### Who is directing the MCU’s X-Men film? Jake Schreier, who previously directed *Thunderbolts\**, is set to direct the upcoming X-Men movie, according to Marvel Studios President Kevin Feige. *Beef* creator Lee Sung Jin and *The Bear* showrunner are also involved in the project. ### When is MCU’s X-Men movie coming out? MCU’s X-Men film is expected to be released in 2028, though no specific date has been set. ### What is Sadie Sink’s role in *Spider-Man: Brand New Day*? Marvel Studios had kept Sadie Sink’s role under wraps until the release of *Spider-Man: Brand New Day* in late July. Sink plays the telepath Jean Grey and can be expected to reprise the role in the MCU’s X-Men film. ### Who else has been cast in the MCU’s X-Men movie? Marvel Studios has yet to confirm the final casting for the X-Men movie, but Samara Weaving and Kit Connor are reportedly in talks to play Emma Frost and Scott Summers/Cyclops, respectively. ### Will there be other mutants in *Avengers: Doomsday*, aside from Cyclops? *Avengers: Doomsday* is set to include Cyclops (James Marsden), Professor X (Patrick Stewart), Magneto (Ian McKellen), Gambit (Channing Tatum), Beast (Kelsey Grammer), Nightcrawler (Alan Cumming), and Mystique (Rebecca Romijn). Related Stories - [‘Spider-Man: Brand New Day’ is the MCU’s Answer to Superhero Fatigue](https://rollingstonephilippines.com/culture/reviews/spider-man-brand-new-day-review-mcu-fatigue/ "‘Spider-Man: Brand New Day’ is the MCU’s Answer to Superhero Fatigue") - [Sentinels Loom in Latest ‘Avengers: Doomsday’ X-Men Teaser](https://rollingstonephilippines.com/culture/film/avengers-doomsday-x-men-teaser-sentinels/ "Sentinels Loom in Latest ‘Avengers: Doomsday’ X-Men Teaser") - [‘Thunderbolts\*’ Could Be The Start of Marvel’s Redemption Arc](https://rollingstonephilippines.com/culture/film-tv/marvel-thunderbolts-review/ "‘Thunderbolts*’ Could Be The Start of Marvel’s Redemption Arc") **Categories:** Culture, Film **Tags:** Marvel, X-Men --- ### [6 OPM Songs That Gave Indie Acts Their Big Break](https://rollingstonephilippines.com/music/opm-songs-indie-acts-big-break/) **Published:** August 10, 2026 **Author:** Elijah Pareño **Excerpt:** Before they became familiar names, these artists had one song that helped push them beyond the indie circuit and into a much wider OPM audience **Content:** Some songs take years to find their audience. Others arrive at exactly the right time and eventually become the songs that last for a generation. In the local music scene, several indie and alternative acts have found their way into the mainstream through a combination of word of mouth, streaming, and a second life online. From [Ben&Ben](https://rollingstonephilippines.com/tag/benben/ "Ben&Ben")’s layered harmonies in “Kathang Isip” to [UDD](https://rollingstonephilippines.com/tag/udd/ "UDD")’s cold, intimate “Tadhana,” these songs helped acts reach audiences far beyond the indie circuit. Some of these breakthroughs happened long after their initial release. [Toneejay](https://rollingstonephilippines.com/tag/toneejay/ "Toneejay")’s “711” found a new audience through TikTok, while [December Avenue](https://rollingstonephilippines.com/tag/december-avenue/ "December Avenue")’s “Sleep Tonight” and I Belong to the Zoo’s “Sana” became early breakthrough songs for their respective acts. Here are six songs that helped push their artists into or closer to the mainstream. ## Ben&Ben, ‘Kathang Isip’ Ben&Ben’s “Kathang Isip” was one of the songs that turned the promising nine-piece folk-pop act into one of OPM’s biggest names in the late 2010s. Its appeal is thanks in no small part to Miguel and Paolo Benjamin’s voices complementing each other smoothly. Additionally, the lyrics about a failed relationship were right when “hugot” was a buzzword in 2017. The arrangement also leaves room for the rest of the band to shine, with its wide mix of guitars, percussion, and other instruments giving the song a fuller sound than the usual acoustic folk setup. ## Shirebound, ‘Waltz of the Four Left Feet’ [Shirebound](https://rollingstonephilippines.com/tag/shirebound/ "Shirebound")’s “Waltz of the Four Left Feet” is the best example of a masterclass in sentimental songwriting. In the single, Shirebound takes his time before arriving at its emotional bridge, “Sapat na sa akin / Hindi na aamin / Hindi na aasang / Ako’y liligaya.” “Waltz of the Four Left Feet” earned the solo folk artist a cult following with its understated folktronica synth arrangement that lets the songwriting take the front seat and melodies and lyrics that give yearning somewhere to go. ## UDD, ‘Tadhana’ Written by former vocalist Armi Millare high in Mt. Sto. Tomas, Benguet, UDD’s “Tadhana” embodies an atmosphere that is inseparable from its surroundings. Millare even recorded its vocal parts at a campsite, adding another layer to the song’s cold and intimate atmosphere. UDD’s electronic production gives “Tadhana” its unmistakable warmth, allowing its electronic textures and gentle vocals to remain severely melancholic. The resulting single surpassed its 500 millionth stream milestone on Spotify, a milestone few songs in the Philippine indie scene have reached. ## I Belong to the Zoo, ‘Sana’ “Sana” marked a significant shift for I Belong to the Zoo, who in 2017 was moving away from the alternative rock background of vocalist Argee Guerrero’s other band, Tonight We Sleep, toward the more stripped-down indie folk sound that would earn the solo project its first breakthrough. The song still carries the edge of Guerrero’s pop-punk-influenced vocals, giving its acoustic arrangement a rougher emotional quality than the typical folk ballad. That combination made “Sana” stand out at a time when indie folk was already finding a larger audience in the Philippines. ## Toneejay, ‘711’ Toneejay’s “711” is one of those unlikely hit songs. On TikTok, users would take videos of themselves nodding to the music in front of a convex mirror inside the famed convenience store. Those user-generated videos introduced the track to an audience far beyond its original listeners. The song is helped by its charming drum patterns and Toneejay’s knack for writing around an unusually specific idea: opening your own 7-Eleven just to give the person you love everything they could ever want. It’s a goofy premise on paper, but the song sells it through its earnestness and catchy songwriting. “711” became proof that a strange little idea can go a long way when the song behind it is cleverly conceptualized. ## December Avenue, ‘Sleep Tonight’ Before [December Avenue](https://rollingstonephilippines.com/tag/december-avenue/ "December Avenue") became one of the biggest pop-rock bands in the country, “Sleep Tonight” showed the early signs of the pop rock sound that would eventually make them a mainstream act. The song’s 2016 re-released version still traces the band’s pop-punk lineage, with its guitars and emotional vocal delivery giving it a more angsty edge compared to its first version released on an EP back in 2011. Years later, their collaborations and subsequent hits would take them even further with singles like “Sa Ngalan ng Pag-Ibig” and “Kung ‘Di Rin Lang Ikaw” alongside singer-songwriter Moira Dela Torre, but “Sleep Tonight” remains an important early time capsule of December Avenue’s rise. ## Frequently Asked Questions ### Who are the lead vocalists of Ben&Ben? Ben&Ben’s lead vocalists are twin brothers Paolo Benjamin and Miguel Benjamin. ### Where did Armi Millare write “Tadhana”? Former UDD vocalist Armi Millare wrote “Tadhana” while at Mt. Sto. Tomas in Benguet. ### What is the name of the solo project of Argee Guerrero? Argee Guerrero’s solo project is called I Belong to the Zoo. He began the project in 2014 before eventually expanding it into a full band. ### When was “Sleep Tonight” by December Avenue released? “Sleep Tonight” was released on June 22, 2011. ### What convenience store did Toneejay name his biggest song after? Toneejay named his biggest hit “711” after the famous convenience store. Related Stories - [4 Free Concerts in the Philippines That Came at a Cost](https://rollingstonephilippines.com/editors-picks/lists/4-free-concerts-philippines-at-a-cost/ "4 Free Concerts in the Philippines That Came at a Cost") - [Backyard Live is an Intimate Gathering of Leftfield and Mainstream Music](https://rollingstonephilippines.com/radar/events/backyard-live-is-an-intimate-gathering-of-leftfield-and-mainstream-music/ "Backyard Live is an Intimate Gathering of Leftfield and Mainstream Music") - [25 Best Filipino Love Songs Across Generations](https://rollingstonephilippines.com/music/25-filipino-love-songs-for-the-emotionally-compromised/ "25 Best Filipino Love Songs Across Generations") **Categories:** Music **Tags:** Ben&Ben, December Avenue, I Belong to the Zoo, OPM, Shirebound, Toneejay, UDD --- ### [Rhaenyra Gets the Villain Edit in the ‘House of the Dragon’ Season 3 Finale](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-finale-recap/) **Published:** August 10, 2026 **Author:** Pie Gonzaga **Excerpt:** The season finale is the bloodbath we’ve been waiting for, complete with betrayals, a peace talk gone wrong, and a character arc not unlike Daenerys’s **Content:** *This article contains spoilers*. *[House of the Dragon](https://rollingstonephilippines.com/tag/house-of-the-dragon/ "House of the Dragon")* just wrapped up Season 3 with an explosive finale, and much to anticipate for the fourth and final season. In Episode 8, we finally get to watch the First Battle of Tumbleton unfold, along with a few character deaths and resurrections. Picking up where [Episode 7](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-7-recap/ "Finally, A Dragon Face-Off in ‘House of the Dragon’ Season 3, Episode 7") left off, Rhaenyra ([Emma D’Arcy](https://rollingstonephilippines.com/tag/emma-darcy/ "Emma D'Arcy")) learns that Aegon (Tom Glynn-Carney) and his dragon, Sunfyre, are still alive. The news sends her into panic and desperation, and she resolves to come down on Tumbleton with force to quash their brother Daeron (Benjamin Evan Ainsworth) and his tyrannical uncle Ormund Hightower (James Norton). As she sends Daemon ([Matt Smith](https://rollingstonephilippines.com/tag/matt-smith/ "Matt Smith")) off to Tumbleton, she reminds him not to use force against the innocent townspeople, as their deaths might repel the Great Houses from taking her side. Just after her late-night tryst with the queen, Mistress of the Whispers Mysaria (Sonoya Mizuno) gets fired and is escorted through King’s Landing to the port, where a journey to the eastern city of Pentos has been arranged for her. On the way out, she comes across Helaena (Phia Saban), who is on the way back to her bedroom-prison from mandatory outdoor time. Mysaria tells her not to trust Rhaenyra and that Aegon is still alive. Rhaenyra visits her half-sister to try to get her to eat, but Helaena refuses and, in turn, gets force-fed her lunch. The queen, set on getting anointed by High Septon Eustace (Simon Chandler), leaves for the Grand Sept (think St. Peter’s Basilica for Westeros) in chainmail and a crown, with her only remaining son Joffrey Velaryon (Oscar Eskinazi) in tow. But the High Septon refuses to anoint her again, especially with Aegon alive and capable of ruling. Alyn (Abubakar Salim) reluctantly executes him, with Rhaenyra reminding him that he has the blood of Old Valyria and answers to gods greater than the Seven. As the High Septon bleeds out, Rhaenyra faces her people outside the Grand Sept, giving a speech about being Viserys’ heir. “I am the Prince That Was Promised,” she says in Valyrian. ## Aegon and Aemond’s Bitter Reunion ![tom glynn-carney, ewan mitchell - house of the dragon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/tom-glynn-carney-ewan-mitchell.webp) Aegon (Tom Glynn-Carney) confronts Aemond (Ewan Mitchell) at Harrenhal. Photo by Theo Whiteman/HBO Max Aemond (Ewan Mitchell) manages to survive getting poisoned by his own mother, Alicent (Olivia Cooke), who has left Harrenhal believing that she killed her son. He wakes up with guilt for having “killed” his brother, and asks why Alys Rivers (Gayle Rankin) chooses to be with him. Alys tells him her backstory: 100 years ago, when Balerion burned Harrenhal along with Lord Harren Hoare and his line, a child and his mother survived, though he was badly burnt. To keep her son alive, Alys resorted to witchcraft, but he died, and she was cursed with immortality, made to serve whichever lord took Harrenhal. Now, she serves Aemond. Later on, he gets out of bed again, hearing the sound of a dragon he thinks is Vhagar. But instead of his dragon, he finds Sunfyre and Aegon, who slaps him and says, “I’m alive, imbecile!” There, Aemond apologizes, but Aegon is still angry at him for trying to kill him. The older brother says they will find Vhagar so that they can fly over Tumbleton and bring Ormund and Daeron to heel, then take over King’s Landing before he could consider forgiving Aemond. ## The First Battle of Tumbleton In Tumbleton, Ormund sends *little boys* to the front of the battlements. Outnumbered and fearing for everyone’s lives, Daeron and his less evil uncle Gwayne Hightower (Freddie Fox) hatch a plan to broker peace between the Blacks and the Greens. Gwayne brings Corlys (Steve Toussaint) to Daemon outside the city walls, offering his freedom as a token of peace. He and Corlys also propose letting Daeron rule from Oldtown as the Lord of the Reach so that Rhaenyra could continue her reign over the Seven Kingdoms. But Daemon refuses, sending Gwayne back to the Hightowers and taking Corlys as a prisoner for trying to form a peace pact with the Greens. Daemon returns to White Wolves commander Roderick Dustin (Tommy Flanagan) and Oscar Tully (Archie Barnes), Lord Paramount of the Riverlands, to talk strategy. The dragonseed Ulf (Tom Bennett) and his dragon Silverwing are still part of their plans, though unbeknownst to them, Ulf has taken Ormund’s side in the war. Inside the city walls, Ormund has found out that Daeron and Gwayne attempted a peace agreement with the Blacks. He searches for Ulf and finds him hungover and passed out in an outhouse, with his pants down. Ormund beats him up and humiliates him before sending him off to battle. ![tommy flanagan, matt smith, archie barnes - house of the dragon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/tommy-flanagan-matt-smith-archie-barnes.webp) Roderick Dustin (Tommy Flanagan), Daemon Targaryen (Matt Smith), and Oscar Tully (Archie Barnes) get ready for the First Battle of Tumbleton. Photo by Theo Whiteman/HBO Max The Battle of Tumbleton happens in broad daylight, which is a huge step up from *Game of Thrones* Season 8, Episode 3’s unwatchable Battle of Winterfell. In this episode of *House of the Dragon*, the action sequences are easy to watch, but only if you can stomach all the slashing. The White Wolves are the first to charge towards the walls of Tumbleton, some of them getting knocked out by stones, arrows, and boiling oil. The Rivermen use a battering ram to open one of the city’s gates, while Daemon uses his dragon, Caraxes, to burn another gate down. But just as the Blacks start to pour into the city, Ulf and Silverwing emerge and burn the troops outside Tumbleton. Roderick finds Ormund in one of the battlements, and a fight ensues between them. Ormund manages to cut off one of Roderick’s arms, but he gets nauseous when the blood spurts on his face, allowing Roderick to punch him and stab him in the ass. Ulf then orders Silverwing to burn Ormund, along with the fortresses and streets of Tumbleton. Daemon gets knocked out during a fight with Jon Roxton (Joplin Sibtain), Ormund’s lieutenant, but is spared when rubble falls over Jon under Silverwing’s fire. When Daemon comes to, Tumbleton is in ruins. Corlys finds him and convinces him to retreat while Gwayne searches for Daeron. Back in the Red Keep, having returned from the Grand Sept, Rhaenyra discovers that Helaena has jumped out the window. She finds the tapestry that her half-sister had been working on hanging out the window, implying that she was trying to escape. On the cloth, Helaena had embroidered a woman falling to her death, and another woman on the Iron Throne, covered in blood. Rhaenyra, lacking remorse, shuts the window. *House of the Dragon* Season 3 is streaming on HBO Max. ## Frequently Asked Questions ### Which major characters die in the *House of the Dragon* Season 3 finale? In *House of the Dragon* Season 3, Episode 8, Ormund Hightower is burnt to death by Ulf and Silverwing in the Battle of Tumbleton, while Helaena Targaryen falls off a window and onto a pike in the Red Keep. ### Which side won the First Battle of Tumbleton? In the book *Fire & Blood*, the Greens won the First Battle of Tumbleton. In *House of the Dragon*, the outcome of the battle is not immediately clear, and its aftermath will most likely be covered in the show’s fourth season. It is only implied that the Blacks retreated after Ulf destroyed the city with dragonfire. ### Which dragons were involved in the First Battle of Tumbleton? In *House of the Dragon*, Silverwing burns the Blacks and the townspeople, while Caraxes burns the gates and the battlements. Hugh abandons the Blacks and Vermithor instead of riding the dragon into battle. In *Fire & Blood*, Caraxes is not involved in the battle while the Greens used Silverwing, Vermithor, and Tessarion. ### Was Alys Rivers the wife of Harren Hoare? In *House of the Dragon*, Alys was the wife of Lord Harren Hoare during the Conquest, 100 years before the events of the show. Through witchcraft, she becomes immortal, spending her days serving any lord who takes Harrenhal. ### Why does Mysaria get fired from Rhaenyra’s Small Council in *House of the Dragon*? Mysaria is removed from Rhaenyra’s Small Council because the queen no longer has any use for her. Before she could be sent away to Pentos, a city in Essos, she escapes the queen’s guards and returns to the streets of King’s Landing. Related Stories - [Who’s Most and Least Likely to Die in ‘House of the Dragon’ Season 3?](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-most-least-likely-to-die/ "Who’s Most and Least Likely to Die in ‘House of the Dragon’ Season 3?") - [Finally, A Dragon Face-Off in ‘House of the Dragon’ Season 3, Episode 7](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-7-recap/ "Finally, A Dragon Face-Off in ‘House of the Dragon’ Season 3, Episode 7") - [Westeros Has an Assassin Problem in ‘House of the Dragon’ Season 3, Episode 6](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-6-recap/ "Westeros Has an Assassin Problem in ‘House of the Dragon’ Season 3, Episode 6") **Categories:** Culture, TV **Tags:** HBO Max, House of the Dragon --- ### [KATSEYE’s Sophia Is Taking a Break. Maybe the Industry Should, Too](https://rollingstonephilippines.com/music/katseye-sophia-taking-a-break-music-industry/) **Published:** August 10, 2026 **Author:** Reyza Ferranco **Content:** The global girl group [KATSEYE](https://rollingstonephilippines.com/tag/katseye/ "Katseye") was never meant to operate like a regular Western group. From their 2024 reality show *The Debut: Dream Academy* alone, viewers could clearly see the details of how the group was built and the rigorous K-pop-style training that the girls had to brave. Now, the girl group found itself at the center of social media discussions once again after its leader, Sophia Laforteza, announced on August 7 that she would be taking a temporary hiatus from promotional activities. The 23-year-old singer shared the announcement on Instagram, which was also posted on their group’s official social media accounts, citing the need to prioritize her mental health and wellness. “Making this decision wasn’t easy, but I’m learning that health has to come first,” she said on her Instagram story. The company also said that Laforteza has been going through thorough consultations with medical professionals. > \[Notice\] Sophia's Upcoming Schedule Notice<https://t.co/6VrGIboVV6> [pic.twitter.com/hAEK5OiUi8](https://t.co/hAEK5OiUi8) > > — KATSEYE (@katseyeworld) [August 7, 2026](https://x.com/katseyeworld/status/2085746847608615296?ref_src=twsrc%5Etfw) This hiatus announcement came a day before the group’s performance at the *Head In The Clouds Music & Arts Festival* and just a week before the release of their third EP, *Wild*, scheduled for August 14. Laforteza is the second member to go on a break this year, following Manon Bannerman, who has been on hiatus [since February](https://rollingstonephilippines.com/music/pop/katseye-manon-hybe-girl-group-exits/) for the same reasons. ## The Idols Who Stepped Back ![Pop Star Academy: KATSEYE](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Pop-Star-Academy.webp) *Dream Academy* contestants during their training, as seen in the docuseries *Pop Star Academy: KATSEYE*. Photo from Netflix Official Site KATSEYE is not the only group under the [HYBE](https://rollingstonephilippines.com/tag/hybe/ "HYBE") umbrella to have members step away from activities this year. Moka from Illit and Nicholas from &Team announced their respective hiatuses in April, while [Le Sserafim](https://rollingstonephilippines.com/tag/le-sserafim/ "Le Sserafim")’s Chaewon announced hers in May. Outside the company, many other artists have taken their breaks, mostly for health reasons. For the global girl group, which has spent the past two years in a quest for global stardom, the back-to-back member breaks are hard to ignore. Their current calendar has been relentless, with award show appearances and performances, single releases, a documentary, a festival run, and an upcoming world tour, *The Wildworld Tour,* that would mean months of preparation and rehearsals*.* Such a schedule leaves little room for the diverse ensemble to carry it all out with little to no toll on their own well-being. In an [article](https://www.koreaherald.com/article/10680608) by the *Korea Herald*, music critic Lim Hee-hyun pointed out that the “intense, almost Spartan-style effort” is common in the K-pop industry, and foreign trainers or artists who are not used to such methods may find it difficult to adapt. Idols are expected to rehearse for hours, record new material, film content, appear at events with a smile, interact with fans, and travel across the globe within a tight amount of time. This tiresome cycle has been the norm for people in the entertainment industry, where fatigue is often framed as immense dedication, and showing up despite it gives one the praises of a total idol. A group may be commercially performing well, but the very same artists responsible for the success are the ones asked to sustain an increasingly demanding machine. ## **Death Threats, Harassment, and the Weight of the Spotlight** KATSEYE also previously revealed that they have faced numerous death threats and online harassment since their debut, while the pressure to remain constantly visible has become part of their reality. “I try to tell myself it doesn’t matter, but if 1,000 people are sending you death threats, even if it’s not going to happen, it’s heavy, and it’s jarring,” [said](https://www.rollingstone.com/music/music-news/katseye-death-threats-online-harassment-ice-1235464048/) member Lara Raj. For artists already pushed to their physical and mental limits, the weight of that scrutiny can make an already punishing industry even harder to endure. The recent hiatuses prove not to be an isolated case, and that the industry only cares about an artist’s well-being when they are burned out, not addressing the conditions that push them there in the first place. It’s time for the companies and the whole industry to realize that when artists are positioned for the global market, a brutal system eventually becomes unsustainable. For now, HYBE and Geffen Records have asked for understanding as Laforteza takes the time she needs to recover, saying that the company will closely monitor her progress, reassess her condition by September, and provide updates at that time. ## FREQUENTLY ASKED QUESTIONS ### Why did KATSEYE’s Sophia Laforteza announce a hiatus? Sophia Laforteza cited the need to prioritize her mental health and wellness after consulting medical professionals. She announced the temporary break on Instagram on Aug. 7, ahead of a festival performance and KATSEYE’s third EP release on Aug. 14. ### Is Sophia Laforteza the only KATSEYE member to take a hiatus? No. Manon Bannerman has been on hiatus since February for similar mental health reasons, making Laforteza the second KATSEYE member to step back from group promotional activities so far this year. ### Which other HYBE artists have taken hiatuses in 2026? Illit’s Moka and &Team’s Nicholas announced hiatuses in April, and Le Sserafim’s Chaewon followed in May, part of a wider pattern of HYBE-affiliated artists stepping back from promotional activities across the company this year. ### What pressures do idols like KATSEYE face? Idols endure intensive rehearsals, recording sessions, content filming, fan interactions, and global travel across tight schedules. KATSEYE members have also described receiving death threats and online harassment regularly since their 2024 debut on *Dream Academy*. ### What happens next for Sophia Laforteza and KATSEYE? HYBE and Geffen Records say they will closely monitor Laforteza’s recovery and reassess her condition by September, providing further updates at that time. KATSEYE’s third EP, *Wild*, remains on schedule for release on August 14. Related Stories - [10 Netflix Music Documentaries About the Biggest Moments in Music History](https://rollingstonephilippines.com/editors-picks/lists/best-netflix-music-documentaries/ "10 Netflix Music Documentaries About the Biggest Moments in Music History") - [KATSEYE’s Manon Isn’t The First to Leave a HYBE Girl Group](https://rollingstonephilippines.com/music/pop/katseye-manon-hybe-girl-group-exits/ "KATSEYE’s Manon Isn’t The First to Leave a HYBE Girl Group") - [What You Need to Know About KATSEYE’s ‘WILD HEARTS’ Documentary](https://rollingstonephilippines.com/music/pop/katseye-wild-hearts-documentary-release-date/ "What You Need to Know About KATSEYE’s ‘WILD HEARTS’ Documentary") **Categories:** Music, News, Pop **Tags:** K-Pop, Katseye, Sophia Laforteza --- ### [What the Philippines Should Learn from Quiboloy’s Potential U.S. Extradition ](https://rollingstonephilippines.com/state-of-affairs/what-philippines-should-learn-quiboloy-extradition/) **Published:** August 7, 2026 **Author:** Reyza Ferranco **Content:** On August 6, the United States formally sent its request to extradite church leader [Apollo Quiboloy](https://rollingstonephilippines.com/tag/apollo-quiboloy/ "Apollo Quiboloy") for his charges of sex trafficking, fraud, and cash smuggling. For many, the move may seem like a big step towards accountability, yet it also leaves behind a bittersweet realization that high-profile cases within the country only gain momentum when foreign institutions step in. ## **Quiboloy’s Charges: Sex Trafficking, Fraud, and the FBI Most Wanted List** Quiboloy has been detained in Pasig City Jail since 2024 following his arrest. In the United States, he faces a federal grand jury indictment for his labor and sex trafficking crimes and was previously placed on the FBI Most Wanted Fugitive List. According to the [FBI](https://www.fbi.gov/wanted/human-trafficking/apollo-carreon-quiboloy), Quiboloy allegedly led a labor trafficking scheme that brought church members to the United States using fraudulently obtained visas, and forced them to solicit donations that actually were used to finance church operations and the lavish lifestyles of its leaders. He would also allegedly require his pastoral members to have sex with him at night, which he calls “night duty.” His lawyer Ferdinand Topacio argued that the extradition request by the U.S. was “extremely unfeasible,” citing Quiboloy’s current criminal proceedings in the Philippines. The lawyer also questioned whether the government would “again meekly surrender its jurisdiction to a foreign power.” ## **What Happens if Quiboloy’s Extradition to the U.S. Is Approved**? Under the Philippine [Supreme Court](https://sc.judiciary.gov.ph/wp-content/uploads/2025/10/20251027-PR-Rules-on-Extradition-Proceedings.pdf)’s extradition rules, extradition is permitted only when the crime is punishable under both Philippine law and the law of the Requesting State. Sen. [Risa Hontiveros](https://rollingstonephilippines.com/tag/risa-hontiveros/ "Risa Hontiveros") on August 7 urged the Department of Justice (DOJ) to expedite the process, saying that “it was about time” that the pastor faced his crimes. “He trafficked women and girls from around the world. Justice demands that he answer for these crimes in the very places he committed them,” Hontiveros said in a [Facebook post.](https://www.facebook.com/share/p/1d24FRG5vD/?mibextid=wwXIfr "Facebook post.") Should the extradition be granted, Quiboloy will be transferred to the United States to stand trial under the American justice system. Extradition would not determine his guilt or innocence, but it allows him to be tried in the jurisdiction where the alleged crimes were committed. Domestic courts may continue to hear cases against the former televangelist that happened within Philippine jurisdiction and administer justice independently. According also to the DOJ, the government may choose to hand him over to the U.S. immediately or wait until all his local cases have concluded. But much like the international legal proceedings involving former President [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte") before the [International Criminal Court](https://rollingstonephilippines.com/editors-picks/opinion/rodrigo-duterte-first-icc-hearing-and-the-irony-of-his-due-process/), Quiboloy’s case proves the growing perception that the Philippines has been increasingly reliant on international courts to reach decisive turning points. ## FREQUENTLY ASKED QUESTIONS ### Why did the U.S. request Apollo Quiboloy’s extradition? The U.S. requested Quiboloy’s extradition on federal charges of sex trafficking, labor trafficking, fraud, and cash smuggling. He allegedly used fraudulent visas to bring church members to the U.S. and forced them to solicit donations to fund church leadership’s lavish lifestyles. ### Does extradition determine Quiboloy’s guilt or innocence? No. Extradition only transfers jurisdiction, allowing Quiboloy to stand trial in the U.S. for the alleged crimes committed on American soil. It does not establish guilt, and Philippine courts may continue hearing his domestic cases independently and in parallel. ### Under what conditions can the Philippines extradite a citizen to the U.S.? Philippine Supreme Court rules require that the alleged offense must be punishable under both Philippine law and the requesting state’s law. The Department of Justice may also choose to delay transfer until local cases conclude. ### How does Quiboloy’s case compare to Rodrigo Duterte’s ICC proceedings? Both cases reflect a pattern where high-profile Philippine accountability efforts gained decisive momentum only after foreign institutions intervened — the ICC for Duterte’s drug war killings and now U.S. federal courts for Quiboloy’s trafficking charges. ### What is Apollo Quiboloy currently detained for in the Philippines? Quiboloy has been held at Pasig City Jail since his 2024 arrest, facing separate Philippine criminal proceedings. He was previously placed on the FBI’s Most Wanted Fugitive List before his domestic detention. Related Stories - [The Start of Duterte’s ICC Pre-Trial Couldn’t Help But Be Political](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/duterte-icc-pre-trial-hearing/ "The Start of Duterte’s ICC Pre-Trial Couldn’t Help But Be Political") - [How Rodrigo Duterte’s ICC Withdrawal Backfired on Him](https://rollingstonephilippines.com/state-of-affairs/politics/rodrigo-duterte-withdrew-from-icc-and-it-backfired-on-him/ "How Rodrigo Duterte’s ICC Withdrawal Backfired on Him") - [From Marcos to Duterte: Public Officials on the Controversial Pax Silica](https://rollingstonephilippines.com/state-of-affairs/environment/pax-silica-marcos-duterte-officials-react/ "From Marcos to Duterte: Public Officials on the Controversial Pax Silica") **Categories:** News, State of Affairs **Tags:** Apollo Quiboloy, FBI, International Criminal Court, Topacio, United States --- ### [Cinemalaya 2026 Review: ‘2 Valid IDs’ is A Filipino’s Bureaucratic Nightmare](https://rollingstonephilippines.com/culture/film/2-valid-ids-cinemalaya-review/) **Published:** August 10, 2026 **Author:** Mel Wang **Excerpt:** The Cinemalaya 2026 entry presents us with a familiar circle of hell — the horrors of applying for government-issued verification **Content:** At the heart of *2 Valid IDs* is a simple infinite loop: you need an ID to get an ID, but you can’t get an ID because you need an ID. It’s a common headache, especially for anyone in the Philippines who has ever needed to prove their identity. But director Ma-an L. Asuncion-Dagñalan’s latest feature takes this paradox to the extreme. The [Cinemalaya](https://rollingstonephilippines.com/tag/cinemalaya/ "Cinemalaya") entry centers on Sylvia (Marietta Subong, also known as Pokwang), whose husband Ramon (Joey Marquez) has been admitted to a public hospital for urgent medical treatment. Ramon requires a constant supply of medication and oxygen to live, along with an operation that he can only get if he transfers to a semi-private (and more expensive) hospital. If only it were that easy! Sylvia’s problem is not that she can’t afford to send her husband to a better hospital. In fact, the funds arrive in her account almost immediately. Her OFW aunt has already sent over P100,000 via a remittance center. No, Sylvia’s plight is slightly worse than a lack of funds — she needs to present two valid IDs to take the money out of her account. Wading through the deluge of bureaucratic red tape can be its own type of hell, and *2 Valid IDs* effortlessly brings that torment onto the big screen. We follow Sylvia as she jumps from registration center to registration center, trying to get her IDs in time to save her husband. We watch, both in frustration and in awe, as Sylvia fills out countless forms, survives hours-long lines, and attempts to haggle for quicker processing times (she fails, of course, but we must applaud her for her efforts). Every part of Sylvia’s journey borders on the absurd, and if she were played by any other actress, we might have gotten lost in the tedium that comes with ID registration. But Subong knows exactly how to bring out the humanity in Sylvia’s dilemma. While she may be better known for her comedic timing, Subong has never shied away from more dramatic roles (see *A Mother’s Story,* or *Oda sa Wala*). And in *2 Valid IDs*, the actress balances her time onscreen by either playing the good, obedient Filipino citizen just trying to get her IDs the right way, or the desperate wife on the verge of a much-deserved mental breakdown. Adding to the gravitas of the film is Marquez’s performance as Ramon. Like Subong, who seems to have put away her brand of comedy in *2 Valid IDs*, Marquez does without his usual one-liners to give a more serious performance. There is, after all, little to joke about — ID processing times can stretch on forever (or “five to seven days” on paper), and the dying husband spends much of his time trying to convince his wife to let him return home to the province. ![2-Valid-IDs-1 pokwang joey marquez zaijan jaranilla](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/2-Valid-IDs-1-pokwang-joey-marquez-zaijan-jaranilla.webp) *2 Valid IDs* (2026) Dir. Ma-an Asuncion-Dagñalan Despite the doom and gloom, there’s still a lot of love between the couple. To balance out the high stakes, Asuncion-Dagñalan makes sure to linger on the film’s quieter moments, whether it’s Sylvia getting Ramon’s medication ready, or Ramon telling his love story to Denver (Zaijian Jaranilla), another hospital visitor who spends his time there taking care of his comatosed lolo. In fact, supporting characters like Denver, along with the rotating cast of patients and relatives who come in and out of Ramon’s shared hospital room, are what help ground *2 Valid IDs*. Yes, Sylvia is trapped in a Kafkaesque nightmare, but everyone around her is rooting for her to succeed. The film gives us a tiny speck of hope that Sylvia can beat the system, and that is what keeps us watching to the very end. Whether you’re an optimist or a pessimist, you’ll most likely spend your watch of *2 Valid IDs* hoping that Sylvia can find her way out of this circle of hell. A good chunk of the film will make you think about the futility that comes with trying to navigate any type of administrative system in the Philippines, and that’s the whole point — screenwriter Abet Pagdagdagan Raz did write the script after experiencing a similar situation with his mother. But *2 Valid IDs* also knows when to make its message clear and when to remind us that there’s still a point in hoping, and maybe that’s all we can do if we want to escape the infinity loop. ## Frequently Asked Questions ### What is *2 Valid IDs* about? *2 Valid IDs,* one of the full-length feature entries at this year’s Cinemalaya Philippine Independent Film Festival, is about a woman named Sylvia who must present two valid IDs in order to get the money her husband Ramon badly needs for medical treatment. ### Who is in the cast of *2 Valid IDs*? *2 Valid IDs* stars Marietta Subong (also known as Pokwang) as Sylvia, Joey Marquez as Ramon, Zaijian Jaranilla as Denver, Meryll Soriano as Mercy, and more. ### Where is *2 Valid IDs* screening? The film is screening at select cinemas in Metro Manila that have partnered with the Cinemalaya Philippine Independent Film Festival. ### What is *2 Valid IDs* based on? *2 Valid IDs* is based on screenwriter Abet Pagdagdagan Raz’s personal story with his mother. Although Raz himself did not go through the same experience as Sylvia, he did find inspiration in the stories of the patients he met while taking care of his mother in the hospital. ### Who directed *2 Valid IDs*? *2 Valid IDs* is directed by Ma-an L. Asuncion-Dagñalan. Related Stories - [Eugene Domingo Is Committed to the Bit (Role)](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/eugene-domingo/ "Eugene Domingo Is Committed to the Bit (Role)") - [‘Food Delivery’ Sees Fishermen Risk Their Lives in the West Philippine Sea](https://rollingstonephilippines.com/state-of-affairs/politics/food-delivery-fishermen-west-philippine-sea/ "‘Food Delivery’ Sees Fishermen Risk Their Lives in the West Philippine Sea") - [‘Food Delivery’ Sees Fishermen Risk Their Lives in the West Philippine Sea](https://rollingstonephilippines.com/state-of-affairs/politics/food-delivery-fishermen-west-philippine-sea/ "‘Food Delivery’ Sees Fishermen Risk Their Lives in the West Philippine Sea") **Categories:** Culture, Film **Tags:** Cinemalaya 2026 --- ### [Drake Turns Kick Stream Into a 20-v-1 Dating Show, Warns Rap Rivals His ‘Pen Isn’t Dry’](https://rollingstonephilippines.com/music/hiphop-rnb/drake-kick-stream-recap/) **Published:** August 10, 2026 **Author:** Jeff Ihaza **Excerpt:** Inside the rapper’s wild ride of a livestream, featuring Lena the Plug, an Hermès giveaway, and apparent subliminals about rap beef **Content:** On Saturday, [Drake](https://rollingstonephilippines.com/tag/drake/ "Drake") continued his ongoing forays into the world of content creators, hosting [a stream on Kick](https://kick.com/drake/videos/019fe414-b858-7db8-801f-e62fdc647997), which is affiliated with Stake, the crypto gambling company Drake is partnered with, which saw the rapper, fresh off the release of *three* new albums, flirting with a goth streamer, gifting out birkins, and sending not so subtle warnings to the rest of the rap game, noting that his “pen isn’t dry.” The roughly three-hour broadcast marked the ninth anniversary of Stake, the online crypto casino that has sponsored Drake’s livestreams for years. The company announced the stream with an Instagram post advertising more than $1 million in cash and prize giveaways, including a $50,000 grand prize for one viewer. During the actual stream, things moved quickly beyond gambling, turning into something closer to a chaotic Drake variety show. Drake also used the opening portion of the stream to reflect on his recent releases, patting himself on the back a little for dropping three projects at once. He also has a warning for anyone considering taking more shots in his direction. “These guys are dropping albums, like hello and goodbye, and careful with that reply ’cause the pen isn’t dry,” he said. Drake has been, of late, repping his Canadian upbringing pretty heavily, so it isn’t much of a surprise that he was joined by NELK co-founder Kyle Forgeard, who presented Drake with an SNL-style take on the popular 20-v-1 dating-show format. The women cycled through conversations with the rapper, who eventually had to choose one to “wife,” another to hook up with and a third to make his best friend. The proceedings included a contestant asking Drake to demonstrate his favorite sexual position and an appearance from adult-content creator Lily Phillips, who went viral in late 2024 after a documentary chronicled her having sex with 101 men in a single day. Phillips announced that she was “rebranding as Drake’s wife.” > Drake barks for a goth girl during his 20v1 dating show. [pic.twitter.com/xsSjuiJI4q](https://t.co/xsSjuiJI4q) > > — Pop Base (@PopBase) [August 9, 2026](https://x.com/PopBase/status/2086384821899505764?ref_src=twsrc%5Etfw) The final three were influencer Jordyn Lucas, adult-film star Lena the Plug, and goth streamer Pinkchyu. Drake placed Lucas in the best-friend category and gave her $25,000 and a Birkin. Lena, who briefly removed her wedding ring after hugging Drake, received $25,000 and an all-expenses-paid trip reportedly to New Zealand. In something of a callback to his September 2025 appearance on Bobbi Althoff’s podcast *Not This Again*, where he said his destiny was to end up with a “goth baddie,” Drake leaned into his self-described type by giving Pinkchyu the “wife” designation. This after she had him bark on command. The night also fueled more rap beef speculation. Drake floated the idea of holding Stake’s 10th-anniversary broadcast next year on a yacht, then quickly added that he hates boats. Given rumors that he and [Lil Yachty](https://www.rollingstone.com/t/lil-yachty/), better known as Boat, have fallen out, [Akademiks](https://www.rollingstone.com/t/akademiks/), naturally livestreaming Drake’s livestream, wondered whether the remark was a subliminal shot. Drake denied it. In another moment already being heavily clipped online, Drake joked that the “[Roc Nation](https://www.rollingstone.com/t/roc-nation/) subpoenas” were “about to be cleared.” The remark appeared to refer to a recent [What’s The Dirt video](https://www.youtube.com/watch?v=Wkj8AGe3-mo) speculating that Roc Nation had played some role in the federal class action targeting Drake and Stake. Nine days earlier, a Virginia judge had ordered the plaintiffs’ claims against Stake into private arbitration and paused the remainder of the case, including the claims naming Drake. The stream was the latest example of the new norms of online video, where viral clips can quickly come to flood the feed thanks in no small part to companies like Kick’s [well-reported army of clippers](https://www.bloomberg.com/news/articles/2026-04-28/how-kick-and-stake-helped-propel-looksmaxxing-influencer-clavicular-to-fame), dutifully turning each newsworthy moment into viral fodder. It ultimately worked like a compressed version of Drake’s current internet strategy—especially the giving away huge sums of money part. Yet another signal that Drake sees real value in this emerging media ecosystem. On “First Person Shooter,” from 2023’s *For All the Dogs*, he famously rapped, “My youngins richer than you rappers and they all stream,” and has since enmeshed himself even more deeply in the world of streamers and content creators. During this year’s Streamer University, hosted by [Kai Cenat](https://www.rollingstone.com/t/kai-cenat/), Drake delivered a prerecorded address to attendees and left care packages in their rooms stocked with cologne, Nocta clothing, Pokémon cards and other gifts. “I hope you learn something,” he told the class. “I hope you’re able to teach each other things.” *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-news/drake-kick-stream-recap-1235605965/).* Related Stories - [Drake’s ‘ICEMAN’ Album: Record‑Breaking Highs and Messy Lows](https://rollingstonephilippines.com/music/music-reviews/drake-iceman-album-highs-and-lows/ "Drake’s ‘ICEMAN’ Album: Record‑Breaking Highs and Messy Lows") - [Inside the Fight to Keep Physical Media Alive for Filipino Music Fans](https://rollingstonephilippines.com/music/physical-media-filipino-music/ "Inside the Fight to Keep Physical Media Alive for Filipino Music Fans") - [Alvin Cailan of ‘The Burger Show’ on Eggslut, Fine Dining, and Hip-Hop](https://rollingstonephilippines.com/culture/food/alvin-cailan-interview-greenlight-burgers/ "Alvin Cailan of ‘The Burger Show’ on Eggslut, Fine Dining, and Hip-Hop") **Categories:** Hip-hop/R&B, Music **Tags:** Drake --- ### [Tupac Shakur Murder Trial: Everything You Need to Know](https://rollingstonephilippines.com/music/hiphop-rnb/tupac-shakur-murder-trial-things-to-know/) **Published:** August 10, 2026 **Author:** Cheyenne Roundtree **Excerpt:** Duane "Keffe D" Davis is charged with one count of murder with a deadly weapon for allegedly orchestrating the drive-by shooting of Shakur in 1996. He has pleaded not guilty **Content:** Nearly 30 years ago, rap superstar [Tupac Shakur](https://rollingstonephilippines.com/tag/tupac-shakur/ "Tupac Shakur") was headed to an afterparty in Las Vegas when he was gunned down in a drive-by shooting, his unknown killers speeding away from the scene in a white Cadillac. This week, the man who police accuse of orchestrating the fatal hit will stand trial over his death. If convicted, it will put to rest one of hip-hop’s biggest unsolved murders. Jury selection for the criminal trial of Duane Keith Davis, aka Keffe D, begins Monday, with Nevada prosecutors planning to present evidence on how the South Side Compton Crips gang leader set in motion the fatal Sept. 7, 1996 shooting that would claim the life of one of rap’s most enduring icons. Davis, 63, was arrested in September 2023 and charged with one count of murder with a deadly weapon, with a gang enhancement. (Davis has not been accused of pulling the trigger, but under Nevada law, a person can be charged with murder if they aided and abetted a crime.) The high-profile trial is expected to last four weeks, including one week of jury selection. Here are some things to know about the case. **How Was Tupac Shakur Killed?** Tupac Shakur had been in Las Vegas to catch the much-anticipated boxing match between Mike Tyson and Bruce Seldon on Sept. 7, 1996, at the MGM Grand. After Tyson delivered a knockout blow to Seldon within 109 seconds, Shakur jumped into a black BMW with his [Death Row](https://rollingstonephilippines.com/radar/missionary-snoop-dogg-dr-dre-death-row/ "‘Missionary’: Snoop Dogg Reunites with Dr. Dre and Death Row") label boss Marion “Suge” Knight to head to a nearby nightclub. As they were stopped at a red light on the Strip, a white Cadillac pulled up alongside their vehicle and a gunman unloaded his weapon. Knight, who was driving the car, was minorly injured by the spray of bullets, while Shakur took the brunt of the gunfire. Shot four times across his chest, arm and thigh, Shakur was rushed to the hospital. He died from his injuries six days later on Sept. 13, 1996. He was 25. **What Role Did Davis Allegedly Play in Shakur’s Death?** Although Davis isn’t accused of being the gunman, he is charged with helping orchestrate the drive-by shooting by supplying the 40-caliber Glock the gunman used. Davis also had previously claimed to be sitting in the front passenger seat of the killer’s car. **Has Davis Changed His Story?** Davis has changed his story about his alleged participation in Shakur’s killing several times over. He has boasted in [numerous interviews](https://www.youtube.com/watch?v=x3uoB8zvLdI) and even wrote in his 2019 memoir, *Compton Street Legend,* about his alleged involvement. After his arrest, Davis changed his tune. He denied that he had any part in the shooting, offering a variety of explanations for why he had claimed to be the ringleader of the murder, including [that he wasn’t in Las Vegas that night](https://www.8newsnow.com/investigators/exclusive-i-wasnt-in-nevada-keffe-d-denies-role-in-tupac-killing-before-trial/) and had exaggerated his connection for “entertainment purposes.” As for his tell-all memoir, where he wrote “we couldn’t let no record company studio gangsters do us like that” after the hotel lobby brawl, Davis accused his book’s co-author of taking extreme liberties. “I’ve never read the book,” Davis said in 2025. “I just gave \[the co-author\] details of my life,” he said. “And he went and did his little investigation and wrote the book on his own.” After a legal back and forth, the judge in Davis’ trial ruled that the contents of the book could be introduced at trial. ![duane ](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Keffe-D.webp) Duane “Keffe D” Davis in District Court in 2025 in Las Vegas. AP Photo/John Locher, Pool **How Does the West Coast vs. East Coast Hip-Hop Beef Factor into the Case?** As hip-hop began growing in mainstream popularity in the early 1990s, there was a rivalry brewing between California’s Death Row Records and New York’s Bad Boy Records. Each label had their own champion: Death Row claimed Shakur while [Sean “Diddy” Combs](https://rollingstonephilippines.com/tag/diddy/ "Diddy") plucked the Notorious B.I.G. off a Bed-Stuy street corner and helped turn him into a superstar. While there was a period of harmony between the two coasts, that imploded after Shakur was ambushed at a Times Square recording studio in November 1994. Shakur had come to the studio to work with a little-known rapper who had connections to Bad Boy, and when armed men in army fatigues robbed and shot him, Shakur pointed the finger at Combs and his crew for setting him up. (Combs has denied this.) Bad Boy poured gasoline on the feud with the release of Biggie’s “Who Shot Ya” in February 1995, which was largely interpreted as Biggie mocking Shakur. In turn, Shakur responded with the ultimate diss track, the venomous “Hit ‘Em Up” in June 1996. By the time the Tyson-Seldon fight rolled around, tensions were at an all-time high and as Shakur, Knight, and other Death Row affiliates were leaving the lobby of the MGM, they spied Orlando “Baby Lane” Anderson. Anderson belonged to a faction of the Compton Crips, a notorious rival of the Los Angeles gang the Bloods, of which Knight was associated. Earlier that year, Anderson had allegedly tried to snatch a Death Row chain off someone’s neck, and so when the Death Row crew recognized Anderson as they were leaving the MGM, they jumped him. **Where Does Davis Come Into the Shooting?** Orlando “Baby Lane” Anderson happened to be Davis’ nephew and a leader of the Crips. After the brawl, Davis is alleged to have gone looking for Knight and Shakur to retaliate. Davis, Anderson and two other men were alleged to be in the Cadillac that fired on Shakur and Knight. **Did Davis Claim Sean “Diddy” Combs Was Somehow Involved?** In a proffer agreement with a Los Angeles detective who was investigating the circumstances into the Notorious B.I.G.’s March 1997 murder, Davis explained how Los Angeles gangs were subtly brought into the ongoing West Coast vs. East Coast hip-hop rivalry. Because Death Row was affiliated with the Bloods, Davis claimed that when Combs and his Bad Boy artists came to town, they sought out protection from the Crips. Davis claimed to LAPD detective Greg Kading that during an alleged hangout at Greenblatt’s Deli in West Hollywood, Combs said he “needed to get rid of Knight and Shakur” and would pay $1 million if Davis could “handle the problem.” Throughout the years, Combs has vehemently denied having any role in Shakur’s death and in December called a Netflix documentary that highlighted Davis’ claims a “shameful hit piece.” **What Has Shakur’s Family Said?** Shakur’s family and loved ones have long awaited closure. Speaking to the [*Associated Press*](https://apnews.com/article/tupac-shakur-killing-las-vegas-trial-4529257714634e87ed258fde044f948b), Shakur’s stepbrother Maurice “Mopreme” Shakur said he was “cautiously optimistic” that justice will be served. “I hope that the trial is fair, and we find out the truth,” he added. But even if Davis is found guilty for his alleged role in the shooting, Maurice still demands more answers. [This April, he filed a wrongful death lawsuit ](https://www.rollingstone.com/music/music-news/tupac-shakur-family-wrongful-death-lawsuit-1235555431/)against 99 unnamed co-conspirators in a bid to unravel what his attorneys called a “complex conspiracy to murder Tupac that involved much more than mere retaliation for a prior altercation.” “Many individuals who were involved have long since passed away, while others have been hard to identify,” the lawsuit said. “Yet, one thing is certain: there remain individuals who were involved in Tupac’s murder who, for 30 years, have not been held accountable for their crimes. This action seeks to change that and to recover damages for the wrongful death of Tupac.” *This story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-features/tupac-shakur-murder-trial-things-to-know-1235602789/).* Related Stories - [Diddy Documentary From 50 Cent, His Biggest Foe, Hits Netflix in December](https://rollingstonephilippines.com/radar/releases/diddy-documentary-50-cent-netflix/ "Diddy Documentary From 50 Cent, His Biggest Foe, Hits Netflix in December") - [‘Missionary’: Snoop Dogg Reunites with Dr. Dre and Death Row](https://rollingstonephilippines.com/radar/missionary-snoop-dogg-dr-dre-death-row/ "‘Missionary’: Snoop Dogg Reunites with Dr. Dre and Death Row") - [Jay-Z Drops First New Verse in Years on Beyoncé’s New ‘Morning Dew (Donk)’ Remix](https://rollingstonephilippines.com/music/hiphop-rnb/beyonce-morning-dew-donk-remix-jay-z/ "Jay-Z Drops First New Verse in Years on Beyoncé’s New ‘Morning Dew (Donk)’ Remix") **Categories:** Hip-hop/R&B, Music **Tags:** Diddy, Tupac Shakur --- ### [Taylor Swift Removes ‘August’ From Team Trump TikTok Video](https://rollingstonephilippines.com/music/news/taylor-swift-removes-august-team-trump-tiktok-video/) **Published:** August 10, 2026 **Author:** Daniel Kreps **Content:** Days after a [Trump](https://rollingstonephilippines.com/tag/donald-trump/ "Donald Trump")-affiliated TikTok account used [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/ "Taylor Swift")’s “August” in a video, the singer has managed to get her song removed from the clip. Earlier this week, the Team Trump account — created during the 2024 presidential campaign — posted a video of Donald and Melania Trump watching fireworks with Swift’s “August” soundtracking the clip. “I’m sure @Taylor Swift is going to be super excited we used her song! #taylorswift #maga #august,” the caption teased. However, on Friday, U.S. users noticed that the *Folklore* track had been removed from the offending TikTok, with the message, “The copyright owner hasn’t made this sound available in your country.” > [@teamtrump](https://www.tiktok.com/@teamtrump?refer=embed "@teamtrump") I’m sure @Taylor Swift is going to be super excited we used her song! [\#taylorswift](https://www.tiktok.com/tag/taylorswift?refer=embed "taylorswift") [\#maga](https://www.tiktok.com/tag/maga?refer=embed "maga") [\#august](https://www.tiktok.com/tag/august?refer=embed "august") [♬ som original – ⸆⸉ ོ](https://www.tiktok.com/music/som-original-7397954147541027590?refer=embed "♬ som original - ⸆⸉ ོ") In the aftermath of Swift’s [endorsed](https://www.rollingstone.com/politics/politics-news/taylor-swift-endorses-kamala-harris-2024-election-1235099608/) Kamala Harris in the 2024 election and Trump’s declaration that “[I HATE TAYLOR SWIFT](https://www.rollingstone.com/politics/politics-news/trump-i-hate-taylor-swift-1235102578/),” the Team Trump account has [antagonistically used the singer’s music](https://www.rollingstone.com/music/music-features/donald-trump-taylor-swift-everything-hes-said-1235101809/) in their TikToks on several occasions. It wasn’t just “August” that was removed from a Team Trump TikTok: [*Variety* reports](https://variety.com/2026/music/news/taylor-swift-song-august-removed-trump-tiktok-video-1236830512/) that a Team Trump video using Swift’s “Father Figure” that was [posted back in November 2025](https://www.tiktok.com/@teamtrump/video/7569701713712631095) also had its sound stripped. However, it’s not a blanket removal, as an official White House TikTok video from last November is still soundtracked by “The Fate of Ophelia.” The White House also couldn’t resist prodding Swift when the singer married Travis Kelce at Madison Square Garden, [unleashing a series of memes](https://www.rollingstone.com/music/music-news/the-white-house-taylor-swift-wedding-trump-meme-msg-1235589159/) on the day of the wedding in July. The president’s distaste for Swift [goes back ever farther](https://www.rollingstone.com/music/music-features/donald-trump-taylor-swift-everything-hes-said-1235101809/) than the most recent election. Ahead of the midterm elections in 2018, Swift voiced her support for Democratic Senate candidate Phil Bredesen over Republican Marsha Blackburn in Tennessee. The then-president[ fielded a question](https://www.rollingstone.com/music/music-news/donald-trump-taylor-swift-25-percent-734570/) on Swift’s stance outside of the White House. “I’m sure Taylor Swift knows nothing, and doesn’t know anything about \[Blackburn\],” Trump said, adding, “I like Taylor’s music about 25 percent less now, OK?” *This story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-news/taylor-swift-removes-august-team-trump-tiktok-video-1235605878/).* Related Stories - [All the Controversies from Taylor Swift and Travis Kelce’s New York Wedding](https://rollingstonephilippines.com/music/pop/taylor-swift-travis-kelce-wedding-controversies/ "All the Controversies from Taylor Swift and Travis Kelce’s New York Wedding") - [Taylor Swift Returns to Her Country Roots on New ‘Toy Story 5’ Song](https://rollingstonephilippines.com/music/folk/taylor-swift-country-roots-toy-story-5-song/ "Taylor Swift Returns to Her Country Roots on New ‘Toy Story 5’ Song") - [Phoebe Bridgers, NCT 127, Weezer, and All the New Albums You Need To Hear This August](https://rollingstonephilippines.com/music/august-2026-albums-phoebe-bridgers-nct-127/ "Phoebe Bridgers, NCT 127, Weezer, and All the New Albums You Need To Hear This August") **Categories:** Music, News, Pop **Tags:** Donald Trump, Taylor Swift --- ### [Before Alex Eala: 13 Filipino Athletes Who Also Made History](https://rollingstonephilippines.com/culture/sports/filipino-athletes-who-made-history-alex-eala/) **Published:** August 7, 2026 **Author:** Pie Gonzaga **Excerpt:** A chess Grandmaster who beat a world champion, a weightlifter who won the country’s first Olympic gold, and a teenager who broke into F1 — these are other wins that match Eala’s history-making run **Content:** When Alex Eala rallied past world No. 3 Jessica Pegula to [win the Mubadala DC Open](https://rollingstonephilippines.com/culture/sports/alex-eala-dc-open-champion/) on August 4, she did more than take home her first Women’s Tennis Association (WTA) trophy. She became the first Filipino to win a WTA Tour-level singles title, beating three top-three seeds along the way in a rain-delayed final that stretched across two days. It was a moment the whole country claimed as its own, significant enough to even earn a Senate resolution celebrating the win. But Eala’s success did not happen in a vacuum. Filipino athletes have been setting new records and breaking old ones for decades, in sports far beyond basketball and boxing. Here are other Filipino athletes who have also made domestic and world history. ## Eugene Torre ![eugene torre](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/eugene-torre.webp) Eugene Torre in 1984. Photo by Rob Bogaerts/Anefo/Wikimedia Commons Eugene Torre became the first Filipino, and the first from Southeast Asia, to earn the title of International Grandmaster, doing so in 1974 at age 22 after winning silver at the Chess Olympiad in Nice. Two years later, he beat then-reigning World Champion Anatoly Karpov in a tournament. Torre would go on to represent the Philippines in more than 20 Chess Olympiads, a career that helped put Filipino chess on the world map. ## Paeng Nepomuceno [Rafael “Paeng” Nepomuceno](https://rollingstonephilippines.com/culture/sports/paeng-nepomuceno-hall-of-fame-2025/) was just 19 when he won the 1976 Bowling World Cup in Tehran, becoming the youngest world champion in the sport’s history, a Guinness record he still holds. That win capped a grand slam year in which he also took the Philippine Open and the Asian Championships. He would go on to win the World Cup three more times, in 1980, 1992, and 1996. ## Lydia De Vega De Vega won her first gold at the 1981 Southeast Asian (SEA) Games in the 200m, the start of a run that would earn her 15 gold medals across the SEA Games, Asian Games, and Asian Championships. Her dominance through the 1980s earned her the nickname “Asia’s fastest woman.” She closed out her career the way she started it, with gold in the same event at the 1993 SEA Games. ## Elma Muros “Long Jump Queen” Elma Muros won the first of her 15 career SEA Games gold medals in 1983, in the long jump, launching a career that would span nearly two decades. She competed across multiple track and field disciplines over the years, closing her career with a final gold in the heptathlon event at the 2001 SEA Games, a fitting bookend to one of the most decorated careers in Philippine athletics. ## Dyan Castillejo ![dyan castillejo alex eala](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/dyan-castillejo-alex-eala.webp) Dyan Castillejo with Alex Eala at the PHINMA J60 International Junior Tennis Championships in Makati, June 2025. Photo from Dyan Castillejo/Facebook Before she became a familiar face on Philippine sports broadcasting, Dyan Castillejo made history on the court, becoming the first Filipino to earn a WTA ranking, reaching a career-high singles ranking of No. 403 in 1986. She represented the Philippines in Fed Cup ties from 1981 to 1990 and competed at the Asian Games, SEA Games, and the junior tournaments at Wimbledon and the US Open, laying groundwork that Filipino tennis players are still building on today. ## Onyok Velasco Mansueto “Onyok” Velasco Jr. won gold in the light flyweight division at the 1994 Asian Games, a breakthrough that established him as one of the country’s top amateur boxers heading into the back half of the decade. Two years later, he took that momentum to the 1996 Atlanta Olympics, where he won silver in the same division, earning the Philippines’ only medal at those games and one of the country’s rare Olympic boxing podiums. ## Efren “Bata” Reyes Pool player Efran “Bata” Reyes was already a legend at home by the time he won the World Pool Association (WPA) World Nine-Ball Championship in Cardiff, Wales in 1999, defeating Taiwan’s Chang Hao-Ping in the final. The win, broadcast globally, turned “The Magician” into an international icon and pushed Philippine billiards from backroom pastime to a sport where Filipinos are recognized as some of the best in the world. ## Mikee Cojuangco Equestrian-actress Mikee Cojuangco won gold in individual show jumping at the 2002 Asian Games, a milestone win in a sport with little visibility in the Philippines at the time. Her win put equestrian sports on the map domestically and remains one of the country’s standout achievements in the discipline. ## Margielyn Didal Margielyn Didal’s rise started on the streets of Cebu, and by 2018 she had become the first Filipino skateboarder to compete in Street League Skateboarding in London before being invited to be the first Filipino compete in the X Games in Minneapolis and winning gold in women’s street skateboarding in the Asian Games that same year. The win turned her into the face of Philippine skateboarding and represented the country when skateboarding made its Olympic debut in Tokyo in 2020. ## Carlos Yulo ![carlos yulo rolling stone philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/carlos-yulo-for-rsph.webp) Carlos Yulo for the Rolling Stone Philippines Interview. Photo by Kieran Punay Gymnast [Carlos Yulo](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/carlos-yulo-work-life-balance/) became the first Filipino, and the first Southeast Asian, to win gold at the World Artistic Gymnastics Championships in 2019, taking the floor exercise title in Stuttgart at just 19 years old. It was the culmination of a rise that began with a bronze medal at the same championships the year before. He would go on to become the country’s first multi-gold Olympic champion at the Paris 2024 Games. ## Hidilyn Diaz Weightlifter Hidylyn Diaz delivered the Philippines its first-ever Olympic gold medal at the Tokyo 2020 Games (held in 2021), winning the women’s 55kg weightlifting event after four previous Olympic appearances, including a silver in Rio. The win ended a 97-year wait for the country’s first Olympic gold and set off nationwide celebrations. ## EJ Obiena Obiena broke the Asian pole vault record in 2021, clearing 5.93m in Austria’s International Golden Roof Challenge to eclipse a mark that had stood for 23 years. He also became the first Asian vaulter to clear six meters at the Bergen Jump Challenge in Norway in 2023. That same year, he won silver at the World Athletics Championships in Budapest, the country’s first-ever silver at that meet, following the bronze he won there in 2022 that was the Philippines’ first medal in the championship’s history, and gold at the Asian Games in Hangzhou. ## Bianca Bustamante Bustamante became the first Filipino and first Southeast Asian to join F1 Academy when she signed with Prema Racing in early 2023. Later that year, she became the first female driver signed to McLaren’s Driver Development Programme, a milestone that put a Filipina on the radar of Formula 1’s biggest teams and opened a new lane for the country in international motorsport. ## Frequently Asked Questions ### Who is the first Filipino to win a WTA singles title? Alex Eala became the first Filipino to win a WTA Tour-level singles title when she beat Jessica Pegula in the final of the 2026 Mubadala DC Open. It was also the first WTA 500 championship won by a Filipino. ### Who won the Philippines’ first Olympic gold medal? Hidilyn Diaz won the Philippines’ first-ever Olympic gold medal, in women’s 55kg weightlifting at the Tokyo Olympics. Her win ended a 97-year wait for the countRy’s first Olympic gold since it began competing at the Games in 1924. ### Who is the first Filipino gymnast to win an Olympic gold medal? Carlos Yulo became the Philippines’ first gymnast to win Olympic gold, taking two gold medals, in floor exercise and vault, at the Paris 2024 Olympics. He first made history in 2019 as the first Filipino and Southeast Asian to win gold at the World Artistic Gymnastics Championships. ### Who was the first Filipino world billiards champion? Efren “Bata” Reyes became the first Filipino, and first Asian, to win a world pool championship when he took the WPA World Nine-Ball Championship in Cardiff, Wales in 1999. He later became the first player to win World Pool Association titles in two different disciplines. ### What other Filipino athletes made sports history before Alex Eala? Filipino athletes who made history before Eala include Eugene Torre (first Filipino chess Grandmaster, 1974), Paeng Nepomuceno (youngest world bowling champion, 1976), Lydia De Vega (“Asia’s fastest woman” in the 1980s), Elma Muros (record 15 SEA Games golds), Dyan Castillejo (first Filipino WTA ranking), Onyok Velasco (1996 Olympic boxing silver), Mikee Cojuangco (2002 Asian Games equestrian gold), Margielyn Didal (2018 Asian Games skateboarding gold), EJ Obiena (Asian pole vault record holder), and Bianca Bustamante (first Filipina F1 Academy driver). Related Stories - [Paeng Nepomuceno Makes Winning Look Easy](https://rollingstonephilippines.com/culture/sports/paeng-nepomuceno-hall-of-fame-2025/ "Paeng Nepomuceno Makes Winning Look Easy") - [Alex Eala Wins First-Ever WTA Tour Title in DC](https://rollingstonephilippines.com/culture/sports/alex-eala-dc-open-champion/ "Alex Eala Wins First-Ever WTA Tour Title in DC") - [Carlos Yulo is A Completely Different Person Off the Mat](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/carlos-yulo-work-life-balance/ "Carlos Yulo is A Completely Different Person Off the Mat") **Categories:** Culture, Sports **Tags:** alex eala, carlos yulo, ej obiena, Hidilyn Diaz, Paeng Nepomuceno --- ### [‘Teenage Sex and Death at Camp Miasma’ and Cinema’s Intellectual Property Problem](https://rollingstonephilippines.com/culture/film/teenage-sex-and-death-at-camp-miasma-intellectual-property-problem/) **Published:** August 7, 2026 **Author:** Jason Tan Liwag **Excerpt:** Using horror as a microcosm for the global film and TV industry, we see how producers keep learning the wrong lessons from the most successful stories **Content:** Minutes into Jane Schoenbrun’s Queer Palm-winning meta-horror comedy *Teenage Sex and Death at Camp Miasma*, a montage recounts the life, death, and endless resurrection of a fictional slasher franchise called *Camp Miasma*. Across fake trailers, newspaper clippings, botched posters, and failed promotional tie-ins, Schoenbrun chronicles how a once-successful *Friday the 13th*-esque horror film is repeatedly revived, repackaged, and resold across decades. At the center of *Camp Miasma* is Little Death, a Jason Voorhees-esque serial killer wearing a ceiling vent as a helmet whose continued existence feels less like a manifestation of some primal fear than a mascot for cultural exhaustion. Soon after, we meet Kris ([Hannah Einbinder](https://rollingstonephilippines.com/tag/hacks/ "Hacks")), a filmmaker who, like Schoenbrun, broke through at Sundance before being recruited to direct a reboot of her favorite zombified franchise. Trapped in a passionless polyamorous relationship and struggling to find other work, Kris uses the assignment as an excuse to search for Billy Preston (Gillian Anderson), the elusive final girl of the original film and Kris’ queer and sexual awakening. When Kris finally locates Billy living beside the same lake where the original film was shot, not even she can be convinced *Camp Miasma* deserves to be revitalized — less so by a person whose intellectual interests in “the intersections of queerness and intellectual constructions of monstrosity” keep her at odds with a film about “flesh and fluids.” What would it take for us to stop depending on resurrected intellectual property to keep the industry alive? Schoebrun’s blood-soaked horror is closer to satire about the industry than a genuine slasher. Extended sequences of brutal beheadings, convoluted franchise mythology, and hot gratuitous lesbian sex emerge less from narrative impetus and function more as metatextual homage and autopsy of a dying genre. *Teenage Sex and Death at Camp Miasma* delights in the pleasures of genre signifiers while dissecting a form that is increasingly trapped by its own history. It’s an insight that extends far beyond horror. Like the bodies repeatedly butchered and revived within the film, *Camp Miasma* is a Frankenstein’s monster assembled from the film and TV industry’s worst instincts: the endless sequels and reboots, the corporate retrofitting of old properties to accommodate contemporary liberal politics, and worst of all, the recruitment of emerging auteurs to lend legitimacy to aging intellectual property. It’s funny but it’s also fucking bleak and beneath every setup and punchline builds toward a question that haunts filmmaking today: What would it take for us to stop depending on resurrected intellectual property to keep the industry alive? It’s impossible to watch Schoenbrun’s film, much less attend one of the most prestigious festivals in the world, without viewing it in the context of contemporary cinema’s broader fixation on the past. Even at this year’s [Cannes](https://rollingstonephilippines.com/tag/cannes-film-festival/ "Cannes Film Festival"), many of the most discussed films are modern retellings of other films. For instance, Asghar Farhadi’s *Parallel Tales* was widely panned as a pale reworking of Krzysztof Kieslowski’s *Dekalog VI*, while Andrey Zvyagintsev’s Grand Prix-winning *Minotaur* takes Claude Chabrol’s *The Unfaithful Wife* and transplants it into Putin’s post-pandemic Russia, creating a devastating political tour de force. The film’s successes don’t necessarily hinge on their source materials, but these facts hang over every screening like a guillotine. Outside the festival circuit, this pattern becomes even more pronounced. The film and television industry has spent the last decade banking on familiarity to draw audiences into cinemas. The biggest box-office successes of the post-pandemic era have emerged from preexisting intellectual property and people’s nostalgia towards them: whether they’re toys (*Barbie*), video games (*The Super Mario Galaxy Movie*), musicians (*[Michael](https://rollingstonephilippines.com/culture/film/jackson-movie-michael-jackson-review/ "We Were Never Going to Get a Real Michael Jackson Biopic")*), long-awaited sequels (*[The Devil Wears Prada 2](https://rollingstonephilippines.com/tag/the-devil-wears-prada-2/ "The Devil Wears Prada 2")*), live-action adaptations of animated classics (*Lilo & Stitch*), continuations of shared universes developed in television (*[The Mandalorian and Grogu](https://rollingstonephilippines.com/tag/the-mandalorian-and-grogu/ "The Mandalorian and Grogu")*), or crossovers of multiple franchises (*Deadpool & Wolverine*). Despite clamor from the public and producers for original work, contemporary film culture creates based on what has already succeeded. ![teenage sex and death at camp miasma 2 Little Death](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/teenage-sex-and-death-at-camp-miasma-2.webp) Little Death, a Jason Voorhees-esque serial killer wearing a ceiling vent as a helmet, whose continued existence feels less like a manifestation of some primal fear than a mascot for cultural exhaustion. Photo from Plan B Entertainment-MUBI *Teenage Sex and Death at Camp Miasma* homes in on the absurdity of this elliptical logic of filmmaking that demands originality while parsing horror’s peculiar position within it. Horror is perhaps the genre most guilty of self-cannibalization: it thrives on self-reference and metatextual reinvention. Franchises such as *[Scary Movie](https://rollingstonephilippines.com/tag/scary-movie/ "Scary Movie")* and *[Scream](https://rollingstonephilippines.com/tag/scream-7/ "Scream 7")* began as contemporary interrogations of the genre itself, poking fun at how the audience’s familiarity with rules and tropes classic to the genre can be weaponized against them, creating a unique theatrical experience. Yet the continued presence of these film franchises long after they have anything meaningful to say has only proven to audiences why they should have long died. The newest intellectual property is no longer the monster or the franchise, it’s the filmmaker. At the same time, horror is also one of the few genres capable of introducing genuinely new faces, directorial voices, and concepts on [relatively low budgets](https://www.theguardian.com/film/2026/jun/12/obsession-horror-film-hollywood). Danny and Michael Philippou transformed their YouTube virality as [RackaRacka](https://www.abc.net.au/news/2023-07-25/talk-to-me-directors-rackaracka-a24-horror-film/102632948) into two critically acclaimed features with *Talk to Me* and *Bring Her Back*. Markiplier’s *[Iron Lung](https://rollingstonephilippines.com/tag/iron-lung/ "Iron Lung")* opened on “[2,500 screens without a distributor](https://www.indiewire.com/news/analysis/markiplier-open-iron-lung-2500-screens-no-distributor-1235172987/),” using the clout he amassed on YouTube to put seats into theaters. The 20-year old [Kane Parsons](https://rollingstonephilippines.com/tag/kane-parsons/ "Kane Parsons") transformed [years of Blender-generated YouTube videos](https://www.bbc.com/news/articles/cdxpdnwx5n5o) into a major studio production with *[Backrooms](https://rollingstonephilippines.com/tag/backrooms/ "Backrooms")* while the 26-year old [Curry Barker](https://rollingstonephilippines.com/tag/curry-barker/ "Curry Barker")’s *[Obsession](https://rollingstonephilippines.com/tag/obsession/ "Obsession")* first generated buzz at Toronto, later being acquired by [Focus Features for $15 million](https://deadline.com/2025/10/curry-barker-obsession-finalizes-focus-features-deal-focusfest-1236584405/) and becoming one of the year’s global breakout successes. Yet even these successes remain embedded within systems built to commodify. *Backrooms* might be touted as an original but it emerges from years of internet mythology cultivated through YouTube videos, Reddit threads, and online conversation. Barker has openly discussed how the seed for *Obsession* [originated from a *The Simpsons* parody of *The Chaser*](https://www.independent.co.uk/arts-entertainment/films/news/obsession-movie-the-simpsons-curry-barker-b2983719.html)*,* a lesser-known episode of *The Twilight Zone*. Even *Iron Lung*’s success can’t be purely attributed to its origins in the 2022 submarine simulation horror game but in the ways it leveraged Markiplier’s existing fanbase. Rather than discussing how artists transmute their cultural references into a film for contemporary audiences, the conversation immediately shifts towards [sequels](https://deadline.com/2026/05/curry-barker-considers-obsession-sequel-anthology-plot-hole-1236907398/) and [expanded cinematic universes](https://deadline.com/2026/05/curry-barker-anything-but-ghosts-same-universe-obsession-1236929829/) that expand the film’s market potential. The moment something succeeds, we stop considering it as work or art and start treating it as an investment. The pipeline from [YouTuber to horror filmmaker](https://rollingstonephilippines.com/culture/film/youtube-to-horror-movies-6-creators-turned-filmmakers/ "From YouTube to Horror Movies: 6 Creators Who Became Filmmakers") might have become one of the most reliable entry points for a new generation of directors, but it is also indicative of a new problem that Schoenbrun seems to confirm within the lore of her film: the newest intellectual property is no longer the monster or the franchise, it’s the filmmaker. ![teenage sex and death at camp miasma hannah einbinder](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/teenage-sex-and-death-at-camp-miasma-hannah-einbinder.webp) Hannah Einbinder plays Kris, a filmmaker who, like Jane Schoenbrun, broke through at Sundance before being recruited to direct a reboot of her favorite zombified franchise. Photo from Plan B Entertainment-MUBI The question is no longer whether we can create something original and compelling but rather what parts of ourselves we are willing to sublimate into the capitalist machine. Like Barker, Parsons, Markiplier, and the Philippous, Kris is valuable not only because she “did a retelling of *Psycho* from the perspective of the shower curtain,” but because she has the makings of a brand. Her queerness, personal experience, and creative identity fuel the franchise and insulate its executives from critique. Viewed through this lens, Kris’s predicament of becoming assimilated into the fabric of *Camp Miasma* itself becomes less a joke about horror as a genre and more a nightmare about contemporary cultural production. Perhaps it is this detail that makes Schoenbrun’s film deeply unsettling. The question is no longer whether we can create something original and compelling but rather what parts of ourselves we are willing to sublimate into the capitalist machine. In Schoenbrun’s vision of horror and the future, intellectual property no longer merely consumes stories. It assimilates the people who create them. Related Articles - [‘Backrooms’ Is No. 1 At the Global Box Office. What Does This Mean for the Future of Moviegoing?](https://rollingstonephilippines.com/culture/film/backrooms-obsession-box-office-horror-cinema/ "‘Backrooms’ Is No. 1 At the Global Box Office. What Does This Mean for the Future of Moviegoing?") - [21 Scary Horror Movies That Reflect the World’s Real Terrors](https://rollingstonephilippines.com/culture/film/21-horror-movies-real-world-terror/ "21 Scary Horror Movies That Reflect the World’s Real Terrors") - [All 13 of Christopher Nolan’s Movies, Ranked](https://rollingstonephilippines.com/culture/film/christopher-nolan-movies-ranked/ "All 13 of Christopher Nolan’s Movies, Ranked") **Categories:** Culture, Film **Tags:** Teenage Sex and Death at Camp Miasma --- ### [Yellow Cab Pizza Celebrates 25 Years with New Eastwood Flagship, Vespas for Yellow Pass VIP Winners](https://rollingstonephilippines.com/radar/yellow-cab-pizza-25-years-eastwood-flagship/) **Published:** August 7, 2026 **Author:** Rolling Stone Philippines **Excerpt:** The New York-style pizza purveyor opens its latest flagship in Eastwood, where it also awarded four brand-new Vespas to the lucky Yellow Pass VIP winners of the 25th Anniversary Raffle Promo **Content:** Before big, thick slices of pizza became the norm in the country, Yellow Cab Pizza was the first to introduce New York-style pizza to Filipino consumers in 2001. 25 years later, the iconic pizza chain has endured with favorites such as the Edge-to-Edge Pizzas®, Charlie Chan® Pasta, Dear Darla®, Hot Chix, and, of course, New York’s Finest® Pizza. A Yellow Cab Pizza dining experience remains unparalleled, transporting every diner to the birthplace of the revolutionary slice in New York with interiors inspired by the city’s yellow taxis and big bright marquees. ![Yellow Cab Pizza Eastwood flagship store EW Photo 2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Yellow-Cab-Pizza-Eastwood-flagship-store-EW-Photo-2.webp) ![Yellow Cab Pizza Eastwood flagship store EW Photo 4](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Yellow-Cab-Pizza-Eastwood-flagship-store-EW-Photo-4.webp) Its latest flagship store in Eastwood continues to be true to this transportive feeling. Located on the ground floor of Le Grand 3 in Eastwood, Quezon City, the space is kept welcoming by elements familiar to every Yellow Cab Pizza loyal customer: black and white tiles, diner-style bar seating, cozy booths and tables, and, of course, the smell of freshly made fired pizza in the air. ![Yellow Cab Pizza Eastwood flagship store 20260630_153245-2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Yellow-Cab-Pizza-Eastwood-flagship-store-20260630_153245-2.webp) And while the flagship offers the same warmth honed over a quarter of a century of bringing New York’s finest to the most discerning Filipino customers, now, they too can take home more than just their favorite pizza and pasta. ![Yellow Cab Pizza Eastwood flagship store EW Photo 1](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Yellow-Cab-Pizza-Eastwood-flagship-store-EW-Photo-1.webp) ![Yellow Cab Pizza Eastwood flagship store EW Photo 1](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Yellow-Cab-Pizza-Eastwood-flagship-store-EW-Photo-3.webp) In celebration of its 25th anniversary, Yellow Cab Pizza has teamed up with equally iconic brands, including New Era Philippines, Mossimo Philippines, Max’s, and Pepsi, to make the milestone even more memorable. Beyond the finest pizza, pasta, and wings, Yellow Cab Pizza also rewarded four Yellow Pass VIP winners of its 25th Anniversary Raffle Promo with brand new Vespa scooters that have been part of Yellow Cab Pizza’s delivery story, bringing hot and fresh pizzas to your doorsteps. ![Yellow Cab Pizza Eastwood flagship store _SNY6919 vespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Yellow-Cab-Pizza-Eastwood-flagship-store-_SNY6919.webp) From its first store along Makati Avenue, where Yellow Cab Pizza has brought together generations for celebration, it celebrates its own milestone with a new flagship store and a giveaway of four new Vespas to four lucky Yellow Pass VIPs. 25 years in, the iconic pizza chain continues to deliver only the finest. *Visit [delivery.yellowcabpizza.com](https://delivery.yellowcabpizza.com/ "delivery.yellowcabpizza.com")* *and follow Yellow Cab Pizza on [Facebook](https://www.facebook.com/YellowCabPizzaOfficial "Facebook") and [Instagram](https://www.instagram.com/yellowcabpizza/?hl=en "Instagram") for more information on their latest store openings.* **Categories:** Events, Radar **Tags:** Yellow Cab Pizza --- ### [Perez Hilton ‘Is Able to Communicate’ After Self-Harm Incident, Says Family](https://rollingstonephilippines.com/culture/news-culture/perez-hilton-family-statement/) **Published:** August 7, 2026 **Author:** Malik Davis **Excerpt:** “Your compassionate humanity during this heartbreaking time has meant more than words can express,” says family **Content:** [Perez Hilton](https://rollingstonephilippines.com/tag/perez-hilton/ "Perez Hilton")‘s family has spoken out again following a [week of turmoil ](https://www.rollingstone.com/culture/culture-news/perez-hilton-tiktok-livestream-self-harm-1235603803/)for the media personality. Hilton appeared to harm himself during a [TikTok](https://rollingstonephilippines.com/tag/tiktok/ "TikTok") Live earlier this week that reportedly lasted around 15 minutes. He has since [received medical care](https://www.rollingstone.com/culture/culture-news/perez-hilton-family-statement-selfharm-medical-care-1235603999/), and now his family is sharing an update on his condition. In a statement published on [PerezHilton.com](http://perezhilton.com/), Hilton’s family confirmed that he can communicate. “We have also been able to confirm that Perez is able to communicate, which has given our family hope.” The family also expressed gratitude to everyone who has reached out with prayers, kind messages, and support. “Our family wants to once again thank everyone who has reached out with prayers, kind messages, and support for Perez. Your compassionate humanity during this heartbreaking time has meant more than words can express.” They acknowledged how difficult the past week has been for both Hilton’s loved ones and his team. “This has been incredibly difficult and emotional for us, made even harder because very little information has been made available to our family. While we continue to wait for further updates, we remain hopeful. “We respectfully ask for your continued prayers, understanding, and grace as Perez continues to recover,” they added. “We will share additional updates as we receive confirmed information and are able to do so. For now, we’re taking things one step at a time and keeping our focus where it belongs — on Perez and his recovery.” Hilton has long been known for his celebrity gossip and controversial blog posts. More recently, he has co-hosted [*The Perez Hilton podcast with Chris Booker*](https://perezhilton.com/perez-hilton-health-update-from-family/). According to Booker, the podcast is on hold until further notice as the focus shifts to Hilton’s health. In recent months, Hilton has also spoken openly about a significant spiritual transformation. He shared that he experienced a near-death encounter with God during a hospital stay. The experience, he said, led him to embrace a more active, personal Christian faith and reconnect with his Catholic roots. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/culture/culture-news/perez-hilton-new-family-statement-1235604598/).* Related Stories - [Cristy Fermin is the Final Boss of Celebrity Gossip](https://rollingstonephilippines.com/culture/cristy-fermin-celebrity-gossip/ "Cristy Fermin is the Final Boss of Celebrity Gossip") - [Ogie Diaz Knows You Hate Him. But Do You Really?](https://rollingstonephilippines.com/culture/ogie-diaz-profile/ "Ogie Diaz Knows You Hate Him. But Do You Really?") - [3 Viva Classics Where Lino Brocka Went a Little Over the Top](https://rollingstonephilippines.com/culture/philippine-cinema/lino-brocka-viva-sharon-cuneta/ "3 Viva Classics Where Lino Brocka Went a Little Over the Top") **Categories:** Culture, News **Tags:** Perez Hilton --- ### [Phoebe Bridgers’ ‘Lost Weekend’ is Lush, Honest, and Her Best Album Yet](https://rollingstonephilippines.com/music/music-reviews/phoebe-bridgers-lost-weekend-album-review/) **Published:** August 7, 2026 **Author:** Pie Gonzaga **Excerpt:** After major Grammy wins, a heartbreaking loss, and a two-year hiatus, the indie rock musician returns with a sonically sprawling, no-skips opus **Content:** The last time we saw [Phoebe Bridgers](https://rollingstonephilippines.com/tag/phoebe-bridgers/ "Phoebe Bridgers") make big moves in music was in 2024, when the rock supergroup [boygenius](https://rollingstonephilippines.com/tag/boygenius/ "boygenius") won three [Grammys](https://rollingstonephilippines.com/tag/grammys/ "Grammys") for the critically acclaimed album *the record*, in addition to the Best Pop Duo Performance award Bridgers won alongside [SZA](https://rollingstonephilippines.com/tag/sza/ "SZA") for “Ghost in the Machine.” The indie darling, who won the most awards that night, declared then that she’d take a step back. Bridgers returns now with her third album, *[Lost Weekend](https://rollingstonephilippines.com/tag/lost-weekend/ "Lost Weekend")*, kicking it off with a tour announcement (no Asian dates just yet) and the release of “[Lost Boys](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/phoebe-bridgers-leanne-naara-tanya-markova/ "Phoebe Bridgers, Leanne & Naara, Tanya Markova and All the Songs You Need to Know")” in June. The lead single teases some of the album’s sonic terrain: a familiar folk and rock littered with newer (and welcome) production choices. At 16 tracks and a total runtime of 53 minutes, *Lost Weekend* is her longest album yet. It’s also her strongest so far, a clear product of years of training her ear and honing the vivid narrative songwriting that her fans love so much about her. The tracks never reach the four-minute mark (though some come close), but the album’s overall length allows for an interlude and longer instrumentals that really let you sit with your feelings. The singer-songwriter’s musical habits return on the album. Guitars, mandolins, synths, and horns are present, while frequent collaborator Ethan Gruska comes back to produce. Joining them now are folk-rock luminary Alex G and [Jack Antonoff](https://rollingstonephilippines.com/tag/jack-antonoff/ "Jack Antonoff"), who further push the tracks into ambient electronic without destroying Bridgers’ melancholy Americana. ## The Sound of ‘Lost Weekend’ Opener “The Outside” starts with Bridgers singing into a vocoder à la [Lorde](https://rollingstonephilippines.com/tag/lorde/ "Lorde") in “Clearblue,” before the track flows into pianos and raw vocals. “The Governor’s Waltz” has more interesting elements, from the chopped-up vocals to the dance beat floating in and out of the second verse. There’s a cinematic quality to this track that feels right for a song speculated to be about ex-boyfriend [Paul Mescal](https://rollingstonephilippines.com/tag/paul-mescal/ "Paul Mescal"). The vocoder comes back for the intro of “Lost Boys,” but the track is more cheerful, tongue-in-cheek rock. “Lost boys find me,” she sings with a sly grin in the music video, which features her *Primetime* co-star Skyler Gisondo. “Bobby” is similarly upbeat, a head-bopper of a rock track with Antonoff’s proclivities: horns and drum fills. *Stranger in the Alps* and *Punisher* carried themes of death and grief, but they’re much more palpable here, drawing this time from the passing of Bridgers’ father in 2022. In “Never Going Back!,” she includes a voicemail from him. “Still Standing” sees Bridgers “feeling indifferent, wearing black,” unable to place the anger and grief she feels. “Sometimes I want you back / but not today,” she sings. ![phoebe bridgers by frank ockenfels](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/phoebe-bridgers-by-frank-ockenfels-for-lost-weekend.webp) Overall, the album paints a strange soundscape that toes the lines between folk, rock, and ambient. Photo by Frank Ockenfels Loss of love is also a motif on other tracks. In the title track, she sings, “I think I know why you’ve been blowing me off / I’ve been using my friends and losing the plot,” while in the closer, “Lost Weekend (Reprise),” she says, “I am my old man’s oldest son / I fought the wall and the wall won.” In both songs, an organ and ghostly “ooooh”s drone in the background. Other highlights on *Lost Weekend* include “Panorama,” the half of which is rich, ambient instrumentation; “Other Plans,” in which Bridgers sings the verse in a singular note without making the track boring; and “Kill Me,” which crescendos from a gorgeous, shimmering arrangement of acoustic and steel guitars, synths, and strings, to a distorted, feral, and drum-heavy outro that one would kill to hear live. And is that Cameron Winter on backing vocals? (“I’ll have to contact my lawyer,” the Geese frontman told [*Rolling Stone*](https://www.rollingstone.com/music/music-news/phoebe-bridgers-cameron-winter-lost-weekend-1235600345/) when asked for confirmation.) Bridgers’ work is as candid, poignant, and deep-reaching as ever, but her sound now is also more expansive and dramatic. So much has happened since she released *Punisher* in 2020, but she manages to channel it all in *Lost Weekend*, faithful to the complexities of her experience without being incohesive and incoherent. Bridgers may not like the spotlight much, but with a comeback as brilliant as this, she may have to endure it for a while. She can also expect a Grammy nod for Album of the Year, since *Lost Weekend* could undoubtedly be a strong contender. ## Frequently Asked Questions ### When does *Lost Weekend* come out? Phoebe Bridgers’ third album, *Lost Weekend*, comes out on August 14, 2026 in the Philippines. ### How many tracks are in *Lost Weekend*? *Lost Weekend* has 16 songs and a runtime of almost 53 minutes, making it Phoebe Bridgers’ longest album yet. ### Who collaborated with Phoebe Bridgers on *Lost Weekend*? In addition to frequent collaborator Ethan Gruska, artists credited on *Lost Weekend* include Matty Healy, Jack Antonoff, Bo Burnham, Lucy Dacus, Julien Baker, Maya Hawke, Alex G, Christian Lee Hutson, and Son-John Johnson, speculated to be Geese frontman Cameron Winter. ### Has Phoebe Bridgers announced a tour for *Lost Weekend*? In June, Phoebe Bridgers announced “The Lost Tour” in support of *Lost Weekend*. Running from September to December 2026, the tour will see Bridgers performing in locations across North America and Europe. No show dates for Asia have been announced. ### How many Grammys has Phoebe Bridgers won? Phoebe Bridgers swept the 2024 Grammys with four wins: Best Rock Song and Best Rock Performance for boygenius’ “Not Strong Enough,” Best Alternative Music Album for *the record*, and Best Pop Duo Performance for SZA’s “Ghost in the Machine.” She also received four Grammy nominations in 2021 for her solo sophomore album *Punisher*. Related Stories - [The Strokes’ ‘Reality Awaits’ Doesn’t Live Up to the Hype](https://rollingstonephilippines.com/music/music-reviews/the-strokes-reality-awaits-album-review/ "The Strokes’ ‘Reality Awaits’ Doesn’t Live Up to the Hype") - [Jack White’s Best Band Chemistry in Years is on ‘Frozen Charlotte’](https://rollingstonephilippines.com/music/music-reviews/jack-white-frozen-charlotte-album-review/ "Jack White’s Best Band Chemistry in Years is on ‘Frozen Charlotte’") - [Ranking Every Song on ‘you seem pretty sad for a girl so in love’](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-you-seem-pretty-sad-ranked/ "Ranking Every Song on ‘you seem pretty sad for a girl so in love’") **Categories:** Indie, Music, Music Reviews, Rock **Tags:** Lost Weekend, Phoebe Bridgers --- ### [Green Day Launches 24/7 YouTube Channel With Videos, Live Performances, and Unseen Archival Footage](https://rollingstonephilippines.com/music/rock/green-day-24-7-youtube-music-videos-live-performances/) **Published:** August 7, 2026 **Author:** Daniel Kreps **Excerpt:** Green Day TV will also feature Tre Cool-hosted Transmission Unknown variety show, “unearthed VHS tapes, deep cuts, and probably some stuff that should’ve stayed in the archives” **Content:** [Green Day](https://rollingstonephilippines.com/tag/green-day/ "Green Day") has launched a 24/7 YouTube station featuring the band’s music videos, live performances, and “over 100 hours of footage you can’t find anywhere else.” The group announced its new nonstop channel Green Day TV on Thursday with a *Wayne’s World*-esque promo, with the channel promising “a 24/7 nonstop stream of live footage, music videos, unearthed VHS tapes, deep cuts, and probably some stuff that should’ve stayed in the archives.” In addition to emptying their video vaults for Green Day TV, the station will also feature new original programming like *Transmission Unknown*, highlighting up-and-coming new bands, interviews, comedy sketches, and “radical cartoons and short films,” all hosted by drummer Tre Cool. As extra incentive to stay constantly tuned in: Green Day TV will also broadcast trivia, giveaways, and surprise merch drops. (At press time, Green Day TV was streaming single-camera footage of the band’s 1994 gig at Washington, D.C.’s iconic 9:30 Club, where Billie Joe Armstrong introduced the crowd to a new song, *Dookie*’s “She.” According to Setlist.fm, it was actually the third-ever performance of “She,” which the band has played live more than 920 times since.) Green Day will also be seen on the big screen when the band’s [new film, *Nimrods: A Green Day Comedy*](https://www.rollingstone.com/music/music-news/nimrods-a-green-day-comedy-trailer-1235575436/) hits theaters on Aug. 14. Filmmaker Lee Kirk, who wrote and directed the picture, based the story on Green Day’s salad days, when they toured in a van before *Dookie* made them world-famous. “I’ve always wanted to do a Green Day film,” Armstrong previously told *The Hollywood Reporter*. “God, ever since the beginning, just all my heroes have always done films, whether it was *Rock ‘n’ Roll High School* by the Ramones or \[the Beatles’\] *A Hard Day’s Night*, the Who’s *Quadrophenia*. I just wanted to do the same thing.” *This story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-news/green-day-24-7-youtube-music-videos-live-performances-1235604775/).* Related Stories - [Phoebe Bridgers, NCT 127, Weezer, and All the New Albums You Need To Hear This August](https://rollingstonephilippines.com/music/august-2026-albums-phoebe-bridgers-nct-127/ "Phoebe Bridgers, NCT 127, Weezer, and All the New Albums You Need To Hear This August") - [Massive Attack Responds to Singaporean Authorities for ‘Breaking’ Harmony Over Palestine Flag](https://rollingstonephilippines.com/music/dance-electronic/massive-attack-responds-singapore-palestine-flag/ "Massive Attack Responds to Singaporean Authorities for ‘Breaking’ Harmony Over Palestine Flag") - [beabadoobee Goes Loud and Heavy in A Career-Spanning Lollapalooza Set](https://rollingstonephilippines.com/music/rock/beabadoobee-lollapalooza-2026-set-recap/ "beabadoobee Goes Loud and Heavy in A Career-Spanning Lollapalooza Set") **Categories:** Music, Rock **Tags:** Green Day --- ### [You Can Finally Watch What Conan O’Brien Did in the Philippines Soon](https://rollingstonephilippines.com/culture/tv/conan-obrien-must-go-philippines-trailer/) **Published:** August 7, 2026 **Author:** Pie Gonzaga **Excerpt:** The new season of the travel show Conan O’Brien Must Go premieres August 22 on HBO Max **Content:** Since American TV host [Conan O’Brien](https://rollingstonephilippines.com/tag/conan-obrien/ "Conan O'Brien") was [spotted in Manila](https://rollingstonephilippines.com/culture/tv/conan-o-brien-spotted-in-manila/) in October 2025 filming his travel show, fans have been waiting for it to air. Finally, the trailer for a new season of *Conan O’Brien Must Go* has been released, alongside word of its August 21 (August 22 in the Philippines) premiere on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max"). “This is the best travel show,” a Filipino guest tells O’Brien while their group stands in the middle of Luneta Park. We know he [started shooting](https://rollingstonephilippines.com/culture/tv/conan-o-brien-manila-trip/) there before heading to Intramuros for balut, Quiapo for halo-halo, and Quezon City to swim in candy. He was also seen in BGC during his trip, and the trailer suggests he went as far as Tanauan, Batangas. The comedian was also on set with actors Dennis Trillo and Jennylyn Mercado for the GMA action drama series *[Sanggang-Dikit FR](https://rollingstonephilippines.com/culture/tv/conan-o-brien-sanggang-dikit-fr/ "Here’s How You Can Watch Conan O’Brien’s Special Teleserye Appearance")*. The Philippines joins three other countries O’Brien visited for the third season of *Conan O’Brien Must Go*: the Netherlands, Morocco, and India. Past seasons have seen him in Norway, Argentina, Thailand, Ireland, Spain, New Zealand, and Austria. ## Frequently Asked Questions ### Who is Conan O’Brien? Conan O’Brien is an American television personality and comedian known for his work as a late-night talk show host and writer for *Saturday Night Live* and *The Simpsons*. ### What is *Conan O’Brien Must Go* about? *Conan O’Brien Must Go* is a travel show hosted by Conan O’Brien and streaming on HBO Max. The show features O’Brien visiting fans he had previously featured on video calls on his podcast *Conan O’Brien Needs a Friend*. ### When did Conan O’Brien come to the Philippines? Conan O’Brien came to the Philippines in October 2025, visiting for a week to film his show *Conan O’Brien Must Go*. ### Which places did Conan O’Brien visit in the Philippines? O’Brien visited various parts of Metro Manila, including Luneta Park, Quiapo, Intramuros, Quezon City, and BGC. The trailer for Season 3 of *Conan O’Brien Must Go* also shows him visiting Tanauan, Batangas. ### When will *Conan O’Brien Must Go* Season 3 premiere? *Conan O’Brien Must Go* Season 3 will premiere in the Philippines on HBO Max on August 22. Related Stories - [Here’s How You Can Watch Conan O’Brien’s Special Teleserye Appearance](https://rollingstonephilippines.com/culture/tv/conan-o-brien-sanggang-dikit-fr/ "Here’s How You Can Watch Conan O’Brien’s Special Teleserye Appearance") - [Conan O’Brien Spotted in Manila, Filming For His Travel Show](https://rollingstonephilippines.com/culture/tv/conan-o-brien-spotted-in-manila/ "Conan O’Brien Spotted in Manila, Filming For His Travel Show") - [We’ve Been Stalking Conan O’Brien and His Trip in Manila](https://rollingstonephilippines.com/culture/tv/conan-o-brien-manila-trip/ "We’ve Been Stalking Conan O’Brien and His Trip in Manila") **Categories:** Culture, TV **Tags:** Conan O'Brien, HBO Max --- ### [Rolling Stone Philippines Staff Picks, August 2026: A Punch Bar, A New Ricky Lee Book, and Best New Products](https://rollingstonephilippines.com/radar/rs-recommends/staff-picks-august-2026/) **Published:** August 6, 2026 **Author:** Rolling Stone Philippines **Excerpt:** The National Artist is back with a new definitive guide for scriptwriting, plus a new bar that will have you sipping your cocktails from punch bowl, and few new things to make life better **Content:** Welcome to the Rolling Stone Philippines Staff Picks. Every other week, our editors and writers share their favorites from what the city and beyond have to offer. From the best restaurants, bars, new product releases, and anything worth your money, this list is a list of everything that’s gotten our attention. ‘Quiapo Ilalim: Pagsusulat ng Iba’t Ibang Daan’ ![Quiapo Ilalim- Pagsusulat ng Ibat Ibang Daan 1](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Quiapo-Ilalim-Pagsusulat-ng-Ibat-Ibang-Daan-1-1600x1600.webp) Aspiring filmmakers and authors now have a new manual to rely on. National Artist for Film and Broadcast Arts Ricky Lee’s *Quiapo Ilalim: Pagsusulat ng Iba’t Ibang Daan*, his much-anticipated follow-up to the highly influential scriptwriting manual *Trip to Quiapo*, comes out August 14 during Cinemalaya. Nearly three decades after the release of the original manual, the new book is being published by the Film Academy of the Philippines in partnership with Ricky Lee Writing Services. “Kung ang pagsusulat ay rewriting, gano’n din ang pagtuturo nito,” Lee wrote in an excerpt from the book. “Hindi natatapos sa isang draft. Pareho silang proseso, hindi destinasyon.” —*Elijah Pareño* *Pre-orders for the manual are now available via [Shopee.](https://shopee.ph/Quiapo-Ilalim-Pagsusulat-ng-Iba't-Ibang-Daan-Ricky-Lee-i.325323363.53315194482?extraParams=%7B%22display_model_id%22%3A426303088151%2C%22model_selection_logic%22%3A3%7D)* Kindle Scribe 2026 ![Kindle Scribe 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/amazon-kindle-scribe-2026-1600x1600.webp) I was a physical book girly for years, but I’ve recently understood the hype about Kindle after being gifted one. Kindles are pocket-sized devices designed to be an e-reader, but they now offer larger, tablet-sized options. Nothing could still beat the feeling of holding an actual book for me, but I understand why people would prefer the convenience a Kindle brings, especially now that there are updated models. In late 2025, Amazon released the third edition of its Kindle Scribe, a 10.2-inch- or 11-inch-thin e-reader and digital notebook in one. It has the soft light of previous editions, yet now provides stylus support for annotating, note-taking, and sketching. As its tagline suggests, it’s for the love of reading and writing. This June 2026, Amazon unveiled the new Scribe lineup, which included new colors and a variant without front light for a more paper-like feel. While Amazon does not offer direct shipping to the Philippines for these new editions, you can grab your Scribe from Lazada. —*Reyza Ferranco* Bar Ultramilk ![bar ultra milk](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/bar-ultra-milk-1600x1600.webp) I spend so many nights either drinking in Big Fuzz or wishing I was drinking in Big Fuzz. The bar headed by Jim Bacarro, Ali Sangalang, and Kyle Quismundo serves up to my mind the best cocktails in the city. (See No Evil and Sticky Fingers being my top picks). And as if I wasn’t enough of a fan, their latest bar proves that the city’s nightlife is much better with them in it. Bar Ultramilk is their latest concept that celebrates the communality of the punch bowl. While the current choices are kept to a minimum, the idea of having a huge punch bowl of alcohol with your friends is enticing enough. The best recommendation I can give to Ultramilk is that it stays close to what makes Big Fuzz great. And I mean that in both the figurative and literal sense since Ultramilk is literally right across Big Fuzz. —*Jonty Cruz* *Ultramilk is located on the second floor of Creekside Mall, 2316 Amorsolo Street, Legazpi Village, Makati* Garmin CIRQA Smart Band ![Garmin CIRQA Smart Band](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Garmin-CIRQA-Smart-Band-1-1600x1600.webp) Tracking your runs and other daily activities can be a chore when you’re too busy setting up your smartwatch or phone before or even in the middle of your workouts. But Garmin’s new CIRQA Smart Band is designed to help you monitor your health and activities without these distractions. Weighing at 20 g, the screen-free fabric band provides lightweight, comfortable wear and runs on 10 days of battery life, perfect for uninterrupted 24/7 use. I don’t like the extra work of optimizing and quantifying everything in my life, but as someone who’s still looking for a fuss-free way to watch their health, this smart band may be a good starting point. —*Pie Gonzaga* *The Garmin CIRQA Smart Band will be available beginning August 14, while pre-orders at Garmin stores and e-commerce platforms are open until August 13.* Stanley The Vitalize Shaker Bottle ![Web_PNG_Square-TheVitalizeShaker-20oz059L-CobaltChartreuse-Front 1](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Web_PNG_Square-TheVitalizeShaker-20oz059L-CobaltChartreuse-Front-1-1600x1600.webp) Since I started being a whey gay some years ago, I’ve gone through several shaker bottles. Once it slipped off my shaky hands, fatigued from arm day, and broke into many crisp pieces, protein shake all over my apartment. Another time, I hit it during tennis practice, my backhand burning a hole through it (which would have been impressive if it were the actual target). I’ve also lost a couple of small containers I use to store powder (my mistake, honestly. They were *too small* to keep an eye on). So now, as with my many far too expensive purchases, I’m begging for the Stanley The Vitalize Shaker Bottle to change my life with its double-wall vacuum insulation, and most importantly, its detachable BPA-free base storage container. It’s a pity that Stanley Philippines doesn’t carry it in Dark Blossom or Cobalt Chartreuse colorways. —*Christian San Jose* *The Stanley The Vitalize Shaker Bottle is available via* [*Shopee*](https://ph.shp.ee/bNuKQcc5) *and* [*TikTok Shop*](https://vt.tiktok.com/ZS9hCsMwDhuKe-F7WPQ/)*.* Related Stories - [Ricky Lee’s Latest Novel, ‘Pinilakang Tabing,’ is All About Philippine Cinema](https://rollingstonephilippines.com/radar/releases/ricky-lee-pinilakang-tabing-novel/ "Ricky Lee’s Latest Novel, ‘Pinilakang Tabing,’ is All About Philippine Cinema") - [25 Books That Define The Legacy of Ateneo de Manila University Press](https://rollingstonephilippines.com/culture/books/25-ateneo-press-books/ "25 Books That Define The Legacy of Ateneo de Manila University Press") - [Rolling Stone Philippines Staff Picks, July 2026: Big Bites, Blings, and the Best New Releases](https://rollingstonephilippines.com/radar/rs-recommends/staff-picks-july-2026/ "Rolling Stone Philippines Staff Picks, July 2026: Big Bites, Blings, and the Best New Releases") **Categories:** Radar, RS Recommends **Tags:** Garmin, Kindle, Ricky Lee, Rolling Stone Philippines Staff Picks, Stanley --- ### [5  Movie Theme Songs That Became More Popular than the Films](https://rollingstonephilippines.com/editors-picks/lists/movie-theme-songs-more-popular-than-the-films/) **Published:** August 6, 2026 **Author:** Elijah Pareño **Excerpt:** Across fantasy, sci-fi, romance, and animation, these selections show why these main theme songs in film deserves its own spotlight **Content:** When done right, film soundtracks can become as important as the performances and direction. Over the past century, soundtracks have followed audiences beyond the silver screen, becoming inseparable from the memories they leave behind. 1977’s Star Wars, where composer John Williams guided the story through brilliant pacing and musical themes for each of the film’s main characters, is a perfect example. Or take the drama *Purple Rain* (1984), where the soundtrack served as the emotional climax of the film, while its title track became a global hit that cemented Prince’s musical legacy, making it bigger than the movie itself. Every movie hopes to have one of these hits, but a select few stand out as the best examples. Beyond judging it based solely on how a soundtrack can strengthen a story, these songs arguably became bigger than the movies themselves. ## Nothing’s Gonna Stop Us Now (Mannequin, 1987) *[Mannequin](https://rollingstonephilippines.com/tag/mannequin/ "Mannequin")* gave Starship one of the biggest power ballads of the decade. The 1987 fantasy comedy starred Andrew McCarthy and Kim Cattrall. Department store window dresser (McCarthy) falls in love with a mannequin magically brought to life (Cattrall). The film was panned heavily by critics during release; however, its theme song “Nothing’s Gonna Stop Us Now” quickly outgrew the film that introduced it. Written by Albert Hammond and Diane Warren, the song topped the Billboard Hot 100 and earned an Academy Award nomination for Best Original Song. Today, it’s remembered as one of the biggest love songs of the ‘80s, with many listeners recognizing the chorus long before remembering *Mannequin*. ## I Believe I Can Fly (Space Jam, 1996) Basketball legend Michael Jordan wasn’t the only one who won big with *[Space Jam](https://rollingstonephilippines.com/tag/space-jam/ "Space Jam")*. The 1996 live-action and animated sports comedy that paired the NBA legend with Bugs Bunny and the Looney Tunes has become a cult classic, but it was (unfortunately) R. Kelly’s gospel-infused R&B hit “I Believe I Can Fly” that became the emotional centerpiece of the film. The song quickly took on a life of its own, winning three Grammy Awards, topping charts worldwide, and becoming a graduation and sporting event staple throughout the late ‘90s and early 2000s. While *Space Jam* remains a nostalgic favorite, “I Believe I Can Fly” ultimately became one of the biggest soundtrack songs ever released. ## Born Slippy (NUXX) (Trainspotting, 1996) Danny Boyle’s *[Trainspotting](https://rollingstonephilippines.com/tag/trainspotting/ "Trainspotting")* wouldn’t feel the same without Underworld’s euphoric techno track “Born Slippy (NUXX).” Released in 1996, the film follows a group of heroin addicts navigating friendship, addiction, and aimlessness in Edinburgh. Its soundtrack became just as influential as the film itself, capturing the energy of Britain’s rave and electronic music scene during the decade. While Underworld had already garnered a following in dance music prior to the release of *Trainspotting*, “Born Slippy (NUXX)” became a global breakthrough after appearing in the film’s unforgettable closing moments. Ewan McGregor’s character Mark Renton chose “life” as the track switches to party mode, exposing electronic music for an entire generation while becoming permanently tied to one of British cinema’s most iconic endings. ## Teenage Dirtbag (Loser, 2000) For many millennials, *[Loser](https://rollingstonephilippines.com/tag/loser/ "Loser")* introduced them to Wheatus’ “Teenage Dirtbag.” The 2000 coming-of-age comedy starring *American Pie* star Jason Biggs and Mena Suvari followed a socially awkward college freshman trying to survive campus life while falling for the girl of his dreams. While the film earned only modest success at the box office, its soundtrack ended up living a much longer life than the movie itself. Released a month before the film, “Teenage Dirtbag” exploded internationally and became Wheatus’ biggest song, reaching the Billboard Top 100 globally. Two decades later, the song found another life on TikTok, introducing an entirely new generation to the band’s massive hit. ## Love Me Like You Do (Fifty Shades of Grey, 2015) You didn’t even need to see *[Fifty Shades of Grey](https://rollingstonephilippines.com/tag/fifty-shades-of-grey/ "Fifty Shades of Grey")* to know Ellie Goulding’s hit “Love Me Like You Do.” And perhaps the song would be all the better for it. Produced by Max Martin, Ali Payami, and co-written by Tove Lo, “Love Me Like You Do” topped charts globally and earned nominations at the Grammy Awards and the Golden Globes. The song’s massive chorus and emotional performance became a modern pop staple whose popularity far exceeded the chemistry audiences found onscreen. More than a decade later, it’s the soundtrack — not the movie — that people revisit most. ## Frequently Answered Questions ### When was “Nothing’s Gonna Stop Us Now” released? Starship released “Nothing’s Gonna Stop Us Now” in 1987 as the theme song for the romantic fantasy comedy *Mannequin*. ### How many Grammys did “I Believe I Can Fly” win? “I Believe I Can Fly” was written and performed by R. Kelly for the 1996 film *Space Jam* and it won Best Male R&B Vocal Performance, Best R&B Song, Best Song Written Specifically for a Motion Picture or for Television. ### What movie featured “Born Slippy (NUXX)” by Underworld? Underworld’s “Born Slippy (NUXX)” was prominently featured in the closing scene of Danny Boyle’s 1996 film *Trainspotting*. ### Who is the band behind “Teenage Dirtbag”? “Teenage Dirtbag” is performed by American rock band Wheatus. ### What movie featured Ellie Goulding’s “Love Me Like You Do”? Ellie Goulding’s “Love Me Like You Do” was recorded for the soundtrack of the 2015 film *Fifty Shades of Grey*. Related Stories - [10 Netflix Music Documentaries About the Biggest Moments in Music History](https://rollingstonephilippines.com/editors-picks/lists/best-netflix-music-documentaries/ "10 Netflix Music Documentaries About the Biggest Moments in Music History") - [4 David Archuleta Moments That Proves He’s an Honorary Filipino](https://rollingstonephilippines.com/music/4-david-archuleta-moments-that-proves-hes-an-honorary-filipino/ "4 David Archuleta Moments That Proves He’s an Honorary Filipino") - [CGI Chimps and a World Without Janet: Fact-Checking the Michael Jackson Biopic](https://rollingstonephilippines.com/culture/film/fact-checking-michael-jackson-biopic/ "CGI Chimps and a World Without Janet: Fact-Checking the Michael Jackson Biopic") **Categories:** Culture, Editor's Picks, Film, Lists, Music **Tags:** Fifty Shades of Grey, Loser, Mannequin, Space Jam, Trainspotting --- ### [‘Tony’ Isn’t a Biopic. It’s Superhero Coming-of-Age Fan Fiction](https://rollingstonephilippines.com/culture/film/tony-bourdain-biopic-review/) **Published:** August 6, 2026 **Author:** David Fear **Excerpt:** Matt Johnson recreates the wonder years of a snot-nosed punk who’ll grow up to be a celebrity-chef icon. Call it Bourdain the Man the Show the Movie **Content:** [Anthony Bourdain](https://rollingstonephilippines.com/tag/anthony-bourdain/ "Anthony Bourdain") summed up his late teens in a typically eloquent, withering fashion: “I was,” he wrote in his bestselling memoir *Kitchen Confidential,* “a spoiled, miserable, narcissistic, self-destructive and thoughtless young lout, badly in need of a good ass-kicking.” That self-deprecating description opens *[Tony](https://rollingstonephilippines.com/culture/film/tony-anthony-bourdain-dominic-sessa/ "How the Dominic Sessa-Led Anthony Bourdain Biopic ‘Tony’ Came to Be"),* writer-director Matt Johnson’s movie about the one crazy summer that changed a thoughtless young lout’s life; for good measure, the quote does double duty as the tagline on the film’s poster. This parable then spends 99.9 percent of its running time making a rock-solid case for those last seven words. You may not recognize Bourdain, the future Keith Richards of the kitchen and globe-hopping TV personality, in the restless-youth chrysalis form presented here. You will undoubtedly agree, however, that this loudmouth jackass slouching toward Bethlehem, a.k.a. Cape Cod, is in serious need of a proper walloping. Which young Tony B. will get, in both the literal and metaphorical senses, and eventually emerge as the bad-boy butterfly who will discover his destiny lies behind hot burners and a hatred of brunch. This is the sort of biopic that promises to give you the child for 90 minutes, and it will show you the man — a subset of the genre that operates on already knowing that fame and fortune are foregone conclusions. You know the type: That medical student on a road trip will become a [poster boy for revolution](https://www.youtube.com/watch?v=0_LAiSdIXos), that [bespectacled Liverpudlian](https://www.youtube.com/watch?v=iC7jREW6cv8) will change the world by picking up a guitar, etc. These movies always run the risk of being overly reverent, and for better and worse, Johnson’s take on Bourdain’s formative years is not concerned with reverence. It’s not here to print the legend of those months spent learning the mystical ways of restaurant grunt work, which have been more than enough for a bildungsroman — a word this fictional young Bourdain keeps repeating and mispronouncing — of debauched delights. You may, however, wish that it had. Or that this A24 film had simply changed the names to protect the guilty and unload the baggage, given that *Tony* works best as a compelling, slightly cracked coming-of-age story if, and only if, you forget that the kid onscreen is supposed to be Anthony Bourdain. (It opens in New York and L.A. on Aug. 7, and goes wide Aug. 21.) “I wanna write a cross between Orwell’s *Down and Out in Paris* and *On the Road*!” exclaims Bourdain, played with equal parts live-wire crackle and low-simmer moodiness by *The Holdovers’* [Dominic Sessa](https://rollingstonephilippines.com/tag/dominic-sessa/ "Dominic Sessa"). The year is 1975, the place is Vassar College, and Tony is attempting to con his way into a fellowship in order to pen a novel. He doesn’t get it, which will not stop the desperate, aspirational youngster from telling everybody he did regardless. Especially if the whole “I’m a writer” thing helps him get into the pants of Nancy (*CODA’*s Emilia Jones), his high school crush who he spots at a local bar. She’s not buying his bullshit. But Nancy does casually mention that she’s going to be up at the Cape all summer, so maybe they’ll see each other in the fall at school? That little nugget of info is all Tony needs to alter his trajectory. Go northeast, young man. Cue Bourdain’s own version of *Down and Out in Provincetown.* After schlepping his way up to P-town, spying on Nancy smooching a guy from work, and being thrown out of a local eatery known as the Flagship for drunken assholery, Bourdain begins his journey in earnest. Waiting for the ferry to go home, our black-eyed hero runs into Nancy. The teeny morsel of encouragement she gives him is enough to make him rethink returning home. He hits up the Flagship’s owner, a crusty but lovable Portuguese chef known only as “Chef” ([Antonio Banderas](https://www.rollingstone.com/t/antonio-banderas/)), who lets the kid sleep off his first-night hangover on his hammock, for a job. A composite character of several different Bourdain mentors, Chef will let the kid work as a dishwasher on a trial basis — the angel on Tony’s shoulder. There’s also a devil, all too ready to perch on his other shoulder, too. His name is Sal (*[The White Lotus’](https://rollingstonephilippines.com/tag/the-white-lotus/ "The White Lotus")* Leo Woodall). He’s the guy who graced Tony with that shiner — for being a lout badly in need of a good ass-kicking, naturally — and also serves on the line in the Flagship’s kitchen, alongside the restaurant’s fellow staffers Stavros (Stavros Halkias) and Tyrone (Michael Jibrin). Sal knows how to properly spark a Zippo, seduce women, shuck oysters, throw a punch, and other Badass Masshole 101 lessons. He’s the one who introduces the hopeless Tony to the wonders of cocaine and the blissful summer fuckery that is the birthright of those young, dumb, and full of you know what. Every evening, Sal and Tony finish their shifts and hit the taverns. Every morning, Chef wakes Tony with a bucket of cold seawater. Saturday nights are all right for fighting. Sundays, Chef drags the kid to church. Sal and Chef slowly indoctrinate Tony in the brotherhood of line cooks that’s the equivalent of the bond between soldiers in foxholes, and it’s in those scenes that you get glimpses of the Bourdain from those compressed best-summers-ever chapters of *Kitchen Confidential.* Incidents like Tony burning his hand on a white-hot skillet — earning his co-workers’ mockery and contempt by asking for burn cream — and witnessing a bride leave her wedding dinner in order to shtup a cook are recreated for maximum effect. Ditto a late-night fishing excursion that underlines the importance of food to community and vice versa. Heroin makes a cameo. An almost offhanded mention of suicide in passing is as close to heavy-handed as things get. (Bourdain died by suicide in France in June of 2018.) ![dominic sessa and antonio banderas in tony](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/Tony-Embed_1600x1008.webp) Dominic Sessa and Antonio Banderas in Tony. Photo by Seacia Pavao/A24 Sessa lets you see how this malleable version of Tony keeps gleaning life lessons from both of his tutors, pinging between the yin of Sal’s petty-criminal allure and the yang of Chef’s calm, steady approach to food service. (It’s impossible to overstate how vital Banderas is here — not just in terms of the part, but to the film as a whole. He’s bringing an entire history to this character even when he’s just quietly beaming or silently looking disappointed.) And like every hero bound for glory before him, Bourdain has to make a choice, inevitably experiencing a life-changing moment of clarity at a clambake. He will soon emerge from his cocoon, reborn as Anthony, to a life that will be filled with triumphs, tragedies, world tours, and roasted bone marrow delights. Before we get to that, *Tony* takes us on a familiar ride of romanticized youthful follies, romantic fails — though this Nancy will become his first wife — and the rough turbulence associated with going from boyhood to manhood. Familiar, in fact, to a fault. *Tony* is so intent on presenting this pilgrim’s progress according to a prefab template that it not only rejects the mythology surrounding Bourdain’s public persona, still years away from hitting its rock-star potential; it embellishes, extends, twists, tweaks, and ultimately reduces how he got there in the first place. The filmmaker behind both the true rags-to-riches tech story *BlackBerry* (2023) and the gleefully gonzo *Nirvana the Band the Show the Movie* (2025), Johnson has confessed to going into this project cold in terms of knowledge about the swashbuckler of the 1990s food scene, and thus not being beholden to de facto hero worship; his fellow writers, Todd Bartel and Lou Howe, have noted that the focus on this period specifically allowed them to avoid being part of the posthumous [Bourdain Industrial Complex](https://www.grubstreet.com/article/how-bourdain-became-the-new-elvis.html). Which, y’know — thank you for that. Yet their portrait of the artist as a hopeless snot-nosed punk doesn’t seem interested in knowing who this guy was past being another dude in search of a purpose. It’s *Hopeless Fuck-Up Confidential* at best and, given the ways liberties start to pile up regarding Bourdain’s actual coming of age, shaggy superhero origin-story fan fiction at worst. Far be it from us to knock a biopic for playing fast and loose with facts — the genre’s poetic licenses must be perpetually renewed in the name of telling a good story onscreen. But the combo of Johnson’s need to turn an individual’s tale into something doggedly universal, with a purposeful lack of affection for the subject, makes you wonder why they bothered making it. Maybe we don’t need a straight-down-the-middle, greatest-hits-style Bourdain biopic. I’m not sure we need *Bourdain the Man the Show the Movie,* either. *This story was originally published on [rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-reviews/tony-bourdain-biopic-review-1235601293/).* Related Stories - [Finally, A Dragon Face-Off in ‘House of the Dragon’ Season 3, Episode 7](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-7-recap/ "Finally, A Dragon Face-Off in ‘House of the Dragon’ Season 3, Episode 7") - [11 Spider-Man Movies Ranked, From Sam Raimi’s Trilogy to ‘Brand New Day’](https://rollingstonephilippines.com/culture/film/spider-man-movies-ranked-brand-new-day/ "11 Spider-Man Movies Ranked, From Sam Raimi’s Trilogy to ‘Brand New Day’") - [Are We Hyping Up ‘Backrooms’ Just A Little Too Much?](https://rollingstonephilippines.com/culture/film/backrooms-movie-review-kane-parsons/ "Are We Hyping Up ‘Backrooms’ Just A Little Too Much?") **Categories:** Culture, Film **Tags:** A24, Anthony Bourdain, Dominic Sessa, Matt Johnson --- ### [Jay-Z Drops First New Verse in Years on Beyoncé’s New ‘Morning Dew (Donk)’ Remix](https://rollingstonephilippines.com/music/hiphop-rnb/beyonce-morning-dew-donk-remix-jay-z/) **Published:** August 6, 2026 **Author:** Larisha Paul **Excerpt:** The updated version of the archival single features elements of songs from Soulja Boy, the Isley Brothers, and Sheck Wes **Content:** Late in the night, [Beyoncé](https://rollingstonephilippines.com/tag/beyonce-2/ "Beyoncé") dropped an extended remix pack for [“Morning Dew (Donk),”](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/beyonce-chezka-coeli/ "Beyoncé, Chezka, Coeli, and All the Songs You Need to Know") the archival release she shared last month that dates back to the *Beyoncé* album era. The four-track release builds on the base of the R&B track with a featured appearance from [Jay-Z](https://rollingstonephilippines.com/tag/jay-z/ "Jay-Z") and new production elements that draw on releases from [Soulja Boy](https://www.rollingstone.com/t/soulja-boy/), the Isley Brothers, and [Sheck Wes](https://www.rollingstone.com/t/sheck-wes/). “Bitch so bad, I had to give her my last name/Up for the cash, came diamond in the tatted rings/If you ain’t ridin’ for the gang, shut the fuck up,” Jay-Z raps on his added verse. Sheck Wes’ 2018 hit “Mo Bamba” provides an overlay on the new bridge as Jay-Z uses his first new rap verse in almost half a decade to mock any envy anyone might have over his watches or his wife. Buried just beneath “Mo Mamba” is a sample of a song from more than a decade earlier: Soulja Boy’s “Donk.” The remix also samples “Between the Sheets,” the Isley Brothers’ R&B hit from 1983. Jay-Z previously sampled the classic track in 2007 on “Ignorant Shit.” The other releases in the pack are the non-explicit versions of the original “Morning Dew (Donk)” recording and remix. But there’s more to come from Beyoncé. The single, written by the singer, Pharrell Williams, The-Dream, and Darius Dixon, is the first glimpse into her plans celebrating the 20th anniversary of her second album, *B’Day*. An anniversary edition will be released on her upcoming birthday, Sept. 4. Shortly after the song’s initial release in July, Beyoncé joined Jay-Z on stage at [Yankee Stadium ](https://www.rollingstone.com/music/music-lists/jay-z-yankee-stadium-guests-beyonce-rihanna-eminem-1235592808/beyonce-48-1235592812/)during his three-night run celebrating the anniversaries of Reasonable Doubt and *The Blueprint.* During the first night, Beyoncé belted out the chorus of “Can’t Knock the Hustle.” She returned for night three with “Drunk in Love,” her collaboration with Jay-Z from *Beyoncé*. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-news/beyonce-morning-dew-donk-remix-jay-z-1235603878/).* Related Stories - [10 Albums from 2016 That Aged Better Than Anyone Expected](https://rollingstonephilippines.com/music/2016-albums-retrospective/ "10 Albums from 2016 That Aged Better Than Anyone Expected") - [10 Netflix Music Documentaries About the Biggest Moments in Music History](https://rollingstonephilippines.com/editors-picks/lists/best-netflix-music-documentaries/ "10 Netflix Music Documentaries About the Biggest Moments in Music History") - [From BTS to The Weeknd: Artists Who’ve Called Out the Grammys](https://rollingstonephilippines.com/music/artists-who-called-out-the-grammys/ "From BTS to The Weeknd: Artists Who’ve Called Out the Grammys") **Categories:** Hip-hop/R&B, Music **Tags:** Beyoncé, Jay-Z --- ### [George R.R. Martin ‘Battled Sadness and Depression’ Over the Past ‘Stressful’ Year](https://rollingstonephilippines.com/culture/books/george-rr-martin-update-knight-seven-kingdoms-emmys/) **Published:** August 5, 2026 **Author:** Kory Grow **Excerpt:** Game of Thrones author, who has not published a new novel in the past 15 years, may attend Emmys for A Knight of the Seven Kingdoms recognition **Content:** [George R.R. Martin](https://rollingstonephilippines.com/tag/george-r-r-martin/ "George R. R. Martin")’s first piece of published writing in some time will not please fans hungry for a new volume in the author’s *A Song of Ice and Fire* series — but it will somewhat explain the latest stumbling block in the 15 years since *A Dance With Dragons* came out. In [a new blog](https://georgerrmartin.com/notablog/2026/08/03/better-late-than-never/), the author, 77, acknowledged that he had not published himself since February and went on to describe a year beset by challenges. “This year has been… stressful, to say the least,” he wrote. While he experienced great and even “exciting” things, including “dreams coming true,” he wrote that proverbial nightmares had also haunted him. “I have lost friends,” he wrote. “Battled sadness and depression. The worst may be yet to come. I turned 77 last September, and I tell you, getting old is no fun. But there have been amazing times as well. “I suppose that’s just life,” he continued. “Of course, I knew that. If you’ve read my stories, you know that.” There’s a lot he’d love to catch fans up on, he wrote, but added that he’d leave the updating to his “minions.” His own posts, he wrote, would be “short and rushed” (unlike the process of finishing up the planned septology that began with *A Game of Thrones* in 1996, with two books to go.) Martin did allow one ray of sunshine to pierce the stormy forecast. He mentioned how proud he was of HBO’s *[Game of Thrones](https://rollingstonephilippines.com/tag/game-of-thrones/ "Game of Thrones")* prequel series, *[A Knight of the Seven Kingdoms](https://rollingstonephilippines.com/tag/a-knight-of-the-seven-kingdoms/ "A Knight of the Seven Kingdoms")* earning nine Emmy nominations, “yes, 9, not damn — including the big 0ne \[*sic*\], Best Drama.” (Note, he griped that the show’s actors didn’t get any nods.) He was so excited he even pasted in the URL to an image of an Emmy. He even hopes to attend the trophy toss, though he added the caveat, “but that depends on… well, on a lot of things.” Comments were disabled on the post, likely to get ahead of any thirsty *GoT* fans who want to prod him for delays on writing the novels, a phenomenon perhaps best captured by *[The Onion](https://theonion.com/george-r-r-martin-hands-agent-unsolicited-4000-page-manuscript-titled-tuba-man-scuba-man/)*, which published a satirical article in July titled, “George R.R. Martin Hands Agent Unsolicited, 4,000-Page Manuscript Titled ‘Tuba Man, Scuba Man.’” The outlet published [another in January](https://theonion.com/publishers-break-down-door-as-george-r-r-martin-escapes-through-bathroom-window/) titled, “Publishers Break Down Door As George R.R. Martin Escapes Through Bathroom Window.” HBO’s *Game of Thrones* ended in 2019 with [a finale](https://www.rollingstone.com/tv-movies/tv-movie-reviews/game-of-thrones-series-finale-review-alan-sepinwall-837333/) that prognosticated the end of the series and left fans bemused. A couple of years later, he [signed a deal](https://www.rollingstone.com/tv-movies/tv-movie-news/george-r-r-martin-hbo-1147976/) with HBO to produce more shows, including *A Knight of the Seven Kingdoms*. In 2022, he confirmed that that show was in development, as well as another that would feature *Game of Thrones’* beloved Jon Snow character. *This story was originally published on [rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-news/george-rr-martin-update-knight-seven-kingdoms-emmys-1235603211/).* Related Stories - [Finally, A Dragon Face-Off in ‘House of the Dragon’ Season 3, Episode 7](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-7-recap/ "Finally, A Dragon Face-Off in ‘House of the Dragon’ Season 3, Episode 7") - [Who’s Most and Least Likely to Die in ‘House of the Dragon’ Season 3?](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-most-least-likely-to-die/ "Who’s Most and Least Likely to Die in ‘House of the Dragon’ Season 3?") - [Dire Wolves Are Back: Can We Bring Back Extinct PH Species Too?](https://rollingstonephilippines.com/culture/news-culture/dire-wolves-can-we-de-extinct-philippine-species/ "Dire Wolves Are Back: Can We Bring Back Extinct PH Species Too?") **Categories:** Books, Culture, TV **Tags:** A Knight of the Seven Kingdoms, Game of Thrones, George R. R. Martin, House of the Dragon --- ### [11 Spider-Man Movies Ranked, From Sam Raimi’s Trilogy to ‘Brand New Day’](https://rollingstonephilippines.com/culture/film/spider-man-movies-ranked-brand-new-day/) **Published:** August 4, 2026 **Author:** Pie Gonzaga **Excerpt:** Where does Spider-Man: Brand New Day stand among 10 other Spider-Man films released in the past two decades? **Content:** Between the announcement of *[Spider-Man: Beyond the Spider-Verse](https://rollingstonephilippines.com/culture/film/spider-man-movies-new-clips/ "Spider-Man Gets Emotional in New Clips from ‘Brand New Day’ and ‘Beyond the Spider-Verse’")* and the release of *[Spider-Man: Brand New Day](https://rollingstonephilippines.com/tag/spider-man-brand-new-day/ "Spider-Man: Brand New Day")*, this year has been exciting for Spider-Man fans. Distributor Columbia Pictures announced on Monday, August 3, that the film had broken the Philippine box office in its first five days, earning P586.9 million from July 29 to August 1 in the country and a whopping $928 million worldwide. As more reviews come in, it’s becoming clear that *[Brand New Day](https://rollingstonephilippines.com/culture/reviews/spider-man-brand-new-day-review-mcu-fatigue/ "‘Spider-Man: Brand New Day’ is the MCU’s Answer to Superhero Fatigue")* has pulled audiences out of superhero fatigue, spectacular as it is grounded. Debates abound about whether it’s the best Spider-Man film to date, brushing against the long-beloved *Spider-Man 2* and the critically acclaimed *Spider-Verse* films. But where does it really stand among a lineup of Spider-Man films spanning 25 years and four different franchises? Here’s our ranking of all 11 Spider-Man movies so far. 11 ‘The Amazing Spider-Man 2’ (2014) Two villains in Dane DeHaan’s Green Goblin and Jamie Foxx’s Electro don’t make for a more thrilling superhero film. At the time, the consensus among critics was that there were too many characters and too many subplots unfolding, and the panning of *The Amazing Spider-Man 2* led to the eventual demise of the Sony-led franchise. The film is only saved by the cast’s performances and the reliable chemistry between Andrew Garfield and Emma Stone, which made Gwen Stacy’s death heartbreaking. 10 ‘Spider-Man: Far From Home’ (2019) *Spider-Man: Far From Home* is easily the most forgettable of the [Marvel Cinematic Universe’s (MCU)](https://rollingstonephilippines.com/culture/film-tv/marvel-cinematic-universe-flopping-filipino-fans-loyal/) Spider-Man movies, even though it sees its hero leave his home turf of New York. Like any sequel to a great first film, it’s burdened with the task of expanding the world that *Spider-Man: Homecoming* introduced us to. But *Far From Home* also crumples under the weight of having to expand on the greater MCU as well. Tom Holland’s Peter Parker doesn’t know if he wants to be the next Tony Stark, and neither does Jon Watts. The film’s saving grace is Jake Gyllenhaal, who plays a fun Mysterio. 9 ‘Spider-Man 3’ (2007) In attempting to make *Spider-Man 3* darker and funnier in tone than its predecessors, Sam Raimi also made his third and final Spidey film his most absurd. Here, Tobey Maguire’s Peter Parker becomes corrupted under the influence of an extraterrestrial symbiote, but his turn to the dark side is signaled by eyeliner, gelled-down hair, and breaking into dance, which is just goofy. Like many of the superhero films that would come after it, its story is overwhelmed by too many villains and subplots. But *Spider-Man 3* is memorable, if only for its silliness. 8 ‘The Amazing Spider-Man’ (2012) My sixth-grade English teacher’s one critique of *The Amazing Spider-Man* was that Peter Parker is a dork, so he’s “not supposed to be hot.” Webb’s take on the web-slinger is very much unlike Raimi’s, undoubtedly informed by his directorial debut, *500 Days of Summer*, in that the film centers on a cute but angsty nerd’s romance with a smart and sprightly peer. It’s much better appreciated as an action-filled coming-of-age story than a superhero movie that Spider-Man fans will love, especially because Rhys Ifans’ talents are wasted on a Dr. Curt Connors/Lizard that is, as Roger Ebert says, “limited to the dramatic range of Godzilla.” 7 ‘Spider-Man: No Way Home’ (2021) Nostalgia bait has become really cloying for the MCU, and *Spider-Man: No Way Home* is a good example. There’s a moment when Zendaya’s MJ is falling, and Garfield’s Spider-Man saves her from the fate that befell (sorry) Gwen in his universe. In Stan Twitter terms, one might say that the nachos were reheated to the point of spoilage. But hey, Watts is playing with the multiverse here, and its convoluted mechanics don’t take away the fun of watching Maguire, Garfield, and Holland together as Spider-Men in one film. 6 ‘Spider-Man: Homecoming’ (2017) Watts took the best parts of the previous Spider-Man franchises and put them in yet another reintroduction to the superhero, to great results. *Homecoming* had the vibrancy and fun of Raimi’s Spider-Man, and the heart of Webb’s, without the origin story that would have made the film go stale. Released in 2017, the new franchise was not yet bogged down by the MCU and its insistence on being in everything, making the film truly refreshing for its time. 5 ‘Spider-Man’ (2002) The first *Spider-Man* film was an ambitious undertaking, but Raimi managed to pull it off and make something that would come to be a reference point for the movies to follow. Action-packed and reverent to the source material, it was a hit for the fans. Despite the horrid Green Goblin costume, Willem Dafoe delivered an unforgettable performance as the villain, and I’d even go so far as to say he’s as irreplaceable as Heath Ledger’s Joker. *Spider-Man*’s storytelling was also fresh for its time, its hero inundated with personal and internal conflicts that earlier superhero flicks didn’t give their crime-fighting protagonists. 4 ‘Spider-Man: Brand New Day’ (2026) Speaking of fresh, the recently released *Spider-Man: Brand New Day* is maybe one of this year’s greatest blockbusters, and a revitalizing comeback for the MCU. Watts admitted that he was “out of gas” after filming [*No Way Home*](https://www.hollywoodreporter.com/movies/movie-news/spider-man-director-jon-watts-fantastic-four-1236300592/) during the pandemic. And in his wake, Destin Daniel Cretton brings back the friendly neighborhood Spider-Man we all love, with Peter busting small-time crimes around the city. But he’s also grieving and enduring a transformation in his powers — sort of like second puberty — all on his own. The film’s title deviates from the mentions of home, but it definitely sees the superhero in a true homecoming: a return to oneself, to his friends, to his city, and to an exciting MCU. 3 ‘Spider-Man: Across the Spider-Verse’ (2023) *Spider-Man: Across the Spider-Verse* is a great sequel to *Spider-Man: Into the Spider-Verse*, which had introduced a new way to animate comic book adaptations when it came out in 2018. *Across the Spider-Verse* is dizzying at times, even more so when you’re watching it in 4DX (upon the insistence of friends), with an overly complicated plot. The film makes up for it with emotional beats, a gorgeous, eclectic mix of animation styles, fun action sequences, and a soundtrack produced by Metro Boomin. 2 ‘Spider-Man: Into the Spider-Verse’ (2018) *Into the Spider-Verse* was unlike anything anyone had seen of an animated superhero film before. For one, it trades Peter Parker for Shameik Moore’s Miles Morales. But more importantly, there’s a brilliance in putting together a bunch of different animation styles for a movie about the multiverse that’s now so obvious to us but was unheard of when the film was first released. After the box office failure of *The Amazing Spider-Man 2*, Sony redeemed itself with this kinetic, quick-paced gift of a film. 1 ‘Spider-Man 2’ (2004) *Spider-Man* may have changed the superhero genre forever, but its sequel stands as the best of the Spider-Man movies. Alfred Molina’s Doctor Octopus is, like Dafoe’s Green Goblin, a tragic villain that compels and terrifies, especially when put against a Spider-Man whose superhuman abilities begin to falter. Bolstered by an iconic subway fight scene, a heartwarming romance between Peter and Kirsten Dunst’s Mary Jane, and the hero’s existential crisis subplot, *Spider-Man 2* has come to be the movie that all succeeding Spider-Man films would be compared to. ## Frequently Asked Questions ### What is the best Spider-Man movie according to this ranking? *Spider-Man 2* (2004) ranks first, praised for Alfred Molina’s Doctor Octopus, the subway fight scene, and Peter Parker’s existential struggle with his powers. ### Where does *Spider-Man: Brand New Day* rank among all Spider-Man films? *Spider-Man: Brand New Day* ranks fourth. Directed by Destin Daniel Cretton, it follows Peter Parker’s grief and power transformation after *No Way Home*. ### How much has *Spider-Man: Brand New Day* earned at the box office? *Spider-Man: Brand New Day* earned P586.9 million in the Philippines from July 29 to August 1, and $928 million worldwide, per Columbia Pictures. ### Which Spider-Man movie ranks lowest in this list? *The Amazing Spider-Man 2* (2014) ranks last, criticized for overcrowded subplots and two villains, though Andrew Garfield and Emma Stone’s chemistry stands out. ### How many Spider-Man movies and franchises does this ranking cover? The ranking covers 11 Spider-Man films spanning 25 years across four franchises: Sam Raimi’s trilogy, Marc Webb’s *Amazing Spider-Man* series, the MCU films, and animated Spider-Verse movies. Related Stories - [‘Spider-Man: Brand New Day’ is the MCU’s Answer to Superhero Fatigue](https://rollingstonephilippines.com/culture/reviews/spider-man-brand-new-day-review-mcu-fatigue/ "‘Spider-Man: Brand New Day’ is the MCU’s Answer to Superhero Fatigue") - [Steve Lacy Spoils ‘Spider-Man: Brand New Day,’ Faces Nerd Crash-Outs](https://rollingstonephilippines.com/culture/film/steve-lacy-spoils-spider-man-brand-new-day/ "Steve Lacy Spoils ‘Spider-Man: Brand New Day,’ Faces Nerd Crash-Outs") - [Spider-Man Gets Emotional in New Clips from ‘Brand New Day’ and ‘Beyond the Spider-Verse’](https://rollingstonephilippines.com/culture/film/spider-man-movies-new-clips/ "Spider-Man Gets Emotional in New Clips from ‘Brand New Day’ and ‘Beyond the Spider-Verse’") **Categories:** Culture, Film **Tags:** Marvel, Spider-Man: Brand New Day --- ### [Massive Attack Responds to Singaporean Authorities for ‘Breaking’ Harmony Over Palestine Flag](https://rollingstonephilippines.com/music/dance-electronic/massive-attack-responds-singapore-palestine-flag/) **Published:** August 4, 2026 **Author:** Elijah Pareño **Excerpt:** The British trip-hop pioneers defended their actions after police issued stern warnings over a Palestinian flag displayed during a concert **Content:** Iconic British trip-hop duo [Massive Attack](https://rollingstonephilippines.com/tag/massive-attack/ "Massive Attack") was detained by Singaporean authorities after displaying a Palestinian flag onstage toward the end of its performance at The Star Theatre in Singapore on July 29. Founding members Robert “3D” Del Naja and Grant “Daddy G” Marshall were isolated and questioned separately, while some of the band’s crew were subjected to hotel room searches and temporary passport confiscation during an investigation into alleged breaches of the Foreign National Emblems (Control of Display) Act and the Public Order Act. Last August 1, authorities confirmed that Del Naja and Marshall were “banned from re-entering Singapore” and that any future applications for them to perform there would not be approved. In a joint statement, the Singapore Police Force said the display violated a law that criminalizes the unauthorized display of foreign flags, as well as another governing public assemblies. The former carries a penalty of up to 500 Singaporean dollars or six months’ imprisonment. Authorities described the musicians’ actions as something that could “potentially harm the racial and religious harmony in Singapore.” They urged “the public, including foreigners, to refrain from importing foreign politics as this can undermine our social cohesion and the rule of law.” The investigation included consultations with the Attorney-General’s Chambers, and police issued “stern warnings” to Massive Attack. ## Speaking Out On August 2, Massive Attack took to Instagram to post a statement regarding its stance on the matter. The band said that before stepping onstage, large sections of the venue had organically broken into chants of “Free Palestine.” > [View this post on Instagram](https://www.instagram.com/p/Dbihk0UDDwF/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Massive Attack (@massiveattackofficial)](https://www.instagram.com/p/Dbihk0UDDwF/?utm_source=ig_embed&utm_campaign=loading) “For our part, we did not imagine that merely holding up the flag of a sovereign state recognised by 157 countries (Palestine) would violate any law,” the band wrote. The band went on to thank its Singaporean fans for their brave “impromptu expression,” saying they “clearly felt the moral imperative to show solidarity with the Palestinian people facing an ongoing illegal occupation, apartheid, and genocide.” They added that the “surreal experience” was a “reminder of the importance of defending universal human rights and freedom of expression wherever those rights are threatened, including at home in the U.K. where, extraordinarily, we still see peaceful protesters arrested under terrorism laws for holding up handwritten signs protesting genocide — despite appeals from all sides of the political spectrum.” Back in April 2026, Del Naja was among the 500 protesters arrested during a Palestine Action protest in London. Del Naja spoke to the Press Association about his arrest. “If I get arrested, I feel very confident that if I stand up in court with the right guidance and say, ‘This was an unlawful arrest and, therefore, I don’t accept it,’” he says. “I think that the actions of Palestine Action were highly patriotic because they were pretty much protecting our country from getting involved in serious war crimes and breaking international law. How much more patriotic can you be than that?” ## Frequently Asked Questions ### Who are the current members of Massive Attack? Massive Attack currently consists of founding members Robert “3D” Del Naja and Grant “Daddy G” Marshall. ### When did Massive Attack perform in Singapore? Massive Attack performed at The Star Theatre in Singapore on July 29, 2026. ### Why was Massive Attack banned from re-entering Singapore? Singaporean authorities said the band violated laws governing the display of foreign national emblems and public order after displaying a Palestinian flag during the band’s performance. ### What laws did Massive Attack violate, according to Singaporean authorities? Authorities said the band allegedly breached the Foreign National Emblems (Control of Display) Act and the Public Order Act. ### When was Robert “3D” Del Naja arrested in London? Robert “3D” Del Naja was arrested in London at the Palestine Action protest last April 2026. Related Stories - [Producer obese.dogma777 on ‘Post-Budots’ and Filipino Electronic Music](https://rollingstonephilippines.com/music/producer-obese-dogma777-post-budots-filipino-electronic-music/ "Producer obese.dogma777 on ‘Post-Budots’ and Filipino Electronic Music") - [4 Icons of the ‘Manila Sound’ Era and Their Enduring Legacy](https://rollingstonephilippines.com/music/4-icons-manila-sound-era-legacy/ "4 Icons of the ‘Manila Sound’ Era and Their Enduring Legacy") - [Filipino Rappers Join Calls for Protests Amid Flood Control Corruption Scandal ](https://rollingstonephilippines.com/music/filipino-rappers-join-call-for-protest/ "Filipino Rappers Join Calls for Protests Amid Flood Control Corruption Scandal  ") **Categories:** Dance/Electronic, Music **Tags:** Massive Attack --- ### [Alex Eala Wins First-Ever WTA Tour Title in DC](https://rollingstonephilippines.com/culture/sports/alex-eala-dc-open-champion/) **Published:** August 4, 2026 **Author:** Christian San Jose **Excerpt:** The Filipina tennis star beats World No. 3 Jessica Pegula on a decider, which culminated in a dominant 6-0 final scoreline **Content:** [Alex Eala](https://rollingstonephilippines.com/tag/alex-eala/ "alex eala") is the Mubadala DC Open champion after she beat Jessica Pegula in three sets (4-6, 6-4, 6-0) in the final. The women’s singles final was initially [suspended on August 3](https://rollingstonephilippines.com/culture/sports/alex-eala-jessica-pegula-dc-open-final/ "Alex Eala-Jessica Pegula DC Open Final Pushed Back to August 4 (PHT)") due to the rain, with Pegula up a set and Eala up 2-1 in the second set. Eala and Pegula’s second meeting after the former’s breakout run in [Miami](https://rollingstonephilippines.com/culture/sports/alex-eala-just-beats-madison-keys-2025-miami-open/ "Alex Eala Just Pulled Off the Biggest Upset at the 2025 Miami Open Yet") last year resumed on August 4 (Philippine Time). > [View this post on Instagram](https://www.instagram.com/reel/DbliJ3Puddt/?utm_source=ig_embed&utm_campaign=loading)[A post shared by WTA (@wta)](https://www.instagram.com/reel/DbliJ3Puddt/?utm_source=ig_embed&utm_campaign=loading) ## Alex Eala Comes Back Big The Filipina tennis player broke away from a close second set at 4-4 to come back from a set down just a day before. In the third set, Eala proved to be the better player, dropping only eight points on serve and breaking Pegula thrice to arrive at 6-0 in the final set. “Before the final yesterday, actually I got so many sweet messages from my family and from my friends who are on tour wherever else in the world,” Eala said during her championship speech. “And you know I thought to myself, ‘I feel so much love.’” “I knew that whatever would’ve happened after this match, it would’ve already been a win for me, so thank you everybody, and I really look forward to seeing you guys again.” ![alex eala mubadala dc open champion 2026 3](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/alex-eala-mubadala-dc-open-champion-2026-3.webp) Alex Eala moments after dismantling Jessica Pegula in a decisive final set at 6-0. Photo from Mubadala DC Open/Facebook ## Alex Eala’s New Career High She enters the Top 20 in the WTA rankings, a new career high, after winning her first WTA title since turning pro last year. Eala entered the DC Open ranked 28 in the world. She then went on to beat 2024 Paris Olympics gold medalist Qinwen Zheng, DC Open defending champion Leylah Fernandez, Rome champion Elina Svitolina, and four-time major champion Naomi Osaka on the way to the finals with Pegula. Eala will compete in the National Bank Open in Toronto next. ## Frequently Asked Questions ### Who won between Alex Eala and Jessica Pegula in the Mubadala DC Open finals? Alex Eala defeated Jessica Pegula in three sets (4-6, 6-4, 6-0) in the Mubadala DC Open finals. ### When did Alex Eala and Jessica Pegula face each other in the Mubadala DC Open Finals? The women’s singles finals at the Mubadala DC Open between Alex Eala and Jessica Pegula started on August 3, 2026 but was suspended after the third game in the second set due to rain. It resumed on August 4, 2026. ### Is this Alex Eala’s first WTA Tour title? Yes, the Mubadala DC Open, a WTA 500 tournament, is Alex Eala’s first WTA tour title. ### When is Alex Eala’s next match? Alex Eala will compete in the National Bank Open in Toronto next, where she has a bye in the first round. Her second-round match is scheduled for the first week of August. Related Stories - [Alex Eala Faces Fellow Lefty Filipino Canadian Leylah Fernandez at DC Open R16](https://rollingstonephilippines.com/culture/sports/alex-eala-vs-leylah-fernandez-dc-open/ "Alex Eala Faces Fellow Lefty Filipino Canadian Leylah Fernandez at DC Open R16") - [Alex Eala Beating a Wimbledon Champion Comes As No Surprise. Can She Make a Deep Run?](https://rollingstonephilippines.com/culture/sports/alex-eala-wimbledon-4th-round/ "Alex Eala Beating a Wimbledon Champion Comes As No Surprise. Can She Make a Deep Run?") - [Alex Eala Just Pulled Off the Biggest Upset at the 2025 Miami Open Yet](https://rollingstonephilippines.com/culture/sports/alex-eala-just-beats-madison-keys-2025-miami-open/ "Alex Eala Just Pulled Off the Biggest Upset at the 2025 Miami Open Yet") **Categories:** Culture, Sports **Tags:** alex eala --- ### [Finally, A Dragon Face-Off in ‘House of the Dragon’ Season 3, Episode 7](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-7-recap/) **Published:** August 3, 2026 **Author:** Pie Gonzaga **Excerpt:** The season’s penultimate episode covers the last stretch of the show’s march towards a major battle in the Dance of the Dragons, with schemes afoot and a dragon’s return **Content:** *This article contains spoilers*. We’re now on Episode 7 of *[House of the Dragon](https://rollingstonephilippines.com/tag/house-of-the-dragon/ "House of the Dragon")* Season 3, and by now, we should have seen a battle play out after the show spent six episodes working towards it. But it looks like the showrunners are saving the First Battle of Tumbleton for next week to make the finale more exciting. But the season’s penultimate episode makes up for the stalling by finally tying up a few storylines. The episode starts with dreams. Helaena (Phia Saban), who has inherited the Targaryens’ prophetic dreaming gene, dreams about leaving King’s Landing, only to wake up to Rhaenyra ([Emma D’Arcy](https://rollingstonephilippines.com/tag/emma-darcy/ "Emma D'Arcy")) interrogating her about the possible outcomes of the war. In Harrenhal, Aemond (Ewan Mitchell) dreams about having sex… with his mom, Alicent (Olivia Cooke). When he wakes up, he finds that his real mother has arrived with her “guide” (aka the assassin Rhaenyra sent to kill Aemond), Ser Adrian Redfort. Aemond kills him, saying he does not trust strangers. Gwayne (Freddie Fox) rides into Tumbleton, telling Ormund (James Norton) that the Rivermen and Winter Wolves are now only a day’s march away from the town. Ormund is unfazed, saying “I have a piece on the board now that will bring the bitch to her knees.” Later on, we see Corlys (Steve Toussaint) at the dining table with Ormund and Daeron (Benjamin Evan Ainsworth), but he’s there under duress after being captured by the Hightower men in the [last episode](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-6-recap/ "Westeros Has an Assassin Problem in ‘House of the Dragon’ Season 3, Episode 6"). Ormund reveals that he’s keeping Corlys hostage so that the Velaryons aren’t compelled to go to King’s Landing. But Gwayne and Daeron wonder how that matters to them since thousands of White Wolves and Rivermen are marching on them anyway. Meanwhile, near the Riverlands, Baela (Bethany Antonia) and Addam of Hull (Clinton Liberty) spot Sheepstealer flying around and return to King’s Landing to alert Rhaenyra, who begins to doubt whether Daemon ([Matt Smith](https://rollingstonephilippines.com/tag/matt-smith/ "Matt Smith")) was being truthful about killing the dragon’s mystery rider in [Episode 4](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-4-ormund/ "Ormund Hightower Takes Charge in ‘House of the Dragon Season 3, Episode 4’"). Mysaria (Sonoya Mizuno) sows even more doubt by pointing out that Daemon wasn’t around when Sheepstealer was seen, implying that *he* may be the rider. But we know that’s not true. After searching for his daughter Rhaena (Phoebe Campbell) in the Vale, he finds her and promises that they could look for Vhagar together. But before they could fly out, Rhaenyra and Addam arrive. A standoff happens between the dragons: Sheepstealer versus Daemon’s Caraxes, Rhaenyra’s Syrax, and Addam’s Seasmoke. In the end, Sheepstealer is severely wounded and runs off, unable to fly, while Rhaena is brought back to King’s Landing. There, Daemon assures Rhaenyra that he only meant to protect his daughter, while Baela tells Rhaena that she will begin anew. ## A Dragon Comes Back, But It’s Not Vhagar ![house of the dragon matthew needham tom glynn-carney jefferson hall](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/matthew-needham-tom-glynn-carney-jefferson-hall.webp) Larys (Matthew Needham), Aegon (Tom Glynn-Carney), and Tyland (Jefferson Hall) make a change of plans. Photo by Theo Whiteman/HBO Max Back in Harrenhal, Alicent moves on to Plan B after Aemond killed Adrian. She goes to the escort’s dead body and finds a dagger, then spots a bush of poisonous berries. Later in the episode, she offers Aemond a cup of “spiced wine,” which he drinks despite Alys’ (Gayle Rankin) warning that Alicent “has come to do you some evil.” He goes stumbling into the kitchen and faints, prompting Alys to search for her mother-in-law-to-be around the castle. Meanwhile, Aegon (Tom Glynn-Carney), Larys (Matthew Needham), and Tyland Lannister (Jefferson Hall) have set out for Maidenport, from which they plan to sail to Essos. As they get closer to the town, the smallfolk start pouring out and warn them that an army allied to Rhaenyra approaches. Aegon decides to ride back to Rook’s Rest, from which more people are fleeing. The king resolves to stay to be captured, insisting that he will die “but not as a fugitive, unknown, covered in dust. Not with an arrow in my back or trapped like a fox in a hole. I’ll make my stand here and be buried as a king, with my dragon.” Larys bids them goodbye, leaving only Tyland to fend for Aegon. As the Black troops approach at night, Aegon introduces himself, which earns him mocking laughs. The king looks miserable until a zombified Sunfrye rises behind him and breathes fire onto the soldiers. In King’s Landing, Alyn (Abubakar Salim) receives a box containing Corlys’ finger and ring. Elsewhere in the Red Keep, Rhaenyra confronts Mysaria and accuses her of attempting to turn the queen away from her uncle-husband. But Mysaria manages to stay in her good graces by telling her that she will be queen and that she is worthy, before the two get hot and heavy. But does Mysaria actually love Rhaenyra, or is she just tapping into her past as Flea Bottom’s most sought-after madame? In Tumbleton, Ormund’s piece on the board is revealed to be Ulf (Tom Bennett), who’s tired of being mocked and overlooked as a dragonrider and wants revenge on Rhaenyra for being banned from having a night out on the town. “They will burn,” Ulf promises. *House of the Dragon* Season 3 is streaming on HBO Max. ## Frequently Asked Questions ### Why didn’t the Battle of Tumbleton happen in *House of the Dragon* Season 3, Episode 7? The showrunners delay the First Battle of Tumbleton to Episode 8, using this episode to resolve storylines and build anticipation for the finale. ### Who does Aemond kill in Episode 7 of *House of the Dragon* Season 3? Aemond kills Ser Adrian Redfort, the guide Alicent brought to Harrenhal, saying he distrusts strangers and unaware that Redfort was the assassin Rhaenyra sent to kill him. ### Does Alicent poison Aemond in *House of the Dragon*? Yes, in Episode 7, Season 3, Alicent laces wine with poisonous berries and offers it to Aemond, who collapses some time after drinking it. ### Is Daemon the rider of Sheepstealer? No, Rhaena is Sheepstealer’s rider. As Rhaena’s father, Daemon only offers to protect her and help search for Vhagar in an attempt to get back in Rhaenyra’s good graces. ### Who is Ulf and what is his role in Ormund’s plan? Ulf is an illegitimate Targaryen and the rider of Silverwing. Promised the glory of being a dragonrider, he resents being overlooked and banned from taverns by Rhaenyra. Because of this, he betrays Rhaenyra and becomes an ally to Ormund Hightower. Related Stories - [Who’s Most and Least Likely to Die in ‘House of the Dragon’ Season 3?](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-most-least-likely-to-die/ "Who’s Most and Least Likely to Die in ‘House of the Dragon’ Season 3?") - [Westeros Has an Assassin Problem in ‘House of the Dragon’ Season 3, Episode 6](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-6-recap/ "Westeros Has an Assassin Problem in ‘House of the Dragon’ Season 3, Episode 6") - [‘House of the Dragon’ Season 3, Episode 5 is All Guts, but No Glory](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-5-recap/ "‘House of the Dragon’ Season 3, Episode 5 is All Guts, but No Glory") **Categories:** Culture, TV **Tags:** HBO Max, House of the Dragon --- ### [SB19 Honored by Senate for Historic Lollapalooza Performance](https://rollingstonephilippines.com/music/pop/sb19-senate-resolution-lollapalooza-performance/) **Published:** August 3, 2026 **Author:** Elijah Pareño **Excerpt:** Senate Resolution No. 545 filed July 31 by Senator Bam Aquino recognizes SB19’s landmark appearance as the first homegrown Filipino act at the festival **Content:** [SB19](https://rollingstonephilippines.com/tag/sb19/ "SB19") was honored with a Senate Resolution on July 31 following their historic debut performance at [Lollapalooza](https://rollingstonephilippines.com/tag/lollapalooza/ "Lollapalooza") last Friday, July 31. Senator [Bam Aquino](https://rollingstonephilippines.com/tag/bam-aquino/ "Bam Aquino") authored and filed Senate Resolution No. 545. He commended the group as the first homegrown Filipino act to perform at the international music festival. ![SB19 Lollapalooza](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/SB19-Lolla.webp) SB19 performed their biggest hits at the Allianz Stage. Photo from SB19/Instagram “SB19’s performance at Lollapalooza marked a significant milestone for Filipino artists, demonstrating the growing international recognition of Original Pilipino Music (OPM) and expanding the presence of Philippine music on one of the world’s foremost festival stages,” Aquino said. ![SB19 Lollapalooza](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/SB19-Lolla-2.webp) SB19 are honored by the Senate for performing at Lollapalooza on July 31. Photo from SB19/Instagram Last July 27, the group was named Philippine tourism ambassadors by the [Department of Tourism](https://rollingstonephilippines.com/tag/department-of-tourism/ "Department of Tourism"). Tourism Secretary Dita Angara-Mathay said, “SB19’s talent is undeniable. Their music is powerful, and so is their influence. They have the reach to connect with fans across the United States, Europe, ASEAN, and beyond.” SB19 are joined by the Nation’s Girl Group [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI") as Philippine tourism ambassadors. The girl group was also honored by the Senate on May 6, through Senate Resolution No. 370, recognizing its historic Coachella performance in April 2026. ## Frequently Asked Questions ### When did SB19 perform at Lollapalooza? SB19 made its Lollapalooza debut on July 31, 2026, performing at the festival’s Allianz Stage in Chicago. ### Who is in SB19? SB19 is composed of Pablo, Josh, Stell, Ken, and Justin. ### What songs did SB19 perform at Lollapalooza? SB19 performed the songs “DAM,” “Gento,” “Lawless,” “MAPA,” “VISA,” and “DUNGKA!” at their Lollapalooza debut performance. ### Who authored the Senate resolution honoring SB19? Senator Bam Aquino authored and filed Senate Resolution No. 545, commending SB19 for their historic appearance at Lollapalooza. ### Who are the Philippine tourism ambassadors from the music industry? SB19 and BINI currently serve as Philippine tourism ambassadors, having been appointed by the Department of Tourism in 2026. Related Stories - [SB19 Delivers a Fun and Electrifying Lollapalooza Debut](https://rollingstonephilippines.com/music/pop/sb19-lollapalooza-2026-debut-recap/ "SB19 Delivers a Fun and Electrifying Lollapalooza Debut") - [At Lollapalooza, Jennie Comes Fully Realized as a Solo Artist](https://rollingstonephilippines.com/music/pop/jennie-lollapalooza-headlining-performance-recap/ "At Lollapalooza, Jennie Comes Fully Realized as a Solo Artist") - [Juan Dela Cruz Lives on Through the Music and Myth of Mike Hanopol](https://rollingstonephilippines.com/music/juan-dela-cruz-mike-hanopol/ "Juan Dela Cruz Lives on Through the Music and Myth of Mike Hanopol") **Categories:** Music, Pop **Tags:** Lollapalooza, SB19 --- ### [Ariana Grande Taking a ‘Step Back’ From Public Life After Tour](https://rollingstonephilippines.com/music/pop/ariana-grande-step-back-tour-ends-rep/) **Published:** August 3, 2026 **Author:** Elijah Pareño **Excerpt:** “She looks forward to finishing the tour and ending it on a high note, both healthily and happily, and then taking a much-deserved break” **Content:** Just days after [Ariana Grande](https://rollingstonephilippines.com/tag/ariana-grande/ "Ariana Grande") released her new album *[Petal](https://rollingstonephilippines.com/tag/petal/ "Petal")*, her rep revealed Sunday that the singer will take a “step back” following the conclusion of her current tour. Amid concerns about the singer’s physical well-being, a rep for Grande told *People* in a statement, “Ariana will be taking a step back from visibility after she completes the Eternal Sunshine Tour.” “She looks forward to finishing the tour and ending it on a high note, both healthily and happily, and then taking a much-deserved break from public-facing work and appearances, which has led to endless, ongoing public scrutiny,” the rep added. “This tour has been a beautiful experience for her. She loves her fans and has loved every minute of this tour so much.” As part of Grande’s “step back,” the singer-actress will no longer appear in a London West End revival of Stephen Sondheim’s *Sunday in the Park With George*, which would have reunited Grande with her *Wicked* co-star Jonathan Bailey; it was also recently revealed that Grande [would not be appearing in the upcoming season of *American Horror Story*](https://www.rollingstone.com/tv-movies/tv-movie-news/ariana-grande-drops-american-horror-story-season-13-tour-1235592182/) as previously announced, but that was due to conflicts with her Eternal Sunshine Tour and the show’s production schedule. The rep’s announcement comes as fans voiced their concerns online about Grande’s body following the release of [her “Petal” music video](https://www.youtube.com/watch?v=afSgBNwmZrQ&list=RDafSgBNwmZrQ&start_radio=1&pp=ygUTYXJpYW5hIGdyYW5kZSBwZXRhbKAHAQ%3D%3D) on Friday. “She performs a very physical show, and there is a lot of athleticism involved,” a source close to the singer told *People*, downplaying the concerns. “She performs healthily and successfully at a very high level night after night.” The North American leg of the Eternal Sunshine Tour concludes this week after three shows in Chicago. The trek will conclude September 1, the last show in Grande’s 10-concert stand at London’s O2 Arena. Grande likely won’t be entirely out of the public eye, however; she co-stars in the upcoming *Meet the Parents* sequel *[Focker-in-Law](https://rollingstonephilippines.com/tag/focker-in-law/ "Focker-in-Law")*, due out in November. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-news/ariana-grande-step-back-tour-ends-rep-1235602318/).* Related Stories - [There’s No Ariana Grande Like Pissed-Off Ariana Grande. Her New Album Proves It](https://rollingstonephilippines.com/music/music-reviews/ariana-grande-petal-album-review/ "There’s No Ariana Grande Like Pissed-Off Ariana Grande. Her New Album Proves It") - [How the Oasis Reunion is a Reminder of Filipino Music’s Britpop Fascination](https://rollingstonephilippines.com/music/news/oasis-reunion-filipino-britpop/ "How the Oasis Reunion is a Reminder of Filipino Music’s Britpop Fascination") - [‘Wicked: For Good’ Sees Ariana Grande Grow A Backbone](https://rollingstonephilippines.com/culture/reviews/wicked-for-good-review/ "‘Wicked: For Good’ Sees Ariana Grande Grow A Backbone") **Categories:** Music, Pop **Tags:** Ariana Grande --- ### [beabadoobee Goes Loud and Heavy in A Career-Spanning Lollapalooza Set](https://rollingstonephilippines.com/music/rock/beabadoobee-lollapalooza-2026-set-recap/) **Published:** August 3, 2026 **Author:** Pie Gonzaga **Excerpt:** Ahead of her upcoming album Pylon, the Filipino-British musician gave Lollapalooza a preview of her harder rock sound **Content:** [beabadoobee](https://rollingstonephilippines.com/tag/beabadoobee/ "Beabadoobee") and her band went hard on the sweeping [Lollapalooza](https://rollingstonephilippines.com/tag/lollapalooza/ "Lollapalooza") crowd with a career-spanning set and an infectious frenetic energy. On the festival’s final day, the Filipino-British musician served as the penultimate act on the T-Mobile Stage, one of Lolla’s two main stages. It isn’t her first time performing at the Chicago music festival, the first being in 2023, a year after the release of her sophomore album, *Beatopia*. She also did a set at one of Lollapalooza’s official aftershows on Friday, July 31 (CDT). Her performance on Monday, August 3 (PHT) featured even more music off 2024’s *This Is How Tomorrow Moves* and singles from her upcoming album, *Pylon*. beabadoobee started her 16-track set with one of those singles, “Sun Has Set,” before going into *Beatopia*’s “10:36.” From there, she went on to “Further Away,” but unlike the softer-sounding studio version from her debut album *Fake It Flowers*, this live version is a lot louder, edgier, and head-bang-inducing. ![beabadoobee lollapalooza 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/beabadoobee-lollapalooza-2026-intext.webp) Beabadoobee brings out a guitar in her Lollapalooza 2026 set. Screenshot from Lollapalooza/Disney+ She then moved on to “Apple Cider,” “I Wish I Was Stephen Malkmus,” and “Take A Bite” before slowing things down with “All I Did Was Dream of You,” a recent collaboration with The Marías. Other songs in the set include her 2022 hit “the perfect pair,” “Pictures of Us,” “Switchblade,” “Post,” and “Worth It.” She also played fan favorites like “Talk,” “She Plays Bass,” and “Cologne,” which had beabadoobee and her band jumping around onstage. The alternative rock musician wrapped things up with “Beaches,” from *This Is How Tomorrow Moves*. beabadoobe’s latest Lolla set comes a month ahead of the release of *Pylon*. The upcoming LP is expected to bring in harder rock sounds, with a lineup of [features](https://rollingstonephilippines.com/music/rock/beabadoobee-pylon-album-hayley-williams-chino-moreno/) that include rock luminaries such as Hayley Williams, Turnstile’s Brendan Yates, and Deftones’ Chino Moreno. ## Frequently Asked Questions ### When was beabadoobee’s first Lollapalooza performance? beabadoobee first performed at Lollapalooza on August 4, 2023. She returned to the festival in Chicago, Illinois on August 2, 2026 (CDT). ### What songs did beabadoobee perform at Lollapalooza 2026? Beabadoobee’s setlist for Lollapalooza 2026 is as follows: “Sun Has Set,” “10:36,” “Further Away,” “Apple Cider,” “I Wish I Was Stephen Malkmus,” “Take A Bite,” “All I Did Was Dream of You,” “the perfect pair,” “Pictures of Us,” “Switchblade,” “Post,” “Worth It,” “Talk,” “She Plays Bass,” “Cologne,” and “Beaches.” ### When is beabadoobee’s new album *Pylon* coming out? beabadoobee’s fourth studio album, *Pylon*, is set for release on September 16, 2026. ### Who are beabadoobee’s collaborators on *Pylon*? *Pylon* includes collaborations with Hayley Williams, Turnstile’s Brendan Yates, Deftones’ Chino Moreno, Pinegrove’s Evan Stephens Hall, Title Fight’s Shane Moran, and Basements’ Andrew Fisher. The 1975’s Matty Healy and George Daniel also co-produce the song “Write Me A Letter.” ### Has beabadoobee had a No. 1 album? Yes, beabadoobe’s 2024 album *This Is How Tomorrow Moves* debuted at No. 1 on the U.K.’s Official Albums Chart, her first chart-topper after her previous two albums, *Fake It Flowers* (2020) and *Beatopia* (2022), peaked at No. 8 and No. 4, respectively. Related Stories - [beabadoobee’s New Album ‘Pylon’ Has an Alternative Rock Dream Team](https://rollingstonephilippines.com/music/rock/beabadoobee-pylon-album-hayley-williams-chino-moreno/ "beabadoobee’s New Album ‘Pylon’ Has an Alternative Rock Dream Team") - [Beabadoobee Finds Her Stride in Triumphant Manila Comeback Concert](https://rollingstonephilippines.com/music/beabadoobee-concert-review/ "Beabadoobee Finds Her Stride in Triumphant Manila Comeback Concert") - [SB19 Delivers a Fun and Electrifying Lollapalooza Debut](https://rollingstonephilippines.com/music/pop/sb19-lollapalooza-2026-debut-recap/ "SB19 Delivers a Fun and Electrifying Lollapalooza Debut") **Categories:** Music, Rock **Tags:** Beabadoobee, Lollapalooza --- ### [aespa Makes A Commanding Lollapalooza Debut with An All-Killer Set](https://rollingstonephilippines.com/music/pop/aespa-lollapalooza-debut-set/) **Published:** August 3, 2026 **Author:** Elijah Pareño **Excerpt:** The quartet packed the Allianz Stage with live band arrangements and one of the weekend’s most relentless runs of hits **Content:** Moments before K-pop powerhouse [aespa](https://rollingstonephilippines.com/tag/aespa/ "Aespa") stepped foot onstage, fans had already packed the Allianz Stage, waving lightsticks while waiting for the glowing aespa sign to light up ahead of the group’s [Lollapalooza](https://rollingstonephilippines.com/tag/lollapalooza/ "Lollapalooza") debut on August 3, Monday (PHT). The festival appearance was another milestone in the quartet’s growing run of international festival appearances following [Coachella](https://rollingstonephilippines.com/tag/coachella/ "Coachella") in 2022 and Outside Lands in 2023. aespa walked right to the center of the stage with the roar of thousands of fans eagerly anticipating the performance. Opening with “Black Mamba,” the group wasted little time getting straight into the high-energy songs before transitioning into songs like “Next Level” and “Rich Man.” The group’s flawlessly synchronized choreography and exceptional accompanying live band immediately set the tone for the hour-long performance. > [View this post on Instagram](https://www.instagram.com/p/Dbj5yQ0MTM5/?utm_source=ig_embed&utm_campaign=loading)[A post shared by aespa 에스파 (@aespa\_official)](https://www.instagram.com/p/Dbj5yQ0MTM5/?utm_source=ig_embed&utm_campaign=loading) Early into the set, Karina, Winter, Giselle, and Ningning introduced themselves before going right into “Bubble.” “We prepared a lot for you guys,” Karina said. The group continued with “Supernova,” “Whole Different Animal,” and “Switchblade,” with nearly every song featuring a major dance break. Even so, the quartet pulled it off without breaking a sweat before jumping. The set then transitioned into a special back-to-back showcase of “SHAKIN’,” featuring a surprise appearance from rapper Ty Dolla $ign, followed by “Hold On Tight” from the *[Tetris](https://rollingstonephilippines.com/music/pop/aespa-best-songs-ranked/ "Ranked: aespa’s 20 Best Songs (So Far)")* soundtrack. The group closed the performance with their biggest hits such as “Whiplash” and “Lemonade,” with thousands of fans singing along to every lyric. Before the members exited, they thanked the crowd and introduced their live band, dancers, and crew who helped bring their Lollapalooza debut to life. With an all killer and no filler catalog, the performance showed why aespa has become one of K-pop’s most entertaining live festival acts so far. ## Frequently Asked Questions ### When did aespa make its Lollapalooza debut? aespa made its Lollapalooza debut in 2026, performing at the Allianz Stage. ### What songs did aespa perform at Lollapalooza? aespa performed songs including “Black Mamba,” “Next Level,” “Supernova,” “Whiplash,” “Hold On Tight,” and other tracks from across their catalog ### Who joined aespa during its Lollapalooza performance? American rapper Ty Dolla $ign made a surprise guest appearance during aespa’s performance of “SHAKIN’.” ### Which music festivals has aespa performed at? aespa has performed at several major international music festivals, including Coachella in 2022 and Outside Lands in 2023. ### When was *Lemonade* by aespa released? aespa released their second studio album *Lemonade* on May 29, 2026. Related Stories - [Ranked: aespa’s 20 Best Songs (So Far)](https://rollingstonephilippines.com/music/pop/aespa-best-songs-ranked/ "Ranked: aespa’s 20 Best Songs (So Far)") - [aespa Rides Its Own Wave With ‘Whiplash’](https://rollingstonephilippines.com/music/music-reviews/aespa-whiplash-review/ "aespa Rides Its Own Wave With ‘Whiplash’") - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") **Categories:** Music, Pop **Tags:** Aespa, Lollapalooza --- ### [Alex Eala-Jessica Pegula DC Open Final Pushed Back to August 4 (PHT)](https://rollingstonephilippines.com/culture/sports/alex-eala-jessica-pegula-dc-open-final/) **Published:** August 3, 2026 **Author:** Rolling Stone Philippines **Excerpt:** The Filipina tennis star battles on for her first-ever WTA 500-level title this August 4, Tuesday **Content:** [Alex Eala](https://rollingstonephilippines.com/tag/alex-eala/ "alex eala")’s Mubadala DC Open run continues amid losing the first set to American No. 1 Jessica Pegula in the final, which was suspended on August 3 because of rain. The second set of the finals match will resume August 4, 12 a.m. (Philippine Time). World No. 3 Pegula is a set up against World No. 28 (6-4, 1-2) when the match was halted. This is only their second meeting following their first bout in [Miami](https://rollingstonephilippines.com/culture/sports/alex-eala-just-beats-madison-keys-2025-miami-open/ "Alex Eala Just Pulled Off the Biggest Upset at the 2025 Miami Open Yet") last year, where Pegula ended Eala’s Cinderella run in the semi-finals in three sets (7-6, 5-7, 6-3). ![alex eala elina svitolina mubadala dc open 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/08/alex-eala-elina-svitolina-mubadala-dc-open-2026.webp) Alex Eala records her sixth win over a Top 10 opponent this season with her victory over Elina Svitolina in the DC Open quarterfinals. Photo from Mubadala DC Open/Facebook Eala looks to win her first WTA 500-level title in her second finals appearance after losing to Maya Joint in Eastbourne last year. She beat 2024 Paris Olympics Gold medalist Qinwen Zheng, World No. 10 Elina Svitolina, and former U.S. Open and Australian Open champion Naomi Osaka on the way to the finals in DC. ## Frequently Asked Questions ### When will the AleX Eala-Jessica Pegula Mubadala DC Open Finals Resume? The finals match between Alex Eala and Jessica Pegula will resume on August 4, 2026, Tuesday, 12 a.m. (Philippine Time). ### Why was the Alex Eala-Jessica Pegula DC Open Finals match suspended? The women’s singles finals at the Mubadala DC Open on August 3 was suspended because of rain. ### What was the score between Alex Eala and Jessica Pegula in the DC Open Finals before it was suspended? Jessica Pegula was up a set (6-4, 1-2) over Alex Eala before the finals match was suspended. ### What is Alex Eala’s current WTA ranking? Alex Eala is the World No. 28 as of this writing. She will enter the Top 25 — a new career high — when the rankings are updated Monday, August 3. ### What is at stake for Alex Eala in the DC Open Finals? Alex Eala is looking to win her first WTA title. Related Stories - [Alex Eala Beating a Wimbledon Champion Comes As No Surprise. Can She Make a Deep Run?](https://rollingstonephilippines.com/culture/sports/alex-eala-wimbledon-4th-round/ "Alex Eala Beating a Wimbledon Champion Comes As No Surprise. Can She Make a Deep Run?") - [Alex Eala Faces Fellow Lefty Filipino Canadian Leylah Fernandez at DC Open R16](https://rollingstonephilippines.com/culture/sports/alex-eala-vs-leylah-fernandez-dc-open/ "Alex Eala Faces Fellow Lefty Filipino Canadian Leylah Fernandez at DC Open R16") - [Alex Eala Just Pulled Off the Biggest Upset at the 2025 Miami Open Yet](https://rollingstonephilippines.com/culture/sports/alex-eala-just-beats-madison-keys-2025-miami-open/ "Alex Eala Just Pulled Off the Biggest Upset at the 2025 Miami Open Yet") **Categories:** Culture, Sports **Tags:** alex eala --- ### [At Lollapalooza, Jennie Comes Fully Realized as a Solo Artist](https://rollingstonephilippines.com/music/pop/jennie-lollapalooza-headlining-performance-recap/) **Published:** August 2, 2026 **Author:** Elijah Pareño **Excerpt:** The BLACKPINK member’s hour-long festival set mixed fan favorites, unreleased tracks, and the confidence of an artist settling into life as a solo headliner **Content:** “To see you guys in front of my eyes, it feels like a dream,” [Jennie](https://rollingstonephilippines.com/tag/jennie/ "Jennie") told the crowd as she took the stage at [Lollapalooza](https://rollingstonephilippines.com/tag/lollapalooza/ "Lollapalooza") on Sunday, August 2 (PHST). For Jennie, this year marks her first time headlining Lollapalooza as a solo artist. The performance was also the third time she had played live at the festival, following appearances with [BLACKPINK](https://rollingstonephilippines.com/tag/blackpink/ "Blackpink") in 2019 and 2023. As thousands gathered at the Bud Light Stage, the crowd sang along from the opening song while Blinks tuned in through livestreams and watch parties around the world. As flames burned through the red curtains onstage, Jennie opened with “Filter” before getting straight into “Damn Right” and “Mantra.” The early stretch of the set immediately established the night’s energy, with a strong live band backing Jennie’s magnetic stage presence while her dancers broke into a freestyle cypher. She later transitioned with more cuts from her debut album, *Ruby*, performing “start a war,” followed by “Handlebars,” which became one of the night’s biggest singalongs. > [View this post on Instagram](https://www.instagram.com/reel/DbhmM6XOjxn/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rolling Stone (@rollingstone)](https://www.instagram.com/reel/DbhmM6XOjxn/?utm_source=ig_embed&utm_campaign=loading) During the intermissions, visuals flashed scenes from her music videos released throughout the past year. Jennie then teased a surprise for the audience. “I have some new songs that I haven’t released.” She continued with “ZEN,” “ExtraL,” “Dracula,” and “Love Hangover (Just Jennie)” before transitioning into unreleased material. Among them, “Sweet Tooth” paired jersey club and 2-step production with one of Jennie’s sweetest, most colorful hooks to date, while “Lock It Down” has baile funk-inspired rhythms and driving synths. > [View this post on Instagram](https://www.instagram.com/reel/Dbhm-3zR7oi/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rolling Stone (@rollingstone)](https://www.instagram.com/reel/Dbhm-3zR7oi/?utm_source=ig_embed&utm_campaign=loading) Before leaving the stage, Jennie closed with “Like Jennie,” thanking fans for staying with her throughout the hour-long performance. Lollapalooza became another major milestone in Jennie’s solo career following her headlining set at [Coachella](https://rollingstonephilippines.com/tag/coachella/ "Coachella") back in April 2025. With material that showcases an expanding musical range from her BLACKPINK days to her smash solo debut album, the performance showed how comfortably she’s become commanding these big festival stages on her own. ## Frequently Asked Questions ### Which stage did Jennie perform on at Lollapalooza 2026? Jennie performed on the Bud Light Stage during Lollapalooza 2026. ### What songs did Jennie perform during her Lollapalooza 2026 set? Jennie’s set featured “Filter, “Dracula,” “Handlebar,” “ExtraL,” “Like Jennie,” alongside other songs from her solo catalog and new songs. ### Where can I watch Lollapalooza 2026? Select performances at Lollapalooza are available to watch live via two channels on Disney+. ### When did BLACKPINK perform at Lollapalooza? BLACKPINK performed at Lollapalooza back in 2019 and 2023. ### When did Jennie release *Ruby*? Jennie released her debut solo album, *Ruby*, on March 7, 2025 Related Stories - [Blackpink’s Jennie Commands Coachella With a Genre-Spanning Solo Set](https://rollingstonephilippines.com/music/blackpink-jennie-genre-spanning-coachella-set/ "Blackpink’s Jennie Commands Coachella With a Genre-Spanning Solo Set") - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") - [The 5 Essential SB19 Concerts Every Fan Should Watch](https://rollingstonephilippines.com/editors-picks/lists/sb19-concerts-that-defined-p-pop-legacy/ "The 5 Essential SB19 Concerts Every Fan Should Watch") **Categories:** Music, Pop **Tags:** Jennie, Lollapalooza --- ### [10 Netflix Music Documentaries About the Biggest Moments in Music History](https://rollingstonephilippines.com/editors-picks/lists/best-netflix-music-documentaries/) **Published:** July 31, 2026 **Author:** Elijah Pareño **Excerpt:** From the making of “We Are the World” to KATSEYE’s founding as a global girl group, these music documentaries revisit music history **Content:** Behind almost every great album or concert is a story that rarely makes it onstage. Music documentaries give those moments the time they deserve, following artists at their recording sessions and career-defining performances. Viewers can get a peek into an artist’s creative process and how a certain album came to be. Oftentimes, they reveal never-before-seen footage or surprising stories about your favorite musician that you thought you already knew well. They span everything from K-pop groups rushing to finish a comeback album to a troubled genius from Chicago on the rise to becoming one of the greatest of all time. They also provide a snapshot of how history and culture have influenced these musicians one way or another. Documentaries used to be few and far between, but thanks to streaming, more and more stories are getting to be told. [Netflix](https://rollingstonephilippines.com/tag/netflix/ "Netflix"), in particular, has released documentaries ranging from today’s biggest acts to those with cult followings. Here are 10 of those that are more than deserving to be seen. ## ‘BTS: The Return’ *BTS: The Return* is an honest look at one of the biggest groups in the world. After the much-anticipated return of K-pop phenomenon [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS") following four years of mandatory military service, the wait proves to be worth it. Their intimate documentary shows the boys being honest with themselves during the recording process of their comeback album, *ARIRANG*. Various scenes show RM experiencing creative block, SUGA insisting on writing songs in Korean, and Jimin questioning the choice of “SWIM” as the album’s lead single. The documentary pulls no punches, showing not only a creative process on the brink of collapse but also the pressure that comes with rebuilding one of the world’s biggest groups on a tight schedule. BTS got a lot to tell when they returned. ## ‘Biggie: I Got A Story Tell’ *Biggie: I Got a Story to Tell* spends most of its runtime reminding viewers that East Coast legend The [Notorious B.I.G.](https://rollingstonephilippines.com/tag/notorious-b-i-g/ "Notorious B.I.G.") was first a son, friend, and neighborhood kid from Brooklyn. Outside of his Big Poppa status, the documentary was told through rare camcorder footage shot by his closest friend Damion “D-Roc” Butler and interviews with family members. *Biggie: I Got a Story to Tell* strips away years of mythology to present a more personal portrait of one of hip-hop’s most influential rappers. ## ‘jeen-yuhs: A Kanye Trilogy’ *jeen-yuhs* follows [Kanye West](https://rollingstonephilippines.com/tag/kanye-west/ "Kanye West") across more than two decades through footage captured by filmmaker Coodie Simmons between 1998 and 2006, documenting his rise from Chicago beatmaker for rappers like Ludacris and Jay-Z to releasing conceptual albums that defined his artistry. Released in 2022 (during the peak of his DONDA era), the documentary becomes an unusually intimate time capsule showing ambition and the people who witnessed it long before the rest of the world did. *jeen-yuhs* reveals the making of a music mastermind skyrocketing to legend status. ## ‘Britney vs Spears’ Released in 2022, *Britney vs Spears* revisits one of pop music’s most public legal battles through years of investigative reporting surrounding [Britney Spears](https://rollingstonephilippines.com/tag/britney-spears/ "Britney Spears")’ 13-year conservatorship. Rather than dwelling on tabloid spectacle, the documentary focuses on how one of the world’s biggest pop stars lost control over both her personal life and career. The documentary helps piece together the legal decisions and public perception that fueled the #FreeBritney movement. All pop fans from all walks of life should consider this an essential viewing. ## ‘ariana grande: excuse me, i love you’ Part concert film and part tour diary, *ariana grande: excuse me, i love you* captures the highlights of pop star [Ariana Grande](https://rollingstonephilippines.com/tag/ariana-grande/ "Ariana Grande")’s Sweetener World Tour on-stage performances. The documentary shows scenes of rehearsals, backstage conversations, and long, exhausting travel days alongside polished performances from London’s O2 Arena. Grande was able to show the teamwork behind every performance and the friendships that keep one of pop’s biggest tours afloat every single night. Keep this documentary in mind while you’re in a *Wicked* binge. ## ‘Pop Star Academy: KATSEYE’ *Pop Star Academy: KATSEYE* follows the demanding process of building a group from the ground up. With the help of Geffen and HYBE formulating the biggest global group, the two companies partnered to create a “pop star academy” with rigorous K-pop training methodology combined with a Western-style music production and audition process. The cameras document months of auditions and eliminations as contestants navigate the physical and emotional tolls of idol training before they officially debut as [KATSEYE](https://rollingstonephilippines.com/tag/katseye/ "Katseye"). The results are definitely gnarly. ## ‘The Rise of the Red Hot Chili Peppers: Our Brother, Hillel’ Long before the [Red Hot Chili Peppers](https://rollingstonephilippines.com/tag/red-hot-chili-peppers/ "Red Hot Chili Peppers") became funk rock’s biggest hitmakers and troublemakers, the band revolved around their late guitarist Hillel Slovak, who died from an accidental heroin overdose. *The Rise of the Red Hot Chili Peppers: Our Brother, Hillel* looks back on the group’s earliest years through the friendships, chaotic dive bar shows, and the infectious creative chemistry that influenced their lineups post-Hillel Slovak. Interviews from members Anthony Keidis, Flea, and John Frusciante show how much Slovak has defined the band’s identity long after his untimely death. ## ‘Homecoming: A Film by Beyoncé’ Few concert films are as ambitious as *Homecoming: A Film by* [Beyoncé](https://rollingstonephilippines.com/tag/beyonce-2/ "Beyoncé") . Centered on Queen Bey’s landmark 2018 Coachella performance, which made her the first black woman to headline the festival, the documentary shows months of creative planning behind the historic set. It also reflects on her return to the stage after her pregnancy, making the film as much about discipline and preparation as it is about one of the most celebrated live performances in recent music history. ## ‘The Greatest Night in Pop’ The [Michael Jackson](https://rollingstonephilippines.com/tag/michael-jackson/ "Michael Jackson") fever hasn’t died down yet. If you’re still on a marathon watching his career highlights, *The Greatest Night in Pop* might be your next watch. The story behind music’s biggest collaboration at the time, “We Are the World,” was far more chaotic than it looked on paper back when it was recorded in January 1985. *The Greatest Night in Pop* takes viewers inside the clutch recording session that brought together some of the biggest names in music, including Jackson, Quincy Jones, Lionel Richie, Bruce Springsteen, Cyndi Lauper, Stevie Wonder, Tina Turner, Bob Dylan, and more. Through archival footage and present-day interviews, the documentary captures the frustrating moments from Dylan struggling with his solo parts and Lauper’s jewelry ruining the recording; it shows all the unlikely moments of collaboration that turned one overnight session into one of pop music’s most ambitious recordings. ## ‘Olivia Rodrigo: Guts World Tour’ *Olivia Rodrigo: GUTS World Tour* brings the singer-songwriter’s arena tour home, capturing performances that expand the emotional highs and lows of her second album. Alongside live renditions of fan favorites, the film highlights the theatrical production, such as the crescent moon, her electrifying live band one-upping each other in their own solos, and moments that transformed [Olivia Rodrigo](https://rollingstonephilippines.com/tag/olivia-rodrigo/ "Olivia Rodrigo")’s *GUTS* era into one of the biggest pop tours of the decade. Filipinos would never forget her P 1,500 concert she held back in October 2024 at the Philippine Arena in Bulacan. ## Frequently Asked Questions ### What was the “We Are the World” recording session? The “We Are the World” recording session took place on January 28, 1985, bringing together dozens of the world’s biggest artists to record the charity single for famine relief in Africa. The session is the focus of *The Greatest Night in Pop*. ### What is *jeen-yuhs: A Kanye Trilogy*? *jeen-yuhs: A Kanye Trilogy* is a three-part documentary series released on Netflix in 2022. It follows Kanye West’s career over two decades using footage filmed by directors Coodie Simmons and Chike Ozah. ### What was Beyoncé’s historic Coachella performance? In 2018, Beyoncé became the first Black woman to headline the Coachella Valley Music and Arts Festival. *Homecoming: A Film by Beyoncé* documents the months of preparation behind the performance. ### Who is Hillel Slovak? Hillel Slovak is the original guitarist and a founding member of the Red Hot Chili Peppers. ### How was KATSEYE formed? KATSEYE was created through HYBE and Geffen Records’ global audition project, *The Debut: Dream Academy*. Related Stories - [Ranking Every Song from BTS’ ‘Arirang’](https://rollingstonephilippines.com/music/pop/ranking-every-song-from-bts-arirang/ "Ranking Every Song from BTS’ ‘Arirang’") - [10 Albums from 2016 That Aged Better Than Anyone Expected](https://rollingstonephilippines.com/music/2016-albums-retrospective/ "10 Albums from 2016 That Aged Better Than Anyone Expected") - [For Filipinos, Kanye West’s Music Lives On, Even If His Reputation Doesn’t](https://rollingstonephilippines.com/music/kanye-west-music-filipinos/ "For Filipinos, Kanye West’s Music Lives On, Even If His Reputation Doesn’t") **Categories:** Editor's Picks, Lists **Tags:** Ariana Grande, Beyoncé, Britney Spears, BTS, Katseye, Michael Jackson, Netflix, Notorious B.I.G., Olivia Rodrigo, Red Hot Chilli Peppers --- ### [SB19 Joins Sony ULT Squad as Newest Brand Ambassadors](https://rollingstonephilippines.com/music/pop/sb19-sony-ult-squad-ambassadors/) **Published:** July 31, 2026 **Author:** Pie Gonzaga **Excerpt:** For those who missed the boy group’s Lollapalooza performance, the next best thing might just be speakers and headphones with an immersive sound **Content:** Just after a remarkable [Lollapalooza debut](https://rollingstonephilippines.com/music/pop/sb19-lollapalooza-2026-debut-recap/ "SB19 Delivers a Fun and Electrifying Lollapalooza Debut"), SB19 has been named as the newest ambassadors for Sony Philippines’ ULT POWER SOUND campaign. The P-Pop group joins fellow ambassadors [Maki](https://rollingstonephilippines.com/tag/maki/ "Maki"), [KAIA](https://rollingstonephilippines.com/tag/kaia/ "KAIA"), Jeremy G, A-Team, and others in the Sony ULT Squad, a group of artists and personalities who represent the energy and immersive sound of the ULT POWER SOUND series. “As we continue to grow the Sony ULT POWER SOUND brand in the Philippines, we wanted to collaborate with artists who embody the energy and passion that our products deliver,” said Sony Philippines President and Managing Director Shuhei Sugihara. “[SB19](https://rollingstonephilippines.com/tag/sb19/ "SB19") is the perfect partner, not only because of their remarkable influence, but because their powerful performances and connection with fans reflect what the ULT brand stands for.” The ULT POWER SOUND series includes tower speakers, portable speakers, headphones, and microphones, all designed to recreate the excitement of live performances through bold bass and immersive audio, perfect for listening to SB19’s lively, bass-heavy music. Sony Philippines Marketing Director Kentaro Imamura said the partnership reflects Sony’s goal of bringing fans closer to the music they love while celebrating artists making an impact both locally and globally. And for SB19, the collaboration marks another milestone in the group’s [career.](https://rollingstonephilippines.com/music/sb19-on-1z-entertainment-going-global/ "SB19 Wants More Than Pop Stardom") “Our music is driven by passion, energy, and connection, and that’s what makes this partnership with Sony so special,” the group said. “We’ve always dreamed of taking Filipino music from local stages to the global spotlight, and we’re proud to partner with a trusted brand like Sony that shares this vision.” According to Sony Philippines, SB19 is set to headline upcoming campaigns for the ULT POWER SOUND series through exclusive content, brand experiences, and fan engagements. A launch event is also coming up, with registration details to be announced soon on Sony Philippines’ social media channels. Related Stories - [SB19 Delivers a Fun and Electrifying Lollapalooza Debut](https://rollingstonephilippines.com/music/pop/sb19-lollapalooza-2026-debut-recap/ "SB19 Delivers a Fun and Electrifying Lollapalooza Debut") - [Sony Unveils the 1000X THE COLLEXION, Their Most Versatile Headphones So Far](https://rollingstonephilippines.com/radar/sony-1000x-the-collexion-10th-anniversary-headphones/ "Sony Unveils the 1000X THE COLLEXION, Their Most Versatile Headphones So Far") - [SB19 Wants More Than Pop Stardom](https://rollingstonephilippines.com/music/sb19-on-1z-entertainment-going-global/ "SB19 Wants More Than Pop Stardom") **Categories:** Music, Pop, Radar, Tech **Tags:** SB19, Sony --- ### [There’s No Ariana Grande Like Pissed-Off Ariana Grande. Her New Album Proves It](https://rollingstonephilippines.com/music/music-reviews/ariana-grande-petal-album-review/) **Published:** July 31, 2026 **Author:** Rob Sheffield **Excerpt:** Rage is all over the pop superstar’s eighth LP, Petal — and it suits her **Content:** [Ariana Grande](https://rollingstonephilippines.com/tag/ariana-grande/ "Ariana Grande") is always at her best when she’s in a mood, and on *[Petal](https://rollingstonephilippines.com/music/pop/ariana-grande-petal-everything-we-know/ "Everything We Know About Ariana Grande’s New Album ‘Petal’")*, she’s not holding back at all. “A little feral,” she calls this album, explaining, “I wrote from a place that I don’t usually, which was like an unfiltered rage.” She isn’t kidding. The catchiest pop tune here, “Oh Well,” is the one where she sings, “Good luck on your way to hell,” before dropping the killer punch line, “Don’t worry, ’cause you’ll keep getting breakup songs about you.” That rage is all over *[Petal](https://rollingstonephilippines.com/tag/petal/ "Petal")*. But it suits her musically, because Ariana is always best — most *herself* — when she goes off the dome, talking her shit in DGAF mode. Even the album cover is part of her statement, wearing her hair down and loose — Ariana abandoning her ponytail is as iconic as George Michael setting fire to his leather jacket. For some of us, there’s no Ariana like Pissed-Off Ariana. Her first taste of *Petal* was “Hate That I Made You Love Me,” which hit Number One, though it actually turns out to be one of the lesser tunes here. It serves as a thematic warning for the mood Ari’s in these days, sneering, “You studied my crown and borrowed my body.” But she aims her tough talk more at the culture than at any ex-friend or ex-lover. “Why you so hate to see women endure?” she demands. “Is it really my fault you all gave me your hearts of your own accord?” Ariana rages against the tabloid rumor mill, which has been buzzing about her nonstop lately. But she’s always had a flair for using controversy as fuel for her art. That comes up all over this album, as she snarls lines like “Bitch, I’m practically drowning in my blessings” (“Petal”) or “All that shit-talk keeps me well fed” (“Like I Do”). She thrives on those bad vibes. For her big comeback in 2024, she dropped [*Eternal Sunshine*](https://www.rollingstone.com/music/music-album-reviews/ariana-grande-eternal-sunshine-review-1234983313/), a complex and masterful song cycle. But as soon as she released the album, she seemed to step back from pop stardom, almost as if she scared herself at how deep she went in those songs. Instead of promoting it, or doing interviews, she threw herself into her Hollywood blockbuster era with the [*Wicked*](https://www.rollingstone.com/tv-movies/tv-movie-reviews/wicked-review-cynthia-erivo-ariana-grande-1235148114/) movies. It almost felt like she felt safer in Oz than facing up to the heartbreak of *Eternal Sunshine*. Going into *Eternal Sunshine*, she was in the headlines for her relationship with her co-star Ethan Slater, which inspired her splendidly nasty lead single “[Yes And?](https://www.rollingstone.com/music/music-features/ariana-grande-yes-and-eternal-sunshine-1234965716/),” the first Number One hit in history to ask “Why do you care so much whose dick I ride?” On *Petal*, she’s got similar scores to settle, after getting dragged back into the gossip columns. First, there was her quiet split with Slater, then her seemingly rekindled romance with her former dancer Ricky Alvarez, one of the I’m-so-grateful exes she already kissed goodbye in “Thank U Next,” back in 2018, when she sang, “Wrote some songs about Ricky/Now I listen and laugh.” On her current *[Eternal Sunshine](https://www.rollingstone.com/music/music-live-reviews/ariana-grande-eternal-sunshine-tour-opener-1235572003/)*[ tour,](https://www.rollingstone.com/music/music-live-reviews/ariana-grande-eternal-sunshine-tour-opener-1235572003/) she’s been changing that second line to “And they still really slap,” or “I know he still got my back,” or “We always find our way back.” Now that’s a power move. After all, she’s right — “Thank U Next” really does still slap, and so do the angriest songs here. “Oh Well” rides on snippets of drum-and-bass percussion and Eurodisco synth ripples, as Ariana struggles to rid her life of dysfunctional habits and toxic people, declaring, “My dead ends are gathered around dressed as friends.” But she’s making big changes, vowing, “The bad guys can go to hell.” ![ariana grande petal album art](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/ariana-grande-petal-album-art.webp) The songs on *Petal* are mostly moody midtempo electro-chill, brooding rather than banging. She co-wrote and co-produced the whole album with Ilya Salmanzadeh, the Swedish producer who’s had her back since “Problem” a dozen years ago, with [Max Martin](https://www.rollingstone.com/t/max-martin/) also collaborating on three of the tracks. The most clever production is “Freak,” with Eighties low-tech synth-pop buzz (very Yaz circa *Upstairs at Eric’s*), with digital finger snaps and her intricately layered harmonies. In the fantastic tune, Ariana ponders the ironies of living in the limelight, turning her private romantic agonies into hit songs. “They say the artist needs tears to write more,” she sings, almost a decade after she gave us “No Tears Left to Cry.” Sometimes she wonders if the heartbreak she suffers is worth the music she gets out of it. She imagines a cynical audience scoffing that it doesn’t matter, “as long as she gets her ovation each night.” But “Petal” hits home because she faces up to her dilemma — she craves the songs as much as she craves the romance itself, and she’s always in it to create more songs. “All of my favorite stories end in some kind of catastrophe,” she sings. “But I don’t need someone to save me/’Cause this music and I will never die.” “Warning Signs (Interlude)” is like her version of Stevie Nicks’ “[Silver Springs](https://www.rollingstone.com/feature/silver-springs-inside-fleetwood-macs-great-lost-breakup-anthem-201303/),” as she imagines her ex getting haunted by the sound of her voice coming out of the windows of a passing taxi. “My pain is music to you,” she sings with taunting mockery in her voice. “You don’t deserve me/You know you don’t, you never have/But I want you to feel me.” In “Kiss Me,” she quotes Dr. Hunter S. Thompson (“Buy the ticket, take the ride”) as she leaps headfirst into a new obsessive lust, pleading, “Kiss me like you know this is goodbye/Grab me like my life is on the line.” She spends the final stretch of *Petal* singing about the renewal of starting over in a stronger relationship, with positive love songs such as “Nowhere, Nobody” or “Never Get Over Me,” where she sings, “The grass is way greener/Since I’ve been beneath ya.” “Big Feelings” is saturated in Nineties R&B, as she coos, “You could blame the stars or blame your sign/The sex is ’bout to make a grown man cry.” This romance is eccentrically spiritual (“I can become so aquatic”), yet breezy and light, as she sings lines like “Boy, you must have earned me historically,” and “Boy I love you therapeutically.” Both *Eternal Sunshine* and the expanded *Brighter Days Ahead* were ornate and meticulously crafted, but the kick of *Petal* is that it’s much more loose and spontaneous. She’s shooting from the hip, both musically and emotionally. “It’s definitely from a place I’ve been maybe too shy or polite to tap into before,” Grande has said. “This kind of just feels like, ‘Fuck it.’” (Yeah right, Ariana — nothing says “shy” and “polite” like the louder-than-life pop diva who gave the world “Break Up With Your Girlfriend, I’m Bored.”) But that “fuck it” attitude comes through loud and clear on *Petal* — and that attitude brings out Ariana Grande at her best. *This story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-album-reviews/ariana-grande-petal-album-review-1235601310/).* Related Stories - [Ariana Grande Was ‘Too Shy’ to Make New Album ‘Petal’ Before, Then She Thought: ‘F-ck It’](https://rollingstonephilippines.com/music/news/ariana-grande-details-new-album-petal/ "Ariana Grande Was ‘Too Shy’ to Make New Album ‘Petal’ Before, Then She Thought: ‘F-ck It’") - [Ariana Grande Isn’t Concerned With Making Up for Lost Time at ‘Eternal Sunshine’ Tour Opener](https://rollingstonephilippines.com/music/pop/ariana-grande-eternal-sunshine-tour-opener/ "Ariana Grande Isn’t Concerned With Making Up for Lost Time at ‘Eternal Sunshine’ Tour Opener") - [Everything We Know About Ariana Grande’s New Album ‘Petal’](https://rollingstonephilippines.com/music/pop/ariana-grande-petal-everything-we-know/ "Everything We Know About Ariana Grande’s New Album ‘Petal’") **Categories:** Music, Music Reviews, Pop **Tags:** Ariana Grande, Petal --- ### [Sombr Brings Out 5 Seconds of Summer During High-Octane Lollapalooza Set](https://rollingstonephilippines.com/music/sombr-5-seconds-of-summer-performance-lollapalooza/) **Published:** July 31, 2026 **Author:** Althea Legaspi **Excerpt:** The musicians surprise performed “She Looks So Perfect” for the fest’s massive crowd Thursday night **Content:** [Sombr](https://rollingstonephilippines.com/tag/sombr/ "sombr") surprised [Lollapalooza](https://rollingstonephilippines.com/tag/lollapalooza/ "Lollapalooza") fans in Chicago on Thursday night, bringing out [5 Seconds of Summer](https://rollingstonephilippines.com/tag/5-seconds-of-summer/ "5 Seconds of Summer") during his high-octane set, joining forces for “She Looks So Perfect.” The raucous performance came amid an already thrilling set that found the singer — clad in all-black with a lace T-shirt, feather-adorned coat, and boa — cooly pulling up in a car from backstage, drink in hand, to the massive audience that filled the field. “Chicago, you ready for a special surprise?” he teased before introducing the band. “Ladies and gentleman, the greatest band in the fucking world, 5 Seconds of Summer.” > [@ellemagazine](https://www.tiktok.com/@ellemagazine?refer=embed "@ellemagazine") It’s a @5 Seconds of Summer and @sombr summer at @Lollapalooza [♬ original sound – ELLE (US)](https://www.tiktok.com/music/original-sound-7668484127468882718?refer=embed "♬ original sound - ELLE (US)") Beyond the welcome surprise, Sombr himself commanded the stage alongside his band, strutting the T-Mobile mainstage, which featured New York street signs. A construction sawhorse suggested things were under construction, but onstage everything went off pitch perfectly, including his raw rock-to-falsetto vocals. He exuded confidence as he covered the full length of the stage, and later ran into the audience with a black flag spray-painted with his name and Lollapalooza. ![Sombr 5 Seconds of Summer](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/20260730_Lolla_Thursday_137-copy.webp) Sombr and 5 Seconds of Summer performed “She Looks So Perfect” at Lollapalooza 2026. Photo by Victoria Sanders The singer has been releasing a slew of new music recently, including “[My Body Isn’t Ready](https://www.rollingstone.com/music/music-news/sombr-new-song-my-body-isnt-ready-video-1235584174/)” last month and also “[Potential](https://www.rollingstone.com/music/music-news/sombr-potential-single-tour-1235548887/)” and “[Homewrecker](https://www.rollingstone.com/music/music-lists/best-songs-of-2026-so-far-1235571412/sombr-homewrecker-1235571796/),” all of which he performed during his Thursday set. The latter song made [*Rolling Stone*’s best songs of 2026](https://www.rollingstone.com/music/music-lists/best-songs-of-2026-so-far-1235571412/) so far: “The first post-breakthrough release from New York pop wunderkind Sombr is a hazy plea to a lover who has a partner waiting at home,” the review reads. “It glides on a lite-funk beat (with a bass line laid down by former Prince muse Wendy Melvoin) as Sombr lays out how he’s been strung along, including till-dawn fire-escape chats; while he’s sympathetic to his romantic rival, his all-in vocal indicates that he really, really wants to win.” Sombr’s debut year has been nothing short of impressive. He released [*I Barely Knew Her* ](https://www.rollingstone.com/music/music-album-reviews/sombrs-i-barely-know-her-review-1235414109/)last August and ever since, he’s captivated fans from [his Grammy performance](https://www.rollingstone.com/music/music-news/2026-grammys-best-new-artist-medley-performance-1235505445/) to his [appearance at Coachella](https://www.rollingstone.com/music/music-news/sombr-performs-coachella-billy-corgan-2026-1235543495/) earlier this year, which featured Billy Corgan (whose band headlines Lolla tomorrow). Following his performance at 2026 Lollapalooza, Sombr will embark on a [North American tour](https://www.rollingstone.com/music/music-news/sombr-north-america-fall-arena-tour-announcement-1235545848/) this fall, which culminates with a show at Madison Square Garden in his hometown of New York on Nov. 23. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-news/sombr-5-seconds-of-summer-performance-lollapalooza-2026-1235600361/).* Related Stories - [All the Controversies from Taylor Swift and Travis Kelce’s New York Wedding](https://rollingstonephilippines.com/music/pop/taylor-swift-travis-kelce-wedding-controversies/ "All the Controversies from Taylor Swift and Travis Kelce’s New York Wedding") - [Jack White’s Best Band Chemistry in Years is on ‘Frozen Charlotte’](https://rollingstonephilippines.com/music/music-reviews/jack-white-frozen-charlotte-album-review/ "Jack White’s Best Band Chemistry in Years is on ‘Frozen Charlotte’") - [Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/ "Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’") **Categories:** Music, News **Tags:** 5 Seconds of Summer, sombr --- ### [SB19 Delivers a Fun and Electrifying Lollapalooza Debut](https://rollingstonephilippines.com/music/pop/sb19-lollapalooza-2026-debut-recap/) **Published:** July 31, 2026 **Author:** Pie Gonzaga **Excerpt:** The group’s first performance at the festival was one A’TINs couldn’t miss, with local and international fans showing up in the crowd, at watch parties, and even just at home **Content:** “This is our first time here and it definitely won’t be the last,” said [SB19](https://rollingstonephilippines.com/tag/sb19/ "SB19") member Josh as he and the rest of the Kings of P-Pop walked up the Allianz Stage at [Lollapalooza](https://rollingstonephilippines.com/tag/lollapalooza/ "Lollapalooza") on Friday, July 31 (PHST). SB19’s first-ever Lolla set is nothing short of historic, not just for the group but for the country. After BINI’s [Coachella debut](https://rollingstonephilippines.com/music/pop/bini-makes-historic-coachella-debut/ "BINI Makes Historic Coachella Debut With Big Hits and Pinoy Pride") in April, it was the boys’ turn to put on a show for the world to see. While fans at the festival cheered and waved Philippine flags for the pop group, A’TINs in the Philippines rose early in the morning to watch the hour-long performance on their screens and at watch parties. Pablo, Josh, Stell, Ken, and Justin did not disappoint. The group started with “DAM” and “GENTO” to wake up the crowd. For the first time, SB19 also performed its new blues rock-inspired single “LAWLESS,” which was just released hours ahead of the Lollapalooza set. It was followed by another dance track, “Emoji,” before the group slowed things down with “MAPA” and “Wakas,” during which audiences waved their hands in unison. SB19 went on to perform their unreleased cover of Francis M’s hip-hop anthem “Mga Kababayan,” which is part of the [soundtrack](https://rollingstonephilippines.com/music/pop/forgotten-island-soundtrack-filipino-artists/ "‘Forgotten Island’ Has A Stacked Filipino Music All-Star Soundtrack") of the highly anticipated DreamWorks Animated film *[Forgotten Island](https://rollingstonephilippines.com/tag/forgotten-island/ "Forgotten Island")*. From there, the five-piece was down to its last three songs. ![sb19 lollapalooza pablo stell and josh](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/sb19-lollapalooza-intext.webp) Despite the heat, SB19 delivers a fierce performance for the Lollapalooza crowd. Photo by Dušana Risovic/Lollapalooza/Instagram They picked up the energy once more with “VISA,” before bringing out the Chicago Bulls mascot, Benny the Bull, for “DUNGKA!” And yes, Benny knew all the moves. SB19 finished their set with bouncy, synth-ridden “CRIMZONE,” which made for an explosive finale despite the minimal stage setup. As they left the stage, the boys said, “See you next year,” drawing more cheers from the audience. It wasn’t just Filipino fans who made their way to the festival to see SB19. An *ABC 7 Chicago* broadcast featured American A’TINs from other states traveling to Chicago, Illinois to watch the homegrown Filipino act perform live. “We’re here to see SB19,” said one fan. “I’ve been a fan since 2021.” Aerial shots of the stage also showed a large crowd gathered at the stage and under the sun, braving the summer weather for the group. For as long as the group has been around, SB19 has been working hard to put P-Pop on the map. “We are not just thinking about ourselves but also about how we represent P-pop and the Philippines on a global stage,” Pablo told [*Rolling Stone Philippines*](https://rollingstonephilippines.com/music/sb19-on-1z-entertainment-going-global/) previously. And with fans showing up for them at Lollapalooza, watch parties, and home, it looks like the boy group has finally conquered the world. ## Frequently Asked Questions ### Which stage did SB19 perform on at Lollapalooza 2026? SB19 performed their debut hour-long set on the Allianz Stage at Lollapalooza in Chicago, Illinois on July 31, 2026 (PHST). ### What songs did SB19 perform at Lollapalooza 2026? SB19 performed the songs “DAM,” “GENTO,” “LAWLESS,” “Emoji,” “MAPA,” “Wakas,” “Mga Kababayan,” “DUNGKA!,” and “CRIMZONE” at Lollapalooza. ### Where can I watch Lollapalooza 2026? Select performances at Lollapalooza are available to watch live via two channels on Disney+. ### When did SB19 release “LAWLESS”? SB19 released “LAWLESS” on July 31, 2026 as a standalone single. It is not part of any EP or album rollout. ### Which P-Pop acts have performed at major global music festivals? SB19 and BINI have both performed at major global music festivals, with the boy group having recently debuted at Lollapalooza and BINI having performed at Coachella in 2026. Related Stories - [SB19 Heads to Lollapalooza 2026, Bringing P-pop to Chicago](https://rollingstonephilippines.com/music/pop/sb19-lollapalooza-2026/ "SB19 Heads to Lollapalooza 2026, Bringing P-pop to Chicago") - [BINI Makes Historic Coachella Debut With Big Hits and Pinoy Pride](https://rollingstonephilippines.com/music/pop/bini-makes-historic-coachella-debut/ "BINI Makes Historic Coachella Debut With Big Hits and Pinoy Pride") - [‘Forgotten Island’ Has A Stacked Filipino Music All-Star Soundtrack](https://rollingstonephilippines.com/music/pop/forgotten-island-soundtrack-filipino-artists/ "‘Forgotten Island’ Has A Stacked Filipino Music All-Star Soundtrack") **Categories:** Music, Pop **Tags:** Lollapalooza, SB19 --- ### [From BTS to The Weeknd: Artists Who’ve Called Out the Grammys](https://rollingstonephilippines.com/music/artists-who-called-out-the-grammys/) **Published:** July 30, 2026 **Author:** Elijah Pareño **Excerpt:** Some of music's biggest names have questioned the awards show's credibility over categories, nominations, and voting practices **Content:** On July 29, K-pop group [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS") announced through their individual Instagram Stories that they will not submit their music for consideration at the [Grammy Awards](https://rollingstonephilippines.com/tag/grammy-awards/ "Grammy Awards") this year. The decision came after the Recording Academy announced five new categories for the ceremony, one of which is [Best Asian Pop Music Performance](https://rollingstonephilippines.com/music/pop/bts-not-submitting-grammys-best-asian-pop-category/ "Why BTS is Withdrawing from the Grammys’ This Year"). The members posted the same statement on their respective Instagram accounts, saying that they “hope music can be heard and loved as music itself, rather than being divided by region or language.” The Grammys’ CEO Harvey Mason Jr. released a statement regarding BTS’ decision not to participate in the Grammy Awards process, saying that “as a music creator, I understand and respect their decision.” He clarified that submitting music in a genre category does not exclude an artist from also submitting and being considered in other categories. This isn’t the first time that the Recording Academy has encountered controversy. Over the decades, the Grammys have faced criticism from artists over issues such as placing musicians into specific categories, inconsistent rule changes in the nomination process, and repeated snubs. These issues have affected the Grammys’ credibility over the years. ## Jay-Z Rapper [Jay-Z](https://rollingstonephilippines.com/tag/jay-z/ "Jay-Z") was among the many artists who took jabs at the awards ceremony. While accepting the Dr. Dre Global Impact Award at the 2024 Grammy Awards, Jay-Z criticized the Recording Academy for never awarding his wife, Beyoncé, Album of the Year despite her multiple Grammy wins and nominations over the years. “I don’t want to embarrass this young lady but she has more Grammys than everyone and never won Album of the Year. So even by your own metrics, that doesn’t work. Think about that. The most Grammys, never won Album of the Year,” he said. A year after the callout, Beyoncé won Album of the Year for *Cowboy Carter* at the 67th Grammy Awards. ## Fiona Apple Singer-songwriter [Fiona Apple](https://rollingstonephilippines.com/tag/fiona-apple/ "Fiona Apple") has never hidden her qualms with the Recording Academy. In an interview with *The Guardian*, Apple, who was nominated for three awards at the 2021 ceremony, brought up Lukasz “Dr. Luke” Gottwald’s Record of the Year nomination under the pseudonym Tyson Trax for his work on Doja Cat’s “Say So.” Apple then mentioned how the Grammys had the gall to invite Dr. Luke while Kesha is performing in the same ceremony. Back in 2014, pop star Kesha filed a lawsuit against Dr. Luke for subjecting her to years of physical, emotional, and sexual abuse. “I keep going back to the \[Recording Academy for\] putting Kesha on stage like, ‘We believe you’ — and I believe her — then two years later, fucking Tyson Trax. Not to go back to that word, but it’s bullshit.” Apple said she once envisioned walking onstage with a sledgehammer, smashing her Grammy into pieces, and inviting female artists to boycott the ceremony over Dr. Luke’s nomination. ## The Weeknd > [View this post on Instagram](https://www.instagram.com/p/DFmGEg3p92z/?utm_source=ig_embed&utm_campaign=loading)[A post shared by GRAMMYS (@grammys)](https://www.instagram.com/p/DFmGEg3p92z/?utm_source=ig_embed&utm_campaign=loading) R&B singer [The Weeknd](https://rollingstonephilippines.com/tag/the-weeknd/ "The Weeknd") publicly criticized the Recording Academy after his hit single “Blinding Lights” was shut out of the 2021 Grammy nominations despite its commercial success and critical acclaim. Following the snub, he called the Recording Academy “corrupt” and criticized its “secret committees.” In response, the Recording Academy announced changes to its nomination process for the 2022 Grammy Awards. According to the Recording Academy, nominations would no longer be finalized by committees of 15 to 30 music industry “peers” representing their “genre communities.” Instead, nominees for nearly all Grammy categories would be determined by a majority vote of Academy voting members. According to the *New York Times* in 2021, The Weeknd has remained firm in not submitting his music for consideration. “Even though I won’t be submitting my music, the Grammys’ recent admission of corruption will hopefully be a positive move for the future of this plagued award and give the artist community the respect it deserves with a transparent voting process.” ## Tyler, The Creator Rapper [Tyler, the Creator](https://rollingstonephilippines.com/tag/tyler-the-creator/ "Tyler The Creator") expressed his criticism backstage at the 2020 Grammy Awards. After winning Best Rap Album for *IGOR*, Tyler told reporters that he wanted to break out of the rap or urban categories and be recognized on a broader level. “On one side, I’m very grateful that what I made could just be acknowledged in a world like this. But also, it sucks that whenever we, and I mean guys that look like me, do anything that’s genre-bending, they always put it in a ‘rap’ or ‘urban’ category. … I don’t like that ‘urban’ word. To me, it’s just a politically correct way to say the N-word. Why can’t we just be in pop?” Tyler added that being nominated in the rap category felt like a backhanded compliment. ## Frequently Asked Questions ### Who are some artists who have criticized the Grammy Awards? BTS, Jay-Z, Fiona Apple, The Weeknd, and Tyler, the Creator publicly criticized the Recording Academy over its categories, nomination process, or award decisions. ### Why did Jay-Z criticize the Grammy Awards? Jay-Z criticized the Recording Academy during the 2024 Grammy Awards for never awarding Beyoncé Album of the Year despite her record number of Grammy wins and nominations at the time. ### Why did The Weeknd stop submitting music to the Grammys? The Weeknd criticized the Recording Academy after “Blinding Lights” received no Grammy nominations in 2021. Despite later changes to the nomination process, he has continued to refrain from submitting his music. ### Why did Fiona Apple speak out against the Grammys? Fiona Apple criticized the Recording Academy over Dr. Luke’s Record of the Year nomination under the pseudonym Tyson Trax. She later said she had imagined smashing her Grammy onstage and encouraging female artists to boycott the ceremony. ### What did Tyler, the Creator say about the Grammy Awards? After winning Best Rap Album for *IGOR* in 2020, Tyler said he disliked being placed in rap or urban categories despite making genre-bending music, calling the classification a “backhanded compliment.” Related Stories - [10 Albums from 2016 That Aged Better Than Anyone Expected](https://rollingstonephilippines.com/music/2016-albums-retrospective/ "10 Albums from 2016 That Aged Better Than Anyone Expected") - [BTS Gets Honest About Military, Making ‘Arirang,’ and More](https://rollingstonephilippines.com/music/pop/bts-rs-cover-story-7-revelations/ "BTS Gets Honest About Military, Making ‘Arirang,’ and More") - [Why BTS is Withdrawing from the Grammys’ This Year](https://rollingstonephilippines.com/music/pop/bts-not-submitting-grammys-best-asian-pop-category/ "Why BTS is Withdrawing from the Grammys’ This Year") **Categories:** Music, News **Tags:** Grammys --- ### [The 5 Essential SB19 Concerts Every Fan Should Watch](https://rollingstonephilippines.com/editors-picks/lists/sb19-concerts-that-defined-p-pop-legacy/) **Published:** July 30, 2026 **Author:** Elijah Pareño **Excerpt:** From intimate venues to sold-out stadiums, the five-piece steadily raised the bar for live P-pop performances over seven years **Content:** For more than seven years, [SB19](https://rollingstonephilippines.com/tag/sb19/ "SB19") members Josh, Justin, Ken, [Pablo](https://rollingstonephilippines.com/tag/pablo/ "Pablo"), and Stell have continued to defy expectations from both P-pop fans and skeptics alike through their spectacular live performances. Debuting under ShowBT Entertainment (ShowBT Philippines) back in 2018, they went from performing in small-scale festivals to sold-out shows in some of the biggest indoor stadiums in Southeast Asia. SB19 has proven time and time again that they are a live act worth seeing. This year, the group is scheduled to perform next on the biggest festival stages of their careers with [Lollapalooza](https://rollingstonephilippines.com/tag/lollapalooza/ "Lollapalooza"), Summer Sonic, and [KPOPWORLD Festival](https://rollingstonephilippines.com/music/pop/sb19-joins-kpopworld-festival/ "SB19 Joins KPOPWORLD Festival, Adding Another Festival to Their Growing Run"). Here are the five concerts that have so far defined SB19’s P-pop legacy. ## GET IN THE ZONE (2019) SB19 started their nationwide tour at the Cuneta Astrodome in Pasay City, where they launched their Get in the Zone Concert Tour. In front of a sold-out crowd, the P-pop group showcased their earlier material on a large scale. At the time, they performed songs from their debut full-length album *Get in the Zone*, released in July 2019, including “Go Up,” “Alab (Burning),” and “Tilaluha.” ## BACK IN THE ZONE (2021) When it came to live performances, SB19 did whatever it took to bring its latest releases and performances to fans everywhere, even during the COVID-19 pandemic. In August 2021, the group released *Pagsibol*, allowing the boys to maximize their talent during the lockdown with music videos like “What?” and “SLMT.” In their major online concert, BACK IN THE ZONE, the group revealed new songs and dance numbers that added to the spectacle. ## WYAT (Where You At) (2022) As the post-pandemic era began, SB19 officially became the Kings of P-pop by embarking on their first world tour, WYAT (Where You At), in 2022. It featured bigger production, larger visuals, and a scale that exceeded both their debut concerts and their pandemic-era performances, beginning with the kickoff show in September 2022 at the Smart Araneta Coliseum. Named after the single of the same name, the tour spanned Southeast Asia, the Middle East, and North America. ## PAGTATAG! (2023) > [View this post on Instagram](https://www.instagram.com/reel/CxajaoeSl4Y/?utm_source=ig_embed&utm_campaign=loading)[A post shared by SB19 Official (@officialsb19)](https://www.instagram.com/reel/CxajaoeSl4Y/?utm_source=ig_embed&utm_campaign=loading) After their first world tour, SB19 came back stronger throughout 2023 and 2024 with their PAGTATAG! World Tour across the Philippines, Asia, and North America. The release of their second EP, *PAGTATAG!*, birthed the award-winning single “GENTO,” and the momentum only continued to build from there. ## WAKAS AT SIMULA (2026) > [View this post on Instagram](https://www.instagram.com/p/DXT61ujCZeY/?utm_source=ig_embed&utm_campaign=loading)[A post shared by SB19 Official (@officialsb19)](https://www.instagram.com/p/DXT61ujCZeY/?utm_source=ig_embed&utm_campaign=loading) The Wakas at Simula Finale Concert completed the story of two EPs: *Simula at Wakas* and *[Wakas at Simula](https://rollingstonephilippines.com/music/pop/sb19-wakas-at-simula-ranked/ "SB19’s ‘Wakas at Simula,’ Ranked Track by Track")*. The group spent time [worldbuilding](https://rollingstonephilippines.com/editors-picks/lists/5-moments-sb19-rewrote-p-pop-worldbuilding/ "5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding") around the DAM Tree, symbolizing the beginning of the end and the end of the beginning. *Simula at Wakas* became the fastest-selling show in Philippine Arena history, making SB19 the first Filipino act to sell out the venue in under seven hours. Their follow-up concert Wakas at Simula was the complete package. Their finale concert at the SMDC Concert Grounds also sold out while featuring grand visuals and a level of production that any P-pop fan could wish for. ## fREQUENTLY aSKED qUESTIONS ### Who is in SB19? SB19 is composed of members Josh, Justin, Ken, Pablo, and Stell. ### What are SB19’s greatest hits? Some of SB19’s best-known songs include “Go Up,” “Alab (Burning),” “Tilaluha,” “What?,” “Gento,” and “WYAT (Where You At).” ### When did SB19 debut? SB19 officially debuted in 2018. The group’s career now spans more than seven years ### What is the name of SB19’s company? SB19 is currently self-managed under 1Z Entertainment, the company founded by the five members after departing ShowBT Entertainment (ShowBT Philippines) ### What SB19 concert broke records for the fastest-selling show? Simula at Wakas became the fastest-selling show in Philippine Arena history, making SB19 the first Filipino act to sell out the venue in a record-breaking seven hours. Related Stories - [5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding](https://rollingstonephilippines.com/editors-picks/lists/5-moments-sb19-rewrote-p-pop-worldbuilding/ "5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding") - [Filipino Artists are Touring the World — For Filipinos Abroad](https://rollingstonephilippines.com/music/filipino-artists-are-touring-the-world-for-filipinos-abroad/ "Filipino Artists are Touring the World — For Filipinos Abroad") - [From ‘Brat’ Walls to Giant Michael: 8 Album Stunts that Got Everyone Talking](https://rollingstonephilippines.com/music/8-album-promo-stunts/ "From ‘Brat’ Walls to Giant Michael: 8 Album Stunts that Got Everyone Talking") **Categories:** Editor's Picks, Lists, Music, Pop **Tags:** SB19 --- ### [Why BTS is Withdrawing from the Grammys’ This Year](https://rollingstonephilippines.com/music/pop/bts-not-submitting-grammys-best-asian-pop-category/) **Published:** July 29, 2026 **Author:** Elijah Pareño **Excerpt:** The world's biggest K-pop group said it would not submit music this year, saying songs should not be divided by language or region **Content:** In June, the [Grammy Awards](https://rollingstonephilippines.com/tag/grammy-awards/ "Grammy Awards") announced five new categories effective next year, one of which is Best Asian Pop Music Performance. According to the Recording Academy, the award recognizes “artistic excellence in Asian pop music” within Asian markets and is not limited to K-pop, J-pop, or C-pop, requiring the “meaningful” use of one or more Asian languages. More than a month after the category was announced, [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS") revealed that they would not submit their music for consideration in this year’s Grammys as a reaction to the Best Asian Pop Music Performance category. All members of the group, including RM, Jin, SUGA, j-hope, Jimin, V, and Jung Kook, posted statements on their respective Instagram Stories, which have been widely interpreted as a protest against the Recording Academy’s Asian Pop category. “We have decided not to submit our music to the Grammys this year,” the group said in a statement shared through the Instagram Stories of all seven members. “We hope music can be heard and loved as music itself, rather than being divided by region or language.” On July 30, Grammys CEO Harvey Mason Jr. released a statement on Instagram, expressing that while he is saddened by BTS’ decision not to participate in the Grammy Awards process this year, “as a music creator, I understand and respect their decision.” Mason Jr. also clarified that submitting music in a genre category does not exclude an artist from also submitting and being considered in other categories. “Those categories remain open to any eligible recording, regardless of genre. Recognition in a genre category and recognition in a General Field are not mutually exclusive. An artist can absolutely pursue both,” Mason Jr. says. > [View this post on Instagram](https://www.instagram.com/p/DbZX6vYifgp/?utm_source=ig_embed&utm_campaign=loading)[A post shared by GRAMMYS (@grammys)](https://www.instagram.com/p/DbZX6vYifgp/?utm_source=ig_embed&utm_campaign=loading) The world’s biggest K-pop group has never won a Grammy but has been nominated five times (thrice in the best pop duo /group performance category, and once in the album of the year for its contribution to Coldplay’s 2021 album “Music of the Spheres,” and for best music video for “Yet to Come”). BTS announced its comeback this year with the album *[ARIRANG](https://rollingstonephilippines.com/tag/arirang/ "Arirang")*, and is currently on a world tour promoting said album across North America, South America, Europe, and Asia. ## Frequently Asked Questions ### What are the new categories at the Grammys? The Recording Academy has announced five new categories: Best Asian Pop Music Performance, Best R&B Collaboration or Duo/Group Performance, Best Traditional Pop Vocal Performance, Best Traditional Folk Album, and Best Latin Song. ### Why is BTS protesting the new Grammys category? All members of the group, including RM, Jin, SUGA, j-hope, Jimin, V, and Jung Kook, posted on their respective Instagram Stories saying that they have decided to not submit their music for consideration. The group “hopes that music can be heard and loved as music itself rather than being divided by region or language.” ### What album is BTS promoting on their ongoing tour? BTS is currently promoting their comeback album, *ARIRANG*, on a world tour spanning North America, South America, Europe, and Asia. ### When will the new Grammy categories take effect? The Recording Academy announced that all five new Grammy categories, including Best Asian Pop Music Performance, will take effect beginning with next year’s awards on February 7, 2027. ### How does one qualify for Best Asian Pop Music Performance? The award will consider artists who recognize “artistic excellence in Asian pop music” within Asian markets and is not limited to K-pop, J-pop, or C-pop. The award requires the “meaningful” use of one or more Asian languages. Related Stories - [BTS Gets Honest About Military, Making ‘Arirang,’ and More](https://rollingstonephilippines.com/music/pop/bts-rs-cover-story-7-revelations/ "BTS Gets Honest About Military, Making ‘Arirang,’ and More") - [Ranking Every Song from BTS’ ‘Arirang’](https://rollingstonephilippines.com/music/pop/ranking-every-song-from-bts-arirang/ "Ranking Every Song from BTS’ ‘Arirang’") - [BTS Is Back on Top: ‘We Have to Push It to the Edge’](https://rollingstonephilippines.com/editors-picks/features/bts-reuniting-new-album-arirang-interview/ "BTS Is Back on Top: ‘We Have to Push It to the Edge’") **Categories:** Music, Pop **Tags:** BTS, Grammys --- ### [‘Spider-Man: Brand New Day’ is the MCU’s Answer to Superhero Fatigue](https://rollingstonephilippines.com/culture/reviews/spider-man-brand-new-day-review-mcu-fatigue/) **Published:** July 29, 2026 **Author:** Pie Gonzaga **Excerpt:** The latest Spider-Man film brings a new director and a fresh start for Peter Parker and the rest of the Marvel Cinematic Universe **Content:** *[Spider-Man: Brand New Day](https://rollingstonephilippines.com/tag/spider-man-brand-new-day/ "Spider-Man: Brand New Day")* is here to save the [Marvel Cinematic Universe](https://rollingstonephilippines.com/tag/marvel/ "Marvel") (MCU) from itself. Marvel Studios cleaved the internet in half last week when it released the *[Avengers: Doomsday](https://rollingstonephilippines.com/tag/avengers-doomsday/ "Avengers: Doomsday")* trailer. Faithful fans expressed their excitement for the star-studded blockbuster set for release in December, while others cried [superhero fatigue](https://www.forbes.com/sites/markhughes/2024/01/04/what-really-caused-superhero-fatigue-in-2023-and-how-to-fix-it/). I was one of those who thought, “I’ll be seated for this slop,” because even if [Chris Evans’ appearance](https://rollingstonephilippines.com/culture/film/avengers-doomsday-alleged-leak-chris-evans/ "Is Chris Evans Really Back in ‘Avengers: Doomsday’?") in the trailer failed to stir any emotions in me, a release in the MCU is unavoidable. Enter *Spider-Man: Brand New Day*, the latest installment in the MCU’s *Spider-Man* series, and directed by *Shang-Chi and the Legend of the Ten Rings*’ [Destin Daniel Cretton](https://rollingstonephilippines.com/tag/destin-daniel-cretton/ "Destin Daniel Cretton"), who takes the wheel from Jon Watts. [Tom Holland](https://rollingstonephilippines.com/tag/tom-holland/ "tom holland") returns as the titular web-slinger, as endearing as ever, but also a little older and in a much darker place, having lost his aunt May (Marisa Tomei) in the events of 2021’s *Spider-Man: No Way Home*. To recall, he had also asked Dr. Strange to make everyone forget Peter Parker to save the multiverse, which means he’s been moving through the world alone even though his friends are in reach. This is where we meet Peter in *Brand New Day*: cycling through a routine of buying flowers for May’s grave, fighting crime alongside Liza Colón-Zayas’ detective Jean DeWolff, and coming home to his trashy, asbestos-ridden apartment to watch MJ ([Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya")) and Ned (Jacob Batalon) move on with their lives without him on social media. ## Breaking Down ‘Spider-Man: Brand New Day’ ![tom holland and jon bernthal in spider-man brand new day](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/spider-man-bnd-tom-holland-jon-bernthal.webp) Spider-Man (Tom Holland) and The Punisher (Jon Bernthal) team up in an exciting fight scene. Photo courtesy of Columbia Pictures I can’t say much about the plot without spoiling it — and I don’t want to make the same mistake [Steve Lacy](https://rollingstonephilippines.com/culture/film/steve-lacy-spoils-spider-man-brand-new-day/ "Steve Lacy Spoils ‘Spider-Man: Brand New Day,’ Faces Nerd Crash-Outs") did — but suffice it to say that this is a movie about growing pains. In 2017’s *Spider-Man: Homecoming*, we were introduced to Holland’s Peter already as the teenage vigilante who’s just having fun. But in *Brand New Day*, he goes through a second puberty of sorts, during which he comes face to face with the monstrosity of his power and the responsibility that comes with it. He also faces this conflict alongside a new threat to the city. The exposition leading up to the new character reveal drags on a bit, but the mystery of it manages to keep the viewer hooked, and is paid off with a few tender moments between Peter and the other characters, an armrest-clutcher of an action sequence at the midpoint, a revelatory third act, and just the sheer coolness of what that character can do. A few fans are griped by the idea of this Spider-Man film being spent introducing another hero to the MCU, but I think that’s a bit of a reductive take. The introduction of the character was exciting, and it didn’t take away from Peter’s story either. If anything, these two characters enriched each other, playing foil and parallel to one another. In fact, I found most of the side characters instrumental to the plot, serving a purpose beyond making fans briefly point at the screen and cheer (though there was much pointing and cheering). Jon Bernthal is a treat to watch as the trigger-happy but grieving Frank Castle/The Punisher. Florence Pugh brings in the comic relief as Yelena/Black Widow. Mark Ruffalo’s Bruce Banner/Hulk and Michael Mando’s Scorpion are welcome nuisances to further complicate the plot. And Tramell Tillman and Sadie Sink are inspired casting. Holland has never shone brighter as Spider-Man than in *Brand New Day*. Chris McKenna and Erik Sommers’ screenwriting allows for a nuanced performance from the British actor, who balances Peter’s humor and perpetual boyishness with the deeper, sadder emotions his bleak situation evokes. It also helps that Holland’s performance is grounded in a story filmed on a soundstage and on location in Glasgow, which surprisingly makes a convincing enough New York City. Superhero movies like this will always demand green screen and CGI work, but they’re not so overwhelming here that the film fails to be immersive, which seems to be a big reason for the superhero fatigue among fans. ![tom holland and mark ruffalo spider-man brand new day](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/spider-man-bnd-tom-holland-mark-ruffalo.webp) Peter (Tom Holland) and Bruce Banner (Mark Ruffalo) talk biochemical engineering. Photo courtesy of Columbia Pictures *Brand New Day* is the most visually pleasant I’ve seen an MCU film look since Jake Schreier’s *[Thunderbolts](https://rollingstonephilippines.com/culture/film-tv/marvel-thunderbolts-review/ "‘Thunderbolts*’ Could Be The Start of Marvel’s Redemption Arc")*. The cinematography is no work of Andrew Droz Palermo’s. But between shots of the streets alive with everyday New Yorkers and first-person shots of Peter swinging building to building, I felt as though *Spider-Man* could happen in the same universe as HBO’s *Girls*. It’s been nine years since *Homecoming* came out, and after watching Holland in *[The Odyssey](https://rollingstonephilippines.com/tag/the-odyssey/ "The Odyssey")*, I thought that he had to do more projects outside Marvel. But with heartfelt storytelling, immersive visuals, and action that keeps you on the edge of your seat, Cretton brings us a Spider-Man that is at once refreshed and familiar. *Spider-Man: Brand New Day* has restored my faith in the MCU. ## Frequently Asked Questions ### Who directed *Spider-Man: Brand New Day*? Destin Daniel Cretton, known for *Shang-Chi and the Legend of the Ten Rings*, directed *Spider-Man: Brand New Day*, taking over from the previous director, Jon Watts, for this MCU installment. ### What is *Spider-Man: Brand New Day* about? *Spider-Man: Brand New Day* follows Tom Holland’s Peter Parker grieving his Aunt May’s death while living anonymously after erasing himself from his friends’ memories in the previous film. Amid his grief, he must navigate a transformation in his powers and quell a new threat in New York City. ### Does *Spider-Man: Brand New Day* address the superhero fatigue MCU fans experience? The review argues Destin Daniel Cretton’s grounded storytelling, practical location filming in Glasgow, and restrained visual effects distinguish it from recent MCU releases criticized for unappealing visuals using the Marvel heroes as a cash grab. ### Which Marvel characters appear in *Spider-Man: Brand New Day*? The film features Jon Bernthal’s Punisher, Florence Pugh’s Yelena, Mark Ruffalo’s Hulk, and Michael Mando’s Scorpion, alongside new castmates Tramell Tillman and Sadie Sink. The Hand also makes an appearance. ### Where was *Spider-Man: Brand New Day* filmed? Production took place on soundstages and on location in Glasgow, Scotland, which director Destin Daniel Cretton used to convincingly stand in for New York City. Related Stories - [Why The Marvel Cinematic Universe is Flopping, and What Keeps Filipino Fans Loyal](https://rollingstonephilippines.com/culture/film-tv/marvel-cinematic-universe-flopping-filipino-fans-loyal/ "Why The Marvel Cinematic Universe is Flopping, and What Keeps Filipino Fans Loyal") - [‘Thunderbolts\*’ Could Be The Start of Marvel’s Redemption Arc](https://rollingstonephilippines.com/culture/film-tv/marvel-thunderbolts-review/ "‘Thunderbolts*’ Could Be The Start of Marvel’s Redemption Arc") - [Steve Lacy Spoils ‘Spider-Man: Brand New Day,’ Faces Nerd Crash-Outs](https://rollingstonephilippines.com/culture/film/steve-lacy-spoils-spider-man-brand-new-day/ "Steve Lacy Spoils ‘Spider-Man: Brand New Day,’ Faces Nerd Crash-Outs") **Categories:** Culture, Film, Reviews **Tags:** Destin Daniel Cretton, Marvel, Spider-Man: Brand New Day, tom holland --- ### [Dulaang UP Reexamines Its Legacy Ahead of Its 50th Season](https://rollingstonephilippines.com/culture/theater/dulaang-up-50th-anniversary/) **Published:** July 29, 2026 **Author:** Emil Hofileña **Excerpt:** National Artist Tony Mabesa founded and built the reputation of Dulaang UP, the state university’s official theater group. But since his passing, his successors have struggled to find a singular path forward **Content:** The king lifts his hands in victorious song. Surrounding him, his queen and the villagers of Fuente Ovejuna raise their voices to the dim, rust-colored sky. The village is celebrating both their killing of a tyrannical commander who had been terrorizing them, and King Ferdinand’s mercy in pardoning them for their uprising. Until a new commander can be appointed, the king says, Fuente Ovejuna will remain under direct supervision of the crown. The music reaches its crescendo — a happy ending for the king’s vassals for exercising prudence and banding together to dispense their own justice. But as the theater darkens, the red and black that linger on stage can’t help but appear sinister; for a moment, the future of the village feels uncertain, back in the same position where they started. This was the final image directed by Antonio “Tony” Ocampo Mabesa, [National Artist](https://rollingstonephilippines.com/culture/who-should-be-a-national-artist/ "Who Should be a National Artist?") for Theater. The production was Spanish playwright Lope de Vega’s early 17th-century work *Fuente Ovejuna*. In keeping with the classic style of Dulaang Unibersidad ng Pilipinas — established in 1976 by Mabesa, who served as its founding artistic director until 2001 — the play was performed both in English and in a Filipino translation by Nicolas Pichay by the same cast. Mabesa never got to see his final directorial credit open to the public. He passed away on October 4, 2019, about a month before the opening performance, at the age of 84. The tributes that followed and continue to be made in his honor only solidify his legacy as the “Lion of the Theater,” in the words of the late writer and cultural critic Amadis Ma. Guerrero. And in 2022, Mabesa was finally posthumously conferred the title of National Artist, recognizing his prolific career as educator, director, and actor, and his commitment to the craft. But in the wake of his passing, Dulaang UP (or DUP, for short) — Mabesa’s bastion of classical theater, and proving ground for generations of budding theater practitioners at the University of the Philippines (UP) Diliman — finds its traditions not so set in stone. The company has gone through constant, gradual change over the decades, especially with its approach to its student collaborators, and as it arrives at its 50th anniversary, the juncture where DUP finds itself appears all the more crucial. There is cause for much celebration, of course, but also a call for reckoning with the qualities it hopes to change, introduce, and sustain stepping forward into the darkened stage ahead. “Mediocrity has no place in the theater.” National Artist for Theater Tony Mabesa DUP was established as the production arm of UP Diliman’s Department of Speech Communication and Theatre Arts (DSCTA), with a focus on staging classical texts and their Filipino translations. Complementing DUP are the UP Playwrights’ Theatre (also founded by Mabesa in 1986; now renamed DUP Playwrights) and UP Dulaang Laboratoryo, which produce original Filipino works and student thesis productions, respectively. But even from its very first production — William Shakespeare’s *Much Ado About Nothing*, also translated into Filipino by Lilia F. Antonio as *Pagkahaba-haba man ng Prusisyon* — DUP has distinguished itself as a directors’platform. “If you look at the history of DUP, Sir Tony wasn’t dictating what the other directors were going to do. Kasi in other companies, if you’re an artistic director, you choose the lineup of plays that’s going to be staged in a season,” says Issa Manalo Lopez, who served as artistic director from 2022 to 2025. “Parang nakita mo kung paano na-develop ‘yung director’s practice. Lalo siyang napapatalas dahil allowed ‘yung mga directors to choose whatever ways of making ‘yung gusto nilang i-pursue or i-develop.” ![Fuente Ovejuna](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/intext-DUP-Scene-Shot-Fuente-Ovejuna.webp) *Fuente Ovejuna* (2019) was the last Tony Mabesa-directed Dulaang UP production. The list of artists across Filipino film, television, and theater who received their formation through DUP’s semi-professional environment is a long one: Irma Adlawan, Shamaine Centenera-Buencamino, Dolly de Leon, Eugene Domingo, Cedrick Juan, Chito Roño, and JC Santos are just a fraction of the pool of talent that the company has produced. And even more recognizable names in Philippine art and entertainment have collaborated with DUP in its decades of theater-making. Among dozens of others, Jackie Lou Blanco, Laurice Guillen, Mario O’Hara, Joel Lamangan, Cesar Montano, Leo Rialp, and Romnick Sarmenta all have DUP credits to their names — additional proof of the company’s legitimacy as a theater company, and not merely a student club. And DUP did bloom early on as a showcase for strong directorial voices, including those of Anton Juan, Jr., Ogie Juliano, Amiel Leonardia, and José Estrella (who directly succeeded Mabesa as artistic director from 2001 to 2007) — highly influential theater directors whom Lopez affectionately refers to as “mga lola.” Under them and many others, DUP’s repertoire of classical works has expanded to a dizzying variety, covering Greek and Roman texts as well as playwrights from across the Western canon: Bertolt Brecht, Anton Chekhov, Henrik Ibsen, Arthur Miller, August Strindberg, Tennessee Williams, and many others. “Ang ganda-ganda ng suggestion ni Professor Amiel Leonardia: dapat sana in the four years of a UP student’s life, ‘yung malawak na representation ng world theater ma-experience ng bata,” recalls Jina Umali, who served as DUP’s managing director for one year until 2002. “So it cannot be all German plays in one season, it cannot be all English plays. Maybe one from the West, one Asian, one Filipino. I thought it was a very good idea.” Umali, who completed her doctorate in Japanese Literature at Doshisha University in Kyoto, went on to co-direct *Kanjinchō* with Mabesa in 2003 — the first all-Filipino production of a Japanese kabuki play, presented in both Filipino and the original Nihongo. It took six months of rehearsals, with the performers — both student and professional actors — spending the first three months learning the traditional form by replicating a Kanjinchō video before Japanese masters came in to help. Still more plays across DUP’s 50 years are remembered fondly by the company’s former stewards. Lopez cites *Orosman at Zafir*a, directed by Dexter M. Santos (artistic director from 2015 to 2018); and Estrella’s productions of Divina Palabras, *Ang Dalagita’y ‘Sang Bagay na Di-Buo*, and the children’s play *Umaaraw, Umuulan, Kinakasal ang Tikbalang*. Banaue Miclat (artistic director from 2018 to 2021) also recalls starring in another DUP children’s play, *Ang Damit ng Emperado*r, when she was a high schooler, before becoming a regular performer for the company in college. In particular, Miclat became a part of DUP’s Philippine Centennial plays, which included *Elias at Salome and The Trial of Andres Bonifacio (Ang Paglilitis)* — directed by Alexander Cortez (artistic director from 2009 to 2015), and which toured the country for two years with over 200 performances. In her career with DUP, Miclat also found herself in an especially unique if unwanted position: finishing work on Mabesa’s final project. “He blocked the whole play in one week. I took over finishing the production of *Fuente Ovejuna*, but I told the Dulaang UP office, just put my name in the program, don’t put it in the poster because it’s his last play,” she says. “It was a difficult production. Everyone was mourning in their own way, so that was a dark time.” ![tony mabesa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/intext-Sir-Tony-Mabesa-3.webp) National Artist for Theater Tony Mabesa To mourn Mabesa’s passing is, in a way, to also mourn the loss of the pure, direct manner with which he approached classical theater. *Fuente Ovejuna* provides just a small window into his imposing body of work, but the fundamentals can all already be seen here: no unnecessary flourishes, a fierce devotion to delivering the text, and — as Nicodemus Varona (managing director from 2022 to 2023) says in Mabesa’s own words — precise, “sacrosanct” blocking. Given that DUP is an extension of a university department meant to provide a high standard of education, it only follows that Mabesa would demand absolute rigor from his students. Staging these plays should require the necessary effort to preserve their reputation as classics. Varona had the privilege of being directed by Mabesa in the 2018 production of Luigi Pirandello’s *Six Characters in Search of an Author*, where he remembers the late National Artist telling the cast, “‘Mediocrity has no place in the theater.’ Nasabi talaga niya ‘yun kasi may time na na-fru-frustrate na siya with our rehearsals.” Mabesa had stressed that they couldn’t afford to do things half-heartedly — that excellence was demanded of them because they weren’t just doing theater for themselves but for their audience. But for others, Mabesa’s passing also emphasized a shift in how DUP had changed since the beginning, especially in how the strictness of the methods employed by Mabesa and other directors has since been reassessed as excessive. “He expected a lot out of people. He was very, very intelligent, and he expected intelligence from people in his own way,” Miclat says. “So when he wouldn’t see that, it would drive him into different levels of showing anger. It filtered those who were passionate enough about theater that we would want to push through that kind of exposure, and then there were those who were not meant for those kinds of ways.” “DUP is also known for horror stories about pinagmumura ‘yung mga actors, ‘yung mga estudyante, binabato ng mga silya, mesa,” Lopez adds, recognizing that the older directors who behaved this way were products of how they were raised in their generation. In later years, Mabesa would “only” throw shoes or mugs at people, in addition to the shouting and swearing. However, Miclat clarifies that, unlike other directors of that generation who would remain actively aloof throughout rehearsals, Mabesa is still patient and amicable. And when all was said and done, Varona says, Mabesa would keep his compliments and congratulations to a minimum, save for a rare utterance of “good job” and a pat on the back. For those closer to Mabesa’s generation, among whom this sort of rigorous training wasn’t as frequently openly challenged — if not seen as a kind of “tough love” — the camaraderie and discipline earned through these heated moments were still worth it. “Hindi kami nalibre sa mga pagalit at sigaw,” Umali says. “But after rehearsals, minsan sama-sama kaming kumakain sa labas kasama si Sir Tony. Nagbibiruan kami, and we would even joke with him about the times he got mad at us. Walang gaping wound — we considered it part of the learning process.” Despite some heated moments, camaraderie was still forged among those involved. “It always confronts things. You’re at a precipice. And it’s always a negotiation.” Issa Manalo Lopez, former Dulaang UP artistic director Still, in recent times, with a growing awareness of workplace abuse worldwide and a sustained call for safer spaces in the creative industries, those who assume leadership at DUP are also called to examine the company’s established culture, even if that means speaking more frankly about the contradictions of its heroes. It isn’t an easy conversation to have, especially amid the profound sense of loss that the community is still working through today. For Umali, the changes that DUP has been undergoing have been more challenging to reconcile with. “It’s very sad na ‘yung last years ni Sir Tony, the kind of discipline na in-instill niya, hindi na-translate properly sa next generation,” she says. Umali describes a sort of “schism” within the company, and a need to bridge the divide between the DUP of the past and the DUP being developed today. At a certain point during our video interview, Umali takes off her glasses to wipe away her tears. “Miss ko si Sir Tony,” she says. “I still owe him a publication of the *Kanjinchō* book.” Traditions and technique don’t seem to be the only things at stake; there are still unpaid debts and unfulfilled ideas attached to these memories of the old DUP, at risk of being lost if too much changes. But change had to come one way or another for such an established institution. DUP’s succeeding artistic directors after Mabesa have gone through cycles of implementing more student-friendly practices — ending rehearsals at earlier times, drafting guidelines that ensure DUP remains a productive learning environment in line with the Safe Spaces Act, and providing opportunities for greater student involvement in the productions through more devised work. This comes in contrast to DUP’s original style, often led by the professional artists, with students commonly only acting as assistants or, as Lopez jokingly says, “aliping sagigilid.” She refers to Estrella’s “revolutionary” 2002 production of *Divinas Palabras* as the first time she felt that DUP’s student artists were regarded as equals to the professionals involved. Lopez began to observe how great an influence the older directors had on her, as she started adopting the same kinds of images and language from DUP productions in her own Dulaang Laboratoryo works. “And later on, when we went out \[of DUP\], na-realize namin even the way that we were working in the theater was shaped by how the mentors taught us. And they were not all right,” she recalls. “Andun ‘yung violence, andun ‘yung paninigaw, pagmumura. And then we realized paglabas namin na hindi ‘yun ‘yung tamang paraan ng paggawa. We retained the discipline, we retained striving for excellence, pero ‘yung empathy at tsaka ‘yung softness and caring for people you work with, ‘yun ‘yung kind of natutunan na namin outside.” No matter how one feels about the right balance of strictness and softness when staging a play or running a theater company, Lopez acknowledges, however, that the practice of theater itself is “not safe” — especially in DUP, whose works often seek to respond to the current social and political climate. “It always confronts things. You’re at a precipice. And it’s always a negotiation,” she says. ![atang](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/intext-DUP-Scene-Shot-Atang-2.webp) *Atang* (2008) written by Floy Quintos and directed by Alexander Cortez Whether they stage classics as a way to echo contemporary concerns, or original works that can more immediately address ongoing issues, political plays from UP are always thoroughly developed — with productions going through the approval of an advisory council, then being staged in association with relevant partner organizations, at times with talkback sessions after performances to help process the ideas being discussed. In recent years, the DUP Ensemble performed in the UP Playwrights’ Theatre 2019 production of *Nana Rosa*, written by Rody Vera and directed by Estrella — following the first Filipino comfort woman to publicly come forward with her experiences of sexual slavery in World War II. Then in 2024, Vera adapted Brecht’s *Mother Courage and Her Children* into the Herbie Go-directed *Nanay Bangis*, which moves the play’s context to the conflict between the Philippine military and the Moro National Liberation Front. And in one of their especially popular offerings, in late 2022, DUP returned to the stage following the COVID-19 pandemic with *The Reconciliation Dinner*, written by the late Floy Quintos and directed by Dexter Santos. The one-act play explores how the results of the presidential elections have fractured the bond between one family supporting [Leni Robredo](https://rollingstonephilippines.com/tag/leni-robredo/ "Leni Robredo") and another supporting Bongbong Marcos. However, while DUP has been able to clearly and confidently express these stances in support of the oppressed and marginalized and against totalitarianism and dictatorships, the company has also faced controversy. In 2019, in particular, Irene Marcos-Araneta attended the opening performance of DUP’s *The House of Bernarda Alba*, directed by Alexander Cortez, prompting a flash protest during the production’s intermission and after the show. Criticism from the extended UP community — accusing DUP of taking the presence of a Marcos too lightly in the historically anti-authoritarian state university — prompted the company to issue an apology. With this incident still lingering in the memory, with unexpected layoffs at the DSCTA just last year, and with a 50-year legacy of harshness and excellence still in the process of being reassessed, this intersection is where DUP’s current leaders find themselves today. But for artistic director Arlo Deguzman and managing director Roger Federico — who assumed their positions in 2025 — their relative distance from the company may be the thing that gives them the perspective they need to carve a path forward. “In theater, it’s not a race, it’s actually a marathon; you need stamina.” Arlo Deguzman, Dulaang UP Artistic Director An alumnus of the Theater Arts program, Deguzman considers himself “a newcomer but an old joiner,” having watched DUP plays since he was in the fifth grade but having spent considerable time abroad — teaching at New York University Abu Dhabi and completing his master’s degree at University of the Arts London. Meanwhile, Federico has his roots in the University of Baguio, and his theater experience is informed by devised and non-professional community theater work in the Cordillera Region. And to them, Mabesa is not a person they’ve necessarily had close personal interactions with, but he remains someone whom they consider a fearsome figure, an invaluable educational source on theater techniques, and the very genesis of the company they serve. ![intext-DUP-Scene-Shot-Angry-Christ-1](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/intext-DUP-Scene-Shot-Angry-Christ-1.webp) *Angry Christ* (2017) written by Floy Quintos and directed by Dexter M. Santos Assuming these positions within DUP doesn’t necessarily mean being given the opportunity to do anything they want with the company; it also means inheriting all the limitations and challenges that need to be addressed. Deguzman is much more student-centered in his management, having already given them opportunities to direct DUP productions in the regular season, but he also acknowledges the need to return to a stronger internal theater culture. “‘Yung challenge ngayon ay disiplina actually e,” he says. “In theater, it’s not a race, it’s actually a marathon; you need stamina.” On the other hand, Federico is focused on the potential for an even stronger community within DUP, then expanding that community beyond Manila’s borders, positioning the company at the forefront of addressing issues in the regions as well. The projects that he and Deguzman aspire toward (budget and timetables willing) range from a regional theater festival and the staging of indigenous classics right alongside DUP’s revivals of Western plays — to the introduction of smaller rituals among the students, such as “anido” bonfires and the construction of a “dap-ay,” or a stone-paved communal space, in the vicinity of the Ignacio B. Gimenez (IBG)–KAL Theater. “Para there is a traditional space where storytelling happens, and of course a contemporary space where theater happens,” Federico says. There is a long way to go yet before these ambitions take tangible shape and before the right balance is struck between a culture of care and discipline within DUP. And if their recently concluded 48th season is any indication, Deguzman and Federico are certainly still in the middle of making sense of their personal histories and the hand they’ve been dealt. Their latest production, *Ang Kaliitan ng Kasalukuyan*, is written and directed by Deguzman himself, and draws heavily from his experiences working as an OFW while struggling to determine his own responsibility towards the Philippines. Their first production for the 48th season was entitled *Para Kay Tony: Tungo sa Ginintuang Alaala*, a twin bill consisting of *Kalahating Oras sa Isang Kumbento and May Katwiran ang Katwiran*, two Filipino classics directed with surprising assurance by students Lloyd Sarmiento Uy and MJ Briones, respectively. Both deal with the oppression of the vulnerable at the hands of harsh authority figures. In the shadows of the cavernous IBG-KAL Theater, these stories play out with the lowly losing their lives and the powerful either watching on in horror or getting away with their crimes. From an outsider’s perspective, having plays of this nature packaged as a tribute risks coming off as odd, backhanded. But for those who’ve come to know DUP, all its rough edges, contradictions, and vast potential, it can’t help but make sense. The truth is in the uncertainty. **ERRATUM** *An earlier version of this piece had a quote attributed to Prof. Jina Umali that did not portray a full representation of the context. It has since been removed for this digital version.* *This story first appeared in the [Rolling Stone Philippines Voices Issue](https://rollingstonephilippines.com/tag/rolling-stone-philippines-voices/ "Rolling Stone Philippines Voices Issue"), now available on [Sari-sari Shopping](https://www.instagram.com/sarisari_shopping/) and in major newsstands soon.* More from the Rolling Stone Philippines Voices Issue - [At NBS Park, Art, Dining, Design, and Leisure Take Up Equal Space](https://rollingstonephilippines.com/culture/nbs-park-pioneer/ "At NBS Park, Art, Dining, Design, and Leisure Take Up Equal Space") - [Scratch is Rising to the Occasion as a Makati Favorite](https://rollingstonephilippines.com/culture/food/scratch-makati-brunch-spot-ralph-sy-charlene-ng/ "Scratch is Rising to the Occasion as a Makati Favorite") - [Kawayan de Guia and the Little Americas of Not So Plenty](https://rollingstonephilippines.com/culture/art/kawayan-de-guia-little-americas-of-not-so-plenty/ "Kawayan de Guia and the Little Americas of Not So Plenty") **Categories:** Culture, Theater **Tags:** Dulaang UP, Rolling Stone Philippines Voices, Tony Mabesa --- ### [Alex Eala Faces Fellow Lefty Filipino Canadian Leylah Fernandez at DC Open R16](https://rollingstonephilippines.com/culture/sports/alex-eala-vs-leylah-fernandez-dc-open/) **Published:** July 29, 2026 **Author:** Christian San Jose **Excerpt:** Eala powers past former Chinese No. 1 Qinwen Zheng in Washington debut. She must now beat the defending champion Fernandez for a spot in the last 8 at the Mubadala DC Open **Content:** [Alex Eala](https://rollingstonephilippines.com/tag/alex-eala/ "alex eala") comes back from a set down to defeat former world No. 4 and Paris Olympics gold medalist Qinwen Zheng at the Mubadala DC Open Round of 32. Now, she must move past Filipino Canadian, fellow lefty, and defending champion Leylah Fernandez to book a spot in the quarterfinals. This will be Eala and Fernandez’s second meeting after their first match in Stuttgart back in April, where the Filipino Canadian beat then-20-year-old tennis ace in straight sets. It will be an interesting match-up as both Eala and Fernandez play left-handed. In their only previous encounter, Fernandez dominated Eala (6-1, 6-4). In the post-match interview after her win against Zheng, Eala was asked about her expectations in the lead-up to her second outing with Fernandez, who beat two top 5 players on the way to the title (Jessica Pegula and Elena Rybakina). “I’m expecting a tough match. I’m excited, and I know I have to bring what I have,” said Eala. Eala herself has had quite a run on grass leading up to the hard court swing in the U.S. She made it to the finals in Birmingham, the semis in Berlin, and the fourth round of [Wimbledon](https://rollingstonephilippines.com/culture/sports/alex-eala-wimbledon-debut/ "Alex Eala Stages Grass Comeback in Wimbledon Debut vs. Defending Champion"), after she beat former world No. 1 [Iga Swiatek](https://rollingstonephilippines.com/culture/sports/alex-eala-iga-swiatek-miami-open-stats/ "How Does Alex Eala Measure Up to Iga Swiatek? Here are the Stats") in straight sets in the third round. Fernandez, after moving past the Polish Magda Linette in the previous round, awaited the winner between Eala and Zheng. In an interview, she said, “Both are coming off with great confidence, and either player is gonna be a tough match for myself. I’m just gonna focus on my own game and what I can do to neutralize them and make them uncomfortable.” Eala vs. Fernandez at the Mubadala DC Open Round of 16 will be on July 29, 11 p.m. (Philippine Time). ## Frequently Asked Questions ### What is Alex Eala’s current WTA ranking? Alex Eala is currently ranked 28th in the WTA rankings. ### What is Alex Eala and Leylah Fernandez’s head-to-head? Fernandez leads 1-0 after beating Eala in their only encounter at the Stuttgart Open in April. ### What are Alex Eala and Leylah Fernandez’s similarities? Alex Eala is Filipino while Leylah Fernandez is of Filipino descent, as her mother is Filipino Canadian. Game-wise, both play left-handed. ### When will Alex Eala face Leylah Fernandez at the DC Open? Alex Eala and Leylah Fernandez will face off in the Round of 16 at the DC Open on July 29, 2026, 11 p.m. (Philippine Time). ### What’s at stake in the Eala vs. Fernandez match in DC? Fernandez is looking to defend her title in DC while Eala hopes to advance to the quarterfinals in her debut at the Mubadala DC Open. **Categories:** Culture, Sports **Tags:** alex eala --- ### [Fred Again.. and Latin Mafia Are Making a Mixtape and Livestreaming the Entire Process](https://rollingstonephilippines.com/music/fred-again-latin-mafia-mixtape-livestream-youtube/) **Published:** July 29, 2026 **Author:** Lucas Villa **Excerpt:** The livestream will only end when they finish recording their latest collab **Content:** [Latin Mafia](https://rollingstonephilippines.com/tag/latin-mafia/ "Latin Mafia")’s revolution with [Fred Again](https://rollingstonephilippines.com/tag/fred-again/ "Fred Again").. will be livestreamed. The Mexican trio has linked up with the global DJ to put the finishing touches on their joint mixtape. All the action is now being captured in a YouTube livestream. “Without a doubt, \[Fred Again..\] is one of the brightest musical minds that we have met,” Latin Mafia’s Milton de la Rosa tells *[Rolling Stone](https://rollingstonephilippines.com/tag/rolling-stone/ "Rolling Stone")* before the livestream. “It’s been a crazy experience to work with him because he’s a very talented person.” Latin Mafia went on Fred’s radar after he declared himself a fan of their debut album, 2024’s [*Todos Los Días Todo El Día*](https://www.rollingstone.com/music/music-latin/latin-mafia-interview-todos-los-dias-todo-el-dia-1235155412/). Since then, he had them over at his home in London, where they have also hung out with and worked on music with Fred’s close collaborator and brother Benjy Gibson. Latin Mafia includes Milton and his brothers Emilio and Mike, so this project has been a family affair. “They’re very good people,” Emilio says. “We love them so much. I would dare to say that they’re close friends of ours.” With both Latin Mafia and Fred’s music rooted in emotions and the human experience, this is the perfect crossover collaboration. In a recent Instagram post, Fred gushed about them. “\[Latin Mafia\] are makin some of my favourite music in the world right now,” he wrote. “It’s so beautiful but surprising but contained but adventurous.” Last December, Latin Mafia joined Fred for the last show of his USB002 Tour in Mexico City. Before the concert, they recorded an audiovisual performance called *Under the Fabric (Mexico City, 11th December 2025)*, which is a taste of their upcoming mixtape. Following a one-day premiere at the Cine Tonalá in Mexico City, the short film is now streaming on YouTube. “It’s very fun to make music with \[Fred and Benjy\], but it’s also demanding in a way because we have to follow their rhythm,” Mike adds. “They’re quick and very good at what they do. We like to work with them because we challenge ourselves to be on their level.” The end of *Under the Fabric* ended with today’s date, July 28. That was a hint to Latin Mafia and Fred meeting up in Mexico City, where they’re currently holed up in a studio with Benjy. Since this afternoon, they are livestreaming the whole creative process on YouTube. The three-day livestream won’t end until they’re done recording their highly-anticipated mixtape. This latest ambitious project with Fred comes on the heels of Latin Mafia [partying with Rosalía](https://www.rollingstone.com/music/music-latin/rosalia-latin-mafia-collab-1235459076/) and collaborating with acts like Kevin Abstract, Dominic Fike, Álvaro Diaz, Tainy, and Yandel. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-latin/fred-again-latin-mafia-mixtape-livestream-youtube-1235600186/).* Related Stories - [18 Filipino Dance Tracks That Capture the Spirit of Queerness](https://rollingstonephilippines.com/editors-picks/lists/18-queer-filipino-dance-tracks/ "18 Filipino Dance Tracks That Capture the Spirit of Queerness") - [BABY FREEZE Keeps it Unserious in the Pinoy Hip-Hop Scene](https://rollingstonephilippines.com/music/hiphop-rnb/baby-freeze-unserious/ "BABY FREEZE Keeps it Unserious in the Pinoy Hip-Hop Scene") - [Producer obese.dogma777 on ‘Post-Budots’ and Filipino Electronic Music](https://rollingstonephilippines.com/music/producer-obese-dogma777-post-budots-filipino-electronic-music/ "Producer obese.dogma777 on ‘Post-Budots’ and Filipino Electronic Music") **Categories:** Music **Tags:** Fred Again, Latin Mafia --- ### [Steve Lacy Spoils ‘Spider-Man: Brand New Day,’ Faces Nerd Crash-Outs](https://rollingstonephilippines.com/culture/film/steve-lacy-spoils-spider-man-brand-new-day/) **Published:** July 29, 2026 **Author:** Brian Hiatt **Excerpt:** The identity of Sadie Sink’s character in the new Spider-Man movie is top secret, but Lacy may not have known that **Content:** Spider-Man has faced a long list of villains since his creation in 1963, from the well-known (Dr. Octopus, Green Goblin) to the totally ridiculous (The Hypno-Hustler, Videoman). But the latest addition to the list was beyond the imagination of even comic-book creators: [Steve Lacy](https://rollingstonephilippines.com/tag/steve-lacy/ "Steve Lacy"). Yes, that Steve Lacy, of “Bad Habit” fame, who just released his [excellent](https://www.rollingstone.com/music/music-album-reviews/steve-lacy-oh-yeah-album-review-1235594783/) third album, *Oh Yeah?* The identity of Sadie Sink’s character in *[Spider-Man: Brand New Day](https://rollingstonephilippines.com/tag/spider-man-brand-new-day/ "Spider-Man: Brand New Day")*, out Friday (which features the title track of Lacy’s new album), has been a tightly guarded secret. But someone may have forgotten to tell Lacy, who, to be fair, is probably busy promoting his album. During a red carpet interview that appeared on the movie premiere’s official livestream, an interviewer asked Lacy what character in the movie he was most excited about — and specified no spoilers. > BRAND NEW DAY POTENTIAL SPOILERS: steve lacy just spoiled a major character and plot point dawgggggg [pic.twitter.com/mHP3mzr1JE](https://t.co/mHP3mzr1JE) > > — juan (@JuanEditzs) [July 28, 2026](https://x.com/JuanEditzs/status/2081922366213374127?ref_src=twsrc%5Etfw) In his answer, Lacy casually dropped the name of Sink’s character, and went into detail about her role. The interviewer visibly panicked, and fans all over social media went bananas — jokes about Lacy’s impending assassination at the hands of Marvel Studios President Kevin Feige abounded. > Here's what Destin Daniel Cretton told me about Sadie Sink's secret Spider-Man character. (I showed up with no idea the video was on camera. Gotta roll with it.) [pic.twitter.com/kAkowJDcn2](https://t.co/kAkowJDcn2) > > — Brian Hiatt (@hiattb) [July 23, 2026](https://x.com/hiattb/status/2080398079778271738?ref_src=twsrc%5Etfw) In a recent [interview ](https://www.rollingstone.com/tv-movies/tv-movie-features/spider-man-brand-new-day-interview-director-tom-holland-1235595446/)with *Rolling Stone*, *Brand New Day* director [Destin Daniel Cretton](https://rollingstonephilippines.com/tag/destin-daniel-cretton/ "Destin Daniel Cretton") explained why Sink’s character was kept secret — and why he wasn’t worried about fans’ reactions if they found the answer satisfying. “If people are gonna get mad, I can’t control that,” he said. “I wish *everything* was a secret. Some people wanna know everything, and some people don’t. There are certain people like me — if I know I’m gonna watch a movie, I try not to even watch the trailers. But you’ll see when you watch the movie that there’s a very real reason not to tell people who Sadie Sink is playing. And I don’t think you’ll get mad at it. I think you’ll be like, ‘Oh, I’m glad I didn’t know that.’” *This story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-news/steve-lacy-spoils-spider-man-brand-new-day-1235599804/).* Related Stories - [Spider-Man Gets Emotional in New Clips from ‘Brand New Day’ and ‘Beyond the Spider-Verse’](https://rollingstonephilippines.com/culture/film/spider-man-movies-new-clips/ "Spider-Man Gets Emotional in New Clips from ‘Brand New Day’ and ‘Beyond the Spider-Verse’") - [The ‘Spider-Man: Brand New Day’ Trailer Just Broke a Record](https://rollingstonephilippines.com/culture/film/spider-man-brand-new-day-trailer/ "The ‘Spider-Man: Brand New Day’ Trailer Just Broke a Record") - [2026 is the Year of Iconic Movie Comebacks and Franchise Wars](https://rollingstonephilippines.com/culture/2026-in-movies-hilda-koronel-doomsday/ "2026 is the Year of Iconic Movie Comebacks and Franchise Wars") **Categories:** Culture, Film **Tags:** Destin Daniel Cretton, Spider-Man: Brand New Day, Steve Lacy --- ### [NCT 127 Celebrates 10th Anniversary With New Album ‘BLINGY’](https://rollingstonephilippines.com/music/pop/nct-127-blingy-10th-anniversary-album/) **Published:** July 28, 2026 **Author:** Elijah Pareño **Excerpt:** The seven-member group returns with a nine-track release as part of its decade-long celebration, following a year of major changes **Content:** Sub-unit [NCT 127](https://rollingstonephilippines.com/tag/nct-127/ "NCT 127") announced their upcoming seventh album, *BLINGY*, on social media. SM Entertainment announced that the nine-track album will be released on August 24. The album will be part of the seven-member group’s celebration of its 10th anniversary since debuting in 2016 as an [NCT](https://rollingstonephilippines.com/tag/nct/ "NCT") sub-unit. NCT 127 is known for releasing a genre-spanning lineup of singles such as “Fire Truck,” “Cherry Bomb,” “Regular,” and “Fact Check,” to name a few. > [View this post on Instagram](https://www.instagram.com/reel/DbQrPN2pm-w/?utm_source=ig_embed&utm_campaign=loading)[A post shared by NCT 127 Official Instagram (@nct127)](https://www.instagram.com/reel/DbQrPN2pm-w/?utm_source=ig_embed&utm_campaign=loading) Last April, NCT announced activities celebrating its 10th anniversary, including a pop-up store and an exhibition commemorating the group’s journey. According to *The Korea Herald*, SM Entertainment announced a rollout of album releases from its respective NCT units (NCT 127, WayV, NCT Dream, and NCT Wish). In addition to that, both NCT 127 and WayV will embark on tours, while NCT Dream will hold a fan meeting. *BLINGY* will be NCT 127’s first album since former members Mark and Winwin left the group and SM Entertainment. Mark departed last April and Winwin followed last July. Other members Johnny, Taeyong, Yuta, Doyoung, Jaehyun, Jungwoo, and Haechan extended their contracts on July 15. NCT 127’s last album, *WALK*, was released in 2024. ## Frequently Asked Questions ### Who is in NCT 127? NCT 127 currently consists of Johnny, Taeyong, Yuta, Doyoung, Jaehyun, Jungwoo, and Haechan. ### What are NCT 127’s greatest hits? Some of NCT 127’s best-known songs include “Fire Truck,” “Cherry Bomb,” “Regular,” and “Fact Check.” ### What is the title of the new NCT 127 album? NCT 127’s upcoming seventh album is called *BLINGY*. The nine-track album is scheduled for release on August 24. ### How many years has it been since NCT 127 debuted? *BLINGY* celebrates NCT 127’s 10th anniversary. The group debuted in 2016 as an NCT sub-unit. ### Who left NCT? Former members Mark and Winwin have left NCT and SM Entertainment. Mark departed in April 2026, while Winwin concluded his activities in July 2026. Related Stories - [25 Best Filipino Love Songs Across Generations](https://rollingstonephilippines.com/music/25-filipino-love-songs-for-the-emotionally-compromised/ "25 Best Filipino Love Songs Across Generations") - [Fanomenon Wants to Be K-pop’s Answer to Coachella](https://rollingstonephilippines.com/music/pop/fanomenon-kpop-answer-to-coachella/ "Fanomenon Wants to Be K-pop’s Answer to Coachella") - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") **Categories:** Music, Pop **Tags:** NCT 127 --- ### [It’s Oscars Movie Week in Select Philippine Cinemas Now](https://rollingstonephilippines.com/culture/film/oscar-nominated-movies-philippine-cinemas/) **Published:** March 12, 2026 **Author:** Pie Gonzaga **Excerpt:** Need to catch up with this year’s Oscar-nominated films? Select local theaters are showing some Best Picture and Best Animated Feature nominees this week **Content:** To celebrate the [98th Academy Awards](https://rollingstonephilippines.com/tag/oscars-2026/ "Oscars 2026") happening this March 15th, Ayala Malls Cinemas is holding its Oscars Movie Week from March 11 to March 17. Filipino audiences now have the opportunity to watch eight [Oscar-nominated films](https://rollingstonephilippines.com/culture/film/oscars-2026-nominations-full-list/) in select theaters ahead of Hollywood’s biggest night. The selection include six of the 10 Best Picture contenders: *Bugonia*, *[The Secret Agent](https://rollingstonephilippines.com/radar/events/the-secret-agent-fdcp-world-cinema/ "Watch Golden Globe-Winner ‘The Secret Agent’ in PH Cinemas Soon"), [F1: The Movie](https://rollingstonephilippines.com/culture/film-tv/hans-zimmer-f1-the-movie/ "Hans Zimmer on Composing the Film Score of ‘F1 The Movie’")*, *One Battle After Another*, *Sentimental Value*, and *[Sinners](https://rollingstonephilippines.com/culture/film-tv/oscar-winning-composer-ludwig-goransson-on-sinners-soundtrack/ "Oscar-Winning Composer Ludwig Göransson on Making the ‘Sinners’ Soundtrack ")*. Also joining the lineup are Best Animated Feature nominees *Elio* and *Zootopia 2*. Moreover, participants named Oscar S. are entitled to one free ticket to any of the selected films. > [View this post on Instagram](https://www.instagram.com/p/DVuEuc9AQ9-/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Ayala Malls Cinemas (@ayalamallscinemas)](https://www.instagram.com/p/DVuEuc9AQ9-/?utm_source=ig_embed&utm_campaign=loading) While Best Picture nominee *Hamnet* is also currently showing in Ayala Malls Cinemas, it is not part of the Oscars Movie Week lineup. Malls participating in the Oscars Movie week are Glorietta, Makati; Trinoma, Quezon City; Ayala Malls Manila Bay, Parañaque City; and Ayala Malls Central Bloc, Cebu City. The [Academy Awards](https://rollingstonephilippines.com/tag/academy-awards/ "Academy Awards") ceremony, also known as the Oscars, is presented by the Academy of Motion Picture Arts and Sciences and will be hosted once more by comedian [Conan O’Brien](https://rollingstonephilippines.com/tag/conan-obrien/ "Conan O'Brien"). This year’s edition inaugurates the Best Casting category, for which *Hamnet*, *Marty Supreme*, *One Battle After Another*, *The Secret Agent*, and *Sinners* have been nominated. In total, 24 awards are set to be conferred on the morning of March 16 in Philippine time. ## Frequently Asked Questions ### Which films are included in Ayala Malls Cinemas’ Oscars Movie Week lineup? The Oscars Movie Week lineup features six Best Picture nominees—Bugonia, The Secret Agent, F1: The Movie, One Battle After Another, Sentimental Value, and Sinners—alongside Best Animated Feature nominees Elio and Zootopia 2. ### When is Oscars Movie Week held in Philippine cinemas? Oscars Movie Week runs from March 11 to March 17, leading up to the live broadcast of the 98th Academy Awards ceremony. The weeklong event allows local audiences to view major Academy Award contenders on the big screen. ### Which Philippine theaters are screening the Oscar-nominated films? Participating venues include Glorietta in Makati, TriNoma in Quezon City, Ayala Malls Manila Bay in Parañaque City, and Ayala Malls Central Bloc in Cebu City. Selected showtimes cover all eight featured Oscar contenders. ### Is Chloé Zhao’s Hamnet part of the Oscars Movie Week lineup? While the Best Picture nominee Hamnet is currently screening at Ayala Malls Cinemas during the same period, it is distributed as a standalone theatrical release and is not formally packaged within the official Oscars Movie Week festival lineup. ### When do the 98th Academy Awards take place in Philippine time? The 98th Academy Awards ceremony airs live on the morning of March 16, Philippine Time (March 15, US Pacific Time). Hosted by Conan O’Brien, the 2026 edition introduces the newly established Best Casting category. Related Stories - [Oscars 2026: ‘Sinners’ Leads With 16 Nominations](https://rollingstonephilippines.com/culture/film/oscars-2026-nominations-full-list/ "Oscars 2026: ‘Sinners’ Leads With 16 Nominations") - [Here are the Filipinos Who’ve Won Big at the Oscars](https://rollingstonephilippines.com/culture/film/filipinos-who-won-oscars-history/ "Here are the Filipinos Who’ve Won Big at the Oscars") - [5 Questions We Have About This Year’s Oscar Nominations](https://rollingstonephilippines.com/culture/film/oscars-2026-nominations-snubs/ "5 Questions We Have About This Year’s Oscar Nominations") **Categories:** Culture, Events, Film, Radar **Tags:** Academy Awards, Oscars 2026 --- ### [SB19 and BINI Are Now on Weverse. Here’s Why That Matters](https://rollingstonephilippines.com/music/pop/sb19-and-bini-join-weverse/) **Published:** March 12, 2026 **Author:** Elijah Pareño **Excerpt:** Two of the country’s biggest P-pop acts launch communities on HYBE’s fan platform, giving fans direct access to posts, livestreams, and exclusive content **Content:** On March 12, online platform [Weverse](https://rollingstonephilippines.com/tag/weverse/ "Weverse") announced that two P-pop groups are joining the platform, as pioneering P-pop boy group [SB19](https://rollingstonephilippines.com/tag/sb19/ "SB19") and the Nation’s girl group [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI") revealed their plans to debut their own artist communities. The South Korean “super-app” and digital platform developed by [HYBE](https://rollingstonephilippines.com/tag/hybe/ "HYBE") Corporation serves as a one-stop hub for artist-fan engagement, content streaming, and e-commerce since its launch back in 2019. The platform’s current scale is considerable, boasting more than 10 million active monthly users, 100 million cumulative downloads, and over 120 artist communities. It includes K-pop acts like [BLACKPINK](https://rollingstonephilippines.com/tag/blackpink/ "Blackpink"), [SEVENTEEN](https://rollingstonephilippines.com/tag/seventeen/ "SEVENTEEN"), and global stars such as [Ariana Grande](https://rollingstonephilippines.com/tag/ariana-grande/ "Ariana Grande"). > [View this post on Instagram](https://www.instagram.com/reel/DVxOyU_GDCw/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Weverse (@weverseofficial)](https://www.instagram.com/reel/DVxOyU_GDCw/?utm_source=ig_embed&utm_campaign=loading) > [View this post on Instagram](https://www.instagram.com/reel/DVxONB8kxJS/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Weverse (@weverseofficial)](https://www.instagram.com/reel/DVxONB8kxJS/?utm_source=ig_embed&utm_campaign=loading) More artists like Dua Lipa, Megan Thee Stallion, and Conan Gray have also helped expand the platform’s reach. Its reach among audiences has become increasingly visible during major artist moments. In 2024, Jin of [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS") spoke to fans after completing his 18-month military duty; his initial livestream briefly crashed before returning online and drawing more than two million views for a few minutes. With SB19 and BINI joining the platform, the expansion signals a new chapter for the country’s P-pop scene within the global fan community. SB19’s official Weverse launch is set for March 19, while BINI will debut their community on March 16. Members are expected to publish messages and exclusive content while fans leave comments directly on posts, adding another layer of closeness and interaction on the platform. ## Frequently Asked Questions ### What is Weverse and how do artists use the platform? Weverse is a Korean digital platform and super-app developed by HYBE Corporation that provides a centralized ecosystem for artist-fan interaction, official announcements, direct messaging, exclusive video streaming, and e-commerce merchandise distribution for global music acts. ### When are SB19 and BINI officially launching their Weverse artist communities? BINI launched their official artist community on Weverse on March 16, followed by SB19 on March 19. Both communities allow global fans to access direct posts, comments, and exclusive media content from the P-pop groups. ### Why is SB19 and BINI joining Weverse significant for P-pop? Joining Weverse integrates P-pop acts into a global fan infrastructure serving over 10 million monthly active users. It places Filipino artists on the same digital discovery hub as major international acts like BTS, BLACKPINK, and Ariana Grande. ### Which global musical acts are currently on the Weverse platform? Weverse hosts over 120 artist communities, including prominent K-pop groups like BTS, SEVENTEEN, and BLACKPINK, as well as Western pop artists such as Ariana Grande, Dua Lipa, Megan Thee Stallion, and Conan Gray. ### How does Weverse handle artist-fan interaction compared to standard social media? Weverse operates as a dedicated ecosystem where artists publish direct status updates, reply directly to fan commentary in moderated threads, host subscriber-exclusive livestreams, and integrate ticket purchases and official fan club memberships within a single application interface. Related Stories - [5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding](https://rollingstonephilippines.com/editors-picks/lists/5-moments-sb19-rewrote-p-pop-worldbuilding/ "5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding") - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") - [Filipino Musicians and the Uphill Battle of Going ‘Global’](https://rollingstonephilippines.com/editors-picks/features/filipino-representation-southeast-asia-music/ "Filipino Musicians and the Uphill Battle of Going ‘Global’") **Categories:** Music, Pop **Tags:** Weverse --- ### [Almost a Million ENHYPEN Fans Sign Petition to Get Heeseung Back](https://rollingstonephilippines.com/music/pop/heeseung-enhypen-leaves-petition/) **Published:** March 11, 2026 **Author:** Elijah Pareño **Excerpt:** A petition calling for the vocalist to remain in the group while pursuing solo work has gathered over 700,000 signatures **Content:** [Heeseung](https://rollingstonephilippines.com/tag/heeseung/ "Heeseung") will leave [ENHYPEN](https://rollingstonephilippines.com/tag/enhypen/ "ENHYPEN") to pursue a solo career, according to an announcement from Belift Lab on March 10. The label said the decision came after “much thought and consideration” about the group’s future and conversations with each member about their individual creative directions. > [View this post on Instagram](https://www.instagram.com/p/DVsjIjWk6zG/?utm_source=ig_embed&utm_campaign=loading)[A post shared by LEE HEESEUNG 이희승 (@enhypen\_heeseung)](https://www.instagram.com/p/DVsjIjWk6zG/?utm_source=ig_embed&utm_campaign=loading) Shortly after the announcement, a [petition](https://www.change.org/p/allow-heeseung-to-pursue-solo-activities-without-leaving-enhypen?recruiter=1404765037&recruited_by_id=e03b1490-1c6c-11f1-9593-65f1131953b4&utm_source=share_petition&utm_campaign=starter_onboarding_share_personal&utm_medium=copylink&share_id=DCPjjdQg44) began circulating online urging the company to reconsider the separation with more than 700,000 signatures sent as of March 11, 3 p.m. PHT. The campaign, posted on Change.org, asks the label to allow the artist to release a solo album while remaining a member of the group. Organizers behind the petition say their request comes from a place of support for both the singer and the group. ![ENHYPEN petition](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/ENHYPEN.webp) The campaign, posted on Change.org, asks the label to allow the artist to release a solo album while remaining a member of the group. Screenshot from Change.org “While we fully support Heeseung’s artistic growth and the opportunity for him to explore solo music, we strongly believe that a solo career should not require leaving ENHYPEN,” reads the caption of the petition. The petition’s adds that many K-pop artists manage both solo work and group promotions simultaneously. Supporters argue that the vocalist’s presence has been central to the group’s musical identity and performance dynamic since its debut through the survival show *I-Land* in 2020. In a statement posted on Weverse, Heeseung addressed the group’s fandom directly, acknowledging that the news may have come as a surprise. “My sincere hope is to return to you with an even better version of myself.” Heeseung says in a statement. The artist also said he intends to continue supporting the group moving forward. ## Frequently Asked Questions ### Why did Heeseung leave ENHYPEN? Belift Lab announced on March 10, 2026, that Heeseung parted ways with ENHYPEN to pursue a solo music career. The agency stated the decision followed deliberations regarding the group’s future schedule and Heeseung’s distinct musical vision. ### What are fans demanding in the petition regarding Heeseung’s departure? The Change.org petition asks Belift Lab and HYBE to allow Heeseung to release solo music while remaining an active member of ENHYPEN. Organizers highlight industry precedents where K-pop artists successfully manage solo releases alongside group commitments. ### Did Heeseung release a statement after leaving ENHYPEN? Heeseung addressed fans via Weverse following the announcement, acknowledging the sudden nature of the news. He expressed gratitude for his six years with the group and stated his intention to return with new music as a solo artist. ### How will ENHYPEN operate following Heeseung’s exit? Belift Lab confirmed ENHYPEN will continue official group activities as a six-member lineup. Meanwhile, Heeseung remains signed to Belift Lab to prepare his debut solo album under the agency. ### When did Heeseung debut with ENHYPEN? Heeseung debuted as a member of ENHYPEN in November 2020 after competing on the survival show I-Land. He served as a main vocalist and central performer throughout the group’s five-year career prior to his departure. Related Stories - [5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding](https://rollingstonephilippines.com/editors-picks/lists/5-moments-sb19-rewrote-p-pop-worldbuilding/ "5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding") - [‘KPop Demon Hunters’ Takes On Real K-Pop Idol Pressure](https://rollingstonephilippines.com/culture/film-tv/kpop-demon-hunters-idol-pressure/ "‘KPop Demon Hunters’ Takes On Real K-Pop Idol Pressure") - [aespa Rides Its Own Wave With ‘Whiplash’](https://rollingstonephilippines.com/music/music-reviews/aespa-whiplash-review/ "aespa Rides Its Own Wave With ‘Whiplash’") **Categories:** Music, Pop **Tags:** ENHYPEN, Heeseung --- ### [Here are the Filipinos Who’ve Won Big at the Oscars](https://rollingstonephilippines.com/culture/film/filipinos-who-won-oscars-history/) **Published:** March 11, 2026 **Author:** Mel Wang **Excerpt:** With any luck, we’ll have a few more awardees to add to the list after this year’s Academy Awards **Content:** It’s no secret that Filipino films have always walked a long, hard road towards an [Oscar](https://rollingstonephilippines.com/tag/oscars/ "Oscars") campaign (and with little success). But that doesn’t mean that Filipino filmmakers and creatives haven’t managed to bag an Academy Award or two along the way. The [98th Academy Awards](https://rollingstonephilippines.com/tag/oscars-2026/ "Oscars 2026") are set to take place on March 16 (Philippine Time), and with it comes the hope that a few more Filipinos take home the Oscar gold. Filipino-American cinematographer Autumn Durald Arkapaw earned a nod for Best Cinematography for her work on *[Sinners](https://rollingstonephilippines.com/tag/sinners/ "Sinners")*, making her the first Filipino and the first woman of color to be nominated in the category. *Sinners*’ producer Zinzi Coogler, whose husband Ryan Coogler directed the vampire thriller, is also up for Best Picture alongside her husband. She is the first Filipino producer to be nominated for the ceremony’s most prestigious award. As we gear up for the upcoming Academy Awards, we look back on all the times when Filipinos took the stage at the Oscars and walked away with Hollywood’s most famous golden man. ## Robert Lopez, ‘Frozen’ Prior to *Frozen*, Robert Lopez had already established himself as an acclaimed songwriter and playwright, having co-created musicals like *The Book of Mormon* and *Avenue Q*. In 2014, Lopez became the first Filipino-American to win the Oscar for Best Original Song for co-writing “Let It Go” with his wife, Kristen. In 2018, the couple won the same award for writing *Coco*’s “Remember Me.” The two wins cemented Lopez’s status as the only Filipino-American two-time EGOT winner to date. ## Gigi Dement, Stephen Dypiangco, and Stefanie Walmsley, ‘God of Love’ The three Filipino-Americans made headlines in 2011 when their short film, *God of Love,* won the Oscar for Best Live Action Short Film. Dement, Dypiangco, and Walmsley were all producers on the project, which starred and was directed by Luke Matheny. ## Paul D. Austerberry, ‘The Shape of Water’ Paul Austerberry, a Canadian production designer who is part-Filipino and part-British, is no stranger to working on major films and television series (his most recent projects include *IT: Welcome to Derry, The Color Purple,* and *The Flash*). Austerberry won the Academy Award for Best Production Design in 2018 for his work on *The Shape of Water*, which also earned that year’s award for Best Picture. ## H.E.R., ‘Judas and the Black Messiah’ In 2021, H.E.R. won the Oscar for Best Original Song for her collaboration with Dernste Emile II and Tiara Thomas on the song “Fight for You,” from *Judas and the Black Messiah*. The Filipino-American singer’s song won against tracks from *The Trial of the Chicago 7, Eurovision Song Contest: The Story of Fire Saga, The Life Ahead*, and *One Night in Miami*. ## Frequently Asked Questions ### Who was the first Filipino-American to win an Academy Award? Robert Lopez became the first Filipino-American to win an Academy Award in 2014 when he won Best Original Song for “Let It Go” from Frozen. He won the same category again in 2018 for “Remember Me” from Coco, making him a double Oscar winner. ### Have any Filipino producers won an Oscar for a film? Filipino-American producers Gigi Dement, Stephen Dypiangco, and Stefanie Walmsley won an Academy Award in 2011. The trio served as producers on God of Love, which won the Oscar for Best Live Action Short Film at the 83rd Academy Awards ceremony. ### Has a Filipino artist won an Oscar for Best Original Song? H.E.R. won the Academy Award for Best Original Song in 2021 for co-writing “Fight for You” from Judas and the Black Messiah. She shared the award with co-writers Dernst Emile II and Tiara Thomas at the 93rd Academy Awards. ### Which Filipino creative won an Oscar for Production Design? Paul D. Austerberry won the Academy Award for Best Production Design in 2018 for his work on Guillermo del Toro’s The Shape of Water. Austerberry is a Canadian production designer of partial Filipino descent who has worked on major film productions globally. ### Which Filipinos received historic nominations at the 98th Academy Awards? Autumn Durald Arkapaw became the first woman of color nominated for Best Cinematography for Sinners at the 98th Academy Awards. Producer Zinzi Coogler also became the first Filipino producer nominated for Best Picture for her work on the film. Related Stories - [Oscars 2026: ‘Sinners’ Leads With 16 Nominations](https://rollingstonephilippines.com/culture/film/oscars-2026-nominations-full-list/ "Oscars 2026: ‘Sinners’ Leads With 16 Nominations") - [‘Magellan’ Will Not Be Making Its Way To the Oscars](https://rollingstonephilippines.com/culture/philippine-cinema/laz-diaz-magellan-oscar-snub/ "‘Magellan’ Will Not Be Making Its Way To the Oscars") - [Filipino Filmmakers on the Hard Truth of an Oscar Campaign](https://rollingstonephilippines.com/culture/film-tv/filipino-filmmakers-on-the-hard-truth-of-an-oscar-campaign/ "Filipino Filmmakers on the Hard Truth of an Oscar Campaign") **Categories:** Culture, Film **Tags:** Oscars, Oscars 2026 --- ### [3 Unexpected Casting Picks in the Super Mario Galaxy Movie Sequel](https://rollingstonephilippines.com/culture/film/super-mario-galaxy-movie-casting/) **Published:** March 10, 2026 **Author:** Elijah Pareño **Excerpt:** The cosmic adventure adds a beloved dinosaur companion, a Koopa heir, and the Honeyhive ruler to its growing voice cast **Content:** The Mushroom Kingdom is heading to space, and the cast list for *The [Super Mario](https://rollingstonephilippines.com/tag/super-mario/ "Super Mario") Galaxy Movie* is a gamer’s fever dream. Nintendo and Illumination have unveiled the latest lineup for the sequel to 2023’s blockbuster *The Super Mario Bros. Movie* on March 9, and the new voices joining the adventure continue the franchise’s streak of surprising casting choices across gaming and film circles. The sequel will hit theaters globally on [April 4.](https://www.facebook.com/universalpicturesph/posts/the-next-chapter-begins-in-just-one-month-see-the-super-mario-galaxy-movie-only-/1389991996500670/) Actor and musician Donald Glover is officially stepping into the role of Yoshi, the big-eyed green dinosaur who has been one of Mario’s most beloved companions since 1990 (and only appeared as a cameo in the previous film). Meanwhile, *The Smashing Machine* director and *Oppenheimer* actor Benny Safdie will voice Bowser Jr., bringing the chaotic heir to the Koopa throne into the animated spotlight. Actress and producer Issa Rae also joins the cosmic lineup as Honey Queen, the regal ruler from the Honeyhive Galaxy, adding another unexpected name to the film’s ensemble. The sequel brings back the voices of the first film. Chris Pratt, Charlie Day, and Anya Taylor-Joy, returning as Mario, Luigi, and Princess Peach, respectively. The film follows the crew as they leave the Mushroom Kingdom behind and travel across new planets, encountering fresh allies and enemies along the way. With a cast that blends Hollywood heavyweights and gaming nostalgia, the galaxy just got a lot louder. ## Frequently ASked Questions ### Who plays Yoshi in The Super Mario Galaxy Movie? Donald Glover provides the voice for Yoshi, Mario’s beloved dinosaur companion. ### Who voices Bowser Jr. in the sequel? Actor and director Benny Safdie voices Bowser Jr., the chaotic heir to the Koopa throne. ### Which character does Issa Rae play in The Super Mario Galaxy Movie? Issa Rae voices Honey Queen, the regal ruler of the Honeyhive Galaxy. ### Which actors are returning to reprise their roles from the first film? Chris Pratt (Mario), Charlie Day (Luigi), Anya Taylor-Joy (Princess Peach), Jack Black (Bowser), and Keegan-Michael Key (Toad) reprise their roles in the sequel. ### When was The Super Mario Galaxy Movie released in theaters? The animated sequel, produced by Illumination and Nintendo, was theatrically released in April 2026. Related Stories - [5 Video Game Soundtracks from the 2000s That Made Gaming Feel Like Cinema](https://rollingstonephilippines.com/editors-picks/lists/5-video-game-soundtracks-2000s/ "5 Video Game Soundtracks from the 2000s That Made Gaming Feel Like Cinema") - [&FRIENDS Festival Brings Music and Internet Culture Under One Roof](https://rollingstonephilippines.com/music/andfriends-not-another-festival/ "&FRIENDS Festival Brings Music and Internet Culture Under One Roof") - [Bruno Mars Makes History as First Filipino-American on Fortnite](https://rollingstonephilippines.com/culture/tech/bruno-mars-fil-am-fortnite/ "Bruno Mars Makes History as First Filipino-American on Fortnite") **Categories:** Culture, Film **Tags:** Benny Safdie, Donald Glover, Issa Rae, Super Mario --- ### [Can Free Train Rides, PUV Fuel Subsidy Ease Transit Woes from Oil Price Hike?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/oil-price-hike-public-transportation/) **Published:** March 11, 2026 **Author:** Pie Gonzaga **Excerpt:** With conflicts in the Middle East driving oil costs higher, officials propose expanding public transportation services, while the LTFRB is set to launch a fuel subsidy program for PUV drivers **Content:** As the Philippines’ oil price hike deals a major blow to motorists, commuters look to alternative modes of transportation, such as trains, buses, jeepneys, bicycles, and walking, even though the infrastructure for pedestrians and public transportation remains inadequate and in need of [rehabilitation](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/edsa-rehabilitation-skyway-dotr/ "The EDSA Rehabilitation Is Almost Here. Are We Prepared?"). The Department of Energy (DOE) has implemented a staggered increase scheme to ease consumers into the surge in fuel prices, set for March 10 to 16. According to the DOE, local oil prices are set to climb by around P20 this week, as [conflicts in the Middle East](https://rollingstonephilippines.com/state-of-affairs/dubai-middle-east-conflict-jp-anglo/ "‘We Saw Missiles For The First Time’: JP Anglo On Living in Dubai Amid the Middle East Conflict") have prompted Iran to [block the Strait of Hormuz](https://www.dw.com/en/irans-blockade-of-strait-of-hormuz-sends-oil-prices-soaring/video-76295696), severely affecting global oil supply. In a press briefing on Tuesday, March 10, President Ferdinand “Bongbong” Marcos Jr. said, “In terms of supply, we are in good shape. And not only do we have inventory in the Philippines, \[but\] we are also awaiting some supplies coming in that are in transit.” “The real problem here that everybody has to deal with is hindi natin alam kung gaano katagal ito,” he added. ## ‘Inefficient public transport’ To help Filipinos on their commute, lawmakers are proposing to waive MRT and LRT fares and increase the number of buses on the EDSA carousel. Urging the Department of Transportation (DOTr) to give free MRT and LRT rides on Monday, March 9, Akbayan Representative Perci Cendaña said, “Dahil kapos tayo sa mass transportation, those with resources opt to drive cars while ordinary workers have to settle for inefficient public transport options. Sana ngayong may krisis, maging impetus ito para bigyan ng pamahalaan ang publiko, mayaman man o mahirap, ng de-kalidad na mass transportation.” The DOTr recently waived fares for female passengers on the MRT-3 in celebration of National Women’s Day. According to *[Inquirer](https://newsinfo.inquirer.net/2192537/free-mrt-lrt-rides-pushed-amid-looming-big-time-fuel-increases)*, Manila Second District Rep. Rolando Valeriano, vice chair of the House Committee on Ways and Means, also suggested that the DOTr should deploy more trains on the MRT-3 line and buses on the EDSA carousel to serve more passengers. Cendaña and Valeriano’s proposals come as the Land Transportation Franchising and Regulatory Board (LTFRB) mulls increasing fare prices for public utility vehicles (PUV) such as jeepneys and UV Express vans, even as it eyes a fuel subsidy program for drivers of PUVs, metered taxis, and transport network vehicle services. The budget for the subsidy program is currently at P2.5 billion, *[ABS-CBN](https://www.abs-cbn.com/news/business/2026/3/9/ltfrb-to-revise-proposed-provisional-fare-increase-1120)* reports, with P1.3 billion set aside for LTFRB-franchised vehicles. Under the program, drivers will be given debit cards with an allocated balance they can use at gas stations. ## Frequently Asked Questions ### What measures are being proposed in the Philippines to mitigate oil price hikes for commuters? Lawmakers have urged the Department of Transportation to grant free rides on the MRT-3 and LRT lines and increase bus deployments along the EDSA carousel. These proposals aim to offer immediate economic relief and encourage public transit use during major fuel price increases. ### How does the LTFRB fuel subsidy program work for public utility vehicles? The Land Transportation Franchising and Regulatory Board allocates financial assistance to franchised jeepneys, buses, metered taxis, and transport network vehicle services. Eligible drivers receive debit cards pre-loaded with allocated balances to purchase fuel at participating gas stations, mitigating operational costs. ### Why are global oil prices increasing in the Philippines? Local oil price hikes stem from international supply disruptions caused by geopolitical conflicts in the Middle East. Supply chain bottlenecks, including transit blockades along key global shipping corridors like the Strait of Hormuz, directly drive up domestic petroleum landing costs across the archipelago. ### What systemic issues affect Metro Manila public transportation during fuel crises? Metro Manila’s public transportation network faces long-standing infrastructure deficits, rehabilitation delays, and vehicle capacity constraints. When fuel price surges prompt private vehicle owners to shift to public transit, the existing mass transit grid experiences heightened congestion and operational strain. ### Are public utility vehicle fares expected to increase alongside fuel prices? While transport groups periodically petition for fare adjustments during severe oil price hikes, regulatory bodies like the LTFRB evaluate fare hike applications alongside non-fare interventions. Government fuel subsidies and service contracting programs are deployed to prevent immediate fare burden on commuters. Related Stories - [Beep Removes E-Load Stations Without Replacements. Now What?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/beep-card-e-load-renewal-removed/ "Beep Removes E-Load Stations Without Replacements. Now What?") - [Here’s How 15-Minute Cities in Metro Manila Can Work, According to a Study](https://rollingstonephilippines.com/state-of-affairs/power/15-minute-city-metro-manila/ "Here’s How 15-Minute Cities in Metro Manila Can Work, According to a Study") - [For Filipinos, The State of Transport is a Matter of Time, Cost, and Survival](https://rollingstonephilippines.com/state-of-affairs/power/state-of-philippines-transport-mobility/ "For Filipinos, The State of Transport is a Matter of Time, Cost, and Survival") **Categories:** Philippine Politics, State of Affairs **Tags:** Transportation --- ### [What’s the Deal With the Dialogue in ‘Pokémon Pokopia’?](https://rollingstonephilippines.com/culture/internet-culture/pokemon-pokopia-nintendo-dialogue-memes/) **Published:** March 10, 2026 **Author:** Mel Wang **Excerpt:** The latest Pokémon spinoff game features a number of surprisingly funny speech bubbles from our favorite Pokémon **Content:** Bulbasaur screaming “Let’s get this place HUMID!” wasn’t on my bingo card this year, but it was a pleasant surprise nonetheless. Welcome to the world of *[Pokémon Pokopia](https://rollingstonephilippines.com/tag/pokemon-pokopia/ "Pokémon Pokopia")*, the latest release from Nintendo and co-developer Game Freak that brings us face-to-face once again with our favorite Pocket Monsters. Only this time, instead of getting into battles with any gym leaders, we’re stepping into the shoes of a Ditto that’s doing its best to make an island livable for [Pokémon](https://rollingstonephilippines.com/tag/pokemon/ "Pokémon") again. ![Professor Tangrowth, POKEMON Pokopia](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/pokopia-chairs.webp) Professor Tangrowth guides you when you’re first starting to rebuild your Island. Screenshot from Gab Smolders/YouTube While the main draw of *Pokopia* is its cozy, *Animal Crossing*-esque approach to world-building, players immediately latched onto the game’s out-of-pocket dialogue boxes. Throughout *Pokopia*, you’ll have multiple opportunities to chat with the Pokémon moving onto your island. Interactions tend to veer on the side of silly: think a Charmander telling you they “frew up” or Professor Tangrowth reminding you that “chairs are NOT food!” ![Cubone, Pokemon Pokopia](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/pokopia-cubone.webp) Cubone loves a good gravestone habitat. Screenshot from Trophygamers/YouTube Other pieces of dialogue have quickly gone viral. A confused Magikarp asking, “Yo, where am I?!,” a Volbeat wondering aloud about what human butts look like, and a Cubone telling you that their mom would have probably liked the gravestone they live in are just some of the dialogue screenshots making their rounds around the Internet. (There’s also a Drifloon that tells you that “human kids” in particular give them lots of energy.) ![Magikarp, pokopia](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/pokopia-magikarp.webp) Magikarp needs a lot of help. Screenshot from HeroVoltsy/YouTube Beyond the dialogue, though, the actual gameplay never takes itself too seriously. Players have been enjoying the Stockpile move, which allows your Ditto to swallow a number of times (e.g. a picnic basket, boulders, a table) and vomit everything out onto a preferred plot of land. The Rock Smash move also allows your Ditto to punch the crap out of walls, the ground, and other Pokémon. > [View this post on Instagram](https://www.instagram.com/reel/DVlUA6ejx4t/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Emma 🍃 (@\_emmalution)](https://www.instagram.com/reel/DVlUA6ejx4t/?utm_source=ig_embed&utm_campaign=loading) Although the game developers have yet to comment on the more-than-amusing dialogue of *Pokopia*, Game Freak director Shigeru Omori noted that the inspiration for the game came from wanting to share the joy of creating the world of Pokémon with fans. “I’ve been making Pokemon RPGs for a long time,” said Omori in an interview with [*Famitsu*](https://www.famitsu.com/article/202602/66124), “but I was always searching for a game that could express the individuality of Pokemon in a different way to RPGs.” *Pokémon Pokopia* is currently only available to play on the Nintendo Switch 2. ## Frequently Asked Questions ### What platform is Pokémon Pokopia available on? Pokémon Pokopia is available exclusively on the Nintendo Switch 2. ### What is the main premise of Pokémon Pokopia? In Pokémon Pokopia, players control a Ditto tasked with building and restoring a habitable, cozy island for various Pokémon to live on, shifting focus away from traditional gym battles. ### Who directed Pokémon Pokopia? The game was directed by Game Freak veteran Shigeru Omori, who aimed to express the individual personalities of Pokémon outside of standard RPG mechanics. ### Why has the dialogue in Pokémon Pokopia gone viral? The game features intentionally silly, unexpected, and humorously out-of-pocket speech bubbles from various Pokémon, such as Magikarp questioning where it is and Professor Tangrowth reminding players that chairs aren’t food. ### What moves can Ditto use to terraform the island in Pokémon Pokopia? Ditto can use moves like Stockpile to swallow and re-spat obstacles like boulders and picnic tables, as well as Rock Smash to punch through terrain and clear land plots. Related Stories - [‘Mortal Kombat II’ Trailer Unleashes Gory, Video Game-Accurate Fatalities](https://rollingstonephilippines.com/radar/releases/mortal-kombat-ii-trailer/ "‘Mortal Kombat II’ Trailer Unleashes Gory, Video Game-Accurate Fatalities") - [‘Street Fighter’ Teaser Reveals an Absurdly Loaded Cast Built for Peak Bro Energy](https://rollingstonephilippines.com/culture/film/street-fighter-first-look-bro-energy/ "‘Street Fighter’ Teaser Reveals an Absurdly Loaded Cast Built for Peak Bro Energy") - [‘Iron Lung’ is Finally Hitting PH Cinemas: Here’s a Crash Course on the Markiplier Movie](https://rollingstonephilippines.com/culture/film/iron-lung-markiplier-ph-cinemas/ "‘Iron Lung’ is Finally Hitting PH Cinemas: Here’s a Crash Course on the Markiplier Movie") **Categories:** Culture, Internet Culture **Tags:** Pokémon, Pokémon Pokopia --- ### [BINI, RAMONA, Harry Styles, and All the Songs You Need to Know](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/bini-ramona-harry-styles/) **Published:** March 10, 2026 **Author:** Elijah Pareño **Excerpt:** Our weekly playlist of the best music right now, carefully picked by the Rolling Stone Philippines staff **Content:** Welcome to [Songs You Need to Know](http://rollingstonephilippines.com/editors-picks/songs-you-need-to-know), our weekly rundown of the best music right now. The *Rolling Stone Philippines* team is constantly sharing things to listen to, and each week, we compile a ragtag playlist of songs that we believe every music fan today needs to know. Whether it’s the hottest new single or an old track that captures the state of the present, our hope is that you discover something for your musical canon. This week’s songs go through different pockets of pop and alternative music, from [RAMONA](https://rollingstonephilippines.com/tag/ramona/ "RAMONA") confronting the noise of celebrity gossip in “GAGA” to [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI") revisiting the breezy thrill of P-pop with “Unang Kilig.” Elsewhere, [Harry Styles](https://rollingstonephilippines.com/tag/harry-styles/ "Harry Styles") slips into a hypnotic groove on “Pop,” a spiraling earworm that turns repetition into its own hook, while New York duo [Fcukers](https://rollingstonephilippines.com/tag/fcukers/ "Fcukers") keep the party alive with the sleazy house-pop pulse. Whether you’re in the mood for a guitar-driven comeback, a bright pop rush, or a dancefloor anthem that refuses to let the night end, this week’s selections cover the full spectrum. RAMONA, ‘GAGA’ ![RAMONA](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/s1-3-1600x1600.webp) Photo from RAMONA/Instagram *A topsy-turvy world for the rock n’ roll girl* Andrea Brillantes’ musical persona RAMONA doesn’t suffer from being a colorful pop-rock fantasy where rage drifts without direction. The project works as an alter ego that answers back to the scrutiny surrounding her public life. In “GAGA,” RAMONA addresses the whirlwind of accusations and commentary that often follows celebrities. Brillantes eases through the intense performance while the song’s producers, Tim and Sam Marquez of One Click Straight, handle the track’s backbone. Their guitar lines and percussion add that alternative rock spice to the mix. The result stands as a direct statement instead of slipping into theatrics. *—Elijah Pareño* BINI, ‘Unang Kilig’ ![BINI](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/s2-3-1600x1600.webp) Photo from BINI/Instagram *Lights, Camera, Action for the Biggest Girl Group* The nation’s girl group BINI returns to the spectacle of love teams in their latest single “Unang Kilig.” The group has taken several English releases to an international audience, yet this track circles back to the breezy pop writing that first connected with listeners. Songs like “Lagi” and “Salamin, Salamin” sit within that lineage, where melody carries the feeling as much as the lyrics do. “Unang Kilig” moves in that same direction. The song lands on a straightforward pop guideline: a clear hook, bright energy, and a reminder that the group’s sense of melody still holds steady. *—Elijah Pareño* My New Band Believe, ‘Numerology’ ![My New Band Believe](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/s3-3-1600x1600.webp) Photo from My New Band Believe/Instagram *The Windmill Scene’s most artsy rock star of the moment* One night, black midi’s Cameron Picton decided to form a new band out of the depths of his psyche. This time, the brutal progressive rock figure from the Windmill scene introduces a different beast. In My New Band Believe’s “Numerology,” Picton describes the strange comfort of disappearing into a crowd. Chaotic instrumentals swirl through the track, with banjos, violins, and manic drumming piling on top of each other. The arrangement gathers into a dense wall of sound, the kind where a listener can slip inside the noise and stay there for a while. *—Elijah Pareño* Harry Styles, ‘Pop’ ![Harry Styles](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/s4-3-1600x1600.webp) Photo from Harry Styles/Instagram *A hypnotic, spiraling pop earworm* I’ll reserve my thoughts about *Kiss All The Time. Disco, Occasionally* for another day, but one of my favorite tracks on Harry Styles’ latest album is “Pop.” It’s a well-thought-out song, restrained in production, though the lyrics talk of losing oneself to something or someone. The more clever aspect of the songwriting is in Styles singing, “I do it and do it again” over a quick, thumping 12\|8 beat, which sounds round and hammers home the feeling of spiraling or being stuck in a cycle. At risk of sounding like a nerd, that time signature — while neither particularly special nor rarely deployed — is the same one used in Carly Rae Jepsen’s “Run Away With Me” and Tears For Fears’ “Everybody Wants to Rule the World.” Styles was clearly determined to make an earworm with “Pop,” and it works. —*Pie Gonzaga* Fcukers, ‘if you wanna party, come over to my house’ ![Fcukers](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/s5-3-1600x1600.webp) Photo from Fcukers/Instagram *A sleazy house-pop cut begging for replay* A few days ahead of their TV debut on *The Tonight Show Starring Jimmy Fallon*, New York-based electronic duo Fcukers returned with the single “if you wanna party, come over to my house.” The title’s a bit of a mouthful, especially in comparison to other recent releases like “Play Me” and “I Like It Like That” or 2024’s “Bon Bon.” Two years after releasing their EP *Baggy$$*, the two-piece continues making catchy, ’90s-inspired dance music. In “if you wanna party,” vocalist Shanny Wise still talk-sings in that cool, mildly coquettish affect, repeating lines over a quick house beat and Jackson Walker Lewis’ sizzling synth bass. It’s a formula that works for Fcukers, and we can expect more of this sleazy, energetic dance-pop on their forthcoming debut album *Ö*. —*Pie Gonzaga* Grace Ives, ‘Stupid Bitches’ ![Grace Ives](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/s6-3-1600x1600.webp) Photo from Grace Ive/Instagram *A bedroom pop act goes boom* American singer-songwriter Grace Ives and Clairo used to move in the same ward of the Khia Asylum reserved for intimate, low-fidelity bedroom pop artists whose parents are connected to the music industry. But while Clairo has successfully escaped nugudom through consistent album releases and the critically acclaimed *Charm*, Ives is just beginning to break out as more listeners catch on to the rollout of her upcoming album *Girlfriend*. Her latest single, “Stupid Bitches,” is louder and bigger in scale than anything she’s done before. The pop-rock track evokes The Verve’s “Bitter Sweet Symphony” in its strings and drums, but retains Ives’ love for filtered vocals and searing lead synths. The musician is also as honest as ever. With her 2022 debut album *Janky Star*, Ives solidified herself as a talented “hot mess.” But where past songs used to see her reserved and mumbling confessions, “Stupid Bitches” is all rage (and still, some mercy). She sings, “I will let you take it out on me / But next time, kindness over honesty / But stupid bitchеs can’t hurt me.” As Stan Twitter likes to say, “She walked into that studio mad as hell,” and, might I add, hungry for greatness. —*Pie Gonzaga* ## Frequently ASked Questions ### What is Rolling Stone Philippines’ “Songs You Need to Know”? “Songs You Need to Know” is a weekly music discovery roundup and curated playlist compiled by Rolling Stone Philippines highlighting essential new singles, comebacks, and genre-bending releases. ### What new song did BINI release on the playlist? BINI is featured on the playlist with “Unang Kilig,” a track revisiting breezy, upbeat P-pop melodies. ### What is RAMONA’s featured single “GAGA” about? RAMONA’s single “GAGA” confronts celebrity gossip and public noise through a blend of pop and alternative soundscapes. ### What new track did Harry Styles release? Harry Styles is featured with “Pop,” a hypnotic, repetition-driven earworm with a spiraling groove. ### Where can readers listen to the Songs You Need to Know playlist? The full curated playlist is available to stream on Spotify via Rolling Stone Philippines. Related Stories - [BINI to Perform Coachella 2026 as Festival’s First Filipino Girl Group Ever](https://rollingstonephilippines.com/music/pop/bini-perform-coachella-2026/ "BINI to Perform Coachella 2026 as Festival’s First Filipino Girl Group Ever") - [We Ranked Every Track on Harry Styles’ ‘Kiss All The Time. Dance, Occasionally’](https://rollingstonephilippines.com/music/pop/harry-styles-kiss-all-the-time-ranking/ "We Ranked Every Track on Harry Styles’ ‘Kiss All The Time. Dance, Occasionally’") - [5 SexBomb Girls Anthems That Shimmied Them Into Pop Icon Status](https://rollingstonephilippines.com/music/pop/5-sexbomb-girls-anthems/ "5 SexBomb Girls Anthems That Shimmied Them Into Pop Icon Status") **Categories:** Editor's Picks, Songs You Need To Know **Tags:** BINI, Fcukers, Grace Ives, Harry Styles, My New Band Believe, Songs You Need to Know --- ### [Steve Carell and the ‘Rooster’ Cast Talk the Comedy of a Mid-Life Crisis](https://rollingstonephilippines.com/culture/tv/rooster-hbo-steve-carell-cast-interview/) **Published:** March 10, 2026 **Author:** Mel Wang **Excerpt:** The showrunners and main cast spoke to us about the humor of middle-aged men and the important conversations that comedy can bring up **Content:** *[Rooster](https://rollingstonephilippines.com/tag/rooster/ "Rooster")* isn’t your typical comedy. For one thing, it’s set in the hallowed, slightly stuffy halls of the fictional Ludlow College, where professors, administrators, and liberal arts students become active players in a campus comedy. For another, the core of *Rooster*’s story is Greg Russo, a divorced paperback author and father stuck in a personal crisis, played with stunning gravitas by Steve Carell. “\[Greg\] is a dorky, middle-aged guy trying to figure out who he is,” *Rooster* showrunner Bill Lawrence told *Rolling Stone Philippines*, before joking that he’d based the character on his co-creator, Matt Tarses. Lawrence and Tarses, both of whom are longtime collaborators, have gifted us with some of the best comedy shows of the 21st century. Lawrence, in particular, is credited for creating shows like *Scrubs*, *Ted Lasso*, and *Shrinking*, while the two of them both took the helm on creating the Vince Vaughn-led dark comedy, *Bad Monkey*. On the subject of their latest show, the two co-creators emphasized that they drew from their own experiences as fathers to grown-up daughters, just like the show’s protagonist. In *Rooster*, Greg is constantly trying to connect with his daughter Katie (Charly Clive), a professor going through a crisis of her own: her husband Archie (Phil Dunster) has left her for the much younger grad student, Sunny (Lauren Tsai). ![Charly Clive, Rooster, HBO Max](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/charly-clive-rooster-hbo-max.webp) Charly Clive in *Rooster*. Photo from Warner Bros. Pictures/Official Website “I can’t speak for Bill,” quipped Tarses, “but we’re both slightly middle-aged guys who have all these new challenges to face at a certain age. There’s parenting, loneliness, the different circles we move in, \[and\] the thought that it’s too late to try something new.” “Matt, Steve Carell, \[and I\] all have daughters of a very similar age,” added Lawrence. “In our real lives, we’re all struggling to try not to be too intrusive in their lives, although all we want to do is be around them all the time. My daughter’s a singer and I was just \[in Europe\] following her around and annoying her.” ## More Humor, Please ![Steve Carell, Rooster, HBO Max](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/steve-carell-rooster-hbo-max-2.webp) “\[Greg\] is a dorky, middle-aged guy trying to figure out who he is.” Photo from Warner Bros. Pictures/Official Website For Clive and Carell, who also serves as an executive producer on *Rooster*, it was a privilege to work with the two showrunners. “\[*Rooster*’s\] was one of the best pilot scripts I’ve ever read,” said Carell. “It’s so hard to do a good pilot script, but this one set up a world with all these characters with their own backstories, and it did it effortlessly. I loved the relationship that was being formed between \[my character and Charly’s\], and working with Bill Lawrence… he’s such a force of nature, super smart, really funny, and an incredibly kind human being.” “When \[the script\] first came into my inbox, it was called ‘Untitled Steve Carell Project,’” joked Clive. “And I was like, well, if I’d like to meet Steve Carell one day to work with him, that would be the dream!” ![Lauren Tsai and Phil Dunster in Rooster.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/lauren-tsai-phil-dunster-hbo-max-rooster.webp) Lauren Tsai and Phil Dunster in *Rooster*. Photo from Warner Bros. Pictures/Official Website The show’s main ensemble echoed Carell and Clive, noting that working on *Rooster* allowed them to experiment with their comedy. Tsai, who herself is an artist and animator outside the world of acting, noted that the show gave her the opportunity to express herself in a new way. “I started posting my animation videos on YouTube when I was 11, so I’ve used my whole life to express and understand myself,” said Tsai. “But there was also this aspect of sharing myself publicly online that was its own performance as well. So when I got the chance to act on a show like this… I don’t want to say that it scratches an itch, but it was something I was so drawn to because I love the idea of performing and becoming other characters. Being able to perform on \[*Rooster*\] with my own physicality and emotions has taught me a lot about myself.” ![Danielle Deadwyler and Steve Carell in Rooster.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/danielle-deadwyler-steve-carell-rooster.webp) Danielle Deadwyler and Carell in *Rooster.* Photo from Warner Bros. Pictures/Official Website Other main ensemble actors emphasized that the show’s academic setting has allowed it to explore difficult and important conversations, laced with its own style of humor. “Part of the comedy in \[*Rooster*\] is seeing these various generations, cultures, and people gather at university and approach some of these hard conversations with humor,” said Dunster, who himself is no stranger to working on a Bill Lawrence project (he stars as Jamie Tartt in *Ted Lasso*). “More humor in the world is good, and… we need some humanity. I hope people come away from *Rooster* with that… don’t take yourself so bloody seriously all the time.” “Yeah, ‘don’t take yourself so bloody seriously,’” joked Danielle Deadwyler, who plays Poetry Professor Dylan Shepherd. “But yes, there is a cultural shifting that can take place within comedy. And with *Rooster*, it’s taking a look at everybody going through this massive change. Just look at Steve Carell’s character, who’s going into this space and feeling out of place while discovering himself… I hope the show infuses people with this possibility of protecting change and continuing to celebrate it.” *Rooster* is currently streaming on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max"). ## Frequently Asked Questions ### What is the HBO Max series Rooster about? Rooster is a comedy series set at the fictional Ludlow College following Greg Russo (played by Steve Carell), a divorced paperback author undergoing a mid-life crisis while trying to re-establish a connection with his adult daughter, Katie. ### Who created the show Rooster? Rooster was co-created and executive produced by veteran television showrunners Bill Lawrence (Scrubs, Ted Lasso, Shrinking) and Matt Tarses (Bad Monkey). ### Where can viewers stream Rooster? Rooster is available for streaming exclusively on HBO Max. ### Who stars alongside Steve Carell in Rooster? The main ensemble cast includes Charly Clive as Greg’s daughter Katie, Phil Dunster as Archie, Lauren Tsai as Sunny, and Danielle Deadwyler as Poetry Professor Dylan Shepherd. ### How did the creators’ personal lives influence the storyline of Rooster? Co-creators Bill Lawrence and Matt Tarses, along with star Steve Carell, drew directly from their real-life experiences as middle-aged fathers navigationally balancing relationships with their grown-up daughters. Related Stories - [Dakota Fanning on The Mysteries of ‘All Her Fault’](https://rollingstonephilippines.com/culture/tv/dakota-fanning-on-all-her-hault/ "Dakota Fanning on The Mysteries of ‘All Her Fault’") - [‘The Pitt’ Star Amielynn Abellera on Pinay Nurses, Stress, and Chismis](https://rollingstonephilippines.com/culture/film-tv/the-pitt-star-amielynn-abellera-interview/ "‘The Pitt’ Star Amielynn Abellera on Pinay Nurses, Stress, and Chismis") - [‘Industry,’ The Best Show on Streaming, is Back. What Can We Expect?](https://rollingstonephilippines.com/culture/tv/industry-hbo-season-4/ "‘Industry,’ The Best Show on Streaming, is Back. What Can We Expect?") **Categories:** Culture, TV **Tags:** Danielle Deadwyler, HBO Max, Lauren Tsai, Phil Dunster, Rooster, Steve Carell --- ### [Hilda Koronel: 'It Was Lino Brocka Who Would Always Save Me'](https://rollingstonephilippines.com/culture/film/hilda-koronel-sisa-interview/) **Published:** March 10, 2026 **Author:** Jason Tan Liwag **Excerpt:** The award-winning actress talks about her career, from working with Lino Brocka and Fernando Poe Jr. in Santiago to the challenges and pleasures of working in Sisa **Content:** It is my first time seeing Hilda Koronel in person without a character between us. She arrives shortly after 1 p.m. at the Ramon Magsaysay Center. She smiles at everyone and shakes their hand. When we see each other, she recognizes me immediately: “You said you were gonna come back for me,” she says, partly scolding me. The first time we met was in Tarlac Recreational Park, on the set of Jun Robles Lana’s *Sisa*, more than a year ago. She was still deep in character then — frayed wig, muddied complexion, expression shaded by her character’s sorrow. Even her voice seemed to carry a different weight. Today, it’s five days before *Sisa* returns from [Tallinn](https://poff.ee/en/film/sisa/), where it first premiered in November 2025. Since mid-February, Koronel has been promoting the film almost nonstop. She doesn’t enjoy press tours, but understands their necessity. After 56 years in the industry, the repetition has a way of wearing you down and flattening any surprise. “‘Pag masaya ‘yung kausap ko, nag-e-enjoy naman ako. Pero kung pwedeng iwasan, I would. The questions are always the same,” she says. “Like: ‘Is it Rizal’s Sisa?’ If they ask me one more time about it, I’m going to flip.” At one point, she asks her videographer to pretend to be her in an interview. He obliges, answering in a near word-perfect imitation. The team doubles over laughing. For someone who claims to dislike the ritual, she sure knows how to make it fun. ![Hilda Koronel](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/Hilda-Koronel-Rolling-Stone-Philippines-4.webp) Long-sleeved shirt, Rajo Man. Maxi skirt, House of Laurel When one thinks of Koronel, one can’t help but associate her with the so-called Golden Age of Philippine Cinema. She is the face of many now considered classics directed by luminaries such as Lino Brocka, Ishmael Bernal, Mike De Leon, Danny Zialcita, Mark Meily, Olivia Lamasan, Laurice Guillen, and more. But there is a looseness to her that surprised me even last year. When we first spoke, we drifted into unexpected territory — from her love for martial arts films (“I love Bruce Lee and Jet Li”) and anime (“‘Yung *Rurouni Kenshin,* I’ve watched it six times. All of the seasons”). She recalled shooting *Insiang* in Smokey Mountain. “‘Pag umuuwi kami, sa garage pa lang naghuhubad na kami ng damit,” she says. “When we were filming that, may mga bandang tumutugtog. You can’t control the environment.“ Later, she speaks just as fondly of the actors she revere. “I miss the old ones,” she says, ticking off names like a private litany: Anita Linda. Gloria Romero. Eddie Garcia. Dindo Fernando. Ronaldo Valdez. Nora Aunor. Christopher de Leon. Tirso Cruz III. She would have continued if she had all the time in the world. “They’re all great.” Today, between outfit changes and camera set ups, our conversations wander just as easily: Baguio (“No film makes it look as good as it did in [*Kung Mangarap Ka’t Magising*](https://www.moma.org/calendar/events/8275)”); the advanced screening of *Sisa* at Intramuros (“I really love what Ricky Lee said about the film, about Sisa being the fulcrum”); and where she’d like to shoot next (“Sabi ko kay Direk Jun, next time, sa Tagaytay naman!”). At one point, we commune over her ridiculous job as a white lady in a horror house in *Crying Ladies* (“I love that film. I want to do more comedies!”). --- When the shoot concludes, the staff ushers us up a narrow spiral staircase and into a glass-walled library. In the corner of the room is an archive dedicated to the works of Lino Brocka, the only Filipino Ramon Magsaysay Awardee for film. Koronel approaches the display quietly, scanning the books and memorabilia before resting her hands on the table. She studies the posters laid out before her, brushing her fingers across the faces of her former co-stars before lingering on Brocka’s. Her eyes glass over. The room, moments ago alive with small talk about the preservation, falls silent. Her fingers trace the outline of his face before she speaks. “I am very sad,” she says. “We were always together. He was like my dad, my mentor, my taga-saklolo.” Our photographer, JL Javier, asks her what her fondest memory of Lino was. She closes her eyes. “I only have fond memories with him,” she says, now gripping the sides of the table for support. “I love him very much and I miss him.” She begins listing the names on the posters: Eddie Garcia, Lolita Rodriguez, Jay Ilagan, Mona Lisa, Mario O’Hara, Lou Salvador Jr, and then says what no one else in the room has voiced. “He’s gone. She’s gone. They’re all gone.” Koronel and the rest of the *Sisa* team invite me into their van as they make their way to Quezon City. An hour from now, she’ll sit for another interview. Over the weekend, there will be six more before the premiere. If there is exhaustion, it never surfaces — not in her, not in the team that has been with her throughout this journey for over a year. As the van cuts through traffic, our conversation stretches across decades: her beginnings in show business, how the industry and the world has(n’t) changed since she was 12, and the long road back to the screen. By the time we arrive, *Sisa* will be closer to its homecoming and Koronel to hers. *The following interview has been edited for publication.* **Shortly before you were discovered \[as an actress\], you were in beauty pageants.** Like Ms. Owl? **Yes! Did you enjoy entering beauty pageants at that age?** No! Kaya lang ‘yung nanay ko talagang lahat ng pwedeng salihan, sasalihan para ma-discover ako. I think I wasn’t even 12 yet. Merong pictures sa IG of me noon. But I don’t like those. **But do you remember those first pageants?** Ang dami! When I was little Miss Community Chest \[of Pasay City, at age seven\] and Santacruzan here. Virgin Mary here. Ang haba ng buhok ko! Laging ako ang sinasali nila. I hated it! \[*Laughs*\] I don’t like people looking at me, ‘no! Yuck! “When I started my contract, I was only 12 years old. Ano ba namang alam ko?” **Is that part of why film and television were so captivating? With theater, there’s always a huge audience with you. But with film and TV, there might only be a handful of people on set.** Yeah, I guess. Pero pareho lang naman ‘yun e. A lot of people will be watching you. Kaya hindi ako successful as a model. I used to model before, too, and I didn’t like it. I am a very shy person. **Your first onscreen lead role was *Haydee* (1970), but your first onscreen credit was *Leslie* (1969), right?** Screen test lang ‘yun. Nakita ako ng editor nila kasi ‘yung set nasa likod. Gusto lang makita if I was photogenic. It was Boots Anson-Roa’s film. I don’t even remember the title. Black and white pa ‘yun e. Parang tinawag lang ako, and that was it. After that, nasa *Haydee* na ako. **When *Haydee* was** [**announced**](https://www.instagram.com/p/DP75saUCQCF/?img_index=2)**, Mars Ravelo was the one who endorsed you at the time. He was a “virtual starmaker,” having endorsed the likes of Tessie Agana, Dolphy, Lolita Rodriguez, and Ed Luna. Do you still remember that night? You commented on Instagram that you felt scared.** Syempre. God, I was so young. When I started my contract, I was only 12 years old. Ano ba namang alam ko? Wala akong kaalam-alam — how to act, nothing. “Ano ba itong ginagawa ko?” It was rattling. **Who was your North Star as an actor around then? Lino Brocka and many other directors obviously guided you later on, but who was your idea of a great actor or actress at such a young age?** Syempre ‘yung mga lumang-luma. ‘Yung mga napapanood ko sa TV. Hindi sina Tita Gloria \[Romero\]. ‘Yung noong araw pa. I can’t remember their names, but I love them. Bakit hindi ko na naaalala? Ang gagaling nila — ‘yung mga taga-Sampaguita. ‘Yung mga ganung artista noong araw. Those actors. Susan Roces. Amalia Fuentes. Lolita Rodriguez. Chato. They were so beautiful. **When you were emerging as an actor, were they the ones you saw and thought, “I would want a career like that”?** No. I never thought about it that way. **Really?** Not at all. **You were just moving forward.** I didn’t even know what it meant: ‘yung pagiging artista. Hindi ko alam kung may talent ako or wala. I was just thrown into it. My son was telling me, “You’re lucky, mom. You were thrown into this career na para sa iyo talaga.” And I said, “Yeah.” Hindi ko ‘yun naisip. Tama nga siya. **Have your children or grandchildren seen your films?** Yeah, they have naman. They study it e. **Wow.** Sa MassComm kasi. So napag-aaralan ‘yan. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/Hilda-Koronel-Rolling-Stone-Philippines-2.webp) Zip-up balloon-sleeved blouse, Zara **Have they ever asked you about the process or filmmaking?** Hindi naman. I will not help them. I tell them, “You go watch it yourself. Saka natin pag-usapan.” My classmates, ganyan rin sila sa Maryknoll. “‘San, we have to watch your film. Can you tell us na lang?” I say, “No. Go watch it. Ang daya niyo.” \[*Laughs*\] Nag-sho-shortcut! **In Maryknoll, you were already working as an actor, right?** Oo naman! High school artista na ako, ano! In elementary, pa-graduate to high school, I was already working. I put myself through school. **Did having a stage name help you create a distinction between you as a celebrity and you as the regular Susan Reid?** I think so. When I was discovered, Susan Roces was still very popular. My name was Susan Reid. Parang masyado silang magkalapit. Ayaw nilang gamitin yung tunay kong pangalan. Though it is beautiful! Pumapatong kay Tita Susan. So gusto nilang maiba. So nag-imbento sila ng ibang pangalan. **So your friends watched *Insiang* while you were in college?** Yeah. **What were their reactions?** Syempre, they loved it. Kaibigan e. Mga kaklase. Very supportive naman ang mga kaibigan ko sa akin. Up to now. They attended the *Sisa* premiere. **When we spoke before, we talked about how interesting *Santiago* and *Sisa* are both set in wartime Philippines. The former was set in the Japanese occupation. With *Sisa*, we’re at the tail end of the Philippine-American war.** We also had *Lupang Hinirang.* Spanish times naman ‘yun. So may period films ako, pero hindi kasing tindi nito\[ng *Sisa*\]. **Now that *Sisa* has concluded, could you walk us through the difference between making a period drama before and now?** Iba talaga. Itong sa amin, pinag-aralan talaga ni Direk \[Jun\] ito nang matindi para historically correct siya. Although the characters are fictional, it was very real. ‘Yung mga ginawa namin noon, everything was fictional. Although merong historical value rin siya, hindi katulad \[or\] kasing ganda ng ginawa namin ngayon. ***Santiago* was such a difficult first \[leading\] role.** Talaga! Pipi at bulag ako. Paano ‘yung acting doon? \[*Laughs*\] It’s kind of hard for a 13-year-old to do that, na walang experience, walang alam. But that was Lino Brocka. My first Lino Brocka. So it was fantastic. **How did Lino talk to you about it? I can’t imagine how someone would walk a 13-year-old through that, let alone guide them into an award-winning performance.** Wala lang. I just had to do it. \[*Laughs*\] Walang dialogue ‘yun. But then I won a FAMAS for it. It was such an experience. **Was there a favorite moment from the *Santiago* set that you still return to?** Ang memorable lang sa akin doon ‘yung gumawa sila ng schoolhouse tapos sinunog nila. Doon ako mahahanap ni Kuya Ronnie \[Fernando Poe Jr.\] e. When they burnt it down and hosed it, may mga embers pa. Lino would say, “Humiga ka diyan!” And I would say, “Lino, may mga apoy apoy pa.” \[He’d say:\] “Tatapunan ka namin ng putik!” Natatakot ako na masusunog ako. I was 13. Oh my god. But that’s Lino for you. **Talk about trial by fire.** I swear! Talagang tunay! But it was nice. All-star cast kami sa Lea \[Productions\]. **You were with Lea for a five-year contract, right?** Five-year contract. Five pictures a year. **Shortly after, you did the *Hilda* show?** Sabay halos. ‘Yun ang training ko. Matindi ang bantay sa akin ni Lino. Gagawa kami ng pelikula, tapos sabay din ang *Hilda* show for five and a half years. “Ang gagaling ng mga writers namin noon. Mario O’Hara, Ricky Lee. We had so many great writers then.” **How did you manage that while also being a student?** Walang tulog. All the time. They wanted me to stop. But I don’t like that. **Fulfilling decision to keep continuing?** Definitely. I wouldn’t stop for anything. **I discovered belatedly that *Insiang* was initially a teleplay on *Hilda*. What was the difference between the teleplay and…** The ending. **What was the original?** The ending was not the same as the one in the film. Mas maganda ending ng nasa TV. **What was it?** \[*Laughs*\] **I don’t have access to it! You’re my only access to it!** \[*Laughs more*\] Okay. Ang ending sa film: Nakulong ang nanay niya. Pumunta siya sa kulungan. Umiiyak siya. Sinasabi niya mahal niya ‘yung nanay niya, so on and so forth. But sa television? She went to the preso and she says: “Mabuti nga sa iyo. Mabuti ngang nakulong ka.” **Wow.** Hindi raw maka-Pilipino ‘yun. Pero maganda ‘yung ending namin. “Buti nga sa iyo. Hayop ka. You deserve it.” In Tagalog, of course. ‘Yung ganoon. ‘Yung talagang… “Tangina mo!” \[*Laughs*\] **What made them change it?** Ayaw ng gobyerno. Hindi raw maka-Pilipino. **This was before it was released? Or before it went to Cannes?** Bago na-release. Dalawa ‘yung ending nun. Ayaw nilang payagan. Pero mas maganda ‘yung original. Ang galing ng mga artista namin. I liked the original ending. Not necessarily because it was more controversial, but because it was more realistic. Why would you love somebody who did that to you? That’s the thing. That’s the difference when it comes to *Sisa* — it’s more realistic. It’s less forgiving matapos kaming inapi. I like endings like that. Makatotohanan. ‘Yung talagang nararamdaman mo. *Insiang* was like that originally. “Buti nga sa iyo.” **Sorry, kinilabutan ako.** ‘Di ba? **I mean, it’s also because you’re the one saying it!** \[*Laughs*\] Ang ganda? **But that also speaks to the quality of the television at the time.** Oh yeah! Ang gagaling ng mga writers namin noon. Mario O’Hara, Ricky Lee. We had so many great writers then. **It’s great that they found great directors and muses.** We had so much fun with our scripts. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/Hilda-Koronel-Rolling-Stone-Philippines-1.webp) Cape gown, House of Laurel **What was it about the ‘70s and ‘80s? Of course, politics and culture inform the work. But creatively, what was it about the community? Maybe the things that are invisible to us who weren’t witnesses to it firsthand?** People were aware of what was happening around us. Especially during the martial law era. Sensitive ‘yung mga tao. There was an awakening. *Maynila \[Sa Kuko ng Liwanag\]* and *Insiang* were capable of criticizing our society. Nagagawa natin ‘yun. Pero, of course, may repercussions. Napapatawag rin kami sa \[Camp\] Crame noong araw. \[*Laughs*\] **Really?** Yeah when we did \[Behn Cervantes’\] *Sakada*, napatawag ako sa Crame niyan. Sinabi ko sa kanila, noong ini-interview nila ako, “I’m an actress. It’s my job. But that’s about it. If you pay me, sige, I won’t do it.” \[*Laughs*\] Pabiro lang ‘yun syempre. Behn Cervantes ‘yun. He’s a good friend of mine. “Trabaho ko ito.” Hindi ko ito ginagawa to be political. It’s just a role I wanna do. Okay naman sila. Hindi naman sila nang-harass. Pero syempre, ‘pag mapapatawag ka, ninenerbyos ka na, right? **Speaking of the activist and director Behn Cervantes, you did a play with him, right?** I did. It was a Russian play. Of course, tinagalog ni Bienvenido Lumbera. He translated it \[from Maxim Gorky’s *Enemies*\]. It’s called *Ang Kaaway*. I won Best Actress also for that one. Si Behn ang nag-direct nun. **When we last spoke, you said that among the many media you’ve been involved with, theater was the one you were least in love with. Is that still true?** It’s exhausting. Lalo na ngayon. Meron akong mga offers sa teatro. Sabi ko, “No, it’s really tiring for me.” I don’t have the lung capacity for it. **Also, the shows go deep into the evening**. Kaya nga. Every time I was doing *Cat on a Hot Tin Roof* for Lino with sina Phillip \[Salvador in 1978\], every time pagkatapos nung show wala akong boses. It was very nice, but it was very hard. Nakakapagod. Especially at this age. Ayaw ko na. **So there’s no chance of it?** No. I have to think of my health. Hindi na importante sa akin ‘yan. I’d love to. But hindi na kaya. Ayaw ko nang ma-stress. **The involvement in the different forms, did that inform you as an actor?** We had to do it. Kapag sinabi sa amin \[ng management\] na pumunta kang Araneta Coliseum at kakanta ka doon, kahit ayaw ko, I go. We had to do it. Nasa kontrata ko ‘yun e. Sila ang bahala kung saan ka nila isasaksak. Wala kang say. **But eventually, were you able to say “no” to some things?** Yeah. In my fourth year sa contract, nag-reklamo na ako. **Under Lea?** Yeah. Pinakawalan nila ako in my last year. But they were trying to kill my career in that sense. “Okay, papakawalan ka namin. Pero lahat ng offers mo sa labas ng Lea Productions, sa amin dadaan.” Syempre, they always say “no.” But if it’s Lino who’s asking, they cannot say “no.” So it was Lino who would always save me. Wala akong trabaho nun. Binabara nila. **This was when you were 17?** No, 15 lang ata ako. **Right, cause you started at 12.** Wala pa akong 15 noon. I tried to get out. My salary sa first year ko, and star ka na doon ha, was P500 lang per film. Tapos sa second year, P600 pesos. Third year, P700. I mean, really? Come on. **This was the period when you were making five films a year?** Yeah. Umalis ako doon na marami pa akong utang. It was hard. It almost felt like child exploitation. “This is too much already.” “Yeah, but we discovered you.” But at that point, kailangan mo ring kumita. Sagad ka na nang husto, and they were making money off of you. Of course, I’ll always be grateful to them, pero exploitation talaga ‘yun. Star billing na ako noon ha. Grabe. **Is there a performance on set as it is unfolding that made you say, “Wow, that’s an actor”?** Lolita Rodriguez ang binabantayan ko. I was talking to a director and producer who wanted to do something na kaming dalawa. I was such a fan. Pero hindi natuloy because she passed. Sayang. I like watching the old, great ones; ‘yung pinapanood mo at nakakakakilig. “In my 30s, I was thinking, ‘Hindi na ako magtatagal as a lead actress.’ ‘Yung bida-bida. Pero I will graduate to the mother roles. I’ll be the *best* one. Then graduate ako ulit. Andito pa naman ako, right?” **The acting is so different now.** Naiiba na nga ngayon. Iba-iba ang style. May mga high-strung. May mga low-key. Lolita was lowkey. Hindi siya OA. Hindi siya mataas. Hindi siya hysterical. That’s the type of thing I like. **Ika nga ni Eugene Domingo, “Hindi siya ‘**[**nagbabagang balita**](https://www.youtube.com/watch?v=csMaS0ZIHdE)**’ acting.”** Yeah. Hindi. Pinapanood ko ‘yun. Pinag-aaralan ko. I really like na ayaw rin niya ‘yung over the top. Kailangang controlled ang acting. In some scenes namin, I was explaining to her and sina Otep Buncalan \[executive producer of *Sisa*\], “This is Eugene’s scene. I cannot go high on this. I have got to go low. Eksena niya ‘yun e.” Ayaw kong nantatakip ako ng ibang tao. Kasama ko sila. Katrabaho ko sila. Nena is her daughter \[in the film\]. Although I’m in shock, I’ve got to go lower than her because it’s her scene. Sa ibang scene, I can go higher. But I never go hysterical. Ayaw ni Lino ng mga hysterical. Ayaw ni Lino na gumagalaw ang mga chin. \[*She twists her face in a grotesque manner with such control to demonstrate*\] Ayaw niya ‘yan! No movements on your face. Tight close-ups. Very tight. Very still. **Did knowing the technical aspects of filmmaking shape the kind of performance you’d deliver?** Hindi naman. In *Sisa*, we did it almost like it’s a stage play. Tuloy-tuloy ang mga eksena. Tuhog ‘yun. Para kaming nasa stage. Noong araw, hindi digital. Take one ka lang dapat. Kasi mauubos ‘yung pelikula! But now, pwede mong ulitin hanggang 15 takes. It’s fine kasi buburahin lang nila ‘yun. Medyo mahirap ng konti kasi pwedeng ulit-ulitin. Pero noong araw, if you were take one, fabulous ka na. Pero ngayon, iba na e. **Does doing take after take frustrate you as an actress?** Yeah! \[*Laughs*\] I like take ones! Sanay ako sa take ones. Lalo na if it’s a crying scene. My director, Jun Robles Lana, respects that. Kapag alam niyang mahirap ‘yung eksena at tutuhugin niya, very emotional and may iyakan or confrontation, nakukuha namin ng take one. Parang stale na kapag inulit ko. Masyadong rehearsed. I’d like to do it na isa lang para mabigay ko lahat ng emotion ko. Boom! That’s it. So kailangan, take one lang, as much as possible. Senior na rin naman ako! If I can do it, I’ll do it. Pero ‘yung health ko ‘yung importante sa akin. I want to make sure na kaya ko. I won’t take on something na hindi ko kaya. **That question of longevity…** Ang hirap nun, ano! We talked about this when we were younger: Every two years! Ang daming palit nang palit dahil ang daming pumapasok. But to be there forever? ‘Yun ang medyo mahirap. Nora and Vilma. People like us na nagtatagal? Mahirap ‘yun minsan. Kasi ang daming bagong pumapasok na ang gaganda! But after two years, wala na ‘yun. May bago na. A lot of actors and actresses come home from other countries! Half ganito, half ganyan. So beautiful, so talented, so well-educated. Ang dami mong kalaban! Pero to be there forever? Medyo mahirap ma-achieve ‘yun. **What’s the secret? Is there one?** I don’t know! I couldn’t tell you. Siguro body of work lang namin talaga. I don’t know the secret to it. **When did you start thinking about the sustainability of this all? For you and your career?** I don’t think I ever even thought about that! I’m just very practical. In my 30s, I was thinking, “Hindi na ako magtatagal as a lead actress.” ‘Yung bida-bida. Pero I will graduate to the mother roles. I’ll be the *best* one. Then graduate ako ulit. Andito pa naman ako, right? **Our art director Nimu watched *Tanging Yaman* the other day. It’s still so decimating.** I love *Tanging Yaman*. Ang ganda ng cast! \[*She melts into her seat*\] I miss Johnny Delgado. I love Johnny. **Fondest memory with Johnny?** Palabiro kasi ‘yan! ‘Pag nasa shoot kami, you’d think seryoso siya, right? Lagi ko ‘yang rapist \[onscreen\] e. \[*Laughs*\] Sa *Angela Markado.* Kung saan saan. Mukha siyang nakakatakot pero he’s such a funny guy! I love working with him. Lagi kaming naglolokohan at nagbibiruan. Maloko rin ako e. We had fun. We had so much fun working together. I miss him. He’s such a great actor. Mabait ‘yan. Nakakatawa ‘yan. **Is there a role you never got to do that you still think about to this day?** No. **Wala?** In the more than five years of the *Hilda* show every week, that’s almost every role that you could think of! Nawalan kami ng material. **54 episodes each year for five years, right?** Yes. One episode a week for 52 weeks. But, let’s just say may bagyo or may sakit ako, we have to add another two extra. So 54 ‘yun. Imagine? **That’s 270 roles.** Yes. Walang katapusan! Wala na akong maisip when they ask me! So I’m just waiting for a really good script — like this one — to come and ma-e-enjoy ko, na naiiba naman ang role. Kasi I haven’t done anything like this. \[*Laughs*\] Of course, may drama pa rin. May confrontations that I do all the time. Pero naiiba ‘yung role niya. **Did you ever audition for anything?** No. **So it was mostly offers?** Yeah. **Was there any part of you that ever wanted to go through that process?** No. Why would I want the stress? Wala akong ambisyon masyado na ganyan. Masaya na ako. **You grew up onscreen and in the public eye. Did stepping away from show business and living in L.A. offer some respite?** Yeah. Nakapagpahinga ako. It was a quiet life. I liked it. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/Hilda-Koronel-Rolling-Stone-Philippines-5.webp) Zip-up balloon-sleeved blouse, Zara **What made you step away from acting?** My husband’s work was in California. We had to go. Hindi naman pwedeng maiwan kami dito. I made the decision to go. I brought my son with me. That was basically it. Sabi naman ng husband ko, “Maybe it’s time to relax. Pwedeng maghintay ng project na maganda like *The Mistress* (2012).” Pauwi-uwi ka na lang. That’s what we did. **Was there any apprehension going back on set for something like *Sisa*?** No. **Did you have rehearsals before going on set?** No. Why? Why would we have rehearsals? **For blocking?** No. \[*Laughs*\] **Was Lino that kind of director?** Rehearsals? No. Ibibigay niya lang sa iyo ‘yung script. Bahala ka na. Noong araw ganun lang kami. There’s your script. Bahala ka na. Doon na natin pag-usapan ‘yan. **Were most of the directors you worked with also like that?** Yes! We didn’t have a script reading. So noong *Sisa*, I was like, “Script reading? What is that?” \[*Laughs*\] Syempre nagugulat ako na bago na ‘yung mga ganoon. “We have to sit you down.” “You have to read the script? I read it already!” “Yeah, Tita. Ganito po kasi.” What an experience! I was sleepy! \[*Laughs*\] **At the *Sisa* script reading?** Ang kapal e! 102 pages ‘yun! And I’m in all of it! Oh my god. “We’re reading all of it? We’re doing this? Ah! Okay. Sige lang. Tara!” **When I visited the set of *Sisa,* though, you’re so clearly in the moment. I know it’s the job, but where does that impulse to be present come from?** It’s natural for me to be still. Especially if the scenes are very hard. I really have to concentrate and make sure that na-imbibe ko lahat — including the environment. Acting is not just memorizing lines and giving the emotion, you have to know technically where you have to be, where your lights are, saan ka nakatayo, na hindi mo natatakpan ang mga kapwa mo artista. So on and so forth. There are so many things to consider. Minsan, maingay. Kailangan… na-a-absorb mo lahat ‘yun bago ka makapag-concentrate ka sa sarili mo. To act out everything with all of the distractions happening around you? It’s very hard. “My son was telling me, ‘You’re lucky, mom. You were thrown into this career na para sa iyo talaga.’ And I said, Yeah.’ Hindi ko ‘yun naisip. Tama nga siya.” **Has it gotten easier?** No. Lalo na ‘yung mga scenes namin ni Direk Jun. Maraming tao. Sa confrontation scenes namin doon. You have two cameras following you. You have to make sure na tama ‘yung position mo. By the same token, maingay! Kumakalampag ‘yung sahig, ‘yung mga pinggan sa mga eksenang ‘yun. But I have to be very still — even in my thoughts. My lines are very important. They have to be perfect. And the emotions that go with that have to be real. It’s so hard to explain, na hiwalay ‘yun, but that you’re also part of the environment. But that’s how I do it. **What are you noticing with this new batch of filmmakers? Especially with someone like Direk Jun. Is there a quality sila that helps make part of your job as an actor easier?** Yeah. They listen to you. Minsan, ‘yung mga direktor noong araw, you just have to do what they tell you. What I like about Direk Jun is you can talk to him. We discussed the script. Script niya ‘yun, and I will always give him what he wants, but he’s always open to suggestions. He listens. I like that. I do that with Lino, too. Nag-uusap talaga kami. “Ganito ang gusto ko para sa iyo. Perfect na ito. Maganda na ‘yung ginawa mo pero I know you can give me more.” Direk Jun is so easy to work with because nakikinig siya sa iyo, but he knows what he wants also. I like that. **A lot of my favorite films of yours feature women-led casts.** *Working Girls* probably, ano? *Sisa*’s ganyan! Women are so strong. **What do you find in these women-led films? Is that something you look for when you look at projects?** Usually, my roles are like that: strong women. Whether they’re rich or poor, they’re very determined. They’re very resilient. They’re very strong. The characters are very… matapang. Personality nila lumalabas sa screen. Nakikita mong pinapanood ng mga babae. Parang nagiging role model ka. Especially *Working Girls*, hindi pa uso ‘yung women in the workplace na umaangat. Kami ‘yung nag-umpisa ng mga ganyan. I like to play characters that are like that. I think, in a sense, it’s because I’m also like that. I’ve been through a lot, and it makes sense na ‘yung characters ko ganun rin. They’ve been through hell and back. It’s nice to play roles like that — na katulad mo in a sense. **Patapos na po tayo.** Hopefully. \[*Laughs*\] **Did you ever feel underappreciated by the industry itself?** Sometimes. **Especially at the start?** Atsaka lagi kang tinatawaran. O ‘yung mga cheke mo tumatalbog. Syempre I feel like I give them everything that they want. I work really hard. Tapos para kang binabaratilyo. \[*Laughs*\] **Have you found a way to overcome that? Especially those feelings of being neglected or unappreciated?** Hindi naman ganun ka-deep ‘yung resentment ko. I take it in stride. Whatever. Okay lang sa akin. If they need me, they’ll call me again. Nag-aaway kami and then they’ll get me again. Ganun lang ‘yun. Ganun ang industriya. You just have to take it in stride. **Are there actors you still want to work with?** Wala naman. ‘Yung mga dati kong nakatrabaho, I have one in the works with them. Hopefully with Boyet. All of these people I’ve worked with. Like sina John Lloyd Cruz. But a lot of the people I’ve worked with are already gone. I miss Eddie Garcia. I miss Ronaldo. Johnny. Ang dami na e. I want to work with great actresses and actors. Marami nang bago at mahusay. So I’m excited to work with new people. Dito sa *Sisa*, ang dami nilang bago at magagaling lahat. Masayang kasama! I like working with people like that. ‘Yung enjoy ako. Very professional at ang huhusay. Ang sarap kasama nun, ‘di ba? Hindi ka na mag-iisip. It’s an excellent cast. **Will we ever see you in another mainstream movie again?** \[*Smiles deviously*\] You’ll never know. --- *Photography* **JL JAVIER** *assisted by* **APA AGBAYANI** *Styling* **EDLENE CABRAL** *Hair and Makeup* **CHAO VILLANO LILIO** assisted by **RC CORNEJO** *Official Venue Partner* **THE RAMON MAGSAYSAY CENTER** *Hilda wears* **Zara Zip-up balloon-sleeved blouse, H&M frill skirt** **House of Laurel cape gown Rajo Man long-sleeved shirt and House of Laurel maxi skirt** ## Frequently Asked Questions ### What is Hilda Koronel’s latest movie? Hilda Koronel stars in Jun Robles Lana’s historical film Sisa, which premiered at the Tallinn Black Nights Film Festival in November 2025 before its Philippine release. ### How did Lino Brocka influence Hilda Koronel’s career? Lino Brocka discovered and mentored Koronel starting with her break in Santiago (1970) at age 13, directing her in iconic Philippine classics such as Insiang, Maynila: Sa Kuko ng Liwanag, and Haydee. ### What was Hilda Koronel’s birth name before entering show business? Hilda Koronel was born Susan Reid. Studio executives created her screen name early in her career to avoid confusion with legendary actress Susan Roces. ### What awards did Hilda Koronel win for her early roles with Lino Brocka? Koronel won her first FAMAS Award for Best Supporting Actress at age 13 for her performance as a mute and blind girl in Brocka’s Santiago (1970). ### Is Sisa an adaptation of Jose Rizal’s character? While Jun Robles Lana’s Sisa shares themes with Jose Rizal’s classic literary figure, the film is an original historical drama set near the end of the Philippine-American War. Related Stories - [For Jennica Garcia, ‘Sisa’ is Her Hardest Film Yet](https://rollingstonephilippines.com/culture/film/jennica-garcia-sisa-interview/ "For Jennica Garcia, ‘Sisa’ is Her Hardest Film Yet") - [In ‘Sisa,’ The Women Lose Their Shit](https://rollingstonephilippines.com/culture/philippine-cinema/sisa-hilda-koronel-movie-review/ "In ‘Sisa,’ The Women Lose Their Shit") - [‘Sisa,’ ‘Hihintayin Kita sa Langit,’ and More Movies to Watch Right Now](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/sisa-eugene-domingo-wuthering-heights/ "‘Sisa,’ ‘Hihintayin Kita sa Langit,’ and More Movies to Watch Right Now") **Categories:** Culture, Film **Tags:** hilda koronel, Lino Brocka, March 2026 Issue, Sisa --- ### [G22 Bring Their Mythic P-pop World to the Big Stage With First Solo Concert](https://rollingstonephilippines.com/radar/events/g22-first-solo-concert-announcement/) **Published:** March 9, 2026 **Author:** Elijah Pareño **Excerpt:** The P-pop trio brings its high-concept world to the stage for a first solo headlining show at New Frontier Theater this July 2026 **Content:** [G22](https://rollingstonephilippines.com/tag/g22/ "g22") has announced their first solo headlining concert, “The Eve of an Alpha,” at the New Frontier Theater, Cubao, Quezon City on July 12. The group shared teaser visuals on social media in which the three members pose behind a silk blanket, hinting that their individual ‘universes’ will collide for their first major headlining stage. > [View this post on Instagram](https://www.instagram.com/p/DVn1RsYkTy2/?utm_source=ig_embed&utm_campaign=loading)[A post shared by G22 Official (@g22official\_)](https://www.instagram.com/p/DVn1RsYkTy2/?utm_source=ig_embed&utm_campaign=loading) The girl group has long been known for high-concept styling, mythic symbolism, and a commanding stage presence. The promotional artwork for “The Eve of an Alpha” concert frames the trio in an almost ceremonial pose, drawing from fantasy imagery and warrior-like fashion that reflects the group’s constant advocacy for female empowerment. Metallic textures, earth-toned fabrics, and sculpted silhouettes show a narrative of ascension, positioning the group as major characters in a larger storyline. This kind of visual language has become central to G22’s identity, where music releases and performances often arrive with a distinct aesthetic world surrounding them. Consisting of members AJ, Alfea, and Jaz, G22 are known for a fierce take on the P-pop genre through songs such as “Pa-Pa-Pa-Palaban,” “Filipina Queen,” and “Lakumpake,” among others. The trio released their debut studio album, *The Dissection of Eve*, in November 2025, expanding the mythology hinted at in earlier releases. ## Frequently Asked Questions ### When and where is G22’s first solo concert? G22’s first headlining solo concert, titled “The Eve of an Alpha,” takes place at the New Frontier Theater in Cubao, Quezon City, on July 12. ### Who are the members of the P-pop group G22? G22 is a three-member P-pop girl group consisting of AJ, Alfea, and Jaz. ### What is G22’s debut studio album? G22 released their debut studio album, The Dissection of Eve, in November 2025. ### What are some of G22’s signature songs? G22 is known for empowering P-pop anthems such as “Pa-Pa-Pa-Palaban,” “Filipina Queen,” and “Lakumpake.” ### What visual concept defines “The Eve of an Alpha” concert? The concert draws from mythic fantasy symbolism and warrior-like fashion, utilizing metallic textures, earth-toned fabrics, and sculpted silhouettes to depict a story of female empowerment and ascension. 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KaladKaren), broadcast media has always been in the cards for her. Ever since she entered the national spotlight thanks to her Karen Davila impersonation, Wrightson has been a consistent presence on our screens as the first trans news anchor in the Philippines, as a resident judge on *[Drag Race Philippines](https://rollingstonephilippines.com/tag/drag-race-philippines/ "Drag Race Philippines")*, and as an MMFF-winning actress. But she once thought that medicine might be her chosen path. “Inisip ko rin maging doktor,” Wrightson joked in the latest episode of *The Rolling Stone Philippines Interview.* “Sabi ko nga sayang, kasi ang yaman ni Doktora Aivee at tsaka ni Doktora Belo, diba? Parang puwede rin akong maging Doctor of the Stars!” ![Jervi Wrightson](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/RollingStonePortraits0122.webp) “Parang puwede rin akong maging Doctor of the Stars!” ![Jervi Wrightson, KaladKaren](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/RollingStonePortraits0112.webp) For Wrightson, broadcast media has always been in the cards. When asked if dermatology would have been her specialty, Wrightson immediately agreed. “Siyempre, gusto natin beauty, diyan tayo mahilig,” said Wrightson. “Pero sabi ko, parang hirap naman mag-doktor. May math pa ‘yun, may biology pa. Parang hindi ko kaya. Mag-focus na lang ako doon sa alam kong kaya kong gawin.” ## On True Equality ![Jervi Wrightson, KaladKaren](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/RollingStonePortraits0139.webp) “Mag-focus na lang ako doon sa alam kong kaya kong gawin.” Beyond alternative career paths, Wrightson also spoke candidly about the difficulties she’s faced as a trans woman living in the Philippines. “Ang hirap maging bakla sa Pilipinas,” said Wrightson. “Ang daming mga taong huhusga sa’yo, ang daming taong kukutya sa’yo… Especially \[since\] we don’t have a national legislation that will protect everybody against discrimination with regard to their [SOGIE](https://rollingstonephilippines.com/tag/sogie-bill/ "SOGIE Bill") \[short for Sexual Orientation and Gender Identity Expression\].” She also pointed out the country’s lack of a same-sex marriage law, a legislation which has already been implemented in Asian countries such as Thailand and Taiwan. ![Jervi Wrightson, KaladKaren](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/RollingStonePortraits0163.webp) “I hope we inspire other people to not be afraid to be themselves.” ![Jervi Wrightson, KaladKaren](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/RollingStonePortraits0170.webp) “Ang hirap maging bakla sa Pilipinas.” “Kaya naniniwala ako na ang mga taong out, right there, out in the open, being proud of who they are, ay napakatapang na tao,” she said. “And I believe isa ‘yan sa mga responsibilidad namin ng mga LGBTQIA+ actors, hosts, musicians, etc., to represent the community. I hope we inspire other people to not be afraid to be themselves.” She also noted the importance of being identified as a trans woman, regardless of the challenges that may come with it. “I think importante ‘yung ‘trans’ pa rin,” said Wrightson. “Because that makes us who we are. Marami naman klase ng woman for me, and being a trans woman is just one of them.” For more on Jervi Wrightson, watch the full *The Rolling Stone Philippines Interview* episode on YouTube. ## Frequently Asked Questions ### Who is Jervi Wrightson? Jervi Wrightson, widely known by her moniker KaladKaren, is a Philippine broadcast personality, TV host, award-winning actress, and the country’s first transgender entertainment news anchor. ### Why did Jervi Wrightson compare herself to Dr. Vicki Belo? In an interview on The Rolling Stone Philippines Interview, Wrightson lightheartedly shared that she originally considered becoming a dermatologist or “Doctor of the Stars” like Dr. Vicki Belo or Dr. Aivee Aguilar before pursuing media. ### What legal protections does Jervi Wrightson advocate for in the Philippines? Wrightson advocates for national anti-discrimination legislation protecting SOGIE (Sexual Orientation and Gender Identity Expression) and supports legalizing same-sex relationships, pointing to existing laws in neighboring Asian countries like Thailand and Taiwan. ### What historical milestones has Jervi Wrightson achieved as a trans woman in media? She became the first trans entertainment news anchor on Philippine television (Frontline Pilipinas) and made history as the first trans woman to win the Metro Manila Film Festival (MMFF) Best Supporting Actress award for her role in Here Comes the Groom. ### Where can viewers watch the full interview with Jervi Wrightson? The full conversation is available on the official Rolling Stone Philippines YouTube channel. Related Stories - [Jervi ‘KaladKaren’ Wrightson Reflects on ‘Slaysian Royale’](https://rollingstonephilippines.com/culture/tv/jervi-wrightson-kaladkaren-slaysian-royale/ "Jervi ‘KaladKaren’ Wrightson Reflects on ‘Slaysian Royale’") - [Jessica Soho Has Seen the Worst, Yet She Persists as a Journalist](https://rollingstonephilippines.com/state-of-affairs/jessica-soho-hall-of-fame-2025/ "Jessica Soho Has Seen the Worst, Yet She Persists as a Journalist") - [10 Pending Philippine Bills That Demand Legislative Action](https://rollingstonephilippines.com/state-of-affairs/politics/10-pending-philippine-bills-that-demand-legislative-action/ "10 Pending Philippine Bills That Demand Legislative Action") **Categories:** Culture, Editor's Picks, Film, Philippine Cinema, The Rolling Stone Interview, TV **Tags:** Jervi Wrightson, Kaladkaren, The Rolling Stone Interview --- ### [Can Jisoo Get Koreans Back to Cebu?](https://rollingstonephilippines.com/culture/tv/blackpink-jisoo-cebu-boyfriend-on-demand/) **Published:** March 9, 2026 **Author:** Mel Wang **Excerpt:** The Netflix K-drama "Boyfriend on Demand" shows the BLACKPINK star in a number of locations around the Visayan island **Content:** Can [Jisoo](https://rollingstonephilippines.com/tag/jisoo/ "Jisoo") save Cebu’s tourism? In her latest [Netflix](https://rollingstonephilippines.com/tag/netflix/ "Netflix") show, *Boyfriend on Demand*, Cebu — or well, specifically, the beaches of Shangri-la Mactan, Cebu — is featured early on. Jisoo steps into the role of Seo Mi-rae, an unlucky-in-love webtoon producer who signs up for a virtual dating subscription service to help her meet her ideal matches. In the first episode, Jisoo can be spotted soaking up the sun on the hotel’s beach while posing by a large “Love the Philippines” sign. “I had the best time in the Philippines last summer,” says her character Seo Mi-rae. (Did she also feed her morning buffet bread rolls from Tides to the fishes? Or play with the giant chessboard outside the resort’s ice cream shop? One can only imagine.) > [View this post on Instagram](https://www.instagram.com/p/DVn0bfHiZkW/?utm_source=ig_embed&utm_campaign=loading)[A post shared by JISOO🪐 (@sooyaaa\_\_)](https://www.instagram.com/p/DVn0bfHiZkW/?utm_source=ig_embed&utm_campaign=loading) The series, which ranks as the top third show on Netflix Philippines as of this writing, may just be what the Queen City of the South needs to boost Korean tourism. In 2025, tourist arrivals from South Korea to Cebu reportedly dropped by 18 percent, raising concerns, especially since South Korean travelers have long been one of the island’s most important foreign markets. Earlier this January, tourism leaders from ASEAN countries, as well as the Republic of Korea, Japan, and China, met in Cebu to discuss working together to boost tourism cooperation across all regions. Besides Shangri-la Mactan, *Boyfriend on Demand* also features other resort locations around the island, including Bluewater Maribago Beach Resort and NUSTAR Resort Cebu. In the last few days, both Jisoo and the Department of Tourism have promoted the Cebu location on their respective social media platforms. The singer shared several behind-the-scenes photos of filming on the beach with her co-star, Seo In-Guk. ## Frequently ASked Questions ### Which Cebu locations are featured in Netflix’s Boyfriend on Demand? The Netflix series features prominent Cebu resort destinations, including Shangri-La Mactan, Bluewater Maribago Beach Resort, and NUSTAR Resort Cebu. ### What role does BLACKPINK’s Jisoo play in Boyfriend on Demand? Jisoo plays Seo Mi-rae, an unlucky-in-love webtoon producer who signs up for a virtual dating subscription service to meet her ideal matches. ### How much did South Korean tourist arrivals to Cebu decline in 2025? Tourist arrivals from South Korea to Cebu reportedly dropped by 18 percent in 2025, raising concerns among regional tourism leaders. ### Who co-stars alongside Jisoo in the Cebu scenes of Boyfriend on Demand? South Korean actor Seo In-guk co-stars alongside Jisoo, playing her character’s primary real-life romantic interest in the series. ### How are tourism authorities using Boyfriend on Demand to promote Cebu? The Philippine Department of Tourism (DOT) facilitated local production support and is leveraging social media campaigns featuring the series’ resort backdrops and “Love the Philippines” signage to re-engage South Korean travelers. Related Stories - [BLACKPINK Lisa Spotted in Shoes from Filipino Brand GVN](https://rollingstonephilippines.com/radar/style/blackpink-lisa-gvn-shoes/ "BLACKPINK Lisa Spotted in Shoes from Filipino Brand GVN") - [The Start of BLACKPINK’s ‘Me and my’ Sounds Like an NBA Podcast](https://rollingstonephilippines.com/music/pop/blackpink-no-dunks-sample/ "The Start of BLACKPINK’s ‘Me and my’ Sounds Like an NBA Podcast") - [This Cebu Fan Club is Keeping the ‘Heated Rivalry’ Momentum Going](https://rollingstonephilippines.com/culture/tv/heated-rivalry-fan-club-cebu/ "This Cebu Fan Club is Keeping the ‘Heated Rivalry’ Momentum Going") **Categories:** Culture, TV **Tags:** Blackpink, Jisoo, Netflix --- ### [We Ranked Every Track on Harry Styles’ ‘Kiss All The Time. Dance, Occasionally’](https://rollingstonephilippines.com/music/pop/harry-styles-kiss-all-the-time-ranking/) **Published:** March 9, 2026 **Author:** Elijah Pareño **Excerpt:** A track-by-track ranking of the disco-leaning record, from the album’s weakest moments to its most memorable cuts **Content:** [Harry Styles](https://rollingstonephilippines.com/tag/harry-styles/ "Harry Styles")’ *Kiss All The Time. Dance, Occasionally* is the much-awaited fourth album from the singer-songwriter known for hits like “As It Was,” “Sign of the Times,” and more recently the dance-driven electro-disco single “Aperture.” The former One Direction heartthrob-turned-global pop superstar has developed a knack for drifting between different strains of pop music over the past decade. His persona has become synonymous with either flamboyant theatricality or the groovy swagger he carries from music videos to stadium-sized concerts in songs like “Fine Line” or “Late Night Talking.” For years, his silence only made the anticipation louder, until the disco ball finally dropped with the surprise announcement of this new album back on January 20, then released on March 6. Most recently, Styles also announced a Netflix special, *One Night in Manchester*, on March 8. With that momentum in mind, here is a ranked list of the album’s tracks from *Kiss All The Time. Dance, Occasionally*. ## 12. ‘American Girls’ As the music video implies with Styles moving between one set and another like an action star, the album’s second track barely builds toward what the record is supposed to become. “American Girls” suggests that these girls are worth the time and effort, yet the track itself never quite earns that conviction. As a British outsider searching for love across the Atlantic, the song tries to lean on charm and rest upon themes about loneliness in the eyes of a global pop star, but the previous track “Aperture” immediately eclipses it in both groove and chorus. Compared to the rest of the album’s sound palette, this one feels thin, its theme dry and lacking the personality that later tracks manage to establish. ## 11. ‘Pop’ With a title as blunt as “Pop,” you might expect Styles to take a swing at the genre itself. Instead, the song circles around a groove that doesn’t quite land. For someone who has proven capable of shapeshifting between styles, the track oddly plays it safe. The bassline does most of the work, carrying the song through a chorus that never really explodes. For a track literally called “Pop,” it barely does. ## 10. ‘Are You Listening Yet?’ “Are You Listening Yet?” begins with a hint of theatrical buildup, drum rolls and all, and for a moment it sounds like the track might pull something surprising out of its sleeve. Styles come towards a slightly sermon-like delivery, the kind of performance that feels halfway between encouragement and self-help monologue. Still, the production keeps things moving enough to avoid total stagnation. It may not demand repeat listens, but it does enough to keep the momentum from completely collapsing. ## 9. ‘Paint By Numbers’ One of the more lyrically observant tracks on the album, “Paint By Numbers” hints at Styles reflecting on fame and the strange reality of being recognized first as a public figure before being treated as a person. The theme sits slightly at odds with the album’s otherwise glittering dance-floor energy. Ironically, that contrast makes it stand out. Its calmer arrangement feels like a detour from the disco pulse, a reminder that beneath the sheen of the record is still a songwriter interested in examining the mechanics of celebrity. ## 8.‘Ready, Steady, Go!’ The bassline alone almost justifies the song’s place here following the first two tracks—and so did Styles’ taste for groove. “Ready, Steady, Go!” is where the album finally starts sounding awake. Styles rides the groove with a silky delivery that slips toward the magic of the falsetto. Compared to the earlier tracks, this one actually feels like it understands the assignment. The unpredictable rush of a relationship is depicted in disco-pop. The energy lifts, the rhythm kicks in, and the album begins to resemble the dance record it promised to be. ## 7. ‘Dance No More’ “Dance No More” delivers what much of the album hints at but doesn’t always achieve. The falsetto lands naturally against a groove that feels built for late-night movement. It carries the atmosphere of someone who refuses to let the night end. Ironically, its placement near the album’s tail end feels almost backwards. If anything, this is the kind of track that should have appeared earlier, setting the tone for everything that follows. ## 6. ‘The Waiting Game’ Halfway through the album, this is where the production starts getting playful. “The Waiting Game” layers inventive percussion with synth textures that drift between electronic and indie-pop sensibilities. The snare cuts through sharply while acoustic guitar lines slip between the rhythms. Styles switches between reserved phrasing and more melodic stretches, giving the track an elasticity the earlier songs lack. The theme circles around anticipation, the strange feeling of waiting for something that may or may not arrive. ## 5. ‘Taste Back’ Bright synths ripple across the track as if Styles is trying to reclaim something he believes dance music has lost its attachment to the dance floor. “Taste Back” feels like a mission statement hidden inside the album’s middle stretch. The production glows with a polished sheen, suggesting a longing for the kind of dance floor intimacy that defined nightlife before everything slowed down. In that sense, the song reads like a wish for the culture of dancing together to return in full force. ## 4. ‘Aperture’ Styles skirts across “Aperture” between the buildup and movements of bass and rhythm. The tension between isolation and longing runs through the song’s lyrics, but the chorus opens up into something almost euphoric. It lets the light in as the track continues to swell. When he belts “we belong together,” it feels like a reinvention of his pop instincts under a disco-lit disguise. ## 3. ‘Carla’s Song’ Inspired by Simon and Garfunkel’s warm melodies, the album’s last track is a notable closer. The synths stretch across the arrangement while the bass line creeps forward patiently. As the drums grow louder, the song gradually transforms into a full dance-floor release. Styles leans into the performance with confidence, proving that the album’s sonic direction can succeed when every element locks together. Celebrate the beauty of life in the point of view of Harry Styles. ## 2. ‘Coming Up Roses’ By the 11th track, the album feels like the aftermath of a long night. “Coming Up Roses” moves with the gentle comedown of an afterparty, where the lights dim and conversations replace the chaos of the dance floor. Strings slide through the arrangement while Styles settles into a softer performance. It ends not with explosive movement, but with the long-awaited satisfaction of a night that has already happened. ## 1. ‘Season 2 Weight Loss’ “Aren’t you for sale when the cash is cold?” Styles asks in the opening line, setting up the album’s most emotionally charged moment. The track blends the pulse of dance music with a more introspective lyric about searching for connection in crowded spaces. Instead of celebrating the party itself, the song focuses on the person you hope to find inside it. The result is a strange tug-of-war between intimacy and spectacle. In that tension, Styles lands on one of the album’s strongest statements: dancing is, and always will be, about desire, longing, and the hope that someone else might still be waiting on the other side of the floor. ## Frequently Asked Questions ### What is the best song on Harry Styles’ album Kiss All The Time. Dance, Occasionally? “Season 2 Weight Loss” is ranked as the top track on Kiss All The Time. Dance, Occasionally, praised for its blend of dance rhythm, introspective songwriting, and emotional delivery. ### When was Harry Styles’ fourth album Kiss All The Time. Dance, Occasionally released? The album was officially released on March 6, 2026, following its initial surprise announcement on January 20, 2026. ### What was the lead single for Kiss All The Time. Dance, Occasionally? “Aperture” served as the lead single for the album, showcasing a dance-driven electro-disco sound. ### Where can fans watch Harry Styles’ concert special One Night in Manchester? Harry Styles released the concert special One Night in Manchester on Netflix following the launch of Kiss All The Time. Dance, Occasionally. ### How many tracks are on Kiss All The Time. Dance, Occasionally? The album features 12 tracks, ranging from dance-pop cuts like “American Girls” and “Pop” to introspective closers like “Carla’s Song.” Related Stories - [Lorde Embraces Bare Naked Ambiguity in ‘Virgin’](https://rollingstonephilippines.com/editors-picks/commentary/lorde-album-virgin-gender/ "Lorde Embraces Bare Naked Ambiguity in ‘Virgin’") - [Sabrina Carpenter Charts Her Path in Pop With New Album ‘Man’s Best Friend’](https://rollingstonephilippines.com/music/sabrina-carpenter-mans-best-friend/ "Sabrina Carpenter Charts Her Path in Pop With New Album ‘Man’s Best Friend’") - [FKA twigs’ ‘Eusexua’ is a World You Can’t Turn Away From](https://rollingstonephilippines.com/music/music-reviews/fka-twigs-eusexua-album-review/ "FKA twigs’ ‘Eusexua’ is a World You Can’t Turn Away From") **Categories:** Dance/Electronic, Music, Pop **Tags:** Harry Styles --- ### [GMA Public Affairs Seeks MTRCB Review of ‘Lost Sabungeros’ Amid Ongoing Case](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/lost-sabungeros-gma-mtrcb/) **Published:** March 6, 2026 **Author:** Pie Gonzaga **Excerpt:** The MTRCB says Philippine law bars the board from classifying the GMA-produced documentary while the missing sabungeros case remains unresolved **Content:** The [Movie and Television Review and Classification Board](https://rollingstonephilippines.com/tag/mtrcb/ "MTRCB") (MTRCB) said on Friday, March 6, that it had not denied a review of the GMA Public Affairs-produced documentary *[Lost Sabungeros](https://rollingstonephilippines.com/culture/film-tv/6-filipino-documentaries-that-confronted-censorship/ "6 Filipino Documentaries That Confronted Censorship")*. But GMA Public Affairs Senior Vice President Nessa Valdellon says she and *Lost Sabungeros* director Bryan Brazil received a letter from the MRTCB confirming that the board did decline to review and classify the film. “The MTRCB clarifies that the film *Lost Sabungeros* was not rejected nor denied review. Instead, the producers were asked to submit the documentary requirements needed for the board to properly evaluate the film,” the MTRCB said in a [statement](https://www.facebook.com/share/p/1BRHSopps7/) after the release of a new trailer for the documentary, where GMA Public Affairs said the board denied them a review two times. “One of these requirements was a certification confirming that the subject matter of the material is not the subject of any pending case before the courts.” According to MTRCB’s letter to GMA Public Affairs, dated February 19 and signed by board Chairperson Diorella “Lala” Sotto-Antonio, the board cannot review and classify the film without a Certification of No Pending Case to prove that the documentary doesn’t discuss a *sub judice* case, or a case that is ongoing and therefore prohibited by law from public discussion. Responding to the letter on [Facebook](https://www.facebook.com/share/p/1AoDkC4DVi/), Valdellon said, “Would just like to remind you that your very own office sent out communications to us last February with this specific line: ‘The Board finds no sufficient basis to disturb or reconsider its prior determination in declining to review and classify the above-mentioned film,’” she said. Commenting on MTRCB’s alleged censorship of *Lost Sabungeros*, filmmaker JL Burgos [said](https://www.facebook.com/jl.burgos.7/posts/pfbid0e6jL8r42r6YZfC3DCU1m6yVdTCLdTPh5FT61gDZoB77ZP8wEoYgg3j2fURwxNDqYl), “Inaalis ng MTRCB ang sarili nila sa accountability by requiring the producers of the film to submit a Certification of No Pending Case. If there is no such certification, then the MTRCB can give the documentary an X rating under \[the\] *sub judice* rule.” Burgos, whose documentary *Alipato at Muog* also faced [censorship](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/jl-burgos-alipato-at-muog-famas/) by the MTRCB, added, “‘Yon ang problema kapag sa simula pa lang they refuse to review the film: inaalis ang pagkakataon ng producer ng pelikula na tumahak sa legal at demokratikong paraan ng pagapila. Hugas kamay agad, ni hindi pa na-review ang pelikula.” *Lost Sabungeros*, which investigates the [disappearances of several sabungeros](https://rollingstonephilippines.com/state-of-affairs/politics/missing-sabungeros-case-explainer/) and other individuals involved in Luzon’s cockfighting industry, has faced censorship since its release in 2024. Originally slated for Cinemalaya in August 2024, the film festival and the Cultural Center of the Philippines canceled the film’s premiere due to “security concerns,” before it finally premiered at the QCinema Independent Film Festival in November that year. In 2024, the MTRCB also declined to give the film a review and age rating for distribution. After an extensive search in 2025 for the bodies of the [missing sabungeros](https://rollingstonephilippines.com/tag/missing-sabungeros/ "Missing Sabungeros") in parts of Southern Luzon, including Taal Lake, Batangas, the Department of the Interior and Local Government launched a manhunt for businessman Charlie “Atong” Ang. The gambling magnate is believed by authorities to be the mastermind behind the disappearances, and has not been found since a Lipa City court issued his arrest warrant in January 2026. With the missing sabungeros case ongoing, Valdellon said, “We are going the school route so that more people can see the new \[and\] complete version of the documentary.” ## Frequently Asked Questions ### What is the documentary Lost Sabungeros about? Produced by GMA Public Affairs and directed by Bryan Brazil, Lost Sabungeros is an investigative documentary examining the unsolved disappearances of cockfighting enthusiasts (sabungeros) and affiliated individuals across Luzon. ### Why is the MTRCB declining to review Lost Sabungeros? The Movie and Television Review and Classification Board (MTRCB) states that producers must submit a Certification of No Pending Case to ensure the documentary does not violate the sub judice rule regarding active court cases. ### What is the sub judice rule in the context of film classification? The sub judice rule restricts public discussion or media presentation of active judicial proceedings to prevent influencing court outcomes or prejudicing ongoing trial cases. ### How is GMA Public Affairs distributing Lost Sabungeros without MTRCB classification? GMA Public Affairs Senior Vice President Nessa Valdellon indicated that the team is taking an educational campus roadshow route, screening the documentary at schools and universities to reach audiences. ### Who directed Lost Sabungeros? The investigative documentary was directed by filmmaker Bryan Brazil and produced by GMA Public Affairs. Related Stories - [6 Filipino Documentaries That Confronted Censorship](https://rollingstonephilippines.com/culture/film-tv/6-filipino-documentaries-that-confronted-censorship/ "6 Filipino Documentaries That Confronted Censorship") - [The Missing Sabungeros Case: Revelations and Allegations So Far](https://rollingstonephilippines.com/state-of-affairs/politics/missing-sabungeros-case-explainer/ "The Missing Sabungeros Case: Revelations and Allegations So Far") - [JL Burgos on ‘Alipato at Muog’ and Fighting for Desaparecidos](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/jl-burgos-alipato-at-muog-famas/ "JL Burgos on ‘Alipato at Muog’ and Fighting for Desaparecidos") **Categories:** Culture, Film, Philippine Cinema, Philippine Politics, State of Affairs **Tags:** Missing Sabungeros, MTRCB --- ### [‘Sisa,’ ‘Hihintayin Kita sa Langit,’ and More Movies to Watch Right Now](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/sisa-eugene-domingo-wuthering-heights/) **Published:** March 6, 2026 **Author:** Mel Wang **Excerpt:** Your weekly guide to some of the most bizarre, essential, and interesting things to add to your watchlist, courtesy of the Rolling Stone Philippines writers and editors **Content:** Welcome to [What to Watch Right Now](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/ "What To Watch Right Now"), our weekly rundown of the best things to watch right now. The constant stream of shows, videos, and films to watch online can become a sludge to wade through, so here are a few things you can watch courtesy of the Rolling Stone Philippines team. Whether it’s a new film, a video essay, or even a home video release you should own, we hope it can ease the burden of choosing which streaming platform to use or of discovering a new cinematic odyssey. This week, new releases such as *[Sisa](https://rollingstonephilippines.com/tag/sisa/ "Sisa")*, the [Hilda Koronel](https://rollingstonephilippines.com/tag/hilda-koronel/ "hilda koronel")-led historical thriller directed by [Jun Robles Lana](https://rollingstonephilippines.com/tag/jun-robles-lana/ "Jun Robles Lana"), had us making our way to our nearest cinemas. But it also had us thinking about one of its standout co-stars, [Eugene Domingo](https://rollingstonephilippines.com/tag/eugene-domingo/ "Eugene Domingo"), pushing us to revisit some of her earlier works, such as *Ang Tanging Ina* and *Here Comes the Bride*. And for those still thinking about *[Wuthering Heights](https://rollingstonephilippines.com/tag/wuthering-heights/ "Wuthering Heights")* (because that horny mess has, for better or worse, left a permanent mark on our souls), please turn to *Hihintayin Kita sa Langit*, an arguably more faithful (and Filipino) take on the Gothic classic. ## ‘Sisa’ *Two hours of intrigue, revenge, and women trying to survive a war they didn’t ask for* There are many reasons why the women of *Sisa* have been pushed to their limit. A new batch of white, angry colonizers has taken their husbands, sons, and fathers away from them. Their village has been turned into a concentration camp. The aforementioned colonizers promised them freedom, but have also forced them to work as their unpaid servants. If anything, they should have led an uprising against the Americans much sooner. But the women of the village need a leader, and this comes in the form of the stoic and slightly unhinged Sisa (Hilda Koronel). Slowly, Sisa begins to convince the women that the only real course of action against the Americans is bloodshed. She also shows them that anyone standing in their way of vengeance, Filipino or otherwise, should be dealt with by any means necessary. Although the revenge plot within *Sisa* is definitely one of its strongest points, it’s also more than compelling enough to watch the all-female main ensemble show off their acting chops as women struggling to find a sense of normalcy during wartime. Eugene Domingo knows exactly how to switch from nagging mother to converted rebel in a heartbeat. Jennica Garcia strikes a balance as a woman caught between two allegiances. And Hilda Koronel keeps a watchful eye on all of them, carrying all her grief, hatred, and rage in just one look. —*[Mel Wang](https://rollingstonephilippines.com/author/melissa-wang/ "Mel Wang")* ## ‘Hihintayin Kita sa Langit’ *A romantic Filipino take on a gothic classic* Regardless of how you feel about Emerald Fennell’s *Wuthering Heights* (personally, I felt that it was an affront to the source material and to the feminist movement), I think we can all agree that Emily Brontë’s novel is difficult to translate to a screenplay. So Carlitos Siguion-Reyna offers a loose adaptation in the 1991 romance *Hihintayin Kita sa Langit*. As with many other adaptations, Brontë’s gothic edges here are buffed almost to nil, but *Hihintayin Kita sa Langit* is still a feast for the eyes. Richard Gomez is a sight to behold as the Heathcliff-adjacent Gabriel Salvador. No man has ever looked as good on camera as he did, tearfully carrying Dawn Zulueta’s Carmina to a bougainvillea-framed balcony, where the two professed their love to one another. Batanes also adds to the film’s melodramatic character, all rolling hills and wind, which, I concede, is all a *Wuthering Heights* adaptation needs. —*[Pie Gonzaga](https://rollingstonephilippines.com/author/sophia-gonzaga/ "Pie Gonzaga")* ## ‘Here Comes the Bride’ *Finally, a wedding comedy that queer people could enjoy* What’s worse than a Freaky Friday? A five-way Freaky Friday on your wedding day. In Chris Martinez’s 2010 comedy *Here Comes the Bride*, bashful bride Stephanie (Angelica Panganiban), feisty lawyer Precy (Eugene Domingo), nanny Medelyn (Tuesday Vargas), sickly Lolo Bien (Jaime Fabregas), and the catty, ill-tempered stylist Toffee (John Lapus) all get into a car crash during a solar eclipse that magically mixes up their souls. While they’re all determined to switch back into their own bodies, Toffee’s adamant to continue living as Stephanie, who’s getting married to the super hot Harold (Tom Rodriguez). The pseudoscience that *Here Comes the Bride* operates on doesn’t have to make sense for one to enjoy the film. As Panganiban embodies the “babaeng bakla” in Stephanie, Lapus perfectly captures the vibe of a heterosexual geriatric made virile once more in the body of a younger gay man. If you still can’t imagine what that looks like, the full movie is available to watch for free on ABS-CBN Star Cinema’s official YouTube channel. —*Pie Gonzaga* ## ‘Ang Tanging Ina’ *The classic story of a woman making ends meet for her family takes an absurd turn* It’s not a spoiler to say that all three of Ina Montecillo’s (Ai-Ai delas Alas in her most iconic role) husbands die within the first 10 minutes of the film, but the whole sequence is still hilarious after over two decades. This film has so many moments of absurdity that they’re still branded in my brain: Rowena (Eugene Domingo) running a bus company in a punk rock outfit, Ina working in a construction site while Chona Cruz’s *Working Girls* theme plays in the background, Ina’s wrists bleeding from handwashing too much clothes (she has a dozen children, after all), and the iconic lata scene of Ina walking along EDSA, which is, all at once, a commentary on public transportation, the state of the economy, and the casual violence that women endure on the daily. Wenn Deramas’ seminal motherhood film is classic for a reason. The story of a mother making ends meet for her family has been a fixture in Philippine cinema (the fact that they’ve spoofed quite a few of them here says a lot, from *Madrasta, Anak* to *Bata, Bata, Paano Ka Ginawa?*), but what *Ang Tanging Ina* did was inject a fresh breath of air and turned Ina into the quintessential Filipino mother of the 2000s. The film sizzles with Deramas’ trademark energy: every scene comes with a joke, pop-cultural touchpoints are referenced, and there’s an undeniable star power to his actors. Ai-Ai may have established herself as the comedic villain to beat in *Booba,* but *Ang Tanging Ina* was the testament that she could shoulder a film on her own. —*[Don Jaucian](https://rollingstonephilippines.com/author/don-jaucian/ "Don Jaucian")* ## Frequently ASked Questions ### What is the historical movie Sisa about? Directed by Jun Robles Lana and starring Hilda Koronel, Sisa is a historical thriller set during the Philippine-American War that follows a group of women seeking vengeance and survival in an occupied village. ### Which classic novel inspired Hihintayin Kita sa Langit? Carlitos Siguion-Reyna’s 1991 romantic film Hihintayin Kita sa Langit, starring Richard Gomez and Dawn Zulueta, is a loose Filipino film adaptation of Emily Brontë’s novel Wuthering Heights. ### What is the plot setup of Here Comes the Bride? Chris Martinez’s 2010 comedy Here Comes the Bride follows five individuals—played by Angelica Panganiban, Eugene Domingo, Tuesday Vargas, Jaime Fabregas, and John Lapus—who swap bodies following a magnetic car crash during a solar eclipse on a wedding day. ### Who stars as the lead in Ang Tanging Ina? Ai-Ai delas Alas stars in her signature comedic role as Ina Montecillo, a devoted mother navigating absurd financial and personal hurdles to care for her 12 children. ### Where can viewers stream Here Comes the Bride? The full movie Here Comes the Bride is available to stream for free on ABS-CBN Star Cinema’s official YouTube channel. Related Stories - [In ‘Sisa,’ The Women Lose Their Shit](https://rollingstonephilippines.com/culture/philippine-cinema/sisa-hilda-koronel-movie-review/ "In ‘Sisa,’ The Women Lose Their Shit") - [‘Wuthering Heights’ Reaches the Horniest of Heights](https://rollingstonephilippines.com/culture/reviews/wuthering-heights-movie-review/ "‘Wuthering Heights’ Reaches the Horniest of Heights") - [10 Filipino Films Turning 10 In 2026](https://rollingstonephilippines.com/culture/philippine-cinema/10-filipino-movies-turning-10-2026/ "10 Filipino Films Turning 10 In 2026") **Categories:** Culture, Editor's Picks, Film, Lists, Philippine Cinema, What To Watch Right Now **Tags:** Ang Tanging Ina, Here Comes the Bride, Hihintayin Kita sa Langit, Sisa, What to Watch Right Now --- ### [For Jennica Garcia, ‘Sisa’ is Her Hardest Film Yet](https://rollingstonephilippines.com/culture/film/jennica-garcia-sisa-interview/) **Published:** March 6, 2026 **Author:** Mel Wang **Excerpt:** The actress sat down with us to talk difficult scripts, self-doubt, and rising above it to find the humanity in her character **Content:** [Jennica Garcia](https://rollingstonephilippines.com/tag/jennica-garcia/ "Jennica Garcia") was nervous on the set of *[Sisa](https://rollingstonephilippines.com/tag/sisa/ "Sisa")*. The historical thriller, directed by the award-winning [Jun Robles Lana](https://rollingstonephilippines.com/tag/jun-robles-lana/ "Jun Robles Lana"), is not an easy story to tell. Beyond tackling the final, doomed days of the war between the Philippines and America, *Sisa* dives deep into the lives of the Filipino women who paid the real price of the bloodshed. Deceit, death, and an insurmountable grief all play a part in the film, with [Hilda Koronel](https://rollingstonephilippines.com/tag/hilda-koronel/ "hilda koronel") leading the charge as its titular character, out for revenge. ![Jennica Garcia](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/RS-Jennica-Garcia-Sisa-3.webp) “Leonor is very much in love.” ![Jennica Garcia](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/jennica-garcia-leonor-sisa-b3-1.webp) “Not a single actor \[on set\] had an attitude.” Garcia, in turn, was given the challenge of playing Leonor, a young widow who has become the town pariah for allegedly sleeping with Commander Harrison (or “Eddie,” as she calls him in private). Pushed onto the outskirts of the village by her fellow neighbors, Leonor begins to believe more and more in the Americans’ promise of a peaceful, “civilized” future for the Philippines. For Garcia, *Sisa* proved to be the most difficult film she’d ever taken on since she began acting at 17. “I think this was the hardest thing I’ve ever done,” she told *Rolling Stone Philippines.* “I had anxiety the entire time we were doing *Sisa*.” Despite having worked in Philippine show business for almost two decades, Garcia claimed that she still possessed the same shyness that she had as a teenager when she first worked with Lana on the GMA sitcom series, *Boys Nxt Door*. “Direk Jun was really one of my first directors,” said Garcia. “Before, when I was starting out, lagi akong nangangapa. I wasn’t sure of what I was doing. I never really had a formal acting workshop. But when I got to work with Direk Jun, siya talaga ‘yung nagbigay sa akin ng confidence ko.” According to Garcia, Lana was the first director to see her potential as an actress. “I don’t think I’ve even told him this, but I don’t think he even has an idea of what I really feel about him as a director,” she said. “Direk, if it wasn’t for you, I don’t think I’d make it this far.” ## On Tricky Lines So when Lana’s production team reached out to Garcia about starring in his latest film, she immediately leapt at the chance to work with her favorite director again. But it wasn’t until she began reading Lana’s script, written in complete, traditional Tagalog (*Sisa* is set in 1902, after all), that she began to feel the challenges of the role. “Hirap pala ako sa deep Tagalog,” said Garcia. “Comfortable man ko with Bisaya, English, pero… these are lines that you really don’t say on the daily. I had to take speech lessons for *Sisa* kasi may punto man ko. And the thing with me is that I need to memorize all my lines beforehand so that when we shoot, I’m only thinking of my emotions. I cannot do both at the same time.” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/Jennica-Garcia-RSPH-Sisa.webp) According to Garcia, Lana was the first director to see her potential as an actress. When it came time to shoot, Garcia recalled her scenes requiring multiple retakes because she was struggling with her lines. It reached a point that even her co-stars were beginning to notice her nervousness. “Miss Hilda would hold me and tell me, ‘Huy, you’re shaking,’” recalled Garcia. “I was getting so nervous and shy after so many takes, but she’d always tell me, ‘Relax, don’t worry.’ She was very motherly.” “I really hope that they see how women can be powerful.” Jennica Garcia “I realized when I was doing *Sisa*, na parang… na-question ko kung marunong nga ba ko, kung artista ba talaga ko,” continued Garcia. “There were moments when I knew, in my heart, that I could have done better.” However, it was Lana’s push to retake scenes that helped Garcia find her way back again to playing Leonor. “I think Direk Jun could notice when I was just trying to get things over and done with,” said Garcia. “Because even if I perfected the line, he would ask for another take. And… I have this desire, with every project, to please my director. Gusto ko na isipin nila, ‘Tama, siya nga dapat si Leonor.’ I didn’t want them to think of any other actor to play that role.” ## On Finding Leonor And on the subject of playing Leonor, Garcia recalled working closely with Lana to flesh out such a complex character. Unlike the other women in the main ensemble of *Sisa*, Leonor’s allegiances are never cut and dry. Caught between caring for her fellow Filipinos and staying with the American commander she’s fallen in love with, Leonor finds herself unable to completely stand with one side. ![Jennica Garcia](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/RS-Jennica-Garcia-Sisa-4-rollingstone.webp) “I have this desire, with every project, to please my director.” ![Jennica Garcia](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/jennica-garcia-leonor-sisa-b2.webp) “Gusto ko na isipin nila, ‘Tama, siya nga dapat si Leonor.’” “I realized when I was doing Sisa, na parang… na-question ko kung marunong nga ba ko, kung artista ba talaga ko.” Jennica Garcia But for Garcia, it was easy to find the humanity in Leonor’s inner conflict. “Leonor is very much in love,” said Garcia. “She finds validation in her love interest. And… I don’t think Leonor is a woman who really knows who she is yet. She believes that she is who her romantic partner says she is.” “It was very easy for me to understand where Leonor is coming from because I was once like her,” Garcia added. “I was very dependent on my romantic partner before, and I also didn’t know who I really was. My identity was based on how he saw me and treated me.” Garcia also noted that it helped that her female co-stars were so supportive of her, both onset and in between takes. “The camaraderie was always there,” she recalled. “We would support each other, swap stories with each other, share our Jisulife \[fans\] with each other. Everything that we had, we shared to make the working experience lighter for all of us. Not a single actor had an attitude.” ## The power of Women The months after wrapping *Sisa* have been busy for Garcia, who has three more films coming out in the near future. “I don’t have a day off for March, April, and May,” she joked. “I just finished filming *Andoy*, this horror film,” she said, “and I’ll be shooting in Iloilo, Butanes, and Mindoro for two untitled films.” Although she was quick to recall all the difficulties she had on the set of *Sisa*, Garcia noted that she was ultimately satisfied with her portrayal of Leonor. “My favorite part about Leonor is that she’s on this journey,” she said, “of realizing that a woman can stand her own ground while accepting her own faults.” ![Jennica Garcia](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/RS-Jennica-Garcia-Sisa-6-rolling-stone.webp) For Garcia, it was easy to find the humanity in Leonor’s inner conflict. When asked what she hopes audiences take away from Leonor, Garcia had to take a second before replying. “Well, I hope they don’t think that women are evil,” she said with a laugh. “But I hope that they see how women can be powerful.” Garcia also emphasized that the film carries a much larger message for Filipino audiences who watch it, and that she hopes that they leave cinemas carrying it with them. “For Filipinos,” she said, “I hope they see… Ang Filipino ay malakas kapag nagkakaisa.” *Sisa* is currently screening in Philippine cinemas nationwide. *Styling Edlene Cabral HMUA Edenikka Tawiran* ## Frequently Asked Questions ### What role does Jennica Garcia play in Jun Robles Lana’s film Sisa? Jennica Garcia plays Leonor, a young widow caught in an emotional and political conflict between her village community and her romantic relationship with an American commander named Harrison. ### Why did Jennica Garcia consider Sisa her most difficult acting role? Garcia found the role challenging due to the script’s traditional 1902 Tagalog dialogue, which required formal speech training, coupled with anxiety over performing alongside veteran actors like Hilda Koronel. ### How did director Jun Robles Lana assist Jennica Garcia on set? Jun Robles Lana provided detailed direction and requested multiple retakes to push Garcia past surface-level delivery, helping her fully realize the emotional nuances of her character. ### How did veteran actress Hilda Koronel support Jennica Garcia during filming? Hilda Koronel offered a calming and motherly presence on set, comforting Garcia when she experienced nervousness during high-pressure scenes. ### What future projects is Jennica Garcia working on after Sisa? Following Sisa, Garcia’s upcoming projects include the horror film Andoy and two untitled feature films shot across Iloilo, Batanes, and Mindoro. Related Stories - [In ‘Sisa,’ The Women Lose Their Shit](https://rollingstonephilippines.com/culture/philippine-cinema/sisa-hilda-koronel-movie-review/ "In ‘Sisa,’ The Women Lose Their Shit") - [New ‘Sisa’ Trailer Sees Hilda Koronel Return to the Filipino Silver Screen](https://rollingstonephilippines.com/radar/releases/sisa-hilda-koronel-trailer-release/ "New ‘Sisa’ Trailer Sees Hilda Koronel Return to the Filipino Silver Screen") - [2026 is the Year of Iconic Movie Comebacks and Franchise Wars](https://rollingstonephilippines.com/culture/2026-in-movies-hilda-koronel-doomsday/ "2026 is the Year of Iconic Movie Comebacks and Franchise Wars") **Categories:** Culture, Film, Philippine Cinema **Tags:** Jennica Garcia, Sisa --- ### [Why the MTRCB is Summoning Vice Ganda and ‘It’s Showtime’ Producers](https://rollingstonephilippines.com/culture/tv/mtrcb-summons-vice-ganda-its-showtime-lugaw-skit/) **Published:** July 28, 2026 **Author:** Pie Gonzaga **Excerpt:** The noontime program, rated PG, has drawn flak for “racist and inappropriate” jokes made during the show’s “Memerimar” skit **Content:** The [Movie and Television Review and Classification Board](https://rollingstonephilippines.com/tag/mtrcb/ "MTRCB") (MTRCB) is investigating complaints regarding alleged racist and inappropriate jokes made in a skit during the “Laro Laro Pick” segment of the noontime variety show *[It’s Showtime](https://rollingstonephilippines.com/tag/its-showtime/ "it's showtime")*. The program’s producers and host [Vice Ganda](https://rollingstonephilippines.com/tag/vice-ganda/ "vice ganda") have been summoned to explain the jokes. “Concerned citizens called out Vice Ganda’s alleged racist, colorist remarks and a ‘lugaw’ scene featuring Vice Ganda and Ion Perez,” the agency said in a statement issued on July 28. The statement also mentioned a two-page notice that directed representatives of GMA Network Inc. and ABS-CBN Corporation to attend a hearing on “countless letter complaints.” The hearing is scheduled on Wednesday, July 29. The agency also noted that Vice Ganda issued a public apology for the jokes on July 25. “They found the jokes offensive or insensitive \[…\] the last thing we want is to displease you o hindi mapasaya ang aming Madlang People,” the host said. “Kaya naman in-a-acknowledge namin ang inyong saloobin at humihingi po kami ng paumanhin sa inyo and we will try to do better.” One of the controversial jokes from the “Memerimar” skit involves Vice Ganda spitting water on Johaira, a member of the girl group Baby Dolls, and saying, “Anong nangyari sa ‘yo? Bakit nagputik ka?” Audiences saw the joke as a pointed remark on Johaira’s skin color. At another point in the skit, Perez, a co-host and Vice Ganda’s boyfriend, poured lugaw from a plastic bag on his partner’s mouth, which audiences interpreted as an allusion to oral sex. MTRCB is investigating whether the jokes violated a presidential decree “prohibiting the exhibition of TV programs that are contrary to law, good customs, public order, public morals, or are otherwise objectionable.” ## Frequently Asked Questions ### Why is the MTRCB investigating Vice Ganda and *It’s Showtime*? MTRCB is investigating complaints over an allegedly racist, colorist skit in the “Laro Laro Pick” segment, including remarks toward Johaira of Baby Dolls and a lugaw joke with Ion Perez. ### What did Vice Ganda say in the controversial “Memerimar” skit? Vice Ganda spat water on Johaira and asked why she looked “nagputik,” which audiences read as mocking her skin color, prompting the MTRCB complaints. ### Did Vice Ganda apologize for the jokes? Yes. On July 25, Vice Ganda publicly apologized, acknowledging viewers found the jokes offensive and saying the cast would “try to do better.” ### When is the MTRCB hearing for *It’s Showtime*? The MTRCB hearing is scheduled for July 29, with representatives from ABS-CBN Corporation and GMA Network Inc. directed to attend and respond to the complaints. ### What law is MTRCB using to investigate the skit? MTRCB is assessing whether the skit violated a presidential decree barring TV content that is contrary to law, good customs, public order, public morals, or otherwise objectionable. Related Stories - [6 ‘Kalokalike’ Performances That Hit and Missed on ‘It’s Showtime’](https://rollingstonephilippines.com/editors-picks/lists/6-kalokalike-performances-its-showtime/ "6 ‘Kalokalike’ Performances That Hit and Missed on ‘It’s Showtime’") - [GMA Public Affairs Seeks MTRCB Review of ‘Lost Sabungeros’ Amid Ongoing Case](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/lost-sabungeros-gma-mtrcb/ "GMA Public Affairs Seeks MTRCB Review of ‘Lost Sabungeros’ Amid Ongoing Case") - [JL Burgos on ‘Alipato at Muog’ and Fighting for Desaparecidos](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/jl-burgos-alipato-at-muog-famas/ "JL Burgos on ‘Alipato at Muog’ and Fighting for Desaparecidos") **Categories:** Culture, TV **Tags:** it's showtime, MTRCB, vice ganda --- ### [Should the Travel Tax Be Abolished? Experts, Lawmakers Weigh In](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/travel-tax-abolition-tourism-cultural/) **Published:** March 4, 2026 **Author:** Pie Gonzaga **Excerpt:** Lawmakers move to scrap a hefty tax on outbound travel, but industry groups warn that billions in funding for tourism infrastructure, scholarships, and cultural programs could be at risk **Content:** The House Committee on Tourism has approved a measure consolidating several bills that seek the abolition of the travel tax. Should the bill be passed into law, outbound Filipino passengers no longer have to pay the travel tax, which ranges from P1,620 to P2,700. But what happens to the tourism and cultural programs it funds? The Philippine Hotel Owners Association (PHOA) warns that by repealing the travel tax for Filipinos flying abroad, Filipino tourists will be more enticed to travel outside the Philippines for study, work, or leisure, rather than travel within the country. PHOA said, “We should be focusing on inbound and not outbound tourism. We do not want to encourage overseas spending that boosts the economies of our neighbors. Instead, we should support our own hotels, resorts, and other tourism establishments and help our local workers \[…\] The association asserts that a concrete, comprehensive replacement plan must be finalized before any talk of abolition begins.” During the tourism committee’s hearing on February 23, Tourism Infrastructure and Enterprise Zone Authority (TIEZA) Chief Operating Officer Mark T. Lapid said that the travel tax is “essential to make the Philippines a competitive tourist destination,” as its revenue funds infrastructure projects. Lapid also said that the travel tax generated P8.7 billion for the government in 2025, and that this went to tourism development, cultural programs, and maintenance of tourist sites. ![mark lapid house of representatives tourism committee hearing](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/mark-lapid.webp) TIEZA COO Mark Lapid argues against the abolition of the travel tax before the House Committee on Tourism, February 23. Screenshot from House of Representatives of the Philippines/Facebook The travel tax also funds grants given by the Commission on Higher Education (CHED) and the National Commission for Culture and the Arts (NCCA) to researchers and artists. CHED Commissioner Shirley Agrupis says 40 percent of travel tax collections accounts for 85.6 percent of the commission’s resources. According to [*Bilyonaryo*](https://businessmirror.com.ph/2026/02/24/hotels-warn-travel-tax-repeal-to-hurt-local-tourism/), P600 million to P700 million of the travel tax revenue also goes to the rehabilitation and operation of historical and heritage sites, such as the Manila Metropolitan Theater, baroque churches across the country, and the city of Vigan, Ilocos Sur. ## ‘No Brainer’ However, Congressman Miro Quimbo, chairman of the House Committee on Ways and Means, predicts that the abolition of the travel tax could generate as much as P22 billion annually through travel agencies and airline companies, far exceeding the annual travel tax revenue of around P7.5 billion. “Kapag tinanggal po natin ‘yong P1,620 sa isang plane fare, mas maraming tao ang makakabiyahe. So mas madadagdag ang kikitain ng ating travel agencies, ating airline companies. No-brainer,” said Quimbo on February 15, amid discussions among lawmakers about the repealment of the travel tax. He also added that the Philippines is the only Southeast Asian nation that still imposes a tax on outbound travel. Meanwhile, the tourism committee, chaired by Cong. Eleandro Jesus Madrona, says lawmakers will continue seeking out alternative sources for funding tourism, cultural development, and scholarship programs currently supported by the travel tax. ## Frequently Asked QUestions ### How much is the current Philippine travel tax for outbound passengers? Outbound Filipino passengers paying the standard travel tax contribute between ₱1,620 and ₱2,700 per ticket, depending on their travel class and ticket type. ### Which government agencies receive funding from the Philippine travel tax? The Tourism Infrastructure and Enterprise Zone Authority (TIEZA) receives the primary share, while 40 percent goes to the Commission on Higher Education (CHED) for higher education grants, and a portion goes to the National Commission for Culture and the Arts (NCCA) to maintain heritage sites. ### How much revenue does the travel tax generate annually? According to TIEZA, travel tax collections generated ₱8.7 billion for the government in 2025, which directly funded tourism development, heritage preservation, and academic research grants. ### Why do some lawmakers support abolishing the travel tax? Proponents like Congressman Miro Quimbo argue that removing the tax lowers flight costs, stimulating travel demand and generating up to ₱22 billion annually through boosted airline and travel agency activity. ### Why does the Philippine Hotel Owners Association (PHOA) oppose immediate travel tax abolition? PHOA warns that removing the tax could encourage outbound spending in neighboring countries at the expense of domestic resorts and hotels, urging lawmakers to establish a replacement funding plan first. Related Stories - [Siargao Tourism is Getting Out of Hand and Residents are Pushing Back](https://rollingstonephilippines.com/state-of-affairs/power/siargao-locals-foreign-tourism/ "Siargao Tourism is Getting Out of Hand and Residents are Pushing Back") - [A Unified Visa for ASEAN? Not in the Near Future](https://rollingstonephilippines.com/state-of-affairs/power/philippines-tourism-asean-visa/ "A Unified Visa for ASEAN? Not in the Near Future") - [Want to Leave the Country? Here’s Where to Get A Golden Visa, and How Much It Costs](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/golden-visa-for-filipinos/ "Want to Leave the Country? Here’s Where to Get A Golden Visa, and How Much It Costs") **Categories:** Philippine Politics, State of Affairs **Tags:** Tourism --- ### [syd hartha on Why the Best Songs Are Written After Stepping Outside](https://rollingstonephilippines.com/music/folk/syd-hartha-writing-songs-around-nature/) **Published:** March 5, 2026 **Author:** Elijah Pareño **Excerpt:** The Filipino indie-folk songwriter explores how the beach, solitude, and observation shape the way she writes about love and vulnerability **Content:** Singer-songwriter [syd hartha](https://rollingstonephilippines.com/tag/syd-hartha/ "syd hartha") wouldn’t want her personal stories to get in the way while writing a song. The 24-year-old indie-folk songstress has often been open about going to the beach, spending time by the water, and writing songs in that same space. At least, that’s what social media tends to show about the singer. But underneath that image is a songwriter who understands how to write with complicated emotions and translate them into something intimate. The beach may look like a place of ease, but the songs themselves hold far heavier reflections. In 2018, her breakout single “tila tala” introduced another folk artist on the rise, one with a careful sense of phrasing where rap-influenced cadence meets the delicate movement of an acoustic guitar. The song placed her within the growing wave of Filipino indie-folk artists at the time, yet her writing carried a distinct interior voice — direct, observant, and often disarmingly honest. There’s a duality to this, and syd hartha herself has learned to move between both sides. She understands that songwriting sometimes demands vulnerability, even when the subject feels uncomfortable to confront. She has never shied away from writing about those situations either. Past releases such as “ayaw,” “kung nag-aatubili,” and “3:15,” her writing explores the complicated pull of desire, the hope for reciprocation, and the darker realities that surface when trust is broken within a relationship. Beneath the softness of her arrangements is a songwriter who knows exactly what she wants to say, her willingness to sing what others often avoid. syd hartha leans toward a more nature-bound routine while working through creative ideas. Whatever image people see online, the tree-hugging persona is not a performance but rather part of the environment that allows her to open up in the first place — the kind of vulnerability that feeds her songwriting. “When I’m around nature, I feel most myself,” syd tells *Rolling Stone Philippine*s. “Walang pressure kasi mama nature doesn’t judge, and we don’t need to perform around her. Like anumang itsura ko, anumang feelings ko, okay lang sa kanya. Pwede akong maging ganito ko vulnerable with my music.” ## Zooming Out In her latest single “ako naman muna,” released in November 2025, syd found a breath of fresh air after writing the song and its composition almost by accident. A bossa nova beat and groove play naturally with the singer’s delivery, all thanks to the unexpected moment of writing outside. The distance offered by nature does not erase the emotions she writes about, but instead helps place them in a wider frame. She allows songs to emerge from observation — the tide moving in and out, the stillness that settles after a long while. ![syd hartha 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/syd-hartha.webp) For syd hartha, songwriting in more peaceful settings would mean an artist understands where those feelings are placed in a larger world. Photo from syd hartha/Facebook “For the longest time, parang hiwalay ‘yong playful side ko at ‘yong music ko na mas personal at medyo dark,” she says. “Ngayon, nakikita ko na rin ‘yong playfulness at childlike side ko sa music.” In that sense, syd hartha’s songs often unfold in small details: a moment of hesitation, a line that lingers after a conversation, the recognition that something in a relationship has changed. The beach becomes a vantage point for her eventually. From there, the songwriter is able to step back, examine the emotional terrain, and decide which parts are worth turning into a melody. “Kapag nasa nature ako, napipilitan akong maging still at umupo with everything I’m feeling,” she says. “Pati ‘yong mga emotions na ayaw ko sanang ilabas, lumalabas sa songs.” For syd hartha, songwriting in more peaceful settings would mean an artist understands where those feelings are placed in a larger world. She learns how to carry them without letting them swallow the song itself. “Minsan kailangan mo lang mag-zoom out,” she says. “May mas malaking mundo sa labas, and that helps you see things differently.” ## Frequently ASked Questions ### What is syd hartha’s latest single and when was it released? syd hartha released her single “ako naman muna” in November 2025. The track features a bossa nova groove and a playful delivery that marks a blend between her lighter side and her personal songwriting. ### How does nature influence syd hartha’s songwriting process? syd hartha uses natural environments, such as beaches and quiet outdoors, to step away from internal pressure. Being in nature provides a judgment-free space that allows her to sit with uncomfortable emotions and translate them into intimate melodies. ### What was syd hartha’s breakout single? syd hartha introduced her signature indie-folk style with her 2018 breakout single “tila tala,” which combined rap-influenced cadence with acoustic guitar arrangements. ### What themes are explored in syd hartha’s music? Her songs frequently explore personal vulnerability, complex romantic desires, relationship friction, broken trust, emotional honesty, and self-reflection. ### Which previous songs are included in syd hartha’s discography? In addition to “ako naman muna” and “tila tala,” her notable past releases include “ayaw,” “kung nag-aatubili,” and “3:15.” Related Stories - [After Five Decades, Lolita Carbon Believes Filipino Music Began in Folk](https://rollingstonephilippines.com/music/folk/lolita-carbon-folk-filipino-music-awards/ "After Five Decades, Lolita Carbon Believes Filipino Music Began in Folk") - [Clara Benin Finds Freedom in Open Tunings and Empty Spaces](https://rollingstonephilippines.com/music/folk/clara-benin-open-tunings-discovery/ "Clara Benin Finds Freedom in Open Tunings and Empty Spaces") - [Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’](https://rollingstonephilippines.com/music/singer-songwriter-barbie-almalbis-myth-of-rakista-rolling-stone-interview/ "Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’") **Categories:** Editor's Picks, Features, Folk, Music **Tags:** syd hartha --- ### [In ‘Sisa,’ The Women Lose Their Shit](https://rollingstonephilippines.com/culture/philippine-cinema/sisa-hilda-koronel-movie-review/) **Published:** March 5, 2026 **Author:** Mel Wang **Excerpt:** Female rage is the heart of this revenge drama, but is it enough to fuel the entire movie? **Content:** *[Sisa](https://rollingstonephilippines.com/tag/sisa/ "Sisa")* is an all-women affair. Director [Jun Robles Lana’s](https://rollingstonephilippines.com/tag/jun-robles-lana/ "Jun Robles Lana") historical thriller, set in the final days of the Philippine-American War, features a notable lack of men among the major ensemble. Yes, male American soldiers patrol the village they’ve turned into their headquarters, and yes, male commanders with their male Filipino rebel counterparts call the shots when it comes to deciding the war’s outcome. But their military machismo largely unfolds on the periphery, and it’s nowhere near as compelling as the intrigue stirred up by the women of the village. The women of *Sisa* have their own problems to think about. Delia ([Eugene Domingo](https://rollingstonephilippines.com/tag/eugene-domingo/ "Eugene Domingo")) is busy fretting over her 13-year old daughter Nena (Angellie Sanoy), who’s spending too much time with a young, trigger-happy American soldier. Ofelia (Tanya Gomez) can barely leave her bed after the capture of her husband, the village leader. And they, along with the other women of the village, are united in their distaste for the young widow Leonor (Jennica Garcia), who spends her evenings warming the bed of Commander Harrison (Kuya Manzano) — allegedly. Sharp glares, side-eyes, and well-timed sarcasm all color how the women make their dislike known, and it is a delight to watch them bicker and squabble as a way of distracting themselves from their shared grief. Things change when a seemingly deranged woman ([Hilda Koronel](https://rollingstonephilippines.com/tag/hilda-koronel/ "hilda koronel")) wanders into town. They immediately welcome her into their fold, naming her Sisa after the madwoman of *Noli Me Tangere* (a little on-the-nose there, ladies, but alright). Quiet, stoic, and prone to bursts of anger, Sisa is quickly labelled the town lunatic and left to her own devices. But underneath her guise of madness, Sisa’s out for revenge, and she’ll stop at nothing to get even with the Americans who ruined her and her family’s lives. ## Focus on the Rage ![Hilda Koronel, Sisa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/sisa_hilda_koronel-1.webp) Hilda Koronel in *Sisa*. Photo from The IdeaFirst Company/Facebook There’s no denying that Koronel is a formidable actress, even after 14 years away from the silver screen. Her movies with the late National Artist for Film [Lino Brocka](https://rollingstonephilippines.com/tag/lino-brocka/ "Lino Brocka") firmly planted her in the national spotlight, from *Tinimbang Ka Ngunit Kulang*, to *Maynila sa mga Kuko ng Liwanag*, to *Insiang*. And in *Sisa*, she does not disappoint. With far less dialogue than her female co-stars, Koronel infuses her stares and body language with a rage so great that it’s a wonder that no one realizes what Sisa is up to. Whether she’s visibly shaking as she walks by the American soldiers or frowning at Leonor as she claims, for the nth time, that the Americans are good, Sisa’s definitely seething over how the Filipino people have traded one violent colonizer for another. But while Sisa’s trying to keep her rage in check, the same cannot be said for the women around her. Domingo, in particular, excels at portraying a mother just one push away from a downward spiral. A skilled actress in both comedy and drama, Domingo doesn’t shy away from throwing shade, sobbing, and threatening murder, sometimes all in the same breath. Delia may start off quietly grumbling about how the Americans took everything from her family, but when the last push inevitably comes, we can’t fault Delia for finally picking up an axe. ![Eugene Domingo in Sisa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/sisa-eugene-domingo.webp) Eugene Domingo in *Sisa*. Photo from The IdeaFirst Company/Instagram *Sisa* is at its best when it’s shining a light on female rage, but these moments are, unfortunately, too few and far between. Instead, we get the usual narrative of Filipinos versus colonizers, when the real and more compelling threats come from within. We already know that the American soldiers do not have the Filipinos’ best interests at heart, and we already know that the war doesn’t end in the Philippines’ favor. So it is the in-fighting and the intrigue that keep us watching *Sisa*, because we do not yet know how things will end for this one particular group of angry Filipino women. But do these women get what they want in the end? By the time the final act comes around, most, if not all, of them, are looking for some form of retribution. As a director, Lana has laid more than enough pieces of their stories down to show that they are no longer satisfied living under a new colonizer’s regime. All he needs to do is complete their arcs in a finale that he’s carefully spent the last two hours building towards. And Lana grants us this pay-off, albeit not with any grand, final showdown. Just like his past dramas (most notably *Mga Kuwentong Barbero*, which also features Domingo as a grieving, spiraling woman), Lana ensures that each of his main ensemble cast members gets the vengeance they long for, regardless of the consequences. If Lana’s goal was to create a historical thriller with female rage at its core, *Sisa* more than delivers. It leaves no easy messages or morals with its audiences by the time the end credits roll, and it asks us only to consider how far is too far when faced with a tempting chance at revenge. ## Frequently ASked Questions ### Who directed the film Sisa and what is its setting? Sisa was directed by Jun Robles Lana. The historical thriller is set in a remote village during the final days of the Philippine-American War. ### Who stars in the cast of Sisa? The film features an all-women ensemble starring Hilda Koronel, Eugene Domingo, Jennica Garcia, Tanya Gomez, and Angellie Sanoy. ### What role does Hilda Koronel play in Sisa? Hilda Koronel plays the title character Sisa, a seemingly stoic and traumatized woman who enters the village under the guise of madness while secretly plotting revenge against American forces. ### How does Sisa explore the theme of female rage? The movie focuses on how the women of a war-torn village navigate grief, colonial oppression, internal squabbles, and eventual violent retribution rather than traditional battlefield combat. ### Which previous films by Jun Robles Lana share themes with Sisa? Sisa shares thematic parallels and character arcs with Lana’s earlier period drama Mga Kuwentong Barbero (Barber’s Tales), which also starred Eugene Domingo dealing with grief and societal pressure. 