By the time English rock band The Beatles escaped Manila on July 5, 1966, they were done with live performances for good. The trouble started the moment they landed. The airport customs officers seized their luggage at gunpoint, shouting at them to abandon their bags. The band, accustomed to deference, found themselves bullied for the first time. Their gear, their clothes, and — most alarmingly — their stashed marijuana were all in their luggage.
On July 4, Tony Barrow, their publicist, watched security guards disciplined fans by force with the use of batons. And shortly after their second round of their live shows in Rizal Memorial Stadium, their police escort vanished in the scene of the concert. A mob surrounded their cars, rocking them and shouting insults while they were exiting the venue.
The day after the Rizal Memorial Stadium show, the local government came to charge the band and their touring team extra. Tax officials demanded $80,000 where The Beatles’ band manager Brian Epstein refused to pay the outrageous entertainment tax. When the band tried to leave the Manila International Airport, fans and authorities chased them down. The mob then chanted “Beatles go home!” as they were kicked, punched, and shoved through customs and on the way to their plane.
The Beatles played 14 more shows, all in the U.S. and one in Japan, before quitting the live music performances for good in 1966. The studio eventually became their refuge where they recorded their biggest albums such as Rubber Soul, Sgt Pepper’s Lonely Hearts Club Band, The White Album, Abbey Road, and their last studio album Let It Be.
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Elijah Pareño
Elijah Pareño is the Music Writer of Rolling Stone Philippines. He writes daily music news, features, reviews, and radar stories of the website.
In addition to music writing, Pareño has written about the behind-the-scenes writers and producers from the P-pop scene, interviewed hip-hop artists like Shanti Dope and Zae, and featured up-and-coming artists for the Music Forecast 2026. Aside from music, Pareño has written about the state of affairs that affects pop culture. He wrote a movie review for 'Mortal Kombat II' and reported and interviewed photojournalists at the September 21, 2025 protests in Luneta and Mendiola.
Prior to working in Rolling Stone Philippines, Pareño was a freelance writer for 3 years and independent live music promoter
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