Bow your heads and on your knees: Lorde is back.
After nearly four years of near-silence since 2021’s Solar Power — save for a Charli XCX collaboration — the New Zealand art-popPopShort for popular music, a broad genre built on catchy melodies, clear hooks, and polished production that aims to reach a wide audience. Pop constantly borrows from other styles, andGo to Pop Glossary visionary has announced her return with “What Was That,” a tantalizing new single set for a worldwide premiere on April 24 at 12 midnight Eastern Time (12 noon Philippine time). True to her form, Lorde didn’t opt for a flashy social media rollout. Instead, she teased the track via her elusive newsletter, a move that sent her devoted fanbase into a frenzy.
But the real spectacle came when Lorde staged a guerrilla-style preview at Washington Square Park in New York, standing atop a platform in a white long sleeve, black bra, and blue jeans as giant speakers blasted the track to a hyped-up crowd. The moment was pure Lorde: spontaneous, intimate, and just rebellious enough to feel like a shared secret between artist and fans. As she danced and belted out the hookHookThe catchy part of a song, often a melody, riff, or line in the chorus, that sticks in the listener's head. A strong hook is what makes people hum aGo to Hook Glossary “Well baby, what was that?” it was clear that her signature blend of poetic introspection and sly pop sensibility hadn’t gone anywhere. The fact that authorities shut it down only added to the mystique.
Sonically, the snippet suggests a departure from Solar Power’s sun-bleached folkFolkA genre rooted in storytelling and tradition, often built on acoustic instruments and honest, plainspoken lyrics. In the Philippines, folk and its protest-song legacy have long carried social commentary, andGo to Folk Glossary. There’s a synth-driven pulse here, something closer to the nocturnal thrum of Melodrama, but with a newfound house inflection. It’s a savvy pivot to where the house music’s emotional transparency suits Lorde’s lyrical sharpness, and the genre’s physicality could reignite the dancefloor intimacy she mastered on “Green Light.” Her recent Coachella Weekend 1 cameo alongside Charli XCX now reads as a clue to her new era, not a coincidence.
Timing the global release for lunchtime in Manila is a small but telling grace note. While other artists treat international audiences as afterthoughts, Lorde has always acknowledged her global listeners as equals which is a rarity in an industry obsessed with U.S. and U.K. charts.
The real question isn’t just “What Was That?” but what comes next.
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Elijah Pareño
Elijah Pareño is the Music Writer of Rolling Stone Philippines. He writes daily music news, features, reviews, and radar stories of the website.
In addition to music writing, Pareño has written about the behind-the-scenes writers and producers from the P-pop scene, interviewed hip-hop artists like Shanti Dope and Zae, and featured up-and-coming artists for the Music Forecast 2026. Aside from music, Pareño has written about the state of affairs that affects pop culture. He wrote a movie review for 'Mortal Kombat II' and reported and interviewed photojournalists at the September 21, 2025 protests in Luneta and Mendiola.
Prior to working in Rolling Stone Philippines, Pareño was a freelance writer for 3 years and independent live music promoter
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