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Since opening its first branch in Poblacion in 2019, the restaurant has grown into one of Metro Manila’s go-to spots for Thai street food, with smoky grills, fiery woks, and punchy flavors. The concept leans less on the familiar Thai restaurant staples and more on the everyday dishes you’d find in roadside stalls and markets, particularly from northern and northeastern (or Isan) Thailand. Now, the Thai food joint can be found in 11 branches across Metro Manila. ![khao khai gai tod](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/GAI-TOD-02.webp) Gai Tod. Photo courtesy of Khao Khai Thai Chicken Shop ![khao khai chicken casher krapao](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/CHICKEN-CASHEW-KRAPAO-02.webp) Chicken Cashew Krapao. Photo courtesy of Khao Khai The menu boasts of Khao Khai’s signature Gai Tod, the crisp Bangkok-style fried chicken served in different versions: Original, Spicy, with Curry, or with Victory Sauce. Then there’s Gai Yang, the Isan-style grilled chicken marinated with herbs and spices and cooked over charcoal, smoky and slightly sweet. The Chicken Cashew Krapao, meanwhile, is salty and aromatic, stir-fried chicken tossed with cashews and bell peppers in a glossy Thai-style sauce. Yam Kai Dao, a fried egg salad with crispy edges and bright herbs, delivers a tangy jolt between bites of heavier dishes. Lastly, the Tom Yum Shrimp Fried Rice pulls the citrusy heat of tom yum soup into a wok-fried staple, with garlic, chilies, and shrimp folded into rice. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/TOM-YUM-SHRIMP-FRIED-RICE.webp) Tom Yum Shrimp Fried Rice. Photo courtesy of Khao Khai Khao Khai likes to keep things casual. Interiors evoke the looseness of Southeast Asian street eateries and even our own karinderyas, colorful and chaotic. That energy has helped the brand resonate with Metro Manila’s food crowd, particularly younger diners always looking for a dining place that feels new and familiar at the same time. ## Frequently ASked Questions ### What type of Thai cuisine does Khao Khai specialize in? Khao Khai Thai Chicken House specializes in casual northern and northeastern (Isan) Thai street food, focusing on charcoal-grilled and fried dishes rather than traditional central Thai restaurant staples. ### What are the signature dishes at Khao Khai Thai Chicken House? Key signature dishes include Gai Tod (Bangkok-style fried chicken), Gai Yang (Isan-style herb-marinated grilled chicken), Chicken Cashew Krapao, Yam Kai Dao (fried egg salad), and Tom Yum Shrimp Fried Rice. ### Where did Khao Khai open its first branch in Metro Manila? Khao Khai opened its flagship branch in Poblacion, Makati, in 2019 before expanding to 11 locations across Metro Manila. ### What is the difference between Gai Tod and Gai Yang at Khao Khai? Gai Tod is crisp, Bangkok-style fried chicken offered in varieties like Original, Spicy, Curry, or Victory Sauce. Gai Yang is Isan-style grilled chicken marinated in herbs and cooked over charcoal. ### How many Khao Khai branches are there in Metro Manila? As of 2026, Khao Khai operates 11 branches across Metro Manila, serving casual street-food-style dining. 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The *Rolling Stone Philippines* team is constantly sharing things to listen to, and each week, we compile a ragtag playlist of songs that we believe every music fan today needs to know. Whether it’s the hottest new single or an old track that captures the state of the present, our hope is that you discover something for your musical canon. This week’s songs roam through different corners of pop and alternative music, from hemlocke springs’ surreal synth-pop confessionals “be the girl!” to ena mori stepping into the red-lit drama of “19 Underground,” and MATOKI drifting through slow waves of shoegaze distortion in “Patiently.” Elsewhere, Perfume Genius strips things down to a solitary piano in “It’s Fine (No Front Teeth) and Turnstile closes the door on an era with a slow-burning farewell in “MAGIC MAN.” Whether you’re looking for fuzzy guitars, dreamy indietronica, or a pop song that feels like stepping into the unknown, this week’s selections are a must listen. ena mori, “19 Underground” ![ena mori](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/s-1-1600x1600.webp) Photo from ena mori/Instagram *Being the most glamorous pop star in the function* ena mori’s best friend is her younger self in “19 Underground,” one of the standout tracks from her latest EP, Ore. In the song, she moves with the sound rumbling beneath her feet. Shuffling between violin strings and a UK garage beat in the song’s music video, ena dances across the red limelight of a function room filled with dancers. Piano keys rise and fall in scattered bursts; everything moving inward and outward aligns in her favor, as if the pop gods themselves had turned their attention toward artists like ena mori. —Elijah Pareño MATOKI, ‘Patiently’ ![MATOKI](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/s-2-1600x1600.webp) Photo from MA/Instagram *A fuzzy, slow-paced rock cut* Filipino rock band MATOKI has returned with the single “Patiently,” which follows 2025’s “Under My Skin.” As expected of a shoegaze and dream pop outfit like MATOKI, the new track is drowning in reverb, fuzzy and spacious. The song also takes a surprising turn in the second verse by holding back on the reverb, the singing air-tight even as the band’s vocalist holds long notes, before launching the listener back into the vast space with roaring guitars. MATOKI’s a young band to watch, and with spaced-out single releases, we might be looking forward to its second album after their 2022 release, *And Mend All Your Broken Bones*. —*Pie Gonzaga* Shye, “Too Late” ![Shye](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/s-3-1600x1600.webp) Photo from Shy/Instagram *Singapore’s top-tier yearning anthem* The drum machine rolls beneath the gliding guitars that shape Shye’s dreamy landscape in “Too Late.” The Singaporean singer-songwriter enters a world of situations where she wishes she had pursued love and everything around it much sooner. Rather than remaining trapped in that circle of yearning, Shye contemplates through melody, choosing musical phrasing over overly ornate lyricism. Sweet and simple in its approach, the indietronica production allows the song to grow naturally, resulting inan earworm that rewards listening from start to finish. *—Elijah Pareño* hemlocke springs, “be the girl!” ![hemlocke springs](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/s-3-1-1600x1600.webp) Photo from hemlocke springs/Instagram *A song full of cool melodies, candy, and surrealism* In hemlocke springs’ “be the girl!,” she gushes over synths and shuffling grooves that give her space to maximize on her emotions. The four-minute runtime suggests a journey, but instead of dragging the moment out, she harmoniously belts through the song, accepting the changes along the way that both calm and unsettle her. hemlocke springs gives an ending that leaves her in an unknown stasis, facing a future filled with competing emotions and multiple directions. The performance alone signals her potential as a breakout artist in 2026. *—Elijah Pareño* Perfume Genius, ‘It’s Fine (No Front Teeth)’ ![Perfume Genius](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/s-4-1600x1600.webp) Photo from Perfume Geni/Instagram *A roomy piano ballad for existentialists* It’s been almost a year since American singer-songwriter Michael Hadreas, better known as Perfume Genius, released his seventh studio album, *Glory*, in late March 2025. On February 27, Hadreas returned with the extended version of his critically acclaimed album, with four new tracks. Among these is “It’s Fine (No Front Teeth),” a reprise of the album’s second track, “No Front Teeth.” The newer version forgoes the original’s guitars, drums, and New Zealand singer Aldous Harding’s vocals for a quiet, lush, and roomy production. While “No Front Teeth” is a rock track through and through, “It’s Fine” is more of a piano ballad that leaves a lot more space for reverie. —*Pie Gonzaga* Turnstile, ‘MAGIC MAN’ ![TURNSTILE](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/s-6-1600x1600.webp) Photo from TURNSTILE/Instagram *An ethereal and solemn goodbye song* It’s the last time this year I’m adding a song off the *Industry* soundtrack to this list, I swear. In the show’s season finale — without spoilers — Turnstile’s “MAGIC MAN” comes in during a pivotal moment for one of the show’s many morally gray characters. “Always in the wind, while you’re slipping through the hands that you hold,” sings Brendan Yates, the rock band’s vocalist, amid the scene’s silence. Released in June 2025, “MAGIC MAN” is the final track on *NEVER ENOUGH*. Unlike the rest of Turnstile’s fifth album, mercurial and mostly fast-paced, “MAGIC MAN” is stripped back and slow. Yates’ vocals float atop a pool of synthetic pads and bass, ethereal but also solemn. —*Pie Gonzaga* ## Frequently ASked Questions ### What is Rolling Stone Philippines’ “Songs You Need to Know”? “Songs You Need to Know” is a weekly curated music column and playlist by Rolling Stone Philippines featuring notable new music releases across pop, alternative, indie, and electronic genres. ### Which artists and tracks are featured in this week’s playlist? This week’s roundup features hemlocke springs (“be the girl!”), ena mori (“19 Underground”), MATOKI (“Patiently”), Perfume Genius (“It’s Fine (No Front Teeth)”), and Turnstile (“MAGIC MAN”). ### What track did artist ena mori release on this week’s playlist? ena mori is featured for her single “19 Underground,” described as a red-lit, dramatic pop release. ### Where can fans stream the Songs You Need to Know playlist? Listeners can stream the weekly curated selection directly on Spotify via the official Rolling Stone Philippines playlist link. ### What genre is MATOKI’s featured single “Patiently”? MATOKI’s single “Patiently” is an alternative track characterized by slow, drifting waves of fuzzy shoegaze distortion and dreamy indietronica. 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And has Harper lost too much in securing her win for SternTao? **Content:** *[Industry](https://rollingstonephilippines.com/tag/industry-hbo/ "Industry HBO")* isn’t a game show, but it might as well be, given the competitive nature of the finance world that it examines and satirizes. Across the financial thriller’s four seasons, we’ve seen companies rise and fall, employees fired or leave for greener pastures, and many characters die. Protagonists and antagonists alike seem to oscillate forever between winning and losing, subject to the highs and lows of the trading floor and beyond. Here, we look at how these characters fare by the [end of Season 4](https://rollingstonephilippines.com/culture/tv/industry-season-4-episode-8-finale/ "‘Industry’ Season 4 Finale: Yasmin Finds Success in the Alt-Right"). *Warning: Major spoilers ahead.* ## Eric Tao: Loser ![industry ken leung eric tao](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/eric-tao.webp) Could this be Ken Leung’s last season on *Industry*, following Eric Tao’s exit from SternTao? Screenshot from HBO Max A divorcee and absent father, Eric Tao ([Ken Leung](https://rollingstonephilippines.com/tag/ken-leung/ "Ken Leung")) has lived a pleasant life in retirement, with a relatively young girlfriend at his beck and call and the Mar-a-Lago golf course in his backyard. But when his protégé Harper Stern ([Myha’la](https://rollingstonephilippines.com/tag/myhala/ "Myha'la")) invites him to start their own firm, he comes out of retirement, believing there’s more he can still do as a financial stalwart. However, it turns out unc doesn’t have it anymore. In fact, he’s lost it all after hiring a sex worker who was revealed to be underage. We’re not sure if his blackmail tape will ever surface in [Season 5](https://rollingstonephilippines.com/culture/tv/industry-renewed-fifth-season/ "‘Industry’ to End with Fifth Season and ‘Unparalleled High,’ Says Writers"), but we know that it’s out there, and that’s why he left SternTao to Harper. ## Sweetpea Golightly: Winner ![industry miriam petche sweetpea golightly](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/sweetpea-golightly.webp) Miriam Petche’s Sweetpea Golightly knows how to twist people’s arms. Photo from IMDb/Website After doing meticulous investigative work for Harper and SternTao, weathering a reputation-damaging OnlyFans leak, and getting her nose broken, Sweetpea Golightly ([Miriam Petche](https://rollingstonephilippines.com/tag/miriam-petche/ "Miriam Petche")) absolutely deserves her win. At the end of Season 4, she’s happier than everyone, with £2 million in her bank account, a new office to work in, and her nose fixed. She’s charming but bullish (“Show me dollars.”), and very, very intelligent — and has rightfully been rewarded for being so. ## Whitney Halberstram: Loser ![industry max minghella whitney halberstram](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/whitney-halberstram.webp) Max Minghella plays the cold-blooded Tender CFO, Whitney Halberstram. Screenshot from HBO Max Series newcomer Whitney Halberstram ([Max Minghella](https://rollingstonephilippines.com/tag/max-minghella/ "Max Minghella")), CFO of the now-defunct Tender, fled the U.K. on a cheap private jet, a fake Lithuanian passport, a fake beard, and Russians on his six. Whitney’s downfall is tragic, even if we saw it coming, because he’s one of the show’s most compelling characters by far. We don’t know anything about his personal life, only that he’s ambitious and has a penchant for bullshit, or, to put it nicely, perfuming his schemes with flowery language. But in the end, his extensive knowledge of the dictionary wasn’t enough to save him. ## Jennifer Bevan: Winner ![industry jennifer bevan amy james-kelly](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/jennifer-bevan.webp) Amy James-Kelly plays closeted pragmatist Jennifer Bevan in *Industry* Season 4. Screenshot from HBO Max This season, we were introduced to Jennifer Bevan (Amy James-Kelly), a leftist Labour Party MP. On TV, she seems idealistic and uncompromising, but her off-camera pragmatism is what leads her to back Tender in a hearing with the company’s executives and the Prudential Regulation Authority, where regulators were pressured to approve a deal between Tender and the European bank, IBN-Bauer. Tender’s fall was a bad look for Jenni, but through her speech on TV, she’s able to put the Labour Party back in the public’s good graces, admitting her complicity in Tender’s schemes. If Jenni’s truly resolved to do better as a politician, we might just see her become a hero of sorts next season. ## Rishi Ramdani: Loser ![industry sagar radia rishi ramdani](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/rishi-ramdani.webp) Sagar Radia’s Rishi Ramdani knows rock bottom all too well. Photo from IMDb/Website Past male protagonists like Gus Sackey (David Jonsson) and Robert Spearing (Harry Lawtey) were allowed to leave the narrative on their own terms, but Rishi Ramdani’s (Sagar Radia) exit was undignified, a fall in the most literal sense. He’s gone through so much, from watching his wife get shot dead to nursing a gambling addiction and substance abuse, that I could only wish him a peaceful death to end his agony, but he isn’t even granted this grace. Instead, he survives a jump off his balcony and is detained. Hopefully, he finds respite in prison. ## Henry Muck: Winner ![kit harington henry muck industry season 4 episode 1](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/01/industry-henry-kit-harington.webp) Kit Harington’s Henry Muck doesn’t look well, but he looks good. Photo from IMDb/Website I don’t like Henry Muck ([Kit Harington](https://rollingstonephilippines.com/tag/kit-harington/ "Kit Harington")) one bit, but the show is good at making his classist tirade against Whitney in the final episode feel triumphant. He saw Whit’s plebeian runaway jet, said, “Ew!” and realized he could use his privilege as a nobleman to cushion himself against Tender’s collapse. In some ways, he’s back to where he was when we met him in Season 3, emotionally volatile and coddled by his uncles. But even on house arrest, he’s in a much better state than when Season 4 started. This is a man who, despite facing betrayals and mental health issues, will never truly know rock bottom. ## Harper Stern: Loser ![industry myha'la harper stern](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/harper-stern.webp) Myha’la’s Harper Stern could have been a winner, if she hadn’t lost so much. Photo from IMDb/Website Harper’s success with SternTao is Pyrrhic. Yes, she, Sweetpea, and Kwabena Bannerman (Toheeb Jimoh) managed to short Tender, earning a total of $110 million, and will be moving into a new office. But she also lost the most important people in her life in the process. Her mother passed, Eric left SternTao after being blackmailed by Whitney, and Yasmin Hanani ([Marisa Abela](https://rollingstonephilippines.com/tag/marisa-abela/ "Marisa Abela"))… well, you’re about to find out. ## Yasmin Hanani: Loser ![industry marisa abela yasmin hanani](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/yasmin-hanani.webp) Marisa Abela delivers an award-worthy performance this season as Yasmin Hanani. Photo from Industry HBO/Instagram There were signs throughout the series that Yasmin was capable of becoming a fictionalized Ghislaine Maxwell. There are blatant parallels to Jeffrey Epstein’s accomplice, from Yasmin’s father, Charles (Adam Levy), being a media magnate and naming his yacht “Lady Yasmin” to his drowning on a cruise off the coast of Spain. Yasmin’s attitude towards abuse victims in Seasons 2 and 3 — brushing them off or outright silencing them — also clues us in on her arc. Yet it’s also understood that her animosity towards Pierpoint junior Venetia (Indy Lewis) and Charles’ former staff was a symptom of her struggle to make sense of her own abuse. Because of that, she was, up until the Season 4 finale, an object of sympathy for the show’s viewers. But like many other characters in *Industry*, Yasmin is motivated by a need for power, and her trauma has unfortunately taught her that the only way to get it is through exploitation and abuse. She’s a loser because she knows that playing madam for white supremacists is wrong and still chose to do so. ## Frequently Asked Questions ### What happened to Eric Tao in the Industry Season 4 finale? Eric Tao left SternTao after being compromised by a blackmail scheme involving an underage sex worker, leaving the firm entirely in Harper Stern’s hands. ### Did Sweetpea Golightly end Season 4 as a winner? Yes, Sweetpea Golightly emerged as one of the season’s biggest winners after earning £2 million from investigative short-selling work alongside Harper, securing a new office, and recovering from past scandals. ### How does Henry Muck avoid financial ruin at the end of Season 4? Despite the collapse of Tender, Henry Muck utilizes his aristocratic privilege and family connections to cushion himself against ruin, placing himself on house arrest rather than facing economic downfall. ### Why is Harper Stern’s Season 4 ending considered a Pyrrhic victory? Although Harper’s firm SternTao made $110 million shorting Tender, she ended the season isolated, having lost her mother, her business mentor Eric, and her relationship with Yasmin Hanani. ### What choice marks Yasmin Hanani’s downfall in the Season 4 finale? Yasmin’s arc turns tragic and morally compromised as she chooses to leverage trauma for power by organizing exploitative environments for wealthy elites, severing her remaining ethical boundaries. 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As of this writing, the extended edition of *The Return of the King* is set to hit select SM Cinema locations nationwide on March 20. Completing the epic trilogy, *The Return of the King* will follow Frodo (Elijah Wood) and Sam (Sean Astin) on the final leg of their journey to Mount Doom to destroy the One Ring. Meanwhile, Gandalf (Sir Ian McKellen) and Aragorn (Viggo Mortensen) must lead the World of Men and their allies against Sauron’s army for one final battle. The extended edition of *The Return of the King* will run for roughly four hours and 12 minutes, as opposed to the original version’s three hours and 21 minutes. *The Return of the King* won 11 Academy Awards in 2004, including Best Picture and Best Director. As of writing, no specific cinema locations have been listed. ## Frequently Asked Questions ### When will The Lord of the Rings: The Return of the King Extended Edition be screened in the Philippines? The extended edition of The Return of the King is set to hit select SM Cinema nationwide locations on March 20, 2026. ### How long is the extended edition of The Return of the King? The extended cut runs for approximately 4 hours and 12 minutes (252 minutes), featuring roughly 51 minutes of additional footage compared to the 3-hour and 21-minute theatrical version. ### Which cinema chain is hosting the Lord of the Rings 25th anniversary screenings in the Philippines? SM Cinema is hosting the screenings as part of its celebration of the 25th anniversary of The Fellowship of the Ring, concluding a three-month theatrical re-release event. ### How many Academy Awards did The Return of the King win? The Lord of the Rings: The Return of the King won 11 Academy Awards in 2004, sweeping all categories in which it was nominated, including Best Picture and Best Director for Peter Jackson. ### Which cast members star in The Return of the King? The film stars Elijah Wood (Frodo Baggins), Sean Astin (Samwise Gamgee), Sir Ian McKellen (Gandalf), Viggo Mortensen (Aragorn), Orlando Bloom (Legolas), and Andy Serkis (Gollum). 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But in Dubai, Chef JP Anglo says safeguards placed by the UAE government have kept Filipinos at ease **Content:** “It’s the first time the bubble has been burst,” Sarsa’s Chef JP Anglo tells *Rolling Stone Philippines* in a call from Dubai, United Arab Emirates (UAE), as the global city finds itself in the crossfire between Israel and Iran. “Parang na-sa-shock ang mga tao. But at the same time, doon mo rin ma-fi-feel ang sistema na gumagana.” Over the past few days, conflicts in the Middle East have escalated to attacks that have left over one million [overseas Filipino workers (OFWs)](https://rollingstonephilippines.com/tag/overseas-filipino-workers/ "Overseas Filipino Workers") in danger. But Anglo, who runs Kooya Filipino Eatery in Dubai, says that Filipinos in the city are relatively at ease. “Dito kasi, the government is so well-respected,” notes Anglo’s wife, photographer Camille Malapas Anglo. After Israel and the U.S. carried out joint strikes on various parts of Iran on Saturday, February 28, Iran retaliated with strikes on U.S. bases across the Gulf region. So far, the strikes have caused the death of a Filipino caregiver, Mary Anne Velazquez de Vera, in Tel Aviv, Israel. [*Rappler*](https://www.rappler.com/people/united-states-israel-iran-war-impact-filipinos-united-arab-emirates-march-2026/) reports that in Dubai, Filipinos have chosen to stay indoors as the UAE continues to intercept missile and drone attacks. According to the Department of Migrant Workers (DMW), as of Tuesday, March 3, around 100 Filipinos in the city have expressed their intent to return to the Philippines. “It’s the first time, basically, that the \[Dubai’s\] bubble has been burst. So parang na-sa-shock ‘yung mga tao but at the same time, dun mo rin na-fi-feel ‘yung sistema na gumagana siya.” Chef JP Anglo Iran’s retaliatory attacks on Sunday, March 1, still yielded damage to landmarks like the Dubai International Airport, the Burj Al Arab hotel, and the man-made island Palm Jumeirah. But according to the UAE Ministry of Defense (MOD), its air defense systems have intercepted 152 ballistic missiles, two cruise missiles, and 506 drones so far. Meanwhile, Dubai’s residents are keen to bring things back to normal, and Anglo says the city is already “back on its feet.” Here, the chef talks to *Rolling Stone Philippines* about running a business in Dubai amid a conflict, and what makes the city feel safe for its Filipino residents. **When did you move to Dubai?** We moved here during the pandemic. We got invited to a pop-up, and then we knew nothing of Dubai. And then, not to our surprise, wow, ang dami natin dito. We saw that people also wanted to eat better here and we saw that we could have that role to play here. We saw ‘yung sistema dito during the pandemic. Dubai was in full throttle, almost back to normal. We kind of just jumped at the chance and trusted ourselves. We’ve been here almost five years now and we are still trusting. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/JP-Q_-scaled.webp) Chef JP Anglo and Camille Malapas Anglo. Photo courtesy of JP Anglo **How have the people been since you moved?** The community has been supportive. We’re lucky that they’ve embraced us. In a way, given what’s happening, we can’t just jump ship because we’ve started something here already and we want to play our part. Even though it’s far from home and it’s sometimes lonely, you have that role to play. **What has it been like there given everything that’s happening?** Day Zero, everyone was shocked. “Nasakop ba ‘to?” parang ganun. For the first time, we saw missiles. And I’ve never seen a \[military\] drone in my life, and I never wished to see one. We all got alarms that day, and there were several blasts. Parang nasa pelikula ka. “Talaga, this is happening to us?” I was worried. Every time our baby went near the window, I worried, but I also didn’t want to worry too much. Sabi ko sa asawa ko, there are certain things you can control and those you can’t. This one, you just have to wait it out. But you see it in people’s faces. Everyone’s kind of tense because you don’t know. It’s like that feeling of uncertainty talaga. “It’s not like what ‘yung netizens are saying na ‘O, tignan niyo people are fleeing.’ Well, not necessarily.” **What did the next few days feel like?** It’s quiet here. We remain vigilant. Business as usual, in a way. Pero parang skeletal workforce. Things are, slowly, somehow normalizing. **What does that skeletal workforce look like, and how has business been the last few days?** Syempre ‘di maiiwasan na mababa ‘yung sales. May pagka-pandemic kasi konti lang talaga lumalabas and everyone’s kind of holding onto their money. And the government had to step in and say, “Hey, don’t panic buy.” I guess it’s a shock for the country, in a way, because Dubai is kind of like a bubble. It’s so safe. There are kids that were born here that’s never seen or heard of a bomb. It’s the first time, basically, that the bubble has been burst. So parang na-sa-shock ‘yung mga tao, but at the same time, dun mo rin na-fi-feel ‘yung sistema na gumagana siya. ?For me, parang for the first time, we trust the government. For example, let me just read this out loud. This was from the government: “165 ballistic missiles, two cruise missiles, 541 drones, our defense dealt with them all.” Imagine ‘yun ‘yung mga binato dito tapos yesterday ‘yung Crown Prince and then ‘yung president ng UAE, nagkape in a mall just to show that, “Look, it’s okay. We got this.” It’s not like what ‘yung netizens are saying na “O, tignan niyo people are fleeing.” Well, not necessarily. “Dubai is capable and it’s a place where everything is planned. They have contingencies. They think ahead. That’s why they were able to intercept all those missiles. Dubai is always two steps ahead.” **What do you hope to happen after all of this? And seeing what the last couple of days were like?** You really hope for peace pero once you dig deep, parang hindi rin possible e. Seriously, I hope for security. I hope for understanding and empathy. Pero ang hirap sabihin kasi parang ‘yung ibang countries wala ring empathy. ![JP Anglo Dubai](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/JP-Anglo-1.webp) “We remain vigilant. Business as usual, in a way,” says Anglo. Photo courtesy of JP Anglo **From what you’ve seen, what would you want people to know about how Dubai is like now given what’s happening?** Dubai is back on its feet. Parang siyang boxer na hindi natutumba. I guess Dubai is capable, and it’s a place where everything is planned. They have contingencies. They think ahead. That’s why they were able to intercept all those missiles. Dubai is always two steps ahead. I mean, people say na it’s just all sand with buildings, but now you see Dubai show its true colors. When you’re pushed into a corner, what do you do? Either you fold, or you take the high road. They’ll retaliate in their own right, but still take the high road. ## Frequently Asked Questions ### What restaurant does Chef JP Anglo operate in Dubai? Chef JP Anglo operates Kooya Filipino Eatery, located at Dubai Marina, which serves elevated Filipino comfort food to local and overseas Filipino worker (OFW) communities. ### How are Filipinos in Dubai coping with the regional Middle East conflict? While residents were initially shocked by air defense interceptions and missile alerts, local Filipinos report feeling reassured by the UAE government’s active defense capabilities, structured emergency protocols, and clear public communication. ### What defense measures did the UAE Ministry of Defense report during the attacks? According to the UAE Ministry of Defense, national air defense systems successfully intercepted over 150 ballistic missiles, multiple cruise missiles, and hundreds of incoming drones to safeguard public infrastructure. ### Who is Camille Malapas Anglo? Camille Malapas Anglo is a photographer, former currency broker, and business partner to Chef JP Anglo who helps manage operations for their Dubai culinary ventures. ### How many Filipinos are estimated to live and work in the UAE? Over one million Overseas Filipino Workers (OFWs) reside in the United Arab Emirates, making up one of the largest expatriate communities in the Middle East. Related Stories - [Nearly 130 Filipinos Expected to Be Repatriated Amid Israel-Iran Conflict](https://rollingstonephilippines.com/state-of-affairs/politics/ofws-israel-iran-air-strikes/ "Nearly 130 Filipinos Expected to Be Repatriated Amid Israel-Iran Conflict") - [Exclusive: Why Chef Nouel Catis of Dubai Chocolate Walked Away From a ‘Shark Tank’ Dubai Deal](https://rollingstonephilippines.com/culture/news-culture/chef-nouel-catis-shark-deal-exclusive/ "Exclusive: Why Chef Nouel Catis of Dubai Chocolate Walked Away From a ‘Shark Tank’ Dubai Deal") - [Filipino Artists are Touring the World — For Filipinos Abroad](https://rollingstonephilippines.com/music/filipino-artists-are-touring-the-world-for-filipinos-abroad/ "Filipino Artists are Touring the World — For Filipinos Abroad") **Categories:** State of Affairs **Tags:** Dubai, Iran, Israel, OFWs --- ### [Artist Carina Santos Doesn’t Want to Tell You How to Feel](https://rollingstonephilippines.com/culture/art/carina-santos-artist-interview/) **Published:** March 2, 2026 **Author:** Mel Wang **Excerpt:** Fresh off her debut show in New York, the multi-hyphenate sat down with us to talk about the long, restless road she took to art-making **Content:** There are a lot of emotions that shine through in a [Carina Santos](https://rollingstonephilippines.com/tag/carina-santos/ "Carina Santos") “pour painting.” The abstract pieces, appropriately named after Santos’ technique of pouring thin layers of oil paint down a canvas, may first resemble hazy mountain ranges. But shades of pink, auburn, green, and blue begin to blend together, and before you know it, you’re thinking of a memory, a well-loved place, a forest that you no longer see, or a feeling that sits somewhere between nostalgia and melancholy. Santos is certainly not the first to venture into the world of abstraction. However, like Helen Frankenthaler, Mark Rothko, and all the abstract expressionists that came before her, Santos has discovered that there is power in creating images that exist in limbo and are inherently open to interpretation. ![Carina Santos, silverlens](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/carina_santos_b1.webp) A corner of *Beyond the horizon*. Photo courtesy of Silverlens “\[Santos’\] paintings… unfold through a balance of deliberate process and chance, conjuring abstract terrains and skies that evoke memory and movement,” wrote art publication [*CNTRFLD.ART*](https://cntrfld.art/in-conversation-carina-santos/) on Santos’ recent exhibition, *Beyond the horizon.* Held earlier this January at [Silverlens](https://rollingstonephilippines.com/tag/silverlens/ "Silverlens") Galleries New York, the show marked Santos’ debut in the United States. And, just a month prior, the artist’s sold-out show, *Eight Views From the Border*, was held at Silverlens’ Manila branch. She returned to Manila with her latest show, *Other Versions*, which opened last February 19 until March 21, in West Gallery. For Santos, who hails from one of the Philippines’ most prolific art-making families, the success of her New York debut felt like a complete, full-circle moment. “Growing up around artists, we’d always have a day reserved \[when visiting New York\] for Chelsea to go around the galleries,” Santos told *Rolling Stone Philippines*. “So just having been asked to show my work in that space was something I never thought I’d be able to do. I was really young then, and I wasn’t even really thinking about pursuing art.” ## On The Restless Road to Art-making ![Carina Santos](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/carina-santos-west-gallery.webp) One of the pour paintings at Santos’ recent Manila show, *Other Versions.* Photo from West Gallery/Facebook Success didn’t come easy for Santos, who once almost swore off life as an artist entirely. “When I started making art, I was really frustrated with it,” said Santos. “My parents are very good at making hyperrealistic and figurative work. My mom does close-ups of flowers, and my dad is very good at details. So when I started trying to paint, I didn’t feel like I was an artist kasi I couldn’t do it. I couldn’t do the same thing.” This first unsuccessful attempt at painting led Santos to spend a good chunk of the mid-aughts searching for a creative niche of her own. She began her early career as a writer, contributing to *The Philippine Star* through the column “Quiet Company” and writing extensively on contemporary artists. But Santos eventually realized that there was more to her creative practice than writing. Over the span of a decade, she has made multiple career pivots and added the job titles of art director, brand designer, collage-maker lecturer, and creative consultant to her resume. When she first moved to London, where she is currently based, Santos even recalled starting out by making candles as a production assistant, before leaving that road to work at a jewelry store. “I’m so restless,” she said. “I get really fixated on one thing, but then I get bored very quickly.” ![Carina Santos](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/carina-santos-silverlens-b2.webp) “When I started making art, I was really frustrated with it.” Photo courtesy of Sileverlens When asked if there was a specific reason why she felt the need to explore so many different paths, Santos paused before bringing up a piece of advice that the poet Mookie Katigbak-Lacuesta once gave her at a writing workshop. “She was telling me that it’s very helpful for you, as a writer, if you have a job that’s different from writing,” said Santos. She then pointed out how the poet Frank O’Hara and the artist Sol Lewitt both had day jobs at the Museum of Modern Art while pursuing their own crafts. “My practice as an artist really grows if I nurture my writer’s practice, or my designer’s practice,” said Santos. “If I let one part suffer or neglect it, then the ecosystem kind of falls apart.” “What I’ve realized is living a full life… allows you to have a richer practice,” she continued. “Kasi you’ll have more things to say. It won’t be all, ‘Oh, I feel sad,’ which is what I really struggled with in the beginning of my career. When I was growing up, I gravitated towards melancholy things. There was a time I felt that my work was very insular, and in a way, selfish. Like, ‘Who cares what you’re feeling?’ I did so many different things, but I feel like they all added to my craft.” ## On Finding Calm in the Abstract ![Carina Santos](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/carina-santos-west-gallery-b2.webp) *Odes II.* Photo from West Gallery/Facebook After spending years nurturing her different creative practices, Santos eventually returned to painting as a means of quieting her inner restlessness. At the encouragement of her father, Santos began experimenting with painting mountain ranges. “I was really drawn to them: the texture, the feeling of them,” she said. “And then I wanted to play with the material. I’ve always been drawn to vague, subtle things. I don’t like on-the-nose stuff. I have trouble with, for example, surrealism, where you’re assigning specific symbolisms to a thing. And then that meaning is already ascribed to a painting. I want my paintings to be broader, to be for everyone.” For Santos, abstraction provides a sense of freedom that she so rarely felt in her attempts at hyperrealism. “I think my nature as a person really struggles with just waiting,” she said. “I have a lot of mental health issues. I’m diagnosed with generalized anxiety disorder and depression, so I’m a very restless person. But now, a lot of my emotions come out when I’m painting. I really need to finish the work in one sitting, because that… allows me to process my emotions when I sit down and have to do this one thing.” The act of creating pour paintings is almost a therapeutic ritual for Santos, allowing her to confront her emotions until a painting is complete. “When I approach the work, it’s never negative or positive,” she said. “It’s really me processing my feelings and then arriving at something that’s maybe less lonely, or a little bit uplifting.” When asked if there are any specific feelings that she wants viewers to take away from her paintings, Santos simply shook her head. “I don’t want to tell you how to feel,” she said. “I don’t want there to be a specific meaning that you have to arrive at to be able to experience my paintings.” ## On What Comes Next ![Carina Santos](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/carina-santos-silverlens-b3.webp) “What I’ve realized is living a full life… allows you to have a richer practice.” Photo courtesy of Silverlens After her recent shows these last several months, Santos is more than happy to step away from the spotlight and focus on her different creative practices. “I just want to go and experiment,” said Santos about her future plans, which include planning for her two solo shows next year, finding more side quests in the world of design, and potentially working on a book of artists with Sa Tadhanan Collective co-founder Augustine Paredes. Although Santos encourages viewers to draw their own interpretations from her paintings, she acknowledged that there is one idea that she hopes lingers after they encounter her work. “There was this one quote from Mark Rothko that resonated with me,” said Santos. “I remember someone asked him why he paints those big ‘maudlin’ paintings. And he said, ‘Because if there happens to be somebody who’s feeling a bit lonely and they come and stand in front of my work, they know they’re not alone.’” ## Frequently Asked QUestions ### What technique does Carina Santos use in her abstract art? Carina Santos is known for her “pour painting” technique, which involves pouring thin, diluted layers of oil paint onto canvas. The process creates layered, atmospheric compositions reminiscent of mountain ranges, horizons, and shifting skies. ### Where did Carina Santos hold her debut US art exhibition? Carina Santos held her US debut exhibition, titled Beyond the horizon, in January 2026 at Silverlens Galleries in Chelsea, New York. ### How does Carina Santos describe her approach to abstract painting? Carina Santos views abstract pour painting as a therapeutic ritual to process anxiety and restless emotions. Rather than imposing specific symbolic meanings on her viewers, she leaves her open-ended compositions open to personal interpretation. ### What other careers did Carina Santos pursue before focusing on painting? Before returning to painting, Carina Santos worked as a journalist and columnist for The Philippine Star, an art director, brand designer, creative consultant, collage instructor, and production assistant. ### Where is artist Carina Santos currently based? Carina Santos is based in London, United Kingdom, while regularly showing her work internationally at galleries in Manila and New York. Related Stories - [Carina Santos, Poklong Anading Bring Two Must-See Solo Shows to Silverlens](https://rollingstonephilippines.com/radar/events/carina-santos-poklong-anading-silverlens-shows/ "Carina Santos, Poklong Anading Bring Two Must-See Solo Shows to Silverlens") - [The Quiet Limitlessness of Allan Balisi’s Paintings](https://rollingstonephilippines.com/culture/art/allan-balisi-art-speaks-volumes-without-ever-saying-a-word/ "The Quiet Limitlessness of Allan Balisi’s Paintings") - [Corinne De San Jose on How Sound Design Can Construct Silence](https://rollingstonephilippines.com/culture/art/corinne-de-san-jose-sound-silence/ "Corinne De San Jose on How Sound Design Can Construct Silence") **Categories:** Art, Culture **Tags:** Carina Santos, Silverlens --- ### [5 Raunchy Scenes From Across the ‘Bridgerton’ Universe](https://rollingstonephilippines.com/culture/tv/5-raunchiest-scenes-bridgerton/) **Published:** March 2, 2026 **Author:** Mel Wang **Excerpt:** In honor of the second act of Bridgerton’s fourth season dropping on Netflix, here are some of the scenes within the series that had us fanning ourselves for more **Content:** *Warning: spoilers abound.* As any good *[Bridgerton](https://rollingstonephilippines.com/tag/bridgerton/ "Bridgerton")* fan knows, every season of the Regency romance drama brings with it a set of new, loud, and horned-up scenes of love-making (set to the beat of the orchestral cover of this century’s best pop songs, of course). The latest season of the [Netflix](https://rollingstonephilippines.com/tag/netflix/ "Netflix") hit series is no different, and fans have been patiently waiting for Sophie (Yerin Ha) and Benedict (Luke Thompson) to completely give in to their more heated desires. To celebrate the conclusion of *Bridgerton*’s fourth season, we’ve rounded up some of the raunchiest scenes across the show (and its one prequel) that had us fanning ourselves and wanting for more. ## Season 1, Episode 6: Daphne and Simon’s Sex Montage The orchestral version of [Taylor Swift’s](https://rollingstonephilippines.com/tag/taylor-swift/ "Taylor Swift") “Wildest Dreams” never sounded sexier. Simon (Regé-Jean Page), the Duke of Hastings, can’t keep his hands off his wife Daphne (Phoebe Dynevor). In what can only be described as a sex montage, the couple regale us as they do the deed bare-ass naked at a picnic, on the rainy grounds of a stone temple, and on the rungs of a library ladder. ## Season 2, Episode 7: Anthony and Kate Finally Give In As the scene that has launched hundreds of Kanthony fan edits, the moment when Anthony (Jonathan Bailey) and Kate (Simone Ashley) finally give in to each other had to make the list. “What did I tell you about you and your orders?” Kate tells Anthony as he tries to push her away. Two seconds later, and we’re deep into one of the steamiest make-out sessions (and most intense eating-out sessions) of the season. ## Season 3, Episode 4: Colin and Penelope Get it On in a Carriage Although the carriage scene may have been a bit of a room divider for *Bridgerton* fans, we can’t deny that it’s one of the most iconic and earnest sex scenes of the show. “Feelings like dreaming of you when I’m asleep,” Colin (Luke Newton) tells Penelope (Nicola Coughlan), “and, in fact, preferring sleep because that is where I might find you.” Cue a very well-lit and wanton love-making session that had all of us, like Penelope, gasping for air. ## ‘Queen Charlotte: A Bridgerton Story,’ Episode 3: Charlotte and George’s Sex on Even Days They did agree to even days, after all. In their attempts to produce an heir, Queen Charlotte (India Amarteifio) and King George (Corey Mylchreest) engage in the “awful” act of getting freaky on wooden bedposts, dining room tables, and a very wet bathtub. ## Season 4, Episode 5: Benedict and Sophie’s First Time After a *lot* of build-up (and dividing this latest season into two acts), Benedict (Luke Thompson) and Sophie (Yerin Ha) finally confess their feelings for each other. The fireplace turns into a support for Sophie to brace herself against Benedict’s tongueing, the Bridgerton son throws her onto a table to eat her out, and we’re treated to an incredibly tender love-making sesh. ## Frequently Asked Questions ### Which characters lead the romantic storyline in Bridgerton Season 4? Bridgerton Season 4 centers on the romance between Benedict Bridgerton (Luke Thompson) and Sophie Baek (Yerin Ha), adapting Julia Quinn’s Regency romance novel An Offer From a Gentleman. ### What occurs during the carriage scene in Bridgerton Season 3? In Season 3, Episode 4, Colin Bridgerton (Luke Newton) confesses his love to Penelope Featherington (Nicola Coughlan) inside a moving carriage, culminating in one of the franchise’s most celebrated romantic encounters. ### Who stars as Kate and Anthony in Bridgerton Season 2? Jonathan Bailey plays Viscount Anthony Bridgerton, while Simone Ashley plays Kathani “Kate” Sharma. Their enemies-to-lovers storyline serves as the primary romantic focus of Bridgerton Season 2. ### How is Queen Charlotte: A Bridgerton Story connected to the main series? Queen Charlotte: A Bridgerton Story is a prequel spin-off series following young Queen Charlotte (India Amarteifio) and King George III (Corey Mylchreest) as they navigate royal duty, arranged marriage, and mental illness. ### Who plays Daphne and Simon in Bridgerton Season 1? Phoebe Dynevor plays Daphne Bridgerton, the eldest Bridgerton daughter, while Regé-Jean Page stars as Simon Basset, the Duke of Hastings. Related Stories - [The Horniest Filipino Films, According to ‘90s Kabaklaan](https://rollingstonephilippines.com/culture/film-tv/horniest-filipino-films-90s-kabaklaan/ "The Horniest Filipino Films, According to ‘90s Kabaklaan") - [All the Celebrity-Read Audio Erotica on Quinn, Ranked by Horniness](https://rollingstonephilippines.com/culture/quinn-originals-audio-erotica-ranked/ "All the Celebrity-Read Audio Erotica on Quinn, Ranked by Horniness") - [The 25 Best Filipino Rom-Coms of the 21st Century](https://rollingstonephilippines.com/culture/philippine-cinema/25-filipino-rom-coms-21st-century/ "The 25 Best Filipino Rom-Coms of the 21st Century") **Categories:** Culture, Editor's Picks, Lists, TV **Tags:** Bridgerton, Netflix --- ### [Eraserheads’ ‘Combo on the Run’ Scores Global Distribution via Abramorama](https://rollingstonephilippines.com/music/rock/eraserheads-combo-on-the-run-abramorama/) **Published:** March 2, 2026 **Author:** Elijah Pareño **Excerpt:** The landmark music documentary joins a distributor known for iconic rock films, following a strong international festival run **Content:** Music documentary *[Eraserheads](https://rollingstonephilippines.com/tag/eraserheads/ "Eraserheads"): Combo on the Run* was acquired by film distributor [Abramorama](https://rollingstonephilippines.com/tag/abramorama/ "Abramorama") on February 27, making this the first Philippine documentary to earn its rights under the distribution. Following a strong festival run abroad, the docu film joins Abramorama’s slate of prestige music film titles, including Ron Howard’s *[The Beatles](https://rollingstonephilippines.com/tag/the-beatles/ "The Beatles"): Eight Days* *A Week –* *The Touring Years*, Oscar Sansom’s *Placebo: This Search for Meaning*, John McDermott’s *Electric Lady Studios: A Jimi Hendrix Vision*, Carole King’s *Home Again*, and *Coldplay: Moon Music* (presented as a global theatrical listening event). > [View this post on Instagram](https://www.instagram.com/p/DVV3qLWE1lc/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Combo On The Run Official (@eraserheadscomboontherun)](https://www.instagram.com/p/DVV3qLWE1lc/?utm_source=ig_embed&utm_campaign=loading) The film’s director Maria Diane Ventura had expressed her excitement over the both the distribution announcement and for being part of the longlist of other music titles from Abramorama that has made its mark in the film circles all over. “I’m incredibly excited about this partnership with Abramorama,” Ventura said in a press statement. “They are the perfect home for this film, not just because of their legacy in music documentaries, but because they understand stories that resonate on a deeper cultural level.” In the past year, *Eraserheads: Combo on the Run* has also been recognized on the global festival circuit, winning Best International Documentary at the Ierapetra International Feature Documentary Festival in Greece back in August 2025, and screening as part of the official Spotlight on the Philippines program at the 44th Annual Hawaii International Film Festival, as well as Doc Berlin and the Liverpool Film Festival. ## Frequently Asked QUestions ### What distributor acquired the Eraserheads documentary Combo on the Run? Global music film distributor Abramorama acquired the distribution rights to Eraserheads: Combo on the Run, making it the first Philippine documentary to join the company’s catalog of music titles. ### Who directed the Eraserheads documentary Combo on the Run? The music documentary was directed by filmmaker Maria Diane Ventura, who collaborated with Abramorama to bring the Filipino rock band’s story to international theatrical and streaming audiences. ### What awards and festival honors has Combo on the Run received? Eraserheads: Combo on the Run won Best International Documentary at the Ierapetra International Feature Documentary Festival in Greece. It also screened at the Hawaii International Film Festival, Doc Berlin, and the Liverpool Film Festival. ### Which other music documentaries are distributed by Abramorama? Abramorama’s catalog of music documentaries includes Ron Howard’s The Beatles: Eight Days A Week – The Touring Years, Placebo: This Search for Meaning, Electric Lady Studios: A Jimi Hendrix Vision, and Carole King’s Home Again. ### Why is Abramorama’s distribution deal historic for Philippine cinema? The acquisition marks the first time a Philippine documentary film has earned a global distribution partnership through Abramorama, expanding international access to OPM (Original Pilipino Music) history. Related Stories - [Eraserheads on Music, Maturity, and Making History](https://rollingstonephilippines.com/music/eraserheads-on-music-maturity-and-making-history/ "Eraserheads on Music, Maturity, and Making History") - [Diego Castillo of Sandwich on the Radical Power of Fatherhood](https://rollingstonephilippines.com/music/diego-castillo-fatherhood/ "Diego Castillo of Sandwich on the Radical Power of Fatherhood") - [Shanti Dope Survived Hell and Back. Now, He’s Reclaiming His Future](https://rollingstonephilippines.com/editors-picks/features/shanti-dope-rolling-stone-interview/ "Shanti Dope Survived Hell and Back. Now, He’s Reclaiming His Future") **Categories:** Music, Rock **Tags:** Abramorama, Eraserheads --- ### [‘Industry’ Season 4 Finale: Yasmin Finds Success in the Alt-Right](https://rollingstonephilippines.com/culture/tv/industry-season-4-episode-8-finale/) **Published:** March 2, 2026 **Author:** Pie Gonzaga **Excerpt:** The eighth and final episode of Industry Season 4 is only concerned with wrapping up Tender’s affairs, as it sets the stage for a grimmer final season ripped straight out of real-world headlines **Content:** *Warning: Spoilers ahead.* We’ve reached the end of *[Industry](https://rollingstonephilippines.com/tag/industry-hbo/ "Industry HBO")* Season 4 with Episode 8. Tender has fallen, but something even darker and more sinister is on the rise, and this finale sets us up for the [fifth and final season](https://rollingstonephilippines.com/culture/tv/industry-renewed-fifth-season/ "‘Industry’ to End with Fifth Season and ‘Unparalleled High,’ Says Writers") of HBO’s hit financial drama. The episode picks up right where we left off: Yasmin Muck (Marisa Abela) is home from her night out with Harper Stern (Myha’la), and tells Henry Muck (Kit Harington) that she wants a divorce. The YasHarper believer in me would like to think this is because Yasmin has finally found her true love, but we all know she is only trying to save herself from Tender’s nuclear fallout. SternTao, meanwhile, is celebrating this fall. In the hotel room-makeshift office, Harper, Kwabena Bannerman (Toheeb Jimoh), and Sweetpea Golightly (Miriam Petche) finally profit from successfully shorting Tender, and each takes £2 million, while the rest of their earnings (There’s more!) go to a real office space and other necessary expenses for the firm. ## The Russian Connection ![industry kit harington](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/industry-finale-henry.webp) Henry (Kit Harington) surprisingly survives the fall of Tender. Screenshot from HBO Max Meanwhile, Whitney Halberstram (Max Minghella) puts his exit plan in motion, fake beard and all. He calls Henry and proposes running away together, which he calls “Repositioning ourselves, stalling the bloodlust of the investigators.” Whitney also reveals that there’s Russian state interest in Tender, and that if Henry doesn’t join him, he may end up dead. But when Henry finds out that he’s expected to lie low with a fake passport Whit had gotten for him, he finally stands up for himself, realizing he has the privileges of the landed gentry and doesn’t have to slum it with Whitney’s Lithuanian alter ego. “Eat my shit, you peasant. I’d rather die as me than run as you,” he says. A red notice goes out for Whitney, while Henry talks to left-leaning Labour Party MP Jennifer Bevan (Amy James-Kelly) about Tender’s supposed dealings with Russia. Jennifer asks the prime minister’s office if they should look into this connection, but she’s told, “Don’t poke this particular bear.” Uncle Otto Mostyn (Roger Barclay) tells Henry the same thing over lunch as Henry mulls his next steps. Lord Muck thinks he’d be doing the right thing by bringing up Russia in his defense, but Lord Mostyn, like Whitney earlier, tells him he could end up dead under suspicious circumstances. Ultimately, Henry decides to take a plea deal, pleading guilty to being an accessory to Tender’s fraud in exchange for house arrest. In the end, he’s fishing with his uncles, medicated on lithium, and the happiest he’s ever been all season. As for Jennifer, the leftist MP is determined to atone for letting Tender off the hook in parliament, and we can expect her to poke the Russian bear next season. ## Predators and the Alt-Right After she dropped Tender and Henry, I had faith that Yasmin would ethically girlboss her way out of the trenches. Maybe she’d put up her own PR firm, and let her close friendship with Harper blossom into something more beautiful. But there have been signs warning that she’s never really cared about ethics. Since her encounter with executive assistant Hayley Clay (Kiernan Shipka) in [Episode 3](https://rollingstonephilippines.com/culture/tv/industry-season-4-episode-3/ "‘Industry’ Season 4, Episode 3: Hitler’s Painting Makes A Cameo"), the show’s been teasing an arc that involved Yasmin becoming her predator father’s daughter, and the season finale — satisfyingly, and yet nauseatingly — realizes this. > [View this post on Instagram](https://www.instagram.com/p/DVXVFQdkjXZ/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Industry on HBO (@industryhbo)](https://www.instagram.com/p/DVXVFQdkjXZ/?utm_source=ig_embed&utm_campaign=loading) Yasmin, back to being called “Miss Hanani,” now continues working as a public relations consultant, this time under right-wing Reform Party MP Sebastian Stefanowicz (Edward Holcroft). At the office of Viscount Alexander Norton (Andrew Havill), Henry’s media magnate uncle, the three discuss ways to make Sebastian a more appealing politician. While the MP has made a few appearances throughout the season, this episode gives us a better understanding of his character, undoubtedly priming us for the bigger role he will take on next season. Sebastian is an alt-right figure, a close friend of Palantir co-founder Peter Thiel, and very Catholic. He tells Yasmin he’s sorry about her divorce, and that he disapproves of it. “We’d need to distance your image from fringe, outright authoritarian, or racial elements,” says Alexander. In Paris, Yasmin holds a dinner to raise funds for Sebastian’s campaign. In attendance were Harper, the Nazi-sympathizing Bauers from Episode 3, lots of old men, and young girls. Oh, and “evolutionary biologists.” Harper, a black woman, immediately feels out of place, especially sitting next to Austrian Princess Johanna Bauer (Susanne Wuest), who tells her things like “Importing people who reject your values is national suicide” and “You’re not like the other ones, are you?” Harper worries for Yasmin and questions everything, from the donors’ shell companies in the U.K. to Yas pimping out underage girls to white supremacists. As Edith Piaf sings “Mon Dieu” in the background, Yasmin declines Harper’s tearful offer to take a step back from her schemes. Ultimately, Yasmin does achieve a twisted form of self-actualization. Throughout the whole series, she has felt incompetent and inadequate. But in this room of predators and noblemen seeking to make Europe white again, she is important. “Do you see that? I’m necessary,” she tells Harper. “I feel new. I feel less pain.” In an interview with a reporter following her successful short, Harper is asked if it feels like vindication to be right when everyone else is wrong, or if it makes her feel alone. Having learned about why career father figure Eric (Ken Leung) left SternTao in [Episode 6](https://rollingstonephilippines.com/culture/tv/industry-season-4-episodes-5-6/ "‘Industry’ Season 4, Episodes 5 and 6: Glory Holes and Goodbyes"), and watching Yasmin go down a dark path, Harper answers, “Both/and.” *Industry* Season 4 is streaming on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max"). ## Frequently Asked Questions ### How does Yasmin’s arc end in the Industry Season 4 finale? In the Season 4 finale of Industry, Yasmin Muck (Marisa Abela) divorces Henry Muck and steps into a public relations role for right-wing Reform Party MP Sebastian Stefanowicz. She organizes a high-profile political fundraiser in Paris, fully aligning herself with far-right donors to secure personal and professional influence. ### What happens to Tender and Henry Muck in the Industry Season 4 finale? Tender falls after Harper Stern (Myha’la) and SternTao successfully short the company. Faced with exposure regarding Russian state involvement, Henry Muck (Kit Harington) refuses to flee under a fake identity, takes a plea deal as an accessory to fraud, and accepts house arrest at his family estate. ### How does Harper Stern’s storyline resolve in Industry Season 4? Harper, Kwabena, and Sweetpea secure a major payout from shorting Tender, each taking £2 million while funding SternTao’s new expansion. Despite her financial success, Harper is left isolated after realizing the extent of Yasmin’s dark political pivot. ### Who plays Sebastian Stefanowicz in Industry Season 4? Edward Holcroft plays Sebastian Stefanowicz, an alt-right Reform Party MP introduced as a central client for Yasmin’s PR work and a key political figure heading into the fifth and final season. ### Where can you stream Industry Season 4? All episodes of Industry Season 4 are available to stream on Max (formerly HBO Max) and air globally across HBO linear networks. Related Stories - [‘Industry’ to End with Fifth Season and ‘Unparalleled High,’ Says Writers](https://rollingstonephilippines.com/culture/tv/industry-renewed-fifth-season/ "‘Industry’ to End with Fifth Season and ‘Unparalleled High,’ Says Writers") - [‘Industry’ Season 4, Episode 7: At Whit’s End](https://rollingstonephilippines.com/culture/tv/industry-hbo-season-4-episode-7/ "‘Industry’ Season 4, Episode 7: At Whit’s End") - [‘Industry’ Season 4, Episodes 5 and 6: Glory Holes and Goodbyes](https://rollingstonephilippines.com/culture/tv/industry-season-4-episodes-5-6/ "‘Industry’ Season 4, Episodes 5 and 6: Glory Holes and Goodbyes") **Categories:** Culture, TV **Tags:** HBO Max, Industry HBO, Marisa Abela, Myha'la --- ### [Photographer Raffy Lerma on Covering Duterte’s Drug War and the ICC Hearings](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/raffy-lerma-duterte-icc-pieta/) **Published:** March 5, 2026 **Author:** Pie Gonzaga **Excerpt:** Lerma reflects on his years covering the war on drugs and the “surreal” experience of witnessing proceedings against Rodrigo Duterte at the ICC **Content:** It’s been almost 10 years since photojournalist [Raffy Lerma](https://rollingstonephilippines.com/tag/raffy-lerma/ "Raffy Lerma") took “Pieta,” a photograph of a woman cradling the body of her boyfriend, Michael Siaron. The 30-year-old pedicab driver and alleged “drug pusher” was killed by unidentified assailants in one of several extrajudicial killings (EJKs) a mere month after [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte") was inaugurated as president. The photo, taken in July 2016 and originally published on the front page of the *Philippine Daily Inquirer* with the original title “Lamentation,” became symbolic of Duterte’s war on drugs and won Lerma an award for the best news photograph from the Society of Publishers in Asia in 2017. But the photographer tells *Rolling Stone Philippines*, “No award is greater than justice.” Lerma had just returned from The Hague, Netherlands, where his photo exhibit *Pananagutan* is on display. He did not intend to cover Duterte’s [confirmation of charges hearing](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/duterte-icc-pre-trial-hearing/ "The Start of Duterte’s ICC Pre-Trial Couldn’t Help But Be Political") at the [International Criminal Court](https://rollingstonephilippines.com/tag/international-criminal-court/ "International Criminal Court") (ICC), but decided to secure a media accreditation badge to observe the proceedings when he arrived. “When you enter the ICC, medyo surreal to see this institution \[that\] feels secure,” he says. “Parang kasi, ‘pag sa courtroom dito, ‘yong process ng justice sa Philippines, there are different standards e.” “They cannot deny I saw these killings, these crimes. I saw it with my own eyes, and I have the photographs to prove it.” Raffy Lerma Lerma adds that watching the hearings made him emotional. “Hindi naman nakakataba ng puso e, pero parang you’re reaping the fruits of your labor, the sacrifices, despite the odds. It took a long time,” he says. Asked if he expected Duterte’s case to reach the pre-trial stage, Lerma says, “Naniwala akong maa-arrest siya. \[Pero\] hanggang doon lang imagination ko. I didn’t think any form of justice would happen in the Philippines. Because it took how many years? He appeared in hearings sa Senate, pero walang case na na-file.” Duterte was notably absent from the four-day proceedings, which Lerma says contradicts the strongman image the former president had cultivated over his political career. “He said sasampalin niya ‘yong ICC, all this cursing. But this is the time to show kung ano ka talaga. And I hope people see that. ‘Yong mga families \[ng mga biktima\] nga pumunta e. And they’re willing to face Duterte, or kung sinuman ang responsible sa patayan na ‘to. Sabi niya, he will take responsibility. Why can’t he face them \[now\]?” ![sheerah escudero drug war victim family hague icc](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/sheerah-escudero-icc.webp) Sheerah Escudero, sister of 18-year-old drug war victim Ephraim Escudero, appeared at Duterte’s confirmation of charges hearing at the ICC. Photo by Raffy Lerma ## After ‘Pieta’ One moment that struck the photographer during the hearings was when the prosecution’s presentation deck flashed a photograph similar to the “Pieta,” as he had contacted Siaron’s family before he flew out to the Netherlands. “Sabi ko sa kanila, dala ko ang alaala ni Michael at ng libu-libong Pilipinong pinatay sa gyera kontra droga,” Lerma says. “Matagal bago sila nagreply, but I messaged that to them, not knowing na maso-show ‘yong photograph, not knowing na umabot ‘yong kwento ni Michael sa ICC.” After Siaron was killed in 2016, Lerma had managed to stay in touch with the victim’s family and Jennilyn Olayres, Siaron’s girlfriend and the woman in the photo, despite initial feelings that he had hurt them. > [View this post on Instagram](https://www.instagram.com/p/CC_CDQhht7r/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Raffy Lerma (@raffylerma)](https://www.instagram.com/p/CC_CDQhht7r/?utm_source=ig_embed&utm_campaign=loading) “When I took that photograph, I had this guilty feeling, but it was the work we had to do,” he tells me. He recounted attempting to attend Siaron’s wake, during which the family turned reporters and journalists away. “I saw a copy of the newspaper \[with ‘Pieta’\] sa funeral place. I grabbed the newspaper and showed it. ‘Yon pala, ‘yong kausap ko, ‘yong tatay \[ni Siaron\]. Sinabi niya sa akin, ‘Matagal na kitang hinihintay.’” When I asked Lerma why it was so important for him to stay in touch with Siaron’s family, he said, “Naging parte na rin ako ng buhay nila, I guess. It’s also a journey with them. Naging kaibigan ko sila.” For Lerma, there’s a closeness he feels with the families of drug war victims from being at the crime scenes. “I’ve seen them at their worst, ‘yong time na namatayan sila ng mahal nila sa buhay \[…\] Grabe ‘yong pain \[nila\], the healing process they’re going through. Nakakasira ng ulo when I saw the bodies being exhumed and re-examined by \[forensic pathologist\] Dr. Raquel Fortun. I saw them in that state, how they were killed, the bones, ‘yong mga sabog na skulls, ‘yong mga wounds nila.” ## Quest for Truth “It’s also always this quest for the truth, ‘yong work ni Dr. Fortun, ‘yong kwento ng mga families,” Lerma says. He considers his work part of that quest, especially in challenging narratives from the Duterte administration and the police, who often claimed that the victims “fought back.” ![rodrigo duterte cutout icc hague](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/duterte-cutout-hague.webp) Outside the International Criminal Court Detention Center, supporters of Rodrigo Duterte have placed cutouts of the former president. Photo courtesy of Raffy Lerma The photojournalist recalled dealing with harassment from Duterte’s supporters on social media at the height of the drug war. “Nagpo-post din kasi kami, and there was a time before na grabe ‘yong mga attacks. But there came a point na the more they attack, the more you know effective pala \[‘yong work namin\] because it gets to them. And sometimes, hinahanap mo ‘yon.” Over the years, Lerma has learned not to address every comment on social media. “Mas importante sa akin na I continue doing the work,” he says. “They cannot deny I saw these killings, these crimes. I saw it with my own eyes, and I have the photographs to prove it.” ## Frequently Asked Questions ### What is Raffy Lerma’s “Pieta” photograph? “Pieta” (originally published as “Lamentation” in the Philippine Daily Inquirer in July 2016) is a photograph by Raffy Lerma depicting Jennilyn Olayres cradling the body of her slain partner, Michael Siaron, an extrajudicial killing victim during former President Rodrigo Duterte’s war on drugs. ### What was Raffy Lerma doing at the International Criminal Court (ICC) in The Hague? Raffy Lerma traveled to The Hague, Netherlands, for his photo exhibit Pananagutan and secured media accreditation to observe the ICC pre-trial confirmation of charges hearings involving former President Rodrigo Duterte. ### Did former President Rodrigo Duterte attend his ICC confirmation of charges hearing? No, Rodrigo Duterte was notably absent from the four-day pre-trial proceedings at the International Criminal Court in The Hague. ### Which forensic expert did Raffy Lerma collaborate with or document during drug war investigations? Raffy Lerma documented the exhumation and forensic re-examination work led by Filipino forensic pathologist Dr. Raquel Fortun as part of ongoing efforts to establish factual evidence regarding extrajudicial killings. ### What award did Raffy Lerma win for his “Pieta” photograph? Raffy Lerma was awarded the Best News Photograph by the Society of Publishers in Asia (SOPA) in 2017 for his photograph. 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But I look at your faces and every second of it, I wouldn’t change one thing.” https://www.youtube.com/watch?v=AjvHMNWY_0g The HBO medical drama, now on its second season and currently streaming on HBO Max, follows the healthcare professionals of the Pittsburgh Trauma Medical Center’s ER as they navigate high-stakes surgeries, droves of incoming patients, and their own internal struggles. Abellera and Villanueva play Filipina nurses Perlah and Princess respectively, and this latest season has seen both of them step up to take charge in the medical bay and make sure that the people of the Pitt stay afloat. Briones plays Dr. Trinity Santos, an ambitious but stubborn second-year resident doing her best to survive her ever-growing pile of cases, charts, and responsibilities. This is not the first time that Filipinos have graced this particular award ceremony’s stage. In 2019, Darren Criss took home the award for Best Actor in a Limited Series, making him the first Filipino to be recognized by the award-giving body. “The fact that I get to be able to represent… it’s so special,” said Briones in a red carpet interview with *Entertainment Tonight*. “When we have the opportunity to show who we are, we have to take that moment, because unfortunately it doesn’t come very often. We’re here to be like, ‘There needs to be more of this. We’re not going away.’” Briones’ father, the acclaimed actor Jon Jon Briones, was also there to support his daughter. “Everyone in the Philippines right now \[is\] crying and their hearts are so full and very proud of this little one,” said Briones in the same interview. “We have very little to be proud of sometimes, but what we have is heart and talent and love, and that’s what we’re hanging onto.” ## Frequently Asked Questions ### Which Filipina actresses won at the 2026 Actor Awards for The Pitt? Isa Briones, Kristin Villanueva, and Amielynn Abellera won as part of the ensemble cast of The Pitt, taking home the award for Outstanding Performance by an Ensemble in a Drama Series at the 2026 Actor Awards (formerly the SAG Awards). ### What roles do Isa Briones, Kristin Villanueva, and Amielynn Abellera play in The Pitt? Isa Briones stars as Dr. Trinity Santos, a second-year medical resident at Pittsburgh Trauma Medical Center. Amielynn Abellera and Kristin Villanueva play ER nurses Perlah and Princess, respectively, in the HBO medical drama. ### What award category did The Pitt win at the 2026 Actor Awards? The Pitt won Outstanding Performance by an Ensemble in a Drama Series, accepting the honor alongside series star Noah Wyle and the full primary cast. ### Who was the first actor of Filipino descent to win a SAG/Actor Award? Darren Criss became the first actor of Filipino descent to be recognized by the award-giving body when he won Outstanding Performance by a Male Actor in a Miniseries or Television Movie in 2019 for The Assassination of Gianni Versace: American Crime Story. ### What is the plot of HBO’s medical drama series The Pitt? Created for HBO and streaming on Max, The Pitt follows healthcare workers at Pittsburgh Trauma Medical Center as they navigate emergency room cases, administrative pressures, and personal conflicts inside a busy urban trauma center. 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[Laufey](https://rollingstonephilippines.com/tag/laufey/ "Laufey"), the [Grammy](https://rollingstonephilippines.com/tag/grammy-awards/ "Grammy Awards")-winning artist behind “From the Start” and “Lover Girl,” has announced not one, but two nights in Manila as part of her upcoming tour, “A Matter of Time.” Laufey will be performing on May 26 and 27 at the Mall of Asia (MOA) Arena in Manila. As of writing, no announcements have been made regarding concert schedules. Ticket prices will range from P2500 to P9500. VISA presale will open on March 9, followed by the Live Nation presale on March 10. General ticket sales will begin on March 11. Fans can now register on Laufey’s official website to take part in the Live Nation presale. > [View this post on Instagram](https://www.instagram.com/p/DVclttLjpkA/?utm_source=ig_embed&utm_campaign=loading)[A post shared by laufey (@laufey)](https://www.instagram.com/p/DVclttLjpkA/?utm_source=ig_embed&utm_campaign=loading) The tour will be making stops around Australia, New Zealand, and Asia, including cities such as Bangkok, Kuala Lumpur, Tokyo, and more. However, out of all the stops listed, Manila is the only city where Laufey will be performing two nights. This marks Laufey’s fourth time performing in the Philippines. She first performed in 2023 at the Filinvest Tent in Manila, and she returned twice in 2024, first for a special show with the Manila Philharmonic Orchestra and then for a sold-out show at the MOA Arena. ## Frequently Asked QUestions ### When and where will Laufey perform in Manila for her 2026 tour? Laufey is scheduled to perform live on May 26 and 27, 2026, at the SM Mall of Asia (MOA) Arena in Pasay City, Manila. ### How much are ticket prices for Laufey’s Manila concerts? Ticket prices for Laufey’s “A Matter of Time” tour in Manila range from ₱2,500 for general seating to ₱9,500 for premium seats. ### When do ticket presales start for Laufey’s Manila show? VISA presales open on March 9, followed by the Live Nation Philippines presale on March 10. General ticket sales begin on March 11 via SM Tickets. ### How many times has Laufey performed in the Philippines? This concert series marks Laufey’s fourth time performing in the Philippines, following her initial 2023 show at Filinvest Tent and her 2024 performances with the Manila Philharmonic Orchestra and at the MOA Arena. ### Which other Asian cities are included in Laufey’s “A Matter of Time” tour? The Asian leg of her tour includes stops in Bangkok, Kuala Lumpur, Tokyo, Taipei, Singapore, Seoul, and Hong Kong, with Manila serving as the only city with a two-night engagement on her initial schedule. 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The 14-track album arrives with a surprising roster of producers and writers, ranging from beatsmiths associated with experimental hip-hop to figures tied to more off-kilter electronic music. > [View this post on Instagram](https://www.instagram.com/p/DVbWZMgE7iP/?utm_source=ig_embed&utm_campaign=loading)[A post shared by BTS official (@bts.bighitofficial)](https://www.instagram.com/p/DVbWZMgE7iP/?utm_source=ig_embed&utm_campaign=loading) Contributors include Mike WiLL Made-It, Flume, El Guincho, JPEGMAFIA, Diplo, [Tame Impala](https://rollingstonephilippines.com/tag/tame-impala/ "Tame Impala"), and even OneRepublic’s Ryan Tedder. The lineup brings together artists who often work at the edges of hip-hop and electronic music. The group spent time in Los Angeles last year developing the album, collaborating closely with several of the producers and songwriters involved. One of the record’s producers, Diplo, confirmed his participation to TMZ last February 8, saying that the album would “shock the world.” BTS announced their [comeback](http://bts) alongside plans for a new album and a global run of tour dates. *ARIRANG* is set for release on March 20 and will mark the group’s first studio album since 2020’s *Be*. The day after the album’s release, the group will play their first concert in over three years at the Gwanghwamun Square in Seoul on March 21. It will be followed by the documentary *BTS: The Return* on Netflix, premiering on March 27. ## Frequently Asked QUestions ### Which producers and artists contributed to BTS’s album ARIRANG? The production and writing credits for ARIRANG feature an eclectic lineup including Flume, Diplo, JPEGMAFIA, Mike WiLL Made-It, El Guincho, Tame Impala, and OneRepublic’s Ryan Tedder. ### When is the official release date for BTS’s album ARIRANG? ARIRANG is scheduled for global release on March 20, 2026. It marks BTS’s first full-length studio album since 2020’s BE. ### Where will BTS hold their first comeback concert for ARIRANG? BTS will hold their first live concert in over three years at Gwanghwamun Square in Seoul on March 21, 2026, the day following the album’s release. ### Is there a documentary accompanying BTS’s comeback? Yes, the feature documentary BTS: The Return is set to premiere globally on Netflix on March 27, 2026, documenting the making of the album and their reunion. ### How many tracks are included on BTS’s ARIRANG album? ARIRANG features 14 tracks developed primarily during recording and songwriting sessions in Los Angeles. 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Bong Suntay’s Non-Apology for His Lewd Remark on Anne Curtis Isn’t Helping Him](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/bong-suntay-anne-curtis-non-apology/) **Published:** March 4, 2026 **Author:** Pie Gonzaga **Excerpt:** The Quezon City representative says he is sorry “if some people were offended” as he comes under fire for an inappropriate and misogynistic comment he made on the job **Content:** Quezon City Fourth District Representative [Jesus Manuel Angel “Bong” Suntay](https://rollingstonephilippines.com/tag/bong-suntay/ "Bong Suntay") is doubling down on a lewd remark he made about actress [Anne Curtis](https://rollingstonephilippines.com/tag/anne-curtis/ "Anne Curtis"), even as he draws flak for it. On Wednesday, March 4, Suntay said that he was sorry for “appearing offensive,” but continued to defend the “nag-init” comment he made in a House hearing. “If some people were offended, lalo na Women’s Month, I’m sorry for those who were offended,” he said on DZMM *Teleradyo*. “But if you read the context talaga, there was nothing malicious in it. Depende kung bibigyan ng malice ng nagbasa. Pasensiya na po. To make it appear offensive was not the intention.” ## ‘Take It as a Compliment’ On Tuesday evening, March 3, Suntay appeared at the One News program *Storycon*, where he said, “There’s nothing wrong. In fact, there was nothing even sexual doon sa statement na ‘yon.” Broadcaster Ed Lingao said that Suntay might feel differently about the inappropriate remarks if he were in Curtis’ position, but the congressman disagreed. When asked if he would apologize to Curtis, Suntay said, “No, sinabi ko ang ganda-ganda niya, and I think she should take it as a compliment.” The actress has not spoken on the issue as of this writing, but her sister, Jasmine Curtis-Smith, has been vocal in her disapproval of Suntay. Commenting on the lawmaker’s statements on television, she said on X, “A compliment? Ang dami kong gustong sabihin. Kadiri po kayo.” > A COMPLIMENT??? ANG DAMI KO GUSTONG SABIHIN! KADIRI PO KAYO. <https://t.co/tAm3PyOIBw> > > — Jasmine Curtis-Smith (@jascurtissmith) [March 3, 2026](https://twitter.com/jascurtissmith/status/2028836942281097621?ref_src=twsrc%5Etfw) On Facebook, Jasmine Curtis-Smith said that Suntay’s statement “reinforces a culture that treats women as consumable, as spectacle, as fantasy, as objects for commentary rather than as whole human beings with agency, intellect, and autonomy.” “We cannot continue excusing this as ‘just being honest’ or ‘just a compliment.’ It is neither,” she added. “Respect is not complicated. If we want safer environments for our daughters, nieces, and future leaders, accountability must begin with those elected to represent us.” ## ‘Nagpapatawa Lang’ During a House hearing on the [impeachment complaints](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-president-impeachment/ "Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?") against [Vice President Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte") on Tuesday, Suntay denied Duterte’s alleged attempts at political destabilization, specifically her claim to be a “designated survivor.” “Sinabi lang niya ‘yon. Siguro nagpapatawa lang siya,” Suntay said. The congressman then shared an anecdote to further illustrate his point. “Minsan nasa Shangri-La ako, nakita ko si Anne Curtis. Ang ganda-ganda pala niya. You know, may desire sa loob ko na nag-init talaga, na-imagine ko na lang kung anong puwedeng mangyari, pero siyempre hanggang imagination na lang ‘yon. Pero ‘di naman siguro ako puwedeng kasuhan kung ano ang na-imagine ko.” ![gerville luistro and bel zamora](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/luistro-zamora-hreps.webp) Justice Committee Chair Gerville Luistro (left) discusses Cong. Bel Zamora’s (right) motion to strike Suntay’s remarks from the record, March 3. Screenshot from House of Representatives of the Philippines/Facebook Many of his colleagues criticized him, including San Juan City Rep. Bel Zamora and Manila Sixth District Rep. Benny Abante, who asked to have Suntay’s remarks struck off the record. “It is just the start of Women’s Month, and I don’t think that we should be hearing such comments from our dear colleagues. We’re not censoring anything, but we are reminding them that, in fact, we should support women by not saying these statements,” said Zamora. ## ‘Truly Disappointing’ [Quezon City Mayor Joy Belmonte](https://rollingstonephilippines.com/state-of-affairs/joy-belmonte-quezon-city-mayor/ "What Joy Belmonte Plans To Do On Her Last Term as Quezon City Mayor") released a statement urging Suntay to apologize for his remarks. “It is truly disappointing to witness Congressman Suntay’s casual display of objectification, on Women’s Month no less,” Belmonte said. “But what makes this incident especially troubling is the fact that, as a former member of our City Council, he was part of the body that passed our Gender and Development Code.” The mayor added that Suntay was the majority flood leader in the city council when it passed the Bawal Bastos Ordinance. In an X post, broadcast journalist Karen Davila pointed out that Suntay is also “a husband \[and\] a father with daughters \[…\] without the consciousness, knowledge, or decency of how women should be talked about.” ## Frequently Asked Questions ### What lewd remark did Representative Bong Suntay make about Anne Curtis? During a House hearing on March 3, 2026, Quezon City 4th District Representative Bong Suntay recounted an anecdote about seeing actress Anne Curtis, stating that “may desire sa loob ko na nag-init talaga” and imagining “kung anong puwedeng mangyari.” ### How did Bong Suntay respond to the backlash over his comment? In subsequent media appearances, Suntay defended his statement, claiming there was no sexual malice intended and suggesting Curtis should take it as a compliment. He issued a non-apology saying he was sorry to those who felt offended or if he “appeared offensive.” ### How did Jasmine Curtis-Smith react to Bong Suntay’s statements? Jasmine Curtis-Smith, sister of Anne Curtis, publicly condemned Suntay on social media, calling his statements “kadiri” (disgusting) and emphasizing that objectifying women should not be dismissed as a compliment or honesty. ### Which public officials called out Rep. Bong Suntay for his remarks? San Juan City Rep. Bel Zamora and Manila 6th District Rep. Benny Abante requested his remarks be struck from the House record, while Quezon City Mayor Joy Belmonte publicly urged him to issue a proper apology, citing his past involvement with local anti-harassment ordinances. ### When did this controversy take place? The controversy occurred during a House hearing on March 3, 2026, coinciding with the beginning of National Women’s Month in the Philippines. 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I just didn’t realize it would eventually become official!” Following Maggie Gyllenhaal’s directorial debut with *The Lost Daughter*, *The Bride!* is a bold, *Bonnie and Clyde*-esque adaptation of the 1935 film *Bride of Frankenstein*, which itself was based on Mary Shelley’s classic Gothic horror. Set in 1930s Chicago, *The Bride!* follows Frankenstein’s creature, Frank (Christian Bale) as he recruits the mad scientist Dr. Euphronius (Annette Bening) to build the perfect, immortal companion for him. The two resurrect a murdered young woman (Jessie Buckley), giving the Creature his bride. In *The Bride!*, Jake Gyllenhaal plays Ronnie Reed, a Hollywood Golden Age matinee idol, who crosses paths with the unholy newlyweds soon after the bride is brought to life. Reviews on the film are steadily coming in, with critics praising its wild and unconventional choices to adapting its well-loved source material. *The Bride!* is currently screening in Philippine cinemas and IMAX nationwide. In this interview, Jake Gyllenhaal talks about the inspirations of his character, his first impressions of the script, and the ambitious swings his sister took in directing *The Bride!.* ## **On First Impressions** ![Jessie Buckley in The Bride!](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/jessie-buckley-the-bride.webp) Jessie Buckley in *The Bride!* Photo courtesy of Warner Bros. Pictures “My first impression of the script was that it was truly one of a kind. A singular vision from a brilliant mind. It felt completely individual, unlike anything I’d encountered before.” “I had spoken with my sister about the project for a couple of years beforehand, but when I finally read the script, it was as if she had somehow gathered and distilled all the ideas she’d been contemplating and metabolizing for so many years, and woven them into this rich, deep, modern classic.” “I was blown away by the world she created on the page.” ## **On Playing Ronnie Reed** “Ronnie Reed is a classic matinee idol, inspired by the golden age of movies. He’s an amalgamation of the performers Maggie and I grew up loving — Fred Astaire, Ginger Rogers, Gene Kelly, Nicholas Brothers, and Donald O’Connor — artists whose work brought us the deepest joy. ” “Within the story, Ronnie also represents Frank’s deep connection to cinema. Movies are Frank’s refuge, the place where he finds comfort, escape, and a sense of belonging. Ronnie is a dynamic and comedic character, and truly a pleasure to bring to life.” ## **On Working with Maggie as Director** ![The Bride!, Jake Gyllenhaal, Maggie Gyllenhaal](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/jake-maggie-gyllenhaal-the-bride.webp) The Gyllenhaal siblings onset. Photo courtesy of Warner Bros. Pictures “The truth is, she’s been directing me since we were kids! I just didn’t realize it would eventually become official! So, in some ways this wasn’t our first time working together, but it was the first time in a professional setting. And honestly, working with her as a director was an absolute joy. There really aren’t words that fully do it justice.” “Who would have thought the two of us would grow up to do what we’ve loved for so much of our lives, and get to do it together? Watching my sister bring her vision to life was incredibly special. Pride isn’t quite the right word. It just felt right. Totally and absolutely natural and deeply meaningful. It was truly an honor to work with her.” “She’s the genuine article: a brilliant writer and director.” ## **On Jessie Buckley and Christian Bale** I was fortunate enough to spend a lot of time on set watching them work. I visited often, and I absolutely loved being there. They’re two extraordinary artists and truly remarkable people. There’s something magnetic about watching performers like that. ## **On What Will Remain With Audiences** ![The Bride!, Jessie Buckley, Christian Bale, and Maggie Gyllenhaal](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/the-bride-jessie-buckley-christian-bale-maggie-gyllenhaal.webp) Jessie Buckley, Christian Bale, and Maggie Gyllenhaal onset. Photo courtesy of Warner Bros. Pictures “I hope audiences are talking about so many things afterward. The film is packed with ideas — there’s so much to unpack that you can’t just watch it once.” “More than anything, I hope they leave loving the world they’ve just experienced. *The Bride!* is completely original, like stepping into an unmistakably new cinematic landscape. I hope they recognize that they’ve entered the mind of a filmmaker operating on a frequency entirely her own. There’s truly no one like her.” “This is just the beginning of what she’s going to create, and I think we’re all very lucky to be along for the ride. I know I am. I’ve had a front row seat to her brilliance since childhood, so I suppose I had an early preview.” ## Frequently Asked Questions ### Who directed the film The Bride!? The Bride! was written and directed by Maggie Gyllenhaal. It serves as her second directorial feature following her 2021 film The Lost Daughter. ### What role does Jake Gyllenhaal play in The Bride!? Jake Gyllenhaal portrays Ronnie Reed, a Golden Age Hollywood matinee idol inspired by performers like Fred Astaire, Gene Kelly, and Donald O’Connor. Within the film’s narrative, his character represents Frank’s love for cinema. ### Which classic horror story is The Bride! based on? The Bride! is a bold reimagining of Mary Shelley’s classic Gothic novel Frankenstein and James Whale’s 1935 film Bride of Frankenstein, set in 1930s Chicago. ### Who stars alongside Jake Gyllenhaal in The Bride!? The film stars Christian Bale as Frankenstein’s creature (Frank), Jessie Buckley as the revived Bride, Annette Bening as Dr. Euphronius, and Penelope Cruz. ### Why does Jake Gyllenhaal recommend watching The Bride! more than once? Jake Gyllenhaal noted that director Maggie Gyllenhaal packed the film with complex themes, rich world-building, and artistic details that require multiple viewings to fully unpack. 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Disco, Occasionally*. The show, his first in nearly three years, will stream on [Netflix](https://rollingstonephilippines.com/tag/netflix/ "Netflix") on Sunday, March 8 (March 9 in Philippine time). The news was shared on his Instagram account. > [View this post on Instagram](https://www.instagram.com/p/DVY8QWxCFX8/?utm_source=ig_embed&utm_campaign=loading)[A post shared by @harrystyles](https://www.instagram.com/p/DVY8QWxCFX8/?utm_source=ig_embed&utm_campaign=loading) The announcement followed Styles’ first live performance of the year on March 1 at the BRIT Awards, where he showcased a choreographed rendition of the album’s lead single “Aperture.” Dressed in a tie and suit, he performed alongside a gospel choir and a full group of backup dancers as rays of light glistened across the venue. Styles first released “Aperture” on January 22, surprising many as he embraced the progressive house music genre with a dry, disco-inflected groove. It is his first single in four years since his previous album *Harry’s House,* back in 2022. Following the March 6 album event at Manchester’s Co-op Live, Styles will embark on a world tour featuring multi-night residencies in seven cities. Styles is also set to pull double duty as host and musical guest on *[Saturday Night Live](https://rollingstonephilippines.com/tag/saturday-night-live/ "Saturday Night Live")* on March 14. ## Frequently Asked Questions ### When does Harry Styles’ Netflix concert film air? The concert special, titled Harry Styles: One Night in Manchester, streams globally on Netflix starting Sunday, March 8 (March 9 in Philippine time), capturing his album launch performance at Manchester’s Co-op Live arena. ### What is the title of Harry Styles’ fourth studio album? His fourth studio album is titled Kiss All the Time. Disco, Occasionally., released worldwide on March 6. ### What is the lead single from Harry Styles’ 2026 album? The lead single is “Aperture,” a progressive house track featuring a dry, disco-inflected groove. He debuted its first live televised performance at the 2026 BRIT Awards alongside a gospel choir and dancers. ### Where is Harry Styles holding his 2026 concert residency tour? Following his release show, Harry Styles embarks on his Together, Together global tour, featuring multi-night residencies across seven major international cities, including a 30-night run at Madison Square Garden in New York City. ### Has Harry Styles hosted Saturday Night Live before? Harry Styles previously served as both host and musical guest on Saturday Night Live in 2019, returning to pull double duty again on the March 14 episode in support of Kiss All the Time. Disco, Occasionally. 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More than half a year after *rOe* arrived in August, that stance has only sharpened. At the time, the [Awit Award](https://rollingstonephilippines.com/tag/awit-awards/ "Awit Awards")–winning artist was already moving through festival circuits abroad, steadily refining how sound, image, and performance could exist on equal footing. The influences have always been readable — Björk’s willingness to disrupt form, Imogen Heap’s precision with harmony — but ena mori has never relied on those references as shorthand. With *Ore*, she pushes further into electronic territory. The record dwells in friction, distortion, and moments that feel unresolved on purpose. This is pop music that resists easy entry, and her latest release acts as a gateway to push the envelope of sound further. Released on February 28 midnight, *Ore* is the result of continued collaboration with Tim Marquez, the drummer and producer of [One Click Straight](https://rollingstonephilippines.com/tag/one-click-straight/ "One Click Straight"). Together, they treat the synthesizer as an expressive tool rather than a cosmetic layer. In songs like “Funny,” an explosive synth and drum pattern chaotically spatters left and right; “19 Underground” features a buzzing synth attacking in the form of a UK garage two-step drum pattern; “Insomnia” combines trance synth buildups with her haunting, soaring vocals. These tracks unfold through texture, repetition, and pressure, allowing discomfort to stay in the frame. “I’ve always been drawn to sounds that are a little bit unsettling,” ena tells *Rolling Stone Philippines*. “Some people might find them ugly or irritating, but for this record, I really leaned into sounds that not a lot of people would enjoy auditorily, and that was also the point for *Ore*.” ## Note to Younger Self ![ena mori Ore](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/enamori_Ore_ArtistPhoto-vertical2-.webp) ‘Ore’ becomes a space where ena mori allows herself to reopen moments she once dismissed or minimized. Photo from Offshore Music That attraction is not aesthetic posturing. For ena, sound is tied directly to emotional honesty, even when that honesty feels abrasive. “Whenever I look for sounds, I want it to be true. I want it to be the auditory version of what I feel,” she says. “That’s what I really care about.” She traces the creative process as something she continues to learn even now. ena fully entrusts the soundscapes to Marquez, who orchestrated the synth selection on *Ore*. “Probably the reason I’m drawn to unsettling or irritating sounds is because maybe I am irritated. Maybe I am unsettled and unstable at times,” she says. “There are moments where it feels uncomfortable to be in my own mind. I think that’s where the sound is really coming from.” Much of *Ore* circles back to her teenage years, a time when she felt misunderstood. The record becomes a space where she allows herself to reopen moments she once dismissed or minimized. “There are so many moments where I opened boxes of memories from my teenage years,” she says. “I didn’t really give myself that much credit when I was younger. And I think that, as an artist, I’ve learned to see the importance of that. You know, all the small things I’ve done that make me cringe are things I don’t want to erase. Those are all beautiful things that shape who we all are.” That reckoning gives *Ore* its emotional core. The songs do not resolve into neat conclusions. She also speaks candidly about the tension between creative momentum and mental pause, particularly in an industry that rewards constant output. “I think about creative ways to take a brain rest,” she says. “And that can feel scary. It can feel dangerous, creatively.” *Ore* moves as though it understands the cost of slowing down. ena documents choosing to remain present with herself, even when that presence is uneasy. She insists on occupying that space slowly but surely. The record stands as a reflection of an artist willing to let sound carry memory and uncertainty without compromise — like a true pop artist. ## Frequently Asked Questions ### What is the release date of ena mori’s EP Ore? Ore was officially released at midnight on February 28. It serves as the follow-up project to her August release rOe. ### Who produced ena mori’s EP Ore? The EP was produced in collaboration with Tim Marquez, drummer and producer for the Filipino band One Click Straight, who orchestrated the record’s synthesizer arrangements and drum programming. ### What music genres and sound styles are featured on Ore? Ore blends experimental electronic pop, UK garage two-step drum patterns, trance synthesizer buildups, and distorted synth textures with soaring vocals on tracks like “Funny,” “19 Underground,” and “Insomnia.” ### What thematic concepts inspired the songs on Ore? The EP explores emotional vulnerability, teenage memories, self-reflection, and mental restlessness. ena mori intentionally used abrasive and unsettling synth textures to mirror internal emotional instability. ### Which musical influences are often associated with ena mori’s experimental pop sound? Critics and listeners frequently compare her inventive synth-pop style and harmonization to artists like Björk and Imogen Heap. 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For 31 years, it was known as the SAG Awards, named after the U.S. actors union [SAG-AFTRA](https://rollingstonephilippines.com/tag/sag-aftra/ "SAG-AFTRA"). However this year, the group of roughly 118,000 working actors decided that the name change was necessary to reflect a more international audience. “We wanted to provide clearer recognition in terms of what the show is about for our domestic and global audiences,” wrote the union on its official website. “We honor film and television.” The ceremony, held on March 1, was hosted by Kristen Bell and was streamed live on Netflix from Los Angeles’ Shrine Auditorium & Expo Hall. Below is the full list of this year’s winners of the Actor Awards. ## TV **Outstanding performance by an ensemble in a comedy series** **WINNER:** ***The Studio*** *Abbott Elementary* *The Bear* *Hacks* *Only Murders in the Building* **Outstanding performance by a male actor in a drama series** **WINNER: Noah Wyle, *The Pitt*** Sterling K. Brown, *Paradise* Billy Crudup, *The Morning Show* Walton Goggins, *The White Lotus* Gary Oldman, *Slow Horses* **Outstanding performance by a female actor in a comedy series** **WINNER: Catherine O’Hara, *The Studio*** Kathryn Hahn,*The Studio* Jenna Ortega,*Wednesday* Jean Smart, *Hacks* Kristen Wiig, *Palm Royale* **Outstanding performance by a female actor in a drama series** **WINNER: Keri Russell, *The Diplomat*** Britt Lower,*Severance* Parker Posey, *The White Lotus* Rhea Seehorn, *Pluribus* Aimee Lou Wood,*The White Lotus* **Outstanding performance by a male actor in a comedy series** **WINNER: Seth Rogen, *The Studio*** Ike Barinholtz, *The Studio* Adam Brody, *Nobody Wants This* Ted Danson, *A Man on the Inside* Martin Short,*Only Murders in the Building* **Outstanding performance by a female actor in a television movie or limited series** **WINNER:** **Michelle Williams,*Dying for Sex*** Claire Danes,*The Beast in Me* Erin Doherty, *Adolescence* Sarah Snook, *All Her Fault* Christine Tremarco, *Adolescence* **Outstanding performance by a male actor in a television movie or limited series** **WINNER: Owen Cooper, *Adolescence*** Jason Bateman, *Black Rabbit* Stephen Graham, *Adolescence* Charlie Hunnam, *Monster: The Ed Gein Story* Matthew Rhys, *The Beast in Me* **FILM** **Outstanding performance by a cast in a motion picture** **WINNER: *Sinners*** *Frankenstein* *Hamnet* *Marty Supreme* *One Battle After Another* **Outstanding performance by a female actor in a leading role** **WINNER: Jessie Buckley, *Hamnet*** Rose Byrne, *If I Had Legs I’d Kick You* Kate Hudson, *Song Sung Blue* Chase Infiniti, *One Battle After Another* Emma Stone, *Bugonia* **Outstanding performance by a male actor in a leading role** **WINNER: Michael B. Jordan, *Sinners*** Timothée Chalamet,*Marty Supreme* Leonardo DiCaprio,*One Battle After Another* Ethan Hawke, *Blue Moon* Jesse Plemons,*Bugonia* **Outstanding performance by a female actor in a supporting role** **WINNER: Amy Madigan, *Weapons*** Odessa A’zion, *Marty Supreme* Ariana Grande, *Wicked: For Good* Wunmi Mosaku, *Sinners* Teyana Taylor, *One Battle After Another* **Outstanding performance by a male actor in a supporting role** **WINNER:** **Sean Penn, *One Battle After Another*** Miles Caton, *Sinners* Benicio del Toro, *One Battle After Another* Jacob Elordi, *Frankenstein* Paul Mescal, *Hamnet* **Stunt ensemble in a motion picture** **WINNER: *Mission: Impossible – The Final Reckoning*** *F1* *Frankenstein* *One Battle After Another* *Sinners* **Outstanding performance by an ensemble in a drama series** **WINNER: *The Pitt*** *The Diplomat* *Landman* *Severance* *The White Lotus* **Outstanding performance by a stunt ensemble in a television series** **WINNER: *The Last of Us*** *Andor* *Landman* *Squid Game* *Stranger Things* Beyond honoring this year’s most memorable films and television series, the ceremony also awarded Harrison Ford the SAG-AFTRA Life Achievement Award, an accolade which has been received in the past by Jane Fonda, Barbra Streisand, Robert De Niro, and more. “It’s a little weird to receive this at the halfpoint of my career,” joked Ford as he took to the stage to receive his award. “It’s a little early, isn’t it?” ## Frequently Asked Questions ### Why were the SAG Awards renamed to the Actor Awards in 2026? SAG-AFTRA officially rebranded the 32nd annual ceremony as the Actor Awards to establish a clearer, globally recognizable brand identity for international audiences while maintaining its role in honoring film and television performances. ### Which film won the top award for Outstanding Performance by a Cast at the 2026 Actor Awards? Sinners won the top film honor for Outstanding Performance by a Cast in a Motion Picture. Lead actor Michael B. Jordan also won Outstanding Performance by a Male Actor in a Leading Role for the film. ### Which television shows won the top ensemble awards at the 2026 Actor Awards? Apple TV’s The Studio won Outstanding Performance by an Ensemble in a Comedy Series, while HBO Max’s The Pitt won Outstanding Performance by an Ensemble in a Drama Series. ### Who received the SAG-AFTRA Life Achievement Award at the 2026 ceremony? Harrison Ford was presented with the SAG-AFTRA Life Achievement Award during the March 1, 2026 ceremony in recognition of his career contributions to cinema and television. ### Where were the 2026 Actor Awards held and who hosted? The 32nd Actor Awards ceremony took place on March 1, 2026, at the Shrine Auditorium & Expo Hall in Los Angeles. Hosted by Kristen Bell, the show streamed live globally on Netflix. Related Stories - [Can ‘The Pitt’ Keep Up In Its Second Act?](https://rollingstonephilippines.com/culture/tv/the-pitt-episode-1-season-2-recap/ "Can ‘The Pitt’ Keep Up In Its Second Act?") - [‘Sinners’ Makes a Party With the Devil Seem Like a Good One ](https://rollingstonephilippines.com/culture/film-tv/sinners-ryan-coogler-film-review/ "‘Sinners’ Makes a Party With the Devil Seem Like a Good One ") - [Leonardo DiCaprio on How ‘One Battle After Another’ Isn’t a Typical Hero’s Story](https://rollingstonephilippines.com/culture/film/leonardo-dicaprio-one-battle-after-another-interview/ "Leonardo DiCaprio on How ‘One Battle After Another’ Isn’t a Typical Hero’s Story") **Categories:** Culture, Film, TV **Tags:** Actor Awards, SAG-AFTRA --- ### [The Start of BLACKPINK’s 'Me and my' Sounds Like an NBA Podcast](https://rollingstonephilippines.com/music/pop/blackpink-no-dunks-sample/) **Published:** March 2, 2026 **Author:** Elijah Pareño **Excerpt:** The global idol group opens its new track with a familiar NBA podcast intro, pulling internet culture into K-pop through a playful, unexpected sample **Content:** [BLACKPINK](https://rollingstonephilippines.com/tag/blackpink/ "Blackpink") has pulled out all the stops to be showstoppers, and this time, podcasts are part of the equation. On their latest track “Me and My” from the EP *DEADLINE*, released February 27, the group explores into an unexpected sample seemingly drawn from the [NBA](https://rollingstonephilippines.com/tag/nba/ "NBA") podcast world. The song opens with the unmistakable intro horns from *NO DUNKS*, which co-host J.E. Skeets pointed out himself, saying, “It has the ‘NO DUNKS’ intro horns that go into a banger of a song, to be honest.” Sampling has long been common practice in K-pop, often used to heighten emotion, punctuate climaxes, or subtly shape a track’s mood. Recent examples include IVE’s “After Like,” which interpolates Gloria Gaynor’s “I Will Survive” in 2022, or the more unconventional use of the “Crazy German Kid” clip in [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS")’ “Not Today” back in 2017. These borrowed elements function as effective recontextualization of these references from both music and internet culture. *NO DUNKS* itself is a daily NBA podcast and YouTube show hosted by longtime basketball podcasters J.E. Skeets, Tas Melas, Trey Kerby, and JD. The show officially launched under the *NO DUNKS* name in October 2019 after the crew’s departure from NBA TV. Known for its mix of comedic banter and in-depth analysis, the podcast covers league news, game breakdowns, and listener questions. Before that, the group established their following through *The Basketball Jones* and *The Starters*. ## Frequently Asked Questions ### What NBA podcast does BLACKPINK sample on ‘Me and My’? BLACKPINK samples the opening brass horns from No Dunks, a popular daily NBA podcast and YouTube show hosted by J.E. Skeets, Tas Melas, Trey Kerby, and JD. ### On which album is the BLACKPINK song ‘Me and My’ released? “Me and My” is a track from BLACKPINK’s EP DEADLINE, which was released on February 27. ### Did the hosts of No Dunks react to BLACKPINK sampling their intro? Yes, No Dunks co-host J.E. Skeets publicly recognized the sample during a live broadcast, pointing out the inclusion of their show’s signature intro horns and describing “Me and My” as a “banger of a song.” ### How is audio sampling used in K-pop music production? K-pop producers frequently use sampling, interpolations, and internet audio clips to build memorable hooks or recontextualize pop culture references. Notable examples include IVE interpolating Gloria Gaynor’s “I Will Survive” on “After Like” and BTS using viral internet audio on “Not Today.” ### What is the background of the No Dunks podcast crew? The No Dunks team originally built their basketball media fanbase under the names The Basketball Jones and The Starters on NBA TV before launching independently as No Dunks in October 2019. 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The Filipino coffee brand has updated its menu with ProteinUP, four newly developed beverages made in partnership with nutrition brand Wheyl. Each cup packs at least 20 grams of protein, making it an ideal choice for gym-goers, runners, students, and coffee lovers looking for a simple, accessible way to power through their everyday routine. ![PICKUP COFFEE's iced protein strawberry beverage.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/pickup_coffee_protein_wheyl_Strawberry.webp) PICKUP COFFEE’s iced protein strawberry beverage. Photo courtesy of PICKUP COFFEE ![PICKUP COFFEE's iced protein matcha beverage](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/pickup_coffee_protein_wheyl_matcha.webp) PICKUP COFFEE’s iced protein matcha beverage. Photo courtesy of PICKUP COFFEE ProteinUP drinks come in four unique flavors, each one finding the balance between taste and power. The iced protein latte packs a bold espresso punch mixed with a boost of Wheyl protein. The iced protein dark chocolate beverage is perfect for those looking for a rich, cocoa flavor. But if strawberry is more your speed, the iced protein strawberry beverage might be for you. And for those looking to up their protein intake in an enjoyable way, I’d definitely recommend the iced protein matcha beverage. ![PICKUP COFFEE protein beverages](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/pickup_coffee_protein_wheyl_poster.webp) What will your next PICKUP COFFEE go-to be? Photo courtesy of PICKUP COFFEE All four protein-packed beverages are currently available at select PICKUP COFFEE branches and online via GrabFood, Foodpanda, and the PICKUP app. Beverages are also available in a MEGA cup for an additional P100. For more updates, check out PICKUP COFFEE on [Instagram](https://www.instagram.com/pickupcoffeeph/), [Facebook](https://www.facebook.com/pickupcoffeeph), and [TikTok](https://www.tiktok.com/@pickupcoffee). ## Frequently Asked Questions ### What is the PICKUP COFFEE ProteinUP line? ProteinUP is a specialized lineup of protein-enhanced beverages created through a partnership between Philippine coffee chain PICKUP COFFEE and sports nutrition brand Wheyl. ### How much protein is in PICKUP COFFEE ProteinUP drinks? Each cup in the ProteinUP series contains at least 20 grams of high-quality Wheyl protein designed to support daily dietary protein goals. ### What flavors are available in the ProteinUP beverage menu? The ProteinUP menu features four distinct flavors: Iced Protein Latte, Iced Protein Dark Chocolate, Iced Protein Strawberry, and Iced Protein Matcha. ### Where can you buy PICKUP COFFEE ProteinUP beverages? ProteinUP drinks are available at select physical PICKUP COFFEE branches across the Philippines, as well as for delivery via the PICKUP mobile app, GrabFood, and Foodpanda. ### Are ProteinUP drinks available in larger cup sizes? Yes, all four ProteinUP beverages can be upgraded to a MEGA cup size for an additional ₱100 over the base price. Related Stories - [This Fast Food Chain Finds a Home in Filipino History](https://rollingstonephilippines.com/radar/rs-recommends/mcdonalds-filipino-heritage-stores/ "This Fast Food Chain Finds a Home in Filipino History") - [Josh Boutwood of Two-Michelin Star Helm on the Power of Creative Pauses](https://rollingstonephilippines.com/radar/rs-recommends/josh-boutwood-rolling-stone-philippines-social-club/ "Josh Boutwood of Two-Michelin Star Helm on the Power of Creative Pauses") - [Tears Were Shed at the First-Ever Rolling Stone PH Film Club featuring ‘The Loved One’](https://rollingstonephilippines.com/culture/philippine-cinema/film-club-the-loved-one/ "Tears Were Shed at the First-Ever Rolling Stone PH Film Club featuring ‘The Loved One’") **Categories:** RS Recommends **Tags:** PICKUP COFFEE --- ### [Epstein and Tyra Banks Docuseries and More Shows to Watch Right Now](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/epstein-tyra-banks-bridgerton-true-detective/) **Published:** February 27, 2026 **Author:** Mel Wang **Excerpt:** Your weekly guide to some of the most essential things to add to your watchlist, courtesy of the Rolling Stone Philippines writers and editors **Content:** Welcome to [What to Watch Right Now](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/ "What To Watch Right Now"), our weekly rundown of the best things to watch right now. The constant stream of shows, videos, and films to watch online can become a sludge to wade through, so here are a few things you can watch courtesy of the *Rolling Stone Philippines* team. Whether it’s a new film, TV series, or even a home video release you should own, we hope it can ease the burden of choosing which streaming platform to use or of discovering a new cinematic odyssey. This week, we’ve been on a streaming marathon thanks to new releases like the second half of *[Bridgerton](https://rollingstonephilippines.com/tag/bridgerton/ "Bridgerton")*’s fourth season. We’ve also revisited past seasons of hit shows, such as *True Detective: Night Country* and *[House of the Dragon](https://rollingstonephilippines.com/tag/house-of-the-dragon/ "House of the Dragon")*, to remind ourselves of what makes them prestige TV. For those looking for gripping, albeit difficult, docuseries, turn to *[Reality Check: Inside America’s Next Top Model](https://rollingstonephilippines.com/tag/americas-next-top-model/ "America's Next Top Model")* or *[Jeffrey Epstein: Filthy Rich](https://rollingstonephilippines.com/tag/jeffrey-epstein/ "Jeffrey Epstein")*. And for those who just need a cozy watch mixed with some subtle whodunnit undertones, let me refer you to *The ‘Burbs*. ## ‘Jeffrey Epstein: Filthy Rich’ *The type of true crime show that’ll make you wonder how this sicko was left unchecked for so long* *Jeffrey Epstein: Filthy Rich* is by no means an easy watch, and I only recommend it if you’re emotionally prepared for a deep dive into how the late sex offender built his network of politicians, benefactors, and the dozens of young women he forced into his sex trafficking ring. Through interviews with multiple survivors, several of whom were underage when they first met Epstein, the docuseries presents the amount of abuse and manipulation that they went through in order to survive. At the same time, the show looks at how he was able to use his wealth and friends in high places to escape any real punishment for decades. —*[Mel Wang](https://rollingstonephilippines.com/author/melissa-wang/ "Mel Wang")* ## ‘Reality Check: Inside America’s Next Top Model’ *Layers upon layers of horrific shitshows that made for “good TV”* It’s no secret that Tyra Banks wasn’t the most congenial show host. But this docuseries reveals just how dangerously fucked up things were behind the scenes of Banks’ hit competitive modeling series. The usual suspects are covered, from the crime scene photoshoot to Dani Evans and Joanie Sprague’s ill-fated trip to the dentist. But *Reality Check* also doesn’t shy away from the body-shaming, racial profiling, and cases of sexual assault that went down on set. By the time you finish all three episodes, you’ll realize just how much past contestants had to give up in order to stay in the running to be America’s next top model. —*Mel Wang* ## ‘Bridgerton’ Season 4 *The latest season of this period romance reaches its pinnacle* The second part of *Bridgerton* Season 4 has just been released, and I’m definitely binge-watching it this weekend. In the first part, Sophie Baek (Yerin Ha) has managed to keep her identity as Benedict Bridgerton’s (Luke Thompson) masked Cinderella a secret. So far, the show has held back on the steam that made Season 1 so great, but hopefully, these next four episodes satisfy not just my need for something extremely freaky to happen, but also the many other questions I have for the characters. Why keep the ruse up? Will Francesca ever get with Michaela? And can Queen Charlotte let go of her best friend, Lady Danbury? —*[Pie Gonzaga](https://rollingstonephilippines.com/author/sophia-gonzaga/ "Pie Gonzaga")* ## ‘The ‘Burbs’ *A quaint, spooky whodunnit, with Keke Palmer leading the charge* If you’re looking for a low-stakes murder mystery that involves seemingly haunted houses and casual day drinking in suburbia, then thisis the show for you. In a nutshell, *The ‘Burbs* (a loose-ish remake of the 1989 dark comedy of the same name with Tom Hanks and Carrie Fisher) follows newlywed couple Samira ([Keke Palmer](https://rollingstonephilippines.com/tag/keke-palmer/ "Keke Palmer")) and Rob (Jack Whitehall) as they move into a predominantly white cul-de-sac that’s hiding a dark secret. While the ensemble cast does its best to play up the eccentricities that come with living in a tight-knit, claustrophobic suburban community, Palmer is definitely bringing most of the charm and nuance to the show. She’s quick to go big on jokes compared to her straight-men husband and neighbors, and as she slowly starts to figure out what’s wrong with her new neighborhood, all you can do is hope that she solves the mystery unscathed. —*Mel Wang* ## ‘House of the Dragon’ *We return to the brutal side of Westeros* After finishing the first season of the lighthearted *[A Knight of the Seven Kingdoms](https://rollingstonephilippines.com/tag/a-knight-of-the-seven-kingdoms/ "A Knight of the Seven Kingdoms")*, fans are strapping in for the return of *House of the Dragon* and all its bloodshed and court intrigue. Two years after the second season was released, all we have right now is a teaser, so now might be a good time to catch up with the show or refresh your memory. The upcoming third season situates the show’s super blonde cast of characters deep in the Dance of the Dragons, a succession war between the Blacks and the Greens, two rivaling factions of the House Targaryen. George R. R. Martin’s readers already know how the war pans out, but there’s also no saying how HBO’s *House of the Dragon* might deviate from its source material, something we already saw in *[Game of Thrones](https://rollingstonephilippines.com/tag/game-of-thrones/ "Game of Thrones")*. —*Pie Gonzaga* ## ‘True Detective: Night Country’ *Who doesn’t like a cold, dark whodunnit?* Speaking of *A Knight of the Seven Kingdoms*, I’ve found myself in need of more Finn Bennett, who plays the arrogant Aerion Targaryen. Like many other fans of the series, I’ve taken to watching *True Detective: Night Country*, the fourth season in the anthology crime series. *Night Country* focuses on the murders of scientists in Ennis, Alaska, north of the Arctic Circle. Now, don’t get me wrong, Bennett is definitely hot here as the police officer Pete Prior, but Jodie Foster is just something else to me as a sapphic. Her performance as lead detective Liz Danvers, which seems to recall her work in *The Silence of the Lambs*, earned her accolades at the 2024 Golden Globes, Critics’ Choice Super Awards, and the Primetime Emmy Awards. —*Pie Gonzaga* ## Frequently Asked Questions ### What is featured in the docuseries Reality Check: Inside America’s Next Top Model? Reality Check: Inside America’s Next Top Model is a three-part investigative docuseries examining behind-the-scenes controversies during the run of Tyra Banks’ reality competition show, including body shaming, racial profiling, hazardous photoshoots, and systemic misconduct on set. ### Who stars in the remake series of The ‘Burbs? The television adaptation of the 1989 dark comedy The ‘Burbs stars Keke Palmer as Samira and Jack Whitehall as Rob. The series follows a newlywed couple navigating suburban eccentricities and dark neighborhood secrets in a tight-knit cul-de-sac. ### What storylines are central to Bridgerton Season 4 Part 2? Part 2 of Bridgerton Season 4 continues the romance between Benedict Bridgerton (Luke Thompson) and Sophie Baek (Yerin Ha), while addressing ongoing plotlines surrounding Francesca Bridgerton, Michaela Stirling, and the dynamic between Queen Charlotte and Lady Danbury. ### Where does True Detective: Night Country take place and who stars in it? True Detective: Night Country (Season 4) is set in the fictional town of Ennis, Alaska, north of the Arctic Circle. The crime anthology stars Jodie Foster as Detective Liz Danvers alongside Kali Reis and Finn Bennett as officer Pete Prior. ### What is Jeffrey Epstein: Filthy Rich about? Jeffrey Epstein: Filthy Rich is a four-part Netflix true-crime docuseries detailing how financier Jeffrey Epstein built a global sex-trafficking network. Through survivor testimony, it investigates how Epstein used wealth, political influence, and legal maneuvering to evade accountability. Related Stories - [5 Toxic Takeaways From the ‘America’s Next Top Model’ Docuseries](https://rollingstonephilippines.com/culture/tv/americas-next-top-model-docuseries-recap/ "5 Toxic Takeaways From the ‘America’s Next Top Model’ Docuseries") - [‘Industry’ Season 4, Episode 7: At Whit’s End](https://rollingstonephilippines.com/culture/tv/industry-hbo-season-4-episode-7/ "‘Industry’ Season 4, Episode 7: At Whit’s End") - [It’s ‘A Knight of the Nine Kingdoms’ Now, Actually](https://rollingstonephilippines.com/culture/tv/a-knight-of-the-seven-kingdoms-finale-recap/ "It’s ‘A Knight of the Nine Kingdoms’ Now, Actually") **Categories:** Culture, Editor's Picks, TV, What To Watch Right Now **Tags:** America's Next Top Model, Bridgerton, House of the Dragon, Jeffrey Epstein, What to Watch Right Now --- ### [‘Scream 7’ Director Kevin Williamson Really Wants to Scare the Audience](https://rollingstonephilippines.com/culture/film/scream-7-director-williamson-wes-craven/) **Published:** February 27, 2026 **Author:** Pie Gonzaga **Excerpt:** The writer-turned-director opens up about taking the helm, bringing back the franchise’s OG cast, and making Ghostface scary again **Content:** “People loved to be scared,” says writer-director [Kevin Williamson](https://rollingstonephilippines.com/tag/kevin-williamson/ "Kevin Williamson"). Nearly three decades since writing the first *Scream* film and upending horror films forever, Williamson has stepped into the director’s chair for [*Scream 7*](https://rollingstonephilippines.com/radar/releases/scream-7-neve-campbell-trailer/). He recalls getting on the online call where *Scream* queen [Neve Campbell](https://rollingstonephilippines.com/tag/neve-campbell/ "Neve Campbell") asked him to direct the film. “I had never really thought about directing a *Scream* film,” he said. “I didn’t really think it was even a possibility. And now that I’ve directed it, I realized I’ve always wanted to direct one.” In November 2023, following the release of *Scream VI*, actress Melissa Barrera was fired from the project for sharing pro-Palestine posts on social media. Her co-star [Jenna Ortega](https://rollingstonephilippines.com/tag/jenna-ortega/ "Jenna Ortega") and director Christopher Landon also dropped the film, with both suggesting that production had “fallen apart” after Barrera’s departure. Williamson was then asked to step in as director. ![courteney cox in scream 7](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/scream-7-courteney-cox.webp) Courteney Cox returns as Gale Weathers in *Scream 7*. Photo courtesy of Paramount Pictures In the new film, now showing in Philippine cinemas, Sidney (Campbell) has moved into a quiet town to build a new life. But just as her family’s settling in, a new Ghostface emerges, targeting her daughter Tatum (Isabel May). “Your goal with the *Scream* films is to keep doing something fresh and new, but you also want to bring back the nostalgic feeling that the first film gave us,” said Williamson about taking on the movie and bringing in the franchise’s OGs. The latest installment in the meta-horror franchise boasts comebacks from the original cast, including Campbell as Sidney, Courteney Cox as Gale Weathers, David Arquette as Dewey Riley, and even Matthew Lillard as Stu Macher. While early reviews of the film haven’t been stellar, [*The Hollywood Reporter*](https://www.hollywoodreporter.com/movies/movie-news/scream-7-box-office-preview-1236514231/) says that pundits believe this latest installment can beat *Scream VI*’s opening domestic numbers, besting the previous film’s $44.4 million launch in the U.S. with an expected $60 million start. In this interview, Williamson talks about falling in love with horror, honoring *Scream* director Wes Craven’s legacy, and why nothing beats the thrill of watching a scary movie with a packed, screaming crowd. ## On the horror genre “Making the first film was such a magical time. I was able to work with my hero, Wes Craven. I have loved the horror genre since I was a little kid and saw my first horror film: *Halloween*. I have never forgotten the excitement of the audience watching it. They were screaming at Jamie Lee Curtis, ‘Don’t drop the knife!’ And then she dropped the knife!” ## On becoming the ‘Scream 7’ director “We got on a Zoom, so \[Campbell\] got to see me cry. The first words out of my mouth were, ‘Yes, of course I’ll do it. Yes, yes, yes!’” “I had never really thought about directing a *Scream* film. I didn’t really think it was even a possibility. And now that I’ve directed it, I realized: I’ve always wanted to direct one. Sometimes you don’t know what you want until you get it. I wanted to do this with all my heart, and it was a blast. I can’t imagine a better experience.” ![neve campbell and kevin williamson on set of scream 7](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/scream-7-neve-campbell-kevin-williamson.webp) Neve Campbell and Kevin Williamson on the set of *Scream 7*. Photo courtesy of Paramount Pictures ## On his goal for the film “My goal with this movie was to create some very visceral moments and really scare the audience. That’s what Craven would do, and we wanted to honor that. Your goal with the *Scream* films is to keep doing something fresh and new, but you also want to bring back the nostalgic feeling that the first film gave us. And that’s what I tried to do. To make it as thrilling and emotional as the earlier films. I tried to use everything I learned from Wes.” ## On working again with Neve Campbell ”In the beginning, there was Sidney. Having Campbell made this a really special film for me. Sidney’s the heart and the core of this story. People love her so much they still stop me on the street and ask about her. This movie is about who she is now, how she survived and what would happen if Ghostface came knocking on her door today.” “I wanted the audience to catch up with her. How does her past affect her mothering a child? How does she parent? That’s what we explore in this film.” ## On working with Isabel May ![isabel may in scream 7](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/scream-7-isabel-may.webp) Isabel May plays Tatum, Sidney Prescott’s daughter. Photo courtesy of Paramount Pictures “We were on the same page from the start. I asked her what kind of music Tatum would listen to and she came back to me with a well-thought-out list. There are posters for all the artists on Tatum’s bedroom walls and each tells part of her story. For example, she listens to The Runaways, who recorded in the 1970s. That says that she seeks out the past. And the past is what she so badly needs to learn about from her mother.” “She’s a phenomenal actress. Tatum and Sidney have a complicated relationship and Isabel was up for all the challenges that presented.” ## On Ghostface “Ghostface is always a trickster. You never know what you’re going to get. The goal is to constantly surprise the audience. I don’t want Ghostface to just show up and kill somebody. I love a good chase scene. I want the victims to fight for their lives. I want to see Ghostface go at it with someone audiences love. Jennifer Badger, our truly great stunt coordinator, and our equally great effects team brought their best game to help me build the sequences to create the most visceral scares for the audience.” ## On Wes Craven’s best advice “He said just tell the story, what happens, and then what happens next. And tell it from an emotional place. \[Cinematographer\] Ramsey \[Nickell\] and I were very clear that we weren’t going to get precious and try to wow people with fancy footage and angles. That can take you right out of a movie like this. We kept it simple.” “Making *Scream 7* reignited so many of the feelings I had on the set with Wes Craven through those first films. In terms of the genre, I learned what true emotional horror is from him. He would always tell me it’s not about making a ‘horror film.’ It’s not about just making something scary. You have to make it emotional or nobody will care. When I got the chance to direct this film, I was excited to jump into those shoes and take my turn.” “It’s still got lots of jump scares and set pieces. We give the audience a little taste of everything. What makes the franchise unique is that there’s a little Agatha Christie in addition to someone wielding a knife. There are all sorts of scary stories, but someone with a knife in the dark is one of the scariest.” ## Frequently Asked Questions ### Who directed Scream 7? Scream 7 was directed by Kevin Williamson, the original screenwriter and creator of the Scream franchise. Williamson took over directing duties following the departures of previous directors and cast members. ### Is Neve Campbell in Scream 7? Yes, Neve Campbell returns as franchise protagonist Sidney Prescott. In Scream 7, Sidney has built a quiet suburban life, but a new Ghostface killer emerges to target her teenage daughter, Tatum. ### Who plays Sidney Prescott’s daughter in Scream 7? Isabel May stars as Tatum, Sidney Prescott’s daughter. Her character’s name pays homage to Tatum Riley, Sidney’s best friend from the original 1996 Scream film. ### How does Kevin Williamson honor Wes Craven in Scream 7? Kevin Williamson relied on advice given to him by original Scream director Wes Craven, focusing on emotional storytelling, simple camera angles, and visceral chase sequences rather than flashy camera tricks. ### Which original cast members returned for Scream 7? Alongside Neve Campbell, Scream 7 features return appearances from original cast members Courteney Cox as Gale Weathers, David Arquette as Dewey Riley, and Matthew Lillard as Stu Macher. Related Stories - [‘Scream 7’ Sees Neve Campbell Face Off with Ghostface Once Again](https://rollingstonephilippines.com/radar/releases/scream-7-neve-campbell-trailer/ "‘Scream 7’ Sees Neve Campbell Face Off with Ghostface Once Again") - [‘Primate’ Director Johannes Roberts on Evil Chimpanzees and Old-School Horror](https://rollingstonephilippines.com/culture/film/director-johannes-robert-on-primate/ "‘Primate’ Director Johannes Roberts on Evil Chimpanzees and Old-School Horror") - [21 Scary Horror Movies That Reflect the World’s Real Terrors](https://rollingstonephilippines.com/culture/film/21-horror-movies-real-world-terror/ "21 Scary Horror Movies That Reflect the World’s Real Terrors") **Categories:** Culture, Film, Radar, Releases **Tags:** Kevin Williamson, Neve Campbell, Scream 7 --- ### [Adult Swim’s ‘Smiling Friends’ is Coming to an End](https://rollingstonephilippines.com/culture/tv/adult-swim-smiling-friends-ends/) **Published:** February 26, 2026 **Author:** Mel Wang **Excerpt:** In a heartfelt audio message, co-creators and stars Michael Cusack and Zach Hadel emphasized that it was their decision to end the show **Content:** It’s a sad day for fans of [Adult Swim’s](https://rollingstonephilippines.com/tag/adult-swim/ "Adult Swim") animated series, *[Smiling Friends](https://rollingstonephilippines.com/tag/smiling-friends/ "Smiling Friends")*, which is coming to an end after its third season. Showrunners and voice stars Michael Cusack and Zach Hadel made the official announcement in an audio message posted on Adult Swim’s social media accounts. “This is not a bit, this is not a joke,” said Hadel. “Michael and I are here to announce that *Smiling Friends* will be ending after Season 3 is done.” Since it aired its first episode in 2020, *Smiling Friends* has amassed a loyal following of fans who’ve quickly become invested in Pim and Charlie, employees of the Smiling Friends corporation, as they try their best to make the miserable people around them happy. Both Cusack and Hadel emphasized that it had been their decision to end the series, and that Adult Swim had been “very supportive” of their choice. “To be perfectly honest, after we finished Season 3, Zach and I just both had the same feeling where we felt pretty burnt out after putting years and years into this, but also pretty accomplished,” said Cusack. “We just came to this feeling where we were like, ‘I think that could just be it,’ after Season 3.” “We wouldn’t want to be doing more seasons half-hearted or burnt out or not feeling it,” added Hadel. “That’s not fair to us, and it’s not fair to the audience to give you guys fucking slop. That sucks.” The duo went on to announce that two more Season 3 episodes will air on April 12 on Adult Swim. Hadel clarified, however, that they would not be finales, but rather “little stragglers” that went unreleased in the initial season rollout. Cusack and Hadel concluded by urging others to hire the *Smiling Friends* production crew and by reassuring fans that this would not be the last time they’d work together. ## Frequently Asked QUestions ### Is Adult Swim’s Smiling Friends officially ending? Yes, creators Michael Cusack and Zach Hadel announced via Adult Swim social media accounts that Smiling Friends will conclude following its third season. ### Why did the creators decide to end Smiling Friends after Season 3? Showrunners Michael Cusack and Zach Hadel chose to end the series to avoid creative exhaustion and maintain high production standards. Both creators expressed feeling burnt out after years of production and preferred ending the show on a creative high rather than delivering subpar content. ### Did Adult Swim cancel Smiling Friends? No, Adult Swim did not cancel Smiling Friends. The network fully supported the creators’ choice to conclude the series on their own terms. ### When will the remaining Season 3 episodes of Smiling Friends air? Two unreleased Season 3 episodes will premiere on April 12 on Adult Swim. Hadel clarified that these episodes are unreleased “stragglers” rather than structured series finales. ### Will Michael Cusack and Zach Hadel collaborate on future projects? While Smiling Friends is ending, Cusack and Hadel confirmed that they plan to continue working together on new, unannounced animation and creative projects in the future. Related Stories - [Will ‘KPop Demon Hunters’ Become One of Criterion’s Best-Selling Films?](https://rollingstonephilippines.com/culture/film/kpop-demon-hunters-criterion-collection/ "Will ‘KPop Demon Hunters’ Become One of Criterion’s Best-Selling Films?") - [Yes, ‘Heated Rivalry’ the Book is Just as Horny as the TV Series](https://rollingstonephilippines.com/culture/tv/heated-rivalry-book-tv-series/ "Yes, ‘Heated Rivalry’ the Book is Just as Horny as the TV Series") - [5 Questions We Have About This Year’s Oscar Nominations](https://rollingstonephilippines.com/culture/film/oscars-2026-nominations-snubs/ "5 Questions We Have About This Year’s Oscar Nominations") **Categories:** Culture, TV **Tags:** Adult Swim, Smiling Friends --- ### [Lift Aesthetic Clinic Revolutionizes How Men and Women See Beauty, One Face at a Time](https://rollingstonephilippines.com/radar/rs-spotlight/lift-aesthetic-clinic-revolutionizes-beauty/) **Published:** February 27, 2026 **Author:** Precy Tan **Excerpt:** With Dr. Cyril Agan’s expertise and Jan Conadera’s strategic vision, Lift Aesthetic Clinic has become a trailblazer in skill-driven aesthetic medicine, setting the standard in injectables and thread lifts **Content:** Before K-beauty and local celebrities-turned-beauty-endorsers and cosmetic surgeons-turned-celebrities, who convinced Filipinos in the aughts that a little vanity never hurt nobody, it was almost unthinkable that Filipinos would fully buy into cosmetic procedures as we do now. Today, where patented cosmetic devices dominate, a new trailblazer is trying to set a new standard rooted in clinical expertise that relies on honed human skill rather than machinery: Lift Aesthetic Clinic. ![Dr. Cyril Agan of Lift Aesthetic Clinic](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH_LIFT-4-copy.webp) Dr. Cyril Agan of Lift Aesthetic Clinic When Dr. Cyril Agan established Lift Aesthetic Clinic eight years ago as antithetical to the ethos of the reigning cosmetic empires, he also set out to refurbish the reputation of an often overlooked cosmetic innovation: injectables. “I wanted to show that injectables, when done properly, can lead to beautiful and natural-looking results.” “We start by asking what they want to achieve. Then we assess the face: what works, what is natural, what will last. Then we combine that with what the patient envisions,” explains the aesthetic doctor behind Lift Aesthetic Clinic. ![Dr. Cyril Agan accepting the Best Clinical Case award at NEAUVIA Days Rome 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH_LIFT-5.webp) Dr. Cyril Agan accepting the Best Clinical Case award at NEAUVIA Days Rome 2025. Since opening in 2017, Lift Aesthetic Clinic has built a reputation for prioritizing anatomy, precision, and artistry over machine-aided treatments. “Machines can be expensive, but skill is something you cannot buy. It is trained, practiced, and honed,” he says. The clinic’s signature Sexy Jaw treatment exemplifies this philosophy. The technique is grounded in science. “We consider which layer of the face to inject, the properties of the filler, and the timing and placement,” Dr. Agan explains. “It is not a point-blank injection. It requires skill, knowledge, and an understanding of facial structure.” The result is a sharp, angular jawline that feels and looks natural. Minimal downtime and long-lasting results keep clients returning, valuing precision over passing trends. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH_LIFT-2-copy.webp) Jan Conadera, Marketing Director of Lift Aesthetic Clinic Aptos thread lifting has become another defining procedure at Lift Aesthetic Clinic. While fillers create volume, Aptos threads lift and reposition tissue without adding bulk. “Threads address sag and can also add volume through fat repositioning.” Dr. Agan says. “Results are immediate, and patients see change without waiting for weeks.” The technique reflects the clinic’s philosophy of addressing the root concern rather than offering a temporary fix. The clinic’s unorthodox approach is not the only factor that sets it apart. In an industry that has long catered predominantly to women, men now comprise a little over half of its clientele, with male patients accounting for around 55 percent of the practice. “Procedures are part of self-care,” Dr. Agan says. “Men are taking care of themselves. Non-surgical treatments are accepted and expected. It is about presenting your best version without changing identity.” More than a demographic shift, it reinforces a long-standing principle: aesthetic treatments are not gendered. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH_LIFT-3.webp) Jan Conadera on How to Market to Asian Male Clients Part of this growth can be credited to marketing director Jan Conadera, who leads the clinic’s creative direction. While their signature procedures have strong recall, Sexy Jaw, Immortal Eyes, and Aptos Threadlifts are more than memorable names. They are treatments engineered to deliver measurable outcomes. Conadera’s strategy complements and amplifies the clinic’s commitment to technique and long-term results rather than virality. “We did not follow trends. We created procedures that align with what patients need and what works,” The clinic’s technical expertise extends beyond its treatment rooms. Through its Injector’s Academy, Lift Aesthetic Clinic trains local and international practitioners in advanced non-surgical anti-aging, lifting, and contouring techniques. Dr. Agan and Jan Conadera are frequently invited to present at international congresses across France, Monaco, Taiwan, Thailand, China, and Georgia, where they share the clinic’s protocols and philosophy with a global audience. “Other foreign doctors travel here for training, learning the same techniques we apply to our patients,” he says. “We demonstrate that Philippine doctors can deliver results at the highest level.” At Lift Aesthetic Clinic, aesthetic medicine is practical, deliberate, and patient-focused. Every procedure is evaluated, every plan tailored, and every result guided by expertise. The clinic has become a leading name in the Philippines for men and women seeking natural results, redefining what it means to lead in skill-driven aesthetic medicine. *Find Lift Aesthetic Clinic on [Facebook](https://www.facebook.com/liftclinicph "Facebook") and [Instagram](https://www.instagram.com/liftclinicph "Instagram") @liftclinicph, or call 09156848487 to book a consultation at their BGC or Kapitolyo branches.* ## Frequently Asked Questions ### What distinguishes Lift Aesthetic Clinic from other aesthetic practices in the Philippines? Founded in 2017 by Dr. Cyril Agan, Lift Aesthetic Clinic prioritizes facial anatomy, practitioner skill, and non-surgical injectable precision over machine-driven treatments. The clinic focuses on natural-looking, long-lasting facial contouring through tailored filler placement and thread lifting. ### What is the Sexy Jaw treatment at Lift Aesthetic Clinic? The Sexy Jaw treatment is a signature non-surgical procedure developed by Dr. Cyril Agan. Using layered dermal filler injections guided by facial anatomy, the technique creates a sharp, defined jawline without surgical intervention or significant patient downtime. ### How does Aptos thread lifting work for facial rejuvenation? Aptos thread lifting repositions sagging facial tissue to lift and contour the face without adding excessive volume. Unlike traditional dermal fillers that create fullness, Aptos threads address tissue laxity immediately through mechanical lifting and natural fat repositioning. ### What percentage of patients at Lift Aesthetic Clinic are men? Men account for approximately 55 percent of Lift Aesthetic Clinic’s patient demographic. The shift reflects a growing acceptance of non-surgical aesthetic procedures as routine self-care and subtle grooming for men rather than gender-exclusive cosmetic interventions. ### What is the Injector’s Academy at Lift Aesthetic Clinic? The Injector’s Academy is the educational arm of Lift Aesthetic Clinic. Through the program, Dr. Cyril Agan trains local and international medical practitioners in advanced, non-surgical anti-aging, thread lifting, and facial contouring techniques. **Categories:** RS Spotlight **Tags:** Lift Aesthetic Clinic --- ### [‘Industry’ to End with Fifth Season and ‘Unparalleled High,’ Says Writers](https://rollingstonephilippines.com/culture/tv/industry-renewed-fifth-season/) **Published:** February 26, 2026 **Author:** Pie Gonzaga **Excerpt:** As the fourth season comes to an end, HBO’s Industry is renewed for a final season that fans can expect to be wilder than ever **Content:** The finale of HBO’s *[Industry](https://rollingstonephilippines.com/tag/industry-hbo/ "Industry HBO")* Season 4 is fast approaching, and fans aren’t ready to let go of the show just yet. Thankfully, it’s been renewed for a fifth and final season. “For some time now, we have been thinking about how best to end the show on an unparalleled high,” said show creators and writers Konrad Kay and Mickey Down, former investment bankers, in a statement following the renewal announcement. “Unlike some of our characters, we know when to leave a party.” *Industry* officially announced its renewal on Instagram with a picture of lines of… ahem, cornstarch… over a framed photo of Yasmin ([Marisa Abela](https://rollingstonephilippines.com/tag/marisa-abela/ "Marisa Abela")) and Henry ([Kit Harington](https://rollingstonephilippines.com/tag/kit-harington/ "Kit Harington")) on their wedding day. > [View this post on Instagram](https://www.instagram.com/p/DVL8vpSDxAj/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Industry on HBO (@industryhbo)](https://www.instagram.com/p/DVL8vpSDxAj/?utm_source=ig_embed&utm_campaign=loading) Fans were already hoping that *Industry* would be renewed for another season, with speculations fueled after the show’s music supervisor, Ollie White, told [*GQ*](https://www.gq.com/story/how-industry-curated-the-best-soundtrack-on-tv) that he wanted to add Depeche Mode to the soundtrack “next season.” In their statement, Kay and Down also said, “This March marks a decade since we first began to conceive of the world of *Industry*,” and thanked their collaborators at [HBO](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max"), the BBC, and Cardiff-based production company Bad Wolf Studios for their “unwavering faith and vision” for the show. ## Frequently Asked Questions ### Will HBO’s Industry return for Season 5? HBO officially renewed Industry for a fifth season, which creators Konrad Kay and Mickey Down confirmed will serve as the final installment of the finance drama. The decision allows the writers to bring the series to a planned narrative conclusion. ### Why are the creators ending Industry after Season 5? Show creators Konrad Kay and Mickey Down stated they wanted to end the series on an “unparalleled high” rather than extend it beyond its narrative arc. Having developed the project over a decade, they chose to conclude the story intentionally while at peak creative momentum. ### Who created and writes the HBO series Industry? Industry was created and written by former investment bankers Konrad Kay and Mickey Down. Drawing from their personal experience in international finance, the pair developed the drama in partnership with HBO, the BBC, and Cardiff-based production company Bad Wolf. ### Which cast members were featured in the Industry Season 5 renewal announcement? The official social media renewal announcement featured a framed photo of characters Yasmin Kara-Zani, played by Marisa Abela, and Henry Muck, played by Kit Harington, on their wedding day, referencing major plot lines from the fourth season. ### Where can you watch HBO’s Industry? Industry streams exclusively on Max (formerly HBO Max) and airs on HBO linear channels globally. In international territories, the series is co-distributed by the BBC and local regional streaming partners. Related Stories - [‘Industry,’ The Best Show on Streaming, is Back. What Can We Expect?](https://rollingstonephilippines.com/culture/tv/industry-hbo-season-4/ "‘Industry,’ The Best Show on Streaming, is Back. What Can We Expect?") - [‘Industry’ Season 4, Episode 7: At Whit’s End](https://rollingstonephilippines.com/culture/tv/industry-hbo-season-4-episode-7/ "‘Industry’ Season 4, Episode 7: At Whit’s End") - [‘Industry’ Season 4, Episodes 5 and 6: Glory Holes and Goodbyes](https://rollingstonephilippines.com/culture/tv/industry-season-4-episodes-5-6/ "‘Industry’ Season 4, Episodes 5 and 6: Glory Holes and Goodbyes") **Categories:** Culture, TV **Tags:** Industry HBO --- ### [This Urn Lets You Take Your Spotify Playlist Into the Afterlife](https://rollingstonephilippines.com/radar/liquid-death-spotify-urn/) **Published:** February 26, 2026 **Author:** Elijah Pareño **Excerpt:** The beverage company teamed up with the streaming giant for a limited edition urn with a built-in speaker, allowing families to play personalized playlists tied to dearly departed **Content:** [Liquid Death](https://rollingstonephilippines.com/tag/liquid-death/ "Liquid Death")’s latest product release isn’t another flavor of its sparkling water. For the first time, the company is offering a never-before-seen product: the Eternal Playlist Urn, created in collaboration with [Spotify](https://rollingstonephilippines.com/tag/spotify/ "Spotify"), billed as the world’s first music-streaming urn. Buyers can customize an “Eternal Playlist” on Spotify, allowing whoever purchases the limited urn to create a personalized playlist for their loved ones. Liquid Death describes the urn project as making “death finally a lot less boring.” The white polyester resin urn weighs a little over one kilogram and features a discreet Bluetooth speaker embedded in its lid, complete with USB-C charging and a blue indicator light. With a wireless speaker built directly into the lid, the urn turns itself from being only a symbolic container into something functional. The feature lets families and friends play selected audio connected to the person’s memory, giving the sound more interactive in moments of remembrance. For only $495 (approximately ₱24,489.87). Only 150 units will be produced, and the urn is being sold through Liquid Death’s official website. In the past, the company released limited-edition products including Travis Barker-branded enemas and tea cans containing trace amounts of Ozzy Osbourne’s DNA. ## Frequently Asked Questions ### What is the Liquid Death and Spotify Eternal Playlist Urn? The Eternal Playlist Urn is a limited-edition cremation urn created through a collaboration between beverage brand Liquid Death and Spotify. Made of white polyester resin, it features a Bluetooth speaker embedded in the lid designed to play customized Spotify playlists. ### How much does the Liquid Death x Spotify urn cost and where is it available? The Eternal Playlist Urn is priced at $495 (approximately ₱24,489.87) and is available exclusively through Liquid Death’s official web store. Production was capped at a limited run of 150 total units globally. ### What tech specifications are built into the Eternal Playlist Urn? The urn weighs slightly over one kilogram and features a discreet Bluetooth speaker integrated directly into its lid. The speaker includes USB-C charging capability and a blue LED indicator light for wireless audio playback during memorial services or quiet remembrance. ### How does the Spotify integration work with the Liquid Death urn? Buyers or family members assemble an “Eternal Playlist” on Spotify consisting of tracks associated with the deceased. The playlist connects wirelessly from a smartphone or tablet via Bluetooth to the speaker built into the urn’s lid. ### What other novelty merchandise has Liquid Death previously released? Liquid Death is known for unconventional marketing products, including Travis Barker-branded enemas and iced tea cans containing trace amounts of Ozzy Osbourne’s DNA. The Spotify urn continues the brand’s irreverent approach to consumer product design. Related Stories - [Spotify Survived 2025 Despite Boycotts and its Big Bet on AI](https://rollingstonephilippines.com/music/spotify-ai-music-2025/ "Spotify Survived 2025 Despite Boycotts and its Big Bet on AI") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") - [Filipino Musicians and the Uphill Battle of Going ‘Global’](https://rollingstonephilippines.com/editors-picks/features/filipino-representation-southeast-asia-music/ "Filipino Musicians and the Uphill Battle of Going ‘Global’") **Categories:** Music, Radar, Tech **Tags:** Liquid Death --- ### [The ‘Heated Rivalry’ Book Has Been Delayed to 2027. Here’s Why](https://rollingstonephilippines.com/culture/books/heated-rivalry-book-delayed-release/) **Published:** February 26, 2026 **Author:** Mel Wang **Excerpt:** The seventh and final installment of the "Game Changers" series will now be released on June 1, 2027 **Content:** Hollanov lovers, put your jerseys away: *[Heated Rivalry](https://rollingstonephilippines.com/tag/heated-rivalry/ "Heated Rivalry")* author Rachel Reid has announced that the next book in her *Game Changers* series will be delayed to a 2027 release. Reid made the announcement in a recent video posted on Instagram, where she spoke candidly about her worsening symptoms of Parkinson’s disease. “My life has gotten very different in the last couple months, and although it’s all good, it’s also taken away my ability to have quality time to write,” said Reid. The author went on to explain that her Parkinson’s symptoms had made it physically difficult for her to write, and that she would need to navigate her diagnosis instead of ignoring it. > [View this post on Instagram](https://www.instagram.com/reel/DVJNw0GkRMD/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rachel Reid (@rachelreidwrites)](https://www.instagram.com/reel/DVJNw0GkRMD/?utm_source=ig_embed&utm_campaign=loading) Reid had initially announced that her upcoming novel, *Unrivaled*, would be slated for a September release. The book is set to follow our favorite hot hockey players, Ilya Rozanov and Shane Hollander, as they navigate life as a couple in the public eye. “For more than a decade, they kept their love a secret,” reads the book’s official synopsis. “But now they’re out, married, and even playing on the same team. The support is incredible. Most of the time.” *Unrivaled* now has a new publication date of June 1, 2027. While that may seem like a long time, fret not: that may be around the same time the second season of Crave’s megahit series will be airing. What’s more, Reid’s video also teased more announcements to come. “Maybe to soften the blow, a little later this week there’s going to be some announcements made about some things that I think people have been hoping for,” said Reid. “So you can wait for those and it might make you feel a little bit better.” ## Frequently Asked Questions ### Why was Rachel Reid’s new book Unrivaled delayed to 2027? Author Rachel Reid postponed Unrivaled to June 1, 2027, due to worsening symptoms of Parkinson’s disease. The physical challenges of her diagnosis and a demanding schedule reduced her dedicated writing time, prompting the extension to maintain editorial quality. ### When is the new release date for Unrivaled by Rachel Reid? Unrivaled, the seventh installment in the Game Changers series, is set for release on June 1, 2027. The novel was originally scheduled for publication in September 2026 before the official schedule adjustment. ### Which characters are featured in Rachel Reid’s Unrivaled? Unrivaled focuses on professional hockey players Ilya Rozanov and Shane Hollander. The novel follows the central couple from Heated Rivalry and The Long Game as they navigate marriage, public visibility, and playing on the same team. ### How does the Unrivaled book release align with the Heated Rivalry TV adaptation? The revised 2027 publication date for Unrivaled aligns closely with the expected broadcast timeframe for Season 2 of Crave’s television adaptation of Heated Rivalry. The series brought wider mainstream visibility to Reid’s romance franchise. ### Where did Rachel Reid announce the publication delay for Unrivaled? Rachel Reid announced the publication delay in a video posted to her official Instagram account. In the message, she addressed her health update directly, thanked readers for their support, and teased upcoming series-related announcements. Related Stories - [We’re Getting A New ‘Heated Rivalry’ Book](https://rollingstonephilippines.com/radar/releases/heated-rivalry-unrivaled/ "We’re Getting A New ‘Heated Rivalry’ Book") - [This Cebu Fan Club is Keeping the ‘Heated Rivalry’ Momentum Going](https://rollingstonephilippines.com/culture/tv/heated-rivalry-fan-club-cebu/ "This Cebu Fan Club is Keeping the ‘Heated Rivalry’ Momentum Going") - [All the Celebrity-Read Audio Erotica on Quinn, Ranked by Horniness](https://rollingstonephilippines.com/culture/quinn-originals-audio-erotica-ranked/ "All the Celebrity-Read Audio Erotica on Quinn, Ranked by Horniness") **Categories:** Books, Culture **Tags:** Heated Rivalry --- ### [Clara Benin Finds Freedom in Open Tunings and Empty Spaces](https://rollingstonephilippines.com/music/folk/clara-benin-open-tunings-discovery/) **Published:** February 26, 2026 **Author:** Elijah Pareño **Excerpt:** The folk-pop mainstay revisits her foundations, using alternate guitar tunings and organic production that changed her creative process **Content:** Over a decade into her career, indie-folk singer-songwriter [Clara Benin](https://rollingstonephilippines.com/tag/clara-benin/ "Clara Benin") is still finding ways to return to herself artistically. At her 10th anniversary show at the Metropolitan Theater in October 2025, she revisited her earliest songs while celebrating both her debut album *Human Eyes* and EP *Riverchild*. The milestone reset her relationship with her craft, but that doesn’t mean she’s leaving behind what she’s learned along the way. Working with other artists such as Lola Amour, One Click Straight, and Dane Hipolito on countless love songs and collaborations, there remains an unmistakable quality to her music that feels inward and personal. “I’m not much of a performer,” she tells *Rolling Stone Philippines*. “I’m not much of a singer even. I really think I’m a songwriter first before all of those things.” This self-awareness speaks to Benin’s longevity. Looking back on her material forced her to confront the version of herself that first picked up a guitar, and in doing so arrived at the kind of artist she wants to be now. She describes the songwriting process as grounding, something that made her more intentional in being vulnerable. ## Trying Something New Her latest singles, “muscle memory” and “the one to blame,” show how her sonic palette has expanded as she has grown more mature. It took reaching that milestone for her to realize it was possible to push the envelope. That revelation led her toward a more atmospheric and organic sound, one stripped of excess and centered on texture, space, and presence. While working on her upcoming EP, Benin tells *Rolling Stone Philippines* that she deliberately avoided synths and electric guitars, choosing instead to build songs around acoustic guitar and voice. “I explored a different tuning for this EP. It’s an open tuning, not the standard, and it kind of broke the mental pattern in my head of how to write a song. It opened up something new for me and made me fall in love with my guitar again.” Clara Benin “Celebrating the 10th year of my career and revisiting those songs really did something to me,” she says. “It made me go back to my roots and reminded me why I started music in the first place, and that experience pushed me to create new songs again.” Even the percussion came from field recordings — leaves, trees, and ambient noise — making the natural world part of the arrangement, with the help of her frequent producer Francis “The Ringmaster” Lorenzo, who had been a fixture in the shoegaze and electronic music scene in the early 2010s. It allowed her voice to move beyond its traditional role and function as an instrument itself; layered, looped, and embedded into the sonic environment rather than simply sitting on top of it. ## Opening New Paths ![Clara Benin](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/clara-benin.webp) Benin was able to reopen a sense of discovery that can be difficult to access after years of working within the same patterns. Photo from Clara Benin/Instagram Her guitar, however, remains the emotional anchor. When she began changing the tunings of her guitar, the unfamiliar shapes and resonances forced her to listen differently, and in turn, write songs differently. Benin was able to reopen a sense of discovery that can be difficult to access after years of working within the same patterns. “I explored a different tuning for this EP. It’s an open tuning, not the standard, and it kind of broke the mental pattern in my head of how to write a song,” she says. “It opened up something new for me and made me fall in love with my guitar again.” That willingness to explore hasn’t come at the expense of what has always defined her. Benin’s music still carries the diaristic intimacy that first drew listeners to her during the early wave of Filipino folk-pop in the mid-2010s. But her relationship with vulnerability has deepened. Songwriting, she says, has always been a form of peace, and over time it has helped her better understand herself. “Songwriting has always been like therapy to me,” she says. “The more I write songs, the more I get to know myself, and the more comfortable I become in my vulnerability.” ## Frequently Asked Questions ### How is Clara Benin approaching the production of her upcoming EP? Clara Benin deliberately stripped back digital elements, avoiding synthesizers and electric guitars in favor of acoustic guitar, vocal layers, and field recordings. Produced alongside Francis “The Ringmaster” Lorenzo, the arrangement integrates ambient natural sounds like rustling leaves and trees as percussion. ### Why did Clara Benin shift to open guitar tunings for her new music? Clara Benin adopted non-standard open guitar tunings to break established mental patterns and habits developed over her ten-year career. The unfamiliar chord shapes and resonant tones reopened a sense of artistic discovery, forcing her to listen and write differently. ### What milestone marked the ten-year anniversary of Clara Benin’s music career? In October 2025, Clara Benin celebrated her 10th anniversary in music with a headline concert at the Metropolitan Theater. The performance revisited material from her debut album Human Eyes and her EP Riverchild, prompting a return to her acoustic, diaristic songwriting roots. ### Which artists has Clara Benin collaborated with in the Philippine music scene? Throughout her career in the Filipino indie-folk and pop scene, Clara Benin has collaborated with major local acts including Lola Amour, One Click Straight, and Dane Hipolito, establishing herself as an influential voice in modern OPM. ### How does Clara Benin describe her identity as a musician and performer? Clara Benin views herself primarily as a songwriter rather than a conventional vocalist or stage performer. She treats composition as a grounding, therapeutic process that allows her to explore emotional vulnerability, personal identity, and organic acoustic soundscapes. Related Stories - [ena mori Redefines Pop music in Her Own Image](https://rollingstonephilippines.com/music/ena-mori-redefines-pop-music-in-her-own-image/ "ena mori Redefines Pop music in Her Own Image") - [Kehlani Wants You to Make a ‘Rock&B’ Album](https://rollingstonephilippines.com/music/kehlani-folded-single/ "Kehlani Wants You to Make a ‘Rock&B’ Album") - [Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’](https://rollingstonephilippines.com/music/singer-songwriter-barbie-almalbis-myth-of-rakista-rolling-stone-interview/ "Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’") **Categories:** Folk, Music **Tags:** Clara Benin --- ### [Will ‘KPop Demon Hunters’ Become One of Criterion’s Best-Selling Films?](https://rollingstonephilippines.com/culture/film/kpop-demon-hunters-criterion-collection/) **Published:** February 25, 2026 **Author:** Mel Wang **Excerpt:** Heads up, cinephiles! The girls of HUNTR/X are joining the Criterion Collection **Content:** *[KPop Demon Hunters ](https://rollingstonephilippines.com/tag/kpop-demon-hunters/ "KPop Demon Hunters")*is coming to the [Criterion Collection](https://rollingstonephilippines.com/tag/criterion-collection/ "Criterion Collection"). The Collection, known for its wide array of physical copies of films from around the world, recently made the announcement via [*Variety*](https://variety.com/2026/film/news/kpop-demon-hunters-frankenstein-criterion-collection-1236670172/). The surprise [Netflix](https://rollingstonephilippines.com/tag/netflix/ "Netflix") hit has grown to become the most popular film of all time on the platform, bringing in an impressive 325,100,000 views to date. After winning several awards at this year’s [Golden Globes](https://rollingstonephilippines.com/tag/golden-globes-2026/ "Golden Globes 2026"), Critics’ Choice Awards, and [Grammys](https://rollingstonephilippines.com/tag/grammys/ "Grammys"), *KPop Demon Hunters* is currently in the running for Best Animated Feature and Best Original Song at the upcoming [Academy Awards](https://rollingstonephilippines.com/tag/academy-awards/ "Academy Awards"). As of writing, the animated film has yet to be added to the forthcoming titles on the Criterion Collection website. However, it has already been included in the official Blu-ray website, where it’s set to be released as a single 4K disc. [Blu-ray.com](https://www.blu-ray.com/movies/KPop-Demon-Hunters-4K-Blu-ray/407234/) is a reference for forthcoming releases, while the Criterion Collection announces its own releases monthly. Although the addition of *KPop Demon Hunters* may seem out of place (but when is a movie about demon-slaying idols ever in its place?), the Criterion Collection has steadily been announcing the addition of other awards season favorites from last year, including Joachim Trier’s *[Sentimental Value](https://rollingstonephilippines.com/radar/events/sentimental-value-fdcp-world-cinema-2026/ "You Can Now Watch ‘Sentimental Value’ and More in Philippine Cinemas")*, Jafar Panahi’s *[It Was Just an Accident](https://rollingstonephilippines.com/tag/it-was-just-an-accident/ "It Was Just An Accident")*, and Kleber Mendonça Filho’s*[The Secret Agent](https://rollingstonephilippines.com/tag/the-secret-agent/ "The Secret Agent")*. In the same *Variety* announcement, the Collection also revealed that it would be acquiring Guillermo del Toro’s *[Frankenstein](https://rollingstonephilippines.com/tag/frankenstein/ "Frankenstein")*, another awards season favorite. *KPop Demon Hunters* is currently available to stream on Netflix. ## Frequently ASked Questions ### Is KPop Demon Hunters joining the Criterion Collection? Netflix’s KPop Demon Hunters is joining the Criterion Collection as a physical release. Following record streaming viewership and awards season nominations, the animated film will receive a physical distribution release, listed on Blu-ray databases as a single 4K UHD disc. ### What streaming records did KPop Demon Hunters break on Netflix? KPop Demon Hunters became the most-watched film in Netflix history, generating over 325 million views. Its global streaming success was accompanied by major accolades across the Golden Globes, Critics’ Choice Awards, Grammys, and Academy Award nominations. ### What physical format will the Criterion release of KPop Demon Hunters use? The Criterion Collection edition of KPop Demon Hunters is slated for release as a single-disc 4K Ultra HD Blu-ray. Official packaging details and physical supplement announcements typically follow Criterion’s standard monthly release schedule. ### Which other recent awards contenders are joining the Criterion Collection? Alongside KPop Demon Hunters, Criterion acquired several recent awards season titles, including Joachim Trier’s Sentimental Value, Jafar Panahi’s It Was Just an Accident, Kleber Mendonça Filho’s The Secret Agent, and Guillermo del Toro’s Frankenstein. ### Why does Criterion release streaming titles from platforms like Netflix? The Criterion Collection partners with streaming services to preserve culturally significant contemporary films on physical media. Releases ensure long-term archival preservation, superior audio-visual bitrates, and exclusive supplementary features for home video collectors and cinema archivists. Related Stories - [Why ‘KPop Demon Hunters’ is the Pop Culture Movie of the Year](https://rollingstonephilippines.com/culture/film-tv/kpop-demon-hunters-netflix-pop-culture/ "Why ‘KPop Demon Hunters’ is the Pop Culture Movie of the Year") - [‘KPop Demon Hunters’ is Now Oscars Eligible](https://rollingstonephilippines.com/culture/film/kpop-demon-hunters-oscars-eligible/ "‘KPop Demon Hunters’ is Now Oscars Eligible") - [‘KPop Demon Hunters’ Takes On Real K-Pop Idol Pressure](https://rollingstonephilippines.com/culture/film-tv/kpop-demon-hunters-idol-pressure/ "‘KPop Demon Hunters’ Takes On Real K-Pop Idol Pressure") **Categories:** Culture, Film **Tags:** Criterion Collection, KPop Demon Hunters --- ### [YouTube’s Original 2006 Interface Is Now a Museum Artifact](https://rollingstonephilippines.com/culture/youtube-interface-museum/) **Published:** February 25, 2026 **Author:** Elijah Pareño **Excerpt:** London’s Victoria and Albert Museum preserves the early video-sharing platform’s watch page, complete with Flash Player and the first viral upload that started it all **Content:** A reconstruction of the 2006 interface of [YouTube](https://rollingstonephilippines.com/tag/youtube/ "YouTube") , including its original video player and first upload, has been acquired by London’s Victoria and Albert Museum as an artifact of early internet culture. Now on display at the museum’s South Kensington location, the recreated “watch” page lets visitors experience YouTube as it looked during its early Web 2.0 years. The reconstruction was produced with YouTube’s User Experience team using archived front-end code captured by the Internet Archive, along with the original Adobe Flash video player and the platform’s first video titled “Me at the Zoo*.*” Uploaded on April 24, 2005 by co-founder Jawed Karim, the 19-second clip became the starting point of YouTube’s casual, user-generated style that would later define the online video platform. > [View this post on Instagram](https://www.instagram.com/p/DU523KKiLTB/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Victoria and Albert Museum (@vamuseum)](https://www.instagram.com/p/DU523KKiLTB/?utm_source=ig_embed&utm_campaign=loading) The recreated page includes familiar features such as rating buttons, sharing tools, and early advertising formats that shaped how users interacted with video online. The reconstruction is part of the museum’s “Design 1900 – Now” gallery, alongside other digital artifacts like *Flappy Bird* and WeChat, reflecting growing efforts to preserve platforms that helped define everyday internet life. YouTube was founded by Karim, Chad Hurley, and Steven Chen, and was acquired by Google in 2006 for $1.65 billion. ## Frequently Asked Questions ### What is featured in the V&A Museum’s 2006 YouTube exhibit? The Victoria and Albert Museum exhibit features a functional reconstruction of YouTube’s 2006 watch page. It includes the original Adobe Flash video player, early Web 2.0 rating and sharing tools, original advertising formats, and the platform’s first video, “Me at the Zoo.” ### How was YouTube’s 2006 interface reconstructed for display? The reconstruction was developed alongside YouTube’s User Experience team using archived front-end code preserved by the Internet Archive. Engineers restored the original Adobe Flash player framework and early page layouts to replicate how users interacted with digital video during the platform’s inaugural year. ### What was the first video uploaded to YouTube? The first video uploaded to YouTube is “Me at the Zoo,” a 19-second clip posted on April 24, 2005, by co-founder Jawed Karim. Filmed at the San Diego Zoo, the video established the casual, user-generated content model that came to define early online video. ### Where is the 2006 YouTube interface on display? The 2006 YouTube interface is on permanent display at the Victoria and Albert Museum in South Kensington, London. It sits within the “Design 1900 – Now” gallery, which documents significant modern visual, architectural, and digital design movements. ### Which other digital artifacts are preserved alongside YouTube at the V&A Museum? The V&A Museum preserves YouTube alongside other influential digital design artifacts, including the mobile game Flappy Bird and the messaging platform WeChat. These acquisitions reflect ongoing efforts by cultural institutions to archive software and platforms that transformed everyday communication. Related Stories - [‘Her,’ The AI Film That Foretold Filipino Love and Loneliness](https://rollingstonephilippines.com/editors-picks/commentary/her-spike-jonze-on-ai-filipino-love-and-loneliness/ "‘Her,’ The AI Film That Foretold Filipino Love and Loneliness") - [25 Filipino Love Song Covers That Defined Romance Across Decades](https://rollingstonephilippines.com/editors-picks/lists/25-filipino-love-song-covers/ "25 Filipino Love Song Covers That Defined Romance Across Decades") - [AI Music Has Entered its ‘Band Era,’ and The Velvet Sundown is its Poster Child](https://rollingstonephilippines.com/music/ai-music-the-velvet-sundown/ "AI Music Has Entered its ‘Band Era,’ and The Velvet Sundown is its Poster Child") **Categories:** Culture, Internet Culture **Tags:** YouTube --- ### [The Film Composers Creating The Sound Of VMX’s Steamiest Films](https://rollingstonephilippines.com/editors-picks/features/film-composers-vmx-sex-scenes/) **Published:** February 25, 2026 **Author:** Elijah Pareño **Excerpt:** Veteran film composers discuss deadlines, misconceptions, and the craft behind scoring intimate scenes in the country’s most talked-about smut films **Content:** [VMX](https://rollingstonephilippines.com/culture/film-tv/vmx-erotic-films-streaming/) (formerly Vivamax) entered the Philippine streaming market in 2021 during a period when theatrical film distribution remained unstable after the pandemic. Operated by major media conglomerate Viva Entertainment, the platform quickly established itself through a steady output of original Filipino films produced specifically for streaming. Films premiered directly on the platform, where 80 out of the 100 movies produced in the company go direct to streaming, allowing for a faster turnaround and wider reach among subscribers in the Philippines and overseas. Much of its early success was tied to films that were admittedly tantalizing and sexual in nature, akin to Viva Entertainment’s run of DVDs in the early 2000s, titles that doubled down on sex scenes as central parts of their storytelling. These releases quickly became some of the platform’s most-watched films and helped define VMX’s public image in its first years. Several of these films, including *Death of a Girlfriend*, *Scorpio Nights 3*, and *Kitty K7*, generated sustained viewership on the service. The platform also became closely associated with a new group of actors such as AJ Raval, Angeli Khang, Christine Bermas, and Azi Acosta, whose performances became widely circulated online. As VMX expanded its catalog, it also relied on a consistent pool of directors, cinematographers, and composers who worked across multiple productions within short timeframes. Among them were music producer Peter Legaste and film composer Von De Guzman. ![X-Deal 2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/X-DEAL-2-Poster-scaled.webp) Legaste’s credits include *Nerisa*, *Scorpio Nights 3*, *Suki*, and *X-Deal 2.* H work formed part of the platform’s early catalog during its period of rapid growth. Photo from X-Deal 2/IMDB Both Legaste and De Guzman had long careers in film scoring prior to their involvement with VMX. Legaste worked on the romantic drama *What If,* and De Guzman did sound design for the historical thriller *Mallari* starring Piolo Pascual in 2023. In terms of their work for VMX, Legaste’s credits include *Nerisa*, *Scorpio Nights 3*, *Suki*, and *X-Deal 2*, while De Guzman composed music for *Selina’s Gold*, *Call Me Alma,* and *They Are Mine*, among others. Their work formed part of the platform’s early catalog during its period of rapid growth. Legaste and De Guzman spoke to *Rolling Stone Philippines* about the realities of scoring VMX films, from working under rapid production timelines to producing the sound of sex scenes that range from intimacy to psychological tension. ## Realities of the Job For Legaste, the trajectory of his work brought him into a genre he had first encountered as an audience member, watching the original *Scorpio Nights* when he was younger. “‘Pag tinitingnan ko ‘yung body of work ko, steamy movies at bomba films lahat. I’m very proud of it,” Legaste tells *Rolling Stone Philippines*. “Kasi nung high school, college, pinapanood ko lang sila. Tapos I got the privilege to be part of the art itself na ‘Oh my god, dati pinapanood ko lang ’to, ngayon part na ako, working na ako on those.’ For me, fulfilling siya.” Both composers describe their work on VMX productions as part of the same process they use for other films. The starting point remains the script and the director’s intentions for the story. “Regardless of the genre, the process remains the same,” De Guzman says. “The music should always be subservient to the narrative. Ideally, they give me a script, I read it, then I meet with the director. Habang binabasa ko ‘yung script, meron nang nabubuong concept ng sound world ng film kung ako ‘yung gagawa ng music.” As VMX increased its release schedule in 2024, composers were often assigned multiple projects in succession. Legaste recalls how the volume of work increased shortly after the platform gained traction. “Nung sumikat ‘yung Vivamax, sunod-sunod din ‘yung films ko. After *Nerisa*, nagkaroon ng iba pang projects in a span of months. Nag-skyrocket talaga,” Legaste says. “Pero challenging din kasi tight na ‘yung deadlines, lalo nung latter part. May time na release lang nang release, parang you constantly churn out these movies na parang vending machine. It feels like a job.” De Guzman adds that the pace sometimes affected how much preparation time composers had. “Nowadays, parang gipit sa oras. Minsan hindi ko na nababasa ‘yung script.” De Guzman says. “They just send me the edited video already.” ## Anatomy of a Sex Scene Within these constraints, composers adjusted their approach depending on the tone of each scene. De Guzman points to the drama*Silip sa Apoy* — where the plot revolves around a wife having an affair to his neighbor — as an example where the music needed to reflect the psychological condition of the character rather than function as a conventional romantic cue. “Pagpunta natin sa Vivamax films, hindi naman lahat ng love scene steamy, sexy, o ‘animalistic.’ Depende sa story at depende sa eksena,” De Guzman says. “So hindi lahat puwedeng tunog seduction. Minsan may darkness, may violence involved. As a film composer, idadaan mo lahat ‘yan sa instrumentation at kung anong ginagawa ng instrument.” Legaste describes a similar process in *Scorpio Nights 3*’s major sex scene, even pointing out how he added a sonic flourish to the notorious spit scene. “Binibase ko sa movement, sa intensity,” Legaste says. “You have to put yourself dun sa shoes nung guy or ‘yung girl na parang, ano ba ‘yung intensity nung nangyayari doon? Ano ba ‘yung feeling kapag ginagawa ko ‘to? Nakikita ko na pinagpawisan na siya. Tapos \[dadagdag ako ng music\] kung nasasarapan siya, nakapikit, nakangiti, tapos ‘yung galaw ba pabilis nang pabilis? Kailangan ma-translate ‘yun sa music, para at least ‘yung nanonood, na-fi-feel din niya kung ano ‘yung nangyayari sa eksena.” “May misconception na, ‘Nag-score ka lang ng mga bold films.’ Pero for me, it’s music — art pa rin siya.” Peter Legaste Visual elements also influenced instrumentation for both producers. Film composers would only add something instrumentally strong if the scene would merit a film score. “Kapag pula ‘yung ilaw, ano ba ‘yung naisip natin? Kailangan dark o very sensual,” De Guzman says. “Red is very sensual. It could also symbolize the color of love. Kailangan ko ‘yung articulation, ‘yung bend, ‘yung hagod. ‘Yung hagod, ‘yan ‘yung nagpapalambot.” ## Misconceptions about Sex ![Scorpio Nights 3](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/Scorpio-Nights.webp) Legaste describes a similar process in *Scorpio Nights 3*’s major sex scene, even pointing out how he added a sonic flourish to the notorious spit scene.. Photo from Vivamax Films/Instagram Both composers say reactions to their work vary depending on who they speak with. Some with eyebrow-raising reactions.. “When some of my friends learned I was doing some Vivamax films, may reactions na ‘You do that too?’ Medyo shy sila,” De Guzman says. “You already know there’s a misconception.” Legaste adds that he does not separate these projects from his other scoring work. “May misconception na, ‘Nag-score ka lang ng mga bold films.’ Pero for me, it’s music — art pa rin siya,” he says. “And I can’t create more interesting music if I box myself sa action or romcom. You have to explore other genres para mabasag ‘yung framework at lumabas ka sa comfort zone.” ## Beyond the Stigma The shift toward streaming also changed how widely their work circulated. That VMX films were being watched in a multitude of private and everyday spaces is the least of De Guzman’s concerns. Film composers do their job regardless of the genre, and the growing visibility of these films has made that work become a normal part of their day-to-day lives. “I live in a condo, so my friends here are security guards, maintenance, especially sa lobby. Suddenly sila ‘yung nanonood ng Vivamax, sila ‘yung subscribers,” De Guzman says. “One day, \[the security guards\] saw my name, ‘Music by Von De Guzman.’ ‘Pag nakita nila ako, ‘Sir Von, ikaw ‘yun?’ Sabi ko, “Yes.” Instead na ma-embarrass, tumawa lang ako. Sabi \[ng guards sa akin\], ‘Ilan na subscribers niyo ngayon?’” Legaste acknowledges that perceptions of the genre continue to evolve. “Sa iba taboo, pero it’s already 2026, guys,” Legaste says. “Come on. It’s an art. It’s a cool genre to do kasi ‘pag laging safe ka, hindi ka nakakapag-explore.” As VMX continues releasing new titles, composers like Legaste and De Guzman remain part of its production cycle. Their work, often heard but rarely discussed publicly, continues to exist within a side of Filipino screen culture that has proven both commercially successful and persistently misunderstood. ## Frequently Asked Questions ### Who are the main film composers behind VMX erotic movies? Peter Legaste and Von De Guzman are two primary composers behind VMX’s erotic slate. Legaste has scored titles including Nerisa and Scorpio Nights 3, while De Guzman’s scoring credits include Selina’s Gold, Call Me Alma, and Silip sa Apoy. ### How do film composers approach scoring sex scenes in VMX movies? Composers align their scores with character psychology, physical motion, and visual lighting rather than relying on generic romance tropes. Instrumentation adapts dynamically to reflect tension, danger, or intimacy based on narrative context, director intent, and on-screen intensity. ### What challenges do composers face with VMX production schedules? Rapid release schedules often force composers to work under tight deadlines with minimal preparation time. High volume demands require turning out scores quickly, occasionally forcing composers to score fully edited footage without reading scripts beforehand. ### How do film composers respond to the stigma surrounding erotic cinema? Composers Peter Legaste and Von De Guzman view erotic film scoring as an artistic discipline that breaks creative boundaries. They reject genre taboos, treating music production for VMX streaming features with the same professional rigor as mainstream cinema. ### What role did erotic films play in VMX’s streaming growth? Erotic and steamy feature films served as foundational content for VMX during its launch phase in 2021. Direct-to-streaming releases featuring recurring directors and talent generated massive viewership, establishing the platform’s early market presence locally and among overseas subscribers. Related Stories - [7 Dance Music Parties That Defined Post-Pandemic Manila](https://rollingstonephilippines.com/editors-picks/features/7-dance-music-parties-that-defined-post-pandemic-manila/ "7 Dance Music Parties That Defined Post-Pandemic Manila") - [18 Filipino Dance Tracks That Capture the Spirit of Queerness](https://rollingstonephilippines.com/editors-picks/lists/18-queer-filipino-dance-tracks/ "18 Filipino Dance Tracks That Capture the Spirit of Queerness") - [Prophetic Rage: Pette Shabu’s ‘SPRAK’ Imagines Present and Future Liberation](https://rollingstonephilippines.com/music/music-reviews/pette-shabu-sprak-review/ "Prophetic Rage: Pette Shabu’s ‘SPRAK’ Imagines Present and Future Liberation") **Categories:** Editor's Picks, Features **Tags:** VMX --- ### [‘Bridgerton’ Season 4 Gives Charli XCX, Billie Eilish the Full String Quartet Treatment](https://rollingstonephilippines.com/music/pop/bridgerton-charli-xcx-billie-eilish-classical-covers/) **Published:** February 25, 2026 **Author:** Elijah Pareño **Excerpt:** The Regency-era hit continues its tradition of remixing current pop songs into sweeping orchestral moments that accompany the season’s emotional core **Content:** *[Bridgerton](https://rollingstonephilippines.com/tag/bridgerton/ "Bridgerton")* Season 4 will feature a new set of covers of hit pop songs by [Charli XCX](https://rollingstonephilippines.com/tag/charli-xcx/ "Charli XCX") and [Billie Eilish](https://rollingstonephilippines.com/tag/billie-eilish/ "Billie Eilish"), among others, which arrives when part two of Season 4 of the Regency-era drama debuts on Netflix on February 26. Episode 5 kicks off the second half with not one, not two, but three major covers, according to an exclusive report by *Billboard*: Charli XCX’s *brat* track “360,” Eilish’s *Hit Me Hard and Soft* hit “Birds of a Feather,” and Teddy Swims’ biggest hit “Lose Control.” These selections continue the show’s tradition of reframing contemporary pop songs through orchestral arrangements that mirror the emotional tone of each scene. ![Bridgerton](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/bridgerton-still.webp) The series turns modern pop songs into classical arrangements to blend its Regency-era setting with something familiar for contemporary audiences. Photo from Bridgerton/Instagram In past seasons, *Bridgerton* covers have included Vitamin String Quartet’s versions of [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/ "Taylor Swift")’s “Wildest Dreams,” [Ariana Grande](https://rollingstonephilippines.com/tag/ariana-grande/ "Ariana Grande")’s “Thank U, Next,” Eilish’s “Bad Guy,” and [Madonna](https://rollingstonephilippines.com/tag/madonna/ "Madonna")’s “Material Girl,” which became some of the show’s most recognizable musical moments. The series turns modern pop songs into classical arrangements to blend its Regency-era setting with something familiar for contemporary audiences. These orchestral interpretations, often performed by the Vitamin String Quartet, provide a subtle lyrical connection while reinforcing the romance, tension, and social drama that define *Bridgerton’s* worldbuilding. ## Frequently Asked Questions ### Which pop songs are featured in Bridgerton Season 4 Part 2? Bridgerton Season 4 Part 2 features classical string covers of Charli XCX’s “360,” Billie Eilish’s “Birds of a Feather,” and Teddy Swims’ “Lose Control.” These orchestral arrangements accompany key narrative beats in Episode 5, debuting on Netflix on February 26. ### Who performs the classical covers in Bridgerton Season 4? The classical pop arrangements in Bridgerton Season 4 are recorded by classical ensembles including the Vitamin String Quartet, Gemini Strings, and cellist Peter Gregson. These musicians transform contemporary chart-topping tracks into period-appropriate chamber music tailored specifically for the series soundtrack. ### Why does Bridgerton reframe modern pop music into Regency-era string arrangements? Bridgerton uses orchestral reinterpretations of contemporary pop music to connect its historical Regency setting with modern audience sensibilities. The classical instrumentation maintains period immersion while the familiar melodies highlight the emotional tension, romantic dynamics, and social commentary within individual scenes. ### What memorable pop covers were used in previous seasons of Bridgerton? Previous seasons of Bridgerton featured string quartet arrangements of Taylor Swift’s “Wildest Dreams,” Ariana Grande’s “Thank U, Next,” Billie Eilish’s “Bad Guy,” and Madonna’s “Material Girl.” These covers became central to the show’s visual identity and cultural footprint across global streaming audiences. ### When did Bridgerton Season 4 Part 2 premiere on Netflix? Bridgerton Season 4 Part 2 premiered globally on Netflix on February 26. The second installment of the fourth season continues the Regency romance storyline accompanied by an updated collection of pop-to-classical string quartet covers released via Capitol Records. Related Stories - [‘Wuthering Heights’ Reaches the Horniest of Heights](https://rollingstonephilippines.com/culture/reviews/wuthering-heights-movie-review/ "‘Wuthering Heights’ Reaches the Horniest of Heights") - [Charli XCX and Velvet Underground’s John Cale Unite for Gothic ‘House’](https://rollingstonephilippines.com/music/pop/charli-xcx-john-cale-collab/ "Charli XCX and Velvet Underground’s John Cale Unite for Gothic ‘House’") - [How Chappell Roan is Shaping Queer Discourse in the Philippines](https://rollingstonephilippines.com/music/chappell-roan-is-shaping-queer-discourse-in-the-philippines/ "How Chappell Roan is Shaping Queer Discourse in the Philippines") **Categories:** Film & TV, Music, Pop **Tags:** Billie Eilish, Bridgerton, Charli XCX --- ### [The Start of Duterte’s ICC Pre-Trial Couldn’t Help But Be Political](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/duterte-icc-pre-trial-hearing/) **Published:** February 24, 2026 **Author:** Pie Gonzaga **Excerpt:** At The Hague, drug war victims’ lawyers say the prosecution is “trial-ready,” while Duterte’s allies insist the ICC has no jurisdiction over the case **Content:** On the evening of Monday, February 23, Filipinos tuned in to watch the first day of the [International Criminal Court](https://rollingstonephilippines.com/tag/international-criminal-court/ "International Criminal Court")’s (ICC) pre-trial or confirmation of charges hearing tackling the crimes against humanity case of former President [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte"). Duterte was notably absent from the hearings, with permission from the ICC. But the families of the victims of the [war on drugs](https://rollingstonephilippines.com/tag/drug-war/ "Drug War") were present to watch. “Today marks an important day for international justice for the people of the Philippines,” said ICC Deputy Prosecutor Mame Mandiaye Niang in his opening remarks. He called the launch of the pre-trial hearings “a reminder that those in power are not above the law.” The defense, led by lawyer Nicholas Kaufman, asserted Duterte’s innocence and sought the dismissal of the case. “We hope that when you conclude your deliberations, Your Honors, that you’ll dismiss these grievously misplaced and politically motivated charges. We will ask you to send Rodrigo Duterte back to his family, and we will ask you to give back to the Filipino people their Tatay Digong.” During the hearing, the prosecution also played clips of Duterte admitting to creating the Davao Death Squad and giving out kill orders. In response, Kaufman said that Duterte’s speeches were “calculated to arouse fear and obedience, to instill fear in their hearts, and to inculcate a respect for the law in their minds.” ## Who’s Winning? ![nicholas kaufman pre-trial hearing duterte icc](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/nicholas-kaufman-confirmation-of-charges.webp) Nicholas Kaufman leads Rodrigo Duterte’s defense team. Photo from International Criminal Court/Flickr Attorney Kristina Conti, who serves as an assistant to counsel at the ICC, told [*NewsWatch Plus*](https://x.com/newswatchplusph/status/2026122346155929627?s=20) that the prosecution is “trial-ready.” “There’s a subtext to the proceedings,” Conti said. “Absent ang akusado or ang suspect, pero mukhang present na present siya sa pamamagitan ng mga videos niya \[…\] At hindi na ito ma-de-deny, siya na siya ang nagsalita doon sa mga videos na iyon.” Conti also said that Kaufman’s opening speech was “more political than substance,” likening it to a macaroni soup, “\[na\] parang tatlong piraso ng macaroni lang ang nahagip ko.” Likewise, [*Rappler*](https://www.rappler.com/newsbreak/explainers/highlights-duterte-pre-trial-february-23-2026/) reports that human rights lawyer Neri Colmenares said, “It’s hard to present evidence at trial to defend \[Duterte\], so for me, I’m more confident that charges will be confirmed.” The former congressman, like Conti, is also serving as counsel to victims of the drug war. Colmenares added that Kaufman’s speech was more politically loaded than legal, and suggested that it might help Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte") in her [bid for the presidency](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-president-impeachment/ "Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?"). “Para sa akin, halos buong statement ni Kaufman hindi legal e, kundi political. Will it benefit Sara Duterte? I don’t know, but maybe, because it will feed into the narrative of the Dutertes that Sara can use,” he said. On the other hand, Salvador Panelo, who served as Duterte’s chief legal counsel during his presidential term, expressed disappointment that Kaufman did not question the ICC’s jurisdiction over the case. Duterte’s son, Davao City Representative Paolo “Pulong” Duterte, also raised the matter of jurisdiction in a statement on social media. “Kung justice talaga ang hanap nila, sana una nilang tanungin, may hurisdiksyon ba kayo? Because last time we checked, the Philippines already left the Rome Statute. But apparently, sa ICC, optional lang ang sovereignty, depende kung sino ang target,” he said. ## Frequently Asked Questions ### What happened on the first day of Rodrigo Duterte’s ICC pre-trial hearing? The International Criminal Court opened confirmation of charges hearings regarding former President Rodrigo Duterte’s drug war. While Duterte was absent, prosecution counsel declared trial readiness using recorded speeches, while defense lawyers argued the charges were politically motivated and sought case dismissal. ### Why was former President Rodrigo Duterte absent from the ICC pre-trial hearing? Rodrigo Duterte was absent from the pre-trial confirmation hearing with explicit permission granted by the International Criminal Court. Despite his physical absence, prosecution counsel presented video recordings of his speeches as evidence of state-sanctioned violence during the administration’s anti-drug campaign. ### What argument did defense counsel Nicholas Kaufman present for Rodrigo Duterte? Defense lawyer Nicholas Kaufman asserted Rodrigo Duterte’s innocence and urged the court to dismiss all charges, framing them as politically motivated. Kaufman contended that Duterte’s public statements were calculated rhetorical tools designed to enforce law and order rather than formal orders for extrajudicial killings. ### How did human rights lawyers respond to the ICC defense arguments? Victims’ counsel, including Kristina Conti and Neri Colmenares, characterized the defense’s opening arguments as political rhetoric lacking legal substance. They emphasized that prosecution evidence, including Duterte’s own taped confessions regarding the Davao Death Squad, firmly established a strong basis for charge confirmation. ### Does the ICC maintain jurisdiction over the Philippines after its withdrawal from the Rome Statute? The ICC retains jurisdiction over alleged crimes against humanity committed while the Philippines was a Rome Statute state party. Although Duterte allies and family members challenged court authority, international legal frameworks affirm jurisdiction over acts occurring prior to the official withdrawal in March 2019. 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The *Rolling Stone Philippines* team is constantly sharing things to listen to, and each week, we compile a ragtag playlist of songs that we believe every music fan today needs to know. Whether it’s the hottest new single or an old track that captures the state of the present, our hope is that you discover something for your musical canon. This week’s songs feature comebacks and unlikely collaborations. Baby Keem ends a half-decade absence with a loud, reckless trap rager while Jessie Ware turns a familiar Western theme into full-scale disco drama. Kenaniah clings to atmospheric guitar music before pushing himself into louder territory, and Damon Albarn, joined by Grian Chatten and Kae Tempest, strips his songwriting down to its essentials for a rare multigenerational team-up. Across hip-hop, pop, and rock, the week makes space for artists returning, reworking their influences, and testing how far they can stretch their own identities. Baby Keem, ‘Ca$ino’ ![Baby Keem](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs1-1600x1600.webp) Photo from Baby Keem/Instagram *Climbing up the hip-hop food chain* Baby Keem ends his six-year absence with “Ca$ino,” a track driven by sharp beat changes and his unmistakable high-pitched delivery. Keem decides to up the ante with a raging trap beat. He moves between taunts and threats with control, stretching and snapping his cadence as the production shifts. His voice stays at the center, pushing the momentum forward without slowing down. Baby Keem is back; sharp, focused, and fully in command of his sound. —*Elijah Pareño* Jessie Ware, ‘Ride’ ![Jessie Ware](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs2-1600x1600.webp) Photo from Jessie Ware/Instagram *Drama and disco walk into the rodeo* When I heard the synth hook of “Ride,” I burst out laughing, and then thought, *Gaggggg.* Jessie Ware’s latest single cheekily interpolates Ennio Morricone’s main theme for the 1966 spaghetti Western, *The Good, The Bad and the Ugly*, incorporating it into a luxurious and euphoric disco track punctuated by a whip crack. The British singer-songwriter’s vocals are silky and soulful as ever, and with “Ride,” she promises a sixth studio album anchored in her dance sensibilities but reaching for newer, exciting influences. As a queer person, the only other way I could describe this song is if Ware took Beyonce’s horses Reneigh and Chardonneigh from the *RENAISSANCE* and *COWBOY CARTER* album covers, got them to make a baby horse, and then rode that. —*Pie Gonzaga* Kenaniah, ‘Huli Na Ba Ang Lahat?’ ![Kenaniah](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs3-1600x1600.webp) Photo from Kenania/Instagram *Slow dancing to atmospheric rock music* Pop rock singer-songwriter Kenaniah steps further into atmospheric rock on “Huli Na Ba Ang Lahat?,” starting with voice and guitar before expanding into a louder arrangement. The reverby guitar tone and pacing point toward Mk.gee-style influence. The song grows in intensity without rushing, letting each section land before moving forward. It shows his shift toward a larger sound while keeping his songwriting intact. —*Elijah Pareño* Damon Albarn, Grian Chatten, and Kae Tempest, ‘Flags’ ![Damon Albarn](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs4-1600x1600.webp) Photo from Damon Albar/Instagram *Stripped back, honest, and unglamorous glam rock* Ahead of the March release of *HELP(2)*, a benefit compilation album by independent label War Child Records, Damon Albarn teamed up with Fontaines D.C.’s Grian Chatten and British poet Kae Tempest for the single “Flags.” Here, Albarn sheds the baggage of being the frontman of Blur, or the frontman of The Gorillaz, to create something more akin to glam rock, especially with the deployment of the staccatoed piano hook. I never really thought that he had aged until I heard him next to his collaborators, who lend him their strength on this track, Chatten in song and Tempest in spoken verse. It’s always heartwarming to see multigenerational talents working together, even more so when someone with as much weight to their name as Albarn lets the new kids shine. —*Pie Gonzaga* Identikit, ‘Validation’ ![Identikit](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs5-1600x1600.webp) Photo from Identikit/Instagram *Pinoy dance punk that’s short and sweet but punchy* At a 51-second runtime, “Validation” closes Filipino indie band Identikit’s 2025 EP *Champion of Truth*, a short collection of fuzzy, low-fidelity punk tracks. The EP sonically veers off their guitar-driven debut album from 2013 *Out of the Floodways and into Your Homes*, and the band here dips its toes into synth-heavy rock. In “Validation,” Identikit vocalist Sandy James evokes *Le Tigre*-era Kathleen Hanna, and the drum machine seems to have come straight out of Peaches’ *The Teaches of Peaches*. I’ve been on the lookout for this grainy, lively dance punk sound from local music, and feel like I’ve hit gold with Identikit’s newest release. —*Pie Gonzaga* Pinkpantheress ft. Zara Larsson, ‘Stateside’ ![Pinkpantheress](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs6-1600x1600.webp) Photo from Pinkpantheress/Instagram *Coast to coast bubblegum pop* PinkPantheress pushes “Stateside” deeper into synth-pop and disco, with Zara Larsson adding power to the chorus. The opening synth line pulls from mid-2000s pop, while the rhythm keeps the song moving fast and clean. Larsson’s vocal runs add contrast to PinkPantheress’ softer tone, giving the track a wider range. The result is bright, direct pop that sticks after one listen. This unlikely collaboration between the British garage scenester and the Swedish pop star is definitely one for the books. —*Elijah Pareño* ## Frequently Asked Questions ### What is Rolling Stone Philippines’ Songs You Need to Know? Songs You Need to Know is a weekly curated playlist and editorial roundup by Rolling Stone Philippines. It highlights essential new music, notable artist comebacks, and culturally relevant archival tracks spanning hip-hop, pop, rock, and alternative genres for local and global listeners. ### What style of music does Baby Keem release on his latest return? Baby Keem returns with an aggressive, high-energy trap single that ends a five-year hiatus from major releases. The track emphasizes chaotic production and energetic vocal delivery, showcasing his continued evolution as a prominent and unpredictable voice in modern hip-hop. ### How does Filipino singer-songwriter Kenaniah evolve his sound in this week’s playlist? Filipino artist Kenaniah expands beyond his signature atmospheric guitar arrangements by experimenting with heavier, dynamic instrumentation. His latest release highlights his growth as a songwriter navigating both intimate indie-pop melodies and expansive rock-influenced soundscapes within the contemporary OPM scene. ### What genre direction does Jessie Ware take in her featured release? Jessie Ware transforms classic Spaghetti Western musical motifs into a dramatic, full-scale disco anthem. The release builds on her signature blend of cinematic sophistication and club-ready dance-pop production, reinforcing her reputation as a dominant force in contemporary disco. ### Who collaborates on the multigenerational track featured this week? Damon Albarn joins forces with Fontaines D.C. vocalist Grian Chatten and acclaimed spoken-word artist Kae Tempest. The multigenerational collaboration strips songwriting down to its essential acoustic elements, creating an incisive dialogue between veteran alternative figures and contemporary countercultural voices. 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The recent Instagram post comes weeks after her and her husband singer-songwriter TJ Monterde’s four-night concert, *In Between*,at Araneta Coliseum. In the Instagram post, Tandingan admitted to feeling both excitement and fear as she began navigating the industry on her own. Tandingan is a major Filipino artist who is reassessing her career trajectory, signaling a broader shift in how success and sustainability are being defined in the local music industry. She also shared that her performance of “Sinong Magmamahal Sa ’Kin?” during the concert was officially her first release as an independent artist. > [View this post on Instagram](https://www.instagram.com/p/DVTKxeXD2ex/?utm_source=ig_embed&utm_campaign=loading)[A post shared by KZ (@kztandingan)](https://www.instagram.com/p/DVTKxeXD2ex/?utm_source=ig_embed&utm_campaign=loading) “I wrote it for my sister — and for anyone who’s always been the strong one,” she says. “The one who holds everything together, even when they’re quietly breaking. It’s for the people who rarely get asked if they’re okay. The ones who carry so much but still show up with love. Deep down, they’re just hoping someone will see them too.” Tandingan is widely known for her powerful, soul-driven vocals. She rose to national prominence after winning the inaugural season of *The X Factor Philippines* in 2012 and has since built a reputation for her inventive covers and genre-fluid approach. Her reach extended beyond the country when she competed on China’s *Singer 2018*. ## Frequently Asked Questions ### When did KZ Tandingan announce she is an independent artist? KZ Tandingan officially announced her transition to becoming an independent music artist on March 1 via an Instagram post, following her four-night In Between concert series at the Smart Araneta Coliseum with husband TJ Monterde. ### What is KZ Tandingan’s first independent single release? Her track “Sinong Magmamahal Sa ‘Kin?” serves as her first official single release as an independent recording artist. She debuted the song live during the final night of her In Between concert. ### What inspired KZ Tandingan to write “Sinong Magmamahal Sa ‘Kin?” KZ Tandingan wrote “Sinong Magmamahal Sa ‘Kin?” for her sister—and for individuals who act as caretakers and providers while quietly dealing with their own emotional burdens. ### Which record label was KZ Tandingan previously signed with? Prior to going independent, KZ Tandingan was long signed with Star Music under ABS-CBN, which served as her primary record label following her win on The X Factor Philippines in 2012. ### What international singing competition featured KZ Tandingan? KZ Tandingan gained international recognition in 2018 when she competed as a contestant on China’s reality singing show Singer 2018, performing alongside global artists such as Jessie J. 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[Fanomenon](https://rollingstonephilippines.com/tag/fanomenon/ "Fanomenon") is a collaboration between the Presidential Committee on Popular Culture Exchange and K-pop’s “Big 4” entertainment companies. The event will feature an awards show, concerts, and other festivities. Announced on July 27 during the 2027 Fanomenon Promotion Plan conference, Culture, Sports and Tourism Minister Chae Hwi-young and JYP Entertainment founder J.Y. Park confirmed that the festival will bring together [HYBE](https://rollingstonephilippines.com/tag/hybe/ "HYBE"), SM Entertainment, [JYP Entertainment](https://rollingstonephilippines.com/tag/jyp-entertainment/ "JYP Entertainment"), and YG Entertainment under one roof. The inaugural Fanomenon will run from December 2 to 12, 2027. Park, who serves as co-chair of the committee alongside Hwi-young, first outlined Fanomenon’s goals during the committee’s launch at KINTEX in Goyang back in October 2025, promising to “build a world-class K-pop venue and plan a festival that surpasses the [Coachella](https://rollingstonephilippines.com/tag/coachella/ "Coachella") Valley Music and Arts Festival.” ## Korean Coachella According to *The Korea Herald*, Park said Fanomenon will not be exclusive to Korean artists, with international acts expected to perform alongside local artists. The committee also unveiled three long-term projects. The first is the domestic Fanomenon Awards, launching the festivities in Seoul and Goyang in December 2027. The second is an overseas music festival, with the inaugural Fanomenon Festival in Los Angeles scheduled for May 2028, which Park described as having a “similar nature to Coachella.” The third is the establishment of K-culture centers in major cities around the world. Unlike existing awards shows, Park said the Fanomenon Awards will focus more on fandoms rather than the artists themselves. Park also revealed that the inaugural ceremony will introduce a fan-centered prize called “Fandemonium.” “The fans of the artists are the winners, and the artists accept the awards on their behalf,” Park says. “We research and analyze which fandoms burned the brightest in each category to select the Top 10. Rather than voting, the process of building a matrix based on meticulously detailed data is now in its final stages.” The committee estimates that the 11-day event from December 2 to 12 will attract around 520,000 visitors, including 200,000 international tourists, generating an economic impact of more than 1 trillion won. The Fanomenon lineup, venue details, and ticket pricing have yet to be announced. ## Frequently Asked Questions ### What is Fanomenon? Fanomenon is a K-pop festival organized by the Presidential Committee on Popular Culture Exchange in collaboration with the industry’s “Big 4” entertainment companies. The event will feature concerts, a fan-focused awards show, and cultural exhibitions. ### Who are the co-chairs of the Presidential Committee on Popular Culture Exchange? The committee is co-chaired by Culture, Sports and Tourism Minister Chae Hwi-young and JYP Entertainment founder J.Y. Park. ### Who are the “Big 4” entertainment companies? The “Big 4” entertainment companies participating in Fanomenon are HYBE, SM Entertainment, JYP Entertainment, and YG Entertainment. ### What are the three long-term projects for Fanomenon? The three long-term projects are the domestic Fanomenon Awards in Seoul and Goyang beginning in December 2027, the inaugural Fanomenon Festival in Los Angeles, scheduled for May 2028, the establishment of K-culture centers in major cities around the world. ### When will the inaugural Fanomenon festival take place? The inaugural Fanomenon will take place from December 2 to December 12, 2027, across Seoul and Goyang in South Korea. 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But critics found the hour-and-26-minute speech — despite its many rounds of applause — wanting. [Gabriela Representative Sarah Elago](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/gabriela-womens-party-history/ "26 Years of Gabriela Women’s Party, in Their Own Words") said the reforms that Marcos pitched would not provide long-term relief. “Sunud-sunod ang inanunsyong ayuda, subsidyo, at iba pang pansamantalang ginhawa, pero hindi nito tinutugunan ang ugat ng krisis,” she said. “Hangga’t nananatili ang mga patakarang nagpapataas ng presyo at nagpapahirap sa mamamayan, band-aid solution lang ang mga ito.” [Senator Risa Hontiveros](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/senator-risa-hontiveros-rolling-stone-interview/ "Senator Risa Hontiveros: ‘We Must Fight’") likewise said that she was waiting for “receipts” for how the lives of Filipino families may still be improved. “Halimbawa, sa larangan ng agrikultura, although binanggit ng presidente na mataas pa rin ang ani sa palay, ang aning iyan ay itinanim ang mga binhi bago sumipa itong matinding problema natin sa tubig,” she told reporters after the speech. If there’s any certainty that this SONA provides, it’s that Marcos wants to end his term safe, if not outstandingly. Marcos started the SONA on Monday, July 27, with a crucial update on the [flood control corruption cases](https://rollingstonephilippines.com/tag/flood-control-probe/ "Flood Control Probe"). He previously called for an investigation into 15 top-earning government contractors linked to alleged ghost infrastructure projects, prompting hearings in Congress that opened the floodgates to finger-pointing, the so-called [“cancellation” of influencers](https://rollingstonephilippines.com/state-of-affairs/politics/politicians-influencer-kids-dwph-backlash/ "These Politicians’ Influencer Kids Face Backlash Amid DPWH Controversies") related to the accused contractors, arrests, and even the continued hot pursuit of former House Appropriations Chair [Elizaldy “Zaldy” Co](https://rollingstonephilippines.com/tag/zaldy-co/ "Zaldy Co"). This time, he announced the pile of cases to be lodged against his cousin, former House Speaker [Martin Romualdez](https://rollingstonephilippines.com/tag/martin-romualdez/ "Martin Romualdez"). “Meron nang mga unang nakasuhan at nakulong: mga kontratista, matataas na opisyal, pati na mga mambabatas,” he said. “At dumating na tayo sa punto na, ayon sa Ombudsman, ay malapit na ang paghain ng patong-patong na kaso sa dating \[House\] speaker.” “Masakit man sa akin ito, ngunit kailangan nating gawin ang tama. Hindi ako pangulo ng pamilya. Hindi ako pangulo ng aking kaibigan. Ako ay pangulo ng Pilipinas,” he added. What does Marcos’ “Bagong Pilipinas” look like, apart from the kind of Philippines every other president before him has envisioned? And with Marcos approaching the last stretch of his presidency, are we there yet? Throughout the speech, he bared many other achievements: the recovery of P800 million worth of ill-gotten wealth from the anomalous infrastructure projects, securing new fuel sources amid [conflicts in the Middle East](https://rollingstonephilippines.com/state-of-affairs/transportation-state-of-affairs/transport-strike-crisis-oil/ "Low on Fuel, the Philippines Hurtles Towards a Transport Crisis"), the resumption of drilling in the Malampaya gas field, the Philippines’ involvement in the controversial [Pax Silica](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/what-everyone-needs-to-know-pax-silica/ "What Everyone Needs to Know About Pax Silica") initiative, and government reforms that facilitated around P6 trillion in investments. Promises and demands from this year’s SONA include the removal of the systems loss charge from consumers’ electricity bills (which earned Marcos a standing ovation), tax relief for workers earning P350,000 annually or less, revisiting plans for nuclear energy, investing in electric vehicles, the opening of the MRT-7 line in 2027, and even the country’s first-ever spaceport in Cagayan. ## Elephants in the Plenary Hall ![sona 2026 batasang pambansa plenary hall](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/sona-batasang-pambansa-plenary-hall.jpg) The SONA was kept simple and held, as always, at the Batasang Pambansa in Quezon City. Photo from Presidential Communications Office/Facebook Though he mentioned Pax Silica, he skirted around concerns surrounding the proposed 1,618-hectare industrial hub, mainly the possible displacement of Indigenous Peoples and the hub’s use of water. “It will bring quality jobs to our people, accelerate our industrial competitiveness, and revitalize our economy,” he said, without painting a more concrete picture of what “accelerating” and “revitalizing” would look like. Marcos also failed to mention the search for Zaldy Co and Sen. [Ronald “Bato” dela Rosa](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/how-much-is-senators-salary/ "Amid Bato’s Absence, How Much is a Senator’s Salary?"), who face arrest warrants for the flood control case and the International Criminal Court’s drug war case, respectively. And sidelined, still, are issues regarding human rights, environmental protection, and continuous calls for the passage of measures such as the [SOGIE Equality Bill](https://rollingstonephilippines.com/state-of-affairs/lgbtq/perci-cendana-sogie-bill-philippines/ "Cong. Perci Cendaña Finds Hope in the Decades-Long Fight for the SOGIE Bill") and the Divorce Bill. ## No Clear Goal The president, in his penultimate SONA, failed to define his administration’s legacy. More importantly, he didn’t seem to take a clear stand on the nation’s more polarizing issues. “Sa nalalabing dalawang taon ng administrasyon, tatapusin natin ang mga nasimulan at tutuparin ang ating pangako sa sambayanan,” he said at the very beginning of the speech. It’s an unremarkable statement to make when *everyone* is expected to deliver on their promises, no matter how lofty or inconsequential. In 2022, Marcos ran under the UniTeam banner with Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte"), but this has been rendered moot by their rift. While he may not admit it, one of the president’s crowning achievements could be Duterte’s removal and disqualification from public office. Unsurprisingly, he did not touch on her ongoing [impeachment trial](https://rollingstonephilippines.com/tag/sara-duterte-impeachment/ "Sara Duterte Impeachment"), as the Palace previously stated that the president is choosing not to “interfere in a matter over which a co-equal branch has exclusive jurisdiction.” But aside from the other issues he neglected to mention, her trial remains the biggest elephant in the room, and one that Marcos cannot give even the smallest nod to. So how does Marcos want to be remembered? In place of unity, his administration’s slogan, “Bagong Pilipinas,” is touted as an all-encompassing call for economic and social transformation, echoing the “Bagong Lipunan” concept of his late father’s administration. But the campaign, just like the idea of unity, suffers from a vagueness in concept. What does Marcos’ “Bagong Pilipinas” look like, apart from the kind of Philippines every other president before him has envisioned? And with Marcos approaching the last stretch of his presidency, are we there yet? As Sen. [Juan Miguel “Migz” Zubiri](https://rollingstonephilippines.com/tag/miguel-zubiri/ "Miguel Zubiri") said, this administration must now follow through on the reforms the president outlined in his speech. But if there’s any certainty that this SONA provides, it’s that Marcos wants to end his term safe, if not outstandingly. ## Frequently Asked Questions ### What did Bongbong Marcos announce about the flood control corruption cases in his 2026 SONA? President Bongbong Marcos confirmed the Ombudsman is preparing multiple cases against his cousin, former House Speaker Martin Romualdez, alongside earlier indictments of contractors, officials, and lawmakers. ### Why did critics say Marcos’ 2026 SONA fell short? Lawmakers Sarah Elago and Risa Hontiveros said the announced subsidies were temporary band-aid fixes that ignored the root causes of rising prices and hardship. ### What is Pax Silica and why is it controversial? Pax Silica is a proposed 1,618-hectare industrial hub Marcos praised for jobs and competitiveness, but critics flag risks of Indigenous Peoples’ displacement and heavy water use. ### Did Bongbong Marcos address Sara Duterte’s impeachment trial in his 2026 SONA? No. He avoided any mention of the ongoing trial, citing separation of powers, even though it remains one of his administration’s most consequential unresolved issues. ### What is “Bagong Pilipinas” and what does it represent? “Bagong Pilipinas” is President Bongbong Marcos’ administration’s slogan for economic and social transformation, echoing his father’s “Bagong Lipunan,” though critics say the concept remains vague and undefined. Related Stories - [SONA 2026: Flood Control, Pax Silica, Education Crisis, and Other Issues PBBM Should Discuss](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/marcos-fifth-sona-2026-issues-to-address/ "SONA 2026: Flood Control, Pax Silica, Education Crisis, and Other Issues PBBM Should Discuss") - [What Everyone Needs to Know About Pax Silica](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/what-everyone-needs-to-know-pax-silica/ "What Everyone Needs to Know About Pax Silica") - [Sara Duterte Impeachment: A Look into the Trial Lawyers’ Academic Backgrounds](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/where-duterte-impeachment-lawyers-studied-law/ "Sara Duterte Impeachment: A Look into the Trial Lawyers’ Academic Backgrounds") **Categories:** Opinion, Philippine Politics, State of Affairs **Tags:** Ferdinand Marcos Jr., SONA 2026 --- ### [KATSEYE’s Manon Isn’t The First to Leave a HYBE Girl Group](https://rollingstonephilippines.com/music/pop/katseye-manon-hybe-girl-group-exits/) **Published:** February 24, 2026 **Author:** Mel Wang **Excerpt:** From the ongoing NewJeans legal drama to the allegations against one Le Sserafim member, here are all the major exits to hit HYBE girl groups **Content:** Manon Bannerman of [KATSEYE](https://rollingstonephilippines.com/tag/katseye/ "Katseye"), the global girl group under Korean entertainment company [HYBE](https://rollingstonephilippines.com/tag/hybe/ "HYBE") and American label Geffen Records, has taken a step back from the spotlight. At least, for now. News of Bannerman’s exit was made public in a recent joint announcement from HYBE and Geffen Records. “Manon will be taking a temporary hiatus from group activities to focus on her health and wellbeing,” wrote the statement. “KATSEYE remains committed to showing up for one another and for the fans who mean everything to us.” Bannerman herself reassured her fans in a message posted on her WeVerse DM channel. “Sometimes things unfold in ways we don’t fully control, but I’m trusting the bigger picture,” wrote the girl group member. “Thank you for standing by me.” She will be absent from the rest of KATSEYE’s upcoming activities, including their Lollapalooza concerts this March and their performance at Coachella Arts & Music Festival this April. This isn’t the first time, however, that a HYBE girl group departure has made headlines, although past exits were arguably less cut and dry than Bannerman’s. ## The NewJeans Drama ![Danielle Marsh, NewJeans](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/danielle.webp) Danielle Marsh, a former member of NewJeans. Photo from Nolae/Official Website Last December, HYBE subsidiary ADOR terminated the exclusive contract of [NewJeans’](https://rollingstonephilippines.com/tag/newjeans/ "NewJeans") Danielle Marsh, the Korean-Australian member who’s been credited as lyricist for some of the girl group’s major hits, including “Super Shy” and “Attention.” Just days later, the subsidiary filed a lawsuit against Marsh, one of her family members, and former ADOR CEO [Min Heejin](https://rollingstonephilippines.com/music/pop/min-heejin-hybe-newjeans-lawsuit/ "Min Heejin Wins Lawsuit vs HYBE, But More NewJeans Cases are Pending") for roughly $30 million in damages, citing a year-long dispute that saw the girl group members claim mistreatment and attempt to break their contract. “I fought until the very end to be together with the \[NewJeans\] members and that truth stays with me,” Marsh said in a YouTube livestream addressing the lawsuit. “NewJeans will always be a part of my heart.” For now, it seems as if NewJeans is here to stay despite Marsh’s departure, although it’s unclear how long its remaining members will last. Earlier this February, ADOR removed the members’ names from NewJeans’ Spotify bio, while also replacing all social media banners with the NewJeans text logo. ## Le Sserafim’s Kim Garam ![Kim Garam, Le Sserafim, 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/kim.webp) Kim Garam, a former member of Le Sserafim. Photo from Kim Garam/Instagram In 2022, HYBE and subsidiary Source Music terminated the exclusive contract of [Le Sserafim’s](https://rollingstonephilippines.com/tag/le-sserafim/ "Le Sserafim") Kim Garam, just two months after the girl group’s debut. Prior to her contract termination, Kim had already been facing backlash online for bullying allegations. Although she initially denied claims of bullying classmates and underage smoking, she later admitted to having received Degree 5 Disciplinary Action from her school’s violence committee. “I am working hard to become a better person,” Kim said in a statement addressing her dismissal. “I’m endlessly thankful to my precious fans who love and support me.” ## The Whole of Fromis\_9 > [View this post on Instagram](https://www.instagram.com/p/DScy3IyEt7L/?utm_source=ig_embed&utm_campaign=loading)[A post shared by fromis\_9 \[프로미스나인\] (@officialfromis\_9)](https://www.instagram.com/p/DScy3IyEt7L/?utm_source=ig_embed&utm_campaign=loading) In 2024, roughly around the same time NewJeans went public with its legal battle against ADOR and when another girl group, Loosemble, exited its label, all nine members of girl group [Fromis\_9](https://rollingstonephilippines.com/tag/fromis_9/ "Fromis_9") announced that they would be leaving their HYBE subsidiary, PLEDIS Entertainment. In its official announcement of the exit, PLEDIS noted that it had been an “amicable conclusion” and that, after discussing in-depth with each member their hopes for the future, they ended the contracts. Five of Fromis\_9’s members are currently signed under music agency ASND Entertainment and will be releasing their first Japanese EP this April. ## Frequently Asked Questions ### Why did KATSEYE’s Manon Bannerman leave the group? Manon Bannerman is taking a temporary hiatus from KATSEYE activities to focus on her health and wellbeing, according to a joint statement from HYBE and Geffen Records, and will miss the group’s Lollapalooza and Coachella performances. ### Why did NewJeans’ Danielle Marsh leave the group? HYBE subsidiary ADOR terminated Danielle Marsh’s exclusive contract in December, later filing a roughly $30 million lawsuit against her, a family member, and former ADOR CEO Min Heejin amid a year-long dispute over alleged mistreatment. ### Why was Le Sserafim’s Kim Garam removed from the group? HYBE and subsidiary Source Music terminated Kim Garam’s contract just two months after Le Sserafim’s 2022 debut, following bullying and underage smoking allegations that Kim later partially admitted to, including a Degree 5 school disciplinary action. ### Why did all of Fromis\_9 leave their HYBE subsidiary? All nine members of Fromis\_9 left PLEDIS Entertainment in 2024 in what the label called an “amicable conclusion,” reached after individual discussions with each member about their future plans. ### Where are the former members of Fromis\_9 now? Five former Fromis\_9 members are currently signed under music agency ASND Entertainment and are set to release their first Japanese EP this April. Related Stories - [Katseye’s New Single ‘Gabriela’ Marks a Milestone for K-Pop’s Few Openly Queer Groups](https://rollingstonephilippines.com/radar/katseye-gabriela-queer-k-pop/ "Katseye’s New Single ‘Gabriela’ Marks a Milestone for K-Pop’s Few Openly Queer Groups") - [‘KPop Demon Hunters’ Takes On Real K-Pop Idol Pressure](https://rollingstonephilippines.com/culture/film-tv/kpop-demon-hunters-idol-pressure/ "‘KPop Demon Hunters’ Takes On Real K-Pop Idol Pressure") - [NewJeans Lose Court Appeal Against ADOR, Leaving Future in Limbo](https://rollingstonephilippines.com/music/pop/newjeans-lose-court-appeal-against-ador/ "NewJeans Lose Court Appeal Against ADOR, Leaving Future in Limbo") **Categories:** Music, Pop **Tags:** Fromis_9, HYBE, Katseye, Le Sserafim, NewJeans --- ### [Pacquiao’s Getting a Rematch Vs. Mayweather Jr., Live on Netflix](https://rollingstonephilippines.com/culture/sports/manny-pacquiao-floyd-mayweather-jr-rematch-netflix/) **Published:** February 24, 2026 **Author:** Mel Wang **Excerpt:** The two boxers will return to the ring 11 years after their historic match, where Mayweather Jr. won by unanimous decision **Content:** [Manny Pacquiao](https://rollingstonephilippines.com/tag/manny-pacquiao/ "Manny Pacquiao") (62-8-3, 39 KOs) and [Floyd Mayweather Jr.](https://rollingstonephilippines.com/tag/floyd-mayweather-jr/ "Floyd Mayweather Jr.") (50-0, 27 KOs) are getting back into the ring for a second face-off, and this time they’ll be doing it live on [Netflix](https://rollingstonephilippines.com/tag/netflix/ "Netflix"). The two boxing champions will meet for a rematch on September 19 at Sphere in Las Vegas, Nevada, where their fight will be streamed live worldwide. The two haven’t stepped into the ring against each other since their 2015 match, where Mayweather Jr. won via unanimous decision. While fans of both boxers may have felt that the “Fight of the Century” came several years too late, the fight itself was a financial success, becoming the highest-grossing fight in boxing history. It generated a record $4.6 million pay-per-view buys and $72 million gate sales at the MGM Grand Garden Arena in Las Vegas. > [View this post on Instagram](https://www.instagram.com/p/DVHqjAMk7oO/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Netflix Philippines (@netflixph)](https://www.instagram.com/p/DVHqjAMk7oO/?utm_source=ig_embed&utm_campaign=loading) The rematch announcement comes three days after Mayweather Jr. ended his nine-year retirement to return to competitive boxing. “I already fought and beat Manny once,” Mayweather Jr. said in Netflix’s official statement. “This time will be the same result.” Pacquiao himself recently ended his four-year retirement from boxing. Last July, he returned to the ring to go against welterweight champion Mario Barrios, only to have the fight end in a majority draw in favor of Barrios. However, the ex-senator seems optimistic about his upcoming match against Mayweather Jr. “It’s been 11 years since Floyd and I gave the world what is still the biggest fight in boxing history,” said Pacquiao in Netflix’s official statement. “The fans have waited long enough. I want Floyd to be forever haunted by the one loss on his professional record and always remember who gave it to him. As always, I dedicate this fight to my fellow Filipinos around the world, and to bring glory to the Philippines.” While the fight will be available to stream on all Netflix plans, details regarding ticket availability will be announced in the coming weeks. ## Frequently Asked Questions ### When is the Pacquiao vs. Mayweather rematch? The Pacquiao vs. Mayweather Jr. rematch is set for September 19 at Sphere in Las Vegas, Nevada, with the fight streaming live worldwide on Netflix. ### Who won the first Pacquiao vs. Mayweather fight? Floyd Mayweather Jr. won the first Pacquiao vs. Mayweather fight in 2015 via unanimous decision, in a bout that became the highest-grossing fight in boxing history, generating 4.6 million pay-per-view buys and $72 million in gate sales. ### Is Floyd Mayweather Jr. coming out of retirement for the rematch? Yes. Mayweather Jr. ended a nine-year retirement to return to competitive boxing, announcing the rematch just three days after his return, stating he expects “the same result” as their 2015 fight. ### How has Manny Pacquiao performed since ending his retirement? Pacquiao ended a four-year retirement last July to fight welterweight champion Mario Barrios, a bout that ended in a majority draw in Barrios’ favor ahead of his upcoming rematch with Mayweather Jr. ### How can I watch the Pacquiao vs. Mayweather rematch? The Pacquiao vs. Mayweather Jr. rematch will be available to stream on all Netflix plans, with ticket availability details for the Sphere in Las Vegas to be announced in the coming weeks. Related Stories - [Manny Pacquiao Wants Mark Wahlberg To Be In Charge of His Biopic](https://rollingstonephilippines.com/culture/news-culture/manny-pacquiao-mark-wahlberg/ "Manny Pacquiao Wants Mark Wahlberg To Be In Charge of His Biopic") - [Manny Pacquiao is Going Back to Boxing After a Failed Senate Bid](https://rollingstonephilippines.com/culture/news-culture/manny-pacquiao-boxing-comeback/ "Manny Pacquiao is Going Back to Boxing After a Failed Senate Bid") - [Manny Pacquiao’s Comeback Ends in Draw, Raising Questions Among Boxing Analysts](https://rollingstonephilippines.com/culture/sports/manny-pacquiao-mario-barrios-draw/ "Manny Pacquiao’s Comeback Ends in Draw, Raising Questions Among Boxing Analysts") **Categories:** Culture, Sports **Tags:** Floyd Mayweather Jr., Manny Pacquiao, Netflix --- ### [XG Producer SIMON JAKOPS Arrested in Japan Over Drug-Related Allegations](https://rollingstonephilippines.com/music/pop/xg-producer-simon-jakops-arrested-drug-possession/) **Published:** February 24, 2026 **Author:** Elijah Pareño **Excerpt:** The producer behind the global girl group faces drug possession allegations in Japan, placing the group’s agency under scrutiny as the investigation continues **Content:** Idol group [XG](https://rollingstonephilippines.com/tag/xg/ "XG") chief producer, Junho Sakai, who works under the name [Simon Jakops](https://rollingstonephilippines.com/tag/simon-jakops/ "Simon Jakops") (or simply JAKOPS), was arrested in Japan on suspicion of drug possession on February 23. According to a source from the investigation, four suspects, including Sakai, are accused of possessing bags of cocaine at a hotel in Aichi Prefecture. Reports indicate that the Drug and Firearm Investigation Division acted on an anonymous tip that suggested the suspects were using cocaine and searched their hotel room. Four bags of cocaine and dried cannabis were reportedly seized from the room. Multiple Japanese media outlets reported that the Tokyo Metropolitan Police Department arrested Sakai and three others for allegedly violating Japan’s Narcotic Control Act. > [View this post on Instagram](https://www.instagram.com/p/DH1Ni23zE3W/?utm_source=ig_embed&utm_campaign=loading)[A post shared by @xgalx\_official](https://www.instagram.com/p/DH1Ni23zE3W/?utm_source=ig_embed&utm_campaign=loading) XG, the idol group that gave the K-pop world songs such as “IS THIS LOVE,” “LEFT RIGHT,” “SHOOTING STAR,” and “WOKE UP,” stirred the pop world with their extravagant music videos, infectious choreography, and catchy hooks when they debuted in 2022. The girl group just released their debut album *The Core* on January 23. Sakai debuted as JAKOPS in 2009, participating in MC Mong’s fifth album, and joined the boy group Dalmatians in 2012, later becoming active in South Korea. Starting his career as a producer in 2014, he founded record label XGALX in 2017 and debuted the global girl group XG in 2022. ## Frequently Asked Questions ### Who is SIMON JAKOPS? SIMON JAKOPS, whose real name is Junho Sakai, is the chief producer of XG and founder of record label XGALX. He previously debuted as an idol in 2009 and was a member of boy group Dalmatians before becoming a producer in 2014. ### Why was SIMON JAKOPS arrested in Japan? SIMON JAKOPS was arrested on February 23 on suspicion of cocaine possession, one of four suspects police allege were found with bags of cocaine and dried cannabis at a hotel in Aichi Prefecture following an anonymous tip. ### What law is SIMON JAKOPS accused of violating? Japanese media reported that the Tokyo Metropolitan Police Department arrested Sakai and three others for allegedly violating Japan’s Narcotic Control Act. ### What is XG known for? XG is a global girl group that debuted in 2022 under XGALX, known for songs including “IS THIS LOVE,” “LEFT RIGHT,” “SHOOTING STAR,” and “WOKE UP,” and released their debut album, The Core, on January 23. ### Has XG commented on SIMON JAKOPS’ arrest? The article does not indicate a public statement from XG or XGALX regarding the arrest; details on any official response were not available at the time of reporting. Related Stories - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") - [tripleS “Hits the Floor” With its Visionary Vision](https://rollingstonephilippines.com/music/music-reviews/triples-performante-review/ "tripleS “Hits the Floor” With its Visionary Vision") - [aespa Rides Its Own Wave With ‘Whiplash’](https://rollingstonephilippines.com/music/music-reviews/aespa-whiplash-review/ "aespa Rides Its Own Wave With ‘Whiplash’") **Categories:** Music, Pop **Tags:** Simon Jakops, XG --- ### [GABRIELA Calls Out Alvin Aragon’s ‘Slut-Shaming’ and Machismo](https://rollingstonephilippines.com/culture/internet-culture/alvin-aragon-remarks-slammed-gabriela/) **Published:** February 23, 2026 **Author:** Pie Gonzaga **Excerpt:** After invoking the Bible against his trans stepdaughter, the former actor turned faith influencer is called out for reinforcing misogyny and queerphobia **Content:** Former actor [Alvin Aragon](https://rollingstonephilippines.com/tag/alvin-aragon/ "Alvin Aragon"), husband of former SexBomb Izzy Trazona, has been catching a lot of flak online in the past week after making remarks against women and the [LGBTQ+](https://rollingstonephilippines.com/tag/lgbtqia/ "LGBTQIA+") community. The latest to criticize him is the women’s alliance, [GABRIELA](https://rollingstonephilippines.com/tag/gabriela/ "Gabriela"). “Aragon’s tirades, including attempts to dictate what women should wear or how they should conduct themselves, are not merely isolated personal opinions but are manifestations of a systemic culture that seeks to dominate, commodify, and control women,” the group said in a statement. The statement comes as Aragon’s remarks from his social media channels surface online following controversy regarding Trazona and her trans daughter, Sofia. After the fourth [reunion concert](https://rollingstonephilippines.com/radar/events/sexbomb-girls-announce-final-reunion-concert/ "Sexbomb Girls Announce Third and Final Reunion Concert for February") of the [SexBomb Girls](https://rollingstonephilippines.com/tag/sexbomb-girls/ "SexBomb Girls") on February 7, Trazona was criticized for being unsupportive of Sofia’s identity and transition. According to [*Philstar*](https://www.philstar.com/entertainment/2026/02/17/2508635/alvin-aragon-cites-bible-defend-izzy-trazona-trans-child-homosexuality), Sofia told inquiring followers on social media that she was no longer in contact with her mother. “‘Di na po kami nagkikita ni mama. I also am scared na ‘pag nakita niya na ako ngayon as a trans woman, iba ‘yong reaction na ma-receive ko and ayoko na bumalik sa dark place noong lumabas ‘yong issue. I just want validation and acceptance. Wala nang iba.” While Trazona asserted that there was no bad blood between the two, Aragon came to her defense, saying, “Ang daming bash ni Izzy. Doon pa lang sa anak niyang pinili ang direksyon maging bading, ang dami na ng bash e kasi hindi daw tinanggap kasi bading” in an interview. Conflating gender identity with sexual orientation, the *StarStruck* alum added, “Ano bang sabi sa Bible? God judged homosexuality.” In addition to these remarks, Aragon also criticized the SexBomb Girls’ other husbands for letting the members wear their stage outfits, and said he didn’t allow Trazona to join the reunion concerts for this reason. “Hindi ko nga hinalikan \[si Trazona\] until the pastor said, ‘You may kiss the bride,’ tapos papayagan ko siya mag-concert para mag-towel lang, makikita ng gaanong karaming lalaki sa buong Pilipinas?” he said. “Tapos pasasayawin ko na naka-seethrough, labas ang cleavage, labas ang legs? I want to protect my wife. Ako lang titingin kasi ako ang husband.” > [View this post on Instagram](https://www.instagram.com/p/DUmWKg-EyS9/?utm_source=ig_embed&utm_campaign=loading)[A post shared by SexBomb Girls (@sexbombgirls\_official)](https://www.instagram.com/p/DUmWKg-EyS9/?utm_source=ig_embed&utm_campaign=loading) In response, SexBomb member Jopay Paguia said she was dismayed that some of the other husbands were namedropped in Aragon’s rant. “Alvin, kung may problema ka, ipagpe-pray ka namin,” she said in an interview with [*ABS-CBN News*](https://www.abs-cbn.com/entertainment/showbiz/celebrities/2026/2/19/exclusive-jopay-paguia-on-alvin-aragon-s-statements-teka-lang-naman-1959). Meanwhile, GABRIELA pointed out that Aragon’s statements reflect a culture that objectifies women. “This culture of machismo thrives in a rotten system that treats women as private property and denies them autonomy over their own bodies and lives. By reducing women to objects of judgment and control, such remarks reinforce harmful stereotypes that limit women’s autonomy and dignity.” “Women are rights-bearing individuals who deserve dignity, respect, and the freedom to pursue their professions without fear of slut-shaming or character assassination,” GABRIELA added. ## Frequently Asked Questions ### Why did GABRIELA call out Alvin Aragon? GABRIELA criticized former actor Alvin Aragon for remarks dictating what women should wear and how they should behave, calling them manifestations of a systemic culture that seeks to dominate, commodify, and control women. ### What did Alvin Aragon say about his wife’s trans daughter? Aragon defended his wife, Izzy Trazona, amid criticism over her relationship with her trans daughter, Sofia, citing the Bible to say “God judged homosexuality” while conflating gender identity with sexual orientation in a public interview. ### Why was Izzy Trazona criticized after the SexBomb Girls reunion concert? Trazona was criticized for being seen as unsupportive of her trans daughter Sofia’s identity and transition following the SexBomb Girls’ fourth reunion concert on February 7, after Sofia said publicly that she was no longer in contact with her mother. ### What did Alvin Aragon say about the SexBomb Girls’ stage outfits? Aragon said he didn’t allow Trazona to join reunion concerts because he objected to her wearing revealing stage outfits in front of male audiences, saying he wanted to “protect” his wife as her husband. ### How did other SexBomb Girls members respond to Alvin Aragon’s remarks? SexBomb member Jopay Paguia said she was dismayed that other husbands were named in Aragon’s comments, telling ABS-CBN News that she would pray for him if he had a problem, rather than escalating the conflict further. Related Stories - [5 SexBomb Girls Anthems That Shimmied Them Into Pop Icon Status](https://rollingstonephilippines.com/music/pop/5-sexbomb-girls-anthems/ "5 SexBomb Girls Anthems That Shimmied Them Into Pop Icon Status") - [On Women’s Month, An Alarming Pushback Against Trans Women](https://rollingstonephilippines.com/state-of-affairs/power/womens-month-alarming-pushback-against-trans-women/ "On Women’s Month, An Alarming Pushback Against Trans Women") - [Jinkx Monsoon Has A Lot to Say About J.K. Rowling’s Transphobia](https://rollingstonephilippines.com/state-of-affairs/jinkx-monsoon-jk-rowling-transphobia/ "Jinkx Monsoon Has A Lot to Say About J.K. Rowling’s Transphobia") **Categories:** Culture, Internet Culture, LGBTQ+, State of Affairs **Tags:** Alvin Aragon, Gabriela, Gender Issues, LGBTQIA+, SexBomb Girls --- ### [RJ Jacinto Still Believes PH Could Be Asia’s Music Powerhouse](https://rollingstonephilippines.com/media-channels/rsph-interview/rj-jacinto/) **Published:** February 23, 2026 **Author:** Elijah Pareño **Excerpt:** The station founder revisits his role in radio, revolution, and the long fight to give Filipino musicians space to be heard and make a living **Content:** [Ramon “RJ” Jacinto](https://rollingstonephilippines.com/tag/rj-jacinto/ "RJ Jacinto") never set out to become a pioneer. He was a teenager fiddling with guitars and radio equipment, importing records from the U.S. — which took six months to deliver — and playing them for classmates who had never heard anything like it. In the early ‘60s, that hobby turned into RJ and the Riots when he was 15 and eventually *RJ 100.3*, the FM radio station that introduced generations of Filipinos to the Beatles, the Beach Boys, and the electric promise of rock ’n’ roll. His slogan, “Your teenage station, serving the teenage nation,” helped define youth culture at a time when local airwaves were still dominated by Spanish ballads and traditional kundiman. Jacinto’s influence didn’t stop at broadcasting. When he returned from exile in the U.S. in the late ‘80s throughout the Marcos regime, he saw how inaccessible instruments still were. Through his own guitar company, RJ Guitars, and live music venue Bistro RJ, he built spaces where Filipinos could learn, play, and make a living from music again. He pushed for affordable instruments and live venues, determined, as he put it, “to bring street music back — the music of the people.” Jacinto also played a direct role in the [1986 People Power Revolution](https://rollingstonephilippines.com/tag/edsa/ "EDSA") through *DZRJ Radyo Bandido*, the underground station that broadcast from DZRJ when pro-Marcos forces shut down independent media. The station became a lifeline for Filipinos gathered along EDSA, airing real-time updates, protest coverage, and music that helped unify the crowds during the uprising. “Music is one of the most powerful forces in the world because you can make people retreat with music, you can make them attack in war, you can make them cry.” RJ Jacinto In *The Rolling Stone Philippines Interview*, Jacinto is convinced the Philippines could have led Asia’s music industry if it had believed in its own talents sooner. “We should be the Hollywood and the entertainment center of Asia. Not Singapore, not Indonesia,” Jacinto tells *Rolling Stone Philippines*. “We have the soul. We had 400 years of Spanish and 50 years of Hollywood. We speak English without an accent. We can write scripts. We were ahead of Asia in entertainment, and who is entertaining the world? Filipino musicians.” ## Street Music ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RJ.webp) For Jacinto, rock and roll brings people together and reminds them of their collective voice, especially when it comes to influencing Filipino politics. Photo by Enzo Santos Bistro RJ went on to become one of the longest-running live music venues in the country, giving steady work to generations of Filipino musicians at a time when disco and prerecorded entertainment had pushed bands out of regular rotation. In doing so, Jacinto helped restore the idea that Filipino music belonged not just on recordings, but in public spaces. “I want to bring street music back. The music of the streets, the music of the people,” he says. “So I started Bistro RJ and bands again to prove that you can hire bands and still make money. We had two to three bands a night, even on Sundays.” For Jacinto, rock and roll brings people together and reminds them of their collective voice, especially when it comes to influencing Filipino politics. “Rock and roll, it’s a good attitude because you’re free to experiment, then you’re happy, and you’re united,” he says. “Music is one of the most powerful forces in the world because you can make people retreat with music, you can make them attack in war, you can make them cry.” ## Frequently Asked Questions ### Who is RJ Jacinto? RJ Jacinto is a Filipino broadcaster and musician who founded RJ 100.3, the FM radio station that introduced generations of Filipinos to rock music, after starting his career as a teenager importing records and forming the band RJ and the Riots. ### What role did RJ Jacinto play during the 1986 People Power Revolution? Jacinto ran DZRJ Radyo Bandido, the underground radio station that broadcast real-time updates and protest coverage from DZRJ after pro-Marcos forces shut down independent media, becoming a lifeline for Filipinos gathered along EDSA. ### What is Bistro RJ? Bistro RJ is a live music venue founded by RJ Jacinto that became one of the longest-running venues in the Philippines, giving steady work to Filipino musicians during an era when disco and prerecorded entertainment had pushed live bands out of regular rotation. ### Why does RJ Jacinto believe the Philippines could be Asia’s entertainment center? Jacinto argues the Philippines has the cultural foundation to lead Asia’s entertainment industry, citing centuries of Spanish and American influence, fluency in English, and the global success of Filipino musicians as evidence the country was positioned ahead of its neighbors. ### What does RJ Jacinto mean by “street music”? Jacinto uses “street music” to describe live, publicly performed music by working musicians, a concept he built Bistro RJ around to prove that hiring live bands could still be commercially viable in the Philippines. Related Stories - [5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades](https://rollingstonephilippines.com/music/5-filipino-hip-hop-subgenres/ "5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") - [Inside the Fight to Keep Physical Media Alive for Filipino Music Fans](https://rollingstonephilippines.com/music/physical-media-filipino-music/ "Inside the Fight to Keep Physical Media Alive for Filipino Music Fans") **Categories:** Media Channels, Music, Rock, RSPH Interview **Tags:** RJ Jacinto --- ### [It’s ‘A Knight of the Nine Kingdoms’ Now, Actually](https://rollingstonephilippines.com/culture/tv/a-knight-of-the-seven-kingdoms-finale-recap/) **Published:** February 23, 2026 **Author:** Mel Wang **Excerpt:** With the season officially over, we’re back to just two boys hanging out and riding the long, open road towards knighthood **Content:** *Warning: Spoilers ahead.* After the heartbreak that was [*A Knight of the Seven Kingdoms*’](https://rollingstonephilippines.com/tag/a-knight-of-the-seven-kingdoms/ "A Knight of the Seven Kingdoms") (AKOTSK) penultimate episode, there was really only one question fans of the show had for its finale: where do we go from here? Well, it looks like Ser Dunk (Peter Claffey) was thinking that exact same question, because he’s lost and unmoored for a good chunk of this final episode. Never mind that the maester has told him that his wounds from the Trial of Seven are dangerously “mortified” (whatever that means), and never mind that Ser Lyonel Baratheon (Daniel Ings) has not-too-subtly offered him a place at Storm’s End (the bromance continues). Like us, Ser Dunk is devastated that the most upright (and perhaps the daddiest) Targaryen has lost his life, and for Ser Dunk’s own cause, no less. Prince Baelor (Bertie Carvel) is no more, and our poor hedge knight must live with the fact that he played a part in the death of who could have been Westeros’ most honorable king. ![sam spruell](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/akotsk_b1.webp) Sam Spruell as Maekar Targaryen. Photo from Warner Bros. Pictures/Official Website Baelor looms like a ghost throughout the entire finale, making it difficult for both us, viewers, and the people still left at the tourney to move on. His brother, the usually ill-tempered Maekar (Sam Spruell), has lost all his fire, especially since it was he who dealt the final blow against Baelor at the trial. “Some men will say I meant to kill my brother,” Maekar tells Ser Dunk as they stew in their shared grief. “The gods know it is a lie, but I will hear the whispers till the day I die.” There is plenty of grief to go around, but what is arguably more concerning is how Egg (Dexter Sol Ansell) is dealing with the trial’s aftermath. While his uncle lost his life, Egg’s older brother Aerion (Finn Bennett) (a.k.a. Aerion Brightflame, a.k.a. Aerion the Monstrous) escaped the trial with just a few scrapes and scratches. What’s more, now that Ser Dunk is getting ready to leave this whole mess of princes behind him, Egg may be resigned to life as another cold, cruel, and mad Targaryen. The young prince even pays Aerion a visit with a knife hidden behind his back, but thankfully, Egg’s descent is not complete, and there is still time for someone — ahem, Ser Dunk — to save his faithful squire’s soul. The *AKOTSK* finale is definitely setting things up for its second season (which has already been greenlit for production), but it’s also leaving audiences with these bigger questions of honor and what it means to be a true knight in a shitstorm like Westeros. All those flashbacks to Ser Arlan of Pennytree (Danny Webb) meant something, after all, because despite wanting to run away from all the horrors that the tourney brought with it, Ser Dunk cannot leave Egg behind. It would not be the knightly thing to do, and, just as Ser Arlan saved him from a life in Flea Bottom, Ser Dunk must save Egg from losing himself in House Targaryen. ![Peter Claffey, Dexter Sol Ansell](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/akotsk_b2.webp) Dunk, save your squire! Photo from Warner Bros. Pictures/Official Website After a bit of back and forth between Ser Dunk and Maekar (and perhaps, a little harmless deception), Egg runs to meet the hedge knight before he departs for the open road and pledges himself again to him. Just as the season started, we are left watching a knight and his squire try to figure out what quests lie ahead of them and live up to a code of valor that the people of the Seven Kingdoms have already forsaken. Or, excuse me, *Nine* Kingdoms, as Egg so stubbornly points out before the final credits roll. “Crownlands, Westerlands, Stormlands, Riverlands, the Iron Islands, the North, the Reach, the Vale of Arryn, and Dorne,” he lists out to Ser Dunk while counting all nine on his fingers. It isn’t quite a bombshell, per se, since at this point in the *[Game of Thrones](https://rollingstonephilippines.com/tag/game-of-thrones/ "Game of Thrones")* timeline, the Targaryens rule over nine separate realms. But nonetheless, Ser Dunk is dumbfounded at the news, because it means that there are more lands for him and his squire to see. *AKOTSK* has proven to be one of the more lighthearted additions to the *Game of Thrones* franchise (think explosive shits, drunken bromances, and perhaps the most clueless hedge knight in the entire nine realms). But that doesn’t make it any less earnest about what is to come, and, especially after its last few episodes, the show is more than capable of meting out devastating losses with a little bit of hope. ## Frequently Asked Questions ### Does Prince Baelor die in “A Knight of the Seven Kingdoms”? Yes. Prince Baelor dies during the Trial of Seven, dealt the final blow by his own brother, Maekar. His death casts a shadow over the finale, leaving both Ser Dunk and Maekar grappling with guilt and grief. ### Is “A Knight of the Seven Kingdoms” getting a Season 2? Yes. A Knight of the Seven Kingdoms has already been greenlit for a second season, which the finale sets up by having Ser Dunk recommit to mentoring his squire, Egg, rather than parting ways with him. ### Why does Egg say it’s “Nine Kingdoms” instead of “Seven Kingdoms”? In the finale, Egg corrects Ser Dunk by listing all nine Targaryen-ruled realms — the Crownlands, Westerlands, Stormlands, Riverlands, the Iron Islands, the North, the Reach, the Vale of Arryn, and Dorne — reflecting the actual scope of the realm at this point in the Game of Thrones timeline. ### What happens to Aerion Brightflame in the “A Knight of the Seven Kingdoms” finale? Aerion, Egg’s older brother, escapes the deadly Trial of Seven with only minor injuries, prompting concern that Egg may follow his brother’s path toward cruelty within House Targaryen. ### Is “A Knight of the Seven Kingdoms” connected to Game of Thrones? Yes. A Knight of the Seven Kingdoms is a Game of Thrones spin-off following Ser Dunk and his squire, Egg, and is set in the same nine-realm Targaryen-ruled Westeros as the original series. 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For a number of couples, that push recently came in the form of *[The Loved One](https://rollingstonephilippines.com/tag/the-loved-one/ "The Loved One")*. *The Loved One* presents us with snippets of Eric ([Jericho Rosales](https://rollingstonephilippines.com/tag/jericho-rosales/ "jericho rosales")) and Ellie’s ([Anne Curtis](https://rollingstonephilippines.com/tag/anne-curtis/ "Anne Curtis")) ten-year relationship, tracking the trajectory of their romance through vivid, non-linear flashbacks that show us the best (and worst) of this couple’s decade together. For some, *The Loved One* hit a little closer to home than expected. Several moviegoers have gone online to confess that watching the film made them reevaluate their own long-term relationships and decide that they weren’t worth maintaining. > [View this post on Instagram](https://www.instagram.com/p/DS4l3brD776/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Lunchbox (@\_lunchboxph)](https://www.instagram.com/p/DS4l3brD776/?utm_source=ig_embed&utm_campaign=loading) “\[A\]fter the movie, naiyak ako and ‘di agad umalis sa chair kasi ramdam ko na pareho naming nakita ang sagot para sa relationship namin after watching it,” wrote one audience member on Facebook about watching *The Loved One* with their partner. “\[R\]ight after namin nakauwi, we talked and ended the \[two-year\] relationship.” “I made up my mind after first watching the film by myself,” wrote another moviegoer on TikTok who broke up with their boyfriend after rewatching *The Loved One* with him. “We were 14 years together. The happy, the good, the bad, and everything in between.” We’re not saying that watching *The Loved One* is a sure-fire way to kick off a breakup. But if your relationship is on the rocks, hearing the stripped-down version of [Cup of Joe](https://rollingstonephilippines.com/tag/cup-of-joe/ "Cup of Joe")’s “[Multo](https://rollingstonephilippines.com/music/pop/cup-of-joe-multo-most-streamed-opm-song/ "Cup of Joe’s ‘Multo’ Becomes the Most Streamed OPM Song on Spotify Ever")” at the climax of the film won’t help. Director [Irene Villamor’s](https://rollingstonephilippines.com/tag/irene-villamor/ "Irene Villamor") latest romance-drama, starring Curtis and Rosales as its two turbulent lovers, has filled out cinemas both locally and internationally since it premiered earlier this February. Now on its second week, *The Loved One* has earned P125 million and counting from local cinema sales so far. Globally, the film has currently amassed P160 million in gross sales thanks to screenings in the United Arab Emirates and the United States (with Canada, Taiwan, New Zealand, and Australia soon to follow). ## Frequently Asked questions ### What is “The Loved One” about? The Loved One follows Eric (Jericho Rosales) and Ellie (Anne Curtis) through non-linear flashbacks depicting the best and worst moments of their ten-year relationship, directed by Irene Villamor. ### Why are people breaking up after watching “The Loved One”? Several moviegoers have shared online that watching the film prompted them to reevaluate their own long-term relationships, with some describing conversations that led directly to breakups after leaving the theater or rewatching the film with their partner. ### What song plays during the climax of “The Loved One”? A stripped-down version of Cup of Joe’s “Multo” plays during the film’s climax, a moment several viewers have cited as particularly emotionally affecting. ### How much has “The Loved One” earned at the box office? The Loved One has earned P125 million and counting from local cinema sales in its second week, with P160 million in global gross sales from screenings in the United Arab Emirates and the United States. ### Where is “The Loved One” showing internationally? Beyond the Philippines, The Loved One has screened in the United Arab Emirates and the United States, with releases in Canada, Taiwan, New Zealand, and Australia expected to follow. 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The festival once again unfolds alongside Songkran, where the tradition of public water fights and electronic music exists in the same space, turning the crowd itself into part of the show. Unlike most EDM festivals staged in dry, controlled environments, S2O makes water central to the experience, capitalizing on the cultural festivity. High-pressure water cannons fire into the audience as the music plays, removing the boundary between performer and crowd. This year, the festival has relocated to a new venue, S2O LAND on Ratchadaphisek Road, expanding its scale and allowing for a larger stage and audience capacity. ![S2O Songkran Music Festival](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/S2O.webp) Since launching in 2015, S2O has become a regular fixture of Songkran weekend. Photo from S2O Songkran Music Festival This year’s lineup brings together some of the genre’s most recognizable names. EDM heavyweights Alan Walker and Steve Aoki will perform a collaborative set, joined by Lost Frequencies and I Hate Models. “Clarity” producer Zedd headlines the second night alongside Don Diablo’s CTRL ALT DEL project, while Kygo and Gryffin close the final night. Since launching in 2015, S2O has become a regular fixture of Songkran weekend. For many attendees, it has become part of how the holiday is experienced, putting dance music at the center of one of Thailand’s most enduring cultural celebrations. ## Frequently Asked QUestions ### When is S2O Songkran Music Festival 2026? S2O Songkran Music Festival 2026 runs from April 11 to 13 in Bangkok, coinciding with Thailand’s Songkran holiday and its tradition of public water fights. ### Who is headlining S2O Songkran Music Festival 2026? Steve Aoki and Zedd headline the festival, with Steve Aoki performing a collaborative set alongside Alan Walker, joined by Lost Frequencies and I Hate Models, while Kygo and Gryffin close out the final night. ### Where is S2O Songkran Music Festival 2026 held? The festival has relocated to a new venue, S2O LAND on Ratchadaphisek Road in Bangkok, expanding its scale with a larger stage and increased audience capacity compared to previous years. ### What makes S2O Songkran Music Festival different from other EDM festivals? Unlike most EDM festivals held in dry, controlled settings, S2O integrates high-pressure water cannons into the performance, blending Thailand’s Songkran water fight tradition directly into the concert experience. ### When did S2O Songkran Music Festival start? S2O Songkran Music Festival launched in 2015 and has since become a regular fixture of Thailand’s Songkran holiday weekend. 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To recap, short fund SternTao spent the [last two episodes](https://rollingstonephilippines.com/culture/tv/industry-season-4-episodes-5-6/) trying to uncover the skeletons in Tender’s closet, only to find out the closet is completely empty. In Episode 7, we find out that the letter Whitney ([Max Minghella](https://rollingstonephilippines.com/tag/max-minghella/ "Max Minghella")) wrote to Henry is a “threat” (Yasmin’s words), or a “guru terrorist manifesto” (Henry’s words), implicating Lord Muck in Tender’s downfall. In a heated argument, Yasmin lays out the stakes quite neatly for the couple: “We live in a house paid for by Tender. Both of our salaries will be cut off. Our stock is worthless.” Henry admits he’s bought Tender stock with the rest of his money, but he’s less concerned about their finances, as his reputation is on the line. “I am a good person, and the world shall tell that back to me, otherwise what am I doing here?” he screams in Yasmin’s face. But the couple comes to realize they’re victims of Tender’s schemes, and for the first time this season, it feels as if they’re finally a team. [Kit Harington](https://rollingstonephilippines.com/tag/kit-harington/ "Kit Harington") and [Marisa Abela](https://rollingstonephilippines.com/tag/marisa-abela/ "Marisa Abela"), come get your Emmys. At SternTao, we find out Tender’s stocks have snapped back following the fintech company’s barrage of press releases. Harper, in turn, suggests they “catalyze the audit that kills them.” What would an audit find? In Whit’s own words, “Fraud, embezzlement, market manipulation.” Furthermore, his justification for these crimes reveals just how bullish and cunning an individual he is. “It’s simply a misalignment between the velocity of my vision and the velocity of regulation. That gap is where smart people have always made money.” Finally, he pitches his solution to all their problems: a hostile takeover of Pierpoint. Yasmin, on the other hand, orchestrates an attack on Tender through headlines, with the help of newspaper magnate Alexander Norton (Andrew Havill) and Harper ([Myha’la](https://rollingstonephilippines.com/tag/myhala/ "Myha'la")), who goes to FinDigest to spread the word that Business Secretary Lisa Dearn (Chloe Pirrie) was “in bed” with Tender execs and letting red flags go unnoticed. ## Everything is Crashing ![industry max minghella](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/industry-whitney-s4e7.webp) Whitney (Max Minghella) begs Henry, “Believe in us, one more time.” Screenshot from HBO Max/YouTube In New York, Whit gets kidnapped from his room just as he gets ready to make his escape. We now know that his Lithuanian passport from the last episode was, in fact, a fake one he intended to use. He’s brought to an SUV by that rando who joined Rishi and Jim in [Episode 4](https://rollingstonephilippines.com/culture/tv/industry-season-4-episode-4-recap/) just before the journalist died from an overdose (or did he?). In the SUV, Tender board member Ferdinand Schwarzwald (Nico Rogner) pressures Whit to seal the deal with Pierpoint, and Whit — for the first time in this show — cowers, clearly exhausted by the many ruses he’s put up at this point. Max Minghella, you get an Emmy too. The next day, he joins Henry to offer Pierpoint a merger deal. In the flight back home, Henry asks why one of the Pierpoint execs seemed so eager about the merger, to which Whit replied, “Maybe he dated Hayley,” confirming that he was, in fact, pimping out his executive assistant to business partners. Back in London, Henry finds out he’s been abandoned by Yasmin, with her leaving Tender just as the company goes under heavy scrutiny following Dearn’s resignation as business secretary. The audit that may kill Tender is underway. And just as Henry begins to spiral, Pierpoint exec Wilhelmina Fassbinder (Georgina Rich) calls to say that its deal with Pierpoint isn’t going through, as she used Whitney’s “little charade” to jack up the bank’s sale to a different company. Whitney, meanwhile, is nowhere to be found since landing in the U.K. Maybe he still had use for his Lithuanian passport after all? At SternTao HQ, however, things are looking up, with the Serious Fraud Office set to announce an investigation into Tender. For the YasHarper truthers, the last scene is a treat. This season, there’s been very little interaction between the two female protagonists who once dominated the show’s screentime, and this totally makes up for it. Yasmin says she envies Harper’s intelligence, and Harper says she wants to be in Yasmin’s body and see how the world opens up around her. The two sum up everything that makes their dynamic so compelling. “I really resented you for being a breathing example of how I was less,” Harper says. “I choose to love you for being a breathing example of how I can be more,” says Yasmin. Enya’s “Only Time” kicks in, and I’m sobbing. In the end, they go out and “do all the things that Lorde sings about,” but I don’t recall Lorde singing about kissing the woman you’ve had a years-long homoerotic frenemy-ship with in the club. Catch up with the latest episode of *Industry* before the season finale next week on HBO Max. ## Frequently Asked Questions ### What happens to Whit in “Industry” Season 4, Episode 7? Whit is kidnapped from his hotel room in New York just as he prepares to flee using a fake Lithuanian passport. Tender board member Ferdinand Schwarzwald pressures him in an SUV to seal a merger deal with Pierpoint, and Whit, uncharacteristically, gives in. ### Why is Tender under investigation in “Industry” Season 4? Tender faces a potential audit that could expose fraud, embezzlement, and market manipulation, according to Whit’s own admission. By the episode’s end, the Serious Fraud Office is set to announce a formal investigation into the company. ### How do Yasmin and Harper take down Tender in “Industry” Season 4? Yasmin enlists newspaper magnate Alexander Norton to run headlines against Tender, while Harper leaks to FinDigest that Business Secretary Lisa Dearn was “in bed” with Tender executives, contributing to Dearn’s resignation and Tender’s mounting scrutiny. ### Do Henry and Yasmin stay together in “Industry” Season 4, Episode 7? No. Despite briefly uniting against Tender’s schemes earlier in the episode, Yasmin ultimately leaves both Henry and Tender as the company collapses under investigation, abandoning him as he begins to spiral. ### When does the “Industry” Season 4 finale air? The Industry Season 4 finale is set to air the following week on HBO Max, after Episode 7 leaves Tender facing an SFO investigation and Whit missing since landing back in the U.K. Related Stories - [‘Industry,’ The Best Show on Streaming, is Back. What Can We Expect?](https://rollingstonephilippines.com/culture/tv/industry-hbo-season-4/ "‘Industry,’ The Best Show on Streaming, is Back. What Can We Expect?") - [‘Industry’ Season 4, Episode 4: Charli XCX Mentioned?](https://rollingstonephilippines.com/culture/tv/industry-season-4-episode-4-recap/ "‘Industry’ Season 4, Episode 4: Charli XCX Mentioned?") - [‘Industry’ Season 4, Episodes 5 and 6: Glory Holes and Goodbyes](https://rollingstonephilippines.com/culture/tv/industry-season-4-episodes-5-6/ "‘Industry’ Season 4, Episodes 5 and 6: Glory Holes and Goodbyes") **Categories:** Culture, TV **Tags:** HBO Max, Industry HBO, Kit Harington, Marisa Abela, Max Minghella, Myha'la --- ### [Tears Were Shed at the First-Ever Rolling Stone PH Film Club featuring ‘The Loved One’](https://rollingstonephilippines.com/culture/philippine-cinema/film-club-the-loved-one/) **Published:** February 20, 2026 **Author:** Mel Wang **Excerpt:** From crying guests to director Irene Villamor spilling some tea on her latest film, here’s what went down at our first-ever Film Club **Content:** There was nary a dry eye at the first-ever [Rolling Stone Philippines Film Club](https://rollingstonephilippines.com/tag/rolling-stone-philippines-film-club/ "Rolling Stone Philippines Film Club") and its exclusive screening of this year’s most tear-jerking Filipino romance, *[The Loved One](https://rollingstonephilippines.com/tag/the-loved-one/ "The Loved One")*, by director [Irene Villamor](https://rollingstonephilippines.com/tag/irene-villamor/ "Irene Villamor"), starring [Jericho Rosales](https://rollingstonephilippines.com/tag/jericho-rosales/ "jericho rosales") and [Anne Curtis](https://rollingstonephilippines.com/tag/anne-curtis/ "Anne Curtis")*.* The Rolling Stone Philippines Film Club was launched on February 19 at the Opus Premier Cinemas, VIP Cinema, the official cinema partner for the screening of *The Loved One.* ![film club](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSFC-TLO-16.webp) Rolling Stone Philippines Film Club at Opus Mall’s VIP Premiere Cinema. Photo by Javier Lobregat *The Loved One* has brought in an impressive P110 million just nine days after its premiere. But more importantly, the film has proven irreverent in its choices to break the formula of a typical romantic story. Rather than relying on the well-worn tropes of the genre, *The Loved One* broadens the scope of what a Filipino romance film can be, reflecting *Rolling Stone Philippines*’ commitment to questioning convention. According to Carl Chavez, who leads the film’s PR and marketing efforts, the film has also spawned a number of breakups among moviegoers, with some even sending in screenshots to prove that *The Loved One* was the sign they needed to call things off. ![irene villamor](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSFC-TLO-49.webp) Director Irene Villamor. Photo by Javier Lobregat Rolling Stone PH Film Club’s guests of honor for the evening were the filmmakers behind *The Loved One,* including director Irene Villamor, whose romance films like *Sid & Aya: Not a Love Story* (which also stars Curtis) and *Only We Know* have established her as an auteur in the genre. Alongside her were Director of Photography Pao Orendain and Costume Designer Cris Cao. The evening brought together some of the country’s most dedicated creatives to honor yet another impactful addition to Philippine cinema. As *Rolling Stone Philippines* publisher Anne Bernisca so put it in her opening remarks, “We would like to share, once again, the shared silence, laughter, and reflection that only a cinema experience can bring us.” Also in attendance were well-known figures in the fields of film, arts, and lifestyle, including film critics Lé Baltar and Chuck Smith, Linya-Linya co-founder Ali Sangalang, interior designer Pauline Prieto, and more. Guests arrived early at the premiere cinema before heading in for the pre-screening Q&A session. ![Gabbi](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSFC-TLO-57.webp) Fashion designer Gabbie Sarenas and her husband Mathew Tan (front row) with interior designer Pauline Prieto (upper row). Photo by Javier Lobregat After opening speeches from *Rolling Stone Philippines*’ publisher Anne Bernisca and Chief of Editorial Content Jonty Cruz, the event officially kicked off with features editor Don Jaucian inviting Villamor, Orendain, and Cao to discuss the making of *The Loved One.* The director recalled that, after months of Rosales not responding to her email offering him the role, Villamor met him by chance at a restaurant and had him read the script at the dinner table. “Buti na lang nadala ko ‘yung laptop ko,” joked Villamor. “Tapos, nagusap kami until midnight.” ![BABY FREEZE](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSFC-TLO-52.webp) Rapper BABY FREEZE. Photo by Javier Lobregat ![Mix Fenix](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSFC-TLO-37.webp) Singer Mix Fenix. Photo byJavier Lobregat Orendain and Cao also spoke at length about prioritizing the film’s continuity and differentiating between eras within the couple’s 10-year relationship. “We decided \[to shoot in\] black and white to have anchors for the present day,” said Orendain. “The scenes that are shot in color are all memories, and from different perspectives. So we chose to desaturize some colors and highlight the rest.” The cinema grew quiet as the screening began, and, over the course of the film, hushed reactions could be heard from audience members all around the room. ![Irene Villamor, Pao Orendain, Cris Cao](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSFC-TLO-71.webp) Director Irene Villamor with Director of Photography Pao Orendain and Costume Designer Cris Cao at the pre-screening Q&A session. Photo by Javier Lobregat As the end credits began to roll, the cinema lights flickered on to reveal a room full of moviegoers either still reeling from what they’d just seen or turning their heads to catch their friends and peers trying to hide their tears. Villamor was welcomed back onstage to a loud round of applause and was asked to answer a few post-movie questions. When asked about the film’s ending, Villamor said that both Curtis and Rosales had different opinions about the final scene, which, as the director reveals, was shot with different versions. “Kasi si Echo, parang siya ‘yung hopeful,” said the director while noting that Curtis felt that the ending should be less ambiguous. “Even sa last scene when na kakatingin sila and they’re just talking, there are versions of that na parang Anne leans on Echo, and we also did a version where Echo is looking at Anne.” With that revelation in mind, they could not have chosen a better ending, leaving an open-ended note to a film that deconstructs love and how we remember our relationships. ## Frequently Asked Questions ### When did the Rolling Stone Philippines Film Club launch? The Rolling Stone Philippines Film Club launched on February 19 at Opus Premier Cinemas, VIP Cinema, with an exclusive screening of “The Loved One.” ### How much has ‘The Loved One’ earned at the box office? “The Loved One” earned P110 million within nine days of its premiere, according to the article. ### Who attended the Rolling Stone PH Film Club launch event? Attendees included director Irene Villamor, cinematographer Pao Orendain, costume designer Cris Cao, film critics Lé Baltar and Chuck Smith, and Linya-Linya co-founder Ali Sangalang, among others. ### What did Irene Villamor reveal about casting Jericho Rosales? Villamor said Rosales didn’t respond to her initial casting email, but she ran into him by chance at a restaurant and had him read the script at the dinner table. ### Why did ‘The Loved One’ use black and white cinematography? Cinematographer Pao Orendain said the black-and-white sequences anchor the present-day scenes, while colored, desaturated sequences represent memories from different perspectives within the couple’s relationship. Related Stories - [6 Anne Curtis Performances That Define Her Career](https://rollingstonephilippines.com/culture/film-tv/6-anne-curtis-performances/ "6 Anne Curtis Performances That Define Her Career") - [The 25 Best Filipino Rom-Coms of the 21st Century](https://rollingstonephilippines.com/culture/philippine-cinema/25-filipino-rom-coms-21st-century/ "The 25 Best Filipino Rom-Coms of the 21st Century") **Categories:** Culture, Film, Philippine Cinema **Tags:** Irene Villamor, Rolling Stone Philippines Film Club, The Loved One --- ### [In ‘The Loved One,’ Letting Go is an Act of Mercy](https://rollingstonephilippines.com/culture/reviews/the-loved-one-review/) **Published:** February 20, 2026 **Author:** Pie Gonzaga **Excerpt:** Would you throw away a 10-year romance if it suffocated you, or would ending it negate the time spent? Irene Villamor’s latest tearjerker attempts to answer this question **Content:** *Warning: this review contains spoilers.* Maybe I just hate myself, but my favorite kind of romance is a doomed one, and, in a twisted way, writer and director [Irene Villamor](https://rollingstonephilippines.com/tag/irene-villamor/ "Irene Villamor")’s *[The Loved One](https://rollingstonephilippines.com/tag/the-loved-one/ "The Loved One")* satisfies. I knew very little about the film when I sat down to watch it at the inaugural *Rolling Stone Philippines* Film Club . But I heard through the grapevine that there were similarities to Celine Song’s *Past Lives* and Michel Gondry’s *Eternal Sunshine of the Spotless Mind*. So, I braced myself. The film starts in the present, rendered in black and white, where we meet Eric ([Jericho Rosales](https://rollingstonephilippines.com/tag/jericho-rosales/ "jericho rosales")), an IT guy who has fallen out of love with Ellie ([Anne Curtis](https://rollingstonephilippines.com/tag/anne-curtis/ "Anne Curtis")), a free-spirited woman from a wealthier background. Eric is in a cafe, waiting to meet Ellie for the first time since they broke up a year earlier. He texts her, “Love you still,” and we don’t know if this is just the ex-couple’s way of being civil to one another, or if he’s possibly shooting himself in the foot. Ellie doesn’t reply. They met each other a whole decade prior through mutual friends, at a night out, and then at a wedding, where the two waxed philosophical about astrology and Galileo Galilei. ![the loved one jericho rosales anne curtis](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/the-loved-one-scooter.webp) After the 2008 period drama *Baler*, Rosales and Curtis team up once more, and the chemistry is undeniable. Screenshot from VIVA Middle East/YouTube We learn through flashbacks, in color, that the differences between them are stark: Eric is dead-set on climbing the corporate ladder and worries about promotions, while Ellie seems to jump from one volunteer gig to the next as a teacher and social worker, unconcerned with upward mobility. It becomes a point of tension for them when he tells Ellie’s father that they’re saving up to get married, and she brushes it off, saying they had no such plans. Ellie doesn’t want to be trapped; Eric wants stability. She wants room to grow; he feels emasculated. The film’s title pretty much confirms what Ellie is to Eric in his subconscious: an object of affection, but never truly her own person in their relationship. Eric is not a cut-and-dry trad; he embraces their live-in situation and the possibility of having a child with Ellie, even out of wedlock. But when the doctor delivers the news that she miscarried, he walks out of the hospital room, ignoring the similarly aggrieved Ellie, and goes so far as to blame her for the miscarriage later on — and that makes him an asshole. Eric’s contemptible behavior comes to a head when he drunkenly trysts with his officemate, Nicole, played by Catriona Gray (he seems to have a type). And when Ellie finds out, he explains that he feels like he’s “losing” her. ![anne curtis in the loved one](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/the-loved-one-anne-curtis.webp) Curtis delivers a subtle but impactful performance as Ellie. Screenshot from VIVA Middle East/YouTube Villamor’s writing here is strongest when Ellie and Eric confront each other, whether it’s a shouting match crackling with expletives or their post-breakup reunion at the cafe. Whereas Rosales’ performance is best as a man in love, sizing Ellie up and smiling to himself at the thought of her during their “ligawan” stage, Curtis gives her best during these tense situations. Small nitpick: it’s no wonder Ellie’s stressed, she’s not popping the menthol capsule in her cigarettes before she smokes them, when the joy is in the popping! My only qualm with *The Loved One* is that with its nonlinear structure, it feels as if we’re only ever skimming the surface of Ellie and Eric’s ten-year relationship, peering into its depths but never really getting the opportunity to soak in it. But I can appreciate that this is the challenge of telling a ten-year-long love story in 100 minutes. In her attempt to do so, Villamor creates gaps for the audience to fill, and this is where we must come in — with a willingness to examine our own baggage about commitment and traditional, heteronormative conceptions of relationships. On my part, uncomfortable truths had to be confronted (I’m reminded of an uber-dramatic text I sent my friends when I had to cut someone I liked out of my life: “It feels like severing a rotten limb.”) And ultimately, these dizzying vignettes successfully serve the greater purpose of telling us how a separation came to be, and why, more importantly, it was necessary. *Special thanks to: Official Cinema Partner for Rolling Stone Philippines Film Club for The Loved One: Opus Premier Cinemas, VIP Cinemas* ## Frequently Asked Questions ### What is ‘The Loved One’ about? “The Loved One,” directed by Irene Villamor, follows Eric (Jericho Rosales) and Ellie (Anne Curtis) as they revisit their decade-long relationship through a nonlinear structure spanning its beginning and eventual end. ### Who stars in ‘The Loved One’? The film stars Anne Curtis as Ellie and Jericho Rosales as Eric, with Catriona Gray appearing as Eric’s officemate Nicole. ### Does ‘The Loved One’ contain spoilers in this review? Yes. The review explicitly warns that it contains spoilers, discussing key plot points including a miscarriage and an affair that leads to the couple’s breakup. ### Is ‘The Loved One’ worth watching, according to the review? The review is largely positive, praising the film’s writing and performances during confrontational scenes, while noting its nonlinear structure sometimes prevents deeper immersion in the central relationship. ### Where did this review of ‘The Loved One’ take place? The review is based on a screening at the inaugural Rolling Stone Philippines Film Club, with cinema partners Opus Premier Cinemas and VIP Cinemas. Related Stories - [23 Movies We’re Excited For This 2026](https://rollingstonephilippines.com/culture/film/23-movies-coming-in-2026/ "23 Movies We’re Excited For This 2026") - [One of Jericho Rosales’ Dreams? Starting a Magazine](https://rollingstonephilippines.com/media-channels/jericho-rosales-secret-stash/ "One of Jericho Rosales’ Dreams? Starting a Magazine") - [6 Anne Curtis Performances That Define Her Career](https://rollingstonephilippines.com/culture/film-tv/6-anne-curtis-performances/ "6 Anne Curtis Performances That Define Her Career") **Categories:** Culture, Film, Reviews **Tags:** Anne Curtis, Irene Villamor, jericho rosales, The Loved One --- ### [Brillante Mendoza’s ‘Until She Remembers’ is for the Old (Closeted) Lesbians](https://rollingstonephilippines.com/culture/film/until-she-remembers-sapphic-romance/) **Published:** February 20, 2026 **Author:** Pie Gonzaga **Excerpt:** The upcoming film is taking its closeted sapphic protagonists on a devastating trip down memory lane **Content:** It’s confirmed: Brillante Mendoza’s latest film, [*Until She Remembers*](https://rollingstonephilippines.com/culture/philippine-cinema/until-she-remembers-charo-santos-barbie-forteza/) is, in fact, a sapphic romance. According to the synopsis released with its most recent [trailer](https://www.youtube.com/watch?v=fRND_au0wXo), the film follows Angel ([Barbie Forteza](https://rollingstonephilippines.com/tag/barbie-forteza/ "Barbie Forteza")) as she moves in with her ailing grandmother Concha ([Charo Santos-Concio](https://rollingstonephilippines.com/tag/charo-santos-concio/ "Charo Santos-Concio")), who “once shared a deep, unresolved love with another woman, Catherine” ([Boots Anson Roa](https://rollingstonephilippines.com/tag/boots-anson-roa-rodrigo/ "Boots Anson Roa-Rodrigo")). With Chilean poet Pablo Neruda’s “Tonight I can write the saddest lines” being read by the three women, and Catherine suffering from Alzheimer’s disease as Concha suffers from cancer, the trailer teases at what Solar Studios describes as “a quiet, devastating, and ultimately healing journey toward a final meeting — where memory fades, but love endures.” *Until She Remembers* premieres in cinemas nationwide on February 25. ## Frequently Asked Questions ### Is ‘Until She Remembers’ a sapphic romance? Yes. Solar Studios confirmed in the film’s official synopsis that “Until She Remembers,” directed by Brillante Mendoza, follows an unresolved romantic relationship between two elderly women, Concha and Catherine. ### Who stars in ‘Until She Remembers’? The film stars Barbie Forteza as Angel, Charo Santos-Concio as her grandmother Concha, and Boots Anson Roa as Catherine, the woman with whom Concha shared a past romance. ### What is the plot of ‘Until She Remembers’? The film follows Angel as she moves in with her ailing grandmother Concha, uncovering Concha’s past romance with Catherine, while Catherine lives with Alzheimer’s and Concha with cancer. ### When does ‘Until She Remembers’ premiere? “Until She Remembers” premieres in cinemas nationwide on February 25. ### What poem is featured in ‘Until She Remembers’? The film’s trailer features Chilean poet Pablo Neruda’s “Tonight I Can Write the Saddest Lines,” read by the three central characters. Related Stories - [23 Movies We’re Excited For This 2026](https://rollingstonephilippines.com/culture/film/23-movies-coming-in-2026/ "23 Movies We’re Excited For This 2026") - [Barbie Forteza Reads Pablo Neruda to Charo Santos in ‘Until She Remembers’ Teaser](https://rollingstonephilippines.com/culture/philippine-cinema/until-she-remembers-charo-santos-barbie-forteza/ "Barbie Forteza Reads Pablo Neruda to Charo Santos in ‘Until She Remembers’ Teaser") - [The ‘Open Endings’ Filmmakers on Making Cinemalaya’s Sapphic Hit](https://rollingstonephilippines.com/culture/philippine-cinema/open-endings-sapphic-film-cinemalaya/ "The ‘Open Endings’ Filmmakers on Making Cinemalaya’s Sapphic Hit") **Categories:** Culture, Film **Tags:** Barbie Forteza, Boots Anson Roa-Rodrigo, Brillante Mendoza, Charo Santos-Concio --- ### [Eric Dane of ‘Grey’s Anatomy’ Has Passed Away at 53](https://rollingstonephilippines.com/culture/eric-dane-greys-anatomy-passes-away/) **Published:** February 20, 2026 **Author:** Mel Wang **Excerpt:** The actor passed less than a year after announcing his battle with amyotrophic lateral disease, or ALS **Content:** [Eric Dane](https://rollingstonephilippines.com/tag/eric-dane/ "Eric Dane"), who starred as Dr. Mark Sloan on *[Grey’s Anatomy,](https://rollingstonephilippines.com/tag/greys-anatomy/ "Grey's Anatomy")* has passed away. He was 53. In a statement first shared with *People*, Dane’s family confirmed that the actor had died on the afternoon of February 19, following a year-long battle with amyotrophic lateral disease (ALS). “He spent his final days surrounded by dear friends, his devoted wife, and his two beautiful daughters, Billie and Georgia,” wrote Dane’s family. Born in 1972, Dane spent the early years of his acting career landing roles on several television shows, such as *Saved by the Bell*, *The Wonder Years*, and *Gideon’s Crossing.* In 2006, Dane became a fan favorite for his steamy performance as Dr. Sloan in the second season of *Grey’s Anatomy* (he is, in fact, also known as McSteamy on the show). What started as a guest appearance turned into a regular role, and Dane stayed on the show until his departure in its ninth season. > [View this post on Instagram](https://www.instagram.com/p/C9kopG-v5SY/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Gio Journal (@gio\_journal)](https://www.instagram.com/p/C9kopG-v5SY/?utm_source=ig_embed&utm_campaign=loading) Beyond *Grey’s Anatomy*, Dane also starred in the HBO hit drama series *Euphoria*, where he played Nate Jacob’s (Jacob Elordi) father, Cal. Dane has also starred in films such as *X-Men: The Last Stand* and *Burlesque.* Last April, Dane announced his ALS diagnosis, a nervous system disease that causes loss of muscle control and worsens over time. By last June, Dane had lost function in his right arm but continued to act, even guest starring in an episode of the drama series *Brilliant Minds*. “I’m not about to concede my purpose to some disease,” said Dane in a virtual panel with support organization, I Am ALS. “I think it’s imperative that I share my journey with as many people as I can, because I don’t feel like my life is about me anymore.” ## Frequently Asked Questions ### How did Eric Dane die? Eric Dane’s family confirmed he died on February 19 at age 53, following a year-long battle with ALS (amyotrophic lateral sclerosis), surrounded by close friends, his wife, and his two daughters. ### What was Eric Dane known for? Dane was best known for playing Dr. Mark Sloan on “Grey’s Anatomy” starting in 2006, and later starred as Cal Jacobs in HBO’s “Euphoria,” along with film roles in “X-Men: The Last Stand” and “Burlesque.” ### When was Eric Dane diagnosed with ALS? Dane publicly announced his ALS diagnosis in April of the previous year, and continued acting even after losing function in his right arm by that June. ### Did Eric Dane continue working after his ALS diagnosis? Yes. Despite losing function in his right arm, Dane guest-starred in an episode of the drama series “Brilliant Minds” and spoke publicly about his diagnosis through the support organization I Am ALS. ### What did Eric Dane say about his ALS diagnosis? Dane said, “I’m not about to concede my purpose to some disease,” adding that sharing his journey publicly felt important because his life no longer felt like it was “about me anymore.” Related Stories - [The 25 Best Filipino Rom-Coms of the 21st Century](https://rollingstonephilippines.com/culture/philippine-cinema/25-filipino-rom-coms-21st-century/ "The 25 Best Filipino Rom-Coms of the 21st Century") - [25 Best Filipino Love Songs Across Generations](https://rollingstonephilippines.com/music/25-filipino-love-songs-for-the-emotionally-compromised/ "25 Best Filipino Love Songs Across Generations") - [Can ‘The Pitt’ Keep Up In Its Second Act?](https://rollingstonephilippines.com/culture/tv/the-pitt-episode-1-season-2-recap/ "Can ‘The Pitt’ Keep Up In Its Second Act?") **Categories:** Culture, TV **Tags:** Eric Dane, Grey's Anatomy --- ### [Beyond ‘Edjop,’ Who was the Real Edgar Jopson?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/edgar-jopson-edjop-martial-law/) **Published:** February 20, 2026 **Author:** Pie Gonzaga **Excerpt:** From his days as an Atenean student leader to his work with the labor unions and the Communist Party, we take a look at the real activist behind Edjop **Content:** How does a reformist become a revolutionary? *[Edjop](https://rollingstonephilippines.com/culture/philippine-cinema/edjop-elijah-canlas-2026-release/ "‘Edjop’ is Coming to Philippine Cinemas This Year")*, directed by Katski Flores and starring [Elijah Canlas](https://rollingstonephilippines.com/tag/elijah-canlas/ "Elijah Canlas"), follows the life of Edgar Jopson, the storied student leader whose political awakening mirrored the radicalization of a generation during martial law under Ferdinand Marcos Sr. Jopson, nicknamed “Edjop,” is an important figure in the student movement before and during the [martial law](https://rollingstonephilippines.com/tag/martial-law/ "Martial Law") period. On January 30, 1970, Jopson and many other student activists gathered in Manila to protest Marcos’ leadership, spurred by an economic crisis, and a dialogue with the president. Jopson, then the president of Ateneo de Manila University’s student council and the National Union of Students of the Philippines, notably called for reform and for Marcos to promise not to run for a third term. But the would-be dictator refused, calling him the “son of a grocer” and responding to the student demonstrations with military force, thus beginning the [First Quarter Storm](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/flood-control-protests-first-quarter-storm/), a series of protests and riots in the early months of 1970. In his [account](https://philippinesfreepress.wordpress.com/1970/02/06/the-january-26-confrontation-a-highly-personal-account-february-7-1970/) of the First Quarter Storm, writer [Jose F. Lacaba](https://rollingstonephilippines.com/tag/pete-lacaba/ "Pete Lacaba") considered Jopson to be more “moderate” in comparison to the other student leaders who leaned further left. But after graduating later that year, the student leader went on to be a low-level clerk for the Philippine Association of Free Labor Unions (PAFLU) and helped organize the 1975 La Tondeña Distillery strike, regarded as “the first big strike” to defy Marcos’ martial law. > [View this post on Instagram](https://www.instagram.com/reel/DU2DQSvicoe/?utm_source=ig_embed&utm_campaign=loading)[A post shared by EDJOPTheMovie (@edjopthemovie)](https://www.instagram.com/reel/DU2DQSvicoe/?utm_source=ig_embed&utm_campaign=loading) In *U.G. An Underground Tale: The Journey of Edgar Jopson and the First Quarter Storm Generation*, journalist Benjamin “Boying” Pimentel Jr. wrote that Jopson eventually joined the more radical Communist Party of the Philippines (CPP), becoming a member of its Central Committee in 1977. Military raids pushed members of the CPP underground, including Jopson, according to Pimentel. On June 13, 1979, he was arrested in his Las Piñas home and brought to Camp Crame in Quezon City to be tortured. He eventually escaped and fled to Samal in July that year. According to the [Martial Law Museum](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/ateneo-martial-law-museum-and-library/ "This Website on Marcos’ Martial Law Safeguards the Truth of Philippine History") and the Bantayog ng Mga Bayani, the 34-year-old Jopson was once again captured by the military on September 20, 1982, in Davao City, shot and taken alive for questioning, and then killed for “refusing to cooperate.” He left behind his wife, Gloria Maria “Joy” Asuncion, and their three children. ## Frequently Asked Questions ### Who was Edgar “Edjop” Jopson? Edgar Jopson was a Filipino student leader and president of Ateneo de Manila University’s student council and the National Union of Students of the Philippines, prominent in the movement against Martial Law under Ferdinand Marcos Sr. ### What role did Edgar Jopson play in the First Quarter Storm? Jopson led a January 30, 1970 dialogue with Marcos calling for reform, and Marcos’s refusal and subsequent military crackdown on student protesters sparked the First Quarter Storm. ### Did Edgar Jopson join the Communist Party of the Philippines? Yes. According to journalist Benjamin Pimentel Jr., Jopson joined the CPP and became a member of its Central Committee in 1977, having grown more radicalized after his student activism years. ### How did Edgar Jopson die? According to the Martial Law Museum and Bantayog ng Mga Bayani, Jopson was captured by the military on September 20, 1982, in Davao City, shot, taken for questioning, and killed for “refusing to cooperate.” ### Was Edgar Jopson married? Yes. Jopson was married to Gloria Maria “Joy” Asuncion, and the couple had three children at the time of his death in 1982. Related Stories - [‘Edjop’ is Coming to Philippine Cinemas This Year](https://rollingstonephilippines.com/culture/philippine-cinema/edjop-elijah-canlas-2026-release/ "‘Edjop’ is Coming to Philippine Cinemas This Year") - [The Flood Control Protests Aren’t EDSA 3. They’re the First Quarter Storm](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/flood-control-protests-first-quarter-storm/ "The Flood Control Protests Aren’t EDSA 3. They’re the First Quarter Storm") - [Why ‘Kalel, 15’ Was an Important Breakout Role for Elijah Canlas](https://rollingstonephilippines.com/media-channels/greatest-hits/elijah-canlas/ "Why ‘Kalel, 15’ Was an Important Breakout Role for Elijah Canlas") **Categories:** Labor, Philippine Politics, State of Affairs **Tags:** Edjop, Martial Law --- ### [‘Lumpia Queen’ Abi Marquez Makes an Appearance in Gordon Ramsay’s New Docuseries](https://rollingstonephilippines.com/culture/tv/abi-marquez-being-gordon-ramsay-docuseries/) **Published:** February 19, 2026 **Author:** Mel Wang **Excerpt:** Ramsay also gives a shout-out to Filipino cuisine in his docuseries, now on Netflix **Content:** In 2025, [Abi Marquez](https://rollingstonephilippines.com/tag/abi-marquez/ "Abi Marquez"), food vlogger and the internet’s reigning “Lumpia Queen,” met [Gordon Ramsay](https://rollingstonephilippines.com/tag/gordon-ramsay/ "Gordon Ramsay") on his trip to the Philippines. And now, it looks like Marquez has made it into his latest docuseries. Over the course of six episodes, *Being Gordon Ramsay* follows Ramsay as the [Michelin](https://rollingstonephilippines.com/tag/michelin/ "Michelin")-starred chef opens four restaurants and a culinary academy at the 22 Bishopsgate skyscraper in London. The docuseries also offers a glimpse into Ramsay’s personal life beyond the kitchen. The chef gets candid about his rough upbringing, his beginnings in the culinary world, and his relationship with his wife Tana and their six children. > [View this post on Instagram](https://www.instagram.com/p/DFCZPZYTugb/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Abi Marquez \| Food Content Creator (@abigailfmarquez)](https://www.instagram.com/p/DFCZPZYTugb/?utm_source=ig_embed&utm_campaign=loading) In the fourth episode, Ramsay is seen making his way to the Philippines to open the Manila outpost of the Gordon Ramsay Bar and Grill. “The Philippines has been a huge market for us,” he said in a voiceover. “Filipino cuisine alone in general is… oof! It’s bubbling like no tomorrow.” The camera then cuts to Ramsay interacting with influencers and filming videos with them. One of the content creators featured in the episode was Marquez, who can be seen serving him a platter of beef Wellington lumpia she had cooked for him. “This is the biggest day of my life,” Marquez said in an interview included in the episode. “Just this Saturday, he commented on one of my videos, and immediately, all the press, the media picked it up.” All episodes of *Being Gordon Ramsay* are currently available on [Netflix](https://rollingstonephilippines.com/tag/netflix/ "Netflix"). ## Frequently Asked Questions ### How did Abi Marquez end up in ‘Being Gordon Ramsay’? Marquez, known online as the “Lumpia Queen,” met Gordon Ramsay during his 2025 trip to the Philippines and appears in the docuseries’ fourth episode serving him beef Wellington lumpia. ### What is ‘Being Gordon Ramsay’ about? The six-episode docuseries follows Gordon Ramsay opening four restaurants and a culinary academy at London’s 22 Bishopsgate skyscraper, while also exploring his upbringing and family life. ### What did Gordon Ramsay say about Filipino cuisine? In the docuseries, Ramsay said, “The Philippines has been a huge market for us. Filipino cuisine alone in general is… oof! It’s bubbling like no tomorrow,” while opening his Manila restaurant. ### What did Abi Marquez say about appearing in the docuseries? Marquez called it “the biggest day of my life,” recalling how Ramsay commenting on one of her videos led to immediate media pickup before her appearance in the show. ### Where can I watch ‘Being Gordon Ramsay’? All episodes of “Being Gordon Ramsay” are currently available to stream on Netflix. Related Stories - [What’s Missing in Manila’s Dining Scene, According to 5 Culinary Insiders](https://rollingstonephilippines.com/culture/food/whats-missing-manilas-dining-scene/ "What’s Missing in Manila’s Dining Scene, According to 5 Culinary Insiders") - [Chef Josh Boutwood Captures Simplicity in Filipino Fine Dining](https://rollingstonephilippines.com/radar/events/chef-josh-boutwood-captures-simplicity-in-filipino-fine-dining/ "Chef Josh Boutwood Captures Simplicity in Filipino Fine Dining") - [Michelin Chefs, Surprise Cakes and Improv at the Rolling Stone PH Social Club](https://rollingstonephilippines.com/radar/events/rolling-stone-ph-social-club-michelin/ "Michelin Chefs, Surprise Cakes and Improv at the Rolling Stone PH Social Club") **Categories:** Culture, Food, TV **Tags:** Abi Marquez, Gordon Ramsay, Netflix --- ### [Want to Leave the Country? Here’s Where to Get A Golden Visa, and How Much It Costs](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/golden-visa-for-filipinos/) **Published:** February 19, 2026 **Author:** Pie Gonzaga **Excerpt:** Golden visas are becoming a more popular option for migration, but starting a new life abroad through investing costs millions of pesos **Content:** So, you’re upset by current events — [whatever that may be](https://rollingstonephilippines.com/state-of-affairs/) — and now you’re trying to move out of the Philippines because of our unfavorable political situation. How about a golden visa? For most Filipinos, the path to a life abroad is employment. According to the House of Representatives’ Congressional Policy and Budget Research Department (CPBRD), approximately two million overseas Filipino workers (OFWs) were recorded in 2022 and 2023, while a 2023 Social Weather Stations survey found that 17 percent more Filipinos wanted to work abroad. However, investment also provides a path to perceived better opportunities abroad. A golden visa allows people to reside in a foreign country in exchange for investing capital. Various countries offer different programs with varying requirements and benefits, but they all promise the same thing: a way out. U.K.-based investment migration consultancy firm [Henley & Partners](https://www.henleyglobal.com/publications/usa-wealth-report-2024/why-so-many-americans-are-considering-alternative-residence-and-citizenship/) reported a 504 percent increase in inquiries in 2023 from Americans looking to use their golden visa services. Most of these inquiries were reportedly driven by families looking to protect their wealth from “economic and political uncertainties” in the U.S. If you have the capital, then you have a long list of countries you can choose to move to. Some of these countries grant full citizenship, while others issue residence permits for a limited period. Here are some countries that offer citizenship by investment (CBI) programs, and their minimum requirements: - Jordan – JOD 350,000 or around P28.6 million - North Macedonia – EUR 200,000 or P13.7 million - Turkey – USD 400,000 or P23.2 million Other CBI programs require the applicant to make significant contributions to the host country, such as Austria and Malta. Australia’s National Innovation Visa program is less clear-cut. It is only offered by invitation to people who are “internationally recognized for exceptional and outstanding achievement” and “demonstrate that they would be an asset to Australia \[…\] through economic, social, cultural, academic, artistic, or sporting achievements.” ## Golden Visa for Residency ![burj al-arab dubai united arab emirates](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/dubai-uae.webp) Starting January this year, Filipinos are now able to secure a 10-year Dubai residency by investing in real estate in the city. Photo by Christoph Schulz/Unsplash More countries offer temporary but long-term residencies. The highest minimum capital requirement for a residency is in Singapore, at SGD 10 million (P457.5 million), while the lowest is in Thailand, at THB 650,000 (P1.2 million). Here are other countries that offer residency, and their minimum requirements: - Austria – EUR 50,000 or P3.4 million in liquid funds, and German language skills - The Bahamas – USD 1 million or P57.9 million - Canada – CAD 1.2 million or P50.8 million - Greece – EUR 250,000 or P17.1 million - Hong Kong – HKD 30 million or P222.8 million - Italy – EUR 250,000 or P17.1 million - Malaysia – MYR 1 million or P14.8 million - Mexico – USD 280,000 or P16.2 million - New Zealand – NXD 5 million or P173.3 million - Portugal – EUR 250,000 or P17.1 million - Switzerland – CHF 250,000 in annual taxes or P18.8 million - U.A.E. – AED 1 million or P15.8 million - U.S. – USD 800,000 or P46.4 million Monaco also grants residency to foreign individuals who can prove that they can afford the lifestyle in this famously expensive city-state. In the U.K., the Innovator Founder Visa requires an individual to set up an “innovative,” scaling business in the country. Meanwhile, Argentina and the Maldives are also expected to launch their own golden visa programs in 2026. Moving to these countries requires more than just the minimum capital, and the prices above don’t even include the cost of living and travel fees. So, if you’re stuck here, like many of us, the most you can do is suck it up or demand better of our public officials. ## Frequently ASked Questions ### What is a golden visa? A golden visa allows a person to reside in a foreign country in exchange for a qualifying capital investment. Programs vary by country, offering either full citizenship or temporary long-term residency. ### Which countries offer citizenship by investment? Countries offering citizenship by investment include Jordan (JOD 350,000), North Macedonia (EUR 200,000), and Turkey (USD 400,000), among others like Austria and Malta with different investment structures. ### What is the cheapest golden visa residency program? Thailand offers the lowest minimum capital requirement for residency among the countries listed, at THB 650,000 (around P1.2 million). ### What is the most expensive golden visa residency program? Singapore has the highest minimum capital requirement for residency among the countries listed, at SGD 10 million (around P457.5 million). ### Are more countries planning to launch golden visa programs? Yes. Argentina and the Maldives are both expected to launch their own golden visa programs in 2026, according to the article. Related Stories - [A Unified Visa for ASEAN? Not in the Near Future](https://rollingstonephilippines.com/state-of-affairs/power/philippines-tourism-asean-visa/ "A Unified Visa for ASEAN? Not in the Near Future") - [How to Travel to 193 Countries on a Philippine Passport](https://rollingstonephilippines.com/culture/how-to-visit-193-countries-on-a-ph-passport/ "How to Travel to 193 Countries on a Philippine Passport") - [Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-president-impeachment/ "Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?") **Categories:** Philippine Politics, State of Affairs **Tags:** travel --- ### [‘Edjop’ is Coming to Philippine Cinemas This Year](https://rollingstonephilippines.com/culture/philippine-cinema/edjop-elijah-canlas-2026-release/) **Published:** February 19, 2026 **Author:** Mel Wang **Excerpt:** "Edjop" stars Elijah Canlas as its titular activist and follows his life, activism, and death during martial law **Content:** It’s been five years in the making, but director Katski Flores’ *[Edjop](https://rollingstonephilippines.com/tag/edjop/ "Edjop")*, the biopic of activist Edgar “Edjop” Jopson, is finally coming to cinemas. A new trailer for the biopic, starring [Elijah Canlas](https://rollingstonephilippines.com/tag/elijah-canlas/ "Elijah Canlas") as its titular activist, confirms the film is slated for a 2026 release, though a specific date has not yet been set. The film follows Jopson’s life as he navigates the martial law regime of former President [Ferdinand Marcos Sr](https://rollingstonephilippines.com/tag/ferdinand-marcos-sr/ "Ferdinand Marcos Sr."). Jopson, then the president of the National Union of Students of the Philippines, became one of the most well-known figures of the student movement against the dictator. Joining Canlas in the cast are Jodi Sta. Maria and [Cedrick Juan](https://rollingstonephilippines.com/tag/cedrick-juan/ "Cedrick Juan"). > [View this post on Instagram](https://www.instagram.com/reel/DU2DQSvicoe/?utm_source=ig_embed&utm_campaign=loading)[A post shared by EDJOPTheMovie (@edjopthemovie)](https://www.instagram.com/reel/DU2DQSvicoe/?utm_source=ig_embed&utm_campaign=loading) The trailer reveals little of the biopic’s details, but it opens with Edjop sprawled on the floor after presumably being beaten by the military officers detaining him. “Hindi madali,” Canlas says in a voiceover in the latest trailer. “Kahit anong landas ang piliin mo, sa akin o sa iba, hindi magiging madali. Kaya maging matapang ka, ha? Maging matapang kayo. Never forget.” In an interview with *[Rolling Stone Philippines](https://www.youtube.com/watch?v=0evrqRlTHKU "Rolling Stone Philippines")*, Canlas spoke about *Edjop* and how meaningful the biopic’s message will be to today’s Filipino audiences. “Stories like *Edjop* will be a wakeup call for people,” said Canlas. “There’s not a perfect time more than now to tell this story.” ## Frequently Asked QUestions ### When is ‘Edjop’ coming to Philippine cinemas? “Edjop” is confirmed for a 2026 release in Philippine cinemas, according to its new trailer, though a specific premiere date has not yet been announced. ### Who stars in ‘Edjop’? Elijah Canlas stars as Edgar “Edjop” Jopson, joined by Jodi Sta. Maria and Cedrick Juan. The film is directed by Katski Flores. ### Who was Edgar “Edjop” Jopson? Edgar Jopson was a Filipino student activist and president of the National Union of Students of the Philippines, known for opposing the Martial Law regime of President Ferdinand Marcos Sr. ### What did Elijah Canlas say about playing Edjop? Canlas told Rolling Stone Philippines that “stories like Edjop will be a wakeup call for people,” adding, “There’s not a perfect time more than now to tell this story.” ### What does the ‘Edjop’ trailer show? The trailer opens with Edjop on the floor after apparently being beaten by military officers, with Canlas delivering a voiceover urging viewers to “maging matapang” (be brave) and “never forget.” Related Stories - [Why ‘Kalel, 15’ Was an Important Breakout Role for Elijah Canlas](https://rollingstonephilippines.com/media-channels/greatest-hits/elijah-canlas/ "Why ‘Kalel, 15’ Was an Important Breakout Role for Elijah Canlas") - [Jericho Rosales, Janine Gutierrez, Elijah Canlas Weigh in on the State of Filipino Music](https://rollingstonephilippines.com/music/actors-opm-filipino-music-awards/ "Jericho Rosales, Janine Gutierrez, Elijah Canlas Weigh in on the State of Filipino Music") - [39 Years Later: Who Really “Won” the EDSA Revolution?](https://rollingstonephilippines.com/state-of-affairs/power/39-years-later-who-really-won-edsa-people-power-revolution/ "39 Years Later: Who Really “Won” the EDSA Revolution?") **Categories:** Culture, Film, Philippine Cinema **Tags:** Edjop, Elijah Canlas, Martial Law --- ### [Cup of Joe’s 'Multo' Becomes the Most Streamed OPM Song on Spotify Ever](https://rollingstonephilippines.com/music/pop/cup-of-joe-multo-most-streamed-opm-song/) **Published:** February 19, 2026 **Author:** Elijah Pareño **Excerpt:** The moment signals a passing of the torch between two songs that defined different OPM eras **Content:** [Cup of Joe](https://rollingstonephilippines.com/tag/cup-of-joe/ "Cup of Joe")’s breakout single “Multo” is now officially the most-streamed OPM song of all time on Spotify, reaching 512 million streams as of February 19. According to Spotify, the track recently surpassed [UDD](https://rollingstonephilippines.com/tag/udd/ "UDD")’s single “Tadhana,” which had just achieved its own milestone a month earlier. “Tadhana” became the first Filipino song to cross the half-billion streaming mark in January 2026, only to be overtaken shortly after by “Multo,” which edged past the synth-pop single by roughly 100,000 streams according to Spotify. “Tadhana” was released under the album *Capacities* in 2012. Early on, the track served as the official theme song for the GMA fantasy series *Illumina* in 2010. It gained further cultural significance when it was used as the theme song for the 2014 romantic comedy *That Thing Called Tadhana*, starring Angelica Panganiban and JM de Guzman. Over the years, covers of the song from Regine Velasquez to KZ Tandingan have kept it in circulation, reinforcing its place as one of the most enduring OPM tracks more than a decade after its release. “Multo,” meanwhile, arrived in September 2024, months ahead of Cup of Joe’s debut album *Silakbo* in January 2025. The song quickly won over listeners with its strong pop appeal and memorable chorus, becoming a defining moment for the band. Its rise in the current streaming era continued when it won Song of the Year at the Filipino Music Awards in October 2025. ## Frequently Asked Questions ### What is the most-streamed OPM song on Spotify? Cup of Joe’s “Multo” is now the most-streamed OPM song on Spotify of all time, reaching 512 million streams as of February 19, overtaking UDD’s “Tadhana.” ### How many streams does UDD’s ‘Tadhana’ have on Spotify? “Tadhana” became the first Filipino song to cross 500 million Spotify streams in January 2026, before being surpassed by “Multo” roughly a month later by about 100,000 streams. ### When was ‘Multo’ by Cup of Joe released? “Multo” was released in September 2024, ahead of Cup of Joe’s debut album “Silakbo” in January 2025, and won Song of the Year at the Filipino Music Awards in October 2025. ### What is ‘Tadhana’ by UDD known for? Released in 2012 under the album “Capacities,” “Tadhana” served as the theme song for GMA’s “Illumina” in 2010 and later for the 2014 film “That Thing Called Tadhana.” ### Has ‘Tadhana’ been covered by other artists? Yes. “Tadhana” has been covered by artists including Regine Velasquez and KZ Tandingan, contributing to its status as one of the most enduring OPM tracks over a decade after release. Related Stories - [Cup of Joe’s ‘Multo’ Proves a Sad Banger Can Still Be a Breakthrough](https://rollingstonephilippines.com/music/cup-of-joes-multo-proves-a-sad-banger-can-still-be-a-breakthrough/ "Cup of Joe’s ‘Multo’ Proves a Sad Banger Can Still Be a Breakthrough") - [25 Filipino Love Song Covers That Defined Romance Across Decades](https://rollingstonephilippines.com/editors-picks/lists/25-filipino-love-song-covers/ "25 Filipino Love Song Covers That Defined Romance Across Decades") - [5 RA Rivera Music Videos That Are Time Capsules of 2000s OPM](https://rollingstonephilippines.com/editors-picks/lists/ra-rivera-music-videos-2000s/ "5 RA Rivera Music Videos That Are Time Capsules of 2000s OPM") **Categories:** Music, Pop **Tags:** Cup of Joe, UDD --- ### [This Fast Food Chain Finds a Home in Filipino History](https://rollingstonephilippines.com/radar/rs-recommends/mcdonalds-filipino-heritage-stores/) **Published:** February 24, 2026 **Author:** Precy Tan **Excerpt:** From ancestral homes to UNESCO cities, heritage in the Philippines is being preserved in new ways **Content:** From the cobbled streets of Vigan to the storied walls of Intramuros, heritage lives in the architecture that stands as memory made visible. Across cities and provinces, preservation has become an active commitment to sustaining history with care. For many Filipino families, heritage and culture come together in many unexpected ways. McDonald’s Philippines has become part of that shared memory, its red and yellow arches as familiar as the sari sari store on the corner. Today, those spaces intersect, as the company opens heritage stores within historic structures and culturally significant districts, allowing everyday gatherings to take place inside buildings that hold generations of stories. ## **Dining Within the Walled City** *Intramuros, Manila* ![McDonald's in Muralla St., Intramuros, Manila. Image courtesy of McDonald's Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH_MCDO-INTRAMUROS-1.webp) McDonald’s in Muralla St., Intramuros, Manila. Photo courtesy of McDonald’s Philippines Intramuros, Manila’s historic walled city, is a living monument to the country’s colonial past. The McDonald’s at Muralla stays aligned with the surrounding walls and plazas, so diners feel like they’re part of the city’s layered story. Intramuros itself houses museums, churches, and cobblestone streets, making it a hub for both tourists and locals who want a taste of history and now, a taste of Chicken McDo. ## **A Glimpse of Old Town Life** *****San Pedro Bayan, Laguna***** ![McDonald’s San Pedro, housed in one of the city’s oldest heritage homes. Image courtesy of McDonald's Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH_MCDO-SANPEDRO-3.webp) McDonald’s San Pedro, Laguna housed in one of the city’s oldest heritage homes. Photo courtesy of McDonald’s Philippines One of the oldest houses in San Pedro, located in the ancestral house of the Morando-Almendrala family in Brgy. Poblacion is now home to a McDonald’s branch, with its original windows, wooden beams, and architectural details still in place. The city has long been a center of local history, and the store blends everyday family hangouts with a real sense of heritage. It’s proof that Filipino history doesn’t live only in textbooks or special events, but in the spaces people visit every day. ## **A Century-Old Ancestral Home** *Santa Rosa, Laguna* ![McDonald’s Santa Rosa, built on the site of a 100-year-old ancestral home. Photo courtesy of McDonald's Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH_MCDO-LAGUNA-1.webp) McDonald’s Santa Rosa, built on the site of a 100-year-old ancestral home. Photo courtesy of McDonald’s Philippines This new McDonald’s branch sits on the site of a 100-year-old ancestral home once owned by one of Santa Rosa’s prominent families. Adobe stones from the original structure were incorporated into the build, and architectural details echo the original period. The National Historical Commission of the Philippines oversaw the reconstruction, ensuring historical integrity while giving locals a modern dining experience. ## **The Paris of Negros** *Silay, Negros Occidental* ![McDonald’s Silay, featuring traditional stonework and wooden beams. Photo courtesy of McDonald's Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH_MCDO-SILAY-1.webp) McDonald’s Silay, featuring traditional stonework and wooden beams. Photo courtesy of McDonald’s Philippines Dubbed the “Paris of Negros,” Silay is celebrated for its heritage mansions, thriving arts scene, and cultural festivals. The McDonald’s here incorporates traditional stonework and wood beams into its design, reflecting the city’s architectural elegance. This makes it more than a meal stop; it’s a space where local arts, culture, and family routines intersect. ## **Colonial Streets and Timeless Cobblestones** *Vigan, Ilocos Sur* ![McDonald’s Vigan at P. Burgos Corner Jacinto Streets, featuring Spanish-inspired architecture. Image courtesy of McDonald's Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/RSPH_MCDO-VIGAN-1.webp) McDonald’s Vigan at P. Burgos Corner Jacinto Streets, featuring Spanish-inspired architecture. Photo courtesy of McDonald’s Philippines Vigan is one of the Philippines’ UNESCO Heritage Cities, famous for its cobbled streets, Spanish-era facades, and preserved ancestral homes. The McDonald’s here respects the rhythm of its surroundings, with a facade that blends seamlessly into the colonial streetscape. Walking these streets with a burger in hand, you’re part of a city that has carried its history for centuries, and now, even everyday moments become part of the story. These heritage stores show how history and modern life can coexist, turning even a familiar fast food visit into an experience of Filipino culture. From Santa Rosa to Vigan to Intramuros, McDonald’s is proving that preserving the past does not mean skipping a Happy Meal. It means making history part of everyday moments. ## Frequently Asked Questions ### Where are McDonald’s Philippines’ heritage stores located? McDonald’s Philippines has opened heritage stores in Intramuros (Manila), San Pedro and Santa Rosa (Laguna), Silay (Negros Occidental), and Vigan (Ilocos Sur), each set within a historic structure or district. ### What makes the Santa Rosa McDonald’s branch historically significant? The Santa Rosa branch sits on the site of a 100-year-old ancestral home, incorporating original adobe stones into its build under the oversight of the National Historical Commission of the Philippines. ### Is the McDonald’s in Vigan inside the UNESCO Heritage City? Yes. The Vigan branch is designed to blend into the city’s colonial streetscape, respecting Vigan’s status as one of the Philippines’ UNESCO Heritage Cities. ### What historic building houses the San Pedro, Laguna McDonald’s branch? This branch is located in the ancestral house of the Morando-Almendrala family in Brgy. Poblacion, San Pedro, preserving original windows, wooden beams, and architectural details. ### Why is Silay called the “Paris of Negros”? Silay, Negros Occidental, is known for its heritage mansions, arts scene, and cultural festivals, earning it the nickname “Paris of Negros,” which the local McDonald’s branch reflects through traditional stonework and wood beams. **Categories:** RS Recommends **Tags:** Filipino heritage, McDonald’s --- ### [Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-president-impeachment/) **Published:** February 18, 2026 **Author:** Pie Gonzaga **Excerpt:** Amid new impeachment complaints and developments in the ICC’s drug war case, Vice President Sara Duterte’s announcement appears to be an effort to show her camp’s strength **Content:** Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte") has announced that she will run for president in 2028, even as she faces renewed complaints for her impeachment. At a press conference on Wednesday, February 18, Duterte said, “Humihingi ako ng paumanhin. Patawad kung tinulungan kong mahalal si \[President [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.")\] bilang pangulo ng ating bansa.” The vice president noticeably refrained from referring to Marcos, her running mate in the 2022 elections, as the president, and avoided addressing the controversy surrounding her office’s confidential funds as she apologized for the Marcos administration’s shortcomings. “I offer my life, my strength, and my future in the service of our nation,” she said. “Ako si Sara Duterte, tatakbo bilang pangulo ng Pilipinas.” In her statement, Duterte also said that she had anticipated her impeachment as early as 2023, when questions regarding her use of the Department of Education’s (DepEd) confidential funds arose. “Dahil hindi ko kinaya maging bahagi ng 2025 National Budget na tadtad ng katiwalian, pinili kong umalis sa gabinete kahit alam ko na mula pa noong 2023 na ang magiging kapalit ay ang aking impeachment.” Duterte currently faces three impeachment complaints. The [first two](https://newsinfo.inquirer.net/2176679/two-impeach-raps-filed-vs-vp-as-1-year-bar-ends) were filed on February 2, just days before the [ban on complaints](https://rollingstonephilippines.com/tag/sara-duterte-impeachment/ "Sara Duterte Impeachment") against her was lifted on February 6. The complaints were filed by progressive groups and the pro-democracy coalition Tindig Pilipinas. On February 9, a group of church leaders and lawyers filed a [third impeachment complaint](https://www.abs-cbn.com/news/nation/2026/2/10/third-impeachment-complaint-vs-sara-duterte-transmitted-to-speaker-s-office-1236) against Duterte. All complaints cite her alleged misuse of confidential funds given to the Office of the Vice President and the DepEd during her term as education secretary. She is accused of betrayal of public trust, graft and corruption, gross incompetence and abuse of power, and participating in efforts to destabilize the government through death threats she made against Marcos in 2024. ## Show of Strength? ![house committee on justice discusses sara duterte impeachment complaints](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/house-committee-on-justice.webp) San Juan Rep. Bel Zamora, Batangas 2nd District Rep. Gerville Luistro, and Bicol Saro Rep. Terry Ridon of the House Committee on Justice discuss next steps regarding Duterte’s impeachment complaints, last February 9. Screenshot from House of Representatives of the Philippines/Facebook Impeachment rules laid out by the 1987 Constitution do not bar officials with pending cases from running for public office. This means that Duterte is within her rights to make a presidential bid. However, if the case reaches the Senate and the impeachment court rules against Duterte, she will be barred from running for public office. In Congress, steps will still be taken to process the impeachment complaints against the vice president. On Monday, February 16, ACT Teachers Representative Antonio Tinio told reporters that the complaints against Duterte are expected to be included in the House of Representatives’ Order of Business on Wednesday, during which the complaints may be referred to the House Committee on Justice. Tinio also said that, unlike 2025’s case, there is currently no effort to acquire a majority vote to fast-track her impeachment in Congress. In addition to the impeachment complaints, Duterte’s announcement also comes amid developments in her father’s crimes against humanity case at the [International Criminal Court](https://rollingstonephilippines.com/tag/international-criminal-court/ "International Criminal Court") (ICC). In January, the ICC ruled that former President [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte") is fit to stand trial, rejecting his camp’s request to postpone proceedings indefinitely. The Davao City mayor is set to appear before the Pre-Trial Chamber for a confirmation of charges hearing, which was initially set for September 2025 but was delayed due to assertions from the Duterte camp that his health was declining. On February 13, the ICC also released documents naming Senators Christopher “Bong” Go and Ronald “Bato” dela Rosa as co-perpetrators in the war on drugs. ## Frequently Asked Questions ### Is Sara Duterte running for president in 2028? Yes. Vice President Sara Duterte announced her 2028 presidential bid on February 18, even as she faces three impeachment complaints during her term as vice president. ### What do the impeachment complaints against Sara Duterte allege? The complaints cite Duterte’s alleged misuse of confidential funds in the Office of the Vice President and DepEd, accusing her of betrayal of public trust, graft and corruption, and destabilizing the government. ### Can Sara Duterte run for president while facing impeachment? Yes. The 1987 Constitution does not bar officials with pending cases from running for office, though a Senate conviction would bar her from holding public office in the future. ### What did Sara Duterte say about her relationship with Marcos? Duterte apologized for helping elect Marcos as president, notably avoiding referring to him by his title, while not directly addressing the confidential funds controversy tied to her office. ### What is happening with Rodrigo Duterte’s ICC case? The ICC ruled in January that former President Rodrigo Duterte is fit to stand trial, rejecting a request to delay proceedings, and named Senators Bong Go and Bato dela Rosa as co-perpetrators in the war on drugs. Related Stories - [How to Impeach a Philippine Public Official, and Why it’s Hard](https://rollingstonephilippines.com/state-of-affairs/politics/impeachment-process-philippines-public-official-government/ "How to Impeach a Philippine Public Official, and Why it’s Hard") - [Lawmakers Backing Impeachment Deepen Marcos-Duterte Rift](https://rollingstonephilippines.com/state-of-affairs/politics/lawmakers-backing-impeachment-marcos-duterte-rift/ "Lawmakers Backing Impeachment Deepen Marcos-Duterte Rift") - [VP Sara Duterte on her Impeachment: ‘Wala Akong Feelings’](https://rollingstonephilippines.com/state-of-affairs/sara-duterte-impeachment-wala-akong-feelings/ "VP Sara Duterte on her Impeachment: ‘Wala Akong Feelings’") **Categories:** Philippine Politics, State of Affairs **Tags:** Sara Duterte, Sara Duterte Impeachment --- ### [Josh Groban Set Out to Act, But Fate Had Other Plans](https://rollingstonephilippines.com/culture/josh-groban-interview-manila-gems-tour/) **Published:** February 18, 2026 **Author:** Mel Wang **Excerpt:** Rolling Stone Philippines caught up with the acclaimed recording artist ahead of his Manila concert to talk about the time he thought he’d start out as an actor **Content:** [Josh Groban](https://rollingstonephilippines.com/tag/josh-groban/ "Josh Groban") started out thinking that music wasn’t the career for him. Ahead of his Manila stop for his Gems World Tour, the California-born singer spoke to *Rolling Stone Philippines* about how he’d always thought that he’d make a name for himself in acting. “At first, singing for me was just a way \[to be\] a better actor,” said Groban, recalling how he spent his younger years joining improv classes, Shakespeare troupes, acting camps, and musical theater groups. > [View this post on Instagram](https://www.instagram.com/p/DRLt2I6kTgM/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Josh Groban (@joshgroban)](https://www.instagram.com/p/DRLt2I6kTgM/?utm_source=ig_embed&utm_campaign=loading) But fortune struck Groban at the age of 17, when he was called to stand in for Andrea Bocelli to sing “The Prayer” with Celine Dion at a rehearsal for the 1998 Grammy Awards. The award-winning music executive, David Foster, happened to be at the rehearsal, and, having tapped Groban in the past for rehearsal singing, called the teenager up and had him come to bat. Since then, the singer has added hit after hit under his belt, including original singles like “To Where You Are,” as well as renditions of classics like “O Holy Night” and “You Raise Me Up.” “\[Acting\] was what I really wanted to do,” said Groban. “So you can imagine my surprise when suddenly, at 17, somebody tells me, ‘I want to make you a recording star.’ That was not in the cards for me at all.” ![Josh Groban](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/comet2.webp) Groban in *Natasha, Pierre & The Great Comet of 1812.* Photo from Playbill/Official Website Yet, over the years, he’s had multiple opportunities to show off his acting chops. Groban made his Broadway debut in 2016 as Pierre Bezukhov in *Natasha, Pierre & The Great Comet of 1812*, earning him a Tony nomination for Best Actor. “The golden vitality of Mr. Groban’s tenor was not a surprise,” wrote [*The New York Times*](https://www.nytimes.com/2016/11/15/theater/natasha-pierre-and-the-great-comet-of-1812-review.html) in a 2016 review of the musical. “But he doesn’t just make pretty sounds; he invests his singing with the pain and frustration that define Pierre. \[His\] acting is superb, as he all but trembles with the existential despair that courses through Pierre’s veins virtually nonstop.” Groban has since left multiple marks on the Broadway stage, most recently earning another Tony nomination for his 2023 performance as the titular razor-wielding murderer in *Sweeney Todd: The Demon Barber of Fleet Street*. “\[Groban’s\] performance \[lived\] up to every shriek and cry from diehard Grobanites that \[greeted\] his entrance at the Lunt-Fontanne,” wrote [*Deadline*](https://deadline.com/2023/03/sweeney-todd-broadway-review-josh-groban-annaleigh-ashford-stephen-sondheim-1235310162/) in a review. ![Josh](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/groban_cop.webp) Groban in *The Good Cop*. Photo from Netflix/Official Website Onscreen, Groban has brought the same level of dedication to his craft, whether he’s playing an irritating boyfriend in *Crazy, Stupid, Love* (2011)*,* an inmate locked in a solitary confinement box in *Muppets Most Wanted* (2014)*,* or a straight-laced detective in *The Good Cop* (2018), where he headlined alongside Tony Danza. “Having the opportunity to… come on board, whether it’s a silly cameo like in *Muppets Most Wanted*, or a more challenging role like *The Good Cop* or *Sweeney Todd*, is a chance for me to revisit a muscle that is very special to me,” said Groban. “Acting is all about timing, and well, music is all about timing, too.” “Being a kid that was bullied in school and having to tell jokes to make sure kids didn’t pick on me, acting was… something that I did to escape and something that I did to feel better about myself,” he continued. “Luckily, I’ve had the chance to do both and I hope I continue to do so.” > [View this post on Instagram](https://www.instagram.com/p/DUsNcGnk54-/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Josh Groban (@joshgroban)](https://www.instagram.com/p/DUsNcGnk54-/?utm_source=ig_embed&utm_campaign=loading) When asked if he favors either singing or acting over the other, Groban acknowledged that music will always come first. “I’ll always be the kid that sat at the piano and sang songs,” he said. “And I think music will always come a little more naturally to me than acting just because I don’t do it as much. But this means that every time I take an acting role, I really work at it.” “Music will always be Number One,” Groban continued, before jokingly adding, “unless Manila would like me to go onstage and do monologues for two hours!” Groban takes the Manila stage on February 18, with special guests Regine Velasquez and Martin Nievera at the SM Mall of Asia Arena. ## Frequently Asked Questions ### How did Josh Groban get his start as a singer? At 17, Groban was called to stand in for Andrea Bocelli to sing “The Prayer” with Celine Dion at a rehearsal for the 1998 Grammy Awards, where producer David Foster discovered him and launched his recording career. ### Did Josh Groban originally want to be a singer? No. Groban says he initially pursued acting through improv classes, Shakespeare troupes, and musical theater, viewing singing as a way to become “a better actor” rather than a career path. ### What Broadway roles has Josh Groban played? Groban made his Broadway debut in 2016 as Pierre Bezukhov in “Natasha, Pierre & The Great Comet of 1812,” earning a Tony nomination, and later earned another for his 2023 role in “Sweeney Todd: The Demon Barber of Fleet Street.” ### What films and TV shows has Josh Groban appeared in? Groban has appeared in “Crazy, Stupid, Love” (2011), “Muppets Most Wanted” (2014), and “The Good Cop” (2018), where he starred alongside Tony Danza as a detective. ### When and where is Josh Groban performing in Manila? Josh Groban performs in Manila on February 18 at the SM Mall of Asia Arena, with special guests Regine Velasquez and Martin Nievera, as part of his Gems World Tour. 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Ever since marrying Dufrene in September 2024, the *Norman Fucking Rockwell!* hitmaker has moved toward a darker direction in terms of lyric writing and production choices. The new song incorporates string arrangements, almost abstract childlike lyricism, and a mood that feels as elusive as the album itself. The single’s cover art reinforces that change in sound: a wolf stands guard over a sleeping child, painted in dry, dead monotone colors that mirror the song’s uneasy calm. This is Del Rey’s first official single since releasing two standalone tracks, “Henry, Come On” and “Bluebird,” in April 2025. Both double down into her familiar Americana singer-songwriter aesthetic. In contrast, “White Feather Hawk Tail Deer Hunter” is a deeper step into stranger territory, hinting at a surreal and darker jazz-leaning direction as she begins the rollout of *Stove*, now expected later this year. ## Frequently ASked Questions ### Who co-wrote Lana Del Rey’s new single? “White Feather Hawk Tail Deer Hunter” was co-written by Del Rey’s husband, Jeremy Dufrene, along with her sister, Caroline “Chuck” Grant, and Dufrene’s brother. ### What album is Lana Del Rey’s new single from? The single is off her upcoming album “Stove,” her first full-length release since “Did You Know That There’s A Tunnel Under Ocean Boulevard” in 2023, expected later this year. ### How does the new single differ from Lana Del Rey’s previous releases? Unlike her standalone 2025 tracks “Henry, Come On” and “Bluebird,” which leaned into her familiar Americana sound, “White Feather Hawk Tail Deer Hunter” moves toward a surreal, darker jazz-leaning direction. ### When did Lana Del Rey release “White Feather Hawk Tail Deer Hunter”? The single was released on February 17, marking Del Rey’s first official single since her two 2025 standalone tracks. ### How has Lana Del Rey’s sound changed since her marriage? Since marrying Jeremy Dufrene in September 2024, Del Rey has moved toward darker lyric writing and production, reflected in the new single’s string arrangements and abstract, childlike lyricism. 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But [Netflix’s](https://rollingstonephilippines.com/tag/netflix/ "Netflix") docuseries, *Reality Check: Inside America’s Next Top Model*, brings all those old, dirty skeletons back out of the closet. Over the course of three episodes, most of *ANTM’*s main players return in front of the camera to speak about their versions of their time on the show. Tyra Banks herself, the supermodel and creator of the show, comes to say her piece (and tease a potential 25th cycle of *ANTM*). Her co-judges, J. Alexander (a.k.a. Miss J), Jay Manuel, and Nigel Barker also take part in the docuseries, as well as show producer Ken Mok. Several of *ANTM’s* former contestants also agreed to share what they went through on their cycles, and what they had to say was so shocking, it’s a wonder that *ANTM* wasn’t cancelled back in the early aughts. A lot is revealed in *Reality Check*, and it can be emotionally difficult to sift through all the scandals it brings to light (and yes, there are a lot). To make things easier for you, we’ve rounded up the five most toxic takeaways from the docuseries. *Trigger warning: Mentions of sexual assault.* ## Honorable Mention: Asking a Gunshot Victim’s Daughter to Pose as a Casualty of Gun Violence ![Dionne Walters, ANTM](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/dionne.webp) “I thought it was a coincidence at the time,” said contestant Dionne Walters. Photo from Netflix/Official Website One of the most controversial photoshoots on *ANTM* was Cycle 8’s crime scene shoot, where contestants were asked to pose as corpses. One of the models was Dionne Walters, whose mother had been shot by a jealous ex-boyfriend, which left her paralyzed and in a wheelchair. Walters noted that producers were aware of this as she’d included it in her application. “I thought it was a coincidence at the time,” said Walters when asked about the shoot. “But I don’t think it was.” “I take full responsibility for that shoot,” admitted Mok. “That was a mistake. That one I look back on, and I’m like, ‘You were an idiot.’” ## 5. Ebony Haith and Giselle Samson Getting the Worst Storylines in Cycle 1 ![Ebony Haith (left) and Giselle Samson (right)](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/ebony_giselle.webp) Ebony Haith (left) and Giselle Samson (right) on *America’s Next Top Model* Cycle 1. Photos from Netflix/Official Website Banks may have claimed that she wanted to challenge the modeling industry’s lack of diversity when she started her show, but that didn’t mean that the models of color were treated with the respect they deserved onscreen. Cycle 1 featured Ebony Haith and Giselle Samson, the show’s first Black and Latino contestants, respectively. Haith was also the show’s first openly queer cast member and was even shot onscreen spending time with her then partner during her downtime. Unfortunately, both women were on the receiving end of offensive remarks that persisted throughout their cycle. Haith was mocked for her lesbian identity, “ashy” skin, and hair, with the show’s stylists even shaving off her hair and giving her three bald spots after using the wrong hair clippers. She was also portrayed as the cycle’s “aggressive” contestant, with the producers making her seem argumentative and difficult to work with. “Tyra Banks very much disappointed me,” said Haith. Samson also endured body-shaming during her cycle, with the judges commenting on her “wide ass” and how she needs to “tighten up” (mind you, she was 18 when this was shot). She was also portrayed as one of the more emotional contestants, and claimed that this made it difficult for her to find work after leaving the show. Both Samson and Haith no longer work in the modeling industry. ## 4. Keenyah Hill Being Fatshamed and Assaulted ![keenyah hill](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/keenyah.webp) Keenyah Hill being made to pose as gluttony for a photoshoot. Photo from Netflix/Official Website For Cycle 4 contestant Keenyah Hill, body-shaming became an integral part of her narrative. The editors made multiple choices that portrayed Hill as someone who couldn’t stop eating, with the model even recalling how she’d been edited to appear like she’d eaten three bagels in one sitting (when in fact, she’d only eaten one). The comments on her body became more apparent during the photoshoots, particularly with one shoot where the models were asked to represent the seven deadly sins. Hill was noticeably tasked with the role of gluttony and, despite her best efforts, she was labelled “dumpy” and “piggy chic” by the judges. Similar comments were made in a later photoshoot in Africa, where Hill was asked to pose as an elephant. But the worst part of Hill’s time on the show was when one of the dancers she was partnered with for a shoot began heavily flirting with her and making physical advances without her consent. When the dancer began moaning against her and grabbing her legs, Hill spoke up and told the producers that she felt uncomfortable. Instead of helping her, however, the team told her to continue with the shoot. Banks even later told Hill that she should have used her “feminine wiles” to put a stop to the dancer’s behavior in a “fun way.” “We all now understand the protections that women need,” said Banks when asked about Hill’s assault. “So I say to Keenyah, ‘Boo boo, I am sorry.’ None of us knew.” ## 3. Tyra Firing Nigel and the Js ![Nigel Barker, Tyra Banks, J. Alexander, and Jay Manuel.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/firing.webp) Nigel Barker, Tyra Banks, J. Alexander, and Jay Manuel. Photo from Netflix/Official Website Although I’m wary of giving the show’s hosts more airtime than they deserve (no matter how sorry they may make themselves out to be in the docuseries), I can’t ignore the fact that what Banks did to them was cold, cruel, and downright cutthroat, especially considering how they’d been with her since the start. As Banks stressed repeatedly in the docuseries, calls to fire the three longtime hosts came *not* from her, but from then-newly minted president of The CW Network, Mark Pedowitz. “There are no sacred cows,” said Banks, claiming that Pedowitz had told her the exact same phrase in 2012. Despite Banks promising her three co-hosts that they’d be afforded a press release explaining that it was a mutual parting, a “leak” to Page Six painted the split in a much uglier light and claimed that Banks herself had fired the trio. “A ‘leak’ to Page Six?” Manuel asked rhetorically. “That show, the way we ran confidentiality… There was no leak. Anyone can assume where that came from.” After their messy break-up, it looks as if Banks cut ties with Barker, Alexander, and Manuel, whose relationship with the model had already been on thin ice since he’d tried to leave the show in 2007 after Cycle 8. Manuel revealed that he hasn’t spoken to Banks since the firing. Alexander, who suffered from a stroke in 2022 that left him unable to walk and talk for a significant period of time, also revealed that Banks had yet to visit him, although she’d promised that she would in a text message. ## 2. Dani Evans and Joanie Sprague Being Forced to Get Their Teeth Done ![Dani Evans and Joanie Sprague](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/teeth.webp) Dani Evans (left) and Joanie Sprague (right). Photo from Netflix/Official Website Makeovers became a big part of *ANTM*, but things reached invasive heights in Cycle 6, when the show’s judges began pressuring contestants Dani Evans and Joanie Sprague to go to the dentist to significantly modify their teeth. Sprague agreed to have four of her teeth surgically removed and to have several of her other teeth shaved down. “I was young and kind of just along for the ride,” said Sprague, “but I had to sign a separate release right then and there, too. \[I\] couldn’t talk to my mom about it, couldn’t call a lawyer… I didn’t know it would go on all night.” Evans initially pushed back against having any work on her teeth done, having emphasized that she loved the gap between her two front teeth. But after Banks deemed her unmarketable and heavily implied that she wouldn’t be able to move forward in the competition if she didn’t agree to getting dental work, Evans returned to the show’s chosen dentist to have her gap slightly closed. “It’s my life and it was toyed with constantly,” said Evans. ## 1. Shandi Sullivan Being Assaulted On-Camera ![Shandi Sullivan](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/shandi.webp) Shandi Sullivan. Photo from Netflix/Official Website Cycle 2 contestant Shandi Sullivan entered the show with a Cinderella-esque storyline, having left a job at Walgreens to shoot her shot at becoming a model on the show. However, most viewers remember her for her “cheating scandal,” in which the 19-year-old was filmed first having sex with a model in Milan and then later calling her then-boyfriend Eric to break the news to him. However, in the docuseries, Sullivan’s recounting of that night makes it sound more like sexual assault than how *ANTM* originally portrayed it back in 2004. “I think I’d had two bottles of wine by myself,” she said, on top of not eating all day. “I was blacked out for a lot of it. I didn’t even feel sex happening. I just knew it was happening, and then I passed out.” When asked about Sullivan, Mok insisted that there had been no need for the producers to intervene. “We treated *Top Model* like a documentary,” said Mok. “And we told the girls that.” Sullivan also noted that, after filming her calling her boyfriend and sobbing on the floor, the film crew apologized to her and told her that she shouldn’t have to be filmed. Years later, Banks invited Sullivan to her talk show for an *ANTM* reunion. Although Sullivan had specifically asked Banks not to show any footage from that night in Milan, the model/talk show host proceeded to play a clip that showed Sullivan and the model in a hot tub before making their way to the bedroom. “I literally told \[Tyra\] behind the scenes, I don’t want to see it,” said Sullivan. “\[She\] didn’t respect that at all.” ## Frequently Asked Questions ### What is ‘Reality Check: Inside America’s Next Top Model’? “Reality Check” is a three-episode Netflix docuseries featuring Tyra Banks, judges J. Alexander, Jay Manuel, and Nigel Barker, producer Ken Mok, and former contestants revisiting controversies from “America’s Next Top Model.” ### What did Keenyah Hill reveal about her time on ‘ANTM’? Hill said she was fat-shamed throughout Cycle 4 and experienced non-consensual physical advances from a dance partner during a shoot, which producers did not stop when she raised concerns. ### Why did Tyra Banks fire Nigel Barker, J. Alexander, and Jay Manuel? Banks says the decision came from then-CW president Mark Pedowitz, not her, though a Page Six report framed it differently, and all three hosts say their relationship with Banks has remained strained since. ### What happened with Shandi Sullivan’s Cycle 2 storyline? Sullivan’s docuseries account of a night originally portrayed as a “cheating scandal” in 2004 describes being blacked out and not fully aware sex was occurring, reframing the incident for viewers. ### Did contestants have to get dental work done on ‘ANTM’? Yes. In Cycle 6, contestants Dani Evans and Joanie Sprague were pressured into dental procedures, including tooth removal and reshaping, with Sprague saying she couldn’t consult her mother or a lawyer beforehand. Related Stories - [What We Expect to be Revealed on the New ‘America’s Next Top Model’ Docuseries](https://rollingstonephilippines.com/culture/tv/americas-next-top-model-docuseries-teaser/ "What We Expect to be Revealed on the New ‘America’s Next Top Model’ Docuseries") - [5 Revelations From the ‘Single’s Inferno Reunion’](https://rollingstonephilippines.com/culture/tv/singles-inferno-reunion-5-revelations/ "5 Revelations From the ‘Single’s Inferno Reunion’") - [‘Industry’ Season 4, Episodes 5 and 6: Glory Holes and Goodbyes](https://rollingstonephilippines.com/culture/tv/industry-season-4-episodes-5-6/ "‘Industry’ Season 4, Episodes 5 and 6: Glory Holes and Goodbyes") **Categories:** Culture, TV **Tags:** America's Next Top Model, Netflix --- ### [‘The Lord of the Rings: The Two Towers’ Extended Edition is Coming to PH Cinemas](https://rollingstonephilippines.com/culture/film/lord-of-the-rings-two-towers-ph-cinemas/) **Published:** February 18, 2026 **Author:** Mel Wang **Excerpt:** The film is set to return to local cinemas on February 27, although locations have yet to be announced **Content:** *Update: SM Cinema has changed the playdate from February 25 to February 27.* *The change has been reflected in this article.* Since the January theatrical release of the extended edition of *[The Lord of the Rings: The Fellowship of the Ring](https://rollingstonephilippines.com/tag/the-lord-of-the-rings/ "The Lord of the Rings")* for the film’s 25th anniversary, fans have been clamoring for the re-release of *The Two Towers* and *Return of the King* as well. Now, it looks like fans won’t have to wait anymore. The SM Cinemas [website](https://www.smcinema.com/films/Lord-of-the-Rings-The-Two-Towers/HO00001460) has listed the extended edition of *The Two Towers* for a February 27 release date, playing until March 1. Picking up from the end of *The Fellowship of the Ring*, the second in the trilogy will follow hobbits Frodo (Elijah Wood) and Sam (Sean Astin) as they make their way closer and closer to Mordor to destroy the ring. The extended edition of the film will run 3 hours and 43 minutes, compared with the original’s 2 hours and 59 minutes. As of writing, no specific cinema locations have been listed. ## Frequently Asked Questions ### When is ‘The Lord of the Rings: The Two Towers’ extended edition coming to PH cinemas? The extended edition is listed on SM Cinema’s website for a February 27 release, playing until March 1. The playdate was updated from an initial February 25 date. ### How long is the extended edition of ‘The Two Towers’? The extended edition runs 3 hours and 43 minutes, compared to the original theatrical cut’s 2 hours and 59 minutes. ### Which SM Cinema locations will screen ‘The Two Towers’ extended edition? As of this writing, no specific cinema locations have been listed for the February 27 release. ### Has ‘The Lord of the Rings: The Fellowship of the Ring’ extended edition already been re-released? Yes. The extended edition of “The Fellowship of the Ring” was re-released in theaters in January 2026 for the film’s 25th anniversary, prompting fan demand for the sequel’s re-release. ### What happens in ‘The Lord of the Rings: The Two Towers’? The film picks up after “The Fellowship of the Ring,” following hobbits Frodo (Elijah Wood) and Sam (Sean Astin) as they journey closer to Mordor to destroy the ring. Related Stories - [‘LOTR’, ‘The Hobbit,’ ‘Sinners,’ and more Films You Should Watch Now](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/lotr-hobbit-sinners-bugonia/ "‘LOTR’, ‘The Hobbit,’ ‘Sinners,’ and more Films You Should Watch Now") - [2026 is the Year of Iconic Movie Comebacks and Franchise Wars](https://rollingstonephilippines.com/culture/2026-in-movies-hilda-koronel-doomsday/ "2026 is the Year of Iconic Movie Comebacks and Franchise Wars") - [‘The Fellowship of the Ring’ Extended Version is Hitting PH Cinemas This January](https://rollingstonephilippines.com/radar/releases/fellowship-of-the-ring-extended-philippine-cinemas/ "‘The Fellowship of the Ring’ Extended Version is Hitting PH Cinemas This January") **Categories:** Culture, Film, Radar, Releases **Tags:** The Lord of the Rings, The Two Towers --- ### [Alex Eala Plays Best Tennis Yet to Beat Jasmine Paolini in Dubai](https://rollingstonephilippines.com/culture/alex-eala-beats-jasmine-paolini-dubai/) **Published:** February 18, 2026 **Author:** Christian San Jose **Excerpt:** The 20-year-old Filipino tennis ace, energized by Filipino fans, outlasted the former Dubai Open champion in a thrilling second set tie-break, and is now through to the last 16 **Content:** [Alex Eala](https://rollingstonephilippines.com/tag/alex-eala/ "alex eala") is back in winning form at the Dubai Open 2026, beating former champion and number 6 seed Jasmine Paolini, 6-1, 7-6(5), in a decisive first set and a thrilling second set tie-break. With her win over the Italian former Wimbledon and French Open finalist, Eala makes new records: becoming the first Filipino player to reach the Round of 16 at the Dubai Tennis Championships since the event’s inauguration in 2001 and the first Filipino player to reach the Round of 16 at multiple Tier I or WTA 1000 events since the introduction of the Tier format in 1990 after her breakthrough performance at the [Miami Open](https://rollingstonephilippines.com/culture/sports/alex-eala-just-beats-madison-keys-2025-miami-open/ "Alex Eala Just Pulled Off the Biggest Upset at the 2025 Miami Open Yet") last year. As usual, Eala drew a huge Filipino crowd to back her in the United Arab Emirates, where there are an [estimated nearly a million Filipinos](https://gulfnews.com/world/asia/philippines/the-alex-eala-phenomenon-what-the-hype-is-all-about-1.500444910#google_vignette "estimated nearly a million Filipinos"). It is partly through these fans’ support that Eala was able to bring out her best tennis in the first set, dominating Paolini even in serving, where the 20-year-old Filipino prodigy was never known to flourish. Eala had three match points in the second set, while the Italian lagged behind at three games, before forcing a tie-break, which peaked in a 4-4 deadlock. In a post-match interview, Eala recalled thinking about the Filipino fans who were probably there to see her win. “In the tiebreak, I was trying everything to keep myself in check,” she said. “At the change of ends, I was thinking, you know, this stadium is full of Filipinos. I thought, ‘How many of them are probably praying for me to win?’ So I really had to give everything I got.” With this win against Paolini, Eala collects her third Top 10 win since going pro. In the Round of 16, Eala will face the current world no. 32, the Romanian player Sorana Cirstea, for a place in the quarterfinals. ## Frequently Asked Questions ### Did Alex Eala beat Jasmine Paolini at the Dubai Open? Yes. Alex Eala defeated former champion and No. 6 seed Jasmine Paolini 6-1, 7-6(5) at the 2026 Dubai Open, marking her third Top 10 win since turning pro. ### What records did Alex Eala set with this win? Eala became the first Filipino to reach the Round of 16 at the Dubai Tennis Championships since its 2001 inauguration, and the first Filipino to reach the Round of 16 at multiple WTA 1000 events. ### What did Alex Eala say about her Filipino fans in Dubai? Eala said she thought about the Filipino fans in the stadium during the tiebreak, saying, “How many of them are probably praying for me to win? So I really had to give everything I got.” ### Who will Alex Eala face next at the Dubai Open? Eala will face Romania’s Sorana Cirstea, currently ranked world No. 32, in the Round of 16 for a place in the quarterfinals. ### How many Filipinos live in the UAE, where the Dubai Open is held? There are an estimated nearly one million Filipinos living in the United Arab Emirates, contributing to the large Filipino crowd supporting Eala at the tournament. Related Stories - [Alex Eala Wins Historic U.S. Open Pro Debut — and Filipinos’ Hearts by Swearing?](https://rollingstonephilippines.com/culture/alex-eala-us-open-swearing/ "Alex Eala Wins Historic U.S. Open Pro Debut — and Filipinos’ Hearts by Swearing?") - [Questionable Calls Nearly Cost Alex Eala the 2025 SEA Games Gold](https://rollingstonephilippines.com/culture/alex-eala-sea-games-linesman-issue/ "Questionable Calls Nearly Cost Alex Eala the 2025 SEA Games Gold") - [Alex Eala Just Pulled Off the Biggest Upset at the 2025 Miami Open Yet](https://rollingstonephilippines.com/culture/sports/alex-eala-just-beats-madison-keys-2025-miami-open/ "Alex Eala Just Pulled Off the Biggest Upset at the 2025 Miami Open Yet") **Categories:** Culture, Sports --- ### [5 Revelations From the ‘Single’s Inferno Reunion’](https://rollingstonephilippines.com/culture/tv/singles-inferno-reunion-5-revelations/) **Published:** February 16, 2026 **Author:** Mel Wang **Excerpt:** The biggest shock, however, might just be how Seung Il was the real villain of the season **Content:** The first-ever *[Single’s Inferno Reunion](https://rollingstonephilippines.com/tag/singles-inferno/ "Single's Inferno")* did not disappoint. The Korean dating show just wrapped its fifth season, bringing an end to the couples and love triangles that graced Inferno this year — or so we thought. The six-episode reunion, which dropped on [Netflix](https://rollingstonephilippines.com/tag/netflix/ "Netflix") on February 14, brought the former contestants together to see how things had changed for them outside of the island. While some couples stayed together, others either fizzled out or ended up cutting ties with each other completely (ahem, Seung Il) after the season wrapped. A lot is revealed in this reunion mini-series, so we’ve taken the liberty of putting together the most important revelations it’s brought with it. *Spoilers ahead.* ## 5. Jim Jae Jin and Lee Joo Young are Doing Well ![Jim Jae Jin, Lee Joo Young](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/5.webp) Jim Jae Jin sitting next to his final *Single’s Inferno* partner, Lee Joo Young. Photo from Netflix/Official Website Although the two don’t outright say they’re in a relationship, even their fellow cast members can tell that Joo Young and Jae Jin are considerably closer than they were in Inferno. During her confessional, Joo Young admitted that they’d been in touch regularly, with Jae Jin even coming to one of her art exhibitions. She, in turn, had been to his dance shows. “To the people who are curious about us,” said Jae Jin in Korean during his own confessional, “I am serious about my desire to… get to know Joo Young more.” ## 4. Lim Su Been and Park Hee Sun are Making Things Work ![Park Hee Sun, Lim Su Been](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/4.webp) Park Hee Sun debriefing with her final *Single’s Inferno* partner, Lim Su Been. Photo from Netflix/Official Website Before this season of *Single’s Inferno* officially came to an end, rumors were already circling regarding Su Been and Hee Sun’s relationship status (there was even an Instagram story floating around that showed the two watching their season together). The reunion has confirmed that the two continued to date for a month after production wrapped, but they had to press pause while Hee Sun returned to the United States for her studies. Despite that break, however, it looks like the two spent a lot of the reunion’s winter retreat cosying up and having earnest conversations about how to move forward in their relationship. Hee Sun even brought up how Su Been’s slow text messages (every two or three days) during their first few weeks apart made her lose a lot of sleep. “I thought maybe I should move on before my feelings grew,” said Su Been, “but I ended up not deciding to think about that.” The two ended up calling around five days a week for six months, and now Hee Sun has decided to return to Korea as an exchange student at Seoul National University. ## 3. Even Choi Mina Sue Didn’t Like What She Was Doing in Inferno ![Choi Mina Sue](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/3.webp) Choi Mina Sue apologizing for… well, everything. Photo from Netflix/Official Website Oh, [Mina Sue](https://rollingstonephilippines.com/culture/tv/singles-inferno-choi-mina-sue-backlash/ "Why Choi Mina Sue of ‘Single’s Inferno’ Has Been Getting So Much Hate")! As part of the reunion, the former contestants were split into groups of three and asked to watch a preview of their season a month before it officially began streaming on Netflix. During her screening, Mina Sue couldn’t stop herself from either cringing at her own behavior on the island or apologizing to the other contestants in her viewing group. “I’m surprised at myself for coming across as so shallow,” said Mina Sue. The former pageant queen even needed to have a heart-to-heart with Kim Min Gee after their viewing to clear things up about complaining about her in Inferno. Mina Sue also revealed during her confessional that things had fizzled out between her and her final *Single’s Inferno* partner, Lee Sung Hun. “Life in Inferno wasn’t very smooth for me,” said Mina Sue. “Looking at Sung Hun brought back those memories. I didn’t really like that, to be honest.” ## 2. Jo I Geon May Have a Chance with Kim Go Eun ![Jo I Geon, Kim Go Eun](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/2.webp) Jo I Geon shooting his shot (again) with Kim Go Eun. Photo from Netflix/Official Website In what was arguably the biggest fumble of the season, I Geon managed to sour things so completely with Go Eun that she ended up choosing Woo Sung Min as her final partner. Despite having gone to Paradise with her (twice!) and consistently remaining as one of her top choices of men, I Geon couldn’t fully express his feelings for Go Eun, costing him the chance to leave Inferno with her in the finale. But all hope might not be lost. After their group’s screening, the two talked about how they both wished they’d been more communicative while in Inferno. “I don’t think I knew what you were feeling and thinking,” said I Geon. Go Eun agreed, and she also revealed that she and Sung Min were no longer dating. I Geon and Go Eun ended up going out for drinks after their screening, and you can watch the entirety of their bar date in Episode 4. ## 1. Song Seung Il Ghosted Kim Min Gee ![Song Seung Il and Kim Min Gee](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/1-1.webp) Song Seung Il and Kim Min Gee spilling the tea. Photo from Netflix/Official Website Seung Il and Min Gee seemed like one of the stronger couples in Inferno (despite some interference from Mina Sue), but things turned out differently after the season wrapped. “We only kept in touch a little bit,” said Seung Il during his confessional, while also claiming that he and Min Gee are close friends. However, Min Gee said that they hadn’t kept in touch at all. “It was actually more one-sided,” she said of their relationship after *Single’s Inferno*. “I don’t know how to describe how we’re doing. It’s a bit complicated because things were cut off from his end. The person I liked is still stuck in Inferno.” ## Frequently Asked Questions ### When did the “Single’s Inferno Reunion” release? The six-episode “Single’s Inferno Reunion” dropped on Netflix on February 14, following the conclusion of the dating show’s fifth season, bringing former contestants together to reveal what happened after filming ended. ### Are Lim Su Been and Park Hee Sun still together after “Single’s Inferno”? Yes. The two continued dating for a month after production wrapped, paused while Hee Sun studied in the U.S., then maintained contact through frequent calls. Hee Sun has since decided to return to Korea as an exchange student. ### Did Song Seung Il and Kim Min Gee stay together after Inferno? No. Min Gee said contact with Seung Il was largely one-sided and eventually cut off from his end, despite Seung Il describing them as close friends who kept in touch during his own confessional. ### Do Jo I Geon and Kim Go Eun have a chance at a relationship? Possibly. Despite I Geon failing to fully express his feelings during Inferno, costing him a spot as Go Eun’s final partner, the two discussed their missed communication after their reunion screening and later went out for drinks. ### How did Choi Mina Sue feel rewatching her season of “Single’s Inferno”? Mina Sue expressed discomfort watching her own behavior back, calling herself shallow and needing to apologize to Kim Min Gee for past complaints. She also revealed her connection with partner Lee Sung Hun had since fizzled out. Related Stories - [The Real Winners and Losers of ‘Single’s Inferno’ Season 5](https://rollingstonephilippines.com/culture/tv/singles-inferno-season-5-winners-losers/ "The Real Winners and Losers of ‘Single’s Inferno’ Season 5") - [‘Single’s Inferno’ Season 5 Dating Guide: Couples and Love Triangles](https://rollingstonephilippines.com/culture/tv/singles-inferno-season-5-dating-guide/ "‘Single’s Inferno’ Season 5 Dating Guide: Couples and Love Triangles") - [Why Choi Mina Sue of ‘Single’s Inferno’ Has Been Getting So Much Hate](https://rollingstonephilippines.com/culture/tv/singles-inferno-choi-mina-sue-backlash/ "Why Choi Mina Sue of ‘Single’s Inferno’ Has Been Getting So Much Hate") **Categories:** Culture, TV **Tags:** Netflix, Single's Inferno --- ### [Hev Abi Turns Timog Ave. Into His Own Dirty South in ‘MADUMING TIMOG’](https://rollingstonephilippines.com/music/hiphop-rnb/hev-abi-maduming-timog/) **Published:** February 16, 2026 **Author:** Elijah Pareño **Excerpt:** The Quezon City rapper reshapes his sound across 19 tracks rooted in hometown imagery and Southern rap influence **Content:** Rapper [Hev Abi](https://rollingstonephilippines.com/tag/hev-abi/ "Hev Abi") doubles down on his Quezon City pride in his long-awaited album *MADUMING TIMOG*, which was teased at the start of the year with the music video for “ALL NIGHT LONG.” In the video, giant neon text that reads “MADUMING TIMOG” flashes onscreen, alluding to his turf at Timog Ave. that cuts across Tomas Morato Ave. The new record signals a stylistic shift toward the “dirty south”or Southern hip-hop sound popularized in Atlanta, United States, by artists like Three 6 Mafia, Outkast, and Project Pat. Last February 7, the album premiered at the Music Theater at the Promenade in Greenhills, San Juan City. Hev Abi invited friends and family from the music scene to witness firsthand what it feels like to be inside the world of *MADUMING TIMOG*. Images of Quezon City skyline were on full display at the venue, projected on stage. Hev Abi and longtime collaborator NJ performed onstage alongside his Downtown Q Entertainment crew. The night also featured visuals later released on social media: a broken concrete post lying on the sidewalk of Tomas Morato and a fallen street sign that reads “MADUMING TIMOG.” These details add to the worldbuilding Hev Abi has carefully constructed through both songwriting and the album’s rollout. ## A New Chapter ![Hev Abi](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/JLJ3522-3-1.webp) It may still be early to say, but *MADUMING TIMOG* presents a clear step forward for an artist testing the limits of his sound. Photo by JL Javier In the new album, there are moments where Hev Abi fully shifts stylistically from his 2023 release *Kung Alam Mo Lang*, which catapulted him to popularity, with singles like “Alam Mo Ba Girl,” “Sumugal,” and “Walang Alam” showcasing his range across different production styles. With *MADUMING TIMOG*, Hev Abi commits more directly to the sonic palette of Southern rap, defined by heavy 808 drums, deep bass, hypnotic synthesizers, and production that moves between slow, soulful, and gritty tempos. Songs like “SACRED HEART,” “AYUSIN ANG SIRA,” and “AWAY” featuring a rare code-switching [Jess Connelly](https://rollingstonephilippines.com/tag/jess-connelly/ "Jess Connelly"), manifest that sound throughout the record. The shift may surprise some of the listeners he has gained in a relatively short period. He went further into melody, often choosing to sing or talk-sing rather than deliver traditional punchlines. It may still be early to say, but *MADUMING TIMOG* presents a clear step forward for an artist testing the limits of his sound. ## Frequently Asked Questions ### What is Hev Abi’s new album ‘MADUMING TIMOG’ about? “MADUMING TIMOG” reflects Hev Abi’s pride in his Quezon City turf around Timog Ave. and Tomas Morato Ave., shifting stylistically toward Southern hip-hop, or “dirty south,” sound popularized in Atlanta. ### When did ‘MADUMING TIMOG’ premiere? The album premiered on February 7 at the Music Theater at the Promenade in Greenhills, San Juan City, featuring a live performance by Hev Abi and longtime collaborator NJ. ### How does ‘MADUMING TIMOG’ differ from Hev Abi’s previous album? Unlike 2023’s “Kung Alam Mo Lang,” which showcased range across production styles, “MADUMING TIMOG” commits more fully to Southern rap elements like heavy 808 drums, deep bass, and hypnotic synthesizers. ### Who are the featured artists on ‘MADUMING TIMOG’? Jess Connelly appears on “AWAY,” delivering a rare code-switching performance, one of several tracks — alongside “SACRED HEART” and “AYUSIN ANG SIRA” — that showcase the album’s Southern rap influence. ### What inspired the title ‘MADUMING TIMOG’? The title references Hev Abi’s turf at Timog Ave. in Quezon City, first teased through neon signage in the music video for “ALL NIGHT LONG” ahead of the album’s release. Related Stories - [Inside Hev Abi’s Songwriting, and How His Melodies Flow Like Water](https://rollingstonephilippines.com/media-channels/greatest-hits/hev-abi/ "Inside Hev Abi’s Songwriting, and How His Melodies Flow Like Water") - [Morobeats is the Rap Collective Giving Filipino Anger a Soundtrack](https://rollingstonephilippines.com/music/hiphop-rnb/morobeats-rap-collective-filipino-anger/ "Morobeats is the Rap Collective Giving Filipino Anger a Soundtrack") - [Shanti Dope Compares His ‘Amatz’-PDEA Fiasco to N.W.A’s Backlash](https://rollingstonephilippines.com/music/shanti-dope-greatest-hits-amatz/ "Shanti Dope Compares His ‘Amatz’-PDEA Fiasco to N.W.A’s Backlash") **Categories:** Hip-hop/R&B, Music **Tags:** Hev Abi --- ### [Sen. Robin Padilla is Missing the Point on Mental Health](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/robin-padilla-mental-health-crisis/) **Published:** February 16, 2026 **Author:** Pie Gonzaga **Excerpt:** By chalking up mental illness to weakness and social media, the senator offers an overly simplistic read on a crisis rooted in economic inequality and political instability **Content:** Senator [Robin Padilla](https://rollingstonephilippines.com/tag/robin-padilla/ "Robin Padilla") needs to be primed on the language of mental health and care. Last week, during a Senate hearing tackling bills for online safety, he called today’s youth “weak” and linked their supposedly fragile mental health to social media. His remarks, unsurprisingly, earned him a few days of [lashings](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/robin-padilla-social-media-weak/) on the Internet. There’s no contesting the link between social media and mental health. Various [studies](https://pmc.ncbi.nlm.nih.gov/articles/PMC10476631/) show that social media use among teenagers relates to an increase in mental distress and self-harming behaviors. Padilla attempted to make this point when he posted an explanation for his comments on [Facebook](https://www.facebook.com/share/p/18MnzD1eZR/). But if he purports to care about these things, then why the shaming language? Padilla’s remarks reflect something we already know about him: that he’s a 56-year-old with outdated, limited views, a serious attachment to machismo, and a tendency to provoke rage online. In 2024, he drew flak for [questioning women’s right to refuse sex](https://rollingstonephilippines.com/state-of-affairs/10-philippines-legislative-hearings-2024/) with their spouses. When he chides the youth for being depressed, he says his generation is much stronger by comparison. He also seems to gravely misunderstand what depression is. Just because he’s upset about the International Criminal Court naming Senators Bong Go and Bato dela Rosa as co-perpetrators in the war on drugs, doesn’t mean he’s “[depressed](https://docs.google.com/document/d/1onRsD5abqMVyjA9LaRvieE7diWUL-LHcd6ed0ZetIIE/edit?usp=sharing).” But, as TV presenter Kim Atienza, who has advocated for mental health care since the passing of his daughter [Emman](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/jv-ejercito-files-emman-atienza-bill/) in November 2025, [reportedly](https://interaksyon.philstar.com/trends-spotlights/2026/02/13/309240/kim-atienza-responds-robin-padilla-comments-depression/) said in a comment to Padilla’s statements, “It’s not that simple.” Padilla’s remarks reflect something we already know about him: that he’s a 56-year-old with outdated, limited views, a serious attachment to machismo, and a tendency to provoke rage online. The [United Nations](https://docs.un.org/en/A/79/162) (UN) reported in 2024 that poverty makes people more likely to suffer from mental illness. The report states that economic insecurity, disempowering work conditions, inaccessible healthcare, low quality of life, and stigma — perpetuated by the likes of Padilla — all contribute to mental illness. Social media may not have existed during Padilla’s youth, but I know that these other things did, and continue to be a problem today. The latest numbers from the Philippine Statistics Authority show that the poverty incidence rate in the Philippines was at 15.5 percent in 2023, but a survey released by research firm Social Weather Stations in January this year says that 51 percent of Filipino families consider themselves “poor.” In our country, it’s estimated that seven million to 12.5 million Filipinos suffer from mental illnesses, the most common ones being depression and anxiety. I’d rather not speak much about the origin of my own depression, which started in my teenage years. Still, I can say that no amount of therapy and escitalopram will take away the feeling that there is no future to work and live for in the Philippines. But before I get mistaken for a doomerist, I’d also like to say that we kids deserve better. We most definitely deserve better than Padilla. Care doesn’t stop at cutting screentime and shielding children from cyberbullying. As the UN report suggests, preventing suicides and treating illnesses ultimately means investing in mental health care, “preventing psychosocial risks at work,” combating stigma and discrimination across different sectors, and ensuring social security for everyone. Even equigenic urban planning, or accessible, high-quality environments for disadvantaged people (i.e. [green spaces](https://rollingstonephilippines.com/state-of-affairs/power/nature-human-connection-study/) and better sidewalks for everyone), contributes to a population’s well-being. Pulling the “noong panahon namin” card and calling us weak does not help. ## Frequently Asked Questions ### What did Senator Robin Padilla say about youth mental health? During a Senate hearing on online safety bills, Padilla called today’s youth “weak” and linked their mental health struggles to social media use, drawing significant backlash online for the framing of his remarks. ### How did Kim Atienza respond to Robin Padilla’s comments? TV presenter Kim Atienza, a mental health advocate following his daughter Emman’s passing in November 2025, said Padilla’s characterization of depression was “not that simple,” pushing back on the senator’s framing. ### What does the UN report say about poverty and mental health? A 2024 UN report found that poverty increases the likelihood of mental illness, citing economic insecurity, disempowering work conditions, inaccessible healthcare, and stigma as contributing factors, beyond just social media use. ### How many Filipinos are estimated to suffer from mental illness? The article cites estimates that seven million to 12.5 million Filipinos suffer from mental illnesses, with depression and anxiety being the most common conditions affecting the population. ### What poverty statistics does the article cite about the Philippines? The Philippine Statistics Authority reported a 15.5 percent poverty incidence rate in 2023, while a January Social Weather Stations survey found that 51 percent of Filipino families consider themselves “poor.” Related Stories - [Robin Padilla Calls Today’s Kids ‘Weak,’ and the Internet Strikes Back](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/robin-padilla-social-media-weak/ "Robin Padilla Calls Today’s Kids ‘Weak,’ and the Internet Strikes Back") - [JV Ejercito Files ‘Emman Atienza Bill’ Targeting Online Hate and Harassment](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/jv-ejercito-files-emman-atienza-bill/ "JV Ejercito Files ‘Emman Atienza Bill’ Targeting Online Hate and Harassment") - [We’re Not Touching Grass Enough as Human-Nature Connection Hits 200-Year Low](https://rollingstonephilippines.com/state-of-affairs/power/nature-human-connection-study/ "We’re Not Touching Grass Enough as Human-Nature Connection Hits 200-Year Low") **Categories:** Editor's Picks, Opinion, Philippine Politics, State of Affairs **Tags:** Mental Health, Robin Padilla --- ### [Hudson Williams’ Filipino Hairstylist On Why Brad Pitt Remains Hollywood’s Hair God](https://rollingstonephilippines.com/culture/aika-flores-hudson-williams-hairstylist/) **Published:** February 16, 2026 **Author:** Mel Wang **Excerpt:** Filipino American celebrity hairstylist Aika Flores dishes out the secret behind Hollywood leading men’s great hair on the red carpet, on screen, and on set **Content:** Everybody’s thirsting for [Hudson Williams](https://rollingstonephilippines.com/tag/hudson-williams/ "Hudson Williams"). Thanks to *[Heated Rivalry](https://rollingstonephilippines.com/tag/heated-rivalry/ "Heated Rivalry")*, the breakout star has quickly become one of the most recognizable leading men around the world, with throngs of fans swooning over his looks both onscreen and off. And a large part of Williams’ style, specifically his hair and grooming, is all thanks to Filipino celebrity men’s groomer, [Aika Flores](https://rollingstonephilippines.com/tag/aika-flores/ "Aika Flores"). Flores, who’s been working in the world of celebrity grooming since 2019, has steadily built up an impressive portfolio of clients that includes Williams, Josh Hutcherson, [*Pillion*](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/pillion-resurrection-the-muppet-show/)’s Harry Melling, the Jonas brothers, and more. ![aika flores](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/aika_b0.webp) Aika Flores has been a celebrity men’s groomer since 2019. Photo from Aika Flores/Instagram “Ever since I can remember, I wanted to be a hairstylist,” Flores told *Rolling Stone Philippines*. “Working with celebrities felt like an unattainable dream, but I knew I wanted my hands in hair no matter what.” As several of Flores’ high-profile clients continue to capture the public imagination, we spoke to the Tarlac-born stylist about what exactly goes into the process of creating timeless, Hollywood-esque hairstyles, and what products work best to get an effortless leading man look. *This interview has been edited for brevity and clarity.* **What made you decide to pursue a career as a hairstylist in Hollywood?** I moved to Los Angeles in 2013 to attend cosmetology school at the Vidal Sassoon Academy and later worked at a high-end salon on Melrose Avenue, where I learned a lot about the industry but eventually realized that eight hours behind the chair wasn’t for me. I naturally gravitated toward men’s hair and wanted to explore that path further, which led me to discover celebrity men’s grooming — something I was perfectly positioned for in L.A. Between 2019 and 2023, I assisted numerous celebrity groomers, learning everything from men’s skin and makeup to on-set etiquette, while building my own book. That journey ultimately led to signing with my first agency in the fall of 2023. ![Aika Flores, Hudson Williams, Connor Storrie](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/aika_b1.webp) Flores on the set of Quinn with Williams and Connor Storrie. Photo courtesy of Aika Flores **You’ve styled the hair of several leading men. In your opinion, what defines a great leading man’s hairstyle?** For me, a great leading man’s hairstyle never looks like it’s trying too hard. If it feels overly styled, it’s already wrong. The best hair looks effortless, like it just naturally behaves that way while still framing the face, moving well, and holding up on camera. From my experience in men’s grooming, the goal is hair that works everywhere: under hot lights, in bad weather, on the red carpet, and in real life. When it looks healthy, touchable, and low-maintenance (even if it took some work to get there), that’s when a leading man really looks confident. That’s the sweet spot. **What are the trends that are coming back in terms of Hollywood style? Any actor or hairstyle that your clients keep as a reference?** When it comes to timeless Hollywood hair, the reference I hear more than anything is Brad Pitt. He’s had every hairstyle under the sun (long, short, buzzed, parted, messy, polished) and somehow made every single one iconic. He’s the perfect example of how great hair isn’t about one specific cut, but about confidence, texture, and knowing how to evolve your look over time. My clients love pulling references of him because there’s a version of Brad Pitt hair for almost every face shape and era. Another trend that never really goes away is ‘90s men’s curtain bangs: think Prince Eric, classic heartthrob hair. It keeps cycling back because it’s flattering, romantic, and feels effortless without being sloppy. It works especially well when the hair has movement and softness, not stiffness. I see a lot of clients referencing that era right now because it feels nostalgic but still modern, and when done right, it has that leading man energy that never gets old. ![Aika Flores, Hudson Williams](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/SnapInstato_616493446_18552062107041409_563853376599251963_n.webp) Flores styling Williams in LA. Photo courtesy of Aika Flores **Is there a list of essential products that you can turn to when working as a hairstylist?** Yes! There are a few non-negotiables I always have on hand. Lumify eye drops are a must for instantly brightening red, tired eyes. Lip balm is essential: Lucas Papaw is my go-to because it works on everyone and is definitely more of a trade essential than a secret. And under-eye patches for quick hydration and de-puffing. They’re small, but they make a huge difference on camera and in real life. **The Oscars are coming up. For you, what are the great tips and styles that you have learned during awards season?** Awards season is a great reminder that longevity matters. The pace is fast and the days can be long, so I really focus on taking care of my body: staying hydrated, prioritizing sleep, and stopping by my local juice shop for immunity shots. When everything is moving quickly, it’s easy to forget about yourself, and you feel it if you do. On the work side, it’s all about staying organized. I’m constantly editing my kit, keeping only my favorites and true staples so I can move quickly and efficiently. Those habits carry through the rest of the year and make a huge difference when it counts. ## Frequently Asked Questions ### Who is Aika Flores? Aika Flores is a Tarlac-born, Filipino celebrity men’s groomer who has worked in Hollywood since 2019. Her client roster includes Hudson Williams, Josh Hutcherson, Harry Melling, and the Jonas Brothers, known for crafting timeless leading-man hairstyles. ### How did Aika Flores start her career as a hairstylist? Flores moved to Los Angeles in 2013 to study at the Vidal Sassoon Academy, later working at a Melrose Avenue salon before gravitating toward men’s grooming. She assisted celebrity groomers between 2019 and 2023 before signing with her first agency. ### What does Aika Flores believe makes a great leading man hairstyle? Flores says a great leading man hairstyle should look effortless rather than overly styled, framing the face well while holding up under lights, weather, and cameras. Healthy, touchable, low-maintenance hair defines the “sweet spot,” she says. ### Which actor does Aika Flores’ clients reference most for hair inspiration? Brad Pitt is the most requested reference among Flores’ clients, given his range of iconic hairstyles over the years. She also notes a resurgence in 1990s-style curtain bangs among clients seeking a nostalgic yet modern look. ### What are Aika Flores’ go-to grooming products? Flores relies on Lumify eye drops for brightening tired eyes, Lucas Papaw lip balm, and under-eye patches for quick hydration, calling them non-negotiable staples in her kit for both film sets and red carpet appearances. Related Stories - [All the Celebrity-Read Audio Erotica on Quinn, Ranked by Horniness](https://rollingstonephilippines.com/culture/quinn-originals-audio-erotica-ranked/ "All the Celebrity-Read Audio Erotica on Quinn, Ranked by Horniness") - [This Cebu Fan Club is Keeping the ‘Heated Rivalry’ Momentum Going](https://rollingstonephilippines.com/culture/tv/heated-rivalry-fan-club-cebu/ "This Cebu Fan Club is Keeping the ‘Heated Rivalry’ Momentum Going") - [‘Heated Rivalry’ will Finally Stream on HBO MAX Philippines](https://rollingstonephilippines.com/culture/film-tv/heated-rivalry-hbo-max-philippines/ "‘Heated Rivalry’ will Finally Stream on HBO MAX Philippines") **Categories:** Culture, TV **Tags:** Aika Flores, Hudson Williams --- ### [‘Industry’ Season 4, Episodes 5 and 6: Glory Holes and Goodbyes](https://rollingstonephilippines.com/culture/tv/industry-season-4-episodes-5-6/) **Published:** February 16, 2026 **Author:** Pie Gonzaga **Excerpt:** As Tender unravels in Episodes 5 and 6, Whitney Halberstram’s manipulations surface, and Eric Tao makes a devastating decision **Content:** *Warning: spoilers ahead*. It’s been a crazy two weeks for our friends in *[Industry](https://rollingstonephilippines.com/tag/industry-hbo/ "Industry HBO")*. In the fifth and sixth episodes of the HBO drama, relationships, whole companies, and under-the-table schemes are unravelling. The end of the season is nigh. Previously, we saw journalist Jim Dycker (Charlie Heaton) say goodbye to the show after a drug overdose killed him in Rishi’s (Sagar Radia) apartment. In Episode 5, and with no one left to investigate Tender’s activities, Harper ([Myha’la](https://rollingstonephilippines.com/tag/myhala/ "Myha'la")) sends Sweetpea ([Miriam Petche](https://rollingstonephilippines.com/tag/miriam-petche/ "Miriam Petche")) and Kwabena (Toheeb Jimoh) on a trip to Accra, Ghana, to see if Dycker’s hypothesis, that Tender’s running a money laundering scheme, is true. It turns out the journalist was wrong, but something else is afoot. “The thing is nothing,” Sweetpea tells Harper over the phone when she and Kwabena discover that SwiftGC, the Ghanaian payment processor acquired by Tender, operates from an empty office space in a rundown building, and that Tender didn’t even pay the full $50 million promised for the acquisition. It wasn’t easy to make this discovery. Kwabena leveraged his family connections to get around Accra, but in his downtime, he had a blast singing Billy Idol’s “Eyes Without a Face” in a beachside karaoke bar. Sweetpea, on the other hand, *really* *went through it*. ![industry toheeb jimoh](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/toheeb-jimoh.webp) Kwabena (Toheeb Jimoh) moments before finding Sweetpea with a broken nose. Screenshot from HBO Max While she uses her wiles and wit to get Tender Africa CFO Tony Day (Stephen Campbell Moore) to talk, he also threatens her out of prying, sending her a hitman (of sorts) to deliver a knuckle sandwich. Still reeling from an OnlyFans leak and a death threat, Sweetpea manages to uncover the empty SwiftGC office and get Day to accept a whistleblower deal. But when she gets back home in London, Petche sheds the strong Nancy Drew personality, and Sweetpea cries in her room, fulfilled, fatigued, and literally beaten down all at once. ## The Fall of Tender… and SternTao Episode 6, titled “Dear Henry,” picks up right where Episode 5 left off. With her intel, Harper warns Yasmin ([Marisa Abela](https://rollingstonephilippines.com/tag/marisa-abela/ "Marisa Abela")) that Tender isn’t what Whitney ([Max Minghella](https://rollingstonephilippines.com/tag/max-minghella/ "Max Minghella")) has made it all out to be. Yasmin doesn’t take the warning well, determined to see Tender succeed but unable to shake off her own discomfort with Whit. Harper’s plan to reveal SternTao’s findings goes through, and Tender scrambles to save face. We find out that the episode title draws from a letter that Whitney is writing to Henry ([Kit Harington](https://rollingstonephilippines.com/tag/kit-harington/ "Kit Harington")). People who want to see these two finance bros really go at it have had to sustain themselves with sexual tension, and this episode, thankfully, gives us a little more when Whitney watches Henry take a shower (for a second time this season, we see Kit Harington’s bare ass). But Yasmin shows up in the hotel room and, after kicking Whitney out, expresses her worry that because Henry has given head in high school, he’s capable of doing it (homosexual acts) again with his new business partner. In response, Lord Muck says, “Everyone gets a pass for that. You can be a homo at school.” Yasmin is right to worry, of course. After dinner, the men head to the club for drinking, dancing, and sexual tension relieved through a glory hole. Whether there are any real feelings there (between them, not in the glory hole), or if Whitney’s just softening Henry up for when Tender eventually blows up, is still unknown. ![industry myha'la marisa abela](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/myhala-marisa-abela.webp) Finally, a moment with Harper (Myha’la) and Yasmin (Marisa Abela). Screenshot from HBO Max But we find out that Whitney is holding a secret phone and a Lithuanian passport with a different name, and that his modus operandi involves hiring escorts and underage girls to sweeten deals with other businessmen before blackmailing them with video evidence. Hayley (Kiernan Shipka) tells Yasmin all of this in confidence, revealing that she was hired as an assistant through an escort service. When Yasmin asks if their one-time ménage à trois from [Episode 3](https://rollingstonephilippines.com/culture/tv/industry-season-4-episode-3/ "‘Industry’ Season 4, Episode 3: Hitler’s Painting Makes A Cameo") was orchestrated by Whitney, Hayley says his only instruction was to “be in their lives.” Unfortunately, Eric Tao ([Ken Leung](https://rollingstonephilippines.com/tag/ken-leung/ "Ken Leung")) has fallen for Whit’s MO, and he finds out through blackmail that a girl he had hired to “make him feel big” earlier in the season was born in 2011. Eric is shocked, but he already knows he’s going down. So, in what Ken Leung calls his character’s “ultimate show of love” for daughter figure Harper, he turns over his part of SternTao to her. We don’t know what Yasmin’s going to do with the new information from Hayley, or if Harper will ever find out why exactly Eric dipped (in the last scene, we see him walk down a tree-lined road). All we know is that there’s a hole in Whitney’s bucket, as he so tenderly writes in his letter to Henry. *Industry* Season 4 is streaming on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max"). ## Frequently Asked Questions ### What do Sweetpea and Kwabena discover in Ghana? Sweetpea and Kwabena travel to Accra to investigate Tender’s alleged money laundering scheme. They discover the payment processor SwiftGC operates from an empty office and that Tender never paid the full $50 million promised for its acquisition. ### What happens to Eric Tao in these episodes? Eric Tao discovers he was blackmailed after unknowingly hiring an underage girl earlier in the season, orchestrated by Whitney’s scheme. Shaken by the revelation, Eric turns over his part of SternTao to Harper as what actor Ken Leung called an “ultimate show of love.” ### What does Hayley reveal to Yasmin about Whitney? Hayley tells Yasmin she was hired as an assistant through an escort service and that Whitney’s instruction to her was simply to “be in their lives,” raising questions about whether Whitney orchestrated earlier events involving Yasmin and Henry. ### Does Harper succeed in exposing Tender’s wrongdoing? Yes. Harper uses Sweetpea and Kwabena’s findings to warn Yasmin about Tender and moves forward with revealing SternTao’s findings, prompting Tender to scramble in response as the company’s problems become public. ### Where is “Industry” Season 4 streaming? “Industry” Season 4 is streaming on HBO Max, with Episodes 5 and 6, “Dear Henry” among them, continuing the season’s storylines involving Tender’s collapse and the personal fallout among the show’s central characters. 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What Can We Expect?") **Categories:** Culture, TV **Tags:** HBO Max, Industry HBO, Ken Leung, Max Minghella, Miriam Petche --- ### [The 25 Best Filipino Rom-Coms of the 21st Century](https://rollingstonephilippines.com/culture/philippine-cinema/25-filipino-rom-coms-21st-century/) **Published:** February 13, 2026 **Author:** Don Jaucian **Excerpt:** From Star Cinema love stories to indie darlings, here are the rom-coms that have left their mark on the last 26 years **Content:** Everyone has an opinion about the Filipino rom-com. On one side of the spectrum, you have the genre loyalists who are more than happy to line up at cinemas (or binge-stream a movie marathon at home) to support their chosen love teams. These are the moviegoers who appreciate a hugot scene, are unafraid to scream when they see something kilig onscreen, and would fight tooth and nail for a selfie with their favorite leading men and women at a meet-and-greet. This may be an over-exaggeration, but the rom-com genre revels in hyperbole. These same moviegoers have also fueled the box office success of Filipino rom-coms. In 2024, Cathy Garcia-Sampana’s *[Hello, Love, Again](https://rollingstonephilippines.com/tag/hello-love-again/ "Hello Love Again")* took home P1.6 billion worldwide and has since been deemed the highest-grossing Filipino film of all time. On the other side of the spectrum, however, you have audiences who avoid Filipino rom-coms at all costs, deeming them formulaic, flat, or worst of all, bakya. There is some truth to these complaints: more than a few of our rom-coms follow the same tropes and storylines, and quite a few perpetuate problematic themes of cheating, abuse, and questionable behavior overall. As someone who tends to fall into the first camp of rom-com devotees, I don’t think the genre deserves the bad rep that it gets. Not every rom-com has to break the mold (although some of them do), and most of them were made to be easy, nostalgic comfort watches that we can turn to when we just need to spend two hours rooting for two people to get together. What’s more, there have been more than enough Filipino movies that have played with the genre since the start of the century. From calm, banter-centric rom-coms like [Antoinette Jadaone’s](https://rollingstonephilippines.com/tag/antoinette-jadaone/ "Antoinette Jadaone") *That Thing Called Tadhan*a to campy, kilig-heavy flicks like Cathy Garcia-Sampana’s *She’s Dating the Gangste*r, the last 26 years have seen the rom-com rise, decline, and go completely off-script. To pay homage to the genre, we’ve rounded up 26 of the most memorable rom-coms of the 21st century. Titles only needed to have been released in Philippine cinemas between 2000 and 2025 and be officially listed as a “romance” and “comedy” (not one or the other). Romantic dramas don’t count (we’re looking at you, *One More Chance* and *Endo*). As we look back on all the love stories that local filmmakers brought to the silver screen, it’s clear that rom-coms — their love triangles, their flirty one-liners, and their hopeful takes on love saving the day — are here to stay. ## ‘I’m Drunk, I Love You’ Oh, to be in love with your best friend. *I’m Drunk, I Love You* (2017) breaks many of the conventions of its Filipino rom-com predecessors. Yes, it does have a very rom-com premise — college student Carson (Maja Salvador) has been hopelessly in love with her best friend Dio (Paulo Avelino) for the last seven years — but its charm lies in its non-romantic moments, from the two friends bickering over bagnet to them drunkenly deciding their futures based on a game of iPod shuffle. Even at its angstiest (and yes, there’s a lot of angst on Carson’s part), *I’m Drunk, I Love You* continues to be hopeful that the two figure out their feelings for each other. And when [Johnoy Danao](https://rollingstonephilippines.com/tag/johnoy-danao/ "Johnoy Danao") starts singing the first lines of “Burnout” in that final scene, you can’t help but hope for them, too. —*[Mel Wang](https://rollingstonephilippines.com/author/melissa-wang/)* *Where to watch: Netflix* ## ‘Vince & Kath & James’ *Vince & Kath & James* (2016) is based on a marvel known as the textserye — a story that, as its name suggests, is told through a series of text messages. At first, the film’s origins threaten to overtake cohesion as the initial landian happens on-screen through text messaging. It can be quite a strain in the eyes to sift through all that text, but the film thankfully decides to let the love story tell itself without the aid of the millennial’s preferred mode of communication. From then on, *Vince & Kath & James* follows the usual thread of a romantic comedy, short of resigning itself to the conventional. Magic happens when an old formula is given a new spin and to watch it on a Star Cinema film is an absolute joy. [Joshua Garcia](https://rollingstonephilippines.com/tag/joshua-garcia/ "Joshua Garcia"), through his unholy mix of John Lloyd Cruz and Rico Yan, buoys the emotional center of the film. His Vince is a vulnerable torpe, a sensitive romantic tortured by his failure to express his feelings to Kath (Julia Barretto, who seems to have taken tips from her aunt Claudine Barretto circa early 2000s) and chained by his responsibilities and inability to say no to his best friend of a cousin, James (Ronnie Alonte, who mostly functions as eye candy). The film is best approximated by one of its songs, “O Pag-ibig,” a lighthearted bop chronicling the mental and physical turbulence experienced by someone in love. It suggests that the process of intimacy, though a dangerous adventure for the spineless, is often a hilarious submission to the folly of youth, best experienced with a set of friends who is just as foolish and courageous as you are. —*[Don Jaucian](https://rollingstonephilippines.com/author/don-jaucian/ "Don Jaucian")* *Where to stream: YouTube* ## ‘It Takes a Man and a Woman’ Laida (Sarah Geronimo) has made a name for herself in New York’s publishing scene, morphing from a shy editorial assistant to a cutthroat editor who doesn’t take bullshit from anyone. Well, except if you’re Miggy ([John Lloyd Cruz](https://rollingstonephilippines.com/tag/john-lloyd-cruz/ "John Lloyd Cruz")), her longtime boyfriend who had the audacity to cheat on her while she was away for work. The couple broke up, but now that Laida has returned to Manila to help save Miggy’s dying magazine, old tensions are rising to the surface. Like many of the rom-coms that came before it, *It Takes a Man and a Woman* (2013) requires its audience to be comfortable with men cheating and women looking the other way (“Boys will be boys”). This issue looms large over Cathy Garcia-Sampana’s 2013 AshLloyd feature, but both Cruz and Geronimo do such an effective job of butting heads (they’re essentially locked in a diva-off for the first two acts) and proving that *both* their characters have changed for the better, that you almost forget about Miggy’s wandering eye. Almost. —*Mel Wang* *Where to steam: Netflix* ## ‘This Guy’s in Love with U, Mare’ A scorned lover is always better than a lover who was just left for… God? Lester ([Vice Ganda](https://rollingstonephilippines.com/tag/vice-ganda/ "vice ganda")) is in despair as Mike (Luis Manzano) leaves him on their third anniversary dinner, saying that he had changed religion, which forbids same-sex relationships. Days later, Lester learns that Mike has left him for Gemma (Toni Gonzaga). After finding out that Mike has proposed to Gemma, Lester hatches a plan to make Gemma fall in love with him so Mike will fall in love with him again. This Wenn V. Deramas romp is mostly unhinged comedy (the split-screen comparison of the Vice Ganda fight scene and the Vilma Santos *Darna* is crazy), but Lester’s undying love for Mike is recognizable, and the way Gemma and Lester’s “romance” is Deramas and co-screenwriters Mel Mendoza-Del Rosario and Keiko Aquino working their way through a meta-narrative where lines and circumstances pay homage to iconic films, from the aforementioned *Darna vs the Planet Women* to the kabit megahit *No Other Women*. Vice Ganda cosplaying as a straight guy might not be everyone’s choice of rom-com but *This Guy’s in Love with U, Mare* (2012) is the quintessential tale of a gay man yearning for the potential love of their life. Vice Ganda delivers, cracks jokes like his life depends on it but succeeds in showing us who the right man for Gemma is — it’s him. Not Mike. —*Don Jaucian* *Where to stream: YouTube* ## ‘She’s the One’ In *She’s the One* (2013), despite having once engaged in a steamy session of “tonsil hockey,” best friends Cat (Bea Alonzo) and Wacky (Dingdong Dantes) have never properly gotten together. Wacky’s completely fine with that, and so is Cat, more or less. She’s pretty much resigned herself to being heartbroken for life as she watches her best friend continue to pursue women who aren’t her. But things shake up for Cat when handsome stranger David (Enrique Gil) spots her looking hot and sexy while changing a flat tire in the middle of the pouring rain. Not knowing who she is, David ends up snapping a video of Cat and posting it online, asking the internet to help him find his dream woman (yes, creepy, I know, but there’s a reason David isn’t the main love interest in *She’s the One*). —*Mel Wang* *Where to stream: Netflix, YouTube* ## ‘Bride for Rent’ Mae Cruz-Alviar’s *Bride For Rent* (2014)presents audiences with a classic nepo baby problem: in order to claim his trust fund, Rocco (Xian Lim) hires aspiring actress Rocky ([Kim Chiu](https://rollingstonephilippines.com/tag/kim-chiu/ "Kim Chiu")) to be his bride. However, his grandmother Lala ([Pilita Corrales](https://rollingstonephilippines.com/tag/pilita-corrales/ "Pilita Corrales")) sees right through Rocco’s scheme, and commissions her new “granddaughter-in-law” to play Rocco at his own game. As one of the campier rom-coms on this list, *Bride For Rent* comes with slapstick bits and one-liners in spades (“Yak, basa kilikili mo” is a crazy thing to say to the love of your life). Chemistry-wise, Chiu knows exactly how to play a bubbly, young girl with the biggest crush on her fake husband, and Lim is just as effective as someone who’s slowly starting to realize that he’s in too deep. —*Mel Wang* *Where to stream: Netflix, YouTube* ## ‘She’s Dating the Gangster’ For many Filipino romantics coming of age in the mid-aughts, *She’s Dating the Gangster* (2014) (and, well, perhaps most KathNiel projects) defined a specific era of the rom-com genre for us. Although director Cathy Garcia-Sampana gives us two storylines featuring KathNiel, the movie’s core is its flashbacks to the lives of nerdy highschooler Athena ([Kathryn Bernardo](https://rollingstonephilippines.com/tag/kathryn-bernardo/ "Kathryn Bernardo")) and campus bad boy Kenji ([Daniel Padilla](https://rollingstonephilippines.com/tag/daniel-padilla/ "Daniel Padilla")). The two pretend to be dating to help Kenji get back at his ex-girlfriend (who is also named Athena — read into that what you will), but of course they end up falling in love with each other. Bernardo and Padilla lean into their respective high school stereotypes with comedic precision, but they still manage to find a way to sneak in those stolen looks and fleeting touches that their fans once so fiercely craved. But those carefully laid romantic building blocks come crashing down when tragedy strikes in the movie’s second act. —*Mel Wang* *Where to stream: Netflix, YouTube* ## ‘Ex Ex Lovers’ Although JP Habac’s *Ex Ex Lovers* (2025) does run the risk of seeming like nostalgia-bait, the chemistry between Jolina Magdangal and Marvin Agustin makes it significantly more forgivable. As the former love team behind some of the best rom-coms of the late ‘90s (ahem, *Labs Kita… Okey Ka Lang?* and *Kung Ayaw Mo, Huwag Mo!