The desert skies of Indio, California will once again transform into a mecca of music as Coachella returns for another double-weekend spectacle. Past editions have seen legendary performances from Radiohead’s moonlit melancholy to Bad Bunny’s reggaeton revolution. However, this year’s roster might just eclipse them all. Forget the Instagrammable flower crowns and art installations; the real draw lies in the 100+ acts set to conquer six stages across two weekends, offering everything from popPopShort for popular music, a broad genre built on catchy melodies, clear hooks, and polished production that aims to reach a wide audience. Pop constantly borrows from other styles, andGo to Pop Glossary maximalism to punk revivalism.
The festivalFestivalA multi-act music event, often held over several days, where many artists perform across different stages. Festivals combine live music, food, art, and community, and they give audiences a chanceGo to Festival Glossary kicks off with Lady Gaga commanding the main stage, her first Coachella headline slot since 2017. Expect her latest album, Mayhem, to be unleashed live for the first time, with a career-spanning set that zigzags between ARTPOP deep cuts and Chromatica bangers, all wrapped in the kind of avant-garde staging that’s made her live shows legendary. Co-headlining at the same festival will be hip-hop pioneer Missy Elliott, whose 2000s-era hits “Get Ur Freak” On” and “Work It” will collide with futuristic visuals, and UK electronic big beat rebels The Prodigy, returning to torch the Sahara Tent with their incendiary breakbeats.
The Marías’s dreamy Spanish-language rockRockA guitar-driven genre that grew from rhythm and blues in the 1950s and splintered into countless styles, from punk and metal to alternative. With a long history of rebellion andGo to Rock Glossary and Benson Boone’s heartland anthems offer quieter counterpoints, while Blackpink member and The White Lotus breakout star LISA makes her solo debut, proving Coachella’s knack for zeitgeist-y wild cards.
Green Day takes over with a victory lap celebrating their 30-year legacy, from skate-punk fury of Dookie to the political operatics of American Idiot. Their pyrotechnics will contrast sharply with Charli XCX’s neon-lit Brat party and The Misfits’ horror-punk gloom, a study in sonic whiplash. IndieIndieShort for independent, describing music, film, or art made outside the major-label or big-studio system. Indie work often gives creators more freedom and a distinct voice, and in the PhilippinesGo to Indie Glossary darling Clairo channels Laurel Canyon warmth, while K-pop boy group ENHYPEN delivers the kind of synchronized spectacle that’s made them global phenoms. It’s a night where mosh pits and TikTok dances share equal footing.
The weekend’s finale belongs to shapeshifter Post Malone, whose genre-hopping hits “Sunflower,” “Congratulations,” and “Circles” promise a singalong-heavy closer. Electronic pioneers Kraftwerk bring their retro-futurist grandeur, while Megan Thee Stallion’s co-headlining slot, which is a long-overdue coronation, guarantees headbopping anthems.
But the day’s real revelations come from Filipino-British singer beabadoobee’s grunge-pop confessions and Japan’s XG’s razor-sharp pop — a testament to Asian artists’ rising dominance.
Coachella Music and Arts FestivalFestivalA multi-act music event, often held over several days, where many artists perform across different stages. Festivals combine live music, food, art, and community, and they give audiences a chanceGo to Festival Glossary’s lineup just proves how the festival is a cultural cross-section of music every year. Coachella 2024 bridges eras and genres, proving that even after two decades, the festival still knows how to surprise. Your favorite artist’s favorite artist is here. And they’re playing at the golden hour.
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Elijah Pareño
Elijah Pareño is the Music Writer of Rolling Stone Philippines. He writes daily music news, features, reviews, and radar stories of the website.
In addition to music writing, Pareño has written about the behind-the-scenes writers and producers from the P-pop scene, interviewed hip-hop artists like Shanti Dope and Zae, and featured up-and-coming artists for the Music Forecast 2026. Aside from music, Pareño has written about the state of affairs that affects pop culture. He wrote a movie review for 'Mortal Kombat II' and reported and interviewed photojournalists at the September 21, 2025 protests in Luneta and Mendiola.
Prior to working in Rolling Stone Philippines, Pareño was a freelance writer for 3 years and independent live music promoter
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