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‘Bongga Ka, ‘Day!’ Proves that There’s Nothing Quite Like Live Theater

Bongga Ka, ‘Day! turns Hotdog’s familiar songs into living stories, giving audiences at Newport Performing Arts Theater a new way to experience music shaped by memory and nostalgia

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Atasha Muhlach as Annie Batungbakal and Sam Concepcion as Romer Pasion
Atasha Muhlach plays Annie Batungbakal, a sales clerk dreaming of becoming a designer, alongside Sam Concepcion as Romer Pasion, whose promises become part of her self-discovery. Photo courtesy of Newport World Resorts

On September 25, Bongga Ka, ‘Day!: The Annie Batungbakal Musical opened its gala night at the Newport Performing Arts Theater, as Liza Magtoto’s writing and Chris Millado’s staging brought classic Hotdog tracks like “Bongga Ka, Day,” “Manila,” “Ikaw ang Miss Universe ng Buhay Ko,” and “Annie Batungbakal” into one cohesive story.

It takes audiences back to 1979, where Annie Batungbakal, played by Atasha Muhlach, dreams of becoming more than just a sales clerk. Her aspirations are made known to the audience against the backdrop of her work in the boutique House of Pasion. She designs clothing with fellow sales clerk Toots (Gerhard Krysstopher) in the hopes of entering the affluent world of disco bar Coco Banana. Yet, she discovers that entering this world means stepping somewhere far removed from the one she knows. Her ventures charm Romer Pasion (Sam Concepcion), whose return from abroad opens the doors to the glamorous life Annie has long dreamed of. 

Annie Batungbakal is a fictional character in Hotdog’s 1979 hit “Annie Batungbakal,” written and performed by the iconic Filipino band led by brothers Rene and Dennis Garcia. Annie is a symbol of working-class Filipinos whose aspirations extend beyond their usual toil. Set against the 1970s disco era and the rise of Manila Sound, the song follows her as she steps out of her day job into the glittering world of Manila’s nightlife. 

For Millado, the setting carries a sense of familiarity for those who lived through Manila’s nightlife in the 1970s. “I can feel the strong presence of the original ‘70s kids who widely populated Coco Banana and all the dance clubs in the ‘70s,” he says. “Thank you for not only being audiences tonight, but partying with us.” 

On top of the , the musical further taps into something near and dear to Filipinos with its passion versus practicality storyline. Annie’s desire to pursue her dreams often clashes with the realities around her, forcing her to reckon with how much she is willing to sacrifice for the life she imagines. 

When Entertainment Demands Presence

Annie Batungbakal comes at an opportune time between the post-pandemic live events boom and a demand for human-made productions amid a dystopian AI race. Its cast, led by Muhlach, comes from a generation with afflicted attention spans thanks to the rise of short-form videos, but are nonetheless trying to reclaim their sense of urgency, at least in terms of media consumption.

“I think this is the pandemic generation. When they experienced live theater production, or any theater production for that matter, they went crazy,” says John Lapus, who plays the roles of Tito Tambay and Coco Banana owner Tarurit.

It’s not an entirely different turf for these actors, though their experiences vary. Atasha Muhlach first stepped onto the Newport stage in 2011 with Sound of Music, and returned 15 years later to play her first lead role. But, Concepcion, who has been appearing more in musicals than on screen recently, emphasized how different live performances can be. 

“It’s something that you would have to be there for. You’d have to be there to see it and experience it,” he says. 

KD Estrada, who plays Annie’s first love Burn, in his second musical, believes that “there’s a demand for live performances, something that you really can’t replicate.”

“There’s so many things trying to catch our attention these days, whether it’s TikTok or music that you can have on demand through your different platforms. But I think there’s something about coming together for an event and watching it and seeing it live,” he adds.

Muhlach makes it a point to recognize how much more visceral connections can be when all the boundaries between the audience and the performers are stripped away. 

“What you see is really what you get. And you get to live off the energy of the audience and experience it in real time,” says Muhlach. 

The vibrant nightlife of Coco Banana comes to life in the theater with John Lapus playing club owner Tarurit. Photo courtesy of Newport World Resorts

Why Filipinos Make Good Theater Audience

“The audience is part of that performance. It’s different every time because they kind of contribute to that exchange,” says Concepcion. 

Many might deem Annie as gaudy, but her identity embodies a dreamer, held back by the practicality. Jackie Lou Blanco, who plays boutique owner Aurora Pasion, believes that these kinds of stories best reflect Filipinos. “We as Filipinos, I believe we create very relatable stories.”

Annie attempts to exist outside of her mundane reality, aspiring to become a fashion designer despite the circumstances that keep pulling her towards a more practical path. Certain people in the audience may find themselves in a similar dilemma, where their aspirations do not always align with what their circumstances can afford. 

Many are forced or conditioned to take on “practical” jobs that ensure stability in income, even when those choices mean putting their own aspirations on hold. 

A Space for Stories to Come Alive

Turning Hotdog’s classic songs into live, tangible stories of their own meant uncovering layers to what many of us passively listen to, and the many relatable stories attached to them. Platforms like Newport Performing Arts Theater make this connection all the more attainable for audiences. 

“A strong live entertainment industry is built one production at a time, creating momentum, developing audiences, and giving Filipino talent the platform it deserves. Bongga Ka, ‘Day is part of that journey,” says Newport World Resorts President and CEO Nilo Thaddeus Rodriguez. 

newport performing arts theater bongga ka day
The Newport Performing Arts Theater comes alive with Bongga Ka, ‘Day, which turns Hotdog’s classics into a shared experience. Photo courtesy of Newport World Resorts

Newport Performing Arts Theater has witnessed numerous productions, from plays and musicals to concerts and other live performances. 

With a capacity of more than 1,700, the theater has become one of the spaces where Filipino audiences can experience entertainment in its most immediate form: together, in the same room, responding to the same moment.

Theater makes interaction more reachable for both the audience and the performers, something that can not be easily attained with other forms of entertainment. That sense of scale and shared experience is part of what makes a production like Bongga Ka, ‘Day! work. The theater gave Hotdog’s songs room to move beyond the recordings themselves, allowing familiar melodies to be inhabited by characters, performers, and an audience experiencing them together. In a space built for live entertainment, songs that may have once existed as personal become something communal again.

Bongga Ka, ‘Day!: The Annie Batungbakal Musical runs until October 31, 2026 at the Newport Performing Arts Theater. Tickets are available online, at all TicketWorld outlets, and at the Newport World Resorts Box Office. 

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Maria Althea Javier

Copywriter

Maria Althea Javier is a copywriter at Modern Media Group Inc. where she produces branded content for its titles. She writes for brands across beauty and self-care, finance, and real estate.

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