*), Magdangal and Agustin are no strangers to selling an onscreen romance. But *Ex Ex Lovers* adds a twist to the pair’s old formula: Joy (Magdangal) and Ced (Agustin) have long been separated, and the only reason they reunite is because Joy wants to break up their daughter’s engagement. Much of the film’s comedy leans into slapstick territory, which eases the weight of an otherwise heavy plotline (the Philippines’ lack of divorce can be bleak, after all). And on the side of romance, Magdangal and Agustin seem to revel in stretching the will-they-won’t-they tension between them. —*Mel Wang* *Where to stream: Netflix* ## ‘Got 2 Believe’ It’s hard to believe that in 2002, being unmarried at 25 was considered rock bottom. But such is the plight of Toni (Claudine Barretto), a 24 year-old wedding planner who suffers from Perpetual Bridesmaid Syndrome. Toni is one crash-out away from accepting that she’ll be single forever, until she meets Lorenz (Rico Yan), a commitment-averse photographer who doesn’t believe in forever. Lorenz eventually ends up helping Toni find the “man of her dreams” (with much difficulty: think of the “Para kang vacuum cleaner” fight), but the two end up falling for each other in the process. While a little on the formulaic side, director Olivia Lamasan’s *Got 2 Believe* (2002) still remains one of those easy rom-com comfort watches you can turn to when dating isn’t going your way. —*Mel Wang* *Where to stream: YouTube* ## ‘Kung Ako Na Lang Sana’ At first glance, [Sharon Cuneta’s](https://rollingstonephilippines.com/tag/sharon-cuneta/ "sharon cuneta") and Aga Muhlach’s characters don’t seem like they’d be best friends, let alone lovers. Emmy (Cuneta) is an ambitious furniture exporter with little time for the messiness of romance, while Vince (Muhlach) is a classic playboy and nepo baby. But best friends they are, and when Vince finally enters a serious relationship, Emmy discovers that she’s had feelings for him all along. *Kung Ako Na Lang Sana* (2003)*,* written and directed by [Jose Javier Reyes](https://rollingstonephilippines.com/tag/jose-javier-reyes/ "Jose Javier Reyes"), relies heavily on its meticulously scripted dialogue and the sharp banter between Cuneta and Muhlach, making it one of those rom-coms that rewards close attention if you want to catch every joke and zinger. —*Mel Wang* *Where to stream: YouTube* ## **‘Rookie’** The milieu of *Rookie* (2023) emerges from the confusing world of middle adolescence, where a tomboyish teen like Ace (Pat Tingjuy in a breakout role) can feel both small and exposed at the same time. Ace usually likes basketball; she feels at home on the court, but when she transfers to an all-girls Catholic school, she discovers that there’s no basketball team. Instead, she is thrust into the world of volleyball when the coach urges her to try out. Romance breaks through in a villains-to-lovers trope involving the team’s captain (Aya Fernandez), who first sees Ace as a threat but develops something deeper when they go through volleyball camp together. Rookie is Lee’s follow-up to the award-winning Billie and Emma, which, in some ways, treads the same coming-of-age territory. But Rookie is more specific, tackling a sensitive issue that is not usually discussed openly. Volleyball remains a top-drawing sport in the Philippines, though not as big as basketball. The sport has its icons (one of whom appears in the movie), and the softness of the queer lens Lee uses to home in on gender and women’s issues makes for a sobering yet still romantic watch. Tingjuy is a discovery, and to witness queer love in bloom in such bright colors “out in the open, in broad daylight,” as Lee put it, is a welcome depiction of sapphic love. Best seen in a theater full of romantics. —*Don Jaucian* *Where to stream: Amazon Prime Video* ## ‘My Only Ü’ Cathy Garcia-Sampana’s *My Only Ü* (2008) starts off with a sort of curse: the sharp-tongued and sassy Winona (Toni Gonzaga), like all the women in her family, is convinced that she won’t live to her 25th birthday. The curse, in all its morbid glory, seems to come true when she’s diagnosed with lupus, leading her best friend Bong (Vhong Navarro) to do anything he can to stay by the side of the woman he secretly loves. The two end up bickering a lot and making a number of questionable decisions, but the love between them is never in doubt (let me refer you to Bong’s macho dancing segment). —*Mel Wang* *Where to stream: YouTube* ## ‘Diary ng Panget’ Viva did [Nadine Lustre](https://rollingstonephilippines.com/tag/nadine-lustre/ "Nadine Lustre") so dirty with that acne makeup, but it makes sense, considering how she’s the rom-com’s designated “panget.” Poor and pock-marked highschooler Eya (Lustre) signs on to become the personal maid for spoiled nepo baby Cross Sandford ([James Reid](https://rollingstonephilippines.com/tag/james-reid/ "James Reid")) in order to pay her way through private school. Cross immediately begins to terrorize his new maid, but the two eventually spend more and more time together. There is something to be said about the bigger issues that *Diary ng Panget* (2014) seems to skim over (e.g. how Eya’s treated as an ugly outsider in a rich-kid, English-speaking private school, how she needs a makeover in order for Cross to completely fall in love with her); but for fans of the Wattpad series of the same name, as well as JaDine loyalists, *Diary ng Panget* was one of the most memorable movies to star the former love team. —*Mel Wang* *Where to stream: YouTube* ## **‘Kasal, Kasali, Kasalo’** Chaos reigns in *Kasal, Kasali, Kasalo* (2006). There are hardly any moments of kilig here; the necessary courtship is condensed in merely 15 minutes, and the marriage proposal comes as a solution rather than an act of love. The film is doled out in episodic scenarios wherein Angie ([Judy Ann Santos](https://rollingstonephilippines.com/tag/judy-ann-santos/ "judy ann santos")) and Jed (Ryan Agonicillo) duke it out on an assortment of issues, from in-law headaches and farting to “human rights” and marital cheating. But it works, mainly because of Santos — especially Santos — and Agoncillo’s devotion to flesh out the absurdities of their characters. Angie isn’t a suffering housewife nor does she want Jed de-clawed. Her strong-headedness means she won’t take no shit, at times evoking Maricel Soriano’s fast-talking ball buster; while Jed is a mewling man confused in the face of high-stakes conflict. *Kasal, Kasali, Kasalo* destroys the image of happily ever after: Marriage is hard work and you’d be damned enough to think that only true love can save you from its tempestuous waters. —*Don Jaucian* *Where to stream: YouTube* ## ‘Maybe This Time’ I’m a sucker for exes getting back together, but in the land of cinema, rom-coms have the hard job of convincing us why two old lovers should get back together at all. Such is the plight of director Jerry Lopez Sineneng in *Maybe This Time* (2014), which follows summer sweethearts Steph (Sarah Geronimo) and Tonio ([Coco Martin](https://rollingstonephilippines.com/tag/coco-martin/ "Coco Martin")) who lose touch after he leaves her without saying goodbye. Steph thinks she’s finally over Tonio, but old feelings come flooding back when she ends up crossing paths with him seven years later. Except *this* time, he’s a taken man. —*Mel Wang* *Where to stream: YouTube* ## ‘Isa Pa, With Feelings’ *Isa Pa, With Feelings* (2019) is one of those straightforward, no-nonsense rom-coms. Director Prime Cruz has little time for cliches, and his main focus here is to tell a love story between a person with a disability and one without. Mara (Maine Mendoza) is a stressed-out junior associate at an architecture firm who, in her spare time, takes sign language lessons taught by Gali (Carlo Aquino), who is himself deaf. After she fails her board exams, Mara ends up becoming closer to Gali. Their romance moves slowly and quietly, and just like the film’s minimalist and stripped-down aesthetics, the two seem to be only engaged in conversations that matter. —*Mel Wang* *Where to stream: YouTube* ## **‘Love at First Stream’** In *Love at First Stream* (2021), V, short for Vilma (Daniela Stranner, who delivers a compelling performance), explores the streaming app Kumu as a way to earn money. She does tutorials at first with Tupe ([Anthony Jennings](https://rollingstonephilippines.com/tag/anthony-jennings/ "Anthony Jennings"), who shines in this role), a sort of an apology since she dumped Tupe when they were in high school and it’s everything you need to know about V. She’s singular-minded when it comes to the things she wants, even at the cost of the people who love her. In contrast, Tupe is the gig economy personified. He moonlights as a rider for a food delivery service (hence the many Chic-Boy placements) and cleans the condo unit so they can finally sell it. Tupe is maabilidad. He is there when V needs props or ideas for their vlogs — his undying devotion for her notwithstanding. You know where this trope is going. *Love at First Stream* is interesting in its meta approach in love teams. The leads aren’t the usual KathNiels and LizQuens and, as seen in the 2016 MMFF entry *Vince and Kath and James*, the Star Cinema rom-com formula still has the ability to surprise when there are fresh faces in it. *Love at First Stream* is funnier than it has any right to be, with Stranner and Jennings leading the comedy pack, along with an, as expected, excellent ensemble cast supporting them. There are hints that the film wants to mine deeper insights here: how this new generation interacts in both the virtual and real worlds, building relationships in them and out of them (or a confluence of both); and how incentivized behavior can be both boon and bane in an era where life is mostly experienced online. *Love at First Stream* still has the usual Pinoy film moralizing — always a pitfall in an otherwise great film. Family comes first, etc. etc. Though it’s something that’s being tested now that we’re all Very Much Online, what with all your titos and titas pontificating with fake news backing them up. But that’s for another story. —*Don Jaucian* *Where to stream: Netflix* ## ‘My Ex and Whys’ In Cathy Garcia-Sampana’s *My Ex and Whys* (2017), things kick off with a major red flag: we’ve got a cheater. Gio (Enrique Gil) and Cali ([Liza Soberano](https://rollingstonephilippines.com/tag/liza-soberano/ "Liza Soberano")) were college sweethearts until Gio decided to go back to being a playboy (classic). Fast-forward a few years later, and Cali is now a call agent by day and a blogger by night, using her platform to dunk on all men and expose the woes of singlehood. She ends up reconnecting with Gio after they find themselves locked in a viral Twitter war, and Cali must decide whether or not she can forgive the man who hurt her. I think Garcia-Sampana, Gil, and Soberano do a lot of work to make the cheating storyline a little more forgivable. It’s clear that the Soberano and Gil well together onscreen, and when we finally make it to South Korea in the movie’s second act, the pair have done more than enough work trying to convince audiences that both their characters are trying their best to put the past behind them. However, the cheating problem is not so easily dismissed, and we, like Cali, have to decide if we can trust Gio a second time. —*Mel Wang* *Where to stream: Netflix, YouTube* ## **‘My Amnesia Girl’** https://www.youtube.com/watch?v=nw_EtH9kQCg&pp=ygUibXkgYW1uZXNpYSBnaXJsIGZ1bGwgbW92aWUgdHJhaWxlcg%3D%3D *My Amnesia Girl* (2010) still represents the possibilities of how local romcom can be: suffused with energy and winning earnestness. Determination fuels much of John Lloyd Cruz’s character in this film, eager to right the wrongs he’s done to Toni Gonzaga’s Irene, whom he let down the first time by leaving her during their wedding day. The path to their reconciliation is full of tricks, gags, and frustration, but of course, they end up together. What remains watchable, though, is the irrefutable chemistry between Cruz and Gonzaga: two actors who can hit their strides, facing off like in a tense tennis match, throwing each other charm bombs until they burst into lovelorn flames. It’s somewhat disappointing that this is only the on-screen pairing of the two, aside from their still-running sitcom, “Home Sweetie Home.” —*Don Jaucian* *Where to stream: YouTube* ## **‘A Very Special Love’** In *A Very Special Love* (2008), it seems like a gambit: a simple girl pining for an unreachable dreamboat. It is the stuff that fuels every fangirl’s delusions, kind of like that far-off dream when you stare into Harry Styles’s mug in that One Direction poster on your wall. Geronimo’s lowly Laida ending up with Cruz’s Miggy? Stranger things have happened, and of course, they will end up together — it took three films to drive home that point. But how they got there is a lovely road paved with the idea that love can pluck even the unlikeliest people to create a mesmerizing connection that even the coldest hearts can be warmed by the persistence of charm. The true legacy of Cruz and Geronimo’s team-up is that it proves there are no great obstacles in love that can weaken bonds; there is only the force of feeling that draws us toward each other. —*Don Jaucian* *Where to stream: YouTube* ## **‘Always Be My Maybe’** God bless Arci Muñoz, because she definitely brings a lot of the comedy to Dan Villegas’ *Always Be My Maybe* (2019). In it, she plays Tintin, a freshly dumped make-up artist who meets an equally broken-hearted stranger, Jake (Gerald Anderson). They’re just two messy people, who eventually agree to wingman each other despite the growing feelings between them. Whether it’s her gushing in a make-up tutorial about how to get that perfect ASG (ahem, short for After Sex Glow) or her using the clunkiest pick-up lines on Jake, Muñoz knows when to show off her comedy chops and when to hold back for the rom-com’s quieter moments. On his part, Anderson plays Muñoz’s steady, straight man, and together, they make a surprisingly effective comedy duo. —*Mel Wang* *Where to stream: YouTube* ## **‘That Thing Called Tadhana’** From the second we see Angelica Panganiban’s Mace ugly-crying to *One More Chance*, with JM De Guzman’s Anthony awkwardly sitting beside her, we know what type of rom-com we’re going to get with Antoinette Jadaone’s *That Thing Called Tadhana* (2014). Although Jadaone has admitted to wanting to move on from her “Tadhana” era of filmmaking, there is a reason why it’s one of her most memorable rom-coms. Firstly, it pairs up Panganiban and De Guzman, both of whom know how to deftly balance each other’s highs and lows throughout the movie. Mace is always on the precipice of another romance-induced nervous breakdown, but Anthony knows exactly how to calm her down and get her to enjoy the wonderful sights of their Baguio road trip. Secondly, it’s a rom-com much more focused on the slow-build banter between its two leads than on the cliches and truisms of its genre. *That Thing Called Tadhana* is a rom-com that isn’t afraid to grieve, but even in its grief, it manages to find that ever-important comedic silver lining. —*Mel Wang* *Where to stream: Netflix* ## **‘The Boy Foretold by the Stars’** The country’s boys love (BL) industry may already be a step in the right direction for queer representation, but there’s no denying that we haven’t seen enough effeminate gays gracing our big screens. But in this MMFF 2020 contender, Dolly Dulu finally places one of them at the center: enter the charming and earnest Dominic (Adrian Lindayag), who visits Quiapo’s most famous fortune teller and finds out he’s bound to meet his soulmate at an upcoming school retreat. True enough, he runs into Luke (Keann Johnson), a shy and surprisingly sensitive straight boy fresh out of a breakup with his long-term girlfriend. The two instantly hit it off and form a deep connection that allows them to be their authentic selves. Though the suffocating machismo in their all-boys Catholic high school is determined to keep them apart, that just makes every moment they share all the more exciting and worth the wait – whether it involves painting props after school hours or singing at the top of their lungs in their secret hiding place. Filled with fluffy moments and just enough angst to keep viewers guessing until the end, *The Boy Foretold by the Stars* is proof that young gay boys deserve their own Star Cinema-type story, too. —*Don Jaucian* ## **‘Love You to the Stars and Back’** According to legend, anyone can summon aliens by scaling up Mt. Milagros in the dead of night and repeatedly chanting “Ashira grevinda mama ajaarum.” Once they appear and take you in, all your problems and worries will disappear. Or at least, that’s what Mika (Julia Barretto) believes. Still shaken by the unexpected loss of her mother, she decides to drive up to the mountains and chances upon Caloy (Joshua Garcia), a boy afflicted with cancer and eager to put an end to his family’s suffering. On the surface, *Love You to the Stars and Back* (2017) a quirky road trip movie, but in case you didn’t catch it, their desire to be taken by aliens is a metaphor for a suicide pact. Barretto and especially Garcia are burdened with so much pain, as seen in the film’s famous bridge scene that can reduce any viewer to a puddle of tears, yet they’re made to grapple with what they already mean to each other. Is the glimmer of hope they glean from their blossoming relationship enough for them to start anew? Can true love come alive in the face of grief and death? —*Don Jaucian* *Where to stream: YouTube* ## **‘Relaks, It’s Just Pag-Ibig’** An underrated collaboration by two of the best directors working today, *Relaks, It’s Just Pag-Ibig* (2014) is a story of love told in the simplest of ways. In *Relaks*, Sari (Sofia Andres) enlists the help of Josh (Iñigo Pascual) to go on a road trip and fulfill the happy ending of a love letter she found. Ever the romantic, Sari wants to see the ending of the love letter through by going to Leyte, go to the spot the two lovers were supposed to meet, and witness a rare blue moon. Complications ensue when Sari’s childhood best friend, Kiko (Julian Estrada). Kiko and Josh are total opposites. Josh is the cool, tsundere-type who’s secretly falling for Sari, while Kiko is the one who’s devoted to Sari all his life. The film is just that — an untangling of a love triangle and a promise fulfilled, and they meet a cast of characters along the way. It can be cringe, it can be hilarious (“Favorite Book: Twilight. Tangina! Libro ba ‘yun? Tangina ka! Ano ka high school?”), it can be the affirmation of what romance should be. You can see the blueprints of directors Antoinette Jadaone and Irene Villamor are laying down in *Relaks*, and it’s masterful to behold considering how they’ve conquered the genre of romance in Philippine cinema. —*Don Jaucian* ## Frequently Asked Questions ### What is the highest-grossing Filipino romantic comedy of all time? “Hello, Love, Again” (2024), directed by Cathy Garcia-Sampana, is the highest-grossing Filipino film of all time, earning P1.6 billion worldwide and cementing its place as a landmark box office success for the local rom-com genre. ### What defines a Filipino rom-com in this list? Films had to be officially classified as both “romance” and “comedy,” released in Philippine cinemas between 2000 and 2025. Romantic dramas without a comedic classification, such as “One More Chance” and “Endo,” were excluded from consideration. ### What is the textserye format, and which film popularized it? The textserye format tells a story primarily through text messages. “Vince & Kath & James” (2016) is based on this format, though the film ultimately lets its love story unfold beyond just the on-screen text exchanges. ### Are there LGBTQ+-focused Filipino rom-coms on this list? Yes. “The Boy Foretold by the Stars” (2020) and “Rookie” (2023) both offer queer representation, following a young gay romance and a sapphic villains-to-lovers volleyball story, respectively, within the broader Filipino rom-com tradition. ### Where can I stream these Filipino rom-coms? Titles on this list are available across platforms including Netflix, YouTube, and Amazon Prime Video, with several classics like “Diary ng Panget” and “Kasal, Kasali, Kasalo” available to stream for free on YouTube. Related Stories - [25 Filipino Love Song Covers That Defined Romance Across Decades](https://rollingstonephilippines.com/editors-picks/lists/25-filipino-love-song-covers/ "25 Filipino Love Song Covers That Defined Romance Across Decades") - [25 Best Filipino Love Songs Across Generations](https://rollingstonephilippines.com/music/25-filipino-love-songs-for-the-emotionally-compromised/ "25 Best Filipino Love Songs Across Generations") - [All the Celebrity-Read Audio Erotica on Quinn, Ranked by Horniness](https://rollingstonephilippines.com/culture/quinn-originals-audio-erotica-ranked/ "All the Celebrity-Read Audio Erotica on Quinn, Ranked by Horniness") **Categories:** Culture, Editor's Picks, Film, Lists, Philippine Cinema **Tags:** Filipino Rom-Coms --- ### [Vangie Labalan Knew How to Steal a Scene](https://rollingstonephilippines.com/culture/film/vangie-labalan-actress-passed-away/) **Published:** February 13, 2026 **Author:** Pie Gonzaga **Excerpt:** The beloved character actress, whose career spanned six decades from Manila by Night to Batang Quiapo, has passed away at 83 **Content:** Veteran actress [Vangie Labalan](https://rollingstonephilippines.com/tag/vangie-labalan/ "Vangie Labalan") has passed away at the age of 83, her son Carlo confirmed on social media on Thursday, February 12. “She passed away today in Australia due to illness,” Carlo wrote on Facebook. “To everyone who \[knew\] her, \[loved\] her, and was touched by her kindness, we extend our deepest gratitude. She is deeply loved and will be dearly missed by her family, friends, and all whose lives she touched.” Her niece Van-van Aligam said in her own post that the actress “passed peacefully, surrounded by family.” Labalan, born Ma. Christina Bonghanoy, active in the entertainment business from the 1960s until her passing on January 20, 1943, was a prominent figure. She’s known for supporting roles in three *Shake, Rattle, and Roll* films, Ishmael Bernal’s *Manila by Night*, *Himala*, the 1990 romance fantasy *Dyesebel*, the *[Wuthering Heights](http://wuthering%20heights)* adaptation, *Hihintayin Kita sa Langit*, [Olivia Lamasan](https://rollingstonephilippines.com/tag/olivia-lamasan/ "Olivia Lamasan")’s *Maalala Mo Kaya: The Movie*, and the Sharon Cuneta drama, *Madrasta*. Among more recent movies in her extensive filmography are[ *It Takes a Man and a Woman*](https://rollingstonephilippines.com/tag/filipino-rom-coms/ "Filipino Rom-Coms"), *Four Sisters and a Wedding*, *Isa Pa with Feelings*, and *Mallari*. ![vangie labalan and nora aunor in himala](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/vangie-labalan-himala-1.webp) Vangie Labalan (left) alongside Nora Aunor (right) in Bernal’s *Himala*. Photo from IMDb On TV, Labalan appeared in shows such as *Encantadia*, *Bakekang*, *Ang Probinsyano*, and *Batang Quiapo*. In a 2013 interview, cult Filmmaker Elwood Perez, who directed the actress in the film *Otso*, said, “\[Labalan\] was always engaging, even in the smallest of roles, proving to all that ‘there are no small roles, only small actors.’” ## Frequently Asked Questions ### Who was Vangie Labalan? Vangie Labalan, born Ma. Christina Bonghanoy, was a veteran Filipino character actress active in entertainment from the 1960s until her death. She was known for supporting roles across film and television spanning six decades. ### How did Vangie Labalan die? Labalan’s son, Carlo, confirmed on Facebook that she passed away in Australia due to illness on February 12. Her niece, Van-van Aligam, said she passed peacefully, surrounded by family. ### What films was Vangie Labalan known for? Labalan appeared in numerous notable Filipino films, including three “Shake, Rattle, and Roll” installments, Ishmael Bernal’s “Manila by Night” and “Himala,” “Dyesebel,” “Hihintayin Kita sa Langit,” and Olivia Lamasan’s “Maalala Mo Kaya: The Movie.” ### What TV shows did Vangie Labalan appear in? Labalan appeared in television series including “Encantadia,” “Bakekang,” “Ang Probinsyano,” and “Batang Quiapo,” reflecting her sustained presence across both film and television throughout her career. ### How did filmmakers describe working with Vangie Labalan? Filmmaker Elwood Perez, who directed Labalan in “Otso,” described her in a 2013 interview as always engaging even in the smallest roles, saying she proved that “there are no small roles, only small actors.” Related Stories - [Filmmakers Ricky Lee, Joel Lamangan Speak on Nora Aunor’s Lasting Legacy](https://rollingstonephilippines.com/culture/news-culture/ricky-lee-joel-lamangan-speak-nora-aunors-legacy/ "Filmmakers Ricky Lee, Joel Lamangan Speak on Nora Aunor’s Lasting Legacy") - [10 Filipino Films Turning 10 In 2026](https://rollingstonephilippines.com/culture/philippine-cinema/10-filipino-movies-turning-10-2026/ "10 Filipino Films Turning 10 In 2026") - [Charo Santos Lived Many Lives in Philippine Entertainment. Now, She’s Just Having Fun](https://rollingstonephilippines.com/culture/philippine-cinema/charo-santos-hall-of-fame-2025/ "Charo Santos Lived Many Lives in Philippine Entertainment. Now, She’s Just Having Fun") **Categories:** Culture, Film, TV **Tags:** Vangie Labalan --- ### [43% of Filipinos Believe Trust Can Be Rebuilt After Cheating, But Should It?](https://rollingstonephilippines.com/culture/internet-culture/cheating-filipinos-sws-survey/) **Published:** February 13, 2026 **Author:** Pie Gonzaga **Excerpt:** Even as dating apps make romantic options endless, nearly half of Filipinos believe they can forgive cheating partners **Content:** 27 percent of Filipinos have experienced some form of cheating in a relationship, according to non-profit research firm [Social Weather Stations](https://www.sws.org.ph/swsmain/artcldisppage/?artcsyscode=ART-20260212165104) (SWS). While this means that an overwhelming majority have, luckily, not dealt with cheating partners, 43 percent of the 1,200 respondents also say that trust can be restored after infidelity. Girl, really? The survey, conducted in 2025, identified six kinds of cheating. Of those who said they had experienced infidelity, 11 percent identified physical cheating, described by SWS as “engaging in sexual and intimate activities with someone else.” Another 11 percent identified emotional cheating, or “having romantic feelings for another person even though there is no physical relationship.” Four percent of the “cheated” respondents say they have experienced micro-cheating, described as “using affectionate terms with someone other than one’s partner, or hiding one’s own relationship status.” ## Types of cheating The survey also identified other types of cheating that don’t necessarily involve pursuing sexual or romantic relationships. Cybercheating is described as “having other social media accounts without the partner’s knowledge, or secretly chatting with other people,” while object cheating is described as “giving too much attention to games, cellphones, or other material objects that one no longer has time for their partner.” Hiding luxury purchases or debts from one’s own partner is called financial cheating. While 43 percent of respondents say they believe trust can be restored in a relationship after cheating, 36 percent disagree, and the remaining 19 percent are undecided. A separate 2025 report from messaging platform Rakuten Viber suggests that the stakes may only get higher. In its global “[The State of Modern Dating](https://lp.viber.com/Modern_Dating)” report, Viber Dating predicts that in 2026, emotional intelligence will be more valuable than ever for those dipping their toes into the dating pool. That means being able to clearly communicate one’s feelings, wants, and needs — and, just as crucially, being able to empathize with a partner. At the same time, while online dating [fatigue](https://rollingstonephilippines.com/culture/internet-culture/online-dating-beige-red-flags/) is real, Viber [reported](https://rollingstonephilippines.com/culture/tech/viber-filipino-online-dating-apps/) in 2025 that Filipinos remain eager to scour dating apps in search of “the one.” So, don’t let the survey numbers make you complacent. In an app-saturated market where moving on can be as easy as a swipe, you’re absolutely replaceable if you do your partner wrong. ## Frequently Asked QUestions ### What percentage of Filipinos believe trust can be rebuilt after cheating? According to a Social Weather Stations survey of 1,200 respondents, 43 percent believe trust can be restored after infidelity, while 36 percent disagree and 19 percent remain undecided. ### What percentage of Filipinos have experienced cheating in a relationship? The SWS survey found that 27 percent of Filipinos have experienced some form of cheating in a relationship, based on responses collected in 2025 across six identified categories of infidelity. ### What types of cheating did the SWS survey identify? SWS identified six types: physical cheating, emotional cheating, micro-cheating, cybercheating, object cheating, and financial cheating, ranging from secret romantic feelings to hiding luxury purchases or debts from a partner. ### What is micro-cheating, according to the SWS survey? SWS defines micro-cheating as using affectionate terms with someone other than one’s partner, or hiding one’s relationship status from others, a subtler category compared to physical or emotional infidelity. ### What does Viber’s 2026 dating report say about relationships? Rakuten Viber’s “The State of Modern Dating” report predicts emotional intelligence will become increasingly valuable in 2026 dating, emphasizing clear communication of feelings and needs, along with empathy toward a partner. Related Stories - [20 Reasons Why Your Online Dating Profile Will Make Me A Femcel](https://rollingstonephilippines.com/culture/internet-culture/online-dating-beige-red-flags/ "20 Reasons Why Your Online Dating Profile Will Make Me A Femcel") - [Filipinos May Have a Red Flag Problem in Relationships](https://rollingstonephilippines.com/editors-picks/commentary/red-flags-in-filipino-romances/ "Filipinos May Have a Red Flag Problem in Relationships") - [Online Dating Fatigue? Not on Your Family’s Favorite Messaging App](https://rollingstonephilippines.com/culture/tech/viber-filipino-online-dating-apps/ "Online Dating Fatigue? Not on Your Family’s Favorite Messaging App") **Categories:** Culture, Internet Culture **Tags:** Online Dating --- ### [‘Iron Lung’ is Finally Hitting PH Cinemas: Here’s a Crash Course on the Markiplier Movie](https://rollingstonephilippines.com/culture/film/iron-lung-markiplier-ph-cinemas/) **Published:** February 13, 2026 **Author:** Mel Wang **Excerpt:** Get ready to dive deep into the lore (and oceans of blood) of the YouTube creator’s first-ever film **Content:** For those of us who spent the mid-aughts binging video game playthroughs on YouTube, the name [Markiplier](https://rollingstonephilippines.com/tag/markiplier/ "Markiplier") is akin to streaming royalty. The video creator, whose real name is Mark Fischbach, rose through the ranks of the platform with his walkthroughs of *[Five Nights at Freddy’s](https://rollingstonephilippines.com/tag/five-nights-at-freddys-2/ "Five Nights at Freddy's")*, *Resident Evil 7*, *Amnesia: The Dark Descent*, and more (and his *Unus Annus* video series, for fans who tuned in!). Markiplier has maintained a dedicated following since he first started posting in 2012, with his YouTube channel now boasting 38.3 million followers. In 2022, [*Forbes*](https://www.forbes.com/sites/abrambrown/2022/01/14/the-highest-paid-youtube-stars-mrbeast-jake-paul-and-markiplier-score-massive-paydays/) reported that he’d earned upwards of $38 million that year alone from his video content. And with the recent release of Markiplier’s first-ever horror feature, *[Iron Lung](https://rollingstonephilippines.com/tag/iron-lung/ "Iron Lung"),* fans are now, more than ever, rallying behind their favorite YouTuber and his first foray into the world of filmmaking. *Iron Lung* premiered last January in the United States, but it’s finally making its way to Philippine cinemas on February 25. What’s more, fan screenings will be held on February 21 at SM Megamall, SM North EDSA, and SM Mall of Asia ahead of the nationwide release. Now, while some (me) may have been keeping track of all the lore behind the making of the movie and the video game it’s based on, *Iron Lung* may seem more-than-alien to audiences dipping into its world of blood oceans and giant eel monsters for the first time. Ahead of the horror feature’s Philippine release, we’ve put together a crash course guide on everything you need to know about Markiplier’s latest project. ## What exactly *is* ‘Iron Lung’? ![Iron Lung](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/game.webp) The interior of your submarine in *Iron Lung*. Photo from Steam/Official Website Well before the movie, there was the video game *Iron Lung*, which was developed and released in 2022 by video game creator David Szymanski (who also made the retro horror first-shooter, *Dusk*). Without getting into the nitty-gritty of the video game’s backstory, you play an unnamed convict who has been tasked with exploring a blood ocean for you to earn your freedom. Yes, a blood ocean is an ocean made of blood, and the worst part is that you’re definitely not alone down there. As you survey the ocean floor in your janky little submarine (which is nicknamed the “Iron Lung” for its tight, claustrophobic quarters), you’ll need to do your best to avoid an unidentified sea monster following close behind you. Szymanski later went on to update the game to include a terminal in the submarine, which you can use to input queries to figure out what exactly is going on. Type in phrases like “the quiet rapture,” “blood ocean,” and “moon z-8,” and you’ll start to piece together how things fell apart after several of the inhabitable planets completely disappeared from the universe. ## Do you need to play the game before watching the movie? No, although if you’d like, it only takes around an hour to complete. But if video games aren’t your thing, you can always watch a couple of playthroughs if you don’t want to go into the cinema completely blind. Markiplier made the movie because he did a playthrough of the game when it was first released in 2022. “\[Markiplier\] reached out to me just through Twitter DMs,” Szymanski recalled in a promotional video for the movie. “I knew instantly that there was gonna be a pitch of some sort.” ## How did Markiplier get ‘Iron Lung’ off the ground? > [View this post on Instagram](https://www.instagram.com/p/DUoThgugQuN/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Molly Brown (@deadlymelodic)](https://www.instagram.com/p/DUoThgugQuN/?utm_source=ig_embed&utm_campaign=loading) It wasn’t easy to direct, self-fund, and star in his first-ever movie, but Markiplier has been working to make his take on *Iron Lung* happen since 2022. He spent roughly $3 million on production, casting fellow creators in his movie to help flesh out the world (keep an eye out for Jacksepticeye!). However, when pitching the movie for theatrical release, Markiplier encountered several significant hurdles. On an episode of the Hollywood-centric podcast, *The Town With Matt Belloni*, he revealed that independent booking company Centurion Film Service had only offered to screen *Iron Lung* in three theaters in the United States. To remedy this, Markiplier went directly to his fans. On online community threads like Reddit, fans began sharing email templates to send to both independent cinemas and theater chains to drum up interest for screenings of the movie. “There were enough people that asked \[the theater chains to screen *Iron Lung*\] that people thought it was bots,” Markiplier said in an interview with [*The Hollywood Reporter*](https://www.hollywoodreporter.com/movies/movie-news/markiplier-iron-lung-box-office-youtube-interview-1236493943/)*.* “There’s a lot of people out there that are willing to help and just really, really, really believed in what I was doing here. I’m super grateful and owe them pretty much everything.” The fans’ efforts paid off, because *Iron Lung* played on more than 4,000 screens worldwide during its opening weekend. ## How’s ‘Iron Lung’ doing at the box office? *Iron Lung* debuted as the No. 2 movie in the United States, surpassing $17 million in earnings on its opening weekend and trailing not too far behind Sam Raimi’s *[Send Help](https://rollingstonephilippines.com/culture/film/23-movies-coming-in-2026/ "23 Movies We’re Excited For This 2026")*, which opened on the same weekend. According to *Deadline*, *Iron Lung*’s global debut is estimated to be upwards of $22.2 million. What’s more, Markiplier gets to keep 50 percent of the global box office earnings of his movie. “Whatever happens,” wrote Markiplier in an [Instagram post](https://www.instagram.com/markiplier/?utm_source=ig_embed&ig_rid=5174e6f8-17e9-4be3-a80f-5f0418e6985d) responding to the success of *Iron Lung*, “wherever it lands, this has been the most fun weekend I’ve had in a very long time.” ## Frequently Asked Questions ### What is “Iron Lung” based on? “Iron Lung” is based on a 2022 video game of the same name, developed by David Szymanski. The game follows an unnamed convict exploring a submarine through an ocean of blood while avoiding an unidentified sea monster. ### Do I need to play the “Iron Lung” video game before watching the movie? No. While the game takes about an hour to complete, it isn’t required. Viewers unfamiliar with the story can also watch playthroughs online to understand the world before seeing Markiplier’s film adaptation. ### How much did Markiplier spend making “Iron Lung”? Markiplier self-funded “Iron Lung” with roughly $3 million in production costs, directing and starring in the film while casting fellow content creators, including Jacksepticeye, to help build out the story’s world. ### How did fans help “Iron Lung” get a wider theatrical release? After facing limited theater offers, Markiplier’s fans campaigned directly, sending email templates to cinemas and theater chains requesting screenings. Their efforts helped the film expand to more than 4,000 screens worldwide during its opening weekend. ### How well did “Iron Lung” perform at the box office? “Iron Lung” debuted as the No. 2 movie in the U.S., earning over $17 million domestically on opening weekend, with a global debut estimated at $22.2 million, according to Deadline. Markiplier keeps 50 percent of global box office earnings. Related Stories - [‘Ella Arcangel,’ Filipino Fantasy-Horror Comic Series, is Getting Its Own Movie in 2026](https://rollingstonephilippines.com/culture/film/ella-arcangel-movie-adaptation-2026/ "‘Ella Arcangel,’ Filipino Fantasy-Horror Comic Series, is Getting Its Own Movie in 2026") - [‘Primate’ Director Johannes Roberts on Evil Chimpanzees and Old-School Horror](https://rollingstonephilippines.com/culture/film/director-johannes-robert-on-primate/ "‘Primate’ Director Johannes Roberts on Evil Chimpanzees and Old-School Horror") - [‘Shelby Oaks’ Brings Found Footage Horror Back to Philippine Cinemas](https://rollingstonephilippines.com/radar/releases/shelby-oaks-philippine-cinemas/ "‘Shelby Oaks’ Brings Found Footage Horror Back to Philippine Cinemas") **Categories:** Culture, Film **Tags:** Iron Lung, Markiplier --- ### [Britney Spears Sells Rights to her Catalog in a Rare Move for a Still-Active Pop Icon](https://rollingstonephilippines.com/music/pop/britney-spears-sells-entire-rights/) **Published:** February 13, 2026 **Author:** Elijah Pareño **Excerpt:** The pop star’s sale to independent publisher Primary Wave stands out in an era when most major catalog deals come from legacy acts **Content:** [Britney Spears](https://rollingstonephilippines.com/tag/britney-spears/ "Britney Spears") is the latest contemporary artist to sell the rights of her entire music catalog, according to multiple sources cited in a report by *Rolling Stone*. The move is massive for an artist like Spears whose music has created the language of modern pop since the late ‘90s, setting the template for pop anthems throughout her almost three-decade career. According to reports, Spears sold the rights to her entire music catalog to independent music publisher Primary Wave, who will now take over her ownership share of her biggest hits, including “… Baby One More Time,” “Oops! … I Did It Again,” “(You Drive Me) Crazy,” and “I’m a Slave 4 U,” among others. These songs in particular cemented her reputation as one of pop’s most influential figures. Primary Wave has created its business around acquiring catalogs from major artists. The company previously purchased a 50 percent stake in the estate of late music greats like The Notorious B.I.G, Whitney Houston, Bob Marley, and Prince. What makes the Spears deal unique is the fact that the sale is pushing through while she is still an active artist. Whereas more recent singers like [Justin Bieber](https://rollingstonephilippines.com/tag/justin-bieber/ "Justin Bieber") had also sold their back catalog in January 2023 for 200 million dollars. What makes both contemporary artists differ is Spears’ entire catalog was sold while Bieber’s back catalog was sold prior to other recent releases like *SWAG.* Details of how much of the deal is sold for were not disclosed. However, outlets say it was roughly the amount as Bieber’s back catalog sale to Hipgnosis Songs Capital. Spears was released from her controversial 13-year conservatorship in 2021, following years of global protests under the “Free Britney” movement since 2008. While she has said she does not plan to perform in the United States again, she has not ruled out recording new music. In 2023, she released “Mind Your Business” with will.i.am of Black Eyed Peas. Related Stories - [Coachella’s 2026 Lineup Feels Surprisingly Different From Past Years. 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The deal is notable because Spears remains an active artist, unlike most catalog sales, which typically involve deceased musicians or those no longer actively releasing music. Primary Wave has previously acquired stakes in the estates of The Notorious B.I.G. and Whitney Houston. ### How does Britney Spears’ catalog sale compare to Justin Bieber’s? Bieber sold his back catalog in January 2023 for $200 million to Hipgnosis Songs Capital, but only his catalog up to that point, excluding later releases like “SWAG.” Spears’ deal covers her entire catalog, and reports suggest the sale amount was roughly comparable. ### Has Britney Spears released new music recently? Yes. In 2023, Spears released “Mind Your Business” with will.i.am of the Black Eyed Peas, and while she has said she doesn’t plan to perform in the U.S. again, she hasn’t ruled out recording new music. ### What happened with Britney Spears’ conservatorship? Spears was released from her 13-year conservatorship in 2021, following years of global protests under the “Free Britney” movement that began in 2008, which called attention to the arrangement’s restrictions on her personal and financial autonomy. **Categories:** Music, Pop **Tags:** Britney Spears --- ### [The Curious Case of Michael Pangilinan’s Covers Commanding Millions of Views on YouTube](https://rollingstonephilippines.com/editors-picks/commentary/michael-pangilinan-love-song-covers/) **Published:** February 12, 2026 **Author:** Elijah Pareño **Excerpt:** The singer, who has become somewhat of a cover specialist, has become a constant presence in salons, shops, and cafés, thriving in a passive listening culture **Content:** [Michael Pangilinan](https://rollingstonephilippines.com/tag/michael-pangilinan/ "Michael Pangilinan"), also known as Khel Pangilinan, has become a kind of patron saint of Filipino love song covers. He is a recurring presence in Filipino-focused reaction channels online. The singer-songwriter, best known as the first runner-up in the second season of *Your Face Sounds Familiar*, gained recognition for his R&B-leaning vocals through his 2014 hit “Pare, Mahal Mo Raw Ako” and as a member of the trio BuDaKhel alongside singers Bugoy Drilon and [Daryl Ong](https://rollingstonephilippines.com/editors-picks/lists/25-filipino-love-song-covers/ "25 Filipino Love Song Covers That Defined Romance Across Decades"). His appeal may partly explain the sustained foreign interest in Filipino vocalists, but his talent has long been anchored in a charisma that is instantly likable from the moment he begins singing. Pangilinan amplified his image through accessible platforms, particularly YouTube. Covers rarely dominate Spotify in the same way. But his second Spotify profile, where he uploads his covers, with over 1 million monthly listeners, disproves this. His presence is strongest in intimate, everyday spaces — small groceries, barbershops, mall karaoke displays — where his performances of songs like “Bakit Ba Ikaw,” composed by Vehnee Saturno, or his cover of Sam Smith’s “Lay Me Down” continue to draw listeners and reaction channels alike. ## Reactions and Build Ups Pangilinan occupies a curious space. His performances often emphasize the art of covering a song, foregrounding vocal technique more than adhering to the source material. His first YouTube upload, a cover of Justin Bieber’s “Love Yourself,” was posted in January 2016, shortly after his competition stint, which boosted his popularity. That same year, he released a self-titled album of original songs, though those releases are less remembered than his covers. At first, Pangilinan did mall tours, appeared in brand deals, and performed in BuDaKhel shows, eventually caving into a red-lit stage aesthetic and covers ranging from Usher to Sam Smith and Brian McKnight in 2018. However, the pandemic slowed that momentum, prompting him to shift toward more casual uploads. Reaction channels were able to amplify his presence as a cover artist. Pre-pandemic, his view counts climbed steadily, bolstered by appearances on platforms like Wish 107.5. The numbers suggested something larger than niche popularity, even if difficult to categorize. ## Behind the Cover’s Success Saturation is what sets Pangilinan apart from his contemporaries. His voice exists in the in-between spaces of daily life. Walk into a neighborhood salon, a hardware store with a TV mounted in the corner, or a café running YouTube through a Bluetooth speaker, and there’s a strong chance a Pangilinan cover will play as an accompaniment, a daily soundtrack. That ubiquity has shaped a kind of cult status in terms of repeated listens. His BandRoom Sessions on his YouTube channel, which often stretch past the 20-minute mark, reinforce that presence. The videos are long-form showcases of stamina, uploaded consistently enough to keep the algorithm fed. While many of his peers strategize for collaborations, Pangilinan floods the online sphere with material of his own. What separates him from most dime a dozen cover artists is his flexible R&B vocal stylings, getting away with conversational phrasing and soul-infused melodies. In the Filipino love song cover context, listeners want songs delivered with heightened vocal performances. Pangilinan fits that demand precisely. His mass appeal is rooted in palatability. Pangilinan rarely alienates his audience. The live band arrangements stay close enough to the original to remain recognizable, yet his vocal runs provide the spectacle for the general public. For reaction channels, it’s obvious content baiting. For businesses curating mood through background music, it’s completely inoffensive to play in public. That balance allows him to surpass other singers who may have stronger visual branding or chart hits but lack the same volume of circulating material. In that sense, the Pangilinan phenomenon is infrastructural. Most of the songs he covers are already established hits, be it a local Filipino fan favorite, Shamrock, or a boy band cut from O-Town. He rarely introduces unfamiliar material, and there are few instances where his versions have outright eclipsed the original in mainstream reach. Instead, he works within songs that are already household favorites. In the context of Filipino love song covers, listeners want songs delivered with heightened vocal performances. Pangilinan fits that demand precisely. His catalog grows not through one definitive cover that replaces the original, but through steady accumulation. In that accumulation, his longevity has extended in the grander scheme of things. He is everywhere because he is uploaded to every easily accessible location. ## Frequently Asked Questions ### Who is Michael Pangilinan? Michael Pangilinan, also known as Khel Pangilinan, is a Filipino singer-songwriter and first runner-up in Season 2 of “Your Face Sounds Familiar.” He gained recognition through his 2014 hit “Pare, Mahal Mo Raw Ako” and as a member of the trio BuDaKhel. ### Why are Michael Pangilinan’s covers so widely streamed? Pangilinan’s second Spotify profile, dedicated to his covers, has over 1 million monthly listeners, an unusual feat for cover content. His performances are frequently played in everyday spaces like groceries, barbershops, and cafés, giving him sustained ambient exposure. ### What songs is Michael Pangilinan known for covering? Pangilinan is known for covers including “Bakit Ba Ikaw,” composed by Vehnee Saturno, and Sam Smith’s “Lay Me Down,” alongside artists like Usher and Brian McKnight, typically staying close enough to originals to remain widely recognizable. ### What are Michael Pangilinan’s BandRoom Sessions? BandRoom Sessions are long-form videos on Pangilinan’s YouTube channel, often stretching past 20 minutes, showcasing his vocal stamina and R&B-leaning style through consistent uploads that keep his content actively circulating online. ### How did the pandemic affect Michael Pangilinan’s career? The pandemic slowed Pangilinan’s momentum from mall tours, brand deals, and BuDaKhel performances, prompting him to shift toward more casual, frequent uploads, a change that ultimately helped sustain his presence through reaction channels and algorithm-driven visibility. 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The *Rolling Stone Philippines* team is constantly sharing things to listen to, and each week, we compile a ragtag playlist of songs that we believe every music fan today needs to know. Whether it’s the hottest new single or an old track that captures the state of the present, our hope is that you discover something for your musical canon. This week’s songs explore dance music and the unknown corners of electronic music with maximum Pinoy pride, with [Ninajirachi](https://rollingstonephilippines.com/tag/ninajirachi/ "Ninajirachi")’s collaboration with daine remixed by underscores, [fitterkarma](https://rollingstonephilippines.com/tag/fitterkarma/ "fitterkarma") lurking in their neck of the woods looking for the aswang, [Danny L Harle](https://rollingstonephilippines.com/tag/danny-l-harle/ "Danny L Harle") revisiting his chamber roots, and Swedish pop star [Lykke Li](https://rollingstonephilippines.com/tag/lykke-li/ "Lykke Li") dancing through the pain, and many more. The week has a lot in store for you. You could either dance to a jerk beat or bounce to a maximalist EDM track nonstop. Ninajirachi ft. daine, underscores, ‘It’s You’ ![Ninajirachi](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs-1-1-1600x1600.webp) Photo from Ninajirachi/Instagram *Electronic music’s most promising newbies maximize their joint slay* “Something really huge just happened for the Philippines,” said Filipino-Australian musician daine on X as she heralded the release of “It’s You” on February 18. The track is a remix of Ninajirachi’s “It’s U” by Filipino-American artist underscores. Here, she takes the original track, already a lively EDM cut that harkens back to the 2010s, and injects it with the energy of a Skrillex dubstep hit, heavy on the bass and glitching in the breakdown. Now, I’m not the best mathematician, but I believe two half-Filipino electronic artists, plus a rising star in 2020s EDM, equal one firecracker of a banger. —*Pie Gonzaga* fitterkarma ft. Novocrane, ‘Aswang sa Maynila’ ![fitterkarma](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs-2-1-1600x1600.webp) Photo from fitterkarma/Instagram *Biting hugot and a whole lot of pop-rock guitars* For breakout band fitterkarma, love arrives with violence and distance. In “Aswang sa Maynila,” the band brings in Novocrane frontwoman Kai Sevillano, whose voice cuts through the song’s surging guitars and relentless momentum. The song hops in the J-rock influences, from its melodic phrasing to its driving pace, while holding onto its supernatural theme. fitterkarma gains that momentum with a pop rock song that’s catchy as hell. *—Elijah Pareño* Lykke Li, ‘Lucky Again’ ![Lykke Li](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs-3-1-1600x1600.webp) Photo from Lykke Li/Instagram *Something sad is about to happen in pop* Swedish disco-pop songstress Lykke Li raises the stakes in her comeback single “Lucky Again,” signaling a return to form at a time when dance music balances both seduction and emotional ruin. The drums land crisp, her vocals sound more desperate, and the recurring image of a “black hole” anchors the song’s infectious hook. Lykke Li is confronting the inevitable, and she meets it head-on with the kind of pop song that thrives in heartbreak. *—Elijah Pareño* Danny L Harle, Clairo, ‘Facing Away’ ![Danny L Harle](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs-4-1600x1600.webp) Photo from Danny L Harle/Instagram *A string-infused cut that’s swift, slow, and painful all at once* Seeing soft girl poster child Clairo’s name in British electronic producer Danny L Harle’s newest album, *Cerulean*, was surprising. Harle’s catalog of dance music and collaborations with the likes of Carly Rae Jepsen, Caroline Polachek, and fellow producer A.G. Cook make Clairo an unlikely partner. And yet, on the criminally short “Facing Away,” the two work so well together. On *Cerulean*, it follows the more energetic “Azimuth,” which includes Polachek on vocals. While “Azimuth” pumps and electrifies, “Facing Away” feels like sinking. Here, Harle returns to his chamber roots, blending acoustic strings with synths as Clairo sings about being abandoned. “You’ve let me go to swim ashore,” she laments. But as she concludes the interlude, she, too, lets go: “Facing away feels like the sun.” —*Pie Gonzaga* xaviersobased, ‘iPhone 16’ ![xaviersobased](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs-5-1600x1600.webp) Photo from xaviersobased/Instagram *New York is the home of new age jerk rap* Part dreamy, part delinquent, New York’s xaviersobased dwells on the disorientation of early fame in “iPhone 16.” The production builds on the jerk rap foundation that first defined his rise, pairing hazy textures with his loose, conversational delivery. Many have tried to mirror his sound, but imitation rarely captures the magic behind his delivery. *—Elijah Pareño* trickpony, ‘Ripple’ ![trickpony](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/02/songs-6-1-1600x1600.webp) Photo from trickpony/Instagr *A high point for the new trip-hop canon* Since the 2023 EP *Pillow Talk*, Berlin-based trio trickpony has been contributing to a rising nostalgia for ‘90s trip-hop. Australian producers Mike Midnight and Roza Terenzi, and Finnish singer Maria Korkeila, carry on this mission in the six-track *24/7 Heaven*, released in December 2025. Like the rest of the release, opening track “Ripple” is wordless but full of breath. It heavily deploys shadowed, ambient synths and sinewy percussion, with a hi-hat slicing through the misty soundscape like laser light. It’s sexy and gossamer, and could also be the exit music in *RuPaul’s Drag Race*. With music’s emerging craving for trip-hop, trickpony is bound to make the new canon with “Ripple.” —*Pie Gonzaga* ## Frequently Asked QUestions ### What artists are featured in this week’s Songs You Need to Know? This week’s roundup features fitterkarma, Ninajirachi, Danny L Harle, and Lykke Li, spanning dance music, electronic tracks, and maximalist EDM. ### What is Songs You Need to Know? Songs You Need to Know is Rolling Stone Philippines’ weekly music column, compiling a playlist of new and notable tracks the team believes music fans should hear each week. ### What kind of music is featured in this week’s roundup? This week leans into dance and electronic music, including a Ninajirachi and daine collaboration remixed by underscores, alongside Danny L Harle’s return to his chamber music roots. ### Where can I listen to this week’s Songs You Need to Know playlist? The full playlist is available to stream on Spotify, linked directly in the article. ### Is fitterkarma part of the Philippine music scene? Fitterkarma is highlighted in this week’s roundup as part of the “maximum Pinoy pride” theme, alongside other Filipino electronic and dance artists featured in Songs You Need to Know. Related Stories - [7 Dance Music Parties That Defined Post-Pandemic Manila](https://rollingstonephilippines.com/editors-picks/features/7-dance-music-parties-that-defined-post-pandemic-manila/ "7 Dance Music Parties That Defined Post-Pandemic Manila") - [Producer obese.dogma777 on ‘Post-Budots’ and Filipino Electronic Music](https://rollingstonephilippines.com/music/producer-obese-dogma777-post-budots-filipino-electronic-music/ "Producer obese.dogma777 on ‘Post-Budots’ and Filipino Electronic Music") - [Fitterkarma on Their Slow-Burn Rise and Turning Heads in Pinoy Rock](https://rollingstonephilippines.com/music/rock/fitterkarma-pag-ibig-ay-kanibalismo-ii/ "Fitterkarma on Their Slow-Burn Rise and Turning Heads in Pinoy Rock") **Categories:** Editor's Picks, Songs You Need To Know **Tags:** Danny L Harle, fitterkarma, Lykke Li, Ninajirachi, Songs You Need to Know, trickpony, underscores, Xaviersobased --- ### [What Everyone Needs to Know About Pax Silica](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/what-everyone-needs-to-know-pax-silica/) **Published:** July 22, 2026 **Author:** Pie Gonzaga **Excerpt:** With the arrival of US State Secretary Marco Rubio, protesters reiterate their opposition to the controversial Pax Silica initiative **Content:** It was not a warm welcome for United States Secretary of State [Marco Rubio](https://rollingstonephilippines.com/state-of-affairs/politics/us-student-visas-rubio/ "U.S. Revokes 6,000 Student Visas as Rubio Calls Immigrant Scholars ‘Lunatics’") when he arrived in the Philippines ahead of the ASEAN Foreign Ministers’ Meeting in Manila. On Wednesday, July 22, a clash broke out between police and protesters in Pasay, where progressive groups gathered to denounce Rubio’s visit, U.S. military presence in the Philippines, and the proposed Pax Silica Economic Security Zone in New Clark City, Tarlac. In the weeks ahead of Rubio’s arrival, concerns have mounted over the proposed construction of a 1,618-hectare semiconductor hub in Tarlac, which is in line with [Pax Silica](https://rollingstonephilippines.com/tag/pax-silica/ "Pax Silica"), the U.S. government’s project to secure a global supply chain for [AI](https://rollingstonephilippines.com/tag/artificial-intelligence/ "Artificial Intelligence"). The Philippines joined the initiative in [April](https://ph.usembassy.gov/the-united-states-and-the-philippines-launch-plans-for-4000-acre-economic-security-zone-to-shore-up-supply-chains/), causing outrage among environmental and human rights activists, who worry that the manufacturing hub and related mining activities would harm local environments and communities. But what exactly does it mean for the Philippines to be a part of Pax Silica? ## What is Pax Silica, and What is the PH’s Role in It? Pax Silica is the U.S.’ effort to challenge China in the tech manufacturing industry. Since its establishment in December 2025, the coalition has been joined by 23 signatories, including the European Union, Israel, Japan, India, South Korea, Singapore, the United Arab Emirates, the United Kingdom, and the Philippines. Each participating country offers something valuable to developing AI. For example, Singapore and the UAE house AI data centers, while Japan and South Korea are major tech manufacturers. ![pax silica US-philippines agreement](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/us-ph-pax-silica.webp) Philippine Ambassador to the United States Jose Manuel Romualdez (seated right) and U.S. Undersecretary of State for Economic Affairs Jacob Helberg (seated left) in discussions regarding Pax Silica. Photo from the Embassy of the Republic of the Philippines in Washington, D.C./Official Website So, what does the Philippines have to give? The Philippines is the world’s ninth-largest semiconductor exporter, with the semiconductor sector being the country’s largest export, according to a 2024 [report](https://www.oecd.org/en/publications/promoting-the-growth-of-the-semiconductor-ecosystem-in-the-philippines_01497fea-en.html) by the Organization for Economic Co-operation and Development (OECD). [*Rappler*](https://www.rappler.com/technology/features/things-to-know-pax-silica-philippines-goals-concerns/) reports that the Philippines is also home to “untapped” sources of rare earth elements and other minerals like copper, nickel, and zinc, which are all essential to manufacturing electrical and electronic components. Pax Silica is therefore expected to bolster the country’s performance in the mining and semiconductor sectors. “By joining Pax Silica, the Philippines is ensuring that our mineral resources and strategic location are not simply supporting global industries from the margins, but are actively harnessed to build the industries of the future,” Finance Secretary Frederick Go said in a statement in April. ## Why Do Activists Oppose the Pax Silica Deal? The Kilusang Magbubukid ng Pilipinas (KMP) criticized the Philippines’ participation in Pax Silica as a “massive sell-out” of the country’s natural resources that will “worsen land and resources grabbing, extraction, and militarization in the countryside.” “Tayo ang gagawing tagasuplay ng murang hilaw na materyales at low-value processing tulad ng assembly, testing, at packaging, habang sa \[U.S.\] ang teknolohiya, kontrol, at tubo,” KMP said in a statement. In June, the Makabayan bloc, consisting of ACT-Teachers Rep. Antonio Tinio, [Gabriela Rep. Sarah Elago](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/gabriela-womens-party-history/ "26 Years of Gabriela Women’s Party, in Their Own Words"), and Kabataan Rep. Renee Co, filed a House resolution seeking to probe Pax Silica, saying that the project would only benefit the U.S. and its military. “This direction will further subordinate the Philippines to U.S. strategic priorities and expose our people, economy, and environment to heightened risks,” Makabayan said earlier in April. “By hosting a hub explicitly designed to support U.S. supply chains, the Philippines is being positioned to provide the tech requirements of the US war machine and to serve the evolving needs of a militarized bloc.” ## Frequently Asked Questions ### What is Pax Silica? Pax Silica is a United States-led coalition formed in December 2025 to secure a global supply chain for artificial intelligence and challenge China’s dominance in tech manufacturing. It now has 23 signatories, including the European Union, Japan, India, South Korea, Singapore, and the Philippines. ### Why did the Philippines join Pax Silica? The Philippines joined Pax Silica in April as the world’s ninth-largest semiconductor exporter, according to the OECD. Finance Secretary Frederick Go said the country’s mineral resources and strategic location would be harnessed to build future industries rather than support global supply chains from the margins. ### What is the Pax Silica Economic Security Zone in Tarlac? The proposed Pax Silica Economic Security Zone is a 1,618-hectare semiconductor hub planned for New Clark City in Tarlac. It is designed to anchor Philippine participation in the U.S.-led AI supply chain through manufacturing, assembly, testing, packaging, and related mining activity. ### Why are activists opposing Pax Silica in the Philippines? Groups including the Kilusang Magbubukid ng Pilipinas argue that Pax Silica amounts to a sell-out of Philippine natural resources and will worsen land grabbing, extraction, and militarization in the countryside. The Makabayan bloc filed a House resolution in June seeking a congressional probe into the project and U.S. involvement. ### Why did protesters clash with police during Marco Rubio’s Manila visit? Protesters clashed with police in Pasay on July 22, 2026, as U.S. Secretary of State Marco Rubio arrived for the ASEAN Foreign Ministers’ Meeting in Manila. Progressive groups denounced his visit, U.S. military presence, and the proposed Pax Silica hub in Tarlac. Related Stories - [U.S. Revokes 6,000 Student Visas as Rubio Calls Immigrant Scholars ‘Lunatics’](https://rollingstonephilippines.com/state-of-affairs/politics/us-student-visas-rubio/ "U.S. Revokes 6,000 Student Visas as Rubio Calls Immigrant Scholars ‘Lunatics’") - [‘AI-Powered’ Shopping App Actually Powered by PH Call Center —FBI](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/ai-powered-shopping-app-actually-powered-by-ph-call-center-fbi/ "‘AI-Powered’ Shopping App Actually Powered by PH Call Center —FBI") - [Have Artists Reached Their Breaking Point With AI?](https://rollingstonephilippines.com/music/ai-artists-pushback-sza-doja-cat/ "Have Artists Reached Their Breaking Point With AI?") **Categories:** Artificial Intelligence, Environment, Philippine Politics, State of Affairs **Tags:** Pax Silica --- ### [BLACKPINK’S Jisoo to Finally Guest ‘Hot Ones’ This Week](https://rollingstonephilippines.com/music/blackpink-jisoo-hot-ones/) **Published:** July 28, 2026 **Author:** Rolling Stone Philippines **Excerpt:** The “Earthquake” singer will take on the wings of death this July 30 **Content:** The prophecy will finally be fulfilled. *[Hot Ones](https://rollingstonephilippines.com/tag/hot-ones/ "Hot Ones")* just announced that “Earthquake” and “Your Love” singer [Jisoo](https://rollingstonephilippines.com/tag/jisoo/ "Jisoo") will be this week’s guest as the final member of [BLACKPINK](https://rollingstonephilippines.com/tag/blackpink/ "Blackpink") to take on the wings of death. The star of the Netflix hit “Boyfriend on Demand” will be the July 30 guest as host Sean Evans and company finally complete having all four members of BLACKPINK on *Hot Ones*. > [View this post on Instagram](https://www.instagram.com/reel/DbTqtugjUMl/?utm_source=ig_embed&utm_campaign=loading)[A post shared by First We Feast (@firstwefeast)](https://www.instagram.com/reel/DbTqtugjUMl/?utm_source=ig_embed&utm_campaign=loading) “APT.” singer [Rosé ](https://rollingstonephilippines.com/tag/rose/ "Rosé")was the first member to guest on *Hot Ones* back in 2024, followed by [Lisa](https://rollingstonephilippines.com/tag/lisa/ "Lisa") in February of the following year, gaining the most views out of any BLACKPINK member at over 9.2 million as of writing. [Jennie](https://rollingstonephilippines.com/tag/jennie/ "Jennie") was the most recent guest in June 2025. The “ExtraL” singer was by far the most in pain after going through all the hot wings. “Whatever Rosé and Lisa did, this is the real reaction,” she tells Evans in tears. “Because I watched \[their episodes\], and they were so chill about it. So I was like, if they’re doing it, maybe I can do it too, but I can’t.” With Jisoo’s guesting this week, it may very well be a case of saving the best for last, if Jennie is to be believed. In the same *Hot Ones* episode, Jennie gave props to Jisoo as the one who taught her how to eat spicy food ever since they were trainees. So here’s hoping that Jisoo will conquer the dreaded hot wings gauntlet. Related Stories - [Blackpink’s Jennie Commands Coachella With a Genre-Spanning Solo Set](https://rollingstonephilippines.com/music/blackpink-jennie-genre-spanning-coachella-set/ "Blackpink’s Jennie Commands Coachella With a Genre-Spanning Solo Set") - [Can Jisoo Get Koreans Back to Cebu?](https://rollingstonephilippines.com/culture/tv/blackpink-jisoo-cebu-boyfriend-on-demand/ "Can Jisoo Get Koreans Back to Cebu?") - [LISA Joins Anyma for ‘Bad Angel’ on the Coachella 2026 Main Stage](https://rollingstonephilippines.com/music/dance-electronic/lisa-anyma-coachella-bad-angel/ "LISA Joins Anyma for ‘Bad Angel’ on the Coachella 2026 Main Stage") **Categories:** Music, News **Tags:** Blackpink, Hot Ones, Jisoo --- ### [‘The Odyssey’ Translator Who Inspired Christopher Nolan Thinks His Movie Stinks](https://rollingstonephilippines.com/culture/film/christopher-nolan-odyssey-emily-wilson-review/) **Published:** July 28, 2026 **Author:** Jon Blistein **Excerpt:** The new blockbuster “lacks many of the elements that make the poem great,” writes Emily Wilson, the classics professor who famously translated Homer's poem in 2017 **Content:** In probably the funniest possible twist to the idiotic culture war sideshow that’s followed [Christopher Nolan](https://rollingstonephilippines.com/tag/christopher-nolan/ "Christopher Nolan")’s adaptation of *[The Odyssey](https://rollingstonephilippines.com/tag/the-odyssey/ "The Odyssey")*, Emily Wilson — the classics professor whose 2017 translation at once inspired the filmmaker and earned her the ceaseless ire of right-wing posters — thinks [the blockbuster film](https://www.rollingstone.com/product-recommendations/books/the-odyssey-books-amazon-bestsellers-read-shop-online-1235598185/) is an absolute stinker. In a scorching pan for the *[London Review of Books](https://www.lrb.co.uk/the-paper/v48/n14/emily-wilson/an-uncomplicated-man)*, Wilson poo-poo’d pretty much every aspect of Nolan’s film. She writes that the film contains Nolan’s “usual combination of grandiosity and superficiality,” but “lacks many of the elements that make the poem great.” “It has nothing convincing to say about time, memory, history, war, or about the relationship between one warrior’s glorious return and the lives of his family, adversaries, comrades, friends and neighbors,” Wilson writes in one of the review’s most scathing paragraphs. “It lacks psychological, emotional, political and ethical depth. Its narrative structure is gimmicky. The writing is abysmal. None of the characters has convincing motivation for their actions or words. There are no sex scenes, and all the food looks horrible.” Wilson’s review is worth reading in its entirety. It’s a rich, thoughtful, well-written critique from an expert in her field, and we would not be doing it justice to just cherry-pick one-liners (as tempting as that is). Suffice to say, though, Wilson has plenty of choice words for everything from the film’s paper-thin characters to its muddled “values and vision.” Funnily enough, Wilson even takes issue with Nolan’s [“race-neutral casting”](https://www.rollingstone.com/politics/political-commentary/odyssey-lupita-nyongo-helen-of-troy-elon-musk-racist-1235563178/) — not in the [Elon Musk anti-woke way](https://www.rollingstone.com/culture/culture-news/elon-musk-melts-down-odyssey-ai-version-1235597140/), but because, “Most of the non-white actors — Zendaya, Lupita Nyong’o, Himesh Patel, Corey Antonio Hawkins, Travis Scott — play versions of the Black best friend, whose only role in the drama is to provide aid to the white protagonist.” But maybe Wilson’s most pointed barbs are reserved for Nolan’s screenwriting. In one of his first interviews about *[The Odyssey](https://rollingstonephilippines.com/culture/reviews/christopher-nolan-the-odyssey-review/ "Christopher Nolan Means War in ‘The Odyssey,’ His Most Gruesome Film Yet")* for *[Empire](https://www.empireonline.com/movies/news/the-odyssey-firstlooks-at-tom-holland-anne-hathaway-and-mia-goth-and-tom-holland-in-christopher-nolans-epic-cno/)*, Nolan cited Wilson’s translation and her now-famous take on the epic’s opening line, “Tell me about a complicated man.” Nolan added, “The genius of the character, the cleverness, the inventiveness of him, that was a huge part of what interested me. He’s not just a soldier. He’s an amazing strategist, a very wily person.” Wilson wryly admits that she “was humbled to learn that Nolan has read at least the first line of my translation,” then quickly twists the knife: “But I would be ashamed to have written any part of this script.” *This story was originally published on [rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-news/christopher-nolan-odyssey-emily-wilson-review-1235599272/).* Related Stories - [Christopher Nolan Means War in ‘The Odyssey,’ His Most Gruesome Film Yet](https://rollingstonephilippines.com/culture/reviews/christopher-nolan-the-odyssey-review/ "Christopher Nolan Means War in ‘The Odyssey,’ His Most Gruesome Film Yet") - [In ‘The Odyssey,’ Christopher Nolan Still Doesn’t Know How to Write Women](https://rollingstonephilippines.com/culture/film/christopher-nolan-the-odyssey-women-characters/ "In ‘The Odyssey,’ Christopher Nolan Still Doesn’t Know How to Write Women") - [All 13 of Christopher Nolan’s Movies, Ranked](https://rollingstonephilippines.com/culture/film/christopher-nolan-movies-ranked/ "All 13 of Christopher Nolan’s Movies, Ranked") **Categories:** Culture, Film **Tags:** Christopher Nolan, The Odyssey --- ### [Justin Bieber Has the Most Monthly Spotify Listeners After Coachella Streaming Surge](https://rollingstonephilippines.com/music/justin-bieber-listeners-spotify-after-coachella/) **Published:** May 6, 2026 **Author:** Jon Blistein **Excerpt:** According to new data shared with Rolling Stone, the pop star has amassed over 140 million listeners in the weeks since his two headlining sets **Content:** [Justin Bieber](http://justin%20bieber)’s [post-Coachella](http://coachella%202026) streaming dominance has continued, with the pop star earning the title as the artist with the most monthly listeners on [Spotify](http://spotify) globally. According to new data shared with [*Rolling Stone*,](https://www.rollingstone.com/music/music-news/justin-biebers-spotify-monthly-listeners-coachella-1235557948/) Bieber enjoyed an all-time peak in monthly listeners on May 3, with over 140.3 million. That’s a 42 percent increase over the past 24 days, a period that includes the lead-up to his highly anticipated Coachella performance. (As of publication on May 5, Bieber’s numbers are up even more, to just over 141 million monthly listeners). The rise to this apex has been steady: As of April 9, just before weekend one of Coachella, Bieber had about 98.8 million monthly listeners on Spotify. By the start of weekend two, he was up to 110.9 million monthly listeners, while three days later, he was at 118.9 million. On April 20, right after Coachella, Bieber had his biggest streaming day ever on Spotify, with over 105 million streams. Bieber’s Coachella set led to a huge jump in individual song streams across his catalog, but a few old favorites have notably been the biggest gainers. Perhaps most surprising, Bieber and Nicki Minaj’s 2012 collaboration, “Beauty and a Beat,” has been totally revitalized, earning 75.5 million global streams between the two weekends of Coachella (April 10 through 20). For that same time period, Bieber’s “Baby” garnered 40 million streams, “Eenie Meenie” picked up 32.7 million, and “Never Say Never” scored 22.1 million. More recent songs also enjoyed a big boost, including “Daisies,” which picked up 41 million streams, “Sorry,” which garnered 36.2 million, and “Love Yourself,” which amassed 33.7 million. Bieber’s Coachella sets — which featured guest appearances from [Billie Eilish](http://billie%20eilish), [SZA](http://sza), Kid Laroi, and Dijon — marked his first major public performance since his Justice tour ended in 2022. (That tour was postponed, and then canceled, as the pop star dealt with a series of health issues.) After that, Bieber only did a handful of private gigs and TV performances, though right before Coachella, he played a small, invite-only club show for fans. *This article first appeared in [Rolling Stone US](https://www.rollingstone.com/music/music-news/justin-biebers-spotify-monthly-listeners-coachella-1235557948/)*. ## Frequently Asked Questions ### Who has the most monthly listeners on Spotify? Justin Bieber became the most-listened-to artist on Spotify globally after reaching an all-time peak of over 140.3 million monthly listeners following Coachella. ### How many monthly listeners did Justin Bieber reach after Coachella? Justin Bieber reached over 140.3 million monthly Spotify listeners by May 3, marking a 42 percent growth rate during his Coachella performance window. ### Which Justin Bieber songs saw the biggest streaming surge? The 2012 hit “Beauty and a Beat” led catalog gains with 75.5 million global streams between Coachella weekends, followed by “Baby” and “Daisies.” ### Who joined Justin Bieber during his Coachella performance? Justin Bieber’s Coachella stage appearances featured guest performances alongside Billie Eilish, SZA, The Kid LAROI, and Dijon across his festival set. ### When was Justin Bieber’s last major tour before Coachella? Justin Bieber had not delivered a major public performance since his Justice World Tour ended in 2022 due to health-related cancellations. Related Stories - [Justin Bieber Ends Silence With Surprise Album ‘SWAG,’ a 21-Track Drop 4 Years After ‘Justice’](https://rollingstonephilippines.com/radar/justin-bieber-release-swag-album/ "Justin Bieber Ends Silence With Surprise Album ‘SWAG,’ a 21-Track Drop 4 Years After ‘Justice’") - [Justin Bieber Puts His Past and Present Side by Side at Coachella](https://rollingstonephilippines.com/music/hiphop-rnb/justin-bieber-coachella-youtube/ "Justin Bieber Puts His Past and Present Side by Side at Coachella") - [Coachella 2026 Weekend 2 Highs and Lows: Madonna, Sombr, Billie Eilish, More](https://rollingstonephilippines.com/music/pop/coachella-2026-weekend-2-highlights/ "Coachella 2026 Weekend 2 Highs and Lows: Madonna, Sombr, Billie Eilish, More") **Categories:** Hip-hop/R&B, Music **Tags:** Coachella, Coachella 2026, Justin Bieber --- ### [Watch Sabrina Carpenter and Stevie Nicks Perform ‘Landslide’ at the Met Gala](https://rollingstonephilippines.com/music/sabrina-carpenter-stevie-nicks-landslide-met-gala/) **Published:** May 6, 2026 **Author:** Emily Zemler **Excerpt:** Carpenter also showcased her own songs, “House Tour,” “Espresso,” and “Please, Please, Please,” on the event’s stage **Content:** [Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter") and [Stevie Nicks](https://rollingstonephilippines.com/tag/stevie-nicks/ "Stevie Nicks") joined forces at the [Met Gala](https://rollingstonephilippines.com/tag/2026-met-gala/ "2026 Met Gala") last night for a duet of [Fleetwood Mac](https://rollingstonephilippines.com/tag/fleetwood-mac/ "Fleetwood Mac")’s 1975 song “Landslide.” After Carpenter kicked off the evening’s festivities with her own songs “House Tour,” “Espresso,” and “Please, Please, Please,” Nicks took the stage in the Metropolitan Museum of Art’s Egyptian wing as the event’s headliner. She brought Carpenter back out for “Landslide,” as well as an assist on “Don’t Stop Thinking About Tomorrow.” Nicks also performed “Gypsy” and “Edge of Seventeen.” > [@metmuseum](https://www.tiktok.com/@metmuseum?refer=embed "@metmuseum") She’s working late because she’s a singer! Only Sabrina Carpenter would have us drinking “Espresso” at midnight ☕️ [\#MetGala](https://www.tiktok.com/tag/metgala?refer=embed "metgala") [♬ original sound – The Met](https://www.tiktok.com/music/original-sound-7636256492404591373?refer=embed "♬ original sound - The Met") > [@metmuseum](https://www.tiktok.com/@metmuseum?refer=embed "@metmuseum") She’s working late because she’s a singer! Only Sabrina Carpenter would have us drinking “Espresso” at midnight ☕️ [\#MetGala](https://www.tiktok.com/tag/metgala?refer=embed "metgala") [♬ original sound – The Met](https://www.tiktok.com/music/original-sound-7636256492404591373?refer=embed "♬ original sound - The Met") > [@voguemagazine](https://www.tiktok.com/@voguemagazine?refer=embed "@voguemagazine") Love at first sight. [\#Lisa](https://www.tiktok.com/tag/Lisa?refer=embed "Lisa") and this angelic gown by [\#RobertWun](https://www.tiktok.com/tag/RobertWun?refer=embed "RobertWun") is a match made in [\#MetGala](https://www.tiktok.com/tag/MetGala?refer=embed "MetGala") heaven. Tap the link to get all the details of her look and watch the full edition of [\#Vogue](https://www.tiktok.com/tag/Vogue?refer=embed "Vogue")’s [\#FinalFittings](https://www.tiktok.com/tag/FinalFittings?refer=embed "FinalFittings") [♬ original sound – Vogue](https://www.tiktok.com/music/original-sound-7636539282865261326?refer=embed "♬ original sound - Vogue") Carpenter is fresh off two weekends of headlining Coachella, where she collaborated with [Madonna](https://rollingstonephilippines.com/tag/madonna/ "Madonna"). The duo debuted their new single, “Bring Your Love,” during the festival, where the Queen of Pop made a surprise appearance. The upbeat dance number, produced by Madonna and Stuart Price, will appear on Madonna’s new LP, *Confessions II*, out July 3 via Warner Records. The singers also performed “Vogue” and “Like a Prayer.” Carpenter’s [Coachella](https://rollingstonephilippines.com/music/pop/coachella-2026-weekend-2-highlights/ "Coachella 2026 Weekend 2 Highs and Lows: Madonna, Sombr, Billie Eilish, More") set included numerous Hollywood references, a theme she continued last night at the [Met Gala](https://rollingstonephilippines.com/culture/met-gala-2026-winners-losers/ "The Winners and Losers of the 2026 Met Gala") with her red carpet look. Her Dior dress by Jonathan Anderson paid homage to Audrey Hepburn’s 1954 film *Sabrina* using actual film strips from the movie. Carpenter told *Vogue* that Anderson designed it after working on her Coachella looks and that *Sabrina* is one of her favorite films of all time. *This article was originally published on **[rollingstone.com](https://www.rollingstone.com/music/music-news/sabrina-carpenter-stevie-nicks-landslide-perform-met-gala-1235557783/ "rollingstone.com")**.* ## Frequently Asked Questions ### What song did Sabrina Carpenter and Stevie Nicks perform together at the Met Gala? Sabrina Carpenter and Stevie Nicks performed a duet of Fleetwood Mac’s 1975 classic song “Landslide” during the Met Gala festivities at the Metropolitan Museum of Art. ### Which songs did Sabrina Carpenter perform during her Met Gala set? Sabrina Carpenter opened her Met Gala set with her hit singles “House Tour,” “Espresso,” and “Please, Please, Please” before joining headliner Stevie Nicks on stage. ### Who designed Sabrina Carpenter’s Met Gala dress? Jonathan Anderson designed Sabrina Carpenter’s Dior Met Gala gown, using actual film strips from Audrey Hepburn’s 1954 movie Sabrina to pay tribute to the classic film. ### What other artists has Sabrina Carpenter recently collaborated with live? Sabrina Carpenter collaborated with Madonna during her headlining set at Coachella, where the pair debuted their new single “Bring Your Love” alongside iconic hits. ### Where was the Stevie Nicks Met Gala performance held? Stevie Nicks performed as the Met Gala headliner inside the Metropolitan Museum of Art’s Egyptian wing, hosting special guest Sabrina Carpenter for two duet tracks. Related Stories - [The Winners and Losers of the 2026 Met Gala](https://rollingstonephilippines.com/culture/met-gala-2026-winners-losers/ "The Winners and Losers of the 2026 Met Gala") - [Coachella 2026 Weekend 2 Highs and Lows: Madonna, Sombr, Billie Eilish, More](https://rollingstonephilippines.com/music/pop/coachella-2026-weekend-2-highlights/ "Coachella 2026 Weekend 2 Highs and Lows: Madonna, Sombr, Billie Eilish, More") - [Stevie Nicks: ‘I Believe in the Church of Stevie’](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/stevie-nicks-fleetwood-mac-kamala-harris-new-music/ "Stevie Nicks: ‘I Believe in the Church of Stevie’") **Categories:** Music, Pop **Tags:** 2026 Met Gala, Sabrina Carpenter, Stevie Nicks --- ### [18 Years Later, Japan’s rural Festival Has Never Compromised on Sound Quality](https://rollingstonephilippines.com/music/dance-electronic/rural-festival-japan-sound-quality/) **Published:** May 6, 2026 **Author:** Sai Versailles **Excerpt:** As Asia’s dance music boom pushes festivals toward scale, Japan’s rural festival remains committed to DIY values and a relentless pursuit of high-quality sound **Content:** From July 17 to 20, Japanese outdoor music festival [rural](https://rollingstonephilippines.com/tag/rural-festival/ "Rural Festival") celebrates its 18th edition alongside local and international producers and DJs at the cutting edge of techno, ambient, and experimental music. What began as a small gathering with friends in 2009 has evolved into one of the country’s most respected festivals for dance and electronic music, set against the backdrop of Japan’s most scenic mountain views. This year’s festival will take place in Bandai-Asahi National Park, Fukushima. [Music festivals](https://rollingstonephilippines.com/editors-picks/lists/guide-music-festivals-in-asia/ "Fusion Music Festival") for dance and electronic music are booming in Asia. Within the last year alone, franchises like Belgium’s [Tomorrowland](https://rollingstonephilippines.com/tag/tomorrowland/ "Tomorrowland"), Las Vegas’ Electric Daisy Carnival, and the U.K.’s Creamfields established international editions in Thailand, while homegrown events like [Wonderfruit](https://rollingstonephilippines.com/tag/wonderfruit/ "Wonderfruit") (Thailand) and Magnetic Fields (India) are attracting audiences in the tens of thousands. Such business decisions often come with a desire to scale – to make a return on investment or, as they say, to go big or go home. But after 18 years of mounting the music festival with five core members, rural founder Atsushi Maeda, who is also a DJ, made an impressive feat at not only maintaining the festival’s intimacy; the festival has remained true to how many boot-strapped music organizers start their careers without downplaying their passion or enthusiasm. ![rural festival japan 2026 full line up](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/rural-festival-2026-full-lineup.webp) Full line-up of rural Festival 2026. Photo from rural Festival “We started almost impulsively with friends so, to be honest, it was far from what you would call a well-organized event,” Maeda notes as he explains how promotion during the festival’s early years was primarily through word-of-mouth. “Our budget was very limited, so we rented a simple tent for rain protection, used minimal lighting that friends brought in, and relied heavily on the help of our community to make it happen.” However, the core idea of presenting techno with a pure, high-quality sound didn’t change from what rural is today, Maeda says, pointing to how persistent idealism helped the festival grow into the institution it is today. “I remember how the sound team enjoyed working with us, even while dealing with our ambitious requests. That collaborative spirit was very meaningful for us.” ## Sound First Over the last decade, the festival has partnered with sound engineers to meticulously tune its customized sound systems to the festival’s natural surroundings. This year sees the stacks of Void Acoustics and Danley Sound Labs return to the festival, and it is this commitment to exceptional sound quality that keeps attendees coming back. “From the audience’s perspective, truly great sound is something that is immediately felt; it’s so impactful that it’s difficult to overlook,” Maeda says, explaining how his team even goes as far as tuning the sound system to each performer. “After each changeover, the texture and output of the sound often change depending on the artist’s style, so the sound engineers actively adjust and respond to those changes to maintain the listening experience.” ![rural festival japan](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/rural-2025-Takashi-Hamada381.webp) For over a decade, rural Festival has partnered with sound engineers to meticulously tune its customized sound systems to the festival’s natural surroundings. Photo by Takashi Hamada Nao, a resident DJ of rural, says the festival has fundamentally transformed the way she perceives music, in part due to rural’s “strong emphasis on the quality of sound,” which “extends far beyond simply listening to music or dancing.” “Rather than focusing solely on individual tracks or sounds, I have become more aware of how they resonate and interact within time and space,” she says. This intuitive approach to sound and nature bleeds into their programming as well. This year, for example, sees the festival spread across one of Japan’s finest hot spring regions at the foot of Mount Adatara, one of the country’s 100 Famous Mountains. “The surrounding area has clean air, high-quality hot springs, and excellent local food,” Maeda says, explaining that some of the festival staff are mountain guides to the area. “These are all values created through coexistence between nature and people. Through rural, we hope to share these attractions and encourage visitors to return — not only before or after the festival, but also in different seasons.” As for the music, the festival will see the styles of different artists interact in “interesting ways,” Maeda describes. For example, the reunion of Amsterdam-based DJ and producer Lena Willikens and Belgrade-born selector Vladimir Ivkovic as Willikens & Ivkovic marks their first shared stage in Japan in seven years. Jane Fitz, a native to London’s dance music scene since the ‘90s, will play a back-to-back set with Dr. Nishimura, one of Japan’s most prolific record collectors, following an encounter at a rural festival party in Goa, India, last January. In fact, wider representation in this year’s line up is likely the result of rural’s efforts to expand their reach through pop-up events across Asia, with talents like Chhabb and Kiss Nuka from Mumbai and Taipei’s YuY entering the mix. Long-time residents and newcomers from Japan and beyond are expected to grace the festival stage, fostered through organic connections made over the course of rural’s 18-year history. “We’ve gained more support from local collaborators over the years, and by building trust with them, we hope to continue developing the festival in a sustainable way,” Maeda says. ![Colorful illuminated geodesic dome sculpture at night with a glowing diamond on top.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/rural-2025-Takashi-Hamada286.webp) rural Atsushi Maeda hopes that their intuitive approach to programming encourages attendees to return to Japan’s natural surroundings beyond the festival season. Photo by Takashi Hamada As momentum continues to build for Asia’s dance and electronic music scene, maintaining intimacy even at scale will be key for many organizers. Maeda notes that most events in Asia “are still club-based,” referencing cities in Taiwan and South Korea. Today, however, many dance and electronic music events in the Philippines operate from a DIY model after experiencing a boom in [new music collectives](https://rollingstonephilippines.com/editors-picks/features/7-dance-music-parties-that-defined-post-pandemic-manila/), following nightclub closures during the pandemic. Clubs may offer a consistency that helps sustain regular audiences, but mounting an event from scratch offers more space for experimentation and a sense of ownership that is key to building a community from the ground up. “Seeing this, I imagine \[Asian organizers are\] thinking about how to create better environments and improve sound quality and I believe that kind of curiosity and initiative is exactly what drives the development of a scene,” Maeda says. ## Frequently Asked Questions ### What is rural festival in Japan? rural is an intimate Japanese electronic music festival founded in 2009, featuring international techno, ambient, and experimental artists in scenic outdoor locations. ### Where is Japan’s rural festival located in 2026? The 18th edition takes place in Fukushima’s Bandai-Asahi National Park near Mount Adatara, an area known for natural hot springs and mountain views. ### How does rural festival optimize its sound quality? Engineers customize Void Acoustics and Danley Sound Labs systems to the natural terrain, actively adjusting the output to suit each artist’s performance style. ### Who is performing at rural festival this year? The lineup includes Willikens & Ivkovic, Jane Fitz B2B Dr. Nishimura, resident DJ Nao, and regional Asian talents like Chhabb, Kiss Nuka, and YuY. ### How does rural festival compare to larger Asian events? Unlike large commercial events, rural maintains a small, community-driven scale focused on audiophile-grade sound, DIY culture, and sustainable natural integration. Related Stories - [How Rainbow Disco Club Reminded Manila of its Disco Heritage](https://rollingstonephilippines.com/radar/events/rainbow-disco-club-manila-recap/ "How Rainbow Disco Club Reminded Manila of its Disco Heritage") - [In Berlin, Davaoeño-Sicilian DJ Jesse G Found Her Life’s Blueprint in Techno](https://rollingstonephilippines.com/music/dance-electronic/dj-jesse-g-berlin-techno/ "In Berlin, Davaoeño-Sicilian DJ Jesse G Found Her Life’s Blueprint in Techno") - [‘Stranger Things’ Season 5: The Kids Are Definitely Older Now](https://rollingstonephilippines.com/culture/tv/stranger-things-season-5-kids-aged/ "‘Stranger Things’ Season 5: The Kids Are Definitely Older Now") **Categories:** Dance/Electronic, Music **Tags:** Rural Festival --- ### [How the Dominic Sessa-Led Anthony Bourdain Biopic ‘Tony’ Came to Be](https://rollingstonephilippines.com/culture/film/tony-anthony-bourdain-dominic-sessa/) **Published:** May 6, 2026 **Author:** Pie Gonzaga **Excerpt:** Director Matt Johnson says there are “uncanny” connections between the film’s star and its titular character **Content:** Entertainment company A24 has just released the first trailer for *[Tony](https://rollingstonephilippines.com/tag/tony-film/ "Tony Film")*, an upcoming biographical film about the late chef, writer, and documentarian [Anthony Bourdain](https://rollingstonephilippines.com/tag/anthony-bourdain/ "Anthony Bourdain"). Set for an August release, the biopic is the latest addition to American actor [Dominic Sessa](https://rollingstonephilippines.com/tag/dominic-sessa/ "Dominic Sessa")’s growing filmography. In August 2024, [*Deadline*](https://deadline.com/2024/08/a24-anthony-bourdain-biopic-dominic-sessa-1236038429/) reported that Sessa was in talks to star as Bourdain in the film, directed by Canadian filmmaker Matt Johnson. In April and May 2025, it was announced that actors Antonio Banderas, Emilia Jones, and Leo Woodall would join *The Holdovers*’ breakout star on the project in undisclosed roles. Comedian Stavros Halkias was also cast in *Tony*, which wrapped filming in August 2025. Speaking to [*Entertainment Weekly*](https://ew.com/tony-first-look-dominic-sessa-anthony-bourdain-exclusive-11964612), Johnson said that he had cast Sessa after having dinner with him and a producer. “Within an hour, we were writing what would become the screenplay of the movie together,” he said. “\[Sessan and Bourdain are\] both from Jersey, both sent to private school, but didn’t fit in, both restless and searching. I knew if a scene was working when Dom said, ‘Seems right,’ and I knew it wasn’t when he said, ‘Why would I say this?’ More than any movie I’ve ever made, this film was a partnership with an actor. He is in every shot of the movie, and carries the entire story on his hunched shoulders.” ## Before ‘Kitchen Confidential’ Until the trailer was released on Wednesday, May 6, other details about the film had been kept under wraps. On A24’s social media pages, the trailer is posted with the caption “Where it all began.” The trailer shows Sessa as a 19-year-old Bourdain meeting up with Nancy (Jones), a girl he’d met in high school. Anthony’s application for a writing fellowship has just been rejected, and he drinks to cope with the news. He becomes a helper in Ciro’s (Banderas) kitchen, making friends with the characters of Halkias and Woodall, and learning how to cook. In a clip, Sessa’s Anthony pitches to Banderas’ Ciro: “Every Friday, something fancy, not pretentious. Something sexy, makes you want to fuck. Something only you can do.” Two chapters of Bourdain’s memoir, *Kitchen Confidential: Adventures in the Culinary Underbelly*, touch on his experience working for seafood restaurants in Cape Cod in the 1970s, which served as his foray into the culinary world. As such, we can expect *Tony* to follow Bourdain in the years before his *The New Yorker* essay “Don’t Eat Before Reading This” launched his media career in 1999. Johnson said those two chapters, entitled “Food is Sex” and “Food is Pain,” read like “Genesis” to him. “So little happens, but the margins are packed. It meant the cast and I could investigate this man’s origin together, knowing only where he would end up 20 years later,” he said. According to *Deadline*, the film is also supported by Bourdain’s estate, represented by executive producer Kimberly Witherspoon. ## Frequently Asked Questions ### Who plays Anthony Bourdain in the biopic ‘Tony’? Dominic Sessa plays a 19-year-old Anthony Bourdain in the A24 biopic Tony, directed by Canadian filmmaker Matt Johnson and supported by Bourdain’s estate. ### Who else stars in the Anthony Bourdain movie ‘Tony’? The Tony film cast includes Antonio Banderas as Ciro, Emilia Jones as Nancy, Leo Woodall, and comedian Stavros Halkias in supporting culinary roles. ### What is the plot of the Anthony Bourdain biopic ‘Tony’? Tony focuses on Anthony Bourdain’s early life in the 1970s working in Cape Cod seafood kitchens, prior to his breakout 1999 New Yorker essay. ### Is ‘Tony’ based on Anthony Bourdain’s memoir ‘Kitchen Confidential’? Yes, Tony is adapted from the early chapters “Food is Sex” and “Food is Pain” from Anthony Bourdain’s memoir Kitchen Confidential: Adventures in the Culinary Underbelly. ### When will the Anthony Bourdain movie ‘Tony’ be released? A24 plans an August release for Tony, following the debut of its first official trailer in May showcasing Bourdain’s early culinary career. Related Stories - [We’re Getting a Family Drama with ‘Evil Dead Burn’](https://rollingstonephilippines.com/culture/film/evil-dead-burn-trailer-sam-raimi/ "We’re Getting a Family Drama with ‘Evil Dead Burn’") - [We Were Never Going to Get a Real Michael Jackson Biopic](https://rollingstonephilippines.com/culture/film/jackson-movie-michael-jackson-review/ "We Were Never Going to Get a Real Michael Jackson Biopic") - [What to Watch Right Now: 5 Culture Picks From the Rolling Stone Philippines Staff](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/house-of-dynamite-welcome-to-derry/ "What to Watch Right Now: 5 Culture Picks From the Rolling Stone Philippines Staff") **Categories:** Culture, Film **Tags:** Anthony Bourdain, Dominic Sessa, Tony --- ### [The 5 People Running to Replace Kiko Barzaga in Cavite’s Fourth District](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/cavite-4th-district-candidates-replace-kiko-barzaga/) **Published:** July 27, 2026 **Author:** Pie Gonzaga **Excerpt:** Familiar names dominate the upcoming special elections that will determine the new representative of Cavite’s fourth district, among them Kiko Barzaga’s mother and his late father’s vice mayor **Content:** Five individuals have filed their certificates of candidacy (COCs) in the wake of former Cavite Fourth District Representative [Francisco “Kiko” Barzaga](https://rollingstonephilippines.com/tag/kiko-barzaga/ "Kiko Barzaga")’s expulsion from the House of Representatives. The special congressional elections will be held on August 29, over two months after Kiko was removed from office. Among those seeking to replace him are his mother, current Dasmariñas Mayor Jennifer “Jenny” Austria-Barzaga, and Rex Mangubat, who served as the city’s vice mayor alongside Barzaga’s late father, Elpidio “Pidi” Frani Barzaga Jr., from 2016 to 2019. Pidi also served as the lone district representative from 2019 until his passing in April 2024. Mangubat was the first to file his COC on July 15. Responding to [criticism](https://newsinfo.inquirer.net/2270475/former-vice-mayor-rex-mangubat-dasmarinas-city-is-for-every-dasmarineno) that he is running against a former colleague’s family, he said he was thankful for the opportunities that Pidi gave him to serve during their tenure. “Ngunit ang paglilingkod-bayan ay hindi habambuhay na utang na loob,” Mangubat said. “Ang pagkakataong ibinigay sa akin ay hindi para manatili akong tapat sa isang pangalan o pamilya. Iyon ay para paglingkuran ang bawat Dasmarineño.” ## What Happens to Dasmariñas’ Mayorship if Jenny Austria-Barzaga Wins Congress? Austria-Barzaga filed her COC on July 17. She announced her candidacy on Facebook, saying, “With your trust and support, I remain committed to serving every Dasmarineño and continuing the progress of our beloved City of Dasmariñas.” With Austria-Barzaga vying for a seat in the House of Representatives, her son and Kiko’s brother, Dasmariñas Vice Mayor Elpidio “Third” Barzaga III, has assumed the position of acting mayor. Should she be elected district representative, Third will become the new mayor. When asked about the possibility of becoming mayor, Third [told reporters](https://www.abs-cbn.com/news/regions/2026/7/23/house-aspirant-jenny-barzaga-to-support-push-for-anti-dynasty-bill-son-1614) that he was nervous but excited. “There are some personal projects and programs that I want to do personally,” he said. “I might have a different style for mayor, and there’s going to be a bit of a learning phase to it for sure.” He also said that his mother would vote in favor of the anti-dynasty bill if she wins the special elections. ![rex mangubat cavite 4th district rep polls coc filing](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/rex-mangubat-coc-filing.webp) Rex Mangubat (lower right) files his candidacy on July 15. He had served with Kiko Barzaga’s father, Pidi Barzaga, as vice mayor and mayor, respectively, from 2016 to 2019. Photo from IBC TV 13/Facebook ## Marvin Dupal-ag, Leysander Ordenes, and Jesse Frani Complete the Five-Candidate Field Another aspirant is Marvin Opamin Dupal-ag, who was [nabbed in 2019](https://www.pna.gov.ph/articles/1079131) as a murder and carnapping suspect in Cebu. There are no other available reports regarding the progress of Dupal-ag’s case, but he has amassed a following of over 7,800 on Facebook, where he often posts about being dissatisfied with the local government’s services. “Puro sila galing sa panunungkulan,” he said of his fellow candidates in his most recent post. “Sila ay puro dating pulitiko, ang isa ay hanggang ngayon. Bakit ayaw nilang pag-usapan ang dekada ng problema sa drugs dito sa ating lugar?” Dupal-ag was the second to file a COC on July 15. Leysander Aguilar Ordenes, another congressional hopeful, is a retired special warfare commander of the Philippine Navy. He had previously filed his candidacy for the 2022 presidential elections, styling himself a “pandemic warfare mitigator,” according to [*Rappler*](https://www.youtube.com/watch?v=gniaBI_AFV4). Jacinto “Jesse” Bautista Frani Jr. is likewise no stranger to the polls after running against Kiko in the 2025 congressional elections. He was Kiko’s closest competition, garnering the second-highest number of votes but losing by over 5,000 votes. In a video posted on July 16, as he filed his COC, Frani asked his followers to give him a chance in public service. He also took his oath as a member of the Partido Federal ng Pilipinas on July 15. On July 23, the Dasmariñas city government donated P50 million to the Commission on Elections (Comelec) for the conduct of the special elections. Third was present at the turnover of the donation to Comelec. ## Frequently Asked Questions ### Who are the five candidates running for Cavite’s Fourth District special congressional election? The candidates for Cavite fourth district representative are Jenny Austria-Barzaga, Rex Mangubat, Marvin Dupal-ag, Leysander Ordenes, and Jesse Frani, all vying to replace former Rep. Kiko Barzaga. ### When is the special congressional election for Cavite’s fourth district? The special election is set for August 29, more than two months after Kiko Barzaga’s expulsion from the House of Representatives. ### Who is Jenny Austria-Barzaga and why is she running? Jenny Austria-Barzaga is the current Dasmariñas mayor and Kiko Barzaga’s mother. She is running to continue her family’s congressional representation in the district. She previously served as district representative from 2016 to 2019. ### What happens to the Dasmariñas mayorship if Jenny Austria-Barzaga wins? Dasmariñas Vice Mayor Elpidio “Third” Barzaga III, Jenny’s son and Kiko’s brother, would become mayor, having already assumed the role as acting mayor. ### How much did the Dasmariñas government donate to Comelec for the special elections? The Dasmariñas city government donated P50 million to the Commission on Elections on July 23 to help fund the conduct of the special congressional election. 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The [Amazon](https://rollingstonephilippines.com/tag/amazon/ "Amazon") founder, along with his wife, Lauren Sánchez Bezos, made headlines earlier in February when they were announced as the lead sponsors and honorary chairs of the [2026 Met Gala](https://rollingstonephilippines.com/tag/2026-met-gala/ "2026 Met Gala"). The *Vogue-*organized event, which takes place this year on May 4, has long been billed as “fashion’s biggest night out” where celebrities and the fashion industry’s most influential figures have come together to raise funds for the Metropolitan Museum of Art. However, the Bezos’ involvement with the gala has sparked backlash from activists, especially considering the uber-rich couple’s alignment with the Trump administration and the ongoing allegations of worker rights abuses at Amazon. The activist group Everyone Hates Elon (as in, Musk) in particular has launched a boycotting campaign against this year’s gala. Over the past few weeks leading up to the event, the group’s members have plastered the subways and walls of New York with posters that highlight all the reasons why a tech billionaire like Bezos should not be sitting on the gala’s committee. “The Bezos Met Gala: Brought to you by worker exploitation,” read one poster. > [View this post on Instagram](https://www.instagram.com/p/DX4awxKHI4A/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Everyone Hates Elon (@everyonehateselon\_)](https://www.instagram.com/p/DX4awxKHI4A/?utm_source=ig_embed&utm_campaign=loading) Everyone Hates Elon has also reverted to more creative acts of protest, including hiding hundreds of “piss bottles” around the museum in reference to Amazon’s treatment of its warehouse workers. The Met’s gift shop now also features a number of tongue-in-cheek commemorative plates, like one that features a photo of the Bezoses and a caption that reads, “The Bezos Met Gala: The World’s Most Expensive Midlife Crisis.” Other critics have also pointed out how the gala has devolved from fashion’s most exclusive event into a night for tech’s biggest social climbers. “What used to be a closed-door networking event for fashion people is now a big-box clout store for the richest people on the planet,” wrote Amy Odell, the journalist and author behind the book *Anna: The Biography*. Odell also pointed out that tech giants such as OpenAI, Meta, and Snap Inc. have all purchased tables at this year’s gala, each of which cost $100,000 a ticket (in contrast to last year’s $75,000). Although this isn’t the first time that the Bezos have rubbed elbows with *Vogue* and its gala — in 2012, Jeffrey sat as the gala’s honorary chair, and in 2025, Lauren was the cover star of *Vogue*’s digital June issue — it’s definitely one of the more controversial moments the event has seen in recent years. High-profile figures have already confirmed that they’ll be skipping the evening, including Zendaya and Meryl Streep, although no specific (or political) reasons have yet to be given. New York Mayor Zohran Mamdani noted in an interview with *Hell Gate* that he and his wife, Rama Duwaji, will be absent from the gala in order to focus on “affordability and making the most expensive city in the United States affordable.” ## Frequently Asked Questions ### Why is the 2026 Met Gala controversial? Jeff Bezos and Lauren Sánchez Bezos served as lead sponsors and honorary chairs of the 2026 Met Gala. The billing drew backlash from activists who cite the couple’s alignment with the Trump administration and allegations of worker-rights abuses at Amazon, which the company disputes. ### Who is protesting the 2026 Met Gala? The activist group Everyone Hates Elon launched a boycott campaign, putting up posters across New York criticizing Bezos’s role and staging stunts referencing Amazon’s warehouse-worker conditions. Journalist Amy Odell also argued the event has shifted from a fashion gathering into a status event for the ultra-wealthy. ### Which celebrities skipped the 2026 Met Gala? Zendaya and Meryl Streep were reported to be skipping the 2026 Met Gala, though no specific reasons were given. New York Mayor Zohran Mamdani said he and his wife, Rama Duwaji, would be absent to focus on affordability efforts in the city rather than the event. ### Why is the Met Gala being called the “Tech Gala”? Critics adopted the “Tech Gala” label after the Bezoses’ involvement and reports that tech firms including OpenAI, Meta, and Snap bought tables at roughly $100,000 per ticket, up from $75,000 the year before. Detractors argue tech wealth is displacing the event’s fashion roots. ### Have the Bezoses been involved with the Met Gala before? Yes. This isn’t their first tie to Vogue’s event: Jeff Bezos served as an honorary chair in 2012, and Lauren Sánchez Bezos was a cover star of Vogue’s digital June issue in 2025. Their 2026 sponsorship, however, is among the most contested in recent years. 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If the first *Mortal Kombat* had its fair share of light to moderate bone-breaking savagery and satisfying moments of “fatality,” the sequel doubles down on the gore-fest, including gouging eyeballs, copious amounts of blood spraying, and skulls splitting wide open. The sequel, set years after the events of the first film, stars Karl Urban as the washed-up ‘90s Hollywood action star Johnny Cage. In this adaptation, Urban realizes that he has passed his prime. His not-so-glitzy-and-glamorous life suddenly took a turn when he encountered the first movie’s protagonists, Raiden and Sonya Blade, who chose him to participate in the tournament organized by the film’s big baddie from the Outerworld, Shao Kahn, alongside his adopted daughter Kitana, who aim to rule Earthrealm by defeating its mortal challengers. From there, the film spends time balancing its protagonists’ arcs to show that the stakes are higher for everyone involved. ## Double-Edged Camp ![Mortal Kombat II Review](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/004_MK2_EWStills_V1.webp) Kitana is the vengeful daughter who jumps through realms to uncover the secrets of the tournament. Photo courtesy of Warner Bros. Philippines Johnny Cage and Kitana are the hearts of **Mortal Kombat II**. The former is an overly confident, braggadocious action star who can only talk smack behind other fighters’ backs, while the latter is the vengeful daughter who jumps through several realms to uncover the secrets of the tournament. Beyond the lore and the gore, the Warner Bros. film throws in a ton of movie references between jokes, especially for Urban and Josh Lawson’s character, the eye-laser Aussie Kano. But where it gets frustrating is the mentions of *John Wick*, *The Lord of the Rings*, and Voldemort in their dialogue. We get it, you have the right to name-drop those movies that your studio produced for cheap laughs. Give us a break. The campy one-liners are effective fan service to followers of the original source material. In one scene, Shao Kahn and Cole Young go toe-to-toe in a level inspired by “The Dead Pool” from the video game. The camera then zooms out to show them in a stare-down, replicating a literal side-scrolling video game, with hanging bars acting as metaphorical health bars. In another scene, Cage wears his shades and says, “It’s show time” while Kitana wields her iconic fan blades; And what about Hanzo Hasashi’s Scorpion line, “Get over here!” from the depths of hell? My inner child wouldn’t say no to that. ## A Hero’s Tale ![Mortal Kombat II Review](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/005_MK2_EWStills_V1.webp) The film’s got kickflips, blood, and an action star who lives up to the name of the tournament. What more could you ask for? Photo courtesy of Warner Bros. Philippines The first *Mortal Kombat* followed MMA fighter Young, whose fighting spirit goes back to his ancestors, on his path tobackground to becoming a champion. The reboot, however, struggled to make viewers sympathize with a character who isn’t even part of the video game franchise, creating a disconnect between him and the rest of the cast. Unlike in the sequel, where Cage and Kitana are given proper arcs that show why you should care about them, especially in terms of their lore. If that isn’t enough to make viewers care about the characters, we also get a Cage versus Baraka scene that stands out as one of the film’s highlights, showcasing Urban’s quick-witted action and comedic quips (zero mentions of a random Warner Bros. movie this time). Not to mention his incapable, awkward demeanor makes his portrayal of a ‘90s has-been action star more endearing. Cage, and to an extent Kitana, both have redemption arcs that land, and from there, it becomes an action movie with characters to actually root for. Historically speaking, video game-to-film adaptations have had a bad reputation among fans. Take Uwe Boll’s infamous attempts at recreating franchises like *Alone in the Dark*, *House of the Dead*, and *BloodRayne*, or even the hammy *DOOM* starring Dwayne Johnson, or the needlessly long *Resident Evil* franchise with Milla Jovovich. **Mortal Kombat II** avoids that curse right away with badass fight scenes. It’s got kickflips, blood, and an action star who lives up to the name of the tournament. What more could you ask for? *Mortal Kombat II* is now showing in cinemas. ## Frequently Asked Questions ### Is Mortal Kombat II bloodier than the 2021 film? Yes, Mortal Kombat II significantly increases the gore, featuring skull splits, eyeball gouging, and extensive blood spray that exceeds the violence shown in the 2021 reboot film. ### Who plays Johnny Cage in Mortal Kombat II? Karl Urban portrays Johnny Cage, playing a washed-up, braggadocious 1990s Hollywood action star who joins Raiden and Sonya Blade to fight for Earthrealm in the tournament. ### How does Mortal Kombat II reference the video games? The sequel incorporates iconic character lines, fan-favorite weapon maneuvers, and visual homage scenes, including side-scrolling camera angles modeled directly after classic video game fighting stages. ### Is Cole Young the main focus in Mortal Kombat II? No, while Cole Young appears, the sequel pivots focus toward Johnny Cage and Kitana, providing both established lore figures with defined redemption arcs and central narrative roles. ### Is Mortal Kombat II currently available in theaters? Yes, Mortal Kombat II is currently playing in movie theaters worldwide, having completed its production run under Warner Bros. Pictures as an official theatrical feature release. Related Stories - [Who Are the Real Villains in ‘The Devil Wears Prada 2’?](https://rollingstonephilippines.com/culture/film/the-devil-wears-prada-2-real-villains/ "Who Are the Real Villains in ‘The Devil Wears Prada 2’?") - [21 Scary Horror Movies That Reflect the World’s Real Terrors](https://rollingstonephilippines.com/culture/film/21-horror-movies-real-world-terror/ "21 Scary Horror Movies That Reflect the World’s Real Terrors") - [12 Most Brutal Deaths in the ‘Final Destination’ Franchise](https://rollingstonephilippines.com/culture/film-tv/12-most-brutal-deaths-final-destination-franchise/ "12 Most Brutal Deaths in the ‘Final Destination’ Franchise") **Categories:** Culture, Film, Reviews **Tags:** Mortal Kombat II --- ### [Nicole Scherzinger, Jo Koy to Receive Hollywood Walk of Fame Stars in 2027](https://rollingstonephilippines.com/culture/news-culture/nicole-scherzinger-jo-koy-hollywood-walk-of-fame-2027/) **Published:** July 27, 2026 **Author:** Elijah Pareño **Content:** Singer-actress [Nicole Scherzinger](https://rollingstonephilippines.com/tag/nicole-scherzinger/ "Nicole Scherzinger") and stand-up comic [Jo Koy](https://rollingstonephilippines.com/tag/jo-koy/ "Jo Koy") are among the next personalities of Filipino descent to be part of the Hollywood Walk of Fame Class of 2027. The honorees next year will receive stars embedded along the famed sidewalks of Hollywood in Los Angeles, California. The public monument has honored hundreds of iconic celebrities and entertainers since 1953. > [View this post on Instagram](https://www.instagram.com/reel/DbMqYdHOHoz/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Nicole Scherzinger (@nicolescherzinger)](https://www.instagram.com/reel/DbMqYdHOHoz/?utm_source=ig_embed&utm_campaign=loading) The *[Sunset Boulevard](https://rollingstonephilippines.com/culture/news-culture/nicole-scherzinger-darren-criss-tony-awards/ "Darren Criss, Nicole Scherzinger Join List of Filipino Tony Award Winners")* actress’ reaction to receiving her own star was posted on Instagram. “Dreams really do come true,” Scherzinger says in disbelief. “I can hardly believe it!!! I am overwhelmed and so grateful! Look at God!” Meanwhile, Jo Koy also shared his reaction online, posting a video of himself with his family and friends celebrating the occasion. > [View this post on Instagram](https://www.instagram.com/reel/DbJfra0RaIY/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Jo Koy (@jokoy)](https://www.instagram.com/reel/DbJfra0RaIY/?utm_source=ig_embed&utm_campaign=loading) Previously, Filipino singer-actress [Lea Salonga](https://rollingstonephilippines.com/tag/lea-salonga/ "Lea Salonga") was announced in 2025 to receive her own star on the Hollywood Walk of Fame, with her ceremony scheduled for September 2026. More Filipino-American artists have received stars in the past, including [Bruno Mars](https://rollingstonephilippines.com/tag/bruno-mars/ "Bruno Mars") as part of the Class of 2016, as well as [Apl.de.ap](https://rollingstonephilippines.com/tag/apl-de-ap/ "apl.de.ap") with the [Black Eyed Peas](https://rollingstonephilippines.com/tag/black-eyed-peas/ "Black Eyed Peas") as part of the Class of 2022. Both artists were honored under the Recording category. Scherzinger will go on tour with her group The Pussycat Dolls in Europe starting in September. Jo Koy meanwhile, will star in the upcoming DreamWorks Animation fantasy film *[Forgotten Island](https://rollingstonephilippines.com/tag/forgotten-island/ "Forgotten Island"),* releasing this September. ## Frequently Asked Questions ### Who is Nicole Scherzinger? Nicole Scherzinger is an American singer-actress of Filipino descent. She is also the star of *Sunset Boulevard* and has won a Tony Award and a Laurence Olivier Award for her portrayal of Norma Desmond. ### Who is Jo Koy? Jo Koy is a Filipino-American comedian. He received a handprint and footprint ceremony at the TCL Chinese Theatre and became the first Filipino-American to host the Golden Globe Awards. ### What is the Hollywood Walk of Fame? The Hollywood Walk of Fame is a public monument in Hollywood, Los Angeles, California, featuring stars embedded along its famed sidewalks. It has honored hundreds of celebrities and entertainers since 1953. ### Who is the Filipino artist who will receive their own star in 2026? Filipino singer-actress Lea Salonga is scheduled to receive her own star on the Hollywood Walk of Fame in September 2026. ### Who are the Filipino-American honorees who received their own stars in the past? Previous honorees include Bruno Mars, who received a star as part of the Class of 2016, and Apl.de.ap with the Black Eyed Peas, who received a star as part of the Class of 2022. 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The episodes “Who’s Making Dinner” and “D’Amazing Race” close in on Deborah’s unresolved “issues” with her late husband and collaborator, and then with her sister, and with her daughter in a full-circle moment for the comedian who wrestled all-series-long with the baggage they inflicted on each other. “Who’s Making Dinner,” the season’s fourth episode, takes its title from the sitcom Deborah and Frank co-created and starred in together in 1973, whose rights are all under her husband’s name. 50 years later, she finds an opportunity to set the record straight at the opening of an exhibit celebrating *Who’s Making Dinner*. Except, because of a gag order, she can’t speak in public. The episode flashes back to the time the couple was still together shooting the show, and the cracks that formed in their relationship that famously led to Deborah losing everything, allegedly burning down Frank’s house, and — thank god — going the standup comedy route to fend for herself and their daughter after the fallout. Speaking of daughter, Deborah Jr. Vance, is back in Episode 5 to convince her mom to do *Celebrity Amazing Race* with her. Not since Season 3’s Episode 3 “The Roast of Deborah Vance” (one of the best IMO) have we seen this mother-daughter duo go at it in a fun yet heartwarming way. Deborah agrees if only to promote her Madison Square Garden show. And despite struggling through the race, milking a goat and doing a clown dance together, we arrive at a sincere moment in the end, where DJ realizes their time on the show is more than she had ever spent with her mom in years. ![hacks season 5 ava daniels deborah vance](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/hacks-season-5-ava-daniels-deborah-vance.webp) Ava and Deborah hunts down Kathy to ask for the rights to reboot *Who’s Making Dinner* Photo from Hack/Instagram Meanwhile, Ava’s *Mall Girl* script receives rave reviews but for the same reasons a TV exec loved it (“nuanced, specific, original”) it’s not good for TV. But that’s good enough to get her a blind script deal. Midway through watching *Who’s Making Dinner*, she realizes she wants to make a reboot of Frank and Deborah’s show but starring their Gen Z grandkid, who has to live with roommates in order to afford the house; a commentary on “chosen family, a generation who’s never going to find the success that their parents found, community building, downward mobility — but funny!” Deborah gives Ava her blessing to do it, but because Frank posthumously left the rights to Kathy, now they have to convince Deborah’s estranged sister to give them up. These are just a few themes that *Hacks* is revisiting in its final season in a bid to close out all loose ends. Here, we list down other plotlines that the series is circling back to. ## The Little Debbies Deborah tries to win her [Little Debbies](https://rollingstonephilippines.com/culture/tv/hacks-s5e2-deborah-vance-lizard/ "‘Hacks’ Recap: Deborah Vance May Actually Be A Lizard… Er, A Good Person") back in Season 5 — all of them, including one who’s basically a stalker, the head of the fan club (who IIRC, she sued in Season 3 for profiting from her unofficial merch), and even young new fans, who tricked Ava into thinking they’re her fan when really they want to take her job. Cindy, third-generation Little Debbie, also agrees that Ava’s tweets were “not jokes, but thought poems” (Deborah, Season 1, Episode 2). ## DJ and D’Jewelry Deborah finally makes good on her promises to her daughter, one, by joining her on *Celebrity Amazing Race* for when DJ became sober, and two, by letting her promote her line of “mall kiosk” jewelry, D’Jewelry on QVC. (She tumbles her own rocks!) Deborah also finally realizes DJ is much tougher than she is. “I over-corrected. I didn’t let you try enough, ‘cause you could have handled it,” she tells her DJ. ![hacks deborah dj celebrity amazing race](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/hacks-deborah-dj-celebrity-amazing-race.webp) “This is the most time I spent with my mom in years,” DJ Vance tells *Celebrity Amazing Race* host Phil Keoghan. Photo from Hacks/Instagram ## The Writer-Actors Are Back Joe Mande and Pat Reagan, *Hacks* guest writers and part-time actors, make a comeback in the latest episode in the Hospitality Olympics, where Deborah, Marcus, Damien, and Josefina scout talent to staff the Paradiso, which they’ve decided to rebrand as The Diva. Mande was first introduced as the concierge at the Las Vegas hotel casino where Ava was previously staying. Reagan starred as a bell boy in Season 3 and wrote, what IMO, are some of the best episodes of the show, including “1.69 Million” and “I Love LA.” ## The Antiques Dealer and the Shaker Collection Deborah’s rarified salt and pepper shaker collection was first shown in Season 1. But it wasn’t until Season 5 that we learned its origin. Turns out her sister also has a collection inspired by their mother’s love for quirky shakers. And as a condition to give up the rights to *Who’s Making Dinner?*, she asks Deborah to return the pair she got from home: a pair of cherubic porcelain blonde girls that their parents thought looked like Deborah and Kathy. Deborah refuses to give them up so Ava returns to the antiques dealer from Season 1 to have replicas of the shakers made. ## ‘Mall Girl’ and Ava’s Reboot “Your TV show is my personal favorite thing that you’ve ever done,” lied a desperate Ava interviewing for a job with Deborah in Season 1. That can’t be truer now that she’s decided to reboot “Who’s Making Dinner” with the blessing of Deborah. We may never see the adaptation of *Mall Girl,* but it will always live in our hearts. Hacks *is currently streaming its final season on HBO Max.* ## Frequently Asked Questions ### What happens in Hacks Season 5, Episodes 4 and 5? Episode 4, “Who’s Making Dinner,” revisits Deborah’s history with late husband Frank through an exhibit for their old sitcom, complicated by a gag order. Episode 5, “D’Amazing Race,” sends Deborah and daughter DJ onto Celebrity Amazing Race, ending on a heartfelt mother-daughter moment. ### Is Season 5 the final season of Hacks? Yes. Season 5 is the final season of Hacks, and the recap notes it is spending its episodes revisiting and resolving long-running plotlines, hangups, and traumas for Deborah Vance and Ava. The season is streaming on HBO Max. ### What is Ava’s Mall Girl and the Who’s Making Dinner reboot? Ava’s script Mall Girl earns praise but is deemed too original for TV, landing her a blind script deal. She instead pitches rebooting Deborah and Frank’s old sitcom Who’s Making Dinner with their Gen Z grandkid. Deborah gives her blessing, but the rights sit with estranged sister Kathy. ### What is D’Jewelry in Hacks Season 5? D’Jewelry is daughter DJ Vance’s line of “mall kiosk” jewelry, which she tumbles the rocks for herself. In the final season, Deborah finally supports DJ by letting her promote the line on QVC and joining her on Celebrity Amazing Race, acknowledging she underestimated her daughter. ### Where can I watch the final season of Hacks? The fifth and final season of Hacks is streaming on HBO Max. The Emmy-winning comedy stars Jean Smart as veteran comedian Deborah Vance and Hannah Einbinder as her writer Ava, with the last season releasing episodes as it builds toward the series finale. 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But they’d never actually duetted on a track until McCartney began assembling his upcoming LP *The Boys Of Dungeon Lane,* and the new song “Home To Us” felt like a natural place to feature Starr on vocals alongside himself. “In writing the song I’m talking about where we came from,” McCartney [told members of the press](https://www.theguardian.com/music/2026/may/05/paul-mccartney-the-boys-of-dungeon-lane-playback-preview-fans-abbey-road) who assembled in Abbey Road on May 5 to hear a preview of the new album. “In common with a lot of people, you come from nothing, and you build yourself up. Ringo was from the Dingle, and that was well hard. He said he used to get mugged coming home because he worked. Even though it was crazy, it was home to us.” “I made the song around that idea and sent it to Ringo,” he continued. “He sent me back a version where he just added some lines to the chorus, so I thought, maybe he doesn’t like it. I rang him, and he said he thought I only wanted him to sing one or two lines, and I said I’d love to hear him sing the whole thing. So we took my first line, Ringo’s second line, and then we had a duet. We’d never done that before. Then we wanted some backing vocals and I had the idea it would be nice to hear girls. Chrissie Hynde said she’d do it, and Sharleen Spiteri, they’re mates. So they did it.” Like many songs on *The Boys Of Dungeon Lane*, which was produced by Andrew Watt, “Home To Us” looks back on McCartney’s life with a heavy dose of nostalgia. The title comes from a line one “Days We Left Behind,” which references an area near Liverpool’s River Mersey where McCartney played as a child. It also reflects on the “secret code” he shared with John Lennon at his childhood home. “I stand by what I said,” he sings. “The promise that I made will never be broken.” “This was a lot of memories of Liverpool for me,” McCartney told the press, “but also any days we’ve left behind. Everyone’s got them – school, old mates. \[The song\] has memories of John in the middle, that’s lovely to go back to.” When asked what sort of “secret code” he had with Lennon, McCartney laughed. “I’m not telling,” he said. “You make a lot of stuff up when you write songs.” McCartney goes back even further in time on “Salesman Saint” when he sings about his parents. “I was born in 1942, in the war,” he said. “I was too young to appreciate that, but my parents weren’t. My dad was a fireman, putting out fires from the bombs. My mum was a nurse and midwife. But they carried on, because they had to. Like people in Ukraine, Gaza, and elsewhere now.” “Down South” is a reflection of the early days of the Beatles, while “As You Lie There” touches upon an unrequited childhood crush on a neighbor girl named Jasmine. “I didn’t know how to approach her. I never spoke to her,” McCartney said. “The joke was, she did show up later that year and knocked on the door. I was indisposed – I was on the toilet – so I missed Jasmine!” By cosmic coincidence, the very same day that McCartney met with the press in London to promote his new Andrew Watt-produced LP, the [Rolling Stones were meeting with the press in New York City](https://www.rollingstone.com/music/music-features/rolling-stones-album-conan-obrien-things-learned-1235558323/) to promote their new Andrew Watt-produced album, *Foreign Tongues.* It features McCartney on one track, which was recorded at the Hackney Diamonds sessions in 2023. The Rolling Stones and Paul McCartney have no dates on the books at the moment, and it’s unclear if the Stones have plans to ever tour again. But Ringo Starr – who recently teamed up with producer T-Bone Burnett on [his new solo LP *Long Long Road*](https://www.rollingstone.com/music/music-features/ringo-starr-country-album-long-long-road-interview-1235540586/) – is kicking off [another leg of his All Starr Band tour on May 28 in Temecula, California.](https://www.ringostarr.com/tour) *This article was originally published on **[rollingstone.com](https://www.rollingstone.com/music/music-news/sabrina-carpenter-stevie-nicks-landslide-perform-met-gala-1235557783/)**.* ## Frequently Asked Questions ### What is the first duet between Paul McCartney and Ringo Starr? “Home To Us” is the first official duet between Paul McCartney and Ringo Starr, featured on McCartney’s album The Boys Of Dungeon Lane. ### Who produced Paul McCartney’s album The Boys Of Dungeon Lane? Producer Andrew Watt produced Paul McCartney’s album The Boys Of Dungeon Lane, having also collaborated with The Rolling Stones on their recent release. ### What inspired Paul McCartney’s song “Home To Us”? “Home To Us” was inspired by McCartney and Ringo Starr’s upbringing in Liverpool, reflecting on their working-class roots and childhood surroundings. ### Who sings backing vocals on “Home To Us”? Chrissie Hynde and Sharleen Spiteri contribute guest backing vocals on “Home To Us” after McCartney invited them to join the track. ### Does Paul McCartney reference John Lennon on his new album? Paul McCartney references John Lennon on the song “Days We Left Behind,” recalling their shared childhood memories and secret writing codes in Liverpool. Related Stories - [4 Icons of the ‘Manila Sound’ Era and Their Enduring Legacy](https://rollingstonephilippines.com/music/4-icons-manila-sound-era-legacy/ "4 Icons of the ‘Manila Sound’ Era and Their Enduring Legacy") - [The Beatles Came to Manila 59 Years Ago, Their Most Infamous Concert Tour Stop of All Time](https://rollingstonephilippines.com/music/the-beatles-manila-59th-anniversary/ "The Beatles Came to Manila 59 Years Ago, Their Most Infamous Concert Tour Stop of All Time") - [Ely Buendia is a Walking Contradiction](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/ely-buendia-the-rolling-stone-interview/ "Ely Buendia is a Walking Contradiction") **Categories:** Music, News, Rock **Tags:** Paul McCartney --- ### [Miss Universe PH Winner Bea Millan-Windorski Faces Backlash Over Performative Activism](https://rollingstonephilippines.com/culture/internet-culture/miss-universe-ph-bea-millan-windorski-activism/) **Published:** May 4, 2026 **Author:** Mel Wang **Excerpt:** Although some have begun questioning Bea Millan-Windorski’s title as Miss Universe Philippines, others have chosen to defend her recent win **Content:** Bea Millan-Windorski may have just been crowned [Miss Universe Philippines 2026](https://rollingstonephilippines.com/tag/miss-universe-philippines-2026/ "Miss Universe Philippines 2026"), but she’s already under fire from those questioning her win. The Filipino-American beauty queen will represent the Philippines at the upcoming 75th Miss Universe pageant this November in Puerto Rico. Although Millan-Windorski represented La Union during this year’s Miss Universe Philippines, critics have accused her of competing in the national competition despite representing the United States in Miss Earth 2024. Many have also questioned the legitimacy of her activism, labeling her participation in protests as performative. Prior to competing in Miss Universe Philippines, Millan-Windorski was already an active member of the environmental group Panatang Luntian, under which she joined protests such as the [Baha sa Luneta](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/baha-sa-luneta-september-21-rally/ "Inside the ‘Baha sa Luneta’ Protest as Filipinos Took to the Streets Against Corruption") rally. Across her social media platforms, Millan-Windorski has emphasized the importance of climate justice, migrant workers, and government accountability. > BMW IS NOT AN OPPORTUNIST! > > She literally asked me where she can join protests. SHE RALLIED WITH & FOR FILIPINOS. Dont ever question her pagka-“Pilipino” dahil mas Pilipino pa sya kaysa mga pinanganak at tumira sa Pinas pero hindi man lang kayang bumoses at ipaglaban ang bansa. > > — Joy Barcoma (@joymayanne) [May 3, 2026](https://twitter.com/joymayanne/status/2050770258022338850?ref_src=twsrc%5Etfw) “I chose to pack my life into balikbayan boxes because I believe in the limitless potential of the Filipino people,” said the pageant queen as part of the Q&A section of Miss Universe Philippines’ coronation evening, “and the fact that we need to create local opportunities here so that people don’t have to go abroad and be separated from their families in order to stay. If I were to get the title of Miss Universe Philippines, I promise to be a public servant for all.” Despite the criticism, many have also voiced their support for her Miss Universe Philippines win, including reigning Miss Philippines Earth Joy Barcoma. “\[Millan-Windorski\] is not an opportunist,” Barcoma wrote in an X post. “Don’t ever question her pagka-Pilipino dahil mas Pilipino pa sya kaysa mga pinanganak at tumira sa Pinas pero hindi man lang kayang bumoses at ipaglaban ang bansa.” ## Frequently Asked Questions ### Who is Bea Millan-Windorski? Bea Millan-Windorski is a Filipino-American beauty queen who was crowned Miss Universe Philippines 2026 on May 2. She represented La Union in the national pageant and will represent the Philippines at the 75th Miss Universe competition in Puerto Rico this November. She is also an environmental activist. ### Why is Bea Millan-Windorski’s win controversial? After her win, some online users questioned her eligibility, noting she had represented the United States at Miss Earth 2024 before competing for the Philippines. Others accused her of “performative activism,” arguing her participation in protests was for show. Supporters have pushed back on both claims. ### What activism is Bea Millan-Windorski involved in? Before the pageant, Millan-Windorski was an active member of the environmental group Panatang Luntian and joined protests including the “Baha sa Luneta” rally. On social media, she has spoken about climate justice, migrant workers’ welfare, and government accountability. ### How has Bea Millan-Windorski responded to the criticism? Millan-Windorski has not issued a direct rebuttal in the article, but during the coronation Q&A she said she moved back to the Philippines because she believes in creating local opportunities so Filipinos aren’t forced to work abroad, pledging to be “a public servant for all” if she won. ### Who has defended Bea Millan-Windorski? Reigning Miss Philippines Earth Joy Barcoma publicly defended her, writing on X that Millan-Windorski is not an opportunist and that she rallied with and for Filipinos. Barcoma argued her commitment to the country outweighs questions about where she was born or previously lived. Related Stories - [Ahtisa Manalo Finishes as Miss Universe 2025 Third Runner-Up](https://rollingstonephilippines.com/culture/ahtisa-manalo-miss-universe-philippines-2025/ "Ahtisa Manalo Finishes as Miss Universe 2025 Third Runner-Up") - [Ahtisa Manalo on the Miss Universe 2025 Results: ‘It’s Not Under Our Control’](https://rollingstonephilippines.com/culture/ahtisa-manalo-miss-universe-results/ "Ahtisa Manalo on the Miss Universe 2025 Results: ‘It’s Not Under Our Control’") - [How Ahtisa Manalo Carries the Pro-LGBTQ+ Torch for Miss Universe PH 2025](https://rollingstonephilippines.com/culture/ahtisa-manalo-lgbtq-miss-universe-ph-2025/ "How Ahtisa Manalo Carries the Pro-LGBTQ+ Torch for Miss Universe PH 2025") **Categories:** Culture, Internet Culture **Tags:** Bea Millan-Windorski, Miss Universe Philippines --- ### [The Highs and Lows of Olivia Rodrigo Hosting ‘SNL’](https://rollingstonephilippines.com/culture/tv/olivia-rodrigo-hosting-snl-highlights/) **Published:** May 4, 2026 **Author:** Elijah Pareño **Excerpt:** The pop singer-songwriter played a jealous ex, a prisoner on a bug planet, and a couple more sketches that landed and some that didn’t **Content:** [Olivia Rodrigo](https://rollingstonephilippines.com/tag/olivia-rodrigo/ "Olivia Rodrigo") has returned to live television not only to perform but also to host *[Saturday Night Live](https://rollingstonephilippines.com/tag/saturday-night-live/ "Saturday Night Live")* for the first time, as a host and musical guest. Her *SNL* appearance also served as a major promotion for her upcoming third album, *you seem pretty sad for a girl so in love*, which is set to be released on June 12. Rodrigo joins a long tradition of musicians who have also taken on double duties, such as [Harry Styles](https://rollingstonephilippines.com/tag/harry-styles/ "Harry Styles"), [Billie Eilish](https://rollingstonephilippines.com/tag/billie-eilish/ "Billie Eilish"), and [Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter"), to name a few. For most of the show, Rodrigo, whose prior experience in TV included Disney Channel shows such as *Bizaardvark* and *High School Musical: The Series*, tried to shake off the rust in her acting chops. At times, the humor came out naturally, with her comedic timing landing, thanks to her background in comedy, while at other moments, not so much, especially when adapting to different sketches and characters in a live setting. Here are the highs and lows of Olivia Rodrigo’s *Saturday Night Live* episode. ## High: New Song Featuring Weyes Blood https://www.youtube.com/watch?v=qZ2CeJ_DvUA In one of her most intimate cuts to date, Rodrigo sat on a pink-hued swing — the same one seen on the cover art of her latest album — as she revealed the unreleased single “begged” in a live performance, delivering a strong vocal showing with a cameo from chamber pop musician Weyes Blood, who provides backup vocals. The performance created a gospel-like backbone, armed with an acoustic guitar and a dreamy string section. If there’s any indication that this album will sting emotionally like her previous releases, it’s this performance. ## Low: Rough Monologue Rodrigo mentioned throughout her opening monologue that she’ll be releasing a new album, and that’s pretty much it. Aside from poking fun at her album title being longer than her first two releases, *Sour* and *Guts*, showing a clip of herself falling through a gap on stage, and joking about her breakout single “drivers license” by altering the lyrics, the segment felt pretty uneven. Not that it’s a bad monologue, but there were some hiccups in her execution. Her confidence in delivering self-deprecating jokes about her career and personality is something she could improve on. ## High: Driver’s Going Crazy Speaking of “drivers license,” the Rasta taxi driver Rodrigo rides with, played by Andrew Dismukes, steals the sketch entirely. With perfect Jamaican house music emcee energy, Dismukes delivers a standout performance that ticks all the boxes for what makes an *SNL* sketch unpredictable. It continues the tradition of repertory players like [Adam Sandler](https://rollingstonephilippines.com/tag/adam-sandler/ "Adam Sandler"), Maya Rudolph, Will Ferrell, and many more, turning small skits into breakout moments. Rodrigo and the live audience couldn’t quite believe what they were watching. ## Low: Bug Planet Shenanigans In one of the digital sketches from the night, Rodrigo wakes up in a perfect life — the perfect bed, the perfect lava lamp, and a wall covered with posters of artists like [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS"). Everything seems ideal until she reveals through song that her entire life exists inside a zoo on a bug planet somewhere in a galaxy far, far away. The sketch starts strong but quickly turns dark and overstretched, running nearly four minutes (it took forever to finish). It could have worked better if it were shorter. Not even a boxer shorts-wearing James Austin Johnson could save the sketch. ## High: Jealousy at the Dinner At one of the most fitting sketches for Rodrigo as a guest, cast members Ben Marshall, Tommy Brennan, and the standout Ashley Padilla spiral into an intense jealousy contest, pretending to be in relationships just to one-up each other. It escalates to absurd extremes, with Padilla and Marshall’s table stripping down, smothering each other with potato salad, and yelling “My sister is gay!” at full volume. Rodrigo holds her own as the jealous partner, but Padilla easily steals the sketch from start to finish. ## Low: Busted Over Rap In one of the night’s mid sketches, Rodrigo appears in a blonde wig after a night out, only to be confronted by her jealous husband, played by Marcelo Hernandez with a robe and an accent. The heated argument turns into a lukewarm, rhythmless rap battle, where Rodrigo visibly misses cues and struggles to land her lines. Other cast members, including Johnson, Jane Wickline, and Kenan Thompson — who is notably the only one on beat — interrupt the scene by appearing from the closet, underneath the couch, and the kitchen, where all of them break the fourth wall. Rodrigo barely stands out in this chaotic segment, unfortunately. ## Frequently Asked Questions ### How did Olivia Rodrigo do hosting SNL? Rolling Stone Philippines called it a mixed debut. Rodrigo hosted and served as musical guest for the first time, drawing on her Disney acting background. The writer praised her musical performance and a few sketches, but found her monologue shaky and some sketches uneven in a live setting. ### What song did Olivia Rodrigo perform on SNL? Rodrigo performed “begged,” an unreleased single from her upcoming third album. Seated on a pink swing matching the album’s cover art, she delivered a strong, intimate vocal with backing from chamber-pop artist Weyes Blood, over acoustic guitar and a dreamy string arrangement the writer likened to gospel. ### What were the best sketches from Olivia Rodrigo’s SNL? The writer’s highlights were the “drivers license”-themed taxi sketch, where Andrew Dismukes’ Rasta driver stole the scene, and a dinner-party jealousy sketch in which cast member Ashley Padilla stood out. Rodrigo’s live “begged” performance with Weyes Blood was singled out as the night’s strongest moment. ### When is Olivia Rodrigo’s new album coming out? Rodrigo’s third studio album, You Seem Pretty Sad for a Girl So In Love, is set for release on June 12, 2026. Her SNL hosting stint doubled as a major promotional platform for the record, previewing its emotional tone through the live debut of “begged.” ### What didn’t work on Olivia Rodrigo’s SNL episode? The writer flagged several low points: an uneven opening monologue with shaky self-deprecating jokes, an overlong “bug planet” digital sketch that ran nearly four minutes, and a rap-battle sketch where Rodrigo visibly missed cues. These moments, the recap argues, exposed her inexperience in live comedy. 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All eight new episodes are hitting Hulu on June 25. They’ll also air on FX throughout June, July, and August. When *The Bear* wrapped up its season last year, head chef Carmy ([Jeremy Allen White](https://rollingstonephilippines.com/tag/jeremy-allen-white/ "Jeremy Allen White")) quit the restaurant and left it in the hands of his staff. The new season begins in the immediate aftermath. “The fifth and final season of *The Bear* picks up the morning after Sydney ([Ayo Edebiri](https://rollingstonephilippines.com/tag/ayo-edebiri/ "Ayo Edebiri")), Richie and Natalie ‘Sugar’ (Abby Elliott) discover that Carmy has quit the food industry, leaving the restaurant to them,” reads the longline for the new season. “With no money, the threat of a sale and a torrential storm in their way, the new partners must band together with the rest of the team to achieve one last service, hoping they’ll finally earn a Michelin star. Ultimately, they learn that what makes a restaurant ‘perfect’ might not be the food, but the people.” There was no official indication that *The Bear* was going to conclude this year until Jamie Lee Curtis, who plays Carmi’s mother, Donna Berzatto,[ let the news slip](https://www.instagram.com/p/DU3u0NGEYe2/) on Instagram in February. “FINISHED STRONG!” She wrote. “Surrounded by an extraordinary crew and group of writers and producers and scene partners on the show that Chris Storer created, completing the story of this extraordinary family that we have all fallen in love with.” Weeks later, she spoke to the press about it on the red carpet for the premiere of Prime Video series *Scarpetta*. “Everybody’s confirmed the show is ending!” [she told *Access Hollywood*.](https://www.youtube.com/watch?v=tuWL7Q8fHGk) “I don’t understand why that’s such a, unless I’m going to get a call from all the people saying, ‘You just told.’ I think everybody understood that it was the last season of the show. If it isn’t then I’ve completely blown it.” (There was little reason to doubt Curtis, but FX refused to comment on the matter until now.) The surprise prequel episode that just dropped, entitled “Gary*,*” centers around Richard “Richie” Jerimovich (Ebon Moss-Bachrach) and “Mikey” Berzatto (Jon Bernthal) taking a trip to Gary, Indiana prior to the events of the first season, which takes place in the aftermath of Mikey’s death. “COUSINS! PRIMOS! CUGINI!!! Get ready for GARY!!!! We are so excited to finally share this little adventure with Richie and Mikey,” [Moss-Bachrach wrote on social media.](https://www.instagram.com/p/DX9nYQ7tsMw/) “Written by me and \[Bernthal\]. Directed by the one Christopher Storer. Making this was a dream come true. Thanks to the beautiful people of Gary, Indiana and as always Chicago, Illinois.” *This article was originally published on [rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-news/the-bear-fifth-final-season-premiere-date-1235558596/).* ## Frequently Asked Questions ### Is season 5 the final season of ‘The Bear’? Yes, FX confirmed that season five is the final installment of ‘The Bear,’ wrapping up the storyline for Carmy Berzatto and his culinary staff. ### When does ‘The Bear’ season 5 premiere on Hulu? Season five premieres June 25 on Hulu with all eight episodes releasing simultaneously, while also broadcasting on FX throughout the summer months. ### Why did Carmy leave the restaurant in ‘The Bear’? Carmy quit the food industry at the conclusion of season four, handing operational ownership over to Sydney, Richie, and his sister Natalie. ### What is the surprise prequel episode ‘Gary’ about? The surprise episode ‘Gary’ follows Richie Jerimovich and Mikey Berzatto on a trip to Indiana prior to the events of the series premiere. ### Will ‘The Bear’ team earn a Michelin star? The final season follows Sydney and Richie attempting to achieve a Michelin star while managing financial shortages and the threat of a sale. 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We’ve seen a sitcom renaissance recently, from *[Hacks](https://rollingstonephilippines.com/tag/hacks/ "Hacks")* to [*The Bear* ](http://the%20bear)(if you even consider it a comedy) to the criminally underrated *Kevin Can F\*ck Himself*, but there hasn’t been anything as laugh-out-loud funny as *30 Rock*. Created by and starring Tina Fey, it follows TV showrunner Liz Lemon and her struggling bizarro version of *[Saturday Night Live](http://saturday%20night%20live)* called *The Girlie Show* (TGS). Paired with actor Alec Baldwin, who plays network executive Jack Donaghy, alongside Jane Krakowski as Jenna Maroney, Tracy Morgan as Tracy Jordan, and Jack McBrayer as the lovable Kenneth the Page among others, *30 Rock* became a critical darling across its seven seasons and has amassed a cult following composed of comedy nerds and internet obsessives (myself included). Now that it’s finally on Netflix, there’s really no excuse not to watch it anymore. Now sit back, relax, and catch up on *30 Rock* while you work on some night cheese. ## ‘BLACK TIE’ (Season 1) It’s easy to pick the brilliant pilot episode for the first season’s best episode solely on Jack Donaghy’s instant classic line, “It’s after six. What am I? A farmer?” but it’s in “Black Tie” where the show realized how weird it can go, and it never turned back since. The episode centers on Jack inviting Liz to an exclusive dinner for Prince Gerhardt Habsburg (the incomparable and sorely missed Paul Reubens). Jenna, always the shameless opportunist, tries to flirt with Habsburg in comedic fashion as Liz reluctantly pretends to be Jack’s girlfriend in front of his ex, played by none other than Isabella Rossellini. The show is at its best when it’s unapologetically absurd, and from the main cast to its star-studded lineup of guests, this episode doesn’t relent for a second. ## ‘MILF ISLAND’ (Season 2) It may seem unforgivable to not name “Sandwich Day” as the best episode of the season, but pound for pound, “MILF Island” doesn’t disappoint. As much as *30 Rock* is mainly about Liz and Jack’s relationship, it shines brightest when it makes the most of its cast of characters. That is never more the case than in the 11th episode of the second season. The episode takes place on a momentous day for the network, the season finale of its hit show *MILF Island*, and all hands are on deck. Unfortunately for Liz, she also has to deal with a company scandal where someone on her team could be fired. The episode brilliantly balances building suspense and joke delivery. And it all culminates with Liz’s comedic comeuppance. While Liz is the show’s main character, she is far from the typical and honorable protagonist, and that’s what makes her great. “MILF Island” makes the most of Fey’s skill at portraying a self-righteous leader who, time and time again, is proven to be anything but a martyr. ## ‘The Bubble’ (Season 3) One of the best subplots of *30 Rock* is Liz Lemon’s quest for love. Every new relationship starts off charming enough until it dives headfirst into full-on comedy. Think classic Nora Ephron by way of a disaster movie. In “The Bubble,” Liz’s current beau, Doctor Drew (played by the comedically underrated Jon Hamm), isn’t all he and his good looks are cracked up to be. In fact, it’s precisely because of how handsome he is that he has not only gotten by but succeeded without any real discernible skill or talent. The episode builds on this tension of Liz trying to keep her frustrations in for the sake of being with someone desirable until it all falls apart in a cathartic moment that makes Liz both right and hilariously cruel at the same time. ## ‘Verna’ (Season 4) Out of all of *30 Rock*’s supporting characters, no one is more chaotic than Jenna Maroney (thanks in no small part to Krakowski’s acting). This episode sheds light on her upbringing as we get to know her mother, Verna (comedy icon Jan Hooks). Beyond the laugh-out-loud moments between Jenna and Verna, it’s the emotional connection between a mother and daughter who are the worst for each other that’s at the heart of this story. Without spoiling too much, this episode shows that *30 Rock* isn’t just a great sitcom, but it can also pull at your heartstrings too. ## ‘Double-Edged Sword’ (Season 5) Between honorable mentions such as “TGS Hates Women” and “Queen of Jordan,” this was the hardest season to pick just one episode as its best. But “Double-Edged Sword” isn’t just the top episode of the fifth season; it may be *30 Rock*’s best episode ever. The episode’s premise is simple enough: Should two people who are similar in almost every way be together? The theory is pushed to the extremes as Liz and her airplane pilot boyfriend Carol’s (Matt Damon in a career-defining role) relationship explodes in an airplane-shaped pressure cooker. Meanwhile, Jack and his baby mama, Avery, who’s about to give birth at any minute, are stuck in Canada as the two struggle to find a way out to make sure their baby is born in the United States. The episode is an embarrassment of riches when it comes to one-liners and meme-worthy clips, but it’s the intensity of Fey and Damon that takes “Double-Edged Sword” straight to the top. More than any other episode of *30 Rock*, this showed just how talented an actress Fey truly is. ## ‘Dance Like Nobody’s Watching’ (Season 6) Sometimes being mean is the best. The opening salvo of season six gave us Jenna at her most (hilariously) vile, being the Simon Cowell-esque judge on the wish-it-were-real talent show A*merica’s Kidz Got Singing* and lambasting children to tears. “Congratulations, you’re a disgrace,” she tells a completely devastated eight-year-old. The plot centers on new dad Jack trying his best to make the show (and Jenna) just a tad bit nicer, but to little or no avail. Which is great for us fans because when it comes to its comedic currency, *30 Rock*’s absurd cruelty is pure gold. ## ‘My Whole Life is Thunder’ (Season 7) For the most part, a show’s final season is a long goodbye to all the characters of the show. And in the season’s eighth episode, we get a beautiful and fitting tribute to my favorite recurring guest character, Jack’s mom, Colleen Donaghy, played by the late Elaine Stritch. Jack and Colleen had one of the best and most toxic mother-son relationships in all of TV, and in “My Whole Life is Thunder,” their story ends in one of the craziest and funniest necrological services you’ll ever see. In a season of farewells, this is the one that hit hardest. ## Frequently Asked Questions ### Is 30 Rock on Netflix Philippines? Yes. Tina Fey’s acclaimed sitcom 30 Rock is now streaming on Netflix Philippines, with all seven seasons available. Rolling Stone Philippines marked the arrival with a guide to the best episode from each season, calling it the funniest show of the last 20 years. ### What are the best 30 Rock episodes? Rolling Stone Philippines picks one standout per season: “Black Tie” (S1), “MILF Island” (S2), “The Bubble” (S3), “Verna” (S4), “Double-Edged Sword” (S5), “Dance Like Nobody’s Watching” (S6), and “My Whole Life Is Thunder” (S7), which it calls a fitting late-series tribute. ### What is the best 30 Rock episode ever? Rolling Stone Philippines’ writer names “Double-Edged Sword” from Season 5 as possibly the show’s best episode. It sends Liz Lemon’s relationship with pilot Carol, played by Matt Damon, into an airplane-set pressure cooker, while Jack races to get his baby born on US soil. ### What is 30 Rock about? 30 Rock is a satirical sitcom created by and starring Tina Fey as TV showrunner Liz Lemon, who runs a struggling SNL-style sketch show. Alec Baldwin plays executive Jack Donaghy, with Tracy Morgan, Jane Krakowski, and Jack McBrayer across a seven-season run that became a cult favorite. ### Who stars in 30 Rock? 30 Rock stars Tina Fey as Liz Lemon and Alec Baldwin as Jack Donaghy, alongside Tracy Morgan as Tracy Jordan, Jane Krakowski as Jenna Maroney, and Jack McBrayer as Kenneth the Page. The show also featured many guest stars, including Matt Damon, Jon Hamm, and Elaine Stritch. 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The concert will happen on August 28-29, 2027, at The Theatre at Solaire, presented by [Film Concerts PH](https://rollingstonephilippines.com/tag/film-concerts-ph/ "Film Concerts PH"). > [View this post on Instagram](https://www.instagram.com/p/DXotIT_gv_l/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Film Concerts Philippines (@filmconcerts.ph)](https://www.instagram.com/p/DXotIT_gv_l/?utm_source=ig_embed&utm_campaign=loading) The concert will feature live arrangements curated by the anime’s original composers Hiroyuki Sawano and Kohta Yamamoto, both of whom have worked on numerous series such as the space opera *Mobile Suit Gundam*, science fiction series *86: Eighty-Six*, and *The Seven Deadly Sins*. The live orchestra will be accompanied by a large HD screen projected above the ensemble. Among the many Sawano and Yamamoto compositions audiences can look forward to are themes like “Vogel im Käfig,” where the horns accompany protagonist Eren Yeager fighting Titans across Wall Sheena, alongside the main theme “ətˈæk 0N tάɪtn,” featuring an operatic performance by Mika Kobayashi. ## Frequently Asked Questions ### When and where is the Attack on Titan concert in Manila? The concert takes place on August 28–29, 2027, at The Theatre at Solaire, presented live by Film Concerts PH. ### Who will perform the live music for Symphony from Paradis? A combined ensemble of over 100 musicians from the Filharmonika Orchestra and the Philippine Madrigal Singers performs the entire live orchestral showcase. ### Who composed the official Attack on Titan orchestra scores? Original anime composers Hiroyuki Sawano and Kohta Yamamoto curated the music for this live symphonic concert experience featuring high-definition visual screenings. ### Which iconic soundtrack themes will be featured live? Key musical highlights include “Vogel im Käfig” alongside the main theme “ətˈæk 0N tάɪtn,” featuring operatic vocal performances accompanied by live projections. ### Is the concert accompanied by official anime visuals? Yes, the full-scale live orchestral performance features high-definition video screenings projected above the ensemble throughout the entire two-day concert run. 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Although it doesn’t reveal too much about its plotline, the movie’s set to focus on a woman seeking solace with her in-laws after the death of her husband. Unfortunately, the Book of the Dead is back, and she must defend herself in the secluded family home as everyone around her slowly turns into Deadites. The trailer gives us all the gore that has made the franchise a horror classic, including chopped-up fingers, a car’s headrest used as a stabber, and, of course, a chainsaw. There’s also some healthy wax-eating and a dishwasher-turned-weapon, so best prepare yourself when *Evil Dead Burn* hits Philippine cinemas on July 22. Directed by Sébastien Vaniček (*Infested*), *Evil Dead Burn* stars Souheila Yacoub (*Dune: Part Two*), Hunter Doohan (*[Wednesday](https://rollingstonephilippines.com/tag/wednesday/ "Wednesday")*), Luciane Buchanan (*The Night Agent*), Tandi Wright (*Pearl*), and George Pullar (*It Only Takes A Night*). The franchise first started in 1981 with Raimi’s *The Evil Dead*, followed by the sequels *Evil Dead II* and *Army of Darkness*. The 2013 reboot, *Evil Dead*, was directed by Fede Álvarez, followed by Lee Cronin’s *Evil Dead Rise*. Although Bruce Campbell, who played the original protagonist Ash Williams, was such a mainstay of the franchise, he has chosen to be less involved in upcoming spinoff films due to health concerns. Earlier this March, he announced that he’d been diagnosed with a “treatable,” but not “curable,” cancer. “Professionally, a few things will have to change,” wrote Campbell. “Appearances and cons and work in general need to take \[a\] back seat to treatment.” ## Frequently Asked Questions ### What is Evil Dead Burn about? Evil Dead Burn is the fifth film in Sam Raimi’s Evil Dead horror franchise. The trailer follows a woman who, after her husband’s death, seeks comfort with her in-laws at a secluded family home — only for the Book of the Dead to turn everyone around her into Deadites. ### When does Evil Dead Burn come out? Evil Dead Burn hits Philippine cinemas on July 22, 2026. Distributed by Columbia Pictures, it arrives as the latest entry in a franchise that began in 1981, promising the chainsaws, dismemberment, and over-the-top gore the series is known for. ### Who stars in and directed Evil Dead Burn? Evil Dead Burn is directed by Sébastien Vaniček, known for the horror film Infested. Its cast includes Souheila Yacoub (Dune: Part Two), Hunter Doohan (Wednesday), Luciane Buchanan (The Night Agent), Tandi Wright (Pearl), and George Pullar. Sam Raimi created the franchise. ### Is Bruce Campbell in Evil Dead Burn? No. Bruce Campbell, who played original protagonist Ash Williams, does not appear. He has said he is stepping back from franchise spinoffs after revealing in March 2026 that he was diagnosed with a cancer he described as treatable but not curable, prioritizing treatment over appearances and work. ### How many Evil Dead movies are there? Evil Dead Burn is the sixth installment overall. The series began with Raimi’s The Evil Dead (1981), followed by Evil Dead II and Army of Darkness, the 2013 Evil Dead reboot directed by Fede Álvarez, and Lee Cronin’s Evil Dead Rise. 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Released on Tuesday (May 5), the preview blends newly recorded commentary from Minogue with archival footage spanning decades, including behind-the-scenes moments from film sets, live performances, and intimate scenes with family and friends. “They’re convincing me to let you in,” she says in the clip, hinting at an unprecedented level of personal access. Directed by Michael Harte — known for projects such as *Still: A Michael J. Fox Movie* — the series is largely soundtracked by Minogue’s 2010 hit “All the Lovers.” The trailer shows the 57-year-old reflecting on personal and professional challenges, including the pressures of global fame and her widely publicized 2005 diagnosis with breast cancer. Appearances from Minogue’s sister, Dannii Minogue, ex-boyfriend Jason Donovan, and music producer Peter Waterman add further context and insight into her journey. Minogue first gained recognition on the Australian soap *Neighbours* before launching a music career with her 1988 debut album. Since then, she has released 17 studio albums, become the highest-selling Australian female artist of all time, and earned numerous accolades, including Grammy and Brit Awards. Her resilience — returning to the stage after cancer treatment and continually reinventing her sound remains central to her legacy. Following the release of her 2024 album, *Tension II*, and her 2025 global Tension Tour, *Kylie* positions itself as a reflective, career-spanning portrait of an artist ready to open up like never before. The three-part docuseries *Kylie* becomes available for streaming on Netflix on May 20. *This article was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-features/rolling-stones-album-conan-obrien-things-learned-1235558323/)* ## Frequently Asked Questions ### What is the Kylie Netflix docuseries about? Kylie is a three-part Netflix docuseries on the life and career of pop icon Kylie Minogue. It blends new interviews with decades of archival footage from film sets, performances, and private moments, promising an unusually personal look, with Minogue saying others convinced her to “let you in.” ### When does the Kylie docuseries come out? The Kylie docuseries premieres on Netflix on May 20, 2026. Netflix released the first trailer on May 5, roughly two weeks ahead of the launch, offering an early look at the three-part series soundtracked largely by Minogue’s 2010 hit “All the Lovers.” ### Who appears in the Kylie documentary? Alongside Kylie Minogue’s own reflections, the series features her sister Dannii Minogue, former boyfriend Jason Donovan, and music producer Pete Waterman. Directed by Michael Harte, known for Still: A Michael J. Fox Movie, it draws on interviews and archival material for added context. ### What personal topics does Kylie address in the docuseries? The trailer shows Minogue reflecting on the pressures of global fame and on her 2005 breast cancer diagnosis and recovery, a widely publicized chapter of her life. The series frames her resilience and repeated reinvention as central to her enduring legacy. ### Who is Kylie Minogue? Kylie Minogue is an Australian pop icon who first rose to fame on the soap Neighbours before launching her music career in 1988. Across 17 studio albums she became the highest-selling Australian female artist of all time, winning Grammy and Brit Awards along the way. 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Now, the tech bros are coming for our funny girls on *[Hacks](https://rollingstonephilippines.com/tag/hacks/ "Hacks")*’ latest episode, “QuikScribbl.” In the sixth episode of the final season of the hit HBO Max comedy, Deborah, desperate to create a giant statue of herself to welcome the guest between her legs, finds a possible investor in a young tech developer named Graham Sweeney. No such thing as free lunch, so to no one’s surprise, he expresses interest in investing in The Diva if Deborah trains his [AI](https://rollingstonephilippines.com/tag/ai/ "AI") chatbot by feeding it her material to “help people sound like the most optimized, funniest version of themselves.” “For anybody who’s looking to punch up the way that they speak, or write, or make jokes, this will help them,” the venture capitalist tells Deborah and Ava. “Take, for example, a bridesmaid at a wedding. She wants to make a funny toast but she’s a bank teller.” ![Hacks S05E06 damien marcus deborah](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Hacks-S05E06-damien-marcus-deborah.webp) Diva down $20 million. Marcus and Deborah must find more funding to build their hotel casino. Photo from Hacks/Instagram So not only do tech bros think we’re losers in desperate need of human connection that we’d resort to making friends with AI (ahem, [Mark Zuckerberg](https://www.youtube.com/watch?v=rYXeQbTuVl0) — although to be fair, some of us already are in a *Her* type of relationship with bots), but they also think that most humans are fundamentally unfunny that we’d let AI write our jokes? Well, I’ve seen and heard more pathetic attempts to be funny. But the point is, we should be offended as a human race! Our progressive bi-con Ava — who sported a Palestinian football team jersey last time — is, of course, on the fence about this: “Okay, so when we hand over the material, you can ensure that it’s gonna be used for bridesmaid speeches and not to make like Hitler seem young and funny to red-pilled dark web gooners?” Actually, she’s all riled up, especially after the guy recites the tired AI rhetoric (“AI is here, and it’s here to stay. So you either get on board or you get left in the past.”). That, on top of having to endure that meeting in a bodycon dress and heels, thinking the guy wanted to eat sushi off her tits, really got our girl fired up. Deborah, thinking this is one of her “woke” antics, brushes it off. “Everything’s unethical if you think about it too much,” she tells Ava, who’s hundreds of open tabs deep into her research on the ethics of AI. Deborah even considers entering the deal with Sweeney by herself to spare Ava the guilt. They have really matured in plenty of ways this final season. If this were any other season, they’d be at each other’s throats. Meanwhile, in this episode, Deborah hears out Ava while folding her clothes(!). ![Two people in warm jackets sit on a railing overlooking a dark, moonlit body of water at night Hacks S05E06 deborah ava fur coat](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Hacks-S05E06-deborah-ava-fur-coat.webp) Deborah drops out of QuikScribbl to the glee of Ava. Photo from Hacks/Instagram The deal eventually falls through after Sweeney suggests Deborah might soon use the AI to write her jokes, too. Diva doesn’t want to be belittled. Diva loves to work. And in what may just be the best fictional redemption of boomers, dismisses the tech bro by saying, “Why are you trying to optimize the creative process? Art is only art because of the humanity behind it.” Now, I wanna hear that laser hair removal joke that Sweeney called “not art,” which then made Deborah withdraw her support for QuikScribbl. So then we find our protagonists before a body of water, and Deborah is once again wearing fur, except she is not risking destroying this one to save Ava from drowning like last season. This is her manmade lake. Deborah tells her that she decided against training the AI chatbot. Ava celebrates. “I am so glad I got through to you.” Deborah denies she had anything to do with her “amoral decision based on a nerd being a loser to me.” “Please. This was not all you. If I was that susceptible to your influence, I would have become a communist the moment you first darkened my doorstep.” Hacks *is currently streaming its final season on HBO Max.* ## Frequently Asked Questions ### What happens in ‘Hacks’ season 4, episode 6? Deborah Vance considers a tech investment deal involving an AI joke-writing chatbot before ultimately rejecting it to defend the human elements of artistic and creative expression. ### Who plays the tech investor in ‘Hacks’ episode 6? Graham Sweeney is a fictional tech developer and venture capitalist featured in the episode who attempts to convince Deborah Vance to license her stand-up material to train AI. ### Why does Deborah Vance refuse to train the AI chatbot? Deborah Vance rejects the deal after the tech investor suggests AI could eventually write her material, insisting that art only has true value because of human effort. ### What is QuikScribbl in HBO’s ‘Hacks’? QuikScribbl is a fictional AI platform in the show designed to help average users write funnier speeches, toasts, and jokes using material licensed from professional comedians. ### Where can you stream the latest season of ‘Hacks’? The comedy series Hacks streams exclusively on Max (formerly HBO Max), featuring new episodes covering Deborah Vance and Ava Daniels as they navigate the entertainment industry. 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The theme of this year is “Fashion Is Art,” celebrating The Metropolitan Museum of Art’s [Costume Institute’s new spring exhibit, “Costume Art](https://www.metmuseum.org/exhibitions/costume-art),” which pairs “garments with artworks to reveal the inherent relationship between clothing and the body.” A-list attendees are expected to arrive at the Upper East Side museum’s famed steps in looks that honor the idea that clothes can serve as time-transcending canvases. This year’s event is co-hosted by [Anna Wintour](https://rollingstonephilippines.com/tag/anna-wintour/ "Anna Wintour"), alongside [Beyoncé](https://rollingstonephilippines.com/tag/beyonce/ "Beyonce"), actress Nicole Kidman, and tennis star Venus Williams. The host committee includes 24 high-profile names across the intersecting worlds of fashion, entertainment, art, and sports, including recently engaged Zoë Kravitz, actress Chase Sui Wonders, writer Lena Dunham, models Alex Consani and Adut Akech, and athlete Aimee Mullins. And the night’s honorary chairs are billionaire couple Jeff Bezos and Lauren Sánchez Bezos. The [Bezoses](https://rollingstonephilippines.com/culture/met-gala-2026-jeffrey-bezos-lauren/ "It’s a Tech Bro Takeover at the 2026 Met Gala") snagging one of the gala’s premiere billings is the latest sign that the fashion world has begun to openly embrace Silicon Valley, and the deep-pockets that it brings. Tech companies including Amazon, Meta, OpenAI, and Snap are among those reported to have purchased a table to have access to the star-studded event. Fashion’s biggest night serves as an annual fundraiser for the Costume Institute. With tables costing a reported $350,000 and individual tickets priced around $100,000, the event raised a record-breaking $31 million in 2025. Scroll through our photo gallery to see some of the standout looks from this year’s red carpet. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/culture/culture-pictures/met-gala-fashion-2026-1235557475/ "rollingstone.com").* ## Janelle Monáe ![Janelle](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Janelle-mg.webp) Photo by Mike Coppola/Getty Images Janelle Monáe breathtakingly embodied the night’s theme in a sculpture-esque design from Christian Siriano. Robotic butterflies flitted their wings on the singer’s head and shoulders as her mossy gown weaved together nature and technology, with cords and cables lining the dress. Always one of the night’s ones to watch, Monáe previously teamed up with Siriano for the Met Gala in 2019. ## Beyoncé ![beyonce](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/beyonce-1.webp) Photo by Dimitrios Kambouris/Getty Images/The Met Museum/Vogue She is that girl. After a 10-year hiatus, Beyoncé; has returned to the Met Gala and was greeted with a rapturous reception from onlookers. Serving as the night’s co-chair, Beyoncé; was among the last to arrive on the carpet. The superstar’s sheer gown was covered in diamonds outlining a skeleton. For added flair, she wore a feathered coat with a train as long as her list of hits. Making the night a family celebration, Beyoncé; was joined on the steps by husband Jay-Z and daughter Blue. ## Cara Delevingne ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/cara-mg.webp) Photo by Gilbert Flores/Variety As one of the official 2026 Met Gala livestream hosts, Cara Delevingne was one of the first arrivals on the Met steps. The model and actress went little black dress classic, with a flowing jet-black Ralph Lauren gown, complete with mesh sleeves, a mock turtleneck bodice, and a beaded back panel and train. ## Nicole Kidman ![nicole kidman](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/nicole-kidman-mg.webp) Photo by Jamie McCarthy/Getty Images As one of the night’s co-chairs, Nicole Kidman leaned into the attention in a sequined Chanel gown featuring a feathered drop waist. The French design house is being helmed by designer Matthieu Blazy, who was named as creative director in December 2024. Kidman walked the red carpet with Sunday Rose, her daughter with ex-husband Keith Urban. ## Lauren Sanchez ![lauren sanchez bezos](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/lauren-mg.webp) Photo by Dimitrios Kambouris/Getty Images for The Met Museum/Vogue Lauren Sánchez Bezos, a 2026 Met Gala co-chair, walked the steps early in a navy satin mermaid gown by Schiaparelli, inspired by John Singer Sargent painting “Madame X.” Bezos, who married billonaire Jeff Bezos last summer, teased the designer of her look earlier this week on the *Today Show*, saying she was “honored” when Anna Wintour called her and offered her co-chair this year. “These designers are true artists. Elsa Schiaparelli was best friends with Salvador Dalí. And Salvador Dalí’s medium was a canvas, and hers was, you know, clothing,” she said. “Does that help clear things up? ## Venus Williams ![venus williams](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/venus-mg.webp) Photo by Mike Coppola/Getty Images Is that a star? A galaxy? No, it’s five-time Olympic medalist and tennis star Venus Williams in a sparkling Swarovski onyx mermaid gown. The gown takes direct inspiration from the painting commissioned by the National Portrait Gallery, Robert Pruitt’s “Venus Williams, Double Portrait” (2022), and includes nods to the pay disparity for female tennis stars. “It reflects not just my journey but the legacy of those who came before me — especially pioneers like Althea Gibson and Arthur Ashe, who paved the way,” Williams told reporters. “It felt like a personal way to connect with ‘Costume Art’ — using fashion to tell a story about legacy and progress and honoring those who made it possible.” ## Charli XCX ![charli xcx](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/charli-mg.webp) Photo by Dimitrios Kambouris/Getty Images for The Met Museum/Vogue [Charli XCX](https://rollingstonephilippines.com/tag/charli-xcx/ "Charli XCX") has officially said goodbye to *Brat*-green summer, and instead is channeling the moodiness of her *[Wuthering Heights](https://rollingstonephilippines.com/culture/reviews/wuthering-heights-movie-review/ "‘Wuthering Heights’ Reaches the Horniest of Heights")* soundtrack album with a custom Saint Laurent look. A strapless, semi-sheer black gown, the main feature is a delicate, seemingly handblown glass Iris flower snaking its way up the dress’ ruched bodice. The look was inspired by the Yves Saint Laurent’s 1988 couture show, which paid homage to Van Gogh’s Irises. “One of Yves’ favorite pieces, one of his favorite flowers, often given to his favorite muses,” Charli wrote of her look on Instagram. ## Sam Smith ![sam smith](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/sam.webp) Photo by Jamie McCarthy/Getty Images Go on, Sam, give us everything! The singer clearly understood the assignment, adding much-needed flair to the red carpet with a flowing, floor-length Christian Cowan gown, encrusted with tons of gems, intricate beading, and sparkling details. Smith and Cowan have been dating for a few years now, and this marks their third Met Gala collaboration. As if the romantic, robe-style garment weren’t enough, Smith topped it off with a dramatic feather fascinator, designed jointly by Cowan and Stephen Jones Millinery, and a jaw-dropping, multi-tier necklace by Cowan. ## Bad Bunny ![bad bunny](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/bad-bunny-mg.webp) Photo by Jamie McCarthy/Getty Images Alright, we’re not gonna lie, [Benito](https://rollingstonephilippines.com/tag/bad-bunny/ "Bad Bunny") had us scratching our heads at first when he appeared at the Met Gala in full abuelo drag. However, if you look at the Met Gala’s Costume Art exhibition details, one of the categories is the “Aging Body,” so we’re guessing the Puerto Rican superstar took that and time-hopped with it. (When someone on the red carpet asked how long it took him to get ready, he quipped “53 years.”) Plus the whole idea of his last album *DeBÍ TiRAR MáS FOToS* revolved around nostalgia and looking back wistfully at the passing of time. If he wants to bring the concept alive by turning into Grandad Bunny, we’re here for it. ## Emma Chamberlain ![emma chamberlain](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/emma-mg.webp) Photo by Angela Weiss/AFP/Getty Images Emma Chamberlain was an immediate stand-out of the night wearing a custom Mugler gown by Miguel Castro Freitas. Arriving early as Vogue’s special correspondent, Chamberlain looked like a hand-painted masterpiece come to life. Chamberlain said she and her stylist Jared Ellner dug into the fashion house’s iconic archival pieces for inspiration. “There is sort of this watercolor feel, and I love watercolor painting,” Chamberlain told Vogue. “But then also there’s a creepy, sort of ominous undertone to the gown, like the way that it moves. And that is very much my taste in art.” ## Zoë Kravitz ![Woman in a black lace gown posing on a light-colored tiled walkway as paparazzi photograph her in the background.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Zoe-Kravitz-mg-1.webp) Photo by Gilbert Flores/Variety [Zoë Kravitz](https://rollingstonephilippines.com/culture/harry-styles-zoe-kravitz-engaged/ "Harry Styles and Zoë Kravitz Are Engaged") kept her ring finger tucked in her pocket as she posed arm-in-arm with her date for the evening, Saint Laurent’s creative director Anthony Vaccarello. Kravitz wore an all-black sheer lace gown with a voluminous, exaggerated hip detail. The actress, recently engaged to musician Harry Styles, is a co-chair of the 2026 Met Gala Host Committee. ## Doja Cat ![Doja Vat](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/doja-cat-mg.webp) Photo by Gilbert Flores/Variety Doja Cat showed less is more when she stepped onto the red carpet in a sleek, nude latex gown. Doja Cat is known for theatrics onstage, but she went for simplicity at this year’s Met Gala, keeping things sleek and smooth in a nude latex gown by Saint Laurent. The draping and hooded detail gives the dress a twist, though it’s far less fantastical than some of her past looks — w​​e can’t forget that she went for full feline drag back in 2023 with all-white Oscar de la Renta. ## Gwendoline Christie ![gwendoline christie](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Gwendoline-Christie-mg-2.webp) Photo by Gilbert Flores/Variety Gwendoline Christie knows a thing or two about masks from her time on *Game of Thrones*. And at this year’s Met Gala, Christie wore a custom mask of her own face made by British artist Gillian Wearing. A popular color of the night, the actress wore a voluminous red dress by fashion designer Giles Deacon, the look inspired by the combined works of famed portraitist John Singer Sargent and photographers Yevonde Middleton a.k.a. Madame Yevonde and Ira Cohen. ## ConNor Storrie ![connor storrie](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/connor-mg.webp) Photo by Jamie McCarthy/Getty Images It wouldn’t be fashion’s biggest night if it didn’t include the surprise cultural hits of the year. *[Heated Rivalry](https://rollingstonephilippines.com/tag/heated-rivalry/ "Heated Rivalry")* star Connor Storie made his Met Gala debut in black Yves Saint Laurent slacks with a polkadot blouse and train dotted with oxblood brooches. The dupatta has been so popular in 2026 that dupes are already trickling down to stores like Zara and Urban Outfitters, but since it’s Storrie’s first Met Gala since his rapid rise to fame, we’ll allow it. ## Maluma ![maluma](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/maluma-baby.webp) Photo by Michael Buckner/Penske Maluma Baby — but make it cool dad. The Colombian superstar kept it cool with a sophisticated black suit that gets its pizazz from an asymmetrical label and shimmering fabric details. But the outfit had another special twist: He decided to bring some representation to the Met Gala by going with designer Haider Ackermann, who was also born in Colombia. “I’m chasing the Colombian dream and I’m going back to my roots and having this amazing outfit that represents all the Latino culture for me is very beautiful, too,” he said. ## Jordan Roth ![A person in a floor-length silver-gray gown poses with a large, featureless statue behind them at a fashion event with photographers in the background.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/jordan-roth-mg.webp) Photo by Mike Coppola/Getty Images Finally, some good fucking food. Broadway producer and ATG Entertainment creative director Jordan Roth appeared in front of the Met Gala cameras in a simple, velvet gray sheath dress. But it was the faceless statuette sprouting out of his back, created by designer Robert Wun, that sparked immediate conversation. Roth told reporters that he was inspired by Jean-Léon Gérôme’s painting of the mythic story of Pygmalion and Galatea and wanted to know what it would feel like to live inside such classical sculpture. “This one began with a curiosity about classical sculpture, and, well, really the multifigure classical sculpture,” Roth told *Vogue* before the event began. “A solo figure is often posing for the viewer, but multiple figures are usually in some kind of heated moment —romance, love, lust, fear, violence. Something passionate is going on among these bodies.” ## Rosé ![rose](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/rose-mg.webp) Photo by Dimitrios Kambouris/Getty Images for The Met Museum/Vogue Rosé has always kept it elegant at the Met Gala, opting for slick black looks nearly every year. She went with a similar color palette again in 2026, but jazzed things up with a glamorous, floor-length St. Laurent gown with a high leg slit andaty Perry ## Frequently Asked Questions ### What was the 2026 Met Gala theme? The 2026 Met Gala theme was “Fashion Is Art,” tied to the Costume Institute’s spring exhibition “Costume Art,” which pairs garments with artworks to explore the relationship between clothing and the body. Guests interpreted fine-art references, from paintings to sculpture, in their looks. ### What did Beyoncé wear to the 2026 Met Gala? Beyoncé returned to the Met Gala after a decade away, serving as a co-chair. She wore a sheer gown covered in diamonds outlining a skeleton, topped with a long-trained feathered coat, and walked the carpet alongside husband Jay-Z and daughter Blue Ivy. ### Who were the best-dressed stars at the 2026 Met Gala? Rolling Stone’s writers highlighted Beyoncé’s diamond skeleton gown, Janelle Monáe’s robotic-butterfly Christian Siriano design, Venus Williams’ Swarovski gown based on a portrait of her, Charli XCX’s Saint Laurent Iris look, and Emma Chamberlain’s watercolor-style Mugler dress, among the night’s standouts. ### Why did Bad Bunny dress as an old man at the Met Gala? Bad Bunny’s aged, “abuelo” look played on the Costume Institute exhibition’s “Aging Body” category. It also echoed his album Debí Tirar Más Fotos, themed around nostalgia. Asked how long his prep took, he quipped “53 years,” matching the concept’s focus on time passing. ### Who hosted and chaired the 2026 Met Gala? The 2026 Met Gala was co-hosted by Anna Wintour alongside co-chairs Beyoncé, Nicole Kidman, and Venus Williams, with a 24-name host committee. Billionaire couple Jeff Bezos and Lauren Sánchez Bezos served as honorary chairs, a billing that drew “Tech Gala” criticism. Related Stories - [It’s a Tech Bro Takeover at the 2026 Met Gala](https://rollingstonephilippines.com/culture/met-gala-2026-jeffrey-bezos-lauren/ "It’s a Tech Bro Takeover at the 2026 Met Gala") - [4 Best Dressed Filipino Celebrities From Met Gala History](https://rollingstonephilippines.com/culture/4-best-dressed-filipino-celebrities-met-gala/ "4 Best Dressed Filipino Celebrities From Met Gala History") - [Coachella 2026 Weekend 2 Highs and Lows: Madonna, Sombr, Billie Eilish, More](https://rollingstonephilippines.com/music/pop/coachella-2026-weekend-2-highlights/ "Coachella 2026 Weekend 2 Highs and Lows: Madonna, Sombr, Billie Eilish, More") **Categories:** Art, Culture **Tags:** 2026 Met Gala, Beyonce, Blackpink, Doja Cat --- ### [Lisa Returns to Met Gala with Extra Hands](https://rollingstonephilippines.com/music/pop/lisa-met-gala-blackpink/) **Published:** May 5, 2026 **Author:** Pie Gonzaga **Excerpt:** Does Lisa’s four-arm outfit represent each member of BLACKPINK? **Content:** [BLACKPINK](https://rollingstonephilippines.com/tag/blackpink/ "Blackpink") member [Lisa](https://rollingstonephilippines.com/tag/lisa/ "Lisa") has returned to the [Met Gala](https://rollingstonephilippines.com/tag/2026-met-gala/ "2026 Met Gala") red carpet, and after making her first appearance last year in black, she turned up to the Met in white. This year, she also served as a member of the host committee. “I’m just so happy to \[be\] showcasing myself in art form,” she told [*Vogue*](https://www.youtube.com/watch?v=XxiVCJbuh_8)’s red carpet correspondent La La Anthony. The outfit, designed by Hong Kong-born designer Robert Wun, features a pair of 3D-printed arms holding up a veil. The arms were modeled after the “Born Again” singer’s own arms. For the first time, Lisa was also joined at the red carpet by BLACKPINK co-members [Jennie](https://rollingstonephilippines.com/tag/jennie/ "Jennie"), [Rosé](https://rollingstonephilippines.com/tag/rose/ "Rosé"), and [Jisoo](https://rollingstonephilippines.com/tag/jisoo/ "Jisoo"), after each had their own turn attending previous iterations of the Met Gala. Other K-pop artists that graced the steps of New York City’s Metropolitan Museum of Art include [aespa](https://rollingstonephilippines.com/tag/aespa/ "Aespa") members Karina and Ningning. *[KPop Demon Hunters](https://rollingstonephilippines.com/tag/kpop-demon-hunters/ "KPop Demon Hunters")* stars Ejae and Audrey Nuna also appeared at fashion’s biggest night. ## Frequently Asked Questions ### What did Lisa wear to the 2026 Met Gala? Lisa of BLACKPINK wore a white gown by Hong Kong-born designer Robert Wun, dotted with Swarovski crystals. Its standout feature was a pair of 3D-printed arms holding up a veil, modeled after Lisa’s own arms. It was her second Met Gala, following a black look last year. ### Did all of BLACKPINK attend the 2026 Met Gala? Yes. For the first time, Lisa was joined on the Met Gala carpet by all three of her BLACKPINK bandmates — Jennie, Rosé, and Jisoo — after each had attended previous editions individually. Lisa also served on the event’s host committee this year. ### Who designed Lisa’s Met Gala outfit? Lisa’s 2026 Met Gala look was designed by Robert Wun, a Hong Kong-born designer known for sculptural, conceptual pieces. The gown’s 3D-printed second pair of arms was among several “handsy” designs Wun created for the night, including looks for Broadway’s Jordan Roth and entrepreneur Nichapat Suphap. ### Was Lisa on the 2026 Met Gala host committee? Yes. In addition to walking the carpet, Lisa served as a member of the 2026 Met Gala host committee. She told Vogue’s red-carpet correspondent that she was happy to be showcasing herself in art form, in keeping with the evening’s fashion-as-art framing. ### Which other K-pop stars attended the 2026 Met Gala? Beyond all four BLACKPINK members, the 2026 Met Gala drew aespa’s Karina and Ningning. KPop Demon Hunters stars Ejae and Audrey Nuna also appeared, marking a strong K-pop and Korean-culture presence on the Metropolitan Museum of Art steps that night. Related Stories - [LISA Joins Anyma for ‘Bad Angel’ on the Coachella 2026 Main Stage](https://rollingstonephilippines.com/music/dance-electronic/lisa-anyma-coachella-bad-angel/ "LISA Joins Anyma for ‘Bad Angel’ on the Coachella 2026 Main Stage") - [BLACKPINK Lisa Spotted in Shoes from Filipino Brand GVN](https://rollingstonephilippines.com/radar/style/blackpink-lisa-gvn-shoes/ "BLACKPINK Lisa Spotted in Shoes from Filipino Brand GVN") - [Maroon 5 and BLACKPINK’s Lisa Team Up for New Single ‘Priceless,’ Out May 2](https://rollingstonephilippines.com/music/maroon-5-blackpink-lisa-new-single-priceless/ "Maroon 5 and BLACKPINK’s Lisa Team Up for New Single ‘Priceless,’ Out May 2") **Categories:** Music, Pop **Tags:** 2026 Met Gala, Blackpink, Lisa --- ### [Billie Eilish’s ‘Hit Me Hard and Soft’ Concert Film is as Spectacular as the Real Thing](https://rollingstonephilippines.com/culture/reviews/billie-eilish-concert-film-review/) **Published:** May 8, 2026 **Author:** Pie Gonzaga **Excerpt:** Co-directed by visionary James Cameron, the film is packed with emotional beats and serves as a testament to Billie Eilish’s stardom **Content:** There is a tinge of jealousy I feel whenever I listen to [Billie Eilish](https://rollingstonephilippines.com/tag/billie-eilish/ "Billie Eilish") or see anything she’s done. To my knowledge, no one else in our age group has achieved what she has: two Oscars, two Golden Globes, and 10 Grammys in seven years. At 24, she has headlined three world tours and over 300 shows, not counting music festival performances and one-off concerts. Now, she’s expanding her filmography (which is sparse but includes an extra role in 2010’s *Diary of a Wimpy Kid*) with [James Cameron](https://rollingstonephilippines.com/tag/james-cameron/ "James Cameron")’s *Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D)*. Cameron has always been a master of spectacle, so much so that his *Avatar* series is criticized (reductively) by some as “tech demo.” So, it’s no surprise that he would gravitate towards Eilish, whose visual and sonic identity stand out from her female contemporaries in pop. She croons like Lana del Rey but dresses like Travis Scott, and says she wants to emulate the way rappers like him stage shows: just herself onstage, exchanging energies with the crowd. ![billie eilish hit me hard and soft film](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/billie-eilish-intext-1.webp) Billie Eilish makes her entrance in an LED cube. Screenshot from Paramount Pictures International/YouTube But even without dancers and costume changes, Eilish knows how to make a concert spectacular. The *Hit Me Hard and Soft* concert film starts with a time-lapse clip of the stage being set up hours before one of Eilish’s four shows in Manchester, England, in July 2025. The stage sits right at the center of the stadium, and over it hovers a cube of LED panels. From there, the film skips to the concert intro, during which Eilish emerges from the box, her fans screaming and crying. The lights set the mood, washing Eilish in blue in the opening song “CHIHIRO”, green in Charli XCX’s “Guess,” and red in “bury a friend.” During “LUNCH,” she skips around the stage and winks at her fans, who are dressed in basketball jerseys and bandanas. She reaches her hand out to them, and they sing everything back to her. The magic of 3D is that it makes the movie feel a little more real, but it isn’t so dizzying here that it becomes distracting. At most, I felt chills. But for the teenager sitting in front of me at the theater, the experience was so immersive that she wouldn’t stop screaming. *Does no one know how to conduct themselves in a theater anymore?* I thought as she jumped in her seat. ![james cameron billie eilish hit me hard and soft](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/billie-eilish-intext-2.webp) James Cameron holds up a hefty camera rig. Screenshot from Paramount Pictures International/YouTube I started to accept that this is just what it’s like to watch a concert film in the cinema when audience members brought their phones out and turned on their flashlights for “Your Power,” and formed a moshpit in “L’AMOUR DE MA VIE.” When *Hit Me Hard and Soft* jumped to the scenes backstage, a group of young fans went “Boooo.” But it’s the backstage parts that make the onstage scenes truly pay off. Early into the film, Eilish also tells Cameron backstage that she has always toured with her brother and longtime collaborator, Finneas, and that the Manchester shows would be the first time he didn’t come along with her. But towards the end, after Eilish performs “lovely,” Finneas emerges from backstage and joins his sister for “idontwannabeyouanymore” and “ocean eyes,” the first ever song he wrote for her. I’m sobbing in my seat. After the encore and confetti, Eilish gets into a black SUV and waves to her fans as she drives off. She says she doesn’t get to go outdoors much when she’s on tour, and so the ride back to the hotel serves as a moment of reprieve. She rolls her window down again and extends an arm out into the quiet night. ![billie eilish hit me hard and soft film](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/billie-eilish-intext-4.webp) Billie Eilish gets ready for the show. Screenshot from Paramount Pictures International/YouTube *[Hit Me Hard and Soft](https://rollingstonephilippines.com/music/pop/billie-eilish-james-cameron-concert-film-collaboration/ "Billie Eilish on Co-Directing Concert Film With James Cameron: ‘He Treated Me Like His Equal’")* achieves the objective of any concert film, which is to humanize the revered pop star-subject. It’s a feat for Eilish to have her concerts immortalized this way and demonstrate just how much work goes into putting on a show. It’s a feat for Cameron, who has always dabbled in the fantastical and melodramatic, to document something real-life (*Titanic* isn’t a documentary!), take its more unglamorous parts, and still make it magnificent. *Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D)* is showing exclusively at SM Cinema. ## Frequently Asked Questions ### Who directed Billie Eilish’s Hit Me Hard and Soft concert film? Filmmaker James Cameron directed the concert movie, capturing live 3D footage during Eilish’s multi-night performance streak in Manchester, England, during July 2025. ### Is Finneas featured in the Hit Me Hard and Soft movie? Yes, Finneas makes a surprise onstage appearance near the film’s conclusion to perform early hit tracks, including “idontwannabeyouanymore” and “ocean eyes,” alongside Eilish. ### Where was Billie Eilish’s 3D concert film recorded? The concert film was recorded at her four-night arena residency at the Co-op Live stadium in Manchester, England, in July 2025 during her world tour. ### What songs are performed in the Hit Me Hard and Soft film? Featured tracks include “CHIHIRO,” “LUNCH,” “Your Power,” “L’AMOUR DE MA VIE,” “lovely,” “ocean eyes,” and her featured verse from Charli XCX’s track “Guess.” ### Where can viewers watch Billie Eilish’s 3D concert movie? The 3D concert experience is available for viewing through an exclusive theatrical run across participating cinema locations, including nationwide SM Cinema locations. Related Stories - [Billie Eilish on Co-Directing Concert Film With James Cameron: ‘He Treated Me Like His Equal’](https://rollingstonephilippines.com/music/pop/billie-eilish-james-cameron-concert-film-collaboration/ "Billie Eilish on Co-Directing Concert Film With James Cameron: ‘He Treated Me Like His Equal’") - [Billie Eilish’s Freakiest Interview Yet is with Fil-Am Magician Anna DeGuzman](https://rollingstonephilippines.com/music/pop/billie-eilishs-anna-deguzman-magician/ "Billie Eilish’s Freakiest Interview Yet is with Fil-Am Magician Anna DeGuzman") - [Actress Sues James Cameron and Disney for Stealing Her Likeness for ‘Avatar’ Character](https://rollingstonephilippines.com/culture/film/james-cameron-disney-avatar-lawsuit/ "Actress Sues James Cameron and Disney for Stealing Her Likeness for ‘Avatar’ Character") **Categories:** Culture, Film, Music, Pop, Reviews **Tags:** Billie Eilish, James Cameron --- ### [Actress Sues James Cameron and Disney for Stealing Her Likeness for ‘Avatar’ Character](https://rollingstonephilippines.com/culture/film/james-cameron-disney-avatar-lawsuit/) **Published:** May 8, 2026 **Author:** Angie Martoccio **Excerpt:** “Your beauty was my early inspiration for Neytiri,” the director allegedly told Indigenous actress and activist Q’orianka Kilcher. “Too bad you were shooting another movie. Next time” **Content:** An actress has accused [James Cameron](https://rollingstonephilippines.com/tag/james-cameron/ "James Cameron") and [Disney](https://rollingstonephilippines.com/tag/disney/ "Disney") for stealing her likeness to create an *Avatar* character without her knowledge and consent. Indigenous actress and activist Q’orianka Kilcher, who portrayed Pocahontas in Terrence Malick’s *The New World* when she was just 14, filed a lawsuit in California on Tuesday. The complaint alleges that Cameron extracted and replicated Kilcher’s facial features from a published photograph in the *Los Angeles Times*, using it as the basis of the character Neytiri, played by Zoe Saldaña in all three *Avatar* films. The suit, obtained by *Rolling Stone*, states, “This case exposes how one of Hollywood’s most powerful filmmakers exploited a young Indigenous girl’s biometric identity and cultural heritage to create a record-breaking film franchise — without credit or compensation to her — through a series of deliberate, nonexpressive commercial acts.” It continues: “Cameron’s initial film in the series grossed nearly $3 billion worldwide, becoming the highest-grossing movie of all time, yet it was built in material part on the misappropriation of a minor’s biometric facial features as unpaid commercial source material.” According to the suit, Kilcher first met Cameron just after the release of the original *Avatar* in 2009, and he invited her to visit his office. Cameron wasn’t present when she did, but she was allegedly presented with an original sketch of Neytiri. “Your beauty was my early inspiration for Neytiri,” he wrote, according to the suit. “Too bad you were shooting another movie. Next time.” Kilcher only learned that Cameron used her likeness on social media, when a broadcast interview with the director surfaced online. “There’s a young actress named Q’orianka Kilcher who played Pocahontas in *The New World*,” he says in the clip. “So, this is actually her … her lower face. She had a very interesting face.” Cameron released *Avatar: Fire and Ash*, the third installment of the multibillion dollar franchise, last year. He’s currently promoting Billie Eilish’s *Hit Me Hard and Soft: The Tour (Live in 3D)*, which he co-directed with the superstar. Kilcher, a native Peruvian, told *[The New York Times](https://www.nytimes.com/2026/05/05/business/media/avatar-ai-lawsuit.html)* that “in the age of AI, our likeness is no longer safe. While what happened to me is personal, it’s also a big warning that, if we don’t act now, this type of thing will become standard. This case is about the future of identity.” *This article was originally published on **[rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-news/james-cameron-disney-avatar-lawsuit-1235558978/ "rollingstone.com")**.* ## Frequently Asked Questions ### Why is Q’orianka Kilcher suing James Cameron and Disney? Q’orianka Kilcher is suing James Cameron and Disney for allegedly using her facial features without permission or compensation to design the character Neytiri in the Avatar film franchise. ### Which Avatar character is involved in the lawsuit? The Avatar character involved is Neytiri, played on screen by Zoe Saldaña, whose facial structure was allegedly derived from published photographs of actress Q’orianka Kilcher. ### What evidence links Q’orianka Kilcher to Neytiri’s design? The lawsuit cites a signed sketch from James Cameron and a broadcast interview clip where the director explicitly stated Neytiri’s lower face was modeled after Kilcher. ### What legal claims are made regarding biometric data? The complaint alleges that filmmakers violated privacy and legal protections by using a minor’s biometric facial features as nonexpressive commercial source material without consent or financial compensation. ### How does the Kilcher lawsuit impact AI and digital rights? This case establishes a critical legal precedent regarding identity theft, digital likeness protections, and unauthorized biometric extraction in entertainment during the expanding age of generative AI. 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In this latest episode, the newlywed Jacobs couple’s fate appears to be split: Nate ([Jacob Elordi](https://rollingstonephilippines.com/tag/jacob-elordi/ "Jacob Elordi")) makes a Hail Mary to pay off a million dollars in debt, while Cassie ([Sydney Sweeney](https://rollingstonephilippines.com/tag/sydney-sweeney/ "Sydney Sweeney")) continues to hustle for followers and subscribers. Nate has had his toe surgically reattached after Naz’s henchman cut it off in the [last episode](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-3/ "The Wedding in ‘Euphoria’ Season 3, Episode 3 is What Nightmares are Made of"). He says the reattachment is a metaphor for getting back what one has lost, but we’ve yet to see how that applies to Cassie, who has left him to pursue her dreams as an OnlyFans model. So what the hell was the wedding for? He finally gets that meeting with the state zoning board, and he delivers an impassioned presentation proposing to make the endangered white fritillaries a feature of the retirement home and building around them instead of removing them from the construction site. The zoning board, however, rejects the proposal. It sends Nate on his hands and knees, literally begging for approval. The misery makes for Elordi’s most impressive performance this season. However, it still pales in comparison to his work in *[Frankenstein](https://rollingstonephilippines.com/tag/frankenstein/ "Frankenstein")* and even — I hate to admit this — Emerald Fennell’s *[Wuthering Heights](https://rollingstonephilippines.com/culture/reviews/wuthering-heights-movie-review/ "‘Wuthering Heights’ Reaches the Horniest of Heights")*. Meanwhile, Lexi (Maude Apatow) has hired Jules ([Hunter Schafer](https://rollingstonephilippines.com/tag/hunter-schafer/ "Hunter Schafer")) to create an original painting for the TV show *L.A. Nights*. The brief is “Sunday in the park, picnic kind of feel,” but Lexi also tells Jules to do whatever she wants. The result is George Seurat’s “A Sunday Afternoon on the Island of La Grande Jatte” but with a lot of nudity (Sharon Stone’s Patty Lance, the showrunner, counted 14 penises). Jules is asked to rework the painting as it’s not safe for TV, and Patty reschedules the shoot for another week. Lexi very nearly loses her job after being reprimanded by Patty, who tells her that she put upwards of $100,000 in production costs to waste by being unclear with Jules. ## Rue Wears Another Hat ![rue zendaya kitty anna van patten euphoria](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/rue-and-kitty-intext-1.webp) Rue just wants to help the dancers out, including newcomer Kitty (Anna Van Patten). Screenshot from HBO Max At the Silver Slipper, Angel has been replaced by Kitty (Anna Van Patten). Speculating about the former’s whereabouts, the other dancers say she probably ran away from rehab, but audiences already know that club owner Alamo (Adewale Akinnuoye-Agbaje) probably got rid of her for good. Unbeknownst to Alamo, Rue ([Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya")) has been caught by the Drug Enforcement Administration (DEA). In the span of four episodes, our protagonist has gone from drug dealer to pimp, to arms dealer, to DEA informant. Alamo senses that something is amiss with her, but wrongly suspects that she’s using again, and warns her against spiraling back into addiction. But Magick ([Rosalía](https://rollingstonephilippines.com/tag/rosalia/ "Rosalía")), one of the dancers at the club, keeps a watchful eye on Rue and begins to suspect her of being a snitch. When Rue catches Kitty getting assaulted by patrons on CCTV, she asks Kitty in the bathroom if she’s been forced to work at the Silver Slipper, her phone recording the conversation. Kitty insists she *wants* to work at the club, and Magick emerges from one of the bathroom stalls, whistling what sounds like Rosalía’s “La Rumba Del Perdón.” Later on, Magick goes to the club manager, Big Eddy (Kadeem Hardison), and tells him she thinks Rue might be a snitch. This leads to a confrontation among the three, with Rue attempting to cover her tracks by saying she was only looking after the girls. But before more could be revealed about her working for the DEA, a couple of white men in Barack Obama masks stormed the office, pointed a gun at Rue and Magick, and shot Eddy, before stealing all the cash from the vault. With the masks and no plate on their car, Magick is only able to see a part of the getaway driver’s face. “It’s a woman,” Magick says. “She has gigantic lips.” Of course, the driver is Rue’s friend, Faye Valentine (Chloe Cherry), and Rue tells Alamo that she works for Laurie (Martha Kelly). ## Rare Cassie Win ![cassie sydney sweeney euphoria](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/cassie-intext-2.webp) Is Cassie (Sydney Sweeney) turning the gaze back to the audience? Screenshot from HBO Max While things go awry at the strip club, Cassie’s looking for a come-up as a pinup model. She and Maddy (Alexa Demie) attend the party of Brandon Fontaine (Jeff Wahlberg), an influencer. His cameraman follows him around with a phone camera rig, livestreaming his raunchy party for millions of his followers to see. After she’s advised that it’s good to be seen on his livestream, Cassie manages to get into his bedroom with Maddy’s first client, Katelyn (Bella Podaras), the Cassie lookalike we met on [Episode 1](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-1/ "‘Euphoria’ Goes ‘Breaking Bad’ in Season 3, Episode 1"). The two blondes compete for Brandon’s attention, but Cassie wins when a single snort of coke sends Katelyn to the bathroom vomiting. Brandon’s cameraman barges in just as he and Cassie are about to have sex. She looks up at the camera, gives her Instagram handle, and goes home to a barrage of new followers on Instagram — a huge step up from the humble 3,000 she was doing nude shoots for at the beginning of the season. *Euphoria* Season 3 is currently streaming on HBO Max. ## Frequently Asked Questions ### What happens in Euphoria Season 3, Episode 4? The episode splits its focus across several hustles. Nate pitches and then begs the zoning board over his development, Rue’s work as a DEA informant nearly unravels at the strip club during a violent robbery, and Cassie lands a rare win in her push for online fame. ### What happens to Rue in Episode 4? Rue, now a DEA informant, is suspected of being a snitch by dancer Magick, leading to a confrontation with the club manager. Before it escalates, masked robbers storm the office, shoot the manager, and rob the vault — the getaway driver revealed to be Rue’s friend Faye. ### Does Cassie have a win in Season 3, Episode 4? Yes. Long ridiculed on the show, Cassie scores a “come-up” while chasing online fame. At an influencer’s livestreamed party, she outmaneuvers a lookalike rival, gets on camera, plugs her Instagram handle, and returns home to a surge of new followers. Rolling Stone frames it as a rare Cassie victory. ### What is the Jules painting storyline in Episode 4? Lexi hires Jules to paint an original piece for the show-within-the-show L.A. Nights. Jules delivers a nudity-filled riff on Georges Seurat’s “A Sunday Afternoon on the Island of La Grande Jatte,” which is deemed unfit for TV, nearly costing Lexi her job over the wasted production budget. ### Where can I watch Euphoria Season 3? Euphoria Season 3 is streaming on HBO Max, with Episode 4 marking the midpoint of the season. The recap notes the season has taken a darker, more chaotic turn, following characters through increasingly criminal storylines across its run. Related Stories - [‘Euphoria’ Goes ‘Breaking Bad’ in Season 3, Episode 1](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-1/ "‘Euphoria’ Goes ‘Breaking Bad’ in Season 3, Episode 1") - [In ‘Euphoria’ Season 3, Episode 2, You Either Pimp or Get Pimped](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-2/ "In ‘Euphoria’ Season 3, Episode 2, You Either Pimp or Get Pimped") - [The Wedding in ‘Euphoria’ Season 3, Episode 3 is What Nightmares are Made of](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-3/ "The Wedding in ‘Euphoria’ Season 3, Episode 3 is What Nightmares are Made of") **Categories:** Culture, TV **Tags:** Euphoria, HBO Max --- ### [The Winners and Losers of the 2026 Met Gala](https://rollingstonephilippines.com/culture/met-gala-2026-winners-losers/) **Published:** May 5, 2026 **Author:** Mel Wang **Excerpt:** The night saw a questionable BLACKPINK reunion, a rare Beyoncé sighting, and an influx of tech bros **Content:** This year’s [Met Gala](https://rollingstonephilippines.com/tag/2026-met-gala/ "2026 Met Gala") was definitely an interesting one. At its core, the *Vogue-*organized gala is meant to be a fundraiser to help financially support the Metropolitan Museum of Art, particularly its Costume Institute. The institute’s spring exhibition this year is “Costume Art,” a theme that guides the designs of the world’s most influential designers and fashion houses when creating their outfits for the evening. Guests are expected (but not required!) to keep this theme in mind, along with the evening’s dress code, “Fashion is Art.” While past galas have all sported their own forms of controversy, the 2026 Met Gala has especially been a point of contention over the months leading up to it. [Jeffrey and Lauren Sánchez Bezos’ involvement](https://rollingstonephilippines.com/culture/met-gala-2026-jeffrey-bezos-lauren/ "It’s a Tech Bro Takeover at the 2026 Met Gala") in the gala — they reportedly donated $10 million to serve as honorary chairs — has prompted critics to rebrand the evening as the “Tech Gala,” with many also condemning the presence of multiple tech companies at the event. Activist groups, such as Everyone Hates Elon, have also protested the gala to hold tech billionaires like the Bezos’s accountable. With this year’s Met Gala still fresh in our minds, we’ve put together a list of some of the evening’s biggest moments. Here, in no particular order, are the winners and losers (and in the case of some strange choices, in-betweeners) of the 2026 Met Gala. ## Winner: Statue Heidi Klum > [View this post on Instagram](https://www.instagram.com/p/DX77bhoFAVd/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Heidi Klum (@heidiklum)](https://www.instagram.com/p/DX77bhoFAVd/?utm_source=ig_embed&utm_campaign=loading) We’ve never doubted Miss Klum and her love for an elaborate costume (for reference, see all of her Halloween fits). The *Project Runway* host strutted onto the Met Gala carpet as a living, breathing marble statue. Created by prosthetic makeup designer Mike Marino and his team at Prosthetic Renaissance, the outfit features thin layers of latex and spandex that mimic the folds of carved marble — perfect for Klum, who spent much of the evening posing for pictures with guests like [Rihanna](https://rollingstonephilippines.com/tag/rihanna/ "Rihanna") and [A$AP Rocky](https://rollingstonephilippines.com/tag/aap-rocky/ "A$AP Rocky"). ## Loser: BLACKPINK United… But At What Cost? > [View this post on Instagram](https://www.instagram.com/p/DX8ScE_M3GU/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Met Gala 2026 (@metgalaofficial\_)](https://www.instagram.com/p/DX8ScE_M3GU/?utm_source=ig_embed&utm_campaign=loading) We rarely get all four of the members of [BLACKPINK](https://rollingstonephilippines.com/tag/blackpink/ "Blackpink") in one place, much less the Met Gala. But this year, Jennie, Jisoo, Lisa, and Rosé were in attendance as they each took a solo walk down the carpet. However, their outfits — despite coming straight from Chanel, Dior, Robert Wun, and Yves Saint Laurent, respectively — left… *much* to be desired. Their evening gowns seemed to cancel each other out, and it’s hard to see how they fit the gala’s theme. Better luck next time, BLACKPINK! ## In-Betweener: Hands, Hands, Hands > [View this post on Instagram](https://www.instagram.com/p/DX76MRBjODi/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Jordan Roth (@jordan\_roth)](https://www.instagram.com/p/DX76MRBjODi/?utm_source=ig_embed&utm_campaign=loading) There appeared to be several handsy mannequins on the carpet this time (with some handsier than others). Lisa’s custom gown from Robert Wun included a pair of arms draping a veil over the pop star, while Broadway’s Jordan Roth sported a second torso sprouting from his rump, also courtesy of Wun. The designer may just really love hands, because he also played a hand (Ha! Pun intended!) in making entrepreneur Nichapat Suphap’s gown of moving, automated hands. The hands started strong on the carpet, but lost some of their handiness (Alright, that’s enough!) towards the end. ## Winner: Sabrina on Sabrina How clever! In a nod to the Sabrinas that came before her, [Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter") rolled up to the Met Gala in a Jonathan Anderson-designed Dior dress made mainly of rhinestoned film strips from the 1954 film, *Sabrina*. “My look for every year has been totally different,” the pop star told [*Vogue*](https://www.vogue.com/article/sabrina-carpenter-met-gala-2025)*,* referring to the three past times she was invited to the gala. Let’s see how Carpenter ups her game next year. ## Loser: Lauren Sánchez Bezos as… Madame X > [View this post on Instagram](https://www.instagram.com/p/DX7lGQem6HV/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Lauren Sánchez Bezos (@laurensanchezbezos)](https://www.instagram.com/p/DX7lGQem6HV/?utm_source=ig_embed&utm_campaign=loading) What was Mrs. Bezos trying to say with her Schiaparelli fit? That she, like John Singer Sargent’s *Madame X*, is the “innocent” center of unwarranted slander as the wife of Jeffrey Bezos? Well, regardless of whether or not this is a heavy-handed reference to the backlash she’s received since marrying the Amazon founder, Lauren did *not* serve. Beyond the Singer Sargent reference, the gown does little else with the gala’s theme and plays it much too safe for “fashion’s biggest night out.” Plus, Claire Foy did a lot better with the source material. ## In-Betweener: Old Bad Bunny Would I still tap old man [Benito](https://rollingstonephilippines.com/tag/bad-bunny/ "Bad Bunny")? Yes, of course, but I’m not quite sure why he pulled up to this year’s Met Gala. Although the rapper’s hyper-realistic makeup played with the “Aging Bodies” category of the Costume Institute’s exhibition, he seemed to be the only one who actually read the exhibition description. While I applaud that attention to detail (and his custom tuxedo from Zara), Bad Bunny seemed just a little bit out of place on the carpet. ## Winner: A Beyoncé Sighting > [View this post on Instagram](https://www.instagram.com/p/DX8COVhmrjT/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Beyoncé (@beyonce)](https://www.instagram.com/p/DX8COVhmrjT/?utm_source=ig_embed&utm_campaign=loading) The pop-R&B queen hasn’t been spotted at a Met Gala since 2016, and she’s made it a point to avoid the spotlight when she can. But this year, as one of the gala’s co-chairs, she pulled up with her family and ushered in what appears to be a new era for her (so long, Cowboy Carter). Beyoncé, Jay-Z, and Blue Ivy walked the carpet together, and the star couldn’t be prouder of her daughter. “It feels surreal, because my daughter is here,” she told [*Vogue*](https://www.vogue.com/article/beyonce-2026-met-gala), “I am excited to experience it through her eyes.” ## Loser: Whatever Hudson Williams Was Going For > [View this post on Instagram](https://www.instagram.com/p/DX8E4lpF6dc/?utm_source=ig_embed&utm_campaign=loading)[A post shared by 𝐀𝐈𝐊𝐀 𝐃𝐀𝐍𝐈𝐂𝐀 𝐅𝐋𝐎𝐑𝐄𝐒 (@by.aikaflores)](https://www.instagram.com/p/DX8E4lpF6dc/?utm_source=ig_embed&utm_campaign=loading) Hudson, what happened? The *[Heated Rivalry](https://rollingstonephilippines.com/tag/heated-rivalry/ "Heated Rivalry")* star made his first-ever appearance on the Met Gala runway, and I’m terrified that it may be his last. He made many a fashion faux pas this evening, from his custom-Balenciaga shirtless matador look to his questionable *Black Swan*-inspired makeup. The overall look was messy, and as much as I want to defend Williams, nothing about it tied back to the evening’s theme. ## Loser: The Tech Bros Going Through the Back Door Cowards! While everyone was distracted by the red carpet, Jeff Bezos and first-time attendee Mark Zuckerberg slipped into the actual gala through a private entrance. The evening also saw tables purchased by OpenAI, Meta, Snap, Shopify, and Amazon. However, some tech bros did decide to brave the runway. Snapchat co-founder Evan Spiegel, Instagram CEO Adam Mosseri, and Google co-founder Sergey Brin all strutted their stuff, which only makes it more obvious that the Met Gala has become the Tech Gala. ## Winner: Ball Without Billionaires > [View this post on Instagram](https://www.instagram.com/reel/DX7JTlezP0N/?utm_source=ig_embed&utm_campaign=loading)[A post shared by The News Movement (@thenewsmovement)](https://www.instagram.com/reel/DX7JTlezP0N/?utm_source=ig_embed&utm_campaign=loading) You can’t buy cool. Although this wasn’t part of the Met Gala’s programming, it was a joy to see labor unions from across the United States come together in Manhattan’s Meatpacking District to put on a completely different kind of fashion show. In protest of the Bezoses bankrolling the gala, the Ball Without Billionaires saw crowds of Amazon employees and former *Washington Post* staffers strut down a makeshift runway. *Abbott Elementary*’s Lisa Ann Walter emceed the event and sported a white jacket with the label, “Art Belongs to Everyone.” ## Frequently Asked Questions ### What was the theme of the 2026 Met Gala? The 2026 Met Gala centered on the Costume Institute’s spring exhibition, “Costume Art,” with a dress code of “Fashion is Art.” As always, the Vogue-organized event served as a fundraiser for the Metropolitan Museum of Art, with guests encouraged to interpret the theme. ### Who were the best-dressed stars at the 2026 Met Gala? Rolling Stone’s writer named Heidi Klum a winner for her living-marble-statue look by prosthetics designer Mike Marino, and praised Sabrina Carpenter’s Dior dress made from film strips of the 1954 movie Sabrina. Beyoncé’s rare appearance with Jay-Z and Blue Ivy was also a highlight. ### Why was the 2026 Met Gala called the “Tech Gala”? Critics rebranded it the “Tech Gala” after Jeff Bezos and Lauren Sánchez Bezos reportedly donated $10 million to serve as honorary chairs. Tech firms including OpenAI, Meta, Snap, Shopify, and Amazon bought tables, and executives like Mark Zuckerberg and Sergey Brin attended. ### Did BLACKPINK attend the 2026 Met Gala together? Yes. All four members — Jennie, Jisoo, Lisa, and Rosé — attended and walked the carpet solo in Chanel, Dior, Robert Wun, and Yves Saint Laurent. Rolling Stone’s writer considered their looks a miss, finding them mismatched and a weak fit for the theme. ### What was the Ball Without Billionaires? The Ball Without Billionaires was a protest event held in Manhattan’s Meatpacking District in response to the Bezoses funding the Met Gala. Labor unions, Amazon employees, and former Washington Post staffers staged their own runway, emceed by Abbott Elementary’s Lisa Ann Walter. Related Stories - [It’s a Tech Bro Takeover at the 2026 Met Gala](https://rollingstonephilippines.com/culture/met-gala-2026-jeffrey-bezos-lauren/ "It’s a Tech Bro Takeover at the 2026 Met Gala") - [Beyoncé, Doja Cat, Janelle Monáe: The Best and Most Outrageous Looks at the 2026 Met Gala](https://rollingstonephilippines.com/culture/met-gala-fashion-2026/ "Beyoncé, Doja Cat, Janelle Monáe: The Best and Most Outrageous Looks at the 2026 Met Gala") - [4 Best Dressed Filipino Celebrities From Met Gala History](https://rollingstonephilippines.com/culture/4-best-dressed-filipino-celebrities-met-gala/ "4 Best Dressed Filipino Celebrities From Met Gala History") **Categories:** Culture, News **Tags:** 2026 Met Gala, Bad Bunny, Beyonce, Blackpink, Heidi Klum, Hudson Williams, Jeffrey Bezos, Lauren Sánchez Bezos --- ### [Ariana Grande Was ‘Too Shy’ to Make New Album ‘Petal’ Before, Then She Thought: ‘F-ck It’](https://rollingstonephilippines.com/music/news/ariana-grande-details-new-album-petal/) **Published:** May 8, 2026 **Author:** Larisha Paul **Excerpt:** "It's a little feral," the artist shared in an Instagram video detailing the record set for release on July 31 **Content:** In 2023, [Ariana Grande](http://ariana%20grande) gathered her team at Republic Records to preview [*Eternal Sunshine*,](https://www.rollingstone.com/music/music-album-reviews/ariana-grande-eternal-sunshine-review-1234983313/) the album she created when the Hollywood strikes brought production on *Wicked* to an abrupt stop. She cried [while presenting the record](https://www.instagram.com/p/C2z4uQKOjea/?hl=en), which she described as vulnerable and toying with the expectations often projected onto her. In a [new Instagram video](https://www.instagram.com/p/DYCqwRtxXel/?hl=en), Grande calls the group back into the same studio. “Surprise,” she said as she presented them with *[Petal](https://www.rollingstone.com/music/music-news/ariana-grande-new-album-petal-release-date-1235554759/)*, her upcoming eighth studio album out July 31. Vulnerable was a fitting adjective for *Eternal Sunshine,* which found Grande in an introspective mindset as she unpacked her emotional state as well as her perception of love. When she detailed *Petal*, she landed on a sharper descriptor: “It’s a little feral.” Grande went on to explain that the record emerged from a part of herself that laid dormant for a while. “It’s definitely from a place where I have been maybe too shy or polite to tap into before,” she said. “This kind of just feels like, fuck it.” Since announcing the album on April 28, Grande hasn’t offered many hints about where she may be heading sonically or conceptually on the record. At the time, she described it as “something that is full of life and growing through the cracks of something cold and hard and challenging.” It’s the exact phrase she used in the label meeting, though she spilled more afterwards, as the video reveals. > [View this post on Instagram](https://www.instagram.com/reel/DYCqwRtxXel/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Ariana Grande (@arianagrande)](https://www.instagram.com/reel/DYCqwRtxXel/?utm_source=ig_embed&utm_campaign=loading) “It was kind of about breaking up with all different kinds of negative attachments — whether it’s my own monsters in my own head, external voices, things that no longer serve me,” she continued. “It was a writing experiment for me to use that as a template so that I could be talking about one thing and sharing something, and people could use it however they want and apply it to their own lives.” In January, Grande joked that she would need [“an extra brain and four more arms”](https://www.rollingstone.com/music/music-news/ariana-grande-jokes-need-extra-brain-drop-new-music-1235497158/) to create another album to follow up *Eternal Sunshine*. At the time, she was still in GlindaLand while attending awards season events for [*Wicked: For Good*.](https://rollingstonephilippines.com/tag/wicked-for-good/ "Wicked: For Good") But now that she’s said goodbye to the character she had waited all her life to play, Grande is ready to get back to business. ## Frequently Asked Questions ### What is Ariana Grande’s new album called? Ariana Grande’s eighth studio album is titled Petal, which marks her quick follow-up release to 2024’s Eternal Sunshine following the conclusion of her Wicked commitments. ### When is Ariana Grande releasing ‘Petal’? Ariana Grande will release her album Petal on July 31, as confirmed during an internal Republic Records preview meeting shared on her official Instagram account. ### What is the themes and sound of ‘Petal’? Ariana Grande describes Petal as a “feral” and introspective record centered on severing negative mental attachments, overcoming personal obstacles, and embracing unfiltered self-expression without restraint. ### How does ‘Petal’ compare to ‘Eternal Sunshine’? While Eternal Sunshine focused on vulnerability and emotional recovery, Petal adopts a sharper, more assertive tone stemming from a previously dormant and less restrained artistic space. ### Did Ariana Grande write ‘Petal’ while filming ‘Wicked’? Ariana Grande began developing Petal after completing her role as Glinda in Wicked, transitioning back to full-time music production once award season obligations concluded. Related Stories - [‘Wicked: For Good’ Sees Ariana Grande Grow A Backbone](https://rollingstonephilippines.com/culture/reviews/wicked-for-good-review/ "‘Wicked: For Good’ Sees Ariana Grande Grow A Backbone") - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") - [Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’](https://rollingstonephilippines.com/music/singer-songwriter-barbie-almalbis-myth-of-rakista-rolling-stone-interview/ "Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’") **Categories:** Music, News, Pop **Tags:** Ariana Grande --- ### [RomanceClass Founder Mina Esguerra Wants You to Get Romantic](https://rollingstonephilippines.com/culture/books/romanceclass-mina-esguerra-romance-publishing/) **Published:** May 7, 2026 **Author:** Mel Wang **Excerpt:** The author and mentor spoke to us about how the Filipino romance novel needs a revamp and how writing romance isn’t as easy as you think **Content:** [Mina Esguerra](https://rollingstonephilippines.com/tag/mina-esguerra/ "Mina Esguerra") has had a long love affair with romance. The Filipino author, who currently has 29 published titles, has become one of the most recognizable names in the local romance writing scene. Her novellas, like the hockey romance *Kiss and Cry* and the rivals-to-lovers situationship *Better at Weddings Than You*, have been featured by platforms such as NPR and *The* *Seattle Review of Books*. Her novella *That Kind of Guy*, which sees its two leads break up and fall back into each other’s lives again, took home the 2013 Filipino Readers’ Choice Award for Chick Lit. In 2013, Esguerra doubled down on her love for the genre by founding [RomanceClass](https://rollingstonephilippines.com/tag/romanceclass/ "RomanceClass"), a community of Filipino romance writers who come together for online writing workshops, pitching sessions, and overall support to help get their manuscripts off the ground. ![Mina Esguerra](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/IMG_5458.webp) Esguerra’s titles have been featured by platforms such as NPR and *The* *Seattle Review of Books*. Since its first workshop, RomanceClass has helped over 100 members get published. From BL (short for Boys’ Love) novellas like H. Bentham’s *Kiss Away the Goodbye*, to supernatural love stories like Celestine Trinidad’s *Ghost of a Feeling*, to sapphic romances like Chi Yu Rodriguez’s *No Two Ways*, RomanceClass has spawned books that play with all different iterations of the genre. But despite her well-established career as a writer and mentor, Esguerra says that she is first and foremost a romance lover. “When I was a teenager, the books that got me into reading were the ones with romance plots,” Esguerra told me. Our conversation started off, rather appropriately, with the RomanceClass founder talking about her favorite genre trope: enemies-to-lovers. Esguerra’s honorable mentions included the *Sweet Dreams* novella, *Wrong-Way Romance*, and fanfictions starring Agents Mulder and Scully from *The X Files.* “There needs to be tension,” said Esguerra on what drew her to these particular romantic storylines. “What’s very delicious for me, both as a romance reader and writer, is how a lot of tension can push your romantic leads to really challenge each other.” ## What Makes a Book a RomanceClass Book? ![Mina Esguerra RomanceClass](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/IMG_5537.webp) Esguerra has always valued the importance of romantic tension, focusing on it in several of her own works. Esguerra started RomanceClass after scrolling through Twitter and realizing that there were people out there who were interested in writing romance, but didn’t know where to start. “I felt like I could help other people write a contemporary romance,” recalled Esguerra. “So I made that course, which was free and online, and 100 people ended up joining. What a surprise! The whole course ran for six months, and the community formed very quickly after that.” That first class taught Esguerra a lot about what Filipino writers are comfortable with when writing romance. “We didn’t have a lot of rules back then,” said Esguerra, “and we let people write what they wanted. But… for example, when we got back all the finished manuscripts, none of them had sex scenes. So the following year, I made sex scenes required: you had to learn how to write sex.” However, holding firm on that rule also led to Esguerra learning something more concerning about romance writers. “I stumbled upon the realization that a lot of Filipino writers — who are already adults, by the way — don’t know how to write consent,” she said. “They don’t know how to write romantic situations between two consenting adults. So I made a new, permanent rule: consent.” ![RomanceClass](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/romance-class-b2.webp) Esguerra shared some of her favorite romance titles, including works by RomanceClass authors like Carla de Guzman and Jay E. Tria, as well as novels from writers across the globe. There is currently a set of criteria that all writers must abide by when submitting their work to RomanceClass. Besides the rule on sexual consent, all submissions must be written in English to help them “have a life” on global self-publishing platforms like Amazon, according to Esguerra. Submissions must also involve the RomanceClass community in some way, whether this means tapping members to edit a rough draft or asking for feedback during a class. “That’s actually the most fun part of the class,” noted Esguerra. “Imagine experienced romance authors getting feedback from very well-read romance readers. These people, of course, don’t just read published romance that you buy in bookstores. They read fanfics, they watch K-dramas, they’re immersed in the lifestyle.” Esguerra has also become more wary of accepting members into a class, and it’s an unspoken rule that everyone should be romance fans. Esguerra currently has all interested applicants fill out a form first and cite their favorite romance movies, shows, books, and more. “We’ve gotten writers who… feel like they can join a class without ever having read anything romance, or are just very anti-romance,” said Esguerra. “I suspect that they \[sign up\] because they feel romance is easy, but they show up to class not having done their ‘homework’ right. And that’s the thing, too; \[I’ve\] been reading romance since we were teens, but for these people, reading romance feels like homework to them.” ## Happy Endings But perhaps one of the most important rules is this: all RomanceClass projects must have a happy ending. For another part of our interview, Esguerra walked me through the storylines of her favorite books to come out of RomanceClass workshops. There was Carla De Guzman’s *If The Dress Fits*, which follows a plus-sized accountant who ends up falling for her best friend after enlisting him to be her fake boyfriend for a wedding. There was Jay E. Tria’s *You, Out of Nowhere*, which centers around a 31 year-old woman fighting her feelings for a stranger seven years her junior. There was even her own *Cafe Titas* series, which follows different single women as they find love in their 40s. “We’re writing about characters who don’t normally get happy endings \[in romance novels\],” said Esguerra. “Mas satisfying kung happy ang ending nila.” Although a number of RomanceClass books lean on traditional romance tropes, many of them do their best to push back against them completely. This is in part due to Esguerra challenging RomanceClass members to write less conventional romantic leads and to make sure that said leads get the ending that they deserve. “These challenges have helped incentivize people to broaden the scope of what Filipino romance can be,” she said. “I think the instinct of a lot of writers, especially because of the industry, is to write to what themes or trends will get them a publishing deal, or some kind of recognition.” ## Problematic Storylines Unfortunately, as Esguerra found out, not everyone believes in broadening the scope of Filipino romance. Esguerra recalled meeting with a local studio to discuss adapting several RomanceClass novels, including her own, into onscreen projects. A studio head had been present at the meeting. “That was a mistake,” said Esguerra. “I, the author, should not have been talking to the studio head, because authors don’t know how to leverage what we have. And if an author is really dreaming about getting a movie made, then they shouldn’t be the person negotiating. There won’t be any negotiation! They’ll just be like, ‘Sure, do anything to me.’” She then explained how the studio’s representatives began saying that they were interested in adapting the novels, but that they would be making a number of changes. “The question they \[asked me\],” said Esguerra, “was, ‘So your community has an editorial guideline for agency and consent: How attached are you to that?’” “We’re writing about characters who don’t normally get happy endings \[in romance novels\]. Mas satisfying kung happy ang ending nila.” “That was funny to me,” continued Esguerra, “because the reason why we write, the reason why that guideline exists, is because of Filipino romance movies where women have to suffer. These movies are usually male-female romances, and the men are terrible, and the women… if they get a happy ending, it’s so hard for the woman because they had to either sacrifice something or the man had to really grovel. What kind of change are we promised? Do we feel good about that happily ever after if the woman has to give something up? And do we trust that the guy is actually sorry and will never do… whatever he did, again?” Consequently, a second meeting with the studio never transpired, but Esguerra was fine with that. “If you are intentional about showing consent in your books,” she said, “then it will have the right impact on the audience and bring up the right conversations.” ## Romance on the Rise ![RomanceClass Mina Esguerra](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/IMG_5518.webp) Esguerra has long-term plans to keep the workshops and ethos of RomanceClass alive. These days, with the rise of onscreen adaptations of romance books like *[Heated Rivalry](https://rollingstonephilippines.com/tag/heated-rivalry/ "Heated Rivalry"), People We Meet on Vacation,* and, dare I say, even *[Wuthering Heights](https://rollingstonephilippines.com/tag/wuthering-heights/ "Wuthering Heights")*, it seems like a RomanceClass novel adaptation is almost inevitable. But as Esguerra reminded me, that logic is not so cut and dry. “We’ve been trying to get our books \[onscreen\] since 2018,” she said. “It’s a lot of work, a lot of money, and honestly, we’ve seen these waves of popularity before. Like when *Crazy Rich Asians* became popular, we thought that it was going to start this new era of Asian rom-coms. Frankly, the money did not flow in.” However, Esguerra remains hopeful and has even hinted at potential adaptations being in the pipeline. But, above all else, hosting RomanceClass courses continues to be one of her top priorities. This year’s course began, rather appropriately, two days after Valentine’s Day, with Esguerra organizing both online sessions and in-person writing sprints mainly around Manila. Students were reminded about their weekly writing assignments, which include a story description, a first chapter, and a finished draft due later this year. “I hope people are inspired and realize that these \[romance\] stories have just been waiting for years to be the next big thing,” said Esguerra when asked about the future of the genre. “It really takes the people who love something to really champion it.” ## Frequently Asked Questions ### What is RomanceClass? RomanceClass is a community of Filipino romance authors founded by Mina Esguerra in 2013 that offers writing workshops, critique support, and self-publishing guidance. ### What are the key submission rules for RomanceClass? Submissions must include clear romantic consent, feature a happy ending, be written in English for global distribution, and involve community feedback during development. ### Who founded RomanceClass? RomanceClass was founded in 2013 by Mina Esguerra, a Filipino contemporary romance author with 29 published titles, including Kiss and Cry and Better at Weddings Than You. ### Why are RomanceClass books written in English? RomanceClass manuscripts are written in English to ensure accessibility on global self-publishing platforms like Amazon, allowing Filipino authors to reach international reader bases. ### Does RomanceClass require happy endings in its manuscripts? Yes, all RomanceClass stories must feature a happy ending, explicitly offering positive representation and satisfying resolutions for diverse characters who traditionally lack them. Related Stories - [The 25 Best Filipino Rom-Coms of the 21st Century](https://rollingstonephilippines.com/culture/philippine-cinema/25-filipino-rom-coms-21st-century/ "The 25 Best Filipino Rom-Coms of the 21st Century") - [Charo Santos-Concio Can’t Get Enough of Rom-Coms](https://rollingstonephilippines.com/media-channels/greatest-hits/charo-santos-concio/ "Charo Santos-Concio Can’t Get Enough of Rom-Coms") - [‘Tusk Love’ is a Yummy, Steamy Dungeons & Dragons Romantasy](https://rollingstonephilippines.com/culture/books/tusk-love-book-review/ "‘Tusk Love’ is a Yummy, Steamy Dungeons & Dragons Romantasy") **Categories:** Books, Culture **Tags:** Mina Esguerra, RomanceClass --- ### [‘The Odyssey’ is Giving Us Evil Stepdaddy Robert Pattinson](https://rollingstonephilippines.com/culture/film/the-odyssey-trailer-matt-damon-robert-pattinson/) **Published:** May 5, 2026 **Author:** Mel Wang **Excerpt:** “You’re pining for a daddy you didn’t even know” may just be one of the strangest lines in this adaptation of Homer’s epic **Content:** The first trailer for Christopher Nolan’s *[The Odyssey](https://rollingstonephilippines.com/tag/the-odyssey/ "The Odyssey")* has been released. The acclaimed director recently debuted the latest look at his mythic blockbuster on *[The Late Show with Stephen Colbert](https://rollingstonephilippines.com/editors-picks/commentary/the-late-show-with-stephen-colbert-cancelled/ "Capitalism Wins Again As ‘The Late Show With Stephen Colbert’ is Cancelled")*. *The Odyssey* is set to follow Odysseus ([Matt Damon](https://rollingstonephilippines.com/tag/matt-damon/ "matt damon")), king of Ithaca, as he navigates dangerous seas to return home after the Trojan War. The trailer features Damon as the hero lost at sea, while his wife and son — Penelope ([Anne Hathaway](https://rollingstonephilippines.com/tag/anne-hathaway/ "Anne Hathaway")) and Telemachus ([Tom Holland](https://rollingstonephilippines.com/tag/tom-holland/ "tom holland")) — attempt to keep the peace in their kingdom without a king. [Robert Pattinson](https://rollingstonephilippines.com/tag/robert-pattinson/ "Robert Pattinson") takes on a more sinister role as Antinous, one of Penelope’s many suitors, and it’s clear that he’s going to be one of this adaptation’s big bads. “You’re pining for a daddy you didn’t even know,” he sneers at Telemachus (a line which makes me wonder if Nolan took some liberties with Homer, but I digress). The epic will also be the first narrative film in history to be shot entirely with IMAX cameras. The film’s stacked cast includes Zendaya as Athena and Charlize Theron as Circe, along with Lupita Nyong’o, Jon Bernthal, Benny Safdie, John Leguizamo, Himesh Patel, Will Yun Lee, Mia Goth, Jimmy Gonzales, Elliot Page, and Jovan Adepo. *The Odyssey* releases on July 17 in the United States, but it won’t be the only blockbuster hitting cinemas that day. *[Spider-Man: Brand New Day](https://rollingstonephilippines.com/culture/film/spider-man-brand-new-day-trailer/ "The ‘Spider-Man: Brand New Day’ Trailer Just Broke a Record")* will be released concurrently, setting up yet another double-feature ala “Barbenheimer” for Nolan. ## Frequently Asked Questions ### What is Christopher Nolan’s The Odyssey about? The Odyssey is Christopher Nolan’s mythic blockbuster adapting Homer’s epic. It follows Odysseus, king of Ithaca, as he battles dangerous seas to return home after the Trojan War, while his wife Penelope and son Telemachus try to hold the kingdom together in his absence. ### Who is in the cast of The Odyssey? Matt Damon stars as Odysseus, with Anne Hathaway as Penelope, Tom Holland as Telemachus, and Robert Pattinson as the suitor Antinous. The ensemble also includes Zendaya as Athena, Charlize Theron as Circe, plus Lupita Nyong’o, Jon Bernthal, Mia Goth, Elliot Page, and Jovan Adepo. ### When does The Odyssey come out? The Odyssey releases in the United States on July 17, 2026. It shares that date with Spider-Man: Brand New Day, setting up a “Barbenheimer”-style double-feature weekend, this time built around Nolan’s film and the new Spider-Man release. ### What is special about how The Odyssey was filmed? According to the report, The Odyssey is the first narrative film in history shot entirely with IMAX cameras. The distinction fits Nolan’s long-running preference for large-format photography and signals the scale he is bringing to Homer’s epic on the biggest screens available. ### Who does Robert Pattinson play in The Odyssey? Robert Pattinson plays Antinous, one of the many suitors pursuing Penelope in Odysseus’s absence, positioned as a central antagonist. In the trailer he taunts Telemachus with the line, “You’re pining for a daddy you didn’t even know,” which Rolling Stone flags as an unusually modern turn of phrase. Related Stories - [Why are People Saying ‘The Dark Knight’ is Mid Now?](https://rollingstonephilippines.com/culture/film-tv/batman-dark-knight-mid/ "Why are People Saying ‘The Dark Knight’ is Mid Now?") - [2026 is the Year of Iconic Movie Comebacks and Franchise Wars](https://rollingstonephilippines.com/culture/2026-in-movies-hilda-koronel-doomsday/ "2026 is the Year of Iconic Movie Comebacks and Franchise Wars") - [23 Movies We’re Excited For This 2026](https://rollingstonephilippines.com/culture/film/23-movies-coming-in-2026/ "23 Movies We’re Excited For This 2026") **Categories:** Culture, Film **Tags:** Anne Hathaway, Christopher Nolan, matt damon, Robert Pattinson, The Odyssey, tom holland --- ### [What to Watch Right Now: ‘The Sheep Detectives,’ ‘Obsession,’ and More](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/obsession-sheep-detectives-one-more-chance/) **Published:** May 22, 2026 **Author:** Mel Wang **Excerpt:** Your weekly guide to some of the most bizarre, essential, and interesting things to add to your watchlist, courtesy of the Rolling Stone Philippines writers and editors **Content:** Welcome to [What to Watch Right Now](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/ "What To Watch Right Now"), our weekly rundown of the best things to watch right now. The constant stream of shows, videos, and films to watch online can become a sludge to wade through, so here are a few things you can watch courtesy of the *Rolling Stone Philippines* team. Whether it’s a new film, a video essay, or even a home video release you should own, we hope it can ease the burden of choosing which streaming platform to use or of discovering a new cinematic odyssey. This week, we flicked between new releases and our personal favorites. *The Sheep Detectives* has proven to be one of the best murder mysteries about sheep (and maybe the only one?) to date. *Obsession* is a must-see romantic-horror, and for [Curry Barker’s](https://rollingstonephilippines.com/culture/film/youtube-to-horror-movies-6-creators-turned-filmmakers/ "From YouTube to Horror Movies: 6 Creators Who Became Filmmakers") loyal fans since his YouTube days, you’ll need to see this one in cinemas. Local romances like *One More Chance* and *Four Sisters and a Wedding* had us embarking on a Cathy Garcia-Sampana marathon in time for *Tayo sa Wakas*. And for those in the mood for a coming-of-age piece, turn to *Sing Street* or *The Kings of Summer*. ## ‘The Sheep Detectives’ *I’ve never cried harder at a movie about sheep* *Where to watch: Currently screening in cinemas nationwide* The pitch for *The Sheep Detectives* must have been absurd. Directed by Kyle Balda (*The Lorax, Minions*), this sheep caper starts off from the POV of Farmer George Hardy (Hugh Jackman), a curmudgeonly shepherd who much prefers the company of his flock than the nosey inhabitants of the town closest to him (but, because it’s Jackman, he looks gorgeous even when he’s grumpy). The shepherd’s favorite nighttime hobby is reading mystery novels to his sheep, and many of them — including smartypants Lily (Julia Louis-Dreyfuss), old wise Mopple (Chris O’Dowd), and the prettiest of them all, Cloud (Regina Hall) — love trying their hand (or hoof?) at guessing the end of George’s stories. Unfortunately, when a killer pays George a visit one evening, his wooly friends must put their brains together to solve this one final mystery. It would have been easy to write *The Sheep Detectives* as another A-list cashgrab (I mean, have you seen its cast? We’ve got Sir Patrick Stewart, Bryan Cranston, Bella Ramsey, Nicholas Braun, and the list goes on). But don’t let this fool you! This ovine murder mystery has much to say about death, grief, and trauma, and if you find yourself sniffling as Lily and the rest of them begin to realize that their shepherd isn’t coming back, then that’s completely natural. —*[Mel Wang](https://rollingstonephilippines.com/author/melissa-wang/ "Mel Wang")* ## ‘Obsession’ *This isn’t your usual ‘crazy girlfriend’ story* *Where to watch:* Obsession *hits cinemas nationwide on May 27* In the hands of a less confident director, *Obsession* could have easily become that stereotypical (and problematic) story about a girlfriend gone rogue and a poor, “innocent” boyfriend just trying to survive the harrowing ups and downs of being loved a little too much (Oh, God forbid). But Curry Barker’s years on YouTube, along with his directorial debut *Milk & Serial*, have paid off, because he’s given us a horror with so much nuance that you’ll leave the cinema wondering if you’ve ever been a Bear (Michael Johnston) or a Nikki (Inde Navarette). Without giving too much away (because it’s really best to go into *Obsession* blind), the scares kick off when Bear, a lovesick dope, uses a “One Wish Willow” to force his crush Nikki to love him more than anyone in the world. Disaster immediately strikes, but both leads are so good at making you care about them that you need to see if they make it out of this wish-gone-wrong unscathed. —*Mel Wang* ## ‘Four Sisters and a Wedding’ *Director Cathy Garcia-Sampana’s funniest family drama* *Where to watch: YouTube and Netflix* Options, options, options! More than 10 years after *Four Sisters and a Wedding* first hit Philippine cinemas, and the dysfunctional family comedy still holds up as one of the most memorable (and quotable) of director Cathy Garcia-Sampana’s canon. We have our four sisters — Teddie (Toni Gonzaga), Bobbie (Bea Alonzo), Gabbie (Shaina Magdayao), and Alex (Angel Locsin) — who, naturally, get along until they don’t, and despite all of them reuniting for their brother CJ’s (Enchong Dee) wedding, there’s still a lot of bad blood between them. But in pure family fashion, the girls choose to ignore their years-long beef (bad idea!) in favor of trying to sabotage their baby bro’s big day. The entire ensemble cast brought their A game to the film (honorary mentions include Carmi Martin’s fake Russian accent and Coney Reyes playing the grounded Salazar matriarch), but the titular sisters are really the ones who brought the joy and grief that turned *Four Sisters and a Wedding* into a classic. —*Mel Wang* ## ‘One More Chance’ *A couple at a crossroads* *Where to watch: YouTube and Netflix* Loving someone takes a lot of work! Or at least this is what Basha (Bea Alonzo) comes to realize after spending the last five years in a relationship with her committed (and maybe just a little too controlling) boyfriend, Popoy ([John Lloyd Cruz](https://rollingstonephilippines.com/tag/john-lloyd-cruz/ "John Lloyd Cruz")). The two love each other; that much is clear. But Basha’s starting to see that she needs to live her own life, and Popoy needs to learn how to do the same. *One More Chance*, one of director Cathy Garcia-Sampana’s most popular rom-dramas, is also one of her most realistic. There’s still a lot of love, even when the couple breaks up (and this isn’t a spoiler: this is literally how the movie starts). The beauty of *One More Chance* is seeing how Popoy and Basha start to grow as individuals, despite needing to take some time apart. We’ve all been young and dumb in love, so there’s always something so cathartic about seeing a couple onscreen see the error of their ways and try to go about loving each other as mature as they can be. —*Mel Wang* ## ‘The Kings of Summer’ *A heartwarming essential from the boyhood canon* *Where to watch: Prime Video* I’m not keen to proclaim the need for a boyhood canon in film, because I couldn’t care less how men feel about media. But if there were a boyhood canon, in the same way that there seems to be an agreed-upon slate of “girlhood” films, then Jordan Vogt-Roberts’s 2013 teen comedy-drama, *The Kings of Summer*, would fit right in. In it, Nick Robinson plays Joe, a teenager who feels emasculated by his single father, Frank (Nick Offerman). He runs away with his best friend Patrick (Gabriel Basso) and their schoolmate Biaggio (Moises Arias, a.k.a. *Hannah Montana*’s Rico) to build their own house in the woods. There, they learn how to hunt and gather, but their relationships and ideas of manhood are put to the test, especially when Joe’s crush, Kelly (Erin Moriarty), comes along and falls for Patrick. It’s a funny and tender film about friendship, set to music by MGMT and Youth Lagoon. —*[Pie Gonzaga](https://rollingstonephilippines.com/author/sophia-gonzaga/ "Pie Gonzaga")* ## ‘Sing Street’ *Love The Cure? You’ll love this coming-of-age indie from John Carney* *Where to watch: Prime Video* If you think I’m done talking about coming-of-age films from my school days, I’m not. [Olivia Rodrigo](https://rollingstonephilippines.com/tag/olivia-rodrigo/ "Olivia Rodrigo") just released her new single “[the cure](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-the-cure-music-video/ "Is Olivia Rodrigo Doing Ok in ‘the cure’?"),” which seems to be a nod to when she performed with The Cure’s Robert Smith at Glastonbury Festival 2025. The English rock band, decades after its heyday, continues to inspire modern media, and did so in John Carney’s *Sing Street*. The 2016 film is set in 1980s South Dublin, amid a burgeoning economic crisis in Ireland. Conor (Ferdia Walsh-Peelo) transfers from a private school to a public boys’ school, and as he adjusts to the school’s tougher conditions, he meets Raphina (Lucy Boynton) across the street from campus. To impress her, he forms a band, becoming friends with schoolmate Eamon (Mark McKenna) and guided by his older brother Brendan (a be-Jesus-ed Jack Reynor) along the way. The film is infused with some of my favorite needle drops, which include The Cure, Duran Duran, Spandau Ballet, and a-ha. —*Pie Gonzaga* ## Frequently Asked Questions ### What movies are on Rolling Stone Philippines’ latest watchlist? The May 2026 watchlist features six picks: the murder-mystery The Sheep Detectives, the romantic-horror Obsession, and Filipino rom-dramas Four Sisters and a Wedding and One More Chance, plus coming-of-age films The Kings of Summer and Sing Street, spanning new cinema releases and streaming favorites. ### What is Obsession and where can I watch it? Obsession is a romantic-horror film from writer-director Curry Barker, who built a following on YouTube before his debut Milk & Serial. It follows Bear, who uses a “One Wish Willow” to make his crush Nikki love him, with disastrous results. It hit cinemas nationwide on May 27, 2026. ### What is The Sheep Detectives about? The Sheep Detectives is a murder-mystery directed by Kyle Balda, told largely from the perspective of a flock whose shepherd, George (Hugh Jackman), is killed. The sheep set out to solve the crime. Its voice cast includes Julia Louis-Dreyfus, Regina Hall, and Chris O’Dowd, and it’s screening in cinemas nationwide. ### Which Filipino films are recommended? Two Cathy Garcia-Sampana classics make the list: Four Sisters and a Wedding, the dysfunctional-family comedy with Toni Gonzaga, Bea Alonzo, Shaina Magdayao, and Angel Locsin; and One More Chance, the beloved rom-drama starring Bea Alonzo and John Lloyd Cruz. Both stream on YouTube and Netflix. ### Where can I stream The Kings of Summer and Sing Street? Both coming-of-age films are on Prime Video. The Kings of Summer (2013) follows three teens who build a house in the woods, while John Carney’s Sing Street (2016) is set in 1980s Dublin and packed with needle drops from The Cure, Duran Duran, and a-ha. Related Stories - [‘Hokum’ Delivers as a Classic (and Hopeful!) Horror Story](https://rollingstonephilippines.com/culture/film/hokum-adam-scott-horror-review/ "‘Hokum’ Delivers as a Classic (and Hopeful!) Horror Story") - [Is Olivia Rodrigo Doing Ok in ‘the cure’?](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-the-cure-music-video/ "Is Olivia Rodrigo Doing Ok in ‘the cure’?") - [The 25 Best Filipino Rom-Coms of the 21st Century](https://rollingstonephilippines.com/culture/philippine-cinema/25-filipino-rom-coms-21st-century/ "The 25 Best Filipino Rom-Coms of the 21st Century") **Categories:** Culture, Editor's Picks, Film, Philippine Cinema, What To Watch Right Now **Tags:** Amazon Prime Video, Cathy Garcia-Sampana, Obsession, The Sheep Detectives --- ### [Explainer: Lacson, Marcoleta, and the Flood Control ‘Allocables’](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/marcoleta-flood-control-allocables/) **Published:** May 7, 2026 **Author:** Pie Gonzaga **Excerpt:** The allegations against Marcoleta concern his previous role as the Commission on Appointments’ chair for the Committee on Public Works and Highways **Content:** Senate President Pro Tempore [Panfilo “Ping” Lacson](https://rollingstonephilippines.com/tag/ping-lacson/ "Ping Lacson") claims that, according to a statement handwritten by the late Public Works Undersecretary Cathy Cabral, Senator [Rodante Marcoleta](https://rollingstonephilippines.com/tag/rodante-marcoleta/ "Rodante Marcoleta") had received P500 million in “allocables” related to flood control projects. Lacson clarified that though the alleged allocation is “not proper,” it is not necessarily “illegal.” But Marcoleta is refuting Lacson’s claims, saying his evidence is incomplete and lacks context. During the Kapihan sa Senado forum on Wednesday, May 6, Lacson said that Marcoleta had initially asked for P1.5 billion worth of [Department of Public Works and Highways](https://rollingstonephilippines.com/tag/dpwh/ "DPWH") (DPWH) projects in exchange for confirming Manuel Bonoan as the Public Works secretary, but was only given P500 million. Marcoleta, who represented SAGIP Partylist in Congress before his Senate term, chaired the Commission on Appointments’ (CA) Committee on Public Works and Highways in 2022. During this time, Bonoan was appointed as the DPWH secretary — a position he [vacated](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/dpwh-flood-control-latest-updates/ "DPWH Flood Control Projects Scandal: The Most Damning Revelations So Far") in September 2025 amid the flood control corruption scandal. Marcoleta was sacked from the CA in 2024, and though no official reason was given by the House of Representatives, his removal followed his opposition to the House’s investigation into Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte")’s use of allocated funds. ![rodante marcoleta](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/rodante-marcoleta.webp) Senator Rodante Marcoleta gave his privilege speech on Wednesday, May 6, responding to the accusations that he was involved in budget insertions during his tenure in Congress. Photo by Wendell Alinea/Senate of the Philippines Facebook In a privilege speech later on Wednesday, Marcoleta denied Lacson’s allegations and accused the Blue Ribbon Committee chair of casting doubt on him. “Hindi na po ito paghahanap ng katotohanan. Ito ay pagpapalutang ng duda sa pamamagitan ng isang palabas,” he said. He further stated that he was only endorsing the flood control projects that Lacson mentioned. “Kung ang pag-indorso ng mga proyekto sa DPWH ay basehan ni Sen. Lacson ng pagpapaimbestiga sa akin, hindi ba’t halos dapat na ang mga senador ay imbestigahan na rin?” [*ABS-CBN News*](https://www.abs-cbn.com/news/nation/2026/5/6/lacson-claims-marcoleta-had-allocables-1553) reports that Lacson says Marcoleta has not been in his right mind. “Ang nagbago si Sen. Marcoleta kasi nawala siya sa hulog. Hindi na siya in sync with reality,” Lacson said. “Parang hindi niya matanggap na napalitan siyang Blue Ribbon \[Committee chair\].” Lacson was appointed chairman of the Senate Blue Ribbon Committee in November 2025, replacing Marcoleta, amid the Senate’s probe into anomalous flood control projects. ## Frequently Asked Questions ### What are flood control “allocables” in the Senate controversy? Flood control allocables refer to DPWH project funding allegedly distributed to lawmakers for endorsement, a practice Sen. Lacson notes is improper but not strictly illegal. ### How much funding did Sen. Lacson claim Sen. Marcoleta requested? Sen. Lacson claimed Sen. Marcoleta requested P1.5 billion in DPWH projects during Manuel Bonoan’s confirmation, though only P500 million was reportedly allocated. ### How did Sen. Marcoleta respond to the allocable claims? Sen. Marcoleta denied the allegations in a privilege speech, stating he merely endorsed project proposals and accusing Sen. Lacson of casting public doubt without context. ### Why was Sen. Marcoleta removed from the Commission on Appointments? Sen. Marcoleta was removed from the CA in 2024 following his opposition to a House investigation into Vice President Sara Duterte’s use of public funds. ### Who currently chairs the Senate Blue Ribbon Committee? Sen. Panfilo “Ping” Lacson chairs the Senate Blue Ribbon Committee, having replaced Sen. Marcoleta in November 2025 during the flood control inquiry. 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Their agency, [Wake One](https://rollingstonephilippines.com/tag/wake-one/ "Wake One"), has begun an investigation to track down posters who spread disinformation or insults against the group. ALPHA DRIVE ONE is set to make their comeback on May 26 with the prologue single “No School Tomorrow.” ![ALPHA DRIVE ONE](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/ALPHA-DRIVE-ONE.webp) ALPHA DRIVE ONE is an eight-member boy group and was formed through the reality competition show Boys Planet 2 and debuted on January 12, 2026. Photo from ALPHA DRIVE ONE/Instagram Based on evidence retrieved by the agency, Wake One submitted two official complaints in April and May. The company explained, “Investigations are currently under way, including the execution of search and seizure warrants, to secure identifying information on the perpetrators.” Last February 19, ALPHA DRIVE ONE member Kim Geon Woo was accused of having “poor character” in front of broadcasting staff during the filming of KBS2’s Idol 2ND. Their agency, Wake One, issued a [statement](https://www.soompi.com/article/1842864wpp/alpha-drive-ones-agency-shares-update-on-legal-action-against-malicious-posts) saying those allegations were false. “The spread of various attacks, defamatory remarks, and false rumors, including attacks directed at the artists’ outer appearances as well as their character, has caused deep and lasting scars on not only the artists, but also the fans.” The label then stated that they believe it is their responsibility to protect their roster. “We have partnered with Law Firm Sejong to proceed with legal action against any acts which infringe on our artists’ rights.” ALPHA DRIVE ONE is an eight-member boy group and was formed through the reality competition show *Boys II Planet* and debuted on January 12, 2026. ## Frequently Asked Questions ### Who is ALPHA DRIVE ONE? ALPHA DRIVE ONE is an eight-member boy group formed through a reality competition show Boys II Planet. The group consists of members, namely Sangwon, Geonwoo, Sanghyeon, Xinlong, Kim Jun-seo, Leo, Anxin, and Arno. ### Who is ALPHA DRIVE ONE’s agency? Wake One is ALPHA DRIVE ONE’s talent agency. ### What is the agency investigating? Wake One is currently investigating malicious comments made against ALPHA DRIVE ONE. ### When is their comeback single coming out? ALPHA DRIVE ONE is set to release their comeback single titled “No School Tomorrow.” ### Why did ALPHA DRIVE ONE take legal action? Their agency, Wake One, took legal action after a wave of malicious posts targeted the group on May 21, 2026, spreading what it calls insults, defamatory remarks, and false rumors about the members’ character and appearance. The agency says the attacks caused lasting harm to the artists and fans. Related Stories - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") - [SB19’s ‘Wakas at Simula,’ Ranked Track by Track](https://rollingstonephilippines.com/music/pop/sb19-wakas-at-simula-ranked/ "SB19’s ‘Wakas at Simula,’ Ranked Track by Track") **Categories:** Music, News, Pop **Tags:** ALPHA DRIVE ONE, Wake One --- ### [This Old Hotel is Now A Gathering Spot for Cebu’s Artists](https://rollingstonephilippines.com/culture/atua-midtown-cebu-creative-hub/) **Published:** May 22, 2026 **Author:** Mel Wang **Excerpt:** Atúa Midtown has quickly become the unofficial HQ for Cebu’s most prolific creatives, but it took a lot of trial and error to get to where it is today **Content:** There’s always something going on at [Atúa Midtown](https://rollingstonephilippines.com/tag/atua-midtown/ "Atúa Midtown"). The latest art hub to open in Cebu has quickly established itself as the main gathering spot for the city’s artists, writers, and creatives. Walk through the building’s side entrance (or through its “main” door right by Eddie’s Log Cabin), and you’re guaranteed to step into a concert, a drag show, a poetry reading, a film screening, or whatever community event has taken over Atúa’s courtyard at any given time. Born out of the skeletal remains of the Beverly Boutique Hotel, Atúa has preserved its predecessor’s layout, which means that a hodgepodge of rooms surrounds the courtyard-slash-assembly-point. These rooms, once old and empty, have been converted into warm storefronts and leased to local creatives who’ve decided to set up shop at Atúa. ![Atua midtown cebu](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF5975-HDR.webp) Atúa Midtown first opened its doors in 2024. There’s no set route to take when it comes to exploring Atúa’s stores, so you must decide where the day will take you. For those looking for a locally designed toy or collectible, there’s NEUE (pronounced “new”), a store that sports brightly decorated walls, shelves upon shelves of designer toys, and a well-worn couch where guests can sit and flip through the shop’s stack of magazines. Walk a short flight of stairs, and you’ll find Kurî-Kurî, the place to stock up on stickers, stationery, and outfits designed by Cebu’s rising artists. A few floors down is Filla Killa, where you can peruse through crates of vinyl records or sit in for a listening session, if a DJ is spinning or a local band’s playing for the night. There’s a tattoo parlor (Studio Amping), a custom bikini atelier (Sew Local PH), a café (Luna Gazette), a film lab (Grain House), a bookstore-slash-bar (Owl Stories and Spirits), a zine-slash-tea-shop-slash-apocalyptic-concept-store (The Provisioner), and the list goes on. You could spend five minutes or five hours at Atúa, and no one would pay you any mind. ## How Atúa Attracted Cebu’s Rising Artists ![Atúa founder Allen Tan, general manager Maristella Rallos, and community manager Kae Batiquin. ](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF5182.webp) Atúa founder Allen Tan, general manager Maristella Rallos, and community manager Kae Batiquin. Atúa could have easily been anything else: a corporate workplace, a hospital’s admin office, or a hotel, all of which were on the table when its founder, Allen Tan, was trying to figure out what to do with the empty building. “I guess it could have been more ‘practical,’” Tan says as we sit down for our interview. We’d made our way to Atúa’s newly added wing, a long but narrow third building which now holds the freshly renovated craft store Solarpop, the bookstore Dear Reader, and an open-air taqueria atop its roof (aptly called The Taqueria Above Dear Reader). The expansion is fresh, and potentially signals just how successful Atúa has been since it opened in 2024, but Tan remains wary about what the future holds for his latest business venture. ![allen tan](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF5209.webp) “Cebu has always been known as an artsy, design-forward city,” said Atúa founder Allen Tan. Outside the world of Atúa, Tan and his family have long been known as mainstays in Cebu’s F&B industry, having franchised a number of popular restaurant chains. He is also the founder of the annual Tubo Art Fair. However, when the old building “fell into his lap,” Tan confessed that he was slightly out of his depth. “Usually I’m the tenant, not the landlord,” Tan jokes. “But here, we flipped the relationship, and I’ve learned that it’s not so easy after all!” ![Indoor shopping arcade with colorful bunting and string lights along a balcony railing on multiple levels](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF6067-HDR.webp) Atúa was born out of the old Beverly Boutique Hotel. Tan had no interest in reviving an old hotel, nor did he want another office building. Instead, he decided to give Cebu what it seemed to have been lacking, at least in recent years — a main, definitive space for its creative community. “Cebu has always been known as an artsy, design-forward city,” says Tan. “We’re known for our furniture, our interior design, our visual art, everything. But there are no visible spaces to show this art. There is no place to view what our artists and designers make on a regular basis. Unless you know these designers personally and go to their studios or factories, there’s really nowhere for you to go.” It wasn’t an easy process, but after the pandemic, Tan got to work on renovating the building and inviting artists to come fill out Atúa. “At the start, we sent out a bunch of offers,” he recalls. “This is a very central location, so we had a lot of interest at first. But they found the rent too expensive… that really deterred them. So we started offering grants to help speed up the process.” ![atua cebu](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF5855.webp) Mark Joseph Deutsch, one-half of design duo Happy Garaje, inside his craft store, Solarpop. “That grant really helped us tenants out, especially the younger artists,” says Mark Joseph Deutsch, one-half of design duo Happy Garaje and the owner of several shops at Atúa, including Solarpop and Luna Gazette. “The grant was half of our asking price for the first year, and it was \[given\] to all businesses that were arts and design-related. It meant we could pay a rent that was lower than the market price. As soon as it was offered, a lot more people were willing to take the risk of opening up a store.” The “risk” that Deutsch mentioned also lay in the fact that many of Atúa’s early tenants had little or no experience at all selling their wares in their own physical store. ![luna gazette](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF5461.webp) The café Luna Gazette, one of Atúa’s early tenants, has served as a place for readings, zine exchanges, and more community events. “There was a lot of handholding,” says Tan, “and some support in terms of explaining contracts, legal permits, bookkeeping… all of the things that first-time business owners have problems with.” Deutsch was more blunt about how he remembered those early days. “A lot of us didn’t know what we were doing!” He laughs. Despite the initial road bumps, however, Atúa and its tenants have slowly learned how to turn the arts into a steady enterprise. “I was prepared to tough it out for a while,” says Tan, “but we filled up pretty quickly. I mean, it’s still been a struggle, but we can make ends meet now and over the last few months, we’ve really started to feel more confident, a little more stable.” “Even up until now, we still offer \[administrative\] support for our tenants,” adds Atúa’s community manager, Kae Batiquin. “Because we understand. You have a lot of artists, especially coming out of the pandemic, who got crafty and discovered that they’re really good at something, but didn’t have a way to bring any of it to the marketplace. It’s never as easy as it sounds.” ## What Each Tenant Brings to Atúa’s Table ![atua cebu](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF6088.webp) The Provisioner’s Jules Advincula designing a mural for Atúa’s courtyard. After our interview, Tan, Batiquin, and Atúa’s general manager Maristella Rallos walked us to each shop, introducing us to the tenants inside. As of writing, Atúa roughly hosts 30 stores, with each shop owner at different stages in their careers. There are the newer ventures like The Provisioner (a name best said, I’m told, in a deep, low whisper for effect), where owner Jules Advincula is busy trying to sell zines made by local writers and photographers, while also selling loose tea, and also maintaining his shop’s cool, mysterious, post-apocalyptic vibe. ![Wooden horse sculpture in front of a glass storefront with illustrated logos on the glass and a 'PECULIAR GOODS FOR DANGEROUS TIMES COFFEE & TEA' sign inside; Rolling Stone logo at bottom edge of the window.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF5066.webp) The Provisioner is a zine-slash-tea-shop-slash-apocalyptic-concept-store. “The space is still sort of figuring itself out because it’s all rolled into one,” Advincula tells me while wiping off pink chalk dust onto the front of his pants. Across from his shop, Advincula has spent the better part of the afternoon working on a multi-colored chalk mural for Atúa’s courtyard, featuring what looks like a loud, swirling, and squiggly take on the galaxy. “Jules started out in \[Atúa’s tattoo parlor\] Studio Amping, but he’s also an artist in his own right,” says Tan. “His art’s very cerebral, like he’s from a different dimension.” When Tan approached Advincula to set up his own shop at Atúa, it took a good amount of workshopping to figure out what type of store The Provisioner would even be. “Right now, it’s mostly zines,” says Advincula. “The concept I’m going for is survival-bunker-apocalyptic-punk… we’re still developing the concept for it, but basically the world’s already ended, or at least we thought it did. Anyway, we’re stuck with our survival kits. Thus \[the store tagline\], ‘Peculiar Goods for Dangerous Times.’” ![Filla Killa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF5929.webp) Filla Killa is one part record shop and one part listening space for local musicians. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF5288.webp) “We’re really the place for VisMin musicians,” said Filla Killa’s Kat Layno. Other stores, like record shop Filla Killa, found their stride after months of tweaking and improving. “Filla Killa used to just be \[founder\] Karl Lucente’s office,” recalls Deutsch. “It was literally a room with a desk! It was so sad, too, because it was always closed, no one was there, and people would come in and be curious… so sayang.” Eventually, however, the space was converted into a listening paradise for those hoping to spend a day digging through crates of vinyl, CDs, and cassette tapes. With the help of co-founders Kara Angan, Kat Layno, Jam Abella, and Gino Rosales, Filla Killa has become a community space that supports not only analog music, but also local independent musical acts. “We’re really the place for VisMin musicians,” Layno tells me as she mans the shop’s counter. Hung around her are a mix of posters and record sleeves of local acts like SUGARKISS, IIICCCYYY, and Mandaue Nights (Lucente and Rosales’ band outside of Filla Killa). “We’ve had launch parties, listening parties, lots since we opened last July,” she adds. “That’s one of the main reasons why I love this place. There was a lot of passion that went into building Filla Killa.” ![A man wearing glasses smiles behind a toy display counter filled with colorful figurines in a blue-walled shop.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF5417.webp) NEUE founder Ralph Guibani. ![neue](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF5428.webp) NEUE offers a mix of design-centric products. For shop owners who have been at Atúa since the start, however, the past two years have taught them the ups and downs of starting a creative enterprise in Cebu. “From a business standpoint, I think we’re okay right now,” says NEUE founder Ralph Guibani. “When I say that, I mean it’s just enough for me to pay the rent, and a little bit extra to move things around or plan certain things. But I feel like it still needs a little push, since the concept of the store is fairly new to the Cebu market.” NEUE offers a mix of design-centric products, including blind boxes, Pop Mart-esque collectibles, comics, and locally designed apparel. But according to Guibani, guests sometimes still have a hard time figuring out exactly what his store sells. ![atua midtown](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF5452.webp) “I feel like \[NEUE\] still needs a little push, since the concept of the store is fairly new to the Cebu market,” said Guibani. “People come in and they’re pretty curious, which is good,” he says. “But they’re also like, ‘Are you selling this couch? How about the lamp? The furniture?’ And no, I’m not. Others have also come in to ask if I have a photo booth, or if I’m a café. So that’s been the struggle.” Guibani notes, though, that his store is slowly giving local artists the chance to “scratch that itch” for discovering new finds that push the boundaries of design. “All these cool new things are here, in a store in Cebu,” adds Guibani. “So artists and collectors don’t have to go all the way to Manila or outside the Philippines to get their fix.” ![studio amping](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF5352.webp) Studio Amping founder Gab Villacarlos. Other tenants echo a similar sentiment, emphasizing how opening up a shop in Atúa has created a hodge-podge of people who all love to gather at the hub. “It’s fun, but also strange,” says Studio Amping founder Gab Villacarlos. “The people here… we wouldn’t cross paths with most of these guys outside. Murag (Parang) it’s not your usual bunch of creatives. It’s like a party, there’s always new people.” ## From Abandoned Hotel to Creative Community HQ ![amping](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF5332-1.webp) Studio Amping (Bisaya for “Take care!”) is the sole tattoo parlor at Atúa. The party at Atúa isn’t stopping anytime soon. If anything, the hub is set to grow in size over the next few years, with talks of another expansion behind the main building. However, as Tan emphasizes, he does this mainly to support the tenants, organizers, and friends who’ve made Atúa what it is today. “We’ve had so many success stories,” says Tan. “I mean, you know, there’s still good and bad. But we’ve had shops that have been like, ‘Oh, I opened here, and now it’s too small for me. My business grew so much that I have to find a bigger space.’ And I’m like, ‘Yes, fly!’” “There are also some that obviously did not work,” he adds, “but you have to keep going. Find new opportunities for new tenants as well.” ![Two smiling women pose together in a colorful textile shop, surrounded by woven baskets, blankets, scarves, and clothing on shelves.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF5315.webp) Batiquin and Debbie Palao, both of whom are design store HoliCOW’s founders. Tan and the managing team behind Atúa are also hoping to encourage more niche groups around Cebu to host their events, workshops, and gatherings at the hub. “We want to engage with our microcommunities,” he says. “We’ve already had the ballroom community come here to teach visitors about ballroom culture. We’ve had a toy club, a boardgame club, a Broadway club, and that last one, they spent a day here singing as a choir. We’re very welcoming and non-judgemental!” ![owl](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF5385.webp) Owl Stories and Spirits founder Julie Jhoy Sanchez. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSCF5151.webp) The Grain House: Film Lab founders Kim and Kyle Canoy. “We’ve also had cosplayers come in,” adds Batiquin, “from people who do fur suits, to people who do Genshin, to older folks who do war reenactments. Think ren faire, but Filipino. Imagine, those war reenactors are usually at Fort San Pedro, while the cosplayers are in J Mall. But here, they’re trading notes about how to hem a sleeve.” Above all else, Tan is trying to create a creative community that lasts long after whatever the future may hold for Atúa. This quest, Tan concedes, has come with its own challenges and frustrations. “It’s hard to get funding for the arts here,” he tells me as we finish our tour. “Worse na with the \[Iran\] war! As we always say, there’s always health, a disaster, or something more urgent. It’s much easier to raise money for a calamity, but for the arts, it’s so much harder to convince… especially in Cebu! People are always like, ‘Ay! Ka social!’” “But it really shouldn’t be so hard,” he says just before we wrap up for the day. “This is an economy that we really need to keep alive. There would be no future for this community if we did not support it.” ## Frequently Asked Questions ### What is Atúa Midtown in Cebu? Atúa Midtown is a creative hub in Cebu City built inside the former Beverly Boutique Hotel. It hosts local shops, studios, and event spaces run by artists, designers, and makers, making it an unofficial gathering space for the creative community. ### Where is Atúa Midtown located? Atúa Midtown is located in the midtown area of Cebu City, with Eddie’s Log Cabin as one of its landmarks. It sits in a central urban location that makes it easy to visit alongside other Cebu City landmarks and dining spots. ### What shops and experiences can you find at Atúa Midtown? Atúa Midtown’s tenants include a vinyl record shop, tattoo parlor, bookstore-bar, craft stores, a film lab, a café, a zine shop, and a rooftop taqueria. ### When did Atúa Midtown open? Atúa Midtown opened in 2024 and was founded by Allen Tan, a Cebu entrepreneur known for the F&B industry and the annual Tubo Art Fair. The hub expanded with a new wing shortly after, reflecting strong demand from Cebu’s growing creative sector. ### Is Atúa Midtown free to enter? Atúa Midtown is an open creative hub that visitors can walk through freely. Individual shops set their own hours and pricing. Related Stories - [This Cebu Fan Club is Keeping the ‘Heated Rivalry’ Momentum Going](https://rollingstonephilippines.com/culture/tv/heated-rivalry-fan-club-cebu/ "This Cebu Fan Club is Keeping the ‘Heated Rivalry’ Momentum Going") - [Fatrick Tabada on Jaclyn Jose and Writing a Cebuano Film](https://rollingstonephilippines.com/media-channels/greatest-hits/fatrick-tabada/ "Fatrick Tabada on Jaclyn Jose and Writing a Cebuano Film") - [Chai Fonacier on Her Breakout Role and Playing a Trans Man](https://rollingstonephilippines.com/media-channels/greatest-hits/chai-fonacier-indie-films/ "Chai Fonacier on Her Breakout Role and Playing a Trans Man") **Categories:** Culture **Tags:** Atúa Midtown, Cebu --- ### [‘BTS World Tour Arirang’ in Bulacan, PH: Your Cheat Sheet to Getting Tickets](https://rollingstonephilippines.com/music/bts-arirang-world-tour-philippines-bulacan/) **Published:** May 22, 2026 **Author:** Mel Wang **Excerpt:** The Bangtan Boys will be performing on March 13 and 14 at the Philippine Sports Stadium in Bulacan **Content:** Live Nation Philippines has announced the official details for [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS")’ Philippine stop in 2027 as part of *BTS WORLD TOUR* *‘ARIRANG.’* The group will be performing on March 13 and 14, 2027, at the Philippine Sports Stadium in Bulacan. There are currently four ticket categories available for purchase. The cheapest seats are in Bleachers 2, priced at P7,500. Bleachers 1 tickets cost P13,500, while Floor Standing tickets cost P20,000, and VIP Soundcheck tickets cost P25,000. The VIP Soundcheck package includes exclusive access to the pre-show soundcheck party, a VIP laminate and lanyard, early entry to the concert, early access to merchandise, and an exclusive VIP gift. > [View this post on Instagram](https://www.instagram.com/p/DYoOCBoGdsq/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Live Nation PH (@livenationph)](https://www.instagram.com/p/DYoOCBoGdsq/?utm_source=ig_embed&utm_campaign=loading) ARMY membership presale registration opens on May 22 (Friday) at 1:00 p.m. and will close on May 27 (Wednesday) at 10:00 p.m. First, you need to join Army Membership (Global) on the Weverse shop. Then, you must register via [Weverse](https://btsworldtourofficial.com/), and then register for an account on [Ticketmaster.ph](https://ticketmaster.ph/). Note that your ARMY Membership (Global) number will be your presale code. ARMY membership presale goes live on June 9 (Tuesday) at 11:00 a.m., with a maximum number of two tickets available for purchase per account. The Live Nation presale starts on June 10 (Wednesday) at 11:00 a.m., while the general sale begins on June 11 (Thursday) at 11:00 a.m. The same rule regarding the maximum number of tickets applies. BTS kicked off their world tour earlier this May in South Korea, following the release of their highly anticipated comeback album *Arirang* earlier this March. ## Frequently Asked Questions ### When and where will BTS perform in the Philippines for the ARIRANG World Tour? BTS will perform on March 13 and 14, 2027, at the Philippine Sports Stadium in Bulacan. ### How much are the BTS concert tickets in the Philippines? Ticket prices are: Bleachers 2 – P7,500 Bleachers 1 – P13,500 Floor Standing – P20,000 VIP Soundcheck – P25,000 ### What perks are included in the VIP Soundcheck package? The VIP Soundcheck package includes access to the pre-show soundcheck party, a VIP laminate and lanyard, early concert entry, early merchandise access, and an exclusive VIP gift. ### How can fans join the ARMY Membership presale? Fans must first join ARMY Membership (Global) through Weverse Shop, register via Weverse, and create an account on Ticketmaster.ph. The ARMY Membership number will serve as the presale code. ### How many tickets can each account purchase? Each account can purchase a maximum of two tickets during the presale and general sale periods. 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While the show has learned how to balance out its noisy, ugly kitchen scenes with softer moments from its ensemble, the quiet is almost too loud in “Gary” — especially since it turns its gaze towards a still-living Mikey (Jon Bernthal) and a still-obnoxious Richie (Ebon Moss-Bachrach). We’ve jumped into a memory, into a before-time when this duo was still young, dumb, and too eager to get out of Chicagoland and make something of themselves. That escape comes in the form of a questionable job for Jimmy (Oliver Platt), who’s sent the boys off across state lines to Gary, Indiana to deliver a sealed package. Richie is more than ready to turn this side gig into a full-on quest. He’s broken out his big boy pants, tucked a glock into his tighty-whities, and burned a CD full of songs for the road trip (maestro, cue that reggae classic, “Draw Your Brakes.”). All he has to do is make sure that he’s home by 5:15, otherwise his pregnant wife Tiff (Gillian Jacobs) might have their baby without him. ![ebon moss-bachrach](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/gary-the-bear-b1.webp) Richie’s got his Gary playlist ready. Screenshot from Disney+/Official Website Richie hasn’t been this stupid for a long time on the show, not since becoming a master maître d’ in Season 2. So it’s certainly a delight when Moss-Bachrach keys back into Richie’s immaturity, playing a much-too-old cokehead who’s happy to storm into a bar while on the job. Richie is definitely the comic relief of “Gary,” but watching him regale a full bar with stories of him almost shitting his pants feels more like a trainwreck than anything else. We know how things fall apart for Richie later on, and it’s heartbreaking to see him play an active role in his own downfall. But things aren’t all doom and gloom, because neither of the boys know what lies ahead for them (this is a prequel episode, after all). They’re singing along to their playlist, picking fights with teenagers on a basketball court, and doing bits that only the closest of friends can do with each other (“Althea when I Althea!” has to be the best dumb joke of the hour). “Gary” is filled to the brim with nostalgia, and while there are obvious reasons why Mikey doesn’t make more of an appearance in *The Bear*, it’s a shame that we don’t get more glimpses of him and Richie together in their prime. ![jon bernthal](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/gary-the-bear-b2.webp) Mikey’s surprisingly tender in this one, but don’t be fooled. Screenshot from Disney+/Official Website Bernthal certainly makes the most of his extended screentime in this episode, because there’s never a moment when you completely turn your eyes away from him. As any good fan of *The Bear* knows, Mikey is a ticking time bomb (see “Forks” in Season 2), and, while he may be laughing and enjoying himself, we all know to watch out for the warning signs of an explosion. However, before he ultimately explodes, Mikey is glorious. Yes, he’s goofing off with Richie, but the elder Berzatto can be surprisingly tender. Their pit stop at the bar brings him face to face with Sherri (Marin Ireland), who isn’t afraid to run her fingers through his beard and coax him into sharing the fucked-up thoughts running around in his head. “I know I’m all fucking babbling and shit like a fucking baby, but I could be a fucking blast,” Mikey confesses while they’re curled up on the bathroom floor. “Like, I can share it, but… out of nowhere, those same thoughts, this kind of meaningless of it all… it makes me sad.” ![Ebon Moss-Bachrach, Jon Bernthal](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/gary-the-bear-b3.webp) It’s a shame that we don’t get more glimpses of him and Richie together in their prime. Screenshot from Disney+/Official Website “That sounds exhausting,” replies Sherri. “You must be really tired.” Sherri, you’re absolutely right, but the grief that comes with watching “Gary” is knowing how things end for Mikey, and they do not end well. There’s some comfort in watching Mikey realize that the emotions he’s feeling aren’t sustainable, but that comfort immediately disappears when he decides that he’s done being soft. In a move that just oozes straight man machismo, Mikey throws Sherri, himself, and his tenderness out the window in favor of ruining the day. He finally explodes, his ire aimed straight at his best friend Richie, and all we can do is watch Mikey morph back into the bear that he always was. “Gary” ends with a bang (both literally and metaphorically), setting things up for a final season that may just be brave enough to kill its darlings (and if you don’t get what I’m getting at, go watch the episode). We’ll have to see how *The Bear* ties up all its loose ends, from Carmy (Jeremy Allen White) walking away from his own restaurant to the rest of the gang learning how to save it without him. But “Gary” gives us both a reprieve from the chaos and a warning of what’s to come, and it looks like the storm is just starting to brew. ## Frequently Asked Questions ### What is the focus of ‘Gary’ in The Bear? The episode “Gary” is a prequel story focusing on a road trip undertaken by Mikey Berzatto and Richie Jerimovich before the events of season one. ### Who guest stars as Mikey Berzatto in ‘Gary’? Jon Bernthal reprises his role as Mikey Berzatto, delivering a central performance that explores the character’s internal struggles, tragic vulnerability, and eventual emotional volatility. ### Where does the episode ‘Gary’ take place? The narrative primarily takes place on a road trip from Chicagoland to Gary, Indiana, including a key stop at a local bar along the route. ### How does ‘Gary’ connect to the broader storyline of The Bear? The episode provides critical backstory on Richie and Mikey’s friendship while foreshadowing the tragic downfall of Mikey and the ongoing emotional stakes for the main characters. ### Is ‘Gary’ a standalone episode of The Bear? Yes, “Gary” functions as a standalone prequel vignette that departs from the main kitchen setting to deliver deep character development and crucial narrative context. 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He has six children, including Eliot Sumner, a musician, and Mickey Sumner, an actress. And while Sting has been supportive of their careers, he recently told *[CBS Sunday Morning](https://www.youtube.com/watch?v=KPvs1-Jlw_g&t=936s)* that he isn’t outright funding them with an inheritance. “Or whether I’ve said to them, ‘Guys, you got to work. I’m spending our money. I’m paying for your education. You’ve got shoes on your feet. Go to work,’” he said. “That’s not cruel. I think there’s a kindness there and a trust that they will make their own way. They’re tough, my kids.” Sting acknowledged that his children have an “extraordinary work ethic,” likely as a result of his refusal to take the “You don’t have to work” route. The artist described that particular statement as “a form of abuse that I hope I’m never guilty of.” He added, “The working class works and wants to work. I’m one of those people, I love to work.” Of course, his work is a bit different than most who come from a working-class background. He recently adapted his musical *The Last Ship* at the Metropolitan Opera House. The musical pays tribute to shipbuilders in Newcastle, where he’s from. It was originally released in 2013. In his career, Sting has also released 15 studio albums on his own and five with the Police. Still, it wasn’t always that way. Looking back on his life before finding his way in music, Sting recalled taking any opportunity to make money. “I took jobs. I worked in an office for a while. I worked on building sites. I went to sea as a musician on a cruise ship, or I taught in a mining village all the time while I was playing in bands,” he said. When asked if the goal was to become a rockstar, he responded, “No, I wanted to make a living as a musician. And that still is my how I define myself. I’m not a rock star.” *This article was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-news/sting-kids-work-relying-on-inheritance-1235558464/).* ## Frequently Asked Questions ### Why does Sting refuse to leave an inheritance for his children? Sting views financial entitlement as detrimental, choosing instead to fund his children’s education and basic needs while encouraging them to build independent careers through hard work. ### Who are Sting’s most well-known children? Sting has six children, including musician Eliot Sumner and actress Mickey Sumner, both of whom have built successful creative careers without relying on trust funds. ### How does Sting define his own identity and career background? Sting rejects the rockstar label, identifying primarily as a working musician shaped by early jobs in teaching, construction, office work, and performance on cruise ships. ### What is the inspiration behind Sting’s musical “The Last Ship”? Sting created “The Last Ship” as an artistic tribute to the shipbuilders of his hometown, Newcastle, drawing directly from his working-class upbringing and roots. ### Do Sting’s children receive financial support from him? Sting financially supported his children’s education and upbringing, but expects them to earn their own living rather than relying on a generational wealth transfer. 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The biggest categories of the awards show presented Artist of the Year, Song of the Year, and New Artist of the Year, to Album of the Year and Song of the Summer. The AMA featured live performances by Hootie & the Blowfish, The Pussycat Dolls, and Latin‑pop megastar Karol G, alternative pop singer sombr, and girl group [KATSEYE](https://rollingstonephilippines.com/tag/katseye/ "Katseye"). ## **BTS and TWICE Lead K-Pop AMAs Sweep** [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS") swept a couple of AMA trophies, including Artist of the Year, edging out American heavyweights [Justin Bieber](https://rollingstonephilippines.com/tag/justin-bieber/ "Justin Bieber"), [Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter"), [Lady Gaga](https://rollingstonephilippines.com/tag/lady-gaga/ "Lady Gaga"), [Kendrick Lamar](https://rollingstonephilippines.com/tag/kendrick-lamar/ "Kendrick Lamar"), and even [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/ "Taylor Swift"). BTS also won Best Male K-pop Artist, winning the award over other groups like ATEEZ, Stray Kids, [ENHYPEN](https://rollingstonephilippines.com/tag/enhypen/ "ENHYPEN"), and TOMORROW X TOGETHER. BTS’ *Arirang* lead single “Swim” also took Song of the Summer. > [View this post on Instagram](https://www.instagram.com/reel/DYyFeGtIB-o/?utm_source=ig_embed&utm_campaign=loading)[A post shared by American Music Awards (@amas)](https://www.instagram.com/reel/DYyFeGtIB-o/?utm_source=ig_embed&utm_campaign=loading) [TWICE](https://rollingstonephilippines.com/tag/twice/ "TWICE") won Best Female K-pop Group beating [BLACKPINK](https://rollingstonephilippines.com/tag/blackpink/ "Blackpink"), ILLIT, LESSERAFIM, and [aespa](https://rollingstonephilippines.com/tag/aespa/ "Aespa"), while songwriters EJAE, Audrey Nuna, and Rei Ami scored a major win for “Golden” off the *K‑pop Demon Hunters* soundtrack for “Song of the Year.” At this point, the song has been awarded by almost every major award-giving body in the music industry today, proving its longevity further. ## **Every Other Major AMA 2026 Winner** In a quirky twist, the AMAs added a Throwback Song of the Year category won by Black Eyed Peas for “Rock Your Body.” [Apl.de.ap](http://apl.de.ap), Taboo, and will.i.am appeared with former member Fergie to accept. Apl.de.ap dedicated the moment to Filipino fans: “Maraming salamat! Mahal ko kayo. Mabuhay ang mga Pilipino!” Fergie shouted out TikTok and Reels for reviving the track and mentioned her son putting it on his playlist. > [View this post on Instagram](https://www.instagram.com/reel/DYyVJaMIxeD/?utm_source=ig_embed&utm_campaign=loading)[A post shared by American Music Awards (@amas)](https://www.instagram.com/reel/DYyVJaMIxeD/?utm_source=ig_embed&utm_campaign=loading) In other categories, KATSEYE doubled up with wins for Artist of the Year, beating [Olivia Dean](https://rollingstonephilippines.com/tag/olivia-dean/ "Olivia Dean"), Alex Warren, and sombr, and Music Video of the Year for “Gnarly.” Sabrina Carpenter won Album of the Year for *Man’s Best Friend*, beating Playboi Carti, Lady Gaga, and Tate McRae, among others. ## Frequently Asked Questions ### Who hosted the American Music Awards? The awards ceremony is hosted by rapper‑actress Queen Latifah, who’s set for the Rock & Roll Hall of Fame class of 2026. ### Who won multiple awards in the American Music Awards? BTS swept a couple of AMA trophies, including Artist of the Year, Best Male K-pop Artist of the Year, and Song of the Summer. ### Who won Song of the Year? EJAE, Audrey Nuna, and Rei Ami, the voices behind HUNTRIX, won Song of the Year for “Golden.” ### Who won Throwback Song of the Year? The Black Eyed Peas won Throwback Song of the Year for “Rock That Body.” ### Who won Artist of the Year? KATSEYE won Artist of the Year, beating Olivia Dean, sombr, Alex Warren, Leon Thomas, and Ella Langley. 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So, who’s in the city watch now? **Content:** *This article contains spoilers*. [Last week](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-5-recap/ "‘House of the Dragon’ Season 3, Episode 5 is All Guts, but No Glory") on *[House of the Dragon](https://rollingstonephilippines.com/tag/house-of-the-dragon/ "House of the Dragon")* Season 3, we saw King’s Landing descend into chaos after several of the city’s watchmen turn up butchered on the streets. In Episode 6, entitled “Faceless Men,” we get to know more about these killers — or at least, just the little they’re willing to betray about themselves. In an episode that’s all about killing, the first scene does not disappoint. Criston (Fabien Frankel) and his men march on a Team Black camp, only to find its soldiers, Rivermen, dead. Except they’re not actually dead. The ambush leaves very few of the Green soldiers alive, including Criston, who watches Oscar Tully (Archie Barnes), Winter Wolves commander Roderick Dustin (Tommy Flanagan), and their men emerge from the fog. Outnumbered, Criston challenges Oscar and Roderick to a two-on-one duel to spare his men, but Alysanne Blackwood (Annie Shapero) kills him with her bow, starting a second wave of attacks that kills the rest of the Greens. In King’s Landing, the Small Council discusses the watchmen assassinations and what they should do next. Rhaenyra’s brash uncle-husband Daemon ([Matt Smith](https://rollingstonephilippines.com/tag/matt-smith/ "Matt Smith")) suggests burning everyone and everything, but others disagree. Alyn (Abubakar Salim) says Rhaenyra ([Emma D’Arcy](https://rollingstonephilippines.com/tag/emma-darcy/ "Emma D'Arcy")) should answer “with force, but discriminately.” A representative of Borros Baratheon comes at the queen’s summons, but Rhaenyra is upset that Borros isn’t there. To recall, House Baratheon had promised troops for the Greens and his daughter’s hand in marriage to Aemond (Ewan Mitchell), but nothing has still become of it, frustrating Ormund (James Norton). Where the house’s allegiances lie at this point is still unclear. The guards have found Alicent (Olivia Cooke) and Helaena (Phia Saban) in the hidden corridor where they got stuck last episode. Rhaenyra confronts Alicent, who tells her that Helaena is pregnant. The queen doubles their guards and bans them from walking in Godswood to keep people from seeing that Helaena is bearing a child. When Rhaenyra leaves, she asks Mysaria (Sonoya Mizuno) if she knew about Helaena’s pregnancy, but Mysaria, lying, says no. ## Who’ll Keep Watch Over King’s Landing Now? ![emma d'arcy as rhaenyra and matt smith as daemon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/rhaenyra-and-daemon.webp) Rhaenyra (Emma D’Arcy) and Daemon (Matt Smith) talk about the city watch. Photo by Ollie Upton/HBO Max Elsewhere in the Red Keep, Daemon promises that Luthor and the other watchmen will be avenged, but the remaining Gold Cloaks turn in their gold cloaks and desert him, fearing for their lives and frustrated by the lack of a salary (remember: King’s Landing is still broke). Alyn goes to Corlys (Steve Toussaint) and asks to get more Velaryon men in the city watch to replace the Gold Cloaks. Corlys reluctantly agrees and tells him that he’s heard from the Triarchy pirates that Tyland Lannister (Jefferson Hall) is still alive and making for Rook’s Rest. But as we know, Tyland has already made it to Rook’s Rest. Now, he’s digging a shallow grave for the man that Aegon (Tom Glynn-Carney) killed in the last episode. As they bury him, Larys (Matthew Needham) says he’s found passage to Braavos, one of the cities in Essos, across the sea. Tyland says they’re making a mistake sailing out of Westeros, and that Aegon is welcome to establish his court at Casterly Rock instead. Aegon, however, chooses to sail for Braavos. In the Vale, Rhaena (Phoebe Campbell) spots two dragons in the distance and recognizes one of them as Moondancer, the dragon of her sister, Baela (Bethany Antonia). The episode doesn’t show her riding out to follow her sister, but later on, Rhaena is brought to Jeyne Arryn (Amanda Collin), who scolds her for risking being seen in public. The lady warns her (former) ward that Rhaenyra already thinks that Sheepstealer’s rider is dead, and that both Rhaena and Jeyne may get in trouble if the queen finds out the truth. In Driftmark, the Velaryons’ seat of power, Alyn finds Baela and asks her to talk to Corlys, feeling distant from his birth father. The two bond about their family problems and the responsibilities they both take on as the eldest children, before uncle and niece (Baela’s mother is the late Laena Velaryon, Corlys’ daughter) share a kiss. The Velaryons may not be Targaryens, but they are blonde, and in Westeros, that’s enough to merit incest. ## Where Did Gwayne Go? ![freddie fox as gwayne, james norton as ormund, benjamin evan ainsworth as daeron](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/gwayne-ormund-and-daeron.webp) Gwayne (Freddie Fox), Ormund (James Norton), and Daeron (Benjamin Evan Ainsworth) receive their guests from House Baratheon. Photo by Ollie Upton/HBO Max Last episode, we saw Gwayne (Freddie Fox) abandon Criston, which turned out to be the right decision, after all. He arrives in Tumbleton and suggests that they surrender to Rhaenyra, especially with dragons Silverwing and Vermithor watching them. But Ormund believes Rhaenyra would never burn her own subjects, and that the great houses will join the Greens in the war. Daeron (Benjamin Evan Ainsworth) is happy to see his favorite uncle again, and tells Gwayne in private that he knows Ormund is using him as a puppet. In Harrenhal, Alys Rivers (Gayle Rankin) tells Aemond that she is indebted to him after he saved her from bounty hunters. Aemond aims to go out and look for Vhagar, but Alys convinces him to stay when she shows him a crate of old dragon eggs that he may be able to hatch and suggests that they could be king and queen together. Back in King’s Landing, Daemon lures an assassin by dressing up as a watchman. He asks how many of them there are, but the assassin refuses to answer, saying instead they have no number. Daemon kills him and, on his way back to the castle, runs into Ulf (Tom Bennett), whom he beats for disobeying Rhaenyra’s orders to stay at the Red Keep and away from taverns. At Tumbleton, Hugh (Kieran Bew) sneaks into the city disguised as a farmer. He finds his wife, Kat (Ellora Torchia), also known as the woman who almost got assaulted by a Hightower soldier in [Episode 4](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-4-ormund/), and asks her to return to King’s Landing with her. But Kat refuses, angry that he had left her alone while he sought out his own glory as a dragonseed. Meanwhile, an envoy of House Baratheon arrives, all dirtied up and making Ormund squeamish. A man who introduces himself as Arrion Baratheon says the house is bending the knee to Daeron and asks to see him so that they can bow to him. But Jon Roxton (Joplin Sibtain), Ormund’s lieutenant, kills him and the rest of the men in the Baratheon delegation. Gwayne tells Ormund that they were assassins sent to kill Daeron. He also says that the real Arrion was taller and more attractive. Ormund throws a fit, but before he could finish berating Rhaenyra, he vomits, nauseated by the smell. In a desperate bid for freedom, Alicent tells Rhaenyra that she believes Aemond is in Harrenhal. Rhaenyra says her riders have searched for Vhagar there, but Alicent suggests that the dragon and his rider have been separated. The queen sends out a man to kill him, with his mother in tow for assurance. Rhaenyra then receives a package from Tumbleton, a vest with a warning, most likely from Ormund: “Kick this dog and it will bite your hand.” At night, in the woods, Corlys tells his men that they’re going to King’s Landing, but they’re ambushed by Jon and other Green assassins. *House of the Dragon* Season 3 is streaming on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max"). ## Frequently Asked Questions ### Who are the assassins killing King’s Landing’s watchmen in *House of the Dragon* Season 3? The killers are known to be hired by Ormund Hightower to threaten Rhaenyra Targaryen and her claim to the throne. ### What happens to Criston Cole in Episode 6 of *House of the Dragon* Season 3? Criston Cole dies in an ambush by the Rivermen. Alysanne Blackwood kills him after he challenges Oscar Tully and Roderick Dustin to a duel. ### Is Helaena Targaryen pregnant in House of the Dragon Season 3? Yes, Alicent reveals to Rhaenyra that Helaena is pregnant, prompting the queen to double her guards and restrict her movements to keep the pregnancy hidden from King’s Landing, as the child may turn out to be another claimant to the throne. ### Why do the Gold Cloaks abandon Daemon in Episode 6 of *House of the Dragon* Season 3? The remaining Gold Cloaks desert Daemon out of fear for their lives following the watchmen killings, compounded by the crown’s ongoing failure to pay their salaries. ### Where does Aegon II decide to flee after Rook’s Rest? Aegon chooses to sail for Braavos with Larys Strong, rejecting Tyland Lannister’s suggestion that he establish a court at Casterly Rock instead. 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But in the season’s penultimate episode, something finally snaps **Content:** *Warning: This article contains major spoilers.* I thought it would be impossible for *[Euphoria](https://rollingstonephilippines.com/tag/euphoria/ "Euphoria")* to get any more chaotic than it has been in the past weeks, but the penultimate episode of Season 3 kicks everything into dangerously high gear. You either jump out of the car and hurt yourself, or stay for the car crash and still hurt yourself. Either way, nobody is leaving this show unscathed. I was right to be suspicious when Gillie (Gideon Adlon) said in the [last episode](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-6/ "‘Euphoria’ Season 3, Episode 6 Gets Emotional as Rue Seeks Redemption"), “If someone doesn’t die periodically, people get bored.” Episode 7 sets us up for a major character death, but we’re left asking who it could be until the episode’s last moments. It could be Rue ([Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya")), whose life is threatened every episode either by Laurie ([Martha Kelly](https://rollingstonephilippines.com/culture/tv/euphoria-laurie-martha-kelly-interview/ "Martha Kelly is the ‘Euphoria’ Villain the Internet Loves to Fear")) or by Alamo (Adewale Akinnuoye-Agbaje). The episode begins with a flashback to Ali’s (Colman Domingo) past, which he spent between smoking crack with his junkie buddy (Natasha Lyonne) and being an awful husband at home. Years later, he sponsors younger individuals struggling with addiction at Narcotics Anonymous. Many of his sponsees pass away, and Rue could very well be next in Ali’s memorial book. It could also be Cassie ([Sydney Sweeney](https://rollingstonephilippines.com/tag/sydney-sweeney/ "Sydney Sweeney")), who received a package bearing Nate’s ([Jacob Elordi](https://rollingstonephilippines.com/tag/jacob-elordi/ "Jacob Elordi")) severed ring finger last episode, and now must find a way to bring in cash to pay loan shark Naz (Jack Topalian), or her husband dies. It turns out she still loves Nate for more than just his money. But is she willing to die for him? Or it could be Maddy (Alexa Demie), who’s been warned against making deals with Alamo. This cowboy pimp and drug kingpin has a talent for making people disappear without a trace when they cross or displease him. And even though Maddy says she can defend herself, she barely has the connections, machinery, and money to stand up to someone like Alamo if she messes up in their partnership. ![euphoria season 3 ali (colman domingo) looking sad](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/colman-domingo_1-1.webp) Ali (Colman Domingo) doesn’t want to lose another sponsee in Rue. Photo by Eddy Chen/HBO Silver Slipper manager Big Eddy (Kadeem Hardison) has returned to Alamo’s ranch after the Episode 4 robbery. He has stitches and a colostomy bag, but that doesn’t stop Alamo from sending him out to Mexicali for a pick-up with one of Laurie’s men, Mitch (Daeg N. Faerch). In downtown Los Angeles, Rue tells Lexi (Maude Apatow) that she thinks God revealed Himself to her, and that she’s been working with the Drug Enforcement Administration (DEA). But they have a disagreement when Lexi says she believes Rue is still taking drugs. Angry, Rue walks out and catches someone watching through Cassie’s window across the apartment complex. She goes up to the door and knocks on it, but leaves when no one responds. Little does she know that behind it, Cassie has been tied up by Naz and his henchman Artur (Matthew Willig). ## How did Cassie End Up Hostaged? A few days earlier, Cassie was dropped from the show *L.A. Nights* just after she was promised a bigger role by producer Patty Lance (Sharon Stone), because the network doesn’t want to employ a sex worker. To make matters worse, she had also just deleted her OnlyFans account. While she’s able to make a new one, she now has to work on regaining the 50,000 subscribers she just lost. This angers Maddy, who’s also been fired from the talent agency because she booked the *L.A. Nights* audition for Cassie, and “misrepresented” the firm. But to get Cassie’s followers back, she sets her up on a date with actor Dylan Reid (Homer Gere). They got spotted by a paparazzo after dinner, and back at the apartment, Cassie manages to sneak into Dylan’s phone and post a selfie on *his* Instagram. She does this while he drunkenly goes out to the kitchen to drink water and unknowingly shovels Nate’s severed finger (which Cassie kept in her freezer’s ice compartment) into his glass. While she’s recording a video for a subscriber, Naz and Artur bust into Cassie’s apartment and tie her up, threatening to kill Nate if she doesn’t produce them a million dollars in 72 hours. “What happens in 72 hours?” Cassie asks. ## The End is Near for Some, and Here for Others Nate has been buried alive, stuck in a box six feet under his construction site, with nothing but a pipe connecting his coffin to the outside world. Cassie calls up Maddy to help her get the money to pay off Naz, and Maddy gets the help of Alamo after sweet-talking him in a jacuzzi and telling him that Rue has been in cahoots with the DEA (which Lexi inadvertently revealed to her in an argument). Maddy and Alamo go to the construction site to meet with Naz and Cassie. Alamo has prepared a duffel bag for Maddy to hand to Naz, but when the loan shark takes it, he takes a look inside and says, “Is this a fucking joke?” Naz gets shot to death and Artur stands down. With a backhoe, they dig up Nate’s coffin in the hopes that he’s still alive. After all, it hasn’t been 72 hours. But they find him dead after having succumbed to the bite of a rattlesnake, which had made its way in through the pipe. ![euphoria season 3 alamo (adewale akinnuoye agbaje) getting out of car](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/adewale-akinnuoye-agbaje_1.webp) Alamo (Adewale Akinnuoye-Agbaje) in the standoff with Naz. Photo by Patrick Wymore/HBO Meanwhile, Rue stays over at Ali’s place and confides in him about her faith. Ali encourages her to stop working between the Laurie, Alamo, and the DEA, but Rue fears that if she doesn’t steal Alamo’s money back and see the DEA’s bust operation through, her mother’s life could be on the line. Rue leaves in the morning to carry out what she hopes is her last job for Alamo. She makes her way to Laurie’s home, pretending to switch sides after Alamo hurt her. Laurie’s men have lost their trust in her, but they don’t act on it right away. Instead, neo-Nazi Wayne (Toby Wallace) tells his girlfriend Faye (Chloe Cherry) that she would have to put her Rue down “like a dog.” Faye doesn’t want to, partly because Rue is her friend, and partly because she was promised all the money in Laurie’s vault if she’d help Rue crack it open. At night, they head down to the basement where the vault is — and where Wayne also sleeps. In it, instead of the money Laurie’s men had stolen from Alamo, they find ID cards of girls, including Alamo’s dancer Angel (to recall, she was sent to “rehab” and was said to have run away in previous episodes). Faye and Rue are upset for totally different reasons. Rue doesn’t know why Laurie has Angel’s driver’s license. Faye, on the other hand, doesn’t have the money that was promised, and she takes her anger out on Rue, waking Wayne up with a scream. *Euphoria* Season 3 is currently streaming on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max"). ## Frequently Asked Questions ### Does Nate die in Euphoria Season 3, Episode 7? Yes. Nate Jacobs dies after being buried alive at his construction site and succumbing to a rattlesnake bite that entered through an air pipe. ### Who takes Cassie hostage in Euphoria Season 3, Episode 7? Loan shark Naz and his henchman Artur break into Cassie’s apartment and tie her up, demanding one million dollars in 72 hours to spare Nate’s life. ### Why does Maddy tell Alamo that Rue is working with the DEA? Maddy reveals Rue’s DEA involvement to secure Alamo’s help in rescuing Nate. She learned this from Lexi, who let it slip during an argument with Maddy. ### What does Rue find in Laurie’s vault in Episode 7? Instead of stolen money, Rue and Faye find ID cards of missing girls, including Angel’s driver’s license, suggesting Laurie is involved in human trafficking. ### Is Euphoria Season 3, Episode 7 the finale? No. Episode 7 is the penultimate episode of Season 3. The season finale follows, with Rue’s fate and Alamo’s operation still unresolved heading into the final episode. Related Stories - [‘Euphoria’ Season 3, Episode 6 Gets Emotional as Rue Seeks Redemption](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-6/ "‘Euphoria’ Season 3, Episode 6 Gets Emotional as Rue Seeks Redemption") - [Except for Cassie, Everyone Else’s Days are Numbered in ‘Euphoria’ Season 3, Episode 5](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-5/ "Except for Cassie, Everyone Else’s Days are Numbered in ‘Euphoria’ Season 3, Episode 5") - [Everyone Hustles to Mixed Results in ‘Euphoria’ Season 3, Episode 4](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-4/ "Everyone Hustles to Mixed Results in ‘Euphoria’ Season 3, Episode 4") **Categories:** Culture, TV **Tags:** Euphoria, HBO Max --- ### [The New York Knicks Have Been Undefeated Since Being Uncursed by This WWE Wrestler](https://rollingstonephilippines.com/culture/news-culture/new-york-knicks-uncursed-by-wwe-wrestler-undefeated-streak/) **Published:** May 26, 2026 **Author:** Rolling Stone Philippines **Excerpt:** Thanks to WWE wrestler Danhausen, the Knicks are heading to the NBA Finals for the first time in decades **Content:** The New York Knicks are headed to the [NBA](https://rollingstonephilippines.com/tag/nba/ "NBA") Finals and a [WWE](https://rollingstonephilippines.com/tag/wwe/ "WWE") wrestler’s curse may have something to do with it. The NBA has been unpredictable the last couple of years. From the still-insane [Luka Dončić](https://rollingstonephilippines.com/tag/luka-doncic/ "Luka Doncic") trade catastrophe to the emergence of alien-like players such as Victor Wembanyama, we have seen things in basketball we have never seen before. But a curse/uncurse gimmick takes the cake. ## **What Did Danhausen Actually Do to the Knicks?** On May 1, 2026, just as the NBA was hitting the midway point of the playoffs, WWE wrestler Danhausen, a demonic imp with a penchant for mischief, lifted a “curse” he put on the New York Knicks. Of course, it’s fake and should be treated as a joke, but is it really? Since lifting the curse, the Knicks have gone 11 and 0 and are heading to the finals, their first time back since 1999. > [View this post on Instagram](https://www.instagram.com/reel/DXz7LdYsHwT/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Danhausen (@danhausenad)](https://www.instagram.com/reel/DXz7LdYsHwT/?utm_source=ig_embed&utm_campaign=loading) ## **The Knicks’ 11-0 Run: A Playoff Breakdown** Pre-uncursing, the Knicks were down 2-1 in a first-round matchup against the Atlanta Hawks, and many sports analysts were already eulogizing their demise. But post-curse? They won three straight games against the Hawks to advance to the second round. Then the Knicks swept the Philadelphia Seventy-Sixers in the second round and just swept the Cleveland Cavaliers to advance to the NBA Finals, where they will either face the defending champions, the Oklahoma City Thunder, or the San Antonio Spurs. ## **Why This Knicks Run Matters for Wrestling and the NBA** Could this string of good fortune lead the Knicks to the promised land? They haven’t won an NBA championship since 1973, and this is the closest the team and its emotionally invested, championship-starved fanbase have come in years. If the Knicks come out on top, this might be the best thing to happen not just for New York basketball but for professional wrestling in years. ## Frequently asked questions ### Who is WWE wrestler Danhausen? Danhausen is a professional wrestler who made his name in the independent scene before joining WWE in February 2026. The wrestler has taken off since then and become a fan favorite for his penchant for curses and macabre references. ### Who else has Danhausen cursed? WWE wrestler Danhausen has a penchant for cursing his enemies. In his short time in WWE, he has cursed Dominik Mysterio, The Miz, and Kitt Wilson, just to name a few. When did Danhausen uncurse the New York Knicks? ### When did Danhausen uncurse the New York Knicks? After some back-and-forth with ESPN host and Knicks fan, Stephen A. Smith, Danhausen took to Instagram to lift his curse on the Knicks. The team has been undefeated since then and is heading to the NBA Finals. ### When did the New York Knicks last make it to the NBA Finals? Before this remarkable 2026 playoff run, the Knicks last reached the NBA Finals in 1999. Led by Patrick Ewing, the Knicks started as the eight seed in the playoffs and made it all the way to the finals, where they lost to the San Antonio Spurs four games to one. ### When did the Knicks last win an NBA championship? The Knicks last won an NBA championship back in 1973. They beat the Los Angeles Lakers four games to one. Related Stories - [WWE Brings Back ‘Unreal’ to Revisit the Chaos Behind Its Biggest 2025 Angles](https://rollingstonephilippines.com/culture/sports/wwe-unreal-netflix-series-announcement/ "WWE Brings Back ‘Unreal’ to Revisit the Chaos Behind Its Biggest 2025 Angles") - [WWE Finally Arrives on Netflix Philippines With Weekly Shows and Live Events](https://rollingstonephilippines.com/radar/releases/wwe-arrives-netflix-philippines/ "WWE Finally Arrives on Netflix Philippines With Weekly Shows and Live Events") - [WWE to Host WrestleMania 2027 in Saudi Arabia. But at What Cost?](https://rollingstonephilippines.com/culture/sports/wwe-wrestlemania-saudi-arabia-announcement-controversy/ "WWE to Host WrestleMania 2027 in Saudi Arabia. But at What Cost?") **Categories:** Culture, News, Sports **Tags:** The New York Knicks, WWE --- ### [Westlife on Boy Bands, What Makes Them Different, and Their Upcoming Manila Tour](https://rollingstonephilippines.com/music/westlife-25th-anniversary-manila-tour/) **Published:** May 13, 2026 **Author:** Jonty Cruz **Excerpt:** After making history at the Royal Albert Hall last year, the seminal boy band returns to Manila as part of their 25th Anniversary Tour **Content:** More than 25 years since their debut album, [Westlife](https://rollingstonephilippines.com/tag/westlife/ "Westlife") is heading back on the road to celebrate Westlife 25: The Anniversary World Tour with a stop in Manila on January 20, 2027 at the SM Mall of Asia Arena. For every Filipino growing up in the early aughts, Westlife was inescapable. The band was the follow-up to the wave of boy bands of the mid-to-late 1990s. From American boy bands such as the [Backstreet Boys](https://rollingstonephilippines.com/tag/backstreet-boys/ "Backstreet Boys") to \*NSync to England’s Take That with their seminal hits like “Back for Good,” and Ireland’s Boyzone with “Words” and “Baby Can I Hold You.” The Irish boyband was originally composed of Shane Filan, Kian Egan, Nicky Byrne, Mark Feehily, and Brian McFadden, Westlife debuted with their self-titled album with hits that we still know to this day such as “Swear It Again,” “Flying Without Wings,” “Fool Again,” and my personal favorite, “If I Let You Go.” For a country like the Philippines with its love affair with pop ballads, Westlife became a national obsession. You only have to check the number of times they’ve visited the country for proof, with their most recent stops being sold-out two-night concerts back in 2019 and 2023. ![westlife](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/IMG_4906.webp) Tickets go on-sale May 15, 2026. Photo courtesy of Wilbros Live In an exclusive interview with *Rolling Stone Philippines*, Westlife, now composed of Filan, Egan, and Byrne, shared how they’re gearing up for their Manila show and how excited they are to see their Filipino fans again. “Make sure you come down to the show. It’s gonna be a big celebration,” said Byrne. *The following has been edited for clarity and brevity.* **Your Manila show is several months away but you started your 25th Anniversary tour at the Royal Albert Hall last October. Watching it online, it felt like such a special show for you guys performing alongside a whole orchestra. What did that performance mean to you?** **Shane Filan:** Yeah, it was a very, very special performance. It was a special celebration and a very special venue that we’d never played before. We always wanted to play the Royal Albert Hall. It was incredible to hear our songs live with the London Philharmonic Orchestra. Everybody was in tuxedos, all the fans were dressed up, it was a standout moment in our career. I think that night, it really showed us what Westlife means to people, you know? We could really see people’s faces in the audience, because we were so close to them. We could see people crying, laughing, kissing, hugging. It was just a different experience for us on stage. And we got to celebrate these beautiful songs that we’re very, very lucky to have, the history, and the memories. It kickstarted our 25th anniversary and after that show, I think the three of us came off that stage going, you know, the next couple of years are going to be unbelievable. So we got to make sure that these shows are our best ever that we’ve ever done for our Filipino fans and for our fans all over the world. **Speaking of the Filipino fans, for those who don’t know the importance or weight of performing at the Royal Albert Hall, can you share about the legacy of that venue and why it felt like it sort of re-energized you guys?** **Nicky Byrne:** Well, the Royal Albert Hall ticked so many boxes for so many different reasons. So we’re from Ireland, which isn’t part of Great Britain — which sometimes people get confused but to come over to Great Britain and to perform a place that is so historical and beautiful, when you walk around the corridors of the Royal Albert Hall, there’s Frank Sinatra, the Beatles, the Rolling Stones, some of the world’s presidents, British monarchies, and prime ministers doing speeches, you feel like you’re in the presence of something very special over the last 100 plus years. I think that was the pivotal moment, where we came off stage, we felt like a million dollars. We felt we’ve delivered something really special. We had to make sure that the fans would enjoy the night. We looked at each other and went, “Our fans are the best in the world.” And we know when we put on a good show, which we’re about to do now in the Philippines. They’re going to come to see and hear the songs and to relive their youth and to bring their old memories back to life. You don’t get to do that in life a lot. Life comes and goes, and sometimes people crave for the past. And this is an opportunity to come and sing with Westlife and celebrate with us. **Filan**: It was a special night, a very special night. **On the topic of the 25th anniversary, you’ve been doing this for so long, and I’m curious, how you’ve grown and matured, and how does that inform or affect the way you appreciate your music and your career?** **Kian Egan:** Well, to be honest, I think, you know, we feel very lucky to be still doing it at this point in our lives. And after all, we’re a boy band, and when we started back in 1999, releasing “Swear It Again,” we always thought, well, if this lasts for three or four years, or if we manage to go around the world, and see parts of the world that we’ve never been to before, that would be an amazing experience. But obviously, things just kept getting bigger and bigger and bigger. We surpassed that typical five years of when most boy bands would break up. We did 14 years in the first run of Westlife. We were blown away by the fact that we were still able to do it after 14 years. But then, when we had the big break away from Westlife, for seven years, that was when it really kind of hit us and made us realize, wow, like that is actually what we did. And then when One Direction were starting to break, you start to see that happening again. I remember sitting on the sofa with my wife going, “Is that what I used to do?” And she was like, “Yeah, that’s literally it!” It’s pinch yourself stuff. We just feel so lucky to be in this position, to be able to tour the world 25 years later, and to have such big audiences still want to come and see us. The Philippines is so far away from where we come from, and to be so loved, it’s incredible. We just feel lucky, it’s the real truth of it all. **I’m so glad you mentioned One Direction, because outside looking in, we do see the difference between U.S. boy bands with British boy bands or Irish boy bands and now with K-pop boy bands like BTS. I’m curious how you see that as well?** > [View this post on Instagram](https://www.instagram.com/reel/DYIFg5ND2OA/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Britain's Got Talent (@bgt)](https://www.instagram.com/reel/DYIFg5ND2OA/?utm_source=ig_embed&utm_campaign=loading) **Filan**: It’s all pop music at the end of the day, you know? And I think every band is different. When we were younger, obviously, Backstreet Boys was probably one of our biggest inspirations, probably one of the main reasons we wanted to be a band. You had Take That, obviously, and New Kids on the Block before that. But at the end of the day, all the great bands like \*NSync and One Direction, they all had standout songs. They all had incredible songs. When you think of the Backstreet Boys, you think of “I Want It That Way” or “Quit Playing Games.” You can literally name the songs immediately if you’re a pop music fan. And for us, I don’t think it was like a different formula, but we definitely were different because we released a lot of ballads and love songs, whereas all the other bands kind of went with tempo first. We went the opposite way. And I think that was down to Simon Cowell. He was very adamant for us to be different, and for us to be mainly about vocals, mainly about harmonies. And I think we stood out for that reason. We were very lucky to have “Swear It Again,” “Flying Without Wings,” “If I Let You Go,” and even “Fool Again”. We got off to a great start. It’s all down to the songs, you know? So every band has a place, as long as your songs are strong enough. And thankfully, we are one of those bands. **Nicky Byrne**: I’d like to add one thing to that. When you say, what’s the difference? Or how do you do in Ireland or the U.K. versus the U.S.? It’s our culture. Both countries are very different and similar, because they’re English-speaking as their first language. But the fact that this band started in school together, unlike the other bands in the U.S. and some of the English and Irish bands he mentioned that were put together like from an audition process, I think there’s something special in that we know each other. So that makes it nearly harder to let this whole thing die away, if that makes sense. It really is deep in the core, it’s almost family. There’s a little bit of extra specialness that none of those other bands have. **Filan**: We did have an audition for the lads, Nicky and Brian, and *we* got to pick them as the band. Not a team of record producers or people. We wanted to pick people that we thought we could get on with. We had to see if they can fit into our group and become friends. **“If I Let You Go” is my favorite across your discography. I’m curious for you three individually, what’s the song that you always give that extra 10 percent when you perform it?** **Filan**: I’m going to go with “Swear It Again.” “If I Let You Go” is my wife’s favorite song, actually. She loves that one the most. But, yeah, “Swear It Again,” for me, it’s very special. It was my mom’s favorite song. So I always try to sing it a bit nicer or a bit better for her. **Byrne**: For me today, because it does change daily, I am going to go with “When You’re Looking Like That”. **Kian Egan**: It’s funny because this morning, when I was lying in bed drinking my first coffee, I was scrolling on doomscrolling on Instagram, and an acoustic version of “My Love” came up, and I was like, “Wow, that sounds so pretty.” And it really kind of got me. I was like, “Wow, that’s so lovely. It was so lovely to hear it. It had a bit of a touch for me this morning. *Westlife 25: The Anniversary World Tour in Manila is on January 20, 2027 at the SM Mall of Asia Arena.* *Tickets go on sale May 15, Friday at* [*smtickets.com*](http://smtickets.com) *Presented by Wilbros Live* ## Frequently Asked Questions ### When is Westlife performing in Manila for their 25th Anniversary Tour? Westlife will perform in Manila on January 20, 2027, at the SM Mall of Asia Arena as part of their 25th Anniversary World Tour. ### When do tickets for Westlife’s 2027 Manila concert go on sale? Tickets for Westlife’s Manila show go on sale Friday, May 15, via smtickets.com, with the event being presented locally by Wilbros Live. ### Who are the current performing members of Westlife? Westlife currently tours as a trio featuring original band members Shane Filan, Kian Egan, and Nicky Byrne, following their initial 1999 five-member debut. ### Why did Westlife focus on ballads over up-tempo pop tracks? Westlife prioritized vocal harmonies and romantic ballads on the advice of producer Simon Cowell to distinctively differentiate themselves from up-tempo American boy bands. ### What are Westlife’s most famous hit songs? Westlife’s top chart-topping tracks include “Swear It Again,” “Flying Without Wings,” “If I Let You Go,” “Fool Again,” and their popular hit ballad “My Love.” Related Stories - [Filipino Westlife Fans Could Win a Free Trip to the Band’s 25th Anniversary Show in London](https://rollingstonephilippines.com/radar/westlife-25th-concert-giveaway/ "Filipino Westlife Fans Could Win a Free Trip to the Band’s 25th Anniversary Show in London") - [25 Backstreet Boys Songs That Redefined the Boy Band Blueprint](https://rollingstonephilippines.com/editors-picks/lists/25-backstreet-boys-songs-that-redefined-the-boy-band-blueprint/ "25 Backstreet Boys Songs That Redefined the Boy Band Blueprint") - [25 Filipino Love Song Covers That Defined Romance Across Decades](https://rollingstonephilippines.com/editors-picks/lists/25-filipino-love-song-covers/ "25 Filipino Love Song Covers That Defined Romance Across Decades") **Categories:** Music **Tags:** Westlife --- ### [I Was Drunk and Alone in the ‘Backrooms’ Escape Room](https://rollingstonephilippines.com/culture/drunk-alone-backrooms-escape-room/) **Published:** May 25, 2026 **Author:** Mel Wang **Excerpt:** How many puzzles did I solve on my own? The answer may (or may not) shock you **Content:** Multiple mistakes were made the day I walked into the *Backrooms Immersive Experience*. Some context before we dive into my own personal foibles. To celebrate the upcoming release of *[Backrooms](https://rollingstonephilippines.com/tag/backrooms/ "Backrooms")*, a new [A24](https://rollingstonephilippines.com/tag/a24/ "A24") horror movie based on the Internet mythos of the same name, Breakout Philippines has set up a *Backrooms*-themed escape room at Shangri-La Plaza. For those of you who’ve heard of the urban legend, and maybe seen one or two of director [Kane Parsons’ YouTube videos](https://rollingstonephilippines.com/culture/film/youtube-to-horror-movies-6-creators-turned-filmmakers/ "From YouTube to Horror Movies: 6 Creators Who Became Filmmakers") paying homage to it, then you’ll know that the Backrooms are the stuff of nightmares: long, sickly yellow hallways that stretch on forever, rooms that appear and disappear at a whim, and a gaggle of cryptids always following behind, waiting for you to make one wrong step. The Backrooms are notoriously difficult to escape from (at least, if you believe the legends). Fans have dedicated hours-long videos to deciphering the rooms’ origin stories, as well as how to quickly break free from them (The Film Theorists’ [survival guide video](https://www.youtube.com/watch?v=dzG68oc-GT0&pp=ygUXYmFja3Jvb21zIGhvdyB0byBzdXJpdmU%3D) offers the most logical exit route). As someone who spent most of her teenage years scouring YouTube videos, Reddit threads, and Creepypasta posts on just the Backrooms, I thought that I was more than prepared to break out of a *Backrooms*-themed escape room. I couldn’t have been more wrong. ## My Solo Backrooms Escape Room Attempt For starters, I’d made the mistake of shooting back shots of gin at 12:00 p.m., just two hours before I was meant to step into the escape room. In my defense, these shots were free, and it would have been incredibly rude of me if I hadn’t accepted them. But they were strong, perhaps a little overly so, and I found myself wobbling just a tiny bit as I made my way to the mall. My second folly was assuming that I would be joining a group of escapees. I pulled up to Breakout on my own, and a smidge too inebriated to really be thinking about solving puzzles. I must confess, I was hoping to play the quiet, mysterious solo player who teams up with a batch of overeager attendees who could figure out all the escape room’s riddles for me. I would have helped from time to time, and I was prepared to make soft, encouraging noises to nudge the group to victory. I am, after all, a team player. Instead, though, I was immediately told that I was the only escapee booked for the 2:30 p.m. slot. “It’s not so hard,” Adrian, the staff member manning the reception desk, told me, “and there aren’t any jump scares yet. And 20 minutes lang ‘yung runtime, so you’ll be okay.” This did little to assuage the fear beginning to bloom in my chest. I’d read enough stories about the Backrooms, and I’d just rewatched the film’s trailer. I started to wonder how large the escape room could really be, and if I shouldn’t have gotten a day drunk going, and if I should have brought a friend with me. These are the mistakes usually reserved for people in horror movies, but alas, it was too late for me. I began to spiral. > [View this post on Instagram](https://www.instagram.com/p/DYjmtrXE08_/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Breakout PH \| Escape Room Game (@breakoutph)](https://www.instagram.com/p/DYjmtrXE08_/?utm_source=ig_embed&utm_campaign=loading) ## What to Expect Inside the Breakout Room Things were running late at Breakout. Too many fans had signed up for the *Backrooms* escape room, and so I had to bide my time in the lobby while I waited for my turn. I could hear people screaming and banging on doors, demanding to be let out. Granted, they may have been partaking in different escape rooms, but that did nothing to calm my nerves. I was in the midst of my despair when my name was finally called. If I’m being completely honest, I barely remember what the puzzles were. After being blindfolded and led down a dark corridor (again, my poor nerves), I was left alone in what appeared to be the start of the escape room. I won’t spoil the experience for you, but I will say that it stays true to the source material, so be prepared for the usual, acid-yellow Backrooms aesthetic. The speakers surrounding the rooms also play a loop of static, mixed with an ominous array of notes and clicks that had me wanting to leave the room A-S-A-P. ## Are the Backrooms Puzzles Hard to Solve? Unfortunately, I was *very* slow at solving the puzzles. On a normal day, I’m already not the best at solving group-based puzzles, but on my own, I was horrendous. None of the hints were making sense to me, and I spent most of my 20 minutes waving at the security cameras to try and get a Breakout staff member to come and just *give* me the codes. Adrian had to come in four times to push me in the right direction. For most of these visits, he found me sprawled on the floor, talking to myself and pawing at anything movable in the rooms. For a solid five minutes, I thought a plastic palm tree was the key to everything. Needless to say, I did not “escape” the *Backrooms* escape room. On my way out, Adrian gave me a pity clap and let me know that this June, there’ll be an hour-long version of the room where solo players will be placed into groups (gasp!) and the puzzles will be much harder to solve. Considering how I’d barely solved a single puzzle in the *easy* version of the escape room, I’m not sure why Adrian needed to tell me this last bit. Shame permeated through every fiber of my being as I stepped back into the Breakout lobby, where even more *Backroom* fans were impatiently waiting for their turn. If this hadn’t been a make-believe scenario and I’d actually slipped into the hallways of the Backrooms, there is little doubt that I wouldn’t have made it out alive. I would have succumbed completely to this alternate dimension, and I would have accepted my fate. The *Backrooms Immersive Experience*, courtesy of Breakout Philippines and CreaZion Studios, is currently running until June 7. *Backrooms* begins screening in cinemas nationwide on June 3. ## Frequently Asked Questions ### What is the “Backrooms” Immersive Experience at Breakout Philippines? The Backrooms Immersive Experience is an escape room by Breakout Philippines and CreaZion Studios, themed around the internet horror mythos. It runs until June 7 at Shangri-La Plaza and features the signature yellow-hallway aesthetic from the lore. ### How long does the “Backrooms” escape room take? The current version of the Backrooms escape room runs for 20 minutes. A longer, one-hour version is scheduled to launch in June, where solo players will be grouped with other participants and face harder puzzles. ### Is the “Backrooms” escape room at Shangri-La Plaza scary? The experience is atmospheric rather than jump-scare heavy. It features eerie static sounds, ominous audio loops, and the iconic acid-yellow Backrooms aesthetic, making it unsettling but accessible even for first-time escape room players. ### Can you do the “Backrooms” escape room alone? Yes, solo bookings are allowed for the Backrooms Immersive Experience at Breakout Philippines. However, the puzzles are designed to be challenging, and going alone — especially without prior escape room experience — can make it significantly harder to complete. ### Is the “Backrooms” escape room connected to the A24 movie? The escape room is timed to coincide with Backrooms, an A24 horror film directed by Kane Parsons, which opens in Philippine cinemas on June 3. The experience draws from the same internet mythology but is produced by Breakout Philippines and CreaZion Studios. Related Stories - [From YouTube to Horror Movies: 6 Creators Who Became Filmmakers](https://rollingstonephilippines.com/culture/film/youtube-to-horror-movies-6-creators-turned-filmmakers/ "From YouTube to Horror Movies: 6 Creators Who Became Filmmakers") - [‘Iron Lung’ is Finally Hitting PH Cinemas: Here’s a Crash Course on the Markiplier Movie](https://rollingstonephilippines.com/culture/film/iron-lung-markiplier-ph-cinemas/ "‘Iron Lung’ is Finally Hitting PH Cinemas: Here’s a Crash Course on the Markiplier Movie") - [‘Primate’ Director Johannes Roberts on Evil Chimpanzees and Old-School Horror](https://rollingstonephilippines.com/culture/film/director-johannes-robert-on-primate/ "‘Primate’ Director Johannes Roberts on Evil Chimpanzees and Old-School Horror") **Categories:** Culture, Film **Tags:** A24, Backrooms --- ### [Why Regine Cabato Is Being Harassed by the Chinese Embassy](https://rollingstonephilippines.com/state-of-affairs/disinformation/regine-cabato-chinese-embassy-attacks/) **Published:** May 23, 2026 **Author:** Pie Gonzaga **Excerpt:** The Filipino reporter speaks out against intimidation and online harassment from the Embassy, and why it won’t stop her from doing her work **Content:** Filipino investigative journalist [Regine Cabato](https://rollingstonephilippines.com/author/regine-cabato/) won’t stop working and cede to intimidation from the Chinese Embassy after she faced online harassment earlier this month. “I’m very conscious that there have been Filipino journalists in generations before us who have really fought for us to be able to have the right to report the way we want,” she says. “And as long as I can handle it, I’m not going to cede that space.” The embassy’s Deputy Spokesperson Guo Wei accused Cabato and the Philippine Center for Investigative Journalism (PCIJ) of colluding with retired U.S. Air Force Colonel Ray Powell to carry out a “systematic media campaign to smear China.” In a statement posted on the Chinese Embassy’s social pages dated May 10, Wei also accused Cabato of “playing the victim,” in response to the harassment that she had received from social media users. According to Reporters Without Borders (RSF), Cabato became the target of [online attacks](https://www.facebook.com/share/p/18e9xDvRtd/) after Philippine Coast Guard Spokesperson Jay Tarriela, in February, shared her PCIJ report from October 2025. The [report](https://pcij.org/2025/10/29/have-you-come-across-pro-china-propaganda-here-are-5-ways-to-find-out/) analyzes social media content in the Philippines that favors China and pushes sentiment regarding its ownership over the West Philippine Sea. British human rights organization Article 19 described the harassment against Cabato as a form of “tech-facilitated gender-based violence.” But Cabato tells *Rolling Stone Philippines* that the backlash coming directly from the Chinese Embassy feels different. “This was a foreign state making the accusation. And if it were any other embassy who were accusing a private citizen or individual in the way that China is doing now, it would raise alarms,” she says. Cabato described the embassy’s online activity, specifically the posts addressing her, as “unusual activities for what should be a professional representation of a foreign state,” recalling that the first post from [February](https://www.facebook.com/share/p/1CSc6cZD3B/) was posted before midnight, which were “very odd hours” for a state institution to be posting on social media. “And then one of their most recent attacks just this month \[May\] was posted on a Sunday naman,” she pointed out, referring to Wei’s statement posted on May 10. ## Is Cabato’s Reporting Anti-China? Cabato rejects the accusation that she is colluding with the U.S. government, saying that she has also covered U.S. colonial history. “I have a fair diversity in my portfolio, and I’m very self-assured with that. So, all these lies that pro-partisan bloggers have been piling on, and that the Embassy has been amplifying, they have no basis in reality,” she says. She also wants to dispel the claim that she is “anti-China.” She calls the neighboring country a “nuanced” and “diverse” place. “I don’t think that its maritime policy is necessarily equal to everything about the state,” she says. “But it’s not in the interest of pro-China vloggers to capture the nuance that I’m trying to say in my reporting. They’re trying to collapse my reporting into a single story that fits their narrative. But anybody who looks at the body of work that I’ve done, anybody who’s attended the lectures that I’ve been giving about my observations on pro-China vlogger activity, will know that I’m actually very careful in what I can prove and what I can’t, and what I assert and what I can’t.” ## Dealing with Intimidation as a Journalist “The first two weeks \[of the attacks\] were very stressful because I had to do a lot of logistics in terms of consulting security, consulting my family, also,” she says. “However, I’ve received such a great wave of support, honestly, from my community, from international watchdogs, and from local organizations as well.” Joining Article 19 and RSF in voicing their support for Cabato are Reuters Institute for the Study of Journalism Director Mitali Mukherjee and Editorial Director Eduardo Suárez. Mukherjee called the attacks against Cabato “dangerous and damaging,” while Suárez said that they demonstrated “a familiar pattern: an authoritarian regime going against a journalist for holding account to power.” The PCIJ, for its part, identified the social media users amplifying the Chinese Embassy’s messaging as “pro-Duterte partisans.” “The virality of Embassy’s message within a few hours \[of posting\] attests to the coordinated nature of this online attack,” the organization said in a statement in February. When asked what it means for online attacks to come from a state institution with diplomatic power, such as the Chinese Embassy, Cabato says, “It’s very alarming, precisely because you know that this is a warning signal that you’re on a list somewhere, that you are being monitored, and your activity is being monitored.” She adds that such a threat to privacy and safety is “enough of a disincentive” for journalists to stop covering China. And I guess, for other people, that would be enough to try to be out of the public eye, or to try to stop coverage. It’s enough of a disincentive to stop covering China.” ## A Pattern of Targeting Journalists Across the Region The journalist went on to say that she thinks the attacks against her and PCIJ are part of a “bigger regional trend.” Cabato cites a [joint report](https://pressone.ph/how-a-campaign-of-half-truths-against-usaid-went-global-and-reached-asia/) by *Press One*, *Philstar*, *Malaysiakini*, and *DailyGuardian*, which found a coordinated online campaign weaponizing transparency to smear the U.S. Agency for International Development (USAID) and brand independent media receiving foreign grants as propaganda machines. Cabato says that even with foreign funding, “The newsrooms are free to exercise editorial freedom, and that’s also the case with PCIJ.” She also pointed out the irony in the accusations of being “Western tools” against her, PCIJ, and other news organizations receiving foreign funding. “While journalists are very transparent about the funding that they get, these bloggers making the accusations, you have no idea where they get their funding from. You have no idea how much tax they pay. You have no idea how they get paid,” she says. *Co-reporting by Sai Versailles* ## Frequently Asked Questions ### Who is Regine Cabato? Regine Cabato is a Filipino investigative journalist who has worked with The Washington Post and the Philippine Center for Investigative Journalism, often covering disinformation and influence operations in the Philippines. ### Why are Regine Cabato and PCIJ being attacked online? The attacks on Regine Cabato and PCIJ stem from an October 2025 report and media literacy guide analyzing pro-China sentiment targeting Filipino audiences online. ### Where is Regine Cabato based now? After pursuing a Master of Science in Politics and International Relations at SOAS University of London in the U.K., Cabato is primarily based in the Philippines. ### What is Guo Wei’s role in the Chinese Embassy in Manila? Guo Wei is the deputy spokesperson for the Chinese Embassy in Manila. ### When did Regine Cabato and PCIJ begin receiving online attacks for their article? The Chinese Embassy in Manila first targeted Regine Cabato and PCIJ in a post dated February 25. Many who engaged with the post and shared sentiment supporting the Embassy were found to be pro-Duterte accounts. 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In a verdict delivered Tuesday afternoon, eight jurors unanimously decided that West, now known as Ye, is personally liable for $176,153, and his company, Yeezy LLC, is liable for $176,153. His retail merchandising companies, Yeezy Supply and Mascotte Holdings, were found liable for $41,625 and $44,627, respectively. “It’s a victory for working artists, who typically lack the resources to go against someone like Ye, a megastar and celebrity,” Britton Monts, a manager for Artists Revenue Advocates, which sued on behalf of the four musicians who composed the sample, tells *Rolling Stone*. “The underdogs got their day in court.” Ye’s lawyers declined to comment after the verdict, but a Yeezy spokesman still spun the outcome as a win for the artist. “This is a failed shakedown. Six months ago, they wanted $30 million out of Ye,” the spokesman said, claiming ARA spent millions in legal fees for the six-figure outcome. “The moral of the story? There is a cost attached to thinking you can take advantage of Ye.” Monts, meanwhile, says ARA is appealing a ruling earlier in the case that struck down potentially more lucrative copyright infringement claims involving the final version of “Hurricane” that appeared on *Donda* with an alleged interpolation, not the sample. “We’ll be appealing the larger part of the case to the Ninth Circuit. We’re hopeful that the case will come back, and then we’ll try the larger damages.” During the six-day trial that started last week, ARA’s lawyers said Ye raked in $5.6 million from a combination of ticket sales to his July 2021 listening party [at Mercedes-Benz Stadium in Atlanta](https://www.rollingstone.com/music/music-features/kanye-west-donda-premiere-review-1201351/), merchandise sold at the event, and a deal with Apple Music to stream the show. They said their clients deserved a cut because “Hurricane” was the biggest draw among the 15 songs performed that night after Ye previously leaked part of the track online. They noted the final version of “Hurricane” also became the most-streamed song on *Donda* after the album’s release on Aug. 29, 2021. The demo track, a one-minute instrumental titled “MSD PT2,” featured guitar, bass, and keyboard run through a crackling vinyl filter to give it a distinctive West Coast hip-hop feel. Lead plaintiff’s lawyer Irene Lee said in her closing argument Tuesday that the sample formed the indisputable “backbone” for “Hurricane.” The jury of five men and three women heard that musicians Khalil Abdul-Rahman, Sam Barsh, Dan Seeff, and Josh Mease composed the beat in March 2018 and shared it with a producer who independently passed it along to Ye. Six months later, the men were shocked when Ye posted a video on Instagram where he prominently sampled “MSD PT2″ in a song snippet titled “80 Degrees,” later released as “Hurricane,” that went viral, they testified. The musicians posted jubilant reactions on Instagram when they first saw the video, celebrating their connection. When they testified last week, the men said they were hopeful at the time that they would eventually receive compensation, though they left negotiations up to their representatives. Seeff told jurors he believed that because “MSD PT2” provided the instrumental foundation for West’s song, the four musicians should have received 50 percent of “Hurricane’s” composition publishing, with the other half going to any writers of the lyrical melody. In her closing argument, Lee told jurors that Abdul-Rahman’s manager “pretty much told Ye’s people to take a hike when they offered 10 percent.” She said the artists never met Ye, that Ye didn’t follow the four men on Instagram, and that there was never any implied or express license for Ye to use the sample. “There was no deal, no agreement, no license, and no clearance,” Lee argued. She called it “remarkable” that Ye [admitted in his testimony last week](https://www.rollingstone.com/music/music-news/kanye-testifies-hurricane-song-copyright-trial-1235558924/) that he knowingly removed the “MSD PT2” sample from “Hurricane” after the listening party in Atlanta. Jurors heard that the final version of “Hurricane” released on *Donda* incorporated recreated elements of the “MSD PT2” composition rather than a direct sample of the original recording. According to Lee, Ye “just took” the sample, used it, and then discarded it after monetizing it at the listening event. Citing trial testimony, she said the value of “MSD PT2” lay in that initial use because the sample is “forever going to be associated” with Ye. “We never got a chance to send it to anybody else. No other artist will touch this once somebody like Ye touched it,” she argued. When it was his turn, Ye’s lead lawyer, Eduardo Martorell, pointed to the men’s celebratory Instagram posts and argued they had been “begging a megastar” to use their demo. “This case makes no sense,” Martorell argued Monday. He said Ye willingly credited the four men as songwriters on “Hurricane” even after the sample was removed and didn’t object when the men’s reps registered them for a combined 30 percent share of composition royalties as a placeholder during the wrangling. “Ye opened the tent and allowed these guys to become part of his universe, and they sued him,” Martorell argued. “This case is a money grab.” Martorell suggested that ARA “saw a man struggling with his mental health” and decided to “pounce.” Alternatively, the lawyer said, ARA may have sued as “a personal vendetta.” He did not elaborate. Ye, 48, has [been sued for copyright infringement ](https://www.rollingstone.com/music/music-news/ye-sued-copyright-infringement-alice-merton-1235303971/)more [than a dozen times](https://www.billboard.com/lists/kanye-west-ye-sampling-lawsuits-full-list/artist-revenue-advocates-v-ye/). He also faced a crush of lawsuits from ex-staffers in the wake of his October 2022 social media tirade in which he [tweeted his now-infamous plan](https://www.rollingstone.com/music/music-features/kanye-west-antisemitism-backlash-1234617665/) to “go death con 3 ON JEWISH PEOPLE.” Last year, he again posted inflammatory messages on X, formerly Twitter, writing, “IM A NAZI,” and “I LOVE HITLER.” Last May, he released a single titled “Heil Hitler,” which was quickly removed from most digital streaming services. In January, Ye took out a full-page ad in the *Wall Street Journal*, [apologizing for his antisemitic remarks](https://www.rollingstone.com/music/music-news/kanye-west-apologizes-antisemitc-bipolar-battle-1235504513/) and attributing them to untreated bipolar disorder allegedly linked to a brain injury suffered in a car crash in 2002. “I’m not asking for sympathy, or a free pass, though I aspire to earn your forgiveness,” Ye wrote in the letter published Jan. 26. “I write today simply to ask for your patience and understanding as I find my way home.” ARA said in court filings that the four musicians who created “MSD PT2” tried for three years to collect their share of the proceeds from “Hurricane” before they eventually assigned their rights to ARA so the organization could file the lawsuit and “seek justice.” In February, the judge overseeing the case dismissed the men’s potentially more lucrative claims that Ye infringed on their copyrights with the alleged interpolation of “MSD PT2” on the final version of “Hurricane.” The judge found that the musicians had previously signed contracts assigning away their composition royalty rights under agreements that remained in effect. The musicians tried to argue those agreements had been waived through oral deals with former business partners, but the judge ruled any such changes had to be made in writing. Britton Monts, an ARA manager, testified last week that ARA was formed to “acquire copyrights from working musicians” who are “unable to enforce their rights” because “they can’t afford it.” He said ARA hoped to pursue additional cases, but he acknowledged the lawsuit against Ye was the company’s only one so far. Ye’s lawyer, Martorell, suggested ARA was financed by a backer trying to hide their identity. “Who’s behind it?” Martorell asked during his opening statement last week. “We don’t know who owns Artist Revenue Advocates, because they won’t tell us. Why wouldn’t the artists sue in their own name if they felt so strongly about this?” Ye’s spokesperson and legal liaison, [Milo Yiannopoulos](https://www.rollingstone.com/t/milo-yiannopoulos/), was the final witness called at the trial. He walked jurors through more than 20 invoices tied to the July 22, 2021, listening event. The defense called him to the stand in an effort to show Ye did not profit from the Atlanta show, though the judge barred Yiannopoulos from offering opinion testimony because he was not qualified as an expert witness. Asked whether he considered himself “a fixer” for Ye, Yiannopoulos said he was unsure what the term meant. “I know what it means for maybe the mafia. If you’re asking if I’m a kind of consigliere, minus the crime bit, then maybe,” he said. *This article was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-news/kanye-found-liable-hurricane-copyright-infringement-trial-1235561041/).* ## Frequently Asked Questions ### Why did Kanye West lose the ‘Hurricane’ copyright trial? Kanye West lost the trial because a jury determined he used an uncleared demo track, “MSD PT2,” during a live 2021 Donda listening concert without obtaining a license. ### How much was Kanye West ordered to pay in damages? The jury ordered Kanye West and his corporate entities to pay a combined total of $438,558 in copyright infringement damages to Artists Revenue Advocates. ### Was the sample used in the final version of ‘Hurricane’? No, the original sample was removed prior to the album release; the final version on Donda featured recreated musical elements rather than the direct original recording. ### Who originally composed the sampled track ‘MSD PT2’? Musicians Khalil Abdul-Rahman, Sam Barsh, Dan Seeff, and Josh Mease composed the original instrumental track in 2018 before it was shared with Kanye West. ### What is Artists Revenue Advocates (ARA)? Artists Revenue Advocates is an entity created to acquire copyrights and pursue legal action on behalf of working musicians who lack financial resources to litigation. 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The two of them have been deep into a fake-dating plot: Hannah has promised to tutor Garrett, a star hockey player, and in exchange, he’ll pretend to be her boyfriend to make her crush jealous. But at this point in the series, they’re starting to get closer — and Hannah, a music student, wants to show Garrett a band she absolutely loves. “Wait, have you heard of [the Beaches](https://www.rollingstone.com/t/the-beaches/)?” she asks. “Their Coachella set will change your life.” She’s talking about the real-life [Canadian band](https://www.rollingstone.com/music/music-features/the-beaches-interview-blame-brett-no-hard-feelings-1235401607/) known for their insanely catchy choruses and huge, soaring melodies (she’s also referencing their actual Coachella performance in 2025). Later, as Garrett realizes he has feelings for her, he pulls up the band’s Spotify and plays one of their songs. The effervescent opening of “Edge of the Earth,” a song the Beaches released on their 2023 album *Blame My Ex,* starts to play and closes out the episode. It’s become a favorite needle drop for fans of the show and an anthem that represents the Hannah-Garrett love story — and the boost has made the band go wildly viral. “I’ve had all of my close friends reach out to be like, ‘This is so massive! I can’t believe you are on the show. I keep hearing your song all over Spotify playlists that I wouldn’t necessarily have expected you guys to be on,’” singer Jordan Miller tells *Rolling Stone*. The show creators had reached out and proposed different ways the song could be used before settling on the scene where Hannah shares the band with Garrett. “We had heard about it initially and then they told us that it was going to be a script like that,” Miller remembers. “Over the next couple months, we kept hearing from people about the *[Off Campus](https://www.rollingstone.com/t/off-campus/)* show coming out, and everyone’s like, ‘This show’s gonna be really huge!’ And then when it happened and everything started to go as insane as it did, we were all really shocked. It’s just been an absolute rollercoaster.” This isn’t the band’s first brush with viral fame. “Blame Brett,” also from their 2023 album, found an audience all over TikTok and social media and is now a crowd favorite at their live shows. But “Edge of the Earth” has quickly become the band’s most-streamed song, seeing 5.53 million streams in the last seven days and a total 888 percent streaming bump across all platforms. Their entire catalogue got a 75 percent boost. While the buzz around the song has been unexpected, Miller says she always felt “Edge of the Earth” had potential. “I’m not surprised it was Edge of the Earth, because that’s always been one of my favorite songs on that record, and I always had a feeling that it just needed the right moment to really land with people,” she says. “It’s a really important song for us, because it’s our first sort of queer love story song.” The song, she explains, was inspired by a previous relationship guitarist and keyboardist Leandra Earl had been in. “Leandra came out during COVID and she started to get messages from our queer fans being like, ‘How come there aren’t any queer love songs or queer songs in general in any of your catalog?’ And Leandra brought it up to me and I’m like, ‘Yeah, that’s crazy. I’m bisexual, you’re gay. We should absolutely be writing about it from this perspective,” Miller says. “It was really important for us to land it and make sure that we came up with something that portrayed a really beautiful relationship.” To Miller, these cycles show how songs can take off when artists least expect them to. “I was talking to Kid Cudi about this actually not too long ago. I think ‘Maui Wowie’ was 10 years old when it just started to go viral again last year. And then ‘Party 4 U’ by Charli XCX, I think that was like five years old. The nature of TikTok and the way things are sort of streaming, you can have a hit that comes that has like a second life.” Miller admits she’s the only person in the band who hasn’t watched the entire series yet, mostly because she recently got a puppy that’s kept her busy the last several weeks. “I’m excited to dig in this week and thank God nobody spoiled too much for me, but I’m really pumped. I did watch the scene where they give our band a shout out, of course,” she says. Her bandmates have torn through all eight episodes already. “”I’m looking forward to the show spending more time on Dean and Allie because I ship them hard,” Leandra tells *Rolling Stone*. The band has tons more in store in the upcoming months: They’re releasing a deluxe version of their latest LP *No Hard Feelings* next week and are playing [All Things Go](https://www.rollingstone.com/music/music-news/hayley-williams-mitski-brandi-carlile-all-things-go-dc-1235557180/). They’re also working on a ton of music. “Me and Leandra went through some breakups in the fall and in the early winter. I sort of started a new relationship and I’d really like to not write a breakup album,” Miller says with a laugh. ‘I’d like to write less of a Stevie Nicks song and more of a Christine McVie song.” Only time will tell if those songs will offer a backdrop for new shows and love stories. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-features/off-campus-the-beaches-song-1235569021/).* ## Frequently Asked Questions ### Which song by The Beaches went viral on Off Campus? The Beaches’ “Edge of the Earth,” from their 2023 album Blame My Ex, went viral after featuring in Prime Video’s Off Campus. It plays at the end of an early episode as Garrett realizes his feelings for Hannah, becoming an anthem for their love story. ### How much did The Beaches’ streams increase after Off Campus? The exposure drove a major streaming spike. “Edge of the Earth” saw an 888 percent bump across platforms and 5.53 million streams in one week, becoming the band’s most-streamed song. Their entire catalog rose about 75 percent on the back of the moment. ### Who are The Beaches? The Beaches are a Canadian rock band known for catchy choruses and soaring melodies, fronted by singer Jordan Miller with guitarist and keyboardist Leandra Earl. They previously went viral with “Blame Brett,” also from their 2023 album Blame My Ex, and played Coachella in 2025. ### What is “Edge of the Earth” about? Singer Jordan Miller describes “Edge of the Earth” as the band’s first queer love song. It was inspired by a past relationship of guitarist Leandra Earl and written after queer fans asked why the catalog lacked such songs, with Miller aiming to portray a beautiful relationship. ### What is Off Campus on Prime Video? Off Campus is a Prime Video hockey-romance drama that became a major streaming hit. It follows a fake-dating storyline between music student Hannah and star hockey player Garrett, whose relationship the Beaches’ “Edge of the Earth” comes to represent for fans of the show. 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The 99th Oscars will air live on ABC and Hulu on March 14, 2027. Raj Kapoor and Katy Mullan will also be brought back as the show’s executive producers for the fourth consecutive year, and Jeff Ross and Mike Sweeney for the third year in a row. “Conan has created remarkable energy around the Oscars,” Craig Erwich, president of Disney Television Group, said in a statement. “His singular comedic voice makes Hollywood’s biggest night one of the most entertaining celebrations of the year. We’re proud to welcome him back and look forward to what he and the producing team deliver next.” In March, the comedian hosted for the second straight year and brought his signature irreverence with him. During his memorable monologue, O’Brien took a jab at Timothée Chalamet for his discourse-bombing remarks about the ballet and opera, cosplayed as Aunt Gladys in *[Weapons](https://rollingstonephilippines.com/tag/weapons/ "Weapons")*, and celebrated the international efforts required to bring movies to the big screen. In an interview with *[Good Morning America](https://abcnews.com/GMA/Culture/oscars-host-conan-obrien-keeping-show-fresh-funny/story?id=130993632)* ahead of the Oscars in March, O’Brien detailed his preparations for his second time hosting the show, saying he’d been testing out monologue material during surprise sets at comedy clubs. “The crowds really like it, because I’m a surprise, so they don’t know that I’m gonna show up,” O’Brien said, adding, “And some of these are very far-flung comedy clubs. They’re also a bowling alley. They’re also a car rental place.” Next year’s Oscars will be the second-to-last installment of the ceremony to broadcast on ABC and Hulu before it heads to YouTube and moves from the Dolby Theatre to the Peacock Theater in 2029. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/tv-movies/tv-movie-news/conan-obrien-oscars-host-third-year-academy-awards-1235561638/ "rollingstone.com").* ## Frequently Asked Questions ### Who is hosting the 99th Academy Awards in 2027? Conan O’Brien will host the 99th Oscars, marking his third consecutive year anchoring Hollywood’s biggest night for Disney and the Academy. ### When will the 99th Oscars air? The 99th Oscars ceremony will broadcast live on ABC and Hulu on March 14, 2027, featuring executive producers Raj Kapoor and Katy Mullan. ### Who are the executive producers for the 99th Oscars? Raj Kapoor and Katy Mullan return as executive producers for their fourth consecutive year, joined by Jeff Ross and Mike Sweeney for a third term. ### How does Conan O’Brien test his Oscar monologue jokes? Conan O’Brien tests monologue material by performing surprise stand-up sets at unexpected venues, including far-flung comedy clubs, bowling alleys, and car rental locations. ### When are the Oscars moving to YouTube and the Peacock Theater? The Oscars will transition their official broadcast to YouTube and relocate to the Peacock Theater beginning with the 2029 ceremony. Related Stories - [Conan O’Brien Spotted in Manila, Filming For His Travel Show](https://rollingstonephilippines.com/culture/tv/conan-o-brien-spotted-in-manila/ "Conan O’Brien Spotted in Manila, Filming For His Travel Show") - [Greta Lee, Conan O’Brien, and iPads Take Over ‘Toy Story 5’](https://rollingstonephilippines.com/radar/releases/toy-story-5-teaser/ "Greta Lee, Conan O’Brien, and iPads Take Over ‘Toy Story 5’") - [Here’s How You Can Watch Conan O’Brien’s Special Teleserye Appearance](https://rollingstonephilippines.com/culture/tv/conan-o-brien-sanggang-dikit-fr/ "Here’s How You Can Watch Conan O’Brien’s Special Teleserye Appearance") **Categories:** Culture, Film, TV **Tags:** Conan O'Brien, Oscars --- ### [Why CHEKE is Not Your Usual Hip-Hop Label in Metro Manila](https://rollingstonephilippines.com/editors-picks/features/cheke-independent-music-label-philippines-artists/) **Published:** May 26, 2026 **Author:** Elijah Pareño **Excerpt:** The brand new music label suggests that in order to thrive in the music scene, it would take guts, data, and efforts to close the gap of a social divide **Content:** Earlier this year, the marquee in Poblacion’s [Apotheka](https://rollingstonephilippines.com/tag/apotheka/ "Apotheka") nightclub read “DON’T TOUCH MY GIRL, CHECK UP 7.” It was the launch of artists Fern Tan (known by his artist name [Fern.](https://rollingstonephilippines.com/tag/fern/ "Fern.")), [Al James](https://rollingstonephilippines.com/tag/al-james/ "Al James"), Because, and [O SIDE MAFIA](https://rollingstonephilippines.com/tag/o-side-mafia/ "O SIDE MAFIA")’s latest collaboration single, “D.T.M.G.” The night, hosted by independent music label [CHEKE](https://rollingstonephilippines.com/tag/cheke/ "CHEKE"), felt like a family affair that, at any point, can turn into a full-on rager: tender, rhythmic love songs turned into moshpits as the musicians leaned into crowd favorites like “Paumaga” by Al James or “LOBAT” by Malate’s [Costa Cashman](https://rollingstonephilippines.com/tag/costa-cashman/ "Costa Cashman") (who is also signed under CHEKE). Among all their live showcases, that show was CHEKE’s most packed crowd by far; security was tight, and I could barely find room to wiggle around. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/CHEKE.webp) The main goal of CHEKE is to “make the artists the main heroes and not the brand itself.” Founded in December 2024 by Justine “Dubs” Wieneke alongside Fern Tan, Costa Cashman, Jaime San Juan, Meme Gomez, and Moeysha Barco, CHEKE was a massive risk. In a vlog, Wieneke described traveling to Bali, Indonesia, in 2024 to pitch the idea to foreign investors, calling it a “dream bigger than their bank accounts.” Fern and Wieneke were invited to a songwriting camp in Bali initiated by BEAMCO — an artist-fan platform where musicians can send exclusive merch and songs to paid subscribers. However, Wieneke never had the funds to attend that same year. With the help of label officials from BEAMCO, they were able to shoulder the flight costs to meet with music executives on the day of the pitch. With the prior experience of Wieneke, Fern, Cashman, and San Juan in the music industry, the hard work paid off. ![Justine Wieneke](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Justine-Wieneke.webp) Justine “Dubs” Wieneke ![Jaime San Juan CHEKE](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Jaime-San-Juan.webp) Jaime San Juan “We really stand for artists that want to try what they actually want to do apart from the usual label shit,” says San Juan, CHEKE’s creative head. “Like, instead of dropping \[releases on\] Fridays, we’re dropping on Wednesdays. Setting up our own events from our own pockets and all of that.” San Juan adds how the pursuit of traditional music labels to promote themselves as a brand often downplays the aspirations of artists. The main goal of CHEKE, he says, is to “make the artists the main heroes and not the brand itself.” ## I Don’t Got Friends, I Got Family ![Moeysha Barco CHEKE](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Moeysha-Barco.webp) Moeysha Barco ![Meme Gomez](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Meme-Gomez.webp) Meme Gomez Barco, CHEKE’s marketing manager, explains how the label welcomes different kinds of artists. This is evident in the office days, which they endearingly call “CHEKE Day”: Across one side of the room, Tan and San Juan are blasting Southeast Asian electronic music, while Cashman is rinsing baile funk remixes on the other. “Our artists in general are very open to exploring, listening to different sounds. You go to our CHEKE Day, maybe from 5 p.m., you’ll just hear different types of \[loud\] music. Palabanan ‘to ng pinaka-niche na songs ‘e.” Throughout the day, CHEKE helps incubate the demos their artists make. You could either find Fern creating an album while kyleaux records a melody in the meeting room at the other. Songs are sometimes made spontaneously where writers and producers cross-pollinate with their ideas. CHEKE’s chemistry with their artists has been consistent. Wieneke recalls how regulars at the studio, even those who aren’t officially signed under the label, find themselves at home in the space. It becomes a “mi casa, su casa” setup where collaboration comes naturally. “May parang ecosystem or community talaga kami sa CHEKE na artist, creatives, producers,” Wieneke says. “It’s not exclusive, but at the same time, it’s who you fuck with on a taste, on a collaborative, and a personality sense.” ## Allergic To Numbers As an independent label, the team needs to work double time to meet both creative and business expectations.“In the label, the songs have to be doing well,” Wieneke says, pointing out the lower streaming payouts in the Philippines versus the U.S. “Yong mahihirap lang sa Philippines is if i-compare ‘yong stream per stream rate ng US at sa Pilipinas, e di dapat mabubuhay si Cash na parang Drake kung ‘yong streaming rate ay pang-US.” “Kung wala ka doon \[sa charts\], wala kang makukuha na gigs. Dati kasi, puro ‘vibes.’ Pero ngayon, kailangan ng data.” Justine “Dubs” Wieneke Barco adds that with Cashman experimenting with newer territory, then other artists from CHEKE are encouraged to follow suit. She thinks that their artists exist beyond the name of the label. Barco spoke on behalf of the team that the label is really meant to uplift global Filipino talent. “We’ve been local for too long,” she says. The competition is cutthroat not just only the global algorithm, but even in domestic stages. Wieneke explains what his artists’ desire for more visibility is, more often than not, thwarted by the country’s top-charting musicians. “Kung wala ka doon \[sa charts\], wala kang makukuha na gigs. Dati kasi, puro ‘vibes.’ Pero ngayon, kailangan ng data.” “Di kami expert pero by the end of the day kailangan ‘e,” Fern. says. “A lot of musicians are allergic to numbers at the business side of it, but if you want to sustain, you have to learn it.” ## Bridging Scenes Together ![Fern Tan CHEKE](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Fern.webp) Fern Tan ![Costa Cashman CHEKE](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Costa-Cashman.webp) Costa Cashman Since 2025, when Cashman pivoted to a solo career from his rap group O SIDE MAFIA, he experienced the shift firsthand, from the casual nature of the scene to the structured realities of deals, data, and long-term planning. Aside from the financial risk, Cashman decided to switch a production style away from his usual gangster rap. He even vowed to go back to doing typical club trap music if the new music didn’t work out. But when “LOBAT” came out, it was immediately picked up by many audiences who either love Brazilian music or Cashman’s personality. The music video climbed up to 2.1 million views in 3 months as of this writing. The creative risk of switching up genres was worth it.. Wieneke recalled that the hip-hop scene was a male dominated scene and having Cashman rap on a beat that’s unusual for him then the audience would eventually diversify. When Cashman and Fern were looking for artists to book for CHEKE, they quickly knew that the artists had to offer something different to the table. BABY FREEZE allowed herself to be more experimental with the production, kyleuax becoming more adventurous with his sound palette in his live band, and even Cashman himself exploring the experimental drum patterns in baile funk. Both A&Rs noticed how quickly culture, beyond the industry standards in the music scene, was transforming in every second. The shift also includes being inclusive to whoever is making it, whether or not they came from the streets or from generational wealth. “Yung plano talaga namen ime-merge ‘yong mundo ko sa mundo ni \[Fern\],” Cashman says. “Kami na ‘yong gagawa kase yan ‘yong gusto namen. Wala nang barrier kumbaga ‘yong mga mayayaman na tao nakikinig ng hip-hop atsaka ‘yong mga mahilig sa hip-hop makikinig sa mga katulad nila \[Fern\].” “The problem that Dubs raised is the struggles of running a label in the Philippines, maybe we have to make money outside of here,” Fern says. “We have the talent, we have the numbers, we’re the biggest English-speaking market in Asia. Because in the Philippines, there’s already a divide. If you connect those scenes together, the numbers will increase.” Fern believes in exporting local talent to different agencies and promotions. The risk would be flying out and convincing a label and manager if an artist is credible enough to perform in a different audience. In return, the word around Filipino artists will “diversify.” Fern is confident in making the dream of bringing artists all over the world whether it would be to Los Angeles and Toronto. Fern then adds another game plan, “Then we get the money there. Then we bring it back here.” ## Frequently Asked Questions ### Who is the team behind CHEKE? CHEKE is an independent record label ran by the team of CEO ustine “Dubs” Wieneke, A&Rs Fern Tan and Costa Cashman, visual director Jaime San Juan, manager Meme Gomez, and marketing officer Moeysha Barco. ### Who are the artists in CHEKE? The artists in CHEKE currently are Costa Cashman, Fern., Thugsta, kyleaux, BABY FREEZE, Matt White, O SIDE MAFIA and 2ICEY. ### When did CHEKE start? The label was founded in December 2024. ### Where did CHEKE pitch their idea? CHEKE was pitched in Bali, Indonesia and was approved by foreign investors. ### What is the most viewed video under CHEKE’s roster? The most viewed video by an artist from CHEKE is “TALKSHIT” by Costa Cashman with over 2.9 million views as of this writing. Related Stories - [5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades](https://rollingstonephilippines.com/music/5-filipino-hip-hop-subgenres/ "5 Filipino Hip-Hop Subgenres That Defined the Past Four Decades") - [25 Best Filipino Love Songs Across Generations](https://rollingstonephilippines.com/music/25-filipino-love-songs-for-the-emotionally-compromised/ "25 Best Filipino Love Songs Across Generations") - [5 D’Angelo Songs That Redefined Neo-Soul](https://rollingstonephilippines.com/music/hiphop-rnb/5-dangelo-songs-redefined-neo-soul/ "5 D’Angelo Songs That Redefined Neo-Soul") **Categories:** Editor's Picks, Features, Hip-hop/R&B, Music **Tags:** Al James, CHEKE, Costa Cashman, Fern., O SIDE MAFIA --- ### [Karl Urban on ‘Mortal Kombat II’: ‘The Most Challenging Undertaking I’ve Ever Embarked On’](https://rollingstonephilippines.com/culture/film/karl-urban-mortal-kombat-ii/) **Published:** May 12, 2026 **Author:** Mel Wang **Excerpt:** The actor stars in the campy sequel as washed-up Hollywood star Johnny Cage, who must fight the dark forces of the Netherrealm to save the day **Content:** [Karl Urban](https://rollingstonephilippines.com/tag/karl-urban/ "Karl Urban") didn’t have the easiest time getting ready for his starring role in *[Mortal Kombat II](https://rollingstonephilippines.com/tag/mortal-kombat-ii/ "Mortal Kombat II")*. The New Zealand actor, best known for his roles in action-packed projects such as [*The* *Boys*](https://rollingstonephilippines.com/tag/the-boys/ "The Boys"), *[The Lord of the Rings](https://rollingstonephilippines.com/tag/the-lord-of-the-rings/ "The Lord of the Rings")*, and *Thor: Ragnarok*, spoke candidly about training to play Johnny Cage in *Mortal Kombat II*. Staying true to the classic video game the movie is based on, Johnny is a washed-up Hollywood star who must use his fighting skills to defeat the dark rule of Shao Kahn (Martyn Ford) and save the Earthrealm. “It was hands-down the most challenging physical undertaking that I’ve ever embarked on,” Urban said in a global press conference promoting the film. “The skill set required was definitely an exponential learning curve that I never encountered, and I certainly would be lying if I didn’t say I wasn’t a little bit terrified. I mean, you’re stepping into a movie with martial artists who are so accomplished.” “I remember landing in Brisbane,” added the actor, “and getting driven straight to a stunt rehearsal session. Like I still had my bags and they were like, ‘Here we go!’” However, Urban emphasized how important it was for him and the rest of the ensemble cast to work on their fighting skills. “I think we really recognized the importance of getting it right,” he said. “This is a film that has been made by fans, and I think all of the cast felt the responsibility of that, \[so we\] invested a significant amount of time and energy into training. We’re supremely delighted with the end result.” *Mortal Kombat II* is currently screening in Philippine cinemas. ## Frequently Asked Questions ### Who does Karl Urban play in Mortal Kombat II? Karl Urban portrays Johnny Cage in Mortal Kombat II, playing a washed-up Hollywood actor and martial artist who helps defend Earthrealm against Shao Kahn. ### What is Karl Urban’s role in Mortal Kombat II? Karl Urban serves as a lead protagonist in the movie sequel, utilizing martial arts training to combat dark forces threatening Earthrealm’s survival. ### Where was Mortal Kombat II filmed? Production for Mortal Kombat II took place primarily in Queensland, Australia, with stunt and fight rehearsals conducted at facilities located in Brisbane. ### How did Karl Urban train for Mortal Kombat II? Karl Urban completed intensive stunt rehearsal sessions immediately upon arrival in Brisbane, training alongside professional martial artists to master complex action choreography. ### Who is the main villain in Mortal Kombat II? Shao Kahn, played by Martyn Ford, serves as the primary antagonist attempting to rule Earthrealm in the Mortal Kombat II feature film adaptation. Related Stories - [‘Mortal Kombat II’ Goes Harder, Bloodier, and More Savage Than The First](https://rollingstonephilippines.com/culture/reviews/mortal-kombat-2-movie-review/ "‘Mortal Kombat II’ Goes Harder, Bloodier, and More Savage Than The First") - [‘Mortal Kombat II’ Trailer Unleashes Gory, Video Game-Accurate Fatalities](https://rollingstonephilippines.com/radar/releases/mortal-kombat-ii-trailer/ "‘Mortal Kombat II’ Trailer Unleashes Gory, Video Game-Accurate Fatalities") - [2026 is the Year of Iconic Movie Comebacks and Franchise Wars](https://rollingstonephilippines.com/culture/2026-in-movies-hilda-koronel-doomsday/ "2026 is the Year of Iconic Movie Comebacks and Franchise Wars") **Categories:** Culture, Film **Tags:** Karl Urban, Mortal Kombat II --- ### [BINI Makes San Diego Comic-Con Performance Debut With ‘A Parallel World’](https://rollingstonephilippines.com/music/pop/bini-dreamworks-forgotten-island-comic-con/) **Published:** July 27, 2026 **Author:** Elijah Pareño **Excerpt:** The P-pop octet performed its soundtrack contribution in Ballroom 20 during its first appearance at the iconic convention **Content:** The Nation’s Girl Group [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI") made a special appearance at DreamWorks Animation’s panel for its fantasy epic *[Forgotten Island](https://rollingstonephilippines.com/tag/forgotten-island/ "Forgotten Island")* at San Diego [Comic-Con](https://rollingstonephilippines.com/tag/comic-con/ "Comic-Con") on July 25, Friday morning Pacific Time, and performed their latest song, “A Parallel World.” It was the group’s first time performing at SDCC. > [View this post on Instagram](https://www.instagram.com/reel/DbNVo-rD3Kj/?utm_source=ig_embed&utm_campaign=loading)[A post shared by BINI\_ph (@bini\_ph)](https://www.instagram.com/reel/DbNVo-rD3Kj/?utm_source=ig_embed&utm_campaign=loading) Members Aiah, Colet, Maloi, Gwen, Stacey, Mikha, Jhoanna, and Sheena’s performance closed out the panel that included *Forgotten Island* stars [Liza Soberano](https://rollingstonephilippines.com/tag/liza-soberano/ "Liza Soberano"), [H.E.R.](https://rollingstonephilippines.com/tag/h-e-r/ "H.E.R."), Dave Franco, directors Januel Mercado and Joel Crawford. BINI will embark on their upcoming [Signals Tour](https://rollingstonephilippines.com/music/pop/bini-signals-world-tour-dates/ "Your Guide to BINI’s Signals World Tour And Where They Are Heading Next"), which officially kicks off on August 1 at the Neal S. Blaisdell Center Arena in Honolulu, Hawaii. The tour will span North America, Oceania, and Southeast Asia over the next several months. *Forgotten Island* comes out in the Philippines on September 23. ## Frequently Asked Questions ### Who is BINI? BINI is an eight-member girl group composed of Aiah, Colet, Maloi, Gwen, Stacey, Mikha, Jhoanna, and Sheena. ### What are BINI’s greatest hits? BINI is best known for songs such as “Pantropiko,” “Salamin, Salamin,” and “Lagi.” ### Where did BINI perform “A Parallel World”? BINI performed “A Parallel World” during the *Forgotten Island* panel at San Diego Comic-Con on July 25. ### What soundtrack is BINI’s new song “A Parallel World” included in? “A Parallel World” is part of the soundtrack for DreamWorks Animation’s fantasy film *Forgotten Island*. ### Where can you get tickets for BINI’s Signals Tour? Tickets for the *Signals World Tour* are available through the *ABS-CBN* website. Related Stories - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") - [5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding](https://rollingstonephilippines.com/editors-picks/lists/5-moments-sb19-rewrote-p-pop-worldbuilding/ "5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding") **Categories:** Music, Pop **Tags:** BINI, Comic-Con --- ### [Carlos Yulo is A Completely Different Person Off the Mat](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/carlos-yulo-work-life-balance/) **Published:** May 12, 2026 **Author:** Mel Wang **Excerpt:** The Olympic medalist emphasized how he prioritizes peace and rest when he’s not training **Content:** There are multiple sides to [Carlos Yulo](https://rollingstonephilippines.com/tag/carlos-yulo/ "carlos yulo"). The gymnast rose to global stardom during the 2024 Summer Olympics, where he took home not one, but *two* gold medals for his efforts on the mat: first for the men’s floor exercise final and then on the vault final. The wins have cemented Yulo as one of the most acclaimed athletes in the Philippines, but, as he told *Rolling Stone Philippines*, he’s adamant about keeping his personal life separate from his professional one. “Magkaiba si Carlos sa gymnastics, magkaiba si Carlos sa outside gymnastics,” Yulo said in the latest episode of *Rolling Stone Philippines Interview*. “So hindi ko siya pwede pagsabayan kasi si Carlos sa gymnastics, puro ayun lang iniisip niya talaga, eh. Paano siya gagaling, paano siya makakapag-compete ng gaanong kataas na level.” ![Portrait of a man wearing a brown blazer, looking to the left against a dark background.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/RSPortraits0066-1.webp) ![carlos yulo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/RSPortraits0073-1.webp) Yulo also spoke about how he’s learned to prioritize peace and rest when he’s not training. “Si Carlo sa outside is… sweet and caring talaga,” the gymnast added. “At the same time, kailangan ko rin magpahinga. Hindi ko palagi dapat ini-stress ‘yung sarili ko doon na wala naman ako doon, eh. Ba’t ko pa iniisip ‘yun? Kasi different mindset lang ‘yung ginagawa mo, pero isang katawan lang ‘yung meron ka.” You can hear Carlos Yulo dive deeper into his career as an athlete in his episode of the *Rolling Stone Philippines Interview,* now exclusively on our YouTube channel. ## Frequently Asked Questions ### How many Olympic medals has Carlos Yulo won? Carlos Yulo won two Olympic gold medals at the 2024 Paris Games, placing first in both the men’s floor exercise final and vault final. ### How does Carlos Yulo manage his mental health outside training? Carlos Yulo maintains rest and peace by intentionally separating his professional athletic mindset from his daily personal life to prevent unnecessary stress and physical exhaustion. ### What is Carlos Yulo’s approach to his personal life versus sports? Carlos Yulo views his gymnastics persona and personal identity as entirely distinct, focusing strictly on high-level performance while training and remaining sweet and caring off mat. ### Where can you watch the full Carlos Yulo interview? The full video interview with Carlos Yulo is available exclusively on the official Rolling Stone Philippines YouTube channel as part of their feature series. ### Which country does Olympic gymnast Carlos Yulo represent? Carlos Yulo represents the Philippines, where he is recognized as one of the nation’s most celebrated and acclaimed elite athletes following his historical Olympic victories. Related Stories - [5 Most Chaotic John Cena Matches That Shaped His 23-Year WWE Legacy](https://rollingstonephilippines.com/culture/sports/5-most-chaotic-john-cena-matches/ "5 Most Chaotic John Cena Matches That Shaped His 23-Year WWE Legacy") - [Rolling Stone Philippines Hall Of Fame Welcomes First 6 Inductees](https://rollingstonephilippines.com/editors-picks/hall-of-fame-2025-editors-note/ "Rolling Stone Philippines Hall Of Fame Welcomes First 6 Inductees") - [Charo Santos-Concio Can’t Get Enough of Rom-Coms](https://rollingstonephilippines.com/media-channels/greatest-hits/charo-santos-concio/ "Charo Santos-Concio Can’t Get Enough of Rom-Coms") **Categories:** Culture, Editor's Picks, Sports, The Rolling Stone Interview **Tags:** carlos yulo, Olympics --- ### [Olivia Rodrigo Weighs in on Dress Outrage: ‘Shouldn’t Be Responsible for Some Guy Sexualizing You’](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-speaks-out-baby-doll-dress/) **Published:** May 28, 2026 **Author:** Charisma Madarang **Excerpt:** The star faced backlash as internet commenters lodged accusations that her recent getups both infantilized and sexualized the singer **Content:** As the online public continues to throw a temper tantrum over [Olivia Rodrigo](https://rollingstonephilippines.com/tag/olivia-rodrigo/ "Olivia rodrigo")’s [choice to don a baby doll dress](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-baby-doll-dress-controversy/ "The Olivia Rodrigo Dress Outrage Feels Like Bot Behavior") while promoting her third LP, [*You Seem Pretty Sad for a Girl So In Love*](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-drop-dead-single-mv/ "Olivia Rodrigo’s Looking Pretty Happy in the ‘Drop Dead’ MV"), the singer-songwriter weighed in on the controversy. After wearing a pink flouncy dress for the album’s [cover](https://store.oliviarodrigo.com/products/you-seem-pretty-sad-for-a-girl-so-in-love-target-exclusive-pretty-sad-pink-vinyl?srsltid=AfmBOooUvldMvQSi4hezT3zqRpMX35d6u5i1km-Ig8ZIgfjnCjcLL5rO), a similar blue one for the [“Drop Dead” ](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-drop-dead-single-mv/ "Olivia Rodrigo’s Looking Pretty Happy in the ‘Drop Dead’ MV")music video, and rocking out at Barcelona’s Teatro Greco for [Spotify’s Billions Club Live](https://www.rollingstone.com/product-recommendations/style/olivia-rodrigo-spotify-fc-barcelona-el-clasico-jersey-game-1235560511/) while wearing a floral babydoll dress with matching bloomers, the getups triggered a storm of criticism as many internet commenters lodged accusations that the 23-year-old pop sensation was sexualizing herself and and promoting “pedo core.” On Wednesday, Rodrigo addressed the controversy during an appearance on *The New York Times*’ [*Popcast*](https://podcasts.apple.com/us/podcast/popcast/id120315823?at=1001l36gv), reminding everyone that “you shouldn’t be responsible for some guy sexualizing you in a way that was never your intention.” “What’s really disturbing is I feel like I have worn outfits that are revealing on stage,” Rodrigo said. “I’ve been on stage in a sparkly bra, little shorts, which is my right. That’s fun. I felt cool and comfortable in that. And that wasn’t ‘inappropriate,’ but me, fully covered up in a dress that people deem to be childlike was ‘inappropriate.’ And it just shows how we really normalize pedophilia in our culture.” > [View this post on Instagram](https://www.instagram.com/reel/DY25os4jOHb/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Popcast (@popcast)](https://www.instagram.com/reel/DY25os4jOHb/?utm_source=ig_embed&utm_campaign=loading) She also highlighted the dangerous dialogue around women’s attire and sexual violence. “It’s just this rhetoric that we’re fed as girls since we’re so little, which is, ‘Don’t wear that because then a man is going to sexualize your body and it’s your fault,’” Rodrigo said. “I didn’t think I looked sexy in that at all. I was like, ‘This is so cool. I feel like I look like Kathleen Hanna or Courtney Love’ — all these people who are my heroes, and I felt cool and comfortable in it.” Rodrigo has previously said that she’s inspired by the punk lineage of artists such as Kat Bjelland and Love, who juxtaposed baby doll dresses with their music and unruly performances to reject and challenge the expectations of women as docile objects in the patriarchy. When speaking on *Popcast*, she said, “I just think if we start dressing in a way that’s like, ‘Oh, I don’t want some fucking freak to think that I am sexy like a baby,’ or some crazy thing like that… I just think it’s like losing the plot a little bit.” Rodrigo added, “I’m just very protective of younger women and girls, and I just don’t ever want them to be fed that rhetoric.” *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-news/olivia-rodrigo-baby-doll-dress-outrage-addresses-1235569362/).* ## Frequently Asked Questions ### What did Olivia Rodrigo say about the baby doll dress backlash? On the New York Times’ Popcast, Rodrigo said a person shouldn’t be held responsible for someone else sexualizing them in a way they never intended. She argued the reaction reflected how society misplaces blame onto women and girls for how others perceive their clothing. ### Why was Olivia Rodrigo’s dress controversial? While promoting her third album, Rodrigo wore babydoll dresses on the cover, in the “Drop Dead” video, and at a Spotify show. Some online commenters accused the looks of both infantilizing and sexualizing her, with a few labeling the aesthetic inappropriately. ### What is the baby doll dress aesthetic Olivia Rodrigo referenced? Rodrigo linked the look to a punk and riot grrrl lineage, citing heroes like Kathleen Hanna, Courtney Love, and Kat Bjelland. Those artists paired childlike babydoll dresses with confrontational performances to reject expectations of women as docile, an influence Rodrigo says shaped her own styling. ### Where did Olivia Rodrigo address the controversy? Rodrigo discussed it during an appearance on Popcast, the New York Times’ music podcast, in late May 2026. It was her first extended public comment on the reaction, made while promoting her third album, You Seem Pretty Sad for a Girl So In Love. ### What point was Olivia Rodrigo making about girls and clothing? Rodrigo said she is protective of younger women and girls and objects to the message that dressing a certain way makes them responsible if a man sexualizes them. She framed that idea as a harmful narrative girls are taught early, and one she wants to push back against. Related Stories - [5 of Olivia Rodrigo’s Angriest Breakup Songs, Ranked](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-breakup-songs-ranked/ "5 of Olivia Rodrigo’s Angriest Breakup Songs, Ranked") - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") - [VVINK Finds the Sweet Spot Between Girlhood and P-Pop Songwriting](https://rollingstonephilippines.com/music/pop/vvink-girlhood-and-second-chances/ "VVINK Finds the Sweet Spot Between Girlhood and P-Pop Songwriting") **Categories:** Music, Pop **Tags:** Olivia Rodrigo --- ### [No One’s Really the Villain in ‘Obsession’](https://rollingstonephilippines.com/culture/film/obsession-film-review-wish-gone-wrong-horror/) **Published:** May 28, 2026 **Author:** Mel Wang **Excerpt:** Don’t be fooled! Curry Barker’s latest horror movie will have you wondering if you, too, have ever been a little too much in love **Content:** It’s so tempting to point fingers in *[Obsession](https://rollingstonephilippines.com/tag/obsession/ "Obsession")*. Before we dive into the villains (or non-villains) of YouTuber-turned-filmmaker [Curry Barker’s](https://rollingstonephilippines.com/culture/film/youtube-to-horror-movies-6-creators-turned-filmmakers/ "From YouTube to Horror Movies: 6 Creators Who Became Filmmakers") latest horror flick, a quick low-down: *Obsession* follows Bear (Michael Johnston), a lovestruck dope who can’t find the balls to ask his best friend Nikki (Inde Navarrette) out on a date. Not wanting to go through the awkwardness of a confession, Bear decides to use a One Wish Willow to wish for her to love him “more than anyone in the fucking world.” Naturally, disaster strikes. *Obsession* gives us all the usual suspects to fear and hate. There’s Nikki, the conventional “big bad” of the movie, in the sense that she’s fallen under the One Wish Willow’s spell and will stop at nothing to make sure Bear loves her. There’s Bear, the one who made the wish in the first place without thinking about the consequences. There’s even Sarah (Megan Lawless) and Ian (Cooper Tomlinson, Barker’s fellow YouTuber), the two other members of the friend group who are trying their best not to get involved in… whatever’s happening between Nikki and Bear. ## Is There More to Bear Than Meets the Eye? While it would be so easy to turn any of these players into a nasty villain, Barker presents us with a cast so deliciously human that you’ll find yourself wondering what *you* would do in a scenario like *Obsession*’s. As much as some of us may despise Bear for making his wish (and a poorly worded one at that), Johnston’s portrayal of him is so empathetic that you’ll quickly realize (albeit with a twinge of shame) that you’ve *been* Bear. Haven’t we all had that weird, icky crush on someone out of our league (plus points if they’re your best friend)? And haven’t we all hated the cringiness that comes with telling someone how you really feel? Even Johnston himself isn’t quite sure where Bear exactly stands on the evil spectrum. “I never thought of Bear as a villain,” he told [*The Hollywood Reporter*](https://www.hollywoodreporter.com/movies/movie-features/obsession-bear-villain-michael-johnston-interview-1236598129/), “but what really drew me to this story was the gray morals of it all. \[T\]he truth is, Bear has good in him and he has bad in him, like all of us.” ![Inde Navarrette and Michael Johnston in Obsession. Photo courtesy of Universal Pictures](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/OBS_FP_00159_R.webp) Inde Navarrette and Michael Johnston in *Obsession*. Photo courtesy of Universal Pictures ## Is Nikki More Than A Crazy Girlfriend? And then there’s Nikki. It’s clear from the first 15 minutes of *Obsession* that Navarrette fleshed out all the layers that come with playing Nikki. In the hands of a lesser actress, the One Wish Willow victim could have easily been played as a snarling, screaming, and superficial “psycho girlfriend.” It’s a well-worn (and problematic) trope we’ve seen before: think *Misery*, *atal Attraction*, *Pearl* (whose screaming Navarrette took [a lot of inspiration from](https://www.vulture.com/article/inde-navarrette-isnt-just-a-crazy-girlfriend-in-obsession.html) when working on Nikki). There’s some delight that comes with watching a woman go rogue (we love female rage!), but it’s a one-dimensional and fleeting sort of glee. Thankfully, Navarrette knows just how to keep us rooting for Nikki, even after the big scares start to crop up in the movie. Nikki is never completely evil; instead, she’s tragic, sympathetic even, and Navarrette expertly toes the line between giving us a classic monster and making us see a part of ourselves in Nikki’s quest to find the love that she deserves. “I’ve never *not* had sympathy for Nikki,” Navarette told [*Vulture*](https://www.vulture.com/article/inde-navarrette-isnt-just-a-crazy-girlfriend-in-obsession.html)*.* “My goal with Nikki was to play her in a way that those who have been perceived as the crazy girlfriend can go, ‘Finally, somebody understood. Somebody understands what has led up to that point.’” On its surface, *Obsession* is deceptively simple when it comes to asking us to pick sides — but don’t be fooled! We’ve all been a Bear, and we’ve all been a Nikki, and when watching *Obsession*, it’s best to hold all comments until the final curtain call. *Obsession* is currently screening in Philippine cinemas. ## Frequently Asked Questions ### What is “Obsession” about? Obsession follows Bear, a shy guy who secretly loves his best friend Nikki. Instead of confessing his feelings, he makes a magical wish for her to love him more than anyone else — but the wish quickly turns dangerous. ### Who are the main characters in “Obsession”? The story centers on Bear, Nikki, and their friends Sarah and Ian. Each character reacts differently as the wish begins to spiral out of control. ### Why does Bear make the wish? Bear is afraid of rejection and wants Nikki to love him without risking an awkward confession. His insecurity leads him to make a reckless decision. ### Is Nikki the villain in the movie? Not completely. Although Nikki becomes frightening under the spell’s influence, the story presents her as a tragic and sympathetic character rather than a purely evil one. ### What themes does “Obsession” explore? The movie explores love, obsession, friendship, insecurity, and the consequences of selfish choices. It also shows how complicated human emotions can be. ### Where can people watch “Obsession”? Obsession is currently screening in Philippine cinemas. Related Stories - [I Was Drunk and Alone in the ‘Backrooms’ Escape Room](https://rollingstonephilippines.com/culture/drunk-alone-backrooms-escape-room/ "I Was Drunk and Alone in the ‘Backrooms’ Escape Room") - [From YouTube to Horror Movies: 6 Creators Who Became Filmmakers](https://rollingstonephilippines.com/culture/film/youtube-to-horror-movies-6-creators-turned-filmmakers/ "From YouTube to Horror Movies: 6 Creators Who Became Filmmakers") - [‘Hokum’ Delivers as a Classic (and Hopeful!) Horror Story](https://rollingstonephilippines.com/culture/film/hokum-adam-scott-horror-review/ "‘Hokum’ Delivers as a Classic (and Hopeful!) Horror Story") **Categories:** Culture, Film **Tags:** Curry Barker, Obsession --- ### [Music’s 10 Weirdest Alter Egos](https://rollingstonephilippines.com/editors-picks/lists/10-weirdest-music-alter-egos/) **Published:** May 12, 2026 **Author:** Rob Sheffield **Excerpt:** There’s a long tradition of artists going incognito — from huge rock stars to hip-hop wildcards **Content:** This week there’s been escalating controversy over TikTok singer Mr. Fantasy and the *Riverdale* actor KJ Apa, who may or may not be using Mr. Fantasy as his musical alter ego. “Enough is enough,” Apa declared this week, in a social-media video attacking Mr. Fantasy for identity theft. He claimed the singer has “completely and utterly stolen my image.” *Riiiight.* But it’s a reminder of how much musicians love creating alter egos. There’s a long tradition of artists getting inspired by going incognito behind a new identity – especially when they lose perspective and go overboard. There’s grey area over what counts as an alter ego vs. what’s just a stage name, a side project, a costume, or a cute nickname. (Or in Madonna’s case, an English accent.) But here’s an unranked list of ten of the all-time weirdest — and best — music alter egos. As Ziggy Stardust would say, you can play the wild mutation as a rock & roll star. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/yt1.webp) Ziggy Stardust **Better known as:** [David Bowie](https://rollingstonephilippines.com/tag/david-bowie/ "David Bowie") **Peak era:** 1972 **Greatest hit:** “Starman” on *The Rise and Fall of Ziggy Stardust and the Spiders from Mars* Bowie spent years kicking around the London music scene, never tasting the stardom he knew was his destiny. So he invented a whole new rock star to play: an orange-haired omnisexual alien named Ziggy Stardust. The result: a classic concept album about the extraterrestrial “leper messiah” with the God-given ass. In Bowie’s mythology, Ziggy came down from outer space to save the Earth by letting the children boogie, with his glam band, the Spiders from Mars. “What I did with my Ziggy Stardust was package a totally credible, plastic rock & roll singer — much better than the Monkees could ever fabricate,” Bowie told Rolling Stone. “I mean, my plastic rock & roller was much more plastic than anybody’s.” What happened?: Ziggy blew Britannia’s mind on *Top of the Pops*, rocking “Starman” with a blue guitar, on the night of June 6, 1972 — an instant international scandal. Ziggy made Bowie more notorious than he’d ever dreamed. He was never unfamous a day in his life after that, turning into Aladdin Sane, the Thin White Duke, and countless other characters. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/yt2.webp) Dr. Octagon **Better known as:** [Kool Keith](https://rollingstonephilippines.com/tag/kool-keith/ "Kool Keith") **Peak era:** 1996 **Greatest hit:** *Dr. Octagonecologyst* Nobody came up with more outrageous alter-egos than Kool Keith. The Ultramagnetic MCs rapper made noise as Dr. Dooom, Mr. Nogatco, Black Elvis, Number One Producer, and so many more. But he really went off the deep end as Dr. Octagon, the persona of a mad scientist from Jupiter, performing macabre surgical experiments on the “Earth People” he encounters. The 1996 concept album *Dr. Octagonecologyst* is his funniest, darkest, most disturbing tour through the Doctor’s sick mind — Nineties hip-hop at its most out-there, produced by Dan the Automator. (He later gave us the great Handsome Boy Modeling School, with Prince Paul.) What Happened?: Dr. Octagon got killed off by another Kool Keith character, Dr. Dooom, though he’s been resurrected many times, most recently on the 2020 album *Space Goretex*. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/yt3.webp) Chris Gaines **Better known as:** [Garth Brooks](https://rollingstonephilippines.com/tag/garth-brooks/ "Garth Brooks") **Peak era:** 1999 **Greatest hit:** *Garth Brooks in…The Life of Chris Gaines* By announcing his new identity as the fictional rock star Chris Gaines. Weird flex, but hey, who was gonna tell him no? Garth went bonkers with this character, trading in his cowboy hat for black eyeliner, a cheap grunge wig, a soul patch, and a spandex codpiece. In 1999, he dropped his Chris Gaines album, with a CD booklet chronicling sex-crazed albums like *Fornucopia*. He planned on turning it into a movie, *The Lamb*. He even hosted *Saturday Night Live* as Garth, with Chris as the musical guest. “The thing I’d like to get across is how serious we are about this,” Garth told the L.A. Times. “There’s the Rutles and there’s Spinal Tap, and this is exactly the opposite.” \[https://www.latimes.com/archives/la-xpm-1999-jul-05-ca-53037-story.html\]What happened: The album became one of the decade’s most infamous superstar disasters, as fans fled in terror. It was a historic flop by Garth standards — it sold ONLY two million copies. (Those were different times.) But [some of us believe Chris ](https://www.rollingstone.com/music/music-features/a-star-is-born-lady-gaga-garth-brooks-752572/)was the obvious model for Bradley Cooper’s fictional rocker in *A Star Is Born*. As of 2024, Chris Gaines is now eligible for the Rock & Roll Hall of Fame. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/yt4.webp) Jo Calderone **Better known as:** [Lady Gaga](https://rollingstonephilippines.com/tag/lady-gaga/ "Lady Gaga") **Peak era:** 2011 **Greatest hit:** “You and I” at the MTV Video Music Awards Lady Gaga had already built up an impressive resume for messing with people’s minds, screwing with conventional stereotypes about gender and identity, one meat dress at a time. But she built her most iconic alter ego with Jo Calderone, a chain-smoking male greaser with a rock & roll pompadour and a Jersey accent. Gaga debuted Jo in a 2010 fashion spread for Japanese Men’s Vogue. Then he appeared in her “You and I” video. But Jo’s big splash came when he hosted the 2011 MTV Video Music Awards—nobody had any clue this was coming, or what Gaga was thinking. But she stayed in character **as Jo** all night, with no explanation. He sang “You and I” with Queen’s Brian May on guitar — one of the all-time great Gaga mind-freaks. Jo also got to present a lifetime achievement award to a totally [baffled Britney Spears](https://www.youtube.com/watch?v=XAF6EuHW81A). Jo: “So we’re just a good old-fashioned American man, and a good old-fashioned American girl.” Britney: “Thank you?” What happened?: Gaga quietly let him die off. “Jo was an important character for me,” Gaga told *Them* last year. “It’s the way I explored what I was looking for in men, and also what I was maybe lacking in myself.” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/yt5.webp) Camille B**etter known as:** [Prince](https://rollingstonephilippines.com/tag/prince/ "Prince") **Peak era:** 1987 **Greatest hit:** “If I Was Your Girlfriend” on *Sign o’ the Times* Prince was so busy being Prince in the Eighties, it’s astonishing he found time to be anyone else. But Camille was his feminine guise — he sped up his voice in the studio to transform into the girl of his dreams. She wasn’t just another pseudonym, like “Alexander Nevermind” or “Christopher” — Camille became his muse. The Minnesota mastermind recorded an entire Camille album, with brilliant tunes like “Feel U Up” and “Good Love,” planning to release it under her name. What happened? The album got shelved. Instead, Prince put three Camille songs on *Sign o’ the Times*. It’s no coincidence that all three are absolute classics: “Housequake,” “Strange Relationship,” and “If I Was Your Girlfriend.” The Camille persona brought out something uniquely vulnerable in his songwriting—she made him feel things we never got to hear him feel with anyone else. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/yt6.webp) Bobby Digital **Better known as:** The [RZA](https://rollingstonephilippines.com/tag/rza/ "RZA") **Peak era:** 1999 **Greatest hit:** “B.O.B.B.Y.” on *Bobby Digital in Stereo* The ruling god of the Wu-Tang Clan empire was all over the place in the Nineties, presiding over a couple dozen of the most vivid characters in the hip-hop world. (Several of whom were Ol’ Dirty Bastard, a.k.a Dirt McGirt a.k.a. Big Baby Jesus.) But RZA finally went wild with his own sci-fi alter ego Bobby Digital, tripping on sex and drugs and computers. “It came from a really good bag of weed one day, right?” he told The A.V. Club. “I was in my studio. My birth name is Bobby Diggs. So at the time, creatively, I felt like I was in a digital frame. I felt like I was in high-speed, where everything was digital, in numbers, mathematics.” What happened?: Bobby let the RZA explore the hedonistic id behind his intellectual mystique. After his divisive 1999 debut *Bobby Digital in Stereo*, he wore the mask for two more albums. “As Bobby Digital, I could use a character to describe some of the earlier days of my own life,” he said. “Partying, bullshitting, going crazy, chasing women, taking drugs. At the same time, I would mix in my love for comic books. It was a mixture of fiction and reality together to make a character I thought would be entertaining, and I could utilize that character to get fans into me as an MC, as a lyricist, and also following the path of my life.” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/yt7.webp) Nathaniel Hornblower **Better known as:** [The Beastie Boys](https://rollingstonephilippines.com/tag/the-beastie-boys/ "The Beastie Boys")’ Adam “MCA” Yauch **Peak era:** 1994 **Greatest hit:** The MTV Video Music Awards This crusty old codger from Switzerland directed videos for the Beastie Boys, like [“So What’cha Want,”](https://www.youtube.com/watch?v=ru3gH27Fn6E) always with his curly mustache, his pipe, and his lederhosen. Funny how he was never [seen in public ](https://www.youtube.com/watch?v=QfyMv5mG_Z8)at the same time as Adam Yauch, right? But he stole the show at the 1994 MTV Video Music Awards. (One of the most fun ones ever, featuring the Michael/Lisa Marie kiss.) When R.E.M. won for their “Everybody Hurts” video, Nathaniel Hornblower stormed the stage, grabbing the mic from Michael Stipe, arguing that Spike Jonze deserved to win for directing the Beasties’ “Sabotage” video. “This is an outrage!” he ranted in his fractured Swiss accent, adding, “I had all the ideas for *Star Wars* and everything!” Nobody had any idea who the hell it was, even as security dragged him away. What happened?: As Stipe said after the show, “At first I thought it was Bono.” One of the Nineties-est moments of the Nineties. Yauch later directed *A Day in the Life of Nathaniel Hornblower* in 2004, starring David Cross in the title role. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/yt8.webp) Percy Thrillington **Better known as:** [Paul McCartney](https://rollingstonephilippines.com/tag/paul-mccartney/ "Paul McCartney") **Peak era:** 1977 **Greatest hit:** “Uncle Albert/Admiral Halsey” on *Thrillington* Paul McCartney was always a big fan of dreaming up new people to be, just to try out another kind of mind. In 1967, when the Beatles felt trapped by fame and touring, he was the one who came up with the liberating idea to change their name and start over debuting as a whole new group: *Sgt. Pepper’s Lonely Hearts Club Band*. But solo, Paul recorded a bizarro big-band instrumental version of his own 1971 album *Ram*, as the Irish bandleader Percy “Thrills” Thrillington. According to the official bio, as reported in *Rolling Stone* at the time, Percy was born in 1939, in Coventry Cathedral, then studied music in Baton Rouge. What happened?: McCartney kept Percy’s identity a secret for years, until finally admitting in 1989 that this Walrus was Paul. He later made wild experimental electronic records under the alias “The Fireman,” with Flood. All four Beatles loved alter egos: John went undercover as “Dr. Winston O’Boogie,” George as “L’Angelo Misterioso,” and Ringo as “Billy Shears.” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/y9.webp) The Traveling Wilburys **Better known as:** George Harrison (Nelson Wilbury), Bob Dylan (Lucky Wilbury), Tom Petty (Charlie T. Wilbury Jr.), Roy Orbison (Lefty Wilbury), Jeff Lynne (Otis Wilbury) **Peak era:** 1988 **Greatest hit:** “Handle with Care” on *Volume One* The best-case scenario for an alter-ego band. Five rock & roll legends, all struggling to get past their own fame, find a whole new kind of inspiration by posing as a down-home band of brothers. As the Wilburys, they wrote their liveliest tunes in years, sounding refreshed with the pressure off. The craziest part? Nobody planned a thing. George just wanted to bash out a quickie B-side with producer Jeff Lynne, but first he had lunch with Roy Orbison…then he needed to retrieve his guitar from Tom Petty’s house…until they all wound up in Bob Dylan’s garage studio in Malibu, whipping up a tune that turned out to be a gigantic classic hit, “Handle With Care.” They also banged out an album that didn’t have their real names anywhere on it. What happened?: The most accidentally perfect supergroup ever. See you at the end of the line, Nelson and Lefty. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/MF-DOOM.webp) MF DOOM **Better known as:** ? **Peak era:** 1999-2020 **Greatest hit:** *Madvillainy* Nobody ever did it like [MF Doom](https://rollingstonephilippines.com/tag/mf-doom/ "MF DOOM"), the British-American rap genius who spent his career making sure you never knew who he was. He kept flipping secret identities like a virtuoso card shark. The world first met the teenage Daniel Dumile as Zev Love X, from the tragically underrated early-Nineties crew KMD. But he came back as a supervillain in a metal mask, MF Doom, on his 1999 debut *Operation: Doomsday* — such a master of disguise he famously sent masked impostors to impersonate him for live shows. What happened?: The underground legend had one of the most eccentric yet influential careers in hip-hop, in his various incarnations: Madvillain (his duo with Madlib), King Geedorah (a three-headed dragon out to conquer the Earth), Viktor Vaughn, Metal Fingers, Danger Doom (with Danger Mouse). He tragically died on Halloween 2020, though it wasn’t announced until New Years Eve. But he exited the planet just as he lived — a total enigma to the end. *This article was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-lists/best-music-alter-egos-1235559571/jo-calderone-1235559599/).* ## Frequently Asked Questions ### What is a musical alter ego? A musical alter ego is an alternate persona or character created by a musician to explore distinct artistic styles, themes, or performance aesthetics beyond their primary identity. ### Why do musicians adopt secondary personas? Musicians adopt secondary personas to break creative constraints, bypass commercial expectations, explore alternative musical genres, or maintain anonymity while releasing experimental material into the market. ### Who was David Bowie’s most famous persona? David Bowie’s most famous persona was Ziggy Stardust, an orange-haired extraterrestrial rock star introduced on his acclaimed 1972 concept album The Rise and Fall of Ziggy Stardust. ### Did Garth Brooks record music as Chris Gaines? Yes, Garth Brooks recorded a 1999 rock album titled In the Life of Chris Gaines, adopting a fictional Australian rocker identity complete with a distinct visual transformation. ### What was Prince’s female alter ego named? Prince’s female alter ego was named Camille, a studio persona created by speeding up his vocal tracks to achieve a higher pitch on tracks like “If I Was Your Girlfriend.” Related Stories - [10 Albums from 2016 That Aged Better Than Anyone Expected](https://rollingstonephilippines.com/music/2016-albums-retrospective/ "10 Albums from 2016 That Aged Better Than Anyone Expected") - [5 RA Rivera Music Videos That Are Time Capsules of 2000s OPM](https://rollingstonephilippines.com/editors-picks/lists/ra-rivera-music-videos-2000s/ "5 RA Rivera Music Videos That Are Time Capsules of 2000s OPM") - [5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding](https://rollingstonephilippines.com/editors-picks/lists/5-moments-sb19-rewrote-p-pop-worldbuilding/ "5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding") **Categories:** Editor's Picks, Lists **Tags:** David Bowie, Garth Brooks, Kool Keith, Lady Gaga, MF DOOM, Paul McCartney, Prince, RZA, The Beastie Boys, Traveling Wilburys --- ### [Ranked: aespa’s 20 Best Songs (So Far)](https://rollingstonephilippines.com/music/pop/aespa-best-songs-ranked/) **Published:** May 28, 2026 **Author:** Pie Gonzaga **Excerpt:** With their newest album out on Friday, we look back at aespa’s catalog of supercharged and wildly fun hits and rank them **Content:** Forgive me for getting hyperbolic, but when [aespa](https://rollingstonephilippines.com/tag/aespa/ "Aespa") released the April trailer for their newly released album *[LEMONADE](https://rollingstonephilippines.com/tag/aespa-lemonade/ "Aespa Lemonade")* — out on May 29 — I rejected the idea that scientists cannot predict seismic events, because that trailer certainly felt like it was signaling an oncoming motherquake. “Imma have you shake-shakin’” the girls rap in the teaser, which features them strutting in bussdown wigs through studio sets of their past eras. The group’s maknae, Ningning, was given a lethal sidebang. I was, in fact, shaking. aespa holds a special place in [K-pop](https://rollingstonephilippines.com/tag/k-pop/ "K-Pop") as one of the only groups to maintain a consistent brand since they debuted in 2020 with “Black Mamba.” While others venture into different concepts and sounds, aespa has always been a little cyber-surrealist and mildly campy. Nearly six years into their career, and with their latest single “WDA (Whole Different Animal),” which features “King of K-pop” G-DRAGON, aespa is a lot more confident in surprising and weirding out their audience. Their catalog is always a joy to go through, but this is also what makes their songs so difficult to rank. Even their most divisive songs tend to contain at least one completely deranged production choice (like slurping) or a vocal hook that stays with you forever. So, from cybernetic club bangers to dreamy R&B-pop B-sides, these are the 20 best aespa songs that capture why they remain one of K-pop’s most exciting acts. 20 ‘Girls’ ![girls aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/girls-aespa-album-cover-1-1600x1600.webp) *Girls* album cover. Photo from aespa/Spotify “Girls” sometimes feels like three different songs fighting for dominance at once, with crunchy guitars, a string section, and a massive dance break in the bridge that make the whole song feel overproduced. Even so, its chanting “We them girls, we them girls, we them girls” makes the track a memorable one worthy of being put in this list. 19 ‘ICONIC’ ![savage aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/savage-aespa-album-cover-1600x1600.webp) *Savage* album cover. Photo from aespa/Spotify “ICONIC” is one of the least iconic of aespa’s songs, although it’s up there for being catchy and fun. Despite an almost cringy self-declaration of iconic-ness, the pop track, part of the group’s debut EP *Savage*, manages to convince the listener anyway that aespa is indeed “I-C-O-N-I-C.” 18 ‘Rich Man’ ![rich man aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/rich-man-aespa-album-cover-1600x1600.webp) *Rich Man* album cover. Photo from aespa/Spotify Borrowing loosely from Cher’s iconic quote about being the rich man she needs, “Rich Man” aims for glamorous bad-bitch rockstar energy through its overdriven guitars and swaggering attitude. aespa has done this vibe better elsewhere, but the commitment is still entertaining. 17 ‘Dreams Come True’ ![girls aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/girls-aespa-album-cover-1-1600x1600.webp) *Girls* album cover. Photo from aespa/Spotify aespa’s remake of S.E.S.’ 1998 song “Dreams Come True” modernizes the classic with trap-pop production while preserving the dreamy synth hook that made the original — itself adapted from the 1996 song “Like a Fool” by Finnish pop duo Nylon Beat — so beloved. It’s a nostalgia project done well. 16 ‘Illusion’ ![girls aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/girls-aespa-album-cover-1-1600x1600.webp) *Girls* album cover. Photo from aespa/Spotify “Illusion” remains one of aespa’s weirdest and most instantly memorable B-sides. Between the alarm intro and the slurping sounds, the song constantly threatens to derail itself, but remains catchy enough to be argued by some fans to be the deserving title track on the *Girls* EP. 15 ‘I’ll Make You Cry’ ![savage aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/savage-aespa-album-cover-1600x1600.webp) *Savage* album cover. Photo from aespa/Spotify “I’ll Make You Cry” is basically Winter and Ningning’s personal vocal Olympics. The sheer amount of belting borders on excessive, but it is exactly what makes the song so fun to *try* to sing along to. 14 ‘Black Mamba’ ![black mamba aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/black-mamba-aespa-album-cover-1600x1600.webp) *Black Mamba* single cover. Photo from aespa/Spotify aespa made its debut in the K-pop world in November 2020, amid the COVID-19 pandemic, with “Black Mamba,” an explosive track rife with synths and horns just brassy enough to herald the girl group’s arrival. 13 ‘Spicy’ ![my world aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/my-world-aespa-album-cover-1600x1600.webp) *My World* album cover. Photo from aespa/Spotify “Spicy” is a playful mean girl anthem, built around a nasty cheerleader-style beat that demands hair flips. The song briefly pushes them into girl-crush territory, brushing against the bratty confidence of their peers in ITZY (one thinks specifically of the grittier, SOPHIE-produced “24HRS”) while still keeping aespa’s sharper edge intact. 12 ‘Thirsty’ ![my world aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/my-world-aespa-album-cover-1600x1600.webp) *My World* album cover. Photo from aespa/Spotify “Thirsty” proves aespa can venture and excel outside their signature industrial pop sound. Floating over glossy 808s and glittery production, the song delivers the very specific sensation of feeling like the prettiest girl at the party. 11 ‘Hold On Tight’ ![tetris hold on tight aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/hold-on-tight-aespa-single-cover-1600x1600.webp) *Tetris* album cover. Photo from aespa/Spotify Dark synth-pop suits aespa so naturally that one cannot picture another K-pop girl group pulling off this track off the Apple TV film *Tetris*. With melodies borrowed from Russian folk songs “Kalinka” and “Korobeiniki,” which were used as the theme for the arcade game, “Hold On Tight” is sleek, dramatic, and genuinely addictive, especially with that brain-scratching arpeggiating bassline. 10 ‘Dirty Work’ ![dirty work aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/dirty-work-aespa-album-cover-1600x1600.webp) *Dirty Work* single cover. Photo from aespa/Spotify “Dirty Work” was a divisive one for fans because aespa avoided the vocal showboating that SM Entertainment’s singers are known for. Instead, the song is cold and controlled. The delivery is detached and icy, while the production brings in rock textures in its elastic basslines and punchy drum fills, which keep the track from collapsing into generic hip-hop-inspired pop. It’s a riskier song than people give it credit for, and MYs (the collective name for aespa fans) should be grateful that the girl group gave them a song to shake ass to in the first place. 9 ‘Lucid Dream’ ![savage aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/savage-aespa-album-cover-1600x1600.webp) *Savage* album cover. Photo from aespa/Spotify Even at their smoothest, aespa can’t resist making things slightly weird. “Lucid Dream” floats along a sultry R&B-pop groove, all soft melodies and dreamy textures, before suddenly warping itself with distorted vocals and a genuinely trippy bridge. It captures the surrealism of aespa’s early days without relying on the aggressive production choices of tracks like “Savage” or “Black Mamba.” Among their other beloved B-sides, this remains one of the clearest examples of how well the group balances beauty and weirdness. 8 ‘WDA (Whole Different Animal) (feat. G-DRAGON)’ ![wda aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/wda-album-cover-aespa-1600x1600.webp) *WDA (Whole Different Animal)* single cover. Photo from aespa/Spotify “WDA” is divisive largely because it asks listeners to meet aespa on barely-traveled terrain. Hip-hop isn’t new to aespa, but the song prioritizes talk-singing, rhythmic delivery, and attitude over huge vocal showcases in a way that underwhelmed some fans. But “WDA” is a strong comeback single exactly because it’s surprising. The track’s swagger is infectious, especially in the line, “Give me all smoke / gunpowder-powder woo!” G-DRADON evokes Kendrick Lamar in his delivery style, which shouldn’t fit aespa as naturally as it does, yet the group pulls it off through sheer force of charisma. 7 ‘YEPPI YEPPI’ ![savage aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/savage-aespa-album-cover-1600x1600.webp) *Savage* album cover. Photo from aespa/Spotify In “YEPPI YEPPI,” aespa channels bubblegum pop without sacrificing their weirdness, which really goes for much of *Savage*. Beneath the bright melodies and sugary energy is the same maximalist production style of their grittier tracks: pounding synths, beat switches, and little moments of chaos that keep the song from becoming too clean. It feels spiritually connected to f(x) while still sounding unmistakably like aespa. 6 ‘Savage’ ![savage aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/savage-aespa-album-cover-1600x1600.webp) *Savage* album cover. Photo from aespa/Spotify If someone asked what aespa’s early sound was supposed to feel like, the best answer would probably be “Savage.” The production is hyper-percussive, abrasive, and completely unlike anything else we’d heard from K-pop at the time. Every section feels like it’s trying to outdo the last, culminating in the immortal camp of lines like “I know your sacrifices” and “My Naevis, we love you” in the bridge. The song is ridiculous at times but still excellent, helped even more by choreography that, to this day, is burned into every fiber of every muscle in my body. When I hear “Gimme, gimme now / gimme, gimme now / zu zu zu zu,” I am activated like a sleeper agent. 5 ‘Flowers’ ![whiplash aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/whiplash-album-cover-aespa-1600x1600.webp) *Whiplash* album cover. Photo from aespa/Spotify One of aespa’s greatest strengths is that they know exactly when to soften their edges. “Flowers,” from the *Whiplash* EP, sees the group once more venturing into R&B-pop, with lush, shimmering guitars, airy melodies, and some of the strongest vocal performances in their catalog. There’s an Ariana Grande-like sweetness to the song, but aespa never loses their sense of coolness underneath all that gloss. It’s sultry without trying too hard, and summery. For a group known best for clanky (in a good way) cyber-pop, “Flowers” is proof that their softer moments can be just as compelling. 4 ‘Supernova’ ![armageddon aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/armageddon-aespa-album-cover-1600x1600.webp) *Armageddon* album cover. Photo from aespa/Spotify The synth bass on “Supernova” is genuinely filthy. It’s wavy, gritty, and constantly threatening to swallow the entire track whole, but aespa meets it with cold, slick vocal performances, full of little vocal fry embellishments that make the song feel even more smug. Then the bridge arrives, and the production is pared down into percussive, enveloped bass. Released ahead of *Armageddon*, aespa’s first full-length album, “Supernova” was an introduction to a new aespa: louder, stranger, and somehow even cooler than before. The music video, in which the girls wreaked havoc on a city with their superpowers, only made the era more iconic. 3 ‘Armageddon’ ![armageddon aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/armageddon-aespa-album-cover-1600x1600.webp) *Armageddon* album cover. Photo from aespa/Spotify “Armageddon” is the best of aespa’s slower-paced songs. The 2024 track proves that the girls can dial the intensity down without losing any charisma. The bouncy, swinging hip-hop beat gives the song a looser cadence than their usual dance-pop bombast, and members slip between coolness and full-on vocal flexing. The “oh-eyo-eyo” hook is catchy, and when matched with falsettos and runs over a restrained groove, you get one of aespa’s best songs ever. 2 ‘Next Level’ ![next level aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/next-level-aespa-single-cover-1600x1600.webp) *Next Level* single cover. Photo from aespa/Spotify There are hit songs, and then there are songs that put artists on everyone’s radar. “Next Level” did exactly that for aespa. With dizzying beat switches and towering belts, the song transformed a soundtrack cut from *Fast & Furious: Hobbs & Shaw* into something that is totally aespa’s own. It’s the perfect showcase for SM Entertainment’s obsession with vocals pushed to their theatrical limits, but it also captures the maximalist weirdness that would define aespa’s early years. “Black Mamba” introduced them; “Next Level” made them unavoidable. 1 ‘Whiplash’ ![whiplash aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/whiplash-album-cover-aespa-1600x1600.webp) *Whiplash* album cover. Photo from aespa/Spotify “[Whiplash](https://rollingstonephilippines.com/music/music-reviews/aespa-whiplash-review/)” is proof that aespa doesn’t have to prove anything anymore, if that makes sense. Instead of overloading the production with gimmicks or explosive drops, it’s restrained coolly on a thumping house-pop beat, muted horns tucked into the bassline, and the girls delivering every line with the confidence of artists who already know they’ve won. Vocal fry abounds. No fourth-generation girl group has really grown into their brand the way aespa has, and on “Whiplash,” the girls carry themselves with a cunty coolness that is, if not authentic (a notion I rebuke), at least believable. ## Frequently Asked Questions ### What is aespa’s best song? “Whiplash” is widely considered aespa’s best song, praised for its restrained house-pop production and the group’s confident, vocally distinct delivery. ### What was aespa’s debut song? aespa debuted in November 2020 with “Black Mamba,” an explosive synth-and-horns-driven track that established the group’s cybernetic, surrealist identity in K-pop. ### What is aespa’s most popular song? “Next Level” is aespa’s most commercially impactful song, transforming a Fast & Furious soundtrack cut-out into a maximalist K-pop anthem that made the group unavoidable. ### What genre is aespa’s music? aespa primarily operates in pop, blending industrial synths, dance-pop, and R&B-pop, creating a signature sound that sets them apart from most fourth-generation K-pop groups. ### Who are the members of aespa? aespa consists of four members — Karina, Giselle, Winter, and Ningning — who debuted under SM Entertainment in November 2020. Related Stories - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") - [Ranking Every Song from BTS’ ‘Arirang’](https://rollingstonephilippines.com/music/pop/ranking-every-song-from-bts-arirang/ "Ranking Every Song from BTS’ ‘Arirang’") - [25 Backstreet Boys Songs That Redefined the Boy Band Blueprint](https://rollingstonephilippines.com/editors-picks/lists/25-backstreet-boys-songs-that-redefined-the-boy-band-blueprint/ "25 Backstreet Boys Songs That Redefined the Boy Band Blueprint") **Categories:** Music, Pop **Tags:** Aespa, Aespa Lemonade, K-Pop --- ### [Every Song on VVINK’s Debut Album, From Least to Most Addictive](https://rollingstonephilippines.com/music/pop/vvink-most-addictive-debut-album-songs/) **Published:** May 29, 2026 **Author:** Elijah Pareño **Excerpt:** The FlipMusic girl group starts strong, gets weirder, and somehow becomes even more fun with every turn **Content:** Girl group [VVINK](https://rollingstonephilippines.com/tag/vvink/ "VVINK") launched their debut album *It Starts With A Wink* on May 28. With stars like Ben&Ben, Gian Bernardino of Cup of Joe, and many more songwriters from the P-pop scene in attendance, the celebration came with a full sensory blast, including a drum troupe and backing dancers. Once the music hit its cue, lead vocals Angelika, main vocals Jean, main dancer Odri, rapper Ayaka, and all‑rounder Mariel formed a dance circle onstage and showed what VVINK can do for the entire 14 tracks. TL;DR: P-pop should get ready for this group. *It Starts With A Wink* is an excellent debut album, full stop. Ranking the tracks is another story, because a record this packed needs a proper breakdown of the stylistic swings, the members’ versatility, and the themes tying it all together. Here’s the ranked run of *It Starts With A Wink* — minus the five interludes. These are the cuts that deserve your full, undivided attention. 9 ‘It’s A Rap’ ![It Starts With A VVINK](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/it-starts-with-a-wink-s-1600x1600.webp) *It Starts With A Wink* cover art. Photo from VVINK/Spotify VVINK goes full 8 Mile rap battle mode with every member trading verses, high‑belting bridges, and a chorus that never quite hits the album’s usual star power. As the closer, it’s an unsatisfying finish after a wild five‑track run midway through. When I need serotonin from VVINK, I skip this one. 8 ‘Ikaw Ikaw’ ![It Starts With A VVINK](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/it-starts-with-a-wink-s-1600x1600.webp) *It Starts With A Wink* cover art. Photo from VVINK/Spotify After a very maximalist run of tracks, “Ikaw Ikaw” sticks out like a sore thumb. The reverb‑heavy guitar solos overstay their welcome, and the back‑and‑forth belting doesn’t sell the adventure nor the emotion after so much joy elsewhere. On the bright side, sitting near the end helps as a calm down from all the maximalist production. 7 ‘Baduy’ ![Baduy VVINK](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/baduy-s-1600x1600.webp) “Baduy” single cover art. Photo from VVINK/Spotify Budots meets hyperpop here and VVINK doubles down on cheesy and camp in the best way: tiwtiw FX, bouncy snare‑kick combo straight out of Davao producer and budots pioneer DJ Love’s playbook. The crucial stumble is rapper Pio Balbuena crashing in to promote his TAMBAY clothing line mid‑verse, which sours an otherwise ridiculously fun track. There’s a massive disparity in terms of quality here where the budots parts have gelled well with the choruses while the rap parts of Balbuena doesn’t add to the flair this track already has. Remove the shameless plug and “Baduy” really thrives on its own camp. 6 ‘Tulala’ ![Tulala VVINK](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/tulala-s-1600x1600.webp) “Tulala” single cover art. Photo from VVINK/Spotify This is VVINK’s official debut single, released in July 2025, for better and, honestly, for worse. It’s good that they debuted with it because the production and delivery that “Tulala” harnesses are the core ideas of VVINK, both sonically and visually. At the same time, if you listen to this track in the context of the album, it doesn’t quite live up to the crazy run of songs that come right after it. I know, it still has the trap-instrumental curveballs, the glittery production that the group describes as “Y2K,” and the infectious “uh-oh!” ad-libs that eventually act as a motif throughout the album. But there’s no convincing me that this track is better than the rest of the record when it comes to the variety of songwriting quirks on display. 5 ‘Kailan Ka Aamin’ ![Kailan Ka Aamin VVINK](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/kailan-ka-aamin-s-1600x1600.webp) “Kailan Ka Aamin” single cover art. Photo from VVINK/Spotify “Para tayong may sariling mundo,” the girls sing, a philosophical intro to a tamer, fundamentals‑first P‑pop ballad. Written by FlipMusic mainstay Nica Del Rosario, “Kailan Ka Aamin” pushes VVINK vocally with a uniform sing‑song pop form and fewer chaotic production tricks. However, those vocal flourishes end up all over the place, where the delivery relishes on belts with one member singing after another to its own detriment. Compared with the brighter, more magnetic cuts, this one doesn’t hit the same. 4 ‘Tulog Pa Si Ganda’ ![It Starts With A VVINK](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/it-starts-with-a-wink-s-1600x1600.webp) *It Starts With A Wink* cover art. Photo from VVINK/Spotify The dance genres of Miami bass marries Jersey club in “Tulog Pa Si Ganda.” Members Jean and Mariel sing the verses as connective tissue so the track doesn’t jag or snap when it swings back into the chorus or flips genre gears. Thematically, it barely touches upon the concept of “dreams” instead you get a fever dream of dance music aggressively throwing you one massive snare drop. It’s the most hyper track that VVINK is involved in production‑wise and writing‑wise, but not their strongest explosive hook. 3 ‘Ikaw Lang Ang Kulang’ ![It Starts With A VVINK](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/it-starts-with-a-wink-s-1600x1600.webp) *It Starts With A Wink* cover art. Photo from VVINK/Spotify “Ikaw Lang Ang Kulang” harkens back to the 2010s pop music songwriting cues. While it still screams nostalgic to some faithful JaDine or Donnalyn Bartolome listeners, it is actually song VVINK could proudly hone on their own. The track opens on an arpeggiated synth line straight out of 2010s FlipMusic, which is a massive shoutout to chief producer Jumbo “Bojam” de Belen. VVINK slides into the style almost flawlessly. The chorus tags an intensely catchy “Yeah!” before Ayaka and Angelika fire tight, architectural rap verses. This is the part where VVINK’s got the P-pop formula perfectly. 2 ‘Tatlong Hiling’ ![Tatlong Hiling VVINK](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/tatlong-hiling-s-1600x1600.webp) “Tatlong Hiling” single cover art. Photo from VVINK/Spotify The second interlude ushers in the album’s elemental core, asking listeners to close their eyes and picture a beautiful world — then “Tatlong Hiling” turns it into a magic‑carpet ride. Jean and Ayaka lay melodically rich verses; the sparkly‑bright chorus counts up to wish number three and bursts into a candy‑coated hook. Think of Alladin’s energy to show you the whole world, but instead as a girl group playing genie, wishing for your smile. It’s peak chemistry and pizzazz for the album’s thesis: having fun in love. This is how quirky works. 1 ‘Pag-Ibig Fun’ ![It Starts With A VVINK](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/it-starts-with-a-wink-s-1600x1600.webp) *It Starts With A Wink* cover art. Photo from VVINK/Spotify The track is a pun on the government agency, and it rules. “Pag Ibig Fun” hits the bullseye with its chorus: “Ang pag‑ibig mo ay fun / ’cause I’m your only one.” This is a combination of the bit‑pop era of Kero Kero Bonito meeting Pinkpantheress U.K. garage 2‑step percussion with VVINK’s care-free delivery. It’s funny, charismatic, and very on‑brand for P‑pop’s core idea: it should be fun and packed‑to‑the‑brim with serotonin. Only VVINK could pull off something this catchy. If a Filipino pop fan wants something new and witty, start here. This is a quintessential entry point. ## Frequently Asked Questions ### Who is VVINK? VVINK is a 5-piece girl group that debuted back in May 2025 under the record label FlipMusic. ### What is the name of VVINK’s first album? VVINK’s first album is titled It Starts With A Wink. ### Where was VVINK’s first album launched? The launch of It Starts With A Wink was held at Robinsons Galleria. ### How many tracks does the album have? The album has 14 tracks in total. ### What are the roles of each VVINK member? The group consists of lead vocals Angelika, main vocals Jean, main dancer Odri, rapper Ayaka, and all‑rounder Mariel. Related Stories - [18 Filipino Dance Tracks That Capture the Spirit of Queerness](https://rollingstonephilippines.com/editors-picks/lists/18-queer-filipino-dance-tracks/ "18 Filipino Dance Tracks That Capture the Spirit of Queerness") - [BABY FREEZE Keeps it Unserious in the Pinoy Hip-Hop Scene](https://rollingstonephilippines.com/music/hiphop-rnb/baby-freeze-unserious/ "BABY FREEZE Keeps it Unserious in the Pinoy Hip-Hop Scene") - [DJ Love Doubles Down on the Bisaya Sound in ‘Budots World (Reloaded)’](https://rollingstonephilippines.com/music/music-reviews/dj-love-budots-world-reloaded-review/ "DJ Love Doubles Down on the Bisaya Sound in ‘Budots World (Reloaded)’") **Categories:** Editor's Picks, Lists, Music, Pop **Tags:** VVINK --- ### [22 Most Anticipated Movies at Cannes 2026](https://rollingstonephilippines.com/culture/film/cannes-2026-most-anticipated-movies/) **Published:** May 12, 2026 **Author:** David Fear **Excerpt:** From a doc on John Lennon’s final interview to Adam Driver chasing the American Dream (and Russian Mafia) — here are the big titles at this year’s festival **Content:** A black-and-white biopic on Thomas Mann that doubles as a father-daughter road-trip flick. Documentaries on Richard Avedon’s early career and John Lennon’s last interview, respectively. A South Korean thriller starring several of the country’s biggest stars, as well as the guy who played young Magneto in the X-Men films. A cryptic tale of xenophobia, paranoia, and the way that rumors lead to violence, featuring a bald Sebastian Stan. A drama about the early days of an epidemic in the 1980s, featuring a singing Rami Malek. A period-piece murder mystery set in feudal Japan involving a samurai and a prisoner, titled \[*checks notes*\] *The Samurai and the Prisoner.