Filipinos love to make love songs. It’s part of our DNA. We live and breathe it like oxygen. We hear it everywhere — not just in romantic spots like restaurants and music venues, but also inside jeepneys, department stores, and, most especially, the lonesome karaoke bar.
Our love for the love song began in the late 19th century with kundiman, which comes from the Tagalog phrase “kung hindi man,” or “if it weren’t so.” A soothing genre characterized by delicate instrumentals and impassioned vocal performances, kundiman songs are often patriotic ballads disguised as romantic melodies; its singers uniting Filipinos against the Spaniards in the name of love for their country.
And as such, the Filipino love song has evolved into an immense source of pride — perhaps competing with our equally beloved national anthem. From the emotional guitar riffs of Kitchie Nadal’s “Huwag na Huwag Mong Sasabihin” to the epic arena rock tune of Kamikazee’s “Huling Sayaw,” here are 25 Filipino love songs that keep us yearning for the perfect romance.
Pilita Corales, ‘Dahil Sa Iyo’
Pilita Corales’ “Dahil Sa Iyo,” an example of the Tagalog Kundiman, serenades listeners with a tale of yearning and longing alongside a gentle percussion, a subtly strumming electric guitar, and mellow horns to soften the weight. “Dahil Sa Iyo” stands out as a testament to Corales’ ability to craft standalone stories of desire with its captivating rhythm and melodies drawing us in.
VST & Company, ‘Ipagpatawad Mo’
Pressured by the back-to-back hits of their competitors, VST & Company decided to take a bold turn. Shifting from their disco roots to a soft-rock sound, they transformed “Ipagpatawad Mo” from a potential club banger and into one of the most memorable romantic anthems in Filipino music history. The smooth vocal harmonies and gentle orchestral string sections were a match made in heaven, and the melodies in the hooks are unforgettable. “Ipagpatawad Mo” remains one of the most iconic songs of its era.
Jaya, ‘Wala Na Bang Pag-ibig’
Love knows no boundaries and Jaya poured her heart into “Wala Na Bang Pag-ibig,” making you question whether love exists within you or not. Jaya talks about the missing links of love. The secret answer to her question? Love is everywhere. This song was a make-or-break moment for Jaya in 1997, as she had previously been known for duets and covers. Since the release “Wala Na Bang Pag Ibig”, she was able to touch so many hearts and reach for the stars, catapulting her into legendary status as one of the best female Filipino balladeers of all time.
Eraserheads, ‘Ligaya’
A college kid from the University of the Philippines Diliman’s Mojave Dormitory can do anything for you. He’ll hang out with you by the Sunken Garden, grab isaw, and even help with your thesis. In “Ligaya,” vocalist Ely Buendia of Eraserheads paints the picture of the ideal boy-next-door. Like all campus boys, he pleads that he’s different from the rest. “Ligaya” is finely tuned like a harana serenade from the 1900s, but structured like a slacker rock anthem. It’s perfect for strolling through the calm streets of Quezon City as you ponder on what could’ve been.
Kitchie Nadal, ‘Huwag na Huwag Mong Sasabihin’
Kitchie Nadal wrestles with her emotions in “Huwag na Huwag Mong Sasabihin” on whether she should confess her loveor keep it to herself. She battles these feelings with an electric guitar and a chorus that is performed like the last concert of her life. While her songs often appear in karaoke medleys, “ Huwag na Huwag Mong Sasabihin” showcases Nadal’s full vocal power alongside powerful guitar riffages. Love has never sounded this raw, and Nadal’s fierce approach songwriting became a blueprint for female empowerment in the 2000s Filipino rock scene.
Gagong Rapper, ‘Kabet’
A bell rings, and the singable piano lines instantly strike a chord with a heartbroken generation. Gagong Rapper’s ability to cross over from recordings in Maryland, USA, to the Philippine online consciousness made “Kabet” one of the internet’s earliest sleeper hits during the year 2004. Played endlessly in computer shops, used as background music for boyfriend-girlfriend slideshows on old YouTube editors, “Kabet” features a simple boom bap production with a looping piano chord, relying mostly on its hook and verses to work its magic.
Megumi Acorda, ‘Ghost’
Dream pop and love songs are inseparable — one wouldn’t exist without the other. The magic of Megumi Acorda’s “Ghost” is in its songwriting, capturing the haunting presence of a lost love, and the inescapable reality of grief. The track’s effectiveness lies in its weeping lead guitars, chilling chord progressions, and slow yet pounding percussion. “Ghost” isn’t just a TikTok song; it’s dream pop at its most heartbreaking.
Cinderella, ‘T.L. Ako Sa’yo’
In “T.L. Ako Sa’yo,” vocalist Yolly Samson of the seminal Manila Sound band Cinderella ponders falling in love with her boyfriend, admitting, “Ewan ko ba kung bakit type kita, ‘di ka naman gwapo.” You can hear the grin in her voice as she challenges the idea of love at first sight. Samson’s question — “Why did I fall for a loser?” — was ahead of its time in 1975, a period when face value was more important than the internal qualities of the person. The song’s charm lies in its playful take on falling in love, proving that even falling for a “loser” can sound cool.
