Actor Nicolas Cage and English experimental pop artist FKA twigs step into unlikely roles in the upcoming biblical horror film The Carpenter’s Son directed by Lotfy Nathan. Released on social media, the first 30-second teaser trailer shows twigs, who plays Mary, the mother of Jesus, on her knees in a desert, crying out in despair, as Cage’s character Joseph, the adoptive father of Jesus, faces a zombie-like figure looming on a boulder during sunset.
The film is a far cry from the theatrical gloss of other biblical portrayals like Andrew Lloyd Webber’s Jesus Christ Superstar or Mel Gibson’s The Passion of the Christ. Instead, The Carpenter’s Son reimagines the biblical narrative through the lens of horror, blending sacred figures with allusions of death and existential dread. Biblical reinterpretations rarely enter horror territory, outside of symbolic references in films like Mother!, The VVitch, or possession-centered titles like The Exorcist.
Even fewer go as far as reshaping Mary and Joseph as figures inside a nightmare. Beyond stepping into Mary’s role, twigs continues to expand her film career. She will appear in Mother Mary, directed by David Lowery, alongside Anne Hathaway and Michaela Coel. Mother Mary explores the relationship between a singer and a fashion designer, with music written by Charli XCX and Jack Antonoff. The Carpenter’s Son is slated for release this fall.
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Elijah Pareño
Elijah Pareño is the Music Writer of Rolling Stone Philippines. He writes daily music news, features, reviews, and radar stories of the website.
In addition to music writing, Pareño has written about the behind-the-scenes writers and producers from the P-pop scene, interviewed hip-hop artists like Shanti Dope and Zae, and featured up-and-coming artists for the Music Forecast 2026. Aside from music, Pareño has written about the state of affairs that affects pop culture. He wrote a movie review for 'Mortal Kombat II' and reported and interviewed photojournalists at the September 21, 2025 protests in Luneta and Mendiola.
Prior to working in Rolling Stone Philippines, Pareño was a freelance writer for 3 years and independent live music promoter
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