* These are just a few of the films set to premiere at the [79th annual Cannes Film Festival](https://rollingstonephilippines.com/tag/cannes-film-festival/ "Cannes Film Festival") starting May 12, as well as the latest works from bona fide auteurs like Pedro Almodóvar (*Bitter Christmas*), Nicolas Winding-Refn (*Her Private Hell*), Hirokazu Kore-eda (*Sheep in a Box*), Asghar Farhadi (*Parallel Tales*), and James Gray (*Paper Tiger*). There’s a lot of catnip for cinephiles in this year’s lineup, in other words. And after poring through the competition titles, the big-title galas, the Un Certain Regard sidebar and the affiliated fests that run alongside the Big Show, we’ve come up with a breakdown of the must-see movies playing Cannes 2026. Here are the 22 films we can’t wait to see. ## ‘All of a Sudden’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/All-of-a-Sudden.webp) Photo from Festival de Cannes/Official Website Director Ryusuke Hamaguchi (*Drive My Car*) makes his French-language feature debut with this drama about the growing bond between a nursing-home director (Virginie Efira) and a playwright (Tao Okamoto) dying of cancer. Based loosely on the book *You and I — The Illness Suddenly Got Worse,* which collected correspondence between a philosopher and medical anthropologist as they waxed poetic on life, death, and love, this sounds like the ideal project for the meditative filmmaker. It’s tempting to point out the irony of a nearly three-and-a-half-hour-long film being titled *All of a Sudden,* but what’s that old saying about no bad movie being too short and no cinematic masterpiece being too long? ## ‘Bitter Christmas’ ![Two women sit closely on a green sofa, looking off to the side; one wears a red turtleneck, the other a light green sweater in a cozy living room.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Bitter-Christmas.webp) Photo by Iglesias Mas/El Deseo The last time Pedro Almodóvar was at Cannes, he blessed us with his short *A Strange Way of Life* and answered a thousand ’shipping prayers regarding Pedro Pascal and Ethan Hawke. The Spanish auteur returns with a tale of two timelines, one involving a commercial director (Bárbara Lennie) dealing with the death of her mother circa the beginning of the 21st century; and another, more contemporary narrative centered around an author (Leonardo Sbaraglia) trying to work his way out of a bad case of writer’s block. The connection between the two and the cannibalistic nature of autofiction is what drives this melodrama, which the director admits is “the film where I’ve been cruelest with myself.” (This from the guy who made *Pain and Glory*!) The reviews out of Spain, where the movie’s already opened, have been divisive. ## ‘Avedon’ ![avedon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Avedon.webp) Photo ourtesy of Richard Avedon/Imagine Entertainment/Cannes To say that Richard Avedon has had a huge impact on modern photography would be the equivalent of saying Michael Jordan made people take note of the art of slam dunking — his portraitures completely changed the way we view not just the famous, the fashionable, and the powerful but the power of the form itself. Ron Howard now gifts us with a documentary on the man himself, which examines his life, legacy, and extraordinary facility with a lens; the *Apollo 13* director also apparently got his hands on a number of archival treasures, including a handful of never-seen-before Avedon shots. ## ‘Butterfly Jam’ ![A man and woman dance closely in a dimly lit kitchen, arms raised and focused expressions.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/ButterflyJam.webp) Photo by AR Content/Why Not Productions/Goodfellas The opening film of the Cannes-sanctioned side fest Director’s Fortnight, this English-language drama from Russian filmmaker Kantemir Balagov — who made the searing life-during-wartime parable *Beanpole* — stars Barry Keoghan and Riley Keough as the parents of a 16-year-old named Pyteh (Talha Akdogan). This immigrant kid works at the family diner in New Jersey and dreams of being a champion wrestler. Then Dad makes a rash decision that throws the whole clan into a tizzy, and the teen has to figure out how to navigate the emotional wreckage without falling apart himself. Monica Bellucci and Harry Melling co-star. ## ‘Club Kid’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Club-Kid.webp) Photo by [*I Love LA*‘s](https://rollingstonephilippines.com/tag/i-love-la/ "I Love LA") Jordan Firstman writes, directs, and stars in what sounds like a moving — and raucous — story of an underground club promoter who unexpectedly finds out that he’s fathered a son. His life is naturally upended when this party dude is forced to care for his offspring. The title has multiple meanings! If Firstman’s feature debut is as funny and IDGAF-filled as the Instagram videos that first helped this prolific multihyphenate make his name, this should be one of the more buzzed-about entries in Cannes’ Un Certain Regard section. Also on the dance floor: Cara Delevingne and *Babylon*‘s Diego Calva. ## ‘Diamond’ ![Man in a dark suit and fedora stands beside a green vintage convertible car.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Diamond.webp) Photo courtesy of CineSon Entertainment Speaking of triple threats, look who’s also hitting the Croisette with his latest turn behind the camera: Andy Garcia! The actor wrote and directed this neo-noir about a crime-solver named Joe Diamond, who down these mean Los Angeles streets must go, who is neither tarnished nor afraid, yada yada yada. It’s a passion project that Garcia has been working on for close to 15 years, and it sounds like a cross between an old-fashioned gumshoe tale and something slightly more metaphysical. Or, as Garcia’s character himself says (per the director), “Dreams are a way of escaping your reality, unless those dreams *are* your reality.” It sounds like the *Untouchables* star went through his Rolodex for the cast as well: Brendan Fraser, Bill Murray, Dustin Hoffman, Vicky Krieps, Demian Bechír, Rosemary DeWitt, Robert Patrick, Danny Huston. ## ‘The Diary of a Chambermaid’ ![Woman in a blue long-sleeve shirt and blue headscarf attaches a tag to a large decorated egg sculpture on a mantel.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/JOU2238-1.webp) Photo from Festival de Cannes/Official Website Chances are good that by the time you finish reading this blurb for the new film by Romanian director Radu Jude (*Do Not Expect Too Much From the End of the World*), he will have likely made three more; this puckish provocateur seems to be pumping out darkly funny, form-shattering movies at an insane rate. He’s now decided to take on Octave Mirbeau’s classic, oft-filmed story of young woman who takes a job as a servant in a rich, decadent household — but like his recent addition to the cinematic *Dracula* canon, it’s not an adaptation of a literary work so much as an anything-goes riff on social issues that uses the book as a starting point. Yes, a Romanian maid (Ana Dumitrascu) is hired by a family in Bordeaux. But she also becomes involved with a local theater company who’s putting on a production of *The Diary of a Chambermaid,* which makes her rethink her place in the world. Things allegedly only get more meta from there. It should be one of the gems of this year’s especially strong Director’s Fortnight section. ## ‘Fatherland’ ![Two serious-looking people sit at a table with glasses in front of them; a woman in a dark blazer and a man in a light suit lean forward, while a third person sits blurred in the background.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Fatherland.webp) Photo by Agata Grzybowska/Mubi *Project Hail Mary* standout and expert Harry Styles interpreter Sandra Hüller co-stars in this biopic about author Thomas Mann, which concentrates on the exiled *Death in Venice* author taking a road trip from West Germany to East Germany during the height of the Cold War. Speaking of road trips: Mann is played by none other than Hanns Zischler, star of Wim Wenders’ 1976 classic *Kings of the Road*; Hüller plays his adult daughter and traveling companion, Erika Mann. And speaking of the Cold War: This is directed by Pawel Pawlikowski, the extraordinary Polish filmmaker behind *My Summer of Love, Ida,* and — wait for it — the historical romantic drama *Cold War,* which won Pawlikowski the Best Director award at Cannes in 2018. ## ‘Fjord’ ![A family of seven posing together by a small harbor with colorful houses and mountains in the background.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Fjord.webp) Photo from Mobra Film/Official Website A couple (Sebastian Stan and [Renate Reinsve](https://rollingstonephilippines.com/culture/reviews/sentimental-value-review/ "The Rage and Small Pleasures of ‘Sentimental Value’")) move with their family to her small hometown in Norway. Soon, rumors begin to swirl around the village regarding the way these new residents behave with their kids; the fact that he’s Romanian only seems to fuel the locals’ mistrust. Any new work from Cristian Mungiu (*4 Months, 3 Weeks and 2 Days*) is reason enough to get excited, but the combination of these actors, this filmmaker, and a scenario brimming with mistrust, paranoia, and good old-fashioned fear of the other is enough to cause uncontrollable salivating. [Neon](https://rollingstonephilippines.com/tag/neon/ "Neon") has already picked it up for distribution, so expect to hear a lot about this film as the year progresses. ## ‘Gentle Monster’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Gentle-Monster.webp) Photo Frederic Battier/Film AG Folks may remember *Corsage,* Marie Kreutzler’s 2022 historical drama that portrayed Empress Elisabeth of Austria as a feminist icon and punk-as-fuck subversive. The filmmaker comes back to Cannes with this dual tale of women under the influence of troubled men, as a pianist (Léa Seydoux) and a special investigator (*Kleo*‘s Jella Haase) struggle to deal with a burnt-out spouse and an ailing dad, respectively. Call it a hunch, but something tells us the monsters here will not turn out to be gentle ones. ## ‘Her Private Hell’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Her-Private-Hell-1.webp) Photo from Neon/Official Website Welcome back, Nicolas Winding Refn! The Danish writer-director who never met a wound he didn’t wanna poke pops up at Cannes with his first movie in a decade (and his first long-form project since the 2022 Netflix series *Copenhagen Cowboy*), centered around a production of a female-centric sci-fi blockbuster. It just so happens that a serial killer has been targeting women near the hotel where the cast is staying, which makes the actors more than a little nervous. Knowing NWR, the plot will likely go to some strange, surreal, and extremely neon-lit places. The cast includes Sophie Thatcher, Havana Rose Liu, [Charles Melton](https://rollingstonephilippines.com/culture/tv/beef-season-2-netflix-winners-losers/ "The Winners and Losers of ‘Beef’ Season 2"), Dougray Scott, and Diego Calva (who, between this and *Club Kid,* may end up being the Parker Posey of this year’s Cannes). ## ‘Hope’ ![Woman aiming a rifle from a car window during a dusty street action scene.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/HOPE.webp) Photo from Plus M Entertainment/Official Website A strong contender for the film coming into Cannes 2026 with the loudest buzz, this thriller from Na Hong-jin (*The Chaser, The Wailing*) finds a small town named Hope Harbor on high alert after a tiger is reportedly spotted in the area. A police chief prepares to confront the emergency of a predator running wild among the population, although it soon becomes clear that something far more sinister may be going on. The cast is a mix of both South Korean actors like superstar Hwang Jung-min (*A Bittersweet Life*) and international names like Michael Fassbender, Alicia Vikander, *Mindhunter*‘s Cameron Britton, and *Bones and All*‘s Taylor Russell. The vibe is supposedly a cross between relentless and batshit. ## ‘I See Buildings Fall Like Lightning’ ![Group of friends dancing and laughing at a birthday party under a 'Happy Birthday' banner.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/3_ISBFLL-DAY7-0595.webp) Photo by Moonspub Films/BBC Films British filmmaker Clio Barnard tackles Keiran Goddard’s 2024 novel about five middle-class kids in Birmingham who all harbor big dreams of endlessly bright futures. Cut to their thirties, and things haven’t turned out as they planned, i.e. like most people’s lives. Tragedy also lurks right around the corner. We’re huge fans of Barnard’s past work, notably *The Arbor* and *The Selfish Giant*, and this sounds like the perfect match of artist and material. ## ‘John Lennon : The Last Interview’ ![Two people sit on a white couch: an adult reading a newspaper, a child beside them looking at a device or paper in a dim living room setting with a coffee table in front.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Lennon-Last-Inteview.webp) Photo courtesy of Kishin Shinoyama On Dec. 8, 1980, John Lennon and Yoko Ono were spending the day doing interviews to promote their new album *Double Fantasy*, including a cover story with the very publication you’re reading right now, as well as a long sit-down with a crew recording a chat for radio. By the end of the evening, Lennon would be murdered in front of his apartment building. Steven Soderbergh not only interviews a number of people who were there that day and witnessed a truly terrible historical moment. He also plays a good deal of that last conversation for the first time, giving us a chance to hear some of the musician’s thoughts on where he was — musically, creatively, personally — before his life was tragically cut short. ## ‘The Man I Love’ ![Man with wet hair resting his arm on the bathtub edge, looking to the left.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/The-Man-I-Love.webp) Photo by Jac Martines Meet Jimmy George (Rami Malek), an entertainer who’s made a name for himself in the downtown New York scene circa 1984. He’s also been diagnosed with AIDS, right at the moment when the epidemic is beginning to seriously escalate. But George refuses to go gently into that good night, and vows to keep performing until he can no longer rage against the dying of the light. Filmmaker Ira Sachs (*Passages*) has been wanting to make this tribute to those artists who fought against public prejudices and government neglect during the disease’s horrifying first wave for close to a decade, and though Malek performs a few showstopping numbers, the film isn’t (as previously reported) a musical. But it is a [“very personal film,”](https://www.hollywoodreporter.com/movies/movie-features/rami-malek-ira-sachs-the-man-i-love-cannes-exclusive-1236589502/) Sachs admits, adding that while he was struck by the loss in this story that reflected the experience of so many real-life members of the LGBTQ community, “I was also struck by the strength.” ## ‘Paper Tiger’ ![Group of adults inside a home greeting each other; a man in a suit shakes hands with a woman on the right as others watch.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Paper-Tiger.webp) Photo from Neon/Official Website One of the more star-studded entries in this year’s festival, this tale of crime, punishment, and familial crises finds writer-director James Gray solidly in his comfort zone. Adam Driver and Miles Teller are brothers who go into business together and think they’ve got the perfect recipe for the American Success Story. Enter the Russian Mafia and, well, things get complicated. Scarlett Johansson is on hand as well. A late addition to Cannes’ competition lineup, it’s easily *the* most anticipated movie among both the awards-season reporters and fans of gritty, genre-inflected movies with a strong sense of character. ## ‘Parallel Tales’ ![Woman with round glasses and brown hair reads a stack of papers at a cluttered desk.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Parallel-Tales.webp) Photo from Memento Production/Official We Iranian filmmaker Asghar Farhadi (*A Separation*) is said to have drawn inspiration from Krzysztof Kieslowski’s *The Decalogue* — specifically, the “thou shalt not commit adultery” episode — for his story about a writer (the mighty Isabelle Huppert) who begins watching her neighbors in order to overcome a creative block. She’s also hired a handsome young assistant (Adam Bessa), a move that will turn out to have some chaotic ramifications around the household. Virginie Efra, Catherine Deneuve, and Vincent Cassel co-star. ## ‘The Samurai and the Prisoner’ ![Man in traditional kimono stands on a platform addressing a crowd of seated samurai.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Samurai.webp) Photo form Part old-school *chambara* and part murder-mystery whodunnit, the new film from Kiyoshi Kurosawa (*Cure, Pulse, Cloud*) follows a rogue samurai (Masahiro Motoki) who’s barricaded himself in a castle while fighting off his former lord’s army. Then someone is murdered inside this makeshift fortress, and the warrior must enlist a prisoner (Masaki Suda) who is an excellent military strategist to help identify the killer before he or she strikes again. ## ‘Sheep in the Box’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/SHEEP-IN-THE-BOX-Main-Still.webp) Photo from Neon/Official Website A grieving set of parents adopt an android that looks and speaks exactly like their late son. It’s the sort of scenario that screams *Black Mirror* episode, and not exactly what you’d expect from Japanese filmmaker Hirokasu Kore-eda (*Shoplifters, After Life, Still Walking*), even if he did once make a movie about [a sex doll that comes to life](https://www.youtube.com/watch?v=QeMfPUOZuy8). But the former Palm d’Or winner has long specialized in poignant stories of families in crisis and everyday people finding the strength to endure punishing twists of fate. This sounds like a chance for him to explore grief, loss, and healing with just a hint of science fiction drizzled on top. ## ‘Teenage Sex and Death at Camp Miasma’ ![Two women sit indoors in warm, amber lighting; the woman on the left wears glasses and looks down, while the woman on the right looks to the side with wavy blonde hair.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Sex-and-Death.webp) Photo from Mubi/Official Website Opening the Un Certain Regard section, the latest from cult filmmaker [Jane Schoenbrun](https://rollingstonephilippines.com/tag/jane-schoenbrun/ "Jane Schoenbrun") (*I Saw the TV Glow*) follows a queer director (Hannah Einbinder) who nabs the plum assignment of remaking-slash-rebooting a classic slasher-flick franchise. Her dream is to get the original film’s lead actor (Gillian Anderson) involved in this new production; when the star agrees to participate, however, things begin to get weird. Very, *very* weird. Schoenbrun has said that they wanted this valentine to Eighties gorefests feel like a movie “I wish existed when I was a kid… a ‘sleepover classic’ that beckons to unsuspecting viewers from the horror section at the local video store.” [*SNL*’s](https://rollingstonephilippines.com/culture/tv/olivia-rodrigo-hosting-snl-highlights/ "The Highs and Lows of Olivia Rodrigo Hosting ‘SNL’") Sarah Sherman, *Severance*’s Zach Cherry, *Sorry Baby*’s Eva Victor, and *Scream 7*’’s Jasmin Savoy Brown co-star. ## ‘The Unknown’ ![Crowd at a neon-lit party dancing behind a barrier with colorful streamers and blue LED lights gradually illuminating the scene.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/The-Unknown.webp) Photo from Neon/Official Website If the name Arthur Harari rings a bell, it’s probably because he co-wrote *Anatomy of a Fall* with his partner, filmmaker Justine Triet. He also collaborated with his younger brother, Lucas, on the 2024 graphic novel *La cas David Zimmerman,* about a photographer who sleeps with a woman on New Year’s Eve and wakes up in her body. But despite some narrative similarities, Harari’s latest directorial effort isn’t an adaptation — rather, it’s what he dubs “an outgrowth of the comic,” with Léa Seydoux and Niels Schneider playing their own variation on this scenario. How different or similar the two works are is, as of press time, completely unknown. \[*Rimshot*\] But we’re excited regardless. ## ‘Victorian Psycho’ ![Woman in a dark period dress standing at a classroom desk, with a globe and chalkboard behind her.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Victorian-Psycho.webp) Photo from Bleecker Stre/Official Website We do love a Gothic thriller, and this Un Certain Regard entry from Zachary Wigon (*Sanctuary*) sounds like a doozy: The year is 1853. The setting is Ensor House, a remote manor filled with properly dark hallways and shadowy corners. The latest addition to the estate’s staff is one Winifred Notty (*Longlegs*‘ Maika Monroe), a governess. Strange things are afoot shortly after her arrival, which may or may not be a coincidence. Given our deep knowledge of this subgenre and the evocative title, we’re gonna opt for “not a coincidence.” Also skulking around in various states of 19th-century gloom: Thomasin Mckenzie, Jason Isaacs, Ruth Wilson, and *Hamnet*‘s Jacobi Jupe. *This article was originally published on **[rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-lists/cannes-2026-most-anticipated-movies-1235552640/ "rollingstone.com")**.* ## Frequently Asked Questions ### When does the 2026 Cannes Film Festival take place? The 79th annual Cannes Film Festival begins on May 12, 2026. The multi-day event showcases international cinema across several competition categories, galas, and parallel sidebar festivals. ### Which directors are premiering new films at Cannes 2026? Major auteurs premiering works at Cannes 2026 include Pedro Almodóvar, Ryusuke Hamaguchi, Nicolas Winding Refn, Asghar Farhadi, Hirokazu Kore-eda, James Gray, and Steven Soderbergh. ### What is the opening film for the Director’s Fortnight sidebar? Kantemir Balagov’s English-language drama Butterfly Jam, starring Barry Keoghan and Riley Keough, serves as the official opening film for the Cannes-sanctioned Director’s Fortnight section in 2026. ### What is Pedro Almodóvar’s new movie Bitter Christmas about? Bitter Christmas is a dual-timeline melodrama exploring autofiction through a commercial director mourning her mother and a contemporary author struggling with a severe case of writer’s block. ### Does Steven Soderbergh’s John Lennon documentary air at Cannes 2026? Yes, Steven Soderbergh premieres John Lennon: The Last Interview at Cannes 2026, featuring never-before-heard audio from the late musician’s final interview recorded on December 8, 1980. Related Stories - [‘It Will Make You Feel History’: Cast Speaks On Lav Diaz’s Cannes Film ‘Magellan’](https://rollingstonephilippines.com/culture/film-tv/cast-speaks-on-lav-diaz-cannes-film-magellan/ "‘It Will Make You Feel History’: Cast Speaks On Lav Diaz’s Cannes Film ‘Magellan’") - [10 Filipino Films Turning 10 In 2026](https://rollingstonephilippines.com/culture/philippine-cinema/10-filipino-movies-turning-10-2026/ "10 Filipino Films Turning 10 In 2026") - [‘Parasite’ and the Problems of a ‘Best Movies’ List](https://rollingstonephilippines.com/editors-picks/commentary/parasite-nytimes-best-movie-list/ "‘Parasite’ and the Problems of a ‘Best Movies’ List") **Categories:** Culture, Film --- ### [When A Filipino Mermaid VR Film Went to Cannes](https://rollingstonephilippines.com/culture/philippine-cinema/yellowfin-cannes-filipino-vr-film/) **Published:** May 28, 2026 **Author:** Mel Wang **Excerpt:** "Yellowfin" made history this year as the first Filipino VR film to compete in the Cannes Film Festival’s Immersive Competition **Content:** Throughout her career, [Aly Cabral](https://rollingstonephilippines.com/tag/aly-cabral/ "Aly Cabral") has worn many hats: she’s been a vocalist, a DJ, a sound engineer for queer collective [ELEPHANT](https://rollingstonephilippines.com/tag/elephant/ "ELEPHANT"), an award-winning film composer, and the list goes on. And now for *[Yellowfin](https://rollingstonephilippines.com/tag/yellowfin/ "Yellowfin")*, the first Filipino VR film to screen at the [Cannes Film Festival](https://rollingstonephilippines.com/tag/cannes-film-festival/ "Cannes Film Festival"), Cabral became a mermaid. This year, *Yellowfin*, written and directed by E del Mundo, was among the only nine films to compete under the festival’s Immersive Competition. This made it the first Southeast Asian and Filipino project to compete in the category. Running at roughly 12 minutes long, *Yellowfin* centers on Popi (Eduardo Kawasan Jr.), who’s just returned home to his coastal village after spending years in an Indonesian prison. Detached from his old life, Popi finds himself searching for meaning in the Celebes Sea. There, things take a turn for the surreal when he rescues a stranded Indonesian coast guard, finds hidden treasure, and meets an injured mermaid (Cabral). The film was produced by Screen Asia and Create Cinema. > [View this post on Instagram](https://www.instagram.com/reel/DYZb4pux0dU/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Screen Asia (@\_screenasia)](https://www.instagram.com/reel/DYZb4pux0dU/?utm_source=ig_embed&utm_campaign=loading) “It’s not traditional cinema the way we know it,” Cabral told *Rolling Stone Philippines*. “It’s virtual reality, so you need to wear VR goggles to watch it. It was screened in an open space, with everyone looking behind and above and to the sides because it was shot with a 360-degree camera. No dialogue, too, or super minimal lang. It was built to be immersive.” Although this isn’t the first time Cabral has worked on a film (she and her brother Moe collaborated on the score for *[Some Nights I Feel Like Walking](https://rollingstonephilippines.com/music/aly-cabral-petersen-vargas/ "Aly Cabral on Crafting Budots, Noise, and Pop for Petersen Vargas’ Queer Filipino Film")*), it did push her a little out of her comfort zone. “Usually I’m not the actor, and even though I made the music for \[*Yellowfin*\], I was working more on my acting,” she said. “For this, mas naging matrabaho ‘yun kasi I had to take mermaid training. I was lucky I took a diving course before I knew I was going to be part of the film; so when I was asked to be part, parang sumakto lang na I already knew the basics of diving. Production just needed to improve my skills and teach me how to swim with a silicone tail.” But it wasn’t easy for Cabral to learn how to be a mermaid while the production team shot the film in General Santos’ waters. “\[The tail\] took a lot of getting used to,” she recalled. “The tail was heavy, and it would make everything from the waist down sort of float, so it was a bit of a challenge. But that was why they really trained me, so I could get used to having the tail on underwater.” ## How Do You Get to Cannes? ![aly cabral](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/photo_2026-05-28-130249.webp) Aly Cabral on the red carpet at Cannes for *Yellowfin*. Photo courtesy of Aly Cabr Cabral couldn’t believe it when she got the call from her producers that *Yellowfin* had been selected to compete at Cannes. “I was in disbelief the whole time,” she said. “I think we were just told a few weeks before we flew out, and that’s considered an *early* announcement for Cannes. \[W\]e really didn’t expect the film to \[be selected\]. Our producer even told me that we submitted *Yellowfin* just two minutes before the application deadline.” Despite the good news, Cabral and the rest of the production team needed to scramble to get everything in order to head to Cannes. “We had to rush everything, especially the visas,” she said. “I’m glad we made it, even if we didn’t really have full institutional support. Most of the funds, we took from our own pockets, from some of the production team’s pockets. I had to work really hard to make it to that red carpet.” ![Cannes Yellowfin](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/photo_2026-05-28-130304.webp) “We really pushed mountains to make it to Cannes.” Photo courtesy of Aly Cabral While Cabral acknowledged that there had been some financial support from the Film Development Council of the Philippines and [Tarzeer Pictures](https://rollingstonephilippines.com/tag/tarzeer-pictures/ "Tarzeer Pictures"), she also noted how the extra costs of finding accommodation in France and purchasing flight tickets really proved to be a challenge for her and the *Yellowfin* team. “We really pushed mountains to make it to Cannes,” said Cabral. However, all that hard work paid off for Cabral and the seven other team members who made it to the festival. “It was so surreal,” the actress recalled. “I was waking up in the morning, and then immediately watching, like, a Pedro Almodóvar film. And then brunch, and then another film. And then I hit the red carpet, which was the same one that Rami Malek and Demi Moore were on.” No details have yet to be released regarding a Philippine immersive screening of *Yellowfin*. But Cabral noted that the experience of working on the film, as well as helping promote it and watching it compete at this year’s Cannes, is a clear milestone in her creative career. “I never imagined in my life that I would be in this position,” she said. ## Frequently Asked Questions ### What is “Yellowfin” about? Yellowfin is a 12-minute Filipino VR film about a man named Popi who returns to his coastal village and encounters strange and magical events in the Celebes Sea, including meeting a mermaid. ### Why is “Yellowfin” important? Yellowfin is the first Filipino and Southeast Asian VR film to compete in the Cannes Film Festival’s Immersive Competition. ### Who is Aly Cabral in the film “Yellowfin”? Aly Cabral plays an injured mermaid in Yellowfin. She also worked on the film’s music. ### What challenges did Aly Cabral face while filming “Yellowfin”? Cabral had to undergo mermaid and diving training and learn how to swim underwater using a heavy silicone tail. ### How did the “Yellowfin” team get to Cannes? The team rushed to prepare visas and travel arrangements after learning the film was selected just before the deadline. Some members even used their own money to fund the trip. ### What makes “Yellowfin” different from traditional films? Yellowfin is a virtual reality film that uses 360-degree cameras, allowing viewers to experience the story through VR goggles in an immersive way. Related Stories - [22 Most Anticipated Movies at Cannes 2026](https://rollingstonephilippines.com/culture/film/cannes-2026-most-anticipated-movies/ "22 Most Anticipated Movies at Cannes 2026") - [Aly Cabral on Crafting Budots, Noise, and Pop for Petersen Vargas’ Queer Filipino Film](https://rollingstonephilippines.com/music/aly-cabral-petersen-vargas/ "Aly Cabral on Crafting Budots, Noise, and Pop for Petersen Vargas’ Queer Filipino Film") - [For Aly Cabral, Survival as a Cultural Worker Means Starting From the Roots](https://rollingstonephilippines.com/culture/aly-cabral-cultural-worker/ "For Aly Cabral, Survival as a Cultural Worker Means Starting From the Roots") **Categories:** Culture, Film, Philippine Cinema **Tags:** Aly Cabral, Cannes Film Festival, Yellowfin --- ### [Deborah on Poppers, Lesbian Cruise, and ‘Hacks’ Gayest Moments](https://rollingstonephilippines.com/culture/hacks-gayest-moments/) **Published:** May 12, 2026 **Author:** Christian San Jose **Excerpt:** In honor of the gayest episode of “Hacks” yet, we’re revisiting some of the series’ most gay-coded moments, from the lesbian cruise takeover to the roast of Deborah Vance **Content:** Move over, *[Black Mirror](https://rollingstonephilippines.com/tag/black-mirror/ "Black Mirror")*’s “San Junipero,” the lesbian canon just got a new classic with *[Hacks](https://rollingstonephilippines.com/tag/hacks/ "Hacks")*’ latest episode, “Montecito.” The Ava-Deborah sapphic ship has come a long way since Season 1 Episode 7, when Ava first kissed Deborah — in a dream. “Montecito” goes full-on gay as Deborah pretends to be a couple with Ava for a weekend in the affluent Californian coastal neighborhood. Deborah takes a nightmare, where she performs naked before hundreds of her sister Kathy for an audience as an omen about her outfit for her Madison Square Garden show. She consults her psychic, who says she has a vision of Deborah in white slacks and “sparkles up the wazoo,” which turns out to be Carol Burnett’s look for her final show designed by Bob Mackie, who says a fellow comedian, who shall not be named (one of Deborah’s comic enemies, out and proud Kelly Kirkpatrick played by a steely cool Cherry Jones), got it from an auction. To get in Kelly’s good graces, Deborah spends a weekend at her Montecito home with Ava in tow as her — get this — girlfriend. ![leslie bibb cherry jones hacks season 5 episode 7](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/leslie-bibb-cherry-jones-hacks-season-5-episode-7.webp) Leslie Bibb and Cherry Jones star in the latest episode as a lesbian couple. Photo from Hacks/Instagram The episode, which may soon find its way to *Hacks*’hall of fame, not only solidifies the Ava-Deborah sapphic theory (even if it’s all pretend), it also has some of the best guest appearances of the season from Mackie’s cut-throat delivery of the line “Deb, if I do something for you, I gotta do something for Cher. Then the next thing you know, [Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter") is outside my door with a sewing machine and a gun,” to Leslie Bibb’s genius portrayal of Jones’ Kelly’s trophy wife and a potent distraction to Ava, who’s in a make-believe monogamous relationship with Deborah (“We know Sia”). Their gayest time aside, Ava and Deborah work out their trust issues with the lesbian wisdom of Kelly and Monica, who, themselves, appear to be a fully realized gay version of our funny girls (I mean, hello, closet and bob?!). This is, of course, not the first time *Hacks* featured a humorous yet nuanced portrayal of the [LGBTQIA+](https://rollingstonephilippines.com/tag/lgbtqia/ "LGBTQIA+") community. Here, we list down other *Hacks* moments that could rival the insane, laugh-out-loud episode that is “Montecito”. ## Lesbian Cruise ![hacks season 2 episode 4 lesbian cruise](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/hacks-season-2-episode-4-lesbian-cruise.webp) Ava and Deborah make a humiliating exit from the lesbian cruise. Photo from HBO Max As if a Margaret Cho cameo wasn’t enough, Episode 4 of Season 2 gives us Deborah singing “I Am Woman” and Ava giving her a lesson on queer theory. Their humiliating ejection from the cruise aside, Ava arrives at the ultimate realization that Deborah’s orientation isn’t gay or straight: “It’s egomaniac.” Ah! And Ava dancing to K.D. Lang while on molly! On a dinghy! ## The Roast of Deborah Vance ![Woman in a pink feathered dress hosting at a glamorous stage, standing behind a microphone and smiling. hacks kaitlin olson dj vance](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/hacks-season-3-epsiode-3-dj-vance.webp) DJ Vance surprises everyone at The Roast of Deborah Vance. Photo from HBO Max Roasts originated from “reading,” a staple of the ballroom culture, and DJ Vance is its newest scholar in Episode 3 of Season 3. Deborah’s daughter is on a mission to humiliate her mom in her own roast, and to everyone’s surprise, she nails it, even outdoing Mario Cantone. In DJ’s own — and totally not copied from a joke book — words, “What a cunt!” ## Republican Mommy ![Woman with shoulder-length red hair in a red top standing outdoors with greenery behind her. hacks christina hendricks](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/hacks-christina-hendricks.webp) Christina Hendricks makes a special guest appearance in Season 3 as a Republican dom. Photo from HBO Max “Montecito” is not the first time Ava did RPG for Deborah. Episode 6 of Season 3 got her playing a caddy at a golf retreat that Deborah infiltrated to grease up the men deciding who gets to host *Late Night*. But along the way, Ava attracts a kinky dom Republican redhead played by Christina Hendricks. If “Montecito” had A-S-S, this episode had “P-I-S-S” and the now-iconic line, “I would happily let a socialist pee on me!” ## Drunk Damien ![hacks season 4 episode 4 deborah damien](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/hacks-season-4-episode-4-deborah-damien.webp) Damien gets drunk for the first time (allegedly) and goes all-out TMI on Deborah about his gay experience in L.A. Photo from HBO Max Adjusting to being an L.A. gay is hard, drunken Damien opens up to Deborah at a post-celebratory dinner after the airing of her first *Late Night* episode in Episode 4 of Season 4. In his longest dialogue to date, we finally get a glimpse of the inner life of Deborah’s tragically hairless assistant, who famously said, “I need an ass the size of a house!” Damien Asada Agosto, you will always be famous. ## Deborah on Poppers ![hacks season 4 episode 4 deborah poppers](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/hacks-season-4-episode-4-deborah-poppers.webp) Deborah moments before she was rushed to the hospital on the night her first *Late Night* episode airs. Photo from HBO Max The same episode that brought us Damien’s highlight reel gave us caged Deborah. After agreeing to go to a go-go bar, where she proves her theory from the lesbian cruise that gays love her, Deborah steps into a cage as requested by her fans. And what does our diva get in return? A sniff of potent poppers that sent her to the ER. Gays, do better. ## Cher, or the refusal thereof Season 4 saw plenty of star guests: Katie Couric, Seth Rogen, Rosie O’Donnell, Carol Burnett, and Jimmy Kimmel, to name a few. But one dream guest proved elusive for *Hacks* co-creator Paul W. Downs: Cher. At least twice in Season 4, we hear of Cher refusing to appear on *Late Night,* and it seems negotiations were also rolling IRL, as early as Season 1. Downs tells Kimmel in his show, “Now, people usually say, ‘I love the show, but respectfully, I don’t have time.’ And so we said, ‘Is there any feedback? Can we change the script?’ And her manager said, ‘Well, this is the quote from Cher: I don’t want to do it.’” If there’s anything gayer than Cher, it’s Cher’s absence and the press that still generates. ## Frequently Asked Questions ### What is the Montecito episode in Hacks? The Montecito episode features Deborah Vance and Ava pretending to be a couple during a weekend getaway to acquire a Bob Mackie dress from comedian Kelly Kirkpatrick. ### Does Deborah Vance identify as queer in Hacks? Deborah Vance’s sexual orientation is presented ambiguously throughout the series, with co-protagonist Ava famously concluding that Deborah’s primary orientation is simply that of an egomaniac. ### What happens in the Hacks lesbian cruise episode? In Season 2, Episode 4, Deborah sings “I Am Woman” on a lesbian cruise before being ejected, while Ava receives a crash course in queer theory. ### Why did Deborah Vance end up in the ER on poppers? In Season 4, Episode 4, Deborah visits a gay go-go bar, dances in a cage, and accidentally inhales strong poppers offered by fans, resulting in emergency hospitalization. ### Did Cher appear as a guest star on Hacks? Cher did not appear on Hacks, as her management declined the cameo; the creators subsequently turned her absence into a recurring off-screen running joke. Related Stories - [D’Jewelry, ‘Mall Girl,’ and All the Loose Ends ‘Hacks’ Season 5 Has Tied, So Far](https://rollingstonephilippines.com/culture/hacks-season-5-ep-4-5-recap/ "D’Jewelry, ‘Mall Girl,’ and All the Loose Ends ‘Hacks’ Season 5 Has Tied, So Far") - [‘Hacks’ Recap: Then AI Came for the Comedians](https://rollingstonephilippines.com/culture/tv/hacks-s05e03-ai-comedy/ "‘Hacks’ Recap: Then AI Came for the Comedians") - [‘Hacks’ Season 5, Episode 3 Recap: Has Deborah Vance Gone Soft? ](https://rollingstonephilippines.com/culture/tv/hacks-season-5-episode-3-recap/ "‘Hacks’ Season 5, Episode 3 Recap: Has Deborah Vance Gone Soft? ") **Categories:** Culture, TV **Tags:** Hacks, LGBTQIA+ --- ### [Two Acclaimed South Korean Horror Films Are Heading to PH Cinemas](https://rollingstonephilippines.com/culture/film/colony-salmokji-horror-philippine-cinemas/) **Published:** May 12, 2026 **Author:** Mel Wang **Excerpt:** Colony will screen locally just weeks after its Cannes debut, while Salmokji: Whispering Water makes its Philippine premiere after dominating the South Korean box office since April **Content:** Moviegoers are about to get two more horror films to watch in Philippine cinemas this May. Lee Sang-Min’s *[Salmokji: Whispering Water](https://rollingstonephilippines.com/tag/salmokji-whispering-water/ "Salmokji: Whispering Water")* will be screening in select cinemas nationwide starting May 13. The film, which follows a film team that encounters a supernatural entity at a water reservoir, has sat at the top of the South Korean box office since its release last April. It has amassed a cumulative gross of $13.9 million and surpassed three million viewers. *Colony*, directed by Yeon Sang-ho (*Train to Busan*), will begin screening in Philippine cinemas starting May 27. With Yeon revisiting the zombie horror genre, *[Colony](https://rollingstonephilippines.com/tag/colony/ "Colony")* centers on Professor Se Jeong (Jun Ji-hyun), who attends a biotech conference only to watch as a rapidly mutating virus is unleashed on attendees. The film will make its world premiere at this year’s Cannes Film Festival as part of its Midnight Screening section. “Zombie films are a great genre for revealing the latent fears of society,” said Yeon in a press conference held last April. “Just as *Train to Busan* tried to capture the fears of its time, I hope audiences will see *Colony* as the fear I feel now, 10 years later.” > [View this post on Instagram](https://www.instagram.com/p/DYG8upTGgDU/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Viewers Choice Philippines (@viewerschoiceph)](https://www.instagram.com/p/DYG8upTGgDU/?utm_source=ig_embed&utm_campaign=loading) Both films are being promoted locally by Viewers’ Choice Philippines, which has made some… interesting choices with its promotional materials. The platform has shared a [poster](https://www.instagram.com/p/DYG8upTGgDU/?hl=en "poster") for *Colony* that features the question, “If the devil wears prada… What do zombies wear?” (complete with a red stiletto cropped next to a horde of the undead wearing Chanel and Christian Dior). *Salmokji* has yet to receive the same type of treatment, but let’s wait and see. ## Frequently Asked Questions ### Which South Korean horror films are releasing in the Philippines this May? Lee Sang-Min’s box-office hit Salmokji: Whispering Water and Yeon Sang-ho’s zombie thriller Colony are both scheduled for theatrical release in Philippine cinemas this May. ### When does Salmokji release in Philippine cinemas? Salmokji: Whispering Water begins screening in select Philippine cinemas nationwide on May 13, following a successful South Korean box-office run that surpassed three million viewers. ### What is the plot of Yeon Sang-ho’s film Colony? Colony follows Professor Se Jeong as a rapidly mutating virus infects attendees at a biotech conference, marking director Yeon Sang-ho’s official return to the zombie horror genre. ### Did the movie Colony screen at the Cannes Film Festival? Yes, Colony was selected for its world premiere at the Cannes Film Festival as part of the official Midnight Screening section prior to its Philippine release on May 27. ### Who is distributing Salmokji and Colony in the Philippines? Viewers’ Choice Philippines handles the local promotional campaign and theatrical distribution for both South Korean horror titles across nationwide cinema chains throughout the month of May. Related Stories - [‘Hokum’ Delivers as a Classic (and Hopeful!) Horror Story](https://rollingstonephilippines.com/culture/film/hokum-adam-scott-horror-review/ "‘Hokum’ Delivers as a Classic (and Hopeful!) Horror Story") - [‘Primate’ Director Johannes Roberts on Evil Chimpanzees and Old-School Horror](https://rollingstonephilippines.com/culture/film/director-johannes-robert-on-primate/ "‘Primate’ Director Johannes Roberts on Evil Chimpanzees and Old-School Horror") - [‘Sinners’ Makes a Party With the Devil Seem Like a Good One ](https://rollingstonephilippines.com/culture/film-tv/sinners-ryan-coogler-film-review/ "‘Sinners’ Makes a Party With the Devil Seem Like a Good One ") **Categories:** Culture, Film **Tags:** Colony, Salmokji: Whispering Water --- ### [Oasis’ ‘Don’t Look Back in Anger’ Documentary Heads to Philippine Cinemas](https://rollingstonephilippines.com/music/rock/oasis-dont-look-back-in-anger-philippine-cinemas/) **Published:** July 24, 2026 **Author:** Elijah Pareño **Excerpt:** The reunited Britpop icons revisit their 2025 comeback with unseen rehearsal footage and an intimate look at the Gallagher brothers' reconciliation **Content:** [Oasis](https://rollingstonephilippines.com/tag/oasis/ "Oasis")’ much-awaited reunion documentary is heading to Philippine cinemas this September. The film, titled *[Don’t Look Back in Anger](https://rollingstonephilippines.com/music/oasis-teaser-documentary-dont-look-back-in-anger/ "Oasis Share First Teaser for Upcoming Doc ‘Don’t Look Back in Anger’")*, follows the band’s highly successful reunion tour throughout 2025. Prior to the reunion, the band had split following a physical altercation between brothers Liam and Noel Gallagher at a concert in Paris, France, back in 2009. The film will have its world premiere at the 83rd Venice International Film Festival, running from September 2 to September 12. The exact date of the premiere is yet to be announced. > [View this post on Instagram](https://www.instagram.com/p/DbIgGh6OXpL/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Walt Disney Studios (@disneystudios)](https://www.instagram.com/p/DbIgGh6OXpL/?utm_source=ig_embed&utm_campaign=loading) ,Directed by Dylan Southern and Will Lovelace, the documentary features never-before-seen footage offering a glimpse into the complicated relationship between the two Gallagher brothers and how they were able to set aside their differences throughout the tour. *Don’t Look Back in Anger* will screen in Philippine cinemas on September 11 before streaming exclusively on Disney+ internationally, and on Hulu and Disney+ in the U.S. later this year. ## Frequently Asked Questions ### What is *Don’t Look Back in Anger* about? *Don’t Look Back in Anger* follows Oasis throughout its 2025 reunion tour after the band’s 2009 split. ### Who directed the Oasis reunion documentary? The documentary is directed by Dylan Southern and Will Lovelace, who have released music documentaries like *Shut Up and Play the Hits* and *Meet Me in the Bathroom*. ### What are Oasis’ greatest hits? Oasis is best known for songs such as “Wonderwall,” “Don’t Look Back in Anger,” “Champagne Supernova,” and “Live Forever,” to name a few. ### When is *Don’t Look Back in Anger*’s cinematic release in the Philippines? The documentary will receive its world premiere at the 83rd Venice International Film Festival, which runs from September 2 to September 12, before screening in Philippine cinemas on September 11. ### Where can you stream *Don’t Look Back in Anger*? *Don’t Look Back in Anger* will stream exclusively on Disney+. 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Their latest release is arguably their most adventurous output yet since their debut album, *Is This It?*, released 25 years ago. However, *Reality Awaits* suffers from their most eye-rolling melodic writing to date, almost dragging down creative progressions with it. For about a quarter of a century, The Strokes have continued to outdo themselves in every album, sending every rock fan from every generation to talk about their impact in the rock scene at large. Consisting of vocalist Julian Casablancas, lead guitarist Nick Valensi, rhythm guitarist Albert Hammond Jr., bassist Nikolai Fraiture, and drummer Fabrizio Moretti, their 2001 debut album sent a frenzy of media calling them “the saviors of rock” at a time when leather jackets, lo-fi production, and the trashy spirit of garage rock had almost gone out of style. Their first albums — particularly *Is This It?* (2001), *Room on Fire* (2003), and *First Impressions of Earth* (2005) — catapulted them to mainstream consciousness. They are mostly known for their unique, brazen brand of angular guitar playing and gritty vocals, with songs like “The Modern Age,” “Last Nite,” “You Only Live Once,” and “Reptilia,” to name a few. Their music has never escaped the rock discussion amongst fans, and *Reality Awaits* is proof that they are still the talk of the town. But as the music media would ask, can The Strokes save rock ‘n’ roll again? The album, frankly, doesn’t completely answer the question. Unsurprisingly, all five members show off their own skill sets in *Reality Awaits*; however, Casablancas’ use of autotune for nearly half the album’s runtime, experimenting with his trademark twisted vocal runs that come out either jarring or charming, results in a mixed bag of an album. ## **The Hits and Misses of ‘Reality Awaits**’ ![The Strokes Reality Awaits](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/sb19-S-1.webp) *Reality Awaits* might just be the band’s biggest dud in their entire discography. Photo from The Strokes/Instagram The album starts off with Casablancas’ heavily autotuned voice in the first track, “Psycho Shit,” an introduction that might put off some listeners for how digitally twisted his vocals can get in the melange of atmospheric guitar crescendos and walls of sound. “Psycho Shit” seems to channel Casablancas’ more emotional side, akin to his other band, The Voidz’s 10-minute epic “Human Sadness.” But it is done rather sloppily, and not as a nod to experimentation, as the autotune makes his voice audibly and awkwardly crack throughout the song. Then, right as the first track finishes, the album immediately jettisons to a slightly faster tempo, albeit with heavier and fuzzier guitar tones, in “Dine N’ Dash,” with Casablancas commanding the listener with his effortless melodies about escaping the diner and how he couldn’t afford to commit to such dastardly deeds. “Lonely in the Future” follows up with a highly danceable, face-melting riff as Hammond and Valensi’s classic interplay shines throughout the track. In one of the album’s weaker points, “Falling in Love” puts the album in autotune mode again with yet another slow and grating performance by Casablancas, singing about “dancing in the acid rain” and how he is “still immature.” The track lasts for more than six minutes, and yet the runtime doesn’t warrant the length; it is an aimless journey that drags through Casablancas’ autotuned drawls as he reaches for vocal ranges that, perhaps, he couldn’t realistically achieve. ## **Hammond, Valensi, and the Band’s Return to Form** But on the flip side, “Going to Babble On” sees Casablancas contemplating how “the world is just moving too fast” and how it seems to affect his daily life, reflecting on the album’s themes of reality hitting you. Surprisingly, the track in particular broke the curse of the hit-or-miss sequence of the first four tracks of the album, as it began an enjoyable run right after. Songs like “Going Shopping,” “Liar’s Remorse,” and “The Fruits of Conquest” feature their strongest performances in chorus writing, head-bopping rhythms, and emotionally driven guitar solos that accompany Casablancas’ spiraling vocal delivery. The real stars of the album — and actual saviors of the band — are Hammond, Valensi, Moretti, and Fraiture with their catchy riffs, groovy bass lines, and flexible drumming improving throughout *Reality Awaits*. However, Casablancas’ glaring presence failed to give them a proper spotlight. The Strokes have proven that they can reinvent themselves without losing sight of their signature, but *Reality Awaits* might just be the band’s biggest dud in their entire discography. Had Casablancas kept his vocals raw, or created more sonic red threads (such as the electronic textures and synths in “Going on Babble On” and “Going Shopping”), the album’s songwriting might not have been overshadowed by its lackluster attempts at experimentation. The strongest moments in *Reality Awaits* only make their attempt more frustrating, showing a band that keeps burying solid songs beneath creative decisions that rarely justify themselves. The Strokes are clearly not running out of ideas. But *Reality Awaits* is evidence that, for the first time in years, they don’t know which ideas are worth following. ## Frequently Asked Questions ### What is *Reality Awaits*? *Reality Awaits* is The Strokes’ seventh studio album. It was released on July 23, 2026. ### Who produced *Reality Awaits*? The album was produced by legendary producer Rick Rubin, who has worked on the Beastie Boys’ *Licensed to Ill*, Red Hot Chili Peppers’ *Blood Sugar Sex Magick*, and Kanye West’s *Yeezus*. ### Who are the members of The Strokes on *Reality Awaits*? The lineup consists of vocalist Julian Casablancas, lead guitarist Nick Valensi, rhythm guitarist Albert Hammond Jr., bassist Nikolai Fraiture, and drummer Fabrizio Moretti. ### What are The Strokes’ most notable awards and career milestones*?* The Strokes won the Grammy Award for Best Rock Album in 2021 for *The New Abnormal*. They have headlined several festivals including Lollapalooza, Primavera Sound, and All Points East. ### What was the name of Julian Casablancas’ other band? The name of Julian Casablancas’ other band besides The Strokes is called The Voidz. They are known to have released a 10-minute single titled “Human Sadness.” Related Stories - [Jack White’s Best Band Chemistry in Years is on ‘Frozen Charlotte’](https://rollingstonephilippines.com/music/music-reviews/jack-white-frozen-charlotte-album-review/ "Jack White’s Best Band Chemistry in Years is on ‘Frozen Charlotte’") - [How Addison Rae Got Us All to Root for Her](https://rollingstonephilippines.com/music/how-addison-rae-got-us-all-to-root-for-her/ "How Addison Rae Got Us All to Root for Her") - [Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/ "Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’") **Categories:** Music, Music Reviews, Rock **Tags:** The Strokes --- ### [Comme des Garçons’ Adrian Joffe Is Still Finding the Words for Rei Kawakubo](https://rollingstonephilippines.com/radar/rs-spotlight/comme-des-garcons-adrian-joffe-interview/) **Published:** July 24, 2026 **Author:** Christian San Jose **Excerpt:** On the occasion of the opening of the new Comme des Garçons and CDG stores at Greenbelt 2, Rei Kawakubo’s life and business partner, along with H&F’s Jappy Gonzalez, talk about CDG’s Manila lore **Content:** “Forget about your questions. Ask from the heart,” is what Comme des Garçons and Dover Street Market president Adrian Joffe supposedly told an interviewer before me. He sat down with a couple of local press for the opening of the new Comme des Garçons and CDG stores at Greenbelt 2. Since joining Comme des Garçons in 1987 and becoming its president in 1993, Joffe has had the daunting task of verbalizing the inner workings of his business partner and wife Rei Kawakubo, who is famously averse to revealing much about her design process or motivations. “She doesn’t give more than what she thinks they need. She’ll use the least words possible,” he tells *Rolling Stone Philippines* when we finally met in the new space, whose ceiling is replete with metal sheet orbs that Kawakubo herself designed. ![comme des garcons manila greenbelt 2 5](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/comme-des-garcons-manila-greenbelt-2-5.webp) ![comme des garcons manila greenbelt 2 3](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/comme-des-garcons-manila-greenbelt-2-3.webp) Jappy Gonzalez, the managing director of H&F Retail Concepts, Inc., which brought Comme des Garçons to the Philippines 15 years ago, told me Kawakubo’s husband and business partner is an intellectual who likes to philosophize. This, Joffe admits to: “I always take the philosophical way. I think it’s the only way to approach abstract notions,” his shorthand for his wife’s notoriously scant responses during interviews. “I’m the exact opposite, right?” He is. Since 2 p.m. that day, he’s done one-on-one interviews and a few photos (never portraits, only incidentals, the H&F team says). By early evening, he’s out and about meeting ardent Filipino Comme fans as [Gab Lazaro](https://rollingstonephilippines.com/music/indie/project-yazz-music-forecast-2026/ "Gab Lazaro") plays the saxophone alongside electronic musician [Mario Consunji](https://rollingstonephilippines.com/tag/mario-consunji/ "Mario Consunji") on deck. And even though he and his team are flying back to Tokyo early the next morning, he too sat down for dinner, followed by pizzas and some dancing at Karrivin for an afterparty. “\[Rei Kawakubo\] doesn’t make it easy for herself, therefore, she doesn’t want to make it easy for everybody else.” Adrian Joffe ## **15 Years of Calculated Risk-Taking** One of the many times(!) Joffe traveled to the Philippines was in 2013, a year after Comme des Garçons first opened here. But Gonzalez tells *Rolling Stone Philippines*, Comme des Garçons SHIRT — one of the lines under Kawakubo’s business, wholly dedicated to rethinking, well, the shirt — has been around since the late ‘90s. “That would span almost 30 years,” Gonzalez says. “Thirty years defines a whole generation already.” Still, to bring in an avant-garde brand to a considerably conservative retail landscape then took some guts. Gonzalez responds modestly, “I’d like to think I calculate as much as I can as far as risks are concerned, while remaining unafraid to try something different.” By the time Comme des Garçons arrived on our shores, it had already established roots in the region, setting up stores in Taipei, Hong Kong, and Singapore. It wouldn’t be far-fetched for its early Filipino adopters to fly overseas to sample Kawakubo’s unconventional genius that had shaken Europe a decade prior. ![comme des garcons manila greenbelt 2 2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/comme-des-garcons-manila-greenbelt-2-2.webp) Comme des Garçons BLACK ![comme des garcons manila greenbelt 2 4](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/comme-des-garcons-manila-greenbelt-2-4.webp) CDG PLAY Joffe can’t remember how exactly the partnership came about. “I think maybe we found out about him (Gonzalez) because he seemed like one of the nicest operators here.” Nonetheless, he is happy the brand has been well-received since. A Comme staff told us at the afters that he was even delighted to see how easy it was for Filipinos to pull off Kawakubo’s designs. Her more accessible line, CDG PLAY, came to be embraced by Filipinos en masse in the 2010s, about the same time Comme des Garçons BLACK was introduced locally with a year-long pop-up at Univers. Along with the new stores comes the return of Comme des Garçons BLACK, the brand’s more frugal but still conceptually sound label, conceived a year after the 2008 recession, one of Kawakubo and Joffe’s retail innovations, up there with the ephemeral [guerrilla stores](https://www.archivepdf.net/scans/comme-des-garcons/guerillazine-no.6-ideas-for-corporate-salvation "guerrilla stores") that ran from 2004 to 2009. What started as a way to move inventory by enlisting people outside of fashion to set up shop away from city centers with minimal budget created the blueprint for concept stores as we know it today. Asked about the impetus to bring Comme des Garçons BLACK back in an equally precarious time, Gonzalez says it’s more of a gut feel. “It’s the same now, isn’t it? 2011 and 2026. No difference. Relevant then and still relevant now. And that’s the value of a Comme des Garçons product.” ## **Parallel Lives** Gonzalez’s multi-brand store, Univers, carries more than just Comme des Garçons and the designers Kawakubo has nurtured under its wings (Junya Watanabe, Kei Ninomiya, Tao Kurihara, Fumito Ganryu, Chitose Abe), in the same manner as Kawakubo and Joffe’s Dover Street Market has assembled small and big designers under one roof. Of this parallel track, Gonzalez says, “There are several individuals in the world who live on parallel lines with us. Mr. Adrian Joffe and I exist on one of those lines.” He adds, “We may do the same job, but our contexts are different. The results may seem similar, but they are really not the same.” ![jappy gonzalez h&f](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/CDG_Opening_ROLLINGSTONE3.webp) H&F Retail Concepts, Inc. managing director Jappy Gonzalez. Photo by Livgren Garcia ![comme des garcons](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/CDG_Opening_ROLLINGSTONE4.webp) Comme des Garçons opening at Greenbelt 2. Photo by Livgren Garcia In this interview, Joffe breaks down Comme des Garçons’ revolutionary approach to retail, from their guerrilla stores experiment that led to the rise of the “pop-up” (to his dismay), to finding more creative ways to do business in our algorithm-driven times. He also talks about why he hates how perfume is being sold now, and why Kawakubo doesn’t want to make it easy to shop at a Comme des Garçons store. *This interview has been edited for clarity and brevity.* **You mentioned earlier that as a tourist when you were traveling here it was an “in-betweenness” that you liked about the country. But in terms of business, what do you think made Comme des Garçons such a resonant brand with Filipinos even after 15 years?** What I can surmise is maybe the Filipinos have their own individuality. I don’t feel that so much elsewhere, where people feel more like following trends more into the advertising, the algorithm. But you can’t define what one Filipino is like. I’ve seen many different kinds. I think it’s more individualistic. **You’ve been around, so you would know. This is just Manila, and you’ve been to [Baguio](https://rollingstonephilippines.com/tag/baguio/ "Baguio").** I’ve been to Baguio, where they filmed one of my favorite films by Peter Weir, *The Year of Living Dangerously* (1982). It was set in Indonesia, but they couldn’t film there because the regime wouldn’t allow it. So when they filmed it about the revolution, the communist uprising, which was very badly crushed in Indonesia, they had to film in the Philippines. And they thought Baguio looked like Indonesia. **In quite a lot of your interviews, you said Rei likes to “make the consumer work” so that after they go around, there’s something for them, like a reward. Is that still something that you consider business-wise, given that most people want instant gratification?** I think we can’t change our ways. Rei doesn’t want to make it easy. And I think the reason is because she doesn’t make it easy for herself; therefore, she doesn’t want to make it easy for everybody else. It’s just fair. She thinks if you discover it yourself, if you work at it, if you struggle and suffer and then work it out and then find something, it’s much more fulfilling, satisfying. So, here again, even though it’s so simple, you cannot really get lost in it. It’s kind of small, but you still get to go around, you get to find \[something\]. I think it’s important — not necessarily to make them work so hard — but to give them their own sense of discovery. “POS, they call it: Point of Sale. It’s really thinking that everybody’s an idiot. It’s demeaning people. It’s thinking that they’re all stupid and they need all this visual excitement in order to pay attention.” Adrian Joffe **Based on previous interviews, compared to Rei, you were more open to embracing e-commerce and social media. But it’s been a long time. Now, the problem is what? AI, homogenizing taste. Is that something that you take into account running the business for Comme des Garçons?** Yeah, of course. I try to on my level. I’m not a designer; only Rei is the designer. But there are many different kinds of ways to be creative, and the business itself has to be creative. So I try and do my best. My role is to find new ways to do retail stores, new ways to sell. So we did guerrilla stores from 2004 to 2009, and there’s Dover Street Market itself. And there are other ways we really want to try, for perfume, especially. I don’t like the traditional way of selling perfume, perfumery. It’s so bad. It’s a lot of fluff around the actual fragrance. **It’s “experiential”.** But what does that mean? Do you like the perfume or not? **It takes attention away from the product. It distracts you.** POS, they call it: Point of Sale. It’s really thinking that everybody’s an idiot. It’s demeaning people. It’s thinking that they’re all stupid and they need all this visual excitement in order to pay attention. I like to treat people as equals. **So you still believe that they’re smart?** Yes, I’m still going to believe that. Even though it’s true, some people are stupid. **Especially now.** Especially now. And this is the problem also \[*points to the smartphone*\]. There’s too much information. But I’m hopeful in the future. I think young people, even young people as young as you — or as old as you. **I’m not as young.** I’m not talking teenagers, but even people your age, I think, are realizing this \[*points to the smartphone*\] is maybe a problem and we should use it for the good things it can do. But we’ve got to be really careful about algorithms and information you don’t necessarily need. Let’s look at it positively rather than passively. ![mario consunji gab lazaro comme des garcons greenbelt 2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/mario-consunji-gab-lazaro-comme-des-garcons-greenbelt-2.webp) Gab Lazaro played the saxophone alongside electronic musician Mario Consunji on deck at the opening of Comme des Garçons at Greenbelt 2. Photo by Livgren Garcia courtesy of Comme des Garçons Manila **I want to go back to something more recent. I watched your panel in Bucharest.** You did? How did you watch that? **It’s on YouTube. It was in May, right?** It’s on YouTube? What parts? **The whole thing. But they had to cut some parts, I think. You had a Romanian collaborator, right?** Yes. That’s why I was in Bucharest. **So you were talking to him, and you were saying your role is to make creative ways to do business.** Yes. **But you were saying you still have to abide by the principles, the values that Comme des Garçons has. But it’s not easy all the time. You said sometimes it’s very hard. What makes it so hard?** Well, you know, to survive, the financial aspect. Some ideas are very interesting creatively, to make like, different kinds of shops, but sometimes too creative or strong ideas wouldn’t survive, wouldn’t work. So the difficulty is always to make something that can keep its integrity and creativity, but also, you know, make enough money to survive and carry on. This was the same with the guerrilla stores. I learned a lot from it. 41 guerrilla stores in the strangest places. But the beauty about those things is — even the ones which didn’t make any money, like Reykjavik — was that it was for the people to make their money. It was just a way to stop storing dead stock because there’s so much. Let other people do something with it. So, often we get all of it back. But at least we tried. And the act of trying was good in itself. But they were always artists, so they weren’t from fashion, right? **Yes, that’s one of your parameters.** So, Reykjavik was not a waste of time. It’s always a challenge. Sometimes it’s so good, they make so much money, like in Berlin, they made so much money, they didn’t want to stop it after one year. **But you had to just do it in that one year?** Yes. But then I made a kind of sub-rule. You know, you can always change the rules. The rules are there to be broken. I said, “You have to leave,” but they went somewhere else in Berlin. And four times they went somewhere else. They kept making too much money. But then each time it was in a different location, and it was always a harder and harder location, so you kind of can change everything to make it okay. **Right. You adapt to the new location.** Yes. Which is the way the whole of humanity has survived so far — or not. Well, some things that are disappearing. Some animals go extinct. And maybe next is human beings. ![CDG greenbelt](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/CDG_Opening_ROLLINGSTONE7.webp) CDG (or CDGCDGCDG to some) opened alongside Comme des Garçons at Greenbelt 2. **I mean, we’ve just had the pandemic.** **But one of the realizations you had about the guerrilla stores is it’s something that you cannot do now partly because everyone started doing it, so it’s lost its novelty.** Yeah, then it was all “pop-ups.” So it got harder because I think you can feel, the people who like us can feel, if something is authentic or not. A lot of the pop-ups now, a lot of the collaboration is performative. We have to keep an eye on what’s performative. I don’t think we can be performative. We haven’t got a performative bone in our body. I would hope. I don’t think so. It would feel wrong, you know? But you can see it, you can smell it. And I think people, as we said before, are not that stupid. And I think people can feel it. Some people can’t, but it’s okay. Let them. **We can’t all be smart. If we are all smart, no one is smart.** I think so, yes. True, true. **But you were also very optimistic in the same panel. You said it’s still the best time to make more new stuff, to take more risks, and to be strong. Why did you think that?** I think it’s because if times are scary, then relatively speaking, what you do doesn’t have to be as scary as the times are. Everything is relative. So I think in disruption times and in insecure times, when you don’t know the future, what your children’s jobs are going to be, what your job is going to be, then I think it makes it easier to take risks and to be creative. Great creation, great magic has always come out of dark times. Look at the Renaissance. It came out of the Dark Ages because people thought, “Fuck this, this is like so dark. Everyone’s dying. Let’s do something crazy.” I think it’s true in the 21st century. **How did the students react when you said that?** It was kind of a lovely time. I don’t normally like being in front of a crowd, but I thought it’s Bucharest, no one’s going to see. **Yeah. It was uploaded 12 hours ago or something when I checked last night. But it was nice.** Was it okay? Did I look okay? The artist \[Dan Perjovschi\] was fantastic. **They were more forgiving to him and the moderator. I think they had to cut a few parts.** Too political maybe? “Some ideas are very interesting creatively… but sometimes too creative or strong ideas wouldn’t survive, wouldn’t work. So the difficulty is always to make something that can keep its integrity and creativity, but also make enough money to survive and carry on.” Adrian Joffe **I’m sure you’re aware that, especially in the beginning, Comme de Garçons was associated with being anti-prevailing taste.** **And now taste is being thrown around like a buzzword, one, to humanize tech, like now they’re making the Meta sunglasses lifestyle. And then people on the internet want to differentiate themselves from the homogeneity of the environment, so they, as you said, “perform” taste. What is your take on how we use the word “taste” now?** It’s terrible. I’m not *against* it. I just don’t agree with that because it’s very manipulative. But it’s not only taste. Often there are many words that I’ve used and liked that now the people with lots of money and the advertisers are distorting and twisting. **I’ll give you one: “community.”** Yeah! I was going to say the same thing! They’re all using it not in a real way. The first one was “luxury.” The way they talk about luxury is the exact opposite of what luxury is. “Community.” They’re all using that. It’s just fake. “Taste.” “Niche”! It’s not fucking niche. It’s like everywhere. Why are they saying niche as a way to sell something, but it’s not niche? It’s not the meaning. It’s lost its meaning. But maybe that’s the nature of language. It’s a living thing. It’s not static. **It’s semiotic \[satiation\].** That’s why I like, personally, to invent words. Everybody has the right to, as long as you explain what you think it means. There’s this very amazing German poet, Paul Celan, who you should check out. He basically was untranslatable because he would make up words in German, and German is a language that lends itself to making up words. Words become very big. And it’s mostly accepted that he made up words that don’t go along deliberately to imply some other notion of something. But if we kind of do that in English, then we can do an amazing thing. Because we’re too restrained. **English is too grounded in rules.** Anyway, I say this because there’s a word I was trying to describe in our last perfume. And I wanted to say that it’s grounded. It’s very solid. It was from a plant that’s in the earth: vetiver. It’s called “To Vetiver” > [View this post on Instagram](https://www.instagram.com/p/DYOdH3jDEnh/?utm_source=ig_embed&utm_campaign=loading)[A post shared by COMME des GARÇONS (@commedesgarcons)](https://www.instagram.com/p/DYOdH3jDEnh/?utm_source=ig_embed&utm_campaign=loading) It was an ode, a hymn. And I wanted to have it from the heart because when you’re grounded, it’s in the head. When you’re grounded, you’re a solid person. You know where you are, you know what you’re doing. It’s intellectual, it doesn’t come from the heart. So I made up a word which was “heart-ground,” which means to be grounded by the heart, not by the mind. And it was impossible to explain to anybody. Some people got the feeling, because it’s emotive work. It’s just an example of how people have to be open to not take into account only preconceived ideas. “Often you give yourself restraints in order to break through. It’s important. Restraints are important. Otherwise, it will be chaotic.” Adrian Joffe **In most of her interviews, you’re there with Rei, interpreting everything that she said. Was there ever a time, especially in the beginning, when you were conscious of representing her thoughts?** Yes, it’s always a big worry that I do it correctly. Sometimes it’s very subtle, it’s very abstract. So I’m very conscious of getting it right. I often say to them, “If I find a better translation for what she said, I will send you later.” But I think most people are used to her by now, even though it’s like an extremely painful process of interviewing her. I’m the exact opposite, right? **You are.** But I feel that we’re just different people. My most important job is to represent the brand properly and to translate exactly what she says. She doesn’t give more than what she thinks they need. She’ll use the least words possible. I try to say something and then I kind of say it in a different way. So it’s an interesting process. I’m very conscious to be correct in my interpretation. ![comme des garcons greenbelt 2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/CDG_Opening_ROLLINGSTONE1.webp) Comme des Garçons sub-labels Comme des Garçons BLACK, Comme des Garçons SHIRT, Comme des Garçons PLAY, and Comme des Garçons PARFUMS are all available at the new Comme des Garçons Greenbelt 2 location. Photo by Livgren Garcia **I remember one of the most interesting interviews she’s done, if you can call it an interview. She was asked about \[*Body Meets Dress — Dress Meets Body* collection in 1997\] then she drew on a piece of paper a circle.** Yeah, that was Susannah Frankel. She loved it. **It became an allegory about emptiness, about Zen, which you also practice.** I keep it inside, but I don’t actually practice anymore. But it’s in my head. It’s pretty safe in here. I’m not sure she meant it as a Zen practice. It just means that there’s nothing inside. **See? You’re doing a great job of interpreting.** I always take that philosophical way. I think it’s the only way to approach abstract notions. **Because otherwise you run the risk of overinterpreting.** Yes, exactly. Exactly. I’m really aware of that. And you tend to want to do that. But I’ve learned to be fully aware not to do that. **It takes restraint, I guess?** It takes restraint. Restraint and also like… a yolk. What do you call that? “Sokubaku” in Japanese. Do you speak Japanese? **No. But I learned a new word from reading your interviews. “Kachikan”?** Kachikan. Sense of values. Often you give yourself restraints in order to break through. It’s important. Restraints are important. Otherwise, it will be chaotic. I think. Now you have the job to write about it. Good luck. **Categories:** Culture, Radar, RS Spotlight **Tags:** Adrian Joffe, Comme des Garcons, Jappy Gonzalez, Univers --- ### [SONA 2026: Flood Control, Pax Silica, Education Crisis, and Other Issues PBBM Should Discuss](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/marcos-fifth-sona-2026-issues-to-address/) **Published:** July 24, 2026 **Author:** Pie Gonzaga **Excerpt:** Filipinos want answers on corruption and the cost of living, but Marcos also faces growing pressure to address Pax Silica, energy security, and the country’s worsening literacy crisis **Content:** President [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") is set to deliver his fifth [State of the Nation Address](https://rollingstonephilippines.com/tag/state-of-the-nation/ "State of the Nation") (SONA) on Monday, July 27. Ahead of the event, which will be kept “simple yet dignified,” Palace Press Officer [Claire Castro](https://rollingstonephilippines.com/tag/claire-castro/ "Claire Castro") said that the president is expected to make “earthshaking announcements,” though she did not expound further during a press briefing on Thursday, July 23. That day, Marcos also told reporters, “Abangang ang susunod na kabanata.” Ahead of the SONA, Pulse Asia released the results of a [survey](https://pulseasia.ph/updates/july-2026-nationwide-survey-on-the-state-of-the-nation-address-sona/) asking 2,400 Filipinos what they most wanted the president to discuss. The top answer, cited by 29.8 percent of respondents, was the administration’s fight against corruption, particularly the ongoing flood control scandal. Other priorities included affordable basic goods, jobs, poverty, fuel prices, and education. And though Vice President Sara Duterte’s [impeachment trial](https://rollingstonephilippines.com/tag/sara-duterte-impeachment/ "Sara Duterte Impeachment") has been making headlines in the past month, only 1.8 percent of respondents said they are keen to hear about it in the SONA. Marcos has largely stayed out of the impeachment trial, saying he does not want to interfere with the Senate’s work as an impeachment court, so it would not be surprising if he does not raise the issue in his speech. But since delivering his last SONA, there have been many other issues that Marcos *should* address. ## West Philippine Sea and China It’s the issue we hear about every year. The Philippines continues to experience aggression from China and its coast guard in the [West Philippine Sea](https://rollingstonephilippines.com/tag/west-philippine-sea/ "West Philippine Sea"), which Beijing asserts as its territory. On Tuesday, July 21, Marcos met with Chinese Ambassador Jing Quan to discuss the most recent clash at Ayungin Shoal, where China Coast Guard personnel assaulted two men from the Philippine Navy. That day, the Chinese government also summoned Philippine Ambassador Jaime FlorCruz to “lodge representation over the Philippines’ deliberate provocation and attack” at the shoal. The meeting was held just after *China Daily*, a state-run media outlet, published an AI-generated video depicting Filipinos as monkeys, which Filipinos condemned as racist. Jing told the press that the Chinese government cannot control what its media outlets put out. Coming just days before the SONA, these incidents add fresh urgency to an issue that has remained a fixture of nearly every presidential address for the past decade. ![China coast guard vessel and Philippine coast guard vessel in standoff](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/01/china-coast-guard-vessel-ayungin-shoal.jpg) A Chinese Coast Guard vessel blocks a Philippine Coast Guard Vessel at Ayungin Shoal on June 30, 2023. Photo from the Philippine Coast Guard ## Flood Control Corruption Scandal Last year’s SONA set off a series of investigations into alleged anomalies in [flood control projects](https://rollingstonephilippines.com/tag/flood-control-probe/ "Flood Control Probe"). Since then, several Department of Public Works and Highways officials, contractors [Sarah Discaya](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sarah-discaya-arrested-davao-flood-control/ "Sarah Discaya Arrested Over P96.5-M Davao Flood Control Graft Case") and Ma. Roma Angeline Romando, and former Senator [Bong Revilla](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/bong-revilla-surrendered-corruption/ "Bong Revilla Goes to Jail Again for Corruption Charges") have been arrested and are awaiting trial, while former Congressman Zaldy Co remains on the run. The investigations have shown that the government is willing to pursue those allegedly involved. The next question is what comes after. Marcos should explain how the administration plans to recover the estimated P180 billion in stolen public funds and, more importantly, what reforms will prevent another corruption scheme of this scale from happening again. ## Pax Silica Since its announcement in April, the [Pax Silica](https://rollingstonephilippines.com/tag/pax-silica/ "Pax Silica") Economic Security Zone has become one of the administration’s most controversial projects. On Thursday, the Bases Conversion and Development Authority (BCDA) sought to allay fears over the initiative, saying the project will rely on rainwater harvesting and recycling systems, will not displace Indigenous Peoples, and will not involve mining. The BCDA’s assurances have done little to quiet activists and other concerned citizens. With the government expected to sign a formal agreement for the project in November, Marcos should address questions about water supply, especially as PAGASA has warned of a possible water crisis by 2027. The administration also needs to be more transparent about where raw materials will come from and how nearby communities will be protected. ![pax silica US-philippines agreement](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/us-ph-pax-silica.webp) Philippine Ambassador to the United States Jose Manuel Romualdez (seated right) and U.S. Undersecretary of State for Economic Affairs Jacob Helberg (seated left) in discussions regarding Pax Silica. Photo from the Embassy of the Republic of the Philippines in Washington, D.C./Official Website ## Fuel Crisis It has been four months since a blockade at the Strait of Hormuz triggered a [global oil crisis](https://rollingstonephilippines.com/state-of-affairs/transportation-state-of-affairs/transport-strike-crisis-oil/ "Low on Fuel, the Philippines Hurtles Towards a Transport Crisis"), driving up fuel prices and electricity costs in the Philippines. On Tuesday, fuel prices surged again as the U.S. launched airstrikes once more on Iran, which controls the oil corridor. The SONA could be an opportunity for Marcos to explain how the government is strengthening the country’s energy security, answering questions like “What progress has been made in finding alternative fuel sources?” and “What is the administration’s long-term plan for reducing the country’s dependence on imported oil?” ## Education and Literacy Crisis A major issue raised last year was the [reading comprehension crisis](https://rollingstonephilippines.com/state-of-affairs/power/ai-critical-thinking-education-crisis/ "Could AI Worsen the Philippines’ Reading Comprehension Crisis?") among Filipino students, but not much has improved since then. According to the Second Congressional Commission on Education’s May [report](https://edcom2.gov.ph/improvements-seen-but-half-of-learners-still-below-grade-level-in-literacy/), around half of Filipino students from Grade 1 to Grade 11 still cannot read at their expected grade level. Last year, he also promised to build 40,000 classrooms to address the country’s classroom shortage before his term ends in 2028, but the Department of Education’s current classroom backlog stands at over 166,000. In the Pulse Asia survey, only two percent of respondents said Marcos should discuss the state of education in his SONA. Still, the latest figures underscore the need for the administration to lay out concrete plans for improving literacy, reducing the classroom backlog, and preventing students from falling further behind. ## Frequently Asked Questions ### When is President Bongbong Marcos’ fifth State of the Nation Address? President Bongbong Marcos delivers his fifth SONA on Monday, July 27. Palace Press Officer Claire Castro says the event will be “simple yet dignified” with expected “earthshaking announcements.” ### Where will the 2026 State of the Nation Address be held? As with all past SONAs, the 2026 State of the Nation Address will be held at the Batasang Pambansa in Quezon City. ### What do Filipinos most want Marcos to address in his SONA? A Pulse Asia survey found 29.8 percent of 2,400 respondents want Marcos to focus on anti-corruption efforts, especially regarding the flood control scandal, followed by fuel prices and jobs. ### Will Marcos address Vice President Sara Duterte’s impeachment trial in his SONA? It is unlikely that Marcos will touch on Duterte’s impeachment trials, having avoided commenting on it in the past. Only 1.8 percent of Pulse Asia survey respondents said they want it addressed in the SONA. ### How much money was allegedly stolen in the flood control corruption scandal? Investigations estimate around P180 billion in stolen public funds tied to anomalous flood control projects, with several officials and contractors already arrested and awaiting trial. Related Stories - [Filipinos on the State of the Nation, and What They Are Demanding From Marcos](https://rollingstonephilippines.com/state-of-affairs/filipinos-state-of-the-nation-2025-marcos/ "Filipinos on the State of the Nation, and What They Are Demanding From Marcos") - [What Everyone Needs to Know About Pax Silica](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/what-everyone-needs-to-know-pax-silica/ "What Everyone Needs to Know About Pax Silica") - [DPWH Flood Control Projects Scandal: The Most Damning Revelations So Far](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/dpwh-flood-control-latest-updates/ "DPWH Flood Control Projects Scandal: The Most Damning Revelations So Far") **Categories:** Philippine Politics, State of Affairs **Tags:** Ferdinand Marcos Jr., SONA 2026, State of the Nation --- ### [Is the Star Wars Franchise Finally Cooked?](https://rollingstonephilippines.com/culture/film/mandalorian-and-grogu-review-star-wars/) **Published:** June 1, 2026 **Author:** David Fear **Excerpt:** It's not just that The Mandalorian and Grogu turns a promising TV show into a mediocre movie. It makes you feel like the IP is now creatively DOA **Content:** **\[The following contains spoilers for *[The Mandalorian and Grogu](https://rollingstonephilippines.com/tag/the-mandalorian-and-grogu/ "The Mandalorian and Grogu").*\]** A long time ago, in a galaxy far, far away, i.e. 2019, a man in a helmet walked into a bar and quite possibly saved a franchise. “Saved” might be too strong a word, but it helps to remember that when *The Mandalorian* premiered on [Disney+](https://rollingstonephilippines.com/tag/disney-2/ "Disney+") in November of that year, the House That George Lucas Built (and Sold to a Mouse) was on slightly shaky ground. *Solo,* which chronicled the early days of Han Solo as a scrappy young smuggler, had been mired in backstage drama and severely underperformed when it hit theaters in 2018. The final episode in the long-running Skywalker saga, *The Rise of Skywalker,* would open a month after the TV show’s debut, and play like a pandering answer track to its risk-taking predecessor, *The Last Jedi.* There were still animated series that delved deep into the IP’s backstories and dustier corners. But we had always wanted more live-action adventures set in the [Star Wars](https://rollingstonephilippines.com/tag/star-wars/ "Star Wars") universe, and now it was starting to feel like we’d wished upon a monkey’s paw. And then along came *The Mandalorian,* which followed the adventures of a bounty hunter named Din Djarin. Everyone just referred to him by his association with his adopted home planet of Mandalore, or called him “Mando” for short. Like Boba Fett, he rocked a kickass steel helmet and some dope gear. Unlike his fellow gun-for-hire, he followed a creed known as “The Way” and had a strict code of honor. Plus, he hung out with a Baby Yoda that allowed for a great *Lone Wolf and Cub*-style double act. Created by Jon Favreau, who wrote six of the first season’s eight episodes, this inaugural dip into streaming program provided a much needed sense of thrills, chills, and old-fashioned fun. It was set five years after the events depicted in *Return of the Jedi,* yet despite [the occasional concessions to die-hards](https://www.youtube.com/watch?v=9eV4vTtCYNs), it didn’t feel bogged down with the weight of so much in-house mythology. By the time Season One wound down at the end of that year, it felt like the franchise might be entering a renewed period of creativity and of small-screen prosperity that the movies couldn’t, or simply wouldn’t match. The Wookiee will live with the lamb, the Anzellan will lie down with the Hutt, the Twi’leks, and the Zabraks and the Mon Calamari, too, and a child — a small, green, long-eared and ever-so-adorable child — shall lead them. Cut — or in the spirit of Lucas, screen-wipe — to 2026, and, well… you know. Former Disney CEO Bob Iger already thought that [a “less-is-more” approach](https://www.cnet.com/culture/entertainment/disney-ceo-admits-they-released-too-many-star-wars-films-over-a-short-period-of-time/) was needed in 2019, and that was before the glut of Star Wars content that’s flooded the market over the past seven years. The corporate overlords may have put the break on the movies, but the streamer has been regularly pumping out TV shows in order to keep milking the franchise dry. One has been top-tier (*[Andor](https://www.rollingstone.com/tv-movies/tv-movie-features/andor-finale-review-alan-sepinwall-1234632262/)*). Others have been mired in gratuitous nostalgia (*Obi-Wan Kenobi*), left lost in the weeds with fan-favorite characters (*Ahsoka*), or a bad combination of both (*The Book of Boba Fett*). Even *The Mandalorian,* which aped the template of old television Westerns to great effect — they could have called it *Have Blaster, Will Travel* — begin tripping over crossover continuity issues. By Season Three, you would have needed to have seen the Boba Fett series and be up on a few other bigger-picture plot twists to understand what was happening. There was a bit of an all-or-nothing mandate being put into place, with the added crutch of diminishing storytelling returns. We call this the MCU Syndrome. Still, the continuing adventures of Mando and Grogu, his lil’ force-wielding buddy from a swamp down in Dagobah, [where it bubbles all the time just like a carbonated soda](https://www.youtube.com/watch?v=zdu8I1gWqk4&list=RDzdu8I1gWqk4&start_radio=1), remained the IP’s best bet for returning to the big screen. So we now have *The Mandalorian and Grogu,* in which [Pedro Pascal](https://rollingstonephilippines.com/tag/pedro-pascal/ "Pedro Pascal") once again dons the T-visored helmet and travels the galaxy. Where once he sold his services to the highest bidder, Mando now mostly hunts down bad guys for the Rebellion. And were you to judge this film, directed by Jon Favreau and co-written by Favreau, Lucasfilm president Dave Filoni, and Noah Kloor, by its opening set piece, you’d think the old magic was back. A gangster is extorting Imperial fugitives on the planet Hoth — 10 seconds in, and the callback levels are already in the red. Mando comes in shooting first, asking questions later. The mustache-twirling villain flees, both Half-ATs and full-on AT-AT Walkers come into play, and our hero and Grogu finish the job. It’s undeniably exciting in a very old-school way. Having set up everything beautifully, the duo return to the rebel base where their handler — hi there, Sigourney Weaver — awaits them with a new mission. And that’s where the trouble starts. **\[Remember how we said there would be spoilers?\]** ![sigourney weaver mandalorian and grogu](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Mando-embed.webp) Sigourney Weaver in *The Mandalorian and Grogu*. Photo courtesy of LucasFilm Her character, Colonel Ward, wants the Mandalorian to track down a particularly nasty fella with ties to what’s left of the Empire and bring him in, dead or alive. There’s one problem: No one knows what he looks like. But “the twins,” a.k.a. Jabba the Hutt’s relatives who now run his criminal syndicate, have some intel regarding his whereabouts. Before he can capture the target, Mando has to do a favor for them. He’s got to find their missing nephew, Rotta the Hutt, and bring him back to the fold. Rotta, by the way, bears some resemblance to his late father, but given that he’s a pit fighter paying off a debt, he looks less like Jabba and more like a ripped John Cena. (Rotta the Buff, amirite?) He’s also a CGI creation voiced by [Jeremy Allen White](https://rollingstonephilippines.com/tag/jeremy-allen-white/ "Jeremy Allen White"), though you wouldn’t know it as his voice has apparently been run through a filter that makes it completely unrecognizable, thus begging the question: *Why the hell did you hire Jeremy Allen White*? Let the man cook! Rotta has also been given a speech about how he doesn’t want to go back to his relatives, how being Jabba’s son has been a burden, and all he desires is to be his own man. Ironically, words cannot describe how truly awful the dialogue is that’s been forced on White here — maybe he read the script and then had his contract stipulate the voice change, so as to distance himself from this tripe? There’s an old print-the-legend anecdote about Harrison Ford [ripping into George Lucas on the set of *Star Wars* over his lines](https://www.indiewire.com/news/general-news/harrison-ford-star-wars-joke-captain-america-1235114982/) and telling his director, “You can type this shit, George, but you can’t *say* it.” *The Mandalorian and Grogu*‘s biggest connection to the original may be that it seems to have kept that questionable tradition alive. Rotta turns out to be an ally to Mando and Grogu in their quest to find the mystery man. Mando double-crosses the twins before they inevitably double-cross him. Those Hutts sure do hold a grudge, however, and the remainder of the movie essentially becomes a cat-and-mouse game between the criminals and our dynamic duo. There are a few highlights along the way, including a chase scene that pays homage to *The French Connection* and a giant white sea-snake that looks like it slithered right off the cover of a Frank Frazetta-illustrated paperback. Grogu earns his place in the title. There is also an astounding amount of repetition, a sluggish sense of pacing, a handful of would-be zingers that become clunkers, very little sense of a character arc, and more dead space than you’d expect in a movie that takes it cues from gunfighter narratives and old-timey serials. The show’s eccentric approach to casting that gave us [Werner Herzog as a client](https://www.youtube.com/watch?v=UZ9QZ1RkBtA) now delivers Martin Scorsese in a small role. And if you ever wondered what it’d be like to listen to America’s greatest living filmmaker voice a four-armed alien who makes interstellar grilled-cheese sandwiches out of a food truck, you should buy a ticket ASAP. ![Mandalorian and grogu pedro pascal](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Mando-two.webp) Pedro Pascal and Grogu in *The Mandalorian and Grogu*. Photo b There are also, naturally, Easter eggs and appearances from several of the TV show’s recurring characters and deep-cut references and lots of stuff that will make the true heads squeal. Gotta service them fans! Several people at my screening cheered when a scene conspicuously cut away to a guy just sitting at a table; the credits revealed this anonymous pilot was played by Filoni, though I’d be lying if I said I did not think, “Wait, did they just drop a cameo of Kid Rock into this mess?” ([Just](https://www.jedinews.com/film-music-tv/articles/always-two-there-are-dave-filoni-and-lynwen-brennan-to-replace-kathleen-kennedy-at-lucasfilm/) [saying](https://variety.com/2026/music/news/kid-rock-turning-point-usa-super-bowl-halftime-show-1236650090/).) It all concludes with a big firefight in the sky for old times’ sake. You’ll be reminded of the many great sky battles between rebel and imperial forces the movies have given us over the years. Such fond memories do not play well in this film’s favor. Wasn’t this supposed to be Lucasfilm’s new hope for a big-screen revival? What happened? Its opening on a holiday weekend looks successful by “normal” metrics — [it’s set to pass $100 million by the end of today](https://variety.com/2026/film/box-office/mandalorian-and-grogu-box-office-opening-memorial-day-weekend-1236757827/) — yet it’s already being earmarked as a likely contender for the lowest-grossing Star Wars movie to date. Loyalists were always going to show up for the first few days, but past that, you get the sense that folks may be wondering why they should go to the movies to see something that’d work better as a mid-season story arc. And that wondering is justified. There’s little here to suggest that this needed to make the hyper-speed jump from streamer to multiplex. It’s strictly for the less discerning fans and the shareholders. Maybe the expectations around this movie bringing a sense of awe and majesty back to the series — helps us Pedro Pascal, you’re our only hope! — were unreasonable. But going into this release, you wanted it to be something that restored the idea that, pulpy-pleasure TV origins or not, Star Wars movies were events. Now they’re just more content in a sea of related IP overload. Box office-wise, *The Mandalorian and Grogu* will keep the corporate bottom line from cratering. Creatively, it makes the whole franchise feel completely and utterly cooked. To paraphrase a wise man with a helmet: This is *not* the way. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/tv-movies/tv-movie-reviews/mandalorian-and-grogu-review-star-wars-1235566001/ "rollingstone.com").* ## Frequently Asked Questions ### What is The Mandalorian and Grogu about? The Mandalorian and Grogu is a Lucasfilm feature directed by Jon Favreau, continuing the Disney+ series. Mando, now mostly working for the Rebellion, is sent to track a fugitive with Imperial ties — a job that first requires finding Rotta the Hutt for Jabba’s relatives. ### What did Rolling Stone say about The Mandalorian and Grogu? Rolling Stone’s David Fear was unimpressed. He praises the old-school thrill of the opening Hoth set piece but calls the film repetitive and sluggishly paced, with weak dialogue and little character arc, arguing it plays like a mid-season TV story rather than an event movie. ### Who stars in The Mandalorian and Grogu? Pedro Pascal returns as Din Djarin, with Sigourney Weaver as Rebellion handler Colonel Ward and Jeremy Allen White voicing Rotta the Hutt, though his voice is heavily filtered. Filmmaker Martin Scorsese turns up in a small role, continuing the series’ tradition of unusual casting. ### How is The Mandalorian and Grogu doing at the box office? The film opened over a US holiday weekend and was set to pass $100 million by the end of its first Monday, according to Variety. Even so, Fear notes it is already being flagged as a likely contender for the lowest-grossing Star Wars movie to date. ### Do you need to watch The Mandalorian before the movie? Not strictly, but familiarity helps. Fear notes the series itself grew harder to follow by Season Three, requiring viewers to have seen The Book of Boba Fett and track wider plot twists. The film also leans on Easter eggs and returning characters aimed at longtime fans. 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The final episode of the series comes after five seasons of award-winning, cunning comedy that will leave a big gap to fill for television. Leading up to Episode 10, I’ve resorted to watching interviews with the series’ cast and creators, which didn’t help at all — not when we see Hannah Einbinder (who plays Ava) sobbing on the floor after a screening. “Bawling, sobbing, heaving, weeping” is right, Hannah. And no, *Hacks* co-creator Lucia Aniello, it is not just a comedy! These were the best five years of my life! The hours leading up to me watching the finale were dreadful. Thanks to the algorithm, the first things I woke up to were long-ass Instagram posts (forgivable) by cast and crew, who recall their time working on the show. Of course, I read most of it, from a writer who got her start in the show by DM-ing Aniello to the co-executive producer who reminisced about how, while he was working on the final shooting of *The Good Place* in Paris, Paul W. Downs, Aniello, and Jen Statsky let him crash in their Airbnb, where they, it turned out, were writing the *Hacks* pilot seven years ago. We’ve come a long way since Einbinder decided to try acting, beating nepo allegations in the process (forgiveable if you’re her, Dakota Johnson, or Allison Williams, even). *Hacks*, in all its short but well-lived five seasons, has also made Jean Smart — deservingly — a four-time (maybe five, we’ll see) Emmy winner for Outstanding Lead Actress in a Comedy Series. All this to say that these two, and the brilliant minds behind *Hacks,* will be sorely missed. ## What Happens in ‘Hacks’ Series Finale? ![deborah vance the diva hacks series finale](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/deborah-vance-the-diva-hacks-series-finale.webp) In an ode to the many Las Vegas openings that Deborah or her body doubles graced over five seasons, we see her for the last time at her own hotel casino. Photo from Hacks/I It brings me no joy to tell you, reader, about what transpires in *Hacks* Season 5 Episode 10, but apparently, we must (that’s the late great Catherine O’Hara introducing the Best Comedy Series, *Hacks*, duh, at the 2025 Emmy Awards). The final episode opens with our big, brave girl, Ava, shooting the pilot for her remake of *Who’s Making Dinner*. Everything goes smoothly, the crew loves her, and when they sent the material to the network, there was all but one note: to make the women smile more. Meanwhile, over in Las Vegas, Deborah and Marcus’ hotel casino, The Diva, has its grand opening. And, what is a Vegas scene without its beloved, cancelled-then-uncancelled mayor Jo Pezzimenti? We also see final appearances from Marty, Marcus with her mom and Miss Loretta, Josefina, Damien, and Deborah Vance Jr. herself, whom I wish had more airtime considering what happens next (but alas she already had a full episode to herself this season in the [*Celebrity Amazing Race*](https://rollingstonephilippines.com/culture/hacks-season-5-ep-4-5-recap/)). Over a martini lunch, Deborah tells Ava they have to take their Europe trip soon. That and her doctors missed a piece of the mass, and that it has spread. Damn, those Deborah Vance progesterone drink packets! But the part that was more upsetting for Ava was Deborah’s refusal to get treatment. This is where I start sobbing. It makes sense for Deborah to want to skip chemo as it notoriously drains the soul out of one’s body — except if you’re Samantha from *Sex and the City*. Fabulous big C survivor. “You know I like to do things on my own terms,” she tells Ava. Her plan? To go on a grand trip before she goes to an assisted suicide facility in Zurich. “I wanna go out on top.” Ava now realizes why Deborah pushed for her record-setting [Central Park gig](https://rollingstonephilippines.com/culture/tv/hacks-season-5-recap-deborah-central-park-show/) the same weekend her [Madison Square Garden](https://rollingstonephilippines.com/culture/tv/hacks-s5e8-recap-jimmy/) hour fell through. Ava is inconsolable. She even considers not joining Deborah in Paris. “Your whole thing is beating the odds. This is so not you!” She tries enlisting Jimmy to help her convince Deborah to do chemo, only to be told he’s tried, and she won’t budge. ![jimmy lusaque and kayla schaefer hacks season finale](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/jimmy-lusaque-and-kayla-schaefer-hacks-season-finale.webp) Second-best *Hacks* duo, Schaefer and LuSaque gets their happy ending. Photo from Hacks/Instagram Jimmy, our glorified mail boy, himself, is on a mission. After getting tipped off about Kayla’s dad profiting off Latitude’s dead talents’ voice and likeness, he snoops around just as the whole office goes into a retreat. He then leverages this to convince Mr. Schaefer to step down and hand him and Kayla the reins in the agency, which proved too easy. Soon, they found themselves back where they started: Jimmy in his glass office and (president) Kayla on her old desk (by choice). Deborah is set to go to Europe without Ava, except she appears in the lounge right before boarding. For a second, we forget that we are losing our diva. Instead, they’re in Paris munching real bread, haggling at the vintage flea market, enjoying the Louvre all to themselves, taking disco naps, and staying up til sunrise after going to an underground club, both dressed as Ava. Now, hear me out when I say the last few scenes are a remake of their initial meeting in the pilot episode. The next morning, Deborah wakes up to Ava’s treatment proposal plans, which are printed out in a sleepless attempt to get her to change her mind. In Season 1 Episode 1, they sit right across from each other in matching Louis the whatever style sofas. This time, they are in Paris in a luxurious hotel that caters to generational wealth, sitting right across from each other; Ava is convincing Deborah to do something *for* her. This time to reconsider treatment. But her mind is made up: “I don’t wanna waste away. I don’t wanna be remembered like that.” But what is Ava if not stubborn. She replies, “But you’re a fighter!” Deborah, undone from a night of partying, looking as bare as she did when she got eyelid surgery, says, “I’m tired of fighting.” We get all the bickering that we thought were unusually missing from early in this season in Ava’s Hail Mary. When even that didn’t work, she pleads, “Please don’t leave me.” Just like in the pilot, when Ava doesn’t get it her way, she runs off, except Deborah doesn’t chase after her. In Paris, she finds herself inside a Roman Catholic church in the 4th arrondissement called the Church of Saint-Gervais-Saint-Protais, twin martyrs, who were known to have large hands, like Ava! She meets Deborah at a cafe, and after some contemplation, tells her she supports her decision. In return, our dying diva reveals a shocker: all this time, her hands were bigger than Ava’s. “I can’t believe you never noticed!” ![ava daniels deborah vance paris hacks series finale](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/ava-daniels-deborah-vance-paris-hacks-series-finale.webp) Deborah and Ava riff off each other one last time. Photo from Hacks/Instagram Even in the gravest of moments, these two know how to laugh. Laugh they did on the train station on the way to Zurich. Deborah, who notoriously has problematic eating habits, reaches out for Ava’s croissant. “I guess the best part of dying for a person with disordered eating is having a second croissant.” Naturally, they go back and forth, riffing off each other, as they did after Deborah chased Ava off the first time they met. Ava sets off for one last trip to the bathroom before they board, leaving Deborah time by herself. She reaches for a notebook to write something. They make their way to the train with Ava in front and Deborah trailing behind. We are all Ava, we are all ready for the train ride to the assisted suicide facility. We have accepted our final fate. But then Deborah calls out for Ava to stop and wait for her. “The worst part about dying is I can’t even enjoy being bone-thin. That’s the better joke.” Ava agrees, confused. They have to go now if they want to catch the train, and Deborah is just standing there. “I may not have 30 years, but I think I have another hour. Will you help me write it?” “Always.” A 1963 recording of “Get Happy/Happy Days Are Here Again” by Barbara Streisand and Judy Garland plays, and we see Ava and Deborah back in Las Vegas. How am I gonna live now without *Hacks*? I need Jean Smart in a fur coat to hold my hand and tell me, in a supportive tone (unlike when she first told Ava this in the Season 4 pilot), “You’ll be okay. You’re a big, brave girl.” *Hacks* is currently streaming its final season on HBO Max. ## Frequently Asked Questions ### What is ‘Hacks’ about? Hacks follows has-been Las Vegas comedian Deborah Vance as she sets out to rewrite her legacy with the help of a Gen Z writer named Ava Daniels. ### For how many seasons did ‘Hacks’ run? Hacks ran for a total of five seasons from 2021 to 2026. ### When did the ‘Hacks’ series finale air? Hacks’ series finale, Season 5 Episode 10, aired May 29, 2026 in the Philippines. ### Who plays Deborah and Ava in ‘Hacks’? Jean Smart plays Deborah Vance, while Hannah Einbinder plays Ava Daniels in Hacks. ### How does ‘Hacks’ end? In the series finale of Hacks, Deborah tells Ava that a mass has spread, and she has decided to go to Zurich for assisted suicide right after their planned trip to Paris. Related Stories - [Deborah on Poppers, Lesbian Cruise, and ‘Hacks’ Gayest Moments](https://rollingstonephilippines.com/culture/hacks-gayest-moments/ "Deborah on Poppers, Lesbian Cruise, and ‘Hacks’ Gayest Moments") - [D’Jewelry, ‘Mall Girl,’ and All the Loose Ends ‘Hacks’ Season 5 Has Tied, So Far](https://rollingstonephilippines.com/culture/hacks-season-5-ep-4-5-recap/ "D’Jewelry, ‘Mall Girl,’ and All the Loose Ends ‘Hacks’ Season 5 Has Tied, So Far") - [‘Hacks’ Season 5 Recap: Deborah’s Central Park Comeback](https://rollingstonephilippines.com/culture/tv/hacks-season-5-recap-deborah-central-park-show/ "‘Hacks’ Season 5 Recap: Deborah’s Central Park Comeback") **Categories:** Culture, TV **Tags:** Hacks --- ### [Sandiganbayan Orders Arrest of Jinggoy Estrada in Flood Control Scandal](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sandiganbayan-orders-jinggoy-estrada-arrest-flood-control-scandal/) **Published:** May 29, 2026 **Author:** Pie Gonzaga **Excerpt:** The senator isn’t new to plunder accusations, having been arrested — and acquitted — twice previously **Content:** The Sandiganbayan has ordered an arrest warrant against Senator [Jinggoy Estrada](https://rollingstonephilippines.com/tag/jinggoy-estrada/ "Jinggoy Estrada"), who faces graft and plunder cases related to the [flood control corruption scandal](https://rollingstonephilippines.com/tag/flood-control-probe/ "Flood Control Probe"). Former Department of Public Works and Highways ([DPWH](https://rollingstonephilippines.com/tag/dpwh/ "DPWH")) Secretary Manuel Bonoan was also issued an arrest warrant. Estrada posted a P90,000 bail on the graft case on the same afternoon the arrest warrant was issued, Friday, May 29. He may still be arrested for plunder, which is a non-bailable offense. “Our evaluation shows that substantial public funds were deliberately funneled into designated infrastructure projects in exchange for predetermined commission fees or kickbacks,” said Assistant Ombudsman Mico Clavano. He added that case documents indicate that Estrada received over P573 million from illicit payouts. This is not the first time Estrada has faced an arrest for a corruption case. In April 2001, Estrada, then the incumbent mayor of San Juan, was arrested with his father, ex-President Joseph “Erap” Estrada, for plunder. In June 2014, the senator was once again arrested on the charge of plunder, this time in relation to the pork barrel scam. *This story was updated on May 29, 2026, 6:17 p.m. to include the detail regarding Sen. Jinggoy Estrada posting bail.* ## Frequently Asked Questions ### Why did the Sandiganbayan issue an arrest warrant against Jinggoy Estrada? The Sandiganbayan issued an arrest warrant for Senator Jinggoy Estrada over graft and plunder charges tied to the flood control corruption scandal involving P573 million in kickbacks. ### How much did Jinggoy Estrada allegedly receive from the flood control kickbacks? Case documents from the Ombudsman indicate Estrada received over P573 million from illicit payouts connected to infrastructure projects funded by deliberate misuse of public funds. ### Who else was arrested in the flood control corruption case? Former DPWH Secretary Manuel Bonoan was also issued an arrest warrant for plunder, a non-bailable offense, in connection with the same flood control corruption scandal. ### Has Jinggoy Estrada been arrested on corruption charges before? Yes, twice. In 2001 he was arrested for plunder alongside his father, ex-President Erap Estrada. In 2014 he was arrested again for plunder in relation to the pork barrel scam. ### What did the Ombudsman say about the flood control corruption case? Assistant Ombudsman Mico Clavano stated that public funds were deliberately funneled into infrastructure projects in exchange for predetermined commission fees and kickbacks from involved parties. Related Stories - [‘Kurakot Shaming’ Is Not Enough to End Corruption in the Philippines. So, What’s Next?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/philippine-flood-control-corruption-outrage/ "‘Kurakot Shaming’ Is Not Enough to End Corruption in the Philippines. So, What’s Next?") - [6 Corruption Scandals the Philippines Needs to Learn From](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/6-philippine-corruption-scandals/ "6 Corruption Scandals the Philippines Needs to Learn From") - [Bong Revilla Goes to Jail Again for Corruption Charges](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/bong-revilla-surrendered-corruption/ "Bong Revilla Goes to Jail Again for Corruption Charges") **Categories:** Philippine Politics, State of Affairs **Tags:** Flood Control Probe, Jinggoy Estrada --- ### [Robin Padilla Not Understanding ‘Force Majeure’ Is Its Own Disaster](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/robin-padilla-misunderstands-force-majeure/) **Published:** May 29, 2026 **Author:** Pie Gonzaga **Excerpt:** Senators from the minority bloc argue that force majeure only applies to natural calamities, insinuating that Padilla has it all wrong **Content:** Senator [Robin Padilla](https://rollingstonephilippines.com/tag/robin-padilla/ "Robin Padilla") once again became the subject of criticism after he claimed that the [war in the Middle East](https://rollingstonephilippines.com/state-of-affairs/politics/ofws-israel-iran-air-strikes/ "Nearly 130 Filipinos Expected to Be Repatriated Amid Israel-Iran Conflict") and the Philippines’ supposed involvement in conflicts between China and Taiwan are reason enough for Sen. [Ronald “Bato” dela Rosa](https://rollingstonephilippines.com/tag/bato-dela-rosa/ "Bato dela Rosa") to remain absent from Senate sessions. “Hindi po ba ito force majeure?” he asked rhetorically on Facebook — to which his fellow lawmakers answered, “No.” Minutes after the first post on Facebook, dated May 27, Padilla doubled down on his definition of force majeure, adding that El Niño, a period characterized by unusually warm sea surface temperatures, and the recent Senate shootout also constitute force majeure. ## What is Force Majeure? The [Civil Code of the Philippines](https://www.officialgazette.gov.ph/1949/06/18/republic-act-no-386/) defines force majeure as events that “could not be foreseen, or which, though foreseen, were inevitable.” Senator Francis “Kiko” Pangilinan further pointed out on social media that force majeure refers to a “natural disaster o calamity o sa legal terminology ‘Acts of God’ na wala na sa kamay ng tao.” On X, Sen. Panfilo “Ping” Lacson posted a screenshot of Padilla’s first Facebook post with the caption “Hindi po ito ‘force majeure.’ Iyan po ay ‘unforced error.’” In an interview on Thursday, May 28, Sen. Erwin Tulfo also said that war “is not part of force majeure,” and added that the warm climate is not enough of an excuse for a senator not to appear in session. “‘Yung El Niño, I don’t know how that shall affect na kailangan hindi pumasok ang isang senador dahil mainit?” he said. The argument over the definition of force majeure arose as senators continue to debate over whether to allow dela Rosa to participate in Senate sessions remotely. According to [*Philstar*](https://www.philstar.com/headlines/2026/05/28/2531146/fact-check-global-war-la-nia-are-not-force-majeure-senate-sessions), senators from the majority bloc had argued that the Senate already allowed remote participation during the COVID-19 pandemic, which was considered force majeure. ## Frequently Asked Questions ### What is force majeure under Philippine law? Under the Civil Code of the Philippines, force majeure refers to events that could not be foreseen or, if foreseen, were inevitable — commonly understood as natural disasters or “Acts of God” beyond human control. ### What did Robin Padilla say about force majeure and why was he criticized? Padilla argued that the Middle East war, China-Taiwan tensions, El Niño, and the Senate shootout all constitute force majeure, using it to justify Bato dela Rosa’s Senate absences. Fellow senators and the Civil Code disagreed. ### How did other senators respond to Robin Padilla’s force majeure claim? Ping Lacson called it an “unforced error” on X. Kiko Pangilinan clarified the legal definition on social media. Erwin Tulfo stated in an interview that neither war nor El Niño qualifies as grounds for missing Senate sessions. ### Why is the force majeure debate relevant to Bato dela Rosa’s Senate attendance? Senators are debating whether to allow dela Rosa to participate in sessions remotely. Padilla’s attempt to apply force majeure to geopolitical and climate conditions was challenged as a misreading of the legal standard. ### Has the Philippine Senate allowed remote participation before? Yes, during the COVID-19 pandemic, which was formally recognized as force majeure. The current debate questions whether regional conflicts or El Niño meet the same legal threshold. Related Stories - [Robin Padilla Calls Today’s Kids ‘Weak,’ and the Internet Strikes Back](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/robin-padilla-social-media-weak/ "Robin Padilla Calls Today’s Kids ‘Weak,’ and the Internet Strikes Back") - [Sen. Robin Padilla is Missing the Point on Mental Health](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/robin-padilla-mental-health-crisis/ "Sen. Robin Padilla is Missing the Point on Mental Health") - [Amid Bato’s Absence, How Much is a Senator’s Salary?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/how-much-is-senators-salary/ "Amid Bato’s Absence, How Much is a Senator’s Salary?") **Categories:** Philippine Politics, State of Affairs **Tags:** Robin Padilla, Senate --- ### [‘Backrooms’ Is No. 1 At the Global Box Office. What Does This Mean for the Future of Moviegoing?](https://rollingstonephilippines.com/culture/film/backrooms-obsession-box-office-horror-cinema/) **Published:** June 1, 2026 **Author:** Mel Wang **Excerpt:** It’s a very good time to be a horror filmmaker, as Kane Parsons and Curry Barker bring in millions worldwide for their respective horror features **Content:** *[Backrooms](https://rollingstonephilippines.com/tag/backrooms/ "Backrooms")* is still in its opening week, but the [A24](https://rollingstonephilippines.com/tag/a24/ "A24") horror movie has raked in $118 million worldwide so far, putting it at the top of this week’s global box office. The film, based on the Internet mythos of the same name, is written and directed by Kane Parsons, the [YouTuber-turned-filmmaker](https://rollingstonephilippines.com/culture/film/youtube-to-horror-movies-6-creators-turned-filmmakers/ "From YouTube to Horror Movies: 6 Creators Who Became Filmmakers") who first found viral fame by posting videos inspired by the urban legend. At only 20 years old, Parsons has broken the record for the youngest director with a No. 1 opening. The previous record-holder was Josh Trank, at 27, for his sci-fi thriller *Chronicle* in 2012 (which opened at $22 million). *Backrooms* has also given A24 its highest-grossing opening weekend to date, and is more than recouping its budget of roughly $10 million. Parsons isn’t the only horror filmmaker making waves this year. As of writing, fellow YouTuber Curry Barker and his horror offering *[Obsession](https://rollingstonephilippines.com/culture/film/obsession-film-review-wish-gone-wrong-horror/ "No One’s Really the Villain in ‘Obsession’")* have brought in a total of $104.7 million at the global box office. Now in its third week, *Obsession* has only risen in ticket sales, earning well beyond its $750,000 budget. Established figures in the world of horror are singing praises for *Backrooms* and *Obsession*, with Blumhouse Productions CEO Jason Blum and filmmaker Jason Wan (both of whom served as producers on *Backrooms*) lauding Parsons and Barker for breaking records. “What I think is so incredible about *Obsession* and *Backrooms* is that they’re a new kind of movie,” Blum said in a [recent panel](https://www.hollywoodreporter.com/movies/movie-news/jason-blum-james-wan-obsession-backrooms-success-horror-1236609599/) on the state of cinema. “They’re made by non-traditional directors, directors who really honed their skills as creators online.” “I’ve been a horror fan since I was a kid, and so naturally I grew up on a steady diet of horror movies through the ‘80s and ‘90s, inspired by great filmmakers like John Carpenter and Wes Craven,” added Wan. “I look at them and think, ‘You know what? I kind of want to do what they did.’ Today, we kind of mimic that model. And here we are. I say this to anyone who will listen: The horror genre keeps saving our industry.” ## Frequently Asked Questions ### How much has “Backrooms” earned at the global box office? Backrooms debuted to $118 million worldwide in its opening week, giving A24 its highest-grossing opening weekend to date — more than recouping its roughly $10 million budget. ### Who is Kane Parsons and why is he making history? Kane Parsons is a 20-year-old YouTuber-turned-filmmaker who wrote and directed Backrooms, making him the youngest director ever to open at No. 1 — breaking the previous record held by Josh Trank, who was 27 when Chronicle debuted in 2012. ### How has “Obsession” performed at the box office compared to “Backrooms”? Now in its third week, Obsession has earned $104.7 million globally on a budget of just $750,000 — and its ticket sales have continued to rise rather than decline. ### What do “Backrooms” and “Obsession” have in common beyond their box office success? Both films were made by non-traditional directors who built their craft online, with Kane Parsons and Curry Barker each coming from a YouTube background before making their feature debuts. ### Why does Jason Wan say horror keeps saving the film industry? Wan, who produced Backrooms, argues that horror has a multigenerational model — the same one that inspired filmmakers like John Carpenter and Wes Craven — that continues to draw audiences to cinemas in a way few other genres can sustain. Related Stories - [I Was Drunk and Alone in the ‘Backrooms’ Escape Room](https://rollingstonephilippines.com/culture/drunk-alone-backrooms-escape-room/ "I Was Drunk and Alone in the ‘Backrooms’ Escape Room") - [No One’s Really the Villain in ‘Obsession’](https://rollingstonephilippines.com/culture/film/obsession-film-review-wish-gone-wrong-horror/ "No One’s Really the Villain in ‘Obsession’") - [From YouTube to Horror Movies: 6 Creators Who Became Filmmakers](https://rollingstonephilippines.com/culture/film/youtube-to-horror-movies-6-creators-turned-filmmakers/ "From YouTube to Horror Movies: 6 Creators Who Became Filmmakers") **Categories:** Culture, Film **Tags:** Backrooms, Obsession --- ### [Inside Samsung’s Galaxy A-Team Summer Event in Boracay](https://rollingstonephilippines.com/radar/samsung-galaxy-a-team-summer-boracay/) **Published:** June 1, 2026 **Author:** Precy Tan **Excerpt:** At Samsung’s Galaxy Summer in Boracay, conversations around everyday innovation take center stage as Galaxy A-Team ambassadors reflect on how the Galaxy A57 5G and A37 5G fit into their routines **Content:** The summer season is in full swing, and Samsung’s Galaxy Summer in [Boracay](https://rollingstonephilippines.com/tag/boracay/ "Boracay") set the tone for how [Gen Z](https://rollingstonephilippines.com/tag/gen-z/ "Gen Z") and millennials move between work, leisure, content, and connection in a lifestyle that rarely goes offline. Against the backdrop of the world-famous white sand beach, we witnessed firsthand how Samsung introduced the [Galaxy A57 5G](http://smsng.co/GalaxyA57-PR "Galaxy A57 5G") and [Galaxy A37 5G](http://smsng.co/GalaxyA37-PR "Galaxy A37 5G") alongside the Galaxy A-Team, composed of actor Will Ashley, actress Ashtine Olviga, actress Caprice Cayetano, and singer-songwriter [Maki](https://rollingstonephilippines.com/tag/maki/ "Maki"), whose routines reflect different sides of life online, from music and entertainment to travel and content creation. Throughout this three-day trip, the focus stayed on how these new Samsung Galaxy A devices fit into everyday routines already shaped by constant movement. Awesome Intelligence-powered features entered the conversation as tools folded into how people already shoot, share, and discover. ![discovery boracay](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Samsung-Galaxy-A57-5G-Galaxy-A37-5G-Galaxy-A-Team-Boracay-3.webp) ![yoga discovery boracay](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Samsung-Galaxy-A57-5G-Galaxy-A37-5G-Galaxy-A-Team-Boracay-4.webp) Alongside the rest of the guests, we spent this vacation moving between beachfront yoga sessions, sunset cruises, and afternoons by the shore, where content creation happened as naturally as the downtime itself. Through every spontaneous moment, the Galaxy A57 5G and Galaxy A37 5G became part of how we stayed connected. On the Galaxy A-Team’s part, they shared how these devices fit into their creative routines. For Will Ashley, a Gen Z actor and content creator whose schedule reflects the pace of Gen Z work culture, the Galaxy A57 5G and Galaxy A37 5G address that need for access and consistency during long hours. He described how the devices help ideas move faster, especially when shifting between tasks. “It’s really easy to access technology nowadays. Especially when you have ideas, and you want to go deeper,” he said. “It’s always there to help you.” ![Samsung Galaxy A-Team, composed of actor Will Ashley, actress Ashtine Olviga, actress Caprice Cayetano, and singer-songwriter Maki](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Samsung-Galaxy-A57-5G-Galaxy-A37-5G-Galaxy-A-Team-Boracay-5.webp) Ashtine, Caprice, Maki, and Will share how the new Samsung Galaxy A57 5G and Galaxy A37 5G are integrated into their creative routines. With improved performance and a larger vapor chamber, the Samsung Galaxy A57 5G and A37 5G support extended use without slowing down, allowing attention to stay on the task rather than the device. Meanwhile, Caprice Cayetano moves through her day spontaneously, often shifting from one idea to the next with little planning. With the Galaxy A57 5G and Galaxy A37 5G, that pace is supported by tools that make it easier to experiment and create on the go. “It helps me try new ideas and be more creative without overthinking,” she said. ![will ashley samsung galaxy a team](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/will-ashley-samsung-galaxy-a-team.webp) ![caprice cayetano samsung galaxy a team](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/caprice-cayetano-samsung-galaxy-a-team.webp) That approach carries into her editing content to navigating travel. Features like Circle to Search with Google allow her to look up items directly from her screen, whether it is an outfit or a song she recently heard. “I always use that when it comes to traveling or fashion,” she added. In her own workflow, Ashtine Olviga moves through shooting, editing, and posting in a single cycle, with camera tools and [AI](https://rollingstonephilippines.com/tag/ai/ "AI")-assisted features entering at specific points in that flow. “I can do a lot with one device, and I can access everything,” she said. “With my Galaxy A57, I feel like I have an action camera at the same time.” Features such as Edit Suggestions and Best Face support adjustments during shoots, helping streamline the process without changing her approach to content creation. ![ashtine olviga samsung galaxy a team](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/ashtine-olviga-samsung-galaxy-a-team.webp) ![maki samsung galaxy a team](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/maki-samsung-galaxy-a-team.webp) He also shared how device features, including the 50 MP camera and Nightography capabilities on the Galaxy A series, help him document moments that often feed into his creative process. Chart-topping artist Maki also reflected on how the Galaxy A57 5G and Galaxy A37 5G empower artists to create and share their work more freely within today’s digital landscape. While acknowledging the growing role of AI in creative spaces, he emphasized that innovations like this should support human expression rather than define it.“AI is made to assist, not to replace humans,” Maki shared. “If it started with you and ended with you, that’s what matters,” he added, underscoring that creativity remains deeply human despite the tools used along the way. The Galaxy A57 5G and A37 5G’s Awesome Intelligence features include Circle to Search with Google, Gemini Live, and Object Eraser, designed to support routine tasks already part of daily use. For many millennials and Gen Z users, there is also a growing preference for innovations that feel intuitive rather than intrusive, especially in creative spaces where personal expression still matters most. This is reflected in features designed to fit naturally into everyday habits. On devices like the Galaxy A57 5G, Object Eraser makes photo cleanup quicker without needing separate apps, while Best Face helps improve group shots without multiple retakes. Edit Suggestions also provide simple enhancements that make editing more accessible while still allowing users to shape the final result in their own way. ## Frequently Asked Questions ### What is Samsung’s Galaxy A-Team? The Galaxy A-Team is Samsung Philippines’ ambassador group for its Galaxy A series. It is composed of actor Will Ashley, actresses Ashtine Olviga and Caprice Cayetano, and singer-songwriter Maki, who joined the brand’s three-day Galaxy Summer event in Boracay to introduce the new devices. ### What are the Galaxy A57 5G and Galaxy A37 5G? The Galaxy A57 5G and Galaxy A37 5G are Samsung’s newest midrange smartphones, introduced in the Philippines at the Boracay event. Samsung positions them around everyday content creation, citing a 50MP camera, Nightography low-light shooting, and a larger vapor chamber for sustained performance. ### How much do the Galaxy A57 5G and A37 5G cost? At launch, Samsung listed the Galaxy A57 5G from P28,990 and the Galaxy A37 5G from P25,990, with up to P7,170 worth of savings and freebies offered for a limited time. Pricing was current as of the June 2026 launch and is subject to change. ### What are the Awesome Intelligence features? Samsung groups the phones’ AI tools under Awesome Intelligence. These include Circle to Search with Google, Gemini Live, Object Eraser for removing unwanted elements from photos, Best Face for group shots, and Edit Suggestions — all described by the brand as supporting everyday tasks. ### What did the Galaxy A-Team say about AI and creativity? The ambassadors framed AI as a creative aid rather than a replacement. Maki said AI is made to assist, not replace humans, and that what matters is work that begins and ends with the creator. Ashtine Olviga said one device now covers her shooting, editing, and posting. --- *Step up your A-Game with the new Galaxy A57 5G and Galaxy A37 5G, designed to keep up with content creation, entertainment, and everything in between. Tune in to the Galaxy A-Team and discover the latest Galaxy A Series devices, available for as low as P28,990 for the Galaxy A57 5G and P25,990 for the Galaxy A37 5G, with up to P7,170 worth of savings and freebies available for a limited time. Shop the new Galaxy A57 5G and Galaxy A37 5G at* [*samsung.com*](http://samsung.com)*.* **Categories:** Events, Radar **Tags:** AI, Boracay, Samsung --- ### [Are the Senate Majority’s Days Numbered?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/senate-majority-bloc-crisis-estrada-arrest/) **Published:** June 2, 2026 **Author:** Pie Gonzaga **Excerpt:** With the arrest of Sen. Jinggoy Estrada and Sen. Bato dela Rosa MIA, is Senate President Alan Peter Cayetano losing control of the Senate? **Content:** The Senate majority bloc is down to 11 members, with Senator [Jinggoy Estrada](https://rollingstonephilippines.com/tag/jinggoy-estrada/ "Jinggoy Estrada") having recently [surrendered](https://newsinfo.inquirer.net/2237790/jinggoy-estrada-wont-seek-senate-custody) to the Philippine National Police (PNP) and Sen. [Ronald “Bato” dela Rosa](https://rollingstonephilippines.com/tag/bato-dela-rosa/ "Bato dela Rosa") still evading arrest by the International Criminal Court (ICC). And as Senate President [Alan Peter Cayetano](https://rollingstonephilippines.com/tag/alan-peter-cayetano/ "Alan Peter Cayetano") struggles to get a grip on the majority bloc, Sen. [Panfilo “Ping” Lacson](https://rollingstonephilippines.com/tag/ping-lacson/ "Ping Lacson") reportedly says two more members of the majority may be preparing to switch sides. On Monday, June 1, Estrada surrendered to police, who sought to arrest him on a plunder charge related to the flood control corruption scandal. The senator earlier [posted bail](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sandiganbayan-orders-jinggoy-estrada-arrest-flood-control-scandal/) on May 29 for his graft charges, but plunder is a non-bailable offense. His allies in the Senate majority accompanied him in his surrender, leaving the minority bloc in the session hall and breaking quorum. Cayetano released a statement regarding Estrada’s arrest, addressing the minority. “No matter our disagreements, we must all agree that it is the Senate’s own business to settle. This chamber answers to God and the people who sent us here, and to no one outside these walls,” he said. He also asked the minority bloc, “Will you stand for the Senate’s independence?” In response, the minority senators issued a joint statement calling the majority bloc’s absence from the Monday afternoon session a “boycott of duty.” “\[The majority\] did not even have the courtesy to inform us when they ignored the rules, and could not extend the basic decency of telling the minority that they had no intention of convening,” the statement read. “Today was a step toward accountability in a controversy that the public has long demanded action on, and after years of people asking why nothing was happening in flood control investigations, it is unacceptable to suddenly call the rule of law an attack on the Senate.” The minority bloc added that several measures were to be discussed during the session but were instead “left hanging” due to the absence of the majority bloc, including the Magna Carta of Barangay Health Workers, the Anti-Hospital Detention Bill, and the confirmation of generals before the Commission on Appointments. ## Will the Majority Lose More Members? ![joel villanueva robin padilla bong go](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/villanueva-padilla-go.webp) Senators Joel Villanueva, Robin Padilla, and Bong Go talk during a Senate plenary session, May 20. Photo by Wendell Alinea/Senate of the Philippines Facebook Aside from Estrada, majority member Sen. [Rodante Marcoleta](https://rollingstonephilippines.com/tag/rodante-marcoleta/ "Rodante Marcoleta") is also in hot water for alleged plunder and indirect bribery. On May 26, the Sandiganbayan issued a precautionary hold departure order (PHDO) against the lawmaker, which was earlier requested by the Office of the Ombudsman on allegations that Marcoleta received P75 million in campaign donations. The Ombudsman’s investigation stemmed from Marcoleta’s alleged nondisclosure of campaign donations in his Statement of Contributions and Expenditures (SOCE). Sen. [Joel Villanueva](https://rollingstonephilippines.com/tag/joel-villanueva/ "Joel Villanueva"), like Estrada, may also face a plunder case related to flood control projects, according to Interior Secretary Jonvic Remulla. On May 27, Remulla said the charges may be filed against Villanueva in two weeks. Meanwhile, Sen. [Robin Padilla](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/robin-padilla-misunderstands-force-majeure/ "Robin Padilla Not Understanding ‘Force Majeure’ Is Its Own Disaster") faces an [obstruction of justice](https://www.rappler.com/philippines/robin-padilla-obstruction-justice-complaint-bato-dela-rosa-escape/) complaint filed by the PNP Criminal Investigation and Detection Group (CIDG) for his alleged involvement in dela Rosa’s escape from the Senate in the early hours of May 14. “The CIDG has officially concluded that the transport of Senator dela Rosa was not a mere hitch ride on Senator Padilla’s car, but a highly coordinated, pre-planned logistical maneuver specifically executed to avoid detection while escaping the Senate premises,” the CIDG said in its complaint filed on May 28. Padilla asserts that he did not know where dela Rosa intended to go when he gave his friend and fellow senator a ride. [*The Manila Times*](https://www.manilatimes.net/2026/05/31/news/2-defections-could-tip-senate-power-balance/2355043) also reported that Lacson said two more senators may leave the majority to oust Cayetano as Senate president. The former Senate president pro tempore reportedly said that unidentified members of the majority were reconsidering their alignment due to [tensions in the Senate](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/cayetano-senate-president-first-week-crisis-duterte-impeachment/), which started earlier in May when Sen. [Vicente “Tito” Sotto III](https://rollingstonephilippines.com/tag/tito-sotto/ "Tito Sotto") was ousted as Senate president and replaced by Cayetano. ## Frequently Asked Questions ### Why is the Philippine Senate majority bloc shrinking? The majority bloc fell to 11 members after Senator Jinggoy Estrada surrendered on a non-bailable plunder charge, with Senator Bato dela Rosa still evading ICC arrest and two more senators reportedly preparing to switch sides. ### What charges does Jinggoy Estrada face? Estrada faces plunder charges linked to the flood control corruption scandal. He surrendered to the PNP on June 1, 2026. Plunder is a non-bailable offense under Philippine law, meaning he cannot post bail. ### What happened to the Senate session on June 1, 2026? The majority bloc accompanied Estrada during his surrender, abandoning the session hall and breaking quorum. Key pending bills — including the Magna Carta of Barangay Health Workers and the Anti-Hospital Detention Bill — were left unresolved. ### What legal case does Robin Padilla face? Padilla faces an obstruction of justice complaint filed by the PNP-CIDG for allegedly helping Senator dela Rosa escape the Senate premises on May 14 to evade ICC arrest. Padilla denies knowingly aiding the escape. ### Could Alan Peter Cayetano lose the Senate presidency? Senator Ping Lacson reportedly said two unidentified majority members are reconsidering their alignment, which could cost Cayetano his Senate presidency — mirroring the ouster of Senator Tito Sotto earlier in May 2026. Related Stories - [Cayetano’s First Week as Senate President is ‘Embarrassing,’ But Can He Bounce Back?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/cayetano-senate-president-first-week-crisis-duterte-impeachment/ "Cayetano’s First Week as Senate President is ‘Embarrassing,’ But Can He Bounce Back?") - [Sandiganbayan Orders Arrest of Jinggoy Estrada in Flood Control Scandal](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sandiganbayan-orders-jinggoy-estrada-arrest-flood-control-scandal/ "Sandiganbayan Orders Arrest of Jinggoy Estrada in Flood Control Scandal") - [Robin Padilla Not Understanding ‘Force Majeure’ Is Its Own Disaster](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/robin-padilla-misunderstands-force-majeure/ "Robin Padilla Not Understanding ‘Force Majeure’ Is Its Own Disaster") **Categories:** Philippine Politics, State of Affairs **Tags:** Senate --- ### [The Winners and Losers of ‘Euphoria’ Season 3](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-winners-losers-rue-nate-cassie/) **Published:** June 2, 2026 **Author:** Pie Gonzaga **Excerpt:** Did Cassie, who’s come to be one of the show’s most-hated characters, win? Or did Maddy get her lick back? **Content:** After seven years, three seasons, and 26 episodes, HBO’s *[Euphoria](https://rollingstonephilippines.com/tag/euphoria/ "Euphoria")* has come to an end. Since the show first came out in 2019, we’ve followed its cast of characters as they navigated high school and all the things teenagers struggle with. Season 3 complicates and confounds as writer-director Sam Levinson injects Tarantino-esque gore and action into what used to be a coming-of-age drama: Rue gets roped in between cartels and the DEA, and Nate is in a lot of debt that Cassie has to help pay off. Maybe your problems just naturally become a lot more difficult to overcome when you’re an adult, but in *Euphoria*, the heavier conflicts come as part of the show’s expanded, more politicized world. Some characters have what it takes to get around Hollywood, the American drug world, and OnlyFans, but others aren’t so lucky. The show disappointingly did not make enough time to explore the characters of Jules ([Hunter Schafer](https://rollingstonephilippines.com/tag/hunter-schafer/ "Hunter Schafer")) and Lexi (Maude Apatow), Rue’s girlfriend and best friend, respectively. But regardless of that, there’s still a lot of plot and conflict to tune into. Here, we take a look at how those conflicts end, and who won and who lost in *Euphoria* Season 3. *This list contains spoilers. Watch* Euphoria *on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max") and see our [finale recap ](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-finale-recap-ending-explained/ "‘Euphoria’ Wraps Up In Emotional Season 3 Finale, with a Major Character Death")before reading on.* ## Nate Jacobs: Loser ![euphoria season 3 nate jacob elordi](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/jacob-elordi-matthew-willig.webp) Jacob Elordi’s Nate had it really rough this season, when he used to be such a bully in the show. Photo by Patrick Wymore/HBO Nate’s ([Jacob Elordi](https://rollingstonephilippines.com/tag/jacob-elordi/ "Jacob Elordi")) character arc just wasn’t believable. Previous seasons showed us that he was the more responsible, ambitious son in the family, and he was also a lot more proactive in getting what he wanted (to the point of using a gun). This season, he had to beg for his life, was tortured for five episodes without fighting back, and then died. It’s a shame Fez wasn’t around to celebrate Nate’s death. ## Cassie Howard Jacobs: Winner ![euphoria season 3 cassie sydney sweeney](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/sydney-sweeney_10.webp) Sydney Sweeney’s Cassie overcomes being *Euphoria*’s most hated character in the finale. Photo by Patrick Wymore/HBO Cassie ([Sydney Sweeney](https://rollingstonephilippines.com/tag/sydney-sweeney/ "Sydney Sweeney")) may have lost Nate, the guy she literally ended her high school friendship over, but in the end, she made amends with her best friend Maddy and her sister Lexi, and that’s what matters the most. She also might be grieving Nate, but she’s also picking up the pieces and starting an OnlyFans model house that will earn her thousands — if not millions — of dollars. ## Laurie: Loser ![euphoria season 3 laurie martha kelly](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/martha-kelly_0.webp) Martha Kelly’s Laurie is a fan-favorite because of her lobotomized demeanor, but she still had it coming. Photo by Patrick Wymore/HBO What’s the point of employing violent mega-racists into your cartel and threatening to traffic Rue (a woman of color, by the way) if you’re not going to reap the benefits of running a drug business because you’re dead? In the end, Laurie ([Martha Kelly](https://rollingstonephilippines.com/culture/tv/euphoria-laurie-martha-kelly-interview/ "Martha Kelly is the ‘Euphoria’ Villain the Internet Loves to Fear")) chickened out and ended her own life because she couldn’t bear the thought of going to prison, and that’s sad. ## Maddy Perez: Winner ![euphoria season 3 maddy alexa demie](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/alexa-demie.webp) Alexa Demie’s Maddy smiles big as she takes the money shot in a photoshoot with Cassie. Photo by Patrick Wymore/HBO Maddy (Alexa Demie) lost her job and almost died a few times after getting into business with the wrong man, but she still walked away alive, potentially with a boyfriend (Darrell Britt-Gibson’s Bishop) who isn’t afraid to wield a gun to protect her and his pet dog, Snowflake. Early into the season, she also plotted vengeance against Nate and Cassie, but in the end, friendship still won, and so did Maddy. ## Alamo Brown: Loser ![euphoria season 3 alamo adewale akinnuoye agbaje](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/adewale-akinnuoye-agbaje.webp) Adewale Akinnuoye-Agbaje’s Alamo is perhaps the show’s most terrifying villain yet. Photo by Eddy Chen/HBO Alamo (Adewale Akinnuoye-Agbaje) had the power and machinery to be the last man standing in *Euphoria*. He had multiple income streams, henchmen, and all sorts of weapons at his disposal. But in the end, his ruthlessness made him an enemy even to his supposed allies, and Bishop betrayed him to save Ali and Maddy. ## Ali Muhammad: Winner\* ![euphoria season 3 ali colman domingo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/colman-domingo.webp) Colman Domingo’s Ali is more than just a supporting role this season. He is a hero. Photo by Eddy Chen/HBO Ali (Colman Domingo) may have technically won the duel with Alamo and avenged Rue, but it’s a Pyrrhic victory. This character has lost too many loved ones on the road to victory that the win is tantamount to defeat. But if Ali’s goal is to “do good,” as he talked about in support group, by preventing Alamo from hurting anyone else, then he certainly succeeded. ## Rue Bennett: Loser ![euphoria season 3 rue zendaya](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/zendaya_3.webp) Zendaya’s Rue was on a pursuit of the divine this season, and ended up meeting her maker in the process. Photo by Eddy Chen/HBO It’s hard to watch a character struggle with grief and a host of mental illnesses, spiral into addiction, and try to claw their way out. Despite the struggles that life threw her way, Rue ([Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya")) always got close to triumph, recovering from an overdose, going to rehab, and promising sobriety at the end of Season 2. In Season 3, she found new reasons to get out of debt and continue living, and we would have loved to see her win, so her death — caused not by addiction but by drugs nonetheless — is absolutely heartbreaking. ## Frequently Asked Questions ### How does Euphoria Season 3 end? Euphoria Season 3 concludes with major character deaths, including Nate and Rue, while Cassie, Maddy, and Ali survive in various states of loss and compromise. The finale marks the end of the HBO series after three seasons, 26 episodes, and seven years on air. ### Does Rue die in Euphoria Season 3? Yes. Rue (Zendaya) dies in Season 3 from fentanyl poisoning. The show frames her death as a tragic outcome despite her recovery arc, having survived overdoses and rehab across the previous two seasons. ### Who are the biggest winners in Euphoria Season 3? Cassie (Sydney Sweeney) and Maddy (Alexa Demie) emerge as the season’s clearest survivors. Cassie reconciles with Maddy and Lexi and pivots toward financial independence with Maddy. ### What happens to Nate Jacobs in the Euphoria finale? Nate Jacobs (Jacob Elordi) is tortured across five episodes and ultimately killed. The show’s framing of his death was widely seen as inconsistent with his established character — an ambitious, volatile figure who in previous seasons was rarely passive or powerless. ### Is Euphoria Season 3 the last season? Yes. Season 3 is confirmed as the final season of HBO’s Euphoria. The show ran from 2019 to 2026, concluding with 26 episodes across three seasons under writer-director Sam Levinson. Related Stories - [‘Euphoria’ Wraps Up In Emotional Season 3 Finale, with a Major Character Death](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-finale-recap-ending-explained/ "‘Euphoria’ Wraps Up In Emotional Season 3 Finale, with a Major Character Death") - [‘Euphoria’ Season 3, Episode 7 Says A Few Goodbyes Ahead of the Finale](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-7-recap-nate/ "‘Euphoria’ Season 3, Episode 7 Says A Few Goodbyes Ahead of the Finale") - [Martha Kelly is the ‘Euphoria’ Villain the Internet Loves to Fear](https://rollingstonephilippines.com/culture/tv/euphoria-laurie-martha-kelly-interview/ "Martha Kelly is the ‘Euphoria’ Villain the Internet Loves to Fear") **Categories:** Culture, TV **Tags:** Euphoria, HBO Max --- ### [Boying Remulla Makes His Case](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/boying-remulla-ombudsman/) **Published:** July 24, 2026 **Author:** Mara Cepeda **Excerpt:** As the man keeping the government in check, Jesus Crispin “Boying” Remulla finds himself at the center of one of the most consequential corruption scandals in the country’s history. Here he talks about the cases, not blinking to pressure, and why he always wanted to be the Ombudsman **Content:** [Jesus Crispin “Boying” Remulla](https://rollingstonephilippines.com/tag/boying-remulla/ "Boying Remulla") does not do apologies. I first covered him in 2019, when he was Senior Deputy Majority Leader of a House that would vote down ABS-CBN’s franchise a year later. He has not softened on his surgical takedown of the network that probably made even his own allies sigh with relief that he sits on the same side. “They abused their franchise,” according to Remulla. “They didn’t hold on to their franchise the way that they should: to serve the country. They were already doing it as a power play.” Six years after ABS-CBN was officially shut down, Remulla says he “has no regrets.” And does he still feel that way, even if thousands lost their jobs? “People have moved on,” he says. The Cavite politician now sits as Ombudsman, and the men he once worked the House floor with are the men his office is now building cases against. His critics call the Office of the Ombudsman the instrument allegedly being used by [President Ferdinand Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") to target [Vice President Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte") and anyone standing near her. Remulla’s counter is that most of those already in jail are the president’s own allies. The friendships, he insists, are what make the job hard, not what make it suspect. “It’s not a matter of choice; it’s a matter of responsibility to do the right thing, at every situation. That’s why, they may be friends, we may have worked together closely before, but when the facts present themselves to me, should I turn my back and turn a blind eye to people who are not following the law?” he says. “Destined? I don’t know. It’s very hard to answer that question. But I’ve always wanted this.” Ombudsman Boying Remulla Every day, Remulla is up at four in the morning, in the gym by 4:30, and then works until it’s time to sleep by 8:30 pm. He plays golf twice a week, because that little white ball is the only thing that makes him stop thinking about graft and corruption. He cooks adobo, perfected for a daughter who once lived in Paris. He grows kaong in Cavite. He has bodyguards now, and misses walking in shopping malls. But he shrugs it all off as par for the course for the life he has chosen. Love him or loathe him — and plenty of Filipinos manage both at once — he is now the man the so-called “big fish” likely fear in the biggest corruption scandal to rock the Philippines in recent history. In this Rolling Stone Philippines Interview, Ombudsman Boying Remulla talks about lawmaking and crime-busting, the perils of public life, and why he will never apologize for doing what he believes is right. *The following has been edited for clarity*. **Sir, you met me for the first time in 2019. I was under Miss Gigi \[Go\] pa noon.** Oo, \[sa\] *Rappler*! **Yes, it’s been a while, but I’ve been following you over the years. You’re no stranger to people saying you’re outspoken, intimidating, or that you have a sharp legal mind.** Of course! \[*Laughs*\] **I love that you’re embracing it, Sir. But you’re at this point in your career where I guess you can say you’ve sat at both sides of the table. I remember, at least from my experience covering you, you were a congressman; you were a senior deputy majority leader of the House that voted against the franchise of ABS-CBN.** Yes. **The same allies that you—** I worked with \[[Senator Rodante\] Marcoleta](https://rollingstonephilippines.com/tag/rodante-marcoleta/ "Rodante Marcoleta") and \[former Congressman Mike\] Defensor. **And now, you built the case against them that eventually forced Iglesia ni Cristo to—** I didn’t build the case. **Your office did.** \[Marcoleta\] built the case himself by giving us everything. “We cannot blink; we’re the government. We cannot blink with any religion or any group of people who want to upset the responsible thing to do.” Ombudsman Boying Remulla **When you are building these cases against people that you may have worked with or were allies with in the past, now that you’re Ombudsman, Sir, do you think like a lawyer or a politician? How do you balance that?** I would say that I think like a Filipino, like a Filipino leader who wants to leave a good legacy to the country. So, most of it, most of these things that are happening, we look for what the future will be for the country. And when you talk about legacy, it’s just as simple as saying, “We want a more decent country to live in. And we want to restore decency to the service.” Because the way it’s going now, people see no wrong in conflict of interest. And I think that’s the hallmark of decency. When there’s conflict of interest, you just have to stay away. You just have to keep your hands clean and not dip them into things that you should not be dipping your hands into. That’s it. That’s basically what we want to happen first. We want them to start thinking that there is a law, and we have to make a choice whether we go politics or we go business. But we cannot have both. **I believe in what you’re saying, Sir. But your critics would say, “Dati kaalyado niyo ‘yan. Tapos ngayon, dahil hindi kayo pareho ng kinakampihan, now you’re using the brilliance of your mind to go after the very people you used to be with.” Do you see that as a contradiction? From being in Cavite, being a congressman, and being in the DOJ, and now the Ombudsman, does the trajectory of your career make sense to you?** Alam mo, there are things that you don’t have any choice with. So, it’s not a matter of choice; it’s a matter of responsibility to do the right thing, at every situation. They may be friends, we may have worked together closely before, but when the facts present themselves to me, should I turn my back and turn a blind eye to people who are not following the law? I mean, it’s good for everybody. **Is it a lot more difficult when they’re your friends?** It’s difficult. It’s difficult because you don’t really want to do it. **Because they’re your friends?** Because you got to work with them and you became friends with them. And it doesn’t give you much of a choice. It’s something that I have to do. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/intext2-boying-remulla-rs-interview.webp) **When you announced that there was going to be a case against Marcoleta, that’s believed to be the reason why Iglesia ni Cristo blocked EDSA, right? Was there a point in those days in between that you thought maybe, “‘Wag na naming ituloy ‘yung kaso?”** No. **Why not?** Because we cannot blink; we’re the government. We cannot blink with any religion or any group of people who want to upset the responsible thing to do. You cannot blink. The government cannot blink. **When you became Ombudsman, Sir, it became very clear to a lot of people that the President really wants you to do the job. I’m very curious ‘yung mga kaibigan mo, Sir, na siguro naramdaman nilang may kasong darating, at ikaw ‘yung mag-bi-build noon, ‘yung opisina mo — they know that you’re no nonsense, na gagawin mo talaga. Did anyone ever try to maybe talk to you, be a little kinder, or maybe file a different case?** No, no, no. But some people went to me professing innocence when I knew all along that conflict of interest was there. And I had to remind them. Like somebody went to me and said, “The construction company is not in my name, so I should be free.” Sabi ko, “No. It’s beneficial interest.” That’s what the law provides. We have to stop doing this. We have to make a choice: whether you go to business or you go to politics, but not both. **And what did that friend say?** Wala, nothing. They didn’t say anything because it’s true. It’s common sense, actually. There’s nothing new about that. It’s just that people have treated their government positions with impunity for the past so many years because nobody was there to remind them, even to accost them, to tell them that they should stop doing it. That’s why now we’re telling them to stop doing it. **And that’s what we expect the Ombudsman to do.** The Ombudsman should be doing that. “People have treated their government positions with impunity for the past so many years because nobody was there to remind them, even to accost them, to tell them that they should stop doing it.” Ombudsman Boying Remulla **And one of the things I think that impressed me when you first sat as Ombudsman was that you eased the restrictions—** SALN? \[Statement of Assets, Liabilities, and Net Worth\] **Yes, that \[former Ombudsman Samuel R.\] Martires was implementing. And honestly, I did not expect that you would do it. Why did you do it? And why was it so important for you to make the SALNs more accessible?** There is a baseline for knowing a person’s net worth. That’s it. I mean, when you join government, you are already in for a lot of limitations to your life. One of them is the SALN, the other one is the right to travel. When you join government, you have to get a travel authority to be able to leave the country all the time. Because when you join government, you give up something. You cannot just have your cake and eat it too, so to speak. **Pinaalam mo ba ‘yan sa pangulo?** Ah, hindi na! He will not micromanage that. I mean, he didn’t really remind me of anything, in fairness to him. **How is your working relationship with the president?** We’ve always just worked together very well. But we’ve never been socially \[out\] together. It’s just really a professional relationship I have with him. Even if our parents worked with each other before, and I got to know him when I was working with the Estrada administration, and he was governor, that’s the only time I met him. We never really went out socially. **And why do you think he trusted you enough?** I think that our family history is very clear to him that we do not… we just do what we have to do. **And when you became Ombudsman, nag-usap ba kayo ng pangulo, Sir, on how \[to run the office?\]** Wala! He appointed me. I asked him to appoint me because there were things that we had to do for the country. **You asked him?** Yes, yes, but I asked him way before his State of the Nation Address. I told him in June, and he gave the speech in July \[2025\]. But I was telling him already, I wanted to be the Ombudsman. **Pagkapanalo ni BBM? 2022?** Actually, I didn’t even apply to be Secretary of Justice. I was supposed to be interim Majority Leader of Martin Romualdez in Congress, but fate had me be Secretary of Justice. So I accepted it. It is very challenging, and I took it. **How do you think your time as Justice Secretary prepared you to become Ombudsman at this most consequential time in Philippine history?** Well, the Secretary of Justice position trained me, told me that you have to face people head on when there are issues that have to be resolved. I had to face \[former Bureau of Corrections Chief Gerald\] Bantag head on. The Atong Ang \[controversy\] was during my time. I mean, there’s nothing that you can run away from when you are Secretary of Justice because you stand for the Republic. You cannot be a scaredy cat. You cannot afford that. **Lalo na ‘yung kay Bantag, Sir, kasi jurisdiction din ‘yun ng DOJ.** Yes, yes, exactly! **Did that make it even more difficult then as Justice Secretary?** Not really. It’s something that had to happen. Because when the evidence points to that, can I say, “Diyan ka lang ha? I‘ll take care of you.” I cannot do that. It’s not the way things are done in the Department of Justice. You really have to exact justice for people. **Paano mo kasi babalansehin ‘yun, Sir, na you have to be fair but may pinagsamahan kayo?** ‘Yung pinagsamahan kasi, relative ‘yan. Ang mahalaga, ‘yung duty to country. In your hierarchy of values, that’s one of the most important, ‘di ba? God and country above all. **Where is that conviction coming from?** From my education, from my upbringing. **Really? Any memories, maybe from your childhood?** From my father, and from the fraternity, Upsilon Sigma Phi. **And what did you learn?** That’s it: that you have to have a hierarchy of values, you have to know what comes first. God, of course, the law of God. And of course, the country. ![ombudsman boying remulla](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/intext4-boying-remulla-rs-interview.webp) “When you put a person like me in a position to help this country, I will do it.” Ombudsman Boying Remulla **Your critics would say, Sir, na maybe that didn’t apply when you were tearing ABS-CBN apart during the hearings, which I was covering.** Why not? **That’s your answer to that?** Abuse of right. They abused their franchise. They didn’t hold on to their franchise the way that they should: to serve the country. They were already doing it as a power play. They were using it as a power tool, to get more favors from government, to conduct more business, to get into more business. And they were already playing God in politics at the time. **And you didn’t like that?** I don’t like that kasi you influence public opinion in a very strong way, and you take advantage of it to make or destroy the people — that’s what they were doing. **And no regrets, Sir?** No regrets! **Even when many people lost their jobs?** No regrets, no regrets, no regrets. **Really?** Yes. People have moved on. And, of course, it came at a junction when social media was already coming out and people had alternatives to get the truth. **Saan nanggagaling ‘yung conviction, Sir, na even if people disagree with the decisions you’ve made, as long as it’s following the Constitution, it’s following the law, you don’t really care what people say about you?** Yeah, because you have to take care of this country. And you know, when you put a person like me in a position to help this country, I will do it. I’ll do it. **Sir, can you take us through how the Ombudsman now is building all these cases about the flood control scandal?** What do you mean? **These cases will last even beyond the current administration. How do you make sure that you will be able to see, or at least the government will see these to justice? Even if political \[winds shift\]?** We are not filing cases when they’re not ripe to be adjudicated. The time was, people would file cases because it was politically good to file the cases. And it happened during the EDSA Revolution. They didn’t do their homework properly, and they allowed the lawyers to run the show. And when that happens, the dilatory tactics will win out. So what did I do? I made sure we will not file a case unless we had all the evidence. So that the moment we file the case, we can tell the court, “We want a continuous trial so we can rest our case as early as possible.” **That’s how you make sure that the case is heard?** Some cases are still being heard up to now, 30 years after. That shouldn’t happen. You should be able to rest the case, because if your evidence is complete, then you already have a schedule to follow in court, then the court will follow, then the court will accept. **What’s the ideal timeline?** Dapat ‘yan maximum ng one year to present your evidence. Dapat ‘yan! **Dito kasi sa ‘Pinas, Sir, sanay tayo na taon ‘yung inaabot.** Because they allow lawyers to have their heyday. And then, you know, lawyers will have their heyday if you allow them. And if you put enough pressure on the courts and the lawyers to do their job faster, it will happen. It will happen. **How exactly do you make sure, Sir, na kumpleto ‘yung kaso?** I started this in the DOJ. In the DOJ, we had a case build-up method. So, what we did was we started training the prosecutors and the policemen and the law enforcers to work together. Because, in my experience, when I used to go to court in criminal cases, the judge would be amused by the lack of connection between the law enforcers. And that really set the Republic back because when you have a criminal case, and the prosecutor and the law enforcement do not work together very well, your evidence is compromised. So we started training people to do it already. When I became Secretary of Justice, that’s what we did. I hired the police general to become an assistant secretary so we could streamline the process of building up a case. That’s so important. It’s so basic. **It does! Pero hindi siya ginagawa.** It’s common sense. Because nobody really… a lot of people who join government, let’s say for a Cabinet term, do not want to think on the long side of the story. They just want to go with the flow, with what they saw when they got there. It’s the same old story. Ika nga, tuloy ang ligaya. But these common sense solutions, we’ve been talking about them in law school. So I didn’t invent anything. I just made sure that we implemented what we had to do. **And itong process na ginagawa mo, Sir, that will help ensure that even if the political winds shift in 2028, matutuloy pa rin itong mga kaso?** If the cases have been laid out properly in court and we have rested our case, nobody can change it. It is something for the record already. So in case the judiciary will not behave in accordance with what was presented, then history will judge them. It’s something that we have to do early. **I will challenge you a little bit further. Of course, I love all these cases that you’re filing. Personally, I want them to be accountable.** Yes. **But obviously, your critics are saying that the Office of the Ombudsman now is being used to systematically target Vice President Sara Duterte and her allies on behalf of the Marcos government. How do you push back against that?** The people who are in jail now are mostly allies of the president. We sent to jail allies of the president. So, how can you say it’s against the administration? Simple. Marcoleta was part of— **Not anymore.** He was part of the allies of the government before. But he’s a special case. He admitted everything in public. That’s why it’s not a question of fact; it’s a question of law already. And we want the court to tell us: “Are we correct or are we wrong?” But it has to be laid out properly. If we don’t do it, then it will be something that people will say. “Ah, they never did it.” But we have to do it. **Sir, when I was covering the House starting in 2016, every now and then may pahapyaw kaming investigations on flood control. Kasi mahirap kumuha ng dokumento noon. And you’ve been a congressman for so long. Nag-start ka ba, Sir, as bokal (provincial board member)?** Bokal. **Based on your experience, Sir, what is the root cause of this flood control corruption? Because obviously, ‘di lang siya nangyari ngayon.** Abuse of discretion. Your bidding rules, it has to be competitive. But when people use their discretion to cook up the whole scenario, then the bidding disappears, the competitive bidding disappears. And it’s actually something admitted by former Department of Public Works and Highways (DPWH) Undersecretary Roberto Bernardo. The whole time, none of them were really competitively bidded. It was all fixed up. **Is it because…?** Collusion, collusion. **Kasi gustong kumickback, Sir?** It became part of a grand plan. That’s my theory. **Where do you think it started?** DPWH and the contractors started working closely together. And contractors started joining Congress and didn’t care a hoot about delicadeza, about decency. Walang decency! I’ll give you an example. **Yes, please.** They designed the flood control structure to be overbuilt. So, the thing appearing under the ground as sheet pile, it’s supposed to be 14 meters deep. **Pero, mababaw lang.** Four meters, five meters. So, that cost itself is already kita, already profit. So, it’s all tempting for them to do it. **As congressman ba, Sir, nakikita nyo, ganyan, down to the specific \[details\]?** No, no. I only found out about this now. **Talaga?** Oo, dito na lang, dito ko na lang natutunan ‘yan. **So, you were shocked about—** I was shocked! **Dun sa modus na ginagawa?** Exactly, yeah. **So, it can slip through even congressmen who actually passed the budget and all that? Because, Sir, when PBBM first announced that he will focus on flood, pumalakpak ‘yong mga congressman. And to me, it was such an insane image in my head. Kasi sabi ko, madami sa inyo, nakinabang siguro sa system na ‘yan, and yet you’re clapping for it. Hindi ba kayo kinakabahan na ma-fa-file-an kayo ng kaso? Wasn’t that a little strange to you?** It was strange. **Do you think your colleagues or your ex-colleagues who were in Congress at the time really had no idea also that such a system was festering?** Many of them had, many of them. The people who we call “congtractors” were part of the scheme. There were at least eight to 10 big contractors there who were already in on it, who were already contracting without any care about conflict of interest. ![ombudsman boying remulla](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/intext5-boying-remulla-rs-interview.webp) **So, is it an advantage then, Sir, that you were a former lawmaker?** Yes, it’s an advantage. **How so?** Because I know their characters! I know how they behaved. I know how they were living it up. Yeah. Hindi naman ako inggitero eh. I just let them be. **Parang wala ka namang reason para mainggit.** Hindi, kapag nandoon ka kasi, mayroon kaming kasabihan doon sa Congress: “Walang basagan ng trip.” So hindi ako nangbabasag ng trip doon. Eh ‘to trabaho ko na ‘yun doon. **Pwede ka nang mangbasag ng trip?** Hindi. Mali ‘yung trip eh. **Pero before, hindi mo binabasag ‘yung trip?** Hindi. Hayaan mo lang sila kasi I was busy with my own thing. I love my job, running the show on the floor, declaring the debates open, going to the committees. I loved that job. **And you were pretty good at it. Every time na dadating ka sa hearing, “Ah ito, may storya na tayo.” And I’m sure it was the same when you’re in the DOJ. And now in the Ombudsman.** I go to work every day. I love to work. “You have to decide someday. If you’re not going to decide today, you have to decide tomorrow. You have to decide after 10 years. Might as well decide early.” Ombudsman Boying Remulla **Run me through your typical day now as Ombudsman because [Assistant Ombudsman Mico Clavano](https://rollingstonephilippines.com/tag/mico-clavano/ "Mico Clavano") says, kahit ata madaling araw minsan, nag-me-message ka.** Yes. I wake up very early. I wake up at 4 every day. 4:30 sometimes. **Why that early?** Because I sleep at 8:30. Eight o’clock, I’m in the room. Eight-thirty, I try to sleep already. Before 9, I must sleep already. **Okay, so 4 am. Mayroon kang morning routine, Sir?** Oh, yeah, of course. **I guess I‘m just trying to figure out how the Ombudsman prepares.** I exercise. I have my own exercise routine. **So one hour and then breakfast and then you head down here?** No, I work out for more than one and a half hours. Minsan two hours pa. **So you’re a workhorse, from what I hear from the people you work with. And you expect the same amount of efficiency as them.** Yes, yes. I am very passionate about my work. Actually, I’m very passionate about everything. **Are you the type of boss that would message even outside of work hours?** Oh yeah, yeah. If I wake up at three o’clock and I see something, I’ll message you. I’ll send it, I’ll send it! **Sabi nga ni AO Clavano, dapat matagal pa ‘yung paternity leave niya. Naging one week na lang kasi mukhang kailangan sya.** Kasi, we run a very tight outfit here. I mean, and I work with young people. I hired Mico because of my children. My children know him, my son knows him. And then he applied. **From Ateneo?** Yeah. So when they got Mico, they got the other guys in also, their generation. Sabi ko, I like working with my children. So, it’s like working with my children. That’s why we do a good show here. We enjoy the professional relationship, of course, the mentoring also. **I’ve been mentioning to AO Clavano na ang bata ng office, relatively young. Why choose younger, relatively younger, but experienced and skilled people to be part of your staff?** Because they will inherit this country. Might as well give it to them already early. Put it in their hands as early as possible. I wish I was given that chance when I was young, but it wasn’t meant to be. I became a congressman when I was already 43. **So if I were to work with Boying Remulla, ano ‘yung mga hinahanap mong qualities to deliver the same kind of public service that you want?** I want a good imagination. I want hardworking. Good with the written word. **AO Clavano described you as a loyal boss, which seems like a great boss to have. I’m curious: when people don’t follow your orders, what are the consequences?** It doesn’t happen much. **I mean, I wouldn’t want to fuck up if I’m part of your staff. So when it does happen, what are the consequences?** I’m very patient, but sometimes I can be exacting. **How so?** Consecutive calls and consecutive follow-ups. ![ombudsman boying remulla](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/intext3-boying-remulla-rs-interview.webp) **You’ve been Ombudsman, Sir, for almost a year.** Yeah, nine months. **What else do you think you’ve done differently in the past nine months that you believe are making Filipinos really trust the Ombudsman again?** We try to make public what we do. We try to make transparency a rule. And it’s still the rule that we want to follow because when we look at the problems that we are trying to solve now, like the idea of restitution, you have to be transparent. So, transparency is the most important \[thing\]. So people know that they can trust you. That’s it. **A couple of years ago, you went through a bypass surgery and had a leukemia diagnosis. I think you had an interview where you said that after going through that, you live day to day.** Yeah. **Mayroon ka ba, Sir, na sense of borrowed time, and did that experience, that health scare kind of influence—** I don’t think in those terms. **Really?** I just live by the day. That’s it. Live by the day, and then plan out for the next few days what has to happen. It’s something that is so immediate. **Going through that experience, Sir, did that in any way influence how aggressively and efficiently you are now doing your job?** No, I think that helped me become more efficient, more systematic, and manage my time better. **Really? Anong difference from before?** More leisure before. But now I’m able to time my leisure better. **You mentioned you’re into wellness.** Actually, I had a more active social life before. **And when you say more active social life, drinking?** A bit, yeah. I socialize a bit. But I stopped doing that already. I stopped. I still drink. I drink a shot or two with my wife. Medicinal ‘yan, ‘pag konti lang. ‘Pag konti, gamot. ‘Pag sobra, lason. **One shot lang. Tequila, Sir?** No, no. Scotch. **Does your family ever express any worries now that you’re the Ombudsman?** Oh, yes, my daughters. **Ano ‘yung fears nila, Sir, and how do you assure them na \[safe ka\]?** Danger, they’re afraid of the danger, the enemies that we have to make. **Of course, they understand why you’re doing what you’re doing.** Yes, of course. **‘Yung mga apo niyo na bata pa pero nakakaintindi na, baka nakakanood ng news, how do you explain to them na safe pa rin si lolo, but this is the job na you have to do?** Hindi naman. It doesn’t go to that point. It’s my two daughters who worry a bit. **But do you ever bring them here?** They’ve seen the office. But they’re busy with their own thing. **How do you respond to threats?** Actually, I don’t get much, sa totoo lang. But I just know that it’s a risk I have to take. I’m careful about where I go. And I’m not seen in public. I try to avoid a public life. **Do you see yourself as threatening?** Threatening? No. Imposing, probably. **Sir, na-mention na, I think that Father Flavie \[Villanueva\] has become your advisor.** He’s a good friend. **How did he become your adviser?** I met him when I became SOJ after around six months. I met him. He was introduced to me. We hit it off. **Just randomly, or were you looking for…** No, no, no. Randomly. **Really?** Yeah, because a classmate of mine was close to him and introduced us. **Some would say it’s a very unlikely friendship, Sir.** ‘Di naman. **What’s one thing that you’ve learned and have been inspired by Father Flavie?** The value of human life. It’s so important that there’s somebody who reminds you of that. Because sometimes when you’re in a position of power, you can take things for granted, but you should never do that. **And that’s something that you learned talaga.** Yes, yes. I mean, I was able to think completely about what our job entails. Just because of the drug war, when we were talking about the drug war, and we were talking about it, you can see that it’s there. The value of human life is paramount. There’s the primacy of human life. **How often do you see Father Flavie?** We just text each other. He’s busy and I’m busy. But once in a while. Because time is so limited. Even if I wanted to share a drink with him and relax with him more, you only have 24 hours in one day, and you only have two days in one weekend. You can’t give much. But once in a while, it’s refreshing to see somebody like him, to talk to somebody like him. “When you join government, you give up something. You cannot just have your cake and eat it too.” Ombudsman Boying Remulla **Sir, balikan ko lang that time na binisita kita dito sa office mo and you mentioned that you used to write plays, ‘di ba? Do you still have time to write now?** Sometimes when I force myself to sit down, I’m able to come up with something. **What was the last one that you wrote?** Usually I like writing about the country, or maybe a poem about independence. I have a few pieces of them. **Do you ever share that?** I post them. **Where do you post it?** Facebook. **And what’s the feedback, Sir?** Okay naman. I was doing it when I was governor. I was publishing when I was governor. And I used to write songs and plays when we were younger. **What’s your favorite song na sinulat mo?** I wrote a song that won the Paligsahang Awit Pamisa. **Really? What’s the title?** “Tanging Birhen.” I wrote it the year before “Hindi Kita Malilimutan” came in. I was a songwriter. **Did you ever seriously consider maybe a career in songwriting?** I got married early eh. So I had to think of a livelihood to keep body and mind together. I got married when I was 21. **Oh, that’s so young.** Yeah, I was still pre-law. I got married already. So, you have no luxury of playing with the world. You just go down to business. **At such a young age, how did you know that you were sure that you’re going to get married to your wife?** You have to decide someday. If you’re not going to decide today, you have to decide tomorrow. You have to decide after 10 years. Might as well decide early. **And I feel like this is a mindset that’s consistent with you in all aspects of \[your life\].** Yeah, you have to decide. Make a decision. ![ombudsman boying remulla](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/intext-boying-remulla-rs-interview.webp) **Do you have any regrets, Sir, with how you’ve done your career?** No. **Not even one, at all? Because some people would have a lot eh.** Ah no, I don’t believe in that. **Why not?** Always give it 100 percent. **Sir, at the start of this interview, you mentioned thinking about your legacy. Are you the type to always plan ahead? And how has that been to your advantage?** Hindi. Planning ahead and living by the day are two different things, ‘di ba? But I’ve always thought that the country deserves the best from its people and from its leaders. So, if you’re chosen to be a leader, you should do your job. That’s it. Leaders should do their job. **Do you feel any pressure, Sir? Kasi ‘yan ang personal mindset mo, and people are really expecting that na once magkaroon ng kaso itong mga big fish na for the longest time have benefited from the culture of impunity. Do you feel any pressure that you’re doing your job right, even as simple as signing a document here kasi kailangan ma-hold sila to account?** I do what I have to do. Right now, we have a system where we exploit the fact that there’s a limitation to government service. That the right to travel is compromised already the moment you join government. And we’re holding people in the airport. We’re not allowing them to leave if they’re under investigation. We tell immigration, “These are the people we’re watching out for. Do not allow them to leave.” We do that. **And maybe that’s why you’re here doing this job. Perhaps because BBM knows. When you became Ombudsman, sabi ko, “Ah he’s the perfect man for the job.” And I think that’s why you should have been there, you should have been appointed much earlier.** No, no, no. The position became vacant only last year. **Yeah, I know, I understand. But you’ve always wanted it.** Oh, I knew about the position as early as ‘87. Yeah, because I graduated in ‘87. And the Constitution was ratified in 1987, February of 1987. **So even then, why was it so appealing to you, this position?** It’s a game changer. It was already designed to be a game changer and a balancer of the country. So that if it goes wayward, somebody had to do it. Somebody had to step in and be given the power to do it. If push comes to shove, this is the best job to have. **Do you feel you’re destined to become an Ombudsman?** Destined? I don’t know. It’s very hard to answer that question. But I’ve always wanted this. **Some people say ‘yung destiny, binibigay ‘yan sa mga tao na ganyan ang sagot, Sir. You knew about this job, Sir. You saw it, you wanted it, you’re hungry for it. But you didn’t let it define your life, and maybe that’s why it became successful.** No, just live by the day. Ever since naman. **You said you wanted the job. But in your own words, why do you think you were the right man for the job?** Because the crisis that was enveloping the country already needed somebody with a strong political will. And I think I have that. I’m the right guy for it. **When Filipinos think of Jesus Crispin Remulla, not the politician, not the Ombudsman, but the man, how would you want Filipinos to remember you?** Fair and just. I think that’s a good way to be described later on. --- *Photographer’s Assistant* **GERIC CRUZ** Related Stories - [Mico Clavano Didn’t Ask to Be Assistant Ombudsman](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/mico-clavano-didnt-ask-to-be-assistant-ombudsman/ "Mico Clavano Didn’t Ask to Be Assistant Ombudsman") - [‘Mother of All Scandals’: Winnie Monsod Weighs in on Flood Control Mess](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/winnie-monsod-flood-control-scandals/ "‘Mother of All Scandals’: Winnie Monsod Weighs in on Flood Control Mess") - [Explainer: Lacson, Marcoleta, and the Flood Control ‘Allocables’](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/marcoleta-flood-control-allocables/ "Explainer: Lacson, Marcoleta, and the Flood Control ‘Allocables’") **Categories:** Editor's Picks, Philippine Politics, State of Affairs, The Rolling Stone Interview **Tags:** Boying Remulla --- ### [‘Colony’ Is A Smart (Maybe A Little Too Smart) Zombie Horror](https://rollingstonephilippines.com/culture/film/colony-review-yeon-sang-ho-zombie-horror/) **Published:** June 1, 2026 **Author:** Mel Wang **Excerpt:** Director Yeon Sang-ho, best known for Train to Busan, presents us with a zombie feature that has lots to say about big tech **Content:** The zombie horror genre is one that’s been poked at, gnawed on, spit out, and chewed up by so many filmmakers worldwide that it’s almost impossible to see what else they can possibly squeeze out of their undead subjects. But director Yeon Sang-ho, who gave the world the zombie drama *Train to Busan* a decade ago, seems to have one more thing to say with his latest creature feature, *[Colony](https://rollingstonephilippines.com/tag/colony/ "Colony")*. Fans of Yeon’s *Train to Busan* (and perhaps his other genre offerings, *Seoul Station* and *Train to Busan Presents: Peninsula*) will most likely know the director’s M.O. by now when it comes to zombie horror. The creatures themselves are fast, can’t see very well, and are terrifying when they move in mobs (props to Yeon’s favored choreographer, Jeon Young). But they’re never just zombies — Yeon loves a metaphor, and if we use *Train to Busan* as an example, there were themes of fatherhood, capitalism, and herd mentality all blending together to make the film stand out from your regular guts-and-gore zombie flick. The same tendency towards allegory crops up again in *Colony*, although it’s difficult to say if Yeon stuck the landing this time. The film follows Professor Se Jeong (Jun Ji-hyun), a brilliant but ornery professor who finds herself, along with a group of survivors, trapped in the same building where mad-scientist-turned-bioterrorist Seo Yeong Cheol (Koo Kyo-hwan) has unleashed a deadly virus. Now, as most movie bioterrorists often do, Yeong Chol has much to say about how broken the world is and how things would be better if someone were to, say, reboot the entire system. *Colony* presents us with multiple monologues about “collective intelligence” (its chosen alternative phrase for AI) and how, if left in the wrong hands, the technology could (either literally or metaphorically) turn everyone into zombies. “In a way, \[AI\] is like a living organism,” Yeon said in an interview with [*Variety*](https://variety.com/2026/film/festivals/colony-yeon-sang-ho-ai-individuality-zombies-1236749609/), “and it reduces our individualism, our individuality.” ## Does ‘Colony’ Deliver As A Horror Movie? ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/colony-b1.webp) Jun Ji-hyun as Professor Se Jeong in *Colony*. Photo from Festival de Cannes/Official Website This is all well and good, and you won’t hear me trying to defend the “wonders” of AI any time soon. The problem is that, while Yeon is chasing after a big and timely metaphor for his horror movie, much of the film’s other elements fall onto the wayside. This isn’t to say that *Colony* is a subpar horror. In fact, it’s much better than Yeon’s last zombie feature, *Peninsula*, and it revisits a lot of the smart writing and world-building that made *Train to Busan* such a stand-out in the director’s body of work. Because most of *Colony* is set in the confines of a mall-slash-office-building, things get claustrophobic very quickly. The survivors, all with their own set of skills, must navigate cramped hallways, elevators, and stores if they have any hope of making it out alive. What’s more, Yeon takes a bit of time to explore the emotional baggage that each survivor brings to the table. Much like how *Train to Busan* gave us an ensemble where each player had to confront their own inner demons (while also beating the crap out of, well, very real demons), *Colony* has a number of characters dealing with their own fears and mistakes. Unfortunately, time with these protagonists is limited, and this is due to Yeon trying to give more screentime to his social commentary. There’s nothing wrong with a metaphor, but it gets a little tricky when that same metaphor detracts from the main storyline. *Colony* has lots to say, that’s clear. But because Yeon is trying to make the most of his two-hour runtime, his characters’ arcs and hero journeys feel slightly half-baked. *Colony* is currently screening in Philippine cinemas. ## Frequently Asked Questions ### What is “Colony” about? Colony is a 2025 South Korean zombie horror film directed by Yeon Sang-ho, following survivors trapped inside a building after a bioterrorist unleashes a deadly virus tied to his theories on collective artificial intelligence. ### How does “Colony” compare to “Train to Busan”? Colony is considered a stronger return to form than Peninsula, revisiting the claustrophobic tension, ensemble character writing, and layered social commentary that distinguished Train to Busan as a genre standout. ### What is the AI metaphor in “Colony”? The film’s villain frames his engineered virus as a statement on “collective intelligence” — the film’s chosen stand-in for AI — arguing that unchecked technology strips away individuality and reduces people to a mindless, herd-like state. ### Who stars in “Colony”? Colony stars Jun Ji-hyun as Professor Se Jeong, a brilliant but abrasive academic thrust into a survival scenario, and Koo Kyo-hwan as bioterrorist Seo Yeong Cheol, the ideologically driven architect of the outbreak. ### Does “Colony”’s social commentary hurt its storytelling? At times, yes. Yeon’s ambition to deliver timely AI commentary competes with character development — several survivors’ arcs feel underwritten as a result of the film prioritizing its metaphor over the emotional throughlines that made Train to Busan resonate so deeply. Related Stories - [‘Backrooms’ Is No. 1 At the Global Box Office. What Does This Mean for the Future of Moviegoing?](https://rollingstonephilippines.com/culture/film/backrooms-obsession-box-office-horror-cinema/ "‘Backrooms’ Is No. 1 At the Global Box Office. What Does This Mean for the Future of Moviegoing?") - [When A Filipino Mermaid VR Film Went to Cannes](https://rollingstonephilippines.com/culture/philippine-cinema/yellowfin-cannes-filipino-vr-film/ "When A Filipino Mermaid VR Film Went to Cannes") - [No One’s Really the Villain in ‘Obsession’](https://rollingstonephilippines.com/culture/film/obsession-film-review-wish-gone-wrong-horror/ "No One’s Really the Villain in ‘Obsession’") **Categories:** Culture, Film **Tags:** Cannes Film Festival, Colony, Yeon Sang-ho --- ### [‘Euphoria’ Wraps Up In Emotional Season 3 Finale, with a Major Character Death](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-finale-recap-ending-explained/) **Published:** June 1, 2026 **Author:** Pie Gonzaga **Excerpt:** Sam Levinson puts his controversial show to rest, and along with it, a few characters. Zendaya and Colman Domingo deliver the season’s most heart-wrenching performances **Content:** *Warning: This article contains heavy spoilers for* Euphoria *Season 3, Episode 8*. All that fans have done throughout the run of *[Euphoria](https://rollingstonephilippines.com/tag/euphoria/ "Euphoria")* Season 3 is rightfully bemoan how much the show has changed. It’s not the same without Labrinth’s score, and all the main characters’ storylines have taken such wild twists and turns that it’s become hard to invest in them. “This isn’t the *Euphoria* we knew and loved,” we all seemed to say in unison. But in all of this, Colman Domingo’s Ali has kept the show grounded to its emotional core and reminds us that it’s still about Rue’s battle with addiction. *Euphoria*’s finale brings us back there, albeit with the theatrics that Sam Levinson just couldn’t resist sprinkling throughout the season. Rue ([Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya")) has narrowly escaped death countless times this season. And at the beginning of Episode 8, she does it again. As Faye (Chloe Cherry) wakes neo-Nazi Wayne (Toby Wallace) up, Rue takes a wrench to his knee and runs out. She’s briefly pursued by Harley (James Landry Hébert) on horseback and gets injured when he gets her with a lasso, but manages to get away when G (Marshawn Lynch) shoots Harley in the shoulder. At Alamo’s (Adewale Akinnuoye-Agbaje) ranch, Rue receives praise for bringing back the contents from Laurie’s ([Martha Kelly](https://rollingstonephilippines.com/culture/tv/euphoria-laurie-martha-kelly-interview/ "Martha Kelly is the ‘Euphoria’ Villain the Internet Loves to Fear")) safe: not the cash that she’d stolen from the Silver Slipper, but the IDs of missing people (which implies that Laurie was engaged in human trafficking). As a treat, Alamo gives Rue a week off and a bottle of Percocet to deal with the pain from her injuries. ## Which Characters Die in the Euphoria Season 3 Finale? ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/laurie.webp) Martha Kelly’s Laurie doesn’t have a good feeling about her pets suddenly going crazy. Screenshot from HBO Max In Mexicali, former Silver Slipper manager Eddy (Kadeem Hardison) and Mitch (Daeg Faerch), one of Laurie’s guys, are picking up drugs to deliver in a van disguised as an ambulance. Having stored the drugs under the van’s flooring, they pick up dancers Kitty (Anna Van Patten) and Christina (Amelia Hammer Harris) from a cosmetic clinic. Mitch goes into the clinic for the paperwork. When he returns to the van, he notices that his Coke bottle is no longer in the cup holder, but dismisses it. As the van crosses the border, Wayne loads up on painkillers (after taking a wrench to the knee) at Laurie’s house, but ends up in the bathroom. Faye says, “I told you they were laxatives,” and the two figure out that their cartel has been set up. The van arrives, trailed by several police vehicles and a helicopter. Faye and Wayne manage to escape on horseback, and Laurie seems to get away as well, only to climb to the rooftop and hang herself from it. As the rest of the cartel is arrested, Eddy, noticeably not handcuffed like everyone else, tells DEA agent Jimenez (Hemky Madera) that he’s quitting, revealing that he’s also an informant. Meanwhile, Rue has crashed at Ali’s house to recover from her injuries. The next day, Ali wakes up and finds a healthier-looking Rue watching the news in his living room. They see that Fez has escaped from prison, and a jumpy Rue heads out to find him. She drives to her town, East Highland, and goes to the convenience store Fez used to run, now abandoned. As she drives through the suburbs, she imagines reuniting with Fez, and gets a flashback to seeing Jules ([Hunter Schafer](https://rollingstonephilippines.com/tag/hunter-schafer/ "Hunter Schafer")) for the first time, on her bike, just like in the show’s pilot episode. At this point, I’m starting to cry, mourning the show that *Euphoria* used to be. ![euphoria finale rue and fez](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/fez-and-rue.webp) Rue gets flashbacks to her time with her good friend (and dealer) Fez, played by the late Angus Cloud. Screenshot from HBO Max Rue makes her way home, climbing into her bedroom through the window, and finds her mother, Leslie (Nika King) in the living room. Zendaya does a good job of making Rue look more like the teenager we met at the beginning of the series. Mother and daughter embrace, but the scene is interspersed with shots of Rue lying down and reaching a hand up to the sky, gasping for breath, and other shots of Rue’s dead father hugging her. Ali wakes up again in the same pajamas and sees Rue lying on his couch, as if to imply that the previous scene was only a dream sequence. But as he comes to wake her, he finds her unresponsive and pale. We’ve seen Rue recover from an overdose before and resolve to get off drugs before. *Surely, this has to be another one of those moments*, I think as I watch. But Rue stays still as Ali feels for a pulse. And when he feels nothing, he asks God to bring her peace. The Percocet bottle is as full as when Rue took it, so we know she didn’t die from an overdose; she died because Alamo gave her fentanyl to kill her. Ali confirms this using a Defent test kit, calls Leslie to tell her the news, and writes Rue’s name in his notebook, which he uses to memorialize all his young sponsees. At a Narcotics Anonymous meeting two months later, Ali admits that he’s “tired of talking to kids, helping kids, pouring my fucking heart and soul into kids, only to not see them get a second chance.” He also says it’s his last meeting, and comes home to saw the bayonet off of a shotgun. ## How Does It End for Maddy, Cassie, and Ali? ![euphoria season 3 finale cassie and maddy](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/cassie-and-maddy.webp) Cassie (Sydney Sweeney) and Maddy (Alexa Demie) make amends. Screenshot from HBO Max In the wake of Nate’s death, Maddy (Alexa Demie) and Cassie ([Sydney Sweeney](https://rollingstonephilippines.com/tag/sydney-sweeney/ "Sydney Sweeney")) now have to figure out how to pay Alamo, who helped them get rid of the loan shark Naz. They make plans to have their own influencer house for OnlyFans models, and Cassie tries to recruit Lexi (Maude Apatow) as their “storyteller.” The Howard sisters have a moment, grieving for Rue and Nate (even though Cassie claims that Nate has only gone missing). Meanwhile, Maddy gets in Bishop’s (Darrell Britt-Gibson) car with an envelope of cash in her bag. They go to the Silver Slipper, where Alamo takes her to a private room and admits that he wants to live the “American dream” with her, which to him means white picket fences and four babies. Ali walks into the strip club in a formal military uniform and asks for the manager. G emerges from the office, gun in his pocket, to confront Ali. When asked how Rue died, G says she “OD’d,” which we know by now is a lie. As G gets up, Ali shoots him in the crotch and calls for Alamo. The drug kingpin emerges from the private room, takes a revolver from Bishop, and challenges Ali to a duel. The mechanics are that Kitty would roll a champagne bottle down the bar, and the two men would have to wait for it to fall off the edge and shatter before they raise their guns and shoot. Alamo, intending to win the duel, raises his pistol before the bottle even falls, but when he pulls the trigger, nothing comes out. As he figures out that the chamber is empty, the bottle falls, and Ali shoots him three times, killing him. Bishop reveals that he had taken the bullets out and leaves the club with Maddy. ![euphoria season 3 finale ali](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/ali-in-texas.webp) Colman Domingo’s Ali goes to the farm that Rue wanted to escape to. Screenshot from HBO Max In the last scene of the entire show, Ali heads to the crunchy conservative homestead that hosted Rue in [Episode 1](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-1/ "‘Euphoria’ Goes ‘Breaking Bad’ in Season 3, Episode 1"), and which she said she would move into when she paid off her debts. The family’s religious eldest daughter, Daisy (Jessica Treska), who fans speculated had developed a crush on Rue, is saddened to hear about Rue’s death. At dinner, Ali says grace, just like Rue did in Episode 1, and sees her sitting across the table, smiling. The credits roll on a shot of the farm as the sun sets, American flag waving. For the first time this entire season, Hans Zimmer’s score hits me emotionally as I realize that the episode was missing Rue’s narration. With the release of Episode 8, HBO [confirmed](https://variety.com/2026/tv/news/euphoria-ending-season-3-hbo-1236760319/) that *Euphoria* has come to a close. But *Euphoria*, all three seasons and 26 episodes, are still available to stream on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max"). ## Frequently Asked Questions ### Does Rue die in Euphoria Season 3? Yes. Rue dies in Episode 8 of Euphoria Season 3, not from an overdose but from fentanyl poisoning. Alamo gave her a bottle of Percocet laced with fentanyl, and she is found unresponsive at Ali’s home. Ali confirms her death using a Defent test kit. ### How does Euphoria Season 3 end? The finale ends with Ali killing Alamo in a duel at the Silver Slipper after learning he was responsible for Rue’s death. In the final scene, Ali visits the conservative homestead where Rue had once stayed and, at dinner, sees a vision of Rue sitting across from him, smiling. ### Who kills Alamo in Euphoria Season 3? Ali kills Alamo in the Season 3 finale. After learning that Alamo poisoned Rue with fentanyl, Ali challenges him to a duel at the strip club. Bishop had already removed the bullets from Alamo’s revolver, and Ali shoots him three times. ### Is Euphoria Season 3 the last season? Yes. With the release of Episode 8, HBO confirmed that Euphoria has ended. All three seasons and 26 episodes remain available to stream on HBO Max. ### What happens to Maddy and Cassie at the end of Euphoria? In the finale, Maddy leaves with Bishop after Ali kills Alamo, taking her envelope of cash with her. She and Cassie had earlier made plans to launch an influencer house for OnlyFans models. Related Stories - [‘Euphoria’ Season 3, Episode 7 Says A Few Goodbyes Ahead of the Finale](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-7-recap-nate/ "‘Euphoria’ Season 3, Episode 7 Says A Few Goodbyes Ahead of the Finale") - [‘Euphoria’ Season 3, Episode 6 Gets Emotional as Rue Seeks Redemption](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-6/ "‘Euphoria’ Season 3, Episode 6 Gets Emotional as Rue Seeks Redemption") - [Except for Cassie, Everyone Else’s Days are Numbered in ‘Euphoria’ Season 3, Episode 5](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-5/ "Except for Cassie, Everyone Else’s Days are Numbered in ‘Euphoria’ Season 3, Episode 5") **Categories:** Culture, TV **Tags:** Euphoria, HBO Max --- ### [SB19’s Historic Lollapalooza Debut to Stream on Disney+](https://rollingstonephilippines.com/music/pop/sb19-lollapalooza-debut-stream-disney-plus/) **Published:** July 24, 2026 **Author:** Elijah Pareño **Excerpt:** The P-pop group’s historic festival debut will be available alongside performances from international rock, pop, and R&B acts **Content:** [SB19](https://rollingstonephilippines.com/tag/sb19/ "SB19")’s Lollapalooza debut is coming to Disney+. The streaming platform has announced the performers featured in the streaming lineup for Lollapalooza, happening from July 30 to August 2. The festival will feature artists such as P-pop group SB19, alternative rock band [The Smashing Pumpkins](https://rollingstonephilippines.com/tag/the-smashing-pumpkins/ "The Smashing Pumpkins"), dance-pop artist Tate McRae, R&B singer [Olivia Dean](https://rollingstonephilippines.com/tag/olivia-dean/ "Olivia Dean"), and many more. > [View this post on Instagram](https://www.instagram.com/p/DbJsc3ohA2r/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Hulu (@hulu)](https://www.instagram.com/p/DbJsc3ohA2r/?utm_source=ig_embed&utm_campaign=loading) SB19 will be performing on the Lollapalooza Allianz Stage on July 31, from 4:30 a.m. to 5:30 a.m. Philippine Time. Disney+ has announced that it will stream Lollapalooza from July 31 to August 3 in the Philippines. The P-pop group has made history by becoming the first homegrown Filipino act to perform at the festival. Last April 18, SB19 held their finale concert for their Simula at Wakas Tour at the SMDC Festival Grounds in Pasay City. Their follow-up EP *Wakas at Simula* was released in March 2026, featuring the hit songs “Visa” and “Emoji.” The group is scheduled to perform in other music festivals later in the year. On August 14 and August 15, the group will perform at Summer Sonic in Osaka and Tokyo, Japan. The group has also recently announced their inclusion in the KPOPWORLD Festival at the Alamodome, San Antonio, Texas, from October 30 and 31. ## Frequently Asked Questions ### Where can I watch Lollapalooza 2026? Disney+ will livestream Lollapalooza 2026. The festival will stream from July 31 to August 3 (Philippine Time). ### When will SB19 perform at Lollapalooza? SB19 will perform on the Allianz Stage on July 31, 2026, from 4:30 a.m. to 5:30 a.m. Philippine Time. ### Who are some of the artists featured in the Lollapalooza livestream lineup? The livestream lineup includes SB19, The Smashing Pumpkins, Tate McRae, Olivia Dean, and many more performers. ### Who is the first homegrown Filipino act to perform at Lollapalooza? SB19 has made history as the first homegrown Filipino act to perform at Lollapalooza. ### What are the music festivals SB19 is scheduled to perform in? Aside from Lollapalooza, the group is scheduled to perform at Summer Sonic in Osaka and Tokyo, Japan on August 14 and August 15. The group has also recently announced their inclusion in the KPOPWORLD Festival at the Alamodome, San Antonio, Texas, on October 30 and 31. Related Stories - [BTS Gets Honest About Military, Making ‘Arirang,’ and More](https://rollingstonephilippines.com/music/pop/bts-rs-cover-story-7-revelations/ "BTS Gets Honest About Military, Making ‘Arirang,’ and More") - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") - [5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding](https://rollingstonephilippines.com/editors-picks/lists/5-moments-sb19-rewrote-p-pop-worldbuilding/ "5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding") **Categories:** Music, Pop **Tags:** Lollapalooza, SB19 --- ### [The Best Moments From Bad Bunny’s Global Tour](https://rollingstonephilippines.com/music/hiphop-rnb/bad-bunny-tour-dates-best-moments-highlights/) **Published:** June 3, 2026 **Author:** Maya Georgi **Excerpt:** From playing surprise hits to ending yearslong rivalries onstage, here are some highlights from the Puerto Rican star’s recent shows **Content:** [Bad Bunny](https://rollingstonephilippines.com/tag/bad-bunny/ "Bad Bunny") has had quite the historic run the past couple of years. With the release of his genre-defying opus [*Debí Tirar Más Fotos*](https://www.rollingstone.com/music/music-album-reviews/bad-bunny-debi-tirar-mas-fotos-review-1235226562/) in 2025, the Latin superstar earned his first Album of the Year award at both the [2026 Grammys](https://rollingstonephilippines.com/music/hiphop-rnb/bad-bunny-first-latin-artist-grammys/ "Bad Bunny Becomes First Latin Winner of Grammy Album of the Year in 68 Years") and the [Latin Grammys](https://www.rollingstone.com/music/music-latin/bad-bunny-wins-latin-grammy-album-of-the-year-dtmf-1235464993/), becoming the first to win the former with a Spanish-language album. He also delivered a history-making [performance](https://www.rollingstone.com/music/music-news/bad-bunny-super-bowl-performance-1235513007/) at the [Super Bowl](https://rollingstonephilippines.com/tag/super-bowl/ "Super Bowl") with his electric, unifying set. Bad Bunny did it all while celebrating his proudly Puerto Rican project — but he’s not done yet, and neither is the party. In December 2025, Bad Bunny kicked off the [*Debí Tirar Más Fotos* world tour](https://www.rollingstone.com/music/music-latin/bad-bunny-tour-dates-1235331322/) in the Dominican Republic. Benito has traveled through Latin America, hitting places like Mexico City and Brazil, and now the tour is hitting other continents; it’s already one for the books with spectacles and special guests. Here are the biggest moments from the *Debí Tirar Más Fotos* world tour, *so far*. ## Bad Bunny Kicks Off Spain Residency With Special Guest Myke Towers ![Bad Bunny Kicks Off Spain Residency With Special Guest Myke Towers](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-14.webp) Photo by Eric Rojas\* On Saturday, May 30, Bad Bunny returned to Madrid, Spain for the first time in eight years to kick off his historic 10-night residency at Riyadh Air Metropolitano. The stint in Madrid marks one of the largest ever staged by a Latin artist in Europe. To launch the special slate of shows, Benito invited Myke Towers out as the first night’s special guest. The pair performed their 2024 collaboration “Adivino” as the night’s exclusive song before boasting through a medley of Towers’ hits, including, “Diosa,” “Si Se Da,” “Lala” and “La Falda.” —*M.G.* ## The Puerto Rican Party in Spain Continues With Luar La L ![The Puerto Rican Party in Spain Continues With Luar La L](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-15.webp) Photo by Eric Rojas\* Bad Bunny kept the Boricua energy off the charts for his second night in Spain when he invited Puerto Rican rapper Luar La L out as his special guest. Luar La L came out onstage spitting bars from the pair’s 2023 collaboration “Telefono Nuevo,” which he performed alongside Benito. Luar La L then turned his set into a full-on trap moment with a performance of several solo songs. *—M.G.* ## Sech Makes His DTMF World Tour Debut ![Sech Makes His DTMF World Tour Debut](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-16.webp) Photo by Lorena Sopena/Europa Press/Getty Images Bad Bunny had a brief stint in Lisbon, Portugal, but on night two he made the tour stop extra memorable when he brought Sech out to sing their catchy 2020 *YHLQMDLG* cut “Ignorantes.” The Panamanian musician stuck around to perform his hit “Otro Trago” with Benito to the delight of the audience in Estádio da Luz. Sech joined Bad Bunny onstage during his residency in Puerto Rico last year, but we might see more of the singer soon. On Instagram a day after his appearance, Sech [asked](https://www.instagram.com/p/DY5Li6VPxag/), “A qué países tiene que ir el SECHO Gang de TOUR?” ## Bad Bunny and Bryant Myers Reunite ![Bad Bunny and Bryant Myers Reunite](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-17.webp) Photo by Johnny Louis / Getty Images During his second night, Benito took Barcelona back in time to 2016 when he brought out fellow Puerto Rican musician Bryant Myers. The pair haven’t shared the stage together since 2024 but it was like no time had passed when they sang their trap classics “Triste” and “Pa Ti.” The Boricuas also used the opportunity to perform their 2023 collaboration, “Seda.” —*M.G.* ## Bad Gyal Has Her Moment in Barcelona ![Bad Gyal Has Her Moment in Barcelona](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-19.webp) Photo by Redferns / Getty Images For his first night in Barcelona, Bad Bunny brought out Spanish singer Bad Gyal to perform her 2025 hit “Da Me.” She ripped through the electric track wearing a colorful floral dress, and hugged Bad Bunny afterwards. “Gracias Barcelona, gracias Bad Bunny!” Bad Gyal said. The Spanish singer stayed onstage, dancing alongside Benito as he tore into “Yo Perreo Sola.” —*M.G.* ## Bad Bunny Makes His Grand Return to Europe ![Bad Bunny Makes His Grand Return to Europe](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-1.webp) Photo from Xavi Torrent / Getty Images On Friday night, Bad Bunny kicked off the European leg of the *Debi Tirar Mas Fotos* world tour with a sold-out show in Barcelona, Spain. It was a doubly momentous night as it marked the Puerto Rican star’s first concert performance in Europe since 2019’s *X 100pre* tour. Benito honored the occasion with three surprise additions to the night’s setlist, including “La Santa,” “Yonaguni,” and “Moscow Mule.” After stops in Germany, France, Italy, and more, Bad Bunny will wrap this leg of the tour in July — leaving plenty of time for more setlist switch-ups. —*M.G.* ## Bad Bunny Pays Tribute to Willie Colón ![Bad Bunny Pays Tribute to Willie Colón](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-2.webp) Photo from Harold Camilo\* Salsa legend Willie Colón died Saturday morning at the age of 75. That night, Bad Bunny [paid tribute](https://www.rollingstone.com/music/music-news/bad-bunny-willie-colon-tribute-1235520735/) to Colón while performing in São Paulo, Brazil. “This music is very special. It’s the influence of all of us who grew up listening to salsa in the Caribbean. Today, one of the great legends who contributed to this beautiful genre passed away,” Benito said before diving into his song “NUEVAYoL,” which name-checks the salsa singer. “From me and Los Sobrinos, we wish Willie Colón rests in peace,” he said, referencing his own live band. “Much strength to his family.” ## Bad Bunny Makes His Australian Debut ![Bad Bunny Makes His Australian Debut](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-3.webp) Photo from Luis ROBAYO/AFP/Getty Images Bad Bunny performed his first-ever show in Australia at Sydney’s ENGIE Stadium — and made history. While he didn’t bring out any special guests, as has become customary for the star, the show was still a spectacle. Over two sold-out nights, Benito brought in nearly 90,000 attendees. Live Nation Australia [confirmed](https://www.instagram.com/p/DVXS6vDk6pc/?img_index=1) in an Instagram post that the superstar’s turnout “mark\[ed\] the highest number of attendees at a concert ever at ENGIE Stadium.” *—M.G.* ## RaiNao Makes Her World Tour Debut ![RaiNao Makes Her World Tour Debut](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-4.webp) Photo from Eric Rojas\* RaiNao surprised the crowd in São Paulo, Brazil when she joined Bad Bunny onstage to sing their collaboration “Perfumito Nuevo.” The Puerto Rican singer’s dazzling performance marked her debut on the *DTMF* world tour. Previously, RaiNao joined Benito throughout his No Me Quiero Ir de Aquí [residency](https://www.rollingstone.com/music/music-lists/bad-bunny-puerto-rico-residency-best-1235390255/rainao-stealing-the-show-1235390263/), offering sensual dance moves to match the song’s suggestive lyrics. But this time, fans [noted](https://x.com/weltitaaa/status/2025367344831209674?s=20) that both Bad Bunny and RaiNao pared back the flirtatious energy. *—M.G* ## Bad Bunny Returns to the Stage with Cazzu ![Bad Bunny Returns to the Stage with Cazzu](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-5.webp) Photo from Eric Rojas\* Bad Bunny’s *Debi Tirar Mas Fotos* world tour has practically turned into its own Eras Tour. He sent Argentina back to his early Latin trap days when Cazzu surprised her hometown crowd. After Duki and Khea had already joined Bad Bunny to sing the 2017 “Loca” remix, the Argentinian singer emerged onstage in a striking neon green dress to sing her verse — and the Estadio Monumental crowd lost it. The throwback track was doubly nostalgic given Bad Bunny and Cazzu’s [brief romance](https://remezcla.com/music/cazzu-bad-bunny-relationship-confirmed/) back in the day. *—M.G.* ## Eladio Carrión Rips Through His Benito Collabs ![Eladio Carrión Rips Through His Benito Collabs](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-6.webp) Photo from Eric Rojas\* At his final Argentina show, Bad Bunny delivered a Boricua takeover with the appearance of frequent collaborator Eladio Carrión. The pair cycled through their explosive Latin trap cuts, including 2023’s “Thunder y Lightning” and “Coco Chanel” and 2019’s “Kemba Walker.” It’s not the first time Carrión joined Benito onstage; the Puerto Rican star came out for the No Me Quiero Ir de Aquí residency last summer. *—M.G.* ## Karol G and Bad Bunny Reunite in Medellín ![Karol G and Bad Bunny Reunite in Medellín](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-7.webp) Photo from Eric Rojas\* Bad Bunny brought it all the way back to 2017 when he invited none other than Karol G to sing their throwback collaboration “Ahora Me Llama” for his final night in Colombia. The two superstars haven’t shared the stage in years as they’ve continued to dominate the Latin music world, making the performance that much more special. After the pair ripped through the nostalgic track, Benito shared his adoration for Karol, calling her “a representative of our culture and our music” and a “source of pride for Colombia.” Afterwards, the pair shared an embrace before Karol burst into an energetic rendition of her *Tropicoqueta* cuts “Latina Foreva” and “Si Antes Te Hubiera Conocido.” *—M.G.* ## Arcángel Takes Over ‘DTMF’ Tour Stop in Medellín ![Arcángel Takes Over ‘DTMF’ Tour Stop in Medellín](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-7-1.webp) Photo from Edwin Rodriguez\* The second night of the *Debi Tirar Mas Foto* world tour stop in Colombia featured a full-on takeover by Arcángel. The fellow Puerto Rican titan joined Bad Bunny to blast through their 2017 collab “Me Acostumbré” — and circled through 11 other tracks, including a mix of more joint hits like “La Jumpa” and “Tú No Vive Así.” Arcángel had previously joined Bad Bunny onstage for the No Me Quiero Ir de Aqui residency in their archipelago but the pair went all out bringing their Borican pride to Medellín. *—M.G.* ## Bad Bunny Taps Bomba Estéreo’s Li Saumet for ‘Ojitos Lindos’ ![Bad Bunny Taps Bomba Estéreo’s Li Saumet for ‘Ojitos Lindos’](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-9.webp) Photo from Jeremy chan Photography/Getty Images Bad Bunny went all out in Colombia, kicking things off by inviting Bomba Estéreo lead singer Li Saumet to sing their *Un Verano Sin Ti* collab “Ojitos Lindos.” The tropic-tinged track has been a setlist staple for Benito, but he hasn’t performed it with the Bogotá-bred band in years. That first night in Medellín was extra special as it marks the first time Bad Bunny and Bomba Estéreo have performed the song live in Colombia. Saumet thanked Bad Bunny “ for sharing your art and pride of your roots with the world, for making me part of this magical night celebrating love, union and dance,” in an [Instagram post](https://www.instagram.com/p/DT4l5dIDVbG/?hl=en) the next day. *—M.G.* ## Bad Bunny Brings Out Ñengo Flow for a ‘YHLQMDLG’ Deep-Cut ![Bad Bunny Brings Out Ñengo Flow for a ‘YHLQMDLG’ Deep-Cut](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-10.webp) Photo from Medios y Media/Getty Images; Kevin Mazur/Getty Images Bad Bunny made his second night in Peru extra special when he brought out Puerto Rican legend Ñengo Flow. The rapper has joined Bad Bunny on the stage before during Benito’s [residency](https://www.rollingstone.com/music/music-latin/bad-bunny-closes-puerto-rico-residency-una-mas-show-1235431826/) at El Choli to sing hit song “Safaera.” But this time, along with the party anthem, the pair also whipped out “Que Malo,” a deep-cut from Bad Bunny’s 2020 masterpiece *YHLQMDLG*. “Where are the ones who do what they feel like?” Bad Bunny asked the crowd in Spanish before diving into a rowdy rendition of the track. Ñengo Flow closed his appearance with his 2012 track “Cuando Me Dirá.” ## Jowell & Randy Make Their ‘DTMF’ World Tour Debut ![Jowell & Randy Make Their ‘DTMF’ World Tour Debut](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-11.webp) Joel Muñoz and Randy Ortiz of “Jowell & Randy” attend the 2025 Billboard Latin Music Awards at James L. Knight Center on October 23, 2025 in Miami, Florida. Photo from Alekandra London/WireImage Jowell & Randy joined Bad Bunny in Santiago, Chile to sing their massive hit “Safaera,” marking the third time they’ve played with him in the past year. The fellow Boricuas also came out to celebrate *DTMF* on two separate nights of the [No Me Quiero Ir De Aqui](https://www.rollingstone.com/music/music-latin/bad-bunny-closes-puerto-rico-residency-una-mas-show-1235431826/) residency in Puerto Rico, but each time, they bring the kind of infectious, rambunctious energy that the song demands. *—M.G.* ## Becky G Joins Bad Bunny to Sing Hit ‘Mayores’ ![Becky G Joins Bad Bunny to Sing Hit “Mayores”](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-12.webp) Photo by Christoper Polk/Variety Back in 2017, Becky G tapped the then-rising star Bad Bunny to collaborate on her single [“Mayores,” ](https://www.rollingstone.com/music/music-lists/best-reggaeton-songs-1234579826/becky-g-bad-bunny-1234579947/)which became a hit. Santiago, Chile was treated to a special performance of “Mayores” when the Mexican singer joined Benito onstage this past weekend. Becky put her Chicana pride on full display, sporting a cropped top in the Mexican flag colors. “Benito, I love you. I’m super proud of you. What an honor to be a guest on this incredible tour that’s making history,” Becky G told Bad Bunny before she went into a solo performance of her 2022 track “Mamii.” *—M.G.* ## Bad Bunny Pays Homage to Victor Jara ![Bad Bunny Pays Homage to Victor Jara](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-13.webp) Photo by Alfredo Estrella/AFP/Getty Images For the first show of his three-night performance in Santiago, Chile, Bad Bunny paid homage to the country’s famed folk singer [Victor Jara](https://www.rollingstone.com/t/victor-jara/). The moment came at the beginning of the show when one of the backing members from Bad Bunny’s band played a [beautiful instrumental version](https://www.rollingstone.com/music/music-news/bad-bunny-victor-jara-chile-tour-1235497642/) of Jara’s 1971 song “El Derecho de Vivir en Paz” on a Puerto Rican cuatro. As soon as the song’s delicate chords rang out in Estadio Nacional, the packed stadium cheered and shouted out the song’s powerful lyrics. *—M.G.* ## J Balvin and Bad Bunny End Their Years-Long Beef ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-20-1.webp) Photo by Eric Rojas Bad Bunny wrapped his [eight-night stint in Mexico City](https://www.rollingstone.com/music/music-news/bad-bunny-j-balvin-end-feud-reunite-lacancion-performance-1235488599/) with a bang when he brought out none other than J Balvin, ending a long feud that erupted after the pair made their collab album *Oasis*. The Colombian hitmaker took to the stage to sing “La Canción,” leading the crowd to erupt into a collective roar. The audience continued to reach higher decibels as the two stars hugged and addressed the [past tension.](https://www.rollingstone.com/music/music-latin/j-balvin-responds-to-bad-bunny-thunder-y-lightning-lyric-1234854255/) “I want to tell you that I admire you, that I love you and your family… The past is the past, but we’re men that have matured. We forgive each other always,” Balvin said. “If I did something wrong, I apologize. I apologized a long time ago — people don’t know but we had a conversation several weeks ago,” Bad Bunny said in response. “But we were waiting for the perfect moment to share the stage, and it’s good that it was here in Mexico.” —*M.G.* ## Julieta Venegas Enchants Mexico City ![Julieta Venegas Enchants Mexico City](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-21.webp) Photo by Edwin Rodriguez Julieta Venegas has long been the godmother of dreamy indie sounds in Latin music, and Bad Bunny confirmed he was a fan when he sang by her side on the Tainy-architected track “Lo Siento BB:/.” The song was a melancholy nod to the early aughts that left us wanting even more, so fans in Mexico City were completely delighted when a mini-reunion happened and Bad Bunny tapped her to perform during his eight-night run. The ethereal singer appeared behind a piano, playing celestial chords and showing the gentle voice she’s known for. —*J.L.* ## Diego Boneta, Yalitza Aparicio, and Fuerza Regida Stop by La Casita ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-22-1.webp) Photo by Edwin Rodriguez La Casita isn’t just part of the set design at Bad Bunny concerts; it’s the official V.I.P. area. Designed to look like a classic Puerto Rican house, complete with an outdoor porch, the little house was the place to be seen during the star’s Puerto Rican residency, and it’s been a fixture during his tour. Some of the guests so far have included Mexican actor Diego Boneta, Mexican actress Yalitza Aparicio, and Mexican American band Fuerza Regida. —*J.L.* ## Grupo Frontera Grace Mexico City With ‘Un x100to’ ![Grupo Frontera Grace Mexico City With ‘Un x100to’](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-23.webp) Photo by Edwin Rodriguez Fans have been patiently waiting for Bad Bunny to invite the regional Mexican band [Grupo Frontera](https://www.rollingstone.com/music/music-latin/grupo-frontera-new-music-collaborations-influences-1234990974/) onstage again to sing their wonderful cumbia-reggaeton fusion “Un x100to.” (They’ve only performed it live at [Coachella in 2023](https://www.rollingstone.com/music/music-news/bad-bunny-grupo-frontera-un-x100to-video-watch-1234716527/)). As soon as the first guitar strums blasted out, the audience at Mexico City’s Estadio GNP Seguros absolutely lost it, screaming along to every word of the heartbreak anthem at the top of their lungs. It was an exciting night that even Grupo Frontera couldn’t believe. “Thank you for the invitation and to the *razita* who lived it with us!” the band wrote in an [Instagram](https://www.instagram.com/p/DSWE1MjDCx8/) post the next day, shouting out the Mexican people in the audience. —*M.G.* ## Bad Bunny Revisits ‘Caro’ as Surprise Song in Costa Rica ![Bad Bunny Revisits ‘Caro’ as Surprise Song in Costa Rica](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-26.webp) Photo by Edwin Rodriguez In 2018, Bad Bunny was a star on the rise, wowing the world with his left-of-center sound and unexpected fashion aesthetic. He’d just released his debut album *X100Pre*, and the fourth single was “Caro,” a flex about high living and luxury. The video turned heads, with a little girl playing the role of Bad Bunny and going about her day, nodding at some of the gender flips he’d take on in videos like “Yo Perreo Sola.” The song has been a fan favorite, and crowds were thrilled when Benito relived those early glory days by playing it as his surprise song in Costa Rica. —*J.L.* ## Feid Plays Some of His Biggest Hits in Mexico City ![Feid Plays Some of His Biggest Hits in Mexico City](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-24.webp) Photo by Eric Rojas Bad Bunny knew he had to make his return to Mexico City, and the start of an eight-night run at GNP Seguros Stadium, extra special. On the second night, he did just that with one hell of a special guest: Feid. The Colombian star’s appearance was announced with a teleprompter and recording marking the unique event: “The next song is an exclusive… it will not be repeated in another city or at another function,” a voice read in Spanish. Immediately, the concert turned into a full-on *perreo* party, complete with strobe lights in Feid’s signature lime green, as the two dove into their 2023 collab “Perro Negro” and a couple of Feid’s hits, “Classy 101” and “Chorrito Pa Las Animas.” —*M.G.* ## Bad Bunny Enlists Jhayco as a Surprise Guest in Costa Rica ![Bad Bunny Enlists Jhayco as a Surprise Guest in Costa Rica](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-25.webp) Photo by Eric Rojas\* Bad Bunny’s hit with Jhayco, “Dakiti,” has been a setlist staple for both the No Me Quiero Ir de Aqui Puerto Rican residency and Debí Tirar Más Fotos World Tour. So it was extra special when Jhayco joined Benito onstage in Costa Rica to perform that track along with “No Me Conoce,” “Tarot,” and “Como Se Siente.” It’s the second time the pair rocked the stage together[ this year](https://www.rollingstone.com/music/music-lists/bad-bunny-puerto-rico-residency-best-1235390255/jhayco-makes-an-appearance-1235390281/). During Benito’s residency, Jhayco sent his fellow Puerto Ricans into a frenzy when he came out on the second night of the historic run. —*M.G.* ## Bad Bunny Brings Out Romeo Santos for ‘Bokete’ in the Dominican Republic ![Bad Bunny Brings Out Romeo Santos for ‘Bokete’ in the Dominican Republic](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/badbunny-27.webp) Photo by Eric Rojas Bad Bunny kicked off the *Debí Tirar Más Fotos* world tour by honoring the Dominican Republic’s rich music traditions. During the second night in Santo Domingo, the star invited collaborator Romeo Santos, who hails from the country, to perform a bachata version of “Bokete.” During his No Me Quiero Ir de Aqui residency, Bad Bunny would perform the song solo and lean into its low-fi vibe. But the performance in the D.R. transformed the sad song into a dance-worthy moment. Bad Bunny even switched up the spoken-word bridge. “Romeo, I’ve fallen in love 515 times, and with that devil it was 516. I don’t know what else to do,” he said in Spanish. Romeo Santos suggested going for a Dominican girl: “The next time you fall in love it should be with a *cibaeña*,” he said. —*M.G.* *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-lists/bad-bunny-tour-dates-best-moments-highlights-1235489060/bad-bunny-brings-out-romeo-santos-for-bokete-in-the-dominican-republic-1235489064/).* ## Frequently Asked Questions ### What is Bad Bunny’s Debí Tirar Más Fotos world tour? The Debí Tirar Más Fotos world tour is Bad Bunny’s global run supporting his 2025 album of the same name. It began in December 2025 in the Dominican Republic, moved through Latin America and Australia, and reached Europe in 2026, with the European leg wrapping in July. ### Who are the surprise guests on Bad Bunny’s tour? The guest list has been extensive. It includes Karol G, J Balvin, Feid, Becky G, Romeo Santos, Arcángel, Jhayco, Cazzu, Eladio Carrión, Ñengo Flow, Jowell & Randy, Myke Towers, Luar La L, Sech, Bad Gyal, RaiNao, Julieta Venegas, and Grupo Frontera. ### Did Bad Bunny and J Balvin end their feud? Yes. Bad Bunny closed his eight-night Mexico City run by bringing out J Balvin for “La Canción,” ending a years-long rift that followed their Oasis album. Both addressed the tension onstage, with Balvin expressing admiration and Bad Bunny noting they had spoken privately weeks earlier. ### What happened at Bad Bunny’s Madrid residency? Bad Bunny returned to Madrid in May 2026 for the first time in eight years, opening a 10-night residency at Riyadh Air Metropolitano — among the largest runs staged by a Latin artist in Europe. Myke Towers and Luar La L guested on the first two nights. ### What records has the Debí Tirar Más Fotos tour set? The tour has set attendance marks. Bad Bunny’s first-ever Australian shows at Sydney’s ENGIE Stadium drew nearly 90,000 across two sold-out nights, which Live Nation Australia said was the highest concert attendance in the venue’s history. The run follows his Grammy Album of the Year win. Related Stories - [Bad Bunny Brought Out a Party with Ricky Martin, Lady Gaga, Karol G, and More at the Super Bowl](https://rollingstonephilippines.com/culture/bad-bunny-superbowl-lady-gaga/ "Bad Bunny Brought Out a Party with Ricky Martin, Lady Gaga, Karol G, and More at the Super Bowl") - [How F4’s Success in the Philippines Beat K-Pop to the Punch](https://rollingstonephilippines.com/music/f4-reunion-filipino-impact/ "How F4’s Success in the Philippines Beat K-Pop to the Punch") - [In Rosalía’s Surreal ‘Berghain’ Music Video, Björk is a Wise Bird](https://rollingstonephilippines.com/music/pop/rosalia-barghain-music-video-bjork/ "In Rosalía’s Surreal ‘Berghain’ Music Video, Björk is a Wise Bird") **Categories:** Editor's Picks, Hip-hop/R&B, Lists, Music **Tags:** Bad Bunny --- ### [‘Euphoria’ Star Alexa Demie Opens Up About Her ‘Deep-Rooted Connection’ to the Unapologetic Maddy](https://rollingstonephilippines.com/culture/tv/euphoria-alexa-demie-maddy-connection/) **Published:** June 3, 2026 **Author:** Charisma Madarang **Excerpt:** “I remember a moment where I realized Maddy was so enmeshed in me, that when I pulled her out, I just started crying,” recalled the actress **Content:** While some might assume the [Season Three finale](https://rollingstonephilippines.com/culture/tv/euphoria-finale-what-happened-questions/ "Here Are 5 Burning Questions We Still Have About That Insane ‘Euphoria’ Finale") of *[Euphoria](https://rollingstonephilippines.com/tag/euphoria/ "Euphoria")* would be the toughest for its talented roster of stars to film, [Alexa Demie](https://rollingstonephilippines.com/tag/alexa-demie/ "Alexa Demie") revealed that the show’s second installment was the “hardest season, by far.” When speaking to *i-D* for a conversation with novelist Ottessa Moshfegh, Demie detailed her growth throughout *Euphoria*‘s blockbuster three-season run and her relationship with Hollywood. For the 35-year-old actress, who played the magnetic and calculating “It Girl” Maddy Perez, filming the final season “truly felt like the third act of my journey with the show and I felt held.” In contrast, by the end of the previous season, her sentiment was: “Fuck everything. Fuck the show—everyone. I don’t want to do this.” The star explained, “After Season Two, that was the catalyst for me to pull away from Hollywood, away from acting and being in the limelight, and come back into myself.” At the time, Demie “didn’t realize how method I actually am — or was. I created this character, but then I became her. Because I am naturally more shy, unless I’m performing, I used her as a mask.” She added, “I created her, and there are pieces of her that are me. There is a deep-rooted connection to her, but I’m not her. I’m not Maddy. I remember a moment where I realized Maddy was so enmeshed in me, that when I pulled her out, I just started crying.” Demie acknowledged that her character has captivated audiences with her unapologetic confidence: “She can appear larger than life, and I think she brings a lot of *something* to people. I don’t know exactly what.” Still, when fans failed to separate her real-life self from Maddy, it became a point of exasperation. “That was frustrating for me the first two seasons, because there were people who would say… ‘Oh, she’s not acting, that’s just who she is.’ That couldn’t have been further from the truth,” Demie said. “That was a bit frustrating, but I also can’t be upset because I never really showed people or let people in. Naturally, I’m just really private.” When looking forward, Demie teased that she is “really excited for what’s next because I’m going to be creating from a new place, with everything that I’ve shed, and this innocence I’ve reconnected with, but also this power.” She emphasized, “A healthy power. It’s just going to feel so liberating and so pure to do.” *Euphoria*‘s final episode, “In God We Trust,” aired this past Sunday. While fans remain divided over the show concluding with the death of a beloved character, creator Sam Levinson [said](https://www.rollingstone.com/tv-movies/tv-movie-news/euphoria-creator-sam-levinson-ending-season-three-1235570529/), “It felt like an honest ending.” He added, “I also wanted to tell a story about grief and the emotional turmoil that it can create.” *This article was originally published on **[rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-news/euphoria-alexa-demie-maddy-connection-1235571039/)**.* ## Frequently Asked Questions ### What did Alexa Demie say about playing Maddy? Demie says she created Maddy and used her as a mask, since she is naturally shy when not performing. She describes a deep-rooted connection to the character but insists she is not Maddy, recalling that she cried once she finally pulled the character out of herself. ### Which season of Euphoria was hardest for Alexa Demie? Season Two, not the finale, was hardest for Demie by far. She has said filming the third and final season felt like the third act of her journey with the show, and that she felt held throughout it — a contrast to the earlier stretch. ### Why did Alexa Demie step away from Hollywood? Demie says the end of Season Two was the catalyst for pulling away from Hollywood, acting, and the limelight to come back into herself. She also describes frustration at viewers who assumed she was not acting but simply playing herself onscreen. ### What is Alexa Demie doing next? Demie says she is excited for what comes next because she will be creating from a new place, having shed things and reconnected with a sense of innocence alongside what she describes as a healthy power. She expects the work ahead to feel liberating. ### What did Sam Levinson say about the Euphoria ending? Euphoria’s final episode, “In God We Trust,” aired in early June 2026 and left fans divided over the death of a beloved character. Creator Sam Levinson has said it felt like an honest ending, adding that he wanted to tell a story about grief. Related Stories - [‘Euphoria’ Wraps Up In Emotional Season 3 Finale, with a Major Character Death](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-finale-recap-ending-explained/ "‘Euphoria’ Wraps Up In Emotional Season 3 Finale, with a Major Character Death") - [Here Are 5 Burning Questions We Still Have About That Insane ‘Euphoria’ Finale](https://rollingstonephilippines.com/culture/tv/euphoria-finale-what-happened-questions/ "Here Are 5 Burning Questions We Still Have About That Insane ‘Euphoria’ Finale") - [‘Euphoria’ Goes ‘Breaking Bad’ in Season 3, Episode 1](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-1/ "‘Euphoria’ Goes ‘Breaking Bad’ in Season 3, Episode 1") **Categories:** Culture, TV **Tags:** Alexa Demie, Euphoria --- ### [How Death Cab for Cutie Used the Past to Lock Back In: ‘We’re Not F-cking Around’](https://rollingstonephilippines.com/music/rock/death-cab-for-cutie-new-album-i-built-you-a-tower-interview/) **Published:** June 3, 2026 **Author:** Maya Georgi **Excerpt:** Ben Gibbard and Dave Depper describe how the band’s anniversary tour and return to an indie label helped shape their new album I Built You a Tower **Content:** [Ben Gibbard](https://www.rollingstone.com/t/ben-gibbard/) was overwhelmed by his memories. It started a few years ago on the joint [anniversary tour](https://www.rollingstone.com/music/music-news/death-cab-for-cutie-postal-service-anniversary-tour-1234644002/) that the Postal Service and [Death Cab for Cutie](https://rollingstonephilippines.com/tag/death-cab-for-cutie/ "Death Cab for Cutie") put on to celebrate 20 years of [*Give Up*](https://www.rollingstone.com/music/music-album-reviews/give-up-246131/) and [*Transatlanticism*](https://www.rollingstone.com/music/music-album-reviews/transatlanticism-92078/). Each night, the frontman would travel back in time, tap into his 26-year-old self and deliver convincing, vulnerable performances. But offstage, Gibbard was finding it difficult to switch back and forth between the past and present as his personal life took a rough turn. The frontman was going through a separation from photographer Rachel Demy, who he married in 2016. By 2024, the couple filed for divorce. “I was having to do a lot of compartmentalization,” Gibbard, 49, tells *Rolling Stone*. He’s sitting in the lobby of the Bowery Hotel, with Death Cab guitarist Dave Depper next to him. Gibbard sips on a hot Americano as he lays out the metaphor that helped him cope over the past few years. “I started to just have these visions of my life as a skyline. It’s like you’re looking at it from an aerial. You can see all these different size buildings and they all house different memories,” he says. “The memories of all those people, those times exist in the buildings and you can visit them, you can go open the door and say hello.” The idea for Death Cab’s 11th studio album, *I Built You a Tower* was born out of that metaphor. “It’s putting the wonderful memories and the very painful ones into this edifice, trying to lock the door from the outside,” Gibbard says. “It’s like, ‘you stay in there, I can’t have you out of that building,’ but there’s always a moment where they escape … even though you think you’ve made an emotional break from that period or that time, it all kind of comes rushing back.” With understated, melancholic melodies and gut-wrenching lyrics, *I Built You a Tower* details the cataclysmic experience of facing the past head-on — and the grief that comes with it. Over the course of 11 tracks, Gibbard and co detail everything from devastating heartbreak to hard-won acceptance, using every memory as a roadmap. That trajectory becomes apparent on the turning point of the LP, “Stone Over Water,” which is out today ahead of the album’s release on June 5. “I’m trying to hold it together,” Gibbard admits over a quintessentially Death Cab drum beat before realizing, “I can scream and shout / Or learn to live without.” *I Built You a Tower* marks Death Cab’s first album since 2022’s[ *Asphalt Meadows*](https://www.rollingstone.com/music/music-news/death-cab-for-cutie-roman-candles-new-single-1351611/). Between releases, the band has experienced pivotal full-circle moments, the pendulum of time pushing them back into the past and informing their future. In 2023, they were on the road for the aforementioned anniversary tours, a Millennial nostalgia dream come true with so much demand that Death Cab extended their run with more dates. A year later, they found themselves leaving Atlantic Records, their major label home for the past two decades. It almost comes as no surprise, then, that their new record is the first project in years where they’ve managed to tap into the magic of early-aughts records like *The Photo Album* and *Transatlanticism* that transformed them from indie darlings into rock icons. “I wanted to recreate the process of how I wrote those early songs,” Gibbard says. “But hopefully with the emotional intelligence and skillset I’ve developed as a songwriter at almost 50.” While making *Asphalt Meadows*, Gibbard began digitizing 4-track demo tapes from Death Cab’s early years, uncovering instrumentals from the band’s inception and reminding the frontman of his old writing process. “The songs that have resonated the best over the years have been the ones that are very transparent and emotionally honest and earnest. The times that I’ve gotten away from that have been the songs of the records that haven’t hit the same way,” Gibbard says, making a point to name 2011’s *Codes and Keys* in particular. At the time, he was living in Los Angeles and married to actress Zooey Deschanel. “I didn’t want to be as transparent and honest out of self-protection,” he admits. “That is by far the least transparent, least emotionally resonant record that I think we ever made.” But playing an open-hearted record like *Transatlanticism* to a live audience every night showed Gibbard that Death Cab’s vulnerability has always been their superpower. “It just made me realize that this is the resonant element of the band, this is the reason that there are 18,000 people at Madison Square Garden,” he says. As Death Cab takes inspiration from their past work, it’s less about a nostalgia grab and more about using the energy behind that early music to revitalize them as a band. “Those anniversary tours really cleared the slate for me,” Depper says, who joined Death Cab in 2015. “We’ve honored the past, but I want to imbue some of those feelings into what we’re doing now.” One way Death Cab are honoring their past is by returning to an independent label for the first time in more than 20 years. “We initially had plans to do one more record with Atlantic,” Gibbard says. But after a major shake-up at the label forced longtime chairman and COO [Julie Greenwald out](https://variety.com/2024/music/news/julie-greenwald-to-step-down-atlantic-music-group-chairman-1236097978/), they changed courses. “We were like, ‘We need to get the fuck out of here,’’ Gibbard says. Before she left, Greenwald even helped Death Cab get out of a newly minted contract, a move that he points to as “a true testament to her and her dedication to this band, in the midst of her losing her job, she was willing to do what it took.” *I Built You a Tower* will be released under ANTI Records, Epitaph’s sister label. For Death Cab, the return to an indie is a homecoming of sorts. “It felt so refreshing to be back in a room with people that were culturally of our world,” Gibbard says, recalling the first meeting with Epitaph owner Brett Gurewitz and former head of A&R Alison Crutchfield. “I can really count on one hand in the 20 years at Atlantic the number of people that we felt we had some true similar musical vocabulary” he adds, “It feels like we’ve landed back in a place that we feel very comfortable at.” Depper agrees. “It comes at a great time for us, like having sort of a *tabula rasa* moment after those anniversary tours,” he says. “I’m sure we would have made a great album with Atlantic again, but having this prism to focus this energy through in terms of releasing it, it just feels completely right.” Nearly 30 years after their inception, it’s clear Death Cab have hit a whole new stride, proving time and time again the power of their resonant indie rock. But this fate never felt like it was in the cards for the band. Back in 2005, in an interview for the band’s [*Plans*](https://www.rollingstone.com/music/music-album-reviews/plans-206217/) record following their mainstream rise, Gibbard told[ *Rolling Stone*](https://www.rollingstone.com/music/music-news/nerd-rock-nirvana-74830/)*,* “I don’t think I’m a pessimist for saying that I know for a fact that this band is not going to last forever and I’m probably not going to be as successful doing music as I am now in 20 years. That’s the reality and I’d rather acknowledge it than dread it.” Gibbard isn’t surprised to hear that what he calls his “fatalist nature” was alive and well decades ago. “I would rather prepare for the worst… I probably would give you a very similar answer now,” he says with a laugh. Death Cab bassist Nick Harmer has even coined the term “Gibbard’s wager” to describe the frontman’s betting style. Gibbard explains: “When the Seattle Mariners were in the playoffs, I would bet on them to lose and then if they win, I would lose money, but I’m happy, right? And if they lose, as I think they’re going to do, I make money, right?” “I, for one, am delighted you were wrong,” Depper chimes in, raising his eyebrows. At this point, the coffee that remains in their cups has gone cold, and our time is almost up. Gibbard relents. “I never would have seen this. There’s no fucking world that I think this would be my life,” he says. “The longer I get to do this, the more grateful I am and the more locked in and the more focused I am. More than ever in my life, I feel the utmost responsibility to the catalog, to the fans, to make sure that we’re not fucking around.” *This story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-features/death-cab-for-cutie-new-album-i-built-you-a-tower-interview-1235559276/).* ## Frequently Asked Questions ### What is Death Cab for Cutie’s album I Built You a Tower? I Built You a Tower is Death Cab for Cutie’s 11th studio album, released June 5, 2026, on ANTI Records. Its 11 tracks trace a path from devastating heartbreak toward hard-won acceptance, with the single “Stone Over Water” serving as the record’s turning point. ### What inspired I Built You a Tower? Ben Gibbard has described picturing his life as a skyline viewed from above, with different buildings housing different memories he can visit. The album grew from that image — placing both joyful and painful memories inside a structure, only to find they never stay locked away. ### Why did Death Cab for Cutie leave Atlantic Records? Death Cab left Atlantic in 2024 after two decades. Gibbard says the band had planned one more album there but changed course following a leadership shake-up that saw longtime chairman Julie Greenwald depart. He credits Greenwald with helping release the band from its contract on the way out. ### What has Ben Gibbard said about Codes and Keys? Gibbard singles out 2011’s Codes and Keys as the band’s least transparent and least emotionally resonant record. He says he held back out of self-protection during that period, when he was living in Los Angeles and married to actress Zooey Deschanel. ### How did the anniversary tours influence the new album? The 2023 tours marking 20 years of Transatlanticism and the Postal Service’s Give Up had Gibbard revisiting his younger self nightly. He says performing those open-hearted songs confirmed that vulnerability is the band’s defining strength. Guitarist Dave Depper says the run cleared the slate creatively. 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Viewers didn’t realize that they were watching the show’s finale, since creator [Sam Levinson](https://www.rollingstone.com/t/sam-levinson/) and HBO didn’t confirm the news until after the episode had aired. But it wasn’t surprising, considering the events of the episode. Still, it’s shocking to think that a show that captured audiences and kept them waiting for years between seasons went out the way it did, leaving a lot on the table and not many answers. Here, we’ve gathered some of the questions we’re still sitting with, even after that ending. (*Spoilers ahead*.) ## Why does the reaction to Rue’s death feel so minimal? *Euphoria* ended with [the death](https://www.rollingstone.com/tv-movies/tv-movie-news/euphoria-finale-fans-react-1235570565/) of Ruby Bennett ([Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya")). The details of her death left a fair amount of questions: Did she actually take more than one fentanyl-laced Percocet, causing her to overdose, since the bottle is still very full when Ali finds her, or was it that single pill that Alamo gave her that did her in? But what was even more mind-boggling is the way the rest of the characters reacted to her death. This is the main character we’re talking about, and no one but Ali sheds more than a couple of tears. Rue doesn’t even get a proper funeral; instead, all we see is Lexi talking to Cassie, who writes the main character off as a “drug addict” with a “nice smile.” The enormity of Rue’s death isn’t felt, and that’s probably because we aren’t shown how her family or Jules take the loss. ## Why weren’t Jules and Nate developed as characters this season? One of the most confounding elements of this season was the character arcs, or lack thereof, for both Jules and Nate, respectively. To start, Jules barely has any runtime in Season Three, and when she is onscreen, she barely ever leaves her sugar daddy’s apartment. This latest version of Jules doesn’t quite line up with her younger self from earlier seasons, a dreamer hungry for new experiences. Instead, this Jules doesn’t do much more than paint oil on canvas, delivering as few lines as possible. Similarly, Nate acts like an entirely different person. Gone is the hothead with intense daddy issues who questions his sexuality. That Nate is replaced with a dude who just lets shit happen to him, from getting married to Cassie (and yelled at by her at their wedding) to getting caught up in an unbelievably bad business deal. Adult Nate can’t seem to catch a break: He loses a limb every episode and never puts up a fight against the Armenian gang member after him. It’s very unlike Nate, who used to curl his fist at the slightest inconvenience — and the whole thing makes his death seem very inconsequential. ## What happened to Dominic Fike’s scene? Last year, [*Variety*](https://variety.com/2025/tv/news/dominic-fike-euphoria-season-3-return-1236308292/) reported that Dominic Fike would return to *Euphoria* to revive his messy, but lovable character Elliot. Would that mean another acoustic performance from the musician-actor? According to reports, Elliot was supposed to make a cameo — and Fike even taped scenes. But each week, as those same fans held their breath, Fike didn’t appear, and his character wasn’t even mentioned by anyone again. Fike hasn’t said anything about why he didn’t appear on the show, but in an interview he did back with Zane Lowe in 2023, he shared he almost got kicked off the show because of substance abuse issues. “I was a drug addict and coming on to a show that’s, you know, mainly about drugs, is very difficult,” Fike told Zane Lowe. “Sam \[Levinson\], the director and writer, got me a sober coach, somebody to be there all the time. It did not work.” ## What was going on with the music this season? Before the season started, it [seemed](https://www.rollingstone.com/music/music-news/hans-zimmer-composer-euphoria-season-3-labrinth-1235392649/) like Oscar-winning Hans Zimmer was being brought in to collaborate with Labrinth. But in March, [Labrinth](https://www.rollingstone.com/tv-movies/tv-movie-news/labrinth-euphoria-music-industry-criticism-1235532763/) launched a bunch of cryptic Instagram posts, alluding to some kind of issues with the show creators and his label. “I’m done with this industry. Fuck Columbia. Double fuck *Euphoria*. I’m out. Thank you and goodnight,” he wrote. Later, he went into [more detail](https://www.rollingstone.com/tv-movies/tv-movie-news/euphoria-season-3-labrinth-replaced-hans-zimmer-1235541858/), adding, “People will comfortably lie in this industry and still call themselves honest people. So no cap, I decided to remove whatever music I had in it. I spoke to HBO, as far as I know, we are cool. I left because, last truth, when I work for someone, their vision is paramount to me, but I don’t let people treat me like shit.” We’re not totally sure what happened. In a *Vogue* interview later, Levinson shared that Labrinth and Rosalia (who also guest-starred this season) would be used in different ways on the show. “We’ve got a couple of music cues that are original from the show that Hans Zimmer has done, and Labrinth, and Rosalia,” he said. However, fans who were awaiting new Rosalia music — or even just snippets — were left disappointed since nothing by her seemed to make the final cut. ## Why sid Season Three feel like a Western-inspired *Narcos*? Throughout Season Three, we kept asking ourselves how this group of misfit teenagers wound up in some of these storylines that seemed more fit for an episode of *Narcos* or *Breaking Bad*. Sure, some of them, mainly Rue, were making questionable decisions in high school that may have led them down a sketchy path. But the fact that a handful of characters end up owing a major drug kingpin money felt so out of place for a show that once made high school plays feel like the pinnacle of drama. The plot also introduced a slew of new characters that took screen time away from original cast members. Even the best of those new characters, like Rosalía’s Magick, left more questions than answers. What was Magick hiding, and why is her storyline not wrapped up in the final episode? Honestly, it’s not really clear why *Euphoria* needed to stray from the world of East Highland other than for Levinson to try his hand at making his very own Western film with the budget of an HBO television show. *This story was originally published on [rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-features/euphoria-finale-what-happened-questions-1235570803/).* ## Frequently Asked Questions ### How did the Euphoria finale end? Euphoria’s third season ended with the death of Rue Bennett, played by Zendaya, from an overdose. Rolling Stone’s writers note the reaction from other characters felt muted — Rue receives no proper funeral, and the responses of her family and Jules are never shown onscreen. ### Was Season Three the final season of Euphoria? Yes. Season Three was Euphoria’s last, though viewers did not know it while watching. Creator Sam Levinson and HBO only confirmed the series had ended after the episode aired, which is why the finale caught much of the audience by surprise. ### Why wasn’t Dominic Fike in Euphoria Season Three? Variety reported in 2025 that Dominic Fike would return as Elliot, and reports indicated he taped scenes. He never appeared onscreen, and his character went unmentioned. Fike has not explained the absence, though he had spoken publicly in 2023 about struggles during his earlier time on the show. ### What happened with Labrinth and Euphoria’s music? Labrinth announced in March 2026 that he was pulling his music from the show, citing frustrations with the industry and his label. Sam Levinson later told Vogue that original cues from Hans Zimmer, Labrinth, and Rosalía were used, though fans noted Rosalía’s music seemed largely absent. ### Why was Euphoria Season Three criticized? Rolling Stone’s writers argue the season strayed from East Highland into drug-kingpin plotting closer to Narcos, sidelining original cast members. They also flag thin arcs for Jules and Nate and unresolved threads like Rosalía’s character, Magick. Those judgments are the writers’ own assessment. Related Stories - [The Winners and Losers of ‘Euphoria’ Season 3](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-winners-losers-rue-nate-cassie/ "The Winners and Losers of ‘Euphoria’ Season 3") - [‘Euphoria’ Wraps Up In Emotional Season 3 Finale, with a Major Character Death](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-finale-recap-ending-explained/ "‘Euphoria’ Wraps Up In Emotional Season 3 Finale, with a Major Character Death") - [Martha Kelly is the ‘Euphoria’ Villain the Internet Loves to Fear](https://rollingstonephilippines.com/culture/tv/euphoria-laurie-martha-kelly-interview/ "Martha Kelly is the ‘Euphoria’ Villain the Internet Loves to Fear") **Categories:** Culture, TV **Tags:** Euphoria, HBO Max --- ### [Anna Faris Thinks the New ‘Scary Movie’ is the Funniest One Yet](https://rollingstonephilippines.com/culture/film/anna-faris-scary-movie-2026-cindy-campbell/) **Published:** June 4, 2026 **Author:** Mel Wang **Excerpt:** In an exclusive interview, the actress broke down her comedy career and dished on what’s in store for Cindy Campbell **Content:** It’s a reunion 25 years in the making. In this year’s *[Scary Movie](https://rollingstonephilippines.com/tag/scary-movie/ "Scary Movie")*, Anna Faris, who plays the horror parody franchise’s eternal final girl Cindy Campbell, joins the rest of the Core Four — Marlon Wayans, Shawn Wayans and[ Regina Hall ](https://rollingstonephilippines.com/tag/regina-hall/ "Regina Hall")— now all back in the franchise since starring together in *Scary Movie 2* (2001). Faris began her journey to comedy icon as a theater-loving kid living in Edmonds, Washington. In 1999, she submitted an audition (videotaped by her mother) for the original Scary Movie and crossed her fingers. “I had decided to give Los Angeles a year,” Faris remembers. “I didn’t know anybody there until Keenen \[Ivory Wayans, director of *Scary Movie 1* and *2*\] asked me to fly down and audition for him. I was terrified. I’d never done comedy so *Scary Movie* was boot camp for me. I got to learn from all these brilliant actors. Then the movie became a cultural lightning bolt and suddenly I was a part of that.” When she was approached about returning to the role one more time, it felt like the right time, Faris says. “I was already on board before the script was sent because I loved the idea of all of us coming back. Then on top of that, the script was so funny. It’s been kind of surreal in the best of ways to be back.” ![scary movie](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/SM6-04010R.webp) Dave Sheridan as Doofy, Marlon Wayans as Shorty, and Anna Faris as Cindy on the set of *Scary Movie*. Photo courtesy of Paramount Pictures Working with director Michael Tiddes has been a once-in-a-lifetime experience for Faris. “Mike is an awesome director in so many ways,” she says. “He never underestimated me. I can’t ask for anything more out of a director. This shoot has been such an incredibly satisfying journey for me. In the past I would be nervous when I got to set. This time I got to celebrate with everyone like a big class reunion.” Tiddes was equally enthusiastic about working with Faris and bringing the beloved character of Cindy back to the screen. “Getting the chance to work with Anna playing Cindy Campbell was honestly surreal and incredibly rewarding. Cindy is such an iconic character, and Anna has this rare ability to make her feel completely hilarious, lovable, chaotic, and grounded all at the same time,” the director says. “From day one, it felt less like she was revisiting a character and more like she was reconnecting with an old friend who still had plenty of surprises left. What made this experience so special was how fearless and collaborative Anna was throughout the process. We had so much fun pushing the character into new situations, watching Cindy Campbell slowly morph from this frazzled, broken recluse into someone channeling this chaotic, John Wick-level confidence was unbelievably fun to explore. Anna has this rare ability to make Cindy hilarious, vulnerable, and badass all at once, and every day on set felt like we were rediscovering why audiences connected with her in the first place.” ![scary movie](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/SM6-03609R2.webp) Anna Faris and Regina Hall as Brenda. Photo courtesy of Paramount Pictures In the first four movies, Cindy was put through the wringer as the serial killer Ghostface pursued her relentlessly though high school, college, and beyond. After a brief hiatus during the fifth film, she returns as a far cry from the naïve teen first targeted by the murderer. “Cindy does many childlike, illogical, and absurd things, but she has always had good intentions,” says the actress. “Sometimes you just have to throw your hands up and say, yep, this is what she’s doing. In this story, she is consumed by paranoia and believes that everyone is out to get her.” Since she was last seen, Cindy has been a recluse. She is depressed, lonely, and she drinks… a bit. She has neglected her kids and hidden herself away as she trains to defend herself against whoever will try to kill her next. “One of the best things was that I didn’t have to train for a bunch of fights,” Faris notes. “Cindy has a million guns now and she knows how to use them. After playing her throughout the years at different times in her life, this time I have the honor of emulating John Wick as Cindy morphs from this frazzled, miserable mess of a person to sleek and confident and badass. Now I’m Cindy fucking Campbell and when I run out of guns, I find solutions.” Cindy is reunited with her ride-or-die pal Brenda (Regina Hall), who has been by her side for better or for worse since high school. “They’ve survived a whole lot together,” says Faris. “I’m not sure that Brenda thinks of Cindy as her best friend, but Cindy would kill or die for Brenda.” *Scary Movie* opens in Philippine cinemas June 10. Rated R-16, no cuts. ## Frequently Asked Questions ### Who are the Core Four in “Scary Movie”? The Core Four refers to Anna Faris, Marlon Wayans, Shawn Wayans, and Regina Hall, who starred together in Scary Movie (2000) and Scary Movie 2 (2001) and reunite in the 2026 reboot. ### When does “Scary Movie” open in the Philippines? Scary Movie opens in Philippine cinemas on June 10, 2026. It is rated R-16 with no cuts. ### Who plays Cindy Campbell in the new “Scary Movie”? Anna Faris reprises the role of Cindy Campbell, the franchise’s central final girl, which she originated in the 2000 film. ### Who directed the 2026 “Scary Movie”? The film was directed by Michael Tiddes, who previously directed A Haunted House (2013) and its sequel. ### How has Cindy Campbell changed in the 2026 “Scary Movie”? In the new film, Cindy is no longer the naïve teenager from the original. She has become a paranoid recluse who has retreated from the world, neglected her kids, and trained obsessively with firearms — eventually evolving into a John Wick-style, gun-wielding version of herself by the film’s end. Related Stories - [‘Backrooms’ Is No. 1 At the Global Box Office. What Does This Mean for the Future of Moviegoing?](https://rollingstonephilippines.com/culture/film/backrooms-obsession-box-office-horror-cinema/ "‘Backrooms’ Is No. 1 At the Global Box Office. What Does This Mean for the Future of Moviegoing?") - [No One’s Really the Villain in ‘Obsession’](https://rollingstonephilippines.com/culture/film/obsession-film-review-wish-gone-wrong-horror/ "No One’s Really the Villain in ‘Obsession’") - [I Was Drunk and Alone in the ‘Backrooms’ Escape Room](https://rollingstonephilippines.com/culture/drunk-alone-backrooms-escape-room/ "I Was Drunk and Alone in the ‘Backrooms’ Escape Room") **Categories:** Culture, Film **Tags:** Anna Faris, Scary Movie --- ### [Pride Month 2026: Filipinos Must Accept LGBTQ+ Rights as Human Rights](https://rollingstonephilippines.com/editors-picks/features/pride-month-2026-this-is-not-a-phase/) **Published:** June 4, 2026 **Author:** Sai Versailles **Excerpt:** Rolling Stone Philippines marks its second year of “This Is Not A Phase,” highlighting stories that challenge what is acceptable in Filipino LGBTQ+ culture **Content:** This June, *Rolling Stone Philippines* marks its second year of [“This Is Not A Phase,”](https://rollingstonephilippines.com/tag/this-is-not-a-phase/ "This Is Not A Phase") our storytelling campaign highlighting stories that challenge what is acceptable in Filipino [LGBTQ+](https://rollingstonephilippines.com/tag/lgtbqia/ "LGTBQIA+") culture. Since the publication’s launch, support for the country’s queer community has grown. There is, for example, an ongoing movement to nationalize the [Right to Care Card](https://rollingstonephilippines.com/state-of-affairs/right-to-care-anti-discrimination-sogie/ "Why Are Cities Adopting a Right to Care Card?"), an initiative first pioneered in 2023 by the Quezon City government that allows same-sex couples to authorize medical decisions for their partners. In 2026, a landmark Supreme Court ruling recognized the right for [same-sex partners](https://rollingstonephilippines.com/state-of-affairs/lgbtq/supreme-court-same-sex-property/ "How a Lesbian Couple’s Breakup Led to a Landmark SC Ruling for LGBTQ+ Couples") to legally co-own properties, while a 2024 Pew Research Center [survey](https://www.pewresearch.org/short-reads/2025/08/20/many-in-middle-income-countries-are-uncomfortable-with-hypothetically-having-a-child-who-comes-out-as-gay/) suggests that the Philippines is one of the most accepting middle-income countries in Asia toward family members. This, however, only tells part of the story as equal rights and protections remain an uphill battle. In the same Pew survey, Filipinos are almost evenly divided on whether they’d feel comfortable (40 percent) or uncomfortable (45 percent) if their child came out, despite being one of the most accepting in Asia. Meanwhile, the fight for the SOGIESC (Sexual Orientation, Gender Identity and Expression, and Sex Characteristics) Equality Bill continues to stall in the upper and lower houses for its 26th consecutive year. The data around this is even more telling: A 2025 poll by WR Numero Research found that only 15 percent of LGBTQ+ voters rank comprehensive sex education as a top policy priority, with only 10 percent endorsing same-sex marriage. This suggests LGBTQ+ Filipinos need to move beyond tolerance and visibility, and “This Is Not a Phase” hopes to shed light on individuals expanding the possibilities for queer Filipino life. Our main feature story spotlights four queer music collectives navigating the city’s precarious club culture, exploring how safe spaces are organized and the ways grassroots, often marginalized, communities gather. Other conversations — including with actor [Nic Chien](https://rollingstonephilippines.com/tag/nic-chien/ "Nic Chien") and musician Jason Dhakal, among others — confront what it takes to make your voice heard in an age where truth is increasingly flattened by the demands of respectability. Because today, representation alone is not enough. As our panelists in this month’s *Rolling Stone Philippines* Roundtable suggest, the fight for LGBTQ+ rights is not the concern of the queer community alone. Premiering on June 26 exclusively on our [YouTube channel](https://www.youtube.com/@rollingstoneph/), the discussion brings together Chien, former [Gabriela Women’s Party](https://rollingstonephilippines.com/tag/gabriela/ "Gabriela") Representative Arlene Brosas, film and television actress Klea Pineda, Professor Jose Antonio Clemente of the UP Rainbow Research Hub, and drag artist Superstarlet XXX to examine how the issues they face intersect with ordinary Filipinos. This is not a phase, they say, because queer rights are human rights. When seen this way, allyship becomes urgent, and we stop asking for permission. Stay tuned to *Rolling Stone Philippines* for more stories on Filipino subcultures. ## Frequently Asked Questions ### What is Rolling Stone Philippines’ This Is Not A Phase? This Is Not A Phase is Rolling Stone Philippines’ annual Pride storytelling campaign, now in its second year. It spotlights stories that challenge what is considered acceptable in Filipino LGBTQ+ culture, including a feature on four queer music collectives and interviews with actor Nic Chien and musician Jason Dhakal. ### What is the SOGIESC Equality Bill and where does it stand? The SOGIESC Equality Bill would bar discrimination based on sexual orientation, gender identity and expression, and sex characteristics. As of 2026, it has stalled in both the upper and lower houses of Congress for its 26th consecutive year, making it among the country’s longest-pending measures. ### What LGBTQ+ rights advances have happened in the Philippines? Several have. Quezon City pioneered the Right to Care Card in 2023, allowing same-sex partners to authorize medical decisions, and a movement is underway to nationalize it. In 2026, a landmark Supreme Court ruling recognized the right of same-sex partners to legally co-own property. ### How accepting are Filipinos of LGBTQ+ people? A 2024 Pew Research Center survey placed the Philippines among the most accepting middle-income countries in Asia toward LGBTQ+ family members. Even so, Filipinos were nearly evenly split on a child coming out, with 40 percent saying they would feel comfortable and 45 percent uncomfortable. ### Who is in the Rolling Stone Philippines Pride roundtable? The roundtable premiered June 26, 2026, on the Rolling Stone Philippines YouTube channel. Panelists include actor Nic Chien, former Gabriela Women’s Party Representative Arlene Brosas, actress Klea Pineda, Professor Jose Antonio Clemente of the UP Rainbow Research Hub, and drag artist Superstarlet XXX. 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Since then, they have become such a fixture on social media that it’s hard to imagine online fan spaces without devoted A’TIN proclaiming SB19’s message through their music. But before the sold-out arenas and chart milestones, the quintet endured their trainee years, which, for any aspiring idol, is a period of immense pressure and ambition, and sometimes these two things are at odds with each other. After debuting in 2018 with “Tilaluha,” the members Josh Cullen Santos, John Paulo “Pablo” Nase, Stellvester “Stell” Ajero, Felip Jhon “Ken” Suson, and Justin de Dios spent months in stagnation before their “Go Up” dance practice video exploded online in 2019 and transformed them into one of the most visible acts in Filipino pop music. At the time, the boys were concerned with sustaining virality, and agreed with their company heads to be more active on social media. “Sa industry dito, hindi pwede maging complacent,” Pablo told *CNN Philippines Life* in February 2020. “Kung gusto mo \[na\] may marating ka, kailangang ‘pag may nagawa ka, pag-igihan mo pa more than ang ginawa mo before.” Just a month later, the pandemic forced nearly every artist’s live shows to come to a halt indefinitely. But SB19’s online reach kept growing. By early 2020, the group had become a mainstay on the Billboard Social 50 chart, which is evidence that their fanbase had already expanded far beyond the Philippines. And throughout the early 2020s, they released hit after hit: 2021’s “MAPA,” “Bazinga,” and 2023’s “GENTO” are only some. Six years later, SB19 is one of the biggest acts leading the [P-pop](https://rollingstonephilippines.com/tag/p-pop/ "P-pop") wave, with one live album, two studio albums, three EPs, multiple hit singles, and 1.8 million monthly Spotify listeners to their name. As the group reaches new heights, it now looks to uplift its peers in the industry and a whole generation of emerging talent in the country. “It all started with a crazy idea,” Josh previously told reporters when the group announced its own company, 1Z Entertainment, in 2023. During their trainee days, the members would joke about building “our own company, our own pacing, our own management.” Wishful thinking evolved into a larger ambition: creating opportunities not just for SB19, but for Filipino artists navigating an industry still figuring out how to support acts with global aspirations. In April 2026, Pablo became the president of the label. # Going Their Own Way ![sb19 wakas at simula](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/SB19-RollingStonePH-May-2026_intext.webp) The Wakas at Simula: The Trilogy Concert Finale was sold out, with unofficial crowd estimates at 100,000. Photo courtesy of 1Z Entertainment While breaking free from restrictions seems to be enough reason to start one’s own entertainment company, SB19’s efforts in self-management are more of an exercise in responsibility and ownership of their work. The seeds of autonomy were already sown in their early days as a group, with Pablo writing the lyrics and Stell working on the choreography. “\[Starting 1Z Entertainment\] has always been about protecting our creative freedom and having full control over our direction as artists,” the group says. “We wanted to make decisions that truly reflect who we are, without limitations, which led us to take ownership of our careers.” Launching 1Z Entertainment meant becoming more involved in every layer of their work: production, strategy, scheduling, branding, and long-term planning. It also demanded a different kind of discipline. Aside from being performers carrying out ideas developed by others, SB19’s members are now also decision-makers balancing the needs of a business with the demands of artistry. “It has changed the way we operate by making us more intentional, disciplined, and hands-on with every aspect of our work,” they explain. “It has also given us the opportunity to set a new standard and pave the way for both current and future Filipino artists on how to navigate the industry on their own terms. We see it not just as a business move, but as a responsibility to help shape a more artist-driven landscape in the Philippines.” “We are not just think about ourselves but also about how we represent P-pop and the Philippines on a global stage.” Pablo of SB19 SB19’s decision to build 1Z Entertainment also reflects a broader transformation in how artists in the Philippines and abroad now think about longevity and control. For decades, mainstream success in the local entertainment industry often depended on fitting into existing systems shaped by big, established entertainment companies. Artists were expected to adapt to structures that prioritized visibility and commercial viability, even if it sometimes came at the expense of creative independence. But the rise of digital platforms has gradually shifted that balance. Artists today are no longer entirely dependent on traditional gatekeepers to build audiences, organize communities, or sustain careers. They’re learning how to use music production software on their laptops, releasing the music on streaming platforms, and promoting it relentlessly on social media. SB19 emerged during this transitional moment, when online spaces began allowing Filipino acts to cultivate highly engaged fanbases capable of mobilizing support globally. Their success demonstrated that a local group could build international momentum through direct engagement, consistency, and a strong sense of identity rather than relying solely on institutional backing. After all, it only took a fan posting their dance practice video on X (then called Twitter) for SB19 to go viral overnight. The dream of a thriving music industry has long been dreamed by the group. In 2020, Pablo told *CNN Philippines Life*, “Gusto ko po kasi katulad sa Korea, maging sobrang progressive ang arts and culture dito sa Philippines kasi sa totoo lang po, sobrang daming Filipinos na talented talaga na hindi nabibigyan ng opportunities.” ![sb19 wakas at simula](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/SB19-RollingStonePH-May-2026_intext_2.webp) SB19 take their final bow at the end of the Wakas at Simula: The Trilogy Concert Finale. Photo courtesy of 1Z Entertainment Autonomy comes with obvious advantages. The members of SB19 say that self-management allows them to “clearly manage and express the wants and needs of each member, both musically and creatively,” while giving them space to move at their own pace. But the challenges are more complicated. “There are times when we have to balance different expectations and creative opinions within the group,” the group admits. “It can be challenging to make sure everyone feels heard while still moving forward efficiently.” Still, SB19 believes that compromise is a necessary part of the music-making process. Years spent together, as trainees and as artists building a career under relentless public attention, helped them better foster communication and accountability in their dynamic. “We always find a way to compromise by focusing on one shared goal and mission as a group, and that sense of unity helps us stay grounded and mentally steady,” the group says. “We have been together for a long time, and that shared journey has built trust, understanding, and accountability among us,” Justin says. “Building our own company, 1Z Entertainment, has also strengthened that support system because we rely on each other not just as artists but as partners.” > [View this post on Instagram](https://www.instagram.com/p/DZJql7ztJEm/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rolling Stone Philippines (@rollingstoneph)](https://www.instagram.com/p/DZJql7ztJEm/?utm_source=ig_embed&utm_campaign=loading) *Read the rest of the story in the P-pop Special issue of Rolling Stone Philippines, available soon on newsstands and for pre-order [SariSari Shopping](https://sarisari.shopping/collections/rolling-stone-philippines-collections/products/rolling-stone-philippines-special-issue-may-2026-sb19).* ## Frequently Asked Questions ### Who are the members of SB19? SB19 is a P-pop boy group made up of five members: Josh Cullen Santos, John Paulo “Pablo” Nase, Stellvester “Stell” Ajero, Felip Jhon “Ken” Suson, and Justin de Dios. The Filipino group debuted in 2018 and rose to fame after their “Go Up” dance practice video went viral in 2019. ### What is 1Z Entertainment and why did SB19 start it? 1Z Entertainment is SB19’s own label and management company, announced in 2023. The group founded it to protect their creative freedom, make decisions without external limitations, and take full ownership of their artistic direction. In April 2026, member Pablo became the president of the label. Beyond managing SB19 themselves, the company also intends to create opportunities for other Filipino artists navigating the industry. ### What is P-pop and what is SB19’s role in it? P-pop (Philippine pop) is a genre of idol-influenced pop music originating in the Philippines, modeled in part on the K-pop training and release format. SB19 is widely regarded as one of the genre’s pioneering acts, having demonstrated that a Filipino group could build a global fanbase through direct digital engagement. The group has consistently pushed for P-pop to be recognized alongside the best pop acts in the world, both through their music and through their work building artist-friendly infrastructure via 1Z Entertainment. ### What is A’TIN? A’TIN is the official fandom name for SB19’s fans. The community played a direct role in the group’s rise, as it was a fan who posted SB19’s “Go Up” dance practice video on X (then Twitter) that first sent the group viral in 2019. A’TIN has since expanded globally, helping SB19 chart regularly on Billboard’s Social 50 and sustain international momentum through grassroots online organizing. ### How does SB19 approach mental health and well-being? SB19’s members have spoken openly about the emotional demands of their careers, including burnout, creative pressure, and the challenge of processing criticism under constant public scrutiny. Stell has described choosing not to dwell on negative commentary as one of the bravest decisions he’s made. The group also partnered with insurance firm AIA Philippines in April 2026 as brand ambassadors, framing the collaboration as an extension of their belief that physical, mental, and financial health are all inseparable from long-term success as artists. Related Stories - [SB19 Heads to Lollapalooza 2026, Bringing P-pop to Chicago](https://rollingstonephilippines.com/music/pop/sb19-lollapalooza-2026/ "SB19 Heads to Lollapalooza 2026, Bringing P-pop to Chicago") - [5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding](https://rollingstonephilippines.com/editors-picks/lists/5-moments-sb19-rewrote-p-pop-worldbuilding/ "5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding") - [SB19’s ‘Wakas at Simula,’ Ranked Track by Track](https://rollingstonephilippines.com/music/pop/sb19-wakas-at-simula-ranked/ "SB19’s ‘Wakas at Simula,’ Ranked Track by Track") **Categories:** Music, Pop **Tags:** AIA Philippines, P-pop, SB19 --- ### [The Best Siargao Spots for a Short Weekend Trip](https://rollingstonephilippines.com/radar/zyn-summer-uninterrupted-siargao/) **Published:** June 4, 2026 **Author:** Mel Wang **Excerpt:** From dining establishments to local party spots, these are the spaces to watch out for on a weekend trip to Siargao **Content:** Just like [ZYN](https://rollingstonephilippines.com/tag/zyn/ "ZYN") itself, there’s something for everyone in [Siargao](https://rollingstonephilippines.com/tag/siargao/ "Siargao"). From exploring sandbars to its celebrated nightlife staples, there’s much to see and do on the island, and ZYN offers a new way for legal-age nicotine users to enjoy moments without interruption. Recently, the brand has continued to grow its portfolio with new, summer-themed innovations. ZYN Cool Breeze 1.5mg presents an option for those new to nicotine pouches, while the Tropical 3mg and 6mg bring a lively taste for users hoping to explore something new. ![zyn](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/for-mel-5.webp) ZYN has continued to grow its portfolio with new, summer-themed innovations. Photo courtesy of ZYN These new product launches reflect ZYN’s continued effort to support both category entry and taste exploration, making nicotine pouches more accessible to those who are looking for smoke-free alternatives, while also giving existing users more ways to enjoy the experience. As the category continues to grow, ZYN plays an active role in making smoke-free options more widely available to adult nicotine users. Whether it’s about switching to ZYN nicotine pouches or discovering new ZYN variants, the brand is focused on giving users the flexibility to choose what suits them best. ZYN has made it a point that you can enjoy its flavor profiles on the go, and for the busy traveler in Siargao, this is a godsend. As part of ZYN’s Summer, Uninterrupted experience in Siargao, *Rolling Stone Philippines* got a first-hand look at the different locations that add to the island’s unique culture. # Roots ![zyn](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/for-mel-2-1.webp) Roots’ Surf and Turf platter comprised of malasugi, tao wild herbs, and a bone marrow emulsion. Photo courtesy of ZYN Located within Kaimana Resort, Roots has spent the last two years building up a reputation as one of Siargao’s fine dining establishments. Roots’ tasting menu changes daily, inspired by fresh, sustainable ingredients and both local and international flavor palettes. While there, we were treated to dishes such as Roots’ cassava crisps (paired with a spicy ube and onion emulsion), Filipino wagyu encased in a squid ink ravioli shell, and a red snapper ceviche topped with pepinos and cured egg yolk. # Cloud 9 ![zyn](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/ZYNSummerSiargaoDayOneMagicLiwanag-785.webp) Cloud 9 is the best place to catch some sun. Photo courtesy of ZYN For surfers and sun bathers, no trip to Siargao would be complete without an hour or two at Cloud 9. The surfing spot boasts a steady flow of high waves, perfect both for surfing beginners and professionals alike. The pier and surf tower nearby also makes for an ideal spot for photos and for jumping-off points into the water. # Barbosa ![ZYN](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/ZYNSummerSiargaoDayOneMagicLiwanag-925.webp) Every night is different at Barbosa. Photo courtesy of ZYN Since it opened in 2023, Barbosa has become *the* vinyl bar for music lovers looking for a listening space on the island. Complete with an eclectic menu of snacks and drinks, Barbosa features regular DJ sets that draw everyone on the island to the bar’s dance floor. # Kanaloa Beach Club ![zyn](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/for-mel-3-1.webp) You can always take a quick pause at Kanaloa. Photo courtesy of ZYN If you’re looking for a more laidback spot that’s still close to nature, then Kanaloa is for you. The beach club offers both bar food and Filipino cuisine, along with a variety of drinks that you can sip on while lounging on the shore. Visitors can also kayak, standup paddle, and join in on an hour-long boat tour of the surrounding mangrove forests. # Mr. Turtle ![zyn](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/for-mel-4-1.webp) Mr. Turtle offers dining, dancing, and more. Photo courtesy of ZYN One of Siargao’s newer beachfront restaurants, Mr. Turtle boasts both a rich, Filipino-inspired menu and a close-up view of the shoreline. Mr. Turtle also hosts regular events, from Latin dance nights to full moon parties. Once you’re done either sitting by the beach or hitting the dance floor, take a second to lounge by the restaurant’s surrounding pool. # Siargao Beach Club ![ZYN](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/ZYNSummerSiargaoDayTwoMagicLiwanag-1600.webp) For partygoers, Siargao Beach Club is the place to be. Photo courtesy of ZYN Although Siargao has a number of night clubs you can choose from, the Siargao Beach Club features ample space for a night of dancing and partying, plus direct access to the nearby beach. There’s always a gig or DJ set going at the beach club, every day of the week. *ZYN is available at zyn.com, IQOS Stores, Lighters Galore, and convenience stores nationwide. Follow @zyn.phl on Facebook and Instagram to stay updated on the latest news*. ## Frequently Asked Questions ### What are the best spots to visit in Siargao for a weekend? Rolling Stone Philippines highlights six: Roots for fine dining, Cloud 9 for surfing, Barbosa for vinyl and DJ sets, Kanaloa Beach Club for laidback water activities, Mr. Turtle for beachfront dining and dance nights, and Siargao Beach Club for late-night gigs. ### What is Roots in Siargao? Roots is a fine dining restaurant inside Kaimana Resort that has built its reputation over two years. Its tasting menu changes daily around fresh, sustainable ingredients, with dishes such as cassava crisps with a spicy ube emulsion, Filipino wagyu in squid ink ravioli, and red snapper ceviche. ### Where can you go out at night in Siargao? Barbosa, open since 2023, is the island’s vinyl bar, with an eclectic snack and drink menu plus regular DJ sets. Siargao Beach Club has ample dance space and direct beach access, with a gig or DJ set daily. Mr. Turtle hosts Latin dance nights and full moon parties. ### What is ZYN’s Summer, Uninterrupted in Siargao? Summer, Uninterrupted is a ZYN brand experience in Siargao that Rolling Stone Philippines joined, touring locations around the island. It accompanied new product variants, including Cool Breeze 1.5mg and Tropical in 3mg and 6mg, positioned by the brand for legal-age nicotine users. ### What is ZYN and who is it for? ZYN is a brand of nicotine pouches intended only for legal-age nicotine users. Nicotine is addictive, and no nicotine product is risk-free. In the Philippines, ZYN is sold through zyn.com, IQOS Stores, Lighters Galore, and convenience stores nationwide, with purchase restricted to adults. Related Stories - [Why More People are Switching to ZYN Nicotine Pouches](https://rollingstonephilippines.com/radar/rs-recommends/zyn-nicotine-pouch/ "Why More People are Switching to ZYN Nicotine Pouches") - [Celebrating the Success of Antoinette Jadaone and ‘Sunshine’ at Rolling Stone PH Social Club](https://rollingstonephilippines.com/radar/events/sunshine-rolling-stone-social-club/ "Celebrating the Success of Antoinette Jadaone and ‘Sunshine’ at Rolling Stone PH Social Club") - [Rolling Stone Philippines Fetes State of Affairs Issue with Panels and Screening at Sine Pop](https://rollingstonephilippines.com/radar/rolling-stone-philippines-state-of-affairs-event/ "Rolling Stone Philippines Fetes State of Affairs Issue with Panels and Screening at Sine Pop") **Categories:** Radar, RS Recommends --- ### [The 10 Essential 21st‑Century Visayas and Mindanao Classics You Need To Hear](https://rollingstonephilippines.com/editors-picks/lists/essential-visayas-mindanao-albums-21st-century/) **Published:** June 4, 2026 **Author:** Elijah Pareño **Excerpt:** These important regional albums had nu‑metal muscle, dance‑punk sweat, reggae science, and Visaya‑first pop music **Content:** Since the inception of Original Pilipino Music in the mid-1970s, the country’s music industry has largely been centered in Metro Manila. First came the Manila Sound pioneers — Hotdog, Cinderella, and their contemporaries — all aptly named for the genre that reflected life in the country’s capital. Then followed the rock boom of the ‘80s and ‘90s, spearheaded by acts such as [Juan Dela Cruz](https://rollingstonephilippines.com/tag/juan-dela-cruz/) and the [Eraserheads](https://rollingstonephilippines.com/tag/eraserheads/), who further depicted everyday Filipino life with alternative music. The rest, as they say, is history. ## The VisMin Blueprint However, if you look at the recorded history of the Philippine music industry, captured in now-defunct periodicals like the *Philippine Panorama*, *Parade*, and *Balitaktakan* (the latter being a variety newspaper that covered the entertainment and music industry in the country), stories about the rich music history of the Visayas and Mindanao (often referred to conjunctively as “[VisMin](https://rollingstonephilippines.com/tag/vismin/)”) regions were rarely covered. Despite this, each passing decade saw the rise of artists that broke into the Manila mainstream: singers like [Pilita Corrales](https://rollingstonephilippines.com/tag/pilita-corrales/) and compilations like *Philippine Love Songs,* as well as novelty acts such as Max Surban and Yoyoy Villame. The latter half of the ‘90s also saw the establishment of reggae in provinces like Cebu, Dumaguete, and Davao, a genre that continues to persevere in the region until today. The turn of the century saw a pivotal breakthrough for VisMin music. What followed was a wave driven by homegrown talent, fearless experimentation, and a freedom that came from working outside Manila’s recording industry. There were the acts that crossed over into the Manila mainstream; R&B outfits like South Border from Davao; Cebu’s lengthy list of NU Rock favorites like Urbandub, Faspitch, and Sheila and the Insects; or pop singers like Morissette and Anna Fegi. On the other hand, you have the acts that grew exponentially and jumpstarted movements within Visayas and Mindanao, such as the arrival of “Bisaya rock” (popularly referred to as Bisrock), with bands like Missing Filemon and Phylum. ## Diversifying VisMin Releases The 2010s and 2020s saw the region’s music scenes grow and diversify even more. Vispop, a songwriting festival-turned-competition-turned-movement, championed original Bisaya pop music and fostered the careers of Bisaya songwriters and performers. The mid 2010s also saw a boom in the indie sound in the region — a safe haven for those who were not-quite-Urbandub, but not-quite-singer-songwriter either. Bands like Hey! It’s Your Birthday, Honeydrop, Sunday Sunday, Loop, Deanery, The Spirals, KRNA, and more shaped the indie rock sound, while the hip-hop scene had acts like Midnasty, Justraw, and Delinquent Society. Beyond the music, local independent productions, labels, event spaces, and publications built the ecosystem that makes these scenes flourish until today. From labels and collectives such as Bomba Press, Pawn Records, Melt Records, Indie CDO, and Davao’s Holodeck Productions to venues like Cebu Making Space, Apartment 1 CDO, Blockyard Bacolod, and Suazo, the region has built a strong, collaborative, and unified community in a music industry that has more often than not relegated regional acts to the side. As more acts from VisMin continue to make their mark in Filipino music today, we list down 10 essential VisMin albums of the 2000s and 2010s that you need to hear. Glitch, ‘Illementz’ (2000) ![Glitch](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/glitch-1600x1600.webp) Glitch cover art. Photo from Glitch/Spotify By the turn of the century, nu‑metal was peaking in Manila with bands like Cheese, Greyhoundz, and Slapshock tearing up the local gig circuit. On the flip side, when VisMin bands do it, they do it harder than their contemporaries. Glitch’s debut album *Illementz* has beats, mayhem, and more than enough muscle to power through its menacing rap delivery and gung‑ho attitude. Highlights like “Last Laugh,” “Wriggler,” and “Shiver” hide a raw vulnerability under vocalist Ryan Sison’s screeches, halts, and cadenced bars over wiry, metallic riffs. *—Elijah Pareño* Missing Filemon, ‘Self Titled’ (2002) ![Missing Filemon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/missing-filemon-1600x1600.webp) Missing Filemon cover art. Photo from Missing Filemon/Spotify Often cited as one of the key bands of “Bisrock” — Bisaya rock sung in the Bisaya language — Missing Filemon is a necessary stepping stone into the region’s guitar music. If the breakout, award‑winning album *Sinesine* (2005) doesn’t convince you, the self‑titled debut documents everyday life in a way that’s essential for Bisaya listeners. “Suroysuroy” (Wander Around) and “Inday” (Girl) snapshot the day‑to‑day romance in the city, and even comment on the urbanity of Cebu City. In the context of the Bisaya islands, not knowing Missing Filemon borders on sacrilege; better to do the homework and trace the scene they helped build over decades. *—Elijah Pareño* Urbandub, ‘Influence’ (2003) ![Urbandub](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Urbandub-1600x1600.webp) Urbandub cover art. Photo from Urbandub/Spotify There cannot be a list of essential Visayas-Mindanao albums of the 2000s and 2010s without Urbandub. Aptly called the “Giant Sound of the South,” the band ushered in an era of VisMin English-language alternative music that is still felt today. That breakthrough came with 2003’s *Influence*, a record that ultimately launched Urbandub into the national consciousness. Tracks like “Soul Searching” and “A New Tattoo” became an undeniable part of the Pinoy Rock canon, setting the foundation for the Urbandub hits that came next in their long and storied career. *—Kara Angan* Junior Kilat, ‘Party Pipol Ur On Dub TV’ (2005) ![Junior Kilat](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/junior-kilat-1600x1600.webp) Junior Kilat cover art. Photo from Junior Kilat/Spotify Once the Jamaican genre of dub reggae was able to cross oceans thanks to legendary musician Bob Marley for bringing the sound to a global stage, Southeast Asia witnessed its growth through local lenses, and Junior Kilat’s dub‑heavy reggae became a cornerstone of that movement. On their debut *Party Pipol Ur On Dub TV*, the opener’s “original sigbin” line greets the uninitiated with something hypnotic, folkloric even. The cover art itself telegraphs soundsystem culture: a blaring siren and vocalist Errol “Budoy” Marabiles beside a transmitter. The record locks in the atmosphere that powers “Sigbin Dub,” the hip‑hop‑leaning scratches of “Lansyaw Gimadkaw,” (Lansyaw’s Caught) and the boom‑bap pulse of “A.K.A. Otap.” There’s real variety here. It steps outside the usual dub‑reggae tropes of its time. Junior Kilat knew how to play with time and space. *—Elijah Pareño* Sheila and the Insects, ‘flowerfish’ (2005) ![Sheila and the Insects](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/shiela-1600x1600.webp) Sheila and the Insects cover art. Photo from Sheila and the Insects/Spotify If there’s any band that you have to credit with paving the path for Cebuano indie music, it has to be Sheila and the Insects. In a music scene that leaned heavily into BisRock or the “Urbandub sound,” Sheila and the Insects cut their teeth making new wave-inflected post-punk. While the band first gained national recognition with earlier albums like *Plastic Eyes, Static Minds* and *Manipulator*, *flowerfish* is arguably one of their most critically-acclaimed records, with tracks like “Maude” (who could ever forget vocalist-guitarist Orven Enoveso singing, “*You’re just a friend*”?) and “Quick To Panic” standing the test of time. *—Kara Angan* NoPetsAllowed, ‘Timpladang Pangtambay’ (2011) ![NoPetsAllowed](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/nopetsallowed-1600x1600.webp) NoPetsAllowed cover art. Photo from NoPetsAllowed/Spotify Dipolog City’s NoPetsAllowed became a pillar in the Mindanaoan hip‑hop circuit, a place that, at the time, lacked formal infrastructure. They answered with a 2011 mixtape *Timpladang Pangtambay*. Rappers Hero, Brogoy, and Arsiemonn trade verses that lay bare everyday struggle on “I’m in Heaven,” “Bang2x,” “Wala Nami Dope” (No More Dope), pulling from G‑funk sheen and ‘90s boom‑bap’s gritty lyricism. The mixtape’s title rings true to the lifestyle, while its DIY ethos rings true to the region. NoPetsAllowed is still taking over the region more than a decade later. *—Elijah Pareño* Tiger Pussy, ‘People You Hate’ (2013) ![Tiger Pussy](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/tiger-pussy-1600x1600.webp) Tiger Pussy cover art. Photo from Tiger Pussy/Spotify VisMin’s dance‑punk quartet Tiger Pussy cooks up some of the grooviest hardcore in the country. Punk has lived in the Philippines since the late ‘80s; VisMin raised the bar once bands like Tiger Pussy, which consists of members from Cebu, Dumaguete, and Siargao, took root in 2007. Their debut, *People You Hate*, arriving in the thick of the streaming era, was a flare shot for more women to take space on stages still crowded by men. Essential tracks “9 to 5,” “Guts,” and “Monster” hit real‑life monsters, love for the kind‑hearted, and the working‑class grind. A party wouldn’t be a party if it weren’t a Tiger Pussy party. *—Elijah Pareño* Various Artists, ‘Vispop 1.0’ (2013) ![Vispop](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/vispop-1600x1600.webp) Vispop cover art. Photo from Vispop/Spotify Born from the foundations of institutions like Bisrrock and Cebu Pop, Vispop was created with one advocacy in mind: to build a culture and platform for Bisaya-language pop music. In the years since its first iteration in 2013, the songwriting competition-slash-festival launched the careers of some of the most notable singers and sought-after songwriters nationwide — Jewel Villaflores, Therese Villarante, Kurt Fick, Jerika Teodorico, Ferdinand Aragon, and many more. However, all movements must start somewhere. The first compilation album features a host of breakout hits, like “Balay ni Mayang” (Mayang’s House) by Martina San Diego and Kyle Wong (also of The Wonggoys) and “Papictura Ko Nimu, Gwapo” (Let Me Take A Picture Of You, Handsome) by Marie Maureen Salvaleon. Actress-singer Chai Fonacier (who was also in a trip-hop band called Womb around this time) interpreted Lourdes Maglinte’s ballad, “Laylay” (roughly translated as “Tired”). *—Kara Angan* Hey! It’s Your Birthday, ‘Hey! It’s Your Birthday’ (2016) ![Hey! It's Your Birthday](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/hiyb-1600x1600.webp) Hey! It’s Your Birthday cover art. Photo from Hey! It’s Your Birthday/Spotify Cebu’s Hey! It’s Your Birthday made a splash in both the regional and national 2010s indie scene with their own unique mix of lo-fi, electronic, and experimental art rock elements. The band was already a favorite in the local scene at the time, being part of collectives like Komorebi and the indie record label Bomba Press. However, they also gained national recognition through internet curators like 8bitfiction, furthering their influence outside of Cebu. Vocalist-guitarist Anne Amores’ haunting voice rings out throughout their self-titled album’s 12 tracks, and when you listen to it now, you can’t help but think that the band was leagues ahead of the game — unknowingly paving the way for the bedroom, shoegaze, and dreampop scenes that boomed in VisMin in the 2020s. *—Kara Angan* Oh! Caraga, ‘Way Sukod’ (2019) ![Oh! Caraga](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/oh-caraga-1600x1600.webp) Oh! Caraga cover art. Photo from Oh! Caraga/Spotify Mindanaoan folk-pop band Oh! Caraga is arguably the biggest Bisaya act in the Philippines right now. Composed of Vispop veterans, the trio’s 2019 debut record, *Way Sukod* (Beyond Measure) skyrocketed the band to the VisMin mainstream, with breakout hits like “Ipanumpa Ko” (I Promise), “Ayaw Nag Hilak” (Don’t Cry), and the album’s title track. The record captured some of the most prominent sonic preferences of the mass Bisaya audience: folk, ballads, and stomp-clap pop, all while putting a new take on it with Bisaya songwriting. With Vispop on (unofficial) hiatus, Oh! Caraga, along with their Vispop contemporaries, continue to introduce and champion Bisaya songwriting to new generations around the region. *—Kara Angan* ## Honorable Mentions Loop, ‘Reality & Dreams’ (2017) ![Loop](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/loop-1600x1600.webp) Loop cover art. Photo from Loop/Spotify Hailing from Iligan, Loop broke through the noise in the 2010s indie scene by bending genres. In their stellar debut record, you can hear influences from emo, alternative rock, indie rock, singer-songwriter, and blues. Kim Trinidad’s strong vocals make the band stand out, on top of their stellar arrangement that keeps you hooked for the next riff. The strength of this record cannot be understated, with Loop becoming one of the few Mindanaoan indie bands that broke into Manila in the 2010s, landing a Rappler LiveJam, Wish Bus performances, and more. Various Artists, ‘Folk City’ (2014) ![Folk City](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/folk-city-1600x1600.webp) Folk City cover art. Photo from Folk Cit/Spotify If you want a cheat sheet into the early beginnings of the Cebuano indie scene, look no further than the Folk City Compilation, released by 22 Tango Records in 2014. The compilation features a growing number of acts that had songs that were not Vispop, but not quite Bistock either — singer-songwriters who also wrote in English (Jessica McYorker, Cattski, Mary Anchit, Martina San Diego, and more); electronic-forward acts like LUXXX and Womb, or bands that were more pop or indie-leaning like Wonggoys, The Labrats, and Snübear ## Frequently Asked Questions ### What were the movements and labels that helped promote VisMin music? Sonic Boom, Pawn Records, Melt Records, Filla Killa, and Indie CDO, as well as movements like the VisPop and Bisrock communities helped promote VisMin music. ### Who were the rock bands that crossed over to the mainstream? VisMin-grown bands like Urbandub, South Border, and Cueshe were one of the many bands that became popular in the 2000s. ### What is Bisrock? “Bisrock” is a term for rock music sung in the Bisaya language. ### Who are the pioneers of VisMin music? In the late ‘80s to ‘90s, singers like Pilita Corrales and novelty acts such as Max Surban and Yoyoy Villame broke through the mainstream. ### What did the VisPop compilation contain? The songwriting competition-slash-festival launched the careers of some of the most notable singers and sought-after songwriters nationwide — Jewel Villaflores, Therese Villarante, Kurt Fick, Jerika Teodorico, Ferdinand Aragon, and many more. Related Stories - [For Melt Records, It’s Not About Being the Biggest Music Label](https://rollingstonephilippines.com/editors-picks/features/melt-records-indie-music-cebu-label-visayas-mindanao/ "For Melt Records, It’s Not About Being the Biggest Music Label") - [Cebu’s Musicians Weigh In On How To Promote Bisaya Music](https://rollingstonephilippines.com/music/cebus-musicians-weigh-in-on-how-to-promote-bisaya-music/ "Cebu’s Musicians Weigh In On How To Promote Bisaya Music") - [18 Filipino Dance Tracks That Capture the Spirit of Queerness](https://rollingstonephilippines.com/editors-picks/lists/18-queer-filipino-dance-tracks/ "18 Filipino Dance Tracks That Capture the Spirit of Queerness") **Categories:** Editor's Picks, Lists, Music **Tags:** Glitch, Hey! It;s Your Birthday, Junior Kilat, Loop, Missing Filemon, Oh! Caraga, Sheila and the Insects, Tiger Pussy, Urbandub, VisMin, Vispop --- ### [Storm Troopers, Jedi Knights, and Baby Yodas at ‘The Mandalorian and Grogu’ PH Premiere](https://rollingstonephilippines.com/culture/film/mandalorian-grogu-philippine-premiere-sm-cinema/) **Published:** June 4, 2026 **Author:** Mel Wang **Excerpt:** The Philippine debut of the latest LucasFilm feature brought together crowds of fans in full costume, from rebel fighters to imperial officers **Content:** It’s always a sight to see when [Star Wars](https://rollingstonephilippines.com/tag/star-wars/ "Star Wars") devotees come together to celebrate the latest film in the long-running franchise. Things were no different at the recent Philippine premiere of *[The Mandalorian and Grogu](https://rollingstonephilippines.com/tag/the-mandalorian-and-grogu/ "The Mandalorian and Grogu")*, where fans gathered to be among the first in the country to see the newest LucasFilm outing on the big screen. ![mandalorian and grogu](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/4.webp) *The Mandalorian and Grogu* premiere proved to be a magical moment, especially for first-time fans. A parade of fans dressed as Stormtroopers, Jedi Knights, and Rebel Fighters marched from SM North EDSA’s Atrium all the way up to the mall’s IMAX cinema to catch the first Philippine screening of *The Mandalorian and Grogu*. The Atrium activation, with its interactive Star Wars-themed elements, offered the perfect place for the fandom to share moments and snap new memories. It’s been seven years since we last sat in the dark and heard John Williams’ iconic fanfare, and this time, it’s [Ludwig Göransson’s](https://rollingstonephilippines.com/tag/ludwig-goransson/ "Ludwig Göransson") *The Mandalorian* theme that welcomed us. Fans across generations took the time to pose for pictures, interact with a life-sized AT-AT Walker, and swap stories about custom costumes with other viewers. ![star wars](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/1-1.webp) Stars Wars fans across generations gathered at the premiere. *The Mandalorian and Grogu* is currently screening in cinemas nationwide, complete with a variety of formats. With SM Cinema in particular, the film can be enjoyed either with the immersive scale of IMAX, the 270-degree panoramic action of SCREENX, the premium comfort of the Directors Club, or the convenience of a regular theater. ![Star Wars](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/8.webp) A fan posing with a life-sized AT-AT Walker. ![star wars](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/7-1.webp) Fans could be seen showing off their custom costumes. And, if you’re hoping to bring a piece of the galaxy back home, then there are a number of collectibles available. There’s a limited edition of *The Mandalorian and Grogu* tumbler available until June 18 at select SM Cinema locations. And if you catch the movie in IMAX until June 3 while wearing a Star Wars fit, you may have a chance to win a limited-edition Uniqlo UT shirt. All you need to do is purchase two IMAX tickets, snap a photo of them with your movie fit, and share them on Facebook with the hashtag, #TeesIsTheWayToSMCinema. Participating IMAX branches are SM Mall of Asia, SM North EDSA, SM Megamall, SM Aura, SM City Clark, SM Cebu, SM Lanang, and SM Iloilo. From watching the blockbuster to buying the latest Star Wars-themed merch, all these activities and more are available through SM North EDSA. The mall is a premier entertainment destination, offering a venue that continuously brings global entertainment experiences closer to Filipino fans. What’s more, it is part of SM’s commitment to creating immersive lifestyle and entertainment experiences. Catch *The Mandalorian and Grogu* now in cinemas nationwide. ## Frequently Asked Questions ### What happened at The Mandalorian and Grogu Philippine premiere? The Philippine premiere took place at SM North EDSA, where fans dressed as Stormtroopers, Jedi Knights, and Rebel Fighters paraded from the mall’s Atrium up to its IMAX cinema. The Atrium hosted a Star Wars-themed activation with interactive elements, including a life-sized AT-AT Walker for photos. ### Where can you watch The Mandalorian and Grogu in the Philippines? The Mandalorian and Grogu is screening in cinemas nationwide. At SM Cinema, viewers can choose IMAX, SCREENX with its 270-degree panoramic format, the premium Directors Club, or a regular theater, depending on the branch and the kind of viewing experience they prefer. ### What is The Mandalorian and Grogu? The Mandalorian and Grogu is the latest LucasFilm feature and Star Wars’ first theatrical release in seven years. Instead of John Williams’ familiar fanfare, it opens with Ludwig Göransson’s Mandalorian theme, carrying the sound of the Disney+ series onto the big screen. ### What Mandalorian and Grogu merch is available at SM Cinema? SM Cinema offered a limited-edition The Mandalorian and Grogu tumbler, available until June 18, 2026, at select locations. The premiere also featured Star Wars-themed merchandise and activities at SM North EDSA, alongside a separate IMAX promo tied to a Uniqlo UT shirt giveaway. ### How did the SM Cinema IMAX Star Wars promo work? Moviegoers who watched in IMAX until June 3, 2026, in a Star Wars outfit could enter by buying two IMAX tickets, photographing them with their outfit, and posting on Facebook with #TeesIsTheWayToSMCinema. Participating branches included SM Mall of Asia, SM Megamall, SM Aura, SM Cebu, and SM Iloilo. 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The song plays around with dancehall percussion alongside shimmering synths, while Filipino-Canadian R&B singer Fana handles the song’s chorus. According to Illest Morena, she, Apl, and Fana have created the perfect “Filipino summer experience” with “Wind It.” Described as one of her bucket-list collaborations, the track also features Apl.de.Ap rapping, “I work hard / I love hard,” during one of its strong pre-choruses. Illest Morena caught the attention of music fans with the R&B rap track “Faded (Raw)” in January 2024. Since then, she has collaborated with major Filipino hip-hop acts such as [Skusta Clee](https://rollingstonephilippines.com/tag/skusta-clee/ "Skusta Clee"), Janine Berdin, and Nik Makino. Meanwhile, Apl.de.Ap and his group, Black Eyed Peas, recently won Best Throwback Song for “Rock That Body” at the American Music Awards on May 27. ## Frequently Asked Questions ### Who did Apl.de.ap collaborated with on “Wind It”? Apl.de.ap has collaborated with Filipino rapper Illest Morena and Filipino-Canadian R&B singer Fana for “Wind It.” ### What did Illest Morena call the “Wind It” collaboration? Illest Morena called the Apl.de.ap and Fana “Wind It” collaboration as a “buecklist collaboration” ### Where did Apl.de.ap, Illest Morena, and Fana performed “Wind It”? Apl.de.ap, Illest Morena, and Fana performed “Wind It” at the Filipino Music Awards back in October 2025 ### What award did Apl.de.ap win with his group Black Eyed Peas? Apl.de.ap and his group Black Eyed Peas won the Best Throwback Song for “Rock That Body” at the American Music Awards on May 27. ### What song made Illest Morena popular? Illest Morena caught the attention of music fans with the R&B rap track “Faded (Raw)” in January 2024. 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The rising actor has never been too far away from the spotlight. In 2017, Chien made his professional debut with Atlantic Theatrical’s production of *Matilda*, where he played one of the titular telekinetic’s young classmates. After choosing to focus on his studies, Chien returned onstage in 2025 with Theatre Group Asia’s *Into the Woods*, where he stepped into the role of Jack, the absent-minded beanstalk climber. The production also marked the first time Chien shared a musical stage with his mother, [Lea Salonga](https://rollingstonephilippines.com/tag/lea-salonga/ "Lea Salonga"), whose name has become synonymous with thespian royalty. The award-winning actress is best known for her time onstage in productions such as *Miss Saigon* and *Les Misérables*, as well as her singing voice in Disney’s *Aladdin* and *Mulan*. “He’s really independent,” Salonga said about her son in an interview with [*The Philippine Star*](https://www.philstar.com/lifestyle/health-and-family/2025/08/03/2462823/nic-chien-working-mom-lea-salonga-into-woods-nothing-new). “Hindi ko na siya pinapakialaman with regards to who Jack is and his characterization.” ![nic chien](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/nic-chien-rolling-stone-intext-1.webp) Nic Chien recently starred as Moritz Stiefel in The Sandbox Collective’s staging of *Spring Awakening* More recently, however, the 20-year-old made national headlines for his performance as Moritz Stiefel in The Sandbox Collective’s staging of *[Spring Awakening](https://rollingstonephilippines.com/tag/spring-awakening/ "Spring Awakening")*. Part alt-rock musical and part coming-of-age drama, the production saw Chien belting out rock ballads while diving deep into themes of sexuality, mortality, and existential dread. The Tony Award-winning musical has always had a reputation for not shying away from raunchier topics (Chien’s big number, “The Bitch of Living,” is a thinly veiled metaphor for masturbation), but the actor made it a point to challenge his audience as much as possible. “\[I’m excited about\] bringing awareness to things that happen here, that are relevant, but that people don’t want to talk about,” Chien told [*Rolling Stone Philippines*](https://rollingstonephilippines.com/culture/theater/spring-awakening-manila-stars/) earlier this March when *Spring Awakening*’s shows were in full swing. “I just think about shocking \[the audience\] and hopefully changing their minds.” ## Nic Chien On Bringing Authenticity Onstage Beyond the shock value, though, Chien also brought a level of gravitas to his character. Moritz’s storyline is one of the darker ones of *Spring Awakening* — nervous, sexually repressed, and hyperstressed, Moritz isn’t the easiest character to tackle. There are themes of pressure, sexual confusion, and mental health that surround Moritz, but Chien faced them head-on by finding his own personal connection to the character. “I relate a lot to Moritz,” Chien said in an interview with [*Manila Bulletin*](https://mb.com.ph/2026/01/22/nic-chien-on-trans-man-representation-in-theater-im-hoping-to-open-up-more-opportunities)*.* “\[In\] high school, I don’t think I was very popular, and I saw myself as kind of weird. I’m actually excited for the other kids who were… really weird and misunderstood in school, and who, overall, were just growing up relating to him.” Critics lauded his performance as both “tortured” and “fractured,” praising him for adding an ample amount of vulnerability to his character’s tragic arc. But this commitment to the craft makes sense for Chien. Talk to the actor, and you can see just how much thought he’s put into his time onstage. “Live theater is harder \[than film or television\] because you don’t get a second chance when people are watching,” he tells me. “Everything’s moving from moment to moment. You can’t redo something that you’ve already done onstage.” ## The Challenges of Being Under the Spotlight ![nic chien](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/nic-chen-rolling-stone-intext-3.webp) “Everything’s moving from moment to moment.” When I speak to Chien, it is months after *Spring Awakening* and the seemingly endless stream of interviews and press appearances that came with it. “I have recently become a very busy person,” he says. “Before \[*Spring Awakening*\], the only thing I really had was school. But I didn’t like school — I was always playing video games instead of doing homework.” For the young actor, it felt as if many of the questions given to him focused on either two topics: his mother or his experience as a trans man. “\[Interviewers\] are always like, ‘So how did you find out that you were transgender?’” Chien tells me jokingly. “And I’m so tired. \[But\]… honestly I’m more tired of people asking me about my mom. Because of who she is, it feels like people are like, ‘Oh man, you have nothing else to talk about. You’re so connected to your mom.’ But I’m also like, ‘Man, *of* *course*, she’s my mom!’ She’s an icon! It would be hard if I *wasn’t* connected to my mom.” Despite these hang-ups, however, Chien recognizes that it’s part of the price to pay for being able to build a career in the performing arts. “I’m busy doing things I’m good at doing,” he says. “Stuff that supports the arts, the entertainment industry. At least I can look at myself and be like, ‘You know what? I’m busy doing the things that I wish I was doing in high school.’” If it were up to Chien, he’d spend our interview talking about video games. At present, he’s playing a lot of *Tomodachi Life: Living the Dream*, and contemplating starting *Hades II* (“But I have to finish the first one,” he says). He, in equal parts, loves *The Elder Scrolls V: Skyrim* and *Minecraft*, and has also been watching multiple playthroughs of *Doki Doki Literature Club!* and *Resident Evil Requiem* (if it isn’t clear by now, Chien contains multitudes). But we spend a good twenty minutes discussing the highs and lows of trying to best the indie deck-builder, *Inscryption*. “When I got it, I played it all the way through for two days straight,” he says. “After school, that was the only thing I was doing during COVID. As soon as I got out of classes, boom, *Inscryption*.” Chien has yet to finish Kaycee’s Mod, the game’s official expansion, but his mother, who is also an avid gamer, has sped through the game without him. # What’s Next for Nic Chien? ![nic chien](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/nic-chien-rolling-stone-intext-2.webp) “I’m busy doing things I’m good at doing.” Later this September, Chien will head to Ithaca in New York to start his freshman year of college. For the actor, it will be a welcome break from the time he’s spent in the limelight. But that doesn’t mean that he’s stopped thinking about his craft. If given the chance, he’d immediately say yes to a production like *Heathers: The Musical* (“I want to be J.D.,” says Chien) or *Maybe Happy Ending*, where he’d love to test out his musical skills as Oliver (“Vocally, he’s harder to crack than people think.”). And above all else, Chien can’t help but focus on the tight-knit community that he’s found during his time onstage. “It’s a family,” he says. “And that has its shortcomings too, because it can make it harder for people to break into the scene. Which isn’t the best, but I understand. But at the end of the day, it’s all very teamwork-oriented. You need each other. I want the audience, many of whom won’t have a second chance to watch the show, to have a good time.” ## Frequently Asked Questions ### Who is Nic Chien? Nic Chien is a Filipino theater actor and trans man who gained recognition in 2026 for his role as Moritz Stiefel in The Sandbox Collective’s Spring Awakening. ### What roles has Nic Chien played in theater? Chien debuted in Matilda (2017), returned as Jack in Into the Woods (2025), and most recently played Moritz Stiefel in Spring Awakening. ### Is Nic Chien Lea Salonga’s son? Yes. Nic Chien is the son of Lea Salonga, the Tony Award-winning actress known for Miss Saigon, Les Misérables, and Disney’s Aladdin and Mulan. ### What is “Spring Awakening” and what was Nic Chien’s role? Spring Awakening is a Tony Award-winning alt-rock musical exploring adolescence and repression. Chien played Moritz Stiefel, one of the production’s most emotionally demanding roles. ### What is Nic Chien doing next? Chien is set to begin his freshman year of college in Ithaca, New York, while remaining open to future stage projects. Related Stories - [The Stars of ‘Spring Awakening’ on the Pressure and Power of the Broadway Hit](https://rollingstonephilippines.com/culture/theater/spring-awakening-manila-stars/ "The Stars of ‘Spring Awakening’ on the Pressure and Power of the Broadway Hit") - [‘Liwanag sa Dilim’ is a Frenetic, Urgent, but Flimsy Production](https://rollingstonephilippines.com/culture/art/liwanag-sa-dilim-musical-review/ "‘Liwanag sa Dilim’ is a Frenetic, Urgent, but Flimsy Production") - [‘Delia D.’ Is A Kitschy, Feel-Good Fever Dream](https://rollingstonephilippines.com/culture/delia-d-musical-review/ "‘Delia D.’ Is A Kitschy, Feel-Good Fever Dream") **Categories:** Culture, Theater **Tags:** Nic Chien, Spring Awakening, This Is Not A Phase --- ### [Dom Guyot and Zae Call Out Cheaters and Power Tripping in ‘manloloko’](https://rollingstonephilippines.com/music/hiphop-rnb/dom-guyot-zae-call-out-cheaters-power-tripping-manloloko/) **Published:** June 4, 2026 **Author:** Elijah Pareño **Excerpt:** The fearless queer pop voice teams with a rap firebrand to flip the script on blame, centering queer and female perspectives **Content:** [Dom Guyot](https://rollingstonephilippines.com/tag/dom-guyot/ "Dom Guyot") is a queer artist who always challenges the current zeitgeist. His latest single with rapper [Zae](https://rollingstonephilippines.com/tag/zae/ "Zae") titled “manloloko” implores everyone to go against the cheating man at the center of the song. Back in June 2025, Guyot grabbed mainstream attention with [“kabit,”](https://rollingstonephilippines.com/editors-picks/features/dom-guyot-kabit-interview/ "Dom Guyot on Confronting Double Standards in Queer Filipino Pop Music with ‘kabit’") which drew the general audience’s ire for its raunchy, “taboo” subject matter. He then responded to how the song was misinterpreted by a majority of listeners. Guyot didn’t back down despite the detractors. If anything, the song’s controversy pushed him to avoid boxing himself lyrically and sonically moving forward. “manloloko” pokes fun at what constitutes a “cheater” now. Guyot always has that in mind when he writes, but embodying a diva is its own thing. He cites Beyoncé as a blueprint for his exploration of different genres. “As you can see in \[Beyoncé’s\] trilogy now, she’s doing it very cool, like seeing her jump from *Renaissance* to *Cowboy Carter*,” Guyot tells *Rolling Stone Philippines*. “Her previous albums have different vibes. She goes from ballads to full‑on pop tracks, which I really appreciate because I grew up with divas.” “manloloko” features Zae, whom Guyot calls an icon in the rap scene. During the earlier stages of the songwriting, Guyot wrote the vowel-heavy hook and R&B-flavored verses with the dance hall production in 15 minutes. He then felt the track needed a female perspective as the final piece of the puzzle. Guyot DM-ed Zae on Instagram. All they needed was five minutes to write their lines together. Guyot lauds Zae for her willingness to tackle subjects people don’t usually touch, especially cheating, without sensationalism. “Everyone knows what a baddie Zae is. It’s so nice to see a female talking about stuff that’s considered taboo in the Philippines,” he says. “Zae bringing that female perspective, that female voice into the track, is very important to me.” ## Fighting the Man ![Dom Guyot](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Dom-Guyot.webp) Guyot continues to empower both women and queer folks to get back up on their own pace after being cheated on. Photo from Sony Music Philippines Guyot is intentional about his writing, whether it’s subversive or sometimes satirical. For him, “manloloko” is also about gays and women pushing back against oppressive systems. “To be honest, ang daming manloloko sa mundo right now,” he says. “It’s not just about cheaters, it’s also like sa gobyerno. Ang hirap sa Pilipinas ngayon. Niloloko tayo araw‑araw. How are we supposed to live throughout this year if ganito kahirap tapos maghihirap pa?” In the song’s bridge, Guyot and Zae trade lines as if they were having a civil conversation. He credits her with opening up a new part of his creative brain, pushing him lyrically. Guyot continues to empower both women and queer folks to get back up on their own pace after being cheated on. “The song is really about calling people out, taking your power back. You refuse to be played. You outlive the liars, you outplay the players, and you become secure sa sarili mo,” he says. “Kahit anong outcome, hindi maaapektuhan ‘yung pagtingin sa sarili mo. You are still that bitch.” Guyot closes with advice for listeners recovering from cheating or being cheated by systems in general. The song doubles as a cautionary tale about trusting men in any context, whether in relationships or in the government. “Usually when a cheating issue happens in the Philippines, parang ang babae talaga ‘yung wini‑witch hunt, which stems from misogyny,” he says. “At the same time, the women are always pitted against each other. ‘Yung gusto naming ginawa ni Zae is, instead of fighting each other, kaming dalawa, we’re fighting the man.” ## Frequently Asked Questions ### Who is the artist behind “kabit” and “manloloko”? The queer pop R&B artist who wrote both wrote “kabit” and “manloloko” is Dom Guyot. ### Who did Dom Guyot collaborate with in “manloloko”? Dom Guyot has collaborated with female rapper Zae in the song “manloloko.” ### Who is Dom Guyot inspired by? Dom Guyot is inspired by artist Beyoncé when it comes to choosing any genre he writes under. ### What is “manloloko” all about? Dom Guyot and Zae’s latest single “manloloko” is a song about how queer and female individuals fighting against oppressive systems. ### How long did Dom Guyot work on the hook and verses in “manloloko”? Dom Guyot worked on the song “manloloko” for 15 minutes. While Zae and Guyot had only worked together to finish writing the track in 5 minutes. 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YouTuber-turned-filmmaker [Kane Parsons’](https://rollingstonephilippines.com/tag/kane-parsons/ "Kane Parsons") cinematic debut features an impressive command over tone, tension, storylines, and fear factor galore. At only 20 years old, the director has more than left his mark on the genre. Plus, thanks to its stellar cast — Chiwetel Ejiofor and Renate Reinsve, in particular, throw their entire being into escaping the liminal space — *Backrooms* gives us a horror film that transcends its origins as a mere Internet mythos adaptation. But I worry that we’re making the film out to be the second coming of cinema, when it’s meant to just be a good, scary horror movie. As of writing, *Backrooms* has just wrapped up its opening weekend in the United States and is now beginning its theatrical rollout in the Philippines. The headlines surrounding it are nothing short of hyperbolic — horror veterans Jason Blum and James Wan are lauding it for [“saving the industry,”](https://www.hollywoodreporter.com/movies/movie-news/jason-blum-james-wan-obsession-backrooms-success-horror-1236609599/) reports show that it’s breathed a second, Gen Z-ified life into cinemas, and the big kicker is that it’s already earned $144 million globally to date (with no signs of plateauing any time soon). The same media frenzy also surrounds fellow YouTuber Curry Barker’s horror offering, *[Obsession](https://rollingstonephilippines.com/culture/film/obsession-film-review-wish-gone-wrong-horror/ "No One’s Really the Villain in ‘Obsession’")*, but whether it’s because the romantic horror was released a few weeks earlier or because Parsons’ rise to fame was so unexpectedly lucrative, *Backrooms* has become the main topic for diehard supporters, horror fans, and slightly perplexed moviegoers who were unaware of Parsons and his take on the urban legend. # **Does ‘Backrooms’ Actually Deliver on the Hype?** ![Chiwetel Ejiofor as Clark in Backrooms.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/chiwetel-backrooms.webp) Chiwetel Ejiofor as Clark in *Backrooms*. Photo from Kane Parsons/Instagram A bit of lore for those unaware: the concept of the Backrooms existed long before Parsons. An eerie image of empty yellow hallways began floating around the Internet in the early aughts, quickly spawning a sea of Creepypasta stories, 4chan forums, and Reddit threads speculating on the idea of an alternate dimension that ordinary people could fall (or “noclip,” if we’re being scientific) into if they weren’t careful. In 2022, Parsons started making Backrooms-inspired YouTube videos, many of which followed a simple storyline: someone, usually conveniently equipped with a video camera, noclips into the rooms and wanders around in search of an exit, only to discover that they’re not the only one stuck in the liminal space. Parsons’ videos always played with the found footage format, and he brings that disturbing aesthetic to his full-length feature. The best parts of *Backrooms* are when we get to see the hallways and office floors through the eyes of a grainy, blurry camera lens. Parsons’ protagonists move slowly through the rooms, and so much tension is built in every bump, zoom-in, and pan that the camera makes. When the chasing finally starts, we can’t help but scream to the rhythm of the camera shaking up and down as the dimension’s big bads draw closer and closer. Part of me wishes that Parsons had simply stayed in the world of found footage, because it’s clear that this was where he was having the most fun in the film. Exploring the Backrooms is already a horrific idea on its own, and Parsons added so many subtle scares for the camera to catch (and for his protagonists to miss) that a *Blair Witch Project*-esque version of the movie wouldn’t have been a bad idea. ![Renate Reinsve Backrooms](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/renate-backrooms.webp) Renate Reinsve as Dr. Mary Kline in *Backrooms.* Photo from Kane Parsons/Instagram But *Backrooms* is far from the perfect horror movie (and it’s most certainly not “rewriting” the horror genre, as some may suggest). Our main protagonists — sad furniture store owner Clark (Ejiofor) and his therapist Dr. Mary Kline (Reinsve) — are dramatic, yes, and the moments they share onscreen are the most emotionally charged of the film. But we either spend too much time with them (in the case of Clark) or too little overall (as we did with Mary), and it can leave their character arcs feeling a little lopsided by the final act of the film. There are a number of moving parts to *Backrooms*, and Parsons seemed to struggle keeping all of them afloat. There’s no denying that Parsons’ *Backrooms* will most likely become a classic contemporary horror film (or, at the very least, costume fodder for the next few Halloweens). What’s more, the fact that this is his directorial debut as A24’s youngest filmmaker, combined with the rising box office sales, makes the feature all the more impressive. But it’s also important to remember that *Backrooms* was never meant to be the giant, money-making blockbuster it’s being touted to be. “I \[made\] it because I \[wanted\] to make it,” Parsons said of his movie in an interview with [*Variety*](https://variety.com/2026/film/features/backrooms-explained-director-kane-parsons-sequels-1236760780/), “not because it’s just a job for me to do. The specifics of it matter to me.” ## Frequently Asked Questions ### What is “Backrooms” about? Backrooms is directed by Kane Parsons and follows characters — including Clark, a furniture store owner played by Chiwetel Ejiofor, and his therapist Dr. Mary Kline played by Renate Reinsve — who become trapped in a liminal alternate dimension drawn from Internet urban legend. It blends found footage aesthetics with a conventional narrative feature structure. ### Who directed “Backrooms”? Backrooms is directed by Kane Parsons, a YouTuber-turned-filmmaker who built his reputation on found footage Backrooms videos before making his A24 directorial debut at age 20. ### How much has “Backrooms” made at the box office? As of its opening weekend in the United States, Backrooms had earned $144 million globally, with theatrical rollout continuing internationally, including in the Philippines. ### Is “Backrooms” worth watching? Rolling Stone Philippines rates it as one of the strongest horror films of the year — particularly for its tension, found footage sequences, and performances from Chiwetel Ejiofor and Renate Reinsve — while cautioning that the film’s character arcs are uneven and that the industry hype surrounding it may be overstated. ### What is the Backrooms urban legend? The Backrooms originated as an eerie image of empty yellow hallways circulating online in the early 2000s, spawning Creepypasta stories and forum threads about a liminal alternate dimension people could accidentally slip into. Kane Parsons adapted the concept into a series of found footage YouTube videos beginning in 2022 before making it into a feature film. Related Stories - [‘Backrooms’ Is No. 1 At the Global Box Office. What Does This Mean for the Future of Moviegoing?](https://rollingstonephilippines.com/culture/film/backrooms-obsession-box-office-horror-cinema/ "‘Backrooms’ Is No. 1 At the Global Box Office. What Does This Mean for the Future of Moviegoing?") - [I Was Drunk and Alone in the ‘Backrooms’ Escape Room](https://rollingstonephilippines.com/culture/drunk-alone-backrooms-escape-room/ "I Was Drunk and Alone in the ‘Backrooms’ Escape Room") - [From YouTube to Horror Movies: 6 Creators Who Became Filmmakers](https://rollingstonephilippines.com/culture/film/youtube-to-horror-movies-6-creators-turned-filmmakers/ "From YouTube to Horror Movies: 6 Creators Who Became Filmmakers") **Categories:** Culture, Film, Reviews **Tags:** A24, Backrooms, Kane Parsons --- ### [Who’s Most and Least Likely to Die in ‘House of the Dragon’ Season 3?](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-most-least-likely-to-die/) **Published:** July 23, 2026 **Author:** Pie Gonzaga **Excerpt:** From Criston Cole to Rhaenyra Targaryen, we rank the major players by their chances of surviving Season 3, regardless of what Fire & Blood says **Content:** With [Episode 5](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-5-recap/ "‘House of the Dragon’ Season 3, Episode 5 is All Guts, but No Glory") out this week, we’re officially past the halfway mark of *[House of the Dragon](https://rollingstonephilippines.com/tag/house-of-the-dragon/ "House of the Dragon")* Season 3. And if the major character deaths in the first few episodes are any indication, the body count is only going to climb from here. With a fourth and final season expected to come out in 2028, the series still has plenty of ground left to cover in the Dance of the Dragons. But in Westeros, survival is rarely guaranteed, even for the characters who seem most indispensable. *House of the Dragon* has also already made a few significant departures from George R. R. Martin’s *Fire & Blood*, which the show is based on, so there’s no saying who showrunner Ryan Condal chooses to kill off or spare. Regardless of the canon, here’s our ranking of the *House of the Dragon* characters who look most and least likely to die by the Season 3 finale. ## Criston Cole: Most Likely to Die Ser Criston (Fabien Frankel) has spent much of the season acting like a man with nothing left to lose (because it’s true). If there’s anything we learned about him in Episode 5, it’s that he’s openly embraced the idea of dying in battle, marching his soldiers towards certain death, and romanticizes the idea of dying a “great warrior” on the battlefield. ## Gwayne Hightower: Least Likely to Die Unlike his fellow commander, Gwayne Hightower (Freddie Fox) is much more interested in staying alive and returning to the comfort of his home in Oldtown. When Criston confesses that he knows they’re doomed, Gwayne abandons their suicide mission. Now, we need to know why Condal chose not to kill him off when he should have died earlier in the season, if we were to follow the events of *Fire & Blood*. ## Ormund Hightower: Most Likely to Die Season 3 appears to be steering toward the First Battle of Tumbleton, which would finally throw Ormund (James Norton) into the kind of large-scale conflict that has been looming all season. He’s a capable commander and could use his cunning to get out of a tense situation for sure, but he’s also remarkably hubristic. The chaos of a battle could easily ruin his best-laid plans. And while a dragon may save his pawn-king, Daeron (Benjamin Evan Ainsworth), the gods may not look so favorably upon Ormund himself. ## Aemond Targaryen: Least Likely to Die For better or worse, Aemond (Ewan Mitchell) is built like a final boss: incredibly, *frustratingly* resilient. He commands Vhagar, the largest living dragon, and remains one of the most formidable fighters in the war. Now, he even has the witch, Alys Rivers (Gayle Rankin), firmly in his corner. The book gives him a reason to stick around longer, so we don’t expect him to die this season. But as with the rest of the *Game of Thrones* franchise, anything could happen. ## Aegon Targaryen: Most Likely to Die Aegon (Tom Glynn Carney) is arguably the most miserable man in Westeros right now, next to Criston. Broken in body, increasingly isolated, and fueled almost entirely by pride, he seems determined to prove he’s still a king despite everyone believing he’s already dead. The combination of his recklessness and wounded ego is lethal, and if he doesn’t get out of Rook’s Rest soon, he could die a nobody. ## Rhaenyra Targaryen: Least Likely to Die If Jace hadn’t gone out to the Battle of the Gullet in [Episode 1](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-1-recap/ "‘House of the Dragon’ Returns with Death and Incest Galore in Season 3, Episode 1"), Rhaenyra (Emma D’Arcy) would have died instead. But now, she is queen, and while a rebellion appears to be brewing in King’s Landing, Rhaenyra has her guards (and Daemon) at her disposal. We also have the assurance that the Dance of the Dragons doesn’t end until she or her brothers die, and we still have Season 4 to wait for, so Rhaenyra will make it out of this season alive, despite her losses. ## Daemon Targaryen: Most Likely to Die Whoever’s killing the Gold Cloaks is surely coming for Daemon (Matt Smith) next. He’s a skilled swordsman and brutal in battle for sure, but like Ormund, his hubris is terrifying. He dreams of taking over the world with dragons and has a history of defying Rhaenyra, which may not end well for him. But I hope he makes it through this season, because *Fire & Blood* has a legendary dragon duel waiting for him in the fourth season, and I’d very much like to watch that. ## Frequently Asked Questions ### Who is most likely to die in *House of the Dragon* Season 3? Criston Cole, Ormund Hightower, Aegon Targaryen, and Daemon Targaryen carry the highest odds, driven by recklessness, wounded pride, and the show’s push toward the First Battle of Tumbleton. ### Who is least likely to die in *House of the Dragon* Season 3? Gwayne Hightower, Aemond Targaryen, and Rhaenyra Targaryen are least likely to die this season. Aemond commands Vhagar and has book-based plot armor; Rhaenyra is protected by her guards and Daemon; Gwayne has already abandoned his side’s suicide mission. ### When does *House of the Dragon* Season 4 come out? *House of the Dragon* Season 4, the final season, is expected to premiere in 2028. It will cover the remaining events of the Dance of the Dragons, the Targaryen civil war depicted across the series. ### How does *House of the Dragon* Season 3 differ from *Fire & Blood*? *House of the Dragon* Season 3 has already diverged from George R.R. Martin’s *Fire & Blood* in character outcomes. In the book, Gwayne Hightower is killed by Luthor Largent when Rhaenyra takes over King’s Landing, but the show skips this and makes Gwayne march with Criston and his army instead. ### What is the Dance of the Dragons? The Dance of the Dragons is the Targaryen civil war depicted in *House of the Dragon* and *Fire & Blood*, fought between Rhaenyra Targaryen and her half-brothers over the Iron Throne. The conflict doesn’t resolve until Rhaenyra or her brothers die, and in the book, no clear winner is declared. 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Singing hits such as “Where Is My Mind,” “Gouge Away,” “Hey,” “Bone Machine,” and “Here Comes Your Man,” among others, it was a night of celebration for everyone. Outside the venue doors was a giant mural of the event flyer stretched across the wall. As I was about to snap a quick picture, a random Gen X concert-goer asked me to take one for her and her husband — a harmless, funny moment that summed up the kind of crowd gathered that evening. Heading further in, I caught familiar faces from every corner of the local music scene: longtime gig-goers from the hardcore crowd, alt-rock veterans, indie kids, Gen Zs dressed to the nines, all buzzing under the same roof. Some even came with their parents, who turned out to be just as excited — maybe even more. This generational unity in the same room is already a testament to how this band has influenced for 40 years. ## Sandwich Sans Rayms ![Sandwich](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Sandwich.webp) Tuesday Vargas later admitted she couldn’t quite believe she was substituting for Raymund Marasigan for Sandwich and opening for Pixies in one night. Photo by Primo Pasion The show kicked off around 7:30 p.m. as alternative rock stalwarts [Sandwich](https://rollingstonephilippines.com/tag/sandwich/ "Sandwich") opened the night. The surprise twist? Actress and singer Tuesday Vargas filled in on vocals for Raymund Marasigan. The band powered through with a high‑octane set that still felt fresh, thanks to Vargas’ energy on songs like “Two Trick Pony,” “Walang Kadala Dala,” “Kagulo,” and “Sugod.” ![Tuesday Vargas](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Pixies-3.webp) Even with their founding vocalist absent, Vargas filled in as substitute vocalist for Sandwich with genuine fire and flair despite the last minute changes. Photo by Primo Pasion Between songs, Vargas then playfully quipped in between. “Ako nga pala si Anne Curtis and this is our first gig!” she says. She later admitted she couldn’t quite believe she was fronting the band *and* opening for Pixies in one night. Guitarists [Diego Castillo](https://rollingstonephilippines.com/tag/diego-castillo/ "Diego Castillo") and Mong Alcaraz traded frenetic riffs, with Castillo amping things up through wild vocal screeches before choruses hit. Even with their founding vocalist absent, Vargas filled that role with genuine fire and flair despite the last minute changes. ## Homecoming Gig ![Joey Santiago Pixies](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Pixies-2.webp) When Joey Santiago’s name rang out, the crowd roared as he playfully tapped the guitar’s scales with his cap, creating a hypnotic guitar tone, then toyed with the killswitch and PL cable in rhythm. Photo by Primo Pasion By 8:30 p.m. sharp, the Pixies came on stage, opening with “Cactus” from their debut album *Surfer Rosa*. The band — Black Francis on vocals, Emma Richardson on bass, David Lovering on drums, and Filipino‑American guitarist Joey Santiago, who donned a barong Tagalog for his first home‑stage moment in the Philippines — brought an atmosphere that was electric from the first few songs. From “Monkey Gone to Heaven” to “Wave of Mutilation,” the live band shook the room as generations bounced together around the venue. There were dads jumping alongside their kids and Gen Z and Gen X fans forming a small slampit; it was chaos in the best way. ![Black Francis](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Pixies.webp) Black Francis’ stage presence live was a sight to behold. Photo by Primo Pasion Midway through, Francis introduced the band one by one, saving Santiago for last. When his name rang out, the crowd roared as he playfully tapped the guitar’s scales with his cap, creating a hypnotic guitar tone, then toyed with the killswitch and PL cable in rhythm. What transpired during Santiago’s introduction drew even louder cheers. ![Pixies](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Pixies-1.webp) For the finale, the band closed with three essential songs in the setlist: “Where Is My Mind?,” “Into the White,” and “Bone Machine,” the last one as an encore after a gracious bow. Photo by Primo Pasion Watching Pixies live was absolutely surreal: the “quiet‑loud” dynamic hitting harder in person, Francis’ menacing vocal presence, Richardson’s steady groove, Lovering’s tight drumming precision, and Santiago’s distortion‑heavy work bending every alt‑rock rule there is. Highlights like “Gouge Away,” “Debaser,” “Motorway to Roswell,” “Caribou,” and their cover of “In Heaven” from *Eraserhead* stunned the audience — nobody thought that one would make the Manila set. But they were absolutely cooking. For the finale, the band closed with three essential songs in the setlist: “Where Is My Mind?,” “Into the White,” and “Bone Machine,” the last one as an encore after a gracious bow. The crowd erupted, chanting “Joey!” until Santiago, visibly overwhelmed, smiled in disbelief. A fitting ending to a long‑awaited homecoming. This was one show I couldn’t miss and one I’ll tell my kids about someday. Pixies made dreams real for one unforgettable night in Manila. ## Frequently Asked Questions ### When did the Pixies perform in Manila? The Pixies performed their first-ever concert in Manila, Philippines, starting at 8:30 p.m. following an opening set by local alternative rock band Sandwich. ### Who opened for the Pixies during their Manila concert? Filipino alternative rock group Sandwich opened the show, featuring guest vocalist Tuesday Vargas filling in for founding frontman Raymund Marasigan alongside guitarists Diego Castillo and Mong Alcaraz. ### Did guitarist Joey Santiago play in the Philippines? Filipino-American guitarist Joey Santiago performed his first home-stage concert in Manila with the Pixies, wearing a traditional barong Tagalog and delivering a solo using guitar killswitch techniques. ### What songs were featured on the Pixies Manila setlist? The Pixies played iconic tracks including “Cactus,” “Monkey Gone to Heaven,” “Wave of Mutilation,” “Gouge Away,” “Debaser,” “Here Comes Your Man,” and closed with “Where Is My Mind?” ### Who is the current bassist for the Pixies? Emma Richardson currently plays bass for the Pixies, providing steady rhythm grooves alongside lead vocalist Black Francis, guitarist Joey Santiago, and drummer David Lovering. 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Please select an image. **Categories:** Music, Rock **Tags:** Joey Santiago, Pixies --- ### [Ted Lasso is Taking on Women’s Football This Season](https://rollingstonephilippines.com/culture/tv/ted-lasso-season-4-apple-tv/) **Published:** April 29, 2026 **Author:** Mel Wang **Excerpt:** But the real question is… will we be seeing Ted Lasso break out the Running Man again? **Content:** It’s been three years since [*Ted Lasso*’s](https://rollingstonephilippines.com/tag/ted-lasso/ "Ted Lasso") third (and supposedly last) season released on [Apple TV+](https://rollingstonephilippines.com/tag/apple-tv/ "Apple TV"), but it looks like we’re returning to AFC Richmond one more time. *Ted Lasso* Season 4 is set to drop its first episode on August 5, with weekly episodes every Wednesday all the way through October 7. Its latest teaser confirms that a number of familiar faces are back on the football field (excuse me, pitch!), including Lasso himself (Jason Sudeikis), Rebecca Welton (Hannah Waddingham), Roy Kent (Brett Goldstein), Keeley Jones (Juno Temple), Coach Beard (Brendan Hunt), and Leslie Higgins (Jeremy Swift). We may need to wait a little bit longer to see if Phil Dunster returns as Jamie Tartt, or Nick Mohammed as Nate Shelley, but we’ll keep our eyes peeled. Despite ending the third season returning to the United States to be closer to his son, Ted is back in Richmond to coach a new set of players: this time, for a second division women’s football team. New additions to the series include Tanya Reynolds, Jude Mack, Faye Marsay, Rex Hayes, Aisling Sharkey, Abbie Hern, and Grant Feely. The first three seasons of *Ted Lasso* are streaming on Apple TV+. ## Frequently ASked Questions ### When does ‘Ted Lasso’ Season 4 premiere? “Ted Lasso” Season 4 premieres August 5 on Apple TV+, with new episodes releasing weekly every Wednesday through October 7. ### Who is confirmed to return for ‘Ted Lasso’ Season 4? Confirmed returning cast includes Jason Sudeikis, Hannah Waddingham, Brett Goldstein, Juno Temple, Brendan Hunt, and Jeremy Swift. It remains unconfirmed whether Phil Dunster and Nick Mohammed will return. ### What is the plot of ‘Ted Lasso’ Season 4? Ted returns to Richmond to coach a new team: a second division women’s football team, despite having returned to the U.S. at the end of Season 3 to be closer to his son. ### Who are the new cast additions for ‘Ted Lasso’ Season 4? New cast members include Tanya Reynolds, Jude Mack, Faye Marsay, Rex Hayes, Aisling Sharkey, Abbie Hern, and Grant Feely. ### Where can I watch ‘Ted Lasso’? All previous seasons of “Ted Lasso,” along with the upcoming Season 4, are available to stream on Apple TV+. 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With the recast, Dern reunites with writer and director [Mike White](https://rollingstonephilippines.com/tag/mike-white/ "Mike White"), who also directed her in the 2011 TV series *Enlightened* and the 2007 film *Year of the Dog*. The *Jurassic Park* actress previously lent her voice to the character Abby Di Grasso in an uncredited cameo on *The White Lotus* Season 2. This time, she joins the stacked cast of the hit show’s fourth season, which currently includes Vincent Cassel, Steve Coogan, Ari Graynor, Alexander Ludwig, Chris Messina, AJ Michalka, Kumail Nanjiani, Chloe Bennet, and Max Greenfield. In previous seasons, the show was set in Hawaii, Italy, and Thailand. Season 4 takes place in France during the Cannes Film Festival, but the roles remain unrevealed as of this writing. According to an HBO spokesperson, Carter had left the show just as production began, as “the character which Mike White created for Helena Bonham Carter did not align once on set.” The spokesperson furthermore told [*Deadline*](https://deadline.com/2026/04/helena-bonham-carter-leaving-white-lotus-season-4-recast-1236871361/) on April 24 that the British actress’ role “has subsequently been rethought, is being rewritten, and will be recast in the coming weeks.” It did not take long for White to find a new lead in Dern. Dern has received awards and nominations for her performances in other comedy-drama shows, including *Enlightened*, Apple TV’s *Palm Royale*, and HBO’s *Big Little Lies*. She also won an Academy Award for Best Supporting Actress in 2020 for her role as lawyer Nora Fanshaw in Noah Baumbach’s *Marriage Story*. ## Frequently Asked Questions ### Why did Laura Dern join ‘The White Lotus’ Season 4? Laura Dern is leading the Season 4 cast after Helena Bonham Carter’s exit, reuniting with writer-director Mike White, who previously directed her in “Enlightened” and “Year of the Dog.” ### Why did Helena Bonham Carter leave ‘The White Lotus’? An HBO spokesperson said the character Mike White wrote for Bonham Carter “did not align once on set,” and her role is being rewritten and recast, per a April 24 Deadline report. ### Has Laura Dern appeared on ‘The White Lotus’ before? Yes. Dern previously voiced the character Abby Di Grasso in an uncredited cameo during Season 2 of “The White Lotus.” ### Who else is in the cast of ‘The White Lotus’ Season 4? The Season 4 cast includes Vincent Cassel, Steve Coogan, Ari Graynor, Alexander Ludwig, Chris Messina, AJ Michalka, Kumail Nanjiani, Chloe Bennet, and Max Greenfield. ### Where is ‘The White Lotus’ Season 4 set? Season 4 is set in France during the Cannes Film Festival, following previous seasons set in Hawaii, Italy, and Thailand. Character roles have not yet been revealed. 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It’s populated by working-class locals and families that go back several generations, the kind of place perfect for summer vacations and killer lobster rolls. Go past the Salty Whale, one of the better restaurants on the island, and you’ll find the historical center, which is dedicated to preserving Widow’s Bay legacy. Yes, it has a checkered past — pity about the cannibalism-in-the-church incident back in the 1800s — but what town that dates back to the beginning of this great American experiment doesn’t? A *New York Times* travel writer thinks this place could be the next Martha’s Vineyard, if only more people knew about it. The town’s new mayor, Tom Loftis (Matthew Rhys), would settle for the burg being the new Bar Harbor. Both his constituents and the folks who work for him down at City Hall think he’s a little too ambitious, to be honest. But Tom has big plans for turning this modest dot on the coastal map into a tourist destination. It’s just a pity about, y’know, that unfortunate, centuries-old curse, which seems to keep belching up all sorts of horrifying phenomenons…. The early logline on *Widow’s Bay,* the new [Apple TV+](https://rollingstonephilippines.com/tag/apple-tv/ "Apple TV") show which drops its first two episodes on April 29, is that it’s “*Parks & Recreation* meets [Stephen King](https://rollingstonephilippines.com/tag/stephen-king/ "Stephen King")” — an overall synopsis that makes sense on the surface. You can see echoes of Leslie Knope’s try-hard bureaucrat in Rhys’s mayor, perpetually frustrated in turning the fortunes of this economically struggling community around. Ditto his second-in-command, a mousy and socially awkward deputy named Patricia (Kate O’Flynn, killing it in every scene) who shares a certain unflappable, chin-up quality with Pawnee’s favorite daughter. Loftis’s office is stocked with muted versions of the usual sitcom supporting kooks and freaks, from Dale Dickey’s flinty veteran to *Somebody Somewhere*‘s Jeff Hiller perpetually bewildered clerk. And the locals run the gamut of regional eccentrics, with Stephen Root — an actor who, it has been scientifically proven, ups the quality of every project he’s in by 33.3 percent — making a meal out of an old salty dog in the same manner that Nick Offerman did with Ron Swanson. But it’s the Stephen King part that really gets emphasized here, and while he’s not directly involved with the show, creator Katie Dippold and her collaborators have taken the raw materials of the author’s bestsellers and run with them. If nothing else, *Widow’s Bay* plays like a mixtape of the Master of the Macabre’s work, compiling stock horror archetypes and scenarios before running them through a mondo bizarro filter. A haunted inn allows the series to riff on both *The Shining* and *It* in one fell swoop. A legendary sea hag sets her sights on Loftis, and let’s just say she has a… unique way of killing her victims. A vintage book on how to throw a party, complete with Eisenhower-era drawings, turns out to have a secondary agenda once you read between the lines. A reanimated corpse turns out to be a pain in the ass. Even slasher flicks get the remix treatment. ![Matthew Rhys in Widow's Bay](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Widows-Bay-Photo-embed.webp) Matthew Rhys in *Widow’s Bay*. Photo from Apple TV+/Official Website The show scratches the itch that both *Castle Rock* and *Welcome to Derry* couldn’t seem to reach, yet*Widow’s Bay* isn’t interested in I.P. fan fiction. There’s a glorious eccentricity that hovers over its blend of deadpan sitcom and spooky-tale dread, and a willingness to fuck with your head that harkens back to a different, less safe era of programming. Not to mention a different corporate brand — the best thing you can say about this Apple TV+ series is that it doesn’t feel like an Apple TV+ series. For every *Slow Horses* and *Severance,* there are seven other shows on the streamer that have the patina of Prestige TV without any of the heft or depth associated with the term. This first season could have been lifted from the golden age of FX, which isn’t surprising given that Hiro Murai — who’s an executive producer and directed close to half of the 10 episodes — was one of the key creative minds behind *Atlanta.* *Widow’s Bay* shares that landmark’s love of surrealism and formalism, offbeat sense of humor (asked about the town’s witch trials back in the day, the resident historian notes they view that dark period with a “great sense of pride… we caught ’em, we burned ’em…”), and lack of fear in regards to getting freaky. It’s also a reminder that, as with fortunes, behind every seeming paradise lurks a crime or two. When the series finally gets around to a flashback episode (directed by *Pearl*‘s Ti West) and digs into the Puritan roots behind what’s happening on the island, you get a sense of how the nation we’ve built is constructed on the bones of what Greil Marcus termed “the old, weird America.” You can’t outrun the ghosts of your past. You can’t even tame them in the name of tourism. The best you can do is honor the restless spirits that have come and gone before you. Or at the very least, make sure all those bodies stay buried. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/tv-movies/tv-movie-reviews/widows-bay-review-best-tv-shows-2026-1235553261/ "rollingstone.com").* ## Frequently ASked QUestions ### What is ‘Widow’s Bay’ about? “Widow’s Bay” follows Mayor Tom Loftis (Matthew Rhys) as he tries to turn a cursed, economically struggling New England island town into a tourist destination, despite recurring horrifying phenomena. ### Who stars in ‘Widow’s Bay’? The cast includes Matthew Rhys as Mayor Tom Loftis, Kate O’Flynn as deputy Patricia, Dale Dickey, Jeff Hiller, and Stephen Root, with Hiro Murai serving as executive producer and director. ### Is Stephen King involved in ‘Widow’s Bay’? No. While King isn’t directly involved, creator Katie Dippold and collaborators pull from his bestsellers’ archetypes and scenarios, reworking them through the show’s own offbeat lens. ### When does ‘Widow’s Bay’ premiere? “Widow’s Bay” drops its first two episodes on Apple TV+ on April 29. ### Is ‘Widow’s Bay’ worth watching, according to the review? The review is highly positive, calling it the best Stephen King “mixtape” and praising its eccentricity, surrealism, and willingness to diverge from typical Apple TV+ prestige programming. Related Stories - [What to Watch Right Now: 5 Culture Picks From the Rolling Stone Philippines Staff](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/house-of-dynamite-welcome-to-derry/ "What to Watch Right Now: 5 Culture Picks From the Rolling Stone Philippines Staff") - [3 Viva Classics Where Lino Brocka Went a Little Over the Top](https://rollingstonephilippines.com/culture/philippine-cinema/lino-brocka-viva-sharon-cuneta/ "3 Viva Classics Where Lino Brocka Went a Little Over the Top") - [‘Primate’ Director Johannes Roberts on Evil Chimpanzees and Old-School Horror](https://rollingstonephilippines.com/culture/film/director-johannes-robert-on-primate/ "‘Primate’ Director Johannes Roberts on Evil Chimpanzees and Old-School Horror") **Categories:** Culture, TV **Tags:** Apple TV, Matthew Rhys, Stephen King, Widow's Bay --- ### [Austrian Man Pleads Guilty to Attempted Attack on Taylor Swift Concerts](https://rollingstonephilippines.com/music/pop/austrian-man-pleads-guilty-attempted-attack-taylor-swift/) **Published:** April 29, 2026 **Author:** Brian Hiatt **Excerpt:** The 21-year-old admitted to planning an ISIS-inspired attack on Eras Tour shows in Vienna in 2024 **Content:** A 21-year-old Austrian man pleaded guilty Tuesday to [plotting an ISIS-inspired attack](https://www.rollingstone.com/music/music-news/taylor-swift-vienna-terror-plot-eras-doc-1235482119/) [on Taylor Swift’s three sold-out Eras Tour shows in Vienna](https://www.rollingstone.com/music/music-news/taylor-swift-austria-shows-men-arrested-planning-attack-1235075717/) in August 2024. On the opening day of his trial in Wiener Neustadt, Austria, the defendant — identified in court only as Beran A. under the nation’s privacy rules — also admitted to belonging to a terror cell. However, he pleaded not guilty to separate charges tied to planned attacks across the Middle East, according to the [BBC](https://www.bbc.com/news/articles/c05d5qgprjzo). Austrian police arrested Beran A. on Aug. 7, 2024, one day before Swift was scheduled to play her first show at Vienna’s Ernst Happel Stadium. “My client has caused a great deal of fear and panic among many people, and he will have to answer for that, no question,” the defendant’s lawyer, Anna Mair reportedly told the court. “But please try to look beyond the headlines.” Officials revealed in 2024 that they had prevented the attack, but Swift’s concerts were [were still canceled](https://www.rollingstone.com/music/music-news/taylor-swift-vienna-terror-plot-security-experts-weigh-in-1235077378/). When Austrian authorities raided Beran A.’s home before the first show, they recovered what prosecutors described in court as a nearly finished bomb. According to the indictment, the defendant prepared for the attack for at least a month, following ISIS instructional videos. Authorities said in 2024 that Beran A.’s aim was to “Kill as many people as possible outside the concert venue.” A second man, a 21-year-old identified as Arda K., is also on trial, accused of being part of a terrorist cell and encouraging the attack. A third alleged member of the cell, Hasan E. is being held in Saudi Arabia, where he allegedly stabbed a security officer at the Grand Mosque in Mecca. A fourth person, a Syrian teenager identified as Mohammed A., was [convicted in Germany last year](https://www.rollingstone.com/music/music-news/teen-convicted-terror-attack-taylor-swift-vienna-concerts-1235416956/) for helping to translate bomb-making material, among other charges. He received an 18-month suspended sentence in juvenile court. In the wake of the cancellations, Swift stayed silent on the matter until the European leg of her tour wrapped. She later explained that she didn’t want to provoke anyone who might wish her fans harm. In an Instagram message, [she called the cancellations devastating](https://www.rollingstone.com/music/music-news/taylor-swift-vienna-concerts-terror-threat-statement-1235075902/) but said she was thankful to authorities. In the opening installment of her Disney+ documentary, Swift revealed more about the impact of the attempted attack. “Never in my life did I think we would have a terrorist plot,” she [said](https://www.rollingstone.com/music/music-news/taylor-swift-vienna-terror-plot-eras-doc-1235482119/). “We dodged a massacre.” ## Frequently Asked Questions ### What happened with the Taylor Swift Vienna concert attack plot? Austrian police foiled a planned ISIS-inspired attack on Taylor Swift’s three sold-out Eras Tour shows in Vienna in August 2024, arresting a suspect one day before the first concert and recovering a nearly finished bomb. ### Who pleaded guilty to the Vienna attack plot? A 21-year-old Austrian man, identified in court only as Beran A. under Austria’s privacy rules, pleaded guilty to plotting the attack and admitted to belonging to a terror cell. ### Were there other suspects in the Vienna concert attack plot? Yes. Arda K. is also on trial for alleged involvement, Hasan E. is held in Saudi Arabia on separate charges, and Mohammed A., a Syrian teenager, was convicted in Germany for helping translate bomb-making material. ### Why were Taylor Swift’s Vienna concerts canceled? The three Eras Tour shows at Ernst Happel Stadium were canceled after Austrian authorities uncovered the attack plot, despite successfully preventing it before any shows took place. ### What did Taylor Swift say about the attack plot? Swift called the cancellations “devastating” but said she was thankful to authorities. In her Disney+ documentary, she said, “Never in my life did I think we would have a terrorist plot… We dodged a massacre.” Related Stories - [Taylor Swift Now Owns Her Catalog and Filipino Musicians Should Take Note](https://rollingstonephilippines.com/music/taylor-swift-now-owns-catalog/ "Taylor Swift Now Owns Her Catalog and Filipino Musicians Should Take Note") - [How Bad are the Lyrics on Taylor Swift’s ‘The Life of a Showgirl’?](https://rollingstonephilippines.com/music/pop/taylor-swift-life-of-a-showgirl-lyrics/ "How Bad are the Lyrics on Taylor Swift’s ‘The Life of a Showgirl’?") - [Aphex Twin Now Has More YouTube Music Monthly Listeners than Taylor Swift](https://rollingstonephilippines.com/music/dance-electronic/aphex-twin-taylor-swift-youtube-music/ "Aphex Twin Now Has More YouTube Music Monthly Listeners than Taylor Swift") **Categories:** Music, Pop **Tags:** Taylor Swift --- ### [How This Upcoming Series Sheds Light on the Victims of Duterte’s War on Drugs](https://rollingstonephilippines.com/culture/tv/drug-war-conspiracy-of-silence-filipino-series/) **Published:** May 11, 2026 **Author:** Mel Wang **Excerpt:** Directed by Shugo Praico, the six-part series provides a difficult look at the brutality of the former president’s anti-drug campaign **Content:** *Drug War: A Conspiracy of Silence* is far from an easy watch. The six-episode limited series, written and directed by Shugo Praico (*Nanahimik ang Gabi*, *Shake, Rattle & Roll: Evil Origins*), delves deep into the consequences of former president Rodrigo Duterte’s war on drugs. Produced in collaboration with Rein Entertainment and KC Global Media, the show’s first episode was privately screened to members of the press, while its remaining episodes are pending release. *Drug War* follows the story of Kiko (Harvey Bautista), a struggling young boy in Manila who runs away to escape the police officers chasing after him. He finds solace in the rehabilitation program of Father Tom (Ian Veneracion), a priest who bears his own misgivings with the government’s brutality towards those struggling with addiction. There is very little reprieve from the violence that unfolds as early as the opening scenes of the first episode. Oplan Tokhang is in full effect, and men in uniforms roam the streets of Manila looking for more names to add to their list of drug users and pushers. Praico switches back and forth between images of bodies on the street, leaving little room for viewers to look away from a war that, in reality, only took place a decade ago. *Drug War* is not for the faint of heart, but it is an unflinching look at how the country responded to Duterte’s campaign, and it’s timely now more than ever as the former president prepares for his trial before the International Criminal Court. However, what anchors *Drug War* and the necessary story it’s trying to tell is its talented ensemble cast. Bautista brings levity to his portrayal of Kiko, elevating the character from a person struggling with addiction to a nuanced take on self-forgiveness. Elevating his time onscreen is Romnick Sarmenta as his father, and their moments together as a family offer some much needed peace to balance out the darker storylines of the series. ![drug war limited series poster](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/drug-war-poster.webp) The limited series’ poster, designed by Vincent Aseo. Photo from Rein Entertainment/Facebook Veneracion also serves as the emotional core to *Drug War*, acting as a sort of moral compass to both Kiko and the show’s viewers. As a devout Catholic, Father Tom starts off the series preaching acceptance, empathy, and mercy for those caught in the fire of the drug war. But as the war rages on, the priest is forced to question his own sense of justice and morality as he finds himself growing more and more protective of Kiko. Veneracion more than delivers as a priest in crisis, and it will be a delight to see how the series pushes his character even further. *Drug War* has yet to announce a release date or a chosen streaming platform. However, announcements regarding streaming, as well as local and international broadcast partnerships, are expected in the coming weeks. ## Frequently Asked Questions ### What is the series Drug War: A Conspiracy of Silence about? Drug War: A Conspiracy of Silence is a six-episode limited series detailing the human toll and systemic brutality of former Philippine President Rodrigo Duterte’s anti-drug campaign. ### Who directs and produces the Drug War series? The series is written and directed by Shugo Praico and is produced through a collaboration between Rein Entertainment and KC Global Media for international distribution. ### Who stars in Drug War: A Conspiracy of Silence? The series stars Ian Veneracion as Father Tom, a priest offering rehabilitation, alongside Harvey Bautista as Kiko and Romnick Sarmenta as Kiko’s father. ### When will Drug War: A Conspiracy of Silence be released? An official release date has not been announced yet, but streaming and broadcast partnership details are scheduled to be revealed in the coming weeks. ### What real-life event inspires the Drug War series? The series is based on Oplan Tokhang and the extrajudicial killings during the Philippine drug war, coinciding with former President Duterte’s ICC trial preparations. Related Stories - [10 Pending Philippine Bills That Demand Legislative Action](https://rollingstonephilippines.com/state-of-affairs/politics/10-pending-philippine-bills-that-demand-legislative-action/ "10 Pending Philippine Bills That Demand Legislative Action") - [Romnick Sarmenta is Not Here for the ‘Bread Trip’](https://rollingstonephilippines.com/culture/theater/romnick-sarmenta/ "Romnick Sarmenta is Not Here for the ‘Bread Trip’") - [Except for Cassie, Everyone Else’s Days are Numbered in ‘Euphoria’ Season 3, Episode 5](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-5/ "Except for Cassie, Everyone Else’s Days are Numbered in ‘Euphoria’ Season 3, Episode 5") **Categories:** Culture, TV **Tags:** Drug War: A Conspiracy of Silence, Harvey Bautista, Ian Veneracion, Romnick Sarmenta --- ### [Mans Carpio vs. AMLC: What Bank Secrecy, Anti-Graft Laws Actually Say](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/mans-carpio-amlc-bank-secrecy/) **Published:** April 28, 2026 **Author:** Pie Gonzaga **Excerpt:** The second spouse finds himself under scrutiny with the vice president as the House Justice Committee wraps up its probe into her alleged misuse of confidential funds **Content:** [Maneses “Mans” Carpio](https://rollingstonephilippines.com/tag/mans-carpio/ "Mans Carpio"), husband of Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte"), has filed a criminal complaint against officials of the Bangko Sentral ng Pilipinas (BSP), Anti-Money Laundering Council (AMLC), and House Committee on Justice for allegedly violating the Anti-Money Laundering Act, Bank Secrecy Law, and Data Privacy Act. But can a provision of the Anti-Graft and Corrupt Practices Act prove him wrong? The complaint follows a House [hearing](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-travel-abroad-saln/ "Sara Duterte to Travel Abroad Without Explaining SALN, Bank Anomalies") on April 22, in which the AMLC revealed that banks had flagged P6.7 billion worth of transactions in Carpio and Duterte’s accounts as “suspicious.” According to Carpio’s legal counsel, Atty. Peter Paul Danao, the AMLC should have acquired a court order or the depositor’s consent. The Bank Secrecy Law protects the confidentiality of bank deposits. But it also allows the examination of deposits upon written permission or consent in writing by the depositor, in cases of impeachment of a public official, upon a court order, or in instances where the money deposited or invested is the subject matter of the litigation. Additionally, according to the Anti-Money Laundering Act, the AMLC may inquire into bank transactions “upon order of any competent court \[…\] when it has been established that there is probable cause that the deposits or investments involved are in any way related to a money laundering offense.” Danao also asserted that while a subpoena was ordered on Duterte’s bank records, Carpio’s records should not have been disclosed to the public, as he is a private citizen. But according to the [BSP](https://www.bsp.gov.ph/Media_and_Research/Primers%20Faqs/Primer_on_Bank_Secrecy.pdf), under the Anti-Graft and Corrupt Practices Act, the bank deposits of a public official, their spouse, and unmarried children may be “taken into consideration in the enforcement of the dismissal or removal of the said public official due to unexplained wealth.” The case only concerns Carpio, who is listed as the sole complainant, and does not include Duterte. Respondents to the complaint include BSP Governor and AMLC Chairperson Eli Remolona Jr., AMLC Executive Director Ronel Buenaventura, House Justice Committee Chairperson Cong. Gerville Luistro, and Congressmen Percival “Perci” Cendaña, [Jose Manuel “Chel” Diokno](https://rollingstonephilippines.com/tag/chel-diokno/ "Chel Diokno"), and [Leila de Lima](https://rollingstonephilippines.com/tag/leila-de-lima/ "Leila de Lima"). ## Frequently Asked Questions ### What is Mans Carpio’s complaint against the AMLC about? Mans Carpio, husband of Vice President Sara Duterte, filed a criminal complaint alleging BSP, AMLC, and House Committee on Justice officials violated the Anti-Money Laundering Act, Bank Secrecy Law, and Data Privacy Act. ### What prompted the complaint? The complaint follows an April 22 House hearing where the AMLC revealed banks had flagged P6.7 billion in transactions in Carpio and Duterte’s accounts as “suspicious.” ### What does the Bank Secrecy Law actually allow? The law protects bank deposit confidentiality but permits examination with written consent, during impeachment proceedings, upon a court order, or when deposits are the subject of litigation. ### Does the Anti-Graft Law affect Carpio’s complaint? Yes. Per the BSP, the Anti-Graft and Corrupt Practices Act allows a public official’s spouse’s bank deposits to be considered in cases involving unexplained wealth, which could complicate Carpio’s argument. ### Who are the respondents in Carpio’s complaint? Respondents include BSP Governor and AMLC Chairperson Eli Remolona Jr., AMLC Executive Director Ronel Buenaventura, House Justice Committee Chairperson Gerville Luistro, and Congressmen Cendaña, Diokno, and de Lima. 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But at our latest [Rolling Stone Philippines Social Club](https://rollingstonephilippines.com/tag/rsph-social-club/ "Rolling Stone Philippines Social Club"), IQOS partnered with Chef [Josh Boutwood](https://rollingstonephilippines.com/tag/josh-boutwood/ "josh boutwood") — the mastermind behind the Michelin-starred Helm — — for a dining experience that celebrated innovation and curiosity, bringing together some of the country’s most prolific culinary figures. For one night only at Helm, the Rolling Stone Philippines Social Club married Boutwood’s signature culinary style with several of The Glenlivet whisky’s classic spirits in an evening that celebrated innovation, craftsmanship, and thoughtfully curated dining experiences through IQOS’ partnership with the acclaimed chef. ![Chefs in white uniforms plate small desserts along a long row of plates in a kitchen; Rolling Stone logo visible in foreground.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/IMG_9608.webp) Chef Josh Boutwood and the Helm team plating a main dish of duck and raisins. Photo by Enzo Santos ![rolling stone philippines social club smoked hamachi with coconut water josh boutwood](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/IMG_9471.webp) First course: smoked hamachi plated with coconut water and tomato oil. Photo by Enzo Santos The gathering officially kicked off with an opening speech by *Rolling Stone Philippines*’ publisher Anne Bernisca. She was followed by speeches from Chief of Editorial Content Jonty Cruz, IQOS Brand Manager Henry Yap, The Glenlivet Brand Ambassador Ed Tordesillas, who co-created the whisky pairing dinner, and Boutwood. Bouwood experimented with a range of flavor profiles throughout the menu. Dishes featured on the evening’s menu, in particular the hamachi and the morels, were crafted to highlight brighter and more delicate notes. The deeper tasting palates, such as the duck and beef, meanwhile, were designed to introduce richer and more layered flavors. “\[But\] I would rather that they focus on the whole experience,” said Boutwood, “the menu as a whole, the journey as a whole.” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/IQOS2-3.webp) IQOS’ two unique expressions designed for those who appreciate depth, character, and craftsmanship. Photo by Enzo Santos After the welcome speeches, Boutwood and his team began plating the first course of the evening: smoked hamachi with coconut water and tomato oil, paired with a glass of The Glenlivet 12 year-old. ![Smiling man in a pale striped shirt with hands in pockets, standing beside a rough concrete wall; Rolling Stone logo at the bottom.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/IMG_9774.webp) Butz Tenchavez of Toka Wine. Photo by Enzo Santos ![Daryl Chang and Mano Lotho, owners of Lagrima.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/IMG_9804.webp) Daryl Chang and Mano Lotho of Lagrima. Photo by Enzo Santos The Glenlivet Brand Ambassador Ed Tordesillas also spoke to *Rolling Stone Philippines* about the night’s whisky offerings. “Whisky, as a category, is very bold,” said Tordesillas. “They’re aged in oak casks, and that really develops and matures the flavors of the oakiness, the woodiness, some spicy notes, and also some fruitiness.” Tordesillas further noted how whisky has become a more accessible drink of choice for a broader audience. “\[One misconception about whisky is\] that it’s a very masculine drink, that it’s only supposed to be enjoyed by men,” he added. “I think whisky’s for everyone, as long as you find the flavors that you prefer. My advice is really just to go out there and try as many as you can.” “Whisky’s such a manly drink?” Butz Tenchavez, founder of Toka Wine, told me while enjoying his meal. “Pero tonight, Josh was able to pair it with dishes that were so delicate. I enjoyed how the whisky was so easy to pair with something as light as the hamachi. It was the best intro to the whole evening.” Next up was a plate of morel mushrooms stuffed with truffle and farce, served with the deep, rich flavors of The Glenlivet 15 year-old. “That was my favorite,” said Charles Montañez, executive chef and owner of Liyab and Michelin-recognized Mamacita. “It was typical Josh Boutwood swagger. And with the meal pairing, I always look for notes that come together. I knew as soon as the first bit and sip hit… it all felt so well-rounded.” After a light round of Helm’s signature bread (complete with a selection of infused butter, no less), guests were treated to a serving of Wagyu, adlai, and oxtail. ![Jeffrey Davidas, Ed Tordesillas, Josh Boutwood, and Charles Montañez](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/IMG_9802.webp) Jeffrey Davidas, Ed Tordesillas, Josh Boutwood, and Charles Montañez. Photo by Enzo Santos Along with the Wagyu came a plate of duck braised with cherry and raisin gastrique, which was complemented by the balanced notes of The Glenlivet 18 year-old. “Any good pairing has to not feel forced, and the flavors have to work together,” said Kyle Quismondo, owner of the Makati-based cocktail bar, Big Fuzz. “I think The Glenlivet paired easily with the dishes tonight.” To round up the menu of whisky pairings, Boutwood served the appropriately named Chocolate, Chocolate, Chocolate, a dessert with chocolate cremeux, burnt white chocolate, chocolate tuille, and honeycomb. ![Proudly Promdi's Kyle Alonso, Big Fuzz's Kyle Quismondo, and Goods from Scratch and Pluck's Ralph Sy](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/IMG_9157.webp) Proudly Promdi’s Ken Alonso, Big Fuzz’s Kyle Quismondo, and Goods from Scratch and Pluck’s Ralph Sy. Photo by Enzo Santos “My ideal whisky to pair… has to complement the meal really well, or be something that contrasts the dish in an exciting way,” said Ralph Sy, of Goods from Scratch and Pluck. “All the meal pairings tonight definitely had that.” Guests capped the evening off with lively, intimate conversations, swapping notes about the meals and spirits they’d just tasted. *Follow IQOS on Facebook and Instagram to be updated on future events. Visit IQOS.com if you’re curious about what IQOS can offer.* *This product is not risk free and provides nicotine, which is addictive. Only for use by adults who would continue to smoke or use other nicotine products.* ## Frequently Asked Questions ### What was the Rolling Stone Philippines Social Club whisky pairing event? IQOS partnered with Michelin-starred chef Josh Boutwood of Helm for a one-night dining experience pairing his menu with The Glenlivet whisky’s 12, 15, and 18-year-old expressions. ### What dishes were served at the whisky pairing dinner? The menu included smoked hamachi with coconut water, morel mushrooms stuffed with truffle and farce, Wagyu with adlai and oxtail, duck braised with cherry gastrique, and a chocolate dessert. ### What did Ed Tordesillas say about common misconceptions of whisky? The Glenlivet Brand Ambassador said one misconception is that whisky is a masculine drink, adding, “I think whisky’s for everyone, as long as you find the flavors that you prefer.” ### Who attended the whisky pairing dinner at Helm? Guests included Butz Tenchavez of Toka Wine, Charles Montañez of Liyab and Mamacita, Kyle Quismondo of Big Fuzz, and Ralph Sy of Goods from Scratch and Pluck, among other F&B professionals. ### What did Josh Boutwood say about designing the whisky pairing menu? Boutwood said he wanted guests to focus on “the whole experience… the menu as a whole, the journey as a whole,” rather than any single dish or pairing in isolation. Related Stories - [Helm’s Josh Boutwood Feels the Pressure of Winning Two Michelin Stars](https://rollingstonephilippines.com/culture/food/chef-josh-boutwood-helm-michelin-stars/ "Helm’s Josh Boutwood Feels the Pressure of Winning Two Michelin Stars") - [IQOS Introduces a Smarter Spin on Nicotine with IQOS ILUMA i](https://rollingstonephilippines.com/radar/rs-recommends/iqos-introduces-iqos-iluma-i/ "IQOS Introduces a Smarter Spin on Nicotine with IQOS ILUMA i") - [Chef Josh Boutwood Captures Simplicity in Filipino Fine Dining](https://rollingstonephilippines.com/radar/events/chef-josh-boutwood-captures-simplicity-in-filipino-fine-dining/ "Chef Josh Boutwood Captures Simplicity in Filipino Fine Dining") **Categories:** Events, Radar **Tags:** Glenlivet, Helm, IQOS, josh boutwood, The Rolling Stone Philippines Social Club --- ### [Rusty Machines’ Iggy San Pablo on What It’s Like Making Indie Rock Far From Home](https://rollingstonephilippines.com/music/indie/iggy-san-pablo-simple-socks-toronto/) **Published:** April 28, 2026 **Author:** Elijah Pareño **Excerpt:** The indie rock musician reflects on leaving a tight-knit Manila scene for a wider, unfamiliar landscape abroad **Content:** [Iggy San Pablo](https://rollingstonephilippines.com/tag/iggy-san-pablo/ "Iggy San Pablo"), frontman and lead guitarist of indie rock band Rusty Machines, returns after nearly four years living abroad. To the surprise and relief of many, he’s still making music, this time on his own, sans his band that audiences have been yearning to see live again. San Pablo has been based in Toronto, Canada since December 2022, and since then, he’s taken on a solo project called simple socks, not to be confused with his pre-pandemic project thenils, a more Diego Mapa and The Drums-influenced lo-fi outlet that found its own audience in the Metro Manila indie scene. simple socks’ debut single “training wheels,” released on April 27, talks about a time when San Pablo juggled a day job while finding comfort in making music overseas as a Filipino. The track contains sputtering drum loops, angular guitars, and the melodic vocal style he’s known for since his Rusty Machine years. Looking back on his time growing up in Metro Manila, San Pablo admits he rarely had the chance to take on responsibilities on his own. The song acts as a manifesto of what he needs and wants to do as both a musician and an immigrant. From Manila to Toronto, the adjustment has been far from easy. “Maraming themes dun sa \[upcoming EP\], parang basically juggling between living a life here as an immigrant,” San Pablo tells *Rolling Stone Philippines*. “But, like, I’m also pursuing this, right? So parang time is really a resource. Everything from house chores or looking for a job, kasi ang hirap din ang job market dito.” When San Pablo is left alone composing his thoughts and melodies, he can’t help but wrestle with the idea of making music with friends again. But with simple socks, he relearns, recharges, and starts from scratch all by himself. “It’s really difficult to work alone kasi wala kang opinions na pwedeng hingin,” he says. “Sometimes, you get lost in your own thoughts to the point na parang, tama pa ba itong ginagawa ko?” ## Finding Your Crowd ![Young man in a blue jacket and white shirt stands in front of a vine-covered fence, looking to the right.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Highres_IggyFilm-8.webp) With a new simple socks EP on the horizon, San Pablo hopes his music can connect with both Canadian and Filipino audiences, online and offline. Photo by Džesika Devic San Pablo fondly recalls seeing Frankie Cosmos at a show in Toronto in 2025, a moment that reminded him of the scene back in Metro Manila. The energy felt familiar, echoing the way bands used to talk about music backstage in venues like Route 196 and Mow’s Bar. “Parang, coming from Manila na syempre parang na-invite sa gigs, naka-spoil ‘yun, ‘di ba?” he says. “But now, it’s really me who has to go out there and network with people. So far, ‘yung mga open mics ko, parang sa coffee shop lang, tapos you really have to make an effort.” In Toronto, many Filipino musicians head towards the R&B and neo-soul communities. San Pablo found common ground in conversations with fellow indie rock stalwart Mikey Amistoso, lead vocalist of Ciudad and keyboardist for The Itchyworms. They both realized that indie rock musicians often have to take their own space within scenes dominated by adjacent genres. “The challenge really is just to look for certain pockets of scenes here. Kasi we were hoping sana, ideally, to bring the Manila indie scene energy here, and ang hirap kasi e,” he says. “In Toronto, there are several cities and regions, ang laki ‘e. Actually, dito sa Toronto mismo, very neo-soul ‘yung scene. Kasi kami ni Mikey \[Amistoso\] talagang indie rockan e. So parang, you really need to immerse yourself to find the crowd.” With a new simple socks EP on the horizon, San Pablo hopes his music can connect with both Canadian and Filipino audiences, online and offline. Still, he acknowledges the challenge of navigating language and communication in a new environment. “There is sort of a disconnect because, of course, the first language here is English,” he says. “So ‘pag nag-si-speak ako, kailangan ko i-translate in English kasi ‘yung nasa utak \[ko\] naka-Tagalog. So there’s also that challenge to connect with audiences.” ## Frequently Asked Questions ### Who is Iggy San Pablo? Iggy San Pablo is the frontman and lead guitarist of indie rock band Rusty Machines. He has been based in Toronto, Canada since December 2022, where he now records under the solo project simple socks. ### What is simple socks’ debut single about? “training wheels,” released April 27, reflects on San Pablo juggling a day job while finding comfort in music as a Filipino living overseas, exploring themes of independence and immigrant identity. ### How is simple socks different from Iggy San Pablo’s earlier projects? Unlike his pre-pandemic project thenils, a lo-fi outlet influenced by Diego Mapa and The Drums, simple socks reflects San Pablo’s current life as a solo musician navigating Toronto without his bandmates. ### What challenges has Iggy San Pablo faced building a music scene in Toronto? San Pablo says Toronto’s scene leans heavily toward R&B and neo-soul, pushing him and fellow indie rock musician Mikey Amistoso to actively seek out smaller, specific pockets of the indie rock community. ### Does Iggy San Pablo perform in Tagalog or English? San Pablo says he faces a language disconnect performing in Toronto, since he thinks in Tagalog but must translate his thoughts into English to communicate with audiences there. Related Stories - [How DIY Clothing Line Jollivintage Punk’d Your Favorite Band Shirt](https://rollingstonephilippines.com/editors-picks/features/diy-clothing-line-jollivintage-punkd-bootleg-favorite-band-shirt/ "How DIY Clothing Line Jollivintage Punk’d Your Favorite Band Shirt") - [We Got SOS’ ‘It Was a Moment’ Before ‘Grand Theft Auto VI’](https://rollingstonephilippines.com/music/sos-it-was-a-moment-before-grand-theft-auto-vi/ "We Got SOS’ ‘It Was a Moment’ Before ‘Grand Theft Auto VI’") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") **Categories:** Indie, Music **Tags:** Iggy San Pablo, simple socks --- ### [Harry Styles and Zoë Kravitz Are Engaged](https://rollingstonephilippines.com/culture/harry-styles-zoe-kravitz-engaged/) **Published:** April 28, 2026 **Author:** Larisha Paul **Excerpt:** The couple were first spotted together last summer and have now shared news of their engagement with “a small circle,” according to People **Content:** [Harry Styles](https://rollingstonephilippines.com/tag/harry-styles/ "Harry Styles") and [Zoë Kravitz](https://rollingstonephilippines.com/tag/zoe-kravitz/ "Zoe Kravitz") are engaged, according to *[People](https://people.com/harry-styles-and-zoe-kravitz-are-engaged-11890895)*. The outlet notes that the couple have shared news of their engagement with “a small circle.” This follows last week’s *Page Six* report about the engagement. Representatives for Styles and Kravitz did not immediately respond to *Rolling Stone*’s requests for comment. The couple were first spotted together last summer, with outings in Rome and London. Styles, 32, spent a lot of time between the two cities following the conclusion of his extensive live show, *Love on Tour*, in 2023. “It was time for me to stop for a bit and pay some attention to other parts of my life,” he told[ *The Sunday Times Magazine*](https://www.thetimes.com/culture/music/article/harry-styles-martin-parr-interview-kiss-all-the-time-disco-occasionally-mkdcdzkkj) earlier this year. That seemingly included the time he’s been spending with Kravitz, 37. In March, Styles released his fourth studio album, *[Kiss All the Time. Disco, Occasionally](https://rollingstonephilippines.com/music/pop/harry-styles-kiss-all-the-time-ranking/ "We Ranked Every Track on Harry Styles’ ‘Kiss All The Time. Dance, Occasionally’").* The record explored his self-perception as much as it did his interpersonal relationships. In an interview with Apple Music’s Zane Lowe, the musician explained how his perspective has shifted over the course of his 30s so far. “It’s like being truly vulnerable with someone, like sharing a life with someone like that. Having the time to stop and assess all of it and really look at my life from a bird’s eye view and go, ‘What do I actually want in my life?’ ” Styles said. “I have all these things around me all the time. It’s hard to pull those things in without making space for them.” Looking ahead to the next five years of his life, he added: “I want to be fulfilled, and I want to be in great relationships with people. I want to have great friendships with people. I want a family. I want these things. It just allowed me to go like, OK, what do I have to do to create space to allow these things to happen? I can’t expect them to just happen to me.” Marriage is a solid step in that direction. Styles has been in a number of relationships since entering the public eye, including long-term commitments with Olivia Wilde and Taylor Russell in recent years. He’s kept them all intensely private. “Can you imagine going on a second date with someone and being like, ‘OK, there’s this corner of the thing, and they’re going to say this, and it’s going to be really crazy, and they’re going to be really mean, and it’s not real. … But anyway, what do you want to eat?’” Styles [told *Rolling Stone*](https://www.rollingstone.com/music/music-features/harry-styles-harrys-house-dont-worry-darling-my-policeman-cover-1397290/) in 2022 about his experience bringing people into his world as romantic prospects. His engagement to Kravitz marks his first that the public knows of. Kravitz was previously married to actor Karl Glusman, but the couple split after less than a year of marriage. In 2023, she became engaged to Channing Tatum but they broke up before the marriage proceedings could begin. In between these private moments, Kravitz has made expansions in her career including launching her feature directional debut, *Blink Twice,* which arrived in 2024. Around that time, she was asking herself the same kind of questions as Styles. “I had to actually look at, what do I want?” she told *[Esquire](https://www.esquire.com/entertainment/movies/a61792787/zoe-kravitz-blink-twice-interview-2024/)* in 2024. “For a long time, I felt like there was something wrong with me,” she said about not feeling drawn to having children. “I was waiting for this light to go off in my head, and it never did. When you’re younger, you’re like, ‘Well, I can’t have kids. I’m too young! It’d be crazy.’ ” *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-news/harry-styles-zoe-kravitz-engaged-1235551168/ "rollingstone.com").* ## Frequently Asked Questions ### Are Harry Styles and Zoe Kravitz engaged? Yes. According to People, Harry Styles and Zoe Kravitz are engaged and have shared the news with a small circle. Representatives for both stars did not immediately respond to Rolling Stone’s request for comment. ### How long have Harry Styles and Zoe Kravitz been dating? The couple were first spotted together last summer, with outings in Rome and London, following the conclusion of Styles’ Love on Tour in 2023. ### Is this Harry Styles’ first engagement? Yes, this marks the first public engagement for Styles, who has previously had long-term relationships with Olivia Wilde and Taylor Russell that he kept largely private. ### Has Zoe Kravitz been engaged before? Yes. Kravitz was previously married to actor Karl Glusman before their split, and was later engaged to Channing Tatum in 2023, though they broke up before marrying. ### What has Harry Styles said about wanting a family? Styles told Apple Music’s Zane Lowe he wants to be “fulfilled” and have “great relationships” and a family, describing his 30s as a time to reassess what he wants in life. Related Stories - [We Ranked Every Track on Harry Styles’ ‘Kiss All The Time. Dance, Occasionally’](https://rollingstonephilippines.com/music/pop/harry-styles-kiss-all-the-time-ranking/ "We Ranked Every Track on Harry Styles’ ‘Kiss All The Time. Dance, Occasionally’") - [10 Artists Teasing and Releasing Albums in 2026: Bruno Mars, Olivia Rodrigo, Robyn](https://rollingstonephilippines.com/music/artists-albums-2026-mars-rodrigo/ "10 Artists Teasing and Releasing Albums in 2026: Bruno Mars, Olivia Rodrigo, Robyn") - [Harry Styles Sets A New Rhythm With Dance-Driven Single ‘Aperture’](https://rollingstonephilippines.com/music/pop/harry-styles-aperture-single-release/ "Harry Styles Sets A New Rhythm With Dance-Driven Single ‘Aperture’") **Categories:** Culture **Tags:** Harry Styles, Zoe Kravitz --- ### [Filipino Musicians Discuss Independence in Rolling Stone PH Roundtable](https://rollingstonephilippines.com/media-channels/roundtable/filipino-independent-musicians/) **Published:** April 27, 2026 **Author:** Elijah Pareño **Excerpt:** Across hip-hop, R&B, rock, and electronic, Filipino musicians unpack the trade-offs of independence — from income struggles and creative control to long-term sustainability **Content:** Filipino independent musicians have yet to fully grasp what is going on in the music industry today. Some go against the grain, remain fully independent, and enjoy making music while maintaining a stable daily life, while others compromise their craft in order to achieve the ideal musical life they want. In the latest [*Rolling Stone Philippines* Roundtable](https://rollingstonephilippines.com/tag/rolling-stone-philippines-roundtable/ "Rolling Stone Philippines Roundtable") episode, music producer Nick Lazaro, sound producer and artist [Aly Cabral](https://rollingstonephilippines.com/tag/aly-cabral/ "Aly Cabral"), producer and emcee [DJ Medmessiah](https://rollingstonephilippines.com/music/filipino-music-sound-of-resistance/ "How the Filipino Sound of Resistance Breaks Through from the Underground"), and singer-songwriter [August Wahh](https://rollingstonephilippines.com/tag/august-wahh/ "August Wahh") break down the nitty-gritty of working with labels and how they navigate the ins and outs of the music industry. They discuss the nuances, weighing the pros and cons of making a living entirely off music, and whether there will come a point where people in the Philippine scene can sustain that kind of life, while also helping younger audiences understand the realities of being an independent musician. “Be versatile, you’re still human beings, you can do more than just be rockstars,” Lazaro says during the discussion. While building an audience is important, balancing creative ideas with what a label wants remains a constant challenge. Lazaro, who also owns the recording studio La Balls Recording Studio, has seen how ideas flourish with independent artists in real time. “I don’t think any conventional label wouldn’t want \[those ideas\] because they want quantity over, not just the quality but sincerity from the artist as well too,” Lazaro tells *Rolling Stone Philippines*. “It’s really cool being independent because I feel like I kinda do what I feel.” ## Choose Your Battles DJ Medmessiah, who helps run the hip-hop collective Morobeats, is headstrong about his commitment to not only his genre of boom bap, but also maintaining freedom to pursue his artistry. “Madali lang mag-develop ng artist ‘e pero yung sticking to yung patience hanggang masusubukan ka,” Medmessiah says. “Kung hanggang 20 years hip-hop ka pa rin ba or are you going to switch to pop dahil it didn’t work out for you? Doon mo makilala mga artist ‘e.” In the music business, it’s crucial for independent artists to understand the mechanics behind the industry, from royalties and streaming platforms, to the cost of live shows. R&B artist August Wahh, who, in October 2025, traveled to Australia to showcase her music at SXSW Sydney learned the hard way about the realities of the music business, particularly when it comes to ownership. “I want to own my masters more than anything, I’m not giving that to anybody,” August Wahh says. “Here in the Philippines, we don’t have proper music business laws, so when I got handed that \[label\] contract, this doesn’t apply here.” Similar to Lazaro, Aly Cabral has worked with a range of collaborators, including mass organizations and corporate clients. She spoke about the need for more alternative business models that don’t focus on profit. “We need to reinforce those alternative models that are not capitalist and more bayanihan,” Cabral says. “I think in this day and age, it also lessens the drive for other people to take on roles that are not necessarily musicians and who are also equally important like sound engineers, managers, agents, mga accounts.” “I guess we have that lack of knowledge with the general scene and community na these are the things that are ought to be done, these are the right ways to do it, that people don’t really see other ways out of it.” *Watch the full episode of* Rolling Stone Philippines Roundtable*on our [YouTube channel.](https://www.youtube.com/watch?v=XQkrMJWVwHw "YouTube channel.")* ## Frequently Asked Questions ### Who participated in this Rolling Stone Philippines Roundtable on independent music? The roundtable featured music producer Nick Lazaro, sound producer and artist Aly Cabral, producer and emcee DJ Medmessiah, and singer-songwriter August Wahh discussing the realities of the Philippine music industry. ### What did Nick Lazaro say about being an independent musician? Lazaro, who owns La Balls Recording Studio, said labels value sincerity and quality over quantity, adding that independence allows him creative freedom: “I feel like I kinda do what I feel.” ### Why does August Wahh want to own her music masters? August Wahh said she refuses to give up ownership of her masters, criticizing the lack of proper music business laws in the Philippines that leave artists vulnerable when signing label contracts. ### What alternative business models did Aly Cabral propose for musicians? Cabral called for reinforcing non-capitalist, “bayanihan”-style business models in the music industry, arguing that a lack of general knowledge about alternatives keeps artists locked into limiting structures. ### Where can I watch the full Rolling Stone Philippines Roundtable episode? The full episode is available on the Rolling Stone Philippines YouTube channel, featuring an extended discussion with Nick Lazaro, Aly Cabral, DJ Medmessiah, and August Wahh. Related Stories - [Critics Dish Out on the Challenges of Criticism in Rolling Stone PH Roundtable](https://rollingstonephilippines.com/media-channels/state-of-criticism-philippines/ "Critics Dish Out on the Challenges of Criticism in Rolling Stone PH Roundtable") - [For Aly Cabral, Survival as a Cultural Worker Means Starting From the Roots](https://rollingstonephilippines.com/culture/aly-cabral-cultural-worker/ "For Aly Cabral, Survival as a Cultural Worker Means Starting From the Roots") - [Morobeats is the Rap Collective Giving Filipino Anger a Soundtrack](https://rollingstonephilippines.com/music/hiphop-rnb/morobeats-rap-collective-filipino-anger/ "Morobeats is the Rap Collective Giving Filipino Anger a Soundtrack") **Categories:** Dance/Electronic, Hip-hop/R&B, Indie, Media Channels, Music, Rock, Roundtable **Tags:** Aly Cabral, August Wahh, DJ Medmessiah, MoroBeats, Nick Lazaro --- ### [‘Hacks’ Season 5, Episode 3 Recap: Has Deborah Vance Gone Soft? ](https://rollingstonephilippines.com/culture/tv/hacks-season-5-episode-3-recap/) **Published:** April 27, 2026 **Author:** Christian San Jose **Excerpt:** Deb’s in love and is letting her guard down. That’s bad news **Content:** One thing about [*Hacks* ](https://rollingstonephilippines.com/tag/hacks/ "Hacks")is that it knows *hot* men. Remember tragic swindler George, whom Ava fell for in Season 1? This season, we have sex worker slash magician Eli. But our big-handed girl is not the only one getting action as *The Summer I Turned Pretty*’s brooding Christopher Briney plays rockstar Nico Hayes, who sweeps Deborah off her feet. What she initially thought was a PR stunt (to be fair, she pulled the first stunt, arriving at Nico’s event in a dress made of cards and easily acing two of the best line reads of the season so far: “God, I think I have an ace in the hole” and “timeless, humble sex icon”) turned out to be a real infatuation. Deborah gets on board the #NicoRah ship after Nico asks her out on a date through Jimmy (“Stars, they’re just like each other” is also up there), hoping she could use it to plug her September 11 Madison Square Garden show. This is not her first rodeo, so she calls a paparazzo to document the night. But as the situationship deepens, this favor soon backfires on Deborah. ![ava daniels and eli hacks s5e3](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/hacks-s5e3-ava-eli.webp) Ava finds a romantic partner in sex worker and aspiring magician Eli. Photo from Hacks/Instagram Meanwhile, our resident house flipper, who is also so back in Deb’s life — thank god, more hot men — Marcus takes on a big renovation project to turn Las Vegas landmark casino, Paradiso, which is in danger of being taken over by VC bros, into a cool boutique hotel casino. During an ocular, we even see one of the show’s creators Lucia Aniello play a messy realtor with a bad gaydar (“My ex? 5’5”. It’s like walking around with a minion.” Top contender for being a gaggy thing to say but also being partially a diss at her real-life husband and collaborator, Paul W. Downs, who’s famously 5’8”). Anyway, so Deb is head over heels in love with Nico, which further mellows her down from previous seasons. She’s literally vibing to her new lover’s song as Marcus consults about his new project. Deb, perhaps a little too realistically, dissuades him, citing tedious paperwork and dwindling tourism. “That’s an awful big risk,” she tells Marcus. This is not the same risk-taking Deb we know, who toured across the country to road test her material in Season 2, or who risked everything to make her dream of hosting *Late Night* a reality, even if it meant betraying Ava. ![marcus and deborah hacks s5e3](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/hacks-s5e3-marcus-deborah.webp) Marcus is back in Deborah’s circle, to rescue a Las Vegas icon — who is not Deborah herself. Photo from Hacks/Instagram Her relationship with Nico, which ultimately ends after he finds out about the paparazzo, has briefly clouded her judgment. Our diva was hurt, OK?! Diva down. Who wouldn’t be? Especially when you’ve been blocked on iMessage by a Harry Styles-type, who would later write a song about her. Played out to her favor, really. So, once again single, on she goes to Marty’s nth wedding at Caesar’s Palace. I would have made a comparison between Deb and the fallen dictator, except she emerges triumphant in the fallout of the wedding cum FBI arrest. Ava not so much. She lost her “gigolo” over her small itch about him being a (very bad) magician. Hot men can’t be everything, I guess. But hey! Our girlinas our once again on their own, which is, in sum, good. Even after we lose both hot men as soon as we met them, this episode. The latest episode also shuts down the possibility of Deborah ending up with Marty, who clearly is a sub to her dom. Taking a call in the middle of the night? Falling for “peer-to-peer fraud” (in the Top 5 line readings this week)? Proposing to wed Deb to save face? Sir. “Are you sure you don’t want to be Mrs. Marty Vance?” he asks her. To which she replies, “I’ll tell you what. If we’re both single when we’re a hundred, I’ll marry you.” That seemed to be a much-needed moment of clarity for Deb, who finds Marcus to apologize and propose to take on Paradiso together. “If you don’t take risks, you’re as good as dead,” she tells him. “What a gift to still be taking risks,” indeed, Deborah Marie Vance. Hacks *is currently streaming its final season on HBO Max.* ## Frequently Asked Questions ### What happens between Deborah Vance and Nico Hayes in ‘Hacks’ Season 5, Episode 3? Deborah falls for rockstar Nico Hayes, played by Christopher Briney, after what starts as a PR stunt turns into real infatuation. Their relationship ends after Nico discovers Deborah called a paparazzo to document their date. ### What is Marcus’s storyline in this episode of ‘Hacks’? Marcus returns to take on a major renovation project, turning the Las Vegas casino Paradiso — under threat of a VC takeover — into a boutique hotel casino, though Deborah initially discourages him. ### Does Deborah Vance end up with Marty in this episode? No. Marty proposes marriage as a backup plan, but Deborah declines, telling him she’ll only marry him if they’re both still single at 100, closing off that possibility for now. ### What happens to Ava’s relationship in this episode? Ava’s relationship with her boyfriend, whom the recap refers to as her “gigolo,” ends after she becomes uncomfortable with him being a magician, despite an otherwise strong connection. ### Where can I watch ‘Hacks’ Season 5? “Hacks” is currently streaming its final season, Season 5, on HBO Max. 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His motive remains unclear **Content:** [Cole Tomas Allen](https://www.rollingstone.com/t/cole-tomas-allen/) has been identified as the suspected gunman who [opened fire outside the White House Correspondents’ Dinner](https://www.rollingstone.com/politics/politics-news/donald-trump-evacuated-white-house-correspondents-dinner-1235553741/) on Saturday, forcing the evacuation of President Donald Trump. The 31-year-old Allen traveled by train from Los Angeles — where he lives and works as an educator in nearby Torrance — to Chicago, and then another train from Chicago to Washington, D.C., on Friday, after which he checked into the Washington Hilton Hotel, where the Correspondents’ Dinner was being held, [CBS News reports](https://www.cbsnews.com/news/white-house-correspondents-dinner-shooting-suspect-cole-allen/). In the aftermath of the incident, details about Allen’s history have emerged: He earned a degree in mechanical engineering at the prestigious California Institute of Technology in 2017, and then received a master’s in computer science at California State University, Dominguez Hills, in 2025. A high school classmate [told NBC News](https://www.nbcnews.com/news/us-news/shooting-suspect-white-house-correspondents-dinner-cole-thomas-allen-rcna342146) that Allen was “borderline genius” and “super stable.” “Other people study hard,” said the classmate. “He didn’t have to study. It would just come to him. He was really, really smart.” While at CalTech, Allen was featured in a [local news report](https://abc7.com/post/aging-into-the-future-conference-brings-new-tech-to-help-seniors/1798540/) in 2017 for developing a prototype emergency brake for wheelchairs. > 1/ WATCH: Cole Allen in his own words… > > The California computer scientist, 31, accused of opening fire at the White House Correspondents’ Dinner isn’t just any would-be killer — he is an elite-trained engineer from Caltech, where students with perfect SAT scores gain admission.… [pic.twitter.com/iU1J4I1wJc](https://t.co/iU1J4I1wJc) > > — Asra Nomani (@AsraNomani) [April 26, 2026](https://twitter.com/AsraNomani/status/2048352789076549737?ref_src=twsrc%5Etfw) In addition to serving as an educator at a Torrance tutoring firm, Allen’s LinkedIn page states he is also a self-employed video game developer, with one of his games reportedly available on the Steam marketplace. Law enforcement told CBS News that Allen legally purchased the shotgun used in Saturday’s shooting in August 2025, as well as another firearm purchased in 2023. Following his arrest, a search warrant was obtained for Allen’s Los Angeles area residence, and his cellphone was seized. While he was not cooperating with authorities, people who knew him were talking with authorities. Federal campaign records revealed that Allen donated $25 to an ActBlue PAC tied to Kamala Harris’ presidential campaign in 2024, but authorities said they were still investigating Allen’s motive for why the “lone wolf” was targeting members of the Trump administration. “We’re still looking to try to understand a motive. From our preliminary investigation, it does appear the suspect was targeting members of the administration,” Acting Attorney General Todd Blanche [told CNN](https://www.cnn.com/2026/04/25/politics/live-news/trump-white-house-correspondents-dinner). “We don’t have specifics yet about particular members of the administration, except that we do understand that that was his goal and his target.” Blanche added, “We’re still investigating what we knew, if anything about this, this individual. It appears that he purchased the two firearms that he had on him within the past couple of years. He had knives on him as well.” Allen is due in federal court Monday, where he’ll be charged with one count each of using a firearm during a crime of violence, and assault on a federal officer using a dangerous weapon, with additional charges likely to follow. “There’s a lot of federal charges that could be in play beyond those two charges, but it depends on us understanding his motive, his intent, his premeditation of what led into him deciding he was going to do what he did,” Blanche said. *This article was originally published on [rollingstone.com](https://www.rollingstone.com/politics/politics-news/what-we-know-white-house-correspondents-suspected-shooter-1235553817/)*. ## Frequently Asked Questions ### Who is Cole Tomas Allen? Cole Tomas Allen is a 31-year-old Los Angeles-area educator and self-employed video game developer who holds a mechanical engineering degree from Caltech and a master’s in computer science from CSU Dominguez Hills. ### What happened at the White House Correspondents’ Dinner? Allen is accused of opening fire outside the Washington Hilton Hotel during the White House Correspondents’ Dinner, forcing the evacuation of President Trump and other attendees. ### What charges does Cole Tomas Allen face? Allen is due in federal court facing charges of using a firearm during a crime of violence and assault on a federal officer with a dangerous weapon, with additional charges expected. ### What do investigators know about Allen’s motive? Acting Attorney General Todd Blanche said investigators believe Allen was targeting members of the Trump administration, though a specific motive had not yet been confirmed as of this reporting. ### How did Cole Tomas Allen obtain his weapons? Law enforcement said Allen legally purchased the shotgun used in the shooting in August 2025, along with another firearm bought in 2023. He also had knives in his possession at the time of his arrest. Related Stories - [Jack White Calls Out MAGA Christians, Labels Trump ‘Antichrist’](https://rollingstonephilippines.com/music/rock/jack-white-calls-out-trump-maga/ "Jack White Calls Out MAGA Christians, Labels Trump ‘Antichrist’") - [Bondi Beach Gunmen Trained in the Philippines, Says Australian Official](https://rollingstonephilippines.com/state-of-affairs/bondi-gunmen-traveled-philippines/ "Bondi Beach Gunmen Trained in the Philippines, Says Australian Official") - [Nicki Minaj’s Trump Turn Marks the End of Her Place in Rap Culture](https://rollingstonephilippines.com/music/hiphop-rnb/nicki-minaj-trump-support-2026/ "Nicki Minaj’s Trump Turn Marks the End of Her Place in Rap Culture") **Categories:** State of Affairs **Tags:** Cole Tomas Allen, Donald Trump --- ### [Is There A Future For Print? We Ask Filipino Publishers and A Magazine Shop Owner](https://rollingstonephilippines.com/culture/pop-up-spruce-publishing-panel/) **Published:** May 11, 2026 **Author:** Mel Wang **Excerpt:** To celebrate the launch of our exclusive pop-up at Spruce Gallery, Rolling Stone Philippines brought in a panel of industry experts to weigh in on the state of print publishing **Content:** Print has found its way back into the discourse with major Hollywood releases like [*The Devil Wears Prada 2* ](https://rollingstonephilippines.com/tag/the-devil-wears-prada-2/ "The Devil Wears Prada 2")shining a light on just how hard (and unglamorous!) it is to keep a publication afloat, along with the ongoing conversation on AI versus analog. Meanwhile, IRL at the launch of Rolling Stone Philippines Pop-Up at Spruce Gallery, several industry figures point out that there’s some hope for the future of print. The Rolling Stone Philippines Pop-up at independent magazine shop Spruce Gallery, which opens May 11 until June 6, brought together voices from the world of publishing. Writers, editors, and creatives gathered to celebrate the launch of the pop-up with our first anniversary issue, as well as previous issues at exclusive prices (complete with a freebie or two upon purchase). ![rs pop-up](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/L1500347.webp) The pop-up runs from May 11 to June 6. The main event of exclusive preview of the Rolling Stone Philippines Pop-up at Spruce Gallery was a conversation between 19th Avenida Publishing House founder [Nida Ramirez](https://rollingstonephilippines.com/culture/books/avenida-publishing-nida-ramirez-interview/ "Building a Filipino Indie Press, According to Avenida Publishing Founder Nida Ramirez"), the Ateneo de Manila University Press’ Marketing Head Camille Abaya, and Spruce Gallery owner Ric Gindap on the state of print publishing today. Led by *Rolling Stone Philippines’* Chief of Editorial Content Jonty Cruz, the talk opened with a discussion on how each panelist had found their way to the business of print. Despite the obstacles each of them has faced, the group spoke candidly about how readers are still actively seeking out physical media. “When we opened Spruce, our ambitions were very modest,” said Gindap. “We thought maybe 30 or 50 people would actually buy magazines. But when we launched, we were carrying around 300 titles. I think we sold almost half on our opening weekend. That really encouraged us because it proved that people are still reading.” ![Five people smiling for a group photo in front of a red Rolling Stone Philippines backdrop.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/IMG_2831.webp) Rolling Stone Philippines’ Chief of Editorial Content Jonty Cruz, Spruce’s Ric Gindap, Avenida’s Nida Ramirez, the Ateneo Press’ Camille Abaya, and Rolling Stone Philippines’ Publisher Anne Bernisca. ![Panel discussion in a Rolling Stone Philippines store, with speakers on a stage and an audience around a long table.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSF2850-2-2.webp) Print has found its way back into the discourse. Gindap went on to speak about the role of magazines in creating a dedicated community amongst readers. “For example, if you carry a tote bag of *The New Yorker* or *Monocle*, and \[you’re\] in a busy airport, and you see another person carrying around the same bag or issue, you’ll look at each other and say, ‘Brother,’” said the Spruce owner. “There’s that unity, that recognition, of wanting to be part of a shared culture with shared acceptable values. Magazines are culture personified. Yes, the magazine is an object, but the culture behind it is the engine that connects people together.” The conversation then shifted to online trends — specifically, that of “hot, performative men” reading books in public. Although the topic brought out a round of laughs from the room, the panelists pointed out how the trend framed reading as something to be made fun of. ![Two young adults lean in to read a glossy magazine in a bookstore, with Rolling Stone Philippines branding visible on the page and magazines on the shelves behind them.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSF2670.webp) “Magazines are culture personified,” said Gindap. “Ako, I’m… irritated by people who want to label everything and comment on everything” Ramirez said with a laugh. “‘Yung ‘performative’ part, that irks me a lot. Why do you have to say something about another person who’s reading? Why don’t you enjoy reading something yourself?” “I don’t believe in performative reading,” she added. “Siguro, if you’re just carrying the book, then yes. But if you’re reading and indulging in it, that’s never performative. And if there’s anything to ‘perform,’ why not reading?” ![Storefront window for a magazine shop with a bright 'SPRUCE' sign and a red Rolling Stone poster inside/nearby.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/IMG_3040.webp) Spruce Gallery. Finally, the panelists shared their thoughts on the accessibility problems that continue to plague print publishing and what solutions can be put in place to guarantee its future. “The problem is… systemic, because the system isn’t conducive to buying local books,” said Ramirez when asked about how government bodies like the Department of Education could play a part in supporting local publishers. “It’s very difficult for publishers like us, because our books are available… pero hindi nila alam ‘yung mga librong inilabas sa Pilipinas. Even if they order, it’s very difficult for publishers to go through the procurement process. But we are trying, and that is the hope, of course, to have the government make these local books available everywhere.” ![monkey shoulder](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/L1500313.webp) Monkey Shoulder provided a selection of refreshing alcoholic beverages for the day. ![Candid Coffee.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/L1500368.webp) Guest were treated to a range of caffeinated drinks from Candid Coffee. “If this is something you really care about, go to your local government,” suggested Abaya, who used the example of the Quezon City Public Library being developed with the support of its local government office. “And if you have a favorite bookstore chain… it would be nice if you could let them know what type of books you want to see there. The struggle for us local publishers is that, even in the procurement of these bookstore chains, we’re competing with brands like Penguin Random House. When it comes to buying books from us, these chains buy at most maybe five copies for one title, for the whole country. So it really would help if they see demand for local titles.” ![kodaki](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/L1500738.webp) The Kodaki photo booth allowed visitors to capture the day in print. For Gindap, the concept of community-building is truly what keeps a print title afloat. “You already have a captured market, you know,” Gindap told me once the panel was over. “Most magazines that are too general do not thrive, but titles that have a very clear voice will always form a passionate and loyal readership. But the real opportunity to find a wider audience is… doing things like this pop-up, putting together like-minded people in the same room, and having important conversations so that loving print isn’t just the act of reading, but also the act of interacting.” *Official Event Partners: Monkey Shoulder Candid Coffee Provizo Kodaki and Spruce Gallery* ## Frequently Asked Questions ### Is print media still relevant today? Print media remains relevant by offering tangible, high-value cultural experiences, fostering offline community engagement, and serving niche, dedicated audiences that digital content cannot replicate effectively. ### Why do people still buy physical magazines? Consumers buy physical magazines to connect with specific subcultures, signal shared values, escape digital screen fatigue, and collect aesthetic physical objects that build community identity. ### What is performative reading? Performative reading refers to displaying books or print media publicly to project a specific lifestyle, though publishing industry figures view genuine reading as inherently authentic. ### What challenges do local print publishers face in the Philippines? Philippine local publishers struggle with complex institutional procurement systems, limited distribution shelf space, low initial order volumes from major retailers, and heavy foreign competition. ### How can print publications survive in the modern media landscape? Print publications survive by cultivating distinct editorial voices, targeting niche audiences, organizing community events, and creating physical spaces where like-minded readers can interact directly. 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Starring Chiwetel Ejiofor as furniture store owner Clark and Renate Reinsve as Mary, the film follows a group that discovers a hidden portal called the “backrooms,” a maze of empty rooms and physical anomalies buried in the basement of a random furniture store. Madness follows as visitors tumble into a labyrinth of psychological horror. The *Backrooms* original soundtrack sets the film’s tone perfectly. The film’s director and co-composer [Kane Parsons](https://rollingstonephilippines.com/tag/kane-parsons/ "Kane Parsons") is known to have a careful ear for the creepiest sound cues. So what makes the soundtrack crawl under your skin? The score was composed by Parsons and Edo van Breemen, who previously worked on horror projects, including Osgood Perkins’ *The Monkey and Keeper* in 2025. Parsons has a background in VFX and composing scores on the side. In an interview with *GQ*, he cites musical influences such as Aphex Twin, Boards of Canada, and Burial. Parsons carefully treats every score with exceptional detail. “I fucking love working on the music,” Parsons says. “I mostly function more as a caveman \[than a musician\], banging rocks together, \[since\] I don’t have formal training, and can’t play an instrument.” ## Bone-Chilling Scenes With ambient textures, buzzing‑light hums, and faint, skin‑prick screeches, the score locks perfectly to the film’s visual language. The fear of the unknown is the movie’s greatest asset, and the music pushes the viewer’s edge effectively. This sound world has been brewing in Parsons’ lore since his first *Backrooms* videos on YouTube in 2022. Parsons says he lifts cues from the production design and the “room tones” themselves, letting ambiguity do the heavy lifting so the atmosphere feels more unreal. Early on, when the film’s protagonist Clark first stumbles into the realm, the track “Quiet Wall in a Dark Room” slides in like a cold draft. Later, “Open the Window” surfaces as Mary searches for Clark, right before a terrifying chain of events unfolds. The *Backrooms* score is a masterclass in suspense and an audio love letter to internet horror. It may not be the traditional horror movie you’re used to, but it’s one you have to see and hear. ## Frequently Asked Questions ### Who is the director of ‘Backrooms’? Backrooms is a horror movie directed by 20-year old film director Kane Parsons. ### Who is the co-composer of the ‘Backrooms’ soundtrack? The composers of Backrooms is director Kane Parsons and Edo van Breemen. ### What is the ‘Backrooms’ exactly about? The movie Backrooms tells the story of characters Clark and Mary entering the maze containing empty halls and physical anomalies. ### How adoes ‘Backrooms’ create a scary atmosphere? Parsons says he lifts cues from the production design and the “room tones” themselves — letting ambiguity do the heavy lifting so the atmosphere feels more unreal. ### How much did ‘Backrooms’ in the box-office worldwide? The film Backrooms is A24’s highest‑grossing films, to date it has earned about $212 million at the box office. 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The latest addition to the franchise, *Scary Movie* (or *Scary Movie 6* if we’re being casual) is set to reunite the Core Four cast members — Ray (Shawn Wayans), Shorty (Marlon Wayans), Brenda (Regina Hall), and Cindy ([Anna Faris](https://rollingstonephilippines.com/culture/film/anna-faris-scary-movie-2026-cindy-campbell/ "Anna Faris Thinks the New ‘Scary Movie’ is the Funniest One Yet")). This will also be the first time the Wayans family have full creative control over the franchise, ever since they took it back from Miramax founders Harvey and Bob Weinstein. “This \[*Scary Movie*\] is coming at a time where the world needs a laugh,” Marlon Wayans said in a recent interview with [*Variety*](https://variety.com/2026/film/features/marlon-wayans-scary-movie-dave-chappelle-transgender-harvey-weinstein-1236755195/). “And look, we’re not here to save the world. We’re here to remind people what it’s like to laugh and feel good.” As we get ready for this latest *Scary Movie* to hit Philippine cinemas on June 10, we thought there was no better time than to revisit the franchise’s stand-out characters. Over the course of 13 years and five movies, a number of characters — either recurring or not — have left an impact on the franchise’s most loyal fans. While it’s hard to say who the *best* cast member is, we can think about who’s the most memorable of them all (and who had the most quotable lines). We’ve ranked all the characters who’ve stood the test of time and burned the most one-liners into our brains. # **Honorary Mention: Toshio Saeki** Although Toshio (Garrett Masuda) is really only in one or two scenes in *Scary Movie 4,* he’s one of the best parts of the 2006 addition to the franchise. For starters, he puts up with Cindy’s nonexistent Japanese (“Hibachi benihana teriyaki?” She asks him), and plus, he has a few killer one-liners of his own (“Nagasaki Okinawa Hokkaido,” which roughly translates to “Your Japanese is awful. It dishonors my ears.”). # **10. Greg Phillipe** ![greg scary movie](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/greg-scary-movie.webp) Lochlyn Munro as Greg in *Scary Movie* (2000). Screenshot from HBO Max/Official Website Who remembers Greg (Lochlyn Munro)? Most of us won’t, but he *was* a part of the main friend group in the first *Scary Movie*. Greg’s got serious anger management issues, which makes sense considering he’s a spoof on the dumb, hot-headed jock that gets killed in almost every horror movie. Despite being one of the early casualties of the movie, Greg did give us a few good bits before he kicked the bucket (e.g. him strangling the hell out of Cindy and his micropenis). # **9. George Logan** ![Simon Rex as George in Scary Movie 3. Screenshot from HBO Max/Official Website](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/scary-movie-george.webp) Simon Rex as George in *Scary Movie 3*. Screenshot from HBO Max/Official Website Played by the real-life rapper Simon Rex (a.k.a. Dirt Nasty), George Logan helped lighten the mood of *Scary Movie 3* as an angry white boy trying to make it in hip hop (George’s best line: “You just hate me because I’m Black!”). To be fair, his *8 Mile*-inspired rap battle was not the worst part of the movie — in fact, he was doing pretty well until he put up his white hoodie. Yikes. # **8. Tom Logan** ![Charlie Sheen as Tom in Scary Movie 3. Screenshot from HBO Max/Official Website](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/scary-movie-charlie-sheen-1.webp) Charlie Sheen as Tom in *Scary Movie 3*. Screenshot from HBO Max/Official Website Charlie Sheen was an adequate source of comedy in *Scary Movie 3* (and for a few minutes in *Scary Movie 4*, where he’s the only character to die by Viagra). As Tom Logan, the traumatized pastor-farmer of *Scary Movie 3*, Sheen gave us a number of outstanding sketches, including him *not* honoring his wife’s dying wishes (“No sex.” “Honey, you’re not speaking clearly.”) and getting into a fistfight with Michael Jackson. # **7. Buffy Gilmore** ![Shannon Elizabeth as Buffy in Scary Movie ](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/scary-movie-buffy.webp) Shannon Elizabeth as Buffy in *Scary Movie* (2000). Screenshot from HBO Max/Official Website While Buffy (Shannon Elizabeth) is essentially just the sexy airhead of the first *Scary Movie*, I’ll give her a few bonus points for her time onstage as Miss Sweet Teen and her subsequent death scene. Buffy’s bitchy until the end, despite Ghostface stabbing her, breaking her leg, and cutting her head off. In the words of the great Buffy Gilmore: “Ohhhhhh look at me, I’m dead!” # **6. Mahalik and CJ** These two hypemen (or best friends? Or lovers?) stuck around for both *Scary Movie 3* and *4*, and I’m glad they did. Played by Anthony Anderson and Kevin Hart respectively, Mahalik and CJ spend most of their time in the franchise bickering about oxymorons (CJ: “How the hell do you wake up dead?”) or reenacting scenes from *Brokeback Mountain*. # **5. Hanson** ![Chris Elliott as Hanson in Scary Movie 2. Screenshot from HBO Max/Official Website](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/scary-movie-hanson.webp) Chris Elliott as Hanson in *Scary Movie 2*. Screenshot from HBO Max/Official Website Just to set the record straight: Hanson’s (Chris Elliott) big line is “Take my little hand” (and not “Take my strong hand,” as the Mandela Effect suggests). But anyway, the creepy butler with the malformed appendage does the most in *Scary Movie 2*, from serving up the grossest turkey dinner (he sticks his hand into a lot of the mashed potato) to getting into petty (and very problematic) disability-themed fights with the wheelchair-bound researcher Dwight Hartman (David Cross). # **4. Ray Wilkins** ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/scary-movie-ray-1.webp) Shawn Wayans as Ray in *Scary Movie.