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Brilliant Thing

Jon Santos: ‘I Don’t Look for Comedy as an Audience Member’

In the latest episode of The Rolling Stone Philippines Interview, the actor reflects on sobriety, comedy, and finding new meaning onstage in Bawat Bonggang Bagay

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Photography By Enzo Santos

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Jon Santos looks back on his decades-long career in TV and theater in the late Rolling Stone Philippines Interview.

Impersonator, comedian, and actor Jon Santos has always lived to surprise. When asked in The Rolling Stone Philippines Interview what kind of comedy he likes, he says, “Well, it became work. I don’t look for it as an audience member. I don’t look for it in streamed entertainment. The closest I got to consuming a comedy show was Modern Family because the last part is always a poignant moral lesson. As an audience member, I look for dramas. But comedy gold for me is fantastic puns.”

At 60, Santos has appeared in several shows, both on screen and onstage, his most recent project being the 2025 rerun of The Sandbox Collective’s interactive one-man play, Bawat Bonggang Bagay, a Filipino translation of the English play Every Brilliant Thing. Here, he plays an unnamed narrator who lists the big and small things to live for as he reflects on his youth and his mother’s struggle with mental health.

jon santos rolling stone philippines interview
Santos says it’s more difficult to gauge how an audience reacts to humor on TV and film than onstage.

Reflecting on his own life, Santos says he’s gone through phases, from being “young and hungry and aching to leave home” in his 20s, to being in debt in his 30s. “The last 20 years have been pretty great,” he says, after briefly mentioning that he has also been sober for the last two decades.

Even in his youth, Santos subverted expectations. In the latest episode of The Rolling Stone Philippines Interview, Santos talks about his beginnings in theater and comedy, and pursuing these as an economics student. “I come from a family of 9-to-5 uncles and aunts,” he tells Rolling Stone Philippines. “Nobody was in the arts, not a single performer. They were just architects and doctors, and a lot of soldiers. No one really discouraged me, but there was really no data for me to say I can make a living out of this.”

It was also in his youth that he had come out to his “military family,” but he says that there were very few conversations about his queerness. “Doing drag onstage, I just had my parents come in with complimentary tickets. They thought I was a stage manager, and then they saw me onstage. So that was [me] breaking them in,” he recalls.

“Later [on], it was just bringing someone to the family gatherings, kaunting fingers crossed, kaunting nerbyos. But no setup, no exchange. I just sensed that they had so many questions, [but] their love was bigger than their questions.”

In this episode, Santos also delves into his process as a comedian, teaching people deprived of liberty about Shakespeare, mental health, and sobriety. When asked about the biggest thing he’s learned about sobriety and recovery, he says, “The first two steps: I am powerless over my problem, and I can only conquer this with the help of a higher power that I know. And the clothes fit better.”

For more on Jon Santos, watch the full episode of The Rolling Stone Philippines Interview on YouTube.

Frequently Asked Questions

Santos says comedy became work for him, so he doesn’t seek it out as a viewer. He gravitates toward dramas instead, with Modern Family being the closest he gets to comedy, largely for its poignant closing moral lessons.

Santos’s most recent project is the 2025 rerun of The Sandbox Collective’s “Bawat Bonggang Bagay,” a Filipino translation of “Every Brilliant Thing.” He plays an unnamed narrator reflecting on his youth and his mother’s struggle with mental health.

Santos, who comes from a “military family,” says there were few direct conversations about his queerness. He recalls his parents discovering he was a drag performer when they attended a show expecting him to be a stage manager.

Santos has been sober for the last two decades. He credits his recovery process to the first two steps of acknowledging powerlessness over his problem and relying on a higher power, alongside noticeable personal changes like his clothes fitting better.

No. Santos studied economics and came from a family with no artists, mostly architects, doctors, and soldiers. He says no one discouraged him, but there was no precedent showing he could make a living through performance.

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Pie Gonzaga

Pie Gonzaga

State of Affairs Writer

Pie Gonzaga is the State of Affairs Writer of Rolling Stone Philippines, covering politics and social issues. Her work with Rolling Stone Philippines includes interviews with figures inside and outside of governance, from congressmen to activists. Aside from politics, she has also written various culture and music stories, such as album reviews, TV show recaps, and explainers for internet/pop culture phenomena.

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