Reviews

The sequel to the 2021 reboot delivers stronger fights, more gore, and better character arcs

In Joachim Trier’s follow-up to The Worst Person in the World, he examines the gaps left in parental departure and how writing becomes an atlas for finding one’s way back home

Female rage is the heart of this revenge drama, but is it enough to fuel the entire movie?

Would you throw away a 10-year romance if it suffocated you, or would ending it negate the time spent? Irene Villamor’s latest tearjerker attempts to answer this question

And it’s up to you, dear viewer, if that horniness is a good thing