* Screenshot from HBO Max/Official Website So Ray (Shawn Wayans) is clearly on a gender journey. Try as he might, the star of the football team can’t will himself into being sexually attracted to his girlfriend, Brenda (Regina Hall). If he isn’t busy denying that he’s gay, Ray’s trying to get Brenda to wear his football gear (and go by “Brandon”) or asking if a very tight yellow tank top makes him look gay (it does). # **3. Shorty Meeks** ![Marlon Wayans as Shorty in Scary Movie. Screenshot from HBO Max/Official Website](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/scary-movie-shorty.webp) Marlon Wayans as Shorty in *Scary Movie.* Screenshot from HBO Max/Official Website Every Shorty Meeks (Marlon Wayans) quote is comedy gold. There’s “Yo, that jacket is *tight*, son, yah mean?” There’s “Run, bitch, runnnnnn!” Out of the Core Four, Shorty’s the one who’s *least* likely to survive, but the stoner’s managed to make it all the way to the latest *Scary Movie*. Are he and Ghostface gonna pass a bong again this time and around? You’ll just have to wait and see. # **2. Cindy Campbell** ![Anna Faris as Cindy in Scary Movie. Screenshot from HBO Max/Official Website](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/scary-movie-cindy-1.webp) Anna Faris as Cindy in *Scary Movie.* Screenshot from HBO Max/Official Website Although Anna Faris has gone on the record multiple times to say that she never thought she was funny before *Scary Movie*, I disagree. Faris more than delivered in her acting debut as Cindy Campbell, the Sidney Prescott-inspired final girl who’s made it into almost every movie of the franchise (save *Scary Movie 5*, but that’s a trainwreck we won’t acknowledge). It isn’t just that Faris has the facial expressions to pull off Cindy’s perpetually confused looks (although she does that well, too). She’s also capable of pulling off the timing, physical comedy, and dumb one-liners required of Cindy, and that’s what’s made the final girl such a big part of the Core Four. There are so many classic Cindy highlights, I have always been partial to her screaming, “I’m sorry if my traumatized life is such an inconvenience to your perfect existence!” # **1. Brenda Meeks** ![Regina Hall as Brenda in Scary Movie 2. Screenshot from HBO Max/Official Website](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/scary-movie-brenda.webp) Regina Hall as Brenda in *Scary Movie 2.* Screenshot from HBO Max/Official Website As much as Cindy Campbell has left her mark on the *Scary Movie* franchise, she just isn’t Brenda Meeks (Regina Hall). Besides surviving death multiple times (the first *Scary Movie* and *Scary Movie 3*), Brenda knows exactly when to be Cindy’s trusted sidekick and when to run for cover. Her best moments include her Muay Thai-kicking the demon Tabitha (“Cindy, this bitch is messing up my floor!”), ruining the moviegoing experience for everyone (“Shhh! Back at you!”), and going toe-to-toe with a resurrected skeleton (“Cindy, this is a *skeleton*! This is BONES!”). ## Frequently Asked Questions ### Who is the best character in the ‘Scary Movie’ franchise? Brenda Meeks, played by Regina Hall, is widely considered the standout character of the Scary Movie franchise. Her physical comedy, sharp one-liners, and recurring survival across multiple films made her the most memorable of the Core Four. ### Who are the Core Four in “Scary Movie”? The Core Four refers to the main returning cast of the Scary Movie franchise: Cindy Campbell (Anna Faris), Brenda Meeks (Regina Hall), Ray Wilkins (Shawn Wayans), and Shorty Meeks (Marlon Wayans). All four are set to return in the 2026 reboot. ### Is “Scary Movie 6” a reboot or a sequel? The new Scary Movie is a continuation of the original Wayans-led franchise rather than a full reboot. It reunites the Core Four cast and marks the first film produced with the Wayans family back in creative control after the Weinstein-era entries. ### What happened between the Wayans brothers and the Scary Movie franchise? The Wayans family departed the franchise after Scary Movie 2 following a dispute with Harvey and Bob Weinstein, who reportedly produced Scary Movie 3 without their consent. The new film marks their return to the property. ### Why wasn’t Anna Faris in “Scary Movie 5”? Anna Faris did not appear in Scary Movie 5 (2013), which was produced without the Core Four and is broadly considered the weakest entry in the franchise. Her absence, along with the Wayans family’s non-involvement, is a major reason the film is viewed separately from the original run. Related Stories - [Anna Faris Thinks the New ‘Scary Movie’ is the Funniest One Yet](https://rollingstonephilippines.com/culture/film/anna-faris-scary-movie-2026-cindy-campbell/ "Anna Faris Thinks the New ‘Scary Movie’ is the Funniest One Yet") - [Are We Hyping Up ‘Backrooms’ Just A Little Too Much?](https://rollingstonephilippines.com/culture/film/backrooms-movie-review-kane-parsons/ "Are We Hyping Up ‘Backrooms’ Just A Little Too Much?") - [Why the ‘Backrooms’ Soundtrack is the Scariest Part of the Film](https://rollingstonephilippines.com/music/backrooms-soundtrack-scariest-part-film/ "Why the ‘Backrooms’ Soundtrack is the Scariest Part of the Film") **Categories:** Culture, Film **Tags:** Scary Movie --- ### [Martha Kelly is the ‘Euphoria’ Villain the Internet Loves to Fear](https://rollingstonephilippines.com/culture/tv/euphoria-laurie-martha-kelly-interview/) **Published:** April 27, 2026 **Author:** Rachel Brodsky **Excerpt:** How she went from stand-up comedy to playing one of TV’s most sinister drug lords — and became TikTok famous in the process **Content:** [Martha Kelly](https://rollingstonephilippines.com/tag/martha-kelly/ "Martha Kelly") begins most of her TikTok videos, filmed in tight focus on her face, with a simple greeting: “Welcome back to Forehead Corner.” This tongue-in-cheek intro is indicative of the longtime comedian’s bone-dry brand of humor. “I never noticed my forehead as much as I do looking at it on TikTok,” says Kelly. We’re sitting at the Groundwork Coffee Roasters in North Hollywood, a short drive from her home in Burbank, where she’s been based since 2019. She hugs a black cardigan closer to her body between occasional slugs of mineral water. “I live alone, so \[TikTok\] is a real social thing for me. Like, I have to make plans and do a lot of logistics to meet up with friends, which I love to do, but it’s also much easier to just make a TikTok and feel connected to people.” It’s easy to see why fans — roughly 160,000 and counting since she started posting in 2024 — keep coming back to Forehead Corner. Kelly’s videos, delivered in her distinctive, pitchy voice (think Valley girl with notes of humdrum detachment a la the famously monotone comedian Ben Stein), are both personal and woven with running gags. She frequently dons the garish “Republican Makeup” filter while launching into a stream-of-consciousness dialogue that flows from what she did that day to political developments to the latest season of *Love Is Blind*. Every now and then, Kelly will pause to scold one of her two cats (the black and white one, Barry, likes to climb up her leg or into the oven). Her engagement on the app recently exploded, though, thanks to her role on the HBO series *[Euphoria](https://rollingstonephilippines.com/tag/euphoria/ "Euphoria"),* where she plays the drug lord Laurie. Kelly joined the show in Season Two, back in 2022, and was nominated for an Outstanding Guest Actress Emmy. When the long-awaited Season Three teaser, which prominently featured Laurie threatening Zendaya’s Rue, dropped in January, Kelly’s page blew up. Now, her comments have been flooded with teens and twentysomethings calling her “diva,” “queen,” and “baddie.” Others pretend to be scared while quoting Laurie’s chilling trailer line back to her: “[Hello, Rue. You owe me money.](https://www.tiktok.com/@hbomax/video/7594876460087708983?_r=1&_t=ZP-95QM9e3iEr0)” Kelly, 58, is tickled at her newfound memedom, partially because it means she gets to look cool to her college-aged niece, who texted Kelly a series of exclamation points after the trailer came out. “Finally, I can impress her. I’ve been trying for 19 years,” Kelly jokes. ![Martha Kelly](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/HNDO_S2_UT_205_250307_SISLOR_00163RC-1.webp) Kelly as Representative Welch in *Fallout*. Photo by Lorenzo Sisti/Prime Ever since her breakout role as the kindly wallflower insurance adjuster Martha Brooks on FX’s *Baskets*, Kelly has worked steadily, nabbing bit parts in *Spider-Man: Homecoming* (2017), *Marriage Story* (2019), *Grace and Frankie*, *[Hacks](https://rollingstonephilippines.com/tag/hacks/ "Hacks")*, *What We Do in the Shadows*, and *Fallout*. Adult-animation casting directors seem to love her idiosyncratic tone for voice acting: In 2023, she played an underwhelmed middle-school secretary facing a planetary apocalypse in Netflix’s *Carol & the End of the World*; the next year, she voiced a DEA agent in the Adult Swim series *Common Side Effects*. But it took decades for her to find consistency in her career (she couldn’t even get approved for a credit card until booking *Baskets*), and she’s still not sure why anyone feels compelled to cast her in anything. “With my Irish Catholic ancestry, I don’t know that I am physically capable of answering a question about why I’m good at something, or what I think is good about something that I do,” she says. However she came by this success, Kelly is acutely aware that it means something very different to her now than it would have 20 years ago. “When I was younger, it was always about, ‘I want to get this thing,’” she says. But whenever she reached a rung on that ladder, like her first late-night stand-up spot on *Late Night With Conan O’Brien*, she undermined her own confidence. “I was so in my head,” she says of that big break. “I didn’t enjoy it at all, really, except for how nice Conan was. And now when I get to work on *Euphoria*, I’m like, ‘How did I get here?” ORIGINALLY FROM THE Los Angeles suburb of Torrance, Kelly grew up with an older brother, a fraternal twin sister, and a half-brother from her dad’s first marriage. Her father was an elementary school principal, and her mother was a kindergarten teacher. “I did not enjoy my childhood in a lot of ways, but I also was lucky in a lot of ways,” Kelly says. “My parents were both born in the 1930s and came from the kind of childhoods where people didn’t really think about kids as having feelings… They tried really hard to be different than how they were raised, and they were, but they also were from a generation where nobody got therapy for any trauma.” Kelly describes her family dynamic as argumentative; knowing that she could hold her own contributed to an early interest in comedy. “\[Our\] sense of humor was often at each other’s expense,” she says. “So I had that urge to, like, get into it with people, or tease people and make fun of sincerity.” In high school in the late Eighties, she was especially inspired by female stand-ups like Roseanne Barr and Janeane Garofalo. “Seeing women comedians who were doing material that wasn’t, ‘I need a good man. Why am I still single?’ Or, ‘My husband hates me.’ How smart and funny and unique they were — it made me want to do it.” As a young adult, Kelly juggled odd jobs, from dog walking to waitressing, copywriting, and delivering pizza. When she was 25, she did her first open mic at L.A.’s Laugh Factory. She bombed. She took long breaks to recover and tried again. More bombing. She began drinking before going onstage to build her confidence. It didn’t quite work. “I wasn’t getting any better at stand-up,” she remembers. ![Martha Kelly](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Baskets.webp) Moving from comedy into acting on *Baskets*, Kelly says she knew she could trust creators Zach Galifianakis and Jonathan Krisel “not to yell at me if I did something wrong.” Photo from FX Networks/Courtesy Everett C Kelly’s luck shifted just before hitting 30, when she started frequenting a coffee shop in the Palms neighborhood of L.A. where her sister was working. “One night, I heard them doing an open mic, and I started going to watch,” Kelly says. “Zach Galifianakis was there, Maria Bamford and Tig Notaro would do it. Just a bunch of great comics.” She worked up the courage to participate. “Since the audience was just other comics who were wanting to see people try different material, they didn’t care if you weren’t confident. It was really dynamic and fun and funny.” The more informal venue proved beneficial for Kelly, though she continued to use alcohol as a crutch before going onstage. In 2002, there were some bright spots. She won Comedy Central’s Laugh Riots competition and was invited to the Montreal Just For Laughs Comedy Festival, where she took part in the “New Faces” show. She also did that *Conan* appearance — her late-night TV debut — where she [cracked jokes](https://www.youtube.com/watch?v=DyToEe--sh0) about preparing to start a new temp job by having a friend tie her up in a burlap sack, sink her to the bottom of a pool, and pull her back up for a lunch break. Still, she was chugging along in fits and starts, splitting time between Austin, where it was easier to get a spot in comedy festivals, and Torrance. Even after she quit drinking in 2003, Kelly struggled with periods of depression and an eating disorder. Her car got repossessed, and she was nearly evicted. By 2012, she had rebounded back home to California for good, feeling adrift. Then, in 2014, Kelly’s old friend Zach Galifianakis left her a life-changing voicemail. He was pitching a new pilot about a motel-dwelling rodeo clown — would she be up for playing his personal assistant? Kelly told Galifianakis she didn’t think she could act. Galifianakis didn’t care; he just wanted her to show up as herself. The leap paid off. “I knew I could trust Zach and our showrunner, Jonathan \[Krisel\], to not yell at me if I did something wrong,” Kelly says of her experience on *Baskets*. “They were the most gentle, safe people to be a stumbling new actor \[with\].” A WHOLE NEW LEVEL of trepidation set in when Kelly was approached for *Euphoria.* For starters, she wasn’t sure about playing a villain. “I’m a comedic actor, which means you have to have people like you for them to want to watch you,” she recalls thinking. “I can’t play this awful monster and who’s who hurts kids.” She was comforted after meeting with the show’s creator, Sam Levinson, who she calls “very sweet, reassuring, and down-to-earth.” But there was one more hurdle: “I was out of my mind with fear about working with Zendaya, because she’s such a gifted actor, and I’m like, ‘I’m gonna go in there and ruin their beautiful show and everyone’s gonna hate me.’ ” Kelly was so nervous that she forgot her lines on the first day, but her new colleagues were warm (“\[Zendaya\] was like, ‘It’s totally fine, we’re really low-key here’”) and she quickly found her stride, blending Laurie’s unassuming self-presentation with the character’s more sinister vibes. It’s hard to pinpoint what exactly makes Laurie so frightening, but it probably has something to do with the fact that her girlish voice and hot-pink T-shirts make her seem approachable, even friendly. At the same time, she’s never not surrounded by an entourage of tatted-up, pistol-carrying enforcers, all of whom defer to her without question. Season Two never reveals what Laurie’s had to do to claim her place at the top of the drug-dealing pyramid, but the viewer’s mind can’t help but fill that empty space with imaginary scenarios. Consider her nonchalant threat to kidnap Zendaya’s Rue and sell her “to some real sick people” if she doesn’t make her money back on a drug deal. “I always read all of \[Laurie’s\] lines as a snake-in-the-grass sociopath,” Kelly says. “Those are the scariest people — the mild-mannered person who has no conscience and no line they won’t cross to get what they want.” Kelly says Season Three will dig into Laurie’s backstory — “a different part of her life with a nemesis.” Other than that, she can’t be certain how many episodes she’s in, because they shot everything out of order. Despite her long road to recognition, Kelly, ever self-deprecating, calls her Emmys experience in 2022 “stressful and unpleasant.” There were redeeming factors, though. “One was the table I got to sit at \[during\] the actual awards,” Kelly says. “It was the actors who were nominated for their guest appearances on *Hacks*, and then Bill Burr and his wife, and then \[*Euphoria* co-star\] Colman \[Domingo\]. It was a fun, nice table of people who were way out of my league, career-wise, but let me feel like one in the gang.” The best part was still the car ride home, which Kelly took with her niece, who’d been her date that night. “She talked my ear off,” Kelly says. “She hadn’t talked to me that much about her life for years… The thrill of it — sitting at that fun table and then just listening to my niece tell me about her life — I was like, ‘This is one of the best nights of my life.’” *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/tv-movies/tv-movie-features/euphoria-laurie-martha-kelly-interview-1235543246/ "rollingstone.com").* ## Frequently Asked Questions ### Who does Martha Kelly play on “Euphoria”? Martha Kelly plays Laurie, a drug lord who joined the series in Season Two in 2022. Her performance earned her an Outstanding Guest Actress Emmy nomination, and her popularity surged further after the Season Three teaser prominently featured her character. ### What is Martha Kelly’s TikTok series “Forehead Corner”? “Forehead Corner” is Martha Kelly’s tight-focus TikTok series, featuring her dry, stream-of-consciousness humor about her day, politics, and pop culture. She has amassed roughly 160,000 followers since starting the series in 2024. ### How did Martha Kelly get her breakout role in “Baskets”? Kelly’s friend Zach Galifianakis called her in 2014 to offer her a role as his personal assistant on his new pilot, “Baskets.” Kelly doubted her acting ability, but Galifianakis reassured her he simply wanted her to show up as herself. ### Was Martha Kelly nervous about joining “Euphoria”? Yes. Kelly initially worried about playing a villain, fearing audiences needed to like her as a comedic actor, and was anxious about working alongside Zendaya, though she found the cast and creator Sam Levinson warm and reassuring. ### What other projects has Martha Kelly appeared in? Beyond “Baskets” and “Euphoria,” Kelly has had roles in “Spider-Man: Homecoming,” “Marriage Story,” “Grace and Frankie,” “Hacks,” and “What We Do in the Shadows,” along with voice roles in “Carol & the End of the World” and “Common Side Effects.” Related Stories - [The Wedding in ‘Euphoria’ Season 3, Episode 3 is What Nightmares are Made of](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-3/ "The Wedding in ‘Euphoria’ Season 3, Episode 3 is What Nightmares are Made of") - [‘Euphoria’ Goes ‘Breaking Bad’ in Season 3, Episode 1](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-1/ "‘Euphoria’ Goes ‘Breaking Bad’ in Season 3, Episode 1") - [In ‘Euphoria’ Season 3, Episode 2, You Either Pimp or Get Pimped](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-2/ "In ‘Euphoria’ Season 3, Episode 2, You Either Pimp or Get Pimped") **Categories:** Culture, TV **Tags:** Euphoria, Martha Kelly --- ### [This is How Lola Amour Survived 10 Years Together](https://rollingstonephilippines.com/editors-picks/features/lola-amour-10-years-together/) **Published:** June 8, 2026 **Author:** Elijah Pareño **Excerpt:** The funk-rock outfit, celebrating 10 years of music, opens up about overnight success, creative pressure, and staying grounded after a breakout hit **Content:** [Lola Amour](https://rollingstonephilippines.com/tag/lola-amour/ "Lola Amour"), known for their fun and tongue-in-cheek take on funk rock music, has become one of the Philippines’ most recognizable live acts over the last 10 years. Last May, they celebrated their first decade as a group with a two-night performance in 123Block, Mandaluyong City, bringing together old and current members for a reunion that, they said, took two weeks to pull together. Backstage, the band’s current members (vocalist [Pio Dumayas](https://assets.rollingstonephilippines.com/wp-content/uploads/2024/12/Wish-Bus-Photo-by-Pio-Dumayas.jpg "Wish Bus – Photo by Pio Dumayas"), guitarist Zoe Gonzales, drummer Raffy Perez, bassist Manu Dumayas, keyboardist David Yuhico, trumpet player Angelo Mesina, and saxophonist Jeff Abueg) sat amongst all three former bandmates (keyboardist Martin Kim, saxophonist Joxx Perez, and drummer Renzo Santos) as if to prepare for a class picture. The members jokingly introduced themselves alongside the former member they “destroyed” or eventually replaced after that person left the band, and the gag had the boys chuckling like they were in a high school locker room. “We didn’t feel so up there na we had to be serious, you know?” Pio told *Rolling Stone Philippines* as he looked back at a time when the band comprised eight members. “We didn’t feel like people were taking us that seriously anyway, so why would we take ourselves that seriously?” He added that a four-piece band might’ve made the gravity of one’s career more easily felt. But with eight boys whose version of hanging out was jamming and making music, “Joke time lang talaga most of the time you’re together,” Pio says. “Testosterone. Too much. “Right, Mika?” Zoe asks their manager, Mika Ordonez, who sat across the room. “Yes,” Mika quips, clearly knowing it all too well. ## **How Did Lola Amour Get Their Start in the Philippine Band Scene?** ![Lola Amour Wanderbattle](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Lola-Amour-Wanderbattle.webp) Lola Amour winning Wanderbattle was a canon event for the band as they rushed to create new songs just for the competition. Photo courtesy of Lola Amour The original members of Lola Amour first met in De La Salle Zobel High School after coming together from two rival bands: Sinigang na Baboy (Pio, Renzo, Joxx, Mico) and Decaf (Raymond, Zoe, Martin, Angelo). They acknowledged Zobel as a training ground for musicians, producing notable alumni like [Mayonnaise](https://rollingstonephilippines.com/tag/mayonnaise/ "Mayonnaise") vocalist Monty Macalino, [fitterkarma](https://rollingstonephilippines.com/tag/fitterkarma/ "fitterkarma") guitarist Mikee Mendoza, and [Cup of Joe](https://rollingstonephilippines.com/tag/cup-of-joe/ "Cup of Joe")’s Cairo Peralta, among others, and that tradition mattered as they grew into their new roles. Lola Amour cut their teeth into the local band scene in November 2016 when they joined Wanderbattle, a competition and talent search organized by music festival [Wanderland](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/03/RSPH-Portrait-37.jpg "Wanderland"). It was a canon event for the band as they rushed to create new songs just for the competition. It paid off, earning them a slot in the 2017 edition of the festival, alongside international acts like [HONNE](https://rollingstonephilippines.com/tag/honne/ "HONNE"), [LANY](https://rollingstonephilippines.com/tag/lany/ "LANY"), and Explosions in the Sky. “We wanted to join the competition just for fun ‘tas nung nanalo kami na parang, ‘Hala totoong banda na tayo, anong gagawin natin?’” Pio tells *Rolling Stone Philippines.* ![Lola Amour](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Lola-Amour-2018.webp) Band vocalist Pio Dumayas points out that Lola Amour never aspired to reach a level of success in those early days; they simply juggled college while finding ways to fit the band into their lives. Photo courtesy of Lola Amour That rush of adrenaline led to their debut EP, *Don’t Look Back*, which they debuted at [Mow’s Bar](https://rollingstonephilippines.com/culture/sports/kowloon-house-wrestling-venue/ "This Kowloon House Restaurant Hosts Some of the Best Wrestling in the Country") in May 2017. Even with the new credentials, the boys continued to rely on their small network of connections, booking groups like [Over October](https://rollingstonephilippines.com/tag/over-october/ "Over October"), Tom’s Story, Sofa Sky, and Ang Bagong Luto Ni Enriquez pro-bono. In 2018, they followed up with “Pwede Ba,” a lush, brassy single that cemented their place in the mainstream charts, later launching the music video at Route 196 in 2019. In the same year, bigger shows like Oddisee Festival in Clark, Pampanga, and Rakrakan Festival in Ayala Circuit, Makati helped build momentum for the band. Yet, Pio points out that Lola Amour never aspired to reach a level of success in those early days; they simply juggled college while finding ways to fit the band into their lives. The band’s goal was simply to make the next step forward. ## **How ‘Raining in Manila’ Changed Everything for Lola Amour** ![Lola Amour](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Lola-Amour-Raining-in-Manila.webp) “Raining in Manila” was a smash hit when it was released as a single in 2023, and the success was so drastic that it delayed their debut album even further. Photo by Iya Forbes But as their goalposts were moving towards a new milestone, life had other plans for them. The entire music industry was hunkering down from a global pandemic that, at the time, had no end in sight. What’s more, Martin had to go back to Korea due to COVID but would eventually leave the group in 2021 to pursue mandatory military service, and their first full-length album faced delay after delay. “As artists and as businessmen at the same time, learning how to navigate that while keeping your artistry intact is a struggle,” Pio says. “It’s something that anyone who reaches that level of mainstream has to solve, or else that’s the end.” The writing process for their self-titled debut album went on until 2024, involving drafts with little to no face-to-face discussions. “As you can imagine, if you are eight people, that means there are eight personalities, there are so many incompatibilities that come out of that,” Pio says. But one song stood out from the pile. “Raining in Manila,” the debut album’s happy-go-lucky lead single. According to Pio, it’s partly about band members leaving the country. Pio describes the song as “a lot of things put \[under\] one umbrella,” but at its core, it is a testament to the “Filipino spirit” of surviving unfortunate situations. “Raining in Manila” was a smash hit when it was released as a single in 2023, and the success was so drastic that it delayed their debut album even further. “There’s pressure for a song to succeed. And in some ways, projects are always better when you can feel the heart of it,” Pio says. “‘Pag binebenta mo with heart, you take time to do it. But because there’s pressure from people that we’ve never met before, sometimes you have to work under pressure.” “What you learn over 10 years being with so many people is that, for the most part, people don’t change. You just learn their strengths, weaknesses, best sides, and ugliest sides, and you navigate that in the most mature way.” Pio Dumayas The band’s entire schedule blew up. Within the same year, they sang at [Miss Universe Philippines](https://rollingstonephilippines.com/tag/miss-universe-philippines/ "Miss Universe Philippines"), shared the Philippine Arena stage with Chris Martin of Coldplay, got spoofed by [Michael V](https://rollingstonephilippines.com/tag/michael-v/ "Michael V") on *Bubble Gang*, and even brought in the internet’s favorite macho dancer Dante Gulapa to gyrate at their debut‑album launch at Circuit Makati. “Raining in Manila” skyrocketed the band to unexpected heights, yet success, as it always did, came at a price. Money was earned and time was spent, but not on personal leisure. “When you get success almost overnight like that, everything changes,” Pio says. “You can’t go like, ‘Yo, there are 20 gigs that want to book us today. Are we going to do that or not?’ You can’t go, ‘Can I tell you next month? Can I plan my life ahead first?’ So you have to adjust.” ## **How Does Lola Amour Navigate Conflict and Keep the Band Together?** ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/lola-amour-singapore-2023.webp) Lola Amour during their first ever overseas gig at the Trifecta Music Festival at Singapore in 2023. Photo by Henzy David Even as Lola Amour found unprecedented success, the pressure of managing an all-male troupe never went away since high school. “Boys need to learn how to talk,” Pio says. The room goes quiet, and even Mika silently nods. David added, “There’s more conflict than you think. It’s not just like we’re friends all the time.” A turning point in the band’s relationship with each other came while recording their 2025 album *Love On Loop*. Pio recalls making a demo that immediately made him cringe at the persona that was coming out: a suave guy asking someone out, or casually asking a girl about her star sign. What’s more, they finally held face-to-face meetings, something they had never done before — even before the pandemic. “What you learn over 10 years being with so many people is that, for the most part, people don’t change. You just learn their strengths, weaknesses, best sides, and ugliest sides, and you navigate that in the most mature way,” Pio says. David fondly recalls these initially uncomfortable circumstances that forced the band to share their vulnerabilities for the first time, especially after years stolen from the pandemic. It also made the band reflect on each member’s contribution, past and present. When a member leaves, David acknowledges that the “stewards” of those who left still leave marks that listeners continue to hear. ![Lola Amour 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Lola-Amour-2026.webp) Over the years, Lola Amour have trained themselves to be transparent about what their goals are as a band. Photo by Nate Bosano “We don’t delete the ideas of the previous members,” David says. “We make sure that all the best parts of Martin still play exactly the same. All the parts that are not so good, I quietly erase \[laughs\]. Like the song ‘Sanity,’ \[for instance\], all of the solos are still the same. We keep their legacy alive through the music that we make and we add our own flavor to it.” David adds that, after the countless adjustments resulting from members needing to leave, they trained themselves to be transparent about what their goals are as a band. “You learn how to voice out and you learn how to listen. You learn how to decide with everyone included,” he says. “And it’s good that you’re a big‑sized band. There are so many people to keep you grounded.” After 10 years, the boys have come to understand what it means to pace. None of them are committed to still grinding in their 20th or 30th year together. Zoe jokes about a Lola Amour musical; Pio treats the idea seriously in a different direction. He’d rather see someone else champion music like theirs than force the band to keep going as themselves if it stops feeling true. “I don’t think I want to be working this hard at the \[age of 50\],” Pio says. “This is something only people at this age can keep up with. So, the hard work you put in now can take care of you in the future.” ## Frequently ASKED QUESTIONS ### Who are the members in Lola Amour? Lola Amour consists of current members vocalist Pio Dumayas, guitarist Zoe Gonzales, drummer Raffy Perez, bassist Manu Dumayas, keyboardist David Yuhico, trumpet player Angelo Mesina, and saxophonist Jeff Abueg. Lola Amour’s former members include keyboardist Martin Kim, saxophonist Joxx Perez, bassist Raymond King, and drummer Renzo Santos. ### What are the two bands Lola Amour were in before they became a band? The bands that Lola Amour members were in were called Decaf and Sinigang na Baboy. Both bands were school bands at the De La Salle Zobel High School. ### What competition did Lola Amour win when they started out? Lola Amour won the Wanderbattle competition organized by music festival Wanderland. ### What is the title of the first EP Lola Amour released in 2017? Lola Amour released Don’t Look Back in 2017. The band launched the EP at Mow’s Bar. ### What is the title of the song that put Lola Amour in the mainstream music scene? Lola Amour had released “Raining in Manila” in 2023. The band included the song in their debut self-titled album in 2024. Related Stories - [Lola Amour and Tubero Share an Unlikely Booking That Bucks the System](https://rollingstonephilippines.com/music/lola-amour-tubero-mows-show/ "Lola Amour and Tubero Share an Unlikely Booking That Bucks the System") - [Ebe Dancel Traverses 25 Years of Music, Lessons, and Realizations](https://rollingstonephilippines.com/music/folk/ebe-dancel-25-year-music-career/ "Ebe Dancel Traverses 25 Years of Music, Lessons, and Realizations") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") **Categories:** Editor's Picks, Features, Music, Rock **Tags:** Lola Amour --- ### [How Filipino Football Fans Can Make It to the World Cup Final, Thanks to GoTyme Bank](https://rollingstonephilippines.com/radar/rs-recommends/fifa-world-cup-2026-gotyme-bank/) **Published:** June 8, 2026 **Author:** Rolling Stone Philippines **Excerpt:** For Filipino football fans, GoTyme Bank offers you a chance to live out your World Cup dreams and more **Content:** The roar of a goal, the silence of defeat, and all the memories in between. That’s what the [World Cup](https://rollingstonephilippines.com/tag/fifa-world-cup-2026/ "FIFA World Cup 2026") is all about. If there’s one thing about football fans, it’s that they go all out. It’s always 100% when it comes to their fandom. From the joy of victory to the weight of a heartbreaking loss, sports fans know all too well the impact camaraderie and support can bring to any game. It’s that promise that is at the center of [GoTyme Bank](https://rollingstonephilippines.com/tag/gotyme-bank/ "GoTyme Bank")’s latest campaign. The digital bank that pushes for financial freedom put it all on the field with GoTyme Bank GoTurf, their pop-up where customers and football fans alike got to live out their fandom at the SM Mall of Asia Atrium. GoTyme Bank flipped the script and now it’s not just the athletes taking the stage but fans can finally join in on “the beautiful game.” GoTyme Bank and VISA gave Filipino fans the thrill of scoring big by giving them a chance at an all-expense-paid business class trip to New York to [catch the finals](https://rollingstonephilippines.com/radar/rs-recommends/visa-gotyme-fifa-world-cup-2026/ "Watch the FIFA World Cup 2026 Live with an All-Expense Paid Trip. Here’s How") of the FIFA World Cup 2026™. Here’s what else you need to know about how the FIFA World Cup 2026™ Trophy Gold GoTyme Bank Visa Debit Card can get you a chance to make it to the World Cup final. ## Go Beyond the Sidelines GoTyme Bank knows that fans love getting as close to the action as possible, so what’s closer than being in the actual arena? At the GoTyme Bank Go Turf pop-up, fans can try their luck to print out the ultra-rare FIFA World Cup 2026™Trophy Gold GoTyme Bank Visa Debit Card for a chance at glory. With its latest campaign, each printed card serves as an entry for a chance to see the World Cup final live in New York. Sure, winning this competition seems as rare as actually winning the World Cup but are you really a football fan if you let this opportunity pass up? ## Channel That Competitive Spirit ![gotyme bank fifa world cup 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/CHANNEL-THAT-COMPETITVE-SPIRIT.webp) Photo courtesy of GoTyme Bank Football fans always go hard and that’s precisely the kind of energy that the World Cup deserves. GoTyme Bank takes that competitive spirit head-on through Goal Tyme: the physical activation that rewards fans through participation. Competitors get a chance to win exclusive World Cup merch to take their digital and social fandoms to the real world. ## Making Fandoms Personal ![gotyme bank fifa world cup 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/MAKING-FANDOMS-PERSONAL.webp) Photo courtesy of GoTyme Bank As some of the most passionate people in the world, GoTyme Bank knows football fans take it all personally. Including their merchandise. The DIY corner at the GoTyme Bank GoTurf pop-up lets guests personalize their GoTyme Bank merch not just to make it their own but to create a deeper connection to the things they love most. ## Swiping is Scoring ![gotyme bank fifa world cup 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/SWIPING-IS-SCORING.webp) Photo courtesy of GoTyme Bank As the lead up to the FIFA World Cup 2026™ heats up, GoTyme Bank and football fans know that every decision can lead us closer to victory. That’s why strategy is so important on and off the field. Every GoTyme Bank Visa Debit card swipe or tap allows fans and customers to get more out of the life and the game they love. Whether it’s rewards to get exclusive merchandise or freebies and discounts from adidas, this is the one card that won’t cost you a penalty kick. ## Keeping That Winning Mentality With the FIFA World Cup 2026™ almost here, now is the best time to step into the beautiful game with GoTyme Bank, courtesy of Visa. Until June 10, fans still stand a chance to enter the raffle through the printing of the ultra exclusive Trophy Gold card at kiosks nationwide. From watch parties, partnerships, and FIFA World Cup 2026™ related events, stay tuned to GoTyme Bank and don’t miss out on what’s happening by downloading the GoTyme Bank App on the App Store/Playstore and visiting the nearest GoTyme Bank kiosk to print out your Limited Edition Card now. ## Frequently Asked Questions ### What was the GoTyme Bank World Cup promo? GoTyme Bank, together with Visa, ran a campaign giving Filipino football fans a chance to win an all-expense-paid business class trip to New York for the FIFA World Cup 2026 Final. Entries were tied to printing a limited-edition Trophy Gold GoTyme Bank Visa debit card. ### How did you enter the GoTyme Bank raffle? Each printed FIFA World Cup 2026 Trophy Gold GoTyme Bank Visa debit card counted as a raffle entry. Fans could print the limited-edition card at GoTyme Bank kiosks nationwide, including those at the Go Turf pop-up, after signing up through the GoTyme Bank app. ### When did the GoTyme Bank World Cup promo end? The promotion ran until June 10, 2026, after which the raffle for the World Cup Final trip closed. Fans had to print the Trophy Gold card at a kiosk before that date to enter. Full mechanics were subject to GoTyme Bank and Visa’s terms. ### What was GoTyme Bank Go Turf? Go Turf was GoTyme Bank’s pop-up activation at the SM Mall of Asia Atrium. It featured Goal Tyme, a physical game that rewarded participants with World Cup merchandise, a DIY corner for personalizing merch, and kiosks where fans could print the Trophy Gold card. ### What is GoTyme Bank? GoTyme Bank is a Philippine digital bank that operates through a mobile app and in-mall kiosks. Beyond the World Cup campaign, the bank says debit cardholders can access rewards, freebies, and partner discounts, including from adidas, when they use their GoTyme Bank Visa card. Related Stories - [Watch the FIFA World Cup 2026 Live with an All-Expense Paid Trip. Here’s How](https://rollingstonephilippines.com/radar/rs-recommends/visa-gotyme-fifa-world-cup-2026/ "Watch the FIFA World Cup 2026 Live with an All-Expense Paid Trip. Here’s How") - [Why Sponsorship Is the Missing Link in the Rise of Filipino Athletes](https://rollingstonephilippines.com/radar/gotyme-bank-sponsors-filipino-athletes/ "Why Sponsorship Is the Missing Link in the Rise of Filipino Athletes") - [The Last Person Online Scammers Should Mess With is a Lola ](https://rollingstonephilippines.com/radar/gotyme-bank-and-madame-alam/ "The Last Person Online Scammers Should Mess With is a Lola ") **Categories:** Culture, Radar, RS Recommends, Sports **Tags:** FIFA World Cup 2026, GoTyme Bank --- ### [Except for Cassie, Everyone Else’s Days are Numbered in ‘Euphoria’ Season 3, Episode 5](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-5/) **Published:** May 11, 2026 **Author:** Pie Gonzaga **Excerpt:** Everybody laughed at Sydney Sweeney’s bathwater soap. But can Cassie Howard’s fart jars actually sell? **Content:** *Warning: Spoilers ahead*. Every new episode of *[Euphoria](https://rollingstonephilippines.com/tag/euphoria/ "Euphoria")* Season 3 is a little more dizzying, but so far, Episode 5 takes the cake for the most nauseating or whiplash-inducing tonal shifts. Here, Cassie ([Sydney Sweeney](https://rollingstonephilippines.com/tag/sydney-sweeney/ "Sydney Sweeney")) makes more of her Hollywood dreams come true, while Nate ([Jacob Elordi](https://rollingstonephilippines.com/tag/jacob-elordi/ "Jacob Elordi")) continues to suffer at the hands of loan shark Naz, and big-time pimp Alamo Brown (Adewale Akinnuoye-Agbaje) finally catches on to Rue ([Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya")). The jokes about show writer and director Sam Levinson wanting to become Quentin Tarantino feel most real in this episode. It starts with a flashback to Nate losing his toe in [Episode 3](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-3/ "In ‘Euphoria’ Season 3, Episode 2, You Either Pimp or Get Pimped"), blood gushing, toe flying in the air, before it cuts to a shot of Cassie’s pedicured feet. As she sucks her toes before the camera, we learn that she has amassed 50,000 OnlyFans followers since appearing in influencer Brandon Fontaine’s (Jeff Wahlberg) livestream, with her “best friend” and manager Maddy (Alexa Demie) behind the scenes telling her what to do and monitoring her social media stats. With Nate’s encouragement (after all, she’s wiring him money in tranches of $30,000), Cassie goes wild selling sex. To him, they’re Bonnie and Clyde, or more insultingly, “Beyonce and Jay-Z.” The montage of Cassie making content, joining meninist podcasts, and selling jars of her fart culminates in a scene where she turns into a giant and terrorizes downtown Los Angeles. A toy police helicopter hovers before her, telling her to “get on her knees,” before she sashays and swats it away with her ponytail. Levinson ends his homage to 1958’s *Attack of the 50 Foot Woman* with Cassie the Giant exposing her breasts to a tiny man in an office building. ![euphoria sydney sweeney](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/euphoria-s3e5-intext-1.webp) Cassie delivers Cleopatra’s monologue for a casting director. Screenshot from HBO Max But the fantasy doesn’t stop there. Back in the real world, Brandon tries to convince Cassie to drop Maddy and join his TikTok house instead. For the unfamiliar, a TikTok house is a place where influencers can live and make content together. And if [Addison Rae](https://rollingstonephilippines.com/tag/addison-rae/ "Addison Rae") and Alex Warren could become celebrated forces in the entertainment industry after a stint in the Hype House, then why can’t Cassie Howard? In an effort to keep Cassie as her client, Maddy lies about securing her an audition for a small role in *L.A. Nights*. She convinces Lexi (Maude Apatow) to arrange one anyway, even though Lexi isn’t keen to make a star out of her “narcissistic” older sister. At the audition, Cassie delivers a sexy but monotone monologue from William Shakespeare’s *Antony and Cleopatra*, and it’s exactly the kind of acting that a soap opera needs. ## Digging One’s Own Grave Things are still going awfully for Nate. He lives alone in his trashed mansion, from which he may be evicted, but the money that Cassie just wired in is good news. Nate celebrates, dancing around the living room with a cocktail in hand, until one of Naz’s henchmen breaks through the backyard door. Nate’s recently reattached toe is also a short-lived victory. After a quick cat-and-mouse around the house, the henchman catches up to him, throws a few punches, tears the toe out, and then cuts his ring finger off. There are three episodes left, which leaves plenty of time for Nate to lose any or all of his remaining 18 digits. He’d better count his days, with whatever fingers he still has. ![euphoria jacob elordi](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/euphoria-s3e5-intext-2.webp) Nate (Jacob Elordi) hasn’t been keeping his mansion clean. Screenshot from HBO Max The ice under Jules ([Hunter Schafer](https://rollingstonephilippines.com/tag/hunter-schafer/ "Hunter Schafer")) is also thinning. At her swanky penthouse, her sugar daddy, plastic surgeon Ellis (Sam Trammell), finds Rue’s boxers on the floor of the closet and confronts Jules. She says they’re from a friend (which is mostly true anyway) and promises, “It’s nothing like that.” But Ellis is now wary of contracting a sexually transmitted disease and passing it on to his wife. But things are much worse for Rue. After the robbery in the last episode, Alamo is a lot more antsy about the “Judases” around him. He has a man killed by Bishop (Darrell Britt-Gibson), who uses what I can only describe as a device that’s like if you attached a knife to a massage gun. We don’t know who this character is yet, even as he’s already chopped up and literally fed to the pigs, but it does tell us just how comfortable Alamo is with being cruel and violent, and it makes us a little more scared for Rue. Neck-braced dancer Magick ([Rosalía](https://rollingstonephilippines.com/tag/rosalia/ "Rosalía")) also tells Alamo about the suspicious things Rue has been doing at the Silver Slipper, like planting cocaine in Magick’s locker and asking Kitty (Anna Van Patten) if she’s being forced to work at the strip club. Alamo realizes that Rue should have recognized the robbers by their voices, knowing they were Laurie’s men, but didn’t tell him about it. He follows Rue to a diner, where she’s chatting with Maddy. While he sends Rue away for a “job” (we know he’s setting her up for retribution), he learns more about Maddy’s work as a talent manager for OnlyFans models, and cuts her a deal involving Magick and Kitty. ![euphoria zendaya](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/euphoria-s3e5-intext-3.webp) Rue (Zendaya) doesn’t like where this job is going. Screenshot from HBO Max Meanwhile, Rue has been tasked with digging a hole in the dirt near Alamo’s mansion. She’s told that the hole has to go up to her throat, and when she’s finally dug herself that deep, she’s buried from the neck down. With her head sticking out of the dirt, Alamo comes out on horseback, swinging a polo mallet. But before we could see him punt Rue’s head with it, the screen cuts to black. *Euphoria* Season 3 is currently streaming on HBO Max. ## Frequently Asked Questions ### What happens to Cassie in Euphoria Season 3, Episode 5? Cassie amasses 50,000 OnlyFans followers with Maddy’s management, wires money to Nate, stars in an influencer’s livestream, and secures an audition for the soap opera L.A. Nights. ### How does Nate lose his finger in Euphoria Season 3, Episode 5? Naz’s henchman breaks into Nate’s home, attacks him, pulls out his recently reattached toe, and forcibly cuts off his ring finger as punishment for unpaid debts. ### Why is Alamo Brown targeting Rue in Euphoria Season 3? Alamo realizes Rue failed to identify Laurie’s robbers by their voices and planted cocaine in Magick’s locker, leading him to view her as an unfaithful “Judas.” ### How does Euphoria Season 3, Episode 5 end for Rue? Alamo forces Rue to dig a deep hole, buries her up to her neck, and approaches her on horseback with a polo mallet before the screen cuts to black. ### Where can you watch Euphoria Season 3, Episode 5? Euphoria Season 3, Episode 5 is available to stream exclusively on HBO Max for subscribers with active access to the platform’s television and film library. Related Stories - [Everyone Hustles to Mixed Results in ‘Euphoria’ Season 3, Episode 4](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-4/ "Everyone Hustles to Mixed Results in ‘Euphoria’ Season 3, Episode 4") - [The Wedding in ‘Euphoria’ Season 3, Episode 3 is What Nightmares are Made of](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-3/ "The Wedding in ‘Euphoria’ Season 3, Episode 3 is What Nightmares are Made of") - [Martha Kelly is the ‘Euphoria’ Villain the Internet Loves to Fear](https://rollingstonephilippines.com/culture/tv/euphoria-laurie-martha-kelly-interview/ "Martha Kelly is the ‘Euphoria’ Villain the Internet Loves to Fear") **Categories:** Culture, TV **Tags:** Euphoria, HBO Max --- ### [Tony Awards 2026: ‘Schmigadoon!’ Wins Best Musical, ‘Death of a Salesman’ Bags Six Major Wins](https://rollingstonephilippines.com/culture/theater/tony-awards-2026-best-musical-winners/) **Published:** June 8, 2026 **Author:** Mel Wang **Excerpt:** Here are the this year’s winners that more than earned their flowers **Content:** On June 8, the crème de la crème of New York’s thespian community gathered at Radio City Music Hall to celebrate the theater world’s biggest night of the year: the [2026 Tony Awards](https://rollingstonephilippines.com/tag/2026-tony-awards/ "2026 Tony Awards"). Pink, the occasionally-airborne Grammy winner, opened this year’s ceremony with a nine-minute-long opening number filled with inside jokes, musical shout-outs, and a 170-person ensemble. She also hoisted up former Tonys host Neil Patrick Harris up into the air while belting out all the high notes of “Defying Gravity,” kicking off her more than memorable debut as a host of the Tonys. *Schmigadoon!* took home the Tony Award for Best Musical. The musical comedy, from *Saturday Night Live*’s Lorne Michaels and directed by Tony Award winner Christopher Gattelli (*Newsies*, *Death Becomes Her*), is a playful spoof on the Golden Age musical; it follows a couple stranded in a town where citizens keep bursting into song. The production also won the Tony for Best Book of a Musical, Best Original Score, and Best Orchestrations. Prior to making its Broadway debut, *Schmigadoon!* was a two-season [Apple TV](https://rollingstonephilippines.com/tag/apple-tv/ "Apple TV") series starring Dove Cameron, Cecily Strong, Aaron Tveit, and more. While *Schmigadoon!* may have bagged the ceremony’s most coveted award, *Death of a Salesman* ended the evening in the lead with six prizes. An operatic Broadway revival starring Nathan Lane and Laurie Metcalf, it took home the Tony for Best Revival of a Play, along with Best Featured Actress (Metcalf) and Best Direction of a Play (Joe Mantello). It also broke the record as the most awarded play revival in the history of the Tonys. > [View this post on Instagram](https://www.instagram.com/p/DZTxVJgDhrT/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Playbill (@playbill)](https://www.instagram.com/p/DZTxVJgDhrT/?utm_source=ig_embed&utm_campaign=loading) *Ragtime*, a musical revival that centers on three different families in 20th century America, was also one of the big winners of the evening. Besides winning the Tony for Best Revival of a Musical, its leading man Joshua Henry won Best Leading Actor in a Musical while Caissie Levy took home Best Leading Actress in a Musical. Other award highlights of the evening include four wins for *The Lost Boys*, the movie-turned-musical about a group of teen vampires terrorizing a small family, and three wins for *Cats: The Jellicle Ball*, which relocates the show’s traditional setting of a feline-run junkyard to a queer ballroom dance floor. For the latter production, Qween Jean won the Tony for Best Costume Design of a Musical, making her the first openly trans person to win a Tony. > [View this post on Instagram](https://www.instagram.com/reel/DZT0wHoBqnZ/?utm_source=ig_embed&utm_campaign=loading)[A post shared by BroadwayWorld (@officialbroadwayworld)](https://www.instagram.com/reel/DZT0wHoBqnZ/?utm_source=ig_embed&utm_campaign=loading) “We are here for the legacy of queer people, trans people,” Qween Jean said onstage while accepting her award. “We have to take up space. We have to shift the paradigm.” Another major milestone was Bess Wohl taking home the Tony Award for Best Play for her Pulitzer-winning drama, *Liberation*. This marks the fourth time a female playwright has earned the accolade, a feat that hasn’t been achieved by an American woman in the last 37 years. “I want to honor women everywhere who have the courage to use their voice,” said Wohl during her acceptance speech. “And to all the girls out there, may you speak your truth, and may the world be wise enough to listen.” ## Frequently Asked Questions ### When and where were the 2026 Tony Awards held? The 2026 Tony Awards took place on June 8 at Radio City Music Hall in New York City. ### Who hosted the 2026 Tony Awards? The ceremony was hosted by Pink, who opened the show with a nine-minute musical performance featuring a large ensemble. ### Which show won Best Musical at the 2026 Tony Awards? Schmigadoon! won the Tony Award for Best Musical. It also received awards for Best Book of a Musical, Best Original Score, and Best Orchestrations. ### What was the most awarded production of the night? Death of a Salesman led the evening with six Tony Awards, including Best Revival of a Play, Best Featured Actress for Laurie Metcalf, and Best Direction of a Play for Joe Mantello. ### What historic achievements were recognized at the ceremony? Qween Jean became the first openly transgender person to win a Tony Award, earning Best Costume Design of a Musical for Cats: The Jellicle Ball. Additionally, Bess Wohl won Best Play for Liberation, becoming only the fourth female playwright to receive the honor. Related Stories - [Theater Actor Nic Chien is Thinking of His Next Act](https://rollingstonephilippines.com/culture/theater/nic-chien-theater-actor-spring-awakening-interview/ "Theater Actor Nic Chien is Thinking of His Next Act") - [Darren Criss, Nicole Scherzinger Join List of Filipino Tony Award Winners](https://rollingstonephilippines.com/culture/news-culture/nicole-scherzinger-darren-criss-tony-awards/ "Darren Criss, Nicole Scherzinger Join List of Filipino Tony Award Winners") - [Josh Groban Set Out to Act, But Fate Had Other Plans](https://rollingstonephilippines.com/culture/josh-groban-interview-manila-gems-tour/ "Josh Groban Set Out to Act, But Fate Had Other Plans") **Categories:** Culture, Theater **Tags:** 2026 Tony Awards --- ### [Ariana Grande Isn’t Concerned With Making Up for Lost Time at ‘Eternal Sunshine’ Tour Opener](https://rollingstonephilippines.com/music/pop/ariana-grande-eternal-sunshine-tour-opener/) **Published:** June 8, 2026 **Author:** Larisha Paul **Excerpt:** During her first headlining concert performance since 2019, the pop veteran ditched the greatest hits format for a pointed setlist that creates an essential conversation between herself and her fans **Content:** [Ariana Grande](https://rollingstonephilippines.com/tag/ariana-grande/ "Ariana Grande") needs everyone in Oakland Arena to be quiet. It’s opening night of the *Eternal Sunshine* tour and she’s standing at the circular end of the stage’s lengthy walkway with a loop station positioned in front of her. Her request asks a lot from the more than 17,000 people who’ve waited nearly seven years to share space with her again. She’s aware of this. When she emerges from a lift on the stage, it’s to the sound of piercing cheers. She takes it in for a moment, blowing kisses and holding her hand to her heart. “I’m almost afraid to ask, but maybe can you remain calm for just this one part?” Grande asks, gesturing to the loop station. “It feels like not the right time to ask you to be quiet.” The crowd responds with more noise, then settles as Grande gets to work. The first few layers she records are different versions of the same lyric, “I don’t care what people say is true.” She adds some higher harmonies to one, then builds on it with a few more, then builds on that with even more. She moves on to the next section in her live mix. Won’t break. Can’t shake. This fate. Rewrite. Deep breaths. Tight chest. Life. Death. Rewind. The words loop over and over in different harmonic variations, some light, some more stern, some punctuated with an airy “buh, buh, bum.” Once it’s all loaded up, Grande gives the crowd a thumbs up. The audience’s collective voice joins in like a choir as she finally launches into “Eternal Sunshine.” It’s just like old times — though a lot has changed since Grande wrapped her last headlining tour in December 2019, not least of all her relationship with pop stardom and its demands. “The last 10 or 15 years will look very different to the ones that are coming up,” Grande said earlier this year regarding her career. “I don’t want to say anything definitive. I do know that I’m very excited to do this small tour, but I think it might not happen again for a long, long, long, long, long time.” There isn’t much about the *Eternal Sunshine* tour that can be considered small. It’s both a triumphant return and an alleged departure wrapped up in nearly two hours of audiovisual spectacle. ![ariana grande eternal sunshine tour oakland](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/ariana-grande-tour-intext-1-copy.webp) Photo by Katia Temkin The 20 minutes that precede “Eternal Sunshine” include Grande’s kiss off “Yes, And,” which opened the set, and the first live performance of “Positions” in front of a live audience. She also leads with *Eternal Sunshine* tracks “The Boy Is Mine” and “Dandelion,” a bonus song released on last year’s deluxe, *Brighter Days Ahead.* It’s the *Eternal Sunshine* tour, so it’s obvious the record takes up the majority of the real estate across the 23-song tracklist. But Grande pays particular attention to those extra songs that came after the original album was released in 2024. Every single deluxe track makes it into the set: “Warm,” “Twilight Zone,” “Past Life,” and “Hampstead.” “Hampstead” isn’t a particularly remarkable track, especially when considering the original *Eternal Sunshine* songs that were left off the setlist entirely, like “Don’t Wanna Break Up Again,” “True Story,” and “I Wish I Hated You.” The set aches with their absence, though there’s something about “Hampstead” that stands out live in a way it never did as a mere studio track. Here, on this stage, it feels more like a narrative device. Grande performs the track while sitting on a stool with one leg tucked under her. There are no frills to the moment, just her and her microphone. The hits hold their weight — like “Into You,” “Rain on Me,” and “Break Free” — but there’s nothing more essential to the legacy of Ariana Grande than that voice. She seems comfortable sitting under that spotlight. Pop stars typically need more in their arsenal than this, but there’s a sense Grande could have performed the entire show this way. ![ariana grande eternal sunshine tour oakland](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/ariana-grande-tour-intext-2-copy.webp) Photo by Katia Temkin Still, the show she builds around *Eternal Sunshine* is pointedly physical. Not necessarily in the sense of being physically demanding — the choreography Grande joins in alongside her 12-member dance crew is inspired, but nothing more complex than what she’s done before. But the movements they engage in draw attention to how all of these bodies move together in conversation with one another. Grande engages in a tense back and forth with one dancer during “The Boy Is Mine,” quite literally pushing and pulling her away with a whip in between their embraces. During “Past Life,” six dancers hoist her into the air. When she leaves the stage after “Hempstead,” two dancers deliver an intimate ballet routine set to the song’s instrumental. It all crafts a certain magnification, like when Grande sings, “Don’t comment on my body, do not reply” on “Yes, And?” as she’s surrounded by a dozen other freely flowing figures. Grande has never been the type to ignore the whispers and presumptions that have accompanied her life in the public eye. At the top of the set, she acknowledges the time she spent playing Glinda in *Wicked* with a teasing reference, asking, “It’s good to see us, isn’t it?” Then, of course, there’s the divorce. Grande can’t ignore the irony during the bridge on “Thank U, Next,” where she talks about wanting to get married some day. “Only wanna do it once, real bad,” she sings, holding up two fingers and laughing. “Gon’ make that shit last.” She’s still good at finding humor in moments that are generally devoid of it, but it’s another reminder of how much has changed since we last saw her on stage. “7 Rings” is perhaps the most cutting example. Sitting in front of the image of a hot pink house, Grande seems like an entirely different artist now than the one who set the internet ablaze with the single in 2019. Even *Positions*, the album that followed the blockbuster release, seems like it was a lifetime ago. The album got more love on the *Eternal Sunshine* tour setlist than expected. Grande previously admitted to scrapping plans for *Positions* after picking up on what she called a “this is not what we want” vibe from some of her fanbase. She never should have listened to them, but at least the manifestation mantra “Just Like Magic” made it to the set, as did “Safety Net” and “Positions.” Some of her career bests from the album, like “POV” and “Off the Table” were left off — but she also can’t be faulted for not wanting to spend every night on tour singing love songs she wrote about someone who later inspired her songs about falling *out* of love. ![ariana grande eternal sunshine tour oakland](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/ariana-grande-tour-intext-3-copy.webp) Photo by Julian Dakdouk Still, Grande doesn’t want to forget it all. The set design for the *Eternal Sunshine* tour heavily references the visual world she built around the album in the *Brighter Days Ahead* short film, featuring her own take on the memory erasure clinic from *Eternal Sunshine of the Spotless Mind.* The set design is centered around the flooded, burned down, and demolished house that appears in the album visuals and is somehow still standing despite it all. In one scene, it even begins to bloom with flowers. In between set and costume changes, Grande continues the story. Holding hands with her younger self while trudging through murky water from the flood she endured at the start of the show, she passes different versions of herself who sought out the treatment in search of a clean slate. One wears her outfit from One Love Manchester, the tribute concert she hosted after 22 people were killed in a bombing during the *Dangerous Woman* tour in 2017. “One Last Time” still feels like their song as a chorus of thousands of voices plead to take each other home. It’s one of the most uplifting and emotional moments of the entire show. Another patient at the clinic is an even younger version of herself. That pumps and flared mini dress combo can only belong to *Yours Truly*-era Grande. She honors her with a jazzy, string-filled version of “Honeymoon Avenue,” the opening track on her first album. There’s nothing to represent the *Sweetener* era, but then again there are no songs from the album on the setlist, anyway. Grande nearly brings herself to tears thanking the fans who have stuck with her since her debut 13 years ago. The final stretch of songs on the setlist make a great case for why they continue to. The live debut of “[Hate That I Made You Love Me](https://www.rollingstone.com/music/music-news/ariana-grande-hate-that-i-made-you-love-me-single-1235569277/),” the first single from [her upcoming eight album *Petal*](https://www.rollingstone.com/music/music-news/ariana-grande-new-album-petal-release-date-1235554759/), elevates the studio version to the point of them feeling like completely different songs. The biggest difference is that she’s really *singing*. The vocal runs and harmonies she adds to the live version light a needed fire under the words she wrote. “Is it really my fault you all gave me your hearts of your own accord?” she sings. There’s an intriguing tension in the act of asking that question to a room full of people yelling the same words right back. If this really is the last time Grande will share this space with them for a long while, it’s imperative that they hear her — even over the sound of their own screams. Just for a moment, she needs everyone to be quiet. *This story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-live-reviews/ariana-grande-eternal-sunshine-tour-opener-1235572003/).* ## Frequently Asked Questions ### When and where did Ariana Grande’s Eternal Sunshine tour open? Ariana Grande opened the Eternal Sunshine tour on June 6, 2026, at Oakland Arena, in front of a crowd of more than 17,000. It was her first headlining concert since she wrapped her previous tour in December 2019, nearly seven years earlier. ### What was on the Eternal Sunshine tour setlist? The 23-song set drew heavily from Eternal Sunshine and its Brighter Days Ahead deluxe, including all four deluxe tracks. It opened with “Yes, And?” and featured the first live performance of “Positions,” alongside hits such as “Into You,” “Rain on Me,” “Thank U, Next,” and “7 Rings.” ### What did Rolling Stone say about the opening night? Rolling Stone’s Larisha Paul described it as a pointed, narrative-driven show rather than a greatest-hits run. She praised Grande’s voice as the essential element, the loop-station opening, and staging built around the album’s memory-erasure imagery, while noting several Eternal Sunshine songs were left off. ### Why was this Ariana Grande’s first tour since 2019? Grande had not headlined since December 2019, spending intervening years on projects including her role as Glinda in Wicked. She has said the coming years will look different from the last decade, describing this as a small tour that might not happen again for a long time. ### Did Ariana Grande perform new music from Petal? Yes. Grande gave the live debut of “Hate That I Made You Love Me,” the first single from her upcoming eighth album, Petal. Rolling Stone’s reviewer wrote that the live rendition, with added vocal runs and harmonies, outstripped the studio version. Related Stories - [Ariana Grande Was ‘Too Shy’ to Make New Album ‘Petal’ Before, Then She Thought: ‘F-ck It’](https://rollingstonephilippines.com/music/news/ariana-grande-details-new-album-petal/ "Ariana Grande Was ‘Too Shy’ to Make New Album ‘Petal’ Before, Then She Thought: ‘F-ck It’") - [Everything We Know About Ariana Grande’s New Album ‘Petal’](https://rollingstonephilippines.com/music/pop/ariana-grande-petal-everything-we-know/ "Everything We Know About Ariana Grande’s New Album ‘Petal’") - [Cynthia Erivo and Ariana Grande are On the Hunt for Filipino Singers](https://rollingstonephilippines.com/radar/events/wicked-for-good-singing-contest/ "Cynthia Erivo and Ariana Grande are On the Hunt for Filipino Singers") **Categories:** Live Reviews, Music, Pop **Tags:** Ariana Grande --- ### [Dua Lipa Sues Samsung for $15 Million Over Unauthorized Use of Image on TV Boxes](https://rollingstonephilippines.com/music/pop/dua-lipa-sues-samsung/) **Published:** May 11, 2026 **Author:** Daniel Kreps **Excerpt:** Singer’s complaint accuses electronics company of “copyright infringement, trademark infringement, and violation of her right of publicity” after ACL Fest backstage photo appears on television boxes **Content:** [Dua Lipa](https://rollingstonephilippines.com/tag/dua-lipa/ "Dua Lipa") has sued Samsung for $15 million after the electronics company put the singer on television boxes without permission. Lipa’s legal team filed the lawsuit against Samsung Electronics Friday in a California district court, according to a complaint obtained by *Rolling Stone*. “Ms. Lipa brings this action against Samsung for copyright infringement, trademark infringement, and violation of her right of publicity in order to obtain redress for the massive, continuing, unauthorized commercial exploitation of her valuable image and likeness by Samsung on cardboard television boxes,” the lawsuit states. While Lipa has “collaborated with Porsche, Apple, Chanel, Tiffany & Co., and many other high luxury and fashion houses,” the singer never agreed to a promotional deal with Samsung. However, a photo of the singer appears on boxes for televisions featuring Samsung TV Plus, where Lipa is used to promote the Xite Hits channel: ![dua lipa in a promotional photo of a samsung TV box](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/dua-lipa-tv-box-intext.webp) “Recognizing Ms. Lipa’s notoriety and goodwill, Samsung used a copyrighted image of Ms. Lipa (the “DL Image”) without authority or license and prominently featured it on the front of cardboard boxes containing Samsung manufactured televisions for retail sale,” the lawsuit claims. The image itself, which Lipa “holds highly valuable commercial publicity rights and trademark rights” of, was taken of the singer backstage prior to her performance at the 2024 Austin City Limits Festival. The lawsuit says that Lipa became aware of her appearance on the Samsung boxes in June 2025. Soon after, fans began commenting about the “Dua Lipa TV Box” on social media. “Another fan commented that they would ‘get that tv just because Dua is on it.’ Yet another aptly noted, ‘if you need anything selling just put a picture of Dua Lipa on it,’” the lawsuit says. “Samsung mass-manufactured, distributed (or caused to be distributed) marketed, and sold in interstate commerce across the United States a vast number of its televisions in various sizes in these cardboard boxes containing the DL Image. Samsung’s copying and distribution of the DL Image constitutes willful copyright and trademark infringement, and a violation of Ms. Lipa’s right of publicity, designed to improperly capitalize on Ms. Lipa’s hard-earned success to promote and sell Samsung’s products.” Lipa’s legal team added that Samsung was “dismissive and callous” toward the singer’s “repeated demands that it cease and desist from infringing on her rights.” “Samsung’s arrogance in refusing to stop its infringement confirms its conscious disregard of Ms. Lipa’s intellectual property and personal identity rights, intent on monetizing its products for its own benefit by capitalizing on the implied (false) association with Ms. Lipa as a sponsor of Samsung’s mass-marketed television sets in the boxes on which she is prominently featured,” the lawsuit says. The complaint is seeking damages “no less than $15 million” for the “copyright infringement, trademark infringement and misappropriation of Plaintiff’s likeness and image.” *This article was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-news/dua-lipa-samsung-lawsuit-unauthorized-use-image-tv-boxes-1235560333/).* ## Frequently Asked Questions ### Why is Dua Lipa suing Samsung? Dua Lipa is suing Samsung for $15 million over allegations of unauthorized commercial exploitation, copyright infringement, trademark violations, and misappropriating her likeness on retail TV packaging. ### What image was used on the Samsung TV packaging? The disputed packaging image features Dua Lipa backstage prior to her performance at the 2024 Austin City Limits Festival, promoting the Xite Hits channel on Samsung TV Plus. ### Where was the Dua Lipa lawsuit against Samsung filed? Dua Lipa’s legal representation officially filed the intellectual property lawsuit against Samsung Electronics in a California federal district court following repeated unheeded cease-and-desist requests. ### Did Dua Lipa have a promotional partnership with Samsung? No formal commercial agreement exists between Dua Lipa and Samsung, despite the artist maintaining separate official brand partnerships with luxury companies like Porsche, Chanel, and Apple. ### How much is Dua Lipa seeking in damages from Samsung? Dua Lipa’s legal team is seeking financial damages of no less than $15 million to compensate for willful copyright, trademark, and right of publicity infringements. 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How did we survive for so long without any new angsty rock anthems from our pop-punk queen? How did we make sense of our insecurities and heartbreaks without the immaculate O-Rod to guide us on our coming-of-age journeys? How many times did we chant the lines of “drivers license,” hoping to summon Rodrigo back into a recording studio? Thankfully, our prayers have been answered, and Rodrigo will soon release her third album, *[you seem pretty sad for a girl so in love](https://rollingstonephilippines.com/tag/you-seem-pretty-sad-for-a-girl-so-in-love/ "you seem pretty sad for a girl so in love")*. Across 13 songs (and an exclusive single only on the album’s vinyl and cassette record), Rodrigo is set to give us another tale of love and heartache; except this time, the pop star seems to have done a lot of growing up since we last saw her. “This album is about my first time being in an adult relationship,” she said in a recent interview with [*Dazed*](https://www.dazeddigital.com/music/article/70335/1/olivia-rodrigo-dazed-summer-2026-action-issue-album-interview). “And when you’re in an intimate relationship, it holds up a mirror and shows you parts of yourself that you would never normally see.” I, like the throng of Rodrigo’s froth-mouthed fans, cannot wait for the album to finally drop on June 12. But until then, I’ve gone through the singer’s music catalog again to revisit each and every song and rank them. Not every Olivia Rodrigo song is made equal — something that even I, an OG devotee, can understand. But each one brought with it its own set of melodies, stories, and merit, and it was a joy to listen to them for the nth time again. So, in honor of Rodrigo’s newest era, here are all of her songs and how each of them contribute to her status as this generation’s pop heavyweight. *Note: This list centers on the tracks released under* SOUR *and* GUTS, *as well as any newly released singles from* you seem pretty sad for a girl so in love. *It does not take into account songs that were released under* High School Musical: The Musical: The Series *(sorry,* “All I Want”*), nor does it include Rodrigo’s* “Can’t Catch Me Now” *from the official soundtrack of* The Ballad of Songbirds and Snakes. 31 ‘logical’ ![olivia rodrigo guts](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/guts-1-1600x1600.webp) *GUTS* album cover. Photo from Olivia Rodrigo/Spotify Now, I love an Olivia Rodrigo ballad as much as the next girl — her slower songs are arguably when she’s at her most vulnerable, and we’re going to see a lot of her classics higher up on this list. But “logical” isn’t one of those classics. It’s a serviceable breakup song, sure, but that doesn’t mean it’s memorable. The lyrics are a little too cliché for my taste (“Two plus two equals five, / I’m the love of your life”), and this isn’t the Olivia Rodrigo song that most would reach for when they’re crying alone at 2:00 a.m (I can confirm). 30 ‘scared of my guitar’ ![Olivia Rodrigo guts spilled](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-guts-spilled-1600x1600.webp) *GUTS (spilled)* album cover. Photo from Olivia Rodrigo/Spotify The main reason I’ve ranked “scared of my guitar” a little higher is because Rodrigo’s doing something interesting with her song’s storyline. We have a disillusioned version of the singer, who’s terrified of picking up her instrument of choice because of what she might say (“I can’t lie to it the same way that I lie to you”). It’s a little meta, a little experimental, but not enough to be considered an all-time great. 29 ‘hope ur ok’ ![Sour](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-sour-1600x1600.webp) *SOUR* album cover. Photo from Olivia Rodrigo/Spotify *SOUR* is a near-impeccable breakup album, and “hope ur ok” is what stopped it from achieving perfection. The song feels out of place with the previous 10 tracks, and while some diehard Olivia fans may argue that it’s all about acceptance and forgiveness and blah, blah, blah, I beg to differ. *SOUR* was meant to be… well, sour, and I’d much rather hear Rodrigo wail and scream and cry than have her claim inner peace. 28 ‘making the bed’ ![olivia rodrigo guts](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/guts-1-1600x1600.webp) *GUTS* album cover. Photo from Olivia Rodrigo/Spotify I feel like “making the bed” is one of the more underrated tracks on *GUTS*. It gives us a side of Rodrigo that we don’t often see: she knows she’s the problem, but here she is, still making her own bed and shitting in it. When she makes this realization as the chorus swells, it’s clear that she’s singing for all the girls who can’t put a stop to their own trainwrecks. 27 ‘the grudge’ ![olivia rodrigo guts](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/guts-1-1600x1600.webp) *GUTS* album cover. Photo from Olivia Rodrigo/Spotify Now *this* is an angry ballad. Rodrigo knows exactly how to use her piano chords to her advantage, and when the crescendo starts to hit, she’s full of rage — both at herself and the boy she fell for. “And I try to be tough, / but I wanna scream,” she wails, “How could anybody do the things you did so easily?” There, there, Olivia, we’ve all been there. 26 ‘stranger’ ![Olivia Rodrigo guts spilled](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-guts-spilled-1600x1600.webp) *GUTS (spilled)* album cover. Photo from Olivia Rodrigo/Spotify If “hope ur ok” was a subpar acceptance song (and I’ll stand by this), “stranger” is Rodrigo revisiting the final stage of grief with a lot more grace (and a better guitar hook). “stranger” is upbeat to a tee, with Rodrigo strumming along while she sings about a love who’s no longer hers. “You’re just a stranger I know everything about,” she sings before letting out a few cheerful “oohs.” 25 ‘teenage dream’ ![olivia rodrigo guts](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/guts-1-1600x1600.webp) *GUTS* album cover. Photo from Olivia Rodrigo/Spotify So there’s a little call-and-response going on here. While *SOUR*’s “brutal” had Rodrigo screaming “Where’s my fucking teenage dream?”, *GUTS*’ “teenage dream” sees her realizing that it was never hers to begin with. “Got your whole life ahead of you, / you’re only 19,” Rodrigo sings (more to herself than anyone else). “But I fear that they already got all the best parts of me.” 24 ‘girl i’ve always been’ ![Olivia Rodrigo guts spilled](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-guts-spilled-1600x1600.webp) *GUTS (spilled)* album cover. Photo from Olivia Rodrigo/Spotify The fun major chords are out again on “girl i’ve always been” (think Joni Mitchell’s “Big Yellow Taxi”), and now we have Rodrigo embracing just how messy she can be. “I got panic rooms inside my head,” she sings while strumming, “But I am the girl I’ve always been.” 23 ‘pretty isn’t pretty’ ![olivia rodrigo guts](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/guts-1-1600x1600.webp) *GUTS* album cover. Photo from Olivia Rodrigo/Spotify Whoever’s telling Olivia Rodrigo that she isn’t pretty enough should be burned at the stake. This track’s all about her falling apart under impossible beauty standards, set to the bouncy rhythms of a dreamy pop song. 22 ‘ballad of a homeschooled girl’ ![olivia rodrigo guts](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/guts-1-1600x1600.webp) *GUTS* album cover. Photo from Olivia Rodrigo/Spotify We’re starting to get into Rodrigo’s punkier anthems with “ballad of a homeschooled girl.” The drums are angry, her voice a tad bit crunchy, and she’s busy talk-singing about sitting with the wrong guys (and having a *very* off-kilter gaydar). The best part of the track is her singing faster and faster about social suicide, before collapsing into a string of grunts and “la-la-las.” 21 ‘obsessed’ ![Olivia Rodrigo guts spilled](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-guts-spilled-1600x1600.webp) *GUTS (spilled)* album cover. Photo from Olivia Rodrigo/Spotify Like Rodrigo, we’ve all had the urge to stalk a lover’s ex. There’s no need to be ashamed — in fact, there’s not a hint of shame in Rodrigo’s voice as she lets out an angsty rant about knowing her boyfriend’s ex’s star sign and blood type. If that’s not love, I don’t know what is. 20 ‘love is embarrassing’ ![olivia rodrigo guts](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/guts-1-1600x1600.webp) *GUTS* album cover. Photo from Olivia Rodrigo/Spotify Being in love is always a little cringe, and Rodrigo’s down bad in “love is embarrassing.” She’s pissed and fuming, mostly at herself for catching feelings for a “loser who’s not worth mentioning” (and yet here she is, singing a whole song about him). She’s screaming about crucifying herself, and honestly? Gets. 19 ‘lacy’ ![olivia rodrigo guts](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/guts-1-1600x1600.webp) *GUTS* album cover. Photo from Olivia Rodrigo/Spotify Is “lacy” about Rodrigo’s alleged beef with Sabrina Carpenter? Some fans think so, while others speculate it’s about Taylor Swift (although I feel like this theory is a little shakier). Regardless, the hint of drama only adds to the track’s melancholy as Rodrigo laments over not being able to compare to “smart, sexy Lacy.” 18 ‘so american’ ![Olivia Rodrigo guts spilled](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-guts-spilled-1600x1600.webp) *GUTS (spilled)* album cover. Photo from Olivia Rodrigo/Spotify While I feel like Rodrigo’s upcoming album is going to give us a few more tracks about her being happy in love (see “drop dead”), “so american” does a great job of capturing her at her most lovey-dovey. The bassline’s all bounce, just like Rodrigo as she simps over her new man. “I might just be in lo-lo-, lo-lo-, lo-lo-, lo-lo-lo-lo-love,” she sighs. 17 ‘vampire’ ![olivia rodrigo guts](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/guts-1-1600x1600.webp) *GUTS* album cover. Photo from Olivia Rodrigo/Spotify There’s something so dramatic about “vampire” (other than the fact that it gets its name from the Gothic monster). It starts off with a few sad piano keys, but Rodrigo quickly picks up the pace as she bawls at her latest lover-turned-bloodsucker. “vampire” is the type of song you sing when you’re spiraling through a crashout, when you need to be a little theatrical, and when you just need to sob-scream about everything going wrong. 16 ‘happier’ ![Sour](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-sour-1600x1600.webp) *SOUR* album cover. Photo from Olivia Rodrigo/Spotify In “happier,” Rodrigo turns her pettiness into something gutwrenching. The singer loves writing in direct conversation with an ex, and this song has her asking him not to be so happy with his new flame. “I hope you’re happy, / just not like how you were with me,” she sings. Equal parts sweet and sour, “happier” is one of Rodrigo’s gentler — but still very painful — breakup tracks. 15 ‘favorite crime’ ![Sour](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-sour-1600x1600.webp) *SOUR* album cover. Photo from Olivia Rodrigo/Spotify With a set of pensive back-up vocals and a softly strummed guitar, Rodrigo’s groaning over all the times she stood up for her man, only for him to eventually cross her. “Oh, look what we became,” she keens. She’s hurt, she’s 17, and she’s giving us one of the most vulnerable moments in the entire *SOUR* album. 14 ‘all-american bitch’ ![olivia rodrigo guts](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/guts-1-1600x1600.webp) *GUTS* album cover. Photo from Olivia Rodrigo/Spotify As the opener to *GUTS*, “all-american bitch” makes it clear that Rodrigo has a *lot* to get off her chest. It almost tricks us into thinking it’s another cutesy love song à la *SOUR*, only for it to make a sharp pivot into a punk-fueled rock track. You can almost feel Rodrigo jumping on top of a table and screaming — the perfect segue into the song’s viral coda (“I’m sexy and I’m kind!”). 13 ‘jealousy, jealousy’ ![Sour](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-sour-1600x1600.webp) *SOUR* album cover. Photo from Olivia Rodrigo/Spotify Because *SOUR* came with its own stand-out angry anthems (“brutal” and “good 4 u”), it’s easy to forget about the throbbing bassline and pent-up teenage rage of “jealousy, jealousy.” But the track has all the precursors to some of Rodrigo’s favorite themes — identity issues, the fear of being perceived, and how she just wants to be a regular teen. 12 ‘enough for you’ ![Sour](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-sour-1600x1600.webp) *SOUR* album cover. Photo from Olivia Rodrigo/Spotify It’s okay, you can cry to “enough for you.” Armed with a mic and a fingerpicked guitar, Rodrigo spends roughly three minutes chewing her ex out for making her feel small. “You left me there crying, / wondering what I did wrong,” she sings with just the hint of a catch in her voice. While it’s not the saddest of Rodrigo’s repertoire so far (more on that in a bit), “enough for you” is cutting it pretty close. 11 ‘begged’ ![olivia rodrigo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-gsil-1600x1600.webp) *you seem pretty sad for a girl so in love.* Photo from Olivia Rodrigo/Spotify Olivia, who hurt you? *Again*? The singer recently debuted “begged” while working double duty on *Saturday Night Live*, and I’m ready to bet that it’s one of the most tragic songs on the new album. While sitting all alone on a swing (with a group of back-up singers sadly harmonizing in the background), Rodrigo sings, “What a shame you’re not here / to witness my devotion.” In “begged,” our pop punk queen is playing the waiting game, and I’m not so sure that she’s winning. 10 ‘1 step forward, 3 steps back’ ![Sour](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-sour-1600x1600.webp) *SOUR* album cover. Photo from Olivia Rodrigo/Spotify Look at what our girl can do with a piano. Everything is stripped back down to their simplest forms on this track, including Rodrigo herself as she asks her man if he’s going to hurt her again today. There’s a lot of pain in “1 step forward, 3 steps back,” and it’s a dewy ballad that goes out to every girl who’s been caught in a gaslighter’s fire. 9 ‘good 4 u’ ![Sour](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-sour-1600x1600.webp) *SOUR* album cover. Photo from Olivia Rodrigo/Spotify I think Olivia has the most fun when she’s at her brattiest. She deals with a lot of painful emotions across both her albums, but some of her most entertaining tracks are when she’s busy calling a man out on his bullshit. “I guess that therapist I found for you, she really helped” has to be one of Rodrigo’s funniest lines to date. 8 ‘traitor’ ![Sour](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-sour-1600x1600.webp) *SOUR* album cover. Photo from Olivia Rodrigo/Spotify If you’ve ever had a man tell you not to worry about a girl, only for him to turn around and fall in love with her, then “traitor”’s the song for you. For all the girls who’ve been gaslit, “traitor” vindicates us and gives us a good, cathartic chorus to sing to when we need to remind ourselves that we were right. 7 ‘get him back!’ ![olivia rodrigo guts](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/guts-1-1600x1600.webp) *GUTS* album cover. Photo from Olivia Rodrigo/Spotify Besides being bratty in “get him back!”, Rodrigo’s also being *messy* with a capital M. But this is what makes this one of her best pop-punk anthems to date. While she’s not as messy here as she is in “bad idea right?” (more on that soon), “get him back” sees Rodrigo rocking Joan Jett-level guitar riffs while trying to decide if she wants to key her ex’s car or make him lunch. Another all-time great Olivia Rodrigo lyric: “But I am my father’s daughter, so maybe I could fix him!” 6 ‘drop dead’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-drop-dead-1600x1600.webp) *drop dead* single cover. Photo from Olivia Rodrigo/Spotify Although Rodrigo’s already warned us that some of the songs on *you seem pretty sad for a girl so in love* are going to be heartbreak bangers, “drop dead” is not one of them. It’s a downright happy pop song, and it does so well catching that warm, gooey feeling of being in love for the first time. “There was so much more joy in the songwriting,” Rodrigo told [*Cosmopolitan* ](https://www.cosmopolitan.com/entertainment/celebs/a71014948/olivia-rodrigo-interview-2026/)when asked about her process for the new album. That joy is on full display with “drop dead.” 5 ‘bad idea right?’ ![olivia rodrigo guts](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/guts-1-1600x1600.webp) *GUTS* album cover. Photo from Olivia Rodrigo/Spotify Yes, Olivia, get crazy! “bad idea right?” should be the song that plays in the back of your head whenever you think of breaking no contact. Rodrigo’s raging and reckless as she sneaks off for an ill-advised hook-up, and you’re stuck between wanting to root for her (and maybe for yourself, if you’re in the same spot) or screaming at her for trying to reconnect (and again, maybe you’re projecting here). Unlike its sloppy heroine, “bad idea right?” gives us crisp guitar solos and a bassline as cocky as Rodrigo feigning innocence as she trips and falls into her ex’s bed. 4 ‘brutal’ ![Sour](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-sour-1600x1600.webp) *SOUR* album cover. Photo from Olivia Rodrigo/Spotify Olivia loves a trick. As the opener to *SOUR*, “brutal” gives us three seconds of a dreamy set of strings before immediately switching to distortion and a loud, banging grunge guitar. Unlike the other songs of the album, which mainly focus on Rodrigo’s love life, “brutal” has her seething over the ugliness that comes with being 17. “If someone tells me one more time / ‘Enjoy your youth,’ I’m gonna cry,” she spits out. Rodrigo sounds like a snarl on “brutal,” and you can’t help snarl along with her. 3 ‘the cure’ ![olivia rodrigo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-cure-1600x1600.webp) *the cure* single cover. Photo from Olivia Rodrigo/Spotif As the thesis statement to *you seem pretty sad for a girl so in love*, “the cure” presents us with a slightly more mature Rodrigo as she admits that falling in love doesn’t solve all of her problems. “I thought I found the antidote with you,” she confesses, “but my head is full of poison, and / my heart is full of doubt.” “the cure” has all the insecurities of *SOUR*, mixed with some of the gravitas Rodrigo’s gained by pondering love and self-worth over the course of five years. It’s a long, orchestral contemplation, and it packs a strong punch come the chorus. And, although “the cure” may be a fairly recent release, I’m willing to argue that this might be one of Rodrigo’s best songs to date (and she [agrees](https://www.instagram.com/p/DYhqzBQR9KP/)). 2 ‘drivers license’ ![Sour](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-sour-1600x1600.webp) *SOUR* album cover. Photo from Olivia Rodrigo/Spotify When I hear “drivers license,” I am an angsty teenager again, just starting to learn how to drive (a coming-of-age rite of passage) and falling out of love for the first time (another rite of passage). For teens who were at the peak of adolescence when Rodrigo dropped this masterpiece of a breakup ballad, “drivers license” captures such a specific moment in our youth that, dare I say, it will never lose its shine (no matter how many times we sob out its lyrics on the car radio). Rodrigo couldn’t have written a better debut single — “drivers license” sat atop charts like the Billboard Hot 100 for weeks in a row, and there was a good three months when it was *the* go-to song on TikTok. Again, some real-life drama added fuel to the fire surrounding “drivers license,” but it painted Rodrigo as the brokenhearted underdog, ready to tear things down with a track that showed her side of the story. Rodrigo may have released multiple hit singles since “drivers license,” but for its longevity and emotional power, it must stay close to the top of this list. 1 ‘deja vu’ ![Sour](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/olivia-rodrigo-sour-1600x1600.webp) *SOUR* album cover. Photo from Olivia Rodrigo/Spotify For a hot second after Rodrigo released “drivers license,” there was talk of the singer becoming a one-hit wonder (as is often the case with musical artists who find unprecedented levels of fame on TikTok). Thankfully, Rodrigo put the heresy to bed with her follow-up single, “deja vu.” If “drivers license” is Rodrigo licking her wounds at the end of a relationship, “deja vu” is her turning the tables and taking a bite out of the boy who left her hurt in the first place. Airing on the side of the melodramatic, Rodrigo directly addresses her *very* unoriginal ex-boyfriend, who’s spent the weeks after their breakup by using all the same moves (e.g. rehashing old jokes, playing Billy Joel) on a new girl. “deja vu” was the first time we saw Rodrigo come into a sense of agency with her breakup, and it was glorious to see. What’s more, it made sure that we saw Rodrigo’s emotional and musical range. “\[We\] didn’t want to do the safe thing and put out another heartbreak ballad,” she said of the single in an interview with [*Rolling Stone*](https://www.rollingstone.com/music/music-news/olivia-rodrigo-breakdown-deja-vu-1150041/). “I can make heartbreak songs but I can also make cool alternative pop songs. I didn’t want to be pigeonholed into the ‘heartbreak ballad girl’ thing.” ## Frequently Asked Questions ### What albums does this Olivia Rodrigo songs ranking cover? This ranking covers all songs from Olivia Rodrigo’s first two studio albums — SOUR (2021) and GUTS (2023) — as well as newly released singles from her upcoming third album, you seem pretty sad for a girl so in love. It does not include songs from High School Musical: The Musical: The Series or her Hunger Games soundtrack contribution, “Can’t Catch Me Now.” ### What are Olivia Rodrigo’s best songs? According to this ranking, Olivia Rodrigo’s best songs are “deja vu” at number one, followed by “drivers license” at number two, and “the cure” at number three. Other standouts include “brutal,” “bad idea right?,” and “drop dead” — spanning both her debut and sophomore albums, as well as her third-album era. ### What is Olivia Rodrigo’s new album in 2026? Olivia Rodrigo’s third studio album is titled you seem pretty sad for a girl so in love. It features 13 tracks — plus an exclusive single available only on the vinyl and cassette editions — and marks a more mature chapter for the artist, centering on her first experience in an adult relationship. ### When does Olivia Rodrigo’s third album come out? you seem pretty sad for a girl so in love is set for release on June 12, 2026. Related Stories - [5 of Olivia Rodrigo’s Angriest Breakup Songs, Ranked](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-breakup-songs-ranked/ "5 of Olivia Rodrigo’s Angriest Breakup Songs, Ranked") - [Olivia Rodrigo Weighs in on Dress Outrage: ‘Shouldn’t Be Responsible for Some Guy Sexualizing You’](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-speaks-out-baby-doll-dress/ "Olivia Rodrigo Weighs in on Dress Outrage: ‘Shouldn’t Be Responsible for Some Guy Sexualizing You’") - [Is Olivia Rodrigo Doing Ok in ‘the cure’?](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-the-cure-music-video/ "Is Olivia Rodrigo Doing Ok in ‘the cure’?") **Categories:** Editor's Picks, Lists, Music, Pop, Punk, Rock **Tags:** Olivia Rodrigo, you seem pretty sad for a girl so in love --- ### [5 Times Sen. Imee Marcos Clashed With Pres. Bongbong Marcos](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/imee-marcos-bongbong-marcos-rivalry-clashes/) **Published:** June 5, 2026 **Author:** Pie Gonzaga **Excerpt:** As the Marcos-Duterte alliance collapsed, Senator Imee Marcos emerged as one of her brother’s most vocal critics **Content:** Eldest children can be bullies, but few to none have aired their beef with younger siblings on the political stage the way that Senator [Imee Marcos](https://rollingstonephilippines.com/tag/imee-marcos/ "Imee Marcos") has with her brother, President [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") The [rift](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/imee-bongbong-marcos-rivalry-drug/) between Imee and Bongbong coincided with the fall of Uniteam, the Marcos-Duterte tandem, with Imee taking Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte")’s side in the schism. Tension between the two has been fueled further by the recent [Senate mess](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/cayetano-senate-president-first-week-crisis-duterte-impeachment/ "Cayetano’s First Week as Senate President is ‘Embarrassing,’ But Can He Bounce Back?"), with Imee and other senators of the majority bloc pulling no-shows following the [arrest of Sen. Jinggoy Estrada](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sandiganbayan-orders-jinggoy-estrada-arrest-flood-control-scandal/ "Sandiganbayan Orders Arrest of Jinggoy Estrada in Flood Control Scandal"). On May 29, Imee lamented the “political persecution” of the majority bloc, with a few of its members facing [plunder and graft allegations](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/senate-majority-bloc-crisis-estrada-arrest/ "Are the Senate Majority’s Days Numbered?"). Aside from Estrada, Senators Rodante Marcoleta, Francis “Chiz” Escudero, and Joel Villanueva are also being investigated by the Office of the Ombudsman for accusations of corruption. ![imee marcos and bato dela rosa senate floor](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/imee-marcos-bato-dela-rosa.webp) Sen. Imee Marcos accompanies Sen. Bato dela Rosa as he scolds reporters for asking why he returned to the Senate after six months in hiding, May 11. Photo from Sen. Imee R. Marcos/Facebook In response to recent events at the Senate, Bongbong said, “Get back to work, because it’s important. Ang dami nating kailangang gawin.” During an ambush interview on Wednesday, June 3, the president also pointed out that the Senate has to inform the House of Representatives about cancelling sessions three days ahead, and must have a “very good reason” for doing so. “I don’t think na ihahatid mo ang isang senador para pumunta kung saan siya pupunta, hindi yata sapat na dahilan ‘yan para i-cancel ang isang session,” he said. Imee was notably among the senators who accompanied Estrada out of the Senate building as he surrendered to authorities on Monday, June 1. While Bongbong’s latest statement feels like a hit at Imee, the senator has thrown more shade towards her brother than the other way around since the beginning of the Duterte-Marcos feud. Here, we take a look at five of Imee’s shadiest moments in her rivalry with Bongbong. ## Why Did Imee Marcos Side With Duterte After His ICC Arrest? When Rodrigo Duterte was arrested and brought to the International Criminal Court’s (ICC) detention facility in the Netherlands in March 2025, Imee was quick to come to the former president’s defense, holding Senate hearings to assert that he was wrongfully arrested, and that the ICC has no jurisdiction over the Philippines. That month, she skipped the campaign rally of the administration-backed Alyansa Para sa Bagong Pilipinas, saying, “Hindi ko matanggap ang ginawa kay \[Duterte\].” ## What Was Imee Marcos’ ‘ITIM’ Campaign? As if to twist the knife she had stabbed her brother’s back with, she also had Vice President Duterte appear in her first campaign video after separating from Alyansa. “Ipaglalaban tayo ni Imee Marcos,” Duterte said in the video themed “ITIM,” which stands for “Inday \[Sara\] Trusts Imee Marcos.” ## Why Did Imee Marcos Skip Bongbong’s 2025 State of the Nation Address? Along with the vice president and Duterte-allied Senators Bong Go, Bato dela Rosa, and Robin Padilla, Imee skipped the president’s State of the Nation Address (SONA) in July 2025. She told reporters that her absence had nothing to do with her own feud with Bongbong, but also said, “Nakikiisa lamang ako sa Duterte Bloc po at hindi naman talaga pupunta.” ## Imee Marcos Accuses Bongbong of Illegal Drug Use at INC Rally ![imee marcos inc rally november 2025](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/imee-marcos-inc-rally.webp) Sen. Imee Marcos gives a speech at the Iglesia ni Cristo rally against corruption, November 17, 2025. Screenshot from INCTV/Facebook In November 2026, Imee attended the Iglesia ni Cristo’s (INC) Rally for Transparency and a Better Democracy, during which she gave a speech [accusing](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/imee-bongbong-marcos-rivalry-drug/) her brother of illegal drug use. “Batid ko na nagda-drugs siya,” she said. In response, Bongbong told the press that the family was worried about Imee’s well-being and that he “hopes she feels better soon.” He added, “The lady that you see talking on TV is not my sister.” ## Bongbong’s Comment on Senate Crisis: ‘Clear Incursions’ by the Executive On May 29, the senator once again criticized Bongbong amid tensions between the Senate’s minority and majority blocs. The president commented on the aftermath of the May 13 shootout between former Senate Sergeant-at-Arms Mao Aplasca and agents of the National Bureau of Investigation, saying that the upper chamber was “sheltering fugitives from justice,” and that the Senate cannot function in the chaos. Imee said in response, “I think what the administration is doing to the majority bloc is already very obvious, since even the president is now lambasting the Senate \[…\] These are clear incursions into the constitutional boundaries between the executive and legislative branches.” ## Frequently Asked Questions ### Why are Senator Imee Marcos and President Bongbong Marcos feuding? Their rift stems from the collapse of the Marcos-Duterte Uniteam alliance, with Imee siding with Vice President Sara Duterte against her brother’s administration. ### Did Imee Marcos skip President Marcos’ 2025 State of the Nation Address? Yes, Imee Marcos skipped the 2025 SONA in solidarity with the Duterte bloc, alongside Senators Bong Go, Bato dela Rosa, and Robin Padilla. ### What did Imee Marcos say about Bongbong’s alleged drug use? At an INC rally in November 2026, Imee publicly stated she knew her brother used illegal drugs, prompting Bongbong Marcos to question whether she was well. ### What is the ‘ITIM’ campaign video and what does it stand for? ITIM stands for “Inday \[Sara\] Trusts Imee Marcos.” It was Imee’s first solo campaign video after breaking from the administration-backed Alyansa slate. ### What did Imee Marcos say about the Senate majority bloc crisis? Imee accused the administration of political persecution, calling President Bongbong Marcos’ comment a constitutional overreach into the Senate’s independence. Related Stories - [Cayetano’s First Week as Senate President is ‘Embarrassing,’ But Can He Bounce Back?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/cayetano-senate-president-first-week-crisis-duterte-impeachment/ "Cayetano’s First Week as Senate President is ‘Embarrassing,’ But Can He Bounce Back?") - [Are the Senate Majority’s Days Numbered?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/senate-majority-bloc-crisis-estrada-arrest/ "Are the Senate Majority’s Days Numbered?") - [Can the BBM-Imee Rift Ever Be Fixed After Drug Accusation?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/imee-bongbong-marcos-rivalry-drug/ "Can the BBM-Imee Rift Ever Be Fixed After Drug Accusation?") **Categories:** Philippine Politics, State of Affairs **Tags:** Ferdinand Marcos Jr., Imee Marcos, Senate --- ### [Taylor Swift Returns to Her Country Roots on New ‘Toy Story 5’ Song](https://rollingstonephilippines.com/music/folk/taylor-swift-country-roots-toy-story-5-song/) **Published:** June 5, 2026 **Author:** Elijah Pareño **Excerpt:** The singer-songwriter channels youthful memories, grassy summers, and early romance while revisiting sounds that defined her earliest records **Content:** [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/ "Taylor Swift") has released a song for the upcoming *[Toy Story 5](https://rollingstonephilippines.com/tag/toy-story-5/ "Toy Story 5")* film titled “I Knew It, I Knew You” on June 5. Written by Swift and produced by longtime collaborator [Jack Antonoff](https://rollingstonephilippines.com/tag/jack-antonoff/ "Jack Antonoff"), the single arrives with the original cut plus two alternate versions: a piano version and an acoustic‑guitar version. “I’ve always dreamed of getting to write for these characters who I’ve adored since I was a 5‑year‑old kid watching the first Toy Story movie,” Swift wrote on Instagram. “I fell instantly in love with Toy Story 5 when I was lucky enough to see it in its early stages, and I wrote this song as soon as I got home from the screening. Sometimes you just know, right?” > [View this post on Instagram](https://www.instagram.com/reel/DZMKe2HOT95/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Taylor Swift (@taylorswift)](https://www.instagram.com/reel/DZMKe2HOT95/?utm_source=ig_embed&utm_campaign=loading) “I Knew It, I Knew You” opens with the guitar and harmonica before Swift sings about young memories such as first drives, grassy summers, and first love. The arrangement harkens back to her country roots best exemplified in her debut self-titled album released in 2006 and *Fearless* in 2008. Swift has even said she once dressed up as Jessie, which fits the song’s warm wink to the franchise. Last May 1, she teased the release by posting Andy’s blue cloud wallpaper with a countdown on Instagram Stories, then deleted it without explanation. The full reveal eventually was announced on June 2. ## Frequently Asked Questions ### Who is the artist who released a song for the ‘Toy Story 5’ soundtrack? Taylor Swift is the singer-songwriter who released the song “I Knew It, I Knew You” for the Toy Story 5 soundtrack. ### Who is the producer for the single “I Knew It, I Knew You”? The producer of Taylor Swift’s song “I Knew It, I Knew You” is longtime collaborator Jack Antonoff. ### What did Taylor Swift say when “I Knew It, I Knew You” was released? Taylor Swift wrote on her Instagram that the song “I Knew It, I Knew You” was a dream come true for her. She was able to write for these characters who she adored ever since she was 5 years old. ### What were the other two versions of the song “I Knew It, I Knew You? Taylor Swift has released two more different editions of “I Knew It, I Knew You” such as the acoustic only version and a piano only version. ### What was the teaser that Taylor Swift posted then deleted on her Instagram stories? Taylor Swift has posted a photo of Andy’s blue cloud wallpaper with a countdown on her Instagram stories. She then deleted the Instagram story right away upon posting last May 1. 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However, he’s left the Philippines out of the equation with no planned stops in Manila. The tour will make its way in cities such as Tokyo, Jakarta, Singapore, Seoul, Bangkok, Hong Kong, and Kuala Lumpur, with Japanese hip-hop duo Creepy Nuts and DJ ¥ØU$UK€ ¥UK1MAT$U as openers in several stops. The Asia tour is set to run from September to November. > [View this post on Instagram](https://www.instagram.com/p/DYLrlOUjs5J/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Abel (@theweeknd)](https://www.instagram.com/p/DYLrlOUjs5J/?utm_source=ig_embed&utm_campaign=loading) The Weeknd was originally supposed to play in Manila back in December 2018 for his Starboy Tour at the SM Mall of Asia Arena, but the show was canceled over “production requirement issues.” The tour is billed as the final leg of the series. The After Hours Til Dawn tour kicked off in 2022 and has since hit North America twice, plus Europe, the UK, Latin America, and Australia. The tour was able to earn more than a billion dollars in ticket sales, ranking among the biggest tours ever by a male solo artist according to Live Nation. ## Frequently Asked Questions ### Is The Weeknd bringing his After Hours Til Dawn tour to the Philippines? The Weeknd is not bringing his After Hours Til Dawn tour to the Philippines, as Manila was entirely excluded from the upcoming Asia tour schedule. ### Which Asian cities are included in The Weeknd’s 2026 tour? The Asian leg officially features major metropolitan hubs such as Tokyo, Jakarta, Singapore, Seoul, Bangkok, Hong Kong, and Kuala Lumpur, running consecutively from September through November. ### Why was The Weeknd’s previous Manila concert canceled? The previous Manila concert was canceled due to unresolved production requirement issues that completely prevented the artist from staging the live show as originally planned. ### What is the scale and commercial success of the After Hours Til Dawn tour? The After Hours Til Dawn tour generated over one billion dollars in ticket sales, ranking among the largest global concert series by any male solo artist. ### Who are the opening acts performing alongside The Weeknd on the Asia tour? Japanese hip-hop duo Creepy Nuts and talented DJ ¥ØU$UK€ ¥UK1MAT$U serve as the official opening acts across multiple designated stops throughout the entire regional tour. 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Her most recent record, *Eternal Sunshine*, arrived two years ago and spun off a deluxe edition released last year. It probably would have been enough to hold fans over for a while longer, but Grande couldn’t help but find her way back to the studio: her eighth album, *Petal*, arrives July 31. Grande will be in the middle of the *Eternal Sunshine* tour when the record arrives. Last year, she opened up about how her relationship with music has transformed as she’s spent more time diving into film endeavors, like *Wicked* and the upcoming comedy film *[Focker-in-Law](https://rollingstonephilippines.com/culture/film-tv/ariana-grande-focker-in-law/ "Ariana Grande Enters the Focker Family in ‘Focker-in-Law’")*. “Very silly of you all to assume that just because I have my hands full with many things that I plan to abandon singing & music,” the singer wrote on Instagram. “It is and has always been my lifeline. there will need to be room made for all of it.” *Petal* grew from the space she created between it all. Here’s everything we know about the album. ## ‘**Petal’** **Emerged From Grande Leaning Into Her Bold Side** “Surprise!” Grande said as she presented Republic Records with *Petal*. She gathered her team at the label to preview the record, which she captured and shared in a teasing Instagram video. Explaining the idea behind the album, she described the album as “a little feral,” adding, “It’s definitely from a place where I have been maybe too shy or polite to tap into before. This kind of just feels like, fuck it.” ## **Grande Started ‘Petal’ as a ‘Writing Experiment**’ In her video explaining the album to her label, Grande said the album creation process involved “breaking up with all different kinds of negative attachments — whether it’s my own monsters in my own head, external voices, things that no longer serve me.” From a songwriting perspective, it presented her with a new challenge. “It was a writing experiment for me to use that as a template so that I could be talking about one thing and sharing something,” she said, “and people could use it however they want and apply it to their own lives.” ## **The First Single From the Album Is One of Grande’s All-Time Favorites** On Friday, May 8, Grande revealed the title of the first single from *Petal*, “Hate That I Made You Love Me” will be released on May 29. In an [Instagram](https://www.instagram.com/p/DYFPg4KEYSx/?img_index=1) post, she praised the record as “one of my favorite songs I’ll ever write.” ## ‘**Petal’ Reunites Grande With Her Long-Time Collaborators Max Martin and Ilya** In her post announcing “Hate That I Made You Love Me,” Grande noted that she co-produced the record alongside two long-time collaborators and “dearest human beings in the world,” Max Martin and Ilya. The producers and songwriters have been working with Grande since her second studio album, 2014’s *My Everything,* but really formed a true partnership with her on *Eternal Sunshine*. “Cannot wait for it to be yours,” Grande wrote. *This article was originally published on **[rollingstone.com](https://www.rollingstone.com/music/music-features/ariana-grande-petal-everything-we-know-1235559416/ "rollingstone.com")**.* ## Frequently Asked Questions ### When is Ariana Grande’s new album ‘Petal’ being released? Ariana Grande’s eighth studio album, ‘Petal,’ is scheduled for release on July 31, debuting during her ongoing Eternal Sunshine world tour. ### What is the lead single from Ariana Grande’s ‘Petal’? The lead single from ‘Petal’ is titled “Hate That I Made You Love Me,” released on May 29 as one of Grande’s personal favorite compositions. ### Who produced Ariana Grande’s eighth studio album ‘Petal’? Grande co-produced the album alongside her long-time creative partners Max Martin and Ilya Salmanzadeh, who previously collaborated on ‘Eternal Sunshine’ and earlier records. ### What is the creative direction and theme of ‘Petal’? Grande describes ‘Petal’ as a bolder, slightly uninhibited project originating from a songwriting experiment focused on relinquishing negative mental attachments and personal boundaries. ### Is Ariana Grande stepping away from music for her film career? Grande confirmed she is balancing both careers simultaneously, continuing her music endeavors alongside prominent acting roles in films like Wicked and Focker-in-Law. 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In the first two episodes of *[Euphoria](https://rollingstonephilippines.com/tag/euphoria/ "Euphoria")* Season 3, she appears oblivious to the judgmental looks of her peers, from Maddy (Alexa Demie) giving her a once-over as she makes subtle digs at Cassie’s tastelessness, to Heather’s (Jessica Blair Herman) disgust when she sees photos of her dressed as a baby for OnlyFans. But in Episode 3, Cassie’s ongoing humiliation ritual (in the hands of writer-director Sam Levinson) reaches its peak in a wedding night gone horribly wrong. But before the wedding, the episode starts with a glance at Jules’ ([Hunter Schafer](https://rollingstonephilippines.com/tag/hunter-schafer/ "Hunter Schafer")) life. To recall, she has dropped out of art school, finding it more profitable to be a sugar baby. Of all the men she’s met, she sticks to Ellis, a married man whose wife knows of his “proclivities,” which apparently include cling wrap bondage. Rue ([Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya")), now also an arms dealer, lets her new boss Alamo Brown (Adewale Akinnuoye-Agbaje) know that she wants to go “legit” someday, but he and his aide Bishop (Darrell Britt-Gibson) only laugh at the idea. As they discuss Rue’s future, the pig that Alamo had sent Laurie (Martha Kelly) [last episode](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-2/ "In ‘Euphoria’ Season 3, Episode 2, You Either Pimp or Get Pimped") is sent back to the Silver Slipper. He shoots it for making a mess in the strip club, and then plans to retaliate with another count of animal cruelty, this time targeting Laurie’s beloved pet cockatoo, Paladin. The next day, Rue invites Jules to be her plus-one at Cassie and Nate’s wedding. Jules is hesitant to attend, given her history with Nate ([Jacob Elordi](https://rollingstonephilippines.com/tag/jacob-elordi/ "Jacob Elordi")) and his father, Cal ([Eric Dane](https://rollingstonephilippines.com/tag/eric-dane/ "Eric Dane")), but accepts the invitation. ![euphoria maddy during the wedding](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Maddy-looking-sad.webp) Maddy (Alexa Demie) looks pretty sad for a girl who should be over her high school boyfriend four years after their breakup, and also really fabulous. Screenshot from HBO Max Cassie’s been fighting for expensive flower arrangements at her wedding since [Episode 1](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-1/ "‘Euphoria’ Goes ‘Breaking Bad’ in Season 3, Episode 1"). To her credit, the flowers looked like they did cost $50,000, not because they were pretty, but because there were *so much* of them, from the archways to the hedges and the petal-covered aisle. I’m not one to judge how good a wedding is, because I believe they should be done the way the bride and groom want them to be. That said, this one’s a mess. In attendance are Rue, Jules, Maddy, and their high school friend BB (Sophia Rose Wilson), aka “Vape Girl.” Even the disgraced Cal is on the registry — the sex offender registry, that is, after he reveals to Jules that he had slept with another minor after her, all those years ago. ## Nightmare Wedding At the reception, funeral mogul and loan shark Naz (Jack Topalian) shows up uninvited, reminding Nate he “owes a lot of people money.” This spurs a series of confrontations between Nate and Cassie, Cassie and Heather, and then Heather and her husband Fred (Justin Sintic), who’s invested in Nate’s construction business. Nate reveals to Fred that his latest project was halted after his workers ran into some endangered flowers at the construction site. But Nate also assures him that a meeting with the state zoning board will solve their problems and that he could pay off his debt to Naz. During the most gauche first dance I have ever seen (with a lot of twerking, gyrating, and lap-dancing), she tearfully tells Nate, “I don’t wanna be poor.” When they get home later on, the newlyweds are assaulted by one of Naz’s men. As Nate is dragged up and down their spiral staircase, beaten to a pulp, and tortured with pliers, Cassie laments, “I’m bleeding! This is my wedding night!” I don’t think she’s cried this much since Maddy found out about her and Nate in Season 2. ![euphoria cassie nate wedding](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/4-Cassie-im-bleeding.webp) How could Cassie and Nate (at the back) have ended up here? Screenshot from HBO Max Meanwhile, Rue has ditched the party to pick up drugs from Laurie’s place with Bishop. There, the latter secretly places a pill in Paladin’s water bowl, which would eventually kill the poor bird, unbeknownst to Laurie and her family. The drug lord, on the other hand, asks Rue if she’d like to come back and work for her, but Rue says she’s happy working for Alamo. Laurie replies, “Remember, the grass is always greener by the septic tank.” On the way home, Rue is followed by a car, and the audience wonders for a minute if it’s Laurie attempting to kidnap her. But the blue and red emergency lights come on, and in the episode’s final moments, Rue is pulled over by an officer of the Drug Enforcement Administration. Speaking of nights to remember, HBO Max Philippines heralded the return of the hit series with “Euphoria Nights” on April 17 at Shooting Gallery Studios, Makati. The party teased the new season with a desert-themed photobooth and decorations, but also nodded to past seasons with neon lights, a room set up to look like Fezco’s convenience store (from which guests were free to take liters of soda and snacks), and a glam area complete with a generous supply of rhinestones and body glitter for guests to use. Unlike Cassie and Nate’s wedding, however, this party was a blast from start to finish, with a surprise performance by IV of Spades and a pop-driven DJ set by Butta B. Next week, the show returns with Episode 4, marking a halfway point in the season. *Euphoria* Season 3 is currently streaming on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max"). ## Frequently ASked Questions ### What happens at Cassie and Nate’s wedding in “Euphoria” Season 3, Episode 3? The wedding descends into chaos when loan shark Naz shows up uninvited, reminding Nate he owes money. Confrontations follow between Nate, Cassie, and Heather, escalating until Nate is violently assaulted by Naz’s men on their wedding night. ### What happens to Rue in Episode 3 of “Euphoria” Season 3? Rue, now working as an arms dealer for Alamo Brown, declines an offer from rival drug lord Laurie to switch sides. On her way home, she’s pulled over by a Drug Enforcement Administration officer in the episode’s final moments. ### What is Jules doing in “Euphoria” Season 3? Jules has dropped out of art school and become a sugar baby, primarily seeing a married man named Ellis. She reluctantly attends Cassie and Nate’s wedding as Rue’s plus-one despite her complicated history with Nate and his father, Cal. ### Does Cal’s storyline connect to the sex offender registry in Episode 3? Yes. Cal, who attends the wedding despite being disgraced, reveals to Jules that he slept with another minor after her years earlier, connecting his character directly to the sex offender registry referenced in the episode. ### Did HBO Max Philippines host an event for “Euphoria” Season 3? Yes. HBO Max Philippines held “Euphoria Nights” on April 17 at Shooting Gallery Studios in Makati, featuring a desert-themed photobooth, nods to past seasons, a surprise performance by IV of Spades, and a DJ set by Butta B. 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Following her performance at the pageant’s coronation evening in 2024, Summers is returning to this year’s coronation as its host. The ceremony will take place on May 2 at the SM Mall of Asia Arena. “So honored to be \[making\] herstory again,” wrote Summers in an Instagram story announcing her hosting duties. “From being the first drag queen to perform on the Miss Universe stage, to becoming the first trans woman to host the pageant.” > [View this post on Instagram](https://www.instagram.com/p/DXl0VrUj0xf/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Miss Universe Philippines (@themissuniverseph)](https://www.instagram.com/p/DXl0VrUj0xf/?utm_source=ig_embed&utm_campaign=loading) Since placing as the runner-up on *[Drag Race Philippines](https://rollingstonephilippines.com/tag/drag-race-philippines/ "Drag Race Philippines")* Season 1 in 2021, Summers’ career has consistently broken new ground in the drag world. She has since placed fourth on *Drag Race: UK vs. The World*, taken over the Vegas main stage at the *RuPaul’s Drag Race Live!*, and traveled the world as part of the franchise’s *WERQ THE WORLD 2025* tour. Summers also kickstarted her career as a pop artist in 2020 with her debut single, “I Have Arrived.” In 2024, Summers became the first drag queen to ever grace the Miss Universe Philippines stage after performing her single, “AMAFILIPINA,” for the evening’s opening number. Joining Summer at this year’s coronation is Miss Universe Philippines 2025 [Ahtisa Manalo](https://rollingstonephilippines.com/tag/ahtisa-manalo/ "Ahtisa Manalo"), who is set to crown the next queen to represent the country in Miss Universe 2026. P-pop group [BGYO](https://rollingstonephilippines.com/tag/bgyo/ "BGYO") will also be performing at the ceremony. ## Frequently ASked Questions ### When is the Miss Universe Philippines 2026 coronation? The coronation takes place on May 2 at the SM Mall of Asia Arena, where Marina Summers will make history as the first trans woman to host the pageant. ### What has Marina Summers previously done for Miss Universe Philippines? In 2024, Summers became the first drag queen to perform on the Miss Universe Philippines stage, delivering her single “AMAFILIPINA” as the evening’s opening number during that year’s coronation. ### What is Marina Summers’ background in drag? Summers placed as runner-up on “Drag Race Philippines” Season 1 in 2021, later placing fourth on “Drag Race: UK vs. The World,” headlining the Vegas main stage at “RuPaul’s Drag Race Live!,” and touring with WERQ THE WORLD 2025. ### Who else is involved in the Miss Universe Philippines 2026 coronation? Miss Universe Philippines 2025 titleholder Ahtisa Manalo will crown her successor at the ceremony, while P-pop group BGYO is set to perform during the coronation night. ### Has Marina Summers pursued music outside of drag? Yes. Summers launched her career as a pop artist in 2020 with her debut single, “I Have Arrived,” building a music career alongside her achievements in the drag and pageant entertainment space. Related Stories - [Marina Summers on Drag Stardom and What Happens After Going Global](https://rollingstonephilippines.com/culture/marina-summers-drag-stardom/ "Marina Summers on Drag Stardom and What Happens After Going Global") - [Ahtisa Manalo Finishes as Miss Universe 2025 Third Runner-Up](https://rollingstonephilippines.com/culture/ahtisa-manalo-miss-universe-philippines-2025/ "Ahtisa Manalo Finishes as Miss Universe 2025 Third Runner-Up") - [Ahtisa Manalo on the Miss Universe 2025 Results: ‘It’s Not Under Our Control’](https://rollingstonephilippines.com/culture/ahtisa-manalo-miss-universe-results/ "Ahtisa Manalo on the Miss Universe 2025 Results: ‘It’s Not Under Our Control’") **Categories:** Culture **Tags:** Ahtisa Manalo, marina summers, Miss Universe Philippines 2026 --- ### [Why We Won’t Be Seeing Adrian Grenier in ‘The Devil Wears Prada 2’](https://rollingstonephilippines.com/culture/film/the-devil-wears-prada-2-adrian-grenier/) **Published:** April 27, 2026 **Author:** Mel Wang **Excerpt:** The actor, who plays Anne Hathaway’s boyfriend in the first film, believes there would have been some “backlash” had he returned **Content:** Although *[The Devil Wears Prada 2 ](https://rollingstonephilippines.com/tag/the-devil-wears-prada-2/ "The Devil Wears Prada 2")* boasts a number of original cast members returning to the world of fashion publishing — Meryl Streep, Anne Hathaway, Stanley Tucci, and Emily Blunt, to name a few — one familiar face did not make it into the sequel. Adrian Grenier will not be reprising his role as Nate, the boyfriend of Hathaway’s Andy Sachs. Director David Frankel, who helmed both the 2006 original and this follow-up, spoke in an interview with [*Entertainment Weekly*](https://ew.com/why-adrian-grenier-didnt-return-devil-wears-prada-2-11955098) about how he’d initially wanted to include Grenier in the film. “I had an idea about sneaking him into a cameo,” said Frankel, “and, in the end, it was just too late in our production schedule to make it happen.” The director also noted that the film was completed less than one month before its planned release date, making it even more difficult to include Grenier for a quick scene. For his part, Grenier has voiced his disappointment about not participating in the second film. “We’re all fans of the movie, whether or not we’re in it,” he told [*Page Six*](https://pagesix.com/2026/03/13/entertainment/why-adrian-grenier-believes-he-was-snubbed-from-the-devil-wears-prada-2/). “Obviously, it was a disappointment that I didn’t get the call to be in the sequel, but I also understand that there’s some backlash with Nate, the character, so that might have something to do with it.” That “backlash” Grenier is referring to is the vocal group of *The Devil Wears Prada* fans who argue that Nate was the real villain of the film, particularly because he was so unsupportive of Andy’s newfound career at *Runway*. “All those memes that came out were shocking to me,” Grenier told [*Entertainment Weekly*](https://ew.com/movies/devil-wears-prada-nate-real-villain-adrian-grenier-interview/?_gl=1%2A16u9ni4%2A_ga%2AMTgzOTQ5NzA4Ny4xNzcwMzk3NDM4%2A_ga_DK3GDWHWJH%2AczE3NzM0MTQ2MTIkbzMwJGcxJHQxNzczNDE0NjczJGo2MCRsMCRoMA..). “It hadn’t occurred to me until I started to really think about it, and perhaps it was because I was as immature as Nate was at the time, and in many ways he’s very selfish and self-involved…” Despite not making it into the sequel, Grenier is still part of *The Devil Wears Prada* canon… sort of. Recently, the actor starred in a Starbucks commercial that pokes fun at his absence in *The Devil Wears Prada 2*. “So a toast to Nate,” said Grenier in the ad. “He made a mean sandwich. He loved his girlfriend, to a point. He wasn’t perfect. So let’s leave Nate in 2006 and keep this good energy going.” *The Devil Wears Prada 2* hits Philippines cinemas on April 29. ## Frequently ASked Questions ### Why isn’t Adrian Grenier in “The Devil Wears Prada 2”? Director David Frankel said he wanted to include Grenier in a cameo, but it was too late in the production schedule to make it happen, with the film completed less than a month before its release date. ### How does Adrian Grenier feel about not returning for the sequel? Grenier told Page Six he was disappointed not to be called back for the sequel, though he acknowledged that backlash toward his character, Nate, may have played a role in the decision to exclude him. ### Why do fans consider Nate the villain of “The Devil Wears Prada”? Fans have argued that Nate was unsupportive of Andy’s career at Runway, a sentiment reflected in years of memes. Grenier told Entertainment Weekly he was surprised by the criticism but later understood Nate’s selfish, immature qualities. ### Has Adrian Grenier appeared in any promotion for “The Devil Wears Prada 2”? Yes. Grenier starred in a Starbucks commercial poking fun at his absence from the sequel, jokingly toasting his character Nate and encouraging fans to leave him in 2006 while embracing the franchise’s new energy. ### When does “The Devil Wears Prada 2” release in the Philippines? “The Devil Wears Prada 2” hits Philippine cinemas on April 29, featuring returning cast members Meryl Streep, Anne Hathaway, Stanley Tucci, and Emily Blunt, but without Adrian Grenier reprising his role as Nate. 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Director Antoine Fuqua, screenwriter John Logan, and producers Graham King, John Branca, and John McClain wanted to generate truckloads of money for Lionsgate, please the [Michael Jackson](https://www.rollingstone.com/t/michael-jackson/) estate by leaning hard on nostalgia for the singer’s glory years, brush away any hint of the [horrifying child abuse allegations](https://www.rollingstone.com/culture/culture-features/michael-jackson-child-sexual-abuse-allegations-timeline-785746/) that plagued him later in life, and possibly set up an extended Jackson Family cinematic universe. (How long before we get *Control: The Janet Jacket Story*?) One matter they seem unconcerned by is fidelity to the historical record. But to be fair, that is not the job of a biopic. As we’ve pointed out in fact-check articles for movies about [Queen,](https://www.rollingstone.com/music/music-news/freddie-mercury-queen-biopic-bohemian-rhapsody-movie-fact-check-746195/) [Elton John,](https://www.rollingstone.com/music/music-news/rocketman-fact-check-elton-john-biopic-842902/) [Mötley Crüe,](https://www.rollingstone.com/feature/motley-crue-the-dirt-fact-check-808838/) [Amy Winehouse,](https://www.rollingstone.com/music/music-features/amy-winehouse-back-to-black-movie-whats-fact-fiction-1235019717/) [Bob Dylan,](https://www.rollingstone.com/music/music-features/bob-dylan-movie-a-complete-unknown-fact-check-1235194229/) and the [Sex Pistols,](https://www.rollingstone.com/music/music-features/fact-checking-sex-pistols-pistol-1361253/) if you want to learn about musical history, read a book or watch a documentary. The Bruce Springsteen movie *[Deliver Me From Nowhere](https://www.rollingstone.com/music/music-features/bruce-springsteen-deliver-me-from-nowhere-movie-fact-check-1235446132/)* is a rare exception, but they were able to get most everything right since it takes place in just about 12 months between 1981 and 1982. *Michael* begins in 1966 and warps up to 1988. That’s way too much time to squeeze into a mere 140 minutes. It means major events have to be skipped completely, others have to be glossed over in seconds, and the timeline has to get very squishy. And in keeping with the grand tradition of biopics, other things were simply made up or distorted by absurd degrees. (If one of the producers is also a character in the movie, as was the case in *Michael* and the Brian Wilson movie *Love and Mercy*, expect them to be portrayed as flawless deities.) Here’s a non-exhaustive guide to the factual errors in *Michael.* ## Rebbie Jackson Exists When the movie begins in 1966, eldest Jackson sibling Rebbie is 16 years old, still attending high school, and still living at home. But there’s no sign of her at the dinner table, in the living room while the band rehearses, or anywhere else in the tiny Jackson household. Maybe she was always visiting friends when these scenes took place, but it seems like her existence has been erased from this version of history. ## Randy Jackson Does Too Randy Jackson, the youngest of the six Jackson brothers and second-youngest sibling, was five years old when the movie begins. He started appearing live with the Jackson 5 in 1971, essentially became the sixth member, took on a bigger role in 1975 when the group left Motown and Jermaine quit, and even co-wrote 1979’s “Shake Your Body (Down to the Ground).” At least that’s what happened in real life. In the movie, he was never born. ## Wherefore Art Thou, Janet? When the movie flashes forward to 1968, Michael should have a baby sister named Janet. She’s the last of the nine Jackson children, she moved to California with her family in 1970, started appearing live with them in 1974, made her TV debut the following year, began acting on *Good Times* in 1977, and dropped her debut album in 1982. But in the universe of *Michael*, middle sister La Toya is the only daughter, with not a single reference to Janet. “I wish everybody was in the movie,” [La Toya told *Variety.*](https://variety.com/2026/film/columns/latoya-jackson-sister-janet-kindly-declined-portrayed-michael-1236726921/) “She was asked and she kindly declined so you have to respect her wishes.” (Randy Jackson manages Janet these days, and they likely are in agreement on not appearing in the movie.) ## The Jackson 5 Didn’t Open For Gladys Knight and the Pips in July 1968 As the movie shows, the Jackson 5 performed at Chicago’s Regal Theater on July 12, 1968. In the world of the movie, they followed Gladys Knight and the Pips. In reality, they followed Bobby Taylor & The Vancouvers. Actress Liv Symone does a splendid Gladys Knight impression on “I Heard It through the Grapevine,” and the Jacksons would cross paths with Knight quite often in the future, just not that particular evening. ## Suzanne de Passe Wasn’t at the Regal Theater Either As Colman Domingo’s Joe Jackson watches the Jackson 5 at the Regal Theater, just waiting for a tiny slip-up so he can justify a beating later, Motown’s Suzanne de Passe (Laura Harrier) emerges from the wings and hands over her business card. In real life, it was headliner Bobby Taylor who alerted Motown and set up the audition. To be clear, de Passe played an enormous role in the rise of the group. She just wasn’t at the Regal that night. (The Jackson 5 also briefly recorded for Steeltown Records before signing with Motown. The movie doesn’t show this, but it doesn’t specifically contradict it either. It’s more of an omission than an inaccuracy. If we focused on omissions in *Michael*, this article would be as long as *War and Peace*.) ## ‘Off the Wall’ Wasn’t Michael’s Solo Debut When the movie flashes forward to 1977, Michael (now played by Jaafar Jackson instead of young Juliano Valdi) is eager to record solo music. He’s so afraid to ask his father that he urges two record executives to put the request in. Joe agrees just as long as the sessions take place at night, so they don’t interfere with Michael’s work with his brothers. “He can do whatever he wants in his spare time,” says Joseph, “So long as he continues to work with his brothers. I own his ass from nine to five. After that, it’s up to him if he wants to cut an album at midnight.” There’s no mention of Michael’s 1972 solo debut *Got To Be There*, the follow-up *Ben* just a few months later, 1973’s *Music & Me*, or 1975’s *Forever Michael*. *Off the Wall* was actually his fifth solo record, even if it was the first for Epic following the long run on Motown. ## The Jacksons Weren’t a Quartet After Jermaine Left Once *Off the Wall* hits and Michael becomes a genuine superstar, Joe Jackson urges the brothers to hit the road to capitalize on it. One of them asks how they’ll tour without Jermaine. “Your brother made his choice when we left Motown and he stayed,” says Joseph. “The point is we need to capitalize on Michael’s album.” This makes it seem like they hadn’t toured since Jermaine left in 1975, and didn’t even feel it was possible. But Randy filled the hole that Jermaine left, and they performed plenty of concerts between 1976 and 1978 as a five-piece. The 1979 Destiny tour was nothing new, and it started before *Off The Wall* even came out. The movie presents it as their first tour in many years, and it shows them as playing as a four-piece since Randy isn’t in the film. ## Bubbles Didn’t Enter The Picture That Early In one of the most unintentionally hilarious moments in the movie, Michael shocks his family by adopting a CGI baby chimpanzee named Bubbles sometime around 1979. But Bubbles was born in 1983. (We also doubt he played Twister with Michael, but we’ll let that one go.) ## The Giraffe Came Later Too As crazy as it sounds, Michael Jackson did have a baby giraffe living at his family compound in Encino, California, before he moved to Neverland. It caused a bit of a stir since he didn’t have a permit to house an exotic animal, and he was forced to move it to a private animal shelter. [But that didn’t happen until 1986.](https://www.latimes.com/archives/la-xpm-1986-06-19-mn-12053-story.html) The movie shows it at the house a good six years earlier. ## Michael Fired Joseph Earlier Than Shown Movie Michael finds a selfless savior when he hires John Branca (Miles Teller) as his lawyer. (By wild coincidence, Branca also produces the movie.) His first order of duty is to fire Joseph as Michael’s manager via fax. The document we see is dated 1981. But Michael fired his father two years earlier, shortly after turning 21. ## The ‘Thriller’ Title Track Wasn’t Michael’s Idea *Michael* spends a lot of time on the creation of *Thriller,* and Jackson tracks song titles to the wall one by one as the album comes together. He keeps insisting it’s missing one final song. The inspiration for “Thriller” strikes when he’s at home watching old horror movies. But Michael Jackson didn’t write “Thriller.” It’s solely credited to Rod Temperton. “I got to know Michael,” [Temperton told M in 2012,](https://web.archive.org/web/20121103125222/http://www.m-magazine.co.uk/features/the-story-of-thriller/) noting that he originally called it “Starlight.” “He loves movies, so I came up with the idea that I should write something really theatrical…This was clearly such a production number that it had to be the title track – but there were no lyrics and ‘Starlight’ just wasn’t good enough. It had to be mysterious to match Michael’s evolving persona. I’d go back to my hotel every night and start writing titles. One night I came up with ‘Midnight Man.’ Quincy said I was going in the right direction, but it still wasn’t right. The next morning it came to me — but it was a really crap word to sing: ‘Thriller.’ It sounded terrible! However, we got Michael to spit it into the microphone a few times and it worked.” ## The MTV Timeline is Completely Off Once the movie gets to the *Thriller* period, we never exactly know where we are in the timeline. But sometime after the “Thriller” video is shot in October 1983, Michael visits CBS Records president Walter Yetnikoff (hilariously played by Mike Myers) at his New York office. Jackson urges him to convince MTV to play his videos. “MTV almost never plays Black artists,” Yetnikoff says. “I don’t know why. Maybe they don’t want to scare the shit out of the white kids in the suburbs.” It is true that MTV largely played white artists in the beginning, and was allergic to anything R&B or soul, but the extent of this has become grossly exaggerated over the years. And even in their earliest days, it was common to see Eddie Grant, the Specials, Donna Summer, Musical Youth, and other Black artists in rotation. In the movie, Yetnikoff phones up MTV CEO Bob Pittman and starts screaming at him. “If you don’t play ‘Billie Jean’ in the next 10 minutes, I’m going to pull every CBS artist from your lineup,” he says. “Bruce Springsteen, Cheap Trick, Charlie Daniels, Billy Joel. Cyndi Lauper, Bob Dylan. You can put them all in a plastic bag, cover the plastic bag in Crisco, and then shove them up your ass.” This is a story that Yetnikoff loved to tell, and some version of that possibly went down. But it didn’t happen then. MTV began airing “Billie Jean” on March 10, 1983, They added in “Beat It” on March 31. By the time they shot “Thriller” in October, Michael was the face of MTV. They didn’t have to be threatened with losing their Charlie Daniels videos to play his stuff. They were counting the seconds until they could premiere “Thriller,” and run it roughly 50,000 times. ## The Victory Tour Featured All Six Jackson Siblings The final act of *Michael* is devoted to Joseph’s desperate attempts to convince Michael to tour with his brothers after the success of *Thriller.* As the movie shows, Don King was a promoter and brought in Pepsi as a sponsor. Jermaine also came back for the tour. But in reality, all six siblings were on the tour. We only see five in the movie because Randy isn’t part of the narrative. But the movie does end with a strong hint that a sequel is coming. That’ll be tricky if they get into the Nineties, with the first sexual abuse allegation coming in 1993. If that happens, expect a much longer list of factual corrections than this one. *This article was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-features/fact-checking-michael-jackson-biopic-movie-whats-real-1235552596/)* ## Frequently ASked Questions ### Does Janet Jackson appear in the “Michael” biopic? No. Janet Jackson is entirely absent from the film, with sister La Toya shown as the only Jackson daughter. La Toya told Variety that Janet was asked to appear but declined, and her wishes were respected. ### Is Randy Jackson included in the “Michael” biopic? No. Randy Jackson, the youngest Jackson brother who became an official Jackson 5 member in 1971 and co-wrote “Shake Your Body (Down to the Ground),” does not appear in the film at all. ### Was “Off the Wall” really Michael Jackson’s solo debut? No. The film implies “Off the Wall” was Michael’s first solo album, but it was actually his fifth solo record, following “Got to Be There,” “Ben,” “Music & Me,” and “Forever Michael,” all released years earlier on Motown. ### Who actually wrote the song “Thriller”? The film suggests Michael Jackson came up with the “Thriller” title and concept himself, but the song is solely credited to songwriter Rod Temperton, who has described developing the title through multiple attempts before landing on “Thriller.” ### Did all six Jackson siblings perform on the Victory Tour? Yes, in reality all six Jackson brothers participated in the Victory Tour. The film only shows five, since Randy Jackson is omitted from the story entirely, despite his real involvement in the tour. Related Stories - [We Were Never Going to Get a Real Michael Jackson Biopic](https://rollingstonephilippines.com/culture/film/jackson-movie-michael-jackson-review/ "We Were Never Going to Get a Real Michael Jackson Biopic") - [Jaafar Jackson on Stepping Into His Uncle’s Shoes For ‘Michael’](https://rollingstonephilippines.com/culture/film/jaafar-jackson-michael-jackson-biopic/ "Jaafar Jackson on Stepping Into His Uncle’s Shoes For ‘Michael’") - [18 Filipino Dance Tracks That Capture the Spirit of Queerness](https://rollingstonephilippines.com/editors-picks/lists/18-queer-filipino-dance-tracks/ "18 Filipino Dance Tracks That Capture the Spirit of Queerness") **Categories:** Film, Music, Pop **Tags:** Michael Jackson --- ### [From ‘Brat’ Walls to Giant Michael: 8 Album Stunts that Got Everyone Talking](https://rollingstonephilippines.com/music/8-album-promo-stunts/) **Published:** April 27, 2026 **Author:** Elijah Pareño **Excerpt:** These musicians took bold swings with promotion, turning releases into events that blurred the line between marketing and outrageous stunts **Content:** The history behind an album’s promotion dates back to simple advertisements telling listeners to “check out the album” on radio stations and commercials as far as [the Beatles](https://rollingstonephilippines.com/tag/the-beatles/ "The Beatles") promoting *A Hard Day’s Night* in 1964. As time went on, artists sought to do more than posting up flyers in neighborhoods and commercial buildings. Artists and their teams aimed for the impossible, often going into career-risking methods of promoting music. In recent history, on April 22, [Drake](https://rollingstonephilippines.com/music/rapper-kendrick-lamar-halftime-show-bigger-than-super-bowl/ "Kendrick Lamar’s Halftime Show is Bigger Than the Super Bowl") teased his upcoming album *Iceman* by planting a tower of ice blocks in the middle of his hometown of Toronto. Fans tried to uncover a hidden message as the rapper hinted that the release date was embedded within the installation. Online streamers and influencers even brought weapons like sledgehammers and flamethrowers to melt the ice. While on the other hand, the Queen of Pop Madonna partners with dating app Grindr for the *CONFESSIONS II*’s global launch. This is proof that promotions like these get people talking. Here are the eight memorable examples of publicity stunts that promoted album releases. ## ‘Brat’ Wall ![Brat Wall](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Brat-Wall-1.webp) Charli tweeted out the address online where she held a surprise pop-up performance to kick off the *Brat* era. Photo from Colossal Media/Instagram [Charli XCX](https://rollingstonephilippines.com/tag/charli-xcx/ "Charli XCX")’s *Brat* promotion remains one of the most talked-about album campaigns in recent memory. Charli tweeted out the address online where she held a surprise pop-up performance to kick off the *Brat* era. “BRAT WALL 4EVER,” she wrote on TikTok, standing atop a parked SUV in front of the fluorescent wall and lip-syncing to “360,” surrounded by fans. The wall itself stayed blank in the following weeks. Soon, other walls began turning lime green everywhere. Even Manila wasn’t spared from the *Brat* fever. ## Nobody Needed U2 ![U2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/U2.webp) The intended “gift” from Apple and U2 backfired, leading to widespread backlash. Photo from U2/Instagram What would you do if a band forcibly added their new album without you noticing? You’d get pissed, right? [U2](https://rollingstonephilippines.com/tag/u2/ "U2") pushed boundaries in marketing and also pushed everyone’s patience in the process. Their 2014 album *Songs of Innocence* was automatically added to over 500 million iTunes accounts without explicit consent, a move widely criticized as invasive and “worse than spam.” The intended “gift” from Apple and U2 backfired, leading to widespread backlash, forced removal instructions, and Bono later apologizing for what he called a “drop of megalomania.” ## Meaty Presentation ![Lady Gaga meat dress](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/meat-dress.webp) While accepting Video of the Year, Gaga announced the title of her upcoming album: *Born This Way*. Photo from MTV VMAs/Facebook While [Lady Gaga](https://rollingstonephilippines.com/tag/lady-gaga/ "Lady Gaga")’s last album cycle (for her 2025 release *Mayhem*) features its own high-concept fashion, the meat dress remains the gold standard of iconic pop culture moments. Gaga wore it to the 2010 MTV VMAs, the night she swept awards for “Bad Romance.” While accepting Video of the Year from Cher, who famously held Gaga’s “meat purse,” she announced the title of her upcoming album: *Born This Way*. ## The Battle of the Giants ![Kanye West 50 Cent](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/50-cent-kanye-west.webp) Kanye West and 50 Cent at BET Studios in New York. Photo from Brad Barket Rappers 50 Cent and [Kanye West](https://rollingstonephilippines.com/tag/kanye-west/ "Kanye West"), now known as Ye, went toe to toe in what became a reset for hip-hop marketing. The 2007 release clash between *Curtis* and *Graduation* was a meticulously orchestrated PR stunt that changed the attention from 50’s gangsta rap to Kanye’s more melodic and eclectic approach. By dropping their albums on the same day, September 11(!), and building high-stakes drama, Kanye won the sales battle. ## This is Captain Rihanna Speaking ![Rihanna](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Rihanna-1.webp) Rihanna performs in Brooklyn. Photo from Mike Lawrie [Rihanna](https://rollingstonephilippines.com/tag/rihanna/ "Rihanna")’s “777 Tour” in 2012 remains one of the most infamous case studies in modern music PR. To promote *Unapologetic*, she chartered a Boeing 777 to visit seven countries in seven days for seven shows, bringing along 150 journalists and select fans. What followed was a logistical mess that reporters dubbed the “Rihanna Plane Mutiny,” but it ultimately worked in boosting the album’s visibility. ## Rooftop Legends ![The Beatles](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/rooftop.webp) The performance showcased the band’s raw musicality despite internal tensions. The album later saw major commercial success. Photo from Apple Corps/Instagram No one knew what the Beatles were up to after being labeled a “recording band” until one afternoon in London. Their January 30, 1969, rooftop concert, promoting *Let It Be*, became their final live performance. Staged atop their Apple Corps building, the surprise set disrupted the workday, drew crowds, and was eventually shut down by police. It showcased the band’s raw musicality despite internal tensions. The album later saw major commercial success. ## Giant Michael ![Michael Jackson statue](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/mj-statue.webp) It was an extravagant display of album rollout promotion, even by Jackson’s standards. Photo from Michael Jackson/Instagram [Michael Jackson](https://rollingstonephilippines.com/tag/michael-jackson/ "Michael Jackson") was already the biggest artist in the world his albums *Off the Wall*, *Thriller*, and *BAD* were released. To reinforce that mythical status, his label Sony launched an ambitious campaign for *HIStory* in 1995 by building nine 32-foot statues of Jackson, each weighing 42,000 pounds. The first statue appeared floating on the River Thames in London. It was an extravagant display of album rollout promotion, even by Jackson’s standards. ## That ‘DAM’ Tree ![SB19](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/dam-tree.webp) Running from early April to May 4, 2025, it became a hub for A’TIN fans. Photo from SB19/Facebook Pioneering P-pop boy group [SB19](https://rollingstonephilippines.com/tag/sb19/ "SB19") brought nature into the city with a giant installation placed in Bonifacio Global City. The “DAM” tree, located on 7th Avenue, recreated elements from the group’s music video. Later on, the group would sing and dance in a flash mob during the tree’s opening ceremony. Running from early April to May 4, 2025, it became a hub for A’TIN fans, complete with glowing apples, music, and gachapon activities tied to the *Simula at Wakas* EP release. ## Frequently Asked QUestions ### What was Charli XCX’s “Brat” Wall promotion? Charli XCX kicked off her “Brat” album era with a surprise pop-up performance beside a fluorescent green wall, later inspiring similar lime-green walls to appear in cities worldwide, including Manila, as part of the album’s viral rollout. ### Why did U2 face backlash over their 2014 album release? U2’s “Songs of Innocence” was automatically added to over 500 million iTunes accounts without consent in 2014, drawing widespread criticism as invasive. Bono later apologized, calling it a “drop of megalomania.” ### How did Lady Gaga announce “Born This Way”? Lady Gaga announced her album “Born This Way” while wearing her now-iconic meat dress at the 2010 MTV VMAs, accepting Video of the Year from Cher, who famously held what became known as Gaga’s “meat purse.” ### What was the 2007 chart battle between 50 Cent and Kanye West? 50 Cent and Kanye West released their albums “Curtis” and “Graduation” on the same day, September 11, 2007, in a high-stakes promotional rivalry. Kanye won the sales battle, marking a shift in hip-hop’s commercial direction. ### What was SB19’s “DAM” tree installation? SB19’s “DAM” tree was a nature-themed installation in Bonifacio Global City recreating elements from their music video, running from early April to May 4, 2025, tied to the “Simula at Wakas” EP release and featuring a fan flash mob at its opening. Related Stories - [5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding](https://rollingstonephilippines.com/editors-picks/lists/5-moments-sb19-rewrote-p-pop-worldbuilding/ "5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding") - [For Filipinos, Kanye West’s Music Lives On, Even If His Reputation Doesn’t](https://rollingstonephilippines.com/music/kanye-west-music-filipinos/ "For Filipinos, Kanye West’s Music Lives On, Even If His Reputation Doesn’t") - [4 Icons of the ‘Manila Sound’ Era and Their Enduring Legacy](https://rollingstonephilippines.com/music/4-icons-manila-sound-era-legacy/ "4 Icons of the ‘Manila Sound’ Era and Their Enduring Legacy") **Categories:** Editor's Picks, Lists, Music, Pop **Tags:** Kanye West, Lady Gaga, Michael Jackson, Publicity Stunts, Rihanna, SB19, The Beatles, U2 --- ### [Is Jin Chao From ‘The Devil Wears Prada 2’ the New Cho Chang?](https://rollingstonephilippines.com/culture/film/devil-wears-prada-2-jin-chao/) **Published:** April 23, 2026 **Author:** Mel Wang **Excerpt:** Besides her name, the character also plays into some questionable Asian stereotypes **Content:** *[The Devil Wears Prada 2](https://rollingstonephilippines.com/tag/the-devil-wears-prada-2/ "The Devil Wears Prada 2")* hasn’t even hit cinemas yet, but it’s already drawing flak for its portrayal of one of its Asian characters. In a clip released by 20th Century Studios to tease the film’s release, we’re introduced to Jin Chao (Helen J. Shen), a… more than precocious assistant assigned to Andy Sachs ([Anne Hathaway](https://rollingstonephilippines.com/tag/anne-hathaway/ "Anne Hathaway")). She starts off bubbly, ready to walk-and-talk beside her new boss; however, as soon as Andy gives her a monosyllabic answer, Jin immediately cracks and starts to spiral. “You don’t want me,” Jin laments. “If you don’t want me, you *can* interview someone else, I don’t mind. I *did* go to Yale, 3.86 GPA, lead soprano of the Whiffenpoofs, and my ACT score was 36 on the very first try…” The clip has begun making its rounds on the internet, and viewers are quickly pointing out how the character of Jin Chao seems to be playing into several East Asian stereotypes. Many have voiced concerns with the character’s name (which sounds like two last names slapped together), and how it seems to be a little more than similar to the Western slur, “Ching Chong.” The phrase can be traced back to the 19th century, when “yellow peril” and xenophobic sentiments were on the rise in the United States as more and more Chinese immigrants flocked to the country. Other viewers have also started drawing parallels between Jin Chao and past instances of stereotypical Asian characters making it to the big screen, such as Mickey Rooney’s Mr. Yunioshi in *Breakfast at Tiffany’s*. It definitely doesn’t help that Jin’s playing into the overachieving and model minority tendencies that come with the Asian stereotype. It’s a rough start for *The Devil Wears Prada 2*, especially as the accusations of racism begin to pick up steam. However, it might be best for us to wait until the movie makes it to cinemas (April 29 in the Philippines) before we jump to conclusions. Because who knows? Maybe Jin Chao contains multitudes (or at least I really hope so). ## Frequently Asked QUestions ### Who plays Jin Chao in “The Devil Wears Prada 2”? Jin Chao is played by Helen J. Shen. She’s introduced as an eager, overachieving assistant assigned to Andy Sachs, played by Anne Hathaway, in a teaser clip released by 20th Century Studios ahead of the film’s release. ### Why is “The Devil Wears Prada 2” facing backlash before release? A teaser clip shows Jin Chao unraveling after receiving a brief response from her boss, listing her academic achievements. Viewers criticized the scene for leaning into East Asian stereotypes, including the model minority trope and an overachieving persona. ### What controversy surrounds the character’s name, Jin Chao? Viewers have pointed out that “Jin Chao” sounds like two surnames combined and bears resemblance to the xenophobic slur “Ching Chong,” a phrase rooted in 19th-century anti-Chinese sentiment during a rise in Chinese immigration to the U.S. ### Have critics compared Jin Chao to other stereotypical Asian film characters? Yes. Viewers have drawn comparisons between Jin Chao and past instances of stereotypical Asian portrayals in film, such as Mickey Rooney’s widely criticized Mr. Yunioshi character in “Breakfast at Tiffany’s.” ### When does “The Devil Wears Prada 2” release in the Philippines? “The Devil Wears Prada 2” is set to release in Philippine cinemas on April 29, giving audiences a chance to see the full portrayal of Jin Chao before drawing further conclusions about the character. Related Stories - [Sydney Sweeney Isn’t the First to Get Cut From A Major Motion Picture](https://rollingstonephilippines.com/culture/film/sydney-sweeney-devil-wears-prada-2/ "Sydney Sweeney Isn’t the First to Get Cut From A Major Motion Picture") - [‘The Devil Wears Prada 2’ Teaser Trailer Sees Miranda and Andy Reunited](https://rollingstonephilippines.com/culture/film/the-devil-wears-prada-2-teaser-trailer/ "‘The Devil Wears Prada 2’ Teaser Trailer Sees Miranda and Andy Reunited") - [‘The Devil Wears Prada 2’ Announces Philippines Release Date](https://rollingstonephilippines.com/radar/releases/the-devil-wears-prada-2-philippine-release/ "‘The Devil Wears Prada 2’ Announces Philippines Release Date") **Categories:** Culture, Film **Tags:** Anne Hathaway, Helen J. Shen, The Devil Wears Prada 2 --- ### [BINI ‘Besties’ Dancer on Performing For Historic Coachella Debut](https://rollingstonephilippines.com/music/pop/bini-besties-dancer-coachella-2026/) **Published:** April 23, 2026 **Author:** Elijah Pareño **Excerpt:** One of the girl group’s choreographer-dancers recalls the massive pressure, grueling rehearsal schedule, and pride behind a performance that put Filipino talent in front of the world **Content:** [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI")’s Coachella debut last April 10 (with another show on the 19th) is one for the books. The girl group’s two performances at the Mojave stage were assembled from multiple elements coming together: shiny, glittering costumes, newly refined songs tailored for a global crowd, multitudes of Filipino references during their spiels, and, of course, the dancers who trudged, shuffled, and hip-tossed their way onto one of the world’s biggest stages over the past two weeks. BINI’s official backup dancers, called “[Besties](https://rollingstonephilippines.com/tag/besties/ "Besties"),” a group of seven dancers consisting of Kenshin Tabion, Jhorel Zapanta, JC Lumanog, Germond Eisma, Lance Delos Santos, Julian Garcia, and collaborative choreographer Matrix Katindig, have faced several challenges to help the girls make one hell of a Coachella debut. All the dancers who auditioned to become part of the Besties. They came from different dance groups like And Friends, Team Package Makers, Bawz, The Crew, and Up Street. Katindig appeared in the video for Troye Sivan’s “Get Me Started” in 2023 and choreographed for other P-pop groups like FINA for their dance performance of “Paramdam” this year. He came from the dance troupe Femme MNL, whose members are included in the official backup dancers. Even as the attention centered on BINI, the queer dancer still couldn’t believe he was part of a milestone this massive. But the lead up to and the performance itself were not without a few hiccups, such as microphone problems and in-ear monitors falling off the ear of their dancers in Week 1 and one of them having to run backstage to get Aiah a functional microphone on Week 2. https://www.youtube.com/watch?v=TVcDYn4tSRA&list=RDTVcDYn4tSRA&start_radio=1 “Honestly, while I was still backstage, the only thing on my mind was, ‘Don’t mess this up,’” Katindig tells *Rolling Stone Philippines*. “The pressure was real since this was such a huge moment, not just for us, but for Filipino artists.” BINI doesn’t usually bring backup dancers on tour, so Katindig never expected the assignment from ABS-CBN and Star Magic coaches. But Coachella was an exception, and, for Katindig, it was the call of a lifetime. “One random day in December, I got a call from Coach Mickey \[Perz\] asking about my availability because they were planning to include dancers,” he says. “According to him, we were handpicked by the girls themselves, which added extra pressure because we really had to prove that we deserved that spot.” ## Hunger for Recognition ![BINI Besties Coachella](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/BINI-Besties-1.webp) The Besties kept their spirits up despite the demands and sudden atmospheric changes on stage. Photo from Matrix Katindig The Besties saw firsthand what it took to work with BINI ever since their first solo concert at New Frontier Theater back in 2024. Fast forward two years later, for over a month leading up to Coachella, rehearsals ran through sleepless nights and nonstop adjustments to changes, blockings, and sequences, all to match the group’s vision. “I can say they haven’t changed in how they treat people,” he says. “They’re still very loving, caring, and supportive to everyone they work with. But when it comes to their work ethic, they’ve grown even more driven and hungry to achieve their dreams, especially now that they’re gaining global recognition.” In California, where some estimated hundreds of thousands of fans saw BINI over two weekends (not counting the millions who watched the livestream of the performances), the Besties were essential behind the scenes, according to Katindig. There were a couple of factors that had every dancer’s heart racing: the humidity, the pressure to be perfect and of performing at their best with millions watching. It was all eyes on the Philippines for a brief moment. The Besties kept their spirits up despite the demands and sudden atmospheric changes on stage. “Ang hirap huminga \[*laughs*\]. We had to drink and inhale every time we exit sa backstage,” he says. “‘Yung saliva namin nagiging malapot at nakakanginig ng katawan.” The Besties were also supposed to put on headwear but eventually ditched it due to issues with breathing, the lack of a peripheral view, and having troubles with blockings. Despite the challenges that encountered during the two different weeks, the Besties carried on, cheering themselves on during the moment. “Ritual namin sa backstage ay we usually talk to each other, lift up one another, and acknowledge ourselves before we enter the stage, so lahat kami ay in-game talaga,” he says. “Zone in \[dapat\]. So if may clutch moments, hindi kami super na-ra-rattle since we know what to do and how to act accordingly.” Katindig treated the performance as a way to keep improving, even if not every set was perfect. Those particular stumbles happen, but for him, what mattered was being present and having fun while the world stage was theirs, even for 45 straight minutes. “This experience really amplified my drive to push my limits as a dancer,” he says. “Getting to watch some of my dance icons perform live inspired me even more to improve. Moving forward, I want to keep growing, keep creating, and continue representing Filipino talent internationally.” ## Frequently Asked Questions ### Who are BINI’s “Besties”? The Besties are BINI’s official backup dancers for their Coachella performances, consisting of seven members: Kenshin Tabion, Jhorel Zapanta, JC Lumanog, Germond Eisma, Lance Delos Santos, Julian Garcia, and choreographer Matrix Katindig. ### How were the Besties selected for BINI’s Coachella performance? Choreographer Matrix Katindig says the dancers were handpicked by BINI’s members themselves, following a call from coach Mickey Perz in December asking about his availability, since BINI doesn’t typically bring backup dancers on tour. ### What challenges did BINI’s dancers face during their Coachella performances? The Besties dealt with technical issues, including microphone problems and in-ear monitors falling off during Week 1, plus difficulty breathing onstage due to humidity, which led them to eventually remove planned headwear pieces. ### How did the Besties prepare for BINI’s Coachella debut? The dancers underwent over a month of rehearsals leading up to Coachella, working through sleepless nights and constant adjustments to blocking and choreography sequences to match BINI’s vision for the performance. ### What did Matrix Katindig say about BINI’s work ethic? Katindig said BINI’s members remain loving and supportive but have grown increasingly driven and hungry to achieve their goals as they gain global recognition, describing their treatment of collaborators as unchanged despite their rising fame. 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The constant stream of shows, videos, and films to watch online can become a sludge to wade through, so here are a few things you can watch courtesy of the *Rolling Stone Philippines* team. This week, we revisited several of National Artist for Film [Lino Brocka’s](https://rollingstonephilippines.com/culture/lino-brocka-death-anniversary/ "Lino Brocka Was the Filmmaker of the People") films, all of which were made during his time with Viva Films. Some of them, like the ones we’ve put together for this list, tended to be a little over-the-top (or very). Cheating spouses, love triangles, and bloody lovers’ quarrels all colored these offerings from the filmmaker, with some of his most favored muses — [Hilda Koronel](https://rollingstonephilippines.com/culture/film/hilda-koronel-sisa-interview/ "Hilda Koronel: ‘It Was Lino Brocka Who Would Always Save Me’") and Christopher de Leon, to name a few — leading the charge. For your viewing pleasure, we’ve rounded up three of our favorites from this period of Brocka’s career, and we hope you appreciate just how dramatic they get as much as we do. ## ‘Gumapang Ka sa Lusak’ Do I need to know what [Eddie Garcia](https://rollingstonephilippines.com/tag/eddie-garcia/ "Eddie Garcia") sounded like when he moaned? No, but now I do after watching *Gumapang Ka sa Lusak.* In the film, Garcia plays the evil Mayor Edmundo, who’s using his power and wealth to both secure himself a place in Congress and play sugar daddy to Dina Bonnevie’s Rachel, an actress who, try as she might, can do nothing to escape Edmundo’s tight grasp. However, Rachel realizes that she can use her lover’s connections in her favor — specifically, to get her *real* beloved, Levi (played by Christopher De Leon rocking a gorgeous mullet), out of prison. Although a lot of *Gumapang Ka sa Lusak* leans on the side of melodramatic — at one point, [Charo Santos-Concio](https://rollingstonephilippines.com/tag/charo-santos-concio/ "Charo Santos-Concio"), playing the mayor’s cruel wife, sings a whole ballad while staring melancholically at her husband holding his mistress — Brocka, his cast, and his writer (National Artist for Broadcast Arts [Ricky Lee](https://rollingstonephilippines.com/tag/ricky-lee/ "Ricky Lee")!) are so effective in their craft that you can’t help but be swept up in the drama. —*[Mel Wang](https://rollingstonephilippines.com/author/melissa-wang/ "Mel Wang")* ## ‘Babangon Ako’t Dudurugin Kita’ https://www.youtube.com/watch?v=GTQpx-_YLP4 Said to be the superior [Sharon Cuneta](https://rollingstonephilippines.com/tag/sharon-cuneta/ "sharon cuneta") and Lino Brocka collaboration, *Babangon Ako’t Dudurugin Kita* — the title alone is a scream — is anchored by award-wanting performances from Brocka’s muses. Christopher De Leon plays Alfred, an ambitious businessman who marries Salve (Cuneta) for her father’s connections. Salve is simple, content in serving her husband. But said husband wants something more in his life. While applying for a job, he meets the company owner, Via (Hilda Koronel), who takes one look at Alfred and hires him on the spot. Of course, it’s out of… lust? Via and Alfred conspire to get Salve out of the equation, staging a rape (courtesy of William Lorenzo) and then making it look like Salve is cheating on Alfred. Yikes. Barrio lass Salve, at weepy rock bottom, is saved by mafia lord Rod (Bembol Roco), dresses her up, teaches her how to shoot, and gives her a perm so she can take her revenge on Via, Alfred, and her rapist. Adapted from a Gilda Olvidado story, Brocka makes a Viva classic with one unhinged turn after another. Revenge has a pretty face, and in this case, it’s Ate Shawie with a gun, holding it like she’s in a ‘70s spaghetti western. The best. —*[Don Jaucian](https://rollingstonephilippines.com/author/don-jaucian/ "Don Jaucian")* ## ‘Maging Akin Ka Lamang’ The best way I can describe the plot of *Maging Akin Ka Lamang* is that it’s a crush taken to the extreme. The film follows Lorna Tolentino as Rosita, the rich heiress to a property development empire who’s madly in love with architect (and her ex-lover) Andy, played by Christopher De Leon. However, much to Rosita’s chagrin, Andy’s already in love with his girlfriend, Dina Bonnevie’s Elsa. (Or is he? There’s a steamy hot tub sesh that casts some doubt over Andy’s real feelings… but ah, let’s keep things simple: he’s in love with Elsa.) Regardless, Andy’s off the market, and Rosita’s out for revenge. Her schemes to win Andy back escalate quickly, starting off with her crashing the couple’s Baguio trip, then her wearing white to their wedding (where she was the maid of honor, by the way!), and then finally paying off the head of the OB-GYN department to steal their baby (gasp!). At some point, you just have to applaud Rosita for never quitting — even if she’s ruined multiple lives in the process. —*Mel Wang* *All films are available on YouTube and VivaOne* ## Frequently Asked Questions ### What is “Gumapang Ka sa Lusak” about? “Gumapang Ka sa Lusak” stars Eddie Garcia as a corrupt mayor who controls actress Rachel, played by Dina Bonnevie, while she secretly tries to free her real love, Levi, played by Christopher De Leon, from prison, written by National Artist Ricky Lee. ### Which Lino Brocka and Sharon Cuneta film is considered their best collaboration? “Babangon Ako’t Dudurugin Kita” is said to be the superior Brocka-Cuneta collaboration. Cuneta plays Salve, a woman betrayed by her husband and his lover, who is later trained by a mafia lord to seek violent revenge. ### What is “Maging Akin Ka Lamang” about? “Maging Akin Ka Lamang” follows Rosita, played by Lorna Tolentino, a wealthy heiress obsessed with reclaiming her ex-lover Andy, played by Christopher De Leon, despite his relationship with Elsa, played by Dina Bonnevie, leading to escalating schemes. ### Which actors frequently appear across these three Lino Brocka films? Christopher De Leon appears across all three films in different roles, while Dina Bonnevie and Hilda Koronel also appear in multiple entries, reflecting Brocka’s recurring collaborations with his favored muses during his Viva Films period. ### Where can I watch these Lino Brocka Viva Films classics? All three films, “Gumapang Ka sa Lusak,” “Babangon Ako’t Dudurugin Kita,” and “Maging Akin Ka Lamang,” are available to stream on YouTube and VivaOne. Related Stories - [Hilda Koronel: ‘It Was Lino Brocka Who Would Always Save Me’](https://rollingstonephilippines.com/culture/film/hilda-koronel-sisa-interview/ "Hilda Koronel: ‘It Was Lino Brocka Who Would Always Save Me’") - [Lino Brocka Was the Filmmaker of the People](https://rollingstonephilippines.com/culture/lino-brocka-death-anniversary/ "Lino Brocka Was the Filmmaker of the People") - [Harris Dickinson’s Criterion Closet Pick? Lino Brocka’s ‘Manila in the Claws of Light’](https://rollingstonephilippines.com/culture/film-tv/harris-dickinson-criterion-closet-lino-brocka/ "Harris Dickinson’s Criterion Closet Pick? Lino Brocka’s ‘Manila in the Claws of Light’") **Categories:** Culture, Film, Philippine Cinema **Tags:** Christopher de Leon, Dina Bonnevie, hilda koronel, Lino Brocka, lorna tolentino --- ### [Foo Fighters Build a Healing Album Out of Heroic Noise](https://rollingstonephilippines.com/music/music-reviews/foo-fighters-your-favorite-toy-review/) **Published:** April 23, 2026 **Author:** Jon Dolan **Excerpt:** The long-running rock band's 12th album is some of the most powerful music they’ve made **Content:** The last [Foo Fighters](https://www.rollingstone.com/t/foo-fighters/) album, 2023’s *[But Here We Are](https://www.rollingstone.com/music/music-album-reviews/foo-fighters-but-here-we-are-1234747715/),* was a profound act of public grieving, the band’s first music since the tragic death of beloved drummer [Taylor Hawkins](https://www.rollingstone.com/t/taylor-hawkins/) only a year earlier. “Someone said I’ll never see your face again/Part of me just can’t believe it’s true,” [Dave Grohl](https://www.rollingstone.com/t/dave-grohl/) sang on the LP’s determined anthem “Under You.” For a band whose three-decade run has always been marked by how uncannily well-adjusted they seem, seeing them power through such a major loss in real time made for what was arguably the most emotionally intense listen in their discography. That is, until now. The band’s 12th album, *Your Favorite Toy,* is the next chapter in that story of fighting through grief and looking forward. Yet where its predecessor often had a reflective tone, their latest is about high-energy garage-rock catharsis, getting in a room and blasting away and letting the noise be your guide. “Do I? Do I? Do I?” Grohl repeats at the start of album-opener “Caught in the Echo,” his voice distorted in a vengeful blur. He’s asking a question, but it feels like a command, indecision as an honest call to arms. The song bangs: The band’s three guitarists lock into a punk-torpedo riff that could’ve come from a Fugazi record, driven forward by new drummer Ilan Rubin. The song builds tension until Grohl’s drill-sergeant “Do I?”s resolve in a more direct question: “Who can save us now?” That’s something he’ll puzzle through on many songs here. “I’m a puddle on the ground,” he admits on the ominously chugging “Window,” before the guitars let in some sun and he’s brightened by seeing the face of someone he loves. On “Your Favorite Toy,” Grohl howls against shallow distractions through a glam-grunge maelstrom, offering a bit of cautionary rock-star wisdom: “Try not to choke on the glitter,” a passing line with deep resonance in his story. Yet when he sings “Ain’t that a pity/Ain’t that a shame,” on the Sabbath-worthy haymaker “If You Only Knew,” he does so mockingly, as if the idea of getting slowed down by the past isn’t an option, at least not for him. ![foo fighters your favorite toy album cover](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/foo-fighters-yft-album-cover-copy.webp) The album cover of *Your Favorite Toy*. Photo from Foo Fighters/Instagram That doesn’t mean the ghosts here aren’t scary. The album’s most poignant song is “Of All People,” in which Grohl runs into a drug dealer who used to sell to the rock & roll elite way back in the day. The song’s Eighties L.A.-punk riff is poignant, evoking that scene’s less-than-zero ethos, and his sense of horror at seeing this person still stalking the streets hits hard. “You know you should be dead/But you’re alive instead,” he sings. The song engages with a universal moral riddle: Why don’t bad things happen to bad people when the good ones so often leave us way before their time? It’s pretty deep stuff for a two-and-half-minute power-pop ripper. The response to that apparently inescapable problem comes in a song like “Spit Shine,” a burst of seething guitars and dervish drum pummel where Grohl leaps out of the blur to remind us, “Don’t forget, we’re lucky if we get out alive.” *Your Favorite Toy* can be slashing and scabrous; sometimes it’s downright bleak (as on the moody assessment of fame “Child Actor” or the pessimistic, politically-tinged “Amen, Caveman”). But at 10 fast, extremely catchy songs, it flies by and demands repeat immersion. Songs here that start off surprisingly bracing resolve into big, sleek choruses, the work of firm believers in the power of heroic, high-protein mainstream alt-rock as a salve against encroaching darkness. The album ends with its emotional centerpiece, “Asking for a Friend,” a statement of purpose that starts out at power-ballad speed and ends up racing to the hopeful horizon. “Searching for something to pray/Words I can use/To lay your worry down,” Grohl sings. He’s found those words right here. *This article was originally published on [rollingstone.com](http://rollingstone.com).* ## Frequently Asked Questions ### What is Foo Fighters’ “Your Favorite Toy” about? “Your Favorite Toy” is the band’s 12th album, continuing the story of grief and moving forward following drummer Taylor Hawkins’ death, but shifting from the reflective tone of 2023’s “But Here We Are” to high-energy garage-rock catharsis. ### Who is the new drummer on “Your Favorite Toy”? Ilan Rubin serves as the album’s new drummer, driving tracks like opener “Caught in the Echo,” which features a punk-influenced riff from the band’s three guitarists. ### What is the most poignant song on “Your Favorite Toy,” according to the review? The review identifies “Of All People” as the album’s most poignant track, describing Dave Grohl’s encounter with a drug dealer from the old rock scene, using an Eighties L.A.-punk sound to explore why bad things don’t always happen to bad people. ### How many songs are on “Your Favorite Toy”? The album contains 10 fast, catchy tracks, blending seething, high-energy moments with bleaker material, such as the fame-focused “Child Actor” and the politically tinged “Amen, Caveman.” ### How does “Your Favorite Toy” end? The album closes with “Asking for a Friend,” described as its emotional centerpiece, opening at power-ballad tempo before building toward a hopeful, driving conclusion. Related Stories - [Space-Ta Unveils ‘Debussy,’ Pulls in OPM Rock Mainstays for New Album](https://rollingstonephilippines.com/music/rock/space-ta-debussy-new-album/ "Space-Ta Unveils ‘Debussy,’ Pulls in OPM Rock Mainstays for New Album") - [Photographer Niña Sandejas Debuts alt164 Press With 408-Page Greyhoundz Book](https://rollingstonephilippines.com/music/rock/nina-sandejas-alt164-greyhoundz/ "Photographer Niña Sandejas Debuts alt164 Press With 408-Page Greyhoundz Book") - [Greyhoundz’s Reg Rubio Chooses His Battles in Nu-Metal’s Loudest Scene](https://rollingstonephilippines.com/music/rock/reg-rubio-greyhoundz-interview/ "Greyhoundz’s Reg Rubio Chooses His Battles in Nu-Metal’s Loudest Scene") **Categories:** Music, Music Reviews, Rock **Tags:** Foo Fighters --- ### [What to Know About ‘Sun Chaser,’ the Animated Series Starring Manny Jacinto, Liza Soberano, and More](https://rollingstonephilippines.com/culture/tv/sun-chaser-manny-jacinto-liza-soberano/) **Published:** April 23, 2026 **Author:** Mel Wang **Excerpt:** The series will see Jacinto voice a young boy who must sail Philippine waters to save his grandmother **Content:** *[Sun Chaser](https://rollingstonephilippines.com/tag/sun-chaser/ "Sun Chaser")*, the latest project from Philippine-based animation studios Toon City and PlayLab, will debut its pilot episode at this year’s Annecy International Animation Film Festival, held from June 21 to 27 in Annecy, France. Created by Filipino-American creators Bernard Badion and Bobby Pontillas (the latter of whom earned an Oscar nod for the 2018 short film, *One Small Step,* which he co-directed), *Sun Chaser* currently boasts an impressive lineup of voice actors, including [Manny Jacinto](https://rollingstonephilippines.com/tag/manny-jacinto/ "Manny Jacinto"), [Liza Soberano](https://rollingstonephilippines.com/tag/liza-soberano/ "Liza Soberano"), [Charo Santos-Concio](https://rollingstonephilippines.com/tag/charo-santos-concio/ "Charo Santos-Concio"), and [Dingdong Dantes](https://rollingstonephilippines.com/tag/dingdong-dantes/ "dingdong dantes"). The series previously won the Animation du Monde at last year’s festival. The series centers around Jordan Santos (Jacinto), a “self-absorbed teen whose carefree summer is upended when an ancient icy villain attacks his grandmother’s island in the Philippines,” according to the official logline. To protect his family, Jordan must take charge of a ship known as the Sun Chaser and rescue his grandmother before it’s too late. Also in the cast are Eugene Cordero, JR De Guzman, Zia Dantes, AC Bonifacio, and KD Estrada. Although *Sun Chaser* signals an important milestone for the studio, this isn’t the first time that Toon City has left its mark on the global animation scene. Since it opened in 1993 as an animation service provider for Walt Disney Television Animation, Toon City has contributed to shows such as *Rick and Morty*, *Kim Possible*, *Hazbin Hotel*, and *Curious George*, the latter of which won them an Emmy for Outstanding Children’s Animation. For *Sun Chaser,* Soberano’s Funny Face Films is also stepping in as a co-producer. ## Frequently Asked Questions ### What is “Sun Chaser” about? “Sun Chaser” follows Jordan Santos, a self-absorbed teen voiced by Manny Jacinto, whose carefree summer is disrupted when an ancient icy villain attacks his grandmother’s island in the Philippines, forcing him to take charge of a ship to rescue her. ### Who is in the voice cast of “Sun Chaser”? The cast includes Manny Jacinto, Liza Soberano, Charo Santos-Concio, Dingdong Dantes, Eugene Cordero, JR De Guzman, Zia Dantes, AC Bonifacio, and KD Estrada, bringing together a notable lineup of Filipino talent for the animated series. ### When and where does “Sun Chaser” premiere? “Sun Chaser” debuts its pilot episode at the Annecy International Animation Film Festival, held June 21 to 27 in Annecy, France. The series previously won the Animation du Monde award at the festival the year prior. ### Who created “Sun Chaser”? “Sun Chaser” was created by Filipino-American creators Bernard Badion and Bobby Pontillas, the latter of whom earned an Oscar nomination for co-directing the 2018 short film “One Small Step.” ### Which studios are behind “Sun Chaser”? “Sun Chaser” is produced by Philippine-based animation studios Toon City and PlayLab, with Liza Soberano’s Funny Face Films co-producing. Toon City, founded in 1993, has previously worked on shows including “Rick and Morty” and “Curious George.” Related Stories - [‘Ella Arcangel,’ Filipino Fantasy-Horror Comic Series, is Getting Its Own Movie in 2026](https://rollingstonephilippines.com/culture/film/ella-arcangel-movie-adaptation-2026/ "‘Ella Arcangel,’ Filipino Fantasy-Horror Comic Series, is Getting Its Own Movie in 2026") - [‘Forgotten Island,’ Starring H.E.R, Liza Soberano, Spotlights Filipino Culture](https://rollingstonephilippines.com/culture/film/forgotten-island-her-liza-soberano-film/ "‘Forgotten Island,’ Starring H.E.R, Liza Soberano, Spotlights Filipino Culture") - [Manny Jacinto and the Tragedy of a Hateful ‘Star Wars’ Fanbase](https://rollingstonephilippines.com/culture/film-tv/manny-jacinto-star-wars-the-acolyte/ "Manny Jacinto and the Tragedy of a Hateful ‘Star Wars’ Fanbase") **Categories:** Culture, TV **Tags:** Charo Santos-Concio, dingdong dantes, Liza Soberano, Manny Jacinto, Sun Chaser --- ### [Sara Duterte to Travel Abroad Without Explaining SALN, Bank Anomalies](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-travel-abroad-saln/) **Published:** April 23, 2026 **Author:** Pie Gonzaga **Excerpt:** The vice president once again prepares to depart for the Netherlands, even as a recent House hearing reveals a few billion pesos worth of anomalies in her SALN and bank transactions **Content:** Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte") has not appeared in a single hearing regarding her [impeachment](https://rollingstonephilippines.com/tag/sara-duterte-impeachment/ "Sara Duterte Impeachment") complaints since the House Committee on Justice launched its probe into her confidential funds case in March. Now that the hearings have surfaced anomalies in her bank transactions and Statement of Assets, Liabilities, and Net Worth (SALN), Duterte is preparing to travel abroad. Malacañang Executive Secretary Ralph Recto told [*Inquirer*](https://globalnation.inquirer.net/319477/palace-confirms-sara-dutertes-foreign-trip-from-april-23-to-may-15) on Wednesday, April 22, that the Office of the President has authorized Duterte to travel to the Netherlands, South Korea, Belgium, Germany, and the U.K. from April 23 to May 15, for a total of 22 days. The travel authorization came just as the Anti-Money Laundering Council (AMLC) reported on Wednesday that banks had flagged P6.7 billion worth of dealings and transactions linked to Duterte and her husband, Manases Carpio. During the most recent impeachment hearing, the AMLC said that P4.4 billion was brought into their accounts and P1.5 billion was transferred out, while around P791 million could not be classified as inflow or outflow. Overall, there are 33 “suspicious transactions” and 630 “covered dealings” linked to Duterte and Carpio. The vice president’s SALN was also presented to the House justice panel on Wednesday. The documents showed that Duterte has not declared her cash on hand and cash deposits since 2019. From the beginning of her term as Davao City vice mayor in 2007 to the middle of her first term as mayor in 2018, Duterte’s liquid assets rose from P2 million to P3.7 million. Her SALN also showed an increase in her net worth, from P7.2 million in 2007 to P88.5 million in 2024. But even with a complete record of Duterte’s net worth, Congresswoman [Leila de Lima](https://rollingstonephilippines.com/tag/leila-de-lima/ "Leila de Lima") says that the missing declaration of liquid assets from 2019 onwards is “a serious threat to the veracity, transparency, and integrity of the vice president’s financial disclosures.” ![sara duterte SALN](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/sara-duterte-saln.webp) The Office of the Ombudsman presented the vice president’s SALN at the House Justice Committee’s hearing on April 22. Screenshot House of Representatives of the Philippines/Facebook ## Confidential Funds Under Scrutiny On March 31, the Commission on Audit (COA) issued a Notice of Disallowance, ordering Duterte and other officials to return [P375 million in confidential funds](https://newsinfo.inquirer.net/2215194/coa-ruling-raises-vp-dutertes-confidential-fund-liability-to-p448-m), which were incurred between February and September 2023. According to the COA’s Intelligence and Confidential Funds Audit Office, the expenditures failed to meet the requirements for confidential fund use. The commission found that funds were given to unauthorized individuals, that there is no documentation proving the success of purported intelligence operations, and that no official receipts or invoices were issued to support the procurement of supplies. Instead of holding the Office of the Vice President (OVP) liable, COA listed specific officials as responsible for returning the funds, including Duterte, OVP Special Disbursing Officer [Gina Acosta](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/ovp-confidential-funds-1000-recipients-no-records/ "Over 1,000 Recipients of OVP Confidential Funds Without Records — PSA"), Chief Accountant Julieta Villadelrey, and Vice Presidential Security Head Col. Raymund Dante Lachica. ## Frequently Asked Questions ### Why is Sara Duterte traveling abroad now? The Office of the President authorized Duterte to travel to the Netherlands, South Korea, Belgium, Germany, and the U.K. from April 23 to May 15, a 22-day trip announced just as impeachment hearings revealed financial anomalies tied to her accounts. ### What financial anomalies were flagged in Sara Duterte’s bank transactions? The Anti-Money Laundering Council flagged P6.7 billion in dealings linked to Duterte and her husband, Manases Carpio, including P4.4 billion brought into accounts, P1.5 billion transferred out, and 33 transactions classified as “suspicious.” ### What discrepancies were found in Sara Duterte’s SALN? Duterte’s SALN showed she has not declared her cash on hand and cash deposits since 2019, despite her net worth rising from P7.2 million in 2007 to P88.5 million in 2024, prompting concerns from Congresswoman Leila de Lima. ### What did the Commission on Audit find regarding Duterte’s confidential funds? The COA ordered Duterte and other officials to return P375 million in confidential funds spent between February and September 2023, citing funds given to unauthorized individuals, missing documentation, and no receipts supporting fund use. ### Has Sara Duterte attended her impeachment hearings? No. Duterte has not appeared at any hearing related to her impeachment complaints since the House Committee on Justice began investigating her confidential funds case in March, despite mounting evidence presented during the proceedings. Related Stories - [Duterte Skips Impeachment Probe as Aide Alleges Corruption, Bad Law School Performance](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-impeachment-hearing-no-show/ "Duterte Skips Impeachment Probe as Aide Alleges Corruption, Bad Law School Performance") - [Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-president-impeachment/ "Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?") - [Tito Sotto’s Impeachment Record, From Estrada to Duterte](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/tito-sotto-impeachment-record-duterte/ "Tito Sotto’s Impeachment Record, From Estrada to Duterte") **Categories:** Philippine Politics, State of Affairs **Tags:** Sara Duterte, Sara Duterte Impeachment --- ### [Who is HYBE’s Hitman Bang and What’s Behind His Stock Fraud Allegations?](https://rollingstonephilippines.com/music/hybe-bang-stock-fraud-allegations/) **Published:** April 23, 2026 **Author:** Pie Gonzaga **Excerpt:** The music executive, who’s said to be responsible for the rise of BTS, now finds himself in hotter water as South Korean authorities move to arrest him for illegal trading allegations **Content:** Police are seeking an arrest warrant for [Bang Sihyuk](https://rollingstonephilippines.com/tag/bang-si-hyuk/ "Bang Si-hyuk"), the founder and chairman of the multinational media conglomerate HYBE Corporation, and producer of K-pop boy group [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS"). This comes as South Korean authorities continue to investigate [allegations](https://rollingstonephilippines.com/music/hybe-chairman-faces-probe/ "K-Pop Agency HYBE Chairman Faces Stock Fraud Investigation") that Bang, also known as “Hitman” Bang, committed stock fraud and profited from illicit agreements with private equity funds ahead of HYBE’s initial public offering (IPO) in 2020. Bang, who started his music career as a composer and producer, co-founded JYP Entertainment in 1997 with fellow producer Park Jinyoung, and made a name working with artists such as Rain, Wonder Girls, and 2AM. In 2005, he founded Big Hit Entertainment (now called HYBE), the label behind BTS. As the boy group rose to prominence in the late 2010s, Big Hit took on other ventures, such as the creation of the Korean social media platform Weverse and the acquisition of other labels such as Source Music and Pledis Entertainment. Following the 2020 IPO, Bang’s net worth went over $2 billion, according to [*CNN*](https://edition.cnn.com/2020/09/28/investing/bts-big-hit-entertainment-ipo/index.html). > [View this post on Instagram](https://www.instagram.com/p/C5XC6mzyydK/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Bang Si-Hyuk (@hitmanb72)](https://www.instagram.com/p/C5XC6mzyydK/?utm_source=ig_embed&utm_campaign=loading) Bang has denied accusations that he entered profit-sharing agreements without public disclosure ahead of the IPO in October 2020. According to the [*BBC*](https://www.bbc.com/news/articles/cz78zj74548o), authorities claimed that before the IPO, Bang had deceived existing investors into believing that HYBE did not have plans for a public listing, and instead convinced them to sell their shares to a private equity fund he allegedly had ties to. He is said to have taken a 30 percent cut from the sales, earning him ₩200 billion ($136 million). In South Korea, earning ₩5 billion or more in illicit proceeds could land an individual in jail for five years up to a life sentence. In December 2024, South Korea’s Financial Supervisory Service (FSS) began to investigate these allegations. In July 2025, the Financial Services Commission (FSC) referred Bang and three other company executives to prosecutors on suspicion of unfair trading, leading to a raid of the HYBE headquarters in South Korea. In December 2025, the Seoul Southern District Court approved the police’s request to seize Bang’s shares in HYBE, which at the time were worth $118 million. The FSS special judicial police also raided Bang’s home and offices that month. ## Frequently ASked Questions ### Who is Bang Sihyuk? Bang Sihyuk, known as “Hitman” Bang, is the founder and chairman of HYBE Corporation, the media conglomerate behind BTS. He co-founded JYP Entertainment in 1997 before founding Big Hit Entertainment, now HYBE, in 2005. ### What are the stock fraud allegations against Bang Sihyuk? South Korean authorities allege Bang deceived investors ahead of HYBE’s 2020 IPO by claiming there were no public listing plans, then convincing them to sell shares to a private equity fund he allegedly had ties to, taking a 30 percent cut worth ₩200 billion ($136 million). ### How has Bang Sihyuk responded to the allegations? Bang has denied entering undisclosed profit-sharing agreements ahead of HYBE’s IPO, though South Korean authorities continue investigating the claims as they seek an arrest warrant against him. ### What actions have South Korean authorities taken against Bang Sihyuk? The Financial Supervisory Service began investigating in December 2024. In July 2025, the Financial Services Commission referred Bang and three executives to prosecutors, leading to a HYBE headquarters raid. In December 2025, courts approved seizing his HYBE shares, then worth $118 million. ### How much is Bang Sihyuk worth, and how did he build his fortune? Bang’s net worth exceeded $2 billion following HYBE’s 2020 IPO, according to CNN. He built his career as a composer and producer before founding Big Hit Entertainment, which became HYBE and produced global acts including BTS. Related Stories - [K-Pop Agency HYBE Chairman Faces Stock Fraud Investigation](https://rollingstonephilippines.com/music/hybe-chairman-faces-probe/ "K-Pop Agency HYBE Chairman Faces Stock Fraud Investigation") - [3 NewJeans Moments That’s Tearing The Girls, HYBE, and ADOR Apart](https://rollingstonephilippines.com/music/pop/newjeans-ador-hybe-conflict/ "3 NewJeans Moments That’s Tearing The Girls, HYBE, and ADOR Apart") - [Min Heejin Wins Lawsuit vs HYBE, But More NewJeans Cases are Pending](https://rollingstonephilippines.com/music/pop/min-heejin-hybe-newjeans-lawsuit/ "Min Heejin Wins Lawsuit vs HYBE, But More NewJeans Cases are Pending") **Categories:** Music **Tags:** Bang Si-hyuk --- ### [7 Movies to Watch in Philippine Cinemas This May](https://rollingstonephilippines.com/culture/film/7-movies-to-watch-philippine-cinemas-may-2026/) **Published:** April 22, 2026 **Author:** Mel Wang **Excerpt:** From a Billie Eilish concert film to the latest drama from Irene Villamor, here are some of the movies worth seeing in cinemas this May **Content:** May is almost upon us, bringing with it a fresh batch of movies to watch that are all worth the trip to your local cinema. However, it can be a little daunting figuring out which feature deserves the movie ticket (and which one to sit out on). To help you decide your movie marathon plans, we’ve put together a quick list of films coming to Philippine cinemas nationwide this month. ## ‘Mortal Kombat II’ (May 6) Get ready for punches, kicks, and blood galore as the highly anticipated sequel to *Mortal Kombat* jumps into cinemas. Keeping familiar faces like Cole Young (Lewis Tan) and Sonya Blade (Jessica McNamee), *[Mortal Kombat II](https://rollingstonephilippines.com/tag/mortal-kombat-ii/ "Mortal Kombat II")* also brings new champions like Johnny Cage (Karl Urban), Kitana (Adeline Rudolph), and Jade (Tati Gabrielle) to go up against the Earthrealm’s biggest villain, Shao Kahn (Martyn Ford). ## ‘The Sheep Detectives’ (May 6) Bear with me now, because the plot of director Kyle Balda’s sheepish-who-dunnit gets a little strange. It centers around George (Hugh Jackman), a shepherd whose hobby is reading detective stories to his flock of sheep (several of whom are voiced by Julia Louis-Dreyfus, Regina Hall, and Bryan Cranston). When George is mysteriously murdered, the sheep must band together to solve the crime. ## ‘Billie Eilish – Hit Me Hard And Soft: The Tour (Live in 3D)’ (May 8) A [Billie Eilish](https://rollingstonephilippines.com/tag/billie-eilish/ "Billie Eilish") concert film directed by the pop star herself *and* [James Cameron](https://rollingstonephilippines.com/tag/james-cameron/ "James Cameron")? It may sound like an unlikely collab, but that’s exactly what’s happened with *Billie Eilish — Hit Me Hard and Soft.* Presented in immersive 3D, the film will be screened exclusively at select SM Cinemas nationwide. “He really treated me like his equal,” Eilish told [*Rolling Stone*](https://rollingstonephilippines.com/music/pop/billie-eilish-james-cameron-concert-film-collaboration/) about her time working with the Academy Award-winning director. “Just love the idea of people who didn’t get to see the show getting to experience it like they were there … The goal of shooting this movie is to really capture this incredible bond that I share.” ## ‘Midnight Girls’ (May 13) *Midnight Girls*, the latest from acclaimed director [Irene Villamor](https://rollingstonephilippines.com/tag/irene-villamor/ "Irene Villamor"), follows four Filipina entertainers trying to balance life working in Nagoya, Japan, and the emotional cost that comes with being so far away from home. The drama stars Jodi Sta. Maria, Loisa Andalio, Jane Oineza, and Sanya Lopez. ## ‘Top Gun’ and ‘Top Gun: Maverick’ (May 13) For one week only, *Top Gun* and *Top Gun: Maverick* will screen exclusively at select SM Cinema branches to celebrate the first film’s 40th anniversary. Both action blockbusters follow hotshot fighter pilot Maverick (Tom Cruise) and his time being trained, and then training, at the Top Gun Naval Fighter Weapons School. ## ‘Star Wars: The Mandalorian and Grogu’ (May 20) The Empire has fallen, and the fledgling New Republic must work together to protect everything their Rebellion has fought for. To do this, they enlist the help of the legendary Mandalorian bounty hunter Din Djarin ([Pedro Pascal](https://rollingstonephilippines.com/tag/pedro-pascal/ "Pedro Pascal")) and his young apprentice, Grogu. ## ‘Passenger’ (May 27) Nothing good can come from driving late at night on a highway. In *Passenger*, the latest horror from director André Øvredal (*The Autopsy of Jane Doe*, *The Last Voyage of the Demeter*), a young couple bear witness to a gruesome highway accident. Unfortunately, they soon realize that they did not leave the crash site alone. ## ‘Obsession’ (May 27) The things people do for love. In director Curry Baker’s horror flick *Obsession*, Bear (Michael Johnston) decides to wish on an enchanted stick (ala *Weapons*) for his crush Nikki (Inde Navarette) to love him. Bear finds himself getting exactly what he wished for, and then some. ## Frequently ASked Questions ### When does “Mortal Kombat II” release in Philippine cinemas? “Mortal Kombat II” releases May 6, bringing back Cole Young and Sonya Blade alongside new characters Johnny Cage, Kitana, and Jade, as they face Earthrealm’s biggest villain, Shao Kahn. ### Where can I watch Billie Eilish’s concert film in the Philippines? “Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D)” screens exclusively at select SM Cinemas nationwide starting May 8, co-directed by Eilish and James Cameron in immersive 3D. ### What is “Midnight Girls” about? “Midnight Girls,” directed by Irene Villamor, follows four Filipina entertainers balancing work in Nagoya, Japan, with the emotional toll of being far from home. It stars Jodi Sta. Maria, Loisa Andalio, Jane Oineza, and Sanya Lopez, releasing May 13. ### Why are “Top Gun” and “Top Gun: Maverick” screening again in May? Both films return to select SM Cinema branches for one week starting May 13, celebrating the 40th anniversary of the original “Top Gun,” following Tom Cruise’s Maverick through his training and later teaching at the Top Gun Naval Fighter Weapons School. ### When does “Star Wars: The Mandalorian and Grogu” premiere? “Star Wars: The Mandalorian and Grogu” premieres May 20, following Din Djarin, played by Pedro Pascal, and his apprentice Grogu as they help the New Republic protect its gains after the Empire’s fall. Related Stories - [Sydney Sweeney Isn’t the First to Get Cut From A Major Motion Picture](https://rollingstonephilippines.com/culture/film/sydney-sweeney-devil-wears-prada-2/ "Sydney Sweeney Isn’t the First to Get Cut From A Major Motion Picture") - [‘Mortal Kombat II’ Trailer Unleashes Gory, Video Game-Accurate Fatalities](https://rollingstonephilippines.com/radar/releases/mortal-kombat-ii-trailer/ "‘Mortal Kombat II’ Trailer Unleashes Gory, Video Game-Accurate Fatalities") - [2026 is the Year of Iconic Movie Comebacks and Franchise Wars](https://rollingstonephilippines.com/culture/2026-in-movies-hilda-koronel-doomsday/ "2026 is the Year of Iconic Movie Comebacks and Franchise Wars") **Categories:** Culture, Film, Philippine Cinema **Tags:** Billie Eilish, Hugh Jackman, Midnight Girls, Mortal Kombat II, Pedro Pascal, Tom Cruise --- ### [‘There Were No Release Valves’: Inside the Making of ‘Mother Mary’](https://rollingstonephilippines.com/culture/mother-mary-interview-charli-xcx-fka-twigs/) **Published:** April 23, 2026 **Author:** David Fear **Excerpt:** Filmmaker David Lowery on collaborating with Charli XCX and Jack Antonoff on the soundtrack — and why his pop-superstar horror movie starring Anne Hathaway is very personal **Content:** There are a number of things you’d guess about David Lowery simply by looking at him. Intelligence radiates off of him. Ditto curiosity. There’s an inherent gentleness about the 45-year-old, and you can tell he’s made films for and about kids; not for nothing is he responsible for Disney’s 2016 live-action version of *Pete’s Dragon* and one of the best takes on J.M. Barrie’s lost-boy fantasy, 2023’s *Peter Pan and Wendy.* But there’s also an intensity in his eyes when discussing topics he’s passionate about, and he’s likely to go from waxing poetic about [Robert Redford](https://rollingstonephilippines.com/culture/internet-culture/robert-redford-nodding-man-meme/ "Robert Redford and His Unlikely Legacy as an Internet Meme") — he directed the late star in one of last great movies, *The Old Man and the Gun* (2018) — to excitedly dropping facts about quantum physics. Talk to Lowery for five minutes, and you find yourself thinking: Well, *of course* he’s a filmmaker. You would not have pegged him, however, for a die-hard consumer of modern pop music. “Oh, man, I’m a *huge* fan of pop music,” Lowery admits, citing a desire to do a deep dive into the *Billboard* Top 100 that started more than a decade ago and continues to this day. “Go back to *Ain’t That Body Saints*” — his 2013 breakthrough movie starring Casey Affleck and Rooney Mara as an outlaw couple on the run — “and you see a drama that’s infused with Americana. But the whole time I was making it, I was listening to [Kesha](https://rollingstonephilippines.com/tag/kesha/ "Kesha").” (It’s why, he notes, the “TiK ToK” singer has a brief role in his surreal 2017 meditation on the afterlife, *A Ghost Story*: “It was a way of honoring the path I was on.”) It was only a matter of time, Lowery notes, before he got around to telling a story about a pop star. And with his latest, he’s gone after the subject in a big, if extremely idiosyncratic way. *[Mother Mary](https://rollingstonephilippines.com/tag/mother-mary/ "Mother Mary")* centers around a massive, multi-platinum singer of the same name, played by [Anne Hathaway](https://www.rollingstone.com/t/anne-hathaway/) and reminiscent of everyone from Madonna to Dua Lipa. She has arrived, unannounced and uninvited, on the doorstep of her old friend and collaborator, Sam Anselm (Michaela Coel). Sam is a fashion designer who helped craft Mary’s look and persona back in the day, until the musician decided she needed something new. Being exiled from the inner circle broke Sam’s heart. Now, nearly 10 years later, Mary returns to ask — beg, really — for a favor. She needs an outfit for a major concert, set to happen in five days. Can Sam both forgive her and help her out? Mary also seems unnerved and more than a little on edge, partially because on an incident at a performance that went viral. But she’s also experienced a weird paranormal presence, dubbed “the Red Woman.” The strange thing: Sam has also encountered this exact same presence. And then things start to get really, really weird. Shortly before the movie’s limited opening in New York — it goes wide on April 24 — Lowery sat down with us to explain why the origins of the project go back to a haunted hotel in Ireland; enlisting no less than [Charli XCX](https://rollingstonephilippines.com/tag/charli-xcx/ "Charli XCX"), [FKA Twigs](https://rollingstonephilippines.com/tag/fka-twigs/ "FKA twigs") and [Jack Antonoff](https://rollingstonephilippines.com/tag/jack-antonoff/ "Jack Antonoff") to help create Mary’s epic hyper-pop anthems; how each of the extraordinary outfits from the film’s costume designer tell their own story; and why a film involving fashion, music, art, ghosts, and making peace with your warring creative selves was extremely personal. Here’s the making of *Mother Mary,* in the writer-director’s own words (as told to David Fear). ## In the Beginning There’s this line in *The Old Man and the Gun* where Robert Redford talks about how he’s lived his life in such a way that the seven-year-old version of him would be proud of where he ended up. It’s something that I think about all the time. The seven year old version of me, the one who decided that he wanted to spend his life making movies: Would he be happy with where I am? I was thinking about that one night in Dublin, while we were shooting *The Green Knight.* I had come home from set and had a call with Disney about *Peter Pan and Wendy,* which we were about to start working on. There was an overlap between these two vastly different projects, and I just had a moment of self-doubt where I didn’t know if I recognized myself. One night, when I couldn’t sleep and was fixating on this, I thought, “Why don’t you just try writing this down?” So I wrote it down this dialogue between two people, which almost instantly became an exchange between a pop star and a dressmaker. The idea of a pop star who needed a dress was about as far as I got that night. I don’t think Sam was even named Sam at that point. But Mother Mary was *definitely* named Mother Mary. I was still struggling to the get those two projects made and finished, but I kept going back to this in-progress script; it became kind of a sounding board form my conflicted feelings. Then, in August of 2012, my wife and I went to Colorado to visit my grandmother, and we’re like, Well, *of course* we’re gonna stay at the Stanley Hotel \[where *The Shining* was filmed\]. I finished my final draft there. ![Mother Mary](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/MM_14.webp) Photo by Eric Zachanowich/A24 ## Casting When I was thinking about any single actor, I would imagine them in both roles. I would always send the script and say, “Who do you gravitate towards?” I had seen *I May Destroy You* while we were in quarantine in Newfoundland, making *Peter Pan,* and it eviscerated me. I just was, like, this is a work that transcends cinema. It transcends episodic storytelling. It was just a work from a generational genius. I wasn’t thinking of Michaela for this originally when I was writing it, but she quickly rose to the top of my list. We sent her the script probably sometime in the summer of 2022, and she either read it or wasn’t available to meet, or didn’t have time to read it. When her agent let me know that, I took that as a pass — a very, very kind pass. And that was fine. I was just delighted that we got to send it to her. Then I met with Anne, and that meeting led to a very quick decision that she should be Mother Mary. It was just clear that, Oh, you’re going to bring so much to this character that I cannot even comprehend. She was on board a few weeks after that. Suddenly, a few months later, I hear from Michaela’s agent again. She read the script, absolutely loves it and just wants to meet and speak about it. It wasn’t about playing a part, or to ask me if Mother Mary was still available to play. She just wanted to know who had written the script. I just wanted to meet Michaela Coel. \[*Laughs*.\] So we had a Zoom, and we talked about the script and where it came from, our families, quantum physics; we’re both fascinated with quantum physics. I had just made two movies that were steeped in the British literary tradition, and I had written this script for two British actors. I was just hearing that accent as I was writing the screenplay. I cast that aside once I met Anne, but when I was speaking with Michaela, I could literally hear the rhythm of the script in my head when we were talking. I certainly didn’t have the luxury of doing chemistry reads on this movie. But I printed out two photos of them and just put them side by side, and was like, this is there’s an electricity here already. All I have to do is not get in the way of it. When the three of us finally got together here in New York, we sat down in a room and just read through the entire screenplay, which was one of the most emotional readings of a screenplay I’d ever had. I suddenly realized they were going to bring all of their own biographies to it, all of their own experiences, all the things that I as the writer, with my own limitations, could never dream of. Seriously, we could have just filmed that first reading and released it, and it would have been amazing. ![Mother Mary](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/MM_EMBED.webp) Photo by Frederic Batier/A24 ## Pop Star 101 Anne understood — more than I did, to be honest — the undertaking that was required to become Mother Mary. I knew that she was an incredible singer. I’d seen her on *Lip Sync Battle,* performing “Wrecking Ball” with Emily Blunt, and thought she has so much swagger, she’s gonna crush it on stage. But she read the script and was very clear that she did not possess the physical abilities to do what the script screenplay describes. She did, however, feel that she was up to the challenge. So she started vocal training and basically embarked upon a pop-star boot camp. She began in March of 2023; we filmed her dance scene \[*at one point, Mary does a violent, wordless interpretative dance of her new song*\] at the end of June. And every day in that span of time, Anne was spending sometimes up to eight hours a day training. She had to then break down all of those assumptions and relearn how to move, essentially. She to build up a vocabulary so that she could express herself through movement, and then begin to figure out what the choreography for this specific dance was going to be — to say nothing of the stadium show, which was an entirely different thing that required an entirely different training process. You hear about Taylor Swift singing the entire Eras show every day while on a treadmill, and it’s like … I run marathons every six months, and it’s like she’s doing that every night. I couldn’t do that! I have a tendency to get sick at the end of a shoot, because you’re holding it all in, and then when it’s over, your body just goes \[*makes deflating sound*\]. There’s a lot of body horror that goes into the process of making movies. But from artists I’ve talked to about being a pop star on tour for upwards of 100 nights in a row, it gets downright Cronenbergian. And that was what Anne was signing up for. She wanted to make you believe she was in world-tour shape. We had a healthy schedule for all of the scenes where it’s just Anne and Michaela talking; we wanted to give ourselves to explore things. It was still the most exhausting, most intense shoot I’d ever done — there were no release valves for any of us. You were in just *in it* every day, but we had time. The stadium-tour shoot was the exact opposite. We shot in a real stadium, around the Cologne region of Germany. That’s part of the reason we were there, because we could get a stadium for the amount of time that we needed it. There were no other concerts coming through, no hockey games or soccer matches. And we were trying to cram so much spectacle into so little time that we were barely scraping by the skin of our teeth. It was the only way to do it. \[*Pause*\] I mean, I’m sure there are other ways to do it. But the only way I knew how to do it was to basically stage an actual show and treat it as a five-night residency, in which the artist is going to play one song, and only that song on repeat, every day. And our job is to do our best to capture it. ![Mother Mary](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/MM_3.webp) Photo by Eric Zachanowich/A24 ## The Music When I was writing the movie, I was listening to FKA Twigs a lot. She’s one of my favorites. I knew I wanted her to be a part of the movie — she plays the medium in the movie — but I knew that I didn’t want Mother Mary to sound like her. I wanted the movie to *feel* like her to a certain degree, but I didn’t want Mother Mary’s songs to feel like FKA Twigs, at least at first. I was meeting a lot of artists, meeting a lot of producers. And I met Jack \[Antonoff\] pretty early on, I was like, “You were writing or producing virtually every song that has broken through the culture in the past 10 years — you are a phenomenon. Like, it’d be foolish of us to not just collaborate with you.” He read the script and really got it, really liked it. Then I met with Charlie XCX, who I have loved for a long time. I wasn’t listening to her while I was writing the script, but I thought: this is perfect. She’s going to be able to craft a voice for this artist that is separate from what I was thinking about when I was writing the film, so that Mother Mary can have a distinct voice of her own. Our relationship is entirely text-message based, but were immediately just firing influences and inspiration back and forth. Charlie sent me the demo for “Holy Spirit” probably within a week of meeting her. And much like the table read with Annie and Michaela, we could have just stopped there. Then Jack got involved, he pushed it further, and they developed it for a while. And then the real key component for all of this was sharing this music with Anne, hearing what she thought of it, and then finding a way for her to feel as if it was personal to her. She has an incredible ear, and didn’t want to ever impose herself upon the songwriting process, which had begun prior to her being cast. But she did need to find a way to make these songs her own. And the best way I can describe it is she worked them through and through until they felt as if they had come from deep within her bones. You know, she would have lyrical suggestions. We did co-write a couple of them together, but the ingredients that they had were already there when she started entering the creative process. She was finding her voice. She was trying to find the voice of this character and use these songs as the means by which she found that voice. And that process began before we started shooting the first time she went to the studio to record “Burial” and “Holy Spirit.” It continued after we wrapped the first leg of the production, we went back to the studio and kept working on those two songs, plus the other ones that had been written in the meantime. And then after we’d shot the concerts, she could hear something that was missing that I was unaware of. I was very happy with the songs. They were incredible. They came out the gate blazing, and now they were on fire. But she knew that she could distill that fire to a degree that I was incapable of hearing, to use a weird metaphor — or maybe an appropriate one. \[*Laughs*.\] So last summer, she spent about three weeks in the studio, rerecording all of them over and over and over again, working with Jack, working with a few other producers. And I can’t quantify exactly what happened or how they changed, but they got really, *really* good, in a way that we all just were like, “Oh! We now hear what *you’re* hearing.” I’m so grateful that she chased that. Because the difference between the version of the movie that had the new songs … again, the pace, the rhythm, it’s all the same. But it really changed the feel, the vibe, everything. ![Mother Mary](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/MM_9.webp) Photo by Eric Zachanowich/A24 ## The Outfits We knew there were going to be these pop concerts that had to have their own bespoke looks to them. And I wanted every song to be a different costume. I wanted them to represent the different stages of her career, and feel consistent to this persona that we were creating. The script mentioned that her signature look is involves a halo; whether that’s pulling from Beyonce or religious iconography, it fits with her name. That was always the centerpiece of every look. But then beyond that, we looked at pop stars over the past 20 years, and just tried to tap into different trends, as well as our personal favorites regarding collaborations between designers and singers. We were looking at Gaultier and Madonna, or my personal favorite, Alexander McQueen with Lady Gaga — that relationship is so beautiful and profound. Even like Dua Lipa on her *Future Nostalgia* tour working with Casey Cadwallader and Mugler — we just liked coming up with this litany of looks. In the screenplay, the movie originally began with a prologue where Mother Mary was giving a *Vogue* interview, doing one of those “Life in Looks” videos. Through that, we’d get to learn a little bit of backstory about her and Sam. That ultimately revealed itself to be unnecessary, and by the time we decided not to shoot it, Bina Daigeler, our incredible costume designer, had started making all of these different looks. She’s putting them up on mannequins and sending photos to me, and I was thinking, “We have to include these in a more substantial way than just taking photographs and cutting those still photos from, like, a red-carpet montage. These outfits are incredible. They need to be part of the movie.” So that sort of gave birth to the idea that throughout the film, Sam would see Mother Mary from time to time in clothes that she had made for her over the course of their career together. We’d be shooting and just think, “Oh, is this a good opportunity to take a little pause and have a dress vision?” That’s what we call them: dress visions. We shot a lot of them. And the ones that worked are what’s in the final film. But creating those looks was really … I give all the credit to Bina, who just took what I wrote in the script, which was very simple, and ran with it. I described one costume as looking like medieval armor — very Joan of Arc. There was another that I called the “broken-heart dress.” It was something that Mary described wearing when she had been dealing with a broken heart, and Sam turned that feeling into her dress. That’s the blue one with the red sacred heart that you see. Every look needed to tell a story, especially at the end we see all of them in sequence. In the original script, it was all very literal backstory, where characters were explaining them. And in the finished film, we just let the dresses tell the story. And then the final piece was the dress that Sam was making for this big show at the end, and for that, I wanted it to feel different from everything else in the movie. We turned to Iris van Herpen, who’s one of my very favorite designers, and asked her if she would design that dress. We knew it needed to be a showstopper. You only see it for a second at the end of the movie, but needed to really tie the whole film together. And so she read the script and came up with an entire wall of designs. When we went to her atelier in Amsterdam, Bina and I just walked in and saw all these drawings, all these sketches, and we went straight to the one that was in the movie. It was immediately like, “This is the one. It’s perfect.” ![Mother Mary](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/MM_13.webp) Photo by Eric Zachanowich/A24 ## The Red Woman The Red Woman was a combination of different things. So when you first see this apparition, it’s a rod puppet. I’m a big fan of Carlo Rimbaldi, who created E.T. and the sand worms from David Lynch’s *Dune.* I wanted this fear to initially manifest as a Carlo Rimbaldi puppet, like an homage. When you first see it on the floor, it’s this rod puppet with bellows and someone’s hiding under the bed, breathing into it. I wanted to have it be really a repulsive little entity — we always described it as feeling sort of like a red Jabba the Hut. Annell Brodeur, who did the ghost for my movie *A Ghost Story,* built all those puppets, but it’s essentially a ghost in a state of flux — it transitions from this mess of bloody tissue on the floor into something more effervescent and fluid. I didn’t know what it should be, I just knew I wanted it to be practical. We did do some CGI tests and it never felt right. It needed to be tangible. Then I discovered this Brooklyn artist named [Daniel Wurtzel](https://www.danielwurtzel.com/), who does these incredible art installations with fabric blowing in the wind. It’s like custom wind tables that can keep a piece of fabric floating in the air permanently. It takes a piece of fabric and turns it into something that’s more akin to water or smoke. But because it is a piece of fabric, it has a sense of weight and gravity to it. You know what it would feel like to touch it, but it’s always changing and trying to find its own form. It was exactly what this ghost needed to be, partially because it’s coming from Sam, whose medium is fabric; it made sense that her ghost would take a form that is related to her means of expression. We spent five days on set just filming fabric in the breeze. It was incredible. With some of the shots we’d storyboarded, we were like, “The fabric to go out the door.” And we were all there with leaf blowers, blowing this fabric around. We were just seeing what we could get with it. It felt like we were doing chemical reactions, but just using air and cloth. We had to use digital technology to erase strings, and we’d mirror things to get this really great fractal imagery. But it’s basically a one-to-one ratio of what we did just dropped onto the screen. So many of the great pop songs are about heartbreak. And the idea of taking that feeling and turning into something that people universally find to be beautiful is an incredible phenomenon. Just because a billion people find meaning in what, say, Taylor Swift or Lorde are singing about doesn’t make the emotion any less acute. And when an artist with that reach goes and sings a song about the worst day of their life, and a million people are dancing to it, that is an incredible transformation of feeling — and *that* was what I wanted this movie to be about. I mean, early in the movie, Sam talks about designing these outfits for Mary as being a “transubstantiation of feeling.” That’s also what the movie is doing. That’s what I was trying to do as well. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/tv-movies/tv-movie-features/mother-mary-interview-charli-xcx-fka-twigs-1235540693/ "rollingstone.com")* ## Frequently ASked QUestions ### What is “Mother Mary” about? “Mother Mary,” directed by David Lowery, stars Anne Hathaway as a multiplatinum pop star who reunites with estranged former collaborator and fashion designer Sam Anselm, played by Michaela Coel, ahead of a major concert, while both encounter a mysterious paranormal presence. ### Who wrote the music for “Mother Mary”? The film’s songs were created by Charli XCX and Jack Antonoff, who worked with Anne Hathaway to develop Mother Mary’s musical voice. Hathaway also contributed lyrical suggestions and co-wrote some songs during the recording process. ### How did Anne Hathaway prepare to play a pop star in “Mother Mary”? Hathaway underwent months of vocal training and choreography work, sometimes up to eight hours a day, starting in March 2023, to physically and vocally embody a world-tour-level pop star for the film’s stadium concert sequences. ### Was Michaela Coel always cast in “Mother Mary”? No. Coel initially passed on the role due to scheduling, but later reached out after reading the script and loving it, leading to her casting alongside Hathaway, whom director David Lowery had already confirmed for the lead role. ### How was the Red Woman created for “Mother Mary”? The Red Woman began as a practical rod puppet inspired by effects artist Carlo Rimbaldi, then evolved using fabric manipulated by wind artist Daniel Wurtzel’s custom wind tables, giving the apparition a fluid, tangible quality without relying on CGI. Related Stories - [Anne Hathaway Leads Dark Pop Thriller ‘Mother Mary’ With Music by Charli XCX, FKA Twigs](https://rollingstonephilippines.com/culture/film/mother-mary-anne-hathaway-movie-announcement/ "Anne Hathaway Leads Dark Pop Thriller ‘Mother Mary’ With Music by Charli XCX, FKA Twigs") - [Taylor Swift’s ‘Reputation’ Tour Film Inspired Psychological Thriller ‘Mother Mary’](https://rollingstonephilippines.com/music/pop/taylor-swift-inspired-mother-mary-a24-film/ "Taylor Swift’s ‘Reputation’ Tour Film Inspired Psychological Thriller ‘Mother Mary’") - [7 Movies to Watch in Philippine Cinemas This May](https://rollingstonephilippines.com/culture/film/7-movies-to-watch-philippine-cinemas-may-2026/ "7 Movies to Watch in Philippine Cinemas This May") **Categories:** Culture, Film **Tags:** A24, Anne Hathaway, Charli XCX, FKA twigs, Jack Antonoff, Kesha, Michaela Coel --- ### [Sydney Sweeney Isn’t the First to Get Cut From A Major Motion Picture](https://rollingstonephilippines.com/culture/film/sydney-sweeney-devil-wears-prada-2/) **Published:** April 22, 2026 **Author:** Mel Wang **Excerpt:** While the 'Euphoria' actress’ cameo didn’t make it into 'The Devil Wears Prada 2,' she isn’t the first to have a performance left out on the cutting room floor **Content:** It hasn’t been the easiest week for [Sydney Sweeney](https://rollingstonephilippines.com/tag/sydney-sweeney/ "Sydney Sweeney") (or month, or year, but that’s another story). Apart from the actress drawing mixed reviews for her performance on *[Euphoria ](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-1/ "‘Euphoria’ Goes ‘Breaking Bad’ in Season 3, Episode 1")*Season 3 and receiving backlash for her starring role in Netflix’s upcoming *[Gundam](https://rollingstonephilippines.com/culture/film/netflix-gundam-adaptation-sydney-sweeney/ "The Live Action ‘Gundam’ Cast Looks Like Another Whitewashed Anime Adaptation")* movie, Sweeney is making headlines once again — except this time, it’s for a movie she isn’t even in. *[The Devil Wears Prada 2](https://rollingstonephilippines.com/radar/releases/the-devil-wears-prada-2-philippine-release/ "‘The Devil Wears Prada 2’ Announces Philippines Release Date")* just made its world premiere, and Sweeney, who was meant to play herself, was nowhere to be seen. As reported by [*Entertainment Weekly*](https://ew.com/syndey-sweeney-cameo-cut-devil-wears-prada-2-11954299), Sweeney was supposed to have appeared early on in the movie, sitting for a celebrity dressing led by Emily Blunt’s character, Emily Charlton. The scene was just three minutes long, but reportedly did not fit structurally with the rest of the sequence, and was thus axed. However, Sweeney wasn’t the only actor to be excluded from the final cut of the movie. Filipino-American actor Conrad Ricamora was initially cast as the roommate of [Anne Hathaway’s](https://rollingstonephilippines.com/tag/anne-hathaway/ "Anne Hathaway") Andy, but his character “didn’t survive test screenings,” according to [*Variety*](https://variety.com/2026/film/news/the-devil-wears-prada-2-sydney-sweeney-cameos-cuts-1236727265/). Anna Wintour also shot a “gag take” that was meant to be included as a bonus feature when the film becomes available on streaming. Unfortunately, Vogue’s former editor-in-chief messed up her cue, and director David Frankel couldn’t ask her to do a take two. Actors getting cut from movies they’ve already filmed isn’t new, and even the most recognizable faces in Hollywood have experienced the cutting room floor. In light of all the cuts made in*The Devil Wears Prada 2*, we’re looking back on some of the times when high-profile actors faced the chop. ## Manny Jacinto in ‘Top Gun: Maverick’ > [View this post on Instagram](https://www.instagram.com/p/DPejJw4gKW4/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Manny Jacinto (@mannyjacinto)](https://www.instagram.com/p/DPejJw4gKW4/?utm_source=ig_embed&utm_campaign=loading) Despite spending months preparing for his role as Lt. Billy “Fritz” Avalone in *Top Gun: Maverick*, most of [Manny Jacinto’s](https://rollingstonephilippines.com/culture/film-tv/manny-jacinto-star-wars-the-acolyte/ "Manny Jacinto and the Tragedy of a Hateful ‘Star Wars’ Fanbase") time was cut from the movie. All his speaking lines didn’t make it into the final cut, and the Filipino-Canadian actor is mainly relegated to the background in a few, quick scenes. In response to the cut (and the resulting outcry from his fanbase), Jacinto told [*GQ*](https://www.gq.com/story/manny-jacinto-the-acolyte-finale-interview) that the edit “wasn’t shocking” to him. “It kind of fuels you,” he said, “because at the end of the day, Tom Cruise is writing stories for Tom Cruise. It’s up to us — Asian-Americans, people of color — to be that \[for ourselves\].” ## Simone Ashley in ‘F1’ > [View this post on Instagram](https://www.instagram.com/p/Cz4QuBCPO04/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Simone Ashley (@simoneashley)](https://www.instagram.com/p/Cz4QuBCPO04/?utm_source=ig_embed&utm_campaign=loading) Although the *[Bridgerton](https://rollingstonephilippines.com/culture/tv/5-raunchiest-scenes-bridgerton/ "5 Raunchy Scenes From Across the ‘Bridgerton’ Universe")* actress initially joined the *[F1](https://rollingstonephilippines.com/culture/film-tv/hans-zimmer-f1-the-movie/ "Hans Zimmer on Composing the Film Score of ‘F1 The Movie’")* cast in a supporting role, she was eventually reduced to a very short cameo in the Oscar-nominated movie. “It happens on every film,” *F1* director Joseph Kosinski told [*PEOPLE*](https://people.com/f1-director-explains-why-bridgerton-star-simone-ashley-was-cut-from-movie-exclusive-11753718) when asked about the cut, “where you have to shoot more than you can use. There were two or three storylines that ultimately didn’t make it into the final cut.” For her part, Ashley continued to be supportive of the film’s cast and crew despite her role changing. “I’m grateful to be in that movie,” she told [*ELLE*](https://www.elle.com/culture/movies-tv/a65100716/why-simone-ashley-was-cut-from-f1/). “I got to experience many Grands Prix. I don’t think I’ll ever do anything like that again.” ## Shailene Woodley in ‘The Amazing Spider-Man 2’ > [View this post on Instagram](https://www.instagram.com/p/DOIs52QjLNs/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Armani beauty (@armanibeauty)](https://www.instagram.com/p/DOIs52QjLNs/?utm_source=ig_embed&utm_campaign=loading) In another universe, we could have had Shailene Woodley as Mary Jane Watson (but it’s okay, because we got [Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya")). Woodley was meant to appear briefly in *The Amazing Spider-Man 2* as the new love interest for Andrew Garfield’s Peter Parker, but her scenes were pushed to the third instalment in the franchise. But, as we all know, that movie never came to pass. “Of course I’m bummed,” Woodley told *Entertainment Weekly*. “But I’m a firm believer in everything happening for a specific reason.” ## Paul Rudd in ‘Bridesmaids’ > [View this post on Instagram](https://www.instagram.com/p/DEuLxdaONAF/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Paul Rudd 🐜 (@paulrudd\_)](https://www.instagram.com/p/DEuLxdaONAF/?utm_source=ig_embed&utm_campaign=loading) Paul Rudd was meant to play a blind-date-gone-wrong in the Oscar-nominated comedy, but his one scene — which involved a decapitated finger, a disastrous day at the ice-skating rink, and expletives thrown at small children — was ultimately cut to trim the film’s initial two-hour-and-a-half runtime. “There is always that terrible moment when you have to kill your babies,” director Paul Feig told [*Sirius XM*](https://www.youtube.com/watch?v=zvZAHybzpe8)*.* “We did so many takes of it… It was one of the funniest things I’ve ever been a witness to.” ## Harrison Ford in ‘E.T.’ > [View this post on Instagram](https://www.instagram.com/p/DXXdXnOgTkA/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Apple TV (@appletv)](https://www.instagram.com/p/DXXdXnOgTkA/?utm_source=ig_embed&utm_campaign=loading) A little-known fact about Harrison Ford’s involvement with [Steven Spielberg’s](https://rollingstonephilippines.com/tag/steven-spielberg/ "Steven Spielberg") classic, *E.T.* *the Extraterrestrial*, is that the actor was dating the movie’s screenwriter, Melissa Mathison, during production. This, plus the fact that he was already friends with Spielberg at the time of shooting, meant that Ford was on set quite a bit, and the director eventually convinced him to play the school principal. Although Ford’s face is never seen in the cameo — according to lead actor Henry Thomas, only “the back of his chair and his hands” are ever in the shot — Spielberg ultimately decided to cut the scene. ## Frequently Asked Questions ### Why was Sydney Sweeney’s scene cut from “The Devil Wears Prada 2”? Sweeney’s three-minute cameo, playing herself in a celebrity dressing scene led by Emily Blunt’s character, was cut because it reportedly didn’t fit structurally with the rest of the sequence, according to Entertainment Weekly. ### Was Sydney Sweeney the only actor cut from “The Devil Wears Prada 2”? No. Filipino-American actor Conrad Ricamora, originally cast as Andy’s roommate, was also cut after his character “didn’t survive test screenings,” according to Variety. Anna Wintour’s gag-take bonus scene was also scrapped after a mistake she couldn’t retake. ### Which Filipino actor had his role reduced in “Top Gun: Maverick”? Manny Jacinto, cast as Lt. Billy “Fritz” Avalone, had all his speaking lines cut from “Top Gun: Maverick,” leaving him mostly in background scenes. He told GQ the edit wasn’t shocking and encouraged people of color to create their own stories. ### Did Harrison Ford ever appear in “E.T. the Extraterrestrial”? Harrison Ford filmed a cameo as a school principal in “E.T.,” at Spielberg’s suggestion, since Ford was dating the film’s screenwriter and already friends with the director. The scene was ultimately cut, and Ford’s face was never shown in it. ### Why was Paul Rudd’s scene cut from “Bridesmaids”? Paul Rudd’s scene, a blind date involving a decapitated finger and an ice-skating mishap, was cut to trim the film’s runtime. Director Paul Feig said it was one of the funniest scenes he’d ever witnessed despite the cut. 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You will have your own OMG WTF moment of no return, your own personal crossing of the Rubicon regarding *Michael,* the much-heralded (by its producers) biopic on [Michael Jackson](https://www.rollingstone.com/t/michael-jackson/), in the same way you have your own favorite Jackson song. Maybe it’s one of his early hits with [the Jackson 5](https://www.rollingstone.com/t/the-jackson-5/), the band that the seven-year-old Michael was in with his brothers. Or possibly a track from his 1979 smash solo album *Off the Wall,* or the juggernaut follow-up, *[Thriller](https://www.rollingstone.com/t/thriller/),* or the last of his [Quincy Jones](https://www.rollingstone.com/t/quincy-jones/) collaborations, *Bad.* Unless it’s a deep cut, you’ll likely hear a large snippet of your go-to M.J. jam before the end credits of this film, given that the Jackson estate is literally banking on your fond memories of hearing the King of Pop’s music at the expense of other, more complicated thoughts around him. But back to the giraffe. By this point in director Antoine Fuqua’s retelling of Jackson’s story from creative cradle to, well, way before his reputational grave — the film conspicuously stops at 1988 — we’ve seen the young Michael (Juliano Valdi) practicing with his siblings in Gary, Indiana, and clearly distinguishing himself as a child prodigy with a soulful falsetto. We’ve watched Joe Jackson ([Colman Domingo](https://www.rollingstone.com/t/colman-domingo/)) rule over the household and Michael’s delicate psyche with an iron fist, a hair-trigger temper, and a leather belt always in reach. We observe Michael recording with Motown, and basking in the much-needed positive affirmation from surrogate father figure Berry Gordy (Larenz Tate). There will be montages, legions of them, but we’ll have seen the first of many as the Jackson 5’s mega-bop “ABC” overtakes the Beatles’ “Let It Be” for the Number One spot on the charts in 1970. We have sped through the Seventies, in which Joe has established his Jackson Inc. empire in Encino, California, and Michael has already begun hanging out with a menagerie that ranges from llamas to rats. There is a scene of young M.J. explaining to his family that the large rodents aren’t just best known for dragging pizza slices down subway stairs, but are beautiful, loyal creatures. That the filmmakers didn’t score it to “Ben,” the title track to Jackson’s 1972 album that doubled as a theme to the rat-revenge horror movie of the same name, is a missed opportunity. The sequence is set in 1971, a year before both the song and the movie came out, but look, it’s not like accuracy is this film’s main objective. The biopic has got other, far more pressing concerns on its mind, like the multitude of dollar signs floating before its eyes. We have met the adult Michael Jackson (Jaafar Jackson, a.k.a. Michael’s IRL nephew), ready for emancipation and a chance to get the new music in his head on wax. We have met Bill Bray (KeiLyn Durrel Jones), Michael’s security guy, so omnipresent in the film that he could be considered a co-lead. We’ve met Quincy (Kendrick Sampson), and Katherine Jackson ([Nia Long](https://www.rollingstone.com/t/nia-long/)), the lone island of sympathy and sanity in the Jackson mansion, and a computer-generated version of Bubbles the chimp that is the stuff of nightmares. More important, we the viewers have been introduced to the most saintly corporate lawyer to ever walk God’s green earth, John Branca ([Miles Teller](https://www.rollingstone.com/t/miles-teller/)). The fact that Branca is a producer on the film has nothing to do with his portrayal as the human version of the pet llama that loves Michael unthinkingly and unconditionally. Also, so far as we know, the llama never visited Jackson in the hospital after that Pepsi commercial went horribly awry — we’ll get to see that, too — and gave him a stuffed Mickey Mouse doll, which Branca does in the movie, so bonus points for Branca. ![jaafar jackson michael](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Michael-Still-Film.webp) Jaafar Jackson. Photo from Michael/Official Website Having impressed his client in a meeting by saying he believes M.J. is destined to become the greatest, biggest, most unstoppable pop star in the world, Branca is then tasked with liberating Michael. Joe is lording over his fiefdom from his den, designed in perfect Don Corleone-chic decor, when his fax machine buzzes to life. The lawyer has fired the patriarch from his self-appointed job of being Michael’s personal manager. Colman Domingo’s performance, easily the most compelling and psychologically complex element within *Michael,* has already been pitched somewhere between [“King” Richard Williams](https://www.rollingstone.com/tv-movies/tv-movie-reviews/king-richard-review-will-smith-venus-serena-1258181/) and Richard III. Never mind that his mustache is modest — he’s essentially been twirling it for over an hour. When he sees his world crumble courtesy of a single piece of fax paper, a parade of emotions plays across his face. Betrayal! Righteousness! Sorrow! Angst! And then, right as Joe’s already prevalent rage is on the precipice of going nuclear, a CGI giraffe nonchalantly strolls past a third-story window in the background. It’s this mix of the head-spinning and the jaw-dropping, the ridiculousness that aches to be sublime and ends up being the purest distillation of camp, that characterizes *Michael* as a whole. Yes, we know, haters are gonna hate, etc. And fans, the ones who are willing to view any suggestion that Neverland wasn’t Eden with a Ferris wheel as an attack, will treat this blockbuster-level biopic as a victory lap. And the people who are invested in Jackson’s legacy are going to make a lotta money off its version of Michael as a victim of horrific abuse and emotional blackmail by his monstrous pops, who, despite it all managed to become a beloved global superstar. We were never going to get a real biopic of Michael Jackson, of course. There are too many contradictions, too long a list of things that require confronting, too much gray area to reconcile. Better to just blindly celebrate a universally recognizable back catalog and let Mike Myers do a “Coffee Talk”-level imitation of Walter Yetnikoff, right? That doesn’t mean, however, we were destined to get a movie where Michael plays a game of Twister with Bubbles, regularly drops platitudes like “Music can bring everyone together” (can we get a fact-check on this?), and moonwalks away from anything remotely resembling a deeper look. You may have heard that the film was delayed because of issues around allegations and lawsuits and settlements, and that [Fuqua had filmed](https://www.newyorker.com/magazine/2026/04/27/antoine-fuqua-profile) an FBI raid on Neverland that would have clearly leaned heavy on the side of Jackson over the accusers. That had to be scrapped for legal reasons, though it’s hinted that such sequences may show up in potential sequels. Given what happens after 1987, maybe the Jackson Cinematic Universe is best left as a one-off endeavor. This isn’t really a biopic. This is the Passion of St. Michael, rendered with great fidelity to and emphasis on both Jackson’s undeniable suffering and equally undeniable talent. Jaafar Jackson does bear an uncanny resemblance to his late uncle, and clearly knows how to replicate his signature moves, his physical fluidity, his beaming smile reserved for fans, animals, and hospital residents. But watching Michael’s greatest hits — the *Motown 25* showstopper, the “Thriller” video choreography, the gang-member summit turned dance rehearsal that begets “Beat It” — reproduced with such stunning accuracy is, frankly, a little depressing. You’re reminded of the first time you heard Jackson’s music, and how overwhelming the hooks, the production, the chops, the sheer energy that characterized his live performances and videos earned him the title the King of Pop. And you’re also reminded that such things are still tainted, even if the movie twists itself into knots to circumvent such thinking, and the level of innocence required to listen to those hits is long gone. “His story continues” declares an end title card, as the echoes of a London stop on the *Bad* tour fade on the soundtrack. To paraphrase [a Jackson song](https://www.youtube.com/watch?v=yURRmWtbTbo): Please stop. We’ve had enough. *This article was originally published on [rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-reviews/michael-jackson-biopic-review-1235540689/)* ## Frequently Asked Questions ### Who directed the Michael Jackson biopic “Michael”? “Michael” was directed by Antoine Fuqua and stars Jaafar Jackson, Michael Jackson’s real-life nephew, in the title role. The film also features Colman Domingo as Joe Jackson, Nia Long as Katherine Jackson, and Miles Teller as lawyer John Branca. ### What time period does the “Michael” biopic cover? The film traces Michael Jackson’s life from his childhood in Gary, Indiana, through the Jackson 5 era and his solo Motown success, but conspicuously stops in 1988, avoiding the later decades of his life and career. ### Why was “Michael” reportedly delayed? The film faced delays tied to allegations, lawsuits, and settlements connected to Jackson. A filmed FBI raid sequence on Neverland, said to favor Jackson’s side over accusers, was reportedly scrapped for legal reasons. ### Who plays Michael Jackson in the biopic “Michael”? Jaafar Jackson, Michael Jackson’s nephew, plays the adult Michael Jackson in the film. The review notes he bears a strong physical resemblance to his uncle and closely replicates his signature dance moves and stage presence. ### Does the “Michael” biopic address allegations against Jackson? According to the review, the film largely avoids confronting the more complicated and troubling aspects of Jackson’s legacy, instead emphasizing his suffering under his father and his musical talent over deeper scrutiny of the allegations against him. Related Stories - [First Trailer for Michael Jackson Biopic ‘Michael’ Finally Drops](https://rollingstonephilippines.com/music/hiphop-rnb/michael-jackson-biopic-trailer-drop/ "First Trailer for Michael Jackson Biopic ‘Michael’ Finally Drops") - [2025 Rock and Roll Hall of Fame: Who’s In, and Who’s Out](https://rollingstonephilippines.com/music/news/rock-and-roll-hall-of-fame-class-of-2025-inductees/ "2025 Rock and Roll Hall of Fame: Who’s In, and Who’s Out") - [Jaafar Jackson on Stepping Into His Uncle’s Shoes For ‘Michael’](https://rollingstonephilippines.com/culture/film/jaafar-jackson-michael-jackson-biopic/ "Jaafar Jackson on Stepping Into His Uncle’s Shoes For ‘Michael’") **Categories:** Culture, Film **Tags:** Jackson, Michael Jackson --- ### [Can Leni Robredo Still Be Convinced to Run for President in 2028?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/leni-robredo-president-2028/) **Published:** April 22, 2026 **Author:** Pie Gonzaga **Excerpt:** The Naga City mayor has repeatedly said that she would not join the next presidential race, but supporters and allies remain unrelenting in their call to “let Leni lead” **Content:** Naga City Mayor [Leni Robredo](https://rollingstonephilippines.com/tag/leni-robredo/ "Leni Robredo") has reiterated that she has no intention of running for a national post in the 2028 elections, ruling out a bid for the presidency and disappointing her followers. “Sigurado na ako sa sarili ko na hindi na ko ma-national,” she told the radio station DWNX FM on Tuesday, April 21, saying that she still had much to do as mayor. But Senator [Francis “Kiko” Pangilinan](https://rollingstonephilippines.com/tag/kiko-pangilinan/ "Kiko Pangilinan") says the opposition “respectfully disagrees” with her decision. “Today, given her rising poll numbers, I believe that Leni is in the best position to build the broadest and strongest unity not just amongst the ranks of the Liberal Party and our allies but to include all other groups and personalities outside our allied forces who are also looking to \[participate\] in the 2028 Presidential elections,” said Pangilinan in his statement. The senator was Robredo’s running mate in the 2022 elections, where Robredo lost the presidential race to [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr."), and Pangilinan lost the vice presidency to [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte"). “Now more than ever, having witnessed the largest corruption scandal in Philippine history, our people are crying out for good governance, and public accountability,” Pangilinan continued. He also argued that Robredo’s refusal to run for president may create a leadership vacuum that “cannot be filled adequately by other contenders.” In turn, he says, a broad united front may not be formed. “The net effect will be the fielding of various political parties and groups of their respective presidential bets, further weakening our chances and delivering victory to our adversaries,” he said. According to research firm [OCTA](https://www.onenews.ph/articles/33-versus-21-sara-duterte-leni-robredo-leading-early-2028-preference-survey), the former vice president is closing the gap between her and Duterte in pre-election polls. Duterte, despite her ongoing impeachment case, leads an unreleased presidential preference survey at 33 percent, with Robredo following at 21 percent. But even with followers voicing their support for Robredo, she has long opposed the idea of running for president again. *[Rappler](https://www.rappler.com/newsbreak/inside-track/leni-robredo-decision-2028-presidential-elections-february-20-2026/)* reports that Robredo had thumbed down questions regarding a possible presidential bid as early as October 2024. After Duterte announced her bid for the presidency in February, Robredo also told Naga media that she had decided “a long time ago” not to run again, as she wanted to focus on Naga City. ## Frequently Asked Questions ### Is Leni Robredo running for president in 2028? No. Robredo has reiterated she has no intention of running for a national post in 2028, telling radio station DWNX FM on April 21 that she is certain she won’t go national, citing her ongoing responsibilities as Naga City mayor. ### Why does Kiko Pangilinan disagree with Robredo’s decision? Pangilinan, Robredo’s 2022 running mate, argues that her rising poll numbers position her to build the broadest political unity ahead of 2028, and warns her refusal could create a leadership vacuum that weakens the opposition’s chances. ### How is Leni Robredo performing in early 2028 presidential polls? According to research firm OCTA, Robredo is closing the gap with Sara Duterte in early preference surveys, trailing at 21 percent to Duterte’s 33 percent, despite Duterte’s ongoing impeachment case. ### When did Leni Robredo first say she wouldn’t run for president again? Robredo reportedly dismissed questions about a potential 2028 presidential bid as early as October 2024, according to Rappler. After Sara Duterte announced her own presidential bid in February, Robredo again said she had decided long ago not to run. ### What does Pangilinan believe will happen if Robredo doesn’t run? Pangilinan warns that without Robredo forming a unified opposition front, various political parties may field separate presidential candidates, further splitting the opposition vote and increasing the likelihood of victory for their political adversaries. Related Stories - [Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sara-duterte-president-impeachment/ "Is Sara Duterte Fighting Her Impeachment with a Presidential Bid?") - [‘President’ Nadine Lustre Wants to Pass the Torch to Leni Robredo](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/nadine-lustre-leni-robredo-president/ "‘President’ Nadine Lustre Wants to Pass the Torch to Leni Robredo") - [Is the Algorithm Deciding Who We Vote For?](https://rollingstonephilippines.com/state-of-affairs/power/is-the-algorithm-deciding-who-we-vote-for/ "Is the Algorithm Deciding Who We Vote For?") **Categories:** Philippine Politics, State of Affairs **Tags:** Leni Robredo --- ### [Billie Eilish on Co-Directing Concert Film With James Cameron: ‘He Treated Me Like His Equal’](https://rollingstonephilippines.com/music/pop/billie-eilish-james-cameron-concert-film-collaboration/) **Published:** April 22, 2026 **Author:** Larisha Paul **Excerpt:** 'Hit Me Hard and Soft: The Tour (Live in 3D),' was captured during Eilish’s stretch of shows in Manchester, England, in July 2025, but maintained the integrity of her live show despite the cameras **Content:** [Billie Eilish ](http://billie%20eilish)was already deep into the *Hit Me Hard and Soft* tour when [James Cameron](http://james%20cameron) reached out with the opportunity to transform the show into a 3D concert film. The answer was “obviously a resounding yes,” the musician says in an exclusive featurette from [*Hit Me Hard and Soft: The Tour (Live in 3D)*,](https://rollingstonephilippines.com/radar/releases/billie-eilish-concert-film-james-cameron/ "Billie Eilish 3D Concert Film by James Cameron to Screen in the Philippines") out May 6. The film was captured during Eilish’s four-night stretch of shows in Manchester, England, in July 2025. By that point, she had already performed nearly 80 shows in the run, which began in September 2024. Her set list, which blended songs from *Hit Me Hard and Soft*, *Happier Than Ever*, *When We All Fall Asleep Where Do We Go*, and more releases from throughout her career, was set. She knew it inside and out — and she worried for a moment that bringing cameras onstage would disrupt the integrity of the show. “We had a long creative meeting. It was very collaborative, always pushing her for certain things that were outside of her comfort zone, for sure,” Cameron says. But when the ask for the onstage camera came, Eilish responded, “Absolutely no. Don’t want to change the show.” Cameron says it took him six months “to convince her that intimacy is so much more powerful in 3D.” ![hit me hard and soft tour live in 3d poster](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/hit-me-hard-and-soft-the-tour-live-in-3d.webp) Photo from Paramount Pictures/Facebook It helped to have Eilish in the co-directing seat, which allowed her to maintain a sense of control and direction for the release, from the performance itself to the lighting on the stage. Cameron suggested they share the role since Eilish knew “every beat of this show.” “He really treated me like his equal,” she says. “Just love the idea of people who didn’t get to see the show getting to experience it like they were there … The goal of shooting this movie is to really capture this incredible bond that I share.” Cameron took notice of this, too. “It’s an emotional connection, and it’s real,” he says, noting that it extends beyond surface-level pop stardom. “She’s such a world class performer.” The *Hit Me Hard and Soft* tour marked the biggest tour of Eilish’s career. The run, which wrapped in November 2025, spanned 106 shows across four continents. The concert film will immortalize the show, but also serve as a documentary capturing the artist in a pivotal moment. *This article originally appeared on [rollingstone.com](https://www.rollingstone.com/music/music-news/billie-eilish-james-cameron-concert-film-exclusive-1235550416/)* ## Frequently Asked Questions ### What is “Hit Me Hard and Soft: The Tour (Live in 3D)”? It’s a 3D concert film co-directed by Billie Eilish and James Cameron, capturing her Hit Me Hard and Soft tour during a four-night run in Manchester, England, in July 2025. The film releases May 6. ### Why did James Cameron approach Billie Eilish about the film? Cameron reached out to Eilish while she was still on tour, proposing to transform the show into a 3D concert film. Eilish says she immediately agreed, calling it “obviously a resounding yes.” ### Was Billie Eilish initially hesitant about filming the concert? Yes. Eilish initially resisted having cameras onstage, worried it would disrupt the show’s integrity. Cameron says it took him six months to convince her that intimacy could feel even more powerful captured in 3D. ### Why did Billie Eilish co-direct the film with James Cameron? Cameron suggested Eilish co-direct since she knew every beat of the show. She says he treated her as an equal throughout the process, giving her control over elements like performance direction and stage lighting. ### How big was Billie Eilish’s Hit Me Hard and Soft tour? The tour was the biggest of Eilish’s career, spanning 106 shows across four continents between September 2024 and November 2025, including nearly 80 shows performed before the Manchester dates used for the concert film. 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Five years after the band [sold their publishing rights in a $150 million deal](https://www.rollingstone.com/pro/news/red-hot-chili-peppers-catalog-merck-mercuriadis-hipgnosis-1164617/), the Peppers’ recorded output — which spans 13 studio albums, the last nine of which were released via Warner — more than doubled that price in a deal that was executed Friday, *[The Hollywood Reporter](https://www.hollywoodreporter.com/music/music-industry-news/wmg-acquired-red-hot-chili-peppers-catalog-for-350-million-1236589567/)* and *[Billboard](https://www.billboard.com/pro/red-hot-chili-peppers-sells-recorded-catalog-warner-music/)* reported. The purchase of the Chili Peppers’ catalog was part of a bigger deal involving WMG and Bain Capital, a joint venture that has so far acquired $650 worth of music and publishing rights; the RHCP deal makes up half of that purchase, with the remaining spending currently unknown, *Billboard* writes. In May 2015, the Red Hot Chili Peppers [sold their publishing rights](https://www.rollingstone.com/pro/news/red-hot-chili-peppers-catalog-merck-mercuriadis-hipgnosis-1164617/) to Hipgnosis Songs Fund for around $150 million; according to *The Hollywood Reporter*, those publishing rights might change ownership again as Hipgnosis (now known as Recognition Music Group) is in the process of being acquired by Sony Music as part of a multi-billion dollar deal. The Chili Peppers’ recorded catalog, which generates around $26 million annually and was owned by the group, had been on the market since last year with a roughly $350 million price tag, Billboard previously reported. WMG was a logical buyer, as the label has been home to the band since 1991’s *Blood Sugar Sex Magik*. The group’s first four LPs were put out via EMI. The Red Hot Chili Peppers last released *Unlimited Love* and its fast follow-up *Return of the Dream Canteen* in 2022. The band and WMG have no yet commented on the catalog acquisition. The *This article was originally published on **[rollingstone.com](https://www.rollingstone.com/music/music-news/red-hot-chili-peppers-recorded-music-catalog-300-million-1235560319/)**.* ## Frequently Asked Questions ### How much did the Red Hot Chili Peppers sell their recorded music catalog for? The Red Hot Chili Peppers sold their recorded music catalog to Warner Music Group for over $300 million in a deal finalized through a joint venture with Bain Capital. ### Who bought the Red Hot Chili Peppers’ music catalog? Warner Music Group purchased the recorded catalog as part of a joint investment venture with Bain Capital, which has acquired $650 million in music rights. ### Did the Red Hot Chili Peppers sell their publishing rights? Yes, the band sold their publishing rights in 2021 to Hipgnosis Songs Fund for roughly $150 million, distinct from their 2024 recorded music catalog sale. ### How much annual revenue does the Red Hot Chili Peppers’ catalog generate? The Red Hot Chili Peppers’ recorded catalog generates approximately $26 million in annual revenue, spanning 13 studio albums and decades of hit recordings. ### Which albums are included in the Warner Music catalog deal? The acquisition covers the band’s recorded output of 13 studio albums, including nine released through Warner Music Group and four early LPs originally released via EMI. 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They Hated it") **Categories:** Music, Rock **Tags:** Red Hot Chili Peppers --- ### [‘Duang With You,’ ‘Abbott Elementary,’ and More Shows You Need to Watch Now](https://rollingstonephilippines.com/culture/tv/duang-with-you-shows-to-stream-now/) **Published:** May 8, 2026 **Author:** Rolling Stone Philippines **Excerpt:** Your weekly guide to some of the most bizarre, essential, and interesting things to add to your watchlist, courtesy of the Rolling Stone Philippines writers and editors **Content:** Welcome to What to Watch Right Now, our weekly rundown of the best shows to stream now. The constant stream of shows, videos, and films to watch online can become a sludge to wade through, so here are a few things you can watch courtesy of the Rolling Stone Philippines team. This week, we revisit *[The Boys](https://rollingstonephilippines.com/tag/the-boys/ "The Boys")* showrunner Eric Kripke’s first TV hit, *Supernatural,* as the former heads on to its finale. We also catch up with the gang of *[Abbott Elementary](http://abbott%20elementary)*, which concluded its fifth season recently with a cliffhanger. We’ve also binged the Australian hit sitcom *Kath and Kim,* taking us back to a “pacific” time of the 2000s, along with eating disorders and Jessica Simpson. We checked if the hit Thai BL *Duang With You* is worth the hype (quick answer: yes it is). And finally, we caught up with the latest season of *[Fallout](https://rollingstonephilippines.com/tag/fallout/ "Fallout")*, which may or may not be just for the fans of the video game it’s based on. ## **‘Duang With You’** *Pure BL cuteness at first. Then it gets spicy* If you’re allergic to cute shit, stay out of *Duang With You*. But it’s really hard to resist “TeeTee” Wanpichit Nimitparkpoom as Duang, acting like a puppy (a puppy!) who has a billion gallons of love to give the object of his affection, Qin (“Por” Suppakarn Jirachotikul). It’s been quite a while since a BL series won me over (the last was the 2024 Taiwanese BL *The On1y One*), so I’m pretty out of the BL game. But as a casual viewer looking into the *Duang With You* hype, Domundi TV’s latest success in a slew of BL shows was refreshing and irresistible, anchored on TeeTee’s affectionate performance and Por’s ice king thawing at the right time. There’s not really much to its story at first: Duang likes Qin, but Qin doesn’t want to open up to anyone. What Qin doesn’t know is that Duang is a brute force of cuteness, love-bombing him until one day he challenges him to make Qin fall for him. We all know where it’s headed. It’s the getting there that makes *Duang With You* so insanely bingeable. We want to see how Qin’s feelings unfold amid Duang’s optimism. He *does* act like a puppy, a puppy so cute that you wouldn’t want to put him in harm’s way. TeeTee and Por’s chemistry is undeniable, and it’s what makes the show so great as well. The rom-com beats work so well when you have actors like them. But that doesn’t mean it’s always just hijinks and college student chaos. The kilig moments of *Duang With You* are interspersed with quiet ones, letting us pause and breathe as this love story takes its time to its cherry finale. You can watch it on YouTube, but the uncut episodes (the, uh, erotic scenes are handled so well) are on iQIYI. — *Don Jaucian* ## **‘Kath and Kim’** *A sitcom that’s pure chaos and comedy* Even if you’ve never watched an episode of *Kath and Kim*, you’ve probably encountered it in some form. If you’ve seen that video of a curly-haired woman panicking over signs with the words “van dyke,” “veg out,” or “lebanese,” then you’ve met Kath (Jane Turner), the shoulder-padded, mom-jeans-wearing homemaker living in a quiet suburb in Fountain Lakes in Melbourne. Her daily struggles are mainly about her daughter, Kim (Gina Riley, who’s just about the same age as Turner), who mooches off her. While Kath is all about composure and pleasing her husband, Kel (Glenn Robbins), Kim is all about chaos and eating problems (yes, there are a lot of fat jokes in this sitcom, clearly a product of its time) and constantly tries to divorce her husband, Brett (Peter Rowsthorn). They’re joined by their neighbor Sharon (the great Magda Szubanski), sporty yet desperate for love. It’s not enough to describe the show, which ran from 2002 to 2007, and the kind of funny it is. The laughs are hinged on language (a lot of malapropisms or exaggerated accents) or specific (or “pacific” as they’d say in in the show) situations (a frantic call from her husband’s mom makes Kim believe that she’s croaking and that they’ll be inheriting her money soon, which prompts Kim to go on a shopping spree only to find out her mother-in-law is healthy). But all were shaped by Riley and Turner’s keen observations of Australian social norms and global pop culture. The term “muffin top” was popularized by the show, owing to Kim’s habit of wearing jeans too small for her size. If you need to ease into *Kath and Kim*, I highly recommend watching Trixie and Katya’s *I Like To Watch* [episode](https://www.youtube.com/watch?v=fGkXjWUZdFk), where they react to *Kath and Kim* clips so you can find out why Katya said that the show is “the best thing we’ve ever watched on this couch.” —*Don Jaucian* ## **‘Abbott Elementary’ Season 5** *The usual classroom hijinks, but with higher stakes* Five seasons in, and *Abbott Elementary* still has a lot to say about the highs and lows of teaching within a crumbling education system (and yes, while the show may be focused on Philly, its cast of underpaid, undervalued, and overworked teachers definitely resonates with academics outside of the United States). This time, the stakes seem to be higher for Janine (showrunner Quinta Brunson) and company — Abbott’s furnace is about to burst, which would be a major safety hazard for all students and teachers inside, and there’s less and less funding from the school district. On top of the school-wide problems, tensions have begun to rise between Janine and her coworker-turned-boyfriend, Gregory (Tyler James Williams). Now, *Abbott Elementary* has always followed the golden sit-com rule of resolving all conflict in the span of 20-ish minutes (which is one of the reasons why it’s such a comfort to watch). But for its fifth season, the show decided to let those conflicts breathe, leaving us with multiple cliffhangers that had us wondering if the Abbott crew could really save the day again. —*Mel Wang* ## **‘Supernatural’** *Two decades later, and the boys* still *look good hunting demons* Now that *The Boys* is on its last two episodes, I’ve turned to showrunner Eric Kripke’s first TV baby: *Supernatural*. The show, which recently celebrated its 20th anniversary, carries a lot of the early elements that Kripke would work into his body of work later on. You’ve got the rugged and reckless male leads — demon-hunting brothers Sam (Jared Padalecki) and Dean (Jensen Ackles) — and then you’ve got episodes and episodes of them shooting at ghosts, beating up demons, and looking very, very badass in leather jackets. It’s fun and, at times, campy, and if you really need it, there’s always the ghost of a larger plotline hiding somewhere under all the prop blood and early-aughts VFX. There’s 15 seasons of *Supernatural* to get through, but if that’s enough for you, tune into the unofficial reunion episode Kripke sneaked in on *The Boys. —Mel Wang* ## **‘Fallout’ Season 2** *A deeper dive into the lore and gore of the Wasteland* It isn’t easy making a video game adaptation, but showrunners Geneva Robertson-Dworet and Graham Wagner proved they’re up to the challenge when they took a crack at *Fallout*, the massive role-playing video game franchise notorious for going very, very heavy on the term “open-world.” Although the first season of the duo’s adaptation strayed away from the original source material — which itself was a blessing for viewers who’d never played any of the games — *Fallout* Season 2 was made specifically with OG fans of the game in mind. It brings its band of heroes straight into the deserts and casinos of *Fallout: New Vegas*, where tech billionaires and nuclear missiles reign supreme (now hey, why does this sound so familiar?). There are moments when the show works a little too hard to bring in the video game references, and sometimes I wonder if we really needed to bring in Mr. House (Justin Theroux) as the big bad (aren’t there other, newer villains out in the Wasteland?). But if this season of *Fallout* is all about paying homage to the games that came before it, then it more than delivers. —*Mel Wang* ## Frequently Asked Questions ### Where can you watch Duang With You uncut? Uncut episodes of the hit Thai BL series Duang With You stream exclusively on iQIYI, while standard version clips are accessible via YouTube. ### What is the origin of the term “muffin top”? The popular term “muffin top” was popularized by the hit Australian comedy series Kath and Kim, referencing character Kim’s habit of wearing low-rise jeans. ### Is Abbott Elementary Season 5 suitable for new viewers? Abbott Elementary Season 5 builds heavily on previous character arcs and unresolved cliffhangers, making it best experienced after watching the earlier seasons in order. ### Do you need to play the video games before watching Fallout Season 2? Viewing Fallout Season 2 does not require prior video game experience, though it contains numerous easter eggs and lore references designed specifically for game fans. ### How many seasons of Supernatural were produced? Supernatural ran for 15 seasons, following demon-hunting brothers Sam and Dean Winchester across 327 episodes created by showrunner Eric Kripke. Related Stories - [‘Hacks’ Recap: Then AI Came for the Comedians](https://rollingstonephilippines.com/culture/tv/hacks-s05e03-ai-comedy/ "‘Hacks’ Recap: Then AI Came for the Comedians") - [Everyone Hustles to Mixed Results in ‘Euphoria’ Season 3, Episode 4](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-4/ "Everyone Hustles to Mixed Results in ‘Euphoria’ Season 3, Episode 4") - [‘Fallout 4: Anniversary Edition’ Reignities the Wasteland’s Retro-Futurist Legacy](https://rollingstonephilippines.com/radar/releases/fallout-4-10th-anniversary-edition/ "‘Fallout 4: Anniversary Edition’ Reignities the Wasteland’s Retro-Futurist Legacy") **Categories:** Culture, TV **Tags:** Abbott Elementary, Duang With You, Fallout, Kath and Kim, Staff Picks, Supernatural --- ### [‘Hokum’ Delivers as a Classic (and Hopeful!) Horror Story](https://rollingstonephilippines.com/culture/film/hokum-adam-scott-horror-review/) **Published:** May 8, 2026 **Author:** Mel Wang **Excerpt:** Adam Scott more than proves that he has what it takes to go up against a ghost, a haunted hotel, and a hungry witch **Content:** For those looking for a good, old-fashioned horror story, feast your eyes on *[Hokum](https://rollingstonephilippines.com/tag/hokum/ "Hokum")*. The folk horror film, directed by [Damian McCarthy](https://rollingstonephilippines.com/tag/damian-mccarthy/ "Damian McCarthy") (*Oddity, Caveat*), starts off deceptively simple. It has all the classic horror tropes: a wailing ghost, a mysterious death (or multiple), and a curmudgeonly hero — the writer Ohm Bauman (played by a perfectly cast [Adam Scott](https://rollingstonephilippines.com/tag/adam-scott/ "Adam Scott")) — grumbling “Hokum!” at the thought of anything spooky. Ohm has made his way to the dark, bleak forests of Ireland to finish his equally bleak novel and spread his parents’ ashes, so he has no time for silly ghost stories, thank you very much. The only problem is that Ohm has walked straight into one of those ghost stories, or, in his case, the story of a witch. He’s checked into the Bilberry Woods Hotel, which has long locked up its honeymoon suite to protect guests from the nightly wanderings of a hungry witch, ready to shackle bad little boys and drag them straight to hell. Everyone from the superstitious hotel owner to the bellboy (who claims to have seen the witch with his own eyes) tells him to stay away from the chained-up door, but like any classic hero of the genre, Ohm must see the horror for himself. But just as you’re about to completely buy into the existence of ghosts and witches, McCarthy makes a sharp pivot and throws his protagonist into the middle of a murderous whodunnit. Fiona (Florence Ordesh), the only hotel staffer who warmed up to Ohm’s prickliness, has gone missing. There are suspects involved, and a few red herrings that point to a more rational explanation for Fiona’s disappearance. However, the honeymoon suite calls to Ohm, and when he finally bangs its door down, he finds himself trapped in an escape room where he must use his wits (and a very handy piece of chalk) to survive the supernatural forces trapped inside with him. There are a lot of moving parts to*Hokum*, but it’s best to focus on Scott and his performance as the famed but pained author. “The goal was to tell a simple story with a complicated character,” said McCarthy in an interview with [*Collider*](https://www.youtube.com/watch?v=4DlRpt9zCpg)*,* and Scott more than delivers on that complexity with Ohm. Despite starting off the film as an asshole, quick to bully the hotel’s staff and drink whisky in solitude, Ohm eventually opens up and reveals more and more layers to himself. He has his own ghosts following close behind him, both real and unreal, and his anger comes from years of keeping his own grief close to his chest. In the hands of anyone else, that grief could have easily come off as cheesy or overdone (because aren’t most horror movies about grief, anyway?), but Scott knows exactly how to redeem his hero and have us rooting for his escape by the end. Although McCarthy has never been known to end his horror movies on a high note (his heroes are never completely good and they all get their comeuppances in the end), *Hokum* sees the director turning over a new leaf. Despite calling *Hokum* a simple story, McCarthy has made sure to set up a number of complicated hoops and loops for his protagonist to jump through in order to earn his escape. *Hokum* is currently screening in Philippine cinemas. ## Frequently Asked Questions ### Who directed the folk horror film Hokum? Hokum was directed by Irish filmmaker Damian McCarthy, who is previously known for directing the acclaimed indie horror feature films Oddity and Caveat. ### Who stars as the main character in Hokum? Actor Adam Scott stars as Ohm Bauman, a grieving and cynical novelist who travels to a remote Irish hotel to complete his latest book. ### What genre of movie is Hokum? Hokum is primarily a folk horror film that incorporates elements of supernatural hauntings, witch folklore, and a classic murder mystery whodunnit narrative. ### Where does the story of Hokum take place? The movie Hokum is set in the dark, secluded Bilberry Woods Hotel, located in the bleak countryside forests of Ireland. ### How does Hokum differ from previous Damian McCarthy films? Hokum differs from prior Damian McCarthy films by offering a surprisingly hopeful outcome for its protagonist, rather than concluding with a tragic ending. 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Then there’s [Lizzo](https://rollingstonephilippines.com/tag/lizzo/ "Lizzo"), the Minneapolis-via-Houston rapper-producer-flautist who, after garnering buzz and critical acclaim during the 2010s, broke big that year with her third album, *[Cuz I Love You](https://www.rollingstone.com/music/music-album-reviews/review-lizzo-cuz-i-love-you-824705/),* a frothy, hooky showcase of her talent and charisma, and the resurgence of her single “Truth Hurts,” a piano-led rebuke of an ex that went to Number One. Since then, Lizzo’s fortunes have been up and down. Her 2022 follow-up, *[Special](https://www.rollingstone.com/music/music-album-reviews/lizzo-review-special-1381012/),* had the breezy chart-topper “About Damn Time,” which won a Record of the Year Grammy; she appeared on the blockbuster *Barbie: The Album* and added flute to [Dolly Parton’s version](https://www.rollingstone.com/music/music-album-reviews/dolly-parton-rockstar-review-1234878167/) of “Stairway To Heaven.” She also had two lawsuits filed against her for harassment and other claims — one by three former backup dancers, another by a wardrobe stylist. Lizzo [strongly](https://www.rollingstone.com/music/music-news/lizzo-dancers-sexual-harassment-lawsuit-blindsided-1235212371/) [denied](https://www.rollingstone.com/music/music-news/lizzo-challenge-lawsuit-ex-employee-asha-daniels-1234932089/) all of their accusations, and has continued to [fight them](https://www.rollingstone.com/music/music-news/lizzo-refuses-settle-backup-dancers-lawsuit-1235557106/) in court. In the meantime, she did her best to move on, telling Keke Palmer in late 2024 that the experience had taught her “healthy boundaries” and releasing the self-admiring single “Love in Real Life” a few months later. That single and its follow-up had a soft landing in the marketplace, and Lizzo re-armed herself with last year’s [*My Face Hurts From Smiling*](https://www.rollingstone.com/music/music-album-reviews/lizzo-my-face-hurts-from-smiling-review-1235375645/), a swaggering mixtape that resulted from a two-week creative burst. But where that tossed-off release felt playful and energized, *Bitch*, the proper album that continues Lizzo’s run of grievance-airing, feels tired and dry, with Lizzo’s biting feistiness sounding curdled and the too-obvious interpolations of older pop hits coming off like a cynical grab for distracted listeners. (When Lizzo recently [noted ](https://x.com/lizzo/status/2063664719513391505)changing listening trends — “the industry changed so much in the last 3 yrs. streaming replaced radio & I was a radio darling. That’s how my fans discovered my music,” she wrote on the site formerly known as Twitter — it was a reminder of her music-biz savvy.) *Bitch* has its throwing-down moments. “Sexy Ladies” is a triumphant song of the summer candidate, transforming the D.C. go-go band UCB’s 2022 track “Sexy Lady” (which in turn flipped the System’s 1987 hit “Don’t Disturb This Groove”) into a get-ready-with-me anthem. The sauntering “Little Black Cat” has the vibe of a hazy crystal vision as Lizzo summons numerology, astrology, and more “woo-woo” practices in an effort to bring back a lover. On the bluesy “Whose Hair Is This,” Lizzo displays her sheer vocal power while freaking out about finding an unfamiliar strand of red hair in her lover’s bed. As her backup singers coo and a vintage organ hums, she goes from melting down about her romantic rival’s attributes to letting out a full-bodied wail — until her freakout is eventually halted by her realization that she did, in fact, wear a red wig recently. The fake-out would land a bit better if she hadn’t done the “last-minute undermining of the song’s premise” trick on the song preceding it, the pop-punky late-night Instagram spinout “She Stole My Man,” whose 100-mph spiral about a dream boy being attached ends with Lizzo rationalizing that her object of brief obsession wasn’t that cute anyway. The UCB interpolation is sublime, but other callbacks to the past fall flat. The album’s title track takes the chorus of Meredith Brooks’ strummy 1997 hit “Bitch” and inspiration from Lizzo’s former collaborator Missy Elliott, but it sounds more like a grab for Nineties alt-adult fans’ algorithms than a standalone statement; lyrics like “If I lost some followers, it ain’t a loss” come off as a bit protest-too-much. “Don’t Make Me Love U” resembles a tepid mashup of ABBA’s “The Winner Takes It All” and Tina Turner’s “The Best” (to be fair, it credits the latter along with Bon Jovi’s “Livin’ on a Prayer”). *Bitch* has its full heel turn near the end of the plush “That GRRRL,” when Katt Williams’ defense of the star drops in: “They came after Lizzo, and she is unproblematic.” That’s followed by “Too Nice,” where Lizzo takes on her antagonists over glassy pianos and brushed drums. “It’s always ‘Drinks on me,’” Lizzo sighs to open the song, later growling that “You’d be workin’ at the mall if it wasn’t for me.” (In this economy?) The torchy “Like a Crime” follows, with Lizzo vacillating between anger and apathy toward an unnamed fraudster who “broke my heart and stole my life” as a storm cloud of guitars gathers. As the song fades, a single arpeggiated guitar remains, its fractured chord refusing to resolve. Was it all a dream? “Goodmorning,” the sunshine-bright closer, implicitly asks that question, sounding like a single-camera sitcom theme with wittier lyrics (“You know the way Jesus turned water to wine?/ Well, I’ma turn water to Pedialyte,” Lizzo winks) and a pep-you-up imperative. It’s a wild enough tonal shift from the previous three tracks to evoke the phrase “toxic positivity.” That might be the point, since it ends with Lizzo boogieing into the sunset over an extended outro — probably while she’s replicating the middle-finger gesture that gets a remix on *Bitch*’s cover. *This story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-album-reviews/lizzo-bitch-album-review-1235572260/).* ## Frequently Asked Questions ### What is Lizzo’s album Bitch? Bitch is Lizzo’s album released in June 2026, following her 2025 mixtape My Face Hurts From Smiling. Rolling Stone describes it as continuing her run of grievance-airing releases, mixing pop-punk spirals, bluesy vocal showcases, and interpolations of familiar Nineties and 2000s pop hits. ### What did Rolling Stone say about Lizzo’s Bitch? Rolling Stone’s Maura Johnston was unimpressed. She writes that the album feels tired and dry, that Lizzo’s feistiness sounds curdled, and that its interpolations read as a play for distracted streaming listeners. That assessment is the reviewer’s own, not a consensus verdict. ### What are the best songs on Lizzo’s Bitch? Johnston singles out “Sexy Ladies” as a song-of-the-summer contender and praises the sauntering “Little Black Cat.” She also notes the bluesy vocal showcase “Whose Hair Is This,” the pop-punk “She Stole My Man,” the confrontational “Too Nice,” and the sunny closer “Goodmorning.” ### What songs does Bitch interpolate or sample? The title track uses the chorus of Meredith Brooks’ 1997 hit “Bitch.” “Sexy Ladies” reworks D.C. go-go band UCB’s “Sexy Lady,” which itself flipped the System’s 1987 track. “Don’t Make Me Love U” credits Tina Turner’s “The Best” and Bon Jovi’s “Livin’ on a Prayer.” ### What is the background to Lizzo’s Bitch? Lizzo broke through in 2019 with Cuz I Love You and “Truth Hurts,” later winning a Record of the Year Grammy for “About Damn Time.” She has also faced lawsuits from former backup dancers and a wardrobe stylist; she strongly denied all accusations and continues contesting them in court. Related Stories - [Foo Fighters Build a Healing Album Out of Heroic Noise](https://rollingstonephilippines.com/music/music-reviews/foo-fighters-your-favorite-toy-review/ "Foo Fighters Build a Healing Album Out of Heroic Noise") - [‘LUX’ is Rosalía’s Newest 18-Track Pop Opera of the Future](https://rollingstonephilippines.com/music/music-reviews/rosalia-lux-album-review/ "‘LUX’ is Rosalía’s Newest 18-Track Pop Opera of the Future") - [Doja Cat Playfully Shifts Gears in the ‘80s-Inspired ‘Vie’ ](https://rollingstonephilippines.com/music/music-reviews/doja-cat-vie-album/ "Doja Cat Playfully Shifts Gears in the ‘80s-Inspired ‘Vie’ ") **Categories:** Music, Music Reviews **Tags:** Lizzo --- ### [Tracing the Origins of P-pop](https://rollingstonephilippines.com/music/tracing-the-origins-of-p-pop/) **Published:** June 9, 2026 **Author:** Gaby Gloria **Excerpt:** From the SexBomb Girls to SB19 and BINI, we dive deep into the origins of OPM’s newest movement **Content:** In 2003, a catchy novelty track called “The Spageti Song” sparked a nationwide dance craze ages before TikTok challenges made it trendy to do so. The song, produced by Lito Camo and performed by a girl group known as the [SexBomb Girls](https://rollingstonephilippines.com/tag/sexbomb-girls/ "SexBomb Girls"), contained lyrics that doubled as instructional choreography. The lyrics “Spageting pababa, pababa nang pababa/ Spageting pataas, pataas nang pataas” triggered many a dance showdown at birthday parties and other social gatherings. At the time, SexBomb had already risen to fame as backup dancers on the noontime show *Eat Bulaga*, where they performed in the popular segments “Meron o Wala” and “Laban o Bawi.” “Spageti” was their second novelty hit, following the almost equally popular “Bakit Papa?,” a single off their 2002 debut album *Unang Putok*. Originally assembled in 1999 as a dance group of backup dancers for *Eat Bulaga*, their manager, Joy Cancio, thought of the project more as a way to help “the less fortunate have a life,” and support their families using their talents. The group’s rise to fame was not planned. “Nagkataon na they were hired to promote a song and it became phenomenal, ‘yung Tom Jones na ‘Sexbomb,’ and nagkataon din ‘yung dance resonated with the masses,” said Cancio’s son John in an interview with *CNN Philippines Life*, November 2022. Ask anyone from the Philippines what “The Spageti Song” sounds like and you’re likely to get an immediate response, complete with the moves to boot. Pushing dancers to the next level of fame was also a goal, though it was one they didn’t think they could achieve right away. Many of the original SexBomb members entered Cancio’s agency because of their passion to perform, but at the end of the day, the gig was just a job; a way for them to put food on the table. Though initially dismissed by the larger Philippine music industry because of their place as a novelty (a.k.a. gimmick-led) group, SexBomb’s success is notable in many ways, chief among which are the career heights that the artists of today can only dream of. These include becoming multi-platinum recording artists (*Unang Putok* got a Philippine Association of the Record Industry (PARI) platinum certification only a month after its release, meaning that it sold at least 40,000 units), top-billing on a record-breaking TV show with a seven-year run on a major network (GMA’s *Daisy Siete* had an average of 22 percent TV rating, according to AGB Nielsen at the height of its popularity), multiple film cameos, and sold-out concerts. And, of course, who can deny the greatest achievement a performing artist could ask for: a permanent place in the Filipino cultural psyche. Ask anyone from the Philippines what “The Spageti Song” sounds like and you’re likely to get an immediate response, complete with the moves to boot. ## The PH Training System ![ppop timeline sexbomb](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/ppop-timeline-sexbomb.webp) The SexBomb Girls. Photo from Sexbomb Dancers Facebook A meme post that circulated on social media in 2020 stated that SexBomb’s sales records within Asia were only broken when [K-pop](https://rollingstonephilippines.com/tag/k-pop/ "K-Pop") girl groups [2NE1](https://rollingstonephilippines.com/tag/2ne1/ "2NE1") and Girls’ Generation came onto the scene, and while the claim has yet to be proven by an official entity (Cancio and former Sony BMG boss Narciso Chan confirm the PARI achievements, but cannot remember the official sales counts — former Focus Entertainment boss Butch Pura says it is because they “were not that particular with those things during those times”), it isn’t a stretch to say that they may as well be considered as one of the highest-selling female groups in the Philippines, considering how massive the SexBomb Girls became as a pop cultural phenomenon. The two aforementioned K-pop groups came three to seven years after the success of the SexBomb Girls, when “I Don’t Care” (2NE1) and “Genie” (Girls’ Generation) were almost as ubiquitous here in the Philippines as “The Spageti Song.” 2NE1 and Girls’ Generation were a product of the Korean idol training system that transforms young talents into huge stars. In her book *Idol Trainees’ Sweat and Tears*, pop culture expert Lee Jong-im observes that K-pop superstardom often involves a significant financial investment and a harrowing pre-debut training process in which young talents are prepped for the stage. The combination of both, plus significant support from their government, is the reason that they’ve been able to achieve worldwide recognition. “The media continue to perpetuate the narrative that a star is born by chance, and many people still believe that. But I realized the opposite is true,” said Lee in an interview with *The Korea Herald* about her book on the Korean training process. “Initially it’s a physical thing… may classification system sa ulo. ‘Maganda ‘yan, gwapo ‘yan,’ ‘Yan muntik na maging pangit pero maganda.’ And then you have a feeling about these people, meron na silang magic. But you wanna validate it, so you send them to the workshops.” Johnny Manahan Cancio didn’t know it at the time, but the dance training system that she developed for the SexBomb members was similar (albeit significantly less rigorous) to what was also going on in South Korea’s SM Entertainment with first-generation K-pop groups like S.E.S. and H.O.T, who debuted in 1997 and 1996, respectively. “Never nag-stop ang jazz class namin kahit they had *Daisy Siete* already, and lots of shows \[on their schedule\]. Part pa rin. \[The girls had\] to do warm-up and training.” Interestingly, if there is anything that the Filipino entertainment industry has had a grasp of without having to look to the K-pop industry, it’s that a little bit of training and tweaks to a person’s appearance can do wonders for their image. Oftentimes, budding stars were discovered through nationwide talent searches and televised competitions like *GMA Supershow*, *Starstruck*, and *Star Circle Quest* (Fun trivia: 2NE1’s Dara actually got her start from this very show, back then known as Sandara Park). Talent scouting is something that provided the bread and butter of major television networks, through legendary talent managers such as the late German “Kuya Germs” Moreno in the ‘70s and ‘80s, Johnny Manahan a.k.a. Mr. M in the ‘90s to early ‘00s, and [Laurenti Dyogi](https://rollingstonephilippines.com/culture/pinoy-big-brother-lauren-dyogi/ "‘Pinoy Big Brother’ is Still One of the Most Watched TV Shows in the Philippines") in the 2010s. The three are said to have the Midas touch when it comes to finding the next big thing. Moreno, Manahan, Dyogi, and even SexBomb’s Cancio have said that an eye for talent is one thing, but what’s even more important is that the candidates they pick are trainable. Speaking on *The Howie Severino Podcast* in 2021, Manahan explained his gut feeling when it comes to stars and the concept of the “X-Factor” that goes beyond physical looks and can be brought out through training. “Initially it’s a physical thing… may classification system sa ulo. ‘Maganda ‘yan, gwapo ‘yan,’” he shared. “‘‘Yan muntik na maging pangit pero maganda.’ And then you have a feeling about these people, meron na silang magic. But you wanna validate it, so you send them to the workshops, you send them to dance instructors. And then after a certain time, you say, ‘How did that person do?’ That’s when they say, ‘Direk, may magic ‘yan. May garbo ‘yan.’ So you validate it.” ## The Proto P-pop sound Up until recently, no other song and dance group in the Philippines had reached (and maintained) the level of commercial success that SexBomb had in the early to mid-aughts. But there have been a few attempts to do so in the past using K-pop as a peg. In 2008, Vicor founder and Viva Records CEO [Vic Del Rosario](https://rollingstonephilippines.com/culture/film-tv/vic-del-rosario-hall-of-fame-2025/ "Vic del Rosario Jr. Is Always One Step Ahead") wanted to herald change in the Filipino music landscape the way they did with Manila Sound. He reached out to record producer Marcus Davis — then known for his skill in creating pop music with a Pinoy touch (most notable at the time were the ABS-CBN station ID “Star ng Pasko” and “Kembot”) — to help him create groups comparable to the K-pop groups popular in the Philippines at the time. “Boss Vic reached out to me and said, ‘Okay, I have this idea to start a record label. We’re gonna do Tagalog stuff but with a foreign sound to it, kind of modeling after the K-pop stuff,’” Davis told *CNN Philippines Life* in an interview*.* The two ended up co-owning the Viva Records sub-label called Ppop, short for Pinoy pop. As creative director, Davis signed three groups: Pop Girls (of which pre-JaDine [Nadine Lustre](https://rollingstonephilippines.com/tag/nadine-lustre/ "Nadine Lustre") was a member), boy group XLR8, and co-ed group RPM. All three underwent the regular training expected of Viva talents, with special emphasis on their vocal and dance skills. But when they started releasing music, they were criticized for looking and sounding dangerously close to the Korean groups that they were supposedly inspired by. Copying, Davis says, was common in the local music scene at the time, but wasn’t part of his original vision for the Ppop label. “Our goal was \[to\] establish ourselves in the Philippines and make these young artists matter and make the music matter and make the creators behind the music matter in the hopes that that’s enough for this country to rally behind itself,” he adds. ![Three years after the Ppop label was launched](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/PPOP-LANDSCAPE.webp) Pop Girls, XLR8, Charmed, Chicser, and RPM are among the first groups formed in an early attempt to emulate K-pop. Three years after the Ppop label was launched, Viva realized it wasn’t a profitable venture and decided to shutter it. “What we found \[was\] that the groups were getting more popular than the music, because the music was just copies of stuff they had already heard. So that was working, but we still never really found our own sound.” By then, Davis decided to strike out on his own as a producer, but the label continued to produce pop groups with a similar formula. After the Ppop label’s dissolution, it should be noted that other networks and agencies began assembling their own groups as well. There was the MCA Music group 1:43, responsible for one of the top 10 best-selling OPM albums at record stores such as Odyssey, Astroplus, and Astrovision in 2011. Viva also had the five-member group Chicser, who rose to fame from a dance video of the popular song “Teach Me How to Dougie.” 2016 also saw an influx of pop groups, thanks to televised talent competitions such as ABS-CBN’s *Pinoy Boyband Superstar,* which produced BoybandPH, as well as TV5 and Viva’s *Born to Be a Star*, which produced the groups Nitro and UGG (U Go Girls). Meanwhile, ABS-CBN’s Star Music also followed through, with groups like Gimme 5 and the *[It’s Showtime](https://rollingstonephilippines.com/editors-picks/lists/6-kalokalike-performances-its-showtime/ "6 ‘Kalokalike’ Performances That Hit and Missed on ‘It’s Showtime’")* dance-only groups Hashtags and GirlTrends, which were composed of Star Magic talents and *[Pinoy Big Brother](https://rollingstonephilippines.com/tag/pinoy-big-brother/ "Pinoy big brother")* alums. “What we found \[was\] that the groups were getting more popular than the music, because the music was just copies of stuff they had already heard. So that was working, but we still never really found our own sound.” Marcus Davis This move towards a group formula continued well into 2019, when Viva continued to launch girl groups such as the 45-member PPop Generation and Charmed, even partnering to manage SexBomb’s offshoot group, SB New Gen — though lackluster views and streams showed that they didn’t seem to hit the mark with the general public. All these groups faced the same criticism that Pop Girls and XLR8 did during their times: backlash on social media for being “copycats” of K-Pop, J-Pop, and Western pop. ## Laying the Groundwork As in any music industry, the sound of popular music in the Philippines has gone through several shifts over time. By the mid-‘00s, for example, rampant piracy and declining [CD](https://rollingstonephilippines.com/music/physical-media-filipino-music/ "Inside the Fight to Keep Physical Media Alive for Filipino Music Fans") sales pushed record labels to play it safe. Davis recalls how the mainstream labels’ approach to pop music in those times was resistant to experimentation, designed to minimize any financial risk. “What the \[mainstream\] record labels would do is that they would go to the cheapest producer, cheapest studio possible, and make the cheapest product possible, put the biggest celebrities’ face on it, and have them make the rounds,” says Davis. “The reason why \[covers\] did so well was because the formula was simple: let’s get a big star and a popular song, and put them together, and that’s the safest option. It worked very well, but it’s glorified karaoke, and it can only last so long,” he adds. Despite the negative reception towards the dance pop-leaning groups of the time, there is no denying that the 2010s were a seminal time period that laid the groundwork for P-pop as we know it today. 2013 onwards were breakthrough years for both budding artista-musicians and already established talents who wanted to experiment both in terms of visuals and sound. ![ppop timeline sarah g](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/ppop-timeline-sarah-g.webp) Sarah Geronimo winning *Star for a Night* in 2002. Photo from Viva Entertainment In August 2013, Sam Concepcion, who rose to fame as a teen heartthrob after winning *Little Big Star* in 2006, released *Infinite* with an accompanying futuristic music video for the carrier single “No Limitations.” It was also the year that [Sarah Geronimo](https://rollingstonephilippines.com/tag/sarah-geronimo/ "Sarah Geronimo"), dubbed “Popstar Princess” after winning the singing contest *Star for a Night* in 2002, released her 10th studio album *Expressions*. Featuring “Ikot-Ikot” and “Tayo,” the album signaled a move towards a more holistic view of pop stardom that combined modern music sensibilities with polished visuals and choreography. These shifts can be attributed to producers and composers of these songs as much as they are to the performers. And in the 2010s, chief among those were the composer duo Thyro & Yumi and the producer Jumbo “Bojam” De Belen and his company Flip Music. It is Flip Music, along with Thyro & Yumi and other songwriting powerhouses like Nica del Rosario, Pow Chavez, Myk Conchada, and Mat Olivades, whose names line the credits of some of the more iconic pop songs and albums of that decade, including the *[Diary ng Panget](https://rollingstonephilippines.com/culture/philippine-cinema/25-filipino-rom-coms-21st-century/ "The 25 Best Filipino Rom-Coms of the 21st Century")* OST, Geronimo’s “Tala,” and later on in the 2020s, [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI")’s *Talaarawan* album. What “Ikot-Ikot” and “Kilometro” did for Geronimo was elevate the Filipino pop sound, proving that mainstream success could be achieved through experimentation. By the 2020s, creating the sonic branding of an artist became what De Belen, and by extension, Flip Music, was known for. Flip’s co-founder and COO Jeli Mateo tells Rolling Stone that it’s always been their vision to push forward Filipino pop. Geronimo simply became their first mainstream proof of concept. “We wanted to elevate, to ‘flip’ the OPM sound. We transform \[an artist’s\] existing sound and we create a new version of that artist that they never knew existed,” says Mateo. ![ppop timeline bini](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/ppop-timeline-bini.webp) BINI.Photo from ABS-CBN Entertainment Geronimo’s label, Viva Records, tapped Flip Music to collaborate with the Popstar Princess on *Expressions*, which was to be her first album featuring mostly original songs, a departure from the biritera cover ballads that the singer had built her decade-long career on. “Since we were doing the new sound, the fun stuff, we just infused what we do best, infused a little fun in it, a little relatability. All Filipino,” shares De Belen, Flip’s co-founder and CEO. *Expressions* went on to become certified Platinum by PARI and was critically acclaimed for showcasing Geronimo’s vocal versatility and stylistic evolution. Despite these achievements, the change remained risky even a year later. Composer Yumi Lacsamana shares that by the time they finished “Kilometro” in 2014, there was still some level of uncertainty attached to the reception of Geronimo’s “new sound.” “Sugal siya. Suntok sa buwan,” she says. “Pikit-mata lahat talaga kami, even the label. Na parang, ‘Let’s just trust the song and Sarah’s stature sa industry na sana pakinggan,’” she shares. What “Ikot-Ikot” and “Kilometro” did for Geronimo was elevate the Filipino pop sound, proving that mainstream success could be achieved through experimentation. More than that, however, the songs are the building blocks that led to the highest level of commercial success that Geronimo has ever reached: the “Tala” dance craze. Produced by Flip Music’s De Belen and singer-songwriter Alisson Shore, the song came out in 2016 but went viral three years later by way of a [TikTok](https://rollingstonephilippines.com/tag/tiktok/ "TikTok") dance challenge. While it was already a hit upon release, it was the mass appeal that propelled it to icon status. Suddenly, it was *everywhere.* You couldn’t escape “Tala” in 2019 because it was all over social media *and* in real life: on the street, at parties, and in classrooms and office break rooms — a phenomenon not unlike Sexbomb’s “Spageti Dance” in the 2000s. *Read the full story from the Rolling Stone Philippines Special P-pop Issue with SB19.* *Pre-order a copy from [sarisari.shopping](https://sarisari.shopping/collections/rolling-stone-philippines-collections/products/rolling-stone-philippines-special-issue-may-2026-sb19 "sarisari.shopping")*, or read the e-magazine now* [*here*](https://rollingstonephilippines.com/digital-access/)*.** *Parts of this article were originally published on cnnphilippines.com/life* ## Frequently Asked Questions ### What are the SexBomb Girls popularly known for? Originally assembled in 1999 as a dance group of backup dancers for *Eat Bulaga*, the SexBomb Girls’ catchy novelty track called “The Spageti Song” sparked a nationwide dance craze in the 2000s. ### Was the SexBomb Girls a precursor of the K-pop wave and subsequently, the contemporary P-pop movement? In a way, they predated the arrival and rise of K-pop girl groups 2NE1 and Girl’s Generation, who came three to seven years after the success of the SexBomb Girls. The same dance training system that developed the SexBomb Girls was similar (albeit significantly less rigorous) to what was also going on in South Korea’s SM Entertainment with first-generation K-pop groups like S.E.S. and H.O.T, who debuted in 1997 and 1996, respectively. ### Before idol training developed today’s P-pop acts, how were talents discovered? Oftentimes, budding stars were discovered through nationwide talent searches and televised competitions like *GMA Supershow*, *Starstruck*, and *Star Circle Quest* (Fun trivia: 2NE1’s Dara actually got her start from this very show, back then known as Sandara Park). ### What is the earliest attempt to establish P-pop? In 2008, Vicor founder and Viva Records CEO Vic Del Rosario wanted to herald change in the Filipino music landscape the way they did with Manila Sound. This led to the creation of the Viva Records sub-label called Ppop, short for Pinoy pop. ### Who were the first formalized P-pop groups and how did they came to be? 2016 saw an influx of pop groups, thanks to televised talent competitions such as ABS-CBN’s Pinoy Boyband Superstar, which produced BoybandPH, as well as TV5 and Viva’s Born to Be a Star, which produced the groups Nitro and UGG (U Go Girls). Meanwhile, ABS-CBN’s Star Music also followed through, with groups like Gimme 5 and the It’s Showtime dance-only groups Hashtags and GirlTrends, which were composed of Star Magic talents and Pinoy Big Brother alums. More P-pop Stories - [SB19 Wants More Than Pop Stardom](https://rollingstonephilippines.com/music/sb19-on-1z-entertainment-going-global/ "SB19 Wants More Than Pop Stardom") - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") - [How Alamat’s ‘LuzViMinda’ Video Scraps Glam for Grit, According to Its Director](https://rollingstonephilippines.com/music/pop/alamat-luzviminda-music-video/ "How Alamat’s ‘LuzViMinda’ Video Scraps Glam for Grit, According to Its Director") **Categories:** Music, Pop **Tags:** BINI, K-Pop, May 2026 Issue, P-pop, Sarah Geronimo, SexBomb Girls --- ### [‘Euphoria’ Season 3, Episode 6 Gets Emotional as Rue Seeks Redemption](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-6/) **Published:** May 18, 2026 **Author:** Pie Gonzaga **Excerpt:** The latest episode of Euphoria is all about redemption, with writer Sam Levinson returning to the show’s emotional roots and Rue calling on God for salvation **Content:** *Warning: This recap contains spoilers.* We’re down to the last three episodes of *[Euphoria](https://rollingstonephilippines.com/tag/euphoria/ "Euphoria")* Season 3, and it’s at this point that showrunner Sam Levinson finally gives us a welcome break from the show’s fatiguing violence and absurdity. [Last episode](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-5/ "Except for Cassie, Everyone Else’s Days are Numbered in ‘Euphoria’ Season 3, Episode 5"), we saw Cassie ([Sydney Sweeney](https://rollingstonephilippines.com/tag/sydney-sweeney/ "Sydney Sweeney")) turn into a giantess wreaking havoc on Hollywood, while Rue ([Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya")) got yet another close call with death. Episode 6 gives us more hope for these two protagonists. It starts with a flashback to the 1970s, when a con by Alamo Brown’s (Adewale Akinnuoye-Agbaje) mother (Danielle Deadwyler) inspires a young Alamo to resolve never to be fooled by anyone ever again. In the present, Rue manages to stop him from beating her with a polo mallet by calling Faye (Chloe Cherry), the getaway driver in [Episode 4](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-4/ "Everyone Hustles to Mixed Results in ‘Euphoria’ Season 3, Episode 4")’s robbery), and asking for a photo of the key to Laurie’s ([Martha Kelly](https://rollingstonephilippines.com/culture/tv/euphoria-laurie-martha-kelly-interview/ "Martha Kelly is the ‘Euphoria’ Villain the Internet Loves to Fear")) vault. The vault key is with Faye’s boyfriend Wayne (Toby Wallace), one of Laurie’s workers and a dirtbag neo-Nazi who wants to have “fair-skinned babies” with Faye. And no, I’m not just throwing “neo-Nazi” around; this man has a Nazi Army General’s visor cap and an alarming interest in eugenics. He even tattoos a swastika onto Faye’s lower back. So maybe Levinson isn’t quite done with his edgelordism, after all. Faye is hesitant to take a photo of the vault key, which she knows will be used by Alamo to steal his money back, but she’s persuaded when Rue invokes their good mutual friend Fez and promises her a cut of the cash. ![Woman with long dark hair in a black leather jacket seated on a red tufted booth in a dim lounge, looking forward with a neutral expression, handbag beside her.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/euphoria-e3s6-intext-1.webp) Could Alexa Demie’s Maddy Perez really protect herself against Alamo Brown? Photo by Eddy Chen/HBO Meanwhile, Rue warns Maddy (Alexa Demie) about making deals with Alamo. Maddy insists that she’s a “big girl” and can protect herself. It looks like Maddy isn’t in any trouble anyway, even though Alamo doesn’t take it well when she suggests that he give his dancers, Kitty (Anna Van Patten) and Magick (Rosalía), a day off. “Do I look like a wet pussy?” Alamo asks his right-hand man, Bishop (Darrell Britt-Gibson), who says no. “Then why do I feel like everybody’s trying to fuck me?” Bishop says, “There are people trying to fuck you. I don’t know if Maddy Perez is one of them,” suggesting that he may know something about Rue working undercover for the Drug Enforcement Administration (DEA). ## Finally, A Little Bit of Heart Laurie and Alamo meet up at his ranch for a peace treaty, working out a deal to have one of Alamo’s men carry eighty kilos of Laurie’s drugs. Rue catches the conversation on her phone for the DEA agents to hear. They assure her that when they eventually bust Alamo and Laurie, the U.S. attorney general will “look favorably” on her case. At Jules’ ([Hunter Schafer](https://rollingstonephilippines.com/tag/hunter-schafer/ "Hunter Schafer")) place, Rue suggests that they start a new life together, reflecting on the root of her anxiety and depression, and saying, “I have to live for something greater than myself.” Jules, however, rejects Rue, as she’s happy with the life she has now. Later on, while she waits for a keysmith to finish the duplicate key to Laurie’s safe, Rue sits in a church and gets a call from her mother — the real Leslie, played by Nika King, and not the DEA agents hiding in her contacts under the name “Mom.” ![euphoria leslie rue' mom nika king](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/euphoria-s3e6-intext-2.webp) Nika King returns as Leslie, Rue’s mom. Photo from HBO Previous seasons of *Euphoria* were showered with emotional scenes that gave the show heart. This season has been so depraved and so rife with nonsense that it’s hard to connect with any of its protagonists. By the end of Episode 5, I was sure that I no longer cared if Rue died this season, because she’s had it coming. But during her phone call with Leslie, Rue says she’s looking for redemption and salvation. “I don’t really wanna be stuck with all the mistakes I’ve made,” she tells her mother, before promising to visit her soon. When Rue tearfully says she wants to start over, Zendaya’s performance brings the viewer back to *Euphoria*’s first two seasons, which were more grounded in reality and focused on Rue navigating teenage relationships as she flip-flopped in and out of addiction. The show really could have concluded with Rue going sober at the end of Season 2, but now it seems Levinson is blindly feeling for a reason to keep her storyline going, and he landed on the emotional beats that got us to care about Rue and her peers in the first place. ## Road to Redemption Cassie has also been difficult to empathize with, being a vapid OnlyFans model who sees sex work as liberating for women but also advocates for male power. But in Episode 6, the narrative, after continuously punishing Cassie for her MAGA-fication, finally treats her with some humanity. During a shoot for the fictional soap drama *L.A. Nights*, Cassie, who’s bagged the role of “Job Applicant,” gets lost in the script after actor Dylan Reid’s (Homer Gere) line, “The honeymoon’s over,” sends her into a bit of a panic. To recall, it’s the same thing loan shark Naz (Jack Topalian) told her when he terrorized her and Nate ([Jacob Elordi](https://rollingstonephilippines.com/tag/jacob-elordi/ "Jacob Elordi")) on their wedding night. She goes wildly off-script, saying that Nate going broke and getting tortured is the price *she* has to pay for betraying her best friend. But Dylan and the showrunners think she’s improvising. Producer Patty Lance (Sharon Stone) decides to make Job Applicant a recurring character on *L.A. Nights*, on the condition that Cassie deletes her OnlyFans account. Cassie does so, albeit with some reluctance. ![euphoria cassie sydney sweeney](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/euphoria-s3e6-intext-3.webp) Cassie (Sydney Sweeney) hypes herself up to delete her OnlyFans account. Photo by Eddy Chen/HBO Her sister Lexi doesn’t take this news well, having harbored resentment for her sister. But a door finally also opens for Lexi, who’s been toiling as Patty’s assistant, when her boss tells her to “take a stab” at writing a storyline for Job Applicant. At the apartment complex, Lexi’s friend Gillie (Gideon Adlon) suggests that Lexi kill off Cassie’s character in the show. “If someone doesn’t die periodically, people get bored,” Gillie says. Is this a premonition, Sam Levinson? While this happens, a deliveryman drops off a package at Cassie’s apartment. In it, she finds a note that says, “Answer the phone” — something she earlier exclaimed as she called Nate, hoping to get his advice on deleting her OnlyFans account. Under the note, she also finds Nate’s severed ring finger. Meanwhile, Nate is at the construction site, throwing a tantrum. With his four-toed foot, he crushes the endangered flowers that have put his project on an indefinite halt and rendered him broke. Naz’s guy approaches him, ready to torture him again, but before we see him potentially lose another limb, the show cuts to Rue sliding Alamo the duplicate key. Alamo orders Rue to retrieve his stolen cash, and Bishop further hints at knowing that Rue is hiding something: “You never really know a motherfucker’s true intentions.” This bothers Rue, but she’s resolved to make things even with Alamo. Duplicate key in hand, she drives through the desert at night, listening to Bible passages on the car stereo, which breaks mid-reading. As she tries to fix it, she nearly drives into a truck and sends her off-road. With the engine bay smoking, she gets out of the car, and finds (or hallucinates) before her a burning Joshua tree. Is this God in the burning bush, and is Rue Moses? Euphoria*Season 3 is currently streaming on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max").* ## Frequently Asked Questions ### What happens in Euphoria Season 3, Episode 6? Euphoria Season 3, Episode 6 focuses on Rue seeking redemption through a DEA informant plot while Cassie secures an acting role after abandoning her OnlyFans account. ### Is Rue working with the DEA in Euphoria Season 3? Yes, Rue operates as a secret DEA informant, gathering audio evidence on drug operations involving Alamo Brown and Laurie to secure favorable legal standing for herself. ### What happens to Cassie in Euphoria Season 3, Episode 6? Cassie improvises during a television shoot, earning a recurring role on L.A. Nights after agreeing to delete her controversial OnlyFans account at her producer’s request. ### What does the burning tree symbol mean for Rue? The burning Joshua tree in the desert mirrors the biblical burning bush, symbolizing spiritual awakening, judgment, and Rue’s dramatic quest for personal salvation and life transformation. ### How does Nate get threatened in Euphoria Season 3, Episode 6? Nate receives an explicit threat from loan shark Naz, who sends Cassie a package containing Nate’s severed ring finger following his financial collapse and construction delays. Related Stories - [Except for Cassie, Everyone Else’s Days are Numbered in ‘Euphoria’ Season 3, Episode 5](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-5/ "Except for Cassie, Everyone Else’s Days are Numbered in ‘Euphoria’ Season 3, Episode 5") - [Everyone Hustles to Mixed Results in ‘Euphoria’ Season 3, Episode 4](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-4/ "Everyone Hustles to Mixed Results in ‘Euphoria’ Season 3, Episode 4") - [The Wedding in ‘Euphoria’ Season 3, Episode 3 is What Nightmares are Made of](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-3/ "The Wedding in ‘Euphoria’ Season 3, Episode 3 is What Nightmares are Made of") **Categories:** Culture, TV **Tags:** Euphoria, HBO Max --- ### [What’s in Store For Stephen Colbert and His Last Week on Late Night?](https://rollingstonephilippines.com/culture/tv/stephen-colbert-late-show-final-guests/) **Published:** May 18, 2026 **Author:** Mel Wang **Excerpt:** Although Colbert’s keeping some of his final guests as a surprise, he has let slip that Jon Stewart, Steven Spielberg, David Byrne, and Bruce Springsteen will be joining him onstage **Content:** As *[The Late Show With Stephen Colbert](https://rollingstonephilippines.com/tag/the-late-show-with-stephen-colbert/ "The Late Show With Stephen Colbert")* wraps up its last week on air, the show has revealed its final roster of guests and segments. Or, at least, some of it. On Monday, May 18 (Eastern Time), *The Late Show* will air “The Worst of The Late Show With Stephen Colbert,” which, according to Colbert’s team, is “not a clip show!” For its Tuesday, May 19th episode, guests include [Steven Spielberg](https://rollingstonephilippines.com/tag/steven-spielberg/ "Steven Spielberg") (who’ll be on to discuss his upcoming sci-fi thriller, *Disclosure Day*), along with [Jon Stewart](https://rollingstonephilippines.com/tag/jon-stewart/ "Jon Stewart") and David Byrne, the latter of whom will be onstage with Colbert for a special musical performance. The show’s penultimate episode on Wednesday, May 20, will see Colbert taking “The Colbert Questionert,” with special, unnamed guests asking the questions. After this, [Bruce Springsteen](https://rollingstonephilippines.com/tag/bruce-springsteen/ "Bruce Springsteen") will be taking the stage. Finally, *The Late Show*’s highly anticipated (and contested) finale will air on Thursday, May 21 at 11:35 p.m. (Eastern Time), although Colbert has yet to announce any of the guests who’ll be joining him onstage one last time. But rest assured that the late night host has something up his sleeve: the last few weeks leading up to the finale have seen guests like [Barack Obama](https://rollingstonephilippines.com/tag/barack-obama/ "Barack Obama"), Julia Louis-Dreyfuss, [Pedro Pascal](https://rollingstonephilippines.com/tag/pedro-pascal/ "Pedro Pascal"), Tom Hanks, and David Letterman all sit across Colbert and say their final goodbyes to the show. “You can take a man’s show, but you can’t take his voice,” Letterman told Colbert during their interview segment. “And that’s the good news indeed.” > [View this post on Instagram](https://www.instagram.com/reel/DYXXXz7R1n1/?utm_source=ig_embed&utm_campaign=loading)[A post shared by The Late Show (@colbertlateshow)](https://www.instagram.com/reel/DYXXXz7R1n1/?utm_source=ig_embed&utm_campaign=loading) Colbert’s fellow late night hosts have also stood in solidarity with him during the final weeks of his show. Jimmy Fallon, [Jimmy Kimmel](https://rollingstonephilippines.com/tag/jimmy-kimmel/ "Jimmy Kimmel"), Seth Meyers, and John Oliver all stopped by the Ed Sullivan Theater for a reunion of *Strike Force Five*, the podcast series which they started during the Writers Guild of America’s strike in 2023. Kimmel will also be airing a repeat episode on May 21 during Colbert’s final episode “out of deference to Colbert’s sendoff,” according to *LateNighter.* Last July, Colbert announced that this 11th season of *The Late Show* would be his last. CBS stated that the choice to cancel the show was “purely a financial decision,” despite *The Late Show* being the No. 1 show on late night. The announcement coincided with CBS’ parent company, Paramount, trying to close a multibillion-dollar merger with David Ellison’s Skydance that required approval from the Trump administration. “I knew that this show had to end at some time,” Colbert said in an interview with [*The Hollywood Reporter*](https://www.hollywoodreporter.com/tv/tv-features/stephen-colbert-interview-late-show-end-1236585528/)*.* “I did not expect it to end this way.” ## Frequently Asked Questions ### When is the final episode of The Late Show with Stephen Colbert? The final episode airs Thursday, May 21, at 11:35 p.m. Eastern Time on CBS, marking the definitive conclusion of the show’s 11-season broadcast history. ### Who are the scheduled guests for Colbert’s last week? Final week guests include filmmaker Steven Spielberg, media personality Jon Stewart, musician David Byrne, and legendary rock singer Bruce Springsteen, alongside several unannounced finale guests. ### Why was The Late Show with Stephen Colbert canceled by CBS? CBS cited financial decisions for the cancellation during parent company Paramount’s merger with Skydance, despite the program holding the top ratings position in late-night television. ### What is the Strike Force Five reunion on The Late Show? Fellow late-night television hosts Jimmy Fallon, Jimmy Kimmel, Seth Meyers, and John Oliver gathered at the Ed Sullivan Theater for a joint appearance supporting Colbert. ### Will Jimmy Kimmel air a new episode during Colbert’s finale? No, Jimmy Kimmel Live will broadcast a repeat episode on May 21 out of deference and respect for Stephen Colbert’s final Late Show broadcast event. Related Stories - [Capitalism Wins Again As ‘The Late Show With Stephen Colbert’ is Cancelled](https://rollingstonephilippines.com/editors-picks/commentary/the-late-show-with-stephen-colbert-cancelled/ "Capitalism Wins Again As ‘The Late Show With Stephen Colbert’ is Cancelled") - [Stephen Colbert is Writing a New ‘Lord of the Rings’ Movie](https://rollingstonephilippines.com/culture/film/stephen-colbert-lord-of-the-rings-movie/ "Stephen Colbert is Writing a New ‘Lord of the Rings’ Movie") - [All the Political Moments at the 98th Academy Awards](https://rollingstonephilippines.com/culture/film/oscars-2026-political-moments/ "All the Political Moments at the 98th Academy Awards") **Categories:** Culture, TV **Tags:** Stephen Colbert, The Late Show With Stephen Colbert --- ### [Inside Paolo Valenciano’s Rise as P-pop’s Most In-Demand Concert Director](https://rollingstonephilippines.com/music/pop/paolo-valenciano-p-pop-concert-culture/) **Published:** June 9, 2026 **Author:** Elijah Pareño **Excerpt:** The frontman turned showrunner explains budgets, safety calls, and the mission that drives the next wave of P-pop **Content:** Walking inside the empty halls of SM lighting, no bustling crowds — feels unusual; an eye-opening experience, to say the least. This is where I met concert director [Paolo Valenciano](https://rollingstonephilippines.com/tag/paolo-valenciano/ "Paolo Valenciano"), vocalist of metal band Salamin and son of Mr. Pure Energy [Gary Valenciano](https://rollingstonephilippines.com/tag/gary-valenciano/ "Gary Valenciano"). Valenciano fondly recalls the first time he was plucked from the audience and into the backstage, watching his father perform and marveling at the effort behind the production: the lights, the coordination, and the blocking. It was his father’s 20th anniversary concert in 2004 at the Araneta Coliseum. ![Paolo Valenciano Concert Director](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Frame-3.webp) At the time of this interview, Valenciano was preparing for SB19’s biggest concert yet at the SMDC Concert Festival Grounds. Photo by Arabella Paner But Valenciano didn’t begin concert directing until Jericho Rosales asked him to handle his Valentines show in 2011. He initially turned it down, but Rosales wouldn’t take “no” for an answer. The opportunity eventually led to directing a concert for his father, and, naturally, he couldn’t say no. He has since grown as the invisible hand behind every concert production, having learned the ins and outs of mounting a musical spectacle, no matter how ambitious the idea. At the time of this interview, Valenciano was preparing for [SB19](https://rollingstonephilippines.com/tag/sb19/ "SB19")’s biggest concert yet at the SMDC Concert Festival Grounds. “When you do a concert, you just have to entertain the people and make sure they have a good time listening to your music,” Valenciano says, although he admits it’s never as easy as that across the music industry. Especially, when in reality, the final product obscures the moving parts. ## How Paolo Valenciano Handles Unreasonable Requests ![Paolo Valenciano](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Paolo-Valenciano.webp) Valenciano gives us a tour of SM Mall of Asia Arena, pointing out key areas, letting us see the finer details of the venue. Photo by Arabella Paner Valenciano himself switches from meeting to meeting, reviewing one setup proposal to another, and constantly spotting potential issues before they become problems. Then there’s also a lot of convincing behind the scenes to get someone to bet on a production. “Sometimes, it’s so difficult to try and just convince people that you have to invest millions of pesos in this crazy idea.” And when he does find funding, he still has to make investors happy without compromising his creative vision. “If I find something baduy or something super subjective, I can’t tell them, ‘Don’t do this because this idea sucks.’ I will look for a flaw and I’ll be like ‘Oh my gosh, we cannot put them on that platform because it is not safe,’” he says, and most of the time, it is a safety issue. “But a lot of times they have these unreasonable requests.” It’s rarely a straightforward process and nonstop convincing. Management may prefer one sequence, while sponsors push for another segment, creating a constant push and pull that requires compromise, which eventually leads them to a greater purpose. “I feel like P-pop is on a mission to get global recognition. And when you work with these artists, not just SB19, not just [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI"), not just Alamat — who is also one of my favorites — we need people around the world to hear us,” he says. “I think they’re aware enough or they know that people are looking at them to be the ones that will explode. And we’ve seen it recently with BINI. That was a massive accomplishment,” referring to the girl group’s [Coachella](https://rollingstonephilippines.com/tag/coachella/ "Coachella") debut. Valenciano gives us a tour of SM Mall of Asia Arena, pointing out key areas, letting us see the finer details of the venue. At one point, he stands in the middle, looks up, and realizes that his main inspiration behind the concerts he directs is theme parks. And in a way, concerts are kind of like a well-oiled ride. “You’re dealing with so many moving parts: with the artist, the management, the production team, the technical team, the creatives, the marketing, the sponsors. There are so many people involved that one small mistake can really affect the entire show. And that’s something people don’t really see from the outside.” If all parts are regularly serviced and maintained, a ride should go smoothly, and everyone has a good time. Special thanks to *SM MOA ARENA* AND *GO LIVE ASIA* ## Frequently Asked Questions ### Who is Paolo Valenciano? Paolo Valenciano is the former frontman of Salamin and is now a concert director. He is the son of Gary Valenciano. ### Who is the first Filipino girl group that performed at Coachella? The first girl group who performed at Coachella was BINI. ### Which P-pop groups’ concerts did Paolo Valenciano direct? Concert director Paolo Valenciano has done concerts for BINI, SB19, and Alamat, to name a few. ### How did Paolo Valenciano start as a concert director? Paolo Valenciano started out by attending his father Gary Valenciano’s concerts. He would then direct for friends in the industry like Jericho Rosales in 2011. ### Where did Paolo Valenciano direct SB19’s biggest concert? Concert director Paolo Valenciano worked with SB19 at the SMDC Festival Grounds. Related Stories - [Christian Bautista on Reinventing the Modern Filipino Balladeer](https://rollingstonephilippines.com/editors-picks/features/christian-bautista-rainbow-balladeer-interview/ "Christian Bautista on Reinventing the Modern Filipino Balladeer") - [Gary V Breaks Down His Greatest Hits ‘Di Bale Na Lang,’ ‘Shout for Joy’](https://rollingstonephilippines.com/media-channels/greatest-hits/gary-valenciano/ "Gary V Breaks Down His Greatest Hits ‘Di Bale Na Lang,’ ‘Shout for Joy’") - [How the ‘Bagets’ Soundtrack Shaped Filipino Youth Culture in the ’80s](https://rollingstonephilippines.com/music/5-iconic-bagets-soundtrack-songs/ "How the ‘Bagets’ Soundtrack Shaped Filipino Youth Culture in the ’80s") **Categories:** Editor's Picks, Features, Music, Pop **Tags:** May 2026 Issue, Paolo Valenciano --- ### [V and J-Hope Are in Shock Over Drake’s BTS Shoutout on ‘Iceman’](https://rollingstonephilippines.com/music/news/bts-drake-shoutout-iceman/) **Published:** May 18, 2026 **Author:** Angie Martoccio **Excerpt:** "I'm feeling like BTS 'cause it took the whole career for me to be so discovered," Drake raps on "Make Them Cry" **Content:** On Friday, [Drake](https://www.rollingstone.com/t/drake/) released his new album *[Iceman](https://www.rollingstone.com/music/music-features/everything-we-know-about-drakes-new-album-iceman-1235416867/)* — and [surprise-released](https://www.rollingstone.com/music/music-news/drake-iceman-three-albums-habibti-maid-of-honour-1235563246/) two more records: *Habibti* and *Maid Of Honour*. The internet is currently reacting to this massive feat — and that includes [BTS](https://www.rollingstone.com/t/bts/), who received a shoutout on the Iceman opener “Make Them Cry.” The reaction came from BTS’ V and J-Hope, posted via V’s [Instagram story](https://www.instagram.com/stories/thv/) (a fan posted it on YouTube below). They stand in front of the camera, listening to “Make Them Cry,” head-banging with hats on. But as Drake approaches the fourth line of the first verse — “I’m feeling like BTS ’cause it took the whole career for me to be so discovered” — they freeze, staring at each other in disbelief. This isn’t the first time BTS and Drake’s paths have crossed. Back in 2018, Drake included J-Hope’s [viral take](https://x.com/BTS_twt/status/1021325648659296256?s=20) on the “In My Feelings” challenge in the [official music video](https://www.youtube.com/watch?v=DRS_PpOrUZ4). In a *Rolling Stone* interview in 2019, J-Hope [cited Drake](https://www.rollingstone.com/music/music-features/bts-interview-first-grammy-night-lil-nas-x-drake-mobile-game-891940/) as his dream collaborator, with RM backing him up: “J-Hope just mentioned Drake. I think Drake is really, like, a final destination. We met him at the Grammys, so, yeah, Drake, please call our label if you have time.” BTS recently returned with their new album *[Arirang](https://www.rollingstone.com/music/music-album-reviews/bts-album-review-arirang-1235534697/)*, which they discussed at length with *Rolling Stone*, with each member getting their own [individual cover story](https://www.rollingstone.com/p/bts-covers/). On Saturday, they’ll kick off the first of three nights in Stanford, California, as part of their gigantic [world tour](https://www.rollingstone.com/music/music-news/bts-2026-comeback-stadium-tour-1235498726/). As for Drake, the three new albums mark his first solo efforts since his [feud with Kendrick Lamar](https://www.rollingstone.com/music/music-features/drake-not-like-us-two-years-iceman-1235557282/), and Lamar’s diss track “Not Like Us.” He kicked the *Iceman* era kicked off last month, when he cleverly [hid the album’s release date](https://www.rollingstone.com/music/music-features/drakes-iceman-rollout-fans-hammering-through-ice-1235551084/) in a giant frozen structure in downtown Toronto. While we soak up these new songs, check out our new list of [10 Wild Album Release Stunts](https://www.rollingstone.com/music/music-lists/best-album-release-stunts-u2-beyonce-radiohead-1235563330/). *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-news/bts-react-to-drake-name-dropping-iceman-1235563486/).* ## Frequently Asked Questions ### What did Drake say about BTS on his album Iceman? Drake referenced BTS on the song “Make Them Cry,” rapping that it took his entire career to achieve the level of global discovery experienced by the group. ### How did BTS react to Drake’s shoutout on Iceman? BTS members V and J-Hope shared a video listening to “Make Them Cry,” visibly pausing in shock when Drake mentioned the group during the track’s first verse. ### Have BTS and Drake collaborated before? Drake featured J-Hope in his “In My Feelings” video in 2018, and BTS members have publicly named Drake as a primary dream collaborator during previous interviews. ### What is the title of BTS’s latest album release? BTS recently released their album Arirang, marking their major return to music alongside individual cover stories and an extensive stadium world tour schedule for the group. ### What albums did Drake release alongside Iceman? Drake surprise-released two additional albums, Habibti and Maid Of Honour, simultaneously alongside Iceman, marking his first major solo releases following his high-profile public feuds. Related Stories - [Filipinos Lead Southeast Asia in BTS Comeback Social Media Buzz](https://rollingstonephilippines.com/music/pop/philippines-bts-arirang-media-buzz/ "Filipinos Lead Southeast Asia in BTS Comeback Social Media Buzz") - [Ranking Every Song from BTS’ ‘Arirang’](https://rollingstonephilippines.com/music/pop/ranking-every-song-from-bts-arirang/ "Ranking Every Song from BTS’ ‘Arirang’") - [From ‘Brat’ Walls to Giant Michael: 8 Album Stunts that Got Everyone Talking](https://rollingstonephilippines.com/music/8-album-promo-stunts/ "From ‘Brat’ Walls to Giant Michael: 8 Album Stunts that Got Everyone Talking") **Categories:** Hip-hop/R&B, Music, News **Tags:** BTS, Drake --- ### [Harvey Weinstein Rape Case Ends in Mistrial After Jury Deadlock](https://rollingstonephilippines.com/culture/news-culture/harvey-weinstein-second-retrial/) **Published:** May 18, 2026 **Author:** Kory Grow **Excerpt:** New York judge gave prosecutors 30 days to decide whether the disgraced Hollywood mogul's case will be tried a fourth time **Content:** A New York jury in [Harvey Weinstein](https://rollingstonephilippines.com/tag/harvey-weinstein/ "Harvey Weinstein")‘s rape case has deadlocked after several days of deliberation, leading to a mistrial. The case was declared a mistrial after three days of deliberations, in which jurors were unable to reach a verdict. This is the third time Weinstein has been tried for a charge of third-degree rape; Judge Curtis Farber gave prosecutors 30 days to decide whether he will be tried a fourth time. Weinstein, 74, was initially convicted of raping actress Jessica Mann in 2020, but a judge overturned the verdict. The second time it went to trial, the jury couldn’t reach a verdict. The third trial began on April 21 at Manhattan’s State Supreme Court with Justice Curtis Farber presiding. *[The New York Times ](https://www.nytimes.com/2026/05/13/nyregion/harvey-weinstein-rape-case-jury.html)*reports that nearly 20 witnesses gave testimony. The charge is a Class E felony and carries a maximum sentence of four years in prison in New York. Last June, the jury delivered split results on two charges of a criminal sexual act, finding him guilty of one but not guilty of another. In May 2025, Mann told the jury that she had met Weinstein at a party in 2012 or 2013. Staying in touch with him, he started asking her for a massage. She initially said no to his sexual advances, but eventually relented and performed oral sex on him because he told her he wouldn’t let her leave the room unless he let her “do something” to her. In March 2013, she claimed he pressured her into sex and she “just gave up.” Mann had to tell her story again on April 28. *[The New York Times](https://www.nytimes.com/2026/04/28/nyregion/jessica-mann-weinstein-testimony.html?searchResultPosition=1)* reported that she avoided eye contact with Weinstein. “I said no over and over, and I tried to leave,” she told the jury, occasionally through tears. “He was just treating me like he owned me.” Her testimony lasted five days. What was different this time is Weinstein’s lawyers produced a note she’d written two days after she claimed to have been assaulted, in which she wondered if she’d “let myself become emotionally attached to someone.” The *Times* reports it was the first time the note was referenced in any of the three trials, and it did not mention rape. Mann told the jury that the note showed how she “struggled with some of the decisions that \[she\] was making that were different than what I was raised with. Weinstein’s legal team for the retrial included Jacob Kaplan, who is also representing [Luigi Mangione](https://rollingstonephilippines.com/tag/luigi-mangione/ "Luigi Mangione"), as well as Marc Agnifilo and Teny Geragos, who defended [Sean “Diddy” Combs](https://rollingstonephilippines.com/tag/diddy/ "Diddy") against sex trafficking and racketeering charges. Arthur Aidala, who previously represented Weinstein, also continued to do so. In closing arguments, one of Weinstein’s lawyers, Agnifilo, described Weinstein’s sex with Mann as consensual and claimed he “helped her in every conceivable way,” according to the Times. Their relationship, he said, was on-again, off-again, and he believes she saw an opportunity when Weinstein was accused of sexual misconduct in 2017 and decided to accuse him of assault. “Is she lying? Yeah, maybe,” Agnifilo told the jury. He insisted, though, “there’s affirmative evidence that it did not happen.” During these closing arguments, the *Times* reported that a male juror rolled his eyes repeatedly. Nicole Blumberg, an assistant district attorney, told the jury that consensual relationships do not preclude rape. “Whether you’re in a hotel room with somebody or not, you have the right to say no,” she said, according to the *Times*. “Jessica Mann said no over and over and over again.” She described Agnifilo’s arguments as “the ultimate victim blaming.” That retrial was the result of the New York Court of Appeals overturning Weinstein’s 2020 conviction and the accompanying 23-year prison sentence, with the majority opinion stating that prosecutors should not have been allowed to place accusers whose allegations were not part of the charges on the witness stand. More than 100 women have made accusations of sexual misconduct against Weinstein since 2017. “Coming forward cost me everything: my privacy, my safety,” Mann said in a statement to *Rolling Stone* after the jury failed to reach a verdict on the charge. “I laid bare my trauma, my shame – everything I’d tried to bury just to keep living. Still, I stood up and told the truth. Again and again. Harvey hides behind PR firms, lawyers, spy agencies contracted to intimidate. I’ve had only my voice.” In January, Weinstein and his lawyer told Judge Curtis Farber that he would consider a plea deal if it meant that he could serve a sentence concurrently with what he’s already serving. A few months later, he denied accusations of rape in an interview. Weinstein still faces 16 years in prison in California after being found guilty of rape there. He is appealing the conviction. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/tv-movies/tv-movie-news/harvey-weinstein-second-retrial-mistrial-jury-deadlock-1235556363/ "rollingstone.com").* ## Frequently Asked Questions ### Why was Harvey Weinstein’s retrial declared a mistrial? The retrial ended in a mistrial because the New York jury deadlocked after three days of deliberations, failing to reach a unanimous verdict on third-degree rape. ### Will Harvey Weinstein be tried a fourth time in New York? Manhattan prosecutors were given 30 days by Judge Curtis Farber to determine whether to pursue a fourth trial on the third-degree rape charge against Harvey Weinstein. ### Who accused Harvey Weinstein in this specific retrial? Actress Jessica Mann accused Harvey Weinstein of sexual assault and third-degree rape stemming from encounters that occurred in 2012 and March 2013 in New York. ### Why was Harvey Weinstein’s original 2020 conviction overturned? The New York Court of Appeals overturned his 2020 conviction because the trial judge improperly allowed testimony from accusers whose claims were not part of the charges. ### Is Harvey Weinstein still serving a prison sentence elsewhere? Yes, Harvey Weinstein faces a 16-year prison sentence in California following a separate rape conviction, which his defense team is currently appealing in court. 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The Vatican confirmed the high profile link up the following day, according to *[The Washington Post](https://www.washingtonpost.com/world/2026/06/09/after-days-speculation-vatican-said-pope-leo-met-bad-bunny-spain/)*, and stated that the pope met the Puerto Rican singer, his family, and other people — offering them a quick greeting at Madrid’s ​Bernabéu stadium. No photos from the meeting are expected to be released to the public, said the Vatican. Bad Bunny kicked off his 10-night residency at Riyadh Air Metropolitan last month as part of his global tour in support of his opus *Debí Tirar Más Fotos*. The stint in Madrid marks his first time in Spain in eight years and one of the largest ever staged by a Latin artist in Europe. The star’s audience is rivaled only by the pope’s, of course. Leo’s papal event at Santiago Bernabéu on Monday drew a reported crowd of some 80,000 people. *WaPo* states that he is closing in on nearly 2 million in-person spectators across various events throughout his 13-month papacy. When speaking to reporters aboard the papal plane last Saturday, Leo recognized Bad Bunny’s appeal among young people, adding that youth today “are looking for something more … \[a\] spiritual dimension in their lives. They realize there’s an emptiness, and a lack of a sense of meaning.” “If they are confronted with the question do they want to see Bad Bunny or do they want to see the pope, I think many will see Bad Bunny,” Leo said. “But I think there will also be a few here to see the pope. And that says something.” ## Frequently Asked Questions ### Did Pope Leo XIV really meet Bad Bunny? Yes. The Vatican confirmed that Pope Leo XIV held a brief private meeting with Bad Bunny, the singer’s family, and others on Monday evening, June 8, 2026. The Vatican said no photographs from the encounter are expected to be released to the public. ### Where did the Pope and Bad Bunny meet? The greeting took place at Santiago Bernabéu stadium in Madrid, where Pope Leo XIV held a papal event that same evening. Both the pontiff and the Puerto Rican singer happened to be in the Spanish capital at the same time, for very different reasons. ### Why were Pope Leo XIV and Bad Bunny both in Spain? Bad Bunny was in Madrid for his Debí Tirar Más Fotos world tour, beginning a 10-night residency — his first Spanish dates in eight years and among the largest runs staged by a Latin artist in Europe. Pope Leo XIV was there for a papal event. ### What did Pope Leo XIV say about Bad Bunny? Speaking to reporters aboard the papal plane, Leo acknowledged the singer’s pull with young people, saying many would choose Bad Bunny over the pope. He suggested young people today sense an emptiness and are searching for a spiritual dimension and a sense of meaning. ### How many people attend Pope Leo XIV’s events? The pope’s event at Santiago Bernabéu drew a reported crowd of about 80,000. According to the Washington Post, Leo is approaching nearly two million in-person attendees across events over the course of his 13-month papacy. 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Lest anyone forget, our boy pushed Deborah to take a meeting with down-on-her-luck, semi-canceled Ava in Season 1, got that “face time” with Winnie Landell (and beat her and her ex-wife’s asses at pickleball) to get her to consider Deborah for *Late Night* in Season 3, and, mind you, went “gorilla mode” on Bob Lipka when the network exec tried to cut Deborah’s impassioned speech about censorship when she quit *Late Night* on live TV in Season 4. So why Jimmy is taking all the Ls this finale season is beyond me. *Hack*’s third-to-the-last episode, “The Cube,” takes off from the cliffhanger two episodes ago, where Jimmy and Kayla trekked all the way to Kalamazoo, Michigan to convince a comedian signed with their former employer, Latitude, to do a residency at The Diva, Deborah and Marcus’ casino-hotel in the works. Well, that same comedian turned out to be a murderer. So, on top of trying to circumvent Kayla’s dad, Schaefer and LuSaque effectively lost Latitude a promising talent after they convinced the comedian to turn himself in. Kayla’s dad was understandably mad, but he didn’t need to read her and Jimmy’s asses clad in Sassafras. To be fair, velour tracksuits and newsboy caps are kind of chic again. He takes away Kayla’s Porsche and her trust fund, and along with it, Schaefer and LuSaque’s office. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/kayla-schaefer-jimmy-lusaque-jr-sassafras-hacks.webp) Kayla and Jimmy check out of a bed bug-infested hotel in Kalamazoo in Sassafras and coordinating chokers. Photo from Hacks/Instagram ## Kayla And Jimmy Must Decide In “The Cube,” their agency takes a turn for the worse: Kayla’s dad is suing them for $30 million dollars in loss of commission and “emotional distress.” They try to reason with him that all their agency has for a legal team is an actor Jimmy’s mom briefly dated, who still knows some law stuff from being on *L.A. Law*. A counteroffer is thankfully on the table for Kayla’s dad to drop the lawsuit: he wants Schaefer and LuSaque to be absorbed by Latitude, an idea Kayla repulses, but one Jimmy seems to consider. Truthfully, they wouldn’t have been on the red had they not been adversely affected by Bob Lipka’s wrath for Deborah. To quote Mr. Schaefer, “You’re blacklisted all over town, you work out of a shovel on the East Side; You’re a joke. A joke that I don’t find funny.” And reader, the next events are nothing to laugh about. So while Deborah is stuck a hundred feet above the Las Vegas Strip, Jimmy and Kayla, defeated, drive back in an electric car that’s about to die, an hour away from the city. On they go, pushing the car to get to the nearest charging station. Jimmy, ever selfless, persuades Kayla to consider returning to Latitude for the sake of their clients. “But then Latitude gets to be the winners… It’s not fair,” she pleads. “You do so much for Deborah, you’re not gonna get any credit. He’s gonna get all the credit. Is it really worth it?” “My talent is helping talent,” Jimmy answers. “When they win, I feel like I’ve won. But the only way that we can do that now is if we go with Latitude.” It’s settled. Kayla, for all her hysterical woman antics, becomes serious for once and asks Jimmy, “Do you want to know why I got into the business? To hang out with you.” You know you’re nearing the end of a *Hacks* season when you’re crying more than you’re laughing, and I’m afraid we’re nearing the end, but alas, “we gotta get this car to the charging station.” They arrive at the Las Vegas Strip just as Deborah successfully turned a crisis into a PR opportunity to sell tickets to her Madison Square Garden hour. Jimmy tells Ava that she is now officially a Latitude client after it acquired Schaefer and LuSaque. She replies, “Well, are you still my manager?” “Yeah, of course.” ![hacks las vegas strip filming](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/hacks-las-vegas-strip-filming.webp) Jimmy LuSaque played by *Hacks* co-creator Paul W. Downs on set in Las Vegas. Photo from Hacks/Instagram ## What Happens To Jimmy LuSaque? But is he? After they found out Deborah sold out Madison Square Garden in 10 minutes, the scene cuts to the Latitude offices. Jimmy, the man that he is, immediately tells Mr. Schaefer that he wants his clients, as well as Kayla and Randi, taken care of. The big man assures him, then says, “But you, I’m not so sure that we should put another white guy in a senior leadership position. You know, optics.” And just when we thought Kayla’s dad was about to pay Jimmy back for bringing her daughter back, I don’t know, with a corner office or something, we see him sorting mail. In a suit! He wheels off a cart to deliver mail to every desk. Eventually, he lays a packet on one: a copy of *Variety* with Deborah on the cover, announcing that she had sold out MSG and has returned home to Latitude. He pauses and looks mildly satisfied. After spilling her heart out while pushing a dead electric car, I expected Kayla to at least express some resistance to this injustice. To quote her in Season 4 Episode 9, “We, as power bitches, need to treat him better.” Hacks *is currently streaming its final season on HBO Max.* ## Frequently Asked Questions ### What happens to Jimmy LuSaque in the Hacks finale? Jimmy LuSaque surrenders his talent agency to Latitude to save his clients, ultimately accepting a mailroom role while remaining blacklisted from senior executive leadership. ### Why is Schaefer and LuSaque sued for $30 million? Schaefer and LuSaque face a $30 million lawsuit from Kayla’s father after convincing a newly signed client to surrender to authorities following a murder investigation. ### Does Jimmy remain Ava’s manager after the Latitude acquisition? Yes, Jimmy remains Ava’s primary manager following Latitude’s acquisition of Schaefer and LuSaque, ensuring her career representation continues under the expanded corporate agency framework. ### Why does Kayla’s father demote Jimmy to the mailroom? Kayla’s father demotes Jimmy due to ongoing corporate friction and public relations optics, citing concerns regarding overrepresenting white men in senior agency leadership roles. ### How does Deborah Vance sell out Madison Square Garden? Deborah Vance sells out Madison Square Garden within ten minutes after converting a high-altitude Las Vegas crisis into a high-visibility media and PR opportunity. 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You don’t have to record it, and you don’t have to bring the band out and play. And yet for us, the idea of optimizing what we do is a complete miss of the entire point of what compels us in the first place. We (myself, the band, and [everyone I know](https://www.rollingstone.com/music/music-news/jack-antonoff-taylor-swift-launched-producer-career-1235194383/) frankly) have never been looking for this work to become quicker or easier. We were never frustrated by the randomness and magic it takes.” > [View this post on Instagram](https://www.instagram.com/p/DYSZxg_kZj4/?utm_source=ig_embed&utm_campaign=loading)[A post shared by jack antonoff (@jackantonoff)](https://www.instagram.com/p/DYSZxg_kZj4/?utm_source=ig_embed&utm_campaign=loading) He encouraged anyone who likes the idea of using AI to create work to “drive right off that cliff,” adding, “We’re genuinely happy to see you go.” He also described AI users as “bad actors … \[who\] willingly reveal themselves through slop,” while describing artists who don’t use AI as “the struggling greats,” adding that even as the number of greats thins out, he, his band, and his friends will “remain more dedicated than ever to reveal what comes from within.” “Writing music, recording, and performing it — that’s it,” he wrote. “\[There’s\] nothing more embarrassing than considering there is a way to optimize this holy process.” In March, *[Rolling Stone](https://www.rollingstone.com/music/music-features/ai-in-music-how-used-now-1235536484/)* published a report about how producers, songwriters, and artists have incorporated AI into their processes, calling it the “don’t ask, don’t tell era of AI in music.” “Interestingly, it’s young people who have the most hesitation about AI, according to some sources: In a survey of music producers by the sample library Tracklib, the youngest age group — respondents in their 20’s — had the most negative opinions of AI,” the report revealed. Antonoff echoed this opinion in his missive. “\[AI\] might become smart enough one day where it’ll mimic human imperfections, but I just don’t ever see it,” Charlie Puth said in the article. “I see us humans getting smarter.” *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-news/jack-antonoff-ai-music-creators-godless-whores-1235562653/).* ## Frequently Asked Questions ### What did Jack Antonoff say about AI in music? Jack Antonoff strongly criticized AI music creation in a fan letter, calling users bad actors and framing traditional songwriting as an unoptimizable, sacred human ritual. ### What is Bleachers’ upcoming album release date? Bleachers is scheduled to release its next album, Everyone for Ten Minutes, on May 22, as announced alongside Jack Antonoff’s statements regarding artificial intelligence in art. ### How do young music creators view AI technology? Surveys indicate music creators in their twenties hold the most negative views toward AI, showing stronger hesitation regarding generative tools compared to older industry professionals. ### What is the ‘don’t ask, don’t tell’ era in music? The term describes the current industry practice where producers and artists quietly incorporate AI into their creative workflows without publicly disclosing its usage to audiences. ### Can AI replicate human artistic imperfection? Musicians like Charlie Puth argue AI cannot replicate genuine human art, emphasizing that human creativity and intelligence will evolve faster than machine mimicry can adapt. 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In recent years, the publishing industry has struggled to survive an increasing reliance on digital media, a diminishing attention economy, and the latest big bad on the block: AI. Magazines, many of which were well-established and respectable, have folded under the pressure of trying to keep up. Earlier this April, for instance, Condé Nast shut down the print magazine of *Wired Italia*, along with the wellness magazine *Self* and *Glamour*’s international editions in Germany, Spain, and Mexico. Just a few months prior, *Teen Vogue* announced it would be folded into *Vogue*, leaving many of its dedicated editorial team without a job. ![Three people sit in a magazine shop during a panel discussion, Rolling Stone magazines on display behind them.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/IMG_2847.webp) Spruce Gallery owner Ric Gindap, Avenida Publishing founder Nida Ramirez, and the Ateneo de Manila University Press’ Marketing Head Camille Abaya But at the same time, there now seems to be a conscious effort to pivot towards physical media. The digital era has also brought with it “digital fatigue,” and people are beginning to crave how physical objects, like copies of their favorite magazine, can give them a reprieve from their screens and even help them grow closer to a community. “There’s that unity, that recognition, of wanting to be part of a shared culture with shared acceptable values,” [Ric Gindap](https://rollingstonephilippines.com/culture/critics-slam-miaa-costly-logo-rebrand/ "“Like 20 Ideas in One Logo”: Critics Slam MIAA’s Costly Rebrand"), the co-founder of indie magazine store Spruce Gallery, told*Rolling Stone Philippines*. “Magazines are culture personified. Yes, the magazine is an object, but the culture behind it is the engine that connects people together.” Gindap is no stranger to the ups and downs of print publishing. Before opening Spruce, Gindap had already been a fan of acquiring and reading print magazines, bringing back home stacks upon stacks of *Monocle, The New Yorker,* and more every time he traveled abroad. “I always had to pay for excess baggage,” Gindap joked while speaking at the launch of the [Rolling Stone Philippines Pop-Up](https://rollingstonephilippines.com/culture/pop-up-spruce-publishing-panel/ "Is There A Future For Print? We Ask Filipino Publishers and A Magazine Shop Owner"). Joining Gindap on a panel focused on the state of publishing were 19th Avenida House founder [Nida Ramirez](https://rollingstonephilippines.com/culture/books/avenida-publishing-nida-ramirez-interview/ "Building a Filipino Indie Press, According to Avenida Publishing Founder Nida Ramirez") and the Ateneo de Manila University Press’ Marketing Head Camille Abaya. ![People gather around a signing table inside a Rolling Stone Philippines store, with magazine racks and large cover posters on black walls behind them.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/L1500670.webp) Among younger demographics, there now seems to be a conscious effort to pivot towards physical media. On the panel, Gindap spoke candidly about how he hadn’t expected that there would be such a large community of print supporters when he opened Spruce. “Our ambitions were modest,” he said. “We thought maybe 30 or 50 people would actually buy magazines. But when we launched, we were carrying around 300 titles. I think we sold almost half on our opening weekend. That really encouraged us because it proved that people are still reading.” The panelists also expressed how, despite digital definitely being here to stay, a printed title will always carry with it a certain *je ne sais quoi* that cannot be replaced. “A lot of people enjoy both \[physical and digital media\],” noted Ramirez. “Even I enjoy both! But the problem with digital is that you can buy as many books as you want, but as soon as you close your gadget, they’re gone. As opposed to you seeing your shelf, filled with books, piling high… that’s part of the experience, the enjoyment: to actually look forward to getting your copy and sharing it. It’s not just you reading your copy — it’s your physical relationship with it, to sharing it with other people.” ![rolling stone ph pop up](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSF2616.webp) “Magazines are culture personified,” said Ric Gindap. Gindap also noted how within the Philippines, particularly in Manila, there is a growing demand for print magazines with a clear narrative voice. “Manila is very hungry for more interesting titles,” he said. “In fact, the best sellers here at Spruce are not the super mainstream issues. The more obscure it is, the more Manileños seem to love reading it. They love their niche. And now you have brands like *Rolling Stone Philippines* that are more forward-facing, more direct… It’s a great balance. And I’m proud to say that Spruce has cultivated all ends of the print spectrum in terms of titles and potential.” When asked about how a printed publication could survive today, all three speakers emphasized the endurance of physical media, despite naysayers pointing to its downfall. “Trends always come and go,” said Abaya. “I really do believe that print won’t go anywhere anytime soon. When we’re gone, magazines will always still be around, even after. It will always be here.” “If this is something you really care about, go to your local government,” continued Abaya when asked about what institutional support could be given to support the future of print. “And if you have a favorite bookstore chain… it would be nice if you could let them know what type of \[titles\] you want to see there. The struggle for us local publishers is that, even in the procurement of these bookstore chains, we’re competing with brands like Penguin Random House. When it comes to buying books from us, these chains buy at most maybe five copies for one title, for the whole country. So it really would help if they see demand for local titles.” ## Frequently Asked Questions ### Why are print magazines becoming popular again? Print magazines are gaining popularity as readers experience digital fatigue, seeking screen-free tactile experiences, tangible media ownership, and a sense of connection through shared cultural values. ### How does digital fatigue affect physical media consumption? Digital fatigue causes consumers to seek physical print media as a deliberate reprieve from screens, fostering deeper personal engagement and visible collection displays in homes. ### What types of print magazines perform best in independent stores? Niche and obscure magazine titles with strong, distinct narrative voices often outperform mainstream publications in independent stockists by directly serving specialized reader interests. ### Can print magazines coexist with digital media formats? Print magazines coexist successfully with digital media because physical copies offer lasting tangible ownership and shared experiences that temporary screen-based reading cannot replicate. ### What challenges do local print publishers face today? Local print publishers struggle primarily against major global distribution networks, facing limited inventory procurement from major bookstore chains that heavily favor international titles. Related Stories - [Is There A Future For Print? We Ask Filipino Publishers and A Magazine Shop Owner](https://rollingstonephilippines.com/culture/pop-up-spruce-publishing-panel/ "Is There A Future For Print? We Ask Filipino Publishers and A Magazine Shop Owner") - [‘The Devil Wears Prada 2’: How the Mighty (Publishers) Fall](https://rollingstonephilippines.com/culture/film/the-devil-wears-prada-2-review/ "‘The Devil Wears Prada 2’: How the Mighty (Publishers) Fall") - [Is Cubao Expo Still Manila’s Ultimate Creative Hub?](https://rollingstonephilippines.com/culture/cubao-expo-manila-creative-hub/ "Is Cubao Expo Still Manila’s Ultimate Creative Hub?") **Categories:** Culture **Tags:** Ateneo Press, Avenida, Rolling Stone Philippines Pop-Up, Spruce Gallery --- ### [EXPLAINER: Why Did Chris Brown Snap at Zara Larsson?](https://rollingstonephilippines.com/music/hiphop-rnb/chris-brown-zara-larsson-beef/) **Published:** May 15, 2026 **Author:** Elijah Pareño **Excerpt:** After a scathing review of his new record, the R&B star called out the Swedish singer in his Instagram stories, reigniting old tension online **Content:** [Chris Brown](https://rollingstonephilippines.com/tag/chris-brown/ "Chris Brown"), the rapper known for physically assaulting [Rihanna](https://rollingstonephilippines.com/tag/rihanna/ "Rihanna"), has found itself in yet another controversy involving a female artist. After a critically panned album, Brown has had enough of the haters and suddenly dissed Swedish pop star [Zara Larsson](https://rollingstonephilippines.com/tag/zara-larsson/ "Zara Larsson") on his Instagram Stories. All of this stemmed from *Pitchfork*’s latest review, giving his album *BROWN* a 1.4 out of 10, and calling it a “piece of shit” and being “soulless.” Brown immediately responded to the review on his Instagram Stories. > [View this post on Instagram](https://www.instagram.com/p/DXu_UcOAVNe/?utm_source=ig_embed&utm_campaign=loading)[A post shared by BROWN (@chrisbrownofficial)](https://www.instagram.com/p/DXu_UcOAVNe/?utm_source=ig_embed&utm_campaign=loading) “I know exactly who my fans are, and I know exactly who’s hearing this album,” says the rapper who has had a multitude of legal issues. “If you’re not my fan, I don’t want you to listen to my shit. Go listen to motherfucking Zara Larsson or somebody.” Why, out of all people, would Larsson be the one to catch strays? Back in February 2026, Larsson went on a segment called “Cheap Shots” by *Cosmopolitan* and answered a question about one artist she would never find on her own playlist. Larsson responded, “There are so many artists I have blocked on Spotify, and all of them are abusers. You certainly wouldn’t find a Chris Brown song. Bye!” ## Frequently Asked Questions ### Why did Chris Brown mention Zara Larsson on Instagram? Chris Brown targeted Zara Larsson after Pitchfork gave his album a 1.4 rating, referencing her past public refusal to stream music created by alleged domestic abusers. ### What score did Pitchfork give Chris Brown’s album? Pitchfork assigned Chris Brown’s album a 1.4 out of 10 score, describing the project as soulless in a critical review that prompted Brown’s social media response. ### What did Zara Larsson say about blocking Chris Brown? Zara Larsson revealed during a Cosmopolitan interview that she actively blocks abusive musicians on Spotify, explicitly confirming Chris Brown is excluded from her personal music playlists. ### What was Chris Brown’s reaction to the negative review? Chris Brown responded on Instagram Stories, telling non-fans to avoid his album and suggesting critics listen to alternative pop artists like Swedish singer Zara Larsson instead. ### When did Zara Larsson comment on Chris Brown? Zara Larsson addressed her decision to ban Chris Brown’s music during a Cosmopolitan “Cheap Shots” video segment recorded in February 2026 before Brown’s public Instagram diss. Related Stories - [We Were Never Going to Get a Real Michael Jackson Biopic](https://rollingstonephilippines.com/culture/film/jackson-movie-michael-jackson-review/ "We Were Never Going to Get a Real Michael Jackson Biopic") - [Kanye West Loses at Trial Over Uncleared Sample on ‘Hurricane’](https://rollingstonephilippines.com/music/kanye-west-trial-uncleared-hurricane-sample/ "Kanye West Loses at Trial Over Uncleared Sample on ‘Hurricane’") - [10 Artists Teasing and Releasing Albums in 2026: Bruno Mars, Olivia Rodrigo, Robyn](https://rollingstonephilippines.com/music/artists-albums-2026-mars-rodrigo/ "10 Artists Teasing and Releasing Albums in 2026: Bruno Mars, Olivia Rodrigo, Robyn") **Categories:** Hip-hop/R&B, Music **Tags:** Chris Brown, Zara Larsson --- ### [‘This Is Their Happily Ever After’: Rachel Reid on Her Next ‘Heated Rivalry’ Book](https://rollingstonephilippines.com/culture/books/heated-rivalry-rachel-reid-new-book/) **Published:** May 15, 2026 **Author:** CT Jones **Excerpt:** The author talks about her breakout success, health struggles, and what comes next after reaching all your goals at once **Content:** The sky is threatening rain on an early Wednesday evening, but that hasn’t stopped a line of people from wrapping around a tall brick building in Manhattan’s Chelsea neighborhood. Inside, beside Spotify-branded bookshelves, a recreated locker room, and replica jerseys with Hollander and Rozanov on the back, is a horde of people clutching books. More than 200 people — not including the 155 on the waitlist — reserved tickets to this Spotify audiobook party to catch a glimpse of author [Rachel Reid](https://rollingstonephilippines.com/tag/rachel-reid/ "Rachel Reid"), the brain behind *[Heated Rivalry](https://rollingstonephilippines.com/tag/heated-rivalry/ "Heated Rivalry")*, a new-adult LGBTQ hockey romance whose HBO Max adaptation became a runaway hit. As for the author, she’s still trying to figure out how this all happened in the first place. “It’s still hard to believe,” Reid, 45, tells *Rolling Stone.* “I knew the show was good and fans of the books would like it. But I wasn’t expecting it to have this much global reach.” ![Two men in tuxedos share an intimate moment, foreheads touching, against a backdrop of city lights at night.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Heated-Rivalry-rachel-embed.webp) Hudson Williams (left) as Shane Hollander and Connor Storrie as Ilya Rozanov. Photo by Sabrina Lantos/HBO Max By now, most people know the story of *Heated Rivalry,* the second book in Reid’s hockey series, *Game Changers*. Prior to the HBO Max show’s Nov. 28, 2025, premiere, the TV adaptation of Reid’s book was an upstart romance from Canadian streaming service Crave. It starred virtual unknowns Hudson Williams as Shane Hollander and Connor Storrie as Ilya Rozanov, two rival hockey players who have a years-long secret romantic relationship. A last-minute acquisition by HBO gave the series a dual premiere in Canada and the U.S., and audiences across the continent were hooked. *Heated Rivalry* has averaged 10 million viewers per episode, [according to *Variety*](https://variety.com/2026/tv/news/heated-rivalry-ratings-viewers-1236657375/), a figure that continues to increase well after the season finale aired in December. Following the show’s release, demand for copies of *Heated Rivalry*, the 2019 book and source material, was so high that there was a two-week waitlist in bookstores while Reid’s publisher, Harlequin, caught up. According to Spotify, the audiobook of *Heated Rivalry* experienced a 1,500-plus percent increase in listening the week of that shortage. And the public’s fixation on the story has seeped into the real world: There have been themed club nights, look-alike contests, and an unofficial off-Broadway musical parody. Both Storrie and Williams attended the 2026 Met Gala and Storrie hosted a [February 2026 episode of *Saturday Night Live*](http://google.com/search?q=snl+connor+storrie+rolling+stone&rlz=1C5GCCM_en&oq=snl+connor+storrie+rolling+stone&gs_lcrp=EgZjaHJvbWUyCQgAEEUYORigATIHCAEQIRigATIHCAIQIRigATIHCAMQIRigATIHCAQQIRiPAtIBCDQxNjZqMGo3qAIAsAIA&sourceid=chrome&ie=UTF-8)*.* But none of this was expected. Reid tells *Rolling Stone* that during filming, she, Williams, and Storrie started a group chat to share their hopes for the series. Looking back, Reid calls that text chain a perfect snapshot of how unprepared any of them were for the show’s response. “\[Those texts\] seem so innocent,” she says, laughing. “‘What if you were on a billboard? What if there was an ad on TV?’ As we got closer, I was like, ‘What if one of you was on a talk show?’” ![Four women smiling and posing together in front of a backdrop with names 'ROZANOV' and 'HOLLANDER' at a Spotify event group photo.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/spotify-rachel.webp) Friends Nancy Elwood, 51, Angie Anderson, 47, and Alissa Morris, 52, were the first people in line. Photo by Morgan Smith for Spotify Following the success of the show, Reid’s calendar has gone from long days locked away writing to suddenly being one of the most sought-after guests at book events. (She thinks of the Lady Gaga meme taken from the artist’s description of the schedule following her debut album, *Fame*: “No sleep, bus, club, another club, another club, plane, next place.”) It’s a schedule that would be tough on anyone, but gets harder when you factor in Reid’s role as a mother — she has two children, aged 12 and 16 — and a person who suffers from Parkinson’s disease. In August 2023, Reid was diagnosed with the nervous system disorder, which affects motor control and can cause tremors, stiffness, and weakness. “It’s an unpredictable disease in a lot of ways, especially young-onset Parkinson’s,” she says. “I wasn’t sure, realistically, if I’d still be able to write.” She’s still working through the learning curve of her symptoms, which often include brain fog and have made typing much more difficult. But while she’s optimistic that she’ll adjust to a new normal that allows her to keep working, handling the pressure of becoming an overnight sensation is something she’s still trying to figure out. “I went from having this list of goals as an author, some of which seemed very unlikely, to having them all checked off,” Reid says. “It feels like too much for any one person. I try to just pretend none of it exists, because if I do think about it too much, it’s going to be very difficult to write, because I’m going to be thinking about all the expectations.” Leaving expectations behind has also meant acknowledging when her schedule is too much for her. Reid announced the seventh book in her *Game Changers* series in January, titled *Unrivaled*. It’s the final book featuring Shane and Ilya and delves into the aftermath of revealing their relationship to the world. “At the end of \[the second book in the series, *The Long Game*\], they’re married, and they’re teammates, and everybody knows about their relationship. I could have left it there, but over the years, I couldn’t stop thinking about it,” she says. “They’ve never really had a normal relationship where they haven’t been hiding, or where they’ve been together this much. So there’s a lot to explore.” *Unrivaled* was supposed to come out September 2026, but will now be released on June 1, 2027, to give Reid more time to refine the story, tend to her health, and balance the whirlwind schedule *Heated Rivalry*’s success has handed her. Balancing overnight fame, family, press, events, and writing another novel isn’t an easy task. But Reid tells *Rolling Stone* that the extra time she took for herself has gotten her to a place where she’s happy with the book and ready to get it to the finish line. “It will be a better book because of it,” Reid says. “It’s happy, it’s romantic, it’s sweet, it’s sexy. It’s all the things that the other books had going for them. And you get to see a lot of nice domestic stuff with Shane and Ilya. This is supposed to be their happily ever after.” *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/culture/culture-features/heated-rivalry-rachel-reid-new-book-1235562611/ "rollingstone.com").* ## Frequently Asked Questions ### What is the next book in the Heated Rivalry series? The next book in the Game Changers series is Unrivaled, which focuses on Shane Hollander and Ilya Rozanov navigating public life together. ### When is Rachel Reid’s Unrivaled release date? Rachel Reid’s Unrivaled will release on June 1, 2027, after being delayed from its original September 2026 publication date. ### Why was Unrivaled delayed until 2027? The publication was delayed to give Rachel Reid time to manage her Parkinson’s disease diagnosis, balance event schedules, and refine the story. ### Who plays Shane and Ilya in Heated Rivalry? Hudson Williams portrays Shane Hollander, and Connor Storrie plays Ilya Rozanov in the hit HBO Max television adaptation of Heated Rivalry. ### Is Unrivaled the final book for Shane and Ilya? Yes, Unrivaled serves as the final installment in Rachel Reid’s Game Changers series featuring the characters Shane Hollander and Ilya Rozanov. Related Stories - [This Cebu Fan Club is Keeping the ‘Heated Rivalry’ Momentum Going](https://rollingstonephilippines.com/culture/tv/heated-rivalry-fan-club-cebu/ "This Cebu Fan Club is Keeping the ‘Heated Rivalry’ Momentum Going") - [Yes, ‘Heated Rivalry’ the Book is Just as Horny as the TV Series](https://rollingstonephilippines.com/culture/tv/heated-rivalry-book-tv-series/ "Yes, ‘Heated Rivalry’ the Book is Just as Horny as the TV Series") - [All the Celebrity-Read Audio Erotica on Quinn, Ranked by Horniness](https://rollingstonephilippines.com/culture/quinn-originals-audio-erotica-ranked/ "All the Celebrity-Read Audio Erotica on Quinn, Ranked by Horniness") **Categories:** Books, Culture **Tags:** Heated Rivalry, Rachel Reid --- ### [Trump Booed Loudly During National Anthem at Knicks Finals Game](https://rollingstonephilippines.com/state-of-affairs/politics/trump-booed-national-anthem-knicks-finals-game/) **Published:** June 9, 2026 **Author:** Nikki McCann Ramirez **Excerpt:** The president threw Madison Square Garden into chaos on Monday ahead of Game 3 of the NBA Finals **Content:** New York was having a little too much fun celebrating the [Knicks](https://rollingstonephilippines.com/tag/the-new-york-knicks/ "The New York Knicks")’ first NBA Finals appearance since 1999 — so [Donald Trump](https://rollingstonephilippines.com/tag/donald-trump/ "Donald Trump") had to crash the party. The president threw Midtown Manhattan and [Madison Square Garden](https://www.rollingstone.com/t/madison-square-garden/) into logistical chaos on Monday after announcing last week that he would be attending Game 3 of the Finals in person. During the singing of the National Anthem, Trump was loudly booed out by the fans in attendance. > Trump, shown on camera during the national anthem, is booed loudly at MSG [pic.twitter.com/NkWE4xsE2Z](https://t.co/NkWE4xsE2Z) > > — Aaron Rupar (@atrupar) [June 9, 2026](https://x.com/atrupar/status/2064145529219539315?ref_src=twsrc%5Etfw) > Trump LOUDLY booed during the national anthem [pic.twitter.com/sKzIIhWQ2S](https://t.co/sKzIIhWQ2S) > > — Jack Settleman (@jacksettleman) [June 9, 2026](https://x.com/jacksettleman/status/2064144916632973430?ref_src=twsrc%5Etfw) Following the announcement of Trump’s attendance, fans were told they would need to show up at least two hours early to undergo TSA-style security screenings. No bags of any kind will be allowed in the building. Cars in the area are being towed en masse. Watch parties were relocated. The Secret Service set up a multi-block no-access perimeter around MSG and Penn Station, smack in the middle of one of the busiest corporate and commuting centers in the nation. Video which appeared to be taken about two hours before gametime seemed to show ticket holders backed up for blocks on end. > [View this post on Instagram](https://www.instagram.com/reel/DZV1zkzz3DC/?utm_source=ig_embed&utm_campaign=loading)[A post shared by New Yorkers (@newyorkers)](https://www.instagram.com/reel/DZV1zkzz3DC/?utm_source=ig_embed&utm_campaign=loading) Accredited press that is typically allowed to access the locker rooms and backend facilities at the Garden to interview players and coaches have reportedly been [barred from conducting interviews](https://x.com/krispursiainen/status/2064030926674239714?s=20) ahead of tip-off. New Yorkers, fans, and sports commentators throughout the city and league have made their displeasure known. “If it causes the Knicks to lose tonight, I’m blaming him. I’m blaming the president of the U.S.,” sportscaster Stephen A. Smith [said on Monday](https://x.com/MLFootball/status/2064007750019842382?s=20). “Damnit, I hope the GOP loses votes because of it if we lose tonight.” Rep. Hakeem Jeffries (D-N.Y.), a native New Yorker, [accused the president](https://x.com/atrupar/status/2064055001056440772) of bandwagoning and inconveniencing everyone in the process. “It’s not clear to me that Donald Trump is a big Knicks fan,” he said during a Monday press conference. “I mean, does this guy even know the difference between Karl Rove and Karl Anthony Towns? I don’t think so. He’s just injecting himself.” Even Spurs point guard De’Aaron Fox expressed skepticism at Trump’s last-minute decision to attend the game. “The president being here just makes it inconvenient for everybody else,” he said. “We’re getting screened like it’s TSA. It’s a little inconvenient for the people that’s got to play, but it is what it is.” Trump must have really felt he needed to travel to New York for Game 3. He rationalized skipping his son’s wedding last month because of the Iran war — which, of course, is still very much ongoing. *This story was originally published on [rollingstone.com](https://www.rollingstone.com/politics/politics-news/trump-booed-national-anthem-knicks-finals-game-1235574409/).* ## Frequently Asked Questions ### What happened when Trump attended the Knicks Finals game? During Game 3 of the 2026 NBA Finals at Madison Square Garden, President Donald Trump appeared on the arena’s camera feed while the national anthem was being sung and was loudly booed by fans in attendance. Videos of the moment circulated widely on social media. ### When and where was Game 3 of the 2026 NBA Finals? Game 3 between the New York Knicks and San Antonio Spurs was played on Monday, June 8, 2026, at Madison Square Garden in New York City. Trump had announced the week prior that he would attend the game in person. ### How did Trump’s visit affect fans and the arena? Fans were told to arrive at least two hours early for TSA-style screening, with no bags permitted. The Secret Service set a multi-block perimeter around MSG and Penn Station, cars were towed, watch parties relocated, and accredited press were reportedly barred from pre-game interviews. ### How did people react to Trump attending the game? Reaction reported by Rolling Stone was largely critical. Sportscaster Stephen A. Smith joked he would blame the president if the Knicks lost. Rep. Hakeem Jeffries accused Trump of bandwagoning. Spurs guard De’Aaron Fox said the visit was inconvenient for everyone, including players facing screening. ### Why was the Knicks’ Finals run significant? The 2026 series marked the New York Knicks’ first NBA Finals appearance since 1999, ending a decades-long drought and setting off celebrations across the city. Rolling Stone framed the president’s late decision to attend as an interruption of that citywide moment. Related Stories - [The New York Knicks Have Been Undefeated Since Being Uncursed by This WWE Wrestler](https://rollingstonephilippines.com/culture/news-culture/new-york-knicks-uncursed-by-wwe-wrestler-undefeated-streak/ "The New York Knicks Have Been Undefeated Since Being Uncursed by This WWE Wrestler") - [Nicki Minaj’s Trump Turn Marks the End of Her Place in Rap Culture](https://rollingstonephilippines.com/music/hiphop-rnb/nicki-minaj-trump-support-2026/ "Nicki Minaj’s Trump Turn Marks the End of Her Place in Rap Culture") - [Jack White Calls Out MAGA Christians, Labels Trump ‘Antichrist’](https://rollingstonephilippines.com/music/rock/jack-white-calls-out-trump-maga/ "Jack White Calls Out MAGA Christians, Labels Trump ‘Antichrist’") **Categories:** Politics, State of Affairs **Tags:** Donald Trump, The New York Knicks --- ### [Pinoy Pop Icons Share The Stage For A Cause](https://rollingstonephilippines.com/radar/events/pinoy-pop-icons-bingo-plus/) **Published:** June 9, 2026 **Author:** Oliver Emocling **Excerpt:** Can entertainment drive social change? BingoPlus shows us how with their charity initiatives **Content:** [BingoPlus](https://rollingstonephilippines.com/tag/bingoplus/ "BingoPlus") knows what it means to entertain beyond gaming. ​On May 19, BingoPlus celebrated its fourth anniversary in a star-studded entertainment event called BingoPlus Night: Step Into the Next PLUS. The digital entertainment platform treated its community to an ensemble of powerhouse performances. Philippine entertainment’s brightest stars, like Vice Ganda, graced the stage with their inimitable energy. Nina soothed the lovesick with her hit ballads. And of course, ‘90s kids were taken on a trip down memory lane with anthems from the aughts by OPM legends [Bamboo](https://rollingstonephilippines.com/tag/bamboo/ "Bamboo"), [Parokya ni Edgar](https://rollingstonephilippines.com/tag/parokya-ni-edgar/ "Parokya ni Edgar"), and [Ely Buendia](https://rollingstonephilippines.com/tag/ely-buendia/ "Ely Buendia"). ​The anniversary event is a testament not only to BingoPlus’ prowess in entertainment but also a celebration of its biggest milestones in the past year. BingoPlus saw the growth of its user base to a total of 2.9 million daily active users by the end of 2025. It also provided an overall payout of P2.25 trillion to over 3 million Filipino users. It also made its single biggest payout at P935,262,012 in June last year. But on top of all that, BingoPlus takes pride in how it sparked change. ## Giving Back ![BingoPlus](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Bingo-Plus.webp) BingoPlus is committed to sustaining and even raising the bar for social impact. Photo courtesy of BingoPlus ​In 2025 alone, DigiPlus Foundation, formerly known as BingoPlus Foundation, championed charitable work that amounted to P84.2 million. With a focus on causes like healthcare, education, and community resilience, its initiatives made significant strides and reached almost a million Filipinos. ​For BingoPlus, social impact isn’t just a trend. It is committed to sustaining and even raising the bar for social impact. This is why BingoPlus made a billion-peso donation to DigiPlus Foundation over the next three years. It’s a significant increase compared to the previous years. This promises an elevation and expansion of DigiPlus Foundation’s reach. ​“It all started in 2022 when we revolutionized the market, self-regulated our business even before today’s standards were set in place, and became the industry drivers we are known to be today,” said Jasper Vicencio, President of AB Leisure Exponent Inc. “For the rest of the year, we promise to turn ‘Step into the Next PLUS’ into a long-term work mantra, not just for this night.” ​ ## Everybody Wins ![BingoPlus](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Kim-Chiu.webp) BingoPlus ambassador Kim Chiu introducing the segment of the evening. Photo courtesy of BingoPlu “Sa bawat laro, may buhay na nababago.” This is what BingoPlus brand ambassador Kim Chiu said as she introduced the WishPlus segment at the anniversary night. ​WishPlus started out as a seasonal campaign called “Sagot ng Bingo Ang Regalo Mo” before it became a full program dedicated to granting wishes from organizations and disadvantaged individuals. WishPlus inspires change that feels more personal. Anyone can make a wish for themselves or someone they know through the DigiPlus Foundation website. ​Throughout its anniversary night, BingoPlus granted a total of six wishes. One came from a security guard who wanted an electronic bike to earn more and provide for his sick children. Another was made by a non-profit organization hoping to turn patient rooms into warm, more home-like spaces. ​With all these avenues for help, BingoPlus and DigiPlus Foundation prove that leisure and purpose can go hand in hand. While players rake in prizes and the platform makes a profit, underserved individuals and marginalized communities get a chance to win, too. ## Making a Difference ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Parokya.webp) Parokya Ni Edgar performing live for BingoPlus. Photo courtesy of BingoPlus Infrastructure is one of the main contributing issues in the educational crisis. As of 2025, the Philippines grapples with an estimated shortage of 165,000 classrooms across the country. Region IV-A CALABARZON accounts for the biggest portion of this deficit at 31,010, which is nearly 20 percent of the total. ​This number paints the picture for DigiPlus Foundation’s PLUSkwela Classroom Construction Project. In partnership with the Department of Social Welfare and Development and Department of Education, the program aims to support 181 students with the construction of a one-storey building with two classrooms. ​Information on social development projects is normally made available through formal company reports and events, but BingoPlus now delivers updates with just a click on the app. ​Launched at BingoPlus Night, the new Charity feature takes the gaming platform’s commitment to accountability and transparency a notch higher. ​Through the Charity tab, users are invited to become active participants in their ongoing campaigns. Aside from the construction of learning spaces, the Charity feature provides information on two other initiatives: medical missions for 1,000 patients in Tuguegarao, and food donation drives for 1,000 jeepney and tricycle drivers in Manila. ​The app makes it easier for users to track progress and learn more about the respective action plan for each initiative. On top of that, it allows them to invest their impact — one impact is earned from every P5,000 spent — on what matters to them the most. BingoPlus even gamifies user participation with a leaderboard showing the top 100 contributors. ​The Charity feature serves a deeper purpose. More than just a source of information and a space for individual actions, it also allows users to assess what BingoPlus stands for and align with these values.​ ## For Good ![BingoPlus](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Bingo-Plus-1.webp) With all these avenues for help, BingoPlus and DigiPlus Foundation prove that leisure and purpose can go hand in hand. Photo courtesy of BingoPlus Combining gaming with philanthropy isn’t a new phenomenon. Consider small community-based bingo fundraisers. On one hand, it’s a simple form of entertainment where every participant has a chance to win a prize. But ultimately, it fosters a community towards a much bigger singular goal. ​Gaming’s social impact is often eclipsed by its seemingly dangerous self-indulgent nature, but with the guardrails of responsible gaming, it can make for a meaningful experience and be a driving force for change. “DigiPlus today stands as a model for regulated and responsible gaming entertainment in the Philippines — a trusted partner of Philippine Amusement and Gaming Corporation and the public. We were the standard then, and we will continue to be the standard for years to come,” Vicencio says. At its core, responsible gaming is and will always be the name of the game. BingoPlus is an affiliate of DigiPlus Interactive Corp. and is an advocate for responsible gaming. BingoPlus is licensed by PAGCOR. For more information, visit [www.bingoplus.com](http://www.bingoplus.com "www.bingoplus.com").​ ## Frequently Asked Questions ### What was BingoPlus Night: Step Into the Next PLUS? BingoPlus Night: Step Into the Next PLUS was the digital entertainment platform’s fourth-anniversary event, held on May 19, 2026. It paired live performances by Filipino artists with announcements about the company’s milestones and the charitable programs run through the DigiPlus Foundation. ### Who performed at BingoPlus Night? Vice Ganda brought his signature energy to the stage and Nina performed her ballads, while OPM acts Bamboo, Parokya ni Edgar, and Ely Buendia played anthems from the Nineties and aughts. BingoPlus brand ambassador Kim Chiu introduced the evening’s WishPlus segment. ### What is WishPlus? WishPlus is a DigiPlus Foundation program that grants wishes submitted by organizations and disadvantaged individuals. It began as a seasonal campaign before becoming a full program, with requests accepted through the foundation’s website. Six wishes were granted on anniversary night, including an electric bike for a security guard. ### What is the BingoPlus Charity feature? Launched at BingoPlus Night, the Charity tab lets app users follow the company’s social projects and track their progress. Current initiatives include the PLUSkwela classroom construction project with the DSWD and DepEd, medical missions in Tuguegarao, and food drives for jeepney and tricycle drivers in Manila. ### Is BingoPlus a licensed and regulated platform? BingoPlus is an affiliate of DigiPlus Interactive Corp. and is licensed by PAGCOR, the Philippine Amusement and Gaming Corporation. The company describes itself as an advocate for responsible gaming. The platform is intended for adult users only, and gaming of any kind carries financial risk. Related Stories - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") - [5 SexBomb Girls Anthems That Shimmied Them Into Pop Icon Status](https://rollingstonephilippines.com/music/pop/5-sexbomb-girls-anthems/ "5 SexBomb Girls Anthems That Shimmied Them Into Pop Icon Status") - [5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding](https://rollingstonephilippines.com/editors-picks/lists/5-moments-sb19-rewrote-p-pop-worldbuilding/ "5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding") **Categories:** Events, Radar, RS Recommends **Tags:** BingoPlus --- ### [‘The Bear’ Prepares for One Last Dinner Service in Final Season Trailer](https://rollingstonephilippines.com/culture/tv/the-bear-final-season-trailer/) **Published:** June 9, 2026 **Author:** Cheyenne Roundtree **Excerpt:** The new and final season of The Bear premieres on June 25, with all eight episodes available to stream on Hulu and FX **Content:** It’s closing time for [*The Bear*.](https://rollingstonephilippines.com/tag/the-bear/ "The Bear") In a new trailer for the fifth and final season, the scrappy Chicago kitchen crew pull themselves together in the immediate aftermath of head chef Carmy ([Jeremy Allen White](https://rollingstonephilippines.com/tag/jeremy-allen-white/ "Jeremy Allen White")) hanging up his apron and leaving behind the food industry. But that’s the least of their problems. Sydney ([Ayo Edibiri](https://rollingstonephilippines.com/tag/ayo-edebiri/ "Ayo Edebiri")), Richie ([Ebon Moss-Bachrach](https://rollingstonephilippines.com/tag/ebon-moss-bachrach/ "Ebon Moss-Bachrach")), and Sugar (Abby Elliott) have to hold strong against the building being sold out from underneath them, torrential flooding, deliveries being cut off, food shortages, and constant money troubles. The remaining hope, as it has been for the past four seasons, is to see if they can manage to turn around a dumpy, family-run sandwich shop to a fine-dining establishment worthy of a Michelin star. The new and final season of *The Bear* premieres on June 25, with all eight episodes available to stream on Hulu and FX. Last month, the show revealed its fifth season would be its last. “Ultimately, they learn that what makes a restaurant ‘perfect’ might not be the food, but the people,” a tagline read. *This article was originally published on **[rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-news/the-bear-final-season-trailer-1235573953/ "rollingstone.com").*** ## Frequently Asked Questions ### When does the final season of The Bear premiere? The fifth and final season of The Bear premieres on June 25, 2026. All eight episodes drop at once, available to stream on Hulu and FX, rather than rolling out weekly across the summer. ### Is Season 5 the last season of The Bear? Yes. The show confirmed in May 2026 that its fifth season would be its last. A tagline released with the announcement suggested the crew learns that what makes a restaurant perfect may be the people rather than the food. ### What happens in The Bear final season trailer? The trailer picks up right after head chef Carmy hangs up his apron and leaves the food industry. Sydney, Richie, and Sugar are left holding the restaurant together against a building sale, flooding, cut-off deliveries, food shortages, and constant money problems. ### Who stars in The Bear? Jeremy Allen White plays Carmy, with Ayo Edebiri as Sydney, Ebon Moss-Bachrach as Richie, and Abby Elliott as Sugar. The ensemble has anchored the Chicago-set series across all five seasons, with White and Edebiri fronting the final season’s trailer. ### What is The Bear about? The Bear follows a scrappy Chicago kitchen crew trying to turn a rundown family sandwich shop into a fine-dining restaurant worthy of a Michelin star. Across five seasons, that ambition has driven the show’s tension between craft, family, and the pressures of the food industry. Related Stories - [‘The Bear’ Is Officially Closing Its Doors This Summer With Final Season Premiere Date](https://rollingstonephilippines.com/culture/tv/the-bear-fifth-final-season-premiere-date/ "‘The Bear’ Is Officially Closing Its Doors This Summer With Final Season Premiere Date") - [6 Mental Breakdowns From ‘The Bear’ Where Everyone Freaked the Fuck Out](https://rollingstonephilippines.com/culture/film-tv/6-crash-outs-on-the-bear/ "6 Mental Breakdowns From ‘The Bear’ Where Everyone Freaked the Fuck Out") - [The Surprise Episode of ‘The Bear’ is The Show At Its Finest](https://rollingstonephilippines.com/culture/tv/the-bear-gary-prequel-episode-recap/ "The Surprise Episode of ‘The Bear’ is The Show At Its Finest") **Categories:** Culture, TV **Tags:** Ayo Edebiri, Disney+, Ebon Moss-Bachrach, Jeremy Allen White, The Bear --- ### [Your Guide to BINI’s Signals World Tour And Where They Are Heading Next](https://rollingstonephilippines.com/music/pop/bini-signals-world-tour-dates/) **Published:** July 23, 2026 **Author:** Elijah Pareño **Excerpt:** The Nation’s Girl Group heads overseas after a run of sold-out arena shows and a string of major milestones this year **Content:** P-pop group [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI") is embarking on a North American and Oceania world tour. After their most recent run of local arena shows, they’re travelling the globe to further promote their their third EP, The Nation’s Girl Group will be promoting their third EP, *Signals*, released in April 2026. Beginning in Honolulu, Hawaii, in August before wrapping up the North American leg on August 28 in Brooklyn, New York, the group will then head to Australia and New Zealand from September 20 to 27. Recently, they have added a couple of dates in Singapore on October 25 and Taipei on November 15. > [View this post on Instagram](https://www.instagram.com/p/Da0ENQZzAQ_/?utm_source=ig_embed&utm_campaign=loading)[A post shared by BINI\_ph (@bini\_ph)](https://www.instagram.com/p/Da0ENQZzAQ_/?utm_source=ig_embed&utm_campaign=loading) Last July 1, BINI’s management announced the postponement of the European leg of the Signals World Tour due to unforeseen circumstances. The affected stops include the Netherlands, Italy, France, the United Kingdom, Switzerland, and Germany. “Expect ninyo same level of performances kung paano kami sa Manila,” says BINI group leader Johanna in an *ABS-CBN* report. “Pero siyempre iba pa rin energy lalo na ‘pag nasa bagong city.” BINI fans can buy their Signals World Tour tickets via *ABS-CBN*’s [website](https://www.abs-cbn.com/bini-world-tour-tickets "website") ## **BINI Signals World Tour Dates** **August 1** — Honolulu, HI at Neal S. Blaisdell Arena **August 5** — Los Angeles, CA at Peacock Theater **August 7** — Rohnert Park, CA at The Event at Graton Resort & Casino (SOLD OUT) **August 8** — Las Vegas, NV at PH Live at Planet Hollywood **August 9** — San Diego, CA at San Diego Civic Theatreq **August 18** — Vancouver, BC at Queen Elizabeth Theatre **August** **21** — Calgary, AB at Grey Eagle Resort & Casino – Grey Eagle Event Centre **August** **22** — Edmonton, AB, CAN at Edmonton Expo Centre **August** **24** — Winnipeg, MB at Canada Life Centre **August** **27** — Toronto, ON at The Bowl at Sobeys Stadium **August** **28** — Brooklyn, NY at King Theatre **September 20** — Melbourne, AU at Melbourne Convention and Exhibition Centre **September** **25** — Auckland, NZ at Eventfinda Stadium **September 27** — Sydney, AU at TikTok Entertainment Centre **October 25** — Singapore, SG at Arena @ Expo **November 15** — Taipei, TW at New Taipei Exhibition Hall ## Frequently Asked Questions ### Where is BINI performing on the Signals World Tour? BINI’s Signals World Tour includes stops across North America, Oceania, and South East Asia. ### What countries are included in BINI’s Signals World Tour? The current itinerary includes the United States, Canada, Australia, New Zealand, Singapore, and Taiwan. ### Why was BINI’s European tour postponed? According to BINI’s management, the European leg of the Signals World Tour was postponed due to unforeseen circumstances. The affected stops include the Netherlands, Italy, France, the United Kingdom, Switzerland, and Germany. ### What is BINI promoting on the Signals World Tour? BINI is promoting its third EP, Signals, which was released in April 2026. ### Where can you avail tickets for BINI’s Signals World Tour? BINI fans can buy their Signals World Tour tickets via ABS-CBN’s website Related Stories - [25 Backstreet Boys Songs That Redefined the Boy Band Blueprint](https://rollingstonephilippines.com/editors-picks/lists/25-backstreet-boys-songs-that-redefined-the-boy-band-blueprint/ "25 Backstreet Boys Songs That Redefined the Boy Band Blueprint") - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") **Categories:** Music, Pop **Tags:** BINI --- ### [Bing Austria, Prolific Soul and Ska Musician, Dies at 62](https://rollingstonephilippines.com/music/hiphop-rnb/bing-austria-juan-pablo-dream-vocalist-dies-at-62/) **Published:** June 8, 2026 **Author:** Elijah Pareño **Content:** Singer and musician [Bing Austria](https://rollingstonephilippines.com/tag/bing-austria/ "Bing Austria") has died at the age of 62. His family announced on social media that he passed away due to sepsis. Austria was rushed to the ICU of a private hospital on May 30, when his family also launched a donation drive to help cover medical expenses. His family announced a benefit show set for June 16 at The ‘70s Bistro. The lineup includes punk band Betrayed, reggae singer Jeck Pilpil, dub band Goodleaf, reggae band Tropical Depression, and many more artists performing in support of covering medical expenses for Austria. Austria was a prolific soul, ska, and reggae musician best known for playing piano and organ for Tropical Depression beginning in 1989. He later joined several notable acts, including ska band PU3SKA in 1993, known for the ska cover of Urban Bandits’ “Manila Girl” released in 1995. He then joined mod band Juan Pablo Dream in 2003, where he sang on tracks such as “Nice Place.” He would eventually go on to form his own band, Flippin’ Soul Stompers. In May 2025, Austria and Juan Pablo Dream released the band’s latest album *When We Were Kids* under Eikon Records. His contributions across reggae, ska, and soul made him a familiar presence in the local music community for decades. ## Frequently Asked Questions ### Who is Bing Austria? Bing Austria is a singer and musician known for soul, ska, and reggae. He passed away at the age of 62. ### What are the bands that Bing Austria joined over the years? Bing Austria was known to front and join soul, ska, and reggae bands such as Tropical Depression, Pu3ska, Juan Pablo Dream, Todo Pasa, Flippin’ Soul Stompers, and High Targets. ### What was the cause of death of Bing Austria? Bing Austria died due to sepsis. ### Where is the benefit show for Bing Austria being held at? Bing Austria’s benefit show will be held at the ‘70s Bistro in Anonas, Quezon City. The show will help cover the medical expenses of his hospitalization. ### Who will be performing in support of Bing Austria at his benefit show? The bands in the lineu includes punk band Betrayed, reggae singer Jeck Pilpil, dub band Goodleaf, reggae band Tropical Depression, and many more. 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For [Josh Boutwood](https://rollingstonephilippines.com/tag/josh-boutwood/ "josh boutwood"), the answer at the latest [Rolling Stone Philippines Social Club](https://rollingstonephilippines.com/tag/rsph-social-club/ "RSPH Social Club") revealed itself in a menu centered on innovation and curiosity. Held at his two Michelin-starred restaurant [Helm](https://rollingstonephilippines.com/tag/helm/ "Helm"), the one-night-only dinner brought together chefs, mixologists, and industry regulars to celebrate an enduring collaboration between the decorated chef and the smoke-free product, having first linked up 2024. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/REVISED-RS-SOCIAL-CLUB-HELM_05-.webp) The one-night-only dinner brought together chefs, mixologists, and industry regulars. The Rolling Stone Philippines Social Club officially opened with a speech from *Rolling Stone Philippines* publisher Anne Bernisca, setting the tone for a night centered on culture, dining, and shared curiosity. She was followed by IQOS Brand Manager Henry Yap, who introduced the newest innovations of the brand. “IQOS has always valued boldness,” he said. “Tonight is really about that spirit of innovation—taking something familiar and elevating it into something more dynamic and unexpected,” he said. ![josh boutwood](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/REVISED-RS-SOCIAL-CLUB-HELM_01.webp) “Our ultimate goal is to strive for simplicity,” said Chef Josh Boutwood. A six-course menu thoughtfully curated to reflect the evening’s focus on curiosity and innovation soon followed. When asked about his approach to building the experience, Boutwood returned to a familiar principle. “Our ultimate goal is to strive for simplicity,” he said. “But in order for something to be simple at the level that we are, there has to be a certain depth of flavors that are built.” ![iqos](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/REVISED-RS-SOCIAL-CLUB-HELM_06.webp) “\[Ingredients\] have to be balanced in such a way that they are harmonious when eaten together,” said Chef Josh Boutwood. The opening courses leaned into a brighter, more balanced spectrum— soft in intensity, with gently woody undertones.. This approach surfaced in the smoked hamachi, plated with coconut water and tomato oil, where acidity and a tinge of sweetness framed the delicate fish. Morel mushrooms followed, extending that direction into something earthier. As the experience progressed, a deeper register emerged. Toasted notes and a fuller body called for dishes with more weight and complexity. Wagyu with adlai and oxtail shifted the pace, bringing richness that sat firmly on the palate. Duck with cherry and raisin gastrique followed suit, folding in sweetness into a robust profile that echoed the evolving intensity of the experience. ![iqos](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/REVISED-RS-SOCIAL-CLUB-HELM_10.webp) “IQOS has always valued boldness,” said IQOS Brand Manager Henry Yap. The structure of the night’s menu reflected his approach to balance. Smoothness, for him, comes from cohesion. “If we look at three particular ingredients, those three ingredients have to be balanced in such a way that they are harmonious when eaten together,” he explained. Guests closed out the evening in more relaxed conversation, trading impressions of the courses and the unique experience they had. *Follow IQOS on Facebook and Instagram to be updated on future events. Visit IQOS.com if you’re curious about what IQOS can offer.* *This product is not risk-free and provides nicotine, which is addictive. Only for use by adults who would continue to smoke or use other nicotine products.* ## Frequently Asked Questions ### What was the Rolling Stone Philippines Social Club dinner at Helm? It was a one-night-only dinner held in July 2026 at Helm, chef Josh Boutwood’s two-Michelin-starred restaurant. Hosted as part of the Rolling Stone Philippines Social Club series in collaboration with IQOS, it gathered chefs, mixologists, and industry regulars around a six-course tasting menu. ### Who is Josh Boutwood? Josh Boutwood is a decorated Philippine-based chef behind Helm, which holds two Michelin stars. He describes his cooking philosophy as striving for simplicity, arguing that simplicity at that level requires built depth of flavor and ingredients balanced to work harmoniously together on the plate. ### What was served at the six-course dinner? The menu moved from lighter to deeper registers. Early courses included smoked hamachi with coconut water and tomato oil, followed by morel mushrooms. Heavier plates came later: wagyu with adlai and oxtail, then duck with a cherry and raisin gastrique. ### How long have IQOS and Josh Boutwood worked together? IQOS and Josh Boutwood first collaborated in 2024, and the Helm dinner continued that partnership. IQOS Brand Manager Henry Yap framed the evening around what he described as the brand’s spirit of innovation — taking something familiar and reworking it into something more unexpected. ### Is IQOS risk-free? No. Per the disclaimer published with the article, the product is not risk-free and provides nicotine, which is addictive. It is intended only for adults who would otherwise continue to smoke or use other nicotine products, and is not suitable for non-smokers or minors. 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He revealed not just *ICEMAN* but also two more albums, *Maid of Honour* and *Habibti*, all announced simultaneously on his Instagram account on May 15 12 a.m. Pacific Standard Time (4 a.m. in Philippine Time). If one album isn’t enough for a comeback, why not drop three? The Champagne Papi’s got the answer as all three albums come out as soon as possible. > [View this post on Instagram](https://www.instagram.com/p/DYV_dmojuqT/?utm_source=ig_embed&utm_campaign=loading)[A post shared by champagnepapi (@champagnepapi)](https://www.instagram.com/p/DYV_dmojuqT/?utm_source=ig_embed&utm_campaign=loading) The first album cover art, *Habibti*, shows an unnamed woman with tape covering her face except for the eyes, while the second, *Maid of Honour*, features a photo of his mother, Sandi Graham, with a faint overlay of baby Drake being carried by his father, Dennis Graham. The third and final cover, *ICEMAN*, features a photoscan of a diamond‑encrusted white glove — reminiscent of what Michael Jackson wore in his performances — and a bracelet spelling out the album’s name. *ICEMAN* was among the first of three albums announced on April 22, with a release date of May 15, teased that same day. The Toronto rapper placed a gigantic ice block in a downtown Toronto parking lot and posted on his socials that the block would reveal the release date “inside.” After the announcement, fans went to the site not only to marvel at the structure but also to desperately break in, using sledgehammers to smash through the ice in hopes of finding the release date. ## Frequently Asked Questions ### What three albums did Drake announce for release? Drake announced three albums titled ICEMAN, Maid of Honour, and Habibti. All three projects were revealed simultaneously across his official social media channels. ### When are Drake’s three new albums scheduled to drop? Drake scheduled all three albums for release on May 15. The simultaneous launch was formally announced via Instagram at midnight Pacific Standard Time. ### What is depicted on the album covers for Drake’s new projects? The Habibti cover features a taped face, Maid of Honour depicts his parents and baby photo, while ICEMAN displays a diamond-encrusted glove. ### How did Drake announce the ICEMAN album release date? Drake revealed the date by placing a massive ice block in downtown Toronto. Fans actively used sledgehammers on-site to break open the structure. ### Where were Drake’s three new albums officially announced? Drake officially announced the three albums on his Instagram account (@champagnepapi). The announcement occurred at 12:00 a.m. PST (4:00 a.m. Philippine Time). 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The actress is set to executive produce the film, which will be directed by Marie Jamora. Jamora started her career as a filmmaker in the Philippines, directing music videos (such as [Itchyworms’s](http://itchyworms) “Love Team” and [Sandwich’s](http://sandwich) “Sugod”) and *Project Runway Philippines*. After the 2012 release of her directorial feature film, *Ang Nawawala* at the Cinemalaya film festival, Jamora has since transitioned to helming projects in the United States, including episodes of shows like Fox’s *The Cleaning Lady* and *The Resident.* *Imprint*, with a script written by Charlene Sawit-Esguerra (*Saving Sally*), will center on a Filipino-American woman who uses psychic abilities to track down a serial killer. Although a release date for the film has yet to be announced, Soberano is also set to star in the upcoming Dreamworks animated film, *[Forgotten Island](https://rollingstonephilippines.com/tag/forgotten-island/ "Forgotten Island")*, which premieres in Philippine cinemas later this September. She will voice the lead character Raissa, joining a Filipino-focused cast that includes [H.E.R.](https://rollingstonephilippines.com/tag/h-e-r/ "H.E.R."), [Manny Jacinto](https://rollingstonephilippines.com/tag/manny-jacinto/ "Manny Jacinto"), [Dolly de Leon](https://rollingstonephilippines.com/tag/dolly-de-leon/ "Dolly de Leon"), and more. ## Frequently Asked Questions ### What is the movie ‘Imprint’ about? ‘Imprint’ is a supernatural thriller centering on a Filipino-American woman who uses her psychic abilities to hunt down a serial killer. ### Who is directing ‘Imprint’? Marie Jamora is directing ‘Imprint’, bringing experience from Philippine music videos, her feature ‘Ang Nawawala’, and American television shows like ‘The Cleaning Lady’. ### What is Liza Soberano’s role in ‘Imprint’? Liza Soberano serves as an executive producer on ‘Imprint’, marking a significant expansion into behind-the-camera film production for her international career. ### Who wrote the screenplay for ‘Imprint’? Charlene Sawit-Esguerra wrote the screenplay for ‘Imprint’, having previously written the acclaimed Philippine feature film ‘Saving Sally’. ### What other projects is Liza Soberano working on? Liza Soberano stars as Raissa in DreamWorks’ animated feature ‘Forgotten Island’, joining an all-Filipino ensemble cast including H.E.R. and Manny Jacinto. 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The program is curated by Coldplay lead vocalist Chris Martin. The news was announced in a social media trailer starring Martin alongside Elmo and Cookie Monster of *Sesame Street*, as well as Kermit, Miss Piggy, and more from *The Muppets*, who will be starring in a segment throughout the program showing the stats of the games, according to *USA Today*. The video also shows both sides calling up BTS on FaceTime. Shakira’s name had already been linked to this year’s World Cup with the announcement of “Dai Dai,” her official 2026 World Cup song with Burna Boy. Officially, this will be Shakira’s second FIFA World Cup song following “Waka Waka (This Time for Africa)” recorded for the 2010 World Cup in South Africa. > [View this post on Instagram](https://www.instagram.com/reel/DYTkMsOiH6o/?utm_source=ig_embed&utm_campaign=loading)[A post shared by FIFA World Cup (@fifaworldcup)](https://www.instagram.com/reel/DYTkMsOiH6o/?utm_source=ig_embed&utm_campaign=loading) It couldn’t be more appropriate that some of the artists involved in the halftime show are in the middle of their comebacks in the music scene, with album releases and world tours on the way. Madonna will be gearing up for a massive return to music with her new album *Confessions II*, the sequel to her 2005 classic *Confessions on a Dance Floor*, arriving July 3. BTS made a major return to music earlier this year with the March 20 release of their sixth studio album *[ARIRANG](https://rollingstonephilippines.com/tag/arirang/ "Arirang")*, the South Korean group’s first project since going on hiatus for each member to complete their military service. They are currently promoting the album with a global tour. Last May 11, FIFA announced that Katy Perry, Future, Tyla, [LISA](https://rollingstonephilippines.com/tag/lisa/ "Lisa"), and Anitta were slated to perform during the 2026 World Cup opening ceremonies set across the U.S., Canada, and Mexico. ## Frequently Asked Questions ### Who is performing at the 2026 World Cup halftime show? Shakira, Madonna, and BTS will headline the first-ever FIFA World Cup halftime show on July 19, 2026, with the overall program curated by Coldplay frontman Chris Martin. ### Where is the 2026 FIFA World Cup final halftime show located? The 2026 FIFA World Cup final halftime show takes place at MetLife Stadium in East Rutherford, New Jersey, during the championship match on July 19. ### What is Shakira’s official song for the 2026 World Cup? Shakira’s official 2026 World Cup song is titled “Dai Dai,” a collaborative track featuring Nigerian artist Burna Boy released ahead of the global tournament. ### What role do The Muppets have in the World Cup broadcast? Characters from The Muppets and Sesame Street appear alongside Chris Martin in promotional content and host a dedicated segment providing match statistics throughout the halftime program. ### Who will perform during the 2026 World Cup opening ceremonies? Katy Perry, Future, Tyla, LISA, and Anitta are scheduled to perform during the opening ceremonies across host venues in the United States, Canada, and Mexico. Related Stories - [Watch the FIFA World Cup 2026 Live with an All-Expense Paid Trip. 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In celebration of Philippine Independence, the release continues New Era Philippines’ annual anticipated collection with their headwear as a canvas for Filipino identity. In 2024, the brand marked its ninth anniversary with the Barong 59FIFTY collection, which reimagined the Barong Tagalog as streetwear. It also deepened its culture-led fashion statements that same year through a Manix Abrera collaboration featuring Baybayin and folk-inspired imagery, and the Amorsolo Collection with PinoyLUG and LEGO Certified Stores, which brought Fernando Amorsolo’s paintings onto caps. ![new era philippine independence day 2026 caps](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/New-Era-Independence-Day-_Bleed-Size_Product-1.webp) ![new era philippine independence day 2026 caps](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/New-Era-Independence-Day-_Bleed-Size_Dane.webp) The 2026 edition takes one of the country’s most enduring monikers, “Pearl of the Orient,” and turns it into a design system. The most overt historical marker is the “Perlas ng Silangan” side patch, executed with a World Series-inspired visual language. The patch combines the collection’s word mark with a clam shell graphic and sun rays drawn from the Philippine flag, while “1898” points to the June 12, 1898 proclamation of Philippine independence in Kawit, Cavite. ![New Era Independence Day _Bleed_Kilo 2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/New-Era-Independence-Day-_Bleed_Kilo-2.webp) But the collection’s strongest move may be its smaller cultural details. The Nilad leaf references the plant commonly linked to the naming of Manila, a connection often repeated in local histories and civic projects. The 59FIFTY silhouette also carries a detailed execution of pattern work across the crown that combines wave and shell graphics. ![new era philippine independence day 2026 caps](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/New-Era-Independence-Day-_Bleed-Size_Product-2.webp) ![New Era Independence Day _Bleed Size_Product 3](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/New-Era-Independence-Day-_Bleed-Size_Product-3.webp) Continuing the local story, an NE metal badge reimagines the Philippine flag through a cursive monogram, while an embroidered “PH” script nods both to New Era’s design brand and the country’s shorthand identity in global culture. With “Perlas ng Silangan,” New Era Philippines makes the case that Filipino pride does not have to shout to be heard. Sometimes, it sits quietly on the crown, stitched into pattern, history, and silhouette. ## Frequently Asked Questions ### What is New Era’s Perlas ng Silangan collection? Perlas ng Silangan is New Era Philippines’ 2026 Independence Day headwear collection, released in June 2026. It continues the brand’s annual Philippine Independence releases, using caps as a canvas for Filipino identity through flag-derived details, marine motifs, and historical references built into the design. ### What does “Perlas ng Silangan” mean? Perlas ng Silangan translates to “Pearl of the Orient,” one of the Philippines’ most enduring monikers. New Era turned the phrase into the collection’s design system, pairing the word mark with a clam shell graphic and sun rays drawn from the Philippine flag. ### What design details are on the caps? The side patch combines the Perlas ng Silangan word mark, a clam shell, and flag sun rays in a World Series-inspired visual language. The 59FIFTY crown carries wave and shell patterning, plus an NE metal badge with a cursive flag monogram and embroidered “PH” script. ### What does the Nilad leaf on the collection reference? The Nilad leaf references the plant commonly linked to the naming of Manila, a connection repeated across local histories and civic projects. Rolling Stone Philippines describes these smaller cultural details as the collection’s strongest move, alongside the “1898” marking for the June 12, 1898 independence proclamation in Kawit, Cavite. ### What other Filipino collections has New Era Philippines released? New Era Philippines has built a run of culture-led releases. In 2024, it marked its ninth anniversary with the Barong 59FIFTY collection reimagining the Barong Tagalog as streetwear, collaborated with cartoonist Manix Abrera on Baybayin and folk imagery, and produced an Amorsolo collection with PinoyLUG and LEGO Certified Stores. **Categories:** Radar, RS Recommends **Tags:** New Era --- ### [Jeremy Strong Nails Mark Zuckerberg’s Arrogance in ‘The Social Reckoning’ Trailer](https://rollingstonephilippines.com/culture/film/social-reckoning-trailer-jeremy-strong-mark-zuckerberg/) **Published:** June 11, 2026 **Author:** Larisha Paul **Excerpt:** The film follows the 2021 leak of internal Facebook documents by Frances Haugen (Mikey Madison) with Jeremy Allen White as The Wall Street Journal reporter Jeff Horwitz **Content:** The floodgates are about to open on Mark Zuckerberg in the first trailer for [Aaron Sorkin](https://rollingstonephilippines.com/tag/aaron-sorkin/ "Aaron Sorkin")‘s *The Social Reckoning.* “These guys are counting on the next round of congressional testimony to make you likable, Mark,” a character named Charlie (Bill Burr) tells the Facebook founder, portrayed by a particularly chilling [Jeremy Strong](https://rollingstonephilippines.com/tag/jeremy-strong/ "Jeremy Strong"). “I’m happy to lend a hand, but I think you’re doomed.” Strong plays Zuckerberg with an edge of age that brings the film up to times for the years that have passed since Jesse Eisenberg played him in *The Social Network*. They both nailed his arrogance. “People around here understand that when I say ‘no,’ that’s the end of the debate,” he says in a restrained, yet venomous tone. “I’m not two years out of a dorm room anymore, Charlie. Look around.” *The Social Reckoning* follows the 2021 leak of internal Facebook documents by whistleblower Frances Haugen, portrayed by Mikey Madison. In the trailer, she meets with [Jeremy Allen White](https://rollingstonephilippines.com/tag/jeremy-allen-white/ "Jeremy Allen White")‘s Jeff Horwitz, the *Wall Street Journal* reporter who led the newspaper’s “The Facebook Files” investigation. Their first scene together lifts from an article titled[ “The Facebook Whistleblower, Frances Haugen, Says She Wants to Fix the Company, Not Harm It.”](https://www.wsj.com/tech/facebook-whistleblower-frances-haugen-says-she-wants-to-fix-the-company-not-harm-it-11633304122?mod=article_inline) “I have a hunch you’re not a fan of Facebook,” Madison’s Haugen prefaces in the clip. “But I am. I am here to help Facebook, not hurt it.” *The Social Reckoning* is scheduled for release exclusively in theaters on Oct. 9. Sorkin wrote and directed the film, which also stars Wunmi Mosaku, Billy Magnussen, Betty Gilpin, and more. In a 2021 interview with*[ The Hollywood Reporter,](https://www.hollywoodreporter.com/movies/movie-features/aaron-sorkin-nicole-kidman-lucille-ball-javier-bardem-being-the-ricardos-interview-1235045467/)* Sorkin said he was interested in creating a film that dug into the “the dark side” of Facebook, saying: “I think what has been going on with Facebook these last few years is a story very much worth telling, and there is a way to tell it as a follow-up to *The Social Network*, and that’s as much as I know.” *This article was originally published on **[rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-news/the-social-reckoning-trailer-jeremy-strong-mark-zuckerberg-1235575377/).*** ## Frequently Asked Questions ### What is The Social Reckoning about? The Social Reckoning is a drama written and directed by Aaron Sorkin, following the 2021 leak of internal Facebook documents by whistleblower Frances Haugen. The trailer centers on Mark Zuckerberg under mounting pressure, including looming congressional testimony, as the disclosures make their way to the press. ### Who stars in The Social Reckoning? Jeremy Strong plays Mark Zuckerberg, Mikey Madison plays Frances Haugen, and Jeremy Allen White plays Wall Street Journal reporter Jeff Horwitz. Bill Burr appears as a character named Charlie, with Wunmi Mosaku, Billy Magnussen, and Betty Gilpin also among the cast of the Columbia Pictures film. ### When does The Social Reckoning come out? The Social Reckoning is scheduled for release exclusively in theaters on October 9, 2026. The first trailer arrived in June 2026, roughly four months ahead of the theatrical date, offering the first look at Jeremy Strong’s take on the Facebook founder. ### Is The Social Reckoning a sequel to The Social Network? Aaron Sorkin has framed it as a follow-up to The Social Network, his 2010 film about Facebook’s founding. Jesse Eisenberg played Zuckerberg then; Jeremy Strong plays him years later. Sorkin told The Hollywood Reporter in 2021 he wanted to examine the company’s darker side. ### Who is Frances Haugen? Frances Haugen is the former Facebook employee who leaked internal company documents in 2021, forming the basis of the Wall Street Journal’s “The Facebook Files” investigation. In the trailer, Mikey Madison’s Haugen tells reporter Jeff Horwitz she is there to help Facebook, not hurt it. Related Stories - [The New Friendster Wants Users to Connect Offline. Here’s How](https://rollingstonephilippines.com/culture/internet-culture/friendster-new-app/ "The New Friendster Wants Users to Connect Offline. 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In 2024, she [filed a civil suit against the rapper](https://www.rollingstone.com/music/music-news/kanye-west-model-choked-gagged-la-roux-video-1235527922/) describing how he allegedly choked her and used his fingers to simulate oral sex on her during a shoot for La Roux’s “In for the Kill” music video in 2010. The footage was not included in the final cut. “I feel like he was like trying to touch as much as he could,” she told the news network. She also described how she felt unsafe, as his alleged actions caught her by surprise. “All of a sudden he just reaches a hand out and starts choking me, and I’m just not sure what’s happening,” she said. “And then, he pulled his other hand out and starts choking me with both hands, and then starts smearing my makeup all over my face and sticking his hands inside of my mouth.” What West did to her makeup, she said, “just felt wrong.” When he finished, she said West, “yelled something like, ‘this is art, I’m Picasso.’” She claims he said something along the lines of, “OK, I got what I want,” and left. As the alleged incident happened, An says the production staff watched without saying anything. The model said she didn’t attempt to stop West since she was scared she could lose her job. A rep for La Roux’s label, Universal, did not immediately respond to *Rolling Stone*’s request for comment. An told the *BBC* that La Roux agreed not to include the footage in the video. When An contacted La Roux in 2024, the musician wrote in an Instagram message that she remembered West’s alleged behavior, calling it “horrific,” as previously reported. A rep for La Roux did not immediately respond to *Rolling Stone*’s request for comment. The model filed the lawsuit in 2024 under New York City’s Gender-Motivated Violence Protection Act, which temporarily extended the statute of limitations for civil suits related to sexual violence. West’s lawyers have sought to dismiss the suit, claiming that his actions were those of an artist and therefore protected by the First Amendment. The attorneys describe An as “a consenting participant in the stage performance,” which West likened to a scene from *American Psycho* and, his lawyers say, “incidentally may have caused the Plaintiff \[An\] to have difficulty breathing.” A rep for West pointed to public filings in the case when asked for comment. The rep sent, in part, from the referenced filings, “the emulation of sexual violence for artistic purposes is not itself sexual violence, and the presence of physical contact in a staged performance does not transform expressive conduct into a crime, let alone into gender-motivated violence. Ms. An herself admits that the video was designed to ’emulate’ stylized violence for the camera. This admission negates any inference of gender-based hostility.” An’s lawyer, Jesse Weinstein, told the *BBC* that the way West couched his alleged behavior as artistic expression was “a really dangerous precedent to set.” Weinstein previously told *Rolling Stone* that An had a good case against West. “Our filing sets out substantial corroborating evidence supporting the allegations, including contemporaneous communications and witness testimony,” the lawyer said. “We believe the record makes clear that the claims have a substantial basis in law and fact and should proceed so that the evidence can be fully examined in court.” West meanwhile has been mostly failing at mounting a comeback to performing live. Most recently, Florida Senator Rick Scott urged the Tampa Sports Authority to [cancel the rapper’s upcoming](https://www.rollingstone.com/music/music-news/florida-senator-asks-stadium-to-cancel-kanye-west-concerts-1235572922/) concerts at Raymond James Stadium, pointing to instances in which West “openly praised Nazis, called himself one, and slandered Jews across the world.” *This article was updated on June 10, 2026, at 7:03 p.m. E.T. to include a section from referenced filings provided by a rep for Kanye West.* *This story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-news/kanye-west-model-jennifer-an-la-roux-video-1235575636/).* ## Frequently Asked Questions ### Who is Jennifer An? Jennifer An is a model who first drew attention as a finalist on the 2009 season of America’s Next Top Model. In 2024, she filed a civil lawsuit against Kanye West over his alleged conduct during a music video shoot in 2010. ### What does Jennifer An allege happened? An alleges that during the 2010 filming of La Roux’s “In for the Kill” video, West choked her and made unwanted physical contact without warning. She told the BBC she felt unsafe and did not intervene, fearing she would lose the job. The footage was cut. ### How has Kanye West responded to the lawsuit? West’s lawyers have sought to dismiss the suit, arguing his actions were artistic expression protected by the First Amendment and describing An as a consenting participant in a staged performance. A representative for West pointed Rolling Stone to public filings in the case rather than commenting directly. ### What is the legal basis for Jennifer An’s lawsuit? An filed in 2024 under New York City’s Gender-Motivated Violence Protection Act, which temporarily extended the statute of limitations for civil claims involving sexual violence. Her lawyer, Jesse Weinstein, says the filing includes corroborating communications and witness testimony. The allegations remain unproven and the case is ongoing. ### What has La Roux said about the incident? An told the BBC that La Roux agreed the footage would not appear in the final video. When An contacted her in 2024, the musician wrote in an Instagram message that she recalled West’s alleged behavior and called it horrific. A rep did not respond to Rolling Stone. 