Pop singer-songwriter Chappell Roan returns with a new single, “The Subway,” an intimate shift from the maximalist pop of her earlier material. Trading high-gloss synths for something more bare-boned, the track builds on jangly guitar lines and understated percussion from producer Dan Nigro. It lands closer to the sound of a private confession than a dance-floor anthem, but still carries Roan’s signature bruised lyricism and soaring vocal delivery.
The new single stands in contrast with the arena-sized ambition of songs like “Pink Pony Club” and “Good Luck Babe,” offering moments of quiet while retaining emotional impact. Roan’s voice rides the melody with familiar strength, but the instrumentation gives more breathing room, setting a different kind of stage for her storytelling. Nigro, who also worked on Lorde’s recent material, stays behind the curtain here, letting Roan herself drive the track forward.
She first premiered “The Subway” live at Governor’s Ball 2024 while dressed as Lady Liberty, where fans got an early taste of the song’s aching tone. “Obviously, not knowing this really chaotic year would follow the performance, it didn’t really leave me the time to build the world the song deserved,” Roan shared in an Instagram post. “But finally we are here.”
Earlier this year, she released “The Giver” as a standalone single. Roan’s debut album, The Rise and Fall of a Midwest Princess, became a slow-burning success after its 2023 release. She went on to win Best New Artist at the 2025 Grammy Awards.