Rey Valera, ‘Kahit Maputi Na Ang Buhok Ko’
The magic of soft rock instrumentals and Rey Valera’s smooth, comforting vocals has made ”Kahit Maputi Na Ang Buhok Ko” the signature anthem for golden anniversaries everywhere. In 1978, Valera emerged in the music industry with debut album “Naalala Ka,” which includes this song. Its enduring appeal resonates at weddings, anniversaries, and romantic dates across generations, solidifying its place as the quintessential love song for the ages. The guitars blend seamlessly with the enchanting backdrop, while Valera’s heartfelt delivery promises unwavering devotion. This song is a testament to love that lasts a lifetime, proof that he’ll never leave your side. “Kahit Maputi Na Ang Buhok Ko” is an age-old proverb that remains as powerful today as it was when it first touched hearts in 1978.
Basil Valdez, ‘Ngayon at Kailanman’
Like his contemporaries, Basil Valdez was the epitome of cool with his black suit and tie, and gripping vocal performances. His soaring highs became the highlight of karaoke parties everywhere, while his dramatic passages carried listeners to the song’s emotional climax. “Ngayon at Kailanman” is a war cry of passion and power. No one can deliver “mahal kita” with the same intensity as Valdez. As the chorus reaches its crescendo, Valdez doesn’t just try, he gallops to the top of the moment, emerging victorious as the better man in the game of love.
Nonoy Zuñiga, ‘Araw-Gabi’
Nonoy Zuñiga plays the piano, crafting a story about loving someone from day to night. Treating it like a nursery rhyme, Zuñiga focuses on the beat, tiptoeing over each syllable with precision. “Araw-Gabi” is filled with fun, wonder, and love, wrapped in singer-songwriter charm. It’s the perfect example of using an instrument to its fullest potential while telling a heartfelt story. Zuñiga’s playful approach makes “Araw-Gabi” a love song that’s uniquely his.
Moonstar88, ‘Torete’
Alternative rock band Moonstar88 perfectly captures the feeling of “getting madly in love” in their song, “Torete.” The band goes on a two-minute buildup, which contains a skillfully strummed acoustic guitar that harkens back to the traditions of kundiman. The track then flashes to the future as electric, groovy bass lines, and pounding drums transition in. “Torete” has one of the catchiest hooks of the 2000s, captivating listeners with a single melodic lyric. Moonstar88 embraces the madness of love and how it can lead to the wildest outcomes.
Aegis, ‘Halik’
The sister duet of Juliet and Mercy Sunot were the hearts of power ballad unit Aegis. In “Halik,” they make the entire planet know that they miss your kiss like it’s the last time they’ll ever experience it. Aegis’ fierce vocals don’t just deliver lines of wishing for a kiss, but the rhythm section also elevates the drama to new heights. Through this composition, the message of “Halik” is simple — that, when asking for a kiss, a little goes a long way.
Regine Velasquez, ‘Dadalhin’
Regine Velasquez, often dubbed as “Asia’s Songbird,” shouldn’t be left out of the love song equation — and most especially her classic tune “Dadalhin,” composed by Tats Faustino. The track begins with a somber Velasquez introducing herself as the well-wishing protagonist, followed by a chorus that has now achieved iconic status: “Dadalhin kita sa’king palasyo” is an epic opening ceremony in into Velasquez’s world, with an operatic production that accentuates her fantasy. It’s a treat for listeners to imagine all the worldbuilding that Velasquez can do with an immense belting technique. It’s safe to say that “Dadalhin” is a masterclass in love song royalty from start to finish.
Ric Segreto, ‘Don’t Know What To Do’
Love is a mystery with countless answers, and Ric Segreto captures its essence in ways that feel deeply personal and relatable. With a city-pop-inspired sheen and an irresistible groove, “Don’t Know What To Do” paints a vivid picture of longing and devotion. Segreto’s decisive delivery makes it easy to imagine yourself in his shoes, dreaming of that special someone in the most tender ways. As the song slows down, Segreto’s yearning becomes even more palpable. The track’s gentle rhythm and lush instrumentation create a warm, intimate atmosphere, perfectly complementing Segreto’s velvety vocals. “Don’t Know What To Do” is a heartfelt confession, a reminder of how love can leave us speechless yet longing to express everything.
Up Dharma Down, ‘Tadhana’
A radio static opens the song while sparse electronic flourishes slowly fill the space, much like love filling a room. Former lead vocalist Armi Millare recorded the demo at a cold mountain campsite in Northern Luzon and the result was a breezy, timeless gem. “Tadhana” transcended generations with Millare’s powerful melodies inspiring countless imitators. Yet no one could replicate the fateful connection she created with her lover through this song (“Tayong umaasang hilaga’t kanluran / Ikaw ang hantungan / At bilang kanlungan mo / Ako ang sasagip sa’yo”).