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The *Rolling Stone Philippines* team is constantly sharing things to listen to, and each week, we compile a ragtag playlist of songs that we believe every music fan today needs to know. Whether it’s the hottest new single or an old track that captures the state of the present, our hope is that you discover something for your musical canon. The week’s songs include notable tracks like [aespa](https://rollingstonephilippines.com/tag/aespa/ "Aespa")’s hard-hitting *LEMONADE* deep cut “Camouflage,” the Manila Sound-influenced Gen Z pop rock band [It All Started in May](https://rollingstonephilippines.com/tag/it-all-started-in-may/ "It All Started in May")’s “Di Ko Man Masambit,” neo-soul princess [Ravyn Lenae](https://rollingstonephilippines.com/tag/ravyn-lenae/ "Ravyn Lenae") and her spectacular single “Handle,” the strong synth-spop storytelling of [SHANNi](https://rollingstonephilippines.com/tag/shanni/ "SHANNi")‘s “Teleserye,” and many more. It All Started in May, ‘Di Ko Man Masambit’ ![It All Started in May](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/s1-5-1600x1600.webp) Photo from It All Started in May/Instagram *Manila Sound takes over Cavite* For the longest time, It All Started in May has caught the attention of listeners both young and old with their classic stylings and vocal baritone brought by their frontman Red Asis and the rest of the talented band. In “Di Ko Man Masambit,” the single is amped up by string synths and guitar solos that don’t overstay their welcome. The bandcurrently has a string of hits with their strong melodies and vocal presence call back to Manila Sound greats like The Boyfriends, Rico J. Puno, Rey Valera, and many more. But this is the kind of Manila Sound that is still refreshingly new with its blend of bedroom pop and modern-day pop rock. This band isn’t necessarily “old school.” They pull it off with their own Gen Z twist. *—Elijah Pareño* Instupendo, ‘Six Forty Seven’ ![Instupendo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/s2-5-1600x1600.webp) Photo from Instupend/Instagram *In the backrooms with some electronic music* Seeing American producer Instupendo spinning in the empty yellow hallway in the movie *Backrooms* is sort of a dream come true. The single “Six Forty Seven,” originally released in 2016, was used in Kane Parsons’ *Backrooms* trailer. The track was never the same after. Back when it was released as a standalone debut, it was a downtempo cut with ethereal synths, a rhythm akin to a clock ticking down, and a lo-fi chopped vocal as if it were recorded in a bathroom stall. But in the context of Backrooms, everything changes. “Six Forty Seven” by Instupendo has now been immortalized in creepypasta history. Now, you think of empty hallways, chairs and tables noclipped into walls, and creatures lurking in the darkest corners of Parsons’ expansive imagination. *—Elijah Pareño* SHANNi, ‘Teleserye’ ![SHANNi](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/s3-5-1600x1600.webp) Photo from S/Instagram *Begging for reciprocation through synth pop* Shanni Silonga, stylistically known as SHANNi, doubles down on the tropes of the titular TV dramas in h34 romantic new single. After delving into the confidently catchy city-pop sound of “Siketro Tayo Lang May Alam” and the more electronically inclined bedroom-pop charm of “Kdrama,” the latest single dives deeper into a synth-pop direction, expanding the skill set SHANNi can pull off as a standalone singer-songwriter. In “Teleserye,” she asks, “Bakit ka pa ganyan? Hindi kita maintindihan?” but follows it with a yearning offer to stay and watch without reciprocation. She then wonders if the love interest would rather remain vague. Unrequited love is the new character unlocked in her lore as an artist. SHANNi can make great love songs, but she can also make love songs with the saddest endings. *—Elijah Pareño* aespa, ‘Camouflage’ ![aespa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/s4-5-1600x1600.webp) Photo from aespa/Instagram *Gossamer bubblegum pop for girls who know their worth* “Camouflage” might just be my favorite track from aespa’s *LEMONADE*, and if it had come out earlier, it would have easily made the top five on our list of the [Best aespa Tracks so Far](https://rollingstonephilippines.com/music/pop/aespa-best-songs-ranked/). It’s unlike anything else we’ve heard from the hit K-pop girl group, best known for its metallic, industrial pop sound, yet it also feels like a natural sonic direction for aespa to take. Produced by Swedish duo ACT SOCIAL (who previously worked with Zara Larsson), the song is rife with buoyant melodies (“Don’t need your ‘maybes,’ all of your lies”), zingy synth pads, and an electronic beat that all draw on Charli xcx’s *Pop 2*. —[*Pie Gonzaga*](https://rollingstonephilippines.com/author/sophia-gonzaga/) Ravyn Lenae, ‘Handle’ ![Ravyn Lenae](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/s5-5-1600x1600.webp) Photo from Ravyn Lenae/Instagram *The R&B-pop artist flirts with grunge* Ravyn Lenae found a hit in her hands when her song “Love Me Not” went viral on TikTok in 2025 and was mashed-up with Solange’s “Losing You.” And while American singer-songwriter’s always done acoustic-driven alternative R&B, Lenae leans a little further into guitars in “Handle,” the first single leading up to the release of her upcoming album, *Blue Island*. “Handle” is a little grungy, a chorus-laden guitar riff injecting the track with a raw energy. The grit is balanced out with a percussive, mechanical drum pattern, which provides equal amounts of gloss and texture to a track that doesn’t lose Lenae’s candy-sweet vocals. —*Pie Gonzaga* Jason Dhakal, ‘Play’ ![Jason Dhakal](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/s6-5-1600x1600.webp) Photo from Jason Dhak/Instagram *An R&B track as breezy and sparkly as a beach* Jason Dhakal has always sat comfortably in the realm of R&B, but in his latest track, “Play,” the Filipino-Nepali singer ventures into the genre’s older forms. There’s an analog quality to the track that reminds one of Clairo’s “Terrapin,” off an album that was itself inspired by the breezy soul and jazz of the 1970s. In “Play,” Dhakal croons over twinkling electronic pianos, swingy drums, and an impressive, stank-face-inducing but soft bassline. It’s the perfect song for hot summer days — and Pride month. —*Pie Gonzaga* ## Frequently Asked Questions ### Who produced aespa’s “Camouflage”? aespa’s “Camouflage” is produced by Swedish duo ACT SOCIAL, who previously worked with Zara Larsson. The song features buoyant melodies, zingy synth pads, and an electronic beat reminiscent of Charli xcx’s *Pop 2*. ### What film trailer features “Six Forty Seven”? Instupendo’s “Six Forty Seven” was featured in the trailer for Kane Parson’s 2026 psychological horror film *Backrooms*. ### What nationality is Jason Dhakal? R&B singer Jason Dhakal is of Filipino and Nepalese descent, and holds Filipino nationality. ### Where is the band It All Started in May from? It All Started in May is a pop-rock band based in the province of Cavite. ### What album will Ravyn Lenae’s song “Handle” be on? The latest Ravyn Lenae song, “Handle,” will be on her upcoming album *Blue Island*, which comes out on August 7, 2026. Related Stories - [aespa Rides Its Own Wave With ‘Whiplash’](https://rollingstonephilippines.com/music/music-reviews/aespa-whiplash-review/ "aespa Rides Its Own Wave With ‘Whiplash’") - [Ranked: aespa’s 20 Best Songs (So Far)](https://rollingstonephilippines.com/music/pop/aespa-best-songs-ranked/ "Ranked: aespa’s 20 Best Songs (So Far)") - [BINI ‘Besties’ Dancer on Performing For Historic Coachella Debut](https://rollingstonephilippines.com/music/pop/bini-besties-dancer-coachella-2026/ "BINI ‘Besties’ Dancer on Performing For Historic Coachella Debut") **Categories:** Editor's Picks, Songs You Need To Know **Tags:** Aespa, Instupendo, It All Started in May, Jason Dhakal, Ravyn Lenae, SHANNi, Songs You Need to Know --- ### [Taylor Swift Is Coming Back to Country Radio](https://rollingstonephilippines.com/music/taylor-swift-country-radio/) **Published:** June 10, 2026 **Author:** Marissa R. Moss **Excerpt:** The superstar’s “I Knew It, I Knew You” is being furiously added to rotation. “Given the right song, country radio will support her again,” says an insider, “and it looks like she delivered in a huge way” **Content:** [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/ "Taylor Swift") is no stranger to breaking records, but it’s been a good minute since one of her singles has swept country radio. Or, as Swift herself put it in a note that appeared in Monday’s edition of industry trade *Country Aircheck*, “[man, it’s been a while](https://issuu.com/countryaircheck/docs/issue_1015_-_june_8_2026?fr=sMTVlNjg4MjY2MjI).” This week, Swift’s [“I Knew It, I Knew You”](https://rollingstonephilippines.com/music/folk/taylor-swift-country-roots-toy-story-5-song/ "Taylor Swift Returns to Her Country Roots on New ‘Toy Story 5’ Song") from the *[Toy Story 5](https://rollingstonephilippines.com/tag/toy-story-5/ "Toy Story 5")* soundtrack was the first song by a woman in history to close out the panel on impact: meaning, every single country radio station reporting to Mediabase signed on to play the song in the very first week. That’s a feat even the old Taylor herself couldn’t achieve at the height of her country popularity. Coincidentally or not (this *is* Swift we’re talking about), the resurgence comes as we head into the 20th anniversary of her debut single, [“Tim McGraw”](https://www.rollingstone.com/music/music-lists/best-country-songs-1234986540/taylor-swift-tim-mcgraw-2-1235009165/) on June 19th — the same day *Toy Story 5* hits theaters. Though Swift’s songs often make it into “recurrent” rotation, it’s been well over a decade since a newly released, non-*Taylor’s Version* single has made this much headway at country radio. That doesn’t mean Swift hasn’t tried: She serviced several songs, including “No Body No Crime” and [“Betty,”](https://www.rollingstone.com/music/music-country/taylor-swift-betty-2020-acm-awards-2-1061147/) to country radio, but none managed to gain traction from programmers. Her last Country Airplay Number One was the 2013 duet with McGraw, “Highway Don’t Care.” So why now? There’s a lot of country momentum swirling around Swift. In addition to the “Tim McGraw” anniversary, Swift was recently inducted into the Songwriters Hall of Fame and will be eligible this year for induction into the prestigious [Country Music](https://www.rollingstone.com/t/country-music/) Hall of Fame as a “Modern Era Artist.” There is speculation that she’s getting married this summer, which could have programmers feeling festive, and, with the success of Ella Langley’s [“Choosin’ Texas,”](https://www.rollingstone.com/music/music-country/ella-langley-choosin-texas-video-cameos-you-missed-1235540786/) perhaps they’re also a bit nostalgic for the woman who helped set the records that [Langley has been breaking](https://www.rollingstone.com/music/music-features/ella-langley-choosin-texas-interview-1235536275/). RJ Curtis, executive director of Country Radio Broadcasters, Inc., thinks they’re also excited to embrace the kind of lighter Swift songs that aren’t so personal or lyrically complex as her more recent offerings. “My take is that it’s closer to what brought her to the dance in the first place,” Curtis tells *Rolling Stone*. “Above all, straight ahead storytelling coupled with a strong melody and a catchy hook that is quickly familiar and feels nostalgic. I have said for a while now that given the right song, country radio will support her again and welcome her back with open arms, and it looks like she delivered in a huge way.” In another Swift-ian coincidence (one that is, most likely, not actually by her own design), she is sharing the country radio airwaves this week with [John Mayer](https://www.rollingstone.com/music/music-news/john-mayer-addresses-tone-of-rumored-taylor-swift-knock-paper-doll-1234713463/), rumored antagonist of her song, “Dear John.” Mayer’s featured on Lainey Wilson’s new single [“Phone, Keys, Wallet.”](https://www.rollingstone.com/music/music-country/lainey-wilson-john-mayer-phone-keys-wallet-1235572463/) Swift, Mayer, country radio…man, it’s been a while. *This story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-features/taylor-swift-back-on-country-radio-i-knew-it-i-knew-you-1235574735/).* ## Frequently Asked Questions ### What is Taylor Swift’s new country song? “I Knew It, I Knew You” is Taylor Swift’s single from the Toy Story 5 soundtrack, released in June 2026. It marks her return to country radio and a return to her country roots, arriving as the film hit theaters on June 19. ### What record did “I Knew It, I Knew You” set? It became the first song by a woman in history to close out the panel on impact. That means every country radio station reporting to Mediabase added the song in its very first week — a feat Swift did not achieve at her country peak. ### When was Taylor Swift’s last country radio hit? Swift’s last Country Airplay Number One was “Highway Don’t Care,” her 2013 duet with Tim McGraw. She later serviced songs like “No Body No Crime” and “Betty” to country radio, but neither gained traction with programmers before this year’s single. ### Why is Taylor Swift returning to country radio now? Several factors converged. The single arrived near the 20th anniversary of her debut, “Tim McGraw,” alongside her Songwriters Hall of Fame induction and Country Music Hall of Fame eligibility. Country Radio Broadcasters’ RJ Curtis says the song’s straightforward storytelling and catchy hook feel nostalgic to programmers. ### Is Taylor Swift eligible for the Country Music Hall of Fame? Yes. Taylor Swift became eligible for induction into the Country Music Hall of Fame as a “Modern Era Artist” in 2026. She was also recently inducted into the Songwriters Hall of Fame, part of the country momentum surrounding her radio resurgence. Related Stories - [Aphex Twin Now Has More YouTube Music Monthly Listeners than Taylor Swift](https://rollingstonephilippines.com/music/dance-electronic/aphex-twin-taylor-swift-youtube-music/ "Aphex Twin Now Has More YouTube Music Monthly Listeners than Taylor Swift") - [All of Olivia Rodrigo’s Songs So Far, Ranked](https://rollingstonephilippines.com/music/olivia-rodrigo-songs-ranked/ "All of Olivia Rodrigo’s Songs So Far, Ranked") - [How Pinoy Love Rap in the 2000s Defied Taste in Hip-Hop](https://rollingstonephilippines.com/music/2000s-pinoy-love-rap-hip-hop/ "How Pinoy Love Rap in the 2000s Defied Taste in Hip-Hop") **Categories:** Music, Pop **Tags:** Taylor Swift, Toy Story 5 --- ### [Get Rolling Stone Philippines Back Issues For P200 at this Pop-Up in Ortigas](https://rollingstonephilippines.com/radar/events/back-issues-rolling-stone-philippines-pop-up/) **Published:** May 14, 2026 **Author:** Don Jaucian **Excerpt:** Print magazines are still alive! Especially at the Rolling Stone Philippines Pop-Up at Spruce Gallery in Ortigas **Content:** When Spruce Gallery opened in Ortigas in 2023, the magazine shop and exhibition space hoped that, like its owners, there were still maybe 30 to 50 people in Manila who were still in love with the tactile pleasures of print magazines. But as Spruce Gallery owner [Ric Gindap](https://rollingstonephilippines.com/culture/pop-up-spruce-publishing-panel/ "Is There A Future For Print? We Ask Filipino Publishers and A Magazine Shop Owner") attested, they sold almost half of their inventory during their opening weekend. ![Rolling Stone Philippines Pop-Up Storefront](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/DSF2570-1.webp) The Spruce Gallery storefront featuring the Rolling Stone Philippines Pop-Up. Now, you can also experience browsing (almost) all of the issues of *Rolling Stone Philippines* so far at a very special Pop-Up at Spruce Gallery until June 6. Save for our first issue, you can browse, maybe smell, and buy the magazine, with back issues at a discounted price of P200 each when you buy the latest issue at P495, featuring cover stars [Anne Curtis](https://rollingstonephilippines.com/tag/anne-curtis/ "Anne Curtis"), [IV of Spades](https://rollingstonephilippines.com/tag/iv-of-spades/ "IV of Spades"), and [Cheche Lazaro](https://rollingstonephilippines.com/emag-featured/cheche-lazaro/ "Cheche Lazaro"). Buying a back issue also gets you a limited edition *Rolling Stone Philippines* flask until supplies last. Spruce Gallery is located at City & Land Mega Plaza, ADB Ave. cor. Garnet Rd., San Antonio, Pasig. Shop hours are from 11 a.m. to 8 p.m., Monday to Saturday. ***Official Event Partners:*** *Monkey Shoulder Candid Coffee Provizo Kodaki and Spruce Gallery* ## Frequently Asked Questions ### Where is the Rolling Stone Philippines pop-up located? The pop-up is hosted at Spruce Gallery, located at City & Land Mega Plaza, ADB Avenue corner Garnet Road, San Antonio, Pasig City. ### What are the operating hours for the Spruce Gallery pop-up? The Spruce Gallery pop-up operates from 11 a.m. to 8 p.m., Monday through Saturday, running through June 6. ### How much do Rolling Stone Philippines back issues cost at the event? Back issues are priced at P200 each when purchased alongside the latest issue for P495, excluding the sold-out first issue. ### What promotional items are included with a magazine purchase? Customers who purchase a back issue receive a complimentary limited-edition Rolling Stone Philippines flask, available while supplies last. ### Who are the official partners for the Rolling Stone Philippines event? Official event partners include Monkey Shoulder, Candid Coffee, Provizo, Kodaki, and host venue Spruce Gallery. Related Stories - [Is There A Future For Print? We Ask Filipino Publishers and A Magazine Shop Owner](https://rollingstonephilippines.com/culture/pop-up-spruce-publishing-panel/ "Is There A Future For Print? We Ask Filipino Publishers and A Magazine Shop Owner") - [How to Share an Exposé with a Journalist Safely and Effectively](https://rollingstonephilippines.com/state-of-affairs/power/how-to-contact-a-journalist-safely-guide/ "How to Share an Exposé with a Journalist Safely and Effectively") - [‘QC Stories’: An Honest Look at Manila’s Busiest City](https://rollingstonephilippines.com/culture/books/qc-stories-book-do-good-studio/ "‘QC Stories’: An Honest Look at Manila’s Busiest City") **Categories:** Events, Radar **Tags:** Rolling Stone Philippines Pop Up --- ### [All 13 of Christopher Nolan’s Movies, Ranked](https://rollingstonephilippines.com/culture/film/christopher-nolan-movies-ranked/) **Published:** July 14, 2026 **Author:** Pie Gonzaga **Excerpt:** From his debut indie neo-noir to his latest fantasy blockbuster, we see which of the auteur’s works is his best **Content:** In *[The Odyssey](https://rollingstonephilippines.com/tag/the-odyssey/ "The Odyssey")*, Oscar-winning filmmaker [Christopher Nolan](https://rollingstonephilippines.com/tag/christopher-nolan/ "Christopher Nolan") takes his audiences to a time he has never before ventured in his work. We’ve seen his take on the recent past with *Oppenheimer*, the far future with *Interstellar*, and everything else in between. But *The Odyssey*’s source material is far more fantastical and archaic than anything he’s done. One thing consistent across Nolan’s filmography is his penchant for worldbuilding and visionary storytelling, but some films demonstrate his mastery of these things better than others. What one thinks is his best film is subject to taste. If you’re a geek, it might be one of the installments in his phenomenal Dark Knight trilogy. If you’re a nerd (because they are two different things), maybe it’s *Interstellar*. And if, for whatever reason, you liked Hugh Jackman in *The Greatest Showman*, then *The Prestige* might be your favorite. With *[The Odyssey](https://rollingstonephilippines.com/culture/reviews/christopher-nolan-the-odyssey-review/ "Christopher Nolan Means War in ‘The Odyssey,’ His Most Gruesome Film Yet")* out in theaters, we rank all 13 of Nolan’s films from good to great. 13 ‘Tenet’ (2020) A work of art doesn’t have to be easy to grasp for it to be deemed good. And *Tenet* is not bad, but it’s just not Nolan’s best work, either. Starring John David Washington as a CIA operative racing to stop the doomsday plot of a Russian oligarch (Kenneth Branagh), *Tenet* is cerebral in concept but dizzying in its execution. The film barely has any footholds for the viewer to latch onto amid all the inverted bullets and entropy talk, so much so that I find myself tapped out even in the theater. Nolan has made great mind-bending action films before, and he’ll make better ones again. 12 ‘Following’ (1998) In Nolan’s independent debut feature, a young man follows thieves around London to gain inspiration for his novel and ends up in the city’s criminal underworld. With a 70-minute runtime, *Following* is a lot less sprawling than the blockbusters the filmmaker would come to be known for, and rendered in black and white, the film shows a director still finding his footing. But its non-linear storytelling and twists (which border on camp) make for a thrilling watch nonetheless. 11 ‘Interstellar’ (2014) With theoretical physicist Kip Thorne serving as a producer and consultant, *Interstellar* is probably the most scientifically grounded of Nolan’s science fiction films, even if it still takes creative liberties with concepts like tesseracts and communicating across time. Matthew McConaughey and Anne Hathaway star as astronauts searching for a new home for humanity as Earth succumbs to a global blight, and the film’s Oscar-winning visual effects remain staggering more than a decade later. But despite all its technical achievements and emotional aspirations, I found *Interstellar* a little dull, and maybe even corny. Spending most of the movie explaining Einstein’s theory of relativity only to arrive at “love transcends dimensions” feels like an odd tonal swerve. It’s no wonder it’s become a favorite among social media clip farmers. 10 ‘The Dark Knight Rises’ (2012) The finale to Nolan’s *Dark Knight* trilogy doesn’t really hold a candle to the two films that came before it. It’s visually spectacular and appropriately grand in scale, but it lacks the electricity that made *Batman Begins* and especially *The Dark Knight* so compelling. Tom Hardy’s Bane is an imposing physical presence, but he never reaches the magnetic unpredictability of Heath Ledger’s Joker. Anne Hathaway’s Selina Kyle is easily the film’s brightest spot, injecting a bit of wit and energy into the story’s drudgery. 9 ‘Inception’ (2010) *Inception* is a cool movie. That behind-the-scenes video of Joseph Gordon-Levitt jumping around a spinning hallway continues to be a testament to how impressive practical effects are. Even the visual effects, the moments where the Paris cityscape gets warped, are impressive. *Inception* is a movie that is meant to make you go, “Cool!” The “science” of the movie is riddled with rules that don’t apply to real life, and I have to hand it to Nolan for the expansive — if not tedious — worldbuilding. But like a few other Nolan movies, its characters are dull, and I hate to see Marion Cotillard’s talents relegated to the dead wife role. Having won Best Cinematography and Best Visual Effects at the 2011 Oscars, I can firmly say *Inception* gets a lot of style points, or as Aretha Franklin once said of Taylor Swift, “Great gowns, beautiful gowns.” 8 ‘Insomnia’ (2002) Nolan returns to the neo-noir thriller with *Insomnia*, which is based on a Norwegian film of the same name. Stellan Skarsgård stars in the original 1997 film, and in Nolan’s remake, Al Pacino takes on the protagonist’s role. One of Nolan’s feats with this film is that it’s his first to get big names like Pacino, Robin Williams, and Hilary Swank on board. Williams plays a villain, which is quite a departure from his previous comedy roles. As a procedural, it’s more in the vein of David Fincher and is rather meditatively paced compared to his other work, which makes it a standout. But this can also be read as a symptom of a filmmaker still figuring out what works for him, even though it comes just two years after the release of *Memento*, another neo-noir thriller and easily one of his best works. 7 ‘Batman Begins’ (2005) Before gritty superhero reboots became the norm, *Batman Begins* showed that comic book movies could take themselves seriously without sacrificing spectacle. It’s a dark but explosive introduction to Nolan’s Dark Knight trilogy, centered on Christian Bale’s conflicted Bruce Wayne. One of the film’s smartest moves is casting Liam Neeson as the villain Ra’s al Ghul, using his typecast as the protagonist or wise mentor to make the eventual bad guy reveal all the more satisfying. More than anything, *Batman Begins* helped set the tone for the wave of grounded superhero movies that followed. 6 ‘Oppenheimer’ (2023) I’m a sucker for movies about tortured artists and geniuses, and *Oppenheimer* was the kind of movie I thought I needed to sate the thirst that *Black Swan* and *Whiplash* left me with. Cillian Murphy plays the titular tortured genius, J. Robert Oppenheimer, and his performance earned him the Best Actor Award at the 2024 Oscars. I didn’t have the privilege of watching the film on IMAX, but *Oppenheimer* still has a way of arresting the senses, even when you’re watching it in a plane with a baby crying a few rows down. The film possesses the explosiveness of Nolan’s other films, but it’s an explosiveness marked by terror rather than the usual adrenaline rush. It also does a great job of depicting guilt without sanitizing the absolute evil its protagonist commits, making it one of Nolan’s best-written films. 5 ‘Dunkirk’ (2017) By the time *Dunkirk* was out, Nolan already had blockbusters full of big names in his arsenal, so it was refreshing to see him bet on an ensemble cast of indie actors and rookies (even Harry Styles), and have that gamble pay off. Sure, Fionn Whitehead and Tom Glynn-Carney are gorgeous, but their celebrity (or lack thereof) did not distract from the film’s realism. Like *Oppenheimer*, it avoids depicting the abject brutality of war, even as its protagonists find themselves in the thick of it. In this way, the film is the reverse of the bloody *Saving Private Ryan*, which was similarly set in France during the Second World War. But Nolan is still good at creating a sense of dread through sound, deploying silence not as a moment of calm but as punctuation to chaos. 4 ‘The Prestige’ (2006) *The Prestige* has great replay value. Hugh Jackman and Christian Bale play rival magicians whose obsession with outdoing each other spirals into something sinister. As *Variety* aptly put it, the movie is “structured like the ultimate magic show.” It’s full of twists but has enough restraint not to feel so gimmicky. *The Prestige* is proof that Nolan’s films could be complex and challenging but also very fun. 3 ‘Memento’ (2000) I like it when Nolan does something grungy like *Memento*, which trippily shuttles between black-and-white and color scenes. Guy Pearce’s Leonard Shelby is by far one of the most interesting Nolan protagonists of all time: an anterograde amnesiac who copes with memory loss by taking Polaroids and getting tattoos — things that my friends like to do. The premise of a man solving the mystery of his wife’s killing through fractured memory is ambitious, but Nolan manages to keep the story tight and still leave the audience confused in the best way possible. 2 ‘The Dark Knight’ (2008) *The Dark Knight* is inarguably up there as one of Nolan’s best., an amalgamation of everything that we love about him. It’s a bit of a crime thriller, but it’s also an action-packed superhero movie. I don’t know how many times I’m allowed to say a Nolan film is explosive, but *The Dark Knight* is also that. The complexity of Christian Bale’s Bruce Wayne/Batman as a character is most apparent here, with him having to deal with the consequences of his vigilantism. But it’s Heath Ledger’s Joker that makes *The Dark Knight* what it is. Here, he is twisted and evil for evil’s sake, and to this day serves as the blueprint for many other coo-coo villains in superhero films. Nolan’s lens trails him unblinking. 1 ‘The Odyssey’ (2026) Of today’s lineup of modern auteurs, very few — if not no one — can interpret a story so grand in scale as Nolan. The film is ambitious and Homeric, even if not totally faithful to Homer’s epic, capturing key moments of Odysseus’ perilous journey home. Everything about the film’s production is striking and bombastic: the dedication to practical effects, the cast’s performance, the score, and the cinematography. Here, Nolan proves his dedication to making something feel as real as possible, even if it’s mythical. *The Odyssey* makes you feel claustrophobic when Odysseus’ men try to stay upright in the cramped interior of the wooden horse, afraid when they’re in the Cyclops’ cave, sick when Circe turns them into pigs, and buzzed with adrenaline in the final fighting scene. *The Odyssey* stands as Nolan’s best film — at least, for now. Nolan says that in creating *The Odyssey*, he’s “[hit the limits](https://www.today.com/popculture/movies/christopher-nolan-next-movie-odyssey-rcna587942)” of his stamina, and his next release may have to be in 2029. We’ll see then if the auteur can outdo himself again. ## Frequently Asked Questions ### Who is Christopher Nolan? Christopher Nolan is a British-American Oscar-winning filmmaker behind films like *Interstellar*, *Oppenheimer*, and the upcoming *The Odyssey.* ### What is Christopher Nolan’s Signature? One thing consistent across Nolan’s filmography is his penchant for worldbuilding and visionary storytelling, but some films demonstrate his mastery of these things better than others. ### What is the trilogy Christopher Nolan is known for? Nolan is the director of *Batman Begins* (2005), *The Dark Knight* (2008), and *The Dark Knight Rises* (2012). ### What is Christopher Nolan’s first film? Nolan’s first feature-length film was the neo-noir thriller *Following*, which came out in 1998. ### What is Christopher Nolan’s latest film, ‘The Odyssey,’ about? The retelling of Homer’s centuries-old epic features Matt Damon’s Odysseus and his years-long journey to return to Ithaca, as well as a deeper look at the palace intrigue occurring at his home while Odysseus is away, notably the power struggle between Tom Holland’s Telemachus, son of Odysseus, and Anne Hathaway’s Penelope, and Robert Pattinson’s Antinous, who seeks to claim power over Ithaca. Related Stories - [Christopher Nolan Means War in ‘The Odyssey,’ His Most Gruesome Film Yet](https://rollingstonephilippines.com/culture/reviews/christopher-nolan-the-odyssey-review/ "Christopher Nolan Means War in ‘The Odyssey,’ His Most Gruesome Film Yet") - [In ‘The Odyssey,’ Christopher Nolan Still Doesn’t Know How to Write Women](https://rollingstonephilippines.com/culture/film/christopher-nolan-the-odyssey-women-characters/ "In ‘The Odyssey,’ Christopher Nolan Still Doesn’t Know How to Write Women") - [Who Goes to See ‘The Odyssey’ at 3 A.M.? These People](https://rollingstonephilippines.com/culture/film/the-odyssey-3-a-m-screening-fan-interviews/ "Who Goes to See ‘The Odyssey’ at 3 A.M.? These People") **Categories:** Culture, Editor's Picks, Film, Lists **Tags:** Christopher Nolan, The Odyssey --- ### [Black Sabbath Bandmates Remember Ozzy Osbourne on Death Anniversary: ‘His Legend Lives On’](https://rollingstonephilippines.com/music/rock/black-sabbath-tribute-ozzy-osbourne-one-year-after-death/) **Published:** July 23, 2026 **Author:** Althea Legaspi **Excerpt:** Surviving members Bill Ward, Geezer Butler, and Tony Iommi each pay tribute to their late singer **Content:** [Ozzy Osbourne](http://Ozzy%20Osbourne) died[ a year ago today](https://www.rollingstone.com/music/music-news/ozzy-osbourne-black-sabbath-dead-obituary-1227265/) at age 76 after battling an array of health issues. The revered [Black Sabbath](https://rollingstonephilippines.com/tag/black-sabbath/ "Black Sabbath") frontman’s bandmates reflected on his legacy on the anniversary of his death. Surviving Black Sabbath members drummer [Bill Ward](https://www.rollingstone.com/t/bill-ward/), bassist [Geezer Butler](https://www.rollingstone.com/t/geezer-butler/), and guitarist [Tony Iommi](https://www.rollingstone.com/t/tony-iommi/) individually shared their remembrances. Ward took to Twitter, where he wrote, “Every day, there is a a persistent silence. We miss you so much, Respectfully, with love to the Osbourne Family, Bill and Jackie Ward Family.” > Every day, there is a persistent silence, > > We miss you so much, > > Respectfully, with love to the Osbourne Family, > > Bill and Jackie Ward Family > > — Bill Ward (@billwarddrums) [July 22, 2026](https://x.com/billwarddrums/status/2079914360009547803?ref_src=twsrc%5Etfw) Butler shared an iconic photo of the singer on his [bat throne](https://www.rollingstone.com/music/music-news/ozzy-osbourne-throne-final-concert-museum-exhibit-1235581490/) on Instagram. “One year ago today – hard to believe,” Butler captioned the post. “I am so glad we were able to do the final show , back in our hometown, just a couple of weeks before Ozzy left us. Gone in body, but his legend lives on. Such incredible memories. Ozzy forever!” > [View this post on Instagram](https://www.instagram.com/p/DbGJTN3KFBx/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Geezer Butler (@geezerbutler)](https://www.instagram.com/p/DbGJTN3KFBx/?utm_source=ig_embed&utm_campaign=loading) As Butler referenced, the band had reunited to perform their [Back to the Beginning](https://www.rollingstone.com/music/music-live-reviews/ozzy-osbourne-black-sabbath-back-to-the-beginning-concert-1235379405/) farewell concert in Birmingham, England just a couple of weeks prior to Osbourne’s death. Iommi shared a performance clip on Instagram as he reflected on his late friend. “Hi everyone. Well, it’s now a year since Ozzy’s passing and I still can’t believe that he’s not with us,” he wrote. “I watch him on YouTube and it feels like he’s still here with us. We always stayed in touch, almost every week or so and we’d usually talk about our ailments and then about what we’d been doing that particular week.” > [View this post on Instagram](https://www.instagram.com/reel/DbFstYVImH6/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Tony Iommi (@tonyiommi)](https://www.instagram.com/reel/DbFstYVImH6/?utm_source=ig_embed&utm_campaign=loading) “The fans have been absolutely brilliant and the love and respect that they have shown for him has just been amazing,” Iommi continued. I’m so glad that we were able to play one final show with the original line up of Sabbath at the Back To The Beginning show in our home town of Birmingham! There will never be another Ozzy. I miss you my dear friend.” Osbourne’s daughter Kelly also took to social media to express her feelings of profound grief at the loss of her father in the year following his death. > [View this post on Instagram](https://www.instagram.com/p/DbEiOW6SPbz/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Kelly Osbourne (@kellyosbourne)](https://www.instagram.com/p/DbEiOW6SPbz/?utm_source=ig_embed&utm_campaign=loading) “There is a grief that steals more than the person you love. It quietly takes the light from your laughter, the innocence from your hope, and the stranger you become is someone you’ll spend a lifetime trying to recognize,” she wrote. “People think grief is missing someone who is gone, but the deepest sorrow is waking each day longing for the version of yourself who died with them.” *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-news/black-sabbath-tribute-ozzy-osbourne-one-year-after-death-1235597160/).* Related Stories - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") - [1994: A Cultural Shift in the Filipino Music Landscape](https://rollingstonephilippines.com/music/1994-filipino-music-landscape/ "1994: A Cultural Shift in the Filipino Music Landscape") - [Eraserheads on Music, Maturity, and Making History](https://rollingstonephilippines.com/music/eraserheads-on-music-maturity-and-making-history/ "Eraserheads on Music, Maturity, and Making History") **Categories:** Music, Rock **Tags:** Black Sabbath --- ### [‘Masters of the Universe’ Is He-Mansplaining at Its Worst](https://rollingstonephilippines.com/culture/reviews/masters-of-the-universe-review/) **Published:** July 23, 2026 **Author:** David Fear **Excerpt:** This attempt to make ‘Barbie’ for Eighties-nostalgia–loving dudes is not a movie. It is extremely bad brand management **Content:** You can almost picture it: A group of [Mattel](https://www.rollingstone.com/t/mattel/) C-suite executives sitting around a conference table, watching a V.P. gesture toward charts and graphs depicting profit margins around *[Barbie](https://www.rollingstone.com/t/barbie/),* Greta Gerwig’s improbable 2023 masterpiece about socially imposed ideals, self-empowerment, and dolls. He mentions that the key to the film’s success was not just due to the tiny blond being a recognizable property thanks to decades of prime toy-store real estate. Rather, it was how that subversive megahit managed to both question and celebrate the legacy behind the I.P., walking a fine gossamer line between a wink and a soft-hearted tear. In the back, a junior exec rises from his seat. That movie certainly tapped into the feelings of young women around the playthings of their youth and gave them a safe, irony-filled space with which to indulge in nostalgia, he notes. But: what if we could do the same thing for, like, Gen-X dudes?! The roar of approval could likely be heard from several offices down the hall. You can feel the aura of fourth-quarter financial Power Point presentations hovering around *Masters of the Universe,* Mattel’s attempt to make multiplex lightning strike twice. And you can definitely clock the attempt at balancing sincerity and snarkiness behind the line of action figures that gave us a blond barbarian, a skull-faced villain, and a gloriously cheesy animated series beloved by Reagan-era kids. Director Travis Knight was one of those tykes, and has admitted he once made his own *MOTU* movie with his dad’s video camera during his formative years. That accounts for the slightly musty sentimentality around these characters, the same sensation one gets when you come across a box of old toys in the attic. Still, all of the bathos in the world can’t keep this would-be blockbuster from being a prime example of *le cinéma du bottom line.* This is not a movie. This is brand management. Oh, you’ll get the full “By the Power of Grayskull!” treatment. But first, some housekeeping and a good deal of backstory. Come to Eternia, the mythical home of flying dragon-like creatures, and swords, and sorcery, and spaceships — really, all the stuff a 12-year-old science fiction fanatic loves. Young Prince Adam (Artie Wilkinson-Hunt) doesn’t want to be a warrior, really. He’d rather draw pictures, alone in his room. But regal duty calls. Like the rest of the young men and women growing up around Castle Grayskull, so named because it’s both gray *and* resembles a skull, he’s got to attend fight training with Duncan ([Idris Elba](https://www.rollingstone.com/t/idris-elba/)), the head of the royal guard. The king (James Purefoy) thinks nothing of humiliating his son in front of his plebeian peers. At least Duncan’s daughter and fellow cadet, Teela (Eire Farrell), takes pity on the hopeless tyke. Enter Skeletor — played by [Jared Leto](https://www.rollingstone.com/t/jared-leto/), or so we’re told; honestly, it could be anybody behind that CGI skull with the glowing red eyes, so you’ll have to take the credits at their word — and his quest to gain the Sword of Power, a sword which grants whoever wields it a lot of power. “Yeah, that’s what we’re going with,” sighs the narrator regarding the weapon’s moniker, one of the first big signs of how the film plans on treating the toy line’s sheer ridiculousness. It’s worth noting to fans that most of their favorite characters with unintentionally hilarious, extremely literal names are present and accounted for: Man-at-Arms, Ram-Man, Moss Man, Trap-Jaw, Tri-clops, Mechaneck. There will be Fisto jokes. So, so many Fisto jokes. ![skeletor masters of the universe](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/skeletor-masters-of-the-universe.webp) Jared Leto in ‘Masters of the Universe.’ Photo from Amazon MGM Studios Right, sorry, Skeletor — the in-house villain makes his move. Duncan does his best to fight off the bad guys who look like they stepped straight outta the Mos Eisley cantina, but all is lost. The royal family is captured. Luckily, Adam is sent with the sword down a rainbow-colored portal and ends up on Earth. he ends up Oklahoma City. The sword ends up in parts unknown. Cut to the now-twentysomething Adam (*The Idea of You*‘s hunk Nicholas Galitzine), explaining all of this wonky mythology to a date, who writes him off as a delusional, pretty-boy doofus. He lives with a roommate who watches *The Notebook* and cries a lot; that’s all he does, really, other than bust Adam’s chops, so it would not surprise anyone if his character official handle was “Roomate Who Watches The Notebook and Cries a Lot.” It beats being called Ram-Man, we guess. Adam runs the H.R. department at a local company, and spends his day looking for his missing sword online, much to the dismay of his boss (former *SNL* MVP Sasheer Zamata). Given that viewers will be subjected to a 141-minute runtime brimming with sitcom banter, it’s nice that the filmmakers actually put in a workplace comedy where said banter temporarily makes sense. Anyway, dude finds his sword. When Adam hoists it heavenward and yells out the signature line, he doesn’t transform into a loincloth-wearing gym rat. But the reunion of hero and weapon serves as a beacon, which attracts both a monster wreaking havoc on a highway overpass and the now-grown Teela (Camila Mendes). She rescues Adam and ferries him back to Eternia, a place he’s been pinging for and drawing from memory since he was a kid. It’s now a city in ruins. Adam will have to save his family and the imprisoned population from Skeletor, embrace his destiny as He-Man, yadda yadda yadda. ![alison brie masters of the universe](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/alison-brie-masters-of-the-universe.webp) Alison Brie in ‘Masters of the Universe.’ Photo by Giles Keyte For a generation that grew up whiling away afternoons with the original action figures, watching the popular Filmation animated series (and its spin-off, *She-Ra*), and thrilling — if that’s the right word — to the mondo-Velveeta 1987 *Masters of the Universe* movie starring Dolph Lundgren and Frank Langella, this may seem like a return to the Eden of their youth. Everyone not immediately having their Proustian-madeleine buttons pushed will simply acknowledge that the generic digital spectacle onscreen is north of chintzy yet south of impressive; that Leto is playing Skeletor as a cross between a dinner-theater Shakespearean ham and a Catskills comedian nudging you to try the fish; that Morena Baccarin is wasted playing a sorceress who occasionally turns into an eagle; that Idris Elba does what he can with a creaky redemption arc; and that having a wisecracking sidekick is one thing, but having a wisecracking romantic interest, a wisecracking bad guy, a wisecracking female villain, a handful of wisecracking supporting players and a wisecracking robot (*et tu,* [Kristen Wiig](https://www.rollingstone.com/t/kristen-wiig/)?) is snark overkill. At least Alison Brie seems to be having fun as Evil-Lyn. As for Galitzine? He’s just Ken in a loincloth. “Legends aren’t born,” crows the tagline. “They’re forged.” Fair enough. For the record, however, legends usually aren’t molded in plastic, mass-manufactured, consumer-group tested, and turned into products that are fashioned into cartoons that are adapted into quick-buck live-action movies that are made to sell more products, as well as breakfast cereal, backpacks, and other sweatshop-produced pieces of merch. Knight may have a personal stake in this I.P., as well as an admirable resumé — he directed the only *Transformer* movie that can be accused of having something resembling a soul (*[Bumblebee](https://www.rollingstone.com/tv-movies/tv-movie-reviews/bumblebee-movie-review-769454/)*) and [made the closest thing that the animation studio LAIKA](https://www.rollingstone.com/tv-movies/tv-movie-features/kubo-and-the-two-strings-meet-the-man-behind-2016s-stop-motion-epic-122297/) has to a bona fide masterpiece (*[Kubo and the Two Strings](https://www.rollingstone.com/tv-movies/tv-movie-reviews/kubo-and-the-two-strings-review-2016s-first-animated-masterpiece-95053/)*). But it’s still fan-service nostalgiabait that wants you to not take it seriously while also very much taking it seriously. The sarcasm-and-saga methodology is being applied to something that’s too thin to support it. This is not the toy story you’re looking for. *This story was originally published on [rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-reviews/masters-of-the-universe-review-1235570518/).* Related Stories - [Christopher Nolan Means War in ‘The Odyssey,’ His Most Gruesome Film Yet](https://rollingstonephilippines.com/culture/reviews/christopher-nolan-the-odyssey-review/ "Christopher Nolan Means War in ‘The Odyssey,’ His Most Gruesome Film Yet") - [Supergirl Is a Messy, Imperfect Hero. Unfortunately, Her Movie Is Too](https://rollingstonephilippines.com/culture/reviews/supergirl-2026-movie-review-milly-alcock/ "Supergirl Is a Messy, Imperfect Hero. Unfortunately, Her Movie Is Too") - [‘First Light’ Asks What Faith Can Save in a Corrupt Rural Philippines](https://rollingstonephilippines.com/culture/reviews/first-light-faith-corruption-rural-philippines/ "‘First Light’ Asks What Faith Can Save in a Corrupt Rural Philippines") **Categories:** Culture, Film, Reviews **Tags:** Masters of the Universe --- ### [Ass Bombs, Penis Stranglers, and the Weirdest Deaths on ‘The Boys’](https://rollingstonephilippines.com/culture/tv/the-boys-weirdest-death-scenes/) **Published:** May 14, 2026 **Author:** Mel Wang **Excerpt:** In honor of the saddest episode of 'The Boys' yet, we’re wiping our tears away by looking back on some of the series’ weirdest, dirtiest, and just plain fucked up death scenes **Content:** *Warning: Mild spoilers abound*. At this point in *[The Boys](https://rollingstonephilippines.com/tag/the-boys/ "The Boys")*, it’s almost futile to keep track of its ever-increasing body count (although some have tried — there’s a whole [Wiki page](https://the-boys.fandom.com/wiki/List_of_Deaths#Kill_Count) and [Subreddit](https://www.reddit.com/r/TheBoys/comments/10c9ikk/i_made_a_chart_counting_the_number_of_people/) dedicated to it). But now, with the series finishing up its fifth and final season, fans are busy theorizing and placing bets on who’s going to make it out of Vought Tower alive. The show’s latest episode, “The Frenchman, the Female, and the Man Called Mother’s Milk,” brought with it the usual string of dead civilians caught in the Supes’ crossfire (plus… whatever Sheline and Dogknott were doing with their anus-sniffing), but it also gave us one of the biggest deaths of the series so far. And, for those of us still grieving, it looks like we’ll need to buck up real soon because the series finale is gearing up to be an apocalyptic bloodbath. Over the course of the show’s press run, showrunner Eric Kripke has delighted in dropping hints about who’s dying when on the series. “No victory comes without sacrifice,” he told [*Polygon*](https://www.polygon.com/the-boys-season-5-episode-7-character-death-interview/). “Heading into the final battle, carrying loss but still having to move ahead felt very appropriate.” But while this season may have some of the most memorable deaths of the series, the four previous seasons all brought their A-game when it came to doling out the strangest, messiest, and, not surprisingly, most ass-related death scenes (rest in peace, Translucent). So to celebrate (or commemorate?) how *The Boys* is wrapping things up, we’re revisiting all of the times the show grossed us out with just how… creative it could be when it needed to kill off some characters. *Spoilers ahead, of course* ## All of The Deep’s Aquatic Friends Before we dive deep (haha, get it?) into the human deaths of the series, let’s bow our heads for the dolphin, the whale, the octopi, and allll the fish that have met their fates on *The Boys*. Episode 4 of Season 1 gave us a steamrolled dolphin, who was just moments away from driving off to freedom; if only The Deep (Chace Crawford) hadn’t slammed so hard on the brakes. Lucy the Whale was rammed to death by a speedboat in Episode 3 of Season 2. The Deep ate Timothy the Octopus alive in Episode 3 of Season 3, despite the two being pretty tight. The hero also murdered his octopus lover, Ambrosius (Tilda Swinton) in Episode 7 of Season 4, but at least he’s there with her as she draws her last breath. And finally, Episode 6 of Season 5 ended with a devastating oil spill thanks to a punctured Vought pipeline, killing 1.4 billion sea creatures in the process (as The Deep put it, this was the “Fish Holocaust”). ## Death by Ass Bomb ![Shirtless man crouches inside a metal cage in a dim, greenish-lit basement-like room.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/the-boys-translucent.webp) Rest in peace, Translucent! Screenshot from Amazon Prime Video/Official Website How do you kill a man with impenetrable skin? By sticking dynamite up his rectum, of course. In Episode 2 of Season 1, the Boys kidnap Translucent (Alex Hassell), one of the world’s strongest invisible men (he’s also a huge perv, but most Supes are in *The Boys*). Thanks to Frenchie (Tomer Capone), the group eventually figures out that, while Translucent’s skin may be rock-hard, his guts are just as soft and gooey as the rest of us. They knock him out, plant the explosive, and leave Hughie (Jack Quaid), the then-newest and most freaked out member of the Boys, to hit the detonator’s big red button. ## A Tiny Man Crawling Into A Penis ![the boys](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/the-boys-termite.webp) Gesundheit. Screenshot from Amazon Prime Video/Official Website There’s nothing wrong with a little size kink, but in Episode 1 of Season 3, things get out of hand when Termite (Brett Geddes) shrinks down to climb into his boyfriend Peter’s penis hole (a sentence I never thought I’d have to write). The Supe, still on a cocaine high, gets busy rubbing the inner linings of his lover’s dick to get him going; however, when he can’t hold in a sneeze, Termite accidentally morphs back to his normal size — while still in Peter’s penis. Peter’s lower half immediately explodes, leaving Termite covered in his boyfriend’s gunk. ## The Herogasm Massacre ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/the-boys-herogasm.webp) Herogasm isn’t for the faint of heart. Screenshot from Amazon Prime Video/Official Website There’s no denying that “Herogasm” is *The Boys*’ grossest episode. I mean, it’s in the name — in the world of *The Boys*, Herogasm is a yearly sex party hosted by and for Supes, which means that the orgy involves a *lot* of power play (pun intended). But beyond the heroes ramming ice dicks up each other and shooting explosive loads, everything gets much bloodier when Soldier Boy (Jensen Ackles) accidentally lets loose a radioactive energy blast. The explosion nearly kills most of the sex party attendees, leaving the few remaining survivors to pick out bits and pieces of their dead Herogasm mates off the floor. ## Vought on Ice Those poor figure skaters. What starts off as the skating group, Vought on Ice, doing a rehearsal run of the hit holiday track, “Let’s Put the Christ Back in Christmas,” turns into a bloodbath when Homelander (Antony Starr) begins shooting laser beams out of his eyes. One of the beams splits the ice skater playing Queen Maeve in half, causing the remaining performers to scramble off the ice in panic. The Homelander ice skater slices through the Starlight ice skater’s hand, while the Jesus ice skater accidentally cuts a production assistant’s throat with his skate blade. It’s bloody, it’s messy, but according to Vought, this was all just an electric fire. ## A Super-Racer Ran Through Me ![Man with glasses is held by two hands on his cheeks in a tense scene, with blood on his face and shirt in a dim room.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/the-boys-seth-rogen.webp) Never get in Mister Marathon’s way. Screenshot from Amazon Prime Video/Official Website Although *The Boys*’ fifth season has given us a number of great deaths (including Love Sausage getting strangled by his own love sausage and an eel worming its way into Adam Bourke’s ass), the funniest sequence so far has to be Mister Marathon (Jared Padalecki) running through some of Hollywood’s biggest comedians. As the high-speed Supe tries to go up against Soldier Boy, the latter figures out that he can slow the former down by putting some… obstacles in his way. Soldier Boy then proceeds to put Mister Marathon’s friends — Seth Rogen, Kumail Nanjiani, Will Forte, Christopher Mintz-Plasse, and Craig Robinson, all playing themselves — in strategic locations for the Supe to run through them. By the end, Mister Marathon’s covered in guts, but at least he’s man enough to hold Seth Rogen in his arms before the comedian kicks the bucket. ## Frequently Asked Questions ### How was Translucent killed in The Boys? Translucent was killed when Hughie detonated a chunk of high explosives inserted internally into his soft digestive tract, bypassing his impenetrable, carbon-based skin. ### What happens during the Herogasm explosion? Soldier Boy triggers an uncontrolled radioactive energy blast during an annual Supe orgy, incinerating multiple heroes and leaving few survivors in the collateral destruction. ### Who created The Boys television series? Showrunner Eric Kripke developed the television adaptation for Amazon Prime Video, adapting the comic book series originally created by writer Garth Ennis and artist Darick Robertson. ### Which marine animals die because of The Deep? The Deep indirectly causes the deaths of a dolphin, Lucy the whale, his octopus partner Ambrosius, and over one billion marine creatures via an oil spill. ### How does Termite accidentally kill his partner? Termite accidentally kills his partner by sneezing while inside the man’s urethra, causing him to instantly shrink-revert back to full size and Related Stories - [‘The Boys’ Season 5, Episodes 1 and 2: All Bets Are Off](https://rollingstonephilippines.com/culture/tv/the-boys-season-5-episodes-1-2-recap/ "‘The Boys’ Season 5, Episodes 1 and 2: All Bets Are Off") - [Deborah on Poppers, Lesbian Cruise, and ‘Hacks’ Gayest Moments](https://rollingstonephilippines.com/culture/hacks-gayest-moments/ "Deborah on Poppers, Lesbian Cruise, and ‘Hacks’ Gayest Moments") - [Except for Cassie, Everyone Else’s Days are Numbered in ‘Euphoria’ Season 3, Episode 5](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-5/ "Except for Cassie, Everyone Else’s Days are Numbered in ‘Euphoria’ Season 3, Episode 5") **Categories:** Culture, TV **Tags:** Amazon Prime Video, The Boys --- ### [Snoop Dogg Joins Hip-Hop’s Growing List of Big-Screen Biopics with ‘Snoop’](https://rollingstonephilippines.com/music/hiphop-rnb/snoop-dogg-biopic-snoop-universal-pictures/) **Published:** July 22, 2026 **Author:** Elijah Pareño **Excerpt:** The West Coast rap icon’s story will be directed by Hustle & Flow filmmaker Craig Brewer and will feature music from his extensive catalog **Content:** Legendary West Coast rapper [Snoop Dogg](https://rollingstonephilippines.com/tag/snoop-dogg/ "Snoop Dogg") is set to release a biopic on the big screen on August 6, 2027. Film studio Universal Pictures announced on July 21. According to *Deadline*, the rapper’s biopic is titled *Snoop*, though the film’s specific focus on his career is yet to be revealed. Universal Pictures has previously released hip-hop films such as the N.W.A biopic *Straight Outta Compton* and [Eminem](https://rollingstonephilippines.com/music/hiphop-rnb/jay-z-yankee-stadium-residency-guests/ "Jay-Z Brings Out Rihanna, Beyoncé, Eminem, Nas, and More at Yankee Stadium Residency")’s *8 Mile*. Snoop Dogg revealed back in April that the film had entered production at film convention *CinemaCon*. The *Hustle & Flow* director Craig Brewer is set to helm the biopic. As the first project under Death Row Pictures’ overall deal with NBCUniversal Entertainment, the film will incorporate music from Snoop’s extensive catalog. Snoop Dogg is known for iconic G-Funk and gangster rap songs such as “Gin and Juice,” “Beautiful,” “Signs,” and “Drop It Like It’s Hot” alongside Pharrell Williams, as well as collaborations with rap heavyweights Dre and Eminem throughout his career spanning three decades. ## Frequently Asked Questions ### What is the title of the upcoming Snoop Dogg biopic? The upcoming Snoop Dogg biopic is titled *Snoop*. ### Who will direct the Snoop Dogg biopic? *Hustle & Flow* director Craig Brewer will direct the film. ### What are the songs Snoop Dogg is best known for? Snoop Dogg has released iconic songs such as “Nuthin’ but a ‘G’ Thang” from *The Chronic* and “Drop It Like It’s Hot.” ### What are the companies that will showcase Snoop Dogg’s musical catalog? The film is the first project under Death Row Pictures’ overall deal with NBCUniversal Entertainment, and it will incorporate music from Snoop Dogg’s catalog. ### When will the Snoop Dogg biopic come out? Snoop Dogg’s biopic *Snoop* is set for release on August 6, 2027. Related Stories - [Billy Joel’s Rep Denounces Upcoming Biopic: ‘Legally and Professionally Misguided’](https://rollingstonephilippines.com/music/rock/billy-joel-rep-denounces-bipic/ "Billy Joel’s Rep Denounces Upcoming Biopic: ‘Legally and Professionally Misguided’") - [CGI Chimps and a World Without Janet: Fact-Checking the Michael Jackson Biopic](https://rollingstonephilippines.com/culture/film/fact-checking-michael-jackson-biopic/ "CGI Chimps and a World Without Janet: Fact-Checking the Michael Jackson Biopic") - [Erik Matti on Andres Bonifacio Biopic: ‘Why Did He Fail As A Hero?’](https://rollingstonephilippines.com/culture/erik-matti-andres-bonifacio-biopic/ "Erik Matti on Andres Bonifacio Biopic: ‘Why Did He Fail As A Hero?’") **Categories:** Hip-hop/R&B, Music **Tags:** Snoop Dogg --- ### [The Live Action ‘Gundam’ Cast Looks Like Another Whitewashed Anime Adaptation](https://rollingstonephilippines.com/culture/film/netflix-gundam-adaptation-sydney-sweeney/) **Published:** April 21, 2026 **Author:** Mel Wang **Excerpt:** Sydney Sweeney leading a Gundam adaptation? Sounds a little sus! **Content:** Something seems amiss with Netflix’s *[Gundam](https://rollingstonephilippines.com/tag/gundam/ "Gundam")* movie. The live-action adaptation of the beloved Japanese franchise has officially started production in Queensland, Australia (of all places), and the streaming platform has just announced the film’s main cast members. [Sydney Sweeney](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-trailer-questions/ "3 Questions We’re Asking About ‘Euphoria’ Season 3 After New Trailer") (gasp!) and Noah Centineo will step into the roles of rival mech pilots fighting on opposite sides of a war between Earth and its former colonies. Joining them in the ensemble are Jason Isaacs (*[The White Lotus](https://rollingstonephilippines.com/tag/the-white-lotus/ "The White Lotus")*), Jackson White (*Tell Me Lies*), and Shioli Kutsuna (*Deadpool & Wolverine*), among others. If you’re a longtime Gundam fan and that plotline doesn’t sound familiar to you, then you’re not alone. Netflix, along with producers Legendary Pictures and Bandai Namco Filmworks, has chosen to go with an original story, helmed by director-writer and *Sweet Tooth* showrunner, Jim Mickle. And, if you’re wondering why someone like Sydney Sweeney has been cast in a film based on a widely popular Asian franchise, then join the quickly growing number of people who are pushing back against Netflix’s casting choices. Online, fans have begun accusing Netflix of whitewashing and of reframing such a beloved piece of Asian pop culture through a Western lens. Critics have already started to draw comparisons between Sweeney and [Scarlett Johansson](https://rollingstonephilippines.com/culture/news-culture/scarlett-johansson-top-hollywood-earner/ "Scarlett Johansson’s ‘Jurassic World: Rebirth’ Payday Just Made History"), who previously faced similar whitewashing accusations for taking on the lead role in *Ghost in the Shell*. Despite Johansson directly responding to the controversy (“Diversity is important in Hollywood,” she told [*Marie Claire*](https://www.marieclaire.com/celebrity/a25191/scarlett-johansson-march-2017-cover/)), the film did poorly at the box office and continues to be a messy case of whitewashing in Western cinema. > [View this post on Instagram](https://www.instagram.com/p/DXX07j_ljE1/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Netflix Philippines (@netflixph)](https://www.instagram.com/p/DXX07j_ljE1/?utm_source=ig_embed&utm_campaign=loading) But then again, Asian erasure on the Hollywood screen isn’t new. To highlight a few recent examples, we’ve had Nat Wolff turn into Light Turner (originally Light Yagami) in Netflix’s adaptation of *Death Note*, Tilda Swinton as the Tibetan sorcerer, the Ancient One, in the *Doctor Strange* franchise, and Justin Chatwin as Goku in *Dragonball Evolution,* Hollywood’s version of the *Dragon Ball* manga series. And, if we go a little further back in the history of Asian whitewashing, we’ll find that actors like Marlon Brando, Mickey Rooney, and Katharine Hepburn have all tried their hand at yellowface. It’s still early days for the live-action *Gundam* movie, but it’s clear that the franchise’s fan base has concerns with the actors who have been cast. What’s more, this isn’t the first time that the film has faced a speed bump in its development process. *Kong: Skull Island* director (and Gundam superfan) Jordan Vogt-Roberts was initially attached to direct, before Mickle was asked to take on directing instead. Netflix was also no longer involved as a distributor for the film, but this was only temporary. ## Frequently Asked Questions ### Why are fans accusing Netflix’s live-action ‘Gundam’ movie of whitewashing? Fans and online critics accuse the production of whitewashing and reframing a iconic Asian pop culture franchise through a Western lens by casting non-Asian actors like Sydney Sweeney and Noah Centineo in lead mech pilot roles. ### Who are the main cast members of Netflix’s live-action ‘Gundam’ movie? The ensemble cast is led by Sydney Sweeney and Noah Centineo as rival mech pilots, alongside Jason Isaacs, Jackson White, Shioli Kutsuna, Michael Mando, Nonso Anozie, and Javon Walton. ### Is Netflix’s ‘Gundam’ movie adapting an existing anime storyline? No, Netflix, Legendary Pictures, and Bandai Namco Filmworks chose to create an original standalone story centered on rival mech pilots from Earth and its former space colonies. ### Who is directing the live-action ‘Gundam’ film? The film is written and directed by Jim Mickle, known for his work as creator and showrunner of Netflix’s Sweet Tooth. ### Where is the live-action ‘Gundam’ movie being filmed? Principal photography for the film began in Queensland, Australia, with filming taking place on the Gold Coast, Brisbane, and Toowoomba. Related Stories - [The Winners and Losers of ‘Beef’ Season 2](https://rollingstonephilippines.com/culture/tv/beef-season-2-netflix-winners-losers/ "The Winners and Losers of ‘Beef’ Season 2") - [In ‘Euphoria’ Season 3, Episode 2, You Either Pimp or Get Pimped](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-2/ "In ‘Euphoria’ Season 3, Episode 2, You Either Pimp or Get Pimped") - [Laufey is the Newest Musician to Enter the World of ‘Fortnite’](https://rollingstonephilippines.com/culture/laufey-fortnite-skins-festival/ "Laufey is the Newest Musician to Enter the World of ‘Fortnite’") **Categories:** Culture, Film **Tags:** Gundam, Netflix --- ### [Lola Amour, Olivia Rodrigo, Slayyyter, and All the Songs You Need to Know](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/lola-amour-olivia-rodrigo-slayyyter/) **Published:** April 21, 2026 **Author:** Rolling Stone Philippines **Excerpt:** Our weekly playlist of the best music right now, carefully picked by the Rolling Stone Philippines staff **Content:** Welcome to [Songs You Need to Know](http://rollingstonephilippines.com/editors-picks/songs-you-need-to-know), our weekly rundown of the best music right now. The *Rolling Stone Philippines* team is constantly sharing things to listen to, and each week, we compile a ragtag playlist of songs that we believe every music fan today needs to know. Whether it’s the hottest new single or an old track that captures the state of the present, our hope is that you discover something for your musical canon. This week’s songs are varied in their wide sound selection and the craziest backstories leading up to their creation. Ranging from [Lola Amour](https://rollingstonephilippines.com/tag/lola-amour/ "Lola Amour")’s “Lambing” and its overtly cheesy premise of chilling out with blaring horns to [Olivia Rodrigo](https://rollingstonephilippines.com/tag/olivia-rodrigo/ "Olivia Rodrigo")’s comeback single “drop dead,” where she teaches all the girls to stay happy in the saddest of breakups. Additionally, songs like [Slayyyter](https://rollingstonephilippines.com/tag/slayyyter/ "Slayyyter")’s “BROKE BITCH FREE$TYLE” prioritize the barrage of distortion over its blistering club beats, while “EVERYTHING I’VE EVER WANTED” numbs the imposter syndrome of pop artist [Tiffany Day](https://rollingstonephilippines.com/tag/tiffany-day/ "Tiffany Day"). Olivia Rodrigo, ‘drop dead’ ![Olivia Rodrigo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/s1-4-1600x1600.webp) Photo from Olivia Rodrigo/Instagra *A giddy pop-rock comeback* Olivia Rodrigo seems pretty happy for a girl recently rumored to be broken up with British actor Louis Partridge. Since she dropped “[drop dead](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-drop-dead-single-mv/),” the American pop-rock singer’s latest music video has amassed over 14 million views as of writing, which only goes to show how hungry people have been for her comeback. The single comes ahead of her third studio album *you seem pretty sad for a girl so in love*, which is set for release on June 12. In the video, Rodrigo twirls and runs around the Versailles palace grounds as the track bursts into a bridge of guitars à la “Don’t Delete the Kisses” by Wolf Alice. If the album’s release on Philippine Independence Day means anything (we see you, pinsan), we may be in for an emotionally liberating record. “drop dead” makes you feel that way: unabashedly in love and unshackled from the rules of astrology (“Pisces and a Gemini / but I think we might go really nice together”). —*Pie Gonzaga* Nameless Kids, ‘Sinungaling’ ![Nameless Kids](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/s2-4-1600x1600.webp) Photo from Nam/Instagram *Hugot’s gone more atmospheric and bittersweet* The pop rock trio Nameless Kids comes right in with their trademark gleaming, synth-led rock music in their latest single “Sinungaling.” If anything, the band’s headed in the right direction in terms of pushing this hazy, more fuzz-drenched reverb texture. Emotive performances from both vocalists Nhiko Sabiniano and Kim Allen, along with their instrumentals, effectively gloss over their sensibilities of rock music. For the latest single, the band was able to insert their years-long, crafted, serviceable pop music that they’d go head over heels for. However, “Sinungaling” has an epic chorus to boot in this fresh direction. These are all net positives. Nameless Kids are going there, clearly. *—Elijah Pareño* Slayyyter, ‘BROKE BITCH FREE$TYLE’ ![Slayyyter](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/s4-4-1600x1600.webp) Photo from Slayyyte/Instagram *Brash and thumping, like being in a bar fight* When the rollout for *WOR$T GIRL IN AMERICA* started in August 2025, there was a grand total of four people I could talk to about Slayyyter. But after she released the album to critical acclaim in late March, it landed at number one on *Billboard*’s [Top Dance Albums](https://www.billboard.com/music/chart-beat/slayyyter-worst-girl-in-america-number-1-top-dance-albums-1236216677/) chart in April. This month, she also took a victory lap by making her [Coachella](https://rollingstonephilippines.com/music/pop/coachella-2026-weekend-2-highlights/) debut in a packed Mojave tent, and then topped it all off with a new single, “BROKE BITCH FREE$TYLE.” The Missouri pop singer comes on riotously in “BROKE BITCH FREE$TYLE.” She raps about loving trashy girls and wearing Ann Demeulemeester boots with gas station sunglasses, her vocals overloaded with distortion. With a thumping beat, the track packs the punch of liquor and the first pungent spray of a Victoria’s Secret body mist, and I would not have it any other way. —*Pie Gonzaga* Lola Amour, ‘Lambing’ ![Lola Amour](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/s3-4-1600x1600.webp) Photo from Lola/Instagram *Funky and groovy music in the nightlife scene* Lola Amour makes date nights sound over-the-top on their latest single. The funky rock unit is back with a mission. Their latest offering titled “Lambing,” is a little bit more flirty compared to their previous singles. In the track, you hear chants like “yo!” and “chill” that are partly endearing and cheesy. With [Pio Dumayas](https://rollingstonephilippines.com/music/wish-bus-radio/) embodying an almost unrecognizable baritone voice, the listener can already hear the band’s progress in their more robust, detailed, and careful approach to making a love song work from its brass sections to its bright key solos. “Lambing” has the biggest pros for the funk to get this infectious. —*Elijah Pareño* Tiffany Day, ‘EVERYTHING I’VE EVER WANTED’ ![Tiffany Day](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/s5-4-1600x1600.webp) Photo from Tiffany D/Instagram *That glitchy feeling of sadness and yearning* In the age of indie sleaze revival and electroclash comebacks, there lacks a human element to the whole synth flourishes, the glitchy crashouts, and the almost deadpan delivery that takes over the genre. Enter Tiffany Day, the viral vocal singer on TikTok turned Club Classic-coded pop star, injecting an “emo” approach into the music. In her latest album *HALO*, one of its highlights, “EVERYTHING I’VE EVER WANTED,” sees Day questioning the reality of someone loving her back. As the track reaches its penultimate electronic dance music drop, the singer experiences a euphoric feeling in a more genuine, sonically striking approach to the autotune instrument, capturing the feeling of yearning in the digital age. —*Elijah Pareño* Han Han, ‘Kanadyan’ ![Han Han](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/s6-4-1600x1600.webp) Photo from Han /Instagram *Filipino rap invokes Azealia Banks’ bratty club-readiness* When she isn’t working the night shift as a nurse, Filipino-Canadian emcee Han Han is making music or performing “Bakunawa” with [Ruby Ibarra](https://rollingstonephilippines.com/music/ruby-ibarra-npr-tiny-desk-contest/), Ouida, and [June Millington](https://rollingstonephilippines.com/music/rock/june-millington-fanny-institute-music-arts/), fellow musicians from the Filipino diaspora. Han Han a.k.a. Haniely Pableo’s music, like Ibarra’s, speaks of the experiences of women and immigrants, themes she’s known well since moving to Toronto in 2006. But one of the most surprising and impressive characteristics of her work is how she could take these themes and inject them into fun, club-ready tracks. The 2014 song “Kanadyan” starts with Han Han rap-singing the lines “Mula ng pagkabata ay ako ay tinuruan / sa nakakatanda, dapat daw maging magalang.” She speaks over kulintangs and other Filipino percussion, but these are fused with an 808 club beat that could easily be found in the works of M.I.A. and Azealia Banks. There’s also a wit and attitude with which Han Han talks about cultural norms surrounding respect that I just find infectious. When she sings, “I listen to the old me / ‘cause the old is wise,” I sing along. —*Pie Gonzaga* ## Frequently Asked Questions ### What is Rolling Stone Philippines’ ‘Songs You Need to Know’? Songs You Need to Know is a weekly music column and playlist curated by the Rolling Stone Philippines editorial team, highlighting top new singles, standout album tracks, and essential releases across genres. ### Which artists are featured in this week’s ‘Songs You Need to Know’ playlist? This week’s edition features music from Filipino rock band Lola Amour, pop superstar Olivia Rodrigo, hyperpop artist Slayyyter, and pop singer-songwriter Tiffany Day. ### What is the theme of Olivia Rodrigo’s single ‘drop dead’? Olivia Rodrigo’s comeback single “drop dead” explores post-breakup resilience, encouraging listeners to maintain joy and self-worth even after emotional heartbreak. ### What sound style does Lola Amour explore in ‘Lambing’? Lola Amour’s “Lambing” combines their signature blaring horn arrangements with a relaxed, lighthearted pop-rock production centered on affection and taking things easy. ### Where can fans listen to the weekly ‘Songs You Need to Know’ playlist? Listeners can access the full weekly playlist directly on Spotify through the official link embedded in the Rolling Stone Philippines feature. 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The festival has just announced a second wave of artists set to grace the stage for its milestone year. Cebuano dub reggae group Selah Dub Warriors and Jeck Pilpil & Peacepipe are the two local artists opening the festival’s live music stage on May 23 at Puerto Real Gardens in Intramuros, Manila. Art installations by nine local artists will also be displayed throughout the venue. A Kid’s Village will be open for other activities, with drum workshops, nature weaving, and yoga open for attendees. > [View this post on Instagram](https://www.instagram.com/p/DW7qulskpx6/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Malasimbo Festival (@malasimbofestival)](https://www.instagram.com/p/DW7qulskpx6/?utm_source=ig_embed&utm_campaign=loading) Local openers Jeck Pilpil & Peacepipe is the first Pinoy reggae act to release an album under Tuff Gong International, Bob Marley’s legendary record label. Meanwhile, Selah Dub Warriors are known for their collaborations with local reggae legends from VisMin Junior Kilat and American reggae musician Quino of Big Mountain. The group also opened Malasimbo back in 2024 in Puerto Galera. Julian Marley & The Uprising and afrobeat musician Sean Kuti & Fela’s Egypt 80 will be headlining the festival’s 16th year. Both aforementioned headliners are sons of iconic musicians Bob Marley and Fela Kuti from their respective music genres, with Kuti being recently inducted into the [Rock and Roll Hall of Fame](https://rollingstonephilippines.com/music/rock/liam-gallagher-oasis-rock-and-hall-of-fame/ "Liam Gallagher Accepts Rock and Roll Hall of Fame Honor Years After Criticizing It") 2026 class alongside other musicians Sade, Wu-Tang Clan, [Oasis](https://rollingstonephilippines.com/tag/oasis/ "Oasis"), and more last April 15. Tickets for the Malasimbo Music and Arts Festival are available [here](https://malasimbo.com/ "here"). ## Frequently Asked questions ### When and where is the Malasimbo Music and Arts Festival 2026 taking place? The festival takes place on May 23, 2026, at the Puerta Real Gardens located in the historic walled city of Intramuros, Manila. ### Who are the local acts added to the Malasimbo 2026 music lineup? Cebuano dub reggae outfit Selah Dub Warriors and roots reggae group Jeck Pilpil & Peacepipe are the two local acts added to open the live music stage. ### Who are the main headliners for Malasimbo Festival 2026? The 2026 co-headliners are Grammy winner Julian Marley & The Uprising and Afrobeat performer Seun Kuti & Egypt 80, both sons of legendary music icons Bob Marley and Fela Kuti. ### What non-musical activities are available at Malasimbo 2026? Attendees can view installations by nine local visual artists and participate in Kid’s Village activities, including drum workshops, nature weaving, and yoga sessions. ### How can fans purchase tickets for Malasimbo 2026? Tickets for the Malasimbo Music and Arts Festival 2026 can be purchased online via the official festival website (malasimbo.com) and authorized ticketing platforms. 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The pop legend made a [surprise appearance](https://rollingstonephilippines.com/music/pop/coachella-2026-weekend-2-highlights/ "Coachella 2026 Weekend 2 Highs and Lows: Madonna, Sombr, Billie Eilish, More") during [Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter")’s headlining set on Friday, 20 years after she performed in the dance tent in support of *Confessions on the Dance Floor*. She honored the anniversary by wearing the same boots, corset, and jacket she wore during that earlier performance. Everything seemed to have gone according to plan until after the set, when Madonna realized the items she pulled from her personal archive were gone. > [View this post on Instagram](https://www.instagram.com/p/DXXY55iAe4x/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Madonna (@madonna)](https://www.instagram.com/p/DXXY55iAe4x/?utm_source=ig_embed&utm_campaign=loading) “This full circle moment hit different until I discovered that the vintage pieces that I wore went missing- my costume that was pulled from my personal archives — jacket, corset, dress and all other garments,” Madonna wrote in a statement on social media. “These aren’t just clothes, they are a part of my history.” The artist is offering a reward for the safe return of the pieces. “Other archival items from the same era went missing as well,” she continued. “I’m hoping and praying that some kind soul, will find these items and reach out to my team at: Infomaverick2026@gmail.com.” During her appearance with Carpenter, Madonna performed “Vogue,” “Like a Prayer,” and “Get Together.” She also debuted “Bring Your Love” from her upcoming album, *Confessions II*. “I have a few things I wanna get off my chest,” she said onstage. “Twenty years ago today, I performed at Coachella. I was in the dance tent, and it was the first time I performed *Confessions on the Dance Floor*, part one, in America.” She added: “That was such a thrill for me, so you can imagine what a thrill it is for me to be back 20 years later in the same boots, the same corset, the jacket I had on earlier, the same Gucci jacket. So, it’s like a full circle moment, very meaningful for me.” *Confessions II* will be Madonna’s first album since 2019’s *Madame X.* It arrives on July 3. Hopefully her clothes are returned by then. ## Frequently Asked QUestions ### Which outfits went missing from Madonna’s Coachella performance? The missing items include Madonna’s vintage personal archive wardrobe from her 2006 Confessions on a Dance Floor era—specifically her Gucci jacket, corset, dress, original boots, and additional archival garments from that time. ### How did Madonna’s vintage outfits go missing at Coachella? After her surprise performance during Sabrina Carpenter’s headlining Coachella set, Madonna discovered that her original 2006 performance pieces and other surrounding era items were missing from her personal wardrobe storage. ### How can someone report or return Madonna’s missing archival clothes? Madonna’s team instructed anyone with information or who finds the missing vintage items to contact her management team directly via email at Infomaverick2026@gmail.com. ### What songs did Madonna perform during her Coachella appearance with Sabrina Carpenter? Madonna performed “Vogue,” “Like a Prayer,” and “Get Together,” and premiered her new track “Bring Your Love” from her upcoming studio album, Confessions II. ### When is Madonna releasing her upcoming album ‘Confessions II’? Madonna’s upcoming album, Confessions II—her first studio release since 2019’s Madame X—is scheduled for release on July 3, 2026. 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Nolledo’s award-winning stories as well as previously uncollected writing **Content:** [Wilfrido D. Nolledo](https://rollingstonephilippines.com/tag/wilfrido-d-nolledo/ "Wilfrido D. Nolledo") dedicated much of his life to writing. He worked with contemporaries such as fellow literary legends [Gregorio Brillantes](http://gregorio%20brillantes) and National Artist for Literature Nick Joaquin, as well as Danilo Dalena and [Pete Lacaba](https://rollingstonephilippines.com/culture/pete-lacaba-filipino-activism/ "Why Pete Lacaba’s Books and Films Remain Essential to Filipino Activism"). And now, two decades after his death, several of his best short stories will enter the cultural conversation once again courtesy of publishing house [Exploding Galaxies’](https://rollingstonephilippines.com/tag/exploding-galaxies/ "Exploding Galaxies") latest release, *Canticles for Dark Lovers*. A collection of 16 short stories written by Nolledo, *Canticles* serves as a follow-up to Exploding Galaxies’ 2023 reprint of the author’s sole fiction novel, *But for the Lovers.* The stories within *Canticles* were initially published from 1955 to 1971, spanning the early years of Nolledo’s career to his time at the Iowa Writers’ Workshop, where he wrote *But for the Lovers*. The stories range from violent to tender, including scenes of a bloody lovers’ quarrel, filial piety gone wrong, and more. “We focused primarily on the years before the publication of *But for the Lovers,*” Exploding Galaxies publisher Mara Coson told *Rolling Stone Philippines*, “We’ve also included previously uncollected stories that he had written for the Free Press and other magazines.” An early version of *But for the Lovers*, titled “Of Things Guadalupe,” will be included in the collection, along with a foreword specially written for *Canticles* by Blanca D. Nolledo, the late author’s wife. “Wilfrido… would probably prefer being remembered as a writer who echoed truths in life for all seasons, for all generations of writers,” she wrote. ![wilfrido nolledo](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Photo-of-Wilfrido-Nolledo-side-profile.webp) Wilfrido D. Nolledo. Photo courtesy of Exploding Galaxies Nolledo was born in Manila in 1933. His short stories earned him recognition from both the Philippines Free Press Literary Awards and the Carlos Palanca Memorial Awards, especially for works such as *Adios, Ossimandas, Rice Wine*, and *Kayumanggi, Mon Amour.* His first and only published novel, *But for the Lovers*, was released in the U.S. by E.P. Dutton in 1970. The title received a Philippine release only in 2023, when it was republished by Exploding Galaxies. In 2024, the novel received a nod at the National Book Awards, where it was nominated for Best Novel in English. It also earned a special citation from the awarding body during the awards night. According to Coson, Exploding Galaxies’ main objective for publishing *Canticles* was to present Nolledo’s different styles and voices as a writer. “Our goal was to really show \[Nolledo’s\] range… and his varied approaches to the short story,” she said. “We opened the collection with the short story ‘Of Things Guadalupe’ because it was so fascinating that it later became the beginning of the *But for the Lovers* prologue! We also decided, at the very end, to throw in a surprise, sci-fi story, that then brought this collection — as with our name and what we like to do — to outer space!” *Canticles for Dark Lovers* will officially launch on May 9. Copies of the book will be available for purchase on May 11 via the Exploding Galaxies [website](https://www.explodinggalaxies.com), Shopee, Lazada, and in bookstores around the Philippines. ## Frequently ASked Questions ### What is ‘Canticles for Dark Lovers’? Canticles for Dark Lovers is a collection of 16 short stories written by Philippine literary figure Wilfrido D. Nolledo, originally published between 1955 and 1971 and republished by Exploding Galaxies. ### Who was Wilfrido D. Nolledo? Wilfrido D. Nolledo (1933–2004) was an award-winning Filipino fictionist, playwright, and screenwriter best known for his novel But for the Lovers and his Palanca-winning short fiction. ### How does ‘Canticles for Dark Lovers’ connect to ‘But for the Lovers’? The collection features “Of Things Guadalupe,” an early short story version that served as the precursor to the prologue of Nolledo’s masterwork novel, But for the Lovers. ### Who is the publisher of ‘Canticles for Dark Lovers’? The book is published by Exploding Galaxies, an independent Philippine publishing house dedicated to reviving lost and out-of-print classic Philippine literature. ### Where and when can readers buy ‘Canticles for Dark Lovers’? Following its official launch on May 9, Canticles for Dark Lovers became available on May 11 via the official Exploding Galaxies website, online platforms like Shopee and Lazada, and select Philippine bookstores. 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Nolledo --- ### [‘Hacks’ Recap: Deborah Vance May Actually Be A Lizard… Er, A Good Person](https://rollingstonephilippines.com/culture/tv/hacks-s5e2-deborah-vance-lizard/) **Published:** April 20, 2026 **Author:** Christian San Jose **Excerpt:** La Diva of Las Vegas may not be the big bad boss the show has made her out to be. The latest episode proves she’s not beyond good deeds, but also maybe a reptile? **Content:** Deborah, Ava, and the gang are in New York, baby! While we are not getting a dedicated New York episode, the trip is a short one as they try to convince the people of Madison Square Garden to let her perform there, with extravagant gifts. Gucci! Louis! A fruit basket! Flowers! A giant bottle of wine! But alas, per MSG booker Amanda Weinberg, played by Alanna Ubach, Deborah is “not right for MSG,” the same venue which, IRL, has hosted the likes of Jo Koy, Gabriel Iglesias, Joe Rogan, Bill Burr, Kevin Hart, and Louis C.K. thrice, most recently for his comeback tour post-#MeToo in 2023. Surprisingly, Deborah took the rejection lightly? Sure, she offered the MSG booker stocks as a Hail Mary, but it’s uncharacteristic of her to just… give up. Technically, she hasn’t. Her Plan B is to “reignite the base,” a.k.a. the Little Debbies, who we have not heard of since she set out on her *Late Night* campaign. The episode quickly pivots back to Las Vegas, where the Little Debbies air their petty grievances (“You won’t admit you’re a lizard!”) over Deborah having “gone Hollywood,” causing her to stop doing once-trivial engagements and selling products that amounted to fan interaction before parasocial relationships were a science. ![hacks s05e02 new york](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/hacks-s05e02-new-york.webp) Gang’s in New York to sway the Madison Square Garden people to let Deborah perform her comeback in the city. Photo from Hacks/Instagram “These people are impossible to please,” Deborah tells Ava after hearing all the Little Debbies out. “I mean, my fans seem to think I owe them every single moment of my life.” Just as she was about to spiral, a fan gifts her with a collage portrait made with 29 types of natural seeds and grains. Grisly, really, and any other time, it would have disgusted her. But not today. Not when the (late) mother and daughter who made it were such big fans. In the words of Ann Dowd dressed as a bummed blue alien, “Fan art so ugly, it moves you to tears.” Appeasing her fans, Deborah then reveals her real intent: to get them to rally for her to perform at MSG. She even apologized, something previous seasons’ Deborah would never. Not even for a rare antique pepper shaker. But what really got the Little Debbies riled up was the implication that their patron saint is not big enough for MSG — which is also all kinds of confusing if you followed the developments of the last few seasons. Hosted (then left) *Late Night*. Check. Was *TIME Magazine*’s 100 List. Check. Heck, she was even on the cover of *The New York Times Magazine* (which, now that I think about it, was a clever insert because apparently things have gone awry in the publication). But back to my theory from the first episode that Deborah-Ava arc is setting off somewhere previous seasons did not dare to go. This episode doubles down on the punchline that maybe Deborah is not that bad a person. Or, better yet, maybe all that millennial condescension and judgment from Ava has slowly softened the cold-blooded comedian who’s previously blackmailed people, disowned her own sister, sued and lied to Ava herself, and continues to bet on fossil fuel stocks. > [View this post on Instagram](https://www.instagram.com/reel/DXP6r86jbIc/?utm_source=ig_embed&utm_campaign=loading)[A post shared by HBO Max (@hbomax)](https://www.instagram.com/reel/DXP6r86jbIc/?utm_source=ig_embed&utm_campaign=loading) To prove this point, she throws Ava a birthday party with not just one, but two guests: her childhood crush Jesse McCartney and a friend she hasn’t seen since eighth grade? New character alert! (Not). “Deborah, did you only throw me this party because you felt bad about what you said on the boat in Singapore?” Ava asks in the episode’s more sentimental end. And maybe Deborah was despite her denial. “You’re not wrong. You are my only friend,” Ava tells her. “It’s really hard in a fifth season to give your audience new information about a character that they’ve lived with for so long, but also to give the other characters in the show information,” *Hacks* co-runner Paul W. Down says in an after-show video. “It is a really big admission for Deborah to say, ‘You’re my best friend’” — which she did not, in fact, say. Maybe it was cut because the creators, in a podcast, said they didn’t want the scene to be overly sentimental. Maybe the showrunners are right that Deborah and Ava have earned this resolution, this mellowing down, considering this is the last season. But the question remains… Is Deborah really a lizard? Hacks *is currently streaming its final season on HBO Max.* ## Frequently Asked Questions ### Why does Madison Square Garden reject Deborah Vance in ‘Hacks’ Season 5, Episode 2? MSG booker Amanda Weinberg (played by Alanna Ubach) turns down Deborah Vance’s pitch, stating she is “not right for MSG,” prompting Deborah to attempt bribing her with luxury gifts and corporate stock before turning to an alternative campaign strategy. ### Who are the ‘Little Debbies’ in ‘Hacks’? The “Little Debbies” are Deborah Vance’s dedicated, long-time fan base. In Season 5, Episode 2, Deborah returns to Las Vegas to appease them after being accused of “going Hollywood,” rallying their support to petition for her Madison Square Garden performance. ### How does Deborah celebrate Ava’s birthday in Season 5, Episode 2? Deborah throws Ava a small birthday gathering featuring two unexpected guests: Ava’s childhood crush Jesse McCartney and an old friend from her youth, demonstrating a softer, more considerate side to Deborah’s character. ### Is ‘Hacks’ Season 5 the final season of the series? Yes, Season 5 serves as the final season of HBO Max’s award-winning comedy-drama series Hacks, concluding the long-running professional and personal relationship between Deborah Vance (Jean Smart) and Ava Daniels (Hannah Einbinder). ### Where can you stream ‘Hacks’ Season 5? Hacks Season 5 is available to stream exclusively on HBO Max. Related Stories - [‘Hacks’ S5E1: Hysterical Woman Fights Back](https://rollingstonephilippines.com/culture/tv/hacks-s5e1-recap/ "‘Hacks’ S5E1: Hysterical Woman Fights Back") - [The Best Comedy Series — ‘Hacks,’ Duh?! — Actually Won at the Golden Globes](https://rollingstonephilippines.com/culture/film-tv/hacks-golden-globes/ "The Best Comedy Series — ‘Hacks,’ Duh?! — Actually Won at the Golden Globes") - [Javier Bardem, Hannah Einbinder, Meg Stalter, More Call for Ceasefire in Gaza During Emmys](https://rollingstonephilippines.com/culture/tv/emmy-palestine-meg-stalter-hannah-einbinder/ "Javier Bardem, Hannah Einbinder, Meg Stalter, More Call for Ceasefire in Gaza During Emmys") **Categories:** Culture, TV **Tags:** Hacks --- ### [Laufey is the Newest Musician to Enter the World of ‘Fortnite’](https://rollingstonephilippines.com/culture/laufey-fortnite-skins-festival/) **Published:** April 20, 2026 **Author:** Mel Wang **Excerpt:** She’s not just a lover girl, anymore — now she’s a gamer girl! **Content:** [Laufey](https://rollingstonephilippines.com/tag/laufey/ "Laufey") is now officially part of the *[Fortnite](https://rollingstonephilippines.com/tag/fortnite/ "Fortnite")* universe. The game just released two Laufey skins after weeks of rumors surrounding the new addition. A recent trailer from Epic Games shows what the pop-jazz star’s cosmetic outfits will look like during the game’s battle royale sequences. One of the Laufey skins can be purchased in the Item Shop, while the other is can only be unlocked through the new *Fortnite* Music Pass. What’s more, *Fortnite* has announced the Icelandic singer as the upcoming headliner for the musical spin-off game, *Festival*, where several Laufey tracks have been added to the rhythm game (complete with karaoke mode). Fans can also unlock cosmetics inspired by her *A Matter of Time* arena tour. > [View this post on Instagram](https://www.instagram.com/reel/DXKBfuCOv4D/?utm_source=ig_embed&utm_campaign=loading)[A post shared by laufey (@laufey)](https://www.instagram.com/reel/DXKBfuCOv4D/?utm_source=ig_embed&utm_campaign=loading) “When I started out, I was known as this jazz girl and people assumed I was timid and soft,” Laufey said in an interview with [*NME*](https://www.nme.com/features/gaming-features/laufey-interview-fortnite-coachella-madwoman-matter-of-time-3940972)*.* “Running around with a gun \[in *Fortnite*\] is absolutely the best way to show that there are so many more layers to me.” This isn’t the first time that *Fortnite* has collaborated with high-profile musicians and invited them into the world of *Festival.* Laufey joins a growing roster of artists that have partnered with the video game, including [Chappell Roan](https://rollingstonephilippines.com/tag/chappell-roan/ "Chappell Roan"), [Lady Gaga](https://rollingstonephilippines.com/tag/lady-gaga/ "Lady Gaga"), and [Billie Eilish](https://rollingstonephilippines.com/tag/billie-eilish/ "Billie Eilish"). “I take it as a great honor to be part of an initiative that Chappell Roan and Lady Gaga have gotten to be a part of,” continued Laufey. “They are such singular artists that march to the beat of their own drum.” ## Frequently Asked Questions ### How do you get the Laufey skins in Fortnite? One Laufey outfit can be purchased directly from the Fortnite Item Shop using V-Bucks. Her second outfit, the “White Dress” style (with an unlockable “Golden Era” variant), is exclusive to the Season 14 Emberlight Music Pass. ### What songs by Laufey are in Fortnite Festival? Laufey’s featured tracks—including “Madwoman”—have been added as playable Jam Tracks in Fortnite Festival, allowing players to perform them on various instruments or use them in karaoke and jam modes. ### Which other artists have headlined Fortnite Festival? Laufey joins a growing lineup of major music headliners in Fortnite Festival, including Chappell Roan, Lady Gaga, Billie Eilish, Sabrina Carpenter, Bruno Mars, and Snoop Dogg. ### What tour is Laufey’s Fortnite outfit inspired by? Her Fortnite cosmetics and stage outfits are inspired by her A Matter of Time arena tour, featuring dress styles worn during her live performances. ### Does Laufey have a LEGO style in Fortnite? Yes, players who unlock the Laufey Outfit also receive her official LEGO® Minifigure style to play with inside LEGO Fortnite experiences. Related Stories - [Laufey is Performing Two Nights in Manila This May](https://rollingstonephilippines.com/music/jazz-music/laufey-manila-tour-2026/ "Laufey is Performing Two Nights in Manila This May") - [Meet Mei Semones, A Jazz-Pop Artist Who Can Make You Mosh](https://rollingstonephilippines.com/music/jazz-music/mei-semones-jazz-manila/ "Meet Mei Semones, A Jazz-Pop Artist Who Can Make You Mosh") - [Coachella 2026 Weekend 2 Highs and Lows: Madonna, Sombr, Billie Eilish, More](https://rollingstonephilippines.com/music/pop/coachella-2026-weekend-2-highlights/ "Coachella 2026 Weekend 2 Highs and Lows: Madonna, Sombr, Billie Eilish, More") **Categories:** Culture, Video Games **Tags:** Fortnite, Laufey --- ### [CM Punk Brought Back This Rock Song at Wrestlemania 42](https://rollingstonephilippines.com/culture/sports/cm-punk-afi-wrestlemania-42/) **Published:** April 20, 2026 **Author:** Jonty Cruz **Excerpt:** The wrestler's match versus Roman Reigns featured AFI’s ‘Miseria Cantare’ **Content:** In perhaps his most high-profile wrestling match yet, [CM Punk](https://rollingstonephilippines.com/tag/cm-punk/ "CM Punk") brought back his old entrance theme, the early-aughts anthem, “Miseria Cantare: The Beginning” by AFI (A Fire Inside). Against rival [Roman Reigns](http://roman%20reigns) at Night 2 of [Wrestlemania](https://rollingstonephilippines.com/tag/wrestlemania/ "WrestleMania") 42, “Miseria Cantare” played throughout a montage of Punk’s career before his signature entrance song of “Cult of Personality” by Living Colour took over. The two songs served as a fitting bookend, that covering Punk’s wrestling career from Ring of Honor to WWE. This isn’t the first time Punk brought back the song. “Miseria Cantare” also made a comeback in 2022 when he beat Maxwell Jacob Friedman (MJF) at All Elite Wrestling’s Revolution pay-per-view event in an instant-classic Dog Collar Match. At Wrestlemania 42, though, Punk didn’t get the same outcome losing to Reigns in a 34-minute back-and-forth bout that ended his championship run at 169 days. In a post-match Instagram Story post, Punk showed his gratitude, saying, “What a life. What a gift,” and quoting the lyrics of “Miseria Cantare,”, “Nothing from nowhere. I’m no one at all.” ## Frequently Asked Questions ### What theme song did CM Punk use at WrestleMania 42? At WrestleMania 42, CM Punk brought back his classic Ring of Honor entrance theme, “Miseria Cantare: The Beginning” by AFI, during a video montage showcasing his career before transitioning into his signature WWE theme, “Cult of Personality” by Living Colour. ### Who sang “Miseria Cantare: The Beginning”? “Miseria Cantare: The Beginning” was written and performed by the American rock band AFI (A Fire Inside), featured as the opening track on their 2003 major-label debut album Sing the Sorrow. ### Has CM Punk used “Miseria Cantare” in wrestling before? Yes. CM Punk originally used “Miseria Cantare” as his entrance theme during his iconic run in Ring of Honor (ROH) from 2002 to 2005. He previously revived the theme in 2022 for his Dog Collar Match against MJF at AEW Revolution. ### What was the result of CM Punk vs. Roman Reigns at WrestleMania 42? CM Punk lost his World Heavyweight Championship to Roman Reigns in a 34-minute main event match on Night 2 of WrestleMania 42, ending his title reign at 169 days. ### What lyrics did CM Punk quote after his WrestleMania 42 match? Following his match, CM Punk posted on Instagram quoting the iconic chorus lyrics of AFI’s “Miseria Cantare”: “Nothing from nowhere. I’m no one at all.” Related Stories - [Roman Reigns Targets CM Punk for WrestleMania Showdown a Decade in the Making](https://rollingstonephilippines.com/culture/sports/roman-reigns-cm-punk-match-confirmed/ "Roman Reigns Targets CM Punk for WrestleMania Showdown a Decade in the Making") - [The Best and Worst Matches of This Year’s WrestleMania 41](https://rollingstonephilippines.com/culture/sports/the-best-and-worst-matches-of-this-years-wrestlemania-41/ "The Best and Worst Matches of This Year’s WrestleMania 41") - [John Cena Lost His Final Match. As Much as It Hurt, It Was the Right Ending](https://rollingstonephilippines.com/culture/sports/john-cena-wwe-final-match/ "John Cena Lost His Final Match. As Much as It Hurt, It Was the Right Ending") **Categories:** Culture, Sports **Tags:** AFI, CM Punk, WrestleMania 42 --- ### [Coachella 2026 Weekend 2 Highs and Lows: Madonna, Sombr, Billie Eilish, More](https://rollingstonephilippines.com/music/pop/coachella-2026-weekend-2-highlights/) **Published:** April 20, 2026 **Author:** Elijah Pareño **Excerpt:** The festival’s second weekend has Madonna and Sabrina Carpenter singing “Like A Prayer,” The Strokes condemning U.S. war crimes, and Justin Bieber serenading Billie Eilish **Content:** The [Coachella](https://rollingstonephilippines.com/tag/coachella/ "Coachella") Music Festival 2026 ticks all the boxes of becoming one of the most unforgettable festivals of the year, with the first week ironing out its hiccups, antics, and other miscellaneous incidents. Week 2, so far, is a clear step up in quality and song selections from all the headlining artists. During the first week’s opening, several milestones set the tone, from [Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter")’s lavish set design to [Justin Bieber](https://rollingstonephilippines.com/tag/justin-bieber/ "Justin Bieber")’s minimalistic solo performance. The stages were also varied in mood and achievements, with moments like [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI")’s monumental opening performance and the group’s unabashed showcase of Filipino pride at the Mojave stage, to Geese’s revered opening set that shocked the Coachella crowd with their brazen brand of indie rock. The list goes on for the first week, so what more now that the second week has established its dominance? These are the highs and lows of Coachella Weekend 2 so far. > [View this post on Instagram](https://www.instagram.com/p/DXS7TBKlPg7/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Sabrina Carpenter (@sabrinacarpenter)](https://www.instagram.com/p/DXS7TBKlPg7/?utm_source=ig_embed&utm_campaign=loading) ## Billie Eilish’s Dream Come True: high ![Male performer in a red beanie holds a microphone behind a smiling woman seated in a purple cape at a live stage event, as if giving a haircut.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Billie-Bieber.webp) Bieber embraced Eilish from behind and serenaded her throughout the song, fulfilling every Belieber’s longtime dream. Screenshot from Coachella/YouTube While Bieber already had his moment of taking fans into a “journey” through a YouTube wormhole in the first week, he did it again in the second week with a slightly different setlist. He brought out rapper Big Sean for “As Long As You Love Me” and “No Pressure,” but the bigger surprise came when pop singer [Billie Eilish](https://rollingstonephilippines.com/tag/billie-eilish/ "Billie Eilish") climbed what felt like Mount Bieber, the concrete incline leading to the “One Less Lonely Girl” segment. Bieber embraced her from behind and serenaded her throughout the song, fulfilling every Belieber’s longtime dream. ## Madonna Shouldn’t Be a Guest Only: low ![Madonna Sabrina Carpenter](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Madonna-Sabrina-Carpenter.webp) Madonna deserves another headlining slot of her own down the line. Photo from Sabrina Carpenter/Facebook Sabrina Carpenter’s Coachella set was one for the books, from its grand design to its dance numbers and guest appearances. But Week 2 delivered a bigger surprise when she brought out [Madonna](https://rollingstonephilippines.com/tag/madonna/ "Madonna") to the main stage. It also serves as a reminder that Madonna shouldn’t be an afterthought in a moment this big. She deserves another headlining slot of her own down the line. The duo struck a pose with “Vogue” and introduced a new track tied to *Confessions II*. Madonna reflected on stage, “I have a few things I wanna get off my chest. Twenty years ago today, I performed at Coachella. I was in the dance tent, and it was the first time I performed *Confessions on the Dance Floor Part One* in America.” Like no, Queen. You deserve to headline once again. ## The Strokes’ Powerful Ender: high ![The Strokes](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/The-Strokes-2.webp) The set ended with Julian Casablancas dropping the mic as the band walked off to cheers from the crowd. Photo from The Strokes/Instagram Instead of doubling down on their usual onstage antics and rambling rants, [The Strokes](https://rollingstonephilippines.com/tag/the-strokes/ "The Strokes") took aim at the U.S. government during Coachella weekend two, ending their set with a politically charged video montage. The band closed their main stage performance on Saturday night with their 2016 song “Oblivius,” as imagery played behind them referencing alleged CIA-backed regime changes, the death of Martin Luther King Jr., and bombings in Gaza and Iran. The video depicted a sequence of world leaders it suggested were overthrown by the CIA. The set ended with Julian Casablancas dropping the mic as the band walked off to cheers from the crowd. ## Sombr Still Lacking in Star Power: low ![Sombr](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/sombr.webp) There’s still a gap between where Sombr is and the presence of the artists he looks up to. Photo from Coachella/Facebook While [Sombr](https://rollingstonephilippines.com/tag/sombr/ "sombr") worked the stage alongside Smashing Pumpkins’ Billy Corgan, who had never stepped foot on the Coachella stage with his band in the ‘90s, there’s still a lot of room for growth in terms of star power. His prediction, “See you back here when I fucking headline,” feels far-fetched for now. The “back to friends” hitmaker shows flashes of potential, especially in a cover of Radiohead’s “Fake Plastic Trees” backed by a roaring band, but the overall set struggles to match that level. There’s still a gap between where he is and the presence of the artists he looks up to. ## Frequently Asked Questions ### Who were the surprise guest appearances during Coachella 2026 Weekend 2? Coachella 2026 Weekend 2 featured major surprise guest appearances, including Billie Eilish and Big Sean joining Justin Bieber, while pop legend Madonna joined Sabrina Carpenter on the Main Stage to perform “Vogue” and preview Confessions II. ### What happened during Justin Bieber and Billie Eilish’s Coachella performance? During Justin Bieber’s Weekend 2 set, Billie Eilish joined him on stage during his “One Less Lonely Girl” segment. Bieber serenaded Eilish along the concrete stage incline, fulfilling a long-standing moment for fans aware of Eilish’s childhood fandom. ### Why did Madonna make headlines during Sabrina Carpenter’s Coachella set? Madonna made a surprise appearance during Sabrina Carpenter’s set to recreate her iconic “Vogue” strike-a-pose sequence and mark the 20th anniversary of her 2006 Confessions on a Dance Floor Coachella debut, prompting discussions that she deserves a full headlining slot. ### How did The Strokes conclude their Weekend 2 main stage set? The Strokes closed their Weekend 2 performance with their 2016 song “Oblivius,” accompanied by a politically charged video montage depicting international political events and foreign policy critiques before frontman Julian Casablancas dropped the mic. ### How did Sombr perform during his Coachella 2026 set? RISING artist Sombr performed alongside Smashing Pumpkins’ Billy Corgan and covered Radiohead’s “Fake Plastic Trees.” While showing musical promise, critics noted his stage presence still fell short of his stated ambition to headline the festival. Related Stories - [BINI Makes Historic Coachella Debut With Big Hits and Pinoy Pride](https://rollingstonephilippines.com/music/pop/bini-makes-historic-coachella-debut/ "BINI Makes Historic Coachella Debut With Big Hits and Pinoy Pride") - [Sabrina Carpenter Charts Her Path in Pop With New Album ‘Man’s Best Friend’](https://rollingstonephilippines.com/music/sabrina-carpenter-mans-best-friend/ "Sabrina Carpenter Charts Her Path in Pop With New Album ‘Man’s Best Friend’") - [Justin Bieber Puts His Past and Present Side by Side at Coachella](https://rollingstonephilippines.com/music/hiphop-rnb/justin-bieber-coachella-youtube/ "Justin Bieber Puts His Past and Present Side by Side at Coachella") **Categories:** Music, Pop **Tags:** Coachella 2026 --- ### [In ‘Euphoria’ Season 3, Episode 2, You Either Pimp or Get Pimped](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-2/) **Published:** April 20, 2026 **Author:** Pie Gonzaga **Excerpt:** Episode 2 turns the show’s lens to modern-day sex work cynically, but also mockingly and gratuitously **Content:** *Warning: Spoilers ahead.* When the teasers and trailers for *[Euphoria](https://rollingstonephilippines.com/tag/euphoria/ "Euphoria")* Season 3 came out, fans speculated that Maddy Perez (Alexa Demie) would pimp out her ex-best friend Cassie Howard (Sydney Sweeney) as revenge for stealing her ex-boyfriend Nate Jacobs ([Jacob Elordi](https://rollingstonephilippines.com/tag/jacob-elordi/ "Jacob Elordi")) in Season 2. It turns out that the fans guessed right: in Episode 2 of Season 3, everyone’s engaged in sex work in some way, either as the exploiter or the exploited. Maddy is the former. She started in talent management by managing an influencer named Katelyn, who looks suspiciously like Cassie. She convinces Katelyn to start doing pinup shoots, sells the photos, and eventually sets her up with TV actor Dylan Reid (Homer Gere). Her work leads to Cassie reaching out, asking for career advice and forgiveness. Even though Maddy “forgives” her, Cassie is unable to tell that she still harbors a grudge and may be out to exploit her. Rue even says it in her narration: “Cassie was exactly the kind of girl you’d dream of signing. Beautiful, but directionless. So desperate for attention she’s willing to humiliate herself.” Cassie’s work as a pinup model is a headache for Nate and disturbing even to her new friend Heather (Jessica Blair Herman), who is appalled by Cassie dressing up as an “adult baby” for her creepy followers. “It’s a whole subculture,” she explains, but it doesn’t make Heather and her husband any less horrified. At a gathering that Nate throws to sweet-talk his friends into investing in his construction business, he is confronted by a friend about Cassie’s work. In turn, he tells her to delete her OnlyFans account, which she agrees to on the condition that he pays for the $50,000 flower arrangements for their wedding. Nate relents in the presence of his friends, afraid to appear frugal or broke. What no one else knows is that Nate is a little short on cash because he couldn’t get a meeting with the state planning and zoning board for a project. He also owes a man named Naz $550,000, but where the debt came from, we have yet to find out. ## Finally, a ‘RULES’ Reunion ![euphoria hunter schafer zendaya](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/euphoria-hunter-schafer-zendaya.webp) Hunter Schafer’s Jules and Zendaya’s Rue make their way to Jules’ apartment. Photo by Eddy Chen/HBO Speaking of debts, Rue Bennett ([Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya")) has been saved from her debt to drug lord Laurie (Martha Kelly). [Last episode](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-1/ "‘Euphoria’ Goes ‘Breaking Bad’ in Season 3, Episode 1") established that Rue owed her $100,000. In Episode 2, drug kingpin and pimp Alamo Brown (Adewale Akinnuoye-Agbaje) descends into Rue’s life like a deus ex machina, paying off her debt and offering her a way out of Laurie’s grip. On the other hand, Rue says, “I couldn’t shake the feeling that I had made a deal with the devil. But at least I was free.” Now, she’s a manager at his strip club, Silver Slipper (“Fully nude. Always lewd,” says the marquee). The work entails everything from cleaning toilets to handing out drugs to the dancers, who then sell to club patrons. One of these dancers is Angel (Priscilla Delgado), to whom Rue takes an interest in the absence of her high school sweetheart, Jules Vaughn ([Hunter Schafer](https://rollingstonephilippines.com/tag/hunter-schafer/ "Hunter Schafer")). Angel is upset over the death of her best friend Tish, the dancer who died of an overdose in Episode 1. When Angel spirals into grief and addiction, Alamo makes a show of benevolence, offering to pay for her time in rehab. But we already know that he isn’t a good man, and when Rue takes Angel to rehab, we get the feeling that things are not what they seem. The facility’s receptionist is inattentive, preoccupied with a mobile game. She only briefly asks them, “You’re with Alamo?” before she calls in an orderly to take Angel in. Rue, who has been in and out of rehab, gets suspicious as the receptionist tells her there are no forms to fill out, but brushes it off and drives away. ![euphoria rosalia magick](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/rosalia-magick-euphoria.webp) Rosalía makes a guest appearance as the dancer Magick, whose neck brace is a “certified boner killer.” Screenshot from HBO Max And with her fling out of the picture, our protagonist goes back to Los Angeles to meet Jules, who had gone to art school. She and Rue come up to her apartment in a high-rise, which is furnished sleek and modern. Rue, still dressed like a lesbian dirtbag, looks very out of place, but Jules fits right in: tall, in a silken robe, slinking against a tan lounge chair and lit under an expensive-looking lamp. This is all, we find out, paid for by her sugar daddy, a married man. Throughout the episode, it becomes clear that the narrative is mocking Cassie and other influencers-turned OnlyFans models. Other characters in this line of work are treated with a little more grace: Angel and the other strippers are just trying to make ends meet, and Jules talks about her own sugar daddy arrangement with some shame, as if she knows she could be in a better place. But the show also leers at its women. There are close-up shots of coke on Angel’s breasts, melted ice cream on Cassie’s, and Katelyn spreading her legs out for the camera. I’m aware that depiction doesn’t equal endorsement. But one wonders what else writer-director Sam Levinson is doing this for, if not for shock value, because he seems confused about what he wants to say about sex work and women. Maybe this will all be clearer in the episodes to come. For now, Levinson is on rapidly thinning ice. *Euphoria* Season 3 is currently streaming on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max"). ## Frequently Asked Questions ### What happens between Maddy and Cassie in Euphoria Season 3, Episode 2? Maddy Perez begins managing influencers, including her ex-best friend Cassie Howard. Harboring resentment over Cassie’s past betrayal with Nate, Maddy guides Cassie into pinup modeling and adult content creator work, taking advantage of Cassie’s desperation for approval. ### How is Rue’s $100,000 debt to Laurie resolved? A new drug kingpin and strip club owner named Alamo Brown pays off Rue Bennett’s $100,000 debt to Laurie. In exchange, Rue becomes a manager at his strip club, Silver Slipper, handling daily operations and distributing substances to the dancers. ### Do Rue and Jules reunite in Euphoria Season 3, Episode 2? Yes. After taking dancer Angel to a suspicious rehab facility, Rue travels to Los Angeles to meet Jules Vaughn, who is attending art school. The two reunite at Jules’ high-rise apartment, which is funded by a married sugar daddy. ### Why is Nate Jacobs in financial distress in Season 3? Nate Jacobs owes $550,000 to a man named Naz and struggles to obtain approvals from the state planning and zoning board for his construction venture. To maintain appearances, he agrees to pay $50,000 for wedding flower arrangements in exchange for Cassie deleting her OnlyFans account. ### Where can you stream Euphoria Season 3? Euphoria Season 3 is available to stream exclusively on Max (formerly HBO Max). Related Stories - [‘Euphoria’ Goes ‘Breaking Bad’ in Season 3, Episode 1](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-1/ "‘Euphoria’ Goes ‘Breaking Bad’ in Season 3, Episode 1") - [Rosalía Enters ‘Euphoria’ Season 3 as a Stripper](https://rollingstonephilippines.com/culture/film-tv/rosalia-euphoria-season-3-acting-debut/ "Rosalía Enters ‘Euphoria’ Season 3 as a Stripper") - [3 Questions We’re Asking About ‘Euphoria’ Season 3 After New Trailer](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-trailer-questions/ "3 Questions We’re Asking About ‘Euphoria’ Season 3 After New Trailer") **Categories:** Culture, TV **Tags:** Euphoria, HBO Max --- ### [The Winners and Losers of ‘Beef’ Season 2](https://rollingstonephilippines.com/culture/tv/beef-season-2-netflix-winners-losers/) **Published:** April 20, 2026 **Author:** Mel Wang **Excerpt:** Got beef? Well, clearly the players of the 'Beef' Season 2 do, and we’re breaking down who makes it through the season unscathed (or scathed) **Content:** *Warning: spoilers abound*. *[Beef ](https://rollingstonephilippines.com/tag/beef/ "Beef")*showrunner Lee Sung Jin has gifted us with another multi-episode meditation on wealth, class, and morality, and he does not disappoint. Following up on his first season of road-rage-gone-wrong and generational Asian trauma, Lee gives us a different take on what it means to survive in a world where money is the anthem of success. This time, we are met with Josh (Oscar Isaac) and Lindsay (Carey Mulligan), a wealthy (-ish) couple who manage things at the exclusive Monte Vista Point Country Club while ignoring the cracks in their marriage. Their narrative foils are Austin (Charles Melton) and Ashley (Cailee Spaeny), a young Gen Z couple working at the club and hoping to blackmail the Martíns to get a little health insurance. Unfortunately, as the two pairs bicker and squabble, the club’s capitalist owner Chairwoman Park (Youn Yuh-jung) lies waiting in the background with a scheme of her own. All eight episodes of this second season of *Beef* are now streaming on Netflix, and none of them presents us with easy answers. The season finale makes us chew on big, tough thoughts about striving for financial success (and its futility), while leaving us with a variety of endings for our ensemble cast (some happy, some not). So, in honor of the season’s release, we’re looking at each of its real winners and losers, and what each of their outcomes leave us with. ## Losers: Austin and Ashley ![beef netflix Charles Melton and Cailee Spaeny](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/beef-netflix-b1.webp) Charles Melton and Cailee Spaeny as Austin and Ashley. Photo from Netflix/Official Website Boo! Look at what money can do to you! Despite starting off as the season’s gooiest Gen Z couple, Austin and Ashley quickly realize that love does not, in fact, make the world go round. However, the duo reach this conclusion at very different paces. Ashley is the first to figure out that blackmailing the Martíns is a smart financial move, especially if she wants to start a family soon (and remove the nasty, expensive cyst that’s twisting her ovary… there’s a metaphor somewhere here, and I hope you find it). Austin, god bless him, is a little slower on the take. He isn’t a fan of how Ashley’s changed so much since they set their blackmail scheme in motion, and, as he tells his sort-of new love Eunice (Seoyeon Jang), “I feel like I don’t know her anymore.” But come the season finale, and he’s finally realized that trading morality for financial success is the only way to succeed in life. He throws Eunice under the bus, pledges allegiance to Chairwoman Park, and lives out the rest of his days as Ashley’s obedient husband. ## Winner: Josh Martín We first meet a version of Josh that isn’t doing too well in life, even if he *is* the flashy, shiny general manager of Monte Vista Point Country Club. He’s committed his whole life to ass-kissing the club’s wealthiest members, while his relationships with his wife Lindsay and his mother (who died while he was working a shift) have fallen to the wayside. All he’s left with are anger issues, half-baked dreams of becoming a musician, and a man cave where he can spend some quality time with his favorite OnlyFans camgirl. Josh and Lindsay definitely have their own issues, but it seems like he’s the only one to completely work through them by the season finale (in part, thanks to a ten-minute psychedelic experience). He comes to accept that he’s the reason for his own shortcomings, and, in what is arguably the most satisfying conclusion to a character arc this season, he chooses to take the blame for Chairwoman Park’s entire scheme in exchange for Lindsay’s safety. Even though she ends up not staying by his side in the aftermath, Josh escapes the whole ordeal with a clearer head on his shoulders. ## Losers: Eunice, Dr. Kim… Most People With a Moral Compass ![Song Kang-ho, BEef](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/beef-netflix-b2.webp) Song Kang-ho as Dr. Kim. Photo from Netflix/Official Website Although showrunner Lee Sung Jin told [*Rolling Stone*](https://www.rollingstone.com/tv-movies/tv-movie-features/beef-season-2-oscar-isaac-carey-mulligan-creator-interview-1235545988/) that he wanted a more hopeful season this time around, I beg to disagree. If we’re meant to see Chairwoman Park as the big, money-loving villain, then very few people, if any, stand up to her evil, capitalistic ways. Eunice is the only person who comes close to successfully reporting the chairwoman to the police, but Austin throws a USB-shaped wrench into her plans (and we never see her again). Dr. Kim (Song Kang-ho) tries to stand up to his wife after realizing that she never loved him (took him long enough!), but gets a shot in the head for all his efforts. Even Woosh (Matthew Kim) tries to call her out (if only to blackmail her), but promptly gets run over in a mysterious hit-and-run. ## Winner: Lee Sung Jin’s Writing > [View this post on Instagram](https://www.instagram.com/p/DXSMqR3ibFT/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Criterion Collection (@criterioncollection)](https://www.instagram.com/p/DXSMqR3ibFT/?utm_source=ig_embed&utm_campaign=loading) After finding so much success with his first season of *Beef*, Lee spent the following months trying to figure out how to make lightning strike twice. What resulted was the writer-director combining a neighbor’s heated fight, country clubs, and the divide between Gen Z and millennial couples to create an allegory for life’s cycle of social mobility. “As you dig in,” Lee told [*The Hollywood Reporter*](https://www.hollywoodreporter.com/tv/tv-features/beef-lee-sung-jin-charles-melton-season-2-interview-1236568622/), “we find that the passage of time became such a bigger theme, and you have actually four Russian nesting dolls of couples showing the four seasons of life. \[I\]t becomes a meditation of \[the idea that\] the stages of life come for everybody, and what are you going to do at the end of it?” Reviews of the show’s second season have praised Lee’s sharp writing, especially because it gives us a different perspective on fortune and success compared to the one he explored with Ali Wong’s and Steven Yeun’s characters in Season 1. As [*Vulture*](https://www.vulture.com/article/beef-netflix-season-2-review.html) puts it, “Lee’s new story is more wacky, condescending, romantic, and nastily, wonderfully furious than the already nastily and wonderfully furious first season.” ## Winner: Late Stage Capitalism ![Youn Yuh-jung , Beef](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/beef-netflix-b3.webp) Youn Yuh-jung as Chairwoman Park. Photo from Netflix/Official Website We all saw it coming, but of *course* late stage capitalism escapes this season of *Beef* unscathed! Besides Josh, most of our ensemble cast end up kowtowing to Chairwoman Park (or else get mysteriously murdered, but oh well). Ashley and Austin become the country club’s new managing couple and all of Park’s worst crimes are pinned on Josh, leaving her to continue growing richer and richer with absolutely no consequences. While the rest of them must deal with the aftermath, Park has the luxury of growing old and staying on top. ## Frequently Asked Questions ### How does ‘Beef’ Season 2 end for Austin and Ashley? In the Beef Season 2 finale, Gen Z couple Austin (Charles Melton) and Ashley (Cailee Spaeny) abandon their moral principles for financial security. Austin betrays Eunice to protect their blackmail scheme, pledging allegiance to Chairwoman Park and becoming the new managing couple at Monte Vista Point Country Club. ### What happens to Josh Martín in the ‘Beef’ Season 2 finale? Josh Martín (Oscar Isaac) undergoes a profound personal realization following a psychedelic experience. He takes full legal blame for Chairwoman Park’s fraudulent scheme to protect his estranged wife Lindsay, ending the season with emotional clarity despite facing legal fallout and singlehood. ### Who is the primary antagonist in ‘Beef’ Season 2? Chairwoman Park (Youn Yuh-jung), the wealthy owner of Monte Vista Point Country Club, serves as the main antagonist. She manipulates those around her, orchestrates cover-ups, and pins her crimes on Josh, emerging completely unscathed with her wealth intact. ### How does ‘Beef’ Season 2 connect to Season 1? While Season 2 features a completely new anthology cast—including Oscar Isaac, Carey Mulligan, Charles Melton, and Cailee Spaeny—it builds on creator Lee Sung Jin’s core themes of class divide, social mobility, and emotional dysfunction explored in Season 1. ### Where can you stream ‘Beef’ Season 2? All eight episodes of Beef Season 2 are available for streaming globally exclusively on Netflix. Related Stories - [Finneas Watched Every Scene of ‘Beef’ Season 2 ‘100 Times’ While Scoring the Show](https://rollingstonephilippines.com/culture/tv/finneas-composed-beef-score-netflix/ "Finneas Watched Every Scene of ‘Beef’ Season 2 ‘100 Times’ While Scoring the Show") - [LISA Joins Anyma for ‘Bad Angel’ on the Coachella 2026 Main Stage](https://rollingstonephilippines.com/music/dance-electronic/lisa-anyma-coachella-bad-angel/ "LISA Joins Anyma for ‘Bad Angel’ on the Coachella 2026 Main Stage") - [BTS Gets Honest About Military, Making ‘Arirang,’ and More](https://rollingstonephilippines.com/music/pop/bts-rs-cover-story-7-revelations/ "BTS Gets Honest About Military, Making ‘Arirang,’ and More") **Categories:** Culture, TV **Tags:** Beef, Netflix --- ### [‘The Pitt’ Star Isa Briones Is Ready to Give Her Stethoscope a Break](https://rollingstonephilippines.com/culture/tv/the-pitt-star-finale-isa-briones-interview/) **Published:** April 20, 2026 **Author:** CT Jones **Excerpt:** The actor talks Santos and Langdon drama, creepy fans, and (temporarily) ditching the ER for Broadway **Content:** Sometimes, the physician must heal thyself. Isa Briones, who plays Dr. Trinity Santos on HBO’s hit medical drama *[The Pitt](https://rollingstonephilippines.com/tag/the-pitt/ "The Pitt")*, is calling from a Midtown Manhattan apartment, and she’s not feeling great. She’s currently starring in the Broadway musical *Just in Time*, and the schedule is about as grueling as an ER shift. “I’m definitely feeling it right now,” she says. “I woke up this morning was like, ‘I think I’m getting sick.’ So the panic is not awesome. But I still love it.” *Just In Time* is a jukebox about the life of singer songwriter Bobby Darin. Briones plays Connie Francis, the “Pretty Little Baby” singer who topped radio play in the 1950s and had a brief relationship with Darin before his breakout success. (The role of Darin was originated by Jonathan Groff; Jeremy Jordan is set to take over on April 21.) But her best-known role is as the caustic young resident Santos. In Season One of *The Pitt*, Santos makes an immediate impact — and not for the best. On her first day, she accuses the well-liked and respected Dr. Frank Langon (Patrick Ball) of stealing drugs. She’s guarded, gives her co-workers obnoxious nicknames, and is always ready with a snarky comment. She’s also right about Langdon having a drug problem. Season Two, which concluded Thursday night, stretched this tension even further, showing Langdon’s return to the ER after a leave of absence for rehab. But it’s also a deeper exploration of Santos’ simmering past traumas. While it’s clear that Santos was created to be an unlikeable character, Briones says that an unintended byproduct of the show’s success is people equating her with her character. She’s also had to get used to occasional shouts of “Santos!” while she’s walking down the street, getting groceries, or even, once, while she was performing in *Just in Time*. “When \[*The Pitt*\] started becoming big, I was like, ‘Oh, God, I think I’m that person with the hat and the sunglasses.’ I used to laugh at that,” Briones says, holding her hands up to mime giant, face-covering shades. “Now I kind of get it. It’s so annoying. But I’m figuring it out.” *Rolling Stone* spoke with Briones ahead of *The Pitt* finale to talk about misogyny in fan spaces, the real reason Santos and Langdon hate each other, and why all of the Pitt’s doctors need a good therapist. **What appealed to you about Santos at first? And how has your understanding of her changed or grown over two seasons?** I’ve played the girl next door before and there’s a time and a place for that type of character. But I think there’s something really awesome about not being palatable, especially as a woman. This character is not for everyone. Sometimes in my everyday walking through the world, I’m like, “Sorry… Little old me, I’ll make myself smaller.” And Santos simply will not do that. She’s like, “I am going to take up space.” And I think that’s a really refreshing character to see and powerful to play. It’s also a reminder for me to stop apologizing for existing. My god. **There’s a not small subset of diehard *Pitt* fans who hate Santos. What do you think drives that?** So much of the discourse is very Langdon-versus-Santos, and that’s just misogyny. \[Those two characters\] are actually kind of the same, but one of them is a woman. When women are going through something that is not explicitly said all the time, a lot of people are like, “I don’t like her.” Why is it when, when a woman has a lot going on, people are like, “Oooh, scary”? A lot of people don’t have the patience for that with a woman. But I also get that Santos comes in hot. When you first meet her, she’s got a lot of these prickly walls up. She has a “doesn’t play nice at recess” vibe. But also, I think it’s very clear to see in the nuance of her character there’s something going on. **Talk to me a little bit about how Santos’ own experience with addiction and self-harm colors her relationship with Langdon.** You hate in other people what you hate about yourself. They’ve only spent a day together and they hate each other. But in that one day, he embodied so many of the things that she does not like about herself. Even though she likes to put up this facade that she doesn’t care if people like her, she’s working really hard to be there. And when someone completely invalidates that, that can be really triggering. Even if it’s not fully conscious, she knows that they are connected and that’s why they’re so reactive to each other. Langdon coming back and fighting to be reformed, taking the steps to recover, is a reminder that she is maybe not doing everything she can to recover herself. And that just brings up a lot of guilt and shame for her that she doesn’t want to feel. So then she just screams at him. She just needs therapy. Actually the whole crew does. ![Isa Briones and Noah Wyle](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/isa-briones-noah-wyle.webp) Isa Briones and Noah Wyle as Dr. Trinity Santos and Dr. Robby and Dr. Michael “Robby” Robinavitch. Photo from HBO Max/Official Website **How does her relationship with Whitaker work so well, with such disparate personalities?** \[Whitaker\] is just himself. He’s always trying to help everyone. He is trying to be her friend and trying to be there for her. She wants it, but she also doesn’t know how to \[accept it\]. She has lost people. She talks in Season One about how one of her best friends took her own life. Since she has a history of abuse by an authority figure, she thinks “anyone I let close to me is either gonna hurt me or leave me.” The quality of their friendship is her being like, “Shut up and go away.” But that’s their love language together. So when she finds out that he’s leaving, I think she’s scared to be alone. Now, everything would all be solved if they just talked. That’s the moral of *The Pitt*. Everything would be solved if everyone had a real conversation and went to therapy. But that’s not happening. So it triggered her to think, “Oh, so you’re leaving me. I was right. Everyone’s gonna leave me. I’m just gonna put my walls up. Fuck you and bye.” \[Santos\] just wants a friend and doesn’t know how to approach it. You know when you have a puppy and they’ve got to be socialized with other puppies in a little pen? She needs to be put with all the other puppies and just forced to play. **With such a strong ensemble cast, how have your on-set relationships added to the final product?** Everyone on this show is just so fucking talented and has crafted their character in such a specific way. It’s been really awesome to watch the difference in how everyone operates. Everyone has their own routine and style and how they approach things, and that’s been such a cool learning experience. Patrick and I have become real friends, and it’s very funny, because obviously our characters are so not that. But I think that’s what makes our scenes so special. There’s a real trust there. And Supriya \[Ganesh\] and Shabana \[Azeez, who play Dr. Mohan and Dr. Javadi, respectively\] are my girls on set. It really bums me out that they didn’t put us in any scenes together \[this season\]. I think they knew, they knew we’d be too powerful if we were all together. They’re trying to keep women apart! They knew we’d be inseparable. **How do you navigate being on a show with such a robust online fandom — especially when that focus means a lot of people equate you with your character?** That’s so classic. That always happens. A lot of people have a hard time separating the actor from the character. It’s definitely gotten to an extreme degree for me. I’ve never experienced this before, because I haven’t been on a show this massive before. And it can be troubling. We shoot the show for most of the year, and get locked into that. Then to go out into the world and people are like, “I hate you. You’re a bitch” — that’s crazy. For someone who already struggles with mental health issues and with dissociating and thinking “I don’t know what’s real anymore,” it’s hard and a little strange. It’s like “Am I not a real person?” But I also understand that is the one way that people are connecting with me and what they see onscreen. They’ve connected with this character in some way. And that’s very special. > [View this post on Instagram](https://www.instagram.com/p/DEniB9NT67u/?utm_source=ig_embed&utm_campaign=loading)[A post shared by ☾𝑖𝑠𝑎 𝑏𝑟𝑖𝑜𝑛𝑒𝑠☽ (@isacamillebriones)](https://www.instagram.com/p/DEniB9NT67u/?utm_source=ig_embed&utm_campaign=loading) **With that in mind, have you had to change any personal habits or social media intake to adjust?** It’s a very out-of-body experience a lot of the time. I’m currently trying to adjust my social media habits. When I did *Star Trek \[Picard\]*, there were so many awful things said about me online. Sci-fi fandom can be a very scary place sometimes, and a lot of older men have a lot of gross things to say about you when you’re a 20-year-old girl. So I had to get off of it. And then with *The Pitt,* I was so curious. And I was proud of myself at first, because it wasn’t hurting me. I was like, “People hate my character and that’s hilarious because it means I’m playing her correctly.” But then, at a certain point, it started to shift. Now the misogyny has become kind of impossible not to see. And that just makes me sad. So I’ve been thinking maybe I need to take a break. **Several family members of *Pitt* actors have had cameos. Any plans for one of your family members to make an appearance in Season Three?** Well, I would love to. I love for my dad \[who’s also an actor\] to be employed. That would be awesome. I try to get my family employed as much as possible. But, we’ve joked about how if my family were on the show, they’d have to be \[playing\] my family, because we look so alike. If my brother were on the show and he wasn’t supposed to be my brother, people would be like, “What’s happening here?” Because we look like twins, even though we’re not the same age. But hey, maybe next season. I’ll be campaigning. **What nickname do you think Santos would give you?** Sad-ass bitch? No….. \[*laughing*\]. That’s hard. I immediately thought of something so mean. This is why I need to get off social media. **Most people don’t take breaks by jumping into rigorous Broadway schedules. Why say yes to *Just in Time*?** It’s so fun. I’m really having the time of my life. Theater makes me so happy, and I love getting to take a break from TV and from *The Pitt* to do something that feels so different and so joyous. I love theater people. It’s just my favorite place to be. I was raised around theater people my whole life and it’s the best, best community in the world. > [View this post on Instagram](https://www.instagram.com/p/DWyg99ADnxI/?utm_source=ig_embed&utm_campaign=loading)[A post shared by ☾𝑖𝑠𝑎 𝑏𝑟𝑖𝑜𝑛𝑒𝑠☽ (@isacamillebriones)](https://www.instagram.com/p/DWyg99ADnxI/?utm_source=ig_embed&utm_campaign=loading) **How do you go from making a fictional character your own to having to portray such a famous musical figure — and voice — like Connie Francis?** I guess I can’t spoil the show for people who haven’t seen it, since it’s \[based on\] real life. \[Connie’s\] in a very brief portion of the show, but you see years of growth. From her being a young kid trying to make music to being the superstar of the time, that all happens within 20 minutes. What I latched onto most was that journey’s suddenness. In the public eye, she’s on top of the world, but she’s going through something so sad in her personal life. She can’t be with Bobby and she has a father who is semi-abusive and saying, “You’re gonna work your ass off.” We see Connie performing through the sadness when she sings “Who’s Sorry Now.” Her father shot a gun in the dressing room right before she was going to perform. It’s this really traumatic moment and then she has to put on a smile and perform. That’s something I can connect to right now in this weird time. I have amazing success I’d never even dreamt of. And also, I’m going through my own stuff. But I’m gonna perform through the sadness. **Have you seen the *Pitt* Season Two finale?** No, they don’t show us anything. On Thursday \[when it premieres\], I’ll be performing. When I stage-door on Thursdays, the audience will be like, “We’re about to go and watch *The Pitt* right now. Double feature!” I don’t know \[when\] I’ll watch it. It’s nice being in an eightshow-a-week grind, because I don’t have time to think about how the \[TV\] show’s being received. I’m doing my own thing right now. I’ll think about *The Pitt* when I have to go back in a month. **We get a small, fun scene at the end where Santos and Mel \[King, another doctor\] follow through on a plan to shake off their shift with a round of karaoke. What else do you think would be on her setlist?** I’m Filipino. Santos is Filipino. She’s got to have some classic Filipino karaoke songs in there. Maybe she does “My Way” \[by Frank Sinatra\]. But I often do Whitney Houston. It’s my crowd pleaser. I also love, if I’ve got my girls around me, to do “Wannabe” \[by the Spice Girls\] or \[Fergie’s\] “Fergalicious.” Then a lot of Gaga. “Marry the Night,” “Judas,” I’ve got a whole set. **Is there anything you can share about Season Three?** I wish I could tell you something. They don’t tell us shit. We don’t know until we are on set. Drives me crazy. But I would like to see some growth. I would like to see Santos give in to some friendships a little more. I want to see some interesting growth with her and Langdon. Maybe they’re not at each other’s throats anymore. There’s this moment in \[Episode 14\] where he laughs at my joke behind me. Clearly, they should be friends. They should be at the club. *This article originally appeared* *on [rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-features/the-pitt-finale-isa-briones-interview-1235544573/)* ## Frequently Asked Questions ### Who does Isa Briones play on HBO’s ‘The Pitt’? Isa Briones portrays Dr. Trinity Santos, a sharp, guarded, and uncompromising young resident physician navigating personal trauma, addiction, and complex workplace dynamics on the hit medical drama The Pitt. ### What Broadway show is Isa Briones currently starring in? Isa Briones plays 1950s pop icon Connie Francis in the Broadway jukebox musical Just in Time, which explores the life and music of singer-songwriter Bobby Darin opposite stars Jonathan Groff and Jeremy Jordan. ### How does Isa Briones address fan criticism of Dr. Trinity Santos? Briones attributes much of the online backlash against Santos to double standards and misogyny in fan spaces, noting that audiences often have less patience for complex, abrasive female characters processing trauma compared to their male counterparts. ### What is the dynamic between Dr. Santos and Dr. Langdon on ‘The Pitt’? Dr. Santos and Dr. Frank Langdon (played by Patrick Ball) share a volatile dynamic rooted in mirrored personal struggles. Briones explains that Santos’ intense friction with Langdon stems from recognizing shared traits regarding addiction, guilt, and recovery that trigger her own insecurities. ### Will Isa Briones return for ‘The Pitt’ Season 3? Yes, Isa Briones is set to return for The Pitt Season 3, expressing hope that future storylines will explore Dr. Santos opening up to professional therapy, developing friendships, and reaching a mutual understanding with Dr. Langdon. Related Stories - [‘The Pitt’ Star Amielynn Abellera on Pinay Nurses, Stress, and Chismis](https://rollingstonephilippines.com/culture/film-tv/the-pitt-star-amielynn-abellera-interview/ "‘The Pitt’ Star Amielynn Abellera on Pinay Nurses, Stress, and Chismis") - [Can ‘The Pitt’ Keep Up In Its Second Act?](https://rollingstonephilippines.com/culture/tv/the-pitt-episode-1-season-2-recap/ "Can ‘The Pitt’ Keep Up In Its Second Act?") - [The Filipinas of ‘The Pitt’ Won Big at the Actor Awards](https://rollingstonephilippines.com/culture/tv/the-pitt-filipina-stars-actor-awards/ "The Filipinas of ‘The Pitt’ Won Big at the Actor Awards") **Categories:** Culture, TV **Tags:** Isa Briones, The Pitt --- ### [LISA Joins Anyma for ‘Bad Angel’ on the Coachella 2026 Main Stage](https://rollingstonephilippines.com/music/dance-electronic/lisa-anyma-coachella-bad-angel/) **Published:** April 18, 2026 **Author:** Pie Gonzaga **Excerpt:** After a canceled set last week, the Italian-American DJ got back on his feet with a Main Stage show featuring one of K-pop’s biggest artists **Content:** BLACKPINK’s [LISA](https://rollingstonephilippines.com/tag/lisa/ "Lisa") stepped out on [Coachella](https://rollingstonephilippines.com/tag/coachella/ "Coachella")’s Main Stage to perform the EDM-charged track “Bad Angel” with Italian-American DJ and producer [Anyma](https://rollingstonephilippines.com/tag/anyma/ "Anyma") on Saturday, April 18 (Philippine time). The number featured the K-pop singer strutting across the stage, in front of Anyma’s signature humanoid visuals. The midnight set also featured an appearance from rapper Swae Lee and Japanese-Australian singer [Joji](https://rollingstonephilippines.com/tag/joji/ "Joji"). Anyma released the track on April 8, just before [Coachella 2026](https://rollingstonephilippines.com/tag/coachella-2026/ "Coachella 2026") kicked off. He was set to perform at the festival on April 11, but had to cancel his set due to strong winds affecting his stage setup. Instead, he performed back-to-back with German DJ Marlon Hoffstadt at the Do LaB Stage on Sunday, April 12. LISA also joined Anyma and Hoffstadt on their set to perform “Bad Angel.” ## Frequently Asked Questions ### What song did LISA perform with Anyma at Coachella 2026? BLACKPINK’s LISA performed the EDM collaboration “Bad Angel” with DJ and producer Anyma on the Coachella 2026 Main Stage. The track was officially released on April 8, just ahead of the festival. ### Which other artists performed during Anyma’s Coachella 2026 set? In addition to LISA, Anyma’s midnight Coachella Main Stage performance featured guest appearances from American rapper Swae Lee and Japanese-Australian singer-songwriter Joji. ### Why was Anyma’s Weekend 1 Coachella set rescheduled? Anyma’s scheduled Weekend 1 festival performance on April 11 was canceled due to severe wind conditions affecting his complex stage setup and digital visuals. He subsequently performed an unannounced back-to-back set with German DJ Marlon Hoffstadt at the Do LaB Stage on April 12. ### Did LISA perform at Coachella during both weekends? Yes, LISA joined Anyma during Weekend 1 for an impromptu pop-up appearance during his Do LaB set with Marlon Hoffstadt on April 12, followed by a scheduled feature on the main stage during Weekend 2 on April 18. ### What visual production accompanied LISA’s performance with Anyma? LISA’s performance of “Bad Angel” featured Anyma’s signature high-concept production, including massive hyper-realistic humanoid digital visuals and custom synchronized lighting across the Coachella Main Stage setup. Related Stories - [In BINI’s 2nd Coachella Weekend, A More Assured and Energetic Performance](https://rollingstonephilippines.com/music/pop/bini-coachella-2026-weekend-2/ "In BINI’s 2nd Coachella Weekend, A More Assured and Energetic Performance") - [KATSEYE’s Coachella Debut Had Big Highs and Some Awkward Lows](https://rollingstonephilippines.com/music/pop/katseye-coachella-2026-highs-lows/ "KATSEYE’s Coachella Debut Had Big Highs and Some Awkward Lows") - [BLACKPINK Lisa Spotted in Shoes from Filipino Brand GVN](https://rollingstonephilippines.com/radar/style/blackpink-lisa-gvn-shoes/ "BLACKPINK Lisa Spotted in Shoes from Filipino Brand GVN") **Categories:** Dance/Electronic, Music, Pop **Tags:** Anyma, Coachella, Coachella 2026, Lisa --- ### [Photographer Niña Sandejas Debuts alt164 Press With 408-Page Greyhoundz Book](https://rollingstonephilippines.com/music/rock/nina-sandejas-alt164-greyhoundz/) **Published:** April 18, 2026 **Author:** Elijah Pareño **Excerpt:** The music photographer launches a publishing imprint focused on Filipino music, starting with a 408-page archive tracing the nu-metal band’s rise **Content:** Music photographer Niña Sandejas has launched her own independent publishing imprint, alt164 Press, dedicated to the visual archive of Filipino music, alongside its first release: *GREYHOUNDZ*. The photo book spans 408 pages, documenting two decades of images Sandejas captured of the nu-metal icons. The book features live concert shots from festivals, mosh pits, and circle pits, as well as unguarded in-between moments of the band outside of performances. ![Greyhoundz](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/35d67da4-270c-4188-89b1-b7432b5d1163.webp) Sandejas met the band’s bassist Niño Avenido and has maintained access to them ever since. Photo from alt164 Sandejas began capturing more of the band during their *Execution Style*-era in 2008. “My first gig was during the 2010 Rock Awards,” Sandejas tells *Rolling Stone Philippines*. “Then shortly after, in 2011, Red Horse Beer hired me to document Muziklaban, and my first shoot was with [Greyhoundz](https://rollingstonephilippines.com/tag/greyhoundz/ "Greyhoundz").” Sandejas met the band’s bassist Niño Avenido and has maintained access to them ever since. “It’s not meant to be a chronological book since I wasn’t there in 1997, but I told the story as they have told it to me,” she says. “\[I\] arranged the photos to recreate their story by showing their journey from small bars to big stages based on my experience with them.” She later married Avenido. The book is now available for pre-orders via[ alt164.press](https://alt164.press/). ## Frequently Asked Questions ### What is alt164 Press? alt164 Press is an independent Philippine publishing imprint founded by veteran music photographer Niña Sandejas. The platform is dedicated to preserving, publishing, and archiving the visual history and subcultures of the Filipino music scene through high-quality photo books and print media. ### What does the ‘GREYHOUNDZ’ photo book contain? The 408-page GREYHOUNDZ photo book captures two decades of live festival performances, mosh pits, backstage moments, and candid off-stage life of Philippine nu-metal icons Greyhoundz, assembled from Niña Sandejas’ extensive personal photo archives starting from 2008. ### How is the ‘GREYHOUNDZ’ photo book structured? Rather than following a strict chronological timeline, the book is organized narratively based on Niña Sandejas’ personal journey and access with the band, illustrating Greyhoundz’s evolution from intimate underground club shows to massive stadium festival stages. ### Who is photographer Niña Sandejas? Niña Sandejas is a prominent Filipino music photographer known for documenting the country’s rock, heavy metal, and indie underground scenes for over fifteen years, having worked closely with major acts, music festivals, and editorial publications. ### How can fans purchase the ‘GREYHOUNDZ’ photo book? The GREYHOUNDZ photo book is published independently by alt164 Press and is available for pre-order directly through the imprint’s official website (alt164.press). Related Stories - [Greyhoundz’s Reg Rubio Chooses His Battles in Nu-Metal’s Loudest Scene](https://rollingstonephilippines.com/music/rock/reg-rubio-greyhoundz-interview/ "Greyhoundz’s Reg Rubio Chooses His Battles in Nu-Metal’s Loudest Scene") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") - [Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’](https://rollingstonephilippines.com/music/singer-songwriter-barbie-almalbis-myth-of-rakista-rolling-stone-interview/ "Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’") **Categories:** Music, Rock **Tags:** Greyhoundz, Niña Sandejas --- ### [In BINI’s 2nd Coachella Weekend, A More Assured and Energetic Performance](https://rollingstonephilippines.com/music/pop/bini-coachella-2026-weekend-2/) **Published:** April 18, 2026 **Author:** Pie Gonzaga **Excerpt:** A more confident girl group emerges in their second performance at the Mojave Stage, powered by costume changes, setlist tweaks, and louder Blooms in the crowd **Content:** [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI") heard you like confidence, and on Saturday, April 18 (Philippine time), the P-pop girl group turned up to the Mojave Stage with more of it after their [Coachella debut](https://rollingstonephilippines.com/music/pop/bini-makes-historic-coachella-debut/ "BINI Makes Historic Coachella Debut With Big Hits and Pinoy Pride") last week. The crowd was also louder this time around, making for a fulfilling closer to the group’s [Coachella 2026](https://rollingstonephilippines.com/tag/coachella-2026/ "Coachella 2026") run. Except for the opener, BINI performed the same setlist this weekend. Instead of last week’s “Shagidi,” the eight-piece opened with the 2022 song “Strings.” The girls also ditched the softer blue two-piece costumes for edgier metallic pink outfits. But even without these changes, the bigger energy this weekend would have already distinguished it from the first weekend’s performance. Where last week felt like the girls feeling out a new audience, BINI came around this time with renewed aplomb and trust in what they were doing. ![bini colet coachella weekend 2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/bini-colet-coachella-weekend-2.webp) BINI Colet thanks the crowd at Coachella 2026 for “being a part of our journey.” Screenshot from Coachella/YouTube The set, just like last week, was sprinkled with fiery dance breaks and an energy check that had the whole tent going “Eyyyy!” In the final chorus of the second song, “Out of My Head,” the crowd jumps to the beat, reciprocating the girls’ energy with raised hands. But it’s after the last song, “Pantropiko,” that the gravity of BINI’s [Coachella](https://rollingstonephilippines.com/tag/coachella/ "Coachella") run really sets in. When the girls say “Mabuhay ang musikang Pilipino” to an audience of Filipinos and foreigners, Philippine flags raised from the front to the back of the crowd, one cannot help but be filled with a sense of pride for the country whose music has finally made a significant impression on the world stage — and for the women who made it happen. ## Frequently Asked Questions ### What songs did BINI perform at Coachella 2026 Weekend 2? BINI performed a high-energy setlist at Coachella 2026 Weekend 2, opening with their hard-hitting 2022 track “Strings” instead of Weekend 1’s “Shagidi.” The eight-member P-pop group also delivered crowd favorites like “Out of My Head” and closed with their viral summer anthem “Pantropiko.” ### How did BINI’s Coachella Weekend 2 performance differ from Weekend 1? BINI’s Weekend 2 performance featured distinct wardrobe and setlist adjustments that elevated their stage presence. The group replaced their softer blue costumes with edgy metallic pink outfits and swapped their opening song to “Strings,” displaying greater confidence, vocal assuredness, and stronger crowd command on the Mojave Stage. ### Why is BINI’s Coachella performance culturally significant for the Philippines? BINI’s Coachella appearance marks a historic milestone as one of the most prominent international platforms ever secured by a Filipino pop group. By declaring “Mabuhay ang musikang Pilipino” before a global audience and sea of Philippine flags, they cemented P-pop as a rising global cultural force. ### Which Coachella stage did BINI perform on in 2026? BINI performed on the Mojave Stage during both weekends of Coachella 2026. Their appearance drew massive crowds of both Filipino and international music fans, transforming the tent into a high-energy showcase of synchronized choreography, live pop vocals, and Filipino cultural pride. ### How did international audiences react to BINI at Coachella? The Coachella crowd greeted BINI with enthusiastic reception and louder crowd engagement during their second weekend. Audiences jumped and danced along to tracks like “Out of My Head” and “Pantropiko,” reciprocating the group’s energetic delivery and solidifying their crossover appeal beyond their core Filipino fanbase. Related Stories - [BINI Makes Historic Coachella Debut With Big Hits and Pinoy Pride](https://rollingstonephilippines.com/music/pop/bini-makes-historic-coachella-debut/ "BINI Makes Historic Coachella Debut With Big Hits and Pinoy Pride") - [KATSEYE’s Coachella Debut Had Big Highs and Some Awkward Lows](https://rollingstonephilippines.com/music/pop/katseye-coachella-2026-highs-lows/ "KATSEYE’s Coachella Debut Had Big Highs and Some Awkward Lows") - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") **Categories:** Music, Pop **Tags:** BINI, Coachella, Coachella 2026 --- ### [Flood Control Issue Rises Again with Zaldy Co Arrest, Senate Flood Control Report](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/zaldy-co-arrest-flood-control/) **Published:** April 17, 2026 **Author:** Pie Gonzaga **Excerpt:** Months of stagnation in the flood control cases have left Filipinos wondering if justice will ever be served. The arrest of one of the corruption scheme’s major players changes that **Content:** In the early months of 2026, it seemed that everyone had forgotten about the [flood control corruption scandal](https://rollingstonephilippines.com/tag/flood-control-probe/ "Flood Control Probe"), after it gripped the nation in the second half of 2025. But on Thursday, April 16, fugitive ex-congressman [Elizaldy “Zaldy” Co](https://rollingstonephilippines.com/tag/zaldy-co/ "Zaldy Co") was finally found and nabbed in Prague, Czech Republic. The arrest coincides with new progress on the Senate Blue Ribbon Committee’s partial flood control report, which Senator [Panfilo “Ping” Lacson](https://rollingstonephilippines.com/tag/ping-lacson/ "Ping Lacson") says only needs three more signatures before being submitted to the plenary. President [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") took to social media late Thursday evening to announce the arrest of the former House appropriations chair, who is accused of making budget insertions related to flood control projects. “Nahuli na si Zaldy Co,” Marcos said. “He is now detained in Prague after crossing into the Czech Republic without proper documentation and is currently in the custody of Czech authorities. We are in close coordination with the Czech government to ensure that all legal processes are followed and to arrange for his return to the Philippines at the soonest possible time.” Marcos later on added that Co had attempted to enter Germany through the Czech Republic, but was stopped and returned to Czech authorities. On Friday, April 17, Interior Secretary [Jonvic Remulla](https://rollingstonephilippines.com/tag/jonvic-remulla/ "Jonvic Remulla") said that the Department of Foreign Affairs is working to [expedite Co’s extradition](https://www.abs-cbn.com/news/nation/2026/4/17/zaldy-co-may-be-back-in-ph-in-1-3-weeks-remulla-0723), and estimated that the ex-lawmaker would be brought back to the Philippines in one to three weeks. According to Remulla, Co’s Philippine passport was canceled, while his Portuguese passport was not in his possession, leading to his arrest. Co left the Philippines in July 2025, supposedly to seek medical treatment in the U.S., but has not returned since. In September 2025, amid investigations into anomalous infrastructure projects across the country, Co [resigned](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/zaldy-co-resignation-house-investigation/) from the House of Representatives. In November 2025, he accused Marcos of ordering [P100 billion in budget insertions](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/zaldy-co-marcos-budget-insertions/). ## Senate Flood Control Report Nears Completion Meanwhile, the Senate Blue Ribbon Committee’s partial report is only in need of three signatures before it is submitted to the plenary for deliberation, amendments, and adoption, Lacson said on Thursday. “At least two other \[Blue Ribbon Committee members\] have indicated their willingness to sign it,” he said. So far, six senators have signed the report: Senators [Bam Aquino](https://rollingstonephilippines.com/state-of-affairs/politics/bam-aquino-senatorial-elections-win/ "People Thought Bam Aquino Was Crazy. And Then He Won"), Kiko Pangilinan, [Risa Hontiveros](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/senator-risa-hontiveros-rolling-stone-interview/ "Senator Risa Hontiveros: ‘We Must Fight’"), [Erwin Tulfo](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/erwin-tulfo-first-10-senate-bills/ "Erwin Tulfo Already Has 10 Bills He Wants to File in the Senate"), Tito Sotto, and Lacson. Sotto is not a member of the committee, but has the power to sign the report as the Senate president. On Wednesday, April 15, Lacson [suspended](https://www.pna.gov.ph/articles/1272986) all Blue Ribbon Committee hearings and emphasized that the report had to be signed before lawmakers could seek out more hearings on the anomalous infrastructure projects. “Kung hearing tayo nang hearing at wala tayong logical conclusion na magkakaroon ng committee report na pagdedebatehan at aamyendahan at ia-adopt sa floor, naka-open-ended lahat ng ginagawa natin,” he said. He added, “I do not expect any member of the minority to sign. They can offer all kinds of reasons all they want.” Other members of the committee from the majority are Senators JV Ejercito, [Pia Cayetano](https://rollingstonephilippines.com/state-of-affairs/politics/pia-cayetano-women-children-senate/ "Pia Cayetano on the Politics of Care, and Her First 100 Days in the Senate"), Win Gatchalian, Lito Lapid, Loren Legarda, [Raffy Tulfo](https://rollingstonephilippines.com/tag/raffy-tulfo/ "Raffy Tulfo"), and Mark Villar. The minority members are Senators Rodante Marcoleta, Joel Villanueva, [Jinggoy Estrada](https://rollingstonephilippines.com/tag/jinggoy-estrada/ "Jinggoy Estrada"), [Bong Go](https://rollingstonephilippines.com/tag/bong-go/ "Bong Go"), [Imee Marcos](https://rollingstonephilippines.com/tag/imee-marcos/ "Imee Marcos"), and [Robin Padilla](https://rollingstonephilippines.com/tag/robin-padilla/ "Robin Padilla"). The report contains the committee’s findings and recommended legislative action, as its inquiries into the flood control issue were in aid of legislation. ## Frequently Asked Questions ### Why was former Congressman Zaldy Co arrested in Prague? Ex-lawmaker Zaldy Co was arrested in Prague after entering the Czech Republic without valid documentation following the cancellation of his Philippine passport. Co fled the Philippines in July 2025 amid growing investigations into his involvement in multibillion-peso flood control corruption schemes. ### What is Zaldy Co’s role in the Philippine flood control corruption scandal? As former chair of the House Appropriations Committee, Zaldy Co was accused of masterminding illicit budget insertions for substandard and non-existent flood control projects. He faces graft and malversation charges involving government infrastructure contracts linked to his family-owned enterprise. ### What is the status of the Senate Blue Ribbon report on flood control? The Senate Blue Ribbon Committee’s partial report is nearing plenary submission, requiring signatures from committee members to initiate floor debates and formal adoption. Committee leadership suspended further public hearings until this foundational legislative report reaches a definitive vote. ### What allegations did Zaldy Co make against President Ferdinand Marcos Jr.? Prior to his arrest, Zaldy Co released public statements accusing President Ferdinand Marcos Jr. of directing ₱100 billion in budget insertions into national infrastructure funds. Malacañang denied the allegations, characterizing the claims as unsubstantiated statements designed to evade prosecution. ### How does the Philippine government plan to return Zaldy Co from Europe? Philippine executive departments are coordinating with Czech authorities to expedite extradition and deportation proceedings for Zaldy Co. Officials estimate his return to Manila will take between one to three weeks following standard diplomatic and legal protocols. Related Stories - [DPWH Flood Control Projects Scandal: The Most Damning Revelations So Far](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/dpwh-flood-control-latest-updates/ "DPWH Flood Control Projects Scandal: The Most Damning Revelations So Far") - [‘Mother of All Scandals’: Winnie Monsod Weighs in on Flood Control Mess](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/winnie-monsod-flood-control-scandals/ "‘Mother of All Scandals’: Winnie Monsod Weighs in on Flood Control Mess") - [Zaldy Co Breaks His Silence: P100B Budget Insertions Under PBBM’s Orders](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/zaldy-co-marcos-budget-insertions/ "Zaldy Co Breaks His Silence: P100B Budget Insertions Under PBBM’s Orders") **Categories:** Philippine Politics, State of Affairs **Tags:** Flood Control Probe, Zaldy Co --- ### [2NE1’s Park Bom Addresses Drug Accusation vs. Dara in New Letter, But Doesn’t Say Sorry](https://rollingstonephilippines.com/music/pop/park-bom-letter-drug-dara/) **Published:** April 17, 2026 **Author:** Pie Gonzaga **Excerpt:** In a now-deleted letter to her co-members, Bom called Dara the “princess of the Philippines” and addressed the drug accusations she’d lodged against her groupmate **Content:** K-pop artist [Park Bom](https://rollingstonephilippines.com/tag/park-bom/ "Park Bom") has published and then deleted a long handwritten letter addressing her 2NE1 co-members and their fans, and touches on her accusation that Sandara Park, or Dara, used illegal drugs. But it isn’t quite the apology we were expecting. As of this writing, the letter has been removed from her social media channels. But fans have re-uploaded photos online. Bom started her letter by saying that she had dreamed of being a singer since she was young. “While studying abroad in the United States, I decided that I wanted to become a singer, and so I returned to Korea,” she wrote. From there, she addressed each member of the South Korean girl group 2NE1, starting with leader and rapper CL, whom she called a “god of performance.” Bom wrote, “She fulfills everything admirably. Even when she moves her hand, it looks cool. She is in charge of making everything look cool.” Of Minzy, the group’s youngest member, Bom said, “She is most definitely, without a doubt, the most spontaneous, strangest child. She is a delight. At random moments when I am on stage, I smile because Minzy makes me proud.” > Park Bom wrote a letter for CL, Dara, and Minzy and posted it in her Instagram. > > Translation below: [pic.twitter.com/zwkHtx5vdZ](https://t.co/zwkHtx5vdZ) > > — 2NE1 TRENDING TEAM 𓆩♡𓆪 (@2NE1\_Trending) [April 17, 2026](https://twitter.com/2NE1_Trending/status/2044990120072561085?ref_src=twsrc%5Etfw) Then she moved on to Dara. “Sandara is the princess of the Philippines,” she said. “I was always a fan \[…\] Along with me, the main vocal, we sing together and it creates a synergy because her voice is so beautiful.” After saying she loved the members, Bom went on to write, “In truth, about the drug accusations I made before, I am hoping that you will all just ignore that it happened.” In 2014, Bom was embroiled in a scandal when it was revealed that in 2010, customs officers at Incheon International Airport found Adderall, a prescription medication used to treat ADHD, in a package sent to her by family members from the U.S. As in the Philippines, Adderall is prohibited in South Korea because of its classification as an amphetamine. On March 3, Bom posted a now-deleted handwritten letter claiming that she had been framed to cover up for Dara’s alleged drug use. She admitted that she had attention deficit disorder, but that Dara had also been caught using drugs. “Sandara Park was caught for drug abuse, and to cover that up, they turned the medication into something labeled as a drug scandal involving me,” said Bom. Responding to the allegation the following day, Dara wrote in a post, “I have never used drugs. I wish her well.” ## Frequently Asked Questions ### What did Park Bom say about Sandara Park in her deleted letter? Park Bom praised 2NE1 member Sandara Park before addressing her prior drug allegations against her, stating she hoped fans would ignore that the accusations ever happened rather than issuing a formal retraction or apology. ### Why did Park Bom accuse 2NE1’s Dara of drug use? In March 2026, Park Bom claimed she was framed during her 2010 Adderall prescription controversy to cover up alleged drug use by Sandara Park. South Korean authorities previously investigated Bom for importing amphetamine-based ADHD medication. ### How did Sandara Park respond to Park Bom’s drug accusations? Sandara Park publicly denied all allegations of illegal drug use made by Park Bom, issuing a brief statement confirming she has never used drugs while expressing well wishes for her former 2NE1 bandmate’s health. ### Why was Park Bom’s 2010 Adderall scandal controversial in South Korea? Park Bom faced intense media scrutiny in 2014 when news broke that she had Adderall shipped from the United States in 2010. Adderall is illegal in South Korea due to strict classifications governing amphetamines. ### What is the current status of Park Bom’s handwritten letter? Park Bom deleted the handwritten letter from her personal social media accounts shortly after posting it online, though fan archives and translations continue to circulate across digital platforms and news outlets. Related Stories - [BTS Gets Honest About Military, Making ‘Arirang,’ and More](https://rollingstonephilippines.com/music/pop/bts-rs-cover-story-7-revelations/ "BTS Gets Honest About Military, Making ‘Arirang,’ and More") - [Jackson Wang on Personal Risks and Taking Chances](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/jackson-wang-interview-magic-man/ "Jackson Wang on Personal Risks and Taking Chances") - [SEVENTEEN Members Renew Contract As World Tour Ends](https://rollingstonephilippines.com/music/pop/seventeen-contract-renewal/ "SEVENTEEN Members Renew Contract As World Tour Ends") **Categories:** Music, Pop **Tags:** 2NE1, Dara, K-Pop, Park Bom --- ### [Olivia Rodrigo’s Looking Pretty Happy in the ‘Drop Dead’ MV](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-drop-dead-single-mv/) **Published:** April 17, 2026 **Author:** Mel Wang **Excerpt:** It’s been three years, but the pop star does not disappoint with her latest single **Content:** For someone who’s titled her third album *you seem pretty sad for a girl so in love*, [Olivia Rodrigo](https://rollingstonephilippines.com/tag/olivia-rodrigo/ "Olivia Rodrigo") looks pretty happy in her latest single’s music video, “Drop Dead.” Directed by Petra Collins (who also directed Rodrigo’s past videos, including “brutal” and “bad idea right?”), “Drop Dead” features the pop-punk princess stalking her latest flame on the internet while dancing around the Palace of Versailles. It’s definitely a reference to the song’s lyrics — “All pressed up in the bathroom line/ you’re looking like an angel on the walls of Versailles” — but isn’t this also what it feels like to scroll through your crush’s socials? I digress. The new single feels like a stark departure from Rodrigo’s previous tracks, many of which tended to lean towards an angrier and more heartbroken side to her. “Drop Dead” is undeniably dreamy, with the pop star mixing fluttery synths and lyrics about loving a boy so much that she might throw up (“Left hook, right punch to the gut,” she coos while she tiptoes through the palace grand hall with her headphones on). Over the past few weeks, Rodrigo’s been dropping several hints about “Drop Dead” on Instagram, posting snippets of its lyrics on Reels. The single comes months ahead of the release of *you seem pretty sad for a girl so in love*, which is set to arrive on June 12. “I am so proud of this record and I can’t wait for you to hear it,” Rodrigo wrote on Instagram. Although Rodrigo has yet to release any tour dates or any other hints about the upcoming album, she is set to work double duty on *Saturday Night Live* later this May. Here’s hoping that she makes sure to add a homecoming stop in the Philippines just like she did back in 2024. ## Frequently Asked Questions ### What is the title and release date of Olivia Rodrigo’s third studio album? Olivia Rodrigo’s third studio album is titled you seem pretty sad for a girl so in love, which was released globally on June 12, 2026. ### Who directed the “Drop Dead” music video and where was it filmed? The “Drop Dead” music video was directed by long-time creative collaborator Petra Collins and shot on location at the Palace of Versailles in France. ### How does “Drop Dead” differ musically from Olivia Rodrigo’s earlier hits? Unlike her signature angst-ridden pop-punk break-up anthems like “good 4 u” or “vampire,” “Drop Dead” features a dreamier, synth-pop, new wave sound with lighter lyrics focused on intense, overwhelming romance. ### Who produced and wrote “Drop Dead” with Olivia Rodrigo? “Drop Dead” was co-written by Olivia Rodrigo alongside Amy Allen and her primary producer Dan Nigro, who also handled the track’s production. ### Has Olivia Rodrigo announced a tour for her third album? Yes, Olivia Rodrigo announced the Unraveled Tour, spanning 86 dates across North America and Europe running from September 2026 through May 2027. 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Criminal Investigation and Detection Group (CIDG) Information Office Chief PMAJ Helen Dela Cruz confirmed that the rapper is currently in their custody, after a G3 Taurus Cal. 9mm pistol, a magazine of G3 Taurus Cal. 9mm pistol, and 15 pieces of live ammunition of G3 Taurus Cal. 9mm were recovered from the rapper. The CIDG Regional Field Unit (National Capital Region) implemented a search warrant for violation of Republic Act No. 10591 (Comprehensive Firearms and Ammunition Regulation Act) in Brgy. Laging Handa, Diliman, Quezon City, midnight of April 14. This resulted in the arrest of seven individuals, including a “Pinoy Rapper,” the CIDG statement said. According to the same statement by CIDG, apart from the confiscation of the firearms, 11 cartridges containing suspected liquid marijuana, four sealed transparent plastic bags containing powder suspected to be cocaine, and paraphernalia containing suspected marijuana were recovered from the suspects. Hev Abi was scheduled to perform at UP Fair: Kalye Tunes on April 15 at UP Diliman. His label Urban Department released a statement on skipping the performance on social media saying, “We regret to share that Hev Abi will no longer be able to perform due to circumstances beyond our control. We are truly sorry for any cause of disappointment this may cause, and we appreciate your understanding.” On April 16, the label released another statement saying, “We are aware of the situation and are monitoring it closely with our legal counsel. Our focus remains on supporting the artists and ensuring their well-being during this time.” By 6 p.m., Urban Department has released a third statement, denying “all allegations pertaining to this misunderstanding” that led to the arrest. The entire statement can be read below: ![Hev Abi Urban Development Statement Arrest](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Messenger_creation_D253FC4A-06AC-4899-B581-8379376ECA49.webp) *This is a developing story.* ## Frequently Asked Questions ### Why was Filipino rapper Hev Abi arrested? Rapper Hev Abi (Gabriel Abilla) was arrested on April 14, 2026, during a Criminal Investigation and Detection Group (CIDG) raid in Barangay Laging Handa, Quezon City. Police executed a search warrant for alleged violations of Republic Act 10591 (Comprehensive Firearms and Ammunition Regulation Act) and recovered a 9mm pistol, ammunition, and suspected narcotics. ### What statement did Hev Abi’s record label release regarding his arrest? Urban Department PH released statements categorically denying all allegations surrounding the arrest, characterizing the incident as a misunderstanding while confirming that legal counsel is working with authorities to resolve the matter. ### Was Hev Abi scheduled to perform at UP Fair: Kalye Tunes? Yes, Hev Abi was slated to headline UP Fair: Kalye Tunes at UP Diliman on April 15, 2026. His performance was canceled following his arrest, with management citing circumstances beyond their control. ### What items were confiscated during the CIDG raid involving Hev Abi? According to CIDG reports, officers seized an unlicensed G3 Taurus 9mm pistol, a magazine, 15 live rounds of ammunition, 11 cartridges of suspected liquid marijuana, and four sealed containers of suspected cocaine from the premises. ### How many people were arrested alongside Hev Abi? A total of seven individuals were taken into custody during the CIDG operation in Quezon City, all of whom underwent inquest proceedings for illegal firearm and drug possession charges. 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A show-stopping experience that mimics the energy of the King of Pop’s stage performances, the film is full of his all-time greatest shows, songs, and personal moments. The film is directed by Antoine Fuqua (*Training Day, The Magnificent Seven*) and produced by Graham King (*The Departed*). Growing up, Jackson was drawn to his uncle’s performances, watching his sets as fervently as any fan. “As a kid, I was obsessed with him,” he admits. “I would sit in front of the TV in the same living room where Michael once sat watching his tours and videos, just studying him. I couldn’t really understand then what it really was, but I knew I wanted to be immersed in this awe-inspiring energy.” For producer Graham King, however, Jackson’s fate was already sealed the moment they met. “It wasn’t about what Jaafar was saying or even his look. It was just a feeling of rightness that was so strong I couldn’t ignore it,” King recalls. “I felt something a bit like it when Rami Malek walked into my office and said, ‘I’d love to play Freddie Mercury.’ But this took it to a whole new level. There was something so spiritual about Jaafar that just talking with him about Michael got me emotional.” King says, “We looked at nearly 200 actors around the globe, and no one could beat Jaafar.” Director Antoine Fuqua also felt the same energy upon meeting Jackson. “When I first met him, I thought Jaafar had to be acting because he came across exactly like Michael with that gentle soul. Then I realized this is truly who he is. Soon after, we did a screen test with hair and makeup and the degree to which he looked like Michael freaked us all out. When we asked him questions in character, his answers were so beautifully poetic in that same way of Michael that our DP Dion Beebe, Graham, and I all had tears in our eyes.” What followed was two years of relentless training, practicing with Rich + Tone Talauega, the choreography team who toured with Michael Jackson starting with his 1996 “HIStory” tour. Jackson also immersed himself with all available media concerning his uncle. “Michael was always watching artists who inspired him, analyzing their work to understand what made them great, and incorporating those qualities into his own. I used the same process with him that he did with others. In addition to all the training, I was watching tons of interviews and private home videos, soaking up the nuances, the mannerisms, and most of all, the human.” ![michael jackson jaafar](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Michael_5.webp) Growing up, Jackson was drawn to his uncle’s performances. Photo courtesy of Universal Pictures As he was fortunate enough to have plenty of primary resources on hand, he also dove into his uncle’s work on different genres. Michael Jackson not only became the first Black artist who was in heavy rotation on MTV, but his music videos were legendary, becoming pop culture mainstays. “Michael would always say that he wanted his music to be universal, to be for everyone,” says Jackson. “That seems to have been his vision from the beginning, to bring people together through music. He didn’t want corporations to define what music you should listen to. He fought hard for that and opened up new paths for all the artists to come.” King recalled a heartwarming moment during the early stages of production, “One of the most emotional moments of my entire career came the day I showed Jaafar’s screen test to Michael’s mother Katherine. Her reaction was everything. She called me over and simply said, ‘That is Michael.’ And I replied, ‘That’s all I need to hear.’” *Michael* arrives in Philippine cinemas on April 22. ## Frequently ASked Questions ### Who is playing Michael Jackson in the upcoming biopic ‘Michael’? Jaafar Jackson, the real-life nephew of Michael Jackson, stars as the King of Pop in his feature film acting debut. ### How was Jaafar Jackson cast as Michael Jackson in ‘Michael’? Producer Graham King and director Antoine Fuqua selected Jaafar Jackson after auditioning nearly 200 actors worldwide, noting his natural mannerisms, voice, and physical resemblance during screen tests. ### How did Jaafar Jackson prepare to play his uncle in the film? Jaafar Jackson spent two years training with choreography duo Rich + Tone Talauega (who toured with Michael Jackson on his 1996 “HIStory” tour), studying archival concert footage, home videos, and private interviews to capture his uncle’s stage presence and personality. ### Who is directing and producing the ‘Michael’ movie? The biopic is directed by Antoine Fuqua (Training Day, The Equalizer) and produced by Oscar-winner Graham King (Bohemian Rhapsody, The Departed). ### When does the ‘Michael’ biopic release in theaters? Michael releases in Philippine cinemas on April 22, with worldwide theatrical rollouts distributed by Lionsgate and Universal Pictures International. 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Following the hearing, she released a statement accusing the committee of corruption and denying claims about her law education. She did not address her alleged misuse of confidential funds, from which the four impeachment complaints stem. During the hearing, Duterte’s former aide Ramil Madriaga said that Duterte “was not particularly good in school \[San Sebastian College – Recoletos College of Law\], often struggling with her academics, and habitually rude and violent to other students,” and that her former professor, Atty. Ryan Rey Quilala, had to “use his influence to ensure that Sara received passing grades.” “Of all the lies thrown during the Committee on Justice ‘mini trial’ on April 14, the one I personally take issue with is the claim, made by a bar flunker and kidnapping suspect, that I needed someone to help me get through law school,” Duterte said. “This mini-trial in the Committee on Justice is true to form for some of its members: abuse and corruption appear to be the only things they are capable of,” she added. After Duterte released her statement on Wednesday, April 15, House Justice Committee member Congressman Terry Ridon called on Duterte to attend future hearings to personally refute Madriaga’s claims. “The vice president has the right to join the hearings of the House Committee on Justice regarding the impeachment proceedings against her, for her to state her evidence \[on\] the allegations raised against her,” he said. “It would be better if she would mention her rebuttal during the House impeachment hearings, instead of using press statements and press conferences held by her lawyers,” he added. ## New Allegations Against the VP ![ramil madriaga sara duterte impeachment](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/ramil-madriaga-house-impeachment-hearing.webp) Duterte’s former aide, Ramil Madriaga, gives his testimony at the House hearing on April 14. Screenshot from House of Representatives of the Philippines/Facebook Cong. Gerville Luistro, who chairs the House Justice Committee, said in March that Duterte’s absence from the proceedings could fast-track the case’s transmission to the Senate, which can then move forward with a trial. “If their position is not to participate, then that is tantamount to saying na mata-transmit talaga ito sa Senate because unrebutted ang evidence ng complainant,” Luistro told [*ANC*](https://youtu.be/59YvCPGSVpM?si=ux2RX6R99M9UKAwN). But even this is not enough to get the vice president to attend the April 14 hearing, where Madriaga shared his sworn affidavit detailing several allegations against her. Among these was the claim that the Office of the Vice President (OVP) had spent P125 million in confidential funds in a single day, refuting previous media reports stating that the OVP utilized the money in 11 days. Madriaga also said that he had delivered two bags of cash worth up to P35 million each to former Ombudsman Samuel Martires in December 2022, on behalf of Duterte, and that he had already brought money to Martires for former President Rodrigo Duterte before that. [*Rappler*](https://www.rappler.com/philippines/ramil-madriaga-ombudsman-martires-received-money-rodrigo-sara-duterte/) reports that Martires denies these claims, saying that he wasn’t personally acquainted with the vice president. Additionally, the alleged bagman said that he was asked to help Duterte’s husband, Atty. Manases “Mans” Carpio, in facilitating the release of construction equipment confiscated by the Bureau of Customs in 2017 or 2018. According to Madriaga, the equipment turned out to be magnetic lifters allegedly containing 1,000 kilograms of crystal meth, or shabu. Reports from 2018 state that although authorities found the lifters in a Cavite warehouse, they failed to retrieve the drugs said to be worth P6.8 billion. Moreover, Rodrigo, then the president, dismissed allegations of the smuggled drugs as “pure speculation.” Aside from Duterte evading the impeachment hearings, Ridon also said that Carpio has sought a temporary restraining order (TRO) on a subpoena that the House Justice Committee issued on Duterte’s tax records. In Carpio’s petition for a TRO, he said that “a private person’s tax returns are highly confidential in nature,” *[Inquirer](https://newsinfo.inquirer.net/2211397/ridon-sara-dutertes-husband-seeks-tro-on-bir-docs-subpoena)* reports. But Ridon asserts that the tax records can be summoned by the Justice Committee, and that “these records are relevant to the determination of whether the vice president may have betrayed public trust, committed culpable violations of the Constitution, or committed other impeachable offenses.” ## Frequently Asked Questions ### What allegations were made against Vice President Sara Duterte during the April 14 House hearing? During the House Justice Committee hearing, former aide Ramil Madriaga submitted an affidavit alleging that Duterte misused ₱125 million in confidential funds in a single day, delivered cash to former Ombudsman Samuel Martires, and received academic intervention in law school. ### How did Sara Duterte respond to the House Justice Committee’s impeachment hearing? Vice President Sara Duterte issued a press statement accusing the House Committee on Justice of corruption and abuse. While denying the claims regarding her law school performance, she declined to attend the hearing to refute the financial misconduct allegations directly. ### What are the consequences of Sara Duterte skipping the impeachment hearings? According to House Justice Committee leadership, Duterte’s decision not to present rebuttal evidence speeds up the impeachment process. Unrebutted evidence accelerates the transmission of the articles of impeachment to the Senate for a formal trial. ### What was the claim regarding the ₱125 million in OVP confidential funds? Former aide Ramil Madriaga testified that the Office of the Vice President spent ₱125 million in confidential funds within a single day in December 2022, contradicting earlier reports that stated the funds were spent over 11 days. ### Why is the House Justice Committee seeking Sara Duterte’s tax records? The House Justice Committee issued a subpoena for Duterte’s tax documents from the Bureau of Internal Revenue to investigate potential betrayal of public trust, constitutional violations, and illicit enrichment linked to her confidential fund utilization. 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His band, alongside Queso and Slapshock, forms part of an unofficial triumvirate that defined the nu-metal scene in the ‘90s — commonly referred to as SlapQuesoHoundz. But since then, Rubio has mellowed down, choosing his battles in the rock scene more carefully to manage his temper. Writing tracks like “Pigface” off *7 Corners of Your Game*, “Doble Kara” from *Apoy*, and “Your Puppet and Clown” from their 2001 self-titled album, Rubio now sets his sights on an upcoming solo album, one he describes as something his parents would appreciate. ![Reg Rubio Interview](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Reg-Rubio-Body.webp) In more recent years — especially after becoming a father — Rubio has made a conscious effort to calm himself down. Photo by Kieran Punay “May mga nagsasabi noon na masyado kaming maingay para sa mainstream,” Rubio tells *Rolling Stone Philippines*. “Pero masyado kaming mainstream para sa underground.” Over the past 30 years, Greyhoundz has achieved a ton of milestones as the country’s premiere nu-metal unit. They represented the Philippines at the Wacken Metal Battle in Germany in 2024, headlined multiple PULP Summer Slam slots across different years at Amoranto Stadium, and oftentimes mount their own smaller yet insanely chaotic DIY shows under the Barangay Tibay banner in venues like Saguijo. “‘Di ko naman din sinasadya pero every time I write something parang nagiging general siya,” he says of audiences assuming a specific target in his songs. “Kahit personal experiences ko ‘yuing gusto kong mailabas diyan nakaka-relate ‘yung mga tao. So ‘yung ‘Doble Kara,’ hindi naman siya unique na experience, ‘no. Plastikan talaga ‘yun. Tsaka, para sa akin, ilang bagay lang naman ang masarap sulatan. Tapos ‘yung rock, fight music talaga siya e.” ## Love It The Hard Way Citing his more intimate moments with his bandmates and brothers in the scene, Slapshock and Queso, Rubio claims there’s a shared sense of healthy competition that spills outside of the scene, like when playing basketball. “Kahit sa basketball nagbabantaan kami nang masakit e. Alam mo ‘yun? Ganun kami ka-competitive,” he says. “Magkukwento ako kay Chi \[Evora\] at saka Jamir \[Garcia\] na kasama ko si TJ \[Brillantes\], kasi kami ‘yung mga naglalaro. ‘May kanta kaming bago, isa.’ Tas sabi nila, ‘Tangina patapos na nga ‘yung album namin.’ Bwiset kausap e.” In more recent years — especially after becoming a father — Rubio has made a conscious effort to calm himself down. Nu-metal is, after all, an angry genre filled with angry lyrics, so stepping back becomes its own kind of attitude. “When I love, I love hard. But that’s not soft still, right? So, marami pa rin akong kinakagalit. Pero ‘yung choice ko is imbes na pwede kong sabihin ‘Tangina mo ah,’” he says. “Kumbaga, pati ang atmosphere ng banda nagbago naman nung nagkapamilya kami. If you sing about hardships and you’re trying to fight through it, then it’s still fight music, right? Naisip ko, hindi na okay lang. Steady lang. I’m too old for that shit, right? But I still love heavy music. Kumbaga, ano na ‘to? Let’s fuck it up in a good way.” ## Frequently Asked Questions ### What is ‘SlapQuesoHoundz’ in Philippine rock music history? “SlapQuesoHoundz” refers to the triumvirate formed by Greyhoundz, Queso, and Slapshock. Emerging in the late 1990s, these three bands defined the Philippine nu-metal movement through heavy guitar riffage, Filipino lyrics, and intense live performances. ### What is Reg Rubio’s upcoming solo album about? Reg Rubio’s upcoming solo album marks a departure from Greyhoundz’s heavy, aggressive sound. Reflecting his personal growth and mature perspective, Rubio describes the material as melodic music that his parents would appreciate. ### How did fatherhood change Reg Rubio’s approach to songwriting? Fatherhood prompted Reg Rubio to step back from the raw aggression that defined early nu-metal. While retaining the “fight music” ethos, his newer writing channels hardships into constructive resilience rather than destructive anger. ### What international milestones has Greyhoundz achieved? Greyhoundz represented the Philippines at the Wacken Metal Battle in Germany in 2024. Over 30 years, they have also headlined multiple PULP Summer Slam festivals and sustained underground DIY culture via Barangay Tibay shows. ### What is Barangay Tibay in the Philippine underground scene? Barangay Tibay is an independent music collective and show platform co-founded by Reg Rubio. It hosts intimate, community-driven hardcore and metal gigs at iconic venues like Saguijo, supporting local underground bands. 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The film revolves around Olivia Jones, played by Grande, a former FBI hostage negotiator who is dating Greg Focker’s son, Henry Focker, played by Skyler Gisondo. However, Greg, played by Ben Stiller, isn’t really convinced of the wife-to-be just yet, given her suspicious background in manipulation. It’s officially Stiller versus Grande in a kind of psychological warfare within the family. The film is officially the fourth installment in the franchise. The first film, *Meet the Parents* came out in 2000. The film tells the story of Greg as he faces a series of disastrous and comedic misunderstandings while meeting his girlfriend’s overprotective, ex-CIA agent father Jack Byrnes played by Robert De Niro. The sequels *Meet the Fockers* and *Little Fockers*, released in 2004 and 2010 respectively. Both have found major success at the box office. *Focker-in-Law* arrives in cinemas on November 26. ## Frequently Asked Questions ### What character does Ariana Grande play in ‘Focker-in-Law’? Ariana Grande plays Olivia Jones in Focker-in-Law, a former FBI hostage negotiator whose background in tactical manipulation raises suspicion from her future father-in-law, Greg Focker (played by Ben Stiller). ### Who stars alongside Ariana Grande in ‘Focker-in-Law’? Focker-in-Law stars Ben Stiller reprising his role as Greg Focker, Skyler Gisondo as his son Henry Focker, and Ariana Grande as Henry’s fiancee Olivia Jones, setting up a psychological conflict between Stiller and Grande. ### Is ‘Focker-in-Law’ an official sequel to ‘Meet the Parents’? Focker-in-Law is the fourth official installment in the Meet the Parents comedy franchise, following Meet the Parents (2000), Meet the Fockers (2004), and Little Fockers (2010). ### What is the conflict in ‘Focker-in-Law’? The plot centers on Greg Focker applying the interrogation and surveillance tactics he learned from his father-in-law Jack Byrnes against Olivia Jones, suspecting her former FBI training hides ulterior motives for joining the family. ### When will ‘Focker-in-Law’ release in cinemas? Focker-in-Law is scheduled to premiere in theaters on November 26, entering wide theatrical release for the holiday movie season. Related Stories - [‘Wuthering Heights’ Reaches the Horniest of Heights](https://rollingstonephilippines.com/culture/reviews/wuthering-heights-movie-review/ "‘Wuthering Heights’ Reaches the Horniest of Heights") - [In ‘Sisa,’ The Women Lose Their Shit](https://rollingstonephilippines.com/culture/philippine-cinema/sisa-hilda-koronel-movie-review/ "In ‘Sisa,’ The Women Lose Their Shit") - [‘Wicked: For Good’ Sees Ariana Grande Grow A Backbone](https://rollingstonephilippines.com/culture/reviews/wicked-for-good-review/ "‘Wicked: For Good’ Sees Ariana Grande Grow A Backbone") **Categories:** Culture, Film & TV **Tags:** Ariana Grande, Focker-in-Law --- ### [Crate Digging Gives Vinyl Collecting the Thrill of the Unexpected](https://rollingstonephilippines.com/music/crate-digging-vinyl-collecting/) **Published:** April 15, 2026 **Author:** Jules Ng **Excerpt:** At events such as Kagatan, Manila’s longest-running record fair, vinyl collectors can find a sense of curiosity and community **Content:** [Vinyl](https://rollingstonephilippines.com/tag/vinyl-collecting/ "Vinyl Collecting") has gone from niche collectors to a whole culture with more and more record shops, listening bars, and retail spaces popping up. But interest goes deeper than just what’s trending, as longtime vinyl collectors know that the thrill lies less in having records than in hunting for them, also known as crate digging. At gatherings like Kagatan, Manila’s longest-running record fair, diggers, DJs, and collectors from Cebu to Japan flock to chase the high of scoring a rare title tucked away in an unassuming pile, overlooked by everyone else and priced too well to pass up. Here, wedged between storefronts and escalators on the second floor of Makati Central Square (MCS), music becomes tactile and social as vinyl enthusiasts gather to flip and scan for a find worth taking home. At the fair’s most recent edition, Cebu-based digger Jason Ng flew in hungry for a find. “I think of Kagatan like a scavenger hunt,” he says, “and every crate as a treasure chest with hidden gems.” After two days of hopeful digging, run-ins with old vinyl friends, and hours spent sifting through crates, Ng left with more than 20 records. One title stood out: *Unang Kagat* by [Hotdog](https://rollingstonephilippines.com/music/from-hotdog-to-raya-how-bongga-ka-day-transcends-time-and-genre/ "From Hotdog to RAYA: How ‘Bongga Ka Day’ Transcends Time and Genre"). “For the last decade, even if you have the money, you can’t find this album,” he says. That record alone was worth the trip. ## **First Pressing** Before fairs became a fixture in the local vinyl scene and record shops had accessible physical stores, crate digging in the Philippines was scarce. Records were found in old relatives’ homes, at garage sales that were few and far between, in provinces where vinyl had been discarded as trash, or, for the fortunate few, abroad, where analog culture had gone mainstream earlier. Before the boom of the last decade, Filipino plaka lovers resorted to trading on Multiply, joining Facebook groups, and gathering in the few record shops that existed at the time. Kagatan was born in 2011, just as crate digging culture in the Philippines began to take root. “When it first started, katuwaan lang siya among like-minded friends who were into vinyl,” DJ Arbie Won, the founder of Kagatan, owner of [Treskul Records & Cafe Bar](https://www.instagram.com/treskulrecords?igsh=MWJuY2VhMnF0eWFhbQ==), and a pioneering producer in Metro Manila’s hip-hop movement, recalls. “Siguro mga three or five sellers lang kami. This was maybe 15 years ago, sa B-side pa noon, before (Cubao) Expo.” The motivation, he says, was simple: “We just wanted to get rid of our records to buy more.” ![Arbie Won and Jenny Gustilo of Treskul Rolling Stone Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/ARBIE-WON-AND-JENNY-GUSTILO-TRESKUL.webp) Arbie Won and Jenny Gustilo co-owners of Treskul Records & Cafe Bar. Won is also the founder of Kagatan. Photo by Julianne Ng Jamie Lim, owner of [Vinyl Stop Greenhills](https://www.facebook.com/jamielim828/) and a longtime Kagatan attendee, recalls his experience: “The first Kagatans I attended were done outdoors and had a street party vibe. (There was everything) from pre-owned cheap-as-dirt records, to local 45s, to some pricey OPM records… and there were food stalls selling things like barbecue and burgers and hotdogs on sticks. I don’t believe I missed a single Kagatan since 2012.” Dino Domingo, founder of Cebu records and listening bar [BAIHAUS](https://www.instagram.com/baihausph/?hl=en), remembers something similar. “Mine was around the first quarter of 2013 at Pablo Gallery in Cubao Expo,” he says. “No hype, no big production, just vinyl and real ones.” Even then, it was never just about records changing hands, but about a growing network of music obsessives coming together to hunt, compare finds, trade stories, and discover — or rediscover — music. ## **New Arrivals** Crate digging bucks the current trend of streaming and online shopping. Instead of mere convenience, collectors seek more tangible connections beyond commerce. What makes the act special is its relation not just to the music but also to the community. That’s precisely how events like Kagatan grow. Despite growing from no more than five sellers to a quarterly fair with more than 25 vendors, the warmth of the local vinyl scene at Kagatan remains intact. “It felt very welcoming… like being a part of a family,” says Art Cang, a Gen Z vinyl DJ who only joined the scene in 2023. “Dati kasi, kilala mo talaga the old collectors and the usual faces. Then eventually, some of them brought their kids along, and then their friends along, and then kaibigan ng kaibigan. It’s a really good mix now,” Won says of how Kagatan’s crowd has evolved. Older diggers return to analog with instinctive affection, while younger ones are drawn to a format that feels refreshingly tangible. “The new generation, it’s almost like they’re going back. Everything is so consumable, so now they wanna hold physical music,” Gary Millare, also known as DJ Genie G and owner of the vinyl concept shop [RMX MNL](https://www.instagram.com/rmx_mnl/), observes. Won puts it plainly: “Na-miss ng tao ‘yung holding onto something, whether CD, cassette, or vinyl. Reading the cover, the liner notes. That kind of feeling.” ## **Bargain Bin** “After the pandemic, record prices talagang nagmahal,” Won says. He remembers a different market before analog music’s revival: “Oh, it was cheap. Mura lang lahat. If you bring P1,000 back then, marami ka nang mabibili.” Those days may be gone, but Won is quick to add that not everything is out of reach. “If you’re patient, there are still deals to be had.” Crate digging rewards those willing to dig deep, not just for lower prices, but for records that would never surface through a search bar. “I prefer ganito kasi you can discover ‘yung wala sa algorithm mo, mga random discoveries,” Won says. “Buying things online just doesn’t have the same thrill as finding something unexpectedly,” says Cang. At fairs like Kagatan, sellers bring out records they would not normally put into circulation. [Bear’s Den Records](https://www.instagram.com/bearsdenrecords/) owner Al Rivera says he brings out “the deeper collection… rare, more obscure, not the usual stuff that I bring,” and points out that many sellers have distinct specialties: some focus on new wave, others on punk or soul. “‘Pag may naghanap ng Metallica, itatanong kung sinong meron,” says the Legazpi Sunday Market vendor. “‘Yung records kasi, hindi siya madalas na may doble,” he says. As Karl Pagunuran, owner of [Good Vibrations Records](https://www.instagram.com/goodvibrationsrecordsph/), puts it: “Nandito pa rin ‘yung spirit of crate digging. Talagang ‘yung crates dito, hindi \[mo\] alam kung anong makikita mo. Hindi siya parang ma-expect \[mo\] kung anong laman.” ![KARL PAGUNURAN Good Vibrations Records Rolling Stone Phililppines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/KARL-PAGUNURAN-GOOD-VIBRATIONS-RECORDS.webp) Karl Pagunuran of Good Vibrations Records. Photo by Julianne Ng Discovery also happens through organic exchanges. “Now that I’m curating for my sets, I’m open to getting recommendations from fellow DJs here,” Cang says. It’s a messier, more human, and more meaningful way of finding music. At one booth, a copy of The Temper Trap’s *Conditions* (Limited Edition 10th Anniversary Edition on white vinyl) sat on display like a holy relic. When the seller was asked for the price, he smiled and asked, “Are you prepared?” P10,000. Not every crate yields a bargain, but that, too, is part of the game. Like treasure, what makes a crate find fulfilling is that it never comes easily. ## **Foreign Release** The hunger to hunt can take diggers into every nook and cranny they can squeeze into. A holiday itinerary suddenly includes a stop at an unassuming apartment in Mong Kok, a branch of Tower Records in Tokyo, a flea market in Canada, or, back in Manila, a trip to the basement of MCS for Bebop Records, run by Bob de Leon, who has been dealing vinyl for nearly 30 years. ![Bebop Records Makati Cinema Square](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Bebop-Records.webp) Bebop Records at Makati Cinema Square. Photo by Julianne Ng The same instinct draws foreign collectors to the Philippines. Diggers from Japan, Europe, and Australia come for the chance to find Filipino titles that rarely surface elsewhere. OPM records in particular have become sought-after items for international collectors as well. For Yuriko Takatori, a Japanese expat, vinyl collector, and new DJ living in the Philippines, records can bridge what language sometimes cannot. “Even though we have different backgrounds, you can talk through records,” she says. “If you go around each booth, everybody has their own selection. You can see the owner’s face through their vinyls.” Kagatan recently welcomed a group of renowned Japanese DJs who visited Manila just for the fair after years of record-buying with Won at Treskul Records. “We had sikat na mga Japanese guests — [DJ Koco](https://www.instagram.com/djkocoakashimokita/?hl=en), [Hiro-san](https://www.instagram.com/bo_knows80/), and [Matsumoto](https://www.instagram.com/matsumoto_matcha/). He’s (DJ Koco) an internationally known hip-hop vinyl DJ specializing in 45s, and nakakatuwa na he flew in just for Kagatan,” Jenny Gustilo, Won’s wife and co-owner of Treskul says. The group ended up scoring a rare Filipino record by The Howlers, a 1970s Filipino funk group, which has never been reissued. “I think the last copy I saw was maybe 10 years ago. I don’t know if it found the right buyer or talagang swerte ‘yung mga Japanese diggers,” Won jokes. ## **Long Play** For all the ways vinyl has become more visible in recent years, crate digging has endured not as a trend but as a practice. The format may be old, but the ritual around it continues to generate new life. Newcomers arrive with curiosity, old-timers stay with conviction, and somewhere in between, casual buyers turn into collectors, collectors into DJs, and DJs into resellers. As Domingo puts it, “Bigger crowds, younger faces and wider sound.” And if vinyl culture has a beating heart in Manila, Kagatan is where you can hear it loud and clear. “We’ve always been underground and indie, and I think it will remain that way,” Gustilo says. “Arbie has never wanted it to be commercialized… Just go with the flow, very organic.” Instead of selling out, the fair upholds the culture by inviting people to buy into curiosity, curation, and community. ![Crate Digging at Kagatan](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Crate-Digging-at-Kagatan.webp) Crate digging at Kagatan. Photo by Julianne Ng “Kagatan has soul,” Pagunuran says. “Lahat ng sellers, they prepare ‘yung mga stocks nila every time. A lot of sellers here are also DJs, so mas maganda ‘yung curation.” Won traces that same spirit back to the sellers themselves. “All the vendors here, they’re not here to just sell you a record,” he says. “We’re all trying to share the history behind it… Hindi lang buy and sell.” Domingo puts it simply: “It was never just an event. It’s rooted in a real community. No gimmicks, just genuine love for vinyl, the thrill of the dig and people who keep showing up for the culture.” The fair’s name can be traced back to Juan de la Cruz Band’s “Kagatan,” says Gustilo. “Listen to the lyrics: ‘Kagatin mo, huwag mong lubayan.’” A bite is how it starts: a mint 45, a stray cassette, a 7-inch disco mix you did not expect to find. But the minute you find yourself digging elbow-to-elbow under back-to-back DJ sets, the hunger never really goes away. ## Frequently Asked Questions ### What is Kagatan in Philippine vinyl culture? Kagatan is Manila’s longest-running record fair, founded in 2011 by Treskul Records owner DJ Arbie Won. Held quarterly at locations like Makati Central Square, it brings together local and international vinyl collectors, DJs, and independent record sellers. ### Why is crate digging significant in the Philippines? Crate digging allows collectors to discover rare, out-of-print Original Pilipino Music (OPM) pressings and obscure global releases unavailable on digital streaming platforms, while fostering a physical community centered around vinyl preservation and music history. ### Why do foreign record collectors travel to Manila for vinyl? International diggers travel to Manila to locate rare 1970s OPM funk, disco, and rock records that were produced in small quantities and never reissued. Independent fairs like Kagatan offer direct access to specialized local collections and rare pressings. ### How has Gen Z contributed to the Philippine vinyl revival? Gen Z listeners in the Philippines are adopting vinyl, cassettes, and CDs to seek physical, tactile connections with music as a counterweight to fast streaming algorithms, turning record fairs into generational gathering spaces for young DJs and collectors. ### Where do collectors find rare vinyl records in Metro Manila? In addition to pop-up fairs like Kagatan, collectors hunt for vinyl at specialized physical spaces, including Makati Central Square’s Bebop Records and Treskul Records, alongside weekend flea markets and independent record shops across Greenhills and Cubao. Related Stories - [Inside the Fight to Keep Physical Media Alive for Filipino Music Fans](https://rollingstonephilippines.com/music/physical-media-filipino-music/ "Inside the Fight to Keep Physical Media Alive for Filipino Music Fans") - [In the Age of Digital, These Filipino Punk Labels are Doubling Down on Vinyl, CDs, Cassettes](https://rollingstonephilippines.com/editors-picks/features/still-ill-mutiliated-noise-punk/ "In the Age of Digital, These Filipino Punk Labels are Doubling Down on Vinyl, CDs, Cassettes") - [For Melt Records, It’s Not About Being the Biggest Music Label](https://rollingstonephilippines.com/editors-picks/features/melt-records-indie-music-cebu-label-visayas-mindanao/ "For Melt Records, It’s Not About Being the Biggest Music Label") **Categories:** Music **Tags:** Crate Digging, Vinyl Collecting --- ### [Jack White Calls Out MAGA Christians, Labels Trump ‘Antichrist’](https://rollingstonephilippines.com/music/rock/jack-white-calls-out-trump-maga/) **Published:** April 14, 2026 **Author:** Elijah Pareño **Excerpt:** The rock icon criticized the president and his Christian supporters after a viral AI image, calling out what he described as blasphemy **Content:** [Jack White](https://rollingstonephilippines.com/tag/jack-white/ "Jack White"), the garage rock icon of The White Stripes alongside former partner Meg White, has had enough of the hypocritical MAGA Christians who continue to support U.S. President [Donald Trump](https://rollingstonephilippines.com/tag/donald-trump/ "Donald Trump"). On April 13, White took to Instagram to air out his grievances toward the religious conservatives, calling Trump “Antichrist” after an AI-generated image depicting Trump as a Christ-like figure “healing” America was shared by the president and circulated online. White then went on to namecheck a series of controversies Trump has been involved in over the past several years, both prior to and during his presidency. “Listen, if the felonies, Epstein files, rapes, bombing of schoolchildren, gestapo ICE agents attacking his own citizens, threatening to invade Greenland, Cuba, Venezuela and Iran all didn’t convince you that you fell for this deranged grifter, maybe this lil’ post will?” he writes on his personal profile. > [View this post on Instagram](https://www.instagram.com/p/DXFnnTJCS7Q/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Jack White (@officialjackwhite)](https://www.instagram.com/p/DXFnnTJCS7Q/?utm_source=ig_embed&utm_campaign=loading) That barrage of criticism didn’t stop there. White also called out Trump and his supporters for later claiming that the image was meant to depict him as a doctor, not a Christ figure, during an impromptu White House event on April 13, a defense that followed widespread backlash online. “How can any so-called Christian support him after this blasphemy? How could any Catholic support him after he attacks the character of their Pope multiple times?” he says after Trump came after [Pope Leo XIV](https://rollingstonephilippines.com/tag/pope-leo-xiv/ "Pope Leo XIV"). The pope notably called out the “neocolonial” powers’ violations of international law earlier this week. “How did so many millions of people fall for this conman? He’s already got worst President in the history of America on lock, but I’m gonna go ahead and take the honor of pronouncing Trump ‘Worst American of All Time.’” Trump has since deleted the controversial AI image showing him in a white robe with his hand over a man’s head to resemble a “healing.” He originally posted this on his Truth Social platform following a message in which he called the American pope “weak on crime” and “terrible for foreign policy.” ## Frequently Asked Questions ### Why did Jack White label Donald Trump the “Antichrist”? Jack White called Donald Trump the “Antichrist” after Trump shared an AI-generated image depicting himself in Christ-like robes performing healings. White criticized evangelical and Catholic supporters for endorsing Trump despite his history of legal controversies and public attacks on religious figures. ### What was depicted in the controversial AI image shared by Donald Trump? The AI-generated image posted to Truth Social depicted Donald Trump in a white robe placing his hand over a man’s head, visual language commonly associated with biblical healings. The image was deleted following widespread criticism from both political opponents and conservative Christian figures. ### How did Donald Trump respond to the backlash over the AI image? Donald Trump defended the post during a White House event, claiming the AI image was intended to depict him as a doctor or Red Cross worker rather than a messianic figure. Despite this defense, the post was removed from his Truth Social profile. ### Why did Jack White criticize Catholic support for Donald Trump? Jack White questioned Catholic support for Trump by pointing to the president’s repeated verbal attacks on Pope Leo XIV. Trump had publicly criticized the pope as “weak on crime” and “terrible for foreign policy” after the religious leader spoke out against international law violations. ### Has Jack White publicly criticized Donald Trump before this incident? Jack White has been a vocal critic of Donald Trump for years. His previous actions include filing a copyright infringement lawsuit against the Trump campaign over the unauthorized use of The White Stripes’ song “Seven Nation Army” in campaign materials. Related Stories - [AI-Generated OPM is Quietly Spreading Online. Here’s How to Spot it](https://rollingstonephilippines.com/music/how-to-spot-ai-music-opm/ "AI-Generated OPM is Quietly Spreading Online. Here’s How to Spot it") - [10 Albums from 2016 That Aged Better Than Anyone Expected](https://rollingstonephilippines.com/music/2016-albums-retrospective/ "10 Albums from 2016 That Aged Better Than Anyone Expected") - [Inside The Weird World of Pro-Duterte Anthems](https://rollingstonephilippines.com/music/inside-the-weird-world-of-pro-duterte-music-anthems/ "Inside The Weird World of Pro-Duterte Anthems") **Categories:** Music, Rock, State of Affairs **Tags:** Donald Trump, Jack White --- ### [Soup, Theft, and All Other Times the ‘Mona Lisa’ was Attacked](https://rollingstonephilippines.com/culture/art/mona-lisa-attacked-history/) **Published:** April 15, 2026 **Author:** Pie Gonzaga **Excerpt:** At this point, what haven’t we thrown at the world’s most famous painting? **Content:** What do soup, rocks, and cake all have in common? They’ve all been thrown at the “[Mona Lisa](https://rollingstonephilippines.com/tag/mona-lisa/ "Mona Lisa"),” considered to be the most visited painting in the world. Recently, a viral video of a man vandalizing the painting [resurfaced](https://www.instagram.com/reel/DXE7wFfjxFq/?utm_source=ig_web_copy_link) online, nearly four years after the incident. On May 30, 2022, a man disguised as an elderly woman in a wig and a wheelchair threw cake at the “Mona Lisa” and told people to “think of the Earth” as he was escorted out. But that was neither the first nor the last time “La Gioconda,” another name for the painting, would be attacked. Believed to have been painted by literal Renaissance man Leonardo da Vinci between 1503 and 1506, the “Mona Lisa” has been in France’s possession since King Francis I bought it following da Vinci’s death in 1519, and was first put on display at the Louvre in 1797. Since then, people have been trying to get their hands on the masterpiece, either for profit or in protest. Here, we look at the recorded history of the “Mona Lisa” being attacked. ## Theft in 1911 On August 21, 1911, glazier and Louvre employee Vincenzo Peruggia hid in a broom closet and waited for the Salon Carré to empty before he removed the “Mona Lisa” from the wall, wrapped it in the white smock uniform of the museum employees, and took it to his apartment. Peruggia had worked on the painting’s glass case, but he was also an Italian patriot who believed that it should have been returned to Italy. The “Mona Lisa” could not be found for two years and was only discovered when Peruggia tried to sell it to the Uffizi Gallery in Florence in 1913. ![mona lisa 1914 returned to louvre](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/After_photo_for_the_return_of_Gioconda_at_the_Louvre_Museum_1914.webp) The “Mona Lisa” was returned to the Louvre on January 4, 1914. Photo by Roger Viollet/Wikimedia Commons ## The Case for the Bulletproof Case In 1956, while the painting was on display in Montauban, France, a woman threw acid on the painting’s lower half, but no significant damage was reported. Later that year, on December 30, a homeless Bolivian man named Hugo Unzaga Villegas threw a rock at the “Mona Lisa,” breaking its glass case and chipping a part of the left elbow. According to [*Cabinet Magazine*](https://www.cabinetmagazine.org/issues/3/goss.php), Villegas visited the Louvre with a rock in his pocket when the thought of throwing it at the painting occurred to him. By doing so, he had also hoped to find shelter in jail. After this, the painting’s glass case was replaced with bulletproof glass. ## Angry Visitors When the painting was on display at the Tokyo National Museum on April 21, 1974, a disabled woman sprayed the glass case with red paint. She did this in protest of a museum policy that excluded disabled persons from crowded exhibitions to maintain the orderly flow of visitors. On August 2, 2009, a Russian woman threw a mug at the painting, later telling police that she was frustrated because she wasn’t granted French citizenship. ## The Soup Attack ![mona lisa soup attack riposte alimentaire](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/mona-lisa-soup-attack-riposte-alimentaire.webp) The activists from the soup attack are from the French organization Riposte Alimentaire, which advocates for climate action and food security. Photo from Riposte Alimentaire/Instagram The soup usually comes before the dessert, but in the case of the “Mona Lisa,” the reverse is true. The cake incident in 2022 was followed on January 28, 2024 by a couple of female environmental activists. The two hurled soup at the painting and faced the other visitors to say, “What is more important, art or the right to healthy and sustainable food?” Like the cake attack and another protest action involving canned soup and Vincent Van Gogh’s “Sunflowers” in the U.K. that same year, this incident also sparked online debate about whether it’s right for activists to throw food at protected cultural heritage to make a statement. ## Frequently Asked Questions ### Why was the ‘Mona Lisa’ stolen from the Louvre in 1911? Louvre employee Vincenzo Peruggia stole the Mona Lisa in 1911 believing the Renaissance masterpiece belonged in Italy. He hid the painting in his apartment for two years before being apprehended while attempting to sell it to an art gallery in Florence. ### When was bulletproof glass installed around the ‘Mona Lisa’? The Louvre installed bulletproof glass around the Mona Lisa following two vandalism incidents in 1956. An acid attack earlier that year was followed by a Bolivian man throwing a stone that chipped paint off the subject’s elbow, prompting heightened security measures. ### Why did climate activists throw soup at the ‘Mona Lisa’ in 2024? Activists from the group Riposte Alimentaire threw pumpkin soup at the Mona Lisa’s protective enclosure to demand sustainable food systems. The act sought to highlight agricultural issues by confronting visitors with a choice between protecting art or human livelihood. ### Was the ‘Mona Lisa’ damaged during the 2022 cake attack? The Mona Lisa suffered no physical damage during the May 2022 cake attack. A protester disguised in a wheelchair smeared dessert across the protective glass enclosure to raise climate change awareness before museum security escorted him from the gallery floor. ### How has public activism influenced security surrounding the ‘Mona Lisa’? High-profile attacks ranging from political protests to climate actions have continuously reshaped the Mona Lisa’s physical security. Today, bulletproof glass, perimeter barriers, and dedicated security guards isolate Leonardo da Vinci’s canvas from physical harm while preserving public visibility. 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But Elise is still here, of course **Content:** It’s been three years since we’ve seen the Lamberts in *Insidious: The Red Door*, which turned out to be a direct sequel to the second *Insidious* film. The long and winding road to the fate of Renai, Josh, Dalton, and The Further, the purgatorial realm of the franchise, but we’re back again this year with *Insidious: Out of the Further* with a new family to scare. Lin Shaye reprises her iconic role as Elise, who manifests through a new medium (played by Maisie Richardson-Sellers). This time, they help a distraught mother and dentist, Gemma (Amelia Eve), who is raising her daughter in the house she grew up in (not a good sign in the world of *Insidious*). Gemma starts having nightmares (of course) and discovers she can travel into The Further, but with one caveat, as Elise mentions, “she can bring demons back to the human world.” Brandon Perea (*Nope, The OA*) is also here to be terrified. Jacob Chase (*Come Play*) is directing with Jason Blum, Oren Peli, James Wan, and Leigh Whannell also returning as producers. Insidious: Out of the Further is in theaters beginning August 19. ## Frequently Asked Questions ### What is the plot of ‘Insidious: Out of the Further’? Insidious: Out of the Further centers on Gemma, a young mother raising her daughter in her childhood home. Upon discovering she can enter the supernatural realm known as The Further, Gemma realizes her visits risk transporting demonic entities back into the real world. ### Is Lin Shaye returning for ‘Insidious: Out of the Further’? Lin Shaye reprises her role as parapsychologist Elise Rainier in Insidious: Out of the Further. In the film, Elise’s spirit manifests through a new medium, played by Maisie Richardson-Sellers, to guide the new protagonists. ### Who is directing ‘Insidious: Out of the Further’? Insidious: Out of the Further is directed by Jacob Chase, known for his work on Come Play. Franchise creators and veteran horror producers James Wan, Leigh Whannell, Jason Blum, and Oren Peli return to produce the installment. ### Does ‘Insidious: Out of the Further’ feature the Lambert family? Insidious: Out of the Further shifts focus away from the Lambert family featured in previous installments, introducing a new set of characters led by Amelia Eve and Brandon Perea while expanding the lore of The Further. ### When will ‘Insidious: Out of the Further’ release in theaters? Insidious: Out of the Further is scheduled to open in theaters starting August 19 in international territories, following its primary global release rollout. Related Stories - [‘Ella Arcangel,’ Filipino Fantasy-Horror Comic Series, is Getting Its Own Movie in 2026](https://rollingstonephilippines.com/culture/film/ella-arcangel-movie-adaptation-2026/ "‘Ella Arcangel,’ Filipino Fantasy-Horror Comic Series, is Getting Its Own Movie in 2026") - [‘Shelby Oaks’ Brings Found Footage Horror Back to Philippine Cinemas](https://rollingstonephilippines.com/radar/releases/shelby-oaks-philippine-cinemas/ "‘Shelby Oaks’ Brings Found Footage Horror Back to Philippine Cinemas") - [‘Primate’ Director Johannes Roberts on Evil Chimpanzees and Old-School Horror](https://rollingstonephilippines.com/culture/film/director-johannes-robert-on-primate/ "‘Primate’ Director Johannes Roberts on Evil Chimpanzees and Old-School Horror") **Categories:** Culture, Film **Tags:** Insidious: Out of the Further --- ### [Finneas Watched Every Scene of ‘Beef’ Season 2 ‘100 Times’ While Scoring the Show](https://rollingstonephilippines.com/culture/tv/finneas-composed-beef-score-netflix/) **Published:** April 17, 2026 **Author:** Kory Grow **Excerpt:** “True fan of this show, very honored and proud to be a part of it,” the songwriter says **Content:** If you don’t like the music in the latest season of Netflix’s *[Beef](https://rollingstonephilippines.com/tag/beef/ "Beef")*, take a minute to consider what went into writing it. [Finneas](https://rollingstonephilippines.com/tag/finneas/ "Finneas") O’Connell reports proudly, via a statement, that he “spent the last 12 months in BEEF land.” Moreover, he said, “I probably watched every scene 100 times while I scored the show and I felt it every time.” So just imagine what a year it’s been for O’Connell hitting repeat again and again times a hundred. (But let’s also consider the attention to detail he puts into the music he writes for himself and his sister, [Billie Eilish](https://rollingstonephilippines.com/tag/billie-eilish/ "Billie Eilish").) “Finneas is the brilliant mind behind most of the music that has soundtracked my personal life over the last decade, so it’s an absolute honor to collaborate with him on the new season,” *Beef* showrunner Lee Sung Jin said in a statement. “He has an incredible ability to make the darkest emotions sound so achingly beautiful, and I cannot wait for everyone to hear what he’s cooked up.” The anthology series, which focused on a beef between characters played by Ali Wong and Steven Yeun in its last iteration in 2023 (and subsequently won eight Emmys), will this time focus on a Gen Z couple played by Cailee Spaeny and Charles Melton. The actors portray a newly engaged couple who work together at a country club and witness a fight between the country club’s general manager (Oscar Isaac) and his wife (Carey Mulligan). As everything falls apart, both couples attempt to win the favor of the club’s billionaire owner, Chairwoman Park (Youn Yuh-jung), who, herself, is in an unraveling marriage to her second husband (Song Kang-ho). “All 8 episodes out April 16, All Original music by me,” O’Connell said in his statement. “Very grateful to Sonny for involving me, very grateful for the incredible performances from the entire cast.… True fan of this show, very honored and proud to be a part of it.” Earlier this February, O’Connell won the Song of the Year Grammy with Eilish for “Wildflower.” During their acceptance speech, Eilish spoke out against ICE, saying, “No one is illegal on stolen land.” After conservatives reacted online, O’Connell spoke out in support of his sister. “Seeing a lot of very powerful old white men outraged about what my 24 year-old sister said during her acceptance speech,” he wrote on Threads. “We can literally see your names in the Epstein files.” ## Frequently Asked Questions ### Who composed the original score for Beef Season 2? Finneas O’Connell composed the original music score for all eight episodes of Beef Season 2. This marks his first major collaboration with showrunner Lee Sung Jin and studio A24 on the anthology series. ### What is the plot and setting of Beef Season 2? Season 2 centers on a newly engaged Gen Z couple working at an elite country club who witness an alarming altercation between their boss and his wife. The incident sparks a series of manipulative moves to win favor with the club’s billionaire owner. ### Who stars in the cast of Beef Season 2? The anthology’s second season stars Oscar Isaac, Carey Mulligan, Cailee Spaeny, Charles Melton, Youn Yuh-jung, and Song Kang-ho. ### When did Beef Season 2 release on Netflix? Beef Season 2 premiered all eight episodes on Netflix on April 16, 2026. ### How long did Finneas work on the score for Beef Season 2? Finneas spent 12 months scoring Beef Season 2, watching scenes repeatedly to align the emotional tone of his music with the cast’s performances and Lee Sung Jin’s direction. 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The list of artists also includes other legends like Phil Collins, Iron Maiden, Sade, Billy Idol, Wu-Tang Clan, Luther Vandross, and Joy Division/New Order. The Manchester Britpop titans shook the global rock scene with arena hits such as “Wonderwall,” “Don’t Look Back in Anger,” “Stand By Me,” and “Live Forever,” fronted by lead vocalist Liam Gallagher and lead guitarist, former rival, and older brother Noel Gallagher. Both brothers have had a colorful history of going back and forth years prior to the induction. On a random day online, Liam went on a [spat](https://x.com/liamgallagher/status/1756909997739401452) about how he never needed the induction years ago. > [View this post on Instagram](https://www.instagram.com/p/DXH4CPflCjI/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rock & Roll Hall of Fame (@rockhall)](https://www.instagram.com/p/DXH4CPflCjI/?utm_source=ig_embed&utm_campaign=loading) Funnily enough, Gallagher had to eat crow and accept the honor, posting on X on April 14: “Reverse psychology vibes in the area Oasis RnR hall of farmers I mean famers,” Gallagher says. “I wanna thank all the people who voted for us it’s a real honour ever since I was a little kid and singing in the shower I’d dream about 1 day being in the RnR hall of fame it’s true what they say anything is possible if you have a dream.” Back in 2024, Gallagher went on X to say that singer Mariah Carey should be inducted, adding that she “smashed it” and would prefer her to be inducted instead of Oasis — Carey was a nominee for a third year in a row but was never officially inducted. “Fuck the Rock n Roll hall of fame its full of BUMBACLARTS LG. You know it \[sic\] I don’t need some wank award by some geriatric in a cowboy hat. As much as it’s appreciated, it’s all a load of bollox.” But becoming part of the same class as Joy Division/New Order, Wu-Tang Clan, and Iron Maiden doesn’t read like a load of “bollox” anymore. ## Frequently Asked Questions ### Why did Liam Gallagher accept the Rock and Roll Hall of Fame induction? Liam Gallagher publicly accepted Oasis’ Rock and Roll Hall of Fame induction on social media, expressing gratitude to voting fans and framing his previous critical statements as “reverse psychology” while calling the recognition a childhood honor. ### What did Liam Gallagher previously say about the Rock and Roll Hall of Fame? In 2024, Liam Gallagher dismissed the Rock and Roll Hall of Fame on social media, calling the award redundant and stating that pop figures like Mariah Carey deserved inclusion over Oasis while criticizing the institution’s selection committee. ### Who is inducted alongside Oasis in the Rock and Roll Hall of Fame class? Oasis is inducted alongside a diverse class of music legends, including Phil Collins, Iron Maiden, Sade, Billy Idol, Wu-Tang Clan, Luther Vandross, and Joy Division/New Order. ### What songs made Oasis eligible for the Rock and Roll Hall of Fame? Oasis earned their place through foundational 1990s Britpop anthems like “Wonderwall,” “Don’t Look Back in Anger,” “Live Forever,” and “Rock ‘n’ Roll Star,” which defined the era’s guitar music and UK youth culture. ### Will Noel Gallagher join Liam Gallagher for the Rock Hall ceremony? Neither brother has officially confirmed a joint appearance for the ceremony, given their volatile history following Oasis’ 2009 split, though their shared induction marks a major milestone in the band’s legacy. 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Here’s a Timeline of the Lopez Family Feud](https://rollingstonephilippines.com/state-of-affairs/abs-cbn-lopez-family-feud/) **Published:** April 16, 2026 **Author:** Pie Gonzaga **Excerpt:** A new statement from the media giant suggests that one of its directors threatened another shutdown amid power struggles in the Lopez family **Content:** What is happening inside the Kapamilya network? ABS-CBN Corp. reiterated in a new [statement](https://www.facebook.com/share/p/14cMmPVubg7/) that the company is not a party in the ongoing feud among its owners in the Lopez family, but says that one of its directors “proposed shutting down” the media giant. The director in question is [suspected](https://www.rappler.com/business/abs-cbn-statement-lopez-family-feud-april-15-2026/) to be Lopez Inc. President Federico “Piki” Lopez, whose refusal to authorize a P2 billion capital infusion into ABS-CBN allegedly triggered an ouster within the holding firm in February. The statement, issued by ABS-CBN on Wednesday, April 15, also addressed “PR attacks” purporting that “68 individuals ‘received preferred treatment’ in the payout of their retirement benefits, designed to sow intrigue among employees.” The media company refuted these allegations, saying, “The majority of these individuals are retirees who have received only partial or no retirement benefits, despite already retiring. They have agreed to voluntarily wait until ABS-CBN’s financial position improves before receiving full payment.” ABS-CBN added, “Repeated allegations that a P2 billion capital infusion would be used to pay out retirement benefits are also false. This has been refuted by all the board of directors members except one.” The media company’s [board](https://corporate.abs-cbn.com/who-we-are/our-leadership) includes Chairman Martin “Mark” Lopez, ABS-CBN President and CEO Carlo Katigbak, Rafael “Raffy” Lopez, Emmanuel de Dios, independent directors Randy David and Honorio Poblador IV, and Piki. This comes on the heels of a power struggle among the Lopez cousins, which has exploded into an ongoing legal battle as Piki takes his ouster to court. ## A History of Shutdowns ABS-CBN isn’t a stranger to shutdowns and controversy. In September 1972, after former President Ferdinand Marcos Sr. declared martial law, the government seized the network and its affiliate stations, putting ABS-CBN President Eugenio “Geny” Lopez Jr. in jail for five years without trial. After escaping imprisonment with his cellmate, Sergio Osmeña III, in October 1977, Geny self-exiled to the U.S. The network was rebuilt when Geny returned to the Philippines in March 1986, after the People Power Revolution. ABS-CBN faced its second shutdown in May 2020 when its franchise expired, amid the COVID-19 pandemic and under the administration of former President Rodrigo Duterte. The president had accused ABS-CBN of bias. After the network went off-air on May 5, 2020, ABS-CBN made efforts to renew its franchise, but on July 10, the House of Representatives voted 70–11 to reject its franchise application. The move was met with criticism from Filipino audiences and media workers, with human rights group Amnesty International Philippines calling it “another nail in the coffin of press freedom.” The company has coped with the shutdown by pivoting to digital platforms and streaming services, activities that don’t require a legislative franchise. ![abs-cbn compound quezon city before 2020 shutdown](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/ABS-CBN_Quezon_City_03-06-2020.webp) Outside the ABS-CBN compound in Quezon City, a banner calling for press freedom hangs on the wall, March 5, 2020. Photo by Patrick Roque/Wikimedia Commons The company may still not be in a prime position to fully recover if another shutdown is indeed on the horizon. Despite this, ABS-CBN remains optimistic. “We acknowledge that, following the loss of our franchise in 2020, we have experienced challenging financial years but have shown steady, consistent improvement,” it said in its statement. “Our board of directors and the rest of the Lopez family have commended the company’s progress and emphasized its existence as important to the country.” ## A Timeline of the Lopez Family Feud **February:** On February 27, former ABS-CBN CEO and Chairman Eugenio “Gabby” Lopez III initiated Piki’s removal from his position as president of Lopez Inc. Gabby, his brother Raffy, Mark, his brother Miguel Ernesto “Mike” Lopez, and their cousin Maria Eugenia “Ginny” Brown all voted in favor of the ouster. Piki and his brother Benjamin Lopez voted against it. The majority faction cites a “loss of trust and confidence” as the ouster’s cause. Their legal counsel, Ronald Ventura, later on said that the company’s bylaws “allow for the removal of any corporate officer even without cause by a majority vote.” **March:** Piki filed a complaint with the Mandaluyong Regional Trial Court (RTC), asserting that his removal was invalid because it was not included in the board meeting’s agenda, thereby allegedly violating corporate rules requiring that all matters to be taken up be disclosed. According to the majority faction, Piki believed that “his removal was retaliation for refusing to authorize a P2 billion capital infusion into ABS-CBN Corp,” which has struggled financially since its shutdown in 2020. [*Business Mirror*](https://businessmirror.com.ph/2026/03/28/abs-cbn-financial-mess-triggers-lopez-family-rift-court-steps-in/) reported that Piki and Benjamin had voted against using Lopez Inc.’s reserve funds on ABS-CBN due to the media company’s “unresolved audit findings.” The report also said the proposed P2 billion infusion was to be used for payouts to executives. On March 11, the Mandaluyong RTC issued a temporary restraining order on his removal, barring Raffy, who was proposed to replace Piki, from taking on the position of president until April 1. On March 28, ABS-CBN released its first statement on the matter, saying, “We wish to state that ABS-CBN is not a party to this case.” The statement, signed by all board members except Piki, also called the claims of “unresolved audit findings” and payouts to executives “baseless.” **April 1:** First Gen Corp., which Piki chairs, said in a stock exchange filing that he “still sits as president of Lopez Inc., and First Gen Corp. continues to operate business as usual, with no disruption.” **April 15:** ABS-CBN released a second statement saying a director threatened to shut down the media company. It said, “Records show that one of our directors proposed shutting down ABS-CBN without so much as discussing how it would meet its obligations to its people. Records also show that the majority of the directors strongly argued for continued financial support for ABS-CBN rather than liquidation to address the welfare of the company’s employees and retirees, as well as its other stakeholders.” *This is a developing story*. ## Frequently Asked Questions ### Is ABS-CBN closing down again due to the Lopez family dispute? ABS-CBN Corp. stated that while one board director proposed shutting down and liquidating operations, the majority of the board and the Lopez family voted to continue funding the network, emphasizing steady financial recovery and ongoing digital operations. ### Who are the main figures involved in the Lopez family boardroom feud? The feud involves Federico “Piki” Lopez on one side, and the majority faction led by former ABS-CBN CEO Eugenio “Gabby” Lopez III, along with board members Rafael “Raffy” Lopez, Chairman Martin “Mark” Lopez, Miguel Ernesto “Mike” Lopez, and Maria Eugenia “Ginny” Brown. ### Why did Federico “Piki” Lopez oppose the ₱2 billion capital infusion into ABS-CBN? Federico “Piki” Lopez voted against infusing reserve funds into ABS-CBN, citing unresolved corporate audit findings and concerns regarding accumulated net losses and management expenses following the loss of the network’s broadcast franchise. ### How did ABS-CBN respond to allegations about its retirement and pension funds? ABS-CBN clarified that claims of preferential treatment regarding retirement payouts were false. The network explained that senior retirees voluntarily deferred receiving full benefits to ensure that thousands of retrenched workers received complete separation pay following the 2020 franchise denial. ### What were the two previous shutdowns in ABS-CBN’s history? ABS-CBN was first shut down in September 1972 after President Ferdinand Marcos Sr. declared martial law, reopening in 1986 after the People Power Revolution. Its second shutdown occurred on May 5, 2020, after the House of Representatives denied its legislative franchise renewal under President Rodrigo Duterte. 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Pulling off four of them, across three different countries, with roughly 70 creatives attached, is a different type of chaos altogether. But this is exactly what Mei Bastes-Mijares hopes to achieve with her upcoming art initiative, [Manila Calling](https://rollingstonephilippines.com/tag/manila-calling/ "Manila Calling"). Through a series of pop-ups, performances, and happenings (e.g. flash tattoo sessions, a silk textile exhibition, etc.) Manila Calling aims to connect artists from a variety of mediums and showcase their work via a traveling bazaar. Kicking off with a send-off party in Comuna, Makati on May 2, the traveling exhibition will first make its way to Barcelona from May 15 to 16 before heading to Madrid. It will then set up camp in Intramuros, Manila for a grand exhibition from June 6 to 27. It’s also expected to appear in Tokyo, although final details have yet to be released. Bastes-Mijares’ main reason for creating Manila Calling isn’t just to travel the world with a roaming exhibition. “The concept… is really about bringing together creatives I’ve met, discovered, or connected with over the past decade,” she told *Rolling Stone Philippines*. “The idea was to give everyone exposure and a shared platform, and this project became the most organic way to make that happen.” > [View this post on Instagram](https://www.instagram.com/p/DWK07dMk84P/?utm_source=ig_embed&utm_campaign=loading)[A post shared by ＢＩＴＴＯ 🌐 (@studio\_bitto)](https://www.instagram.com/p/DWK07dMk84P/?utm_source=ig_embed&utm_campaign=loading) Although Manila Calling features a number of established Filipino creatives — including artist [Garapata](https://rollingstonephilippines.com/tag/garapata/ "Garapata"), designer and vocalist [Mich Dulce](https://rollingstonephilippines.com/culture/mich-dulce-on-pinoy-big-brother/ "What Mich Dulce Learned as an OG ‘Pinoy Big Brother’ Celebrity Housemate"), fashion brand [Mabuhay Maynila](https://rollingstonephilippines.com/tag/mabuhay-maynila/ "Mabuhay Maynila"), CCP 13 Artists awardee Zeus Bascon, and more — Bastes-Mijares was also intentional about inviting younger artists into the fold. Working with artists like Santo Slogo, Tilda, Rob Cham, and Elle Shivers, among others, has created an overall feel to the exhibition that’s “refined but still very contemporary,” according to Bastes-Mijares. “They brought in a fresh perspective and helped shape a more current and relevant lineup,” she said. “That combination of generations and influences helped define the project. It made the lineup more dynamic, and it also allowed us to create something that feels fresh, something that Manila hasn’t really seen in a while.” “I wanted diversity not just in artistic styles, but also in representation,” Bastes-Mijares added. “It was important for me to have a mix of voices across genders, and I’m really proud that LGBTQ+ creatives, as well as both male and female artists, are well represented in the Filipino lineup.” ## Something New > [View this post on Instagram](https://www.instagram.com/p/DXHnoMBkstT/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Manila Collective Inc. (@manilacollective)](https://www.instagram.com/p/DXHnoMBkstT/?utm_source=ig_embed&utm_campaign=loading) This isn’t the first time that Bastes-Mijares has focused on planning events that highlight Filipino talent. In the early to mid aughts, she made a name for herself around Manila by organizing Meiday, a series of free concerts that brought together well-known bands (e.g. [Sandwich](https://rollingstonephilippines.com/tag/sandwich/ "Sandwich"), Up Dharma Down) and acts who were then on the rise (e.g. Arigato Hato, Ang Bandang Shirley). “\[Manila Calling\] reminded me of the events I used to organize in the Philippines around 10 to 15 years ago,” she said. “They naturally brought together people from different creative fields… so in many ways, Manila Calling is a continuation and evolution of that same spirit.” But Bastes-Mijares emphasized that Manila Calling is set to be a completely different — and arguably more ambitious — endeavor compared to Meiday. “I don’t want to replicate what I had already done with Meiday,” she said. “I wanted to challenge myself and explore something new.” ![Manila Calling](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/manila-calling-b1.webp) And challenge herself she has, because organizing Manila Calling has come with its own set of speed bumps. “Logistically, one of the biggest challenges has been securing the right venues, especially since this is a tour without corporate sponsors,” said Bastes-Mijares. “That makes it significantly more difficult to lock in strong, well-suited spaces for each show. That said, we’ve been fortunate to receive support in different ways depending on the city.” Bastes-Mijares then noted that she’d worked closely with Intramuros’ local government office and the Spanish Embassy in the Philippines to make the Manila leg of the exhibition a reality. However, the organizer argues that it’s all been worth it, especially since it unites artists from different nationalities, mediums, and generations in one space. “I wanted to create a way to bring the work of my friends from the Philippines to an international audience,” said Bastes-Mijares, “and at the same time connect them with creatives I met abroad. The idea was to give everyone exposure and a shared platform, and this project became the most organic way to make that happen.” ## Frequently Asked Questions ### What is Manila Calling? Manila Calling is an independent, multi-city traveling art initiative created by organizer Mei Bastes-Mijares. The project brings together 70 interdisciplinary Filipino and international artists, featuring pop-up exhibitions, textile displays, live performances, and flash tattoo sessions across Spain, Japan, and the Philippines. ### Who is organizing the Manila Calling art tour? Mei Bastes-Mijares, a Manila-born curator known for founding the iconic mid-2000s independent music event series Meiday, organized Manila Calling. The initiative functions without corporate sponsorship, collaborating instead with local cultural embassies and independent spaces. ### Which cities are included in the Manila Calling exhibition schedule? The Manila Calling schedule begins with a May launch in Makati, Philippines, before traveling to Barcelona and Madrid, Spain. The tour returns to Intramuros, Manila, for a multi-week showcase, with additional stops planned for Tokyo, Japan. ### Which artists are participating in Manila Calling? The lineup features established and emerging Filipino creatives, including Garapata, Mich Dulce, Zeus Bascon, Rob Cham, Tilda, Elle Shivers, Santo Slogo, and fashion label Mabuhay Maynila, along with international visual artists. ### How does Manila Calling support LGBTQ+ and multi-generational representation? Manila Calling intentionally balances established figures like CCP 13 Artists awardees with Gen Z creators, while maintaining equal representation across gender identities and ensuring prominent visibility for LGBTQ+ Filipino artists across all tour stops. 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Many Filipinos navigate these systems in silence, often without support, while their families struggle to understand care that is rarely explained in ways that feel safe. Against this backdrop, Luxecare — the first private clinical model supported by LoveYourself Inc. in the Philippines, offering premium, confidential, and low-cost sexual health services — is changing how care is delivered and experienced. The opening of its sixth branch at the Parañaque Integrated Terminal Exchange (PITX) marks six years of growth, reflecting a sustained effort to make these services more accessible. The clinic’s approach centers on HIV and STI testing, services that remain critical in a country where stigma and misinformation continue to affect access and legislation. Free HIV testing and treatment have long been part of Luxecare’s model, alongside STI screening and care that aim to ease the hesitation often tied to getting tested. Preventive options such as PrEP and PEP are also part of their offering, widening the conversation from treatment to protection and long-term health. This work reflects how attitudes toward sexual health are gradually changing, with testing becoming a part of regular self-care; a mindset that continues to gain ground among younger Filipinos and queer communities. Clinics that adopt this approach contribute to a sense of normalcy around sexual health, one that places dignity at the center of the experience. ![Wanda and Zoe Black. Luxecare LoveYourself Inc. philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/DSC3224-copy.jpg) Wanda and Zoe Black. Photo Courtesy of Luxecare A key development in Luxecare’s services comes through its partnership with LoveYourself Inc., a leading Philippine-based non-profit focused on HIV advocacy, prevention, testing, and treatment, particularly for the youth, MSM (men who have sex with men), and transgender communities, grounded in the core principles of “Iiniingatan, Iinaalagaan, at Iinaasikaso.” Through this collaboration, Luxecare now offers Gender-Affirming Hormone Therapy (GAHT) consultations, a form of medical care that uses hormones to help align a person’s physical traits with their gender identity. For trans Filipinos, access to hormone therapy often involves fragmented systems, limited guidance, and financial barriers. Structured consultations grounded in medical expertise and empathy offer a different path, one that acknowledges both the physical and emotional dimensions of transition. ![Luxecare LoveYourself Inc. philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Luxecare-In-Art-03.jpg) Neithan Cebrano, Markki Stroem, Raymund Mejorada, Dr. Ronivin G. Pagtakhan, and Janlee Dungca. Photo courtesy of Luxecare Luxecare’s PITX branch places these services in a highly accessible location, connecting care to a transport hub used by thousands each day. Proximity plays a role in shaping who gets access, especially for individuals traveling from surrounding areas where specialized services remain scarce. Luxecare also provides e-consultations, allowing clients to seek guidance without the pressure of an in-person visit. This option addresses another barrier tied to stigma, where anonymity can influence whether someone chooses to access care at all. ![Luxecare LoveYourself Inc. philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Luxecare-In-Art-01.jpg) Dr. Angelo Rivera, Markki Stroem, Ronivin Pagtakhan, Janlee Dungca. Photo courtesy of Luxecare Support from public health stakeholders and community advocates continues to build around efforts like these, reflecting a wider recognition of inclusive healthcare as a necessity. Six years in, Luxecare’s growth reflects a model that connects services with lived realities. HIV and STI testing, preventive care, and gender-affirming support exist within the same ecosystem, shaped by the belief that healthcare should meet people where they are and with respect and clarity. *Visit [www.luxecare.ph](http://www.luxecare.ph) for more information on how to access these services. Follow @luxecarebyloveyourself on Instagram and @LuxecareByLoveyourself on Facebook for updates.* ## Frequently Asked Questions ### What services are offered at Luxecare’s PITX branch? Luxecare’s Parañaque Integrated Terminal Exchange (PITX) clinic offers confidential HIV and STI screening, preventive treatments like PrEP and PEP, gender-affirming hormone therapy (GAHT) consultations, and online e-consultations supported by medical professionals. ### What is Gender-Affirming Hormone Therapy (GAHT)? Gender-Affirming Hormone Therapy (GAHT) is a medically supervised treatment using hormones to align an individual’s physical traits with their gender identity. Luxecare provides structured GAHT consultations in partnership with LoveYourself Inc. to support transgender Filipinos safely. ### Is HIV testing free at Luxecare clinics? Luxecare offers free and confidential HIV testing services alongside low-cost STI screening, working in partnership with community health advocacy group LoveYourself Inc. to break down financial and social barriers to sexual healthcare. ### How does Luxecare protect client privacy and anonymity? Luxecare ensures client confidentiality through private clinic environments, non-judgmental medical staff, and digital e-consultation options, allowing individuals to seek advice and prescriptions without facing public stigma. ### How does Luxecare partner with LoveYourself Inc.? Luxecare operates as a private clinical extension supported by LoveYourself Inc., combining the non-profit’s community-first approach (“Iniingatan, Inaalagaan, at Inaasikaso”) with accessible private health infrastructure for youth, MSM, and transgender communities. **Categories:** RS Recommends **Tags:** Gender-Affirming Hormone Therapy, HIV --- ### [Lena Dunham Claims Adam Driver Screamed, Spat, and Threw Chair While Filming ‘Girls’](https://rollingstonephilippines.com/culture/books/lena-dunham-revelations-famesick-memoir/) **Published:** April 16, 2026 **Author:** Cheyenne Roundtree **Excerpt:** The multi-hyphenate wrote in her new memoir, 'Famesick,' that while filming the HBO series, she found herself on unsure footing around Adam Driver **Content:** In the [HBO](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max") show *Girls*, characters Hannah Horvath and Adam Sackler’s relationship was filled with intense emotional flare-ups and crushing heartaches, with the contention playing out across six seasons. And the real-life dynamic between creator and star [Lena Dunham](https://rollingstonephilippines.com/tag/lena-dunham/ "LENA DUNHAM") and actor [Adam Driver](https://rollingstonephilippines.com/editors-picks/commentary/rodent-boyfriends-ugly-women/ "Why The Internet Loves Rodent Boyfriends, but Detests ‘Ugly’ Women") sometimes mirrored what was happening onscreen, Dunham has revealed in her new book, *Famesick: A Memoir,* according to [*Variety*](https://variety.com/2026/tv/global/lena-dunham-adam-driver-verbally-aggressive-girls-threw-chair-1236721046/)*.* The multi-hyphenate wrote that while filming the beloved series, which ran from 2012 to 2017, she continually found herself on unsure footing around Driver, whose “anger could make him spit and throw things, was proportionate to the intensity of our creative connection.” ![Book cover for Lena Dunham's memoir Fame-sick; a person in white tights and black Mary Jane shoes rests legs on stone steps.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Famesick-Lena-Dunham.webp) Dunham’s memoir, *Famesick*, comes out this April. Photo from Penguin Random House A representative for Driver did not immediately return *Rolling Stone*’s request for comment. Dunham went on to list a series of incidents that occurred during filming, including early on in Season One, when they were shooting their first sex scene. “He hurled me this way and that,” Dunham wrote. “Stunned, I couldn’t speak for a moment, unsure of what had happened — had I lost directorial authority, allowed the scene to go off the rails, not given proper instructions? Would I be removed from my command post immediately?” “It wasn’t that I felt violated — and I also wouldn’t know if I had, as there was little in my sexual life that I hadn’t allowed to happen, and for no pay,” she continued. “But I felt that something intimate, confusing and primal had played out in a scenario I was meant to control.” Another time, while rehearsing in her trailer, Dunham said she was stammering over her lines when Driver allegedly lashed out, “hurl\[ing\] a chair at the wall next to me,” and screaming, “FUCKING SAY SOMETHING … WAKE THE FUCK UP … I’M SICK OF WATCHING YOU JUST STARE.” Though Driver “could be short-tempered and verbally aggressive, condescending and physically imposing,” Dunham wrote, the actor could also be “protective, loving even,” recalling a time when Driver comforted her during a prolonged, anxiety-filled week. She had been crushed when Driver said he had gotten engaged to his now-wife Joanne Tucker. “It was absurd to be heartbroken, to have thought I meant anything, that I occupied any role beyond distraction,” Dunham explained. “I was his scene partner, sure — and so when we were in a scene, his attention was piercing, his presence all-consuming. But in life? It would never be me who kept him in line. I didn’t have the chops. Even at work, I couldn’t do it, in the one place I was meant to make the rules.” Dunham said that after wrapping the pair’s final scene in Season Six, a Brooklyn diner where their characters awkwardly ate soup, Driver told her that he’d always love her. She said they haven’t spoken since. *This story originally appeared on* *[Rolling Stone](https://www.rollingstone.com/tv-movies/tv-movie-news/lena-dunham-adam-driver-screamed-threw-chair-girls-1235546552/ "Rolling Stone").* ## Frequently Asked Questions ### What claims did Lena Dunham make about Adam Driver in her memoir ‘Famesick’? In her memoir Famesick, Lena Dunham wrote that her Girls co-star Adam Driver exhibited intense and volatile behavior on set, including throwing a chair at a wall during rehearsal, deviating from agreed-upon scene blocking, and displaying loud verbal outbursts. ### What was the context behind the chair-throwing incident mentioned in ‘Famesick’? Dunham recalled an incident in her trailer where she froze while rehearsing lines with Driver. According to her account, Driver became frustrated, yelled at her to speak, and hurled a chair against the wall beside her. ### Did Lena Dunham accuse Adam Driver of physical harm? In follow-up interviews regarding the book, Dunham clarified that Driver did not physically harm her. She framed the incidents as reflections of a complicated, high-intensity creative dynamic between young actors navigating their first major roles on television. ### Have Lena Dunham and Adam Driver remained in contact since ‘Girls’ wrapped? According to Dunham, she and Driver had barely spoken during the final seasons of Girls and have not communicated since filming their final scene together in a Brooklyn diner for Season 6. ### Has Adam Driver publicly responded to the allegations in ‘Famesick’? When asked about Famesick at the Cannes Film Festival, Adam Driver declined to comment directly on Dunham’s claims, stating briefly that he had no comment and was “saving it all for my book”. Related Stories - [Lena Dunham’s ‘Too Much’ is No ‘Girls,’ and That’s the Point ](https://rollingstonephilippines.com/culture/film-tv/lena-dunham-too-much-tv-review/ "Lena Dunham’s ‘Too Much’ is No ‘Girls,’ and That’s the Point ") - [What to Watch Right Now: 10 Culture Picks from the Rolling Stone Philippines Staff](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/cinemalaya-good-boy-ed-gein/ "What to Watch Right Now: 10 Culture Picks from the Rolling Stone Philippines Staff") - [Why The Internet Loves Rodent Boyfriends, but Detests ‘Ugly’ Women](https://rollingstonephilippines.com/editors-picks/commentary/rodent-boyfriends-ugly-women/ "Why The Internet Loves Rodent Boyfriends, but Detests ‘Ugly’ Women") **Categories:** Books, Culture, TV **Tags:** Adam Driver, Girls, LENA DUNHAM --- ### [Delish Philippines Launches Website with Focus on Cultural Connections](https://rollingstonephilippines.com/radar/delish-philippines-launches-website/) **Published:** April 15, 2026 **Author:** Rolling Stone Philippines **Content:** The international food title [Delish](http://delish.ph) has arrived in the Philippines. One Mega Group Inc. sets a landmark in local publishing by launching Delish Philippines. Headed by Editor-in-Chief Angelo Comsti, whose decades of experience have helped shape the local culinary scene, Delish Philippines aims to showcase Filipino cuisine locally and beyond our shores. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Angelo-Comsti-Editor-in-Chief-of-Delish-PH-Photographer_-Kim-Angela-Santos.webp) Angelo Comsti, Chief of Editorial Content of Delish Philippines. Photo by Kim Angela Santos Meant to showcase Filipino food for local and global audiences, the initial salvo of the Delish Philippines website includes features on regional Filipino dishes, recipes featuring the tibok-tibok, tortang talong, and ginitaang kalabasa; and profiles on The Fat Cat’s Ron Cruz and Sly Samonte, two-time Philippine National Barista Champion and certified water sommelier. ![Josh Boutwood Delish](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Chef-Josh-Boutwood-of-Helm-Photographer_-Kim-Angela-Santos-1.webp) Josh Boutwood, chef of the country’s first two-Michelin-starred restaurant, Helm. Photo by Kim Angela Santos The launch, held on April 14, 2026, was attended by some of the biggest names in the Philippine culinary scene, including Josh Boutwood, chef of the country’s first two-Michelin-starred restaurant, Helm, as well as JP Anglo of Michelin-select Sarsa and Dubai’s Kooya Eatery. Read more on [delish.ph](http://delish.ph). ## Frequently Asked Questions ### What is Delish Philippines? Delish Philippines is the local digital and print adaptation of the global Hearst food brand Delish, brought to the country by One Mega Group Inc. It covers local and regional food culture, recipes, restaurant profiles, and heritage culinary traditions across Luzon, Visayas, and Mindanao. ### Who heads Delish Philippines as Editor-in-Chief? Food writer, author, and restaurateur Angelo Comsti serves as the Chief of Editorial Content for Delish Philippines. He brings decades of experience in culinary publishing, food styling, and recipe development to the brand’s editorial direction. ### When did the Delish Philippines website officially launch? The Delish Philippines website (delish.ph) officially launched on April 14, 2026, during an event held at Casa Buenas in Newport World Resorts, coinciding with National Filipino Food Month. ### Which chefs and industry figures attended the launch of Delish Philippines? The launch event was attended by prominent Philippine culinary figures, including Josh Boutwood of Helm, JP Anglo of Sarsa and Kooya Eatery, and Tausug chef Miguel “Miggy” Cabel Moreno of Palm Grill. ### What kind of content can readers expect on the Delish Philippines website? The website features regional Filipino dish guides, step-by-step traditional and contemporary recipes (such as tortang talong and tibok-tibok), profiles on local industry figures, and stories exploring the cultural history behind Philippine food traditions. Related Stories - [‘Delish’ is Finally Going Global, and the First Stop is the Philippines](https://rollingstonephilippines.com/radar/releases/delish-philippines-agc-phc/ "‘Delish’ is Finally Going Global, and the First Stop is the Philippines") - [Helm’s Josh Boutwood Feels the Pressure of Winning Two Michelin Stars](https://rollingstonephilippines.com/culture/food/chef-josh-boutwood-helm-michelin-stars/ "Helm’s Josh Boutwood Feels the Pressure of Winning Two Michelin Stars") - [Manila’s Top Restaurant Owners Talk Michelin in Rolling Stone PH Roundtable](https://rollingstonephilippines.com/media-channels/michelin-guide-manila-restaurants-roundtable/ "Manila’s Top Restaurant Owners Talk Michelin in Rolling Stone PH Roundtable") **Categories:** Events, Radar **Tags:** Delish Philippines --- ### [SB19 Joins KPOPWORLD Festival, Adding Another Festival to Their Growing Run](https://rollingstonephilippines.com/music/pop/sb19-joins-kpopworld-festival/) **Published:** July 22, 2026 **Author:** Elijah Pareño **Excerpt:** The P-pop powerhouse joins Jay Park, Jessi, The Rose, and more for the inaugural event at the Alamodome this October **Content:** [SB19](https://rollingstonephilippines.com/tag/sb19/ "SB19") is set to represent [P-pop](https://rollingstonephilippines.com/tag/p-pop/ "P-pop") at the first KPOPWORLD Festival & World Dance Competition, performing at the Alamodome in San Antonio, Texas. Produced by R Entertainment, the festival activities begin with a Dance Championship on October 28 and 29, featuring 32 teams from 29 countries. Winners will receive championship titles, cash prizes, trophies, and the chance to perform on the festival’s main stage. KPOPWORLD Magazine CEO Ebe Kh describes the event as designed for a fan-centered experience. > [View this post on Instagram](https://www.instagram.com/p/DbDkUO1u0LO/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Alamodome (@alamodomesa)](https://www.instagram.com/p/DbDkUO1u0LO/?utm_source=ig_embed&utm_campaign=loading) “KPOPWORLD Festival 2026 is about giving K-pop fans in this region a festival built around them, at a scale that matches how much this music means to them,” the CEO said in a press release. Alongside SB19 on October 30 and 31, the much-anticipated festival will also feature rappers Jay Park and Jessi, and rock band The Rose, former Monsta X member Wonho, WJSN’s Dayoung, ARTMS, Cravity, Xdinary Heroes, Heyoon, and Dean & Tabber. The K-pop festival in Texas is officially SB19’s latest international stage following their appearances at [Lollapalooza](https://rollingstonephilippines.com/tag/lollapalooza/ "Lollapalooza") later this July and Japan’s Summer Sonic in August. ## Frequently Asked Questions ### Who is the P-pop group playing at the KPOPWORLD Festival? SB19 will represent P-pop at the inaugural KPOPWORLD Festival & World Dance Competition. ### Who is playing alongside SB19 at the KPOPWORLD Festival? Jay Park, Jessi, The Rose, Wonho, WJSN’s Dayoung, ARTMS, Cravity, Xdinary Heroes, Heyoon, and Dean & Tabber are also part of the festival lineup. ### Where is the festival taking place? The KPOPWORLD Festival will be held at the Alamodome in San Antonio, Texas, United States. ### What are the other festivals SB19 is scheduled to play in so far this year? SB19 is also set to perform at Lollapalooza later in July and Japan’s Summer Sonic in August. ### Who is the KPOPWORLD Magazine CEO? The CEO of KPOPWORLD Magazine is Ebe Kh. Related Stories - [5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding](https://rollingstonephilippines.com/editors-picks/lists/5-moments-sb19-rewrote-p-pop-worldbuilding/ "5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding") - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") - [Filipino Artists are Touring the World — For Filipinos Abroad](https://rollingstonephilippines.com/music/filipino-artists-are-touring-the-world-for-filipinos-abroad/ "Filipino Artists are Touring the World — For Filipinos Abroad") **Categories:** Music, Pop **Tags:** SB19 --- ### [Kelela, The Strokes, rhodessa, and All the Songs You Need to Know](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/kelela-the-strokes-rhodessa/) **Published:** April 14, 2026 **Author:** Elijah Pareño **Excerpt:** Our weekly playlist of the best music right now, carefully picked by the Rolling Stone Philippines staff **Content:** Welcome to [Songs You Need to Know](http://rollingstonephilippines.com/editors-picks/songs-you-need-to-know), our weekly rundown of the best music right now. The *Rolling Stone Philippines* team is constantly sharing things to listen to, and each week, we compile a ragtag playlist of songs that we believe every music fan today needs to know. Whether it’s the hottest new single or an old track that captures the state of the present, our hope is that you discover something for your musical canon. This week’s songs are from the ones to watch out for. Out of the blue, alternative R&B singer [Kelela](https://rollingstonephilippines.com/tag/kelela/ "Kelela") emerged after nearly half a decade with her atmospheric surprise single “idea 1,” and New York’s most famous indie rockers [The Strokes](https://rollingstonephilippines.com/tag/the-strokes/ "The Strokes") are now riding the Delorian from the future in “Going Shopping.” Locally, artists like [Chezka](https://rollingstonephilippines.com/tag/chezka/ "Chezka") and [rhodessa](https://rollingstonephilippines.com/tag/rhodessa/ "rhodessa") explore their own lanes where the former examines the funeral as a ritual while the latter makes “hugot” more textural and in-depth. Kelela, ‘idea 1’ ![Kelela](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/kelela-1-1600x1600.webp) Photo from Kelela/Instagram *A cult R&B favorite dabbles in shoegaze* Over the course of her 13-year career, Kelela has become a cult favorite on Stan Twitter, and is praised for her malleability as an alternative R&B artist. Her debut album *Take Me Apart* had some more pop-adjacent tracks like “Waitin” and “LMK,” while *Raven* slinked into experimental ambient territory. After the release of *RAVE:N*, which compiled dance remixes of the sophomore album, fans wondered where Kelela would take her sound next. Nobody was expecting shoegaze. In “idea 1,” her first single since 2023, she sings over distorted guitars, vocals reverberating and echoing to connote emotional distance. Despite the choice to bring in these heavy guitars, there remains a meditative quality to this new track that doesn’t set it too far apart from Kelela’s existing work. In a 2025 interview with [*Rolling Stone*](https://www.rollingstone.com/music/music-features/kelela-in-the-blue-light-documentary-interview-1235277629/), she said that the album she’s working on would be “going back to something that I kind of started with,” which could mean either jazz or progressive metal, or even a combination of both. —*Pie Gonzaga* The Strokes, ‘Going Shopping’ ![The Strokes](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/the-strokes-1-1600x1600.webp) Photo from The Strokes/Instagram *The return of the New York kings* Nearly six years since the release of their last album *The New Abnormal*, New York’s very own The Strokes have made it out of the indie rock cryochamber, returning in the form of a robotic Julian Casablancas and guitar riffages that call back to their earlier material. Tighter and more tongue-in-cheek than ever, the new single “Going Shopping” goes into the band’s knack for the strange and the unorthodox, making it one of their most post-punk-adjacent releases to date. If anyone cries foul over the autotuned vocals, try checking out Casablancas’ other band, The Voidz, for once and see if it works better for you, just saying. —*Elijah Pareño* Chezka, ‘Stranger’s Funeral’ ![Chezka](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/chezka-2-1600x1600.webp) Photo from Chezka/Instagram *Understanding life and death in reverse* In her latest single, “Stranger’s Funeral,” rising indie-folk artist Chezka wonders how one’s death affects someone else’s life from a third-person perspective. She explores becoming the spectator, viewing the process of burial as a ritual. Known for writing her feelings in her trusty diary, Chezka shifts gears here, zeroing in on the spectacle of grief and the act of understanding death. It’s a mature take on songwriting that deserves more exposure in the current local singer-songwriter landscape. —*Elijah Pareño* rhodessa, ‘Nananabik’ ![rhodessa](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/rhodessa-1-1600x1600.webp) Photo from rhodes/Instagram *Yearning to be the one in pop-rock format* Singer-songwriter rhodessa has steadily risen as part of a new generation of pop-rock artists worth paying attention to. After releasing breakout track “Kisame” and her debut EP *kiss* back in 2024, her latest single “Nananabik” doubles down on hugot with sweeter melodies and stronger high notes in the hooks. There’s no denying that the instrumental — reverb-drenched guitars, hard-hitting percussion, and layered harmonies — adds depth to her songwriting about wanting to become the one. Let’s see where she goes from here. —*Elijah Pareño* Kelsey Lu, ‘Running To Pain’ ![Kelsey Lu](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/kelsey-lu-1-1600x1600.webp) Photo from Kelsey Lu/Instagram *Lush, warm, and emotional chamber pop* A new season of *Euphoria* is out, and even though I’ve lost faith in that mess, I still go back to its soundtrack. One of my favorite needle drops from Season 1 is Kelsey Lu’s “I’m Not In Love,” and I’m glad to see the American singer rolling out new music at this time, as if to remind us that *Euphoria* was once good — maybe even the best on streaming. Released on March 18, “Running To Pain” is the first single of her upcoming album, *So Help Me God*. In this lush, melodic chamber pop cut, Kelsey’s fiery vocals wind between low notes and falsettos, charged by the sizzle of the track’s many synths. Jack Antonoff and Daniel Wilson (who co-wrote Joji’s “Sanctuary” and Rosalía’s “Magnolias”) are credited as writers and producers on the song, joining the album’s other promising collaborators, such as Kim Gordon and Sampha. —*Pie Gonzaga* How To Destroy Angels, ‘A Drowning’ ![How To Destroy Angels](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/how-to-destroy-angels-1-1600x1600.webp) Photo from How to Destroy Angels/Instagram *Dark and atmospheric downtempo that stands the test of time* Over the first weekend of Coachella 2026, I learned that Nine Inch Nails’ Trent Reznor is married to a Filipino musician, Mariqueen Maandig (cue the national anthem). Maandig joined Reznor, Nine Inch Nails, and Boys Noize on the Sahara stage on Saturday, April 11, for what came to be one of the most electrifying, riveting sets of the weekend. And my post-NINchella deep dive into Maandig’s career is how I ended up listening to How To Destroy Angels. Maandig fronts the band, which she formed in 2009 with Reznor, NIN’s Atticus Ross, and their frequent collaborator Rob Sheridan. Released in May 2010, “A Drowning” is their first single, and echoes Reznor’s earlier work with NIN: dark, atmospheric, and heavy on the synth bass. If you’re a fan of Nine Inch Nails and even Massive Attack, How To Destroy Angels’ “A Drowning” is easy to love. —*Pie Gonzaga* ## Frequently Asked Questions ### What is Rolling Stone Philippines’ ‘Songs You Need to Know’? Songs You Need to Know is a weekly music discovery column compiled by the Rolling Stone Philippines editorial team. It features a curated playlist ranging from major international singles to emerging local tracks across alternative, R&B, rock, and indie genres. ### What is Kelela’s new single ‘idea 1’ about? “idea 1” marks alternative R&B singer Kelela’s return following a multi-year hiatus. The surprise release features atmospheric production and ambient vocal textures that signal a new sonic phase in her catalog. ### What sound does The Strokes’ track ‘Going Shopping’ explore? The Strokes’ track “Going Shopping” blends the band’s signature New York indie rock sound with futuristic synth arrangements and retro-futuristic production elements. ### Who are the local Filipino artists featured in this week’s playlist? This week’s roundup highlights Filipino artists rhodessa, known for her atmospheric and textural approach to “hugot” pop, and Chezka, who explores themes of mortality and ritual through a funeral narrative framework. ### How often is the ‘Songs You Need to Know’ playlist updated? The Songs You Need to Know playlist is updated weekly on official streaming platforms, bringing together new releases, underrated local tracks, and culturally significant music curated by Rolling Stone Philippines editors. 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Sony introduced a scene from *[Spider-Man: Brand New Day](https://rollingstonephilippines.com/tag/spider-man-brand-new-day/ "Spider-Man: Brand New Day")*, the fourth live-action film with Tom Holland as the friendly neighborhood webslinger. Holland, who spoke to the crowd via a prerecorded message, described this latest film as “big and fun and cool… the most emotional Spider-Man, and in some ways, the most grown up.” According to *The Hollywood Reporter*, the for-room-only clip shows Peter Parker crashing a house party that his former friends Ned (Jacob Batalon) and MJ ([Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya")) are throwing. While there, Peter finds Ned’s “Spider-Man board,” a wall of photos and newspaper clippings that he’s created to figure out the hero’s real identity. Peter also bumps into MJ, but flees the scene as soon as he realizes that she’s at the party with someone else. ![spiderman brand new day](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/spiderman.webp) *Spider-Man: Brand New Day* hits Philippine cinemas on July 29. Photo courtesy of Columbia Pictures Sony also released two new posters for *Brand New Day*, one that gives us a close-up of the Spider-Man mask and another that shows our hero fighting against a horde of katana-wielding ninjas. *Spider-Man: Beyond the Spider-Verse* also unveiled new material. As reported by *Variety*, the released scene picks up immediately after *Across the Spider-Verse*, with Miles Morales (Shameik Moore) trapped in another dimension. After escaping a tense interrogation scene with his uncle Aaron (Mahershala Ali) and Prowler Miles (Jharrel Jerome), the villains of this alternate dimension, Miles is saved by Spider-Gwen (Hailee Steinfeld), Spider-Ham (John Mulaney), Spider-Noir (Nicolas Cage), Peter B. Parker (Jake Johnson), and Spider-Punk (Daniel Kaluuya). Although a release date has yet to be set for *Beyond the Spider-Verse* (which should be premiering sometime in 2027), *Brand New Day* will hit Philippine cinemas on July 29. ## Frequently Asked Questions ### What happens in the ‘Spider-Man: Brand New Day’ CinemaCon scene? The Brand New Day footage shows Peter Parker encountering Ned Leeds and MJ at a house party. Peter discovers Ned’s “Spider-Tracker” app attempting to uncover Spider-Man’s identity and meets MJ, who has moved on with a new boyfriend. ### How does ‘Beyond the Spider-Verse’ follow up on ‘Across the Spider-Verse’? Beyond the Spider-Verse picks up immediately after the previous film’s cliffhanger, showing Miles Morales stranded on Earth-42. Miles uses his venom powers to escape interrogation by Prowler Miles and Uncle Aaron before reuniting with Spider-Gwen’s team. ### When will ‘Spider-Man: Brand New Day’ release in Philippine cinemas? Spider-Man: Brand New Day is scheduled to premiere in Philippine theaters on July 29. The film marks Tom Holland’s fourth standalone live-action appearance as Peter Parker. ### What is the plot context for ‘Spider-Man: Brand New Day’? Following the events of No Way Home, Brand New Day explores Peter Parker living isolated in New York City. With his loved ones’ memories erased, Peter balances street-level crimefighting while coping with his personal loss. ### Who directs ‘Spider-Man: Beyond the Spider-Verse’? Spider-Man: Beyond the Spider-Verse is directed by Bob Persichetti and Justin K. Thompson. The film serves as the final installment in Sony Pictures Animation’s animated trilogy centered on Miles Morales. 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But those lingering thoughts motivated him to push on and would eventually inspire their most recent album, *Arirang*. The seven-man group from South Korea has experienced it all, from their heavy rap beginnings in 2013 to the English-heavy era in 2021 that eventually launched them into the global stratosphere with singles like “Butter” and “Dynamite.” Their humble beginnings stand in stark contrast to their current aspirations, including, as RM puts it, the group’s desire to explore more and push themselves to the edge sonically. Since 2022, RM, Jin, Suga, J-Hope, Jimin, V, and Jung Kook have had a lot to say about their time in the military and community service. In their latest *[Rolling Stone](https://rollingstonephilippines.com/tag/rolling-stone/ "Rolling Stone")* cover story, the group shares the existential questions they had to face, what it was like being away, and how they really feel about their new album. Here are seven takeaways from their latest interview. ![BTS Rolling Stone](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/BTS_1.webp) When compared to artists like Taylor Swift, Bruno Mars, and Harry Styles, RM immediately downplays the comparison during the interview, choosing instead to position the group with humility. Photography by Pak Bae ## Jung Kook Came Up With ‘Hooligan’ As Spanish producer El Guincho met up with the band during the making of the new album, he played two beats for the group, which eventually merged into what would become “Hooligan,” one of the album’s biggest highlights in terms of production experimentation and boundary-pushing instrumentals. Jung Kook, who gravitated most toward the beat, came up with the flow, while the rest of the band followed suit with dance moves that flawlessly matched the song’s drum patterns. ## RM’s Time in the Military Was Heavy When RM enlisted in the military back in December 2023, he described the experience as a “cave,” where much of his time strained his mental health. At one point, he would sing Tyler, The Creator’s “Darling, I” during his free time, with the lyric “Forever is too long” hitting closest to his situation. “Maybe at that time, the military felt too long for me,” RM says. “I just kept singing the phrase all the time. And I was being healed just by singing along to it.” ## V and Suga Helped Out With ‘Into the Sun’ During a band jam session, three of the album’s producers Pdogg, Tyler Johnson, and Nitti were working closely together when V stepped in and contributed to what would become “Into the Sun,” the album’s closer. The track features a hypnotic autotuned harmony and a wave of instruments colliding into an expansive finish where all members came together and sang the chorus. Suga later took on the rap section while working at the house the group shared. “Before this album, I never imagined working on a song outside,” Suga says. “You only really need a notebook and pen.” ## BTS’ World Tour Was Initially Smaller in Scale The *Arirang* world tour, announced in January 2026, was initially planned as a smaller comeback run until the group realized they needed to meet more fans along the way. What was meant to last for only four months grew into a full-scale global tour spanning several continents. “When we first got our tour plans, it didn’t have very many stops,” Jin says. “And it was only going to last about three to four months. I said: ‘Now that we’re back, we promised so many people that we would come and meet them, and I feel like this is breaking our promise.’” ## J-Hope Felt the Pressure After becoming one of the first Korean artists to headline Lollapalooza in July 2022, J-Hope feels pressured to come out of his own shell during the making of his debut solo album, *Jack in the Box*. Known for his upbeat demeanor outside of writing sessions, he ultimately transforms into a different person in the recording booth, with one collaborator comparing his delivery to hardcore rap legend DMX. “Maybe while everyone was cheering for me, I should just turn it all off,” he says. “And I wondered whether I wanted this. All I had was a tiny flame inside of me, and it had just spread like wildfire. I felt a lot of pressure around that.” ## Jimin Wants to Make Another BTS Album Immediately As one of the last members to enlist and later be discharged in 2025 alongside Jung Kook, Jimin expressed interest in writing and releasing more music with the group soon after their current world tour. That suggestion, however, met some hesitation from the rest of the group. “Time is moving so fast, and trends change so quickly,” Suga says. “It was last September when we finished the album at the prerecording stage. But it took all this time for it to be released. So when we made it, we had no idea about the trends in March and April, or what kind of genres would be popular. It was tricky to try and make good music. For a lot of those reasons… maybe we’ll make a single, maybe a mini album, something along those lines.” ## BTS Wants to Keep Things Small When compared to artists like Taylor Swift, Bruno Mars, and Harry Styles, RM immediately downplays the comparison during the interview, choosing instead to position the group with humility. “They are greater artists than us,” he says. “We’re just so small. We’re just a boy band from Korea.” ## Frequently Asked Questions ### What inspired BTS’s comeback album ‘Arirang’? BTS’s album Arirang was driven by existential reflections during the members’ mandatory military service and leader RM’s determination to push the group’s boundary-pushing sound. The album blends trap production, experimental flows, and shared songwriting to mark their reunion as a global cultural force. ### How did military service affect BTS as an artistic group? Military service provided BTS members with an intense period of isolation and mental strain, forcing them to re-evaluate their identity and motivation. Rather than dismantling the group, the experience strengthened their commitment to artistic evolution and staying connected with their fanbase. ### What is the origin of the BTS song ‘Hooligan’? The track “Hooligan” originated when Spanish producer El Guincho presented two instrumental beats to BTS during album sessions. Jung Kook immediately developed the song’s rhythmic flow, which inspired the rest of the band to shape matching choreography and production. ### Why did BTS expand their 2026 world tour schedule? BTS initially planned a modest four-month tour after completing military service, but expanded it into a full global stadium run after realizing a shorter tour would not fulfill their promise to meet international fans who waited through their hiatus. ### How does BTS view their position in global pop music? Despite achieving historic global success, BTS maintains a grounded, self-effacing posture relative to Western pop stars like Taylor Swift or Bruno Mars. Group leader RM describes them modestly as a Korean boy band committed to ongoing experimentation rather than corporate complacency. 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By overcoming doubt and returning to their roots on an adventurous new album **Content:** When RM is going through an existential crisis, which is pretty often, he might think of the words of Rainer Maria Rilke, or maybe the lyrics of Tyler, the Creator. [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS")’ leader loves that other poetically inclined RM, and keeps coming back to an oft-quoted section of his 1905 poem “Go to the Limits of Your Longing”: “Let everything happen to you/Beauty and terror/Just keep going/No feeling is final.” In other words, just swim. Lying in his cold army bunk, scalp buzzed close, struggling with 18 unrelenting months of insomnia during mandatory military service, RM would listen to Don Toliver, to Playboi Carti, to Dijon’s debut, to Joji’s ballad “Past Won’t Leave My Bed.” When the lyrics got his brain humming with too many ideas for his own, he’d switch to streaming classical and ambient music. But he really latched onto Tyler’s “Darling, I,” and the chorus phrase “Forever is too long.” Tyler and Teezo Touchdown were singing about dodging monogamy at all costs, but RM teased out his own, deeper meaning. “Maybe at that time, the military felt too long for me,” RM says. “I just kept singing the phrase all the time. And I was being healed just by singing along to it.” His time in the military strained his mental health, leaving him in what he describes as an internal “cave.” But no feeling was final, and it wasn’t forever. On a sunless mid-February Saturday in Seoul, South Korea, he’s back with his six bandmates. They’re hanging out in a warehouse-like studio space in the towering midcity headquarters of [Hybe](https://rollingstonephilippines.com/tag/hybe/ "HYBE"), the ever-more-global music ­conglomerate originally built, for the most part, on BTS’ own singular success. It’s a sort of friendly pop-music Death Star, gleaming and metallic, where lobby guards intercept ­visitors with an intensity certain U.S. pop stars could only dream about, and employees upstairs proffer NDAs on clipboards. Even the bathrooms are futuristically secure, guarded by sliding electronic doors that require ID cards for both entrance and, for some reason, egress. “These 14 tracks could be an answer to the people wondering, ‘What is BTS in 2026?’” RM With BTS in the building, though, who could blame them? The slightest change in the band’s perceived fortunes can move Hybe’s stock price, but that’s the least of it. It’s nearly impossible to overstate the group’s importance to its city and its nation, which changed military-conscription rules in 2020 with BTS in mind, though all seven members went on to enlist anyway. If you’re lucky enough to fly into Seoul, you’ll only go a few minutes before spotting [V](https://rollingstonephilippines.com/music/pop/v-bts-instagram-post-flagged/ "Instagram Couldn’t Handle V’s Latest Post") in a tank top on a highway billboard promoting a local coffee brand. For their city-stopping free concert here, BTS will walk to the stage via the King’s Road, following the path of five centuries of monarchs. ![BTS Jung Kook Rolling Stone Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/BTS_Jungkook_Rolling-Stone-Philippines.webp) Jung Kook: “I want to keep doing better, so that I can feel like a star for myself. Someday!” Five weeks before the release of *[Arirang,](https://rollingstonephilippines.com/tag/arirang/ "Arirang")* BTS’ first album of all-new material in nearly six years, RM is living out his favorite poem again. (His bandmate Jimin scrawled ­different Rilke verses on his chest for a music video in 2023. BTS are just that kind of band.) “I have extreme stress and extreme joy at the same time,” RM says. “And it’s all always back and forth, back and forth every time, every night.” He’s wearing a shiny black leather jacket over a black T-shirt, chunky boots, and oversized parachute pants you’d have to be a member of BTS to pull off. His hair is frosted at the tips, carefully tousled; his eyes are alert, amused, ever-probing. RM was ­originally headed for a more academic life, and it’s easy to imagine him as a very popular young professor in ­various other timelines, presumably in the chunky glasses he already wears off-duty. RM is always asking himself questions, and in recent years, he’s had a long list of them about his group. What should they sound like? What do they stand for? Should they continue onward? It would be easy for him to say that *Arirang* settles all of those queries, but he’s too compulsively truthful for that. “I’m still really confused,” he says, “and that’s what we figured out after the military.” He thought maybe there’d be “some precise, sharp consensus that we could all relate to, which was not very true.” So the picture is “still blurry,” he adds, but “these 14 tracks could be an answer to the people wondering, ‘What is BTS in 2026?’” ![BTS V Rolling Stone Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/BTS_V_Rolling-Stone-Philippines.webp) V: “If *Layover* hadn’t come out, I think \[I\] would have been stuck as a hardcore dancer and singer.” ![BTS Jimin Rolling Stone Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/BTS_jimin_Rolling-Stone-Philippines.webp) Jimin: “My teammates are all so amazing, so I feel the need to improve my worth as a fellow member.” Either way, his anxiety persists: “I really wanna pretend like, ‘I’m OK and I’m ready, all decided, everything’s great, I just can’t wait.’ I really wanna say that, but even more than that, I really wanna be honest.” With a trio of English-language singles in 2020 and 2021 — “Dynamite,” “Butter,” and “Permission to Dance” — BTS completed the long process of conquering the world, to a degree no group from South Korea, or ­anywhere in Asia, had ever managed. But part of RM seemed to wonder if the world had also conquered BTS in the process. They had ­previously been deeply involved in writing their own material, had always kept most of their lyrics in their native tongue, and started out making aggro hip-hop tracks, not smooth disco pop. “I didn’t know what kind of group we were anymore,” he admitted in 2022, just before the group began a yearslong break they’d fill with military service and solo hits. “I don’t know what kind of story I should tell now.” Later that year, in a conversation with Pharrell Williams for *RS,* RM went further. “I was just a small rapper and lyricist when I was young,” he told Williams. “It was 10 years, really intense as a team. I got to stop this for a bit. I got to shut it down and fall away from it and then just see what’s going on…. Sometimes I really feel afraid. Like, what if I don’t like music anymore?” Williams told him it was temporary, and offered parting advice that unintentionally echoed Rilke’s: “Just keep going.” Much later, in a livestream that had him subsequently apologizing for excessive candor, RM admitted what he had been hinting at: “I’ve thought tens of thousands of times whether disbanding or pausing the team would be better.” ![BTS RM Rolling-Stone-Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/BTS_RM_Rolling-Stone-Philippines.webp) RM: “I really wanna pretend like, ‘I’m OK and I’m ready, all decided, everything’s great, I just can’t wait.’ I really wanna say that, but even more than that, I really wanna be honest.” J-Hope, the group’s emotional backbone, a fierce rapper rivaled only by the ­formally trained Jimin as the dancing-est member, was circling the same doubt. “Is getting all this love and attention actually a good thing?” J-Hope says now, recalling his feelings. “Maybe while everyone is clapping and cheering for me, I should just turn it all off. And I wondered whether I wanted this. All I had was a tiny flame inside of me, and it had just spread like wildfire. I felt a lot of pressure around that.” In 2022, he became the first BTS member to release a full-fledged solo album, *Jack in the Box*, which posed the question directly: “Do I put out the fire or burn brighter?” J-Hope chose the latter option, though he wasn’t sure he really had a choice. “I realized it’s probably not something I can stop just because I want to stop it,” he tells me. “Personally, I’m very affected by the people around me, so I have to think about whether I can handle the emotional effect my decisions will have on so many others. In the end, I felt that keeping the flame burning is what I truly want, and the choice that’s most authentically me.” The third member of the group’s rap line, the cerebral, mysteriously charismatic Suga, isn’t sure there was ever a question. “There’s no way for me to know everyone’s individual thoughts and desires,” he says, “but we all went solo because we couldn’t work in a group at the time. So before going into the military, I knew we were always gonna get back together. But I can see how it could be surprising from a foreign perspective. But for us, staying together just felt obvious. So, nobody really had opinions about that. I just thought, ‘Yeah, of course we’re doing this.’” “For us, staying together just felt obvious. So, nobody really had opinions about that. I just thought, ‘Yeah, of course we’re doing this.’” Suga RM did at least decide on a mandate for *Arirang,* which turned out to be an artistic and commercial triumph, selling 641,000 copies in the U.S. alone in its first week and topping Apple Music’s charts in 115 countries. “I’ve been saying to the members, ‘If we don’t ­challenge anymore, then I think there’s no reason that we should keep doing this as a team,’” he says. “We have to show the world that we are still ongoing and still exploring. It’s so complicated sometimes. But still, I think we have to push it to the edge even more, even more, and it’s still not enough.” He smiles at his own intensity. In October 2022, all seven members of BTS, in matching purple hoodies, grasped hands and took a deep, synchronized bow as fireworks flooded the sky above the seaside city of Busan. As they walked offstage, V held aloft a laminated sign with the same message in both English and Korean, from the lyrics of the song they had just performed: “Best moment is yet to come.” They waved to their fans, trying to look upbeat. Jimin lingered at the front of the stage, eyes shimmering. It was the last time BTS would perform together in public for four years. ![Jin Rolling Stone Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/BTS_jin_Rolling-Stone-Philippines.webp) Jin: “After a lot of discussion, I was convinced by the opinion that our identity is in the music we used to make.” Jin is the eldest at 33, sardonically charming, with a rich, pure tenor and a commanding stage presence. It sometimes seems like he has entirely unwarranted impostor syndrome about his place in the group – he jokes that his one advantage is that he’s “more good-looking than the other members.” He was the first to enlist in the military, shortly after releasing the soaring Coldplay collaboration “The Astronaut.” As an assistant drill sergeant, he bought extra food for his troops, and they grew to love him, weeping when his time was over. He cried, too, at his discharge ceremony. Once he was out, he carried the Olympic torch at the Paris Games, starred in a hit Netflix variety show, and released two excellent EPs that continued to lean into the rock sounds he had come to love, mostly through his longstanding Coldplay fandom. But the whole time, he wanted to find his way back to the band. “I just missed the other members so much,” he says. “I’ve always thought there’s no reason to continue if it’s not with the group. I guess a solo career is just not that important to me. If I did anything, it would be trying something different within the group when the fans are bored. I’m not interested in acting or anything like that.” “Now that we’re back together, the other members are filling in any gaps that I feel in my expression, in my performance. In a lot of ways, I realized that this is why there were seven of us.” J-Hope In 2023, Suga released his first official album under his alter ego, Agust D (the name is Suga backward, plus the initials of his hometown crew, D-Town), after two mixtapes that pushed boundaries with edgy personal confessions. This time, on “Amygdala,” he raps about dealing with his parents’ illnesses and other traumas, but declares himself liberated from the past: “What didn’t kill me only made me stronger/And I begin to bloom like a lotus flower once again.” Apparently due to a circa-2012 motorcycle accident that once left him unable to lift his arms onstage, his military service took place in the civilian world, where he spent 21 months as a social worker. “After that final album, I don’t have any negative feelings left in my body,” he says. He also got over a fear of running out of lyrics he had confessed to in 2022. “I’ve been focusing on stressing less about it. I’m always going to find things to say, and then run out of them again. There’s an eternal cycle.” ![BTS Suga Rolling Stone Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/BTS_Suga_Rolling-Stone-Philippines.webp) Suga: “I’m always going to find things to say, and then run out of them again. There’s an eternal cycle.” ![BTS J-Hope Rolling Stone Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/BTS_jhope_Rolling-Stone-Philippines.webp) J-Hope: “Keeping the flame burning is what I truly want, and the choice that’s most authentically me.” Before enlisting, J-Hope headlined Lollapalooza in July 2022, becoming the first South Korean artist to do so at a major American festival. “I felt like I was stuck in some kind of mold that kept me from expressing myself as freely as I wanted to,” he says. “I yearned to break that mold and step into the world with my true self and all of the music that I wanted to share. But now that I’ve made more of my own music, challenged myself, I wouldn’t say that I’m in a box anymore. Now, I’m wondering, what can I create now that I’m outside of the box?” At the same time, he’s reminded himself of the power of his group: “Now that we’re back together, the other members are filling in any gaps that I feel in my expression, in my performance. In a lot of ways, I realized that this is why there were seven of us.” ![BTS Rolling Stone Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/BTS_Rolling-Stone-Philippines_April.webp) BTS is scheduled to tour through next March 2027, including two Manila dates, with more dates to come. *Read the full story from Rolling Stone’s May 2026 Special Issue on [rollingstone.com](https://www.rollingstone.com/music/music-features/bts-reuniting-new-album-arirang-interview-1235544625/ "rollingstone.com").* --- *Photographs by* **PAK BAE** *Styling by* **YEJIN KIM** *Hair by* **HANSOM, HWAYEON, AND HYUNWOO LEE** *Makeup by* **DAREUM KIM AND SHINAE** *Set design by***YEABYUL JEON** *Produced by* **NUHANA** *Executive Producer:* **SOOH HWANG** *Producers:* **SEBIN PARK AND KALY NGO** *Line producer:* **CHERRY LEE** *Digital Technician:* **HUIJIN KIM** *Photographic Assistance:* **SOOJUNG OH, MINHYUK LEE, MINJUN KIM, JIHYUN OH, JUWAN KANG, AND JUNHYUNG YANG** *Set Design Team:* **SOHYUN WON, YUNSEON CHOI, JUNHYUK SIM** *RS Video DoP:* **MIKE BEECH** *Camera Operators:* **BYEONG HWI MIN, CHURL GWON, HYUNSUH PAIK** *DIT:* **JIWOON LEE** *Sound operator:* **MIN JAE LEE** *Production assistant:* **SEOHYUN YOON** --- **GROUP COVER CLOTHING CREDITS** **V:** Jacket by **Simone Rocha.** Shirt by **Ami**. Pants by **Maison Margiela.** Jewelry by **Celine** and **Cartier**. **Suga:** Jacket by **Enfants Riches Déprimés.** Shirt by **SSSTEIN**. Jewelry by **Werkstatt München**. **Jin**: Shirt by **Rick Owens.** Jewelry by **Fred**. **Jung Kook:** Outfit by **Calvin Klein Collection.** Bracelet by **Werkstatt München**. Watch by **Hublot**. **RM**: (White outfit) Outfit by **Taekh**. Shirt by **Ann Demeulemeester.** **RM:** (Black outfit)Outfit by **Rick Owens**. Shoes by **Guidi**. Necklace by **Werkstatt München** **Jimin:** Jacket by **John Lawrence Sullivan.** Hoodie by **Our Legacy.** Pants and jewelry by **Dior**. **J-Hope:** Jacket by**Juun.J.** Shirt by **Post Archive Faction**. Watch by **Audemars Piguet**. Rings by **Louis Vuitton**. Necklace by **SCHO**. **SOLO CLOTHING CREDITS** **J-Hope:** Jacket and shoes by **Louis Vuitton**. Watch by **Audemars Piguet**. **Jimin**: Outfit and jewelry by **Dior**. **Jin:** Jacket by **Sonia Carrasco.** Shirt by **Ann Demeulemeester.** Pants and shoes by **Gucci**. **Jung Kook** Jacket by **Acne Studios.** Shirts by **Dries Van Noten** and **Acne Studios**. Pants by **Diesel**. **RM:** Suit by **John Lawrence Sullivan**. Shirt by **Goomheo**. Shoes by **Guidi**. **V:** Jacket by **BONBOM**. Sweater by **SSSTEIN**. Pants by **Maison Margiela**. **Suga:** Jacket by **Hyacyn Ny.** Shirt by **Lemaire**. ## Frequently Asked Questions ### What is the significance of BTS’s 2026 album ‘Arirang’? Arirang marks BTS’s first full-length group album following a multi-year hiatus and completion of mandatory military service. The 14-track release explores the group’s evolving creative identity, artistic pressure, and commitment to pushing sonic boundaries as a unified global cultural force. ### How did mandatory military service impact BTS and leader RM? Mandatory military service presented significant mental health challenges and isolation for members, including leader RM. During his 18-month enlistment, RM reflected deeply on artistic identity, existential poetry, and musical inspiration, which ultimately shaped the direction and thematic honesty of Arirang. ### Did BTS consider disbanding before their 2026 comeback? During their 2022 hiatus announcement, members RM and J-Hope openly acknowledged internal doubts regarding pressure and group identity, questioning whether to pause or disband. However, individual solo projects and time apart reaffirmed their mutual commitment to continuing as a seven-member collective. ### What solo projects did BTS members pursue during their group hiatus? During the hiatus, J-Hope headlined Lollapalooza and released Jack in the Box, Suga toured and released D-Day under Agust D, Jin released rock-influenced EPs and carried the Olympic torch, and RM released solo material while reflecting on artistic direction. ### How did BTS’s return impact Hybe and the global music industry? BTS’s return directly influences Hybe’s financial market valuation and South Korea’s cultural economy. As global music visionaries, the group’s reunion and Arirang release reaffirm their role in elevating Korean pop culture on the international stage. RELATED STORIES - [Ranking Every Song from BTS’ ‘Arirang’](https://rollingstonephilippines.com/music/pop/ranking-every-song-from-bts-arirang/ "Ranking Every Song from BTS’ ‘Arirang’") - [Torrential Downpours Didn’t Stop BTS’ First Goyang Concert](https://rollingstonephilippines.com/music/pop/bts-arirang-concert-rain/ "Torrential Downpours Didn’t Stop BTS’ First Goyang Concert") - [Here’s How to Watch the ‘BTS World Tour Arirang’ Live from PH Cinemas](https://rollingstonephilippines.com/music/pop/bts-world-tour-arirang-philippine-cinemas/ "Here’s How to Watch the ‘BTS World Tour Arirang’ Live from PH Cinemas") **Categories:** Editor's Picks, Features, Music **Tags:** Arirang, BTS --- ### [Experts Give Their Advice for New DOT Secretary Dita Angara-Mathay](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/new-tourism-secretary-dita-angara-mathay/) **Published:** April 13, 2026 **Author:** Jonty Cruz **Excerpt:** How can incoming Secretary Dita Angara-Mathay improve our country’s tourism? Executives from the private and public sectors share their insights **Content:** On April 10, President [Ferdinand Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") officially announced the appointment of Dita Angara-Mathay as the new tourism secretary, replacing [Christina Frasco.](http://Christina%20Frasco) According to the statement from the Presidential Communications Office, Angara-Mathay’s appointment in the Department of Tourism (DOT) “reflects the administration’s push to position tourism not only as a cultural showcase, but as a strong driver of jobs, businesses, and regional development.” The first part of that statement, especially the use of “cultural showcase,” could very well be seen as a slight to the previous secretary and the [controversies](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/tourism-issues-dot-secretary-frasco/) surrounding her term, but beyond hearsay, Angara-Mathay’s previous experiences as a longterm official in the “trade, investment, and international economic engagement” — as the PCO mentioned —align with the administration’s goal of making the DOT more revenue-generating for the country. In a text sent to *Rolling Stone Philippines*, former DOT Secretary Berna Romulo-Puyat said that the new tourism secretary doesn’t need any advice. Saying, “She comes in with extensive experience from the Department of Trade and Industry, and I’m sure she’ll bring her own perspectives and strengths to the role.” Meggie Valdes, who worked at the DOT from 2012 to 2016 as the Chief Marketing and Promotions Executive for the Office of the Secretary, offered the same sentiment. She tells *Rolling Stone Philippines*, “There’s a confident sense of optimism with the appointment of Secretary Angara-Mathay — having been a commercial counselor herself, she knows what it’s like to compete and win in the international landscape, and what makes business sense for the long-term benefit of our tourism industry.” Valdes also notes that it would be good for the DOT to “bring the campaign’s focus back on the people — this is really our main USP, not just as a travel destination, but as a country \[…\] More than our beaches, *we* are what make a tourist visit, and visit again and again.” ## TOURISM AS SOFT POWER For David Guerrero, co-founder and creative chairman of BBDO Guerrero, the agency that led the “It’s More Fun in the Philippines” campaign under former DOT Secretary Ramon Jimenez, Jr., as well as with Sec. Romulo-Puyat, much can be done to further push our tourism around the world. “Tourism has the power to help everyone — and it deserves everyone’s support,” he says. “We need to look at ways of rallying the country behind that effort so that when travelers arrive, they have the kind of experience that they want to post about, share, and invite more to join in. National influence rests on soft power. “A decision like an overseas vacation has a lot of people who can sway it,” says Guerrero. “Currently, a destination like the Maldives is more top-of-mind in many Western countries than the Philippines. Even though we offer significantly better value, as a recent [Destination Dupe](https://www.youtube.com/watch?v=lQLizpvT82U) video comparing the two locations shows.” To really capture the interest of tourists is easier said than done, but that’s where real strategy comes in. “The era of paid media interrupting content you want to see is not dead, but it is getting less cost-effective,” says Guerrero. “Rather than try to force people to see things they don’t want to, we need to make content that people seek out and wish to share.” For Guerrero, it all starts with simple awareness. “We need to find ways to join the travel conversation around the world,” he says. “Our close neighbors have done this successfully by capitalizing on the fame of their representatives. For example, Thailand and Blackpink’s (and *The White Lotus* star) Lisa. Or Malaysia and Academy Award-winning superstar Michelle Yeoh. This goes beyond mere celebrity power. They are banking on contemporary cultural relevance. Giving people something to latch onto.” Consistency will be a factor for the success of our country’s tourism, according to Guerrero. Not just from the government’s efforts, but through the support of the private sector as well, across all areas and industries. “Tap into all the individual talent and insights into life, movies, pop culture, design, social media, songs, fashion, games, and more. This happens when a campaign has a clear template and permission to take part in it. The ideal would be that every national stakeholder is firing on all cylinders to promote the country in a consistent way.” ## ‘SENSIBLE AND IMPACTFUL’ “\[The new tourism chief should \] work extensively with the private sector,” says Jojo Clemente, President of Rajah Tours Philippines. “Collaboration bears a lot of fruit, and challenges become easier to overcome when the government and the stakeholders work closely together.” Another one of Clemente’s recommendations is to have a marketing and promotions program to focus on markets that have consistently sent arrivals to the Philippines while watching out for other potential markets. “Since tourism is low on the budget food chain, our efforts should be sensible and impactful, especially with the situation in the Middle East also casting a dark shadow on the industry. We need to position ourselves as a viable and safe destination,” says Clemente, who was also the former President of the Tourism Congress. “Rather than try to force people to see things they don’t want to, we need to make content that people seek out and wish to share.” David Guerrero Clemente also touched on affordability. “\[The new secretary\] may also want to consult with the various segments of the stakeholders, such as airlines and hotels, to see how we can reduce the fares and rates to be able to compete with our regional neighbors, which are more affordable.” Changes in tourism secretaries are nothing new. Previous administrations have all replaced their initial heads, with most of the successors having a much better track record. And therein lies the hope that under the new DOT chief, the government can reaffirm tourism not just as a massive PR project for the country but most of all, as a viable and sustainable path to financial growth. ## Frequently Asked Questions ### Who is Dita Angara-Mathay and what is her role in the Department of Tourism? Dita Angara-Mathay is the Secretary of the Department of Tourism, appointed by President Ferdinand Marcos Jr. to replace Christina Frasco. Bringing extensive commercial experience from the Department of Trade and Industry, her mandate focuses on transforming Philippine tourism into a sustainable driver of jobs and regional economic growth. ### How do industry experts recommend utilizing tourism as soft power for the Philippines? Industry leaders emphasize using contemporary cultural relevance, local talent, and shareable digital content rather than relying solely on traditional paid advertising. By engaging global travel conversations and involving national stakeholders, the Philippines can build long-term international influence, competing effectively against regional neighbors like Thailand and Malaysia. ### What are the primary priorities recommended for the new DOT leadership? Key priorities outlined by industry experts include deepening private sector collaboration, sharpening focus on the warmth and hospitality of the Filipino people, maintaining competitive airfares and hotel rates, and strategically targeting both established and emerging international visitor markets despite global economic uncertainties. ### How does the Philippines’ tourism strategy compare to neighboring Southeast Asian countries? Southeast Asian destinations like Thailand and Malaysia leverage global cultural icons and contemporary media to maintain high top-of-mind awareness among international travelers. Experts advise the Philippines to similarly permission local creative talent across film, music, fashion, and social media to showcase its superior destination value. ### Why is private sector collaboration critical for Philippine tourism growth? Private sector collaboration enables the Department of Tourism to align airline pricing, accommodation affordability, and regional infrastructure with broader national marketing efforts. Working closely with industry stakeholders ensures seamless visitor experiences, cost-effective promotion, and sustainable financial returns for local communities across the archipelago. Related Stories - [After Frasco: 3 Tourism Challenges Facing the Next DOT Chief](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/tourism-issues-dot-secretary-frasco/ "After Frasco: 3 Tourism Challenges Facing the Next DOT Chief") - [A Unified Visa for ASEAN? Not in the Near Future](https://rollingstonephilippines.com/state-of-affairs/power/philippines-tourism-asean-visa/ "A Unified Visa for ASEAN? Not in the Near Future") - [Did ‘The White Lotus’ Season 3 Do Right By Asians?](https://rollingstonephilippines.com/culture/film-tv/the-white-lotus-season-three-asians/ "Did ‘The White Lotus’ Season 3 Do Right By Asians?") **Categories:** Philippine Politics, State of Affairs **Tags:** Dita Angara-Mathay --- ### [Who Did the Coachella Main Stage Better: Sabrina Carpenter or Justin Bieber?](https://rollingstonephilippines.com/music/pop/justin-bieber-sabrina-carpenter-coachella-2026/) **Published:** April 13, 2026 **Author:** Mel Wang **Excerpt:** Beliebers and Carpenters need to calm down **Content:** Although [Coachella](https://rollingstonephilippines.com/tag/coachella/ "Coachella") isn’t quite over just yet, two headliners have found themselves at the center of a messy, sexism-centric, online debate. [Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter") and [Justin Bieber](https://rollingstonephilippines.com/tag/justin-bieber/ "Justin Bieber") both took the festival’s main stage this past weekend, but fans have quickly pointed out that the two pop stars gave very different performances. On the one hand, Carpenter gave us 90 minutes of signature SabrinaWood glitz and glamor, running across her stage to ace multiple outfit changes and increasingly more elaborate set switch-outs (for her closing number, “Tears,” she rose from a water fountain attached to a Cadillac). She even brought in a roster of guests to join in on the fun, including Will Ferrell as an ornery tech guy, Samuel L. Jackson’s voice coming on halfway through “Juno,” and Susan Sarandon playing Older Sabrina while giving a seven-minute monologue about existential crises. On the other hand, Bieber’s Coachella set was much more lowkey. “DJ Biebs” spent most of his time onstage alone, save for a few cameos from fellow collaborators Kid Laroi, Dijon, Mk.gee, and Tems. The first half of his set was so mid-tempo, featuring tracks from *Swag* and *Swag II*, that it eventually led to a “mid-set exodus,” according to *Rolling Stone*. But Bieber brought the energy back when he started screensharing his old YouTube hits, dueting with his baby-faced self to the music videos of “Baby,” “Beauty and a Beat,” and more. Was this very straight man-coded of him? Yes, it was, but the mainstage also loved it when he pulled up all his old viral YouTube clips (e.g., classics like “standing on business” and him running into a glass door). ## Mind the Gap, coachella https://www.youtube.com/watch?v=x5qCbLcWgps&list=RDx5qCbLcWgps&start_radio=1 On any other day, perhaps Beliebers, Carpenters, and all fans in between wouldn’t be so quick to compare the two stars. However, news of Bieber scoring north of $10 million for both his Coachella weekends has stirred up online discourse about how a male artist can earn so much by doing the bare minimum, while a female artist like Carpenter has to pull out all the stops. Parts of the internet are rushing to defend Biebs, while others are calling him out for Straight Man Bieberchella and arguing that Carpenter deserved much more for all the effort she put into her performance. It’s easy to get lost in the weeds of this debate, but it’s also important to remember that Carpenter and Bieber are very different types of performers. Carpenter has spent the past few years cultivating a maximalist, tongue-in-cheek, hyperfemme persona, so it only makes sense that her Coachella set mirrors that image. Of *course* she has dozens of costumed back-up dancers, a scaled-down version of the Hollywood Hills, and even a “Copacabana” remix of her track “Feather” (complete with Vegas-worthy feather fans). > [View this post on Instagram](https://www.instagram.com/p/DXBrUYWlYcl/?utm_source=ig_embed&utm_campaign=loading)[A post shared by welcome (@welcome.jpeg)](https://www.instagram.com/p/DXBrUYWlYcl/?utm_source=ig_embed&utm_campaign=loading) Meanwhile, Bieber has never been the type to give over-the-top performances (and expecting him to wear a feather boa for something like “Copacabana” would feel strange and out of place). What’s more, in his own way, the YouTube rabbit hole he walked us through was probably more meaningful than any flashy showstopper he could have given us. Bieber’s a YouTube baby through and through, and he found his first taste of fame back in the early aughts by posting covers of “With You” and “So Sick.” And his audience, composed largely of millennial and Gen Z devotees, grew up on YouTube with him, so the callback to his roots hits deep for many of us. Is his Coachella set worth $10 million, though? That’s up for debate, and I’m hoping that his second weekend at the festival quells any lingering doubts about him as a headliner. But the disparity of both performances once again highlighted the pay gap between men and women. This isn’t the first time (and definitely not the last) that the gender pay gap has reared its ugly head. According to information hub Narrow the Gap, which based its findings on data from the U.S. Bureau of Labor Statistics, women in arts, entertainment, and media-based occupations made 92 cents to the dollar that men earned in 2023. In 2024, the UK Musicians’ Census reported that 51 percent of female artists have experienced gender discrimination within the industry and are, on average, paid a tenth less than their male counterparts. In the world of Hollywood, the pay gap has been a near-constant issue among actors and actresses, with women like [Jennifer Lawrence](https://rollingstonephilippines.com/tag/jennifer-lawrence/ "Jennifer Lawrence"), Salma Hayek, and Emma Watson speaking out against it. To quote [Beyoncé](https://rollingstonephilippines.com/tag/beyonce/ "Beyonce") (who shared some of her own thoughts on the gap back in 2013): “We need to stop buying into the myth about gender equality. Equality will be achieved when men and women are granted equal pay and equal respect.” ## Frequently Asked Questions ### Why did Sabrina Carpenter and Justin Bieber’s Coachella sets trigger online debate? The online debate stemmed from contrasting performance styles and reported pay disparities between the two headliners. While Sabrina Carpenter delivered a high-budget, maximalist theatrical production, Justin Bieber presented a low-key nostalgic set, prompting criticism over industry gender double standards regarding artist effort and compensation. ### What were the key differences between Sabrina Carpenter and Justin Bieber’s Coachella performances? Sabrina Carpenter featured dynamic choreography, guest cameos, elaborate set pieces, and multiple costume changes reflecting her hyperfemme aesthetic. In contrast, Justin Bieber performed a mid-tempo, stripped-back set featuring guest appearances and screen-shared throwback YouTube clips from his early career, appealing to nostalgic fan devotions. ### How does the music industry gender pay gap manifest in festival performance expectations? Female headliners often face systemic pressure to deliver high-concept visual spectacles to justify top billing, whereas male performers are frequently permitted low-concept, minimalist sets. Industry data confirms a persistent gender pay gap across entertainment, with female artists earning significantly less on average than male peers. ### How much was Justin Bieber reportedly paid for his Coachella headlining set? Justin Bieber reportedly earned upwards of 10 million dollars for his two Coachella festival weekend appearances. The multi-million-dollar booking fee sparked widespread public scrutiny when contrasted with the comparatively higher production costs and labor invested in maximalist pop sets by female peers like Sabrina Carpenter. ### How does Sabrina Carpenter’s Coachella staging reflect her artistic identity? Sabrina Carpenter’s Coachella performance showcased her signature tongue-in-cheek, maximalist pop persona through Hollywood-inspired set designs, theatrical cameos, and intricate choreography. Her elaborate production style deliberately leverages high-camp aesthetics to reinforce her status as a primary cultural force and visionary live entertainer in contemporary pop music. Related Stories - [BINI Makes Historic Coachella Debut With Big Hits and Pinoy Pride](https://rollingstonephilippines.com/music/pop/bini-makes-historic-coachella-debut/ "BINI Makes Historic Coachella Debut With Big Hits and Pinoy Pride") - [KATSEYE’s Coachella Debut Had Big Highs and Some Awkward Lows](https://rollingstonephilippines.com/music/pop/katseye-coachella-2026-highs-lows/ "KATSEYE’s Coachella Debut Had Big Highs and Some Awkward Lows") - [20 Acts We Can’t Wait to See at Coachella](https://rollingstonephilippines.com/music/coachella-2026-most-anticipated-acts/ "20 Acts We Can’t Wait to See at Coachella") **Categories:** Music, Pop **Tags:** Coachella 2026, Justin Bieber, Sabrina Carpenter --- ### [FUJIFILM Philippines Celebrates the Nation’s Photographers and Videographers](https://rollingstonephilippines.com/radar/events/fujifilm-philippines-npvw-exhibition/) **Published:** April 13, 2026 **Author:** Mel Wang **Excerpt:** A new showcase highlighted the Philippines’ top entries at the Nationwide Photo and Video Walk 2025 Exhibition **Content:** Since its founding in 1934, [FUJIFILM](https://rollingstonephilippines.com/tag/fujifilm/ "FUJIFILM") has provided photographers around the world with the tools and devices they need to tell stories through sharp, crisp imagery. It continues this commitment in the Philippines, where FUJIFILM Philippines recently presented its Nationwide Photo and Video Walk (NPVW) 2025 Exhibition to honor the top submissions from photographers and videographers nationwide. From the works of over 4,000 applicants, FUJIFILM Philippines highlighted the pieces that best reflected 32 of the country’s cities through a deep, cultural lens. From March 20 to 22, the Ayala Museum was transformed into a showcase of photos and videos spanning Luzon, Visayas, and Mindanao. Following the theme “Contrasts,” the exhibition reflected the diversity of spaces across the country, from packed urban areas such as Davao’s Quezon Park to historical locations like Magellan’s Cross in Cebu. ![fujifilm ph](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/fujifilm-ph-b1.webp) Awardees were presented with a variety of prizes to honor their work. Photo from FUJIFILM Philippines/Facebook ![FUJIFILM Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/fujifilm-ph-b2.webp) The exhibition took place at the Ayala Museum from March 20 to 22. Photo from FUJIFILM Philippines/Facebook Photographer, curator, and educator A.G. De Mesa guided visitors on a tour of the exhibition before FUJIFILM Philippines began awarding the event’s most standout pieces. Awardees were presented with a variety of prizes, including a FUJIFILM X-T5 and an XF16-80mm kit lens, to honor their work. The day also saw Cebu-based artist duo Happy Garaje present Fuji-san, a handmade collectible commemorating the NPVW 2025 Exhibition. At the event, 100 limited-edition Fuji-sans were given to attendees. “\[The exhibition\] has truly shown how photography and videography can bring communities together and reveal stories that might otherwise go unseen,” said Masahiro Uehara, President of FUJIFILM Philippines, Inc., at the exhibition. “Through the theme of ‘Contrasts,’ participants captured the richness and diversity of Filipino life, turning everyday streets and landmarks into narratives full of meaning and heart. This is exactly what we hope to achieve, connecting people through their shared vision and love for the craft.” ## Frequently Asked Questions ### What is the FUJIFILM Philippines Nationwide Photo and Video Walk? The FUJIFILM Philippines Nationwide Photo and Video Walk is an annual cultural initiative honoring Filipino visual storytellers. The event gathers thousands of applicants across Luzon, Visayas, and Mindanao, culminating in an exhibition showcasing photographs and videos that capture local heritage, urban spaces, and diverse regional narratives. ### Where was the FUJIFILM Nationwide Photo and Video Walk 2025 Exhibition held? The FUJIFILM Nationwide Photo and Video Walk 2025 Exhibition took place at the Ayala Museum in Makati City. The three-day showcase featured selected works representing 32 Philippine cities under the theme “Contrasts,” highlighting historic landmarks alongside modern urban environments across the archipelago. ### What was the theme for the FUJIFILM NPVW 2025 Exhibition? The theme for the 2025 exhibition was “Contrasts.” Participating photographers and videographers documented the juxtaposition of Philippine life, contrasting dense urban landscapes like Davao’s Quezon Park with historical cultural sites such as Cebu’s Magellan’s Cross through a deep regional lens. ### Who curated the FUJIFILM Philippines 2025 photo exhibition? Photographer, curator, and educator A.G. De Mesa led guided tours and helped curate the FUJIFILM Philippines 2025 exhibition at the Ayala Museum. The showcase evaluated over 4,000 national applicants to highlight top submissions representing the evolving landscape of Philippine visual storytelling. ### What prizes were awarded at the FUJIFILM NPVW 2025 Exhibition? Standout awardees received professional digital camera equipment, including the FUJIFILM X-T5 body and XF16-80mm kit lens. Additionally, attendees received limited-edition “Fuji-san” handmade collectible art figures created specifically for the event by Cebuano artist duo Happy Garaje. Related Stories - [15 Portraits That Defined Rolling Stone Philippines in 2025](https://rollingstonephilippines.com/editors-picks/features/best-portraits-2025/ "15 Portraits That Defined Rolling Stone Philippines in 2025") - [The 25 Best Filipino Rom-Coms of the 21st Century](https://rollingstonephilippines.com/culture/philippine-cinema/25-filipino-rom-coms-21st-century/ "The 25 Best Filipino Rom-Coms of the 21st Century") - [Coachella’s 2026 Lineup Feels Surprisingly Different From Past Years. Here’s Why](https://rollingstonephilippines.com/music/live-reviews/why-coachella-2026-is-different/ "Coachella’s 2026 Lineup Feels Surprisingly Different From Past Years. Here’s Why") **Categories:** Events, Radar **Tags:** FUJIFILM --- ### [Justin Bieber Puts His Past and Present Side by Side at Coachella](https://rollingstonephilippines.com/music/hiphop-rnb/justin-bieber-coachella-youtube/) **Published:** April 13, 2026 **Author:** Elijah Pareño **Excerpt:** The main stage places the pop star’s early chart hits beside newer work, making the evident shift in sound and approach clearer than ever **Content:** This is [Justin Bieber](https://rollingstonephilippines.com/tag/justin-bieber/ "Justin Bieber") at his prime, and his [Coachella](https://rollingstonephilippines.com/tag/coachella/ "Coachella") Saturday Main Stage 2026 set last April 11 was one for the ages. As the internet goes crazy for his laptop-queuing, nostalgia-driven setlist, he slips right into *[SWAG](https://rollingstonephilippines.com/radar/justin-bieber-release-swag-album/ "Justin Bieber Ends Silence With Surprise Album ‘SWAG,’ a 21-Track Drop 4 Years After ‘Justice’")* mode. Bieber has a point to make. His influence has spread across the board and touched pop fans all over the world. A testament to that is New York indie rock band Geese covering “Baby” in a comedic transition to “2122,” all while [Sabrina Carpenter ](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter")and Jack White watch earlier in the festival. As the Main Stage’s lights lit up, Bieber walked out in a red hoodie and sat down with a laptop. Starting the set with cuts from *SWAG* and *SWAG II*, he draws into futuristic, synth-laden instrumentals that cut through the desert air. Bieber has always fiddled with atmospheric instrumentals through his trademark vocal runs. This performance was no exception. Throughout the set, he navigates through skittering beats and sudden stops that reinvented his sound by the time of the double album’s release. That evolution traces back to when he was 13, uploading covers on YouTube back in 2008, most notably Ne-Yo’s “So Sick,” which eventually led to his discovery. What we’re seeing now is an artist stepping out of his earlier shell, battling fame and personal struggles to arrive at a more exposed stage presence. ## ‘SWAG’ Out > [View this post on Instagram](https://www.instagram.com/reel/DXCvo12j-77/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Coachella (@coachella)](https://www.instagram.com/reel/DXCvo12j-77/?utm_source=ig_embed&utm_campaign=loading) The clearest split between Bieber then and now is his musical alignment with artists like Dijon and Mk.gee, who are two of the most distinct voices shaping modern R&B. Both artists worked as producers across *SWAG* and *SWAG II*, and their imprint is obvious in the fluttering synths, glitchy textures, and off-kilter rhythms that sound like a malfunctioning SP-404 drum machine. The now-famous laptop segment, an hour into the set, sees Bieber take a seat to look up his songs on YouTube. “Tonight is such a special night, but I feel like we gotta take you guys on a bit of a journey,” he says. “I mean like, remember this song?” Then songs like “Baby,” “Favorite Girl,” “Beauty and a Beat,” and “With You” play out as he live reacts to his memes over the years in real time. This particular part of the set highlights just how much material he’s released over the past decade. If the segment comes off as “lazy” to some, I’d argue that it still works as a trade-off against the first half’s dense production, from the hypnotic U.K. garage 2-step pulse of “405” to the lo-fi fuzzed out guitar solos of “DAISIES,” with Mk.gee appearing in silhouette atop the stage’s concrete incline. With Coachella wrapping up its first weekend, Justin Bieber’s headlining set has left a strong impression and anticipation for his performance the week after. The choice to rummage through his old catalog on a MacBook, pulling up songs through YouTube (Premium!) is a stunt proven effective. But we all know that it isn’t 2010 anymore. This is Bieber taking advantage of his rich musical past while fully immersing himself in his most experimental, forward-thinking present-day material. Related Stories - [The Curious Case of Michael Pangilinan’s Covers Commanding Millions of Views on YouTube](https://rollingstonephilippines.com/editors-picks/commentary/michael-pangilinan-love-song-covers/ "The Curious Case of Michael Pangilinan’s Covers Commanding Millions of Views on YouTube") - [Jess Connelly on How Living Offline Helps Her Pursuit of Timeless Music](https://rollingstonephilippines.com/music/jess-connelly-interview-fools-gold/ "Jess Connelly on How Living Offline Helps Her Pursuit of Timeless Music") - [5 D’Angelo Songs That Redefined Neo-Soul](https://rollingstonephilippines.com/music/hiphop-rnb/5-dangelo-songs-redefined-neo-soul/ "5 D’Angelo Songs That Redefined Neo-Soul") ## Frequently ASked Questions ### What did Justin Bieber perform at Coachella 2026? Bieber opened his Coachella Saturday Main Stage set with cuts from SWAG and SWAG II, leaning into futuristic, synth-laden production before shifting into a viral segment where he pulled up old hits like “Baby,” “Favorite Girl,” “Beauty and a Beat,” and “With You” on YouTube. ### Who produced Justin Bieber’s “SWAG” albums? SWAG and SWAG II were produced in part by Dijon and Mk.gee, two R&B artists whose influence shaped the albums’ fluttering synths, glitchy textures, and off-kilter rhythms, both of whom also appeared during Bieber’s Coachella set. ### What was the laptop segment in Justin Bieber’s Coachella set? About an hour into his set, Bieber sat down with a laptop to pull up his old songs on YouTube, live-reacting to years of memes and playing throwback hits as a deliberate contrast to the rest of the set’s experimental production. ### Did other artists reference Justin Bieber at Coachella 2026? Yes. New York indie rock band Geese covered Bieber’s “Baby” in a comedic transition into their song “2122” during their own Coachella set, while Sabrina Carpenter and Jack White were seen watching Bieber’s performance. ### How did Justin Bieber get his start in music? Bieber uploaded cover songs to YouTube starting in 2008 at age 13, most notably a cover of Ne-Yo’s “So Sick,” which led to his discovery and eventual signing. **Categories:** Hip-hop/R&B, Music **Tags:** Coachella 2026, Justin Bieber --- ### [Can Grab’s Group Rides Help Commuters Navigate the Fuel Crisis?](https://rollingstonephilippines.com/radar/radar-tech/grab-group-ride-grabx-2026/) **Published:** April 13, 2026 **Author:** Pie Gonzaga **Excerpt:** As fuel prices force drivers off the road, Grab is doubling down on carpooling and AI to keep urban mobility afloat **Content:** The fuel crisis hasn’t been easy on commuters and motorists. Just last week, Pagkakaisa ng mga Samahan ng Tsuper at Operator Nationwide (PISTON) President Mody Floranda told [*The Philippine Star*](https://www.philstar.com/headlines/2026/04/08/2519401/puv-drivers-reduce-trips-amid-price-hikes) that public utility vehicle drivers have reduced trips by around 20 percent due to rising fuel prices. As the [government pushes carpooling](https://www.abs-cbn.com/news/business/2026/3/30/mmda-releases-proposed-carpooling-rules-amid-rising-fuel-prices-1420) as a remedy to limited transportation options, [Grab](https://rollingstonephilippines.com/tag/grab/ "Grab") launches Group Ride, a new feature that lets multiple passengers book a single trip to and from the same destination. Group Ride builds on the common carpooling experience, which typically consists of one user booking multiple stops for a single trip, splitting the fare evenly among their friends, and then chasing them for payment afterward. While you can still book multiple stops the old way, the new feature makes carpooling easier by letting Grab’s own artificial intelligence (AI) system determine the most efficient route for the group and calculating each person’s fare based on the distance traveled, time taken on the route, and traffic conditions. With Group Ride already available in the Philippines, Grab says it will soon add a waiting room feature to the app, allowing all users in the group to see who’s ready and track the vehicle’s progress in real time. ![grab group ride](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/grab-group-ride.webp) Group Ride optimizes your carpooling route for convenience and affordability. Screenshots courtesy of Grab According to Grab, Group Ride could also help users save up to 40 percent on travel fares. “This is basically how to save money,” Grab Chief Product Officer Philipp Kandal told reporters during a press briefing on Wednesday, April 8. “As long as there’s a shared part of the route that multiple of you travel on, it will make the total drive cheaper for each person. Especially in the current situation, I think it’s more needed than ever that we can help you beat these rising living costs.” ## An ‘Everyday Guide’ Along with Group Ride, Grab announced several other new features and products at GrabX, its annual product showcase. Held in Jakarta, Indonesia this year, GrabX presented new and upcoming user experiences geared towards making living in Southeast Asia easier and more affordable through AI. “As a product builder, I believe AI should work the hardest for the people who need it most,” said Kandal during his presentation. “Whether you’re a consumer who just wants a chatbot to choose your lunch, a merchant who needs to monitor multiple shops remotely, or a driver getting hands-free voice advice, we want the Grab app to be the everyday guide that handles the manual tasks, so you can focus on your day.” ![grab philipp kandal grabx 2026 indonesia](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/grab-philipp-kandal.webp) Grab Chief Product Officer Philipp Kandal presents the latest suite of product innovations at GrabX 2026 on April 8. Photo courtesy of Grab Serving over 900 cities across Southeast Asia, Grab is looking to roll out several new features throughout 2026. Among these is Cash Loan, which has been available for merchants and drivers in the Philippines since November 2025, and will also be made available to consumers in Thailand and Malaysia this year. Grab is also launching its own AI assistant; a new tap-to-pay feature; GrabMaps, a navigation tool for consumers; GrabPay for Travel, a QR-enabled payment processing service; and Discover by Grab, an in-app social feed that allows users to share local food places and directly order from or book rides to them. Grab says these products are meant to serve as “everyday guides to local life, effortless travel, and business empowerment.” ## Frequently Asked QUestions ### What is Grab’s Group Ride feature and how does it work? Grab’s Group Ride is an AI-powered carpooling feature launched at GrabX 2026. It allows up to four passengers traveling along similar routes to share a single vehicle. The system dynamically optimizes pickup sequences, calculates route efficiency, and automatically splits fares per passenger. ### How much can commuters save by using Grab Group Ride? Commuters using Grab Group Ride can save up to 40 percent on travel fares compared to booking individual solo rides. The AI system calculates each passenger’s individual fare based on exact distance traveled, route duration, and traffic conditions along shared segments. ### How does Grab Group Ride address the transport challenges of the fuel crisis? Group Ride addresses transport constraints by maximizing vehicle occupancy and reducing individual commute costs amid reduced public utility vehicle trips. By pooling passengers into single rides, the platform mitigates urban congestion while offering fare relief during periods of rising fuel prices. ### What other features were announced at GrabX 2026? At GrabX 2026, Grab introduced several AI-driven products, including GrabMaps for Consumers, an in-app social food discovery feed called Discover by Grab, an AI driver assistant, QR-enabled GrabPay for Travel, and expanded consumer cash loans across key Southeast Asian markets. ### When will Grab Group Ride and its ‘Waiting Room’ feature be available? Grab Group Ride is already available in the Philippines, with a complementary “Waiting Room” feature rolling out subsequently. The Waiting Room allows group members to track passenger readiness and monitor the vehicle’s real-time arrival progress directly within the application. Related Stories - [Grab’s Ronald Roda Is Driving the Digital Economy Forward](https://rollingstonephilippines.com/radar/rs-spotlight/grab-philippines-ronald-roda/ "Grab’s Ronald Roda Is Driving the Digital Economy Forward") - [5 Boracay Dining Staples And How To Get The Most Bang For Your Buck](https://rollingstonephilippines.com/radar/5-boracay-budget-restaurant/ "5 Boracay Dining Staples And How To Get The Most Bang For Your Buck") - [Low on Fuel, the Philippines Hurtles Towards a Transport Crisis](https://rollingstonephilippines.com/state-of-affairs/transportation-state-of-affairs/transport-strike-crisis-oil/ "Low on Fuel, the Philippines Hurtles Towards a Transport Crisis") **Categories:** Radar, State of Affairs, Tech, Transportation **Tags:** Grab, Grab PH --- ### [Filipinos Are Rethinking ‘Bahala Na’ In a New Health Mindset](https://rollingstonephilippines.com/radar/rs-recommends/filipinos-are-rethinking-bahala-na-mindset/) **Published:** April 13, 2026 **Author:** Precy Tan **Content:** “Bahala na” has shaped how many Filipinos approach uncertainty, a phrase that can signal resilience as much as resignation. It shows up in everyday decisions, including health, where concerns are often set aside until something feels urgent. In a system where access can be inconsistent, and conversations around well-being are not always easy to navigate, delay becomes a pattern. New research from one of the country’s leading life insurance companies points to a shift away from this attitude. More Filipinos are choosing to engage with their health in ways that feel more deliberate. The study, titled *“Rethink Healthy: Shaping Filipinos’ Health-Seeking Choices from Thinking to Doing,”* draws from interviews, expert insights, and a nationwide survey of over 800 respondents across generations. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/AIA-In-Art-03.jpg) Art by Aldrin Ramos The findings build on a growing understanding of health as something broader than physical fitness. Mental well-being, financial stability, and even environmental factors now form part of how Filipinos define what it means to be healthy. What stands out is how that awareness is beginning to translate into action. Seventy percent of respondents reject a “bahala na” attitude toward their physical health, while 60 percent say they no longer rely on guesswork when it comes to mental well-being. Planning, preparing, and preventing are becoming part of the conversation, even as daily realities continue to shape what is possible. Many still balance immediate needs with long-term goals, though a willingness to adjust spending and habits suggests that future health is gaining ground in those decisions. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/AIA-In-Art-02.jpg) Art by Aldrin Ramos At home, these choices rarely happen in isolation. Family remains central to how Filipinos think about care. Sixty-two percent say their approach to health is shaped by family, while 59 percent see their spending patterns reflect the same influence. This closeness also comes with pressure. Relationships within the family affect mental well-being for a majority of respondents, and financial support for loved ones often requires personal trade-offs. At the same time, many say their motivation to stay healthy is tied directly to the people around them. Caring for oneself becomes part of caring for others, creating a dynamic where responsibility and support co-exist. The study also highlights a familiar pattern. Action often follows disruption, with 83 percent saying they became more proactive only after a major life event such as illness or job loss. That tendency remains, though signs of earlier intervention are beginning to emerge. More than half of respondents view the future as something that requires preparation, and a growing number are considering long-term tools such as insurance and sustained health plans. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/AIA-In-Art-01.jpg) Art by Aldrin Ramos These shifts suggest a mindset that is still in transition. Awareness continues to deepen, while behavior adjusts in response to both personal experience and collective influence. Health is no longer framed solely as an individual concern or a reaction to crisis. It is shaped at home, informed by daily choices, and carried forward through small but consistent decisions. As conversations around well-being expand, the idea of “bahala na” takes on a different role. It remains part of the Filipino vocabulary, though its place in health decisions appears to be changing. What emerges is a more active relationship with care, one that reflects both the realities people face and the effort to move beyond them. To learn more about the study and AIA Philippines’ Rethink Healthy initiative, visit [www.aia.com.ph/en/health-and-wellness/rethink-healthy](https://www.aia.com.ph/en/health-and-wellness/rethink-healthy). ## Frequently Asked Questions ### What does ‘bahala na’ mean in the context of Filipino health decisions? In traditional Filipino health culture, “bahala na” represents a fatalistic mindset where individuals delay medical care or leave health outcomes to fate due to financial constraints or systemic access barriers. Recent sociological research indicates a growing shift away from this resignation toward proactive preventive care. ### What are the key findings of the AIA Philippines ‘Rethink Healthy’ study? The AIA Philippines “Rethink Healthy” study surveyed over 800 Filipinos, revealing that 70 percent reject a “bahala na” approach toward physical health and 60 percent avoid guesswork in mental well-being. The findings demonstrate a generational transition toward deliberate health planning and financial preparation. ### How does family influence health choices in the Philippines? Family dynamics heavily shape health choices in the Philippines, with 62 percent of survey respondents stating their approach to care is family-driven. While family support motivates proactive wellness habits, financial responsibility for dependents often creates personal trade-offs between immediate household needs and long-term preventive healthcare. ### What triggers Filipinos to adopt proactive health habits? Research indicates that major life disruptions—such as severe illness or sudden job loss—trigger proactive health habits for 83 percent of Filipinos. However, younger generations are increasingly adopting earlier preventive measures, including health insurance and sustained wellness plans, prior to experiencing health crises. ### How is the definition of health evolving among Filipinos? Filipinos are broadening the definition of health beyond physical fitness to encompass mental well-being, financial security, and environmental stability. This holistic perspective is translating into deliberate lifestyle adjustments, structured budgeting for medical care, and increased reliance on professional health resources over informal advice. **Categories:** RS Recommends --- ### [‘Euphoria’ Goes ‘Breaking Bad’ in Season 3, Episode 1](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-episode-1/) **Published:** April 13, 2026 **Author:** Pie Gonzaga **Excerpt:** The hit show’s characters have graduated from high school and moved up to Hollywood mansions and drug cartels in the desert, in an almost unrecognizable third-season premiere **Content:** *Warning: Spoilers abound.* A lot could change in four years. In Season 2 of HBO’s *[Euphoria](https://rollingstonephilippines.com/tag/euphoria/ "Euphoria")*, we watched Rue Bennett ([Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya")) spiral through her drug addiction and choose sobriety in the end, promising a clean life from there on out. But this arc doesn’t really amount to anything, because now, she’s a drug mule, and with Episode 1 of Season 3, *Euphoria* is reintroduced to us not as a dark teen drama but as a Gen Z-ified *Breaking Bad*. There’s a lot to acclimate to this season. Labrinth’s original score for the show has been replaced by needle drops after he posted a [strongly worded exit message](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-trailer-questions/ "3 Questions We’re Asking About ‘Euphoria’ Season 3 After New Trailer") on Instagram in March. We’ve moved out of the small, fictional town of East Highland and into Hollywood and the Mexican desert. Rue, who still owes money to dealer Laurie (Martha Kelly) for failing to sell $10,000 worth of drugs in high school, delivers drugs from Mexico to the U.S. Often, these runs require her and her friend Faye Valentine (Chloe Cherry) to swallow a kilo of fentanyl packed in golf ball-sized balloons, cross the border, and shit everything out on a strainer when they get to Laurie’s. Halfway through Episode 1, Rue carries out a deal and meets Alamo Brown (Adewale Akinnuoye-Agbaje), a drug kingpin and pimp in a cowboy hat, which he wears just in case you didn’t get the memo that *Euphoria* is a neo-Western now. It turns out the party drugs she brought over had been laced with fentanyl, which just killed one of Alamo’s strippers and wasn’t part of the deal. Confronted by Alamo, she explains that she doesn’t want to work for Laurie anymore, and that she felt like God had brought her to him for a reason. Alamo smiles mischievously as she explains her situation, already planning to exploit this poor girl, and teasing at Rue’s central conflict for this season. Other than that, our protagonist seems to be doing well. She’s still sober and meets up with her mentor, Ali (Colman Domingo), to discuss the next steps to full recovery. When she’s in Los Angeles, she crashes with her best friend Lexi Howard (Maude Apatow). ![euphoria season 3 episode 1 sharon stone](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/euphoria-s3-e1-sharon-stone.webp) Sharon Stone plays showrunner Patty Lance (left) in *Euphoria* Season 3. Photo by Eddy Chen/HBO While Rue works as an Uber driver during the day, a few of her other friends now work in entertainment. Lexi is an assistant to showrunner Patty Lance, played by *Euphoria* newcomer and veteran femme fatale Sharon Stone. Maddy Perez (Alexa Demie) works in talent management, representing influencers and actors like Lexi’s celebrity crush, Dylan Reid (Homer Gere). Rue hasn’t talked to her ex-girlfriend Jules Vaughn ([Hunter Schafer](https://rollingstonephilippines.com/tag/hunter-schafer/ "Hunter Schafer")) since the end of Season 2, but Lexi tells her that Jules is now a sugar baby. With the mention of Jules, I thought we’d get a glimpse of her life after high school. But instead, and to my horror, we catch up with Lexi’s sister Cassie (Sydney Sweeney) and Maddy’s ex, Nate Jacobs, played rather unenthusiastically by [Jacob Elordi](https://rollingstonephilippines.com/tag/jacob-elordi/ "Jacob Elordi"). ## What’s Up with Nate and Cassie? To recall, Nate had cheated on Maddy with her best friend, Cassie. After being found out, Nate and Cassie made it official. And in Season 3, they’re introduced as an engaged couple “living in some right-wing suburban bubble,” as Rue put it. Is writer-director Sam Levinson laughing *at* Sweeney, or *with* her? While Nate has taken over his father’s construction business (with Cal Jacobs fully out of the picture after his grand, pissy exit in Season 2 and the passing of actor [Eric Dane](https://rollingstonephilippines.com/culture/eric-dane-greys-anatomy-passes-away/ "Eric Dane of ‘Grey’s Anatomy’ Has Passed Away at 53")), Cassie is “trying to make it big on TikTok,” creating suggestive content. When we meet her, she’s dressed as a sexy puppy dog — which feels very wrong to even write — and shaking ass for the camera around her and Nate’s gaudy suburban mansion. But Cassie insists it’s not sex work and tells Nate she’s keen to make her own money. ![sydney sweeney euphoria season 3](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/sydney-sweeney-euphoria-s3e1.webp) Sydney Sweeney’s Cassie Howard puts on the puppy ears for her fans. Screenshot from HBO Max/YouTube Later on, however, she mulls starting an OnlyFans account just so she could stop pestering her fiancé about spending more money on the wedding. Despite the mansion and the Tesla, it turns out that Nate is fiscally conservative, unwilling to shell out $50,000 for the floral arrangements that Cassie wants, and he warns her that her work as a content creator could ruin the business. “I didn’t wait my entire life to have a ghetto wedding,” Cassie tells Nate over dinner. At this point, I wondered what made her so vapid and shallow. In the first two seasons of *Euphoria*, she was a teenager desperate to find true love and to become a professional figure skater. She wanted to be taken seriously. Now, she wants living room renovations and a fancy wedding, and seems content with the loveless, transactional relationship that she and Nate have drifted into after fighting so hard for it in Season 2. *Euphoria*’s third season is shaping up to be its messiest, a spectacle, for sure, but in the way that a car crash might be. In trying to stretch its world from high school hallways and teenagers’ bedrooms to cartel routes, the show risks losing the intimacy that made it such a hit (I’m still waiting for Rue and Jules to talk again). As I watch Episode 1 of Season 3, I already think the show might be better off wrapping things up now before it truly loses its essence, because you can tell Levinson is itching to make another *Assassination Nation*. **Euphoria** Season 3 is currently streaming on [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max"). ## Frequently Asked Questions ### What happens to Rue in “Euphoria” Season 3, Episode 1? Rue Bennett, now sober, works as a drug mule for dealer Laurie to pay off a $10,000 debt, smuggling fentanyl-filled balloons across the Mexican border with her friend Faye Valentine to deliver drugs from Mexico to the U.S. ### Why did Labrinth leave “Euphoria” Season 3? Labrinth, who composed the show’s original score, exited the project, posting a strongly worded message on Instagram in March. Season 3 replaces his score with licensed needle-drop music instead. ### What are Nate and Cassie doing in “Euphoria” Season 3? Nate and Cassie are now an engaged couple living in a suburban mansion, with Nate running his father’s construction business and Cassie pursuing content creation on TikTok, despite friction over money and her online persona. ### Who plays new characters in “Euphoria” Season 3? Sharon Stone joins the cast as showrunner Patty Lance, Lexi Howard’s boss, while Adewale Akinnuoye-Agbaje plays new drug kingpin Alamo Brown, a cowboy-hat-wearing pimp Rue encounters during a drug deal gone wrong. ### Where can I watch “Euphoria” Season 3? Euphoria Season 3 is currently streaming on HBO Max. Related Stories - [3 Questions We’re Asking About ‘Euphoria’ Season 3 After New Trailer](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-trailer-questions/ "3 Questions We’re Asking About ‘Euphoria’ Season 3 After New Trailer") - [New ‘Euphoria’ Trailer is Just as Messy as Its Real-Life Drama](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-teaser/ "New ‘Euphoria’ Trailer is Just as Messy as Its Real-Life Drama") - [Rosalía Enters ‘Euphoria’ Season 3 as a Stripper](https://rollingstonephilippines.com/culture/film-tv/rosalia-euphoria-season-3-acting-debut/ "Rosalía Enters ‘Euphoria’ Season 3 as a Stripper") **Categories:** Culture, TV **Tags:** Euphoria, HBO Max --- ### [BINI Makes Historic Coachella Debut With Big Hits and Pinoy Pride](https://rollingstonephilippines.com/music/pop/bini-makes-historic-coachella-debut/) **Published:** April 11, 2026 **Author:** Elijah Pareño **Excerpt:** The P-pop group stormed the Mojave stage with a high-energy set, performing their signature songs with crowd-pleasing moments for the hardcore BLOOMs and the Coachella crowd **Content:** [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI") has made history. The group just became the first all-Filipino act to perform at Coachella, taking the Mojave stage on April 11 at 7:15 a.m. Philippine time. Sharing the same stage bill as [Central Cee](https://rollingstonephilippines.com/tag/central-cee/ "Central Cee"), [Ethel Cain](http://ethel%20cain), and Blood Orange, the moment places BINI in a wider global context, one that tests how their sound and performance translate to the eclectic, musically diverse Coachella crowd. As the BINI logo lights up the stage, the group enters in gold outfits paired with salakot, an entrance that’s cheesily theatrical, even if the prop is quickly tossed aside. Opening their set with “Shagidi,” the group wastes no time setting the tone. BINI leans into a high-energy start that’s already calibrated for a memorable first impression. From here, their set becomes a real-time gauge of how they can command a festival crowd, transitioning from signature songs to dance breaks, even as the scale of the moment gradually shows that their unique brand of P-pop is now being platformed in one of the biggest music festivals in the world. ## Setlist Highlights ![BINI Coachella](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/bini-w-1-copy.webp) For a first Coachella set, the group pulled off a historic feat. Screenshot from Coachella/YouTube By the second track, “Zero Pressure,” the group shifts gears, ripping off their gold dresses to reveal turquoise blue outfits. The transition into “Out of My Head” lands smoothly, with the band locking into the group’s pacing. Throughout their performance, the setlist was sequenced with an alternate structure showcasing a good balance of their English and Filipino songs. Onstage, there are moments where nerves show, with some members fumbling lines, though they powered through with their charm as a group. “Being with all of you has always been the sweetest cherry on top,” Maloi tells the crowd. While segments like the “eyy!” hand gestures were cute for some and tacky for others, that moment was immediately eclipsed by the live performances themselves. After their first spiel, BINI moves into a run of Filipino tracks, starting with “Karera” before going straight into their breakout hit “Salamin, Salamin.” The latter features a reworked instrumental that adds more synth layers, with a kudyapi texture surfacing in the dance breakdown. “Blink Twice” featured a career highlight in terms of group chemistry, while “Cherry on Top” and its vocal performances showcase the group’s impressive range. Toward the latter stretch, “Pantropiko” is introduced through kulintang-driven percussion, setting up the song’s opening melody that’s heard across the world as the P-pop group closes their debut Coachella stage. For a first Coachella set, the group pulled off a historic feat. As there are songs in the setlist that could’ve made it to the cut, the final selection of their older and new material has already won casual fans all over the world. It can’t be helped that there are stumbles here and there; it’s perhaps one of the biggest steps in showcasing Filipino pop music to a worldwide audience. ## Frequently Asked Questions ### Is BINI the first Filipino group to perform at Coachella? Yes. BINI became the first all-Filipino act to perform at Coachella, taking the Mojave stage on April 11 at 7:15 a.m. Philippine time, sharing the bill with acts including Central Cee, Ethel Cain, and Blood Orange. ### What songs did BINI perform at their Coachella debut? BINI’s Coachella set included “Shagidi,” “Zero Pressure,” “Out of My Head,” “Karera,” “Salamin, Salamin,” “Blink Twice,” “Cherry on Top,” and “Pantropiko,” blending English and Filipino tracks with costume changes and traditional instrumentation like kulintang percussion. ### Did BINI have any costume changes during their Coachella set? Yes. BINI opened in gold outfits paired with salakot before changing into turquoise blue outfits by their second song, “Zero Pressure,” as part of the set’s staged transitions. ### How did BINI incorporate Filipino instrumentation into their Coachella performance? BINI reworked “Salamin, Salamin” with added synth layers and a kudyapi texture during its dance breakdown, while “Pantropiko” was introduced through kulintang-driven percussion before its opening melody. ### How was BINI’s overall performance at their Coachella debut? BINI’s set had some rough patches, including members fumbling lines, but their setlist selection and stage chemistry were well received, marking what the group and fans consider a historic step for Filipino pop music on a global stage. Related Stories - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") - [Filipino Musicians and the Uphill Battle of Going ‘Global’](https://rollingstonephilippines.com/editors-picks/features/filipino-representation-southeast-asia-music/ "Filipino Musicians and the Uphill Battle of Going ‘Global’") **Categories:** Music, Pop **Tags:** BINI, Coachella 2026 --- ### [KATSEYE’s Coachella Debut Had Big Highs and Some Awkward Lows](https://rollingstonephilippines.com/music/pop/katseye-coachella-2026-highs-lows/) **Published:** April 11, 2026 **Author:** Pie Gonzaga **Excerpt:** The girl group brought all their hits to their first-ever Coachella set, but the show wasn’t without a few glaring misses either **Content:** “Coachella has been our number one dream since we became a group,” said [KATSEYE](http://katseye) member Lara Raj in the global girl group’s first-ever show at [Coachella Festival](http://coachella). On Saturday, April 11 (Philippine time), KATSEYE delivered a bombastic debut set on the festival’s second largest stage, Sahara. Between new releases and festival appearances around the world, the “Gabriela” hitmakers have been pretty busy. Before Coachella 2026, the girls performed at [Lollapalooza](https://rollingstonephilippines.com/tag/lollapalooza/ "Lollapalooza") Argentina and Chile in March, and stopped by Colombia that same month for a set at the Estéreo Picnic Festival. The group is also set to perform at The Governors Ball in New York City in June and [Head in the Clouds Los Angeles](https://rollingstonephilippines.com/music/pop/katseye-xg-head-in-the-clouds-festival/) in August. But KATSEYE’s year so far hasn’t been without hiccups. Originally a six-member group under the Korean entertainment company [HYBE](http://hybe), KATSEYE’s festival run has been marred by the absence of its member, Manon Bannerman, who is on hiatus. Despite missing a warm body, the group appears to be doing well as a five-piece, and Coachella is no different. Here, we take a quick look at the hits and misses from their set in the first weekend of Coachella 2026. ![katseye huntr/x coachella 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/katseye-huntrx.webp) KATSEYE with HUNTR/X’s Rei Ami, Ejae, and Audrey Nuna, performing “Golden.” Screenshot from Coachella/YouTube ## No Manon: Low Just like in Lollapalooza, [Manon](https://rollingstonephilippines.com/music/pop/katseye-manon-hybe-girl-group-exits/ "KATSEYE’s Manon Isn’t The First to Leave a HYBE Girl Group") was noticeably missing from KATSEYE’s debut Coachella set, with HYBE telling [*The Korea Herald*](https://www.koreaherald.com/article/10713763) on Thursday, April 9, that the group’s Swiss member remains [on hiatus](https://rollingstonephilippines.com/music/pop/katseye-manon-hybe-girl-group-exits/). And even though the other girls didn’t acknowledge or mention Manon between songs, her absence looms over them, especially when they talk about Coachella being a dream for them, and when they sing “My Way.” ## ‘PINKY UP’: High After the energetic set of German DJ Marlon Hoffstadt on the Sahara Stage, it’s only right for KATSEYE to open theirs with their newest single, “PINKY UP,” a Eurodance-infused pop track that samples Da Hool’s trance classic, “Meet Her at the Loveparade.” The opening number sets the mood for the rest of KATSEYE’s high-octane and movement-inducing set. ## ‘Golden’: Low KATSEYE isn’t exempt from a mildly irritating brainrot song, like “GNARLY” or “Internet Girl,” but “Golden,” from Netflix’s [*KPop Demon Hunters*, ](http://kpop%20demon%20hunters)was a major vibrational miss. The animated movie’s stars Ejae, Audrey Nuna, and Rei Ami joined the KATSEYE girls onstage, which made for a cute moment. But I also couldn’t help but ask, “Who and/or what is this for?” ![sophia laforteza katseye coachella 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/sophia-laforteza-coachella.webp) “It’s so beautiful, I’m overwhelmed with emotions,” says Filipino member Sophia Laforteza between songs. Screenshot from Coachella/YouTube ## Sophia Shouting Out the Filipinos: High When Filipino member Sophia Laforteza shouted out the audience members raising the Philippine flag, I, too, was filled with pride. The quick shout-out, along with [BINI’s debut](https://rollingstonephilippines.com/music/pop/bini-makes-historic-coachella-debut/ "BINI Makes Historic Coachella Debut With Big Hits and Pinoy Pride") on the Mojave stage earlier that day, also just demonstrates Filipinos’ willingness to show up for each other anywhere. I cannot pretend to be bigger than other Filipinos who are big on Pinoy pride. ## The ‘Gabriela’ Dance Break: Low There are, thankfully, very few misses in KATSEYE’s Coachella set. But one of those was the dance break in “Gabriela,” where everyone except South Korean member Yoonchae Jeung put on the flamenco skirts. Maybe it was a mishap that caused Yoonchae to ditch her skirt, but seeing her dance uninhibited by it proved that the girls could have gone without theirs too. Let Lara do chair splits without a floor-length skirt! ## ‘GNARLY’: High I know I just said “GNARLY” is mildly irritating, but KATSEYE showed that the song is a lot more enjoyable when seen and heard live. It’s a fitting closer for the set, being their most memorable song. While the girls’ energy has not waned a single time throughout their set, it’s in “GNARLY” that they truly show out. Never underestimate the power of fun choreography and brain-rotting lyrics to command a crowd. ## Frequently Asked Questions ### Why was KATSEYE missing a member at their Coachella debut? KATSEYE performed as a five-piece at Coachella after HYBE confirmed to The Korea Herald that Swiss member Manon Bannerman remains on hiatus, a absence that also affected the group’s earlier Lollapalooza performances. ### What songs did KATSEYE perform at Coachella 2026? KATSEYE opened their Sahara Stage set with new single “PINKY UP,” which samples Da Hool’s “Meet Her at the Loveparade,” and closed with “GNARLY,” also performing “Gabriela” and “Golden” from the Netflix film KPop Demon Hunters. ### Who joined KATSEYE onstage during their Coachella set? KPop Demon Hunters stars Ejae, Audrey Nuna, and Rei Ami joined KATSEYE onstage for a performance of “Golden,” a moment the group’s member described as a mixed reaction despite being a notable crossover appearance. ### Did KATSEYE acknowledge the Philippines during their Coachella set? Yes. Filipino member Sophia Laforteza shouted out audience members raising the Philippine flag during the set, a moment that echoed BINI’s historic Coachella debut earlier that same day. ### What other festivals has KATSEYE performed at in 2026? Before Coachella, KATSEYE performed at Lollapalooza Argentina and Chile and the Estéreo Picnic Festival in Colombia in March, with upcoming appearances scheduled at The Governors Ball in June and Head in the Clouds Los Angeles in August. Related Stories - [BINI Makes Historic Coachella Debut With Big Hits and Pinoy Pride](https://rollingstonephilippines.com/music/pop/bini-makes-historic-coachella-debut/ "BINI Makes Historic Coachella Debut With Big Hits and Pinoy Pride") - [KATSEYE’s Manon Isn’t The First to Leave a HYBE Girl Group](https://rollingstonephilippines.com/music/pop/katseye-manon-hybe-girl-group-exits/ "KATSEYE’s Manon Isn’t The First to Leave a HYBE Girl Group") - [Idol Groups Take Over Head in the Clouds 2026 With KATSEYE and XG](https://rollingstonephilippines.com/music/pop/katseye-xg-head-in-the-clouds-festival/ "Idol Groups Take Over Head in the Clouds 2026 With KATSEYE and XG") **Categories:** Music, Pop **Tags:** Coachella 2026, Katseye --- ### [Torrential Downpours Didn’t Stop BTS’ First Goyang Concert](https://rollingstonephilippines.com/music/pop/bts-arirang-concert-rain/) **Published:** April 10, 2026 **Author:** Elijah Pareño **Excerpt:** The global pop group pushed through a rain-soaked opening night, with fans prepared for the weather and choosing to stay as the show carried on **Content:** Should [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS")’s first night of their Goyang Stadium show have been canceled from torrential downpours? The answer leans toward no. The 3-day concert experience had a slippery start, with wet stage conditions making parts of the performance harder to execute safely while an impromptu dance performance of “I Need U” were made up for the bad weather. BTS officially launched their world tour for their latest album *ARIRANG* at South Korea’s Goyang Stadium on April 9. The concert was a major return after four years, following the group’s full completion of military service. But what should have been a straightforward celebration took an unexpected turn, with heavy rain battering the stadium, affecting the audience and the performers on stage. Weather reports showed that the downpour was already nearing its tail end by the time of the concert. According to *The Chosun Daily*, rain that began the day prior was expected to ease as a low-pressure system moved out of South Korea by late afternoon on the day of the concert. > [View this post on Instagram](https://www.instagram.com/p/DW6f2WiERNc/?utm_source=ig_embed&utm_campaign=loading)[A post shared by BIGHIT MUSIC (@bighit.music)](https://www.instagram.com/p/DW6f2WiERNc/?utm_source=ig_embed&utm_campaign=loading) Fans were also given a heads up ahead of time, with forecasts pointing to a rainy April 9 show, followed by improving conditions on April 11 and 12 at the same venue. Even with the risks, the group doubled down into the rainy moment. According to *BBC*, the concert featured lighter moments, including V doing the “worm dance” on the wet stage floor, while RM warned him about the risk of slipping. Members also addressed the conditions directly. Jimin commented on the rain, saying, “I’m soaked down to my underwear but the most important thing was getting to see you all,” he says. “For four years, I couldn’t see you and it was tough, but it’s an honour that I got to see you again.” No reports of people were harmed nor there were reported accidents during the concert The BTS kickoff shows will also be broadcasted on Weverse on April 11 and April 12. ## Frequently Asked Questions ### Did BTS cancel their Goyang Stadium concert due to rain? No. BTS’s first night at Goyang Stadium went on despite torrential downpours, though wet stage conditions made parts of the performance harder to execute safely, prompting an impromptu, unplanned performance of “I Need U” to work around the weather. ### What tour did BTS launch at Goyang Stadium? BTS launched their world tour for their latest album, ARIRANG, at Goyang Stadium on April 9, marking their first concert in four years following the group’s completion of mandatory military service in South Korea. ### How did BTS members respond to the rain during the concert? Members leaned into the conditions rather than fighting them: V performed a “worm dance” on the wet stage floor while RM warned him about slipping, and Jimin told the crowd he was soaked but grateful to see fans again after four years apart. ### Was anyone hurt during BTS’s rainy Goyang Stadium concert? No injuries or accidents were reported during the concert, despite the wet and potentially hazardous stage conditions caused by the heavy rain. ### Where can I watch BTS’s Goyang Stadium concert? BTS’s Goyang Stadium kickoff shows will be broadcast on Weverse on April 11 and April 12, following the rain-affected opening night on April 9. Related Stories - [Ranking Every Song from BTS’ ‘Arirang’](https://rollingstonephilippines.com/music/pop/ranking-every-song-from-bts-arirang/ "Ranking Every Song from BTS’ ‘Arirang’") - [Filipino Musicians and the Uphill Battle of Going ‘Global’](https://rollingstonephilippines.com/editors-picks/features/filipino-representation-southeast-asia-music/ "Filipino Musicians and the Uphill Battle of Going ‘Global’") - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") **Categories:** Music, Pop **Tags:** BTS --- ### [‘Hacks’ S5E1: Hysterical Woman Fights Back](https://rollingstonephilippines.com/culture/tv/hacks-s5e1-recap/) **Published:** April 10, 2026 **Author:** Christian San Jose **Excerpt:** In the final season premiere, Deborah sets out on a crazy legacy redemption arc to set the record straight, even if it means shooting for the stars and going against a media overlord **Content:** *[Hacks](https://rollingstonephilippines.com/tag/hacks/ "Hacks")* is back for its final season, and so is its presumed-dead protagonist, Deborah Vance, who’s just risen from a champagne and caviar-fueled spiral in Singapore post-*Late Night* fallout. The circumstances around her “death”, once unclear in the Season 4 finale (yes, a staffer can sometimes accidentally hit the “Publish” button on a banked obituary. It happens), are laid out in the first episode of Season 5. Apparently, reports said they carried her body off a boat, and she “didn’t make it.” “No, no, no. I didn’t make it *to the hospital*! I had them reroute me to my hotel,” Deborah tells her fans mourning in front of her Las Vegas address. While she is alive, what is unrevivable now is her public reputation. Media CEO and Deborah’s former paramour, Bob Lipka, has razed her image to the ground, exhausting every platform he owns to paint a picture of the septugenarian comedian as a “crazy lady,” who went cuckoo after “setting *Late Night* on fire” — as she did with her ex-husband’s house. Allegedly. And Lipka doesn’t stop here. It gets worse. Let’s just say, consolidating media into one (white) man’s hands is always bad news. Even Deborah’s home agency inevitably took a blow from Lipka’s vendetta. “All our meetings go well, and then they find out we can’t do business with Bob Lipka‘s companies and ghost us,” Paul W. Downs’ Jimmy LuSaque Jr. tells his business partner, Kayla Schaefer, and their assistant, Randi, who’s surprisingly good at thinking on her feet. The fix the disgraced former *Late Night* host comes up with is even crazier than the news of her death. “I need a win,” Deborah wakes Ava up with her brilliant idea. “A legacy-defining win that they cannot spin. I refuse to be remembered in other people’s terms: as a quitter, or the person who killed *Late Night*, or some hysterical woman. I have worked far too long. I will be remembered for my accomplishments. So I have decided… to EGOT.” And it turns out, she’s halfway there: she’s already got a Daytime [Emmy](https://rollingstonephilippines.com/tag/emmy-awards/ "Emmy Awards") for an obscure game show she once hosted in the ‘90s and a Tony for producing *Spamalot*. Now, a [Grammy](https://rollingstonephilippines.com/tag/grammy-awards/ "Grammy Awards") and an [Oscar](https://rollingstonephilippines.com/tag/academy-awards/ "Academy Awards") are mountains to climb — even for a figure of her caliber — but what’s harder now, as Jimmy realizes, is whether she can even work on anything given the airtight contract she got into hosting and eventually leaving *Late Night*. ## A ‘No-Woman’ to Ignore ![hacks season 5 ava deborah damien 1](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/hacks-season-5-ava-deborah-damien-1.webp) Deborah is out to set her legacy straight, and in *Hacks* Season 5, she‘s taking big swings. Photo from HBO Max Eventually, after Jimmy and Kayla’s best efforts to get her closer to an O, and personally hiring (and then firing) Pulitzer-, Tony-, and Emmy-winning playwright Tony Kushner to write her memoir that will then be turned into an audiobook, and recording a feature on an acclaimed Regional Mexican album to get her a G, Deborah decides to drop the EGOT bid. If there’s one characteristic plot point in a *Hacks* premiere, it’s the lingering tension (non-sexual and sometimes sexual) between Deborah and Ava that sets the tone for the rest of the season. Whether that’s a down-on-her-luck millennial looking down on a has-been comedian in Season 1 or a blackmailing bitch who comes back to work with her lying, manipulative boss in Season 4, *Hacks* have always thrived in creating and resolving frictions between these two characters in a span of a season. And perhaps for the first time, Deborah and Ava are beginning a season amicably. Perhaps too amicably. “Ava is really trying to be supportive of Deborah because Singapore is like a very dark moment, and she watches Deborah give up her *Late Night Show* and spiral from there, and I think, she’s just trying to affirm everything that excites her,” Hannah Einbinder says of her character in a post-premiere look into the episode. *Hacks* co-creator and showrunner Jen Stastky echoes this. “I think Ava felt scared to push Deborah… so she held back, and that’s what she’s doing in the first half of this episode.” Thank god that lasted only as soon as Deborah calls Ava out (“Okay. That’s it! What is wrong with you? You don’t challenge me in your normal ‘Why don’t you consider…’ Ava way. I don’t need a yes-man! I need a no-woman to ignore.”). And surprisingly, the spat, if you can even call it that, went smoothly with the two even peacefully arriving at the same conclusion that they are helpless against an iron-clad contract. Maybe it’s maturity? Or maybe that’s last season syndrome, a bid to tie loose ends. Or! As the rest of the episode plays out, to signal a move to a bigger theme that would necessitate them being on the same page. *Hacks,* in its final season, proves it’s still one of the best comedies out there while mirroring the current landscape of film and television. If last season was about the rat race to create a hit against shrinking attention spans, this season might just be a swan song to take down the final boss, the true villain of Hollywood: the tech media mogul. And Ava and Deborah are more than up for a challenge. Because if there’s anything better than a sapphic Ava and Deborah, it’s scheming Ava and Deborah. And baby, the women are conspiring. Hacks *is currently streaming its final season on HBO Max.* ## Frequently Asked Questions ### Is Deborah Vance alive in “Hacks” Season 5? Yes. Despite reports of her death circulating after the Season 4 finale, Deborah Vance survived, revealing she was rerouted to her hotel rather than the hospital after a boating incident near Singapore. ### Why is Deborah Vance’s reputation destroyed in “Hacks” Season 5? Media CEO Bob Lipka, Deborah’s former paramour, uses his media platforms to paint her as unstable following her exit from Late Night, damaging both her public image and her agency’s ability to book new work. ### What is Deborah Vance’s EGOT bid in “Hacks” Season 5? Deborah launches a bid to win an Emmy, Grammy, Oscar, and Tony after already holding a Daytime Emmy and a Tony for producing Spamalot, though she eventually abandons the pursuit after struggling to make progress toward a Grammy and Oscar. ### How has Ava and Deborah’s dynamic changed in “Hacks” Season 5? The two begin the season unusually amicable, with Ava holding back her usual pushback out of concern for Deborah after watching her spiral in Singapore, though Deborah eventually calls out Ava for not challenging her as she normally would. ### Where can I watch “Hacks” Season 5? Hacks Season 5, the show’s final season, is currently streaming on HBO Max. Related Stories - [The Best Comedy Series — ‘Hacks,’ Duh?! — Actually Won at the Golden Globes](https://rollingstonephilippines.com/culture/film-tv/hacks-golden-globes/ "The Best Comedy Series — ‘Hacks,’ Duh?! — Actually Won at the Golden Globes") - [Ranking The Dicks From Every ‘The White Lotus’ Season Premiere](https://rollingstonephilippines.com/culture/film-tv/ranking-dicks-the-white-lotus/ "Ranking The Dicks From Every ‘The White Lotus’ Season Premiere") - [The Joy of Natasha Rothwell in ‘The White Lotus’](https://rollingstonephilippines.com/culture/film-tv/the-joy-of-natasha-rothwell-the-white-lotus/ "The Joy of Natasha Rothwell in ‘The White Lotus’") **Categories:** Culture, TV **Tags:** Hacks --- ### [‘The Boys’ Season 5, Episodes 1 and 2: All Bets Are Off](https://rollingstonephilippines.com/culture/tv/the-boys-season-5-episodes-1-2-recap/) **Published:** April 10, 2026 **Author:** Mel Wang **Excerpt:** Giant penises and magma-cumming supes aside, this season’s hit the nail once again on modern-day politics — and it isn’t afraid to kill its darlings **Content:** *Warning: mild spoilers abound*. If you look past all the penis-strangling, MAGA-baiting, and human-exploding of the first episode of *[The Boys](https://rollingstonephilippines.com/tag/the-boys/ "The Boys")*’ final season, there’s a little meta message for fans who might be worried about how the show’s planning on wrapping everything up. “It’s impossible to tick every box and tie up every little storyline,” says The Worm (Ely Henry), a new minor character whose superpower involves eating dirt at a rapid speed and projectile-shitting all of it out of his anus. “I mean, just try making everybody happy: you can’t do it! Finales are the worst.” This isn’t exactly a vote of confidence, but showrunner Eric Kripke has never been too concerned about pleasing everyone with his dark comedy based on the comic book series of the same name (and based on very real, very angry-faced politicians, but we’ll get to that soon). “The fans will tell me whether we got it right,” Kripke told [*Entertainment Weekly*](https://ew.com/the-boys-universe-eric-kripke-talks-ending-mothership-future-spinoffs-11943810). “People tell me it’s really good, but most of those people work for me. So I’m not getting a clear judgement at all.” ![the boys season 5](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/the-boys-season-5-ep-1.webp) Nothing seems to be going right for the Boys. Screenshot from Amazon Prime Video/Official Website Despite Kripke’s own reservations about his ability to stick the landing, *The Boys*’ final season is off to a good, high-stakes start. We pick up after the events of Season 4, which ended with Homelander (Anthony Starr) becoming essentially the supreme leader of America and three of the Boys — Hughie (Jack Quaid), M.M. (Laz Alonso), and Frenchie (Tomer Capone) — being whisked away to an unknown location. A year later, and nothing seems to be going right for the Boys. The captured trio are locked up in a Freedom Camp (which is pretty much an ICE detention facility with lots more star-spangled decor). Kimiko (Karen Fukuhara) has been deported back to the Philippines. Butcher (Karl Urban) is still working on a Supe-killing virus, all while his own superpower slowly destroys him. And Annie (Erin Moriarty) is leading the Starlighter guerrillas in a failing rebellion against Homelander. She does manage to get a shot in at the caped strongman by leaking the video of his plane crash massacre from Season 1, but all it does is piss him off and make him threaten to execute the three Boys he has locked up. It’s not the toughest spot our heroes have been in, but things are certainly looking grim. However, it isn’t all sunshine and red-white-and-blue rainbows for Homelander, either. He’s tired of tea-bagging the United States president (who’s more of a puppet figure, really), and he can’t trust any of his henchmen to do their jobs right — The Deep (Chace Crawford) is off being an alpha male and Noir (Nathan Mitchel) has gone method. Starved for any type of emotional connection, Homelander releases his immortal daddy Soldier Boy (Jensen Ackles) from deep freeze, only for them to have a very tense father-son talk (“Did you fuck me?” Soldier Boy asks Homelander. “Is this some kind of incest thing?”). The ball officially starts rolling when all of the Boys — now complete after a bloody prison break — regroup to figure out if the virus Butcher has been cooking up can actually kill a Supe. Unfortunately, they need a test dummy, and they think the perfect guinea pig for their dry run would be Rock Hard: a 900-pound granite man who was last seen railing the Lincoln Memorial’s ear until “hot come burst out its mouth” (god bless this season’s writers). ## The Boys Get Real > [View this post on Instagram](https://www.instagram.com/p/DW3wkiUFO7d/?utm_source=ig_embed&utm_campaign=loading)[A post shared by THE BOYS (@theboystv)](https://www.instagram.com/p/DW3wkiUFO7d/?utm_source=ig_embed&utm_campaign=loading) These first two episodes cover a lot of ground (and dick jokes) ahead of the season finale, but for those tuning in for *The Boys*’ signature satirization of American politics, you’re in luck. Even though Kripke and team wrote the final season before the 2024 Presidential Elections, a lot of the beats and plotlines ended up mimicking the real-life chaos that Donald Trump and his hordes of MAGA devotees have stirred up. Homelander — who’s always been a stand-in for the Republican president — has already had his puppet government abolish DEI, arrest thousands of Starlight “rebels” (code for anyone who’s ever liked an anti-Homelander meme), and set up hundreds of Freedom Camps around the country to make sure that only the “right” type of people get to be free. He’s also arrested Chappell Roan and Tyler, the Creator, and canceled Coachella, but hopefully these things never come to pass in real life. “This sounds super naive now,” Kripke told [*TV Guide*](https://x.com/TVGuide/status/2039426007615054280), “but I swear the plan was, ‘Let’s write a 1984 version of what creeping authoritarianism looks like in America,’ and maybe everyone will be like, ‘Whew, we really dodged a bullet.’ But instead, we got hit with the bullet.” As we sit tight for next week’s episode of *The Boys*, it’s also worth noting how Kripke has already set much higher stakes with the first two episodes. A major character death shakes both the Boys and the audience, which means that all bets are off for the coming episodes. “There’s no victory without loss,” the showrunner tells [*Entertainment Weekly*](https://ew.com/the-boys-universe-eric-kripke-talks-ending-mothership-future-spinoffs-11943810) about the final season’s high body count. “Victory costs something. If it doesn’t and it’s always happy and rainbows and everyone makes it out and high-fiving, then I really think you lose something, both the emotion of it, but also I think people sense maybe deep down, ‘Well, that doesn’t feel honest without any consequence.’ So it was always going to be a bloody season.” The first two episodes of *The Boys* are now streaming on Prime Video. Episode 3 drops on April 16 (Philippine time). ## Frequently Asked Questions ### What happens in “The Boys” Season 5, Episodes 1 and 2? The season picks up a year after Homelander becomes America’s supreme leader, with Hughie, M.M., and Frenchie held in a “Freedom Camp,” Kimiko deported to the Philippines, and Butcher developing a Supe-killing virus while his own powers slowly kill him. ### Is “The Boys” Season 5 the final season? Yes. Season 5 is showrunner Eric Kripke’s final season of The Boys, and he has said he isn’t fully confident about satisfying every fan, telling Entertainment Weekly that “finales are the worst” and that the show’s fans will ultimately judge whether it landed. ### How does “The Boys” Season 5 satirize real-world politics? Although written before the 2024 U.S. presidential election, the season mirrors real-world events through Homelander’s authoritarian government, which abolishes DEI, jails “Starlight rebels,” and sets up Freedom Camps, a parallel Kripke has called unintentionally close to reality. ### Does a major character die in “The Boys” Season 5, Episodes 1 and 2? Yes, a major character death occurs within the first two episodes, raising the stakes for the rest of the season. Kripke has said the season’s high body count reflects his belief that victory should carry real cost and consequence. ### When can I watch “The Boys” Season 5 in the Philippines? The first two episodes of The Boys Season 5 are now streaming on Prime Video, with Episode 3 set to premiere on April 16, Philippine time. Related Stories - [‘Industry,’ The Best Show on Streaming, is Back. What Can We Expect?](https://rollingstonephilippines.com/culture/tv/industry-hbo-season-4/ "‘Industry,’ The Best Show on Streaming, is Back. What Can We Expect?") - [Coachella Weekend is Coming, and Here Are the Acts You Shouldn’t Miss](https://rollingstonephilippines.com/music/coachella-weekend-is-coming-and-here-are-the-acts-you-shouldnt-miss/ "Coachella Weekend is Coming, and Here Are the Acts You Shouldn’t Miss") - [Here’s When to Tune Into BINI’s Coachella Set For Free](https://rollingstonephilippines.com/music/pop/bini-coachella-2026-set/ "Here’s When to Tune Into BINI’s Coachella Set For Free") **Categories:** Culture, TV **Tags:** Prime Video, The Boys --- ### [The Austronesian Migration Springs to Life in New Ballet Philippines Production](https://rollingstonephilippines.com/radar/events/austronesian-migration-paglalakbay-ballet-philippines/) **Published:** April 10, 2026 **Author:** Rolling Stone Philippines **Excerpt:** In this new full-length original Filipino production, Ballet Philippines centers a local narrative on the classical stage, with the journey of the Sea People to Batanes **Content:** The Austronesian migration has long been a fascinating chapter of history. The story of the seafaring group is the subject of Ballet Philippines’ original production *Paglalakbay: The Journey of the Sea People*. Its world premiere gala takes place on April 10 and runs for four more performances from April 11 to 12 at the Theatre at Solaire. The new piece is choreographed by Ballet Philippines Artistic Director Mikhail Martynyuk, with a libretto by Sheree Chua. ![Paglalakbay Ballet Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/PAGLALAKBAY-05.webp) Classical technique forms the skeleton of *Paglalakbay*, but the island landscape of Batanes becomes the language. Photo courtesy of Ballet Philippines The skeleton of the performance is the classical technique, but the central story of the Austronesian migration is formed into a unique choreography. “Batanes is wind, rocks, and ocean. As the scenery changes, the quality of movement changes as well. In *Paglalakbay,* choreographic language becomes the main narrator,” says Martynyuk. “A low center of gravity, steady in the wind; steps are wide and grounded, moving against resistance; the body tilts forward, always in dialogue with the elements; the hands are not decorative, but functional, like a sailor’s.” The libretto by Chua draws from a personal history, giving the piece parallels to modern migration. “Migration is often framed as displacement, but my mother showed me that movement can also be expansion, a widening of self without losing origin,” says Chua. “In her life, I witnessed resilience, adaptability, and a deep, unshakeable sense of identity. Those same qualities underpin the Austronesian Migration story that informs this work. Through \[my mother\], I understood that heritage is not static — it breathes, shifts, evolves — yet remains anchored in something internal and enduring.” ![Paglalakbay Ballet Philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/PAGLALAKBAY-12.webp) In *Paglalakbay*, dance becomes a way of returning, returning to land, to lineage, to the stories that continue to move with us. Photo courtesy of Ballet Philippines The production design of [Leeroy New](https://rollingstonephilippines.com/media-channels/greatest-hits/artist-leeroy-new-balay-balete/) comes from an expedition of meticulous research, making sure that the culture being portrayed reflects an understanding of the landscape, materials, and environmental forces that shape life in the northernmost islands of the Philippines. New shares, “When I visited Batanes with my assistant designer, Arvie Santos, we experienced firsthand the primal energy of the terrain, we heard the language and stories from the locals, and this only further stressed our responsibility to approximate the best we could that experience for our audiences. To share a glimpse of what remains of our early architectures, lifestyles, and crafts.” *Paglalakbay* comes from the experience of Ballet Philippines in their Ballet Brigade outreach program to Batanes. In May 2004, Ballet Brigade went to Batanes National Science High School to commune with over 200 locals — from community officials, revered elders, to students. The whole experience was a testament to how dance can bridge cultures, bring communities together, and provide momentum to both personal and collective journeys. And this was also the spark that inspired Chua’s libretto. At a time when movement plays a crucial part in Philippine history, *Paglalakbay* tells a transformative tale that connects our epic past and the chaotic present. *Paglalakbay* runs from April 10 to 12 at the Theatre at Solaire. Tickets are available via [ticketworld.com.ph](http://ticketworld.com.ph), [ballet.ph](http://ballet.ph), and the Solaire Box Office. ## Frequently Asked Questions ### What is “Paglalakbay: The Journey of the Sea People” about? Paglalakbay is an original Ballet Philippines production about the Austronesian migration, told through classical ballet technique fused with movement inspired by the wind, rocks, and ocean of Batanes, where the story is set. ### Who created Paglalakbay? Paglalakbay is choreographed by Ballet Philippines Artistic Director Mikhail Martynyuk, with a libretto by Sheree Chua and production design by artist Leeroy New, who researched Batanes firsthand with assistant designer Arvie Santos. ### When and where does Paglalakbay premiere? Paglalakbay’s world premiere gala takes place on April 10, with four additional performances running through April 12 at the Theatre at Solaire. ### What inspired Sheree Chua’s libretto for Paglalakbay? Chua drew from her mother’s personal history of migration, framing movement as expansion rather than displacement, and connecting that lived experience to the resilience and adaptability underlying the Austronesian migration story. ### Where can I buy tickets for Paglalakbay? Tickets for Paglalakbay are available through ticketworld.com.ph, ballet.ph, and the Solaire Box Office. Related Stories - [Timothée Chalamet Rises from Ballet, Opera Blunder with New ‘Dune 3’ Teasers](https://rollingstonephilippines.com/culture/film/timothee-chalamet-dune-3-cast-posters/ "Timothée Chalamet Rises from Ballet, Opera Blunder with New ‘Dune 3’ Teasers") - [Manila Raves, and the Price of Fantasy](https://rollingstonephilippines.com/editors-picks/features/manila-raves-history-price-cost-of-fantasy/ "Manila Raves, and the Price of Fantasy") - [‘It Will Make You Feel History’: Cast Speaks On Lav Diaz’s Cannes Film ‘Magellan’](https://rollingstonephilippines.com/culture/film-tv/cast-speaks-on-lav-diaz-cannes-film-magellan/ "‘It Will Make You Feel History’: Cast Speaks On Lav Diaz’s Cannes Film ‘Magellan’") **Categories:** Events, Radar **Tags:** Ballet Philippines, Paglalakbay --- ### [Ping Lacson is on a Tweet Spree Against Alan Peter Cayetano, and Promises Jail Time](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/ping-lacson-tweets-against-alan-peter-cayetano/) **Published:** July 22, 2026 **Author:** Pie Gonzaga **Excerpt:** Lacson isn’t letting up after an “attack” on his integrity, calling Cayetano “bopol” and launching his own investigation into Taguig’s alleged ghost infrastructure projects **Content:** Senator [Panfilo “Ping” Lacson](https://rollingstonephilippines.com/tag/ping-lacson/ "Ping Lacson") is on Sen. [Alan Peter Cayetano](https://rollingstonephilippines.com/tag/alan-peter-cayetano/ "Alan Peter Cayetano")’s case and has taken it upon himself to look into allegations of ghost infrastructure projects in the Cayetano bailiwick of Taguig City. “We have documented at least two case studies so far. Too many P100 million slope protection and drainage projects totaling P2.085 billion out of the P6.79 billion insertions under the 2025 GAA \[General Appropriations Act\],” he said in his latest post on X. The post is only one among a few others that Lacson has published in the past few days targeting his fellow lawmaker. The tweet spree started on July 18, in a post addressing Cayetano’s claim that his net worth doubled in 2025, an accusation that was leveled in the ex-Senate president’s Facebook livestream earlier that day. “Whatever money I have, I definitely earned legitimately through some real estate deals and other legitimate businesses with 2 other business partners as a private individual, and I paid P10.5 million and P2.8 million respectively as reflected in my ITRs \[income tax returns\],” Lacson said, before accusing Cayetano of making budget insertions worth P6.79 billion in the 2025 GAA. The next day, Lacson said that Cayetano “crossed a line” by attacking his integrity. “As of this morning, I’m still counting informants and witnesses, directly or through intermediaries, willing to provide information and evidence to put him in his proper place — the Payatas, Quezon City jail.” The National Bureau of Investigation (NBI) said on Monday, July 20, that it is [probing](https://newsinfo.inquirer.net/2266621/nbi-probes-flood-control-projects-in-cayetano-bailiwick-taguig) Lacson’s allegations regarding the ghost projects in Taguig. NBI Director Melvin Matibag pointed out that 11 of the city’s infrastructure projects in 2022 — during which Cayetano served as Taguig-Pateros representative — involved some of the contractors that were previously embroiled in the flood control scandal. ## Cayetano ‘Lectured’ on Legal Points ![chel diokno impeachment prosecution](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/chel-diokno-duterte-impeachment.webp) Akbayan Rep. Chel Diokno led oral arguments for the prosecution team on July 20. Photo by Joseph B. Vidal/Senate of the Philippines/Facebook Lacson also commented on Cong. [Chel Diokno](https://rollingstonephilippines.com/state-of-affairs/chel-diokno-long-game/ "Chel Diokno Knows The Long Game Doesn’t End Here")’s [rebuttals](https://mb.com.ph/2026/07/21/hindi-nagpadaig-diokno-stands-ground-vs-cayetano-on-bank-records-debate) against Cayetano during [Vice President Sara Duterte’s impeachment trial](https://rollingstonephilippines.com/tag/sara-duterte-impeachment/ "Sara Duterte Impeachment") on Monday, July 20, during which Cayetano asserted that Duterte’s financial records from her time as Davao City vice mayor and mayor were irrelevant to the impeachment case. “I would have to respectfully disagree,” said Diokno, a member of the House prosecution team. “Ang pinag-uusapan po natin kasi dito ay betrayal of public trust, and I think it’s very clear that when we speak of betrayal of public trust, essentially we are looking at whether the public official is fit or unfit to continue in service.” “I had attended many court trials, especially during my law enforcement days,” Lacson said on X. “I never witnessed a counsel, either for the prosecution or defense lecture a judge on the Constitution, Rules of Court and leading jurisprudence. Awkward and shameful!” He followed it up with another tweet: “Kapag magagaling ang mga abogado ng prosekusyon at depensa, masarap makinig; ang dami nating natutuhan. Ang problema, kapag may umentra na senator-judge na ‘bopol’, nakakabobo naman. Win some, lose some.” ## Frequently Asked Questions ### Why is Ping Lacson accusing Alan Peter Cayetano of budget insertions? Cayetano claimed that Lacson’s net worth had doubled in 2025. The latter denied it and alleged that Cayetano was responsible for budget insertions worth P6.79 billion in the 2025 GAA. ### What are the alleged ghost infrastructure projects in Taguig City? Lacson has cited slope protection and drainage projects worth P100 million each, totaling P2.085 billion. ### Is the NBI investigating Taguig City’s alleged ghost infrastructure projects? Yes, the NBI confirmed the probe on July 20. NBI Director Melvin Matibag said 11 Taguig projects from 2022 involved contractors previously linked to the flood control scandal. ### What did Chel Diokno and Alan Peter Cayetano argue about in the impeachment trial? Cayetano called Sara Duterte’s Davao-era financial records irrelevant to the impeachment trial. Diokno disagreed, saying betrayal of public trust hinges on whether an official is fit to serve. ### What does “bopol” mean in Lacson’s post? “Bopol” is Filipino slang for dull-witted, a variant of “bobo.” Lacson used it to describe an unnamed senator-judge in the impeachment trial. Related Stories - [Chel Diokno Knows The Long Game Doesn’t End Here](https://rollingstonephilippines.com/state-of-affairs/chel-diokno-long-game/ "Chel Diokno Knows The Long Game Doesn’t End Here") - [Explainer: Lacson, Marcoleta, and the Flood Control ‘Allocables’](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/marcoleta-flood-control-allocables/ "Explainer: Lacson, Marcoleta, and the Flood Control ‘Allocables’") - [Alan Peter Cayetano Criticizes His Peers Without Law Degrees, But So What?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/alan-peter-cayetano-law-degree-criticism/ "Alan Peter Cayetano Criticizes His Peers Without Law Degrees, But So What?") **Categories:** Philippine Politics, State of Affairs **Tags:** Alan Peter Cayetano, Ping Lacson --- ### [Watch the FIFA World Cup 2026 Live with an All-Expense Paid Trip. Here’s How](https://rollingstonephilippines.com/radar/rs-recommends/visa-gotyme-fifa-world-cup-2026/) **Published:** April 10, 2026 **Author:** Yel Pimentel **Excerpt:** GoTyme partners with Visa to give football fans a chance to watch the Group Stage and Final in Los Angeles and New York City **Content:** GoTyme Bank cardholders have a chance to win an all-expenses-paid trip to the FIFA World Cup 2026 Group Stage and Final in Los Angeles and New York City in the United States, courtesy of Visa. The highly anticipated football game is one of the most popular sporting events globally, hosted across the U.S., Mexico, and Canada this year. The tournament will feature 48 teams in 104 matches, to kick off on June 11 and finish on July 19. ![gotyme and visa free tickets to fifa world cup 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Resized-In-Art-01.jpg) Visa Marketing Director Gladys Chan. All types of GoTyme Bank cards, whether the Classic GoTyme Bank Visa Debit Card or limited-edition FIFA World Cup-designed Pitch Black and Trophy Gold, are eligible to earn a raffle entry. These cards are available through GoTyme Bank kiosks nationwide. ![gotyme and visa free tickets to fifa world cup 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Resized-In-Art-03.jpg) GoTyme Bank Nate Clarke. GoTyme Classic and Pitch Black editions will earn one (1) raffle entry for every minimum spend of P1,000 and three (3) entries for overseas spending equivalent to a minimum of P1,000 as well, increasing the chances of winning. One Classic and one Pitch Black edition cardholder will each win an all-expense paid trip for two to watch the FIFA World Cup 2026 Group Stage in Los Angeles, inclusive of round-trip business class tickets. ![gotyme and visa free tickets to fifa world cup 2026](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Resized-In-Art-02.jpg) Chan and Clarke with 11-year-old Filipino football prodigy Sam Suguran. The rare, 1 in every 20,000 cards distributed nationwide, Trophy Gold, meanwhile, will not require a minimum spending. Trophy Gold cardholder will automatically earn an entry. One Trophy Gold cardholder will win an all-expense-paid trip for two to watch the FIFA World Cup 2026 Final in New York City, inclusive of a round-trip business class ticket and FIFA World Cup 2026 Visa Premium Merchandise. Promo runs until May 7 for Classic and Pitch Black holders and until June 10 for Trophy Gold cardholders. *Visit [gotyme.com.ph](http://gotyme.com.ph) for the full promo mechanics.* ## Frequently Asked Questions ### How can GoTyme Bank cardholders win a trip to the FIFA World Cup 2026? GoTyme Bank cardholders earn raffle entries by spending a minimum of P1,000, with Classic and Pitch Black cards earning triple entries for equivalent overseas spending, in a promo run with Visa. ### What can you win in the GoTyme Bank and Visa FIFA World Cup promo? Winners receive an all-expenses-paid trip for two, including round-trip business class tickets, to watch the FIFA World Cup 2026 Group Stage in Los Angeles or the Final in New York City. ### What is the Trophy Gold GoTyme Bank card? Trophy Gold is a rare GoTyme Bank card, distributed at a rate of 1 in every 20,000 cards, that automatically earns a raffle entry for the FIFA World Cup 2026 Final trip with no minimum spend required. ### When does the GoTyme Bank FIFA World Cup 2026 promo end? The promo runs until May 7 for Classic and Pitch Black cardholders and until June 10 for Trophy Gold cardholders. ### Where can I find the full mechanics for the GoTyme Bank FIFA World Cup promo? Full promo mechanics are available at gotyme.com.ph. Related Stories - [Why Sponsorship Is the Missing Link in the Rise of Filipino Athletes](https://rollingstonephilippines.com/radar/gotyme-bank-sponsors-filipino-athletes/ "Why Sponsorship Is the Missing Link in the Rise of Filipino Athletes") - [Women’s Football Win Adds to Philippines’ 2025 SEA Games Gold Rush](https://rollingstonephilippines.com/culture/sports/sea-games-2025-philippines-womens-football/ "Women’s Football Win Adds to Philippines’ 2025 SEA Games Gold Rush") - [Bad Bunny Turns Super Bowl LX Halftime Into a Puerto Rican Street Party](https://rollingstonephilippines.com/music/hiphop-rnb/bad-bunny-super-bowl-2026-recap/ "Bad Bunny Turns Super Bowl LX Halftime Into a Puerto Rican Street Party") **Categories:** Radar, RS Recommends **Tags:** FIFA World Cup 2026 --- ### [Ruby Ruiz and Maricel Soriano Star in Religious Thriller ‘First Light’](https://rollingstonephilippines.com/culture/film/first-light-ruby-ruiz-maricel-soriano/) **Published:** April 9, 2026 **Author:** Mel Wang **Excerpt:** Nuns, death, and intrigue abound in this film set against the backdrop of Metro Manila and Rizal **Content:** *[First Light](https://rollingstonephilippines.com/tag/first-light/ "First Light")*, a religious thriller starring [Ruby Ruiz](https://rollingstonephilippines.com/tag/ruby-ruiz/ "Ruby Ruiz") and [Maricel Soriano](https://rollingstonephilippines.com/tag/maricel-soriano/ "maricel soriano"), will screen in select cinemas nationwide on June 24. Set against the backdrop of Metro Manila and the countryside of Rizal, *First Light* follows Ruiz’s Sister Yolanda, an elderly nun who has dedicated her life to serving the church. When a construction worker’s mysterious death shakes the townspeople, the good sister finds herself coming face-to-face with questions of faith, power, and the lingering presence of the country’s former colonizers. The film’s trailer, released in anticipation of its Philippine debut, reveals little about the storyline’s details. It features the quiet, enclosed lives of Yolanda and her fellow sisters, along with flashes of what threats lie ahead for the convent. “Ano ba ‘yung maliit na sakripisyo para sa maraming makikinabang na mga tao?” Soriano’s Linda Dela Cruz, a local aristocrat, implores Sister Yolanda. ![First Light](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/DSCF3322-1.webp) *First Light* follows Sister Yolanda, an elderly nun who has dedicated her life to serving the church. Photo courtesy of Clou Media Productions A directorial debut from Filipino-Australian filmmaker and photographer James J. Robinson, *First Light* does not shy away from diving deep into the Philippines’ complicated history, one that has been colored by the faiths and beliefs of the colonial powers that once controlled it. “What I personally hoped from making the film,” Robinson told *Rolling Stone Philippines*, “was to… separate Catholicism from the institution and politics, to find a way to be compassionate for the core teachings while still being hypercritical of the people that co-opt religion for personal gain. I think the more that audiences question where the heart of a religion ends and the politics around it begins is extremely important to be doing in 2026.” ## Frequently Asked Questions ### What is “First Light” about? First Light is a religious thriller following Sister Yolanda, an elderly nun in Rizal, whose faith is tested after a construction worker’s mysterious death raises questions of power and colonial history. ### Who stars in “First Light”? First Light stars Ruby Ruiz as Sister Yolanda and Maricel Soriano as local aristocrat Linda Dela Cruz, in the directorial debut of Filipino-Australian filmmaker James J. Robinson. ### When does “First Light” release in Philippine cinemas? First Light is set to screen in select Philippine cinemas nationwide starting June 24. ### What themes does “First Light” explore? Director James J. Robinson said the film aims to separate Catholicism’s core teachings from the institution and politics, prompting audiences to question where religion ends and its exploitation for personal gain begins. ### Where was “First Light” filmed? First Light is set against the backdrop of Metro Manila and the countryside of Rizal, following Sister Yolanda’s convent and the surrounding community. Related Stories - [Isabel Sandoval and the Art of Cinematic Yearning](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/isabel-sandoval-moonglow/ "Isabel Sandoval and the Art of Cinematic Yearning") - [Meryll Soriano on ‘Sunshine,’ Motherhood, and Mentorship](https://rollingstonephilippines.com/culture/film-tv/meryll-soriano-sunshine-interview/ "Meryll Soriano on ‘Sunshine,’ Motherhood, and Mentorship") - [Hilda Koronel: ‘It Was Lino Brocka Who Would Always Save Me’](https://rollingstonephilippines.com/culture/film/hilda-koronel-sisa-interview/ "Hilda Koronel: ‘It Was Lino Brocka Who Would Always Save Me’") **Categories:** Culture, Film **Tags:** First Light, maricel soriano, Ruby Ruiz --- ### [20 Acts We Can’t Wait to See at Coachella](https://rollingstonephilippines.com/music/coachella-2026-most-anticipated-acts/) **Published:** April 8, 2026 **Author:** Rolling Stone US **Excerpt:** What will Bieber do? Will Manon perform with Katseye? Here are the most anticipated sets from the festival **Content:** This year, [Coachella](https://rollingstonephilippines.com/tag/coachella/ "Coachella") is full of firsts. [Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter"), [Justin Bieber](https://rollingstonephilippines.com/tag/justin-bieber/ "Justin Bieber"), and Karol G will all debut as headliners at the music festival, and Karol will even make history as the first Latina to take top billing at the event. There’s lots in store beyond headliners, too. Young Thug, [KATSEYE](https://rollingstonephilippines.com/tag/katseye/ "Katseye"), and Geese will each deliver highly anticipated, memorable sets. The lineup also offers iconic comeback stories: The xx will return to the festival, and so will The Strokes. It’s going to be a festival to remember. Check out the 20 artists we’re most excited for below. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/coachella26-dijon.webp) 20 Dijon Dijon is about to show Coachella how to go out and dance like we used to dance. The musician will hit the stage on Friday, and the performance comes just a few months after he released his second studio album, *Baby*. Last year, the LP took Dijon out on the road for an intimate tour that lends itself to the shared experience of watching an artist truly in their element, making Coachella a perfect place to watch it come to life. —*Larisha Paul* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/gigi.webp) 19 Gigi Perez Gigi Perez will make her Coachella debut on Sunday night, just before Karol G and Young Thug take the stage. The singer-songwriter has been a favorite on the festival circuit since her hit “Sailor Song” took over TikTok. She’ll deliver her delicate acoustic tracks to cut through the Indio dust. Plus, since her performance was announced, Perez has also promised to bring back a Coachella staple: flower crowns. —*Maya Georgi* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/coachella26-rusowsky.webp) 18 Rusowsky A conservatory-trained pianist with a playful side, Rusowsky has emerged as one of the most beloved figures in Madrid’s music scene and within the rebellious IDK collective. After winning tons of new fans over with his debut album, *Daisy,* he’s heading to the desert to put more of his experimental side on display. —*Julyssa Lopez* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/erika.webp) 17 The xx The xx will kick off their summer music festivals tour at Coachella on Friday night, marking the electronic experimentalists’ big return to the desert. Previously, the xx performed at the festival in 2009 and will now bring songs from 2012’s *Coexist* and 2017’s *I See You*. The band has yet to confirm new music since reuniting to perform live together, but it’s certainly a turning point for the trio. “This is the start of a next chapter together,” the xx wrote on Instagram when they announced tour dates in Mexico City. —*M.G.* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/turnstile.webp) 16 Turnstile Fresh off Grammy wins for their latest album, *Never Enough*, and the single “Seein’ Stars,” the Baltimore hardcore crew will hype up Coachella with their signature energy. The band’s 2022 Coachella appearance inspired giant mosh pits, and since they’ve been playing festivals abroad like Glastonbury and Primavera in recent years, they’ll no doubt have fresh ideas about how to get the crowd moving. —*Kory Grow* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/coachella26-bini.webp) 15 BINI Blink twice if you’re ready for [BINI](https://rollingstonephilippines.com/music/pop/bini-coachella-2026-set/ "Here’s When to Tune Into BINI’s Coachella Set For Free"). On Friday, the eight-piece girl group will make history as the first Filipino group to perform at the festival. The set comes on the heels of their latest double single release, “Honey Honey” and “Unang Kilig.” BINI’s vibrant pop songs and animated choreography feel tailor-made for the kind of explosive visual spectacle that Coachella promises year after year. —*L.P.* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/coachella26-geese.webp) 14 Geese There is no hotter rock show right now than a [Geese](https://rollingstonephilippines.com/tag/geese/ "Geese") show. Maybe you’ve been riding with them since *Projector*, maybe you were blown away by *Getting Killed*, or maybe you just got on board when they played *SNL* — whatever the case, be prepared to witness the off-the-charts stage presence and outrageously tight band dynamics that have made Geese a live phenomenon. —*Simon* *Vozick-Levinson* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/coachella26-young-thug.webp) 13 Young Thug Earlier this year, Young Thug took to X to share the title for his next album, *DBC*. Though no release date or substantial details were shared, a since-deleted Instagram post revealed that the acronym stands for Day Before Coachella. If Young Thug follows through on his release plan, fans will have a whole slate of new music to look forward to hearing when he hits the stage on Sunday night. —*L.P.* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/coachella26-david-byrne.webp) 12 David Byrne This art-rock legend has never stopped being a must-see live act in the decades since cutting his teeth in the 1970s at venues like CBGB — his onstage antics are practically a guidebook for how to entertain a festival crowd. The show that he put together for his most recent album, *Who Is the Sky?*, is no exception. Dancing in the desert to a set full of offbeat, philosophically minded, oddly catchy pop tunes, plus a few Talking Heads classics, sounds like heaven. —*S.V.L.* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/coachella26-clipse.webp) 11 Clipse Ever since they reunited in spectacular fashion for last year’s *Let God Sort Em Out*, Pusha T and Malice have been on a mission to remind everyone why they’re one of hip-hop’s top live draws. Precise and passionate, bar for bar, these guys know how to keep a crowd locked in. And you know that iconic “Grindin’” beat is going to sound even better when it’s ringing out across the Empire Polo Club grounds. —*S.V.L.* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/coachella26-addison-rae.webp) 10 Addison Rae [Addison Rae](https://rollingstonephilippines.com/music/how-addison-rae-got-us-all-to-root-for-her/ "How Addison Rae Got Us All to Root for Her") has already made Coachella her own: Last year, she [announced](https://www.rollingstone.com/music/music-news/addison-rae-album-release-date-announcement-arca-1235316751/) her self-titled album onstage during a [surprise appearance](https://www.rollingstone.com/music/music-news/arca-addison-rae-coachella-tokischa-1235316691/) at Arca’s set. Now, the rising star will make her official Coachella debut on Saturday night, just before the Strokes and Justin Bieber take the stage. Her own set will be sure to be filled with killer fashion looks, impeccable choreography, and lots of glitz. —*M.G.* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/coachella26-iggy-pop.webp) 9 Iggy Pop Nearly 60 years since he co-founded the Stooges, Iggy Pop still takes his shirt off at every show, still wants to be your dog, still has a lust for life. His 19th and most recent album, *Every Loser*, came out in 2023, but recent set lists have drawn from Iggy and the Stooges classics and favorites from his solo career. —*K.G.* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/coachella26-the-strokes.webp) 8 The Strokes The Strokes will rock Coachella for the first time in more than a decade on Saturday. It’s the first stop on a jam-packed summer for the band, which includes stops at multiple music festivals like Outside Lands and Shaky Knees. For their Coachella return, the Strokes will be sure to bring their singular energy and electric songs. Here’s hoping they debut a couple of tracks from the newly announced LP *[Reality Awaits](https://www.instagram.com/p/DWzLpgzCYM-/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ==)*, their first album in six years. —*M.G.* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/coachella26-pinkpantheress.webp) 7 PinkPantheress The British singer-songwriter-producer will hit the Coachella stage on Saturday with an arsenal of hits at her disposal. “Stateside,” her explosive collaboration with Zara Larsson, is currently sitting at Number Eight on the *Billboard* Hot 100. It’s her highest-charting single since she tapped Ice Spice for “Boy’s a Liar, Pt. 2” in 2023. There are plenty of special guests PinkPantheress could welcome to the stage during her set, but the spotlight will shine even brighter on her latest release, *Fancy That*. —*L.P.* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/coachella26-NINoize.webp) 6 Nine Inch Noize The collaboration of Nine Inch Noize, in which the members of Nine Inch Nails join forces with electronic producer Boys Noize (Alex Ridha), has been the centerpiece of NIN’s Peel It Back Tour over the past couple of years. The musicians would perform favorites like “Closer,” newer songs like “She’s Gone Away,” and “As Alive as You Need Me to Be,” the *Tron: Ares* soundtrack song that launched the collaboration. The Peel It Back set was only four songs at each gig, so who knows what they’re planning for a full-on set at Coachella. —*K.G.* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/coachella26-fka-twigs.webp) 5 FKA Twigs [FKA Twigs](https://rollingstonephilippines.com/tag/fka-twigs/ "FKA twigs") is making a stop in the desert on her acclaimed Body High Tour. The artist has been on the road for a few weeks now in support of *Eusexua* and *Eusexua Afterglow.* Coachella marks Twigs’ final U.S. dates on the run, which recently included a stunning Madison Square Garden debut. *Eusexua,* Twigs has said, represents the “sensation of being so euphoric that you transcend human form.” Sunday’s performance will showcase whatever new form Twigs has morphed into this time. —*L.P.* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/coachella26-karol-g.webp) 4 Karol G [Karol G](https://rollingstonephilippines.com/culture/bad-bunny-superbowl-lady-gaga/ "Bad Bunny Brought Out a Party with Ricky Martin, Lady Gaga, Karol G, and More at the Super Bowl") will make [history](https://www.rollingstone.com/music/music-news/karol-g-first-latina-artist-coachella-headliner-1235428277/) as the first Latina artist to headline Coachella on Sunday night. The Colombian singer first took the stage in 2022 and made sure to honor Latin music icons with a medley of pop classics. Now, Karol is rising to the challenge with a spectacle that’s been in the works for months. “It feels like there’s a really high bar for the show I need to reach,” she told [*Rolling Stone*](https://www.rollingstone.com/music/music-latin/karol-g-coachella-performance-interview-1235434999/) in September. “I want to deliver something from my heart that represents my love for my community and my fans.” —*M.G.* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/katseye.webp) 3 KATSEYE All eyes will be on [KATSEYE](https://rollingstonephilippines.com/tag/katseye/ "Katseye") when the global girl group takes the stage on Friday. Speculative theories have surrounded the pop act leading up to the festival. It’s their first major stateside appearance since Hybe and Geffen Records announced that [Manon Bannerman](https://rollingstonephilippines.com/music/pop/katseye-manon-hybe-girl-group-exits/ "KATSEYE’s Manon Isn’t The First to Leave a HYBE Girl Group"), one-sixth of the lineup, would be taking a hiatus. Though they’ve been on the world stage for almost two years, Katseye are still only just getting started. Coachella is a major step in their trajectory — but will Bannerman be there to take it with the rest of the group? We’ll have to watch and see. —*L.P.* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/coachella26-sabrina-carpenter.webp) 2 Sabrina Carpenter In 2024, [Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter") dazzled the Coachella main stage just as “Espresso” was becoming an inescapable hit that skyrocketed her career. Even though she wasn’t a headliner, the singer still delivered a memorable and even prophetic performance. Carpenter wore a white T-shirt that read “Jesus Was a Carpenter” as she [promised](https://www.rollingstone.com/music/music-news/lana-del-rey-peso-pluma-shakira-coachella-2024-day-one-highlights-1235003890/), “Coachella, see you back here when I headline.” It’s going to be a treat to see how the singer reimagines *Man’s Best Friend* for the desert — and which power move of hers she’ll predict next. —*M.G.* ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/coachella26-justin-bieber.webp) 1 Justin Bieber Bieberchella is almost upon us. [Justin Bieber](https://rollingstonephilippines.com/tag/justin-bieber/ "Justin Bieber") will make his debut at the festival as Friday night’s headliner. Leading up to the big night, Bieber hosted a special preview performance at the Roxy in Los Angeles, where he performed a 25-song set list largely built around his latest albums, *Swag* and *Swag II.* It marked his first major appearance since delivering an endearing, stripped-back version of “Yukon” at the 2026 Grammy Awards. The singer reportedly negotiated the terms of his Coachella performance himself, another marker of the independence and creative control he’s embraced over the past year. Fans are still wondering how far back he’ll go into his discography, but even if the set doesn’t linger too much on where he’s been, it’ll be a definite display of where he’s going. —*L.P.* *This story originally appeared on [Rolling Stone](https://www.rollingstone.com/music/music-lists/coachella-most-anticipated-acts-1235542311/turnstile-1235542324/ "Rolling Stone").