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5 Feature Films to Catch Before Cinemalaya 2026 Ends

From an irreverent meditation on the American dream to a coming-of-age story set against the backdrop of military occupation, here are the entries you cannot miss at this year’s film festival

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While we encourage you to watch all Cinemalaya 2026 entries, these films are the ones you cannot skip. Art by KN Vicente

The past week’s heavy weather hasn’t stopped Filipinos from flocking to malls and movie theaters to see this year’s selection of features and shorts for Cinemalaya 2026. Now on its 22nd edition, the film festival’s theme this year is “Reel Reflections,” platforming films that “bring forth voices, perspectives, and experiences that deepen our understanding of ourselves and one another.”

But the festival run is almost over, with the last screenings falling on Tuesday, August 18 at Red Carpet Cinemas in Shangri-La Plaza, Gateway Cineplex, and Ayala Malls Cinemas. So if you’re on a budget crunch, or simply tired of going out in the rain, and still don’t want to miss out on the festival this year, here are the feature films that are absolutely worth your time and money.

‘Status: Rejected’

Ruby Ruiz and Beverly Salviejo are a treat to watch as two elderly women who navigate old age, love, and the internet in Vahn Leinard Pascual’s Status: Rejected. With Facebook and a Douyin makeup filter, Ruiz’s Biring comes across a military retiree who promises to fulfill her American dream. She waits for him to come to the Philippines, eager to stop feeling like a financial burden for her daughter, Alessandra de Rossi. Pascual’s debut feature is endearingly funny and irreverent, his characters written with such care and intimacy despite touching on the hefty theme of colonial fantasy.

‘2 Valid IDs’

To those unacquainted with Pokwang’s work outside of comedy, Ma-an Asuncion-Dagñalan’s 2 Valid IDs will certainly be a revelation. But if you’ve already seen Oda sa Wala or A Mother’s Story, then you can expect another dramatic acting masterclass from the actress here. In 2 Valid IDs, Pokwang’s Sylvia must navigate bureaucratic red tape to withdraw remittance to pay for her husband Ramon’s (Joey Marquez) urgent treatment. Asuncion-Dagñalan takes this familiar plight and brings it to the nth degree in a story that oscillates between hope and despair.

‘Mag-iina’

In Mag-iina, director Giancarlo Abrahan and dramaturg Guelan Varela-Luarca trade the warmth of a typical homecoming drama for horror. Anj (Janine Gutierrez) returns to her ancestral home ahead of the 40th day of her estranged father’s death, reuniting with her mother Mita (Agot Isidro), aunt Ysobel (Cherry Pie Picache), and their matriarch, Angela (Jackie Lou Blanco). After a year of playing warm, supportive mothers to protagonists in Open Endings and The Loved One, Blanco is a revelation here, cruel and terrifying as the family’s presiding force. Much like The Haunting of Hill House or Hereditary, Mag-iina treats generational trauma and grief as a haunting. It’s strange and disorienting — sometimes overwhelmingly so — but the sheer mind-fuckery of it all is worth a trip to the theater.

‘Ganggang’

After Alipato at Muog, a documentary that faced censorship by the MTRCB for tackling cases of enforced disappearances in the Philippines, filmmaker JL Burgos now turns to fiction. In Ganggang, Mel (Raine Dela Cruz), Ten-Ten (Kenneth “Butchoy” Vincent Mendoza), and Ilay (Don Rishmond Cerbito) bond over a shared passion for spider fighting. But as they navigate friendship and their coming of age, the story’s harsher political backdrop — that of a militarized rural community — also comes to the fore, inevitable and imposing. Burgos never beats around the bush when it comes to conveying a political message, and in Ganggang, he does so without sacrificing visual storytelling. 

‘Tayo Lang Ang Nakakaalam’

Martin del Rosario, Yayo Aguila, Epy Quizon, and Miguel Odron come together in Tayo Lang Ang Nakakaalam, a film about queer love, family, and mortality. Director David Corpuz’s third Cinemalaya project follows del Rosario’s Neil as he deals with his partner Bong’s (Odron) declining health due to HIV. While he has the support of Bong’s parents, Gloria (Aguila) and Benjie (Quizon), the three still struggle to pay the hospital bills and take care of Bong in a country where homosexuality and HIV are still stigmatized. Tayo Lang Ang Nakakaalam is a gorgeous and heartbreaking must-watch.

Frequently Asked Questions

The Cinemalaya Philippine Independent Film Festival is an annual festival held at the Cultural Center of the Philippines, with screenings in select theaters. Its centerpiece is a competition of full-length films, which are developed over a 20-month period through a grant program. From up to 10 competing films, one is chosen as the Best Full-length Film at the end of the festival run. A similar competition is also held for short films.

You can watch all Cinemalaya 2026 entries at the Red Carpet Cinemas in Shangri-La Plaza, Gateway Cineplex, and Ayala Malls Cinemas from August 6 to August 18.

Each full-length film for Cinemalaya 2026 is screened separately, while short films are shown in batches of two. A regular ticket for a screening costs P350, while a ticket for students costs P250. A 20 percent discount is available for senior citizens, PWDs, national coaches, and national athletes. Cinemalaya also offers special deals, which can be found on the official website.

Cinemalaya 2026 has a lineup of nine full-length films this year: 2 Valid IDs, Hand of God, Mag-iina, A.ni.mál, Ganggang, Kaka sa Yawan, Status: Rejected, Tayo Lang Ang Nakakaalam, and Tirik.

The short-film category for Cinemalaya 2026 includes the following: Elenita Elena Elaine; Honey, My Love, So Sweet; Hoy, Hoy, Ingat!; kung paano kakalas; Para-Paraan; Runo!; Silkscreen; Sorbetes; The Keeper; and The River Flows in Different Places.

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Pie Gonzaga

Pie Gonzaga

State of Affairs Writer

Pie Gonzaga is the State of Affairs Writer of Rolling Stone Philippines, covering politics and social issues. Her work with Rolling Stone Philippines includes interviews with figures inside and outside of governance, from congressmen to activists. Aside from politics, she has also written various culture and music stories, such as album reviews, TV show recaps, and explainers for internet/pop culture phenomena.

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