Kamikazee, ‘Huling Sayaw’
A song that dominated “Battle of the Bands” competitions in schools and barangay halls across the country, Kamikazee’s “Huling Sayaw” illustrates the undeniable chemistry between vocalists Jay Contreras and Kyla — a timeless example of a rock vocalist seamlessly blending with an R&B singer. “Huling Sayaw” has the power to ignite circle pits, while also belonging in the grandest concert halls, a rare balance that few songs achieve. Kamikazee, already one of the biggest pop-punk bands in the Philippines, took a bold step with “Huling Sayaw.” They redefined what a love song could sound like by moving away from formulaic structures and crafting it like an epic.
Ben&Ben, ‘Kathang Isip’
Folk-pop outfit Ben&Ben poses a question: Are your feelings real, or are they just playing with you? In their breakout single “Kathang Isip,” they assure listeners that it’s not just their imagination running wild. The track marks a moment of musical self-discovery for the band, blending a tight performance of bongos, congas, and strings to create a love song that wrestles with reality. Paolo and Miguel Benjamin shine with their rich falsetto vocals, making it easy to sing along with your significant other. “Kathang Isip” is an indie-folk classic, proving that as long as you can write a catchy chorus about falling in love, you’ll be just fine.
IV of Spades, ‘Mundo’
If the city isn’t enough for two lovers, why not the entire planet? IV of Spades were unstoppable when they released “Mundo.” Like the singer-songwriters before them, they struggled to capture the feeling of giving the whole world to someone — until vocalist Unique Salonga found the answer. It took a falsetto in the chorus to shift the music industry’s perception and prove that the world is indeed yours. “Mundo” is IV of Spades presenting love in full-band glory, an epic tale told through rousing guitar solos, the breathtaking bass drops, and soaring vocals.
Nina, ‘Someday’
The tale of heartbreak in Nina’s “Someday” resonated deeply with the mainstream audience during the era of CDs, and films like Spiderman 2 and One More Chance. While slow piano ballads with achy-breaky lyrics weren’t uncommon at the time, Nina, along with her partner Nyoy Volante, gave the track her own spin of a raw vocal performance that’s contrary to her usual neo-soul performances. Thisadds heartfelt flourish to the lyrics with a sincerity that stays with listeners long after the song ends and as questions of “maybe” or “someday” lingers.
no rome, ‘Pink’
Electronic music producer and songwriter no rome captures the ache of missing someone and the fleeting beauty of flowers in “Pink.” His flawless vocal delivery seamlessly blends talk-singing with the occasional vocal runs, drawing listeners into a heartfelt conversation about love. Layered with a steady beat, glitchy textures and a haunting piano melody, “Pink” is a song that highlights alternative R&B in its most intimate moments.
Mellow Fellow, ‘Dancing’
Polo Reyes’ solo bedroom project, Mellow Fellow, became an internet phenomenon in 2018, during the peak years of YouTube algorithm pop. His jangly yet luscious take on pop music inspired Filipino artists to create their own music at home; but nothing compares to how “Dancing” skyrocketed his status, becoming the unofficial prom theme song for high schools nationwide. This is love inviting you to participate — the kind that asks you to move until your bones are too frail to keep up and it works like a charm.
South Border, ‘Kahit Kailan’
South Border’s presence in the Filipino R&B scene from the late ‘90s to early 2000s was nothing short of trailblazing. With one massive hit after another, Jay Durias and the band were at the peak of their career. “Kahit Kailan” stands out as a masterpiece that cemented their legacy. It is where Durias’ voice transforms into an instrument, blending with the pianos and strings. Love takes many forms and in “Kahit Kailan,” voice and instrument become one, driving us to the city of love anytime, anywhere.
kiyo, Alisson Shore, ‘Urong Sulong’
As pink hues paint the sky, the heavenly synths bounce along clicking hi-hats, with punchy snares radiating into an affectionate atmosphere — one that is rarely seen in rap productions. This atmosphere was brought to life by the tandem of Alisson Shore and Kiyo, who shook the world one fateful day in 2018 with an unlikely collaboration from two artists in different scenes. Chopped vocal samples from Rihanna’s “U Da One” set the stage before Shore’s verses took over. Kiyo, then at the start of his vibrant career, weaves a story of lovers dancing across the galaxy. Together, they delivered a passionate vocal harmonization, belting out the powerful declaration, “Tunay ang pag-ibig ko,” with unmatched precision. “Urong Sulong” became the ultimate Valentine’s hip-hop anthem of that year.
DiCE & K9, ‘Itsumo’
Cebu City’s rap royalty DiCE, K9, and Hi-C of the group Mobbstarr set a new standard for love rap with their monumental inter-city hit “Itsumo” in 2004. If love couldn’t speak multiple languages, Mobbstarr proved the doubters wrong. Despite the grammatical errors in their Japanese-sung chorus, no one can deny how infectious it is. Even 20 years later, the trio’s journey from Cebu to Tokyo, in an anniversary music video released in November 2024, relives the glory of falling in love all over again. Who says love has to be perfect? Mobbstarr is here for you. Maybe “Itsumo” is about the friends we made along the way.
