Music

Nine Inch Nails’ Score is the Best Part of the Latest ‘Tron: Ares’ Trailer

The sci-fi franchise will be including the famed electro-industrial outfit for the much-anticipated third installment

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Walt Disney Studios
Photo from Walt Disney Studios/Facebook

Disney’s Tron: Ares is gearing up to reboot the franchise’s legacy with a visceral punch, marking the third instalment since 2010’s Tron: Legacy. But beyond the neon-lit battles and digital warfare, what truly fuels this cybernetic saga is its music, a tradition upheld once again, this time by industrial titans Nine Inch Nails, who helm the score.

The Tron franchise was defined by its sonic identity as much as its visuals. In 1982, Wendy Carlos’ pioneering Moog synthesizer compositions gave the original film its otherworldly atmosphere, blending orchestral grandeur with early electronic experimentation. Then, in 2010, Daft Punk redefined the soundscape with Tron: Legacy, merging their signature French-house beats with cinematic swells that paid homage to Carlos while pushing electronic music into new, expansive territory. Their score became the film’s heartbeat, turning light-cycle duels into symphonic clashes.

Now, Nine Inch Nails are stepping into the Grid, bringing their signature industrial abrasion. Known for their harsh percussion, distorted synths, and layered, mechanized soundscapes, their involvement suggests a darker, grittier evolution for Tron. The trailer alone hints at this shift, with its pulsing, aggressive rhythms that feel more like a warning than an invitation. Industrial music’s raw, unpolished energy could redefine what a Tron soundtrack means, which is no longer just sleek futurism but something more visceral and dangerous.

What makes the music of Tron so enduring isn’t just its innovation, but its inseparability from the world it builds. Carlos’ score was the Grid in 1982. Daft Punk’s synths were the digital frontier in 2010. Now, Nine Inch Nails’ sonic assault might just be the sound of the Grid fighting back. If the trailer is any indication, we’re not just returning to the digital world — we’re hearing it rev up across the digital horizon.

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