* ## Frequently Asked Questions ### Is BINI performing at Coachella 2026? Yes. BINI will make history as the first Filipino group to perform at Coachella, taking the stage on Friday following the release of their double single “Honey Honey” and “Unang Kilig.” ### Who are the Coachella 2026 headliners? Coachella 2026 headliners are Sabrina Carpenter, Justin Bieber, and Karol G, each making their debut as headliners — with Karol G becoming the first Latina artist to top the bill. ### Which artists are returning to Coachella after a long absence? The xx will return to Coachella for the first time since 2009, and the Strokes will perform for the first time in over a decade, both marking notable comeback appearances at the 2026 festival. ### Is Justin Bieber releasing new music around Coachella? Bieber previewed a 25-song set built around his albums Swag and Swag II at a special Roxy performance ahead of his Coachella headlining set, though the full scope of his festival set list remains unconfirmed. ### Why is Karol G’s Coachella set historic? Karol G will become the first Latina artist to headline Coachella, following a 2022 festival appearance where she paid tribute to Latin music icons with a medley of pop classics. Related Stories - [BINI to Perform Coachella 2026 as Festival’s First Filipino Girl Group Ever](https://rollingstonephilippines.com/music/pop/bini-perform-coachella-2026/ "BINI to Perform Coachella 2026 as Festival’s First Filipino Girl Group Ever") - [Here’s When to Tune Into BINI’s Coachella Set For Free](https://rollingstonephilippines.com/music/pop/bini-coachella-2026-set/ "Here’s When to Tune Into BINI’s Coachella Set For Free") - [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/ "25 Best BINI Songs (So Far), Ranked") **Categories:** Music **Tags:** Coachella --- ### [25 Best BINI Songs (So Far), Ranked](https://rollingstonephilippines.com/editors-picks/lists/bini-25-best-songs-ranked/) **Published:** April 8, 2026 **Author:** Rolling Stone Philippines **Excerpt:** Need to brush up on your BINI before Coachella? We’ve picked out and ranked their 25 best songs to date **Content:** Few Filipino acts have captured an entire nation quite like P-pop girl group [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI"). In just a few years, the eight-piece has gone from promising rookies to a full-blown cultural force. Their impact is undeniable, earning them the moniker “Nation’s Girl Group” and a coveted spot at this year’s [Coachella](https://rollingstonephilippines.com/tag/coachella/ "Coachella") in California. Aiah, Colet, Maloi, Gwen, Stacey, Mikha, Jhoanna, and Sheena have been on an upward trajectory since their formation as BINI in 2019 under [ABS-CBN](https://rollingstonephilippines.com/tag/abs-cbn/ "ABS-CBN")’s idol training program *Star Hunt Academy*. After debuting in 2021, the group has built a devoted following through a run of bright, meticulously crafted pop singles and relentless performances, eventually breaking into the mainstream with viral hits that cemented their status as one of the leaders of the P-pop wave. Ahead of the release of their newest EP, *Signals,* on April 9 and their highly anticipated Coachella sets on April 10 and April 17, we’ve picked out BINI’s 25 best songs (so far) and ranked them. 25 ‘No Fear’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/bini-feel-good-1600x1600.webp) With the introductory summery guitar chugs entering the fray of BINI’s earlier EDM dance-pop tracks, “No Fear” shows its age, with the girls still getting familiar with its verse-chorus-verse writing. Let’s say this was the group trying to hone their prowess in trading verses and landing powerful choruses, whether as a motivational dance track or a festival-ready EDM riser with a drop that borders on laughable. It’s dated, but it’s a first step nonetheless. *—Elijah Pareño* 24 ‘Kabataang Pinoy’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Kabataang-Pinoy-bini-sb19-1600x1600.webp) Written by [Jonathan Manalo](https://rollingstonephilippines.com/editors-picks/lists/5-jonathan-manalo-songs-grammy-voting/) and originally performed by [The Itchyworms](https://rollingstonephilippines.com/media-channels/greatest-hits/the-itchyworms-jugs-jugueta/) for *Pinoy Big Brother: Teen Edition 1*, this 2022 version pairs BINI with SB19 for a full-bodied ensemble moment. It plays like a “We Are the World”-style showcase, where everyone gets space to shine, and it’s best appreciated that way. The pop polish elevates it, but the song’s rock backbone, found in the use of guitars, keeps its original spirit intact. —*Pie Gonzaga* 23 ‘Born To Win’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Born-To-Win-bini-1600x1600.webp) In “Born to Win,” the track’s flute accents and dancehall-trap influences are paired with powerful vocals, but that doesn’t necessarily make for the strongest combination. This title track from their 2021 debut album shows how their sound palette could have stifled their beginnings, while also pointing to how their growth has been essential since the start. *—Elijah Pareño* 22 ‘Paruparo’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Paruparo-bini-1600x1600.webp) Now we’re back to a BINI that’s fierce, flexible in style, and driven by the power of using the Filipino language to get their point across. “Paruparo” brings together melodic prowess, vocal harmonies, and motivational lyricism. The group that has continued to rise since its pandemic-era beginnings. *—Elijah Pareño* 21 ‘Super Crush’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Super-Crush-bini-1600x1600.webp) I’ll admit it: I was hesitant to include a song made to advertise corn chips, but “Super Crush” is an undeniable bop. Built on a fast-paced Jersey club beat, it leans into playfulness without losing control. My one qualm with the track is that while the hook lands, the chorus feels like it’s building up to something explosive, only to go nowhere. But branding exercise or not, “Super Crush” works as proof that a good pop song can come from anywhere. —*Pie Gonzaga* 20 ‘Kinikilig’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Born-To-Win-bini-1600x1600.webp) “Parang may spark,” Aiah sings in unmistakable, effortless code-switching in “Kinikilig.” That charm is what put BINI on the map. Colet, Mikha, Maloi, and Sheena holding the rap fort is a treat, wrapped in a pop track driven by guitar licks, groovy bass lines, and a knack for turning the concept of kilig into sound. This still feels like a test run, but a good sign that even in 2021, BINI were already shaking off early hiccups. *—Elijah Pareño* 19 ‘Blink Twice’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Blink-Twice-bini-1600x1600.webp) “Blink Twice” is one of BINI’s most globally successful tracks, having been co-produced by American musician Marqueze Parker (a.k.a. Leather Jacket), who has worked with international acts like Normani, Ciara, and Ariana Grande. Even with its hip-hop-leaning beat, it still carries BINI’s signature bubblegum sheen and even gets a little flirty. “Blink Twice” can feel a little repetitive in its lyrical content, but its chart runs in the U.K. and New Zealand, plus a performance on *Good Day New York*, speak to its global pull. —*Pie Gonzaga* 18 ‘First Luv’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/First-Luv-bini-1600x1600.webp) A lo-fi loop of a wedding theme plays before the synth line of “First Luv” is a welcome sign of what’s to come. Lines like “no one else but you” ride over a build that rides on a gentle bass line and soft orchestral textures. Despite its minimalist production and curious hi-hat touches, “First Luv” came at a time when the group wanted to fully embrace the Filipino-English dynamic from their all-English-heavy run throughout 2025. *—Elijah Pareño* 17 ‘Out Of My Head’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Out-Of-My-Head-bini-1600x1600.webp) “Out Of My Head” is BINI in full dance-pop mode, an energetic jolt nestled within their 2025 EP [*BINIverse*](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/). The track highlights the group’s versatility, proving they can shift gears effortlessly and balance sleek production with charisma and control. —*Pie Gonzaga* 16 ‘Katabi’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Katabi-bini-1600x1600.webp) In one of BINI’s peaceful and more solemn cuts, “Katabi” reminds Blooms that pop doesn’t have to rely on bombastic hooks and dance numbers. Pop music could also go right into R&B textures, expanding the group’s foray into different genres. Almost everyone gets a moment, a testament to how a girl group works best when each member is locked in. The harmonies, paired with the high notes and vocal runs floating over an intimate, acoustic guitar-backed production, offer a welcome change of pace. *—Elijah Pareño* 15 ‘Honey Honey’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Honey-Honey-bini-2-1600x1600.webp) One of two singles released ahead of the upcoming EP *Signals*, “Honey Honey” is all sweetness and sticky hooks. The repetition does some heavy lifting, such as in “Like honey, honey drippin’ for me” and “Who knew love could / who knew love could.” It’s light, earworm-y, and irresistibly charming without trying too hard. —*Pie Gonzaga* 14 ‘Shagidi’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Shagidi-BINI-1600x1600.webp) “Shagidi” flips a childhood playground game into something almost club-ready, threading Afrobeats influences through its rhythm. Compared to BINI’s brighter, more effervescent dance tracks, this one is a little rough in the best way, grimy and percussive. The beat drives everything forward, giving the song a tactile energy. It’s playful in concept, but its execution leans tougher, expanding the group’s sonic palette in exciting ways. —*Pie Gonzaga* 13 ‘Zero Pressure’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Out-Of-My-Head-bini-1600x1600.webp) In “Zero Pressure,” BINI channels ‘80s synth-pop, powered by an arpeggiated bassline and dramatic synth pads. There’s a sense of urgency baked into both its production and lyrics: “I got fire in my blood when I move / No, you won’t catch me holding out for a miracle” that reminds one of hits like TWICE’s “I Can’t Stop Me” and Dua Lipa’s “Physical.” —*Pie Gonzaga* 12 ‘Cherry On Top’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Cherry-On-Top-BINI-1600x1600.webp) Drum n’ bass is one of the most unexpected turns BINI has taken in their production choices, I’ll admit. As their first all-English single, “Cherry on Top” was divisive, with all members stepping into a non-native language context. With bright, colorful production and an effective hook like “I’m the cherry on top” sung over and over, this was BINI stepping into bigger territory, and it makes sense why. *—Elijah Pareño* 11 ‘Diyan Ka Lang’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Diyan-Ka-Lang-bini-1-1600x1600.webp) “Diyan Ka Lang” leans into breezy ‘90s R&B-pop, effortless and emotional all at once. Its laid-back groove gives the vocals room to breathe, and the rap verse is a delightful surprise. There’s confidence in its restraint, and nothing feels overworked, even with the sizzling synths in the background. Here, BINI coasts on melody and mood, delivering a track that’s easy to return to again and again. —*Pie Gonzaga* 10 ‘Na Na Nandito Lang’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Diyan-Ka-Lang-bini-1-1600x1600.webp) Among the stronger cuts from 2024’s *Talaarawan*, the track “Na Na Nandito Lang” shows BINI’s ease in pop writing. A line like “nandito lang ako” is simple, but not everyone can sell those lines in a snap. However, BINI has the formula locked in, with tight synergy and a clear understanding of each member’s vocal tone leading into a satisfying hook. Bubblegum pop with deeper synth lines and subs gives the song more oomph, easily outpacing their P-pop contemporaries. *—Elijah Pareño* 9 ‘I Feel Good’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/I-Feel-Good-BINI-1600x1600.webp) Co-written and co-produced by Flip Music’s Bojam De Belen, “I Feel Good” captures BINI in 2022, coming off *Born to Win* and inching toward a bigger stage. The hooks sound bigger, the ambitious production shines, and the group has shown their full potential with everyone singing. The ambition is clear: an expansive chorus, uplifting verses, and a chemistry that sticks fully into bubblegum energy. It’s polished for a group on the verge of something bigger, and it shows. *—Elijah Pareño* 8 ‘Unang Kilig’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Honey-Honey-bini-2-1600x1600.webp) Conceptually framed as the “first stages of first love,” “Unang Kilig” marks BINI’s official clapback after a stretch of global performances. By 2026, competition in P-pop had tightened, but this track reinforces why they carry the “Nation’s Girl Group” label. With Jeremy Glinoga working alongside Manalo and Rox Santos, the collaboration is immediate. Maloi and Aiah’s “Give me a sign!” lands with sweet confidence, pushing each member further into their own space to shine through its choruses. “Unang Kilig” arguably eclipses their more recent material, and all it needs is a power chorus, stacked harmonies, and a direct line to that universal feeling of love. *—Elijah Pareño* 7 ‘Ang Huling Cha Cha’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Diyan-Ka-Lang-bini-1600x1600.webp) The first verse of “Ang Huling Cha Cha” is deceptive. You think you’re getting another ‘90s R&B-pop throwback, maybe something in the vein of NewJeans. And sure, “cha cha” is in the title, but that doesn’t mean it’ll actually go there, right? When I first heard this song on the 2024 EP *Talaarawan*, I was surprised by the pre-chorus’ hard swerve into Cuban cha-cha-chá, before going into a chorus that fuses Latin dance with contemporary pop. “Ang Huling Cha Cha” is playful, impressively cohesive, and overall a delight to listen to. —*Pie Gonzaga* 6 ‘Na Na Na’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Born-To-Win-bini-1600x1600.webp) The girl group delivers a defining snapshot of what 2021 BINI was. Around this time, the pandemic had everyone on lockdown, and “Na Na Na” was the light at the end of that tunnel. The single is sonically innocent, lyrically determined, and relentlessly catchy. It blends kitsch, camp, and the concept of collective girlhood into a technicolor pop framework that makes its four-minute runtime feel shorter than it is. This is an earworm built to last and a masterclass in pop songwriting. *—Elijah Pareño* 5 ‘Pantropiko’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Pantropiko-BINI-1600x1600.webp) “Pantropiko” is pure, sun-soaked bliss, bubblegum pop at its brightest, layered with tropical house textures that feel straight out of our beaches’ turquoise shallows. In 2024, it was inescapable, with TikTok users following BINI’s choreography and dancing to its irresistible rhythm. But beyond virality, the track also captures the group at its most magnetic and playful. I simply cannot imagine a world where BINI didn’t release “Pantropiko.” —*Pie Gonzaga* 4 ‘Karera’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Karera-BINI-1600x1600.webp) BINI’s “Karera” pairs a glittery, funk-tinged chorus with an important message. Co-written by hitmaker Nica del Rosario alongside members Colet, Mikha, and Stacey, the track is straightforward pop, catchy, and resonant. The song’s core idea about pacing yourself cuts through the shimmer, and it’s in tracks like this and “Kabataang Pinoy” that BINI captures the Filipino audience’s love for purposeful, inspiring music. —*Pie Gonzaga* 3 ‘Huwag Muna Tayong Umuwi’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/bini-feel-good-1600x1600.webp) This cut from 2022’s *Feel Good* was a clear shift in sound and chemistry. It is special because we get to hear BINI sing in mid-tempo and deliver a highly emotional performance. With production cues that range from Glam-rock-leaning guitars and rising EDM synth lines, the song frames a story of longing and staying after a long day, pushing the track into a more careful, deliberate pacing. What adds to the beauty of the song is the entire group’s strength in vocal harmonies and runs, which culminate in a strong ending. *—Elijah Pareño* 2 ‘Lagi’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Lagi-BINI-1600x1600.webp) There is no sensation like putting this song on repeat as you walk through campus thinking about your first serious gay crush. The track, produced by Manalo, is pulled straight out of ‘90s pop, addictive in both sound and subject. “Lagi nang umaawit / umaawit mula kusina hanggang sa sala” captures that giddy, all-consuming feeling, and also mirrors what the song does to you. The synth accents are nostalgic, and the track overall doesn’t fall short on vocal runs you can’t help but try to follow. The triumphant last chorus is the greatest part of all of this, embodying the high of falling in love — and don’t we all love a love song like this? If you have feelings you want to declare at the top of your lungs, BINI provides the perfect amplifier in “Lagi.” —*Pie Gonzaga* 1 ‘Salamin, Salamin’ ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Diyan-Ka-Lang-bini-1600x1600.webp) “Oh, hello there, misteryoso!” lands with a wink and a smile — and it’s one of those pop culture moments where you had to be there. From there, the group moves through a run of tight, infectious verses that feel locked in from the start. Funky basslines and guitar licks hold everything together, while chants like “Ayaw maniwala, aye!” hit with a charmingly cheesy energy. No need to dress it up, and it’s time to cut to the chase: this is the definitive BINI track. A crowd favorite, a songwriter’s win, and a hook that has never left the consciousness of all poptimists alike. In under four minutes, it makes the case clear. BINI has rightfully earned the title of being the “Nation’s Girl Group” after releasing “Salamin, Salamin.” *—Elijah Pareño* ## Frequently Asked Questions ### What are the best BINI songs, ranked? Rolling Stone Philippines ranked BINI’s 25 best songs so far, spanning the P-pop group’s 2021 debut era through their more recent mainstream hits, ahead of their Coachella 2025 performances. ### Who are the members of BINI? BINI is an eight-member P-pop girl group composed of Aiah, Colet, Maloi, Gwen, Stacey, Mikha, Jhoanna, and Sheena, formed in 2019 under ABS-CBN’s Star Hunt Academy. ### When did BINI debut? BINI formed in 2019 through ABS-CBN’s idol training program Star Hunt Academy and officially debuted in 2021, building a following through a run of pop singles before breaking into the mainstream. ### Is BINI performing at Coachella? Yes. BINI is set to perform at Coachella in California, with sets scheduled for April 10 and April 17, following the release of their new EP, Signals, on April 9. ### Why is BINI called the “Nation’s Girl Group”? BINI earned the nickname “Nation’s Girl Group” after becoming one of the leading acts of the P-pop wave, with a devoted following and a Coachella booking underscoring their cultural reach in the Philippines. Related Articles - [BINI Becomes First P-Pop Group to Guest on NBA Filipino Heritage Night](https://rollingstonephilippines.com/music/pop/bini-la-clippers-nba/ "BINI Becomes First P-Pop Group to Guest on NBA Filipino Heritage Night") - [BINI Joins Forbes Asia’s 30 Under 30 List, Cements Status in Regional Entertainment](https://rollingstonephilippines.com/music/news/bini-forbes-30-under-30/ "BINI Joins Forbes Asia’s 30 Under 30 List, Cements Status in Regional Entertainment") - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") **Categories:** Editor's Picks, Lists **Tags:** BINI --- ### [Drag Queens Trixie and Katya Learn About Imelda Marcos](https://rollingstonephilippines.com/culture/internet-culture/drag-queens-trixie-katya-imelda-marcos/) **Published:** April 8, 2026 **Author:** Mel Wang **Excerpt:** On their podcast, the two drag queens discuss the Imelda-inspired musical Here Lies Love and just how bad things got back in 1970s Philippines **Content:** In the latest episode of Trixie and Katya’s podcast, *The Bald and the Beautiful*, the drag queens dive deep into an unlikely topic: the Marcoses. The duo starts on the subject after Trixie recounts going to see *Here Lies Love*, the [Imelda Marcos](https://rollingstonephilippines.com/tag/imelda-marcos/ "Imelda Marcos")-centric Broadway musical created by David Byrne and Fatboy Slim (which in itself is a crazy crossover, but that’s a story for another time). The David Byrne musical follows the life of the then-First Lady and her family’s rise to power. Or, as Trixie describes it, *Here Lies Love* is about the former First Lady “being pretty and hot, \[getting\] turned down by this guy for being too tall… then \[moving\] to Manila and then \[marrying\] this guy who becomes the president.” Katya listens (as usual) as Trixie discusses the Philippines’ martial law era and how it was, in fact, not the best time in the country’s history. “It was so fascistic,” said Trixie of the play’s portrayal of the regime. “So there’s this disco ball and Imelda doing poppers with drag queens… and then cut to the news and it’s an activist being like, ‘We need to take these people down.’” The segment ended with the two drag queens talking about President [Ferdinand “Bongbong” Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") (or “Marco Marcos,” according to Katya) and the parallels between the first Marcos regime and [Donald Trump’s](https://rollingstonephilippines.com/tag/donald-trump/ "Donald Trump") presidency. “\[The Marcos regime\] was ultimately about banning free press,” added Trixie, “and the family is widely known to have bled the country’s money into their own bank accounts… but set that to a disco musical!” After watching *Here Lies Love*, Trixie noted how the play left her with a feeling of dissonance about the state of affairs in her own country. “It’s chilling because we’re in a second term presidency,” she said, “and… I’ve never been to the Philippines, but… the internal \[corruption\], \[and the\] financial, political warfare is so shocking, and the disco and the glitz of \[*Here Lies Love*\] made it more sickening and absurd.” ## Frequently Asked Questions ### What is “Here Lies Love” about? Here Lies Love is a Broadway musical created by David Byrne and Fatboy Slim that follows former Philippine First Lady Imelda Marcos and her family’s rise to power, set to a disco score. ### Why did Trixie and Katya discuss Imelda Marcos on their podcast? Trixie brought up the topic after seeing Here Lies Love, prompting a discussion with Katya on The Bald and the Beautiful about the Philippines’ martial law era and the Marcos family’s legacy. ### What parallels did Trixie draw between the Marcos regime and Donald Trump’s presidency? Trixie compared the first Marcos regime’s suppression of free press and alleged financial corruption to concerns she has about a second Trump presidency in the United States. ### What did Trixie say about the Philippines’ martial law era? Trixie described the era depicted in Here Lies Love as fascistic, citing the musical’s juxtaposition of Imelda Marcos partying with drag queens against footage of activists opposing the regime. ### Who is Ferdinand “Bongbong” Marcos Jr.? Ferdinand “Bongbong” Marcos Jr. is the current president of the Philippines and the son of former president Ferdinand Marcos Sr. and Imelda Marcos, referenced by Trixie and Katya in the episode. Related Stories - [Jinkx Monsoon Has A Lot to Say About J.K. Rowling’s Transphobia](https://rollingstonephilippines.com/state-of-affairs/jinkx-monsoon-jk-rowling-transphobia/ "Jinkx Monsoon Has A Lot to Say About J.K. Rowling’s Transphobia") - [18 Filipino Dance Tracks That Capture the Spirit of Queerness](https://rollingstonephilippines.com/editors-picks/lists/18-queer-filipino-dance-tracks/ "18 Filipino Dance Tracks That Capture the Spirit of Queerness") - [No More Minors, Videoke Past 10 in Metro Manila, Says DILG](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/dilg-safer-metro-manila-videoke/ "No More Minors, Videoke Past 10 in Metro Manila, Says DILG") **Categories:** Culture, Internet Culture **Tags:** Ferdinand Marcos Sr., Imelda Marcos --- ### [Here’s When to Tune Into BINI’s Coachella Set For Free](https://rollingstonephilippines.com/music/pop/bini-coachella-2026-set/) **Published:** April 7, 2026 **Author:** Mel Wang **Excerpt:** Get ready for a Bloom takeover out in the California desert this weekend **Content:** [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI") is about to make history at [Coachella](https://rollingstonephilippines.com/tag/coachella/ "Coachella"). The girls will be the first all-Filipino girl group to perform at the renowned music festival, taking the Mojave stage on April 11 from 7:15 a.m. to 8:00 a.m. Philippine Time. They also have a performance lined up for Coachella’s second weekend on April 17 Pacific Time, although festival organizers have yet to announce schedule details. For those unable to catch BINI live from the desert this year, Coachella has a free livestream of performances on its official YouTube channel. Viewers can tune in and watch up to four stages at the same time with the stream’s multiview option. > [View this post on Instagram](https://www.instagram.com/reel/DWyp-zTCTbs/?utm_source=ig_embed&utm_campaign=loading)[A post shared by BINI\_ph (@bini\_ph)](https://www.instagram.com/reel/DWyp-zTCTbs/?utm_source=ig_embed&utm_campaign=loading) Coachella has also set up Coachella TV, a non-stop YouTube stream that features highlights from this year’s festival, along with classic performances, documentaries, and behind-the-scenes footage from its 25-year history. Some of the performers of this year’s Coachella include multinational girl group KATSEYE, rock band Turnstile, and headliner Sabrina Carpenter. BINI recently received a shout-out from [*Rolling Stone*](https://www.rollingstone.com/music/music-lists/coachella-most-anticipated-acts-1235542311/dijon-1235542375/), which included them in a list of 20 acts to look out for at Coachella, saying “BINI’s vibrant pop songs and animated choreography feel tailor-made for the kind of explosive visual spectacle that Coachella promises year after year.” Beyond Coachella, the group’s docuseries will also begin streaming on April 10 on Netflix. ## Frequently Asked Questions ### When does BINI perform at Coachella? BINI takes the Mojave stage on April 11 from 7:15 a.m. to 8:00 a.m. Philippine Time. They also have a second performance scheduled for Coachella’s second weekend on April 17 Pacific Time, though exact timing has not yet been announced. ### How can I watch BINI’s Coachella performance for free? Coachella offers a free livestream of festival performances on its official YouTube channel, including a multiview option that lets viewers watch up to four stages simultaneously, allowing fans to catch BINI’s set without attending in person. ### Why is BINI’s Coachella appearance historic? BINI is the first all-Filipino girl group to perform at Coachella, marking a milestone for Philippine pop music on one of the world’s most prominent music festival stages. ### Has BINI received recognition ahead of their Coachella performance? Yes. Rolling Stone included BINI in a list of 20 acts to watch at Coachella, praising their vibrant pop songs and animated choreography as suited to the festival’s spectacle-driven performance style. ### Is BINI releasing any other content around their Coachella appearance? Yes. Beyond their Coachella performances, BINI’s docuseries begins streaming on Netflix on April 10, adding another milestone to the group’s busy schedule around their historic festival debut. Related Stories - [BINI Becomes First P-Pop Group to Guest on NBA Filipino Heritage Night](https://rollingstonephilippines.com/music/pop/bini-la-clippers-nba/ "BINI Becomes First P-Pop Group to Guest on NBA Filipino Heritage Night") - [BINI and the Long Winding Road to Super Stardom](https://rollingstonephilippines.com/music/bini-and-the-long-winding-road-to-super-stardom/ "BINI and the Long Winding Road to Super Stardom") - [BINI Joins Forbes Asia’s 30 Under 30 List, Cements Status in Regional Entertainment](https://rollingstonephilippines.com/music/news/bini-forbes-30-under-30/ "BINI Joins Forbes Asia’s 30 Under 30 List, Cements Status in Regional Entertainment") **Categories:** Music, Pop **Tags:** BINI, Coachella --- ### [Jessica Lange Returns to ‘AHS’: Here Are Her Iconic Roles in the Franchise, Ranked](https://rollingstonephilippines.com/culture/tv/jessica-lange-american-horror-story-characters/) **Published:** April 7, 2026 **Author:** Mel Wang **Excerpt:** With the return of the franchise's scream queen, here are all the times she stole the spotlight on Ryan Murphy’s horror show **Content:** Jessica Lange, the grand dame of [*American Horror Story* (AHS)](https://rollingstonephilippines.com/tag/american-horror-story/ "American Horror Story"), is back. Eight years after the actress took her “final” bow on the set of *AHS: Apocalypse*, she returns for the show’s 13th season. On April 6, Ryan Murphy Productions released three set photos, all of which sport Lange’s silhouette (complete with an updo). Is she back as the passive-aggressive, nosy neighbor Constance Langdon? Or the equally bitchy Fiona Goode? Co-creators [Ryan Murphy](https://rollingstonephilippines.com/tag/ryan-murphy/ "Ryan Murphy") and Brad Falchuk are still mum on the season’s plotline, although we do know that Lange will be joined by *AHS* regulars Sarah Paulson, Evan Peters, Angela Bassett, Kathy Bates, Emma Roberts, and more. [Ariana Grande](https://rollingstonephilippines.com/culture/reviews/wicked-for-good-review/ "‘Wicked: For Good’ Sees Ariana Grande Grow A Backbone"), who starred in another Murphy and Falchuk horror show (*Scream Queens*), will be making her debut in the *AHS* universe. For diehard fans of the series, Lange’s return has brought up memories of the show’s early glory days (we condemn *Double Feature* and *Delicate*), as well as her past roles on *AHS*’ first four seasons (plus her little cameo in *Apocalypse*). Many have argued time and time again over which of Lange’s characters reigns supreme; the actress herself has even weighed in on the debate, ranking all five of her *AHS* appearances in an interview with [*Gold Derby*](https://www.goldderby.com/tv/2019/jessica-lange-american-horror-story-apocalypse-ahs-seasons-video-interview-transcript/) back in 2019. Regardless of Lange’s own feelings about her *AHS* oeuvre, we’ve ranked all her performances on the horror show. Here, from least to most memorable, are all the times Lange made the world of *AHS* even more messed up than it already was. ## 5. Constance Langdon (Again) in ‘Apocalypse’ (Season 8) While Lange’s Constance Langdon already had her time in the spotlight in *AHS*’ first season (*Murder House*), she returns to steal a couple of scenes in *Apocalypse*. *Apocalypse* is one of the series’ trippiest storylines, especially since it features many crossovers from previous seasons. But long story short, we travel back to the Murder House that kicked off the whole franchise, and it looks like nosy neighbor Constance hasn’t quite escaped her cursed fate. In *Apocalypse*, we find her trapped playing grandmother to the son of Satan, and the role pushes her to her limits. Lange makes the most of her limited screentime as the doomed Constance; as soon as she struts down the grand staircase with a cigarette in hand and one of the bitchiest one-liners of the season (“I’m Constance Langdon and this is *my* fucking house”), it’s clear she deserved the Emmy nod for her cameo on the season. ## 4. Elsa Mars in ‘Freak Show’ (Season 4) ![jessica lange](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/elsa-mars-jessica-lange-ahs.webp) Photo from FX Networks/Official Website *Freak Show* was meant to be Lange’s last romp in the *AHS* universe, which is probably why it felt like she was giving it her all every time she stepped into the cold, detachable heels of freak show proprietor Elsa Mars. At first glance, Fräulein Elsa appears to be just like Lange’s other *AHS* characters (angry, conniving, and ready to kill for some time in the spotlight). She collects her “monsters” with the hopes of raking in a profit for her dying circus, but to no avail. However, she does harbor a secret of her own (hint: it involves a chainsaw and a whole lot of blood), and by the time we reach *Freak Show*’s strange finale, we can’t help but feel sorry for the failed ringleader. ## 3. Constance Langdon in ‘Murder House’ (Season 1) Don’t trust your neighbors! Especially if they’re just as sassy (and just as good at feeding you pig organs) as Constance Langdon, Lange’s first role in the world of *AHS*. Constance first presents herself as the charming next-door neighbor of the Harmons, who’ve just become the new residents of the Murder House (bad choice, but oh well). Eventually, though, her propriety gives way to her more sinister reasons for hanging around the Harmons so much. Constance could have easily been a forgettable character, especially since she isn’t the main focus of the season. But Lange makes the nosy busybody her own, and she turns her into the season’s sharpest and most dangerous character. (Plus, “don’t make me kill you again” might be one of the best lines of the series). ## 2. Sister Jude in ‘Asylum’ (Season 2) ![jessica lange ahs](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/sister-jude-jessica-lange.webp) Photo from FX Networks/Official Website Sister Jude is not a very sisterly nun at all, and Lange makes sure that her portrayal of Briarcliff Manor’s Mother Superior has just the right amounts of horror, camp, and gravitas. As the head administrator of the manor’s psych ward, Sister Jude delights in tormenting her sickly patients and hiding a scandalous set of red lingerie under her habit. There is a good reason why she’s so unforgiving, though, and Sister Jude does experience a fall from grace that gives her one of the sadder character arcs of the season. But said fall from grace also gives us a wonderful song-and-dance number as the good sister, after a round of electroshock therapy, hallucinates singing “The Name Game” with her fellow inmates (excuse me, patients). ## 1. Fiona Goode in ‘Coven’ (Season 3) ![jessica lange](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/jessica-lange-coven.webp) Photo from FX Networks/Official Website *Coven* is one of the most popular fan favorite seasons of the show, and it’s in part due to Lange’s performance as the bitchy, campy, power-hungry Fiona Goode. As the Supreme (or leader) of a coven of witches, Fiona is responsible for protecting her girls from evil forces (e.g. witch hunters, a minotaur, a very angry voodoo queen). But she’s also spent most of her tenure as Supreme chasing after fame, fortune, and the impossible goal of eternal youth. But beyond Fiona’s complex backstory (and her even more complicated mommy-daughter issues with her child Cordelia), it’s a delight just watching her be mean to her fellow witches to keep them in check (example: “You’re a sloppy little witch bitch.”). ## Frequently Asked Questions ### What is Jessica Lange’s most memorable “American Horror Story” role? Fiona Goode in “Coven” (Season 3) ranks as Lange’s most memorable role. As the power-hungry Supreme of a witches’ coven, Fiona balances protecting her coven from threats with her own pursuit of fame and eternal youth. ### Is Jessica Lange returning to “American Horror Story”? Yes. Eight years after her seeming final appearance in “AHS: Apocalypse,” Lange returns for the show’s 13th season. Set photos released April 6 confirm her presence, though her character and the season’s plot remain unconfirmed. ### Who else is starring in “American Horror Story” Season 13? Lange will be joined by AHS regulars including Sarah Paulson, Evan Peters, Angela Bassett, Kathy Bates, and Emma Roberts. Ariana Grande will also make her AHS debut, having previously worked with the show’s co-creators on “Scream Queens.” ### What was Jessica Lange’s first role in “American Horror Story”? Lange’s first AHS role was Constance Langdon in Season 1, “Murder House,” playing the sinister next-door neighbor to the Harmon family, a role that established her as one of the show’s most dangerous, sharp-witted characters. ### Has Jessica Lange ranked her own AHS roles before? Yes. In a 2019 interview with Gold Derby, Lange herself ranked all five of her AHS appearances, weighing in on a debate fans have long argued over regarding which of her characters is the strongest. Related Stories - [The Winners and Losers of ‘Love Story’](https://rollingstonephilippines.com/culture/tv/love-story-series-winners-losers/ "The Winners and Losers of ‘Love Story’") - [Kim Kardashian Lawyers Up in Legal Drama ‘All’s Fair’](https://rollingstonephilippines.com/culture/kim-kardashian-sarah-paulson-alls-fair/ "Kim Kardashian Lawyers Up in Legal Drama ‘All’s Fair’") - [What to Watch Right Now: 10 Culture Picks from the Rolling Stone Philippines Staff](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/cinemalaya-good-boy-ed-gein/ "What to Watch Right Now: 10 Culture Picks from the Rolling Stone Philippines Staff") **Categories:** Culture, TV **Tags:** American Horror Story, Jessica Lange --- ### [Charli XCX’s Team Refutes Sky Ferreira’s Claims on ‘Wuthering Heights’ Album](https://rollingstonephilippines.com/music/charli-xcx-sky-ferreira-demo-controversy/) **Published:** April 6, 2026 **Author:** Elijah Pareño **Excerpt:** The pop star’s comment about past material adds friction to a release already cleared through standard crediting channels **Content:** Pop artists [Sky Ferreira](https://rollingstonephilippines.com/tag/sky-ferreira/ "Sky Ferreira") and [Charli XCX](https://rollingstonephilippines.com/tag/charli-xcx/ "Charli XCX") are at the center of a growing online dispute following claims tied to Charli’s *Wuthering Heights* album, with Ferreira suggesting that some of the material traces back to her earlier work. The exchange escalated on April 4 after Ferreira responded to a fan on Instagram, writing, “I hate to break it to you, but your favorite artist records my old songs,” in reference to resurfaced discussions around unreleased demos. Earlier claims circulating online alleged that multiple tracks from the album were derived from older Ferreira sessions. Ferreira later pushed back on rumors from fans online, adding, “Your industry ‘insider’ is wrong. Close but wrong…It isn’t worth the trouble bc I know how the world works,” she says. ![Charli XCX wuthering heights](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/Wuthering-Heights-copy.webp) Ferreira is officially credited on “Eyes of the World,” one of the tracks off the *Wuthering Heights* soundtrack, as a featured artist, co-writer, and vocal producer. Photo from Wuthering Heights/Facebook Ferreira is officially credited on “Eyes of the World” as a featured artist, co-writer, and vocal producer. Further comments pointed to unresolved tensions tied to her past work and industry experience, dating back to the release of her 2013 single “Everything Is Embarrassing.” She added, “I wasn’t going to say anything… It brought back a lot of things I have worked really hard to move past.” In a statement provided to *Billboard* on April 5, Charli’s team said that all songwriting credits on *Wuthering Heights* were finalized through a standard review process involving artists, managers, and legal representatives, with all parties consulted before release. Ferreira exited her previous label, Capitol Records, in 2023, shortly after the 10th anniversary of her debut album *Night Time, My Time*, and signed with a new label in 2025, but she hasn’t named the label yet as of this writing. Ferreira’s latest single “Leash” was released for the *Babygirl Original Soundtrack* under A24 Music back in 2024. ## Frequently Asked Questions ### What did Sky Ferreira claim about Charli XCX’s “Wuthering Heights” album? Ferreira suggested some material on the album traces back to her earlier, unreleased work, telling a fan on Instagram, “your favorite artist records my old songs,” amid online claims that multiple tracks derived from her older demo sessions. ### How did Charli XCX’s team respond to Sky Ferreira’s claims? In an April 5 statement to Billboard, Charli XCX’s team said all songwriting credits on “Wuthering Heights” were finalized through a standard review process involving artists, managers, and legal representatives, with all parties consulted before release. ### Is Sky Ferreira officially credited on any “Wuthering Heights” tracks? Yes. Ferreira is officially credited on “Eyes of the World” as a featured artist, co-writer, and vocal producer, one of the specific points of connection between her and the album amid the broader dispute. ### What did Sky Ferreira say about the situation feeling personal? Ferreira said the resurfaced discussion brought back difficult memories tied to her past industry experience, referencing tension dating back to her 2013 single “Everything Is Embarrassing,” and said she wasn’t initially planning to address the claims publicly. ### What has Sky Ferreira released since leaving Capitol Records? Ferreira exited Capitol Records in 2023 and signed with a new, unnamed label in 2025. In 2024, she released the single “Leash” for the “Babygirl” Original Soundtrack under A24 Music. Related Stories - [Addison Rae Worked For Her Album. Is it Time Filipino TikTok Stars Did Too?](https://rollingstonephilippines.com/music/addison-rae-filipino-content-creators/ "Addison Rae Worked For Her Album. Is it Time Filipino TikTok Stars Did Too?") - [‘Wuthering Heights’ Reaches the Horniest of Heights](https://rollingstonephilippines.com/culture/reviews/wuthering-heights-movie-review/ "‘Wuthering Heights’ Reaches the Horniest of Heights") - [Dwayne Johnson is A24’s Latest Star: 4 Eras That Reinvented His Movie Career](https://rollingstonephilippines.com/culture/film-tv/4-dwayne-johnson-acting-moments/ "Dwayne Johnson is A24’s Latest Star: 4 Eras That Reinvented His Movie Career") **Categories:** Music, Pop **Tags:** Charli XCX, Sky Ferreira --- ### [No More Minors, Videoke Past 10 in Metro Manila, Says DILG](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/dilg-safer-metro-manila-videoke/) **Published:** April 6, 2026 **Author:** Pie Gonzaga **Excerpt:** Hide your beer, videoke machine, and your kids. The DILG’s newest program is cracking down on all of those things **Content:** The Department of Local and Interior Government (DILG) is cracking down on violations of ordinances tackling drinking in public, noise, and curfews, said Interior Secretary [Jonvic Remulla](https://rollingstonephilippines.com/tag/jonvic-remulla/ "Jonvic Remulla") on Monday, April 6. And part of the DILG’s newly launched Safer Metro Manila initiative is a limit on videoke. “Pag alas-10 \[ng gabi\], nagvi-videoke pa kayo o kapit-bahay ninyo, nagvi-videoke, tumawag na kayo sa 911, at pupuntahan po ng pulis ‘yan at papatigilin,” Remulla said. “Kung fiesta, may barangay permit, nagkakasiyahan doon, baka pwede pa. Pero, kung araw-araw lang, maawa na kayo sa mga kapitbahay niyo.” Aside from tightening rules around using videoke in residential areas, drinking on the streets will no longer be tolerated. “Bawal na ang maglatag ng mga silya at mga lamesa sa mga kalye at mag-inuman. Doon na nanggagaling number one ang away, number two ang sexual harassment,” said Remulla. He also warned “rugby boys” and “geng-geng” kids that they will be apprehended if they are caught outdoors past 10 p.m., as authorities aim to strictly enforce a curfew on minors. According to the DILG, people without proof of employment or schooling are not allowed on the streets after 10 p.m. “Kapag hindi nag-aaral o nagta-trabaho, \[kailangan ng\] proof of employment or education na nag-aaral sa oras na ‘yon na pauwi kayo, bawal na kayo sa kalye after 10 p.m.,” said Remulla. *[ABS-CBN News](https://www.abs-cbn.com/news/nation/2026/4/6/dilg-drinking-liquor-on-streets-is-banned-1139)* reports that the Safer Metro Manila initiative is aimed at improving community safety by deploying police to public schools, transportation stations and terminals, and other public areas. “Kasama rin po sa aggressive at sa intensified deployment po natin ay ‘yung mga places kung saan po naglalagi ang ating mga turista, lagaya po sa BGC, dito sa Makati, sa Pasay, sa Malate, at sa Parañaque,” said NCR Police Office MGen. Anthony Aberin. ## Frequently Asked Questions ### What is the DILG’s Safer Metro Manila initiative? Safer Metro Manila is a Department of the Interior and Local Government program cracking down on public drinking, noise, and curfew violations, announced by Interior Secretary Jonvic Remulla. It includes stricter enforcement around videoke use and street-based drinking in residential areas. ### What are the new videoke rules in Metro Manila? Under the initiative, videoke use past 10 p.m. can be reported to 911, prompting police response to stop the noise. Exceptions may apply for barangay-permitted fiesta celebrations, but daily late-night videoke use is targeted for enforcement. ### Is street drinking now banned in Metro Manila? Yes. The initiative prohibits setting up chairs and tables on streets for drinking, with Remulla citing links between such gatherings and incidents of altercations and sexual harassment as reasons for the crackdown. ### What is the curfew rule for minors under Safer Metro Manila? Minors caught outdoors after 10 p.m. without proof of employment or schooling can be apprehended under the initiative, which specifically targets so-called “rugby boys” and “geng-geng” youth found in public spaces past curfew. ### Where is the DILG focusing its increased police deployment? Police deployment is being intensified in public schools, transportation stations and terminals, and tourist-heavy areas including BGC, Makati, Pasay, Malate, and Parañaque, according to NCR Police Office MGen. Anthony Aberin. 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The Filipino publisher (or Avenida, for short) officially opened just as stores, companies, and borders began to close to fend off the COVID-19 pandemic. “Launching during a global shutdown is something I wouldn’t advise people to do,” Avenida founder Nida Ramirez told *Rolling Stone Philippines* jokingly while recalling the struggles of those early months. Ramirez is no stranger to the inner workings of running a publishing house. In 2000, she stepped into the world of publishing at Visprint Inc., a now-defunct printing press that was once considered one of the major movers of independent publishing in the Philippines. As the press’s publishing manager, Ramirez worked directly with the likes of Bob Ong, Jessica Zafra, Chuckberry Pascual, Carlo Vergara, and Manix Abrera, helping them expand their reach as creators. But after 18 years of “the bosses dabbling in publishing,” Visprint announced it would close in 2020. “Feeling ko… if Visprint closes down, paano ‘yung mga books ni Bob Ong, ni \[Budjette Tan\]?” Ramirez asked. “I had all of these authors who were publishing with us and who had such good relationships with us. I figured it would be good to continue what Visprint had started.” ## From the Ground Up > [View this post on Instagram](https://www.instagram.com/reel/DJJMp5vvJkh/?utm_source=ig_embed&utm_campaign=loading)[A post shared by PH Guest of Honour at the Frankfurt Book Fair 2025 (@philippinesfrankfurt2025)](https://www.instagram.com/reel/DJJMp5vvJkh/?utm_source=ig_embed&utm_campaign=loading) So as Ramirez spent the first quarter of 2020 retiring authors’ contracts and clearing out all remaining stock, she was also in the midst of paving the way for a publishing house of her own. “The difficulty lay in the fact that Visprint had its own printers,” said Ramirez. “So when we started Avenida, we had to think about capital, about finding a good printing press to partner with. That first year was this time of us trying different things out first and not being sure if they’d work.” Despite the pandemic, Ramirez noted that it wasn’t necessarily a death knell for their fledgling enterprise. “‘Yung pandemic was such a game-changer talaga,” she said. “Prior to that, it was so difficult for an indie press to flourish. I’d seen a number of them na nag-start during the 2010s, but didn’t really make it after a few years. But sa pandemic, because people turned to online buying, mas na-expose itong mga books sa mga indie presses. Publishing became a matter of how well you market yourself.” Over the course of six short years, Avenida has amassed an eclectic roster of titles across almost every genre. There are the crime thrillers of Ronaldo Vivo Jr., like *Ang Bangin Sa Ilalim Ng Ating Mga Paa.* There are genre-blending works of fiction, like Macky Cruz’s *Hoy, Pong!* (with illustrations by Rombutan) and Chuckberry J. Pascual’s *Daddy*. And there are the komiks of Manix Abrera, such as his *KIKOMACHINE KOMIX* series. From comedies to dramas to thrillers, Avenida has left no stone unturned when discovering what Filipino authors and komiks artists are capable of. Ramirez emphasized that, while the Avenida publishing team makes a point of accepting submissions from all authors (whether they are firmly established names or aspiring writers), titles must fit Avenida’s own voice. “I’d like to think that we’re quite in touch with the general public’s appreciation of books,” said Ramirez, “but we have to think about our brand. Recently, I received a novel from an author na napasahan niya naman… kaya lang it wasn’t the type of book we’d publish. Medyo high art ‘yung pagkakasulat niya. I felt it was better placed with other publishers who cater to that kind of market and reader. But we really don’t distinguish among authors… we just look at the story.” ## A Changed Industry ![Avenida](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/nida-pbg-2026.webp) Ramirez (center, standing) with authors at the 2026 Philippine Book Festival. Photo from Avenida Books/Facebook This year, Ramirez celebrates 25 years working in the publishing industry. On the topic of what’s changed over the last quarter of a century, the seasoned publisher noted how much of the industry’s driving profitability has shifted from the physical to the digital. “Bookstores used to be king,” recalled Ramirez. “But now… like even ‘yung presence ng Avenida sa bookstores, it’s more parang marketing. Bookstores take about 40 to 50 percent of your selling price, tapos you still have expenses for deliveries, gasoline. It’s not profitable. We rely on online shopping na, and it’s a blessing that we have such a strong online presence.” Beyond maintaining its presence on Shopee and Lazada, Avenida has also shifted to hosting events that allow readers to interact directly with their authors. “‘Yung reading community is fast growing na rin,” said Ramirez. “We’re seeing in our recent events na may maraming attendees. They really stay because they love these books, these authors. Sometimes they’ll even walk up to you and say, ‘Ma’am, next time siguro, baka gusto niyo ganito ‘yung gawin!’” It hasn’t been easy building its presence in the publishing industry from the ground up, but Avenida has steadily continued to spotlight the works of a range of Filipino authors. At this year’s Philippine Book Festival, the publishing house announced the release of five new titles: Julius Villanueva’s supernatural comic, *Ella Arcangel: Lupa at Dugo;* Yabes’ historical fiction; *Radio Revolution;* Siege Malvar’s corporate dark comedy, *Strat Planning;* Ronaldo S. Vivo Jr.’s thriller, *Ang Lahat ng Hayop sa Ating mga Yapak;* and *Bloodlines Vol. 2*, the latest in the *Trese* komik series. There seems to be an emphasis on thrillers that runs through these new titles (Avenida’s own social media team has described them as “darker” and “grittier”), but Ramirez says that this was not intentional. “They were the ones that were ready. And for me personally, I enjoy these types of stories. As a private reader, the grittier the better.” When asked if there is a common theme or identity that makes these titles distinctly Avenida, Ramirez takes a moment before responding. “Parang mahirap ‘yun, eh,” she said. “But… whenever we accept proposals, ang primary consideration lang namin is, ‘Is it about Filipinos, about the Philippines?’ That’s something we consider in all of our books, whether it’s komiks, literature, \[or\] poetry. It always needs to carry Filipino blood with it.” ## Frequently Asked Questions ### What is 19th Avenida Publishing House? Avenida is a Filipino independent publishing house founded by Nida Ramirez, launched in 2020 just as the COVID-19 pandemic began. Over six years, it has built an eclectic catalog spanning crime thrillers, genre fiction, and komiks from Filipino authors and artists. ### What inspired Nida Ramirez to start Avenida? Ramirez founded Avenida after Visprint Inc., the publishing house where she worked for 18 years, announced its closure in 2020. She wanted to continue supporting authors like Bob Ong who had built strong relationships with Visprint. ### How did the COVID-19 pandemic affect Avenida’s launch? Despite launching during a global shutdown, Ramirez says the pandemic ultimately helped independent publishing by pushing readers toward online buying, giving smaller presses like Avenida greater visibility that had been harder to achieve before 2020. ### What kind of books does Avenida publish? Avenida publishes across genres, including crime thrillers by Ronaldo Vivo Jr., genre-blending fiction by Macky Cruz and Chuckberry J. Pascual, and komiks like Manix Abrera’s “KIKOMACHINE KOMIX,” with a consistent focus on stories centered on Filipino identity. ### How has the Philippine publishing industry changed during Nida Ramirez’s career? Over her 25-year career, Ramirez has seen profitability shift from physical bookstores, which take large cuts of selling prices, to online platforms like Shopee and Lazada, which now serve as Avenida’s primary and more sustainable sales channel. Related Stories - [10 New Books by Filipino Authors to Grab at the Philippine Book Festival](https://rollingstonephilippines.com/culture/books/philippine-book-festival-2026-new-releases/ "10 New Books by Filipino Authors to Grab at the Philippine Book Festival") - [12 Notable Filipino Books of 2025](https://rollingstonephilippines.com/culture/12-notable-filipino-books-of-2025/ "12 Notable Filipino Books of 2025") - [Exploding Galaxies is on a Quest to Resurrect Filipino Literature](https://rollingstonephilippines.com/culture/books/exploding-galaxies-filipino-literature/ "Exploding Galaxies is on a Quest to Resurrect Filipino Literature") **Categories:** Books, Culture **Tags:** Avenida --- ### [SEVENTEEN Members Renew Contract As World Tour Ends](https://rollingstonephilippines.com/music/pop/seventeen-contract-renewal/) **Published:** April 6, 2026 **Author:** Elijah Pareño **Excerpt:** The major K-pop group locks in its future while preparing for a big fan meeting this June **Content:** [SEVENTEEN](https://rollingstonephilippines.com/tag/seventeen/ "SEVENTEEN") announced that all 13 members have renewed their exclusive contracts, making the surprise reveal during their “New\_” world tour encore concert on April 5 at Incheon Asiad Main Stadium. The show was the finale of a seven-month run and signals a temporary pause in full-group activities as other members are in military service, and more are expected to enlist this year. Group leader S.Coups said that the decision reflects the band’s sense of kinship and loyalty. “As a result of deep discussions among the members, all 13 of us have decided to renew our contracts. We will row forward together in the same ship.” Even as the group is in a period where not all members are present, SEVENTEEN has shown their commitment to each other and to their CARAT fanbase. Nine members performed at the concert, with Jeonghan, Wonwoo, Hoshi, and Woozi currently enlisted, while Mingyu and DK are expected to enlist soon, although their talent agency PLEDIS are yet to make an official announcement. Other members, such as Joshua, Vernon, The8, and Jun, are not eligible due to their citizenship, while S.Coups was exempted from military service due to a knee injury back in 2024. This coming June 21, fans are already looking forward to SEVENTEEN’s 10th fan meeting, “SEVENTEEN in CARAT LAND,” at the Incheon Asiad Main Stadium, where they can expect live performances, games, and Q&A sessions with the group. > [View this post on Instagram](https://www.instagram.com/reel/DWLk-zYhVUo/?utm_source=ig_embed&utm_campaign=loading)[A post shared by SEVENTEEN (@saythename\_17)](https://www.instagram.com/reel/DWLk-zYhVUo/?utm_source=ig_embed&utm_campaign=loading) Last March 21, the Philippines was their final stop for the “NEW\_” world tour in the Philippine Sports Stadium. SEVENTEEN first held their own concert in the Philippines in 2016 with “Shining Diamond,” then in 2017 for their “Diamond Edge” tour, followed by “Ideal Cut” in 2018 and “Ode to You” in 2020 at the Mall of Asia Arena. After the pandemic, they returned for “Be the Sun” in 2022 at the Philippine Arena, they came back two years after for their “Follow” tour in 2024 and “Right Here” tour in 2015 at the Philippine Sports Stadium. ## Frequently Asked Questions ### Did all SEVENTEEN members renew their contracts? Yes. All 13 members of SEVENTEEN renewed their exclusive contracts, announced during the encore of their “New\_” world tour at Incheon Asiad Main Stadium on April 5, signaling their continued commitment despite ongoing military enlistments. ### Which SEVENTEEN members are currently in military service? Jeonghan, Wonwoo, Hoshi, and Woozi are currently enlisted, while Mingyu and DK are expected to enlist soon, though their agency PLEDIS has not made an official announcement regarding the latter two. ### Why are some SEVENTEEN members exempt from military service? Joshua, Vernon, The8, and Jun are not eligible for South Korea’s mandatory military service due to their citizenship, while S.Coups was exempted following a knee injury sustained in 2024. ### What did SEVENTEEN say about renewing their contracts? Leader S.Coups said the decision reflected the group’s kinship and loyalty, stating, “As a result of deep discussions among the members, all 13 of us have decided to renew our contracts. We will row forward together in the same ship.” ### When is SEVENTEEN’s next fan event? SEVENTEEN’s 10th fan meeting, “SEVENTEEN in CARAT LAND,” is scheduled for June 21 at Incheon Asiad Main Stadium, featuring live performances, games, and Q&A sessions with the group. Related Stories - [Jung Kook: No Limits](https://rollingstonephilippines.com/music/pop/jung-kook-no-limits/ "Jung Kook: No Limits") - [Ranking Every Song from BTS’ ‘Arirang’](https://rollingstonephilippines.com/music/pop/ranking-every-song-from-bts-arirang/ "Ranking Every Song from BTS’ ‘Arirang’") - [‘KPop Demon Hunters’ Takes On Real K-Pop Idol Pressure](https://rollingstonephilippines.com/culture/film-tv/kpop-demon-hunters-idol-pressure/ "‘KPop Demon Hunters’ Takes On Real K-Pop Idol Pressure") **Categories:** Music, Pop **Tags:** SEVENTEEN --- ### [Mayonnaise, NAIA, Ligaya Escueta, and All the Songs You Need to Know](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/mayonnaise-naia-ligaya-escueta/) **Published:** April 7, 2026 **Author:** Elijah Pareño **Excerpt:** Our weekly playlist of the best music right now, carefully picked by the Rolling Stone Philippines staff **Content:** Welcome to [Songs You Need to Know](http://rollingstonephilippines.com/editors-picks/songs-you-need-to-know), our weekly rundown of the best music right now. The *Rolling Stone Philippines* team is constantly sharing things to listen to, and each week, we compile a ragtag playlist of songs that we believe every music fan today needs to know. Whether it’s the hottest new single or an old track that captures the state of the present, our hope is that you discover something for your musical canon. This week’s songs include effective trance and trap mutations, electronic music where they joke about tech bros, and a hard-hitting comeback from one of the country’s most talked-about rock bands. The list goes on from Mayonnaise journeying through rock overdrive in their latest single, “Hindi Ka Nagsasabi,” NAIA crafting one of the most flirtatious techno track in “atenean tech bro,” and Ligaya Escueta exploring the fuzzy atmosphere of shoegaze in “June.” Tkay Maidza, ‘Must Be’ ![Tkay Maidza](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/s-1-1-1600x1600.webp) Photo from Tkay Maidza/Instagram *A welcome hard turn from a hip-hop-R&B extraordinaire* Zimbabwean-Australian artist Tkay Maidza has long flirted with the sleek edges of R&B and electronic pop, whether on her own track “Out of Luck” or Snakehips’ “Show Me The Money.” But “Must Be,” her first single since the 2023 album *Sweet Justice*, finds her in a far sharper mode. Released March 27, the track rides a bouncy, tightly coiled beat as Maidza delivers staccato bursts in the chorus. It’s only at the bridge where she loosens her grip, synth pads bloom and stretch, ushering the listener into a trance-like drift. —*Pie Gonzaga* Mayonnaise, ‘Hindi Ka Nagsasabi’ ![Mayonnaise](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/s-2-1-1600x1600.webp) Photo from Mayonnaise/Instagram *Absolute nu-metal madness and Gregorian chants all over* In a surprising turn, one of the country’s favorite rock bands, Mayonnaise, goes harder into alternative rock, heavier, meatier, with a biting nu-metal edge on their latest single, “Hindi Ka Nagsasabi.” The Gregorian chant-like vocal and guitar riffage open the floodgates to a moshpit-inducing chorus and verse exchange that is partly refreshing and reinvigorating. Frontman [Monty Macalino](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/) keeps the track exciting with his vocal presence, proving time and time again that they aren’t over. Mayonnaise proves that the idea of being “past their prime” does not hold up in a comeback single like this. *—Elijah Pareño* NAIA, ‘atenean tech bro’ ![NAIA](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/s-3-2-1600x1600.webp) Photo from NAIA/Bandcamp *No Atenean tech bro deserves flirty music like this* On *Pathways II*, the latest electronic compilation from Manila-based label Twelve Points, drag artist NAIA makes a striking debut with “atenean tech bro,” produced by DJ and musician D Waviee. Built on buoyant, percussive techno and a relentlessly thumping bass, the track pulses with euphoric energy. Its hook, “Stop, drop, and roll,” is recited in a cadence that nods to Technotronic’s classic “Pump Up the Jam.” Flirty lyricism collides with zingy, almost 8-bit synth lines, giving the song a playful, irreverent charm. If anything, it might be a little too nice to its titular subject, the Atenean tech bro, but maybe that’s part of the joke. It’s not on Spotify, but you can listen to the track on [Bandcamp](https://twelvepointsrecords.bandcamp.com/track/naia-atenean-tech-bro). —*Pie Gonzaga* Ligaya Escueta, ‘June’ ![Ligaya Escueta](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/s-4-1-1600x1600.webp) Photo from Ligaya Escueta/Instagram *In shoegaze we trust —Gen Z* The 19-year-old indie rock neophyte Ligaya Escueta moves away from the innocence of garage rock witticisms toward the wondrous and drowning fuzz of shoegaze on the latest single “June.” Taking cues from San Francisco shoegaze artist Wisp and Canadian mallgoth duo Softcult, Escueta switches lanes to address teenage angst through RAT pedals and heavy reverb. What comes through is a growing understanding of pop writing under layers of atmosphere, marking them as another act to watch in terms of artistic growth. *—Elijah Pareño* cootie catcher, ‘Straight Drop’ ![cootie catcher](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/s-5-1600x1600.webp) Photo from cootie catcher/Instagram *Nice Canadians with good twee pop energy* Toronto, Canada’s premiere Gen Z twee pop band cootie catcher (yes, a good band name indeed) delivers a sugar rush on its fourth album *Something We All Got*, with “Straight drop” standing out as one of the clearest highlights of their creative and sonic direction. At a time when twee pop is seen as an almost archaic subgenre style of indie pop, this track goes right into jangling guitars, wobbly synth keys, and self-deprecating lyrics. We could use more of this in the popsphere, if you catch my drift. *—Elijah Pareño* Naomi Scott, ‘Cherry’ ![Naomi Scott](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/s-6-1-1600x1600.webp) Photo from Naomi Scott/Instagram *A sweet and sensual pop cut evoking ‘90s Janet* Thrice in her career, British actress Naomi Scott has sung for movies: in Disney’s 2011 musical television film *Lemonade Mouth*, in the 2019 live-action remake of *Aladdin*, and in the 2024 psychological horror *Smile 2*. Now, with her debut album *F.I.G*, Scott is more than ready to prove her capabilities as an artist off-screen. Released in September 2025, “Cherry” is the second single to herald *F.I.G*’s March 20 release. From the pre-chorus onward, Scott deploys a soulful, warm soprano over a velvety yet upbeat R&B-inspired pop production. There’s a breezy, effortless sensuality to “Cherry,” the lyrics (“And if the cherry’s sweet, it comes right off the bush”) sprinkled with spoken ad-libs in which Scott talks us through it. In many ways, the track evokes ‘90s Janet Jackson, and it’s no surprise Stan Twitter has chosen to crown a new pop girl on the rise. —*Pie Gonzaga* ## Frequently Asked QUestions ### What is Rolling Stone Philippines’ “Songs You Need to Know”? “Songs You Need to Know” is Rolling Stone Philippines’ weekly rundown of essential music, compiling new singles and standout tracks the team believes every music fan should discover, spanning genres and both emerging and established artists. ### What song did Mayonnaise release this week? Mayonnaise released “Hindi Ka Nagsasabi,” a rock track marking a hard-hitting comeback from one of the Philippines’ most talked-about rock bands, journeying through rock overdrive in its sound. ### What is NAIA’s new single about? NAIA’s new single, “atenean tech bro,” is a flirtatious techno track that plays with humor around tech bro culture, standing out as one of the week’s more playful electronic entries. ### What genre does Ligaya Escueta’s “June” explore? Ligaya Escueta’s “June” explores shoegaze, leaning into a fuzzy, atmospheric sound that distinguishes it from the trance, trap, and techno tracks featured elsewhere in this week’s roundup. ### Where can I listen to this week’s “Songs You Need to Know” picks? This week’s featured tracks, including songs from Mayonnaise, NAIA, and Ligaya Escueta, are compiled into a playlist available on Spotify, letting readers stream the full roundup in one place. 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Rodrigo recently found herself back in headlines after announcing her upcoming album, *you look pretty sad for a girl so in love*. Produced by her longtime collaborator Dan Nigro, the album is set to drop on June 12. > [View this post on Instagram](https://www.instagram.com/p/DWop6PAge1P/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Olivia Rodrigo (@oliviarodrigo)](https://www.instagram.com/p/DWop6PAge1P/?utm_source=ig_embed&utm_campaign=loading) Although the Filipino-American pop star has spent the past few years making sure she can’t be pigeonholed as a heartbreak singer (see “all-american bitch,” “pretty isn’t pretty,” etc.), Rodrigo definitely knows exactly what beats and rhythms need to go into a gut-puncher of a track. As she herself so aptly put it in an interview with [*Billboard*](https://www.billboard.com/music/pop/olivia-rodrigo-billboard-cover-story-interview-2021-9571723/), “What’s the point of putting out a record if it isn’t something that you feel is important to say to people?” In honor of *you look pretty sad for a girl so in love* making its way to us real soon, we’re looking back on all the times when the pop-punk princess was at her angstiest. ## 5. ‘get him back!’ Who doesn’t love a messy break-up? In her punk-infused shit fit, Rodrigo rages over wanting to make her ex-lover feel really, really jealous or really, really bad. The *GUTS* track jumps from Rodrigo wanting to meet his mom to giving him an uppercut, and the backup vocals on her anthem are more than egging her on. “I’m gonna get him so good,” she laughs on the fade-out, “he’s gonna love me and hate me at the same time.” Best line: “I *am* my father’s daughter, so maybe I could fix him.” (Olivia, no!) ## 4. ‘vampire’ Rodrigo doesn’t waste any time turning a set of piano chords into a rager. An angry rebuke against the bloodsucker/fame-fucker that put her through a six-month ringer, “vampire”is one of Rodrigo’s angstiest and most raw singles. Things get bloody as the pop-rock star screams at her vampire for sucking her dry, only for him to move on to other girls to sink his teeth into. Best line: “I’ve made some real big mistakes/But you make the worst one look fine.” ## 3. ‘good 4 u’ At some point, every girl’s probably told her boyfriend to go to therapy (myself included). On her third hit single from *Sour*, Rodrigo’s damn pissed at the “sociopath” who’s moved on from her after a couple of weeks, while *she’s* been stuck crying on her bathroom floor. A shift from the softer pop sounds of her previous singles at the time (“drivers license” and “deja vu”), “good 4 u” is a grungey, crunchy punk anthem for all the girlies who’ve been fucked over by an ex. Best line: “Maybe I’m too emotional/But your apathy is like a wound in salt.” ## 2. ‘bad idea, right?’ There’s no shame in hooking up with an ex! I think? Well, Rodrigo doesn’t know either, because “bad idea, right?” pretty much has her trying to rationalize her latest bad decision. This ex certainly isn’t the yummiest (“I’m sure I’ve seen much hotter men/but I really can’t remember when”), but he’s living, breathing, and game to open up his bed for another night of “reconnecting.” Best line: “I only see him as a friend, I just tripped and fell into his bed.” ## 1. ‘deja vu’ For all her angry guitar riffs and shady one-liners, Rodrigo is sometimes her most devastating when she’s just lamenting directly at her ex. “deja vu” sees her calling him out over using all of his old moves (driving for ice cream to Malibu, watching reruns of *Glee*, trading jackets like they used to do) with his new flame. “So when you gonna tell her/ that we did that too?” Rodrigo asks him, before pointing out that it all feels like déjà vu. Best line: “Play her piano, but she doesn’t know/ that *I* was the one who taught you Billy Joel.” ## Frequently Asked Questions ### What is Olivia Rodrigo’s angriest breakup song, according to this ranking? “deja vu,” from the album “Sour,” ranks as the angriest. The track has Rodrigo calling out an ex for repeating shared memories and routines with his new partner, delivering some of her most devastating lines through direct, pointed lament rather than rage. ### When is Olivia Rodrigo’s new album releasing? Olivia Rodrigo’s upcoming album, “you look pretty sad for a girl so in love,” produced by longtime collaborator Dan Nigro, is set to release on June 12. ### What is “good 4 u” about? “good 4 u,” the third single from “Sour,” finds Rodrigo furious at an ex who moved on quickly while she remained heartbroken. The track marks a shift toward a grungier, punk-influenced sound compared to her earlier, softer singles. ### What inspired “vampire” by Olivia Rodrigo? “vampire” is an angry rebuke aimed at someone who put Rodrigo through a difficult six-month relationship, with the song using bloodsucking imagery to describe feeling drained before watching him move on to someone new. ### Has Olivia Rodrigo said why she writes about heartbreak? In an interview with Billboard, Rodrigo said she believes a record should say something that feels important, explaining her approach to writing candidly about difficult emotions rather than avoiding them for the sake of image. 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The upcoming psychological thriller *[Mother Mary](https://rollingstonephilippines.com/tag/mother-mary/ "Mother Mary")* draws unexpected influence from the Taylor Swift *Reputation Stadium Tour* concert film, according to *Mother Mary* director David Lowery. It’s a wild detail that tracks in the film’s haunting portrayal of a pop star. According to *Empire*, Swift’s 2018 concert film became a central reference for the movie’s performance sequences. “We took three songs from *Reputation* and broke it down, shot by shot, and looked at them like, ‘Okay, if we were doing these, how much would these shots cost to do in visual effects?’,” Lowery says. “We used that as a budgeting tool, because we didn’t know how to wrap our heads around actually pulling off a stadium concert-show on a minimal budget. We were literally using *Reputation* as a guide. I can go on about *Reputation* all day.” Lowery also shared that near the end of the shoot, the film’s star Anne Hathaway, who plays the troubled titular pop star, gifted him Taylor Swift ephemera as a token of gratitude. “When we wrapped, Annie \[Hathaway\] gave me a Taylor Swift-style beaded bracelet with ‘Anti-Hero’ on it,” he says. “I definitely brought a lot of Taylor Swift to the table in terms of who Mother Mary was. I would often be like, ‘Imagine Taylor Swift in 10 or 15 years, that’s sort of who this character could be.’” *Mother Mary* is set to release in Philippine cinemas on April 22. ## Frequently Asked Questions ### What is Mother Mary about? Mother Mary is a psychological thriller directed by David Lowery starring Anne Hathaway as a troubled pop star, with visual and tonal influence drawn from Taylor Swift’s Reputation Stadium Tour concert film. ### How did Taylor Swift’s Reputation Stadium Tour influence Mother Mary? Director David Lowery used three songs from the Reputation Stadium Tour film as a shot-by-shot budgeting reference, breaking down the sequences to estimate visual effects costs for the film’s own stadium concert scenes. ### Did Anne Hathaway give David Lowery a gift related to Taylor Swift? Yes. Near the end of the shoot, Hathaway gave Lowery a Taylor Swift-style beaded bracelet reading “Anti-Hero.” ### Who does Anne Hathaway play in Mother Mary? Hathaway plays the film’s titular character, a pop star whose arc Lowery says he shaped in part by imagining what Taylor Swift might look like a decade or more into her career. ### When does Mother Mary release in Philippine cinemas? Mother Mary is set to release in Philippine cinemas on April 22. Related Stories - [Taylor Swift Now Owns Her Catalog and Filipino Musicians Should Take Note](https://rollingstonephilippines.com/music/taylor-swift-now-owns-catalog/ "Taylor Swift Now Owns Her Catalog and Filipino Musicians Should Take Note") - [How Chappell Roan is Shaping Queer Discourse in the Philippines](https://rollingstonephilippines.com/music/chappell-roan-is-shaping-queer-discourse-in-the-philippines/ "How Chappell Roan is Shaping Queer Discourse in the Philippines") - [Ye’s Antisemitism is Catching Up To Him](https://rollingstonephilippines.com/music/hiphop-rnb/kanye-west-uk-festival-backlash/ "Ye’s Antisemitism is Catching Up To Him") **Categories:** Music, Pop **Tags:** Taylor Swift --- ### [Here’s How to Watch the ‘BTS World Tour Arirang’ Live from PH Cinemas](https://rollingstonephilippines.com/music/pop/bts-world-tour-arirang-philippine-cinemas/) **Published:** April 6, 2026 **Author:** Mel Wang **Excerpt:** The group’s Goyang and Tokyo tour stops will be screened live from cinemas nationwide **Content:** For those hoping to catch [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS") live onstage but can’t make it to a tour stop, here’s the next best thing: two of their tours to be screened live from cinemas across the Philippines. Officially titled *BTS WORLD TOUR ‘ARIRANG’ Live Viewing,* the tour films are set to screen in select cinemas nationwide. On April 11 at 5:45 pm Philippine Time, the boy group’s tour in Goyang will be livestreamed, followed by encore screenings on April 12. The tour stop in Tokyo will be livestreamed on April 18 at 1:45 pm Philippine Time, with encore screenings later the same day. > [View this post on Instagram](https://www.instagram.com/reel/DWmDWWkBi95/?utm_source=ig_embed&utm_campaign=loading)[A post shared by BTS official (@bts.bighitofficial)](https://www.instagram.com/reel/DWmDWWkBi95/?utm_source=ig_embed&utm_campaign=loading) The tour films feature a 360-degree view of the stage as BTS performs tracks from their fifth full-length album, *[Arirang](https://rollingstonephilippines.com/music/pop/ranking-every-song-from-bts-arirang/ "Ranking Every Song from BTS’ ‘Arirang’")*. “The show delivers an immersive experience that places audiences at the very center of the performance,” reads the tour’s official announcement. Screenings will take place in cinemas across the world, including countries such as Singapore, Vietnam, the United States, Canada, the United Kingdom, and more. The two BTS film experiences follow a string of releases from the group, including their album *Arirang*, the Netflix docufilm *BTS: THE RETURN*, and their performance *BTS the Comeback Live \| Arirang*, which streamed live on Netflix on March 21. --- Erratum: The previous version of this article stated that screenings were only available at SM Cinema and Ayala Cinema locations. Multiple cinema chains nationwide will screen both tour films. ## Frequently Asked Questions ### When can I watch BTS World Tour Arirang in Philippine cinemas? The Goyang tour stop livestreams on April 11 at 5:45 PM Philippine Time, with encore screenings April 12. The Tokyo tour stop livestreams April 18 at 1:45 PM Philippine Time, with encore screenings the same day. ### Which cinemas are screening BTS World Tour Arirang? Multiple cinema chains nationwide will screen both tour films, correcting an earlier report that limited screenings to SM Cinema and Ayala Cinema locations only. Screenings are also taking place in countries like Singapore, Vietnam, the U.S., Canada, and the U.K. ### What does the BTS World Tour Arirang film experience include? The tour films offer a 360-degree view of the stage as BTS performs tracks from their fifth full-length album, “Arirang,” designed to place audiences at the center of the performance for an immersive cinema experience. ### What other BTS content has released around “Arirang”? The tour films follow a string of recent releases, including the “Arirang” album itself, the Netflix docufilm “BTS: THE RETURN,” and the live performance special “BTS the Comeback Live ### Is this the start of a new BTS concert tour? No. These are cinema livestream screenings of two existing tour stops, Goyang and Tokyo, not the launch of a new tour. The films let fans who can’t attend in person watch the performances live from local cinemas. Related Stories - [Ranking Every Song from BTS’ ‘Arirang’](https://rollingstonephilippines.com/music/pop/ranking-every-song-from-bts-arirang/ "Ranking Every Song from BTS’ ‘Arirang’") - [Which BTS Member Will Suffer the Most on ‘Hot Ones’?](https://rollingstonephilippines.com/music/pop/bts-on-hot-ones/ "Which BTS Member Will Suffer the Most on ‘Hot Ones’?") - [Filipinos Lead Southeast Asia in BTS Comeback Social Media Buzz](https://rollingstonephilippines.com/music/pop/philippines-bts-arirang-media-buzz/ "Filipinos Lead Southeast Asia in BTS Comeback Social Media Buzz") **Categories:** Music, Pop **Tags:** BTS --- ### [Which BTS Member Will Suffer the Most on ‘Hot Ones’?](https://rollingstonephilippines.com/music/pop/bts-on-hot-ones/) **Published:** April 6, 2026 **Author:** Pie Gonzaga **Excerpt:** We’re giving our thoughts and prayers to BTS’s V, who notoriously doesn’t have a good relationship with spicy food **Content:** After launching their comeback album *[Arirang](https://rollingstonephilippines.com/music/pop/ranking-every-song-from-bts-arirang/ "Ranking Every Song from BTS’ ‘Arirang’")*, [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS") will be joining Sean Evans on the hit YouTube talk show, [*Hot Ones*](https://rollingstonephilippines.com/tag/hot-ones/ "Hot Ones"). The boys are set to take on Evans’ hot questions and even hotter chicken wings in the show’s season finale this Thursday, April 9, as confirmed by Evans on social media. And given his track record with spicy food, we expect BTS vocalist V to suffer the most in this highly anticipated episode. Fan-made compilations of clips from various episodes of the web series *Run BTS* show V reaching for milk after a bite of a spicy wing or his face turning sour after getting a mouthful of noodles. It’s safe to say it looks like he’ll have a hard time dealing with the *Hot Ones* lineup of signature sauces, including The Last Dab, said to measure over 2.6 million Scoville units. BTS is set to join the show’s slate of funny, insightful, and downright iconic celebrity interviews, which include [Dakota Johnson](https://rollingstonephilippines.com/tag/dakota-johnson/ "Dakota Johnson"), Blackpink’s [Jennie](https://rollingstonephilippines.com/tag/jennie/ "Jennie"), and even Bear Grylls. This 29th season, actors Oscar Isaac and [Hilary Duff](https://rollingstonephilippines.com/tag/hilary-duff/ "Hilary Duff") also made appearances on the show. While most interviews follow a one-on-one format, *Hot Ones* has also hosted groups like TXT, the *[Stranger Things](https://rollingstonephilippines.com/tag/stranger-things/ "stranger things")* cast, and the *[KPop Demon Hunters](https://rollingstonephilippines.com/tag/kpop-demon-hunters/ "KPop Demon Hunters")* cast in *Hot Ones Versus*, where participants must choose between answering deeply personal questions and eating progressively hotter wings. But there have also been episodes where Evans interviewed multiple people, such as the one with *Deadpool* stars Hugh Jackman and Ryan Reynolds. Similarly, BTS is facing off with Evans in the show’s usual format. “\[This table\] is the largest one this studio has seen,” the host said in the teaser. “We’ve got seven chairs \[and\] seven sets of wings. Including me, that makes 80 wings on the table, a *Hot Ones* record.” ## Frequently Asked Questions ### When does BTS appear on “Hot Ones”? BTS appears on “Hot Ones” this Thursday, April 9, as the season finale of the show’s 29th season, joining host Sean Evans for the show’s signature format of interviews paired with progressively spicier chicken wings. ### Which BTS member is expected to struggle most with the spicy wings? Vocalist V is expected to struggle most, based on fan-compiled clips from “Run BTS” showing him reaching for milk or reacting strongly to spicy food, ahead of facing “Hot Ones” sauces like The Last Dab, rated over 2.6 million Scoville units. ### What prompted BTS’s appearance on “Hot Ones”? BTS’s “Hot Ones” appearance follows the launch of their comeback album, “Arirang.” The group joins the show’s slate of celebrity guests, which has previously included Dakota Johnson, Blackpink’s Jennie, Bear Grylls, Oscar Isaac, and Hilary Duff this season. ### How is BTS’s episode format different from a typical “Hot Ones” episode? BTS’s episode follows the standard one-on-one format rather than the “Hot Ones Versus” group format used for acts like TXT and the “KPop Demon Hunters” cast. Host Sean Evans described it as the largest table the studio has seen, with seven chairs and 80 wings total. ### Has “Hot Ones” featured other music groups before? Yes. Groups like TXT and casts including “Stranger Things” and “KPop Demon Hunters” have appeared in the show’s “Hot Ones Versus” format, where participants choose between answering personal questions or eating hotter wings, differing from BTS’s standard format appearance. Related Stories - [Filipinos Lead Southeast Asia in BTS Comeback Social Media Buzz](https://rollingstonephilippines.com/music/pop/philippines-bts-arirang-media-buzz/ "Filipinos Lead Southeast Asia in BTS Comeback Social Media Buzz") - [Ranking Every Song from BTS’ ‘Arirang’](https://rollingstonephilippines.com/music/pop/ranking-every-song-from-bts-arirang/ "Ranking Every Song from BTS’ ‘Arirang’") - [BTS Tap Eclectic Producers Flume, Diplo, and JPEGMAFIA for New Album ‘ARIRANG’](https://rollingstonephilippines.com/music/pop/bts-producer-lineup-arirang-reveal/ "BTS Tap Eclectic Producers Flume, Diplo, and JPEGMAFIA for New Album ‘ARIRANG’") **Categories:** Culture, Internet Culture, Music, Pop **Tags:** BTS, Hot Ones --- ### [Studio Ghibli Film Festival 2026 Arrives in Theaters This April](https://rollingstonephilippines.com/culture/film/studio-ghibli-film-festival-2026/) **Published:** April 6, 2026 **Author:** Don Jaucian **Excerpt:** Fan favorites such as Spirited Away and Ponyo will be alive on the big screen once again for a week **Content:** You can watch Studio Ghibli’s Hayao Miyazaki-directed fan favorites, such as *Spirited Away, Howl’s Moving Castle, My Neighbor Totoro, Castle in the Sky,* and*Ponyo* again on the big screen this April 15-21 exclusively at SM Cinemas in Metro Manila and in provincial outlets, courtesy of Reality MM Studios. > [View this post on Instagram](https://www.instagram.com/p/DWv14sJk8Ri/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Reality MM Studios (@realitymmstudios)](https://www.instagram.com/p/DWv14sJk8Ri/?utm_source=ig_embed&utm_campaign=loading) Studio Ghibli movies are popular for their whimsical and fantastical approach to storytelling, blending reality and fantasy elements in each of their films. This year, *Kiki’s Delivery Service* celebrated its 35th anniversary while *Castle in the Sky* and *Arrietty* had 4K remasters. Ticket prices are P275 in Metro Manila cinemas and P230 for provincial cinemas. Tickets will be available soon via the SM Cinema [website](https://www.smcinema.com/ "website"). ## Frequently Asked Questions ### Which Studio Ghibli films are screening in Philippine cinemas this April? The Studio Ghibli Film Festival 2026 features Hayao Miyazaki-directed titles: Spirited Away, Howl’s Moving Castle, My Neighbor Totoro, Castle in the Sky, and Ponyo, screening April 15 to 21 at SM Cinemas nationwide. ### Where can I watch the Studio Ghibli Film Festival 2026 in the Philippines? The festival screens exclusively at SM Cinemas in Metro Manila and select provincial outlets, presented by Reality MM Studios, running from April 15 to 21, 2026. ### How much are tickets for the Studio Ghibli Film Festival 2026? Tickets cost P275 in Metro Manila cinemas and P230 in provincial cinemas. Tickets will be made available soon through the official SM Cinema website. ### Are any Studio Ghibli films getting special anniversary treatment this year? Yes. Kiki’s Delivery Service celebrated its 35th anniversary this year, while Castle in the Sky and Arrietty both received 4K remasters, adding to the festival’s lineup of classic Ghibli titles. ### Who directed the films featured in the Studio Ghibli Film Festival 2026? All five featured films, Spirited Away, Howl’s Moving Castle, My Neighbor Totoro, Castle in the Sky, and Ponyo, were directed by Hayao Miyazaki, known for blending whimsical fantasy with grounded emotional storytelling. Related Articles - [Here’s How to Watch These 6 Studio Ghibli Movies in Philippine Cinemas](https://rollingstonephilippines.com/radar/events/studio-ghibli-fest-2025/ "Here’s How to Watch These 6 Studio Ghibli Movies in Philippine Cinemas") - [Trends Like Ghibli AI Won’t Hurt Filipino Artists (Hopefully)](https://rollingstonephilippines.com/editors-picks/commentary/trends-like-ghibli-ai-wont-hurt-filipino-artists-hopefully/ "Trends Like Ghibli AI Won’t Hurt Filipino Artists (Hopefully)") - [Film Concerts PH Reimagines Movie Scores for the Live Stage](https://rollingstonephilippines.com/music/film-concerts-ph-movie-scores/ "Film Concerts PH Reimagines Movie Scores for the Live Stage") **Categories:** Culture, Events, Film, Radar **Tags:** Studio Ghibli --- ### [Ye’s Antisemitism is Catching Up To Him](https://rollingstonephilippines.com/music/hiphop-rnb/kanye-west-uk-festival-backlash/) **Published:** April 6, 2026 **Author:** Mel Wang **Excerpt:** It looks like the rapper’s last apology wasn’t enough, because backlash is mounting once again **Content:** Major sponsors Pepsi and Diageo have pulled out from London’s Wireless Festival amidst backlash over [Ye](https://rollingstonephilippines.com/tag/kanye-west/ "Kanye West") (a.k.a. Kanye West) headlining the event. The two brands withdrew from the music festival following the British Prime Minister, Sir Keir Starmer, speaking to [*The Sun*](https://www.thesun.co.uk/news/38728493/keir-starmer-slams-wireless-kanye-west-gigs-nazi-rants/) on April 5 about how “deeply concerning” it was that West would be headlining Wireless, despite his “previous antisemitic remarks and celebration of Nazism.” “Antisemitism in any form is abhorrent,” said Starmer, “and must be confronted firmly wherever it appears. Everyone has a responsibility to ensure Britain is a place where Jewish people feel safe.” > [View this post on Instagram](https://www.instagram.com/reel/DWlkwQpiGla/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Wireless Festival (@wirelessfest)](https://www.instagram.com/reel/DWlkwQpiGla/?utm_source=ig_embed&utm_campaign=loading) Over the past several years, Ye has gained notoriety for his public glorification of Nazis. In 2022, brands such as Gap, Balenciaga, and Adidas cut ties with the rapper, citing his antisemitic comments as a major reason for their decision. In 2025, Ye began selling $20 swastika-decorated T-shirts on his website before releasing a track titled “Heil Hitler.” Ye has since directly acknowledged his past remarks. Earlier this January, he took out a full-page advertisement in *The Wall Street Journal* to formally [apologize](https://rollingstonephilippines.com/music/hiphop-rnb/kanye-west-apology-new-music-speculation/ "apologize") for his past behavior and to admit that his bipolar type-1 diagnosis had significantly impacted his judgement. “I lost touch with reality,” wrote Ye. “Things got worse the longer I ignored the problem. I said and did things I deeply regret.” Ye’s latest album, *[Bully](https://rollingstonephilippines.com/music/hiphop-rnb/bully-ye-kanye-west-release/ "Bully")*, currently holds the No. 2 spot on the Billboard 200 albums chart, just behind [BTS’](https://rollingstonephilippines.com/tag/bts/ "BTS") *Arirang*. *Bully* brought in more than 33.2 million streams on Spotify in the days following its release, along with two sold-out concerts at Los Angeles’ SoFi Stadium. As of writing, Ye has yet to comment on the Wireless Festival controversy. ## Frequently Asked Questions ### Why did Pepsi and Diageo withdraw from Wireless Festival? Pepsi and Diageo pulled their sponsorship from London’s Wireless Festival following backlash over Ye headlining the event. The withdrawals came after UK Prime Minister Keir Starmer publicly called Ye’s presence “deeply concerning” given his history of antisemitic remarks. ### What did UK Prime Minister Keir Starmer say about Ye headlining Wireless Festival? Starmer told The Sun that Ye’s “previous antisemitic remarks and celebration of Nazism” made his headlining slot deeply concerning, adding that antisemitism “must be confronted firmly wherever it appears” and that Jewish people must feel safe in Britain. ### What antisemitic incidents has Ye been involved in? In 2022, brands including Gap, Balenciaga, and Adidas cut ties with Ye over antisemitic comments. In 2025, he sold swastika-decorated T-shirts on his website and released a track titled “Heil Hitler,” further fueling backlash against him. ### Has Ye apologized for his antisemitic remarks? Yes. In January, Ye took out a full-page Wall Street Journal ad apologizing for his past behavior, writing that he “lost touch with reality” and attributing his actions in part to the impact of his bipolar type-1 diagnosis on his judgment. ### How is Ye’s album “Bully” performing despite the controversy? Despite the Wireless Festival backlash, “Bully” holds the No. 2 spot on the Billboard 200, trailing BTS’s “Arirang.” The album drew over 33.2 million Spotify streams shortly after release and sold out two shows at LA’s SoFi Stadium. Related Stories - [‘Bully’ Is a Hit: But Is It Enough to Save Ye From Himself?](https://rollingstonephilippines.com/music/hiphop-rnb/bully-ye-kanye-west-release/ "‘Bully’ Is a Hit: But Is It Enough to Save Ye From Himself?") - [For Filipinos, Kanye West’s Music Lives On, Even If His Reputation Doesn’t](https://rollingstonephilippines.com/music/kanye-west-music-filipinos/ "For Filipinos, Kanye West’s Music Lives On, Even If His Reputation Doesn’t") - [Kanye West Public Apology Draws Skepticism From Fans Waiting on New Music](https://rollingstonephilippines.com/music/hiphop-rnb/kanye-west-apology-new-music-speculation/ "Kanye West Public Apology Draws Skepticism From Fans Waiting on New Music") **Categories:** Hip-hop/R&B, Music **Tags:** Kanye West --- ### [10 Filipino Films to Watch For Your Holy Week Movie Marathon](https://rollingstonephilippines.com/culture/film/filipino-movies-holy-week-movie-marathon/) **Published:** April 1, 2026 **Author:** Mel Wang **Excerpt:** From biblical retellings to priestly murder mysteries, here’s what to watch while contemplating the Catholic faith **Content:** Holy Week begets a number of important things: peace, reflection, and a four-day weekend that’s perfect for a movie marathon with films of your choosing. But, if you’re in need of a good watchlist, we’ve taken it upon ourselves to come up with several picks that tie into the end of the Lenten season. Or, well, more specifically, the Catholic faith, which has served as either the main core or dramatic backdrop of many Filipino films. Local filmmakers have long turned to the faith as their chosen subject, either leaning into its many teachings or questioning it entirely. While we’ve always had Holy Week staples such as Ishmael Bernal’s *Himala,* we’ve also selected contemporary and overlooked films that explore the core themes of faith. Here, in no particular order, are the Filipino films we recommend you watch if you can’t get your Catholic upbringing off your mind. ## ‘Rewind’ *Rewind* is essentially a religious film, and it’s easy to see why *Rewind* is the top earner of the 2023 [Metro Manila Film Festival](https://rollingstonephilippines.com/tag/metro-manila-film-festival/ "Metro Manila Film Festival"). In a country with a Catholic majority, a film where a comedic Jesus figure leads a grief-stricken husband ([Dingdong Dantes](https://rollingstonephilippines.com/tag/dingdong-dantes/ "dingdong dantes")) to save his wife (Marian Rivera), whom he lost in a tragic car crash, isn’t a tough sell. The Catholic idea of retribution, that someone has to die in someone’s stead, has always been bonkers, and *Rewind* plays it out in full display. Watch if you want to cry a lot. —*[Don Jaucian](https://rollingstonephilippines.com/author/don-jaucian/ "Don Jaucian")* ## ‘Kristo’ A lot of historical revisionism takes place in director Ben Yalung’s *Kristo;* it does, after all, reimagine the New Testament in the Philippines. Mat Ranillo III steps into the role of Jesus Christ, who travels the provincial countryside to preach the word of God until his crucifixion. Also starring in Yalung’s Filipino take on the Bible are Christopher de Leon, Lorna Tolentino, Gabby Concepcion, Amy Austria, and more. —*[Mel Wang](https://rollingstonephilippines.com/author/melissa-wang/ "Mel Wang")* ## ‘GomBurZa’ For those looking for a more historical watch this Holy Week, turn to Pepe Diokno’s *GomBurZa*. It follows the trio of martyr priests — Padre Mariano Gomez (Dante Rivero), Padre Jose Burgos (Cedrick Juan), and Padre Jacinto Zamora (Enchong Dee) — as they navigate the false mutiny charges lobbed against them by Spanish colonizers. Although we all know how their story ends, *GomBurZa* does make for a surprisingly timely look at authoritarianism, independence, and the never-ending fight between good and evil. —*Mel Wang* ## ‘Itim’ Charo Santos, in her stellar film debut, plays Teresa, a mysterious town lass who captivates Jun (Tommy Abuel), a photographer who’s in town to tend to his ailing father and observe Holy Week rites. Teresa is a beguiling creature: she is tormented by the disappearance of her sister, Rosa, and there seems to be a supernatural link between her and Jun. Beyond its study of Filipino faith, *Itim* is a ghost story and a distillation of the eerie atmosphere of Holy Week rites. Mike de Leon plays his directorial debut up to a 100 with an excellent cast and a gripping screenplay by Clodualdo del Mundo Jr. and Gil Quito (and, apparently, Ricky Lee?) —*Don Jaucian* ## ‘SantA Santita’ The first part of *Santa Santita* is basically an Angelica Panganiban and Hilda Koronel face-off, with the latter having a mild stroke every time her daughter (Panganiban) strays from the light of God. Koronel is Chayong, an intercessor (someone who prays on behalf of others) at Quiapo church. Her daughter, Malen (Panganiban) doesn’t want to live her mother’s life of faith. Chayong thinks of her as promiscuous and wants her to leave her life of sin. One day, Chayong dies of a heart attack, and Malen, in need of a job, takes on her mother’s position and, lo and behold, becomes the source of miracles. Director Laurice Guillen has the knack for turning out great performances from her cast, especially Panganiban, who transitioned from a teenybopper *AngTV* cast member to a serious actress through this film. —*Don Jaucian* ## ‘Tanging Yaman’ “Hindi po ba siya nalilito?” Carina (a young Shaina Magdayao) asks her grandmother, Loleng (Gloria Romero), while in church. Of course, she is referring to God, who is invoked by all the people praying and voicing their wishes in the church (a scene perfectly spoofed by *Ang Tanging Ina* three years later). Laurice Guillen sets the scene in her acclaimed 2000 film to underscore the steadfastness of Loleng and her relationship with her family: her sons, Danny (Johnny Delgado) and Art (Edu Manzano), and the prodigal daughter, Grace (Dina Bonnevie), and their respective spouses and children. A lot of bickering ensues, but the whole endeavor is marked by a lot of great praise music (the soundtrack is a gem, tbh) and it’s still amazing to watch a Johnny Delgado performance.—*Don Jauciam* ## ‘Ang Huling Birhen sa Lupa’ All is well in the small coastal village of Sto. Rosario, until a priest, Father Emman (Jay Manalo), washes up on their shores. If the start to Joel Lamangan’s religious drama wasn’t ominous/miraculous enough, the good father quickly proves to be a capable con artist and, with the help of town prostitute Lorena (Ara Mina), conjures up a fake miracle that brings in revenue for the townspeople (and, well, Father Emman and Lorena). However, when a *real* miracle takes place involving Lorena’s younger sister, Cion (Maui Taylor), things get complicated for the scheming duo very quickly. —*Mel Wang* ## ‘Tatarin’ Based on the short story and play of the same name by National Artist for Literature Nick Joaquin, *Tatarin* centers on Doña Lupe (Dina Bonnevie), a housewife trapped in a subservient marriage to Don Paeng (Edu Manzano). As an escape, Lupe takes part in the tatarin, a three-day fertility ritual that pushes the boundaries of her religious, conservative marriage. —*Mel Wang* ## ‘Smaller and Smaller Circles’ What better way to celebrate Easter than with two Jesuit priests solving a murder mystery? Directed by Raya Martin and based on the award-winning novel by [F.H. Batacan](https://rollingstonephilippines.com/culture/books/fh-batacan-accidents-happen-interview/ "‘Accidents Happen’ is the Crime Fiction Read of the Season"), *Smaller and Smaller Circles* follows Father Gus (Nonie Buencamino) and Father Jerome (Sid Lucero) as they track down a serial killer targeting the young boys of Payatas. Things get gory fast, especially considering the killer’s predilection for organ removal. It’s enough to make anyone start asking questions about God and morality, but stick around to see if this priestly duo makes it out with their faith unscathed. —*Mel Wang* ## ‘Seklusyon’ As Filipinos, we do love a miracle. But in Erik Matti’s 2016 horror *Seklusyon*, it feels as if we shouldn’t be trusting the brooding, miracle-performing child Anghela (Rhed Bustamante) so quickly. The film, which bagged Matti Best Director at the 2016 Metro Manila Film Festival, centers on Miguel (Ronnie Alonte), a seminarian on the precipice of entering the priesthood. When he and three other seminarians are tasked with secluding themselves for a week in a convent, chaos quickly unfolds when Anghela and her menacing caretaker, Sister Cecilia (Phoebe Walker) join them in their seclusion. Matti navigates the darker roots of Catholicism and questions the strength of our faith in the face of evil. —*Mel Wang* ## Frequently Asked Questions ### What is the top-earning Filipino film about faith to watch during Holy Week? “Rewind” was the top earner of the 2023 Metro Manila Film Festival. The film follows a grief-stricken husband, played by Dingdong Dantes, guided by a comedic Jesus figure to save his late wife, played by Marian Rivera. ### Which Filipino film reimagines the story of Jesus Christ? “Kristo,” directed by Ben Yalung, reimagines the New Testament set in the Philippines. Mat Ranillo III plays Jesus Christ, preaching across the provincial countryside until his crucifixion, alongside a cast including Christopher de Leon and Lorna Tolentino. ### Is there a Filipino horror film that explores questions of faith? “Seklusyon,” directed by Erik Matti, is a 2016 horror film about a seminarian and fellow trainees whose weeklong seclusion is disrupted by a mysterious miracle-performing child. The film won Best Director at the 2016 Metro Manila Film Festival and interrogates the darker roots of Catholicism. ### Which film covers the martyrdom of GomBurZa? “GomBurZa,” directed by Pepe Diokno, follows priests Mariano Gomez, Jose Burgos, and Jacinto Zamora as they face false mutiny charges under Spanish colonizers, offering a historical lens on authoritarianism and the fight between good and evil. ### What Filipino horror-mystery film involves two Jesuit priests? “Smaller and Smaller Circles,” directed by Raya Martin, follows Father Gus and Father Jerome as they investigate a serial killer targeting young boys in Payatas, raising questions about God and morality along the way. Related Stories - [Filmmaker Erik Matti Wishes He Made Denis Villeneuve’s ‘Sicario’](https://rollingstonephilippines.com/culture/film-tv/filmmaker-erik-matti-the-rolling-stone-interview-video-series/ "Filmmaker Erik Matti Wishes He Made Denis Villeneuve’s ‘Sicario’") - [To All the Hot Priests We’ve Loved Before (‘Knives Out’)](https://rollingstonephilippines.com/culture/film/7-hot-priests-besides-josh-o-connor-knives-out/ "To All the Hot Priests We’ve Loved Before (‘Knives Out’)") - [Jon Santos: ‘I Don’t Look for Comedy as an Audience Member’](https://rollingstonephilippines.com/media-channels/rsph-interview/jon-santos-comedy-sobriety/ "Jon Santos: ‘I Don’t Look for Comedy as an Audience Member’") **Categories:** Culture, Editor's Picks, Film, Lists **Tags:** Holy Week Films --- ### [3 Questions We’re Asking About ‘Euphoria’ Season 3 After New Trailer](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-trailer-questions/) **Published:** April 1, 2026 **Author:** Pie Gonzaga **Excerpt:** HBO’s chaotic teen drama always incites a “WTF is going on?” And a new trailer has us asking similar questions ahead of its upcoming third season **Content:** It’s been four years since the second season of Sam Levinson’s hit teen drama, *[Euphoria](https://rollingstonephilippines.com/tag/euphoria/ "Euphoria")*, and the years leading up to the release of Season 3 have been [a mess](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-teaser/ "New ‘Euphoria’ Trailer is Just as Messy as Its Real-Life Drama"). Now, based on the newly released trailer for the third season, things are just about to get even more chaotic for the kids of the fictional town of East Highland. The lead-up to the latest season, set to premiere on April 12, has been marred by controversy, just like past seasons. For one, actress Sydney Sweeney, who plays the character Cassie Howard, lost favor with the show’s Gen Z audience after her jean ad with American Eagle was criticized for allegedly using racist dog-whistles. There’s also her budding friendship with multibillionaire Amazon founder and CEO Jeff Bezos and former journalist Lauren Sánchez, which seemed to solidify with her attendance at their Venice wedding in June 2025 and their appearance at her birthday party three months later. Aside from Sweeney’s bad year in PR, much of *Euphoria* Season 3’s production was up in the air only until January last year. In a podcast interview, costume designer Heidi Bivens said shooting would start in May 2023, after the show was renewed in February 2022. But by August 2024, even actress Hunter Schafer didn’t know when filming would start, telling podcaster Alex Cooper on *Call Her Daddy*, “The real tea is I have no fucking idea what’s going on.” Well, after watching the second trailer last night, I have to say, I don’t know what’s going on either, Hunter. So, as *Euphoria* Season 3 approaches, here are three burning questions we desperately need answers to. ## Will we still hear Labrinth’s soundtrack? It’s hard to imagine *Euphoria* without its soundtrack, for which British musician Labrinth wrote several songs, including the Emmy-winning “All For Us.” But in a now-deleted Instagram post shared on March 12, the artist wrote, “I’m done with this industry. Fuck Columbia \[Records\]. Double fuck *Euphoria*. I’m out. Thank you and good night.” Almost a week later, Labrinth posted another message on Instagram, which said, “We walk into this industry as pure creatives that wish to share color, and get turned into wolves of Wall Street dribbling over stocks and shares \[…\] Who the fuck said this is normal or okay to turn what I call God’s noise (our music) into business transactions? I don’t subscribe.” In 2025, HBO announced that German film composer Hans Zimmer had been enlisted to join Labrinth in scoring *Euphoria*. What we don’t know is what went down between Columbia, HBO, and Labrinth, and whether we’ll still hear tracks like “Still Don’t Know My Name” and “Formula” in new episodes. ## Are Rue and Maddy… a thing? In the trailer, we see that Rue Bennett ([Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya")) and Maddy Perez (Alexa Demie) have gotten closer over the five-year time jump the story takes between Season 2 and Season 3. A clip shows Maddy in lingerie, complaining about seeing Cassie again, and Rue gleefully exclaiming, “Round two, baby!” It warms my heart to see that they have come a long way from almost-stranger status in Season 1 (“In all fairness, last summer, there were, like, three weeks where I thought you died,” Maddy tells Rue in the season finale). But some fans have gone so far as to speculate that there may be something more between the two. Is it because together, they give 070 Shake-and-Lily-Rose Depp vibes? And what then about Rules (or Rue and Schafer’s Jules Vaughn)? Could this be TV’s much-needed sapphic love triangle? ![euphoria season 3 alexa demie maddy](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/04/euphoria-season-3-alexa-demie.webp) Alexa Demie’s Maddy Perez tells Cassie to “Poke the ass up” for the camera. Are they friends again? Screenshot from HBO Max/YouTube ## Why does Cassie put up with Nate? We also learn that Cassie and Nate Jacobs ([Jacob Elordi](https://rollingstonephilippines.com/tag/jacob-elordi/ "Jacob Elordi")) are still together, even after being found out by Maddy, Nate’s ex-girlfriend, in Season 2. But we know that Nate hasn’t been a good partner to Cassie, who seems to have a lot of self-respect issues, and the trailer hammers that home in one clip. Cassie’s now a camgirl, and confesses to Nate that Maddy’s been helping her make content. He — married to Cassie, mind you — replies, “My Maddy?” The hold that Nate has on Cassie has been excruciating to watch, but still necessary to explore. And after the hell she’s gone through in previous seasons, especially when it comes to relationships, I’m holding out hope that this is the season she finally stands up for herself. But Cassie’s arc, like many others in *Euphoria*, may end in tragedy. [HBO Max](https://rollingstonephilippines.com/tag/hbo-max/ "HBO Max")’s *Euphoria* Season 3 premieres in the Philippines on April 13. ## Frequently Asked Questions ### When does “Euphoria” Season 3 premiere? “Euphoria” Season 3 premieres on April 12 internationally and April 13 in the Philippines on HBO Max, arriving four years after Season 2 following a production timeline marked by delays and shifting start dates. ### Will Labrinth’s music still be featured in “Euphoria” Season 3? It’s unclear. Labrinth publicly criticized the industry and Euphoria in now-deleted Instagram posts in March, raising questions about his continued involvement, even though HBO announced in 2025 that Hans Zimmer had joined him in scoring the series. ### What controversies affected “Euphoria” Season 3’s production? Production was delayed for years after the show’s 2022 renewal, with even cast member Hunter Schafer saying by August 2024 she didn’t know when filming would start. Actress Sydney Sweeney also faced backlash over an American Eagle ad and her ties to Jeff Bezos and Lauren Sánchez. ### What is the relationship between Rue and Maddy in Season 3? The Season 3 trailer shows Rue Bennett and Maddy Perez have grown closer over a five-year time jump, prompting fan speculation about a deeper connection between the two characters, who were largely strangers in Season 1. ### What is Cassie’s storyline in “Euphoria” Season 3? Cassie Howard remains with Nate Jacobs despite his history of poor treatment toward her, and the trailer shows her working as a camgirl. Her arc continues to explore self-respect issues that have run through her character in previous seasons. Related Stories - [New ‘Euphoria’ Trailer is Just as Messy as Its Real-Life Drama](https://rollingstonephilippines.com/culture/tv/euphoria-season-3-teaser/ "New ‘Euphoria’ Trailer is Just as Messy as Its Real-Life Drama") - [Rosalía Enters ‘Euphoria’ Season 3 as a Stripper](https://rollingstonephilippines.com/culture/film-tv/rosalia-euphoria-season-3-acting-debut/ "Rosalía Enters ‘Euphoria’ Season 3 as a Stripper") - [The Winners and Losers of ‘Industry’ Season 4](https://rollingstonephilippines.com/culture/tv/industry-season-4-winners-losers/ "The Winners and Losers of ‘Industry’ Season 4") **Categories:** Culture, TV **Tags:** Euphoria, HBO Max --- ### [BINI Becomes First P-Pop Group to Guest on NBA Filipino Heritage Night](https://rollingstonephilippines.com/music/pop/bini-la-clippers-nba/) **Published:** April 1, 2026 **Author:** Pie Gonzaga **Excerpt:** The beloved P-pop girl group continues to make global firsts with an NBA appearance ahead of their Coachella debut **Content:** “Nation’s Girl Group” [BINI](https://rollingstonephilippines.com/tag/bini/ "BINI") showed up for the Los Angeles Clippers at Filipino Heritage Night in Inglewood, California, days ahead of their [Coachella debut](https://rollingstonephilippines.com/music/pop/bini-perform-coachella-2026/ "BINI to Perform Coachella 2026 as Festival’s First Filipino Girl Group Ever"). They are the first P-pop group to guest in the [National Basketball Association](https://rollingstonephilippines.com/tag/nba/ "NBA")’s (NBA) celebration of Filipino culture and the Filipino-American community in basketball. On Wednesday, April 1, Philippine time, the group posted photos of BINI members Jhoanna, Stacey, Colet, Maloi, Gwen, Sheena, Mikha, and Aiah in custom blue jerseys. “Can’t wait for the game! Let’s gooooo LA Clippers,” the X post read. During a halftime show in November 2024, the Clippers’s dance team also used BINI’s “Cherry On Top” for their routine. BINI will also be the first P-pop group to grace the [Coachella](https://rollingstonephilippines.com/tag/coachella/ "Coachella") stage, also in California, on both weekends of the music festival, alongside [Sabrina Carpenter](https://rollingstonephilippines.com/tag/sabrina-carpenter/ "Sabrina Carpenter"), [KATSEYE](https://rollingstonephilippines.com/tag/katseye/ "Katseye"), and other international acts. Other P-pop groups have also appeared at international basketball events, such as [Alamat](https://rollingstonephilippines.com/tag/alamat/ "Alamat"), who performed at the FIBA World Cup Opening Ceremony in August 2023, and HORI7ON, who performed at Bench Shoot of Asia in October 2025. SB19’s Ken, who also goes by the name Felip, performed at the NBA Rising Stars Invitational Philippine Qualifiers in May 2025. All three events were held in the Philippines. ## Frequently Asked Questions ### Is BINI the first P-pop group to appear at an NBA Filipino Heritage Night? Yes, BINI is the first P-pop group to guest at an NBA Filipino Heritage Night, appearing with the Los Angeles Clippers in Inglewood, California, ahead of their Coachella 2026 debut. ### Which BINI members attended the LA Clippers’ Filipino Heritage Night? BINI members Jhoanna, Stacey, Colet, Maloi, Gwen, Sheena, Mikha, and Aiah attended the event, posing in custom blue Clippers jerseys and posting their excitement for the game on social media. ### Has BINI’s music been featured at LA Clippers events before? Yes, the LA Clippers’ dance team used BINI’s song “Cherry On Top” for a halftime routine during a November 2024 game, predating the group’s in-person appearance at Filipino Heritage Night. ### Is BINI performing at Coachella 2026? Yes, BINI is set to become the first P-pop group to perform at Coachella, appearing on both weekends of the festival alongside acts including Sabrina Carpenter and KATSEYE. ### Which other P-pop acts have performed at international basketball events? Alamat performed at the FIBA World Cup Opening Ceremony in August 2023, HORI7ON performed at Bench Shoot of Asia in October 2025, and SB19’s Ken (Felip) performed at the NBA Rising Stars Invitational Philippine Qualifiers in May 2025 — all held in the Philippines. 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And the numbers suggest it’s a hit. The album, which premiered on March 28 (Philippine Time) through an online listening party hosted by Ye, secured the No. 1 spot on Spotify’s top albums chart. *Bully*, as of writing, has beaten releases such as RAYE’s *This Music May Contain Hope,* Central Cee’s *All Roads Lead Home*, and Slayyyter’s *Wor$t Girl in America*, among others, for the spot. What’s more, 10 of the 18 tracks on *Bully* have made their way into Spotify’s chart of top songs worldwide. “FATHER (feat. Travis Scott)” currently sits atop the list, with tracks like “ALL THE LOVE (feat. Andre Troutman)” and “KING” following close behind. According to the streaming platform, the album has already racked more than 33.2 million streams since its release. Ye’s fans and critics alike have praised *Bully,* despite the drama that’s surrounded the rapper for more than a decade (remember his spat with Taylor Swift back at the 2009 MTV Video Music Awards?). Earlier this January, Ye took out a full-page advertisement in *The Wall Street Journal* to apologize for his past behavior and acknowledge years of antisemitic remarks. On March 25, days before he dropped *Bully*, Ye also made sure to rebuke his previous claims that the album had been made with the help of A.I. Reviews of *Bully* have tended to focus on the rapper’s return to form, especially after previous albums like *VULTURES 2*, which was criticized for its use of AI and overall messiness. “*Bully* is more polished and cohesive than his work in recent years,” wrote [*Billboard*.](https://www.billboard.com/lists/kanye-west-bully-tracks-ranked-best-songs/) “Ye limited the half-baked ideas and unfinished tracks, thankfully threw away the AI-slop vocals and got back to his roots by chopping up soulful samples on the production side.” However, not everyone is convinced that Ye has made his way back to his rapper’s pedestal. “While listening to the record, something happened to me that had never happened with a Kanye West record: boredom,” wrote [*Rolling Stone*](https://www.rollingstone.com/music/music-features/kanye-west-bully-review-1235306382/) in its assessment of the album. Other critics held back their punches, with *[Complex](https://www.complex.com/music/a/peter-a-berry/kanye-west-bully-review)* running the headline, “There’s a Great Kanye West Album Somewhere Inside of *Bully*.” ## Frequently Asked Questions ### How well is Ye’s album “Bully” performing on Spotify? “Bully” debuted at No. 1 on Spotify’s top albums chart, surpassing releases from RAYE, Central Cee, and Slayyyter. The album has generated more than 33.2 million streams, with 10 of its 18 tracks charting on Spotify’s global top songs list. ### Which song from “Bully” is performing best? “FATHER,” featuring Travis Scott, currently sits atop Spotify’s global top songs chart among “Bully” tracks, followed closely by “ALL THE LOVE,” featuring Andre Troutman, and “KING.” ### What controversies preceded the release of “Bully”? Ye has faced over a decade of controversy, including antisemitic remarks he publicly apologized for via a Wall Street Journal ad in January. Days before “Bully” dropped, he also walked back earlier claims that the album involved AI. ### How do critics compare “Bully” to Ye’s previous album, “VULTURES 2”? Critics generally view “Bully” as more polished and cohesive than “VULTURES 2,” which drew criticism for its use of AI and inconsistent execution. Billboard noted the new album leans back into soulful sampling and cuts down on unfinished ideas. ### Are reviews of “Bully” entirely positive? No. While Billboard praised the album’s return to form, Rolling Stone’s review described feeling unexpectedly bored while listening, and Complex suggested a stronger album exists somewhere within “Bully,” reflecting a divided critical response overall. 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When asked in [The Rolling Stone Philippines Interview](https://rollingstonephilippines.com/media-channels/rsph-interview/) what kind of comedy he likes, he says, “Well, it became work. I don’t look for it as an audience member. I don’t look for it in streamed entertainment. The closest I got to consuming a comedy show was *Modern Family* because the last part is always a poignant moral lesson. As an audience member, I look for dramas. But comedy gold for me is fantastic puns.” At 60, Santos has appeared in several shows, both on screen and onstage, his most recent project being the 2025 rerun of The Sandbox Collective’s interactive one-man play, *Bawat Bonggang Bagay*, a Filipino translation of the English play *Every Brilliant Thing*. Here, he plays an unnamed narrator who lists the big and small things to live for as he reflects on his youth and his mother’s struggle with mental health. ![jon santos rolling stone philippines interview](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/jon-santos-intext.webp) Santos says it’s more difficult to gauge how an audience reacts to humor on TV and film than onstage. Reflecting on his own life, Santos says he’s gone through phases, from being “young and hungry and aching to leave home” in his 20s, to being in debt in his 30s. “The last 20 years have been pretty great,” he says, after briefly mentioning that he has also been sober for the last two decades. Even in his youth, Santos subverted expectations. In the latest episode of The Rolling Stone Philippines Interview, Santos talks about his beginnings in theater and comedy, and pursuing these as an economics student. “I come from a family of 9-to-5 uncles and aunts,” he tells *Rolling Stone Philippines*. “Nobody was in the arts, not a single performer. They were just architects and doctors, and a lot of soldiers. No one really discouraged me, but there was really no data for me to say I can make a living out of this.” It was also in his youth that he had come out to his “military family,” but he says that there were very few conversations about his queerness. “Doing drag onstage, I just had my parents come in with complimentary tickets. They thought I was a stage manager, and then they saw me onstage. So that was \[me\] breaking them in,” he recalls. “Later \[on\], it was just bringing someone to the family gatherings, kaunting fingers crossed, kaunting nerbyos. But no setup, no exchange. I just sensed that they had so many questions, \[but\] their love was bigger than their questions.” In this episode, Santos also delves into his process as a comedian, teaching people deprived of liberty about Shakespeare, mental health, and sobriety. When asked about the biggest thing he’s learned about sobriety and recovery, he says, “The first two steps: I am powerless over my problem, and I can only conquer this with the help of a higher power that I know. And the clothes fit better.” For more on Jon Santos, watch the full episode of The Rolling Stone Philippines Interview on [YouTube](https://www.youtube.com/@rollingstoneph). ## Frequently Asked Questions ### What kind of comedy does Jon Santos enjoy as an audience member? Santos says comedy became work for him, so he doesn’t seek it out as a viewer. He gravitates toward dramas instead, with Modern Family being the closest he gets to comedy, largely for its poignant closing moral lessons. ### What is Jon Santos’s most recent project? Santos’s most recent project is the 2025 rerun of The Sandbox Collective’s “Bawat Bonggang Bagay,” a Filipino translation of “Every Brilliant Thing.” He plays an unnamed narrator reflecting on his youth and his mother’s struggle with mental health. ### How did Jon Santos come out to his family? Santos, who comes from a “military family,” says there were few direct conversations about his queerness. He recalls his parents discovering he was a drag performer when they attended a show expecting him to be a stage manager. ### How long has Jon Santos been sober? Santos has been sober for the last two decades. He credits his recovery process to the first two steps of acknowledging powerlessness over his problem and relying on a higher power, alongside noticeable personal changes like his clothes fitting better. ### Did Jon Santos always plan to pursue comedy and theater? No. Santos studied economics and came from a family with no artists, mostly architects, doctors, and soldiers. He says no one discouraged him, but there was no precedent showing he could make a living through performance. 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Soft rock singer-songwriter David Pomeranz, for example, is a regular visitor who has performed and vacationed in the country “maybe more than 20 times,” according to the American singer-songwriter. It’s one thing for visiting artists to fall in love with the Philippines, with performances as a bonus, but the way their identity gets tied to the audience can get a bit absurd due to their frequent visits in short spans of time. That’s where the real appeal comes in: the Philippines remains a reliable destination for musicians from all over. Here are five international artists who have toured the country countless times over the years. ## LANY [LANY](https://rollingstonephilippines.com/tag/lany/ "LANY")’s visits include several mall shows as early as 2017, multiple arena runs in 2018 and 2019, and five sold-out shows across 2022 and 2024. Since their self-titled album in 2017 and *Malibu Nights* in 2018, the American duo has released pop-rock singles that have settled into the Filipino listening habit, from “ILYSB” to “Mean It” to “Malibu Nights.” They’re so “Filipino” that they’ve become endorsers for a local favorite smartphone brand in 2020. ## Air Supply When you hear those soft keys and familiar vocal runs late at night, chances are you’re hearing [Air Supply](https://rollingstonephilippines.com/tag/air-supply/ "Air Supply") in your nearest [UV Express](https://rollingstonephilippines.com/tag/uv-express/ "UV Express") van. The Australian soft rock duo of Graham Russell and Russell Hitchcock is behind songs like “Making Love Out of Nothing at All,” “All Out of Love,” “Lost in Love,” and “Goodbye,” which are still embedded in local listening culture. Their connection with the Philippines runs deep, with multiple legs of their 50th anniversary tour reaching cities like Iloilo, Laguna, Cebu, and Cagayan de Oro. ## The Script Six visits from 2011 to 2025 to the Philippines is already a solid run for an Irish rock band like [The Script](https://rollingstonephilippines.com/tag/the-script/ "The Script"), but their relationship with the local audience has held steady across the years. Their brand of motivational pop rock, often covered by local bands, continues to resonate, with songs like “The Man Who Can’t Be Moved,” “Breakeven,” and “Hall of Fame” finding a place in everyday listening — and not to mention, those motionless dance covers. At one of their most recent visits, vocalist Danny O’Donoghue performed on top of a car outside of Araneta Coliseum. ## Super Junior Before the intense competition of K-pop fandoms of the 2020s, [Super Junior](https://rollingstonephilippines.com/tag/super-junior/ "Super Junior") had already established a strong foothold in the Philippines in the 2010s. The group’s presence has been consistent through its “Super Show” series, alongside fan meetings and solo concerts from members like D&E, Yesung, and Kyuhyun. From“Super Show 2” in 2010 up to more recent events, the “Sorry, Sorry” hitmakers’ many returns reflect a long-standing relationship with their Filipino audience that has influenced generations of younger stans and up-and-coming boy groups alike. ## Mayday Parade Few bands have maintained a connection with the Philippine emo scene like [Mayday Parade](https://rollingstonephilippines.com/tag/mayday-parade/ "Mayday Parade"). Their emo-pop-punk sound, defined by diaristic lyrics and anthemic melodies, continues to resonate with fans who grew up with tracks like “Jaime All Over” and “Miserable at Best.” Their visits in 2011, 2013, 2016, 2018, 2023, and 2025 show a steady relationship with a loyal Filipino fanbase. ## Frequently Asked Questions ### Which international acts visit the Philippines most frequently? LANY, Air Supply, The Script, Super Junior, and Mayday Parade are among the international acts with the most consistent history of touring the Philippines, spanning mall shows, arena runs, sold-out concerts, and fan meetings across multiple years. ### How many times has The Script toured the Philippines? The Script has visited the Philippines six times between 2011 and 2025. The Irish rock band’s motivational pop-rock songs, including “Breakeven” and “Hall of Fame,” remain popular with local audiences and are frequently covered by Filipino bands. ### Why is Air Supply still popular in the Philippines? Air Supply’s soft rock songs, such as “All Out of Love” and “Making Love Out of Nothing at All,” remain embedded in Filipino listening culture. The duo has toured extensively, including legs of their 50th anniversary tour reaching Iloilo, Laguna, Cebu, and Cagayan de Oro. ### How long has Super Junior been performing in the Philippines? Super Junior established a strong Philippine fanbase in the 2010s, starting with “Super Show 2” in 2010. Their continued concerts, fan meetings, and member solo shows have influenced generations of younger K-pop fans and boy groups in the country. ### What connects Mayday Parade to the Philippine music scene? Mayday Parade has maintained ties to the Philippine emo scene through visits in 2011, 2013, 2016, 2018, 2023, and 2025. Their diaristic, anthemic emo-pop-punk songs, like “Jaime All Over,” continue to resonate with a loyal, long-standing Filipino fanbase. Related Stories - [LANY Is Coming Back To the Philippines with Three Shows](https://rollingstonephilippines.com/music/rock/lany-philippine-tour-announcement-2026/ "LANY Is Coming Back To the Philippines with Three Shows") - [How UV Express Has Kept ‘Adult Contemporary’ Music Alive](https://rollingstonephilippines.com/music/8-uv-express-songs/ "How UV Express Has Kept ‘Adult Contemporary’ Music Alive") - [SB19’s ‘Wakas at Simula,’ Ranked Track by Track](https://rollingstonephilippines.com/music/pop/sb19-wakas-at-simula-ranked/ "SB19’s ‘Wakas at Simula,’ Ranked Track by Track") **Categories:** Editor's Picks, Lists **Tags:** Air Supply, LANY, Mayday Parade, Super Junior, The Script --- ### [Rosalía Enters ‘Euphoria’ Season 3 as a Stripper](https://rollingstonephilippines.com/culture/film-tv/rosalia-euphoria-season-3-acting-debut/) **Published:** March 31, 2026 **Author:** Elijah Pareño **Excerpt:** The Spanish art-pop singer steps into a nightclub performer role in the darker new chapter of the series, appearing in the first trailer with a striking visual turn **Content:** The third season of *[Euphoria](https://rollingstonephilippines.com/tag/euphoria/ "Euphoria")* is about to arrive soon, and so far, the biggest takeaway from the first look of the series is the surprising acting debut of Spanish art-pop singer-songwriter [Rosalía](https://rollingstonephilippines.com/tag/rosalia/ "Rosalía"), as seen in the latest trailer that dropped on March 31. > [View this post on Instagram](https://www.instagram.com/reel/DWhA-3skbM_/?utm_source=ig_embed&utm_campaign=loading)[A post shared by HBO Max (@hbomax)](https://www.instagram.com/reel/DWhA-3skbM_/?utm_source=ig_embed&utm_campaign=loading) Set to premiere on April 12, 2026, on HBO Max, the new season promises a darker, more mature chapter for the series, with characters evolving from high school drama to the high-stakes situations of adulthood. In the newly released trailer, Rosalía appears as Magick, a stripper working at a nightclub called the “Silver Slipper.” The musician-turned-actress notably appears in one scene wearing a dramatic orthopedic neck brace adorned with crystals, performing on a strip pole. Creator and director Sam Levinson mentioned in a recent Vogue interview how he cast Rosalía immediately after an impressive audition. “She’s a great character. Funny, tough, emotional. I also love her accent. She was perfect for the part,” he says. Rosalía filmed her scenes for the latest season while simultaneously finishing her album *[Lux](https://rollingstonephilippines.com/music/music-reviews/rosalia-lux-album-review/)*, which was released in November 2025. ## Frequently Asked Questions ### Who does Rosalía play in “Euphoria” Season 3? Rosalía plays Magick, a stripper working at a nightclub called the Silver Slipper. Her acting debut was revealed in the Season 3 trailer, released March 31, showing her performing on a strip pole while wearing a crystal-adorned orthopedic neck brace. ### When does “Euphoria” Season 3 premiere? “Euphoria” Season 3 premieres April 12, 2026, on HBO Max. The new season is set to depict a darker, more mature chapter for the series, following characters as they move from high school drama into adult, high-stakes situations. ### Why did Sam Levinson cast Rosalía in “Euphoria”? Creator and director Sam Levinson told Vogue he cast Rosalía immediately after her audition, describing her as funny, tough, and emotional, and noting he loved her accent, calling her perfect for the role of Magick. ### Did Rosalía film “Euphoria” while working on other projects? Yes. Rosalía filmed her “Euphoria” Season 3 scenes while simultaneously finishing her album “Lux,” which was released in November 2025, balancing her acting debut with the final stages of the album’s production. ### What is Rosalía known for outside of acting? Rosalía is a Spanish art-pop singer-songwriter, best known for her music career prior to this role. Her “Euphoria” appearance marks her acting debut, arriving shortly after the November 2025 release of her album “Lux.” Related Stories - [‘LUX’ is Rosalía’s Newest 18-Track Pop Opera of the Future](https://rollingstonephilippines.com/music/music-reviews/rosalia-lux-album-review/ "‘LUX’ is Rosalía’s Newest 18-Track Pop Opera of the Future") - [Film Concerts PH Reimagines Movie Scores for the Live Stage](https://rollingstonephilippines.com/music/film-concerts-ph-movie-scores/ "Film Concerts PH Reimagines Movie Scores for the Live Stage") - [Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’](https://rollingstonephilippines.com/music/singer-songwriter-barbie-almalbis-myth-of-rakista-rolling-stone-interview/ "Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’") **Categories:** Culture, Film & TV **Tags:** Rosalía --- ### [Nyctophile: The Woman-Led, Spirit-Forward Mobile Bar for All Occasions](https://rollingstonephilippines.com/radar/rs-recommends/nyctophile-spirit-forward-mobile-bar/) **Published:** March 31, 2026 **Author:** Pie Gonzaga **Excerpt:** This mobile bar turns ordinary parties into memorable nights with cocktails crafted for every taste **Content:** If you’ve ever taken a selfie at a mirror bar at a party or a wedding, chances are you’ve come across the mobile bar [Nyctophile Mixology and Bar Hosting](https://rollingstonephilippines.com/tag/nyctophile-mixology-and-bar-hosting/ "Nyctophile Mixology and Bar Hosting"). While other mobile bars might not draw so much attention at an event, Nyctophile’s gold mirror bar is easy to catch, even at the back of any venue. “The mirror bar reflects the guest, just as every cocktail reflects a personality,” said Joebeth Espinosa, the woman behind Nyctophile. It’s an apt name for a mobile bar, and Espinosa was inspired by the idea that life’s most meaningful moments happen in the evening, when the parties get started, or when people unwind. After exploring bars around the world and discovering all the different ways drinks are crafted, Espinosa launched Nyctophile in May 2024, working closely with a dedicated bartender and mixologist to cater drinks at weddings, birthdays, private gatherings, corporate events, and even the [Filipino Music Awards](https://rollingstonephilippines.com/tag/filipino-music-awards/ "Filipino Music Awards") in October 2025. “I’m not the one behind the shaker, but I fell in love with the creativity behind every glass,” she said of working with experts. ![nyctophile mobile bar](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/nyctophile-mobile-bar.webp) Nyctophile’s mirror-finished mobile bar is easy to find at any event. Photo courtesy of Nyctophile Mixology and Bar Hosting “I was never really into cocktails before,” Espinosa said. “I usually preferred a spirit-forward drink, whisky neat, simple and strong.” But with her travels both local and abroad, she found an appreciation for cocktails and how they were crafted, presented, and thoughtfully curated. Espinosa’s drink preferences led her and Nyctophile to develop a distinctly bold, “spirit-forward” menu. But the mobile bar still has something for everyone, as Espinosa believes that with every drink, guests can choose flavors that reflect their personality. With its signature gold mirror bar and a menu designed to cater to both the adventurous and the classic palate, Nyctophile brings a touch of creativity and personal expression to every gathering, proving that the night is where memories come alive. Nyctophile is a mirror-finished mobile bar that caters to all types of events and serves spirit-forward drinks. You can find them on [Facebook](https://www.facebook.com/profile.php?id=100095435583219 "Facebook") and [Instagram](https://www.instagram.com/nyctophile.toast/). ## Frequently Asked Questions ### What is Nyctophile Mixology and Bar Hosting? Nyctophile is a mobile bar founded by Joebeth Espinosa, known for its signature gold mirror bar and spirit-forward cocktail menu. It caters to weddings, birthdays, private gatherings, and corporate events, having launched in May 2024. ### Why is it called “Nyctophile”? Espinosa named the bar Nyctophile after the idea that life’s most meaningful moments happen in the evening, when parties begin or people unwind, reflecting her belief that nighttime is when memories come alive. ### What kind of drinks does Nyctophile serve? Nyctophile specializes in a bold, “spirit-forward” menu, shaped by Espinosa’s personal preference for simple, strong drinks like whisky neat. The menu still offers options for both adventurous and classic palates. ### Has Nyctophile catered any notable events? Yes. Nyctophile has catered private gatherings, weddings, birthdays, and corporate events, including the Filipino Music Awards in October 2025, showcasing its signature gold mirror bar setup at a high-profile industry event. ### Is Joebeth Espinosa the bartender behind Nyctophile’s drinks? No. Espinosa works closely with a dedicated bartender and mixologist who crafts the drinks. She describes herself as not being “behind the shaker” but having fallen in love with the creativity behind each cocktail. Related Stories - [Khao Khai is as Thai Street Food as It Gets in Metro Manila](https://rollingstonephilippines.com/radar/rs-recommends/khao-khai-thai-food-manila/ "Khao Khai is as Thai Street Food as It Gets in Metro Manila") - [Hit Your Protein Goals with PICKUP COFFEE’s Latest Beverages](https://rollingstonephilippines.com/radar/rs-recommends/pickup-coffee-protein-up/ "Hit Your Protein Goals with PICKUP COFFEE’s Latest Beverages") - [This Fast Food Chain Finds a Home in Filipino History](https://rollingstonephilippines.com/radar/rs-recommends/mcdonalds-filipino-heritage-stores/ "This Fast Food Chain Finds a Home in Filipino History") **Categories:** Culture, Food, Radar, RS Recommends **Tags:** Nyctophile Mixology and Bar Hosting --- ### [Bryan Cranston Teases Crazy Madonna Appearance in ‘The Studio’ Season 2: ‘You Will Not Believe It’](https://rollingstonephilippines.com/culture/tv/bryan-cranston-tease-madonna-cameo-the-studio/) **Published:** May 14, 2026 **Author:** Emily Zemler **Excerpt:** “I guarantee you, you will utter to yourselves, ‘Oh my God!’” the actor confirmed **Content:** If you needed more reason to be excited for the [second season](https://www.rollingstone.com/tv-movies/tv-movie-news/the-studio-renewed-second-season-seth-rogen-1235333215/) of *[The Studio](https://www.rollingstone.com/tv-movies/tv-movie-reviews/the-studio-seth-rogen-1235301362/)*, [Bryan Cranston](https://www.rollingstone.com/t/bryan-cranston/) teased an apparently crazy scene he filmed with [Madonna](https://www.rollingstone.com/t/madonna/) for the show. During an interview with *Access Hollywood*, Cranston suggested that the scene is so wild that viewers will be staring in shock at the TV. “In this next season of [the studio](https://www.rollingstone.com/t/the-studio/), I do something in front of Madonna,” Cranston said. “In a truth or dare test, and it’s a dare. And I do something that will either raise my street cred very high or destroy my career. It’s one of the two. But I guarantee you, you will utter to yourselves, ‘Oh my God!’” He put his hands around his face and feigned shock. “You will be watching this like this,” he said. “And you will not believe \[it\].” It has not been revealed who Madonna is playing on the series, but Cranston’s character Griffin Mill, the eccentric CEO of Continental Studios, was established in Season 1. The actor described working with Madonna in Italy and commended her work ethic. “She is an extraordinary person. I mean, she’s Madonna,” Cranston said. “She’s one of the most famous people in all the world. And we were in Venice, Italy, shooting two episodes over there. And it was almost like a pinch-me time. You’re going, ‘Look at where we are with Madonna!’” He added, “She works very hard. Her work ethic is incredible. And she was funny and she contributed and she was a good sport. We were there until 3, 4, 5 in the morning sometimes and she was right there with us. So I got nothing but great things to say about her.” *The Studio* stars [Seth Rogen](https://www.rollingstone.com/t/seth-rogen/) as studio head Matt Remick, and co-stars Ike Barinholtz, Chase Sui Wonders, and Kathryn Hahn. The first season featured a huge array of celebrity cameos, including Martin Scorsese, Olivia Wilde, and Zoë Kravitz. Catherine O’Hara, who died in January appeared in Season 1 as producer Patty Leigh and won an Emmy for the role. Last month, Rogen and co-creator Evan Goldberg [told *the Times of London*](https://www.rollingstone.com/tv-movies/tv-movie-news/the-studio-season-2-acknowledge-catherine-ohara-death-1235541977/) that they were forced to suddenly change the entire upcoming season following O’Hara’s death. “It has been an unbelievable challenge,” Goldberg said. “Obviously emotionally, dealing with the loss, but also when it comes to the show itself. We wrote it for her to be there. We had it all set and the shock waves permeate throughout the entire new season. It’s been difficult. You worded it better than we could — she was the anchor and now the anchor is gone.” Rogen added, “If anything, we’re acknowledging the idea that we are a little anchorless. But, honestly, that is a part of life and what we all experience. And so while we try to not dwell too much on heavy themes in this show, they will be there in this second season. We are not ignoring it.” AppleTV has yet to announce a premiere date for *The Studio* Season 2. *This article was originally published on [rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-news/bryan-cranston-madonna-the-studio-season-2-tease-1235561789/).* ## Frequently Asked Questions ### What did Bryan Cranston say about Madonna’s scene in The Studio Season 2? Speaking to Access Hollywood, Cranston said he performs a dare in front of Madonna during a truth-or-dare scene, joking it will either boost his street cred or end his career. He promised viewers will watch in disbelief, but did not reveal what the dare involves. ### Who does Madonna play in The Studio Season 2? Madonna’s role has not been revealed. Cranston confirmed he shares scenes with her, but neither the character nor the nature of her appearance has been disclosed. His own character, Griffin Mill, is the eccentric CEO of Continental Studios, established in Season 1. ### Where was The Studio Season 2 filmed with Madonna? Two episodes were shot in Venice, Italy. Cranston described the experience as surreal and praised Madonna’s work ethic, saying she stayed on set through shoots that ran until three, four, or five in the morning. He also called her funny and a good sport. ### When does The Studio Season 2 premiere? Apple TV has not announced a premiere date. The series stars Seth Rogen as studio head Matt Remick, with Ike Barinholtz, Chase Sui Wonders, and Kathryn Hahn co-starring. Season 1 featured cameos from Martin Scorsese, Olivia Wilde, and Zoë Kravitz. ### How did Catherine O’Hara’s death change The Studio Season 2? Co-creators Seth Rogen and Evan Goldberg told the Times of London they rewrote the entire season after O’Hara’s death in January. She played producer Patty Leigh in Season 1 and won an Emmy for the role. Rogen said the season will acknowledge her absence. Related Stories - [Madonna Offers Reward for Missing Coachella Outfits: ‘They Are a Part of My History’](https://rollingstonephilippines.com/music/pop/madonna-offers-reward-for-missing-coachella-outfits/ "Madonna Offers Reward for Missing Coachella Outfits: ‘They Are a Part of My History’") - [Music’s 10 Weirdest Alter Egos](https://rollingstonephilippines.com/editors-picks/lists/10-weirdest-music-alter-egos/ "Music’s 10 Weirdest Alter Egos") - [CGI Chimps and a World Without Janet: Fact-Checking the Michael Jackson Biopic](https://rollingstonephilippines.com/culture/film/fact-checking-michael-jackson-biopic/ "CGI Chimps and a World Without Janet: Fact-Checking the Michael Jackson Biopic") **Categories:** Culture, News, TV **Tags:** Bryan Cranston, Madonna, The Studio --- ### [Inside Thank You for the Music and Moving Parts’ Binondo Party](https://rollingstonephilippines.com/music/dance-electronic/inside-thank-you-for-the-music-and-moving-parts-binondo-party/) **Published:** June 18, 2026 **Author:** Rolling Stone Philippines **Excerpt:** The Chinatown event celebrated dance music as a meaningful cultural exchange **Content:** On June 6, dance collective [Thank You for the Music](https://rollingstonephilippines.com/tag/thank-you-for-the-music/ "Thank You For The Music") (TYFM), the group behind Manila’s first-ever Rainbow Disco Club, and duo Moving Parts (MP) gave the nightlife community another reason to celebrate. Taking over a rooftop space in the world’s oldest Chinatown, the event was a fever dream that ended just as the sun rose. The space itself was the selling point, according to the organizers. “The venue itself felt distinctly liminal — a space suspended between past and present, everyday life and collective escape,” shared the organizers. “It became an invitation to experience dance music somewhere unexpected, allowing guests to step momentarily outside the familiar without ever losing sight of the culture surrounding them.” The unique setup, reflected in the lineup featuring Bangkok’s DOTT, Nomoclassiq, Shrugs, and Horseboyy, began with Baby Ikea, whose set “felt closer to film scoring than conventional dancefloor programming,” according to the organizers. The opening set showcased a deft hand at “layering cinematic textures, mood-driven selections, and moments of tension and release.” ![Thank you for the music](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/tyfm-body.webp) Baby Ikea. Photo by Borgy Angeles As a group of friends who describe themselves as “deeply embedded in Manila’s nightlife ecosystem,” the goal was to have a space that reflects what they love about and hope for the wider community. “More than anything, though, this project was built on friendship and a belief in the strength of local talent,” says Stacy Rodriguez of TYFM. “I think that’s one of the most important conversations in nightlife moving forward.” ![Nomoclassiq and Shrugs](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Nomoclassiq.webp) Nomoclassiq and Shrugs. Photo by Borgy Angeles ![Horseboyy](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Horseboyy-1.webp) Horseboyy. Photo by Borgy Angeles For Moving Parts’ Kevin Shaw, known by his DJ moniker Nomoclassiq, that sense of community is a celebration of everyone’s individuality. “Everywhere I looked, I saw people who were just happy to be there. That’s a kind of magic you can’t help but feel grateful to have a hand in,” he says. “It comes with profound happiness to think about how everything came together beautifully and how that silent contract translated to how everyone behaved.” Please select an image. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/TYFM-1.webp) Photo courtesy of Thank You for the Music. Photo by Borgy Angeles ![thank you for the music](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/tyfm-2.webp) Photo by Borgy Angeles That “silent contract” is a testament to the relationship and strong sense of collaboration between both groups; even before they were organizers, they were partygoers in Manila’s nightlife scene, discovering dance music together for the first time. “I feel like finding those moments of collaboration and progression, that’s where the good stuff really is and that’s what I’d like to keep looking for, not just for myself but for others as well,” says MP’s Carlos del Prado. “That’s where ‘culture’ happens and is built.” “The best parties are the ones that feel like home,” says TYFM’s Judd Figueres. “I’m very proud of the energy we created that night, and I hope people bring that same care and concern to every dancefloor they step into.” ## Frequently Asked Questions ### What was the Thank You for the Music and Moving Parts party? It was a one-night dance-music party held on June 6, 2026, co-organized by Manila nightlife collective Thank You for the Music (TYFM) and DJ duo Moving Parts. Staged on a rooftop in Binondo, Manila’s Chinatown, the event ran until sunrise and centered on community. ### Who organized the Binondo party? The party was a collaboration between Thank You for the Music, the collective behind Manila’s first-ever Rainbow Disco Club, and Moving Parts, a DJ duo made up of Kevin Shaw (Nomoclassiq) and Carlos del Prado. Both groups are longtime figures in Manila’s nightlife scene. ### Who performed at the party? The lineup featured Bangkok-based DJ DOTT alongside local acts Nomoclassiq, Shrugs, and Horseboyy. Baby Ikea opened the night with a cinematic set that the organizers said felt closer to film scoring than a conventional dancefloor warm-up, layering moody textures and moments of tension and release. ### Where was the party held? The event took place on a rooftop in Binondo, often called the world’s oldest Chinatown, in Manila. Organizers described the space as “distinctly liminal,” suspended between past and present, and said the unusual setting was the party’s main draw — dance music somewhere unexpected. ### What was the party’s message about nightlife? The organizers framed the event around friendship, community, and support for local talent. TYFM’s Stacy Rodriguez said the project was built on belief in local artists, while member Judd Figueres said the best parties feel like home — a spirit they hoped guests would carry to other dancefloors. 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Lineup") may turn into a sobbing fest in August if she performs “Landslide” with [Stevie Nicks](https://rollingstonephilippines.com/tag/stevie-nicks/ "Stevie Nicks"). The superstar teased as much during an interview on *Good Morning America* with Diane Sawyer, who said that seeing the two artists perform the song would be a dream. “We might make that happen for you, Diane,” Rodrigo responded. “We’ll see. Can’t give too much away.” It would be a once-in-a-lifetime moment to see the rock legend sing about getting older alongside one of the most promising artists of the new generation. In her October 2023 *Rolling Stone* [cover story](https://www.rollingstone.com/music/music-features/olivia-rodrigo-guts-vampire-lyrics-meaning-1234819181/), Rodrigo shared that she’s thought about “Landslide” in the past: She was asked if she imagined playing breakout hit “Driver’s License” decades into her career. “I was thinking about that the other day … I saw Stevie Nicks singing ‘Landslide’ to this huge stadium of people. Not that ‘Drivers License’ is ‘Landslide,’ by any means,” she said, adding, “But I was like, ‘Damn.’ That heartbreak that you feel when you’re young, thinking about singing that song when I’m Stevie Nicks’ age … it’s really powerful.” During her *GMA* appearance, Rodrigo shared more details about Daisy Chain Fields and how it’s Lilith Fair-for-the-new-age. “Lilith Fair was a huge inspiration in me starting this festival,” she told Sawyer. “The first person that I called when I decided that I wanted to do this festival was Sarah McLachlan. She’s a total trailblazer and an incredible artist and a friend.” The festival, set for Aug. 29 in Irvine, California, will feature an all-star, all-women lineup just like its Nineties inspiration. [Bikini Kill](https://www.rollingstone.com/t/bikini-kill/), [Chappell Roan](https://rollingstonephilippines.com/tag/chappell-roan/ "Chappell Roan"), [Doechii](https://rollingstonephilippines.com/tag/doechii/ "Doechii"), [Garbage](https://www.rollingstone.com/t/garbage/), Die Spitz, Eli, [KATSEYE](https://rollingstonephilippines.com/tag/katseye/ "Katseye"), [Mitski](https://rollingstonephilippines.com/tag/mitski/ "Mitski"), Not for Radio, Quiet Light, Rachel Chinouriri, Santigold, and the Breeders are all part of the bill, while Nicks, Karen O, and McLachlan are listed as special guests. “I’m so excited about the lineup,” Rodrigo said. Net proceeds for the festival will be donated to women- and girls-focused nonprofit organizations and “all of the incredible artists who run the bill are doing it for free for charity,” the superstar said, noting that the fact “is a real testament to their hearts as well as their talent.” ## Frequently Asked Questions ### Will Olivia Rodrigo sing Landslide with Stevie Nicks? It’s not confirmed. On Good Morning America, host Diane Sawyer said seeing the two perform Fleetwood Mac’s “Landslide” would be a dream, and Olivia Rodrigo replied, “We might make that happen.” She stopped short of promising it, saying she couldn’t give too much away. ### When and where is Daisy Chain Fields? Daisy Chain Fields is set for August 29, 2026, in Irvine, California. It’s a music festival curated by Olivia Rodrigo, built around an all-women lineup. Net proceeds go to women- and girls-focused nonprofits, and Rodrigo says the artists are performing for free for charity. ### Who is performing at Daisy Chain Fields? The all-women lineup includes Chappell Roan, Doechii, Mitski, Bikini Kill, Garbage, Santigold, the Breeders, KATSEYE, and Rachel Chinouriri, among others. Stevie Nicks, Karen O, and Sarah McLachlan are listed as special guests, alongside festival curator Olivia Rodrigo herself, who assembled the bill. ### Why does Olivia Rodrigo want to sing Landslide? Olivia Rodrigo has long admired “Landslide.” In her 2023 Rolling Stone cover story, she recalled imagining singing a song like it decades into her career, moved by the idea of Stevie Nicks performing the aging ballad to a stadium. A duet would tie that inspiration together. ### What inspired Daisy Chain Fields? Olivia Rodrigo has said the festival was directly inspired by Lilith Fair, the Nineties all-women touring festival. She said the first person she called about the idea was Lilith Fair founder Sarah McLachlan, whom she praised as a trailblazer, an artist, and a friend. Related Stories - [Ranking Every Song on ‘you seem pretty sad for a girl so in love’](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-you-seem-pretty-sad-ranked/ "Ranking Every Song on ‘you seem pretty sad for a girl so in love’") - [Olivia Rodrigo’s New Music Festival Has A Stacked All-Women(!) Lineup](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-daisy-chain-fields-festival-lineup/ "Olivia Rodrigo’s New Music Festival Has A Stacked All-Women(!) Lineup") - [Stevie Nicks: ‘I Believe in the Church of Stevie’](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/stevie-nicks-fleetwood-mac-kamala-harris-new-music/ "Stevie Nicks: ‘I Believe in the Church of Stevie’") **Categories:** Music, Pop, Rock **Tags:** Olivia Rodrigo, Stevie Nicks --- ### [Turnstile Are Playing With Clipse, Slayyyter, Vince Staples, and Many More on Fall Tour](https://rollingstonephilippines.com/music/punk/turnstile-announce-2026-tour-with-guests/) **Published:** June 24, 2026 **Author:** Jon Blistein **Excerpt:** Every show on the hardcore band’s upcoming trek will feature a unique lineup, with Thundercat, Nourished by Time, Ceremony, Pennywise, Trash Talk, Die Spitz, and Yves Tumor also set to join **Content:** [Turnstile](https://rollingstonephilippines.com/tag/turnstile/ "Turnstile") have tapped, well, pretty much every cool artist you could imagine to provide support on their upcoming tour. In fact, not a single show on the 16-date run will be exactly the same. The Baltimore hardcore band will be joined by a different assortment of artists at every one of their dates this fall in support of their [Grammy-winning](https://www.rollingstone.com/music/music-features/turnstile-never-enough-grammy-nominations-interview-1235480765/) 2025 LP, *[Never Enough](https://www.rollingstone.com/music/music-album-reviews/turnstile-never-enough-review-1235353560/)*. Yes, a handful of acts — like Yves Tumor, Die Spitz, and Cold World — will play multiple shows, but on the whole each night’s lineup is unique. For instance, the Sept. 15 show in Pittsburgh will feature Thundercat, Nourished by Time, and Angel Du$t; the Sept. 23 gig in Queens, New York, will boast [Clipse](https://rollingstonephilippines.com/tag/clipse/ "Clipse") and Julie; and the Oct. 15 concert in Las Vegas will feature [Vince Staples](https://rollingstonephilippines.com/tag/vince-staples/ "Vince Staples"), Trash Talk, and February. Other artists set to appear during the tour include Porches, Hatebreed, [Slayyyter](https://rollingstonephilippines.com/tag/slayyyter/ "Slayyyter"), Ceremony, Pennywise, Mall Grab, Saya Gray, Texas Is the Reason, Haywire, Agnostic Front, Fiddlehead, Boy Harsher, and Terror. Tickets for all shows will go on sale this Friday, June 26 at 10 a.m. local time, while a presale is scheduled to begin June 25 at 10 a.m. local time. Full info is available on [Turnstile’s website](https://turnstilehardcore.com/). Turnstile released *[Never Enough](https://www.rollingstone.com/music/music-lists/best-albums-of-2025-1235466292/turnstile-never-enough-1235466568/)* last June, marking their fourth studio album. The LP received rave reviews and helped Turnstile win [two Grammys](https://www.rollingstone.com/music/music-news/grammys-2026-winners-list-1235508716/): Best Rock Album and Best Metal Performance for “Birds.” ## **Turnstile 2026 Tour Dates** Sept. 9 – Milwaukee, WI @ The Eagles Ballroom (with Texas Is the Reason and Haywire) Sept. 11 – Detroit, MI @ Russell Industrial Center (with Ceremony, HiTech, and Kings Command) Sept. 12 – Toronto, ON @ Woodbine Park (with Yves Tumor, Saya Gray, and Pluto’s Kiss) Sept. 15 – Pittsburgh, PA @ Stage AE (with Thundercat, Nourished by Time, and Angel Du$t) Sept. 16 – Cincinnati, OH @ The ICON Festival Stage at Smale Park (with Porches) Sept. 19 – Tampa, FL @ England Brothers Park (with Hatebreed and Cold World) Sept. 20 – Miami, FL @ Factory Town Infinity Room (with Mall Grab, Cold World, and Collateral) Sept. 23 – Forest Hills, NY @ Forest Hills Stadium (with Clipse and Julie) Sept. 26 – Portland, ME @ Thompson’s Point (with Yves Tumor and Fiddlehead) Sept. 29 – Raleigh, NC @ Red Hat Amphitheater (with Yves Tumor, Agnostic Front, and Angel Du$t) Oct. 3 – Oklahoma City, OK @ The Zoo Amphitheatre (with Die Spitz) Oct. 6 – Lawrence, KS @ The University of Kansas on The Hill (with Slayyyter and Die Spitz) Oct. 7 – St. Louis, MO @ Arsenal BG Ballpark (with Vince Staples and Die Spitz) Oct. 14 – Ventura, CA @ Ventura County Fairgrounds (with Pennywise and Die Spitz) Oct. 15 – Las Vegas, NV @ The Amp at Craig Ranch Regional Park (with Vince Staples, Trash Talk, and February) Oct. 18 – Santa Ana, CA @ Observatory Festival Grounds (with Boy Harsher and Terror) *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-news/turnstile-2026-fall-tour-dates-clipse-slayyyter-1235581901/).* ## Frequently Asked Questions ### What did Turnstile announce? Turnstile announced a 16-date fall 2026 tour across the United States and Canada, supporting their 2025 album Never Enough. The standout feature is that nearly every show has a different supporting lineup, so no two nights on the run are exactly the same. ### Who are the guests on Turnstile’s 2026 tour? The tour features a rotating cast of guests, including Clipse, Vince Staples, Slayyyter, Thundercat, Yves Tumor, Ceremony, Pennywise, Hatebreed, Trash Talk, and Die Spitz, among many others. A few acts, like Yves Tumor and Die Spitz, appear at multiple shows, but most lineups are unique. ### When do tickets for Turnstile’s tour go on sale? Tickets for all shows go on sale Friday, June 26, 2026, at 10 a.m. local time, with a presale beginning June 25 at 10 a.m. local time. Full details are available on Turnstile’s official website, turnstilehardcore.com, which lists all dates. ### When and where does Turnstile’s 2026 tour run? The tour runs from September 9, 2026, in Milwaukee, Wisconsin, to October 18 in Santa Ana, California. Stops in between include Detroit, Toronto, Pittsburgh, Miami, Forest Hills in New York, St. Louis, Las Vegas, and Ventura, spanning much of the United States and Canada. ### What is Turnstile’s album Never Enough? Never Enough is Turnstile’s fourth studio album, released in June 2025. The Baltimore hardcore band earned wide acclaim for the record, which won two Grammy Awards: Best Rock Album and Best Metal Performance for the song “Birds.” The 2026 tour supports that release. Related Stories - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") - [This is How Lola Amour Survived 10 Years Together](https://rollingstonephilippines.com/editors-picks/features/lola-amour-10-years-together/ "This is How Lola Amour Survived 10 Years Together") - [Why Hardcore Punk is Advocating for Veganism in the Philippines](https://rollingstonephilippines.com/music/hardcore-punk-veganism-philippines/ "Why Hardcore Punk is Advocating for Veganism in the Philippines") **Categories:** Music, Punk **Tags:** Turnstile --- ### [Lizzo’s New Album Didn’t Even Chart. What Happened?](https://rollingstonephilippines.com/music/pop/lizzo-new-album-bitch-charts-industry/) **Published:** June 24, 2026 **Author:** Larisha Paul **Excerpt:** Music-industry executives question whether a perceived betrayal of her fanbase or lacking label support accounts for why Bitch, her first release in four years, sold just 2,650 copies in its first week **Content:** There’s no denying that [Lizzo](https://rollingstonephilippines.com/tag/lizzo/ "Lizzo") is a singular artist. After exploding on the scene in 2019, she went on to land a string of hits with the ubiquitous “Juice,” “About Damn Time,” and “Good as Hell,” picking up Grammys and other accolades along the way. Not a traditional pop singer, she infused her music with funky horns, hip-hop grooves, and even the flute. She overindexed for bops, but was there a Lizzo sound? Depends on the track. Lizzo first began chipping away at her fifth studio album, *[Bitch](https://rollingstonephilippines.com/music/music-reviews/lizzo-bitch-album-review/ "Lizzo Returns, But It Doesn’t Seem Like Her Heart Is in It")*, around four years ago. The album underwent a number of transformations during that time. It was initially meant to be titled *Love in Real Life*, supported by a single of the same name and the disco-pop track “Still Bad,” both of which arrived last year. While Lizzo was still making up her mind about what she wanted her next album cycle to embody, it seems the broader pop audience already made up its mind about her. *Bitch* arrived on June 5 via Atlantic Records. Within its first week, the album sold 2,649 copies and racked up just under 2.7 million on-demand streams, according to music data company Luminate. In its second week, sales dropped to 650 units, while streams dipped to just under 900,000. It’s a steep drop from her previous album, 2022’s *Special*, which debuted with 39,000 copies sold and 69,000 equivalent album units earned, enough for a Number Two debut on the *Billboard* 200. *Bitch* somehow managed to evade the chart entirely. Time is of the essence for most pop artists, and yet her brief absence doesn’t entirely explain such an abrupt fall. What does? “I think the biggest reason is that she never had a core fanbase,” one former senior label executive who requested anonymity tells *Rolling Stone.* “She was a very song-driven, radio-hits-driven artist who lacked a core fanbase, and that’s what you need today for career longevity.” Lizzo considered this perspective herself. Earlier this month, she credited perceived changes in the primary consumption model of music for limiting her audience. “The industry changed so much in the last 3 yrs. streaming replaced radio & I was a radio darling,” she wrote on [X](https://x.com/lizzo/status/2063664719513391505?s=20). “That’s how my fans discovered my music.” Lizzo’s most recent Hot 100 hit, “Special,” featuring SZA, spent 10 weeks on the chart in 2023. While the single peaked at Number 52, it reached Number 19 on the Radio Songs chart and Number 15 on the Pop Airplay chart. The success of *Special* was largely bolstered by the breakout singles “About Damn Time” and “2 Be Loved (Am I Ready).” “I speak like a manager, that’s all BS to me,” industry pundit [Ray Daniels](https://www.instagram.com/raydaniels/?hl=en) tells *Rolling Stone* of placing the blame on streaming. “If you know that the industry is changing, you should be warning your fans ahead of time. Why are you not telling your fans to request your song on radio? They’re your fans, they’ll do what you ask them to do.” However, there is the factor that the trust between Lizzo and her audience has been deeply fractured in recent years. In her post, Lizzo also acknowledged “the very obvious & public attack on my career” that largely shifted public opinion against her favor. In 2023, her former backup dancers accused her of sexual harassment, creating a hostile work environment, and fat-shaming in a [lawsuit](https://www.rollingstone.com/music/music-news/lizzo-dancers-lawsuit-sexual-harassment-hostile-work-environment-weight-shaming-1234798903/) that has still yet to be settled. Last month, Lizzo sat down with Gayle King on [*CBS Mornings*](https://www.rollingstone.com/music/music-news/lizzo-refuses-settle-backup-dancers-lawsuit-1235557106/) and stated she would rather prepare for trial than opt for an easy settlement. “I’m not afraid of the truth,” she added. “The truth is less salacious than the headlines.” “A big part of her brand was being the underdog and being very self-confident, I am who I am, I support everyone, body positivity,” the former senior label exec continued. “And when you’re called to task for the mistreatment of exactly what you held out as being your, quote-unquote, brand, then fans don’t wanna see you win anymore, and they desert you.” In the three years between *Special* and *Bitch*, Lizzo began bracing herself for a sharp decline in public interest by creating music that existed on the outskirts of what audiences came to know her for. The 2025 mixtape[ *My Face Hurts From Smiling*](https://www.rollingstone.com/music/music-album-reviews/lizzo-my-face-hurts-from-smiling-review-1235375645/) sourced beats from longtime collaborator Ricky Reed and Zaytoven for her first venture into rap in a long while. Her debut album, 2013’s *Lizzobangers*, emphasized her interest in hip-hop as a performer; but most listeners who discovered her through *Cuz I Love You* in 2019 were unfamiliar with the project, which was removed from streaming services for a year while she campaigned for the 2020 Grammy Awards. “This mixtape is like, ‘I’m going to just say it. I don’t give a fuck. All right’: ‘I’ve been fat, and I’ve been skinny/Bitches still ain’t fucking with me,’” Lizzo told [*Rolling Stone*](https://www.rollingstone.com/music/music-features/lizzo-my-face-hurts-from-smiling-interview-1235373323/) last year. “I don’t think that could ever be on a Lizzo song. I would’ve been so scared to put that in something like ‘About Damn Time’ or ‘Juice.’” *Bitch*, despite being created with Reed in tandem with *My Face Hurts From Smiling*, leans more pop and R&B with lyrics that may have been dulled down for palatability. “Musically, I don’t know what she’s been doing,” another veteran music-industry executive tells *Rolling Stone*. “I assume she’s not making the records like she used to, that resonate the way that the other ones did because they were very infectious and formatted, doo-wop type pop records with sassy meme language in it.” In a review of the album, [*Rolling Stone*](https://www.rollingstone.com/music/music-album-reviews/lizzo-bitch-album-review-1235572260/) wrote, “*Bitch* is full of tired moves and cynical appeals to the streaming algorithm.” So far, neither radio nor streaming has latched onto any of the three singles from *Bitch* — “Don’t Make Me Love U” arrived in March, followed by title track “Bitch” (which interpolates 1997’s Meredith Brooks song of the same name) in May and “Sexy Ladies,” which was serviced as a single one week after the album’s release. A collaboration with D.C. band UCB, “Sexy Ladies” is the most likely hit from the record. Crafted with the late producer [Tay Keith](https://www.rollingstone.com/music/music-features/tay-keith-tribute-memphis-rap-producer-1235579454/), who died last week at the age of 29, the single is an ode to summer in the South, with the potential for global reach. The thing is, reach comes at a cost. There was a time when labels paid top dollar to promote a song to radio, all but ensuring exposure which would lead to other sources of revenue, be it album sales, concert tickets, or merchandise. Today, the cost of mass exposure is more affordable, but is it genuine when you’re effectively spamming social media with feigned enthusiasm? This is where budgets come in, and today’s majors have to be realistic about their rosters. Says the veteran industry executive: “They’re gonna phone it in and give her the rollout that feels like they’re spending something, but it’s super lackluster, probably not very championed, right? And if something goes, great. Because that’s what happened last time.” (Representatives for Lizzo did not respond to *Rolling Stone*’s request for comment.) Lizzo inked her deal with Atlantic Records in 2016, three years before “Truth Hurts” appeared in Netflix’s *Someone Great* and struck viral gold on TikTok, which was only just truly emerging as a formidable force in the music industry after rebranding from Musical.ly a year prior. To date, “Truth Hurts” has been streamed more than 1 billion times on Spotify. “It was a fluke, her blowing up,” the veteran industry executive continued. “Nobody went and put millions of dollars behind her.” (It’s worth noting that the executive team which signed Lizzo to the Warner Music label has changed; Atlantic is now headed by Elliot Grainge, son of Universal Music Group head Sir Lucian Grainge, a business competitor — par for the course in the nepo-favoring music industry.) Lizzo made the most of the moment. She made her *Saturday Night Live* debut in December 2019 and just a few months later took home the Grammy Award for Best Pop Solo Performance for “Truth Hurts” and Best Urban Contemporary Album for *Cuz I Love You*. She sustained the momentum through “About Damn Time,” which was awarded Record of the Year in 2023. “She is positioned to really be more successful than a lot of artists, so it is baffling,” the veteran industry executive said. “But it also shows you a classic industry underbelly fact, which is that the music industry does not care about its legacy artists at all, actually. If you fall off, you’re literally like nothing to your labels, or to anything.” In May, Lizzo took promotion for *Bitch* into her own hands. “My label won’t hang posters, so I will do it myself,” she said in a social media video showing herself putting up promo material as a one-woman street team. “You have 26.4 million people that follow you on TikTok and 11.2 million on Instagram, people that you can press a button and talk to and you still blaming the label,” Daniels says. “You mean to tell me instead of you talking to the fans about your music, you’re talking to the fans about how the label is not promoting your music?” It isn’t uncommon for labels to look toward an existing fanbase as a prerequisite for showing interest in an artist. It mitigates their risk and offers confidence in their investments. But without proof of potential streams and sales, they have to be willing to take the chance. Most aren’t. “It’s very political and very much about where money is going. Everywhere it’s like that. It’s about money and power behind an artist,” the veteran industry executive said. “That’s why artists loved Clive Davis and Jimmy Iovine, because they would take a Lizzo and they would lift her up if she was not doing so well.” During the same summer of *Special*, Sam Smith scored one of their most enduring hits in years with Kim Petras on “Unholy.” This year, Zara Larsson [achieved the breakthrough ](https://www.rollingstone.com/music/music-features/zara-larsson-midnight-sun-pop-stardom-1235556649/)she’d been working towards for an entire decade, notably aided by an unmistakable and vibrant visual aesthetic and hits with just enough charm to stick. When it comes to the nature of pop in 2026, it would be unwise to count out a comeback for almost any artist. “I think there’s always hope for every artist. A hit cures all,” the veteran industry executive said. “But it can take many years, or it could never come.” Where does Lizzo go from here? “I don’t think she’s done at all,” Daniels says. “This is just a moment to remind her that she still has work to do.” *This article was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-features/lizzo-new-album-bitch-charts-industry-1235581224/).* ## Frequently Asked Questions ### How did Lizzo’s album Bitch perform on the charts? Lizzo’s fifth album, Bitch, released June 5, 2026, underperformed sharply. It sold about 2,649 copies with 2.7 million streams in its first week, then dropped to 650 units the next week, and failed to appear on the Billboard 200 chart at all. ### Why did Lizzo’s album Bitch flop? Industry executives interviewed by Rolling Stone offered several theories. Some argued Lizzo was a radio- and song-driven star who never built a core fanbase for the streaming era. Others pointed to lackluster label support, while Lizzo herself blamed streaming replacing radio for her decline. ### How did the backup dancers’ lawsuit affect Lizzo? In 2023, former backup dancers filed a lawsuit accusing Lizzo of sexual harassment, a hostile work environment, and fat-shaming; the allegations remain unsettled. Executives told Rolling Stone the case fractured trust with fans who felt it contradicted her body-positive brand, contributing to the album’s struggles. ### What are the singles from Lizzo’s album Bitch? Bitch produced three singles: “Don’t Make Me Love U” in March, the title track “Bitch” in May (which interpolates Meredith Brooks’ 1997 song), and “Sexy Ladies,” a collaboration with D.C. band UCB. None have gained major traction on radio or streaming so far. ### What were Lizzo’s biggest hits before Bitch? Before Bitch, Lizzo was one of pop’s biggest stars. She broke through in 2019 with “Truth Hurts,” which has over a billion Spotify streams, and scored hits like “Juice,” “Good as Hell,” and “About Damn Time.” She has also won multiple Grammy Awards. Related Stories - [Lizzo Returns, But It Doesn’t Seem Like Her Heart Is in It](https://rollingstonephilippines.com/music/music-reviews/lizzo-bitch-album-review/ "Lizzo Returns, But It Doesn’t Seem Like Her Heart Is in It") - [Did We Really Need A New ‘Scary Movie’?](https://rollingstonephilippines.com/culture/film/did-we-really-need-a-new-scary-movie/ "Did We Really Need A New ‘Scary Movie’?") - [Jeremy Strong Nails Mark Zuckerberg’s Arrogance in ‘The Social Reckoning’ Trailer](https://rollingstonephilippines.com/culture/film/social-reckoning-trailer-jeremy-strong-mark-zuckerberg/ "Jeremy Strong Nails Mark Zuckerberg’s Arrogance in ‘The Social Reckoning’ Trailer") **Categories:** Music, Pop **Tags:** Lizzo --- ### [The Next Big Netflix Show Isn’t a Show — It’s a Game You Play on Your TV](https://rollingstonephilippines.com/culture/video-games/netflix-unhinged-game-tv/) **Published:** June 24, 2026 **Author:** Elisabeth Garber-Paul **Excerpt:** Unhinged, the newest narrative game from the streamer, lets people play through a horror show, with very creepy results **Content:** It’s a stormy night. You’re in your apartment, looking nervously out the window at the trees bending in the wind, when you get a call from your best friend across the street. Her power is out — is yours still on? Suddenly, your living room goes dark. Get out of the building, she says. Meet her downstairs. That’s when you realize you’re not alone. Then everything starts going wrong. This could easily be the premise of a new [Netflix](https://www.rollingstone.com/t/netflix/) [horror](https://www.rollingstone.com/t/horror/) show — an episode of [*Black Mirror*](https://rollingstonephilippines.com/tag/black-mirror/ "Black Mirror"), say, or maybe something haunting from [Ryan Murphy](https://www.rollingstone.com/tv-movies/tv-movie-news/ryan-murphy-netflix-monster-anthology-two-additional-seasons-1234625943/). But instead of simply watching where the show goes, you’re now part of it. When your friend calls in the game, your smartphone actually rings in your hand. When the lights go out, you use that same personal device to turn on a flashlight and look around. And when the shadows dancing in the corners start to move, it’s your actual skin you jump out of. ![Unhinged Bathroom](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/Unhinged-Bathroom-copy.webp) This is *[Unhinged](https://rollingstonephilippines.com/tag/unhinged/ "Unhinged")*, out June 30, a new narrative game that will show up automatically on your Netflix app (assuming your TV is modern enough to support it). Starring [Sadie Sink](https://www.rollingstone.com/t/sadie-sink/) and Zoë Kravitz, the interactive, immersive horror story isn’t a video game in the sense that most people might be familiar with — there’s no console to buy or controller to learn. Instead, your own smartphone becomes your entry into the world, navigating you through a creepy apartment building, fielding phone calls and text messages from friends and neighbors as you scramble to escape. “We’re not coming for *Resident Evil*,” jokes Sean Krankel, founder of the game developer Night School Studios, which was acquired by Netflix in 2021, and head of narrative games for the streamer. “It’s like, ‘I want to play a story,’ as opposed to, ‘I want to get extremely good at or play a game that has a lot of escalating difficulty.’” Netflix has been in the video game space for several years. What started as a handful of mobile games — interactive dives into *[Stranger Things](https://rollingstonephilippines.com/tag/stranger-things/ "stranger things")*, a partnership with *[Red Dead Redemption](https://www.netflix.com/games/81757508)*, a slew of kid-friendly tablet fare — soon grew into TV-based titles, party games, and quick first-person one-shots that could be played by scanning a QR code on your TV. Night School had been known for making new kinds of experiences — particularly 2016’s *Oxenfree*, a paranormal game inspired by coming-of-age movies, which was available for PC, XBox, and PlayStation 4. When Netflix acquired Night School five years ago, they initially worked on a sequel to *Oxenfree*, then *Thronglets*, a mobile game that was also a plot point in an episode of *Black Mirror.* Now, the streamer is becoming more ambitious. *Unhinged* is a standalone story, not connected to any existing Netflix IP. As Krankel explains, it’s “like the coming out party for our team.” To create something wholly new, the narrative team looked back to other games with a low barrier to entry, particularly early 2000s Nintendo consoles that invited novices to join the fold. “We looked deeply at the Wii \[and\] the Nintendo DS,” says Sam Warner, Night School’s game director. “I grew up with those, and I think that that focus on novel innovative play was something that we really started this game with.” This was to be a video game for horror fans, rather than targeted at people who were already inclined to seek out digital games. “If you’ve got Netflix and you have a phone, then this is for you,” he says. The game is set in an apartment building that looks vaguely like New York, but really could be any city. When it begins, you are looking out at the living room from the point of view of the main character, Ava (Kravitz), seeing your cell phone in your hands. Players can make choices — answer the call from Claire (Sink), go out into the hallway, try and get in touch with your superintendent to figure out what’s going on — and depending on those decisions, the game will play out differently. Movement is controlled by an intuitive interface on your phone, which also allows you to call or send texts to characters in the game. Make a wrong move, and things will get bad fast. The first seed of *Unhinged* came from a technological breakthrough Night School made about two years ago, namely, being able to point your personal smartphone at your TV for it to act as a flashlight to navigate through a digital world. “Instead of trying to make classic game controls, with a joystick and buttons, work on \[a smartphone screen\] — which doesn’t usually work that well — we were like, let’s design a totally bespoke thing that makes it feel magical and awesome on your phone.” They next discovered how to have the audio bounce back and forth between the TV and the phone — when you get a call in the game, for example, the audio comes from the phone, while you’re still hearing ambient noise coming out of your TV. “It was about two or three months of developing a story in tandem with that back and forth, and so the mechanics inspired the story more than the other way around,” says Krankel. They knew going in that the game would be horror, but it wasn’t until the flashlight mechanic came together that they figured out the setting. “Our other *aha* moment was like, if people were playing this at home, it would feel really terrible and scary to have it be about home invasion,” Krankel explains. The game only takes 20 to 50 minutes to play, though there’s a lot happening in that timeframe. “It’s a short experience, but it has a lot of opportunities to fail,” Krankel says. They had initially built in a slew of other features — conversations to navigate, a full slate of apps to play within the phone — but during production they pulled it back to something more manageable. “It’s intentionally bite-sized, like a show,” says Krankel. “So you can play it one night and be like, ‘What the hell, that was crazy, let’s play it again.’” The hope, then, is to convince people who don’t usually play video games to give this one a shot. In developing the game, “We talked a lot about both escape rooms and Disneyland rides,” explains Krankel. “To go into an escape room, or to go get on the *Indiana Jones* ride or something, you don’t have an expectation of skill, you don’t have an expectation of, ‘Oh, shoot, I’m going to look like a fool if I’m not good at this.’ We want the narrative games to feel that way.” *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/culture/rs-gaming/netflix-video-game-unhinged-1235581725/).* ## Frequently Asked Questions ### What is Unhinged on Netflix? Unhinged is a narrative horror game from Netflix, released June 30, 2026. Rather than a traditional video game with a console or controller, it’s an interactive story that appears in the Netflix app on compatible TVs, using your smartphone to guide you through it. ### How do you play Unhinged? You play Unhinged using your own smartphone as the controller. Pointing your phone at the TV acts as a flashlight, and in-game calls and texts arrive on your actual device. Your choices shape the story, and audio shifts between the TV and phone for immersion. ### Who stars in and made Unhinged? Unhinged stars Zoë Kravitz as the main character, Ava, and Sadie Sink as her friend Claire. It was developed by Night School Studios, the team behind 2016’s Oxenfree, which Netflix acquired in 2021. Sean Krankel is the studio’s founder and Sam Warner its game director. ### How long does Unhinged take to play? Unhinged is designed to be short and replayable, taking roughly 20 to 50 minutes to finish. Its developers describe it as intentionally “bite-sized, like a show,” with many ways to fail, so players can try it in one sitting and immediately play again for a different outcome. ### Is Unhinged connected to a Netflix show? No. Unhinged is a standalone original story, not tied to any existing Netflix series or film. Night School’s founder called it a “coming out party” for the team, marking a more ambitious step for Netflix’s narrative games beyond earlier titles linked to shows like Black Mirror. 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With [IQOS](https://rollingstonephilippines.com/tag/iqos/ "IQOS")’s latest release, the IQOS ILUMA i Electric Purple, the new colorway charges our senses and thrills us with the sense of discovery. Electric Purple is symbolic of that curious spirit that IQOS celebrates, that of experiencing the unexpected and exploring new possibilities. The release also served as an invitation to join what the brand calls its “community of over 35 million adults worldwide who have chosen a better alternative to cigarettes.” ## Electric Dreams ![iqos iluma i electric purple](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/electric-purple-2.webp) Photo courtesy of IQOS In further building that community, IQOS launched its Electric Dreams campaign. A global initiative that stretched from Portugal to Slovenia and South Korea. Described as “unprecedented” and “once-in-a-lifetime experiences,” Electric Dreams transformed the brand’s push of curiosity into shared and unforgettable memories for its IQOS community. “IQOS Electric Dreams welcomes adult smokers to explore the electric dimension of curiosity, guiding them toward new adventures, stronger connections,” shared Zhenya Ivanov, President of PMFTC Inc., the Philippine affiliate of Philip Morris International (PMI), in a statement. ## Accelerating the End of Cigarettes ![iqos iluma i electric purple](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/electric-purple-1.webp) Photo courtesy of IQOS The IQOS ILUMA i Electric Purple is the next step in the brand’s research, investments, and trust that it has been building for years. The product represents both IQOS’s goal and commitment to “continuous innovation to accelerate the end of cigarettes.” *Check out the IQOS ILUMA i Electric Purple in IQOS Stores, IQOS.com, Lighters Galore, and 7-11 Branches nationwide.* *To learn more about smoke-free alternatives to cigarettes, visit <https://www.iqos.com> and follow IQOS on social media at <https://www.facebook.com/ph.iqos/> and* [*https://www.instagram.com/iqos.phl*](https://www.instagram.com/iqos.phl)*.* *This product is not risk-free and provides nicotine, which is addictive. Only for use by adults who would otherwise smoke or use nicotine products.* ## Frequently Asked Questions ### What is the IQOS ILUMA i Electric Purple? The IQOS ILUMA i Electric Purple is a new colorway of the IQOS ILUMA i, a heated tobacco device made by PMFTC Inc., the Philippine affiliate of Philip Morris International. It is an electronic device that heats tobacco rather than burning it. ### What’s new about the Electric Purple version? The Electric Purple is primarily a new color option for the existing IQOS ILUMA i line rather than a new device. IQOS positions the colorway around a theme of curiosity and discovery, releasing it as part of its wider marketing push for the product. ### Where can you buy the IQOS ILUMA i Electric Purple? According to the announcement, the IQOS ILUMA i Electric Purple is available at IQOS Stores, on IQOS.com, at Lighters Galore, and in 7-Eleven branches nationwide. Purchase is restricted to adults, as with other tobacco and nicotine products in the Philippines. ### What is the IQOS Electric Dreams campaign? Electric Dreams is a global IQOS marketing campaign that accompanied the Electric Purple release, running in markets from Portugal to Slovenia and South Korea. PMFTC Inc. President Zhenya Ivanov described it as inviting adult smokers to explore what the brand frames as an “electric dimension of curiosity.” ### Is the IQOS ILUMA i safe? No tobacco or nicotine product is risk-free. IQOS’s own disclaimer states the device is not risk-free and provides nicotine, which is addictive, and that it is intended only for adults who would otherwise smoke or use nicotine products. Any reduced-harm claims come from the manufacturer. 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The internet melted down this week because Rodrigo chose to have a sense of fashion. (Honestly, that place is really *only* good for stalking crushes). As Rodrigo gears up to release her third LP, [*You Seem Pretty Sad for a Girl So In Love,*](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-drivers-license-anniversary/ "What’s Olivia Rodrigo Hinting At on The ‘Driver’s License’ 5th Anniversary?") she’s been twirling around in the loose, fluttering silhouette, a signature of her preppy-meets-edgy style. She donned a bubblegum-pink, floral collared dress for the album’s artwork; a blue, ruffled one for the [“Drop Dead” ](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-drop-dead-single-mv/ "Olivia Rodrigo’s Looking Pretty Happy in the ‘Drop Dead’ MV")music video; and most recently, rocked out at Barcelona’s Teatro Greco for Spotify’s Billions Club Live while wearing a floral babydoll dress and matching bloomer shorts underneath. Apparently, this was all too much for users on X and Instagram, who have been losing it, claiming that the frilly silhouette both infantilizes and sexualizes the 23-year-old star. “She is wearing pink dresses that are similar to what toddlers wear with frilly underwear beneath it,” [wrote](https://x.com/missiongirl4/status/2053302300060590509?s=20) one X user, referencing Rodrigo’s Barcelona outfit. “This is giving child clothes and with all the sexy moves she tries to pull, it kinda looks weird,” wrote [another](https://x.com/cryeyesviolet_/status/2053243259686723595?s=20) X user. One post that refers back to the same outfit racked up 21 million views and simply [reads](https://x.com/aidan7501/status/2053167790471716870?s=20), “Maybe I’m too woke.” These looks are nothing new for the singer, who has been pairing feminine dresses with combat boots since she kicked off her musical career in 2021. Rodrigo’s style has also always been referential; it’s a hallmark that’s helped her gain fans across generations. Back in 2023, she [told *Rolling* *Stone*](https://www.rollingstone.com/music/music-features/olivia-rodrigo-guts-vampire-lyrics-meaning-1234819181/) that her mom used to wake her up by putting on Babes in Toyland’s *Fontanelle*. “Rock in that feminine way, that’s just the coolest thing in the world to me,” the pop star said at the time. It’s no wonder the singer has taken a page from Babes lead singer Kat Bjelland’s book when it comes to clothes, too. Bjelland was one of the icons of the riot grrrl scene in the Nineties, and along with Courtney Love and Bratmobile’s Allison Wolfe, she was known for sporting hyper-feminine, girly dresses. This harmless, doll-like look juxtaposed with the anger running through their punk discographies and unruly performances was meant to subvert the expectations of women as docile objects in the patriarchy. It’s not that shocking that folks aren’t picking up on Rodrigo’s blatant references. What is surprising is the insistence that she must be supporting something nefarious by dressing this way. If anything, that all feels contrived and brings to mind the manufactured outrage online bots are so great at. Could it be yet another example of a bot-coordinated attack? It’s possible. In the past year, GUDEA, a behavioral intelligence startup that tracks viral, reputation-harming claims on the internet, flagged two separate bot [smear](https://www.rollingstone.com/music/music-news/taylor-swifts-social-media-campaign-life-of-a-showgirl-1235480646/) campaigns against Taylor Swift and Chappell Roan. These attacks happen when fake profiles create incendiary echo chambers by continuously posting about something, giving the appearance that there was viral consensus amongst internet users, the last place one would expect it. So far, there hasn’t been a confirmed bot attack to explain away the anger at Rodrigo and her fashion. But the weirder the outrage, the more likely it is all totally baseless. It may all be as simple as good ol’ misogyny, something Rodrigo knows all too well. “Putting out music in the age of social media can be really daunting,” Rodrigo told Alanis Morissette back in 2021 for [*Rolling Stone’s* Musicians on Musicians](https://www.rollingstone.com/music/music-features/olivia-rodrigo-alanis-morissette-musicians-on-musicians-1239136/). “I think people hold young women to an incredibly unrealistic standard.” *This article was originally published on [**rollingstone.com.**](https://www.rollingstone.com/music/music-features/olivia-rodrigo-baby-doll-dress-controversy-1235560600/ "rollingstone.com.")* ## Frequently Asked Questions ### Why are Olivia Rodrigo’s baby doll dresses controversial? Users on X and Instagram criticized the frilly silhouette, arguing it simultaneously infantilizes and sexualizes the 23-year-old singer. Rolling Stone’s commentary rejects that reading, noting Rodrigo has paired feminine dresses with combat boots since 2021, making the look a longstanding signature rather than something new. ### What did Olivia Rodrigo wear at Spotify’s Billions Club Live? Rodrigo performed at Barcelona’s Teatro Greco for Spotify’s Billions Club Live in a floral babydoll dress with matching bloomer shorts underneath. The outfit drew the sharpest online criticism, including one post about it that reached 21 million views on X. ### What is the riot grrrl reference behind Olivia Rodrigo’s babydoll dresses? Rodrigo’s look echoes Nineties riot grrrl figures like Babes in Toyland’s Kat Bjelland, Courtney Love, and Bratmobile’s Allison Wolfe. Their doll-like dresses, set against punk discographies and unruly performances, were meant to subvert expectations of women as docile objects under patriarchy. ### Were bots behind the Olivia Rodrigo dress backlash? No bot campaign has been confirmed. The commentary raises the possibility, citing GUDEA, a behavioral intelligence startup that flagged coordinated bot smear campaigns against Taylor Swift and Chappell Roan, but states plainly that no such attack has been verified in Rodrigo’s case. ### What is Olivia Rodrigo’s third album called? Rodrigo’s third LP is titled You Seem Pretty Sad for a Girl So In Love. She wore a bubblegum-pink floral collared dress for the album artwork and a blue ruffled dress in the “Drop Dead” music video during the rollout. 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In a report by *TMZ*, Kelvin Evans pleaded guilty to charges including entering an automobile and criminal trespass in Atlanta, Georgia, that were committed back in July during the Queen Bee’s Cowboy Carter tour. Based on reports from crew witnesses, choreographer Christopher Grant and dancer Diandre Blue saw that the trunk window of their rented Jeep Wagoneer was damaged, and two suitcases were stolen from the vehicle. Police at the scene said hard drives containing Beyoncé’s unreleased music, setlists, and tour footage plans for *Cowboy Carter* were in the missing suitcases. Surveillance footage showed a red Hyundai driven by Evans stopping right next to the rented car from which the items were taken. Another surveillance video showed the same red Hyundai arriving at an apartment block, with Evans handling suitcases believed to belong to Beyoncé. Heading into the trial, the Atlanta Police Department reported that the items had not been recovered at the time of Evans’ arrest back in August. Evans was sentenced to a total of five years, serving two years in custody and the rest on probation, according to *Rolling Stone*. ## Frequently Asked Questions ### Who is Kelvin Evans and what did he steal from Beyoncé? Kelvin Evans pleaded guilty to charges including entering an automobile and criminal trespass in Atlanta, Georgia. Two suitcases taken from a crew vehicle held hard drives with Beyoncé’s unreleased music, setlists, and tour footage plans for the Cowboy Carter tour. ### What sentence did Kelvin Evans receive? Evans was sentenced to five years total: two years in custody and the remaining three on probation, according to Rolling Stone. The charges stem from a July theft in Atlanta during Beyoncé’s Cowboy Carter tour, and he was arrested the following month. ### Has Beyoncé’s stolen unreleased music been recovered? The stolen items remain missing. The Atlanta Police Department reported that the hard drives had not been recovered at the time of Evans’ arrest in August, and the material was still unaccounted for as of his guilty plea and sentencing. ### How was Kelvin Evans identified as the thief? Surveillance footage showed a red Hyundai driven by Evans stopping beside the crew’s rented Jeep Wagoneer in Atlanta. A second video captured the same vehicle at an apartment block, with Evans handling suitcases believed to belong to Beyoncé’s touring team. ### Who discovered the theft during the Cowboy Carter tour? Choreographer Christopher Grant and dancer Diandre Blue found the trunk window of their rented Jeep Wagoneer damaged and two suitcases missing. Police at the scene said the bags contained hard drives with unreleased Beyoncé music and Cowboy Carter tour materials. 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Inside a cramped venue filled with onlookers, he introduces the battlers, gives sponsors a shoutout, and announces the winner. “[FlipTop](https://rollingstonephilippines.com/tag/fliptop/ "FlipTop"), game?” he shouts in front of thousands of viewers on ground and millions more watching online. That man is Alaric “[Anygma](https://rollingstonephilippines.com/tag/anygma/ "Anygma")” Yuson, who started one of the biggest rap battle leagues on the planet. Yuson is the head of FlipTop, a Filipino rap battle league that has built a large following that grows with each event. To date, its official YouTube page ([@fliptopbattles](https://www.youtube.com/@fliptopbattles "@fliptopbattles")) has over eight million subscribers with a total of 2.8 billion views and counting. “A lot of people depend on this, on the work,” says Yuson on FlipTop’s success. “One thing I did come to realize and try to remind myself is, when it’s this big, it’s not about you. It’s not about yourself.” Before becoming the kingpin of the rap battle world, Anygma, who’s the son of literary figure Alfred “Krip” A. Yuson, majored in Philosophy at Ateneo de Manila University. His nascent rap career centered around abstract concepts under the rap collective AMPON. FlipTop was never part of his original plan, but it eventually became his lifeline. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/ANYGMA-Rolling-Stone-Philippines-VOICES_inside2.webp) He has played a major role in the careers of rappers who later entered the mainstream consciousness, including 187 Mobstaz’s Smugglaz, Stick Figgas’ [Loonie](https://rollingstonephilippines.com/tag/loonie/ "Loonie"), Dello, and [Abra](https://rollingstonephilippines.com/tag/abra/ "Abra"), to name a few. In 2020, FlipTop hosted its own music festival showcasing all the elements of hip-hop culture: rap performances, b-boy battles, graffiti murals, as well as DJ sets. Yuson masterminded a piece of hip-hop oral history even with no desire to personally partake in a rap battle. Yuson does not favor historical revisionism in hip-hop or the caricaturization of the culture. He’s all too aware that hip-hop has been looked down upon for decades, sidelined by more popular rock music. Despite this, FlipTop was proof that hip-hop was alive and is everywhere. After all, he is the boss of many, the voice behind the biggest platform for rap in the country. In this Rolling Stone Philippines Interview, Yuson revisits the moments when he questioned his place in the hip-hop community, how socio-political conditions have defined the culture, and what it means to remain uncompromising through the hardest of times. —*ELIJAH PAREÑO* *This interview is an excerpt from the Rolling Stone Philippines Voices Issue.* **‘Yung battle rap sabi mo na tungkol siya sa inner city struggles ng mga African Americans in New York and I guess through FlipTop ngayon, na-vo- voice out yung struggles ng mga Filipino or ‘yung mga aspirations nila. Bukod sa struggle mo to recognize FlipTop being an art** **form, may sarili ka bang struggles during those early days when you were starting the platform?** Lahat eh. Dami. Even within hip-hop. Within Filipino hip-hop or the local hip-hop scene, the modern format wasn’t accepted right away. Syempre sanay ‘yung mga old school sa tinatawag na freestyle format or old school format na on beat. More similar to what sila Eminem did in *8 Mile*. So when you first start introducing it, marami nagsasabi na “Oh hindi hip-hop ‘yan or hindi tamang battle rap ‘yan. Dapat ganito lang.” So even within the local Filipino hip-hop scene, may pushback na talaga. Kung sa loob pa lang ng hip-hop, may ganun na. Imagine everyone else who doesn’t even understand hip-hop to begin with. So, when they see it, parang feeling nila ganito-ganyan lang ‘yan. Puro reductionist view na parang, “Insultuhan lang ‘yan.” “Bastusan lang ‘yan.” “Murahan lang ‘yan.” Every year, every day, parang it’s the same thing, really. You’d be surprised up to this point, merong hindi naniniwala. As if, 16 years in a row is not enough to prove to you that it’s gonna work, ‘di ba? Pero, you’ll know, and you’ll have people who doubt and criticize it, who never even knew what battle rap or hip-hop was before it. Imagine that, ‘di ba? Like, I’m the guy, I introduced it to you, and then all of a sudden you’re gonna tell me it’s not gonna work anymore, as if you would know better, ‘di ba? And multiply that by how many million Filipinos that actually follow FlipTop. But it’s nothing new. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/ANYGMA-Rolling-Stone-Philippines-VOICES_inside4.webp) ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/ANYGMA-Rolling-Stone-Philippines-VOICES_inside5.webp) Even hip-hop in itself has always been looked down on. Even in the States, it was looked down on, especially in the Philippines as a predominantly rock and roll country, it was looked down on. And up to this day, despite being the biggest genre in the world and in the Philippines. Still, a lot of outsiders, they like to bastardize it, make fun of it, or caricaturize it. Same shit. “We can’t really rely on the same machinery that a lot of mainstream things get to rely on. We still have to keep proving ourselves at every level, every step of the way.” Anygma **Ano ‘yung nag-instigate sa ‘yo ng desire to play around the battle rap format? Kasi may freestyle, traditional, old school version. And ‘yung pinush initially ng FlipTop, walang beat.** The modern format talaga is a natural evolution from the States din. Ginagawa na siya ng ibang bansa, ng U.S., ng Canada, ng U.K., Australia. And it was about adapting and applying it here. ‘Yun lang naman. **Do you feel like in the 16 years na pinatakbo mo ‘yung FlipTop, may nagbago sa format?** Not necessarily. Siguro very, very slight tweaks lang to match-up styles. Paano ba? Iba ‘yung pagiging battle format niya and ibang usapan din ‘yung league format. So I guess, a lot of the differences would be more in that. By league format, I mean how you run the league and what the system is compared to in other countries. So, for example, *King of the Dot* in Canada, they also have a champion but it’s kind of like UFC na whoever wins, he has to be challenged by the next guy until he loses or until he’s dethroned. Sa FlipTop, it’s a yearly tournament and you’re champion this year. If you want to be champion next year, you have to join again. So it’s more of a king of the hill kind of thing instead of a linear champion format. So ganun. The league format differences would be ‘yung scheduling, amount of battles, other details like round limits. Maybe even penalties. Siyempre ‘yung divisions, they had their version of it and then we have our version of it. The fact that we can rap in Tagalog and English — there used to be two conferences, ngayon puro Tagalog na. **Ano ‘yung pinaka-importanteng lesson na natutunan mo sa pagpapatakbo ng FlipTop na feeling mo hanggang ngayon pinapatunayan mo pa rin?** Just take it day by day talaga. A lot of things require very hands-on focus eh. And you can only really do that by the day. I mean you can always have things lined up in your head pero syempre, kung ito ‘yung kailangan tapusin ngayong araw, ‘yun ‘yung kailangan mong ayusin. And then, if you have things lined up in your head then maybe slowly work towards that but still by the day. So there aren’t really any overarching plans or anything like that na, “Oh, this year dapat ganito-ganyan.” Wala namang ganun. And then I guess if anything, I try to stick to doing things for what I think are the right reasons. So there’s that. It’s always about remembering that. So even sometimes like when there are certain things that I want to do and then I remind myself of why we started this, why we’re still doing it. **When you were younger, did you feel like you were more idealistic about what you wanted to do?** Even more. Not just idealistic but militant. I guess I still hold on to it. But then, you have to also accept that by definition, the idealism is always there. Pero iba pa rin ‘yung araw-araw. No one can ever really reach their idealism. It also doesn’t mean you have to give up. Pero you have to accept its place without letting it affect your day. Hindi pwedeng idealism right now, this instant. It’s a process. And sometimes if you get lost chasing that too much and your feet aren’t on the ground, then you might also lose your way. And then at the same time, if you’re always looking at the ground, you’re not looking up, you know, you might also lose your way as well if you navigate metaphorically through the stars. “One thing I did come to realize and try to remind myself is, when it’s this big, it’s not about you.” Anygma ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/ANYGMA-Rolling-Stone-Philippines-VOICES_inside3.webp) **You seem so headstrong about it, but hanggang ngayon ba dini- debate mo pa sarili mo kung paano mo ito nagagawa? Kasi ‘pag galing grassroots, laging may pressure. So, nasan ka ngayon sa struggle?** It requires a certain balance. I feel like I still strive for that balance every day. So does everyone. Hindi naman ako lang ‘yung ganun. Lahat naman ata tayo ganun. Yeah, I just try to maintain the balance. **Balancing the idealism of the grassroots and preserving what you feel like is right and the demands of the livelihood. And minsan kasi ‘yung day-to-day, very administrative or very calculated. Na-accept mo na ba ‘yun? Balancing that with the idea.** No choice talaga. Kailangan talaga. A lot of people depend on this, on the work. And early on din, parang, I guess, one thing I did come to realize and try to remind myself is, when it’s this big, it’s not about you. It’s not about yourself. Parang that and having your back against the wall na you have to succeed because a lot of people depend on it and failure is not an option. **I’m interested in this concept of and this is sort of an open discussion of gaano ka-importante ang gatekeeping sa hip-hop and music in general. Ako, taga-dance music ako and there’s sort of a radical mindset when it** **comes to pushing for grassroots music. At the same time, gusto mong i-broaden ‘yung access para maintindihan pa ng mga tao kung saan ka nanggagaling. After many years in paano mo na-realize or na-negotiate this idea na naging gatekeeper ka na rin ng isang eksena?** ‘Yung gatekeeping alam ko sensitive ‘yan eh. Kasi andaming ma-ba-butthurt sa ganyang usapan eh. I think, simply put, kailangan talaga siya. But at the same time, hindi siya kailangan maging militant. There’s a purpose naman for that. Parang sasabihin mo, Michael Jordan fan ka pero hindi mo alam kung saan siya naglaro. And I’m not allowed to call you out on that. Ako bilang fan talaga, sasabihin ko sa ‘yo, “Parang hindi ka naman fan eh.” Tapos magagalit ka? Sasabihin mo, “Eh, gatekeeper ka pala eh.” \[But\] at the same time, part of it is it’s not about me anymore. So, I don’t really try to concern myself with things about gatekeeping. It’s an endless discussion. Sige, if you want to hear my side, if you want to talk about what I think of this, what I know about the history of hip-hop, you can ask me. Pero, I’ll read comments and ang daming mali. Pero parang, what am I gonna do? Am I gonna waste my time correcting every single one? Hindi na. It’s like, I know what I know and I know what I don’t know. I still enjoy searching for what I don’t know. And sometimes that’s enough for me. Okay na ‘yun. Ako, enjoy ako sa hip-hop. Hindi ko na kailangang sumali sa correction, debates, discussions, especially on social media. And especially sa arguments for and against gatekeeping. Sobrang dami pong mas maraming importante kesa doon. Especially sa role ko. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/ANYGMA-Rolling-Stone-Philippines-VOICES_inside.webp) **Nagsimula ang FlipTop and Uprising Records as a grassroots initiative and binuhos mo talaga lahat ng efforts mo in preserving the integrity of the platform. But at the same time, you’ve admitted na people depend on this. There’s less naivety around that and marami ka na ding na mentor na MC, rappers, producers na naging mainstream artists na din. How have you dealt with and how do you feel about FlipTop and** **Uprising still operating within the underground kahit malaki na ‘yung visibility mo?** I feel like mainstream media doesn’t give us a fair shake. Pero gets naman sige, if you have your reasons, if you feel like masyadong bastos, masyadong bulgar, gets naman din. Pero, you know, syempre, a certain part of me wants it to be recognized for — again, not about me, but — what has it accomplished, especially on the global scale. If si part- Filipina or -Filipino gets 8th place in Olympics, blah blah blah, and they get celebrated, then why can’t the most viewed battle rap league in the world be celebrated the same way? Hindi ko rin gets. It’s not a stats thing, it’s not a demographics thing, because a lot of people know what fliptop is anyway, so I can’t understand if a media person were to tell me, “Ah, kasi baka it’s not a big enough interest piece to be featured on mainstream.” Paano nangyari ‘yun? **Masasabi mo pa ba na underground ‘yung mga ginagawa mo kahit malaki ‘yung visibility.** In that aspect, yeah, it’s definitely, especially Uprising, all the more underground ‘yun kasi hindi talaga kumikita doon. So, parang to even be able to pursue something in today’s economy or especially the last 16 years. For anyone to pursue anything that doesn’t even make them money. You would think that that’s nothing else but passion. But with FlipTop, same thing. We can’t really rely on the same machinery that a lot of mainstream things get to rely on. We still have to keep proving ourselves at every level, every step of the way, whether it’s legal processes for an LGU or eventually having to deal with different forms of media. It’s still really underground. The people who also make up the entire staff of a single event, a lot of them are hip-hop people themselves. It’s like a lot of us didn’t necessarily go to school for the roles that we do in the company. So yeah, very underground, very rag-tag. > [View this post on Instagram](https://www.instagram.com/p/DaJ7n1oleyz/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rolling Stone Philippines (@rollingstoneph)](https://www.instagram.com/p/DaJ7n1oleyz/?utm_source=ig_embed&utm_campaign=loading) *Read the rest of this cover story in the Rolling Stone Philippines’ Voices Issue, now available for pre-order on [Sari-sari Shopping](https://www.instagram.com/sarisari_shopping/) and in major newsstands soon.* *Get digital access to the latest issue [here.](https://rollingstonephilippines.com/digital-access/)* ## Frequently Asked Questions ### Who is Anygma? Anygma is the stage name of Alaric Yuson, the founder and head of FlipTop, the Philippines’ biggest rap battle league. The son of writer Alfred “Krip” Yuson, he studied Philosophy at Ateneo de Manila and rapped with the collective AMPON before building FlipTop. ### What is FlipTop? FlipTop is a Filipino rap battle league founded by Anygma, widely considered one of the biggest in the world. Battlers face off in a modern, mostly a cappella format in Tagalog and English, competing in a yearly tournament rather than a linear championship. ### How big is FlipTop? FlipTop has grown into one of the world’s largest rap battle leagues. Its official YouTube channel has amassed over eight million subscribers and around 2.8 billion views. Over 16 years, it has also helped launch mainstream rappers like Loonie, Abra, Smugglaz, and Dello. ### Does Anygma rap in FlipTop battles? No. Although Anygma hosts and runs FlipTop, he does not personally compete in rap battles. He instead serves as the league’s organizer and emcee, introducing battlers and announcing winners. He says that once FlipTop grew so large, the work became “not about you” but the community depending on it. ### What does Anygma say about hip-hop and going mainstream? Anygma says hip-hop has long been looked down on, especially in a rock-leaning Philippines, and that FlipTop still has to prove itself at every level without mainstream machinery. He believes some gatekeeping is necessary but not worth endless online debate, staying focused on the community instead. More from Rolling Stone Philippines Voices - [Atom Araullo is Willing to Take the Risk](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/atom-araullo-is-willing-to-take-the-risk/ "Atom Araullo is Willing to Take the Risk") - [Geloy Concepcion and Anygma on Why Community Is Central to Photography and Hip-Hop](https://rollingstonephilippines.com/radar/events/geloy-concepcion-anygma-artistic-expression-community/ "Geloy Concepcion and Anygma on Why Community Is Central to Photography and Hip-Hop") - [Atom Araullo, Erwan Heussaff, and Pia Ranada Talk Responsible Journalism and Storytelling](https://rollingstonephilippines.com/radar/events/atom-araullo-erwan-heussaff-pia-ranada-responsible-journalism/ "Atom Araullo, Erwan Heussaff, and Pia Ranada Talk Responsible Journalism and Storytelling") **Categories:** Editor's Picks, Hip-hop/R&B, Music, The Rolling Stone Interview **Tags:** Anygma, FlipTop, Rolling Stone Philippines Voices --- ### [Kawayan de Guia and the Little Americas of Not So Plenty](https://rollingstonephilippines.com/culture/art/kawayan-de-guia-little-americas-of-not-so-plenty/) **Published:** July 1, 2026 **Author:** Pio Angelo Ocampo **Excerpt:** Between Baguio and New York, the artist moves through the Philippines’ many Little Americas **Content:** Kawayan de Guia’s America is not really America. It is the Baguio Country Club breakfast. It is Teacher’s Camp English. It is banana ketchup pretending to be tomato ketchup. It is sweetness arriving so completely you stop noticing where it came from. By the time you notice America in Kawayan’s work, it has already entered the bloodstream. I grew up understanding this instinctively in Angeles, Pampanga. Clark Air Base never really leaves the atmosphere of the place. His “Little America” were pine trees and summer mansions, the American architecture of leisure in the Cordilleras. Mine was Clark Air Base lingering over Pampanga long after the soldiers left. Different elevations, same inheritance. Baguio had Thomasites and mountain air; Angeles had airfields, surplus stores, motels, and highways built too wide. Listening to Kawayan speak, I am reminded of all our Little Americas: Baguio, Angeles, Subic, the outlet stores in the middle of expressways. The dream for lots of clothes and limitless parking. Xerox instead of photocopy. Colgate instead of toothpaste. Superman instead of Lam-ang. Imported languages long ago stopped sounding imported. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/20260509-SCALE-Kawayan-De-Guia-Silverlens-NY-0002.webp) “God Save the Queen of Banana Catsup,” 2026. Acrylic on Canvas, Photo Transfer, Assorted Objects, Beeswax, Wood, Paper, Terracotta That inheritance slits sharper underneath the New York exhibition. The works do not perform critique cleanly. They are too intimate for that. “God Save the Queen of Banana Catsup” does not ridicule America so much as expose how deeply we learned to desire it. Kawayan himself says the Americans “didn’t come with bullets and guns first; they came with chocolates, tobacco, matchsticks.” It explains something fundamental about contemporary Filipino life. America arrived and remained through schools, television, supermarkets, English, canned sweetness, and convenience. Kawayan’s works feel less like arguments than accumulations. Resin, bones, anatomical diagrams, checkerboard floors, toy soldiers melted into the word “LOVE”. Looking at “Body as Spirit House,” “Atang Ina,” and “Tiger Snake Brand: Ghost in a Can.” I kept thinking about how the Philippines itself feels assembled; Spanish churches, Japanese surplus, American supermarkets, Chinese medicine, indigenous ghosts. Everything somehow survives within the same space. Kawayan calls Filipinos “a culture of copying,” though he says it without shame. In 2026, shipping feels charged. The crate becomes part of the work, quite beyond metaphor. How do you move a bomb sculpture into America during a period of global anxiety? How do you transport a republic of bananas, chop suey bodies, an entire atmosphere? Somewhere between Manila and New York, aesthetics becomes paperwork. The timing of the exhibition matters. America in 2026 feels tense with itself. Airports feel tense, too. Kawayan refused to travel to New York, citing nodes of immigration, “conflicts,” and the atmospherics surrounding liminal spaces under administrative surveillance. “It feels like the great experiment has failed,” he says. And suddenly his works, filled with imagery of wounded anatomies and spiritual unease, arrive in New York carrying a different weight. “Bomba (Fallout)” reads less historical. It’s contemporary. In our conversation, thoughts about crates and crating kept resurfacing. Wooden, treated containers leaving Manila carrying works of art. Kawayan mentions his father, Kidlat Tahimik, and how “the thrill of art-making is the logistics.” I understood immediately what he meant. In 2026, shipping feels charged. The crate becomes part of the work, quite beyond metaphor. How do you move a bomb sculpture into America during a period of global anxiety? How do you transport a republic of bananas, chop suey bodies, an entire atmosphere? Somewhere between Manila and New York, aesthetics becomes paperwork. What moved me most, though, was not anger. It was fragility. Kawayan spoke about mold consuming 80 percent of his photographs. He spoke about death, hypertension, grief, and the pressure of becoming someone before you have even had the chance to fail properly. His works carry that exhaustion physically. The surfaces feel weathered by climate and memory alike. They feel humid. They feel like Baguio itself: fogged over, layered, difficult to flatten into one narrative. Shown at Silverlens New York, *Excavations from the land of the not so plenty* arrives in an America that suddenly feels culturally off with itself, a country carrying the fatigue of an empire watching its own reflection. In “This land we do not inherit from our ancestors… Disneyland we borrow from our children,” Mickey Mouse and Batman drift beside exposed nerves, colonial portraits, and anatomical cross-sections, less like quotations than symptoms. Felt neurologically and logistically in its migration, the Filipino imagination learned how to carry imported fantasies without ever fully mistaking them for home. Artistic pursuit, like any other, is a rat race, and this race is run in metropolitan cities. ![kawayan de guia silverlens new york This land we do not inherit from our ancestors… Disneyland we borrow from our children 2026 Acrylic, Canvas, Paper, Assorted Objects, Bone, Beeswax](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/20260514-Silverlens-NY-Kawayan-De-Guia-Public-Opening-0006.webp) “This land we do not inherit from our ancestors… Disneyland we borrow from our children,” 2026. Acrylic, Canvas, Paper, Assorted Objects, Bone, Beeswax It’s almost like a type of bittersweet Eros, a craving for satisfaction. New York is filled with fast-paced rats. Paris, if the movies are to be believed, has rats who can cook. [Lino Brocka](https://rollingstonephilippines.com/tag/lino-brocka/ "Lino Brocka") would lead you to believe that the rats in Metro Manila are in the claws of night. The supposed antithesis is the rural, the cottage-core fantasy of stepping off the wheel, of sourdough and slowness. But would it really be an antithesis? Baguio complicates the question because Baguio is a city that was never a countryside. It was drafted. Daniel Hudson Burnham, the American who planned Chicago, sketched it as a hill station, a summer capital, a fantasy of elsewhere built at 1,500 meters. Stanley Kubrick shot Eyes Wide Shut’s New York on a London soundstage; Nicole Kidman drifted through a Greenwich Village home assembled from blueprints and homesickness. Baguio seems to do the same trick at the scale of an entire city: an America constructed outside America, convincing enough for humans and rats alike. Identities are city-built. So as Kawayan’s Baguio arrived in New York, uncertainty reigned: was a copy returning to its original, or was an original finally confronting its copy? The de Guias are that invented city’s most stubborn family, and each one answers the rat race differently. The grandmother of those Country Club breakfasts, Virginia Oteyza de Guia, did not run the race; she ran the city itself, serving as Baguio’s mayor. Eric Oteyza de Guia, Wharton MBA, the credential the fastest rats kill for, then walked off the track entirely, shed the name, and became [Kidlat Tahimik](https://rollingstonephilippines.com/tag/kidlat-tahimik/ "Kidlat Tahimik"). The mother ran in reverse: [Katrin de Guia](https://rollingstonephilippines.com/tag/katrin-de-guia/ "Katrin de Guia") left the West for the Cordilleras and spent decades writing about kapwa, the Filipino psychology of the shared self. Kapwa, not cottage-core, may be the real antithesis of the rat race. You do not exit the city. You stop running alone. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/20260509-INSTALLATION-Kawayan-De-Guia-Silverlens-NY-0050.webp) “Bomba / Fallout,” 2015. Fiberglass, Resin, Mirror, Rotating Device, Metal Rod ![kawayan de guia silverlens new york](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/20260514-Silverlens-NY-Kawayan-De-Guia-Public-Opening-0007.webp) “Body as Spirit House,” 2026. Acrylic on Canvas, Paper, Wood, Fiberglass and Resin The brothers inherited the course. All three, Kidlat, Kawayan, and Kabunyan, showed their photographs together at Silverlens in 2007, the same gallery now carrying Kawayan’s excavations to Manhattan. Kidlat, the eldest, a documentary filmmaker who loved playing with forms, cut old black-and-white photographs into strips and wove them into mats; photographed memories made by hand. In 2008, his solo exhibition “Sleeping White Elephants” paid homage to Goya’s “Saturn Devouring His Children” by projecting the demolition of a shantytown onto a figure of concrete blocks wearing the photographed face of a demon named “Capitalist Greed.” The rat race, given its true portrait: the god of the city eating its own children. He died in 2022 in Madrid, where he had flown for the closing of their father’s exhibition at the Palacio de Cristal, the same Madrid show Kawayan remembers by its shipping containers. The logistics of art and the logistics of grief, sharing an itinerary. Kabunyan, the youngest, loaded a yellow Volkswagen Kombi and drove his family from Baguio to Davao in “Ang Lakaran ni Kabunyan: Kabunyan’s Journey to Liwanag” (2020), a lakaran that looks like cottage-core flight but was really a search for kapwa by other roads. And Kawayan stayed. He stayed alongside Nona Garcia, a fellow artist, his partner in the oldest sense of the word: together they began re-coloring a rediscovered Canao mural by hand, together they curated the Baguio Arts Guild’s return at the Ateneo; the family ecosystem extending itself by partnership of practice rather than blood. In a family that has already lost a home to fire and an archive to flame, Kawayan learned patience from his photographs, fermenting film in Baguio humidity and waiting years to see what the mold leaves behind. The works in New York carry no mold. Customs would never allow it; the crates are treated and sealed, certified clean. But they carry the tempo. Baguio time, fog time, the patience of a rat who long ago decided the race was the wrong unit of measure. ![kawayan de guia Bomba / Fallout 2015 Fiberglass, Resin, Mirror, Rotating Device, Metal Rod](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/20260509-INSTALLATION-Kawayan-De-Guia-Silverlens-NY-0044.webp) At one point during the conversation, I mentioned Carlos Bulosan (b. Binalonan, Pangasinan; 1911-1956), and Kawayan immediately smiled. He keeps extra copies of *America Is in the Heart* just to give away to younger artists. That made perfect sense because Kawayan’s America is also in the heart. Not as a dream exactly. Not as an enemy either. More like something ambient. Lingering in accent, appetite, aspiration, malls, military memory, and the strange loneliness of contemporary Filipino life. After a while, it becomes difficult to tell where comfort ends and influence begins. *This story first appeared in the Rolling Stone Philippines’ Voices Issue, now available for pre-order on [Sari-sari Shopping](https://www.instagram.com/sarisari_shopping/) and in major newsstands soon.* *Get digital access to the latest issue [here.](https://rollingstonephilippines.com/digital-access/)* ## Frequently Asked Questions ### Who is Kawayan de Guia? Kawayan de Guia is a Filipino contemporary artist based in Baguio, known for mixed-media works that fold together found objects, resin, and cultural symbols. He is the son of filmmaker Kidlat Tahimik and writer Katrin de Guia, and works closely with his partner, artist Nona Garcia. ### What is Excavations from the land of the not so plenty? Excavations from the land of the not so plenty is Kawayan de Guia’s solo exhibition at Silverlens New York. The show gathers mixed-media works exploring how American culture became embedded in everyday Filipino life, from consumer brands to architecture, using objects like resin, bones, and beeswax. ### What is the exhibition about? The exhibition explores what the essay calls the Philippines’ “Little Americas” — places like Baguio, Angeles, and Subic shaped by U.S. influence. De Guia examines how America arrived through schools, supermarkets, and language rather than force, saying colonizers came “with chocolates, tobacco, matchsticks.” ### What are the notable works in the exhibition? Key works include “God Save the Queen of Banana Catsup” and “This land we do not inherit from our ancestors… Disneyland we borrow from our children,” both from 2026, along with the earlier “Bomba / Fallout.” They combine painting, found objects, bone, and beeswax. ### Who is the de Guia family? The de Guias are a prominent Baguio artistic family. Kawayan’s father is filmmaker Kidlat Tahimik, his mother writer Katrin de Guia, and his grandmother Virginia Oteyza de Guia once served as Baguio’s mayor. His brothers Kidlat Jr. and Kabunyan are also artists. Related Stories - [Kidlat Tahimik Makes History as Inaugural Rolling Stone PH Hall of Fame Inductee](https://rollingstonephilippines.com/radar/events/kidlat-tahimik-inductee-hall-of-fame-2025/ "Kidlat Tahimik Makes History as Inaugural Rolling Stone PH Hall of Fame Inductee") - [Kidlat Tahimik Renounces National Artist Status in Protest of CHED’s Gen Ed Overhaul](https://rollingstonephilippines.com/culture/art/kidlat-tahimik-protests-ched-general-education-overhaul/ "Kidlat Tahimik Renounces National Artist Status in Protest of CHED’s Gen Ed Overhaul") - [Kidlat Tahimik on Kapwa, Kapa-Kapa, and Katrin](https://rollingstonephilippines.com/culture/art/kidlat-tahimik-hall-of-fame-2025/ "Kidlat Tahimik on Kapwa, Kapa-Kapa, and Katrin") **Categories:** Art, Culture **Tags:** Kawayan de Guia, Rolling Stone Philippines Voices --- ### [Rappler’s Pia Ranada Still Believes in the Promise of Journalism](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/pia-ranada-journalism-voices/) **Published:** July 1, 2026 **Author:** Sai Versailles **Excerpt:** One of Rappler’s most thick-skinned reporters on what good is journalism now in the age of social media, political influencers, and disinformation **Content:** Pia Ranada’s life as a journalist changed because she wanted to fly to Davao City. In 2016, when *Rappler’*s newsroom was preparing for the presidential elections, reporters were asked to volunteer to cover the candidates they were interested in following. Among the names on the list was then-Davao City Mayor [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte"), a politician who had built a reputation around his blunt rhetoric and allegations of a vigilante death squad. Ranada saw an opportunity, not necessarily to cover a future president, but to travel somewhere she had never been before. “I saw Rodrigo Duterte’s name on the list. And my thought was, ‘Oh, I’ve never been to Davao City. He’s the mayor of Davao City. Maybe if I volunteer, they’ll fly me to Davao City,’” she recalls. “That was all I was thinking about, as some young, carefree reporter.” This decision eventually launched one of the most consequential chapters of her career, with years spent as *Rappler*’s Malacañang correspondent. She reported on the Duterte administration from inside the Palace, and became one of the country’s most visible journalists in the process. “I’m basically in the lion’s den, and I was alone,” she says. But before this, Ranada was simply trying to find her place in a changing media landscape. She started her career at GMA News and Public Affairs, working as a writer-producer for the nighttime program *Saksi*. It was a formative introduction to the urgency of broadcast journalism, where stories had to be written quickly and communicated through both words and images. It was also a period when the internet and social media were beginning to reshape how news was distributed and consumed. Eventually, she moved to *Rappler*, one of the country’s top digital news outlets. Her early months there were far removed from the halls of government. She became the newsroom’s first life and style reporter before eventually moving to the Nation vertical. Given the opportunity to explore a new beat, she chose to take on environmental reporting, covering climate change and disasters. “I think one of the best things you can do for yourself is to explore,” she tells *Rolling Stone Philippines*. “To open your door to as many opportunities as possible, to change it up often because that’s the only way you get to find what you’re good at, what you love, what you’re confident about doing.” ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/PIA-RANADA-VOICES-ROLLING-STONE-PHILIPPINES-inside4.webp) Throughout her career, she’d follow more unfamiliar stories. Her environmental reporting eventually led her closer to politics, and her coverage of Duterte’s rise brought her into the center of some of the country’s most turbulent political years in the 21st century. In 2018, Ranada made headlines herself when she was barred from entering the New Executive Building in Malacañang, where the presidential press office was located. She has described it as one of the most difficult days of her journalistic life, when the state’s hold over press freedom became painfully clear. Years after covering an administration that often positioned journalists as adversaries, Ranada’s understanding of journalism has expanded beyond the act of reporting. Now Head of Community at *Rappler*, she works on connecting journalism with the people it serves, building spaces where information can move beyond screens and become something communities can use. After more than a decade in journalism, she has witnessed the industry’s biggest transformations: the rise of digital media, the challenges brought by artificial intelligence and disinformation, and the struggle to sustain independent newsrooms. In this Rolling Stone Philippines Interview, Ranada talks about the evolution of her career and reflects on the challenges of reporting under the Duterte administration, the state of press freedom in the Philippines, the future of journalism in the age of AI, and why she still believes in the role of journalists in helping communities find truth.—***PIE GONZAGA*** *This interview has been edited for clarity.* **You just came back from Mindanao, kamusta naman ang mga community journalists doon?** I think the main concern of journalists in Mindanao and in BARMM is that journalism is very much under siege. We know that the biggest violence done against journalists happened in Mindanao, the Maguindanao massacre. So that’s still definitely a chilling effect on journalists. We have news outlets that have been dying out. And there are big news deserts in entire cities and towns in Mindanao and also in BARMM. Disinformation is rampant and it’s really dangerous given elections is coming up. The sources of information in that region are not always great and it’s dangerous to have manipulation going around. And we really need to revive journalism and help the journalists there. **Is there a sense in Mindanao of Manila-centricism in terms of how news is distributed? How are journalists grappling with that?** I think so. I think that’s because a lot of the more well-funded, well-resourced news outlets tend to be based in Manila and the setup in Mindanao often is that journalists there would send stories to Manila-based news organizations. So there is that tension because there are so few independent and well-resourced news outlets in the region itself, they’re not able to set their agenda as well as if they had their own news outlets. So the struggle really is to cultivate and make journalism sustainable in those areas so that they can tell their own story. And I think journalists all over the Philippines, we should be vaulting in and helping each other out and making this possible for everyone. “I would urge people to also appreciate that there are people in the middle and there are those gradients of thought. And I think journalism and even civil conversations and collaboration, they can thrive in those middle grounds.” Pia Ranada **One of your first jobs was working the late-night newscast in GMA Public Affairs. What was it like working in broadcast news at the time, given much of your experience later has been in digital?** It was a good start. It was a good dipping-your-toes scenario for someone who just graduated. It’s a good way to learn the pace of a newsroom because when you work for a late-night newscast, the news is coming in, people are on graveyard shift, but there are things happening even on that shift. So, as a young writer- producer, I was a writer-producer for *Saksi*. I was able to see how a newsroom works and contribute even in a small way to the production of a show whose goal is to inform people. It was a good peek into the world of media and I think the good thing about working in broadcast is the pace is very fast and you learn to master like visual language and use words paired with video, so that kind of skill I think really helped me also when I moved to *Rappler*, because in *Rappler* I was a multimedia journalist, so combining video, text, being able to livestream as a one-man team. **Your first *Rappler* byline was in 2011 and I believe it was about the Dutch sex work industry that was servicing disabled people. Could you tell me how you put that story together?** That was funny because I actually wrote that as a college student. I was part of an exchange program where I first met Chay Hofileña, one of the founders of *Rappler*. And that was probably the first time I interfaced with my future as a *Rappler* employee because basically, after GMA, she recruited me. And then because I was already working on that story from the exchange program in the Netherlands, where she was with me, we decided to publish that on *Rappler* too. That was my first story because I also did it under the mentorship of Chay Hofileña. So yeah, it was a really exciting story to write, especially for a university student, to be exposed to that culture and be able to talk to those kinds of sources and resource persons. **Why did you choose that particular subject?** It was compelling. When you think of the sex industry, you have a certain vision of it in mind, right? That it’s all for pleasure. Pleasure is something that you do on the side. It’s not necessary. But the way the interviewee, who I believe ran her own business as a sex providing company but specifically for persons with disabilities, they painted or they showed sex as something necessary like it’s a it’s something to make you healthy, and if you think about it, persons with disabilities, they kind of need it like everyone would. It’s a human need. So it was just an interesting take on the sex industry and a compelling story to write about inclusivity also. **When you entered *Rappler* as a reporter, your stories seem to be working mostly on culture and lifestyle. Then slowly, I noticed that you transitioned into more climate coverage, and I think that allowed you to enter a more political beat. So was that pivot intentional especially given the pressures that you might have experienced as a young reporter to prove yourself or to do certain stories?** I only covered life and style for maybe six months. That was my very first job for *Rappler*. And I was its first-ever life and style reporter at that point because it was also very new. So what actually happened was I was asked by Glenda Gloria, who’s the executive editor of *Rappler*, if I wanted to consider shifting to the Nation section of *Rappler*. So, as a young reporter, one of the best things you can do for yourself is to explore, to open your door to as many opportunities as possible to change it up often because that’s the only way you get to find what you’re good at, what you love, what you’re confident doing, and what brings joy to your heart. So if you always stay stuck in one place for a long time, you rob yourself of the chance to explore your other strengths. Six months after life and style reporting, I decided I wanted to try something new. The national beat, covering a government agency, I’ve never done that before, so I decided to try it. Maybe I’ll be good. So my first nation beat was environment, and so because of those environments and disasters, I kind of became *Rappler*’s storm chaser in a way, like every time there’s news of a storm, we would go to the landfall area and wait for the storm to hit. So that was exciting because some of my best memories of being a reporter were from covering disasters. **You mentioned that environmental reporting was not very popular at the time. And from the perspective of audiences, you could attribute that maybe to just people not being fully immersed in that discourse and discussion yet. But from the side of the news reporters and the news outlets, why wasn’t there that niche yet at the time?** I guess because a lot of breaking news outlets tend to focus on politics just because there’s so much news about it, there’s so much drama, there’s so much at stake. There’s just so much going on in our politics that you could never run out of stories. So it’s understandable. Like we had the [Senate chaos](https://rollingstonephilippines.com/tag/senate/ "Senate") just a few days ago, right? So how can you not cover, how can you not devote as much attention as you can on politics and breaking news? But I think it’s great that there are now more news outlets seeing that, you know, politics is not the only news worth covering in the Philippines, especially after Typhoon Haiyan. There was this new consciousness that the Philippines has a unique role to play in climate negotiations. And we have a unique voice in talking about how environmental destruction and global warming can affect communities. So I think now there’s a better appreciation from journalists and news outlets about the importance of environmental reporting. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/PIA-RANADA-VOICES-ROLLING-STONE-PHILIPPINES-inside3.webp) **In terms of the environmental issues in the Philippines, what do you feel is a fact that most Filipinos aren’t aware of that to you as a reporter is an obvious fact?** One thing that I wish people would see is just how much there is to protect in the Philippines. Like we are on top of lists about biodiversity with a number of endangered species, rare creatures, plants, flora and fauna. Our protected areas are beautiful and they’re huge, and they can give so much to us, even medicinal cures that could help support communities. But we’re not good at protecting what we have. So, for instance, I remember doing a story on protected areas and how the ratio of forest guards and just the number of hectares of a protected area is way below the world average, or what should be the standard for protecting these areas. So just that knowledge that we have so much to lose and we’re losing it, right? If we don’t act on it, we could lose it. And that’s what I really tried to put in my stories, that appreciation of what we have to lose. **We’re also one of the most dangerous countries to be an environmental defender in, but also a journalist. As a young reporter, when you were starting out in the Nation beat, was that apparent to you?** It was apparent because we would cover the World Press Freedom Index reports all the time. And yeah, you can really feel when you do certain coverage that there are so many pitfalls or like traps. When you go to a coverage, for instance, in a conflict zone, you know there are all kinds of considerations you have to make when you cover politics even just in Manila. There are so many things that you have to be hyper-aware of that could happen afterwards. *Rappler* has faced so many cases of cyberlibel. Our license was revoked for a time because of our writing. So just this knowledge that a political leader has so much power over our freedom and over our craft, and for that to be hanging over your head all the time, that does something to you mentally. Also, you have to fight against it actively to do the job. It can be hard. “In journalism, red flags are stories. It’s not like you want to cover \[someone\] super clean cut. That’s kind of boring to write about.” Pia Ranada **You eventually went to cover Duterte’s presidency in 2016, and you became *Rappler*’s Malacanang correspondent. Could you walk me through that first conversation that you had with your editors that you were going to cover this?** Actually, it was an email thread. Basically, our editors were saying, “Okay we’re about to cover certain candidates who are expected to run in the 2016 elections.” And in that thread, we were asked to volunteer who we want to cover out of the possible candidates. And I saw Rodrigo Duterte’s name on the list. And my thought was, “Oh, I’ve never been to Davao City. He’s the mayor of Davao City. Maybe if I volunteer, they’ll fly me to Davao City.” That was all I was thinking about, as some young, carefree reporter. And yeah, so they gave it to me because nobody else wanted to cover him. So I ended up covering him. That’s all it took to kind of change the course of my life. It was really just to travel. I mean, also because Rodrigo Duterte was such a fascinating person at that time, right? We were just hearing about how he makes these really colorful death threats. He’d, like, kick someone out of a helicopter if he was angry with them. And obviously, like, the accusations about the death squads in Davao at the time. So for me, it was the draw of a story, really, that more than anything made me volunteer for the job. **Was it his eclectic sort of personality that drew you to him also? It wasn’t a red flag, it was more of, “Oh, there’s more to this guy.”** Yeah, because in journalism, red flags are stories. It’s not like you want to cover \[someone\] super clean cut. That’s kind of boring to write about. So in a way, we’re drawn exactly to what’s controversial, what’s unknown, what’s something that you’re curious about. So those make for the best stories. And at the time, I think everyone saw that Rodrigo Duterte was an interesting story. At the very least, you could say that. **You made headlines in 2018 when you were barred from entering the Malacañang, which people saw as a sort of hearkening back to the Marcos dictatorship. And in one interview, you said it was one of, if not the most, difficult day of your life in journalism and that you were afraid that a senior official had made this order for you specifically. And you were afraid for your life because of the threats that were happening online. Does that threat still follow you, up to this day?** I would say that definitely there’s less of a hostility towards journalists now. I think also because the dynamics have changed. According to a survey, I think it’s Social Weather Stations, journalism or media is the number one trusted organization to handle corruption allegations and flood control projects. And then in that list, respondents were asked, how would you rate how much you trust an institution? They responded, journalists over the Office of the President, over the Senate, over Congress, over even the Judiciary. We can’t forget the fact that Rodrigo Duterte is no longer in power also. In fact, he’s in the [Hague](https://rollingstonephilippines.com/tag/international-criminal-court/ "International Criminal Court"). So there has been that shift in dynamics. I was just in Mindanao, right? So there are a lot of Duterte supporters there. But even while I was there, there were also a lot of people who believe in journalism. And even a lot of Duterte supporters believe in journalism and, in fact, tell me that even if they support Duterte, they still know that I’m just doing my job. So, there are those gray areas, those nuances that I think aren’t captured as much in headlines or even in our social media feeds. We tend to see the extremist views, the ends of that spectrum. But I would urge people to also appreciate that there are people in the middle and there are those gradients of thought. And I think journalism and even civil conversations and collaboration, they can thrive in those middle grounds. And that’s what I have hope in. **How do you make sense of that, that those gray areas in a particular story might not be able to reach as many people just because of how the algorithm works and how sensationalist, extremist views online just elicit a different response. How have you navigated that as a reporter, especially reporting on Duterte?** It’s really frustrating because no matter how much journalism or even other organizations try to put facts out there, try to bring complexity to issues, complexity doesn’t sell online, on social media. And so it gets thrown away to the wayside and people focus on the extremist views. Disinformation or propaganda are what sells, things that elicit a powerful emotion or confirm your bias. I think more than being a reporter, in my work now as a newsroom manager, I can see that that’s even more frustrating because we get to see the metrics. We see the backend. We see the work of our reporters. We see the work of our community growth team. We’re working so hard to distribute our stories, but we tend to hit a solid wall when it comes to reaching people. And it’s largely because of these algorithms and the lack of transparency from these platforms and the fact that so many people, especially Filipinos, depend on these platforms for information. So basically, we’re prevented from our own community when we rely too much on Facebook or TikTok. **Do you feel like it was easier to distribute your stories before when you were starting out because the algorithm didn’t seem as apparent back then?** Definitely, I think there was a sweet spot in those years when I was starting out and *Rappler* was starting out, that Facebook actually was a great ally for journalism because it helped us reach a lot of people. It grew our reader base. In a way, it made us what we are today. A lot of news outlets can say that. In 2018, I think Facebook was quite public about its decision to deprioritize news on people’s feeds. So it’s an intentional decision on their end to cut us off from people. And that’s disturbing. And ‘til now, I think a lot of news outlets are still finding their way around this. “How can there be people, even a minority, to not side with press freedom, to not see this as an issue on press freedom?” Pia Ranada **I want to go back to Duterte. It must be jarring to realize that he’s in the Hague, and I know that you wrote a blog about this sort of reconciling the person that you were reporting on, who is now playing the victim. Could you walk me through what that hangover might feel like for you, especially upon first receiving the news that the ICC was finally calling him in?** It was weird. I was like, “Is this really happening?” You really doubt. “Oh yeah, he’s arrested now, but he’ll probably be freed later on. Like something’s gotta happen, and this is too good to be true.” But no, he’s there. This is justice for a lot of people, especially those families whose loved ones died in the drug war, who got killed. I also really appreciate the fact that we have a system. Maybe not in the Philippines, but globally, there is a way to hold him accountable. And it’s important to note that journalism helped make that happen. During the ICC \[pre-\]trial, there were articles flashed by the prosecuting team. The prosecutor showed news reports to build the case of the drug war and the allegations against him to show what was happening. And a lot of *Rappler* articles were shown during the pre-trial hearing. And one of them was mine. So you know, that feeling that my work helped hold him accountable, helped a system for justice prevail, that was very empowering, and I think really boosted the morale of journalists in the Philippines. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/PIA-RANADA-VOICES-ROLLING-STONE-PHILIPPINES-inside2.webp) **I talked to [Raffy Lerma](https://rollingstonephilippines.com/tag/raffy-lerma/ "Raffy Lerma"), who has been in the front lines of Duterte’s war on drugs a few weeks ago. He was explaining how at the time, when he would give talks about his work and what was happening in the Philippines, it was hard to be hopeful. But when I spoke to him, the fact that he is in the Hague,** **gives him a different perspective now of where the Philippines could be and what we can aspire to. Did you feel that way also at the time, like when you were reporting on Duterte? Was there a sense of hopelessness on your end as a journalist reporting on the facts, but also putting your biases aside, as a human being. What was your level of hope when you were reporting on Duterte, and where do you place that now?** When I was a reporter covering Malacañang, I was in an environment where every day I would go to a space where everyone was hostile to me, because Malacañang is a place full of Duterte supporters who are his appointees, \[including\] the presidential spokesperson. When you’re in that environment where everyone you meet every day, every workday, is kind of against you, sees you as the enemy of the state, it gets to you. So there was a time when I just had to numb that voice in my head that’s being paranoid because how can I do my work if I keep thinking that way? If you ask me what hope I had, I felt like I had to numb my muscle that hopes to focus on the job at hand, just to not get distracted, not to catastrophize about where I am. I’m basically in the lion’s den and I was alone. I was the only *Rappler* reporter covering Malacañang. Sometimes you just have those moments in life, it can be crisis situations, where you numb certain muscles just so that you can get through the day, and that for me lasted for six years. **You once said that the tragedy of that incident when you were barred from Malacañang was not that Duterte made the order, but that other media outfits agreed to it. And in another interview, you also said that journalists need to be allies to other journalists when people in power question you for doing your job. Did you say that because maybe there were instances among your peers that reinforced this sink-or-swim mindset when it comes to covering topics like the elections?** Yeah, because at the time, it’s kind of like you as a journalist, you expect politicians not to like you, right? That’s kind of normal. Obviously, if you write critically, they’re not going to be your best friend. But I think with the other media outlets, there were some who thought that it was just right for me to get banned, or they didn’t want to help, or take a stand against the ban. I didn’t expect that. I thought we were all in this together. You understand my work, even if sometimes I out-scoop you. That competition falls in the face of this existential crisis that could be applied to any reporter, not just me. This could affect other reporters because it could be a precedent for another ban. That was really frustrating, and I cried. It was really emotional — the worst day of my life, I would say. It wasn’t all the reporters. There were just a few. It was actually just a minority of the Malacañang Press Club members that didn’t want to issue a statement. In the end though, the majority won. MPC issued a statement. That solidarity won out in the end. But I guess my thought was like, how can there be people, even a minority, to not side with press freedom, to not see this as an issue on press freedom? That’s just my takeaway. I think I got stronger from that, tougher skin. And that’s just part of it, part of the journey. > [View this post on Instagram](https://www.instagram.com/p/DaJ7DVCkRvp/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rolling Stone Philippines (@rollingstoneph)](https://www.instagram.com/p/DaJ7DVCkRvp/?utm_source=ig_embed&utm_campaign=loading) *Read the rest of this cover story in the Rolling Stone Philippines’ Voices Issue, now available for pre-order on [Sari-sari Shopping](https://www.instagram.com/sarisari_shopping/) and in major newsstands soon.* *Get digital access to the latest issue [here.](https://rollingstonephilippines.com/digital-access/)* ``` ERRATUM: A previous version of this article contained a spelling error and has been edited to correct the spelling of the name Chay Hofileña. ``` ## Frequently Asked Questions ### Who is Pia Ranada? Pia Ranada is a Filipino journalist at Rappler, where she now serves as Head of Community. She became one of the country’s most visible reporters as Rappler’s Malacañang correspondent covering the Duterte administration, after earlier work at GMA News and in environmental reporting. ### How did Pia Ranada start covering Duterte? Pia Ranada says she volunteered to cover then-Davao City Mayor Rodrigo Duterte during the 2016 election campaign largely because she wanted to travel to Davao. That assignment led to years as Rappler’s Malacañang correspondent, reporting on the Duterte administration from inside the presidential palace. ### Why was Pia Ranada barred from Malacañang? In 2018, Pia Ranada was barred from entering the New Executive Building in Malacañang, home to the presidential press office. She has described it as one of the most difficult days of her journalistic career, and a moment when the state’s pressure on press freedom felt clear. ### What is Pia Ranada’s role at Rappler now? Pia Ranada is now Head of Community at Rappler, a role focused on connecting journalism with the people it serves and building spaces where information can move beyond screens. She works on making journalism more sustainable, especially in underserved regions like Mindanao and BARMM. ### What does Pia Ranada say about the challenges facing journalism? Ranada points to disinformation, social media algorithms, and the difficulty of sustaining independent newsrooms as major challenges. She argues that nuance and complexity struggle to spread online, where sensational content thrives, and notes that platforms like Facebook have deprioritized news, cutting outlets off from audiences. More on Rolling Stone Philippines Voices - [Atom Araullo is Willing to Take the Risk](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/atom-araullo-is-willing-to-take-the-risk/ "Atom Araullo is Willing to Take the Risk") - [Atom Araullo, Erwan Heussaff, and Pia Ranada Talk Responsible Journalism and Storytelling](https://rollingstonephilippines.com/radar/events/atom-araullo-erwan-heussaff-pia-ranada-responsible-journalism/ "Atom Araullo, Erwan Heussaff, and Pia Ranada Talk Responsible Journalism and Storytelling") - [Geloy Concepcion and Anygma on Why Community Is Central to Photography and Hip-Hop](https://rollingstonephilippines.com/radar/events/geloy-concepcion-anygma-artistic-expression-community/ "Geloy Concepcion and Anygma on Why Community Is Central to Photography and Hip-Hop") **Categories:** Disinformation, Editor's Picks, News, Politics, State of Affairs, The Rolling Stone Interview **Tags:** Journalism, Pia Ranada, Rappler, Rolling Stone Philippines Voices --- ### [Sandwich, Cup of Joe, Vince Staples, and All the Songs You Need to Know](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/sandwich-cup-of-joe-vince-staples/) **Published:** May 13, 2026 **Author:** Elijah Pareño **Excerpt:** Our weekly playlist of the best music right now, carefully picked by the Rolling Stone Philippines staff **Content:** Welcome to [Songs You Need to Know](http://rollingstonephilippines.com/editors-picks/songs-you-need-to-know), our weekly rundown of the best music right now. The *Rolling Stone Philippines* team is constantly sharing things to listen to, and each week, we compile a ragtag playlist of songs that we believe every music fan today needs to know. Whether it’s the hottest new single or an old track that captures the state of the present, our hope is that you discover something for your musical canon. The week’s songs are packed with references to the past, tongue-in-cheek trap music, and intimate trip-hop anthems for the summer. Songs include [Sandwich](https://rollingstonephilippines.com/tag/sandwich/ "Sandwich")’s highly requested “Young Stunna” single where it acts as a callback to the bygone era of rock and roll, [Cup of Joe](https://rollingstonephilippines.com/tag/cup-of-joe/ "Cup of Joe") doubles down on the syrupy melodies in “Isang Daan,” [Smerz](https://rollingstonephilippines.com/tag/smerz/ "Smerz")’ dreamy and intimate electronic-pop “Spring summer” where it leaves listeners mesmerized, and [Hotdog](https://rollingstonephilippines.com/tag/hotdog/ "Hotdog") serving the classic Manila Sound in “Ikaw Ang Miss Universe ng Buhay Ko.” Sandwich, ‘Young Stunna’ ![Sandwich](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/s1-s-1-1600x1600.webp) Photo from Sandwich/Instagram Sandwich goes back in time to look back on their childhood. Frontman Raymund Marasigan namechecks bands, catchphrases, and the defining year of 1986, where he recalls walking from FEU Morayta to Recto in Manila. He then time-skips to the infamous rock and hip-hop fans’ beef at SM Megamall in 1994, where he sings, “Bawal sa Megamall mga hiphopers / Bagsak ang pantalon.” Sandwich offers their own take on “young stunna” — a subculture popularized by rappers like Dexter1ne&Only, Sica, and Skusta Clee in their own songs — that’s reminiscent of the themes in their previous track “Betamax.” The track offers a more candid and detailed account of living the life in the late 80s to the early 90s as a “young stunna.” The band has succinctly referenced youth culture in under three minutes. —*Elijah Pareño* Cup of Joe, ‘Isang Daan’ ![Cup of Joe](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/s2-s-1-1600x1600.webp) Photo from Cup of Joe/Instagram *A sugar rush of pop-rock injected into your bloodstream* In Cup of Joe’s latest EP, *Sandali*, vocalists Gian and Rapha maximize their harmonies in one of the project’s biggest highlights, “Isang Daan.” Both vocalists go back and forth like two separate thoughts, helping the listener choose which path to take in life. For a band that sounds this expansive and cinematic, it takes not just one unified voice but two distinct singers leading listeners toward a climactic finish that feels straight out of a fantasy movie. Cup of Joe have mastered combining rock elements like guitar solos with synth-pop’s glittering synth lines, where both instruments act as devices pushing the storytelling forward. Rapha sings one direction while Gian suggests another, both vocalists operating with different perspectives, and it becomes even more satisfying through a pair of stereo headphones. The track stands as another example of the band’s increasingly adventurous pop sound. *—Elijah Pareño* Edward Skeletrix, ‘Turn Off the Light’ ![Edward Skeletrix](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/s3-s-1-1600x1600.webp) Photo from Edward Skeletrix/Instagram *Bright trap instrumentals and raging dark lyrics* Experimental hip-hop rapper Edward Skeletrix isn’t pulling any publicity stunt at your local art exhibit. His latest release, “Turn Off the Light,” dives into rage trap with dreamlike production that accentuates Skeletrix’s lethargic rap delivery. He even coughs between verses on top of the charismatic slant rhyming. As part of his latest project, *Body of Work*, Skeletrix pushes the hazy atmosphere several notches higher. “Turn Off the Light” ties together an overarching narrative in which Skeletrix treats audiences as “experiments” inside his ongoing exhibit. Whether listeners like it or not, it’s hard to turn down an obnoxiously loud instrumental paired with a catchy hook, and that’s exactly what Edward Skeletrix has managed to master over time. *—Elijah Pareño* Vince Staples, ‘Blackberry Marmalade’ ![Vince Staples](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/s4-s-1-1600x1600.webp) Photo from Vince Staples/Instagram *A hip-hop cult favorite takes a rock detour* “Blackberry Marmalade” is the lead single and track from rapper Vince Staples’ upcoming album *Cry Baby*, the album cover of which features an illustration of a rubicund infant crying in a diaper fashioned from the American flag. Staples has never been one to shy away from politics, from his music touching on the themes of race and class, to telling Ziwe in an interview that Black people should have their own January 6 riot. But in “Blackberry Marmalade,” Staples takes a drastic sonic departure from his usual hip-hop. Just like A$AP Rocky in “PUNK ROCKY,” Staples raps over a rock beat and electric guitars: “Promise me you won’t gun me down.” He does, in fact, get gunned down in the song’s riveting first-person shooter-style music video. And so, while this new Vince Staples sounds different, one can expect the same, unabashed political commentary from him anyway. —*Pie Gonzaga* Smerz, ‘Spring summer’ ![Smerz](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/s5-s-1-1600x1600.webp) Photo from Smerz/Instagram *Uncomplicated and breezy, just like the title says* Norwegian artists Catharina Stoltenberg and Henriette Motzfeldt, who form the electronic-pop duo Smerz, have been making waves with the viral hit “You got time and I got money,” after the release of their second studio album *Big city life* in May 2025. Ahead of their upcoming EP *Easy*, the two dropped “Spring summer,” which sounds just like the title suggests. The track features Stoltenberg’s deadpan, unembellished vocals over stripped-back synths and a relaxed R&B beat that’s light-handed with the hi-hats but heavy on the snares. If you need a light and breezy song to usher in hotter weather, “Spring summer” is it. —*Pie Gonzaga* Hotdog, ‘Ikaw Ang Miss Universe ng Buhay Ko’ ![Hotdog](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/s6-s-1-1600x1600.webp) Photo from Hotdog/Instagram *A Manila Sound classic for the times* Miss Universe Philippines just crowned its new queen, [Bea Millan-Windorski](https://rollingstonephilippines.com/culture/internet-culture/miss-universe-ph-bea-millan-windorski-activism/), last Saturday, May 2. Coincidentally, I’ve also been listening to a lot of Manila Sound essentials, from VST and APO Hiking Society to Hotdog, the band best known for the party favorite “Bongga Ka Day.” One of the tracks off their debut album, 1974’s *Unang Kagat*, is the hit “Ikaw Ang Miss Universe ng Buhay Ko.” Unlike the lively disco groove and irresistible “Hala!” hook of “Bongga Ka Day,” *Unang Kagat*’s leading track is more of a slow rock serenade. While it’s been covered by everyone from Andrew E. to Ebe Dancel and Blaster Silonga, Hotdog’s debut song deserves just as much love now as it did when it first came out. —*Pie Gonzaga* ## Frequently Asked Questions ### What songs are on Rolling Stone Philippines’ Songs You Need to Know this week? The May 13, 2026 edition features six tracks: Sandwich’s “Young Stunna,” Cup of Joe’s “Isang Daan,” Edward Skeletrix’s “Turn Off the Light,” Vince Staples’ “Blackberry Marmalade,” Smerz’s “Spring summer,” and Hotdog’s “Ikaw Ang Miss Universe ng Buhay Ko,” compiled weekly by the editorial staff. ### What is Cup of Joe’s “Isang Daan” about? “Isang Daan” is a highlight from Cup of Joe’s EP Sandali, built around vocalists Gian and Rapha trading perspectives like two competing thoughts about which path to take in life. The arrangement pairs rock guitar solos with glittering synth-pop lines. ### What is Sandwich’s “Young Stunna” about? “Young Stunna” is Sandwich’s callback to Manila youth culture of the late 1980s and early 1990s. Frontman Raymund Marasigan namechecks bands, catchphrases, the year 1986, and the 1994 rock-versus-hip-hop clash at SM Megamall, reworking a subculture popularized by rappers like Skusta Clee. ### Which album is Vince Staples’ “Blackberry Marmalade” from? “Blackberry Marmalade” is the lead single from Vince Staples’ upcoming album Cry Baby, whose cover shows an infant crying in a diaper made from the American flag. The song marks a sonic departure, with Staples rapping over a rock beat and electric guitars. ### What is Manila Sound, and why is Hotdog’s “Ikaw Ang Miss Universe ng Buhay Ko” featured? Manila Sound is the 1970s Filipino pop movement associated with acts like Hotdog, VST, and APO Hiking Society. Hotdog’s track, from their 1974 debut Unang Kagat, is a slow rock serenade included after Bea Millan-Windorski’s Miss Universe Philippines win on May 2. Related Stories - [Eraserheads on Music, Maturity, and Making History](https://rollingstonephilippines.com/music/eraserheads-on-music-maturity-and-making-history/ "Eraserheads on Music, Maturity, and Making History") - [Artist Silke Lapina Blurs the Lines Between Scripture and Pop Music](https://rollingstonephilippines.com/culture/art/artist-silke-lapina-scripture-and-pop-music/ "Artist Silke Lapina Blurs the Lines Between Scripture and Pop Music") - [FKA twigs’ ‘Eusexua’ is a World You Can’t Turn Away From](https://rollingstonephilippines.com/music/music-reviews/fka-twigs-eusexua-album-review/ "FKA twigs’ ‘Eusexua’ is a World You Can’t Turn Away From") **Categories:** Editor's Picks, Songs You Need To Know **Tags:** Cup of Joe, Edward Skeletrix, Hotdog, Sandwich, Smerz, Songs You Need to Know, Vince Staples --- ### [GMA Reporter Athena Imperial Files Acts of Lasciviousness Against Nico Waje](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/gma-athena-imperial-nico-waje/) **Published:** May 13, 2026 **Author:** Mel Wang **Excerpt:** The journalist has accused her former colleague of violating Article 336 and Republic Act No. 11313 **Content:** On May 13, GMA-7 reporter [Athena Imperial](https://rollingstonephilippines.com/tag/athena-imperial/ "Athena Imperial") filed an acts of lasciviousness case against her former colleague, [Nico Waje](https://rollingstonephilippines.com/tag/nico-waje/ "Nico Waje"). According to documents obtained by *Philippine Star*, Imperial accused Waje of violating Article 336 of the Revised Penal Code, as well as Republic Act No. 11313 or the Safe Spaces Act, which penalizes gender-based sexual harassment. “Ms. Imperial-Rodriguez comes forward not only for herself,” wrote the journalist’s counsel, Aloi Renz P. Santos of APS Law, in an official statement on the case. “She believes that incidents of this nature can no longer be ignored, minimized, or tolerated in any workplace, profession, or industry.” Imperial is a senior correspondent at GMA News. Prior to this, she entered the national spotlight after first winning Miss Philippines Earth 2011, and then Miss Earth-Water that same year. Waje was a former reporter at the news network, but left in 2025 amid claims also involving Imperial. As of writing, Waje has yet to release a public statement on the case. His social media platforms have also been disabled. ## Frequently Asked Questions ### What case did Athena Imperial file against Nico Waje? Athena Imperial filed an acts of lasciviousness complaint against Nico Waje on May 13, 2026. Per documents obtained by Philippine Star, she accused her former GMA colleague of violating Article 336 of the Revised Penal Code and Republic Act No. 11313. ### What is Republic Act No. 11313, the Safe Spaces Act? Republic Act No. 11313, known as the Safe Spaces Act, is a Philippine law that penalizes gender-based sexual harassment. Imperial’s complaint cites it alongside Article 336 of the Revised Penal Code, which covers acts of lasciviousness under Philippine criminal law. The two provisions form the complaint’s legal basis. ### Who is Athena Imperial? Athena Imperial is a senior correspondent at GMA News. She first entered the national spotlight in 2011, when she won Miss Philippines Earth and was later named Miss Earth-Water that same year, before building her career in Philippine broadcast journalism. ### Who is Nico Waje and why did he leave GMA? Nico Waje is a former GMA News reporter who left the network in 2025 amid claims that also involved Athena Imperial. He has not issued a public statement on the acts of lasciviousness case, and his social media accounts have been disabled. ### What did Athena Imperial’s legal counsel say about the case? Imperial’s counsel, Aloi Renz P. Santos of APS Law, said in an official statement that she is not acting solely on her own behalf, and that incidents of this kind should no longer be dismissed or tolerated in any workplace or profession. Related Stories - [26 Years of Gabriela Women’s Party, in Their Own Words](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/gabriela-womens-party-history/ "26 Years of Gabriela Women’s Party, in Their Own Words") - [Is There A Future For Print? We Ask Filipino Publishers and A Magazine Shop Owner](https://rollingstonephilippines.com/culture/pop-up-spruce-publishing-panel/ "Is There A Future For Print? We Ask Filipino Publishers and A Magazine Shop Owner") - [Senate Coup Recap: The Winners and Losers, From Bato to Sotto](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/senate-coup-sara-duterte-bato-dela-rosa/ "Senate Coup Recap: The Winners and Losers, From Bato to Sotto") **Categories:** News, State of Affairs **Tags:** Athena Imperial, Nico Waje --- ### [The Filipino Stars at This Year’s Gold Gala](https://rollingstonephilippines.com/culture/gold-gala-2026-liza-soberano-her/) **Published:** May 13, 2026 **Author:** Mel Wang **Excerpt:** The evening also featured an exclusive look at the Philippine-focused animated feature, “Forgotten Island” **Content:** This year’s [Gold Gala](https://rollingstonephilippines.com/tag/gold-gala/ "Gold Gala") saw a number of Filipino Hollywood stars walk the red carpet. The gala, founded by non-profit organization Gold House, celebrates the Asian Pacific changemakers excelling across a range of industries, including film, television, sports, and more. Previously dubbed the “Asian Met Gala,” the evening saw multiple high-profile guests join in on the festivities. *[The Pitt](https://rollingstonephilippines.com/tag/the-pitt/ "The Pitt")* co-stars [Amielynn Abellera](https://rollingstonephilippines.com/culture/film-tv/the-pitt-star-amielynn-abellera-interview/ "‘The Pitt’ Star Amielynn Abellera on Pinay Nurses, Stress, and Chismis") and Kristin Villanueva, who play ER nurses Perlah and Princess, respectively on the medical drama, got ready for the gala together. While Abellera opted for a Vaishali gown, Villanueva chose to spend the evening in a custom gown from Filipino designer Puey Quiñones. > [View this post on Instagram](https://www.instagram.com/reel/DYNiFgXCOm7/?utm_source=ig_embed&utm_campaign=loading)[A post shared by ELLE Magazine (@elleusa)](https://www.instagram.com/reel/DYNiFgXCOm7/?utm_source=ig_embed&utm_campaign=loading) The leads of the upcoming Dreamworks film, *[Forgotten Island](https://rollingstonephilippines.com/tag/forgotten-island/ "Forgotten Island")*, also took the Gold Gala stage as presenters. Liza Soberano and H.E.R. shared an exclusive clip from the Philippine-centric animated feature, which is set to hit Philippine cinemas this September. *Forgotten Island* director Januel Mercado was also at the gala, with the Filipino filmmaker posting a glambot video with Soberano on the carpet. “Always proud to celebrate this community,” Soberano wrote in an Instagram post celebrating the event. The gala kicked off with an introduction from *Saturday Night Live* alum Bowen Yang, with an array of Asian stars following suit. *[KPop Demon Hunters](https://rollingstonephilippines.com/tag/kpop-demon-hunters/ "KPop Demon Hunters")* star EJAE introduced a video celebrating Gold House’s Gold 100 Power List, which honored the achievements of stars like [*Heated Rivalry*’s](https://rollingstonephilippines.com/tag/heated-rivalry/ "Heated Rivalry") Hudson Williams, director Chloe Zhao, Laufey, and girl group KATSEYE. A number of accolades were given to the evening’s guests, but Jet Li took home the Gold Legend honor award, celebrating his lifetime contributions to the worlds of film and martial arts. ## Frequently Asked Questions ### Which Filipino stars attended the 2026 Gold Gala? Liza Soberano, H.E.R., and The Pitt co-stars Amielynn Abellera and Kristin Villanueva walked the 2026 Gold Gala carpet, alongside Forgotten Island director Januel Mercado. Soberano and H.E.R. also appeared onstage as presenters for the DreamWorks animated feature, which reaches Philippine cinemas in September. ### What is the Gold Gala and why is it called the “Asian Met Gala”? The Gold Gala is an event founded by non-profit organization Gold House that honors Asian Pacific changemakers across film, television, sports, and other industries. Its red carpet scale and fashion focus earned it the nickname “Asian Met Gala” in earlier coverage. ### What is Forgotten Island and when does it release in the Philippines? Forgotten Island is an upcoming DreamWorks animated feature centered on Philippine culture, starring Liza Soberano and H.E.R. and directed by Januel Mercado. An exclusive clip screened at the 2026 Gold Gala, with the film reaching Philippine cinemas in September this year. ### What did the Filipino stars wear on the 2026 Gold Gala carpet? Amielynn Abellera wore a gown by Vaishali, while Kristin Villanueva wore a custom design from Filipino couturier Puey Quiñones. The two The Pitt co-stars, who play ER nurses Perlah and Princess on the medical drama, got ready for the gala together. ### Who was honored at the 2026 Gold Gala? Jet Li received the Gold Legend honor award for his lifetime contributions to film and martial arts. Gold House’s Gold 100 Power List also recognized Hudson Williams, director Chloe Zhao, Laufey, and KATSEYE, in a video introduced by KPop Demon Hunters star EJAE. Related Stories - [‘Forgotten Island,’ Starring H.E.R, Liza Soberano, Spotlights Filipino Culture](https://rollingstonephilippines.com/culture/film/forgotten-island-her-liza-soberano-film/ "‘Forgotten Island,’ Starring H.E.R, Liza Soberano, Spotlights Filipino Culture") - [Liza Soberano, Lea Salonga, H.E.R. Lend Their Voices in Filipino-Inspired DreamWorks Project](https://rollingstonephilippines.com/culture/film/forgotten-island-her-liza-soberano/ "Liza Soberano, Lea Salonga, H.E.R. Lend Their Voices in Filipino-Inspired DreamWorks Project") - [Liza Soberano’s Tell-All Has People Taking Away the Wrong Things](https://rollingstonephilippines.com/editors-picks/commentary/liza-soberano-can-i-come-in/ "Liza Soberano’s Tell-All Has People Taking Away the Wrong Things") **Categories:** Culture, Film, TV **Tags:** Gold Gala, H.E.R., Liza Soberano, The Pitt --- ### [This Academy Award-Winning Political Documentary is Screening at Sine Pop for One Day Only](https://rollingstonephilippines.com/culture/film/mr-nobody-against-putin-sinepop-screening/) **Published:** July 22, 2026 **Author:** Rolling Stone Philippines **Excerpt:** Mr. Nobody Against Putin will be shown this July 25 courtesy of Filipino Documentary Society **Content:** How does authoritarianism prevail? That is the central question in the Academy Award-winning documentary *[Mr. Nobody Against Putin](https://rollingstonephilippines.com/tag/mr-nobody-against-putin-2/ "Mr. Nobody Against Putin")*. The film follows school teacher Pavel “Pasha” Talankin as he secretly recorded the Russian government’s systemic attempts to “educate” students about the Russian-Ukraine war and force a twisted sense of patriotism among the youth. In the film’s acceptance speech at the [2026 Academy Awards](https://rollingstonephilippines.com/tag/academy-awards/ "Academy Awards"), co-director David Borenstein said that the film is “about how you lose your country.” “You lose it through countless small little acts of complicity,” he continued. “When we act complicit when a government murders people on the streets of our major cities; when we don’t say anything when oligarchs take over the media and control how we could produce it and consume it. We all face a moral choice, but luckily, even a nobody is more powerful than you think.” There will be a one-day-only screening this Saturday, July 25, at Sine Pop hosted by the Filipino Documentary Society, the non-profit organization led by filmmakers Kara Magsanoc-Alikpala, Monster Jimenez, Jewel Maranan, and [Baby Ruth Villarama](https://rollingstonephilippines.com/tag/baby-ruth-villarama/ "Baby Ruth Villarama"). To register, fill out this Sine Pop registration [form](https://docs.google.com/forms/d/e/1FAIpQLSfBrSUbdr4aZgB1tsz1w6M_iV0OICCeuU1PADyKTp1loBFxZw/viewform "form"). Related Stories - [Exclusive: ‘Food Delivery’ Docu Team Respond to Pressure From Chinese Consulate](https://rollingstonephilippines.com/culture/film-tv/food-delivery-chinese-consulate-docu/ "Exclusive: ‘Food Delivery’ Docu Team Respond to Pressure From Chinese Consulate") - [10 Albums from 2016 That Aged Better Than Anyone Expected](https://rollingstonephilippines.com/music/2016-albums-retrospective/ "10 Albums from 2016 That Aged Better Than Anyone Expected") - [Claire Castro is the Marcos Administration’s Fiercest Voice](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/claire-castro-palace-spokesperson-fake-news/ "Claire Castro is the Marcos Administration’s Fiercest Voice") **Categories:** Culture, Film **Tags:** Mr. Nobody Against Putin --- ### [5 Shows and Movies Coming to Netflix Philippines in June 2026](https://rollingstonephilippines.com/culture/tv/netflix-philippines-june-2026-new-shows-movies/) **Published:** May 22, 2026 **Author:** Pie Gonzaga **Excerpt:** From the long-awaited return of Avatar The Last Airbender to buzzy new adaptations and emotional sports documentaries, here are the five releases coming to Netflix Philippines this June **Content:** June on [Netflix Philippines](https://rollingstonephilippines.com/tag/netflix-philippines/ "Netflix Philippines") is shaping up to be a packed month for viewers looking for a little bit of everything: fantasy blockbusters, chaotic comedies, coming-of-age dramas, and emotional documentaries. Included in the lineup is the highly anticipated second season of *[Avatar The Last Airbender](https://rollingstonephilippines.com/tag/avatar-the-last-airbender/ "Avatar the Last Airbender")*, which finally brings Aang into the Earth Kingdom after more than a year of fan anticipation. But beyond the franchise heavyweights, the streamer is also rolling out a mix of buzzy international adaptations and star-driven originals, including a live-action take on the South Korean webtoon *[Viral Hit](https://rollingstonephilippines.com/tag/viral-hit/ "Viral Hit")*, and a rom-com pairing between Zoey Deutch and Nick Robinson. Here are five [Netflix](https://rollingstonephilippines.com/tag/netflix/ "Netflix") Originals you should look out for when June comes around. ## ‘Viral Hit’ (June 11) Based on the hit South Korean webtoon, this Japanese live-action adaptation follows Kota, played by Oji Suzuka, a broke and powerless teen who stumbles into internet fame after a brawl. Between social media obsession and underdog chaos, *Viral Hit* looks primed to become the next addictive youth drama. ## ‘Voicemails for Isabelle’ (June 19) In *Voicemails for Isabelle*, a young woman’s hilarious voicemails to her late sister accidentally end up in the inbox of a stranger who falls for her voice. With coming-of-age media veterans Zoey Deutch and Nick Robinson starring, it looks like we’re in for a cute new rom-com to obsess over next month. ## ‘Avatar The Last Airbender’ (June 25) One of Netflix’s biggest franchises returns as Gordon Cormier reprises his role as Aang. Season 2 takes the young Avatar deeper into the Earth Kingdom as he begins mastering earthbending while the Fire Nation’s pursuit intensifies. After the first season became one of Netflix’s most-watched shows globally, expectations are sky-high for the next chapter. ## ‘Little Brother’ (June 26) In this chaotic family comedy, a successful realtor’s carefully curated life implodes when his wildly unpredictable younger brother suddenly barges back into the picture. I’m expecting pure unhinged energy with *Little Brother*, with comedian Eric André, [John Cena](https://rollingstonephilippines.com/tag/john-cena/ "John Cena"), Michelle Monaghan leading a cast that also includes *[Saturday Night Live](https://rollingstonephilippines.com/tag/saturday-night-live/ "Saturday Night Live")*’s Ego Nwodim and internet funny guy Caleb Hearon. ## ‘Chris & Martina: The Final Set’ (June 26) Feature documentary *Chris & Martina: The Final Set* will have its world premiere at the Tribeca Film Festival on June 10 before heading to Netflix on June 26. The film traces the intertwined lives of tennis legends Chris Evert and Martina Navratilova, revisiting one of tennis’ greatest rivalries, and exploring the enduring friendship that carried both women through their own battles with cancer. ## Frequently Asked Questions ### What new shows are coming to Netflix Philippines in June 2026? Netflix Philippines’ June 2026 lineup includes *Avatar The Last Airbender* Season 2, *Viral Hit*, *Voicemails for Isabelle*, Li*ttle Brother*, and *Chris & Martina: The Final Set*. The slate spans fantasy, comedy, romance, and documentary genres, with releases spread across June 11 to June 26. ### When does ‘Avatar The Last Airbender’ Season 2 come out on Netflix? *Avatar The Last Airbender* Season 2 premieres on Netflix on June 25, 2026. The season follows Aang into the Earth Kingdom as he learns earthbending, while the Fire Nation’s threat grows. Gordon Cormier reprises his role as Aang in the continuation of one of Netflix’s most-watched global series. ### What is ‘Viral Hit’ on Netflix about? *Viral Hit* is a Japanese live-action adaptation of a popular South Korean webtoon. It follows Kota, a broke teenager who goes viral after a fight and stumbles into internet fame. The series stars Oji Suzuka and is set to premiere on Netflix on June 11, 2026. ### Who stars in ‘Voicemails for Isabelle’ on Netflix? *Voicemails for Isabelle* stars Zoey Deutch and Nick Robinson. The rom-com centers on a young woman whose voicemails to her late sister accidentally reach a stranger who falls for her voice. It premieres on Netflix on June 19, 2026, and is expected to be a feel-good summer watch. ### What is the ‘Chris & Martina’ documentary about? *Chris & Martina: The Final Set* is a feature documentary about tennis legends Chris Evert and Martina Navratilova. It explores their famous rivalry, their deep friendship, and both women’s personal battles with cancer. The film premieres at the Tribeca Film Festival on June 10 before streaming on Netflix June 26, 2026. Related Stories - [6 Best New Netflix Shows to Binge Watch Right Now](https://rollingstonephilippines.com/culture/tv/best-new-netflix-shows-to-watch/ "6 Best New Netflix Shows to Binge Watch Right Now") - [5 Most Chaotic John Cena Matches That Shaped His 23-Year WWE Legacy](https://rollingstonephilippines.com/culture/sports/5-most-chaotic-john-cena-matches/ "5 Most Chaotic John Cena Matches That Shaped His 23-Year WWE Legacy") - [Byeon Woo Seok Set to Star in Netflix’s Live-Action Adaptation of ‘Solo Leveling’](https://rollingstonephilippines.com/culture/film-tv/solo-leveling-netflix-adaptation-byeon/ "Byeon Woo Seok Set to Star in Netflix’s Live-Action Adaptation of ‘Solo Leveling’") **Categories:** Culture, Film, TV **Tags:** Avatar the Last Airbender, Netflix, Netflix Philippines, Viral Hit --- ### ['Hacks' Season 5 Recap: Deborah's Central Park Comeback](https://rollingstonephilippines.com/culture/tv/hacks-season-5-recap-deborah-central-park-show/) **Published:** May 22, 2026 **Author:** Christian San Jose **Excerpt:** The sold-out Madison Square Garden show is a bust but the “Gagged” hour is still on — for free for the people of New York **Content:** After a whole *Hacks* season of planning out Deborah’s return to the stage and doing everything to secure Madison Square Garden, still the big bad wins. Our girl gets Ja Rule-d. Bob Lipka pulled a 50 Cent on Deborah, except he didn’t just buy the front row as the rapper did in 2018 to humiliate his rival — he bought out the entire show. Despicable. Psycho. And really telling of just how rotten the American ticketing system is. Back against the wall, Deborah rethinks her return. She pushes for a show in New York, but after seeing how her fans were left out, decides to do it for free at Central Park the same weekend. Delusional, I agree, Randi, but we’ve seen them go through lengths equally gruelling as this over five seasons. Thankfully, there’s a stage rigged at Central Park right at that moment. And guess who’s running that ship? And I need to add this to the growing list of [loose ends *Hacks* is tying up on its last season](https://rollingstonephilippines.com/culture/hacks-season-5-ep-4-5-recap/): Weed. Yes, the same road tour freak that got Deborah through her multi-stop standup journey in Season 2. God bless, because that woman, however chaotic, can make things happen. And make it happen, she does after she gives the go signal for Deborah’s team to use the stage for the weekend. ![gagged deborah vance hacks season 5 episode 9 copy](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/gagged-deborah-vance-hacks-season-5-episode-9-copy.webp) Deborah Vance’s comeback show, “Gagged,” at Madison Square Garden gets hijacked by her former beau and employer. Photo from Hacks/Instagra Just one problem. It seems the *Hacks*’ New York City is yet to be run by Zohran Mamdani and as such, a park permit takes 30 days(!) to process. This season alone, *Hacks* has had plenty of breakout guests, from [Cherry Jones and Leslie Bibb](https://rollingstonephilippines.com/culture/hacks-gayest-moments/) to [Ann Dowd and Renee O‘Connor](https://rollingstonephilippines.com/culture/tv/hacks-s5e2-deborah-vance-lizard/) of *Xena: Warrior Princess* fame — and wait, because, again, it all loops back to this — but the latest appearance by comedian and podcaster Yamaneika Saunders as a hilarious NYC Department of Parks and Recreation employee is a home run. (“Boy, who are you?” and “She nosy” are up there in best ad libs). Apart from being in desperate need of a break, the Parks and Rec employee turns out to be a *Xena* fan who religiously listens to the rewatch podcast Jimmy and Kayla produces. And that solves the permit problem. Baby, Xenites unite indeed. So really there’s just one thing left to do: tell people to go see Deborah Vance perform at Central Park. And again, this is where all the brilliant guest appearances pay off. Trisha Paytas from the [*Celebrity Amazing Race* episode](https://rollingstonephilippines.com/culture/hacks-season-5-ep-4-5-recap/) puts Deborah on a seafood mukbang episode. Even her short-time beau, [Nico Hayes](https://rollingstonephilippines.com/culture/tv/hacks-season-5-episode-3-recap/), gives her a plug on Instagram Live. The women of *The View* return on *Hacks*, too, as Deborah sat down to reconcile with Joy Behar. All of it worked and on the day of the Central Park free show, approximately 30,000 people show up on The Great Lawn, a record for stand-up in the park. Take that, Bob Lipka and MSG! ![paul w downs meg stalter robbie hoffman hacks season 5 episode 9 Man in a dark polo explains something at a table, gesturing with hands, flanked by two attentive women in a meeting setting.](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/paul-w-downs-meg-stalter-robbie-hoffman-hacks-season-5-episode-9.webp) Xenites, unite! Jimmy negotiates with the NYC Department of Parks and Recreations to get Deborah permission to perform at Central Park. Photo from Hacks/ ## What Could Happen to Deborah Vance in the ‘Hacks’ Series Finale? What’s not great? *Hacks* not beating they’re gonna k-word Deborah in the finale allegations with Ava bringing up the obituary opener again. As with any beloved series on its last stretch, fan theories are here for *Hacks*, including speculations about Deborah’s secret Beverly Hills doctor’s appointment. Did she show Ava an old work-up result? Didn’t her psychic say she saw a vision of Deborah looking like an angel? I mean, she’s old, but she’s not that old. In fact, we see her doing cardio as part of her preparation for the show at the beginning of the episode. That has to be good, right? Anyway, for the time being, we have her, here in the middle of Central Park in her vintage white Bob Mackie telling us it’s stolen land but nonetheless, we’ve come to the right place. *Hacks* is currently streaming its final season on HBO Max. ## Frequently Asked Questions ### What is the name of Deborah Vance’s comeback show? The show following her non-compete clause from leaving *The Late Night Show*, which barred her from performing for 18 months, is called “Gagged.” ### Where does Deborah Vance’s comeback show take place? Deborah Vance is supposed to perform to a sold-out audience at Madison Square Garden. After it turns out tickets were bought off by Bob Lipka, she decides to do the show for free at Central Park. ### Who are the celebrity guests on “Hacks” Season 5? Christopher Briney, Trisha Paytas, Jordan Firstman, the hosts of *The View*, Cherry Jones, Leslie Bibb, Ann Down, Renee O‘Connor to name a few. ### How many episodes does “Hacks” Season 5 have? The last season of *Hacks* has 10 episodes. ### When is the last episode of “Hacks” airing? *Hacks* Season 5 finale airs on HBO Max May 29, Philippine time. 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Not the July 4 celebrations. Nothing to do with the World Cup, either. Just a casual invite-only ceremony and celebration at a 20,000-capacity arena [for the wedding](https://www.rollingstone.com/music/music-news/taylor-swift-travis-kelce-wedding-ceremony-1235575513/) of noted singer-songwriter [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/ "Taylor Swift") and professional football player/podcast host [Travis Kelce](https://rollingstonephilippines.com/tag/travis-kelce/ "Travis Kelce"). If you didn’t hear anything about it, no worries at all. Seriously, it wasn’t that big of a deal anyway, especially with everything else going on these days. It’s just so hard to keep up! But if you *are* curious, we do know a few things about the [intimate shindig](https://www.rollingstone.com/music/music-news/taylor-swift-travis-kelce-wedding-fan-reactions-1235588934/) at Madison Square Garden. Not a whole lot, admittedly, since there was reportedly a strict no-phone policy for guests (as well as event staff and security). Still, some scattered details have emerged — about the guest list, the night’s entertainment, the wise words of officiant Adam Sandler — which we’ve happily rounded up here, because, like we said, we totally understand if this one just flew under your radar. ## The Ceremony On Friday, July 3, a rep for Swift issued a statement confirming that Swift and Kelce had tied the knot. The release contained a few details about the ceremony, which appears to have been a genuinely lowkey affair. There were no large wedding parties, with Swift’s brother, Austin, serving as her “man of honor,” while Kelce’s brother, Jason, was his best man. Adam Sandler officiated the ceremony, and while we don’t know exactly what he said yet, Kansas City Chiefs coach Andy Reid [shared a few bits and pieces](https://www.rollingstone.com/music/music-news/adam-sandler-said-taylor-swift-travis-kelce-wedding-1235585936/) in a recent interview. According to Reid, Sandler offered Swift and Kelce this bit of simple, but poignant advice, “Kiss every chance you have, every day.” Reid also said Sandler did a “phenomenal job,” adding he brought “a little bit of humor but also some sensitivity to what was going on.” As for the couple’s vows, we don’t have any direct quotes yet, but *People* Editor-in-Chief Charlotte Triggs shared some info on *[CBS Mornings](https://youtu.be/PFPf2UFhcA4?si=p2GWdD1X6d6XOjo9)*. According to Triggs, Swift and Kelce wrote their own vows, read them from golden books, and each spoke for about 20 minutes. Swift reportedly described Kelce as the kind of person “she wished she could have known in high school,” Triggs said, adding that Swift described him as the kind of star athlete who would go sit with “the less popular kids and keep them company and be nice to them when they were being bullied.” ## The Looks We still don’t have any official photographs from inside Madison Square Garden, but the official press release did contain some details about what the bride and groom wore (so just use your imagination). Their wedding ceremony looks were created by Christian Dior and designed by Jonathan Anderson, “in close collaboration with” Swift and Kelce. The shoes were custom Louboutin and Swift wore Cartier jewelry. ## The Venue It had leaked out months ago that Swift and Kelce were set to wed at Madison Square Garden, though up until it actually happened there was speculation that the couple might be using the giant arena as a diversion. That, it turned out, was not the case at all. According to *[The New York Times](https://www.nytimes.com/live/2026/07/03/style/taylor-swift-wedding-travis-kelce)*, a wedding rehearsal was held Thursday (July 2) at the Infosys Theater at MSG, while the wedding and reception took place in the arena on Friday. There was also a huge security perimeter, with major thoroughfares around MSG closed off to cars and pedestrians. ## The Vibe and Decor Again, we have no photo evidence yet, but Triggs said Swift and Kelce made some changes to the gigantic arena to make the proceedings feel somewhat intimate, like using giant drapes to cover up all the stadium seating. Meanwhile, the decorations gave off a “garden kind of vibe,” Triggs said, while the hors d’oeuvres included “high-low” items like chicken nuggets topped with caviar. ## The (Kinda Clunky) Event Tag Because stars are sometimes kinda just like us, Swift and Kelce’s wedding included some custom branding. Both the official press release, and a sign outside MSG, bore the proclamation, “JUST&T MARRIED!” It makes sense, technically, after you look at it a second, with the T&T standing in for Taylor and Travis. Though, we admit, every time we look at it, we can’t help but see: “JUSTANT MARRIED!” ## The Music The wedding featured two blockbuster performances. To start, [Stevie Nicks took the stage](https://rollingstonephilippines.com/music/stevie-nicks-taylor-swift-travis-kelce-wedding/ "Stevie Nicks Performs at Taylor Swift and Travis Kelce’s Wedding"), as confirmed by *Good Morning America* hosts Robin Roberts, Michael Strahan, and George Stephanopoulos (all of whom were in attendance). It’s unclear what song Nicks performed, or if she performed with Swift, as some have speculated. The other big musical guest was Paul McCartney, who [reportedly performed](https://rollingstonephilippines.com/music/rock/paul-mccartney-beatles-taylor-swift-wedding/ "Paul McCartney Played Beatles Classic for First Time Since 1964 at Taylor Swift’s Wedding") the Beatles’ classic “I Want to Hold Your Hand” live for the first time since 1964. ## The Guest List Approximately 1,000 people attended Swift and Kelce’s wedding, and there’s no way in hell we’d write them all down here even if we knew every single one. That said, there are plenty of big name attendees we do know, especially from the world of music: Ed Sheeran, Selena Gomez, the Haim sisters, Sombr, Brad Paisley, Miranda Lambert, Kelsea Ballerini, Rascal Flatts guitarist Joe Don Rooney, and Maren Morris. Swift’s frequent collaborators Jack Antonoff and Aaron Dessner were also in attendance. Other friends and celebs included Gigi Hadid, Lena Dunham, Zoë Kravitz, Mariska Hargitay, Dakota Johnson, Julianne Moore, Ethan Hawke, Hugh Grant, Jason Sudeikis, Charlie Day, Jessica Chastain, Jimmy Fallon, and Nikki Glasser. For some Swifties maybe the most notable guest was Karli Kloss, who attended with her husband Joshua Kushner, a surprise after rumors of a rift between her and Swift. And on Kelce’s side, many of his Kansas City Chiefs teammates showed up, along with others in the NFL world including L.A. Rams quarterback Matthew Stafford, former player and broadcaster Greg Olsen, NFL reporter Erin Andrews, and NFL commissioner Roger Goodell. ## The Wild Card For an event of this size and stature, it’s genuinely impressive how — all things considered — we still don’t really know that much. Outside the expertly orchestrated drip-drip, there’s been only one genuine info dump, and it came from a highly unlikely source: AMC Theaters CEO Adam Aron. In an extremely enthusiastic and well-meaning [X post](https://x.com/yashar/status/2073298851948298689) (that has since been, obviously, deleted), Aron shared his recollections on pretty much everything. The CEO described the color scheme as “peach and white,” and praised Swift and Kelce for “magically” transforming MSG into an “outdoor garden at a lush countryside retreat” with “real flowers and I think artificial trees.” He added that there were “large blown up pictures of Taylor and Travis at each age, year by year” hung around the arena. Of the ceremony, Aron wrote, it was preceded by “some relaxing and mellow romantic songs,” while “a few violins and cello ushered in the wedding party.” He described Kelce as wearing a “white tux,” and a “jaw-dropping Taylor” wore “a stunning white wedding dress with a long veiled train.” The vows, Aron continued, were “long, entertaining, personal, charming, emotional, irreverent and endearing explorations by each as to how they met, why they want to be with each other for all eternity, the promises they made in joining their much-beloved two whole families… as one, and committing to their new mutual life together.” Aron even added some romantic flourishes with his description of the end of the ceremony, “Rings exchanged. I now pronounce you husband and wife. A weep you off your feet kiss.” *This story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-news/taylor-swift-travis-kelce-wedding-everything-we-know-2-1235589722/).* ## Frequently Asked Questions ### When and where did Taylor Swift and Travis Kelce get married? Taylor Swift and Travis Kelce married on Friday, July 3, 2026, at Madison Square Garden in New York. The invite-only wedding and reception, held in the roughly 20,000-capacity arena, followed a Thursday rehearsal and operated under a strict no-phone policy, so no official photos emerged. ### Who officiated Taylor Swift and Travis Kelce’s wedding? Adam Sandler officiated Taylor Swift and Travis Kelce’s wedding. Per Chiefs coach Andy Reid, Sandler advised the couple to “Kiss every chance you have, every day” and did an excellent job. The couple skipped traditional parties, with Austin Swift as “man of honor” and Jason Kelce as best man. ### What did Taylor Swift wear to her wedding? Per the couple’s press release, Taylor Swift and Travis Kelce’s wedding looks were created by Christian Dior and designed by Jonathan Anderson. Swift’s shoes were custom Louboutin and she wore Cartier jewelry. No official photographs from inside Madison Square Garden had been released. ### Who performed at Taylor Swift and Travis Kelce’s wedding? The wedding featured two blockbuster performances. Stevie Nicks took the stage, as confirmed by Good Morning America hosts who attended, though her song was not disclosed. Paul McCartney reportedly performed the Beatles’ “I Want to Hold Your Hand” live for the first time since 1964. ### Who attended Taylor Swift and Travis Kelce’s wedding? About 1,000 guests attended. From music came Ed Sheeran, Selena Gomez, the Haim sisters, Miranda Lambert, and Maren Morris, plus collaborators Jack Antonoff and Aaron Dessner. Other guests included Gigi Hadid, Zoë Kravitz, and Hugh Grant, while Kelce’s side drew Chiefs teammates and NFL figures like Roger Goodell. Related Stories - [Stevie Nicks Performs at Taylor Swift and Travis Kelce’s Wedding](https://rollingstonephilippines.com/music/stevie-nicks-taylor-swift-travis-kelce-wedding/ "Stevie Nicks Performs at Taylor Swift and Travis Kelce’s Wedding") - [Paul McCartney Played Beatles Classic for First Time Since 1964 at Taylor Swift’s Wedding](https://rollingstonephilippines.com/music/rock/paul-mccartney-beatles-taylor-swift-wedding/ "Paul McCartney Played Beatles Classic for First Time Since 1964 at Taylor Swift’s Wedding") - [Taylor Swift Just Got Engaged, But the ‘Gaylors’ Think She’s Hiding Something](https://rollingstonephilippines.com/culture/news-culture/taylor-swift-engagement-gaylors/ "Taylor Swift Just Got Engaged, But the ‘Gaylors’ Think She’s Hiding Something") **Categories:** Music, Pop **Tags:** Taylor Swift, Travis Kelce --- ### [Filipinos Are Done With a Healthcare System That Was Never Built for Them](https://rollingstonephilippines.com/radar/filipinos-healthcare-system-fix-andyou/) **Published:** July 7, 2026 **Author:** Precy Tan **Excerpt:** With over 100,000 Filipinos taking the health assessment, &you is proving that weight loss when done right and done discreetly is what the country has been waiting for **Content:** The Filipino relationship with health has always been complicated. Not because we don’t care, but because the system made caring feel impossible. Crowded hospitals. Long queues. Physicians stretched thin across a country of 115 million. The math was never in our favor. So we adapted. We pushed symptoms aside. We told ourselves we’d get checked “next month.” We watched parents and siblings go from fine to not fine fast because the warning signs went unaddressed for too long. That adaptation has a cost. And the next generation is refusing to pay it. ## **A Different Kind of Health Platform** ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/2.webp) &you offers a completely online service, saving patients time away from commuting and queues. &you is a telehealth platform built for exactly this moment. Founded by Danish entrepreneur Emil Eriksen and backed by 40 leaders across medicine, technology, and business, &you was designed to address the health concerns Filipinos deal with most but talk about least: weight management, hair loss, sexual health, and mental wellness. The response was immediate. When &you launched in 2025, 10,000 people signed up within days, a sign that the need had always been there, waiting for the right platform. “Taboo survives where systems feel judgmental,” says Eriksen. “We remove that by designing care that feels private, normal, and supportive.” ## **Weight Loss Without Shame** Here is what most people do not say out loud: weight loss is hard, the old advice is tired, and for a lot of Filipinos, the options available have not kept up with the science. &you is changing that. One of its core offerings is a doctor-supervised weight management program that includes access to semaglutide, the GLP-1 receptor agonist that works by mimicking a hormone that regulates blood sugar and appetite. The medication has reshaped conversations around weight loss globally. In the Philippines, access has historically been limited, expensive, hard to find. With &you, there are no waiting rooms, no judgment, no dead ends. “Technology should elevate standards, not dilute them,” Eriksen says. “Every consultation happens with licensed physicians, supported by systems that improve consistency. Speed never comes at the cost of responsibility.” ## Safer Than the Alternatives ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/1.webp) &you ensures every medication, supplement, and treatmentmeets the highest bar for safety, efficacy, and consistency. This part matters. Proper care shouldn’t require navigating the internet for shortcuts. &you makes it easy to take the doctor-guided route with medications and supplements that meet strict standards for safety, efficacy, and consistency. The goal is not just weight loss; it is weight loss that does not put you in a worse shape than where you started. Obesity is a modifiable risk factor for heart disease and diabetes, two of the leading causes of death in the Philippines. Addressing weight is not a vanity project; it is preventive care, the kind the public health system rarely has the bandwidth to deliver proactively but &you does. ## **What Comes Next** ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2025/06/you-image-3.webp) An AI-driven telehealth engine designed to improve how consultations are conducted and how treatment plans evolve over time is in development. Beyond digital, &you is expanding into retail, in-person care, and real-world experiences that make the brand part of everyday Filipino life. The vision is a healthcare experience that meets people where they are, not the other way around. “With &you, we want every Filipino to have access to the kind of care that was once reserved for those with the time, money, and connections to seek it out,” Eriksen says. “Proactive. Affordable. Genuinely designed around how life here actually works.” The system was not built for us. &you was. *Visit*[ *andyou.ph*](http://www.andyou.ph/) *to find out more or to start your program today.* *DISCLAIMER: &you is a digital health platform that facilitates access to healthcare services through licensed healthcare professionals. &you is not a licensed healthcare facility, hospital, or pharmacy.* ## Frequently Asked Questions ### What is &you? &you is a Philippine telehealth platform that launched in 2025, offering online access to licensed physicians. It focuses on health concerns Filipinos often deal with privately — weight management, hair loss, sexual health, and mental wellness — through fully online consultations, without hospital queues or in-person visits. ### Who founded &you? &you was founded by Danish entrepreneur Emil Eriksen and is backed by a group of around 40 leaders across medicine, technology, and business. According to the company, more than 100,000 Filipinos have taken its online health assessment since its 2025 launch. ### What services does &you offer? &you offers online, doctor-supervised programs for four main areas: weight management, hair loss, sexual health, and mental wellness. Its weight-management program is supervised by licensed physicians and, per the company, includes access to prescription options where clinically appropriate, all handled through the online platform. ### How does &you work? &you operates entirely online. Users complete a health assessment, then consult with licensed physicians through the platform rather than visiting a clinic. The company says this removes waiting rooms and long queues, and that any medications or supplements provided are meant to meet safety and efficacy standards. ### Is &you a licensed healthcare provider? According to its own disclaimer, &you is a digital health platform that facilitates access to care through licensed healthcare professionals — it is not itself a licensed hospital, healthcare facility, or pharmacy. Consultations are conducted by licensed physicians. More information is available at andyou.ph. **Categories:** Radar, RS Spotlight **Tags:** &you, healthcare --- ### [For Marina Summers, to Represent Filipino Excellence Was Never A Burden](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/marina-summers-voices/) **Published:** July 6, 2026 **Author:** Sai Versailles **Excerpt:** The celebrated drag queen talks about her transition, Filipino drag’s global rise, and the responsibility of representation **Content:** [Marina Summers](https://rollingstonephilippines.com/tag/marina-summers/ "marina summers") loves it all, she says. “I love beautiful things. I love glamour. I love clothes. I love it all.” In the past few years, Marina has become one of the most recognizable faces of Filipino drag. From her breakout run as runner-up on the first season of *[Drag Race Philippines](https://rollingstonephilippines.com/tag/drag-race-philippines/ "Drag Race Philippines")* in 2022 to her historic stint on *RuPaul’s Drag Race UK vs. the World* in 2024, she has carried Filipino drag onto big stages in the country and abroad. On the international stage, Marina has made it impossible to separate her drag from her identity as a Filipina artist. There was the [Manny Pacquiao](https://rollingstonephilippines.com/tag/manny-pacquiao/ "Manny Pacquiao") impression in Snatch Game, the bangus-inspired terno, and the many references to Filipino culture woven into many of her looks. As she puts it, for Filipino creatives, there is often a “constant duty to represent where you came from.” In this Rolling Stone Philippines Interview, Marina says that responsibility has never been a burden. “It was a conscious decision. Hindi siya pressure.” In February, Marina publicly came out as a trans woman, inviting people into a deeply personal journey that she had been navigating long before. After years of embodying femininity through drag, she began exploring what it meant to live as herself beyond the stage and beyond her drag persona. “I don’t have to project femininity. I don’t have to project my womanhood because I am a woman,” she says. As she continues to understand this new chapter of her life, Marina speaks openly about the vulnerability of learning how to be a woman while also becoming a voice for other trans people. Visibility comes with a lot of weight. Since her transition, Marina says she has noticed that people listen to her differently, and that she is now often called upon to speak not only as a drag artist, but as a trans woman representing a wider community. It is a responsibility she approaches with both pride and humility, knowing that she is still learning while carrying the hopes and experiences of others with her. “Now, everyone wants me to come out of drag, speak, and represent the trans community,” she says. “But for me, that’s very tricky as well. Not because I’m afraid to speak for the community. Not because I don’t want the responsibility. It’s because I’m still learning how to be a woman. Takot pa rin ako up until now to say the wrong things, to do the wrong things, because I want to be a role model to a lot of trans people out there. Queer people, even.” “‘Pag hindi ko siya \[drag\] ginawa, parang ang boring ng buhay ko. Parang hindi fulfilled ‘yung buhay ko.” Marina Summers When asked if she ever wished that she didn’t have to prove herself by doing so many things, she said, “Yes, ‘yung job ko, it sounds \[like\] a lot. But for me, it’s simple because it’s something I love. Ang hirap kasi ng drag talaga, na parang pwede naman kasing hindi mo gawin. Ba’t mo gagawin? Pero ‘pag iniisip ko, ‘pag hindi ko siya ginawa, parang ang boring ng buhay ko. Parang hindi fulfilled ‘yung buhay ko.” Seven years into her drag career, Marina has reached milestones never met by other Filipinos before: becoming the first drag queen to perform at Miss Universe Philippines, the first Filipina drag queen to walk the Cannes red carpet, and the first trans woman to [host Miss Universe Philippines](https://rollingstonephilippines.com/culture/marina-summers-miss-universe-philippines/ "Marina Summers to Make History as First Trans Woman to Host Miss Universe Philippines Coronation"). Yet beyond the titles and firsts, she still works for the communities that built her. “Ang trabaho ng pag-da-drag ay hindi biro,” she says. “It’s life for us. And ang daming performers natin, mga local artists, local queer artists na sila ‘yung bumubuhay sa family nila using drag. Sila ang nagpapaaral sa mga kapatid nila using drag kasi walang ibang opportunities for them.” As Filipino drag continues to find its place in mainstream culture, Marina stands at the intersection of its past, present, and future: a performer, an artist, and an increasingly important voice for a community still fighting for its rights. —*PIE GONZAGA* *This interview has been edited for clarity.* ![Rolling-Stone-Philippines-Marina-Summers-VOICES_1](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/Rolling-Stone-Philippines-Marina-Summers-VOICES_1.webp) **In the [last interview](https://rollingstonephilippines.com/culture/marina-summers-drag-stardom/ "Marina Summers on Drag Stardom and What Happens After Going Global") that you had with us, you said that you were in your hyper-feminine conditioner campaign. Your sobrang sikip era.** Conditioner era, yes. Masikip. Medyo mas open na siya ngayon. When was that? Last year, ‘no? That time kasi parang I was very, in my own world pa. It was the very early stages of my transitioning kaya parang in-embody ko pa ‘yung hyperfemininity. And I wanted to project that as well. But now, mas, ‘yun nga, mas open na ako na parang I don’t have to project femininity. I don’t have to project my womanhood because I am a woman. **You made this announcement in February about your transition journey. And it took you about a year to muster the courage to do** **that. There are dolls who helped you prepare also, like your community and your friends. What is the most important lesson that you learned from your friends that you wouldn’t have otherwise thought about yourself alone?** I think one of my biggest fears about transitioning is not public perception. It’s as vain as it sounds, ‘yung bagay ba sakin ‘pag naging babae ako? Totoo siyang question na dinadala ng mga trans woman, especially those people about to transition. Siyempre parang lumaki tayo sa society, especially as a queer person, as a formerly gay person, parang feeling babae. ‘Yung mga ganon na binabato sa ‘min, especially as a drag queen who’s portraying a feminine character na parang you’re trying hard to be a girl. Or hindi man bagay sa ‘yong maging babae. So, parang dala- dala ko ‘yun when I was going into my transition. Parang, bagay ba? And kasama nung tanong na ‘yun, ‘yung “Para sa ‘kin ba ‘to?” Is this really what I wanted to do? And I’m really, really lucky na nagkaroon ako ng strong, very small circle, but also a very strong foundation. Marami akong mga naging conversation with my trans sisters na mas na-open nung pananaw ko on what it is. How do I say it? What it takes to be a woman. Hindi siya sa itsura lang. It’s the essence of being a woman. It’s the heart, it’s the soul. And I had conversations with my friends na once malampasan mo ‘yung hurdle na ‘yun na “Bagay ba sakin maging babae?” parang mas mag-o-open ‘yung sarili mo to all the possibilities without thinking about how you look, how you act, gaano kahaba ba ‘yung buhok mo? Unclockable ka ba? ‘Yun ‘yung number one. Parang ‘pag nag-trans woman ba ako, unclockable ba ako? Cis passing ba ako or whatnot? ‘Yun talaga. As in, isa ‘yun sa mga pinaka-struggle ko talaga when I was about to transition. So I’m really, really lucky na nagkaroon ako ng support system na pinaintindi sa ‘kin or pinaramdam sa ‘kin na kahit anuman maging itsura mo, as long as you embody being a woman, you are a woman. **What’s the hardest part about being a woman?** Honestly, ‘yang tanong na ‘yan ‘yung hindi ko pa kayang sagutin: What’s the best thing about being a woman and what’s the hardest part of being a woman? Because I’m still early on in the journey. And para akong dalaga ulit. Para ako nagdadalaga, nag-pu-puberty. From being a teenager, parang hinahanap ko pa ‘yung the lady version of Marina. Parang, “Oh my God, bago sa ‘kin lahat.” I’m still changing a lot with my body and everything. So I feel like hindi ko pa siya fully alam kung ano ‘yung hardest part about it. Feeling ko nga hindi ko pa siya nadadatnan. Feeling ko nasa early stages pa ako ng pagiging babae. Wala pa ako dun sa kalingkingan ng hirap, ng sarap. But as a trans woman, as of now, sa start ng journey ko, I feel like ‘yung pinaka-mahirap talaga is the ‘yung changes physically and mentally. Ang daming changes. **Mentally?** Napag-usapan namin ‘to ni Kylie \[Verzosa\] sa podcast niya na merong times na bigla na lang ako hindi makakatulog from 1 a.m. to 7 a.m. And I’m just crying. I don’t know what the reason is. Minsan may reason, kunwari nasa social media ko, may mapapanood akong dogs reunited with their owners after five years. Mga ganoon. Iiyakan ko ‘yun. Tapos dire-diretso na, ang dami ko nang maiisip. Maiisip ko na I’m so alone. Parang never ko na-experience before na parang sobrang heightened ng emotions ko. ‘Yung battle ko mentally para siyang, paano ba? Everything’s on steroids. Parang ganoon. ‘Yung emotions ko, ‘yung mga iniisip ko, ‘yung changes sa katawan ko, ganoon. Feeling ko ‘yun ‘yung pinakamahirap for me. Kasi, minsan, especially sa work natin, parang you have to be very professional, especially when you’re leading a team as well. Kailangan logic before emotions lagi, ‘di ba? Pero ang hirap as a trans woman na punung-puno ka ng emotions every single day, na isasantabi mo ‘yun for the sake of your brand, your career, your job, basically. “Takot pa rin ako up until now to say the wrong things, to do the wrong things, because I want to be a role model to a lot of trans people out there. Queer people, even.” Marina Summers **That sounds about right. I think women have to think about so many things at once so it manifests mentally for sure and I feel like more people need to know that.** **I want to talk about ‘yung may isa kang sinabi na hindi mo ma-pin- point kung kailan mo nalaman na gusto mo mag-transition because it’s I think your whole life. You’re thinking about it, whether consciously or subconsciously. But I** **want to know, were there ways outside of drag that you were able to express the feminine side of your identity prior to transitioning?** I’ve always felt like a girl sa loob ko ever since bata pa ako. And I think nag-manifest din ‘yun sa family ko \[na\] hindi ako pinapagawa ng mga male chores. Hindi ako pinagbubuhat, lagi akong hugas ng pinggan, walis, ganyan, laba-laba, ganun. Parang puro mga pang-girl chores ‘yung binibigay sa ‘kin. And then ang tawag din sa ‘kin ng family ko hindi “kuya”. “Ate girl” ang tawag nila sa ‘kin, ‘yung mga tito, tita ko. So parang bata pa lang ako talaga, I was given a chance to express who I really was talaga and what I really feel. Hindi sinabi sa ‘kin kung paano ako dapat umarte, how to act, how to talk, and ano lang ‘yung mga bagay na pwede kong gawin, ano lang ‘yung mga bagay na pwede kong hawakan, or what not, ganun. So I feel like in those mundane things, bata pa lang ako talaga, parang feeling ko babae na talaga ako. I just didn’t have the right word for it. And then eventually, all of it — for me talaga — revolved around drag. Parang dun talaga na-magnify na, “Ah kaya pala gusto kong tinatawag ako na ‘ate’ before,” “Ah kaya pala ayaw ko ng mga panlalaking chores before,” ganun na siya when I transitioned, when I was doing drag na. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/Rolling-Stone-Philippines-Marina-Summers-VOICES_2.webp) ![Rolling-Stone-Philippines-Marina-Summers-VOICES_3](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/Rolling-Stone-Philippines-Marina-Summers-VOICES_3.webp) What else? Honestly, art. Performing, dancing, singing, making the bulletin board ng high school namin, nag-de-design sa stage, leading the Nutrition Month jingle, mga ganun. The typical artistic form of expressing yourself. I feel like at a very early age, I was very open about all of these beautiful things. There are a lot of beautiful things to share with the world. And I’ve always been in love with beauty. I remember when I was little pa, ‘yung mga friends ko, ang pinapanood nila mga *Digimon*, *Naruto*. Ako nanonood ako ng Lifestyle Network, Star World, mga ganyan. *[America’s Next Top Model](https://rollingstonephilippines.com/culture/tv/americas-next-top-model-docuseries-recap/ "5 Toxic Takeaways From the ‘America’s Next Top Model’ Docuseries")*, *Cooking with Martha Stewart*, mga ganyan. I love beautiful things, I love glamour, I love clothes, I love it all. Pageantry even. I’m a huge fan of Miss Universe. May times pa na umaabsent ako para lang manood ng Miss Universe. Yeah, full circle. Here we are now, ‘di ba? I’ve always invited the glamorous idea in my head back then, without even thinking na “Ah, gagawin ko to in the future” or parang mag-da-drag ako in the future or mag-ho-host ako ng Miss Universe in the future. Wala ‘yun sa utak ko before. I just love it, I just embody, I just invite it sa kaluob- looban ng puso ko. **How have you made sense of this idea of masculinity that is not being tied to a specific gender? Do you feel that you’re still embodying that somehow, or is that something you are sort of really trying to put aside for yourself?** I mean, I am not saying that I’m not happy with my life before. I was very, very thankful I went through that. I’m very thankful na I’m a woman with a trans experience. I think that’s so powerful. But at this point in my life talaga, I feel like me as a masculine person before; that chapter is closed. And it’s this life that I’m living now, I want to live it fully talaga. And I feel you on that. Like even up until now, like ito ah, na-mi-misgender pa ako nito. Natatawag pa akong “sir.” I think it’s especially because of my voice as well. And I feel like that’s one of the growing insecurities I have now. Kasi ‘pag nag-transition, ang dami talagang insecurities na lumalabas. So you are slowly trying to parang push that away. Kasi siyempre you’re trying to embody this new life ne. And when someone reminds you na “You don’t look like the person you’re trying to be,” ang sakit ‘di ba? That’s why, hindi naman trying to forget it, but that is not me anymore. I remember there was a very, very sad story. This February, I was in La Union. I came out as a trans woman publicly. Then we had a dinner celebrating and tinawag akong “sir.” Boobs and all ah. I was made up and all. After I told the world na I’m a woman, nasa “sir” pa rin ako. And thankfully, kasama ko si Eva Le Queen, my knight in charming armor. Talagang kinausap niya naman. And they apologized naman. Pero moments like those make you think, hindi pa ba enough what I’ve gone through? Hindi pa ba enough to para alam niyo, makita niyo na I’m a woman? Parang, what do I have to do? What do I have to change? **In the previous interview that you had with us, you said that drag is one of the most multifaceted art forms, which is its strength. But do you ever wish that as a queer artist, your life could be simpler or that you didn’t have to prove yourself by doing so many things?** That’s a very interesting question kasi minsan naisip ko din ‘yan. What if ito lang ‘yung ginagawa ko? What if pumirmi na lang ako sa bahay? What if nagsusulat na lang ako? What if ‘yun lang ‘yung ginagawa ko? What if I have a simpler life? What if I have a simpler job? But then again, na-realize ko, yes, ‘yung job ko, it sounds like a lot. But for me, it’s simple because it’s something I love. ‘Pag iniisip ko, ang hirap kasi ng drag talaga. Ang dami mong kailangang gawin to be able to put on a look, a performance, content, na parang pwede naman kasi hindi mo gawin. Ba’t mo gagawin? Pero ‘pag hindi ko siya ginawa, parang ang boring ng buhay ko. Parang hindi fulfilled ‘yung buhay ko. At ‘yun ‘yung ni-re-remind ko sa sarili ko na yes, my job is a lot, it’s too much, but it brings me so much joy as well. It brings me so much life. And art keeps me alive. The grass is always greener on the other side. ‘Yung mga may simpleng buhay, we imagine a mas glamorous lifestyle. I guess it comes with the trade. Pero siyempre, I still long for the simpler times. Especially when you’re going out. Hindi ka maka-party masyado, or very controlled na, marami nang inaasikaso. You have to be very responsible na din. Pini-picture ko pa rin ‘yung buhay ko sa tabing dagat, tahimik lang, mayroon akong aso, tapos mayroon akong ganung buhay. Pero this is it, baby. This is the life of a showgirl. “I’m going to prove na I can represent Filipino drag. Not for the people na nagsabi sa akin na hindi ko kaya. It’s for the world to see na this is Filipino drag, I am Filipino drag.” Marina Summers ![Rolling-Stone-Philippines-Marina-Summers-VOICES_5](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/Rolling-Stone-Philippines-Marina-Summers-VOICES_5.webp) **‘Yung mga looks mo, you incorporated a lot of Filipino references. And I want to know, do you feel like may expectations on certain Filipino artists to showcase their culture or represent their culture in a certain way? And I ask that maybe in relation to your looks. Feel mo ba na may fear na if you go too outside of the box, ma-mi-misunderstand ka? How do you balance those?** For Filipino creatives, Filipino artists, I feel like there’s that constant, hindi naman sya pressure, parang duty to represent where you came from. Merong ganun eh kasi we’re not that represented fully. Especially ‘pag nabigyan ka ng ganun kalaking opportunity, you have to do it. ‘Wag ka nang tumingin sa ibang bagay, andyan na eh, nasa harapan mo na eh. But for me, it was a conscious decision. Hindi siya pressure. Meron siyang konting trying to prove myself eh. Kasi when I did *Drag Race Philippines* — first time kong sabihin ‘to —most of the comments that I get was like, “Hindi siya nanalo kasi pang- Western ‘yung drag niya.” Na parang, “Guys, Filipino ako.” I didn’t really get it. Pero na-gets ko siya kasi this is what they see sa mga Western drag queens. Siguro same kami ng drag style, pero Filipino ako. Bakit hindi ako pwedeng maging Filipino? Dahil I dance a lot, I talk in a different language, ganyan? Bakit hindi ko pwedeng i-represent ‘yung Filipino drag? Bakit ‘yun ‘yung ini-impose sa akin ng mga tao? So nung nag-*Drag Race UK vs. The World* ako, at the back of my mind, I’m going to prove na I can represent Filipino drag. Not for the people na nagsabi sa akin na hindi ko kaya. It’s for the world to see na this is Filipino drag, I am Filipino drag. And hindi ko alam if masusundan pa ‘yun kasi sobrang, it was the first time na may pinadala from *Drag Race Philippines* to compete abroad. And gusto mong sundan ‘yun, gusto mong dumami. So I really wanted to help put *Drag Race Philippines* on the map talaga — on the international *Drag Race* map, rather. So it was a conscious decision na, especially when you’re competing with different types of drag from different countries, meron ding fear na baka maging homogenous kami kasi syempre sinasabi ng mga tao Western ‘yung drag ko. Kasi maraming mga Western drag queens sa *UK vs. The World*. So, parang when I was trying to think of a strategy, sabi ko, “find it within your heart kung ano ‘yung kaya mong gawin.” I don’t think too much outside the box. Just do what you know, ‘di ba? And if you know what you do, kahit anong challenges ‘yung ibigay sa ‘yo, you can express something kasi hindi mo fine-fake ‘yung what you’re representing. You know fully well what you’re trying to represent. So, I think it really helped me during that time. And also, may fear e… I remember there was a time na even Filipino fans were saying, it’s “too much Philippines,” ‘di ba? Parang when I was on *Drag Race Philippines*, parang she doesn’t represent Filipino dyan. When I represented Filipino culture naman, parang it’s too much Philippines, the Western people won’t get it. I’m not trying to please them. I want to spark curiosity. What is she wearing? Hindi siya parang, “What is she wearing? I don’t get it.” It’s more like, “What is she wearing? That’s interesting.” Those are two different responses. And honestly, Filipino fans are saying, mas ‘yung latter. Pero in all honesty, it’s yung curiosity ng mga international fans. Mas ‘yun eh. Even si RuPaul, every time I talk to her on the main stage, she always asks about the look. Hindi lang dahil hindi niya alam ‘yun. It’s because she really wanted to know what I was wearing. And what type of drag I was representing. And she was very curious about it. And she was really happy to see it on the stage. So, yeah. Fuck it. > [View this post on Instagram](https://www.instagram.com/p/DaJ6eosFwFk/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rolling Stone Philippines (@rollingstoneph)](https://www.instagram.com/p/DaJ6eosFwFk/?utm_source=ig_embed&utm_campaign=loading) *Read the rest of this digital cover story in the Rolling Stone Philippines’ Voices Issue, now available for pre-order on [Sari-sari Shopping](https://www.instagram.com/sarisari_shopping/) and in major newsstands soon.* *Get digital access to the latest issue [here.](https://rollingstonephilippines.com/digital-access/)* ## Frequently Asked Questions ### Who is Marina Summers? Marina Summers is one of the most recognizable figures in Filipino drag. She rose to fame as the runner-up on the first season of Drag Race Philippines in 2022 and later competed on RuPaul’s Drag Race UK vs. the World in 2024, carrying Filipino drag to international stages. ### When did Marina Summers come out as a trans woman? Marina Summers publicly came out as a trans woman in February 2026, a step she says she navigated privately for about a year beforehand. In her Rolling Stone interview, she describes still learning how to live as a woman while becoming a voice for the trans community. ### What records has Marina Summers set? Marina Summers has achieved several historic firsts. She became the first drag queen to perform at Miss Universe Philippines, the first Filipina drag queen to walk the Cannes red carpet, and the first trans woman to host the Miss Universe Philippines coronation. ### How does Marina Summers feel about representing Filipino culture? Marina Summers says representing Filipino culture has never been a burden but a conscious choice. Known for looks like a bangus-inspired terno and a Manny Pacquiao Snatch Game impression, she describes a duty Filipino artists feel to represent where they come from on global stages. ### What has Marina Summers said about her transition? In the interview, Marina Summers speaks candidly about the vulnerability of transitioning, comparing it to going through a second puberty with heightened emotions and physical change. She also reflects on being misgendered and on the responsibility of speaking as a role model for trans and queer people. More from Rolling Stone Philippines Voices Issue - [Atom Araullo is Willing to Take the Risk](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/atom-araullo-is-willing-to-take-the-risk/ "Atom Araullo is Willing to Take the Risk") - [Rappler’s Pia Ranada Still Believes in the Promise of Journalism](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/pia-ranada-journalism-voices/ "Rappler’s Pia Ranada Still Believes in the Promise of Journalism") - [Anygma on Hip-hop and the Perception of the Underground Going Mainstream](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/anygma-fliptop-battle-league/ "Anygma on Hip-hop and the Perception of the Underground Going Mainstream") **Categories:** Editor's Picks, The Rolling Stone Interview **Tags:** marina summers, Rolling Stone Philippines Voices --- ### [Stevie Nicks Performs at Taylor Swift and Travis Kelce’s Wedding](https://rollingstonephilippines.com/music/stevie-nicks-taylor-swift-travis-kelce-wedding/) **Published:** July 6, 2026 **Author:** Althea Legaspi **Excerpt:** The Fleetwood Mac singer took the stage at Madison Square Garden following the couple's ceremony on Friday night **Content:** [Stevie Nicks](https://rollingstonephilippines.com/tag/stevie-nicks/ "Stevie Nicks") is no stranger to playing Madison Square Garden, having performed solo as well as [with Fleetwood Mac](https://www.rollingstone.com/music/music-live-reviews/fleetwood-mac-float-on-a-cloud-at-euphoric-madison-square-garden-gig-178841/) several times over the years. And while we imagine that every MSG performance is special, this one was likely one for the books as Nicks performed at the nuptials of [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/ "Taylor Swift") and [Travis Kelce](https://rollingstonephilippines.com/tag/travis-kelce/ "Travis Kelce"). Although details of the performance remain scarce, *Good Morning America* hosts Robin Roberts, Michael Strahan, and George Stephanopoulos confirmed that Nicks did take the stage. “We can confirm that, yes, Stevie Nicks did perform,” Roberts, who attended the wedding alongside her co-hosts, [said on the show](https://www.youtube.com/watch?v=jqQKYe_i8gc) this morning. It’s so far unclear what song Nicks performed and whether she performed with anyone (Swift herself?). Nicks and Swift have long shared mutual admiration for one another. In 2024, Nicks penned a poem for Swift’s *The Tortured Poets Department* titled “For T — and me,” which is featured on physical copies of the album. Meanwhile, Swift name-dropped Nicks in “Clara Bow,” the final track of the album’s standard version. Nicks has been supportive of the couple. “She’s in a good place right now, and I think she has a good man,” she said in her 2024 *[Rolling Stone Interview](https://www.rollingstone.com/music/music-features/stevie-nicks-fleetwood-mac-kamala-harris-new-music-1235140437/).* She added: “I hope they fall deeper and deeper in love and ride off into the sunset. He does his thing and she does her thing, and then they come back together and get married and have babies if she wants that. I just want all of that for her.” Late last year, [Swift discussed her relationship with Nicks](https://www.rollingstone.com/music/music-news/taylor-swift-stevie-nicks-stephen-colbert-1235482544/) in an interview on *[The Late Show With Stephen Colbert](https://rollingstonephilippines.com/tag/the-late-show-with-stephen-colbert/ "The Late Show With Stephen Colbert")*. “I have Stevie Nicks in my life in a way that affects me positively constantly,” she told Colbert. “Being able to talk to her and have a phone call with her and hear what she’s been through … I feel very lucky that she’s lended her very magical, wonderful, wise approach to life to me.” Swift and Kelce [officially tied the knot](https://www.rollingstone.com/music/music-news/taylor-swift-travis-kelce-wedding-ceremony-1235575513/) on Friday night. The couple did not have bridesmaids or groomsmen. Instead, Swift’s brother Austin Swift served as her “Man of Honor” and Jason Kelce was Kelce’s Best Man*.* The ceremony was officiated by Adam Sandler. Unsurprisingly, the big spectacle was jam-packed with musicians, from Swift’s close collaborators [Jack Antonoff](https://rollingstonephilippines.com/tag/jack-antonoff/ "Jack Antonoff") and Aaron Dessner to her close friends in the music industry like [Ed Sheeran](https://rollingstonephilippines.com/tag/ed-sheeran/ "Ed Sheeran"), Selena Gomez, the [Haim](https://rollingstonephilippines.com/tag/haim/ "HAIM") sisters, [Sombr](https://rollingstonephilippines.com/tag/sombr/ "sombr"), Brad Paisley, Miranda Lambert, Kelsea Ballerini, Rascal Flatts guitarist Joe Don Rooney, and Maren Morris. Some of Swift’s closest friends were in attendance, including Abigail Andersen, Ashley Avignone, [Gigi Hadid](https://rollingstonephilippines.com/culture/victorias-secret-fashion-show-2025/ "Is Victoria’s Secret Trying to Make Its Fashion Show Cool Again?"), Lena Dunham, and [Zoë Kravitz](https://rollingstonephilippines.com/tag/zoe-kravitz/ "Zoe Kravitz"). Karli Kloss attended with her husband Joshua Kushner, a surprise after rumors of a rift between her and Swift. Beyond the music industry, Swift also made sure to invite celebrities she’s bonded with over the years, like Marisa Hargitay from *Law & Order: SVU*. [Dakota Johnson](https://rollingstonephilippines.com/tag/dakota-johnson/ "Dakota Johnson"), Julianne Moore, [Ethan Hawke](https://rollingstonephilippines.com/tag/ethan-hawke/ "Ethan Hawke"), Hugh Grant, Jason Sudeikis, Charlie Day, and Jessica Chastain added to the A-list hype. Golden Globes host [Nikki Glaser](https://rollingstonephilippines.com/tag/nikki-glaser/ "Nikki Glaser"), a longtime Swift fan, also scored an invite, as did *The Tonight Show* host Jimmy Fallon. Of course, several athletes were on Kelce’s side of the aisle, including his Kansas City Chiefs teammates and head coach Andy Reid. Other NFL players, including LA Rams quarterback Matthew Stafford, were also there. Kelce brought sports broadcasters to the party in Erin Andrews and Greg Olsen, who are also retired NFL players. Abby Wambach, who attended with wife Glennon Doyle, represented soccer, while NFL commissioner Roger Goodell joined the festivities. *This article was originally published on **[rollingstone.com](https://www.rollingstone.com/music/music-news/stevie-nicks-performance-taylor-swift-travis-kelce-wedding-1235586080/)**.* ## Frequently Asked Questions ### Did Stevie Nicks perform at Taylor Swift’s wedding? Yes. Stevie Nicks performed at Taylor Swift and Travis Kelce’s Madison Square Garden wedding, taking the stage after the Friday-night ceremony. Good Morning America hosts Robin Roberts, Michael Strahan, and George Stephanopoulos, who attended, confirmed the performance, though the song she played was not disclosed. ### What song did Stevie Nicks perform at the wedding? As of Rolling Stone’s report, it was unclear which song Stevie Nicks performed at Taylor Swift and Travis Kelce’s wedding, or whether she was joined by anyone on stage. Details of the reception performance remained scarce, with only the fact of her appearance confirmed. ### How are Stevie Nicks and Taylor Swift connected? Stevie Nicks and Taylor Swift share a long friendship and mutual admiration. In 2024, Nicks wrote a poem, “For T — and me,” for physical copies of Swift’s The Tortured Poets Department, and Swift name-dropped Nicks on the album’s track “Clara Bow.” ### Who else performed at Taylor Swift and Travis Kelce’s wedding? The wedding drew a star-packed crowd of musicians, including Paul McCartney, Swift’s collaborators Jack Antonoff and Aaron Dessner, plus Ed Sheeran, Selena Gomez, the Haim sisters, Miranda Lambert, and Maren Morris. Stevie Nicks was among the A-list artists who performed at the reception. ### Who officiated Taylor Swift and Travis Kelce’s wedding? Adam Sandler officiated Taylor Swift and Travis Kelce’s Friday-night wedding at Madison Square Garden. The couple skipped traditional bridesmaids and groomsmen; instead, Swift’s brother Austin Swift served as her “Man of Honor,” while Travis’s brother Jason Kelce stood as Best Man. Related Stories - [Stevie Nicks: ‘I Believe in the Church of Stevie’](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/stevie-nicks-fleetwood-mac-kamala-harris-new-music/ "Stevie Nicks: ‘I Believe in the Church of Stevie’") - [Sabrina Carpenter Charts Her Path in Pop With New Album ‘Man’s Best Friend’](https://rollingstonephilippines.com/music/sabrina-carpenter-mans-best-friend/ "Sabrina Carpenter Charts Her Path in Pop With New Album ‘Man’s Best Friend’") - [Podcasts Have Taken Over Celebrity Discourse](https://rollingstonephilippines.com/editors-picks/commentary/podcasts-celebrity-taylor-swift/ "Podcasts Have Taken Over Celebrity Discourse") **Categories:** Music, News **Tags:** Stevie Nicks, Taylor Swift, Travis Kelce --- ### [Oasis Share First Teaser for Upcoming Doc ‘Don’t Look Back in Anger’](https://rollingstonephilippines.com/music/oasis-teaser-documentary-dont-look-back-in-anger/) **Published:** July 6, 2026 **Author:** Daniel Kreps **Excerpt:** Steven Knight-produced film about Gallagher brothers' unlikely reunion to hit cinemas in September before its Disney+ and Hulu streaming premiere later this year **Content:** On the one-year anniversary of [Oasis](https://rollingstonephilippines.com/tag/oasis/ "Oasis")’ [first reunion show](https://www.rollingstone.com/music/music-live-reviews/oasis-reunite-first-show-review-1235379271/), the band has shared the first teaser for *Don’t Look Back in Anger*, [the almost-shelved documentary](https://www.rollingstone.com/music/music-news/oasis-set-release-date-reunion-tour-documentary-1235559824/) about the Gallagher brothers’ unlikely comeback. The 45-second clip features Oasis’ rowdy crowds and hints at rehearsal footage as Noel and Liam Gallagher talk about their reunion years after Oasis’ acrimonious breakup. “I just don’t see myself onstage with Liam, I just don’t see it,” Noel says in voiceover, while Liam adds, “The way it finished, unacceptable.” “The film is an unapologetically uplifting account of the biggest musical event of 2025, capturing the experience and emotions of the band and their fans across the world,” a synopsis said. “The unique perspective includes rehearsal, backstage, and onstage access as well as the first joint interviews with Noel and Liam in over 20 years. Alongside the band’s sold-out world tour, the film also explores the profound emotional impact of this phenomenal global cultural moment and what their music means to audiences and generations worldwide.” *Don’t Look Back in Anger*, created by *Peaky Blinders*’ Steven Knight and directed by Dylan Southern and Will Lovelace, will open in IMAX and cinemas this September before arriving on Hulu and Disney+ later this year. “The Oasis world tour united generations, cultures and countries and spoke to a broken world about reconciliation,” Knight said in a statement. “*Don’t Look Back In Anger* is not only your ticket to the show – it’s a backstage pass and a seat at the table when Liam and Noel sit down together for the first time in 15 years and tell it how it is and how it was.” Oasis’ reunion trek kicked off on July 4, 2025 in Cardiff, Wales and toured Europe, North America, Asia, Australia, and South America before concluding in November in Sao Paulo, Brazil, days after the band was [inducted into the Rock and Roll Hall of Fame](https://rollingstonephilippines.com/music/rock/liam-gallagher-oasis-rock-and-hall-of-fame/ "Liam Gallagher Accepts Rock and Roll Hall of Fame Honor Years After Criticizing It"). The band has not revealed their future plans. *This article was originally published on **[rollingstone.com](https://www.rollingstone.com/music/music-news/oasis-first-teaser-documentary-dont-look-back-in-anger-1235589204/)**.* ## Frequently Asked Questions ### What is the Oasis documentary Don’t Look Back in Anger about? Don’t Look Back in Anger is a documentary about Oasis and the Gallagher brothers’ unlikely 2025 reunion. It promises rehearsal, backstage, and onstage access, plus the first joint interviews with Noel and Liam Gallagher in over 20 years, framed around their sold-out world tour. ### When and where can you watch the Oasis documentary? Don’t Look Back in Anger opens in IMAX and cinemas in September 2026, then arrives on Hulu and Disney+ later in the year. Oasis released the first 45-second teaser to mark the one-year anniversary of the band’s first reunion show. ### Who made the Oasis documentary Don’t Look Back in Anger? Don’t Look Back in Anger was created by Steven Knight, the writer behind Peaky Blinders, and directed by Dylan Southern and Will Lovelace. Knight described the film as a backstage pass to Liam and Noel Gallagher sitting down together for the first time in 15 years. ### What does the Oasis documentary teaser show? The 45-second teaser features Oasis’ rowdy crowds and hints of rehearsal footage, with Noel and Liam Gallagher reflecting in voiceover on their reunion after the band’s acrimonious 2009 breakup. Noel admits he never pictured sharing a stage with Liam again, while Liam calls the split unacceptable. ### How did the Oasis reunion tour go? Oasis’ reunion tour began on July 4, 2025, in Cardiff, Wales, and traveled across Europe, North America, Asia, Australia, and South America before wrapping in November in São Paulo, Brazil. The run ended days after the band was inducted into the Rock and Roll Hall of Fame. Related Stories - [How the Oasis Reunion is a Reminder of Filipino Music’s Britpop Fascination](https://rollingstonephilippines.com/music/news/oasis-reunion-filipino-britpop/ "How the Oasis Reunion is a Reminder of Filipino Music’s Britpop Fascination") - [Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’](https://rollingstonephilippines.com/music/singer-songwriter-barbie-almalbis-myth-of-rakista-rolling-stone-interview/ "Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’") - [Ely Buendia is a Walking Contradiction](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/ely-buendia-the-rolling-stone-interview/ "Ely Buendia is a Walking Contradiction") **Categories:** Music, Rock **Tags:** Oasis --- ### [Paul McCartney Played Beatles Classic for First Time Since 1964 at Taylor Swift’s Wedding](https://rollingstonephilippines.com/music/rock/paul-mccartney-beatles-taylor-swift-wedding/) **Published:** July 6, 2026 **Author:** Daniel Kreps **Excerpt:** Sixty-two years after the Beatles last performed "I Want to Hold Your Hand," McCartney played the song for the first time as a solo artist at Madison Square Garden reception **Content:** [Paul McCartney](https://rollingstonephilippines.com/tag/paul-mccartney/ "Paul McCartney") reportedly performed [the Beatles](https://rollingstonephilippines.com/tag/the-beatles/ "The Beatles") classic “I Want to Hold Your Hand” live for the first time since 1964 at [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/ "Taylor Swift") and [Travis Kelce](https://rollingstonephilippines.com/tag/travis-kelce/ "Travis Kelce")’s [Madison Square Garden wedding reception](https://www.rollingstone.com/music/music-news/taylor-swift-travis-kelce-wedding-ceremony-1235575513/). McCartney, [like Stevie Nicks](https://www.rollingstone.com/music/music-news/stevie-nicks-performance-taylor-swift-travis-kelce-wedding-1235586080/), was among the A-list performers at the couple’s wedding, and [*People* reports](https://people.com/paul-mccartney-performs-taylor-swift-and-travis-kelce-wedding-12011888) that McCartney used the special occasion to play a song he hadn’t performed live since the Beatles’ early days, and a hit he never touched live as a solo artist. “After the ceremony, Taylor’s mom Andrea invited everyone into the reception room where the stage was set up,” a source told *People*. According to [setlist.fm](https://www.setlist.fm/stats/songs/the-beatles-23d6a88b.html?songid=1bd701c4), the last time McCartney performed “I Want to Hold Your Hand” live was on September 20, 1964 at the Beatles’ concert at New York’s Paramount Theatre. The track remained unplayed by him for 62 years, until the Swift wedding. McCartney and Swift, who appeared together on [the cover of *Rolling Stone*’s Musicians on Musicians issue in 2020](https://www.rollingstone.com/music/music-features/paul-mccartney-taylor-swift-musicians-on-musicians-1089058/ "the cover of Rolling Stone’s Musicians on Musicians issue in 2020"), have long praised each other’s work, with McCartney saying the weeks leading up to the wedding that Swift’s fame rivals that of the Beatles’. “You do see the parallel, you know the fame and the amount of fame,” McCartney told the BBC. “The worldwide fame that Taylor Swift has and that we had, but I don’t think she needs any advice to tell you the truth.” Swift also called McCartney an “eternally exceptional artist” on social media upon the release of his new album *[The Boys of Dungeon Lane](https://rollingstonephilippines.com/music/rock/paul-mccartney-new-album-ringo-starr/ "The Boys of Dungeon Lane")*. *This story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-news/paul-mccartney-i-want-to-hold-your-hand-taylor-swift-wedding-1235589257/).* ## Frequently Asked Questions ### What did Paul McCartney play at Taylor Swift’s wedding? Paul McCartney reportedly performed the Beatles classic “I Want to Hold Your Hand” at Taylor Swift and Travis Kelce’s Madison Square Garden wedding reception. According to People, it was a song he hadn’t played live since the Beatles’ early days and had never performed as a solo artist. ### When did Paul McCartney last play “I Want to Hold Your Hand”? According to setlist.fm, McCartney last performed “I Want to Hold Your Hand” live on September 20, 1964, at the Beatles’ concert at New York’s Paramount Theatre. That means the song went unplayed by him for 62 years before the Swift wedding reception. ### Who performed at Taylor Swift and Travis Kelce’s wedding? Paul McCartney was among the A-list performers at Taylor Swift and Travis Kelce’s wedding, alongside Stevie Nicks. Per a source cited by People, guests were invited into a reception room with a stage set up, where the star-studded performances took place after the ceremony. ### Do Paul McCartney and Taylor Swift know each other? Yes. Paul McCartney and Taylor Swift have long praised each other and appeared together on the cover of Rolling Stone’s Musicians on Musicians issue in 2020. McCartney has compared Swift’s worldwide fame to the Beatles’, while Swift has called him an “eternally exceptional artist.” ### Why was McCartney’s performance significant? The performance was notable because “I Want to Hold Your Hand” was one of the Beatles’ signature early hits, and McCartney had not played it live in 62 years. Performing it as a solo artist for the first time made the Swift wedding a rare musical moment. Related Stories - [Music’s 10 Weirdest Alter Egos](https://rollingstonephilippines.com/editors-picks/lists/10-weirdest-music-alter-egos/ "Music’s 10 Weirdest Alter Egos") - [4 Icons of the ‘Manila Sound’ Era and Their Enduring Legacy](https://rollingstonephilippines.com/music/4-icons-manila-sound-era-legacy/ "4 Icons of the ‘Manila Sound’ Era and Their Enduring Legacy") - [The Beatles Visited the Philippines in 1966. They Hated it](https://rollingstonephilippines.com/music/the-beatles-1966-visit-philippines-manila/ "The Beatles Visited the Philippines in 1966. They Hated it") **Categories:** Music, Rock **Tags:** Paul McCartney, Taylor Swift, The Beatles --- ### [Erwan Heussaff Serves The Best of Filipino Food Culture](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/erwan-heussaff-voices/) **Published:** July 7, 2026 **Author:** Sai Versailles **Excerpt:** The FEATR founder talks about ube, Filipino cancel culture, and why there’s almost no such thing as a real national dish **Content:** Erwan Heussaff knows that he isn’t the main voice of *FEATR* anymore. Although the restaurateur-slash-content-creator (or, as he likes to call himself, “a guy who makes videos online”) built his media platform by posting cooking vlogs and recipe explainers, Heussaff knows that there’s only so much ground he can cover on his own. A *FEATR* video today doesn’t always mean that he’s in front of the camera; instead, Heussaff may pop in for a few minutes in the intro, or stay for a voice-over, but otherwise he’ll let the experts take the lead. Take, for instance, one of *FEATR*’s most viral videos to date: a deep dive into asin tibuok. Heussaff is in it long enough to taste-test a pinch of it on-camera and explain that it’s one of the rarest salts in the world, but he immediately gives way to the members of the Manongas family in Bohol to explain how they’re reviving their father’s asin tibuok business. For an entire documentary video, the Manongas siblings become the faces of *FEATR* as they explain in Boholano how complicated the process is (it involves a lot of manual labor, coconut husks, and patience) and how they weren’t ready to leave their father’s legacy behind. “We try not to get involved in the story,” explains Heussaff. “We just try to document it as purely and as honestly as we can.” *FEATR* may not be the only online platform that focuses on Filipino cuisine, but Heussaff’s channel stands out as one of the only ones to honor the culture and heritage behind these local flavors. No *FEATR* video is quite the same, and neither is the Filipino palate: considering how the Philippines is composed of over 7,000 islands, Heussaff’s goal with *FEATR* has always been to document as many different tastes across the archipelago as possible. “What we’re trying to do is give people as much information as possible so that they can make up their own minds \[about Filipino food\],” he says. “I don’t see the content as surviving on its own: I see it as a larger portfolio that people can access so that they can form their own opinions.” Heussaff is restructuring how the Philippines — and the rest of the world — sees Filipino cuisine, one video at a time. With *FEATR*, he jumps across the country’s different regions and provinces to give a more holistic picture of our gastronomic heritage, and to make sure that Manila alone doesn’t dictate how we think of the food on our table. “We always try to showcase that we’re so diverse, ethnolinguistically, geographically, culturally,” says Heussaff. “It’s really important to showcase all those different facets as a Filipino.” For this Rolling Stone Interview, Heussaff speaks candidly about his career under the public eye, the challenges that come with trying to paint an accurate picture of Filipino cuisine, and why it’s so important to pay attention to how Filipino cuisine is being presented outside of our shores.—*MEL WANG* *This interview has been edited for clarity.* ![Rolling-Stone-Philippines-Erwan-Heussaff-VOICES_1](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/Rolling-Stone-Philippines-Erwan-Heussaff-VOICES_1.webp) **I’ve followed your career ever since your blog, and because you’re such a public figure, your viewers and fans tend to objectify you, which feels like a distraction from what you do. As a male** **public figure in the world of food, who has gone through this health journey, how do you navigate that public eye?** I think I’ve been very good at separating my personal life from my professional life. I always tell people I don’t have the most entertaining personality. So I’m not someone who can just stand with a camera and make you laugh, or tell jokes, or enthrall you with a story. I always need to inform people about something, so that’s why I started with health recipes. It was something concrete to build the narrative around and easier for me to shoot on camera. That has followed me through my career; every video I’ve done always has purpose and intent. It’s shot because I wanted to say something in particular. It’s funny, when I break away from that and do something that shows a bit of my personality, people are like, “Oh! He’s actually quite funny and quite chill.” That’s why I think for the longest time, people saw me as suplado. Especially when \[my wife\] Anne \[Curtis\] would have a movie, and there was a red carpet, and we were already together as husband and wife… I would never walk the red carpet. I would actually go behind the crowd, and then everyone would be like, “Oh, he’s so suplado, not walking the red carpet.” And it’s not that, it’s just that I’m someone who’s very quiet and someone who’s quite introverted. I do think that’s the beauty and the detriment of social media: people understand your personality through the snippets and the clips that they see. So it’s very curated. That’s the problem with online, right? You can’t sit down and have a connection and a conversation where you can understand someone’s subtleties and their personality. It’s really meant to objectify the person. I think you just have to accept that the loudest people in the room or in the comments are usually representative of one percent of the people who are watching you. I used to think of them as people who live in the basements of their grandmother’s house. And when you’re out there, and you actually meet people in real life, you do realize that people are a bit more accepting of who you are and a bit more understanding. “Back then, you could do video and you’d be one of the pioneers. Now I feel like everyone’s doing it.” Erwan Heussaff **One of your earliest videos was posted in 2009, and it shows you in Siberia making molten lava cakes out of super basic ingredients, with even more basic video equipment. What was it about that video that gave you the affirmation to continue making content?** I think for one, it was a release. I had a job in operations management, and it was probably one of the most unfriendly environments, with some of the most unfriendly people I have ever met in my life. Every stereotype you know about Russian people is twice that in Eastern Russia. It is a tough place. It was just a very stressful job. The way we would work, they would call it “three-three rotations,” so I would work three months on call, whenever needed, and then I would take three weeks off. It was very tiring and straining, and so I needed a release. For me, cooking was always fun and a release. I was online a lot, on Facebook, and people were complaining about how hard cooking was and not having the right equipment. And here I was, -30 degrees outside with just a microwave in my kitchen. And I could still cook quite easy things and delicious things that are still healthy. I posted a video online and I just saw how people reacted. So it reached, obviously, my circle of friends online. And back then, your privacy settings weren’t as great as they are now. And so it kind of took off and people started watching and commenting. It was such an early time, but I could already see that video was such a great way to communicate things. And so that for me was just an affirmation of videos, a way that’s so visually stimulating and that people like to understand information in a very simple visual way. And then that’s when I decided to pair it with a written blog and focus mostly on health and nutrition. **Would you say that video still has the same impact now as it did in 2009?** I think video felt very special back then. The barrier to entry was way higher \[but\] there were also no expectations of a polish, of a certain look, of a certain treatment. It was very much seen as a very specific skill to do video. I was just learning as I was going. And then when you kind of fast forward a few years later, everyone’s starting to create these videos, right? So 2015, 2016, specifically in recipes, top-down videos became a de facto way to kind of show hands making a recipe. And all of a sudden there’s just way higher production expectation, but still seen as fairly complicated and complex to put together. Now, videos kind of seem like a passport. So you have it. What are you going to do with it? And so I think it’s lost its luster as a format and as a platform. But for you to cut through, that’s where the content itself, the script, or even pushing kind of like the boundaries of what’s possible with video and with the equipment that you have, has become way more important now. Back then, you could do video and you’d be one of the pioneers. Now I feel like everyone’s doing it. So the question that we’re constantly asking ourselves is “How do you kind of cut through the noise?” **Who were your references back then for what you were doing with food and vlogging?** So in terms of recipe stuff, like I grew up watching Jamie Oliver. I’m not necessarily a fan of the recipes themselves, but especially with *The Naked Chef*. I just liked how casual it was. This was also the era of Food Network, and these very formatted cooking shows. And you have this young kid in London on his Vespa, buying ingredients, going to his apartment, talking to his cameraman, breaking kind of like that fourth wall, his girlfriend joining from time to time, and just being very messy in how it was made. And it just felt so real to me. So when I saw that, I was like, “Wow if I had a cooking show, this is kind of the treatment that I would like for it.” And then when we started doing travel content in 2015, it was Anthony Bourdain. Same thing like *The Naked Che*f, if you watch *Anthony Bourdain: No Reservations*, you’d be hypercritical of it because you’ve seen the latest shows, which are all way more polished and cinematic. But with *No Reservations*, it’s just a guy being followed by a camera. What I loved about Bourdain was the same with Jamie Oliver: very kind of anti-establishment in terms of how he approached TV. He wasn’t smiling. He wasn’t necessarily nice. I always thought that if I ever met Bourdain, he’d probably be kind of a dick. I related to that really easily, because I’m also someone who can’t put on a show. I can’t be smiley, I can’t be cutesy. And \[Bourdain\] was just being himself. You’d have Guy Fieri, doing way too much, and then you’d have Bourdain doing nothing at all, just kind of coasting and having a beer and smoking a cigarette. ![Rolling-Stone-Philippines-Erwan-Heussaff-VOICES_2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/Rolling-Stone-Philippines-Erwan-Heussaff-VOICES_2.webp) **People tend to point out your mistakes and shortcomings in your videos, like if you use butter in your carbonara, or that whole taho issue. How did you navigate those critiques at the start?** I think before, contexts were never really understood, and people were still figuring out how to interact online, like how to consume media online. I always love to think of how something becomes what it is today. And so you have to think of where we were before content \[creation\], right? We were watching TV, which is a very passive experience. All of a sudden you’re given the opportunity, as a viewer, to give your thoughts and opinions. You open this floodgate of just saying whatever you want to say. And so I just put it to that. It was more of people trying to figure out how to communicate, what’s okay, and what’s not okay during those times. I mean, those are two very specific examples. The carbonara butter thing, I gave zero shits about because I’ve worked in tons of restaurants. I’ve worked with Italian chefs, and a lot of them would be like, “Oh, you wanna know the secret? Add butter.” And then you do it online and obviously it becomes a big thing in Italy. I think an Italian YouTube channel did a reaction to the thing. I understood that it was all sensational and it was all a bit. And then the taho one kind of hit deeper. Me now, it would never have happened. I have experience now, and I can say no now. But back then, it happened. It was my very first time, so imagine this kid coming up, producing his own content in the Philippines for cooking shows. And then I get a call from Santa Monica in California. People at Tastemade were like, “Hey, we’ll fly you in four times a year to shoot.” I still remember this, “Pan-Asian” content. “If I’m not Filipino enough in terms of language, then I need to be Filipino enough in terms of culture, history, knowledge.” Erwan Heussaff So I was the face for Japanese, Chinese, Filipino, Thai, Malaysian, whatever Asian they needed me to be. \[*Laughs*\] We would work on these eight recipes, six to eight videos a day. In the U.S., no one works overtime, and that’s not even a conversation, right? Those recipes were prepped to be able to be shot within an hour, each time. So I would give notes on how things should be prepped, and I showed up \[that day\], and the sago wasn’t soaked. It wasn’t pre- boiled. Obviously, I’m not dumb, and I could tell it was hilaw inside. But I couldn’t say no, because I was surrounded by no one that I knew, 30 people wanting to go home. And I was like, “No one’s going to watch this anyway, so let’s just do it.” And funnily enough, no one watched it. The whole taho scandal, or “tahogate” as we like to call it at the office, came a few years later. Someone found it, resurfaced it, and then it became a whole thing. That one hurt a little bit because people just assume that you’re an idiot. And I’m like, “Can you maybe give people the benefit of the doubt?” I do know what undercooked sago pearls are. It did give me a very strong cancel radar. When I approve stories, I say yes or no based on that very formative moment of my life. \[*Laughs*\] Now, I’m very careful with how I approach food, cultural dishes, and everything like that. It’s just understanding every aspect of it: if the viewers aren’t in the room with us, will they understand everything we’re trying to say through the limited time we have with them? And if they’re not even watching the full video, will they be able to grab that context? So we’re very careful about that. We want to put out things that we feel people should talk about. **There seemed to have been a sort of end to your naivete after that** **moment. You’ve become more aware of optics.** I mean, it showed me that when you do something online. I was always careful of never calling myself an expert. In every interview I’ve ever done, I’ve said, “Don’t call me chef, because that’s not me.” But Filipinos love labels, so every article ever written about me writes “French-Filipino Erwan,” which makes me sound like a dick, right? \[*Laughs*\] Like, can’t you just say I’m a guy who makes videos online? Can we keep it at that? Why do you have to bring in my heritage? I’m French, but it’s not even important. So yeah, it kind of burst a bubble. I had to be like, “Okay, now if I’m going to take this seriously as a job, then I have to look at it like a job with structure.” ![Rolling-Stone-Philippines-Erwan-Heussaff-VOICES_3](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/Rolling-Stone-Philippines-Erwan-Heussaff-VOICES_3.webp) **One of the critiques of you that I’m particularly interested in is that you’re in-between cultures. I wonder if that was ever an insecurity for you, the way you use language especially since your whole mission is to push Filipino heritage.** My lack of Tagalog skills, I do see it as a great disadvantage. Specifically, when I’m traveling interviews. I’ll do them in very basic, broken Tagalog, and it’s very hard to connect with someone when the language isn’t there. That’s why we actually started doing a lot of documentaries where I’m not even involved, just because we wanted to get a richer story. That’s something I’m kind of sad about. But if you’re someone who grows up with two very distinct languages, it is very hard to add a third language in there. I just so happened to grow up in the ‘80s, and people were mostly speaking English to each other in Metro Manila. I always tell my mom, “You put me in school for French, for English. Why wasn’t I put in school for Tagalog?” I have a kid now, and that’s something I’m going to be very adamant about, that she takes Filipino lessons. I think that also speaks to the larger Filipino story. Why isn’t our language good enough to be taught in the classroom? I know a lot of — not even bicultural kids, but pure Filipinos — struggle speaking deep Tagalog, and that’s because their parents were like, “Oh you’ll learn it in conversation.” If you really want someone to learn a language, it has to be taught in a structured way. So it’s something I still struggle with. Like yesterday, I was in Ilocos Norte, and I was interviewing a farmer. I had to look at my producer and be like, “Can you ask this question? Because I don’t know how to say it.” That sucked. For me, it did kind of motivate me to find culture or connection through other ways, and that’s why food was so important to me. So in the early days, when people would comment, “Oh, Erwan has no right to talk about Filipino food because he’s half- French,” which is kind of weird! Like, “Oh, sorry, it’s not my fault, I didn’t choose my father.” \[*Laughs*\] So I always say, “Okay, maybe I don’t speak the language, but I can guarantee you I can sit down and we can discuss Filipino food. And I’ll probably know a little bit more because it’s my job.” And so it became something that was always on my shoulder. If I’m not Filipino enough in terms of language, then I need to be Filipino enough in terms of culture, history, knowledge. Not to prove myself to anyone, but just, in my mind, to make up for that. > [View this post on Instagram](https://www.instagram.com/p/DaJ56UDDPrz/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Rolling Stone Philippines (@rollingstoneph)](https://www.instagram.com/p/DaJ56UDDPrz/?utm_source=ig_embed&utm_campaign=loading) *Read the rest of this cover story in the Rolling Stone Philippines’ Voices Issue, now available for pre-order on [Sari-sari Shopping](https://www.instagram.com/sarisari_shopping/) and in major newsstands soon.* *Get digital access to the latest issue [here.](https://rollingstonephilippines.com/digital-access/)* ## Frequently Asked Questions ### Who is Erwan Heussaff? Erwan Heussaff is a French-Filipino content creator and restaurateur who founded the food media platform FEATR. Known for cooking vlogs and documentaries on Filipino cuisine, he describes himself simply as “a guy who makes videos online.” He is married to actress Anne Curtis. ### What is FEATR? FEATR is the food media platform founded by Erwan Heussaff, focused on documenting Filipino cuisine across the country’s 7,000-plus islands. Rather than centering Heussaff, many FEATR videos hand the story to local experts, like the Manongas family reviving their father’s rare asin tibuok salt in Bohol. ### What was Erwan Heussaff’s taho controversy? The “tahogate” controversy stemmed from an early video where Heussaff used undercooked sago pearls. He says it was shot for Tastemade in a rushed U.S. production where he couldn’t say no, and the clip resurfaced years later. He maintains he knew the sago was undercooked. ### What does Erwan Heussaff think about online video today? Heussaff argues that video has “lost its luster” as a format and platform because the barrier to entry has collapsed and everyone now makes it. He says cutting through the noise now depends on stronger content, scripts, and pushing the creative limits of the medium. ### Why does Erwan Heussaff focus on Filipino food despite being half-French? Heussaff says his limited Tagalog left him feeling he had to be “Filipino enough” through culture, history, and knowledge instead. He has faced criticism over his half-French heritage, but argues food became his way of connecting with and championing the country’s diverse regional cuisine. More from the Rolling Stone Philippines Voice - [Atom Araullo is Willing to Take the Risk](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/atom-araullo-is-willing-to-take-the-risk/ "Atom Araullo is Willing to Take the Risk") - [For Marina Summers, to Represent Filipino Excellence Was Never A Burden](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/marina-summers-voices/ "For Marina Summers, to Represent Filipino Excellence Was Never A Burden") - [Geloy Concepcion Says All The Things He Wants To Say](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/photographer-geloy-concepcion-voices/ "Geloy Concepcion Says All The Things He Wants To Say") **Categories:** Editor's Picks, The Rolling Stone Interview **Tags:** erwan heussaff, Rolling Stone Philippines Voices --- ### [Charli XCX Reveals ‘Music, Fashion, Film’ Track List With a Song Featuring David Cronenberg](https://rollingstonephilippines.com/music/pop/charli-xcx-reveal-music-fashion-film-tracklist/) **Published:** July 8, 2026 **Author:** Preezy Brown **Excerpt:** The LP, which includes 11 songs, arrives on July 24 **Content:** [Charli XCX](https://rollingstonephilippines.com/tag/charli-xcx/ "Charli XCX") has revealed the track list for *[Music, Fashion, Film](https://www.rollingstone.com/music/music-features/charli-xcx-new-album-music-fashion-film-brat-1235576603/)*, and it includes a feature from film director [David Cronenberg](https://www.rollingstone.com/t/david-cronenberg/). On Tuesday, [*Rolling Stone’s* cover star](https://www.rollingstone.com/music/music-features/charli-xcx-new-album-music-fashion-film-brat-1235576603/) unveiled the track list on Instagram. The post includes the duration of each song on the album, with the Cronenberg-assisted track “No One Lasts Forever” being the longest at nearly six minutes. The singer also shared several photos of herself, including one of her seemingly posing nude while holding a white T-shirt with the *Music, Fashion, Film* track list in black print. > [View this post on Instagram](https://www.instagram.com/p/Daf2HHYlCzr/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Charli (@charli\_xcx)](https://www.instagram.com/p/Daf2HHYlCzr/?utm_source=ig_embed&utm_campaign=loading) *Music, Fashion, Film* is led by the single “[Rock Music,](https://www.rollingstone.com/music/music-news/charli-xcx-rock-music-single-1235556390/)” which doubles as its opening track. Other recent releases from Charli XCX slated to appear on *Music, Fashion, Film* are “[SS26](https://www.rollingstone.com/music/music-news/charli-xcx-new-song-ss26-music-video-1235566882/)” and the artist’s latest single, “[Wink Wink](https://www.rollingstone.com/music/music-news/charli-xcx-new-song-music-video-wink-wink-1235583175/).” *Music, Fashion, Film* marks Charli XCX’s seventh studio album and follows 2024’s *[*Brat*](https://rollingstonephilippines.com/music/8-album-promo-stunts/ "From ‘Brat’ Walls to Giant Michael: 8 Album Stunts that Got Everyone Talking")*, which peaked at Number Three on the *Billboard* 200, the singer’s highest debut on the albums chart. *Brat* earned the British hitmaker Grammy Awards for Best Dance/Electronic Album and Best Recording Package. Charli XCX discussed *Music, Fashion Film* in her cover story for [*Rolling Stone*‘s Summer Double Issue](https://www.rollingstone.com/music/music-features/charli-xcx-new-album-music-fashion-film-brat-1235576603/), insisting that the record is not a traditional rock album, as had been heavily speculated. “Obviously, I know that there’s been a lot of conversation around me making a rock album, which is something that I never said,” the 33-year-old said of the rumors. “But to be honest, I’ve never thought about genre in a binary way. I find that to be a very old-school notion. I don’t even know what the genre is. It’s just me and A. G. Cook and Finn Keane, doing our thing.” ***Music, Fashion, Film* Track List** 1\. “Rock Music” (1.55) 2\. “SS26” (2.46) 3\. “Card Declined” (3.28) 4\. “Camera” (2.31) 5\. “2007” (2.04) 6\. “I’m Afraid” (2.11) 7\. “Yeah” (2.17) 8\. “Wink Wink” (2.03) 9\. “Persona” (2.37) 10\. “Magic Metal Montana” (2.31) 11\. “No One Lasts Forever” featuring David Cronenberg (5.42) *This article was originally published on **[rollingstone.com](https://www.rollingstone.com/music/music-news/charli-xcx-music-fashion-film-album-track-list-1235590369/)**.* ## Frequently Asked Questions ### When is Charli XCX’s Music, Fashion, Film coming out? Charli XCX’s seventh studio album, Music, Fashion, Film, is set for release on July 24. The 11-track record was announced with a full track list shared on Instagram, and it is led by the single and opening track “Rock Music.” ### What is the track list for Music, Fashion, Film? Music, Fashion, Film contains 11 songs: “Rock Music,” “SS26,” “Card Declined,” “Camera,” “2007,” “I’m Afraid,” “Yeah,” “Wink Wink,” “Persona,” “Magic Metal Montana,” and “No One Lasts Forever,” which features David Cronenberg and is the album’s longest track at nearly six minutes. ### Why is David Cronenberg on Charli XCX’s new album? Filmmaker David Cronenberg features on the closing track “No One Lasts Forever,” the album’s longest song at nearly six minutes. The collaboration reflects the record’s Music, Fashion, Film concept, though Rolling Stone’s coverage does not detail exactly how the director contributes to the song. ### Is Music, Fashion, Film a rock album? No. Despite speculation and the lead single “Rock Music,” Charli XCX has said Music, Fashion, Film is not a traditional rock album. In her Rolling Stone cover story, she rejected genre labels as an “old-school notion,” crediting the record to herself, A.G. Cook, and Finn Keane. ### What was Charli XCX’s last album before Music, Fashion, Film? Music, Fashion, Film follows 2024’s Brat, Charli XCX’s breakthrough album. Brat peaked at Number Three on the Billboard 200 — her highest chart debut — and won Grammy Awards for Best Dance/Electronic Album and Best Recording Package. Music, Fashion, Film is her seventh studio album. Related Stories - [Addison Rae Worked For Her Album. Is it Time Filipino TikTok Stars Did Too?](https://rollingstonephilippines.com/music/addison-rae-filipino-content-creators/ "Addison Rae Worked For Her Album. Is it Time Filipino TikTok Stars Did Too?") - [Morissette Wants You to Know She’s More Than a Biritera](https://rollingstonephilippines.com/editors-picks/features/morissette-ember-era-biritera/ "Morissette Wants You to Know She’s More Than a Biritera") - [Marina Summers on Drag Stardom and What Happens After Going Global](https://rollingstonephilippines.com/culture/marina-summers-drag-stardom/ "Marina Summers on Drag Stardom and What Happens After Going Global") **Categories:** Music, Pop, Radar, Releases **Tags:** Charli XCX --- ### [My Chemical Romance Bring Wembley Stadium to Its Knees With ‘Black Parade’ Show](https://rollingstonephilippines.com/music/rock/my-chemical-romance-wembley-stadium-concert-review/) **Published:** July 10, 2026 **Author:** Katerina Muszanskyj **Excerpt:** Almost 20 years after the album first marched into fans’ bleeding hearts, My Chemical Romance prove they aren’t just on a nostalgia trip **Content:** On the opening night of their three-date, sold-out residency at Wembley Stadium, Gerard Way and his merry band of ghouls delivered a theatrical rock spectacle, smudging the lines between musical performance, political satire, and a full-scale stage production. With help from opera singers and lashings of pyro, the band had the crowd bending to their will before the famous G note of “Welcome to the Black Parade” was even played. [My Chemical Romance](https://rollingstonephilippines.com/tag/my-chemical-romance/ "My Chemical Romance")’s loyal fans are no strangers to the extreme, and marked the occasion by decking out the stadium in military jackets and black eyeliner across a 75,000-strong crowd. For two hours, Wembley became the fictional authoritarian state of Draag, offering a theatrical setting for a full-run through of [the band’s 2006 opus](https://www.rollingstone.com/music/music-album-reviews/the-black-parade-101350/). From the opening pairing of “The End” and “Dead!” they defied the distinctly eyeliner-unfriendly London heatwave to rally their fans. ![My Chemical Romance](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/MCR-london-EMBED-copy.webp) Photo from Jesse DeFlorio\* Backed by towering propaganda visuals and dramatized speeches, the show presented a reimagined chapter of the original 2006 story, with Way positioned behind a large black podium and resembling a revolutionary leader addressing the adoring masses. One of the night’s most memorable moments was the audience participation segment in the form of the crowd deciding the fate of four “losers” using “Yea” and “Nay” placards distributed on entry. Unsettling as the mock execution was (with Yea winning by a mile), it wouldn’t have been a My Chemical Romance show without a degree of morbid curiosity from fans. Musically, *The Black Parade* has never sounded more haunting. “This Is How I Disappear” and “The Sharpest Lives” slit through the crowd like a brand-new knife, sharpened with a renewed sense of urgency. “Cancer” offered a rare moment of calm, with many fans becoming visibly emotional due to the song’s lyrics before the storm that was “Mama” exploded the stadium into chaos. The band also performed a cover of Morrissey’s “Jack the Ripper” for the first time since 2003, much to the delight of the crowd. Fan favorite “Famous Last Words” closed the evening in dramatic fashion, with concertgoers embracing, elated and emotionally exhausted after a truly special celebration of a seminal record. It’s been quite the journey. From emo cult favorites 20 years ago to selling out Wembley Stadium, here was a show which celebrated My Chemical Romance’s significant place in modern rock and its history. Long live the Black Parade. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-live-reviews/my-chemical-romance-wembley-stadium-black-parade-review-1235591456/).* ## Frequently Asked Questions ### What happened at My Chemical Romance’s Wembley Stadium show? My Chemical Romance opened a sold-out, three-night residency at Wembley Stadium with a theatrical, two-hour performance of their 2006 album The Black Parade in full. A 75,000-strong crowd in military jackets and black eyeliner watched the band transform the venue into a full-scale stage production. ### What songs did My Chemical Romance play at Wembley? The band performed The Black Parade in full, opening with “The End” and “Dead!” and closing with “Famous Last Words.” Highlights included “This Is How I Disappear,” “The Sharpest Lives,” “Cancer,” and “Mama,” plus a cover of Morrissey’s “Jack the Ripper,” their first since 2003. ### What was the staging of the Black Parade show like? For two hours, Wembley Stadium was transformed into the fictional authoritarian state of Draag. Backed by towering propaganda visuals, pyro, and opera singers, Gerard Way performed behind a black podium as a revolutionary leader, blending the concert with political satire and full-scale theatrical production. ### What was the most memorable moment of the MCR Wembley show? One standout was an audience-participation segment where the crowd decided the fate of four “losers” using “Yea” and “Nay” placards handed out on entry, culminating in a mock execution — with “Yea” winning decisively. The emotional “Cancer” also moved many fans to tears. ### Is My Chemical Romance still touring The Black Parade? The Wembley show was the opening night of a sold-out, three-date residency at the stadium, part of My Chemical Romance’s celebration of The Black Parade’s near-20th anniversary. Rolling Stone’s review framed the concert as proof the band is more than a nostalgia act. Related Stories - [5 Underrated My Chemical Romance Songs That Defined Their Legacy](https://rollingstonephilippines.com/editors-picks/lists/5-underrated-my-chemical-romance-tracks/ "5 Underrated My Chemical Romance Songs That Defined Their Legacy") - [MCRmy, My Chemical Romance’s ‘Army’ in the Philippines, is Still a Cultural Force 20 Years Later](https://rollingstonephilippines.com/editors-picks/features/my-chemical-romance-mcrmy/ "MCRmy, My Chemical Romance’s ‘Army’ in the Philippines, is Still a Cultural Force 20 Years Later") - [Crate Digging Gives Vinyl Collecting the Thrill of the Unexpected](https://rollingstonephilippines.com/music/crate-digging-vinyl-collecting/ "Crate Digging Gives Vinyl Collecting the Thrill of the Unexpected") **Categories:** Live Reviews, Music, Rock **Tags:** My Chemical Romance --- ### [Timothée Chalamet Is a Megalomaniacal Paul Atreides in ‘Dune: Part Three’ Official Trailer](https://rollingstonephilippines.com/culture/film/dune-part-3-trailer-timothee-chalamet-zendaya/) **Published:** July 9, 2026 **Author:** Jaeden Pinder **Excerpt:** Set nearly 20 years into the future, Paul Atreides must face the consequences of the war he waged on those he loved and despised **Content:** The first look into the final film of Denis Villeneuve’s *[Dune](https://rollingstonephilippines.com/tag/dune-3/ "Dune 3")* has arrived. The new *[Dune: Part Three](https://rollingstonephilippines.com/culture/film/timothee-chalamet-dune-3-cast-posters/ "Timothée Chalamet Rises from Ballet, Opera Blunder with New ‘Dune 3’ Teasers")* trailer finds Paul Atreides (played by [Timothée Chalamet](https://rollingstonephilippines.com/tag/timothee-chalamet/ "Timothée Chalamet")) facing the consequences of his megalomania after waging a holy war at the coda of the previous film. It hits U.S. theaters, including IMAX and 70mm screens, on Dec. 18. At the end of *Dune: Part Two*, Atreides launches a holy war, to the fear and disapproval of his Fremen love interest Chani (played by [Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya")). The *Dune: Part Three* trailer jumps nearly two decades into the future, where plots against Atreides bubble to the surface. Chani, shown pregnant in an early scene of the clip, is furious and leaves Atreides after his betrayal. Jason Momoa returns as Hayt, a ghoula (a humanoid clone) of Duncan Idaho, Atreides’ deceased mentor from the first *Dune*. The duo engage in a sword fight while Atreides’ villainy is exposed. “You’ve conquered the galaxy. You’ve destroyed thousands of worlds,” Hayt tells him. “I think you’re way beyond redemption.” Hayt later heads to the Atreides throne to deliver a peace proposal that sounds simple enough, but he discloses that it will obliterate Atreides’ empire. Later, the film’s villain, Scytale (played by a bleached-out Robert Pattinson), reveals his plans for a “regime change” to Princess Irulan (Florence Pugh). She berates his plot, but Scytale says he has a secret weapon — which may or may not be Chani and the Fremen, based on the scenes that follow. The action is tenfold; there’s aerial warfare featuring lasers, sword fights that look straight out of *Blade Runner*, a blood-soaked and screaming Anya Taylor-Joy, and of course, an appearance from a massive sandworm, seemingly summoned by Chani. There are also appearances by what seems to be Leto II Atreides, Paul and Chani’s child, in his human/sandworm-esque form. The third installment of Villeneuve’s *Dune* series adapts Frank Herbert’s novel *Dune Messiah* for the screen. Each *Dune* has been filled with a star-studded cast, and each film grows the roster. *Part Three* includes returning players Taylor-Joy, Pugh, Momoa, Javier Bardem, and many more. Pattinson joins the ranks, as does acclaimed Ivorian actor Isaach De Bankolé, who plays Farok, a disenchanted Fedaykin death commando (essentially, a former Atreides guard). Villeneuve returned to direct the final film and co-wrote the screenplay with Brian K. Vaughan. Hans Zimmer is once again providing the film’s score. The first *Dune* in Villeneuve’s trilogy was released in [2021](https://www.rollingstone.com/tv-movies/tv-movie-reviews/dune-review-denis-villeneuve-1243908/); *[Dune: Part Two](https://www.rollingstone.com/tv-movies/tv-movie-reviews/dune-part-two-review-1234962710/)* followed in 2024. The first screen adaptation of Herbert’s book series was directed by David Lynch in 1984, and starred Kyle MacLachlan as Paul Atreides. Chilean-French avant-garde filmmaker Alejandro Jodorowsky attempted to make his own *Dune* in the Seventies, but failed to get it off the ground due to financial constraints and Jodorowsky’s refusal to edit his vision (this included a 10 to 14 hour run time). *This story was originally published on [rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-news/dune-part-3-trailer-timothee-chalamet-zendaya-1235591154/).* ## Frequently Asked Questions ### When does Dune: Part Three come out? Dune: Part Three, the final film in Denis Villeneuve’s trilogy, hits U.S. theaters — including IMAX and 70mm screens — on December 18. The newly released official trailer offers a first look at the conclusion of the sci-fi saga, adapted from Frank Herbert’s novels. ### What is Dune: Part Three about? Dune: Part Three jumps nearly two decades after Paul Atreides launched a holy war at the end of Part Two. It follows the consequences of his rule as plots against him emerge, his love Chani turns away, and his empire faces a threat of regime change. ### Who is in the cast of Dune: Part Three? Timothée Chalamet returns as Paul Atreides and Zendaya as Chani, with Jason Momoa back as a clone of Duncan Idaho. Returning cast includes Florence Pugh, Anya Taylor-Joy, and Javier Bardem, while Robert Pattinson joins as villain Scytale and Isaach De Bankolé plays Farok. ### What book is Dune: Part Three based on? Dune: Part Three adapts Frank Herbert’s novel Dune Messiah, the sequel to the original Dune. Denis Villeneuve returns to direct and co-wrote the screenplay with Brian K. Vaughan, while Hans Zimmer once again composes the score for the trilogy’s final chapter. ### When did the first two Dune films come out? Denis Villeneuve’s first Dune was released in 2021, followed by Dune: Part Two in 2024. Part Three completes his trilogy. Frank Herbert’s saga was previously adapted by David Lynch in 1984, starring Kyle MacLachlan, and famously attempted by Alejandro Jodorowsky in the 1970s. Related Stories - [23 Movies We’re Excited For This 2026](https://rollingstonephilippines.com/culture/film/23-movies-coming-in-2026/ "23 Movies We’re Excited For This 2026") - [Timothée Chalamet Rises from Ballet, Opera Blunder with New ‘Dune 3’ Teasers](https://rollingstonephilippines.com/culture/film/timothee-chalamet-dune-3-cast-posters/ "Timothée Chalamet Rises from Ballet, Opera Blunder with New ‘Dune 3’ Teasers") - [Spider-Man Gets Emotional in New Clips from ‘Brand New Day’ and ‘Beyond the Spider-Verse’](https://rollingstonephilippines.com/culture/film/spider-man-movies-new-clips/ "Spider-Man Gets Emotional in New Clips from ‘Brand New Day’ and ‘Beyond the Spider-Verse’") **Categories:** Culture, Film **Tags:** Dune 3, Timothée Chalamet --- ### [Taylor Swift Scores First Emmy Nominations in Over 10 Years for ‘The Eras Tour: The Final Show’](https://rollingstonephilippines.com/music/pop/taylor-swift-nominated-emmys-eras-tour/) **Published:** July 9, 2026 **Author:** Jaeden Pinder **Excerpt:** Taylor Swift: The Eras Tour: The Final Show received five nods, including Outstanding Variety Special **Content:** Just days after [tying the knot](https://www.rollingstone.com/music/music-news/taylor-swift-travis-kelce-wedding-everything-we-know-2-1235589722/) to Kansas City Chiefs player [Travis Kelce](https://rollingstonephilippines.com/tag/travis-kelce/ "Travis Kelce"), [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/ "Taylor Swift") has scored a total of five Emmy nominations at the [78th Emmy Awards](https://rollingstonephilippines.com/tag/emmy-awards/ "Emmy Awards"). This marks her first nods at the awards ceremony in more than a decade. *Taylor Swift: The Eras Tour: The Final Show* is nominated for Outstanding Variety Special (Pre-Recorded), Best Directing for a Variety Special (Glenn Weiss), Outstanding Picture Editing for Variety Programming, Outstanding Sound Mixing for a Variety Series or Special, and Outstanding Technical Direction and Camerawork for a Special. Swift’s concert film will battle comedy specials from Nikki Glaser and Dave Chappelle, the newly revived *[The Muppets Show](https://www.rollingstone.com/music/music-news/the-muppet-show-trailer-sabrina-carpenter-1235493303/)*, and the *Wicked: One Wonderful Night* concert special for Outstanding Variety Special (Pre-Recorded). Swift is in good musical company with her other nominations: [Bad Bunny’s Super Bowl LX Halftime Show ](https://www.rollingstone.com/music/music-latin/bad-bunny-emmy-nomination-super-bowl-halftime-show-1235590930/)will go head-to-head with *The Eras Tour: The Final Show* in several technical categories, including directing, camerawork, sound mixing, and more. *[The Eras Tour: The Final Show](https://www.rollingstone.com/music/music-news/taylor-swift-eras-tour-the-final-show-trailer-concert-film-1235475646/)* premiered on Disney+ in December 2025. The concert film chronicled the [final stop](https://www.rollingstone.com/music/music-features/taylor-swift-end-of-eras-vancouver-final-show-review-1235197155/) of the Eras Tour at BC Place Stadium in Vancouver. Because Swift wrote and recorded *The Tortured Poets Department* while on tour, she revised the show’s run to include the new era, and *The Eras Tour: The Final Show* immortalizes the act on film. “It was the End of an Era and we knew it,” she wrote on Instagram upon the [film’s announcement](https://www.rollingstone.com/music/music-news/taylor-swift-eras-tour-docuseries-extended-concert-film-1235445824/). “We wanted to remember every moment leading up to the culmination of the most important and intense chapter of our lives, so we allowed filmmakers to capture this tour and all the stories woven throughout it as it wound down. And to film the final show in its entirety.” The concert film was released alongside [*The End of an Era*](https://www.rollingstone.com/music/music-features/taylor-swift-the-end-of-an-era-doc-series-takeaways-1235482312/), a six-part documentary series which gave viewers a behind-the-scenes look into the massive tour and Swift’s personal life. Swift won her first Emmy for Outstanding Creative Achievement in Interactive Media — Original Interactive Program for *AMEX Unstaged: Taylor Swift Experience* back in 2015. The interactive experience allowed Swifties to step into her “Blank Space” music video via a mobile app. In other news, Swift recently released “[I Knew It, I Knew You](https://rollingstonephilippines.com/music/folk/taylor-swift-country-roots-toy-story-5-song/ "Taylor Swift Returns to Her Country Roots on New ‘Toy Story 5’ Song"),” a song written for the *[Toy Story 5](https://rollingstonephilippines.com/tag/toy-story-5/ "Toy Story 5")* soundtrack. The 2026 Primetime Emmys Award are set for Sept. 14 and will air live on NBC and Peacock, with the Creative Arts Emmys occurring on Sept. 5 and 6. *Law and Order: Special Victims Unit* star [Mariska Hargitay](https://www.rollingstone.com/tv-movies/tv-movie-news/emmy-awards-2026-mariska-hargitay-host-1235590430/) will be the first woman to host the event in 15 years. *This article was originally published on **[rollingstone.com](https://www.rollingstone.com/music/music-news/taylor-swift-2026-emmy-nominations-eras-tour-final-show-1235590955/)**.* ## Frequently Asked Questions ### Did Taylor Swift get Emmy nominations for the Eras Tour? Yes. Taylor Swift’s concert film Taylor Swift: The Eras Tour: The Final Show earned five nominations at the 78th Emmy Awards, including Outstanding Variety Special (Pre-Recorded). It marks her first Emmy nominations in more than a decade, arriving days after her wedding to Travis Kelce. ### What Emmy categories is the Eras Tour film nominated in? The Eras Tour: The Final Show is nominated in five categories: Outstanding Variety Special (Pre-Recorded), Best Directing for a Variety Special, Outstanding Picture Editing for Variety Programming, Outstanding Sound Mixing for a Variety Series or Special, and Outstanding Technical Direction and Camerawork for a Special. ### What is Taylor Swift: The Eras Tour: The Final Show? Taylor Swift: The Eras Tour: The Final Show is a concert film that premiered on Disney+ in December 2025. It captures the final stop of the Eras Tour at BC Place Stadium in Vancouver, including the added Tortured Poets Department era Swift wrote while touring. ### Has Taylor Swift won an Emmy before? Yes. Taylor Swift won her first Emmy in 2015 for Outstanding Creative Achievement in Interactive Media, recognizing AMEX Unstaged: Taylor Swift Experience, an interactive app that let fans step into her “Blank Space” video. The Eras Tour nods are her first Emmy recognition since then. ### When are the 2026 Emmy Awards? The 2026 Primetime Emmy Awards are set for September 14, airing live on NBC and Peacock, with the Creative Arts Emmys held September 5 and 6. Law & Order: SVU star Mariska Hargitay will host, becoming the first woman to lead the ceremony in 15 years. Related Stories - [All the Controversies from Taylor Swift and Travis Kelce’s New York Wedding](https://rollingstonephilippines.com/music/pop/taylor-swift-travis-kelce-wedding-controversies/ "All the Controversies from Taylor Swift and Travis Kelce’s New York Wedding") - [Paul McCartney Played Beatles Classic for First Time Since 1964 at Taylor Swift’s Wedding](https://rollingstonephilippines.com/music/rock/paul-mccartney-beatles-taylor-swift-wedding/ "Paul McCartney Played Beatles Classic for First Time Since 1964 at Taylor Swift’s Wedding") - [Stevie Nicks: ‘I Believe in the Church of Stevie’](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/stevie-nicks-fleetwood-mac-kamala-harris-new-music/ "Stevie Nicks: ‘I Believe in the Church of Stevie’") **Categories:** Music, Pop **Tags:** Emmy Awards, Taylor Swift --- ### [Emmy Nominations 2026: Biggest Snubs and Surprises](https://rollingstonephilippines.com/culture/tv/emmy-nominations-2026-snubs-surprises/) **Published:** July 9, 2026 **Author:** CT Jones **Excerpt:** Who got shafted and who got exactly the recognition they deserved from the Television Academy this year — from The Bear to Industry to SNL and more **Content:** People are always going to enjoy arguing about TV shows, all the more so when you start throwing superlatives around. This year’s [Emmy](https://rollingstonephilippines.com/tag/2026-emmy-awards/ "2026 Emmy Awards") nominations are evidence of that, as ever, with plenty to furrow a brow or jump on a soapbox over. There are, however, probably a few things we can all agree on: *[Heated Rivalry](https://rollingstonephilippines.com/tag/heated-rivalry/ "Heated Rivalry")* being ineligible due to its Canadian-ness is a travesty. No one person on *The Pitt* besides Noah Wyle gets enough screen time to deserve a nomination, and yet every single person on *[The Pitt](https://rollingstonephilippines.com/tag/the-pitt/ "The Pitt")* deserves a nomination (including you, [Digby](https://www.imdb.com/name/nm1889973/)). And *[The Bear](https://rollingstonephilippines.com/tag/the-bear/ "The Bear")* is still not a comedy. Without further ado, here are our picks for snubs and surprises from this year’s crop of nominees. ## **SNUB: Jeremy Allen White misses one last best actor slot for *The Bear*** It was a strong, “No, chef!” in terms of the Outstanding Lead Actor in a Comedy category for [White](https://rollingstonephilippines.com/tag/jeremy-allen-white/ "Jeremy Allen White"), who’s been nominated three years in a row — and won twice — for his portrayal of Carmen “Carmy” Berzatto, the series’ resident tortured genius. The show did nab deserved nominations for Outstanding Comedy Series (though it’s unquestionably a drama), creator Christopher Storer (for directing), and [Ayo Edebiri](https://rollingstonephilippines.com/tag/ayo-edebiri/ "Ayo Edebiri") (Outstanding Lead Actress). But it seems weird that White was left out of the final service for the show’s awards run. —*David Fear* ## **SURPRISE: *A Knight of the Seven Kingdoms* roars its way into the Outstanding Drama category** Look, it’s not like *[Game of Thrones](https://rollingstonephilippines.com/tag/game-of-thrones/ "Game of Thrones")* wasn’t beloved by the Emmys. But [this prequel show](https://rollingstonephilippines.com/tag/a-knight-of-the-seven-kingdoms/ "A Knight of the Seven Kingdoms") is almost the polar opposite of its juggernaut predecessor in terms of scale and tone, despite being set in the wonderful world of Westeros and featuring legacy *GoT* characters. It’s a buddy comedy that takes places on the saga’s margins, centered on a bumbling would-be knight and his bald-headed child companion, and owes more to *The Canterbury Tales* than the War of the Roses. Nevertheless, this adaptation of George R.R. Martin’s “Dunk & Egg” novellas is so fabulous that, like its sword-wielding hero, it simply could not be denied a chance to compete. This is one the 2026 Emmys got right. —*D.F.* ## **SURPRISE: Yahya Abdul-Mateen II brings the wonder** Marvel’s TV shows tend not to get a lot of love in the Emmys’ main categories — and to be fair, you could not be blamed for forgetting that *Wonder Man,* a comedy about a struggling actor trying to win the lead role in a superhero TV series (meta alert!), was indeed part of the small-screen corner of the MCU. But [Yahya Abdul-Mateen II](https://www.rollingstone.com/tv-movies/tv-movie-features/yahya-abdul-mateen-man-on-fire-wonder-man-interview-1235542198/) more than earned his spot in the prestigious Outstanding Lead Actor in a Comedy category for his portrayal of the titular character. It’s not the first time our man has been rewarded for doing stellar work in this genre, of course — he won best supporting actor in a limited series in 2020 for his turn in HBO’s *Watchmen.* Let’s see if lightning strikes twice for him. —*D.F.* ## **SNUB: *Half Man* gets less than half of a chance** Remember when Richard Gadd’s *Baby Reindeer* became the out-of-nowhere sensation on the 2024 awards circuit, garnering 11 Emmy nominations and winning six — including Outstanding Limited Series, Supporting Actor for Gadd, and Supporting Actress for Jessica Gunning? Many of us thought that his follow-up, a scathing tale of toxic masculinity that somehow managed to feel even edgier (!), was a shoo-in for this year’s Limited Series category. Only Gadd received any love, however, in the Outstanding Supporting Actor category, and the shutout of both his co-star Jamie Bell and the show itself seems like one of the more egregious oversights in this year’s nominations. —*D.F.* ## **SNUB: *The* *Amazing Race* loses a step** Beloved host Phil Keoghan hasn’t worked this hard for this long to have the Outstanding Reality Competition Program snatched away by *Dancing With the Stars*. CBS’ globetrotting series has maintained steady nominations for 10 years despite having a virtually nonexistent social media presence — relying instead on old-school linear-TV viewership. While *Dancing With the Stars* has celebrated a recent Gen Z-led resurgence in popularity, what did this season really have over *The Amazing Race* except a charismatic and disgruntled Mormon wife? —*CT Jones* ## **SNUB: *Stranger Things* goes out without an Emmys bang** No surprise that the [VFX-heavy Netflix show](https://rollingstonephilippines.com/tag/stranger-things/ "stranger things") cleaned up in the tech categories, earning seven nominations for its below-the-line staff. But it wasn’t so long ago that the show was a major player in the Outstanding Drama category, and both David Harbour and Millie Bobby Brown earned two nominations each in the Outstanding Supporting Actor and Actress categories for their work on the series. Harbour did get a nod this year for his work in the HBO show *DTF St. Louis,* but the Emmy committees clearly felt the bloom was off the Upside Down roses for the Duffer brothers’ hit. —*D.F.* ## **SURPRISE: Chase Infiniti starts a one-woman rebellion** Yes, we are still angry over Infiniti not getting an Oscar nomination for her breakout turn in *[One Battle After Another](https://rollingstonephilippines.com/tag/one-battle-after-another/ "One Battle After Another")* last year. And no, we did not think that the 26-year-old actor would secure a slot in the crowded and highly competitive Outstanding Actress in a Drama field this year, given that her *Handmaid’s Tale* spinoff *The Testaments* has not been on for long and has not been deafening in the buzz department (despite its very dedicated core fan base). Still, we may have whooped out loud when her name was called this morning alongside greats like Carrie Coon, Keri Russell, Rhea Seehorn, and [Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya"). Time to testify, people! —*CTJ* ## **SNUB: The Town continues to ignore *Industry*** Now four years into its reign as HBO’s cocaine-fueled spiritual heir to *Succession*, Konrad Kay and Mickey Downs’ [dark cautionary tale](https://rollingstonephilippines.com/tag/industry-hbo/ "Industry HBO") set in the world of finance has failed once again to win any recognition from the Emmys. Season Four turned the show’s central toxic love story, between frenemies Yasmin Kara-Hanani ([Marisa Abela](https://rollingstonephilippines.com/tag/marisa-abela/ "Marisa Abela")) and Harper Stern ([Myha’la](https://rollingstonephilippines.com/tag/myhala/ "Myha'la")), into a tour de force of power struggles and breakdowns. Every season of *Industry* has refined the series, asked more of its stars, and accurately spit at some of our culture’s biggest pain points. This feels like a snub we’ll look back on for years to come. —*CTJ* ## **SURPRISE: Nick Offerman nabs two nominations** Offerman’s nomination in the Outstanding Supporting Actor in a Comedy category for *Margo’s Got Money Troubles* was pretty much a lock, given that the Apple show is (rightly) beloved and his nuanced performance as an ex-pro wrestler and recovering addict is extraordinary. But there was less fanfare around his equally great performance as President Chester Arthur in the criminally underseen Netflix limited series *Death By Lighting*, making his second nomination, for Outstanding Lead Actor in a Limited Series or Movie, a pleasant surprise. —*D.F.* ## **SNUB: The Emmys are not so sweet on Abby Elliott’s Sugar** As *The Bear* has gone from rambunctious newcomer to business-as-usual regular on the awards circuit, one of the show’s most surprising and evolved performances has come from Abby Elliott. As exhausted new mother and business manager Natalie “Sugar” Berzatto, Elliott brings calm and reason to the show’s cacophony of characters having temper tantrums. It’s a performance so quietly grounding, it may be easy for Emmy voters to overlook in the surrounding chaos of *The Bear*. But it was one of the last uncomplicatedly good parts of this show. —*CTJ* ## **SURPRISE: Voters give all the love to *All Her Fault*** There’s nothing Sarah Snook can’t do, including lead an overwrought psychological thriller about the impossibilities of being a successful modern mother and the danger of expired EpiPens. The Peacock drama felt engineered for nothing more than capturing a weekend crowd, the kind of binge that dominates social media for three days and is then forgotten entirely. So for the show to get nominations for Outstanding Limited Series as well as lead actress for Snook, supporting actress for Dakota Fanning, and a writing category feels a little head-scratching. —*CTJ* ## **SURPRISE: Connor Storrie scores a nom for *SNL*** We all knew that gorgeous clown had it in him. But Storrie’s first Emmy nomination for hosting the Feb. 28 episode of *[Saturday Night Live](https://rollingstonephilippines.com/tag/saturday-night-live/ "Saturday Night Live")* feels a bit like an Emmys voting body apologizing for not being able to nominate the project everyone’s actually still talking about: *Heated Rivalry*. Even though the smutty gay hockey romance from Crave skyrocketed Storrie and his co-star [Hudson Williams](https://rollingstonephilippines.com/tag/hudson-williams/ "Hudson Williams") to bona fide superstar status, Emmy rules bar the project from eligibility for its first season as it was entirely made in Canada. No worries, this nomination means that fans might still have a chance to see Storrie get his in-person flowers for the undeniable show of the year. —*CTJ* *This story was originally published on [rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-features/emmy-nominations-2026-snubs-surprises-1235590535/).* ## Frequently Asked Questions ### What were the biggest snubs at the 2026 Emmy nominations? According to Rolling Stone, the biggest 2026 Emmy snubs included Jeremy Allen White missing a Lead Actor nod for The Bear, Richard Gadd’s Half Man, The Amazing Race, Stranger Things in major categories, and HBO’s Industry, which was again shut out despite acclaim. ### Why was Jeremy Allen White snubbed for The Bear? Jeremy Allen White missed the Outstanding Lead Actor in a Comedy slot despite three straight nominations and two wins for playing Carmy in The Bear. The show still earned nods for Outstanding Comedy Series, Christopher Storer’s directing, and Ayo Edebiri as Lead Actress. ### What were the biggest surprises at the 2026 Emmy nominations? Rolling Stone highlighted several 2026 Emmy surprises: the Game of Thrones prequel A Knight of the Seven Kingdoms landing in Outstanding Drama, Yahya Abdul-Mateen II for Wonder Man, Chase Infiniti’s drama actress nod, Nick Offerman’s two nominations, and Connor Storrie’s SNL hosting nod. ### Why is Heated Rivalry ineligible for the 2026 Emmys? The hockey romance Heated Rivalry is barred from the 2026 Emmys because its first season was made entirely in Canada, making it ineligible under Emmy rules. Star Connor Storrie instead earned a nomination for hosting a February 28 episode of Saturday Night Live. ### Who is Chase Infiniti and why was her Emmy nod a surprise? Chase Infiniti is the 26-year-old actor from The Testaments, the Handmaid’s Tale spinoff. Rolling Stone called her Outstanding Lead Actress in a Drama nomination a surprise given the show’s limited buzz, placing her alongside Carrie Coon, Keri Russell, Rhea Seehorn, and Zendaya. Related Stories - [Dakota Fanning on The Mysteries of ‘All Her Fault’](https://rollingstonephilippines.com/culture/tv/dakota-fanning-on-all-her-hault/ "Dakota Fanning on The Mysteries of ‘All Her Fault’") - [‘Industry,’ The Best Show on Streaming, is Back. What Can We Expect?](https://rollingstonephilippines.com/culture/tv/industry-hbo-season-4/ "‘Industry,’ The Best Show on Streaming, is Back. What Can We Expect?") - [‘The Pitt’ Star Isa Briones Is Ready to Give Her Stethoscope a Break](https://rollingstonephilippines.com/culture/tv/the-pitt-star-finale-isa-briones-interview/ "‘The Pitt’ Star Isa Briones Is Ready to Give Her Stethoscope a Break") **Categories:** Culture, TV **Tags:** 2026 Emmy Awards, Emmy Awards --- ### [Justin Bieber Will Perform at the FIFA World Cup Final Halftime Show](https://rollingstonephilippines.com/music/pop/justin-bieber-performing-world-cup-halftime/) **Published:** July 9, 2026 **Author:** Althea Legaspi **Excerpt:** The singer joins Madonna, Shakira, and BTS as co-headliners at New York New Jersey Stadium on July 19 **Content:** [Justin Bieber](https://rollingstonephilippines.com/tag/justin-bieber/ "Justin Bieber") has been added to the star-studded lineup of performers at the [2026 FIFA World Cup](https://rollingstonephilippines.com/tag/fifa-world-cup-2026/ "FIFA World Cup 2026") Final game, for its first-ever halftime show. It takes place at New York New Jersey Stadium on July 19. “The FIFA [World Cup](https://www.rollingstone.com/t/world-cup/) brings the world together in a way nothing else can. I’m grateful to be part of this Halftime Show, and even more grateful knowing it’s already helping expand access to education for children around the world,” Justin Bieber said in a statement. The halftime show will benefit [FIFA Global Citizen Education Fund](https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.globalcitizen.org%2Fen%2Fprojects%2Ffifa-global-citizen-education-fund%2F&data=05%7C02%7Calegaspi%40rollingstone.com%7Cf0d5ababef9a41dca78008dedd0575f4%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C639191212723689764%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=vjeocfPl1ElWW7%2B4quxTULIkLyUTUFL0JEwkUe%2BjqbY%3D&reserved=0), which is looking to raise $100 million to provide children worldwide expanded access to education and football. It has already raised more than half that amount and continues to head toward its goal with $1 from every ticket sold for matches being donated throughout the tournament. Bieber joins previously announced performers Madonna, Shakira, and BTS to co-headline the FIFA World Cup Final Halftime Show, which is being produced by [Global Citizen](https://www.rollingstone.com/t/global-citizen/) in partnership with Live Nation and Done + Dusted. Burna Boy; Gustavo Dudamel; and PS22 Chorus, a choir comprising 4th and 5th graders from a public elementary school in Staten Island featuring [Coldplay](https://www.rollingstone.com/t/coldplay/), will also appear. The show, which is curated by Coldplay’s Chris Martin as part of his continuing role as international curator of Global Citizen Festival, is expected to run 11 minutes. “When it comes to what the world needs, there is nothing more important than education. We are proud to have Justin Bieber joining [Madonna](https://rollingstonephilippines.com/tag/madonna/ "Madonna"), [Shakira](https://rollingstonephilippines.com/tag/shakira/ "Shakira") and [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS") to co-headline the FIFA World Cup 2026 Final Halftime Show in support of the FIFA Global Citizen Education Fund and our mission to expand access to quality education and football opportunities for children around the world,” FIFA President Gianni Infantino said in a statement. “Burna Boy, Gustavo Dudamel and PS 22 Chorus ft. Coldplay will also join and play a key role in conveying a powerful message of unity and hope to billions of people worldwide.” Infantino continued: “As the world unites for the most significant football match in history on Sunday, 19 July 2026 at the New York New Jersey Stadium, this groundbreaking spectacle, curated by Chris Martin of Coldplay, will celebrate football, music and our shared values, ensuring a legacy that transcends the final whistle.” Beyond the musical talent, the show will also feature appearances from the beloved Muppets from *Sesame Street.* “This is the single largest gathering of artists united for a cause since Live Aid, and it could well be the most-watched 11 minutes of broadcast music performance in history. This is a moment that will bring the world together through music, hope, and action,” Hugh Evans, Co-Founder & CEO, Global Citizen, said in a statement. “These extraordinary artists, representing every corner of the globe, are coming together to help create opportunities for children everywhere through the FIFA Global Citizen Education Fund. Together, we are calling on world leaders, specifically President Macron and Prime Minister Sánchez, to seize this moment of global unity by contributing to the Education Fund and ensuring this World Cup sets a new benchmark for lasting impact.” This year’s World Cup tournament has featured several rousing performances. Katy Perry and 10-year-old Norwegian singer Tius Luka performed “[Wonder](https://www.rollingstone.com/music/music-news/katy-perry-tius-perform-world-cup-2026-1235577061/)” at the 2026 World Cup opening match between the United States and Paraguay in Los Angeles on June 12, preceded by [Future](https://www.rollingstone.com/t/future/) and [Tyla](https://www.rollingstone.com/t/tyla/)’s [high voltage performance ](https://www.rollingstone.com/music/music-news/future-tyla-lisa-anitta-rema-perform-world-cup-2026-1235574220/)of “Game Time.” They were followed by [Lisa](https://rollingstonephilippines.com/tag/lisa/ "Lisa") of [Blackpink](https://rollingstonephilippines.com/tag/blackpink/ "Blackpink"), Brazilian icon [Anitta](https://www.rollingstone.com/t/anitta/), and Nigerian superstar Rema, who delivered “Goals.” That same day, Canada’s [opening ceremony ](https://www.rollingstone.com/music/music-news/world-cup-canada-alanis-morissette-michael-buble-1235574174/)featured performances from Michael Buble, Alanis Morissette, Alessia Cara, Eliana, Jessie Reyes, Noah Fatehi, Sanjoy, Vegedream, and William Prince. At the [official opening game in Mexico City](https://www.rollingstone.com/music/music-news/shakira-burna-boy-perform-dai-dai-fifa-2026-world-cup-1235574123/), the show featured Shakira and Burna Boy performing their official tournament song, “Dai Dai.” *This article was originally published on **[rollingstone.com](https://www.rollingstone.com/music/music-news/justin-bieber-perform-fifa-world-cup-final-halftime-show-1235590837/)**.* ## Frequently Asked Questions ### Is Justin Bieber performing at the World Cup Final Halftime Show? Yes. Justin Bieber has been added to the lineup for the first-ever FIFA World Cup Final Halftime Show. He joins co-headliners Madonna, Shakira, and BTS for the performance, which takes place at New York New Jersey Stadium on July 19, 2026. ### Who is performing at the FIFA World Cup Final Halftime Show? The FIFA World Cup Final Halftime Show is co-headlined by Justin Bieber, Madonna, Shakira, and BTS. Additional performers include Burna Boy, conductor Gustavo Dudamel, and the PS22 Chorus featuring Coldplay. The Sesame Street Muppets will also appear during the roughly 11-minute show. ### When and where is the World Cup Final Halftime Show? The first-ever FIFA World Cup Final Halftime Show takes place on Sunday, July 19, 2026, at New York New Jersey Stadium, during the tournament’s final match. The show is produced by Global Citizen with Live Nation and Done + Dusted, and curated by Coldplay’s Chris Martin. ### What cause does the World Cup Halftime Show support? The halftime show benefits the FIFA Global Citizen Education Fund, which aims to raise $100 million to expand children’s access to education and football worldwide. It has already raised more than half that goal, with $1 from every tournament ticket sold being donated. ### Which artists performed earlier at the 2026 World Cup? The 2026 World Cup has featured several performances. Katy Perry and Norwegian singer Tius Luka sang at the opening match in Los Angeles, following Future and Tyla, plus Blackpink’s Lisa, Anitta, and Rema. Shakira and Burna Boy performed the tournament song “Dai Dai” in Mexico City. Related Stories - [Coachella’s 2026 Lineup Feels Surprisingly Different From Past Years. Here’s Why](https://rollingstonephilippines.com/music/live-reviews/why-coachella-2026-is-different/ "Coachella’s 2026 Lineup Feels Surprisingly Different From Past Years. Here’s Why") - [Justin Bieber Puts His Past and Present Side by Side at Coachella](https://rollingstonephilippines.com/music/hiphop-rnb/justin-bieber-coachella-youtube/ "Justin Bieber Puts His Past and Present Side by Side at Coachella") - [How Filipino Football Fans Can Make It to the World Cup Final, Thanks to GoTyme Bank](https://rollingstonephilippines.com/radar/rs-recommends/fifa-world-cup-2026-gotyme-bank/ "How Filipino Football Fans Can Make It to the World Cup Final, Thanks to GoTyme Bank") **Categories:** Music, Pop **Tags:** FIFA World Cup 2026, Justin Bieber --- ### [How Much Did Taylor Swift’s Wedding to Travis Kelce Cost?](https://rollingstonephilippines.com/music/pop/taylor-swift-travis-kelce-wedding-cost-estimate/) **Published:** July 10, 2026 **Author:** Maya Georgi **Excerpt:** From security to flowers, here’s an estimate of what the popstar’s final tab could be **Content:** [Taylor Swift](https://rollingstonephilippines.com/tag/taylor-swift/ "Taylor Swift") and [Travis Kelce](https://rollingstonephilippines.com/tag/travis-kelce/ "Travis Kelce") just celebrated their [wedding](https://rollingstonephilippines.com/music/pop/taylor-swift-travis-kelce-wedding-everything-we-know/ "ICYMI: All the Details We Know From Inside Taylor Swift and Travis Kelce’s Wedding") with a blow-out party at Madison Square Garden. New details suggest that the ultra-exclusive event included 1,000 guests, star-studded musical performances, big ticket prizes, and even [caviar-topped chicken nuggets](https://rollingstonephilippines.com/music/pop/taylor-swift-travis-kelce-wedding-controversies/ "All the Controversies from Taylor Swift and Travis Kelce’s New York Wedding"). It seems the power couple went all out to celebrate their love story, so what *is* the final price tag on the wedding of the century? Well, it’s hard to come to an actual estimate without concrete pictures from inside of the Garden, and no official details have been released in regards to the cost of the wedding. [Lindsay Landman](https://www.lindsaylandmanevents.com/), a luxury event planner with over 20 years of experience in the sector, suggests a total that lands somewhere within the range of $20 to $25 million. Estimates have not been confirmed by either Swift or Kelce. Days before their nuptials, the couple also notably [donated](https://www.rollingstone.com/music/music-news/taylor-swift-travis-kelce-donate-26-million-charity-1235588245/) a generous gift of $26 million across 20 charities in the U.S. “Because of the level of stature that she has reached, the number one consideration for her with her wedding was security,” says Tracy Taylor Ward, creative director and owner of luxury event planning and design firm [Tracy Taylor Ward Design](https://tracytaylorward.com/).“If she wasn’t at the level that she was at with her career and she could have gotten married in a place that didn’t require so much security, she would’ve spent less.” You can’t put a price on safety (or on forever), but here’s a breakdown of what key elements from the wedding *may* have cost to reach an eight figure total. ## **The Venue: $600,000 to $1.2 million** Let’s start with the much-discussed venue: New York’s Madison Square Garden. Everyone has been trying to figure out just how much it costs to rent out one of the most iconic arenas in the world. According to [*TMZ*](https://www.tmz.com/2026/06/09/taylor-swift-madison-square-garden-wedding-venue-price/), it is $1 million a night to rent the entire venue, but [*the New York Times*](https://www.nytimes.com/2026/07/03/style/swift-wedding-msg-cost.html) reports a larger range between $600,000 to $800,000, citing “industry insiders who have experience hosting events at the venue.” Another source told *the Times* it would be “somewhere between $1.2 million and $1.6 million” to rent two days at the Garden. Landman estimates that renting out MSG for three or four days would amount to less than $10 million. “Everyone thinks of it just as the arena, but there are many different venues and outlets within it,” she said. “If you’re going to do a full buyout, you have to rent the arena as well as the theaters, the restaurants, the concessions.” Landman also explains that union labor factors into the cost. “All labor has to be bought out by any event and compensated by any event … even if you don’t use it, you still have to pay for the labor that would have been employed if that space were engaged,” she adds. According to these ballparks, Swift and Kelce could have spent around half a million to $2 million to rent the space, but that doesn’t factor in the price of the permit they had to obtain from the city to shut down nearby streets. The permit would bring the cost up by about $60,000 if you ask [TMZ](https://www.tmz.com/2026/07/07/taylor-swift-paid-60k-for-her-wedding-day-permit/), or $132,000 if you ask [*NYT*](https://www.nytimes.com/2026/07/03/style/swift-wedding-msg-cost.html). ## **The Dress: $100,000 to $500,000** It seems like the whole world is waiting for Swift to finally reveal her wedding dress. Without an actual picture of the dress and its design, it’s challenging to nail down a good estimate on what it would be valued at. As a Swift representative shared with *Rolling Stone*, the dress was designed by Jonathan Anderson as part of Christian Dior Haute Couture “in close collaboration with the bride.” The design marks his “first couture wedding dress for a world-renowned celebrity.” The luxury fashion brand showed Anderson’s latest couture designs in Paris on Monday, after which a Dior spokesperson “promised all would be revealed — at some point, after Swift herself posts the first pictures on her Instagram,” per [*the Times*](https://www.nytimes.com/2026/07/07/style/dior-couture-taylor-swift-wedding.html). Anderson has designed two couture wedding dresses in the past, for model [Ming Xi](https://www.vogue.com/slideshow/ming-xi-and-mario-ho-wedding) and Brazilian influencer [Elisa Zarzur](https://www.harpersbazaar.com/uk/brides/a71497151/elisa-zarzur-wedding-dress-dior/). Sources familiar with Anderson’s work and the Dior brand estimate that the value of the dress could range anywhere from $100,000 to $500,000, but it’s possible Swift didn’t actually pay anywhere near the valued price. “I could totally see how Christian Dior would want to partner with her on this major moment and might offer something as a gift or might give her a great deal because they have a close friendship and she’s constantly wearing items from them,” Ward says. For context, a [royal wedding ](https://www.brides.com/most-expensive-celebrity-wedding-dresses-11813881)gown from 2004 racked up a $13.7 million price tag, while Serena Williams has one of the most expensive celebrity wedding gowns of all time, when she wore a Sarah Burton-designed Alexander McQueen dress and cape priced at $3.5 million. ## **The Tux: $6,000 to $10,000** Just like Swift’s dress, Kelce also wore a haute couture Christian Dior look designed by Anderson. According to the Dior [website](https://www.dior.com/en_us/fashion/mens-fashion/ready-to-wear/suits-tuxedos), the high-end of their retail suits hit a nearly $6,000 maximum. A custom suit would be higher than that, but without definitive details of the design, it’s hard to tell just how much more. ## **The Shoes: About $3,000** Swift once sang, “if the shoe fits, walk it in everywhere you go” and clearly lived by those words for her big day. Both the superstar and NFL star wore custom Christian Louboutins. Swift has her own [history](https://us.christianlouboutin.com/us_en/discover-taylor-swift-the-eras-tour) with the brand: In 2023, for the Eras Tour, she rocked a handful of custom-made red-bottoms. Women’s high-heels on the brand’s site retail for around $1,000 while men’s dress shoes go for about $1,250. The nature of a custom-made pair ups that price, depending on the design, so let’s say that they spent around $3,000 on their shoes, give or take. ## **The Lighting: $350,000 to $1 million** Ward estimates that the wedding lighting and production was in the “high six figures into the seven figures.” “The main reason why lighting is so expensive at Madison Square Garden is because you need so much of it and there’s so much equipment,” she said, and echoed the labor cost that Landman brought up. Landman estimates a minimum spend of $350,000 on lighting. “My guess is just based on the space and how much you would have to do to transform it,” Landman says. “I’d be shocked if they spent less than half a million, and that would be separate from whatever they’re doing for the stage lighting,” she added, referring to the musical performances that[ Paul McCartney](https://www.rollingstone.com/music/music-features/paul-mccartney-taylor-swift-wedding-i-want-hold-your-hand-1235589938/) and [Stevie N](https://www.rollingstone.com/music/music-news/stevie-nicks-performance-taylor-swift-travis-kelce-wedding-1235586080/)[i](https://www.rollingstone.com/music/music-news/stevie-nicks-performance-taylor-swift-travis-kelce-wedding-1235586080/)[cks](https://www.rollingstone.com/music/music-news/stevie-nicks-performance-taylor-swift-travis-kelce-wedding-1235586080/) put on. ## **The Decor: $500,000 to $1 million** By the sounds of it, Swift and Kelce completely transformed MSG so that it could feel intimate and mimic a real-life garden — that’s not an easy, or cheap, feat. Both Ward and Landman estimate the couple spent around $1 million dollars for decor. “When you choose a venue as vast as Madison Square Garden with as many design requirements in order to cover up the space and make it feel intimate and soft and not like a huge arena, that’s where the costs come in,” Ward says. Those pieces include curtains and woodworking structures, while flowers are calculated on a separate line item, according to the luxury wedding and event planners. No photos of the floralscape have been released, but Landman estimates a $1 million spend on them alone. Rachel Wayne, founder of NYC-based florist [Blxxm](https://www.blxxm.co/), says, “I’m sure she probably spent at least $500,000 to $1 million. I would hope \[she did\] for it to fill a space that large.” ## **The Food: About $2 million** Last, but certainly not least, is the food. Some guests have reported that there was not a formal wedding dinner, but instead food stations that included fun hors d’oeuvres like chicken nuggets topped with caviar. “I would assume that she was spending anywhere from $1,000 to $2,000 per person for food and beverage,” Ward says, adding, “But it could have been significantly higher than that if she was bringing in specialty types of foods or flying things in from Rhode Island that were something that was close to her heart and felt significant to her.” Us *Weekly* [reported](https://www.mamastoo.com/?location=LQPANYBECYT7V#V6BPMT2US45SKUJMBS633ECA) that the couple placed a late-night pizza order for the wedding from Mama’s TOO!, a local shop. If that’s true, it would bring up the food total up roughly $3,000 more. ## **The Over/Under** All in all, the possibly eight-figure total for the whole event makes sense, especially when so many elements could reach the millions. There’s no denying how dizzying these high price-tags sound, either. But the reality is it’s not that insane as far as luxury weddings go, at least according to those well-acquainted with that world. “There are dozens of multi-million dollar weddings every single week in New York and around the world,” Landman says. “This sounds all completely insane, but this is literally what I do every single day.” *This story was originally published on **[rollingstone.com](https://www.rollingstone.com/music/music-features/taylor-swift-travis-kelce-wedding-cost-estimate-1235590070/)**.* ## Frequently Asked Questions ### How much did Taylor Swift and Travis Kelce’s wedding cost? No official figure has been released, but luxury event planner Lindsay Landman estimates Taylor Swift and Travis Kelce’s Madison Square Garden wedding could have cost between $20 and $25 million. The estimate has not been confirmed by the couple and is based on industry ballparks. ### Where did Taylor Swift and Travis Kelce get married? Taylor Swift and Travis Kelce reportedly married at Madison Square Garden in New York on July 3, 2026. The event was said to include around 1,000 guests, star-studded performances from Paul McCartney and Stevie Nicks, and food stations featuring caviar-topped chicken nuggets. ### How much did it cost to rent Madison Square Garden for the wedding? Estimates vary. TMZ reported around $1 million a night to rent Madison Square Garden, while the New York Times cited $600,000 to $800,000, or $1.2 to $1.6 million for two days. A full multi-day buyout, planners say, could still land under $10 million. ### Who designed Taylor Swift’s wedding dress? Taylor Swift’s wedding dress was designed by Jonathan Anderson as part of Christian Dior Haute Couture, his first couture wedding gown for a world-renowned celebrity. Sources estimate its value between $100,000 and $500,000, though Swift may have received it as a gift or at a discount. ### Did Taylor Swift and Travis Kelce donate to charity around their wedding? Yes. Days before their Madison Square Garden wedding, Taylor Swift and Travis Kelce donated a reported $26 million across 20 U.S. charities. The gift roughly matched the estimated cost of the celebration itself, which luxury planners peg at a possible eight-figure total. Related Stories - [ICYMI: All the Details We Know From Inside Taylor Swift and Travis Kelce’s Wedding](https://rollingstonephilippines.com/music/pop/taylor-swift-travis-kelce-wedding-everything-we-know/ "ICYMI: All the Details We Know From Inside Taylor Swift and Travis Kelce’s Wedding") - [All the Controversies from Taylor Swift and Travis Kelce’s New York Wedding](https://rollingstonephilippines.com/music/pop/taylor-swift-travis-kelce-wedding-controversies/ "All the Controversies from Taylor Swift and Travis Kelce’s New York Wedding") - [Stevie Nicks Performs at Taylor Swift and Travis Kelce’s Wedding](https://rollingstonephilippines.com/music/stevie-nicks-taylor-swift-travis-kelce-wedding/ "Stevie Nicks Performs at Taylor Swift and Travis Kelce’s Wedding") **Categories:** Music, Pop **Tags:** Taylor Swift, Travis Kelce --- ### [Mico Clavano Didn’t Ask to Be Assistant Ombudsman](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/mico-clavano-didnt-ask-to-be-assistant-ombudsman/) **Published:** July 10, 2026 **Author:** Mara Cepeda **Excerpt:** The Assistant Ombudsman reflects on unexpected leadership, public scrutiny, and why evidence — not politics — must guide every case **Content:** The door has to be closed, [Mico Clavano](https://rollingstonephilippines.com/tag/mico-clavano/ "Mico Clavano") insists. He is not entirely comfortable with being photographed. This would be unremarkable, except that his face is on primetime news nearly every night. Clavano is the spokesperson of the Office of the Ombudsman, the institution that has been building cases against officials whose names have become shorthand for everything wrong with Philippine governance. Cameras are, at this point, a professional hazard. And yet here he goes, sheepishly asking the *Rolling Stone Philippines* team if we can shut the door so fewer people would walk past while his photo is being taken. “It’s never about me,” he says. “When you speak for a department, you represent the institution. What I want to portray are the values of the office.” He didn’t ask for this job. He didn’t ask for the one before it either. At 31, Clavano walked into the Department of Justice (DOJ) for what he thought was an interview to become executive assistant to then-secretary [Jesus Crispin “Boying” Remulla](https://rollingstonephilippines.com/tag/boying-remulla/ "Boying Remulla"). Ten minutes into their first conversation, Remulla looked at him and said: “I know what to do with you. You’ll be my spokesperson.” “You don’t get to say no to the Secretary of Justice,” Clavano says, laughing. He went home and watched former United States President Barack Obama on YouTube. He studied American DOJ spokespersons to learn what to say at each step of the case build-up, and what not to say. He studied Singapore’s first Prime Minister Lee Kuan Yew for something harder to name: the idea that every public statement should carry a philosophy worth understanding beyond the headline. “It helps that I get face time with my boss every day, because I learn how he thinks, why he thinks a certain way, why he does what he has to do. Being in the room when decisions are made, that’s where I really trained myself,” says Clavano. ![mico clavano rolling stone philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/mico-clavano-intext.webp) Clavano says he sometimes finds that he must reel himself out of the “chessboard” of politics. His first real test was the case of slain journalist Percy Lapid, with the investigation pointing toward ex-Bureau of Corrections (BuCor) Chief Gerald Bantag, whose office was under the jurisdiction of the DOJ. There is no YouTube tutorial for that. When Clavano overstepped early on, generalizing that the Philippine National Police was allegedly covering up for BuCor, someone called him out. He apologized, clarified, and filed it away. “Firecrackers,” his word for officials who would go in swinging at everyone, do not last. Keeping your cool is not weakness, but what the job entails. When Remulla moved from the DOJ to become Ombudsman in 2025, he brought Clavano with him. Here, as Assistant Ombudsman and spokesperson, from the moment Clavano arrives at 8:30 in the morning, he does not leave. The only exceptions are press conferences downstairs or when they finally file cases against erring public officials. The office he speaks for has become the epicenter of the country’s two biggest political stories: the [flood control corruption scandal](https://rollingstonephilippines.com/tag/flood-control-probe/ "Flood Control Probe"), which has produced non-bailable plunder complaints against the likes of fugitive lawmaker [Zaldy Co](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/palace-zaldy-co-accusations-hearsay/ "Zaldy Co Versus Marcos Administration in a War of Words"), Senator [Jinggoy Estrada](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/sandiganbayan-orders-jinggoy-estrada-arrest-flood-control-scandal/ "Sandiganbayan Orders Arrest of Jinggoy Estrada in Flood Control Scandal"), and former Public Works Secretary Manuel Bonoan, and the expanding web of cases touching allies of Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte"), several of whom will sit as senator-judges in her [impeachment trial](https://rollingstonephilippines.com/tag/sara-duterte-impeachment/ "Sara Duterte Impeachment"). “‘Pag puro pulitika na lang, you’re just another piece on the chessboard,” he says. “Sometimes I find myself getting into it, but I have to reel myself out. If you lose the vision of what you want the country to be, then you’re not working towards anything anymore. You have to keep a little bit of that. But along the way, you become a little bit more pragmatic.” The loudest accusation levelled at the ombudsman is not about any single case but the alleged pattern: that the office, under an ombudsman who shares a surname with a [Cabinet secretary](https://rollingstonephilippines.com/tag/jonvic-remulla/ "Jonvic Remulla") in the Marcos administration, is allegedly systematically targeting Duterte and her allies. Clavano doesn’t pretend the optics are clean. “It’s more of a coincidence that the timelines came together at this moment, where the Senate is very much under the spotlight and then a senator all of a sudden is held accountable for something that has been investigated for so long already. Unfortunate, but it had to be done,” says Clavano. “Because what are you gonna do? Hold the case also because there’s political turmoil in the Senate? So hindi naman puwede ‘yon, ‘di ba?” What he keeps returning to is not the politics, not the optics, not the noise surrounding the cases the Ombudsman handles, but, simply, the evidence. “There’s a difference between the actual truth and the judicial truth,” he says. “The judicial truth is basically what you can prove in court. But sometimes it’s not the same as the actual truth, which is sad. Some things you’ll never know because either nobody was there to witness it or there’s no evidence. So as investigators and prosecutors, you’re really trying to get to the bottom of it. But it’s not always that easy.” And when people accuse the ombudsman of deciding who goes to jail and who walks free, Clavano does not flinch. “We’re not playing God here. We don’t decide who goes to jail or who is saved. It’s all tied to the evidence,” he says. Off camera, Remulla spends lunch making jokes about Clavano being 5’6”. He takes it in stride. Behind the scenes, he says, his boss is warm and a genuine mentor. “Rarely do you see a boss that is also loyal to his employees. He mentors you, he coaches you, he tells you when you could have done better,” says Clavano. “When you speak for a department, you represent the institution. What I want to portray are the values of the office.” Assistant Ombudsman Mico Clavano He went on paternity leave when his son was born in January. Remulla called Clavano three times in one day. He came back to work after a week. What keeps Clavano grounded is ordinary life — playing basketball and golf on Sunday mornings with friends he calls, with complete seriousness, the “Good Boys Club.” He goes home and tries not to bring the office with him. He goes on dates with his wife, television host and model Samantha Sadwhani-Clavano, and they reflect about their life’s work. “Sometimes I can’t believe na at this age, \[I’ve achieved these things already\]. I share with her a fear of mine, \[that\] I hope this is not the pinnacle \[of my career\]… Because I’m still young and I want to achieve more,” Clavano says. “She just tells me to keep going.” He is 35. The ombudsman’s cases are far from done. And for someone who never asked for any of this, Assistant Ombudsman Mico Clavano has somehow ended up exactly where the country needs him to be. *Read the rest of this story in the Rolling Stone Philippines’ Voices Issue, now available for pre-order on [Sari-sari Shopping](https://www.instagram.com/sarisari_shopping/) and in major newsstands soon.* *Get digital access to the latest issue [here.](https://rollingstonephilippines.com/digital-access/)* ## Frequently Asked Questions ### Who is Mico Clavano? Mico Clavano is the Assistant Ombudsman and spokesperson of the Office of the Ombudsman in the Philippines. At 35, he is the public face of the institution building corruption cases against government officials, appearing on primetime news as the office pursues major graft and plunder investigations. ### How did Mico Clavano become a government spokesperson? Clavano became a spokesperson unexpectedly. At 31, he walked into the Department of Justice expecting an executive assistant interview, but then-Secretary Boying Remulla named him spokesperson on the spot. He studied figures like Barack Obama and Lee Kuan Yew to learn the role. ### What major cases is the Office of the Ombudsman handling? The Office of the Ombudsman sits at the center of two major political stories: the flood control corruption scandal, which produced non-bailable plunder complaints against figures like Zaldy Co, Senator Jinggoy Estrada, and Manuel Bonoan, and expanding cases touching allies of Vice President Sara Duterte. ### Is the Ombudsman accused of targeting Sara Duterte and her allies? Yes. Critics allege the office, led by an ombudsman who shares a surname with a Marcos Cabinet secretary, is systematically targeting Duterte and her allies. Clavano calls the overlapping timelines a coincidence, arguing the cases had to proceed despite political turmoil in the Senate. ### What is Mico Clavano’s approach to the Ombudsman’s cases? Clavano insists evidence, not politics, must guide every case. He distinguishes between actual truth and judicial truth — what can be proven in court — and rejects claims that the office decides who is jailed or freed, saying, in his words, that they are “not playing God.” Related Stories - [Atom Araullo is Willing to Take the Risk](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/atom-araullo-is-willing-to-take-the-risk/ "Atom Araullo is Willing to Take the Risk") - [Rappler’s Pia Ranada Still Believes in the Promise of Journalism](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/pia-ranada-journalism-voices/ "Rappler’s Pia Ranada Still Believes in the Promise of Journalism") - [Tito Sotto’s Impeachment Record, From Estrada to Duterte](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/tito-sotto-impeachment-record-duterte/ "Tito Sotto’s Impeachment Record, From Estrada to Duterte") **Categories:** Philippine Politics, State of Affairs **Tags:** Mico Clavano, Rolling Stone Philippines Voices --- ### [Madonna Returns to Number One on the Charts With ‘Confessions II’](https://rollingstonephilippines.com/music/pop/madonna-confessions-ii-number-1-charts/) **Published:** July 13, 2026 **Author:** Daniel Kreps **Excerpt:** Singer scores her 10th chart-topping album, and becomes first artist of the 2020s to land Number Ones in four different decades **Content:** [Madonna](https://rollingstonephilippines.com/tag/madonna/ "Madonna") returned to the top of the charts for the first time this decade as her *[Confessions II](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/ "Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’")* opened at Number One on the Billboard 200. Over 20 years after *Confessions on a Dance Floor* ruled the charts, *Confessions II* similarly debuted in the top spot, moving 134,000 equivalent albums in its first week of release. This Number One marks the first time Madonna has ruled the album charts in the 2020s. Beginning with 1984’s *Like a Virgin*, Madonna has now landed 10 albums at Number One — and the only artist with at least one Number One in the 1980s, 2000s, 2010s, and now 2020s (shockingly, her 1990s LPs *Erotica*, *Bedtime Stories*, and *Ray of Light* all missed the top spot) — as well as becomes just the fourth artist to rack up 10 Number Ones on both the Billboard 200 and the Hot 100; only the Beatles, Taylor Swift, and Drake achieved that prior to the Material Girl, [*Billboard* reports](https://www.billboard.com/lists/acts-10-number-ones-billboard-200-hot-100/). Madonna last grabbed Number One with her 2019 album *Madame X*, her second Number One of the 2010s; while 2012’s *MDNA* hit the top spot, 2015’s *Rebel Heart* peaked at Number Two. Landing the top spot is just a bonus for *Confessions II*, which *[Rolling Stone](https://rollingstonephilippines.com/tag/rolling-stone/ "Rolling Stone")* called Madonna’s “best album in 20 years.” “It’s a 64-minute nonstop groove that flows like a club-DJ set, each song fading into the next, drawing from all over the history of dance music,” Rob Sheffield wrote in [his review](https://www.rollingstone.com/music/music-album-reviews/madonna-confessions-ii-album-review-1235588293/). “You might hear a flicker of ‘I Feel Love’ here, or ‘Apache’ there, but it’s a history lesson that she turns into her musical autobiography.” *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-news/madonna-number-one-charts-confessions-ii-1235592485/).