Japanese-Australian alternative R&B singer Joji has finally returned with a new single titled “PIXELATED KISSES” on October 14, his first release since his third album SMITHEREENS back in 2022.
Entirely written, produced, and recorded by Joji, the song clocks in under two minutes and marks a lean return to his signature vocal style, though the production packs a dense, bitcrushing texture that contrasts from his previously more laidback material, such as “GLIMPSE OF US,” “Slow Dancing in the Dark,” and “YEAH RIGHT.” The new single is built on balancing a hypnotic hook over a gritty rage trap beat, and the result is an icy and psychedelic take into Joji’s latest direction.
As one of alternative R&B’s most distinct voices, the long wait for newer material has stretched longer than most expected. But “PIXELATED KISSES” feels less like a comeback and more like a quiet reentry to the scene, a reminder of how Joji built a career on mood and emotion rather than spectacle.
Before his emergence as a musician, Joji gained a different kind of fame online — particularly as a YouTuber through his irreverent alter ego Filthy Frank, which defined internet humor in the early 2010s. As Frank, he created absurdist content ranging from food challenges to lore building of his show’s characters, the most popular among them is Pink Guy. played as himself. Joji’s shift from the realm of the weird to a global R&B mainstay is often cited by fans as one of the internet’s rarest reinventions.
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Elijah Pareño
Elijah Pareño is the Music Writer of Rolling Stone Philippines. He writes daily music news, features, reviews, and radar stories of the website.
In addition to music writing, Pareño has written about the behind-the-scenes writers and producers from the P-pop scene, interviewed hip-hop artists like Shanti Dope and Zae, and featured up-and-coming artists for the Music Forecast 2026. Aside from music, Pareño has written about the state of affairs that affects pop culture. He wrote a movie review for 'Mortal Kombat II' and reported and interviewed photojournalists at the September 21, 2025 protests in Luneta and Mendiola.
Prior to working in Rolling Stone Philippines, Pareño was a freelance writer for 3 years and independent live music promoter
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