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Hev Abi Turns Timog Ave. Into His Own Dirty South in ‘MADUMING TIMOG’

The Quezon City rapper reshapes his sound across 19 tracks rooted in hometown imagery and Southern rap influence

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Hev Abi Maduming Timog
With MADUMING TIMOG, Hev Abi commits more directly to the sonic palette of Southern rap. Photo from Hev Abi/Facebook

Rapper Hev Abi doubles down on his Quezon City pride in his long-awaited album MADUMING TIMOG, which was teased at the start of the year with the music video for “ALL NIGHT LONG.” In the video, giant neon text that reads “MADUMING TIMOG” flashes onscreen, alluding to his turf at Timog Ave. that cuts across Tomas Morato Ave. The new record signals a stylistic shift toward the “dirty south”or Southern hip-hop sound popularized in Atlanta, United States, by artists like Three 6 Mafia, Outkast, and Project Pat.

Last February 7, the album premiered at the Music Theater at the Promenade in Greenhills, San Juan City. Hev Abi invited friends and family from the music scene to witness firsthand what it feels like to be inside the world of MADUMING TIMOG. Images of Quezon City skyline were on full display at the venue, projected on stage. Hev Abi and longtime collaborator NJ performed onstage alongside his Downtown Q Entertainment crew. The night also featured visuals later released on social media: a broken concrete post lying on the sidewalk of Tomas Morato and a fallen street sign that reads “MADUMING TIMOG.” These details add to the worldbuilding Hev Abi has carefully constructed through both songwriting and the album’s rollout.

A New Chapter

Hev Abi
It may still be early to say, but MADUMING TIMOG presents a clear step forward for an artist testing the limits of his sound. Photo by JL Javier

In the new album, there are moments where Hev Abi fully shifts stylistically from his 2023 release Kung Alam Mo Lang, which catapulted him to popularity, with singles like “Alam Mo Ba Girl,” “Sumugal,” and “Walang Alam” showcasing his range across different production styles. 

With MADUMING TIMOG, Hev Abi commits more directly to the sonic palette of Southern rap, defined by heavy 808 drums, deep bass, hypnotic synthesizers, and production that moves between slow, soulful, and gritty tempos.

Songs like “SACRED HEART,” “AYUSIN ANG SIRA,” and “AWAY” featuring a rare code-switching Jess Connelly, manifest that sound throughout the record. The shift may surprise some of the listeners he has gained in a relatively short period. He went further into melody, often choosing to sing or talk-sing rather than deliver traditional punchlines. It may still be early to say, but MADUMING TIMOG presents a clear step forward for an artist testing the limits of his sound.

Frequently Asked Questions

“MADUMING TIMOG” reflects Hev Abi’s pride in his Quezon City turf around Timog Ave. and Tomas Morato Ave., shifting stylistically toward Southern hip-hop, or “dirty south,” sound popularized in Atlanta.

The album premiered on February 7 at the Music Theater at the Promenade in Greenhills, San Juan City, featuring a live performance by Hev Abi and longtime collaborator NJ.

Unlike 2023’s “Kung Alam Mo Lang,” which showcased range across production styles, “MADUMING TIMOG” commits more fully to Southern rap elements like heavy 808 drums, deep bass, and hypnotic synthesizers.

Jess Connelly appears on “AWAY,” delivering a rare code-switching performance, one of several tracks — alongside “SACRED HEART” and “AYUSIN ANG SIRA” — that showcase the album’s Southern rap influence.

The title references Hev Abi’s turf at Timog Ave. in Quezon City, first teased through neon signage in the music video for “ALL NIGHT LONG” ahead of the album’s release.

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Elijah Pareño

Elijah Pareño

Music Writer

Elijah Pareño is the Music Writer of Rolling Stone Philippines. He writes daily music news, features, reviews, and radar stories of the website.

In addition to music writing, Pareño has written about the behind-the-scenes writers and producers from the P-pop scene, interviewed hip-hop artists like Shanti Dope and Zae, and featured up-and-coming artists for the Music Forecast 2026. Aside from music, Pareño has written about the state of affairs that affects pop culture. He wrote a movie review for 'Mortal Kombat II' and reported and interviewed photojournalists at the September 21, 2025 protests in Luneta and Mendiola.

Prior to working in Rolling Stone Philippines, Pareño was a freelance writer for 3 years and independent live music promoter

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