* ## Frequently Asked Questions ### Did Madonna’s Confessions II debut at Number One? Yes. Madonna’s Confessions II debuted at Number One on the Billboard 200, moving 134,000 equivalent album units in its first week. It marks her return to the top of the albums chart for the first time in the 2020s, over 20 years after Confessions on a Dance Floor. ### How many Number One albums does Madonna have? Confessions II is Madonna’s 10th Number One album on the Billboard 200, a run that began with 1984’s Like a Virgin. She also becomes just the fourth artist with 10 chart-toppers on both the Billboard 200 and Hot 100, after the Beatles, Taylor Swift, and Drake. ### What record did Madonna set with Confessions II? With Confessions II, Madonna becomes the only artist to score Number One albums across four different decades — the 1980s, 2000s, 2010s, and now the 2020s. Notably, her 1990s albums Erotica, Bedtime Stories, and Ray of Light all missed the top spot. ### When was Madonna’s last Number One album before Confessions II? Before Confessions II, Madonna last topped the Billboard 200 with her 2019 album Madame X, her second Number One of the 2010s. Earlier, 2012’s MDNA also reached Number One, while 2015’s Rebel Heart peaked at Number Two on the chart. ### How was Confessions II received by critics? Rolling Stone praised Confessions II as Madonna’s “best album in 20 years.” Critic Rob Sheffield likened it to a continuous, hour-plus dance set, with tracks blending into one another and drawing on decades of dance-music history to form a kind of musical autobiography. Related Stories - [Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’](https://rollingstonephilippines.com/music/music-reviews/madonna-confessions-ii-album-review/ "Madonna Exorcises Personal Demons On The Euphoric ‘Confessions II’") - [4 Free Concerts in the Philippines That Came at a Cost](https://rollingstonephilippines.com/editors-picks/lists/4-free-concerts-philippines-at-a-cost/ "4 Free Concerts in the Philippines That Came at a Cost") - [From ‘Brat’ Walls to Giant Michael: 8 Album Stunts that Got Everyone Talking](https://rollingstonephilippines.com/music/8-album-promo-stunts/ "From ‘Brat’ Walls to Giant Michael: 8 Album Stunts that Got Everyone Talking") **Categories:** Music, Pop **Tags:** Madonna --- ### [Fanfic Girlies Are Producing the Best World Cup Memes](https://rollingstonephilippines.com/culture/sports/erling-haaland-jude-bellingham-world-cup-memes/) **Published:** July 13, 2026 **Author:** Nikki McCann Ramirez **Excerpt:** Norway’s Erling Haaland and England’s Jude Bellingham face off this weekend in the quarterfinals — and fans online are imagining a Heated Rivalry-style backstory **Content:** Is Jude an omega? Will Haaland be able to resist his pheromones during Saturday’s highly anticipated [World Cup](https://rollingstonephilippines.com/tag/fifa-world-cup-2026/ "FIFA World Cup 2026") quarterfinal between England and Norway? Why are there more than 43,000 fanfics listed under the “Men’s Football” tag on Archive of Our Own? Do these sentences mean nothing to you? The World Cup is always a collision of fandoms. Your favorite players from your favorite clubs divide themselves by nationality (patriotism is a fandom, right?) and clash on a global stage that produces the most legendary games and rivalries in sports. It’s also a televised barrage of emotional moments and dramatic tension, and the internet’s fanfiction girls have taken notice. Enter the primary pairing of the 2026 [World Cup](https://www.rollingstone.com/music/music-features/2026-world-cup-players-musicians-singers-1235589792/): English midfielder Jude Bellingham, currently with club team Real Madrid, and Norwegian striker Erling Haaland, currently at Manchester City. The two breakout stars of this tournament were once teammates at Dortmund (a German club in the Bundesliga league, for the newly minted fans) between 2020 and 2022. Their bromance in those years was well documented, and shot back into the spotlight this week after Bellingham led England through a grueling, instant classic of a match against Mexico to clinch a spot in the round of eight teams and a faceoff against Norway, and Haaland. The match, which kicks off at 5 p.m. Eastern on Saturday, is a parasocial goldmine. Haaland — blond and hulking — plays like a true Viking raiding the shores of Yorkshire. He’s also funny as hell, infamous for his quippy, self-deprecating [social media presence](https://x.com/shayy_lior/status/2074806715468701850), collection of patterned luxury silk pajamas, and generally goofy demeanor. Haaland’s popularity and name recognition have exploded during this year’s tournament, as he traveled around the United States, donning [western getup in Dallas](https://www.instagram.com/reel/DaWK-8uvH_z/?igsh=MWE1cWsxb3hvc3l4cQ==) and charming fans via a fascination with American culture. Bellingham, meanwhile, is a [walking](https://x.com/nxpressxre_/status/2074536476348428555?s=20) [thirst trap](https://x.com/hafice_gagarin/status/2074087914943004912). He has face that seems once in a generation until you learn he has a near-identical younger brother, *and* the raw talent and skills to back up his rising superstardom. He’s much more guarded and cautious about his public image than the post-happy Haaland — except perhaps when they’re together. They’re the faces of the next generation of World Cup greats, and their stars were always bound to collide. To be clear, both men seem to be in relationships with women. Halland is [dating](https://www.si.com/onsi/athlete-lifestyle/erling-haaland-s-girlfriend-isabel-haugseng-johansen-melts-hearts-at-world-cup-01kx4ccavtt6) former Norwegian soccer player Isabel Haugseng Johansen, and Bellingham has [been linked](https://www.elle.com/uk/life-and-culture/culture/a71896106/who-is-ashlyn-castro-jude-bellingham-girlfriend/) to model Ashlyn Castro. Yet when the England versus Norway matchup became official, social media was immediately flooded with photos, videos, edits, and mashups of the two in their yellow and black bumble bee Dortmund uniforms. Video edits of Bellingham launching himself into the arms of 6’ 5” Haaland, breathing heavily while they lay on the grass after a goal celebration, dropping his forehead onto his chest, and dipping into a press gaggle to kiss him on the cheek have racked up million of views across social media, in practically every language you can imagine. > bellingham vs haaland… heated rivalry <https://t.co/7qQ8wtONDu> [pic.twitter.com/oo0Uf2CsFN](https://t.co/oo0Uf2CsFN) > > — currently clowning for BP3 (@sauritgaurs) [July 6, 2026](https://x.com/sauritgaurs/status/2073967267855974676?ref_src=twsrc%5Etfw) The Haaland/ Bellingham memes are a product of the long-term fascination with the cultural norms around masculinity, and the exceptions to those rules allowed within sports. In the hyper-online world of *[Heated Rivalry](https://www.rollingstone.com/tv-movies/tv-movie-features/heated-rivalry-hockey-romance-tv-smut-1235476210/)* and *[Challengers](https://www.rollingstone.com/tv-movies/tv-movie-reviews/challengers-review-sex-tennis-zendaya-1235000469/)*, fantasizing about hot athletes being a little (or very) gay has never been more fun and communal. [Fujoshis unite](https://www.them.us/story/fujoshi-meaning-fujoing-out-japanese-slang-history). Football is the largest sport in the world, and a certain amount of crossover between followers of the sport and online stan communities — often female and queer dominated — is to be expected. Some more enthusiastic followers on the self-publishing platform, [fanfiction host](https://www.rollingstone.com/culture/culture-features/ai-fan-fiction-community-1235333636/) Archive of Our Own (AO3) began casting the pair into the omegaverse — plenty [of explainers](https://henryjenkins.org/blog/2023/3/20/how-omegaverse-came-to-dominate-fanfiction-and-why-that-might-not-be-such-a-bad-thing) [on that one](https://mashable.com/article/what-is-the-omegaverse-tiktok-tumblr-fanfiction) — a popular subgenre of fanfiction, imagining enemies to lovers pairings or *[Heated Rivalry](https://www.rollingstone.com/t/heated-rivalry/)*– style secret romances. It’s not just Haaland and Bellingham. Fans are creating entire charts joking about the hypothetical relationships between the biggest stars of the World Cup, building on each other to create increasingly complicated dynamics based on little more than players online perceptions. In some fans’ imaginations, French forward Kylian Mbappé is in a “messy divorce” with Brazilian midfielder Neymar Jr. — the two were teammates at Paris Saint-Germain, and reportedly [fell out](https://www.foxsports.com/articles/soccer/kylian-mbappe-and-neymars-relationship-breakdown-ex-psg-star-sheds-light-on-rift-that-developed-between-two-superstars) amidst the athletic turmoil amongst the club’s attempt to build a star-studded superteam. “Fuck it i’m starting a rumor,” one user [wrote](https://x.com/judekleinn/status/2075438358679982228) above photos of Bellingham and French winger Michael Olise. > beginners are gonna think keeping up w yaoi lore is easy 🫩🫩🫩 <https://t.co/tDMTr8carS> [pic.twitter.com/2PUDqtkrAm](https://t.co/2PUDqtkrAm) > > — nyra (@nyrania22) [July 9, 2026](https://x.com/nyrania22/status/2075289287625523245?ref_src=twsrc%5Etfw) With the eyes of the world on the pitch, footie fanfiction has finally broken containment, spilling over from its usual platforms. From the beginning of the World Cup to Friday, more than 12,000 works have been published or updated under the “Men’s Football” fandom tag on AO3. Every pairing you could possibly imagine can be found if you scroll down far enough. Haaland addressed some of the online behavior surrounding him and other players during the world cup in a recent interview — unclear if he has read any of the fics —[ telling reporters](https://www.instagram.com/reel/DalwqE7PV8S/) that he thinks American fans are “kind of hilarious.” *This story was originally published on [rollingstone.com](https://www.rollingstone.com/culture/culture-news/erling-haaland-jude-bellingham-world-cup-memes-1235592079/).* ## Frequently Asked Questions ### Why are Haaland and Bellingham the subject of World Cup memes? Ahead of the 2026 World Cup quarterfinal between England and Norway, fans online turned Jude Bellingham and Erling Haaland into the tournament’s “primary pairing.” Their well-documented friendship — plus the dramatic England-versus-Norway matchup — inspired a wave of memes, edits, and fan-fiction imagining a Heated Rivalry-style backstory. ### What is the connection between Haaland and Bellingham? Erling Haaland, a Norwegian striker now at Manchester City, and Jude Bellingham, an English midfielder now at Real Madrid, were teammates at German club Borussia Dortmund from 2020 to 2022. Their documented friendship resurfaced when England and Norway were set to meet in the World Cup quarterfinals. ### How much World Cup fan-fiction is being created? Interest has surged on Archive of Our Own (AO3), where the “Men’s Football” tag lists more than 43,000 fan-fictions. According to the article, over 12,000 works were published or updated under that tag between the start of the World Cup and Friday, spanning nearly every player pairing imaginable. ### Are Haaland and Bellingham actually in relationships? Yes. The article notes both players appear to be in relationships with women: Haaland is dating former Norwegian soccer player Isabel Haugseng Johansen, and Bellingham has been linked to model Ashlyn Castro. The fan memes and fan-fiction are playful fantasy, not claims about the players’ real lives. ### Which other World Cup players are part of the meme trend? Beyond Haaland and Bellingham, fans built joke charts pairing other stars — imagining Kylian Mbappé and Neymar Jr., former Paris Saint-Germain teammates, in a “messy divorce,” among others. Haaland addressed the online attention in an interview, saying he finds American fans “kind of hilarious.” Related Stories - [How Filipino Football Fans Can Make It to the World Cup Final, Thanks to GoTyme Bank](https://rollingstonephilippines.com/radar/rs-recommends/fifa-world-cup-2026-gotyme-bank/ "How Filipino Football Fans Can Make It to the World Cup Final, Thanks to GoTyme Bank") - [Alex Eala Stages Grass Comeback in Wimbledon Debut vs. Defending Champion](https://rollingstonephilippines.com/culture/sports/alex-eala-wimbledon-debut/ "Alex Eala Stages Grass Comeback in Wimbledon Debut vs. Defending Champion") - [Justin Bieber Will Perform at the FIFA World Cup Final Halftime Show](https://rollingstonephilippines.com/music/pop/justin-bieber-performing-world-cup-halftime/ "Justin Bieber Will Perform at the FIFA World Cup Final Halftime Show") **Categories:** Culture, Internet Culture, Sports **Tags:** FIFA World Cup 2026 --- ### [The Winners and Losers of ‘The Boys’ Season 5](https://rollingstonephilippines.com/culture/tv/the-boys-season-5-winners-and-losers/) **Published:** May 21, 2026 **Author:** Mel Wang **Excerpt:** The series finale may have divided fans (and for good reason), but here are all the players who made it out either scathed or unscathed **Content:** *Warning: spoilers abound!* After seven years, *[The Boys](https://rollingstonephilippines.com/tag/the-boys/ "The Boys")* has released its final episode. Now, as far as series finales go, this one definitely isn’t the worst. It’s not on the same level as *Game of Thrones* or *[Stranger Things](https://rollingstonephilippines.com/tag/stranger-things/ "stranger things")*, both of which ended disastrously and upset a majority of their fanbases. However, this doesn’t mean that fans *aren’t* upset. Since *The Boys* Season 5 dropped its first episode on Amazon Prime Video earlier this April, fans have been more than vocal about how it felt like showrunner Eric Kripke and his writers’ room were rushing to finish all their character arcs. After only five seasons of watching the Boys try to put an end to Homelander and his reign of political, man-child terror (sound familiar?), there seemed to be too much to cover in just eight episodes. How do you kill the strongest superhero on Earth? How do we use the other Supes to make this happen? What happens after you kill him? How do the kids of *Gen V* tie into all of this? And does anyone *really* win after all this is over? The finale answers some of these questions and disregards others completely (or at the very least, gives very silly answers). But no ending is perfect, and while I, like many viewers, may be upset about how things ended for some of these characters (justice for Soldier Boy!), I also know that some of these character arcs also paid off in the end. In honor of *The Boys* wrapping things up, here are the winners and losers of the series. *Again, spoiler alert.* ## Loser: Homelander > [View this post on Instagram](https://www.instagram.com/reel/DWzK0LcCFR0/?utm_source=ig_embed&utm_campaign=loading)[A post shared by THE BOYS (@theboystv)](https://www.instagram.com/reel/DWzK0LcCFR0/?utm_source=ig_embed&utm_campaign=loading) Although I would have wanted a half-hour long, “Scorched Earth” final battle between the Boys and Homelander (Antony Starr), I won’t deny that his death scene was very fitting for him, especially after he lost his powers. “Please,” he whined while Butcher (Karl Urban) stepped closer and closer with a crowbar. “I’ll fucking suck your dick! I’ll do anything. You want me to eat shit? I’ll eat fucking shit on live TV!” Homelander was giving major loser energy in his final moments, and it was a sight to see. ## Winner: Most of the Boys > [View this post on Instagram](https://www.instagram.com/p/DYj2_1Am9Sc/?utm_source=ig_embed&utm_campaign=loading)[A post shared by THE BOYS (@theboystv)](https://www.instagram.com/p/DYj2_1Am9Sc/?utm_source=ig_embed&utm_campaign=loading) For the Boys who made it out alive, the show blesses them all with very clean (arguably, a little too clean) happy endings. M.M. (Laz Alonso) goes back home to his wife and daughter, even adopting Ryan (Cameron Crovetti) in the process. Kimiko (Karen Fukuhara) finally gets her Bernadoodle. Hughie (Jack Quaid) and Starlight (Erin Moriarty) start a family, along with an AV shop and a Supe side gig. To be fair, they all deserve some peace and quiet, especially after all the guts, blood, and cum Vought threw at them — it just all feels a little out of place given the tone of the rest of the show. Anyway, cue “Piano Man.” ## Loser: The Deep > [View this post on Instagram](https://www.instagram.com/p/DJkJh5bOBOs/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Chace Crawford (@chacecrawford)](https://www.instagram.com/p/DJkJh5bOBOs/?utm_source=ig_embed&utm_campaign=loading) Justice for Ambrosius! After a quick fight with Starlight, The Deep (Chace Crawford) gets himself catapulted into the ocean — where a swarm of angry sharks and giant squids are waiting for him. None of them are ready to forgive the Supe for playing a part in the “Fish Holocaust” (and for murdering several octopi friends), and so they proceed to tear him apart. Did The Deep (a.k.a. Kevin) deserve a better ending? No, this checks out. But he *did* deserve a better character arc. I’m sure the writers felt the same, at least back in Season 1 when they sent him on a journey of self-reflection in Sandusky, Ohio. Alas, he got lost in the sauce, and by the end of the series, The Deep’s pretty much just a manosphere bro. ## Winner: Ashley > [View this post on Instagram](https://www.instagram.com/reel/DYXYHjfSkv1/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Liquid Death (@liquiddeath)](https://www.instagram.com/reel/DYXYHjfSkv1/?utm_source=ig_embed&utm_campaign=loading) Out of all the character arcs in this final season, Ashley’s (Colby Minifie) was the one that made the most sense. After years of hiding behind Vought, and then the White House, she finally grew a backbone when it came to helping the Boys take down Homelander. To quote Bashley, the telekinetic second face that grows out of the back of Ashley’s head, “Proud of you, girl!” (In other news, Ashley definitely deserved her impeachment after almost helping Homelander ascend to god status. Sorry, Ashley.) ## Loser: Soldier Boy > [View this post on Instagram](https://www.instagram.com/reel/DXSUgHfkkJ4/?utm_source=ig_embed&utm_campaign=loading)[A post shared by THE BOYS (@theboystv)](https://www.instagram.com/reel/DXSUgHfkkJ4/?utm_source=ig_embed&utm_campaign=loading) I know Kripke and the rest of the team behind *The Boys* are setting things up for their upcoming prequel series, *Vought Rising*, but they really did Soldier Boy (Jensen Ackles) dirty this season. Right before the Supe can take a step back from Vought, his weirdo of a son, Homelander, decides to knock him unconscious and put him back to sleep in his cryochamber. Soldier Boy doesn’t even make an appearance in the finale. Yes, he already had his whole arc about how true love can make you do crazy things (he was in love with a Nazi, after all), but a lot of it felt shaky especially since none of the previous seasons ever dived deep into Soldier Boy’s personal life. ## Winner/Loser: Butcher > [View this post on Instagram](https://www.instagram.com/p/DW3wkiUFO7d/?utm_source=ig_embed&utm_campaign=loading)[A post shared by THE BOYS (@theboystv)](https://www.instagram.com/p/DW3wkiUFO7d/?utm_source=ig_embed&utm_campaign=loading) Butcher really could have walked away a winner after killing Homelander. But instead, his big kill left him feeling hollow, and after his sort-of son Ryan calls him a bad person and his beloved dog Terror passes in his sleep, Butcher immediately tries to start another rampage. In the finale’s biggest twist, Butcher heads to Vought Tower to release his Supe-killing virus. Fortunately, Hughie’s there to talk some sense into him — or, at least, try to. Their last encounter ends with Hughie pulling the trigger on his mentor, and we cut to the surviving Boys burying Butcher right by his Becca. He would’ve wanted that. ## Loser: Sister Sage > [View this post on Instagram](https://www.instagram.com/reel/DPUj8tmgcmC/?utm_source=ig_embed&utm_campaign=loading)[A post shared by THE BOYS (@theboystv)](https://www.instagram.com/reel/DPUj8tmgcmC/?utm_source=ig_embed&utm_campaign=loading) So are we all supposed to believe that the smartest woman on Earth is supposed to live out the rest of her life as an idiot? The answer is yes. After getting hit by a radioactive blast from Kimiko, Sage (Susan Heyward) loses all her powers, including her superintelligence. Before the Boys head to their final showdown, Sage immediately peaces out and heads to Harry Potter World in Orlando. Part of me wants to feel happy about Sage’s character arc, especially since she’s hated her powers since she joined the show in Season 4 (no one likes a smartypants, after all). But because her ending comes so early into the finale, and because we never see her again, I can’t help but wonder if Kripke was planning a bigger ending for Sage that got cut for time. ## Loser: Gen V Even if you’ve never seen an episode of *The Boys*’ spin-off series, *Gen V*, there were *lots* of references to it in this finale. The spin-off had been gearing up to pit Marie Moreau (Jaz Sinclair) as a major contender in defeating Homelander; however, it was recently announced that *Gen V* would not be renewed for a third season. This meant that *The Boys*’ last season also had to do the extra work of wrapping up some of the *Gen V* storylines, or at the very least acknowledging that the characters exist. But even though some of the *Gen V* players make an appearance, they’re mainly there to just complain about how they’re not allowed to help in the real fight. ## Winner: Stan Edgar (and Vought) > [View this post on Instagram](https://www.instagram.com/p/DQNTu2UktVa/?utm_source=ig_embed&utm_campaign=loading)[A post shared by THE BOYS (@theboystv)](https://www.instagram.com/p/DQNTu2UktVa/?utm_source=ig_embed&utm_campaign=loading) It was almost inevitable that former Vought devotee Stan Edgar (Giancarlo Esposito) would worm his way back to the top of the Supe-making conglomerate. In a quick news clip, Edgar can be seen announcing his return as Vought’s interim CEO to “start the process of rebuilding.” Does this mean that all of the Boys’ efforts were for naught? Probably. But that’s a story for another show. ## Frequently Asked Questions ### How did Homelander die in ‘The Boys’ finale? Homelander loses his powers before facing Butcher in the final confrontation. Instead of a massive superhero battle, his death becomes humiliating and deeply personal, with Butcher ultimately killing him using a crowbar while Homelander begs for his life. ### Did the Boys get happy endings at the end of the series? Most of the surviving members of the Boys receive surprisingly peaceful endings. M.M. reunites with his family and adopts Ryan, Hughie and Starlight start a family together, and Kimiko finally gets the quiet life she wanted. ### What happened to Butcher in the finale? After killing Homelander, Butcher struggles with guilt and emptiness. He attempts one final violent mission involving the Supe-killing virus, but Hughie ultimately stops him by shooting him. The Boys later bury Butcher beside Becca. ### Why are fans upset with ‘The Boys’ Season 5 ending? Many fans felt the final season rushed major storylines and character arcs into only eight episodes. Critics especially pointed to underdeveloped endings for characters like Soldier Boy, Sister Sage, and the *Gen V* cast. ### What happened to Soldier Boy in the final season? Soldier Boy is knocked unconscious by Homelander and placed back into cryosleep before the finale. He never appears again, leaving many viewers disappointed with how little closure the character received. ### Does Vought still exist after the ending of ‘The Boys’? Yes. Despite everything the Boys sacrificed, Vought survives. Stan Edgar returns as interim CEO and begins rebuilding the company, suggesting the fight against corruption and Supes may never truly end. Related Stories - [‘The Boys’ Season 5, Episodes 1 and 2: All Bets Are Off](https://rollingstonephilippines.com/culture/tv/the-boys-season-5-episodes-1-2-recap/ "‘The Boys’ Season 5, Episodes 1 and 2: All Bets Are Off") - [Ass Bombs, Penis Stranglers, and the Weirdest Deaths on ‘The Boys’](https://rollingstonephilippines.com/culture/tv/the-boys-weirdest-death-scenes/ "Ass Bombs, Penis Stranglers, and the Weirdest Deaths on ‘The Boys’") - [Deborah on Poppers, Lesbian Cruise, and ‘Hacks’ Gayest Moments](https://rollingstonephilippines.com/culture/hacks-gayest-moments/ "Deborah on Poppers, Lesbian Cruise, and ‘Hacks’ Gayest Moments") **Categories:** Culture, Reviews, TV **Tags:** Amazon Prime Video, The Boys --- ### [Beyoncé, Chezka, Coeli, and All the Songs You Need to Know](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/beyonce-chezka-coeli/) **Published:** July 15, 2026 **Author:** Elijah Pareño **Excerpt:** Our weekly playlist of the best music right now, carefully picked by the Rolling Stone Philippines staff **Content:** Welcome to [Songs You Need to Know](http://rollingstonephilippines.com/editors-picks/songs-you-need-to-know), our weekly rundown of the best music right now. The *Rolling Stone Philippines* team is constantly sharing things to listen to, and each week, we compile a ragtag playlist of songs that we believe every music fan today needs to know. Whether it’s the hottest new single or an old track that captures the state of the present, our hope is that you discover something for your musical canon. The week’s songs include the soulful folk of [Chezka](https://rollingstonephilippines.com/tag/chezka/ "Chezka")’s “Amoeba,” the return of [Beyoncé](https://rollingstonephilippines.com/tag/beyonce-2/ "Beyoncé") in the sensual R&B single “MORNING DEW (DONK),” hybrid R&B and country pop rising star [Ryan Beatty](https://rollingstonephilippines.com/tag/ryan-beatty/ "Ryan Beatty"), [Coeli](https://rollingstonephilippines.com/tag/coeli/ "Coeli")’s cello and emotionally honest single “Once Aligned,” and many more. Chezka, ‘Amoeba’ ![Chezka](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/chezka-s-1600x1600.webp) Photo from Chezka/Instagram *Gauzy folk with a soulful twist* Clairo’s *Charm* has daughters, and that’s not a bad thing, as flimsy hi-hats and vocal layering abound in Filipino singer-songwriter Chezka’s latest single, “Amoeba.” The track’s production is lush with the deployment of synthesizers that complement more acoustic elements like guitars and drums, a synth lead trailing Chezka’s vocalizing in the song’s outro. There’s a fuzzy quality to “Amoeba” that makes it feel lived-in, even though it was just released on July 10. —*Pie Gonzaga* Ryan Beatty, ‘White Lightning’ ![Ryan Beatty](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/ryan-beatty-s-1600x1600.webp) Photo from Ryan Beatty/Instagram *Acoustic pop with nostalgic steel guitars galore* American singer Ryan Beatty returns with his honest, country-fied acoustic pop on the album *Sweet Fortune*, a more raw follow-up to 2023’s *Calico*. Its second track, “White Lightning,” is gorgeously arranged, with strings and a piano under which Beatty sings about pulling away and coming back. He even amps up the nostalgia with a steel guitar (and I *love* a weepy steel guitar) and a harmonica solo. I hate using the word “yearning” these days, but if there’s any song that encapsulates it, it’s “White Lightning.” —*Pie Gonzaga* RIP Swirl, Mother Soki, ‘Be My’ ![RIP Swirl](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/rip-swirl-s-1600x1600.webp) Photo from RIP Swirl/Instagram *Spacious, damp, guitar-driven downtempo* Much of downtempo music is marked by electronic or synthetic instrumentation, but German producer RIP Swirl and American singer Mother Soki join forces to create something more guitar-driven in “Be My.” Mother Soki’s vocals and the guitars are drenched in just enough reverb to bring out a velvety quality in an otherwise minimalistic track. Danish musician ML Buch, a cult favorite, was definitely on the moodboard. —*Pie Gonzaga* Beyoncé, ‘MORNING DEW (DONK)’ ![Beyonce](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/beyonce-s-1-1600x1600.webp) Photo from Beyoncé/Instagram *The queen is back and she’s feeling seductive* Queen Bee is back to her R&B roots in the surprise single “MORNING DEW (DONK).” After releasing back-to-back albums *Renaissance* in 2022 and *Cowboy Carter* in 2024, each with its own distinct sound palette — house music for the former and country for the latter — the latest single was, according to *Billboard*, unfortunately leaked back in 2021. However, hip-hop and R&B song leakers were caught lacking for not seeing this one coming. The complete and official release of “MORNING DEW (DONK)” is finally here in all its glory. In the latest single, Beyoncé returns to her luxurious brand of R&B, yearning for a partner to sip champagne with while watching *Purple Rain* and experiencing butterflies as they play their little seductive games. —*Elijah Pareño* Coeli, ‘Once Aligned’ ![Coeli](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/coeli-s-1600x1600.webp) Photo from Coeli/Instagram *Emotional wreckage with a cello* Folk singer-songwriter Coeli and her trusty cello return with “Once Aligned.” Arguably one of the most overlooked artists in the scene, her latest single ups the ante with even more honest lyricism. Lyrics like “Please don’t buy me a drink / Please buy me time” and “The last time we found rest in us and ’til we grew apart / But I still call it love” are heart-sinking lines that make you want to sing out of spite. Coeli plays with the concept of cooling off from a former partner and accepting that moving on is normally an emotional wreck of an experience. The singer outdoes herself emotionally and technically, weaving in cello lines exactly when the song needs that gut punch. We need some more of that, please. —*Elijah Pareño* Nothing, ‘cannibal world’ ![Nothing](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/nothing-s-1600x1600.webp) Photo from Nothing/Instagram *Drum n’ bass, shoegaze, and everything in between* The latest offering from Philadelphia shoegaze titans Nothing is nothing short of amazing and boundary-pushing. One of the biggest highlights from their latest album *a* *short history of decay*, “cannibal world” paints a world rotting from the inside while taking a peek into lead vocalist Domenic Palermo’s twisted world-building. If you listen closely, the “cannibal world” that Palermo’s is looking for is a dimension filled with fuzzy guitars, breakbeats, and a vocal performance akin to My Bloody Valentine’s Kevin Shields, if he had been born in the 2020s and leaned more into the Amen break. Nothing never misses. —*Elijah Pareño* ## Frequently Asked Questions ### What is the title of Ryan Beatty’s upcoming album? Singer-songwriter Ryan Beatty’s upcoming album is titled *Sweet Fortune*. ### Who collaborated on the track “Be My?” German producer RIP Swirl and American singer Mother Soki collaborated on a track titled “Be My.” ### What was the title of Beyoncé’s latest single? The title of Beyoncé’s latest single is “MORNING DEW (DONK).” ### wHEN IS nOTHING COMING TO mANILA? The shoegaze band Nothing will be performing in Manila on July 26. ### What instrument does Coeli play with? Singer-songwriter Coeli is known to play the cello. Related Stories - [10 Albums from 2016 That Aged Better Than Anyone Expected](https://rollingstonephilippines.com/music/2016-albums-retrospective/ "10 Albums from 2016 That Aged Better Than Anyone Expected") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") - [Barbie Almalbis Explores Personal Growth in New Album, ‘Not That Girl’](https://rollingstonephilippines.com/music/barbie-almalbis-new-album-not-that-girl/ "Barbie Almalbis Explores Personal Growth in New Album, ‘Not That Girl’") **Categories:** Editor's Picks, Music, Songs You Need To Know **Tags:** Beyoncé, Chezka, Coeli, Nothing, RIP Swirl, Ryan Beatty, Songs You Need to Know --- ### [Delish Philippines Launches Its Maiden Issue, with a Cordilleran Dish as Its Centerpiece](https://rollingstonephilippines.com/radar/releases/delish-philippines-maiden-issue-launch/) **Published:** July 15, 2026 **Author:** Pie Gonzaga **Excerpt:** With its first print issue, the magazine celebrates Filipino culture and heritage by diving deep into regional foodways and recipes **Content:** After its [digital launch](https://rollingstonephilippines.com/radar/delish-philippines-launches-website/) in April, [*Delish Philippines*](https://rollingstonephilippines.com/radar/releases/delish-philippines-agc-phc/) has released its maiden issue, with the Cordilleran snail dish Binungor highlighted on the inaugural cover. The issue, revealed on Wednesday, July 15, takes readers on a culinary journey across the country, being the first international edition of Hearst Magazines International’s *Delish*. Chefs Jocelyn Kapuno, Pil-od Acop Ano, and Chavi Romawac, all champions of Cordilleran cuisine, share nine recipes from the region in one of the features. From there, the issue turns to the iconic dishes of Bulacan and Iloilo to uncover the stories behind them. “One of the best things I love about food is that it has this incredible ability to connect people who might otherwise have nothing in common. And that’s exactly what we hope *Delish Philippines* becomes,” writes *Delish Philippines*’ Chief of Editorial Content Angelo Comsti. He says that the magazine hopes to be “A place where curiosity is always welcome. A place where tradition and innovation can sit at the same table. A place where differences are not forgotten, but understood and celebrated. A place where every issue leaves you not just hungry for the next meal, but eager to learn the story behind it.” *Delish Philippines* is available on [Sari-Sari Shopping](https://sarisari.shopping/) and in major newsstands. Visit their website at [delish.ph](https://delish.ph/ "delish.ph"). ## Frequently Asked Questions ### What is Delish Philippines and why is its maiden issue significant? Delish Philippines is the first international edition of Hearst Magazines International’s Delish, published by AGC Power Holdings Corp. Its maiden issue, released July 15, 2026, celebrates Filipino culinary heritage by spotlighting regional foodways, recipes, and the stories behind the country’s diverse dishes. ### What is Binungor, the dish on Delish Philippines’ first cover? Binungor is a Cordilleran snail dish featured on the inaugural cover of Delish Philippines. It reflects Filipino cuisine’s resourcefulness, indigenous knowledge, communal traditions, and regional diversity, making it a fitting symbol for a magazine centered on heritage foodways and regional storytelling. ### Which chefs and regional cuisines are featured in the maiden issue? The maiden issue features chefs Jocelyn Kapuno, Pil-od Acop Ano, and Chavi Romawac, all champions of Cordilleran cuisine, who share nine regional recipes. Beyond the Cordilleras, the issue also explores the iconic dishes of Bulacan and Iloilo and the stories behind them. ### Why did Delish Philippines choose Cordilleran cuisine for its inaugural cover? Delish Philippines centered its inaugural cover on Cordilleran cuisine to foreground regional Filipino foodways often overlooked in mainstream coverage. Chief of Editorial Content Angelo Comsti frames the magazine as a space connecting tradition and innovation, using food to bridge cultural differences across the country. ### Where can readers buy the Delish Philippines maiden issue? The Delish Philippines maiden issue is available on Sari-Sari Shopping and in major newsstands nationwide. Readers can also visit the magazine’s website at delish.ph. The print issue follows the brand’s digital launch in April 2026, its first international edition after Hearst’s global *Delish* title. Related Stories - [‘Delish’ is Finally Going Global, and the First Stop is the Philippines](https://rollingstonephilippines.com/radar/releases/delish-philippines-agc-phc/ "‘Delish’ is Finally Going Global, and the First Stop is the Philippines") - [Delish Philippines Launches Website with Focus on Cultural Connections](https://rollingstonephilippines.com/radar/delish-philippines-launches-website/ "Delish Philippines Launches Website with Focus on Cultural Connections") - [Erwan Heussaff Serves The Best of Filipino Food Culture](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/erwan-heussaff-voices/ "Erwan Heussaff Serves The Best of Filipino Food Culture") **Categories:** Culture, Food, Radar, Releases **Tags:** Delish Philippines --- ### [Rolling Stone Philippines Staff Picks, July 2026: Big Bites, Blings, and the Best New Releases](https://rollingstonephilippines.com/radar/rs-recommends/staff-picks-july-2026/) **Published:** July 15, 2026 **Author:** Rolling Stone Philippines **Excerpt:** From a tasting menu inspired by the many culinary traditions of the Cordilleras to the landing of an iconic shoe reissue, these are our staff picks for July so far **Content:** Welcome to the Rolling Stone Philippines Staff Picks. Every other week, our editors and writers share their favorites from what the city and beyond have to offer. From the best restaurants, bars, new product releases, and anything worth your money, this list is a list of everything that’s gotten our attention. Hapag’s Cordillera Menu ![hapag cordillera menu 2](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/hapag-cordillera-menu-2-1600x1600.webp) It’s hard not to feel like a tourist in your own country these days. As much as we push local heritage, we rarely get to experience what that truly means outside of our own bubble. Luckily, there are establishments here that are helping us understand the different regions and cultures our country has to offer. Hapag’s latest menu showcases the many culinary traditions of the Cordilleras region with its own unique takes on inspired dishes. Like most of us, so much of what the Hapag team knew about the region mainly revolved around Baguio, but as they learned on a recent trip, there was so much more than just the regular tourist hotspot. “Once we traveled through Ifugao, Mountain Province, and Kalinga, we discovered a much deeper and more diverse food culture. Every province had its own ingredients, techniques, and traditions,” said Hapag’s executive chef and co-owner Thirdy Dolatre. The menu is a celebration as well as an invitation to take part in lesser-known dishes from the Philippines that hopefully encourages everyone to better appreciate the country’s rich diversity. —*Jonty Cruz* [*hapagmnl.com*](https://www.hapagmnl.com/) Nike Moon Shoe OG ![nike moon shoe og](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/nike-moon-shoe-og-copy-1600x1600.webp) We all love a comeback moment, and Nike is having one of its own with the revival of the Moon Shoe, their first-ever sneaker created for the U.S. Olympic Trials athletes in 1972. While the Moon Shoe was relaunched in 2025 and 2026 through collaborations with Jacquemus, it is the first time the footwear label has reissued the shoe with exclusively Swoosh branding and widespread general release. The updated “Moon Shoe OG” uses modern materials while preserving much of its original design, particularly its slim, torpedo-shaped profile and iconic rubber waffle outsole — one that Nike co-founder Bill Bowerman first created by experimenting with liquid urethane in his wife’s waffle iron. Other enhancements include a lightweight nylon upper with leather accents and a low-profile midsole that recreates its signature heritage look. The Moon Shoe OG comes in various colorways and is now available in Nike’s SNKRS App and several other retailers, including [Atmos Philippines](https://atmos.ph/). —*Sai Versailles* [*nike.com*](https://www.nike.com/) 13 Lucky Monkey Silver Biker Rings ![13 lucky monkey sterling silver biker rings](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/13-lucky-monkey-sterling-silver-biker-rings-1600x1600.webp) [13 Lucky Monkey](https://www.13luckymonkey.com/) makes some of the coolest sculpted rings and custom accessories you’ll ever stumble across. Founded in 2007, co-founders Noli Coronado and Dante Dizon have been sculpting rings for the rock stars since the late aughts. Their signature gritty-looking skull rings are made from 92.5 percent Sterling silver sourced from Baguio, with some of their most unique collections crafted from other bespoke materials that are proudly local. “We are inspired by the motorcycles we ride, the culture that goes along with it — the rock ‘n’ roll music, tattoos, religious iconography — it all goes hand in hand,” co-founder Dizon says on their website. —*Elijah Pareño* [*13luckymonkey.com*](https://www.13luckymonkey.com/) Wilson Defyer ![wilson defyer tennis racket](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/wilson-defyer-copy-1600x1600.webp) Earlier this year, images of pro tennis players like Russian number 2 Karen Khachanov wielding a black Wilson prototype racket during training circulated online. This was before the announcement of the new power-oriented Wilson Blade, which I briefly considered before finding out it came in Milo green. Insiders said Wilson is calling it Python, its answer to the widely popular Babolat Pure Aero (used by our very own [Alex Eala](https://rollingstonephilippines.com/culture/sports/alex-eala-wimbledon-4th-round/)) and Yonex Ezone, both preferred for the spin and power they generate. After months of testing out the blacked-out prototype on tour, Wilson unveiled the new model on July 9 but with a different name and in a different color: the Defyer, which comes in striking Adrenalyn Red — not as discreet as the original Python prototype, but something I can get with since I already have the classic red Wilson bag to go with it, and I’ve been meaning to work on my drop shots and slices anyway. Defyer comes in 98 Pro, 100, 100L, and 100UL models. It’s currently on pre-order for P18,695. —*Christian San Jose* [*ph.wilson.com*](https://ph.wilson.com/) ‘Derya Champorado Crinkles ![derya champorado crinkles](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/derya-champorado-crinkles-1600x1600.webp) If you ever find yourself at Karrivin in Makati with a craving for sweets but no will to commit to a restaurant just for merienda, the best thing to do is grab a bite at Ritual. Among the jars of baked goods you can get by the piece are Champorado Crinkles and Mango Kasoy Cookies from ‘Derya. Still in an exciting R&D phase, this Taguig-based home bakery is committed to using local and regional ingredients for more playful takes on beloved treats, like Turmeric Lemon Crinkles and Banana Bread with Kasoy Streusel. The Champorado Crinkles are a revelation, as the tablea gives these traditionally sweet cookies a bitter and fruity kick. Watch out for ‘Derya’s occasional online drops on Instagram. —*Pie Gonzaga* [*Instagram.com/derya.goods*](https://www.instagram.com/derya.goods/?hl=en) ## Frequently Asked Questions ### What is included in Rolling Stone Philippines’ July 2026 Staff Picks? Rolling Stone Philippines’ July 2026 Staff Picks feature five recommendations from its editors and writers: Hapag’s Cordillera tasting menu, the Nike Moon Shoe OG reissue, 13 Lucky Monkey’s silver biker rings, the Wilson Defyer tennis racket, and ‘Derya’s Champorado Crinkles. The roundup runs every other week. ### What is Hapag’s Cordillera menu? Hapag’s Cordillera menu is a tasting menu showcasing the culinary traditions of the Cordilleras. Executive chef and co-owner Thirdy Dolatre said the team drew from Ifugao, Mountain Province, and Kalinga after a research trip, aiming to spotlight lesser-known regional dishes beyond Baguio’s usual tourist fare. ### What is the Nike Moon Shoe OG? The Nike Moon Shoe OG is a reissue of Nike’s first-ever sneaker, made for U.S. Olympic Trials athletes in 1972. It marks the first widespread general release with exclusively Swoosh branding, preserving the torpedo-shaped profile and waffle outsole while adding modern materials. It’s available via Nike’s SNKRS App. ### What is 13 Lucky Monkey known for? 13 Lucky Monkey is a Filipino brand known for sculpted sterling silver biker rings and custom accessories. Founded in 2007 by Noli Coronado and Dante Dizon, its signature skull rings use 92.5 percent sterling silver sourced from Baguio, drawing on motorcycle, rock ‘n’ roll, and tattoo culture. ### What is the Wilson Defyer tennis racket? The Wilson Defyer is a power-oriented tennis racket unveiled on July 9, developed from a blacked-out prototype nicknamed Python. Positioned as Wilson’s answer to the Babolat Pure Aero and Yonex Ezone, it comes in 98 Pro, 100, 100L, and 100UL models, on pre-order for P18,695. Related Stories - [To Honor Western Mindanao Cuisine, the Chefs of Hapag Left Makati](https://rollingstonephilippines.com/culture/food/hapag-new-western-mindanao-menu/ "To Honor Western Mindanao Cuisine, the Chefs of Hapag Left Makati") - [Alex Eala Beating a Wimbledon Champion Comes As No Surprise. Can She Make a Deep Run?](https://rollingstonephilippines.com/culture/sports/alex-eala-wimbledon-4th-round/ "Alex Eala Beating a Wimbledon Champion Comes As No Surprise. Can She Make a Deep Run?") - [26 Filipino Musicians to Watch in 2026](https://rollingstonephilippines.com/music/26-filipino-musicians-to-watch-2026/ "26 Filipino Musicians to Watch in 2026") **Categories:** Radar, RS Recommends **Tags:** ‘Derya, 13 Lucky Monkey, Hapag, Nike, Rolling Stone Philippines Staff Picks, Wilson --- ### [Michelle Branch Recreated Her Old Hits — And Has an Updated ‘The Game of Love’ With New Radicals](https://rollingstonephilippines.com/music/pop/michelle-branch-new-ep-25th-anniversary-new-radicals/) **Published:** July 15, 2026 **Author:** Maya Georgi **Excerpt:** The singer-songwriter will celebrate the 25th anniversary of her career with collaborative EP Everywhere and Back Again, and a tour **Content:** [Michelle Branch](https://rollingstonephilippines.com/tag/michelle-branch/ "Michelle Branch") is going back to her electric blue beginnings. To celebrate 25 years of her career in the music industry, and debut album *[The Spirit Room](https://www.rollingstone.com/music/music-news/qa-michelle-branch-187975/),* the singer-songwriter has announced *Everywhere and Back Again*, an EP of some of her biggest hits that have been reimagined by other artists. The full project will be out on Nov. 6 via BMG, marking the first release under Branch’s new label home. But a new version of the 2002 hit “The Game of Love” featuring [New Radicals](https://rollingstonephilippines.com/tag/new-radicals/ "New Radicals")’ Gregg Alexander is out now. “I’ve been in a very creative time in my life,” Branch tells *Rolling Stone* over the phone. In addition to the EP, the musician will hit the road in the fall for an 18-date trek through the U.S. She’s also putting on a special, nostalgia-packed performance at the Sun Rose that’s meant to recall her [first *TRL* appearance](https://www.youtube.com/watch?v=_Kgk5_DahUY) for a few lucky Los Angeles fans on Tuesday night. It’s a few days before she is set to share the exciting news, and Branch takes the call from her house in Charleston, South Carolina. Despite the busy slate of things ahead of her, she is basking in what she calls “full summer porch vibes,” sitting in a swimsuit and gazing at the palm trees as she details her next chapter. “This whole anniversary project has really been a way to get everybody hyped up,” she says. So far, it has worked. When Branch wiped her [Instagram](https://www.instagram.com/p/DZ54g17iava/?img_index=1) profile and began posting cryptic photos using lyrics from *The Spirit Room*, everyone freaked out. Maren Morris marvelled at Branch’s ageless looks, while Clairo commented, “I have chills, I love you.” When it came to honoring the launch of her career, Branch knew she wanted to do something different that would set the milestone apart from the re-recording of *The* *Spirit* Room she made for its 20th anniversary. “I wanted a chance to have other artists who I was inspired by or who are friends of mine,” she says of *Everywhere and Back Again*. “If you were a fan of the early records of mine, you’re going to be thrilled to hear these re-imaginings from these other incredible artists.” Branch won’t reveal her full list of collaborators just yet but she is over the moon to have Alexander on the new version of [“The Game of Love,”](https://www.youtube.com/watch?v=HKLnmMacEB4&pp=ygUgdGhlIGdhbWUgb2YgbG92ZSBtaWNoZWxsZSBicmFuY2g%3D) a 2002 hit he wrote that helped catapult Branch’s star even higher. “That song took me all over the world … It was just the craziest kind of surreal thing to be thrust into, and it was all because of this amazing song Gregg wrote,” she shares. Branch says she recently told her husband, Black Keys drummer Patrick Carney, “I feel like I was put on this earth to sing Gregg Alexander’s songs.” “The Game of Love” has a storied history, one Alexander is more than happy to tell over the phone. Before it was released on Santana’s *Shaman* album and became a Billboard Hot 100 top 10 hit that went on to win a Grammy for Best Pop Collaboration with Vocals, the song was one of many that Alexander wrote after New Radicals disbanded. “It was such an atypical pop song that it had been passed on by several artists,” he says. But that all changed when Clive Davis came into the picture. At the time, Davis was producing Santana’s highly anticipated follow-up to “Smooth,” and he convinced Carlos Santana to record Alexander’s “The Game of Love” as the album’s lead single. “\[Davis\] wanted me to sing it, but I’d just recently ended New Radicals so I passed on that,” Alexander says. So the pair enlisted legendary singers like Tina Turner and Macy Gray to lay down takes, but Davis was after a different, newer sound. That’s when Alexander suggested Branch, who had been touring with members of New Radicals and covering the group’s hit “You Only Get What You Give.” “Word got back to Gregg that I was covering it and that I admired him greatly,” Branch says. “It was my understanding that, for whatever reason, Clive hadn’t found whatever he was looking for … and Gregg put my name in the hat.” She still remembers her teenage excitement. “I was like, ‘Wow, that’s fucking cool. That’s incredible. This is someone I greatly admire suggesting me for this huge record,’” Branch recalls. In 2002, the singer-songwriter was only nineteen, and still reveling in the success of *The Spirit Room* when she hopped on “The Game of Love.” “It’s a testament to what a humble yet absolute badass she is that she came to the studio aware of the fact that there were these other legends that had sung the song,” Alexander says. Of course, Branch crushed it, nearly recording her vocals in one take. “Everybody in the control room had our jaws dropped,” Alexander recalls. Unfortunately, Davis died before the pair could play the reimagined “The Game of Love” for him. “As fate would have it, I was flying back from Prague to present the record to Clive and it was the exact same day that Clive passed away,” Alexander says. It was a heartbreaking moment, but Branch and Alexander see the timing as a message. “The spirit of music lives on and even the spirit of this wonderful man,” Alexander says. “He would’ve been really tickled about Greg and I working together all these years later and me getting Greg to sing on it,” Branch says. “It’s a bummer that he didn’t get to hear it, but I feel like somewhere out there he is \[listening\] in some other dimension.” The new version trades in Santana’s signature guitar licks for a synth-driven sound, and marks a full-circle moment for both Branch and Alexander. “I’ve lived with this song for so long,” Branch says. “To be able to share it with Greg and not have to worry about being a teenager on a huge Santana record, we just get to live in the joy of it now. That’s a really beautiful thing.” Branch may be revisiting the past, but she’s looking forward to what comes next, too. After *Everywhere and Back Again*, the singer-songwriter will release what Alexander calls a “ jaw-dropping album” of new music, Branch’s first since 2022’s *The Trouble with Fever*. “\[This anniversary project\] is a way to get people fired up about the past,” she says. “In a way that also carries them along to the new kind of chapter that I’m starting.” *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-features/michelle-branch-new-ep-25th-anniversary-new-radicals-1235592070/).* ## Frequently Asked Questions ### What is Michelle Branch’s new EP Everywhere and Back Again? Everywhere and Back Again is Michelle Branch’s new EP marking 25 years of her career and her debut album The Spirit Room. It features some of her biggest hits reimagined by other artists and arrives November 6 via BMG, her first release under the label. ### What is the new version of “The Game of Love”? Michelle Branch has released a new version of her 2002 hit “The Game of Love,” this time featuring New Radicals’ Gregg Alexander, who wrote the song. The reimagined track swaps Santana’s signature guitar licks for a synth-driven sound and is out now ahead of the EP. ### What is the history of “The Game of Love”? “The Game of Love” was written by Gregg Alexander after New Radicals disbanded. Producer Clive Davis chose it as the lead single for Santana’s album Shaman, and a 19-year-old Branch sang lead. The track became a Billboard Hot 100 top 10 hit and won a Grammy. ### Is Michelle Branch going on tour in 2026? Yes. Alongside the EP, Michelle Branch will embark on an 18-date US tour in the fall. She is also staging a nostalgia-packed performance at the Sun Rose in Los Angeles, designed to recall her first TRL appearance, for a group of longtime fans. ### What is next for Michelle Branch after the EP? After Everywhere and Back Again, Branch plans to release an album of new music — her first since 2022’s The Trouble with Fever. She frames the anniversary project as a way to reconnect fans with her early work while carrying them into her next creative chapter. 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The founders of the Manila-born brewery had been looking for a more accessible venue to house their latest taproom, and the then-unopened park showed promise. At the time, NBS Park was more of a thought than a tangible place — it was still the empty warehouse that once housed most of National Book Store’s inventory. But the retail chain was keen to turn the 40-year-old building into Manila’s newest creative hub, and so they spent the years after the COVID-19 pandemic remodeling it and overhauling it. The idea was always to create a place that encouraged creativity among its tenants, but that hope only solidified when more occupants began setting up shop at NBS Park. After Engkanto Taps officially signed on, early tenants included the warmly lit casual dining joint Pluck, the cold brew-focused cafe Type A Coffee, and contemporary art galleries 125 Projects and Gajah Gallery, to name just a few. There’s also a virtual minigolf station, a handful of design stores (DNa and Porcelanosa), and an upcoming cigar library that’s part of another wave of creative renters hoping to leave their own marks at the park. ![NBS Park Pioneer Mandaluyong by Kieran Punay DSC04622](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/NBS-Park-by-Kieran-Punay-DSC04622.webp) The lobby of the main building features pieces from the Ramos family’s collection, including its patriarch’s very own chess set. However, for Adrian Ramos, National Book Store Group’s CEO and president, the park still reminds him of the warehouse he knew growing up. “This place has been here my whole life, but I’m actually older than it by four years,” he quipped as he sat down for our interview. Opened in 1982, the old warehouse was built right next to National Book Store’s main headquarters. Crates upon crates of inventory found their way into the roughly 6,000-square-meter warehouse until 2019, when it became so cramped that the company decided to empty it out and run new warehouses from Muntinlupa and Laguna. This left Ramos and his brother, National Book Store Retail Group chairman Gerard Anton, with a very empty warehouse and no idea what to do with it. “We weren’t sure if it was going to be a total teardown or something else,” said Ramos. “And the pandemic got in the way, too.” ![adrian ramos NBS Park by Kieran Punay DSC04746](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/NBS-Park-by-Kieran-Punay-DSC04746.webp) Adrian Ramos, NBS Group’s CEO and president ![type a coffee NBS Park by Kieran Punay DSC04641](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/type-a-coffee-NBS-Park-by-Kieran-Punay-DSC04641.webp) Type A Coffee The ball officially began rolling when the Ramoses met with architect Sarah Canlas of Greener & Partners, along with the owners of Engkanto, to see if the brewery founders would be interested in renting out a space in the warehouse on Pioneer Street. “National Book Store has always been about creativity and learning, so our mission with \[NBS Park\] was to provide spaces where people can live balanced lives. In a digital world, how do you keep creating? How do you keep having hands-on moments, tactile experiences? So that was really the idea behind it.” The brothers and Canlas made quick work of revamping the warehouse, finding inspiration in the creative hubs of places like the Netherlands, Germany, and Austria. Locally, they turned to The Alley at Karrivin and its concept of reclaiming old industrial spaces for more artistic pursuits. When it came to choosing the park’s tenants, Ramos recalled focusing on creatives who could provide more “niche” experiences. “We were really hoping for unique tenants,” he said. “Ideally, people can find more unique experiences here.” ![pluck NBS Park by Kieran Punay DSC04650](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/NBS-Park-by-Kieran-Punay-DSC04650.webp) Inside Pluck ![rôtisserie koji chicken pluck nbs park](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/NBS-Park-by-Kieran-Punay-DSC04666.webp) Rôtisserie koji chicken ![pasta al limone pluck nbs park](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/NBS-Park-by-Kieran-Punay-DSC04711.webp) Spaghetti al Limone On her part, Canlas focused on recommending tenants who ran in her own creative circles and were looking for storefronts that would help them connect with their clientele. “These are all friends of ours, and so for very practical reasons, we’ve all always worked well with each other,” Canlas said. Canlas also noted that the tenants currently at NBS Park aren’t creatives who are still finding their footing. The three founders of Pluck, for instance — Los Tacos’ Patrick Curitana, [Scratch’s Ralph Sy](https://rollingstonephilippines.com/culture/food/scratch-makati-brunch-spot-ralph-sy-charlene-ng/ "Scratch is Rising to the Occasion as a Makati Favorite"), and Toka Wine’s Butz Tenchavez — all established their own F&B concepts before collaborating together. “Here, it’s not ‘startups’ anymore,” Canlas joked. “Parang may maturity na ang mga creatives sa \[NBS Park\]. We’re not idealistic anymore!” This mindset, according to Canlas, has helped add a sense of sustainability to the park. “They’re all focused na on opening and \[keeping\] shop.” Perhaps it’s that same maturity that has helped the park’s current tenants build closer connections among themselves over the past few months. “‘Yung community talaga sa NBS Park, that’s been the best part,” 125 Projects founder Gwen Bautista told me. You’ll really feel that people really come here to connect with each other.” ![125 Projects NBS Park by Kieran Punay DSC04629 1](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/125-Projects-NBS-Park-by-Kieran-Punay-DSC04629-1.webp) 125 Projects Beyond running 125 Projects, Bautista has also been helping curate the different art pieces around NBS Park, in line with the NBS public art program. Currently, Bautista is busy putting up a mixed media mural installation by Pepe Delfin in the park’s main hallway, but she’s already put together a video exhibition display of Ronyel Compra’s work located right by Type A Coffee, as well as a triptych of photographer Richard Prince’s controversial screenshots of SuicideGirls’ Instagram posts placed right outside 125 Projects. “NBS Park really wants to support the art community,” said Bautista. “There are a lot of areas here in the park where you can sit down, reflect on things, and think about the art you’ve seen. We are in the process of installing and displaying works that are on loan from NBS Park’s collection, and that includes contemporary works from Filipino artists and those abroad.” Although NBS Park’s doors are now officially open, development at the hub is far from over. According to Ramos, walls will be punched down to make way for new stores (an “exciting” list which the National Book Store president is still keeping quiet about for good measure). But he’s more focused on keeping NBS Park afloat. ![Engkanto Taps NBS Park by Kieran Punay DSC04644](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/Engkanto-Taps-NBS-Park-by-Kieran-Punay-DSC04644.jpg) “In a space like this, you start thinking about ‘vision,’ or ‘curation,’ but those are sexy things to think about,” he joked. “There are other things to worry about — the business side of everything, the operation side. You need to think about traffic flow, Internet, even mobile signal! It’s those little details that matter, and most people take them for granted. You need to think about the small things.” “There’s so much going \[on\] here, so yes, it’s non-stop construction,” Canlas said half-jokingly. “Parang we’re planting the seeds pa, but it’s a constant… kasi we don’t have deep pockets. We’re not an Ayala Land, or anything like that. We’re all creatives.” Despite the constant renovation, Canlas sees a bright future ahead for NBS Park. To the architect, the space’s mission has always been to uplift Manila’s creative scene. “The reason we took the challenge \[with NBS Park\] was to serve the community we’re in,” said Canlas. “I think as a developer, that’s what I’m trying to do, and to convince more people to do: to participate in their milieu. It’s about adding value to your community.” *This story first appeared in the Rolling Stone Philippines’ Voices Issue, now available on [Sari-sari Shopping](https://www.instagram.com/sarisari_shopping/) and in major newsstands.* *Get digital access to the latest issue [here.](https://rollingstonephilippines.com/digital-access/)* ## Frequently Asked Questions ### What is NBS Park? NBS Park is a creative hub in Mandaluyong, built by National Book Store from its former warehouse on Pioneer Street. It brings together art, dining, design, coffee, and leisure in one space, positioned as a third space for creativity and community in Manila. ### What was NBS Park before it became a creative hub? NBS Park occupies National Book Store’s former warehouse, opened in 1982 beside the company’s headquarters. The roughly 6,000-square-meter building stored most of the chain’s inventory until 2019, when operations moved to Muntinlupa and Laguna. The empty space was later remodeled into a creative hub after the pandemic. ### What can you find at NBS Park? NBS Park’s tenants include the brewery taproom Engkanto Taps, casual dining spot Pluck, cold-brew cafe Type A Coffee, and contemporary art galleries 125 Projects and Gajah Gallery. It also features a virtual minigolf station, design stores DNa and Porcelanosa, and an upcoming cigar library. ### Who is behind NBS Park? NBS Park is led by Adrian Ramos, CEO and president of National Book Store Group, alongside his brother Gerard Anton Ramos. Architect Sarah Canlas of Greener & Partners designed the space, drawing inspiration from creative hubs abroad and locally from The Alley at Karrivin. ### What is the vision behind NBS Park? According to CEO Adrian Ramos, NBS Park aims to give people spaces for balanced lives and hands-on, tactile experiences in a digital world. Architect Sarah Canlas frames it as a way to uplift Manila’s creative scene and add value to the surrounding community. 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Yes, you heard that right. Every night since June 2, barring Wednesdays, fans have tuned in to watch sequestered twentysomethings explore their romantic chemistry, kiss each other in challenges, and parrot the word “connection” while lounging around in swimwear. For the constantly in-flux group — whose members can be voted off both by fellow contestants and by viewers of the show — the goal is to find a compatible partner and end up as America’s favorite couple, splitting a grand prize of $100,000. Currently in its eighth season, *Love Island USA*, which premiered in 2019, [has remained](https://deadline.com/2026/06/love-island-usa-season-8-ratings-growth-peacock-1236960343/) one of the most popular reality-television series in the United States since it experienced an unprecedented ratings bump during the Covid-19 pandemic. (In 2025, data company [Luminate](https://variety.com/2026/tv/news/love-island-usa-most-watched-streaming-original-2025-1236637244/) named it the most-watched streaming show of the year.) And while there’s a clear appeal to watching beautiful people take up or break up, *Love Island’s* strongest appeal doesn’t lie in its model cast. The show works because it turns dating into a high-stakes, all-consuming gamble. Competitors on the show initially couple up based on first impressions, attraction, and chemistry. These unsteady relationships are then tested through contests where group members reveal their preferences on everything from pets (cat? dog? plant?) and relationship etiquette to sexual desires. During official ceremonies, islanders are given the choice to stay in their current couples, recouple with an ex, or become single. But throughout the season, as some relationships blossom and others falter, producers introduce new islanders — called bombshells — to test the couples’ commitment. It’s a dating round robin, and a game that can find contestants in a seemingly content relationship at sunrise and chatting up a new love interest by lunch. And worse, if your singlehood coincides with a group vote, putting yourself first could also mean sending yourself home. In the real world, romance has always felt like a wager. (They don’t call it the game of love for nothing.) But the modern dating scene has put that metaphor on steroids, turning the effort to find love into a gamified system that can feel like the only road to a relationship. By providing an overabundance of choice — a seemingly never-ending parade of bombshells appearing on our phones as potential romantic upgrades — dating apps have accelerated the chaos and uncertainty of an already fraught experience. According to a poll from [Pew Research Center](https://www.pewresearch.org/short-reads/2022/04/06/most-americans-who-are-single-and-looking-say-dating-has-been-harder-during-the-pandemic/), 63 percent of single Americans report that dating is harder nowadays, and has only gotten more difficult since the pandemic. ![Kenzie and Dylan love island](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/Love-Island-Kenzie-and-Dylan-1.webp) Kenzie and Dylan hamming it up in a couples’ challenge. Photo by Ben Symons/Peacock Part of the reason is that the dominant apps in the online dating scene — Hinge, Bumble, Tinder, Feeld, Grindr, and Raya — [employ the same psychological systems](https://www.wired.com/story/dating-apps-by-the-numbers/) used in [gambling](https://www.rollingstone.com/t/gambling/). These designs are meant to hook users and keep them on the apps longer. Viewed cynically, the apps don’t want to help you find love, they want you to keep searching for it — by continuing to give them your money. Making a bet means returning to the apps, and the dates you use them to secure, regardless of previous bad experiences, in the hopes that this time you might win big. On *Love Island*, these fears drive the action. Do you stay with someone you have doubts about? Or risk it all for a stranger? If you’ve connected with a partner because you’ve both made mistakes in past relationships, do you trust them to return to you when given the chance to split? Do you leave a connection behind, even though there’s a possibility your boyfriend might not be yours when you return? What happens if you try to split those choices down the middle? These dilemmas can make for addictive entertainment. But more interestingly, *Love Island*’s format makes the show a mirror of the modern dating world, where gambling instincts have turned the game into a seemingly unwinnable mess. And by reflecting back to viewers some of the most questionable — and frustrating — aspects of dating right now, the show offers some twisted form of solace, drenched in Fiji sun. As of Thursday, there were six couples left in the current season of *Love Island*: Trinity Tatum and Bryce Dettloff; Melanie Moreno and Sincere Rhea; Kayda Bosse and Zach Georgiou; Kenzie Annis and Dylan Wrona; KC Chandler and Tierra Davis; and Aniya Harvey and Carl Schmidt. But as the finale approaches, there’s a clear link between the relationships that are struggling and the islanders who are most susceptible to big gambles. Seeking out connections early in the season is expected, but the lowest couples in popularity rankings all have at least one member who’s continued to pursue new matches after they said they were committed. That persistent indecision and volatility are also what’s driving real-world daters to burnout. [Forbes](https://www.forbes.com/health/dating/dating-app-fatigue/), [Axios](https://www.axios.com/2026/05/13/singles-events-dating-app-fatigue), [*The Washington Post*](https://www.washingtonpost.com/health/2025/06/07/online-dating-depression-addiction-anxiety/), and [*The New York Times*](https://www.nytimes.com/2022/08/31/well/mind/burnout-online-dating-apps.html) have all reported on data showing that younger generations, especially Gen Z, are fatigued by the dating-app system and increasingly searching for in-person ways to connect. And when the show focuses on contestants who seem exhausted by the constant testing of relationships, many viewers see themselves. *Love Island* fans are essentially watching the show’s cast play out highly dramatized experiences that happen to everyone at some point in their dating life. And islanders are typically rewarded for their ability to resist the pull of risky wagers — or sexy new contestants — because it feels good to watch people stay true to their word. (Trinity and Bryce are the fan favorites ahead of the finale because of their long connection, despite initially breaking up early in the season.) Hedging your bets doesn’t win audience affection: It’s not a coincidence that the popularity of one of the only couples who’ve remained linked since Episode One, Melanie and Sincere, has been plagued by Sincere’s dalliances with another woman, Sol. Fans understand what it’s like to put your trust in someone and then have them embarrass you as soon as you leave the room. On *Love Island*, the gamble is the entire point of the show. But what it continually demonstrates is that the couples who remain fan favorites long after they’ve left the villa are the ones who’ve weathered the challenges, the risky moves, the bets, the blinds, the double downs, and the hedges, all while remaining loyal. That’s what makes it comfort viewing — and an unexpected salve for the dating-weary. What presents as mindless entertainment actually offers sharp insight into the gamification of modern romance. And it succeeds on the knowledge that though the house always wins, there will always be people who decide to play. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/tv-movies/tv-movie-features/love-island-dating-gambling-1235591650/).* ## Frequently Asked Questions ### What is Love Island USA? Love Island USA is a Peacock reality dating series that premiered in 2019 and is currently in its eighth season. Sequestered twentysomethings couple up and compete to become America’s favorite couple, with contestants voted off by both fellow islanders and viewers and a $100,000 grand prize. ### How does Love Island turn dating into a gamble? According to the article, Love Island tests early couples through challenges and recoupling ceremonies, then introduces new islanders called bombshells to strain commitments. Contestants must decide whether to stay loyal or risk it all for a stranger, turning romance into a high-stakes, all-consuming gamble. ### How do dating apps relate to Love Island’s appeal? The article argues that dating apps like Hinge, Bumble, Tinder, and Grindr use the same psychological systems as gambling to keep users searching. Love Island dramatizes that same dynamic, making it a mirror of a modern dating scene defined by overabundant choice and constant risk. ### Why does Love Island resonate with burned-out daters? The piece suggests Love Island offers comfort to viewers exhausted by app-driven dating. Outlets like Forbes and The Washington Post have reported that Gen Z is fatigued by dating apps, and a Pew poll found 63 percent of single Americans think dating is harder now. ### Which couples are leading Love Island USA Season 8? As of the article’s publication, six couples remained in Season 8, including Trinity Tatum and Bryce Dettloff, the fan favorites heading into the finale. The article notes viewers tend to reward islanders who stay loyal, while couples plagued by wandering partners slip in popularity. Related Stories - [Emmy Nominations 2026: Biggest Snubs and Surprises](https://rollingstonephilippines.com/culture/tv/emmy-nominations-2026-snubs-surprises/ "Emmy Nominations 2026: Biggest Snubs and Surprises") - [The Winners and Losers of ‘Widow’s Bay’](https://rollingstonephilippines.com/culture/tv/winners-losers-widows-bay/ "The Winners and Losers of ‘Widow’s Bay’") - [Ormund Hightower Takes Charge in ‘House of the Dragon Season 3, Episode 4’](https://rollingstonephilippines.com/culture/tv/house-of-the-dragon-season-3-episode-4-ormund/ "Ormund Hightower Takes Charge in ‘House of the Dragon Season 3, Episode 4’") **Categories:** Culture, TV --- ### [Fiona Apple Wants to Write About the ‘Endless Barrage of Horrors’ in Today’s World](https://rollingstonephilippines.com/music/fiona-apple-new-music-video-update/) **Published:** July 14, 2026 **Author:** Angie Martoccio **Excerpt:** “I just didn’t want you to think that I was turning a blind eye or that I didn’t care,” the singer-songwriter says in a rare update. “I fucking care” **Content:** [Fiona Apple](https://rollingstonephilippines.com/tag/fiona-apple/ "Fiona Apple") is largely out of the public eye these days, but the singer-songwriter gave a rare update in a new video, expressing her thoughts on the state of the world. “It’s the middle of the night and I was just writing and I couldn’t sleep,” Apple says in the video. “And I just all the sudden got overtaken with this urge to reach out. You haven’t seen me in a while, because this kind of thing, I’m just really, really uncomfortable with it nowadays.” The video was uploaded by Zelda Hallman, Apple’s roommate and best friend. “She’s been trying to find a truthful way to speak to the enormity of what’s happening in the world, from the horror in Gaza and Sudan, to the cruelty being aimed at trans kids, to the assault on women’s bodily autonomy, to the abuse and terror being inflicted on immigrants and their families, to the erosion of voting rights and civil liberties, to the disappearance of Indigenous and Black children,” Hallman wrote in the caption, “so often met with silence, and to so much more suffering and injustice than can be named or addressed in a single statement.” > [View this post on Instagram](https://www.instagram.com/reel/DansYv7uwG3/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Zelda Hallman (@zeldahallman)](https://www.instagram.com/reel/DansYv7uwG3/?utm_source=ig_embed&utm_campaign=loading) Apple continued in the video: “I wonder if you’re wondering if I’m even trying to write about what’s going on in the world right now. And I just wanted to tell you that I am. I’m trying. I’m really struggling with it. If you’re writing about yourself, it’s one thing. Nobody can tell you that you’re saying it wrong, nobody can get let down. You’re the authority. But when it concerns what’s happening to other people … it just becomes so important.” She went on to talk about the “endless barrage of horrors” in the world, and her attempt at capturing it in a song. “Maybe I’m letting perfect get in the way of good,” she said. “It’s hard to focus, and when you do focus, I just keep second and third and 10th and millionth guessing myself, if I’m the one to say it, or if I’m saying it right. I just didn’t want you to think that I was turning a blind eye or that I didn’t see what was going on or that I didn’t care. I fucking care. I know not everybody’s expecting something from me, but I’m expecting something from me.” Last year, Apple dropped “[Pretrial (Let Her Go Home)](https://www.rollingstone.com/music/music-news/fiona-apple-new-song-pretrial-let-her-go-home-video-1235333408/),” her first new song since her now-classic 2020 album [*Fetch the Bolt Cutters*](https://www.rollingstone.com/music/music-album-reviews/fiona-apple-fetch-the-bolt-cutters-2-984926/). The single was inspired by Apple’s experience [serving as a court watcher](https://www.rollingstone.com/music/music-news/fiona-apple-explains-how-she-became-court-watcher-1234681247/), particularly for women impacted by pretrial detention. She also contributed a cover of Neil Young’s “Heart of Gold” to [a Bridge School benefit album celebrating](https://www.rollingstone.com/music/music-album-reviews/neil-young-tribute-heart-of-gold-review-1235324027/) his music, and guested on the Waterboys’ “[Letter From an Unknown Girlfriend](https://www.rollingstone.com/music/music-news/the-waterboys-fiona-apple-letter-from-an-unknown-girlfriend-1235301084/).” *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-news/fiona-apple-new-music-video-update-1235592093/).* ## Frequently Asked Questions ### What did Fiona Apple say in her rare new video update? Fiona Apple, who has largely stayed out of the public eye, shared a rare video update reflecting on the state of the world. She said she is trying to write music about current global horrors but is struggling, and wanted fans to know she deeply cares. ### What is Fiona Apple trying to write about? Apple said she wants to write about the endless barrage of horrors in the world today. In the video’s caption, her friend Zelda Hallman cited crises including Gaza and Sudan, cruelty toward trans kids, threats to women’s bodily autonomy, and attacks on immigrants and civil liberties. ### Why is Fiona Apple struggling to write these songs? Apple explained that writing about others’ suffering feels far weightier than writing about herself, where she is the sole authority. She said she keeps second-guessing whether she is the right person to speak, and worries she is letting perfect get in the way of good. ### When did Fiona Apple last release new music? Fiona Apple’s most recent single, “Pretrial (Let Her Go Home),” arrived last year and was her first new song since her acclaimed 2020 album Fetch the Bolt Cutters. The track was inspired by her experience as a court watcher for women affected by pretrial detention. ### What other recent music has Fiona Apple worked on? Beyond her own single, Apple recently contributed a cover of Neil Young’s “Heart of Gold” to a Bridge School benefit album honoring his music. She also guested on the Waterboys’ track “Letter From an Unknown Girlfriend,” keeping a low but steady creative presence. Related Stories - [Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’](https://rollingstonephilippines.com/music/singer-songwriter-barbie-almalbis-myth-of-rakista-rolling-stone-interview/ "Singer-Songwriter Barbie Almalbis on the Myth of ‘Rakista’") - [How the Kitchie Nadal Renaissance is Bridging Generations](https://rollingstonephilippines.com/music/news/how-the-kitchie-nadal-renaissance-is-bridging-generations/ "How the Kitchie Nadal Renaissance is Bridging Generations") - [18 Filipino Dance Tracks That Capture the Spirit of Queerness](https://rollingstonephilippines.com/editors-picks/lists/18-queer-filipino-dance-tracks/ "18 Filipino Dance Tracks That Capture the Spirit of Queerness") **Categories:** Music, News **Tags:** Fiona Apple --- ### [‘Toy Story 5’ Is What Happens When You Beat a Franchise to Death](https://rollingstonephilippines.com/culture/film/toy-story-5-review-pixar/) **Published:** June 17, 2026 **Author:** David Fear **Excerpt:** Why are you doing this, Pixar? Why? **Content:** We’re not one to look a gift horse in the mouth, especially if that horse is [a 10-inch-tall faithful steed named Bullseye](https://www.youtube.com/watch?v=UK71mJX2Br8). So let’s begin by accentuating the positive and acknowledging that *[Toy Story](https://www.rollingstone.com/t/toy-story/) 5,* the newest chapter of [Pixar](https://www.rollingstone.com/t/pixar/)’s flagship franchise, is essentially a reunion tour. It’s all about nostalgia, playing the greatest hits, the joy of seeing old faces. Or in this case, hearing old voices, one in particular. Welcome back, Joan Cusack — her take on Jessie, the yodeling cowgirl that was introduced in *Toy Story 2* over a quarter of a century ago, has always been one of the movies’ highlights. The actor has been more or less AWOL from screens since the previous *Toy Story* entry and a brief appearance in second season of the streaming show *Homecoming*. At the animated movie’s premiere last week, [she told a red-carpet reporter](https://variety.com/2026/film/columns/joan-cusack-toy-story-5-premiere-red-carpets-1236771315/) that she’s spent the last six years or so living a normal life in Chicago. You’ve been missed, Ms. Cusack. The best thing about this late-series cash grab entry is that Jessie (and thus Joan) finally gets to take center stage, having now become the alpha in the toybox. She’s the de facto favorite of Bonnie, the nine-year-old who is happy spending afternoons putting the gang through mock weddings and murder mysteries. The faux groom is Buzz ([Tim Allen](https://www.rollingstone.com/t/tim-allen/)), the resident space ranger smitten with his rootin’, tootin’ bride-to-be; he’d love to make their union official, if only he didn’t get so dang tongue-tied around her. Jessie doesn’t have time for all that lovey-dovey business, however. The lady in the red Stetson is on a mission. Because Bonnie is an introverted kid, the shyest of the shy. She’d like to bond with the twins across the street, but every time she tries to get them to come over and play with her, her social awkwardness gets the best of her. Besides, all the preteens on her block — and in her neighborhood, and at her school, and likely within a 100-mile radius — don’t play with dolls and plastic dinosaurs and Slinky-dogs anymore. They have iPads. In the *Toy Story* universe, this digital harbinger of doom is known as a LilyPad, and sounds like [Greta Lee](https://www.rollingstone.com/t/greta-lee/) doing a passive-aggressively polite voice. It connects children to “the Pond,” where they can text and play games and act like the phone-addicted zombies commonly known as “grown-ups.” Bonnie’s parents, worried that their daughter will never make a “real” friend, get her a LilyPad. And now the screaming starts. “The age of toys is over!” cries one anxious character. The era of all screens, all the time, is now in full effect. The toys are headed to the garage. Jessie eventually calls in the cavalry, in the form of Woody ([Tom Hanks](https://www.rollingstone.com/t/tom-hanks/)) — now rescuing lost toys with Bo Peep and [the whole crew from *Toy Story 4*](https://www.youtube.com/watch?v=Km9rSRe8TYE). But after a LilyPad-related incident at a sleepover goes horribly wrong, the cowgirl decides to take things into her own tiny plastic hands. Also, should you have forgotten, Jessie [has some serious abandonment issues](https://www.youtube.com/watch?v=a_oNoQ4Ynj4&list=RDa_oNoQ4Ynj4&start_radio=1) when it comes to her owners getting older and growing up. It’s only natural that she and Bullseye will find themselves at the exact same site where her Sarah McLachlan-scored trauma took place all those years ago. Speaking of the past: Has it really been over three decades since that first *Toy Story* movie dropped and forever revolutionized modern animated features? In the mid-Nineties, its mix of bleeding-edge tech and old-fashioned, emotionally resonant storytelling felt like an evolutionary leap for the medium. Move over, Mickey, there’s a new sheriff — and, er, spaceman — in town! Several generations have grown up nurtured and wowed by Woody and Buzz’s adventures, and that tender, funny ode to childish things became the cornerstone of the Pixar empire. The Bay Area-based company experienced successes, failures, [scandals](https://www.hollywoodreporter.com/news/general-news/john-lasseters-pattern-alleged-misconduct-detailed-by-disney-pixar-insiders-1059594/), and the growing pains associated with brand-name companies whose films become a genre unto themselves. But they always had their flagship IP, the title-turned-franchise that started it all and defined what a Pixar movie was. So nobody blinked when a sequel and a threequel arrived, each of them blissfully expanding on the universe that *Toy Story* established and both proving to be (arguably) superior to the original. Had Pixar stopped at 2010’s *Toy Story 3,* they’d have gone out on a high and kept the title in mint condition; we disagree with Quentin Tarantino on a lot of things, but we completely co-sign with [his notion that it’s a virtually perfect movie trilogy](https://variety.com/2024/film/news/quentin-tarantino-toy-stoy-4-ruined-perfect-film-trilogy-1236118188/). When a fourth movie hit theaters in 2019, you could feel the seams starting to fray. Still, milking the series for one more round was forgivable. A fifth entry, however? That would be pushing it. *Toy Story 5* does come with a warning, a sense of righteousness, and several acres’ worth of windmills to tilt at. We live in a world in which screens have not only taken over our dwindling attention spans but warped the entire concept of childhood, it tells us. The idea of play has been replaced with prefabricated distractions masquerading as user engagement, and the devices that have promoted online brainrot and IRL divisiveness have come for our kids. Tech once gave us a world in which animated toys (and [bugs](https://www.youtube.com/watch?v=mE35XQFxbeo), and [cars](https://www.youtube.com/watch?v=ZhA7Ai0kJkk), and even [a tween’s sense of joy](https://www.youtube.com/watch?v=yRUAzGQ3nSY&t=9s)) moved with a fluidity and an artistry that was breathtaking. Now tech is the villain — something that’s hard to disagree with in 2026 — and the further the children, a.k.a. our future, get away from analog playthings, the less likely they are to develop into healthy human beings. No argument here. We’re assuming that Pixar is aware of the irony that their movie decrying such antisocial tendencies is destined to be endlessly watched on screens and devices a lot like LilyPad. Whether they’re aware of the bigger irony that a movie all about the dangers of outsourcing imagination also suffers from a serious lack of imagination is anyone’s guess. *Toy Story 5* is a screed in search of a story, and not even Jessie’s heartfelt tale of healing her owner’s loneliness or her own history of heartbreak can stave off the letdown of diminishing returns. (Though Cusack does her best to sell the pocket-size hero’s woundedness and redemption, and again, you’re reminded of how much this performer has been missed.) Everything surrounding her story — the legion of marooned Buzz action figures in search of a leader, the return of Woody around the halfway point, the quaint first-gen devices belonging to another, equally socially awkward tween named Blaze — somehow feels like filler. At least we get a new [Taylor Swift](https://rollingstonephilippines.com/music/folk/taylor-swift-country-roots-toy-story-5-song/ "Taylor Swift Returns to Her Country Roots on New ‘Toy Story 5’ Song") song out of it. Why are you doing this, Pixar? I mean, we know why \[*cue sound of millions of coins being spewed from a slot machine*\]. But regardless of well-deserved worries about screen time or not, there doesn’t feel like there’s a reason for this to exist other than keeping your stockholders happy. This fifth entry in the series is designed to be a cautionary tale for our contemporary in-crisis moment of Silicon Valley’s stronghold on our lives. But it’s even more of cautionary tale on brand management. This is what happens when you beat a franchise to death. *This article was originally published on [rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-reviews/toy-story-5-review-pixar-1235576430/).* ## Frequently Asked Questions ### What is Toy Story 5 about? Toy Story 5 centers on Jessie, now the favorite toy of nine-year-old Bonnie. When Bonnie’s parents give her a tablet-like device called a LilyPad to help her socialize, the toys are sidelined to the garage, and Jessie sets out to win her owner back. ### Is Toy Story 5 worth watching? Rolling Stone’s David Fear was unconvinced. He praises Joan Cusack’s return as Jessie and calls her storyline heartfelt, but describes the film overall as a screed in search of a story — a sequel he argues exists more for shareholders than for audiences. ### Who voices the characters in Toy Story 5? Tom Hanks returns as Woody and Tim Allen as Buzz Lightyear, with Joan Cusack back as Jessie in her first major screen role in years. Greta Lee voices the LilyPad, the tablet device at the center of the plot, in a passive-aggressively polite tone. ### What is the LilyPad in Toy Story 5? The LilyPad is the film’s fictional tablet, an iPad stand-in that connects children to an online space called “the Pond,” where they text and play games. Its arrival in Bonnie’s life drives the plot and the movie’s warning about screens replacing imaginative play. ### Does Toy Story 5 have a Taylor Swift song? Yes. Toy Story 5 features a new Taylor Swift song, which marks a return to her country roots. Rolling Stone’s review, otherwise critical of the film, singles it out as one of the few things audiences get out of the sequel. Related Stories - [Taylor Swift Returns to Her Country Roots on New ‘Toy Story 5’ Song](https://rollingstonephilippines.com/music/folk/taylor-swift-country-roots-toy-story-5-song/ "Taylor Swift Returns to Her Country Roots on New ‘Toy Story 5’ Song") - [10 Movies Coming to Philippine Cinemas in June 2026](https://rollingstonephilippines.com/culture/movies-in-philippine-cinemas-june-2026/ "10 Movies Coming to Philippine Cinemas in June 2026") - [Taylor Swift Is Coming Back to Country Radio](https://rollingstonephilippines.com/music/taylor-swift-country-radio/ "Taylor Swift Is Coming Back to Country Radio") **Categories:** Culture, Film, Reviews **Tags:** Disney, Toy Story 5 --- ### [Did ‘Backrooms’ and ‘Obsession’ Really Kick Off a Gen-Z Horror Wave?](https://rollingstonephilippines.com/culture/film/backrooms-obsession-gen-z-horror-movies/) **Published:** June 15, 2026 **Author:** David Fear **Excerpt:** Two horror movies from two under-30 filmmakers are breaking box-office records. Are we at the beginning of a movement, or the end of it? **Content:** Maybe you’ve heard the news: YouTube is not going to kill the movies. It’s actually going to *save* the movies! In the span of two weeks this past May, two very different films arrived to upend the notion of will or won’t play big with multiplex audiences. One concerns a romantic dream come true that becomes a bit of a nightmare. The other turns an industrial office space into an infinite realm of psychic dread. Both movies slot nicely into the category of “modern [horror](https://www.rollingstone.com/t/horror/).” Both take familiar genre ideas and infuse them with a gonzo Gen-Z sensibility. And both were made on modest budgets by [filmmakers under 30 who built fanbases via YouTube channels](https://rollingstonephilippines.com/culture/film/youtube-to-horror-movies-6-creators-turned-filmmakers/ "From YouTube to Horror Movies: 6 Creators Who Became Filmmakers"). Each of these titles has broken records for its respective studios. In space, no one can hear you scream. Online, however, the ability to make people scream and get their skin crawling is translating to box-office numbers — and that’s now making Hollywood sit up and listen. *[Obsession](https://rollingstonephilippines.com/tag/obsession/ "Obsession"),* made by 26-year-old Curry Barker, drops you into a scenario straight out of Romcomville, USA: Bear (Michael Johnston) pines for his female co-worker Nikki (Inde Navarette). He thinks she’s the love of his life. She most likely thinks he’s friend-zone material, although their interactions do seem a little flirty. On the day he plans to finally ask Nikki out on a proper date, Bear happens to pick up a novelty item at a curio shop — something called a “One Wish Willow,” which promises that if you break this so-called magical stick and make a wish, it will come true. Presented with an opportunity to finally confess his feelings to Nikki, our man screws the metaphorical pooch. So, out of sheer frustration, he cracks the willow in half and wishes that his crush loved him more than anyone else in the whole world. The spell works not wisely but far, far too well. The scenario is an old-fashioned when-you-wish-upon-a-monkey’s-paw chestnut, the kind that’s been fertile ground for everybody from Stephen King to *The Simpsons*. (In fact, it was a *Simpsons* episode playing on W.W. Jacobs’ 1902 short story about a severed simian hand with supernatural powers that inspired Barker here.) The tone goes from slow-burn dread to full-on madness, escalating in a way that pays off beautifully. Other than Andy Richter, who has a small supporting part as a shop owner, the cast is made up of virtual unknowns — though Navarette, who plays the possessed young woman with a commitment that borders on obsessiveness in and of itself, will likely find herself leveling up in terms of professional opportunities. As for Barker, his career has already gone from zero to 60. Like several prominent filmmakers working in the horror space (notably *Get Out* auteur Jordan Peele and *Weapons*’ Zach Cregger), he started out as a sketch comedian before parlaying his skills to attract online audiences. After *Obsession* premiered at the Midnight Madness section of the Toronto International Film Festival in 2025, it sparked an all-out bidding war. Focus Features picked up the movie for a reported $15 million. It opened in third place and, against all industry logic, saw its box-office take go up nearly 40 percent (!) in its second weekend, a virtually unheard-of jump. And it might have been the Number One movie in the country had another, equally scrappy horror film not come nipping at its heels. *[Backrooms](https://rollingstonephilippines.com/tag/backrooms/ "Backrooms")* is the brainchild of Kane Parsons, a 21-year-old from the Bay Area who’d been dropping a series of faux-found-footage clips online, centered around a cryptic institute studying mysterious, physics-defying spaces known as “the backrooms.” Those shorts — a subgenre of user-generated horror fiction known as creepypasta — attracted the attention of several genre-friendly gatekeepers, tastemakers, and, crucially, [A24](https://www.rollingstone.com/t/a24/). The hipster-cool studio expressed interest in using those viral fragments as the basis of a long-form project, and the kid known as @KanePixels suddenly found himself with a lucrative deal. Parsons’ feature debut builds a woozy, minimalist mythology out of his shorts. The story follows Clark (Chiwetel Ejiofor), a manager at a Silicon Valley furniture emporium. Late one night, Clark spies what appears to be a sliver of light coming through a crack in the wall of the store’s basement. Even odder: He’s able to simply walk right through the wall, and finds himself exploring an endless series of hallways, corridors, and oddly shaped subterranean nooks. He mentions it to his therapist, Mary (*Sentimental Value’*s Renate Reinsve), who thinks Clark is having a breakdown. Then Clark suddenly goes missing. Mary goes to the store, which appears to be abandoned. She, too, discovers those multiplying backrooms of the title. Down the rabbit hole she goes. And then some seriously weird shit starts to happen. As of this writing, *Backrooms* has made more than $200 million globally, overtaking *Marty Supreme* as A24’s highest-grossing film ever. *Obsession* has earned the distinction of becoming Focus Features’ biggest hit to date as well. The fact that these two movies were released within a week of each other was pure coincidence, though both of them hitting theaters right around the time college students were finishing up finals feels like No-Brainers 101. And the one-two punch of these comparatively low-budget horror movies wiping the floor with their IP-heavy competition (*[The Mandalorian and Grogu](https://rollingstonephilippines.com/tag/the-mandalorian-and-grogu/ "The Mandalorian and Grogu"),* *Masters of the Universe*) over several early-summer weekends is the development that’s now sparked a million think pieces. The question now is: Are we at the beginning of a Gen Z horror renaissance, one fueled by a perfect storm of young talent, new tech, online fanbases, and a creator-friendly platform that’s capable of bypassing traditional routes and going straight for millions of eyeballs? Or is this merely the crest of a wave that’s been building for a long while now? New Zealand filmmakers Danny and Michael Philippou — twins better known by their nom de YouTube RackkaRackka, where their violent, nutso videos were embraced by millions of viewers — became indie darlings thanks to their 2022 hit for A24, *Talk to Me*. Hawaiian actor turned content creator Mark Fischbach, a.k.a. Markiplier, turned his self-released video-game adaptation *[Iron Lung](https://rollingstonephilippines.com/culture/film/iron-lung-markiplier-ph-cinemas/ "‘Iron Lung’ is Finally Hitting PH Cinemas: Here’s a Crash Course on the Markiplier Movie")* into one of this year’s biggest return-on-investment hits. (Budget: $3 million. Box office: $51.2 million.) Though both the Philippou brothers and Fischbach are in their thirties, they navigated the internet networks in a way that showed a younger generation how you could translate digital fanbases into IRL moviegoing audiences. Not to mention that younger film fans — the kind who’ve made A24 a brand-name colossus among film nerds and crashed websites during advance ticketing for 70mm screenings of Christopher Nolan’s *[The Odyssey](https://rollingstonephilippines.com/tag/the-odyssey/ "The Odyssey")* — now have the sort of collective purchasing pull that allows them to speak truth to box-office power. Yes, this could be a fad — just a flavor-of-the-month anomaly before the next glut of I.P. blockbusters hit theaters like a seasonal plague of locusts. But both *Obsession* and *Backrooms* have benefited from alternative creative pipelines, organic word-of-mouth campaigns, and an overall sense of franchise fatigue that has the 18-to-28 demographic looking for other ways to entertain themselves. Your mileage on these movies may vary, but you can’t deny that they’re defining a certain moviegoing experience right now. The question is whether this moment is going to evolve into a bona fide movement. We’d bet a supply of cursed monkeys’ paws that the answer is yes. Somewhere out there, a teenager with a Blender creation suite and a dream is hoping to become the next big thing. It’s never been a better time to make that wish come true. *This story was originally published on [rollingstone.com](https://www.rollingstone.com/tv-movies/tv-movie-reviews/backrooms-obsession-gen-z-horror-movies-1235576435/).* ## Frequently Asked Questions ### What are Backrooms and Obsession? Backrooms and Obsession are two low-budget horror films released within a week of each other in May 2026. Both come from filmmakers under 30 who built audiences on YouTube, and both broke box-office records for their studios while outperforming bigger IP-driven blockbusters. ### Who made the Backrooms movie? Backrooms was directed by Kane Parsons, a 21-year-old from the Bay Area known online as @KanePixels. It expands his viral found-footage creepypasta shorts into a feature for A24, starring Chiwetel Ejiofor and Renate Reinsve, and has grossed over $200 million globally. ### Who made Obsession and what is it about? Obsession was made by 26-year-old Curry Barker, a former sketch comedian. Focus Features bought it for a reported $15 million after its 2025 Toronto premiere. Starring Michael Johnston and Inde Navarrette, it follows a man whose wish for his crush’s love goes disastrously wrong. ### Is there really a Gen Z horror wave? Rolling Stone’s David Fear argues the moment is building toward one. He points to alternative creative pipelines, organic word-of-mouth, and franchise fatigue among the 18-to-28 demographic, while acknowledging it could still prove a passing fad before the next wave of IP blockbusters. ### Which other YouTube creators became horror filmmakers? Several have. Danny and Michael Philippou, the New Zealand twins behind the RackaRacka channel, broke through with A24’s Talk to Me in 2022. Markiplier, or Mark Fischbach, self-released Iron Lung, turning a $3 million budget into $51.2 million at the box office. Related Stories - [No One’s Really the Villain in ‘Obsession’](https://rollingstonephilippines.com/culture/film/obsession-film-review-wish-gone-wrong-horror/ "No One’s Really the Villain in ‘Obsession’") - [Are We Hyping Up ‘Backrooms’ Just A Little Too Much?](https://rollingstonephilippines.com/culture/film/backrooms-movie-review-kane-parsons/ "Are We Hyping Up ‘Backrooms’ Just A Little Too Much?") - [Did We Really Need A New ‘Scary Movie’?](https://rollingstonephilippines.com/culture/film/did-we-really-need-a-new-scary-movie/ "Did We Really Need A New ‘Scary Movie’?") **Categories:** Culture, Film **Tags:** Backrooms, Obsession --- ### [Jeff Mills Live in Manila Felt Like Catching a Comet on its Second Pass](https://rollingstonephilippines.com/music/live-reviews/jeff-mills-live-in-manila-concert-review/) **Published:** May 21, 2026 **Author:** Elijah Pareño **Excerpt:** The Detroit techno legend’s rare Manila show proved techno’s universality through seamless transitions, classic selections, and unbroken momentum **Content:** On May 19, Detroit producer, composer and DJ [Jeff Mills](https://rollingstonephilippines.com/tag/jeff-mills/ "Jeff Mills"), also known as “The Wizard,” made his debut performance in Manila in SM Aura Premier’s Samsung Hall in Bonifacio Global City, Taguig. The performance was a part of his months-long global tour, celebrating the 30th anniversary of *Live at the Liquid Room – Tokyo*, a live mix album recorded in October 1995, and considered by many as Mills’ magnum opus. The recorded release trims an alleged three‑hour original set to 68 minutes separated into three “segments,” which Mills explained was one of his best flow of tracks in the performance. Mills removes and cues records at impossible speeds, with movements so precise they sound effortless, flying through a pile of vinyl while the average listener can barely track which pattern just morphed into which kick. To many, Mills’ *Liquid Room* is considered the Rosetta Stone of techno — the art of almost everything related to DJing embodied —— and ground zero for electronic music fans of all stripes. The Manila event was organized by [Groove Nation](https://rollingstonephilippines.com/editors-picks/features/manila-raves-history-price-cost-of-fantasy/ "Manila Raves, and the Price of Fantasy") and spearheaded by Toti Dalmacion who helped pioneer the city’s ‘90s rave scene with its roving party Consortium, bringing in acts like Richie Hawtin, Laurent Garnier, and even two of Detroit’s techno staples Derrick May, and Juan Atkins. Mills, who worked closely with May and Atkins in the late ‘80s and ‘90s, has been a long overdue addition to Manila’s roster of legendary DJ performances, and one that finally happened during one fine Tuesday evening. ## **The Strings of Life and Liquid Room Influence** ![Jeff m](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Mills-Booth.webp) The star of the build, though, was Jeff Mills’ booth: concrete hollow blocks topped with a thick plywood slab that was less aesthetic and more functional. Photo from Jeff Mills/Facebook The event began with a documentary screening of the same title, featuring commentary by Mills on how he used reel‑to‑reel tape to capture his set. DJ Nobu, a Japanese techno pioneer in his own right, described being in Liquid Room for Mills’ performance: the room was “bouncy” and elemental, he said; the crowd would drop into a trance, the silence in their heads deafening while Mills pummeled them with sledgehammer kicks and elastic rhythms. At the time, Nobu was a guitarist for his local hardcore punk band in Chiba, until Mills’ set changed his life and pushed him into producing electronic music. Mills also recalled crafting a special track for that Tokyo night: an engineered time bomb to mimic the feeling of a perfectly plotted climax that would eventually be called “i9.” Then the white cloth of the screen rose. Classical music swelled from the sound system. And there he was. Mills in the flesh. The shock of seeing a legend materialize in a way I won’t forget. The stage setup was massive. Four monitors flanked his sides. Two vinyl turntables and two digital players hugged the center. A giant road case of records sat like a vault at the back. The star of the build, though, was his booth: concrete hollow blocks topped with a thick plywood slab that was less aesthetic and more functional, preventing the reverberating bass from rattling the turntables as the record needle, or stylus, effectively acted as a microphone blasting out music onto the speakers. At first, the lighting felt a touch bright for techno’s usual shadow play, but within the first hour the room adjusted. Bodies began to shape‑shift: subtle steps mutating into locked‑in grooves, faces softening into that shared, eyes‑half‑closed recognition. The selections were an education in tension. Mills would drive the kick like a pile driver, then pull back into flickers of syncopation, then slam back down as if reminding everyone: This is a factory heartbeat, this is a machine speaking. By the second hour, sub‑bass notes crawled up the spine with cruel patience; other passages went for the eardrums with a thin, piercing blade. Then he teased his signature track “The Bells,” one of techno’s music immortal motifs. The room howled. Soon after, Mills had dropped the big one for faithful techno freaks: May’s “Strings of Life” under his Rhythim Is Rhythim alias. A collective detonation erupted in the crowd when its iconic string-like synths hit. ![Jeff Mills empty booth](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Booth.webp) Photos and videos weren’t allowed in the event, so when the lights flashed back on, attendees were quick to take a snapshot of Mills’ empty concrete booth. Photo by Elijah Pareño During Mills’ final stretch of his four-hour set, the crowd wanted more. He obliged with an encore: “The Bells,” again — this time treated like a virtuoso solo, the DJ’s version of a guitarist leaning into feedback. He rode the controller’s highs and lows, flicked the EQs to simulate a drum feature, faded hi‑hats in and out like a conductor cueing percussion. Wizardry, as advertised. After the show, reality snapped back. The room hummed with that post‑show buzz, a thousand inner monologues trying not to ruin the spell by naming it. Photos and videos weren’t allowed in the event, so when the lights flashed back on, attendees were quick to take a snapshot of Mills’ empty concrete booth; it is an image, a relic, that now lives in the heads among those lucky enough to witness Mills, aged 62, live in Manila. The night reminded partygoers how it could really just be about the music, even in a music scene that can be so caught up in its own optics — like who gets to play, when, and where. You could sense it in how quiet people got between drops, in how strangers grinned at each other when a mix landed perfectly. In the history of techno, *Live at the Liquid Room – Tokyo* is a blueprint for how a DJ can architect rhythm, how you can sculpt time with four decks and a plan. Seeing that blueprint redrawn in real life — decades later, across the ocean — felt like catching a comet on its second pass. Techno, they always say, is about machines. Nights like this argue it’s about maintenance — of memory, of community, of faith that repetition can still reveal something new. “The Wizard” took control of time in Manila for one night and it was spectacular. ## FREQUENTLY ASKED QUESTIONS ### Who is Jeff Mills? Jeff Mills, also known as “The Wizard,” is a DJ from Detroit, Michigan. He is currently celebrating the 30th anniversary of *Live at the Liquid Room – Tokyo*, a live mix album recorded in October 1995, and considered Mills’ magnum opus. ### Who organized Jeff Mills Live in Manila? The Manila event was organized by Groove Nation and spearheaded by Toti Dalmacion who, during the ‘90s, helped pioneer the city’s rave scene with its roving party Consortium, bringing in acts like Richie Hawtin, Laurent Garnier, and even two of Detroit’s techno staples Derrick May, and Juan Atkins. ### What is the Live at the Liquid Room – Tokyo? *Live at the Liquid Room – Tokyo*, a live mix album recorded in October 1995. It is considered the Rosetta Stone of techno — the art of almost everything related to DJing embodied —— and ground zero for electronic music fans. ### When did Jeff Mills Live in Manila happen Jeff Mills performed in Manila for the first time on May 19, Tuesday. ### Where did Jeff Mills perform in Manila? Jeff Mills performed in SM Aura Premier’s Samsung Hall in Bonifacio Global City, Taguig Related Stories - [18 Filipino Dance Tracks That Capture the Spirit of Queerness](https://rollingstonephilippines.com/editors-picks/lists/18-queer-filipino-dance-tracks/ "18 Filipino Dance Tracks That Capture the Spirit of Queerness") - [Desa Potato Head’s Lessons on Balancing Tourism with Community-Led Music](https://rollingstonephilippines.com/editors-picks/features/desa-potato-head-music/ "Desa Potato Head’s Lessons on Balancing Tourism with Community-Led Music") - [Manila Raves, and the Price of Fantasy](https://rollingstonephilippines.com/editors-picks/features/manila-raves-history-price-cost-of-fantasy/ "Manila Raves, and the Price of Fantasy") **Categories:** Dance/Electronic, Live Reviews, Music **Tags:** Jeff Mills --- ### [Knicks-Loving Celebrities React to Team’s First Championship in 53 Years](https://rollingstonephilippines.com/culture/sports/knicks-championship-celebrities-reaction/) **Published:** June 15, 2026 **Author:** Daniel Kreps **Excerpt:** Jennifer Lopez, Cardi B, Mariska Hargitay, Jon Stewart, Billy Joel and more turn to social media to celebrate New York team’s first title since 1973 **Content:** Jennifer Lopez, [Cardi B](https://rollingstonephilippines.com/tag/cardi-b/ "Cardi B"), Mariska Hargitay and other Knicks-loving celebrities turned to social media Saturday night to celebrate the New York team’s first championship in 53 years. While [Knicks](https://rollingstonephilippines.com/tag/the-new-york-knicks/ "The New York Knicks") diehards like [Timothée Chalamet](https://rollingstonephilippines.com/tag/timothee-chalamet/ "Timothée Chalamet"), Ben Stiller, Spike Lee, and Tracy Morgan were in San Antonio to witness the team’s first title since 1973, many more famous fans watched on television and celebrated the Game 5 win from home. “Congratulations to the New York Knickerbockers, NBA Champions!!!!!,” Jennifer Lopez wrote on social media alongside a video of her celebrating the win. > Congratulations to the New York Knickerbockers, NBA Champions!!!!! > > I remember the last time the Knicks were making a run for the championship and rushing home every game day from the set to watch Ewing, Starks and Oakley make a hell of a run. We have all been waiting patiently… [pic.twitter.com/ugCRWkkjJf](https://t.co/ugCRWkkjJf) > > — jlo (@JLo) [June 14, 2026](https://x.com/JLo/status/2066055103812186589?ref_src=twsrc%5Etfw) “I remember the last time the Knicks were making a run for the championship and rushing home every game day from the set to watch Ewing, Starks and Oakley make a hell of a run. We have all been waiting patiently for this day for years. Thank you for uniting our city again…for uniting the world. You restored faith, hope and belief in that there’s nothing we can’t do!! Hard work, goodness and teamwork pays off! You set the city on fire!!” (Lopez might be mixing up the 1994 Knicks team that lost in the Finals with the Starks-and-Oakley-less 1999 team that also reached the championships, ultimately losing to the Spurs.) Cardi B, who [performed during halftime of Game 3](https://www.rollingstone.com/music/music-news/cardi-b-nba-finals-game-3-halftime-show-performance-1235574429/), watched the championship-winning game on a cellphone in her basement. “We won!” she yelled around her house. “We fucking won!” > [View this post on Instagram](https://www.instagram.com/reel/DZjSeekDIpM/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Cardi B (@iamcardib)](https://www.instagram.com/reel/DZjSeekDIpM/?utm_source=ig_embed&utm_campaign=loading) Hargitay, who attended the historic Game 4 comeback victory [alongside Taylor Swift](https://www.rollingstone.com/music/music-news/taylor-swift-knicks-nba-finals-haim-1235575812/), posted a tribute to her friend and Finals MVP Jalen Brunson after the win: “And you lead the way for so many. Congratulations to you all and deepest thanks.” > [View this post on Instagram](https://www.instagram.com/p/DZjZTeMA19G/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Mariska (@therealmariskahargitay)](https://www.instagram.com/p/DZjZTeMA19G/?utm_source=ig_embed&utm_campaign=loading) (Brunson quipped in a postgame interview what his plans were after winning the title, “Try to get on *SVU*.”) > "Try to get on SVU" > > –– Jalen Brunson on what's next [pic.twitter.com/z7CVdPCPVK](https://t.co/z7CVdPCPVK) > > — New York Basketball (@NBA\_NewYork) [June 14, 2026](https://x.com/NBA_NewYork/status/2066066686495572383?ref_src=twsrc%5Etfw) [Jon Stewart](https://rollingstonephilippines.com/tag/jon-stewart/ "Jon Stewart"), like thousands of New Yorkers, took to the streets to watch Game 5’s closing moments projected on the side of a building: > [View this post on Instagram](https://www.instagram.com/p/DZjmd8BDhej/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Jon Stewart (@jonstewart)](https://www.instagram.com/p/DZjmd8BDhej/?utm_source=ig_embed&utm_campaign=loading) Chalamet, the Knicks’ most visible fan throughout their championship run, said on the Spurs court after the win, “Way rather this than the Oscars.” The actor and Stiller later made their way to the Knicks’ locker room for the champagne celebration. > “WAY RATHER THIS THAN THE OSCARS!” 🔥 > > Timothée Chalamet hyped for the Knicks title 🏆 [pic.twitter.com/DL94Aw6V9b](https://t.co/DL94Aw6V9b) > > — SportsCenter (@SportsCenter) [June 14, 2026](https://x.com/SportsCenter/status/2066004167810859480?ref_src=twsrc%5Etfw) > timothée got WASHED during the champagne shower in the knicks locker room 🍾😭 [pic.twitter.com/gNOhppO9Kc](https://t.co/gNOhppO9Kc) > > — Timothée Chalamet Updates (@timotheeupdates) [June 14, 2026](https://x.com/timotheeupdates/status/2066056389823258703?ref_src=twsrc%5Etfw) Check out more celebrity reactions to the Knicks’ win below: > [View this post on Instagram](https://www.instagram.com/reel/DZjWIaVs8pQ/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Giancarlo Esposito (@thegiancarloesposito)](https://www.instagram.com/reel/DZjWIaVs8pQ/?utm_source=ig_embed&utm_campaign=loading) > [View this post on Instagram](https://www.instagram.com/p/DZkeg2YEbwS/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Nick Kroll (@nickkroll)](https://www.instagram.com/p/DZkeg2YEbwS/?utm_source=ig_embed&utm_campaign=loading) > [View this post on Instagram](https://www.instagram.com/reel/DZjuKfXx3bm/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Alicia Keys (@aliciakeys)](https://www.instagram.com/reel/DZjuKfXx3bm/?utm_source=ig_embed&utm_campaign=loading) > [View this post on Instagram](https://www.instagram.com/p/DZkpstpFkj6/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Billy Joel (@billyjoel)](https://www.instagram.com/p/DZkpstpFkj6/?utm_source=ig_embed&utm_campaign=loading) *This story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-news/knicks-celebrities-react-first-championship-53-years-1235577220/).* ## Frequently Asked Questions ### Which celebrities reacted to the Knicks’ championship? Jennifer Lopez, Cardi B, Mariska Hargitay, Jon Stewart, Billy Joel, Alicia Keys, Nick Kroll, and Giancarlo Esposito all posted reactions. Timothée Chalamet, Ben Stiller, Spike Lee, and Tracy Morgan were courtside in San Antonio, while others celebrated the Game 5 win from home or in the streets. ### When did the Knicks last win an NBA championship? The New York Knicks last won the NBA championship in 1973, making the 2026 title their first in 53 years. They clinched it with a Game 5 win over the San Antonio Spurs at Frost Bank Center on June 13, 2026. ### What did Timothée Chalamet say about the Knicks winning? Timothée Chalamet, the Knicks’ most visible celebrity fan through the championship run, told cameras on the Spurs court, “Way rather this than the Oscars.” He and Ben Stiller later joined the team in the locker room for the champagne celebration. ### What did Jennifer Lopez say about the Knicks? Jennifer Lopez posted a video of herself celebrating and congratulated the New York Knickerbockers, recalling rushing home from set during the team’s Nineties run to watch Ewing, Starks, and Oakley. Rolling Stone notes she may have blended details from the 1994 and 1999 Finals teams. ### Who won Finals MVP for the Knicks? Jalen Brunson was named Finals MVP. Mariska Hargitay, who attended the Game 4 comeback alongside Taylor Swift, posted a tribute calling him a leader for many. Asked afterward what was next, Brunson joked that he would “try to get on SVU.” Related Stories - [The New York Knicks Have Been Undefeated Since Being Uncursed by This WWE Wrestler](https://rollingstonephilippines.com/culture/news-culture/new-york-knicks-uncursed-by-wwe-wrestler-undefeated-streak/ "The New York Knicks Have Been Undefeated Since Being Uncursed by This WWE Wrestler") - [Shanti Dope Reflects on Rap, Fatherhood, and the Realities of His Music](https://rollingstonephilippines.com/music/shanti-dope-rap-realities-fatherhood/ "Shanti Dope Reflects on Rap, Fatherhood, and the Realities of His Music") - [aespa Rides Its Own Wave With ‘Whiplash’](https://rollingstonephilippines.com/music/music-reviews/aespa-whiplash-review/ "aespa Rides Its Own Wave With ‘Whiplash’") **Categories:** Culture, Sports **Tags:** The New York Knicks --- ### [Tadhana’s Chef Frances Tariga Doesn't Want Fine Dining to Just Be Fine](https://rollingstonephilippines.com/culture/food/chef-frances-tariga-tadhana-set-record-straight/) **Published:** June 15, 2026 **Author:** Mel Wang **Excerpt:** As she opens up her latest restaurant in Manila, the chef talks about her childhood trauma, making it in New York City, and how she’s tired of people spreading rumors about her **Content:** [Chef Frances Tariga](https://rollingstonephilippines.com/tag/frances-tariga/ "Frances Tariga") isn’t the type to waste time. The Sampaloc-born chef has spent the past two decades building a culinary career outside of the Philippines. First, she left her mark on the United Arab Emirates, where she served the royal family as their private chef. Then, after making her way to the United States, Tariga opened multiple restaurants in New York, including her own Filipino fine dining joint, Tadhana. With its 16-course tasting menu and playful spin on Filipino staples, Tadhana found its way into the Michelin Guide just five months after it opened its doors on the Lower East Side. When she wasn’t running her different kitchens, Tariga managed to find time to compete on shows like *Chopped*, *Cutthroat Kitchen*, *Top Chef*, and *Morimoto’s Sushi Master,* the latter of which she won by showcasing Filipino cuisine through modern omakase. > [View this post on Instagram](https://www.instagram.com/reel/DZeBwPWTCNS/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Pablo Luna Capati IV (@pablothefork)](https://www.instagram.com/reel/DZeBwPWTCNS/?utm_source=ig_embed&utm_campaign=loading) Now that Tariga has made her way back to the Philippines, she still shows no signs of slowing down. She recently opened her Manila location of [Tadhana](https://rollingstonephilippines.com/tag/tadhana/ "Tadhana"), where guests are currently treated to a 10-course menu that reflects Tariga’s personal journey. Standouts include her tinapay, a cubezoid tinigib cornbread paired with a tinapa mousse and a dalandan sherry marmalade. There’s her “kwek kwek,” the street food favorite transformed into an annato pie tee cup topped with smoked ikura and bagsik dust. Even Tariga’s desserts show how much thought she’s put into deconstruction, from a bite-sized, empanada-shaped turon to kamias candy melted into crushed ice. ![cheh frances tariga](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/che-frances-b0.webp) “I’ve been in survival mode for my whole career.” “Some of these come to me when I’m too high,” Tariga tells me jokingly at her *Rolling Stone Philippines* shoot. “Like with my sinigang… look, I just wanted my gabi mushed, and I wanted it to melt with the fish so that it coats my mouth. Then you want a creaminess, and that will come from the silkiness of a whipped potato, and the tanginess of the radish helps give it some bite. All these components, you’re building it in your brain.” There’s a lot going on in that brain of hers than just recipes. Over the course of two hours, Tariga spoke to me about her hopes for her latest culinary stint in Manila, the struggles of growing up with drug and gambling addictions in the family, and how her childhood in Sampaloc helped prepare her for a career in the world of Filipino cuisine. *This interview was edited for brevity and clarity.* **Before we sat down for our interview, we were talking about how we were both at the inaugural launch of the [Michelin Guide](https://rollingstonephilippines.com/tag/michelin-guide/ "Michelin Guide") in the Philippines. How did you feel about the Michelin selections last year?** ‘Yung iba lang I noticed na medyo hindi pa polished, but they got a star. Like Linamnam. I mean he got the Young Chef award, and I get that. But I mean, the tasting menu is… parang pilit. You know, to get a star, especially in New York, you have to be fucking one of a kind. It needs to be polished. Siguro hindi ko pa natikman. But based on how I see him as a chef, hindi pa siya ganun ka-polished. But it comes with experience also. I mean, I’ve been cooking for 23 years. He’s 27. **What made you decide to open up a Tadhana location in Manila?** I think in America… Not a lot of Filipinos here know this, but in America, \[Filipino cuisine\] is having a moment. But *then* the question I hear is, “Okay, you say we’re having a moment, then why are you here in the Philippines?” > [View this post on Instagram](https://www.instagram.com/reel/DY2OfGOhJGf/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Patrick Go (@patmgo)](https://www.instagram.com/reel/DY2OfGOhJGf/?utm_source=ig_embed&utm_campaign=loading) And I’m like, “Why the fuck not?” \[*Laughs*\] I can be burned out in New York, too, you know what I mean? This move, it’s my way of taking a fucking break from the world. It’s cutthroat out there! But I also know that a small business like me… You know, a fine dining restaurant is a \[vanity\] project. It’s not profitable. Or well, maybe people think, “Ah, it’s luxury.” But it’s not. You’d earn more starting a fast food chain than a fine dining joint just because of all the elements and details you need to add. **By that, are you thinking about the cost of everything that goes into opening a restaurant like Tadhana?** Yes. Everything is mahal. When you open a fine dining restaurant and you’re telling your story through your menu, all the details need to be intentional. For example, the bread \[at Tadhana\]. How do I present fucking *bread*? I wanted to make it fun and relatable for me, so I remembered that, growing up, I’d play that color game sa perya. Growing up, I feel like… You know, children in Manila, ang laruan nila kasi ay pustahan, eh. You learn to be a freaking gambler. But anyway, it’s supposed to be accessible. It’s not supposed to be serious, guys! It’s just a fucking dinner. And also, I’m here to sell an experience. I’m not here to teach you how to eat the food, that should be self-explanatory. **When we met at Tadhana, you mentioned how the current menu was inspired by your own personal journey. Can you tell me more about what you meant by that?** ![chef frances tariga](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/chef-frances-b1.webp) “\[Fine dining is\] supposed to be accessible. It’s not supposed to be serious, guys!” Medyo lumalim ako sa therapy, eh, seven years ago. I started doing counseling and therapy. It really healed a lot of childhood trauma… That sounds so dramatic, but coming from the hood in the Philippines with very crooked parents… My dad was a cop. And back in the ‘80s… He was freaking crazy. I tell everyone in the States, and they look at *me* like I’m fucking crazy, but it was true. I don’t think I ever saw my dad pay fucking utilities. We had a big house, pero walang nagbabayad ng kuryente. He had his hustle. We all went to private school, but we lived in a place surrounded by poverty. So I grew up very street smart, and it was all because of my dad. Our breakfasts were never like, “Oh, I love you, mag-aral kang mabuti.” We grew up paranoid. But you know, bata pa lang ako, nakakabasa na ako ng tao. I know when you’re full of shit. **Has that mindset helped you build your career as a chef abroad?** Yeah, especially now. I’ve probably handled thousands of cooks over the span of my career. Indians, Pakistanis, Arabs, Latinos, Africans. All walks of life. I had to really educate myself about everything, because if not, these chefs will talk mad shit about you if you don’t know how to talk to them. I don’t come to a battle if I’m not equipped. “I think I created a brand that’s gonna be a legacy. Not just for me, but for the people working within it.” Chef Frances Tariga And as an immigrant in New York, I really needed to… Like, say I’m applying for a big position. In the States, you don’t stay in one company lang. So when I got there, I was like, “Okay, I need to become a sous chef.” And then it’s chef de cuisine, then executive chef, then culinary director. I wanted to move fast. But that was also the thing. I was chasing money. Immigrants in NYC, all you want is good pay and a good life. But like… when I first got there, parang ang isip ko was, “I need to make a lot of money.” Instead of honing my skills. So there was really a stage where I was just chasing money. And *now*, at this stage, people are giving me a lot of their money, but now I’m having a lot of fucking problems running their restaurants! \[*Laughs*\] And you know, at this point, I’ve dealt with thousands of cooks. Magaling, hindi magaling, or pretentious. I know for a fact, kahit sa galawan pa lang, or sa hawak pa lang ng tongs o towel, alam ko na if they’re experienced or not. You can read their resumé, pero when you see them in real life, it does not match. **And has that experience helped you know who to hire as part of the staff in your restaurants?** Oh, I *know* how to pick people. Like, dito sa Pilipinas, I didn’t pick people with crazy talent or experience. I picked the ones \[who\] are team players, \[who\] want to be a chef. Kasi ‘pag may isang anay, dun kayo nasisira eh. I’ve opened 38 restaurants throughout my career — that’s a lot. Makakita ko nang red flag agad, hindi ko pinapatagal. **What happens when you meet someone who’s a red flag in your kitchen?** Well, I sit down with them for a talk. I’m like, HR-savvy now, you know? I learned a lot in the States. \[*Laughs*\] Look, I’m an old-school chef. I still yell, I curse. But that doesn’t fly now. You can’t do that anymore! So now I’m all about documentation. After service, I’m gonna sit them down and say, “Yo, that’s not cool. This is a fucking team effort. If you fail, we all fail. This is not a *you* show.” But don’t get me wrong, I’ll still get mad. I’m not saying that’s okay, but I’m still human. I know how to say sorry also. I think that was something I really learned in therapy. I’m still repairing myself… and I think it’s the same for a lot of chefs, actually. **You’ve been pretty open about your experiences with therapy. Do you feel like all chefs should go to therapy?** ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/chef-frances-b2.webp) “Bata pa lang ako, nakakabasa na ako ng tao. I know when you’re full of shit.” Well, therapy… It really helped a lot of old school and new school \[chefs\]. When you want perfection, or excellence in your craft, you really get into it. Sometimes you’re in your own world, and you don’t know what’s going on in the outside world. I go through a fucking dark hole, sometimes. As a chef, creating dishes… or anything original, it’s a form of art. But I overthink a lot. People think I’m weird, but that’s okay. I don’t mean to be fucking weird. But I don’t care, because a lot of people will say anything about you, especially in the Philippines. Here, ‘pag may narinig silang pangit about you, they’re gonna fucking unfollow you. They’re so fucking judgemental. Like dude! Okay, so sabi nila na I closed my restaurant in NYC. I can’t come back to NYC. Dude, I’ve been going back and forth to NYC. **Did they just make up that story?** Dude. There was this one person who ate at \[Tadhana\] and wrote, “This controversial Tadhana closure,” or “despite the controversial baduhduh.” Dude, you *said* masarap! Why can’t you just fucking write masarap? > [View this post on Instagram](https://www.instagram.com/p/DXD7P7KD9-f/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Levanto (@levanto.ph)](https://www.instagram.com/p/DXD7P7KD9-f/?utm_source=ig_embed&utm_campaign=loading) This guy’s trying to get a reaction from me, but I’m not gonna give that to him, because you’re a fucking clout chaser. You don’t have a following… this fucking old guy. Whatever. A fucking restaurant closed because a restaurant closed. They said I did not pay my staff. My dude, if you don’t pay your staff in New York City, you’re gonna get sued. And if you get sued, you can’t come in and out of the country. In the States, ang culture is like, “Show me! If you don’t have proof, then you don’t have fucking nothing.” But here, if a little fucking bird tells you something… **We do love tsismis.** But that’s the thing! We can be factual! Look, I’m unapologetic. I curse when I want to. But not because I hate you or wanna hurt you. It’s a fucking expression. Come on, we’re in fucking 2026. But my God. At the start, I was like, “We’re staying here for good, me and my wife.” But now, one year later, I think the Philippines isn’t ready for us. It still feels we’re a lot fucking behind. I mean, I’m still championing Filipino cuisine, but when it comes to personal experiences… Dude, they’re making it impossible for everyone to just live a normal life. Why does everything need to be difficult? “I’ve dealt with thousands of cooks. Magaling, hindi magaling, or pretentious. I know for a fact, kahit sa galawan pa lang, or sa hawak pa lang ng tongs o towel, alam ko na if they’re experienced or not.” Chef Frances Tariga At this point in my life, I just want to be comfortable. And I’m comfortable kind of, but me and my wife… we’re a fucking lesbian couple in the Philippines. Hindi nila kaya sabihing “wife.” I keep saying, “Oh, she’s my wife, we’re legally married in the States.” And then they keep saying “girlfriend,” and I can tell they’re very uncomfortable. A lot of people here will say that they’re not homophobic, but they’re not used to someone like me, with such a strong personality, talking to them in an equal manner. But like, why the fuck would I say “po” or “opo” to you? We’re talking business. It’s so “ma’am/sir” culture. **Do you feel like after living in the States and the UAE, it’s been a little harder for you to move back home to Manila?** ![chef frances tariga](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/0520RSPortraits0016.webp) “I don’t mean to be fucking weird. But I don’t care, because a lot of people will say anything about you.” It’s just fucking life, man. The poverty levels… You know in New York, even if you’re a dishwasher, you can still live a normal life. You can still eat in a good restaurant. It’s liveable there. But here, it’s impossible for a line cook to live a normal life because the job doesn’t fucking pay. The \[pay\] gap is so far here. And I’m not blind: I know my customer base here is mostly the five percent and balikbayans from around the world. That’s the reality. Like, if you have a minimum wage salary here, you can’t fucking eat Tadhana. Your bill for two people is gonna be what, P20,000? You can’t, it’s crazy. I know my clientele. But then that’s the question, right? Am I excluding the middle class, but *also* putting middle-class \[cuisine\] at the center of my menu? I don’t know. **I wanted to ask you about that. Every dish at Tadhana is definitely fine dining, but they’re each based on more everyday Filipino food, like kwek-kwek, kinilaw, or sinuglaw. How do you explain bringing something like kwek-kwek to a fine dining setting?** That’s the thing, I don’t know! It’s a business, but at the same time… Look, I’m just doing what I do best. Because I hear the question: “Why am I empowering middle-class cuisine if the fucking middle class can’t even afford it?” Parang ako lang din ang nagtatanong sa sarili ko. I remember my first competition, *Chopped*. My friend told me, “Yo, just stick to your roots, and you’ll be fine.” And fuck, until now, that stuck with me. So with \[Tadhana\]… I’m just representing what I know best: Manila, middle-class cuisine. “When you want perfection, or excellence in your craft, you really get into it. I go through a fucking dark hole, sometimes. As a chef, creating dishes… or anything original, it’s a form of art.” Chef Frances Tariga And it’s about my own life too, you know? Twenty years ago, I was doing a lot of drugs. We had an open tab sa tindahan, so I had to get creative with the food, you know? I’d get corned beef, which meant that I could make sinigang, nilaga, afritada, caldereta for me and my siblings. But it was hard. But I was an ambitious kid. I had a lot of side hustles: I used to be a professional pool player, and I thought that was going to be my career. But even my parents were shitting on it: “Walang pera diyan!” So I went to colleges, but nothing stuck… until the last one, because I heard about a culinary school on *Today with Kris Aquino…* Oh my god, I sound so fucking old, but I fucking remember it! I just really wanted to be cool, to belong. Nag-practice akong mag-English, nag-memorize ako ng kanta, para I could sound “conyotic.” \[*Laughs*\] **It must have been hard, though, growing up both with these ambitions and wanting to take care of your siblings.** I mean, fake it til you make it. Because… like fuck, how do you enroll your kids in a fucking private school, but then they’re always on promissory note because of their dad’s fucking addiction? You’re expecting me to be good in school when in reality, ‘pag nag-aaral ako, kinabukasan hindi rin ako makakapag-test kasi pinapapunta kami sa library. That’s fucking cruel. The school was fucking cruel. I don’t know if that flies these days, but dapat hindi ginawa sa bata, eh. It was so traumatizing. I remember all the fucking time being like, “Fuck, paano ako mag-aaral?” Fourth grade na ako, hindi pa bayad… Shit. It just sucked for the kids. \[*Tariga tears up*\] Sorry, it’s just a little emotional. But ngayon ko lang na-realize na it’s not about how academically good you are. It’s about how you fucking navigate your life after school, ‘di ba? But it’s hard. You know, you think you’re a piece of shit all the time, because I was a drug addict, and I still see myself as the version of me 20 years ago. It took me a while to be like, “Yo, you’re not fucking poor anymore. That shit happened, but you’re not that anymore.” I’ve been in survival mode for my whole career. And I’ve always tried to be original. No one was championing Filipino cuisine \[in New York\], so I took the fucking opportunity. **Did you always know that Filipino fine dining was something you wanted to do?** If you asked me that 10 years ago, I would have been like, “Yo, I didn’t fucking work 20 years just to be a fucking Filipino cuisine chef.” But that was pre-therapy. Again: “Stick to your roots, and you’ll be fine.” And you can’t tell me when something’s not Filipino. I know my shit. That’s another thing. People online are always saying I’m Fil-Am. Bitch, I was born and raised in Sampaloc! I left when I was 21, okay? Just because I talk like this… 22 years ago, I didn’t sound like this. But in order for me to get *here*, I needed to educate myself. If I didn’t, especially in the States… I needed to be on the same level as the chefs in my category over there. But I think my thing was always na I’m gonna stick to what I know. And that’s Filipino food. But to do Filipino flavors in fine dining? That didn’t even cross my mind. **Did you worry that diners in New York wouldn’t understand Filipino fine dining, though?** ![chef frances tariga](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/0520RSPortraits0039.webp) “How do I make something so that I can say, ‘Yo motherfucker, you’re not gonna be able to cook this at home!’” That’s the thing! \[*Laughs*\] White people only see our food as exotic. When they go to Queens, it’s all fucking red flags for Americans. A whole health violation. But you know… when we started \[Tadhana\], it ended up raising a lot more Filipino eyebrows. They’d be like, “Ay, Filipino food lang.” But my concept guideline with Tadhana was always this: I know my tita’s gonna say, “I can cook this at home.” So how do I make something so that I can say, “Yo motherfucker, you’re not gonna be able to cook this at home!” \[*Laughs*\] And now it’s like, ‘Okay tita, what are you gonna do, build a sphere? You’re gonna use an iSi gun? Ha!’ **Now that you’ve opened Tadhana here, do you have new goals for Filipino fine dining?** Right now… I think I created a brand that’s gonna be a legacy. Not just for me, but for the people working within it. I have the most fucking amazing team, and in Tadhana, these people don’t sleep. They want to get better. These people are so reliable. I wouldn’t be here, at this interview, at this early stage of the restaurant opening, if I couldn’t rely on them. I’m not *saying* it’s a cult, but everyone \[at Tadhana\] thinks the same and has one goal. The goal is to succeed. The goal is to champion Filipino cuisine. And you know, to get a star is to get a star. I don’t think that’s so impossible. **Would you want Tadhana to win a Michelin star?** It’s not impossible. I’m not the one making the decisions here. But look, there are only \[nine restaurants with\] stars in the Philippines. Of course, they’re gonna add a lot. There’s a big chance. **You’ve talked a lot about how different New York’s fine dining scene is compared to Manila’s. What are you hoping changes in our fine dining scene?** Everyone’s doing their own thing in Manila, and I mean, you do you. There are a lot of good people here. But I think they’re trying to be someone else. The message is always mixed. You’re gonna see them saying they’re championing Filipino cuisine, but they’re like… I mean ako, I’m bringing New York to Manila, but it’s different, kasi it’s my own experience. We tend to fantasize about foreigners, Europeans, Americans, and sometimes we get lost. There’s a lot of potential in the Philippines. But ang problema dito… it’s capitalism. In the States, I get a big stake when I open a restaurant. Here, they own you. I’m staying here for a little while more, but it’s getting harder and harder for me. **If the Philippines isn’t your final stop, where are you hoping to move to next?** I’d go back to Dubai. That was my first gig, working for the royal family, and I still have access to them. But my god, it needs to be perfect timing. But what the team is doing right now… I’m not saying we’re different from everyone else. We’re just doing us, you know? And that’s important. Right now, I’m just celebrating Tadhana. ## Frequently Asked Questions ### Who is Chef Frances Tariga? Frances Tariga is a Filipino chef born and raised in Sampaloc, Manila. She built her career abroad as a private chef to UAE royalty before opening multiple restaurants in New York, including Tadhana, which entered the Michelin Guide five months after opening. ### What is Tadhana? Tadhana is a fine dining restaurant offering a 10-course tasting menu rooted in Chef Frances Tariga’s personal journey, reimagining Filipino middle-class and street food staples through fine dining technique. ### Is Chef Frances Tariga Filipino? She is Filipino. Tariga was born and raised in Sampaloc, Manila, and left the Philippines at 21. She identifies firmly as Filipino despite her accent and decades spent abroad. ### Does Tadhana have a Michelin star? Not yet. The New York location entered the Michelin Guide five months after opening. Tariga has said earning a star in Manila is not out of the question, noting that the Philippines’ Michelin list is still growing. ### What is the concept behind Tadhana’s menu? Tadhana’s menu is built around Filipino middle-class cuisine — kwek kwek, sinigang, turon — elevated through fine dining technique. Each dish reflects Tariga’s personal history growing up in Manila. Related Stories - [Alvin Cailan of ‘The Burger Show’ on Eggslut, Fine Dining, and Hip-Hop](https://rollingstonephilippines.com/culture/food/alvin-cailan-interview-greenlight-burgers/ "Alvin Cailan of ‘The Burger Show’ on Eggslut, Fine Dining, and Hip-Hop") - [Helm’s Josh Boutwood Feels the Pressure of Winning Two Michelin Stars](https://rollingstonephilippines.com/culture/food/chef-josh-boutwood-helm-michelin-stars/ "Helm’s Josh Boutwood Feels the Pressure of Winning Two Michelin Stars") - [To Honor Western Mindanao Cuisine, the Chefs of Hapag Left Makati](https://rollingstonephilippines.com/culture/food/hapag-new-western-mindanao-menu/ "To Honor Western Mindanao Cuisine, the Chefs of Hapag Left Makati") **Categories:** Culture, Food **Tags:** Frances Tariga, Tadhana --- ### [9 of the Best Moments on ‘The Late Show With Stephen Colbert’](https://rollingstonephilippines.com/culture/tv/best-the-late-show-with-stephen-colbert-moments/) **Published:** May 21, 2026 **Author:** Mel Wang **Excerpt:** In honor of the host’s final show on air, we’re looking back on all the times that Colbert left his mark on late night **Content:** *[The Late Show with Stephen Colbert](https://rollingstonephilippines.com/tag/the-late-show-with-stephen-colbert/ "The Late Show With Stephen Colbert")* is, unfortunately, almost at its end. After a chaotic year of CBS axing the biggest show on late night and his fans speaking out against the cancellation, Stephen Colbert will be stepping into the Ed Sullivan Theater one last time on May 21 at 11:35 p.m. (Eastern Time). The week leading up to the finale has been more than exciting, with [guests](https://rollingstonephilippines.com/culture/tv/stephen-colbert-late-show-final-guests/ "What’s in Store For Stephen Colbert and His Last Week on Late Night?") like Jon Stewart, Steven Spielberg, and Bruce Springsteen also sitting across Colbert to say their final goodbyes to the show (plus a very on-the-nose performance of “Burning Down the House” by David Byrne and Colbert himself). Before the show officially goes off the air, and to pay tribute to a host that certainly deserved better, we’ve put together a list of all the moments that have stayed with us throughout *The Late Show With Stephen Colbert*’s 11-year run. ## What Do You Think Happens When We Die, Keanu Reeves? (2019) Keanu Reeves is a man of few words, and during one of his earlier appearances on *The Late Show with Stephen Colbert*, it seemed like the actor was mainly there to promote *John Wick: Chapter 3* and *Bill and Ted Face the Music*. But after the usual press run banter, Colbert hit Reeves with a big question: “What do you think happens when we die, Keanu Reeves?” “I know that the ones who love us will miss us,” Reeves replied. The answer got a round of applause from both the live audience and Colbert, and it went on to inspire one of the best segments of the show, *The Colbert Questionert*. ## The ‘Lord of the Rings’ Rap (2021) If you’re a fan of Colbert, then you know that he doesn’t play when it comes to *[The Lord of the Rings](https://rollingstonephilippines.com/tag/the-lord-of-the-rings/ "The Lord of the Rings")* (his next gig after late-night is, in fact, [writing the franchise’s next movie](https://rollingstonephilippines.com/culture/film/stephen-colbert-lord-of-the-rings-movie/ "Stephen Colbert is Writing a New ‘Lord of the Rings’ Movie")). To celebrate the 20th anniversary of Peter Jackson’s movie trilogy, Colbert tapped most of the trilogy’s original cast members — Elijah Wood, Sean Astin, Billy Boyd, Dominic Monaghan, Hugo Weaving, Andy Serkis, Orlando Bloom, and Viggo Mortensen — for a Tolkien-inspired rap music video. Is the rap a little cringe? Yes. But game respects game, and everyone involved is definitely committed to the bit. ## Will Ferrell, Exotic Animal Expert (2016) Will Ferrell’s been on the show a few other times, but his most memorable eight minutes have to be when he rolls up in safari khakis to introduce us to a set of “the rarest and most endangered animals in the world.” Cue to the *[Saturday Night Live](https://rollingstonephilippines.com/tag/saturday-night-live/ "Saturday Night Live")* alum pulling out a kitty cat (or “Mulan the short-spined Peruvian mongoose”), a guinea pig (“a Mongolian bush tiger”), and a goose (“a duck-bodied platypus”). ## Maria Ressa on The Decline of Freedom of Speech (2022) Fresh after announcing the release of her book, *How to Stand Up to a Dictator*, [Maria Ressa](https://rollingstonephilippines.com/tag/maria-ressa/ "Maria Ressa") visited Colbert to talk about former president [Rodrigo Duterte’s](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte") war on drugs, the violence and deaths surrounding it, and the loss of freedom of speech both in the Philippines and around the world. “You don’t really know what freedom means until you’re about to lose it,” the Nobel Peace Prize-winning journalist told Colbert. “\[It’s a\] death by a thousand cuts. You get a paper cut, and you look away, and it’s bleeding… I think what is happening to the body politic of democracy globally is that we’re getting thousands of cuts and we’re bleeding out, but we don’t notice it because each little cut is just so tiny.” ## Andrew Garfield on Death and Grief (2021) When Andrew Garfield came onto the show to promote *tick, tick… BOOM!*, his interview could have easily just been him singing acapella to “Boho Days” and dishing about Lin-Manuel Miranda. But Colbert pushed Garfield a little further by asking him how he was doing with the recent loss of his mother. “We never get enough time with each other,” Garfield told Colbert. “I hope this grief stays with me because it’s all the unexpressed love that I didn’t get to tell her.” The actor isn’t the first to speak candidly about life and death on Colbert’s couch, but Garfield’s answers are a testament to just how effective an interviewer Colbert can be. ## Stephen Helps Barack Obama Polish His Résumé (2016) Ahead of former U.S. President Barack Obama leaving office after his second term, Colbert sat down with him to help prepare him for the job market. Dressed up in a fake moustache and a name tag labeled “Randy,” Colbert proceeded to mispronounce the president’s last name (“‘Obamer?’”), questioned him on his place of birth, and added “efficient in Microsoft Excel” to his résumé. ## Joe Biden on the Loss of His Son (2015) In 2015, back when Joe Biden was still Obama’s vice president, he hopped onto the show to talk to Colbert about why he wasn’t running for the 2016 presidential election. Eventually, though, Colbert gently started to ask him about losing his son Beau to cancer and how he’s coming to terms with his grief. “My dad… used to say, ‘You know your success as a parent when you look at your child and realize that they’ve turned out better than you,’” said Biden. “I was a hell of a success because my son was better than me in almost every way.” ## Dua Lipa Interviews Stephen About Faith and Comedy (2022) Back when [Dua Lipa](https://rollingstonephilippines.com/tag/dua-lipa/ "Dua Lipa") was promoting her Service95 book club, Colbert offered to flip the tables for the evening and answer the pop star’s interview questions instead. Dua asked him if his faith and comedy ever overlapped, and if one ever wins out over the other. “Ultimately, us all being mortal… the faith will win out in the end,” joked Colbert, “but I certainly hope that when I get to heaven, Jesus has a sense of humor!” But after a few more jokes, the late-night host gave a more genuine response. “If there’s some relationship between my faith and my comedy, it’s that no matter what happens, you are never defeated,” he said. “You must see this all in the light of eternity, and find some way to love and laugh with each other.” ## David Letterman Tells CBS Off (2026) *The Late Show*’s creator stopped by the Ed Sullivan Theater for one of Colbert’s final nights, and he had things to say about the show’s cancellation. “A guy comes over and he says he’s from CBS, and then he fired me,” joked Letterman to the crowd. “I will say that I have every right to be pissed off. This theater, you folks wouldn’t be here if it weren’t for me, and Stephen wouldn’t be here if it weren’t for me… As we all understand, you can take a man’s show, but you can’t take a man’s voice. And that’s the good news indeed.” ## Frequently Asked Questions ### How long did ‘The Late Show with Stephen Colbert’ run? *The Late Show with Stephen Colbert* aired for 11 years on CBS, with Stephen Colbert taking over the franchise in 2015 following David Letterman’s departure from *The Late Show*. ### When is Stephen Colbert’s final episode airing? Stephen Colbert’s final episode is scheduled to air on May 21 at 11:35 p.m. Eastern Time from the Ed Sullivan Theater in New York City. ### Which guests appeared during the show’s final week? The farewell week featured major guests including Jon Stewart, Steven Spielberg, and Bruce Springsteen, along with a special performance of “Burning Down the House” by David Byrne and Colbert. ### What was one of the show’s most memorable emotional interviews? One standout moment came when Keanu Reeves answered Colbert’s question about death by saying, “I know that the ones who love us will miss us.” Another widely praised interview featured Andrew Garfield discussing grief and the loss of his mother. ### How did Stephen Colbert blend comedy with serious conversations? The show became known for balancing humor with thoughtful discussions about grief, faith, politics, and democracy. Guests like Maria Ressa, Joe Biden, and Dua Lipa shared deeply personal reflections in conversations that went beyond traditional late-night comedy. ### What made Stephen Colbert’s hosting style unique? Colbert combined sharp satire, emotional intelligence, and genuine curiosity as an interviewer. Whether joking with Barack Obama about résumés or creating a comedic *The Lord of the Rings* rap with the cast, he consistently mixed sincerity with absurd humor in a way that resonated with audiences for over a decade. Related Stories - [Stephen Colbert is Writing a New ‘Lord of the Rings’ Movie](https://rollingstonephilippines.com/culture/film/stephen-colbert-lord-of-the-rings-movie/ "Stephen Colbert is Writing a New ‘Lord of the Rings’ Movie") - [Why the End of Stephen Colbert’s ‘Late Show’ Marks a Loss of American Hope](https://rollingstonephilippines.com/culture/somber-goodbye-late-show-stephen-colbert/ "Why the End of Stephen Colbert’s ‘Late Show’ Marks a Loss of American Hope") - [Capitalism Wins Again As ‘The Late Show With Stephen Colbert’ is Cancelled](https://rollingstonephilippines.com/editors-picks/commentary/the-late-show-with-stephen-colbert-cancelled/ "Capitalism Wins Again As ‘The Late Show With Stephen Colbert’ is Cancelled") **Categories:** Culture, TV **Tags:** Stephen Colbert, The Late Show With Stephen Colbert --- ### [Why the End of Stephen Colbert’s ‘Late Show’ Marks a Loss of American Hope](https://rollingstonephilippines.com/culture/somber-goodbye-late-show-stephen-colbert/) **Published:** May 21, 2026 **Author:** Jonty Cruz **Excerpt:** With the end of Stephen Colbert’s ‘The Late Show,’ fans lose more of what little hope we have for America **Content:** I used to think comedy could save the world. Or at the very least, it could help set things right again. I was in my late teens, at the height of my naivete, when all my angsty optimism craved some form of hero or inspiration, an anchor to ground my beliefs and perspectives. I found that through comedy. Specifically in the forms of [Jon Stewart](http://jon%20stewart), [Tina Fey](http://tina%20fey), and most of all, [Stephen Colbert](http://stephen%20colbert). I had always been a fan of late-night talk shows growing up. Staying up late at night watching reruns of *Late Night with Conan O’Brien*, something attracted me to that world besides mere mindless entertainment. And as I grew older, I began to watch more and more late-night shows and imagined what it would be like to have that kind of late-night talk show here in the Philippines. Hoping it will be just like the ones in America. As I started watching *The Daily Show with Jon Stewart*, that attraction became an obsession. Watching it every night became a religious devotion. If my parents woke up early every morning to go to church, I would wait all night for the Limewire downloads to finish and stay up late to watch them all. My love for *The Daily Show* eventually led me to *The Colbert Report*. And for any devotee waiting for a sign, I found my god in a middle-aged Catholic dad named Stephen Colbert. ![Late night show host Stephen Colbert on the cover of Rolling Stone magazine](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/3983049615b384e73fe0cdb5f127823d.webp) Stephen Colbert on the cover of *Rolling Stone* in 2018. Photo from Rolling Stone *The Colbert Report* was everything I wanted. It poked fun at conservative media by way of [Conan O’Brien](https://rollingstonephilippines.com/tag/conan-obrien/ "Conan O'Brien")’s brand of absurdity. It didn’t punch down to anyone, it wasn’t heavy-handed in its lecturing, and it embraced the silliness that only comedy can provide. I would think about it nonstop, whether I was at home or at school. It changed how I thought and made me want to be a better writer. Who knew that a 30-minute comedy talk show that would often feature a reporter from [Slate.com](http://slate.com/) would be the biggest affirmation of what I wanted to do in life? The peak of *The Colbert Report* coincided with [Barack Obama](https://rollingstonephilippines.com/tag/barack-obama/ "Barack Obama")’s America. When it seemed like hope was all around us, and that once again the United States was the promised land for a new generation looking for something better. Visiting New York became a pilgrimage. I’d stop by my favorite bookstores, museums, and theaters to pretentiously pay my respects. And every chance I’d get, I’d tell myself that one day I’d live here and I’d be working for a late-night talk show. I didn’t want anything else. “New York or nothing,” as they say. When Colbert announced that he would be leaving *The Colbert Report* to become the new host of *The Late Show*, succeeding *the* David Letterman, it felt like a victory lap. It was a passing of the torch from one GOAT to the next. As sad as I was that his show was ending, *The Late Show* gig felt like a well-deserved reward at the end of the road. It felt like the next step in my parasocial relationship with my favorite Catholic in the world. In the early months of 2016, I booked a trip to New York to hopefully watch *The Late Show with Stephen Colbert* live. But not just any random episode. I wanted to be part of the show’s election night special and see Stephen Colbert announce Hillary Clinton as the next — and first female — president of the United States of America. That trip turned out to be some of the most depressing days of my life and the beginning of the end of my love affair with all things America. ![A young Jonty Cruz at a taping of The Late Show with Stephen Colbert in 2016, posing with a standee of the show's host](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/Caption_-A-young-Jonty-Cruz-at-a-taping-of-The-Late-Show-with-Stephen-Colbert-2.webp) A young Jonty Cruz at a taping of *The Late Show with Stephen Colbert* in 2016. After a bumpy start, *The Late Show* became the number one show on late-night television, but it paid a hefty cost. The show, while successful in the ratings, never reached the comedic heights of *The Colbert Report*. Colbert, from being the silliest and wittiest host on late night, became sort of a respectful comedy ambassador to his audience as he made sense of the first Trump administration. Maybe that was what we needed and *he needed* at that time. From 2016 to 2022, Trump became the focus of Colbert’s brand of satire. A daily target to dissect and discern. It worked and it was fun at times but was it really what Colbert wanted to do every night? Then came Trump’s second term. And despite all the talent in the world, jokes are never funnier the second time around. Everything felt heavier and more dire and I could barely recall moments when I’d cry laughing or even give the slightest chuckle. Far from how I first saw Colbert as this Christ-like figure in the pulpit, watching Colbert go through the Trump administration all over again felt like seeing a tired old mentor trying to do his best in the midst of an existential crisis. ## Why Colbert’s Late Night Tenure Focused on Mortality and Grief Perhaps that’s why so much of Colbert’s tenure at *The Late Show* dealt with and was defined by mortality. What went viral for Colbert’s show weren’t pedantic celebrity games but meaningful and genuine conversation on loss, grief, and a sense of spirituality that separated him from everyone else at late night. From then-[Vice President Joe Biden sharing his process dealing with grief](https://www.youtube.com/watch?v=ls31TkGSQGA), or [Keanu Reeves’ succinct answer to “what happens when we die?](https://www.youtube.com/watch?v=oNu6NyMkp8k)” or [Nick Cave’s meditation on hope against cynicism](https://www.youtube.com/watch?v=G8qmV6MYCF4), if nothing else, *The Late Show with Stephen Colbert* helped us prepare for its own demise in the most human of ways. In a recent piece on *The Atlantic*, writer David Sims called Colbert’s brand of late night “a calming counterbalance to Jimmy Fallon’s bite-size-clip harvesting.” That put it nicely. Colbert was never one to sacrifice himself for one viral soulless clickbait moment after another. He offered a respite from that. And maybe that wasn’t sustainable or “optimal” as the network executives would have you believe when they killed the show for financial reasons, but isn’t it worth it to do something good for however briefly than to live a life trudging along selling shit all day? Like I said, the end of *The Colbert Report* was a celebratory victory lap. This one feels like a death march. But who says you can’t find some rebellious joy in that too? In his last week on air, Colbert danced alongside David Byrne to “Burning Down the House” at the Ed Sullivan Theater, raging against the dying of the light. ## The End of an Era: Final Tributes and the Future of Political Satire I’ve made peace with this era of Colbert ending and I look forward to what he does next. But that doesn’t mean I’ll forget all that he did for me almost 20 years ago nor the longing and joy I had for some fleeting promise of American hope. So as I, and so many others, say goodbye to Colbert and all that he’s done, it seems fitting to quote the man himself when he paid tribute to Jon Stewart on his last day at *The Daily Show*, and let Colbert have the final *Word*. “Here’s the thing, Jon. You said to me, and to many other people here years ago, never to thank you, because we owe you nothing. It is one of the few times I’ve known you to be dead wrong. We owe you, and not just what you did for our career, by employing us to come on this tremendous show that you made, we owe you because we learned from you. We learned from you by example, how to do a show with intention, how to work with clarity, how to treat people with respect. You were infuriatingly good at your job. And all of us who were lucky enough to work with you for 16 years are better at our jobs because we got to watch you do yours. And we are better people for having known you. You are a great artist and a good man, and personally, I do not know how this son of a poor Appalachian turd miner… I do not know what I would do if you hadn’t brought me on this show. I’d be back in those hills, mining turds with pappy. You know by now I’d have ‘dung-lung’ Jon, and it’s almost over. I know you are not asking for this, but on behalf of so many people whose lives you changed over the past 16 years, thank you. And now, I believe your line, and correct me if I’m wrong, is… We’ll be right back.” ## Frequently Asked Questions ### When is the last episode of ‘The Late Show with Stephen Colbert’? *The Late Show with Stephen Colbert*, a franchise that started with David Letterman, ended its more than 10 years on air on May 21, 2026. The first episode aired on September 8, 2015. ### Why is ‘The Late Show with Stephen Colbert’ ending? The news of its cancellation was a shock to many and sparked an uproar across social media. While a lot of speculation is focused on pressure from the Trump administration, the official cause was largely due to financial reasons, according to network executives. ### What were some of the best moments of ‘The Late Show with Stephen Colbert’? *The Late Show with Stephen Colbert* became known for great interviews. Some of the best moments were his interviews with then-Vice President Joe Biden and his interview with Dua Lipa in February 2022. ### Who are some of Stephen Colbert’s favorite guests on ‘The Late Show’? Stephen Colbert has featured many guests across his over 10 years as the host of *The Late Show* from celebrities, to politicians, to athletes. Some of his favorite guests were John Mulaney, John Oliver, and Neil deGrasse Tyson. ### What is Stephen Colbert known for? Stephen Colbert is known as a correspondent on *The Daily Show* with Jon Stewart and as the host of *The Colbert Report* and *The Late Show.* He is also famous for his speech at the White House Correspondents’ Dinner back in 2006. Related Stories - [Stephen Colbert is Writing a New ‘Lord of the Rings’ Movie](https://rollingstonephilippines.com/culture/film/stephen-colbert-lord-of-the-rings-movie/ "Stephen Colbert is Writing a New ‘Lord of the Rings’ Movie") - [Capitalism Wins Again As ‘The Late Show With Stephen Colbert’ is Cancelled](https://rollingstonephilippines.com/editors-picks/commentary/the-late-show-with-stephen-colbert-cancelled/ "Capitalism Wins Again As ‘The Late Show With Stephen Colbert’ is Cancelled") - [What’s in Store For Stephen Colbert and His Last Week on Late Night?](https://rollingstonephilippines.com/culture/tv/stephen-colbert-late-show-final-guests/ "What’s in Store For Stephen Colbert and His Last Week on Late Night?") **Categories:** Culture, Editor's Picks, Opinion, TV **Tags:** Stephen Colbert, The Late Show With Stephen Colbert --- ### [LOOK: These New Collectibles Capture the Chaotic Energy of Gen Z Workplaces](https://rollingstonephilippines.com/radar/zus-buddy-zus-coffee-collectibles/) **Published:** June 17, 2026 **Author:** Precy Tan **Excerpt:** ZUS BUDDY by ZUS COFFEE Philippines leans into the Gen Z workplace mood with a new collectible drop, echoing how adulthood often feels like figuring yourself out in pieces. **Content:** Collectibles have become a steady presence in [Gen Z](https://rollingstonephilippines.com/tag/gen-z/ "Gen Z") lifestyle, moving from niche collectibles to enviable social media content. The format is simple: trendy series, ASMR unboxings, and the anticipation of what is inside. This appetite for “curated randomness” is another defining snapshot of “young professionals” today. The workplace experience for a generation trying to “have it all” is full of contradictions. But there is, too, a certain chaos that shapes how things get done. ![](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/06/zus-buddy-collectibles.webp) It is in this atmosphere that “ZUS BUDDY: Work in Progress” by ZUS COFFEE Philippines enters the conversation. A new drop from the coffee chain, the series reflects how early-career workers move through adulthood in fragments, balancing ambition, pressure, and small wins. Designed like something you would find on a work desk mid-deadline or tucked beside a half-finished planner, it captures the ongoing process of figuring things out. ### **Your New Desk Companion** Each character is built around recognizable workplace behavior. There is the overthinker who pushes through deadlines while mentally replaying every detail; the consistent achiever who delivers without making noise about it; and the caffeine-driven multitasker. The lineup also includes surprise characters that reflect the unpredictability of work routines, where both plans and priorities change without warning. As the name suggests, the campaign is closer to a work in progress. ZUS BUDDY becomes a way of looking at how people rely on everyday routines to stay grounded. Even simple moments, like getting coffee or unboxing a mystery box, become part of that rhythm. This approach aligns with ZUS COFFEE Philippines’ positioning around accessibility. Coffee is treated as part of the daily flow rather than an occasional treat, something that fits into routines that are constantly shifting but still need structure. With every coffee run, there’s a desk companion that comes along for the ride. Each collectible is available through purchases of drinks or bottled options, with companion pieces offered at different price tiers. *To learn more about ZUS BUDDY: Work in Progress, visit ZUS COFFEE Philippines’ official social media pages on [Instagram](https://www.instagram.com/zuscoffee.ph/?hl=en), [Facebook](https://www.facebook.com/ZUSCoffeePH/), and [TikTok](https://www.tiktok.com/@zuscoffeeph)*. ## Frequently Asked Questions ### What is ZUS BUDDY? ZUS BUDDY: Work in Progress is a collectible series from ZUS COFFEE Philippines, introduced in June 2026. Designed as desk companions, the figures are built around recognizable workplace behavior and reflect how early-career workers move through adulthood in fragments, balancing ambition, pressure, and small wins. ### What characters are in the ZUS BUDDY lineup? The ZUS BUDDY lineup includes Portal Pal, Blue Buddy, Bean Boss, Mama Puff, Zen Cha, Choco Chipster, Frappe Fren, and Pinky Boo. Each is modeled on a workplace type — the overthinker, the quiet consistent achiever, and the caffeine-driven multitasker among them. ### How do you get a ZUS BUDDY collectible? Each ZUS BUDDY collectible comes with a purchase from ZUS COFFEE Philippines, either a drink or a bottled option, with companion pieces offered at different price tiers. The series follows a blind box format, so buyers only learn which character they received after unboxing. ### Are there surprise characters in the series? Yes. Beyond the named figures, the lineup includes surprise characters meant to reflect the unpredictability of work routines, where plans and priorities shift without warning. That element of chance is central to the blind box format the series is built on. ### Why are blind box collectibles popular with Gen Z? Blind boxes have moved from niche hobby to mainstream social media content, driven by trendy series, ASMR unboxings, and the suspense of what’s inside. Rolling Stone Philippines describes this appetite for “curated randomness” as a defining snapshot of how young professionals unwind today. **Categories:** Radar **Tags:** Zus Buddy, Zus Coffee --- ### [Cayetano’s First Week as Senate President is ‘Embarrassing,’ But Can He Bounce Back?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/cayetano-senate-president-first-week-crisis-duterte-impeachment/) **Published:** May 21, 2026 **Author:** Pie Gonzaga **Excerpt:** Mara Cepeda, Christian Esguerra, Chiara Zambrano, and Bea Cupin weigh in on Cayetano’s first week as Senate president and where they expect Duterte’s impeachment proceedings to go **Content:** Too much has happened in Senator [Alan Peter Cayetano](https://rollingstonephilippines.com/tag/alan-peter-cayetano/ "Alan Peter Cayetano")’s first week as [Senate](https://rollingstonephilippines.com/tag/senate/ "Senate") president. Between the [removal](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/senate-coup-sara-duterte-bato-dela-rosa/ "Senate Coup Recap: The Winners and Losers, From Bato to Sotto") of Sen. [Vicente “Tito” Sotto III](https://rollingstonephilippines.com/tag/tito-sotto/ "Tito Sotto") from the upper chamber’s leadership on May 11, the May 13 shootout, and [Sen. Bato dela Rosa’s reappearance](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/impeachment-court-convenes-without-bato-dela-rosa/ "As Impeachment Court Convenes, Should the Senate Majority Be Worried About Bato?") and return to hiding, the Senate began impeachment proceedings against Vice President [Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte") on a disgraceful note. “This is a very low point for the Senate as an institution, very shameful, very embarrassing — and to think na isang linggo pa lang tayo sa Cayetano presidency,” journalist and *Facts First* host Christian Esguerra tells *Rolling Stone Philippines*. Sotto’s ouster was widely speculated to have been motivated by Duterte’s impeachment, though Cayetano denies this. The coup was also marked by dela Rosa’s return to the Senate, after rumors of an arrest warrant against him issued by the International Criminal Court (ICC) pushed the ex-police chief into hiding in November 2025. When asked if Sotto’s unseating was expected, *The Straits Times* Philippine correspondent Mara Cepeda said, “We knew that they were going to try to assert control over the Senate leadership. And you really need to change the \[Senate president\] if you want to influence the outcome of the trial in favor of Sara \[Duterte\]. But we did not expect the extent of the chaos, the fear-mongering, and the violence that the Duterte bloc would go to, just to control what will be the outcome of the trial.” Conflict journalist Chiara Zambrano agrees, saying that the trial’s outcome is “a monumental consequence of the Senate presidency.” ## Senate Reputation and Integrity in Jeopardy ![senators joel villanueva, loren legarda, and rodante marcoleta](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/villanueva-legarda-marcoleta.webp) Senators Joel Villanueva, Loren Legarda, and Rodante Marcoleta are some of the known Duterte allies who make up the new Senate majority. Photo by Joseph Vidal/Senate of the Philippines/Facebook Dela Rosa’s reappearance was also cause for commotion on the day of the leadership shakeup. The ex-police chief faces an arrest warrant issued by the International Criminal Court (ICC), whose Pre-trial Chamber judges found reasonable grounds to believe that Bato dela Rosa is “allegedly criminally responsible as an indirect co-perpetrator” of killings related to Rodrigo Duterte’s war on drugs. Because of this, Cayetano granted dela Rosa the Senate’s debated “protective custody,” creating further tension between the upper chamber and the National Bureau of Investigation, which sought to serve dela Rosa his arrest warrant. Said tension came to a head in the May 13 shootout, initiated by the now-suspended Senate Sergeant-at-Arms Mao Aplasca. The exchange of gunfire that evening was promptly followed by dela Rosa’s escape from the Senate’s protective custody. Details of dela Rosa’s flight from authorities have gradually surfaced since the early hours of May 14. The Philippine National Police reported that dela Rosa and Sen. [Robin Padilla](https://rollingstonephilippines.com/tag/robin-padilla/ "Robin Padilla"), also a Duterte ally, were seen heading to the same white SUV in the Senate parking area just before the vehicle left the premises at 2:30 a.m., citing CCTV footage. “They’re using the state to protect one of their own and to protect Sara Duterte, which is something that we did not really expect the Senate to do,” Cepeda says. “We expected them not to be used or not to kowtow to one family, but they’re kneeling to the Dutertes. The ruling coalition there is going to use the institution to protect the vice president, not to hold her accountable, which puts them in doubt.” Expounding on his comment about Cayetano’s first week being a low point for the upper chamber, Esguerra says, “Many right-thinking senators also do not like what happened, and they’re not blind to the fact that this is all on Cayetano.” Zambrano says she can’t decide how she feels about the coup and the shootout. “If you’re optimistic, you can view it as a desperate move of a group that feels like its hold on power is starting to unravel. If you’re pessimistic, maybe realistic, it can also be viewed as remnants of Duterte power, or an actual showing of how much power remains in the Duterte name, inside the Marcos presidency.” ## Can the Senate Redeem Itself? ![senate convenese as impeachment court, takes oath, duterte impeachment](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/senate-impeachment-court-oath-taking.webp) Cayetano leads the oath-taking of the senator-judges, who swear to “do impartial justice according to the Constitution and laws of the Philippines.” Photo from Senate of the Philippines/Facebook Bea Cupin, a senior political reporter at *Rappler*, says that in discussing another leadership change, concerns regarding the Senate’s reputation would also have to be raised. “If they muster the numbers and they choose who they actually want to replace Alan Peter Cayetano, moving forward, how do you rehabilitate, or ensure that this doesn’t happen to the institution again?” she says. “Kasi may baseline ka na eh, na puwedeng ganito ang change of leadership at puwedeng mangyari ‘to sa Senate na nagkagulo-gulo. Making sure the standards that we expect for senators to act \[is heightened\] ulit, that’s one thing you have to ensure.” Cepeda says the Senate has a “chance to redeem itself after that chaotic May 13” with Duterte’s forthcoming impeachment trial. She says, “It has a chance to improve and tell the people, ‘What happened there, we didn’t want that. We’re going to assess based on the evidence.’ Or, they can just confirm now that the Senate it is now is not the Senate it was meant to be.” For Esguerra, what happens in the trial depends on “whether all the pieces of evidence would be allowed to be presented and how damaging they would be.” “Based on the evidence that came out in the House Justice Committee hearings, they’re pretty damaging, especially ‘pag binuksan na ‘yung bank accounts. The Senate impeachment court has the power to waive the secrecy of bank deposits, so doon magkakaalaman,” he says. Esguerra also emphasized that narratives on social media will also play a big role in the trial’s outcome. “\[Senators\] would have to listen to what the people or the public sentiment would be, and if it’s organic, they cannot ignore that. They cannot muffle those voices using their own inauthentic voices, using their troll armies. So evidence is key, kasi ‘pag ipapakita mo namang garapalan ‘yung pagnanakaw, paano mo namang i-a-acquit ‘yun?” ## Frequently Asked Questions ### Who is the current Senate president of the Philippines? Senator Alan Peter Cayetano became Senate president on May 11, 2026, after Sen. Vicente “Tito” Sotto III was removed from the upper chamber’s leadership. The change is widely linked to Vice President Sara Duterte’s impeachment proceedings, though Cayetano denies this motivation. ### Why was Tito Sotto removed as Senate president? Tito Sotto was ousted as Senate president on May 11, 2026, in a leadership coup widely believed to be motivated by the upcoming impeachment trial of Vice President Sara Duterte. Allies seeking to influence the trial’s outcome reportedly pushed for the change in leadership. ### What happened during the May 13 Senate shootout? The May 13 shootout was initiated by suspended Senate Sergeant-at-Arms Mao Aplasca during tensions between the Senate and the National Bureau of Investigation, which sought to serve Sen. Bato dela Rosa his ICC arrest warrant. Dela Rosa escaped shortly afterward. ### Why is Bato dela Rosa facing an ICC arrest warrant? Bato dela Rosa faces an International Criminal Court arrest warrant after Pre-Trial Chamber judges found reasonable grounds to believe he is criminally responsible as an indirect co-perpetrator of killings tied to Rodrigo Duterte’s war on drugs campaign. ### Can the Philippine Senate redeem itself after the Cayetano crisis? The Senate can redeem itself through the Sara Duterte impeachment trial by transparently evaluating evidence, allowing bank account disclosures, and resisting partisan pressure. Journalists say public sentiment and the admissibility of House Justice Committee evidence will be decisive factors. Related Stories - [As Impeachment Court Convenes, Should the Senate Majority Be Worried About Bato?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/impeachment-court-convenes-without-bato-dela-rosa/ "As Impeachment Court Convenes, Should the Senate Majority Be Worried About Bato?") - [Senate Coup Recap: The Winners and Losers, From Bato to Sotto](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/senate-coup-sara-duterte-bato-dela-rosa/ "Senate Coup Recap: The Winners and Losers, From Bato to Sotto") - [Amid Bato’s Absence, How Much is a Senator’s Salary?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/how-much-is-senators-salary/ "Amid Bato’s Absence, How Much is a Senator’s Salary?") **Categories:** Philippine Politics, State of Affairs **Tags:** Alan Peter Cayetano, Sara Duterte Impeachment, Senate --- ### [NewJeans Finally Comes Back Minus Danielle Marsh](https://rollingstonephilippines.com/music/newjeans-2026-comeback-minus-danielle-marsh/) **Published:** July 22, 2026 **Author:** Rolling Stone Philippines **Excerpt:** After nearly two years of controversies and court hearings, the “Ditto” and “Super Shy” girl group teases a 2026 summer comeback **Content:** [NewJeans](https://rollingstonephilippines.com/tag/newjeans/ "NewJeans") is finally back but at what cost? On the night of July 21 (PST), the internet blew up after NewJeans released their first comeback teaser since 2024. All under the banner campaign “2026 Summer of NewJeans,” five videos were released: one group teaser and one for each of the current members: Minji, Hanni, Haerin, and Hyein. Not much is revealed in each video except the visual theme of bunnies and ice cream that tied all the individual videos together. The comeback is bittersweet though as the absence of Danielle Marsh could not be dismissed. Around the same time the 2026 Summer of NewJeans teasers were released, Marsh posted a cryptic yet hopeful message on Instagram under her @dazzibelle account. “Life gets cloudy sometimes, but the light always finds its way back in,” the post began. “Until then, keep shining.” > [View this post on Instagram](https://www.instagram.com/p/DbDydHmFNq9/?utm_source=ig_embed&utm_campaign=loading)[A post shared by @dazzibelle](https://www.instagram.com/p/DbDydHmFNq9/?utm_source=ig_embed&utm_campaign=loading) Beyond the teasers, no further details have been released by ADOR or its parent company HYBE. As anticipation builds up, it is still unclear if NewJeans will stick to their unique visual and sonic signature that was nurtured by former ADOR CEO Min Hee-jin. Related Stories - [NewJeans Lose Court Appeal Against ADOR, Leaving Future in Limbo](https://rollingstonephilippines.com/music/pop/newjeans-lose-court-appeal-against-ador/ "NewJeans Lose Court Appeal Against ADOR, Leaving Future in Limbo") - [NewJeans Marks Fourth Anniversary Amid Legal Standoff With ADOR](https://rollingstonephilippines.com/music/newjeans-fourth-anniversary/ "NewJeans Marks Fourth Anniversary Amid Legal Standoff With ADOR") - [NewJeans Return to ADOR, But the Reunion Feels Uneasy](https://rollingstonephilippines.com/music/pop/newjeans-official-return-ador/ "NewJeans Return to ADOR, But the Reunion Feels Uneasy") **Categories:** Music, Pop **Tags:** NewJeans --- ### [Can the Philippines Keep Up with Global Ube Demand?](https://rollingstonephilippines.com/culture/food/ube-rising-global-demand-philippines/) **Published:** March 30, 2026 **Author:** Mel Wang **Excerpt:** Last year alone saw global demand for ube reach $3.06 million **Content:** Ube has long been a staple of Filipino cuisine, but it looks like the rest of the world has figured out what a delicacy the root crop can be. According to a recent report from [CNN](https://edition.cnn.com/travel/ube-purple-yam-philippines-trend-spc), almost 1.7 million kilograms of ube and ube-based products were exported from the Philippines last year, with nearly half the total amount ordered by the U.S. Earlier this February, the Department of Trade and Industry (DTI) also announced that international demand for the crop had generated $3.06 million (roughly P176,140,000) in 2025. DTI’s report went on to list the U.S., the U.K., and Italy as key markets. The rise in ube’s popularity in the U.S. can be attributed to restaurants, cafes, and coffee chains offering specialty drinks based on the vegetable. Earlier this March, for instance, Starbucks rolled out a spring menu in locations across Europe that features an ube vanilla velvet latte, an ube vanilla velvet matcha latte, and an iced ube vanilla macchiato. Last year, these same drinks were first piloted in U.S. Starbucks Reserve stores. > [View this post on Instagram](https://www.instagram.com/reel/DVhUqMIke5g/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Starbucks (@starbucks)](https://www.instagram.com/reel/DVhUqMIke5g/?utm_source=ig_embed&utm_campaign=loading) ## Meeting Demand However, the rising global demand for ube also raises concerns over whether or not Philippine farms can maintain their supplies. According to the *[Inquirer](https://business.inquirer.net/576736/ubes-global-appeal-takes-root "Inquirer")*, based on data released by the Philippine Statistics Authority, annual ube production has decreased from more than 15,000 tons in 2021 to roughly 14,000 tons over the past two years. But simultaneously, exports have quadrupled in that same amount of time, even requiring the Philippines to import ube from Vietnam to help meet demand. Countries within Asia, such as China and Vietnam, have also accelerated their own ube production to meet export demands. What’s more, farms must consider ube’s prolonged growth time, with the crop requiring 10 to 11 months after planting before it can be harvested. This cycle is also vulnerable to natural disasters, particularly typhoons. While it may be exciting to see ube get its global moment, it’s also important to raise questions about how this rising demand has affected farms, the profit that farmers may or may not make from this trending popularity, and if there’s enough of the vegetable to go around. ## Frequently ASked Questions ### How much ube did the Philippines export last year? The Philippines exported almost 1.7 million kilograms of ube and ube-based products last year, generating $3.06 million (around P176,140,000) in 2025, according to the Department of Trade and Industry. Nearly half of the total volume was ordered by the United States. ### Why is global demand for ube rising? Ube’s global rise is largely driven by U.S. and European cafes and coffee chains introducing ube-based drinks. Starbucks piloted ube vanilla velvet lattes in U.S. Reserve stores before rolling out ube drinks across European locations this spring. ### Can Philippine farmers keep up with rising ube demand? It’s uncertain. Philippine Statistics Authority data shows annual ube production fell from over 15,000 tons in 2021 to roughly 14,000 tons in recent years, even as exports quadrupled in the same period — forcing the Philippines to import ube from Vietnam. ### How long does it take to grow ube? Ube requires 10 to 11 months after planting before it can be harvested. This lengthy growth cycle makes supply vulnerable to natural disasters, particularly typhoons, which can disrupt harvests and further strain the Philippines’ ability to meet export demand. ### Which countries besides the Philippines are increasing ube production? China and Vietnam have both accelerated their own ube production to help meet rising global export demand, positioning themselves as additional suppliers alongside — and in Vietnam’s case, even supplementing — the Philippines’ own output. Related Stories - [Here are the DOLE Holiday Pay Rules for 2026](https://rollingstonephilippines.com/state-of-affairs/dole-holiday-pay-rules-2026/ "Here are the DOLE Holiday Pay Rules for 2026") - [With Skyrocketing Oil Prices, It May Be Time to Work from Home Again](https://rollingstonephilippines.com/state-of-affairs/transportation-state-of-affairs/oil-price-hike-work-from-home/ "With Skyrocketing Oil Prices, It May Be Time to Work from Home Again") - [‘QC Stories’: An Honest Look at Manila’s Busiest City](https://rollingstonephilippines.com/culture/books/qc-stories-book-do-good-studio/ "‘QC Stories’: An Honest Look at Manila’s Busiest City") **Categories:** Culture, Food **Tags:** Ube --- ### [Justin Bieber’s Weird ‘Everything Hallelujah’ Song Gets 240 Percent Streaming Bump After World Cup](https://rollingstonephilippines.com/music/pop/justin-bieber-everything-hallelujah-world-cup-streams-spike/) **Published:** July 22, 2026 **Author:** Maya Georgi **Excerpt:** Some people thought the track didn’t match the vibe of the championship game, but it saw a huge spike in listeners **Content:** No one really knew what to make of [Justin Bieber](https://rollingstonephilippines.com/tag/justin-bieber/ "FIFA World Cup 2026")‘s pared-down performance at the [2026 FIFA World Cup](https://rollingstonephilippines.com/tag/fifa-world-cup-2026/ "FIFA World Cup 2026") [halftime show](https://rollingstonephilippines.com/music/news/shakira-madonna-bts-world-cup-halftime/ "Shakira, Madonna, and BTS to Headline the First World Cup Halftime Show"), especially the confusing song selection “Everything Hallelujah.” On Sunday afternoon, Bieber dove into the head-scratcher on an acoustic guitar after he was introduced by Jason Sudeikis in character as Ted Lasso. But, as it turns out, the strange choice paid off: The 2025 song just saw a 240 percent spike in global streams on Spotify, according to data shared with *[Rolling Stone](https://rollingstonephilippines.com/tag/rolling-stone/ "Rolling Stone")*. It’s not *that* surprising of a development. “Justin Bieber song hallelujah” and “Justin Bieber hallelujah song” are the top two queries under the musician’s name on [Google Trends](https://trends.google.com/explore?geo=US&hl=en-US&q=justin%2520bieber&date=now%201-d). Maybe folks were turning to Spotify to confirm that the *Swag II* song was, in fact, part of Bieber’s discography and not some obscure Christian-rock track. The streaming hike also comes after some viewers [criticized](https://x.com/JordanUhl/status/2078936160856924628?s=20) Bieber’s decision to perform “Everything Hallelujah” on acoustic guitar, which didn’t seem to fit into such a big spectacle sports moment. Some people thought he’d sing one of his recent hits, like “Yukon,” or pop classics like “Baby.” “Justin Bieber saw people having fun and said let me do a boring song and ruin the vibe for everyone,” [wrote](https://x.com/paulstevex/status/2078935306665955663?s=20) one X user. Earlier this year, Bieber also saw a huge streaming [surge](https://www.rollingstone.com/music/music-news/justin-bieber-streams-surge-coachella-1235547006/) following his [headlining performance](https://www.rollingstone.com/music/music-live-reviews/justin-bieber-performance-coachella-2026-1235543481/) at [Coachella 2026](https://rollingstonephilippines.com/tag/coachella-2026/ "Coachella 2026"). The star experienced his biggest streaming day of the year at that point on Spotify on April 12 with 24.6 million streams. Nearly a month after the music festival, Bieber was still experiencing a streaming bump, [amassing](https://www.rollingstone.com/music/music-news/justin-biebers-spotify-monthly-listeners-coachella-1235557948/) 140 million listeners in just a few weeks. *This article was originally published on [**rollingstone.com**](https://www.rollingstone.com/music/music-news/justin-bieber-world-cup-everything-hallelujah-streams-spike-1235596096/).* Related Stories - [Justin Bieber, Shakira, Madonna, BTS Deliver Electric Halftime Set at World Cup Final](https://rollingstonephilippines.com/culture/sports/justin-bieber-bts-shakira-madonna-performance-world-cup/ "Justin Bieber, Shakira, Madonna, BTS Deliver Electric Halftime Set at World Cup Final") - [Justin Bieber Puts His Past and Present Side by Side at Coachella](https://rollingstonephilippines.com/music/hiphop-rnb/justin-bieber-coachella-youtube/ "Justin Bieber Puts His Past and Present Side by Side at Coachella") - [5 Underrated Holiday Songs to Break Up the Philippine ‘Ber Months Routine](https://rollingstonephilippines.com/music/5-underrated-filipino-holiday-songs/ "5 Underrated Holiday Songs to Break Up the Philippine ‘Ber Months Routine") **Categories:** Music, Pop **Tags:** Justin Bieber --- ### [DOH’s Albert Domingo Knows Never To Confuse Data with Interpretation](https://rollingstonephilippines.com/state-of-affairs/albert-domingo-doh-undersecretary/) **Published:** July 16, 2026 **Author:** Mara Cepeda **Excerpt:** Domingo speaks for the DOH at a moment when the institution is still rebuilding trust after years of scandal. Earning back that trust, he says, comes down to one discipline: never confusing data with interpretation **Content:** [Department of Health](https://rollingstonephilippines.com/tag/department-of-health/ "Department of Health") (DOH) Undersecretary Albert Domingo has one request for his executive assistant before the *Rolling Stone Philippines* interview started: Please remember where you put each pile of paperwork. The mounds of documents on his desk are then moved to the shelf beside it to make room for this writer’s recorder and notebook. But the arrangement matters to Domingo. Each stack has a place in a mental map that only he can read: this pile is urgent or “life or death,” this one can wait, that one is FYI. His executive assistant nods. Nothing will be misplaced. It is exactly how he runs everything else. Domingo is the kind of person who holds more information than anyone else in the room suspects, and has a system for all of it. The paperwork never ends, he says, but what matters is knowing, at a glance, what goes where. This is the man the DOH sends out to face the cameras. Domingo is 43, young-looking, and aware of it. He is a physician, a public health expert, a former World Health Organization (WHO) consultant, former PhilHealth vice president and spokesman, a three-year law school dropout, a high school debate champion, a campus photojournalist, and a licensed indoor cycling instructor who teaches three classes a week. None of it was planned. All of it, somehow, prepared him to become DOH spokesperson. His appointment as undersecretary under the Marcos administration carries not just the spokesperson function but oversight of six bureaus, two divisions, and the title of chief of staff to Health Secretary Ted Herbosa. “What I’m about to say is not a flex,” he says, then proceeds to rattle off every role anyway. But the experience that shaped him most is not on any CV. His 80-year-old mother has dementia and Parkinsonism, and can no longer speak. He has learned to read her in other ways: the slight relaxation of a shoulder, the flicker of a smile. “There’s always a new disease out there. But as a doctor, parang kami ‘yong nag-de- decide… ‘Ito, kailangan malaman ng tao ito.’” Albert Domingo He reads reporters the same way. He can tell when one hasn’t done their research. He knows when someone is fishing for a soundbite. He watches himself back after every interview, his voice, the framing of his face, his body language. “You have to see how you sound and how you look,” he says. “And you take it as feedback.” What started out as discipline has become, over time, something closer to craft. “When we’re having a conversation, it’s \[like\] having an intellectual game. There are tons of data I’m holding on to, but I cannot just release it like a floodgate,” says Domingo. “There’s always a new disease out there. But as a doctor, parang kami ‘yong nag-de- decide… ‘Ito, kailangan malaman ng tao ito.’” Part of that craft, Domingo says, is knowing what not to say. The discipline came early, from Dr. Susan Mercado, a Filipino public health veteran and former WHO Western Pacific official widely respected for her ability to bridge science and communication. When Domingo was an intern there, she pulled him aside. “Albert,” Domingo remembers his mentor telling him, “if this is the career you want — meaning WHO, international civil servant — then you’re no longer entitled to broadcast your own personal opinion. Because your clients will be from all sides.” Domingo took it to heart. Comb through his social media from 2015 onward, he says, and you will find nothing partisan. He means it as a point of professional pride. ![doh undersecretary albert domingo portrait](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/doh-undersecretary-albert-domingo-portrait.webp) It is not an easy thing to do. Domingo speaks for the DOH at a moment when the institution is still rebuilding trust after years of scandal, from Dengvaxia to COVID-19 to [PhilHealth](https://rollingstonephilippines.com/tag/philhealth/ "PhilHealth") corruption. Earning back that trust, he says, comes down to one discipline: never confusing data with interpretation. “You may have editorialized versions of the truth, iba ‘yon. Pero ‘pag sinabing facts and figures, these are facts and figures,” says Domingo. “And when you answer a question, dapat malinaw: are you giving data or are you giving an interpretation?” He is also clear about what he is not. “People think that we’re propaganda machines. I will say that is a misconception, especially with technical agencies like the Department of Health,” Domingo says. “I will never lie. But pay attention to the questions being asked of me. Because if the questions are incomplete, hindi ko naman ibibigay ‘yong tamang sagot kasi mali ‘yong tanong e.” That philosophy was put to the test in June, when Herbosa’s department’s order to upgrade Domingo’s economy class ticket to business class for the 79th World Health Assembly in Geneva made headlines. Domingo has not issued a public statement, except here, in this interview, to *Rolling Stone Philippines*. “I welcome the push for an investigation as that will clarify government regulations and procedures,” he says, the cadence unhurried, the tone almost clinical. “Looking forward to it.” The upgrade, he explains, was within budget and within regulation. The delegation arrived on a Saturday with meetings starting Sunday morning. “I’m not after the perks. It’s not after the privilege. I’m just asking, ‘Please let me rest while I’m in-flight.’” He reaches, instinctively, for an analogy. Think of it like an airplane, he says. Economy and business class both get you to the same destination. But if your schedule requires you to work the moment you land, the calculation changes. “Eh paano ‘pag landing mo, biglang trabaho ka agad? Kailangan ko magpahinga.” The trip, he adds, produced results: the Netherlands Minister of Health agreed to assist 38 Filipino seafarers then-under quarantine after a Hantavirus outbreak that killed three passengers aboard the Dutch-operated cruise ship MV Hondius. “‘Yong output ko, kailangan worth it or even more than that business class ticket,” he says. “I’m very confident na ‘yong naiuwi namin will actually redound to policies that will translate to quantifiable benefits for the Filipino people,” Domingo says. As spokesperson, he simply presents the facts and waits for the room to catch up. His working relationship with Herbosa follows the same logic. The DOH chief is a trauma surgeon: cool, calm, oriented, the kind of person who triages before he reacts. “Kahit i-barrage pa siya ng sari-saring issue, mag-ti-triage siya. This one is important, this one is not, this one is for tomorrow, and he practices it.” Outside the office, Domingo is also a church lector who serves every Sunday morning. “Part of our training as a lector is, you proclaim the word; you are not the word,” he says. “Which means, yeah sure, galingan mo ‘yong pagbasa mo, maayos ‘yong boses. Pero ‘wag kang magsusuot ng flashy garb or ‘wag kang masyadong magaslaw kumilos. Because it’s not about you; it’s about what you’re reading.” It’s the same principle that governs everything else in Domingo’s domain, from the piles of paperwork in his office to the careful calibration of what he says and doesn’t say in front of the camera. Because, for DOH Undersecretary Albert Domingo, the room can always be rearranged. But he will always know exactly where things stand. *This story first appeared in the Rolling Stone Philippines’ Voices Issue, now available on [Sari-sari Shopping](https://www.instagram.com/sarisari_shopping/) and in major newsstands.* *Get digital access to the latest issue [here.](https://rollingstonephilippines.com/digital-access/)* ## Frequently Asked Questions ### Who is Albert Domingo, the DOH Undersecretary and spokesperson? Albert Domingo is a physician, public health expert, and DOH Undersecretary serving as the Department of Health’s spokesperson under the Marcos administration. A former WHO consultant and PhilHealth vice president, he also oversees six bureaus and two divisions and serves as chief of staff to Secretary Ted Herbosa. ### What does Domingo mean by never confusing data with interpretation? For Domingo, it means clearly separating verifiable facts and figures from editorialized readings of them. As DOH spokesperson, he insists on signaling whether an answer presents raw data or an interpretation — a discipline he sees as central to rebuilding public trust in the institution. ### Why is the Department of Health working to rebuild public trust? The Department of Health has faced years of scandal that eroded public confidence, including the Dengvaxia vaccine controversy, its pandemic-era COVID-19 response, and PhilHealth corruption. Domingo speaks for the agency at a moment when restoring credibility with the Filipino public is a central challenge. ### What was the business class ticket controversy involving Albert Domingo? In June 2026, the DOH’s order to upgrade Domingo’s economy ticket to business class for the 79th World Health Assembly in Geneva drew public scrutiny. Domingo says the upgrade was within budget and regulation, and welcomes an investigation to clarify government travel procedures. ### What outcomes did Domingo’s Geneva trip produce? According to Domingo, the trip yielded concrete results: the Netherlands Minister of Health agreed to assist 38 Filipino seafarers then under quarantine following a Hantavirus outbreak that killed three aboard the Dutch-operated cruise ship MV Hondius. He argues the outcomes justified the travel cost. More from the Rolling Stone Philippines Voices Issue - [Mico Clavano Didn’t Ask to Be Assistant Ombudsman](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/mico-clavano-didnt-ask-to-be-assistant-ombudsman/ "Mico Clavano Didn’t Ask to Be Assistant Ombudsman") - [Rappler’s Pia Ranada Still Believes in the Promise of Journalism](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/pia-ranada-journalism-voices/ "Rappler’s Pia Ranada Still Believes in the Promise of Journalism") - [Atom Araullo is Willing to Take the Risk](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/atom-araullo-is-willing-to-take-the-risk/ "Atom Araullo is Willing to Take the Risk") **Categories:** Politics, State of Affairs **Tags:** Albert Domingo, Department of Health, Rolling Stone Philippines Voices --- ### [‘The Mandalorian and Grogu’ is Your Standard ‘Star Wars’ Fare](https://rollingstonephilippines.com/culture/film/the-mandalorian-and-grogu-star-wars-film-review/) **Published:** May 20, 2026 **Author:** Mel Wang **Excerpt:** Director Jon Favreau’s cinematic expansion of the series follows all the beats of a standard Star Wars story — which leaves a little more to be desired **Content:** You don’t need to have seen any episode of *The Mandalorian* to enjoy *[The Mandalorian and Grogu](https://rollingstonephilippines.com/tag/the-mandalorian-and-grogu/ "The Mandalorian and Grogu"),* but this is either the film’s greatest strength or weakness. The show’s third (and potentially last) season aired three years ago, and it threw a number of threats against its protagonists, Din Djarin ([Pedro Pascal](https://rollingstonephilippines.com/tag/pedro-pascal/ "Pedro Pascal")) and Grogu. After surviving pirates, cyborgs, and Moff Gideon (Giancarlo Esposito), the duo earns some well deserved peace and quiet, and it’s hard to see what else the series can throw at them. The finale wraps up nicely — so nicely, in fact, that LucasFilm decided to switch from making a fourth season to releasing a cinematic adventure instead. But despite this pivot, watching the latest film to join the Star Wars franchise feels a lot like watching a very long episode on the big screen. Now, there isn’t anything detrimentally wrong with *The Mandalorian and Grogu*. It follows the standard beats of an episode from the show: the Mandalorian is given a quest, which he embarks on with his tiny, Force-wielding adopted ward. Things go south, as usual, but not so south that our heroes can’t escape the clutches of the evil Empire. It’s a standard formula, one that’s also been the basis of the films in the trilogies, and it makes it all the easier to watch the movie without worrying about not understanding the series’ lore and Easter Eggs (of which there are quite a few, but again, don’t worry). The action scenes that unfold onscreen are definitely worth the trip to the cinema (especially onIMAX), and Ludwig Göransson goes so heavy on the cinematic scoring that it makes the stakes of each bar brawl, fist fight, and starship battles feel just a little higher. But just because *The Mandalorian and Grogu* meets all the requirements of a Star Wars movie does not mean that it’s the best. The Mandalorian — voiced and played by Pascal, but with stuntwork by Lateef Crowder and Brendan Wayne — is at his best when he’s*not* trying to be a stoic, cowboy-esque hero. The character comes to life in his subtler moments, whether he’s strapping Grogu into a pilot seat or giving some much-needed advice to Rotta the Hutt ([Jeremy Allen White](https://rollingstonephilippines.com/tag/jeremy-allen-white/ "Jeremy Allen White")), but these moments are few and far between. Instead, they’re overshadowed by the spectacle of the film’s fight sequences, which will most likely appeal to a good chunk of fans, but the gravitas is lacking. However, the movie does have a few saving graces. Rotta the Hutt emerges as a surprisingly thoughtful character, despite… whatever White was trying to do as a voice actor (his voice was so monotone and so pitch-corrected that literally anyone could have played Rotta). And just before the final act, we get a good, long pause that takes us straight out of the excess action and into an interlude that harkens back to the awe and wonder of the original trilogy (think Luke learning how to use the Force in *The Empire Strikes Back*). But again, these glimpses into what *The Mandalorian and Grogu* could have been are not enough to deem it exceptional, and you may leave the cinema feeling like you could have streamed the whole movie on Disney+. ## Frequently Asked Questions ### What is The Mandalorian and Grogu about? The Mandalorian and Grogu is a Star Wars film directed by Jon Favreau that expands the Disney+ series to the big screen. It follows bounty hunter Din Djarin, played by Pedro Pascal, and his Force-wielding ward Grogu on a standard quest against the remnants of the Empire. ### Is The Mandalorian and Grogu worth watching, according to Rolling Stone Philippines? Rolling Stone Philippines finds the film competent but unremarkable. The review argues it hits every standard Star Wars beat without exceeding them, playing like a very long episode of the series. Its action impresses, especially on IMAX, but the emotional gravitas is largely missing. ### Do you need to watch The Mandalorian series before seeing the movie? No prior viewing is required to follow The Mandalorian and Grogu. The review notes the film’s standard, self-contained formula makes it accessible to newcomers, though it frames this accessibility as both the movie’s greatest strength and its central weakness. ### Who stars in and scored The Mandalorian and Grogu? Pedro Pascal voices and plays Din Djarin, with stuntwork by Lateef Crowder and Brendan Wayne. Jeremy Allen White voices Rotta the Hutt, a performance the review criticizes as monotone. Composer Ludwig Göransson provides a heavy cinematic score that raises the stakes of each fight. ### Why does The Mandalorian and Grogu feel like an extended TV episode? The film follows the same quest structure as the show, according to the review. LucasFilm reportedly pivoted from a fourth season to a cinematic release, and the result mirrors that origin — leaving viewers feeling they could have simply streamed it on Disney+. Related Stories - [Manny Jacinto and the Tragedy of a Hateful ‘Star Wars’ Fanbase](https://rollingstonephilippines.com/culture/film-tv/manny-jacinto-star-wars-the-acolyte/ "Manny Jacinto and the Tragedy of a Hateful ‘Star Wars’ Fanbase") - [Amy Adams, Matt Smith, and More Join Ryan Gosling in ‘Star Wars: Starfighter’](https://rollingstonephilippines.com/culture/film-tv/star-wars-starfighter-cast/ "Amy Adams, Matt Smith, and More Join Ryan Gosling in ‘Star Wars: Starfighter’") - [2026 is the Year of Iconic Movie Comebacks and Franchise Wars](https://rollingstonephilippines.com/culture/2026-in-movies-hilda-koronel-doomsday/ "2026 is the Year of Iconic Movie Comebacks and Franchise Wars") **Categories:** Culture, Film, Reviews **Tags:** Star Wars, The Mandalorian, The Mandalorian and Grogu --- ### [Charli XCX Keeps the ‘Camera’ Rolling on Vincent Cassel in New Video](https://rollingstonephilippines.com/music/pop/charli-xcx-vincent-cassel-camera-music-video/) **Published:** July 22, 2026 **Author:** Jon Blistein **Excerpt:** The great French actor endures a brutal day on set in the latest visual for Charli’s Music, Fashion, Film **Content:** The great French actor Vincent Cassel grumbles through a brutal day on set in the new music video for [Charli XCX](https://rollingstonephilippines.com/tag/charli-xcx/ "Charli XCX")’s “Camera.” Directed by Charli’s frequent visual collaborator Aidan Zamiri, the clip follows Cassel as he tries to film a climactic desert shootout scene on a set where things keep going horribly wrong. During the first take, his squib fails to go off, and while it explodes in a gush of fake blood on the second, the take is ruined by the sparks of an overheated light. While Cassel is the “Camera” video’s primary focus, Charli does appear a few times, ostensibly as the movie’s director, riding the camera as it moves across a dolly track. Adding to the cinematic nature of the clip, the whole thing is, as they say in the biz, a “one-er” — a single, continuous shot with no cuts. “Camera” is the latest offering from Charli XCX’s upcoming album, *[Music, Fashion, Film](https://rollingstonephilippines.com/tag/music-fashion-film/ "Music Fashion Film")*, which is slated to arrive this Friday, July 24. It follows [previously released tracks](https://www.rollingstone.com/music/music-news/charli-xcx-music-fashion-film-album-track-list-1235590369/) [“Rock Music,”](https://www.rollingstone.com/music/music-news/charli-xcx-rock-music-single-1235556390/) [“SS26,”](https://www.rollingstone.com/music/music-news/charli-xcx-new-song-ss26-music-video-1235566882/) and [“Wink Wink.”](https://www.rollingstone.com/music/music-news/charli-xcx-new-song-music-video-wink-wink-1235583175/) Charli made *Music, Fashion, Film* with her longtime producer A.G. Cook, as well as another frequent collaborator, Finn Keane. In a recent [*Rolling Stone* cover story](https://www.rollingstone.com/music/music-features/charli-xcx-new-album-music-fashion-film-brat-1235576603/), Charli pushed back against the notion that *Music, Fashion, Film* was supposed to be a “rock album,” a perception spurred largely by the lead single. “Obviously, I know that there’s been a lot of conversation around me making a rock album, which is something that I never said,” she said. “But to be honest, I’ve never thought about genre in a binary way. I find that to be a very old-school notion. I don’t even know what the genre is. It’s just me and A. G. Cook and Finn Keane, doing our thing.” Following the release of *Music, Fashion, Film*, Charli will play a handful of festivals, including Lollapalooza and Outside Lands. She’ll kick off a [North American tour](https://www.rollingstone.com/music/music-news/charli-xcx-announces-music-fashion-film-fall-tour-1235572499/) in support of the record on Sept. 11 in Philadelphia, with the run wrapping Oct. 23 in Las Vegas. *This story was originally published on [rollingstone.com](https://www.rollingstone.com/music/music-news/charli-xcx-vincent-cassel-camera-music-video-1235596723/).* Related Stories - [Charli XCX Declares the Dance Floor ‘Dead’ With New Single ‘Rock Music’](https://rollingstonephilippines.com/music/pop/charli-xcx-rock-music-single/ "Charli XCX Declares the Dance Floor ‘Dead’ With New Single ‘Rock Music’") - [Charli XCX Brings New Original Music to ‘Wuthering Heights’ Film Adaptation](https://rollingstonephilippines.com/music/pop/charli-xcx-wuthering-heights-music/ "Charli XCX Brings New Original Music to ‘Wuthering Heights’ Film Adaptation") - [Charli XCX and Velvet Underground’s John Cale Unite for Gothic ‘House’](https://rollingstonephilippines.com/music/pop/charli-xcx-john-cale-collab/ "Charli XCX and Velvet Underground’s John Cale Unite for Gothic ‘House’") **Categories:** Music, Pop **Tags:** Charli XCX, Music Fashion Film --- ### [Songs You Need to Know This Week: syd hartha, Bleachers, ZEROBASEONE, MUNA, and More](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/songs-you-need-to-know-syd-hartha-bleachers-zerobaseone/) **Published:** May 20, 2026 **Author:** Elijah Pareño **Excerpt:** Our weekly playlist of the best music right now, carefully picked by the Rolling Stone Philippines staff **Content:** Welcome to [Songs You Need to Know](http://rollingstonephilippines.com/editors-picks/songs-you-need-to-know), our weekly rundown of the best music right now. The *Rolling Stone Philippines* team is constantly sharing things to listen to, and each week, we compile a ragtag playlist of songs that we believe every music fan today needs to know. Whether it’s the hottest new single or an old track that captures the state of the present, our hope is that you discover something for your musical canon. The week’s songs include songs like queer pop trio MUNA creating a sexy anthem in “Eastside Girls,” syd hartha and Toneejay teaming up together for a beach side folk collaboration in “Dito Muna Tayo,” Jack Antonoff’s very own Bleachers creating another signature dreamy single “you and forever,” and the charming noise barrage of experimental rock band Goon Lagoon’s “Basketball.” ZEROBASEONE, ‘Exotic’ ![ZEROBASEONE](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/s1-s-2-1600x1600.webp) Photo from ZEROBASEONE/Instagram *K-pop boy group takes on house* Troye Sivan has been a strong influence on K-pop for a decade now, with BTS’s Jung Kook and RM covering his song “FOOLS” back in 2015. Now, boy group ZEROBASEONE has just released their latest mini-album *Ascend-*, and one of its tracks, “Exotic,” seems to have taken notes from Sivan’s “Rush,” energetic and set on a house beat. However rich with 808s and synths, ZEROBASEONE avoids veering into pastiche by keeping its production sleek and clean. —*Pie Gonzaga* Goon Lagoon, ‘Basketball’ ![Goon Lagoon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/s2-s-2-1600x1600.webp) Photo from Goon Lagoon/Instagram *Play some B-Ball with a dose of noise* As a longtime listener of experimental rock band Goon Lagoon, it’s tricky to pin down what they sound like. But after several attempts at deciphering the riffs or picturing the situations they paint themselves in their songs, “Basketball,” the final track of their masterfully written, sophomore self-titled EP, personifies their humanity: playing the nation’s favorite sport after an onslaught of fuzzy, car-crash‑like snare drops, and vocalist Bea Inon’s herculean task to resurface from the sea of noise via her melodic singing. Goon Lagoon’s “Basketball” acts as a centerpiece of their EP, and even without it, there are so many standout tracks that define their sound. This is an alternative rock group of misfits who aim to turn every knob on your house amplifier to a mythical level of 11. *—Elijah Pareño* MUNA, ‘Eastside Girls’ ![MUNA](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/s3-s-2-1600x1600.webp) Photo from MUNA/Instagram *Raunchy pop for lesbians* Queer pop band MUNA knows that it excels in making synth-pop music about being unabashedly lesbian. And while this kind of sound is — I hate to admit this — getting a little old for them, Katie Gavin, Naomi McPherson, and Josette Maskin still manage to surprise and delight every once in a while with something sexy, like “Eastside Girls.” The track, which comes third in their latest album *Dancing On The Wall*, is unabashedly horny, charged with a thumping beat that slaps like latex on skin and synths that shimmer like black glitter. “They want me on all fours, Eastside girls,” Gavin sings. —*Pie Gonzaga* syd hartha & Toneejay, ‘Dito Muna Tayo’ ![syd hartha & Toneejay](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/s4-s-2-1600x1600.webp) Photo from syd hartha/Instagram *When two of folk’s different worlds collide* Singer-songwriters syd hartha and Toneejay had been teasing a collaboration ever since syd’s Minsan Live at the Skydome performance, where she invited the “711” singer onstage to sing with her on a then‑unreleased track last April 18. Now titled “Dito Muna Tayo,” the song proves that both artists — despite their different folk‑songwriting styles — can meet in the same orbit. In the track, syd takes a noticeable melodic lead, addressing a lover she’s willing to wait for, while Toneejay’s vocal flips and lines about a light that shines in the darkness. By the end, both singers share the mic and blend their sweet harmonies effectively. Two different songwriters, two approaches, meeting at the crossroads to sing about a universal feeling: a lover’s return, no matter how much time passes. *—Elijah Pareño* Bleachers, ‘you and forever’ ![Bleachers](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/s5-s-2-1600x1600.webp) Photo from Bleachers/Instagram *Blissful, dreamy rock from a pop hitmaker* With their seventh studio album, *everyone for ten minutes*, coming out on May 22, the Jack Antonoff-led rock band Bleachers kicked off its single rollout with “you and forever” in February, accompanied by a music video featuring actress (and Antonoff’s wife) Margaret Qualley. It has all the qualities of a Bleachers production, roomy, dreamy, and raw, accented by saxophones. The bridge leading to the track’s outro is explosive and discordant (“No Jesus Christ, no Roman gods, they cower at you, let me in”), a cathartic conclusion to the pensive, lovesick verses. —*Pie Gonzaga* Jeff Mills, ‘The Bells’ ![Jeff Mills](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/05/s6-s-2-1600x1600.webp) Photo from Jeff Mil/Instagram *A techno essential for all partygoers* Considered as a timeless classic by electronic music aficionados and a pillar of party music for casual listeners, Jeff Mills’ “The Bells” serves as a motif for his iconic *Live at the Liquid Room Tokyo* mix, which chisels through more than 36 tracks in under an hour. With contemporaries like the Belleville Three defining the genre, “The Wizard” — as he’s called by friends and Detroit scenesters — has unequivocally mastered the form. “The Bells” is driven by pummeling subs, jittering hi‑hats, and rhythmic synthesizers that act like neuron activators for dancers and partygoers across the planet. When those digitized kicks hit through a real sound system, be prepared for your soul to exit your human shell. *—Elijah Pareño* ## Frequently Asked Questions ### What is the new song “Exotic” by ZEROBASEONE about? ZEROBASEONE’s new song “Exotic” is an energetic, house-beat-driven track from their mini-album Ascend-. Heavily influenced by Troye Sivan’s sleek pop production style, the song masterfully balances vibrant 808 basslines and rich synthesizers while maintaining a clean, modern, and highly polished K-pop sound. ### Who sings the collaborative song “Dito Muna Tayo”? “Dito Muna Tayo” is a collaborative folk single performed by Filipino singer-songwriters syd hartha and Toneejay. The track beautifully blends their distinct songwriting styles, combining syd hartha’s melodic leads with Toneejay’s signature vocal flips to create sweet harmonies centered around the universal theme of a lover’s return. ### What genre of music is Goon Lagoon’s “Basketball”? “Basketball” by Goon Lagoon is an experimental alternative rock song. Serving as the final centerpiece track of their self-titled sophomore EP, the song features a unique blend of fuzzy, chaotic snare drops, intricate guitar riffs, and melodic vocals that anchor the band’s signature “sea of noise” aesthetic. ### When is the new Bleachers album coming out? The new Bleachers album, titled everyone for ten minutes, is scheduled for release on May 22. The Jack Antonoff-led band kicked off the album rollout with the dreamy, saxophone-accented lead single “you and forever,” which features an explosive, cathartic outro and an accompanying music video. ### Why is “The Bells” by Jeff Mills considered a techno classic? “The Bells” by Jeff Mills is considered a foundational techno classic due to its masterful production, featuring pummeling sub-bass, jittering hi-hats, and rhythmic synthesizers. It serves as the defining centerpiece of his iconic Live at the Liquid Room Tokyo mix and remains a global electronic music staple. Related Stories - [5 of Olivia Rodrigo’s Angriest Breakup Songs, Ranked](https://rollingstonephilippines.com/music/pop/olivia-rodrigo-breakup-songs-ranked/ "5 of Olivia Rodrigo’s Angriest Breakup Songs, Ranked") - [Inside the Highs and Lows of Sapphic Pop’s Banner Year](https://rollingstonephilippines.com/music/sapphic-pop-2024-chappell-roan-renee-rapp-muna-towa-bird/ "Inside the Highs and Lows of Sapphic Pop’s Banner Year") - [How Chappell Roan is Shaping Queer Discourse in the Philippines](https://rollingstonephilippines.com/music/chappell-roan-is-shaping-queer-discourse-in-the-philippines/ "How Chappell Roan is Shaping Queer Discourse in the Philippines") **Categories:** Editor's Picks, Songs You Need To Know **Tags:** Bleachers, Goon Lagoon, Jeff Mills, Muna, Songs You Need to Know, syd hartha, Toneejay --- ### [Claire Castro is the Marcos Administration’s Fiercest Voice](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/claire-castro-palace-spokesperson-fake-news/) **Published:** July 22, 2026 **Author:** Mara Cepeda **Excerpt:** The Palace spokesperson reflects on winning Marcos’ trust despite never supporting him and why she calls out fake news without apology **Content:** [Claire Castro](https://rollingstonephilippines.com/tag/claire-castro/ "Claire Castro") is already at her office when the *Rolling Stone Philippines* team arrives, dressed in pink, settled deep into her chair, mid-conversation with her staff. She stands up the moment we walk in. The woman who has spent the better part of a year being Malacañang’s most combative, most viral voice — the one who gave President Ferdinand Marcos Jr. something his communications team had been unable to provide for the first three years of his presidency — is, in person, immediately warm. [Feisty at the podium](https://rollingstonephilippines.com/state-of-affairs/politics/claire-castro-press-officer-resignation/ "Will PBBM Accept Claire Castro’s Resignation as His Fiercest Press Officer?"), yes. An attack dog, as her critics say. But in this room, in pink, she is also just a woman who window-shops online to fall asleep at night. This is the contradiction at the heart of Claire Castro. At press briefings, she is sharp and quick, a trial lawyer’s instincts fused with decades of radio training, someone who knows where a reporter’s question is going before they finish asking it. In person, she laughs easily, gets starstruck when the president walks in, and will tell you without any apparent irony that she became a fan of Marcos in a meeting no cameras were allowed into, five days into a job she never planned to take. She was not a supporter when he ran. She was not paying close attention to his campaign. She was a practising lawyer in private life, running her own YouTube channel where she had made vlogs questioning the administration’s handling of [PhilHealth](https://rollingstonephilippines.com/tag/philhealth/ "PhilHealth") and the Maharlika Investment Fund. She cherished her independence, her privacy, her income from private practice. And then, one week before her oath-taking in February 2025, the president invited her to Malacañang. She walked in expecting a conversation. He looked at her and said: “Can you help the government?” “I was so mesmerized. My heart melted with those words,” says Castro. “And I said yes.” She still does not know why Marcos chose her. She has not asked. Up to this interview, conducted in June, more than a year into the job, she genuinely cannot explain it. “I was part of the media. I \[was\] a member of the KBP (Kapisanan ng Mga Brodkaster ng Pilipinas),” Castro wonders. “Or baka cute ako. Hindi ko alam.” What she did not receive, upon accepting, was any kind of briefing. No guidelines, no format, no instruction on how to be the face of the Palace, just the information that she would be the one standing at the podium. Her first appearance before the Malacañang Press Corps came immediately after her oath-taking. *TV5*’s Maricel Halili threw the first question: How would she react to former [President Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte")’s claim that the Marcos administration was heading toward dictatorship? “Wala akong pinanood… Sabak kaagad!” she says. Her answer that day came straight from instinct: “Ano pa ba ang ating i-e-expect sa dating Pangulong Rodrigo Duterte? Gumawa ng intriga, magplanta ng ebidensya!” Marcos never called to correct her. She took that as the only feedback she needed as his new spokesperson. Castro’s first year has been, by any measure, a transformation for Malacañang’s communications. Marcos had cycled through spokespersons since 2022, each one struggling to find the register that could match the louder, more populist energy of his erstwhile ally, [Vice President Sara Duterte](https://rollingstonephilippines.com/tag/sara-duterte/ "Sara Duterte"). Castro found it immediately, not by being a loyalist, but by being a fighter. Her mandate, as she defines it herself, is simple. “Fake news is flying around,” she says. “So how can we counter that? I have to prepare all those issues that are going viral. I should be backed up by the evidence. I have to give you the truth with the pieces of evidence that I have. Nothing more, nothing less.” ![claire castro for rolling stone philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/claire-castro-intext-1.webp) Castro says she did not receive any briefing when she got the job. ![claire castro for rolling stone philippines](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/claire-castro-intext-2.webp) She now owns the “Ante Claire” nickname bestowed upon her by critics. The irony is not lost on observers, or, when pressed, on Castro herself. She is now the most vocal anti-disinformation voice in the Palace, speaking for a president whose 2022 campaign has been documented in multiple studies as a beneficiary of coordinated disinformation networks. She says she was not a Marcos supporter then and was not following him closely. “To tell you the truth, I never read anything about the President during the campaign,” she says. “I was not interested.” What she knows now, from being inside the room, is a different Marcos from the one the critics describe. The story she comes back to is from her fifth day on the job. The president was speaking to his staff about a government project and the assistance it would provide to ordinary Filipinos. He stopped and said something she says she never heard a public official say without an audience. “Sabi niya, ‘People should not thank you; it is our obligation. We don’t need to hear from them the word thank you kasi this is our job… At kapag hindi natin ito nagawa, failure tayo.’” She gets goosebumps recounting it, a year later. “Walang media ‘yon ah. Hindi siya paepal. That’s from his heart. Nagulat ako.” That trust, quietly and carefully built, has translated into real influence. When a bill granting Filipino citizenship to Chinese businessman Li Duan Wang was up for Marcos’ signature, Castro pulled the president aside after a meeting. “My suggestion is, can you just read everything and try to know the background of this \[person?\]” she remembered telling the president, noting how it was only [Senator Risa Hontiveros](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/senator-risa-hontiveros-rolling-stone-interview/ "Senator Risa Hontiveros: ‘We Must Fight’") who raised red flags over Li’s links to the now-banned Philippine offshore gaming operator industry and the Chinese Communist Party. Castro followed up repeatedly in the weeks that followed, worried that the bill would lapse into law. Marcos eventually vetoed the bill in April 2025. “After a month or two, that person was accused of kidnapping. So that’s why, after that… ‘pag nakikita mo \[ang\] pangulo, nagsasalita, you will give that respect,” says Castro. Navigating Marcos’ silence is another matter entirely. When it comes to the President’s falling out with his older sister, [Senator Imee Marcos](https://rollingstonephilippines.com/tag/imee-marcos/ "Imee Marcos"), Castro has learned to read what he will not say out loud. “Hayaan mo na lang, Claire,” he tells her, whenever the senator’s criticism of her brother lands in the headlines. But Castro still has to face the Malacañang Press Corps. She still has to answer. “The thing that I would react to regarding Senator Imee is about fake news,” she says. “It’s my job to correct.” But everything else, she lets go, because the president already has. “I have to give you the truth with the pieces of evidence that I have. Nothing more, nothing less.” Palace Press Officer Claire Castro Off camera, Castro is a study in contrasts with her public persona. She sleeps at 3 a.m. because she monitors social media until her eyes close. She wakes at 6:30 a.m. for piping hot black coffee. She contacts Cabinet secretaries individually when preparing for briefings because she needs the context, not just the data. She missed a call from the president once because she was at an event with Communications Secretary Dave Gomez. She panicked for a bit, but was relieved when the president texted his instructions instead, not minding that he had missed a call from the most powerful man in the land. She says she has also copyrighted “Ante Claire,” the nickname that started as a dig from critics and that she embraced in a single live on-camera moment, clapping and declaring it could be potentially useful in an electoral campaign. She laughs while telling the story. She insists she has no plans to run for office. “If I have the ambition,” Castro says, “it will definitely affect how I would make a remark. ‘Ah, teka lang, kasi botante ‘to eh.’ Ay, hindi puwedeng ganun.” She wants to be remembered as one thing when this is all over. “Fake news buster,” she says, without hesitation. Undersecretary Claire Castro never supported the man she now speaks for. She just walked in and figured it out. *Read the rest of this story in the Rolling Stone Philippines’ Voices Issue, now available for pre-order on [Sari-sari Shopping](https://www.instagram.com/sarisari_shopping/) and in major newsstands soon.* *Get digital access to the latest issue [here.](https://rollingstonephilippines.com/digital-access/)* Related Stories - [Will PBBM Accept Claire Castro’s Resignation as His Fiercest Press Officer?](https://rollingstonephilippines.com/state-of-affairs/politics/claire-castro-press-officer-resignation/ "Will PBBM Accept Claire Castro’s Resignation as His Fiercest Press Officer?") - [What We Learned About PBBM from His First Podcast Episode](https://rollingstonephilippines.com/state-of-affairs/politics/marcos-taberna-duterte-podcast/ "What We Learned About PBBM from His First Podcast Episode") - [Zaldy Co Versus Marcos Administration in a War of Words](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/palace-zaldy-co-accusations-hearsay/ "Zaldy Co Versus Marcos Administration in a War of Words") **Categories:** Philippine Politics, State of Affairs **Tags:** Claire Castro, Rolling Stone Philippines Voices --- ### [In ‘The Odyssey,’ Christopher Nolan Still Doesn’t Know How to Write Women](https://rollingstonephilippines.com/culture/film/christopher-nolan-the-odyssey-women-characters/) **Published:** July 21, 2026 **Author:** Pie Gonzaga **Excerpt:** ‘The Odyssey’ has some of the most interesting female characters to exist in a Nolan film, but they still fall victim to short screen times and under-writing **Content:** In case you aren’t caught up with the latest discourse on Film Twitter, [Christopher Nolan](https://rollingstonephilippines.com/tag/christopher-nolan/ "Christopher Nolan")’s *[The Odyssey](https://rollingstonephilippines.com/tag/the-odyssey/ "The Odyssey")* has inadvertently become a banner for progressive politics in the culture war, with meninist edgelords comparing it to the ultra-macho, ultra-white 2004 film *Troy*. Yet for some female audiences, myself included, there was unsurprisingly much lacking in the way the film’s women were written. Nolan’s adaptation of the Odyssey is one of [the best](https://rollingstonephilippines.com/culture/reviews/christopher-nolan-the-odyssey-review/ "Christopher Nolan Means War in ‘The Odyssey,’ His Most Gruesome Film Yet") blockbuster movies to come out this year — maybe even in the century so far, definitely dwarfing *Troy* in quality — but it isn’t without its faults. The writer-director is notorious for under-writing female characters in his films, from Rachel Dawes in *Batman Begins* and Mal (the dead wife) in *Inception* to Kitty Oppenheimer and Jean Tatlock in *Oppenheimer*. These characters tend to be written as accessories to the male protagonist’s development, without their own fleshed-out stories. *The Odyssey* is a bit of a step up in that regard, and characters like Penelope and Circe demonstrate an interiority and complexity that is refreshing for a Nolan woman. But in distilling Odysseus’ decade-long journey into nearly three hours, Nolan once again fails to make more room for the women, who spend very little time on the screen even though they propel the story forward. As [*Harper’s Bazaar*](https://www.harpersbazaar.com/culture/film-tv/a71934485/the-odyssey-penelope-review/)’s Maxwell Rabb similarly writes, “Several key, complex women characters in *The Odyssey* feel squandered.” ## What Does Translator Emily Wilson Think? ![lupita nyong'o the odyssey](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/lupita-nyong-o-in-the-odyssey-copy.webp) Even though Lupita Nyong’o played two roles, twin sisters Helen and Clytemnestra, she was not on screen for very long. Photo from Universal Pictures In a film review for [*ELLE India*](https://elle.in/life-culture/christopher-nolan-the-odyssey-review-12170242), writer Ekta Sinha says that Nolan drew inspiration from British-American translator Emily Wilson’s version of “The Odyssey,” the first written by a woman in the epic’s almost 3,000-year history. “Wilson’s work challenged generations of male translators who framed the epic through deliberately archaic and I must say misogynistic language, reminding readers that Homer’s poem was never intended to feel elite or inaccessible,” Sinha writes. “More importantly, her translation restored nuance to its female characters, foregrounding their intelligence, resilience and agency rather than reducing them to archetypes.” The nuances certainly come out throughout the film, but they’re never explored. Moreover, Wilson had told the [Associated Press](https://apnews.com/article/odyssey-christopher-nolan-greek-translators-ea67da1d543d021773824bd7e8de8abe) that while she wants to “celebrate the fact that so many more people are aware of ‘The Odyssey’ and were brought back to the poem,” she also felt that “Nolan was trying to pack everything in while missing themes that were essential to the poem.” In Greek mythology, the Trojan War was waged for Helen, Athena guides Odysseus throughout his journey, and Penelope is his motivation to get home. He meets Agamemnon in the underworld only because his wife Clytemnestra has killed him. And Calypso keeps Odysseus on her island for seven long years because she “loves” him, but in the film, this fact is never treated as grave as it really is. In Nolan’s version of events, Athena also assumes the face of a Trojan woman who is killed in front of Odysseus during the sacking of Troy. Women haunt the narrative, yet the movie ends with so little known about them. ## Complex Women, Short Screen Time ![samantha morton the odyssey](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/07/Samantha-Morton-The-Odyssey-copy.webp) Samantha Morton plays Circe in one of the film’s most memorable and haunting scenes. Photo from Universal Pictures There’s the exception of Samantha Morton’s Circe, whose appearance in the story is justifiably limited to one part of the journey. I quite liked her scene and the physicality of having to *mold* men into pigs as opposed to the passivity of uttering a spell. It’s a way of taking agency when she’s condemned to an eternity of having to welcome wandering, violent men into her cottage. But like the rest of the leading women in *The Odyssey*, Circe is limited to that one moment of exercising agency. For [Anne Hathaway](https://rollingstonephilippines.com/tag/anne-hathaway/ "Anne Hathaway")’s Penelope, it’s when she finally emerges from the lattice gates to face her suitors and give them a challenge. To Nolan’s credit, we learn through dialogue that she is frustrated that she’s been running Ithaca for 20 years without Odysseus, and is still expected to wait for the king to return, or choose a new one to sit on the throne. Penelope may be the king’s wife, but the laws of this world dictate that a queen regnant cannot rule — and this is an idea that would have benefited from showing rather than telling. The same goes for Calypso, who, like Circe, must forever oscillate between isolation and tending to strange men. She exercises her agency when she finally sends Odysseus on his way, unshackling herself from the tendency to get attached to her unwilling visitors. But before then, we only see glimpses of her playing the gorgeous woman who nurses the hero back to health. It doesn’t help that Charlize Theron feels objectified, looking like she’s stepped out of a J’adore Dior commercial or Joey Gosiengfiao’s *Temptation Island*, even though the desert island of Ogygia borders on unlivable — though one could make the argument that it’s because Calypso is immortal. [Zendaya](https://rollingstonephilippines.com/tag/zendaya/ "Zendaya")’s Athena is also criminally underutilized. She appears every once in a while to give Odysseus a nugget of wisdom or just a disappointed look, and in the end we find out that she’s been leading him towards the realization that war is bad. There’s certainly power in that, but it’s a total 180 from the original epic and myth. Nolan’s *The Odyssey* operates on the idea that Athena is only the goddess of wisdom, not of war and strategy, as Greek mythology has it. But I think it would be far more interesting to see a goddess capable of causing harm. Nolan is, of course, free to interpret the epic as he so wishes, and he’s not the only filmmaker who’s guilty of writing only from what he knows. But when you have so many resources at your disposal, when you can execute practical effects and get Ludwig Göransson to [recreate ancient Greek instruments](https://au.rollingstone.com/movies/movie-news/the-odyssey-ludwig-goransson-score-96679/) to use in the score, and when you have the capacity to imagine and reimagine complex and expansive fictional worlds, there’s just no excuse for not getting a woman in the writer’s room to enrich the story just a little more. ## Frequently Asked Questions ### Does Christopher Nolan’s *The Odyssey* improve how he writes female characters? Somewhat. Characters like Penelope and Circe show more interiority than typical Nolan women, but the film still gives them limited screen time despite their importance to the story — continuing a pattern critics have noted in his work from *Inception* to *Oppenheimer*. ### Who plays the women in Christopher Nolan’s *The Odyssey*? Anne Hathaway plays Penelope, Samantha Morton plays Circe, Charlize Theron plays Calypso, Zendaya plays Athena, and Lupita Nyong’o plays the twin sisters Helen and Clytemnestra. ### How does Nolan’s *The Odyssey* change Athena from the original myth? In Greek mythology, Athena is a goddess of both wisdom and war. Nolan’s film reframes her as a goddess of wisdom alone, using her to guide Odysseus toward the realization that war is destructive — a notable departure from her more active, strategic role in the epic. ### What did translator Emily Wilson say about Christopher Nolan’s *The Odyssey*? Emily Wilson welcomed the renewed public interest in the poem but felt Christopher Nolan tried to pack in too much while missing themes essential to the original epic. Her translation was notably the first English-language version of the epic written by a woman in its nearly 3,000-year history. ### Why do critics say Nolan underwrites the women in *The Odyssey*? Critics argue the film’s female characters — Penelope, Circe, Calypso, and Athena — drive the plot yet receive minimal screen time and little development. They often function as accessories to Odysseus’ journey, echoing a criticism leveled at Nolan’s earlier films from *Batman Begins* to *Oppenheimer*. Related Stories - [Christopher Nolan Means War in ‘The Odyssey,’ His Most Gruesome Film Yet](https://rollingstonephilippines.com/culture/reviews/christopher-nolan-the-odyssey-review/ "Christopher Nolan Means War in ‘The Odyssey,’ His Most Gruesome Film Yet") - [Christopher Nolan’s ‘The Odyssey’ Goes Big — REALLY Big — to Go Home](https://rollingstonephilippines.com/culture/film/the-odyssey-christopher-nolan-review/ "Christopher Nolan’s ‘The Odyssey’ Goes Big — REALLY Big — to Go Home") - [All 13 of Christopher Nolan’s Movies, Ranked](https://rollingstonephilippines.com/culture/film/christopher-nolan-movies-ranked/ "All 13 of Christopher Nolan’s Movies, Ranked") **Categories:** Culture, Film **Tags:** Christopher Nolan, The Odyssey --- ### [Filipinos Lead Southeast Asia in BTS Comeback Social Media Buzz](https://rollingstonephilippines.com/music/pop/philippines-bts-arirang-media-buzz/) **Published:** March 30, 2026 **Author:** Pie Gonzaga **Excerpt:** Between an album release, a docufilm, and a world tour with two Manila shows, Filipino ARMYs clearly can’t hide their enthusiasm for the boy group **Content:** Filipino ARMYs won’t stop talking about [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS") after the beloved group’s comeback, and it shows in the numbers. According to exclusive data from consumer intelligence company Meltwater, the Philippines has talked about BTS and their latest album *[*Arirang*](https://rollingstonephilippines.com/music/pop/ranking-every-song-from-bts-arirang/ "Ranking Every Song from BTS’ ‘Arirang’")* the most out of all countries in Southeast Asia. As of writing, mentions of BTS across different media platforms in the Philippines have reached 77,800 since March 20, the album’s release day, ranking fifth among other Asia Pacific countries currently buzzing about the K-pop boy group. But these numbers are dwarfed by mentions of BTS in Japan, which have reached 266,000. South Korea follows at less than half, with 126,000 mentions. India and China follow with 97,300 and 77,900, respectively. ![meltwater data on BTS mentions in APAC](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/meltwater-apac-bts-mentions.webp) As of March 30, 4:50 p.m., Meltwater’s data shows that Japan drives the most mentions of BTS on social media, followed by South Korea, India, China, and the Philippines. Photo from Meltwater In Southeast Asia, Thailand follows the Philippines at 75,700 thousand mentions of BTS, while Indonesia is at 75,400 thousand. Meltwater also said that across Asia Pacific, social media mentions jumped 257.3 percent between March 17 and March 23, indicating excitement and maintained hype before and after BTS released *ARIRANG*. Aside from the recent release of the album and the Netflix [docufilm](https://rollingstonephilippines.com/music/pop/bts-netflix-arirang-concert-documentary/ "Netflix to Livestream BTS Comeback Concert and Release Documentary This March") *BTS: THE RETURN*, the “SWIM” hitmakers are also set to embark on their Arirang World Tour, starting April 9 in Goyang, South Korea. The tour concludes with a two-show stop in Manila on March 13 and March 14, 2027. {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”How many social media mentions did BTS get in the Philippines for their comeback?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”According to consumer intelligence firm Meltwater, the Philippines generated 77,800 media mentions for BTS and their album Arirang following its March 20 release, ranking highest in Southeast Asia and fifth overall across the Asia-Pacific region.”}},{“@type”:”Question”,”name”:”Which Southeast Asian country has the most online buzz for BTS?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”The Philippines leads all Southeast Asian nations in online buzz for BTS’s Arirang comeback with 77,800 mentions, narrowly surpassing Thailand (75,700 mentions) and Indonesia (75,400 mentions).”}},{“@type”:”Question”,”name”:”What is the title of BTS’s comeback album and Netflix documentary?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”BTS released their comeback studio album titled Arirang on March 20. The release was accompanied by a Netflix documentary film titled BTS: THE RETURN, following the group’s journey leading into their global comeback.”}},{“@type”:”Question”,”name”:”When is BTS coming to Manila for their Arirang World Tour?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”BTS is scheduled to bring their Arirang World Tour to Manila for a two-night concert run on March 13 and March 14, 2027. The Manila shows will serve as the grand finale of their world tour.”}},{“@type”:”Question”,”name”:”Where does the BTS Arirang World Tour kick off?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”The Arirang World Tour officially launches on April 9 in Goyang, South Korea, before traveling to major international stadium venues across Asia, Europe, and the Americas.”}}]}## Frequently Asked Questions ### How many social media mentions did BTS get in the Philippines for their comeback? According to consumer intelligence firm Meltwater, the Philippines generated 77,800 media mentions for BTS and their album Arirang following its March 20 release, ranking highest in Southeast Asia and fifth overall across the Asia-Pacific region. ### Which Southeast Asian country has the most online buzz for BTS? The Philippines leads all Southeast Asian nations in online buzz for BTS’s Arirang comeback with 77,800 mentions, narrowly surpassing Thailand (75,700 mentions) and Indonesia (75,400 mentions). ### What is the title of BTS’s comeback album and Netflix documentary? BTS released their comeback studio album titled Arirang on March 20. The release was accompanied by a Netflix documentary film titled BTS: THE RETURN, following the group’s journey leading into their global comeback. ### When is BTS coming to Manila for their Arirang World Tour? BTS is scheduled to bring their Arirang World Tour to Manila for a two-night concert run on March 13 and March 14, 2027. The Manila shows will serve as the grand finale of their world tour. ### Where does the BTS Arirang World Tour kick off? The Arirang World Tour officially launches on April 9 in Goyang, South Korea, before traveling to major international stadium venues across Asia, Europe, and the Americas. Related Stories - [Ranking Every Song from BTS’ ‘Arirang’](https://rollingstonephilippines.com/music/pop/ranking-every-song-from-bts-arirang/ "Ranking Every Song from BTS’ ‘Arirang’") - [Netflix to Livestream BTS Comeback Concert and Release Documentary This March](https://rollingstonephilippines.com/music/pop/bts-netflix-arirang-concert-documentary/ "Netflix to Livestream BTS Comeback Concert and Release Documentary This March") - [Filipinos Are 2nd Most Engaged Swifties in Asia as ‘Life of a Showgirl’ Tops Charts](https://rollingstonephilippines.com/music/pop/taylor-swift-showgirl-charts-philippines-asia/ "Filipinos Are 2nd Most Engaged Swifties in Asia as ‘Life of a Showgirl’ Tops Charts") **Categories:** Culture, Internet Culture, Music, Pop **Tags:** BTS --- ### [Matty Juniosa Wins Over ‘Britain’s Got Talent’ With ‘Purple Rain’ and a One-Liner](https://rollingstonephilippines.com/music/pop/matty-juniosa-britains-got-talent/) **Published:** March 30, 2026 **Author:** Elijah Pareño **Excerpt:** The Glasgow-based Filipino singer pairs a witty response with a “Purple Rain” cover that earns a standing ovation and a Golden Buzzer **Content:** Glasgow-based Filipino singer [Matty Juniosa](https://rollingstonephilippines.com/tag/matty-juniosa/ "Matty Juniosa") has stepped onto the international stage through talent competition *Britain’s Got Talent*. During the televised audition, Juniosa told the crowd he had come to terms with being labeled a “loser” in singing competitions. Simon Cowell then asked, “Do you watch *Star Wars*?” Juniosa replied, “No, I’m too gay for that,” drawing immediate laughter from the room. > [View this post on Instagram](https://www.instagram.com/p/DWcPOxNCLtM/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Matty J. (@itsmemattyj)](https://www.instagram.com/p/DWcPOxNCLtM/?utm_source=ig_embed&utm_campaign=loading) Performing his own rendition of Prince’s “Purple Rain,” Juniosa held back before the final stretch, then pushed into a full vocal run that prompted the audience to rise mid-performance. By the end of the song, all four judges, Cowell, Amanda Holden, Alesha Dixon, and KSI, were on their feet. Cowell then hit the Golden Buzzer, sending Juniosa to the live semi-finals. Juniosa previously competed on the first season of *Idol Philippines* in 2019, where he placed in the Top 12. After his run on the show, he relocated to Glasgow, where he works as a part-time waiter and continued performing before auditioning for *Britain’s Got Talent*. {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”Who is Matty Juniosa on Britain’s Got Talent?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Matty Juniosa is a Glasgow-based Filipino singer and musical theater performer. After competing on Idol Philippines in 2019, he moved to Scotland to pursue further studies, working as a part-time waiter before earning a Golden Buzzer on Britain’s Got Talent.”}},{“@type”:”Question”,”name”:”What song did Matty Juniosa sing for his Britain’s Got Talent audition?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Matty Juniosa performed a rendition of Prince’s classic hit \”Purple Rain\” for his audition on Britain’s Got Talent. His vocal control, dramatic dynamic shifts, and powerful climax earned a standing ovation from all four judges and the live studio audience.”}},{“@type”:”Question”,”name”:”Who gave Matty Juniosa the Golden Buzzer on Britain’s Got Talent?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Judge Simon Cowell pressed the Golden Buzzer for Matty Juniosa following his performance of \”Purple Rain,\” sending the Filipino vocalist straight through to the live semi-final rounds of Britain’s Got Talent.”}},{“@type”:”Question”,”name”:”What was Matty Juniosa’s previous television competition history in the Philippines?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Matty Juniosa competed on the first season of Idol Philippines in 2019, where he finished in the Top 12. Following his run on the show, he performed as part of the vocal trio iDolls alongside fellow alums Lucas Garcia and Enzo Almario.”}},{“@type”:”Question”,”name”:”Why did Matty Juniosa’s exchange with Simon Cowell go viral?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Before performing, Juniosa remarked that he was used to being labeled a \”loser\” in singing shows. When Cowell asked if he watched Star Wars, Juniosa wittily responded, \”No, I’m too gay for that,\” drawing instant laughter from the judges and audience.”}}]}## Frequently Asked Questions ### Who is Matty Juniosa on Britain’s Got Talent? Matty Juniosa is a Glasgow-based Filipino singer and musical theater performer. After competing on Idol Philippines in 2019, he moved to Scotland to pursue further studies, working as a part-time waiter before earning a Golden Buzzer on Britain’s Got Talent. ### What song did Matty Juniosa sing for his Britain’s Got Talent audition? Matty Juniosa performed a rendition of Prince’s classic hit “Purple Rain” for his audition on Britain’s Got Talent. His vocal control, dramatic dynamic shifts, and powerful climax earned a standing ovation from all four judges and the live studio audience. ### Who gave Matty Juniosa the Golden Buzzer on Britain’s Got Talent? Judge Simon Cowell pressed the Golden Buzzer for Matty Juniosa following his performance of “Purple Rain,” sending the Filipino vocalist straight through to the live semi-final rounds of Britain’s Got Talent. ### What was Matty Juniosa’s previous television competition history in the Philippines? Matty Juniosa competed on the first season of Idol Philippines in 2019, where he finished in the Top 12. Following his run on the show, he performed as part of the vocal trio iDolls alongside fellow alums Lucas Garcia and Enzo Almario. ### Why did Matty Juniosa’s exchange with Simon Cowell go viral? Before performing, Juniosa remarked that he was used to being labeled a “loser” in singing shows. When Cowell asked if he watched Star Wars, Juniosa wittily responded, “No, I’m too gay for that,” drawing instant laughter from the judges and audience. Related Stories - [Morissette Wants You to Know She’s More Than a Biritera](https://rollingstonephilippines.com/editors-picks/features/morissette-ember-era-biritera/ "Morissette Wants You to Know She’s More Than a Biritera") - [18 Filipino Dance Tracks That Capture the Spirit of Queerness](https://rollingstonephilippines.com/editors-picks/lists/18-queer-filipino-dance-tracks/ "18 Filipino Dance Tracks That Capture the Spirit of Queerness") - [1994: A Cultural Shift in the Filipino Music Landscape](https://rollingstonephilippines.com/music/1994-filipino-music-landscape/ "1994: A Cultural Shift in the Filipino Music Landscape") **Categories:** Music, Pop **Tags:** Matty Juniosa --- ### [Ex-PBA Star Mark Cardona Jailed Anew After Alleged Sexual Assault](https://rollingstonephilippines.com/culture/sports/mark-cardona-arrested-assault/) **Published:** March 30, 2026 **Author:** Pie Gonzaga **Excerpt:** It’s not the first time Cardona has landed in jail for allegedly injuring others, with his 2018 stabbing case and another BGC brawl in 2020 **Content:** Taguig City police have arrested former [Philippine Basketball Association](https://rollingstonephilippines.com/tag/pba/ "PBA") (PBA) player [Mark Cardona](https://rollingstonephilippines.com/tag/mark-cardona/ "Mark Cardona") after he allegedly sexually assaulted a woman at a bar in BGC. A police report states that on Saturday, March 28, Cardona “suddenly” grabbed a 21-year-old woman’s hands and kissed her without consent, leading to a confrontation between her boyfriend and the ex-PBA star. According to the report, Cardona, who had “become aggressive,” also poked the boyfriend’s eyes as they approached the bouncer to report the incident. Cardona faces charges of physical injuries and acts of lasciviousness. *[The Daily Tribune](https://tribune.net.ph/2026/03/29/captain-hook-collared-over-sexual-harassment)* reports that Cardona had attempted to negotiate a financial settlement with the couple, but they declined. “I told him not everything is about money. If we allow this to happen, he’ll do it again to other women,” said the boyfriend. This is not the first time Cardona has been arrested. In May 2018, Cardona was also arrested for allegedly stabbing his former partner in her Makati condominium, where her two children were also staying. In March 2021, he was also arrested on the charge of physical injuries after getting involved in a brawl with three others in BGC in February 2020. Cardona played for the basketball teams Talk ‘N Text, Meralco, Air21, NLEX, and GlobalPort Batang Pier from 2005 to 2017. {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”Why was former PBA player Mark Cardona arrested in BGC?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Former PBA player Mark Cardona was arrested by Taguig police following an alleged incident at a BGC bar where he grabbed and kissed a 21-year-old woman without consent. Cardona also reportedly attacked her boyfriend when confronted, leading to formal charges.”}},{“@type”:”Question”,”name”:”What criminal charges is Mark Cardona facing after the BGC incident?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Taguig police charged Mark Cardona with acts of lasciviousness and physical injuries. The charges stem from the non-consensual sexual assault of a woman and physical violence against her boyfriend after security personnel intervened at the Bonifacio Global City venue.”}},{“@type”:”Question”,”name”:”Did Mark Cardona offer a financial settlement after his arrest?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”According to reports, Mark Cardona attempted to negotiate a financial settlement with the victims following the incident. However, the couple rejected the offer, stating that accountability was necessary to prevent similar incidents from happening to other women in the future.”}},{“@type”:”Question”,”name”:”Has Mark Cardona been arrested for other offenses in the past?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Yes, Mark Cardona has a history of prior arrests. In May 2018, he was arrested for allegedly stabbing his former partner in Makati. In March 2021, he faced physical injury charges following a 2020 brawl in Bonifacio Global City.”}},{“@type”:”Question”,”name”:”Which teams did Mark Cardona play for during his PBA career?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Mark \”Captain\” Cardona played in the Philippine Basketball Association (PBA) from 2005 to 2017. During his professional career, he played as a guard for Talk ‘N Text, Meralco Bolts, Air21 Express, NLEX Road Warriors, and GlobalPort Batang Pier.”}}]}## Frequently Asked Questions ### Why was former PBA player Mark Cardona arrested in BGC? Former PBA player Mark Cardona was arrested by Taguig police following an alleged incident at a BGC bar where he grabbed and kissed a 21-year-old woman without consent. Cardona also reportedly attacked her boyfriend when confronted, leading to formal charges. ### What criminal charges is Mark Cardona facing after the BGC incident? Taguig police charged Mark Cardona with acts of lasciviousness and physical injuries. The charges stem from the non-consensual sexual assault of a woman and physical violence against her boyfriend after security personnel intervened at the Bonifacio Global City venue. ### Did Mark Cardona offer a financial settlement after his arrest? According to reports, Mark Cardona attempted to negotiate a financial settlement with the victims following the incident. However, the couple rejected the offer, stating that accountability was necessary to prevent similar incidents from happening to other women in the future. ### Has Mark Cardona been arrested for other offenses in the past? Yes, Mark Cardona has a history of prior arrests. In May 2018, he was arrested for allegedly stabbing his former partner in Makati. In March 2021, he faced physical injury charges following a 2020 brawl in Bonifacio Global City. ### Which teams did Mark Cardona play for during his PBA career? Mark “Captain” Cardona played in the Philippine Basketball Association (PBA) from 2005 to 2017. During his professional career, he played as a guard for Talk ‘N Text, Meralco Bolts, Air21 Express, NLEX Road Warriors, and GlobalPort Batang Pier. Related Stories - [LA Tenorio Keeps Beating the Odds](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/la-tenorio/ "LA Tenorio Keeps Beating the Odds") - [This Kowloon House Restaurant Hosts Some of the Best Wrestling in the Country](https://rollingstonephilippines.com/culture/sports/kowloon-house-wrestling-venue/ "This Kowloon House Restaurant Hosts Some of the Best Wrestling in the Country") - [Can the PBA Be Great Again at 50?](https://rollingstonephilippines.com/culture/50-years-of-pba/ "Can the PBA Be Great Again at 50?") **Categories:** Culture, Sports **Tags:** Mark Cardona, PBA --- ### [Filipino Artists and Activists Show Up for Palestine in Viva Palestina Concert](https://rollingstonephilippines.com/state-of-affairs/viva-palestina-ph-artists-palestine/) **Published:** March 27, 2026 **Author:** Pie Gonzaga **Excerpt:** Filipino musicians and activists converged at the Philippines‑Palestine Friendship Association’s full‑day festival of forums, workshops, and performances for justice and liberation **Content:** Mindanaoan rap collective [Morobeats](https://rollingstonephilippines.com/tag/morobeats/ "MoroBeats"), [The Ransom Collective](https://rollingstonephilippines.com/tag/the-ransom-collective/ "The Ransom Collective")’s Jerms, Toneejay, and many other Filipino artists gathered at the GT-Toyota Asian Center Auditorium at the University of the Philippines Diliman to celebrate Filipino-Palestinian friendship at Viva Palestina! A Solidarity Fair for Justice and Freedom. Viva Palestina, held on March 22, was a full day of discussions, workshops, and performances by Filipino artists and activists. The fair started with the forum, “Palestine and the Philippines: The Struggle for Self-Determination and Liberation.” Here, UP Diliman Asian Center Dean Noel Christian Moratilla, [Philippines‑Palestine Friendship Association](https://rollingstonephilippines.com/tag/ppfa/ "PPFA") (PPFA) President Dr. Delen dela Paz, BAYAN International Officer Sarah Raymundo, and Venezuela Charge d’Affaires Richard Lobo discussed the shared struggles of the Palestinian and Filipino peoples under imperialism. The event is a build-up to the March 30 commemoration of the Great March of Return, situating “local solidarity within a global call to end occupation, lift the blockade on Gaza, and uphold the right of return of refugees,” according to the PPFA. ![jerms viva palestina](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/jerms-viva-palestina.webp) Jerms, a member of indie-folk band The Ransom Collective, also performed at the solidarity concert. Photo from Philippines-Palestine Friendship Association/Facebook In the afternoon, several advocacy groups held different workshops and discussions simultaneously, tackling issues such as famine and food sovereignty, culture and media for liberation, and the right of Palestinian refugees to return to their homeland. The human rights alliance Karapatan and the feminist social enterprise Pinay Collection also held a talk on [political prisoners](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/activist-amanda-echanis-free-cumpio/) in [Palestine](http://palestine) and the Philippines, followed by a workshop where participants wrote letters to political prisoners. During the discussion, Lumad educator Julieta Gomez and writer Amanda Echanis also gave testimonies about their arrests, trumped-up charges, and red-tagging. During the solidarity concert, Echanis also read Palestinian poet Fadwa Tuqan, “Hamza,” a poem about the resilience of Palestinians, personified by an ordinary man named Hamza, in the face of grief and destruction. Echanis had translated the poem into Filipino for the poetry collection, *‘Pagkat Tayo Man ay May Sampaga*: *New Philippine Writing and Translation for a Free Palestine*. Echanis read, “Ang lupaing ito na hitik sa mga palmera at pataba sa lupa / ay siya ring lupa na nagsisilang ng mga mandirigmang-bayan / Kung gayon, ang lupa, kapatid ko, ay ang ating ina!” ![amanda echanis viva palestina](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/amanda-echanis-viva-palestina.webp) Writer and activist Amanda Echanis reads the poem “Hamza” by Fadwa Tuqan, translated into Filipino. Photo from Philippines-Palestine Friendship Association/Facebook The evening also featured notable performances, from Jerms’ R&B set and acoustic serenades by Toneejay and The Jerks’ Chickoy Pura, to the energetic, percussion-driven set by the music collective Anima Tierra. To cap off a night of celebration, DJ Medmessiah and the rest of Morobeats took to the stage to deliver an electrifying set, which included the crowd favorite, “Anak Ka ng Pu.” Like many of the other speakers and performers throughout the day, Morobeats also led chants calling for a free Palestine. {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”What was the Viva Palestina event at UP Diliman?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Viva Palestina was a full-day solidarity fair and concert held on March 22 at UP Diliman’s GT-Toyota Asian Center Auditorium. Organized by the Philippines‑Palestine Friendship Association, it brought together Filipino artists, scholars, and activists advocating for Palestinian liberation and an end to occupation.”}},{“@type”:”Question”,”name”:”Which Filipino artists performed at the Viva Palestina concert?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”The concert featured performances by Mindanaoan hip-hop collective Morobeats (led by DJ Medmessiah), Toneejay, Jerms (The Ransom Collective), Chickoy Pura (The Jerks), and percussion group Anima Tierra. Performers integrated musical sets with calls for a free Palestine and global refugee rights.”}},{“@type”:”Question”,”name”:”How do Filipino activists connect the struggle of Palestine to local issues?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Organizations at the event linked Palestinian resistance to Philippine social issues through shared histories under imperialism, anti-colonization efforts, political prisoner repression, and human rights defense. Speakers emphasized self-determination, food sovereignty, and global anti-imperialist solidarity as interconnected struggles.”}},{“@type”:”Question”,”name”:”What poem did Amanda Echanis translate and read at Viva Palestina?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Writer Amanda Echanis read her Tagalog translation of \”Hamza,\” a poem by Palestinian poet Fadwa Tuqan reflecting resilience amid destruction. The translation appears in ‘Pagkat Tayo Man ay May Sampaga, an anthology of Philippine writing published in solidarity with a free Palestine.”}},{“@type”:”Question”,”name”:”Who participated in the political prisoner workshops at Viva Palestina?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Human rights alliance Karapatan and feminist social enterprise Pinay Collection led discussions on political detainees in Palestine and the Philippines. The workshop featured firsthand testimonies from former political prisoners, including Lumad educator Julieta Gomez and writer Amanda Echanis, alongside letter-writing sessions.”}}]}## Frequently Asked Questions ### What was the Viva Palestina event at UP Diliman? Viva Palestina was a full-day solidarity fair and concert held on March 22 at UP Diliman’s GT-Toyota Asian Center Auditorium. Organized by the Philippines‑Palestine Friendship Association, it brought together Filipino artists, scholars, and activists advocating for Palestinian liberation and an end to occupation. ### Which Filipino artists performed at the Viva Palestina concert? The concert featured performances by Mindanaoan hip-hop collective Morobeats (led by DJ Medmessiah), Toneejay, Jerms (The Ransom Collective), Chickoy Pura (The Jerks), and percussion group Anima Tierra. Performers integrated musical sets with calls for a free Palestine and global refugee rights. ### How do Filipino activists connect the struggle of Palestine to local issues? Organizations at the event linked Palestinian resistance to Philippine social issues through shared histories under imperialism, anti-colonization efforts, political prisoner repression, and human rights defense. Speakers emphasized self-determination, food sovereignty, and global anti-imperialist solidarity as interconnected struggles. ### What poem did Amanda Echanis translate and read at Viva Palestina? Writer Amanda Echanis read her Tagalog translation of “Hamza,” a poem by Palestinian poet Fadwa Tuqan reflecting resilience amid destruction. The translation appears in ‘Pagkat Tayo Man ay May Sampaga, an anthology of Philippine writing published in solidarity with a free Palestine. ### Who participated in the political prisoner workshops at Viva Palestina? Human rights alliance Karapatan and feminist social enterprise Pinay Collection led discussions on political detainees in Palestine and the Philippines. The workshop featured firsthand testimonies from former political prisoners, including Lumad educator Julieta Gomez and writer Amanda Echanis, alongside letter-writing sessions. Related Stories - [Morobeats is the Rap Collective Giving Filipino Anger a Soundtrack](https://rollingstonephilippines.com/music/hiphop-rnb/morobeats-rap-collective-filipino-anger/ "Morobeats is the Rap Collective Giving Filipino Anger a Soundtrack") - [Morobeats Wins FMAs Hip-Hop Song of the Year, and Calls for Free Palestine](https://rollingstonephilippines.com/music/hiphop-rnb/morobeats-filipino-music-awards-palestine/ "Morobeats Wins FMAs Hip-Hop Song of the Year, and Calls for Free Palestine") - [How Gaza’s Crawl Towards Famine Changed Western Media Coverage](https://rollingstonephilippines.com/state-of-affairs/politics/gaza-famine-western-media-coverage/ "How Gaza’s Crawl Towards Famine Changed Western Media Coverage") **Categories:** Music, State of Affairs **Tags:** Amanda Echanis, MoroBeats, Palestine, PPFA, The Ransom Collective --- ### [Chai Fonacier on Her Breakout Role and Playing a Trans Man](https://rollingstonephilippines.com/media-channels/greatest-hits/chai-fonacier-indie-films/) **Published:** March 27, 2026 **Author:** Don Jaucian **Excerpt:** Paying the rent may be part of the award-winning actress’ motivation to get projects, but she’s always found her way into some of the most memorable characters in film and TV **Content:** Cebuano actress [Chai Fonacier](https://rollingstonephilippines.com/tag/chai-fonacier/ "Chai Fonacier") only had a handful of acting credits when she was cast in Ara Chawdhury’s *Miss Bulalacao*. In the indie film, Fonacier plays the stepmother of Dodong (Russ Ligtas), a young drag queen, who gets pregnant after a supposed alien abduction. The 2015 Cinema One Originals film was Fonacier’s first feature film, so it was significant to her, even though she didn’t really see acting as her career. Little did she know that *Miss Bulalacao* would be the role that would launch her as an actress, earning the film festival’s Best Supporting Actress award. “It didn’t register to me until the other films came, like *Pauwi Na* or *Respeto* and all these other stuff, because they saw \[*Miss Bulalacao*\] and they saw that I won that award and I’m like, ‘Huh, okay, so I can do this,’,” says Fonacier in the latest episode of Rolling Stone Philippines Greatest Hits*,* where she talks about her most remarkable roles and projects so far. “I would say that I fumbled my way and stumbled my way into acting. It started with *Miss Bulalacao,* and because the film scene in Cebu was very small at the time, it’s really like, ‘Chai, can you… I was thinking of you to do this role, you know?’ And then the acting just really snowballed from there.” Fonacier eventually received one of her most remarkable roles to date, playing Jude in the hilarious *[Patay na si Hesus](http://fatrick%20tabada)*, where she stars opposite [Jaclyn Jose](http://jaclyn%20jose). But Fonacier almost didn’t star in the film. The filmmakers scrapped her original character, which sends her into a panic. But she is offered Jude instead, which she realizes, after accepting the role, is a trans man. “Wait, what do I know of trans men? Oh, Lord. So I panic,” she says. “I had the worst panic attack of my life. Because I wanted to treat this character with respect, with a lot of respect and a lot of sensitivity.” Hear more about *Patay na Hesus*, *Nocebo*, and more in Fonacier’s *Rolling Stone Philippines’ Greatest Hits* episode. Now on the *Rolling Stone Philippines* YouTube channel. {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”How did Chai Fonacier get her start in acting?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Cebuano actress Chai Fonacier began acting through Ara Chawdhury’s 2015 Cinema One Originals film Miss Bulalacao. Originally a musician in Cebu’s local arts scene, her award-winning supporting role as a stepmother snowballed into leading roles across acclaimed regional and national independent films.”}},{“@type”:”Question”,”name”:”What character did Chai Fonacier play in Patay na si Hesus?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Chai Fonacier played Jude (formerly Judith Marie), a trans man and one of the central children of Iyay (Jaclyn Jose) in the 2016 Cebuano dark comedy Patay na si Hesus. Her performance earned the Best Supporting Actress award at the 35th Luna Awards.”}},{“@type”:”Question”,”name”:”How did Chai Fonacier prepare for her role as a trans man in Patay na si Hesus?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”After being offered the role of Jude, Fonacier researched trans masculine experiences to portray the character with sensitivity, respect, and authenticity. She sought to avoid caricatured tropes, grounding her comedic timing in genuine humanity and family dynamics.”}},{“@type”:”Question”,”name”:”What awards has Chai Fonacier won for her indie film roles?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Fonacier won Best Supporting Actress at the 2015 Cinema One Originals Film Festival for Miss Bulalacao and repeated the feat at the 35th Luna Awards (Film Academy of the Philippines) for her performance in Patay na si Hesus.”}},{“@type”:”Question”,”name”:”What international projects has Chai Fonacier starred in alongside Eva Green?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Chai Fonacier starred in the 2022 Irish-Filipino psychological thriller Nocebo, directed by Lorcan Finnegan. She played Diana, a Filipino caregiver using traditional folk magic, opposite French actress Eva Green and British actor Mark Strong.”}}]}## Frequently Asked Questions ### How did Chai Fonacier get her start in acting? Cebuano actress Chai Fonacier began acting through Ara Chawdhury’s 2015 Cinema One Originals film Miss Bulalacao. Originally a musician in Cebu’s local arts scene, her award-winning supporting role as a stepmother snowballed into leading roles across acclaimed regional and national independent films. ### What character did Chai Fonacier play in Patay na si Hesus? Chai Fonacier played Jude (formerly Judith Marie), a trans man and one of the central children of Iyay (Jaclyn Jose) in the 2016 Cebuano dark comedy Patay na si Hesus. Her performance earned the Best Supporting Actress award at the 35th Luna Awards. ### How did Chai Fonacier prepare for her role as a trans man in Patay na si Hesus? After being offered the role of Jude, Fonacier researched trans masculine experiences to portray the character with sensitivity, respect, and authenticity. She sought to avoid caricatured tropes, grounding her comedic timing in genuine humanity and family dynamics. ### What awards has Chai Fonacier won for her indie film roles? Fonacier won Best Supporting Actress at the 2015 Cinema One Originals Film Festival for Miss Bulalacao and repeated the feat at the 35th Luna Awards (Film Academy of the Philippines) for her performance in Patay na si Hesus. ### What international projects has Chai Fonacier starred in alongside Eva Green? Chai Fonacier starred in the 2022 Irish-Filipino psychological thriller Nocebo, directed by Lorcan Finnegan. She played Diana, a Filipino caregiver using traditional folk magic, opposite French actress Eva Green and British actor Mark Strong. Related Articles - [Why ‘Kalel, 15’ Was an Important Breakout Role for Elijah Canlas](https://rollingstonephilippines.com/media-channels/greatest-hits/elijah-canlas/ "Why ‘Kalel, 15’ Was an Important Breakout Role for Elijah Canlas") - [One of Jericho Rosales’ Dreams? Starting a Magazine](https://rollingstonephilippines.com/media-channels/jericho-rosales-secret-stash/ "One of Jericho Rosales’ Dreams? Starting a Magazine") - [Fatrick Tabada on Jaclyn Jose and Writing a Cebuano Film](https://rollingstonephilippines.com/media-channels/greatest-hits/fatrick-tabada/ "Fatrick Tabada on Jaclyn Jose and Writing a Cebuano Film") **Categories:** Culture, Film, Greatest Hits, Media Channels **Tags:** Chai Fonacier --- ### [‘Tomodachi Life’ Lets Players Go Fully Unhinged](https://rollingstonephilippines.com/culture/video-games/tomodachi-life-game-release/) **Published:** March 27, 2026 **Author:** Elijah Pareño **Excerpt:** What starts as a simple island setup can spiral into strange interactions, driven by how much control players have over every detail **Content:** *[Tomodachi](https://rollingstonephilippines.com/tag/tomodachi/ "Tomodachi") Life: Living the Dream — Welcome Version* has just dropped its full game release. Based on the *Tomodachi Collection*, a Japan-exclusive life simulation game released in 2009, the premise of the game is to drop your Mii characters on an island and let them interact on their own, where unpredictability ensues. On March 26, Nintendo previewed the game’s mechanics through its official YouTube channel. The game plays like a modern-day, chaotic, human version of *Animal Crossing*, only far more unhinged in how players can customize characters and dictate their lives. > [View this post on Instagram](https://www.instagram.com/reel/DWTyL1Qga7F/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Nintendo of America (@nintendoamerica)](https://www.instagram.com/reel/DWTyL1Qga7F/?utm_source=ig_embed&utm_campaign=loading) Players can customize from decorating avatars with cat ears and anime eyes to how their characters look and speak, such as unfiltered swearing during dialogue sequences. The game leans into the unpredictability of choice, encouraging players to experiment with how far they can stretch each character’s identity and behavior. Longtime fans of the game can expect a larger, highly modifiable, and modern take on the life-simulation series upon release, where they can copy looks through images, fall in love, and cohabit. {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”What is Tomodachi Life: Living the Dream and when did it release?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Tomodachi Life: Living the Dream is a life-simulation game developed by Nintendo for the Switch console. Building upon the 2009 Japan-exclusive Tomodachi Collection, the title drops customizable Mii characters onto an island to interact autonomously in unpredictable social scenarios.”}},{“@type”:”Question”,”name”:”How does Tomodachi Life: Living the Dream compare to Animal Crossing?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”While both titles feature island simulation, Tomodachi Life focuses on unhinged avatar behavior, custom dialogue, and autonomous character drama rather than resource gathering. Players dictate Mii dialogue, aesthetic traits, and social dynamics, resulting in a chaotic human-centric simulation experience.”}},{“@type”:”Question”,”name”:”What customization features are available in Tomodachi Life: Living the Dream?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Players can customize Mii avatars with distinct aesthetic accessories like anime eyes or cat ears, import external looks via images, and program speech synthetics. Character dialogue allows unfiltered phrasing, enabling players to shape unique personalities, catchphrases, and unpredictable island interactions.”}},{“@type”:”Question”,”name”:”Can Mii characters form romantic relationships and cohabit in Tomodachi Life?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Yes, Mii characters in Tomodachi Life: Living the Dream can fall in love, enter romantic relationships, and cohabit on the island. The game’s simulation engine allows avatars to autonomously build friendships, start romantic rivalries, and move into shared homes together.”}},{“@type”:”Question”,”name”:”Why is Tomodachi Life considered a countercultural entry in Nintendo’s library?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Unlike Nintendo’s typically sanitized life simulators, Tomodachi Life embraces player-driven chaos, absurdity, and unfiltered self-expression. By letting players dictate unscripted dialogue and push avatar identities to extreme lengths, the game offers a subversively satirical take on social simulation games.”}}]}## Frequently Asked Questions ### What is Tomodachi Life: Living the Dream and when did it release? Tomodachi Life: Living the Dream is a life-simulation game developed by Nintendo for the Switch console. Building upon the 2009 Japan-exclusive Tomodachi Collection, the title drops customizable Mii characters onto an island to interact autonomously in unpredictable social scenarios. ### How does Tomodachi Life: Living the Dream compare to Animal Crossing? While both titles feature island simulation, Tomodachi Life focuses on unhinged avatar behavior, custom dialogue, and autonomous character drama rather than resource gathering. Players dictate Mii dialogue, aesthetic traits, and social dynamics, resulting in a chaotic human-centric simulation experience. ### What customization features are available in Tomodachi Life: Living the Dream? Players can customize Mii avatars with distinct aesthetic accessories like anime eyes or cat ears, import external looks via images, and program speech synthetics. Character dialogue allows unfiltered phrasing, enabling players to shape unique personalities, catchphrases, and unpredictable island interactions. ### Can Mii characters form romantic relationships and cohabit in Tomodachi Life? Yes, Mii characters in Tomodachi Life: Living the Dream can fall in love, enter romantic relationships, and cohabit on the island. The game’s simulation engine allows avatars to autonomously build friendships, start romantic rivalries, and move into shared homes together. ### Why is Tomodachi Life considered a countercultural entry in Nintendo’s library? Unlike Nintendo’s typically sanitized life simulators, Tomodachi Life embraces player-driven chaos, absurdity, and unfiltered self-expression. By letting players dictate unscripted dialogue and push avatar identities to extreme lengths, the game offers a subversively satirical take on social simulation games. Related Stories - [What’s the Deal With the Dialogue in ‘Pokémon Pokopia’?](https://rollingstonephilippines.com/culture/internet-culture/pokemon-pokopia-nintendo-dialogue-memes/ "What’s the Deal With the Dialogue in ‘Pokémon Pokopia’?") - [5 Video Game Soundtracks from the 2000s That Made Gaming Feel Like Cinema](https://rollingstonephilippines.com/editors-picks/lists/5-video-game-soundtracks-2000s/ "5 Video Game Soundtracks from the 2000s That Made Gaming Feel Like Cinema") - [Margielyn Didal Joins Tony Hawk Video Game as Playable Character](https://rollingstonephilippines.com/culture/sports/margielyn-didal-joins-tony-hawk-video-game-as-playable-character/ "Margielyn Didal Joins Tony Hawk Video Game as Playable Character") **Categories:** Culture, Video Games **Tags:** Nintendo, Tomodachi Life --- ### [The PROUDRACE Long Sleeve BTS Wore in 2013 Is Back Again](https://rollingstonephilippines.com/music/pop/proudrace-2013-bts-longsleeve-rerelease/) **Published:** March 27, 2026 **Author:** Elijah Pareño **Excerpt:** The Manila fashion label revisits its early overseas break after the K-pop group wore the piece on TV, turning a small print into a long-running fan favorite. **Content:** [PROUDRACE](https://rollingstonephilippines.com/tag/proudrace/ "PROUDRACE") has announced the re-release of its notable Hieroglyphic 93 white long sleeve, famously worn by [BTS](https://rollingstonephilippines.com/tag/bts/ "BTS"). On March 27, 2013, the group performed on the South Korean music program *Show! Music Core,*”where they wore the PROUDRACE-designed piece featuring hieroglyphic symbols printed across the sleeves and front. > [View this post on Instagram](https://www.instagram.com/p/DWX6458Dxki/?utm_source=ig_embed&utm_campaign=loading)[A post shared by PROUDRACE (@proudrace)](https://www.instagram.com/p/DWX6458Dxki/?utm_source=ig_embed&utm_campaign=loading) “12 years ago when we were just starting to sell Proudrace overseas,” the brand said in a statement on Instagram. “A few shops from Bangkok, Taipei, Japan, HK, Singapore, and South Korea carried this specific print in their small concept stores. For us, that was already a triumph to even be carried by shops outside of Manila. To our surprise, it ended up being worn by one of the biggest boy groups now.” This is not the first time the brand has brought the piece back. In 2021, PROUDRACE also re-released the top to commemorate the milestone. Founded in 2012, the Manila-based label has built a reputation for its graphic-heavy designs, earning recognition from platforms like Vogue and Highsnobiety. The long sleeve is now available for P1,500 via PROUDRACE through their social media direct messages, with limited quantities on hand. {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”When did BTS wear the PROUDRACE Hieroglyphic long sleeve shirt?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”BTS wore the PROUDRACE Hieroglyphic 93 white long sleeve on March 27, 2013, during a live performance on South Korea’s music television program Show! Music Core early in their rookie era.”}},{“@type”:”Question”,”name”:”How much is the PROUDRACE BTS long sleeve shirt and where can I buy it?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”The PROUDRACE Hieroglyphic 93 long sleeve is priced at ₱1,500. Fans and streetwear collectors can purchase limited quantities directly through PROUDRACE’s official social media direct messages.”}},{“@type”:”Question”,”name”:”What is PROUDRACE?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”PROUDRACE is an acclaimed contemporary street style and design label founded in Manila, Philippines, in 2012. Known for its graphic-heavy, deconstructed aesthetic, the brand has been recognized by global platforms like Vogue and Highsnobiety.”}},{“@type”:”Question”,”name”:”Has PROUDRACE re-released this BTS shirt before?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Yes, PROUDRACE previously re-released a limited run of the Hieroglyphic 93 long sleeve top in 2021 to commemorate the milestone, making the latest drop another special archive reissue for fans.”}},{“@type”:”Question”,”name”:”What does the PROUDRACE Hieroglyphic 93 shirt design look like?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”The Hieroglyphic 93 shirt is a white long-sleeve top featuring black hieroglyphic-inspired symbols and numbers printed down both sleeves and across the front torso, reflecting PROUDRACE’s signature 1990s-inspired graphic aesthetic.”}}]}## Frequently Asked Questions ### When did BTS wear the PROUDRACE Hieroglyphic long sleeve shirt? BTS wore the PROUDRACE Hieroglyphic 93 white long sleeve on March 27, 2013, during a live performance on South Korea’s music television program Show! Music Core early in their rookie era. ### How much is the PROUDRACE BTS long sleeve shirt and where can I buy it? The PROUDRACE Hieroglyphic 93 long sleeve is priced at ₱1,500. Fans and streetwear collectors can purchase limited quantities directly through PROUDRACE’s official social media direct messages. ### What is PROUDRACE? PROUDRACE is an acclaimed contemporary street style and design label founded in Manila, Philippines, in 2012. Known for its graphic-heavy, deconstructed aesthetic, the brand has been recognized by global platforms like Vogue and Highsnobiety. ### Has PROUDRACE re-released this BTS shirt before? Yes, PROUDRACE previously re-released a limited run of the Hieroglyphic 93 long sleeve top in 2021 to commemorate the milestone, making the latest drop another special archive reissue for fans. ### What does the PROUDRACE Hieroglyphic 93 shirt design look like? The Hieroglyphic 93 shirt is a white long-sleeve top featuring black hieroglyphic-inspired symbols and numbers printed down both sleeves and across the front torso, reflecting PROUDRACE’s signature 1990s-inspired graphic aesthetic. Related Stories - [Ranking Every Song from BTS’ ‘Arirang’](https://rollingstonephilippines.com/music/pop/ranking-every-song-from-bts-arirang/ "Ranking Every Song from BTS’ ‘Arirang’") - [5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding](https://rollingstonephilippines.com/editors-picks/lists/5-moments-sb19-rewrote-p-pop-worldbuilding/ "5 Moments SB19 Rewrote the Rules of P-Pop Worldbuilding") - [5 SexBomb Girls Anthems That Shimmied Them Into Pop Icon Status](https://rollingstonephilippines.com/music/pop/5-sexbomb-girls-anthems/ "5 SexBomb Girls Anthems That Shimmied Them Into Pop Icon Status") **Categories:** Music, Pop **Tags:** BTS, PROUDRACE --- ### [Philippines Tops List of Countries With Most Unaffordable Housing](https://rollingstonephilippines.com/state-of-affairs/philippines-worst-in-housing-affordability/) **Published:** March 27, 2026 **Author:** Pie Gonzaga **Excerpt:** In 2025, more than half of Filipinos reported housing-related financial issues, as high costs and limited affordable options squeeze households **Content:** The most expensive housing isn’t in developed countries, but in developing countries, [*The Economist*](https://www.economist.com/asia/2026/03/25/the-worlds-most-unaffordable-housing-is-not-where-you-think/) reports. And according to a 2025 survey by analytics company Gallup, the Philippines ranks the worst in terms of housing affordability in emerging markets. A graphic based on Gallup’s data shows that around 54 percent of respondents from the Philippines experienced housing-related financial problems. The Philippines is followed by 10 other Asian countries: Sri Lanka, Myanmar, Thailand, Bangladesh, India, South Korea, Nepal, Indonesia, China, and Singapore. In Manila, quality apartment units cost 20 times as much as the median household income, according to Hong Kong-based real estate research firm Urban Land Institute. The report by *The Economist* also cites Quezon City Mayor [Joy Belmonte](https://rollingstonephilippines.com/state-of-affairs/joy-belmonte-quezon-city-mayor/ "What Joy Belmonte Plans To Do On Her Last Term as Quezon City Mayor") as saying that developers are reluctant to build affordable housing in the country because they profit more from higher-end projects. On a national scale, even public housing programs don’t do well for lower-income households. A [June 2025 report](https://rollingstonephilippines.com/state-of-affairs/power/4ph-poor-housing-program-inklusibo/) by the Philippine Resource Center for Inclusive Development shows that the country’s socialized housing program is unaffordable for the poor and overly dependent on the private sector. {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”Why is housing so expensive in the Philippines?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Housing in the Philippines is unaffordable due to rapid urbanization, high land values, and developer preference for lucrative high-end projects over low-income homes. Additionally, government socialized housing programs remain heavily reliant on private developers, limiting access for low-income families.”}},{“@type”:”Question”,”name”:”What percentage of Filipinos face housing-related financial issues?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”According to data from analytics firm Gallup, approximately 54 percent of surveyed respondents in the Philippines reported experiencing housing-related financial difficulty. This statistic ranks the country worst among emerging markets in housing affordability.”}},{“@type”:”Question”,”name”:”How expensive is apartment housing in Metro Manila relative to income?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”According to research by the Urban Land Institute, quality apartment units in Metro Manila cost roughly 20 times the median annual household income. This severe price-to-income imbalance places quality urban housing out of reach for average working families.”}},{“@type”:”Question”,”name”:”What other Asian countries face high housing affordability issues?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Following the Philippines, 10 other Asian nations struggle with housing affordability in emerging and regional markets: Sri Lanka, Myanmar, Thailand, Bangladesh, India, South Korea, Nepal, Indonesia, China, and Singapore.”}},{“@type”:”Question”,”name”:”Why are private developers reluctant to build affordable housing in the Philippines?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Developers profit significantly more from high-end residential, commercial, and luxury condominium projects. As noted by local municipal officials, low profit margins on socialized housing discourage private firms from constructing units tailored to low-income buyers.”}}]}## Frequently Asked Questions ### Why is housing so expensive in the Philippines? Housing in the Philippines is unaffordable due to rapid urbanization, high land values, and developer preference for lucrative high-end projects over low-income homes. Additionally, government socialized housing programs remain heavily reliant on private developers, limiting access for low-income families. ### What percentage of Filipinos face housing-related financial issues? According to data from analytics firm Gallup, approximately 54 percent of surveyed respondents in the Philippines reported experiencing housing-related financial difficulty. This statistic ranks the country worst among emerging markets in housing affordability. ### How expensive is apartment housing in Metro Manila relative to income? According to research by the Urban Land Institute, quality apartment units in Metro Manila cost roughly 20 times the median annual household income. This severe price-to-income imbalance places quality urban housing out of reach for average working families. ### What other Asian countries face high housing affordability issues? Following the Philippines, 10 other Asian nations struggle with housing affordability in emerging and regional markets: Sri Lanka, Myanmar, Thailand, Bangladesh, India, South Korea, Nepal, Indonesia, China, and Singapore. ### Why are private developers reluctant to build affordable housing in the Philippines? Developers profit significantly more from high-end residential, commercial, and luxury condominium projects. As noted by local municipal officials, low profit margins on socialized housing discourage private firms from constructing units tailored to low-income buyers. Related Stories - [Filipino Working Poor Still Left Behind in New Housing Program, Report Shows](https://rollingstonephilippines.com/state-of-affairs/power/4ph-poor-housing-program-inklusibo/ "Filipino Working Poor Still Left Behind in New Housing Program, Report Shows") - [Makati ‘Mole People’ Exposé Reveals Social Housing Crisis Among Urban Poor](https://rollingstonephilippines.com/state-of-affairs/power/makati-mole-people-social-housing/ "Makati ‘Mole People’ Exposé Reveals Social Housing Crisis Among Urban Poor") - [Here’s How 15-Minute Cities in Metro Manila Can Work, According to a Study](https://rollingstonephilippines.com/state-of-affairs/power/15-minute-city-metro-manila/ "Here’s How 15-Minute Cities in Metro Manila Can Work, According to a Study") **Categories:** State of Affairs **Tags:** Urban Development --- ### [Low on Fuel, the Philippines Hurtles Towards a Transport Crisis](https://rollingstonephilippines.com/state-of-affairs/transportation-state-of-affairs/transport-strike-crisis-oil/) **Published:** March 26, 2026 **Author:** Pie Gonzaga **Excerpt:** As oil prices surge and supply dwindles, the government scrambles to soften the blow on commuters and drivers, but are fare discounts and subsidies enough to weather a global crisis? **Content:** The second transport strike this month kicked off on Thursday, March 26, as public utility vehicle (PUV) drivers continue to protest against the oil price hike. This week, local airline carriers also began to [scale down operations](https://rollingstonephilippines.com/state-of-affairs/transportation-state-of-affairs/flights-canceled-fuel-energy-emergency/) due to rising fuel prices. And on Wednesday, March 25, President Ferdinand “Bongbong” Marcos Jr. said that the country only has enough fuel supply for 45 days. In all but name, the Philippines appears to be in a transport crisis. The government has carried out programs to remedy the woes of motorists and commuters alike. On Tuesday, March 24, the Department of Social Welfare and Development began to roll out cash aid for drivers of tricycles, jeepneys, and transport network vehicle services, with each beneficiary receiving P5000. The Department of Transportation is also set to release fuel subsidies for drivers, but has not given a timeline for distribution as of this writing. Meanwhile, [MRT-3 and LRT-2](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/oil-price-hike-public-transportation/) have implemented a 50 percent fare discount for all commuters, which started on Monday, March 23. The Department of Labor and Employment has also urged private companies to implement flexible and [remote work arrangements](https://rollingstonephilippines.com/state-of-affairs/transportation-state-of-affairs/oil-price-hike-work-from-home/) to help Filipino workers cut travel costs. Despite these, drivers and commuters continue to be crushed by surging oil prices. This week, the cost of gasoline exceeded P100, while the price of diesel has climbed to P144, according to the Department of Energy. ![jeepney drivers dswd cash aid quezon memorial circle](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/dswd-cash-aid-for-jeepney-drivers.webp) Jeepney drivers line up to get cash aid from the DSWD at the Quezon Memorial Circle, March 25. Photo by Robert Oswald P. Alfiler/Philippine News Agency ## Tackling the Fuel Shortage During protests on Thursday, participating drivers called for the government to roll back fuel prices, increase PUV fares, and junk the Downstream Oil Industry Deregulation Act. More commonly known as the Oil Deregulation Law, the measure removed government control over the pricing, importation, and marketing of petroleum products. They also called for an end to [conflicts in the Middle East](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/diesel-price-us-iran-hormuz/), as the fuel shortage and subsequent price surge were caused by Iran’s blockade of shipments at the Strait of Hormuz. The corridor, located south of Iran, is responsible for 20 percent of the world’s oil supply. Meanwhile, on Thursday evening, Marcos [announced](https://www.facebook.com/share/v/1CbRVKCsxS/) that the Camago-3 well in the Malampaya gas field has been “successfully drilled and tested, producing up to 60 million standard cubic feet of gas per day.” He said that it means “more power, steadier power, and cheaper power” for Filipinos. In his statement, the president said that gas from Malampaya, located north of Palawan, only costs around P4.80 per kilowatt hour, while imported liquified natural gas costs P10.30 per kilowatt hour. “Every unit of power we generate from Malampaya instead of imported fuel is money saved by households, by small businesses, by every Filipino who pays an electricity bill,” he said. Additionally, the Camago-3 and Malampaya East-1 wells are projected to “extend the life of the Malampaya gas field by an estimated six years,” according to Marcos. However, this breakthrough will only help the country avoid an energy crisis, as the Malampaya gas project is primarily aimed at generating electricity, and not making petroleum products such as gasoline, diesel, and kerosene. {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”Why are PUV drivers launching transport strikes in the Philippines?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Public utility vehicle (PUV) drivers staged strikes to protest soaring fuel costs, with gasoline exceeding ₱100 per liter and diesel reaching ₱144. Drivers are demanding price rollbacks, fare hikes, and the repeal of the Downstream Oil Industry Deregulation Act.”}},{“@type”:”Question”,”name”:”What assistance is the Philippine government offering to motorists and commuters?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”The government distributed ₱5,000 cash aid through the DSWD for tricycle, jeepney, and TNVS drivers, alongside planned DOTr fuel subsidies. Additionally, MRT-3 and LRT-2 introduced a 50 percent fare discount, while DOLE encouraged flexible work arrangements.”}},{“@type”:”Question”,”name”:”How many days of fuel supply does the Philippines have left?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”President Ferdinand Marcos Jr. stated that the Philippines holds an estimated 45-day supply of petroleum products. The shortage stems from Middle East supply disruptions and Iran’s blockade of oil tankers at the Strait of Hormuz.”}},{“@type”:”Question”,”name”:”How does the Malampaya gas field discovery affect the fuel crisis?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Drilling at the Camago-3 well in the Malampaya field generates natural gas for domestic electricity, reducing power bills. However, because Malampaya produces natural gas for power plants rather than petroleum, it does not supply gasoline or diesel.”}},{“@type”:”Question”,”name”:”What is the Downstream Oil Industry Deregulation Act?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Republic Act No. 8479, or the Oil Deregulation Law, removed government control over pricing, importation, and distribution of petroleum products in the Philippines. Striking drivers argue that the law allows unchecked price spikes during global supply crises.”}}]}## Frequently Asked Questions ### Why are PUV drivers launching transport strikes in the Philippines? Public utility vehicle (PUV) drivers staged strikes to protest soaring fuel costs, with gasoline exceeding ₱100 per liter and diesel reaching ₱144. Drivers are demanding price rollbacks, fare hikes, and the repeal of the Downstream Oil Industry Deregulation Act. ### What assistance is the Philippine government offering to motorists and commuters? The government distributed ₱5,000 cash aid through the DSWD for tricycle, jeepney, and TNVS drivers, alongside planned DOTr fuel subsidies. Additionally, MRT-3 and LRT-2 introduced a 50 percent fare discount, while DOLE encouraged flexible work arrangements. ### How many days of fuel supply does the Philippines have left? President Ferdinand Marcos Jr. stated that the Philippines holds an estimated 45-day supply of petroleum products. The shortage stems from Middle East supply disruptions and Iran’s blockade of oil tankers at the Strait of Hormuz. ### How does the Malampaya gas field discovery affect the fuel crisis? Drilling at the Camago-3 well in the Malampaya field generates natural gas for domestic electricity, reducing power bills. However, because Malampaya produces natural gas for power plants rather than petroleum, it does not supply gasoline or diesel. ### What is the Downstream Oil Industry Deregulation Act? Republic Act No. 8479, or the Oil Deregulation Law, removed government control over pricing, importation, and distribution of petroleum products in the Philippines. Striking drivers argue that the law allows unchecked price spikes during global supply crises. Related Stories - [Fuel Costs Trigger Philippine Flight Cancelations Amid Energy Emergency](https://rollingstonephilippines.com/state-of-affairs/transportation-state-of-affairs/flights-canceled-fuel-energy-emergency/ "Fuel Costs Trigger Philippine Flight Cancelations Amid Energy Emergency") - [With Skyrocketing Oil Prices, It May Be Time to Work from Home Again](https://rollingstonephilippines.com/state-of-affairs/transportation-state-of-affairs/oil-price-hike-work-from-home/ "With Skyrocketing Oil Prices, It May Be Time to Work from Home Again") - [Diesel Expected to Hit P114 in PH as Trump Vows to ‘Bomb the Hell’ Out of Iran](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/diesel-price-us-iran-hormuz/ "Diesel Expected to Hit P114 in PH as Trump Vows to ‘Bomb the Hell’ Out of Iran") **Categories:** State of Affairs, Transportation **Tags:** Oil Price Hike, Transportation --- ### [Do We Really Need A ‘Harry Potter’ Series?](https://rollingstonephilippines.com/culture/tv/harry-potter-philosophers-stone-series-trailer/) **Published:** March 26, 2026 **Author:** Mel Wang **Excerpt:** The answer, good reader, is a resounding no **Content:** We’re getting a series adaptation of *Harry Potter and the Philosopher’s Stone* — this may not necessarily be a good thing. The trailer for the latest addition to the franchise just dropped, and it introduces us to a new roster of actors entering the [Harry Potter](https://rollingstonephilippines.com/tag/harry-potter/ "Harry Potter") universe. We see a young, bright-eyed Harry (Dominic McLaughlin) survive the abusive tirades of his aunt Petunia (Bel Powley), ram his way through the wall at Platform 9 ¾, and introduce himself to an equally starry-eyed Ron (Alastair Stout) and Hermione (Arabella Stanton). He can also be spotted taking his Nimbus 2000 to the Quidditch field and receiving his very first wand from Ollivander (Anton Lesser). If this all sounds familiar, that’s because the series is following pretty much the same beats as the film adaptation of [J.K. Rowling’s](https://rollingstonephilippines.com/state-of-affairs/jinkx-monsoon-jk-rowling-transphobia/ "Jinkx Monsoon Has A Lot to Say About J.K. Rowling’s Transphobia") widely acclaimed novel. Over the past few years, Rowling has repeatedly made headlines due to her remarks against transgender people and her vocal opinions that align with that of trans exclusionary radical feminism (or, in short, we’re calling her a TERF). Rowling herself is an executive producer on the series, drawing contention even from several of the actors on the show. “She’s allowed her opinion and I’m allowed mine, they just don’t align in any way, shape or form,” actor Nick Frost, who plays Hagrid in the upcoming series, told [*Deadline*](https://deadline.com/2025/06/nick-frost-harry-potter-jk-rowling-trans-rights-1236427919/). John Lithgow, who plays Albus Dumbledore, told [*The New York Times*](https://www.nytimes.com/2026/03/17/theater/john-lithgow-giant-roald-dahl.html) that he almost pulled out of the series due to the backlash he’d received from accepting the role. “Every interview I will ever do for the rest of my life, this will come up,” he said. As a former Potterhead who grew up watching Rowling burn down all of her public dignity with her transphobia, I find it difficult to see the merits of revamping the novels on the small screen, especially given her direct involvement with the adaptation. Over the years, Rowling has dug her own metaphorical grave with her hateful rhetoric, bringing the Harry Potter franchise down in the dirt with her. Daniel Radcliffe, Emma Watson, and Rupert Grint have all publicly denounced the author, with very few of the original cast standing on her side (ahem, Tom Felton). Moreover, considering how it looks like the series will not be straying far, if at all, from the film adaptation of *Harry Potter and the Philosopher’s Stone*, I can’t see why there would be a need to revise the film and novel at all (except if this were merely a cash grab). We’ll just have to wait for this Christmas to see what the show is like in its entirety, but so far, it definitely lacks magic. {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”Who plays Harry, Ron, and Hermione in the HBO ‘Harry Potter’ series?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Dominic McLaughlin stars as Harry Potter, Alastair Stout plays Ron Weasley, and Arabella Stanton plays Hermione Granger in HBO’s series adaptation. The young cast leads the decade-long project adapting J.K. Rowling’s seven novels.”}},{“@type”:”Question”,”name”:”Who else is in the cast of the new ‘Harry Potter’ TV show?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”The supporting cast features John Lithgow as Albus Dumbledore, Nick Frost as Rubeus Hagrid, Janet McTeer as Minerva McGonagall, and Paapa Essiedu as Severus Snape. Warwick Davis also returns to reprise his role as Professor Flitwick.”}},{“@type”:”Question”,”name”:”Is J.K. Rowling involved in the HBO ‘Harry Potter’ series?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Yes, J.K. Rowling serves as an executive producer on the series. Her direct involvement has sparked widespread debate and pushback due to her public history of anti-transgender statements and rhetoric.”}},{“@type”:”Question”,”name”:”When does the ‘Harry Potter’ series premiere on HBO Max?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”The first season, titled Harry Potter and the Philosopher’s Stone, consists of eight episodes and is scheduled to premiere globally on HBO and HBO Max on December 25, 2026.”}},{“@type”:”Question”,”name”:”How is the HBO series different from the original ‘Harry Potter’ movies?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”While HBO’s series plans to cover more background details from the books across multi-episode seasons, initial footage reveals a loyal retelling of The Philosopher’s Stone that mirrors the narrative beats of the 2001 feature film.”}}]}## Frequently Asked Questions ### Who plays Harry, Ron, and Hermione in the HBO ‘Harry Potter’ series? Dominic McLaughlin stars as Harry Potter, Alastair Stout plays Ron Weasley, and Arabella Stanton plays Hermione Granger in HBO’s series adaptation. The young cast leads the decade-long project adapting J.K. Rowling’s seven novels. ### Who else is in the cast of the new ‘Harry Potter’ TV show? The supporting cast features John Lithgow as Albus Dumbledore, Nick Frost as Rubeus Hagrid, Janet McTeer as Minerva McGonagall, and Paapa Essiedu as Severus Snape. Warwick Davis also returns to reprise his role as Professor Flitwick. ### Is J.K. Rowling involved in the HBO ‘Harry Potter’ series? Yes, J.K. Rowling serves as an executive producer on the series. Her direct involvement has sparked widespread debate and pushback due to her public history of anti-transgender statements and rhetoric. ### When does the ‘Harry Potter’ series premiere on HBO Max? The first season, titled Harry Potter and the Philosopher’s Stone, consists of eight episodes and is scheduled to premiere globally on HBO and HBO Max on December 25, 2026. ### How is the HBO series different from the original ‘Harry Potter’ movies? While HBO’s series plans to cover more background details from the books across multi-episode seasons, initial footage reveals a loyal retelling of The Philosopher’s Stone that mirrors the narrative beats of the 2001 feature film. Related Stories - [Jinkx Monsoon Has A Lot to Say About J.K. Rowling’s Transphobia](https://rollingstonephilippines.com/state-of-affairs/jinkx-monsoon-jk-rowling-transphobia/ "Jinkx Monsoon Has A Lot to Say About J.K. Rowling’s Transphobia") - [Why is Draco Malfoy the Face of Chinese New Year 2026?](https://rollingstonephilippines.com/culture/internet-culture/draco-malfoy-chinese-new-year/ "Why is Draco Malfoy the Face of Chinese New Year 2026?") - [Film Concerts PH Reimagines Movie Scores for the Live Stage](https://rollingstonephilippines.com/music/film-concerts-ph-movie-scores/ "Film Concerts PH Reimagines Movie Scores for the Live Stage") **Categories:** Culture, TV **Tags:** Harry Potter --- ### [Sublime’s New Era Begins With Jakob Nowell on Lead Vocals](https://rollingstonephilippines.com/music/punk/sublimes-new-album-with-jakob-nowell/) **Published:** March 26, 2026 **Author:** Elijah Pareño **Excerpt:** The longtime ska band returns with its first album in decades, now led by the lead vocalist’s son carrying forward a legacy **Content:** [Sublime](https://rollingstonephilippines.com/tag/sublime/ "Sublime") announced their new album, *Until the Sun Explodes*, their first in three decades, set for release on June 12. The LP arrives with Jakob Nowell stepping in as frontman, following the death of his father and the band’s original vocalist, Bradley Nowell. The music video for the album’s title track was filmed around Long Beach and features cameos from pro skateboarders Christian Hosoi and Omar Hassan. > [View this post on Instagram](https://www.instagram.com/reel/DWUhZ1GjIIF/?utm_source=ig_embed&utm_campaign=loading)[A post shared by SUBLIME (@sublime)](https://www.instagram.com/reel/DWUhZ1GjIIF/?utm_source=ig_embed&utm_campaign=loading) In 2024, Jakob officially took on the role of lead singer in front of thousands at the Coachella Music Festival. As the reunited band returned to a major stage, Sublime became part of a broader ska-punk revival at that year’s festival, alongside No Doubt, who performed together for the first time in nearly a decade. The band was formed in 1988 by bassist Eric Wilson, drummer Bud Gaugh, and singer-guitarist Bradley Nowell. The band released their debut album, *40oz. to Freedom*, in 1992, followed by *Robbin’ the Hood* in 1994. Bradley Nowell died of a heroin overdose in 1996, two months before the release of the band’s self-titled album. {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”When was Sublime’s new album ‘Until the Sun Explodes’ released?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Sublime’s fourth studio album, Until the Sun Explodes, was released on June 12, 2026, via Atlantic Records. It marks the band’s first full-length studio release in three decades following their self-titled 1996 album.”}},{“@type”:”Question”,”name”:”Who is the new lead singer of Sublime?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Jakob Nowell is the lead singer and guitarist of Sublime. He is the son of original frontman Bradley Nowell, who died in 1996. Jakob officially debuted as the band’s lead vocalist at the 2024 Coachella Valley Music and Arts Festival.”}},{“@type”:”Question”,”name”:”Who appears in the ‘Until the Sun Explodes’ music video?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”The music video for the title track \”Until the Sun Explodes\” was filmed on location around Long Beach, California. It features guest cameo appearances from professional skateboarders Christian Hosoi and Omar Hassan.”}},{“@type”:”Question”,”name”:”Who are the current members of Sublime?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”The current lineup of Sublime features original founding members Eric Wilson on bass and Bud Gaugh on drums, alongside lead vocalist and guitarist Jakob Nowell.”}},{“@type”:”Question”,”name”:”What were Sublime’s previous studio albums?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Before Until the Sun Explodes (2026), Sublime released three studio albums featuring original frontman Bradley Nowell: 40oz. to Freedom (1992), Robbin’ the Hood (1994), and their self-titled breakthrough album Sublime (1996).”}}]}## Frequently Asked Questions ### When was Sublime’s new album ‘Until the Sun Explodes’ released? Sublime’s fourth studio album, Until the Sun Explodes, was released on June 12, 2026, via Atlantic Records. It marks the band’s first full-length studio release in three decades following their self-titled 1996 album. ### Who is the new lead singer of Sublime? Jakob Nowell is the lead singer and guitarist of Sublime. He is the son of original frontman Bradley Nowell, who died in 1996. Jakob officially debuted as the band’s lead vocalist at the 2024 Coachella Valley Music and Arts Festival. ### Who appears in the ‘Until the Sun Explodes’ music video? The music video for the title track “Until the Sun Explodes” was filmed on location around Long Beach, California. It features guest cameo appearances from professional skateboarders Christian Hosoi and Omar Hassan. ### Who are the current members of Sublime? The current lineup of Sublime features original founding members Eric Wilson on bass and Bud Gaugh on drums, alongside lead vocalist and guitarist Jakob Nowell. ### What were Sublime’s previous studio albums? Before Until the Sun Explodes (2026), Sublime released three studio albums featuring original frontman Bradley Nowell: 40oz. to Freedom (1992), Robbin’ the Hood (1994), and their self-titled breakthrough album Sublime (1996). Related Stories - [Eraserheads on Music, Maturity, and Making History](https://rollingstonephilippines.com/music/eraserheads-on-music-maturity-and-making-history/ "Eraserheads on Music, Maturity, and Making History") - [1994: A Cultural Shift in the Filipino Music Landscape](https://rollingstonephilippines.com/music/1994-filipino-music-landscape/ "1994: A Cultural Shift in the Filipino Music Landscape") - [How Wanderland Defined a Decade of Indie in the Philippines](https://rollingstonephilippines.com/music/how-wanderland-defined-a-decade-of-indie-in-the-philippines/ "How Wanderland Defined a Decade of Indie in the Philippines") **Categories:** Music, Punk **Tags:** Sublime --- ### [Fuel Costs Trigger Philippine Flight Cancelations Amid Energy Emergency](https://rollingstonephilippines.com/state-of-affairs/transportation-state-of-affairs/flights-canceled-fuel-energy-emergency/) **Published:** March 26, 2026 **Author:** Pie Gonzaga **Excerpt:** With the country’s current fuel supply only good for 45 days, local airline carriers are also trimming down their flights **Content:** Airline carriers in the Philippines, such as Cebu Pacific and Philippine Airlines (PAL), have canceled some flights amid [rising fuel prices](https://rollingstonephilippines.com/tag/oil-price-hike/ "Oil Price Hike") due to tensions in the Middle East. This comes as [President Ferdinand Bongbong Marcos Jr.](https://rollingstonephilippines.com/tag/ferdinand-marcos-jr/ "Ferdinand Marcos Jr.") says there is a “distinct possibility” that flights from the Philippines may be grounded due to fuel “scarcity.” On the evening of Tuesday, March 24, he also declared a national state of energy emergency. Marcos signed an executive order on the energy emergency “to implement responsive and coordinated measures under existing laws to address the risks posed by disruptions in the global energy supply and the domestic economy.” The order will be in effect for one year. The president’s declaration comes only a day after the Palace said there was “no energy crisis” and asserted that the Philippines has enough fuel supply. On Wednesday, March 25, PAL said it has enough jet fuel supply to support all scheduled flights, including long-haul flights, “for the foreseeable future.” “The airline recognizes that global supply conditions remain dynamic,” PAL said in its statement. “As part of prudent planning, PAL continues to work closely with fuel suppliers, industry partners, and government stakeholders to ensure stable and efficient operations over the longer term.” Because of the [U.S.-Israel war with Iran](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/diesel-price-us-iran-hormuz/ "‘We Saw Missiles For The First Time’: JP Anglo On Living in Dubai Amid the Middle East Conflict"), PAL has also announced a temporary suspension of flights to and from cities in the Middle East, such as Riyadh, Dubai, and Doha. ![ferdinand bongbong marcos jr. declares state of national energy emergency](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/marcos-state-of-energy-emergency.webp) President Ferdinand Marcos Jr. signs Executive Order No. 110, declaring a state of energy emergency, March 24, 2026. Photo from Presidential Communications Office/Facebook Meanwhile, Cebu Pacific issued an advisory on Monday, March 23, stating that it will reduce and suspend some of its routes from April to October, citing rising fuel costs. “These changes are driven by the impact of the crisis on global fuel prices, which have more than doubled compared with 2025 averages,” Cebu Pacific said. On Wednesday, Marcos said that he has ordered the Department of Energy (DOE) to secure additional fuel sources, as the DOE says the country only has a supply for 45 days. “Although we cannot be assured right now of the supply, we can be sure that at least for 45 days, we will be all right,” Marcos said during his address in Malacañang. “We can be confident that after the 45 days \[…\] we will already have a flow of oil — not just one delivery, not just two deliveries, but a flow of petroleum and petroleum-related products.” {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”Why are Philippine airlines canceling flights?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Philippine carriers, including Cebu Pacific and Philippine Airlines (PAL), are canceling and reducing flights due to global jet fuel prices more than doubling. The spike stems from Middle East geopolitical tensions and supply disruptions impacting domestic fuel reserves.”}},{“@type”:”Question”,”name”:”What is the Philippine state of national energy emergency?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”President Ferdinand Marcos Jr. declared a one-year national state of energy emergency to implement coordinated measures under existing laws. The executive order aims to safeguard the economy and manage severe risks to domestic fuel and energy supplies.”}},{“@type”:”Question”,”name”:”How many days of fuel supply does the Philippines have left?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”According to the Department of Energy (DOE) and President Marcos, the Philippines maintains an estimated 45-day supply of petroleum products. The government is actively working with international suppliers to secure continuous oil deliveries beyond this window.”}},{“@type”:”Question”,”name”:”Which Philippine Airlines (PAL) flights are suspended?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Philippine Airlines temporarily suspended flights to and from key Middle Eastern destinations, including Dubai, Riyadh, and Doha, citing safety concerns and operational dynamics surrounding regional conflict and fuel supply conditions.”}},{“@type”:”Question”,”name”:”What routes is Cebu Pacific reducing or suspending?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Cebu Pacific announced route reductions and suspensions scheduled from April through October. The operational adjustments target flights most heavily impacted by global jet fuel costs, which doubled relative to 2025 average prices.”}}]}## Frequently Asked Questions ### Why are Philippine airlines canceling flights? Philippine carriers, including Cebu Pacific and Philippine Airlines (PAL), are canceling and reducing flights due to global jet fuel prices more than doubling. The spike stems from Middle East geopolitical tensions and supply disruptions impacting domestic fuel reserves. ### What is the Philippine state of national energy emergency? President Ferdinand Marcos Jr. declared a one-year national state of energy emergency to implement coordinated measures under existing laws. The executive order aims to safeguard the economy and manage severe risks to domestic fuel and energy supplies. ### How many days of fuel supply does the Philippines have left? According to the Department of Energy (DOE) and President Marcos, the Philippines maintains an estimated 45-day supply of petroleum products. The government is actively working with international suppliers to secure continuous oil deliveries beyond this window. ### Which Philippine Airlines (PAL) flights are suspended? Philippine Airlines temporarily suspended flights to and from key Middle Eastern destinations, including Dubai, Riyadh, and Doha, citing safety concerns and operational dynamics surrounding regional conflict and fuel supply conditions. ### What routes is Cebu Pacific reducing or suspending? Cebu Pacific announced route reductions and suspensions scheduled from April through October. The operational adjustments target flights most heavily impacted by global jet fuel costs, which doubled relative to 2025 average prices. Related Stories - [Can Free Train Rides, PUV Fuel Subsidy Ease Transit Woes from Oil Price Hike?](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/oil-price-hike-public-transportation/ "Can Free Train Rides, PUV Fuel Subsidy Ease Transit Woes from Oil Price Hike?") - [With Skyrocketing Oil Prices, It May Be Time to Work from Home Again](https://rollingstonephilippines.com/state-of-affairs/transportation-state-of-affairs/oil-price-hike-work-from-home/ "With Skyrocketing Oil Prices, It May Be Time to Work from Home Again") - [Diesel Expected to Hit P114 in PH as Trump Vows to ‘Bomb the Hell’ Out of Iran](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/diesel-price-us-iran-hormuz/ "Diesel Expected to Hit P114 in PH as Trump Vows to ‘Bomb the Hell’ Out of Iran") **Categories:** State of Affairs, Transportation **Tags:** Oil Price Hike --- ### [Romnick Sarmenta is Not Here for the ‘Bread Trip’](https://rollingstonephilippines.com/culture/theater/romnick-sarmenta/) **Published:** March 26, 2026 **Author:** Chuck Smith **Excerpt:** He weathered many trends and downturns in the industry, but the “About Us But Not About Us” actor doesn’t just want to work for work’s sake **Content:** It’s tempting to call this a season of resurgence for Romnick Sarmenta. He was, after all, in a number of high-profile projects the past couple of years, including Jerrold Tarog’s big-budget historical biopic *Quezon*. What projects has Sarmenta done before the pandemic? It’s likely you will draw a blank, though he has done plenty. It’s a sign of an actor who can disappear into his role. It’s also indicative that the actor is more interested in the work than in fame. But the 53-year-old acknowledges — perhaps even entertains — this idea of a resurgence, even if it’s a bit inaccurate. Sarmenta, an actor who started out as a child star in the late 1970s, was never really gone. He has been working, if a bit too quietly. But he was always there. It just so happens that you’re only paying attention again now. “It’s flattering that the generations of my children will get to enjoy some of the things I get to be part of, the projects or narratives that they would be able to enjoy and carry with them,” Sarmenta told *Rolling Stone Philippines*. “That’s a gift. I think that’s a gift that I will never be able to give to myself.” ![romnick sarmenta artu nepomuceno quezon](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/Romnick-Sarmenta-Joseph-Pascual-Rolling-Stone-Philippines-6.webp) Sarmenta as former President Sergio Osmeña in *Quezon*. Photo by Artu Nepomuceno His schedule in 2025 proves this. “I was in *[Quezon](https://rollingstonephilippines.com/tag/quezon/ "Quezon")*. I was also doing two other projects parallel to that for the span of last year. It’s always two or three projects… I was mostly out of the house. May mga times na uuwi na lang ako para magpalit ng damit at maligo,” he said. Which means to say: it feels like Sarmenta is everywhere these days, not so much because this is his second wind — because it isn’t — but more like a function of the steady work he has been doing throughout the years. Sarmenta’s breakthrough in show business came in his role as Peping in the 1970s soap opera *Gulong ng Palad*, an adaptation of a popular 1950s radio drama. From a child star, he transitioned to becoming a matinee idol. But perhaps his fans from the 1980s would best remember him for his onscreen partnership with actress Sheryl Cruz. Together, they starred in hit movies such as *Puso sa Puso* and *Pardina at ang mga Duwende*. Sarmenta became the prototypical Filipino movie star, unknowingly creating what felt like templates for the modern love team formula that launched many A-teams decades after his romantic lead reign. Sarmenta, despite the trappings of fame, managed to transition from child star to young adult actor gracefully, no awkward stage or rebellious phase needed. He then did the most popular genre in the Philippine box office at the time: action films, in the vein of [Robin Padilla](https://rollingstonephilippines.com/tag/robin-padilla/ "Robin Padilla"), Jestoni Alarcon, and Philip Salvador. He is aware that things could have gone south for him as a young actor in showbiz. But he was “very lucky,” he said, to have started his career “with people who care.” “With productions before, everyone treated everybody like family. And that kind of thing, I discovered when I was growing up, is unique. And you try to carry on that and apply that to the other sets that you go to. But there’s always something unique \[about\] each \[production\].” But that sense of camaraderie faces a unique set of challenges when filtered through the lens of modern celebrity culture. ![Romnick-Sarmenta-Joseph-Pascual-Rolling-Stone-Philippines-3](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/Romnick-Sarmenta-Joseph-Pascual-Rolling-Stone-Philippines-3.webp) “I love the stage. I don’t know how I can substantially verbalize my love for theater. It was a late awakening.” Having worked with the popular love teams of this time, Sarmenta comments, “It’s very different. And at the same time, it’s the same.” He wasn’t as generous or casual about it in his youth, however. Sarmenta would not call it traumatic, though it was confusing. “I think a lot of us got confused, also with what a love team is for. There are those of us who fell hard for it, and there are some of us who got the assignment. At the same time, those who did, at one point naman, feeling ng fans nila that they were betrayed.” Which is why Sarmenta likely wouldn’t be involved in a “love team” now. “Not for anything. It’s just that it was a bit of a struggle to get out of it. In my case, because my love team with Sheryl before was, modesty aside, kind of big, it was very hard to get out of it… The sad part about love teams is that people will try to find a reason to blame somebody for why the love team falls apart. And that’s unfair to both parties.” He further explained, “I understand that there are good stories of people falling in love \[at\] my age, but I’d rather keep it like that. Let’s stick to the plot. Let’s stick to the narrative of the film and ‘wag na tayo magpaki- lig beyond that.” The stories he is sticking with? The ones he believes in, Sar- menta said. For instance, his role as the timid (but possibly prob- lematic) Filipino teacher Eric in the stage adaptation of the psychological drama *About Us But Not About Us*. Written and directed by Jun Lana, the 2022 film was a “pandemic project” that Sarmenta felt was a “personal project” for Lana; he would not be surprised, he said, if the film ended up not being released at all. But it did — to great critical acclaim, at that — and is now adapted for the stage, directed by Tuxqs Rutaquio. “I didn’t want to be critical of Eric in the film, because he was a pleasure to play. I learned a lot from him. I like to think that my character, they also taught me a few things here and there to pick up in my life, or to reflect upon,” he said. This isn’t Sarmenta’s first foray into theater. He has done a number of stage productions since the 2000s, his first was under Dulaang UP, with the late actor and director Tony Mabesa, now National Artist for Theater. One of his most recent is *The Impossible Dream*, a one-act play that imagines a secret meeting between fraternity brothers Benigno Aquino Jr. (played by Sarmenta) and Ferdinand Marcos Sr. (played by Ron Capinding). ![Romnick-Sarmenta-Joseph-Pascual-Rolling-Stone-Philippines-4](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/Romnick-Sarmenta-Joseph-Pascual-Rolling-Stone-Philippines-4.webp) “I love the stage. I don’t know how I can substantially verbalize my love for theater. It was a late awakening,” he said. “The discipline made me fall in love with acting again,” Sarmenta said. “‘Yung being present enough for each member of the past onstage, so that you know when something’s going wrong, and then you’re still able to continue the scene. Just that generosity, that give and take, that openness, made me fall in love again, with acting. I’ve been falling in love with theater progressively.” “As long as there are good offers and stories that I can relate with or feel like wanting to be part of anything, sige, game. Walang problema.” Sarmenta believes his acting skill “is a gift.” “Being able to do this, understanding that this is probably the only thing that I really know how to do, makes me want to stay. Not to have the great parts, not to be ‘that’ actor, but to tell stories.” “I always think it’s a blessing. I’m always grateful for work. Without meaning to sound melodramatic in any way, I’ll work my butt off for my family. As long as there are good offers and stories that I can relate with or feel like wanting to be part of anything, sige, game. Walang problema.” “What I don’t want to feel ever is ‘yung ‘bread trip’ lang. ‘Yung gagawin ko lang just because it’s paying me well. It feels like I’m throwing whatever gift was given to me,” he explained. ![Romnick-Sarmenta-Joseph-Pascual-Rolling-Stone-Philippines-5](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/Romnick-Sarmenta-Joseph-Pascual-Rolling-Stone-Philippines-5.webp) “I don’t feel burdened by it, but there’s this responsibility to be able to convey to those who are coming in that they, as early as now, must understand that they also have a responsibility to tell the good stories and to uplift the craft. It’s not just supposed to be a vehicle for stardom or popularity, because if you treat it like that, then go somewhere else,” Sarmenta also said. ***This story first appeared in Rolling Stone Philippines’ Anniversary Issue*** ***Get a copy on [Sari-Sari Shopping](https://sarisari.shopping/products/rolling-stone-philippines-anniversary-issue-anne-curtis-iv-of-spades-cheche-lazaro), or read the e-magazine now* [*here*](https://rollingstonephilippines.com/digital-access/)*.*** {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”How did Romnick Sarmenta start his acting career?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Romnick Sarmenta began as a child star in the late 1970s, gaining national fame as Peping in the iconic TV series Gulong ng Palad. He later transitioned into a top matinee idol, action star, and critically acclaimed dramatic actor.”}},{“@type”:”Question”,”name”:”Who was Romnick Sarmenta’s iconic love team partner?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Romnick Sarmenta was paired with actress Sheryl Cruz during the 1980s, forming one of the most popular Philippine love teams of all time. They starred together in hit films such as Puso sa Puso and Pardina at ang mga Duwende.”}},{“@type”:”Question”,”name”:”What recent films and stage plays feature Romnick Sarmenta?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Sarmenta starred in Jerrold Tarog’s historical biopic Quezon and Jun Lana’s psychological drama About Us But Not About Us (both film and stage adaptation). He also played Benigno Aquino Jr. in the stage play The Impossible Dream.”}},{“@type”:”Question”,”name”:”What does Romnick Sarmenta mean by avoiding a ‘bread trip’?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”For Sarmenta, a \”bread trip\” means taking on acting roles solely for high financial pay rather than narrative quality. He considers acting a gift and prefers projects that elevate the craft, tell meaningful stories, and carry artistic responsibility.”}},{“@type”:”Question”,”name”:”Why does Romnick Sarmenta prefer theater over screen acting?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Sarmenta credits theater discipline and stage ensemble generosity with rekindling his passion for acting. He values the real-time presence, mutual trust among cast members, and collaborative nature required during live stage performances over commercial fame.”}}]}## Frequently Asked Questions ### How did Romnick Sarmenta start his acting career? Romnick Sarmenta began as a child star in the late 1970s, gaining national fame as Peping in the iconic TV series Gulong ng Palad. He later transitioned into a top matinee idol, action star, and critically acclaimed dramatic actor. ### Who was Romnick Sarmenta’s iconic love team partner? Romnick Sarmenta was paired with actress Sheryl Cruz during the 1980s, forming one of the most popular Philippine love teams of all time. They starred together in hit films such as Puso sa Puso and Pardina at ang mga Duwende. ### What recent films and stage plays feature Romnick Sarmenta? Sarmenta starred in Jerrold Tarog’s historical biopic Quezon and Jun Lana’s psychological drama About Us But Not About Us (both film and stage adaptation). He also played Benigno Aquino Jr. in the stage play The Impossible Dream. ### What does Romnick Sarmenta mean by avoiding a ‘bread trip’? For Sarmenta, a “bread trip” means taking on acting roles solely for high financial pay rather than narrative quality. He considers acting a gift and prefers projects that elevate the craft, tell meaningful stories, and carry artistic responsibility. ### Why does Romnick Sarmenta prefer theater over screen acting? Sarmenta credits theater discipline and stage ensemble generosity with rekindling his passion for acting. He values the real-time presence, mutual trust among cast members, and collaborative nature required during live stage performances over commercial fame. Related Stories - [Isabel Sandoval and the Art of Cinematic Yearning](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/isabel-sandoval-moonglow/ "Isabel Sandoval and the Art of Cinematic Yearning") - [Eugene Domingo Is Committed to the Bit (Role)](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/eugene-domingo/ "Eugene Domingo Is Committed to the Bit (Role)") - [LA Tenorio Keeps Beating the Odds](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/la-tenorio/ "LA Tenorio Keeps Beating the Odds") **Categories:** Culture, Film, Theater **Tags:** March 2026 Issue, Romnick Sarmenta --- ### [26 Years of Gabriela Women’s Party, in Their Own Words](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/gabriela-womens-party-history/) **Published:** March 25, 2026 **Author:** Pie Gonzaga **Excerpt:** Four Gabriela leaders, past and present, look back on the evolution of the party-list and the enduring struggle for women’s rights in Philippine politics **Content:** The women’s party-list [Gabriela](https://rollingstonephilippines.com/tag/gabriela/ "Gabriela") has seen four presidents, but the issues that they encountered 26 years ago when they were founded remain the same. “Ang isang issue talaga noon ay ‘yung patuloy na pagpapatupad ng mga neoliberal economic policies, na problema pa rin ngayon: deregulation, privatization,” says former Gabriela Representative [Liza Maza](https://rollingstonephilippines.com/tag/liza-maza/ "Liza Maza"), who served in Congress during the administration of Gloria Macapagal-Arroyo, from 2001 to 2010. These days, the House of Representatives is congested with party-lists that represent dynasties and politicians’ personal interests — a total opposite of the Party-List System Act, which was meant to ensure that the country’s marginalized sectors were represented in Congress. Critics call this the [tragedy](https://philippinelawjournal.org/forum/post/the-promise-and-tragedy-of-the-philippine-party-list-system/) of our current party-list system. But in the early years of its implementation, the Party-List System Act also gave rise to authentic sectoral representation, of which the Gabriela Women’s Party is both beneficiary and product. The party is an offshoot of GABRIELA Women’s Alliance — a feminist organization under Bagong Alyansang Makabayan (Bayan) — formed in 1984 at the height of the regime of Ferdinand Marcos Sr. In 2000, amid the anti-corruption ouster of then-President Joseph “Erap” Estrada, Bayan decided that it was high time for progressive representation in Congress. Thus, Gabriela, the party-list, was formed. It took until the 2004 elections for the party-list to win a seat. Gabriela’s time in Congress now spans four presidents and is marked by all sorts of challenges under each administration. In a conversation with *Rolling Stone Philippines*, former Congresswoman [Arlene Brosas](https://rollingstonephilippines.com/tag/arlene-brosas/ "Arlene Brosas") remarked that the party-list’s representatives just get younger, or “pabata nang pabata.” After first being represented by Maza in 2004, Gabriela would come to be represented by other women who also made their mark in Congress, such as its former president Luzviminda Ilagan, [Emmi de Jesus](https://rollingstonephilippines.com/tag/emmi-de-jesus/ "Emmi de Jesus"), and current Rep. [Sarah Elago](https://rollingstonephilippines.com/tag/sarah-elago/ "Sarah Elago"). Here, Maza, de Jesus, Brosas, and Elago give *Rolling Stone Philippines* an oral history of Gabriela Women’s Party, and talk about what comes ahead for the country’s women’s rights movement. ![gabriela women's party liza maza](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/liza-maza.webp) Former Rep. Liza Maza went on to represent Gabriela during Gloria Macapagal-Arroyo’s presidency after serving a first term under Bayan Muna, from 2004 to 2010. ## Beginnings in the Arroyo Years For the midterm elections in 2001, Bayan decided that only Bayan Muna, the party-list under Bayan, would run, according to Maza. “We decided Bayan Muna ang unang tatakbo,” she says. “But the women of Gabriela also wanted to be represented, that’s why I became one of the nominees of Bayan Muna.” After topping the 2001 party-list race with 1.7 million votes, Bayan Muna secured three seats in Congress, one of which Maza occupied. But it was in 2004 that, with Maza’s popularity and experience as a legislator, the Gabriela Women’s Party would finally make its way to the House of Representatives. She says, “‘Sabi ng Gabriela, ‘Ikaw na ‘yung may karanasan diyan. You can input what you learned there sa Gabriela Women’s Party.’” But the journey to Congress wasn’t easy, and Maza says that Gabriela’s campaign was mired by “black propaganda.” “Meron ngang mga poster kung saan in-edit nilang naka-bikini lang ako,” she recalls. “Talagang meron nang mga atake sa amin. ‘Yung aming mga bailiwicks, tinatakot. At tsaka ‘yung iba naming mga organizers, hinuhuli.” “Ang misogyny ay part ng playbook ng mga authoritarian regimes, because in effect, pinapatahimik mo na agad ‘yung kalahati ng population. Kaya noong time na ‘yun, you really had to be bold and prepared to — every time there’s a sexist or misogynistic remark — name it, call it out, and challenge it.” Cong. Sarah Elago That year, alongside Gabriela’s congressional debut, Arroyo’s ascent to power would also be legitimized by 12.9 million votes during the presidential elections in 2004. Arroyo, who had served as Estrada’s vice president, succeeded him as national chief executive, becoming the second female president of the Philippines. But Arroyo’s being a woman in power did little to protect and empower other women in government. “Overall, the challenge \[is\] our politics is predominantly traditional, ‘yung thinking na politics is not the domain of women,” Maza says. Despite the harassment, the party-list powered through the elections. Bayan Muna still dominated the polls, and was followed by other leftist parties like Anakpawis, Partido ng Manggagawa, and Gabriela. But it was further into Arroyo’s presidency that Gabriela would face more significant challenges. Aside from Arroyo’s pursuit of neoliberal policies, Maza also cited attacks on progressives in and out of government, briefly mentioning the case of Jovito “The Butcher” Palparan, the retired army general who carried out a violent anti-communist campaign under Arroyo and was convicted in 2018 for the enforced disappearances of two female student activists in 2006. That same year, Maza was put in the protective custody of the House of Representatives with congressmen Joel Virador, Satur Ocampo, Teddy Casiño, and Rafael Mariano, after they — along with Anakpawis Rep. Crispin Beltran — were accused by authorities of inciting to sedition. In 2007, the Supreme Court ordered a Makati regional trial court to drop the case against the group now known as the “Batasan 6.” “That was a repressive time, a state of emergency,” Maza says. “Very repressive si GMA,” De Jesus adds. ![gabriela women's party emmi de jesus](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/emmi-de-jesus.webp) Former Rep. Emmi de Jesus was one of the lawmakers to push for the Reproductive Health Law and champion women’s health in Congress during her tenure, from 2010 to 2019. “For us, kahit pa sabihin na babaeng president si Arroyo, hindi ibig sabihin nito na ang mga patakaran niya ay mag-aangat sa buhay ng mga kababaihan,” says Brosas. “It was very clear to us, as a women’s movement, na hindi sapat ang usaping gender.” “We were then, and still now, at the receiving end of harassment and intimidation because of Gabriela’s stances on issues,” Elago says. “Pagdating sa korapsyon, talagang nangunguna kaming magtanong, nangungunang maghanap ng solusyon. Pagdating din sa violations ng human rights, ‘yung panawagan para sa justice, hindi nananahimik ‘yung kababaihan.” ## Women’s Health During the Aquino Presidency One of the biggest controversies regarding women’s rights during the presidency of the late Benigno “Noynoy” Aquino III was the debate over the Reproductive Health Law, which Gabriela had co-sponsored. The R.H. Law drew criticism from the Catholic Church in the Philippines because it believed the measure to be anti-life and anti-family. But within the House of Representatives, the bill received little opposition. Instead, de Jesus says the struggle with passing the R.H. Law was that other lawmakers were motivated to vote in favor of the bill because they saw it as a means for population control. “Ang general frame ng pagpu-push namin ng R.H. Law ay ‘yung health ng kababaihan, maternal health specifically, from mental to physical,” she says. “Sadly, ang mas higit na pinag-uusapan sa debates ‘yung pagsisisi sa mga kababaihan. ‘Bakit naghihirap? Kasi buntis nang buntis.’” “Kaya we voted ‘yes’ with reservations,” Brosas adds. In 2014, the government was also criticized for the privatization of the Dr. Jose Fabella Memorial Hospital, or the National Maternity Hospital, which primarily serviced lower income women. During a discussion in Congress, De Jesus said, “With this privatization of Fabella, we are sure that poor mothers will experience further hardships in seeking inexpensive natal care for their families. Expect more babies to be born in pedicabs and convenience stores.” Towards the end of Aquino’s administration, the privatization of the maternal hospital went through, but it did not go unopposed by Gabriela and other women’s health advocates. Plans to modernize the hospital would be carried out in 2016, bleeding into the administration of [Rodrigo Duterte](https://rollingstonephilippines.com/tag/rodrigo-duterte/ "Rodrigo Duterte"). ## Misogyny and the Duterte Regime The women of Gabriela regard the Duterte years with some harshness, unsurprisingly. At the time, Brosas and de Jesus both represented the party in Congress, while Maza served in Duterte’s cabinet as the convenor of the National Anti-Poverty Commission until she resigned in 2018. Elago was a neophyte congresswoman, representing Kabataan Partylist. And they all had to deal with Duterte’s several misogynistic remarks. Ahead of the 2016 elections, Duterte drew flak for saying that he should have “gone first” in sexually assaulting an Australian national. In 2018, Duterte delivered a speech to former communist fighters, where he said, “We will not kill you. We will just shoot you in the vagina.” ![gabriela women's party arlene brosas](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/arlene-brosas.webp) Former Rep. Arlene Brosas also championed the SOGIE Bill and a measure proposing to end labor contractualization during her tenure as a lawmaker, from 2016 to 2025. In a privilege speech, de Jesus said that with the “shoot the vagina” comment, Duterte “further presented himself as the epitome of misogyny and fascism terribly rolled into one.” “Ang misogyny ay part ng playbook ng mga authoritarian regimes,” Elago says, “because in effect, pinapatahimik mo na agad ‘yung kalahati ng population. Kaya noong time na ‘yun, you really had to be bold and prepared to — every time there’s a sexist or misogynistic remark — name it, call it out, and challenge it.” Ironically, it was during his tenure that the Safe Spaces Act, also called the Bawal Bastos Law, was passed. But Brosas wants to make it clear that Duterte should not be given credit for it. “\[Bawal Bastos\] was the effort of the Senate and Congress, at tsaka ng mga congresswomen na talagang lumalaban,” she says. “Hangga’t may mga kababaihan na lumalaban, may pag-asa talaga tayo.” Former Cong. Arlene Brosas Maza emphasizes that Duterte’s remarks, and the macho culture they espouse, can still be felt today. “Sa panahon ni Duterte, hearing those degrading and sexist remarks, talagang he was pushing for the normalization of such attitudes towards women. Kaya mau-understand kung bakit ngayon, itong mga known na Duterte supporters, ang lakas ng loob magkawala ng mga ganyang remarks tungkol sa kababaihan. [\[Bong\] Suntay](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/bong-suntay-anne-curtis-non-apology/ "Cong. Bong Suntay’s Non-Apology for His Lewd Remark on Anne Curtis Isn’t Helping Him"), \[Ferdinand\] Topacio, [\[Robin\] Padilla](https://rollingstonephilippines.com/state-of-affairs/10-philippines-legislative-hearings-2024/ "10 Legislative Hearings That Rocked the Nation in 2024"). Ang dali-dali nilang magsalita ng degrading at sexist remarks kasi they think they can always get away with it.” Maza adds, “Pero syempre, nakita natin kung paano sila binash at nilabanan ng mga kababaihan.” ## Marcos Jr. and the Fight Now Throughout its tenure in Congress, Gabriela has consistently secured one or two seats in the House of Representatives. But in May 2025, the party-list suffered an initial first-time loss. “Noong nakita namin ‘yung resulta, hindi kami nakapaniwala,” Elago says, adding that the inclusion of more party-lists may be part of why Gabriela didn’t garner enough votes. “Bakit natin pinapayagan ‘yung mga bilyonaryo, mga contractors na tumakbo sa party-list?” Elago represented Kabataan from 2016 to 2022, and during this term, co-authored a number of measures with Gabriela, including the Safe Spaces Act and pro-women amendments to the Occupational Safety and Health Standards. “Pagdating sa korapsyon, talagang nangunguna kaming magtanong, nangungunang maghanap ng solusyon. Pagdating din sa violations ng human rights, ‘yung panawagan para sa justice, hindi nananahimik ‘yung kababaihan.” Cong. Sarah Elago When asked why she ran with Gabriela in 2025, Elago said, “Nandun ‘yung fire in me to really follow through on these victories. Kasi we know na however good these laws may sound on paper, without proper implementation and substantial funding, hindi rin mararamdaman ng mga constituents.” In September 2025, Gabriela was finally declared a winner in the congressional elections after another party-list seat was added to the House of Representatives to meet its 20 percent party-list representation requirement. Aside from seeing through the implementation of previously passed legislation, Gabriela’s mission now is to fight for policies that can genuinely uplift Filipino women, especially those in poverty. De Jesus says that between Arroyo and Ferdinand Marcos Jr., the president’s priority measures have consistently prioritized “globalization” over the economic conditions of women in the country. “Makikita talaga na hindi nila tinutugunan ang interes ng mga kababaihan,” she says. “One example lang yung matagal nating dependence sa imported na rice, mga vegetables at prutas,” says Elago. “At pag nag-rely ka doon sa importation at liberalized policies, habang sobrang underfunded ‘yung agriculture natin, marami talaga mawawalan ng trabaho. Nawawala rin ang recognition ng contribution ng kababaihan pagdating sa local agriculture. Hindi talaga magbabago ‘yung situation kung hindi mo rin babaguhin ang national policies at local policies na direktang nag-aapekto sa mga kababaihan.” Despite the lack of change, Gabriela is still convinced that the women’s movement in the country is only getting stronger. ![gabriela women's party sarah elago](https://assets.rollingstonephilippines.com/wp-content/uploads/2026/03/sarah-elago.webp) Cong. Sarah Elago says she chose to run with Gabriela after representing Kabataan Partylist because she wants to see through the implementation of pro-women policies she co-authored. “Nag-multiply ‘yung participation ng youth sa organizing, sa protest action, sa mga pag-aaral,” de Jesus notes. “Pero nasaan pa rin ang pinakamaraming kababaihan? Nandoon pa rin sa mas depressed areas, sa mga magsasaka, mga manggagawa. We really have to organize pa rin sa kanila.” Brosas says, “Hangga’t may mga kababaihan na lumalaban, may pag-asa talaga tayo. Kasi gustong mabago ‘yung sistema e, hindi favorable for most of our women ang mga nangyayari ngayon.” {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”What is the history of Gabriela Women’s Party in the Philippines?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Formed in 2000 as an offshoot of the GABRIELA Women’s Alliance (est. 1984), Gabriela Women’s Party is a sectoral party-list in the Philippine House of Representatives. It won its first congressional seat in 2004 with Representative Liza Maza.”}},{“@type”:”Question”,”name”:”Who are the notable representatives of Gabriela Women’s Party?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Key representatives of Gabriela Women’s Party include Liza Maza (2004–2010), Luzviminda Ilagan (2007–2016), Emmi de Jesus (2010–2019), Arlene Brosas (2016–2025), and Sarah Elago, who assumed representation for the party-list in 2025.”}},{“@type”:”Question”,”name”:”What was Gabriela Women’s Party’s position on the Reproductive Health Law?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Gabriela co-sponsored the Reproductive Health (RH) Law under President Benigno Aquino III to promote maternal health. However, they voted \”yes with reservations\” because debate focused heavily on population control and blaming poor women rather than broader healthcare infrastructure.”}},{“@type”:”Question”,”name”:”Did Gabriela Women’s Party support the Safe Spaces Act (Bawal Bastos Law)?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Yes, Gabriela Women’s Party co-authored and fought for the passage of the Safe Spaces Act (Republic Act No. 11313) during the Duterte administration to penalize gender-based sexual harassment in public spaces, workplaces, and online platforms.”}},{“@type”:”Question”,”name”:”How did Gabriela Women’s Party secure a congressional seat in 2025?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”After initial election night results in May 2025 placed Gabriela just outside winning seats, the party was officially declared a winner in September 2025 after additional party-list seats were allocated to meet the statutory 20 percent representation rule.”}}]}## Frequently Asked Questions ### What is the history of Gabriela Women’s Party in the Philippines? Formed in 2000 as an offshoot of the GABRIELA Women’s Alliance (est. 1984), Gabriela Women’s Party is a sectoral party-list in the Philippine House of Representatives. It won its first congressional seat in 2004 with Representative Liza Maza. ### Who are the notable representatives of Gabriela Women’s Party? Key representatives of Gabriela Women’s Party include Liza Maza (2004–2010), Luzviminda Ilagan (2007–2016), Emmi de Jesus (2010–2019), Arlene Brosas (2016–2025), and Sarah Elago, who assumed representation for the party-list in 2025. ### What was Gabriela Women’s Party’s position on the Reproductive Health Law? Gabriela co-sponsored the Reproductive Health (RH) Law under President Benigno Aquino III to promote maternal health. However, they voted “yes with reservations” because debate focused heavily on population control and blaming poor women rather than broader healthcare infrastructure. ### Did Gabriela Women’s Party support the Safe Spaces Act (Bawal Bastos Law)? Yes, Gabriela Women’s Party co-authored and fought for the passage of the Safe Spaces Act (Republic Act No. 11313) during the Duterte administration to penalize gender-based sexual harassment in public spaces, workplaces, and online platforms. ### How did Gabriela Women’s Party secure a congressional seat in 2025? After initial election night results in May 2025 placed Gabriela just outside winning seats, the party was officially declared a winner in September 2025 after additional party-list seats were allocated to meet the statutory 20 percent representation rule. Related Stories - [GABRIELA Calls Out Alvin Aragon’s ‘Slut-Shaming’ and Machismo](https://rollingstonephilippines.com/culture/internet-culture/alvin-aragon-remarks-slammed-gabriela/ "GABRIELA Calls Out Alvin Aragon’s ‘Slut-Shaming’ and Machismo") - [Cong. Bong Suntay’s Non-Apology for His Lewd Remark on Anne Curtis Isn’t Helping Him](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/bong-suntay-anne-curtis-non-apology/ "Cong. Bong Suntay’s Non-Apology for His Lewd Remark on Anne Curtis Isn’t Helping Him") - [10 Pending Philippine Bills That Demand Legislative Action](https://rollingstonephilippines.com/state-of-affairs/politics/10-pending-philippine-bills-that-demand-legislative-action/ "10 Pending Philippine Bills That Demand Legislative Action") **Categories:** Philippine Politics, State of Affairs **Tags:** Arlene Brosas, Emmi de Jesus, Gabriela, Gender Issues, Liza Maza, Sarah Elago --- ### [Ely Buendia Brings in New Blood for Upcoming Single ‘Ate’](https://rollingstonephilippines.com/music/rock/ely-buendia-ate-latest-single/) **Published:** March 25, 2026 **Author:** Elijah Pareño **Excerpt:** The veteran songwriter links up with a younger producer, aiming for a lighter outlook shaped by new ideas and studio dynamics **Content:** [Ely Buendia](https://rollingstonephilippines.com/tag/ely-buendia/ "Ely Buendia") is releasing a brand new single, “Ate,” produced by record producer Shadiel Chan, a Baguio-based music producer and label head of Nine Degrees North. Chan has produced for bands like [Cup of Joe](https://rollingstonephilippines.com/tag/cup-of-joe/ "Cup of Joe")’s “Multo” and Dilaw’s “Uhaw.” This marks the first collaboration between the producer and the singer. > [View this post on Instagram](https://www.instagram.com/p/DV0rt1licYa/?utm_source=ig_embed&utm_campaign=loading)[A post shared by Elean Buendia (@elybumbilya)](https://www.instagram.com/p/DV0rt1licYa/?utm_source=ig_embed&utm_campaign=loading) As he continues to expand his range after nearly three decades of releasing music, Buendia shares that working with Chan offered new insight and inspiration. “Shadiel had a fresh take on everything,” he said in a press statement. “He works fast, which I really like, and has a spot-on instinct. I’m always up for working with new blood. There’s a lot you can learn from them.” Buendia is releasing a brand new single, “Ate,” on March 26 under Offshore Music Philippines. Throughout 2025, Buendia has been promoting the documentary *[Eraserheads: Combo on the Run](https://rollingstonephilippines.com/music/eraserheads-combo-on-the-run-documentary-filmmaker-most-underrated-fact-press-con/ "‘Eraserheads: Combo on the Run’ Filmmaker on the Band’s Most Underrated Fact")* and his solo album *Method Adaptor*, which came out in November 2024. Months later, he has more up his sleeve with the release of a single that he says embodies the “mindset of seeing the positives in life’s ebbs and flows.” {“@context”:”https://schema.org”,”@type”:”FAQPage”,”mainEntity”:[{“@type”:”Question”,”name”:”Who produced Ely Buendia’s single ‘Ate’?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Ely Buendia’s single \”Ate\” was produced by Baguio-based producer Shadiel Chan, founder of Nine Degrees North. Chan is known for producing massive OPM hits, including Cup of Joe’s \”Multo\” and Dilaw’s chart-topping breakout single \”Uhaw.\””}},{“@type”:”Question”,”name”:”When was Ely Buendia’s single ‘Ate’ released?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Ely Buendia released \”Ate\” on March 26 under Offshore Music Philippines. The track follows his late-2024 solo album Method Adaptor and his work promoting the Eraserheads documentary Combo on the Run throughout 2025.”}},{“@type”:”Question”,”name”:”What is the meaning behind Ely Buendia’s song ‘Ate’?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”According to Ely Buendia, \”Ate\” reflects a mindset focused on finding optimism amidst life’s inevitable ebbs and flows. The track explores emotional perspective and personal growth, capturing a hopeful outlook after nearly three decades in music.”}},{“@type”:”Question”,”name”:”Why did Ely Buendia collaborate with producer Shadiel Chan?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”Seeking new creative perspective, Ely Buendia partnered with Shadiel Chan to bring a fresh take to his music. Buendia praised Chan’s fast workflow and sharp musical instincts, highlighting the value of learning from new talent in OPM.”}},{“@type”:”Question”,”name”:”What record label released Ely Buendia’s ‘Ate’?”,”acceptedAnswer”:{“@type”:”Answer”,”text”:”\”Ate\” was released by Offshore Music Philippines, an independent record label co-founded by Ely Buendia. The label supports emerging and established Filipino artists, bridging generations across the local music industry.”}}]}## Frequently Asked Questions ### Who produced Ely Buendia’s single ‘Ate’? Ely Buendia’s single “Ate” was produced by Baguio-based producer Shadiel Chan, founder of Nine Degrees North. Chan is known for producing massive OPM hits, including Cup of Joe’s “Multo” and Dilaw’s chart-topping breakout single “Uhaw.” ### When was Ely Buendia’s single ‘Ate’ released? Ely Buendia released “Ate” on March 26 under Offshore Music Philippines. The track follows his late-2024 solo album Method Adaptor and his work promoting the Eraserheads documentary Combo on the Run throughout 2025. ### What is the meaning behind Ely Buendia’s song ‘Ate’? According to Ely Buendia, “Ate” reflects a mindset focused on finding optimism amidst life’s inevitable ebbs and flows. The track explores emotional perspective and personal growth, capturing a hopeful outlook after nearly three decades in music. ### Why did Ely Buendia collaborate with producer Shadiel Chan? Seeking new creative perspective, Ely Buendia partnered with Shadiel Chan to bring a fresh take to his music. Buendia praised Chan’s fast workflow and sharp musical instincts, highlighting the value of learning from new talent in OPM. ### What record label released Ely Buendia’s ‘Ate’? “Ate” was released by Offshore Music Philippines, an independent record label co-founded by Ely Buendia. The label supports emerging and established Filipino artists, bridging generations across the local music industry. Related Stories - [Ely Buendia is a Walking Contradiction](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/ely-buendia-the-rolling-stone-interview/ "Ely Buendia is a Walking Contradiction") - [Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock](https://rollingstonephilippines.com/music/monty-macalino-mayonnaise-artistic-integrity-future-of-rock/ "Monty Macalino on Mayonnaise, Artistic Integrity, and the Future of Rock") - [RJ Jacinto Still Believes PH Could Be Asia’s Music Powerhouse](https://rollingstonephilippines.com/media-channels/rsph-interview/rj-jacinto/ "RJ Jacinto Still Believes PH Could Be Asia’s Music Powerhouse") **Categories:** Music, Rock **Tags:** Ely Buendia --- ## Pages ### [Home](https://rollingstonephilippines.com/) **Published:** September 12, 2024 **Author:** Jenlyn Dumlao --- ### [Musicians on Musicians](https://rollingstonephilippines.com/musicians-on-musicians/) **Published:** October 1, 2026 **Author:** Patricia Revilla --- ### [Thank You for Subscribing!](https://rollingstonephilippines.com/thank-you/) **Published:** March 24, 2025 **Author:** agb.admin **Content:** You now have access to all past and future digital issues of Rolling Stone Philippines Magazine. 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Rolling Stone PHILIPPINES DOES NOT WARRANT, ENDORSE, GUARANTEE, OR ASSUME RESPONSIBILITY FOR ANY PRODUCT OR SERVICE ADVERTISED OR OFFERED BY A THIRD PARTY THROUGH THIS WEBSITE OR ANY HYPERLINKED SITE, AND Rolling Stone PHILIPPINES WILL NOT BE A PARTY TO OR IN ANY WAY MONITOR ANY TRANSACTION BETWEEN YOU AND THIRD-PARTY PROVIDERS OF PRODUCTS OR SERVICES. AS WITH THE PURCHASE OF A PRODUCT OR SERVICE THROUGH ANY MEDIUM OR IN ANY ENVIRONMENT, YOU SHOULD USE YOUR BEST JUDGMENT AND EXERCISE CAUTION WHERE APPROPRIATE. YOUR USE OF THIS WEBSITE AND ANY CONTENT PROVIDED ON THIS WEBSITE ARE ENTIRELY AT YOUR OWN RISK. --- ### [Privacy Policy](https://rollingstonephilippines.com/privacy-policy/) **Published:** May 31, 2024 **Author:** agb.admin **Content:** Rolling Stone Philippines is owned and operated by Modern Media Group Inc. (“MMGI”) under license from Penske Media Corporation (“PMC”). This privacy policy will explain how our organization uses the personal data we collect from you when you use our website. Rolling Stone Philippines is committed to protect and respect your personal data privacy. We take measures implementing and complying with the Data Privacy Act of 2012. We will provide individuals a Personal Information Collection Statement in an appropriate format and manner whenever we collect personal data from them (i.e. in the manual form or web page that collects personal data, or in a notice posted at the reception area of Rolling Stone Philippines events where participants’ personal data is collected through attendance sheets). ###### Topics: 1. How do we collect your data? 2. How will we use your data? 3. How do we store your data? 4. Marketing 5. Advertising Policy 6. What are your data protection rights? 7. What are cookies? 8. How do we use cookies? 9. What types of cookies do we use? 10. How to manage cookies? 11. What are the protection measures in place? 12. Access and correction 13. Privacy policies of other websites 14. Changes to our privacy policy 15. How to contact us 16. How to contact the appropriate authority **What data do we collect?** Rolling Stone Philippines collects the following data: - Personal identification information (Name, email address, phone number, etc.) - Personal preferences to topics relating to fashion, beauty and lifestyle **How do we collect your data?** You directly provide Rolling Stone Philippines with most of the data we collect. We collect data and process data when you: - Register online or place an order for any of our products or services - Voluntarily complete a customer survey or provide feedback on any of our message boards or via email - Use or view our website via your browser’s cookies **How will we use your data?** Rolling Stone Philippines collects your data so that we can: - Process your order, manage your account; - Email you with information on other products, events and services we think you might like. If you agree,​ Rolling Stone Philippines will share your data with our partner company, AGC Power Holdings Corp., so that they may offer you their products and services. When ​Rolling Stone Philippines processes your order, it may send your data to, and also use the resulting information from, credit reference agencies to prevent fraudulent purchases. **How do we store your data?** Rolling Stone Philippines securely stores your data on our server. Rolling Stone Philippines will keep your personal particulars for the lifetime of the publication. Once this time period has expired, we will delete your data. **Marketing** Rolling Stone Philippines would like to send you information about products and services of ours and brand partners that we think you might like. These partners include fashion, beauty and lifestyle brands. If you have agreed to receive such information, you may always opt out at a later date. You have the right at any time to stop​ Rolling Stone Philippines from contacting you for marketing purposes or giving your data to other members of AGC Power Holdings Corp. If you no longer wish to be contacted for marketing purposes, please send in your request to [info@rollingstonephilippines.com](mailto:rollingstonephilippines.com). **Advertising Policy** Rolling Stone Philippines with third-party advertising companies to serve advertisements when you visit our website. To provide a high-quality experience and relevant content, we and our partners use technology to personalize the ads you see. Third-Party Vendors and Cookies - Personalized Advertising: Third-party vendors, including Google and other ad exchanges, use cookies to serve ads based on your prior visits to Rolling Stone Philippines or other websites on the Internet. - Ad Technology: Our advertising partners may use web beacons and cookies to collect non-identifiable information (such as your IP address, device type, or content viewed) to measure ad effectiveness and provide ads for goods and services that may interest you. Affiliate Disclosure In the spirit of transparency, some of the links on our website are “affiliate links.” This means if you click on the link and purchase an item, Rolling Stone Philippines may receive an affiliate commission. This helps support our editorial team and does not result in any additional cost to you. Your Choices and Opt-Outs You have the right to control how your data is used for advertising: Google Ads: You can manage the Google ads you see and opt out of Google’s personalized ads by visiting Google Ads Settings. Network Advertising Initiative: You can opt out of third-party personalized advertising by visiting the NAI Opt-Out Page **What are your data protection rights?** Rolling Stone Philippines would like to make sure you are fully aware of all of your data protection rights. Every user is entitled to the following: The right to access – ​You have the right to request ​Rolling Stone Philippines for copies of your personal data. We may charge you a small fee for this service. The right to rectification – ​You have the right to request that ​Rolling Stone Philippines correct any information you believe is inaccurate. You also have the right to request ​Rolling Stone Philippines to complete information you believe is incomplete. The right to erasure – You have the right to request tha​t Rolling Stone Philippines erase your personal data, under certain conditions. The right to restrict processing – You have the right to request that​ Rolling Stone Philippines restrict the processing of your personal data, under certain conditions. The right to object to processing – ​You have the right to object to ​Rolling Stone Philippines’ processing of your personal data, under certain conditions. The right to data​​portability – ​You have the right to request that ​Rolling Stone Philippines transfer the data that we have collected to another organization, or directly to you, under certain conditions. If you make a request, we have one month to respond to you. If you would like to exercise any of these rights, please contact us at our email: [info@rollingstonephilippines.com](mailto:rollingstonephilippines.com), call us at: (632) 8241-8970, or write to us: 18th Floor, Offices at the Galleon Bldg, ADB Avenue, Brgy. San Antonio, Ortigas Center, Pasig City, 1605 Metro Manila. **What are cookies?** Cookies are text files placed on your computer to collect standard Internet log information and visitor behavior information. When you visit our website, we may collect information from you automatically through cookies or similar technology. For further information, visit ​www.allaboutcookies.org​. **How do we use cookies?** Rolling Stone Philippines uses cookies in a range of ways to improve your experience on our website, including: - Keeping you signed in; - Understanding how you use our website. **What types of cookies do we use?** There are a number of different types of cookies, however, our website uses: - Functionality​ – Rolling Stone Philippines uses these cookies so that we recognize you on our website and remember your previously selected preferences. These could include what language you prefer and location you are in. A mix of first-party and third-party cookies are used. - Advertising​ – ​Rolling Stone Philippines uses these cookies to collect information about your visit to our website, the content you viewed, the links you followed and information about your browser, device and your IP address. ​Rolling Stone Philippines sometimes shares some limited aspects of this data with third parties for advertising purposes. We may also share online data collected through cookies with our advertising partners. This means that when you visit another website, you may be shown advertising based on your browsing patterns on our website. **How to manage cookies.** You can set your browser to not accept cookies, and ​www.allaboutcookies.org​ tells you how to remove cookies from your browser. However, in a few cases, some of our website features may not function as a result. **Protection Measures.** Only authorized NPC personnel has access to these personal information, the exchange of which will be facilitated through email and hard copy. They will be stored in a database for two years (after inquiries, requests are acted upon) after which physical records shall be disposed of through shredding, while digital files shall be anonymized. **Access and Correction.** You have the right to ask for a copy of any personal information we hold about you, as well as to ask for it to be corrected if you think it is wrong. To do so, please contact our Data Protection Officer, through the following email address: it@rollingstonephilippines.com. **Privacy policies of other websites.** Rolling Stone Philippines’s website contains links to other websites. Our privacy policy applies only to our website, so if you click on a link to another website, you should read their privacy policy. Changes to our privacy policy Rolling Stone Philippines keeps its privacy policy under regular review and places any updates on this web page. **How to contact us.** If you have any questions about​ Rolling Stone Philippines’s privacy policy, the data we hold on you, or you would like to exercise one of your data protection rights, please do not hesitate to contact us. Email us at: [info@rollingstonephilippines.com](mailto:rollingstonephilippines.com) Call us at: (632) 8241-8970 Or write to us: 18th Floor, Offices at the Galleon Bldg, ADB Avenue, Brgy. San Antonio, Ortigas Center, Pasig City, 1605 Metro Manila **How to contact the appropriate authority.** Should you wish to report a complaint or if you feel that ​Rolling Stone Philippines has not addressed your concern in a satisfactory manner, you may contact the National Privacy Commission. Email:​ complaints@privacy.gov.ph Address:​ 5th Floor Delegation Building, PICC Complex, Roxas Boulevard, Philippines --- ### [Set Password](https://rollingstonephilippines.com/set-password/) **Published:** July 31, 2026 **Author:** agb.admin --- ### [Rolling Stone Philippines Digital Access](https://rollingstonephilippines.com/digital-access/) **Published:** March 24, 2025 **Author:** agb.admin --- ### [About Us](https://rollingstonephilippines.com/about-us/) **Published:** September 12, 2024 **Author:** Jenlyn Dumlao **Content:** For more than half a century, **Rolling Stone** has transcended generations, captivating audiences across all walks of life. Founded by Jann Wenner and Ralph Gleason in San Francisco in 1967, the magazine has built a reputation on capturing the pressing issues of our times. By including “all the news that fits,” Rolling Stone has set the bar for thought-provoking storytelling. Now, the iconic brand is in the Philippines with a team that is focused on covering the social and cultural interests of Filipinos at a global stage. **[Rolling Stone Philippines](https://rollingstonephilippines.com/ "Rolling Stone Philippines") is set to reinvent the rules and reframe culture,** highlighting the personalities and topics shaping today’s narrative. It aims to establish itself as a cultural force, engaging audiences both locally and internationally. Featuring the mavericks, iconoclasts and visionaries of this generation, Rolling Stone Philippines will uncover the raw and unfiltered attitudes of this generation. It will lift the veil on why the truth matters, and how it is the spirit of our counterculture today. *Discover Rolling Stone Philippines in the format that suits you best. We offer flexible subscription options for our digital and print editions, as well as the option to purchase single issues. All transactions are handled securely and efficiently through our platform.* *Rolling Stone Philippines is a trademark of Penske Media Corporation, published and presented by Modern Media Group Inc. – a subsidiary of AGC Power Holdings Corp. All rights reserved.* --- ### [Custom feed builder](https://rollingstonephilippines.com/custom-feed-builder/) **Published:** September 26, 2025 **Author:** Lyle Dolleton --- ### [Digital Access FAQs](https://rollingstonephilippines.com/digital-access-faqs/) **Published:** March 24, 2025 **Author:** agb.admin **Content:** ### Is my Rolling Stone Philippines Digital Access subscription refundable? No, Rolling Stone Philippines Digital Access subscriptions are non-refundable. Once purchased, you will have access to the digital content until your subscription expires. ### How long do I have access to my digital subscription? You will have access to the digital content for the duration of your purchased subscription period (e.g., monthly, annual). ### Can I cancel my Rolling Stone Philippines Digital Access subscription? Yes, you can cancel your subscription at any time prior to your next renewal date. Cancelling will prevent future renewals, but you will retain access to the digital content until your current subscription expires. ### I’ve forgotten my password. How can I reset it? You can reset your password by clicking the “Forgot Password” link on the login page. Follow the instructions provided to reset your password via email. ### Can I download the e-magazines? No, the e-magazines within Rolling Stone Philippines Digital Access are for online viewing only and are not available for download. ### Where can I purchase a print edition of Rolling Stone Philippines magazine? You can purchase print editions of Billboard Philippines magazine at our online store: <https://sarisari.shopping/collections/rolling-stone-philippines-collections> --- ### [Where to buy](https://rollingstonephilippines.com/where-to-buy/) **Published:** May 14, 2025 **Author:** Mark Hubilla **Content:** ## Where to Buy Rolling Stone Philippines is available in the following places: #### Order from our official online shops [Sari Sari Newsstand](https://sarisari.shopping/)[Shopee Mall](https://shopee.ph/sarisarinewsstand) [LazMall](https://www.lazada.com.ph/shop/sari-sari-newsstand/) #### Visit the following bookstores National Bookstore – Rockwell National Bookstore – Glorietta 1 National Bookstore – SM Aura National Bookstore – Shangri-La National Bookstore – SM Megamall National Bookstore – Podium National Bookstore – Trinoma National Bookstore – Quezon Ave National Bookstore – SM North EDSA National Bookstore – Festival Mall Alabang National Bookstore – SM Southmall National Bookstore – Katipunan National Bookstore – UP Town Center FullyBooked – BGC FullyBooked – Greenhills FullyBooked – ATC FullyBooked – SM Southmall FullyBooked – UP Town Center FullyBooked – Katipunan --- ### [Account](https://rollingstonephilippines.com/account/) **Published:** March 24, 2025 **Author:** agb.admin **Content:** - [Home](/wp-admin/admin-ajax.php?action=home) - [Subscriptions](/wp-admin/admin-ajax.php?action=subscriptions) - [Payments](/wp-admin/admin-ajax.php?action=payments) - [Logout](https://rollingstonephilippines.com/rsph-auth-login/?action=logout&redirect_to=https%3A%2F%2Frollingstonephilippines.com%2Flogin%2F&_wpnonce=d9b1361128) Your access is on hold. 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E Magazines ### [July 2026 | Atom Araullo](https://rollingstonephilippines.com/emag/july-2026-atom-araullo/) **Published:** June 30, 2026 **Author:** Lyle Dolleton **Content:** **Emag Featured:** Atom Araullo **Emag Months:** July **Emag Years:** 2026 --- ### [Mar 2026 | Anniversary Issue](https://rollingstonephilippines.com/emag/mar-2026-anniversary-issue/) **Published:** March 16, 2026 **Author:** Lyle Dolleton **Content:** **Emag Featured:** Anne Curtis, Cheche Lazaro, IV of Spades **Emag Months:** March **Emag Years:** 2026 --- ### [May 2026 | SB19- Special Issue](https://rollingstonephilippines.com/emag/may-2026-sb19-special-issue/) **Published:** June 15, 2026 **Author:** Lyle Dolleton **Content:** **Emag Featured:** SB19 **Emag Months:** May **Emag Years:** 2026 --- ### [November 2025 | Kidlat tahimik](https://rollingstonephilippines.com/emag/november-2025-kidlat-tahimik/) **Published:** November 15, 2025 **Author:** Lyle Dolleton **Content:** **Emag Featured:** Kidlat Tahimik **Emag Months:** November **Emag Years:** 2025 --- ### [September 2025 | BENCAB](https://rollingstonephilippines.com/emag/september-2025-bencab/) **Published:** September 15, 2025 **Author:** Lyle Dolleton **Content:** **Emag Featured:** BENCAB **Emag Months:** September **Emag Years:** 2025 --- ### [May 2025 | Daniel Padilla](https://rollingstonephilippines.com/emag/may-2025-daniel-padilla/) **Published:** May 20, 2025 **Author:** Lyle Dolleton **Content:** **Emag Featured:** Daniel Padilla **Emag Months:** May **Emag Years:** 2025 --- ### [Mar 2025 | Maria Ressa](https://rollingstonephilippines.com/emag/mar-2025-maria-ressa/) **Published:** March 15, 2025 **Author:** Lyle Dolleton **Content:** **Emag Featured:** Maria Ressa **Emag Months:** March **Emag Years:** 2025 --- ### [Mar 2025 | John Lloyd Cruz](https://rollingstonephilippines.com/emag/mar-2025-john-lloyd-cruz/) **Published:** March 15, 2025 **Author:** Lyle Dolleton **Content:** **Emag Featured:** John Lloyd Cruz **Emag Months:** March **Emag Years:** 2025 --- ### [Mar 2025 | Eraserheads](https://rollingstonephilippines.com/emag/mar-2025-eraserheads/) **Published:** March 15, 2025 **Author:** Lyle Dolleton **Content:** **Emag Featured:** Eraserheads **Emag Months:** March **Emag Years:** 2025 --- ### [July 2025 | The State of Affairs](https://rollingstonephilippines.com/emag/july-2025-the-state-of-affairs/) **Published:** July 15, 2025 **Author:** Lyle Dolleton **Content:** **Emag Featured:** The State of Affairs **Emag Months:** July **Emag Years:** 2025 --- ## Glossary ### [Zine](https://rollingstonephilippines.com/glossary/z/zine/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A small, self-published, often handmade magazine, usually made in limited runs on topics such as music, art, politics, and personal stories. Zines are central to DIY and underground culture, and they let creators publish freely, outside the reach of traditional publishers. --- ### [Zeitgeist](https://rollingstonephilippines.com/glossary/z/zeitgeist/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A German word meaning the spirit of the times, used for the defining mood, ideas, and tastes of a particular era. Songs, films, and books that capture the zeitgeist tend to define their moment, which is why critics and cultural writers pay close attention to it. --- ### [Y2K Revival](https://rollingstonephilippines.com/glossary/y/y2k-revival/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The renewed fascination with the fashion, music, and design of the late 1990s and early 2000s, from low-rise denim and butterfly clips to pop-punk and early digital aesthetics. Driven by nostalgia and social media, it shows how every generation remixes the past. --- ### [X (Twitter)](https://rollingstonephilippines.com/glossary/x/x-twitter/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The social platform, formerly known as Twitter, where users post short updates, news, and reactions in real time. Rolling Stone Philippines shares stories there, and the platform plays a big part in how fandoms, breaking news, and online debates take shape. --- ### [World Tour](https://rollingstonephilippines.com/glossary/w/world-tour/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A series of concerts staged across several countries and continents, often lasting months and promoting a new album. A stop in Manila is a major event for local fans, and a tour’s reach is a sign of an artist’s international standing. --- ### [Whistleblower](https://rollingstonephilippines.com/glossary/w/whistleblower/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A person who reveals wrongdoing, such as corruption, fraud, or abuse, from within an organization or institution. Whistleblowers often take great personal risk to speak up, and many reforms and major investigations begin with their testimony, which is why legal protections and public support for them matter. --- ### [Viral](https://rollingstonephilippines.com/glossary/v/viral/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Describes content that spreads rapidly across social platforms as people share it, remix it, and react to it. A viral moment can turn an unknown song, clip, or person into a household name overnight, though attention can fade just as quickly as it arrives. --- ### [Vinyl](https://rollingstonephilippines.com/glossary/v/vinyl/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The analog record format, played on a turntable and prized for its warm sound, large artwork, and collectible appeal. After declining for decades, vinyl has enjoyed a revival among younger listeners and collectors, including in Manila, where record fairs and shops keep the scene going. --- ### [Unplugged](https://rollingstonephilippines.com/glossary/u/unplugged/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A stripped-down performance using acoustic instruments or minimal amplification, popularized by the concert series on television. Unplugged sets bring attention to the songwriting and voice, often reimagining familiar songs in a quieter, more intimate way. --- ### [Underground](https://rollingstonephilippines.com/glossary/u/underground/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Artists, venues, and scenes that operate outside mainstream attention and commercial systems, often driven by passion rather than profit. The underground is where many new sounds begin, and its word-of-mouth gigs, zines, and independent labels have often fed the wider culture. --- ### [Tribute Album](https://rollingstonephilippines.com/glossary/t/tribute-album/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A record in which artists cover or reinterpret the songs of another musician, usually to honor their legacy or influence. Tribute albums introduce classics to new listeners, and the best ones offer a fresh take rather than a copy of the original. --- ### [Trend](https://rollingstonephilippines.com/glossary/t/trend/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A pattern or style that gains popularity for a period of time, whether in fashion, music, language, or online behavior. Trends move quickly in the age of social media, and spotting which will fade and which will last is part of how cultural writers read their moment. --- ### [Tracklist](https://rollingstonephilippines.com/glossary/t/tracklist/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The ordered list of songs on an album, EP, or other release. The sequence is a creative decision in itself, shaping the pacing and emotional arc of a record, which is why fans and critics often discuss the order of the songs as closely as the songs themselves. --- ### [Synth-Pop](https://rollingstonephilippines.com/glossary/s/synth-pop/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A style of pop music that centers on synthesizers and electronic sounds, rising to prominence in the late 1970s and early 1980s. Its glossy, danceable feel keeps returning in new waves, with modern artists drawing on its textures to craft catchy, nostalgic tracks. --- ### [Subculture](https://rollingstonephilippines.com/glossary/s/subculture/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A group within a larger society that shares its own tastes, values, and style, often formed around music, fashion, or hobbies, such as punk, skate, or cosplay. Subcultures create a sense of belonging, and their ideas frequently find their way into the mainstream. --- ### [Street Art](https://rollingstonephilippines.com/glossary/s/street-art/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Visual art created in public spaces, including murals, stencils, and graffiti, often with social or political messages. Street art turns walls into open galleries, and artists around Metro Manila use it to beautify neighborhoods, tell community stories, and comment on current issues. --- ### [Streaming](https://rollingstonephilippines.com/glossary/s/streaming/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Listening to music or watching video on demand over the internet through platforms like Spotify and Netflix, rather than owning copies. Streaming has changed how artists earn and how audiences discover new work, and it raises ongoing questions about fair pay for creators. --- ### [Soundtrack](https://rollingstonephilippines.com/glossary/s/soundtrack/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The music that accompanies a film, series, or game, including original scores and licensed songs. A good soundtrack sets the mood and can become a hit on its own, turning a scene into something fans remember and keep replaying long after the credits roll. --- ### [Sound Check](https://rollingstonephilippines.com/glossary/s/sound-check/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The rehearsal before a show in which the band and sound crew test instruments, microphones, and volume levels on stage. A thorough sound check helps prevent mishaps during the performance, and for fans lucky enough to attend one, it offers a rare backstage glimpse. --- ### [Sophomore Slump](https://rollingstonephilippines.com/glossary/s/sophomore-slump/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The belief that an artist’s second album or film is likely to disappoint after a strong first outing. The slump is often a matter of pressure and expectation, since the debut had years to be made and the follow-up often has just months. --- ### [Singer-Songwriter](https://rollingstonephilippines.com/glossary/s/singer-songwriter/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A musician who writes and performs their own songs, usually with just a guitar or piano. Singer-songwriters are valued for honest, personal storytelling, and many of the most beloved voices in OPM and folk music have built their careers this way. --- ### [Setlist](https://rollingstonephilippines.com/glossary/s/setlist/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The list of songs an artist plans to play at a show, in order. Setlists balance hits, new material, and surprises, and fans often trace them closely, comparing nights and hoping for a rare deep cut or an unexpected cover. --- ### [Rock](https://rollingstonephilippines.com/glossary/r/rock/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A guitar-driven genre that grew from rhythm and blues in the 1950s and splintered into countless styles, from punk and metal to alternative. With a long history of rebellion and protest, rock remains a core part of Philippine music, from the Pinoy rock era to today. --- ### [Remix](https://rollingstonephilippines.com/glossary/r/remix/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A new version of an existing song in which the producer changes its structure, tempo, or sound, sometimes adding new vocals. Remixes can bring a track to new audiences and dance floors, and they let artists and DJs reimagine a song for different moods. --- ### [Record Label](https://rollingstonephilippines.com/glossary/r/record-label/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A company that finances, produces, distributes, and promotes recorded music, from major international labels to small independent outfits. Labels can offer funding and reach in exchange for a share of revenue and rights, so artists weigh signing carefully against staying independent. --- ### [Reboot](https://rollingstonephilippines.com/glossary/r/reboot/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A fresh start of an existing film, series, or franchise that retells its story with new casting, a modern look, or a different tone, often ignoring earlier continuity. Reboots chase familiar audiences and new ones alike, though they invite debate about originality. --- ### [Rap Battle](https://rollingstonephilippines.com/glossary/r/rap-battle/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A competition in which rappers trade improvised or prepared verses, trying to win over a crowd and judges with wit, wordplay, and delivery. Battle rap has a strong following in the Philippines, where homegrown leagues have turned its top emcees into well-known names. --- ### [R&B](https://rollingstonephilippines.com/glossary/r/rb/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Short for rhythm and blues, a genre that blends soulful vocals with groove-driven beats, tracing its roots to African American communities in the 1940s. Modern R&B leans smooth and emotional, and it has a loyal following in the Philippines among singers and listeners alike. --- ### [Q&A](https://rollingstonephilippines.com/glossary/q/qa/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** An interview format built on direct questions and answers, with the speaker’s own words front and center. Q&As let readers hear a voice unfiltered, which makes the format popular for conversations with musicians, filmmakers, writers, and public figures, usually edited for length and clarity. --- ### [Producer](https://rollingstonephilippines.com/glossary/p/producer/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The person who shapes how a record sounds, from arranging and recording to guiding performances and making creative choices in the studio. A great producer can bring out the best in an artist, and some have a signature sound that fans recognize immediately. --- ### [Press Freedom](https://rollingstonephilippines.com/glossary/p/press-freedom/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The right of journalists and news organizations to report without censorship, intimidation, or fear of reprisal. A free press is key to democracy, and in the Philippines it remains a closely watched issue, with debates over safety, access to information, and the independence of newsrooms. --- ### [P-pop](https://rollingstonephilippines.com/glossary/p/p-pop/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Short for Pilipino pop, a style of pop music made by Filipino artists, especially idol-style groups and soloists known for catchy songs, dance routines, and devoted fans. The movement has grown rapidly, with new acts training, debuting, and performing to growing crowds at home and abroad. --- ### [Pop Culture](https://rollingstonephilippines.com/glossary/p/pop-culture/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The everyday entertainment, trends, and media that large groups of people share, including music, film, television, fashion, and online content. Pop culture reflects what a society cares about at a given moment, and it is a lens for understanding wider social change. --- ### [Pop](https://rollingstonephilippines.com/glossary/p/pop/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Short for popular music, a broad genre built on catchy melodies, clear hooks, and polished production that aims to reach a wide audience. Pop constantly borrows from other styles, and in the Philippines it ranges from classic love songs to today’s idol groups and solo stars. --- ### [Political Dynasty](https://rollingstonephilippines.com/glossary/p/political-dynasty/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A family that holds or passes down elected positions across generations, concentrating power within a few surnames. The Philippine Constitution prohibits political dynasties but has never been backed by an enabling law, so the practice persists and remains a recurring subject of reform debate. --- ### [Pinoy Rock](https://rollingstonephilippines.com/glossary/p/pinoy-rock/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Rock music made by Filipino bands and artists, often blending local language, humor, and social themes with guitar-driven sounds. From the 1970s and the Eraserheads era to today’s indie bands, Pinoy rock has shaped generations of listeners and given the country some of its biggest anthems. --- ### [Philippine Cinema](https://rollingstonephilippines.com/glossary/p/philippine-cinema/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The body of films made in the Philippines, from the studio-era classics and the so-called golden age to today’s independent films and festival favorites. Showcases like Cinemalaya and the Metro Manila Film Festival bring local stories to audiences, and the industry continues to reinvent itself. --- ### [OPM](https://rollingstonephilippines.com/glossary/o/opm/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Short for Original Pilipino Music, the broad body of songs written and performed by Filipino artists, from kundiman and folk ballads to rock, pop, and hip-hop. OPM is a cornerstone of national identity, and it is celebrated each year in concerts, festivals, and playlists. --- ### [Opening Act](https://rollingstonephilippines.com/glossary/o/opening-act/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The performer or band who plays before the headliner, warming up the crowd and often reaching a new audience. For emerging artists it is a valuable break, offering stage time, exposure, and a first look at how big shows run. --- ### [Op-Ed](https://rollingstonephilippines.com/glossary/o/op-ed/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Short for opposite the editorial page, a piece of opinion writing by a contributor who is usually not part of the publication’s staff. Op-eds offer a personal argument or perspective on current events, and they sit apart from news reports, which aim to stay neutral. --- ### [Nostalgia](https://rollingstonephilippines.com/glossary/n/nostalgia/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A sentimental longing for the past, often triggered by music, films, toys, or fashion from childhood and youth. Nostalgia is a powerful force in culture and marketing, driving reunions, remakes, and revivals, and it reveals how much we want to hold on to shared memories. --- ### [Nepo Baby](https://rollingstonephilippines.com/glossary/n/nepo-baby/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Slang for a performer or public figure whose career gets a boost from famous or well-connected family members. The term sparks debate about talent, access, and fairness in entertainment, and it raises the question of how much a famous surname opens doors in industries with few of them. --- ### [Music Video](https://rollingstonephilippines.com/glossary/m/music-video/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A short film made to accompany a song, combining visuals, performance, and storytelling to reinforce the music. Since the days of television, music videos have been a space for creative risk, helping launch careers and give songs a second life online. --- ### [Mosh Pit](https://rollingstonephilippines.com/glossary/m/mosh-pit/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The crowd area in front of a stage where fans push, jump, and collide to loud, fast music, most common at punk, metal, and hardcore shows. Though it looks chaotic, the pit has unwritten rules of care, such as picking up anyone who falls. --- ### [Mixtape](https://rollingstonephilippines.com/glossary/m/mixtape/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** An informal collection of songs, often released independently and for free or at low cost, as a showcase rather than a formal album. Rooted in hip-hop and DIY culture, mixtapes let artists experiment, build buzz, and reach listeners without waiting for a label. --- ### [Meme](https://rollingstonephilippines.com/glossary/m/meme/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A piece of content, usually an image, video, or phrase, that spreads online as people copy and reshape it with their own twist. Memes are a quick language of internet culture, used for humor, commentary, and politics, and they can make or break a moment overnight. --- ### [Mastering](https://rollingstonephilippines.com/glossary/m/mastering/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The final stage of music production, in which a finished mix is polished so that it sounds balanced and consistent on every kind of speaker and platform. A good master adjusts volume, tone, and clarity, helping a song sound professional and ready for release. --- ### [Mainstream](https://rollingstonephilippines.com/glossary/m/mainstream/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The ideas, styles, and works that reach the widest audience and dominate popular attention, such as radio hits and blockbuster films. The word is often set against indie or underground, though artists regularly cross the line in both directions as their audiences grow. --- ### [Lo-Fi](https://rollingstonephilippines.com/glossary/l/lo-fi/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Short for low fidelity, a style of music or recording with a deliberately rough, warm, or imperfect sound, such as tape hiss or muted drums. Lo-fi can feel personal and nostalgic, and its relaxed beats have become popular background music for studying and unwinding. --- ### [Live Review](https://rollingstonephilippines.com/glossary/l/live-review/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A critical write-up of a concert or performance based on being there, covering the sound, stagecraft, crowd energy, and moments that stood out. A good live review captures the atmosphere for those who were absent and offers context for those who were present. --- ### [LGBTQ+](https://rollingstonephilippines.com/glossary/l/lgbtq/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** An umbrella term for lesbian, gay, bisexual, transgender, queer, and other sexual and gender identities, with the plus acknowledging the many identities not named. Coverage of the community spans rights, representation, and daily life, including debates over anti-discrimination legislation in the Philippines. --- ### [Kundiman](https://rollingstonephilippines.com/glossary/k/kundiman/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A traditional Filipino love song, typically slow and lyrical, expressing longing, devotion, and sacrifice. During the American colonial period, some kundiman carried hidden messages of love for the nation, and the form still shapes how Filipino songwriters approach emotion and melody. --- ### [K-pop](https://rollingstonephilippines.com/glossary/k/k-pop/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** South Korean pop music, known for polished production, precise choreography, and highly organized fan communities. With a massive following in the Philippines, K-pop shapes fan culture, concerts, and fashion, and it inspired the idol-style training model behind a growing number of Filipino groups. --- ### [Karaoke](https://rollingstonephilippines.com/glossary/k/karaoke/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A sing-along pastime in which people perform popular songs over instrumental tracks, known in the Philippines as videoke. A staple of parties, fiestas, and family gatherings, it is a shared ritual that keeps classic OPM and pop hits alive across generations. --- ### [Jam Session](https://rollingstonephilippines.com/glossary/j/jam-session/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** An informal gathering where musicians play together without a fixed script, improvising riffs, grooves, and solos on the spot. Jam sessions are a way to try out ideas, learn from peers, and build chemistry, and many songs and bands start from one. --- ### [Investigative Journalism](https://rollingstonephilippines.com/glossary/i/investigative-journalism/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** In-depth reporting that digs into matters of public interest, often involving corruption, abuse of power, or hidden wrongdoing. It takes time, records, sources, and persistence to produce, and it holds officials and institutions accountable by bringing facts to light that someone would rather keep quiet. --- ### [Internet Culture](https://rollingstonephilippines.com/glossary/i/internet-culture/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The memes, trends, platforms, slang, and shared behaviors that shape life online and increasingly spill into everyday life. It moves quickly, from viral dances to inside jokes, and understanding it helps explain how music, celebrity, and politics now travel across feeds. --- ### [Influencer](https://rollingstonephilippines.com/glossary/i/influencer/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A person who builds a large online following and uses it to shape opinions, trends, and buying decisions, often through social media. Influencers can be powerful voices for causes and creators, though their paid partnerships also raise questions about transparency and authenticity. --- ### [Indie](https://rollingstonephilippines.com/glossary/i/indie/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Short for independent, describing music, film, or art made outside the major-label or big-studio system. Indie work often gives creators more freedom and a distinct voice, and in the Philippines it fuels vibrant scenes in music, cinema, publishing, and zines. --- ### [Hook](https://rollingstonephilippines.com/glossary/h/hook/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The catchy part of a song, often a melody, riff, or line in the chorus, that sticks in the listener’s head. A strong hook is what makes people hum a song hours later, and songwriters and producers spend a great deal of effort crafting one. --- ### [Hip-Hop](https://rollingstonephilippines.com/glossary/h/hip-hop/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A culture and genre built on rap, DJing, breakdancing, and graffiti, born in New York in the 1970s. Filipino hip-hop has grown into a powerful voice, with artists rapping in English, Tagalog, and regional languages about love, struggle, politics, and pride. --- ### [Headliner](https://rollingstonephilippines.com/glossary/h/headliner/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The main act at a concert or festival, usually performing last and drawing the largest crowd. A headline slot signals standing in the industry, and it often anchors ticket sales, with supporting acts and opening performers building the lineup around the big name. --- ### [Greatest Hits](https://rollingstonephilippines.com/glossary/g/greatest-hits/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A compilation of an artist’s best-known or most popular songs, usually released as a career-spanning collection. It is a good entry point for new listeners, and it is also the name of one of our media channels, which revisits the music and moments that defined an era. --- ### [Gig](https://rollingstonephilippines.com/glossary/g/gig/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A live performance, especially in a smaller, independent venue like a bar, café, or music hall. Gigs are where local scenes grow, letting bands test new songs, build loyal followings, and connect with fans up close long before they headline a bigger stage. --- ### [Genre-Bending](https://rollingstonephilippines.com/glossary/g/genre-bending/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Music that mixes elements from different styles, such as pairing folk with electronic beats or hip-hop with rock guitars, so that it resists a single label. Genre-bending artists push sounds forward, and their work often inspires new scenes and unexpected audiences. --- ### [Gen Z](https://rollingstonephilippines.com/glossary/g/gen-z/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The generation born roughly between the late 1990s and early 2010s, raised with the internet and social media. Gen Z shapes trends in music, fashion, and online humor, and its tastes, values, and habits are closely watched by brands, artists, and publications. --- ### [Gatekeeper](https://rollingstonephilippines.com/glossary/g/gatekeeper/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A person or institution, such as an editor, label, programmer, or platform, that decides what gets published, heard, or seen. Gatekeepers shape taste and access, and their influence is changing as artists and creators build audiences directly online. It is also the name of one of our media channels. --- ### [Folk](https://rollingstonephilippines.com/glossary/f/folk/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A genre rooted in storytelling and tradition, often built on acoustic instruments and honest, plainspoken lyrics. In the Philippines, folk and its protest-song legacy have long carried social commentary, and a new generation of songwriters continues to bring regional languages and everyday stories to the form. --- ### [Film Festival](https://rollingstonephilippines.com/glossary/f/film-festival/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** An organized event that screens a curated selection of films, often with premieres, awards, and talks with filmmakers. Festivals are important launching pads for independent and international cinema, and in the Philippines they give homegrown stories a place to find audiences and critics. --- ### [Festival](https://rollingstonephilippines.com/glossary/f/festival/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A multi-act music event, often held over several days, where many artists perform across different stages. Festivals combine live music, food, art, and community, and they give audiences a chance to discover new acts alongside the headliners they came to see. --- ### [Feature](https://rollingstonephilippines.com/glossary/f/feature/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A guest appearance by another artist on a song, usually credited as featuring or ft. in the title. Features introduce each performer to the other’s fans, and they can spark unexpected collaborations across genres, labels, and even countries. --- ### [Fandom](https://rollingstonephilippines.com/glossary/f/fandom/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A community of passionate fans organized around an artist, show, film, or franchise, sharing theories, fan art, merchandise, and tickets. Filipino fandoms are known for their energy, from street projects and fan-funded billboards to coordinated streaming drives that can move a song up the charts. --- ### [Fan Art](https://rollingstonephilippines.com/glossary/f/fan-art/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Original artwork, such as drawings, paintings, digital illustrations, or edits, created by fans to celebrate a favorite artist, character, or story. Fan art is a core part of fandom culture, and it often earns recognition from the creators and stars who inspired it. --- ### [Fact-Check](https://rollingstonephilippines.com/glossary/f/fact-check/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The process of verifying claims, statistics, quotes, and images against reliable sources before or after they are published. In an age of viral falsehoods, fact-checking is a core newsroom practice, and readers can help by checking the source before sharing anything that looks too shocking. --- ### [EP](https://rollingstonephilippines.com/glossary/e/ep/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Short for extended play, a release longer than a single but shorter than a full album, usually three to six songs. EPs let emerging artists introduce their sound without a full-length budget, and established acts use them for experiments or a quick burst of new material. --- ### [Encore](https://rollingstonephilippines.com/glossary/e/encore/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** An extra performance given after the main set, usually in response to the audience’s applause and cheers. Encores can be planned or spontaneous, and they often include an artist’s biggest hit or a special surprise, sending the crowd home with one last memorable moment. --- ### [Electronic Dance Music](https://rollingstonephilippines.com/glossary/e/electronic-dance-music/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A broad family of club-oriented genres, including house, techno, and trance, built on synthesizers, drum machines, and repetitive beats made for dancing. Often shortened to EDM, it drives festivals and nightlife worldwide, and Manila’s scene continues to grow through clubs, collectives, and DJ communities. --- ### [Echo Chamber](https://rollingstonephilippines.com/glossary/e/echo-chamber/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** An online or social space where people mostly encounter views that match their own, so their beliefs are repeated and rarely challenged. Algorithms and group chats can deepen this effect, which is why it comes up often in discussions of politics, fandom, and disinformation. --- ### [Documentary](https://rollingstonephilippines.com/glossary/d/documentary/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A nonfiction film that explores real people, events, or issues, using interviews, archival material, and observation to tell its story. Documentaries can inform, challenge, and move audiences, and Philippine filmmakers have used them to document social movements, history, and everyday lives. --- ### [DJ Set](https://rollingstonephilippines.com/glossary/d/dj-set/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A live or recorded performance in which a DJ blends tracks into one continuous, evolving flow, reading the crowd as they go. From club nights to festival stages, a good set is built on selection, timing, and transitions, not simply playing songs back to back. --- ### [Disinformation](https://rollingstonephilippines.com/glossary/d/disinformation/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** False information created and spread on purpose to mislead people, often to sway opinion or win political advantage. In the Philippines, it travels fast through social media and troll networks, which makes fact-checking, media literacy, and credible reporting essential tools for an informed public. --- ### [Discography](https://rollingstonephilippines.com/glossary/d/discography/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The complete body of recorded work released by an artist or group, including albums, EPs, singles, and collaborations. Exploring a discography in order shows how a musician evolves, and it helps new listeners find hidden gems beyond the biggest hits. --- ### [Deepfake](https://rollingstonephilippines.com/glossary/d/deepfake/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A video, image, or audio clip created or altered with artificial intelligence to make someone appear to say or do something they never did. Deepfakes can be used for satire, but they are also a growing tool of scams and disinformation, so verification matters more than ever. --- ### [Debut Album](https://rollingstonephilippines.com/glossary/d/debut-album/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** An artist’s first full-length record, which introduces their sound, voice, and ambitions to a wider audience. Often shaped by years of writing and rehearsing, a debut sets expectations for everything that follows, which is why critics and fans listen to it so closely. --- ### [Cult Classic](https://rollingstonephilippines.com/glossary/c/cult-classic/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A film, show, album, or book that did not find mainstream success at first but earned a devoted, lasting following. Cult classics are often weird, ahead of their time, or deeply personal, and fans keep them alive through screenings, quotes, and word of mouth. --- ### [Cover Song](https://rollingstonephilippines.com/glossary/c/cover-song/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A new recording or live performance of a song first made by another artist. Covers can honor an original or reinvent it entirely, and many Filipino artists have built their audiences by reinterpreting beloved OPM classics and international hits in their own style. --- ### [Cosplay](https://rollingstonephilippines.com/glossary/c/cosplay/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The practice of dressing up as a character from anime, comics, games, films, or series, often with handmade costumes and props. Cosplay is a creative, social hobby that thrives at conventions, and the Philippines has an active community of enthusiasts and competitions. --- ### [Contractualization](https://rollingstonephilippines.com/glossary/c/contractualization/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The labor practice, known locally as endo, of hiring workers on short-term contracts that end before regularization, denying them job security and benefits. It remains a major workers’ rights issue in the Philippines, affecting retail, service, and media workers, among others, and a frequent subject of labor reporting. --- ### [Concept Album](https://rollingstonephilippines.com/glossary/c/concept-album/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A record built around a single theme, story, or idea, so its songs work together like chapters rather than standalone tracks. Concept albums reward full listens, and they give artists room to explore larger subjects such as identity, protest, memory, or home. --- ### [Climate Change](https://rollingstonephilippines.com/glossary/c/climate-change/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The long-term shift in global temperatures and weather patterns, driven largely by human activity. The Philippines is among the countries most exposed to its effects, from stronger typhoons to rising seas, which makes environmental reporting and community resilience a regular part of the national conversation. --- ### [B-Side](https://rollingstonephilippines.com/glossary/b/b-side/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** The secondary track on a single, traditionally pressed on the flip side of a record. Often overlooked on release, B-sides become cult favorites for devoted fans, since they show an artist’s experimental or more personal side away from the radio-ready hit. --- ### [Breakout Artist](https://rollingstonephilippines.com/glossary/b/breakout-artist/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A musician whose sudden surge in streams, shows, or press carries them from niche following to wider recognition. Breakouts often start online or on the indie circuit, and the real test is whether the momentum holds through a second record and a sold-out tour. --- ### [Blockbuster](https://rollingstonephilippines.com/glossary/b/blockbuster/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A big-budget film or other entertainment release that attracts large audiences and earns huge box office returns, often backed by major marketing campaigns. Blockbusters dominate the summer and holiday seasons, and their success shapes what studios choose to make next. --- ### [Binge-Watch](https://rollingstonephilippines.com/glossary/b/binge-watch/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** To watch many episodes of a series in one sitting, a habit made common by streaming platforms that release full seasons at once. Binge-watching changes how shows are written and discussed online, and it makes spoilers a daily hazard for fans. --- ### [Ballad](https://rollingstonephilippines.com/glossary/b/ballad/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A slow, emotional song that tells a story or expresses deep feeling, usually about love, loss, or longing. Ballads have a special place in Filipino music, where heartfelt power ballads fill karaoke nights, radio request shows, and the playlists of every generation. --- ### [Auteur](https://rollingstonephilippines.com/glossary/a/auteur/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A filmmaker whose personal vision and consistent style are so strong that they are seen as the main author of their films. The term comes from French film criticism, and it is often used for directors whose themes and visual signatures run through everything they make. --- ### [Artificial Intelligence](https://rollingstonephilippines.com/glossary/a/artificial-intelligence/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Computer systems that generate or analyze text, images, and music, now reshaping how art is made and how media and work operate. In the Philippines, it raises live questions about creative ownership, labor, and disinformation, from AI-generated songs to deepfakes during election season. --- ### [Algorithm](https://rollingstonephilippines.com/glossary/a/algorithm/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** A set of rules a platform uses to decide what content appears in your feed, search results, or recommendations. Algorithms shape which songs, stories, and opinions get seen, and they influence taste, trends, and public debate, often without users noticing how much they steer what they see. --- ### [Acoustic](https://rollingstonephilippines.com/glossary/a/acoustic/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Music performed or recorded with instruments that produce sound naturally, such as an acoustic guitar, piano, or violin, rather than relying on electronic amplification. Acoustic sets feel intimate and raw, and they let a song’s melody and lyrics stand on their own without heavy production. --- ### [A&R](https://rollingstonephilippines.com/glossary/a/ar/) **Published:** October 5, 2026 **Author:** Steven Adelante **Content:** Short for artists and repertoire, the team at a record label that scouts new talent, signs artists, and guides their sound and releases. Good A&R work shapes careers, from matching a singer with the right producer to timing a debut single for maximum attention. --- ### [TikTok](https://rollingstonephilippines.com/glossary/t/tiktok/) **Published:** August 11, 2026 **Author:** Lyle Dolleton **Content:** A social media platform for creating, sharing, and discovering short-form videos, featuring music, trends, challenges, and personalized content. --- ## Categories ### [The Rolling Stone Interview](https://rollingstonephilippines.com/editors-picks/the-rolling-stone-interview/) **Description:** Get up close with celebrities, musicians, and cultural icons in exclusive interviews that reveal the stories behind their careers and lives. --- ### [Culture](https://rollingstonephilippines.com/culture/) **Description:** Explore human creativity and achievement. From cinema and visual arts to literature and sports, dive into the cultural landscape with Rolling Stone PH. --- ### [Music](https://rollingstonephilippines.com/music/) **Description:** Explore the world of music with Rolling Stone Philippines. Get the latest news, album reviews, artist interviews, and trends from the vibrant music scene. --- ### [Art](https://rollingstonephilippines.com/culture/art/) **Description:** Get the latest updates on contemporary art, exhibitions, and artists at Rolling Stone Philippines. Discover insights and highlights from the vibrant art scene. --- ### [Editor's Picks](https://rollingstonephilippines.com/editors-picks/) **Description:** Discover the best of music, culture, and more with the Editor’s Picks. 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Radar cuts through the noise to recommend what’s worth your time and money. --- ### [Events](https://rollingstonephilippines.com/radar/events/) **Description:** Discover the latest events, concerts, festivals, and exclusive happenings in the world of entertainment and culture, only on Rolling Stone Philippines. --- ### [Releases](https://rollingstonephilippines.com/radar/releases/) **Description:** Explore the newest releases in film, literature, tech, and more. Stay updated with the latest trends and must-have products on Rolling Stone Philippines. --- ### [Photography](https://rollingstonephilippines.com/photography/) **Description:** Explore Rolling Stone Philippines’ Photography section—showcasing powerful visual stories, iconic images, and behind-the-scenes moments in music and culture. --- ### [News](https://rollingstonephilippines.com/culture/news-culture/) **Description:** Stay informed with Rolling Stone Philippines—delivering breaking news, exclusive stories, and updates on the culture and entertainment scenes shaping today. --- ### [News](https://rollingstonephilippines.com/state-of-affairs/state-of-affairs-news/) **Description:** Stay informed with the latest news on culture, politics, entertainment, and society shaping the Philippines and beyond — timely and trusted coverage from Rolling Stone PH. --- ### [Tech](https://rollingstonephilippines.com/culture/tech/) **Description:** Explore the latest in AI, tech culture, and innovation. See how technology is transforming everyday life and the creative industries in the Philippines. --- ### [RS Recommends](https://rollingstonephilippines.com/radar/rs-recommends/) **Description:** Carefully curated features on trends, products, and experiences shaping Filipino culture — authentic picks with a fresh perspective from Rolling Stone PH. --- ### [Commentary](https://rollingstonephilippines.com/editors-picks/commentary/) **Description:** In-depth essays exploring faith, art, social issues, and identity that shape contemporary Philippine society. Perspectives that challenge and inspire. --- ### [Lists](https://rollingstonephilippines.com/editors-picks/lists/) **Description:** Curated listicles featuring iconic moments, music, culture, and must-know highlights that shape today’s Filipino scene. 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From street eats to fine dining, discover what’s shaping the culinary scene. --- ### [RS Spotlight](https://rollingstonephilippines.com/radar/rs-spotlight/) **Description:** RS Spotlight features Filipino brands, businesses, and cultural figures — in-depth profiles presented in partnership with Rolling Stone Philippines. --- ### [Live Reviews](https://rollingstonephilippines.com/music/live-reviews/) **Description:** Live music reviews from Rolling Stone Philippines — concert recaps, festival coverage, and critical takes on shows in Manila and across Southeast Asia. --- ### [Dance/Electronic](https://rollingstonephilippines.com/music/dance-electronic/) **Description:** Dance and electronic music coverage from Rolling Stone Philippines — techno, house, and festival culture through a Filipino and Southeast Asian editorial lens. --- ### [Indie](https://rollingstonephilippines.com/music/indie/) **Description:** Indie music coverage from Rolling Stone Philippines — Filipino independent artists, OPM indie rock, and international acts playing the Manila scene. --- ### [Folk](https://rollingstonephilippines.com/music/folk/) **Description:** Folk and indie-folk music coverage from Rolling Stone Philippines — Filipino singer-songwriters, OPM folk, and the global artists shaping the genre today. --- ### [Rock](https://rollingstonephilippines.com/music/rock/) **Description:** Rock music coverage from Rolling Stone Philippines — Filipino rock bands, OPM rock legacy, international artist news, and album reviews from Manila and beyond. --- ### [Hip-hop/R&B](https://rollingstonephilippines.com/music/hiphop-rnb/) **Description:** Hip-hop and R&B coverage from Rolling Stone Philippines — Filipino rap, OPM R&B, independent labels, and the global artists defining the genre today. --- ### [Pop](https://rollingstonephilippines.com/music/pop/) **Description:** Pop music coverage from Rolling Stone Philippines — OPM pop, P-pop, K-pop, global artists, song rankings, and news on the acts defining pop today. --- ### [Philippine Cinema](https://rollingstonephilippines.com/culture/philippine-cinema/) **Description:** The state of the industry, unfiltered. From indie breakthroughs to blockbuster critiques, Rolling Stone PH explores the narratives shaping Philippine Cinema. --- ### [Internet Culture](https://rollingstonephilippines.com/culture/internet-culture/) **Description:** Deconstructing the digital world. Rolling Stone Philippines explores internet culture, viral trends, and the creators redefining how we connect and consume media. --- ### [Philippine Politics](https://rollingstonephilippines.com/state-of-affairs/philippine-politics/) **Description:** Philippine politics from Rolling Stone Philippines — accountability reporting on power, corruption, the Senate, and the figures shaping the nation's future. --- ### [Environment](https://rollingstonephilippines.com/state-of-affairs/environment/) **Description:** Philippine environment coverage from Rolling Stone Philippines — typhoons, natural disasters, climate accountability, and reporting from across the country. --- ### [LGBTQ+](https://rollingstonephilippines.com/state-of-affairs/lgbtq/) **Description:** LGBTQ+ coverage from Rolling Stone Philippines — queer rights, SOGIE legislation, same-sex recognition, and the fight for equality in the Philippines. --- ### [Artificial Intelligence](https://rollingstonephilippines.com/state-of-affairs/artificial-intelligence/) **Description:** Artificial intelligence coverage from Rolling Stone Philippines — AI's impact on Philippine democracy, society, ethics, and the politics of automated power. --- ### [Disinformation](https://rollingstonephilippines.com/state-of-affairs/disinformation/) **Description:** Disinformation and press freedom coverage from Rolling Stone Philippines — Filipino journalists, state harassment, and the fight against information warfare. --- ### [Labor](https://rollingstonephilippines.com/state-of-affairs/labor/) **Description:** Labor and workers' rights coverage from Rolling Stone Philippines — Philippine employment, DOLE policy, labor history, and the stories of Filipino workers. --- ### [Film](https://rollingstonephilippines.com/culture/film/) --- ### [TV](https://rollingstonephilippines.com/culture/tv/) **Description:** Your guide to the essential, the bizarre, and the groundbreaking. Rolling Stone Philippines delivers sharp TV reviews, weekly watchlists, and industry insights. --- ### [Style](https://rollingstonephilippines.com/radar/style/) **Description:** Fashion and style coverage from Rolling Stone Philippines — Filipino designers, slow fashion, music world style, and the cultural forces shaping how we dress. --- ### [Tech](https://rollingstonephilippines.com/radar/radar-tech/) **Description:** Technology coverage from Rolling Stone Philippines — Filipino tech news, AI, streaming, urban mobility, and tech's impact on culture and everyday life. --- ### [Media Channels](https://rollingstonephilippines.com/media-channels/) --- ### [RSPH Interview](https://rollingstonephilippines.com/media-channels/rsph-interview/) --- ### [Greatest Hits](https://rollingstonephilippines.com/media-channels/greatest-hits/) --- ### [Guerilla Report](https://rollingstonephilippines.com/media-channels/guerilla-report/) --- ### [Songs You Need To Know](https://rollingstonephilippines.com/editors-picks/songs-you-need-to-know/) **Description:** Your essential weekly soundtrack. Rolling Stone Philippines curates the songs you need to know, from global hits to the best breakthrough Filipino tracks. --- ### [What To Watch Right Now](https://rollingstonephilippines.com/editors-picks/what-to-watch-right-now/) --- ### [Q&A](https://rollingstonephilippines.com/editors-picks/qa/) **Description:** The Rolling Stone Interview. Go behind the scenes with exclusive Q&As featuring the icons, disruptors, and legends shaping Filipino music, culture, and politics. --- ### [Reviews](https://rollingstonephilippines.com/culture/reviews/) **Description:** Fearless, unfiltered, and expert. Rolling Stone Philippines delivers sharp reviews on the albums, films, and TV series that are disrupting the cultural landscape. --- ### [Guide](https://rollingstonephilippines.com/editors-picks/guide/) --- ### [Jazz](https://rollingstonephilippines.com/music/jazz-music/) **Description:** Jazz music coverage from Rolling Stone Philippines — Filipino jazz artists, neo-soul, genre-bending releases, and jazz concerts in Manila and Southeast Asia. --- ### [Transportation](https://rollingstonephilippines.com/state-of-affairs/transportation-state-of-affairs/) **Description:** Transportation coverage from Rolling Stone Philippines — fuel crisis, transport strikes, fare hikes, commuter options, and urban mobility in the Philippines. --- ### [Theater](https://rollingstonephilippines.com/culture/theater/) --- ### [Punk](https://rollingstonephilippines.com/music/punk/) **Description:** Punk, ska, and pop-punk coverage from Rolling Stone Philippines — artist features, album news, and the countercultural voices shaping the genre today. --- ### [Video Games](https://rollingstonephilippines.com/culture/video-games/) --- ### [Roundtable](https://rollingstonephilippines.com/media-channels/roundtable/) --- ## 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